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1
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[upbeat music]
2
00:00:08,039 --> 00:00:14,169
♪ ♪
3
00:00:14,189 --> 00:00:16,100
- Hey.
4
00:00:16,120 --> 00:00:18,140
Thank goodness.
I was lonely.
5
00:00:18,160 --> 00:00:21,019
Just standing here,
waiting for everybody.
6
00:00:21,039 --> 00:00:22,039
How's everybody doing?
7
00:00:22,059 --> 00:00:23,079
- Good.
- Good.
8
00:00:23,100 --> 00:00:24,149
- Good.
9
00:00:24,170 --> 00:00:26,120
I got to tell you,
a lot of the pieces
10
00:00:26,140 --> 00:00:28,109
you guys made
for the first challenge
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00:00:28,129 --> 00:00:31,129
were so inspiring,
truly works of art,
12
00:00:31,149 --> 00:00:34,109
and that is why I'm so excited
to introduce you guys
13
00:00:34,130 --> 00:00:36,170
to a very special guest today.
14
00:00:36,189 --> 00:00:40,049
Not only is she an extremely
accomplished actress,
15
00:00:40,070 --> 00:00:42,020
businesswoman,
and philanthropist.
16
00:00:42,039 --> 00:00:44,140
She was also a costar of mine
for a few years,
17
00:00:44,159 --> 00:00:47,219
and she's married to someone
we all know very well.
18
00:00:48,000 --> 00:00:50,179
Designers, please help me
welcome Portia de Rossi.
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00:00:50,200 --> 00:00:53,079
[cheers and applause]
20
00:00:53,100 --> 00:00:54,170
- Hi, designers.
- Hey.
21
00:00:54,189 --> 00:00:55,229
- Portia.
- Scott.
22
00:00:56,009 --> 00:00:57,119
- You look fantastic.
- Thank you.
23
00:00:57,140 --> 00:00:59,130
- How are you?
- The last time I saw you...
24
00:00:59,149 --> 00:01:00,219
- What?
- You were rolling up
25
00:01:01,000 --> 00:01:02,159
my dead body
in a rug on "Scandal."
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00:01:02,179 --> 00:01:04,040
[laughter]
- Yes.
27
00:01:04,060 --> 00:01:06,090
If you guys didn't watch,
Portia died on "Scandal."
28
00:01:06,109 --> 00:01:08,180
I may have been
the one responsible for it,
29
00:01:08,200 --> 00:01:09,219
and I had to roll her body up.
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She was covered--caked in...
31
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- Brains.
- Dried blood. It was--
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00:01:13,000 --> 00:01:14,099
- You were very nice
about it, though.
33
00:01:14,120 --> 00:01:15,189
- It was a great ending
for you, though.
34
00:01:15,210 --> 00:01:17,150
- It was, wasn't it?
- It was, yeah.
35
00:01:17,170 --> 00:01:20,030
Well, I know that you have
been
dying to meet our designers.
36
00:01:20,049 --> 00:01:22,060
- Yes, I have, I've heard
all about you from Ellen,
37
00:01:22,079 --> 00:01:23,219
and I've seen
some of your work.
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I'm such a fan.
39
00:01:25,069 --> 00:01:26,210
That's why I'm thrilled
40
00:01:26,230 --> 00:01:28,140
I can help you guys
with your next challenge.
41
00:01:28,159 --> 00:01:30,230
- Yes, tell us about your
company, about General Public.
42
00:01:31,010 --> 00:01:33,229
- Well, General Public
is an art publishing company,
43
00:01:34,009 --> 00:01:35,140
and we find amazing art
44
00:01:35,159 --> 00:01:37,129
from great artists
all over the world,
45
00:01:37,150 --> 00:01:39,210
and we reproduce it
using 3D technology
46
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to create all of the texture
47
00:01:41,140 --> 00:01:43,009
and brushstrokes
of the original.
48
00:01:43,030 --> 00:01:45,210
So we're bringing
great artists and great art
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to the general public,
hence the name.
50
00:01:47,210 --> 00:01:49,120
- Designers,
for your next challenge,
51
00:01:49,140 --> 00:01:52,150
you will have four days to
complete a piece of furniture
52
00:01:52,170 --> 00:01:54,000
inspired by art
53
00:01:54,020 --> 00:01:56,020
from Portia's company,
General Public.
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00:01:56,039 --> 00:01:57,109
Portia and Ellen personally
55
00:01:57,129 --> 00:01:59,039
picked out the pieces
just for this challenge.
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Take a look
on the screen over here.
57
00:02:02,120 --> 00:02:05,140
[upbeat music]
58
00:02:05,159 --> 00:02:08,229
♪ ♪
59
00:02:09,009 --> 00:02:10,050
- Baby!
60
00:02:10,069 --> 00:02:11,210
- Hi.
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00:02:11,229 --> 00:02:14,199
Hey, baby.
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We are at General Public.
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It's my art publishing
company.
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00:02:18,050 --> 00:02:20,039
All right, I've got some
really
cool stuff to show you.
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00:02:20,060 --> 00:02:21,170
- Yeah? I can't wait.
- Yeah.
66
00:02:21,189 --> 00:02:22,219
And this is our factory.
67
00:02:23,000 --> 00:02:24,120
This is where
we make beautiful art.
68
00:02:24,139 --> 00:02:26,170
- Just an idea she had
in her head.
69
00:02:26,189 --> 00:02:28,069
- So we're scanning
the original.
70
00:02:28,090 --> 00:02:29,199
We can probably print this
while you're still here,
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00:02:29,219 --> 00:02:31,039
actually.
- Okay.
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00:02:31,060 --> 00:02:32,139
I'm so proud of her.
I mean, it's amazing.
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00:02:32,159 --> 00:02:35,000
- I just think
this is so unique.
74
00:02:35,020 --> 00:02:36,170
Like, what are they
gonna do with that?
75
00:02:36,189 --> 00:02:39,039
- Yeah, it's fantastic.
I love the colors of that.
76
00:02:39,060 --> 00:02:41,110
We both love design.
We both love furniture.
77
00:02:41,129 --> 00:02:42,189
We both love art.
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00:02:42,210 --> 00:02:44,060
So why not put it together
79
00:02:44,079 --> 00:02:46,020
and why not create
a challenge around it?
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00:02:46,039 --> 00:02:48,079
- I figured it would be
really cool
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00:02:48,099 --> 00:02:49,229
to see what one of your
designers
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00:02:50,009 --> 00:02:52,069
would do with a still life.
- Love that.
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00:02:52,090 --> 00:02:54,150
- For us, furniture and art
just go hand in hand.
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00:02:54,170 --> 00:02:58,009
This one, to me,
is just so bold.
85
00:02:58,030 --> 00:02:59,129
But to actually think
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00:02:59,150 --> 00:03:01,090
about how are you
gonna design furniture
87
00:03:01,110 --> 00:03:03,219
around a piece of art is
a different way to go about it.
88
00:03:04,000 --> 00:03:06,110
This would be an interesting
challenge for somebody,
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00:03:06,129 --> 00:03:07,210
'cause it has so much movement.
90
00:03:07,229 --> 00:03:09,060
- Yep, I like them all.
91
00:03:09,080 --> 00:03:11,050
- So I kind of
covered the gamut.
92
00:03:11,069 --> 00:03:12,219
I hope we see
really different,
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00:03:13,000 --> 00:03:14,139
interesting pieces
of furniture.
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00:03:14,159 --> 00:03:16,129
Thanks for helping with this.
95
00:03:16,150 --> 00:03:18,039
This is, like,
what I do all day--
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00:03:18,060 --> 00:03:19,170
wrestle with these things.
97
00:03:19,189 --> 00:03:21,129
- I think she picked out
some amazing pieces.
98
00:03:21,150 --> 00:03:23,060
I mean, they're all good,
99
00:03:23,079 --> 00:03:25,150
and it'll be interesting to see
what they do with them.
100
00:03:25,170 --> 00:03:26,180
I'm gonna put that like that.
101
00:03:26,199 --> 00:03:27,229
- Oh, no.
- No?
102
00:03:28,009 --> 00:03:30,050
- Eh.
- Somebody come help!
103
00:03:30,069 --> 00:03:31,150
- They'll do it.
- Okay.
104
00:03:31,170 --> 00:03:33,039
- There it goes.
It's rolling.
105
00:03:33,060 --> 00:03:36,020
- Can you--can you help?
It's rolling away.
106
00:03:36,039 --> 00:03:37,229
Okay.
Okay, good.
107
00:03:38,009 --> 00:03:39,139
All right,
let's get out of here
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before you break something.
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00:03:41,159 --> 00:03:42,219
[laughter]
110
00:03:43,000 --> 00:03:44,170
- All right.
So what is it like
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00:03:44,189 --> 00:03:46,219
to spend your life
around art all day long?
112
00:03:47,000 --> 00:03:48,139
- It's very inspiring,
113
00:03:48,159 --> 00:03:51,090
just as it is spending your
life around amazing furniture.
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00:03:51,110 --> 00:03:53,229
So I can't wait to see what
they're gonna do with this.
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00:03:54,009 --> 00:03:55,189
Anyway,
it was great to see you.
116
00:03:55,210 --> 00:03:57,069
- All right,
thank you for coming out.
117
00:03:57,090 --> 00:03:59,110
- Thank you, Scott.
Thanks, guys. Good luck.
118
00:03:59,129 --> 00:04:01,020
all: Thank you.
- See you soon.
119
00:04:01,039 --> 00:04:03,219
- See you soon.
- Yeah, have a good one.
120
00:04:04,000 --> 00:04:05,129
- Well, are you guys ready
to see the paintings?
121
00:04:05,150 --> 00:04:07,020
I know I am.
all: Yes.
122
00:04:07,039 --> 00:04:08,180
- All right.
Let's light it up.
123
00:04:08,199 --> 00:04:10,030
[bright music]
124
00:04:10,050 --> 00:04:13,069
- Wow.
- Whoa.
125
00:04:13,090 --> 00:04:15,129
- These pieces have been
randomly assigned to you guys.
126
00:04:15,150 --> 00:04:17,019
Go ahead and check it out,
please.
127
00:04:17,040 --> 00:04:18,149
- Oh, wow.
- Amazing.
128
00:04:18,170 --> 00:04:20,050
This feels like
it's in my wheelhouse.
129
00:04:20,069 --> 00:04:22,050
I studied art,
and I studied design,
130
00:04:22,069 --> 00:04:23,189
and my mom's
an art historian.
131
00:04:23,209 --> 00:04:26,060
It speaks the language
that I'm used to speaking.
132
00:04:26,079 --> 00:04:28,180
I feel very confident
about this piece.
133
00:04:28,199 --> 00:04:30,230
- Guys, take in the color,
the lines,
134
00:04:31,009 --> 00:04:32,050
the symmetry, or lack of.
135
00:04:32,069 --> 00:04:33,170
You know,
anything you can use
136
00:04:33,189 --> 00:04:35,029
when you're designing
your next piece.
137
00:04:35,050 --> 00:04:36,170
- This is so aggressive.
138
00:04:36,189 --> 00:04:39,090
My painting gives me
a lot of aggression.
139
00:04:39,110 --> 00:04:41,149
It makes me feel uneasy.
140
00:04:41,170 --> 00:04:43,110
Like, I don't know
what I'm going to do.
141
00:04:43,129 --> 00:04:44,230
- All right, guys,
don't just stand there.
142
00:04:45,009 --> 00:04:46,069
Grab them, they're yours.
Take them with you.
143
00:04:46,090 --> 00:04:47,199
- They're ours?
- Take them.
144
00:04:47,220 --> 00:04:49,069
- Wait, what do you mean?
- Like, take them home?
145
00:04:49,090 --> 00:04:51,139
- Out the door.
- How heavy is this?
146
00:04:51,159 --> 00:04:53,000
- Oh, Jesus.
- I got it.
147
00:04:53,019 --> 00:04:55,120
- You need help?
Here, I'll get that.
148
00:04:55,139 --> 00:04:57,110
- I think I can barely get it.
[laughter]
149
00:04:57,129 --> 00:04:59,079
- See you back here
in four days.
150
00:04:59,100 --> 00:05:01,160
- Okay.
- Wait for me.
151
00:05:01,180 --> 00:05:03,009
- Urvi stole her name.
- Here we go.
152
00:05:03,029 --> 00:05:05,000
- Yeah, dude, it's my name.
I own it.
153
00:05:05,019 --> 00:05:06,000
- [chuckles]
154
00:05:06,019 --> 00:05:07,230
[car horns honking]
155
00:05:08,009 --> 00:05:11,060
[upbeat music]
156
00:05:11,079 --> 00:05:14,089
♪ ♪
157
00:05:14,110 --> 00:05:16,019
- Love it.
158
00:05:16,040 --> 00:05:19,050
There are endless possibilities
inspired by this painting.
159
00:05:19,069 --> 00:05:21,199
I don't know,
I'm thinking, like, bench.
160
00:05:21,220 --> 00:05:24,149
We could--we could
do a loveseat.
161
00:05:24,170 --> 00:05:26,069
I've never
designed one before.
162
00:05:26,089 --> 00:05:29,000
I don't know how to do this,
but we could try it.
163
00:05:29,019 --> 00:05:31,019
- Man, sort of reminds me
of the days
164
00:05:31,040 --> 00:05:32,159
when I used to smoke pot, man.
165
00:05:32,180 --> 00:05:34,209
Just talk, like, hours about,
you know, some--
166
00:05:34,230 --> 00:05:37,129
- Hours trying to figure out
something, right?
167
00:05:37,149 --> 00:05:39,110
- Man, yeah.
168
00:05:39,129 --> 00:05:41,170
- I have several ideas.
Maybe a chair.
169
00:05:41,189 --> 00:05:44,090
Perhaps a coffee table
or cabinet.
170
00:05:44,110 --> 00:05:47,040
But the thing--
I want to come up with ideas
171
00:05:47,060 --> 00:05:49,000
to manufacture
in the time that we have.
172
00:05:49,019 --> 00:05:50,090
- Yeah, efficiency.
173
00:05:50,110 --> 00:05:51,209
- I'd like to see if,
this time,
174
00:05:51,230 --> 00:05:53,129
it could be
a little less stressful.
175
00:05:53,149 --> 00:05:54,139
- I love the, like,
176
00:05:54,159 --> 00:05:56,110
white on white in the tones.
177
00:05:56,129 --> 00:05:58,110
- What kind of furniture piece
are you thinking?
178
00:05:58,129 --> 00:06:00,170
- I think the first thing
that comes to mind
179
00:06:00,189 --> 00:06:02,009
is some kind of seating.
180
00:06:02,029 --> 00:06:03,120
I'm super excited
about this piece.
181
00:06:03,139 --> 00:06:05,149
- I mean, dude,
this could be anything.
182
00:06:05,170 --> 00:06:08,029
This is crazy.
- Okay.
183
00:06:08,050 --> 00:06:09,209
♪ ♪
184
00:06:09,230 --> 00:06:14,050
- And now we've gone through
50, 60 different sketches.
185
00:06:14,069 --> 00:06:15,189
Let's make a decision.
- Okay.
186
00:06:15,209 --> 00:06:18,029
- How about a desk?
- It's gonna take too long.
187
00:06:18,050 --> 00:06:20,000
- But you want to win?
You want to win?
188
00:06:20,019 --> 00:06:22,220
- You want to be done
by Friday?
189
00:06:23,000 --> 00:06:24,149
- I think I need to call Momma.
190
00:06:24,170 --> 00:06:26,019
- What's up?
Where are you?
191
00:06:26,040 --> 00:06:27,230
- I'm in the middle
of this challenge.
192
00:06:28,009 --> 00:06:29,069
I need your help.
193
00:06:29,089 --> 00:06:31,149
I'm feeling like a bookcase,
194
00:06:31,170 --> 00:06:33,149
like a sideboard or credenza.
195
00:06:33,170 --> 00:06:35,170
- You have to finish this
by Saturday?
196
00:06:35,189 --> 00:06:36,220
- Friday.
197
00:06:37,000 --> 00:06:39,110
- What?
How you gonna do that?
198
00:06:39,129 --> 00:06:41,100
[laughter]
199
00:06:41,120 --> 00:06:45,019
- Something tells me that we're
gonna make a crazy decision
200
00:06:45,040 --> 00:06:47,180
and be super challenged again.
201
00:06:47,199 --> 00:06:50,100
Nico, what do you think?
202
00:06:50,120 --> 00:06:52,060
You want a chair
that you can get cozy in?
203
00:06:52,079 --> 00:06:53,100
[dog whimpers]
204
00:06:53,120 --> 00:06:56,199
[mellow music]
205
00:06:56,220 --> 00:06:58,220
♪ ♪
206
00:06:59,000 --> 00:07:01,009
- What do you think
when you first see this?
207
00:07:01,029 --> 00:07:02,110
- The colors are aggressive.
208
00:07:02,129 --> 00:07:04,139
I see caution.
I see danger.
209
00:07:04,160 --> 00:07:06,199
- Yeah.
- I see apprehension.
210
00:07:06,220 --> 00:07:08,149
I guess when you're
in a dangerous situation,
211
00:07:08,170 --> 00:07:10,000
you only have, is what?
212
00:07:10,019 --> 00:07:11,110
- You don't want to think.
- Your intuition.
213
00:07:11,129 --> 00:07:13,000
- Exactly, you gotta...
- So...
214
00:07:13,019 --> 00:07:14,110
- Go with the flow.
215
00:07:14,129 --> 00:07:16,060
- That's what's gonna happen.
- Here we go.
216
00:07:16,079 --> 00:07:18,230
- I take these two colors,
yellow and the black.
217
00:07:19,009 --> 00:07:20,069
For me, these two colors
218
00:07:20,089 --> 00:07:22,029
represent caution,
caution tape.
219
00:07:22,050 --> 00:07:24,029
They represent danger.
They represent apprehension.
220
00:07:24,050 --> 00:07:26,089
And this is exactly
how I'm feeling right now.
221
00:07:26,110 --> 00:07:28,220
Last week, the judges
put fire under my ass,
222
00:07:29,000 --> 00:07:30,199
because I was
in the bottom two.
223
00:07:30,220 --> 00:07:32,069
- The problems with the piece
224
00:07:32,090 --> 00:07:34,120
were the execution
of the craftsmanship.
225
00:07:34,139 --> 00:07:37,069
- The craftsmanship, it wasn't
what we initially planned.
226
00:07:37,090 --> 00:07:40,069
I just wanted to play it safe.
227
00:07:40,090 --> 00:07:42,050
- And--Jesus, mother.
228
00:07:42,069 --> 00:07:44,079
All right, well that makes me
a little nervous.
229
00:07:44,100 --> 00:07:47,120
- What I'm gonna do for this
challenge is I'm going to do
230
00:07:47,139 --> 00:07:50,120
what I'm used to doing,
not being safe about anything.
231
00:07:50,139 --> 00:07:52,019
I have an idea.
232
00:07:52,040 --> 00:07:54,009
We're gonna go heavy
on concept for this one.
233
00:07:54,029 --> 00:07:55,120
- Oh, wow.
Okay.
234
00:07:55,139 --> 00:07:57,029
- The project became
an opportunity
235
00:07:57,050 --> 00:07:59,040
for me to send a message
to myself:
236
00:07:59,060 --> 00:08:00,149
believing in yourself.
237
00:08:00,170 --> 00:08:02,209
The piece of furniture
I'm designing is about
238
00:08:02,230 --> 00:08:05,149
an opportunity for you,
the user of the object,
239
00:08:05,170 --> 00:08:08,009
to see yourself on a pedestal,
240
00:08:08,029 --> 00:08:09,230
encased in a glass vitrine,
241
00:08:10,009 --> 00:08:12,069
and is a reminder
that you are special
242
00:08:12,089 --> 00:08:14,079
and that you can do
anything you want to.
243
00:08:14,100 --> 00:08:17,160
[upbeat jazzy music]
244
00:08:17,180 --> 00:08:22,089
It is an opportunity for me to
show strength and persistence.
245
00:08:22,110 --> 00:08:25,050
This is like
museum-quality pedestal,
246
00:08:25,069 --> 00:08:29,000
so everything has to be
even better than furniture.
247
00:08:29,019 --> 00:08:35,100
♪ ♪
248
00:08:36,039 --> 00:08:38,220
- I mean, this, to me,
is just like
249
00:08:39,000 --> 00:08:41,129
calling for marble,
maybe some rubber.
250
00:08:41,149 --> 00:08:44,070
I could see it also being,
like, some kind of a chair
251
00:08:44,090 --> 00:08:46,129
that plays off of the squares.
252
00:08:46,149 --> 00:08:48,169
So my idea is to make a chair
253
00:08:48,190 --> 00:08:51,090
using slabs of marble
for each side,
254
00:08:51,110 --> 00:08:54,179
and then a sling chair
out of recycled rubber,
255
00:08:54,200 --> 00:08:58,129
that I work with a lot,
and connect those two pieces
256
00:08:58,149 --> 00:09:02,049
with brass rods
and custom brass hardware.
257
00:09:02,070 --> 00:09:05,059
Maybe we can find, like,
some of those green tones
258
00:09:05,080 --> 00:09:07,080
that were in the--
in the painting.
259
00:09:07,100 --> 00:09:09,210
Not too far from my studio
in Brooklyn,
260
00:09:09,230 --> 00:09:11,220
there are, you know,
many marble yards
261
00:09:12,000 --> 00:09:14,129
with remnant pieces
of marble...
262
00:09:14,149 --> 00:09:15,179
All right,
let's remember this piece,
263
00:09:15,200 --> 00:09:17,039
and we'll come back to it.
264
00:09:17,059 --> 00:09:19,059
I think this one's
a little too gray.
265
00:09:19,080 --> 00:09:21,200
That are left over
from bigger jobs
266
00:09:21,220 --> 00:09:23,090
that have been discarded.
267
00:09:23,110 --> 00:09:25,200
I think this is the one.
- I think so too.
268
00:09:25,220 --> 00:09:27,059
- This chair is a risk,
269
00:09:27,080 --> 00:09:29,059
because I've never
made a chair.
270
00:09:29,080 --> 00:09:33,009
I mean, I'm actually nervous
about this--this piece.
271
00:09:33,029 --> 00:09:35,220
There's just a lot
to pull off.
272
00:09:36,000 --> 00:09:38,100
[bright music]
273
00:09:38,120 --> 00:09:40,110
- I don't know,
I'm leaning towards loveseat.
274
00:09:40,129 --> 00:09:42,110
I think it's comfortable.
- Yeah, that'd be cool.
275
00:09:42,129 --> 00:09:44,029
- I think we can make
something dynamic.
276
00:09:44,049 --> 00:09:45,120
I'm thinking steel.
277
00:09:45,139 --> 00:09:48,159
So I decided
to make a loveseat,
278
00:09:48,179 --> 00:09:51,110
because I wanted
to hand-dye the fabric
279
00:09:51,129 --> 00:09:54,019
to look like the splatters
in the painting.
280
00:09:54,039 --> 00:09:55,110
- I've only dyed one thing,
281
00:09:55,129 --> 00:09:57,159
being the Joker for Halloween.
282
00:09:57,179 --> 00:09:58,230
- Yeah?
283
00:09:59,009 --> 00:10:00,190
- Purple all over my bathtub.
284
00:10:00,210 --> 00:10:02,200
- [laughs]
285
00:10:02,220 --> 00:10:06,159
- Yo, I just want to say
these are badass.
286
00:10:06,179 --> 00:10:08,129
- Thank you, Fernando.
- These are badass.
287
00:10:08,149 --> 00:10:10,000
- That means--
288
00:10:10,019 --> 00:10:12,100
The judges loved
my pieces the first week.
289
00:10:12,120 --> 00:10:15,110
- These are absolutely
stunning.
290
00:10:15,129 --> 00:10:18,179
- I have proven
that I can do this
291
00:10:18,200 --> 00:10:21,029
and that I'm not someone
to be [bleep] with.
292
00:10:21,049 --> 00:10:24,190
I never even quite thought
about doing this like this.
293
00:10:24,210 --> 00:10:30,000
♪ ♪
294
00:10:30,019 --> 00:10:32,000
Yeah, I'm definitely
a little nervous,
295
00:10:32,019 --> 00:10:35,070
because this is the first time
I've ever hand-dyed fabric.
296
00:10:35,090 --> 00:10:37,200
See, look at that.
Isn't that a beautiful tone?
297
00:10:37,220 --> 00:10:40,059
See that?
Yes.
298
00:10:40,080 --> 00:10:43,230
This is gonna give
that darkness that we need.
299
00:10:44,009 --> 00:10:50,120
♪ ♪
300
00:10:50,139 --> 00:10:52,070
Yeah, the color
is getting close
301
00:10:52,090 --> 00:10:53,220
to the colors
you see in the painting.
302
00:10:54,000 --> 00:10:56,049
- Yeah.
- I hope that the judges see
303
00:10:56,070 --> 00:11:00,039
that I took
very thoughtful steps
304
00:11:00,059 --> 00:11:01,230
to be inspired
by the painting
305
00:11:02,009 --> 00:11:04,019
to create this piece
of furniture.
306
00:11:04,039 --> 00:11:05,169
It's amazing.
- So cool.
307
00:11:05,190 --> 00:11:06,159
- Like magic.
308
00:11:06,179 --> 00:11:09,200
[jazzy music]
309
00:11:09,220 --> 00:11:14,059
♪ ♪
310
00:11:14,080 --> 00:11:16,110
- ♪ Suddenly you realize ♪
311
00:11:16,129 --> 00:11:18,179
♪ This town's number one ♪
312
00:11:18,200 --> 00:11:21,129
♪ Our New York ♪
313
00:11:21,149 --> 00:11:24,200
♪ Our New York
love's just begun ♪
314
00:11:24,220 --> 00:11:27,169
♪ ♪
315
00:11:27,190 --> 00:11:30,129
[knocks]
- Come in.
316
00:11:30,149 --> 00:11:32,110
[gasps]
- Hey, Christina.
317
00:11:32,129 --> 00:11:34,059
- Oh, my God.
- How are you?
318
00:11:34,080 --> 00:11:36,149
Well, I was in the area,
and thought I'd come by.
319
00:11:36,169 --> 00:11:37,210
There it is.
320
00:11:37,230 --> 00:11:39,090
- Yes.
- There's the art.
321
00:11:39,110 --> 00:11:41,029
- That's the painting.
- Inspiring for you?
322
00:11:41,049 --> 00:11:42,159
- Very inspiring.
- Yeah?
323
00:11:42,179 --> 00:11:44,100
- Too inspiring.
- And what did you end up with?
324
00:11:44,120 --> 00:11:46,019
What--what is the project?
325
00:11:46,039 --> 00:11:47,190
- Well, I've sort of named it
a cloud chair
326
00:11:47,210 --> 00:11:50,159
because it's really puffy,
and you just melt into it.
327
00:11:50,179 --> 00:11:52,019
- I like it.
328
00:11:52,039 --> 00:11:54,019
- I landed on the idea
of a chair,
329
00:11:54,039 --> 00:11:56,129
like a really puffy,
cloudy pub chair.
330
00:11:56,149 --> 00:11:59,220
We have a lamp
incorporated into this.
331
00:12:00,000 --> 00:12:02,059
- I love that. I love that.
- Do you?
332
00:12:02,080 --> 00:12:05,100
- You know, we do have someone
here who can test this out.
333
00:12:05,120 --> 00:12:07,000
- Really?
- Yeah. Nico.
334
00:12:07,019 --> 00:12:08,110
- Why not? Nico.
335
00:12:08,129 --> 00:12:10,019
- Nico's the boss.
336
00:12:10,039 --> 00:12:11,210
- So cute.
- Okay.
337
00:12:11,230 --> 00:12:14,100
Let's get this guy up there.
What do you think, buddy boy?
338
00:12:14,120 --> 00:12:15,230
Should we do it?
That's a good boy.
339
00:12:16,009 --> 00:12:17,220
- Nico, what do you think?
What do you think?
340
00:12:18,000 --> 00:12:19,129
- And he loves the art too.
341
00:12:19,149 --> 00:12:21,169
- I love the art.
Can I tell you?
342
00:12:21,190 --> 00:12:23,190
- I love those
fine black lines,
343
00:12:23,210 --> 00:12:26,080
which I'm incorporating
into embroidery.
344
00:12:26,100 --> 00:12:27,179
- I like it.
Okay.
345
00:12:27,200 --> 00:12:31,039
A little concerned
with the timing,
346
00:12:31,059 --> 00:12:34,120
just the upholstery of it all,
'cause I know how delicate
347
00:12:34,139 --> 00:12:36,059
and detailed
and time-consuming it can be.
348
00:12:36,080 --> 00:12:38,120
- It was really cool
to have Scott's input.
349
00:12:38,139 --> 00:12:40,070
He really understood
what I was doing.
350
00:12:40,090 --> 00:12:41,200
He was really excited
about the design.
351
00:12:41,220 --> 00:12:43,120
He really did have
a valid point.
352
00:12:43,139 --> 00:12:44,190
I need to do a lot of work.
353
00:12:44,210 --> 00:12:46,029
Thank you coming.
354
00:12:46,049 --> 00:12:47,190
- Thanks for having me
in your studio.
355
00:12:47,210 --> 00:12:49,049
- Thank you. Of course, anytime.
- We'll see you guys.
356
00:12:49,070 --> 00:12:50,110
I'm gonna take that piece
with me too.
357
00:12:50,129 --> 00:12:51,149
- Are you?
358
00:12:51,169 --> 00:12:52,190
- No.
- Oh.
359
00:12:52,210 --> 00:12:53,190
[laughter]
360
00:12:53,210 --> 00:12:56,200
[hip-hop music]
361
00:12:56,220 --> 00:13:01,149
♪ ♪
362
00:13:01,169 --> 00:13:03,169
- We're at Rubel Patel.
363
00:13:03,190 --> 00:13:05,200
My guy Mike is
an amazing fabricator.
364
00:13:05,220 --> 00:13:07,100
I'm here to get his help
365
00:13:07,120 --> 00:13:09,029
figuring out
the structure of the chair.
366
00:13:09,049 --> 00:13:10,190
So we need to test
the grommets,
367
00:13:10,210 --> 00:13:12,120
make sure
they're strong enough,
368
00:13:12,139 --> 00:13:14,090
and also just the rubber itself
if it's strong enough.
369
00:13:14,110 --> 00:13:16,080
I'm not totally sure
if the rubber's gonna work,
370
00:13:16,100 --> 00:13:18,080
and I've never used it
in this way,
371
00:13:18,100 --> 00:13:20,110
where you're putting a whole
person's weight on it.
372
00:13:20,129 --> 00:13:22,139
But I think it's definitely
worth the risk.
373
00:13:22,159 --> 00:13:25,200
My mind is racing with backup
plans in case it doesn't work.
374
00:13:25,220 --> 00:13:29,070
♪ ♪
375
00:13:29,090 --> 00:13:31,149
- ♪ Yeah, yeah ♪
376
00:13:31,169 --> 00:13:34,070
- Tell the competition--
tell them to sit down,
377
00:13:34,090 --> 00:13:36,159
'cause it's a wrap.
[laughs]
378
00:13:36,179 --> 00:13:38,159
- No time for gloves, man.
Hurry.
379
00:13:38,179 --> 00:13:41,070
- Hey, wait, well,
these are designer gloves, man.
380
00:13:41,090 --> 00:13:43,179
Come on, man.
I'm happy about the progress.
381
00:13:43,200 --> 00:13:46,029
It's gonna be
a pretty awesome desk.
382
00:13:46,049 --> 00:13:47,200
So if you look
at the painting,
383
00:13:47,220 --> 00:13:49,200
"The Power of Collision,"
384
00:13:49,220 --> 00:13:51,230
right,
when these two pieces collide,
385
00:13:52,009 --> 00:13:53,139
what is the result?
386
00:13:53,159 --> 00:13:57,110
What is the aesthetic result
of this--this collision?
387
00:13:57,129 --> 00:14:00,029
This is nice, man.
Now this is looking hot.
388
00:14:00,049 --> 00:14:02,009
- Once the leg is there...
- I can see it.
389
00:14:02,029 --> 00:14:03,149
- It's gonna be really nice.
- It's a wrap.
390
00:14:03,169 --> 00:14:05,049
The leg side of the desk,
391
00:14:05,070 --> 00:14:07,129
we're actually
going to construct
392
00:14:07,149 --> 00:14:11,000
a three-dimensional
abstraction.
393
00:14:11,019 --> 00:14:14,070
The way we interpret
this painting into the desk
394
00:14:14,090 --> 00:14:17,100
is the leg is colliding
with the desktop,
395
00:14:17,120 --> 00:14:21,210
and that collision has created
a very unique detail.
396
00:14:21,230 --> 00:14:24,110
Well, some of the joints
doesn't quite line up.
397
00:14:24,129 --> 00:14:29,009
That detail has multiple
cuts and angles.
398
00:14:29,029 --> 00:14:30,210
There's nothing
square about it.
399
00:14:30,230 --> 00:14:33,129
We haven't gotten it right,
but we must get it right.
400
00:14:33,149 --> 00:14:35,090
The whole desk
doesn't quite make sense
401
00:14:35,110 --> 00:14:37,139
if we don't bring
this detail home here.
402
00:14:37,159 --> 00:14:40,230
Man, that's it right there.
That's it right there.
403
00:14:41,009 --> 00:14:42,159
We think we have a hot piece.
404
00:14:42,179 --> 00:14:44,100
We just now have to bring
everything together.
405
00:14:44,120 --> 00:14:47,019
The competition should be
very concerned.
406
00:14:47,039 --> 00:14:49,019
That's the magic.
407
00:14:49,039 --> 00:14:53,220
♪ ♪
408
00:14:54,000 --> 00:14:56,019
- One down.
409
00:14:56,039 --> 00:14:57,220
120 to go.
410
00:14:58,000 --> 00:14:59,230
This credenza design,
411
00:15:00,009 --> 00:15:04,090
it's so open and transparent,
visually,
412
00:15:04,110 --> 00:15:08,039
because the main things
that I got from the painting
413
00:15:08,059 --> 00:15:11,159
were a sense
of sort of empty space.
414
00:15:12,139 --> 00:15:17,179
I have to cut 120 profiles
415
00:15:17,200 --> 00:15:19,220
to go all the way around.
416
00:15:22,009 --> 00:15:25,200
It's not fun, but I'm gonna
have to live with it.
417
00:15:25,220 --> 00:15:29,049
I can't tell if I'm hungry
or tired, or both.
418
00:15:29,070 --> 00:15:31,029
This challenge
is definitely harder,
419
00:15:31,049 --> 00:15:34,009
but I did a little research
on the painter,
420
00:15:34,029 --> 00:15:36,070
and she lived in Providence.
421
00:15:36,090 --> 00:15:39,070
I came here to attend
422
00:15:39,090 --> 00:15:40,220
the Rhode Island
School of Design,
423
00:15:41,000 --> 00:15:44,070
and growing up in New Delhi
was very different
424
00:15:44,090 --> 00:15:47,149
to Providence, Rhode Island,
but I've warmed up to it.
425
00:15:47,169 --> 00:15:51,000
And being in the area
for the last seven years,
426
00:15:51,019 --> 00:15:54,110
I do have a sense of aesthetic
that's coming through,
427
00:15:54,129 --> 00:15:57,080
and that I could
translate it in my piece.
428
00:15:57,100 --> 00:16:00,080
For example, I ended up
finding that the inkberry
429
00:16:00,100 --> 00:16:02,159
were used to make black dye.
430
00:16:02,179 --> 00:16:06,120
I'm gonna put this solution
that I concocted
431
00:16:06,139 --> 00:16:09,039
and turn
everything deep black.
432
00:16:09,059 --> 00:16:11,019
I'm feeling good
about my design.
433
00:16:11,039 --> 00:16:13,059
I think it has high potential
to win this challenge,
434
00:16:13,080 --> 00:16:15,159
because it has such
a deep story behind it,
435
00:16:15,179 --> 00:16:18,169
and I think it's gonna
impress the judges.
436
00:16:18,190 --> 00:16:21,000
[tense music]
437
00:16:21,019 --> 00:16:22,120
- Two days.
438
00:16:22,139 --> 00:16:24,000
- We still gotta do
the finish work.
439
00:16:24,019 --> 00:16:26,149
Pretty much, we have to be
almost done tomorrow
440
00:16:26,169 --> 00:16:28,080
with all of this.
441
00:16:28,100 --> 00:16:33,029
- I just want to--
just want to get this done.
442
00:16:33,049 --> 00:16:35,039
- I'm freaking out,
but we're gonna have to just--
443
00:16:35,059 --> 00:16:37,029
- I mean, we got, like,
minimal time.
444
00:16:37,049 --> 00:16:38,200
Just have to do what we can do.
445
00:16:38,220 --> 00:16:40,149
Go with the flow, man.
- Yeah.
446
00:16:40,169 --> 00:16:42,049
- We gotta do it.
We gotta do it.
447
00:16:42,070 --> 00:16:43,070
- Right.
448
00:16:43,090 --> 00:16:45,090
♪ ♪
449
00:16:45,110 --> 00:16:47,190
- I'm so excited
that I was gonna spend
450
00:16:47,210 --> 00:16:50,179
my entire day
welding up the loveseat.
451
00:16:50,200 --> 00:16:52,179
Okay, ready when you are.
452
00:16:52,200 --> 00:16:55,200
[upbeat electronic music]
453
00:16:55,220 --> 00:17:00,190
♪ ♪
454
00:17:00,210 --> 00:17:03,090
- Erica, look at your welds.
455
00:17:04,230 --> 00:17:06,180
- I look at it,
and I immediately think,
456
00:17:06,200 --> 00:17:10,079
"This is completely
incorrect."
457
00:17:10,099 --> 00:17:11,150
This is so off.
458
00:17:11,170 --> 00:17:13,160
- It just--yeah, it's glaring.
- So off.
459
00:17:13,180 --> 00:17:15,079
Yeah, it's glaring.
460
00:17:15,099 --> 00:17:18,089
One of the curves is, like,
slanted sideways,
461
00:17:18,109 --> 00:17:22,220
and the whole top part,
where the seat is, is pivoted.
462
00:17:23,009 --> 00:17:25,099
How the hell are
we gonna fix this?
463
00:17:25,119 --> 00:17:26,220
[piece snaps]
Ooh.
464
00:17:27,000 --> 00:17:28,099
Need to even out that bend.
465
00:17:28,119 --> 00:17:31,059
We kind of went forward
and then backwards.
466
00:17:31,079 --> 00:17:34,099
We need to re-bend and re-weld
all those weld seams
467
00:17:34,119 --> 00:17:36,170
that we had just put together.
468
00:17:36,190 --> 00:17:38,170
Ooh.
Got it right the second time.
469
00:17:38,190 --> 00:17:40,059
[chuckles]
470
00:17:40,079 --> 00:17:41,140
This has got to be perfect.
471
00:17:41,160 --> 00:17:44,170
Otherwise, there is no way
I can show this.
472
00:17:44,190 --> 00:17:48,019
The judges are gonna
eat me alive.
473
00:17:49,119 --> 00:17:51,150
- Do you like the fabric,
now that it's upholstered?
474
00:17:51,170 --> 00:17:52,220
What do you think?
475
00:17:53,000 --> 00:17:54,049
- It's better than
I imagined it.
476
00:17:54,069 --> 00:17:55,140
- Yeah.
477
00:17:55,160 --> 00:17:57,089
Justin and I did all
the prep work
478
00:17:57,109 --> 00:17:59,089
in terms of building
the structure of the chair.
479
00:17:59,109 --> 00:18:01,140
And then we sent it out
to be upholstered.
480
00:18:01,160 --> 00:18:04,059
Ah, the shape of that
is so stunning.
481
00:18:04,079 --> 00:18:06,049
We have a big,
cloud-like cushion,
482
00:18:06,069 --> 00:18:08,150
and I'm just loving
this fabric.
483
00:18:08,170 --> 00:18:11,089
It just has such
a supple feel to it.
484
00:18:11,109 --> 00:18:14,220
♪ ♪
485
00:18:15,000 --> 00:18:17,109
I stumbled across this
technique called felting.
486
00:18:17,130 --> 00:18:19,069
It's often used
for children's toys.
487
00:18:19,089 --> 00:18:21,140
I'm using it
in an embroidered way.
488
00:18:21,160 --> 00:18:23,019
And you can see
some of those
489
00:18:23,039 --> 00:18:25,059
really fine black lines
in the painting,
490
00:18:25,079 --> 00:18:27,119
and I want to see that
in my piece.
491
00:18:27,140 --> 00:18:30,039
♪ ♪
492
00:18:30,059 --> 00:18:32,119
All of the skills
that I learned in fashion,
493
00:18:32,140 --> 00:18:34,210
in school, like tailoring--
they translate
494
00:18:34,230 --> 00:18:37,200
incredible well
to furniture design also.
495
00:18:37,220 --> 00:18:41,049
I come from a family of makers,
and it's in my DNA.
496
00:18:41,069 --> 00:18:43,220
My grandfather
was a bespoke shoemaker,
497
00:18:44,000 --> 00:18:45,150
and so was my father.
498
00:18:45,170 --> 00:18:47,170
And I also am a trained
leather artisan.
499
00:18:47,190 --> 00:18:50,220
I've been designing
furniture since 2005.
500
00:18:51,000 --> 00:18:52,220
I really felt like
a lot of my skills
501
00:18:53,000 --> 00:18:54,160
and talents really
come from my family,
502
00:18:54,180 --> 00:18:56,150
and I definitely want
to make them proud.
503
00:18:56,170 --> 00:18:59,190
While you finish the legs,
we have to get this lamp
504
00:18:59,210 --> 00:19:03,039
wired up to make it in time
for the deadline.
505
00:19:03,059 --> 00:19:04,150
- Let's get to work.
506
00:19:04,170 --> 00:19:07,150
[up-tempo music]
507
00:19:07,170 --> 00:19:10,059
♪ ♪
508
00:19:10,079 --> 00:19:11,200
- I don't have much time.
509
00:19:11,220 --> 00:19:13,220
I'm super nervous,
because I haven't seen
510
00:19:14,000 --> 00:19:16,180
all the pieces together
at all yet for the chair.
511
00:19:16,200 --> 00:19:19,160
And something, you know,
could totally go wrong.
512
00:19:19,180 --> 00:19:21,160
- Cool.
- Oh, nice. Mike.
513
00:19:21,180 --> 00:19:24,009
- Wow.
- It's so good.
514
00:19:24,029 --> 00:19:26,220
I think all the details
are really coming together.
515
00:19:27,000 --> 00:19:30,009
But I still need
to finalize the seat.
516
00:19:30,029 --> 00:19:32,119
Ah.
Pressure.
517
00:19:32,140 --> 00:19:34,079
Lydia and I
are gonna basically work
518
00:19:34,099 --> 00:19:36,000
on punching the holes
for the grommets
519
00:19:36,019 --> 00:19:37,170
and installing them.
520
00:19:37,190 --> 00:19:40,099
- Are you scared? [laughs]
- I'm a little nervous.
521
00:19:40,119 --> 00:19:41,230
If the grommets
aren't in right,
522
00:19:42,009 --> 00:19:43,150
the seat could be crooked
523
00:19:43,170 --> 00:19:46,180
or it could not be strong
enough to hold a person.
524
00:19:46,200 --> 00:19:47,230
Perfect.
525
00:19:48,009 --> 00:19:49,190
This all looks lined up,
right?
526
00:19:49,210 --> 00:19:51,119
Wait.
Is it centered?
527
00:19:51,140 --> 00:19:52,190
- Uh-huh.
528
00:19:52,210 --> 00:19:55,079
Ooh, this one's off.
- What?
529
00:19:55,099 --> 00:19:57,069
- It's off an inch.
- Oh, no!
530
00:19:57,089 --> 00:19:58,190
Ah, I should have
double-checked.
531
00:19:58,210 --> 00:20:00,099
- Oh, shit.
532
00:20:00,119 --> 00:20:02,029
I mean, the pressure's
definitely getting to me.
533
00:20:02,049 --> 00:20:03,160
We don't have a ton
of time left,
534
00:20:03,180 --> 00:20:05,170
so hopefully
I can just fix this one
535
00:20:05,190 --> 00:20:08,170
and not have to remake
the entire seat.
536
00:20:08,190 --> 00:20:12,069
[air whooshing]
537
00:20:12,089 --> 00:20:13,180
- Construction is done.
538
00:20:13,200 --> 00:20:17,009
It's now time to take it
into the paint booth.
539
00:20:17,029 --> 00:20:19,049
[hip-hop music]
540
00:20:19,069 --> 00:20:20,220
- ♪ Baby we ain't got time ♪
541
00:20:21,000 --> 00:20:22,180
♪ If you take it and tuck
the clock... ♪
542
00:20:22,200 --> 00:20:25,230
The inner lining is one color.
543
00:20:26,009 --> 00:20:29,220
The outer shell of the legs
is another color.
544
00:20:30,000 --> 00:20:31,170
That takes a lot of time.
545
00:20:31,190 --> 00:20:34,230
- ♪ Give me
special delivery ♪
546
00:20:35,009 --> 00:20:37,029
- With a combination of maybe
547
00:20:37,049 --> 00:20:38,180
the rabbit's foot
and some prayer,
548
00:20:38,200 --> 00:20:41,039
we might be able to pull this--
pull this thing off.
549
00:20:41,059 --> 00:20:43,099
- It's the last day
of the challenge.
550
00:20:43,119 --> 00:20:46,059
I'm trying to stay Zen.
I'm trying to stay focused.
551
00:20:46,079 --> 00:20:47,160
And today
everything comes together.
552
00:20:47,180 --> 00:20:49,059
It's gonna get done.
553
00:20:49,079 --> 00:20:52,069
My mirror sat on a pedestal.
It's coming together.
554
00:20:52,089 --> 00:20:55,160
But I feel--I'll tell you guys
that I feel great,
555
00:20:55,180 --> 00:20:57,089
but I'm not gonna tell myself
I feel great.
556
00:20:57,109 --> 00:20:59,109
Yeah, it's great.
Okay, let's flip this over.
557
00:20:59,130 --> 00:21:01,190
- [laughs]
You have no time to admire it.
558
00:21:01,210 --> 00:21:03,130
- No, we don't.
- Excitement.
559
00:21:03,150 --> 00:21:05,000
- We can look at it
when it's done.
560
00:21:05,019 --> 00:21:06,150
- Keep your eyes
on the prize.
561
00:21:06,170 --> 00:21:08,099
- Which is to get this
assembled.
562
00:21:08,119 --> 00:21:11,000
I have to go. Like, I have
so much work to do.
563
00:21:11,019 --> 00:21:12,200
I'm focused today,
because, like,
564
00:21:12,220 --> 00:21:13,230
I just want this to be over.
565
00:21:14,009 --> 00:21:15,150
But you're at an angle.
566
00:21:15,170 --> 00:21:17,059
- I know, because I'm--
- Why you going at an angle?
567
00:21:17,079 --> 00:21:19,079
- This piece.
- No, don't do that.
568
00:21:19,099 --> 00:21:20,210
- Whichever way.
- Yeah. No.
569
00:21:20,230 --> 00:21:23,000
Turn that around.
No. Don't do that.
570
00:21:23,019 --> 00:21:24,220
Will is stressing me out.
571
00:21:25,000 --> 00:21:26,009
You got it?
- I'm right there.
572
00:21:26,029 --> 00:21:27,069
Hold on, stay right there.
573
00:21:27,089 --> 00:21:29,109
- I got it.
[indistinct chatter]
574
00:21:29,130 --> 00:21:32,019
After last week,
after being in the bottom two,
575
00:21:32,039 --> 00:21:34,089
I don't have a choice.
I have to bring it.
576
00:21:34,109 --> 00:21:35,210
It's gonna be
a very packed day,
577
00:21:35,230 --> 00:21:39,000
and I'm gonna use
every single last second.
578
00:21:39,019 --> 00:21:41,160
I need to get this velveted,
and we need to--we need to--
579
00:21:41,180 --> 00:21:43,000
Will, we're running
out of time.
580
00:21:43,019 --> 00:21:44,019
- All right.
581
00:21:44,039 --> 00:21:46,009
♪ ♪
582
00:21:46,029 --> 00:21:47,130
- Is it resting on that side?
583
00:21:47,150 --> 00:21:49,029
- Yep.
- Okay.
584
00:21:49,049 --> 00:21:50,160
Just make sure you get
an 1/8 gap on that end.
585
00:21:50,180 --> 00:21:52,009
- I can't figure out
an 1/8 gap right now.
586
00:21:52,029 --> 00:21:53,109
- Like, just visually.
587
00:21:53,130 --> 00:21:56,079
- Today is a very busy
last day.
588
00:21:56,099 --> 00:21:59,099
We are getting ready
to put the credenza together.
589
00:21:59,119 --> 00:22:01,099
I am a little concerned
590
00:22:01,119 --> 00:22:03,210
about whether I'm gonna
make it on time or not.
591
00:22:03,230 --> 00:22:06,130
- There's four hours left,
and we need to do the door.
592
00:22:06,150 --> 00:22:07,210
What?
Stop laughing.
593
00:22:07,230 --> 00:22:09,119
- [laughs]
594
00:22:09,140 --> 00:22:12,019
Sorry, your voice goes really
high when you're stressed.
595
00:22:12,039 --> 00:22:14,130
- Yeah, of course it does.
- [laughs]
596
00:22:14,150 --> 00:22:16,170
- What?
- That fits.
597
00:22:16,190 --> 00:22:18,130
Look at how beautiful that is.
598
00:22:18,150 --> 00:22:21,180
It's close to the very end
of the second challenge.
599
00:22:21,200 --> 00:22:24,079
We got our cushions back
from the upholsterer.
600
00:22:24,099 --> 00:22:27,170
Matt's cut all the lemons up
so that I can start
601
00:22:27,190 --> 00:22:30,029
squeezing these lemons
into the bucket.
602
00:22:30,049 --> 00:22:34,130
I am nervous about the citric
acid and lemon juice effect.
603
00:22:34,150 --> 00:22:36,140
- It's only your whole life
on this.
604
00:22:36,160 --> 00:22:39,009
- I'm, like, nervous.
- [laughs]
605
00:22:39,029 --> 00:22:41,069
- Wherever the spray touches,
606
00:22:41,089 --> 00:22:45,089
the velvet should turn
into these white splatters.
607
00:22:47,059 --> 00:22:49,210
Spray bottle's getting stuck
with the lemon.
608
00:22:49,230 --> 00:22:52,009
This is gonna take too long.
609
00:22:52,029 --> 00:22:54,029
So I'm like, "Oh, God.
What are we gonna do?"
610
00:22:54,049 --> 00:22:57,049
It was just not working.
We're getting it done.
611
00:22:57,069 --> 00:22:59,140
- Down to the wire.
- But this is not a good time.
612
00:22:59,160 --> 00:23:02,130
- This is how we roll.
613
00:23:02,150 --> 00:23:04,119
- All right,
we have less than an hour left.
614
00:23:04,140 --> 00:23:06,150
The final hour is the most
stressful time
615
00:23:06,170 --> 00:23:08,029
of this competition,
616
00:23:08,049 --> 00:23:09,230
and I'm really frustrated
with myself,
617
00:23:10,009 --> 00:23:12,069
because some of the most
delicate parts--
618
00:23:12,089 --> 00:23:15,019
and I've left them to last
minute, and it's my own fault.
619
00:23:15,039 --> 00:23:16,160
Okay, it's crunch time,
everyone.
620
00:23:16,180 --> 00:23:18,119
We have to get
this lamp wired up.
621
00:23:18,140 --> 00:23:20,180
I'm down to the wire.
Puns intended.
622
00:23:20,200 --> 00:23:23,130
And I'm wiring in my lamp,
which is quite dangerous.
623
00:23:23,150 --> 00:23:26,150
I'm not a beginner,
but I'm not a pro either.
624
00:23:26,170 --> 00:23:28,039
- Okay.
- Oh, boy.
625
00:23:28,059 --> 00:23:30,130
- All right. Will,
let's check this finish oil.
626
00:23:30,150 --> 00:23:32,029
William.
- Yo.
627
00:23:32,049 --> 00:23:34,049
- Hurry up.
- Oh, my God, dude.
628
00:23:34,069 --> 00:23:35,210
- Hurry up. Hurry up.
Hurry up. Come on.
629
00:23:35,230 --> 00:23:38,220
- Just stop talking to me.
I know what time it is.
630
00:23:39,009 --> 00:23:43,019
- So now I have to just
not mess up this next part.
631
00:23:43,210 --> 00:23:46,039
Whoo.
We fixed it, I think.
632
00:23:46,059 --> 00:23:49,109
- No, not too much.
Not too much.
633
00:23:49,130 --> 00:23:51,170
Ooh.
That was a good one.
634
00:23:51,190 --> 00:23:54,119
♪ ♪
635
00:23:54,140 --> 00:23:57,109
- Get ready with the tape,
please. Okay.
636
00:23:57,130 --> 00:23:58,190
We're good.
- Yeah?
637
00:23:58,210 --> 00:24:00,069
- Yeah, we're good.
- There we go.
638
00:24:00,089 --> 00:24:02,170
Done.
It's done and it's perfect.
639
00:24:02,190 --> 00:24:04,099
- Come on. Come on.
Come on. Come on.
640
00:24:04,119 --> 00:24:05,170
- Okay, it's done.
641
00:24:05,190 --> 00:24:07,029
- Ah!
642
00:24:07,049 --> 00:24:09,119
I just finished my piece,
643
00:24:09,140 --> 00:24:13,089
and I think that the judges
are gonna be like, "Wow."
644
00:24:13,109 --> 00:24:14,230
- Time.
645
00:24:15,009 --> 00:24:17,109
- Wow.
646
00:24:17,130 --> 00:24:19,009
- I hope that the judges see
647
00:24:19,029 --> 00:24:21,190
that I took the whole soul
of this painting
648
00:24:21,210 --> 00:24:24,160
and put it into
this piece of furniture.
649
00:24:24,180 --> 00:24:26,200
- Yay.
650
00:24:26,220 --> 00:24:28,089
- Just got it done in time.
651
00:24:28,109 --> 00:24:31,009
- [whimpers]
- Yeah, just for you.
652
00:24:31,029 --> 00:24:33,009
- ♪ You can see the wave,
it's passing us ♪
653
00:24:33,029 --> 00:24:35,029
♪ High off the memories,
best friends from sometime ♪
654
00:24:35,049 --> 00:24:38,150
♪ That time is the enemy,
yeah ♪
655
00:24:38,170 --> 00:24:40,079
- I'm very excited
about this challenge.
656
00:24:40,099 --> 00:24:42,049
- Yeah, I think it was an
interesting challenge for them.
657
00:24:42,069 --> 00:24:44,069
- Art is such a great form,
658
00:24:44,089 --> 00:24:46,000
can be,
of self-expression.
659
00:24:46,019 --> 00:24:48,170
And so I'm hoping that
that sort of factors into
660
00:24:48,190 --> 00:24:49,200
what--what we see.
661
00:24:49,220 --> 00:24:50,230
- I agree.
- Yeah.
662
00:24:51,009 --> 00:24:53,079
♪ ♪
663
00:24:53,099 --> 00:24:54,140
- Well, hello there.
- Hi, judges.
664
00:24:54,160 --> 00:24:56,009
- Hi.
- Hello, hello.
665
00:24:56,029 --> 00:24:57,140
- I'm so excited
to present this piece.
666
00:24:57,160 --> 00:24:58,230
I'm also nervous.
667
00:24:59,009 --> 00:25:00,220
It's a loveseat,
so what's not to love?
668
00:25:01,000 --> 00:25:03,019
How are you doing?
- Doing very well.
669
00:25:03,039 --> 00:25:04,210
We're excited to see
what you got for us.
670
00:25:04,230 --> 00:25:07,009
We have your painting
back here, "Basin."
671
00:25:07,029 --> 00:25:09,130
Can you tell us what you
thought when you first saw it?
672
00:25:09,150 --> 00:25:12,119
- It's a great piece.
I was so inspired by it.
673
00:25:12,140 --> 00:25:14,029
I could see
so much in there,
674
00:25:14,049 --> 00:25:17,009
and it was really hard
to decide what I would make.
675
00:25:17,029 --> 00:25:18,170
A lot of the forms
that you see
676
00:25:18,190 --> 00:25:20,089
speak to the forms
of furniture.
677
00:25:20,109 --> 00:25:23,170
So I wanted to make
a piece of upholstery.
678
00:25:23,190 --> 00:25:26,009
- You ready to show it to us?
- I'm ready.
679
00:25:26,029 --> 00:25:27,089
- All right. Let's light it up.
680
00:25:27,109 --> 00:25:30,099
[bright music]
681
00:25:30,119 --> 00:25:36,019
♪ ♪
682
00:25:36,039 --> 00:25:37,190
- I have a background
in embroidery,
683
00:25:37,210 --> 00:25:40,019
and I wanted to bring that
into the piece.
684
00:25:40,039 --> 00:25:42,230
There's these really lovely
wiry, meandering lines.
685
00:25:43,009 --> 00:25:45,069
- Oh, cool.
- Look at that.
686
00:25:45,089 --> 00:25:48,049
- I just want to touch.
687
00:25:48,069 --> 00:25:50,019
- I love this move.
It's so--
688
00:25:50,039 --> 00:25:53,140
- Yeah, stunning.
- And the way--the linework.
689
00:25:53,160 --> 00:25:56,019
This could turn into a larger
couch, I think, as well.
690
00:25:56,039 --> 00:25:57,150
I think that that's maybe
691
00:25:57,170 --> 00:25:59,130
the only quirky thing about it,
is the scale.
692
00:25:59,150 --> 00:26:01,059
- It's a very
accommodating piece.
693
00:26:01,079 --> 00:26:02,180
It welcomes you.
694
00:26:02,200 --> 00:26:04,099
You can have a drink there.
You can read a book.
695
00:26:04,119 --> 00:26:06,099
It's really, you know,
about embracing you.
696
00:26:06,119 --> 00:26:10,119
- Yeah, it's giving me kind of,
like, French '60s,
697
00:26:10,140 --> 00:26:13,210
'70s, along with, like,
just contemporary,
698
00:26:13,230 --> 00:26:15,140
and it's so clear to me
699
00:26:15,160 --> 00:26:17,190
what this is and what
I'm supposed to do here.
700
00:26:17,210 --> 00:26:19,059
And it's beautiful.
701
00:26:19,079 --> 00:26:21,210
- Having last week's piece
and now this,
702
00:26:21,230 --> 00:26:24,049
I'm getting into the groove
of who you are,
703
00:26:24,069 --> 00:26:27,009
what your work is about,
and it's really sophisticated.
704
00:26:27,029 --> 00:26:30,059
- I love the solitude
that this piece gives me.
705
00:26:30,079 --> 00:26:32,000
Thank you, Christina.
Thanks for showing to us.
706
00:26:32,019 --> 00:26:33,039
- Amazing.
Thanks so much.
707
00:26:33,059 --> 00:26:34,089
- Good job.
- Well done.
708
00:26:34,109 --> 00:26:35,200
- I want to create that
709
00:26:35,220 --> 00:26:37,109
emotional experience
for people,
710
00:26:37,130 --> 00:26:40,140
whether it's joy or just
creating that wow factor.
711
00:26:40,160 --> 00:26:43,150
[percussive music]
712
00:26:43,170 --> 00:26:46,109
♪ ♪
713
00:26:46,130 --> 00:26:47,190
- Hey, guys.
- Mark.
714
00:26:47,210 --> 00:26:50,069
- Hi, Mark.
- I'm still here.
715
00:26:50,089 --> 00:26:52,029
I'm feeling nervous as heck,
716
00:26:52,049 --> 00:26:53,190
because based on
what happened last week,
717
00:26:53,210 --> 00:26:56,079
I don't know what is going
through the judges' heads.
718
00:26:56,099 --> 00:26:58,230
- How was your--your mindset
after last week's judging?
719
00:26:59,009 --> 00:27:00,230
- I was having, like--
I went back
720
00:27:01,009 --> 00:27:03,009
and was having flashbacks
of my entire life.
721
00:27:03,029 --> 00:27:04,119
- Wow.
722
00:27:04,140 --> 00:27:07,160
- Such a moment that
I was not prepared for.
723
00:27:07,180 --> 00:27:09,000
- You got the piece
"Time Out"
724
00:27:09,019 --> 00:27:10,130
from Portia's collection
this week.
725
00:27:10,150 --> 00:27:12,150
We're all just gonna
take a look at it here.
726
00:27:12,170 --> 00:27:15,069
- My initial thoughts was that
it was a bit aggressive,
727
00:27:15,089 --> 00:27:18,099
but I moved past it.
728
00:27:18,119 --> 00:27:20,059
I'm really happy
with the piece.
729
00:27:20,079 --> 00:27:22,180
- Good.
- And that's where we're at.
730
00:27:22,200 --> 00:27:24,160
- All right.
Let's light it up, please.
731
00:27:24,180 --> 00:27:27,160
[lively music]
732
00:27:27,180 --> 00:27:32,000
♪ ♪
733
00:27:32,019 --> 00:27:36,039
- The initial idea for
this piece, it was called
734
00:27:36,059 --> 00:27:37,160
"Put Me On a Pedestal."
735
00:27:37,180 --> 00:27:39,160
There's a mirror
inside this display case.
736
00:27:39,180 --> 00:27:41,190
You are being reflected
in this display case.
737
00:27:41,210 --> 00:27:45,079
And it's you on this pedestal
to give yourself more respect,
738
00:27:45,099 --> 00:27:48,190
and you're also getting these
crazy visuals in here as well.
739
00:27:48,210 --> 00:27:52,029
- Ah.
- [chuckles]
740
00:27:52,049 --> 00:27:55,230
♪ ♪
741
00:27:56,009 --> 00:27:57,119
- I'm just intrigued.
742
00:27:57,140 --> 00:27:59,009
It's, like...
743
00:27:59,029 --> 00:28:00,130
- It keeps revealing itself.
- Evolving, you know?
744
00:28:00,150 --> 00:28:01,210
- Yeah, it does.
[chuckles]
745
00:28:01,230 --> 00:28:03,089
- This is
exceptionally crafted.
746
00:28:03,109 --> 00:28:04,190
You know,
and I love it as a mirror.
747
00:28:04,210 --> 00:28:06,079
I would have this thing
748
00:28:06,099 --> 00:28:09,009
just as a work of art
in my home, man.
749
00:28:09,029 --> 00:28:11,200
- I look at that painting,
and I got it.
750
00:28:11,220 --> 00:28:15,079
This is a representation of how
the picture made you feel.
751
00:28:15,099 --> 00:28:16,170
- Ugh.
[laughs]
752
00:28:16,190 --> 00:28:19,230
- Mark, this is a--
this is a beautiful,
753
00:28:20,009 --> 00:28:23,180
phenomenal, personal piece,
and it's so impressive.
754
00:28:23,200 --> 00:28:27,039
- You guys are making me sweat.
- I'm so intrigued, man.
755
00:28:27,059 --> 00:28:29,089
- You've given us life
with this piece.
756
00:28:29,109 --> 00:28:32,029
Like, it's just--it's got
so much dimension to it.
757
00:28:32,049 --> 00:28:34,099
It just keeps revealing itself
over and over again.
758
00:28:34,119 --> 00:28:36,029
- Yeah.
- The more I go around it,
759
00:28:36,049 --> 00:28:38,019
the more I see,
the more I love it.
760
00:28:38,039 --> 00:28:40,019
I don't know what piece
you would put in here,
761
00:28:40,039 --> 00:28:42,079
because it's--
it's everything unto itself.
762
00:28:42,099 --> 00:28:44,039
- Look, we all love it.
- Yeah.
763
00:28:44,059 --> 00:28:45,140
- Thanks, man.
I appreciate it.
764
00:28:45,160 --> 00:28:47,049
- Congratulations.
- Thank you, Mark.
765
00:28:47,069 --> 00:28:48,119
- I think this week
I raised the bar,
766
00:28:48,140 --> 00:28:49,210
to be honest.
767
00:28:49,230 --> 00:28:51,109
I think I raised the bar
768
00:28:51,130 --> 00:28:53,059
for the other competitors
and myself,
769
00:28:53,079 --> 00:28:56,119
and I'm ready to take control
of this competition.
770
00:28:56,140 --> 00:28:59,180
♪ ♪
771
00:28:59,200 --> 00:29:01,059
- Hey.
- Hi, Urvi.
772
00:29:01,079 --> 00:29:02,200
- Hello.
- Hello.
773
00:29:02,220 --> 00:29:04,220
- I think that the judges
are gonna see something
774
00:29:05,000 --> 00:29:06,170
different
than they usually do.
775
00:29:06,190 --> 00:29:09,019
I'm hoping the judges
will be, like,
776
00:29:09,039 --> 00:29:10,200
completely enamored by it
777
00:29:10,220 --> 00:29:13,170
and, you know, want to just
look into it more and more.
778
00:29:13,190 --> 00:29:16,130
- We were just discussing
your painting.
779
00:29:16,150 --> 00:29:18,150
- Kind of felt like
the chicken feet
780
00:29:18,170 --> 00:29:20,049
or the cow tongue
of the challenge.
781
00:29:20,069 --> 00:29:22,000
[laughter]
The way, like, it's--
782
00:29:22,019 --> 00:29:23,150
you know,
it's the piece you're given
783
00:29:23,170 --> 00:29:25,200
that people expect you
to do worse with.
784
00:29:25,220 --> 00:29:28,099
But if you play it right,
785
00:29:28,119 --> 00:29:30,029
you can come out
with something amazing.
786
00:29:30,049 --> 00:29:31,160
- Well, we're excited to see.
You ready?
787
00:29:31,180 --> 00:29:34,059
- Yeah.
- All right, let's light it up.
788
00:29:34,079 --> 00:29:37,059
[bright music]
789
00:29:37,079 --> 00:29:41,089
♪ ♪
790
00:29:41,109 --> 00:29:43,109
- I was going for more
of the emotion
791
00:29:43,130 --> 00:29:45,029
that I received
from the painting.
792
00:29:45,049 --> 00:29:46,150
I looked at mussel shells,
793
00:29:46,170 --> 00:29:48,000
I looked at twigs,
at branches...
794
00:29:48,019 --> 00:29:49,190
- Mm-hmm.
- Or sticks.
795
00:29:49,210 --> 00:29:52,109
And the berries on it
are used to create black dye.
796
00:29:52,130 --> 00:29:54,079
I used those cues
797
00:29:54,099 --> 00:29:56,160
to guide my design choices
with this piece.
798
00:29:56,180 --> 00:29:58,089
- Hello.
799
00:29:58,109 --> 00:30:00,069
- It's different.
800
00:30:00,089 --> 00:30:02,220
- Yeah.
801
00:30:05,119 --> 00:30:07,000
When I first saw it,
802
00:30:07,019 --> 00:30:08,230
I loved how the light
comes through this.
803
00:30:09,009 --> 00:30:11,009
Okay, I think that's a really
interesting design choice.
804
00:30:11,029 --> 00:30:15,059
I'm having a bit of a hard time
getting from the painting
805
00:30:15,079 --> 00:30:17,000
through your head
to the piece.
806
00:30:17,019 --> 00:30:18,099
- Right.
- That said,
807
00:30:18,119 --> 00:30:19,150
it's a strong piece.
808
00:30:19,170 --> 00:30:21,160
Have I seen it before?
Maybe.
809
00:30:21,180 --> 00:30:23,039
- It's beautifully made.
810
00:30:23,059 --> 00:30:24,150
I'd be careful about
what I was gonna put inside,
811
00:30:24,170 --> 00:30:26,180
'cause you're
definitely gonna see it.
812
00:30:26,200 --> 00:30:28,150
I think the craftsmanship
is great.
813
00:30:28,170 --> 00:30:31,160
But I see a lot of beautifully
well-made pieces,
814
00:30:31,180 --> 00:30:34,160
and so I'm looking for you
to push me forward.
815
00:30:34,180 --> 00:30:36,049
- What do you think, Fernando?
816
00:30:36,069 --> 00:30:38,009
- It's elegant,
but it's kind of conventional.
817
00:30:38,029 --> 00:30:39,210
And so is it moving
the ball forward,
818
00:30:39,230 --> 00:30:41,160
in terms of, you know,
furniture design?
819
00:30:41,180 --> 00:30:42,210
I'm not sure.
820
00:30:42,230 --> 00:30:44,099
- I think you made
a solid piece.
821
00:30:44,119 --> 00:30:45,190
Thank you
for showing it to us.
822
00:30:45,210 --> 00:30:46,210
- Thank you.
- Thank you.
823
00:30:46,230 --> 00:30:48,049
- Yep.
824
00:30:48,069 --> 00:30:49,099
- I'm feeling
a little confused,
825
00:30:49,119 --> 00:30:50,220
because in the first week,
826
00:30:51,000 --> 00:30:52,089
the judges really liked
my work.
827
00:30:52,109 --> 00:30:54,029
This week,
they seem ambivalent.
828
00:30:54,049 --> 00:30:55,230
It does make me nervous.
829
00:30:56,009 --> 00:30:59,170
♪ ♪
830
00:30:59,190 --> 00:31:00,210
- Hi, guys.
- Hey.
831
00:31:00,230 --> 00:31:02,089
- Hi.
- Hi, Erica, how are you?
832
00:31:02,109 --> 00:31:04,009
- I am happy how
my loveseat turned out,
833
00:31:04,029 --> 00:31:06,059
and I'm ready
to impress the judges
834
00:31:06,079 --> 00:31:07,160
second week in a row.
835
00:31:07,180 --> 00:31:09,210
- How was the week for you,
working on this?
836
00:31:09,230 --> 00:31:11,170
- For me,
this piece ended up being--
837
00:31:11,190 --> 00:31:13,039
I don't know,
weirdly spot on.
838
00:31:13,059 --> 00:31:14,180
I know it was
a total coincidence,
839
00:31:14,200 --> 00:31:17,069
but I felt like it really
captured a moment in time,
840
00:31:17,089 --> 00:31:20,160
and a lot of my work tries
to capture a moment in time.
841
00:31:20,180 --> 00:31:23,220
And I really went with
that dynamic sort of quality,
842
00:31:24,000 --> 00:31:26,019
that fluid quality,
and I really took that to heart
843
00:31:26,039 --> 00:31:28,009
when I made my--my loveseat.
844
00:31:28,029 --> 00:31:29,130
- I'm dying to see it.
- Yeah.
845
00:31:29,150 --> 00:31:30,220
- Can we show it?
- Of course.
846
00:31:31,000 --> 00:31:32,170
- All right, let's light it up.
847
00:31:32,190 --> 00:31:35,170
[dramatic music]
848
00:31:35,190 --> 00:31:40,019
♪ ♪
849
00:31:40,039 --> 00:31:41,220
- When I saw the painting,
850
00:31:42,000 --> 00:31:43,200
I thought that I wanted it
to look like it was floating.
851
00:31:43,220 --> 00:31:46,059
I love the idea of being able
to sit in something
852
00:31:46,079 --> 00:31:48,130
and actually stare
at the painting,
853
00:31:48,150 --> 00:31:50,039
so I really went for that.
854
00:31:50,059 --> 00:31:52,009
- All right.
855
00:31:53,180 --> 00:31:56,089
- I mean, I was really thinking
entryway, foyer piece.
856
00:31:56,109 --> 00:31:59,019
- I don't think it was
designed to be a lounging...
857
00:31:59,039 --> 00:32:00,099
- No.
- Hanging out.
858
00:32:00,119 --> 00:32:02,069
- I think when
we heard loveseat,
859
00:32:02,089 --> 00:32:04,119
I was thinking
of something else.
860
00:32:04,140 --> 00:32:05,210
Because when I think
of a loveseat,
861
00:32:05,230 --> 00:32:07,099
I'm thinking of--
there's, you know,
862
00:32:07,119 --> 00:32:09,079
two people that can sit there
and enjoy it.
863
00:32:09,099 --> 00:32:11,029
It was not the most comfortable
864
00:32:11,049 --> 00:32:14,089
or the easiest sort of place
to sit and enjoy.
865
00:32:14,109 --> 00:32:16,150
Separately,
I like a lot about it.
866
00:32:16,170 --> 00:32:19,079
Looking at the fabric,
I want to make something
867
00:32:19,099 --> 00:32:21,000
with this fabric.
- Mm-hmm.
868
00:32:21,019 --> 00:32:22,170
- I mean, I think
it's absolutely stunning--
869
00:32:22,190 --> 00:32:24,180
- It's all hand-dyed.
- Yeah.
870
00:32:24,200 --> 00:32:27,089
And that speaks so much to me
about you and your process,
871
00:32:27,109 --> 00:32:29,099
and you're so organic
in what you do.
872
00:32:29,119 --> 00:32:31,009
And that part, I love.
873
00:32:31,029 --> 00:32:33,119
Together, I can't say
that I love this
874
00:32:33,140 --> 00:32:35,210
and would want to--
875
00:32:35,230 --> 00:32:38,130
to purchase it for--
for a client.
876
00:32:38,150 --> 00:32:40,009
- Got it.
Got it.
877
00:32:40,029 --> 00:32:42,210
- I can't say I'm a fan
of this piece at all.
878
00:32:42,230 --> 00:32:44,019
- Okay.
- Unfortunately.
879
00:32:44,039 --> 00:32:45,210
Like, I don't know.
880
00:32:45,230 --> 00:32:50,000
I'm having trouble making sense
of this with this, the shape.
881
00:32:50,019 --> 00:32:52,029
I'm having trouble
with this piece, 100%.
882
00:32:52,049 --> 00:32:56,079
And the scale is so off.
Like, ridiculously off.
883
00:32:56,099 --> 00:32:58,089
Like, this is a tiny thing.
884
00:32:58,109 --> 00:33:00,079
- It's funny,
I see what you're saying,
885
00:33:00,099 --> 00:33:02,019
but I look at it differently,
886
00:33:02,039 --> 00:33:04,039
because I can definitely see
the painting in this.
887
00:33:04,059 --> 00:33:05,200
I think the metalwork,
888
00:33:05,220 --> 00:33:09,019
the curves and the movement,
is really impressive.
889
00:33:09,039 --> 00:33:10,160
Some elements
work really well here,
890
00:33:10,180 --> 00:33:12,190
but some that
are more confusing.
891
00:33:12,210 --> 00:33:14,140
- You know,
I thought that it all,
892
00:33:14,160 --> 00:33:17,059
in some senses, kind of
circled within each other.
893
00:33:17,079 --> 00:33:18,119
- Got it.
- Okay.
894
00:33:18,140 --> 00:33:19,210
Well, thank you
for showing it to us.
895
00:33:19,230 --> 00:33:21,140
We appreciate it.
Thanks for your work.
896
00:33:21,160 --> 00:33:23,099
- Thank you. Thank you.
- Yeah, of course, of course.
897
00:33:23,119 --> 00:33:25,039
- I'm stunned.
I shocked.
898
00:33:25,059 --> 00:33:26,099
I thought the piece
was gonna be a hit.
899
00:33:26,119 --> 00:33:27,230
I put it all on the line
900
00:33:28,009 --> 00:33:29,130
and somehow
it wasn't enough this week,
901
00:33:29,150 --> 00:33:30,210
and that's killing me.
902
00:33:30,230 --> 00:33:34,019
I'm not done
fighting to be here.
903
00:33:34,039 --> 00:33:36,079
- Yeah.
- Here she comes.
904
00:33:36,099 --> 00:33:38,049
- Oh-ho.
- Hi.
905
00:33:38,069 --> 00:33:39,220
- Hello, hello.
- Hi, guys.
906
00:33:40,000 --> 00:33:43,039
I really wanted this piece
to be almost, like,
907
00:33:43,059 --> 00:33:44,210
inhabiting the painting.
908
00:33:44,230 --> 00:33:47,089
I think the judges
are really gonna love it.
909
00:33:47,109 --> 00:33:51,150
And also, they're gonna see,
like, what I bring each week.
910
00:33:51,170 --> 00:33:53,160
- So the art challenge.
How was your week?
911
00:33:53,180 --> 00:33:55,089
- It was definitely
nerve-wracking.
912
00:33:55,109 --> 00:33:58,190
I really connected with
the painting that I was given.
913
00:33:58,210 --> 00:34:00,119
And I really think that,
you know,
914
00:34:00,140 --> 00:34:03,029
art is about eliciting
an emotional response.
915
00:34:03,049 --> 00:34:04,130
- Absolutely.
916
00:34:04,150 --> 00:34:06,170
- There's a lot of texture
in this piece.
917
00:34:06,190 --> 00:34:08,179
So I thought that was
a really important part
918
00:34:08,199 --> 00:34:11,199
to kind of
take inspiration from.
919
00:34:11,219 --> 00:34:13,070
- Very cool.
- I like that.
920
00:34:13,090 --> 00:34:14,219
- Before you go any further,
can we see it?
921
00:34:15,000 --> 00:34:16,090
- Yes, please.
- All right, let's light it up.
922
00:34:16,110 --> 00:34:19,090
[gentle music]
923
00:34:19,110 --> 00:34:23,179
♪ ♪
924
00:34:23,199 --> 00:34:26,179
- My initial reaction
was to draw from kind of
925
00:34:26,199 --> 00:34:28,170
these organic gestures,
926
00:34:28,190 --> 00:34:31,190
and that made me think
of a slab of marble,
927
00:34:31,210 --> 00:34:35,090
and cut it and re-assemble it
to create a new composition.
928
00:34:35,110 --> 00:34:38,000
The seat is made out
of recycled rubber.
929
00:34:38,019 --> 00:34:40,190
That's kind of a signature
material that I work with.
930
00:34:40,210 --> 00:34:45,190
♪ ♪
931
00:34:45,210 --> 00:34:48,090
Drawing out all of these
different kind of textures
932
00:34:48,110 --> 00:34:50,170
from the materials
was really meant to draw back
933
00:34:50,190 --> 00:34:53,000
to the composition
of the painting.
934
00:34:53,019 --> 00:34:55,139
- Whatever your process was,
it was working for you.
935
00:34:55,159 --> 00:34:57,130
I'm in love with this.
- Thank you.
936
00:34:57,150 --> 00:34:59,170
- This, I can see
the same designer here.
937
00:34:59,190 --> 00:35:01,070
I can absolutely see
that the same designer--
938
00:35:01,090 --> 00:35:04,090
the attention to detail,
the precision.
939
00:35:04,110 --> 00:35:07,150
I think that this is
absolutely spectacular.
940
00:35:07,170 --> 00:35:11,050
- It's not the most comfortable
piece I've ever sat in, no.
941
00:35:11,070 --> 00:35:14,110
- It's not a La-Z-Boy.
- No, it's not a La-Z-Boy, so--
942
00:35:14,130 --> 00:35:16,010
but this is a work of art,
so I kind of like--
943
00:35:16,030 --> 00:35:17,230
- It really is.
- You know what, who cares?
944
00:35:18,010 --> 00:35:20,150
- To do something that we've
never really seen before,
945
00:35:20,170 --> 00:35:23,070
something that--
that draws our eye,
946
00:35:23,090 --> 00:35:25,039
is extremely difficult to do.
947
00:35:25,059 --> 00:35:27,019
I think you've achieved
a lot with this.
948
00:35:27,039 --> 00:35:29,079
Comfort, I have a bit
of a problem with.
949
00:35:29,099 --> 00:35:32,039
That said,
I can't stop looking at it.
950
00:35:32,059 --> 00:35:33,130
- Great. Awesome.
- Congratulations.
951
00:35:33,150 --> 00:35:35,000
- Thank you.
- And thank you for this.
952
00:35:35,019 --> 00:35:36,150
- Thank you so, so much.
Thanks again.
953
00:35:36,170 --> 00:35:38,099
- Thanks, Arielle.
954
00:35:38,119 --> 00:35:39,230
- I feel super proud.
955
00:35:40,010 --> 00:35:41,170
I don't think anyone
was expecting it.
956
00:35:41,190 --> 00:35:43,039
I think it established me
957
00:35:43,059 --> 00:35:46,010
as a serious threat
in this competition.
958
00:35:46,030 --> 00:35:48,110
♪ ♪
959
00:35:48,130 --> 00:35:50,159
- Here he is.
960
00:35:50,179 --> 00:35:52,010
Hi, Paul.
- Hello, hello.
961
00:35:52,030 --> 00:35:54,000
- Hello, hello again.
- Hello.
962
00:35:54,019 --> 00:35:55,159
- Before you walked out,
we all said,
963
00:35:55,179 --> 00:35:57,170
"Man, I wonder
what he's wearing today."
964
00:35:57,190 --> 00:36:00,119
- I'm feeling very energetic,
and I'm feeling very positive.
965
00:36:00,139 --> 00:36:01,199
Today is my day.
966
00:36:01,219 --> 00:36:03,219
- So you were given
the piece titled
967
00:36:04,000 --> 00:36:05,150
"The Power of Collision."
968
00:36:05,170 --> 00:36:07,059
What'd you think about it
when you first saw it?
969
00:36:07,079 --> 00:36:09,050
- So something smashing
into something else
970
00:36:09,070 --> 00:36:11,010
is gonna create something new.
971
00:36:11,030 --> 00:36:13,090
So even though
we're looking at a big piece,
972
00:36:13,110 --> 00:36:16,119
it's--it is one part
of the detail.
973
00:36:16,139 --> 00:36:19,079
It's this one detail
that really tells that story.
974
00:36:19,099 --> 00:36:20,210
- Good, well,
should we take a look at it?
975
00:36:20,230 --> 00:36:22,099
- We should definitely
take a look at it.
976
00:36:22,119 --> 00:36:24,050
- All right, let's light it up.
977
00:36:24,070 --> 00:36:27,050
[bright music]
978
00:36:27,070 --> 00:36:32,219
♪ ♪
979
00:36:33,000 --> 00:36:36,039
- As I was trying to, again,
interpret the painting,
980
00:36:36,059 --> 00:36:39,130
you know, my mind went to
these celestial bodies, right?
981
00:36:39,150 --> 00:36:41,110
Sort of floating
out in space.
982
00:36:41,130 --> 00:36:44,139
So that's why the upper part
is not connected to the base.
983
00:36:44,159 --> 00:36:46,039
- Oh, wow.
984
00:36:48,030 --> 00:36:50,050
Look at that.
985
00:36:50,070 --> 00:36:51,159
- Interesting.
- Yes.
986
00:36:51,179 --> 00:36:53,070
It's a writing desk,
by the way.
987
00:36:53,090 --> 00:36:54,170
It's a writing desk.
988
00:36:54,190 --> 00:36:58,230
♪ ♪
989
00:36:59,010 --> 00:37:01,130
- I'm gonna be really honest.
- Okay.
990
00:37:01,150 --> 00:37:03,179
- My gut reaction
is that it feels
991
00:37:03,199 --> 00:37:06,110
like a very commercial piece,
992
00:37:06,130 --> 00:37:09,179
a piece that would go into
fabrication on a larger scale.
993
00:37:09,199 --> 00:37:12,019
- Is that a bad thing?
- Yeah.
994
00:37:12,039 --> 00:37:13,219
So I'm just addressing
this as--
995
00:37:14,000 --> 00:37:15,119
as that sort of
style of piece.
996
00:37:15,139 --> 00:37:17,119
- Yep.
- Versus, you know, artistic.
997
00:37:17,139 --> 00:37:19,119
I feel like this
is more in that realm.
998
00:37:19,139 --> 00:37:22,139
I love this detail.
I think this is the moment.
999
00:37:22,159 --> 00:37:26,139
I wonder if it's a--whoop,
trip--hazard, I wonder.
1000
00:37:26,159 --> 00:37:28,039
But maybe you could speak
to that more.
1001
00:37:28,059 --> 00:37:29,170
- Yeah.
- But that was my only little,
1002
00:37:29,190 --> 00:37:31,219
like, oh, design issue.
1003
00:37:32,000 --> 00:37:34,059
- I do give you credit
for making something different.
1004
00:37:34,079 --> 00:37:35,210
I--I like the angles on it.
1005
00:37:35,230 --> 00:37:37,210
I think that's part
of what makes it so cool.
1006
00:37:37,230 --> 00:37:39,150
- I don't see it as a piece
of home furnishing.
1007
00:37:39,170 --> 00:37:42,110
If I showed up to a new job,
1008
00:37:42,130 --> 00:37:44,099
and this was my desk,
I'd be thrilled.
1009
00:37:44,119 --> 00:37:45,139
- Right.
- Yes. Of course.
1010
00:37:45,159 --> 00:37:46,230
- I'd be thrilled, right?
1011
00:37:47,010 --> 00:37:49,190
- I'm still wanting
to see you.
1012
00:37:49,210 --> 00:37:51,090
- This is a good piece.
It's a solid piece.
1013
00:37:51,110 --> 00:37:53,030
- It is a good piece.
- It is a good piece.
1014
00:37:53,050 --> 00:37:54,110
- It's not blowing our minds,
but it's a good piece.
1015
00:37:54,130 --> 00:37:55,150
- Okay. I take "good."
1016
00:37:55,170 --> 00:37:57,010
- All right.
Thanks, man.
1017
00:37:57,030 --> 00:37:58,070
- Okay, thank you.
- Thanks for showing us.
1018
00:37:58,090 --> 00:37:59,170
You got it, man.
- Thank you.
1019
00:37:59,190 --> 00:38:01,119
- I mean, I wanted
to impress them.
1020
00:38:01,139 --> 00:38:03,170
I'm hoping it's enough
to get to go on to next week.
1021
00:38:03,190 --> 00:38:05,090
But I walked away
from the criticism
1022
00:38:05,110 --> 00:38:06,150
feeling like, I mean,
it is what it is.
1023
00:38:06,170 --> 00:38:09,019
Not everyone has to like it.
1024
00:38:09,039 --> 00:38:10,099
- [sighs]
- Well, Mark won the day.
1025
00:38:10,119 --> 00:38:12,000
- I appreciate
the comment, guys,
1026
00:38:12,019 --> 00:38:13,190
but, like, I don't necessarily
think that's true.
1027
00:38:13,210 --> 00:38:15,190
- It's really in predictable.
both: It is unpredictable.
1028
00:38:15,210 --> 00:38:18,119
- I'm very nervous that I'm
gonna be in the bottom two.
1029
00:38:18,139 --> 00:38:21,019
There's just a lot
of emotions running through.
1030
00:38:21,039 --> 00:38:23,099
I'm holding it back
as much as I possibly can,
1031
00:38:23,119 --> 00:38:26,159
because I know
what I signed up for.
1032
00:38:26,179 --> 00:38:28,159
And I know that
this is gonna be tough.
1033
00:38:28,179 --> 00:38:31,159
[tense music]
1034
00:38:31,179 --> 00:38:33,199
♪ ♪
1035
00:38:33,219 --> 00:38:36,119
- Hi, guys.
- Hi.
1036
00:38:36,139 --> 00:38:38,039
- Hi.
1037
00:38:38,059 --> 00:38:42,010
♪ ♪
1038
00:38:42,030 --> 00:38:43,159
- It's okay.
1039
00:38:43,179 --> 00:38:45,079
I'm just feeling the weight
of everything right now.
1040
00:38:45,099 --> 00:38:48,039
The wind is completely
knocked out of me.
1041
00:38:48,059 --> 00:38:51,079
I'm so afraid that I'm going
home, and that's killing me.
1042
00:38:51,099 --> 00:38:52,199
- Designers,
this week we asked you
1043
00:38:52,219 --> 00:38:54,070
to create a piece of furniture
1044
00:38:54,090 --> 00:38:57,050
inspired by a painting
that was selected for you
1045
00:38:57,070 --> 00:38:59,130
specifically
by Ellen and Portia.
1046
00:38:59,150 --> 00:39:02,150
I got to say,
the pieces that you gave us
1047
00:39:02,170 --> 00:39:04,230
were actually
really inspiring to us.
1048
00:39:05,010 --> 00:39:07,170
You guys are--
are truly talented.
1049
00:39:07,190 --> 00:39:09,130
Some of the work
that we've seen
1050
00:39:09,150 --> 00:39:11,230
has been phenomenal,
you guys.
1051
00:39:12,010 --> 00:39:13,079
That being said,
1052
00:39:13,099 --> 00:39:15,159
there were a few
that really stood out to us.
1053
00:39:15,179 --> 00:39:17,010
- Mark.
1054
00:39:17,030 --> 00:39:21,030
You blew us away today, man.
- [chuckles]
1055
00:39:21,050 --> 00:39:23,179
- The fact that being
at the bottom last week,
1056
00:39:23,199 --> 00:39:26,150
and then this week just showing
us who you really are--
1057
00:39:26,170 --> 00:39:29,090
it exemplified what
this competition is about,
1058
00:39:29,110 --> 00:39:30,190
which is pushing
the boundaries.
1059
00:39:30,210 --> 00:39:32,079
Everything was there.
1060
00:39:32,099 --> 00:39:34,110
Everything that
this competition is about
1061
00:39:34,130 --> 00:39:35,179
was in that piece.
1062
00:39:35,199 --> 00:39:37,059
You blew us all away,
but you blew me away,
1063
00:39:37,079 --> 00:39:39,000
and I congratulate you.
1064
00:39:39,019 --> 00:39:41,130
- Thank you.
1065
00:39:41,150 --> 00:39:43,030
- And Arielle.
1066
00:39:43,050 --> 00:39:45,119
Collectively,
which is not easy to do,
1067
00:39:45,139 --> 00:39:47,199
you blew us all away,
all three of us.
1068
00:39:47,219 --> 00:39:51,010
I thought it was
one of the most beautiful
1069
00:39:51,030 --> 00:39:53,000
and usable pieces
of furniture
1070
00:39:53,019 --> 00:39:54,219
I've seen
in a really long time.
1071
00:39:55,000 --> 00:39:56,090
And from last week
to this week,
1072
00:39:56,110 --> 00:39:58,010
I could actually
put the coffee table
1073
00:39:58,030 --> 00:39:59,110
and the chair together
1074
00:39:59,130 --> 00:40:01,000
and see who you are
as a designer,
1075
00:40:01,019 --> 00:40:02,110
and they would work
beautifully together.
1076
00:40:02,130 --> 00:40:04,099
So well done.
- Yeah.
1077
00:40:04,119 --> 00:40:06,050
- Thank you. Thank you.
- Beautiful, beautiful work.
1078
00:40:06,070 --> 00:40:07,170
- And Christina.
1079
00:40:07,190 --> 00:40:09,139
You know, I was lucky enough
to be in your studio
1080
00:40:09,159 --> 00:40:11,019
when you were designing this.
1081
00:40:11,039 --> 00:40:12,210
I had no idea that the piece
1082
00:40:12,230 --> 00:40:14,139
was gonna turn out like it did,
1083
00:40:14,159 --> 00:40:16,010
and what you brought us here
1084
00:40:16,030 --> 00:40:18,150
was a moment
of comfort and joy,
1085
00:40:18,170 --> 00:40:20,150
and we loved it
as soon as we saw it.
1086
00:40:20,170 --> 00:40:24,070
It was just beautiful.
So thank you for that.
1087
00:40:24,090 --> 00:40:27,000
[gentle music]
1088
00:40:27,019 --> 00:40:30,130
There are a couple who were not
as successful this week,
1089
00:40:30,150 --> 00:40:32,090
in our opinion.
1090
00:40:32,110 --> 00:40:35,030
- So, Erica.
1091
00:40:35,050 --> 00:40:37,039
The fabric was beautiful,
and again,
1092
00:40:37,059 --> 00:40:38,199
the metalwork
was beautiful.
1093
00:40:38,219 --> 00:40:41,110
Just didn't
come together for us.
1094
00:40:41,130 --> 00:40:43,039
♪ ♪
1095
00:40:43,059 --> 00:40:45,090
- And Paul.
1096
00:40:45,110 --> 00:40:47,099
You're a great designer.
1097
00:40:47,119 --> 00:40:49,179
You've already shown us
in the first two pieces.
1098
00:40:49,199 --> 00:40:52,099
But this week, we felt like
it's been a little bit safe
1099
00:40:52,119 --> 00:40:54,059
and a bit conventional.
1100
00:40:54,079 --> 00:40:57,139
And we're really looking for
someone that's gonna stand out
1101
00:40:57,159 --> 00:40:59,150
as a great next designer,
1102
00:40:59,170 --> 00:41:01,210
something that we haven't seen,
really unique things,
1103
00:41:01,230 --> 00:41:04,010
and felt like, you know,
a painted surface--
1104
00:41:04,030 --> 00:41:05,230
there was a lot of little
things that were, like,
1105
00:41:06,010 --> 00:41:10,039
just not taking it to that
next step that we need to see.
1106
00:41:10,059 --> 00:41:14,059
- Unfortunately, we do have to
send one you guys home today.
1107
00:41:14,079 --> 00:41:16,219
[suspenseful music]
1108
00:41:17,000 --> 00:41:19,210
And the person
going home today is...
1109
00:41:19,230 --> 00:41:21,159
♪ ♪
1110
00:41:21,179 --> 00:41:24,179
Paul.
1111
00:41:24,199 --> 00:41:26,159
We thank you
for your contribution.
1112
00:41:26,179 --> 00:41:28,179
- Thank you. Thank you.
- For your pieces.
1113
00:41:28,199 --> 00:41:30,130
We appreciate your design,
your professionalism.
1114
00:41:30,150 --> 00:41:32,000
- Yeah.
- Thank you.
1115
00:41:32,019 --> 00:41:34,000
- I'm completely
in shock right now.
1116
00:41:34,019 --> 00:41:35,039
I thought it was me.
1117
00:41:35,059 --> 00:41:39,190
I felt all the emotions
for him.
1118
00:41:39,210 --> 00:41:42,010
- I'm slightly disappointed
that I got eliminated,
1119
00:41:42,030 --> 00:41:43,139
but I'm grateful,
1120
00:41:43,159 --> 00:41:47,010
and I was thanking God
just for the opportunity.
1121
00:41:47,030 --> 00:41:49,130
I don't know what's on
the other side of the door,
1122
00:41:49,150 --> 00:41:52,019
but I don't think
my journey stops here.
1123
00:41:52,039 --> 00:41:53,139
- [weeping]
- Exit?
1124
00:41:53,159 --> 00:41:55,039
- Yes, please, sir.
- All right, thank you.
1125
00:41:55,059 --> 00:41:56,170
- Thanks, Paul.
- All right, thank you.
1126
00:41:56,190 --> 00:41:58,050
Thank you so much, Paul.
1127
00:41:58,070 --> 00:42:01,039
- I got a journey still
to keep going,
1128
00:42:01,059 --> 00:42:03,079
so I'm not gonna sit
and sulk about it.
1129
00:42:03,099 --> 00:42:05,010
I'm so pleased,
1130
00:42:05,030 --> 00:42:07,219
and I'm confident to go back
and to continue my craft.
1131
00:42:08,000 --> 00:42:10,130
So I enjoyed
every minute of it.
1132
00:42:10,150 --> 00:42:13,090
- [sobbing]
1133
00:42:13,110 --> 00:42:16,099
[gentle music]
1134
00:42:16,119 --> 00:42:19,219
♪ ♪
1135
00:42:20,000 --> 00:42:21,170
- Thank you, guys.
- I'm sorry.
1136
00:42:21,190 --> 00:42:23,059
It was tough this week.
- Yeah.
1137
00:42:23,079 --> 00:42:25,000
- I appreciate your time.
Thanks for being here.
1138
00:42:25,019 --> 00:42:27,000
I can't wait to see
what you put up next week.
1139
00:42:27,019 --> 00:42:28,219
- Thank you.
- See y'all.
1140
00:42:29,000 --> 00:42:30,079
- Thanks, guys.
1141
00:42:30,099 --> 00:42:34,039
♪ ♪
1142
00:42:34,059 --> 00:42:36,170
- [sobbing]
1143
00:42:36,190 --> 00:42:41,099
All this emotion comes from
a place of, like, my empathy.
1144
00:42:41,119 --> 00:42:44,010
I don't even know Paul,
like--but I do.
1145
00:42:44,030 --> 00:42:47,000
That's the weirdest thing.
I do know him, he's me.
1146
00:42:49,059 --> 00:42:51,210
- I'm grateful to be alive
and in this competition.
1147
00:42:51,230 --> 00:42:53,099
But it's really,
1148
00:42:53,119 --> 00:42:55,179
truly heartbreaking
that Paul's going home.
1149
00:42:55,199 --> 00:42:57,219
- Win it for me.
You promise?
1150
00:42:58,000 --> 00:43:01,059
- Yeah.
For you, I promise.
1151
00:43:01,079 --> 00:43:02,219
[whimpers]
1152
00:43:05,000 --> 00:43:08,010
- Next time on "Ellen's
Next Great Designer"...
1153
00:43:08,030 --> 00:43:11,070
- Hi. How y'all doing?
both: Oh, my God.
1154
00:43:11,090 --> 00:43:13,130
- We would like to see
what you will do
1155
00:43:13,150 --> 00:43:16,070
being inspired
by different shapes.
1156
00:43:16,090 --> 00:43:18,000
all: Oh.
1157
00:43:18,019 --> 00:43:20,059
- I absolutely
hate this shape.
1158
00:43:20,079 --> 00:43:24,130
♪ ♪
1159
00:43:24,150 --> 00:43:26,119
- Wow.
- Oh, my God.
1160
00:43:26,139 --> 00:43:29,030
If this works,
it's gonna be amazing.
1161
00:43:29,050 --> 00:43:30,170
- Oh!
- Ohh!
1162
00:43:30,190 --> 00:43:32,090
- It could shatter
into a million tiny pieces,
1163
00:43:32,110 --> 00:43:34,179
and then we would have
nothing to work with.
1164
00:43:34,199 --> 00:43:36,019
- Ah!
- Don't touch it.
1165
00:43:36,039 --> 00:43:37,230
- I'm not gonna--
- Move, move, move, move.
1166
00:43:38,010 --> 00:43:39,210
- If I don't get this
fundamental part of my design,
1167
00:43:39,230 --> 00:43:41,179
I may as well just go home.
1168
00:43:42,190 --> 00:43:44,119
- Oh, my God,
the whole chandelier
1169
00:43:44,139 --> 00:43:45,219
just snapped in half.
1170
00:43:46,000 --> 00:43:47,090
♪ ♪
1171
00:43:47,110 --> 00:43:49,019
- I've never seen
anything like this.
1172
00:43:49,039 --> 00:43:50,170
- It's a statement.
1173
00:43:50,190 --> 00:43:52,150
- It feels like a rock and roll
piece a little bit.
1174
00:43:52,170 --> 00:43:54,130
- Yes, please.
- Yes.
1175
00:43:54,150 --> 00:43:57,030
- It's very tricky
to take a shape
1176
00:43:57,050 --> 00:43:59,119
and not have it look cheesy.
1177
00:43:59,139 --> 00:44:01,010
- I don't love the color.
1178
00:44:01,030 --> 00:44:02,119
I mean, it's not a high-end,
luxury item.
1179
00:44:02,139 --> 00:44:03,190
- Ugh!
1180
00:44:03,210 --> 00:44:05,079
- I think you tried
a little too much.
1181
00:44:05,099 --> 00:44:08,150
Unfortunately, the person
going home today is...
1182
00:44:43,170 --> 00:44:45,090
- Anyway.
88052
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