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These are the user uploaded subtitles that are being translated: 1 00:00:04,000 --> 00:00:09,000 Downloaded from YTS.MX 2 00:00:10,000 --> 00:00:15,000 Official YIFY movies site: YTS.MX 3 00:00:10,742 --> 00:00:16,481 WELCOME TO THE 63rd ANNUAL GRAMMY AWARD, I'M TREVOR NOAH 4 00:00:16,547 --> 00:00:19,050 AND I'M YOUR HOST AS WE CELEBRATE THE LAST TEN YEARS OF 5 00:00:19,117 --> 00:00:23,321 MUSIC THAT GOT US THROUGH ABOUT TEN YEARS OF CORONAVIRUS, I KNOW 6 00:00:23,388 --> 00:00:27,058 IT IS ONE YEAR BUT IT FEELS LIKE TEN, WE HAVE MADE THE DECISION 7 00:00:27,125 --> 00:00:37,101 TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS 8 00:00:37,168 --> 00:00:47,145 TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS 9 00:00:47,211 --> 00:00:57,121 TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS 10 00:00:57,188 --> 00:01:07,098 TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS 11 00:01:07,165 --> 00:01:12,703 TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS 12 00:01:12,770 --> 00:01:17,074 PEER VOTED TROPHIES IN MUSIC GIVING SHIEBEE NEW GRAMMY AWARDS 13 00:01:17,141 --> 00:01:19,710 LIVE THROUGHOUT THE EVENING BUT WE HAVE TO DO IT QUICKLY BECAUSE 14 00:01:19,777 --> 00:01:22,914 TOMORROW THIS TENT IS RESERVED FOR AN OUTDOOR WEDDING IN MALIBU 15 00:01:22,980 --> 00:01:25,583 AND I DO IN THE WANT TO LOSE MY SECURITY DEPOSIT. 16 00:01:25,650 --> 00:01:29,854 REST ASSURED EVERYONE HERE IS FOLLOWING COVID-19 PROTOCOLS AND 17 00:01:29,921 --> 00:01:32,757 GUIDE LINES, THIS WILL BE THE AWARD SHOW WHERE THE WHITE STUFF 18 00:01:32,824 --> 00:01:36,561 GOING UP PEOPLE'S NOSESES COTTON SWABS. 19 00:01:36,627 --> 00:01:39,997 THIS LOOKS DIFFERENT, THE WHOLE THING IS GOING TO BE DIFFERENT 20 00:01:40,064 --> 00:01:43,568 BUT FOLKS WILL BE EVEN MORE EXCITED BECAUSE OUR IMPRESSIVE 21 00:01:43,634 --> 00:01:46,370 NOMINEES WILL BE SITTING AT THOSE TABLES FOR THEIR AWARDS. 22 00:01:46,437 --> 00:01:50,241 SO RIGHT NOW THERE IS MORE TENSION IN THAT TENT THAN AT A 23 00:01:50,308 --> 00:01:53,144 FAMILY REUNION AT BUCKINGHAM PALACE. 24 00:01:53,211 --> 00:01:55,780 AND I KNOW THAT YOU HAVEN'T BEEN ABLE TO GO TO A CONCERT IN A 25 00:01:55,847 --> 00:01:57,081 LONG TIME, NEITHER HAVE I. 26 00:01:57,148 --> 00:02:00,151 SO TONIGHT WE'RE BRINGING THE CONCERT TO YOU, AFTER EVERYONE 27 00:02:00,218 --> 00:02:03,387 MAKES THEIR WAY DOWN THIS RED CARPET THEY WILL HEAD INSIDE 28 00:02:03,454 --> 00:02:06,791 THERE TO PERFORM FOR EACH OTHER AND FOR YOU. 29 00:02:06,858 --> 00:02:12,163 AND UNLIKE AN ACTUAL CONCERT, TWO TEENAGERS ON STACKED ON TOP 30 00:02:12,230 --> 00:02:14,398 WON'T BLOCK YOUR VIEW, THAT IS WHAT TONIGHT IS ABOUT, IT IS 31 00:02:14,465 --> 00:02:19,237 ABOUT BRINGING US TOGETHER AS ONLY MUSIC CAN. 32 00:02:19,303 --> 00:02:23,341 WELL, MUSIC AND VACCINES, WE WILL CELEBRATE MUSIC AND 33 00:02:23,407 --> 00:02:26,711 HOPEFULLY FORGET OUR PROBLEMS UNLESS SOME OF OUR PROBLEMS ARE 34 00:02:26,777 --> 00:02:28,679 BEING OBSESSED WITH HARRY STYLES BECAUSE THAT WILL ONLY GET 35 00:02:28,746 --> 00:02:30,314 WORSE, I CAN PROMISE YOU. 36 00:02:30,381 --> 00:02:33,150 TONIGHT WE WILL ENJOY PERFORMANCES FROM EVERYONE FROM 37 00:02:33,217 --> 00:02:39,957 MEGAN THEE STALLION TO CARDI B, BRUNO MARS, AN DERSON PAAK, TO 38 00:02:40,024 --> 00:02:44,962 PAY LETTER SWIFT, WE WILL HEAR MIRANDA LAMBERT, AND MAREN 39 00:02:45,029 --> 00:02:46,163 MORRIS. 40 00:02:46,230 --> 00:02:48,032 WE WILL PAY TRIBUTE TO SOME OF THE MANY GREAT MUSICAL ARTISTS 41 00:02:48,099 --> 00:02:53,337 THAT WE'VE LOST DURING THE LAST YEAR INCLUDING LIL RICHARD AND 42 00:02:53,404 --> 00:02:55,907 KENNY ROGERS AND JOHN PRINE, WE'LL ALSO BRING YOU GLOBAL 43 00:02:55,973 --> 00:03:00,444 SENSATIONS DUA LIPA, BAD BUNNY, BTS AND POST MALONE PLUS 44 00:03:00,511 --> 00:03:05,816 EXCITING PERFORMANCES BY DOJA CAT, RODDY RICCH, BRANDI 45 00:03:05,883 --> 00:03:09,186 CARLILE, JOHN MAYER, AND ON TOP OF THAT WE WILL BE JINKED BY NOT 46 00:03:09,253 --> 00:03:14,559 ONE BUT TWO OF THE BIGGEST AND MOST BELOVED BABIES ON PLANET 47 00:03:14,625 --> 00:03:20,264 EARTH, DABABY AND LITTLE BABY. 48 00:03:20,331 --> 00:03:24,235 -- LIL BABY AND ALL OF THEM WILL BE PERFORMING RIGHT HERE IN THIS 49 00:03:24,302 --> 00:03:28,005 BEAUTIFUL ROOM. 50 00:03:28,072 --> 00:03:30,241 TONIGHT WE ARE HOPING THAT THIS 51 00:03:30,308 --> 00:03:36,247 IS ALL ABOUT WHAT 2021 CAN BE, BEGINNINGS AND COMING TOGETHER. 52 00:03:36,314 --> 00:03:39,550 NEVER FORGETTING WHAT HAPPENED IN 2020 BUT FULL OF HOPE FOR 53 00:03:39,617 --> 00:03:42,219 WHAT IS TO COME. 54 00:03:42,286 --> 00:03:46,357 SO LET'S DO THIS, PEOPLE. 55 00:03:46,424 --> 00:03:49,527 NOMINATED TONIGHT FOR BOTH RECORD OF THE YEAR AND ALBUM OF 56 00:03:49,594 --> 00:03:53,064 THE YEAR, BLACK PUMAS ARE HERE, EVERYBODY. 57 00:03:53,130 --> 00:03:57,234 SO GOOD TO YOU HAVE GUYS, MAN, BIG FANS. 58 00:03:57,301 --> 00:04:02,540 IT IS MY PLEASURE TO ANNOUNCE THAT THE-- WILL BE JOINING US, 59 00:04:02,607 --> 00:04:08,179 NOMINATED FOR ALBUM OF THE YEAR, THAT'S RIGHT, AND RIGHT OVER 60 00:04:08,245 --> 00:04:11,015 HERE, YOU BETTER START SCREAMING BECAUSE I KNOW I AM, LAST YEAR 61 00:04:11,082 --> 00:04:15,853 SHE MADE GRAMMY HISTORY, IT IS BILLIE EILISH, EVERYBODY. 62 00:04:15,920 --> 00:04:20,791 SHE WON SO MANY GRAMMYS LAST YEAR THAT HER UBER HAUL WAS A 63 00:04:20,858 --> 00:04:25,863 YOU HAUL, SHE IS BACK WITH HER BROTHER TO PLAY THEIR GRAMMY 64 00:04:25,930 --> 00:04:27,131 NOMINATED RECORD OF THE YEAR. 65 00:04:27,198 --> 00:04:31,302 BUT FIRST, WE COULD NOT BE MORE EXCITED TO KICK OFF OUR SHOW IN 66 00:04:31,369 --> 00:04:34,005 THE BIGGEST WAY POSSIBLE, PERFORMING AT THE GRAMMY AWARDS 67 00:04:34,071 --> 00:04:37,174 FOR THE FIRST TIME EVER WITH THREE GRAMMY NOMINATIONS 68 00:04:37,241 --> 00:04:41,312 TONIGHT, THIS GUY IS A GLOBAL MEGASTAR. 69 00:04:41,379 --> 00:04:44,815 LADIES, YOU BETTER WATCH OUT BECAUSE HE'LL STEAL YOUR HEART 70 00:04:44,882 --> 00:04:48,719 AND YOUR DRESS AND HE'LL LOOK DAMN GOOD DOING IT. 71 00:04:48,786 --> 00:04:53,858 GIVE IT UP FOR HARRY STYLES. 72 00:04:53,924 --> 00:04:59,797 ♪ TASTES LIKE STRAWBERRIES 73 00:04:59,864 --> 00:05:01,832 ON A SUMMER EVENIN' ♪ AND IT SOUNDS JUST LIKE 74 00:05:01,899 --> 00:05:05,836 A SONG ♪ I WANT MORE BERRIES 75 00:05:05,903 --> 00:05:11,742 AND THAT SUMMER FEELIN' ♪ IT'S SO WONDERFUL 76 00:05:11,809 --> 00:05:14,211 AND WARM ♪ BREATHE ME IN 77 00:05:14,278 --> 00:05:21,819 BREATHE ME OUT ♪ I DON'T KNOW IF I 78 00:05:21,886 --> 00:05:25,856 COULD EVER GO WITHOUT ♪ I'M JUST THINK 79 00:05:25,923 --> 00:05:29,860 --KING OUT LOUD ♪ I DON'T KNOW IF I COULD 80 00:05:29,927 --> 00:05:36,834 EVER GO WITHOUT ♪ WATERMELON SUGAR HIGH 81 00:05:36,901 --> 00:05:40,004 WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH 82 00:05:40,071 --> 00:05:45,609 WATERMELON SUGAR HIGH WATERMELON SUGAR 83 00:05:45,676 --> 00:05:49,847 ♪ STRAWBERRIES ON A SUMMER EVENIN' 84 00:05:49,914 --> 00:05:57,822 ♪ BABY, YOU'RE THE END OF JUNE I WANT YOUR BELLY 85 00:05:57,888 --> 00:06:03,994 ♪ AND THAT SUMMER FEELIN' GETTING WASHED AWAY IN YOU 86 00:06:04,061 --> 00:06:09,366 ♪ BREATHE ME IN BREATHE ME OUT 87 00:06:09,433 --> 00:06:13,838 ♪ I DON'T KNOW IF I COULD EVER GO WITHOUT 88 00:06:13,904 --> 00:06:17,842 ♪ WATERMELON SUGAR HIGH WATERMELON SUGAR HIGH 89 00:06:17,908 --> 00:06:24,482 ♪ WATERMELON SUGAR HIGH WATERMELON SUGAR HIGH 90 00:06:24,548 --> 00:06:27,985 ♪ WATERMELON SUGAR HIGH WATERMELON SUGAR HIGH 91 00:06:28,052 --> 00:06:36,393 ♪ WATERMELON SUGAR HIGH WATERMELON SUGAR HIGH 92 00:06:36,460 --> 00:06:39,997 ♪ I JUST WANNA TASTE IT I JUST WANNA TASTE IT 93 00:06:40,064 --> 00:06:49,840 ♪ WATERMELON SUGAR HIGH 94 00:07:03,521 --> 00:07:09,493 ♪ ♪ ♪ ♪ TASTES LIKE STRAWBERRIES 95 00:07:09,560 --> 00:07:13,097 ON A SUMMER EVENIN' ♪ AND IT SOUNDS JUST LIKE 96 00:07:13,164 --> 00:07:16,000 A SONG ♪ I WANT YOUR BELLY 97 00:07:16,066 --> 00:07:21,839 AND THAT SUMMER FEELIN' ♪ I DON'T KNOW IF I COULD 98 00:07:21,906 --> 00:07:25,843 EVER GO WITHOUT ♪ WATERMELON SUGAR HIGH 99 00:07:25,910 --> 00:07:32,449 WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH 100 00:07:32,516 --> 00:07:37,388 WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH 101 00:07:37,454 --> 00:07:41,859 WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH 102 00:07:41,926 --> 00:07:46,363 WATERMELON SUGAR HIGH ♪ I JUST WANNA TASTE IT 103 00:07:46,430 --> 00:07:53,737 I JUST WANNA TASTE IT ♪ WATERMELON SUGAR HIGH 104 00:07:53,804 --> 00:08:01,812 I JUST WANNA TASTE IT ♪ I JUST WANNA TASTE IT 105 00:08:01,879 --> 00:08:09,987 WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR ♪ 106 00:08:10,054 --> 00:08:20,965 HARRY STYLES, THAT WAS 107 00:08:21,031 --> 00:08:22,233 AMAZING, MAN. 108 00:08:22,299 --> 00:08:25,402 I MEAN I WOULD HAVE WORN A SHIRT FOR MY FIRST GRAMMYS, YOU KNOW, 109 00:08:25,469 --> 00:08:28,706 BUT EACH TO HIS OWN, EVERYBODY-- IT IS CRAZY TO THINK 110 00:08:28,772 --> 00:08:31,775 EVERYONE THAT TALENTED AND HANDSOME IS FROM THE SAME PLACE 111 00:08:31,842 --> 00:08:36,046 AS BORE IS JOHNSON, MAN, THE U.K. IS DIVERSE, NO TIME TO 112 00:08:36,113 --> 00:08:38,916 WASTINGS SINGING HER GRAMMY NOMINATED RECORD OF THE YEAR, 113 00:08:38,983 --> 00:08:48,025 SMASH HIT, EVERYTHING I WANTED, THIS IS BILLIE EILISH. 114 00:08:54,265 --> 00:09:04,041 ♪ ♪ ♪ ♪ I HAD A DREAM 115 00:09:04,108 --> 00:09:12,049 I GOT EVERYTHING I WANTED ♪ NOT WHAT YOU'D THINK 116 00:09:12,116 --> 00:09:18,188 AND IF I'M BEIN' HONEST ♪ IT MIGHT'VE BEEN A NIGHTMARE 117 00:09:18,255 --> 00:09:28,032 TO ANYONE WHO MIGHT CARE ♪ THOUGHT I COULD FLY 118 00:09:28,098 --> 00:09:36,040 SO I STEPPED OFF THE GOLDEN, MM ♪ NOBODY CRIED 119 00:09:36,106 --> 00:09:40,044 NOBODY EVEN NOTICED ♪ I SAW THEM STANDING 120 00:09:40,110 --> 00:09:44,048 RIGHT THERE ♪ KINDA THOUGHT THEY 121 00:09:44,114 --> 00:09:52,056 MIGHT CARE ♪ I HAD A DREAM 122 00:09:52,122 --> 00:10:00,064 I GOT EVERYTHING I WANTED ♪ BUT WHEN I WAKE UP, I SEE 123 00:10:00,130 --> 00:10:03,801 YOU WITH ME ♪ AND YOU SAY 124 00:10:03,867 --> 00:10:12,042 "AS LONG AS I'M HERE ♪ NO ONE CAN HURT YOU" 125 00:10:12,109 --> 00:10:20,050 DON'T WANNA LIE HERE ♪ BUT YOU CAN LEARN TO 126 00:10:20,117 --> 00:10:28,058 IF I COULD CHANGE ♪ THE WAY THAT YOU SEE YOURSELF 127 00:10:28,125 --> 00:10:36,066 YOU WOULDN'T WONDER WHY YOU HEAR ♪ "THEY DON'T DESERVE YOU" 128 00:10:36,133 --> 00:10:44,041 I TRIED TO SCREAM ♪ BUT MY HEAD WAS UNDERWATER 129 00:10:44,108 --> 00:10:49,713 THEY CALLED ME WEAK ♪ LIKE I'M NOT JUST 130 00:10:49,780 --> 00:10:54,218 SOMEBODY'S DAUGHTER ♪ COULDA BEEN A NIGHTMARE 131 00:10:54,284 --> 00:10:59,823 BUT IT FELT LIKE THEY WERE ♪ RIGHT THERE 132 00:10:59,890 --> 00:11:03,827 AND IT FEELS LIKE YESTERDAY ♪ WAS A YEAR AGO 133 00:11:03,894 --> 00:11:07,898 BUT I DON'T WANNA LET ♪ ANYBODY KNOW 134 00:11:07,965 --> 00:11:12,069 'CAUSE EVERYBODY WANTS ♪ SOMETHING FROM ME NOW 135 00:11:12,136 --> 00:11:20,010 AND I DON'T WANNA LET 'EM DOWN ♪ I HAD A DREAM 136 00:11:20,077 --> 00:11:28,052 I GOT EVERYTHING I WANTED ♪ BUT WHEN I WAKE UP, I SEE 137 00:11:28,118 --> 00:11:32,056 YOU WITH ME ♪ AND YOU SAY 138 00:11:32,122 --> 00:11:40,064 "AS LONG AS I'M HERE ♪ NO ONE CAN HURT YOU 139 00:11:40,130 --> 00:11:49,440 DON'T WANNA LIE HERE ♪ BUT YOU CAN LEARN TO 140 00:11:49,506 --> 00:11:52,042 ♪ IF I KNEW IT ALL THEN WOULD I DO IT AGAIN? 141 00:11:52,109 --> 00:11:56,046 ♪ WOULD I DO IT AGAIN? 142 00:11:56,113 --> 00:12:00,084 IF THEY KNEW WHAT THEY SAID ♪ WOULD GO STRAIGHT TO MY HEAD 143 00:12:00,150 --> 00:12:08,058 WHAT WOULD THEY SAY INSTEAD? ♪ 144 00:12:08,125 --> 00:12:18,102 ♪ ♪ ♪ 145 00:12:18,168 --> 00:12:25,375 ♪ ♪ ♪ 146 00:12:25,442 --> 00:12:28,045 BILLIE EILISH AND FINNEAS, EVERYBODY, KEEP IT GOING, Y'ALL, 147 00:12:28,112 --> 00:12:34,451 KEEP IT GOING, EVERY SINGLE TIME, MAN, AMAZING. 148 00:12:34,518 --> 00:12:38,689 NOW A TRIO OF SISTERS FROM RIGHT HERE IN LOS ANGELES NOMINATED 149 00:12:38,755 --> 00:12:42,226 FOR ALBUM OF THE YEAR TONIGHT, ABOUT TO ROCK OUR WORLD WITH 150 00:12:42,292 --> 00:12:48,065 THEIR FIRST EVER GRAMMY PERFORMANCE, THIS IS HAIM. 151 00:13:03,847 --> 00:13:08,051 ♪ ♪ ♪ ♪ ♪ ♪ 152 00:13:08,118 --> 00:13:16,059 ♪ SO, BABY WHEN I'M NEAR YOU 153 00:13:16,126 --> 00:13:24,067 ♪ YOU CAN'T FEEL ME I'M LIGHTNIN' 154 00:13:24,134 --> 00:13:32,042 ♪ YOU USED TO COME BY AND SIT DOWN BY MY SIDE 155 00:13:32,109 --> 00:13:42,219 ♪ YOU WOULD COME IN CLOSE AND TAKE OFF ALL MY CLOTHES 156 00:13:42,286 --> 00:13:46,290 ♪ EVERY TIME I THINK THAT I'VE BEEN TAKIN' THE STEPS 157 00:13:46,356 --> 00:13:51,495 ♪ YOU END UP MAD AT ME FOR MAKIN' A MESS 158 00:13:51,562 --> 00:13:58,602 ♪ I CAN'T UNDERSTAND WHY YOU DON'T UNDERSTAND ME, BABY 159 00:13:58,669 --> 00:14:02,339 ♪ AND EVERY DAY I WAKE UP AND I MAKE MONEY FOR MYSELF 160 00:14:02,406 --> 00:14:04,007 ♪ AND THOUGH WE SHARE A BED YOU KNOW THAT I DON'T 161 00:14:04,074 --> 00:14:08,045 ♪ NEED YOUR HELP DO YOU UNDERSTAND? 162 00:14:08,111 --> 00:14:18,222 ♪ YOU DON'T UNDERSTAND ME BABY 163 00:14:18,288 --> 00:14:24,061 ♪ ♪ ♪ ♪ ♪ ♪ 164 00:14:24,127 --> 00:14:27,731 ♪ IF I GO RIGHT AND YOU GO LEFT 165 00:14:27,798 --> 00:14:35,339 ♪ HEY, I KNOW WE'LL MEET UP AGAIN 166 00:14:35,405 --> 00:14:40,043 ♪ ♪ ♪ ♪ ♪ ♪ 167 00:14:40,110 --> 00:14:44,047 ♪ AND IF YOU GO LEFT AND I GO RIGHT 168 00:14:44,114 --> 00:14:48,151 ♪ HEY, MAYBE THAT'S JUST LIFE SOMETIMES 169 00:14:48,218 --> 00:14:56,059 ♪ ♪ ♪ ♪ ♪ ♪ 170 00:14:56,126 --> 00:15:00,063 ♪ EVERY TIME I THINK THAT I'VE BEEN TAKIN' THE STEPS 171 00:15:00,130 --> 00:15:04,067 ♪ YOU END UP MAD AT ME FOR MAKIN' A MESS 172 00:15:04,134 --> 00:15:12,042 ♪ I CAN'T UNDERSTAND WHY YOU DON'T UNDERSTAND ME, BABY 173 00:15:12,109 --> 00:15:16,046 ♪ AND EVERY DAY I WAKE UP AND MAKE MONEY FOR MYSELF 174 00:15:16,113 --> 00:15:18,215 ♪ AND THOUGH WE SHARE A BED YOU KNOW THAT I DON'T 175 00:15:18,282 --> 00:15:24,054 ♪ NEED YOUR HELP DO YOU UNDERSTAND? 176 00:15:24,121 --> 00:15:28,058 ♪ YOU DON'T UNDERSTAND ME BABY ♪ 177 00:15:40,103 --> 00:15:48,045 ♪ ♪ ♪ ♪ ♪ ♪ 178 00:15:48,111 --> 00:15:53,617 THAT'S RIGHT, PEOPLE, KEEP IT 179 00:15:53,684 --> 00:15:57,421 GOING, HAIM, LADY AS AND GENTLEMEN, OUR GRAMMY NIGHT IS 180 00:15:57,487 --> 00:15:58,622 OFFICIALLY OFF AND RUNNING. 181 00:15:58,689 --> 00:16:03,160 UP NEXT OUR FIRST AWARD, AND IT'S A BIG ONE, BEST NEW ARTIST. 182 00:16:03,226 --> 00:16:07,664 PLUS BLACK PUMAS, DUA LIPA AND BADIBUNNY WILL BE ON THESE STAGE 183 00:16:07,731 --> 00:16:10,233 RIGHT HERE, SO DON'T GO ANYWHERE. 184 00:16:10,300 --> 00:16:16,039 THIS IS CBS. 185 00:16:16,106 --> 00:16:17,774 ♪ ♪ ♪ ♪ ♪ ♪ 186 00:16:20,110 --> 00:16:23,513 THE 63rd GRAMMY AWARDS IS SPONSORED BY LINCOLN 187 00:16:23,580 --> 00:16:25,515 FAMILY OF LUXURY S.U.V.s. 188 00:16:31,555 --> 00:16:39,229 ♪ ♪ ♪ 189 00:16:39,296 --> 00:16:41,631 WELCOME BACK TO THE GRAMMYS. 190 00:16:41,698 --> 00:16:44,634 SO, LET'S GET STRAIGHT TO THE AWARDS. 191 00:16:44,701 --> 00:16:48,004 THE FIRST AWARD TONIGHT IS BEST NEW ARTIST. 192 00:16:48,071 --> 00:16:51,742 IT'S AN AWARD THAT'S BEEN WON BY THE BEATLES, MARIAH CAREY, 193 00:16:51,808 --> 00:16:54,077 CHRISTINA AGUILERA, AND JOHN LEGEND. 194 00:16:54,144 --> 00:16:59,883 AND IT'S BEEN LOST BY KENDRICK LAMAR, DRAKE, TAYLOR SWIFT, BOYZ 195 00:16:59,950 --> 00:17:00,851 II MEN, AND ELTON JOHN. 196 00:17:00,917 --> 00:17:04,287 SO, EVEN IF YOU LOSE IT, YOU'LL BE ALL RIGHT. 197 00:17:04,354 --> 00:17:05,889 HERE TO PRESENT THE AWARD IS AN 198 00:17:05,956 --> 00:17:08,992 ARTIST WHO ALWAYS MAKES ME FEE“" GOOD AS HELL.” 199 00:17:09,059 --> 00:17:11,995 PLEASE WELCOME THREE-TIME GRAMMY WINNER, LIZZO! 200 00:17:12,062 --> 00:17:17,868 ♪ ♪ ♪ 201 00:17:17,934 --> 00:17:21,805 ♪ ♪ ♪ THANK YOU, TREVOR. 202 00:17:21,872 --> 00:17:25,041 I LOVE YOU. 203 00:17:25,108 --> 00:17:31,948 CUTIE. 204 00:17:32,015 --> 00:17:36,520 I'M PRESENTING CUZ I LOVE YOU. 205 00:17:36,586 --> 00:17:41,858 AND THE THREE SHINY GRAMMYS I 206 00:17:41,925 --> 00:17:45,862 GOT LAST YEAR, WOO! 207 00:17:45,929 --> 00:17:46,596 I'M BACK. 208 00:17:46,663 --> 00:17:47,764 BITCH I'M BACK, OH, I'M SO SORRY. 209 00:17:47,831 --> 00:17:48,899 I'M HAPPY TO PRESENT THE FIRST AWARD OF THE NIGHT THAT PUTS 210 00:17:48,965 --> 00:17:54,004 THAT BIG BEAUTIFUL GRAMMY SPOTLIGHT ON EIGHT NEW MUSICAL 211 00:17:54,070 --> 00:17:57,841 HEROES WHO ALL HAVE THAT BEST NEW ARTIST VIBE, MEGAN, STOP 212 00:17:57,908 --> 00:18:00,010 LAUGHING AT ME, EACH IN THEIR OWN WAY. 213 00:18:00,076 --> 00:18:05,849 THESE ARE THE AMAZING NOMINEES. 214 00:18:05,916 --> 00:18:10,120 ♪ ♪ ♪ INGRID ANDRESS. 215 00:18:10,187 --> 00:18:13,857 PHOEBE BRIDGERS. 216 00:18:13,924 --> 00:18:17,861 CHIKA. 217 00:18:17,928 --> 00:18:21,865 NOAH CYRUS. 218 00:18:21,932 --> 00:18:24,000 D SMOKE. 219 00:18:24,067 --> 00:18:28,305 DOJA CAT. 220 00:18:28,371 --> 00:18:29,873 KAYTRARNADA. 221 00:18:29,940 --> 00:18:33,844 MEGAN THEE STALLION. 222 00:18:33,910 --> 00:18:43,386 ♪ ♪ ♪ 223 00:18:43,453 --> 00:18:45,856 Y'ALL READY? 224 00:18:45,922 --> 00:18:51,895 NERVOUS, Y'ALL. 225 00:18:51,962 --> 00:18:56,433 WAIT, HOW DO YOU OPEN IT, OH MY GOD. 226 00:18:56,500 --> 00:19:04,407 WAIT, HOW DO YOU DO IT, OKAY, I GOT T I GOT T I GOT IT, MEGAN 227 00:19:04,474 --> 00:19:09,846 THEE STALLION. 228 00:19:09,913 --> 00:19:12,015 WHOOO. 229 00:19:33,937 --> 00:19:43,914 ♪ ♪ ♪ 230 00:19:43,980 --> 00:19:53,957 ♪ ♪ ♪ 231 00:19:54,024 --> 00:19:59,529 ♪ ♪ ♪ 232 00:19:59,596 --> 00:20:00,597 I DON'T WANT TO CRY. 233 00:20:00,664 --> 00:20:06,336 BUT FIRST OF ALL I WANT TO SAY EVERYBODY IS AMAZING. 234 00:20:06,403 --> 00:20:10,874 EVERY ARTIST THAT WAS NOMINATED FOR THIS AWARD IS SO AMAZING. 235 00:20:10,941 --> 00:20:17,847 SO SHOUT OUT TO ALL Y'ALL. 236 00:20:17,914 --> 00:20:20,917 SECONDLY, I REALLY JUST WANT TO 237 00:20:20,984 --> 00:20:24,621 THANK GOD BECAUSE THANK YOU FOR PUTTING LIFE INTO MY BODY FOR ME 238 00:20:24,688 --> 00:20:29,659 TO BE ABLE TO EVEN BE HERE TODAY. 239 00:20:29,726 --> 00:20:38,001 I WANT TO SAY THANK YOU FOR-- ALWAYS BEING WITH ME, 240 00:20:38,068 --> 00:20:41,271 BEING BY MY SIDE. 241 00:20:41,338 --> 00:20:44,874 THANK YOU FOR ALWAYS BEING WITH ME, BEING BY MY SIDE, I WANT TO 242 00:20:44,941 --> 00:20:49,045 SAY THANK YOU TO EVERYBODY AT 300 FOR BELIEVING IN ME, 243 00:20:49,112 --> 00:20:53,149 STICKING BY ME THROUGH MY CRAZINESS AND YOU KNOW, IT'S 244 00:20:53,216 --> 00:20:55,318 BEEN A HELL OF A YEAR BUT WE MADE IT. 245 00:20:55,385 --> 00:20:58,388 THANK YOU EVERYBODY AT ROCK NATION AND I REALLY WANT TO SAY 246 00:20:58,455 --> 00:21:01,825 THANK YOU TO MY MAMA, SHE'S NOT HERE WITH ME TODAY BUT I KNOW 247 00:21:01,891 --> 00:21:05,462 SHE IS HERE WITH ME IN SPIRIT AND SHE ALWAYS BELIEVE I COULD 248 00:21:05,528 --> 00:21:09,833 DO IT, SO THANK YOU ALL SO MUCH. 249 00:21:09,899 --> 00:21:17,841 THAT'S YOUR GRAMMY! 250 00:21:17,907 --> 00:21:20,710 CONGRATULATIONS, MEGAN THEE STALLION! 251 00:21:20,777 --> 00:21:21,811 WOW! 252 00:21:21,878 --> 00:21:25,448 TODAY, THE SINGLE RECORD HAS NEVER BEEN MORE IMPORTANT. 253 00:21:25,515 --> 00:21:27,550 SEE, IN THE NEW WORLD OF STREAMING, IF AN ARTIST CAN 254 00:21:27,617 --> 00:21:29,853 CREATE THAT PERFECT SINGLE, THEIR SONG WILL 255 00:21:29,919 --> 00:21:36,059 BE STREAMED BILLIONS AND BILLIONS OF TIMES, MAKING THEM 256 00:21:36,126 --> 00:21:37,193 ANYWHERE FROM $2-$3. 257 00:21:37,260 --> 00:21:38,361 OUR RECORD OF THE YEAR NOMINEES 258 00:21:38,428 --> 00:21:41,097 ARE AN ECLECTIC, DIVERSE AND IMPRESSIVE GROUP. 259 00:21:41,164 --> 00:21:42,499 AND WE ASKED THE REMARKABLE 23- YEAR-OLD DIRECTOR GIBSON HAZARD 260 00:21:42,565 --> 00:21:46,102 TO MAKE SOME FILMS ABOUT THESE CONTENDERS FOR THE RECORD OF THE 261 00:21:46,169 --> 00:21:48,038 YEAR. 262 00:21:48,104 --> 00:21:51,574 SO, FIRST UP, HERE'S A REVEALING LOOK AT THE TRUE "COLORS" OF 263 00:21:51,641 --> 00:21:54,077 A STRONG MUSICAL PARTNERSHIP THAT FLOWERED IN AUSTIN, TEXAS, 264 00:21:54,144 --> 00:21:57,847 AFTER A LITTLE STREET PERFORMING ON THE SANTA MONICA PIER. 265 00:21:57,914 --> 00:22:05,855 THIS IS BLACK PUMAS. 266 00:22:05,922 --> 00:22:15,865 ♪ ♪ ♪ 267 00:22:15,932 --> 00:22:21,604 OUR MUSIC IS VERY REFLECTIVE OF THE SINCERITY OF OUR OWN 268 00:22:21,671 --> 00:22:25,542 SOULS, WE CALL IT SOUL MUSIC AND OBVIOUSLY IT IS NOT SOUL MUSIC 269 00:22:25,608 --> 00:22:29,779 BUT THE MOST IMPORTANT THING IS IT COMES FROM OUR SOUL, MY SOUL 270 00:22:29,846 --> 00:22:30,947 AND HIS SOUL. 271 00:22:31,014 --> 00:22:33,783 GETTING THE NOMINATION FOR "COLORS" IS SPECIAL, WE KNOW HOW 272 00:22:33,850 --> 00:22:36,252 PEOPLE HAVE BEEN REACTING TO THAT SONG, WE HAVE SEEN IT LIVE, 273 00:22:36,319 --> 00:22:41,091 WE HAVE EVEN SEEN IT U NIGHT CROWDS, WE KNOW IT WAS SPECIAL. 274 00:22:41,157 --> 00:22:43,760 I MOVED TO CALIFORNIA FROM NEW MEXICO IN 20134. 275 00:22:43,827 --> 00:22:48,498 I WOULD TAKE LIKE TWO TRAINS THEN TWO BUSES TO THE SANTA 276 00:22:48,565 --> 00:22:51,267 MONICA PIER JUST TO BUSK. 277 00:22:51,334 --> 00:22:56,306 STREET PERFORMING FOR ME, IT IS KIND OF A LOVE HATE 278 00:22:56,372 --> 00:23:01,711 RELATIONSHIP, SUCH AS BEAUTIFUL YET BRUTAL EXPERIENCE. 279 00:23:01,778 --> 00:23:04,447 I WOULD BE PERFORMING IN THE STREET BUT IN MY MIND I'M 280 00:23:04,514 --> 00:23:08,952 PERFORMING ON THE STAGE OF THE GRAMMYS. 281 00:23:09,018 --> 00:23:11,621 KSH WITHIN MYSELF AS A KID I REMEMBER IMAGINING WHAT IT WOULD 282 00:23:11,688 --> 00:23:13,923 BE LIKE TOKING ON SUCH A GRAND STAGE. 283 00:23:13,990 --> 00:23:17,761 WHEN I THINK ABOUT IT, I GET EMOTIONAL BECAUSE I'VE 284 00:23:17,827 --> 00:23:18,394 EXPERIENCED A LOT, MAN. 285 00:23:18,461 --> 00:23:25,335 SO IT FEELS GOOD TO BE HERE. 286 00:23:26,536 --> 00:23:29,606 ♪ ♪ ♪ ♪ I WOKE UP TO THE MORNING 287 00:23:29,672 --> 00:23:32,475 SKY FIRST ♪ BABY BLUE 288 00:23:32,542 --> 00:23:37,947 JUST LIKE WE REHEARSED ♪ WHEN I GET UP OFF THIS GROUND 289 00:23:38,014 --> 00:23:40,483 I SHAKE LEAVES BACK DOWN ♪ TO THE BROWN, BROWN 290 00:23:40,550 --> 00:23:50,093 BROWN, BROWN ♪ 'TIL I'M CLEAN 291 00:23:50,160 --> 00:23:54,264 THEN I WALK WHERE I'D BE ♪ SHADED BY THE TREES 292 00:23:54,330 --> 00:24:01,337 BY A MEADOW OF GREEN ♪ FOR ABOUT A MILE 293 00:24:01,404 --> 00:24:06,276 I'M HEADED TO TOWN, TOWN, TOWN ♪ IN STYLE 294 00:24:06,342 --> 00:24:13,883 WITH ALL MY FAVORITE COLORS ♪ YES, SIR 295 00:24:13,950 --> 00:24:18,288 ALL MY FAVORITE COLORS ♪ RIGHT ON 296 00:24:18,354 --> 00:24:22,258 MY SISTERS AND MY BROTHERS ♪ SEE 'EM LIKE NO OTHER 297 00:24:22,325 --> 00:24:30,266 ALL MY FAVORITE COLORS ♪ IT'S A GOOD DAY TO BE 298 00:24:30,333 --> 00:24:34,270 A GOOD DAY FOR ME ♪ A GOOD DAY TO SEE 299 00:24:34,337 --> 00:24:37,407 MY FAVORITE ♪ COLORS, COLORS 300 00:24:37,473 --> 00:24:44,480 MY SISTERS AND MY BROTHERS ♪ THEY SEE 'EM LIKE NO OTHER 301 00:24:44,547 --> 00:24:50,286 ALL MY FAVORITE COLORS ALL MY FAVORITE COLORS 302 00:25:08,538 --> 00:25:14,277 ♪ ♪ ♪ ♪ I'M ON THE OTHER SIDE 303 00:25:14,344 --> 00:25:18,281 OOH-OOH, OOH-OOH, OOH-OOH-OHH ♪ WHERE THE BABY BLUE BIRDS FLY 304 00:25:18,348 --> 00:25:21,417 OOH-OOH, OOH-OOH, OOH-OOH-OHH ♪ IN GRAY CLOUDS 305 00:25:21,484 --> 00:25:25,588 OR WHITE WALLS ♪ OR BLUE SKIES 306 00:25:25,655 --> 00:25:26,456 BLUE SKIES ♪ WE GON' FLY 307 00:25:26,522 --> 00:25:29,592 FEEL ALRIGHT ♪ BLACK PUMAS HELP ME FEEL 308 00:25:29,659 --> 00:25:35,498 ALRIGHT ONE MORE TIME ♪ WITH ALL MY FAVORITE COLORS 309 00:25:35,565 --> 00:25:38,268 YES, SIR ♪ ALL MY FAVORITE COLORS 310 00:25:38,334 --> 00:25:44,474 RIGHT ON ♪ MY SISTERS AND MY BROTHERS 311 00:25:44,540 --> 00:25:50,480 SEE 'EM LIKE NO OTHER ♪ ALL MY FAVORITE COLORS 312 00:25:50,546 --> 00:25:56,486 IT'S A GOOD DAY TO BE ♪ A GOOD DAY FOR ME 313 00:25:56,552 --> 00:26:02,358 A GOOD DAY TO SEE MY FAVORITE ♪ COLORS, COLORS 314 00:26:02,425 --> 00:26:14,270 MY SISTERS AND MY BROTHERS ♪ SEE 'EM LIKE NO OTHER 315 00:26:14,337 --> 00:26:26,282 ALL MY FAVORITE COLORS ♪ 316 00:26:26,349 --> 00:26:31,287 THAT'S RIGHT, PEOPLE, KEEP 317 00:26:31,354 --> 00:26:36,326 KEEP IT GOING, KEEP IT GOING, PEOPLEK BLACK PUMAS. 318 00:26:36,392 --> 00:26:39,629 EVER HEARD A BAND FOR THE FIRST TIME BUT FEEL LIKE IT IS YOUR 319 00:26:39,696 --> 00:26:42,732 FAVORITE FOR THE YOUR WHOLE LIFE, THAT IS WHAT WE FELT, YOUR 320 00:26:42,799 --> 00:26:48,771 STORY IS INSANE, HOW MANY YEARS AGO YOU WERE BUSKK ON THE PIER. 321 00:26:48,838 --> 00:26:50,039 ABOUT SIX YEARS. 322 00:26:50,106 --> 00:26:52,542 SIX YEARS HOPING PEOPLE WOULD LISTEN TO YOU PERFORM, FOR SMALL 323 00:26:52,608 --> 00:26:55,645 GROUPS OF PEOPLE AND NOW ARE YOU AT THE GRAMMYS. 324 00:26:55,712 --> 00:26:56,879 THANK YOU. 325 00:26:56,946 --> 00:27:00,183 STILL PERFORMING FOR A SMALL GROUP OF PEOPLE BUT THAT'S NOT 326 00:27:00,249 --> 00:27:01,451 THE POINT. 327 00:27:01,517 --> 00:27:04,487 WELL, YOU KNOW, TREVOR, ONCE YOU ARE A KING YOU ARE ALWAYS A 328 00:27:04,554 --> 00:27:05,455 KING. 329 00:27:05,521 --> 00:27:07,457 I FEEL YOU THERE, GOOD LUCK FOR TONIGHT. 330 00:27:07,523 --> 00:27:08,558 THANK YOU. 331 00:27:08,624 --> 00:27:10,293 RIGHT NOW WE WILL TAKE A QUICK BREAK SO CAN I CHECK 332 00:27:10,360 --> 00:27:12,495 TWITTER TO SEE ALL THE NICE THINGS PEOPLE ARE SAYING ABOUT 333 00:27:12,562 --> 00:27:16,432 ME, BUT DON'T GO AWAY, AFTER THE BREAK WE HAVE BACK TO BACK 334 00:27:16,499 --> 00:27:24,073 PERFORMANCES FROM NOMINEES DABABY, BAD BUNNY AND DUA LIPA. 335 00:27:24,140 --> 00:27:28,478 PLUS DID I MENTION WE HAVE TAYLOR SWIFT, THIS IS THE GRAMMY 336 00:27:28,544 --> 00:27:28,978 AWARDS. 337 00:27:29,045 --> 00:27:31,914 WE'LL BE RIGHT BACK. 338 00:27:39,889 --> 00:27:43,326 ♪ ♪ ♪ WELCOME BACK TO THE GRAMMY 339 00:27:43,393 --> 00:27:45,995 AWARD, THE ONLY AWARD YOU CAN PLAY TINY RECORDS ON. 340 00:27:46,062 --> 00:27:47,930 THROUGHOUT THE NIGHT WE ARE PUTTING THE SPOT LIGHT ON THIS 341 00:27:47,997 --> 00:27:50,099 YEAR'S NOMINEES FOR RECORD OF THE YEAR. 342 00:27:50,166 --> 00:27:53,436 AND YOU CAN SEE LONGER VERSIONSES OF OUR FILMS AND 343 00:27:53,503 --> 00:27:56,372 INTERVIEWS ON PARAMOUNT PLUS RIGHT AFTER THE SHOW. 344 00:27:56,439 --> 00:28:00,009 OUR NEXT NOMINEE IS SOMEONE WHO HAS GROWN INTO A MAJOR HIP-HOP 345 00:28:00,076 --> 00:28:03,012 SENSATION WITH ONE OF THE BIGGEST RECORDS OF THE YEAR. 346 00:28:03,079 --> 00:28:11,187 THIS IS DABABY. 347 00:28:17,226 --> 00:28:21,998 WHAT'S GOING ON WITH DABABY, SIX TIME GRAMMY NOMINATED 348 00:28:22,065 --> 00:28:25,868 INTERNATIONAL MEGASTAR." 349 00:28:25,935 --> 00:28:33,009 ROCKSTAR KTION FORM PERFORMER WITH A PRETTY SMILE. 350 00:28:33,076 --> 00:28:34,644 ALLOW ME TO BREAK THROUGH. 351 00:28:34,710 --> 00:28:38,448 YOU WANT ME TO WATCH MY LANGUAGE? 352 00:28:38,514 --> 00:28:39,615 DO WHAT YOU LIKE. 353 00:28:39,682 --> 00:28:44,921 I DON'T GIVE A I COME FROM NOTHING, YOU AND YOUR 354 00:28:44,987 --> 00:28:48,491 BROTHER CAN'T EVEN GET A FRESH HAIRCUT, Y'ALL AIN'T DOING TOO 355 00:28:48,558 --> 00:28:51,294 GOOD, YOU COMING FROM WHAT I COME FROM, THAT AIN'T SOMETHING, 356 00:28:51,360 --> 00:28:55,131 I USE IT AS AN EXCUSE, THAT IS MORE LIKE MOTIVATION THAN 357 00:28:55,198 --> 00:28:58,301 NIBBLES, THEY GOING UP AGAINST THE ODDS, THAT IS WHAT MAKES IT 358 00:28:58,367 --> 00:29:03,806 BEAUTIFUL AT THE END OF THE DAY. 359 00:29:03,873 --> 00:29:08,111 MY GREATEST CREATION, MY BEAUTIFUL DAUGHTER, BEING A 360 00:29:08,177 --> 00:29:10,913 FATHER IS THE BEST THING THAT EVER HAPPENED TO ME, IT GAVE ME 361 00:29:10,980 --> 00:29:11,614 PURPOSE. 362 00:29:11,681 --> 00:29:13,683 THAT IS THE REASON WHY I'M HERE. 363 00:29:13,749 --> 00:29:17,053 IT GAVE ME THAT EXTRA MOTIVATION, LIKE NOW I GOT TO GO 364 00:29:17,120 --> 00:29:20,923 NOW, AN THAT'S WHAT I DID. 365 00:29:20,990 --> 00:29:23,359 ROCKSTAR, THE SECOND I MADE IT I KNEW IT WAS A HIT, IT LIVED UP 366 00:29:23,426 --> 00:29:26,562 TO EXACTLY WHAT I THOUGHT IT WAS GOING TO BE, GO TO NUMBER ONE, 367 00:29:26,629 --> 00:29:27,997 REMAIN AT NUMBER ONE. 368 00:29:28,064 --> 00:29:33,102 ONE OF THE MOST IMPACTFUL, LONGEST LASTING SONGS OF 2020. 369 00:29:33,169 --> 00:29:35,271 GETTING GRAMMY NOMINATED FOR RECORD OF THE YEAR IS AMAZING, 370 00:29:35,338 --> 00:29:43,779 NOW ALL WE GOT TO DO IS BRING ONE HOME. 371 00:29:43,846 --> 00:29:45,882 ♪ ♪ ♪ ♪ ♪ ♪ 372 00:29:45,948 --> 00:29:55,858 ♪ WOO ♪ ♪ ♪ 373 00:29:55,925 --> 00:29:59,762 ♪ WOO ♪ I PULL UP, LIKE 374 00:29:59,829 --> 00:30:03,599 I PULL UP HOW YOU PULL UP BABY 375 00:30:03,666 --> 00:30:05,401 ♪ PULL UP GO AHEAD AND SHOW THE GRAMMYS 376 00:30:05,468 --> 00:30:07,803 ♪ HOW YOU PULL UP I PULL UP 377 00:30:07,870 --> 00:30:09,605 ♪ GET DOWN ♪ HOW YOU PULL UP 378 00:30:09,672 --> 00:30:14,343 I PULL UP BRAND NEW LAMBORGHINI 379 00:30:14,410 --> 00:30:17,647 ♪ NOT A COP CAR WITH THE PISTOL ON MY HIP 380 00:30:17,713 --> 00:30:19,415 ♪ LIKE I'M A COP YEAH HAVE YOU EVER MET A REAL HITTER 381 00:30:19,482 --> 00:30:20,283 ROCKSTAR? 382 00:30:20,349 --> 00:30:23,786 ♪ THIS AIN'T NO GUITAR THIS A GLOCK WOO 383 00:30:23,853 --> 00:30:26,055 ♪ MY GLOCK TOLD ME TO PROMISE YOU GON' SQUEEZE ME OH 384 00:30:26,122 --> 00:30:30,359 ♪ YOU BETTER LET ME GO THE DAY YOU NEED ME OOH 385 00:30:30,426 --> 00:30:32,028 ♪ GET TO BUSTIN' OOH AND IF I AIN'T ENOUGH 386 00:30:32,094 --> 00:30:34,230 ♪ GO GET THE CHOP IT'S SAFE TO SAY I EARNED IT 387 00:30:34,297 --> 00:30:35,798 ♪ AIN'T NOBODY GAVE ME NOTHIN' YEAH, YEAH, YEAH 388 00:30:35,865 --> 00:30:37,533 ♪ I'M READY TO HOP OUT ON SOMEBODY 389 00:30:37,600 --> 00:30:39,135 ♪ GET TO BUSTIN' KNOW YOU HEARD ME SAY 390 00:30:39,202 --> 00:30:40,403 ♪ "YOU PLAY, YOU LAY" DON'T MAKE ME PUSH THE BUTTON 391 00:30:40,469 --> 00:30:42,805 ♪ FULL OF PAIN DROPPED ENOUGH TEARS 392 00:30:42,872 --> 00:30:43,906 ♪ TO FILL UP A BUCKET GOIN' FOR BUCKETS 393 00:30:43,973 --> 00:30:45,675 ♪ I BOUGHT A CHOPPER I GOT A BIG DRUM, IT HOLD A 100 394 00:30:45,741 --> 00:30:46,742 ♪ AIN'T GOIN' FOR NOTHIN' YEAH 395 00:30:46,809 --> 00:30:47,810 ♪ I'M READY TO AIR IT OUT ON ALL THESE HITTERS 396 00:30:47,877 --> 00:30:49,145 ♪ I CAN SEE ¡EM RUNNIN' JUST TALKED TO MY MAMA 397 00:30:49,212 --> 00:30:50,513 ♪ SHE HIT ME ON FACETIME JUST TO CHECK UP ON ME 398 00:30:50,580 --> 00:30:51,547 ♪ AND MY BROTHER I'M REALLY THE BABY 399 00:30:51,614 --> 00:30:52,615 YEAH ♪ SHE KNOW THAT HER YOUNGEST SON 400 00:30:52,682 --> 00:30:54,016 WAS ALWAYS GUARANTEED ♪ TO GET THE MONEY 401 00:30:54,083 --> 00:30:55,151 OKAY, LET'S GO ♪ SHE KNOW THAT HER BABY BOY 402 00:30:55,218 --> 00:30:56,452 WAS ALWAYS GUARANTEED ♪ TO GET THE LOOT 403 00:30:56,519 --> 00:30:57,720 SHE KNOW WHAT I DO ♪ SHE KNOW 'FORE I RUN FROM A 404 00:30:57,787 --> 00:30:58,921 HITTER ♪ I'MA PULL IT OUT AND SHOOT 405 00:30:58,988 --> 00:30:59,922 BOOM PTSD, I'M ALWAYS WAKING UP 406 00:30:59,989 --> 00:31:01,357 YEAH ♪ IN COLD SWEATS LIKE I GOT THE 407 00:31:01,424 --> 00:31:02,692 FLU ♪ MY DAUGHTER A G 408 00:31:02,758 --> 00:31:03,826 SHE SAW ME KILL A HITTER ♪ IN FRONT OF HER 409 00:31:03,893 --> 00:31:05,928 BEFORE THE AGE OF TWO ♪ AND I'LL KILL ANOTHER HITTER 410 00:31:05,995 --> 00:31:06,896 TOO ♪ OH 411 00:31:06,963 --> 00:31:08,698 'FORE I LET ¡EM DO ♪ SOMETHIN' TO YOU 412 00:31:08,764 --> 00:31:09,999 THAT'S SOMETHING THEY ♪ MAY NOT KNOW 413 00:31:10,066 --> 00:31:11,801 THEY JUST GONNA HAVE TO ♪ UNDERSTAND THAT FOR BETTER OR 414 00:31:11,867 --> 00:31:15,805 WORSE ♪ LET'S GO 415 00:31:15,871 --> 00:31:18,641 BRAND NEW LAMBORGHINI ♪ NOT A COP CAR 416 00:31:18,708 --> 00:31:19,976 WITH THE PISTOL ON MY HIP ♪ LIKE I'M A COP 417 00:31:20,042 --> 00:31:22,178 YEAH, YEAH, YEAH ♪ HAVE YOU EVER MET A REAL 418 00:31:22,245 --> 00:31:23,813 HITTER ROCKSTAR? 419 00:31:23,879 --> 00:31:26,916 ♪ THIS AIN'T NO GUITAR THIS A GLOCK WOO 420 00:31:26,983 --> 00:31:29,018 ♪ MY GLOCK TOLD ME TO PROMISE YOU GON' SQUEEZE ME WOO 421 00:31:29,085 --> 00:31:31,754 ♪ YOU BETTER LET ME GO THE DAY YOU NEED ME WOO 422 00:31:31,821 --> 00:31:34,223 ♪ SOON AS YOU UP ME ON THAT GET TO BUSTIN' OOH 423 00:31:34,290 --> 00:31:36,792 ♪ AND IF I AIN'T ENOUGH GO GET THE CHOP 424 00:31:36,859 --> 00:31:40,329 ♪ KEEP A GLOCKY WHEN I RIDE IN THE SUBURBAN 425 00:31:40,396 --> 00:31:42,498 ♪ ¡CAUSE THE CODEINE ♪ HAD A YOUNG HITTER SWERVIN' 426 00:31:42,565 --> 00:31:43,799 I GOT THE MOP ♪ WATCH ME WASH ¡EM LIKE 427 00:31:43,866 --> 00:31:46,002 DETERGENT ♪ AND I'M BALLIN' 428 00:31:46,068 --> 00:31:48,571 THAT'S WHY IT'S DIAMONDS ♪ ON MY 429 00:31:48,638 --> 00:31:49,705 SLIDE ON OPPS' SIDE OH 430 00:31:49,772 --> 00:31:50,706 ♪ AND FLIP THE BLOCK BACK, YEAH, YEAH MY JUNIOR 431 00:31:50,773 --> 00:31:51,707 ♪ POPPED HIM OH 432 00:31:51,774 --> 00:31:53,809 ♪ AND LEFT HIM LOPSIDED, YEAH WE SPIN HIS BLOCK 433 00:31:53,876 --> 00:31:55,745 ♪ GOT THE REBOUND, DENNIS YOU FOOL ME ONE TIME 434 00:31:55,811 --> 00:31:58,314 ♪ YOU CAN'T CROSS ME AGAIN 1,200 HORSEPOWER 435 00:31:58,381 --> 00:31:59,949 OH ♪ I GET LOST IN THE WIND 436 00:32:00,016 --> 00:32:03,786 IF HE TALKIN' ON THE YARD ♪ THE PEN' DOGS'LL TAKE HIS CHIN 437 00:32:03,853 --> 00:32:07,156 MAYBACH SUV FOR MY REFUGEES ♪ GOT MONEY IN THE HOOD 438 00:32:07,223 --> 00:32:09,992 PUT MONEY IN THE STREETS ♪ I WAS SOLO WHEN THE OPPS 439 00:32:10,059 --> 00:32:11,794 CAUGHT ME AT THE GAS STATION ♪ HAD IT ON ME, 30 THOUSAND 440 00:32:11,861 --> 00:32:14,797 THOUGHT IT WAS MY LAST DAY ♪ BUT THEY AIN'T EVEN WANT NO 441 00:32:14,864 --> 00:32:16,299 SMOKE ♪ IF I HAD TO CHOOSE IT 442 00:32:16,365 --> 00:32:21,003 MURDER WHAT SHE WROTE ♪ SUPERHERO IN THAT LAMBORGHINI 443 00:32:21,070 --> 00:32:22,271 LIKE I'M BATMAN ♪ SOMETHING THEY AIN'T USED TO 444 00:32:22,338 --> 00:32:23,806 SEEING ♪ FROM EVERY BLACK MAN 445 00:32:23,873 --> 00:32:25,975 TRY TO BRING ME DOWN ♪ EAT UP THE ALLEGATIONS LIKE 446 00:32:26,042 --> 00:32:27,810 PAC-MAN ♪ YOU SHOULD SEE ME NOW 447 00:32:27,877 --> 00:32:29,578 DON'T KNOW WHICH WHIP TO DRIVE ♪ WHEN I LEAVE THE HOUSE 448 00:32:29,645 --> 00:32:31,547 MY SKIN DON'T LOOK THE SAME ♪ SO I GET SINGLED OUT 449 00:32:31,614 --> 00:32:32,948 RIGHT NOW I'M PERFORMING ♪ AT THE GRAMMYS 450 00:32:33,015 --> 00:32:34,950 I'LL PROBABLY GET PROFILED ♪ BEFORE LEAVIN OUT 451 00:32:35,017 --> 00:32:36,919 DON'T BE IN DENIAL LIKE ♪ WE ALL EVEN NOW 452 00:32:36,986 --> 00:32:38,454 CUZ IF YOU'RE IN THE PROJECTS OR ♪ A MANSION 453 00:32:38,521 --> 00:32:40,956 YOU'RE STILL A BLACK MAN ♪ WHEN YOU LEAVE THE HOUSE 454 00:32:41,023 --> 00:32:43,125 AND THEM FACTS ♪ BRAND NEW LAMBORGHINI 455 00:32:43,192 --> 00:32:44,560 NOT A COP CAR ♪ WITH THE PISTOL ON MY HIP 456 00:32:44,627 --> 00:32:46,095 LIKE I'M A COP ♪ YEAH, YEAH, YEAH 457 00:32:46,162 --> 00:32:49,265 HAVE YOU EVER MET A REAL HITTER ♪ ROCKSTAR? 458 00:32:49,332 --> 00:32:51,801 THIS AIN'T NO GUITAR ♪ THIS A GLOCK WOO 459 00:32:51,867 --> 00:32:54,170 MY GLOCK TOLD ME TO PROMISE ♪ YOU GON' SQUEEZE ME WOO 460 00:32:54,236 --> 00:32:57,673 YOU BETTER LET ME GO ♪ THE DAY YOU NEED ME WOO 461 00:32:57,740 --> 00:32:59,809 SOON AS YOU UP ME ON THAT HITTER ♪ GET TO BUSTIN' WOO 462 00:32:59,875 --> 00:33:06,182 AND IF I AIN'T ENOUGH ♪ GO GET THE CHOP 463 00:33:06,248 --> 00:33:07,583 WOO ♪ YOU KNOW THEY SAY 464 00:33:07,650 --> 00:33:08,818 EVERYTHING WE BEEN THROUGH ♪ MAN, IT JUST MADE US ROCKSTARS 465 00:33:08,884 --> 00:33:15,758 YOU KNOW THEY SAY ♪ WE FIT THE DESCRIPTION 466 00:33:23,866 --> 00:33:31,807 ♪ ♪ ♪ 467 00:33:31,874 --> 00:33:34,710 THANK YOU. 468 00:33:34,777 --> 00:33:38,981 DABABY, GIVE IT UP FOR DABABY, EVERYBODY, AND I GUESS 469 00:33:39,048 --> 00:33:45,254 DABABY BOOMERS WITH RODDY RICCH, AND NOW LADIES AND GENTLEMEN, A 470 00:33:45,321 --> 00:33:50,593 TRULY GLOBAL SUPERSTAR AND MOST STREAMED ARTIST MUCH 2020 JOINED 471 00:33:50,659 --> 00:33:57,299 BY JHAY CORTEZ THIS IS BAD BUNNY . 472 00:33:57,366 --> 00:34:02,271 ♪ ♪ ♪ 473 00:34:02,338 --> 00:34:05,941 ♪ BABY YA YO ME ENTERE SE NOTA CUANDO ME VES 474 00:34:06,008 --> 00:34:10,012 ♪ AHI DONDE NO HAS LLEGAO' SABES QUE YO TE LLEVARE 475 00:34:10,079 --> 00:34:14,483 ♪ Y DIME QUE QUIERES BEBER ES QUE TU ERES MI BEBE 476 00:34:14,550 --> 00:34:15,785 ♪ Y DE NOSOTROS QUIEN VA A HABLAR 477 00:34:15,851 --> 00:34:19,789 ♪ SI NO NOS DEJAMOS VER Y A VECES ES DOLCE 478 00:34:19,855 --> 00:34:22,024 ♪ A VECES BULGARI CUANDO TE LO QUITO 479 00:34:22,091 --> 00:34:23,793 ♪ DESPUES DE LO' PARTIES LAS COPAS DE VINO 480 00:34:23,859 --> 00:34:26,629 ♪ LAS LIBRAS DE MARI TU TAS' BIEN SUELTA 481 00:34:26,695 --> 00:34:31,700 ♪ Y YO DE SAFARI TU MUEVES EL FENOMENAL 482 00:34:31,767 --> 00:34:35,805 ♪ PA' YO DEVORARTE COMO ANIMAL HOY NINGUNO SE MUERE 483 00:34:35,871 --> 00:34:39,508 EN MI CAMA Y LO VOY A CELEBRAR ♪ BABY YO A E NO ME OPONGO 484 00:34:39,575 --> 00:34:43,779 Y SIEMPRE TE LO PONGO ♪ Y SI TU ME ERA 485 00:34:43,846 --> 00:34:54,557 VAMOS A NADAR EN LO HONDO Y SIEMPRE TE LO PONGO 486 00:34:54,623 --> 00:34:55,791 ♪ ♪ ♪ ♪ YA YO ME ENTERE 487 00:34:55,858 --> 00:34:59,795 SE NOTA CUANDO ME VE ♪ AHI DONDE NO HAS LLEGAO' 488 00:34:59,862 --> 00:35:03,799 SABES QUE YO TE LLEVARE ♪ DIME QUE QUIERES BEBER 489 00:35:03,866 --> 00:35:07,269 ES QUE TU ERES MI BEBE ♪ Y DE NOSTROS QUIEN VA A 490 00:35:07,336 --> 00:35:15,277 HABLAR ♪ SI NO NOS DEJAMOS VER 491 00:35:15,344 --> 00:35:19,482 ♪ ♪ ♪ ♪ ♪ ♪ 492 00:35:19,548 --> 00:35:25,554 ♪ CONEGO SIEMPRE ARREBATAO' TU NO ERES MI SENORA 493 00:35:25,621 --> 00:35:26,689 -♪ TOMA 5 -K GASTALO EN SEPHORA LOUIS VUIRON YA NO COMPRA 494 00:35:26,755 --> 00:35:27,690 ♪ EN PANDORA COMO PIERCING A 495 00:35:27,756 --> 00:35:31,026 ♪ LOS HOMBRES PERFORA EH 496 00:35:31,093 --> 00:35:35,764 ♪ HACE EEMPO LE ROMPIERON EL CORA CORA 497 00:35:35,831 --> 00:35:38,467 ♪ ESTUDIOSA PUESTA PA' SER DOCTORA DOCTORA 498 00:35:38,534 --> 00:35:43,806 ♪ PERO PERO LE GUSTAN LOS UTERE WILEANDO 499 00:35:43,873 --> 00:35:47,810 ♪ MOTORA MOTORA ♪ ♪ ♪ 500 00:35:47,877 --> 00:35:50,412 ♪ BABY A E NO ME OPONGO Y SIEMPRE TE LO PONGO 501 00:35:50,479 --> 00:35:55,784 ♪ TE LO PONGO Y SI TU ME ERA VAMOS A 502 00:35:55,851 --> 00:35:58,020 ♪ NADAR EN LO HONDO ♪ Y SI ES POR MI YO TE LO PONGO 503 00:35:58,087 --> 00:36:02,291 DE SEPEEMBRE HASTA AGOSTO ♪ A MI SIN LOS QUE DIGAN TUS 504 00:36:02,358 --> 00:36:04,226 AMIGAS ♪ YA YO ME ENTERE 505 00:36:04,293 --> 00:36:09,999 SE NOTA CUANDO ME VE ♪ AHI DONDE NO HAS LLEGAO' 506 00:36:10,065 --> 00:36:15,037 SABES QUE YO TE LLEVARE ♪ Y DIME QUE QUIERES BEBER 507 00:36:15,104 --> 00:36:18,140 ES QUE TU ERES MI BEBE ♪ Y DE NOSTROS QUIEN VA A 508 00:36:18,207 --> 00:36:22,011 HABLAR ♪ SI NO NOS DEJAMOS VER 509 00:36:27,650 --> 00:36:31,787 ♪ ♪ ♪ ♪ ♪ ♪ 510 00:36:31,854 --> 00:36:43,599 BAD BUNNY, EVERYONE, WOW, 511 00:36:43,666 --> 00:36:47,336 THAT FELT EXACTLY LIKE I WAS BACK IN THE CLUB, EXCEPT I'M NOT 512 00:36:47,403 --> 00:36:48,437 GETTING KICKED OUT THIS TIME. 513 00:36:48,504 --> 00:36:51,807 NOW IT'S TIME FOR ANOTHER RECORD OF THE YEAR PERFORMER. 514 00:36:51,874 --> 00:36:55,744 IN 2019 SHE WON TWO GRAMMY AWARDS INCLUDING BEST NEW 515 00:36:55,811 --> 00:36:56,912 ARTIST. 516 00:36:56,979 --> 00:36:59,715 THIS YEAR THIS INTERNATIONAL SENSATION HAS EARNED SIX MORE 517 00:36:59,782 --> 00:37:09,758 NOMINATIONS SO LET'S TAKE A CLOSER LOOK AT DUA LIPA. 518 00:37:09,825 --> 00:37:17,800 NOMINATIONS SO LET'S TAKE A CLOSER LOOK AT DUA LIPA. 519 00:37:17,866 --> 00:37:21,170 IT WAS REALLY KIND OF AN AMALGAMATION OF MEMORIES THAT 520 00:37:21,236 --> 00:37:25,040 HAVE I HAD SINCE I WAS A KID, GROWING UP, WHEN I SEE ARTISTS 521 00:37:25,107 --> 00:37:29,211 ON TV, THEY WOULD ALWAYS BE SOMETHING THAT I THOUGHT WAS AS 522 00:37:29,278 --> 00:37:34,049 FAR FETCHED AS A-- TO BE HONEST. 523 00:37:34,116 --> 00:37:43,792 DOING MUSIC, ONLY A PIPEDREAM. 524 00:37:43,859 --> 00:37:47,596 ♪ ♪ ♪ I WAS BORN AND RAISED IN 525 00:37:47,663 --> 00:37:48,731 LONDON. 526 00:37:48,797 --> 00:37:54,169 MY FAMILY AND I MOVED, HONORING MY ROOTS HAS ALWAYS BEEN 527 00:37:54,236 --> 00:37:59,808 SOMETHING VERY IMPORTANT TO ME, LIKE BEING TWO PLACES AT ONCE, 528 00:37:59,875 --> 00:38:04,013 FEELING EQUALLY A PART OF BOTH WORLDS. 529 00:38:04,079 --> 00:38:08,717 WHEN I PERFORM LIVE I FEEL INVINCIBLE. 530 00:38:08,784 --> 00:38:12,788 WHATEVER IS GOING THROUGH MY MIND, I WELCOME ALL OF THOSE 531 00:38:12,855 --> 00:38:13,656 CRAZY EMOTIONS. 532 00:38:13,722 --> 00:38:17,826 I LOVE BEING SO PRESENT IN THOSE MOMENTS. 533 00:38:17,893 --> 00:38:21,296 THE GRAMMYS HAS ALWAYS BEEN SUCH A MASSIVE DREAM OF MINE, THIS IS 534 00:38:21,363 --> 00:38:26,802 INSANE THAT SO MANY PEOPLE THAT I LOOKED UP TO MY WHOLE LIFE, 535 00:38:26,869 --> 00:38:33,142 THAT HAVE BEEN ON. 536 00:38:33,208 --> 00:38:37,446 IT IS MIND BLOWING. 537 00:38:37,513 --> 00:38:39,081 ♪ I GOT YOU MOONLIGHT 538 00:38:39,148 --> 00:38:41,850 ♪ YOU'RE MY STARLIGHT 539 00:38:41,917 --> 00:38:51,193 ♪ I NEED YOU ALL NIGHT 540 00:38:51,260 --> 00:38:54,630 ♪ COME ON, DANCE WITH ME COME ON, DANCE WITH ME 541 00:38:54,697 --> 00:38:55,931 I'M LEVITATING ♪ IF YOU WANNA 542 00:38:55,998 --> 00:38:57,366 RUN AWAY WITH ME ♪ I KNOW A GALAXY 543 00:38:57,433 --> 00:39:00,903 AND I CAN TAKE YOU FOR A RIDE ♪ I HAD A PREMONITION THAT WE 544 00:39:00,969 --> 00:39:03,472 FELL INTO A RHYTHM ♪ WHERE THE MUSIC DON'T 545 00:39:03,539 --> 00:39:05,074 STOP FOR LIFE ♪ GLITTER IN THE SKY 546 00:39:05,140 --> 00:39:08,577 GLITTER IN MY EYES ♪ SHINING JUST THE WAY I LIKE 547 00:39:08,644 --> 00:39:11,113 IF YOU FEELIN' LIKE ♪ YOU NEED A LITTLE BIT OF 548 00:39:11,180 --> 00:39:13,048 COMPANY ♪ YOU MET ME AT THE 549 00:39:13,115 --> 00:39:15,551 PERFECT TIME ♪ YOU WANT ME 550 00:39:15,617 --> 00:39:17,052 I WANT YOU, BABY ♪ MY SUGARBOO 551 00:39:17,119 --> 00:39:19,755 I'M LEVITATING ♪ THE MILKY WAY 552 00:39:19,822 --> 00:39:22,925 WE'RE RENEGADING YEAH, YEAH, YEAH, YEAH, YEAH 553 00:39:22,991 --> 00:39:25,060 ♪ I GOT YOU MOONLIGHT 554 00:39:25,127 --> 00:39:27,396 ♪ YOU'RE MY STARLIGHT 555 00:39:27,463 --> 00:39:28,931 ♪ I NEED YOU ALL NIGHT 556 00:39:28,997 --> 00:39:32,034 ♪ COME ON, DANCE WITH ME I'M LEVITATING 557 00:39:32,101 --> 00:39:34,403 ♪ YOU MOONLIGHT 558 00:39:34,470 --> 00:39:36,605 ♪ YOU'RE MY STARLIGHT 559 00:39:36,672 --> 00:39:39,374 ♪ I NEED YOU ALL NIGHT 560 00:39:39,441 --> 00:39:47,316 ♪ COME ON, DANCE WITH ME I'M LEVITATING 561 00:39:47,382 --> 00:39:48,350 ♪ ♪ ♪ 562 00:39:48,417 --> 00:39:49,418 ♪ I'M ONE OF THE GREATEST AIN'T NO DEBATIN' ON IT 563 00:39:49,485 --> 00:39:51,353 ♪ I'M STILL LEVITATED I'M HEAVILY MEDICATED 564 00:39:51,420 --> 00:39:53,122 ♪ IRONIC, I GAVE 'EM LOVE AND THEY END UP HATIN' ON ME 565 00:39:53,188 --> 00:39:55,023 ♪ SHE TOLD ME SHE LOVE ME AND SHE BEEN WAITIN' 566 00:39:55,090 --> 00:39:55,858 ♪ BEEN FIGHTIN' HARD FOR YOUR LOVE 567 00:39:55,924 --> 00:39:57,059 ♪ AND I'M RUNNIN' THIN ON MY PATIENCE 568 00:39:57,126 --> 00:39:59,561 ♪ NEEDED SOMEONE TO HUG EVEN TOOK IT BACK TO THE BASICS 569 00:39:59,628 --> 00:40:01,063 ♪ YOU SEE WHAT YOU GOT ME OUT HERE DOIN' 570 00:40:01,130 --> 00:40:02,498 ♪ MIGHT'VE THREW ME OFF BUT CAN'T NOBODY STOP THE 571 00:40:02,564 --> 00:40:03,866 ♪ MOVEMENT UH UH, LET'S GO 572 00:40:03,932 --> 00:40:06,568 ♪ LEFT FOOT, RIGHT FOOT LEVITATIN' 573 00:40:06,635 --> 00:40:08,971 ♪ POP STARS DUA LIPA WITH DaBABY 574 00:40:09,037 --> 00:40:10,205 ♪ I HAD TO LACE MY SHOES FOR ALL THE BLESSINGS I WAS 575 00:40:10,272 --> 00:40:11,273 ♪ CHASIN' IF I EVER SLIP 576 00:40:11,340 --> 00:40:13,075 ♪ I'LL FALL INTO A BETTER SITUATION 577 00:40:13,142 --> 00:40:15,778 ♪ SO CATCH UP GO PUT SOME CHEESE ON IT 578 00:40:15,844 --> 00:40:17,446 ♪ GET OUT AND GET YOUR BREAD UP THEY ALWAYS LEAVE WHEN YOU FALL 579 00:40:17,513 --> 00:40:19,314 ♪ BUT YOU RUN TOGETHER WEIGHT OF THE WORLD ON MY 580 00:40:19,381 --> 00:40:21,049 ♪ SHOULDERS I KEPT MY HEAD UP 581 00:40:21,116 --> 00:40:23,318 ♪ NOW BABY, STAND UP 'CAUSE GIRL, YOU 582 00:40:23,385 --> 00:40:25,053 ♪ YOU WANT ME I WANT YOU, BABY 583 00:40:25,120 --> 00:40:27,923 ♪ MY SUGARBOO I'M LEVITATING 584 00:40:27,990 --> 00:40:29,091 ♪ THE MILKY WAY WE'RE RENEGADING 585 00:40:29,158 --> 00:40:33,061 YEAH, YEAH, YEAH, YEAH, YEAH ♪ I GOT YOU 586 00:40:33,128 --> 00:40:35,197 MOONLIGHT ♪ YOU'RE MY 587 00:40:35,264 --> 00:40:37,065 STARLIGHT ♪ I NEED YOU 588 00:40:37,132 --> 00:40:40,002 ALL NIGHT ♪ COME ON, DANCE WITH ME 589 00:40:40,068 --> 00:40:41,336 I'M LEVITATING ♪ YOU 590 00:40:41,403 --> 00:40:44,439 MOONLIGHT ♪ YOU'RE MY 591 00:40:44,506 --> 00:40:45,874 STARLIGHT ♪ I NEED YOU 592 00:40:45,941 --> 00:40:49,044 ALL NIGHT ♪ COME ON, DANCE WITH ME 593 00:40:49,111 --> 00:40:52,347 I'M LEVITATING ♪ YOU CAN FLY AWAY WITH ME 594 00:40:52,414 --> 00:40:54,750 TONIGHT ♪ YOU CAN FLY AWAY WITH ME 595 00:40:54,817 --> 00:40:56,852 TONIGHT ♪ BABY, LET ME TAKE YOU FOR A 596 00:40:56,919 --> 00:40:59,321 RIDE ♪ YEAH, YEAH, YEAH, YEAH, YEAH 597 00:40:59,388 --> 00:41:00,956 I'M LEVITATING, WOO ♪ YOU CAN FLY AWAY WITH ME 598 00:41:01,023 --> 00:41:03,292 TONIGHT ♪ YOU CAN FLY AWAY WITH ME 599 00:41:03,358 --> 00:41:05,527 TONIGHT ♪ BABY, LET ME TAKE YOU FOR A 600 00:41:05,594 --> 00:41:08,864 RIDE YEAH, YEAH, YEAH, YEAH, YEAH 601 00:41:08,931 --> 00:41:11,233 ♪ I GOT YOU MOONLIGHT 602 00:41:11,300 --> 00:41:13,035 ♪ YOU'RE MY STARLIGHT 603 00:41:13,101 --> 00:41:17,072 ♪ I NEED YOU ALL NIGHT 604 00:41:17,139 --> 00:41:23,312 ♪ COME ON, DANCE WITH ME I'M LEVITATING ♪ 605 00:41:35,390 --> 00:41:40,963 ♪ ♪ ♪ ♪ ♪ ♪ 606 00:41:41,029 --> 00:41:46,101 ♪ IF YOU DON'T WANNA SEE ME DANCING WITH SOMEBODY 607 00:41:46,168 --> 00:41:55,844 ♪ IF YOU WANNA BELIEVE THAT ANYTHING COULD STOP ME 608 00:41:55,911 --> 00:41:58,714 ♪ DON'T SHOW UP 609 00:41:58,780 --> 00:42:01,049 DON'T COME OUT ♪ DON'T START CARING 610 00:42:01,116 --> 00:42:05,053 ABOUT ME NOW ♪ WALK AWAY 611 00:42:05,120 --> 00:42:08,023 YOU KNOW HOW ♪ DON'T START CARING 612 00:42:08,090 --> 00:42:16,164 ABOUT ME NOW 613 00:42:16,231 --> 00:42:21,069 ♪ ♪ ♪ ♪ DON'T START NOW 614 00:42:21,136 --> 00:42:26,975 ♪ ♪ ♪ I'M NOT WHERE YOU LEFT ME 615 00:42:27,042 --> 00:42:29,611 AT ALL, SO ♪ IF YOU DON'T WANNA SEE ME 616 00:42:29,678 --> 00:42:37,052 DANCING WITH SOMEBODY ♪ IF YOU WANNA BELIEVE THAT 617 00:42:37,119 --> 00:42:43,659 ANYTHING COULD STOP ME ♪ DON'T SHOW UP 618 00:42:43,725 --> 00:42:44,493 DON'T SHOW UP ♪ DON'T COME OUT 619 00:42:44,559 --> 00:42:47,329 DON'T COME OUT ♪ DON'T START CARING 620 00:42:47,396 --> 00:42:49,064 ABOUT ME NOW ♪ 'BOUT ME NOW 621 00:42:49,131 --> 00:42:51,566 WALK AWAY ♪ WALK AWAY 622 00:42:51,633 --> 00:42:53,402 YOU KNOW HOW ♪ YOU KNOW HOW 623 00:42:53,468 --> 00:43:01,076 DON'T START CARING ABOUT ME NOW ♪ ♪ ♪ 624 00:43:01,143 --> 00:43:04,413 GRAMMYS! 625 00:43:08,784 --> 00:43:13,055 ♪ ♪ ♪ ♪ ♪ ♪ 626 00:43:13,121 --> 00:43:21,063 WALK AWAY, WALK AWAY, OH ♪ 627 00:43:25,133 --> 00:43:31,707 ♪ ♪ ♪ WALK AWAY, WALK AWAY, OH ♪ 628 00:43:31,773 --> 00:43:35,344 ♪ WALK AWAY, WALK AWAY WALK AWAY, WALK AWAY 629 00:43:35,410 --> 00:43:47,222 ♪ WALK AWAY, WALK AWAY ♪ 630 00:43:47,289 --> 00:43:52,928 UP NEXT BRUNO MARS, AND ANKERSON APPROXIMATE AK, TAYLOR 631 00:43:52,995 --> 00:43:57,399 SWIFT AND REMEMBERING LITTLE RICHARD, JOHN PRINE AN KENNY 632 00:43:57,466 --> 00:43:59,267 ROGERS IN AN ALL-STAR TRIBUTE. 633 00:43:59,334 --> 00:44:04,239 NOW LET'S CHECK THIS BACKSTAGE WITH CASSIE DI LAURA. 634 00:44:04,306 --> 00:44:06,708 WE ARE HERE WITH MEMBERS OF FACEBOOK GROUP, A PLACE WHERE 635 00:44:06,775 --> 00:44:08,877 PEOPLE CAN CONNECT WITH OTHERS WITH THE SAME PASSION, SO THEY 636 00:44:08,944 --> 00:44:12,714 CAN SHARE INSURANCE OPERATION, ADVICE, INFORMATION AND REALLY 637 00:44:12,781 --> 00:44:16,284 HAVE THEIR VOICES HEARD, THERE ARE MANY GRAMMY WINNING ARTUS 638 00:44:16,351 --> 00:44:18,387 WAS GOT THEIR START THROUGH SOCIAL MEDIA SO IT WILL BE 639 00:44:18,453 --> 00:44:21,523 INTERESTING TO SEE IF ANY OF THESE GROUP MEMBERS HERE WILL 640 00:44:21,590 --> 00:44:25,060 SOME DAY HAVE A CHANCE TO PERFORM LIVE ON THIS STAGE. 641 00:44:25,127 --> 00:44:28,363 STAY WITH US. 642 00:44:28,430 --> 00:44:30,065 THE 63rd GRAMMY AWARDS IS SPONSORED BY REMY 643 00:44:30,132 --> 00:44:31,733 TEAM UP FOR EXCELLENCE. 644 00:44:36,271 --> 00:44:42,411 ♪ ♪ ♪ 645 00:44:42,477 --> 00:44:45,213 WELCOME BACK TO THE GRAMMYS, EVERYBODY. 646 00:44:45,280 --> 00:44:51,520 THIS IS EXCITING. 647 00:44:51,586 --> 00:44:53,422 BECAUSE FOR THE FIRST TIME ANYWHERE, THIS IS BRUNO MARS AND 648 00:44:53,488 --> 00:44:57,426 -ANDERSON . -PAAK TOGETHER AS SILK SONIC. 649 00:45:05,600 --> 00:45:10,672 ♪ ♪ ♪ ♪ OOH 650 00:45:10,739 --> 00:45:12,040 ♪ SAID BABY, SAID BABY, SAID BABY 651 00:45:12,107 --> 00:45:13,208 ♪ WHAT YOU DOIN'? 652 00:45:13,275 --> 00:45:14,209 WHAT YOU DOIN'? 653 00:45:14,276 --> 00:45:15,077 ♪ WHERE YOU AT? 654 00:45:15,143 --> 00:45:15,610 WHERE YOU AT? 655 00:45:15,677 --> 00:45:16,344 ♪ OH, YOU GOT PLANS? 656 00:45:16,411 --> 00:45:17,612 YOU GOT PLANS ♪ DON'T SAY THAT 657 00:45:17,679 --> 00:45:19,681 SHUT YOUR TRAP ♪ I'M SIPPIN' WINE 658 00:45:19,748 --> 00:45:21,216 SIP, SIP ♪ IN A ROBE 659 00:45:21,283 --> 00:45:22,851 DRIP, DRIP ♪ I LOOK TOO GOOD 660 00:45:22,918 --> 00:45:24,619 LOOK TOO GOOD ♪ TO BE ALONE 661 00:45:24,686 --> 00:45:26,221 WOO, WOO ♪ MY HOUSE CLEAN 662 00:45:26,288 --> 00:45:27,522 HOUSE CLEAN ♪ MY POOL WARM 663 00:45:27,589 --> 00:45:29,257 POOL WARM ♪ I JUST SHAVED 664 00:45:29,324 --> 00:45:33,862 SMOOTH LIKE A NEWBORN ♪ WE SHOULD BE DANCIN', 665 00:45:33,929 --> 00:45:35,964 ROMANCIN' ♪ IN THE EAST WING AND THE WEST 666 00:45:36,031 --> 00:45:37,332 WING ♪ OF THIS MANSION, WHAT'S 667 00:45:37,399 --> 00:45:39,534 HAPPENIN'? 668 00:45:39,601 --> 00:45:42,270 ♪ I AIN'T PLAYIN' NO GAMES EVERY WORD THAT I SAY 669 00:45:42,337 --> 00:45:45,207 ♪ IS COMING STRAIGHT FROM THE HEART 670 00:45:45,273 --> 00:45:51,513 ♪ SO IF YOU TRYNA LAY IN THESE ARMS 671 00:45:51,580 --> 00:45:57,219 ♪ I'MA LEAVE THE DOOR OPEN I'MA LEAVE THE DOOR OPEN 672 00:45:57,285 --> 00:46:05,227 ♪ I'MA LEAVE THE DOOR OPEN, GIRL I'MA LEAVE THE DOOR OPEN, HOPIN' 673 00:46:05,293 --> 00:46:08,630 ♪ THAT YOU FEEL THE WAY I FEEL AND YOU WANT ME LIKE 674 00:46:08,697 --> 00:46:10,398 ♪ I WANT YOU TONIGHT, BABY TELL ME THAT YOU'RE 675 00:46:10,465 --> 00:46:17,072 ♪ COMING THROUGH 676 00:46:17,139 --> 00:46:18,073 ♪ OOH, YOU'RE SO SWEET SO SWEET 677 00:46:18,140 --> 00:46:21,209 ♪ SO TIGHT SO TIGHT 678 00:46:21,276 --> 00:46:22,344 ♪ I WON'T BITE AH-AH 679 00:46:22,410 --> 00:46:23,879 ♪ UNLESS YOU LIKE UNLESS YOU LIKE 680 00:46:23,945 --> 00:46:25,213 ♪ IF YOU SMOKE WHAT YOU SMOKE 681 00:46:25,280 --> 00:46:27,516 ♪ I GOT THAT HAZE PURPLE HAZE 682 00:46:27,582 --> 00:46:29,684 ♪ AND IF YOU'RE HUNGRY, GIRL, I GOT FILETS WOO 683 00:46:29,751 --> 00:46:33,221 ♪ OOH, BABY, DON'T KEEP ME WAITIN 684 00:46:33,288 --> 00:46:35,957 ♪ THERE'S SO MUCH LOVE WE COULD BE MAKING 685 00:46:36,024 --> 00:46:37,225 SHAMONE! 686 00:46:37,292 --> 00:46:39,494 ♪ I'M TALKING KISSING CUDDLING 687 00:46:39,561 --> 00:46:44,900 ♪ ROSE PETALS IN THE BATHTUB GIRL, LETS JUMP IN, IT'S BUBBLIN 688 00:46:44,966 --> 00:46:46,334 ♪ I AIN'T PLAYIN' NO GAMES EVERY WORD THAT I SAY 689 00:46:46,401 --> 00:46:49,237 ♪ IS COMING STRAIGHT FROM THE HEART 690 00:46:49,304 --> 00:46:57,212 ♪ SO IF YOU TRYNA LAY IN THESE ARMS 691 00:46:57,279 --> 00:47:01,216 ♪ I'MA LEAVE THE DOOR OPEN I'MA LEAVE THE DOOR OPEN 692 00:47:01,283 --> 00:47:09,224 ♪ I'MA LEAVE THE DOOR OPEN, GIRL I'MA LEAVE THE DOOR OPEN, HOPIN' 693 00:47:09,291 --> 00:47:13,195 ♪ THAT YOU FEEL THE WAY I FEEL AND YOU WANT ME LIKE 694 00:47:13,261 --> 00:47:15,063 ♪ I WANT YOU TONIGHT, BABY TELL ME THAT YOU'RE 695 00:47:15,130 --> 00:47:25,240 ♪ COMING THROUGH 696 00:47:25,307 --> 00:47:29,211 ♪ LA-LA-LA-LA-LA-LA-LA I NEED YOU, BABY 697 00:47:29,277 --> 00:47:37,219 ♪ LA-LA-LA-LA-LA-LA-LA I GOTTA SEE YOU, BABY 698 00:47:37,285 --> 00:47:41,523 ♪ LA-LA-LA-LA-LA-LA-LA GIRL, I'M TRYNA GIVE YOU THIS, 699 00:47:41,590 --> 00:47:49,231 ♪ AH HEY HEY 700 00:47:49,297 --> 00:47:53,235 ♪ I'MA LEAVE MY DOOR OPEN I'MA LEAVE THE DOOR OPEN BABY 701 00:47:53,301 --> 00:47:57,239 ♪ I'MA LEAVE, I'MA LEAVE MY DOOR OPEN, GIRL 702 00:47:57,305 --> 00:47:59,074 ♪ I'MA LEAVE THE DOOR OPEN AND I'M HOPIN' 703 00:47:59,140 --> 00:48:02,177 ♪ HOPIN' HOPIN' THAT YOU FEEL THE WAY I FEEL 704 00:48:02,244 --> 00:48:05,747 ♪ AND YOU WANT ME LIKE I WANT YOU BABY 705 00:48:05,814 --> 00:48:13,221 ♪ TELL ME THAT YOU'RE COMING THROUGH 706 00:48:13,288 --> 00:48:17,192 ♪ MMM ♪ ♪ ♪ 707 00:48:17,259 --> 00:48:23,898 I'M WAITING, WAITING, WAITING ♪ GIRL, I'M HERE JUST WAITING 708 00:48:23,965 --> 00:48:27,535 FOR YOU ♪ COME ON OVER I'LL ADORE YOU 709 00:48:27,602 --> 00:48:33,208 LA-LA-LA-LA ♪ I'M WAITING, WAITING, WAITING 710 00:48:33,275 --> 00:48:41,216 FOR YOU ♪ YOU 711 00:48:41,283 --> 00:48:49,224 COME ON OVER BABY ♪ I'MA LEAVE THE DOOR OPEN FOR 712 00:48:49,291 --> 00:48:57,232 YOU ♪ WOO 713 00:48:57,299 --> 00:49:02,771 OW ♪ 714 00:49:02,837 --> 00:49:05,273 BRUNO MARS AND -ANDERSON . -PAAK, EVERYBODY-- 715 00:49:05,340 --> 00:49:07,942 NOW KNOWN AS SILK SONIC! 716 00:49:08,009 --> 00:49:09,511 AND AS WITH EVERY BRUNO SONG, I CAN'T WAIT TO DANCE TO THAT AT 717 00:49:09,577 --> 00:49:12,013 EVERY WEDDING FOR THE REST OF MY LIFE. 718 00:49:12,080 --> 00:49:13,815 TAYLOR SWIFT WILL BE PERFORMING 719 00:49:13,882 --> 00:49:18,119 NEXT, BUT, FIRST, TIME TO GIVE OUT A GRAMMY. 720 00:49:18,186 --> 00:49:21,690 NOW, THIS PAST YEAR HAS BEEN DIFFICULT FOR US ALL. 721 00:49:21,756 --> 00:49:24,592 I MEAN, WE'VE HAD TO DO EVERYTHING OVER ZOOM-- WEDDINGS, 722 00:49:24,659 --> 00:49:25,760 WORK, COLONOSCOPIES. 723 00:49:25,827 --> 00:49:27,896 BUT SOME OF THE BUSINESSES HIT HARDEST BY THE PANDEMIC HAVE 724 00:49:27,962 --> 00:49:31,633 BEEN THE INDEPENDENT MUSIC VENUES ALL OVER AMERICA THAT 725 00:49:31,700 --> 00:49:35,103 HAVEN'T HAD AUDIENCES IN THEIR ICONIC BUILDINGS FOR A YEAR. 726 00:49:35,170 --> 00:49:37,305 SO, TONIGHT, WE ARE GOING TO GO TO A FEW OF THESE PRECIOUS 727 00:49:37,372 --> 00:49:41,009 INDEPENDENT MUSIC VENUES AROUND THIS COUNTRY AND GIVE THE PEOPLE 728 00:49:41,076 --> 00:49:44,446 WHO HAVE CREATED SUCH LOVING HOMES FOR MUSIC THE HONOR OF 729 00:49:44,512 --> 00:49:47,482 PRESENTING SOME OF THIS YEAR'S GRAMMY AWARDS. 730 00:49:47,549 --> 00:49:51,519 LET'S GO FIRST TO NASHVILLE, TENESSEE, TO THE STATION INN, 731 00:49:51,586 --> 00:49:56,758 AND MEET J.T. GRAY. 732 00:49:56,825 --> 00:49:58,093 I'M JT GRAY, I'M THE OWNER OF 733 00:49:58,159 --> 00:50:00,495 THE STATION INN IN NASHVILLE, TENNESSEE. 734 00:50:00,562 --> 00:50:04,499 MUSIC, IT IS ONE BIG HAPPY FAMILY, PLAYING HAPPY MUSIC AND 735 00:50:04,566 --> 00:50:10,438 HAVING A HAPPY TIME, YOU NEVER KNOW WHO IS GOING TO BE AT 736 00:50:10,505 --> 00:50:11,673 STATION INN. 737 00:50:11,740 --> 00:50:16,010 VINS GILL USED TO PLAY ON MONDAY NIGHT, CHRIS STAPLETON USED TO 738 00:50:16,077 --> 00:50:17,912 PLAY WITH THE STEEL DRIVERS. 739 00:50:17,979 --> 00:50:21,216 THERE WAS A BAND PLAYED EVERY TUESDAY NIGHT CALLED THE SIDEMEN 740 00:50:21,282 --> 00:50:26,054 AND HE STARTED COMING DOWN AND HANGING OUT, AND DIRKS WILL TELL 741 00:50:26,121 --> 00:50:29,691 YOU TODAY THAT IS WHERE HE LEARNED TO PLAY AND STING QUITE 742 00:50:29,758 --> 00:50:32,060 HERE AT THE STATION INN. 743 00:50:32,127 --> 00:50:35,663 WHEN COVID HIT WE HAD TO CLOSE DOWN, WE HAD NO IDEA AT THAT 744 00:50:35,730 --> 00:50:38,867 TIME WHAT WE WERE GOING TO DO. 745 00:50:38,933 --> 00:50:42,871 BIGGER NAME VENUES CAN SUSTAIN REVENUE LOSS A LOT MORE THAN A 746 00:50:42,937 --> 00:50:45,573 PRIVATELY OWNED SMALL VENUE LIKE THE STATION INN. 747 00:50:45,640 --> 00:50:50,178 WE JUST HOPE THAT ALL THE OTHER SMALL VENUES GET TO BE BACK IN 748 00:50:50,245 --> 00:50:55,016 BUSINESS ALONG WITH US REAL SOON BECAUSE MUSIC IS THERAPY FOR 749 00:50:55,083 --> 00:50:56,251 PEOPLE. 750 00:50:56,317 --> 00:50:59,020 GETTING TO REOPEN THE STATION INN IS GOING TO BE A CELEBRATION 751 00:50:59,087 --> 00:51:00,155 LIKE NEVER BEFORE. 752 00:51:00,221 --> 00:51:02,624 THERE IS GOING TO BE A BIG PARTY. 753 00:51:02,690 --> 00:51:07,128 IN THE MEANTIME, I'M HONORED TO BE PRESENTING THE GRAMMY AWARD 754 00:51:07,195 --> 00:51:09,297 FOR BEST COUNTRY ALBUM. 755 00:51:09,364 --> 00:51:14,869 HERE ARE THE NOMINATIONS. 756 00:51:14,936 --> 00:51:20,275 ♪ ♪ ♪ "LADY LIKE," INGRID ANDRESS. 757 00:51:20,341 --> 00:51:28,616 "YOUR LIFE IS A RECORD," BRANDY CLARK. 758 00:51:28,683 --> 00:51:32,620 "WILDCARD," MIRANDA LAMBERT. 759 00:51:32,687 --> 00:51:40,628 "NIGHTFALL," LITTLE BIG TOWN. 760 00:51:40,695 --> 00:51:44,599 "NEVER WILL," ASHLEY McBRYDE. 761 00:51:44,666 --> 00:51:49,938 ♪ ♪ ♪ 762 00:51:50,004 --> 00:51:52,006 A GREAT GROUP OF NOMINEES. 763 00:51:52,073 --> 00:51:53,975 SO, LET'S GO BACK NOW TO J.T. 764 00:51:54,042 --> 00:52:03,318 GRAY AT THE STATION INN TO TELL US WHO THE WINNER IS. 765 00:52:03,384 --> 00:52:08,089 "WILDCARD," MIRANDA LAMBERT. 766 00:52:08,156 --> 00:52:15,930 ♪ ♪ ♪ 767 00:52:15,997 --> 00:52:16,631 ♪ KEEP THE LIGHT ON. 768 00:52:16,698 --> 00:52:21,903 ♪ KEEP A BLUE BIRD IN MY HEART. 769 00:52:21,970 --> 00:52:27,275 ♪. 770 00:52:27,342 --> 00:52:30,812 THANK YOU ALL SO, SO MUCH, THANK YOU FOR THE GRAMMYS FOR 771 00:52:30,879 --> 00:52:32,347 PUTTING THIS TOGETHER AND LETTING US AT LEAST KIND OF BE 772 00:52:32,413 --> 00:52:37,852 TOGETHER AND SAY HI, BRANDY, INGRID AND LITTLE BIGTOWN, WE 773 00:52:37,919 --> 00:52:43,124 ARE SUCH A FAMILY IN COUNTRY MUSIC SO I FEEL LIKE LIKE I'M 774 00:52:43,191 --> 00:52:45,760 HOLDING IT FOR ALL OF US, ESPECIALLY US GIRLS. 775 00:52:45,827 --> 00:52:51,966 I'M VERY THANKFUL, I'M THANKFUL FOR JAY WHO HAD THREE IN THIS 776 00:52:52,033 --> 00:52:56,137 CATEGORY, ASHLEY AND MYSELF, WHO MADE WILDCARD WHAT IT IS THIS 777 00:52:56,204 --> 00:53:01,109 PAST SEASON, INSPIRED IT, THANKS TO MY FAMILY, HUSBAND, MY 778 00:53:01,175 --> 00:53:03,711 MANAGER, MY CREW, I MISSED HELL OUT OF Y'ALL. 779 00:53:03,778 --> 00:53:05,747 I CAN'T WAIT TO GET BACK OUT AS A BAND. 780 00:53:05,813 --> 00:53:06,781 I LOVE YOU SO MUCH. 781 00:53:06,848 --> 00:53:12,787 THANK YOU. 782 00:53:12,854 --> 00:53:15,423 CONGRATS, MIRANDA 783 00:53:15,490 --> 00:53:18,359 LAMBERT! 784 00:53:18,426 --> 00:53:20,795 NOW IT'S TIME FOR SOMEONE VERY SPECIAL. 785 00:53:20,862 --> 00:53:26,534 TAYLOR SWIFT'S MUSIC WAS LIKE MEDICINE FOR MANY THIS PAST 786 00:53:26,601 --> 00:53:28,403 YEAR, AND NOT JUST BECAUSE IT CAME IN TWO DOSES. 787 00:53:28,469 --> 00:53:32,173 THIS ARTIST HAS BEEN SO PROLIFIC LATELY, SHE'S EVEN RECORDED A 788 00:53:32,240 --> 00:53:33,408 COVER ALBUM OF HERSELF. 789 00:53:33,474 --> 00:53:36,778 NOMINATED FOR SIX GRAMMY AWARDS THIS YEAR, INCLUDING ALBUM AND 790 00:53:36,844 --> 00:53:40,782 SONG OF THE YEAR, HERE TO SHARE A LITTLE "FOLKLORE" JOINED BY 791 00:53:40,848 --> 00:53:47,355 LADIES AND GENTLEMEN, TAYLOR 792 00:53:47,422 --> 00:53:49,657 SWIFT! 793 00:53:49,724 --> 00:53:51,125 ♪ ♪ ♪ 794 00:53:51,192 --> 00:53:52,860 ♪ VINTAGE TEE BRAND NEW PHONE 795 00:53:52,927 --> 00:53:56,798 ♪ HIGH HEELS ON COBBLESTONES 796 00:53:56,864 --> 00:54:04,872 ♪ WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING 797 00:54:04,939 --> 00:54:08,810 ♪ SEQUIN SMILE BLACK LIPSTICK 798 00:54:08,876 --> 00:54:12,780 ♪ SENSUAL POLITICS WHEN YOU ARE YOUNG 799 00:54:12,847 --> 00:54:20,655 ♪ THEY ASSUME YOU KNOW NOTHING 'CAUSE I KNEW YOU 800 00:54:20,722 --> 00:54:25,627 ♪ STEPPIN' ON THE LAST TRAIN MARKED ME LIKE A BLOODSTAIN, I 801 00:54:25,693 --> 00:54:32,800 ♪ I KNEW YOU TRIED TO CHANGE THE ENDING 802 00:54:32,867 --> 00:54:36,571 ♪ PETER LOSING WENDY, I I KNEW YOU 803 00:54:36,638 --> 00:54:40,775 ♪ LEAVING LIKE A FATHER RUNNING LIKE WATER, I 804 00:54:40,842 --> 00:54:46,114 ♪ AND WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING 805 00:54:46,180 --> 00:54:51,119 ♪ BUT I KNEW YOU'D LINGER LIKE A TATTOO KISS 806 00:54:51,185 --> 00:54:54,889 ♪ I KNEW YOU'D HAUNT ALL OF MY WHAT-IFS 807 00:54:54,956 --> 00:54:57,291 ♪ THE SMELL OF SMOKE WOULD HANG AROUND THIS LONG 808 00:54:57,358 --> 00:55:00,962 ♪ 'CAUSE I KNEW EVERYTHING WHEN I WAS YOUNG 809 00:55:01,029 --> 00:55:04,866 ♪ I KNEW I'D CURSE YOU FOR THE LONGEST TIME 810 00:55:04,932 --> 00:55:08,770 ♪ CHASIN' SHADOWS IN THE GROCERY LINE 811 00:55:08,836 --> 00:55:12,173 ♪ I KNEW YOU'D MISS ME ONCE THE THRILL EXPIRED 812 00:55:12,240 --> 00:55:16,477 ♪ AND YOU'D BE STANDIN' IN MY FRONT PORCH LIGHT 813 00:55:16,544 --> 00:55:19,180 ♪ AND I KNEW YOU'D COME BACK TO ME 814 00:55:19,247 --> 00:55:27,121 ♪ YOU'D COME BACK TO ME AND YOU'D COME BACK TO ME 815 00:55:27,188 --> 00:55:36,130 ♪ AND YOU'D COME BACK AND WHEN I FELT LIKE I WAS AN 816 00:55:36,197 --> 00:55:40,802 ♪ OLD CARDIGAN UNDER SOMEONE'S BED 817 00:55:40,868 --> 00:55:48,810 ♪ YOU PUT ME ON AND SAID I WAS YOUR FAVORITE 818 00:55:48,876 --> 00:55:58,853 ♪ AND YOU'D COME BACK TO ME ♪ ♪ ♪ 819 00:55:58,920 --> 00:56:08,830 ♪ AND YOU'D COME BACK TO ME 820 00:56:08,896 --> 00:56:14,268 ♪ ♪ ♪ ♪ ♪ ♪ 821 00:56:14,335 --> 00:56:20,775 ♪ SALT AIR AND THE RUST ON YOUR DOOR 822 00:56:20,842 --> 00:56:28,783 I NEVER NEEDED ANYTHING MORE ♪ WHISPERS 823 00:56:28,850 --> 00:56:35,490 OF "ARE YOU SURE?" ♪ "NEVER HAVE I EVER BEFORE" 824 00:56:35,556 --> 00:56:38,659 BUT I CAN SEE US ♪ LOST IN THE MEMORY 825 00:56:38,726 --> 00:56:44,799 AUGUST SLIPPED AWAY ♪ INTO A MOMENT IN TIME¡ 826 00:56:44,866 --> 00:56:47,568 CAUSE IT WAS NEVER MINE AND I CAN SEE US TWISTED 827 00:56:47,635 --> 00:56:51,139 ♪ IN BEDSHEETS AUGUST SIPPED AWAY 828 00:56:51,205 --> 00:56:56,778 ♪ LIKE A BOTTLE OF WINE 'CAUSE YOU WERE NEVER MINE 829 00:56:56,844 --> 00:56:59,647 ♪ BACK WHEN WE WERE STILL CHANGING 830 00:56:59,714 --> 00:57:03,184 ♪ FOR THE BETTER WANTING WAS ENOUGH 831 00:57:03,251 --> 00:57:08,556 ♪ FOR ME, IT WAS ENOUGH TO LIVE FOR THE HOPE OF IT ALL 832 00:57:08,623 --> 00:57:11,159 ♪ CANCEL PLANS JUST IN CASE YOU'D CALL 833 00:57:11,225 --> 00:57:14,562 ♪ AND SAY, "MEET ME BEHIND THE MALL" 834 00:57:14,629 --> 00:57:16,798 ♪ SO MUCH FOR SUMMER LOVE AND SAYING "US" 835 00:57:16,864 --> 00:57:24,772 ♪ 'CAUSE YOU WEREN'T MINE TO LOSE 836 00:57:24,839 --> 00:57:36,651 ♪ YOU WEREN'T MINE TO LOSE 837 00:57:36,717 --> 00:57:39,120 ♪ ♪ ♪ ♪ LIFE WAS A WILLOW 838 00:57:39,187 --> 00:57:44,592 AND IT BENT RIGHT TO YOUR WIND ♪ OH 839 00:57:44,659 --> 00:57:48,796 THEY COUNT ME OUT ♪ TIME AND TIME AGAIN 840 00:57:48,863 --> 00:57:52,800 LIFE WAS A WILLOW ♪ AND IT BENT RIGHT TO YOUR WIND 841 00:57:52,867 --> 00:57:56,804 OH ♪ BUT I COME BACK STRONGER 842 00:57:56,871 --> 00:58:00,775 THAN A '90'S TREND ♪ WAIT FOR THE SIGNAL 843 00:58:00,842 --> 00:58:04,946 AND I'LL MEET YOU AFTER DARK ♪ SHOW ME THE PLACES 844 00:58:05,012 --> 00:58:12,753 WHERE THE OTHERS ♪ GAVE YOU SCARS 845 00:58:12,820 --> 00:58:15,122 -NOW THIS IS AN OPEN/ -SHUT CASE ♪ GUESS I SHOULD'VE KNOWN 846 00:58:15,189 --> 00:58:20,795 FROM THE LOOK ON YOUR FACE ♪ EVERY BAIT AND SWITCH 847 00:58:20,862 --> 00:58:24,065 WAS A WORK OF ART ♪ THE MORE THAT YOU SAY 848 00:58:24,131 --> 00:58:25,266 THE LESS I KNOW ♪ WHEREVER YOU STRAY 849 00:58:25,333 --> 00:58:28,769 I FOLLOW ♪ I'M BEGGING FOR YOU 850 00:58:28,836 --> 00:58:32,773 TO TAKE MY HAND ♪ WRECK MY PLANS 851 00:58:32,840 --> 00:58:35,643 THAT'S MY MAN ♪ YOU KNOW THAT MY TRAIN 852 00:58:35,710 --> 00:58:39,113 COULD TAKE YOU HOME ♪ ANYWHERE ELSE IS HOLLOW 853 00:58:39,180 --> 00:58:42,650 I'M BEGGING FOR YOU ♪ TO TAKE MY HAND 854 00:58:42,717 --> 00:58:44,886 WRECK MY PLANS ♪ THAT'S MY MAN 855 00:58:44,952 --> 00:58:48,189 THE MORE THAT YOU SAY ♪ THE LESS I KNOW 856 00:58:48,256 --> 00:58:51,125 WHEREVER YOU STRAY ♪ I FOLLOW 857 00:58:51,192 --> 00:58:52,827 I'M BEGGING FOR YOU ♪ TO TAKE MY HAND 858 00:58:52,894 --> 00:59:00,801 WRECK MY PLANS ♪ THAT'S MY MAN ♪ 859 00:59:00,868 --> 00:59:10,778 ♪ ♪ ♪ 860 00:59:10,845 --> 00:59:19,353 ♪ ♪ ♪ 861 00:59:19,420 --> 00:59:22,957 WE SEE WHO TAKES HOME BEST POP SOLO PERFORMANCE, HARRY 862 00:59:23,024 --> 00:59:27,395 STYLESK TAYLOR SWIFT, JUSTIN BIEBER, DOJA CAT, BILLIE EILISH 863 00:59:27,461 --> 00:59:28,796 OR DUA LIPA. 864 00:59:28,863 --> 00:59:32,466 THIS IS CBS. 865 00:59:32,533 --> 00:59:35,703 MUSICARES LEADS THE LARGEST PANDEMIC RELIEF EFFORT FOR MUSIC 866 00:59:35,770 --> 00:59:37,271 PEOPLE, AND HELPS THE HUMANS BEHIND THE MUSIC BECAUSE MUSIC 867 00:59:37,338 --> 00:59:39,106 GIVES SO MUCH TO THE WORLD. 868 00:59:39,173 --> 00:59:44,779 HELP THIS IMPORTANT WORK CONTINUE. 869 00:59:44,845 --> 00:59:47,515 THE 63rd GRAMMY AWARDS IS SPONSORED BY FORD, BUILT FORD 870 00:59:47,581 --> 00:59:48,082 PROUD. 871 00:59:55,356 --> 00:59:58,726 ♪ ♪ ♪ 872 00:59:58,793 --> 01:00:02,730 WELCOME BACK TO THE GRAMMY AWARDS. 873 01:00:02,797 --> 01:00:06,300 SO, WHAT DO ADELE, ED SHEERAN, AND LADY GAGA ALL HAVE IN 874 01:00:06,367 --> 01:00:07,535 COMMON? 875 01:00:07,601 --> 01:00:10,738 WELL, THEY'VE ALL DONE "CARPOOL KARAOKE" EPISODES WHERE JAMES 876 01:00:10,805 --> 01:00:14,742 CORDEN HIT A PEDESTRIAN AND KEPT DRIVING. 877 01:00:14,809 --> 01:00:15,710 AND ALSO, THEY'VE ALL WON THIS 878 01:00:15,776 --> 01:00:17,078 NEXT GRAMMY AWARD. 879 01:00:17,144 --> 01:00:19,080 TO HELP GIVE OUT THE GRAMMY FOR BEST POP SOLO PERFORMANCE, WE'RE 880 01:00:19,146 --> 01:00:22,750 HEADING ACROSS TOWN TO WEST HOLLYWOOD AND AN INDEPENDENT 881 01:00:22,817 --> 01:00:25,252 MUSIC VENUE. 882 01:00:25,319 --> 01:00:27,088 LET'S MEET THE NIGHT MANAGER, RACHELLE ERRATCHU, AT THE 883 01:00:27,154 --> 01:00:30,524 TROUBADOUR. 884 01:00:30,591 --> 01:00:33,527 I'M WORK HERE AT THE TROWB A 885 01:00:33,594 --> 01:00:35,896 DOWR, FOR 15 YEARS AND I'M THE NIGHT MANAGER, IT'S A MAGIC 886 01:00:35,963 --> 01:00:38,332 PLACE, HISTORY IS MADE HERE ALL THE TIME, WHEN YOU COME IN HERE 887 01:00:38,399 --> 01:00:40,001 IT'S LIKE GOING TO CHURCH. 888 01:00:40,067 --> 01:00:44,005 THE PEOPLE IN THAT ROOM DON'T WANT TO BE ANYWHERE ELSE IN THE 889 01:00:44,071 --> 01:00:47,441 WORLD BUT IN THAT ROOM, PEOPLE TALK ABOUT SHOWS THAT HAPPENED 890 01:00:47,508 --> 01:00:52,079 HERE 40, 50 YEARS AGO AND THEY WILL TALK ABOUT THEM 40, 50 891 01:00:52,146 --> 01:00:54,315 YEARS LATER. 892 01:00:54,382 --> 01:00:57,718 WE BUILD A COMMUNITY HERE EVERY NIGHT AND THAT COMMUNITY IS 893 01:00:57,785 --> 01:00:58,886 CURRENTLY GONE. 894 01:00:58,953 --> 01:01:01,856 WHEN THE DOORS ARE FINALLY ABLE TO OPEN UP AGAIN, IT WILL 895 01:01:01,922 --> 01:01:03,958 DEFINITELY BE LIKE OH, CAN I BREATHE AGAIN. 896 01:01:04,025 --> 01:01:07,428 MEANWHILE IT IS MY HONOR TO PRESENT THE GRAMMY AWARD FOR 897 01:01:07,495 --> 01:01:08,829 BEST POP SOLO POMANCE. 898 01:01:08,896 --> 01:01:16,070 HERE ARE THE NOMINATIONS. 899 01:01:16,137 --> 01:01:18,372 "YUMMY," JUSTIN BIEBER. 900 01:01:18,439 --> 01:01:21,876 "SAY SO," DOJA CAT. 901 01:01:21,942 --> 01:01:28,082 "EVERYTHING I WANTED," BILLIE EILISH. 902 01:01:28,149 --> 01:01:28,983 "DON'T START NOW," DUA LIPA. 903 01:01:29,050 --> 01:01:36,057 "WATERMELON SUGAR," HARRY STYLES. 904 01:01:36,123 --> 01:01:42,396 "CARDIGAN," TAYLOR SWIFT. 905 01:01:42,463 --> 01:01:48,069 ♪ ♪ ♪ 906 01:01:48,135 --> 01:01:50,404 AND THE TROUBADOUR'S VERY OWN NIGHT MANAGER, RACHELLE 907 01:01:50,471 --> 01:01:52,073 ERRATCHU, IS HERE NOW TO DO THE HONORS. 908 01:01:52,139 --> 01:01:59,313 "WATERMELON SUGAR," HARRY 909 01:01:59,380 --> 01:02:04,118 STYLES. 910 01:02:04,185 --> 01:02:07,354 ♪ I DON'T KNOW IF I COULD EVER 911 01:02:07,421 --> 01:02:08,055 GO WITHOUT. 912 01:02:08,122 --> 01:02:13,561 ♪ WATERMELON SUGAR HIGH. 913 01:02:13,627 --> 01:02:18,399 ♪ WATERMELON SUGAR HIGH. 914 01:02:18,466 --> 01:02:28,075 ♪. 915 01:02:28,142 --> 01:02:36,083 WOW, TO EVERYONE WHO MADE THIS RECORD WITH ME, THANK YOU 916 01:02:36,150 --> 01:02:37,718 SO MUCH. 917 01:02:37,785 --> 01:02:44,058 THIS IS THE FIRST SONG WE WROTE AFTER MY FIRST ALBUM CAME OUT. 918 01:02:44,125 --> 01:02:47,895 DURING A DAY OFF IN NASHVILLE AND I JUST WANT TO SAY THANKS TO 919 01:02:47,962 --> 01:02:51,599 TOM, KYLE AND MITCH AND EVERYONE. 920 01:02:51,665 --> 01:02:57,138 ROB STRINGER AND EVERYONE AT COLUMBIA, MY MANAGER, WHO HAS 921 01:02:57,204 --> 01:02:59,240 ALWAYS NUDGED ME TO DO BETTER AND NEVER PUSHED ME. 922 01:02:59,306 --> 01:03:02,276 AND THANK YOU SO MUCH. 923 01:03:02,343 --> 01:03:05,813 SO VERY GRATEFUL TO BE HERE. 924 01:03:05,880 --> 01:03:12,052 THANK YOU. THANK YOU SO MUCH. 925 01:03:12,119 --> 01:03:23,764 THANK YOU SO MUCH. 926 01:03:23,831 --> 01:03:26,100 CONGRATULATIONS ON A WELL DESERVED WIN. 927 01:03:26,167 --> 01:03:30,070 NOW AS WE PUT THE GRAMMY SPOTLIGHT ON WORKERS AT 928 01:03:30,137 --> 01:03:33,440 INDEPENDENT MUSIC VENUES TONIGHT WE REMAIN THANKFUL FOR ALL OF 929 01:03:33,507 --> 01:03:36,443 OUR ESSENTIAL WORKERS AROUND THE WORLD WHO HAVE DONE SO MUCH TO 930 01:03:36,510 --> 01:03:39,613 ENSURE THAT SO MANY OF US HAVE SURVIVED. 931 01:03:39,680 --> 01:03:43,484 WE ALSO RECOGNIZED THAT DURING THIS PAST YEAR UNLIKE ANY OTHER, 932 01:03:43,551 --> 01:03:46,987 THE LOSS OF LIFE HAS BEEN HISTORIC. 933 01:03:47,054 --> 01:03:50,257 AND SO TONIGHT WE WANT TO REMEMBER THE ENDURING IMPACT OF 934 01:03:50,324 --> 01:03:56,630 THOSE IN OUR MUSIC COMMUNITY WHO WE HAVE LOST THIS PAST YEAR. 935 01:03:56,697 --> 01:03:58,799 THAT LOSS HAS BEEN IMMENSE. 936 01:03:58,866 --> 01:04:03,938 SO AT THE END OF THE NIGHT, -PLEASE GO TO GRAMMY. -COM FOR A 937 01:04:04,004 --> 01:04:12,079 LIST OF NEARLY 1,000 SOULS WHO HAVE BROUGHT SUCH ENDURING MUSIC 938 01:04:12,146 --> 01:04:21,589 TO OUR LIVES. 939 01:04:21,655 --> 01:04:23,357 ♪ AIN'T NO SUNSHINE WHEN SHE'S GONE 940 01:04:23,424 --> 01:04:27,094 ♪ IT'S NOT WARM WHEN SHE'S AWAY 941 01:04:27,161 --> 01:04:30,331 ♪ AIN'T NO SUNSHINE WHEN SHE'S GONE 942 01:04:30,397 --> 01:04:32,399 ♪ AND SHE'S ALWAYS GONE TOO LONG 943 01:04:32,466 --> 01:04:44,078 ♪ ANYTIME SHE GOES AWAY 944 01:04:52,119 --> 01:05:00,995 ♪ ♪ ♪ ♪ GONNA TELL AUNT MARY 'BOUT 945 01:05:01,061 --> 01:05:02,830 UNCLE JOHN ♪ HE CLAIM HE HAS THE MISERY 946 01:05:02,896 --> 01:05:06,533 BUT HE HAD A LOT OF FUN ♪ OH, BABY 947 01:05:06,600 --> 01:05:10,571 YEAH BABY ♪ WOO BABY 948 01:05:10,638 --> 01:05:16,477 I'M HAVIN' ME SOME FUN TONIGHT ♪ WELL LONG, TALL SALLY SHE'S 949 01:05:16,543 --> 01:05:19,480 BUILT FOR SPEED, SHE GOT ♪ EVERYTHING THAT UNCLE JOHN 950 01:05:19,546 --> 01:05:22,583 NEED ♪ OH, BABY 951 01:05:22,650 --> 01:05:26,920 YEAH BABY ♪ WOO BABY 952 01:05:26,987 --> 01:05:34,561 I'M HAVIN' ME SOME FUN TONIGHT ♪ ♪ ♪ 953 01:05:34,628 --> 01:05:38,565 ♪ GOOD GOLLY MISS MOLLY SURE LIKE TO BALL 954 01:05:38,632 --> 01:05:42,703 ♪ GOOD GOLLY MISS MOLLY SURE LIKE TO BALL 955 01:05:42,770 --> 01:05:46,573 ♪ WHEN YOU'RE ROCKIN' AND A ROLLIN' 956 01:05:46,640 --> 01:05:50,577 ♪ I CAN'T HEAR YOUR MAMA CALL FROM THE EARLY, EARLY MORNIN' 957 01:05:50,644 --> 01:05:54,014 ♪ TO THE EARLY, EARLY NIGHT WHEN YOU CAUGHT 958 01:05:54,081 --> 01:05:56,817 ♪ MISS MOLLY ROCKIN' AT THE HOUSE OF BLUE LIGHT 959 01:05:56,884 --> 01:06:02,456 ♪ GOOD GOLLY MISS MOLLY SURE LIKE TO BALL 960 01:06:02,523 --> 01:06:03,657 ♪ WHEN YOU'RE ROCKING AND A-ROLLIN' 961 01:06:03,724 --> 01:06:08,929 ♪ CAN'T HEAR YOUR MAMA CALL AAAHHH 962 01:06:21,008 --> 01:06:25,879 ♪ ♪ ♪ ♪ ♪ ♪ 963 01:06:25,946 --> 01:06:27,147 I'M GOING TO THE CORNER ♪ GONNA BUY A DIAMOND RING 964 01:06:27,214 --> 01:06:29,883 WOULD YOU PARDON ME, KISS ME ♪ MAKE ME TING-A-LING-A-LING 965 01:06:29,950 --> 01:06:32,920 GOOD GOLLY MISS MOLLY ♪ SURE LIKE TO BALL 966 01:06:32,986 --> 01:06:38,592 WHEN YOU'RE ROCKING ♪ AND A-ROLLIN' 967 01:06:38,659 --> 01:06:44,932 I CAN'T HEAR YOUR MAMA CALL ♪ ♪ ♪ ♪ 968 01:06:44,998 --> 01:06:50,571 WE LOVE YOU LITTLE RICHARD! 969 01:06:50,637 --> 01:07:02,583 ♪ ♪ ♪ 970 01:07:18,632 --> 01:07:22,569 ♪ ♪ ♪ ♪ STOP! 971 01:07:22,636 --> 01:07:32,946 IN THE NAME OF LOVE ♪ BEFORE YOU BREAK MY HEART 972 01:07:33,013 --> 01:07:38,552 BABY, BABY ♪ I'M AWARE OF WHERE YOU GO 973 01:07:38,619 --> 01:07:46,560 EACH TIME YOU LEAVE MY DOOR ♪ LADY 974 01:07:46,627 --> 01:07:53,767 I'M YOUR KNIGHT ♪ IN SHINING ARMOR 975 01:07:53,834 --> 01:08:02,576 ♪ AND I LOVE YOU YOU HAVE MADE ME WHAT I AM AND 976 01:08:02,643 --> 01:08:10,584 ♪ I AM YOURS MY LOVE 977 01:08:10,651 --> 01:08:14,555 ♪ THERE'S SO MANY WAYS I WANT TO SAY 978 01:08:14,621 --> 01:08:20,961 ♪ I LOVE YOU LET ME HOLD YOU IN MY ARMS 979 01:08:21,028 --> 01:08:32,039 ♪ FOR EVER MORE ♪ YOU HAVE GONE 980 01:08:32,105 --> 01:08:42,583 AND MADE ME SUCH A FOOL ♪ I'M SO LOST 981 01:08:42,649 --> 01:08:46,553 IN YOUR LOVE ♪ AND OH 982 01:08:46,620 --> 01:08:54,561 WE BELONG TOGETHER ♪ WON'T YOU BELIEVE 983 01:08:54,628 --> 01:09:06,573 IN MY SONG ♪ OH, LADY 984 01:09:06,640 --> 01:09:14,548 YOUR LOVE'S ♪ THE ONLY LOVE I NEED 985 01:09:14,615 --> 01:09:26,560 AND BESIDE ME ♪ IS WHERE 986 01:09:26,627 --> 01:09:32,966 I WANT YOU TO BE ♪ 'CAUSE, MY LOVE 987 01:09:33,033 --> 01:09:38,772 THERE'S SOMETHING ♪ I WANT YOU 988 01:09:38,839 --> 01:09:50,584 TO KNOW ♪ YOU'RE THE LOVE OF MY LIFE 989 01:09:50,651 --> 01:09:57,791 YOU'RE THE LOVE OF MY LIFE ♪ YOU'RE MY LADY ♪ 990 01:09:57,858 --> 01:10:02,563 MISS YOU, KENNY. 991 01:10:02,629 --> 01:10:06,600 MISS YOU, MAN. 992 01:10:32,693 --> 01:10:42,569 ♪ ♪ ♪ ♪ ♪ ♪ 993 01:10:42,636 --> 01:10:44,438 'CAUSE YOU'VE GOT TO ♪ KISS AN ANGEL GOOD MORNING 994 01:10:44,504 --> 01:10:45,772 AND LET HER KNOW YOU THINK ♪ ABOUT HER WHEN YOU'RE GONE 995 01:10:45,839 --> 01:10:50,611 KISS AN ANGEL GOOD MORNING ♪ AND LOVE HER LIKE THE DEVIL 996 01:10:50,677 --> 01:10:54,581 WHEN YOU GET BACK HOME 997 01:11:34,655 --> 01:11:42,529 ♪ ♪ ♪ ♪ ♪ ♪ 998 01:11:42,596 --> 01:11:50,604 I'VE BEEN DOWN THIS ROAD BEFORE ♪ I REMEMBER EVERY TREE 999 01:11:50,671 --> 01:11:56,943 EVERY SINGLE BLADE OF GRASS ♪ HOLDS A SPECIAL PLACE FOR ME 1000 01:11:57,010 --> 01:12:06,553 AND I REMEMBER EVERY TOWN ♪ AND EVERY HOTEL ROOM 1001 01:12:06,620 --> 01:12:11,758 AND EVERY SONG I EVER SANG ♪ ON A GUITAR OUT OF TUNE 1002 01:12:11,825 --> 01:12:20,767 I REMEMBER EVERYTHING ♪ THINGS I CAN'T FORGET 1003 01:12:20,834 --> 01:12:26,573 THE WAY YOU TURNED ♪ AND SMILED ON ME 1004 01:12:26,640 --> 01:12:32,946 ON THE NIGHT THAT WE FIRST MET ♪ AND I REMEMBER EVERY NIGHT 1005 01:12:33,013 --> 01:12:38,585 YOUR OCEAN EYES OF BLUE ♪ HOW I MISS YOU 1006 01:12:38,652 --> 01:12:44,958 IN THE MORNING LIGHT ♪ LIKE ROSES MISS THE DEW 1007 01:12:45,025 --> 01:12:50,564 I'VE BEEN DOWN ♪ THIS ROAD BEFORE 1008 01:12:50,630 --> 01:12:56,937 ALONE AS I CAN BE ♪ CAREFUL NOT TO LET MY PAST 1009 01:12:57,003 --> 01:13:02,576 GO SNEAKING UP ON ME I'VE GOT NO FUTURE 1010 01:13:02,642 --> 01:13:08,949 ♪ IN MY HAPPINESS MY REGRETS ARE VERY FEW 1011 01:13:09,015 --> 01:13:18,558 ♪ SOMETIMES A LITTLE TENDERNESS WAS THE BEST THAT I COULD DO 1012 01:13:18,625 --> 01:13:25,665 ♪ I REMEMBER EVERYTHING YOUR OCEAN EYES OF BLUE 1013 01:13:25,732 --> 01:13:30,570 ♪ HOW I MISS YOU IN THE MORNING LIGHT 1014 01:13:30,637 --> 01:13:38,245 ♪ LIKE ROSES MISS THE DEW HOW I MISS YOU 1015 01:13:38,311 --> 01:13:49,256 ♪ IN THE MORNING LIGHT LIKE ROSES MISS THE DEW ♪ 1016 01:13:49,322 --> 01:13:54,561 WE THANK YOU JOHN, FOR EVERYTHING. 1017 01:13:54,628 --> 01:14:02,569 ♪ ♪ ♪ ♪ WHEN YOU WALK 1018 01:14:02,636 --> 01:14:13,413 THROUGH A STORM ♪ HOLD YOUR HEAD UP HIGH 1019 01:14:13,480 --> 01:14:18,585 AND DON'T ♪ BE AFRAID 1020 01:14:18,652 --> 01:14:30,564 OF THE DARK ♪ AT THE END 1021 01:14:30,630 --> 01:14:38,572 OF A STORM ♪ THERE'S A GOLDEN SKY 1022 01:14:38,638 --> 01:14:50,584 AND THE SWEET ♪ SILVER SONG OF A LARK 1023 01:14:50,650 --> 01:15:05,365 WALK ON THROUGH THE WIND ♪ WALK ON THROUGH THE RAIN 1024 01:15:05,432 --> 01:15:10,570 THOUGH YOUR DREAMS ♪ BE TOSSED 1025 01:15:10,637 --> 01:15:20,947 AND BLOWN ♪ WALK ON 1026 01:15:21,014 --> 01:15:30,557 WALK ON ♪ WITH HOPE IN YOUR HEART 1027 01:15:30,624 --> 01:15:38,531 AND YOU'LL NEVER ♪ WALK 1028 01:15:38,598 --> 01:15:48,575 ALONE ♪ YOU'LL NEVER WALK ALONE 1029 01:15:48,642 --> 01:15:54,547 ALONE ♪ YOU'LL NEVER WALK ALONE 1030 01:15:54,614 --> 01:15:58,585 ♪ ♪ ♪ WALK ON 1031 01:15:58,652 --> 01:16:08,962 ♪ WALK ON WITH HOPE IN YOUR HEART 1032 01:16:09,029 --> 01:16:22,575 ♪ AND YOU'LL NEVER WALK ALONE 1033 01:16:22,642 --> 01:16:32,619 ♪ YOU'LL NEVER WALK ALONE ♪ ♪ ♪ ♪ 1034 01:16:32,686 --> 01:16:35,355 ♪ YOU'LL NEVER WALK ALONE ♪ ♪ ♪ ♪ 1035 01:16:35,422 --> 01:16:43,964 ♪ YOU'LL NEVER WALK ALONE ♪ ♪ ♪ ♪ 1036 01:16:44,030 --> 01:16:48,134 I LOVE IT, I LOVE THE MUSIC, AND I LIKE DOING THE LIVE SHOWS 1037 01:16:48,201 --> 01:16:52,973 AND I DON'T CARE WHO ST, OR WHAT, AIBT NO STOPPING ME. 1038 01:16:53,039 --> 01:16:56,009 I JUST CARE ABOUT THE PEOPLE I WORK WITH, AND MOST OF ALL I 1039 01:16:56,076 --> 01:16:58,078 CARE ABOUT MY FAMILY. 1040 01:17:09,556 --> 01:17:12,192 ♪ ♪ ♪ 1041 01:17:12,258 --> 01:17:15,996 WELCOME BACK TO THE GRAMMYS. 1042 01:17:16,062 --> 01:17:19,099 THIS YEAR'S COUNTRY GRAMMY NOMINATIONS WERE DOMINATED BY 1043 01:17:19,165 --> 01:17:22,402 FANTASTIC FEMALE ARTISTS, AND WE WANT TO CELEBRATE THE REMARKABLE 1044 01:17:22,469 --> 01:17:25,372 ABLE WOMEN OF COUNTRY MUSIC TODAY BY PUTTING THE SPOTLIGHT 1045 01:17:25,438 --> 01:17:27,340 ON THREE OF THE GENRES VERY BEST. 1046 01:17:27,407 --> 01:17:31,578 WE BEGIN WITH THE FIRST BLACK FEMALE SOLO ARTIST EVER 1047 01:17:31,644 --> 01:17:40,053 NOMINATED IN A COUNTRY CATEGORY, LADIES AND GENTLEMEN, MICKEY 1048 01:17:40,120 --> 01:17:43,223 GUYTON. 1049 01:17:43,289 --> 01:17:49,329 ♪ LITTLE KID IN A SMALL TOWN I DID MY BEST JUST TO FIT IN 1050 01:17:49,396 --> 01:17:56,036 ♪ BROKE MY HEART ON THE PLAYGROUND, MM 1051 01:17:56,102 --> 01:18:02,675 ♪ WHEN THEY SAID I WAS DIFFERENT OH, NOW, NOW 1052 01:18:02,742 --> 01:18:08,014 ♪ I'M ALL GROWN UP AND NOTHING HAS CHANGED 1053 01:18:08,081 --> 01:18:15,989 ♪ YEAH, IT'S STILL THE SAME IT'S A HARD LIFE ON EASY STREET 1054 01:18:16,056 --> 01:18:19,993 ♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE 1055 01:18:20,060 --> 01:18:25,331 ♪ IF YOU THINK WE LIVE IN THE LAND OF THE FREE 1056 01:18:25,398 --> 01:18:34,474 ♪ YOU SHOULD TRY TO BE BLACK LIKE ME 1057 01:18:34,541 --> 01:18:40,046 MY DADDY WORKED DAY AND NIGHT FOR AN OLD HOUSE 1058 01:18:40,113 --> 01:18:52,058 ♪ AND A USED CAR, HM JUST TO LIVE THAT GOOD LIFE, MM 1059 01:18:52,125 --> 01:18:56,362 ♪ IT SHOULDN'T BE TWICE AS HARD OH, NOW, NOW 1060 01:18:56,429 --> 01:19:03,203 ♪ I'M ALL GROWN UP AND NOTHING HAS CHANGED 1061 01:19:03,269 --> 01:19:08,007 ♪ YEAH, IT'S STILL THE SAME IT'S A HARD LIFE ON EASY STREET 1062 01:19:08,074 --> 01:19:12,145 ♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE 1063 01:19:12,212 --> 01:19:17,750 ♪ IF YOU THINK WE LIVE IN THE LAND OF THE FREE 1064 01:19:17,817 --> 01:19:23,990 ♪ YOU SHOULD TRY TO BE OH, BLACK LIKE ME 1065 01:19:24,057 --> 01:19:32,065 ♪ OH, OH OH, I KNOW I'M NOT THE 1066 01:19:32,132 --> 01:19:40,073 ♪ ONLY ONE, OH, YEAH WHO FEELS LIKE I 1067 01:19:40,140 --> 01:19:52,051 ♪ I DON'T BELONG IT'S A HARD LIFE ON EASY STREET 1068 01:19:52,118 --> 01:19:56,623 ♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE 1069 01:19:56,689 --> 01:20:04,063 ♪ AND IF YOU THINK WE LIVE IN THE LAND OF THE FREE 1070 01:20:04,130 --> 01:20:08,034 ♪ THEN YOU SHOULD TRY TO BE OH, BLACK LIKE ME 1071 01:20:08,101 --> 01:20:15,375 ♪ OH, AND SOMEDAY WE'LL ALL BE FREE 1072 01:20:15,441 --> 01:20:20,046 ♪ AND I'M PROUD TO BE OH, BLACK LIKE ME 1073 01:20:20,113 --> 01:20:28,054 ♪ AND I'M PROUD TO BE BLACK LIKE ME 1074 01:20:28,121 --> 01:20:37,830 THANK YOU. 1075 01:20:37,897 --> 01:20:44,137 AND NOW THE ONE AND ONLY MIRANDA LAMBERT. 1076 01:20:44,204 --> 01:20:56,115 ♪ ♪ ♪ OOH 1077 01:20:56,182 --> 01:21:01,554 ♪ ♪ ♪ ♪ WELL, I'M A TURNER 1078 01:21:01,621 --> 01:21:07,060 I TURN PAGES ALL THE TIME ♪ DON'T LIKE WHERE I'M AT 1079 01:21:07,126 --> 01:21:11,064 34 WAS BAD ♪ SO I JUST TURN TO 35 1080 01:21:11,130 --> 01:21:15,068 YEAH, I'M A KEEPER ♪ I KEEP DIGGING DOWN FOR 1081 01:21:15,134 --> 01:21:19,072 THE DEEP ♪ LIKE THE RECORDS I'M PLAYING 1082 01:21:19,138 --> 01:21:22,141 THEY MIGHT KEEP YOU WAITING ♪ BUT YOU KNOW I'M GONNA 1083 01:21:22,208 --> 01:21:23,376 PLAY 'EM FOR KEEPS ♪ AND IF THE HOUSE JUST 1084 01:21:23,443 --> 01:21:27,914 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 1085 01:21:27,981 --> 01:21:31,084 AND IF LOVE KEEPS GIVING ME ♪ LEMONS 1086 01:21:31,150 --> 01:21:35,321 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 1087 01:21:35,388 --> 01:21:42,262 STOPS SINGING ♪ AND ALL THE STARS GO DARK 1088 01:21:42,328 --> 01:21:47,133 I'LL KEEP A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART 1089 01:21:47,200 --> 01:21:53,973 ♪ ♪ ♪ ♪ ♪ ♪ 1090 01:21:54,040 --> 01:21:55,575 ♪ WELL, I'M A GIVER YEAH, AND I'M STILL 1091 01:21:55,642 --> 01:21:59,178 ♪ GIVING 'EM HELL FORGIVING'S PRETTY HARD 1092 01:21:59,245 --> 01:22:03,149 ♪ SO I MADE AN ART OUT OF FORGETTING 'EM WELL 1093 01:22:03,216 --> 01:22:07,053 ♪ YEAH, I'M A RHYMER I CAN TURN TWENTY CENTS INTO 1094 01:22:07,120 --> 01:22:11,057 A TEN ♪ AND IF I GET CONFUSED 1095 01:22:11,124 --> 01:22:13,459 AND I START TO LOSE ♪ I RHYME A DIME 'TIL 1096 01:22:13,526 --> 01:22:19,032 IT ALL MAKES SENSE ♪ AND IF THE HOUSE JUST 1097 01:22:19,098 --> 01:22:22,001 KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE 1098 01:22:22,068 --> 01:22:25,471 AND IF LOVE KEEPS GIVING ME ♪ LEMONS 1099 01:22:25,538 --> 01:22:29,208 I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD 1100 01:22:29,275 --> 01:22:34,781 STOPS SINGING ♪ AND ALL THE STARS GO DARK 1101 01:22:34,847 --> 01:22:43,122 I'LL TURN A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART 1102 01:22:49,629 --> 01:22:53,800 ♪ ♪ ♪ ♪ ♪ ♪ 1103 01:22:53,866 --> 01:22:58,538 ♪ AND IF THE HOUSE JUST KEEPS ON WINNING 1104 01:22:58,604 --> 01:23:01,541 ♪ I GOT A WILDCARD UP MY SLEEVE AND IF LOVE KEEPS GIVING ME 1105 01:23:01,607 --> 01:23:05,778 ♪ LEMONS I'LL JUST MIX 'EM IN MY DRINK 1106 01:23:05,845 --> 01:23:07,480 ♪ AND IF THE WHOLE WIDE WORLD STOPS SINGING 1107 01:23:07,547 --> 01:23:13,486 ♪ AND ALL THE STARS GO DARK I'LL KEEP A LIGHT ON IN MY SOUL 1108 01:23:13,553 --> 01:23:19,726 ♪ KEEP A BLUEBIRD IN MY HEART I'LL KEEP A LIGHT ON IN MY SOUL 1109 01:23:19,792 --> 01:23:29,769 KEEP A BLUEBIRD IN MY HEART ♪ KEEP A BLUEBIRD IN MY HEART 1110 01:23:29,836 --> 01:23:35,141 KEEP A BLUEBIRD IN MY HEART ♪ KEEP A BLUEBIRD IN MY HEART 1111 01:23:35,208 --> 01:23:43,149 ♪ ♪ ♪ ♪ ♪ ♪ 1112 01:23:43,216 --> 01:23:52,191 ALL RIGHT, JOINED BY JOHN 1113 01:23:52,258 --> 01:24:01,534 MAYER, HER IS MY TEXAS GAL PAL, MISS MAREN MORRIS. 1114 01:24:01,601 --> 01:24:10,643 ♪ WE'RE IN THE HOMESTRETCH OF THE HARD TIMES 1115 01:24:10,710 --> 01:24:15,081 ♪ WE TOOK A HARD LEFT BUT WE'RE ALRIGHT 1116 01:24:15,148 --> 01:24:23,055 ♪ YEAH, LIFE SURE CAN TRY TO PUT LOVE THROUGH IT, BUT 1117 01:24:23,122 --> 01:24:27,026 ♪ WE BUILT THIS RIGHT, SO NOTHING'S EVER GONNA MOVE IT 1118 01:24:27,093 --> 01:24:29,929 ♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER 1119 01:24:29,996 --> 01:24:35,134 ♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER 1120 01:24:35,201 --> 01:24:39,138 ♪ LET IT RAIN 'CAUSE YOU AND I REMAIN THE SAME 1121 01:24:39,205 --> 01:24:42,708 ♪ WHEN THERE AIN'T A CRACK IN THE FOUNDATION 1122 01:24:42,775 --> 01:24:46,913 ♪ BABY, I KNOW ANY STORM WE'RE FACING 1123 01:24:46,979 --> 01:24:49,549 ♪ WILL BLOW RIGHT OVER WHILE WE STAY PUT 1124 01:24:49,615 --> 01:24:59,125 ♪ THE HOUSE DON'T FALL WHEN THE BONES ARE GOOD 1125 01:24:59,192 --> 01:25:06,799 ♪ CALL IT DUMB LUCK BUT BABY, YOU AND I 1126 01:25:06,866 --> 01:25:11,070 ♪ CAN'T EVEN MESS IT UP ALTHOUGH WE BOTH TRY 1127 01:25:11,137 --> 01:25:16,542 ♪ NO, IT DON'T ALWAYS GO THE WAY WE PLANNED IT 1128 01:25:16,609 --> 01:25:23,115 ♪ BUT THE WOLVES CAME AND WENT AND WE'RE STILL STANDING 1129 01:25:23,182 --> 01:25:27,053 ♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER 1130 01:25:27,119 --> 01:25:31,057 ♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER 1131 01:25:31,123 --> 01:25:35,061 ♪ LET IT RAIN 'CAUSE YOU AND I REMAIN THE SAME 1132 01:25:35,127 --> 01:25:39,065 ♪ WHEN THERE AIN'T A CRACK IN THE FOUNDATION 1133 01:25:39,131 --> 01:25:42,869 ♪ BABY, I KNOW ANY STORM WE'RE FACING 1134 01:25:42,935 --> 01:25:46,005 ♪ WILL BLOW RIGHT OVER WHILE WE STAY PUT 1135 01:25:46,072 --> 01:25:51,077 ♪ THE HOUSE DON'T FALL WHEN THE BONES ARE GOOD 1136 01:26:07,059 --> 01:26:10,997 ♪ ♪ ♪ ♪ WHEN THE BONES ARE GOOD 1137 01:26:11,063 --> 01:26:15,001 ♪ THE REST DON'T MATTER BABY, IT DON'T REALLY MATTER 1138 01:26:15,067 --> 01:26:17,603 ♪ PAINT COULD PEEL THE GLASS COULD SHATTER 1139 01:26:17,670 --> 01:26:19,505 ♪ OH, THE GLASS OH, THE GLASS COULD SHATTER 1140 01:26:19,572 --> 01:26:25,778 ♪ BONES ARE GOOD, THE REST THE REST DON'T MATTER, OOH 1141 01:26:25,845 --> 01:26:31,617 ♪ PAINT COULD PEEL, THE GLASS THE GLASS COULD SHATTER, YEAH 1142 01:26:31,684 --> 01:26:35,054 ♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER 1143 01:26:35,121 --> 01:26:37,723 ♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER 1144 01:26:37,790 --> 01:26:40,359 ♪ LET IT RAIN LET IT RAIN 1145 01:26:40,426 --> 01:26:43,062 ♪ LET IT RAIN 'CAUSE YOU AND I 1146 01:26:43,129 --> 01:26:47,066 ♪ REMAIN THE SAME, WOO WHEN THERE AIN'T A 1147 01:26:47,133 --> 01:26:49,468 ♪ CRACK IN THE FOUNDATION, WOO BABY, I KNOW ANY 1148 01:26:49,535 --> 01:26:53,105 ♪ STORM WE'RE FACING WILL BLOW RIGHT OVER 1149 01:26:53,172 --> 01:26:55,508 ♪ WHILE WE STAY PUT THE HOUSE DON'T FALL 1150 01:26:55,575 --> 01:27:07,019 ♪ WHEN THE BONES ARE GOOD YEAH, OOH ♪ 1151 01:27:07,086 --> 01:27:17,597 COMING UP, THE GRAMMY AWARD 1152 01:27:17,663 --> 01:27:19,298 FOR SONG OF THE YEAR. 1153 01:27:19,365 --> 01:27:22,868 THEN PERFORMANCES BY POST MALONE, BTS AND MEGAN THEE 1154 01:27:22,935 --> 01:27:26,405 STALLION AND CARDI B WITH THEIR FIRST EVER TV PERFORMANCE OF 1155 01:27:26,472 --> 01:27:27,206 WAP. 1156 01:27:27,273 --> 01:27:30,776 THIS IS THE 63rd GRAMMY AWARDS IS 1157 01:27:30,843 --> 01:27:34,347 SPONSORED BY LINCOLN FAMILY OF LUXURY S.U.V.s. 1158 01:27:39,318 --> 01:27:44,223 ♪ ♪ ♪ 1159 01:27:44,290 --> 01:27:45,758 WELCOME BACK TO THE GRAMMYS. 1160 01:27:45,825 --> 01:27:52,865 LET'S TAKE A LOOK AT SOME AWARDS WE PRESENTED EARLIER. 1161 01:27:52,932 --> 01:27:55,401 THE GRAMMY FOR BEST MELODIC RAP PERFORMANCE 1162 01:27:55,468 --> 01:28:08,547 ANDERSON PAAK. 1163 01:28:08,614 --> 01:28:09,382 ♪. 1164 01:28:09,448 --> 01:28:10,650 WOW, THANK YOU, THANK YOU SO MUCH. 1165 01:28:10,716 --> 01:28:13,853 I WANT TO SAY THANK YOU SO MUCH TO MY FAMILY, MY BEAUTIFUL WIFE 1166 01:28:13,919 --> 01:28:15,021 AND KIDS. 1167 01:28:15,087 --> 01:28:17,590 I WANT TO SAY THANK YOU TO THE TEAM THAT HELPED ME PUT THIS 1168 01:28:17,657 --> 01:28:18,824 RECORD TOGETHER. 1169 01:28:18,891 --> 01:28:21,527 I WANT TO SAY THANK YOU TO THE ACADEMY AND LASTLY I WANT TO SAY 1170 01:28:21,594 --> 01:28:25,231 THAT THIS SONG, LOCKDOWN IS DEDICATED TO EVERY HUMAN BEING 1171 01:28:25,297 --> 01:28:26,666 WHO ACTUALLY HAS A VOICE. 1172 01:28:26,732 --> 01:28:29,802 IF YOU HAVE A VOICE, DON'T BE AFRAID TO USE IT. 1173 01:28:29,869 --> 01:28:30,936 BECAUSE THEY WATCHING. 1174 01:28:31,003 --> 01:28:32,405 AND THIS IS PROOF. 1175 01:28:32,471 --> 01:28:33,506 THANK YOU SO MUCH. 1176 01:28:33,572 --> 01:28:38,344 THE GRAMMY FOR BEST THE GRAMMY FOR BEST LATIN POP OR 1177 01:28:38,411 --> 01:28:41,013 OR URBAN ALBUM WENT TO YHLQMDLG, 1178 01:28:41,080 --> 01:28:46,852 BAD BUNNY. 1179 01:28:46,919 --> 01:28:51,390 I'M VERY HAPPY, I'M REALLY HAPPY, I'M VERY PROUD. 1180 01:28:51,457 --> 01:28:59,832 I WANT TO THANK EVERY PERSON IN THE WORLD THAT LISTENED TO MY 1181 01:28:59,899 --> 01:29:09,375 MUSIC, AND SUPPORT MY CAREER AND MY IDEAS. 1182 01:29:19,785 --> 01:29:23,122 NOW AS YOUR HOST, AND A GRAMMY NOMINEE MYSELF, I KNOW, 1183 01:29:23,189 --> 01:29:26,926 I'VE BEEN GIVEN THE HONOR OF ANNOUNCING SOJ OF THE YEAR. 1184 01:29:26,992 --> 01:29:31,097 NOW JUST SO EVERYBODY UNDERSTANDS, RECORD OF THE YEAR 1185 01:29:31,163 --> 01:29:33,165 HONORS THE PERFORMANCE AND THE PRODUCTION OF A TRACK. 1186 01:29:33,232 --> 01:29:36,402 SONG OF THE YEAR IS AN AWARD THAT HONORS THE TALENTED PEOPLE 1187 01:29:36,469 --> 01:29:39,672 WHO WRITE THE MUSIC AND THOSE WORDS. 1188 01:29:39,739 --> 01:29:40,906 L LIKE THOSE LYRICISTS WHO PEN THE 1189 01:29:40,973 --> 01:29:46,312 LINES THAT STIR OUR SOULS AND MAKE YOU ASK YOURSELF, "AM I A 1190 01:29:46,378 --> 01:29:47,346 SAVAGE? 1191 01:29:47,413 --> 01:29:50,316 CLASSY, BOUGIE, RATCHET?" 1192 01:29:50,382 --> 01:29:52,852 I'M ALSO EXCITED TO ANNOUNCE THE RECORDING ACADEMY IS LAUNCHING 1193 01:29:52,918 --> 01:29:55,755 ITS NEW SONGWRITERS & COMPOSERS WING TO ELEVATE AND ADVOCATE ON 1194 01:29:55,821 --> 01:29:58,390 BEHALF OF SONGWRITERS AND COMPOSERS. 1195 01:29:58,457 --> 01:30:02,394 WITH THAT SAID, THESE ARE THE NOMINATIONS FOR SONG OF THE 1196 01:30:02,461 --> 01:30:07,700 YEAR. 1197 01:30:07,767 --> 01:30:10,202 ♪ ♪ ♪ "BLACK PARADE." 1198 01:30:10,269 --> 01:30:10,569 "THE BOX." 1199 01:30:10,636 --> 01:30:12,972 "CARDIGAN." 1200 01:30:13,038 --> 01:30:14,373 "CIRCLES." 1201 01:30:14,440 --> 01:30:16,375 "DON'T START NOW." 1202 01:30:16,442 --> 01:30:16,842 "EVERYTHING I WANTED." 1203 01:30:16,909 --> 01:30:18,110 "I CAN'T BREATHE." 1204 01:30:18,177 --> 01:30:22,381 "IF THE WORLD WAS ENDING." 1205 01:30:22,448 --> 01:30:32,424 WOW. 1206 01:30:32,491 --> 01:30:41,400 WOW. 1207 01:30:41,467 --> 01:30:42,434 WOW, THIS IS TENSE. 1208 01:30:42,501 --> 01:30:49,742 "I CAN'T BREATHE," H.E.R. 1209 01:30:49,809 --> 01:30:58,384 ♪ ♪ ♪ 1210 01:30:58,450 --> 01:31:00,252 ♪ I CAN'T BREATHE. 1211 01:31:00,319 --> 01:31:06,392 ♪ I CAN'T BREATHE. 1212 01:31:06,458 --> 01:31:11,597 ♪. 1213 01:31:11,664 --> 01:31:15,467 OH MY GOD, I DON'T EVEN KNOW WHAT TO SAY. 1214 01:31:15,534 --> 01:31:18,470 I THINK THE FIRST THING I WANT TO SAY IS THAT I HAVE NEVER BEEN 1215 01:31:18,537 --> 01:31:21,073 SO PROUD TO BE AN ARTIST. 1216 01:31:21,140 --> 01:31:25,110 AND EVERYBODY ELSE THIS WAS NOMINATED, THOSE SONGS WERE TO 1217 01:31:25,177 --> 01:31:27,880 ME, SONG OF THE YEAR ALSO AND THEY WERE ALL AMAZING. 1218 01:31:27,947 --> 01:31:31,684 BUT YOU KNOW, WE WROTE THIS SONG OVER FACETIME. 1219 01:31:31,750 --> 01:31:36,055 AND I DIDN'T IMAGINE THAT MY FEAR AND THAT MY PAIN WOULD TURN 1220 01:31:36,121 --> 01:31:36,922 INTO IMPACT. 1221 01:31:36,989 --> 01:31:39,058 AND IT WOULD POSSIBLY TURN INTO CHANGE. 1222 01:31:39,124 --> 01:31:41,260 AND I THINK THAT IS WHAT THIS IS ABOUT. 1223 01:31:41,327 --> 01:31:42,361 AND THAT'S WHY I WRITE MUSIC. 1224 01:31:42,428 --> 01:31:43,762 THAT'S WHY I DO THIS. 1225 01:31:43,829 --> 01:31:45,364 SO I'M SO, SO GRATEFUL. 1226 01:31:45,431 --> 01:31:50,302 I WANT TO THANK GOD FOR GIVING ME THE GIFT OF A VOICE AND A PEN 1227 01:31:50,369 --> 01:31:55,574 AND USING ME AS A VESEL TO CREATE CHANGE AND I'M SO 1228 01:31:55,641 --> 01:31:59,278 THANKFUL FOR SIERRA AND-- WHO ARE PART OF THIS, A HUGE PART OF 1229 01:31:59,345 --> 01:32:00,446 THIS RECORD. 1230 01:32:00,512 --> 01:32:03,048 I WANT TO THANK MY MOM, I RECORDED THIS SONG MYSELF IN MY 1231 01:32:03,115 --> 01:32:05,084 BEDROOM AT MY MOM'S HOUSE. 1232 01:32:05,150 --> 01:32:06,385 AND I WANT TO THANK MY DAD. 1233 01:32:06,452 --> 01:32:07,820 HE CRIED. 1234 01:32:07,887 --> 01:32:10,322 HE WAS IN TEARS WHEN I WROTE THIS SONG AND I PLAYED IT FOR 1235 01:32:10,389 --> 01:32:11,190 HIM. 1236 01:32:11,257 --> 01:32:14,326 HE WAS THE FIRST PERSON I PLAYED IT FOR. 1237 01:32:14,393 --> 01:32:22,134 AND YEAH, MY JEFF, MISHA WALT, JANEVEN, EVERYBODY AT RCA, 1238 01:32:22,201 --> 01:32:25,037 PETER, CAROLYN, CAMEL, EVERYBODY. 1239 01:32:25,104 --> 01:32:28,974 I'M SO SPEECHLESS RIGHT NOW, I CAN'T BELIEVE THIS, THANK YOU SO 1240 01:32:29,041 --> 01:32:35,047 MUCH. BUT REMEMBER, WE ARE THE CHANGE THAT WE WISH TO SEE, AND 1241 01:32:35,114 --> 01:32:40,219 THAT FIGHT THAT WE HAD IN US, THE SUMMER OF 2020, KEEP THAT 1242 01:32:40,286 --> 01:32:42,321 SAME INFORMING. 1243 01:32:42,388 --> 01:32:42,655 -- ENERGY. 1244 01:32:42,721 --> 01:32:46,325 THANK YOU. 1245 01:32:46,392 --> 01:32:49,995 ♪ ♪ ♪ 1246 01:32:50,062 --> 01:32:52,831 AFTER THIS BREAK, MEGAN THEE STALLION AND CARDI B 1247 01:32:52,898 --> 01:32:57,303 PERFORM "WAP" FOR THE FIRST TIME ANYWHERE. 1248 01:32:57,369 --> 01:32:57,670 THIS IS CBS. 1249 01:33:02,341 --> 01:33:04,176 HISTORY! 1250 01:33:04,243 --> 01:33:06,378 HEAD TO charitybuzz.com/grammy AND BID ON ONE-OF-A-KIND SIGNED 1251 01:33:06,445 --> 01:33:10,382 ITEMS TO SUPPORT THE GRAMMY MUSEUM'S MUSIC EDUCATION 1252 01:33:10,449 --> 01:33:16,021 PROGRAMS AND KEEP MUSIC PLAYING THE 63rd GRAMMY AWARDS IS 1253 01:33:16,088 --> 01:33:17,656 SPONSORED BY "IN THE HEIGHTS," IN THEATERS AND ON HBO MAX JUNE 1254 01:33:17,723 --> 01:33:19,058 18. 1255 01:33:24,530 --> 01:33:28,067 ♪ ♪ ♪ WELCOME BACK TO THE GRAMMY 1256 01:33:28,133 --> 01:33:32,037 AWARDS, NOW I HOPE YOU'RE READY, EVERYBODY, BECAUSE IN TONIGHT 1257 01:33:32,104 --> 01:33:35,307 WE'RE GOING TO FIND OUT WHAT WAP REALLY STANDS FOR, IF YOU HAVE 1258 01:33:35,374 --> 01:33:38,277 SMALL CHILDREN IN THE ROOM, JUST TELL THEM IT'S A SONG ABOUT 1259 01:33:38,344 --> 01:33:40,546 GIVING A CAT A BATH. 1260 01:33:40,612 --> 01:33:43,615 CARDI B WILL BE TAKING TO THE STAGE SHORTLY BUT FIRST THE TIME 1261 01:33:43,682 --> 01:33:47,019 HAS COME TO GET UP CLOSE AND PERSONAL WITH THE DYNAMIC 1262 01:33:47,086 --> 01:33:49,788 HIP-HOP FORCE WHO IS ALREADY A GRAMMY WINNER TONIGHT AND IS 1263 01:33:49,855 --> 01:33:52,658 NOMINATED FOR RECORD OF THE YEAR. 1264 01:33:52,725 --> 01:34:03,702 LET'S GET TO KNOW MEGAN THEE STALLION. 1265 01:34:03,769 --> 01:34:09,842 ♪ ♪ ♪ OKAY. 1266 01:34:09,908 --> 01:34:11,043 YOU WANT TO KNOW ABOUT GOOD NEWS. 1267 01:34:11,110 --> 01:34:13,746 I'M STIERD OF-- TIRED OF GETTING ON MY PHONE AND LOOKING 1268 01:34:13,812 --> 01:34:16,782 AT ALL THE BAD NEWS GOING ON IN THE WORLD. 1269 01:34:16,849 --> 01:34:19,718 SO I WAS LIKE YOU KNOW WHAT, THIS ALBUM IS CALLED GOOD NEWS 1270 01:34:19,785 --> 01:34:23,722 AND THE GOOD NEWS IS COMING FROM MEGAN STALLION. 1271 01:34:23,789 --> 01:34:28,193 GROWING UP IN HOUSTON, JUST THE HOTTIE THAT I AM, MY VIBE, THE 1272 01:34:28,260 --> 01:34:33,699 WAY I TALK, THE WAY I DRESS, THE WAY I WALK IT IS A SOUTHERN 1273 01:34:33,766 --> 01:34:34,933 SWAG. 1274 01:34:35,000 --> 01:34:38,771 HAVE I ALWAYS HAD MY MOTHER, MY AUNT, MY GREAT GRANDMOTHER AND 1275 01:34:38,837 --> 01:34:42,041 GRANDMA TELLING ME MEGAN, YOU'RE AMAZING. 1276 01:34:42,107 --> 01:34:43,942 MEGAN, YOU CAN DO WHATEVER YOU WANT TO DO, DON'T LET NOBODY 1277 01:34:44,009 --> 01:34:45,411 TELL YOU NOTHING DIFFERENT. 1278 01:34:45,477 --> 01:34:46,612 YOU'RE BEAUTIFUL. 1279 01:34:46,678 --> 01:34:49,281 NOW IT IS SO EASY FOR ME TO UPLIFT OTHER WOMEN BECAUSE I'VE 1280 01:34:49,348 --> 01:34:52,151 ALWAYS BEEN UPLIFTED. 1281 01:34:52,217 --> 01:34:55,087 SAFAGE IS MY CONFIDENCE ANTHEM. 1282 01:34:55,154 --> 01:34:57,790 I'M DESCRIBING MYSELF AND HOW EVERY OTHER PERSON SHOULD FEEL. 1283 01:34:57,856 --> 01:35:00,826 EVERYBODY WAS ALWAYS ASKED WHO IS YOUR DREAM COULD LAB AND I 1284 01:35:00,893 --> 01:35:08,367 WOULD BE LIKE BEYONS, BEYONS, AND IT FINALLY HAPPENED. 1285 01:35:08,434 --> 01:35:13,806 I REMEMBER PERFORMING A I WOULD BE AT CLUBS, POMPLING 1286 01:35:13,872 --> 01:35:17,209 EVERY NIGHT, ANYWHERE I COULD PERFORM I WOULD PERFORM. 1287 01:35:17,276 --> 01:35:20,279 AND IT JUST GOT BIGGER EVERY TIME. 1288 01:35:20,345 --> 01:35:22,648 AND NOW I'M GRAMMY NOMINATED. 1289 01:35:22,714 --> 01:35:25,717 WE AT THE GRAMMYS NOW, WE NEVER GAVE UP. 1290 01:35:25,784 --> 01:35:28,487 EVEN ON THE DAYS YOU FEEL LIKE QUITTING, DON'T QUIT BECAUSE IT 1291 01:35:28,554 --> 01:35:36,728 IS POSSIBLE TO ACHIEVE ALL YOUR DREAMS. 1292 01:35:51,777 --> 01:35:55,447 ♪ ♪ ♪ AND IF THE BEAT LIVE. 1293 01:35:55,514 --> 01:35:56,715 WHAT'S UP, GRAMMYS? 1294 01:35:56,782 --> 01:35:58,317 ♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY 1295 01:35:58,383 --> 01:35:59,685 WHAT'S UP, HOTTIES AT HOME? 1296 01:35:59,751 --> 01:36:03,722 ♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY 1297 01:36:03,789 --> 01:36:05,524 ♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY 1298 01:36:05,591 --> 01:36:06,458 TONIGHT IS MY FIRST TIME AT THE GRAMMYS. 1299 01:36:06,525 --> 01:36:10,796 BUT IT'S NOT MY FIRST TIME ENTERTAINING YOU. 1300 01:36:10,863 --> 01:36:12,064 ♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY 1301 01:36:12,131 --> 01:36:13,198 ♪ BODY CRAZY CURVY, WAVY 1302 01:36:13,265 --> 01:36:13,966 ♪ BIG-- LIL' WAIST BODY CRAZY 1303 01:36:14,032 --> 01:36:20,239 ♪ CURVY, WAVY ♪ BIG-- LIL' WAIST 1304 01:36:20,305 --> 01:36:22,341 ♪ ♪ ♪ ♪ I COULD BUILD A HOUSE 1305 01:36:22,407 --> 01:36:25,043 WITH ALL THE BRICK I GOT ♪ I COULD-- 1306 01:36:25,110 --> 01:36:29,748 I COULD BUILD A HOUSE WITH ALL THE BRICK I GOT 1307 01:36:49,801 --> 01:36:52,704 ♪ ♪ ♪ ♪ ♪ ♪ 1308 01:36:52,771 --> 01:36:55,407 I'M THAT ♪ BEEN THAT 1309 01:36:55,474 --> 01:37:03,582 STILL THAT ♪ WILL FOREVER BE THAT 1310 01:37:03,649 --> 01:37:06,051 ♪ I'M A SAVAGE ATTITUDE NASTY 1311 01:37:06,118 --> 01:37:09,521 ♪ TALK BIG BUT MY BANK ACCOUNT MATCH IT 1312 01:37:09,588 --> 01:37:11,990 ♪ HOOD, BUT I'M CLASSY RICH, BUT I'M RATCHET 1313 01:37:12,057 --> 01:37:15,427 ♪ HATERS KEPT MY NAME IN THEY MOUTH, NOW THEY GAGGIN' 1314 01:37:15,494 --> 01:37:17,529 BOUGIE ♪ HE SAY, "THE WAY THAT THANG 1315 01:37:17,596 --> 01:37:20,499 MOVE, IT'S A MOVIE" ♪ I TOLD THAT BOY, 1316 01:37:20,566 --> 01:37:21,700 "WE GOTTA KEEP IT LOW ♪ LEAVE ME THE ROOM KEY" 1317 01:37:21,767 --> 01:37:24,203 I DONE BLED THE BLOCK ♪ AND NOW IT'S HOT 1318 01:37:24,269 --> 01:37:27,372 I'M TUNECHI A MOOD AND I'M MOODY, AH 1319 01:37:27,439 --> 01:37:32,611 ♪ I'M A SAVAGE, OKAY CLASSY, BOUGIE, RATCHET, OKAY 1320 01:37:32,678 --> 01:37:35,480 ♪ SASSY, MOODY, NASTY, YEAH ACTING STUPID 1321 01:37:35,547 --> 01:37:36,048 ♪ WHAT'S HAPPENING? 1322 01:37:36,114 --> 01:37:37,583 WHAT'S HAPPENING? 1323 01:37:37,649 --> 01:37:41,587 ♪ LIKE BEYONCE, LIKE ME LIKE ME 1324 01:37:41,653 --> 01:37:43,522 ♪ HE WANT A LIKE THEE STALLION ♪ WITH THE KNEES 1325 01:37:43,589 --> 01:37:44,656 WITH THE KNEES ♪ HE BE LIKE, "DAMN, HOW THAT 1326 01:37:44,723 --> 01:37:46,358 THANG MOVIN' IN THEM JEANS?" THEM JEANS 1327 01:37:46,425 --> 01:37:49,561 -♪ EVEN D4 -L COULDN'T DO IT LIKE ME, LIKE ME 1328 01:37:49,628 --> 01:37:51,964 ♪ I'M THE OOH I NEED A MOP TO CLEAN THE FLOOR, 1329 01:37:52,030 --> 01:37:54,166 ♪ IT'S TOO MUCH DRIP, OHH I KEEP A KNOT, I KEEP A WATCH, 1330 01:37:54,233 --> 01:38:00,072 ♪ I KEEP A WHIP, OOH LET'S PLAY A GAME, 1331 01:38:00,138 --> 01:38:01,607 ♪ SIMON SAYS I'M STILL THAT AYY I'M STILL THAT, YUH 1332 01:38:01,673 --> 01:38:05,577 ♪ AH, I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH 1333 01:38:05,644 --> 01:38:07,679 ♪ SASSY, MOODY, NASTY HEY, HEY YEAH 1334 01:38:07,746 --> 01:38:09,681 ♪ ACTING STUPID WHAT'S HAPPENING? 1335 01:38:09,748 --> 01:38:11,984 ♪ WHAT'S HAPPENING? 1336 01:38:12,050 --> 01:38:14,086 WHOA ♪ HIPS TIKTOK WHEN I DANCE 1337 01:38:14,152 --> 01:38:16,154 DANCE ♪ ON THAT DEMON TIME 1338 01:38:16,221 --> 01:38:18,457 SHE MIGHT START A ONLYFANS ONLYFANS 1339 01:38:18,523 --> 01:38:24,062 ♪ BIG B AND THAT B STAND FOR BANDS 1340 01:38:24,129 --> 01:38:25,564 ♪ IF YOU WANNA SEE SOME REAL BABY, HERE'S YOUR CHANCE 1341 01:38:25,631 --> 01:38:26,732 ♪ I SAY, LEFT CHEEK, RIGHT CHEEK, DROP IT LOW, THEN SWANG 1342 01:38:26,798 --> 01:38:27,499 SWANG ♪ TEXAS UP IN THIS THANG 1343 01:38:27,566 --> 01:38:28,433 THANG ♪ PUT YOU UP ON THIS GAME 1344 01:38:28,500 --> 01:38:29,601 GAME ♪ IVY PARK ON MY FRAME 1345 01:38:29,668 --> 01:38:31,670 FRAME ♪ GANG, GANG, GANG, GANG 1346 01:38:31,737 --> 01:38:33,005 GANG ♪ IF YOU DON'T JUMP TO PUT JEANS 1347 01:38:33,071 --> 01:38:37,576 ON, BABY, YOU DON'T FEEL MY PAIN HOL' UP 1348 01:38:37,643 --> 01:38:41,580 ♪ I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH 1349 01:38:41,647 --> 01:38:44,816 ♪ SASSY, MOODY, NASTY HEY, HEY YEAH 1350 01:38:44,883 --> 01:38:48,020 ♪ ACTING STUPID WHAT'S HAPPENING? 1351 01:38:48,086 --> 01:38:53,125 ♪ WHAT'S HAPPENING? 1352 01:39:09,574 --> 01:39:13,512 ♪ ♪ ♪ I'M A SAVAGE, OKAY 1353 01:39:13,578 --> 01:39:17,783 ♪ CLASSY, BOUGIE, RATCHET, OKAY SASSY, MOODY, NASTY, YEAH 1354 01:39:17,849 --> 01:39:21,520 ♪ ACTING STUPID WHAT'S HAPPENING? 1355 01:39:21,586 --> 01:39:22,654 ♪ WHAT'S HAPPENING? 1356 01:39:22,721 --> 01:39:24,056 I'M A SAVAGE, YEAH OKAY 1357 01:39:24,122 --> 01:39:28,694 ♪ CLASSY, BOUGIE, RATCHET, YEAH OKAY 1358 01:39:28,760 --> 01:39:30,228 SASSY, MOODY, NASTY, HUH ♪ ACTING STUPID 1359 01:39:30,295 --> 01:39:32,798 WHAT'S HAPPENING? 1360 01:39:32,864 --> 01:39:33,699 ♪ WHAT'S HAPPENING? 1361 01:39:33,765 --> 01:39:45,577 AH ♪ 1362 01:39:45,644 --> 01:39:51,116 ♪ ♪ ♪ ♪ ♪ ♪ 1363 01:39:51,183 --> 01:39:52,851 ♪ UP, UP 1364 01:39:52,918 --> 01:39:54,052 UP, AYY, UP, UH ♪ UP, LOOK 1365 01:39:54,119 --> 01:39:57,589 LOOK, ONCE UPON A TIME, MAN I HEARD THAT I WAS UGLY 1366 01:39:57,656 --> 01:40:00,058 ♪ CAME FROM A CHICK WHO MAN'S WANNA TOUCH ME 1367 01:40:00,125 --> 01:40:02,127 ♪ I SAID MY FACE BOMB, ABS TIGHT RACKS STACK UP SHAQ HEIGHT 1368 01:40:02,194 --> 01:40:05,630 ♪ JEWELRY ON ME, FLASHLIGHT I BEEN LIT SINCE LAST NIGHT 1369 01:40:05,697 --> 01:40:08,800 ♪ HIT HIM WITH THAT GOOD-GOOD MAKE HIM WANNA ACT RIGHT 1370 01:40:08,867 --> 01:40:09,968 ♪ BROKE BOYS DON'T DESERVE NO KITTY 1371 01:40:10,035 --> 01:40:15,273 ♪ I KNOW THAT'S RIGHT 1372 01:40:15,340 --> 01:40:18,076 BIG BAG BUSSIN' OUT ♪ THE BENTLEY BENTAYGA 1373 01:40:18,143 --> 01:40:22,714 ♪ THE BENTLEY BENTAYGA, MAN BIRKIN BAG, BARDI BACK 1374 01:40:22,781 --> 01:40:25,317 BIG BAG BUSSIN' OUT ♪ THE BENTLEY BENTAYGA 1375 01:40:25,384 --> 01:40:27,452 ♪ KNOW HOW I GIVE IT UP IF IT'S UP, THEN IT'S UP 1376 01:40:27,519 --> 01:40:29,654 ♪ THEN IT'S UP, THEN IT'S STUCK IF IT'S UP, THEN IT'S UP 1377 01:40:29,721 --> 01:40:32,124 ♪ THEN IT'S UP, THEN IT'S STUCK HUH, AYY 1378 01:40:32,190 --> 01:40:34,192 ♪ UP, THEN IT'S UP IF IT'S UP, THEN IT'S STUCK, HUH 1379 01:40:34,259 --> 01:40:37,028 ♪ IF IT'S UP, THEN IT'S UP THEN IT'S UP, THEN IT'S STUCK 1380 01:40:37,095 --> 01:40:39,598 ♪ HUH, WOO FACE BOMB, ABS TIGHT 1381 01:40:39,664 --> 01:40:41,633 RACKS STACK UP SHAQ HEIGHT ♪ JEWELRY ON ME, FLASHLIGHT 1382 01:40:41,700 --> 01:40:44,836 I BEEN LIT SINCE LAST NIGHT ♪ HIT HIM WITH THAT GOOD-GOOD 1383 01:40:44,903 --> 01:40:46,938 MAKE HIM WANNA ACT RIGHT ♪ BROKE BOYS DON'T 1384 01:40:47,005 --> 01:40:48,306 DESERVE NO KITTY ♪ I KNOW THAT'S RIGHT 1385 01:40:48,373 --> 01:40:52,477 IF IT'S UP, THEN IT'S UP ♪ THEN IT'S UP, THEN IT'S STUCK 1386 01:40:52,544 --> 01:40:57,015 IF IT'S UP, THEN IT'S UP ♪ THEN IT'S UP, THEN IT'S STUCK 1387 01:40:57,082 --> 01:41:00,118 IF IT'S UP, THEN IT'S UP ♪ THEN IT'S UP, THEN IT'S STUCK 1388 01:41:00,185 --> 01:41:08,560 HUH, AYY ♪ 1389 01:41:25,710 --> 01:41:31,149 ♪ ♪ ♪ ♪ I SAID, CERTIFIED FREAK 1390 01:41:31,216 --> 01:41:36,121 SEVEN DAYS A WEEK 1391 01:41:36,188 --> 01:41:37,989 ♪ WET AND MAKE THAT PULL-OUT GAME WEAK 1392 01:41:38,056 --> 01:41:41,593 ♪ YEAH, YEAH, YEAH, YEAH YEAH, YOU DEALING WITH 1393 01:41:41,660 --> 01:41:44,463 ♪ SOME WET-WET-WET BRING A AND A MOP FOR THIS 1394 01:41:44,529 --> 01:41:49,601 ♪ WET-WET-WET GIVE ME EVERYTHING YOU GOT 1395 01:41:49,668 --> 01:41:53,071 ♪ FOR THIS WET-WET-WET BEAT IT UP 1396 01:41:53,138 --> 01:41:55,407 ♪ BABY, CATCH A CHARGE EXTRA AND EXTRA 1397 01:41:55,474 --> 01:41:57,075 ♪ PUT THIS KITTY RIGHT IN YOUR FACE 1398 01:41:57,142 --> 01:41:59,110 ♪ SWIPE YOUR NOSE LIKE A CREDIT CARD 1399 01:41:59,177 --> 01:42:00,846 ♪ HOP ON TOP I WANNA RIDE 1400 01:42:00,912 --> 01:42:02,914 ♪ I DO A KEGEL I'M KINDA WILD 1401 01:42:02,981 --> 01:42:04,416 ♪ LOOK AT MY MOUTH LOOK AT MY THIGHS 1402 01:42:04,483 --> 01:42:05,550 ♪ THIS WATER IS WET COME TAKE A DIVE 1403 01:42:05,617 --> 01:42:07,786 ♪ TIE ME UP LIKE I'M A SURPRISE 1404 01:42:07,853 --> 01:42:09,387 ♪ LET'S ROLE PLAY I'LL WEAR A DISGUISE 1405 01:42:09,454 --> 01:42:11,656 ♪ I WANT YOU TO PARK THAT BIG MACK TRUCK 1406 01:42:11,723 --> 01:42:14,192 ♪ RIGHT IN THIS LITTLE GARAGE MAKE ME DREAM 1407 01:42:14,259 --> 01:42:15,794 ♪ MAKE IT STREAM OUT IN PUBLIC 1408 01:42:15,861 --> 01:42:17,028 ♪ MAKE A SCENE I DON'T COOK 1409 01:42:17,095 --> 01:42:19,764 ♪ I DON'T CLEAN BUT LET ME TELL YOU 1410 01:42:19,831 --> 01:42:20,999 ♪ HOW I GOT THIS RING GOBBLE ME, SWALLOW ME 1411 01:42:21,066 --> 01:42:23,168 ♪ DRIP DOWN THE SIDE OF ME I'M OUT 'FORE I LET YOU 1412 01:42:23,235 --> 01:42:24,803 ♪ GET INSIDE OF ME I TELL HIM WHERE TO PUT IT 1413 01:42:24,870 --> 01:42:26,338 ♪ NEVER TELL HIM WHERE I'M 'BOUT TO BE 1414 01:42:26,404 --> 01:42:27,706 ♪ I'LL RUN DOWN ON HIM 'FORE I HAVE A-- RUNNING ME 1415 01:42:27,772 --> 01:42:29,107 ♪ TALK YOUR-- BITE YOUR LIP 1416 01:42:29,174 --> 01:42:31,443 ♪ ASK FOR A CAR WHILE YOU RIDE THAT 1417 01:42:31,510 --> 01:42:33,078 ♪ YOU REALLY AIN'T NEVER GOTTA-- HIM FOR A THANG 1418 01:42:33,144 --> 01:42:34,946 ♪ HE ALREADY MADE HIS MIND UP 'FORE HE CAME 1419 01:42:35,013 --> 01:42:37,082 ♪ NOW GET YOUR BOOTS AND YOUR COAT 1420 01:42:37,148 --> 01:42:39,551 ♪ FOR THIS WET-WET-WET HE BOUGHT A PHONE 1421 01:42:39,618 --> 01:42:41,520 ♪ JUST FOR PICTURES OF THIS WET-WET-WET 1422 01:42:41,586 --> 01:42:45,090 ♪ PAY MY TUITION JUST TO KISS ME ON THIS WET-WET-WET 1423 01:42:45,156 --> 01:42:49,060 ♪ NOW MAKE IT RAIN IF YOU WANNA SEE SOME WET-WET-WET 1424 01:42:49,127 --> 01:42:51,897 ♪ LOOK, I NEED A HARD HITTER I NEED A DEEP-- 1425 01:42:51,963 --> 01:42:53,064 ♪ I NEED A HENNY DRINKER I NEED A-- SMOKER 1426 01:42:53,131 --> 01:42:55,200 ♪ NOT A GARDEN SNAKE I NEED A KING COBRA 1427 01:42:55,267 --> 01:42:56,735 ♪ WITH A HOOK IN IT HOPE IT LEAN OVER 1428 01:42:56,801 --> 01:42:58,370 ♪ HE GOT SOME MONEY THEN THAT'S WHERE I'M HEADED 1429 01:42:58,436 --> 01:42:59,704 ♪ COOKIE A1 JUST LIKE HIS CREDIT 1430 01:42:59,771 --> 01:43:02,007 ♪ HE GOT A BEARD WELL, I'M TRYNA WET IT 1431 01:43:02,073 --> 01:43:04,075 ♪ I LET HIM HMMM NOW HE DIABETIC 1432 01:43:04,142 --> 01:43:05,043 ♪ I DON'T WANNA HMMM I WANNA-- WOO 1433 01:43:05,110 --> 01:43:08,513 ♪ I WANNA I WANT YOU TO TOUCH THAT 1434 01:43:08,580 --> 01:43:10,081 ♪ TOUCH THAT IT'S SWINGING IN 1435 01:43:10,148 --> 01:43:11,483 ♪ THE BACK OF MY-- MY TOE GAME IS FIRE 1436 01:43:11,550 --> 01:43:13,285 ♪ DASANI, DASANI IT'S GOING IN DRY 1437 01:43:13,351 --> 01:43:15,120 ♪ AND IT'S COMING OUT SOGGY I RUN ON THAT THANG 1438 01:43:15,186 --> 01:43:17,022 ♪ LIKE THE COPS IS BEHIND ME THE WAY THAT I SPIT 1439 01:43:17,088 --> 01:43:19,357 ♪ NOW HE TRYNA SIGN ME NOW GET YOUR BOOTS 1440 01:43:19,424 --> 01:43:21,026 ♪ AND YOUR COAT FOR THIS WET-WET-WET 1441 01:43:21,092 --> 01:43:23,562 ♪ NOW GET A BUCKET AND A MOP 1442 01:43:23,628 --> 01:43:27,832 ♪ THAT'S SOME WET-WET-WET I'M TALKING WAP, WAP WAP 1443 01:43:27,899 --> 01:43:33,071 ♪ THAT'S SOME WET-WET-WET NOW MAKE IT RAIN IF YOU WANNA 1444 01:43:33,138 --> 01:43:37,075 ♪ SEE SOME WET-WET-WET 1445 01:43:37,142 --> 01:43:40,145 ♪ ♪ ♪ ♪ ♪ ♪ 1446 01:43:40,211 --> 01:43:41,179 NOW FROM THE TOP ♪ MAKE IT DROP 1447 01:43:41,246 --> 01:43:44,349 THAT'S SOME WET ♪ THAT'S SOME WET 1448 01:43:44,416 --> 01:43:46,751 GET A BUCKET AND A MOP ♪ THAT'S SOME WET 1449 01:43:46,818 --> 01:43:48,920 THAT'S SOME WET ♪ I'M TALKING DROP, DROP, DROP 1450 01:43:48,987 --> 01:43:51,590 THAT'S SOME WET ♪ THAT'S SOME WET 1451 01:43:51,656 --> 01:43:53,091 MACARONI IN A POT ♪ THAT'S SOME WET 1452 01:43:53,158 --> 01:44:03,134 THAT'S SOME WET ♪ 1453 01:44:03,201 --> 01:44:08,073 THAT'S SOME WET ♪ 1454 01:44:08,139 --> 01:44:08,840 WOW, WOW, DID YOU SEE THAT? 1455 01:44:08,907 --> 01:44:11,610 DID YOU SEE THAT! 1456 01:44:11,676 --> 01:44:16,314 WOW, CARDI B, FEATURING MEGAN THEE STALLION, THAT WAS AMAZING 1457 01:44:16,381 --> 01:44:20,051 WOW, THAT WAS AMAZING, THE GIANT SHOE, THE GIANT-- OH, AND IT IS 1458 01:44:20,118 --> 01:44:23,922 SO SOFT WHAT IS THE THREAD COUNT, THIS IS AMAZING, WOW, 1459 01:44:23,989 --> 01:44:26,791 GUYS, GUYS, WAIT, WAIT, I JUST REALIZED SOMETHING. 1460 01:44:26,858 --> 01:44:30,829 THIS IS A DREAM, THIS IS A DREAM THAT I HAVE HAD TO BE IN BED 1461 01:44:30,895 --> 01:44:35,367 WITH CARDI B AND THEN MY GRANDMOTHER COMES IN AND WHIPPED 1462 01:44:35,433 --> 01:44:38,937 OUR ASS FOR HAVING OUR SHOES ON IN THE BED, SHE WILL WHIP YOUR 1463 01:44:39,004 --> 01:44:40,105 ASS. 1464 01:44:40,171 --> 01:44:41,773 I DON'T KNOW ABOUT YOU, BUT WE HAVE TO COOL DOWN, WE'RE 1465 01:44:41,840 --> 01:44:45,910 GOING TO GO FOR A QUICK BREAK AND LET THE STAGE DRY OFF, POST 1466 01:44:45,977 --> 01:44:51,082 MALONE, DOJA CAT, BTS AND LIL BABY ARE ALL COMING UP. 1467 01:44:51,149 --> 01:44:59,090 THIS IS IT. 1468 01:44:59,157 --> 01:45:03,495 ♪ ♪ ♪ ♪ ♪ ♪ 1469 01:45:03,561 --> 01:45:06,097 ♪ FOR COMPLETE COVERAGE OF THE GRAMMY AWARDS, EXCLUSIVE 1470 01:45:06,164 --> 01:45:09,067 HIGHLIGHTS, BACKSTAGE ACCESS AND LIVER INTERVIEWS WITH TONIGHT'S 1471 01:45:09,134 --> 01:45:11,636 -WINNERS VISIT GRAMMY. -COM. 1472 01:45:15,073 --> 01:45:22,213 ♪ ♪ ♪ 1473 01:45:22,280 --> 01:45:23,748 WELL, GOBBLE ME, SWALLOW ME, DRIP DOWN THE SIDE 1474 01:45:23,815 --> 01:45:25,050 OF ME. 1475 01:45:25,116 --> 01:45:26,217 WELCOME BACK. 1476 01:45:26,284 --> 01:45:28,720 TO PRESENT OUR NEXT GRAMMY AWARD, LET'S GO TO THE HEART OF 1477 01:45:28,787 --> 01:45:33,558 HARLEM AND PERHAPS THE MOST HISTORIC INDEPENDENT VENUE IN 1478 01:45:33,625 --> 01:45:34,793 AMERICA. 1479 01:45:34,859 --> 01:45:38,229 LET'S MEET BILLY MITCHELL AT ONE OF THE MOST ICONIC PLACES FOR 1480 01:45:38,296 --> 01:45:40,732 MUSICIANS TO PERFORM, AND FOR 1481 01:45:40,799 --> 01:45:44,369 THE WORLD FAMOUS APOLLO THEATER. 1482 01:45:45,603 --> 01:45:51,443 MY NAME IS BILLY MITCHELL, THEY CALL ME MR. APPALLO, I 1483 01:45:51,509 --> 01:45:55,447 FIRST STARTED RUNNING ERRANDS AT THE THEATER, I USED TO RUN 1484 01:45:55,513 --> 01:45:57,515 ERRANDS FOR JAMES BROWN AND HIS BAND. 1485 01:45:57,582 --> 01:45:59,617 HE WOULD ALWAYS ASK ME, MR. BILLY, HOW ARE YOU DOING IN 1486 01:45:59,684 --> 01:46:02,654 SCHOOL, I WOULD SAY I'M DOING GREAT, AND APPARENTLY HE DIDN'T 1487 01:46:02,721 --> 01:46:07,358 BELIEVE ME, BECAUSE ONE DAY MR. BROWN MADE ME LEAVE THE 1488 01:46:07,425 --> 01:46:09,928 APPALLO, GO ALL THE WAY BACK TO THE BRONX, GET MY REPORT CARD 1489 01:46:09,994 --> 01:46:11,463 AND SHOW IT TO HIM. 1490 01:46:11,529 --> 01:46:14,933 AND WHEN JAMES BROWN NOTICED MY REPORT CARD HE TOLD ME THAT I 1491 01:46:14,999 --> 01:46:17,936 WAS NOT ALLOWED TO COME BACK TO THE APPALLO AND RUNNER RANDS 1492 01:46:18,002 --> 01:46:19,237 UNTIL I GOT MY GRADES UP. 1493 01:46:19,304 --> 01:46:22,240 SO WITH THAT THREAT IN MIND, I BECAME A MEMBER OF THE HONOR 1494 01:46:22,307 --> 01:46:26,244 ROLL AND AS A GRADUATION GIFT JAMES BROWN GAVE ME SOME MONEY. 1495 01:46:26,311 --> 01:46:29,447 I USED THAT MONEY TO ENROLL INTO BUSINESS SCHOOL AND THAT STARTED 1496 01:46:29,514 --> 01:46:33,485 MY CAREER AT THE APPALLO THEATER. 1497 01:46:33,551 --> 01:46:34,719 THANK YOU JAMES BROWN. 1498 01:46:34,786 --> 01:46:39,624 THIS WAS THE FIRST YEAR THEATER THAT NOT ONLY SHOWED BLACK 1499 01:46:39,691 --> 01:46:42,227 TALENT ON THE STAGE BUT THE FIRST THAT HIRED BLACK CREW AND 1500 01:46:42,293 --> 01:46:44,462 ALSO LET BLACKS SIT IN THE AUDIENCE. 1501 01:46:44,529 --> 01:46:47,699 THE APPALLO WAS THE FIRST THEATER IN HARLEM TO DO THAT. 1502 01:46:47,766 --> 01:46:50,902 CULTURALLY THIS PLACE IS LIKE THE BEACON FOR 1503 01:46:50,969 --> 01:46:51,870 AFRICAN-AMERICANS. 1504 01:46:51,936 --> 01:46:57,609 THERE IS SOMETHING SPECIAL ABOUT THIS BUILDING. 1505 01:46:57,675 --> 01:47:03,181 IT IS SO HEARTBREAKING, WE MISS OUR AUDIENCE AND WE CAN'T WAIT 1506 01:47:03,248 --> 01:47:05,383 UNTIL OUR DOORS ARE OPEN BACK UP AGAIN. 1507 01:47:05,450 --> 01:47:07,051 WE JUST CAN'T WAIT. 1508 01:47:07,118 --> 01:47:10,655 AND WE DO OPEN BACK UP, IT IS GOING TO BE ABSOLUTELY AMAZING. 1509 01:47:10,722 --> 01:47:13,825 NOBODY DOES IT BETTER THAN US. 1510 01:47:13,892 --> 01:47:18,496 I WAS A POOR KID FROM MOUNT VERNON, NEW YORK, NOW BEING 1511 01:47:18,563 --> 01:47:20,532 ASKED TO PRESENT ON THE GRAMMYS. 1512 01:47:20,598 --> 01:47:22,700 MAN, IT GETS NO BETTER THAN THIS. 1513 01:47:22,767 --> 01:47:26,237 AND I AM SO GRATEFUL AND APPRECIATIVE, I REALLY AM. 1514 01:47:26,304 --> 01:47:31,075 IT IS MY HONOR TO PRESENT THE TBRAMMEE AWARD FOR BEST RAP 1515 01:47:31,142 --> 01:47:31,743 SONG. 1516 01:47:31,810 --> 01:47:36,514 AND HERE ARE THE NOMINATIONS. 1517 01:47:36,581 --> 01:47:38,216 ♪ ♪ ♪ "THE BIGGER 1518 01:47:38,283 --> 01:47:40,718 PICTURE," LIL BABY. 1519 01:47:40,785 --> 01:47:45,557 "THE BOX," RODDY RICCH. 1520 01:47:45,623 --> 01:47:50,228 "LAUGH NOW, CRY LATER," DRAKE FEATURING LIL DURK. 1521 01:47:50,295 --> 01:47:54,232 "ROCKSTAR," DaBABY FEATURING RODDY RICCH. 1522 01:47:54,299 --> 01:48:01,840 "SAVAGE," MEGAN THEE STALLION FEATURING BEYONCE. 1523 01:48:01,906 --> 01:48:04,809 ♪ ♪ ♪ 1524 01:48:04,876 --> 01:48:08,012 AND LET'S GO BACK TO MR. APOLLO. 1525 01:48:08,079 --> 01:48:14,219 MR. MITCHELL, TELL US WHO THE WINNER IS. 1526 01:48:14,285 --> 01:48:22,227 ALL RIGHT, THANK YOU, TREVOR. 1527 01:48:22,293 --> 01:48:26,231 "SAVAGE," MEGAN THEE STALLION 1528 01:48:26,297 --> 01:48:28,399 FEATURING BEYONCE. 1529 01:48:28,466 --> 01:48:34,239 ♪ ♪ ♪ 1530 01:48:34,305 --> 01:48:40,011 ♪ I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH 1531 01:48:40,078 --> 01:48:42,046 ♪ SASSY, MOODY, NASTY HEY, HEY YEAH 1532 01:48:42,113 --> 01:48:45,617 ♪ ACTING STUPID WHAT'S HAPPENING? 1533 01:48:45,683 --> 01:48:46,784 ♪ WHAT'S HAPPENING? 1534 01:48:46,851 --> 01:48:50,688 ♪ I'M A SAVAGE, YEAH 1535 01:48:50,755 --> 01:48:54,225 CLASSY, BOUGIE, RATCHET, YEAH ♪ SASSY, MOODY, NASTY 1536 01:48:54,292 --> 01:48:56,561 HEY, HEY YEAH ♪ ACTING STUPID 1537 01:48:56,628 --> 01:48:58,229 WHAT'S HAPPENING? 1538 01:48:58,296 --> 01:49:02,233 ♪ WHAT'S HAPPENING? 1539 01:49:02,300 --> 01:49:12,277 FIRST OF ALL,-- OKAY, BECAUSE 1540 01:49:12,343 --> 01:49:17,482 FIRST OF ALL,-- OKAY, BECAUSE 1541 01:49:17,548 --> 01:49:20,451 I SAID I WILL BRING MY PAPER UP HERE SO I'M NOT GOING TO FORGET 1542 01:49:20,518 --> 01:49:26,691 TO THANK NOBODY, AND NOW I CAME UP HERE-- FIRST OF ALL, I HAVE 1543 01:49:26,758 --> 01:49:30,662 TO KEEP THANKING GOD BECAUSE WITHOUT GOD NONE OF US WOULD BE 1544 01:49:30,728 --> 01:49:32,196 HERE TODAY. 1545 01:49:32,263 --> 01:49:35,800 AND I ALSO WANT TO THANK, I ALSO WANT TO SAY CONGRATULATIONS TO 1546 01:49:35,867 --> 01:49:42,674 EVERYBODY WHO WAS NOMINATED BECAUSE ALL OF THESE SONGS WERE 1547 01:49:42,740 --> 01:49:43,808 AMAZING. 1548 01:49:43,875 --> 01:49:47,679 WE WOULDN'T-- MUSIC REALLY HELPED A LOT OF US GET THROUGH 1549 01:49:47,745 --> 01:49:48,813 THE PANDEMIC. 1550 01:49:48,880 --> 01:49:52,083 SO LIKE I SAID, SHOUT OUT TO EVERYBODY WHO IS HERE TODAY, 1551 01:49:52,150 --> 01:49:54,519 BECAUSE A LOT OF THESE SONGS PUSHED US ALL THE WAY THROUGH. 1552 01:49:54,585 --> 01:50:03,795 I DEFINITELY WANT TO SAY THANK YOU TO BEYONCE. 1553 01:50:03,861 --> 01:50:09,534 IF YOU KNOW ME, YOU HAVE TO KNOW THAT EVER SINCE I WAS LITTLE I 1554 01:50:09,600 --> 01:50:13,972 WAS LIKE YOU KNOW WHAT, ONE DAY I'M GOING TO GROW UP AND I WILL 1555 01:50:14,038 --> 01:50:16,708 BE LIKE BEYONCE, THAT WAS DEFINITELY MY GOAL. 1556 01:50:16,774 --> 01:50:20,044 AND I REMEMBER I WENT TO THE RODEO FOR THE FIRST TIME AND I 1557 01:50:20,111 --> 01:50:24,082 SAW DESTINY'S CHILD PERFORM AND I WAS LIKE YOU KNOW WHAT, I LOVE 1558 01:50:24,148 --> 01:50:27,418 HER WORK, I LOVE THE WAY SHE IS, I LOVE THE WAY SHE CARRY HERSELF 1559 01:50:27,485 --> 01:50:30,922 AND MY MAMA WOULD ALWAYS BE LIKE MEGAN WHACK WOULD-BE YONS DO. 1560 01:50:30,989 --> 01:50:34,125 AND MI ALWAYS LIKE, YOU KNOW WHAT, WHAT WOULD-BE YONS DO. 1561 01:50:34,192 --> 01:50:40,798 BUT LET ME MAKE IT A LITTLE RATCHET. 1562 01:50:40,865 --> 01:50:42,567 BUT-- 1563 01:50:42,633 --> 01:50:49,907 SO THANK YOU BEYONCE, FOR YOUR ENCOURAGING WORDS ALL THE TIME. 1564 01:50:49,974 --> 01:50:53,978 THANK YOU FOR-- FOR PUTTING ME ON ROCK NATION, MY LIFE HAS 1565 01:50:54,045 --> 01:50:56,714 CHANGED, THANK YOU, I KNOW YOU WATCHING. 1566 01:50:56,781 --> 01:51:03,588 AND YEAH, JUST THANK YOU, WE DID IT. 1567 01:51:03,654 --> 01:51:07,091 I JUST WANT TO QUICKLY GIVE MY LOVE TO MEGAN, HAVE I SO MUCH 1568 01:51:07,158 --> 01:51:10,094 RESPECT FOR YOU AND I'M HONORED THAT YOU CANNED ME TO BE A PART 1569 01:51:10,161 --> 01:51:15,033 OF THT SONG, AND I WANT TO SEAU HOUSTON, WE LOVE YOU, THANK YOU 1570 01:51:15,099 --> 01:51:15,800 GRAMMYS. 1571 01:51:15,867 --> 01:51:16,734 THANK YOU. 1572 01:51:16,801 --> 01:51:19,704 MEGAN AND BEYONCE, 1573 01:51:19,771 --> 01:51:20,838 CONGRATULATIONS. 1574 01:51:20,905 --> 01:51:23,641 BEFORE YOU LEAVE THE STAGE, BEFORE YOU LEAVE THE STAGE I 1575 01:51:23,708 --> 01:51:27,178 JUST WANTED TO SAY THIS, WE WANT EVERYBODY TO KNOW THAT RIGHT NOW 1576 01:51:27,245 --> 01:51:28,713 GRAMMY HISTORY HAS BEEN MADE. 1577 01:51:28,780 --> 01:51:34,218 BECAUSE WITH THAT AWARD, BEYONCE HAS JUST TIED THE ALL-TIME 1578 01:51:34,285 --> 01:51:40,691 RECORD FOR MOST GRAMMY WINS EVER BY A FEMALE ARTIST AND BY ANY 1579 01:51:40,758 --> 01:51:42,226 SINGER MALE OR FEMALE. 1580 01:51:42,293 --> 01:51:44,962 SO CONGRATULATIONS QUEEN B. 1581 01:51:45,029 --> 01:51:50,234 BEYONCE IS TIED AT 27 GRAMMYS, TIED AT 27 GRAMMYS. 1582 01:51:50,301 --> 01:51:52,737 WHAT AN ACHIEVEMENT. 1583 01:51:52,804 --> 01:51:54,205 WOW. 1584 01:51:54,272 --> 01:51:58,176 LADIES,. 1585 01:51:58,242 --> 01:52:01,345 ALL RIGHT, IT IS TIME FOR ANOTHER RECORD OF THE YEAR 1586 01:52:01,412 --> 01:52:02,480 NOMINEE FILM. 1587 01:52:02,547 --> 01:52:05,049 REMEMBER, AN EXTENDED VERSION OF ALL OF OUR FILMS WILL BE 1588 01:52:05,116 --> 01:52:06,317 AN EXTENDED VERSION OF ALL OUR FILMS WILL BE AVAILABLE 1589 01:52:06,384 --> 01:52:07,652 AFTER THE SHOW TONIGHT ON PARAMOUNT+. 1590 01:52:07,718 --> 01:52:10,254 HERE'S A REVEALING LOOK AT THE CHARMING CHARACTER BEHIND ALL 1591 01:52:10,321 --> 01:52:14,225 THOSE MASSIVE HITS AND THREE NEW GRAMMY NOMINATIONS THIS YEAR. 1592 01:52:14,292 --> 01:52:18,229 THIS IS POST MALONE. 1593 01:52:18,296 --> 01:52:29,040 ♪ ♪ ♪ 1594 01:52:29,107 --> 01:52:32,910 MAKING CIRCLES, MY VOICE WAS GONE, I HAD BEEN JAMMING AND 1595 01:52:32,977 --> 01:52:39,951 SINGING ALL DAY, AND I WAS LIKE THIS SONG IS TERRIBLE. 1596 01:52:40,017 --> 01:52:42,653 AND THEN I CAME BACK TO IT A LITTLE WHILE LATER AND IT TURNED 1597 01:52:42,720 --> 01:52:45,790 OUT TO BE A PRETTY DECENT SONG. 1598 01:52:45,857 --> 01:52:49,193 I FEEL LIKE I DO EXPRESS MYSELF BEST IN MUSIC. 1599 01:52:49,260 --> 01:52:51,696 I'M NOT THE MOST EXTROVERTED GUY. 1600 01:52:51,762 --> 01:52:57,068 PEOPLE COME UP TO ME PLAYING MY SONG AND I WILL BE LIKE, I'M 1601 01:52:57,135 --> 01:52:58,236 SUPER SHOCKED. 1602 01:52:58,302 --> 01:53:01,139 PERFORMING IS ABSOLUTELY TERRIFYING. 1603 01:53:01,205 --> 01:53:07,078 YOU GO INTO THE ARENA AND EVERYBODY IS HYPED UP, IT MAKES 1604 01:53:07,145 --> 01:53:17,054 IT EASIER TO GO BUCK WILD. 1605 01:53:17,121 --> 01:53:24,462 IT EASIER TO GO BUCK WILD. 1606 01:53:24,529 --> 01:53:27,565 I THINK IT WAS WHENEVER I STARTED PLAYING GUITAR HERE I 1607 01:53:27,632 --> 01:53:29,600 WAS LIKE I WANT TO BE A MUS IG. 1608 01:53:29,667 --> 01:53:33,504 NEVER IN MY LIFE DID I EVER THINK THAT IT WOULD ACTUALLY 1609 01:53:33,571 --> 01:53:34,739 HAPPEN. 1610 01:53:34,805 --> 01:53:37,942 GROWING UP IT WAS A VERY MUSIC APPRECIATIVE HOUSEHOLD BUT MUSIC 1611 01:53:38,009 --> 01:53:39,310 TALENT, NOT SO MUCH. 1612 01:53:39,377 --> 01:53:43,447 YOU SHOULD HEAR MY MOM SING AND MY DAD SING. 1613 01:53:43,514 --> 01:53:53,291 GOD BLESS AUTO TUNE, EVEN I CAN SING A COUPLE SONGS. 1614 01:53:53,357 --> 01:53:57,895 I'M SO BLESSED AND HONORED TO BE ABLE TO DO MUSIC, AS MY JOB. 1615 01:53:57,962 --> 01:53:59,397 SO THANK YOU VERY MUCH. 1616 01:53:59,463 --> 01:54:00,464 CHEERS. 1617 01:54:00,531 --> 01:54:04,802 AND NOW PERFORMING HOLLYWOOD'S BLEEDING, THIS IS 1618 01:54:04,869 --> 01:54:09,674 POST MALONE. 1619 01:54:46,244 --> 01:54:49,880 ♪ ♪ ♪ ♪ HOLLYWOOD'S BLEEDING 1620 01:54:49,947 --> 01:54:54,185 VAMPIRES FEEDIN' ♪ DARKNESS TURNS TO DUST 1621 01:54:54,252 --> 01:54:57,555 EVERYONE'S GONE ♪ BUT NO ONE'S LEAVIN' 1622 01:54:57,622 --> 01:55:04,262 NOBODY LEFT BUT US ♪ TRYNA CHASE A FEELIN' 1623 01:55:04,328 --> 01:55:09,233 BUT WE'LL NEVER FEEL IT ♪ RIDIN' ON THE LAST TRAIN HOME 1624 01:55:09,300 --> 01:55:14,238 DYIN' IN OUR SLEEP ♪ WE'RE LIVIN' OUT A DREAM 1625 01:55:14,305 --> 01:55:16,707 WE ONLY MAKE IT OUT ALONE ♪ I JUST KEEP ON HOPIN' 1626 01:55:16,774 --> 01:55:21,946 THAT YOU CALL ME ♪ YOU SAY YOU WANNA SEE ME 1627 01:55:22,013 --> 01:55:25,583 BUT YOU CAN'T RIGHT NOW ♪ YOU NEVER TOOK THE TIME 1628 01:55:25,650 --> 01:55:28,686 TO GET TO KNOW ME ♪ WAS SCARED OF LOSIN' SOMETHIN' 1629 01:55:28,753 --> 01:55:34,225 THAT WE NEVER FOUND ♪ WE'RE RUNNING OUT OF REASONS 1630 01:55:34,292 --> 01:55:40,731 BUT WE CAN'T LET GO ♪ YEAH, HOLLYWOOD IS BLEEDING 1631 01:55:40,798 --> 01:55:46,237 BUT WE CALL IT HOME ♪ OUTSIDE, THE WINTER 1632 01:55:46,304 --> 01:55:50,241 SKY TURNIN' GREY ♪ CITY UP IN SMOKE 1633 01:55:50,308 --> 01:55:52,710 IT'S ONLY ASH WHEN IT RAINS ♪ HOWL AT THE MOON AND 1634 01:55:52,777 --> 01:55:56,247 GO TO SLEEP IN THE DAY ♪ LOVE FOR EVERYBODY 'TIL 1635 01:55:56,314 --> 01:55:58,215 THE DRUGS FADE AWAY ♪ IN THE MORNIN' 1636 01:55:58,282 --> 01:56:00,685 BLOCKING OUT THE SUN ♪ WITH THE SHADES 1637 01:56:00,751 --> 01:56:02,887 SHE GOTTA CHECK HER PULSE ♪ AND TELL HERSELF THAT SHE OKAY 1638 01:56:02,953 --> 01:56:06,290 IT SEEM LIKE DYING YOUNG ♪ IS AN HONOR 1639 01:56:06,357 --> 01:56:07,892 BUT WHO'D BE AT MY FUNERAL? 1640 01:56:07,958 --> 01:56:09,160 ♪ I WONDER I GO OUT 1641 01:56:09,226 --> 01:56:13,798 ♪ AND ALL THEY EYES ON ME I SHOUT OUT 1642 01:56:13,864 --> 01:56:18,235 ♪ "DO YOU LIKE WHAT YOU SEE?" AND NOW THEY CLOSIN' IN ON ME 1643 01:56:18,302 --> 01:56:21,972 ♪ LET 'EM SHARPEN ALL THEY TEETH THIS IS MORE THAN I CAN HANDLE 1644 01:56:22,039 --> 01:56:25,009 ♪ BLOOD IN MY LAMBO' WISH I COULD GO 1645 01:56:25,076 --> 01:56:28,012 ♪ OH, I'M LOSIN' HOPE I LIGHT A CANDLE 1646 01:56:28,079 --> 01:56:30,214 ♪ SOME PALO SANTO FOR ALL THESE DEMONS 1647 01:56:30,281 --> 01:56:38,222 ♪ WISH I COULD JUST GO ON I JUST KEEP ON HOPIN' 1648 01:56:38,289 --> 01:56:40,725 ♪ THAT YOU CALL ME YOU SAY YOU WANNA SEE ME 1649 01:56:40,791 --> 01:56:43,227 ♪ BUT YOU CAN'T RIGHT NOW YOU NEVER TOOK THE TIME 1650 01:56:43,294 --> 01:56:49,300 ♪ TO GET TO KNOW ME WAS SCARED OF LOSIN' SOMETHIN' 1651 01:56:49,367 --> 01:56:52,737 ♪ THAT WE NEVER FOUND WE'RE RUNNING OUT OF REASONS 1652 01:56:52,803 --> 01:57:02,246 ♪ BUT WE CAN'T LET GO YEAH, HOLLYWOOD IS BLEEDING 1653 01:57:02,313 --> 01:57:12,590 ♪ BUT WE CALL IT HOME ♪ 1654 01:57:12,656 --> 01:57:14,058 THAT'S RIGHT, POST MALONE, EVERYBODY. 1655 01:57:14,125 --> 01:57:16,727 THANK YOU SO MUCH, THAT WAS AN AMAZING PERFORMANCE. 1656 01:57:16,794 --> 01:57:19,864 AND EVEN MORE AMAZING FACE TATTOO, THAT IS THE MOST READING 1657 01:57:19,930 --> 01:57:20,998 HAVE I DONE ALL YEAR. 1658 01:57:21,065 --> 01:57:24,268 STAY TUNED BECAUSE WHEN WE COME BACK, LIL BABY GIVES A 1659 01:57:24,335 --> 01:57:26,270 PERFORMANCE YOU DO NOT WANT TO MISS. 1660 01:57:26,337 --> 01:57:28,672 THIS IS CBS. 1661 01:57:28,739 --> 01:57:33,711 JOIN THE CONVERSATION WITH 1662 01:57:33,778 --> 01:57:37,381 MUSIC FANS AROUND THE WORLD AND FOLLOW THE RECORDING ACADEMY FOR 1663 01:57:37,448 --> 01:57:39,784 EVERYTHING GRAMMY AWARDS. 1664 01:57:39,850 --> 01:57:41,685 THE THE 63rd GRAMMY AWARDS IS 1665 01:57:41,752 --> 01:57:42,753 SPONSORED BY PANTENE. 1666 01:57:51,262 --> 01:57:53,264 ♪ ♪ ♪ WELCOME BACK TO THE 1667 01:57:53,330 --> 01:57:55,099 GRAMMYS. 1668 01:57:55,166 --> 01:57:56,801 NOW, PLEASE WELCOME TWO INCREDIBLE ARTISTS WHO ARE BOTH 1669 01:57:56,867 --> 01:58:01,105 NOMINATED FOR ALBUM OF THE YEAR JHENE AIKO AND JACOB 1670 01:58:01,172 --> 01:58:05,109 COLLIER. 1671 01:58:05,176 --> 01:58:12,016 ♪ ♪ ♪ THANK YOU. 1672 01:58:12,082 --> 01:58:17,021 JACOB AND I BOTH FEEL SO HONORED TO BE NOMINATED FOR 1673 01:58:17,087 --> 01:58:19,523 ALBUM OF THE YEAR. 1674 01:58:19,590 --> 01:58:23,761 COMGRATS. 1675 01:58:23,828 --> 01:58:24,962 LIKEWISE. 1676 01:58:25,029 --> 01:58:25,663 AND VERY HAPPY TO BE HERE TO PRESENT THE GRAMMY FOR BEST POP 1677 01:58:25,729 --> 01:58:26,897 VOCAL ALBUM. 1678 01:58:26,964 --> 01:58:28,866 THIS CATEGORY WAS STARTED IN 1995, AND, IN JUST THAT TIME, 1679 01:58:28,933 --> 01:58:30,100 THIS AWARD HAS GONE TO THE LIKES OF LEGENDS FROM RAY CHARLES TO 1680 01:58:30,167 --> 01:58:31,335 BRUNO MARS. 1681 01:58:31,402 --> 01:58:33,070 AND FROM BONNIE RAITT TO ADELE. 1682 01:58:33,137 --> 01:58:37,107 THESE ARE THE OUTSTANDING NOMINATIONS FOR BEST POP VOCAL 1683 01:58:37,174 --> 01:58:41,111 ALBUM. 1684 01:58:41,178 --> 01:58:43,647 ♪ ♪ ♪ "CHANGES," JUSTIN 1685 01:58:43,714 --> 01:58:49,086 BIEBER. 1686 01:58:49,153 --> 01:58:53,090 "CHROMATICA," LADY GAGA. 1687 01:58:53,157 --> 01:58:55,626 "FUTURE NOSTALGIA," DUA LIPA. 1688 01:58:55,693 --> 01:59:01,098 "FINE LINE," HARRY STYLES. 1689 01:59:01,165 --> 01:59:05,102 "FOLKLORE," TAYLOR SWIFT. 1690 01:59:15,045 --> 01:59:19,583 "FUTURE NOSTALGIA," DUA LIPA. 1691 01:59:33,163 --> 01:59:36,734 ♪ ♪ ♪ OH MY GOODNESS. 1692 01:59:36,800 --> 01:59:40,104 WOW, THANK YOU SO MUCH. 1693 01:59:40,170 --> 01:59:44,141 THIS IS INSANE. 1694 01:59:44,208 --> 01:59:46,577 FUTURE NOSTALGIA MEANS THE ABSOLUTE WORLD TO ME AND IT HAS 1695 01:59:46,644 --> 01:59:49,847 CHANGED MY LIFE IN SO MANY WAYS. 1696 01:59:49,914 --> 01:59:54,885 BUT ONE THING THAT I HAVE REALLY COME TO REALIZE IS HOW MUCH 1697 01:59:54,952 --> 01:59:57,054 HAPPINESS IS SO IMPORTANT. 1698 01:59:57,121 --> 01:59:59,723 I FELT REALLY DATED AT THE END OF MY LAST ALBUM WHERE I FELT 1699 01:59:59,790 --> 02:00:03,427 LIKE I ONLY HAD TO MAKE SAD MUSIC TO FEEL LIKE IT MATTERED. 1700 02:00:03,494 --> 02:00:08,532 AND MI JUST SO GRATEFUL AND SO HONORED BECAUSE HAPPINESS IS 1701 02:00:08,599 --> 02:00:11,168 SOMETHING WE ALL DESERVE AND NEED IN OUR LIVES. 1702 02:00:11,235 --> 02:00:13,971 AND I REALLY WANT TO SAY A MASSIVE, MASSIVE THANK YOU TO 1703 02:00:14,038 --> 02:00:18,542 ALL THE FANS THAT HAVE, THIS IS ALL BECAUSE OF YOU. 1704 02:00:18,609 --> 02:00:21,645 HONESTLY, THIS IS ALL YOU AND I APPRECIATE EVERY SINGLE THING 1705 02:00:21,712 --> 02:00:23,614 THAT YOU HAVE DONE FOR THIS ALBUM. 1706 02:00:23,681 --> 02:00:28,419 I WANT TO SAY A MASSIVE THANK YOU TO MY MANAGERS, BEN, ED, 1707 02:00:28,485 --> 02:00:32,957 WENDY, GEORGE, WHO HAVE BEEN WITH ME SINCE I WAS 17, WHO HAVE 1708 02:00:33,023 --> 02:00:34,158 REALLY FOUGHT MY CORNER. 1709 02:00:34,224 --> 02:00:37,361 I WANT TO SAY THANK YOU TO MY LABEL, WARNER RECORDS AND YOU 1710 02:00:37,428 --> 02:00:42,800 SAY THANK YOU TO JOE, TO MAX, TO TOM, TO PHIL, TO MIKE, AND THE 1711 02:00:42,866 --> 02:00:44,735 WHOLE RADIO TEAM IT REALLY MEANS A LOT TO ME. 1712 02:00:44,802 --> 02:00:50,407 THANK YOU SO MUCH, TO ALL THE INCREDIBLE WRITERS, ARTISTS AND 1713 02:00:50,474 --> 02:00:52,910 PRODUCERS THAT I GOT TO MAKE THIS ALBUM WITH. 1714 02:00:52,977 --> 02:00:54,144 THIS MEANS SO MUCH. 1715 02:00:54,211 --> 02:00:57,181 THANKS TO MY FAMILY AND FRIENDS WATCHING AT HOME, I LOVE YOU, 1716 02:00:57,247 --> 02:01:01,118 THANK YOU. 1717 02:01:01,185 --> 02:01:05,155 MWAH. 1718 02:01:05,222 --> 02:01:07,658 CONGRATULATIONS, DUA 1719 02:01:07,725 --> 02:01:08,792 LIPA. 1720 02:01:08,859 --> 02:01:11,295 THIS WEDNESDAY NIGHT, THE RECORDING ACADEMY IS BRINGING 1721 02:01:11,362 --> 02:01:13,664 YOU "A GRAMMY SALUTE TO THE SOUNDS OF CHANGE," A CBS SPECIAL 1722 02:01:13,731 --> 02:01:16,500 HONORING THE POWER OF MUSIC TO SPEAK TO ITS TIMES. 1723 02:01:16,567 --> 02:01:19,837 AND RIGHT NOW, WE'RE GOING JUST DOWN THERE FOR AN UNFORGETTABLE 1724 02:01:19,903 --> 02:01:21,105 PERFORMANCE. 1725 02:01:21,171 --> 02:01:23,907 HERE PERFORMING "THE BIGGER PICTURE," PLEASE WELCOME LIL 1726 02:01:23,974 --> 02:01:29,113 BABY. 1727 02:01:29,179 --> 02:01:41,158 WHEN I WAS GROWING UP I WAS 1728 02:01:41,225 --> 02:01:43,527 TAUGHT IN AMERICAN HISTORY BOOKS THAT AFRICA HAD NO HISTORY AND 1729 02:01:43,594 --> 02:01:49,166 NEITHER DID I. 1730 02:01:49,233 --> 02:01:51,802 THAT I WAS A SAVAGE. 1731 02:01:51,869 --> 02:01:53,037 ABOUT WHOM THE LESS SAID, THE BETTER. 1732 02:01:53,103 --> 02:02:01,178 WHO HAD BEEN SAVED BY EUROPE AND BROUGHT TO AMERICA. 1733 02:02:01,245 --> 02:02:04,882 AND, OF COURSE, I BELIEVED IT. 1734 02:02:04,948 --> 02:02:06,050 I DIDN'T HAVE MUCH CHOICE. 1735 02:02:06,116 --> 02:02:08,719 ♪ TRADE MY 4 X 4 FOR A G63 AIN'T NO MORE FREE LIL' STEVE 1736 02:02:08,786 --> 02:02:11,355 ♪ I GAVE 'EM CHANCE AND CHANCE AND CHANCE AGAIN 1737 02:02:11,422 --> 02:02:12,956 ♪ I EVEN DONE TOLD THEM PLEASE I FIND IT CRAZY THE POLICE'LL 1738 02:02:13,023 --> 02:02:14,925 ♪ SHOOT YOU AND KNOW THAT YOU DEAD 1739 02:02:14,992 --> 02:02:16,927 ♪ BUT STILL TELL YOU TO FREEZE -- UP, I SEEN WHAT I SEEN 1740 02:02:16,994 --> 02:02:18,529 ♪ I GUESS THAT MEAN HOLD HIM DOWN IF HE SAY HE CAN'T BREATHE 1741 02:02:18,595 --> 02:02:19,730 ♪ IT'S TOO MANY MOTHERS THAT'S GRIEVING 1742 02:02:19,797 --> 02:02:24,468 ♪ THEY KILLING US FOR NO REASON BEEN GOING ON FOR TOO LONG 1743 02:02:24,535 --> 02:02:25,636 ♪ TO GET EVEN ♪ LIKE DOGS AND HYENAS 1744 02:02:25,703 --> 02:02:27,371 I WENT TO COURT AND THEY ♪ SENT ME TO PRISON 1745 02:02:27,438 --> 02:02:29,106 MY MAMA WAS CRUSHED WHEN ♪ THEY SAID I CAN'T LEAVE 1746 02:02:29,173 --> 02:02:30,741 FIRST I WAS DRUNK ♪ THEN I SOBERED UP QUICK 1747 02:02:30,808 --> 02:02:32,276 WHEN I HEARD ALL THAT TIME ♪ THAT THEY GAVE TO TALIB 1748 02:02:32,342 --> 02:02:35,412 HE GOT A LIFE SENTENCE PLUS ♪ WE JUST SOME PRODUCTS 1749 02:02:35,479 --> 02:02:37,648 OF OUR ENVIRONMENT ♪ HOW THE-- THEY GON' BLAME US? 1750 02:02:37,715 --> 02:02:39,883 YOU CAN'T FIGHT FIRE WITH FIRE ♪ I KNOW, BUT AT LEAST 1751 02:02:39,950 --> 02:02:51,161 WE CAN TURN UP THE FLAMES SOME ♪ YOU GOTTA PAY ATTENTION 1752 02:02:51,228 --> 02:02:52,162 TO THE SIGNS ♪ SEEM LIKE THE BLIND 1753 02:02:52,229 --> 02:02:53,197 FOLLOWING THE BLIND ♪ THINKING 'BOUT EVERYTHING 1754 02:02:53,263 --> 02:02:54,198 THAT'S GOING ON ♪ I BOOST SECURITY UP AT MY HOME 1755 02:02:54,264 --> 02:02:55,065 I'M WITH MY KIND IF ♪ THEY RIGHT OR THEY WRONG 1756 02:02:55,132 --> 02:02:56,100 I CALL HIM NOW ♪ HE'LL PICK UP THE PHONE 1757 02:02:56,166 --> 02:02:57,034 AND IT'S 5:0 IN THE MORNING ♪ HE WAKING UP ON IT 1758 02:02:57,101 --> 02:02:58,102 TELL 'EM WHEREVER I'M AT ♪ THEN THEY COMIN' 1759 02:02:58,168 --> 02:02:59,737 I SEE BLUE LIGHTS, I GET SCARED ♪ AND START RUNNIN' 1760 02:02:59,803 --> 02:03:01,171 THAT-- BE CRAZY ♪ THEY 'POSED TO PROTECT US 1761 02:03:01,238 --> 02:03:03,741 THROW US IN HANDCUFFS ♪ AND ARREST US 1762 02:03:03,807 --> 02:03:05,175 WHILE THEY GO HOME AT NIGHT ♪ THAT-- MESSED UP 1763 02:03:05,242 --> 02:03:06,910 KNOWING WE NEEDED HELP ♪ THEY NEGLECT US 1764 02:03:06,977 --> 02:03:08,479 WONDERING WHO GON' ♪ MAKE THEM RESPECT US 1765 02:03:08,545 --> 02:03:11,415 I CAN SEE IN YOUR EYE ♪ THAT YOU FED UP 1766 02:03:11,482 --> 02:03:12,750 MESS AROUND, GOT MY SHOT ♪ I WON'T LET UP 1767 02:03:12,816 --> 02:03:13,650 THEY KNOW THAT WE ♪ A PROBLEM TOGETHER 1768 02:03:13,717 --> 02:03:15,719 THEY KNOW THAT WE CAN ♪ STORM ANY WEATHER 1769 02:03:15,786 --> 02:03:17,087 IT'S BIGGER THAN BLACK AND WHITE ♪ IT'S A PROBLEM WITH 1770 02:03:17,154 --> 02:03:19,790 THE WHOLE WAY OF LIFE ♪ IT CAN'T CHANGE OVERNIGHT 1771 02:03:19,857 --> 02:03:21,358 BUT WE GOTTA START SOMEWHERE ♪ MIGHT AS WELL 1772 02:03:21,425 --> 02:03:25,095 GON' 'HEAD START HERE ♪ WE DONE HAD A HELL OF A YEAR 1773 02:03:25,162 --> 02:03:29,099 I'MA MAKE IT COUNT ♪ WHILE I'M HERE 1774 02:03:29,166 --> 02:03:32,202 GOD IS THE ONLY MAN I FEAR IT'S A STATE OF EMERGENCY. 1775 02:03:32,269 --> 02:03:35,639 IT'S BEEN A HELL OF A YEAR. 1776 02:03:35,706 --> 02:03:37,174 HELL FOR OVER 400 YEARS. 1777 02:03:37,241 --> 02:03:41,178 MY PEOPLE IT'S TIME WE STAND, IT'S TIME WE DEMAND THE FREEDOM 1778 02:03:41,245 --> 02:03:42,446 THAT THIS LAND PROMISES. 1779 02:03:42,513 --> 02:03:45,149 PRESIDENT BIDEN, WE DEMAND JUSTICE. 1780 02:03:45,215 --> 02:03:49,153 EQUITY, POLICY, AND EVERYTHING ELSE THAT FREEDOM ENCOMPASSES. 1781 02:03:49,219 --> 02:03:52,523 AND TO ACCOMPLISH THIS, WE DON'T NEED ALLIES, WE NEED 1782 02:03:52,589 --> 02:03:53,257 ACCOMPLICES. 1783 02:03:53,323 --> 02:03:54,324 IT'S BIGGER THAN BLACK AND WHITE. 1784 02:03:54,391 --> 02:03:57,361 THIS IS NOT A TREND, THIS IS OUR 1785 02:03:57,427 --> 02:04:01,165 UNTIL FREEDOM! 1786 02:04:01,231 --> 02:04:13,610 UNTIL FREEDOM! 1787 02:04:13,677 --> 02:04:14,611 EVERY VIDEO I SEE ♪ ON MY CONSCIENCE 1788 02:04:14,678 --> 02:04:15,913 I GOT POWER NOW ♪ I GOTTA SAY SOMETHIN' 1789 02:04:15,979 --> 02:04:17,781 CORRUPTED POLICE BEEN THE ♪ PROBLEM WHERE I'M FROM 1790 02:04:17,848 --> 02:04:18,982 BUT I'D BE LYING IF I SAID ♪ IT WAS ALL OF THEM 1791 02:04:19,049 --> 02:04:20,250 I AIN'T DO THIS FOR THE TREND ♪ I DON'T FOLLOW THEM 1792 02:04:20,317 --> 02:04:21,685 ALTERCATIONS WITH THE LAW ♪ HAD A LOT OF THEM 1793 02:04:21,752 --> 02:04:23,287 PEOPLE SPEAKING FOR THE PEOPLE ♪ I'M PROUD OF THEM 1794 02:04:23,353 --> 02:04:24,855 STICK TOGETHER, WE CAN ♪ GET IT UP OUT OF THEM 1795 02:04:24,922 --> 02:04:26,223 I CAN'T LIE LIKE I DON'T RAP ♪ ABOUT KILLING AND DOPE 1796 02:04:26,290 --> 02:04:27,858 BUT I'M TELLING MY YOUNGINS ♪ TO VOTE 1797 02:04:27,925 --> 02:04:29,259 I DID WHAT I DID 'CAUSE I DIDN'T ♪ HAVE NO CHOICE OR NO HOPE 1798 02:04:29,326 --> 02:04:31,228 I WAS FORCED TO JUST ♪ JUMP IN AND GO 1799 02:04:31,295 --> 02:04:33,030 THIS-- IS ALL THAT WE KNOW ♪ BUT IT'S TIME FOR A CHANGE 1800 02:04:33,096 --> 02:04:37,134 GOT TIME TO BE SERIOUS ♪ NO TIME FOR NO GAMES 1801 02:04:37,201 --> 02:04:46,610 WE AIN'T TAKIN' NO MORE I WAS MAGICICALLY. 1802 02:04:46,677 --> 02:04:50,214 YOU CAN FACE IT AND SEE I MESSED UP. 1803 02:04:50,280 --> 02:04:55,652 A BEFORE HE LAY DOWN, ALL OF THEM ALL OF US NOTHING BUT 1804 02:04:55,719 --> 02:04:59,923 SLAVES AND NEVER FORGETTING THE STORY. 1805 02:04:59,990 --> 02:05:02,259 BIGGER THAN BLACK AND WHITE. 1806 02:05:02,326 --> 02:05:05,095 CAN'T CHANGE IT'S BIGGER THAN BLACK AND WHITE 1807 02:05:05,162 --> 02:05:07,631 ♪ IT'S A PROBLEM WITH THE WHOLE WAY OF LIFE 1808 02:05:07,698 --> 02:05:08,999 ♪ IT CAN'T CHANGE OVERNIGHT BUT WE GOTTA START SOMEWHERE 1809 02:05:09,066 --> 02:05:10,467 ♪ MIGHT AS WELL GON' 'HEAD START HERE 1810 02:05:10,534 --> 02:05:11,835 ♪ WE DONE HAD A HELL OF A YEAR I'MA MAKE IT COUNT 1811 02:05:11,902 --> 02:05:15,973 ♪ WHILE I'M HERE GOD IS THE ONLY MAN I FEAR 1812 02:05:16,039 --> 02:05:17,140 IT'S BIGGER THAN BLACK AND WHITE ♪ IT'S A PROBLEM WITH THE 1813 02:05:17,207 --> 02:05:18,675 WHOLE WAY OF LIFE ♪ IT CAN'T CHANGE OVERNIGHT 1814 02:05:18,742 --> 02:05:19,877 BUT WE GOTTA START SOMEWHERE ♪ MIGHT AS WELL 1815 02:05:19,943 --> 02:05:23,480 GON' 'HEAD START HERE ♪ WE DONE HAD A HELL OF A YEAR 1816 02:05:23,547 --> 02:05:29,052 I'MA MAKE IT COUNT ♪ WHILE I'M HERE 1817 02:05:29,119 --> 02:05:33,857 GOD IS THE ONLY MAN I FEAR ♪ STILL TO COME, RECORD OF THE 1818 02:05:33,924 --> 02:05:38,929 YEAR NOMINEE DOJA CAT AND PERFORMANCES BY BTS AND RODDY 1819 02:05:38,996 --> 02:05:39,496 RICCH. 1820 02:05:39,563 --> 02:05:40,564 THIS IS CBS. 1821 02:05:48,238 --> 02:05:51,141 ♪ ♪ ♪ 1822 02:05:51,208 --> 02:05:54,011 WELCOME BACK. 1823 02:05:54,077 --> 02:05:58,515 NOW, PLEASE WELCOME TWO OF THE GREATEST PRODUCERS, SONGWRITERS 1824 02:05:58,582 --> 02:06:02,352 AND ARTISTS IN MUSIC HISTORY, BABYFACE AND JIMMY JAM! 1825 02:06:02,419 --> 02:06:10,894 ♪ ♪ ♪ 1826 02:06:10,961 --> 02:06:13,096 R&B IS THE SOURCE. 1827 02:06:13,163 --> 02:06:15,232 AND, AS THESE NOMINEES PROVE, R&B REMAINS A FORCE. 1828 02:06:15,299 --> 02:06:22,873 THESE ARE THE NOMINEES FOR BEST R&B PERFORMANCE. 1829 02:06:22,940 --> 02:06:29,513 "LIGHTNING & THUNDER," JHENE AIKO, JOHN LEGEND. 1830 02:06:29,579 --> 02:06:33,984 "BLACK PARADE," BEYONCE. 1831 02:06:34,051 --> 02:06:37,387 "ALL I NEED," JACOB COLLIER, MAHALIA, TY DOLLA $IGN. 1832 02:06:37,454 --> 02:06:41,525 "GOAT HEAD," BRITTANY HOWARD. 1833 02:06:41,591 --> 02:06:46,964 "SEE ME," EMILY KING. 1834 02:06:47,030 --> 02:06:53,503 ♪ ♪ ♪ 1835 02:06:53,570 --> 02:07:02,946 AND THE GRAMMY GOES TO... 1836 02:07:03,013 --> 02:07:09,753 OH! 1837 02:07:09,820 --> 02:07:10,954 OKAY, WAIT A MINUTE, HISTORY HAS JUST BEEN MADE, BREAKING THE 1838 02:07:11,021 --> 02:07:12,255 ALL-TIME RECORD FOR THE MOST GRAMMY WINS EVER BY ANY FEMALE 1839 02:07:12,322 --> 02:07:22,899 ARTIST OR ANY SINGER MALE OR FEMALE, THE GRAMMY GOES TO 1840 02:07:22,966 --> 02:07:26,770 BEYONCE! 1841 02:07:26,837 --> 02:07:34,978 ♪ ♪ ♪ 1842 02:07:35,045 --> 02:07:42,919 ♪ ♪ ♪ 1843 02:07:42,986 --> 02:07:54,965 ♪ ♪ ♪ 1844 02:07:55,799 --> 02:07:59,136 THANK YOU GUYS SOCH, OH MY GOD. 1845 02:07:59,202 --> 02:07:59,936 I AM SO HONORED. 1846 02:08:00,003 --> 02:08:10,847 I'M SO EXCITED. 1847 02:08:10,914 --> 02:08:16,253 THANK YOU. 1848 02:08:16,319 --> 02:08:22,392 AS AN ARTIST I BELIEVE IT'S MY JOB AND ALL OF OUR JOBS TO 1849 02:08:22,459 --> 02:08:23,627 REFLECT THE TIMES. 1850 02:08:23,693 --> 02:08:26,563 AND IT'S BEEN SUCH A DIFFICULT TIME. 1851 02:08:26,630 --> 02:08:30,901 SO I WANTED TO UPLIFT, ENCOURAGE, CELEBRATE ALL OF THE 1852 02:08:30,967 --> 02:08:34,538 BEAUTIFUL BLACK QUEENS AND KINGS THAT CONTINUE TO INSPIRE ME AND 1853 02:08:34,604 --> 02:08:36,106 INSPIRE THE WHOLE WORLD. 1854 02:08:36,173 --> 02:08:37,808 THIS IS SO OVERWHELMING. 1855 02:08:37,874 --> 02:08:41,511 I HAVE BEEN WORKING MY WHOLE LIFE SINCE NINE YEARS OLD. 1856 02:08:41,578 --> 02:08:46,249 AND I CAN'T BELIEVE THIS HAPPENED, IT'S SUCH A MAGICAL 1857 02:08:46,316 --> 02:08:46,950 NIGHT, THANK YOU SO MUCH. 1858 02:08:47,017 --> 02:08:52,456 I KNOW MY DAUGHTER IS WATCHING. 1859 02:08:52,522 --> 02:08:56,293 MY DAUGHTERS AND MY SON, BLU, CONGRATULATIONS, YOU WON A 1860 02:08:56,359 --> 02:08:56,793 GRAMMY TONIGHT. 1861 02:08:56,860 --> 02:08:58,962 I'M SO PROUD OF YOU. 1862 02:08:59,029 --> 02:09:02,966 AND I'M SO HONORED TO BE YOUR MOMMY, ALL OF YOUR MOMMIES. 1863 02:09:03,033 --> 02:09:04,634 Y'ALL ARE MY BABIES. 1864 02:09:04,701 --> 02:09:06,336 AND I'M SO PROUD OF Y'ALL. 1865 02:09:06,403 --> 02:09:08,605 I LOVE YOU SO MUCH, MY ROCK. 1866 02:09:08,672 --> 02:09:18,615 ENJOY YOUR NIGHT, THANK YOU. 1867 02:09:18,682 --> 02:09:20,117 HISTORY, PEOPLE, HISTORY. 1868 02:09:20,183 --> 02:09:22,018 GIVE IT UP FOR BEYONCE! 1869 02:09:22,085 --> 02:09:24,321 THIS IS HISTORY RIGHT NOW, ARE YOU SERIOUS? 1870 02:09:24,387 --> 02:09:25,956 THIS IS HISTORY. 1871 02:09:26,022 --> 02:09:33,029 SHE DID IT, I THIS IS HISTORY! 1872 02:09:33,096 --> 02:09:33,296 WOW. 1873 02:09:33,363 --> 02:09:34,431 OKAY. 1874 02:09:34,498 --> 02:09:35,599 TIME OKAY, TIME FOR ANOTHER GIBSON 1875 02:09:35,665 --> 02:09:37,767 HAZARD DIRECTED FILM ABOUT OUR RECORD OF THE YEAR NOMINEES. 1876 02:09:37,834 --> 02:09:39,402 YOU CAN SEE EXTENDED VERSIONS OF ALL THESE 1877 02:09:39,469 --> 02:09:42,939 FILMS AND EXCLUSIVE INTERVIEWS ON PARAMOUNT+ TONIGHT. 1878 02:09:43,006 --> 02:09:47,210 THIS NEXT PERFORMER IS TRULY A STREAMING SUCCESS STORY FOR OUR 1879 02:09:47,277 --> 02:09:48,378 DIGITAL TIMES. 1880 02:09:48,445 --> 02:09:50,881 SHE'S THE ONLY PERSON WHO WENT VIRAL LAST SUMMER AND DIDN'T 1881 02:09:50,947 --> 02:09:52,482 HAVE TO QUARANTINE. 1882 02:09:52,549 --> 02:09:55,051 THIS IS DOJA CAT. 1883 02:09:55,118 --> 02:10:07,230 ♪ ♪ ♪ 1884 02:10:07,297 --> 02:10:09,900 WHEN PEOPLE SAY I'M A NEW ARTIST, I GET IT BECAUSE I 1885 02:10:09,966 --> 02:10:14,304 HAVEN'T REACHED THE LEVEL I'VE REACHED UNTIL NOW. 1886 02:10:14,371 --> 02:10:22,212 BUT FOR ME, I'VE BEEN DOING THIS FOR A VERY LONG TIME. 1887 02:10:22,279 --> 02:10:27,851 I R MUSIC WHEN I WAS VERY YOUNG, 1888 02:10:27,918 --> 02:10:29,052 LIKE 13. 1889 02:10:29,119 --> 02:10:33,256 I STARTED SINGING BUT I WOULD LOCK MAY DOOR AND SING REALLY 1890 02:10:33,323 --> 02:10:36,526 QUIET HOPING THAT MY FAMILY WOULDN'T HEAR ME. 1891 02:10:36,593 --> 02:10:42,999 I WOULD MAKE THESE LIFE TEN HOURS AT A TIME AND I HAD FANS 1892 02:10:43,066 --> 02:10:44,234 CRITIQUE MY MUSIC. 1893 02:10:44,301 --> 02:10:47,737 I WOULD HAVE THEM ON EVERY DAY, THE SAME 50 PEOPLE THAT TURNED 1894 02:10:47,804 --> 02:10:52,342 INTO A HUNDRED, TO 500 TO A THOUSAND. 1895 02:10:52,409 --> 02:10:56,513 TO WHAT ST TODAY. 1896 02:10:56,580 --> 02:11:02,552 THE WAY I FEEL ABOUT IT, I'M SO GRATEFUL AND I'M SO HAPPY. 1897 02:11:02,619 --> 02:11:07,490 I FEEL LIKE I CAN HAVE A MOMENT TO CELEBRATE EVERYTHING THAT 1898 02:11:07,557 --> 02:11:13,663 HAVE I WORKED SO HARD TO ACHIEVE. 1899 02:11:13,730 --> 02:11:17,701 I HAVEN'T BEEN WAITING FOR THIS MY WHOLE LIFE. 1900 02:11:17,767 --> 02:11:24,541 I'VE BEEN PREPARING GRAMMY'S, WELCOME TO PLANET 1901 02:11:24,608 --> 02:11:28,445 EARTH. 1902 02:11:28,511 --> 02:11:36,519 ♪ DAY TO NIGHT TO MORNING KEEP WITH ME IN THE MOMENT 1903 02:11:36,586 --> 02:11:46,563 ♪ I'D LET YOU HAD I KNOWN IT WHY DON'T YOU SAY SO? 1904 02:11:46,630 --> 02:11:54,704 ♪ I'D LET YOU HAD I KNOWN IT WHY DON'T YOU SAY SO? 1905 02:11:54,771 --> 02:11:59,409 IT'S BEEN A LONG TIME SINCE YOU. 1906 02:11:59,476 --> 02:12:06,283 ♪ TELL ME WHAT MUST I DO. 1907 02:12:06,349 --> 02:12:17,427 I WON'T STOP CHEESEIN, AND WE CAN DANCE ALL DAY IF YOU WANT 1908 02:12:17,494 --> 02:12:18,995 ♪ AROUND IT IF YOU FRONT THEN I'LL BE BOUNCING 1909 02:12:19,062 --> 02:12:23,600 ♪ IF YOU WANT IT SCREAM AND SHOUT IT, BABE 1910 02:12:23,667 --> 02:12:28,438 ♪ BEFORE I LEAVE YOU DRY DAY TO NIGHT TO MORNING 1911 02:12:28,505 --> 02:12:32,442 ♪ KEEP WITH ME IN THE MOMENT I'D LET YOU HAD I KNOWN IT 1912 02:12:32,509 --> 02:12:36,279 ♪ WHY DON'T YOU SAY SO? 1913 02:12:36,346 --> 02:12:39,949 DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH 1914 02:12:40,016 --> 02:12:48,458 YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO 1915 02:12:48,525 --> 02:12:52,495 ♪ ♪ ♪ ♪ ♪ ♪ 1916 02:12:52,562 --> 02:12:54,197 ♪ WHY DON'T YOU SAY SO? 1917 02:12:54,264 --> 02:13:07,043 ♪ ♪ ♪ ♪ ♪ ♪ 1918 02:13:07,110 --> 02:13:08,411 HE AIN'T NEVER SEEN IT ♪ IN A DRESS LIKE THIS 1919 02:13:08,478 --> 02:13:09,879 HE AIN'T NEVER EVEN BEEN ♪ IMPRESSED LIKE THIS 1920 02:13:09,946 --> 02:13:10,947 PROLLY WHY I GOT HIM QUIET ♪ ON THE SET LIKE ZIP 1921 02:13:11,014 --> 02:13:12,415 LIKE IT, LOVE IT ♪ NEED IT BAD 1922 02:13:12,482 --> 02:13:16,353 TAKE IT, OWN IT, STEAL IT ♪ FAST BOY, STOP PLAYING 1923 02:13:16,419 --> 02:13:18,188 GRAB MY AAH ♪ WHY YOU ACTIN' LIKE YOU SHY? 1924 02:13:18,254 --> 02:13:20,423 SHUT IT, SAVE IT, KEEP IT ♪ PUSHIN' WHY YOU BEATING 1925 02:13:20,490 --> 02:13:22,726 'ROUND THE BUSH? 1926 02:13:22,792 --> 02:13:24,427 ♪ AND KNOWING YOU WANT ALL THIS WOMAN NEVER KNOCK IT 1927 02:13:24,494 --> 02:13:27,497 ♪ 'TIL YOU TRY, YEAH, YEAH ALL OF THEM HATING 1928 02:13:27,564 --> 02:13:31,034 ♪ I HAVE YOU WITH ME ALL OF MY-- SAYING YOU MAD COMMITTED 1929 02:13:31,101 --> 02:13:37,040 ♪ REALER THN ANYBODY YOU HAD AND PRETTY ALL OF THAT BODY-ODY 1930 02:13:37,107 --> 02:13:40,510 ♪ KEEP WITH ME IN THE MOMENT I'D LET YOU HAD I KNOWN IT 1931 02:13:40,577 --> 02:13:42,846 ♪ WHY DON'T YOU SAY SO? 1932 02:13:42,912 --> 02:13:46,716 DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH 1933 02:13:46,783 --> 02:13:51,254 YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO 1934 02:13:51,321 --> 02:13:55,058 DAY TO NIGHT TO MORNING ♪ KEEP WITH ME IN THE MOMENT 1935 02:13:55,125 --> 02:13:57,494 I'D LET YOU HAD I KNOWN IT ♪ WHY DON'T YOU SAY SO? 1936 02:13:57,560 --> 02:14:01,264 DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH 1937 02:14:01,331 --> 02:14:08,505 YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO ♪ 1938 02:14:08,571 --> 02:14:20,717 UP NEXT, A GRAMMY PERFORMANCE 1939 02:14:20,784 --> 02:14:25,288 BY BTS AND WHO WILL TAKE HOME THE AWARD FOR ALBUM OF THE YEAR. 1940 02:14:25,355 --> 02:14:30,160 ONCE AGAIN, LET'S GO TO CASSIE BACKSTAGE. WE ARE BACK WITH OUR 1941 02:14:30,226 --> 02:14:32,629 FACEBOOK GROUP MEMBERS WHO HAVE COME TOGETHER WITH A SHARED 1942 02:14:32,695 --> 02:14:34,197 PASSION FOR MUSIC. 1943 02:14:34,264 --> 02:14:37,867 AND ONE OF THE GROUPS HERE TONIGHT WE LOVE MUSIC CELEBRATES 1944 02:14:37,934 --> 02:14:41,271 EVERY KIND OF MUSIC AND CLEARLY THAT IS WHAT ALBUM OF THE YEAR 1945 02:14:41,337 --> 02:14:42,539 IS ALL ABOUT. 1946 02:14:42,605 --> 02:14:47,811 JUST LOOKING AT HOW MANY GENRES ARE REPRESENTED, RAP, SOUL, POP, 1947 02:14:47,877 --> 02:14:51,414 R&B, ALL WINNERS FOR SURE BUT WHO WILL TAKE HOME THE AWARD. 1948 02:14:51,481 --> 02:14:52,549 STAY TUNED TO FIND OUT. 1949 02:14:52,615 --> 02:14:55,552 THE 634rd GRAMMY AWARDS IS SPONSORED BY FACEBOOK, TAKE 1950 02:14:55,618 --> 02:14:56,286 ON ANYTHING WITH FACEBOOK GROUPS. 1951 02:15:01,958 --> 02:15:04,260 ♪ ♪ ♪ 1952 02:15:04,327 --> 02:15:06,229 WELCOME BACK TO THE GRAMMYS. 1953 02:15:06,296 --> 02:15:09,966 LET'S GO ACROSS TOWN NOW TO A GREAT INDEPENDENT VENUE IN 1954 02:15:10,033 --> 02:15:16,005 HOLLYWOOD AND MEET THE BARTENDER AT THE HOTEL CAFÉ, CANDICE FOX. 1955 02:15:16,072 --> 02:15:20,410 HELLO, MY NAME IS CANDICE FOX AND I AM A BARTENDER AT THE 1956 02:15:20,477 --> 02:15:23,546 HOTEL CAFE RIGHT HERE IN LOS ANGELES, CALIFORNIA. 1957 02:15:23,613 --> 02:15:26,683 IF YOU WERE TO COME TO THE HOTEL CAFE FOR THE FIRST TIME ONE OF 1958 02:15:26,749 --> 02:15:30,186 THE FIRST THINGS THAT YOU WOULD NOTICE IS THAT IT FEELS LIKE 1959 02:15:30,253 --> 02:15:31,221 HOME. 1960 02:15:31,287 --> 02:15:33,523 THERE IS A REAL SENSE OF COMMUNITY HERE AMONGST THE 1961 02:15:33,590 --> 02:15:34,691 MUSICIANS AND PATRONS ALIKE. 1962 02:15:34,757 --> 02:15:37,794 IT HAS GOT A REALLY LOVING COMMUNAL ENERGY. 1963 02:15:37,861 --> 02:15:41,231 THE LAST TIME WE HAD AN AUDIENCE HERE AT THE HOTEL CAFE WAS 1964 02:15:41,297 --> 02:15:43,566 EXACTLY ONE YEAR AGO, MARCH 14th. 1965 02:15:43,633 --> 02:15:45,235 THE LAST YEAR HAS BEEN TOUGH, YOU KNOW. 1966 02:15:45,301 --> 02:15:47,904 I MEAN THIS IS MORE THAN JUST A JOB TO ME. 1967 02:15:47,971 --> 02:15:50,073 THIS IS MY FAMILY, THIS IS MY COMMUNITY. 1968 02:15:50,139 --> 02:15:53,309 AND FOR THIS PLACE TO NO LONGER EXIST WOULD BE DEVASTATING. 1969 02:15:53,376 --> 02:15:55,612 IT WOULD BE ABSOLUTELY HEARTBREAKING. 1970 02:15:55,678 --> 02:16:00,216 I DEFINITELY DO MISS MY REGULARS THAT I AM USED TO SEEING HERE ON 1971 02:16:00,283 --> 02:16:05,522 ANY GIVEN NIGHT, JOHN, HE WANTS A DIET COKE, PHIL GETS A 1972 02:16:05,588 --> 02:16:07,524 BOTTINGTON, PETER I KNOW HE WANTS AN OLD-FASHIONED. 1973 02:16:07,590 --> 02:16:10,493 IT IS MY HONOR TO PRESENT THE GRAMMY FOR ALBUM OF THE YEAR. 1974 02:16:10,560 --> 02:16:18,167 HERE ARE THE NOMINATIONS. 1975 02:16:18,234 --> 02:16:23,172 "CHILOMBO," JHENÉ AIKO. 1976 02:16:23,239 --> 02:16:26,609 "BLACK PUMAS (DELUXE EDITION)," BLACK PUMAS. 1977 02:16:26,676 --> 02:16:30,647 "EVERYDAY LIFE," COLDPLAY. 1978 02:16:30,713 --> 02:16:38,621 "DJESSE VOL. 3," JACOB COLLIER. 1979 02:16:38,688 --> 02:16:41,291 "WOMEN IN MUSIC PT. III," HAIM. 1980 02:16:41,357 --> 02:16:47,163 "FUTURE NOSTALGIA," DUA LIPA. 1981 02:16:47,230 --> 02:16:54,604 "HOLLYWOOD'S BLEEDING," POST MALONE. 1982 02:16:54,671 --> 02:17:02,612 "FOLKLORE," TAYLOR SWIFT. 1983 02:17:02,679 --> 02:17:05,181 CANDICE, THANK YOU 1984 02:17:05,248 --> 02:17:06,616 FOR BEING HERE. 1985 02:17:06,683 --> 02:17:12,155 PLEASE DO THE HONORS. 1986 02:17:12,221 --> 02:17:18,561 ALRIGHT, AND THE GRAMMY GOES 1987 02:17:18,628 --> 02:17:20,163 "FOLKLORE," TAYLOR SWIFT. 1988 02:17:20,229 --> 02:17:29,138 ♪ ♪ ♪ 1989 02:17:29,205 --> 02:17:36,646 ♪ ♪ ♪ 1990 02:17:54,664 --> 02:17:58,001 WOW, IT'S HARD TO BELIEVE THAT WE'RE STANDING UP HERE, I'M 1991 02:17:58,067 --> 02:18:02,605 STANDING UP HERE WITH ONE OF THE GREATEST LIVING SONGWRITERS WHO 1992 02:18:02,672 --> 02:18:07,143 SHOW TRUSTED ME TO COLLABORATE IN THIS CRAZY TIME WE ALL LIVE 1993 02:18:07,210 --> 02:18:08,411 THROUGH. 1994 02:18:08,478 --> 02:18:11,114 I JUST WANT TO SAY THANK YOU TO MY FAMILY, MY BEAUTIFUL WIFE WHO 1995 02:18:11,180 --> 02:18:16,052 ALWAYS LIFTS ME UP, MY CHILDREN, INGRID, ROBYN AND MIMI WHO 1996 02:18:16,119 --> 02:18:19,756 INSPIRE ME AND I WANT TO THANK JOHN LOW WHO IS BEHIND ME WHO 1997 02:18:19,822 --> 02:18:22,625 RECORDED AND MIXED EVERYTHING THAT I WORKED ON. 1998 02:18:22,692 --> 02:18:28,231 I WANT TO THANK LAURA, IT IS AN HONOR TO WORK WITH JACK, IS HE 1999 02:18:28,297 --> 02:18:31,634 AN INCREDIBLE PRODUCER AND SONGWRITER, JUSTIN WHO IS NOT 2000 02:18:31,701 --> 02:18:35,071 HERE TONIGHT, A HUGE PART OF THIS RECORD AND MY BROTHER BRYCE 2001 02:18:35,138 --> 02:18:38,341 WHO ORCHESTRATED MUCH OF THIS RECORD AND IS PART OF EVERYTHING 2002 02:18:38,408 --> 02:18:41,177 I DO. 2003 02:18:41,244 --> 02:18:45,281 THANK YOU. 2004 02:18:45,348 --> 02:18:50,620 OH GOD, I WANT TO THANK ALL OF MY COLLABORATORS WHO ARE ON 2005 02:18:50,687 --> 02:18:57,360 THE STAGE, AND JUSTIN VERNON, I'M SO EXCITED TO MEET YOU SOME 2006 02:18:57,427 --> 02:19:01,597 DAY, JOE, WHO IS THE FIRST PERSON THAT I PLAY EVERY SINGLE 2007 02:19:01,664 --> 02:19:05,201 SONG THAT I WRITE AND I HAD THE BEST TIME WRITING SONGS WITH YOU 2008 02:19:05,268 --> 02:19:11,074 IN QUARANTINE, I WANT TO THANK JAMES, INEZ AND BETTY AND THEIR 2009 02:19:11,140 --> 02:19:14,077 PARENTS WHO ARE THE SECOND AND THIRD PEOPLE THAT I PLAY EVERY 2010 02:19:14,143 --> 02:19:17,180 NEW SONG THAT I WRITE BUT MOSTLY WE JUST WANT TO THANK THE FANS. 2011 02:19:17,246 --> 02:19:20,249 YOU GUYS MET US IN THIS IMAGINARY WORLD THAT WE CREATED 2012 02:19:20,316 --> 02:19:25,088 AND WE CAN'T TELL YOU HOW HONORS WE ARE FOREVER, BY THIS, THANK 2013 02:19:25,154 --> 02:19:25,922 YOU SO MUCH. 2014 02:19:25,988 --> 02:19:27,690 AND THANK YOU TO THE RECORDING ACADEMY. 2015 02:19:27,757 --> 02:19:29,192 WE WILL NEVER FORGET THAT YOU DID THIS FOR US. 2016 02:19:29,258 --> 02:19:34,597 THANK YOU SO MUCH. 2017 02:19:34,664 --> 02:19:39,502 ♪ ♪ ♪ 2018 02:19:39,569 --> 02:19:43,306 RODDY RICCH, BTS, AND THEN THE 2019 02:19:43,372 --> 02:19:46,709 RECORD OF THE YEAR. 2020 02:19:46,776 --> 02:19:47,443 THIS IS CBS. 2021 02:19:54,083 --> 02:20:00,389 ♪ ♪ ♪ 2022 02:20:00,456 --> 02:20:02,191 TONIGHT, I'M NOT JUST THE HOST OF THE GRAMMY AWARDS, 2023 02:20:02,258 --> 02:20:06,162 I'M THE OPENING ACT FOR A GREAT SONGWRITER, MUSIC AND FILM 2024 02:20:06,229 --> 02:20:08,097 PRODUCER WHO ALSO IS THE RECORDING ACADEMY CHAIR AND 2025 02:20:08,164 --> 02:20:11,434 INTERIM PRESIDENT AND C.E.O. 2026 02:20:11,501 --> 02:20:14,137 HE ALSO HAND-SCULPTED EVERY GRAMMY STATUE HERE TONIGHT. 2027 02:20:14,203 --> 02:20:20,209 HARVEY MASON, JR. NOW, NORMALLY, THIS IS WHEN SOME 2028 02:20:20,276 --> 02:20:21,744 ONE WOULD WALK OUT ONSTAGE, AND YOU'D ALL TAKE A BATHROOM BREAK. 2029 02:20:21,811 --> 02:20:22,879 BUT LIKE EVERYTHING ELSE THIS YEAR, WE'RE DOING THINGS A 2030 02:20:22,945 --> 02:20:26,149 LITTLE DIFFERENTLY. 2031 02:20:26,215 --> 02:20:32,722 SO TAKE A LOOK. 2032 02:20:32,789 --> 02:20:34,157 MUSIC REQUIRES LISTENING. 2033 02:20:34,223 --> 02:20:35,491 YOU HEAR THE VOCALS. 2034 02:20:35,558 --> 02:20:38,161 THE DRUMS. 2035 02:20:38,227 --> 02:20:40,930 THE RHYTHM GUITAR. 2036 02:20:40,997 --> 02:20:44,400 YOU LISTEN MORE CLOSELY AND YOU WILL HEAR SO MUCH MORE. 2037 02:20:44,467 --> 02:20:48,137 LISTEN TO A SINGER-SONGWRITER TRYING TO MAKE THEIR WAY TO THE 2038 02:20:48,204 --> 02:20:56,045 BIG CITY, A KID, LISTEN HOPE, AND HEARTBREAK. 2039 02:20:56,112 --> 02:21:00,483 TO LATE NIGHTS IN THE ST AUDIO TO MONTHS ON THE ROAD, THE 2040 02:21:00,550 --> 02:21:02,151 SILENT UNCERTAINTY THE NEXT DAY. 2041 02:21:02,218 --> 02:21:05,788 LISTEN TO THE VOICES OF YOUR GENERATION, THOSE THAT CAME 2042 02:21:05,855 --> 02:21:08,524 BEFORE YOU, AND THOSE WHO ARE NEXT. 2043 02:21:08,591 --> 02:21:12,495 LISTEN TO THE SIGNATURE SOUND OF A GREAT PRODUCER, THE BACKUP 2044 02:21:12,562 --> 02:21:16,899 SINGERS WHO SING ALONG WHOSE NAMES YOU MAY NEVER KNOW. 2045 02:21:16,966 --> 02:21:18,801 LISTEN TO LOVE. 2046 02:21:18,868 --> 02:21:23,506 TO DEDICATION PUT INTO EVERY SONG, EVERY ALBUM. 2047 02:21:23,573 --> 02:21:28,911 TO THE YEARS OF HARD WORK THAT GO INTO EVERY OVERNIGHT SUCCESS. 2048 02:21:28,978 --> 02:21:32,481 LISTEN TO THE WORK LIFE'S WORK OF PEOPLE WHO DEDICATE THEIR 2049 02:21:32,548 --> 02:21:33,749 LIVES TO THIS WORK. 2050 02:21:33,816 --> 02:21:37,286 THE RECORDING ACADEMY'S JOB ISN'T JUST TO HAND OUT AWARDS, 2051 02:21:37,353 --> 02:21:41,390 IT IS TO LISTEN TO THE MUG MUSIC AND TO HEAR THE VOICES OF ALL 2052 02:21:41,457 --> 02:21:44,026 THOSE WHO MAKE IT. 2053 02:21:44,093 --> 02:21:46,762 AND WE ARE LISTENING LIKE NEVER BEFORE. 2054 02:21:46,829 --> 02:21:52,034 WE HEAR THE CRIES FOR DIVERSITY, THE PLEAS FOR REPRESENTATION AND 2055 02:21:52,101 --> 02:21:53,803 DEMANDS FOR TRANSPARENCY. 2056 02:21:53,870 --> 02:21:56,739 I FIRST JOINED THE ACADEMY 20 YEARS AGO SO I COULD VOTE FOR 2057 02:21:56,806 --> 02:21:57,940 MYSELF. 2058 02:21:58,007 --> 02:22:00,476 BUT WHAT I QUICKLY FOUND, WHAT LED ME TO BECOME A TRUSTY AND 2059 02:22:00,543 --> 02:22:01,611 NOW CHAIR. 2060 02:22:01,677 --> 02:22:04,146 BOARD IS THAT THE RECORDING ACADEMY IS SO MUCH MORE THAN 2061 02:22:04,213 --> 02:22:07,516 AWARDS, MORE THAN INDIVIDUAL ARTISTS OR EVEN WHO IS CHAIR. 2062 02:22:07,583 --> 02:22:11,220 TONIGHT I'M HERE TO ASK THE ENTIRE MUSIC COMMUNITY TO JOIN 2063 02:22:11,287 --> 02:22:14,690 IN, WORK WITH US, NOT AGAINST US, AS WE BUILD A NEW RECORDING 2064 02:22:14,757 --> 02:22:16,792 ACADEMY THAT WE CAN ALL BE PROUD OF. 2065 02:22:16,859 --> 02:22:21,097 ONE THAT WILL CONTINUE TO DO THE WORK AND SERVE EVERYONE IN THE 2066 02:22:21,163 --> 02:22:22,298 INDUSTRY. 2067 02:22:22,365 --> 02:22:24,400 AND WE MIGHT NOT GET IT RIGHT 100 PERCENT OF THE TIME AND WE 2068 02:22:24,467 --> 02:22:28,371 CERTAINLY WON'T BE ABLE TO MAKE EVERYBODY HAPPY BUT WE WILL 2069 02:22:28,437 --> 02:22:30,506 PROVIDE SUPPORT IN TIMES OF NEED. 2070 02:22:30,573 --> 02:22:34,377 WE WILL PRESERVE MUSIC AND EDUCATE THE NEXT GENERATION. 2071 02:22:34,443 --> 02:22:38,080 WE WILL ADVOCATE FOR THE RIGHTS OF ALL CREATORS TO MAKE SURE 2072 02:22:38,147 --> 02:22:40,683 THEY CAN CONTINUE TO EARN A FAIR LIVING MAKING MUSIC. 2073 02:22:40,750 --> 02:22:44,487 AND WE WILL STAND UP FOR WHAT IS RIGHT AND FIGHT FOR GREATER 2074 02:22:44,553 --> 02:22:46,522 DIVERSITY AND MORE EQUAL REPRESENTATION. 2075 02:22:46,589 --> 02:22:51,794 THIS IS NOT A VISION FOR TOMORROW, ST A JOB FOR TODAY. 2076 02:22:51,861 --> 02:22:54,163 OUR WORK IS IMPORTANT BECAUSE MUSIC IS IMPORTANT. 2077 02:22:54,230 --> 02:22:56,732 THANK YOU. 2078 02:22:56,799 --> 02:22:59,702 THANK YOU SO MUCH FOR THAT, 2079 02:22:59,769 --> 02:23:02,171 HARVEY, I WAS LISTENING AND THAT SOUNDED GREAT. 2080 02:23:02,238 --> 02:23:11,414 NOW IT'S TIME YEAR NOMINEE FILM FROM THE 2081 02:23:11,480 --> 02:23:12,648 VISIONARY GIBSON HAZARD. 2082 02:23:12,715 --> 02:23:13,649 THIS TIME IT'S ABOUT A GIFTED YOUNG ARTIST WHO EARLIER TONIGHT 2083 02:23:13,716 --> 02:23:14,850 HELPED US KICK OFF THE SHOW. 2084 02:23:14,917 --> 02:23:16,452 SHE'S ALSO THE REASON PARENTS ALL OVER THE WORLD ARE LOOKING 2085 02:23:16,519 --> 02:23:18,087 AT THEIR TEENAGERS, ASKING, "WHAT HAVE YOU ACHIEVED?" 2086 02:23:18,154 --> 02:23:28,197 THIS IS BILLIE EILISH. 2087 02:23:28,264 --> 02:23:34,570 THIS IS BILLIE EILISH. 2088 02:23:39,241 --> 02:23:40,943 THERE WAS LIKE A PERIOD OF TIME WHERE I LIKE DIDN'T WANT TO 2089 02:23:41,010 --> 02:23:46,949 GO TO SLEEP BECAUSE I WAS FREAKED OUT BY MY DREAMS. 2090 02:23:47,016 --> 02:23:51,487 SLEEP PARALYSIS, NIGHTMARES, LUCID DREAMS. 2091 02:23:51,554 --> 02:23:53,823 IT WAS SUCH A HUGE PART OF MY LIFE. 2092 02:23:53,889 --> 02:23:57,593 AND SO I KIND OF WAS LIKE HOW CAN I TAKE ADVANTAGE OF THIS 2093 02:23:57,660 --> 02:24:00,162 HORRIBLE, HORRIBLE THING THAT HAVE I TO DEAL WITH. 2094 02:24:00,229 --> 02:24:11,741 WHY DON'T I LET IT INSPIRE ME. 2095 02:24:11,807 --> 02:24:15,011 MY BROTHER FINNEAS HAS BEEN MY BEST FRIEND FOR MY WHOLE 2096 02:24:15,077 --> 02:24:16,078 LIFE. 2097 02:24:16,145 --> 02:24:17,713 WE WROTE THIS SONG ABOUT BEING THERE FOR EACH OTHER. 2098 02:24:17,780 --> 02:24:22,018 SO WHEN I HEAR IT, I JUST FEEL SO LOVED AND I FEEL SO COMFORTED 2099 02:24:22,084 --> 02:24:26,756 AND SAFE AND WARM. 2100 02:24:26,822 --> 02:24:28,858 2020 GRAMMYS. 2101 02:24:28,924 --> 02:24:31,927 MAYBE THE BEST NIGHT OF MY LIFE. 2102 02:24:31,994 --> 02:24:32,762 AND THE GRAMMY. 2103 02:24:32,828 --> 02:24:33,896 AND THE GRAMMY. 2104 02:24:33,963 --> 02:24:37,733 AND THE GRAMMY GOES TO. 2105 02:24:37,800 --> 02:24:38,734 BILLIE EILISH. 2106 02:24:38,801 --> 02:24:41,170 BAD GUY, BILLIE EILISH. 2107 02:24:41,237 --> 02:24:44,440 BAD GUY, WHEN WE FALL ASLEEP WHERE DO WE GO. 2108 02:24:44,507 --> 02:24:45,608 BILLIE EILISH. 2109 02:24:45,674 --> 02:24:49,111 THE FACT THAT WE WROTE THAT ALBUM IN OUR CHILDHOOD HOME, 2110 02:24:49,178 --> 02:24:50,012 THAT'S CRAZY. 2111 02:24:50,079 --> 02:24:50,846 THAT WAS AMAZING. 2112 02:24:50,913 --> 02:24:59,522 I THINK ABOUT IT EVERY DAY. 2113 02:24:59,588 --> 02:25:00,423 BILLIE EILISH, 2114 02:25:00,489 --> 02:25:00,823 EVERYONE! 2115 02:25:00,890 --> 02:25:01,991 WHAT A TALENT. 2116 02:25:02,058 --> 02:25:04,860 THE GRAMMY AWARDS ARE A TRULY GLOBAL EVENT, AND WE ARE NOW 2117 02:25:04,927 --> 02:25:08,764 THRILLED TO BE JOINED BY A KOREAN GROUP THAT MADE HISTORY 2118 02:25:08,831 --> 02:25:14,070 WITH THEIR FIRST EVER GRAMMY NOMINATION THIS YEAR. 2119 02:25:14,136 --> 02:25:18,274 PERFORMING THEIR NOMINATED SMASH "DYNAMITE," THIS IS BTS. 2120 02:25:18,340 --> 02:25:20,743 ♪ 'CAUSE I, I, I'M 2121 02:25:20,810 --> 02:25:26,182 IN THE STARS TONIGHT ♪ SO WATCH ME BRING THE FIRE 2122 02:25:26,248 --> 02:25:30,152 AND SET THE NIGHT ALIGHT ♪ SHOES ON, GET UP IN THE MORN' 2123 02:25:30,219 --> 02:25:32,054 CUP OF MILK, LET'S ROCK AND ROLL ♪ KING KONG 2124 02:25:32,121 --> 02:25:34,156 KICK THE DRUM ♪ ROLLING ON 2125 02:25:34,223 --> 02:25:36,625 LIKE A ROLLING STONE ♪ SING SONG 2126 02:25:36,692 --> 02:25:38,994 WHEN I'M WALKIN' HOME ♪ JUMP UP TO THE TOP, LEBRON 2127 02:25:39,061 --> 02:25:42,164 DING-DONG, CALL ME ON MY PHONE ♪ ICE TEA AND A 2128 02:25:42,231 --> 02:25:45,968 GAME OF PING PONG ♪ THIS IS GETTIN' HEAVY 2129 02:25:46,035 --> 02:25:47,002 CAN YOU HEAR THE BASS BOOM? 2130 02:25:47,069 --> 02:25:50,139 ♪ I'M READY, WOO-HOO LIFE IS SWEET AS HONEY, YEAH 2131 02:25:50,206 --> 02:25:54,110 ♪ THIS BEAT CHA-CHING LIKE MONEY, HUH DISCO OVERLOAD 2132 02:25:54,176 --> 02:25:58,047 ♪ I'M INTO THAT, I'M GOOD TO GO I'M DIAMOND, YOU KNOW I GLOW UP 2133 02:25:58,114 --> 02:26:02,151 ♪ HEY, SO LET'S GO 'CAUSE I, I, I'M 2134 02:26:02,218 --> 02:26:06,122 ♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE 2135 02:26:06,188 --> 02:26:10,092 ♪ AND SET THE NIGHT ALIGHT, HEY SHININ' THROUGH THE CITY 2136 02:26:10,159 --> 02:26:14,163 ♪ WITH A LITTLE FUNK AND SOUL SO I'MA LIGHT IT UP 2137 02:26:14,230 --> 02:26:18,667 ♪ LIKE DYNAMITE, WOAH-OH-OH BRING A FRIEND, JOIN THE CROWD 2138 02:26:18,734 --> 02:26:25,875 ♪ WHOEVER WANNA COME ALONG WORD UP, TALK THE TALK 2139 02:26:25,941 --> 02:26:29,211 ♪ JUST MOVE LIKE WE OFF THE WALL DAY OR NIGHT, THE SKY'S ALIGHT 2140 02:26:29,278 --> 02:26:31,614 ♪ SO WE DANCE TO THE BREAK OF DAWN HEY, LADIES AND GENTLEMEN 2141 02:26:31,680 --> 02:26:33,382 ♪ I GOT THE MEDICINE, SO YOU SHOULD KEEP YA EYES ON THE BALL 2142 02:26:33,449 --> 02:26:37,720 ♪ HUH, THIS IS GETTIN' HEAVY CAN YOU HEAR THE BASS BOOM? 2143 02:26:37,786 --> 02:26:41,490 ♪ I'M READY, WOO-HOO LIFE IS SWEET AS HONEY, YEAH 2144 02:26:41,557 --> 02:26:44,760 ♪ THIS BEAT CHA-CHING LIKE MONEY HUH DISCO OVERLOAD 2145 02:26:44,827 --> 02:26:50,032 ♪ I'M INTO THAT, I'M GOOD TO GO I'M DIAMOND, YOU KNOW I GLOW UP 2146 02:26:50,099 --> 02:26:53,802 ♪ LET'S GO 'CAUSE I, I, I'M 2147 02:26:53,869 --> 02:26:56,739 ♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE 2148 02:26:56,805 --> 02:27:02,144 ♪ AND SET THE NIGHT ALIGHT, HEY SHININ' THROUGH THE CITY 2149 02:27:02,211 --> 02:27:05,548 ♪ WITH A LITTLE FUNK AND SOUL SO I'MA 2150 02:27:05,614 --> 02:27:08,450 ♪ LIGHT IT UP LIKE DYNAMITE WOAH-OH-OH 2151 02:27:08,517 --> 02:27:12,588 ♪ DYN-NA-NA-NA, NA-NA-NA-NA-NA NA-NA-NA 2152 02:27:12,655 --> 02:27:14,690 DYN-NA-NA-NA, NA-NA-NA-NA-NA ♪ NA-NA-NA, 2153 02:27:14,757 --> 02:27:20,162 LIFE IS DYNAMITE DYN-NA-NA-NA, NA-NA-NA-NA-NA 2154 02:27:20,229 --> 02:27:22,164 ♪ NA-NA-NA, DYN-NA-NA-NA, NA-NA-NA-NA-NA 2155 02:27:22,231 --> 02:27:29,405 ♪ NA-NA-NA, LIFE IS DYNAMITE 2156 02:27:29,471 --> 02:27:30,539 ♪ 'CAUSE I, I, I'M IN THE STARS TONIGHT 2157 02:27:30,606 --> 02:27:32,741 ♪ SO WATCH ME BRING THE FIRE AND SET THE NIGHT ALIGHT 2158 02:27:32,808 --> 02:27:37,947 ♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL 2159 02:27:38,013 --> 02:27:41,250 ♪ SO I'MA LIGHT IT UP LIKE DYNAMITE 2160 02:27:41,317 --> 02:27:44,453 ♪ THIS IS AH 'CAUSE I, I, I'M 2161 02:27:44,520 --> 02:27:47,790 ♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE 2162 02:27:47,856 --> 02:27:50,159 ♪ AND SET THE NIGHT ALIGHT ALIGHT, OH 2163 02:27:50,226 --> 02:27:54,163 ♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL 2164 02:27:54,230 --> 02:27:56,732 ♪ SO I'MA LIGHT IT UP LIKE DYNAMITE 2165 02:27:56,799 --> 02:28:00,536 ♪ WOAH-OH-OH DYN-NA-NA-NA, NA-NA-NA-NA-NA 2166 02:28:00,603 --> 02:28:02,137 ♪ NA-NA-NA LIFE IS DYNAMITE 2167 02:28:02,204 --> 02:28:04,607 ♪ LIFE IS DYNAMITE DYN-NA-NA-NA, NA-NA-NA-NA-NA 2168 02:28:04,673 --> 02:28:06,475 ♪ NA-NA-NA LIFE IS DYNAMITE, OH 2169 02:28:06,542 --> 02:28:10,045 ♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL 2170 02:28:10,112 --> 02:28:18,087 ♪ SO I'MA LIGHT IT UP LIKE DYNAMITE, WOAH-OH-OH ♪ 2171 02:28:18,153 --> 02:28:19,488 BTS! 2172 02:28:19,555 --> 02:28:20,756 BTS! 2173 02:28:20,823 --> 02:28:23,292 DID YOU SEE THAT? 2174 02:28:23,359 --> 02:28:24,393 THEY WERE IN SEOUL, KOREA, 2175 02:28:24,460 --> 02:28:25,427 THE WHOLE TIME. 2176 02:28:25,494 --> 02:28:27,329 THEY LITERALLY RECREATED OUR WHOLE SET OVER THERE! 2177 02:28:27,396 --> 02:28:30,532 THEY COULDN'T BE HERE, BUT WANTED TO BE HERE, SO THEY 2178 02:28:30,599 --> 02:28:31,400 REBUILT HERE, OVER THERE. 2179 02:28:31,467 --> 02:28:34,470 THERE OUGHTA BE AN AWARD JUST FOR THAT. 2180 02:28:34,536 --> 02:28:35,771 THAT WAS AMAZING. 2181 02:28:35,838 --> 02:28:37,273 NOW, I DON'T NEED TO TELL YOU, BUT THIS HAS BEEN A REALLY TOUGH 2182 02:28:37,339 --> 02:28:40,876 YEAR FOR TEACHERS, ESPECIALLY THOSE TEACHING MUSIC. 2183 02:28:40,943 --> 02:28:42,778 IF YOU THINK YOUR WORK ZOOM CALLS ARE BAD, TRY TEACHING AN 2184 02:28:42,845 --> 02:28:46,348 EIGHT YEAR OLD WITH SPOTTY WiFi HOW TO PLAY TROMBONE. 2185 02:28:46,415 --> 02:28:48,484 AND THAT'S WHY I'M VERY HONORED TO PRESENT THE MUSIC EDUCATOR 2186 02:28:48,550 --> 02:28:49,551 AWARD. 2187 02:28:49,618 --> 02:28:51,120 THIS IS PRESENTED BY THE RECORDING ACADEMY AND GRAMMY 2188 02:28:51,186 --> 02:28:54,523 MUSEUM TO RECOGNIZE CURRENT EDUCATORS WHO HAVE MADE A 2189 02:28:54,590 --> 02:28:57,092 SIGNIFICANT CONTRIBUTION TO MUSIC EDUCATION. 2190 02:28:57,159 --> 02:29:01,597 THIS YEAR'S MUSIC EDUCATOR AWARD GOES TO DR. JEFFREY MURDOCK, 2191 02:29:01,664 --> 02:29:06,502 ASSOCIATE DIRECTOR OF CHORAL ACTIVITIES AT THE UNIVERSITY OF 2192 02:29:06,568 --> 02:29:09,104 ARKANSAS AT FAYETTEVILLE. 2193 02:29:09,171 --> 02:29:11,273 I'M ALSO HONORED TO ANNOUNCE 2194 02:29:11,340 --> 02:29:15,077 THAT EARLIER TODAY, THE GRAMMY AWARD FOR PRODUCER OF THE YEAR, 2195 02:29:15,144 --> 02:29:18,447 NON-CLASSICAL WENT TO ANDREW WATT. 2196 02:29:18,514 --> 02:29:25,087 ALL NIGHT TONIGHT, WE HAVE BEEN 2197 02:29:25,154 --> 02:29:29,191 FEATURING OUR RECORD OF YEAR NOMINEES WHO WERE PERFORMING. 2198 02:29:29,258 --> 02:29:30,993 BUT NOW WE WANT TO ALSO SPOTLIGHT BEYONCÉ'S IMPACTFUL 2199 02:29:31,060 --> 02:29:33,362 RECORD, "BLACK PARADE," A POWERFUL STATEMENT ABOUT SHARING 2200 02:29:33,429 --> 02:29:34,596 JOY EVEN AMID STRUGGLE. 2201 02:29:34,663 --> 02:29:38,334 IT WAS CREATED TO UPLIFT, AND HAS BECOME MORE THAN A SONG, BUT 2202 02:29:38,400 --> 02:29:42,271 A MOVEMENT TO SUPPORT SMALL BLACK-OWNED BUSINESSES. 2203 02:29:42,338 --> 02:29:46,508 RELEASED ON JUNE 19, 2020, TO COMMEMORATE JUNETEENTH, THIS 2204 02:29:46,575 --> 02:29:50,512 RECORD HONORS THE HISTORY AND BEAUTY OF BLACKNESS AND THE 2205 02:29:50,579 --> 02:29:51,980 STRENGTH OF COMMUNITY. 2206 02:29:52,047 --> 02:30:06,528 SO HERE'S A LOOK AT "BLACK PARADE." 2207 02:30:15,571 --> 02:30:16,672 ♪ ♪ ♪ ♪ WE GOT RHYTHM. 2208 02:30:16,739 --> 02:30:18,874 ♪ WE GOT PRIDE. 2209 02:30:18,941 --> 02:30:22,311 ♪ WE WERE KINGS. 2210 02:30:22,378 --> 02:30:25,748 ♪ ONLY RIVER. 2211 02:30:25,814 --> 02:30:29,451 ♪ ONLY TOWNS SNEET SEEK THE GLORY. 2212 02:30:29,518 --> 02:30:31,553 ♪ FEEL THE LOVE. 2213 02:30:31,620 --> 02:30:35,557 ♪ MOTHERLAND, DRIP ON ME. 2214 02:30:35,624 --> 02:30:42,131 ♪ MOTHERLAND, MOTHERLAND DRIP ON ME. 2215 02:30:42,197 --> 02:30:44,733 ♪ HISTORREE, IS HER STORY. 2216 02:30:44,800 --> 02:30:46,602 ♪ MOTHERLAND, MOTHERLAND DRIP ON ME. 2217 02:30:46,668 --> 02:30:50,739 ♪ HERE WE COME. 2218 02:30:50,806 --> 02:30:58,414 ♪ FOLLOW MY PARADE, BLACK PARADE. 2219 02:30:58,480 --> 02:30:59,214 ♪. 2220 02:30:59,281 --> 02:31:00,416 AND NOW TIME FOR SOME MORE MUSIC. 2221 02:31:00,482 --> 02:31:02,985 LET'S WELCOME BACK TO THE ST LET'S WELCOME BACK TO THE STAGE 2222 02:31:03,051 --> 02:31:06,155 RODDY RICCH! 2223 02:31:27,609 --> 02:31:33,749 ♪ ♪ ♪ ♪ THIS LIFE LEFT ME HEARTLESS 2224 02:31:33,816 --> 02:31:37,753 AND I CAME FROM APARTMENTS ♪ THE MONEY TURNED ME 2225 02:31:37,820 --> 02:31:41,757 INTO A TARGET ♪ GOT A HELLCAT DODGE IT 2226 02:31:41,824 --> 02:31:49,031 I HOPE YOU LOOKING DOWN ON ME ♪ I HOPE YOU'RE PROUD OF ME 2227 02:31:49,097 --> 02:31:51,433 MAIN REASON A NINE-MILLIMETER ♪ GOTTA RIDE WITH ME 2228 02:31:51,500 --> 02:31:56,338 ESPECIALLY 'CAUSE I ♪ GOT A LITTLE ONE 2229 02:31:56,405 --> 02:31:59,074 ESPECIALLY 'CAUSE I GOT AN O.G. 2230 02:31:59,141 --> 02:32:02,277 ♪ AYE, ESPECIALLY 'CAUSE I GOTTA GO HOME 2231 02:32:02,344 --> 02:32:06,215 ♪ ESPECIALLY 'CAUSE I GOTTA GET THIS CHEESE 2232 02:32:06,281 --> 02:32:07,683 ♪ TALK TO THE STREETS MOST THEM HITTERS WACK 2233 02:32:07,749 --> 02:32:09,885 ♪ MOST THEM HITTERS IN THE PENITENTIARIES 2234 02:32:09,952 --> 02:32:13,555 ♪ FROM SERVING CRACK WE DONE WITNESSED WARTIME 2235 02:32:13,622 --> 02:32:15,657 ♪ IT WAS FACTS 'TIL MY YOUNG HITTERS 2236 02:32:15,724 --> 02:32:17,926 ♪ TURNED TO A NEW ASSASSIN HE JUST WANNA KEEP 2237 02:32:17,993 --> 02:32:22,030 ♪ RIGHT STRIKERS AND KEEP ON RIDING 2238 02:32:22,097 --> 02:32:24,166 ♪ THE JUDGE GONNA PUT HIM DOWN PUT HIM DOWN 2239 02:32:24,233 --> 02:32:27,135 ♪ PUT HIM DOWN 'TIL HE CAN'T SEE 2240 02:32:27,202 --> 02:32:31,106 ♪ THE LIGHT AGAIN THIS LIFE LEFT ME HEARTLESS 2241 02:32:31,173 --> 02:32:33,709 ♪ AND I CAME FROM APARTMENTS THE MONEY TURNED ME 2242 02:32:33,775 --> 02:32:39,114 ♪ INTO A TARGET GOT A HELLCAT DODGE IT 2243 02:32:39,181 --> 02:32:45,721 ♪ I HOPE YOU LOOKING DOWN ON ME I HOPE YOU'RE PROUD OF ME 2244 02:32:45,787 --> 02:32:51,727 MAIN REASON A NINE-MILLIMETER ♪ GOTTA RIDE WITH ME ♪ 2245 02:32:51,793 --> 02:32:57,332 ♪ ♪ ♪ WHERE THE STASH AT? 2246 02:32:57,399 --> 02:32:59,034 ♪ CRUISE THE CITY IN A BULLETPROOF CADILLAC 2247 02:32:59,101 --> 02:33:00,536 ♪ 'CAUSE I KNOW THESE HITTERS AFTER WHERE THE BAG AT 2248 02:33:00,602 --> 02:33:03,138 ♪ I GOTTA MOVE SMARTER I GOTTA MOVE HARDER 2249 02:33:03,205 --> 02:33:05,440 ♪ IF YOU TRY TO GET ME FOR MY WATER 2250 02:33:05,507 --> 02:33:07,476 ♪ I'LL LAY HIS-- DOWN ON MY SON OR MY DAUGHTER 2251 02:33:07,543 --> 02:33:09,711 ♪ I HAD THE DRACO WITH ME DWAYNE CARTER 2252 02:33:09,778 --> 02:33:11,580 ♪ LOTTA HITTERS OUT HERE PLAYIN' AIN'T BALLIN' 2253 02:33:11,647 --> 02:33:13,315 ♪ I DONE PUT MY WHOLE ARM IN THE RIM 2254 02:33:13,382 --> 02:33:14,950 ♪ VINCE CARTER AND I KNOW PROBABLY GET 2255 02:33:15,017 --> 02:33:16,985 ♪ A KEY FOR THE QUARTER SHAWTY BARELY SEEN IN DOUBLE C'S 2256 02:33:17,052 --> 02:33:18,220 ♪ I BOUGHT 'EM GOT A SHAWTY 2257 02:33:18,287 --> 02:33:21,723 ♪ LOOKING LIKE AALIYAH SHE A MODEL 2258 02:33:21,790 --> 02:33:24,026 ♪ I GOT THE PINK SLIP ALL MY WHIPS IS KEY-LESS 2259 02:33:24,092 --> 02:33:27,596 ♪ COMPTON, I'M ABOUT TO GET THE KEY TO THE CITY 2260 02:33:27,663 --> 02:33:30,232 ♪ LIKE THE SEA FORGIVE ME 2261 02:33:30,299 --> 02:33:31,333 ♪ HEY TOLD 'EM 12, SWAT BUSTIN' ALL THE BELLS 2262 02:33:31,400 --> 02:33:35,037 ♪ OUT THE BOX I JUST HIT A LICK WITH THE BOX 2263 02:33:35,103 --> 02:33:39,508 ♪ HAD TO PUT THE STICK IN A BOX WHAT YOU SAY 2264 02:33:39,575 --> 02:33:41,777 ♪ POUR UP THE WHOLE SEAL I'MA GET LAZY 2265 02:33:41,843 --> 02:33:47,115 ♪ I GOT THE MOJO DEALS WE BEEN TRAPPIN' LIKE THE '80S 2266 02:33:47,182 --> 02:33:51,320 ♪ GOTTA CASH APP TOLD 'EM WIPE A-- NOSE 2267 02:33:51,386 --> 02:33:55,157 ♪ AYE I WON'T NEVER SELL MY SOUL 2268 02:33:55,223 --> 02:34:03,131 ♪ AYE AND I REALLY WANNA KNOW 2269 02:34:03,198 --> 02:34:06,134 ♪ HEY ♪ ♪ ♪ ♪ 2270 02:34:06,201 --> 02:34:12,975 STILL TO COME, WHO WILL WALK 2271 02:34:13,041 --> 02:34:14,610 AWAY WITH THE GRAMMY FOR RECORD OF THE YEAR? 2272 02:34:14,676 --> 02:34:22,117 WILL IT BE BLACK PUMAS, DABABY FEATURING RODDY RICCH, DOJA CAT, 2273 02:34:22,184 --> 02:34:25,520 BILLIE AISLE ASH, DUA LIPA OR MEGAN THEE STALLION, THIS IS CBS 2274 02:34:25,587 --> 02:34:30,192 THE RECORDING ACADEMY AND CBS CONDEMN AND DENOUNCE ALL 2275 02:34:30,258 --> 02:34:35,197 FORMS OF RACISM, SEXISM, VIOLENCE, ANTI-SEMITISM AND 2276 02:34:35,263 --> 02:34:36,264 HATE. 2277 02:34:36,331 --> 02:34:38,300 LET'S CONTINUE TO USE MUSIC TO BRING PEOPLE TOGETHER. 2278 02:34:38,367 --> 02:34:42,971 LEADING WITH LOVE, HEALING AND A SENSE OF UNITY ACROSS ALL LINES 2279 02:34:43,038 --> 02:34:43,705 OF DIFFERENCE. 2280 02:34:47,109 --> 02:34:49,277 ♪ ♪ ♪ DON'T MISS A BEAT 2281 02:34:49,344 --> 02:34:50,445 AFTER TONIGHT'S BROADCAST WITH THE GRAMMY POST SHOW ON 2282 02:34:50,512 --> 02:34:53,448 grammy.com. 2283 02:34:53,515 --> 02:34:56,451 JOIN YOUR FAVORITE FACEBOOK GROUP AND RELIVE THE NIGHT'S 2284 02:34:56,518 --> 02:35:04,893 WINNERS, PERFORMANCES, FASHION AND MORE. 2285 02:35:04,960 --> 02:35:06,928 THIS YEAR'S LIFETIME ACHIEVEMENT THE PIONEERING RAP 2286 02:35:06,995 --> 02:35:09,498 GROUP GRANDMASTER FLASH & THE FURIOUS FIVE; LEGENDARY JAZZ 2287 02:35:09,564 --> 02:35:12,801 MUSICIAN AND BANDLEADER LIONEL HAMPTON; GRAMMY-WINNING MEZZO- 2288 02:35:12,868 --> 02:35:16,805 SOPRANO OPERA GREAT MARILYN HORNE; THE "FIRST LADIES OF RAP 2289 02:35:16,872 --> 02:35:21,410 & HIP HOP," SALT-N-PEPA; "QUEEN OF TEJANO MUSIC," SELENA; AND 2290 02:35:21,476 --> 02:35:26,348 THE ACCLAIMED AND GROUNDBREAKING ROCK BAND TALKING HEADS. 2291 02:35:26,415 --> 02:35:28,817 THE RECORDING ACADEMY PRESENTS ITS TRUSTEES AWARD TO GRAMMY AND 2292 02:35:28,884 --> 02:35:32,821 EMMY-WINNING RECORDING ENGINEER ED CHERNEY, JAZZ LEGEND AND 2293 02:35:32,888 --> 02:35:36,992 COMPOSER BENNY GOLSON, AND 11- TIMES GRAMMY WINNING ARTIST, 2294 02:35:37,059 --> 02:35:40,829 PRODUCER, SONGWRITER AND RECORD COMPANY EXECUTIVE KENNETH 2295 02:35:40,896 --> 02:35:43,198 "BABYFACE" EDMONDS. 2296 02:35:43,265 --> 02:35:45,467 AND THIS YEAR'S TECHNICAL GRAMMY AWARD RECIPIENT IS DANIEL WEISS, 2297 02:35:45,534 --> 02:35:49,237 A PIONEER IN DIGITAL TECHNOLOGY AND THE FOUNDER OF WEISS 2298 02:35:49,304 --> 02:35:51,406 ENGINEERING. 2299 02:35:51,473 --> 02:35:56,812 CONGRATULATIONS TO ALL OF THE RECORDING ACADEMY'S SPECIAL 2300 02:35:56,878 --> 02:35:57,946 MERIT HONOREES FOR 2021. 2301 02:35:58,013 --> 02:36:02,718 IT'S TIME NOW FOR OUR 2302 02:36:02,784 --> 02:36:04,319 FINAL AWARD OF THE NIGHT BEFORE EVERYONE GOES HOME AND GETS BACK 2303 02:36:04,386 --> 02:36:07,289 IN THEIR SWEATPANTS FOR ANOTHER FEW MONTHS. 2304 02:36:07,355 --> 02:36:11,626 HERE TO PRESENT RECORD OF THE YEAR, PLEASE WELCOME A NINE-TIME 2305 02:36:11,693 --> 02:36:17,065 GRAMMY AWARD WINNER, A RECORDING AND A MEMBER OF A PROMISING 2306 02:36:17,132 --> 02:36:20,202 LITTLE BAND CALLED THE BEATLES-- THE ONE AND ONLY RINGO STARR. 2307 02:36:20,268 --> 02:36:28,176 ♪ ♪ ♪ 2308 02:36:28,243 --> 02:36:28,944 THANK YOU, THANK YOU VERY MUCH. 2309 02:36:29,010 --> 02:36:29,778 PEACE AND LOVE, EVERYBODY. 2310 02:36:29,845 --> 02:36:32,347 NOT THAT LOUD NOW. 2311 02:36:32,414 --> 02:36:36,852 ANYWAY, AFTER A YEAR WHEN YOU'VE ALL BEEN ZOOMING IN AND 2312 02:36:36,918 --> 02:36:38,120 GOOD EVENING, GRAMMY PEOPLE. 2313 02:36:38,186 --> 02:36:39,087 AFTER A YEAR WHEN WE'VE ALL BEEN ZOOMING IN AND ZOOMING OUT, IT'S 2314 02:36:39,154 --> 02:36:39,888 GREAT TO BE HERE. 2315 02:36:39,955 --> 02:36:42,991 IN FACT, IT'S GREAT TO BE ANYWHERE. 2316 02:36:43,058 --> 02:36:46,995 'CAUSE NO MATTER WHAT HAPPENS, MUSIC GOES ON, SO I'M HONORED TO 2317 02:36:47,062 --> 02:36:50,265 BE HERE AT THE GRAMMYS, AS I'VE BEEN MANY TIMES SINCE WHEN I WAS 2318 02:36:50,332 --> 02:36:54,169 IN THAT OTHER BAND. 2319 02:36:54,236 --> 02:36:58,306 AND I WANT TO SAY THIS WITH PEACE AND LOVE TO ALL OF THESE 2320 02:36:58,373 --> 02:37:02,244 IF YOU'RE MAKING MUSIC IN OUR WORLD TODAY, 2321 02:37:02,310 --> 02:37:03,612 YOU'VE ALREADY WON. 2322 02:37:03,678 --> 02:37:04,412 AND I THANK YOU. 2323 02:37:04,479 --> 02:37:06,882 THESE ARE THESE ARE THE OUTSTANDING 2324 02:37:06,948 --> 02:37:12,287 NOMINATIONS FOR RECORD OF THE YEAR. 2325 02:37:12,354 --> 02:37:19,561 "BLACK PARADE," BEYONCE. 2326 02:37:19,628 --> 02:37:22,430 "COLORS," BLACK PUMAS. 2327 02:37:22,497 --> 02:37:27,569 "ROCKSTAR," DaBABY FEATURING RODDY RICCH. 2328 02:37:27,636 --> 02:37:31,540 "SAY SO," DOJA CAT. 2329 02:37:31,606 --> 02:37:35,544 "EVERYTHING I WANTED," BILLIE EILISH. 2330 02:37:35,610 --> 02:37:43,518 "DON'T START NOW," DUA LIPA. 2331 02:37:43,585 --> 02:37:44,519 "CIRCLES," POST MALONE. 2332 02:37:44,586 --> 02:37:51,526 "SAVAGE," MEGAN THEE STALLION FEATURING BEYONCE. 2333 02:38:05,707 --> 02:38:11,546 TO SOMEBODY. 2334 02:38:11,613 --> 02:38:19,554 BILLIE EILISH. 2335 02:38:19,621 --> 02:38:29,598 ♪ ♪ ♪ 2336 02:38:29,664 --> 02:38:36,404 ♪ ♪ ♪ 2337 02:38:36,471 --> 02:38:37,305 ♪. 2338 02:38:37,372 --> 02:38:41,943 THIS IS REALLY EMBARRASS RASING FOR ME. 2339 02:38:42,010 --> 02:38:45,580 MEGAN, GIRL, I WAS GOING TO WRITE A SPEECH ABOUT HOW YOU 2340 02:38:45,647 --> 02:38:50,185 DESERVED THIS, BUT THEN THERE IS LIKE THERE IS NO WAY THEY WILL 2341 02:38:50,252 --> 02:38:53,054 CHOOSE ME, I WAS LIKE IT'S HERS. 2342 02:38:53,121 --> 02:38:56,191 YOU DESERVE THIS. 2343 02:38:56,258 --> 02:39:01,096 YOU HAD A YEAR THAT I THINK IS UNTOPPABLE. 2344 02:39:01,162 --> 02:39:02,097 YOU ARE A QUEEN. 2345 02:39:02,163 --> 02:39:04,532 I WANT IT CRY THINKING ABOUT HOW MUCH I LOVE YOU. 2346 02:39:04,599 --> 02:39:08,136 ARE YOU SO BEAUTIFUL, YOU ARE SO TALENTED. 2347 02:39:08,203 --> 02:39:09,771 YOU DESERVE EVERYTHING IN THE WORLD. 2348 02:39:09,838 --> 02:39:10,972 I THINK ABOUT YOU CONSTANTLY. 2349 02:39:11,039 --> 02:39:13,341 I ROOT FOR YOU ALWAYS. 2350 02:39:13,408 --> 02:39:17,746 YOU DESERVE IT, HONESTLY, GENUINELY, THIS GOES TO HER, CAN 2351 02:39:17,812 --> 02:39:23,084 WE JUST CHEER FOR MEGAN THEE STALLION. 2352 02:39:23,151 --> 02:39:26,521 BUT THANK YOU ALSO, I REALLY DO APPRECIATE THIS. 2353 02:39:26,588 --> 02:39:29,157 THANK YOU TO THE ACADEMY, THANK YOU TO RINGO. 2354 02:39:29,224 --> 02:39:35,063 I LOVE YOU, I LOVE MY TEAM, THANK YOU TO MY BROTHER FINNEAS 2355 02:39:35,130 --> 02:39:49,911 AND YEAH, THANKS FOR BEING HERE, I LOVE YOU, THANK YOU. 2356 02:39:49,978 --> 02:39:51,846 CONGRATS BILLIE 2357 02:39:51,913 --> 02:39:52,981 EILISH! 2358 02:39:53,048 --> 02:39:56,484 THANK YOU ALL FOR BEING A PART OF MUSIC'S BIGGEST NIGHT. 2359 02:39:56,551 --> 02:39:59,421 IT'S TIME TO HEAD TO THE CRAZY AFTER PARTY, ALONE ON MY COUCH. 2360 02:39:59,487 --> 02:40:01,256 FOR 63 YEARS NOW, THE MUSIC COMMUNITY HAS COME TOGETHER ON 2361 02:40:01,323 --> 02:40:03,658 GRAMMY NIGHT TO CELEBRATE EXCELLENCE. 2362 02:40:03,725 --> 02:40:07,295 THANK YOU TO ALL OF THE ARTISTS AND ALL THOSE WHO MADE THIS 2363 02:40:07,362 --> 02:40:09,030 UNIQUE AND BEAUTIFUL GRAMMY NIGHT POSSIBLE. 2364 02:40:09,097 --> 02:40:13,034 GOOD NIGHT! 2365 02:40:13,101 --> 02:40:14,336 Captioning sponsored by CBS 2366 02:40:18,907 --> 02:40:21,009 Captioned by Media Access Group at WGBH 2367 02:40:21,076 --> 02:40:25,547 access.wgbh.org 2368 02:40:29,084 --> 02:40:36,992 ♪ ♪ ♪ ♪ A LOVELY DAY 2369 02:40:37,058 --> 02:40:44,566 LOVELY DAY ♪ LOVELY DAY 2370 02:40:44,632 --> 02:40:46,401 LOVELY DAY ♪ A LOVELY DAY 2371 02:40:46,468 --> 02:40:48,470 LOVELY DAY ♪ A LOVELY DAY 193465

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