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WELCOME TO THE 63rd ANNUAL
GRAMMY AWARD, I'M TREVOR NOAH
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00:00:16,547 --> 00:00:19,050
AND I'M YOUR HOST AS WE
CELEBRATE THE LAST TEN YEARS OF
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00:00:19,117 --> 00:00:23,321
MUSIC THAT GOT US THROUGH ABOUT
TEN YEARS OF CORONAVIRUS, I KNOW
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00:00:23,388 --> 00:00:27,058
IT IS ONE YEAR BUT IT FEELS LIKE
TEN, WE HAVE MADE THE DECISION
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00:00:27,125 --> 00:00:37,101
TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS
8
00:00:37,168 --> 00:00:47,145
TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS
9
00:00:47,211 --> 00:00:57,121
TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS
10
00:00:57,188 --> 00:01:07,098
TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS
11
00:01:07,165 --> 00:01:12,703
TO SOCIALLY DISTANCE FROM THE
PRESTIGIOUS
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00:01:12,770 --> 00:01:17,074
PEER VOTED TROPHIES IN MUSIC
GIVING SHIEBEE NEW GRAMMY AWARDS
13
00:01:17,141 --> 00:01:19,710
LIVE THROUGHOUT THE EVENING BUT
WE HAVE TO DO IT QUICKLY BECAUSE
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00:01:19,777 --> 00:01:22,914
TOMORROW THIS TENT IS RESERVED
FOR AN OUTDOOR WEDDING IN MALIBU
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00:01:22,980 --> 00:01:25,583
AND I DO IN THE WANT TO LOSE MY
SECURITY DEPOSIT.
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00:01:25,650 --> 00:01:29,854
REST ASSURED EVERYONE HERE IS
FOLLOWING COVID-19 PROTOCOLS AND
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00:01:29,921 --> 00:01:32,757
GUIDE LINES, THIS WILL BE THE
AWARD SHOW WHERE THE WHITE STUFF
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00:01:32,824 --> 00:01:36,561
GOING UP PEOPLE'S NOSESES COTTON
SWABS.
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00:01:36,627 --> 00:01:39,997
THIS LOOKS DIFFERENT, THE WHOLE
THING IS GOING TO BE DIFFERENT
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00:01:40,064 --> 00:01:43,568
BUT FOLKS WILL BE EVEN MORE
EXCITED BECAUSE OUR IMPRESSIVE
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00:01:43,634 --> 00:01:46,370
NOMINEES WILL BE SITTING AT
THOSE TABLES FOR THEIR AWARDS.
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00:01:46,437 --> 00:01:50,241
SO RIGHT NOW THERE IS MORE
TENSION IN THAT TENT THAN AT A
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00:01:50,308 --> 00:01:53,144
FAMILY REUNION AT BUCKINGHAM
PALACE.
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00:01:53,211 --> 00:01:55,780
AND I KNOW THAT YOU HAVEN'T BEEN
ABLE TO GO TO A CONCERT IN A
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00:01:55,847 --> 00:01:57,081
LONG TIME, NEITHER HAVE I.
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00:01:57,148 --> 00:02:00,151
SO TONIGHT WE'RE BRINGING THE
CONCERT TO YOU, AFTER EVERYONE
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00:02:00,218 --> 00:02:03,387
MAKES THEIR WAY DOWN THIS RED
CARPET THEY WILL HEAD INSIDE
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00:02:03,454 --> 00:02:06,791
THERE TO PERFORM FOR EACH OTHER
AND FOR YOU.
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00:02:06,858 --> 00:02:12,163
AND UNLIKE AN ACTUAL CONCERT,
TWO TEENAGERS ON STACKED ON TOP
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00:02:12,230 --> 00:02:14,398
WON'T BLOCK YOUR VIEW, THAT IS
WHAT TONIGHT IS ABOUT, IT IS
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00:02:14,465 --> 00:02:19,237
ABOUT BRINGING US TOGETHER AS
ONLY MUSIC CAN.
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00:02:19,303 --> 00:02:23,341
WELL, MUSIC AND VACCINES, WE
WILL CELEBRATE MUSIC AND
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00:02:23,407 --> 00:02:26,711
HOPEFULLY FORGET OUR PROBLEMS
UNLESS SOME OF OUR PROBLEMS ARE
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00:02:26,777 --> 00:02:28,679
BEING OBSESSED WITH HARRY STYLES
BECAUSE THAT WILL ONLY GET
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00:02:28,746 --> 00:02:30,314
WORSE, I CAN PROMISE YOU.
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00:02:30,381 --> 00:02:33,150
TONIGHT WE WILL ENJOY
PERFORMANCES FROM EVERYONE FROM
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00:02:33,217 --> 00:02:39,957
MEGAN THEE STALLION TO CARDI B,
BRUNO MARS, AN DERSON PAAK, TO
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00:02:40,024 --> 00:02:44,962
PAY LETTER SWIFT, WE WILL HEAR
MIRANDA LAMBERT, AND MAREN
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00:02:45,029 --> 00:02:46,163
MORRIS.
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00:02:46,230 --> 00:02:48,032
WE WILL PAY TRIBUTE TO SOME OF
THE MANY GREAT MUSICAL ARTISTS
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00:02:48,099 --> 00:02:53,337
THAT WE'VE LOST DURING THE LAST
YEAR INCLUDING LIL RICHARD AND
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00:02:53,404 --> 00:02:55,907
KENNY ROGERS AND JOHN PRINE,
WE'LL ALSO BRING YOU GLOBAL
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00:02:55,973 --> 00:03:00,444
SENSATIONS DUA LIPA, BAD BUNNY,
BTS AND POST MALONE PLUS
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00:03:00,511 --> 00:03:05,816
EXCITING PERFORMANCES BY DOJA
CAT, RODDY RICCH, BRANDI
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00:03:05,883 --> 00:03:09,186
CARLILE, JOHN MAYER, AND ON TOP
OF THAT WE WILL BE JINKED BY NOT
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00:03:09,253 --> 00:03:14,559
ONE BUT TWO OF THE BIGGEST AND
MOST BELOVED BABIES ON PLANET
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00:03:14,625 --> 00:03:20,264
EARTH, DABABY AND LITTLE BABY.
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00:03:20,331 --> 00:03:24,235
-- LIL BABY AND ALL OF THEM WILL
BE PERFORMING RIGHT HERE IN THIS
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00:03:24,302 --> 00:03:28,005
BEAUTIFUL ROOM.
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00:03:28,072 --> 00:03:30,241
TONIGHT WE ARE HOPING THAT THIS
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00:03:30,308 --> 00:03:36,247
IS ALL ABOUT WHAT 2021 CAN BE,
BEGINNINGS AND COMING TOGETHER.
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00:03:36,314 --> 00:03:39,550
NEVER FORGETTING WHAT HAPPENED
IN 2020 BUT FULL OF HOPE FOR
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00:03:39,617 --> 00:03:42,219
WHAT IS TO COME.
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00:03:42,286 --> 00:03:46,357
SO LET'S DO THIS, PEOPLE.
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00:03:46,424 --> 00:03:49,527
NOMINATED TONIGHT FOR BOTH
RECORD OF THE YEAR AND ALBUM OF
56
00:03:49,594 --> 00:03:53,064
THE YEAR, BLACK PUMAS ARE HERE,
EVERYBODY.
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00:03:53,130 --> 00:03:57,234
SO GOOD TO YOU HAVE GUYS, MAN,
BIG FANS.
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00:03:57,301 --> 00:04:02,540
IT IS MY PLEASURE TO ANNOUNCE
THAT THE-- WILL BE JOINING US,
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00:04:02,607 --> 00:04:08,179
NOMINATED FOR ALBUM OF THE YEAR,
THAT'S RIGHT, AND RIGHT OVER
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00:04:08,245 --> 00:04:11,015
HERE, YOU BETTER START SCREAMING
BECAUSE I KNOW I AM, LAST YEAR
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00:04:11,082 --> 00:04:15,853
SHE MADE GRAMMY HISTORY, IT IS
BILLIE EILISH, EVERYBODY.
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00:04:15,920 --> 00:04:20,791
SHE WON SO MANY GRAMMYS LAST
YEAR THAT HER UBER HAUL WAS A
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00:04:20,858 --> 00:04:25,863
YOU HAUL, SHE IS BACK WITH HER
BROTHER TO PLAY THEIR GRAMMY
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00:04:25,930 --> 00:04:27,131
NOMINATED RECORD OF THE YEAR.
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00:04:27,198 --> 00:04:31,302
BUT FIRST, WE COULD NOT BE MORE
EXCITED TO KICK OFF OUR SHOW IN
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00:04:31,369 --> 00:04:34,005
THE BIGGEST WAY POSSIBLE,
PERFORMING AT THE GRAMMY AWARDS
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00:04:34,071 --> 00:04:37,174
FOR THE FIRST TIME EVER WITH
THREE GRAMMY NOMINATIONS
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00:04:37,241 --> 00:04:41,312
TONIGHT, THIS GUY IS A GLOBAL
MEGASTAR.
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00:04:41,379 --> 00:04:44,815
LADIES, YOU BETTER WATCH OUT
BECAUSE HE'LL STEAL YOUR HEART
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00:04:44,882 --> 00:04:48,719
AND YOUR DRESS AND HE'LL LOOK
DAMN GOOD DOING IT.
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00:04:48,786 --> 00:04:53,858
GIVE IT UP FOR HARRY STYLES.
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00:04:53,924 --> 00:04:59,797
♪ TASTES LIKE STRAWBERRIES
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00:04:59,864 --> 00:05:01,832
ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE
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00:05:01,899 --> 00:05:05,836
A SONG
♪ I WANT MORE BERRIES
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00:05:05,903 --> 00:05:11,742
AND THAT SUMMER FEELIN'
♪ IT'S SO WONDERFUL
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00:05:11,809 --> 00:05:14,211
AND WARM
♪ BREATHE ME IN
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00:05:14,278 --> 00:05:21,819
BREATHE ME OUT
♪ I DON'T KNOW IF I
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00:05:21,886 --> 00:05:25,856
COULD EVER GO WITHOUT
♪ I'M JUST THINK
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00:05:25,923 --> 00:05:29,860
--KING OUT LOUD
♪ I DON'T KNOW IF I COULD
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00:05:29,927 --> 00:05:36,834
EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH
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00:05:36,901 --> 00:05:40,004
WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH
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00:05:40,071 --> 00:05:45,609
WATERMELON SUGAR HIGH
WATERMELON SUGAR
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00:05:45,676 --> 00:05:49,847
♪ STRAWBERRIES
ON A SUMMER EVENIN'
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00:05:49,914 --> 00:05:57,822
♪ BABY, YOU'RE THE END OF JUNE
I WANT YOUR BELLY
85
00:05:57,888 --> 00:06:03,994
♪ AND THAT SUMMER FEELIN'
GETTING WASHED AWAY IN YOU
86
00:06:04,061 --> 00:06:09,366
♪ BREATHE ME IN
BREATHE ME OUT
87
00:06:09,433 --> 00:06:13,838
♪ I DON'T KNOW IF I COULD
EVER GO WITHOUT
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00:06:13,904 --> 00:06:17,842
♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH
89
00:06:17,908 --> 00:06:24,482
♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH
90
00:06:24,548 --> 00:06:27,985
♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH
91
00:06:28,052 --> 00:06:36,393
♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH
92
00:06:36,460 --> 00:06:39,997
♪ I JUST WANNA TASTE IT
I JUST WANNA TASTE IT
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00:06:40,064 --> 00:06:49,840
♪ WATERMELON SUGAR HIGH
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00:07:03,521 --> 00:07:09,493
♪ ♪ ♪
♪ TASTES LIKE STRAWBERRIES
95
00:07:09,560 --> 00:07:13,097
ON A SUMMER EVENIN'
♪ AND IT SOUNDS JUST LIKE
96
00:07:13,164 --> 00:07:16,000
A SONG
♪ I WANT YOUR BELLY
97
00:07:16,066 --> 00:07:21,839
AND THAT SUMMER FEELIN'
♪ I DON'T KNOW IF I COULD
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00:07:21,906 --> 00:07:25,843
EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH
99
00:07:25,910 --> 00:07:32,449
WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH
100
00:07:32,516 --> 00:07:37,388
WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH
101
00:07:37,454 --> 00:07:41,859
WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR HIGH
102
00:07:41,926 --> 00:07:46,363
WATERMELON SUGAR HIGH
♪ I JUST WANNA TASTE IT
103
00:07:46,430 --> 00:07:53,737
I JUST WANNA TASTE IT
♪ WATERMELON SUGAR HIGH
104
00:07:53,804 --> 00:08:01,812
I JUST WANNA TASTE IT
♪ I JUST WANNA TASTE IT
105
00:08:01,879 --> 00:08:09,987
WATERMELON SUGAR HIGH
♪ WATERMELON SUGAR ♪
106
00:08:10,054 --> 00:08:20,965
HARRY STYLES, THAT WAS
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00:08:21,031 --> 00:08:22,233
AMAZING, MAN.
108
00:08:22,299 --> 00:08:25,402
I MEAN I WOULD HAVE WORN A SHIRT
FOR MY FIRST GRAMMYS, YOU KNOW,
109
00:08:25,469 --> 00:08:28,706
BUT EACH TO HIS OWN,
EVERYBODY-- IT IS CRAZY TO THINK
110
00:08:28,772 --> 00:08:31,775
EVERYONE THAT TALENTED AND
HANDSOME IS FROM THE SAME PLACE
111
00:08:31,842 --> 00:08:36,046
AS BORE IS JOHNSON, MAN, THE
U.K. IS DIVERSE, NO TIME TO
112
00:08:36,113 --> 00:08:38,916
WASTINGS SINGING HER GRAMMY
NOMINATED RECORD OF THE YEAR,
113
00:08:38,983 --> 00:08:48,025
SMASH HIT, EVERYTHING I WANTED,
THIS IS BILLIE EILISH.
114
00:08:54,265 --> 00:09:04,041
♪ ♪ ♪
♪ I HAD A DREAM
115
00:09:04,108 --> 00:09:12,049
I GOT EVERYTHING I WANTED
♪ NOT WHAT YOU'D THINK
116
00:09:12,116 --> 00:09:18,188
AND IF I'M BEIN' HONEST
♪ IT MIGHT'VE BEEN A NIGHTMARE
117
00:09:18,255 --> 00:09:28,032
TO ANYONE WHO MIGHT CARE
♪ THOUGHT I COULD FLY
118
00:09:28,098 --> 00:09:36,040
SO I STEPPED OFF THE GOLDEN, MM
♪ NOBODY CRIED
119
00:09:36,106 --> 00:09:40,044
NOBODY EVEN NOTICED
♪ I SAW THEM STANDING
120
00:09:40,110 --> 00:09:44,048
RIGHT THERE
♪ KINDA THOUGHT THEY
121
00:09:44,114 --> 00:09:52,056
MIGHT CARE
♪ I HAD A DREAM
122
00:09:52,122 --> 00:10:00,064
I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE
123
00:10:00,130 --> 00:10:03,801
YOU WITH ME
♪ AND YOU SAY
124
00:10:03,867 --> 00:10:12,042
"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU"
125
00:10:12,109 --> 00:10:20,050
DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO
126
00:10:20,117 --> 00:10:28,058
IF I COULD CHANGE
♪ THE WAY THAT YOU SEE YOURSELF
127
00:10:28,125 --> 00:10:36,066
YOU WOULDN'T WONDER WHY YOU HEAR
♪ "THEY DON'T DESERVE YOU"
128
00:10:36,133 --> 00:10:44,041
I TRIED TO SCREAM
♪ BUT MY HEAD WAS UNDERWATER
129
00:10:44,108 --> 00:10:49,713
THEY CALLED ME WEAK
♪ LIKE I'M NOT JUST
130
00:10:49,780 --> 00:10:54,218
SOMEBODY'S DAUGHTER
♪ COULDA BEEN A NIGHTMARE
131
00:10:54,284 --> 00:10:59,823
BUT IT FELT LIKE THEY WERE
♪ RIGHT THERE
132
00:10:59,890 --> 00:11:03,827
AND IT FEELS LIKE YESTERDAY
♪ WAS A YEAR AGO
133
00:11:03,894 --> 00:11:07,898
BUT I DON'T WANNA LET
♪ ANYBODY KNOW
134
00:11:07,965 --> 00:11:12,069
'CAUSE EVERYBODY WANTS
♪ SOMETHING FROM ME NOW
135
00:11:12,136 --> 00:11:20,010
AND I DON'T WANNA LET 'EM DOWN
♪ I HAD A DREAM
136
00:11:20,077 --> 00:11:28,052
I GOT EVERYTHING I WANTED
♪ BUT WHEN I WAKE UP, I SEE
137
00:11:28,118 --> 00:11:32,056
YOU WITH ME
♪ AND YOU SAY
138
00:11:32,122 --> 00:11:40,064
"AS LONG AS I'M HERE
♪ NO ONE CAN HURT YOU
139
00:11:40,130 --> 00:11:49,440
DON'T WANNA LIE HERE
♪ BUT YOU CAN LEARN TO
140
00:11:49,506 --> 00:11:52,042
♪ IF I KNEW IT ALL THEN
WOULD I DO IT AGAIN?
141
00:11:52,109 --> 00:11:56,046
♪ WOULD I DO IT AGAIN?
142
00:11:56,113 --> 00:12:00,084
IF THEY KNEW WHAT THEY SAID
♪ WOULD GO STRAIGHT TO MY HEAD
143
00:12:00,150 --> 00:12:08,058
WHAT WOULD THEY SAY INSTEAD? ♪
144
00:12:08,125 --> 00:12:18,102
♪ ♪ ♪
145
00:12:18,168 --> 00:12:25,375
♪ ♪ ♪
146
00:12:25,442 --> 00:12:28,045
BILLIE EILISH AND FINNEAS,
EVERYBODY, KEEP IT GOING, Y'ALL,
147
00:12:28,112 --> 00:12:34,451
KEEP IT GOING, EVERY SINGLE
TIME, MAN, AMAZING.
148
00:12:34,518 --> 00:12:38,689
NOW A TRIO OF SISTERS FROM RIGHT
HERE IN LOS ANGELES NOMINATED
149
00:12:38,755 --> 00:12:42,226
FOR ALBUM OF THE YEAR TONIGHT,
ABOUT TO ROCK OUR WORLD WITH
150
00:12:42,292 --> 00:12:48,065
THEIR FIRST EVER GRAMMY
PERFORMANCE, THIS IS HAIM.
151
00:13:03,847 --> 00:13:08,051
♪ ♪ ♪
♪ ♪ ♪
152
00:13:08,118 --> 00:13:16,059
♪ SO, BABY
WHEN I'M NEAR YOU
153
00:13:16,126 --> 00:13:24,067
♪ YOU CAN'T FEEL ME
I'M LIGHTNIN'
154
00:13:24,134 --> 00:13:32,042
♪ YOU USED TO COME BY
AND SIT DOWN BY MY SIDE
155
00:13:32,109 --> 00:13:42,219
♪ YOU WOULD COME IN CLOSE
AND TAKE OFF ALL MY CLOTHES
156
00:13:42,286 --> 00:13:46,290
♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS
157
00:13:46,356 --> 00:13:51,495
♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS
158
00:13:51,562 --> 00:13:58,602
♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY
159
00:13:58,669 --> 00:14:02,339
♪ AND EVERY DAY I WAKE UP AND
I MAKE MONEY FOR MYSELF
160
00:14:02,406 --> 00:14:04,007
♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T
161
00:14:04,074 --> 00:14:08,045
♪ NEED YOUR HELP
DO YOU UNDERSTAND?
162
00:14:08,111 --> 00:14:18,222
♪ YOU DON'T UNDERSTAND ME
BABY
163
00:14:18,288 --> 00:14:24,061
♪ ♪ ♪
♪ ♪ ♪
164
00:14:24,127 --> 00:14:27,731
♪ IF I GO RIGHT
AND YOU GO LEFT
165
00:14:27,798 --> 00:14:35,339
♪ HEY, I KNOW WE'LL MEET UP
AGAIN
166
00:14:35,405 --> 00:14:40,043
♪ ♪ ♪
♪ ♪ ♪
167
00:14:40,110 --> 00:14:44,047
♪ AND IF YOU GO LEFT
AND I GO RIGHT
168
00:14:44,114 --> 00:14:48,151
♪ HEY, MAYBE THAT'S JUST LIFE
SOMETIMES
169
00:14:48,218 --> 00:14:56,059
♪ ♪ ♪
♪ ♪ ♪
170
00:14:56,126 --> 00:15:00,063
♪ EVERY TIME I THINK THAT I'VE
BEEN TAKIN' THE STEPS
171
00:15:00,130 --> 00:15:04,067
♪ YOU END UP MAD AT ME FOR
MAKIN' A MESS
172
00:15:04,134 --> 00:15:12,042
♪ I CAN'T UNDERSTAND WHY
YOU DON'T UNDERSTAND ME, BABY
173
00:15:12,109 --> 00:15:16,046
♪ AND EVERY DAY I WAKE UP AND
MAKE MONEY FOR MYSELF
174
00:15:16,113 --> 00:15:18,215
♪ AND THOUGH WE SHARE A BED
YOU KNOW THAT I DON'T
175
00:15:18,282 --> 00:15:24,054
♪ NEED YOUR HELP
DO YOU UNDERSTAND?
176
00:15:24,121 --> 00:15:28,058
♪ YOU DON'T UNDERSTAND ME
BABY ♪
177
00:15:40,103 --> 00:15:48,045
♪ ♪ ♪
♪ ♪ ♪
178
00:15:48,111 --> 00:15:53,617
THAT'S RIGHT, PEOPLE, KEEP IT
179
00:15:53,684 --> 00:15:57,421
GOING, HAIM, LADY AS AND
GENTLEMEN, OUR GRAMMY NIGHT IS
180
00:15:57,487 --> 00:15:58,622
OFFICIALLY OFF AND RUNNING.
181
00:15:58,689 --> 00:16:03,160
UP NEXT OUR FIRST AWARD, AND
IT'S A BIG ONE, BEST NEW ARTIST.
182
00:16:03,226 --> 00:16:07,664
PLUS BLACK PUMAS, DUA LIPA AND
BADIBUNNY WILL BE ON THESE STAGE
183
00:16:07,731 --> 00:16:10,233
RIGHT HERE, SO DON'T GO
ANYWHERE.
184
00:16:10,300 --> 00:16:16,039
THIS IS CBS.
185
00:16:16,106 --> 00:16:17,774
♪ ♪ ♪
♪ ♪ ♪
186
00:16:20,110 --> 00:16:23,513
THE 63rd GRAMMY
AWARDS IS SPONSORED BY LINCOLN
187
00:16:23,580 --> 00:16:25,515
FAMILY OF LUXURY S.U.V.s.
188
00:16:31,555 --> 00:16:39,229
♪ ♪ ♪
189
00:16:39,296 --> 00:16:41,631
WELCOME BACK TO THE
GRAMMYS.
190
00:16:41,698 --> 00:16:44,634
SO, LET'S GET STRAIGHT TO THE
AWARDS.
191
00:16:44,701 --> 00:16:48,004
THE FIRST AWARD TONIGHT IS BEST
NEW ARTIST.
192
00:16:48,071 --> 00:16:51,742
IT'S AN AWARD THAT'S BEEN WON BY
THE BEATLES, MARIAH CAREY,
193
00:16:51,808 --> 00:16:54,077
CHRISTINA AGUILERA, AND JOHN
LEGEND.
194
00:16:54,144 --> 00:16:59,883
AND IT'S BEEN LOST BY KENDRICK
LAMAR, DRAKE, TAYLOR SWIFT, BOYZ
195
00:16:59,950 --> 00:17:00,851
II MEN, AND ELTON JOHN.
196
00:17:00,917 --> 00:17:04,287
SO, EVEN IF YOU LOSE IT, YOU'LL
BE ALL RIGHT.
197
00:17:04,354 --> 00:17:05,889
HERE TO PRESENT THE AWARD IS AN
198
00:17:05,956 --> 00:17:08,992
ARTIST WHO ALWAYS MAKES ME FEE“"
GOOD AS HELL.”
199
00:17:09,059 --> 00:17:11,995
PLEASE WELCOME THREE-TIME GRAMMY
WINNER, LIZZO!
200
00:17:12,062 --> 00:17:17,868
♪ ♪ ♪
201
00:17:17,934 --> 00:17:21,805
♪ ♪ ♪
THANK YOU, TREVOR.
202
00:17:21,872 --> 00:17:25,041
I LOVE YOU.
203
00:17:25,108 --> 00:17:31,948
CUTIE.
204
00:17:32,015 --> 00:17:36,520
I'M PRESENTING CUZ I LOVE
YOU.
205
00:17:36,586 --> 00:17:41,858
AND THE THREE SHINY GRAMMYS I
206
00:17:41,925 --> 00:17:45,862
GOT LAST YEAR, WOO!
207
00:17:45,929 --> 00:17:46,596
I'M BACK.
208
00:17:46,663 --> 00:17:47,764
BITCH I'M BACK, OH, I'M SO
SORRY.
209
00:17:47,831 --> 00:17:48,899
I'M HAPPY TO PRESENT THE FIRST
AWARD OF THE NIGHT THAT PUTS
210
00:17:48,965 --> 00:17:54,004
THAT BIG BEAUTIFUL GRAMMY
SPOTLIGHT ON EIGHT NEW MUSICAL
211
00:17:54,070 --> 00:17:57,841
HEROES WHO ALL HAVE THAT BEST
NEW ARTIST VIBE, MEGAN, STOP
212
00:17:57,908 --> 00:18:00,010
LAUGHING AT ME, EACH IN THEIR
OWN WAY.
213
00:18:00,076 --> 00:18:05,849
THESE ARE THE AMAZING NOMINEES.
214
00:18:05,916 --> 00:18:10,120
♪ ♪ ♪
INGRID ANDRESS.
215
00:18:10,187 --> 00:18:13,857
PHOEBE BRIDGERS.
216
00:18:13,924 --> 00:18:17,861
CHIKA.
217
00:18:17,928 --> 00:18:21,865
NOAH CYRUS.
218
00:18:21,932 --> 00:18:24,000
D SMOKE.
219
00:18:24,067 --> 00:18:28,305
DOJA CAT.
220
00:18:28,371 --> 00:18:29,873
KAYTRARNADA.
221
00:18:29,940 --> 00:18:33,844
MEGAN THEE STALLION.
222
00:18:33,910 --> 00:18:43,386
♪ ♪ ♪
223
00:18:43,453 --> 00:18:45,856
Y'ALL READY?
224
00:18:45,922 --> 00:18:51,895
NERVOUS, Y'ALL.
225
00:18:51,962 --> 00:18:56,433
WAIT, HOW DO YOU OPEN IT, OH MY
GOD.
226
00:18:56,500 --> 00:19:04,407
WAIT, HOW DO YOU DO IT, OKAY, I
GOT T I GOT T I GOT IT, MEGAN
227
00:19:04,474 --> 00:19:09,846
THEE STALLION.
228
00:19:09,913 --> 00:19:12,015
WHOOO.
229
00:19:33,937 --> 00:19:43,914
♪ ♪ ♪
230
00:19:43,980 --> 00:19:53,957
♪ ♪ ♪
231
00:19:54,024 --> 00:19:59,529
♪ ♪ ♪
232
00:19:59,596 --> 00:20:00,597
I DON'T WANT TO CRY.
233
00:20:00,664 --> 00:20:06,336
BUT FIRST OF ALL I WANT TO SAY
EVERYBODY IS AMAZING.
234
00:20:06,403 --> 00:20:10,874
EVERY ARTIST THAT WAS NOMINATED
FOR THIS AWARD IS SO AMAZING.
235
00:20:10,941 --> 00:20:17,847
SO SHOUT OUT TO ALL Y'ALL.
236
00:20:17,914 --> 00:20:20,917
SECONDLY, I REALLY JUST WANT TO
237
00:20:20,984 --> 00:20:24,621
THANK GOD BECAUSE THANK YOU FOR
PUTTING LIFE INTO MY BODY FOR ME
238
00:20:24,688 --> 00:20:29,659
TO BE ABLE TO EVEN BE HERE
TODAY.
239
00:20:29,726 --> 00:20:38,001
I WANT TO SAY THANK YOU
FOR-- ALWAYS BEING WITH ME,
240
00:20:38,068 --> 00:20:41,271
BEING BY MY SIDE.
241
00:20:41,338 --> 00:20:44,874
THANK YOU FOR ALWAYS BEING WITH
ME, BEING BY MY SIDE, I WANT TO
242
00:20:44,941 --> 00:20:49,045
SAY THANK YOU TO EVERYBODY AT
300 FOR BELIEVING IN ME,
243
00:20:49,112 --> 00:20:53,149
STICKING BY ME THROUGH MY
CRAZINESS AND YOU KNOW, IT'S
244
00:20:53,216 --> 00:20:55,318
BEEN A HELL OF A YEAR BUT WE
MADE IT.
245
00:20:55,385 --> 00:20:58,388
THANK YOU EVERYBODY AT ROCK
NATION AND I REALLY WANT TO SAY
246
00:20:58,455 --> 00:21:01,825
THANK YOU TO MY MAMA, SHE'S NOT
HERE WITH ME TODAY BUT I KNOW
247
00:21:01,891 --> 00:21:05,462
SHE IS HERE WITH ME IN SPIRIT
AND SHE ALWAYS BELIEVE I COULD
248
00:21:05,528 --> 00:21:09,833
DO IT, SO THANK YOU ALL SO MUCH.
249
00:21:09,899 --> 00:21:17,841
THAT'S YOUR GRAMMY!
250
00:21:17,907 --> 00:21:20,710
CONGRATULATIONS,
MEGAN THEE STALLION!
251
00:21:20,777 --> 00:21:21,811
WOW!
252
00:21:21,878 --> 00:21:25,448
TODAY, THE SINGLE RECORD HAS
NEVER BEEN MORE IMPORTANT.
253
00:21:25,515 --> 00:21:27,550
SEE, IN THE NEW WORLD OF
STREAMING, IF AN ARTIST CAN
254
00:21:27,617 --> 00:21:29,853
CREATE THAT PERFECT SINGLE,
THEIR SONG WILL
255
00:21:29,919 --> 00:21:36,059
BE STREAMED BILLIONS AND
BILLIONS OF TIMES, MAKING THEM
256
00:21:36,126 --> 00:21:37,193
ANYWHERE FROM $2-$3.
257
00:21:37,260 --> 00:21:38,361
OUR RECORD OF THE YEAR NOMINEES
258
00:21:38,428 --> 00:21:41,097
ARE AN ECLECTIC, DIVERSE AND
IMPRESSIVE GROUP.
259
00:21:41,164 --> 00:21:42,499
AND WE ASKED THE REMARKABLE 23-
YEAR-OLD DIRECTOR GIBSON HAZARD
260
00:21:42,565 --> 00:21:46,102
TO MAKE SOME FILMS ABOUT THESE
CONTENDERS FOR THE RECORD OF THE
261
00:21:46,169 --> 00:21:48,038
YEAR.
262
00:21:48,104 --> 00:21:51,574
SO, FIRST UP, HERE'S A REVEALING
LOOK AT THE TRUE "COLORS" OF
263
00:21:51,641 --> 00:21:54,077
A STRONG MUSICAL PARTNERSHIP
THAT FLOWERED IN AUSTIN, TEXAS,
264
00:21:54,144 --> 00:21:57,847
AFTER A LITTLE STREET PERFORMING
ON THE SANTA MONICA PIER.
265
00:21:57,914 --> 00:22:05,855
THIS IS BLACK PUMAS.
266
00:22:05,922 --> 00:22:15,865
♪ ♪ ♪
267
00:22:15,932 --> 00:22:21,604
OUR MUSIC IS VERY REFLECTIVE
OF THE SINCERITY OF OUR OWN
268
00:22:21,671 --> 00:22:25,542
SOULS, WE CALL IT SOUL MUSIC AND
OBVIOUSLY IT IS NOT SOUL MUSIC
269
00:22:25,608 --> 00:22:29,779
BUT THE MOST IMPORTANT THING IS
IT COMES FROM OUR SOUL, MY SOUL
270
00:22:29,846 --> 00:22:30,947
AND HIS SOUL.
271
00:22:31,014 --> 00:22:33,783
GETTING THE NOMINATION FOR
"COLORS" IS SPECIAL, WE KNOW HOW
272
00:22:33,850 --> 00:22:36,252
PEOPLE HAVE BEEN REACTING TO
THAT SONG, WE HAVE SEEN IT LIVE,
273
00:22:36,319 --> 00:22:41,091
WE HAVE EVEN SEEN IT U NIGHT
CROWDS, WE KNOW IT WAS SPECIAL.
274
00:22:41,157 --> 00:22:43,760
I MOVED TO CALIFORNIA FROM
NEW MEXICO IN 20134.
275
00:22:43,827 --> 00:22:48,498
I WOULD TAKE LIKE TWO TRAINS
THEN TWO BUSES TO THE SANTA
276
00:22:48,565 --> 00:22:51,267
MONICA PIER JUST TO BUSK.
277
00:22:51,334 --> 00:22:56,306
STREET PERFORMING FOR ME, IT IS
KIND OF A LOVE HATE
278
00:22:56,372 --> 00:23:01,711
RELATIONSHIP, SUCH AS BEAUTIFUL
YET BRUTAL EXPERIENCE.
279
00:23:01,778 --> 00:23:04,447
I WOULD BE PERFORMING IN THE
STREET BUT IN MY MIND I'M
280
00:23:04,514 --> 00:23:08,952
PERFORMING ON THE STAGE OF THE
GRAMMYS.
281
00:23:09,018 --> 00:23:11,621
KSH WITHIN MYSELF AS A KID I
REMEMBER IMAGINING WHAT IT WOULD
282
00:23:11,688 --> 00:23:13,923
BE LIKE TOKING ON SUCH A GRAND
STAGE.
283
00:23:13,990 --> 00:23:17,761
WHEN I THINK ABOUT IT, I GET
EMOTIONAL BECAUSE I'VE
284
00:23:17,827 --> 00:23:18,394
EXPERIENCED A LOT, MAN.
285
00:23:18,461 --> 00:23:25,335
SO IT FEELS GOOD TO BE HERE.
286
00:23:26,536 --> 00:23:29,606
♪ ♪ ♪
♪ I WOKE UP TO THE MORNING
287
00:23:29,672 --> 00:23:32,475
SKY FIRST
♪ BABY BLUE
288
00:23:32,542 --> 00:23:37,947
JUST LIKE WE REHEARSED
♪ WHEN I GET UP OFF THIS GROUND
289
00:23:38,014 --> 00:23:40,483
I SHAKE LEAVES BACK DOWN
♪ TO THE BROWN, BROWN
290
00:23:40,550 --> 00:23:50,093
BROWN, BROWN
♪ 'TIL I'M CLEAN
291
00:23:50,160 --> 00:23:54,264
THEN I WALK WHERE I'D BE
♪ SHADED BY THE TREES
292
00:23:54,330 --> 00:24:01,337
BY A MEADOW OF GREEN
♪ FOR ABOUT A MILE
293
00:24:01,404 --> 00:24:06,276
I'M HEADED TO TOWN, TOWN, TOWN
♪ IN STYLE
294
00:24:06,342 --> 00:24:13,883
WITH ALL MY FAVORITE COLORS
♪ YES, SIR
295
00:24:13,950 --> 00:24:18,288
ALL MY FAVORITE COLORS
♪ RIGHT ON
296
00:24:18,354 --> 00:24:22,258
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER
297
00:24:22,325 --> 00:24:30,266
ALL MY FAVORITE COLORS
♪ IT'S A GOOD DAY TO BE
298
00:24:30,333 --> 00:24:34,270
A GOOD DAY FOR ME
♪ A GOOD DAY TO SEE
299
00:24:34,337 --> 00:24:37,407
MY FAVORITE
♪ COLORS, COLORS
300
00:24:37,473 --> 00:24:44,480
MY SISTERS AND MY BROTHERS
♪ THEY SEE 'EM LIKE NO OTHER
301
00:24:44,547 --> 00:24:50,286
ALL MY FAVORITE COLORS
ALL MY FAVORITE COLORS
302
00:25:08,538 --> 00:25:14,277
♪ ♪ ♪
♪ I'M ON THE OTHER SIDE
303
00:25:14,344 --> 00:25:18,281
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ WHERE THE BABY BLUE BIRDS FLY
304
00:25:18,348 --> 00:25:21,417
OOH-OOH, OOH-OOH, OOH-OOH-OHH
♪ IN GRAY CLOUDS
305
00:25:21,484 --> 00:25:25,588
OR WHITE WALLS
♪ OR BLUE SKIES
306
00:25:25,655 --> 00:25:26,456
BLUE SKIES
♪ WE GON' FLY
307
00:25:26,522 --> 00:25:29,592
FEEL ALRIGHT
♪ BLACK PUMAS HELP ME FEEL
308
00:25:29,659 --> 00:25:35,498
ALRIGHT ONE MORE TIME
♪ WITH ALL MY FAVORITE COLORS
309
00:25:35,565 --> 00:25:38,268
YES, SIR
♪ ALL MY FAVORITE COLORS
310
00:25:38,334 --> 00:25:44,474
RIGHT ON
♪ MY SISTERS AND MY BROTHERS
311
00:25:44,540 --> 00:25:50,480
SEE 'EM LIKE NO OTHER
♪ ALL MY FAVORITE COLORS
312
00:25:50,546 --> 00:25:56,486
IT'S A GOOD DAY TO BE
♪ A GOOD DAY FOR ME
313
00:25:56,552 --> 00:26:02,358
A GOOD DAY TO SEE MY FAVORITE
♪ COLORS, COLORS
314
00:26:02,425 --> 00:26:14,270
MY SISTERS AND MY BROTHERS
♪ SEE 'EM LIKE NO OTHER
315
00:26:14,337 --> 00:26:26,282
ALL MY FAVORITE COLORS ♪
316
00:26:26,349 --> 00:26:31,287
THAT'S RIGHT, PEOPLE, KEEP
317
00:26:31,354 --> 00:26:36,326
KEEP IT GOING, KEEP IT GOING,
PEOPLEK BLACK PUMAS.
318
00:26:36,392 --> 00:26:39,629
EVER HEARD A BAND FOR THE FIRST
TIME BUT FEEL LIKE IT IS YOUR
319
00:26:39,696 --> 00:26:42,732
FAVORITE FOR THE YOUR WHOLE
LIFE, THAT IS WHAT WE FELT, YOUR
320
00:26:42,799 --> 00:26:48,771
STORY IS INSANE, HOW MANY YEARS
AGO YOU WERE BUSKK ON THE PIER.
321
00:26:48,838 --> 00:26:50,039
ABOUT SIX YEARS.
322
00:26:50,106 --> 00:26:52,542
SIX YEARS HOPING PEOPLE WOULD
LISTEN TO YOU PERFORM, FOR SMALL
323
00:26:52,608 --> 00:26:55,645
GROUPS OF PEOPLE AND NOW ARE YOU
AT THE GRAMMYS.
324
00:26:55,712 --> 00:26:56,879
THANK YOU.
325
00:26:56,946 --> 00:27:00,183
STILL PERFORMING FOR A SMALL
GROUP OF PEOPLE BUT THAT'S NOT
326
00:27:00,249 --> 00:27:01,451
THE POINT.
327
00:27:01,517 --> 00:27:04,487
WELL, YOU KNOW, TREVOR, ONCE
YOU ARE A KING YOU ARE ALWAYS A
328
00:27:04,554 --> 00:27:05,455
KING.
329
00:27:05,521 --> 00:27:07,457
I FEEL YOU THERE, GOOD LUCK
FOR TONIGHT.
330
00:27:07,523 --> 00:27:08,558
THANK YOU.
331
00:27:08,624 --> 00:27:10,293
RIGHT NOW WE WILL TAKE A
QUICK BREAK SO CAN I CHECK
332
00:27:10,360 --> 00:27:12,495
TWITTER TO SEE ALL THE NICE
THINGS PEOPLE ARE SAYING ABOUT
333
00:27:12,562 --> 00:27:16,432
ME, BUT DON'T GO AWAY, AFTER THE
BREAK WE HAVE BACK TO BACK
334
00:27:16,499 --> 00:27:24,073
PERFORMANCES FROM NOMINEES
DABABY, BAD BUNNY AND DUA LIPA.
335
00:27:24,140 --> 00:27:28,478
PLUS DID I MENTION WE HAVE
TAYLOR SWIFT, THIS IS THE GRAMMY
336
00:27:28,544 --> 00:27:28,978
AWARDS.
337
00:27:29,045 --> 00:27:31,914
WE'LL BE RIGHT BACK.
338
00:27:39,889 --> 00:27:43,326
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY
339
00:27:43,393 --> 00:27:45,995
AWARD, THE ONLY AWARD YOU CAN
PLAY TINY RECORDS ON.
340
00:27:46,062 --> 00:27:47,930
THROUGHOUT THE NIGHT WE ARE
PUTTING THE SPOT LIGHT ON THIS
341
00:27:47,997 --> 00:27:50,099
YEAR'S NOMINEES FOR RECORD OF
THE YEAR.
342
00:27:50,166 --> 00:27:53,436
AND YOU CAN SEE LONGER
VERSIONSES OF OUR FILMS AND
343
00:27:53,503 --> 00:27:56,372
INTERVIEWS ON PARAMOUNT PLUS
RIGHT AFTER THE SHOW.
344
00:27:56,439 --> 00:28:00,009
OUR NEXT NOMINEE IS SOMEONE WHO
HAS GROWN INTO A MAJOR HIP-HOP
345
00:28:00,076 --> 00:28:03,012
SENSATION WITH ONE OF THE
BIGGEST RECORDS OF THE YEAR.
346
00:28:03,079 --> 00:28:11,187
THIS IS DABABY.
347
00:28:17,226 --> 00:28:21,998
WHAT'S GOING ON WITH DABABY,
SIX TIME GRAMMY NOMINATED
348
00:28:22,065 --> 00:28:25,868
INTERNATIONAL MEGASTAR."
349
00:28:25,935 --> 00:28:33,009
ROCKSTAR KTION FORM PERFORMER
WITH A PRETTY SMILE.
350
00:28:33,076 --> 00:28:34,644
ALLOW ME TO BREAK THROUGH.
351
00:28:34,710 --> 00:28:38,448
YOU WANT ME TO WATCH MY
LANGUAGE?
352
00:28:38,514 --> 00:28:39,615
DO WHAT YOU LIKE.
353
00:28:39,682 --> 00:28:44,921
I DON'T GIVE A I COME
FROM NOTHING, YOU AND YOUR
354
00:28:44,987 --> 00:28:48,491
BROTHER CAN'T EVEN GET A FRESH
HAIRCUT, Y'ALL AIN'T DOING TOO
355
00:28:48,558 --> 00:28:51,294
GOOD, YOU COMING FROM WHAT I
COME FROM, THAT AIN'T SOMETHING,
356
00:28:51,360 --> 00:28:55,131
I USE IT AS AN EXCUSE, THAT IS
MORE LIKE MOTIVATION THAN
357
00:28:55,198 --> 00:28:58,301
NIBBLES, THEY GOING UP AGAINST
THE ODDS, THAT IS WHAT MAKES IT
358
00:28:58,367 --> 00:29:03,806
BEAUTIFUL AT THE END OF THE DAY.
359
00:29:03,873 --> 00:29:08,111
MY GREATEST CREATION, MY
BEAUTIFUL DAUGHTER, BEING A
360
00:29:08,177 --> 00:29:10,913
FATHER IS THE BEST THING THAT
EVER HAPPENED TO ME, IT GAVE ME
361
00:29:10,980 --> 00:29:11,614
PURPOSE.
362
00:29:11,681 --> 00:29:13,683
THAT IS THE REASON WHY I'M HERE.
363
00:29:13,749 --> 00:29:17,053
IT GAVE ME THAT EXTRA
MOTIVATION, LIKE NOW I GOT TO GO
364
00:29:17,120 --> 00:29:20,923
NOW, AN THAT'S WHAT I DID.
365
00:29:20,990 --> 00:29:23,359
ROCKSTAR, THE SECOND I MADE IT I
KNEW IT WAS A HIT, IT LIVED UP
366
00:29:23,426 --> 00:29:26,562
TO EXACTLY WHAT I THOUGHT IT WAS
GOING TO BE, GO TO NUMBER ONE,
367
00:29:26,629 --> 00:29:27,997
REMAIN AT NUMBER ONE.
368
00:29:28,064 --> 00:29:33,102
ONE OF THE MOST IMPACTFUL,
LONGEST LASTING SONGS OF 2020.
369
00:29:33,169 --> 00:29:35,271
GETTING GRAMMY NOMINATED FOR
RECORD OF THE YEAR IS AMAZING,
370
00:29:35,338 --> 00:29:43,779
NOW ALL WE GOT TO DO IS BRING
ONE HOME.
371
00:29:43,846 --> 00:29:45,882
♪ ♪ ♪
♪ ♪ ♪
372
00:29:45,948 --> 00:29:55,858
♪ WOO
♪ ♪ ♪
373
00:29:55,925 --> 00:29:59,762
♪ WOO
♪ I PULL UP, LIKE
374
00:29:59,829 --> 00:30:03,599
I PULL UP
HOW YOU PULL UP BABY
375
00:30:03,666 --> 00:30:05,401
♪ PULL UP
GO AHEAD AND SHOW THE GRAMMYS
376
00:30:05,468 --> 00:30:07,803
♪ HOW YOU PULL UP
I PULL UP
377
00:30:07,870 --> 00:30:09,605
♪ GET DOWN
♪ HOW YOU PULL UP
378
00:30:09,672 --> 00:30:14,343
I PULL UP
BRAND NEW LAMBORGHINI
379
00:30:14,410 --> 00:30:17,647
♪ NOT A COP CAR
WITH THE PISTOL ON MY HIP
380
00:30:17,713 --> 00:30:19,415
♪ LIKE I'M A COP YEAH
HAVE YOU EVER MET A REAL HITTER
381
00:30:19,482 --> 00:30:20,283
ROCKSTAR?
382
00:30:20,349 --> 00:30:23,786
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO
383
00:30:23,853 --> 00:30:26,055
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME OH
384
00:30:26,122 --> 00:30:30,359
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME OOH
385
00:30:30,426 --> 00:30:32,028
♪ GET TO BUSTIN' OOH
AND IF I AIN'T ENOUGH
386
00:30:32,094 --> 00:30:34,230
♪ GO GET THE CHOP
IT'S SAFE TO SAY I EARNED IT
387
00:30:34,297 --> 00:30:35,798
♪ AIN'T NOBODY GAVE ME NOTHIN'
YEAH, YEAH, YEAH
388
00:30:35,865 --> 00:30:37,533
♪ I'M READY TO HOP OUT ON
SOMEBODY
389
00:30:37,600 --> 00:30:39,135
♪ GET TO BUSTIN'
KNOW YOU HEARD ME SAY
390
00:30:39,202 --> 00:30:40,403
♪ "YOU PLAY, YOU LAY"
DON'T MAKE ME PUSH THE BUTTON
391
00:30:40,469 --> 00:30:42,805
♪ FULL OF PAIN
DROPPED ENOUGH TEARS
392
00:30:42,872 --> 00:30:43,906
♪ TO FILL UP A BUCKET
GOIN' FOR BUCKETS
393
00:30:43,973 --> 00:30:45,675
♪ I BOUGHT A CHOPPER
I GOT A BIG DRUM, IT HOLD A 100
394
00:30:45,741 --> 00:30:46,742
♪ AIN'T GOIN' FOR NOTHIN'
YEAH
395
00:30:46,809 --> 00:30:47,810
♪ I'M READY TO AIR IT OUT
ON ALL THESE HITTERS
396
00:30:47,877 --> 00:30:49,145
♪ I CAN SEE ¡EM RUNNIN'
JUST TALKED TO MY MAMA
397
00:30:49,212 --> 00:30:50,513
♪ SHE HIT ME ON FACETIME
JUST TO CHECK UP ON ME
398
00:30:50,580 --> 00:30:51,547
♪ AND MY BROTHER
I'M REALLY THE BABY
399
00:30:51,614 --> 00:30:52,615
YEAH ♪ SHE KNOW THAT HER YOUNGEST SON
400
00:30:52,682 --> 00:30:54,016
WAS ALWAYS GUARANTEED
♪ TO GET THE MONEY
401
00:30:54,083 --> 00:30:55,151
OKAY, LET'S GO
♪ SHE KNOW THAT HER BABY BOY
402
00:30:55,218 --> 00:30:56,452
WAS ALWAYS GUARANTEED
♪ TO GET THE LOOT
403
00:30:56,519 --> 00:30:57,720
SHE KNOW WHAT I DO
♪ SHE KNOW 'FORE I RUN FROM A
404
00:30:57,787 --> 00:30:58,921
HITTER ♪ I'MA PULL IT OUT AND SHOOT
405
00:30:58,988 --> 00:30:59,922
BOOM PTSD, I'M ALWAYS WAKING UP
406
00:30:59,989 --> 00:31:01,357
YEAH ♪ IN COLD SWEATS LIKE I GOT THE
407
00:31:01,424 --> 00:31:02,692
FLU ♪ MY DAUGHTER A G
408
00:31:02,758 --> 00:31:03,826
SHE SAW ME KILL A HITTER
♪ IN FRONT OF HER
409
00:31:03,893 --> 00:31:05,928
BEFORE THE AGE OF TWO
♪ AND I'LL KILL ANOTHER HITTER
410
00:31:05,995 --> 00:31:06,896
TOO ♪ OH
411
00:31:06,963 --> 00:31:08,698
'FORE I LET ¡EM DO
♪ SOMETHIN' TO YOU
412
00:31:08,764 --> 00:31:09,999
THAT'S SOMETHING THEY
♪ MAY NOT KNOW
413
00:31:10,066 --> 00:31:11,801
THEY JUST GONNA HAVE TO
♪ UNDERSTAND THAT FOR BETTER OR
414
00:31:11,867 --> 00:31:15,805
WORSE ♪ LET'S GO
415
00:31:15,871 --> 00:31:18,641
BRAND NEW LAMBORGHINI
♪ NOT A COP CAR
416
00:31:18,708 --> 00:31:19,976
WITH THE PISTOL ON MY HIP
♪ LIKE I'M A COP
417
00:31:20,042 --> 00:31:22,178
YEAH, YEAH, YEAH
♪ HAVE YOU EVER MET A REAL
418
00:31:22,245 --> 00:31:23,813
HITTER ROCKSTAR?
419
00:31:23,879 --> 00:31:26,916
♪ THIS AIN'T NO GUITAR
THIS A GLOCK WOO
420
00:31:26,983 --> 00:31:29,018
♪ MY GLOCK TOLD ME TO PROMISE
YOU GON' SQUEEZE ME WOO
421
00:31:29,085 --> 00:31:31,754
♪ YOU BETTER LET ME GO
THE DAY YOU NEED ME WOO
422
00:31:31,821 --> 00:31:34,223
♪ SOON AS YOU UP ME ON THAT
GET TO BUSTIN' OOH
423
00:31:34,290 --> 00:31:36,792
♪ AND IF I AIN'T ENOUGH
GO GET THE CHOP
424
00:31:36,859 --> 00:31:40,329
♪ KEEP A GLOCKY
WHEN I RIDE IN THE SUBURBAN
425
00:31:40,396 --> 00:31:42,498
♪ ¡CAUSE THE CODEINE
♪ HAD A YOUNG HITTER SWERVIN'
426
00:31:42,565 --> 00:31:43,799
I GOT THE MOP
♪ WATCH ME WASH ¡EM LIKE
427
00:31:43,866 --> 00:31:46,002
DETERGENT ♪ AND I'M BALLIN'
428
00:31:46,068 --> 00:31:48,571
THAT'S WHY IT'S DIAMONDS
♪ ON MY
429
00:31:48,638 --> 00:31:49,705
SLIDE ON OPPS' SIDE
OH
430
00:31:49,772 --> 00:31:50,706
♪ AND FLIP THE BLOCK BACK,
YEAH, YEAH MY JUNIOR
431
00:31:50,773 --> 00:31:51,707
♪ POPPED HIM
OH
432
00:31:51,774 --> 00:31:53,809
♪ AND LEFT HIM LOPSIDED, YEAH
WE SPIN HIS BLOCK
433
00:31:53,876 --> 00:31:55,745
♪ GOT THE REBOUND, DENNIS
YOU FOOL ME ONE TIME
434
00:31:55,811 --> 00:31:58,314
♪ YOU CAN'T CROSS ME AGAIN
1,200 HORSEPOWER
435
00:31:58,381 --> 00:31:59,949
OH ♪ I GET LOST IN THE WIND
436
00:32:00,016 --> 00:32:03,786
IF HE TALKIN' ON THE YARD
♪ THE PEN' DOGS'LL TAKE HIS CHIN
437
00:32:03,853 --> 00:32:07,156
MAYBACH SUV FOR MY REFUGEES
♪ GOT MONEY IN THE HOOD
438
00:32:07,223 --> 00:32:09,992
PUT MONEY IN THE STREETS
♪ I WAS SOLO WHEN THE OPPS
439
00:32:10,059 --> 00:32:11,794
CAUGHT ME AT THE GAS STATION
♪ HAD IT ON ME, 30 THOUSAND
440
00:32:11,861 --> 00:32:14,797
THOUGHT IT WAS MY LAST DAY
♪ BUT THEY AIN'T EVEN WANT NO
441
00:32:14,864 --> 00:32:16,299
SMOKE ♪ IF I HAD TO CHOOSE IT
442
00:32:16,365 --> 00:32:21,003
MURDER WHAT SHE WROTE
♪ SUPERHERO IN THAT LAMBORGHINI
443
00:32:21,070 --> 00:32:22,271
LIKE I'M BATMAN
♪ SOMETHING THEY AIN'T USED TO
444
00:32:22,338 --> 00:32:23,806
SEEING ♪ FROM EVERY BLACK MAN
445
00:32:23,873 --> 00:32:25,975
TRY TO BRING ME DOWN
♪ EAT UP THE ALLEGATIONS LIKE
446
00:32:26,042 --> 00:32:27,810
PAC-MAN
♪ YOU SHOULD SEE ME NOW
447
00:32:27,877 --> 00:32:29,578
DON'T KNOW WHICH WHIP TO DRIVE
♪ WHEN I LEAVE THE HOUSE
448
00:32:29,645 --> 00:32:31,547
MY SKIN DON'T LOOK THE SAME
♪ SO I GET SINGLED OUT
449
00:32:31,614 --> 00:32:32,948
RIGHT NOW I'M PERFORMING
♪ AT THE GRAMMYS
450
00:32:33,015 --> 00:32:34,950
I'LL PROBABLY GET PROFILED
♪ BEFORE LEAVIN OUT
451
00:32:35,017 --> 00:32:36,919
DON'T BE IN DENIAL LIKE
♪ WE ALL EVEN NOW
452
00:32:36,986 --> 00:32:38,454
CUZ IF YOU'RE IN THE PROJECTS OR
♪ A MANSION
453
00:32:38,521 --> 00:32:40,956
YOU'RE STILL A BLACK MAN
♪ WHEN YOU LEAVE THE HOUSE
454
00:32:41,023 --> 00:32:43,125
AND THEM FACTS
♪ BRAND NEW LAMBORGHINI
455
00:32:43,192 --> 00:32:44,560
NOT A COP CAR
♪ WITH THE PISTOL ON MY HIP
456
00:32:44,627 --> 00:32:46,095
LIKE I'M A COP
♪ YEAH, YEAH, YEAH
457
00:32:46,162 --> 00:32:49,265
HAVE YOU EVER MET A REAL HITTER
♪ ROCKSTAR?
458
00:32:49,332 --> 00:32:51,801
THIS AIN'T NO GUITAR
♪ THIS A GLOCK WOO
459
00:32:51,867 --> 00:32:54,170
MY GLOCK TOLD ME TO PROMISE
♪ YOU GON' SQUEEZE ME WOO
460
00:32:54,236 --> 00:32:57,673
YOU BETTER LET ME GO
♪ THE DAY YOU NEED ME WOO
461
00:32:57,740 --> 00:32:59,809
SOON AS YOU UP ME ON THAT HITTER
♪ GET TO BUSTIN' WOO
462
00:32:59,875 --> 00:33:06,182
AND IF I AIN'T ENOUGH
♪ GO GET THE CHOP
463
00:33:06,248 --> 00:33:07,583
WOO ♪ YOU KNOW THEY SAY
464
00:33:07,650 --> 00:33:08,818
EVERYTHING WE BEEN THROUGH
♪ MAN, IT JUST MADE US ROCKSTARS
465
00:33:08,884 --> 00:33:15,758
YOU KNOW THEY SAY
♪ WE FIT THE DESCRIPTION
466
00:33:23,866 --> 00:33:31,807
♪ ♪ ♪
467
00:33:31,874 --> 00:33:34,710
THANK YOU.
468
00:33:34,777 --> 00:33:38,981
DABABY, GIVE IT UP FOR
DABABY, EVERYBODY, AND I GUESS
469
00:33:39,048 --> 00:33:45,254
DABABY BOOMERS WITH RODDY RICCH,
AND NOW LADIES AND GENTLEMEN, A
470
00:33:45,321 --> 00:33:50,593
TRULY GLOBAL SUPERSTAR AND MOST
STREAMED ARTIST MUCH 2020 JOINED
471
00:33:50,659 --> 00:33:57,299
BY JHAY CORTEZ THIS IS BAD BUNNY
.
472
00:33:57,366 --> 00:34:02,271
♪ ♪ ♪
473
00:34:02,338 --> 00:34:05,941
♪ BABY YA YO ME ENTERE
SE NOTA CUANDO ME VES
474
00:34:06,008 --> 00:34:10,012
♪ AHI DONDE NO HAS LLEGAO'
SABES QUE YO TE LLEVARE
475
00:34:10,079 --> 00:34:14,483
♪ Y DIME QUE QUIERES BEBER
ES QUE TU ERES MI BEBE
476
00:34:14,550 --> 00:34:15,785
♪ Y DE NOSOTROS QUIEN VA A
HABLAR
477
00:34:15,851 --> 00:34:19,789
♪ SI NO NOS DEJAMOS VER
Y A VECES ES DOLCE
478
00:34:19,855 --> 00:34:22,024
♪ A VECES BULGARI
CUANDO TE LO QUITO
479
00:34:22,091 --> 00:34:23,793
♪ DESPUES DE LO' PARTIES
LAS COPAS DE VINO
480
00:34:23,859 --> 00:34:26,629
♪ LAS LIBRAS DE MARI
TU TAS' BIEN SUELTA
481
00:34:26,695 --> 00:34:31,700
♪ Y YO DE SAFARI
TU MUEVES EL FENOMENAL
482
00:34:31,767 --> 00:34:35,805
♪ PA' YO DEVORARTE COMO ANIMAL
HOY NINGUNO SE MUERE
483
00:34:35,871 --> 00:34:39,508
EN MI CAMA Y LO VOY A CELEBRAR
♪ BABY YO A E NO ME OPONGO
484
00:34:39,575 --> 00:34:43,779
Y SIEMPRE TE LO PONGO
♪ Y SI TU ME ERA
485
00:34:43,846 --> 00:34:54,557
VAMOS A NADAR EN LO HONDO
Y SIEMPRE TE LO PONGO
486
00:34:54,623 --> 00:34:55,791
♪ ♪ ♪
♪ YA YO ME ENTERE
487
00:34:55,858 --> 00:34:59,795
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'
488
00:34:59,862 --> 00:35:03,799
SABES QUE YO TE LLEVARE
♪ DIME QUE QUIERES BEBER
489
00:35:03,866 --> 00:35:07,269
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A
490
00:35:07,336 --> 00:35:15,277
HABLAR ♪ SI NO NOS DEJAMOS VER
491
00:35:15,344 --> 00:35:19,482
♪ ♪ ♪
♪ ♪ ♪
492
00:35:19,548 --> 00:35:25,554
♪ CONEGO SIEMPRE ARREBATAO'
TU NO ERES MI SENORA
493
00:35:25,621 --> 00:35:26,689
-♪ TOMA 5
-K GASTALO EN SEPHORA
LOUIS VUIRON YA NO COMPRA
494
00:35:26,755 --> 00:35:27,690
♪ EN PANDORA
COMO PIERCING A
495
00:35:27,756 --> 00:35:31,026
♪ LOS HOMBRES PERFORA
EH
496
00:35:31,093 --> 00:35:35,764
♪ HACE EEMPO LE ROMPIERON EL
CORA CORA
497
00:35:35,831 --> 00:35:38,467
♪ ESTUDIOSA PUESTA PA' SER
DOCTORA DOCTORA
498
00:35:38,534 --> 00:35:43,806
♪ PERO PERO
LE GUSTAN LOS UTERE WILEANDO
499
00:35:43,873 --> 00:35:47,810
♪ MOTORA MOTORA
♪ ♪ ♪
500
00:35:47,877 --> 00:35:50,412
♪ BABY A E NO ME OPONGO
Y SIEMPRE TE LO PONGO
501
00:35:50,479 --> 00:35:55,784
♪ TE LO PONGO
Y SI TU ME ERA VAMOS A
502
00:35:55,851 --> 00:35:58,020
♪ NADAR EN LO HONDO
♪ Y SI ES POR MI YO TE LO PONGO
503
00:35:58,087 --> 00:36:02,291
DE SEPEEMBRE HASTA AGOSTO
♪ A MI SIN LOS QUE DIGAN TUS
504
00:36:02,358 --> 00:36:04,226
AMIGAS ♪ YA YO ME ENTERE
505
00:36:04,293 --> 00:36:09,999
SE NOTA CUANDO ME VE
♪ AHI DONDE NO HAS LLEGAO'
506
00:36:10,065 --> 00:36:15,037
SABES QUE YO TE LLEVARE
♪ Y DIME QUE QUIERES BEBER
507
00:36:15,104 --> 00:36:18,140
ES QUE TU ERES MI BEBE
♪ Y DE NOSTROS QUIEN VA A
508
00:36:18,207 --> 00:36:22,011
HABLAR ♪ SI NO NOS DEJAMOS VER
509
00:36:27,650 --> 00:36:31,787
♪ ♪ ♪
♪ ♪ ♪
510
00:36:31,854 --> 00:36:43,599
BAD BUNNY, EVERYONE, WOW,
511
00:36:43,666 --> 00:36:47,336
THAT FELT EXACTLY LIKE I WAS
BACK IN THE CLUB, EXCEPT I'M NOT
512
00:36:47,403 --> 00:36:48,437
GETTING KICKED OUT THIS TIME.
513
00:36:48,504 --> 00:36:51,807
NOW IT'S TIME FOR ANOTHER RECORD
OF THE YEAR PERFORMER.
514
00:36:51,874 --> 00:36:55,744
IN 2019 SHE WON TWO GRAMMY
AWARDS INCLUDING BEST NEW
515
00:36:55,811 --> 00:36:56,912
ARTIST.
516
00:36:56,979 --> 00:36:59,715
THIS YEAR THIS INTERNATIONAL
SENSATION HAS EARNED SIX MORE
517
00:36:59,782 --> 00:37:09,758
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.
518
00:37:09,825 --> 00:37:17,800
NOMINATIONS SO LET'S TAKE A
CLOSER LOOK AT DUA LIPA.
519
00:37:17,866 --> 00:37:21,170
IT WAS REALLY KIND OF AN
AMALGAMATION OF MEMORIES THAT
520
00:37:21,236 --> 00:37:25,040
HAVE I HAD SINCE I WAS A KID,
GROWING UP, WHEN I SEE ARTISTS
521
00:37:25,107 --> 00:37:29,211
ON TV, THEY WOULD ALWAYS BE
SOMETHING THAT I THOUGHT WAS AS
522
00:37:29,278 --> 00:37:34,049
FAR FETCHED AS A-- TO BE HONEST.
523
00:37:34,116 --> 00:37:43,792
DOING MUSIC, ONLY A PIPEDREAM.
524
00:37:43,859 --> 00:37:47,596
♪ ♪ ♪
I WAS BORN AND RAISED IN
525
00:37:47,663 --> 00:37:48,731
LONDON.
526
00:37:48,797 --> 00:37:54,169
MY FAMILY AND I MOVED, HONORING
MY ROOTS HAS ALWAYS BEEN
527
00:37:54,236 --> 00:37:59,808
SOMETHING VERY IMPORTANT TO ME,
LIKE BEING TWO PLACES AT ONCE,
528
00:37:59,875 --> 00:38:04,013
FEELING EQUALLY A PART OF BOTH
WORLDS.
529
00:38:04,079 --> 00:38:08,717
WHEN I PERFORM LIVE I FEEL
INVINCIBLE.
530
00:38:08,784 --> 00:38:12,788
WHATEVER IS GOING THROUGH MY
MIND, I WELCOME ALL OF THOSE
531
00:38:12,855 --> 00:38:13,656
CRAZY EMOTIONS.
532
00:38:13,722 --> 00:38:17,826
I LOVE BEING SO PRESENT IN THOSE
MOMENTS.
533
00:38:17,893 --> 00:38:21,296
THE GRAMMYS HAS ALWAYS BEEN SUCH
A MASSIVE DREAM OF MINE, THIS IS
534
00:38:21,363 --> 00:38:26,802
INSANE THAT SO MANY PEOPLE THAT
I LOOKED UP TO MY WHOLE LIFE,
535
00:38:26,869 --> 00:38:33,142
THAT HAVE BEEN ON.
536
00:38:33,208 --> 00:38:37,446
IT IS MIND BLOWING.
537
00:38:37,513 --> 00:38:39,081
♪ I GOT YOU
MOONLIGHT
538
00:38:39,148 --> 00:38:41,850
♪ YOU'RE MY
STARLIGHT
539
00:38:41,917 --> 00:38:51,193
♪ I NEED YOU
ALL NIGHT
540
00:38:51,260 --> 00:38:54,630
♪ COME ON, DANCE WITH ME
COME ON, DANCE WITH ME
541
00:38:54,697 --> 00:38:55,931
I'M LEVITATING
♪ IF YOU WANNA
542
00:38:55,998 --> 00:38:57,366
RUN AWAY WITH ME
♪ I KNOW A GALAXY
543
00:38:57,433 --> 00:39:00,903
AND I CAN TAKE YOU FOR A RIDE
♪ I HAD A PREMONITION THAT WE
544
00:39:00,969 --> 00:39:03,472
FELL INTO A RHYTHM
♪ WHERE THE MUSIC DON'T
545
00:39:03,539 --> 00:39:05,074
STOP FOR LIFE
♪ GLITTER IN THE SKY
546
00:39:05,140 --> 00:39:08,577
GLITTER IN MY EYES
♪ SHINING JUST THE WAY I LIKE
547
00:39:08,644 --> 00:39:11,113
IF YOU FEELIN' LIKE
♪ YOU NEED A LITTLE BIT OF
548
00:39:11,180 --> 00:39:13,048
COMPANY ♪ YOU MET ME AT THE
549
00:39:13,115 --> 00:39:15,551
PERFECT TIME
♪ YOU WANT ME
550
00:39:15,617 --> 00:39:17,052
I WANT YOU, BABY
♪ MY SUGARBOO
551
00:39:17,119 --> 00:39:19,755
I'M LEVITATING
♪ THE MILKY WAY
552
00:39:19,822 --> 00:39:22,925
WE'RE RENEGADING
YEAH, YEAH, YEAH, YEAH, YEAH
553
00:39:22,991 --> 00:39:25,060
♪ I GOT YOU
MOONLIGHT
554
00:39:25,127 --> 00:39:27,396
♪ YOU'RE MY
STARLIGHT
555
00:39:27,463 --> 00:39:28,931
♪ I NEED YOU
ALL NIGHT
556
00:39:28,997 --> 00:39:32,034
♪ COME ON, DANCE WITH ME
I'M LEVITATING
557
00:39:32,101 --> 00:39:34,403
♪ YOU
MOONLIGHT
558
00:39:34,470 --> 00:39:36,605
♪ YOU'RE MY
STARLIGHT
559
00:39:36,672 --> 00:39:39,374
♪ I NEED YOU
ALL NIGHT
560
00:39:39,441 --> 00:39:47,316
♪ COME ON, DANCE WITH ME
I'M LEVITATING
561
00:39:47,382 --> 00:39:48,350
♪ ♪ ♪
562
00:39:48,417 --> 00:39:49,418
♪ I'M ONE OF THE GREATEST
AIN'T NO DEBATIN' ON IT
563
00:39:49,485 --> 00:39:51,353
♪ I'M STILL LEVITATED
I'M HEAVILY MEDICATED
564
00:39:51,420 --> 00:39:53,122
♪ IRONIC, I GAVE 'EM LOVE
AND THEY END UP HATIN' ON ME
565
00:39:53,188 --> 00:39:55,023
♪ SHE TOLD ME SHE LOVE ME
AND SHE BEEN WAITIN'
566
00:39:55,090 --> 00:39:55,858
♪ BEEN FIGHTIN' HARD FOR YOUR
LOVE
567
00:39:55,924 --> 00:39:57,059
♪ AND I'M RUNNIN' THIN ON MY
PATIENCE
568
00:39:57,126 --> 00:39:59,561
♪ NEEDED SOMEONE TO HUG
EVEN TOOK IT BACK TO THE BASICS
569
00:39:59,628 --> 00:40:01,063
♪ YOU SEE WHAT YOU GOT ME OUT
HERE DOIN'
570
00:40:01,130 --> 00:40:02,498
♪ MIGHT'VE THREW ME OFF
BUT CAN'T NOBODY STOP THE
571
00:40:02,564 --> 00:40:03,866
♪ MOVEMENT
UH UH, LET'S GO
572
00:40:03,932 --> 00:40:06,568
♪ LEFT FOOT, RIGHT FOOT
LEVITATIN'
573
00:40:06,635 --> 00:40:08,971
♪ POP STARS
DUA LIPA WITH DaBABY
574
00:40:09,037 --> 00:40:10,205
♪ I HAD TO LACE MY SHOES
FOR ALL THE BLESSINGS I WAS
575
00:40:10,272 --> 00:40:11,273
♪ CHASIN'
IF I EVER SLIP
576
00:40:11,340 --> 00:40:13,075
♪ I'LL FALL INTO A BETTER
SITUATION
577
00:40:13,142 --> 00:40:15,778
♪ SO CATCH UP
GO PUT SOME CHEESE ON IT
578
00:40:15,844 --> 00:40:17,446
♪ GET OUT AND GET YOUR BREAD UP
THEY ALWAYS LEAVE WHEN YOU FALL
579
00:40:17,513 --> 00:40:19,314
♪ BUT YOU RUN TOGETHER
WEIGHT OF THE WORLD ON MY
580
00:40:19,381 --> 00:40:21,049
♪ SHOULDERS
I KEPT MY HEAD UP
581
00:40:21,116 --> 00:40:23,318
♪ NOW BABY, STAND UP
'CAUSE GIRL, YOU
582
00:40:23,385 --> 00:40:25,053
♪ YOU WANT ME
I WANT YOU, BABY
583
00:40:25,120 --> 00:40:27,923
♪ MY SUGARBOO
I'M LEVITATING
584
00:40:27,990 --> 00:40:29,091
♪ THE MILKY WAY
WE'RE RENEGADING
585
00:40:29,158 --> 00:40:33,061
YEAH, YEAH, YEAH, YEAH, YEAH
♪ I GOT YOU
586
00:40:33,128 --> 00:40:35,197
MOONLIGHT ♪ YOU'RE MY
587
00:40:35,264 --> 00:40:37,065
STARLIGHT ♪ I NEED YOU
588
00:40:37,132 --> 00:40:40,002
ALL NIGHT
♪ COME ON, DANCE WITH ME
589
00:40:40,068 --> 00:40:41,336
I'M LEVITATING
♪ YOU
590
00:40:41,403 --> 00:40:44,439
MOONLIGHT ♪ YOU'RE MY
591
00:40:44,506 --> 00:40:45,874
STARLIGHT ♪ I NEED YOU
592
00:40:45,941 --> 00:40:49,044
ALL NIGHT
♪ COME ON, DANCE WITH ME
593
00:40:49,111 --> 00:40:52,347
I'M LEVITATING
♪ YOU CAN FLY AWAY WITH ME
594
00:40:52,414 --> 00:40:54,750
TONIGHT ♪ YOU CAN FLY AWAY WITH ME
595
00:40:54,817 --> 00:40:56,852
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A
596
00:40:56,919 --> 00:40:59,321
RIDE ♪ YEAH, YEAH, YEAH, YEAH, YEAH
597
00:40:59,388 --> 00:41:00,956
I'M LEVITATING, WOO
♪ YOU CAN FLY AWAY WITH ME
598
00:41:01,023 --> 00:41:03,292
TONIGHT ♪ YOU CAN FLY AWAY WITH ME
599
00:41:03,358 --> 00:41:05,527
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A
600
00:41:05,594 --> 00:41:08,864
RIDE YEAH, YEAH, YEAH, YEAH, YEAH
601
00:41:08,931 --> 00:41:11,233
♪ I GOT YOU
MOONLIGHT
602
00:41:11,300 --> 00:41:13,035
♪ YOU'RE MY
STARLIGHT
603
00:41:13,101 --> 00:41:17,072
♪ I NEED YOU
ALL NIGHT
604
00:41:17,139 --> 00:41:23,312
♪ COME ON, DANCE WITH ME
I'M LEVITATING ♪
605
00:41:35,390 --> 00:41:40,963
♪ ♪ ♪
♪ ♪ ♪
606
00:41:41,029 --> 00:41:46,101
♪ IF YOU DON'T WANNA SEE ME
DANCING WITH SOMEBODY
607
00:41:46,168 --> 00:41:55,844
♪ IF YOU WANNA BELIEVE THAT
ANYTHING COULD STOP ME
608
00:41:55,911 --> 00:41:58,714
♪ DON'T SHOW UP
609
00:41:58,780 --> 00:42:01,049
DON'T COME OUT
♪ DON'T START CARING
610
00:42:01,116 --> 00:42:05,053
ABOUT ME NOW
♪ WALK AWAY
611
00:42:05,120 --> 00:42:08,023
YOU KNOW HOW
♪ DON'T START CARING
612
00:42:08,090 --> 00:42:16,164
ABOUT ME NOW
613
00:42:16,231 --> 00:42:21,069
♪ ♪ ♪
♪ DON'T START NOW
614
00:42:21,136 --> 00:42:26,975
♪ ♪ ♪
I'M NOT WHERE YOU LEFT ME
615
00:42:27,042 --> 00:42:29,611
AT ALL, SO
♪ IF YOU DON'T WANNA SEE ME
616
00:42:29,678 --> 00:42:37,052
DANCING WITH SOMEBODY
♪ IF YOU WANNA BELIEVE THAT
617
00:42:37,119 --> 00:42:43,659
ANYTHING COULD STOP ME
♪ DON'T SHOW UP
618
00:42:43,725 --> 00:42:44,493
DON'T SHOW UP
♪ DON'T COME OUT
619
00:42:44,559 --> 00:42:47,329
DON'T COME OUT
♪ DON'T START CARING
620
00:42:47,396 --> 00:42:49,064
ABOUT ME NOW
♪ 'BOUT ME NOW
621
00:42:49,131 --> 00:42:51,566
WALK AWAY
♪ WALK AWAY
622
00:42:51,633 --> 00:42:53,402
YOU KNOW HOW
♪ YOU KNOW HOW
623
00:42:53,468 --> 00:43:01,076
DON'T START CARING ABOUT ME NOW
♪ ♪ ♪
624
00:43:01,143 --> 00:43:04,413
GRAMMYS!
625
00:43:08,784 --> 00:43:13,055
♪ ♪ ♪
♪ ♪ ♪
626
00:43:13,121 --> 00:43:21,063
WALK AWAY, WALK AWAY, OH ♪
627
00:43:25,133 --> 00:43:31,707
♪ ♪ ♪
WALK AWAY, WALK AWAY, OH ♪
628
00:43:31,773 --> 00:43:35,344
♪ WALK AWAY, WALK AWAY
WALK AWAY, WALK AWAY
629
00:43:35,410 --> 00:43:47,222
♪ WALK AWAY, WALK AWAY ♪
630
00:43:47,289 --> 00:43:52,928
UP NEXT BRUNO MARS, AND
ANKERSON APPROXIMATE AK, TAYLOR
631
00:43:52,995 --> 00:43:57,399
SWIFT AND REMEMBERING LITTLE
RICHARD, JOHN PRINE AN KENNY
632
00:43:57,466 --> 00:43:59,267
ROGERS IN AN ALL-STAR TRIBUTE.
633
00:43:59,334 --> 00:44:04,239
NOW LET'S CHECK THIS BACKSTAGE
WITH CASSIE DI LAURA.
634
00:44:04,306 --> 00:44:06,708
WE ARE HERE WITH MEMBERS OF
FACEBOOK GROUP, A PLACE WHERE
635
00:44:06,775 --> 00:44:08,877
PEOPLE CAN CONNECT WITH OTHERS
WITH THE SAME PASSION, SO THEY
636
00:44:08,944 --> 00:44:12,714
CAN SHARE INSURANCE OPERATION,
ADVICE, INFORMATION AND REALLY
637
00:44:12,781 --> 00:44:16,284
HAVE THEIR VOICES HEARD, THERE
ARE MANY GRAMMY WINNING ARTUS
638
00:44:16,351 --> 00:44:18,387
WAS GOT THEIR START THROUGH
SOCIAL MEDIA SO IT WILL BE
639
00:44:18,453 --> 00:44:21,523
INTERESTING TO SEE IF ANY OF
THESE GROUP MEMBERS HERE WILL
640
00:44:21,590 --> 00:44:25,060
SOME DAY HAVE A CHANCE TO
PERFORM LIVE ON THIS STAGE.
641
00:44:25,127 --> 00:44:28,363
STAY WITH US.
642
00:44:28,430 --> 00:44:30,065
THE 63rd GRAMMY
AWARDS IS SPONSORED BY REMY
643
00:44:30,132 --> 00:44:31,733
TEAM UP FOR EXCELLENCE.
644
00:44:36,271 --> 00:44:42,411
♪ ♪ ♪
645
00:44:42,477 --> 00:44:45,213
WELCOME BACK TO THE
GRAMMYS, EVERYBODY.
646
00:44:45,280 --> 00:44:51,520
THIS IS EXCITING.
647
00:44:51,586 --> 00:44:53,422
BECAUSE FOR THE FIRST TIME
ANYWHERE, THIS IS BRUNO MARS AND
648
00:44:53,488 --> 00:44:57,426
-ANDERSON .
-PAAK TOGETHER AS SILK
SONIC.
649
00:45:05,600 --> 00:45:10,672
♪ ♪ ♪
♪ OOH
650
00:45:10,739 --> 00:45:12,040
♪ SAID BABY, SAID BABY, SAID
BABY
651
00:45:12,107 --> 00:45:13,208
♪ WHAT YOU DOIN'?
652
00:45:13,275 --> 00:45:14,209
WHAT YOU DOIN'?
653
00:45:14,276 --> 00:45:15,077
♪ WHERE YOU AT?
654
00:45:15,143 --> 00:45:15,610
WHERE YOU AT?
655
00:45:15,677 --> 00:45:16,344
♪ OH, YOU GOT PLANS?
656
00:45:16,411 --> 00:45:17,612
YOU GOT PLANS
♪ DON'T SAY THAT
657
00:45:17,679 --> 00:45:19,681
SHUT YOUR TRAP
♪ I'M SIPPIN' WINE
658
00:45:19,748 --> 00:45:21,216
SIP, SIP
♪ IN A ROBE
659
00:45:21,283 --> 00:45:22,851
DRIP, DRIP
♪ I LOOK TOO GOOD
660
00:45:22,918 --> 00:45:24,619
LOOK TOO GOOD
♪ TO BE ALONE
661
00:45:24,686 --> 00:45:26,221
WOO, WOO
♪ MY HOUSE CLEAN
662
00:45:26,288 --> 00:45:27,522
HOUSE CLEAN
♪ MY POOL WARM
663
00:45:27,589 --> 00:45:29,257
POOL WARM
♪ I JUST SHAVED
664
00:45:29,324 --> 00:45:33,862
SMOOTH LIKE A NEWBORN
♪ WE SHOULD BE DANCIN',
665
00:45:33,929 --> 00:45:35,964
ROMANCIN'
♪ IN THE EAST WING AND THE WEST
666
00:45:36,031 --> 00:45:37,332
WING ♪ OF THIS MANSION, WHAT'S
667
00:45:37,399 --> 00:45:39,534
HAPPENIN'?
668
00:45:39,601 --> 00:45:42,270
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY
669
00:45:42,337 --> 00:45:45,207
♪ IS COMING STRAIGHT FROM THE
HEART
670
00:45:45,273 --> 00:45:51,513
♪ SO IF YOU TRYNA LAY IN THESE
ARMS
671
00:45:51,580 --> 00:45:57,219
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN
672
00:45:57,285 --> 00:46:05,227
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'
673
00:46:05,293 --> 00:46:08,630
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE
674
00:46:08,697 --> 00:46:10,398
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE
675
00:46:10,465 --> 00:46:17,072
♪ COMING
THROUGH
676
00:46:17,139 --> 00:46:18,073
♪ OOH, YOU'RE SO SWEET
SO SWEET
677
00:46:18,140 --> 00:46:21,209
♪ SO TIGHT
SO TIGHT
678
00:46:21,276 --> 00:46:22,344
♪ I WON'T BITE
AH-AH
679
00:46:22,410 --> 00:46:23,879
♪ UNLESS YOU LIKE
UNLESS YOU LIKE
680
00:46:23,945 --> 00:46:25,213
♪ IF YOU SMOKE
WHAT YOU SMOKE
681
00:46:25,280 --> 00:46:27,516
♪ I GOT THAT HAZE
PURPLE HAZE
682
00:46:27,582 --> 00:46:29,684
♪ AND IF YOU'RE HUNGRY,
GIRL, I GOT FILETS WOO
683
00:46:29,751 --> 00:46:33,221
♪ OOH, BABY, DON'T KEEP ME
WAITIN
684
00:46:33,288 --> 00:46:35,957
♪ THERE'S SO MUCH LOVE
WE COULD BE MAKING
685
00:46:36,024 --> 00:46:37,225
SHAMONE!
686
00:46:37,292 --> 00:46:39,494
♪ I'M TALKING KISSING
CUDDLING
687
00:46:39,561 --> 00:46:44,900
♪ ROSE PETALS IN THE BATHTUB
GIRL, LETS JUMP IN, IT'S BUBBLIN
688
00:46:44,966 --> 00:46:46,334
♪ I AIN'T PLAYIN' NO GAMES
EVERY WORD THAT I SAY
689
00:46:46,401 --> 00:46:49,237
♪ IS COMING STRAIGHT FROM THE
HEART
690
00:46:49,304 --> 00:46:57,212
♪ SO IF YOU TRYNA LAY IN THESE
ARMS
691
00:46:57,279 --> 00:47:01,216
♪ I'MA LEAVE THE DOOR OPEN
I'MA LEAVE THE DOOR OPEN
692
00:47:01,283 --> 00:47:09,224
♪ I'MA LEAVE THE DOOR OPEN, GIRL
I'MA LEAVE THE DOOR OPEN, HOPIN'
693
00:47:09,291 --> 00:47:13,195
♪ THAT YOU FEEL THE WAY I FEEL
AND YOU WANT ME LIKE
694
00:47:13,261 --> 00:47:15,063
♪ I WANT YOU TONIGHT, BABY
TELL ME THAT YOU'RE
695
00:47:15,130 --> 00:47:25,240
♪ COMING
THROUGH
696
00:47:25,307 --> 00:47:29,211
♪ LA-LA-LA-LA-LA-LA-LA
I NEED YOU, BABY
697
00:47:29,277 --> 00:47:37,219
♪ LA-LA-LA-LA-LA-LA-LA
I GOTTA SEE YOU, BABY
698
00:47:37,285 --> 00:47:41,523
♪ LA-LA-LA-LA-LA-LA-LA
GIRL, I'M TRYNA GIVE YOU THIS,
699
00:47:41,590 --> 00:47:49,231
♪ AH
HEY HEY
700
00:47:49,297 --> 00:47:53,235
♪ I'MA LEAVE MY DOOR OPEN
I'MA LEAVE THE DOOR OPEN BABY
701
00:47:53,301 --> 00:47:57,239
♪ I'MA LEAVE, I'MA LEAVE MY DOOR
OPEN, GIRL
702
00:47:57,305 --> 00:47:59,074
♪ I'MA LEAVE THE DOOR OPEN
AND I'M HOPIN'
703
00:47:59,140 --> 00:48:02,177
♪ HOPIN' HOPIN'
THAT YOU FEEL THE WAY I FEEL
704
00:48:02,244 --> 00:48:05,747
♪ AND YOU WANT ME LIKE I WANT
YOU BABY
705
00:48:05,814 --> 00:48:13,221
♪ TELL ME THAT YOU'RE COMING
THROUGH
706
00:48:13,288 --> 00:48:17,192
♪ MMM
♪ ♪ ♪
707
00:48:17,259 --> 00:48:23,898
I'M WAITING, WAITING, WAITING
♪ GIRL, I'M HERE JUST WAITING
708
00:48:23,965 --> 00:48:27,535
FOR YOU
♪ COME ON OVER I'LL ADORE YOU
709
00:48:27,602 --> 00:48:33,208
LA-LA-LA-LA
♪ I'M WAITING, WAITING, WAITING
710
00:48:33,275 --> 00:48:41,216
FOR YOU
♪ YOU
711
00:48:41,283 --> 00:48:49,224
COME ON OVER BABY
♪ I'MA LEAVE THE DOOR OPEN FOR
712
00:48:49,291 --> 00:48:57,232
YOU ♪ WOO
713
00:48:57,299 --> 00:49:02,771
OW ♪
714
00:49:02,837 --> 00:49:05,273
BRUNO MARS AND
-ANDERSON .
-PAAK, EVERYBODY--
715
00:49:05,340 --> 00:49:07,942
NOW KNOWN AS SILK SONIC!
716
00:49:08,009 --> 00:49:09,511
AND AS WITH EVERY BRUNO SONG, I
CAN'T WAIT TO DANCE TO THAT AT
717
00:49:09,577 --> 00:49:12,013
EVERY WEDDING FOR THE REST OF MY
LIFE.
718
00:49:12,080 --> 00:49:13,815
TAYLOR SWIFT WILL BE PERFORMING
719
00:49:13,882 --> 00:49:18,119
NEXT, BUT, FIRST, TIME TO GIVE
OUT A GRAMMY.
720
00:49:18,186 --> 00:49:21,690
NOW, THIS PAST YEAR HAS BEEN
DIFFICULT FOR US ALL.
721
00:49:21,756 --> 00:49:24,592
I MEAN, WE'VE HAD TO DO
EVERYTHING OVER ZOOM-- WEDDINGS,
722
00:49:24,659 --> 00:49:25,760
WORK, COLONOSCOPIES.
723
00:49:25,827 --> 00:49:27,896
BUT SOME OF THE BUSINESSES HIT
HARDEST BY THE PANDEMIC HAVE
724
00:49:27,962 --> 00:49:31,633
BEEN THE INDEPENDENT MUSIC
VENUES ALL OVER AMERICA THAT
725
00:49:31,700 --> 00:49:35,103
HAVEN'T HAD AUDIENCES IN THEIR
ICONIC BUILDINGS FOR A YEAR.
726
00:49:35,170 --> 00:49:37,305
SO, TONIGHT, WE ARE GOING TO GO
TO A FEW OF THESE PRECIOUS
727
00:49:37,372 --> 00:49:41,009
INDEPENDENT MUSIC VENUES AROUND
THIS COUNTRY AND GIVE THE PEOPLE
728
00:49:41,076 --> 00:49:44,446
WHO HAVE CREATED SUCH LOVING
HOMES FOR MUSIC THE HONOR OF
729
00:49:44,512 --> 00:49:47,482
PRESENTING SOME OF THIS YEAR'S
GRAMMY AWARDS.
730
00:49:47,549 --> 00:49:51,519
LET'S GO FIRST TO NASHVILLE,
TENESSEE, TO THE STATION INN,
731
00:49:51,586 --> 00:49:56,758
AND MEET J.T. GRAY.
732
00:49:56,825 --> 00:49:58,093
I'M JT GRAY, I'M THE OWNER OF
733
00:49:58,159 --> 00:50:00,495
THE STATION INN IN NASHVILLE,
TENNESSEE.
734
00:50:00,562 --> 00:50:04,499
MUSIC, IT IS ONE BIG HAPPY
FAMILY, PLAYING HAPPY MUSIC AND
735
00:50:04,566 --> 00:50:10,438
HAVING A HAPPY TIME, YOU NEVER
KNOW WHO IS GOING TO BE AT
736
00:50:10,505 --> 00:50:11,673
STATION INN.
737
00:50:11,740 --> 00:50:16,010
VINS GILL USED TO PLAY ON MONDAY
NIGHT, CHRIS STAPLETON USED TO
738
00:50:16,077 --> 00:50:17,912
PLAY WITH THE STEEL DRIVERS.
739
00:50:17,979 --> 00:50:21,216
THERE WAS A BAND PLAYED EVERY
TUESDAY NIGHT CALLED THE SIDEMEN
740
00:50:21,282 --> 00:50:26,054
AND HE STARTED COMING DOWN AND
HANGING OUT, AND DIRKS WILL TELL
741
00:50:26,121 --> 00:50:29,691
YOU TODAY THAT IS WHERE HE
LEARNED TO PLAY AND STING QUITE
742
00:50:29,758 --> 00:50:32,060
HERE AT THE STATION INN.
743
00:50:32,127 --> 00:50:35,663
WHEN COVID HIT WE HAD TO CLOSE
DOWN, WE HAD NO IDEA AT THAT
744
00:50:35,730 --> 00:50:38,867
TIME WHAT WE WERE GOING TO DO.
745
00:50:38,933 --> 00:50:42,871
BIGGER NAME VENUES CAN SUSTAIN
REVENUE LOSS A LOT MORE THAN A
746
00:50:42,937 --> 00:50:45,573
PRIVATELY OWNED SMALL VENUE LIKE
THE STATION INN.
747
00:50:45,640 --> 00:50:50,178
WE JUST HOPE THAT ALL THE OTHER
SMALL VENUES GET TO BE BACK IN
748
00:50:50,245 --> 00:50:55,016
BUSINESS ALONG WITH US REAL SOON
BECAUSE MUSIC IS THERAPY FOR
749
00:50:55,083 --> 00:50:56,251
PEOPLE.
750
00:50:56,317 --> 00:50:59,020
GETTING TO REOPEN THE STATION
INN IS GOING TO BE A CELEBRATION
751
00:50:59,087 --> 00:51:00,155
LIKE NEVER BEFORE.
752
00:51:00,221 --> 00:51:02,624
THERE IS GOING TO BE A BIG
PARTY.
753
00:51:02,690 --> 00:51:07,128
IN THE MEANTIME, I'M HONORED TO
BE PRESENTING THE GRAMMY AWARD
754
00:51:07,195 --> 00:51:09,297
FOR BEST COUNTRY ALBUM.
755
00:51:09,364 --> 00:51:14,869
HERE ARE THE NOMINATIONS.
756
00:51:14,936 --> 00:51:20,275
♪ ♪ ♪
"LADY LIKE," INGRID ANDRESS.
757
00:51:20,341 --> 00:51:28,616
"YOUR LIFE IS A RECORD," BRANDY
CLARK.
758
00:51:28,683 --> 00:51:32,620
"WILDCARD," MIRANDA LAMBERT.
759
00:51:32,687 --> 00:51:40,628
"NIGHTFALL," LITTLE BIG TOWN.
760
00:51:40,695 --> 00:51:44,599
"NEVER WILL," ASHLEY McBRYDE.
761
00:51:44,666 --> 00:51:49,938
♪ ♪ ♪
762
00:51:50,004 --> 00:51:52,006
A GREAT GROUP OF
NOMINEES.
763
00:51:52,073 --> 00:51:53,975
SO, LET'S GO BACK NOW TO J.T.
764
00:51:54,042 --> 00:52:03,318
GRAY AT THE STATION INN TO TELL
US WHO THE WINNER IS.
765
00:52:03,384 --> 00:52:08,089
"WILDCARD," MIRANDA LAMBERT.
766
00:52:08,156 --> 00:52:15,930
♪ ♪ ♪
767
00:52:15,997 --> 00:52:16,631
♪ KEEP THE LIGHT ON.
768
00:52:16,698 --> 00:52:21,903
♪ KEEP A BLUE BIRD IN MY HEART.
769
00:52:21,970 --> 00:52:27,275
♪.
770
00:52:27,342 --> 00:52:30,812
THANK YOU ALL SO, SO MUCH,
THANK YOU FOR THE GRAMMYS FOR
771
00:52:30,879 --> 00:52:32,347
PUTTING THIS TOGETHER AND
LETTING US AT LEAST KIND OF BE
772
00:52:32,413 --> 00:52:37,852
TOGETHER AND SAY HI, BRANDY,
INGRID AND LITTLE BIGTOWN, WE
773
00:52:37,919 --> 00:52:43,124
ARE SUCH A FAMILY IN COUNTRY
MUSIC SO I FEEL LIKE LIKE I'M
774
00:52:43,191 --> 00:52:45,760
HOLDING IT FOR ALL OF US,
ESPECIALLY US GIRLS.
775
00:52:45,827 --> 00:52:51,966
I'M VERY THANKFUL, I'M THANKFUL
FOR JAY WHO HAD THREE IN THIS
776
00:52:52,033 --> 00:52:56,137
CATEGORY, ASHLEY AND MYSELF, WHO
MADE WILDCARD WHAT IT IS THIS
777
00:52:56,204 --> 00:53:01,109
PAST SEASON, INSPIRED IT, THANKS
TO MY FAMILY, HUSBAND, MY
778
00:53:01,175 --> 00:53:03,711
MANAGER, MY CREW, I MISSED HELL
OUT OF Y'ALL.
779
00:53:03,778 --> 00:53:05,747
I CAN'T WAIT TO GET BACK OUT AS
A BAND.
780
00:53:05,813 --> 00:53:06,781
I LOVE YOU SO MUCH.
781
00:53:06,848 --> 00:53:12,787
THANK YOU.
782
00:53:12,854 --> 00:53:15,423
CONGRATS, MIRANDA
783
00:53:15,490 --> 00:53:18,359
LAMBERT!
784
00:53:18,426 --> 00:53:20,795
NOW IT'S TIME FOR SOMEONE VERY
SPECIAL.
785
00:53:20,862 --> 00:53:26,534
TAYLOR SWIFT'S MUSIC WAS LIKE
MEDICINE FOR MANY THIS PAST
786
00:53:26,601 --> 00:53:28,403
YEAR, AND NOT JUST BECAUSE IT
CAME IN TWO DOSES.
787
00:53:28,469 --> 00:53:32,173
THIS ARTIST HAS BEEN SO PROLIFIC
LATELY, SHE'S EVEN RECORDED A
788
00:53:32,240 --> 00:53:33,408
COVER ALBUM OF HERSELF.
789
00:53:33,474 --> 00:53:36,778
NOMINATED FOR SIX GRAMMY AWARDS
THIS YEAR, INCLUDING ALBUM AND
790
00:53:36,844 --> 00:53:40,782
SONG OF THE YEAR, HERE TO SHARE
A LITTLE "FOLKLORE" JOINED BY
791
00:53:40,848 --> 00:53:47,355
LADIES AND GENTLEMEN, TAYLOR
792
00:53:47,422 --> 00:53:49,657
SWIFT!
793
00:53:49,724 --> 00:53:51,125
♪ ♪ ♪
794
00:53:51,192 --> 00:53:52,860
♪ VINTAGE TEE
BRAND NEW PHONE
795
00:53:52,927 --> 00:53:56,798
♪ HIGH HEELS ON
COBBLESTONES
796
00:53:56,864 --> 00:54:04,872
♪ WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING
797
00:54:04,939 --> 00:54:08,810
♪ SEQUIN SMILE
BLACK LIPSTICK
798
00:54:08,876 --> 00:54:12,780
♪ SENSUAL POLITICS
WHEN YOU ARE YOUNG
799
00:54:12,847 --> 00:54:20,655
♪ THEY ASSUME YOU KNOW NOTHING
'CAUSE I KNEW YOU
800
00:54:20,722 --> 00:54:25,627
♪ STEPPIN' ON THE LAST TRAIN
MARKED ME LIKE A BLOODSTAIN, I
801
00:54:25,693 --> 00:54:32,800
♪ I KNEW YOU
TRIED TO CHANGE THE ENDING
802
00:54:32,867 --> 00:54:36,571
♪ PETER LOSING WENDY, I
I KNEW YOU
803
00:54:36,638 --> 00:54:40,775
♪ LEAVING LIKE A FATHER
RUNNING LIKE WATER, I
804
00:54:40,842 --> 00:54:46,114
♪ AND WHEN YOU ARE YOUNG
THEY ASSUME YOU KNOW NOTHING
805
00:54:46,180 --> 00:54:51,119
♪ BUT I KNEW YOU'D LINGER LIKE A
TATTOO KISS
806
00:54:51,185 --> 00:54:54,889
♪ I KNEW YOU'D HAUNT ALL OF MY
WHAT-IFS
807
00:54:54,956 --> 00:54:57,291
♪ THE SMELL OF SMOKE
WOULD HANG AROUND THIS LONG
808
00:54:57,358 --> 00:55:00,962
♪ 'CAUSE I KNEW EVERYTHING
WHEN I WAS YOUNG
809
00:55:01,029 --> 00:55:04,866
♪ I KNEW I'D CURSE YOU
FOR THE LONGEST TIME
810
00:55:04,932 --> 00:55:08,770
♪ CHASIN' SHADOWS
IN THE GROCERY LINE
811
00:55:08,836 --> 00:55:12,173
♪ I KNEW YOU'D MISS ME
ONCE THE THRILL EXPIRED
812
00:55:12,240 --> 00:55:16,477
♪ AND YOU'D BE STANDIN'
IN MY FRONT PORCH LIGHT
813
00:55:16,544 --> 00:55:19,180
♪ AND I KNEW YOU'D COME BACK TO
ME
814
00:55:19,247 --> 00:55:27,121
♪ YOU'D COME BACK TO ME
AND YOU'D COME BACK TO ME
815
00:55:27,188 --> 00:55:36,130
♪ AND YOU'D COME BACK
AND WHEN I FELT LIKE I WAS AN
816
00:55:36,197 --> 00:55:40,802
♪ OLD CARDIGAN
UNDER SOMEONE'S BED
817
00:55:40,868 --> 00:55:48,810
♪ YOU PUT ME ON AND SAID
I WAS YOUR FAVORITE
818
00:55:48,876 --> 00:55:58,853
♪ AND YOU'D COME BACK TO ME
♪ ♪ ♪
819
00:55:58,920 --> 00:56:08,830
♪ AND YOU'D COME BACK TO ME
820
00:56:08,896 --> 00:56:14,268
♪ ♪ ♪
♪ ♪ ♪
821
00:56:14,335 --> 00:56:20,775
♪ SALT AIR
AND THE RUST ON YOUR DOOR
822
00:56:20,842 --> 00:56:28,783
I NEVER NEEDED ANYTHING MORE
♪ WHISPERS
823
00:56:28,850 --> 00:56:35,490
OF "ARE YOU SURE?"
♪ "NEVER HAVE I EVER BEFORE"
824
00:56:35,556 --> 00:56:38,659
BUT I CAN SEE US
♪ LOST IN THE MEMORY
825
00:56:38,726 --> 00:56:44,799
AUGUST SLIPPED AWAY
♪ INTO A MOMENT IN TIME¡
826
00:56:44,866 --> 00:56:47,568
CAUSE IT WAS NEVER MINE
AND I CAN SEE US TWISTED
827
00:56:47,635 --> 00:56:51,139
♪ IN BEDSHEETS
AUGUST SIPPED AWAY
828
00:56:51,205 --> 00:56:56,778
♪ LIKE A BOTTLE OF WINE
'CAUSE YOU WERE NEVER MINE
829
00:56:56,844 --> 00:56:59,647
♪ BACK WHEN WE WERE STILL
CHANGING
830
00:56:59,714 --> 00:57:03,184
♪ FOR THE BETTER
WANTING WAS ENOUGH
831
00:57:03,251 --> 00:57:08,556
♪ FOR ME, IT WAS ENOUGH
TO LIVE FOR THE HOPE OF IT ALL
832
00:57:08,623 --> 00:57:11,159
♪ CANCEL PLANS JUST IN CASE
YOU'D CALL
833
00:57:11,225 --> 00:57:14,562
♪ AND SAY, "MEET ME BEHIND THE
MALL"
834
00:57:14,629 --> 00:57:16,798
♪ SO MUCH FOR SUMMER LOVE
AND SAYING "US"
835
00:57:16,864 --> 00:57:24,772
♪ 'CAUSE YOU WEREN'T MINE TO
LOSE
836
00:57:24,839 --> 00:57:36,651
♪ YOU WEREN'T MINE TO LOSE
837
00:57:36,717 --> 00:57:39,120
♪ ♪ ♪
♪ LIFE WAS A WILLOW
838
00:57:39,187 --> 00:57:44,592
AND IT BENT RIGHT TO YOUR WIND
♪ OH
839
00:57:44,659 --> 00:57:48,796
THEY COUNT ME OUT
♪ TIME AND TIME AGAIN
840
00:57:48,863 --> 00:57:52,800
LIFE WAS A WILLOW
♪ AND IT BENT RIGHT TO YOUR WIND
841
00:57:52,867 --> 00:57:56,804
OH ♪ BUT I COME BACK STRONGER
842
00:57:56,871 --> 00:58:00,775
THAN A '90'S TREND
♪ WAIT FOR THE SIGNAL
843
00:58:00,842 --> 00:58:04,946
AND I'LL MEET YOU AFTER DARK
♪ SHOW ME THE PLACES
844
00:58:05,012 --> 00:58:12,753
WHERE THE OTHERS
♪ GAVE YOU SCARS
845
00:58:12,820 --> 00:58:15,122
-NOW THIS IS AN OPEN/
-SHUT CASE
♪ GUESS I SHOULD'VE KNOWN
846
00:58:15,189 --> 00:58:20,795
FROM THE LOOK ON YOUR FACE
♪ EVERY BAIT AND SWITCH
847
00:58:20,862 --> 00:58:24,065
WAS A WORK OF ART
♪ THE MORE THAT YOU SAY
848
00:58:24,131 --> 00:58:25,266
THE LESS I KNOW
♪ WHEREVER YOU STRAY
849
00:58:25,333 --> 00:58:28,769
I FOLLOW
♪ I'M BEGGING FOR YOU
850
00:58:28,836 --> 00:58:32,773
TO TAKE MY HAND
♪ WRECK MY PLANS
851
00:58:32,840 --> 00:58:35,643
THAT'S MY MAN
♪ YOU KNOW THAT MY TRAIN
852
00:58:35,710 --> 00:58:39,113
COULD TAKE YOU HOME
♪ ANYWHERE ELSE IS HOLLOW
853
00:58:39,180 --> 00:58:42,650
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND
854
00:58:42,717 --> 00:58:44,886
WRECK MY PLANS
♪ THAT'S MY MAN
855
00:58:44,952 --> 00:58:48,189
THE MORE THAT YOU SAY
♪ THE LESS I KNOW
856
00:58:48,256 --> 00:58:51,125
WHEREVER YOU STRAY
♪ I FOLLOW
857
00:58:51,192 --> 00:58:52,827
I'M BEGGING FOR YOU
♪ TO TAKE MY HAND
858
00:58:52,894 --> 00:59:00,801
WRECK MY PLANS
♪ THAT'S MY MAN ♪
859
00:59:00,868 --> 00:59:10,778
♪ ♪ ♪
860
00:59:10,845 --> 00:59:19,353
♪ ♪ ♪
861
00:59:19,420 --> 00:59:22,957
WE SEE WHO TAKES HOME BEST
POP SOLO PERFORMANCE, HARRY
862
00:59:23,024 --> 00:59:27,395
STYLESK TAYLOR SWIFT, JUSTIN
BIEBER, DOJA CAT, BILLIE EILISH
863
00:59:27,461 --> 00:59:28,796
OR DUA LIPA.
864
00:59:28,863 --> 00:59:32,466
THIS IS CBS.
865
00:59:32,533 --> 00:59:35,703
MUSICARES LEADS THE LARGEST
PANDEMIC RELIEF EFFORT FOR MUSIC
866
00:59:35,770 --> 00:59:37,271
PEOPLE, AND HELPS THE HUMANS
BEHIND THE MUSIC BECAUSE MUSIC
867
00:59:37,338 --> 00:59:39,106
GIVES SO MUCH TO THE WORLD.
868
00:59:39,173 --> 00:59:44,779
HELP THIS IMPORTANT WORK
CONTINUE.
869
00:59:44,845 --> 00:59:47,515
THE 63rd GRAMMY AWARDS IS
SPONSORED BY FORD, BUILT FORD
870
00:59:47,581 --> 00:59:48,082
PROUD.
871
00:59:55,356 --> 00:59:58,726
♪ ♪ ♪
872
00:59:58,793 --> 01:00:02,730
WELCOME BACK TO THE
GRAMMY AWARDS.
873
01:00:02,797 --> 01:00:06,300
SO, WHAT DO ADELE, ED SHEERAN,
AND LADY GAGA ALL HAVE IN
874
01:00:06,367 --> 01:00:07,535
COMMON?
875
01:00:07,601 --> 01:00:10,738
WELL, THEY'VE ALL DONE "CARPOOL
KARAOKE" EPISODES WHERE JAMES
876
01:00:10,805 --> 01:00:14,742
CORDEN HIT A PEDESTRIAN AND KEPT
DRIVING.
877
01:00:14,809 --> 01:00:15,710
AND ALSO, THEY'VE ALL WON THIS
878
01:00:15,776 --> 01:00:17,078
NEXT GRAMMY AWARD.
879
01:00:17,144 --> 01:00:19,080
TO HELP GIVE OUT THE GRAMMY FOR
BEST POP SOLO PERFORMANCE, WE'RE
880
01:00:19,146 --> 01:00:22,750
HEADING ACROSS TOWN TO WEST
HOLLYWOOD AND AN INDEPENDENT
881
01:00:22,817 --> 01:00:25,252
MUSIC VENUE.
882
01:00:25,319 --> 01:00:27,088
LET'S MEET THE NIGHT MANAGER,
RACHELLE ERRATCHU, AT THE
883
01:00:27,154 --> 01:00:30,524
TROUBADOUR.
884
01:00:30,591 --> 01:00:33,527
I'M WORK HERE AT THE TROWB A
885
01:00:33,594 --> 01:00:35,896
DOWR, FOR 15 YEARS AND I'M THE
NIGHT MANAGER, IT'S A MAGIC
886
01:00:35,963 --> 01:00:38,332
PLACE, HISTORY IS MADE HERE ALL
THE TIME, WHEN YOU COME IN HERE
887
01:00:38,399 --> 01:00:40,001
IT'S LIKE GOING TO CHURCH.
888
01:00:40,067 --> 01:00:44,005
THE PEOPLE IN THAT ROOM DON'T
WANT TO BE ANYWHERE ELSE IN THE
889
01:00:44,071 --> 01:00:47,441
WORLD BUT IN THAT ROOM, PEOPLE
TALK ABOUT SHOWS THAT HAPPENED
890
01:00:47,508 --> 01:00:52,079
HERE 40, 50 YEARS AGO AND THEY
WILL TALK ABOUT THEM 40, 50
891
01:00:52,146 --> 01:00:54,315
YEARS LATER.
892
01:00:54,382 --> 01:00:57,718
WE BUILD A COMMUNITY HERE EVERY
NIGHT AND THAT COMMUNITY IS
893
01:00:57,785 --> 01:00:58,886
CURRENTLY GONE.
894
01:00:58,953 --> 01:01:01,856
WHEN THE DOORS ARE FINALLY ABLE
TO OPEN UP AGAIN, IT WILL
895
01:01:01,922 --> 01:01:03,958
DEFINITELY BE LIKE OH, CAN I
BREATHE AGAIN.
896
01:01:04,025 --> 01:01:07,428
MEANWHILE IT IS MY HONOR TO
PRESENT THE GRAMMY AWARD FOR
897
01:01:07,495 --> 01:01:08,829
BEST POP SOLO POMANCE.
898
01:01:08,896 --> 01:01:16,070
HERE ARE THE NOMINATIONS.
899
01:01:16,137 --> 01:01:18,372
"YUMMY," JUSTIN BIEBER.
900
01:01:18,439 --> 01:01:21,876
"SAY SO," DOJA CAT.
901
01:01:21,942 --> 01:01:28,082
"EVERYTHING I WANTED," BILLIE
EILISH.
902
01:01:28,149 --> 01:01:28,983
"DON'T START NOW," DUA LIPA.
903
01:01:29,050 --> 01:01:36,057
"WATERMELON SUGAR," HARRY
STYLES.
904
01:01:36,123 --> 01:01:42,396
"CARDIGAN," TAYLOR SWIFT.
905
01:01:42,463 --> 01:01:48,069
♪ ♪ ♪
906
01:01:48,135 --> 01:01:50,404
AND THE TROUBADOUR'S
VERY OWN NIGHT MANAGER, RACHELLE
907
01:01:50,471 --> 01:01:52,073
ERRATCHU, IS HERE NOW TO DO THE
HONORS.
908
01:01:52,139 --> 01:01:59,313
"WATERMELON SUGAR," HARRY
909
01:01:59,380 --> 01:02:04,118
STYLES.
910
01:02:04,185 --> 01:02:07,354
♪ I DON'T KNOW IF I COULD EVER
911
01:02:07,421 --> 01:02:08,055
GO WITHOUT.
912
01:02:08,122 --> 01:02:13,561
♪ WATERMELON SUGAR HIGH.
913
01:02:13,627 --> 01:02:18,399
♪ WATERMELON SUGAR HIGH.
914
01:02:18,466 --> 01:02:28,075
♪.
915
01:02:28,142 --> 01:02:36,083
WOW, TO EVERYONE WHO MADE
THIS RECORD WITH ME, THANK YOU
916
01:02:36,150 --> 01:02:37,718
SO MUCH.
917
01:02:37,785 --> 01:02:44,058
THIS IS THE FIRST SONG WE WROTE
AFTER MY FIRST ALBUM CAME OUT.
918
01:02:44,125 --> 01:02:47,895
DURING A DAY OFF IN NASHVILLE
AND I JUST WANT TO SAY THANKS TO
919
01:02:47,962 --> 01:02:51,599
TOM, KYLE AND MITCH AND
EVERYONE.
920
01:02:51,665 --> 01:02:57,138
ROB STRINGER AND EVERYONE AT
COLUMBIA, MY MANAGER, WHO HAS
921
01:02:57,204 --> 01:02:59,240
ALWAYS NUDGED ME TO DO BETTER
AND NEVER PUSHED ME.
922
01:02:59,306 --> 01:03:02,276
AND THANK YOU SO MUCH.
923
01:03:02,343 --> 01:03:05,813
SO VERY GRATEFUL TO BE HERE.
924
01:03:05,880 --> 01:03:12,052
THANK YOU. THANK YOU SO MUCH.
925
01:03:12,119 --> 01:03:23,764
THANK YOU SO MUCH.
926
01:03:23,831 --> 01:03:26,100
CONGRATULATIONS ON A WELL
DESERVED WIN.
927
01:03:26,167 --> 01:03:30,070
NOW AS WE PUT THE GRAMMY
SPOTLIGHT ON WORKERS AT
928
01:03:30,137 --> 01:03:33,440
INDEPENDENT MUSIC VENUES TONIGHT
WE REMAIN THANKFUL FOR ALL OF
929
01:03:33,507 --> 01:03:36,443
OUR ESSENTIAL WORKERS AROUND THE
WORLD WHO HAVE DONE SO MUCH TO
930
01:03:36,510 --> 01:03:39,613
ENSURE THAT SO MANY OF US HAVE
SURVIVED.
931
01:03:39,680 --> 01:03:43,484
WE ALSO RECOGNIZED THAT DURING
THIS PAST YEAR UNLIKE ANY OTHER,
932
01:03:43,551 --> 01:03:46,987
THE LOSS OF LIFE HAS BEEN
HISTORIC.
933
01:03:47,054 --> 01:03:50,257
AND SO TONIGHT WE WANT TO
REMEMBER THE ENDURING IMPACT OF
934
01:03:50,324 --> 01:03:56,630
THOSE IN OUR MUSIC COMMUNITY WHO
WE HAVE LOST THIS PAST YEAR.
935
01:03:56,697 --> 01:03:58,799
THAT LOSS HAS BEEN IMMENSE.
936
01:03:58,866 --> 01:04:03,938
SO AT THE END OF THE NIGHT,
-PLEASE GO TO GRAMMY.
-COM FOR A
937
01:04:04,004 --> 01:04:12,079
LIST OF NEARLY 1,000 SOULS WHO
HAVE BROUGHT SUCH ENDURING MUSIC
938
01:04:12,146 --> 01:04:21,589
TO OUR LIVES.
939
01:04:21,655 --> 01:04:23,357
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE
940
01:04:23,424 --> 01:04:27,094
♪ IT'S NOT WARM
WHEN SHE'S AWAY
941
01:04:27,161 --> 01:04:30,331
♪ AIN'T NO SUNSHINE
WHEN SHE'S GONE
942
01:04:30,397 --> 01:04:32,399
♪ AND SHE'S ALWAYS
GONE TOO LONG
943
01:04:32,466 --> 01:04:44,078
♪ ANYTIME SHE
GOES AWAY
944
01:04:52,119 --> 01:05:00,995
♪ ♪ ♪
♪ GONNA TELL AUNT MARY 'BOUT
945
01:05:01,061 --> 01:05:02,830
UNCLE JOHN
♪ HE CLAIM HE HAS THE MISERY
946
01:05:02,896 --> 01:05:06,533
BUT HE HAD A LOT OF FUN
♪ OH, BABY
947
01:05:06,600 --> 01:05:10,571
YEAH BABY
♪ WOO BABY
948
01:05:10,638 --> 01:05:16,477
I'M HAVIN' ME SOME FUN TONIGHT
♪ WELL LONG, TALL SALLY SHE'S
949
01:05:16,543 --> 01:05:19,480
BUILT FOR SPEED, SHE GOT
♪ EVERYTHING THAT UNCLE JOHN
950
01:05:19,546 --> 01:05:22,583
NEED ♪ OH, BABY
951
01:05:22,650 --> 01:05:26,920
YEAH BABY
♪ WOO BABY
952
01:05:26,987 --> 01:05:34,561
I'M HAVIN' ME SOME FUN TONIGHT
♪ ♪ ♪
953
01:05:34,628 --> 01:05:38,565
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL
954
01:05:38,632 --> 01:05:42,703
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL
955
01:05:42,770 --> 01:05:46,573
♪ WHEN YOU'RE ROCKIN' AND A
ROLLIN'
956
01:05:46,640 --> 01:05:50,577
♪ I CAN'T HEAR YOUR MAMA CALL
FROM THE EARLY, EARLY MORNIN'
957
01:05:50,644 --> 01:05:54,014
♪ TO THE EARLY, EARLY NIGHT
WHEN YOU CAUGHT
958
01:05:54,081 --> 01:05:56,817
♪ MISS MOLLY ROCKIN'
AT THE HOUSE OF BLUE LIGHT
959
01:05:56,884 --> 01:06:02,456
♪ GOOD GOLLY MISS MOLLY
SURE LIKE TO BALL
960
01:06:02,523 --> 01:06:03,657
♪ WHEN YOU'RE ROCKING
AND A-ROLLIN'
961
01:06:03,724 --> 01:06:08,929
♪ CAN'T HEAR YOUR MAMA CALL
AAAHHH
962
01:06:21,008 --> 01:06:25,879
♪ ♪ ♪
♪ ♪ ♪
963
01:06:25,946 --> 01:06:27,147
I'M GOING TO THE CORNER
♪ GONNA BUY A DIAMOND RING
964
01:06:27,214 --> 01:06:29,883
WOULD YOU PARDON ME, KISS ME
♪ MAKE ME TING-A-LING-A-LING
965
01:06:29,950 --> 01:06:32,920
GOOD GOLLY MISS MOLLY
♪ SURE LIKE TO BALL
966
01:06:32,986 --> 01:06:38,592
WHEN YOU'RE ROCKING
♪ AND A-ROLLIN'
967
01:06:38,659 --> 01:06:44,932
I CAN'T HEAR YOUR MAMA CALL ♪
♪ ♪ ♪
968
01:06:44,998 --> 01:06:50,571
WE LOVE YOU LITTLE RICHARD!
969
01:06:50,637 --> 01:07:02,583
♪ ♪ ♪
970
01:07:18,632 --> 01:07:22,569
♪ ♪ ♪
♪ STOP!
971
01:07:22,636 --> 01:07:32,946
IN THE NAME OF LOVE
♪ BEFORE YOU BREAK MY HEART
972
01:07:33,013 --> 01:07:38,552
BABY, BABY
♪ I'M AWARE OF WHERE YOU GO
973
01:07:38,619 --> 01:07:46,560
EACH TIME YOU LEAVE MY DOOR
♪ LADY
974
01:07:46,627 --> 01:07:53,767
I'M YOUR KNIGHT
♪ IN SHINING ARMOR
975
01:07:53,834 --> 01:08:02,576
♪ AND I LOVE YOU
YOU HAVE MADE ME WHAT I AM AND
976
01:08:02,643 --> 01:08:10,584
♪ I AM YOURS
MY LOVE
977
01:08:10,651 --> 01:08:14,555
♪ THERE'S SO MANY WAYS I WANT TO
SAY
978
01:08:14,621 --> 01:08:20,961
♪ I LOVE YOU
LET ME HOLD YOU IN MY ARMS
979
01:08:21,028 --> 01:08:32,039
♪ FOR EVER MORE
♪ YOU HAVE GONE
980
01:08:32,105 --> 01:08:42,583
AND MADE ME SUCH A FOOL
♪ I'M SO LOST
981
01:08:42,649 --> 01:08:46,553
IN YOUR LOVE
♪ AND OH
982
01:08:46,620 --> 01:08:54,561
WE BELONG TOGETHER
♪ WON'T YOU BELIEVE
983
01:08:54,628 --> 01:09:06,573
IN MY SONG
♪ OH, LADY
984
01:09:06,640 --> 01:09:14,548
YOUR LOVE'S
♪ THE ONLY LOVE I NEED
985
01:09:14,615 --> 01:09:26,560
AND BESIDE ME
♪ IS WHERE
986
01:09:26,627 --> 01:09:32,966
I WANT YOU TO BE
♪ 'CAUSE, MY LOVE
987
01:09:33,033 --> 01:09:38,772
THERE'S SOMETHING
♪ I WANT YOU
988
01:09:38,839 --> 01:09:50,584
TO KNOW
♪ YOU'RE THE LOVE OF MY LIFE
989
01:09:50,651 --> 01:09:57,791
YOU'RE THE LOVE OF MY LIFE
♪ YOU'RE MY LADY ♪
990
01:09:57,858 --> 01:10:02,563
MISS YOU, KENNY.
991
01:10:02,629 --> 01:10:06,600
MISS YOU, MAN.
992
01:10:32,693 --> 01:10:42,569
♪ ♪ ♪
♪ ♪ ♪
993
01:10:42,636 --> 01:10:44,438
'CAUSE YOU'VE GOT TO
♪ KISS AN ANGEL GOOD MORNING
994
01:10:44,504 --> 01:10:45,772
AND LET HER KNOW YOU THINK
♪ ABOUT HER WHEN YOU'RE GONE
995
01:10:45,839 --> 01:10:50,611
KISS AN ANGEL GOOD MORNING
♪ AND LOVE HER LIKE THE DEVIL
996
01:10:50,677 --> 01:10:54,581
WHEN YOU GET BACK HOME
997
01:11:34,655 --> 01:11:42,529
♪ ♪ ♪
♪ ♪ ♪
998
01:11:42,596 --> 01:11:50,604
I'VE BEEN DOWN THIS ROAD BEFORE
♪ I REMEMBER EVERY TREE
999
01:11:50,671 --> 01:11:56,943
EVERY SINGLE BLADE OF GRASS
♪ HOLDS A SPECIAL PLACE FOR ME
1000
01:11:57,010 --> 01:12:06,553
AND I REMEMBER EVERY TOWN
♪ AND EVERY HOTEL ROOM
1001
01:12:06,620 --> 01:12:11,758
AND EVERY SONG I EVER SANG
♪ ON A GUITAR OUT OF TUNE
1002
01:12:11,825 --> 01:12:20,767
I REMEMBER EVERYTHING
♪ THINGS I CAN'T FORGET
1003
01:12:20,834 --> 01:12:26,573
THE WAY YOU TURNED
♪ AND SMILED ON ME
1004
01:12:26,640 --> 01:12:32,946
ON THE NIGHT THAT WE FIRST MET
♪ AND I REMEMBER EVERY NIGHT
1005
01:12:33,013 --> 01:12:38,585
YOUR OCEAN EYES OF BLUE
♪ HOW I MISS YOU
1006
01:12:38,652 --> 01:12:44,958
IN THE MORNING LIGHT
♪ LIKE ROSES MISS THE DEW
1007
01:12:45,025 --> 01:12:50,564
I'VE BEEN DOWN
♪ THIS ROAD BEFORE
1008
01:12:50,630 --> 01:12:56,937
ALONE AS I CAN BE
♪ CAREFUL NOT TO LET MY PAST
1009
01:12:57,003 --> 01:13:02,576
GO SNEAKING UP ON ME
I'VE GOT NO FUTURE
1010
01:13:02,642 --> 01:13:08,949
♪ IN MY HAPPINESS
MY REGRETS ARE VERY FEW
1011
01:13:09,015 --> 01:13:18,558
♪ SOMETIMES A LITTLE TENDERNESS
WAS THE BEST THAT I COULD DO
1012
01:13:18,625 --> 01:13:25,665
♪ I REMEMBER EVERYTHING
YOUR OCEAN EYES OF BLUE
1013
01:13:25,732 --> 01:13:30,570
♪ HOW I MISS YOU
IN THE MORNING LIGHT
1014
01:13:30,637 --> 01:13:38,245
♪ LIKE ROSES MISS THE DEW
HOW I MISS YOU
1015
01:13:38,311 --> 01:13:49,256
♪ IN THE MORNING LIGHT
LIKE ROSES MISS THE DEW ♪
1016
01:13:49,322 --> 01:13:54,561
WE THANK YOU JOHN, FOR
EVERYTHING.
1017
01:13:54,628 --> 01:14:02,569
♪ ♪ ♪
♪ WHEN YOU WALK
1018
01:14:02,636 --> 01:14:13,413
THROUGH A STORM
♪ HOLD YOUR HEAD UP HIGH
1019
01:14:13,480 --> 01:14:18,585
AND DON'T
♪ BE AFRAID
1020
01:14:18,652 --> 01:14:30,564
OF THE DARK
♪ AT THE END
1021
01:14:30,630 --> 01:14:38,572
OF A STORM
♪ THERE'S A GOLDEN SKY
1022
01:14:38,638 --> 01:14:50,584
AND THE SWEET
♪ SILVER SONG OF A LARK
1023
01:14:50,650 --> 01:15:05,365
WALK ON THROUGH THE WIND
♪ WALK ON THROUGH THE RAIN
1024
01:15:05,432 --> 01:15:10,570
THOUGH YOUR DREAMS
♪ BE TOSSED
1025
01:15:10,637 --> 01:15:20,947
AND BLOWN
♪ WALK ON
1026
01:15:21,014 --> 01:15:30,557
WALK ON
♪ WITH HOPE IN YOUR HEART
1027
01:15:30,624 --> 01:15:38,531
AND YOU'LL NEVER
♪ WALK
1028
01:15:38,598 --> 01:15:48,575
ALONE ♪ YOU'LL NEVER WALK ALONE
1029
01:15:48,642 --> 01:15:54,547
ALONE ♪ YOU'LL NEVER WALK ALONE
1030
01:15:54,614 --> 01:15:58,585
♪ ♪ ♪
WALK ON
1031
01:15:58,652 --> 01:16:08,962
♪ WALK ON
WITH HOPE IN YOUR HEART
1032
01:16:09,029 --> 01:16:22,575
♪ AND YOU'LL NEVER WALK
ALONE
1033
01:16:22,642 --> 01:16:32,619
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪
1034
01:16:32,686 --> 01:16:35,355
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪
1035
01:16:35,422 --> 01:16:43,964
♪ YOU'LL NEVER WALK ALONE ♪
♪ ♪ ♪
1036
01:16:44,030 --> 01:16:48,134
I LOVE IT, I LOVE THE MUSIC,
AND I LIKE DOING THE LIVE SHOWS
1037
01:16:48,201 --> 01:16:52,973
AND I DON'T CARE WHO ST, OR
WHAT, AIBT NO STOPPING ME.
1038
01:16:53,039 --> 01:16:56,009
I JUST CARE ABOUT THE PEOPLE
I WORK WITH, AND MOST OF ALL I
1039
01:16:56,076 --> 01:16:58,078
CARE ABOUT MY FAMILY.
1040
01:17:09,556 --> 01:17:12,192
♪ ♪ ♪
1041
01:17:12,258 --> 01:17:15,996
WELCOME BACK TO THE GRAMMYS.
1042
01:17:16,062 --> 01:17:19,099
THIS YEAR'S COUNTRY GRAMMY
NOMINATIONS WERE DOMINATED BY
1043
01:17:19,165 --> 01:17:22,402
FANTASTIC FEMALE ARTISTS, AND WE
WANT TO CELEBRATE THE REMARKABLE
1044
01:17:22,469 --> 01:17:25,372
ABLE WOMEN OF COUNTRY MUSIC
TODAY BY PUTTING THE SPOTLIGHT
1045
01:17:25,438 --> 01:17:27,340
ON THREE OF THE GENRES VERY
BEST.
1046
01:17:27,407 --> 01:17:31,578
WE BEGIN WITH THE FIRST BLACK
FEMALE SOLO ARTIST EVER
1047
01:17:31,644 --> 01:17:40,053
NOMINATED IN A COUNTRY CATEGORY,
LADIES AND GENTLEMEN, MICKEY
1048
01:17:40,120 --> 01:17:43,223
GUYTON.
1049
01:17:43,289 --> 01:17:49,329
♪ LITTLE KID IN A SMALL TOWN
I DID MY BEST JUST TO FIT IN
1050
01:17:49,396 --> 01:17:56,036
♪ BROKE MY HEART
ON THE PLAYGROUND, MM
1051
01:17:56,102 --> 01:18:02,675
♪ WHEN THEY SAID I WAS DIFFERENT
OH, NOW, NOW
1052
01:18:02,742 --> 01:18:08,014
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED
1053
01:18:08,081 --> 01:18:15,989
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET
1054
01:18:16,056 --> 01:18:19,993
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
1055
01:18:20,060 --> 01:18:25,331
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
1056
01:18:25,398 --> 01:18:34,474
♪ YOU SHOULD TRY TO BE
BLACK LIKE ME
1057
01:18:34,541 --> 01:18:40,046
MY DADDY WORKED DAY AND NIGHT
FOR AN OLD HOUSE
1058
01:18:40,113 --> 01:18:52,058
♪ AND A USED CAR, HM
JUST TO LIVE THAT GOOD LIFE, MM
1059
01:18:52,125 --> 01:18:56,362
♪ IT SHOULDN'T BE TWICE AS HARD
OH, NOW, NOW
1060
01:18:56,429 --> 01:19:03,203
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED
1061
01:19:03,269 --> 01:19:08,007
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET
1062
01:19:08,074 --> 01:19:12,145
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
1063
01:19:12,212 --> 01:19:17,750
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
1064
01:19:17,817 --> 01:19:23,990
♪ YOU SHOULD TRY TO BE
OH, BLACK LIKE ME
1065
01:19:24,057 --> 01:19:32,065
♪ OH, OH
OH, I KNOW I'M NOT THE
1066
01:19:32,132 --> 01:19:40,073
♪ ONLY ONE, OH, YEAH
WHO FEELS LIKE I
1067
01:19:40,140 --> 01:19:52,051
♪ I DON'T BELONG
IT'S A HARD LIFE ON EASY STREET
1068
01:19:52,118 --> 01:19:56,623
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
1069
01:19:56,689 --> 01:20:04,063
♪ AND IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
1070
01:20:04,130 --> 01:20:08,034
♪ THEN YOU SHOULD TRY TO BE
OH, BLACK LIKE ME
1071
01:20:08,101 --> 01:20:15,375
♪ OH, AND SOMEDAY
WE'LL ALL BE FREE
1072
01:20:15,441 --> 01:20:20,046
♪ AND I'M PROUD TO BE
OH, BLACK LIKE ME
1073
01:20:20,113 --> 01:20:28,054
♪ AND I'M PROUD TO BE
BLACK LIKE ME
1074
01:20:28,121 --> 01:20:37,830
THANK YOU.
1075
01:20:37,897 --> 01:20:44,137
AND NOW THE ONE AND ONLY MIRANDA
LAMBERT.
1076
01:20:44,204 --> 01:20:56,115
♪ ♪ ♪
OOH
1077
01:20:56,182 --> 01:21:01,554
♪ ♪ ♪
♪ WELL, I'M A TURNER
1078
01:21:01,621 --> 01:21:07,060
I TURN PAGES ALL THE TIME
♪ DON'T LIKE WHERE I'M AT
1079
01:21:07,126 --> 01:21:11,064
34 WAS BAD
♪ SO I JUST TURN TO 35
1080
01:21:11,130 --> 01:21:15,068
YEAH, I'M A KEEPER
♪ I KEEP DIGGING DOWN FOR
1081
01:21:15,134 --> 01:21:19,072
THE DEEP
♪ LIKE THE RECORDS I'M PLAYING
1082
01:21:19,138 --> 01:21:22,141
THEY MIGHT KEEP YOU WAITING
♪ BUT YOU KNOW I'M GONNA
1083
01:21:22,208 --> 01:21:23,376
PLAY 'EM FOR KEEPS
♪ AND IF THE HOUSE JUST
1084
01:21:23,443 --> 01:21:27,914
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE
1085
01:21:27,981 --> 01:21:31,084
AND IF LOVE KEEPS GIVING ME
♪ LEMONS
1086
01:21:31,150 --> 01:21:35,321
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD
1087
01:21:35,388 --> 01:21:42,262
STOPS SINGING
♪ AND ALL THE STARS GO DARK
1088
01:21:42,328 --> 01:21:47,133
I'LL KEEP A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART
1089
01:21:47,200 --> 01:21:53,973
♪ ♪ ♪
♪ ♪ ♪
1090
01:21:54,040 --> 01:21:55,575
♪ WELL, I'M A GIVER
YEAH, AND I'M STILL
1091
01:21:55,642 --> 01:21:59,178
♪ GIVING 'EM HELL
FORGIVING'S PRETTY HARD
1092
01:21:59,245 --> 01:22:03,149
♪ SO I MADE AN ART OUT OF
FORGETTING 'EM WELL
1093
01:22:03,216 --> 01:22:07,053
♪ YEAH, I'M A RHYMER
I CAN TURN TWENTY CENTS INTO
1094
01:22:07,120 --> 01:22:11,057
A TEN
♪ AND IF I GET CONFUSED
1095
01:22:11,124 --> 01:22:13,459
AND I START TO LOSE
♪ I RHYME A DIME 'TIL
1096
01:22:13,526 --> 01:22:19,032
IT ALL MAKES SENSE
♪ AND IF THE HOUSE JUST
1097
01:22:19,098 --> 01:22:22,001
KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE
1098
01:22:22,068 --> 01:22:25,471
AND IF LOVE KEEPS GIVING ME
♪ LEMONS
1099
01:22:25,538 --> 01:22:29,208
I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD
1100
01:22:29,275 --> 01:22:34,781
STOPS SINGING
♪ AND ALL THE STARS GO DARK
1101
01:22:34,847 --> 01:22:43,122
I'LL TURN A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART
1102
01:22:49,629 --> 01:22:53,800
♪ ♪ ♪
♪ ♪ ♪
1103
01:22:53,866 --> 01:22:58,538
♪ AND IF THE HOUSE JUST
KEEPS ON WINNING
1104
01:22:58,604 --> 01:23:01,541
♪ I GOT A WILDCARD UP MY SLEEVE
AND IF LOVE KEEPS GIVING ME
1105
01:23:01,607 --> 01:23:05,778
♪ LEMONS
I'LL JUST MIX 'EM IN MY DRINK
1106
01:23:05,845 --> 01:23:07,480
♪ AND IF THE WHOLE WIDE WORLD
STOPS SINGING
1107
01:23:07,547 --> 01:23:13,486
♪ AND ALL THE STARS GO DARK
I'LL KEEP A LIGHT ON IN MY SOUL
1108
01:23:13,553 --> 01:23:19,726
♪ KEEP A BLUEBIRD IN MY HEART
I'LL KEEP A LIGHT ON IN MY SOUL
1109
01:23:19,792 --> 01:23:29,769
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART
1110
01:23:29,836 --> 01:23:35,141
KEEP A BLUEBIRD IN MY HEART
♪ KEEP A BLUEBIRD IN MY HEART
1111
01:23:35,208 --> 01:23:43,149
♪ ♪ ♪
♪ ♪ ♪
1112
01:23:43,216 --> 01:23:52,191
ALL RIGHT, JOINED BY JOHN
1113
01:23:52,258 --> 01:24:01,534
MAYER, HER IS MY TEXAS GAL PAL,
MISS MAREN MORRIS.
1114
01:24:01,601 --> 01:24:10,643
♪ WE'RE IN THE HOMESTRETCH
OF THE HARD TIMES
1115
01:24:10,710 --> 01:24:15,081
♪ WE TOOK A HARD LEFT
BUT WE'RE ALRIGHT
1116
01:24:15,148 --> 01:24:23,055
♪ YEAH, LIFE SURE CAN TRY TO
PUT LOVE THROUGH IT, BUT
1117
01:24:23,122 --> 01:24:27,026
♪ WE BUILT THIS RIGHT, SO
NOTHING'S EVER GONNA MOVE IT
1118
01:24:27,093 --> 01:24:29,929
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER
1119
01:24:29,996 --> 01:24:35,134
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER
1120
01:24:35,201 --> 01:24:39,138
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME
1121
01:24:39,205 --> 01:24:42,708
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION
1122
01:24:42,775 --> 01:24:46,913
♪ BABY, I KNOW ANY
STORM WE'RE FACING
1123
01:24:46,979 --> 01:24:49,549
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT
1124
01:24:49,615 --> 01:24:59,125
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD
1125
01:24:59,192 --> 01:25:06,799
♪ CALL IT DUMB LUCK
BUT BABY, YOU AND I
1126
01:25:06,866 --> 01:25:11,070
♪ CAN'T EVEN MESS IT UP
ALTHOUGH WE BOTH TRY
1127
01:25:11,137 --> 01:25:16,542
♪ NO, IT DON'T ALWAYS GO
THE WAY WE PLANNED IT
1128
01:25:16,609 --> 01:25:23,115
♪ BUT THE WOLVES CAME AND WENT
AND WE'RE STILL STANDING
1129
01:25:23,182 --> 01:25:27,053
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER
1130
01:25:27,119 --> 01:25:31,057
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER
1131
01:25:31,123 --> 01:25:35,061
♪ LET IT RAIN 'CAUSE YOU
AND I REMAIN THE SAME
1132
01:25:35,127 --> 01:25:39,065
♪ WHEN THERE AIN'T A CRACK
IN THE FOUNDATION
1133
01:25:39,131 --> 01:25:42,869
♪ BABY, I KNOW ANY
STORM WE'RE FACING
1134
01:25:42,935 --> 01:25:46,005
♪ WILL BLOW RIGHT OVER
WHILE WE STAY PUT
1135
01:25:46,072 --> 01:25:51,077
♪ THE HOUSE DON'T FALL
WHEN THE BONES ARE GOOD
1136
01:26:07,059 --> 01:26:10,997
♪ ♪ ♪
♪ WHEN THE BONES ARE GOOD
1137
01:26:11,063 --> 01:26:15,001
♪ THE REST DON'T MATTER
BABY, IT DON'T REALLY MATTER
1138
01:26:15,067 --> 01:26:17,603
♪ PAINT COULD PEEL
THE GLASS COULD SHATTER
1139
01:26:17,670 --> 01:26:19,505
♪ OH, THE GLASS
OH, THE GLASS COULD SHATTER
1140
01:26:19,572 --> 01:26:25,778
♪ BONES ARE GOOD, THE REST
THE REST DON'T MATTER, OOH
1141
01:26:25,845 --> 01:26:31,617
♪ PAINT COULD PEEL, THE GLASS
THE GLASS COULD SHATTER, YEAH
1142
01:26:31,684 --> 01:26:35,054
♪ WHEN THE BONES ARE GOOD
THE REST DON'T MATTER
1143
01:26:35,121 --> 01:26:37,723
♪ YEAH, THE PAINT COULD PEEL
THE GLASS COULD SHATTER
1144
01:26:37,790 --> 01:26:40,359
♪ LET IT RAIN
LET IT RAIN
1145
01:26:40,426 --> 01:26:43,062
♪ LET IT RAIN
'CAUSE YOU AND I
1146
01:26:43,129 --> 01:26:47,066
♪ REMAIN THE SAME, WOO
WHEN THERE AIN'T A
1147
01:26:47,133 --> 01:26:49,468
♪ CRACK IN THE FOUNDATION, WOO
BABY, I KNOW ANY
1148
01:26:49,535 --> 01:26:53,105
♪ STORM WE'RE FACING
WILL BLOW RIGHT OVER
1149
01:26:53,172 --> 01:26:55,508
♪ WHILE WE STAY PUT
THE HOUSE DON'T FALL
1150
01:26:55,575 --> 01:27:07,019
♪ WHEN THE BONES ARE GOOD
YEAH, OOH ♪
1151
01:27:07,086 --> 01:27:17,597
COMING UP, THE GRAMMY AWARD
1152
01:27:17,663 --> 01:27:19,298
FOR SONG OF THE YEAR.
1153
01:27:19,365 --> 01:27:22,868
THEN PERFORMANCES BY POST
MALONE, BTS AND MEGAN THEE
1154
01:27:22,935 --> 01:27:26,405
STALLION AND CARDI B WITH THEIR
FIRST EVER TV PERFORMANCE OF
1155
01:27:26,472 --> 01:27:27,206
WAP.
1156
01:27:27,273 --> 01:27:30,776
THIS IS
THE 63rd GRAMMY AWARDS IS
1157
01:27:30,843 --> 01:27:34,347
SPONSORED BY LINCOLN FAMILY OF
LUXURY S.U.V.s.
1158
01:27:39,318 --> 01:27:44,223
♪ ♪ ♪
1159
01:27:44,290 --> 01:27:45,758
WELCOME BACK TO THE
GRAMMYS.
1160
01:27:45,825 --> 01:27:52,865
LET'S TAKE A LOOK AT SOME AWARDS
WE PRESENTED EARLIER.
1161
01:27:52,932 --> 01:27:55,401
THE GRAMMY FOR
BEST MELODIC RAP PERFORMANCE
1162
01:27:55,468 --> 01:28:08,547
ANDERSON PAAK.
1163
01:28:08,614 --> 01:28:09,382
♪.
1164
01:28:09,448 --> 01:28:10,650
WOW, THANK YOU, THANK YOU SO
MUCH.
1165
01:28:10,716 --> 01:28:13,853
I WANT TO SAY THANK YOU SO MUCH
TO MY FAMILY, MY BEAUTIFUL WIFE
1166
01:28:13,919 --> 01:28:15,021
AND KIDS.
1167
01:28:15,087 --> 01:28:17,590
I WANT TO SAY THANK YOU TO THE
TEAM THAT HELPED ME PUT THIS
1168
01:28:17,657 --> 01:28:18,824
RECORD TOGETHER.
1169
01:28:18,891 --> 01:28:21,527
I WANT TO SAY THANK YOU TO THE
ACADEMY AND LASTLY I WANT TO SAY
1170
01:28:21,594 --> 01:28:25,231
THAT THIS SONG, LOCKDOWN IS
DEDICATED TO EVERY HUMAN BEING
1171
01:28:25,297 --> 01:28:26,666
WHO ACTUALLY HAS A VOICE.
1172
01:28:26,732 --> 01:28:29,802
IF YOU HAVE A VOICE, DON'T BE
AFRAID TO USE IT.
1173
01:28:29,869 --> 01:28:30,936
BECAUSE THEY WATCHING.
1174
01:28:31,003 --> 01:28:32,405
AND THIS IS PROOF.
1175
01:28:32,471 --> 01:28:33,506
THANK YOU SO MUCH.
1176
01:28:33,572 --> 01:28:38,344
THE GRAMMY FOR BEST
THE GRAMMY FOR BEST LATIN POP OR
1177
01:28:38,411 --> 01:28:41,013
OR URBAN ALBUM WENT TO YHLQMDLG,
1178
01:28:41,080 --> 01:28:46,852
BAD BUNNY.
1179
01:28:46,919 --> 01:28:51,390
I'M VERY HAPPY, I'M REALLY
HAPPY, I'M VERY PROUD.
1180
01:28:51,457 --> 01:28:59,832
I WANT TO THANK EVERY PERSON IN
THE WORLD THAT LISTENED TO MY
1181
01:28:59,899 --> 01:29:09,375
MUSIC, AND SUPPORT MY CAREER AND
MY IDEAS.
1182
01:29:19,785 --> 01:29:23,122
NOW AS YOUR HOST, AND A
GRAMMY NOMINEE MYSELF, I KNOW,
1183
01:29:23,189 --> 01:29:26,926
I'VE BEEN GIVEN THE HONOR OF
ANNOUNCING SOJ OF THE YEAR.
1184
01:29:26,992 --> 01:29:31,097
NOW JUST SO EVERYBODY
UNDERSTANDS, RECORD OF THE YEAR
1185
01:29:31,163 --> 01:29:33,165
HONORS THE PERFORMANCE AND THE
PRODUCTION OF A TRACK.
1186
01:29:33,232 --> 01:29:36,402
SONG OF THE YEAR IS AN AWARD
THAT HONORS THE TALENTED PEOPLE
1187
01:29:36,469 --> 01:29:39,672
WHO WRITE THE MUSIC AND THOSE
WORDS.
1188
01:29:39,739 --> 01:29:40,906
L LIKE THOSE LYRICISTS WHO PEN THE
1189
01:29:40,973 --> 01:29:46,312
LINES THAT STIR OUR SOULS AND
MAKE YOU ASK YOURSELF, "AM I A
1190
01:29:46,378 --> 01:29:47,346
SAVAGE?
1191
01:29:47,413 --> 01:29:50,316
CLASSY, BOUGIE, RATCHET?"
1192
01:29:50,382 --> 01:29:52,852
I'M ALSO EXCITED TO ANNOUNCE THE
RECORDING ACADEMY IS LAUNCHING
1193
01:29:52,918 --> 01:29:55,755
ITS NEW SONGWRITERS & COMPOSERS
WING TO ELEVATE AND ADVOCATE ON
1194
01:29:55,821 --> 01:29:58,390
BEHALF OF SONGWRITERS AND
COMPOSERS.
1195
01:29:58,457 --> 01:30:02,394
WITH THAT SAID, THESE ARE THE
NOMINATIONS FOR SONG OF THE
1196
01:30:02,461 --> 01:30:07,700
YEAR.
1197
01:30:07,767 --> 01:30:10,202
♪ ♪ ♪
"BLACK PARADE."
1198
01:30:10,269 --> 01:30:10,569
"THE BOX."
1199
01:30:10,636 --> 01:30:12,972
"CARDIGAN."
1200
01:30:13,038 --> 01:30:14,373
"CIRCLES."
1201
01:30:14,440 --> 01:30:16,375
"DON'T START NOW."
1202
01:30:16,442 --> 01:30:16,842
"EVERYTHING I WANTED."
1203
01:30:16,909 --> 01:30:18,110
"I CAN'T BREATHE."
1204
01:30:18,177 --> 01:30:22,381
"IF THE WORLD WAS ENDING."
1205
01:30:22,448 --> 01:30:32,424
WOW.
1206
01:30:32,491 --> 01:30:41,400
WOW.
1207
01:30:41,467 --> 01:30:42,434
WOW, THIS IS TENSE.
1208
01:30:42,501 --> 01:30:49,742
"I CAN'T BREATHE," H.E.R.
1209
01:30:49,809 --> 01:30:58,384
♪ ♪ ♪
1210
01:30:58,450 --> 01:31:00,252
♪ I CAN'T BREATHE.
1211
01:31:00,319 --> 01:31:06,392
♪ I CAN'T BREATHE.
1212
01:31:06,458 --> 01:31:11,597
♪.
1213
01:31:11,664 --> 01:31:15,467
OH MY GOD, I DON'T EVEN KNOW
WHAT TO SAY.
1214
01:31:15,534 --> 01:31:18,470
I THINK THE FIRST THING I WANT
TO SAY IS THAT I HAVE NEVER BEEN
1215
01:31:18,537 --> 01:31:21,073
SO PROUD TO BE AN ARTIST.
1216
01:31:21,140 --> 01:31:25,110
AND EVERYBODY ELSE THIS WAS
NOMINATED, THOSE SONGS WERE TO
1217
01:31:25,177 --> 01:31:27,880
ME, SONG OF THE YEAR ALSO AND
THEY WERE ALL AMAZING.
1218
01:31:27,947 --> 01:31:31,684
BUT YOU KNOW, WE WROTE THIS SONG
OVER FACETIME.
1219
01:31:31,750 --> 01:31:36,055
AND I DIDN'T IMAGINE THAT MY
FEAR AND THAT MY PAIN WOULD TURN
1220
01:31:36,121 --> 01:31:36,922
INTO IMPACT.
1221
01:31:36,989 --> 01:31:39,058
AND IT WOULD POSSIBLY TURN INTO
CHANGE.
1222
01:31:39,124 --> 01:31:41,260
AND I THINK THAT IS WHAT THIS IS
ABOUT.
1223
01:31:41,327 --> 01:31:42,361
AND THAT'S WHY I WRITE MUSIC.
1224
01:31:42,428 --> 01:31:43,762
THAT'S WHY I DO THIS.
1225
01:31:43,829 --> 01:31:45,364
SO I'M SO, SO GRATEFUL.
1226
01:31:45,431 --> 01:31:50,302
I WANT TO THANK GOD FOR GIVING
ME THE GIFT OF A VOICE AND A PEN
1227
01:31:50,369 --> 01:31:55,574
AND USING ME AS A VESEL TO
CREATE CHANGE AND I'M SO
1228
01:31:55,641 --> 01:31:59,278
THANKFUL FOR SIERRA AND-- WHO
ARE PART OF THIS, A HUGE PART OF
1229
01:31:59,345 --> 01:32:00,446
THIS RECORD.
1230
01:32:00,512 --> 01:32:03,048
I WANT TO THANK MY MOM, I
RECORDED THIS SONG MYSELF IN MY
1231
01:32:03,115 --> 01:32:05,084
BEDROOM AT MY MOM'S HOUSE.
1232
01:32:05,150 --> 01:32:06,385
AND I WANT TO THANK MY DAD.
1233
01:32:06,452 --> 01:32:07,820
HE CRIED.
1234
01:32:07,887 --> 01:32:10,322
HE WAS IN TEARS WHEN I WROTE
THIS SONG AND I PLAYED IT FOR
1235
01:32:10,389 --> 01:32:11,190
HIM.
1236
01:32:11,257 --> 01:32:14,326
HE WAS THE FIRST PERSON I PLAYED
IT FOR.
1237
01:32:14,393 --> 01:32:22,134
AND YEAH, MY JEFF, MISHA WALT,
JANEVEN, EVERYBODY AT RCA,
1238
01:32:22,201 --> 01:32:25,037
PETER, CAROLYN, CAMEL,
EVERYBODY.
1239
01:32:25,104 --> 01:32:28,974
I'M SO SPEECHLESS RIGHT NOW, I
CAN'T BELIEVE THIS, THANK YOU SO
1240
01:32:29,041 --> 01:32:35,047
MUCH. BUT REMEMBER, WE ARE THE
CHANGE THAT WE WISH TO SEE, AND
1241
01:32:35,114 --> 01:32:40,219
THAT FIGHT THAT WE HAD IN US,
THE SUMMER OF 2020, KEEP THAT
1242
01:32:40,286 --> 01:32:42,321
SAME INFORMING.
1243
01:32:42,388 --> 01:32:42,655
-- ENERGY.
1244
01:32:42,721 --> 01:32:46,325
THANK YOU.
1245
01:32:46,392 --> 01:32:49,995
♪ ♪ ♪
1246
01:32:50,062 --> 01:32:52,831
AFTER THIS BREAK,
MEGAN THEE STALLION AND CARDI B
1247
01:32:52,898 --> 01:32:57,303
PERFORM "WAP" FOR THE FIRST TIME
ANYWHERE.
1248
01:32:57,369 --> 01:32:57,670
THIS IS CBS.
1249
01:33:02,341 --> 01:33:04,176
HISTORY!
1250
01:33:04,243 --> 01:33:06,378
HEAD TO charitybuzz.com/grammy
AND BID ON ONE-OF-A-KIND SIGNED
1251
01:33:06,445 --> 01:33:10,382
ITEMS TO SUPPORT THE GRAMMY
MUSEUM'S MUSIC EDUCATION
1252
01:33:10,449 --> 01:33:16,021
PROGRAMS AND KEEP MUSIC PLAYING
THE 63rd GRAMMY AWARDS IS
1253
01:33:16,088 --> 01:33:17,656
SPONSORED BY "IN THE HEIGHTS,"
IN THEATERS AND ON HBO MAX JUNE
1254
01:33:17,723 --> 01:33:19,058
18.
1255
01:33:24,530 --> 01:33:28,067
♪ ♪ ♪
WELCOME BACK TO THE GRAMMY
1256
01:33:28,133 --> 01:33:32,037
AWARDS, NOW I HOPE YOU'RE READY,
EVERYBODY, BECAUSE IN TONIGHT
1257
01:33:32,104 --> 01:33:35,307
WE'RE GOING TO FIND OUT WHAT WAP
REALLY STANDS FOR, IF YOU HAVE
1258
01:33:35,374 --> 01:33:38,277
SMALL CHILDREN IN THE ROOM, JUST
TELL THEM IT'S A SONG ABOUT
1259
01:33:38,344 --> 01:33:40,546
GIVING A CAT A BATH.
1260
01:33:40,612 --> 01:33:43,615
CARDI B WILL BE TAKING TO THE
STAGE SHORTLY BUT FIRST THE TIME
1261
01:33:43,682 --> 01:33:47,019
HAS COME TO GET UP CLOSE AND
PERSONAL WITH THE DYNAMIC
1262
01:33:47,086 --> 01:33:49,788
HIP-HOP FORCE WHO IS ALREADY A
GRAMMY WINNER TONIGHT AND IS
1263
01:33:49,855 --> 01:33:52,658
NOMINATED FOR RECORD OF THE
YEAR.
1264
01:33:52,725 --> 01:34:03,702
LET'S GET TO KNOW MEGAN THEE
STALLION.
1265
01:34:03,769 --> 01:34:09,842
♪ ♪ ♪
OKAY.
1266
01:34:09,908 --> 01:34:11,043
YOU WANT TO KNOW ABOUT GOOD
NEWS.
1267
01:34:11,110 --> 01:34:13,746
I'M STIERD OF-- TIRED OF
GETTING ON MY PHONE AND LOOKING
1268
01:34:13,812 --> 01:34:16,782
AT ALL THE BAD NEWS GOING ON IN
THE WORLD.
1269
01:34:16,849 --> 01:34:19,718
SO I WAS LIKE YOU KNOW WHAT,
THIS ALBUM IS CALLED GOOD NEWS
1270
01:34:19,785 --> 01:34:23,722
AND THE GOOD NEWS IS COMING FROM
MEGAN STALLION.
1271
01:34:23,789 --> 01:34:28,193
GROWING UP IN HOUSTON, JUST THE
HOTTIE THAT I AM, MY VIBE, THE
1272
01:34:28,260 --> 01:34:33,699
WAY I TALK, THE WAY I DRESS, THE
WAY I WALK IT IS A SOUTHERN
1273
01:34:33,766 --> 01:34:34,933
SWAG.
1274
01:34:35,000 --> 01:34:38,771
HAVE I ALWAYS HAD MY MOTHER, MY
AUNT, MY GREAT GRANDMOTHER AND
1275
01:34:38,837 --> 01:34:42,041
GRANDMA TELLING ME MEGAN, YOU'RE
AMAZING.
1276
01:34:42,107 --> 01:34:43,942
MEGAN, YOU CAN DO WHATEVER YOU
WANT TO DO, DON'T LET NOBODY
1277
01:34:44,009 --> 01:34:45,411
TELL YOU NOTHING DIFFERENT.
1278
01:34:45,477 --> 01:34:46,612
YOU'RE BEAUTIFUL.
1279
01:34:46,678 --> 01:34:49,281
NOW IT IS SO EASY FOR ME TO
UPLIFT OTHER WOMEN BECAUSE I'VE
1280
01:34:49,348 --> 01:34:52,151
ALWAYS BEEN UPLIFTED.
1281
01:34:52,217 --> 01:34:55,087
SAFAGE IS MY CONFIDENCE
ANTHEM.
1282
01:34:55,154 --> 01:34:57,790
I'M DESCRIBING MYSELF AND HOW
EVERY OTHER PERSON SHOULD FEEL.
1283
01:34:57,856 --> 01:35:00,826
EVERYBODY WAS ALWAYS ASKED WHO
IS YOUR DREAM COULD LAB AND I
1284
01:35:00,893 --> 01:35:08,367
WOULD BE LIKE BEYONS, BEYONS,
AND IT FINALLY HAPPENED.
1285
01:35:08,434 --> 01:35:13,806
I REMEMBER PERFORMING A I
WOULD BE AT CLUBS, POMPLING
1286
01:35:13,872 --> 01:35:17,209
EVERY NIGHT, ANYWHERE I COULD
PERFORM I WOULD PERFORM.
1287
01:35:17,276 --> 01:35:20,279
AND IT JUST GOT BIGGER EVERY
TIME.
1288
01:35:20,345 --> 01:35:22,648
AND NOW I'M GRAMMY NOMINATED.
1289
01:35:22,714 --> 01:35:25,717
WE AT THE GRAMMYS NOW, WE NEVER
GAVE UP.
1290
01:35:25,784 --> 01:35:28,487
EVEN ON THE DAYS YOU FEEL LIKE
QUITTING, DON'T QUIT BECAUSE IT
1291
01:35:28,554 --> 01:35:36,728
IS POSSIBLE TO ACHIEVE ALL YOUR
DREAMS.
1292
01:35:51,777 --> 01:35:55,447
♪ ♪ ♪
AND IF THE BEAT LIVE.
1293
01:35:55,514 --> 01:35:56,715
WHAT'S UP, GRAMMYS?
1294
01:35:56,782 --> 01:35:58,317
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
1295
01:35:58,383 --> 01:35:59,685
WHAT'S UP, HOTTIES AT HOME?
1296
01:35:59,751 --> 01:36:03,722
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
1297
01:36:03,789 --> 01:36:05,524
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
1298
01:36:05,591 --> 01:36:06,458
TONIGHT IS MY FIRST TIME AT THE
GRAMMYS.
1299
01:36:06,525 --> 01:36:10,796
BUT IT'S NOT MY FIRST TIME
ENTERTAINING YOU.
1300
01:36:10,863 --> 01:36:12,064
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY-
ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
1301
01:36:12,131 --> 01:36:13,198
♪ BODY CRAZY
CURVY, WAVY
1302
01:36:13,265 --> 01:36:13,966
♪ BIG-- LIL' WAIST
BODY CRAZY
1303
01:36:14,032 --> 01:36:20,239
♪ CURVY, WAVY
♪ BIG-- LIL' WAIST
1304
01:36:20,305 --> 01:36:22,341
♪ ♪ ♪
♪ I COULD BUILD A HOUSE
1305
01:36:22,407 --> 01:36:25,043
WITH ALL THE BRICK I GOT
♪ I COULD--
1306
01:36:25,110 --> 01:36:29,748
I COULD BUILD A HOUSE
WITH ALL THE BRICK I GOT
1307
01:36:49,801 --> 01:36:52,704
♪ ♪ ♪
♪ ♪ ♪
1308
01:36:52,771 --> 01:36:55,407
I'M THAT
♪ BEEN THAT
1309
01:36:55,474 --> 01:37:03,582
STILL THAT
♪ WILL FOREVER BE THAT
1310
01:37:03,649 --> 01:37:06,051
♪ I'M A SAVAGE
ATTITUDE NASTY
1311
01:37:06,118 --> 01:37:09,521
♪ TALK BIG
BUT MY BANK ACCOUNT MATCH IT
1312
01:37:09,588 --> 01:37:11,990
♪ HOOD, BUT I'M CLASSY
RICH, BUT I'M RATCHET
1313
01:37:12,057 --> 01:37:15,427
♪ HATERS KEPT MY NAME IN THEY
MOUTH, NOW THEY GAGGIN'
1314
01:37:15,494 --> 01:37:17,529
BOUGIE ♪ HE SAY, "THE WAY THAT THANG
1315
01:37:17,596 --> 01:37:20,499
MOVE, IT'S A MOVIE"
♪ I TOLD THAT BOY,
1316
01:37:20,566 --> 01:37:21,700
"WE GOTTA KEEP IT LOW
♪ LEAVE ME THE ROOM KEY"
1317
01:37:21,767 --> 01:37:24,203
I DONE BLED THE BLOCK
♪ AND NOW IT'S HOT
1318
01:37:24,269 --> 01:37:27,372
I'M TUNECHI
A MOOD AND I'M MOODY, AH
1319
01:37:27,439 --> 01:37:32,611
♪ I'M A SAVAGE, OKAY
CLASSY, BOUGIE, RATCHET, OKAY
1320
01:37:32,678 --> 01:37:35,480
♪ SASSY, MOODY, NASTY, YEAH
ACTING STUPID
1321
01:37:35,547 --> 01:37:36,048
♪ WHAT'S HAPPENING?
1322
01:37:36,114 --> 01:37:37,583
WHAT'S HAPPENING?
1323
01:37:37,649 --> 01:37:41,587
♪ LIKE BEYONCE, LIKE ME
LIKE ME
1324
01:37:41,653 --> 01:37:43,522
♪ HE WANT A LIKE THEE STALLION
♪ WITH THE KNEES
1325
01:37:43,589 --> 01:37:44,656
WITH THE KNEES
♪ HE BE LIKE, "DAMN, HOW THAT
1326
01:37:44,723 --> 01:37:46,358
THANG MOVIN' IN THEM JEANS?"
THEM JEANS
1327
01:37:46,425 --> 01:37:49,561
-♪ EVEN D4
-L COULDN'T DO IT
LIKE ME, LIKE ME
1328
01:37:49,628 --> 01:37:51,964
♪ I'M THE OOH
I NEED A MOP TO CLEAN THE FLOOR,
1329
01:37:52,030 --> 01:37:54,166
♪ IT'S TOO MUCH DRIP, OHH
I KEEP A KNOT, I KEEP A WATCH,
1330
01:37:54,233 --> 01:38:00,072
♪ I KEEP A WHIP, OOH
LET'S PLAY A GAME,
1331
01:38:00,138 --> 01:38:01,607
♪ SIMON SAYS I'M STILL THAT AYY
I'M STILL THAT, YUH
1332
01:38:01,673 --> 01:38:05,577
♪ AH, I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH
1333
01:38:05,644 --> 01:38:07,679
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH
1334
01:38:07,746 --> 01:38:09,681
♪ ACTING STUPID
WHAT'S HAPPENING?
1335
01:38:09,748 --> 01:38:11,984
♪ WHAT'S HAPPENING?
1336
01:38:12,050 --> 01:38:14,086
WHOA ♪ HIPS TIKTOK WHEN I DANCE
1337
01:38:14,152 --> 01:38:16,154
DANCE ♪ ON THAT DEMON TIME
1338
01:38:16,221 --> 01:38:18,457
SHE MIGHT START A ONLYFANS
ONLYFANS
1339
01:38:18,523 --> 01:38:24,062
♪ BIG B AND THAT B STAND FOR
BANDS
1340
01:38:24,129 --> 01:38:25,564
♪ IF YOU WANNA SEE SOME REAL
BABY, HERE'S YOUR CHANCE
1341
01:38:25,631 --> 01:38:26,732
♪ I SAY, LEFT CHEEK, RIGHT
CHEEK, DROP IT LOW, THEN SWANG
1342
01:38:26,798 --> 01:38:27,499
SWANG ♪ TEXAS UP IN THIS THANG
1343
01:38:27,566 --> 01:38:28,433
THANG ♪ PUT YOU UP ON THIS GAME
1344
01:38:28,500 --> 01:38:29,601
GAME ♪ IVY PARK ON MY FRAME
1345
01:38:29,668 --> 01:38:31,670
FRAME ♪ GANG, GANG, GANG, GANG
1346
01:38:31,737 --> 01:38:33,005
GANG ♪ IF YOU DON'T JUMP TO PUT JEANS
1347
01:38:33,071 --> 01:38:37,576
ON, BABY, YOU DON'T FEEL MY PAIN
HOL' UP
1348
01:38:37,643 --> 01:38:41,580
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH
1349
01:38:41,647 --> 01:38:44,816
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH
1350
01:38:44,883 --> 01:38:48,020
♪ ACTING STUPID
WHAT'S HAPPENING?
1351
01:38:48,086 --> 01:38:53,125
♪ WHAT'S HAPPENING?
1352
01:39:09,574 --> 01:39:13,512
♪ ♪ ♪
I'M A SAVAGE, OKAY
1353
01:39:13,578 --> 01:39:17,783
♪ CLASSY, BOUGIE, RATCHET, OKAY
SASSY, MOODY, NASTY, YEAH
1354
01:39:17,849 --> 01:39:21,520
♪ ACTING STUPID
WHAT'S HAPPENING?
1355
01:39:21,586 --> 01:39:22,654
♪ WHAT'S HAPPENING?
1356
01:39:22,721 --> 01:39:24,056
I'M A SAVAGE, YEAH
OKAY
1357
01:39:24,122 --> 01:39:28,694
♪ CLASSY, BOUGIE, RATCHET, YEAH
OKAY
1358
01:39:28,760 --> 01:39:30,228
SASSY, MOODY, NASTY, HUH
♪ ACTING STUPID
1359
01:39:30,295 --> 01:39:32,798
WHAT'S HAPPENING?
1360
01:39:32,864 --> 01:39:33,699
♪ WHAT'S HAPPENING?
1361
01:39:33,765 --> 01:39:45,577
AH ♪
1362
01:39:45,644 --> 01:39:51,116
♪ ♪ ♪
♪ ♪ ♪
1363
01:39:51,183 --> 01:39:52,851
♪ UP, UP
1364
01:39:52,918 --> 01:39:54,052
UP, AYY, UP, UH
♪ UP, LOOK
1365
01:39:54,119 --> 01:39:57,589
LOOK, ONCE UPON A TIME, MAN
I HEARD THAT I WAS UGLY
1366
01:39:57,656 --> 01:40:00,058
♪ CAME FROM A CHICK WHO
MAN'S WANNA TOUCH ME
1367
01:40:00,125 --> 01:40:02,127
♪ I SAID MY FACE BOMB, ABS TIGHT
RACKS STACK UP SHAQ HEIGHT
1368
01:40:02,194 --> 01:40:05,630
♪ JEWELRY ON ME, FLASHLIGHT
I BEEN LIT SINCE LAST NIGHT
1369
01:40:05,697 --> 01:40:08,800
♪ HIT HIM WITH THAT GOOD-GOOD
MAKE HIM WANNA ACT RIGHT
1370
01:40:08,867 --> 01:40:09,968
♪ BROKE BOYS DON'T
DESERVE NO KITTY
1371
01:40:10,035 --> 01:40:15,273
♪ I KNOW THAT'S RIGHT
1372
01:40:15,340 --> 01:40:18,076
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA
1373
01:40:18,143 --> 01:40:22,714
♪ THE BENTLEY BENTAYGA, MAN
BIRKIN BAG, BARDI BACK
1374
01:40:22,781 --> 01:40:25,317
BIG BAG BUSSIN' OUT
♪ THE BENTLEY BENTAYGA
1375
01:40:25,384 --> 01:40:27,452
♪ KNOW HOW I GIVE IT UP
IF IT'S UP, THEN IT'S UP
1376
01:40:27,519 --> 01:40:29,654
♪ THEN IT'S UP, THEN IT'S STUCK
IF IT'S UP, THEN IT'S UP
1377
01:40:29,721 --> 01:40:32,124
♪ THEN IT'S UP, THEN IT'S STUCK
HUH, AYY
1378
01:40:32,190 --> 01:40:34,192
♪ UP, THEN IT'S UP
IF IT'S UP, THEN IT'S STUCK, HUH
1379
01:40:34,259 --> 01:40:37,028
♪ IF IT'S UP, THEN IT'S UP
THEN IT'S UP, THEN IT'S STUCK
1380
01:40:37,095 --> 01:40:39,598
♪ HUH, WOO
FACE BOMB, ABS TIGHT
1381
01:40:39,664 --> 01:40:41,633
RACKS STACK UP SHAQ HEIGHT
♪ JEWELRY ON ME, FLASHLIGHT
1382
01:40:41,700 --> 01:40:44,836
I BEEN LIT SINCE LAST NIGHT
♪ HIT HIM WITH THAT GOOD-GOOD
1383
01:40:44,903 --> 01:40:46,938
MAKE HIM WANNA ACT RIGHT
♪ BROKE BOYS DON'T
1384
01:40:47,005 --> 01:40:48,306
DESERVE NO KITTY
♪ I KNOW THAT'S RIGHT
1385
01:40:48,373 --> 01:40:52,477
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK
1386
01:40:52,544 --> 01:40:57,015
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK
1387
01:40:57,082 --> 01:41:00,118
IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK
1388
01:41:00,185 --> 01:41:08,560
HUH, AYY ♪
1389
01:41:25,710 --> 01:41:31,149
♪ ♪ ♪
♪ I SAID, CERTIFIED FREAK
1390
01:41:31,216 --> 01:41:36,121
SEVEN DAYS A WEEK
1391
01:41:36,188 --> 01:41:37,989
♪ WET AND
MAKE THAT PULL-OUT GAME WEAK
1392
01:41:38,056 --> 01:41:41,593
♪ YEAH, YEAH, YEAH, YEAH
YEAH, YOU DEALING WITH
1393
01:41:41,660 --> 01:41:44,463
♪ SOME WET-WET-WET
BRING A AND A MOP FOR THIS
1394
01:41:44,529 --> 01:41:49,601
♪ WET-WET-WET
GIVE ME EVERYTHING YOU GOT
1395
01:41:49,668 --> 01:41:53,071
♪ FOR THIS WET-WET-WET
BEAT IT UP
1396
01:41:53,138 --> 01:41:55,407
♪ BABY, CATCH A CHARGE
EXTRA AND EXTRA
1397
01:41:55,474 --> 01:41:57,075
♪ PUT THIS KITTY
RIGHT IN YOUR FACE
1398
01:41:57,142 --> 01:41:59,110
♪ SWIPE YOUR NOSE
LIKE A CREDIT CARD
1399
01:41:59,177 --> 01:42:00,846
♪ HOP ON TOP
I WANNA RIDE
1400
01:42:00,912 --> 01:42:02,914
♪ I DO A KEGEL
I'M KINDA WILD
1401
01:42:02,981 --> 01:42:04,416
♪ LOOK AT MY MOUTH
LOOK AT MY THIGHS
1402
01:42:04,483 --> 01:42:05,550
♪ THIS WATER IS WET
COME TAKE A DIVE
1403
01:42:05,617 --> 01:42:07,786
♪ TIE ME UP
LIKE I'M A SURPRISE
1404
01:42:07,853 --> 01:42:09,387
♪ LET'S ROLE PLAY
I'LL WEAR A DISGUISE
1405
01:42:09,454 --> 01:42:11,656
♪ I WANT YOU TO PARK THAT
BIG MACK TRUCK
1406
01:42:11,723 --> 01:42:14,192
♪ RIGHT IN THIS LITTLE GARAGE
MAKE ME DREAM
1407
01:42:14,259 --> 01:42:15,794
♪ MAKE IT STREAM
OUT IN PUBLIC
1408
01:42:15,861 --> 01:42:17,028
♪ MAKE A SCENE
I DON'T COOK
1409
01:42:17,095 --> 01:42:19,764
♪ I DON'T CLEAN
BUT LET ME TELL YOU
1410
01:42:19,831 --> 01:42:20,999
♪ HOW I GOT THIS RING
GOBBLE ME, SWALLOW ME
1411
01:42:21,066 --> 01:42:23,168
♪ DRIP DOWN THE SIDE OF ME
I'M OUT 'FORE I LET YOU
1412
01:42:23,235 --> 01:42:24,803
♪ GET INSIDE OF ME
I TELL HIM WHERE TO PUT IT
1413
01:42:24,870 --> 01:42:26,338
♪ NEVER TELL HIM WHERE
I'M 'BOUT TO BE
1414
01:42:26,404 --> 01:42:27,706
♪ I'LL RUN DOWN ON HIM
'FORE I HAVE A-- RUNNING ME
1415
01:42:27,772 --> 01:42:29,107
♪ TALK YOUR--
BITE YOUR LIP
1416
01:42:29,174 --> 01:42:31,443
♪ ASK FOR A CAR
WHILE YOU RIDE THAT
1417
01:42:31,510 --> 01:42:33,078
♪ YOU REALLY AIN'T NEVER GOTTA--
HIM FOR A THANG
1418
01:42:33,144 --> 01:42:34,946
♪ HE ALREADY MADE HIS MIND
UP 'FORE HE CAME
1419
01:42:35,013 --> 01:42:37,082
♪ NOW GET YOUR BOOTS
AND YOUR COAT
1420
01:42:37,148 --> 01:42:39,551
♪ FOR THIS WET-WET-WET
HE BOUGHT A PHONE
1421
01:42:39,618 --> 01:42:41,520
♪ JUST FOR PICTURES
OF THIS WET-WET-WET
1422
01:42:41,586 --> 01:42:45,090
♪ PAY MY TUITION JUST TO KISS ME
ON THIS WET-WET-WET
1423
01:42:45,156 --> 01:42:49,060
♪ NOW MAKE IT RAIN IF YOU WANNA
SEE SOME WET-WET-WET
1424
01:42:49,127 --> 01:42:51,897
♪ LOOK, I NEED A HARD HITTER
I NEED A DEEP--
1425
01:42:51,963 --> 01:42:53,064
♪ I NEED A HENNY DRINKER
I NEED A-- SMOKER
1426
01:42:53,131 --> 01:42:55,200
♪ NOT A GARDEN SNAKE
I NEED A KING COBRA
1427
01:42:55,267 --> 01:42:56,735
♪ WITH A HOOK IN IT
HOPE IT LEAN OVER
1428
01:42:56,801 --> 01:42:58,370
♪ HE GOT SOME MONEY
THEN THAT'S WHERE I'M HEADED
1429
01:42:58,436 --> 01:42:59,704
♪ COOKIE A1
JUST LIKE HIS CREDIT
1430
01:42:59,771 --> 01:43:02,007
♪ HE GOT A BEARD
WELL, I'M TRYNA WET IT
1431
01:43:02,073 --> 01:43:04,075
♪ I LET HIM HMMM
NOW HE DIABETIC
1432
01:43:04,142 --> 01:43:05,043
♪ I DON'T WANNA HMMM
I WANNA-- WOO
1433
01:43:05,110 --> 01:43:08,513
♪ I WANNA
I WANT YOU TO TOUCH THAT
1434
01:43:08,580 --> 01:43:10,081
♪ TOUCH THAT
IT'S SWINGING IN
1435
01:43:10,148 --> 01:43:11,483
♪ THE BACK OF MY--
MY TOE GAME IS FIRE
1436
01:43:11,550 --> 01:43:13,285
♪ DASANI, DASANI
IT'S GOING IN DRY
1437
01:43:13,351 --> 01:43:15,120
♪ AND IT'S COMING OUT SOGGY
I RUN ON THAT THANG
1438
01:43:15,186 --> 01:43:17,022
♪ LIKE THE COPS IS BEHIND ME
THE WAY THAT I SPIT
1439
01:43:17,088 --> 01:43:19,357
♪ NOW HE TRYNA SIGN ME
NOW GET YOUR BOOTS
1440
01:43:19,424 --> 01:43:21,026
♪ AND YOUR COAT
FOR THIS WET-WET-WET
1441
01:43:21,092 --> 01:43:23,562
♪ NOW GET A BUCKET
AND A MOP
1442
01:43:23,628 --> 01:43:27,832
♪ THAT'S SOME WET-WET-WET
I'M TALKING WAP, WAP WAP
1443
01:43:27,899 --> 01:43:33,071
♪ THAT'S SOME WET-WET-WET
NOW MAKE IT RAIN IF YOU WANNA
1444
01:43:33,138 --> 01:43:37,075
♪ SEE SOME WET-WET-WET
1445
01:43:37,142 --> 01:43:40,145
♪ ♪ ♪
♪ ♪ ♪
1446
01:43:40,211 --> 01:43:41,179
NOW FROM THE TOP
♪ MAKE IT DROP
1447
01:43:41,246 --> 01:43:44,349
THAT'S SOME WET
♪ THAT'S SOME WET
1448
01:43:44,416 --> 01:43:46,751
GET A BUCKET AND A MOP
♪ THAT'S SOME WET
1449
01:43:46,818 --> 01:43:48,920
THAT'S SOME WET
♪ I'M TALKING DROP, DROP, DROP
1450
01:43:48,987 --> 01:43:51,590
THAT'S SOME WET
♪ THAT'S SOME WET
1451
01:43:51,656 --> 01:43:53,091
MACARONI IN A POT
♪ THAT'S SOME WET
1452
01:43:53,158 --> 01:44:03,134
THAT'S SOME WET ♪
1453
01:44:03,201 --> 01:44:08,073
THAT'S SOME WET ♪
1454
01:44:08,139 --> 01:44:08,840
WOW, WOW, DID YOU SEE
THAT?
1455
01:44:08,907 --> 01:44:11,610
DID YOU SEE THAT!
1456
01:44:11,676 --> 01:44:16,314
WOW, CARDI B, FEATURING MEGAN
THEE STALLION, THAT WAS AMAZING
1457
01:44:16,381 --> 01:44:20,051
WOW, THAT WAS AMAZING, THE GIANT
SHOE, THE GIANT-- OH, AND IT IS
1458
01:44:20,118 --> 01:44:23,922
SO SOFT WHAT IS THE THREAD
COUNT, THIS IS AMAZING, WOW,
1459
01:44:23,989 --> 01:44:26,791
GUYS, GUYS, WAIT, WAIT, I JUST
REALIZED SOMETHING.
1460
01:44:26,858 --> 01:44:30,829
THIS IS A DREAM, THIS IS A DREAM
THAT I HAVE HAD TO BE IN BED
1461
01:44:30,895 --> 01:44:35,367
WITH CARDI B AND THEN MY
GRANDMOTHER COMES IN AND WHIPPED
1462
01:44:35,433 --> 01:44:38,937
OUR ASS FOR HAVING OUR SHOES ON
IN THE BED, SHE WILL WHIP YOUR
1463
01:44:39,004 --> 01:44:40,105
ASS.
1464
01:44:40,171 --> 01:44:41,773
I DON'T KNOW ABOUT YOU, BUT
WE HAVE TO COOL DOWN, WE'RE
1465
01:44:41,840 --> 01:44:45,910
GOING TO GO FOR A QUICK BREAK
AND LET THE STAGE DRY OFF, POST
1466
01:44:45,977 --> 01:44:51,082
MALONE, DOJA CAT, BTS AND LIL
BABY ARE ALL COMING UP.
1467
01:44:51,149 --> 01:44:59,090
THIS IS IT.
1468
01:44:59,157 --> 01:45:03,495
♪ ♪ ♪
♪ ♪ ♪
1469
01:45:03,561 --> 01:45:06,097
♪ FOR COMPLETE COVERAGE OF THE
GRAMMY AWARDS, EXCLUSIVE
1470
01:45:06,164 --> 01:45:09,067
HIGHLIGHTS, BACKSTAGE ACCESS AND
LIVER INTERVIEWS WITH TONIGHT'S
1471
01:45:09,134 --> 01:45:11,636
-WINNERS VISIT GRAMMY.
-COM.
1472
01:45:15,073 --> 01:45:22,213
♪ ♪ ♪
1473
01:45:22,280 --> 01:45:23,748
WELL, GOBBLE ME,
SWALLOW ME, DRIP DOWN THE SIDE
1474
01:45:23,815 --> 01:45:25,050
OF ME.
1475
01:45:25,116 --> 01:45:26,217
WELCOME BACK.
1476
01:45:26,284 --> 01:45:28,720
TO PRESENT OUR NEXT GRAMMY
AWARD, LET'S GO TO THE HEART OF
1477
01:45:28,787 --> 01:45:33,558
HARLEM AND PERHAPS THE MOST
HISTORIC INDEPENDENT VENUE IN
1478
01:45:33,625 --> 01:45:34,793
AMERICA.
1479
01:45:34,859 --> 01:45:38,229
LET'S MEET BILLY MITCHELL AT ONE
OF THE MOST ICONIC PLACES FOR
1480
01:45:38,296 --> 01:45:40,732
MUSICIANS TO PERFORM, AND FOR
1481
01:45:40,799 --> 01:45:44,369
THE WORLD FAMOUS APOLLO THEATER.
1482
01:45:45,603 --> 01:45:51,443
MY NAME IS BILLY MITCHELL,
THEY CALL ME MR. APPALLO, I
1483
01:45:51,509 --> 01:45:55,447
FIRST STARTED RUNNING ERRANDS AT
THE THEATER, I USED TO RUN
1484
01:45:55,513 --> 01:45:57,515
ERRANDS FOR JAMES BROWN AND HIS
BAND.
1485
01:45:57,582 --> 01:45:59,617
HE WOULD ALWAYS ASK ME,
MR. BILLY, HOW ARE YOU DOING IN
1486
01:45:59,684 --> 01:46:02,654
SCHOOL, I WOULD SAY I'M DOING
GREAT, AND APPARENTLY HE DIDN'T
1487
01:46:02,721 --> 01:46:07,358
BELIEVE ME, BECAUSE ONE DAY
MR. BROWN MADE ME LEAVE THE
1488
01:46:07,425 --> 01:46:09,928
APPALLO, GO ALL THE WAY BACK TO
THE BRONX, GET MY REPORT CARD
1489
01:46:09,994 --> 01:46:11,463
AND SHOW IT TO HIM.
1490
01:46:11,529 --> 01:46:14,933
AND WHEN JAMES BROWN NOTICED MY
REPORT CARD HE TOLD ME THAT I
1491
01:46:14,999 --> 01:46:17,936
WAS NOT ALLOWED TO COME BACK TO
THE APPALLO AND RUNNER RANDS
1492
01:46:18,002 --> 01:46:19,237
UNTIL I GOT MY GRADES UP.
1493
01:46:19,304 --> 01:46:22,240
SO WITH THAT THREAT IN MIND, I
BECAME A MEMBER OF THE HONOR
1494
01:46:22,307 --> 01:46:26,244
ROLL AND AS A GRADUATION GIFT
JAMES BROWN GAVE ME SOME MONEY.
1495
01:46:26,311 --> 01:46:29,447
I USED THAT MONEY TO ENROLL INTO
BUSINESS SCHOOL AND THAT STARTED
1496
01:46:29,514 --> 01:46:33,485
MY CAREER AT THE APPALLO
THEATER.
1497
01:46:33,551 --> 01:46:34,719
THANK YOU JAMES BROWN.
1498
01:46:34,786 --> 01:46:39,624
THIS WAS THE FIRST YEAR THEATER
THAT NOT ONLY SHOWED BLACK
1499
01:46:39,691 --> 01:46:42,227
TALENT ON THE STAGE BUT THE
FIRST THAT HIRED BLACK CREW AND
1500
01:46:42,293 --> 01:46:44,462
ALSO LET BLACKS SIT IN THE
AUDIENCE.
1501
01:46:44,529 --> 01:46:47,699
THE APPALLO WAS THE FIRST
THEATER IN HARLEM TO DO THAT.
1502
01:46:47,766 --> 01:46:50,902
CULTURALLY THIS PLACE IS LIKE
THE BEACON FOR
1503
01:46:50,969 --> 01:46:51,870
AFRICAN-AMERICANS.
1504
01:46:51,936 --> 01:46:57,609
THERE IS SOMETHING SPECIAL ABOUT
THIS BUILDING.
1505
01:46:57,675 --> 01:47:03,181
IT IS SO HEARTBREAKING, WE MISS
OUR AUDIENCE AND WE CAN'T WAIT
1506
01:47:03,248 --> 01:47:05,383
UNTIL OUR DOORS ARE OPEN BACK UP
AGAIN.
1507
01:47:05,450 --> 01:47:07,051
WE JUST CAN'T WAIT.
1508
01:47:07,118 --> 01:47:10,655
AND WE DO OPEN BACK UP, IT IS
GOING TO BE ABSOLUTELY AMAZING.
1509
01:47:10,722 --> 01:47:13,825
NOBODY DOES IT BETTER THAN US.
1510
01:47:13,892 --> 01:47:18,496
I WAS A POOR KID FROM MOUNT
VERNON, NEW YORK, NOW BEING
1511
01:47:18,563 --> 01:47:20,532
ASKED TO PRESENT ON THE GRAMMYS.
1512
01:47:20,598 --> 01:47:22,700
MAN, IT GETS NO BETTER THAN
THIS.
1513
01:47:22,767 --> 01:47:26,237
AND I AM SO GRATEFUL AND
APPRECIATIVE, I REALLY AM.
1514
01:47:26,304 --> 01:47:31,075
IT IS MY HONOR TO PRESENT THE
TBRAMMEE AWARD FOR BEST RAP
1515
01:47:31,142 --> 01:47:31,743
SONG.
1516
01:47:31,810 --> 01:47:36,514
AND HERE ARE THE NOMINATIONS.
1517
01:47:36,581 --> 01:47:38,216
♪ ♪ ♪
"THE BIGGER
1518
01:47:38,283 --> 01:47:40,718
PICTURE," LIL BABY.
1519
01:47:40,785 --> 01:47:45,557
"THE BOX," RODDY RICCH.
1520
01:47:45,623 --> 01:47:50,228
"LAUGH NOW, CRY LATER," DRAKE
FEATURING LIL DURK.
1521
01:47:50,295 --> 01:47:54,232
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.
1522
01:47:54,299 --> 01:48:01,840
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.
1523
01:48:01,906 --> 01:48:04,809
♪ ♪ ♪
1524
01:48:04,876 --> 01:48:08,012
AND LET'S GO BACK TO
MR. APOLLO.
1525
01:48:08,079 --> 01:48:14,219
MR. MITCHELL, TELL US WHO THE
WINNER IS.
1526
01:48:14,285 --> 01:48:22,227
ALL RIGHT, THANK YOU, TREVOR.
1527
01:48:22,293 --> 01:48:26,231
"SAVAGE," MEGAN THEE STALLION
1528
01:48:26,297 --> 01:48:28,399
FEATURING BEYONCE.
1529
01:48:28,466 --> 01:48:34,239
♪ ♪ ♪
1530
01:48:34,305 --> 01:48:40,011
♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH
1531
01:48:40,078 --> 01:48:42,046
♪ SASSY, MOODY, NASTY
HEY, HEY YEAH
1532
01:48:42,113 --> 01:48:45,617
♪ ACTING STUPID
WHAT'S HAPPENING?
1533
01:48:45,683 --> 01:48:46,784
♪ WHAT'S HAPPENING?
1534
01:48:46,851 --> 01:48:50,688
♪ I'M A SAVAGE, YEAH
1535
01:48:50,755 --> 01:48:54,225
CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY
1536
01:48:54,292 --> 01:48:56,561
HEY, HEY YEAH
♪ ACTING STUPID
1537
01:48:56,628 --> 01:48:58,229
WHAT'S HAPPENING?
1538
01:48:58,296 --> 01:49:02,233
♪ WHAT'S HAPPENING?
1539
01:49:02,300 --> 01:49:12,277
FIRST OF ALL,-- OKAY, BECAUSE
1540
01:49:12,343 --> 01:49:17,482
FIRST OF ALL,-- OKAY, BECAUSE
1541
01:49:17,548 --> 01:49:20,451
I SAID I WILL BRING MY PAPER UP
HERE SO I'M NOT GOING TO FORGET
1542
01:49:20,518 --> 01:49:26,691
TO THANK NOBODY, AND NOW I CAME
UP HERE-- FIRST OF ALL, I HAVE
1543
01:49:26,758 --> 01:49:30,662
TO KEEP THANKING GOD BECAUSE
WITHOUT GOD NONE OF US WOULD BE
1544
01:49:30,728 --> 01:49:32,196
HERE TODAY.
1545
01:49:32,263 --> 01:49:35,800
AND I ALSO WANT TO THANK, I ALSO
WANT TO SAY CONGRATULATIONS TO
1546
01:49:35,867 --> 01:49:42,674
EVERYBODY WHO WAS NOMINATED
BECAUSE ALL OF THESE SONGS WERE
1547
01:49:42,740 --> 01:49:43,808
AMAZING.
1548
01:49:43,875 --> 01:49:47,679
WE WOULDN'T-- MUSIC REALLY
HELPED A LOT OF US GET THROUGH
1549
01:49:47,745 --> 01:49:48,813
THE PANDEMIC.
1550
01:49:48,880 --> 01:49:52,083
SO LIKE I SAID, SHOUT OUT TO
EVERYBODY WHO IS HERE TODAY,
1551
01:49:52,150 --> 01:49:54,519
BECAUSE A LOT OF THESE SONGS
PUSHED US ALL THE WAY THROUGH.
1552
01:49:54,585 --> 01:50:03,795
I DEFINITELY WANT TO SAY THANK
YOU TO BEYONCE.
1553
01:50:03,861 --> 01:50:09,534
IF YOU KNOW ME, YOU HAVE TO KNOW
THAT EVER SINCE I WAS LITTLE I
1554
01:50:09,600 --> 01:50:13,972
WAS LIKE YOU KNOW WHAT, ONE DAY
I'M GOING TO GROW UP AND I WILL
1555
01:50:14,038 --> 01:50:16,708
BE LIKE BEYONCE, THAT WAS
DEFINITELY MY GOAL.
1556
01:50:16,774 --> 01:50:20,044
AND I REMEMBER I WENT TO THE
RODEO FOR THE FIRST TIME AND I
1557
01:50:20,111 --> 01:50:24,082
SAW DESTINY'S CHILD PERFORM AND
I WAS LIKE YOU KNOW WHAT, I LOVE
1558
01:50:24,148 --> 01:50:27,418
HER WORK, I LOVE THE WAY SHE IS,
I LOVE THE WAY SHE CARRY HERSELF
1559
01:50:27,485 --> 01:50:30,922
AND MY MAMA WOULD ALWAYS BE LIKE
MEGAN WHACK WOULD-BE YONS DO.
1560
01:50:30,989 --> 01:50:34,125
AND MI ALWAYS LIKE, YOU KNOW
WHAT, WHAT WOULD-BE YONS DO.
1561
01:50:34,192 --> 01:50:40,798
BUT LET ME MAKE IT A LITTLE
RATCHET.
1562
01:50:40,865 --> 01:50:42,567
BUT--
1563
01:50:42,633 --> 01:50:49,907
SO THANK YOU BEYONCE, FOR YOUR
ENCOURAGING WORDS ALL THE TIME.
1564
01:50:49,974 --> 01:50:53,978
THANK YOU FOR-- FOR PUTTING ME
ON ROCK NATION, MY LIFE HAS
1565
01:50:54,045 --> 01:50:56,714
CHANGED, THANK YOU, I KNOW YOU
WATCHING.
1566
01:50:56,781 --> 01:51:03,588
AND YEAH, JUST THANK YOU, WE DID
IT.
1567
01:51:03,654 --> 01:51:07,091
I JUST WANT TO QUICKLY GIVE
MY LOVE TO MEGAN, HAVE I SO MUCH
1568
01:51:07,158 --> 01:51:10,094
RESPECT FOR YOU AND I'M HONORED
THAT YOU CANNED ME TO BE A PART
1569
01:51:10,161 --> 01:51:15,033
OF THT SONG, AND I WANT TO SEAU
HOUSTON, WE LOVE YOU, THANK YOU
1570
01:51:15,099 --> 01:51:15,800
GRAMMYS.
1571
01:51:15,867 --> 01:51:16,734
THANK YOU.
1572
01:51:16,801 --> 01:51:19,704
MEGAN AND BEYONCE,
1573
01:51:19,771 --> 01:51:20,838
CONGRATULATIONS.
1574
01:51:20,905 --> 01:51:23,641
BEFORE YOU LEAVE THE STAGE,
BEFORE YOU LEAVE THE STAGE I
1575
01:51:23,708 --> 01:51:27,178
JUST WANTED TO SAY THIS, WE WANT
EVERYBODY TO KNOW THAT RIGHT NOW
1576
01:51:27,245 --> 01:51:28,713
GRAMMY HISTORY HAS BEEN MADE.
1577
01:51:28,780 --> 01:51:34,218
BECAUSE WITH THAT AWARD, BEYONCE
HAS JUST TIED THE ALL-TIME
1578
01:51:34,285 --> 01:51:40,691
RECORD FOR MOST GRAMMY WINS EVER
BY A FEMALE ARTIST AND BY ANY
1579
01:51:40,758 --> 01:51:42,226
SINGER MALE OR FEMALE.
1580
01:51:42,293 --> 01:51:44,962
SO CONGRATULATIONS QUEEN B.
1581
01:51:45,029 --> 01:51:50,234
BEYONCE IS TIED AT 27 GRAMMYS,
TIED AT 27 GRAMMYS.
1582
01:51:50,301 --> 01:51:52,737
WHAT AN ACHIEVEMENT.
1583
01:51:52,804 --> 01:51:54,205
WOW.
1584
01:51:54,272 --> 01:51:58,176
LADIES,.
1585
01:51:58,242 --> 01:52:01,345
ALL RIGHT, IT IS TIME FOR
ANOTHER RECORD OF THE YEAR
1586
01:52:01,412 --> 01:52:02,480
NOMINEE FILM.
1587
01:52:02,547 --> 01:52:05,049
REMEMBER, AN EXTENDED VERSION OF
ALL OF OUR FILMS WILL BE
1588
01:52:05,116 --> 01:52:06,317
AN EXTENDED VERSION OF
ALL OUR FILMS WILL BE AVAILABLE
1589
01:52:06,384 --> 01:52:07,652
AFTER THE SHOW TONIGHT ON
PARAMOUNT+.
1590
01:52:07,718 --> 01:52:10,254
HERE'S A REVEALING LOOK AT THE
CHARMING CHARACTER BEHIND ALL
1591
01:52:10,321 --> 01:52:14,225
THOSE MASSIVE HITS AND THREE NEW
GRAMMY NOMINATIONS THIS YEAR.
1592
01:52:14,292 --> 01:52:18,229
THIS IS POST MALONE.
1593
01:52:18,296 --> 01:52:29,040
♪ ♪ ♪
1594
01:52:29,107 --> 01:52:32,910
MAKING CIRCLES, MY VOICE WAS
GONE, I HAD BEEN JAMMING AND
1595
01:52:32,977 --> 01:52:39,951
SINGING ALL DAY, AND I WAS LIKE
THIS SONG IS TERRIBLE.
1596
01:52:40,017 --> 01:52:42,653
AND THEN I CAME BACK TO IT A
LITTLE WHILE LATER AND IT TURNED
1597
01:52:42,720 --> 01:52:45,790
OUT TO BE A PRETTY DECENT SONG.
1598
01:52:45,857 --> 01:52:49,193
I FEEL LIKE I DO EXPRESS MYSELF
BEST IN MUSIC.
1599
01:52:49,260 --> 01:52:51,696
I'M NOT THE MOST EXTROVERTED
GUY.
1600
01:52:51,762 --> 01:52:57,068
PEOPLE COME UP TO ME PLAYING MY
SONG AND I WILL BE LIKE, I'M
1601
01:52:57,135 --> 01:52:58,236
SUPER SHOCKED.
1602
01:52:58,302 --> 01:53:01,139
PERFORMING IS ABSOLUTELY
TERRIFYING.
1603
01:53:01,205 --> 01:53:07,078
YOU GO INTO THE ARENA AND
EVERYBODY IS HYPED UP, IT MAKES
1604
01:53:07,145 --> 01:53:17,054
IT EASIER TO GO BUCK WILD.
1605
01:53:17,121 --> 01:53:24,462
IT EASIER TO GO BUCK WILD.
1606
01:53:24,529 --> 01:53:27,565
I THINK IT WAS WHENEVER I
STARTED PLAYING GUITAR HERE I
1607
01:53:27,632 --> 01:53:29,600
WAS LIKE I WANT TO BE A MUS IG.
1608
01:53:29,667 --> 01:53:33,504
NEVER IN MY LIFE DID I EVER
THINK THAT IT WOULD ACTUALLY
1609
01:53:33,571 --> 01:53:34,739
HAPPEN.
1610
01:53:34,805 --> 01:53:37,942
GROWING UP IT WAS A VERY MUSIC
APPRECIATIVE HOUSEHOLD BUT MUSIC
1611
01:53:38,009 --> 01:53:39,310
TALENT, NOT SO MUCH.
1612
01:53:39,377 --> 01:53:43,447
YOU SHOULD HEAR MY MOM SING AND
MY DAD SING.
1613
01:53:43,514 --> 01:53:53,291
GOD BLESS AUTO TUNE, EVEN I CAN
SING A COUPLE SONGS.
1614
01:53:53,357 --> 01:53:57,895
I'M SO BLESSED AND HONORED TO BE
ABLE TO DO MUSIC, AS MY JOB.
1615
01:53:57,962 --> 01:53:59,397
SO THANK YOU VERY MUCH.
1616
01:53:59,463 --> 01:54:00,464
CHEERS.
1617
01:54:00,531 --> 01:54:04,802
AND NOW PERFORMING
HOLLYWOOD'S BLEEDING, THIS IS
1618
01:54:04,869 --> 01:54:09,674
POST MALONE.
1619
01:54:46,244 --> 01:54:49,880
♪ ♪ ♪
♪ HOLLYWOOD'S BLEEDING
1620
01:54:49,947 --> 01:54:54,185
VAMPIRES FEEDIN'
♪ DARKNESS TURNS TO DUST
1621
01:54:54,252 --> 01:54:57,555
EVERYONE'S GONE
♪ BUT NO ONE'S LEAVIN'
1622
01:54:57,622 --> 01:55:04,262
NOBODY LEFT BUT US
♪ TRYNA CHASE A FEELIN'
1623
01:55:04,328 --> 01:55:09,233
BUT WE'LL NEVER FEEL IT
♪ RIDIN' ON THE LAST TRAIN HOME
1624
01:55:09,300 --> 01:55:14,238
DYIN' IN OUR SLEEP
♪ WE'RE LIVIN' OUT A DREAM
1625
01:55:14,305 --> 01:55:16,707
WE ONLY MAKE IT OUT ALONE
♪ I JUST KEEP ON HOPIN'
1626
01:55:16,774 --> 01:55:21,946
THAT YOU CALL ME
♪ YOU SAY YOU WANNA SEE ME
1627
01:55:22,013 --> 01:55:25,583
BUT YOU CAN'T RIGHT NOW
♪ YOU NEVER TOOK THE TIME
1628
01:55:25,650 --> 01:55:28,686
TO GET TO KNOW ME
♪ WAS SCARED OF LOSIN' SOMETHIN'
1629
01:55:28,753 --> 01:55:34,225
THAT WE NEVER FOUND
♪ WE'RE RUNNING OUT OF REASONS
1630
01:55:34,292 --> 01:55:40,731
BUT WE CAN'T LET GO
♪ YEAH, HOLLYWOOD IS BLEEDING
1631
01:55:40,798 --> 01:55:46,237
BUT WE CALL IT HOME
♪ OUTSIDE, THE WINTER
1632
01:55:46,304 --> 01:55:50,241
SKY TURNIN' GREY
♪ CITY UP IN SMOKE
1633
01:55:50,308 --> 01:55:52,710
IT'S ONLY ASH WHEN IT RAINS
♪ HOWL AT THE MOON AND
1634
01:55:52,777 --> 01:55:56,247
GO TO SLEEP IN THE DAY
♪ LOVE FOR EVERYBODY 'TIL
1635
01:55:56,314 --> 01:55:58,215
THE DRUGS FADE AWAY
♪ IN THE MORNIN'
1636
01:55:58,282 --> 01:56:00,685
BLOCKING OUT THE SUN
♪ WITH THE SHADES
1637
01:56:00,751 --> 01:56:02,887
SHE GOTTA CHECK HER PULSE
♪ AND TELL HERSELF THAT SHE OKAY
1638
01:56:02,953 --> 01:56:06,290
IT SEEM LIKE DYING YOUNG
♪ IS AN HONOR
1639
01:56:06,357 --> 01:56:07,892
BUT WHO'D BE AT MY FUNERAL?
1640
01:56:07,958 --> 01:56:09,160
♪ I WONDER
I GO OUT
1641
01:56:09,226 --> 01:56:13,798
♪ AND ALL THEY EYES ON ME
I SHOUT OUT
1642
01:56:13,864 --> 01:56:18,235
♪ "DO YOU LIKE WHAT YOU SEE?"
AND NOW THEY CLOSIN' IN ON ME
1643
01:56:18,302 --> 01:56:21,972
♪ LET 'EM SHARPEN ALL THEY TEETH
THIS IS MORE THAN I CAN HANDLE
1644
01:56:22,039 --> 01:56:25,009
♪ BLOOD IN MY LAMBO'
WISH I COULD GO
1645
01:56:25,076 --> 01:56:28,012
♪ OH, I'M LOSIN' HOPE
I LIGHT A CANDLE
1646
01:56:28,079 --> 01:56:30,214
♪ SOME PALO SANTO
FOR ALL THESE DEMONS
1647
01:56:30,281 --> 01:56:38,222
♪ WISH I COULD JUST GO ON
I JUST KEEP ON HOPIN'
1648
01:56:38,289 --> 01:56:40,725
♪ THAT YOU CALL ME
YOU SAY YOU WANNA SEE ME
1649
01:56:40,791 --> 01:56:43,227
♪ BUT YOU CAN'T RIGHT NOW
YOU NEVER TOOK THE TIME
1650
01:56:43,294 --> 01:56:49,300
♪ TO GET TO KNOW ME
WAS SCARED OF LOSIN' SOMETHIN'
1651
01:56:49,367 --> 01:56:52,737
♪ THAT WE NEVER FOUND
WE'RE RUNNING OUT OF REASONS
1652
01:56:52,803 --> 01:57:02,246
♪ BUT WE CAN'T LET GO
YEAH, HOLLYWOOD IS BLEEDING
1653
01:57:02,313 --> 01:57:12,590
♪ BUT WE CALL IT HOME ♪
1654
01:57:12,656 --> 01:57:14,058
THAT'S RIGHT, POST MALONE,
EVERYBODY.
1655
01:57:14,125 --> 01:57:16,727
THANK YOU SO MUCH, THAT WAS AN
AMAZING PERFORMANCE.
1656
01:57:16,794 --> 01:57:19,864
AND EVEN MORE AMAZING FACE
TATTOO, THAT IS THE MOST READING
1657
01:57:19,930 --> 01:57:20,998
HAVE I DONE ALL YEAR.
1658
01:57:21,065 --> 01:57:24,268
STAY TUNED BECAUSE WHEN WE COME
BACK, LIL BABY GIVES A
1659
01:57:24,335 --> 01:57:26,270
PERFORMANCE YOU DO NOT WANT TO
MISS.
1660
01:57:26,337 --> 01:57:28,672
THIS IS CBS.
1661
01:57:28,739 --> 01:57:33,711
JOIN THE CONVERSATION WITH
1662
01:57:33,778 --> 01:57:37,381
MUSIC FANS AROUND THE WORLD AND
FOLLOW THE RECORDING ACADEMY FOR
1663
01:57:37,448 --> 01:57:39,784
EVERYTHING GRAMMY AWARDS.
1664
01:57:39,850 --> 01:57:41,685
THE THE 63rd GRAMMY AWARDS IS
1665
01:57:41,752 --> 01:57:42,753
SPONSORED BY PANTENE.
1666
01:57:51,262 --> 01:57:53,264
♪ ♪ ♪
WELCOME BACK TO THE
1667
01:57:53,330 --> 01:57:55,099
GRAMMYS.
1668
01:57:55,166 --> 01:57:56,801
NOW, PLEASE WELCOME TWO
INCREDIBLE ARTISTS WHO ARE BOTH
1669
01:57:56,867 --> 01:58:01,105
NOMINATED FOR ALBUM OF THE YEAR
JHENE AIKO AND JACOB
1670
01:58:01,172 --> 01:58:05,109
COLLIER.
1671
01:58:05,176 --> 01:58:12,016
♪ ♪ ♪
THANK YOU.
1672
01:58:12,082 --> 01:58:17,021
JACOB AND I BOTH FEEL SO HONORED
TO BE NOMINATED FOR
1673
01:58:17,087 --> 01:58:19,523
ALBUM OF THE YEAR.
1674
01:58:19,590 --> 01:58:23,761
COMGRATS.
1675
01:58:23,828 --> 01:58:24,962
LIKEWISE.
1676
01:58:25,029 --> 01:58:25,663
AND VERY HAPPY TO BE HERE TO
PRESENT THE GRAMMY FOR BEST POP
1677
01:58:25,729 --> 01:58:26,897
VOCAL ALBUM.
1678
01:58:26,964 --> 01:58:28,866
THIS CATEGORY WAS STARTED IN
1995, AND, IN JUST THAT TIME,
1679
01:58:28,933 --> 01:58:30,100
THIS AWARD HAS GONE TO THE LIKES
OF LEGENDS FROM RAY CHARLES TO
1680
01:58:30,167 --> 01:58:31,335
BRUNO MARS.
1681
01:58:31,402 --> 01:58:33,070
AND FROM BONNIE RAITT TO
ADELE.
1682
01:58:33,137 --> 01:58:37,107
THESE ARE THE OUTSTANDING
NOMINATIONS FOR BEST POP VOCAL
1683
01:58:37,174 --> 01:58:41,111
ALBUM.
1684
01:58:41,178 --> 01:58:43,647
♪ ♪ ♪
"CHANGES," JUSTIN
1685
01:58:43,714 --> 01:58:49,086
BIEBER.
1686
01:58:49,153 --> 01:58:53,090
"CHROMATICA," LADY GAGA.
1687
01:58:53,157 --> 01:58:55,626
"FUTURE NOSTALGIA," DUA LIPA.
1688
01:58:55,693 --> 01:59:01,098
"FINE LINE," HARRY STYLES.
1689
01:59:01,165 --> 01:59:05,102
"FOLKLORE," TAYLOR SWIFT.
1690
01:59:15,045 --> 01:59:19,583
"FUTURE NOSTALGIA," DUA LIPA.
1691
01:59:33,163 --> 01:59:36,734
♪ ♪ ♪
OH MY GOODNESS.
1692
01:59:36,800 --> 01:59:40,104
WOW, THANK YOU SO MUCH.
1693
01:59:40,170 --> 01:59:44,141
THIS IS INSANE.
1694
01:59:44,208 --> 01:59:46,577
FUTURE NOSTALGIA MEANS THE
ABSOLUTE WORLD TO ME AND IT HAS
1695
01:59:46,644 --> 01:59:49,847
CHANGED MY LIFE IN SO MANY WAYS.
1696
01:59:49,914 --> 01:59:54,885
BUT ONE THING THAT I HAVE REALLY
COME TO REALIZE IS HOW MUCH
1697
01:59:54,952 --> 01:59:57,054
HAPPINESS IS SO IMPORTANT.
1698
01:59:57,121 --> 01:59:59,723
I FELT REALLY DATED AT THE END
OF MY LAST ALBUM WHERE I FELT
1699
01:59:59,790 --> 02:00:03,427
LIKE I ONLY HAD TO MAKE SAD
MUSIC TO FEEL LIKE IT MATTERED.
1700
02:00:03,494 --> 02:00:08,532
AND MI JUST SO GRATEFUL AND SO
HONORED BECAUSE HAPPINESS IS
1701
02:00:08,599 --> 02:00:11,168
SOMETHING WE ALL DESERVE AND
NEED IN OUR LIVES.
1702
02:00:11,235 --> 02:00:13,971
AND I REALLY WANT TO SAY A
MASSIVE, MASSIVE THANK YOU TO
1703
02:00:14,038 --> 02:00:18,542
ALL THE FANS THAT HAVE, THIS IS
ALL BECAUSE OF YOU.
1704
02:00:18,609 --> 02:00:21,645
HONESTLY, THIS IS ALL YOU AND I
APPRECIATE EVERY SINGLE THING
1705
02:00:21,712 --> 02:00:23,614
THAT YOU HAVE DONE FOR THIS
ALBUM.
1706
02:00:23,681 --> 02:00:28,419
I WANT TO SAY A MASSIVE THANK
YOU TO MY MANAGERS, BEN, ED,
1707
02:00:28,485 --> 02:00:32,957
WENDY, GEORGE, WHO HAVE BEEN
WITH ME SINCE I WAS 17, WHO HAVE
1708
02:00:33,023 --> 02:00:34,158
REALLY FOUGHT MY CORNER.
1709
02:00:34,224 --> 02:00:37,361
I WANT TO SAY THANK YOU TO MY
LABEL, WARNER RECORDS AND YOU
1710
02:00:37,428 --> 02:00:42,800
SAY THANK YOU TO JOE, TO MAX, TO
TOM, TO PHIL, TO MIKE, AND THE
1711
02:00:42,866 --> 02:00:44,735
WHOLE RADIO TEAM IT REALLY MEANS
A LOT TO ME.
1712
02:00:44,802 --> 02:00:50,407
THANK YOU SO MUCH, TO ALL THE
INCREDIBLE WRITERS, ARTISTS AND
1713
02:00:50,474 --> 02:00:52,910
PRODUCERS THAT I GOT TO MAKE
THIS ALBUM WITH.
1714
02:00:52,977 --> 02:00:54,144
THIS MEANS SO MUCH.
1715
02:00:54,211 --> 02:00:57,181
THANKS TO MY FAMILY AND FRIENDS
WATCHING AT HOME, I LOVE YOU,
1716
02:00:57,247 --> 02:01:01,118
THANK YOU.
1717
02:01:01,185 --> 02:01:05,155
MWAH.
1718
02:01:05,222 --> 02:01:07,658
CONGRATULATIONS, DUA
1719
02:01:07,725 --> 02:01:08,792
LIPA.
1720
02:01:08,859 --> 02:01:11,295
THIS WEDNESDAY NIGHT, THE
RECORDING ACADEMY IS BRINGING
1721
02:01:11,362 --> 02:01:13,664
YOU "A GRAMMY SALUTE TO THE
SOUNDS OF CHANGE," A CBS SPECIAL
1722
02:01:13,731 --> 02:01:16,500
HONORING THE POWER OF MUSIC TO
SPEAK TO ITS TIMES.
1723
02:01:16,567 --> 02:01:19,837
AND RIGHT NOW, WE'RE GOING JUST
DOWN THERE FOR AN UNFORGETTABLE
1724
02:01:19,903 --> 02:01:21,105
PERFORMANCE.
1725
02:01:21,171 --> 02:01:23,907
HERE PERFORMING "THE BIGGER
PICTURE," PLEASE WELCOME LIL
1726
02:01:23,974 --> 02:01:29,113
BABY.
1727
02:01:29,179 --> 02:01:41,158
WHEN I WAS GROWING UP I WAS
1728
02:01:41,225 --> 02:01:43,527
TAUGHT IN AMERICAN HISTORY BOOKS
THAT AFRICA HAD NO HISTORY AND
1729
02:01:43,594 --> 02:01:49,166
NEITHER DID I.
1730
02:01:49,233 --> 02:01:51,802
THAT I WAS A SAVAGE.
1731
02:01:51,869 --> 02:01:53,037
ABOUT WHOM THE LESS SAID, THE
BETTER.
1732
02:01:53,103 --> 02:02:01,178
WHO HAD BEEN SAVED BY EUROPE AND
BROUGHT TO AMERICA.
1733
02:02:01,245 --> 02:02:04,882
AND, OF COURSE, I BELIEVED IT.
1734
02:02:04,948 --> 02:02:06,050
I DIDN'T HAVE MUCH CHOICE.
1735
02:02:06,116 --> 02:02:08,719
♪ TRADE MY 4 X 4 FOR A G63
AIN'T NO MORE FREE LIL' STEVE
1736
02:02:08,786 --> 02:02:11,355
♪ I GAVE 'EM CHANCE AND CHANCE
AND CHANCE AGAIN
1737
02:02:11,422 --> 02:02:12,956
♪ I EVEN DONE TOLD THEM PLEASE
I FIND IT CRAZY THE POLICE'LL
1738
02:02:13,023 --> 02:02:14,925
♪ SHOOT YOU AND
KNOW THAT YOU DEAD
1739
02:02:14,992 --> 02:02:16,927
♪ BUT STILL TELL YOU TO FREEZE
-- UP, I SEEN WHAT I SEEN
1740
02:02:16,994 --> 02:02:18,529
♪ I GUESS THAT MEAN HOLD HIM
DOWN IF HE SAY HE CAN'T BREATHE
1741
02:02:18,595 --> 02:02:19,730
♪ IT'S TOO MANY MOTHERS
THAT'S GRIEVING
1742
02:02:19,797 --> 02:02:24,468
♪ THEY KILLING US FOR NO REASON
BEEN GOING ON FOR TOO LONG
1743
02:02:24,535 --> 02:02:25,636
♪ TO GET EVEN
♪ LIKE DOGS AND HYENAS
1744
02:02:25,703 --> 02:02:27,371
I WENT TO COURT AND THEY
♪ SENT ME TO PRISON
1745
02:02:27,438 --> 02:02:29,106
MY MAMA WAS CRUSHED WHEN
♪ THEY SAID I CAN'T LEAVE
1746
02:02:29,173 --> 02:02:30,741
FIRST I WAS DRUNK
♪ THEN I SOBERED UP QUICK
1747
02:02:30,808 --> 02:02:32,276
WHEN I HEARD ALL THAT TIME
♪ THAT THEY GAVE TO TALIB
1748
02:02:32,342 --> 02:02:35,412
HE GOT A LIFE SENTENCE PLUS
♪ WE JUST SOME PRODUCTS
1749
02:02:35,479 --> 02:02:37,648
OF OUR ENVIRONMENT
♪ HOW THE-- THEY GON' BLAME US?
1750
02:02:37,715 --> 02:02:39,883
YOU CAN'T FIGHT FIRE WITH FIRE
♪ I KNOW, BUT AT LEAST
1751
02:02:39,950 --> 02:02:51,161
WE CAN TURN UP THE FLAMES SOME
♪ YOU GOTTA PAY ATTENTION
1752
02:02:51,228 --> 02:02:52,162
TO THE SIGNS
♪ SEEM LIKE THE BLIND
1753
02:02:52,229 --> 02:02:53,197
FOLLOWING THE BLIND
♪ THINKING 'BOUT EVERYTHING
1754
02:02:53,263 --> 02:02:54,198
THAT'S GOING ON
♪ I BOOST SECURITY UP AT MY HOME
1755
02:02:54,264 --> 02:02:55,065
I'M WITH MY KIND IF
♪ THEY RIGHT OR THEY WRONG
1756
02:02:55,132 --> 02:02:56,100
I CALL HIM NOW
♪ HE'LL PICK UP THE PHONE
1757
02:02:56,166 --> 02:02:57,034
AND IT'S 5:0 IN THE MORNING
♪ HE WAKING UP ON IT
1758
02:02:57,101 --> 02:02:58,102
TELL 'EM WHEREVER I'M AT
♪ THEN THEY COMIN'
1759
02:02:58,168 --> 02:02:59,737
I SEE BLUE LIGHTS, I GET SCARED
♪ AND START RUNNIN'
1760
02:02:59,803 --> 02:03:01,171
THAT-- BE CRAZY
♪ THEY 'POSED TO PROTECT US
1761
02:03:01,238 --> 02:03:03,741
THROW US IN HANDCUFFS
♪ AND ARREST US
1762
02:03:03,807 --> 02:03:05,175
WHILE THEY GO HOME AT NIGHT
♪ THAT-- MESSED UP
1763
02:03:05,242 --> 02:03:06,910
KNOWING WE NEEDED HELP
♪ THEY NEGLECT US
1764
02:03:06,977 --> 02:03:08,479
WONDERING WHO GON'
♪ MAKE THEM RESPECT US
1765
02:03:08,545 --> 02:03:11,415
I CAN SEE IN YOUR EYE
♪ THAT YOU FED UP
1766
02:03:11,482 --> 02:03:12,750
MESS AROUND, GOT MY SHOT
♪ I WON'T LET UP
1767
02:03:12,816 --> 02:03:13,650
THEY KNOW THAT WE
♪ A PROBLEM TOGETHER
1768
02:03:13,717 --> 02:03:15,719
THEY KNOW THAT WE CAN
♪ STORM ANY WEATHER
1769
02:03:15,786 --> 02:03:17,087
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH
1770
02:03:17,154 --> 02:03:19,790
THE WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT
1771
02:03:19,857 --> 02:03:21,358
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL
1772
02:03:21,425 --> 02:03:25,095
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR
1773
02:03:25,162 --> 02:03:29,099
I'MA MAKE IT COUNT
♪ WHILE I'M HERE
1774
02:03:29,166 --> 02:03:32,202
GOD IS THE ONLY MAN I FEAR
IT'S A STATE OF EMERGENCY.
1775
02:03:32,269 --> 02:03:35,639
IT'S BEEN A HELL OF A YEAR.
1776
02:03:35,706 --> 02:03:37,174
HELL FOR OVER 400 YEARS.
1777
02:03:37,241 --> 02:03:41,178
MY PEOPLE IT'S TIME WE STAND,
IT'S TIME WE DEMAND THE FREEDOM
1778
02:03:41,245 --> 02:03:42,446
THAT THIS LAND PROMISES.
1779
02:03:42,513 --> 02:03:45,149
PRESIDENT BIDEN, WE DEMAND
JUSTICE.
1780
02:03:45,215 --> 02:03:49,153
EQUITY, POLICY, AND EVERYTHING
ELSE THAT FREEDOM ENCOMPASSES.
1781
02:03:49,219 --> 02:03:52,523
AND TO ACCOMPLISH THIS, WE DON'T
NEED ALLIES, WE NEED
1782
02:03:52,589 --> 02:03:53,257
ACCOMPLICES.
1783
02:03:53,323 --> 02:03:54,324
IT'S BIGGER THAN BLACK AND
WHITE.
1784
02:03:54,391 --> 02:03:57,361
THIS IS NOT A TREND, THIS IS OUR
1785
02:03:57,427 --> 02:04:01,165
UNTIL FREEDOM!
1786
02:04:01,231 --> 02:04:13,610
UNTIL FREEDOM!
1787
02:04:13,677 --> 02:04:14,611
EVERY VIDEO I SEE
♪ ON MY CONSCIENCE
1788
02:04:14,678 --> 02:04:15,913
I GOT POWER NOW
♪ I GOTTA SAY SOMETHIN'
1789
02:04:15,979 --> 02:04:17,781
CORRUPTED POLICE BEEN THE
♪ PROBLEM WHERE I'M FROM
1790
02:04:17,848 --> 02:04:18,982
BUT I'D BE LYING IF I SAID
♪ IT WAS ALL OF THEM
1791
02:04:19,049 --> 02:04:20,250
I AIN'T DO THIS FOR THE TREND
♪ I DON'T FOLLOW THEM
1792
02:04:20,317 --> 02:04:21,685
ALTERCATIONS WITH THE LAW
♪ HAD A LOT OF THEM
1793
02:04:21,752 --> 02:04:23,287
PEOPLE SPEAKING FOR THE PEOPLE
♪ I'M PROUD OF THEM
1794
02:04:23,353 --> 02:04:24,855
STICK TOGETHER, WE CAN
♪ GET IT UP OUT OF THEM
1795
02:04:24,922 --> 02:04:26,223
I CAN'T LIE LIKE I DON'T RAP
♪ ABOUT KILLING AND DOPE
1796
02:04:26,290 --> 02:04:27,858
BUT I'M TELLING MY YOUNGINS
♪ TO VOTE
1797
02:04:27,925 --> 02:04:29,259
I DID WHAT I DID 'CAUSE I DIDN'T
♪ HAVE NO CHOICE OR NO HOPE
1798
02:04:29,326 --> 02:04:31,228
I WAS FORCED TO JUST
♪ JUMP IN AND GO
1799
02:04:31,295 --> 02:04:33,030
THIS-- IS ALL THAT WE KNOW
♪ BUT IT'S TIME FOR A CHANGE
1800
02:04:33,096 --> 02:04:37,134
GOT TIME TO BE SERIOUS
♪ NO TIME FOR NO GAMES
1801
02:04:37,201 --> 02:04:46,610
WE AIN'T TAKIN' NO MORE
I WAS MAGICICALLY.
1802
02:04:46,677 --> 02:04:50,214
YOU CAN FACE IT AND SEE I MESSED
UP.
1803
02:04:50,280 --> 02:04:55,652
A BEFORE HE LAY DOWN, ALL OF
THEM ALL OF US NOTHING BUT
1804
02:04:55,719 --> 02:04:59,923
SLAVES AND NEVER FORGETTING THE
STORY.
1805
02:04:59,990 --> 02:05:02,259
BIGGER THAN BLACK AND WHITE.
1806
02:05:02,326 --> 02:05:05,095
CAN'T CHANGE
IT'S BIGGER THAN BLACK AND WHITE
1807
02:05:05,162 --> 02:05:07,631
♪ IT'S A PROBLEM WITH THE
WHOLE WAY OF LIFE
1808
02:05:07,698 --> 02:05:08,999
♪ IT CAN'T CHANGE OVERNIGHT
BUT WE GOTTA START SOMEWHERE
1809
02:05:09,066 --> 02:05:10,467
♪ MIGHT AS WELL
GON' 'HEAD START HERE
1810
02:05:10,534 --> 02:05:11,835
♪ WE DONE HAD A HELL OF A YEAR
I'MA MAKE IT COUNT
1811
02:05:11,902 --> 02:05:15,973
♪ WHILE I'M HERE
GOD IS THE ONLY MAN I FEAR
1812
02:05:16,039 --> 02:05:17,140
IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH THE
1813
02:05:17,207 --> 02:05:18,675
WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT
1814
02:05:18,742 --> 02:05:19,877
BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL
1815
02:05:19,943 --> 02:05:23,480
GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR
1816
02:05:23,547 --> 02:05:29,052
I'MA MAKE IT COUNT
♪ WHILE I'M HERE
1817
02:05:29,119 --> 02:05:33,857
GOD IS THE ONLY MAN I FEAR ♪
STILL TO COME, RECORD OF THE
1818
02:05:33,924 --> 02:05:38,929
YEAR NOMINEE DOJA CAT AND
PERFORMANCES BY BTS AND RODDY
1819
02:05:38,996 --> 02:05:39,496
RICCH.
1820
02:05:39,563 --> 02:05:40,564
THIS IS CBS.
1821
02:05:48,238 --> 02:05:51,141
♪ ♪ ♪
1822
02:05:51,208 --> 02:05:54,011
WELCOME BACK.
1823
02:05:54,077 --> 02:05:58,515
NOW, PLEASE WELCOME TWO OF THE
GREATEST PRODUCERS, SONGWRITERS
1824
02:05:58,582 --> 02:06:02,352
AND ARTISTS IN MUSIC HISTORY,
BABYFACE AND JIMMY JAM!
1825
02:06:02,419 --> 02:06:10,894
♪ ♪ ♪
1826
02:06:10,961 --> 02:06:13,096
R&B IS THE SOURCE.
1827
02:06:13,163 --> 02:06:15,232
AND, AS THESE NOMINEES PROVE,
R&B REMAINS A FORCE.
1828
02:06:15,299 --> 02:06:22,873
THESE ARE THE NOMINEES FOR
BEST R&B PERFORMANCE.
1829
02:06:22,940 --> 02:06:29,513
"LIGHTNING & THUNDER," JHENE
AIKO, JOHN LEGEND.
1830
02:06:29,579 --> 02:06:33,984
"BLACK PARADE," BEYONCE.
1831
02:06:34,051 --> 02:06:37,387
"ALL I NEED," JACOB COLLIER,
MAHALIA, TY DOLLA $IGN.
1832
02:06:37,454 --> 02:06:41,525
"GOAT HEAD," BRITTANY HOWARD.
1833
02:06:41,591 --> 02:06:46,964
"SEE ME," EMILY KING.
1834
02:06:47,030 --> 02:06:53,503
♪ ♪ ♪
1835
02:06:53,570 --> 02:07:02,946
AND THE GRAMMY GOES TO...
1836
02:07:03,013 --> 02:07:09,753
OH!
1837
02:07:09,820 --> 02:07:10,954
OKAY, WAIT A MINUTE, HISTORY HAS
JUST BEEN MADE, BREAKING THE
1838
02:07:11,021 --> 02:07:12,255
ALL-TIME RECORD FOR THE MOST
GRAMMY WINS EVER BY ANY FEMALE
1839
02:07:12,322 --> 02:07:22,899
ARTIST OR ANY SINGER MALE OR
FEMALE, THE GRAMMY GOES TO
1840
02:07:22,966 --> 02:07:26,770
BEYONCE!
1841
02:07:26,837 --> 02:07:34,978
♪ ♪ ♪
1842
02:07:35,045 --> 02:07:42,919
♪ ♪ ♪
1843
02:07:42,986 --> 02:07:54,965
♪ ♪ ♪
1844
02:07:55,799 --> 02:07:59,136
THANK YOU GUYS SOCH, OH MY
GOD.
1845
02:07:59,202 --> 02:07:59,936
I AM SO HONORED.
1846
02:08:00,003 --> 02:08:10,847
I'M SO EXCITED.
1847
02:08:10,914 --> 02:08:16,253
THANK YOU.
1848
02:08:16,319 --> 02:08:22,392
AS AN ARTIST I BELIEVE IT'S MY
JOB AND ALL OF OUR JOBS TO
1849
02:08:22,459 --> 02:08:23,627
REFLECT THE TIMES.
1850
02:08:23,693 --> 02:08:26,563
AND IT'S BEEN SUCH A DIFFICULT
TIME.
1851
02:08:26,630 --> 02:08:30,901
SO I WANTED TO UPLIFT,
ENCOURAGE, CELEBRATE ALL OF THE
1852
02:08:30,967 --> 02:08:34,538
BEAUTIFUL BLACK QUEENS AND KINGS
THAT CONTINUE TO INSPIRE ME AND
1853
02:08:34,604 --> 02:08:36,106
INSPIRE THE WHOLE WORLD.
1854
02:08:36,173 --> 02:08:37,808
THIS IS SO OVERWHELMING.
1855
02:08:37,874 --> 02:08:41,511
I HAVE BEEN WORKING MY WHOLE
LIFE SINCE NINE YEARS OLD.
1856
02:08:41,578 --> 02:08:46,249
AND I CAN'T BELIEVE THIS
HAPPENED, IT'S SUCH A MAGICAL
1857
02:08:46,316 --> 02:08:46,950
NIGHT, THANK YOU SO MUCH.
1858
02:08:47,017 --> 02:08:52,456
I KNOW MY DAUGHTER IS WATCHING.
1859
02:08:52,522 --> 02:08:56,293
MY DAUGHTERS AND MY SON, BLU,
CONGRATULATIONS, YOU WON A
1860
02:08:56,359 --> 02:08:56,793
GRAMMY TONIGHT.
1861
02:08:56,860 --> 02:08:58,962
I'M SO PROUD OF YOU.
1862
02:08:59,029 --> 02:09:02,966
AND I'M SO HONORED TO BE YOUR
MOMMY, ALL OF YOUR MOMMIES.
1863
02:09:03,033 --> 02:09:04,634
Y'ALL ARE MY BABIES.
1864
02:09:04,701 --> 02:09:06,336
AND I'M SO PROUD OF Y'ALL.
1865
02:09:06,403 --> 02:09:08,605
I LOVE YOU SO MUCH, MY ROCK.
1866
02:09:08,672 --> 02:09:18,615
ENJOY YOUR NIGHT, THANK YOU.
1867
02:09:18,682 --> 02:09:20,117
HISTORY, PEOPLE, HISTORY.
1868
02:09:20,183 --> 02:09:22,018
GIVE IT UP FOR BEYONCE!
1869
02:09:22,085 --> 02:09:24,321
THIS IS HISTORY RIGHT NOW, ARE
YOU SERIOUS?
1870
02:09:24,387 --> 02:09:25,956
THIS IS HISTORY.
1871
02:09:26,022 --> 02:09:33,029
SHE DID IT, I THIS IS HISTORY!
1872
02:09:33,096 --> 02:09:33,296
WOW.
1873
02:09:33,363 --> 02:09:34,431
OKAY.
1874
02:09:34,498 --> 02:09:35,599
TIME OKAY, TIME FOR ANOTHER GIBSON
1875
02:09:35,665 --> 02:09:37,767
HAZARD DIRECTED FILM ABOUT OUR
RECORD OF THE YEAR NOMINEES.
1876
02:09:37,834 --> 02:09:39,402
YOU CAN SEE
EXTENDED VERSIONS OF ALL THESE
1877
02:09:39,469 --> 02:09:42,939
FILMS AND EXCLUSIVE INTERVIEWS
ON PARAMOUNT+ TONIGHT.
1878
02:09:43,006 --> 02:09:47,210
THIS NEXT PERFORMER IS TRULY A
STREAMING SUCCESS STORY FOR OUR
1879
02:09:47,277 --> 02:09:48,378
DIGITAL TIMES.
1880
02:09:48,445 --> 02:09:50,881
SHE'S THE ONLY PERSON WHO WENT
VIRAL LAST SUMMER AND DIDN'T
1881
02:09:50,947 --> 02:09:52,482
HAVE TO QUARANTINE.
1882
02:09:52,549 --> 02:09:55,051
THIS IS DOJA CAT.
1883
02:09:55,118 --> 02:10:07,230
♪ ♪ ♪
1884
02:10:07,297 --> 02:10:09,900
WHEN PEOPLE SAY I'M A NEW
ARTIST, I GET IT BECAUSE I
1885
02:10:09,966 --> 02:10:14,304
HAVEN'T REACHED THE LEVEL I'VE
REACHED UNTIL NOW.
1886
02:10:14,371 --> 02:10:22,212
BUT FOR ME, I'VE BEEN DOING THIS
FOR A VERY LONG TIME.
1887
02:10:22,279 --> 02:10:27,851
I R
MUSIC WHEN I WAS VERY YOUNG,
1888
02:10:27,918 --> 02:10:29,052
LIKE 13.
1889
02:10:29,119 --> 02:10:33,256
I STARTED SINGING BUT I WOULD
LOCK MAY DOOR AND SING REALLY
1890
02:10:33,323 --> 02:10:36,526
QUIET HOPING THAT MY FAMILY
WOULDN'T HEAR ME.
1891
02:10:36,593 --> 02:10:42,999
I WOULD MAKE THESE LIFE TEN
HOURS AT A TIME AND I HAD FANS
1892
02:10:43,066 --> 02:10:44,234
CRITIQUE MY MUSIC.
1893
02:10:44,301 --> 02:10:47,737
I WOULD HAVE THEM ON EVERY DAY,
THE SAME 50 PEOPLE THAT TURNED
1894
02:10:47,804 --> 02:10:52,342
INTO A HUNDRED, TO 500 TO A
THOUSAND.
1895
02:10:52,409 --> 02:10:56,513
TO WHAT ST TODAY.
1896
02:10:56,580 --> 02:11:02,552
THE WAY I FEEL ABOUT IT, I'M SO
GRATEFUL AND I'M SO HAPPY.
1897
02:11:02,619 --> 02:11:07,490
I FEEL LIKE I CAN HAVE A MOMENT
TO CELEBRATE EVERYTHING THAT
1898
02:11:07,557 --> 02:11:13,663
HAVE I WORKED SO HARD TO
ACHIEVE.
1899
02:11:13,730 --> 02:11:17,701
I HAVEN'T BEEN WAITING FOR
THIS MY WHOLE LIFE.
1900
02:11:17,767 --> 02:11:24,541
I'VE BEEN PREPARING
GRAMMY'S, WELCOME TO PLANET
1901
02:11:24,608 --> 02:11:28,445
EARTH.
1902
02:11:28,511 --> 02:11:36,519
♪ DAY TO NIGHT TO MORNING
KEEP WITH ME IN THE MOMENT
1903
02:11:36,586 --> 02:11:46,563
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?
1904
02:11:46,630 --> 02:11:54,704
♪ I'D LET YOU HAD I KNOWN IT
WHY DON'T YOU SAY SO?
1905
02:11:54,771 --> 02:11:59,409
IT'S BEEN A LONG TIME SINCE
YOU.
1906
02:11:59,476 --> 02:12:06,283
♪ TELL ME WHAT MUST I DO.
1907
02:12:06,349 --> 02:12:17,427
I WON'T STOP CHEESEIN, AND WE
CAN DANCE ALL DAY IF YOU WANT
1908
02:12:17,494 --> 02:12:18,995
♪ AROUND IT IF YOU FRONT
THEN I'LL BE BOUNCING
1909
02:12:19,062 --> 02:12:23,600
♪ IF YOU WANT IT
SCREAM AND SHOUT IT, BABE
1910
02:12:23,667 --> 02:12:28,438
♪ BEFORE I LEAVE YOU DRY
DAY TO NIGHT TO MORNING
1911
02:12:28,505 --> 02:12:32,442
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT
1912
02:12:32,509 --> 02:12:36,279
♪ WHY DON'T YOU SAY SO?
1913
02:12:36,346 --> 02:12:39,949
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH
1914
02:12:40,016 --> 02:12:48,458
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO
1915
02:12:48,525 --> 02:12:52,495
♪ ♪ ♪
♪ ♪ ♪
1916
02:12:52,562 --> 02:12:54,197
♪ WHY DON'T YOU SAY SO?
1917
02:12:54,264 --> 02:13:07,043
♪ ♪ ♪
♪ ♪ ♪
1918
02:13:07,110 --> 02:13:08,411
HE AIN'T NEVER SEEN IT
♪ IN A DRESS LIKE THIS
1919
02:13:08,478 --> 02:13:09,879
HE AIN'T NEVER EVEN BEEN
♪ IMPRESSED LIKE THIS
1920
02:13:09,946 --> 02:13:10,947
PROLLY WHY I GOT HIM QUIET
♪ ON THE SET LIKE ZIP
1921
02:13:11,014 --> 02:13:12,415
LIKE IT, LOVE IT
♪ NEED IT BAD
1922
02:13:12,482 --> 02:13:16,353
TAKE IT, OWN IT, STEAL IT
♪ FAST BOY, STOP PLAYING
1923
02:13:16,419 --> 02:13:18,188
GRAB MY AAH
♪ WHY YOU ACTIN' LIKE YOU SHY?
1924
02:13:18,254 --> 02:13:20,423
SHUT IT, SAVE IT, KEEP IT
♪ PUSHIN' WHY YOU BEATING
1925
02:13:20,490 --> 02:13:22,726
'ROUND THE BUSH?
1926
02:13:22,792 --> 02:13:24,427
♪ AND KNOWING YOU WANT ALL
THIS WOMAN NEVER KNOCK IT
1927
02:13:24,494 --> 02:13:27,497
♪ 'TIL YOU TRY, YEAH, YEAH
ALL OF THEM HATING
1928
02:13:27,564 --> 02:13:31,034
♪ I HAVE YOU WITH ME ALL OF MY--
SAYING YOU MAD COMMITTED
1929
02:13:31,101 --> 02:13:37,040
♪ REALER THN ANYBODY YOU HAD
AND PRETTY ALL OF THAT BODY-ODY
1930
02:13:37,107 --> 02:13:40,510
♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT
1931
02:13:40,577 --> 02:13:42,846
♪ WHY DON'T YOU SAY SO?
1932
02:13:42,912 --> 02:13:46,716
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH
1933
02:13:46,783 --> 02:13:51,254
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO
1934
02:13:51,321 --> 02:13:55,058
DAY TO NIGHT TO MORNING
♪ KEEP WITH ME IN THE MOMENT
1935
02:13:55,125 --> 02:13:57,494
I'D LET YOU HAD I KNOWN IT
♪ WHY DON'T YOU SAY SO?
1936
02:13:57,560 --> 02:14:01,264
DIDN'T EVEN NOTICE
♪ NO PUNCHES LEFT TO ROLL WITH
1937
02:14:01,331 --> 02:14:08,505
YOU GOT TO KEEP ME FOCUSED
♪ YOU WANT IT, SAY SO ♪
1938
02:14:08,571 --> 02:14:20,717
UP NEXT, A GRAMMY PERFORMANCE
1939
02:14:20,784 --> 02:14:25,288
BY BTS AND WHO WILL TAKE HOME
THE AWARD FOR ALBUM OF THE YEAR.
1940
02:14:25,355 --> 02:14:30,160
ONCE AGAIN, LET'S GO TO CASSIE
BACKSTAGE. WE ARE BACK WITH OUR
1941
02:14:30,226 --> 02:14:32,629
FACEBOOK GROUP MEMBERS WHO HAVE
COME TOGETHER WITH A SHARED
1942
02:14:32,695 --> 02:14:34,197
PASSION FOR MUSIC.
1943
02:14:34,264 --> 02:14:37,867
AND ONE OF THE GROUPS HERE
TONIGHT WE LOVE MUSIC CELEBRATES
1944
02:14:37,934 --> 02:14:41,271
EVERY KIND OF MUSIC AND CLEARLY
THAT IS WHAT ALBUM OF THE YEAR
1945
02:14:41,337 --> 02:14:42,539
IS ALL ABOUT.
1946
02:14:42,605 --> 02:14:47,811
JUST LOOKING AT HOW MANY GENRES
ARE REPRESENTED, RAP, SOUL, POP,
1947
02:14:47,877 --> 02:14:51,414
R&B, ALL WINNERS FOR SURE BUT
WHO WILL TAKE HOME THE AWARD.
1948
02:14:51,481 --> 02:14:52,549
STAY TUNED TO FIND OUT.
1949
02:14:52,615 --> 02:14:55,552
THE 634rd GRAMMY AWARDS
IS SPONSORED BY FACEBOOK, TAKE
1950
02:14:55,618 --> 02:14:56,286
ON ANYTHING WITH FACEBOOK
GROUPS.
1951
02:15:01,958 --> 02:15:04,260
♪ ♪ ♪
1952
02:15:04,327 --> 02:15:06,229
WELCOME BACK TO THE
GRAMMYS.
1953
02:15:06,296 --> 02:15:09,966
LET'S GO ACROSS TOWN NOW TO A
GREAT INDEPENDENT VENUE IN
1954
02:15:10,033 --> 02:15:16,005
HOLLYWOOD AND MEET THE BARTENDER
AT THE HOTEL CAFÉ, CANDICE FOX.
1955
02:15:16,072 --> 02:15:20,410
HELLO, MY NAME IS CANDICE FOX
AND I AM A BARTENDER AT THE
1956
02:15:20,477 --> 02:15:23,546
HOTEL CAFE RIGHT HERE IN LOS
ANGELES, CALIFORNIA.
1957
02:15:23,613 --> 02:15:26,683
IF YOU WERE TO COME TO THE HOTEL
CAFE FOR THE FIRST TIME ONE OF
1958
02:15:26,749 --> 02:15:30,186
THE FIRST THINGS THAT YOU WOULD
NOTICE IS THAT IT FEELS LIKE
1959
02:15:30,253 --> 02:15:31,221
HOME.
1960
02:15:31,287 --> 02:15:33,523
THERE IS A REAL SENSE OF
COMMUNITY HERE AMONGST THE
1961
02:15:33,590 --> 02:15:34,691
MUSICIANS AND PATRONS ALIKE.
1962
02:15:34,757 --> 02:15:37,794
IT HAS GOT A REALLY LOVING
COMMUNAL ENERGY.
1963
02:15:37,861 --> 02:15:41,231
THE LAST TIME WE HAD AN AUDIENCE
HERE AT THE HOTEL CAFE WAS
1964
02:15:41,297 --> 02:15:43,566
EXACTLY ONE YEAR AGO, MARCH
14th.
1965
02:15:43,633 --> 02:15:45,235
THE LAST YEAR HAS BEEN TOUGH,
YOU KNOW.
1966
02:15:45,301 --> 02:15:47,904
I MEAN THIS IS MORE THAN JUST A
JOB TO ME.
1967
02:15:47,971 --> 02:15:50,073
THIS IS MY FAMILY, THIS IS MY
COMMUNITY.
1968
02:15:50,139 --> 02:15:53,309
AND FOR THIS PLACE TO NO LONGER
EXIST WOULD BE DEVASTATING.
1969
02:15:53,376 --> 02:15:55,612
IT WOULD BE ABSOLUTELY
HEARTBREAKING.
1970
02:15:55,678 --> 02:16:00,216
I DEFINITELY DO MISS MY REGULARS
THAT I AM USED TO SEEING HERE ON
1971
02:16:00,283 --> 02:16:05,522
ANY GIVEN NIGHT, JOHN, HE WANTS
A DIET COKE, PHIL GETS A
1972
02:16:05,588 --> 02:16:07,524
BOTTINGTON, PETER I KNOW HE
WANTS AN OLD-FASHIONED.
1973
02:16:07,590 --> 02:16:10,493
IT IS MY HONOR TO PRESENT THE
GRAMMY FOR ALBUM OF THE YEAR.
1974
02:16:10,560 --> 02:16:18,167
HERE ARE THE NOMINATIONS.
1975
02:16:18,234 --> 02:16:23,172
"CHILOMBO," JHENÉ
AIKO.
1976
02:16:23,239 --> 02:16:26,609
"BLACK PUMAS (DELUXE EDITION),"
BLACK PUMAS.
1977
02:16:26,676 --> 02:16:30,647
"EVERYDAY LIFE," COLDPLAY.
1978
02:16:30,713 --> 02:16:38,621
"DJESSE VOL. 3," JACOB COLLIER.
1979
02:16:38,688 --> 02:16:41,291
"WOMEN IN MUSIC PT. III," HAIM.
1980
02:16:41,357 --> 02:16:47,163
"FUTURE NOSTALGIA," DUA LIPA.
1981
02:16:47,230 --> 02:16:54,604
"HOLLYWOOD'S BLEEDING," POST
MALONE.
1982
02:16:54,671 --> 02:17:02,612
"FOLKLORE," TAYLOR SWIFT.
1983
02:17:02,679 --> 02:17:05,181
CANDICE, THANK YOU
1984
02:17:05,248 --> 02:17:06,616
FOR BEING HERE.
1985
02:17:06,683 --> 02:17:12,155
PLEASE DO THE HONORS.
1986
02:17:12,221 --> 02:17:18,561
ALRIGHT, AND THE GRAMMY GOES
1987
02:17:18,628 --> 02:17:20,163
"FOLKLORE," TAYLOR SWIFT.
1988
02:17:20,229 --> 02:17:29,138
♪ ♪ ♪
1989
02:17:29,205 --> 02:17:36,646
♪ ♪ ♪
1990
02:17:54,664 --> 02:17:58,001
WOW, IT'S HARD TO BELIEVE
THAT WE'RE STANDING UP HERE, I'M
1991
02:17:58,067 --> 02:18:02,605
STANDING UP HERE WITH ONE OF THE
GREATEST LIVING SONGWRITERS WHO
1992
02:18:02,672 --> 02:18:07,143
SHOW TRUSTED ME TO COLLABORATE
IN THIS CRAZY TIME WE ALL LIVE
1993
02:18:07,210 --> 02:18:08,411
THROUGH.
1994
02:18:08,478 --> 02:18:11,114
I JUST WANT TO SAY THANK YOU TO
MY FAMILY, MY BEAUTIFUL WIFE WHO
1995
02:18:11,180 --> 02:18:16,052
ALWAYS LIFTS ME UP, MY CHILDREN,
INGRID, ROBYN AND MIMI WHO
1996
02:18:16,119 --> 02:18:19,756
INSPIRE ME AND I WANT TO THANK
JOHN LOW WHO IS BEHIND ME WHO
1997
02:18:19,822 --> 02:18:22,625
RECORDED AND MIXED EVERYTHING
THAT I WORKED ON.
1998
02:18:22,692 --> 02:18:28,231
I WANT TO THANK LAURA, IT IS AN
HONOR TO WORK WITH JACK, IS HE
1999
02:18:28,297 --> 02:18:31,634
AN INCREDIBLE PRODUCER AND
SONGWRITER, JUSTIN WHO IS NOT
2000
02:18:31,701 --> 02:18:35,071
HERE TONIGHT, A HUGE PART OF
THIS RECORD AND MY BROTHER BRYCE
2001
02:18:35,138 --> 02:18:38,341
WHO ORCHESTRATED MUCH OF THIS
RECORD AND IS PART OF EVERYTHING
2002
02:18:38,408 --> 02:18:41,177
I DO.
2003
02:18:41,244 --> 02:18:45,281
THANK YOU.
2004
02:18:45,348 --> 02:18:50,620
OH GOD, I WANT TO THANK ALL
OF MY COLLABORATORS WHO ARE ON
2005
02:18:50,687 --> 02:18:57,360
THE STAGE, AND JUSTIN VERNON,
I'M SO EXCITED TO MEET YOU SOME
2006
02:18:57,427 --> 02:19:01,597
DAY, JOE, WHO IS THE FIRST
PERSON THAT I PLAY EVERY SINGLE
2007
02:19:01,664 --> 02:19:05,201
SONG THAT I WRITE AND I HAD THE
BEST TIME WRITING SONGS WITH YOU
2008
02:19:05,268 --> 02:19:11,074
IN QUARANTINE, I WANT TO THANK
JAMES, INEZ AND BETTY AND THEIR
2009
02:19:11,140 --> 02:19:14,077
PARENTS WHO ARE THE SECOND AND
THIRD PEOPLE THAT I PLAY EVERY
2010
02:19:14,143 --> 02:19:17,180
NEW SONG THAT I WRITE BUT MOSTLY
WE JUST WANT TO THANK THE FANS.
2011
02:19:17,246 --> 02:19:20,249
YOU GUYS MET US IN THIS
IMAGINARY WORLD THAT WE CREATED
2012
02:19:20,316 --> 02:19:25,088
AND WE CAN'T TELL YOU HOW HONORS
WE ARE FOREVER, BY THIS, THANK
2013
02:19:25,154 --> 02:19:25,922
YOU SO MUCH.
2014
02:19:25,988 --> 02:19:27,690
AND THANK YOU TO THE RECORDING
ACADEMY.
2015
02:19:27,757 --> 02:19:29,192
WE WILL NEVER FORGET THAT YOU
DID THIS FOR US.
2016
02:19:29,258 --> 02:19:34,597
THANK YOU SO MUCH.
2017
02:19:34,664 --> 02:19:39,502
♪ ♪ ♪
2018
02:19:39,569 --> 02:19:43,306
RODDY RICCH, BTS, AND THEN THE
2019
02:19:43,372 --> 02:19:46,709
RECORD OF THE YEAR.
2020
02:19:46,776 --> 02:19:47,443
THIS IS CBS.
2021
02:19:54,083 --> 02:20:00,389
♪ ♪ ♪
2022
02:20:00,456 --> 02:20:02,191
TONIGHT, I'M NOT JUST
THE HOST OF THE GRAMMY AWARDS,
2023
02:20:02,258 --> 02:20:06,162
I'M THE OPENING ACT FOR A GREAT
SONGWRITER, MUSIC AND FILM
2024
02:20:06,229 --> 02:20:08,097
PRODUCER WHO ALSO IS THE
RECORDING ACADEMY CHAIR AND
2025
02:20:08,164 --> 02:20:11,434
INTERIM PRESIDENT AND C.E.O.
2026
02:20:11,501 --> 02:20:14,137
HE ALSO HAND-SCULPTED EVERY
GRAMMY STATUE HERE TONIGHT.
2027
02:20:14,203 --> 02:20:20,209
HARVEY MASON, JR.
NOW, NORMALLY, THIS IS WHEN SOME
2028
02:20:20,276 --> 02:20:21,744
ONE WOULD WALK OUT ONSTAGE, AND
YOU'D ALL TAKE A BATHROOM BREAK.
2029
02:20:21,811 --> 02:20:22,879
BUT LIKE EVERYTHING ELSE THIS
YEAR, WE'RE DOING THINGS A
2030
02:20:22,945 --> 02:20:26,149
LITTLE DIFFERENTLY.
2031
02:20:26,215 --> 02:20:32,722
SO TAKE A LOOK.
2032
02:20:32,789 --> 02:20:34,157
MUSIC REQUIRES LISTENING.
2033
02:20:34,223 --> 02:20:35,491
YOU HEAR THE VOCALS.
2034
02:20:35,558 --> 02:20:38,161
THE DRUMS.
2035
02:20:38,227 --> 02:20:40,930
THE RHYTHM GUITAR.
2036
02:20:40,997 --> 02:20:44,400
YOU LISTEN MORE CLOSELY AND YOU
WILL HEAR SO MUCH MORE.
2037
02:20:44,467 --> 02:20:48,137
LISTEN TO A SINGER-SONGWRITER
TRYING TO MAKE THEIR WAY TO THE
2038
02:20:48,204 --> 02:20:56,045
BIG CITY, A KID, LISTEN HOPE,
AND HEARTBREAK.
2039
02:20:56,112 --> 02:21:00,483
TO LATE NIGHTS IN THE ST AUDIO
TO MONTHS ON THE ROAD, THE
2040
02:21:00,550 --> 02:21:02,151
SILENT UNCERTAINTY THE NEXT DAY.
2041
02:21:02,218 --> 02:21:05,788
LISTEN TO THE VOICES OF YOUR
GENERATION, THOSE THAT CAME
2042
02:21:05,855 --> 02:21:08,524
BEFORE YOU, AND THOSE WHO ARE
NEXT.
2043
02:21:08,591 --> 02:21:12,495
LISTEN TO THE SIGNATURE SOUND OF
A GREAT PRODUCER, THE BACKUP
2044
02:21:12,562 --> 02:21:16,899
SINGERS WHO SING ALONG WHOSE
NAMES YOU MAY NEVER KNOW.
2045
02:21:16,966 --> 02:21:18,801
LISTEN TO LOVE.
2046
02:21:18,868 --> 02:21:23,506
TO DEDICATION PUT INTO EVERY
SONG, EVERY ALBUM.
2047
02:21:23,573 --> 02:21:28,911
TO THE YEARS OF HARD WORK THAT
GO INTO EVERY OVERNIGHT SUCCESS.
2048
02:21:28,978 --> 02:21:32,481
LISTEN TO THE WORK LIFE'S WORK
OF PEOPLE WHO DEDICATE THEIR
2049
02:21:32,548 --> 02:21:33,749
LIVES TO THIS WORK.
2050
02:21:33,816 --> 02:21:37,286
THE RECORDING ACADEMY'S JOB
ISN'T JUST TO HAND OUT AWARDS,
2051
02:21:37,353 --> 02:21:41,390
IT IS TO LISTEN TO THE MUG MUSIC
AND TO HEAR THE VOICES OF ALL
2052
02:21:41,457 --> 02:21:44,026
THOSE WHO MAKE IT.
2053
02:21:44,093 --> 02:21:46,762
AND WE ARE LISTENING LIKE NEVER
BEFORE.
2054
02:21:46,829 --> 02:21:52,034
WE HEAR THE CRIES FOR DIVERSITY,
THE PLEAS FOR REPRESENTATION AND
2055
02:21:52,101 --> 02:21:53,803
DEMANDS FOR TRANSPARENCY.
2056
02:21:53,870 --> 02:21:56,739
I FIRST JOINED THE ACADEMY 20
YEARS AGO SO I COULD VOTE FOR
2057
02:21:56,806 --> 02:21:57,940
MYSELF.
2058
02:21:58,007 --> 02:22:00,476
BUT WHAT I QUICKLY FOUND, WHAT
LED ME TO BECOME A TRUSTY AND
2059
02:22:00,543 --> 02:22:01,611
NOW CHAIR.
2060
02:22:01,677 --> 02:22:04,146
BOARD IS THAT THE RECORDING
ACADEMY IS SO MUCH MORE THAN
2061
02:22:04,213 --> 02:22:07,516
AWARDS, MORE THAN INDIVIDUAL
ARTISTS OR EVEN WHO IS CHAIR.
2062
02:22:07,583 --> 02:22:11,220
TONIGHT I'M HERE TO ASK THE
ENTIRE MUSIC COMMUNITY TO JOIN
2063
02:22:11,287 --> 02:22:14,690
IN, WORK WITH US, NOT AGAINST
US, AS WE BUILD A NEW RECORDING
2064
02:22:14,757 --> 02:22:16,792
ACADEMY THAT WE CAN ALL BE PROUD
OF.
2065
02:22:16,859 --> 02:22:21,097
ONE THAT WILL CONTINUE TO DO THE
WORK AND SERVE EVERYONE IN THE
2066
02:22:21,163 --> 02:22:22,298
INDUSTRY.
2067
02:22:22,365 --> 02:22:24,400
AND WE MIGHT NOT GET IT RIGHT
100 PERCENT OF THE TIME AND WE
2068
02:22:24,467 --> 02:22:28,371
CERTAINLY WON'T BE ABLE TO MAKE
EVERYBODY HAPPY BUT WE WILL
2069
02:22:28,437 --> 02:22:30,506
PROVIDE SUPPORT IN TIMES OF
NEED.
2070
02:22:30,573 --> 02:22:34,377
WE WILL PRESERVE MUSIC AND
EDUCATE THE NEXT GENERATION.
2071
02:22:34,443 --> 02:22:38,080
WE WILL ADVOCATE FOR THE RIGHTS
OF ALL CREATORS TO MAKE SURE
2072
02:22:38,147 --> 02:22:40,683
THEY CAN CONTINUE TO EARN A FAIR
LIVING MAKING MUSIC.
2073
02:22:40,750 --> 02:22:44,487
AND WE WILL STAND UP FOR WHAT IS
RIGHT AND FIGHT FOR GREATER
2074
02:22:44,553 --> 02:22:46,522
DIVERSITY AND MORE EQUAL
REPRESENTATION.
2075
02:22:46,589 --> 02:22:51,794
THIS IS NOT A VISION FOR
TOMORROW, ST A JOB FOR TODAY.
2076
02:22:51,861 --> 02:22:54,163
OUR WORK IS IMPORTANT BECAUSE
MUSIC IS IMPORTANT.
2077
02:22:54,230 --> 02:22:56,732
THANK YOU.
2078
02:22:56,799 --> 02:22:59,702
THANK YOU SO MUCH FOR THAT,
2079
02:22:59,769 --> 02:23:02,171
HARVEY, I WAS LISTENING AND THAT
SOUNDED GREAT.
2080
02:23:02,238 --> 02:23:11,414
NOW IT'S TIME
YEAR NOMINEE FILM FROM THE
2081
02:23:11,480 --> 02:23:12,648
VISIONARY GIBSON HAZARD.
2082
02:23:12,715 --> 02:23:13,649
THIS TIME IT'S ABOUT A GIFTED
YOUNG ARTIST WHO EARLIER TONIGHT
2083
02:23:13,716 --> 02:23:14,850
HELPED US KICK OFF THE SHOW.
2084
02:23:14,917 --> 02:23:16,452
SHE'S ALSO THE REASON PARENTS
ALL OVER THE WORLD ARE LOOKING
2085
02:23:16,519 --> 02:23:18,087
AT THEIR TEENAGERS, ASKING,
"WHAT HAVE YOU ACHIEVED?"
2086
02:23:18,154 --> 02:23:28,197
THIS IS BILLIE EILISH.
2087
02:23:28,264 --> 02:23:34,570
THIS IS BILLIE EILISH.
2088
02:23:39,241 --> 02:23:40,943
THERE WAS LIKE A PERIOD OF
TIME WHERE I LIKE DIDN'T WANT TO
2089
02:23:41,010 --> 02:23:46,949
GO TO SLEEP BECAUSE I WAS
FREAKED OUT BY MY DREAMS.
2090
02:23:47,016 --> 02:23:51,487
SLEEP PARALYSIS, NIGHTMARES,
LUCID DREAMS.
2091
02:23:51,554 --> 02:23:53,823
IT WAS SUCH A HUGE PART OF MY
LIFE.
2092
02:23:53,889 --> 02:23:57,593
AND SO I KIND OF WAS LIKE HOW
CAN I TAKE ADVANTAGE OF THIS
2093
02:23:57,660 --> 02:24:00,162
HORRIBLE, HORRIBLE THING THAT
HAVE I TO DEAL WITH.
2094
02:24:00,229 --> 02:24:11,741
WHY DON'T I LET IT INSPIRE ME.
2095
02:24:11,807 --> 02:24:15,011
MY BROTHER FINNEAS HAS BEEN
MY BEST FRIEND FOR MY WHOLE
2096
02:24:15,077 --> 02:24:16,078
LIFE.
2097
02:24:16,145 --> 02:24:17,713
WE WROTE THIS SONG ABOUT BEING
THERE FOR EACH OTHER.
2098
02:24:17,780 --> 02:24:22,018
SO WHEN I HEAR IT, I JUST FEEL
SO LOVED AND I FEEL SO COMFORTED
2099
02:24:22,084 --> 02:24:26,756
AND SAFE AND WARM.
2100
02:24:26,822 --> 02:24:28,858
2020 GRAMMYS.
2101
02:24:28,924 --> 02:24:31,927
MAYBE THE BEST NIGHT OF MY
LIFE.
2102
02:24:31,994 --> 02:24:32,762
AND THE GRAMMY.
2103
02:24:32,828 --> 02:24:33,896
AND THE GRAMMY.
2104
02:24:33,963 --> 02:24:37,733
AND THE GRAMMY GOES TO.
2105
02:24:37,800 --> 02:24:38,734
BILLIE EILISH.
2106
02:24:38,801 --> 02:24:41,170
BAD GUY, BILLIE EILISH.
2107
02:24:41,237 --> 02:24:44,440
BAD GUY, WHEN WE FALL ASLEEP
WHERE DO WE GO.
2108
02:24:44,507 --> 02:24:45,608
BILLIE EILISH.
2109
02:24:45,674 --> 02:24:49,111
THE FACT THAT WE WROTE THAT
ALBUM IN OUR CHILDHOOD HOME,
2110
02:24:49,178 --> 02:24:50,012
THAT'S CRAZY.
2111
02:24:50,079 --> 02:24:50,846
THAT WAS AMAZING.
2112
02:24:50,913 --> 02:24:59,522
I THINK ABOUT IT EVERY DAY.
2113
02:24:59,588 --> 02:25:00,423
BILLIE EILISH,
2114
02:25:00,489 --> 02:25:00,823
EVERYONE!
2115
02:25:00,890 --> 02:25:01,991
WHAT A TALENT.
2116
02:25:02,058 --> 02:25:04,860
THE GRAMMY AWARDS ARE A TRULY
GLOBAL EVENT, AND WE ARE NOW
2117
02:25:04,927 --> 02:25:08,764
THRILLED TO BE JOINED BY A
KOREAN GROUP THAT MADE HISTORY
2118
02:25:08,831 --> 02:25:14,070
WITH THEIR FIRST EVER GRAMMY
NOMINATION THIS YEAR.
2119
02:25:14,136 --> 02:25:18,274
PERFORMING THEIR NOMINATED SMASH
"DYNAMITE," THIS IS BTS.
2120
02:25:18,340 --> 02:25:20,743
♪ 'CAUSE I, I, I'M
2121
02:25:20,810 --> 02:25:26,182
IN THE STARS TONIGHT
♪ SO WATCH ME BRING THE FIRE
2122
02:25:26,248 --> 02:25:30,152
AND SET THE NIGHT ALIGHT
♪ SHOES ON, GET UP IN THE MORN'
2123
02:25:30,219 --> 02:25:32,054
CUP OF MILK, LET'S ROCK AND ROLL
♪ KING KONG
2124
02:25:32,121 --> 02:25:34,156
KICK THE DRUM
♪ ROLLING ON
2125
02:25:34,223 --> 02:25:36,625
LIKE A ROLLING STONE
♪ SING SONG
2126
02:25:36,692 --> 02:25:38,994
WHEN I'M WALKIN' HOME
♪ JUMP UP TO THE TOP, LEBRON
2127
02:25:39,061 --> 02:25:42,164
DING-DONG, CALL ME ON MY PHONE
♪ ICE TEA AND A
2128
02:25:42,231 --> 02:25:45,968
GAME OF PING PONG
♪ THIS IS GETTIN' HEAVY
2129
02:25:46,035 --> 02:25:47,002
CAN YOU HEAR THE BASS BOOM?
2130
02:25:47,069 --> 02:25:50,139
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH
2131
02:25:50,206 --> 02:25:54,110
♪ THIS BEAT CHA-CHING
LIKE MONEY, HUH DISCO OVERLOAD
2132
02:25:54,176 --> 02:25:58,047
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP
2133
02:25:58,114 --> 02:26:02,151
♪ HEY, SO LET'S GO
'CAUSE I, I, I'M
2134
02:26:02,218 --> 02:26:06,122
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE
2135
02:26:06,188 --> 02:26:10,092
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY
2136
02:26:10,159 --> 02:26:14,163
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA LIGHT IT UP
2137
02:26:14,230 --> 02:26:18,667
♪ LIKE DYNAMITE, WOAH-OH-OH
BRING A FRIEND, JOIN THE CROWD
2138
02:26:18,734 --> 02:26:25,875
♪ WHOEVER WANNA COME ALONG
WORD UP, TALK THE TALK
2139
02:26:25,941 --> 02:26:29,211
♪ JUST MOVE LIKE WE OFF THE WALL
DAY OR NIGHT, THE SKY'S ALIGHT
2140
02:26:29,278 --> 02:26:31,614
♪ SO WE DANCE TO THE BREAK OF
DAWN HEY, LADIES AND GENTLEMEN
2141
02:26:31,680 --> 02:26:33,382
♪ I GOT THE MEDICINE, SO YOU
SHOULD KEEP YA EYES ON THE BALL
2142
02:26:33,449 --> 02:26:37,720
♪ HUH, THIS IS GETTIN' HEAVY
CAN YOU HEAR THE BASS BOOM?
2143
02:26:37,786 --> 02:26:41,490
♪ I'M READY, WOO-HOO
LIFE IS SWEET AS HONEY, YEAH
2144
02:26:41,557 --> 02:26:44,760
♪ THIS BEAT CHA-CHING LIKE MONEY
HUH DISCO OVERLOAD
2145
02:26:44,827 --> 02:26:50,032
♪ I'M INTO THAT, I'M GOOD TO GO
I'M DIAMOND, YOU KNOW I GLOW UP
2146
02:26:50,099 --> 02:26:53,802
♪ LET'S GO
'CAUSE I, I, I'M
2147
02:26:53,869 --> 02:26:56,739
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE
2148
02:26:56,805 --> 02:27:02,144
♪ AND SET THE NIGHT ALIGHT, HEY
SHININ' THROUGH THE CITY
2149
02:27:02,211 --> 02:27:05,548
♪ WITH A LITTLE FUNK AND SOUL
SO I'MA
2150
02:27:05,614 --> 02:27:08,450
♪ LIGHT IT UP LIKE DYNAMITE
WOAH-OH-OH
2151
02:27:08,517 --> 02:27:12,588
♪ DYN-NA-NA-NA, NA-NA-NA-NA-NA
NA-NA-NA
2152
02:27:12,655 --> 02:27:14,690
DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA,
2153
02:27:14,757 --> 02:27:20,162
LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA
2154
02:27:20,229 --> 02:27:22,164
♪ NA-NA-NA,
DYN-NA-NA-NA, NA-NA-NA-NA-NA
2155
02:27:22,231 --> 02:27:29,405
♪ NA-NA-NA,
LIFE IS DYNAMITE
2156
02:27:29,471 --> 02:27:30,539
♪ 'CAUSE I, I, I'M
IN THE STARS TONIGHT
2157
02:27:30,606 --> 02:27:32,741
♪ SO WATCH ME BRING THE FIRE
AND SET THE NIGHT ALIGHT
2158
02:27:32,808 --> 02:27:37,947
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL
2159
02:27:38,013 --> 02:27:41,250
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE
2160
02:27:41,317 --> 02:27:44,453
♪ THIS IS AH
'CAUSE I, I, I'M
2161
02:27:44,520 --> 02:27:47,790
♪ IN THE STARS TONIGHT
SO WATCH ME BRING THE FIRE
2162
02:27:47,856 --> 02:27:50,159
♪ AND SET THE NIGHT ALIGHT
ALIGHT, OH
2163
02:27:50,226 --> 02:27:54,163
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL
2164
02:27:54,230 --> 02:27:56,732
♪ SO I'MA LIGHT IT UP
LIKE DYNAMITE
2165
02:27:56,799 --> 02:28:00,536
♪ WOAH-OH-OH
DYN-NA-NA-NA, NA-NA-NA-NA-NA
2166
02:28:00,603 --> 02:28:02,137
♪ NA-NA-NA
LIFE IS DYNAMITE
2167
02:28:02,204 --> 02:28:04,607
♪ LIFE IS DYNAMITE
DYN-NA-NA-NA, NA-NA-NA-NA-NA
2168
02:28:04,673 --> 02:28:06,475
♪ NA-NA-NA
LIFE IS DYNAMITE, OH
2169
02:28:06,542 --> 02:28:10,045
♪ SHININ' THROUGH THE CITY
WITH A LITTLE FUNK AND SOUL
2170
02:28:10,112 --> 02:28:18,087
♪ SO I'MA LIGHT IT UP LIKE
DYNAMITE, WOAH-OH-OH ♪
2171
02:28:18,153 --> 02:28:19,488
BTS!
2172
02:28:19,555 --> 02:28:20,756
BTS!
2173
02:28:20,823 --> 02:28:23,292
DID YOU SEE THAT?
2174
02:28:23,359 --> 02:28:24,393
THEY WERE IN SEOUL, KOREA,
2175
02:28:24,460 --> 02:28:25,427
THE WHOLE TIME.
2176
02:28:25,494 --> 02:28:27,329
THEY LITERALLY RECREATED OUR
WHOLE SET OVER THERE!
2177
02:28:27,396 --> 02:28:30,532
THEY COULDN'T BE HERE, BUT
WANTED TO BE HERE, SO THEY
2178
02:28:30,599 --> 02:28:31,400
REBUILT HERE, OVER THERE.
2179
02:28:31,467 --> 02:28:34,470
THERE OUGHTA BE AN AWARD JUST
FOR THAT.
2180
02:28:34,536 --> 02:28:35,771
THAT WAS AMAZING.
2181
02:28:35,838 --> 02:28:37,273
NOW, I DON'T NEED TO TELL YOU,
BUT THIS HAS BEEN A REALLY TOUGH
2182
02:28:37,339 --> 02:28:40,876
YEAR FOR TEACHERS, ESPECIALLY
THOSE TEACHING MUSIC.
2183
02:28:40,943 --> 02:28:42,778
IF YOU THINK YOUR WORK ZOOM
CALLS ARE BAD, TRY TEACHING AN
2184
02:28:42,845 --> 02:28:46,348
EIGHT YEAR OLD WITH SPOTTY WiFi
HOW TO PLAY TROMBONE.
2185
02:28:46,415 --> 02:28:48,484
AND THAT'S WHY I'M VERY HONORED
TO PRESENT THE MUSIC EDUCATOR
2186
02:28:48,550 --> 02:28:49,551
AWARD.
2187
02:28:49,618 --> 02:28:51,120
THIS IS PRESENTED BY THE
RECORDING ACADEMY AND GRAMMY
2188
02:28:51,186 --> 02:28:54,523
MUSEUM TO RECOGNIZE CURRENT
EDUCATORS WHO HAVE MADE A
2189
02:28:54,590 --> 02:28:57,092
SIGNIFICANT CONTRIBUTION TO
MUSIC EDUCATION.
2190
02:28:57,159 --> 02:29:01,597
THIS YEAR'S MUSIC EDUCATOR AWARD
GOES TO DR. JEFFREY MURDOCK,
2191
02:29:01,664 --> 02:29:06,502
ASSOCIATE DIRECTOR OF CHORAL
ACTIVITIES AT THE UNIVERSITY OF
2192
02:29:06,568 --> 02:29:09,104
ARKANSAS AT FAYETTEVILLE.
2193
02:29:09,171 --> 02:29:11,273
I'M ALSO HONORED TO ANNOUNCE
2194
02:29:11,340 --> 02:29:15,077
THAT EARLIER TODAY, THE GRAMMY
AWARD FOR PRODUCER OF THE YEAR,
2195
02:29:15,144 --> 02:29:18,447
NON-CLASSICAL WENT TO ANDREW
WATT.
2196
02:29:18,514 --> 02:29:25,087
ALL NIGHT TONIGHT, WE HAVE BEEN
2197
02:29:25,154 --> 02:29:29,191
FEATURING OUR RECORD OF YEAR
NOMINEES WHO WERE PERFORMING.
2198
02:29:29,258 --> 02:29:30,993
BUT NOW WE WANT TO ALSO
SPOTLIGHT BEYONCÉ'S IMPACTFUL
2199
02:29:31,060 --> 02:29:33,362
RECORD, "BLACK PARADE," A
POWERFUL STATEMENT ABOUT SHARING
2200
02:29:33,429 --> 02:29:34,596
JOY EVEN AMID STRUGGLE.
2201
02:29:34,663 --> 02:29:38,334
IT WAS CREATED TO UPLIFT, AND
HAS BECOME MORE THAN A SONG, BUT
2202
02:29:38,400 --> 02:29:42,271
A MOVEMENT TO SUPPORT SMALL
BLACK-OWNED BUSINESSES.
2203
02:29:42,338 --> 02:29:46,508
RELEASED ON JUNE 19, 2020, TO
COMMEMORATE JUNETEENTH, THIS
2204
02:29:46,575 --> 02:29:50,512
RECORD HONORS THE HISTORY AND
BEAUTY OF BLACKNESS AND THE
2205
02:29:50,579 --> 02:29:51,980
STRENGTH OF COMMUNITY.
2206
02:29:52,047 --> 02:30:06,528
SO HERE'S A LOOK AT "BLACK
PARADE."
2207
02:30:15,571 --> 02:30:16,672
♪ ♪ ♪
♪ WE GOT RHYTHM.
2208
02:30:16,739 --> 02:30:18,874
♪ WE GOT PRIDE.
2209
02:30:18,941 --> 02:30:22,311
♪ WE WERE KINGS.
2210
02:30:22,378 --> 02:30:25,748
♪ ONLY RIVER.
2211
02:30:25,814 --> 02:30:29,451
♪ ONLY TOWNS SNEET SEEK THE
GLORY.
2212
02:30:29,518 --> 02:30:31,553
♪ FEEL THE LOVE.
2213
02:30:31,620 --> 02:30:35,557
♪ MOTHERLAND, DRIP ON ME.
2214
02:30:35,624 --> 02:30:42,131
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.
2215
02:30:42,197 --> 02:30:44,733
♪ HISTORREE, IS HER STORY.
2216
02:30:44,800 --> 02:30:46,602
♪ MOTHERLAND, MOTHERLAND DRIP ON
ME.
2217
02:30:46,668 --> 02:30:50,739
♪ HERE WE COME.
2218
02:30:50,806 --> 02:30:58,414
♪ FOLLOW MY PARADE, BLACK
PARADE.
2219
02:30:58,480 --> 02:30:59,214
♪.
2220
02:30:59,281 --> 02:31:00,416
AND NOW TIME FOR SOME MORE
MUSIC.
2221
02:31:00,482 --> 02:31:02,985
LET'S WELCOME BACK TO THE ST
LET'S WELCOME BACK TO THE STAGE
2222
02:31:03,051 --> 02:31:06,155
RODDY RICCH!
2223
02:31:27,609 --> 02:31:33,749
♪ ♪ ♪
♪ THIS LIFE LEFT ME HEARTLESS
2224
02:31:33,816 --> 02:31:37,753
AND I CAME FROM APARTMENTS
♪ THE MONEY TURNED ME
2225
02:31:37,820 --> 02:31:41,757
INTO A TARGET
♪ GOT A HELLCAT DODGE IT
2226
02:31:41,824 --> 02:31:49,031
I HOPE YOU LOOKING DOWN ON ME
♪ I HOPE YOU'RE PROUD OF ME
2227
02:31:49,097 --> 02:31:51,433
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME
2228
02:31:51,500 --> 02:31:56,338
ESPECIALLY 'CAUSE I
♪ GOT A LITTLE ONE
2229
02:31:56,405 --> 02:31:59,074
ESPECIALLY 'CAUSE I GOT AN O.G.
2230
02:31:59,141 --> 02:32:02,277
♪ AYE, ESPECIALLY 'CAUSE
I GOTTA GO HOME
2231
02:32:02,344 --> 02:32:06,215
♪ ESPECIALLY 'CAUSE
I GOTTA GET THIS CHEESE
2232
02:32:06,281 --> 02:32:07,683
♪ TALK TO THE STREETS
MOST THEM HITTERS WACK
2233
02:32:07,749 --> 02:32:09,885
♪ MOST THEM HITTERS IN
THE PENITENTIARIES
2234
02:32:09,952 --> 02:32:13,555
♪ FROM SERVING CRACK
WE DONE WITNESSED WARTIME
2235
02:32:13,622 --> 02:32:15,657
♪ IT WAS FACTS
'TIL MY YOUNG HITTERS
2236
02:32:15,724 --> 02:32:17,926
♪ TURNED TO A NEW ASSASSIN
HE JUST WANNA KEEP
2237
02:32:17,993 --> 02:32:22,030
♪ RIGHT STRIKERS
AND KEEP ON RIDING
2238
02:32:22,097 --> 02:32:24,166
♪ THE JUDGE GONNA PUT HIM DOWN
PUT HIM DOWN
2239
02:32:24,233 --> 02:32:27,135
♪ PUT HIM DOWN
'TIL HE CAN'T SEE
2240
02:32:27,202 --> 02:32:31,106
♪ THE LIGHT AGAIN
THIS LIFE LEFT ME HEARTLESS
2241
02:32:31,173 --> 02:32:33,709
♪ AND I CAME FROM APARTMENTS
THE MONEY TURNED ME
2242
02:32:33,775 --> 02:32:39,114
♪ INTO A TARGET
GOT A HELLCAT DODGE IT
2243
02:32:39,181 --> 02:32:45,721
♪ I HOPE YOU LOOKING DOWN ON ME
I HOPE YOU'RE PROUD OF ME
2244
02:32:45,787 --> 02:32:51,727
MAIN REASON A NINE-MILLIMETER
♪ GOTTA RIDE WITH ME ♪
2245
02:32:51,793 --> 02:32:57,332
♪ ♪ ♪
WHERE THE STASH AT?
2246
02:32:57,399 --> 02:32:59,034
♪ CRUISE THE CITY IN
A BULLETPROOF CADILLAC
2247
02:32:59,101 --> 02:33:00,536
♪ 'CAUSE I KNOW THESE HITTERS
AFTER WHERE THE BAG AT
2248
02:33:00,602 --> 02:33:03,138
♪ I GOTTA MOVE SMARTER
I GOTTA MOVE HARDER
2249
02:33:03,205 --> 02:33:05,440
♪ IF YOU TRY TO GET ME
FOR MY WATER
2250
02:33:05,507 --> 02:33:07,476
♪ I'LL LAY HIS-- DOWN
ON MY SON OR MY DAUGHTER
2251
02:33:07,543 --> 02:33:09,711
♪ I HAD THE DRACO WITH ME
DWAYNE CARTER
2252
02:33:09,778 --> 02:33:11,580
♪ LOTTA HITTERS OUT HERE PLAYIN'
AIN'T BALLIN'
2253
02:33:11,647 --> 02:33:13,315
♪ I DONE PUT MY WHOLE ARM
IN THE RIM
2254
02:33:13,382 --> 02:33:14,950
♪ VINCE CARTER
AND I KNOW PROBABLY GET
2255
02:33:15,017 --> 02:33:16,985
♪ A KEY FOR THE QUARTER
SHAWTY BARELY SEEN IN DOUBLE C'S
2256
02:33:17,052 --> 02:33:18,220
♪ I BOUGHT 'EM
GOT A SHAWTY
2257
02:33:18,287 --> 02:33:21,723
♪ LOOKING LIKE AALIYAH
SHE A MODEL
2258
02:33:21,790 --> 02:33:24,026
♪ I GOT THE PINK SLIP
ALL MY WHIPS IS KEY-LESS
2259
02:33:24,092 --> 02:33:27,596
♪ COMPTON, I'M ABOUT TO GET
THE KEY TO THE CITY
2260
02:33:27,663 --> 02:33:30,232
♪ LIKE THE SEA
FORGIVE ME
2261
02:33:30,299 --> 02:33:31,333
♪ HEY TOLD 'EM 12, SWAT
BUSTIN' ALL THE BELLS
2262
02:33:31,400 --> 02:33:35,037
♪ OUT THE BOX
I JUST HIT A LICK WITH THE BOX
2263
02:33:35,103 --> 02:33:39,508
♪ HAD TO PUT THE STICK IN A BOX
WHAT YOU SAY
2264
02:33:39,575 --> 02:33:41,777
♪ POUR UP THE WHOLE SEAL
I'MA GET LAZY
2265
02:33:41,843 --> 02:33:47,115
♪ I GOT THE MOJO DEALS
WE BEEN TRAPPIN' LIKE THE '80S
2266
02:33:47,182 --> 02:33:51,320
♪ GOTTA CASH APP
TOLD 'EM WIPE A-- NOSE
2267
02:33:51,386 --> 02:33:55,157
♪ AYE
I WON'T NEVER SELL MY SOUL
2268
02:33:55,223 --> 02:34:03,131
♪ AYE
AND I REALLY WANNA KNOW
2269
02:34:03,198 --> 02:34:06,134
♪ HEY ♪
♪ ♪ ♪
2270
02:34:06,201 --> 02:34:12,975
STILL TO COME, WHO WILL WALK
2271
02:34:13,041 --> 02:34:14,610
AWAY WITH THE GRAMMY FOR RECORD
OF THE YEAR?
2272
02:34:14,676 --> 02:34:22,117
WILL IT BE BLACK PUMAS, DABABY
FEATURING RODDY RICCH, DOJA CAT,
2273
02:34:22,184 --> 02:34:25,520
BILLIE AISLE ASH, DUA LIPA OR
MEGAN THEE STALLION, THIS IS CBS
2274
02:34:25,587 --> 02:34:30,192
THE RECORDING ACADEMY AND
CBS CONDEMN AND DENOUNCE ALL
2275
02:34:30,258 --> 02:34:35,197
FORMS OF RACISM, SEXISM,
VIOLENCE, ANTI-SEMITISM AND
2276
02:34:35,263 --> 02:34:36,264
HATE.
2277
02:34:36,331 --> 02:34:38,300
LET'S CONTINUE TO USE MUSIC TO
BRING PEOPLE TOGETHER.
2278
02:34:38,367 --> 02:34:42,971
LEADING WITH LOVE, HEALING AND A
SENSE OF UNITY ACROSS ALL LINES
2279
02:34:43,038 --> 02:34:43,705
OF DIFFERENCE.
2280
02:34:47,109 --> 02:34:49,277
♪ ♪ ♪
DON'T MISS A BEAT
2281
02:34:49,344 --> 02:34:50,445
AFTER TONIGHT'S BROADCAST WITH
THE GRAMMY POST SHOW ON
2282
02:34:50,512 --> 02:34:53,448
grammy.com.
2283
02:34:53,515 --> 02:34:56,451
JOIN YOUR FAVORITE FACEBOOK
GROUP AND RELIVE THE NIGHT'S
2284
02:34:56,518 --> 02:35:04,893
WINNERS, PERFORMANCES, FASHION
AND MORE.
2285
02:35:04,960 --> 02:35:06,928
THIS YEAR'S LIFETIME ACHIEVEMENT
THE PIONEERING RAP
2286
02:35:06,995 --> 02:35:09,498
GROUP GRANDMASTER FLASH & THE
FURIOUS FIVE; LEGENDARY JAZZ
2287
02:35:09,564 --> 02:35:12,801
MUSICIAN AND BANDLEADER LIONEL
HAMPTON; GRAMMY-WINNING MEZZO-
2288
02:35:12,868 --> 02:35:16,805
SOPRANO OPERA GREAT MARILYN
HORNE; THE "FIRST LADIES OF RAP
2289
02:35:16,872 --> 02:35:21,410
& HIP HOP," SALT-N-PEPA; "QUEEN
OF TEJANO MUSIC," SELENA; AND
2290
02:35:21,476 --> 02:35:26,348
THE ACCLAIMED AND GROUNDBREAKING
ROCK BAND TALKING HEADS.
2291
02:35:26,415 --> 02:35:28,817
THE RECORDING ACADEMY PRESENTS
ITS TRUSTEES AWARD TO GRAMMY AND
2292
02:35:28,884 --> 02:35:32,821
EMMY-WINNING RECORDING ENGINEER
ED CHERNEY, JAZZ LEGEND AND
2293
02:35:32,888 --> 02:35:36,992
COMPOSER BENNY GOLSON, AND 11-
TIMES GRAMMY WINNING ARTIST,
2294
02:35:37,059 --> 02:35:40,829
PRODUCER, SONGWRITER AND RECORD
COMPANY EXECUTIVE KENNETH
2295
02:35:40,896 --> 02:35:43,198
"BABYFACE" EDMONDS.
2296
02:35:43,265 --> 02:35:45,467
AND THIS YEAR'S TECHNICAL GRAMMY
AWARD RECIPIENT IS DANIEL WEISS,
2297
02:35:45,534 --> 02:35:49,237
A PIONEER IN DIGITAL TECHNOLOGY
AND THE FOUNDER OF WEISS
2298
02:35:49,304 --> 02:35:51,406
ENGINEERING.
2299
02:35:51,473 --> 02:35:56,812
CONGRATULATIONS TO ALL OF THE
RECORDING ACADEMY'S SPECIAL
2300
02:35:56,878 --> 02:35:57,946
MERIT HONOREES FOR 2021.
2301
02:35:58,013 --> 02:36:02,718
IT'S TIME NOW FOR OUR
2302
02:36:02,784 --> 02:36:04,319
FINAL AWARD OF THE NIGHT BEFORE
EVERYONE GOES HOME AND GETS BACK
2303
02:36:04,386 --> 02:36:07,289
IN THEIR SWEATPANTS FOR ANOTHER
FEW MONTHS.
2304
02:36:07,355 --> 02:36:11,626
HERE TO PRESENT RECORD OF THE
YEAR, PLEASE WELCOME A NINE-TIME
2305
02:36:11,693 --> 02:36:17,065
GRAMMY AWARD WINNER, A RECORDING
AND A MEMBER OF A PROMISING
2306
02:36:17,132 --> 02:36:20,202
LITTLE BAND CALLED THE BEATLES--
THE ONE AND ONLY RINGO STARR.
2307
02:36:20,268 --> 02:36:28,176
♪ ♪ ♪
2308
02:36:28,243 --> 02:36:28,944
THANK YOU, THANK YOU VERY
MUCH.
2309
02:36:29,010 --> 02:36:29,778
PEACE AND LOVE, EVERYBODY.
2310
02:36:29,845 --> 02:36:32,347
NOT THAT LOUD NOW.
2311
02:36:32,414 --> 02:36:36,852
ANYWAY, AFTER A YEAR WHEN YOU'VE
ALL BEEN ZOOMING IN AND
2312
02:36:36,918 --> 02:36:38,120
GOOD EVENING, GRAMMY PEOPLE.
2313
02:36:38,186 --> 02:36:39,087
AFTER A YEAR WHEN WE'VE ALL BEEN
ZOOMING IN AND ZOOMING OUT, IT'S
2314
02:36:39,154 --> 02:36:39,888
GREAT TO BE HERE.
2315
02:36:39,955 --> 02:36:42,991
IN FACT, IT'S GREAT TO BE
ANYWHERE.
2316
02:36:43,058 --> 02:36:46,995
'CAUSE NO MATTER WHAT HAPPENS,
MUSIC GOES ON, SO I'M HONORED TO
2317
02:36:47,062 --> 02:36:50,265
BE HERE AT THE GRAMMYS, AS I'VE
BEEN MANY TIMES SINCE WHEN I WAS
2318
02:36:50,332 --> 02:36:54,169
IN THAT OTHER BAND.
2319
02:36:54,236 --> 02:36:58,306
AND I WANT TO SAY THIS WITH
PEACE AND LOVE TO ALL OF THESE
2320
02:36:58,373 --> 02:37:02,244
IF YOU'RE
MAKING MUSIC IN OUR WORLD TODAY,
2321
02:37:02,310 --> 02:37:03,612
YOU'VE ALREADY WON.
2322
02:37:03,678 --> 02:37:04,412
AND I THANK YOU.
2323
02:37:04,479 --> 02:37:06,882
THESE ARE
THESE ARE THE OUTSTANDING
2324
02:37:06,948 --> 02:37:12,287
NOMINATIONS FOR RECORD OF THE
YEAR.
2325
02:37:12,354 --> 02:37:19,561
"BLACK PARADE,"
BEYONCE.
2326
02:37:19,628 --> 02:37:22,430
"COLORS," BLACK PUMAS.
2327
02:37:22,497 --> 02:37:27,569
"ROCKSTAR," DaBABY FEATURING
RODDY RICCH.
2328
02:37:27,636 --> 02:37:31,540
"SAY SO," DOJA CAT.
2329
02:37:31,606 --> 02:37:35,544
"EVERYTHING I WANTED," BILLIE
EILISH.
2330
02:37:35,610 --> 02:37:43,518
"DON'T START NOW," DUA LIPA.
2331
02:37:43,585 --> 02:37:44,519
"CIRCLES," POST MALONE.
2332
02:37:44,586 --> 02:37:51,526
"SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.
2333
02:38:05,707 --> 02:38:11,546
TO SOMEBODY.
2334
02:38:11,613 --> 02:38:19,554
BILLIE EILISH.
2335
02:38:19,621 --> 02:38:29,598
♪ ♪ ♪
2336
02:38:29,664 --> 02:38:36,404
♪ ♪ ♪
2337
02:38:36,471 --> 02:38:37,305
♪.
2338
02:38:37,372 --> 02:38:41,943
THIS IS REALLY EMBARRASS
RASING FOR ME.
2339
02:38:42,010 --> 02:38:45,580
MEGAN, GIRL, I WAS GOING TO
WRITE A SPEECH ABOUT HOW YOU
2340
02:38:45,647 --> 02:38:50,185
DESERVED THIS, BUT THEN THERE IS
LIKE THERE IS NO WAY THEY WILL
2341
02:38:50,252 --> 02:38:53,054
CHOOSE ME, I WAS LIKE IT'S HERS.
2342
02:38:53,121 --> 02:38:56,191
YOU DESERVE THIS.
2343
02:38:56,258 --> 02:39:01,096
YOU HAD A YEAR THAT I THINK IS
UNTOPPABLE.
2344
02:39:01,162 --> 02:39:02,097
YOU ARE A QUEEN.
2345
02:39:02,163 --> 02:39:04,532
I WANT IT CRY THINKING ABOUT HOW
MUCH I LOVE YOU.
2346
02:39:04,599 --> 02:39:08,136
ARE YOU SO BEAUTIFUL, YOU ARE SO
TALENTED.
2347
02:39:08,203 --> 02:39:09,771
YOU DESERVE EVERYTHING IN THE
WORLD.
2348
02:39:09,838 --> 02:39:10,972
I THINK ABOUT YOU CONSTANTLY.
2349
02:39:11,039 --> 02:39:13,341
I ROOT FOR YOU ALWAYS.
2350
02:39:13,408 --> 02:39:17,746
YOU DESERVE IT, HONESTLY,
GENUINELY, THIS GOES TO HER, CAN
2351
02:39:17,812 --> 02:39:23,084
WE JUST CHEER FOR MEGAN THEE
STALLION.
2352
02:39:23,151 --> 02:39:26,521
BUT THANK YOU ALSO, I REALLY DO
APPRECIATE THIS.
2353
02:39:26,588 --> 02:39:29,157
THANK YOU TO THE ACADEMY, THANK
YOU TO RINGO.
2354
02:39:29,224 --> 02:39:35,063
I LOVE YOU, I LOVE MY TEAM,
THANK YOU TO MY BROTHER FINNEAS
2355
02:39:35,130 --> 02:39:49,911
AND YEAH, THANKS FOR BEING HERE,
I LOVE YOU, THANK YOU.
2356
02:39:49,978 --> 02:39:51,846
CONGRATS BILLIE
2357
02:39:51,913 --> 02:39:52,981
EILISH!
2358
02:39:53,048 --> 02:39:56,484
THANK YOU ALL FOR BEING A PART
OF MUSIC'S BIGGEST NIGHT.
2359
02:39:56,551 --> 02:39:59,421
IT'S TIME TO HEAD TO THE CRAZY
AFTER PARTY, ALONE ON MY COUCH.
2360
02:39:59,487 --> 02:40:01,256
FOR 63 YEARS NOW, THE MUSIC
COMMUNITY HAS COME TOGETHER ON
2361
02:40:01,323 --> 02:40:03,658
GRAMMY NIGHT TO CELEBRATE
EXCELLENCE.
2362
02:40:03,725 --> 02:40:07,295
THANK YOU TO ALL OF THE ARTISTS
AND ALL THOSE WHO MADE THIS
2363
02:40:07,362 --> 02:40:09,030
UNIQUE AND BEAUTIFUL GRAMMY
NIGHT POSSIBLE.
2364
02:40:09,097 --> 02:40:13,034
GOOD NIGHT!
2365
02:40:13,101 --> 02:40:14,336
Captioning sponsored by CBS
2366
02:40:18,907 --> 02:40:21,009
Captioned by
Media Access Group at WGBH
2367
02:40:21,076 --> 02:40:25,547
access.wgbh.org
2368
02:40:29,084 --> 02:40:36,992
♪ ♪ ♪
♪ A LOVELY DAY
2369
02:40:37,058 --> 02:40:44,566
LOVELY DAY
♪ LOVELY DAY
2370
02:40:44,632 --> 02:40:46,401
LOVELY DAY
♪ A LOVELY DAY
2371
02:40:46,468 --> 02:40:48,470
LOVELY DAY
♪ A LOVELY DAY
193465
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