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>>[ominous music]
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>>[pen scratching]
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>>[music continues]
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>>female: PLEASE, LET THIS GET
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TO APRIL.
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>>[door closes]
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>>[mailbox creaks]
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>>female #2: [voices whispering]
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RACHEL.
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WE JUST WANT TO TALK.
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I MUST HAVE THE ECHO.
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I WILL FIND YOU.
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>>*
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>>[voices whispering]
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>>[ominous music]
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>>[voices whispering]
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>>SHE'S HERE. UPSTAIRS.
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>>[music continues]
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>>RACHEL? COME ON OUT.
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WE JUST WANT TO TALK.
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IT'S A TRICK!
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GET HER!
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>>[intense music]
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>>OH! UGH.
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AH. AH. NO.
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>>*
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>>Rachel: UH! UH! UH!
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UH, UH! AHH!
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>>GOING SOMEWHERE, DEAR?
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>>Rachel: UH! AHHH!
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>>UNH!
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>>UH! AHHH! AHHH!
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AHHH!
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>>*
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>>female #2: IT'S MINE NOW.
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GIVE IT TO ME.
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>>Rachel: [gasping]
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>>NO!
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IT CAN'T BE.
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AGH!
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SHE DOESN'T HAVE IT!
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[sighs]
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>>[mellow flute music]
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>>female #2: WHO IS THIS CHILD?
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>>[music continues]
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>>I WONDER.
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CLEAN UP THIS MESS.
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GET HER OUTTA HERE.
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>>*
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>>[car starts]
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>>[alarm beeping]
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beep, beep, beep, beep, beep!
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>>MMM.
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>>HMM.
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>>[beeping continues]
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>>WHOSE TURN IS IT TO TAKE SARAH
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TO SCHOOL TODAY?
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>>YOURS.
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>>[beeping continues]
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>>I TOOK HER YESTERDAY.
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>>I TOOK HER
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THREE DAYS LAST WEEK
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WHEN YOU WERE UNDER DEADLINE.
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>>OHH. [pouts]
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[sighs]
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I LIKED IT BETTER WHEN SHE WENT
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TO PUBLIC SCHOOL.
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AT LEAST THEY HAD A BUS.
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>>I'LL PICK HER UP
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AFTER PLAY REHEARSAL.
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HOW'S THAT?
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>>MMM, DEAL.
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>>[sighing]
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>>[door opens]
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>>MORNING SWEETIE.
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>>Sarah: MMM.
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>>COME ON. TIME TO WAKE UP.
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>>MOMMY, IT'S TOO EARLY.
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I DON'T WANT TO.
80
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>>WELL, YOU HAVE TO.
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IT'S A SCHOOL DAY. COME ON.
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>>female #3: WHAT'S THIS?
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>>Sarah: UMM.
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>>SARAH?
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HAVE YOU BEEN FEEDING HELGA
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PEOPLE FOOD AGAIN?
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HONEY. HEY THERE, SWEETIE.
88
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COME HERE. COME ON.
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GOOD MORNING. IT'S OKAY.
90
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IT'S OKAY.
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I TOLD YOU.
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IT'S REALLY BAD FOR HER.
93
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>>Sarah: SORRY.
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I JUST THOUGHT SHE WAS TIRED
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OF EATING THE SAME THING
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EVERY DAY.
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>>SHE'S A HEDGEHOG.
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I DON'T THINK SHE CARES.
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>>OKAY.
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>>DID YOU HEAR SOMETHING?
101
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OKAY, COME ON. LET'S GO.
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>>MMM. HMMM.
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>>DON'T FORGET TO BRUSH
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YOUR TEETH.
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>>Sarah: OKAY.
106
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>>[door bumps]
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bump!
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>>[scoffs]
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MUST BE LOSING MY MIND.
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>>*
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>>[knocking]
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knock, knock, knock
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>>*
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>>[knocking]
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knock, knock, knock
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>>[door creaks]
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creak!
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>>female #4: CAN I HELP YOU?
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>>MORNING.
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DOES APRIL REILLY LIVE HERE?
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>>WHO WANTS TO KNOW?
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>>L.A.P.D.
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WE'D LIKE TO SPEAK
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WITH MS. REILLY FOR A MOMENT
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IF THAT'S ALRIGHT.
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>>IS SHE IN SOME KIND
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OF TROUBLE?
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>>MA'AM.
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THIS IS VERY IMPORTANT.
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MAY WE PLEASE COME IN
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AND SPEAK WITH HER?
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>>[door creaks]
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creak
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>>HAVE A SEAT. I'LL GET HER.
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>>[door creaks and closes]
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>>CAN I HELP YOU?
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>>APRIL REILLY?
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>>YES.
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>>HI, I'M DETECTIVE
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MIKE SIMMONS.
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THIS IS MY PARTNER,
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DAN CRAWFORD.
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L.A.P.D.
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>>MM, WHAT'S THIS ABOUT?
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>>YOU'VE GOT A LOT
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OF INTERESTING STUFF LAYING
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AROUND HERE.
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>>IT'S NOT MINE, IT'S CASEY'S.
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SHE RUNS A SPECIAL MAKEUP
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EFFECTS SHOP.
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>>OH, SHE'S, UH, YOUR--
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>>April: MY WIFE.
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>>YOU HAVE A LITTLE GIRL.
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>>MMM HMM.
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>>Mike: MUST BE WEIRD FOR HER
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TO SEE ALL THESE DEAD
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BODY PARTS LYING AROUND.
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>>April: SHE'S SMART ENOUGH
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TO KNOW IT'S ALL MAKE BELIEVE.
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>>HMM.
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>>ARE YOU INVOLVED IN MOVIES
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AS WELL?
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>>April: I'M A NEWS PRODUCER
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FOR A TABLOID SHOW.
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DO YOU MIND TELLING ME
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WHAT THIS IS ABOUT?
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>>ARE YOU ACQUAINTED
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WITH A YOUNG WOMAN
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BY THE NAME OF RACHEL COLEMAN?
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>>UH. I USED TO BE.
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>>Mike: WHAT WAS
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YOUR RELATIONSHIP
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TO MISS COLEMAN?
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>>April: WE WERE INVOLVED.
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BUT THAT WAS TEN YEARS AGO.
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>>ARE YOU STILL IN CONTACT
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WITH HER?
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>>NO.
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SHE'S DEAD. SHE DROWNED.
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>>BUT THEY NEVER FOUND THE BODY.
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>>April: IT WAS IN THE MIDDLE
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OF THE OCEAN.
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THAT WOULD BE
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A LITTLE DIFFICULT.
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WHAT'S GOING ON?
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>>TWO DAYS AGO,
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THE SAN FRANCISCO PD GOT A CALL
188
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FROM A RESIDENT
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IN AN UPSCALE NEIGHBORHOOD
190
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OUTSIDE THE CITY.
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PLACING A CALL
192
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ABOUT A DISTURBANCE COMING
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FROM A HOME BORDERING
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HER PROPERTY WHICH WAS UP
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FOR SALE.
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THE POLICE CHECKED IT OUT.
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IT SEEMS THAT RACHEL COLEMAN
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HAD BEEN SQUATTING IN THIS HOUSE
199
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FOR AT LEAST A MONTH.
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>>April: NO.
201
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THAT'S IMPOSSIBLE.
202
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SHE'S DEAD. I SAW IT.
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SHE DROWNED.
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>>DID YOU SEE HER DROWN
205
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OR DID YOU SEE HER JUST FALL
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INTO SOME WATER.
207
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>>I KNOW WHAT I SAW.
208
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>>NOW, MS. REILLY.
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WELL, IT SEEMS THAT THE PERSON
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OR PERSONS IN QUESTION
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HAD LEFT A SHORT WHILE BEFORE.
212
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NOW, I'D LIKE TO SHOW YOU
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SOMETHING.
214
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THESE WERE TAKEN
215
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FROM THE SECURITY SURVEILLANCE
216
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CAMERAS ON THE STREET
217
00:13:31,311 --> 00:13:32,479
AFTER A NEIGHBOR REPORTED
218
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HEARING SCREAMING COMING
219
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FROM THE HOUSE.
220
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THE WOMAN IS ANNE CASSAVETTES.
221
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SHE'S BEEN ON
222
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THE FBI WANTED LIST
223
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FOR A LOT OF YEARS.
224
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WHAT WOULD SOMEBODY
225
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LIKE ANNE CASSAVETTES WANT
226
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WITH MISS COLEMAN?
227
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>>NO.
228
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I HAVE NO IDEA WHAT THIS IS.
229
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>>MS. REILLY.
230
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I UNDERSTAND THAT THIS IS ALL
231
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A HUGE SHOCK TO YOU.
232
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BUT IF THERE'S ANY INFORMATION
233
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THAT YOU KNOW
234
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THAT COULD HELP US CATCH
235
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THIS PERSON, MS. REILLY.
236
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>>RACHEL COLEMAN IS DEAD.
237
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I DON'T KNOW WHERE ANY OF THIS
238
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IS LEADING.
239
00:14:05,412 --> 00:14:06,880
BUT I'D LIKE YOU TO LEAVE
240
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MY HOUSE.
241
00:14:08,215 --> 00:14:12,185
>>*
242
00:14:12,185 --> 00:14:14,287
>>Mike: IF YOU CHANGE YOUR MIND.
243
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PLEASE, DON'T HESITATE TO CALL.
244
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>>[dark music]
245
00:14:34,274 --> 00:14:35,976
>>[door closes]
246
00:14:37,978 --> 00:14:39,179
>>WE CAN TAKE SARAH TO SCHOOL
247
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IF YOU WANT.
248
00:14:40,180 --> 00:14:41,181
>>NO, NO, NO, NO.
249
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IT'S OKAY.
250
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>>OKAY?
251
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>>JUST, I DIDN'T THINK
252
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I'D HAVE TO DEAL WITH ANY
253
00:14:47,520 --> 00:14:48,655
OF THIS AGAIN.
254
00:14:48,655 --> 00:14:51,258
WHAT IF SARAH FINDS OUT?
255
00:14:51,258 --> 00:14:52,325
>>Sarah: I CAN'T FIND
256
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MY BUTTERFLY CLIP.
257
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>>April: WELL, I GUESS
258
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YOU'LL HAVE TO DO WITHOUT IT
259
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FOR TODAY.
260
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COME ON. LET'S GET GOING.
261
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I'LL TALK TO YOU TONIGHT.
262
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>>Casey: OKAY.
263
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>>April: YEAH.
264
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>>BYE.
265
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>>[door creaks open and closed]
266
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>>WERE THOSE GUYS POLICEMEN?
267
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>>YES THEY WERE.
268
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>>WERE THEY BUSTING YOU
269
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FOR SOMETHING?
270
00:15:24,958 --> 00:15:27,294
>>NO, WE'RE NOT BUSTED.
271
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>>THEN WHAT DID THEY WANT?
272
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>>THEY WANTED TO KNOW
273
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ABOUT AN OLD FRIEND OF MINE.
274
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>>WHO?
275
00:15:36,069 --> 00:15:39,606
>>MY FRIEND RACHEL.
276
00:15:39,606 --> 00:15:40,673
SHE DIED WHEN YOU WERE
277
00:15:40,673 --> 00:15:42,042
VERY YOUNG.
278
00:15:44,477 --> 00:15:46,713
>>DID SHE DO SOMETHING BAD?
279
00:15:49,249 --> 00:15:50,617
>>I DON'T KNOW.
280
00:15:55,422 --> 00:15:57,457
>>[car starts]
281
00:15:58,091 --> 00:16:25,118
>>[melancholy music]
282
00:16:25,118 --> 00:16:26,119
>>[knocking]
283
00:16:26,119 --> 00:16:27,120
knock, knock, knock, knock
284
00:16:27,120 --> 00:16:28,121
>>GOOD MORNING.
285
00:16:28,121 --> 00:16:29,122
>>April: HEY SHEILA.
286
00:16:29,122 --> 00:16:30,123
I KNOW, I'M BEHIND.
287
00:16:30,123 --> 00:16:31,191
I PROMISE I'LL HAVE SOMETHING
288
00:16:31,191 --> 00:16:32,225
FOR YOU TO LOOK AT
289
00:16:32,225 --> 00:16:33,226
BY MID-MORNING.
290
00:16:33,226 --> 00:16:34,294
>>ACTUALLY, I JUST CAME HERE
291
00:16:34,294 --> 00:16:35,295
TO LET YOU KNOW
292
00:16:35,295 --> 00:16:36,396
THAT THERE'S SOME WOMAN HERE
293
00:16:36,396 --> 00:16:37,497
TO SEE YOU.
294
00:16:37,497 --> 00:16:38,798
>>I DON'T HAVE ANY APPOINTMENTS
295
00:16:38,798 --> 00:16:39,799
THIS MORNING.
296
00:16:39,799 --> 00:16:41,101
>>I DEFINITELY DON'T THINK
297
00:16:41,101 --> 00:16:42,535
SHE'S A CLIENT.
298
00:16:52,579 --> 00:16:55,748
>>April: CAN I HELP YOU?
299
00:16:55,748 --> 00:16:57,050
>>APRIL REILLY?
300
00:16:57,050 --> 00:16:58,051
>>YES?
301
00:16:58,051 --> 00:17:00,320
>>I WAS A FRIEND
302
00:17:00,320 --> 00:17:02,122
OF RACHEL COLEMAN'S.
303
00:17:02,122 --> 00:17:04,224
THE POLICE WERE AT YOUR HOUSE
304
00:17:04,224 --> 00:17:05,225
THIS MORNING.
305
00:17:05,225 --> 00:17:06,793
THEY WERE LOOKING FOR RACHEL.
306
00:17:06,793 --> 00:17:08,561
THAT MEANS SHE'S STILL ALIVE,
307
00:17:08,561 --> 00:17:09,562
ISN'T SHE?
308
00:17:09,562 --> 00:17:11,164
>>HOW DO YOU KNOW
309
00:17:11,164 --> 00:17:13,400
THE POLICE WERE AT MY HOUSE?
310
00:17:13,400 --> 00:17:16,303
>>HAVE YOU HEARD FROM RACHEL?
311
00:17:16,303 --> 00:17:19,072
>>NO. RACHEL'S DEAD.
312
00:17:21,274 --> 00:17:25,778
>>[crying]
313
00:17:25,778 --> 00:17:29,182
HAVE THEY FOUND HER BODY?
314
00:17:29,182 --> 00:17:30,550
>>NO.
315
00:17:30,550 --> 00:17:33,520
SHE, SHE DIED TEN YEARS GO.
316
00:17:33,520 --> 00:17:35,655
THIS WHOLE THING WITH THE POLICE
317
00:17:35,655 --> 00:17:38,758
IS JUST SOME SORT OF MISTAKE.
318
00:17:38,758 --> 00:17:40,660
>>I THOUGHT SHE MIGHT STILL
319
00:17:40,660 --> 00:17:41,661
BE ALIVE.
320
00:17:41,661 --> 00:17:43,563
I ALWAYS THOUGHT SHE FAKED
321
00:17:43,563 --> 00:17:47,734
HER DEATH TO TRICK THEM.
322
00:17:47,734 --> 00:17:49,869
SHE WAS PROTECTING YOU.
323
00:17:49,869 --> 00:17:51,404
SHE WOULDN'T HAVE DONE IT
324
00:17:51,404 --> 00:17:52,405
OTHERWISE.
325
00:17:52,405 --> 00:17:55,742
>>PROTECTING ME FROM WHAT?
326
00:17:55,742 --> 00:17:57,577
>>DID RACHEL EVER TELL YOU
327
00:17:57,577 --> 00:17:59,812
ABOUT THE ECHO PROJECT?
328
00:17:59,812 --> 00:18:01,681
>>ECHO PROJECT?
329
00:18:01,681 --> 00:18:04,251
>>DR. CASSAVETTES' SCHOOL.
330
00:18:04,251 --> 00:18:06,586
THE EXPERIMENT.
331
00:18:06,586 --> 00:18:09,189
SHE NEVER TOLD YOU ABOUT THAT?
332
00:18:14,194 --> 00:18:17,297
>>YOU MEAN, ANNE CASSAVETTES?
333
00:18:19,299 --> 00:18:22,502
>>NO, THAT WAS HIS WIFE.
334
00:18:22,502 --> 00:18:24,571
HOW DO YOU KNOW ABOUT HER?
335
00:18:24,571 --> 00:18:25,638
>>THE DETECTIVE.
336
00:18:25,638 --> 00:18:27,840
HE MENTIONED HER NAME.
337
00:18:27,840 --> 00:18:30,210
>>WHAT DID HE SAY ABOUT HER?
338
00:18:30,210 --> 00:18:31,511
HAVE THEY FOUND HER?
339
00:18:31,511 --> 00:18:32,512
>>NO.
340
00:18:32,512 --> 00:18:36,683
THEY THINK THEY'VE SEEN HER.
341
00:18:36,683 --> 00:18:38,718
THE POLICE, THEY'RE LOOKING
342
00:18:38,718 --> 00:18:39,719
FOR INFORMATION.
343
00:18:39,719 --> 00:18:41,321
HE KNOWS SOMETHING.
344
00:18:41,321 --> 00:18:43,323
HE COULD PROBABLY HELP.
345
00:18:43,323 --> 00:18:46,326
HERE.
346
00:18:46,326 --> 00:18:47,327
THE DETECTIVE.
347
00:18:47,327 --> 00:18:48,795
HE GAVE ME HIS CARD.
348
00:18:48,795 --> 00:18:50,230
YOU SHOULD CALL HIM.
349
00:18:50,230 --> 00:18:53,933
>>I DON'T WANNA DEAL WITH COPS.
350
00:18:53,933 --> 00:18:55,368
>>YOU KNOW SOMETHING.
351
00:18:55,368 --> 00:18:56,603
>>I HAVE TO GO.
352
00:18:59,806 --> 00:19:01,941
>>April: WAIT.
353
00:19:01,941 --> 00:19:03,710
I DON'T EVEN KNOW YOUR NAME.
354
00:19:03,710 --> 00:19:04,844
IS THERE ANY WAY
355
00:19:04,844 --> 00:19:06,179
I CAN REACH YOU?
356
00:19:06,179 --> 00:19:08,281
>>NO, THERE IS NOT.
357
00:19:08,381 --> 00:19:24,331
>>[ominous music]
358
00:19:24,331 --> 00:19:25,398
>>[phone beeps]
359
00:19:25,398 --> 00:19:26,566
beep
360
00:19:28,568 --> 00:19:29,569
>>IT'S ME.
361
00:19:29,569 --> 00:19:30,570
YOU'RE NEVER GONNA BELIEVE
362
00:19:30,570 --> 00:19:32,272
WHO I JUST SAW WALKING OUT
363
00:19:32,272 --> 00:19:34,173
OF APRIL REILLY'S OFFICE.
364
00:19:34,241 --> 00:19:38,478
>>*
365
00:19:38,478 --> 00:19:39,479
>>[phone ringing]
366
00:19:39,479 --> 00:19:44,217
ring! ring!
367
00:19:44,217 --> 00:19:45,418
>>HOLD ON WHILE I GET THAT.
368
00:19:45,418 --> 00:19:46,419
TRY NOT TO MOVE,
369
00:19:46,419 --> 00:19:47,654
OTHERWISE WE'LL HAVE TO DO THIS
370
00:19:47,654 --> 00:19:48,655
OVER AGAIN.
371
00:19:48,655 --> 00:19:50,223
OKAY?
372
00:19:50,323 --> 00:19:53,260
>>[ringing continues]
373
00:19:53,260 --> 00:19:54,261
>>GORE GIRLS.
374
00:19:54,261 --> 00:19:55,262
>>CASEY?
375
00:19:55,262 --> 00:19:56,363
>>Casey: HEY HON.
376
00:19:56,363 --> 00:19:57,464
YOU DOING OKAY?
377
00:19:57,464 --> 00:19:59,466
>>CAN I TALK TO YOU
378
00:19:59,466 --> 00:20:00,467
ABOUT SOMETHING?
379
00:20:00,467 --> 00:20:01,601
>>WHAT IS IT?
380
00:20:01,601 --> 00:20:03,002
>>April: A WOMAN CAME
381
00:20:03,002 --> 00:20:04,837
INTO MY OFFICE THIS MORNING.
382
00:20:04,837 --> 00:20:06,706
SHE WAS ASKING ABOUT RACHEL.
383
00:20:06,706 --> 00:20:07,707
>>RACHEL, AGAIN?
384
00:20:07,707 --> 00:20:09,609
WHO WAS IT THIS TIME?
385
00:20:09,609 --> 00:20:10,977
>>I HAVE NO IDEA.
386
00:20:10,977 --> 00:20:12,545
SHE CREEPED ME OUT.
387
00:20:12,545 --> 00:20:15,382
SHE DID NOT SEEM WELL AT ALL,
388
00:20:15,382 --> 00:20:16,383
MENTALLY.
389
00:20:16,383 --> 00:20:17,384
BELIEVE ME.
390
00:20:17,384 --> 00:20:18,585
>>WELL, MAYBE IT WAS ONE
391
00:20:18,585 --> 00:20:19,586
OF RACHEL'S EX-GIRLFRIENDS.
392
00:20:19,586 --> 00:20:21,454
YOU DID SAY SHE HAD A FEW,
393
00:20:21,454 --> 00:20:22,922
AND NOT ALL OF THEM NORMAL
394
00:20:22,922 --> 00:20:23,956
FROM WHAT I HEARD.
395
00:20:23,956 --> 00:20:26,393
>>April: CASEY?
396
00:20:26,393 --> 00:20:30,463
I'M WORRIED ABOUT SARAH.
397
00:20:30,463 --> 00:20:32,432
I MEAN, WHAT IF THERE IS
398
00:20:32,432 --> 00:20:33,966
SOMETHING TO ALL OF THIS?
399
00:20:33,966 --> 00:20:36,403
DO YOU THINK WE SHOULD TELL HER?
400
00:20:36,403 --> 00:20:38,037
>>I CAN'T MAKE THAT DECISION
401
00:20:38,037 --> 00:20:39,038
FOR YOU.
402
00:20:39,038 --> 00:20:40,273
WHATEVER YOU DECIDE,
403
00:20:40,273 --> 00:20:41,341
I'M BEHIND IT.
404
00:20:41,341 --> 00:20:43,042
OKAY?
405
00:20:43,042 --> 00:20:44,010
>>OKAY.
406
00:20:44,010 --> 00:20:45,011
YOU PROBABLY HAVE
407
00:20:45,011 --> 00:20:46,012
YOUR HANDS FULL.
408
00:20:46,012 --> 00:20:47,747
I SHOULD LET YOU GO.
409
00:20:47,747 --> 00:20:49,482
YOU'RE STILL PICKING UP SARAH,
410
00:20:49,482 --> 00:20:50,483
RIGHT?
411
00:20:50,483 --> 00:20:51,484
>>YEAH, OF COURSE.
412
00:20:51,484 --> 00:20:52,485
>>April: OKAY.
413
00:20:52,485 --> 00:20:53,553
I'LL TALK TO YOU LATER.
414
00:20:53,553 --> 00:20:54,554
LOVE YOU.
415
00:20:54,554 --> 00:20:55,555
>>Casey: LOVE YOU TOO.
416
00:20:55,555 --> 00:20:57,256
>>BYE.
417
00:20:57,324 --> 00:21:15,875
>>[ominous music]
418
00:21:15,875 --> 00:21:17,276
>>TERRY.
419
00:21:21,981 --> 00:21:23,816
CAN YOU DO ME A FAVOR?
420
00:21:23,816 --> 00:21:24,817
>>WHAT'S UP?
421
00:21:24,817 --> 00:21:26,386
>>CAN YOU DO SOME RESEARCH
422
00:21:26,386 --> 00:21:27,754
FOR ME ON A WOMAN
423
00:21:27,754 --> 00:21:28,755
NAMED ANNE CASSAVETTES?
424
00:21:28,755 --> 00:21:30,357
>>WHICH PIECE IS THIS FOR?
425
00:21:30,357 --> 00:21:31,491
>>ACTUALLY IT, IT ISN'T
426
00:21:31,491 --> 00:21:32,492
FOR A PIECE.
427
00:21:32,492 --> 00:21:35,027
IT'S PERSONAL.
428
00:21:35,027 --> 00:21:36,028
>>WHOA.
429
00:21:36,028 --> 00:21:37,029
I-IF RICHARD FINDS OUT
430
00:21:37,029 --> 00:21:38,431
THAT I DO SOMETHING LIKE THAT,
431
00:21:38,431 --> 00:21:39,432
YOU KNOW I GET
432
00:21:39,432 --> 00:21:40,433
IN MAJOR TROUBLE, RIGHT?
433
00:21:40,433 --> 00:21:42,068
>>RICHARD WON'T FIND OUT.
434
00:21:42,068 --> 00:21:43,336
PLEASE, TERRY?
435
00:21:43,336 --> 00:21:47,106
I WOULDN'T ASK YOU IF IT WASN'T
436
00:21:47,106 --> 00:21:48,841
FOR SOMETHING IMPORTANT.
437
00:21:48,841 --> 00:21:50,009
>>ANNE CASSAVETTES?
438
00:21:50,009 --> 00:21:51,711
>>RIGHT.
439
00:21:53,746 --> 00:21:55,014
>>I'M GONNA HAVE TO MAKE UP
440
00:21:55,014 --> 00:21:56,082
SOME KIND OF LONG-TERM STORY
441
00:21:56,082 --> 00:21:57,350
OR TELL HIM YOU'RE WORKING
442
00:21:57,350 --> 00:21:58,551
ON AN EXTENDED PIECE, I MEAN.
443
00:21:58,551 --> 00:21:59,619
>>WHATEVER YOU NEED TO DO.
444
00:21:59,619 --> 00:22:00,820
JUST LET ME KNOW AS SOON
445
00:22:00,820 --> 00:22:01,888
AS YOU FIND OUT SOMETHING.
446
00:22:01,888 --> 00:22:02,889
AND I PROMISE
447
00:22:02,889 --> 00:22:04,090
I'LL MAKE IT UP TO YOU.
448
00:22:04,090 --> 00:22:06,459
>>YEAH, YOU BETTER.
449
00:22:06,459 --> 00:22:08,428
>>OH, AND TERRY?
450
00:22:08,428 --> 00:22:09,996
CAN YOU SEE IF THERE'S
451
00:22:09,996 --> 00:22:10,997
ANY CONNECTION
452
00:22:10,997 --> 00:22:12,532
BETWEEN THIS CASSAVETTES PERSON
453
00:22:12,532 --> 00:22:13,566
AND SOMETHING CALLED
454
00:22:13,566 --> 00:22:14,567
THE ECHO PROJECT?
455
00:22:14,567 --> 00:22:15,868
>>WHAT IN THE WORLD
456
00:22:15,868 --> 00:22:16,936
ARE YOU INTO?
457
00:22:16,936 --> 00:22:18,738
>>THAT'S WHAT I'M TRYING TO
458
00:22:18,738 --> 00:22:20,540
FIND OUT.
459
00:22:20,607 --> 00:22:35,555
>>[melancholy music]
460
00:22:35,555 --> 00:22:36,589
>>[door locks]
461
00:22:36,589 --> 00:22:37,990
click
462
00:22:38,057 --> 00:23:04,083
>>[music continues]
463
00:23:04,083 --> 00:23:05,117
>>[phone beeps]
464
00:23:05,117 --> 00:23:06,853
beep, beep, beep
465
00:23:06,853 --> 00:23:07,854
>>*
466
00:23:07,854 --> 00:23:09,622
>>[phone ringing]
467
00:23:09,622 --> 00:23:10,623
ring
468
00:23:10,623 --> 00:23:11,624
>>male: LOS ANGELES
469
00:23:11,624 --> 00:23:12,625
POLICE DEPARTMENT.
470
00:23:12,625 --> 00:23:13,626
>>HI.
471
00:23:13,626 --> 00:23:14,627
DETECTIVE MICHAEL SIMMONS,
472
00:23:14,627 --> 00:23:15,628
PLEASE.
473
00:23:15,628 --> 00:23:16,629
>>male: HE'S NOT
474
00:23:16,629 --> 00:23:17,864
IN THE OFFICE AT THE MOMENT.
475
00:23:17,864 --> 00:23:18,898
MAY I TAKE A MESSAGE?
476
00:23:18,898 --> 00:23:19,899
>>YES.
477
00:23:19,899 --> 00:23:21,634
MY NAME IS YELENA MARKOVA
478
00:23:21,634 --> 00:23:23,636
AND I HAVE SOME INFORMATION
479
00:23:23,636 --> 00:23:25,605
ABOUT ONE OF HIS CASES.
480
00:23:25,605 --> 00:23:26,606
>>male: OKAY.
481
00:23:26,606 --> 00:23:28,841
IS THIS THE BEST NUMBER
482
00:23:28,841 --> 00:23:30,677
TO REACH YOU? 3070?
483
00:23:30,677 --> 00:23:31,678
>>YES.
484
00:23:31,678 --> 00:23:33,045
THAT'S MY HOME NUMBER.
485
00:23:33,045 --> 00:23:34,046
>>male: OKAY.
486
00:23:34,046 --> 00:23:35,982
WE'LL LET THE DETECTIVE KNOW.
487
00:23:35,982 --> 00:23:37,416
>>THANKS.
488
00:23:37,484 --> 00:23:47,226
>>*
489
00:23:47,226 --> 00:23:48,528
>>[knob creaks]
490
00:23:48,528 --> 00:23:49,896
creak
491
00:23:49,962 --> 00:24:08,981
>>[shower water falling]
492
00:24:08,981 --> 00:24:10,016
>>[knocking]
493
00:24:10,016 --> 00:24:11,951
knock, knock, knock, knock
494
00:24:13,553 --> 00:24:15,988
>>[music continues]
495
00:24:15,988 --> 00:24:17,189
>>[knocking]
496
00:24:17,189 --> 00:24:19,859
knock, knock, knock, knock
497
00:24:25,064 --> 00:24:26,499
>>[door unlocks
498
00:24:26,499 --> 00:24:29,502
and creaks open]
499
00:24:44,150 --> 00:24:46,653
>>AHHH!
500
00:24:46,653 --> 00:24:47,687
>>[knife slices]
501
00:24:47,687 --> 00:24:49,188
shing!
502
00:24:49,288 --> 00:25:03,002
>>[intense music]
503
00:25:06,773 --> 00:25:07,774
>>[knocking]
504
00:25:07,774 --> 00:25:08,775
knock, knock, knock, knock
505
00:25:08,775 --> 00:25:09,742
>>THEY LEFT YOUR MAIL
506
00:25:09,742 --> 00:25:10,743
ON MY DESK AGAIN.
507
00:25:10,743 --> 00:25:11,744
>>OKAY. GREAT, THANKS.
508
00:25:11,744 --> 00:25:12,745
>>female #4: RICHARD WANTS
509
00:25:12,745 --> 00:25:13,813
TO SEE YOU AGAIN, ALSO.
510
00:25:13,813 --> 00:25:14,847
HE WANTS TO GO OVER
511
00:25:14,847 --> 00:25:15,848
THAT WEEKEND PIECE AGAIN.
512
00:25:15,848 --> 00:25:16,916
WHENEVER YOU HAVE A CHANCE.
513
00:25:16,916 --> 00:25:17,917
>>OKAY, TELL HIM
514
00:25:17,917 --> 00:25:18,985
I'LL BE RIGHT IN.
515
00:25:19,051 --> 00:25:22,555
>>[paper rustling]
516
00:25:22,622 --> 00:25:24,290
>>*
517
00:25:24,290 --> 00:25:39,305
>>[rustling continues]
518
00:25:49,682 --> 00:25:51,618
>>Rachel: DEAR APRIL,
519
00:25:51,618 --> 00:25:53,219
I DON'T KNOW WHERE TO BEGIN.
520
00:25:53,219 --> 00:25:54,220
I KNOW THAT
521
00:25:54,220 --> 00:25:55,755
FOR THE PAST TEN YEARS
522
00:25:55,755 --> 00:25:57,323
YOU BELIEVED ME TO BE DEAD.
523
00:25:57,323 --> 00:25:58,625
SO I CAN'T IMAGINE
524
00:25:58,625 --> 00:26:00,259
WHAT YOU'D BE FEELING RIGHT NOW.
525
00:26:00,259 --> 00:26:02,028
I JUST HOPE YOU'LL UNDERSTAND
526
00:26:02,028 --> 00:26:03,796
THAT WHAT I DID WAS
527
00:26:03,796 --> 00:26:04,831
FOR YOUR PROTECTION
528
00:26:04,831 --> 00:26:06,132
AND FOR MY DAUGHTER'S.
529
00:26:06,132 --> 00:26:07,634
THERE'S SOMETHING I HAVE
530
00:26:07,634 --> 00:26:08,668
TO TELL YOU.
531
00:26:08,668 --> 00:26:10,369
BEFORE WE MET, I WAS INVOLVED
532
00:26:10,369 --> 00:26:11,370
IN SOMETHING CALLED
533
00:26:11,370 --> 00:26:12,371
THE ECHO PROJECT.
534
00:26:12,371 --> 00:26:14,306
I COULD TRY TO EXPLAIN IT
535
00:26:14,306 --> 00:26:16,175
BUT RIGHT NOW, ALL YOU NEED
536
00:26:16,175 --> 00:26:17,610
TO KNOW IS THAT
537
00:26:17,610 --> 00:26:18,811
SINCE THE PROJECT ENDED,
538
00:26:18,811 --> 00:26:20,012
ALL THE OTHER SUBJECTS
539
00:26:20,012 --> 00:26:21,013
HAVE BEEN KILLED.
540
00:26:21,013 --> 00:26:22,281
IF THEY FIND ME,
541
00:26:22,281 --> 00:26:23,282
THEY'LL KILL ME.
542
00:26:23,282 --> 00:26:25,017
AND IF THEY FIND OUT
543
00:26:25,017 --> 00:26:26,318
I HAVE A DAUGHTER,
544
00:26:26,318 --> 00:26:27,787
THEY'LL KILL HER TOO.
545
00:26:27,787 --> 00:26:30,289
THAT'S WHY I HAD TO CONTACT YOU.
546
00:26:30,289 --> 00:26:32,191
I MISS YOU SO MUCH.
547
00:26:32,191 --> 00:26:34,093
I'LL SEE YOU AGAIN SOON.
548
00:26:34,093 --> 00:26:35,995
AND I CAN EXPLAIN EVERYTHING.
549
00:26:35,995 --> 00:26:37,029
BUT UNTIL THEN,
550
00:26:37,029 --> 00:26:39,098
YOU MUST KEEP THIS A SECRET
551
00:26:39,098 --> 00:26:40,132
FOR HER SAKE.
552
00:26:40,132 --> 00:26:42,201
IF ANYONE WERE TO FIND OUT,
553
00:26:42,201 --> 00:26:43,736
EVERYTHING WE CARE ABOUT
554
00:26:43,736 --> 00:26:44,737
COULD BE LOST.
555
00:26:44,737 --> 00:26:46,272
LOVE, RACHEL.
556
00:26:46,338 --> 00:26:54,013
>>*
557
00:26:59,318 --> 00:27:00,953
>>Sarah: CAN YOU HELP ME
558
00:27:00,953 --> 00:27:02,221
PRACTICE MY LINES TONIGHT?
559
00:27:02,221 --> 00:27:03,656
THERE'S THIS ONE LINE
560
00:27:03,656 --> 00:27:04,657
I KEEP FORGETTING.
561
00:27:04,657 --> 00:27:05,658
>>Casey: WHICH PART?
562
00:27:05,658 --> 00:27:07,326
>>YOU KNOW WHERE I CALL
563
00:27:07,326 --> 00:27:09,161
THE SEA MONSTER A LIAR?
564
00:27:09,161 --> 00:27:10,162
>>STILL?
565
00:27:10,162 --> 00:27:11,163
ALRIGHT.
566
00:27:11,163 --> 00:27:13,165
I'LL HELP YOU RUN THROUGH IT
567
00:27:13,165 --> 00:27:14,901
AGAIN TONIGHT.
568
00:27:14,901 --> 00:27:16,102
>>YEAH, UPSIDE DOWN.
569
00:27:16,102 --> 00:27:17,103
>>WHAT?
570
00:27:17,103 --> 00:27:18,104
>>TRACY SUMMERFIELD SAYS
571
00:27:18,104 --> 00:27:19,171
SHE REMEMBERS HER LINES
572
00:27:19,171 --> 00:27:20,439
UPSIDE DOWN 'CAUSE SHE SAYS
573
00:27:20,439 --> 00:27:21,908
IT GETS ALL THE BLOOD
574
00:27:21,908 --> 00:27:22,875
TO HER BRAIN
575
00:27:22,875 --> 00:27:23,910
AND SHE REMEMBERS BETTER.
576
00:27:23,910 --> 00:27:25,177
>>WELL, WE'LL SEE HOW MUCH
577
00:27:25,177 --> 00:27:26,178
SHE REMEMBERS
578
00:27:26,178 --> 00:27:28,114
WHEN SHE PASSES OUT.
579
00:27:28,114 --> 00:27:29,115
>>NO, REALLY.
580
00:27:29,115 --> 00:27:31,117
SHE SHOWED ME HOW TO MAKE
581
00:27:31,117 --> 00:27:32,251
MY FACE TURN RED.
582
00:27:32,251 --> 00:27:33,252
WANNA SEE?
583
00:27:33,252 --> 00:27:34,253
>>WHO DID?
584
00:27:34,253 --> 00:27:35,254
>>TRACY SUMMERFIELD. WATCH.
585
00:27:35,254 --> 00:27:36,255
>>ALRIGHT, SARAH. THAT'S ENOUGH.
586
00:27:36,255 --> 00:27:37,256
YOU'RE KILLING
587
00:27:37,256 --> 00:27:38,257
YOUR BRAIN CELLS.
588
00:27:38,257 --> 00:27:39,258
COME ON.
589
00:27:39,258 --> 00:27:40,259
>>HOW IS IT KILLING
590
00:27:40,259 --> 00:27:41,293
BRAIN CELLS?
591
00:27:41,293 --> 00:27:42,294
>>Casey: I DON'T KNOW.
592
00:27:42,294 --> 00:27:43,930
>>NO, NO, NO, NO. HOW?
593
00:27:49,401 --> 00:27:51,070
MOM?
594
00:28:01,380 --> 00:28:02,849
MOM?
595
00:28:02,849 --> 00:28:04,250
>>HEY, SWEETHEART.
596
00:28:04,250 --> 00:28:06,318
HOW ARE YOU?
597
00:28:06,318 --> 00:28:07,486
>>WHAT'S WRONG?
598
00:28:07,486 --> 00:28:09,288
>>UM.
599
00:28:09,288 --> 00:28:10,289
I'M FINE.
600
00:28:10,289 --> 00:28:13,826
JUST A REALLY LONG DAY AT WORK.
601
00:28:13,826 --> 00:28:15,795
>>SARAH, CAN I TALK TO APRIL
602
00:28:15,795 --> 00:28:17,063
ALONE FOR A MINUTE?
603
00:28:17,063 --> 00:28:18,765
>>IS IT ABOUT THE POLICEMEN
604
00:28:18,765 --> 00:28:22,301
THIS MORNING?
605
00:28:22,301 --> 00:28:23,870
I WANNA STAY AND LISTEN.
606
00:28:23,870 --> 00:28:25,271
>>HONEY, COULD YOU GO WASH
607
00:28:25,271 --> 00:28:26,372
YOUR HANDS FOR ME?
608
00:28:26,372 --> 00:28:28,240
I'M GONNA PUT DINNER ON SOON.
609
00:28:28,240 --> 00:28:29,208
>>OKAY.
610
00:28:29,208 --> 00:28:31,110
>>THANK YOU.
611
00:28:39,318 --> 00:28:42,188
>>WHAT'S GOING ON?
612
00:28:42,188 --> 00:28:44,056
HAS IT GOT SOMETHING TO DO
613
00:28:44,056 --> 00:28:45,992
WITH THAT WOMAN THAT SHOWED UP
614
00:28:45,992 --> 00:28:46,993
AT YOUR OFFICE?
615
00:28:46,993 --> 00:28:50,162
APRIL, WHY SHOULD YOU BE WORRIED
616
00:28:50,162 --> 00:28:51,197
ABOUT THAT?
617
00:28:51,197 --> 00:28:53,299
YOU SAID SO YOURSELF.
618
00:28:53,299 --> 00:28:55,034
RACHEL'S DEAD.
619
00:28:59,071 --> 00:29:01,808
WHY WON'T YOU SAY SOMETHING?
620
00:29:01,808 --> 00:29:03,275
>>IT'S, IT'S NOTHING.
621
00:29:03,275 --> 00:29:05,077
JUST, IT'S JUST BEEN
622
00:29:05,077 --> 00:29:07,379
A REALLY WEIRD DAY, YOU KNOW.
623
00:29:09,882 --> 00:29:12,318
>>SO LET'S TALK ABOUT IT.
624
00:29:12,318 --> 00:29:13,352
>>WE WILL.
625
00:29:13,352 --> 00:29:14,787
BUT, YOU KNOW, LATER TONIGHT.
626
00:29:14,787 --> 00:29:15,788
OKAY?
627
00:29:15,788 --> 00:29:17,824
I JUST, I, I JUST WANNA GET
628
00:29:17,824 --> 00:29:18,825
DINNER STARTED
629
00:29:18,825 --> 00:29:20,359
AND CLEAR MY HEAD.
630
00:29:30,903 --> 00:29:32,271
>>[dogs barking]
631
00:29:32,271 --> 00:29:36,208
woof-woof, woof-woof
632
00:29:39,979 --> 00:29:41,247
>>I'LL SEE YOU IN THE MORNING,
633
00:29:41,247 --> 00:29:42,248
OKAY.
634
00:29:42,248 --> 00:29:43,315
WE'LL GO THROUGH THOSE LINES
635
00:29:43,315 --> 00:29:44,316
AGAIN.
636
00:29:44,316 --> 00:29:45,317
>>THAT'S OKAY.
637
00:29:45,317 --> 00:29:46,919
I THINK I GOT IT NOW.
638
00:29:46,919 --> 00:29:47,920
>>YOU SURE?
639
00:29:47,920 --> 00:29:49,822
>>YEAH.
640
00:29:49,822 --> 00:29:51,991
I READ IT UPSIDE DOWN.
641
00:29:51,991 --> 00:29:53,525
>>OH. RIGHT.
642
00:29:53,525 --> 00:29:54,593
>>SO, FRIDAY NIGHT'S
643
00:29:54,593 --> 00:29:55,862
THE BIG NIGHT.
644
00:29:55,862 --> 00:29:57,463
I ALREADY GOT OUR TICKETS.
645
00:29:57,463 --> 00:30:00,166
WE'RE IN THE THIRD ROW.
646
00:30:00,166 --> 00:30:02,034
YOU'LL BE ABLE TO SEE US
647
00:30:02,034 --> 00:30:03,035
FROM THE STAGE.
648
00:30:03,035 --> 00:30:04,436
>>YOU'RE NOT SUPPOSED TO LOOK
649
00:30:04,436 --> 00:30:05,437
AT THE AUDIENCE.
650
00:30:05,437 --> 00:30:06,939
>>OH, RIGHT.
651
00:30:06,939 --> 00:30:08,140
I FORGOT.
652
00:30:08,140 --> 00:30:09,541
SLEEP TIGHT, HONEY.
653
00:30:11,477 --> 00:30:13,145
SEE YOU IN THE MORNING.
654
00:30:13,145 --> 00:30:16,248
>>GOOD NIGHT, MOM.
655
00:30:16,248 --> 00:30:17,483
>>GOOD NIGHT.
656
00:30:23,189 --> 00:30:24,823
>>[door closes]
657
00:30:28,294 --> 00:30:30,196
>>YOU CAN COME OUT NOW.
658
00:30:30,196 --> 00:30:33,132
>>[door creaks]
659
00:30:34,066 --> 00:30:41,874
>>[voices whispering]
660
00:30:41,941 --> 00:30:48,380
>>*
661
00:30:48,380 --> 00:30:50,349
>>HEY.
662
00:30:50,349 --> 00:30:52,551
YOU WAS RIGHT ABOUT THE KID.
663
00:30:52,551 --> 00:30:55,021
I SAY WE MOVE IN TONIGHT.
664
00:30:55,121 --> 00:31:15,441
>>*
665
00:31:15,441 --> 00:31:19,111
>>WHAT IF SHE'S NOT DEAD?
666
00:31:19,111 --> 00:31:20,579
WHAT IF THAT WOMAN WAS TELLING
667
00:31:20,579 --> 00:31:22,248
THE TRUTH?
668
00:31:24,050 --> 00:31:25,184
>>YOU THINK SHE'LL COME LOOKING
669
00:31:25,184 --> 00:31:27,586
FOR YOU?
670
00:31:27,586 --> 00:31:30,322
>>NO, IT'S...
671
00:31:30,322 --> 00:31:31,357
IT'S NOT THAT.
672
00:31:31,357 --> 00:31:33,192
IT'S JUST...
673
00:31:35,261 --> 00:31:37,529
WHAT IF SOMEONE FOUND OUT
674
00:31:37,529 --> 00:31:39,531
ABOUT SARAH?
675
00:31:39,531 --> 00:31:42,001
>>WHAT IF SOMEONE DID?
676
00:31:42,001 --> 00:31:44,203
WHAT THE FUCK IS IT, TUNA?
677
00:31:47,206 --> 00:31:48,640
LOOK, I DON'T KNOW WHY
678
00:31:48,640 --> 00:31:49,641
YOU'RE SO CONCERNED
679
00:31:49,641 --> 00:31:51,610
ABOUT SARAH ALL OF A SUDDEN.
680
00:31:51,610 --> 00:31:53,012
I'D LIKE A LITTLE
681
00:31:53,012 --> 00:31:54,013
COMMUNICATION HERE.
682
00:31:54,013 --> 00:31:55,181
SHE'S MY KID TOO.
683
00:31:55,181 --> 00:31:56,348
I HAVE A RIGHT.
684
00:31:56,348 --> 00:31:57,516
>>[door opens]
685
00:31:58,050 --> 00:32:05,724
>>[April and Casey whispering]
686
00:32:05,724 --> 00:32:07,393
>>Casey: WHAT IS IT?
687
00:32:12,231 --> 00:32:14,433
>>I JUST THOUGHT MAYBE IT'S TIME
688
00:32:14,433 --> 00:32:15,501
WE TOLD SARAH.
689
00:32:15,501 --> 00:32:17,603
>>ABOUT RACHEL?
690
00:32:17,603 --> 00:32:19,171
>>I MEAN, SHE'S OLD ENOUGH
691
00:32:19,171 --> 00:32:21,273
TO KNOW AND...
692
00:32:21,273 --> 00:32:22,241
WHAT IF SOMETHING WERE
693
00:32:22,241 --> 00:32:23,242
TO HAPPEN?
694
00:32:23,242 --> 00:32:24,410
I, I WOULDN'T FEEL RIGHT
695
00:32:24,410 --> 00:32:25,978
IF SARAH DIDN'T KNOW THE TRUTH.
696
00:32:25,978 --> 00:32:28,580
>>THEN TELL HER.
697
00:32:28,580 --> 00:32:30,149
>>RIGHT NOW?
698
00:32:30,216 --> 00:32:49,135
>>[dreary music]
699
00:32:49,135 --> 00:32:51,003
>>IF IT'S BOTHERING YOU
700
00:32:51,003 --> 00:32:54,473
THAT MUCH, MAYBE YOU SHOULD.
701
00:32:54,473 --> 00:32:56,442
FOR YOUR SAKE, NOT JUST HERS.
702
00:33:02,014 --> 00:33:04,150
>>WILL YOU COME WITH ME?
703
00:33:04,150 --> 00:33:07,586
>>IS THAT ENOUGH?
704
00:33:07,586 --> 00:33:08,754
WHAT'S WRONG?
705
00:33:08,754 --> 00:33:10,322
>>[voices whispering]
706
00:33:10,322 --> 00:33:12,158
>>[gasps]
707
00:33:12,158 --> 00:33:13,459
>>HONEY.
708
00:33:13,459 --> 00:33:15,194
WHAT ARE YOU DOING UP?
709
00:33:18,397 --> 00:33:20,232
WHO'S THIS FOR?
710
00:33:20,232 --> 00:33:21,733
>>IT'S FOR NOBODY.
711
00:33:21,733 --> 00:33:25,604
>>WHAT DO YOU MEAN NOBODY?
712
00:33:25,604 --> 00:33:28,674
SARAH.
713
00:33:28,674 --> 00:33:31,043
WAS SOMEONE HERE?
714
00:33:31,043 --> 00:33:33,279
>>I CAN'T TELL.
715
00:33:33,279 --> 00:33:35,181
>>WHAT DO YOU MEAN?
716
00:33:35,181 --> 00:33:37,483
SARAH, WAS SOMEONE IN HERE?
717
00:33:37,483 --> 00:33:38,817
>>SHE'S MY FRIEND.
718
00:33:38,817 --> 00:33:41,153
>>WHO?
719
00:33:41,153 --> 00:33:42,721
HONEY, YOU'RE NOT IN TROUBLE.
720
00:33:42,721 --> 00:33:45,357
I NEED YOU TO TELL ME, OKAY.
721
00:33:45,357 --> 00:33:46,358
PLEASE.
722
00:33:46,358 --> 00:33:47,359
>>I CAN'T.
723
00:33:47,359 --> 00:33:50,762
SHE TOLD ME IF I TOLD ANYBODY,
724
00:33:50,762 --> 00:33:52,364
THEY'D FIND HER.
725
00:33:52,364 --> 00:33:54,600
SHE JUST WANTS MY HELP.
726
00:33:54,600 --> 00:33:57,136
SHE'S JUST HUNGRY, IS ALL.
727
00:34:02,174 --> 00:34:04,042
>>WHERE IS SHE?
728
00:34:08,414 --> 00:34:10,048
>>IN THE CLOSET.
729
00:34:10,116 --> 00:34:24,096
>>[ominous music]
730
00:34:24,096 --> 00:34:25,197
>>[door creaks]
731
00:34:25,197 --> 00:34:27,299
creak
732
00:34:27,299 --> 00:34:29,335
>>HONEY, THERE'S NO ONE IN HERE.
733
00:34:29,335 --> 00:34:30,336
>>I SAW HER.
734
00:34:30,336 --> 00:34:32,404
SHE TOLD ME YOU WERE COMING.
735
00:34:32,404 --> 00:34:33,405
>>WHAT?
736
00:34:33,405 --> 00:34:35,141
>>SHE TOLD ME SOMEONE'S COMING!
737
00:34:35,141 --> 00:34:36,142
>>[glass breaks]
738
00:34:36,142 --> 00:34:37,809
crash!
739
00:34:37,876 --> 00:34:40,446
>>*
740
00:34:40,446 --> 00:34:41,813
>>SARAH, I NEED YOU TO STAY
741
00:34:41,813 --> 00:34:42,814
RIGHT HERE, OKAY?
742
00:34:42,814 --> 00:34:44,283
DO NOT LEAVE YOUR ROOM.
743
00:34:44,350 --> 00:34:51,490
>>[ominous music]
744
00:34:51,490 --> 00:34:55,327
>>[door rattling]
745
00:34:55,327 --> 00:34:57,196
>>OH MY GOD.
746
00:34:57,196 --> 00:34:59,298
>>CALL THE POLICE. GO!
747
00:34:59,365 --> 00:35:05,637
>>[music continues]
748
00:35:05,637 --> 00:35:08,840
>>SARAH? SARAH! SARAH!
749
00:35:08,840 --> 00:35:09,908
OH! OH GOD, SARAH'S GONE!
750
00:35:09,908 --> 00:35:10,909
>>APRIL, CALM DOWN.
751
00:35:10,909 --> 00:35:12,144
SHE COULDN'T HAVE GONE FAR.
752
00:35:12,144 --> 00:35:13,145
>>OH MY GOD!
753
00:35:13,145 --> 00:35:14,146
>>JUST CALL THE POLICE.
754
00:35:14,146 --> 00:35:15,147
>>OKAY.
755
00:35:15,147 --> 00:35:16,382
>>I'LL FIND HER.
756
00:35:16,448 --> 00:35:26,725
>>[music continues]
757
00:35:26,725 --> 00:35:27,759
>>female #5: 911.
758
00:35:27,759 --> 00:35:28,760
STAY YOUR EMERGENCY.
759
00:35:28,760 --> 00:35:29,795
>>HELLO. WE NEED YOUR HELP.
760
00:35:29,795 --> 00:35:30,796
SOMEONE'S BREAKING
761
00:35:30,796 --> 00:35:31,797
INTO OUR HOUSE.
762
00:35:31,797 --> 00:35:32,798
>>female #5: OKAY MA'AM.
763
00:35:32,798 --> 00:35:33,799
WHAT'S YOUR ADDRESS?
764
00:35:33,799 --> 00:35:34,800
>>1425 ALTA SIERRA.
765
00:35:34,800 --> 00:35:35,834
HURRY.
766
00:35:35,834 --> 00:35:37,469
>>[door rattling]
767
00:35:41,840 --> 00:35:44,843
>>SARAH! SARAH!
768
00:35:44,843 --> 00:35:45,844
SARAH?
769
00:35:45,844 --> 00:35:47,313
>>[rattling continues]
770
00:35:47,313 --> 00:35:48,314
>>[door breaks]
771
00:35:48,314 --> 00:35:49,315
boom!
772
00:35:49,315 --> 00:35:50,449
>>IT'S JUST THE--
773
00:35:50,516 --> 00:35:52,384
>>*
774
00:35:52,384 --> 00:36:01,627
>>[footsteps]
775
00:36:01,727 --> 00:36:16,308
>>[ominous music]
776
00:36:16,308 --> 00:36:17,876
>>SHE'S HERE SOMEWHERE.
777
00:36:17,943 --> 00:36:25,817
>>[music continues]
778
00:36:25,817 --> 00:36:29,488
>>[voices whispering]
779
00:36:29,488 --> 00:36:30,822
>>SHE'S STILL IN THE HOUSE.
780
00:36:30,822 --> 00:36:32,424
KEEP LOOKING.
781
00:36:32,491 --> 00:36:33,492
>>[music continues]
782
00:36:33,492 --> 00:36:45,271
>>[footsteps]
783
00:36:45,337 --> 00:36:50,542
>>[voices whispering]
784
00:36:50,609 --> 00:37:04,823
>>*
785
00:37:04,823 --> 00:37:05,957
>>[sirens wailing]
786
00:37:05,957 --> 00:37:12,464
whoo-whoo-whoo-whoo!
787
00:37:12,464 --> 00:37:14,700
>>Anne: OUT THE BACK DOOR, NOW!
788
00:37:14,800 --> 00:37:19,037
>>*
789
00:37:19,037 --> 00:37:20,038
>>THANK GOD! THANK GOD!
790
00:37:20,038 --> 00:37:21,039
>>CALM DOWN.
791
00:37:21,039 --> 00:37:22,007
>>THERE'S THREE PEOPLE
792
00:37:22,007 --> 00:37:23,008
IN THE HOUSE.
793
00:37:23,008 --> 00:37:24,009
>>WHERE ARE THEY?
794
00:37:24,009 --> 00:37:25,277
>>THEY'RE STILL IN THE HOUSE.
795
00:37:25,277 --> 00:37:26,278
>>OKAY, ALRIGHT. YOU OKAY?
796
00:37:26,278 --> 00:37:27,279
>>YEAH, YEAH.
797
00:37:27,279 --> 00:37:28,280
>>STAY HERE.
798
00:37:28,280 --> 00:37:29,548
>>CASEY!
799
00:37:29,548 --> 00:37:30,949
>>APRIL?
800
00:37:30,949 --> 00:37:34,753
HOLD ON, THEY'RE COMING.
801
00:37:34,753 --> 00:37:36,288
SARAH.
802
00:37:39,958 --> 00:37:42,694
SARAH.
803
00:37:42,694 --> 00:37:45,030
WHERE DID YOU GO TO?
804
00:37:45,030 --> 00:37:48,500
YOU SCARED US TO DEATH.
805
00:37:48,500 --> 00:37:51,670
HONEY, WHAT'S WRONG?
806
00:37:51,670 --> 00:37:53,038
SARAH.
807
00:37:53,339 --> 00:37:59,611
>>*
808
00:37:59,611 --> 00:38:00,612
>>Mike: HI.
809
00:38:00,612 --> 00:38:01,713
I'M DETECTIVE MICHAEL SIMMONS.
810
00:38:01,713 --> 00:38:02,714
L.A.P.D.
811
00:38:02,714 --> 00:38:04,450
I'M HERE TO SEE APRIL REILLY,
812
00:38:04,450 --> 00:38:05,451
SARAH REILLY'S MOTHER.
813
00:38:05,451 --> 00:38:06,485
>>SURE.
814
00:38:06,485 --> 00:38:07,753
>>[phone dialing]
815
00:38:07,753 --> 00:38:10,422
beep, beep, beep
816
00:38:10,422 --> 00:38:12,023
>>HI, I HAVE A DETECTIVE
817
00:38:12,023 --> 00:38:13,058
MICHAEL SIMMONS HERE
818
00:38:13,058 --> 00:38:14,593
TO SEE APRIL REILLY.
819
00:38:14,593 --> 00:38:15,594
GREAT.
820
00:38:15,594 --> 00:38:16,628
JUST ONE MINUTE.
821
00:38:16,628 --> 00:38:18,330
>>THANK YOU.
822
00:38:18,330 --> 00:38:19,331
>>DETECTIVE.
823
00:38:19,331 --> 00:38:20,332
DID YOU CATCH THEM?
824
00:38:20,332 --> 00:38:21,333
>>Mike: NO.
825
00:38:21,333 --> 00:38:22,534
WE SEARCHED THE WHOLE AREA.
826
00:38:22,534 --> 00:38:23,569
NO TRACE.
827
00:38:23,569 --> 00:38:24,570
HOW IS SHE?
828
00:38:24,570 --> 00:38:25,571
>>OH, THANK YOU.
829
00:38:25,571 --> 00:38:26,605
SHE'S IN SHOCK.
830
00:38:26,605 --> 00:38:27,906
THEY'RE GONNA KEEP HER
831
00:38:27,906 --> 00:38:28,907
OVERNIGHT.
832
00:38:28,907 --> 00:38:30,442
>>WELL, THAT SOUNDS HOPEFUL.
833
00:38:30,442 --> 00:38:32,644
LISTEN, WE DO HAVE ONE LEAD.
834
00:38:32,644 --> 00:38:34,045
DID A WOMAN NAME YELENA MARKOVA
835
00:38:34,045 --> 00:38:35,481
COME TO YOUR OFFICE TODAY?
836
00:38:35,481 --> 00:38:36,882
>>A WOMAN CAME TO MY OFFICE.
837
00:38:36,882 --> 00:38:38,484
SHE DIDN'T TELL ME HER NAME
838
00:38:38,484 --> 00:38:39,685
BUT THAT MUST'VE BEEN HER.
839
00:38:39,685 --> 00:38:40,919
I GAVE HER YOUR CARD.
840
00:38:40,919 --> 00:38:41,920
DID SHE CONTACT YOU?
841
00:38:41,920 --> 00:38:43,522
>>SHE LEFT A MESSAGE FOR ME
842
00:38:43,522 --> 00:38:45,357
WHILE I WAS OUT OF THE OFFICE.
843
00:38:45,357 --> 00:38:46,758
>>HAVE YOU TALKED TO HER YET?
844
00:38:46,758 --> 00:38:47,893
>>I SENT A UNIT OVER
845
00:38:47,893 --> 00:38:48,894
TO HER HOUSE
846
00:38:48,894 --> 00:38:50,061
WHEN I GOT THE MESSAGE.
847
00:38:50,061 --> 00:38:51,397
THEY FOUND HER BODY INSIDE.
848
00:38:51,397 --> 00:38:52,398
SHE WAS MURDERED.
849
00:38:52,398 --> 00:38:53,399
>>OH MY GOD.
850
00:38:53,399 --> 00:38:54,400
>>Casey: MURDERED.
851
00:38:54,400 --> 00:38:55,801
YOU MEAN BY THE SAME PEOPLE
852
00:38:55,801 --> 00:38:56,968
WHO WERE AT OUR HOUSE.
853
00:38:56,968 --> 00:38:58,103
>>WE DON'T KNOW THAT
854
00:38:58,103 --> 00:38:59,104
BUT IT'S POSSIBLE.
855
00:38:59,104 --> 00:39:00,439
LISTEN, WHEN SHE CAME
856
00:39:00,439 --> 00:39:02,007
TO THE OFFICE, DO YOU RECALL
857
00:39:02,007 --> 00:39:03,609
ANY PART OF HER CONVERSATION?
858
00:39:03,609 --> 00:39:05,377
>>UM, SHE WAS A FRIEND
859
00:39:05,377 --> 00:39:06,378
OF RACHEL'S.
860
00:39:06,378 --> 00:39:08,814
SHE KNEW YOU HAD BEEN ASKING ME
861
00:39:08,814 --> 00:39:09,815
ABOUT HER.
862
00:39:09,815 --> 00:39:11,583
I GAVE HER YOUR CARD,
863
00:39:11,583 --> 00:39:12,918
BUT SHE SAID SHE DIDN'T WANT
864
00:39:12,918 --> 00:39:13,952
TO INVOLVE THE POLICE.
865
00:39:13,952 --> 00:39:15,954
>>DID SHE SAY WHY?
866
00:39:15,954 --> 00:39:18,023
>>April: NO. SHE WAS SCARED.
867
00:39:18,023 --> 00:39:19,157
SHE MENTIONED SOMETHING
868
00:39:19,157 --> 00:39:20,492
ABOUT AN EXPERIMENT
869
00:39:20,492 --> 00:39:21,993
THAT ANNE CASSAVETTES WAS
870
00:39:21,993 --> 00:39:22,994
INVOLVED IN.
871
00:39:22,994 --> 00:39:23,995
SOMETHING CALLED
872
00:39:23,995 --> 00:39:25,130
THE ECHO PROJECT.
873
00:39:25,130 --> 00:39:26,565
>>[Sarah screaming]
874
00:39:26,565 --> 00:39:28,900
AHHH! AHH! AHH!
875
00:39:28,900 --> 00:39:30,936
AHH! AHH! AHH!
876
00:39:30,936 --> 00:39:31,937
>>male #2: SARAH, SARAH.
877
00:39:31,937 --> 00:39:32,938
IT'S OKAY. SETTLE DOWN.
878
00:39:32,938 --> 00:39:33,939
>>Sarah: AHH! AHH!
879
00:39:33,939 --> 00:39:34,906
>>April: WHAT'S WRONG?
880
00:39:34,906 --> 00:39:35,907
>>Sarah: AHH! AHH!
881
00:39:35,907 --> 00:39:36,908
>>April: SARAH? SARAH HONEY.
882
00:39:36,908 --> 00:39:38,076
BABY, LOOK AT ME.
883
00:39:38,076 --> 00:39:39,144
HONEY.
884
00:39:39,144 --> 00:39:40,145
>>MOM.
885
00:39:40,145 --> 00:39:41,146
>>I'M HERE.
886
00:39:41,146 --> 00:39:42,914
>>DON'T PLAY THE ECHO GAME.
887
00:39:42,914 --> 00:39:44,149
>>April: WHAT, WHAT IS
888
00:39:44,149 --> 00:39:45,150
THE ECHO GAME?
889
00:39:45,150 --> 00:39:47,753
>>SHE TOLD ME NEVER TO PLAY IT.
890
00:39:47,753 --> 00:39:49,020
>>WHO TOLD YOU THAT?
891
00:39:49,020 --> 00:39:52,924
>>THE GIRL IN MY ROOM.
892
00:39:52,924 --> 00:39:53,925
>>HONEY.
893
00:39:53,925 --> 00:39:56,828
THERE WAS NO ONE IN YOUR ROOM.
894
00:39:56,828 --> 00:39:58,830
>>YES THERE WAS!
895
00:40:00,766 --> 00:40:02,000
HE HAS A PICTURE OF HER
896
00:40:02,000 --> 00:40:03,702
IN HIS POCKET.
897
00:40:03,769 --> 00:40:12,478
>>[ominous music]
898
00:40:12,478 --> 00:40:13,479
>>Sarah: [whispering]
899
00:40:13,479 --> 00:40:14,480
THAT'S HER!
900
00:40:14,480 --> 00:40:15,914
>>April: RACHEL.
901
00:40:15,914 --> 00:40:18,116
WHEN DID YOU SEE RACHEL?
902
00:40:18,116 --> 00:40:19,785
>>ALL THE TIME.
903
00:40:19,785 --> 00:40:21,687
>>WHERE?
904
00:40:21,687 --> 00:40:23,655
WAS SHE IN OUR HOUSE?
905
00:40:26,157 --> 00:40:29,661
SARAH, THIS IS REALLY IMPORTANT.
906
00:40:29,661 --> 00:40:32,197
WHERE IS RACHEL NOW?
907
00:40:32,197 --> 00:40:33,665
>>I DON'T WANT HER
908
00:40:33,665 --> 00:40:34,666
TO GET CAUGHT.
909
00:40:34,666 --> 00:40:35,967
>>NOTHING'S GOING TO HAPPEN
910
00:40:35,967 --> 00:40:37,703
TO HER, I PROMISE, OKAY.
911
00:40:37,703 --> 00:40:38,704
WE'RE SAFE HERE.
912
00:40:38,704 --> 00:40:39,971
NOW WHERE IS SHE?
913
00:40:39,971 --> 00:40:40,972
>>IT DOESN'T MATTER.
914
00:40:40,972 --> 00:40:41,973
>>JUST TELL ME
915
00:40:41,973 --> 00:40:43,241
WHERE SHE IS, SARAH.
916
00:40:43,241 --> 00:40:45,143
>>KNOCK IT OFF.
917
00:40:47,679 --> 00:40:50,015
>>WHY DON'T THEY BELIEVE ME?
918
00:40:50,015 --> 00:40:51,683
>>[voices whispering]
919
00:40:51,683 --> 00:40:55,220
>>Sarah: WHY CAN'T THEY?
920
00:40:55,220 --> 00:40:56,788
WHY?
921
00:40:56,788 --> 00:40:59,057
>>DOCTOR, WHAT'S WRONG WITH HER?
922
00:40:59,057 --> 00:41:00,559
>>SHE'S HALLUCINATING BADLY.
923
00:41:00,559 --> 00:41:02,861
IT COULD BE THE MEDICATION.
924
00:41:02,861 --> 00:41:05,130
BUT AT LEAST SHE'S TALKING.
925
00:41:05,130 --> 00:41:07,799
>>Mike: SARAH, YOU SAID
926
00:41:07,799 --> 00:41:09,501
YOUR FRIEND WAS WORRIED
927
00:41:09,501 --> 00:41:10,669
ABOUT BEING CAUGHT.
928
00:41:10,669 --> 00:41:12,738
WHO IS SHE HIDING FROM?
929
00:41:12,738 --> 00:41:13,739
>>THE TEACHER.
930
00:41:13,739 --> 00:41:14,740
>>WHY?
931
00:41:14,740 --> 00:41:16,274
WHAT DOES SHE WANT?
932
00:41:16,274 --> 00:41:18,710
>>HER ECHO.
933
00:41:18,710 --> 00:41:21,479
>>WHAT DO YOU MEAN HER ECHO?
934
00:41:23,549 --> 00:41:26,585
SARAH. SARAH.
935
00:41:26,585 --> 00:41:27,719
>>doctor: I THINK SHE SHOULD
936
00:41:27,719 --> 00:41:29,621
JUST REST.
937
00:41:31,657 --> 00:41:32,991
>>OKAY.
938
00:41:32,991 --> 00:41:34,726
>>doctor: YOU'RE OKAY.
939
00:41:34,726 --> 00:41:36,528
WE'LL WATCH HER.
940
00:41:39,565 --> 00:41:41,166
>>THIS, UH, THIS WOMAN
941
00:41:41,166 --> 00:41:43,669
THAT WAS MURDERED.
942
00:41:43,669 --> 00:41:46,171
HOW DID SHE DIE?
943
00:41:46,171 --> 00:41:48,506
>>HER THROAT WAS CUT.
944
00:41:48,574 --> 00:41:51,142
>>*
945
00:41:51,142 --> 00:41:52,878
>>YOU THINK IT HAS SOMETHING
946
00:41:52,878 --> 00:41:54,613
TO DO WITH THIS CASSAVETTES
947
00:41:54,613 --> 00:41:55,614
PERSON?
948
00:41:55,614 --> 00:41:57,148
THE ONE SARAH'S TALKING ABOUT.
949
00:41:57,148 --> 00:41:58,884
>>YOU HEARD THE DOCTOR SAY
950
00:41:58,884 --> 00:42:00,118
SHE WAS HEAVILY HALLUCINATING.
951
00:42:00,118 --> 00:42:01,987
BUT IF SHE DID SEE RACHEL,
952
00:42:01,987 --> 00:42:02,988
I DON'T KNOW
953
00:42:02,988 --> 00:42:04,122
WHAT WE COULD DO.
954
00:42:04,122 --> 00:42:05,256
>>I'M SICK OF HEARING
955
00:42:05,256 --> 00:42:06,257
ABOUT RACHEL.
956
00:42:06,257 --> 00:42:07,859
BESIDES, YOU'VE NO HARD PROOF
957
00:42:07,859 --> 00:42:08,894
THAT SHE'S ALIVE.
958
00:42:08,894 --> 00:42:11,863
>>I DO.
959
00:42:11,863 --> 00:42:13,999
CAN I TALK TO YOU OUTSIDE?
960
00:42:16,101 --> 00:42:18,203
I HAVE SOMETHING TO SHOW YOU.
961
00:42:18,269 --> 00:42:32,250
>>*
962
00:42:32,250 --> 00:42:34,119
>>I RECEIVED A LETTER
963
00:42:34,119 --> 00:42:35,120
FROM RACHEL.
964
00:42:35,120 --> 00:42:37,355
IT ARRIVED AT MY WORK
965
00:42:37,355 --> 00:42:38,356
THIS AFTERNOON.
966
00:42:38,356 --> 00:42:41,092
SHE SAID SARAH MIGHT BE
967
00:42:41,092 --> 00:42:42,160
IN DANGER.
968
00:42:42,160 --> 00:42:43,662
>>WHY DIDN'T YOU TELL ME
969
00:42:43,662 --> 00:42:44,663
ABOUT THIS?
970
00:42:44,663 --> 00:42:46,264
>>SHE SAID TO KEEP IT QUIET.
971
00:42:46,264 --> 00:42:47,265
I BELIEVED HER.
972
00:42:47,265 --> 00:42:48,834
>>YOU PUT OUR DAUGHTER'S LIFE
973
00:42:48,834 --> 00:42:50,869
IN DANGER JUST TO KEEP IT QUIET.
974
00:42:50,869 --> 00:42:55,607
>>MISS LIN. PLEASE. PLEASE.
975
00:42:55,607 --> 00:42:56,975
CAN I SEE THE LETTER?
976
00:42:56,975 --> 00:42:58,576
>>YEAH.
977
00:42:58,644 --> 00:43:01,379
>>*
978
00:43:01,379 --> 00:43:07,018
>>[paper rustling]
979
00:43:07,085 --> 00:43:11,657
>>*
980
00:43:11,657 --> 00:43:14,192
>>SARAH IS RACHEL'S DAUGHTER.
981
00:43:14,192 --> 00:43:16,161
>>SHE'S OUR DAUGHTER.
982
00:43:16,161 --> 00:43:18,830
>>RACHEL IS HER BIRTH MOTHER.
983
00:43:18,830 --> 00:43:19,831
>>April: YES.
984
00:43:19,831 --> 00:43:22,300
BUT WE RAISED HER AS OUR OWN.
985
00:43:22,300 --> 00:43:23,902
>>I WISH YOU WOULD'VE TOLD ME
986
00:43:23,902 --> 00:43:24,903
THIS EARLIER.
987
00:43:24,903 --> 00:43:26,104
>>I DIDN'T THINK IT MATTERED.
988
00:43:26,104 --> 00:43:27,105
SARAH NEVER EVEN KNEW
989
00:43:27,105 --> 00:43:28,073
ABOUT RACHEL.
990
00:43:28,073 --> 00:43:29,841
NO ONE KNEW.
991
00:43:32,210 --> 00:43:35,781
THIS WOMAN, ANNE CASSAVETTES.
992
00:43:35,781 --> 00:43:37,916
YOU THINK SHE KNOWS?
993
00:43:37,916 --> 00:43:38,917
>>THAT WOULD EXPLAIN
994
00:43:38,917 --> 00:43:40,819
WHY THEY BROKE INTO YOUR HOUSE.
995
00:43:40,819 --> 00:43:42,220
THEY KNOW RACHEL WILL TRY
996
00:43:42,220 --> 00:43:43,655
TO CONTACT HER DAUGHTER.
997
00:43:43,655 --> 00:43:45,356
BUT WHY WOULD THEY WANT RACHEL?
998
00:43:45,356 --> 00:43:46,858
>>I GUESS THE WHOLE ANSWER
999
00:43:46,858 --> 00:43:48,159
IS IN THIS ECHO BUSINESS.
1000
00:43:48,159 --> 00:43:49,861
BUT UNTIL WE FIND THAT OUT,
1001
00:43:49,861 --> 00:43:51,162
I'M GONNA PUT EXTRA SURVEILLANCE
1002
00:43:51,162 --> 00:43:52,898
ON YOU AND YOUR ENTIRE FAMILY.
1003
00:43:52,898 --> 00:43:54,432
I'M GONNA PUT AN EXTRA GUARD
1004
00:43:54,432 --> 00:43:55,734
IN THE LOBBY DOWNSTAIRS.
1005
00:43:55,734 --> 00:43:57,302
IF YOU NEED TO GO ANYWHERE,
1006
00:43:57,302 --> 00:43:59,037
WE'LL HAVE AN ESCORT FOR YOU.
1007
00:43:59,037 --> 00:44:00,038
THIS IS JUST
1008
00:44:00,038 --> 00:44:01,072
UNTIL WE SOLVE THIS.
1009
00:44:01,072 --> 00:44:02,774
OKAY?
1010
00:44:02,841 --> 00:44:08,814
>>*
1011
00:44:08,814 --> 00:44:10,448
>>YOU SHOULD'VE TOLD ME
1012
00:44:10,448 --> 00:44:11,917
ABOUT THE LETTER.
1013
00:44:11,917 --> 00:44:13,719
>>I WAS GOING TO.
1014
00:44:13,719 --> 00:44:14,720
I JUST...
1015
00:44:14,720 --> 00:44:16,822
I JUST NEEDED TIME TO PROCESS
1016
00:44:16,822 --> 00:44:17,856
ALL OF THIS.
1017
00:44:17,856 --> 00:44:19,190
>>I COULD'VE HELPED YOU.
1018
00:44:19,190 --> 00:44:21,259
YOU KNOW YOU CAN ALWAYS COME
1019
00:44:21,259 --> 00:44:24,896
TO ME WHEN YOU NEED TO.
1020
00:44:24,896 --> 00:44:26,798
WHY DIDN'T YOU?
1021
00:44:29,334 --> 00:44:33,805
>>CASEY. PLEASE.
1022
00:44:33,805 --> 00:44:35,774
PLEASE DON'T DO THIS.
1023
00:44:37,809 --> 00:44:40,078
YOU, YOU HAVE TO UNDERSTAND.
1024
00:44:42,848 --> 00:44:44,850
I LOVED RACHEL.
1025
00:44:44,850 --> 00:44:45,884
IT TOOK ME SO LONG
1026
00:44:45,884 --> 00:44:46,885
TO GET OVER HER
1027
00:44:46,885 --> 00:44:48,286
AND THEN WHEN ALL THIS CAME UP,
1028
00:44:48,286 --> 00:44:49,988
I JUST...
1029
00:44:49,988 --> 00:44:54,025
I, I DIDN'T KNOW WHAT TO THINK.
1030
00:44:54,025 --> 00:44:56,094
>>DO YOU STILL LOVE HER?
1031
00:44:59,064 --> 00:45:01,099
>>DOESN'T MATTER ANYMORE.
1032
00:45:15,380 --> 00:45:17,883
>>[April cries]
1033
00:45:19,117 --> 00:45:24,022
>>[voices whispering]
1034
00:45:24,022 --> 00:45:33,464
>>[ominous music]
1035
00:45:33,531 --> 00:45:40,138
>>[whispering continues]
1036
00:45:40,138 --> 00:45:42,407
>>Rachel: REST NOW, SARAH.
1037
00:45:42,407 --> 00:45:45,143
YOU'LL NEED YOUR STRENGTH LATER.
1038
00:45:45,210 --> 00:45:57,355
>>[music continues]
1039
00:45:57,989 --> 00:46:08,499
>>[woman announcing]
1040
00:46:08,499 --> 00:46:10,168
>>April: UH.
1041
00:46:18,043 --> 00:46:20,345
WHAT TIME IS IT?
1042
00:46:20,345 --> 00:46:21,813
>>Casey: NOON.
1043
00:46:21,813 --> 00:46:23,514
>>WHERE ARE YOU GOING?
1044
00:46:27,518 --> 00:46:30,856
>>HOME. GET SOME CLOTHES.
1045
00:46:30,856 --> 00:46:33,091
TAKE A SHOWER.
1046
00:46:33,091 --> 00:46:35,093
I HAVE TO STOP BY WORK, TOO.
1047
00:46:35,093 --> 00:46:37,295
TAKE CARE OF SOME THINGS.
1048
00:46:37,295 --> 00:46:39,297
COPS ARE TAKING ME.
1049
00:46:39,297 --> 00:46:41,967
>>I'LL GO WITH YOU.
1050
00:46:41,967 --> 00:46:44,035
>>ONE OF US SHOULD STAY.
1051
00:46:47,572 --> 00:46:49,908
I'LL BE BACK LATER TONIGHT.
1052
00:46:49,908 --> 00:46:51,843
THEN YOU CAN TAKE A TRIP.
1053
00:46:51,843 --> 00:46:54,245
OKAY?
1054
00:46:54,245 --> 00:46:56,147
>>April: CASEY.
1055
00:47:00,518 --> 00:47:02,253
BE CAREFUL.
1056
00:47:13,564 --> 00:47:14,565
>>[knocking]
1057
00:47:14,565 --> 00:47:15,566
knock knock
1058
00:47:15,566 --> 00:47:16,634
>>nurse: EXCUSE ME, MS. REILLY.
1059
00:47:16,634 --> 00:47:17,635
>>YES.
1060
00:47:17,635 --> 00:47:19,237
>>I GOT A CALL FROM THE LOBBY.
1061
00:47:19,237 --> 00:47:20,405
THE GUARD SAYS THERE'S A MAN
1062
00:47:20,405 --> 00:47:21,406
NAMED TERRY MORGAN HERE
1063
00:47:21,406 --> 00:47:22,407
TO SEE YOU.
1064
00:47:22,407 --> 00:47:23,408
>>GREAT.
1065
00:47:23,408 --> 00:47:25,276
I-I'LL BE RIGHT THERE.
1066
00:47:26,878 --> 00:47:28,046
>>[elevator dings]
1067
00:47:28,046 --> 00:47:29,380
ding
1068
00:47:29,380 --> 00:47:30,381
>>April: TERRY.
1069
00:47:30,381 --> 00:47:31,549
>>APRIL, DOWNSTAIRS THEY GOT
1070
00:47:31,549 --> 00:47:32,550
COPS EVERYWHERE.
1071
00:47:32,550 --> 00:47:33,551
>>YEAH, I KNOW.
1072
00:47:33,551 --> 00:47:34,552
>>ARE YOU OKAY?
1073
00:47:34,552 --> 00:47:36,187
RICHARD SAID YOU WERE HERE.
1074
00:47:36,187 --> 00:47:37,355
IS YOUR DAUGHTER ALRIGHT?
1075
00:47:37,355 --> 00:47:38,356
>>FOR NOW.
1076
00:47:38,356 --> 00:47:39,357
>>WELL, LOOK.
1077
00:47:39,357 --> 00:47:40,525
WHERE CAN WE TALK?
1078
00:47:40,525 --> 00:47:41,526
>>YOU FOUND SOMETHING?
1079
00:47:41,526 --> 00:47:42,894
>>YEAH. I FOUND SOMETHING.
1080
00:47:42,894 --> 00:47:45,163
APRIL, THIS IS SOME SPOOKY SHIT.
1081
00:47:47,332 --> 00:47:48,333
ANNE CASSAVETTES.
1082
00:47:48,333 --> 00:47:50,268
SHE'S WANTED BY THE FBI
1083
00:47:50,268 --> 00:47:51,669
FOR MURDERING HER HUSBAND.
1084
00:47:51,669 --> 00:47:52,670
>>DAVID CASSAVETTES.
1085
00:47:52,670 --> 00:47:54,940
>>RIGHT.
1086
00:47:54,940 --> 00:47:56,107
HE WAS A DOCTOR.
1087
00:47:56,107 --> 00:47:57,275
ABOUT 20 YEARS AGO,
1088
00:47:57,275 --> 00:47:58,944
HE WENT LOOKING FOR KIDS
1089
00:47:58,944 --> 00:47:59,945
WITH TELEPATHIC POTENTIAL.
1090
00:47:59,945 --> 00:48:01,646
HE BROUGHT ABOUT TEN OF THEM
1091
00:48:01,646 --> 00:48:03,048
BACK TO HIS COLONY
1092
00:48:03,048 --> 00:48:04,249
IN UPSTATE NEW YORK.
1093
00:48:04,249 --> 00:48:05,917
IT WAS KINDA LIKE A,
1094
00:48:05,917 --> 00:48:07,018
LIKE SCHOOL FOR THE GIFTED.
1095
00:48:07,018 --> 00:48:08,019
>>April: HMM.
1096
00:48:08,019 --> 00:48:09,020
>>Terry: HE THOUGHT
1097
00:48:09,020 --> 00:48:10,121
HE COULD HELP THEM FOCUS
1098
00:48:10,121 --> 00:48:11,122
THEIR ABILITIES.
1099
00:48:11,122 --> 00:48:12,223
ANYWAY, HE WORKED UP THERE
1100
00:48:12,223 --> 00:48:13,391
FOR A WHILE IN SECRECY.
1101
00:48:13,391 --> 00:48:14,392
THEN TWO YEARS LATER,
1102
00:48:14,392 --> 00:48:15,393
OUT OF NOWHERE,
1103
00:48:15,393 --> 00:48:16,394
HIS BODY WASHED UP
1104
00:48:16,394 --> 00:48:17,395
IN THE EAST RIVER.
1105
00:48:17,395 --> 00:48:19,998
HE HAD BEEN DEAD FOR MONTHS.
1106
00:48:19,998 --> 00:48:20,999
>>SHE KILLED HIM.
1107
00:48:20,999 --> 00:48:22,000
>>RIGHT.
1108
00:48:22,000 --> 00:48:23,001
>>WHY?
1109
00:48:23,001 --> 00:48:24,936
>>WELL, THE OFFICIAL STORY IS
1110
00:48:24,936 --> 00:48:26,337
THAT HE WAS BANGING
1111
00:48:26,337 --> 00:48:28,273
HIS ASSISTANT, A RUSSIAN GIRL.
1112
00:48:28,273 --> 00:48:29,607
SHE WORKED WITH HIM
1113
00:48:29,607 --> 00:48:30,708
AT THE SCHOOL.
1114
00:48:30,708 --> 00:48:32,543
THEY SAID ANNE CAUGHT THEM
1115
00:48:32,543 --> 00:48:35,180
IN THE ACT AND SHE WENT NUTS.
1116
00:48:35,180 --> 00:48:36,181
AFTER THE MURDER,
1117
00:48:36,181 --> 00:48:37,448
THE GIRLFRIEND JUST DISAPPEARED.
1118
00:48:37,448 --> 00:48:38,449
>>YOU SAID THAT'S
1119
00:48:38,449 --> 00:48:39,450
THE OFFICIAL STORY.
1120
00:48:39,450 --> 00:48:40,451
WHAT'S THE UNOFFICIAL STORY?
1121
00:48:40,451 --> 00:48:41,452
>>WELL, IT'S A LOT
1122
00:48:41,452 --> 00:48:42,453
OF SPECULATION, THAT STUFF.
1123
00:48:42,453 --> 00:48:43,454
CONSPIRACY THEORY,
1124
00:48:43,454 --> 00:48:44,455
STUFF LIKE THAT.
1125
00:48:44,455 --> 00:48:45,456
>>TELL ME.
1126
00:48:45,456 --> 00:48:46,557
>>WELL, AFTER ANNE KILLED
1127
00:48:46,557 --> 00:48:48,459
HER HUSBAND AND DUMPED THE BODY,
1128
00:48:48,459 --> 00:48:50,128
SHE TOOK OVER THE SCHOOL.
1129
00:48:50,128 --> 00:48:51,296
SHE STARTED TO ACCELERATE
1130
00:48:51,296 --> 00:48:52,297
THE EXPERIMENTS.
1131
00:48:52,297 --> 00:48:53,731
YOU KNOW, GIVING THEM INJECTIONS
1132
00:48:53,731 --> 00:48:55,166
TO STIMULATE THEIR ESP.
1133
00:48:55,166 --> 00:48:56,167
SHE EVEN THOUGHT
1134
00:48:56,167 --> 00:48:57,535
THAT SHE COULD TEACH THEM
1135
00:48:57,535 --> 00:48:58,703
TO MANIFEST THEIR ESP
1136
00:48:58,703 --> 00:49:00,238
PHYSICALLY AND THEN PROJECT IT.
1137
00:49:00,238 --> 00:49:01,239
>>April: PROJECT IT?
1138
00:49:01,239 --> 00:49:02,240
>>Terry: RIGHT.
1139
00:49:02,240 --> 00:49:03,241
SHE EVEN THOUGHT
1140
00:49:03,241 --> 00:49:04,375
THAT SHE COULD ABSORB
1141
00:49:04,375 --> 00:49:05,543
THE PROJECTIONS FOR HERSELF.
1142
00:49:05,543 --> 00:49:07,045
IF THE KIDS EVER QUESTIONED HER,
1143
00:49:07,045 --> 00:49:08,146
SHE JUST PLAYED IT OFF
1144
00:49:08,146 --> 00:49:09,414
LIKE IT WAS NO BIG DEAL,
1145
00:49:09,414 --> 00:49:10,415
YOU KNOW.
1146
00:49:10,415 --> 00:49:12,117
TRIED TO MAKE IT FUN FOR THEM.
1147
00:49:12,117 --> 00:49:13,151
>>YOU MEAN, LIKE A GAME.
1148
00:49:13,151 --> 00:49:14,152
>>Terry: RIGHT.
1149
00:49:14,152 --> 00:49:15,253
BUT NO ONE REALLY KNOWS
1150
00:49:15,253 --> 00:49:16,521
FOR SURE WHAT WAS GOING ON
1151
00:49:16,521 --> 00:49:17,522
UP THERE.
1152
00:49:17,522 --> 00:49:18,523
SHE WAS IN CONTROL
1153
00:49:18,523 --> 00:49:19,524
OF THE WHOLE THING
1154
00:49:19,524 --> 00:49:20,525
FOR LIKE FOUR MONTHS
1155
00:49:20,525 --> 00:49:21,526
UNTIL HER HUSBAND'S BODY
1156
00:49:21,526 --> 00:49:22,527
WAS FOUND.
1157
00:49:22,527 --> 00:49:24,595
WHEN POLICE WENT TO ARREST HER,
1158
00:49:24,595 --> 00:49:26,097
SHE WAS LONG GONE.
1159
00:49:26,097 --> 00:49:27,698
SOMEONE MUST'VE TIPPED HER OFF.
1160
00:49:27,698 --> 00:49:28,699
>>April: WHAT ABOUT
1161
00:49:28,699 --> 00:49:29,700
THE STUDENTS?
1162
00:49:29,700 --> 00:49:31,102
>>Terry: DEAD OR MISSING.
1163
00:49:31,102 --> 00:49:32,103
SOME MURDERED.
1164
00:49:32,103 --> 00:49:33,104
THEY THINK CASSAVETTES
1165
00:49:33,104 --> 00:49:34,072
IN INVOLVED,
1166
00:49:34,072 --> 00:49:35,240
BUT THERE'S NO PROOF.
1167
00:49:35,240 --> 00:49:36,441
THE POLICE COULDN'T FIND
1168
00:49:36,441 --> 00:49:37,642
ANYTHING AND NO ONE
1169
00:49:37,642 --> 00:49:39,644
HAS BEEN ABLE TO FIND HER.
1170
00:49:39,644 --> 00:49:42,213
>>DID YOU EVER FIND ANY MENTION
1171
00:49:42,213 --> 00:49:43,381
OF SOMETHING CALLED
1172
00:49:43,381 --> 00:49:44,549
THE ECHO GAME?
1173
00:49:44,549 --> 00:49:45,550
>>ECHO GAME?
1174
00:49:45,550 --> 00:49:46,551
>>MMM HMM.
1175
00:49:46,551 --> 00:49:48,619
>>WELL, ECHO IS A TERM THEY USE
1176
00:49:48,619 --> 00:49:49,620
TO, UH, REFER
1177
00:49:49,620 --> 00:49:50,621
TO THEIR ABILITIES.
1178
00:49:50,621 --> 00:49:52,490
IT'S LIKE, UH, AN AURA INSIDE
1179
00:49:52,490 --> 00:49:54,125
OF THEM THAT GIVES THEM
1180
00:49:54,125 --> 00:49:57,162
THEIR POWERS.
1181
00:49:57,162 --> 00:49:58,463
>>TERRY, I NEED TO BORROW THIS,
1182
00:49:58,463 --> 00:49:59,464
OKAY?
1183
00:49:59,464 --> 00:50:01,232
WHAT?
1184
00:50:01,232 --> 00:50:02,500
>>LOOK, YOU CAN BORROW THIS.
1185
00:50:02,500 --> 00:50:03,568
BUT IF ANYONE ASKS,
1186
00:50:03,568 --> 00:50:05,470
YOU DID NOT GET THIS FROM ME.
1187
00:50:05,470 --> 00:50:07,172
>>DEAL.
1188
00:50:09,674 --> 00:50:11,176
THANKS, TERRY.
1189
00:50:17,282 --> 00:50:18,616
>>DETECTIVE MIKE SIMMONS,
1190
00:50:18,616 --> 00:50:20,818
PLEASE.
1191
00:50:20,818 --> 00:50:22,087
COULD YOU TELL HIM
1192
00:50:22,087 --> 00:50:23,088
APRIL REILLY CALLED?
1193
00:50:23,088 --> 00:50:24,389
I HAVE SOME NEW INFORMATION
1194
00:50:24,389 --> 00:50:26,491
ABOUT MY CASE.
1195
00:50:26,491 --> 00:50:27,725
YEAH, THANKS.
1196
00:50:50,748 --> 00:50:52,450
>>female #6: WHAT ARE YOU
1197
00:50:52,450 --> 00:50:53,451
DOING HERE?
1198
00:50:53,451 --> 00:50:54,585
>>I TOOK OFF WORK.
1199
00:50:54,585 --> 00:50:55,720
WHAT ARE YOU DOING?
1200
00:50:55,720 --> 00:50:57,255
>>WHAT DOES IT LOOK LIKE?
1201
00:50:57,255 --> 00:50:59,390
I'M LEAVING YOU, TERRY.
1202
00:50:59,390 --> 00:51:00,391
>>LEAVING?
1203
00:51:00,391 --> 00:51:01,592
WHAT-WHAT, WHAT DID I DO?
1204
00:51:01,592 --> 00:51:02,827
>>YOUR EX CAME BY LOOKING
1205
00:51:02,827 --> 00:51:03,828
FOR YOU?
1206
00:51:03,828 --> 00:51:05,496
>>MY EX?
1207
00:51:06,797 --> 00:51:07,798
>>[bag zips]
1208
00:51:07,798 --> 00:51:08,799
zip!
1209
00:51:08,799 --> 00:51:09,834
>>I REMEMBER YOU TELLING ME
1210
00:51:09,834 --> 00:51:10,868
ABOUT HER.
1211
00:51:10,868 --> 00:51:12,103
SKINNY, WHITE, TWICE YOUR AGE.
1212
00:51:12,103 --> 00:51:13,738
>>HOLD ON A MINUTE.
1213
00:51:13,738 --> 00:51:14,805
WHAT ARE YOU TALKING ABOUT?
1214
00:51:14,805 --> 00:51:15,806
>>I KNOW YOUR TYPE.
1215
00:51:15,806 --> 00:51:16,807
ANYWAY, THIS ISN'T
1216
00:51:16,807 --> 00:51:17,875
THE FIRST TIME THIS HAPPENED.
1217
00:51:17,875 --> 00:51:19,110
>>WHAT DO YOU MEAN?
1218
00:51:19,110 --> 00:51:20,111
>>TWO MONTHS AGO.
1219
00:51:20,111 --> 00:51:21,112
THE PHONE MESSAGES.
1220
00:51:21,112 --> 00:51:22,313
I'M NOT PUTTING UP WITH THIS
1221
00:51:22,313 --> 00:51:23,314
ANYMORE.
1222
00:51:23,314 --> 00:51:24,315
>>Terry: STACY, WAIT.
1223
00:51:24,315 --> 00:51:25,383
>>Stacy: I MADE MY DECISION.
1224
00:51:25,383 --> 00:51:26,384
>>[door slams]
1225
00:51:26,384 --> 00:51:27,385
slam!
1226
00:51:27,385 --> 00:51:28,686
>>SHIT!
1227
00:51:28,686 --> 00:51:30,321
>>[thump]
1228
00:51:30,321 --> 00:51:31,456
>>Terry: WHAT'D YOU FORGET?
1229
00:51:31,456 --> 00:51:33,324
YOUR FUCKING TOOTHBRUSH?
1230
00:51:33,391 --> 00:51:44,369
>>*
1231
00:51:44,369 --> 00:51:45,736
>>WHAT DO YOU THINK?
1232
00:51:45,736 --> 00:51:47,605
>>A LOT OF THIS IS
1233
00:51:47,605 --> 00:51:48,606
CONSPIRACY THEORIES.
1234
00:51:48,606 --> 00:51:50,208
THE INTERNET IS FULL
1235
00:51:50,208 --> 00:51:51,276
OF THIS STUFF.
1236
00:51:51,276 --> 00:51:53,511
IT'S NOT A VERY RELIABLE SOURCE.
1237
00:51:53,511 --> 00:51:55,846
>>IT SAYS HERE
1238
00:51:55,846 --> 00:51:56,914
THAT CASSAVETTES WAS TRYING
1239
00:51:56,914 --> 00:51:58,416
TO FIGURE OUT A WAY
1240
00:51:58,416 --> 00:51:59,450
TO ABSORB THEIR POWERS,
1241
00:51:59,450 --> 00:52:00,451
THEIR ECHOES.
1242
00:52:00,451 --> 00:52:01,452
>>THIS ONE'S
1243
00:52:01,452 --> 00:52:03,588
A LITTLE OUTLANDISH.
1244
00:52:03,588 --> 00:52:04,589
>>BUT THINK.
1245
00:52:04,589 --> 00:52:07,458
WHAT IF MAYBE SHE DID FIGURE OUT
1246
00:52:07,458 --> 00:52:08,459
A WAY?
1247
00:52:08,459 --> 00:52:10,228
BUT BEFORE SHE COULD DO IT,
1248
00:52:10,228 --> 00:52:12,230
SHE HAD TO GO ON THE RUN.
1249
00:52:12,230 --> 00:52:13,564
MAYBE THAT'S WHY SHE'S AFTER
1250
00:52:13,564 --> 00:52:14,565
THE STUDENTS.
1251
00:52:14,565 --> 00:52:15,633
TO STEAL THEIR ECHOES.
1252
00:52:15,633 --> 00:52:16,734
>>OR TO COVER UP
1253
00:52:16,734 --> 00:52:17,735
THE EXPERIMENTS.
1254
00:52:17,735 --> 00:52:18,736
>>YEAH.
1255
00:52:18,736 --> 00:52:20,738
BUT EITHER WAY, I THINK WE HAVE
1256
00:52:20,738 --> 00:52:21,806
A PRETTY GOOD IDEA
1257
00:52:21,806 --> 00:52:22,907
WHY THEY'RE AFTER RACHEL.
1258
00:52:22,907 --> 00:52:24,409
WHICH IS WHY WE HAVE
1259
00:52:24,409 --> 00:52:26,611
TO FIND HER BEFORE THEY DO.
1260
00:52:31,849 --> 00:52:33,518
>>APRIL.
1261
00:52:33,518 --> 00:52:34,719
WE GOT A CALL
1262
00:52:34,719 --> 00:52:36,354
FROM THE SAN FRANCISCO P.D.
1263
00:52:36,354 --> 00:52:37,555
THEY FOUND RACHEL'S BODY.
1264
00:52:37,555 --> 00:52:39,457
SHE'S BEEN DEAD FOR AT LEAST
1265
00:52:39,457 --> 00:52:42,493
A WEEK.
1266
00:52:42,493 --> 00:52:43,661
>>NO.
1267
00:52:43,661 --> 00:52:45,396
>>I'M SO SORRY.
1268
00:52:47,798 --> 00:52:50,835
>>SARAH SAID SHE SAW HER
1269
00:52:50,835 --> 00:52:52,703
YESTERDAY.
1270
00:52:52,703 --> 00:52:54,472
>>Mike: THERE'S A LOT HAPPENING
1271
00:52:54,472 --> 00:52:55,740
THAT WE CAN'T EXPLAIN.
1272
00:52:55,740 --> 00:52:57,242
>>WELL IF RACHEL'S DEAD,
1273
00:52:57,242 --> 00:53:00,345
THEN WHAT THE HELL DO THEY WANT?
1274
00:53:00,345 --> 00:53:01,346
>>LOOK, YOU HAVEN'T GOTTEN
1275
00:53:01,346 --> 00:53:02,347
A LOT OF SLEEP.
1276
00:53:02,347 --> 00:53:03,681
WHY DON'T I TAKE YOU HOME
1277
00:53:03,681 --> 00:53:04,682
FOR A WHILE?
1278
00:53:04,682 --> 00:53:05,816
WE CAN WATCH THE HOUSE
1279
00:53:05,816 --> 00:53:08,453
WHILE YOU REST.
1280
00:53:08,453 --> 00:53:10,855
>>THAT MIGHT BE A GOOD IDEA.
1281
00:53:16,661 --> 00:53:17,662
>>[phone rings]
1282
00:53:17,662 --> 00:53:18,663
ring!
1283
00:53:18,663 --> 00:53:19,797
>>YEAH, IT LOOKS GOOD.
1284
00:53:19,797 --> 00:53:20,798
I'LL GET THAT.
1285
00:53:20,798 --> 00:53:22,433
JUST GIVE THEM AN EMAIL
1286
00:53:22,433 --> 00:53:23,434
AND TELL THEM
1287
00:53:23,434 --> 00:53:25,336
TO COME PICK IT UP TOMORROW.
1288
00:53:25,336 --> 00:53:26,871
YOU GENTLEMEN ALRIGHT?
1289
00:53:26,871 --> 00:53:28,406
CAN I GET YOU A SODA
1290
00:53:28,406 --> 00:53:30,741
OR ANYTHING?
1291
00:53:30,741 --> 00:53:31,742
GORE GIRLS.
1292
00:53:31,742 --> 00:53:32,743
>>HEY, IT'S ME.
1293
00:53:32,743 --> 00:53:33,744
>>Casey: HEY.
1294
00:53:33,744 --> 00:53:35,480
I'M JUST FINISHING UP HERE
1295
00:53:35,480 --> 00:53:37,248
SO I CAN COME OVER
1296
00:53:37,248 --> 00:53:39,317
AND RELIEVE YOU IN A WHILE.
1297
00:53:39,317 --> 00:53:40,318
>>OKAY.
1298
00:53:40,318 --> 00:53:41,386
UM, I'M, I'M JUST GONNA
1299
00:53:41,386 --> 00:53:42,487
HEAD OUT NOW THEN.
1300
00:53:42,487 --> 00:53:44,489
THE COPS ARE TAKING ME.
1301
00:53:44,489 --> 00:53:45,490
>>SURE.
1302
00:53:45,490 --> 00:53:47,392
HOW'S SARAH?
1303
00:53:47,392 --> 00:53:49,460
>>April: SHE'S SLEEPING.
1304
00:53:51,662 --> 00:53:55,566
CASEY, RACHEL'S DEAD.
1305
00:53:55,566 --> 00:53:58,369
SHE DIED A WEEK AGO.
1306
00:53:58,369 --> 00:54:00,805
THEY JUST TOLD ME.
1307
00:54:00,805 --> 00:54:03,374
>>I'M SORRY, HON.
1308
00:54:03,374 --> 00:54:05,976
ARE YOU DOING ALRIGHT?
1309
00:54:05,976 --> 00:54:07,512
>>I'M JUST SO CONFUSED.
1310
00:54:07,512 --> 00:54:08,813
I CAN'T MAKE SENSE
1311
00:54:08,813 --> 00:54:10,381
OF ANY OF THIS.
1312
00:54:10,381 --> 00:54:12,450
>>YOU DON'T HAVE TO MAKE SENSE
1313
00:54:12,450 --> 00:54:13,518
OF IT NOW.
1314
00:54:13,518 --> 00:54:14,852
JUST GET SOME REST.
1315
00:54:14,852 --> 00:54:16,421
>>CASEY?
1316
00:54:19,624 --> 00:54:21,726
I'M SORRY.
1317
00:54:21,726 --> 00:54:23,060
I FEEL LIKE I BETRAYED
1318
00:54:23,060 --> 00:54:24,762
YOUR TRUST.
1319
00:54:24,762 --> 00:54:26,864
I DIDN'T MEAN TO.
1320
00:54:28,766 --> 00:54:30,368
I JUST KNOW I NEVER WANT
1321
00:54:30,368 --> 00:54:32,503
TO HAVE THIS FEELING AGAIN.
1322
00:54:34,004 --> 00:54:36,374
I LOVE YOU.
1323
00:54:36,374 --> 00:54:38,075
>>I LOVE YOU TOO.
1324
00:54:38,075 --> 00:54:39,777
>>WE'LL TALK LATER THEN?
1325
00:54:39,777 --> 00:54:41,679
>>Casey: YOU GOT IT.
1326
00:54:41,746 --> 00:54:48,619
>>*
1327
00:54:48,619 --> 00:54:50,455
>>[sighs]
1328
00:54:50,555 --> 00:54:57,528
>>*
1329
00:54:57,528 --> 00:54:59,464
>>CASEY'S COMING, HON.
1330
00:54:59,464 --> 00:55:00,965
SEE YOU SOON.
1331
00:55:01,031 --> 00:55:07,104
>>*
1332
00:55:07,104 --> 00:55:12,910
>>[voices whispering]
1333
00:55:12,910 --> 00:55:14,645
>>CASEY.
1334
00:55:17,782 --> 00:55:19,550
>>WELL, I'M GONNA GET GOING.
1335
00:55:19,550 --> 00:55:21,352
SURE YOU DON'T NEED HELP
1336
00:55:21,352 --> 00:55:22,353
WITH INVENTORY?
1337
00:55:22,353 --> 00:55:23,921
>>Casey: NO, I GOT IT.
1338
00:55:23,921 --> 00:55:24,922
YOU GO AHEAD.
1339
00:55:24,922 --> 00:55:26,724
>>OKAY, TAKE CARE OF YOURSELF.
1340
00:55:26,724 --> 00:55:28,426
>>Casey: THANKS.
1341
00:55:29,093 --> 00:55:30,561
>>[door creaks]
1342
00:55:30,561 --> 00:55:31,596
creak
1343
00:55:31,596 --> 00:55:34,599
>>[thunder rumbles]
1344
00:55:34,599 --> 00:55:35,600
>>HEY.
1345
00:55:35,600 --> 00:55:36,834
SHE'LL BE OUT IN A MINUTE.
1346
00:55:36,834 --> 00:55:38,002
>>male #3: I'LL WALK HER
1347
00:55:38,002 --> 00:55:38,969
TO HER CAR.
1348
00:55:38,969 --> 00:55:40,004
BE RIGHT BACK.
1349
00:55:40,070 --> 00:55:53,951
>>[dreary music]
1350
00:55:53,951 --> 00:55:57,755
>>[thunder rumbles]
1351
00:55:57,755 --> 00:55:58,956
>>MMPH!
1352
00:55:59,824 --> 00:56:22,079
>>[music continues]
1353
00:56:22,079 --> 00:56:23,648
>>Casey: UGH!
1354
00:56:26,817 --> 00:56:28,553
>>WHERE IS SHE?
1355
00:56:31,155 --> 00:56:32,923
FIND HER!
1356
00:56:32,990 --> 00:57:00,184
>>[music continues]
1357
00:57:00,184 --> 00:57:01,686
>>OH.
1358
00:57:09,494 --> 00:57:11,929
OH! OH! AHHH!
1359
00:57:11,929 --> 00:57:14,932
AH! AHH!
1360
00:57:14,932 --> 00:57:16,100
>>[door slams]
1361
00:57:16,100 --> 00:57:17,568
slam!
1362
00:57:17,568 --> 00:57:20,538
>>AHHH! AHHH! AHHH!
1363
00:57:20,538 --> 00:57:22,507
AHHH! AHHH! AHH!
1364
00:57:22,507 --> 00:57:23,508
>>NURSE.
1365
00:57:23,508 --> 00:57:25,142
SHE'S HYSTERICAL.
1366
00:57:25,142 --> 00:57:27,011
>>NO, CASEY!
1367
00:57:27,011 --> 00:57:28,479
GET OFF OF ME!
1368
00:57:28,479 --> 00:57:29,847
>>NO, SARAH. SARAH.
1369
00:57:29,847 --> 00:57:30,848
>>AHHH! AHHH!
1370
00:57:30,848 --> 00:57:31,849
>>YOU'RE GONNA HURT YOURSELF.
1371
00:57:31,849 --> 00:57:32,850
IT'S ALRIGHT.
1372
00:57:32,850 --> 00:57:33,851
>>AHH!
1373
00:57:33,851 --> 00:57:34,852
>>NO, THERE YOU GO.
1374
00:57:34,852 --> 00:57:35,853
THERE YOU GO.
1375
00:57:35,853 --> 00:57:36,854
IT'S ALRIGHT.
1376
00:57:36,854 --> 00:57:38,055
IT'S ALRIGHT.
1377
00:57:38,055 --> 00:57:39,490
SHH.
1378
00:57:39,590 --> 00:57:41,859
>>*
1379
00:57:41,859 --> 00:57:51,836
>>[thunder rumbles]
1380
00:58:00,244 --> 00:58:01,245
>>AAARGH!
1381
00:58:01,245 --> 00:58:02,246
>>GUS!
1382
00:58:02,246 --> 00:58:03,247
WHAT ARE YOU DOING?
1383
00:58:03,247 --> 00:58:04,248
>>YOU LOOKED TENSE.
1384
00:58:04,248 --> 00:58:05,249
>>STOP IT.
1385
00:58:05,249 --> 00:58:06,250
YOU'RE GONNA WAKE UP
1386
00:58:06,250 --> 00:58:07,251
THE PATIENTS.
1387
00:58:07,251 --> 00:58:08,519
>>IF WE GET LOUD ENOUGH,
1388
00:58:08,519 --> 00:58:09,754
WE MIGHT.
1389
00:58:09,754 --> 00:58:11,088
>>BUT.
1390
00:58:11,088 --> 00:58:14,825
I HAVE TO WATCH THE DESK.
1391
00:58:14,825 --> 00:58:17,962
>>NOBODY'S COMING.
1392
00:58:17,962 --> 00:58:19,163
THE PLACE IS ON LOCKDOWN.
1393
00:58:19,163 --> 00:58:20,264
>>WHAT MAKES YOU THINK
1394
00:58:20,264 --> 00:58:22,567
YOU CAN HAVE YOUR WAY WITH ME
1395
00:58:22,567 --> 00:58:23,568
WHENEVER YOU WANT?
1396
00:58:23,568 --> 00:58:25,536
>>I DON'T.
1397
00:58:25,536 --> 00:58:27,538
BUT, YOU CAN HAVE YOUR WAY
1398
00:58:27,538 --> 00:58:29,540
WITH ME WHENEVER YOU WANT.
1399
00:58:32,810 --> 00:58:34,545
>>YOU KNOW THAT, RIGHT?
1400
00:58:34,545 --> 00:58:36,647
>>WHO SAYS I WANT TO?
1401
00:58:40,184 --> 00:58:42,687
OKAY, YOU WIN.
1402
00:58:44,989 --> 00:58:57,034
>>[heavy breathing]
1403
00:58:57,034 --> 00:58:58,035
>>WAIT!
1404
00:58:58,035 --> 00:58:59,003
>>Gus: WHAT?
1405
00:58:59,003 --> 00:59:00,204
>>nurse: IT'S THE GIRL'S
1406
00:59:00,204 --> 00:59:01,205
OTHER MOM.
1407
00:59:01,205 --> 00:59:02,573
SHE'S ALLOWED UP HERE.
1408
00:59:02,573 --> 00:59:03,574
JUST, JUST GO.
1409
00:59:03,574 --> 00:59:06,644
THIS'LL JUST TAKE A SECOND.
1410
00:59:06,644 --> 00:59:08,278
WAIT, COME HERE.
1411
00:59:16,754 --> 00:59:18,288
HOLD THAT THOUGHT.
1412
00:59:25,062 --> 00:59:26,764
>>Rachel: SARAH.
1413
00:59:26,764 --> 00:59:27,765
SARAH, HIDE.
1414
00:59:27,765 --> 00:59:28,866
THEY'RE COMING FOR YOU.
1415
00:59:28,866 --> 00:59:30,234
>>WHAT IF THEY FIND ME?
1416
00:59:30,234 --> 00:59:31,235
>>Rachel: THEY WON'T.
1417
00:59:31,235 --> 00:59:32,236
I'LL HELP YOU.
1418
00:59:32,236 --> 00:59:33,370
I'M NOT LEAVING YOU.
1419
00:59:33,370 --> 00:59:34,939
HURRY.
1420
00:59:54,792 --> 00:59:55,893
>>nurse: HI, MISS LIN.
1421
00:59:55,893 --> 00:59:57,628
WELCOME BACK.
1422
00:59:57,628 --> 00:59:59,263
IS EVERYTHING OKAY?
1423
00:59:59,329 --> 01:00:04,635
>>*
1424
01:00:04,635 --> 01:00:05,636
>>YOUR DAUGHTER HAD
1425
01:00:05,636 --> 01:00:06,971
ANOTHER FIT AGAIN EARLIER.
1426
01:00:06,971 --> 01:00:08,739
BUT I THINK SHE'S SLEEPING
1427
01:00:08,739 --> 01:00:10,708
AGAIN NOW SO.
1428
01:00:10,775 --> 01:00:15,145
>>*
1429
01:00:15,145 --> 01:00:16,346
>>YOU REMEMBER WHICH ROOM
1430
01:00:16,346 --> 01:00:18,783
IT IS, RIGHT?
1431
01:00:18,783 --> 01:00:20,184
UM, WELL HERE.
1432
01:00:20,184 --> 01:00:21,919
I'LL SHOW YOU.
1433
01:00:21,986 --> 01:00:36,400
>>*
1434
01:00:36,400 --> 01:00:37,668
>>nurse: SARAH?
1435
01:00:37,735 --> 01:01:00,190
>>[ominous music]
1436
01:01:00,190 --> 01:01:02,392
>>Anne: NO!
1437
01:01:02,693 --> 01:01:08,432
>>[music continues]
1438
01:01:08,432 --> 01:01:10,968
>>HEY KID. WHAT'S GOIN' ON?
1439
01:01:13,704 --> 01:01:15,205
>>WATCH OUT!
1440
01:01:16,206 --> 01:01:17,875
AHHH!
1441
01:01:25,449 --> 01:01:27,985
>>Anne: DON'T BE AFRAID, CHILD.
1442
01:01:29,486 --> 01:01:31,956
I JUST WANT THE ECHO.
1443
01:01:36,260 --> 01:01:38,863
YOU CAN'T HIDE FROM US.
1444
01:01:38,929 --> 01:01:48,939
>>[ominous music]
1445
01:01:48,939 --> 01:01:51,008
>>I WILL FIND YOU.
1446
01:01:51,075 --> 01:02:09,126
>>[thunder rumbles]
1447
01:02:09,126 --> 01:02:10,761
>>SOUNDS LIKE THERE'S
1448
01:02:10,761 --> 01:02:12,162
A STORM COMING.
1449
01:02:12,162 --> 01:02:13,363
>>I THINK IT'S
1450
01:02:13,363 --> 01:02:15,132
A LITTLE WAYS OFF YET.
1451
01:02:20,170 --> 01:02:22,206
>>[sighs]
1452
01:02:22,206 --> 01:02:25,009
>>TROUBLE SLEEPING?
1453
01:02:25,009 --> 01:02:26,410
>>MMM.
1454
01:02:26,510 --> 01:02:27,912
>>[thunder rumbles]
1455
01:02:27,912 --> 01:02:30,815
>>THAT'S UNDERSTANDABLE.
1456
01:02:30,815 --> 01:02:33,050
>>HOW DO YOU DO IT?
1457
01:02:33,050 --> 01:02:35,085
I MEAN, DEAL WITH THIS SORT
1458
01:02:35,085 --> 01:02:36,353
OF STUFF EVERY DAY.
1459
01:02:36,353 --> 01:02:38,455
HOW DO YOU SLEEP AT NIGHT?
1460
01:02:38,455 --> 01:02:39,456
>>NOT WELL.
1461
01:02:39,456 --> 01:02:42,960
BUT IT COMES WITH THE JOB.
1462
01:02:42,960 --> 01:02:44,394
>>YOU EVER FEEL
1463
01:02:44,394 --> 01:02:46,396
LIKE YOU'VE HAD ENOUGH?
1464
01:02:46,396 --> 01:02:47,397
>>SOME DAYS.
1465
01:02:47,397 --> 01:02:48,866
BUT QUITTING ISN'T GONNA
1466
01:02:48,866 --> 01:02:49,867
HELP YOU.
1467
01:02:49,867 --> 01:02:52,169
DOING YOUR JOB IS THE ONLY THING
1468
01:02:52,169 --> 01:02:53,904
THAT MAKES YOU FEEL BETTER.
1469
01:02:53,904 --> 01:02:56,440
THING IS, THE MORE YOU DO IT,
1470
01:02:56,440 --> 01:02:58,308
THE MORE DEATH YOU SEE.
1471
01:02:58,308 --> 01:03:01,812
IT'S A NEVER-ENDING CYCLE.
1472
01:03:01,812 --> 01:03:03,347
>>WELL, I APPRECIATE
1473
01:03:03,347 --> 01:03:04,548
EVERYTHING.
1474
01:03:04,548 --> 01:03:05,916
>>SHH!
1475
01:03:06,817 --> 01:03:13,123
>>[thunder rumbles]
1476
01:03:13,123 --> 01:03:14,224
>>ISN'T ONE OF YOUR MEN
1477
01:03:14,224 --> 01:03:15,225
OUT THERE?
1478
01:03:15,225 --> 01:03:16,793
>>FRANK?
1479
01:03:19,964 --> 01:03:20,965
>>SARAH?
1480
01:03:20,965 --> 01:03:22,366
SARAH, WHAT ON EARTH
1481
01:03:22,366 --> 01:03:23,968
ARE YOU DOING HERE?
1482
01:03:23,968 --> 01:03:25,035
>>MOM, CASEY'S DEAD.
1483
01:03:25,035 --> 01:03:27,604
>>WHAT?
1484
01:03:27,604 --> 01:03:28,873
>>THEY KILLED CASEY.
1485
01:03:28,873 --> 01:03:30,941
THEN THEY CAME TO THE HOSPITAL
1486
01:03:30,941 --> 01:03:31,976
TO GET ME.
1487
01:03:31,976 --> 01:03:33,377
>>WHO?
1488
01:03:33,377 --> 01:03:34,511
>>THE TEACHER.
1489
01:03:34,511 --> 01:03:36,413
SHE WANTS THE ECHO.
1490
01:03:36,413 --> 01:03:38,048
>>FRANK!
1491
01:03:38,115 --> 01:03:39,984
>>*
1492
01:03:39,984 --> 01:03:40,985
>>OH MY GOD!
1493
01:03:40,985 --> 01:03:41,986
>>UPSTAIRS.
1494
01:03:41,986 --> 01:03:42,987
>>Sarah: AHH!
1495
01:03:42,987 --> 01:03:43,988
>>NOW!
1496
01:03:44,054 --> 01:03:46,924
>>*
1497
01:03:46,924 --> 01:03:48,859
>>April: COME ON SARAH!
1498
01:03:51,061 --> 01:03:52,062
>>GET OUT OF SIGHT.
1499
01:03:52,062 --> 01:03:53,397
I'LL TAKE CARE OF THIS MYSELF.
1500
01:03:53,397 --> 01:03:54,398
>>[door bangs]
1501
01:03:54,398 --> 01:03:55,399
bang!
1502
01:03:55,399 --> 01:03:56,400
>>Mike: FREEZE!
1503
01:03:56,400 --> 01:03:57,401
DON'T MOVE.
1504
01:03:57,401 --> 01:03:58,568
I SAID DON'T MOVE!
1505
01:03:58,568 --> 01:04:00,237
OR I WILL DROP YOU
1506
01:04:00,237 --> 01:04:02,406
WHERE YOU STAND!
1507
01:04:02,406 --> 01:04:04,108
>>THEN GET ON WITH IT.
1508
01:04:04,174 --> 01:04:09,880
>>*
1509
01:04:09,880 --> 01:04:13,317
>>[voices whispering]
1510
01:04:13,317 --> 01:04:28,365
>>[gasping]
1511
01:04:28,365 --> 01:04:29,366
>>SARAH.
1512
01:04:29,366 --> 01:04:31,135
I WANT YOU TO GO HIDE FOR ME,
1513
01:04:31,135 --> 01:04:32,102
OKAY?
1514
01:04:32,102 --> 01:04:33,303
DON'T LET THEM FIND YOU, OKAY?
1515
01:04:33,303 --> 01:04:34,304
YOU'RE GONNA BE OKAY.
1516
01:04:34,304 --> 01:04:35,305
YOU'RE GONNA BE ALRIGHT.
1517
01:04:35,305 --> 01:04:36,306
>>MOM!
1518
01:04:36,306 --> 01:04:37,374
>>OKAY?
1519
01:04:37,374 --> 01:04:39,043
PLEASE DON'T. GO, GO, GO.
1520
01:04:39,109 --> 01:04:43,480
>>UGH! UGH!
1521
01:04:45,015 --> 01:04:46,283
>>[gasps]
1522
01:04:46,283 --> 01:04:48,385
>>[voices whispering]
1523
01:04:48,385 --> 01:04:51,455
>>NOW, WHERE ARE YOU?
1524
01:04:51,555 --> 01:04:54,925
>>[voices whispering]
1525
01:04:54,925 --> 01:04:56,260
>>UPSTAIRS!
1526
01:04:56,326 --> 01:05:29,426
>>[ominous music]
1527
01:05:29,426 --> 01:05:30,727
>>[bat striking]
1528
01:05:30,727 --> 01:05:35,699
whomp! whomp! whomp! whomp!
1529
01:05:35,966 --> 01:05:45,342
>>[music continues]
1530
01:05:45,409 --> 01:05:55,452
>>[footsteps]
1531
01:05:55,452 --> 01:05:57,121
>>GOT YOU.
1532
01:05:57,121 --> 01:05:59,256
YOU'RE COMING WITH ME.
1533
01:05:59,256 --> 01:06:01,425
>>[voices whispering]
1534
01:06:01,425 --> 01:06:02,459
>>[panting]
1535
01:06:02,459 --> 01:06:03,593
>>[bat strikes]
1536
01:06:03,593 --> 01:06:05,062
whomp!
1537
01:06:05,129 --> 01:06:06,130
>>*
1538
01:06:06,130 --> 01:06:07,131
>>[whispering continues]
1539
01:06:07,131 --> 01:06:10,600
>>[gasps]
1540
01:06:10,600 --> 01:06:12,102
>>[bat strikes]
1541
01:06:12,102 --> 01:06:14,004
whomp!
1542
01:06:14,071 --> 01:06:16,606
>>UNH! UNH! UNH!
1543
01:06:18,075 --> 01:06:19,109
>>[gun fires]
1544
01:06:19,109 --> 01:06:20,244
bang!
1545
01:06:22,179 --> 01:06:24,148
>>[panting]
1546
01:06:27,717 --> 01:06:30,620
>>April: OH GOD. OH GOD.
1547
01:06:30,620 --> 01:06:32,089
OH GOD.
1548
01:06:32,089 --> 01:06:33,457
SARAH HONEY, COME HERE.
1549
01:06:33,457 --> 01:06:35,659
COME ON. WE HAVE TO GO.
1550
01:06:35,659 --> 01:06:37,527
BABY, WE HAVE TO GO.
1551
01:06:37,527 --> 01:06:39,029
COME ON.
1552
01:06:39,029 --> 01:06:40,764
OH GOD. COME HERE, HONEY.
1553
01:06:40,764 --> 01:06:41,765
COME HERE.
1554
01:06:41,765 --> 01:06:42,766
PLEASE GET UP.
1555
01:06:42,766 --> 01:06:43,767
PLEASE, PLEASE.
1556
01:06:43,767 --> 01:06:44,768
COME HERE.
1557
01:06:44,768 --> 01:06:46,070
HOLD ON TO ME, OKAY?
1558
01:06:46,070 --> 01:06:47,071
OKAY, GOOD GIRL.
1559
01:06:47,071 --> 01:06:48,072
GOOD GIRL.
1560
01:06:48,072 --> 01:06:49,073
OH GOD.
1561
01:06:49,073 --> 01:06:52,076
>>Sarah: [whimpering]
1562
01:06:57,547 --> 01:06:58,548
>>OKAY HONEY.
1563
01:06:58,548 --> 01:06:59,583
I NEED YOU TO KEEP
1564
01:06:59,583 --> 01:07:00,817
YOUR EYES CLOSED FOR ME, OKAY?
1565
01:07:00,817 --> 01:07:01,818
>>Sarah: OKAY.
1566
01:07:01,818 --> 01:07:02,819
>>OKAY.
1567
01:07:02,819 --> 01:07:03,820
>>Sarah: [whimpering]
1568
01:07:03,820 --> 01:07:05,722
>>KEEP 'EM CLOSED TIGHT.
1569
01:07:11,795 --> 01:07:13,730
[panting]
1570
01:07:13,730 --> 01:07:15,432
SHH!
1571
01:07:15,432 --> 01:07:17,667
KEEP YOUR EYES CLOSED, BABY.
1572
01:07:21,238 --> 01:07:23,240
OKAY, YOU CAN LOOK.
1573
01:07:26,476 --> 01:07:27,777
SHH.
1574
01:07:30,414 --> 01:07:31,548
UNH!
1575
01:07:31,548 --> 01:07:32,649
>>MOM?
1576
01:07:32,649 --> 01:07:34,684
>>[gasping]
1577
01:07:34,751 --> 01:07:36,453
>>[voices whispering]
1578
01:07:42,759 --> 01:07:46,496
>>SEE HOW EASY IT IS, CHILD?
1579
01:07:46,496 --> 01:07:48,598
WITH ONLY THE SLIGHTEST EFFORT,
1580
01:07:48,598 --> 01:07:50,267
YOU COULD TURN A PERSON
1581
01:07:50,267 --> 01:07:51,635
THIS WAY...
1582
01:07:53,703 --> 01:07:55,172
OR THAT.
1583
01:07:55,672 --> 01:07:57,274
>>STOP IT!
1584
01:07:57,341 --> 01:08:02,479
>>*
1585
01:08:02,479 --> 01:08:03,580
>>I MIGHT'VE BEEN ABLE
1586
01:08:03,580 --> 01:08:05,615
TO TEACH YOU A THING OR TWO
1587
01:08:05,615 --> 01:08:06,616
WITH THIS GIFT
1588
01:08:06,616 --> 01:08:07,751
YOUR MOTHER GAVE YOU.
1589
01:08:07,751 --> 01:08:09,153
BUT I'M AFRAID
1590
01:08:09,153 --> 01:08:11,621
I CAN'T LET YOU KEEP IT.
1591
01:08:11,621 --> 01:08:13,423
I'VE BEEN SEARCHING FOR IT
1592
01:08:13,423 --> 01:08:14,458
FOR SO LONG.
1593
01:08:14,458 --> 01:08:15,459
>>STOP!
1594
01:08:15,459 --> 01:08:17,194
YOU'RE HURTING HER!
1595
01:08:17,194 --> 01:08:18,195
>>HUSH NOW.
1596
01:08:18,195 --> 01:08:19,663
YOU'LL GET YOUR TURN.
1597
01:08:19,663 --> 01:08:22,166
>>[gasping]
1598
01:08:22,266 --> 01:08:23,733
>>*
1599
01:08:23,733 --> 01:08:27,704
>>[voices whispering]
1600
01:08:27,704 --> 01:08:28,805
>>WHAT?
1601
01:08:28,872 --> 01:08:30,907
>>[whispering continues]
1602
01:08:30,907 --> 01:08:32,542
>>OH-HO-HO-HO.
1603
01:08:32,542 --> 01:08:34,511
DON'T EVEN TRY IT.
1604
01:08:34,578 --> 01:08:40,184
>>[whispering continues]
1605
01:08:40,184 --> 01:08:42,252
>>HAVE IT YOUR WAY!
1606
01:08:42,319 --> 01:08:44,321
>>[intense music]
1607
01:08:44,321 --> 01:08:47,424
>>[screaming]
1608
01:08:47,524 --> 01:08:51,395
>>[music continues]
1609
01:08:51,395 --> 01:08:53,129
>>YOU CAN'T.
1610
01:08:53,197 --> 01:09:00,170
>>[music continues]
1611
01:09:00,170 --> 01:09:05,275
>>AHH! AHH!
1612
01:09:05,342 --> 01:09:18,422
>>*
1613
01:09:18,422 --> 01:09:20,357
>>SARAH.
1614
01:09:20,357 --> 01:09:22,692
SARAH.
1615
01:09:22,692 --> 01:09:24,294
OH GOD.
1616
01:09:30,267 --> 01:09:31,768
>>DID YOU SEE HER?
1617
01:09:31,768 --> 01:09:33,870
>>YEAH.
1618
01:09:33,870 --> 01:09:35,739
SWEETHEART, I DID.
1619
01:09:35,805 --> 01:09:45,515
>>*
1620
01:09:45,515 --> 01:09:47,551
>>Casey: YOU SHOULD'VE TOLD ME
1621
01:09:47,551 --> 01:09:48,718
ABOUT THE LETTER.
1622
01:09:48,718 --> 01:09:49,919
WHY DIDN'T YOU?
1623
01:09:49,919 --> 01:09:51,255
>>April: I LOVED RACHEL.
1624
01:09:51,255 --> 01:09:52,656
IT TOOK ME SO LONG
1625
01:09:52,656 --> 01:09:53,790
TO GET OVER HER.
1626
01:09:53,790 --> 01:09:55,892
AND THEN WHEN ALL THIS CAME UP,
1627
01:09:55,892 --> 01:09:57,527
I JUST, I DIDN'T KNOW
1628
01:09:57,527 --> 01:09:58,528
WHAT TO THINK.
1629
01:09:58,528 --> 01:10:01,598
>>Casey: DO YOU STILL LOVE HER?
1630
01:10:01,598 --> 01:10:03,667
>>April: DOESN'T MATTER ANYMORE.
89134
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