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1
00:00:44,578 --> 00:00:47,778
CAPTIONING MADE POSSIBLE BY
NEW LINE HOME VIDEO
2
00:01:39,433 --> 00:01:40,833
DONALD.
3
00:01:43,837 --> 00:01:45,437
CATHERINE...
4
00:01:47,675 --> 00:01:51,145
THIS JUST ISN'T
WORKING OUT, ALL RIGHT?
5
00:02:46,066 --> 00:02:51,136
* NEVER BEEN A DAY
WHEN I DOUBT FOR A MOMENT *
6
00:02:51,138 --> 00:02:56,276
* MAYBE ONCE OR TWICE
AIN'T SO BAD *
7
00:02:56,277 --> 00:02:58,377
* BUT DEEP INSIDE,
I ALWAYS KNEW *
8
00:02:58,379 --> 00:03:01,214
* MY TIME WOULD
COME MY WAY, SURE *
9
00:03:01,215 --> 00:03:05,545
* NOW IT'S ON ME
TO MAKE IT LAST *
10
00:03:05,553 --> 00:03:10,257
* THERE'S NOTHING
I WON'T DO *
11
00:03:10,258 --> 00:03:15,828
* NOTHING I WON'T TRY *
12
00:03:15,829 --> 00:03:18,865
* FOR A CHANGE
TO SOMETHING NEW *
13
00:03:18,866 --> 00:03:21,334
* AIN'T NO EXCUSE *
14
00:03:21,335 --> 00:03:30,305
* THERE'S NOTHING...
YEAH, I WON'T DO *
15
00:03:30,311 --> 00:03:33,481
* NOTHING I WON'T DO *
16
00:03:36,149 --> 00:03:39,018
* FOR A CHANGE
TO SOMETHING NEW *
17
00:03:39,019 --> 00:03:41,519
* WHAT'S THERE TO LOSE? *
18
00:03:41,522 --> 00:03:45,858
* THERE'S NOTHING...
I WON'T DO **
19
00:03:45,859 --> 00:03:48,459
YOU SEE,
IT DOESN'T MATTER
20
00:03:48,462 --> 00:03:51,062
WHETHER IT'S PAINTING
OR SCULPTURE
21
00:03:51,064 --> 00:03:53,074
OR COMPUTER-GENERATED
GRAPHICS.
22
00:03:53,075 --> 00:03:55,066
AND IT DOESN'T MATTER
23
00:03:55,068 --> 00:03:58,068
WHAT STYLE YOU CHOOSE
TO WORK IN,
24
00:03:58,071 --> 00:03:59,671
WHETHER
IT'S NEO-PRIMITIVISM
25
00:03:59,673 --> 00:04:02,083
OR ROMANTIC REALISM
OR POSTMODERN DECONSTRUCTIONISM.
26
00:04:02,084 --> 00:04:03,605
THE SAME RULES APPLY.
27
00:04:03,611 --> 00:04:06,679
EVERYTHING IS GOVERNED
BY THE LAWS OF NATURE,
28
00:04:06,680 --> 00:04:09,716
AND NOWHERE ARE THE PRINCIPLES
OF PROPORTION
29
00:04:09,717 --> 00:04:13,686
MORE PERFECTLY MANIFESTED
THAN IN THE HUMAN FORM.
30
00:04:13,687 --> 00:04:15,617
EXCUSE ME.
31
00:04:15,623 --> 00:04:18,024
UM, IS THIS
THE, UH...
32
00:04:18,025 --> 00:04:20,225
LIFE STUDY.
33
00:04:20,227 --> 00:04:22,727
WAIT A MINUTE.
DON'T TELL ME.
34
00:04:22,730 --> 00:04:24,096
LET ME GUESS.
35
00:04:24,097 --> 00:04:25,727
LILY LEONETTI.
36
00:04:27,100 --> 00:04:29,869
YOU'RE 2 WEEKS
AND 30 MINUTES LATE.
37
00:04:29,870 --> 00:04:31,638
SORRY. FAMILY EMERGENCY.
38
00:04:31,639 --> 00:04:33,506
IT'S ALL RIGHT.
COME ON IN.
39
00:04:33,507 --> 00:04:35,907
YOU CAN GET SET UP
OVER HERE.
40
00:04:35,909 --> 00:04:37,979
I DON'T THINK
CATHERINE'S
COMING BACK.
41
00:04:37,980 --> 00:04:41,714
ALL RIGHT,
LET'S TRY TO STAY
FOCUSED, FOLKS.
42
00:04:41,715 --> 00:04:45,115
I'M TALKING ABOUT
LEARNING THE RULES
43
00:04:45,118 --> 00:04:46,918
BEFORE YOU BREAK THEM--
44
00:04:46,920 --> 00:04:50,520
SPECIFICALLY,
PERSPECTIVE AND PROPORTION
45
00:04:50,524 --> 00:04:54,126
AS IT RELATES
TO THE HUMAN BODY.
46
00:04:54,127 --> 00:04:58,067
WHICH BRINGS US
BACK TO ISABEL.
47
00:05:00,133 --> 00:05:03,135
SO, SEE IF YOU
CAN DISCOVER
48
00:05:03,136 --> 00:05:04,536
THE HIDDEN
TRUTHS
49
00:05:04,538 --> 00:05:06,768
IN THE SHADOWS
AND THE LIGHT.
50
00:05:06,774 --> 00:05:09,314
TRANSLATE WHAT
YOU SEE THROUGH
YOUR ARMS
51
00:05:09,315 --> 00:05:11,744
AND FINGERTIPS
ONTO THE PAGE.
52
00:05:11,745 --> 00:05:13,145
HI.
53
00:05:13,146 --> 00:05:14,746
HI.
54
00:06:10,203 --> 00:06:12,405
IS THIS 508 ALTA?
55
00:06:12,406 --> 00:06:13,606
YEP.
56
00:06:13,607 --> 00:06:16,476
* SHE COULD TELL
BY THE WAY *
57
00:06:16,477 --> 00:06:20,177
* THE LIGHT
HIT YOUR FACE... **
58
00:06:20,180 --> 00:06:21,948
I'M GREDIN.
59
00:06:21,949 --> 00:06:23,816
I'M LILY.
60
00:06:23,817 --> 00:06:25,817
I KNOW.
61
00:06:27,821 --> 00:06:29,561
THANK YOU.
62
00:06:34,828 --> 00:06:36,428
FOLLOW ME.
63
00:06:41,635 --> 00:06:44,435
THE ENTRANCE
IS IN THE BACK.
64
00:07:11,264 --> 00:07:12,874
BYE, LILY.
65
00:07:40,894 --> 00:07:41,804
YES?
66
00:07:41,805 --> 00:07:44,564
I'M LILY,
THE NEW ROOMMATE.
67
00:07:44,565 --> 00:07:47,765
OH, YOU'RE HERE.
68
00:07:47,768 --> 00:07:49,435
YEAH.
69
00:07:49,436 --> 00:07:51,136
I'M TANYA,
BY THE WAY.
70
00:07:51,138 --> 00:07:52,668
HI.
71
00:07:53,974 --> 00:07:57,184
UM, ANYTHING IN THIS CUPBOARD
IS MINE.
72
00:07:58,712 --> 00:08:01,714
AND THE LIVING ROOM
IS OFF LIMITS
73
00:08:01,715 --> 00:08:03,515
BECAUSE THAT'S WHERE
I PRACTICE.
74
00:08:03,517 --> 00:08:06,717
BRIDGETTE, LILY.
75
00:08:06,720 --> 00:08:08,220
ENGLISH MAJOR,
RIGHT?
76
00:08:08,221 --> 00:08:11,121
NO. ART.
PAINTING.
77
00:08:11,124 --> 00:08:14,026
THAT'S FUNNY.
I NEVER WOULD HAVE GUESSED.
78
00:08:14,027 --> 00:08:18,127
WELL, I CAN SEE WE'RE
OFF TO A GOOD START.
79
00:08:18,131 --> 00:08:19,899
HA HA HA!
80
00:08:19,900 --> 00:08:21,540
COME ON.
81
00:08:26,039 --> 00:08:29,779
* I WISH YOU WERE HERE *
82
00:08:32,512 --> 00:08:35,915
* I WISH YOU WERE HERE *
83
00:08:35,916 --> 00:08:38,816
* GOD, GOD, I... *
84
00:08:38,819 --> 00:08:41,249
* WISH YOU WERE HERE *
85
00:08:44,024 --> 00:08:48,064
* I WISH YOU WERE HERE **
86
00:08:49,963 --> 00:08:52,364
IS SHE ALWAYS
LIKE THAT?
87
00:08:52,365 --> 00:08:54,365
UNFORTUNATELY,
YES.
88
00:08:54,367 --> 00:08:56,367
WHAT ABOUT THAT GUY
GREDIN?
89
00:08:56,369 --> 00:08:57,939
OH, GREDIN'S
REALLY COOL
90
00:08:57,940 --> 00:08:59,768
AND AN AMAZING
SCULPTOR.
91
00:08:59,773 --> 00:09:01,574
AND THAT'S ROBERT,
92
00:09:01,575 --> 00:09:03,135
A MAJOR TALENT.
93
00:09:09,783 --> 00:09:11,993
WELL, HERE WE ARE.
94
00:09:13,654 --> 00:09:16,789
IT'S NOT EXACTLY
THE BEL AIRE.
95
00:09:16,790 --> 00:09:21,390
IN FACT, IT'S NOT
EVEN THE RAMADA.
96
00:09:21,394 --> 00:09:22,795
IT'S NICE.
97
00:09:22,796 --> 00:09:25,665
WHERE DID YOU SAY
YOU WERE FROM AGAIN?
98
00:09:25,666 --> 00:09:27,796
MICHIGAN.
99
00:09:27,801 --> 00:09:30,801
OH. FIRST TIME
TO L.A.?
100
00:09:30,804 --> 00:09:33,539
FIRST TIME ANYWHERE,
REALLY.
101
00:09:33,540 --> 00:09:37,009
WELL, THE WORLD
OF BYTES IS CALLING.
102
00:09:37,010 --> 00:09:39,280
GOT TO RUN.
103
00:11:42,135 --> 00:11:43,395
HELLO.
104
00:11:43,403 --> 00:11:45,404
HOW'S L.A., KIDDO?
105
00:11:45,405 --> 00:11:47,405
HI, DAD.
IT'S GOOD.
106
00:11:47,407 --> 00:11:48,807
IT'S NICE.
107
00:11:48,809 --> 00:11:51,809
WELL, THIS PLACE
FEELS PRETTY EMPTY
WITHOUT YOU.
108
00:11:51,812 --> 00:11:55,014
HOLD ON. YOUR MOM
WANTS TO TALK TO YOU.
109
00:11:55,015 --> 00:11:56,015
O.K.
110
00:11:56,016 --> 00:11:56,816
LILY?
111
00:11:56,817 --> 00:11:57,984
HI, MOM.
112
00:11:57,985 --> 00:12:00,145
DID YOU FIND
THE SURPRISE?
113
00:12:00,153 --> 00:12:03,163
HOLD ON A SEC.
114
00:12:11,765 --> 00:12:14,095
WHAT IS IT?
115
00:12:14,101 --> 00:12:16,568
IT'S JUST
A LITTLE SOMETHING
116
00:12:16,569 --> 00:12:18,439
TO REMIND YOU OF US.
117
00:12:19,572 --> 00:12:21,312
YOU KNOW,
I DON'T KNOW WHY
118
00:12:21,313 --> 00:12:23,838
YOU HAVE TO GO
ALL THE WAY TO L.A.
119
00:12:23,844 --> 00:12:25,077
TO BE AN ARTIST.
120
00:12:25,078 --> 00:12:27,446
WE COULD HAVE
BOUGHT YOU A CAR
121
00:12:27,447 --> 00:12:28,977
IF YOU WENT
TO STATE.
122
00:12:28,982 --> 00:12:30,352
MARY JANE,
KATHERINE'S DAUGHTER,
123
00:12:30,353 --> 00:12:33,250
SHE WENT TO STATE,
AND SHE'S VERY HAPPY
124
00:12:33,253 --> 00:12:36,255
MAKING ALL SORTS
OF ARTS AND CRAFTS.
125
00:12:36,256 --> 00:12:39,856
MOM, DO WE
HAVE TO HAVE THIS
CONVERSATION AGAIN?
126
00:12:39,860 --> 00:12:42,060
WHERE'S DADDY?
127
00:12:42,062 --> 00:12:43,262
BOB!
128
00:12:43,263 --> 00:12:45,865
OH, HE'S GONE OFF
SOMEWHERE.
129
00:12:45,866 --> 00:12:48,866
O.K., WELL, UM,
I GOT TO GO.
130
00:12:48,869 --> 00:12:50,869
GO? WE JUST GOT ON.
131
00:12:50,871 --> 00:12:54,271
MOM, I'M GOING TO
BE LATE FOR CLASS.
132
00:12:54,274 --> 00:12:57,476
O.K., WELL, WILL WE
SEE YOU AT THANKSGIVING?
133
00:12:57,477 --> 00:12:59,277
I DON'T KNOW YET,
MOM.
134
00:12:59,279 --> 00:13:01,479
I HAVEN'T LOOKED
AT MY SCHEDULE.
135
00:13:01,481 --> 00:13:02,881
LILY!
136
00:13:02,883 --> 00:13:04,683
I'LL TRY, O.K.?
137
00:13:04,684 --> 00:13:06,685
BYE. DON'T FORGET
TO CALL ME.
138
00:13:06,686 --> 00:13:08,086
BYE.
139
00:16:36,496 --> 00:16:38,496
THAT'S PETER
THE PERFORMANCE ARTIST,
140
00:16:38,498 --> 00:16:41,698
OR AS HE LIKES
TO REFER TO IT--
141
00:16:41,701 --> 00:16:43,369
SELF AS SHOW.
142
00:16:43,370 --> 00:16:45,104
SOMEDAY, WITH ANY LUCK,
143
00:16:45,105 --> 00:16:47,705
SOMEBODY WILL PUT HIM
OUT OF HIS MISERY.
144
00:17:32,552 --> 00:17:36,222
LOOK AT HER, LILY.
WHAT DO YOU SEE?
145
00:17:38,158 --> 00:17:43,758
I SEE...A FACE...
AND A BODY.
146
00:17:43,763 --> 00:17:45,773
AND WHAT ELSE?
147
00:17:48,168 --> 00:17:50,168
I SEE A NAKED WOMAN.
148
00:17:50,170 --> 00:17:52,770
RIGHT. THE WHOLE
NAKED WOMAN,
149
00:17:52,772 --> 00:17:54,640
NOT JUST PARTS.
150
00:17:54,641 --> 00:17:57,309
NOT JUST THE HEAD...
151
00:17:57,310 --> 00:18:01,710
GET THAT...
SO LET'S GO...
152
00:18:01,714 --> 00:18:04,616
INCLUDE THE BREAST...
153
00:18:04,617 --> 00:18:06,585
AND THE WAIST,
154
00:18:06,586 --> 00:18:09,355
THE LEG,
AND THE WHOLE THING.
155
00:18:09,356 --> 00:18:11,616
GET IT ALL
ON THE PAGE.
156
00:18:11,624 --> 00:18:13,994
JUST KEEP GOING
OVER AND OVER AGAIN,
157
00:18:13,995 --> 00:18:15,161
AND EVENTUALLY--
158
00:18:15,162 --> 00:18:17,402
TECHNIQUE WILL GIVE WAY
TO EXPRESSION.
159
00:18:20,200 --> 00:18:22,200
THANK YOU.
160
00:18:22,202 --> 00:18:24,202
OR EXPRESSION...
161
00:18:24,204 --> 00:18:27,414
WILL GIVE WAY
TO EXPRESSION.
162
00:18:29,342 --> 00:18:33,212
YOU HAVE SOME
THOUGHTS YOU'D LIKE
TO SHARE WITH US?
163
00:18:33,213 --> 00:18:36,553
ME? THOUGHTS? SHARE?
164
00:18:38,084 --> 00:18:40,219
NO. I COULDN'T POSSIBLY.
165
00:18:40,220 --> 00:18:43,820
I'M HERE TO LISTEN
AND LEARN,
166
00:18:43,823 --> 00:18:45,491
COPY AND CONFORM.
167
00:18:45,492 --> 00:18:47,861
FROM THIS MASTERPIECE
YOU'VE JUST CREATED,
168
00:18:47,862 --> 00:18:50,000
IT'S OBVIOUS THAT YOU'VE
TRANSCENDED ALL NEED
169
00:18:50,001 --> 00:18:51,556
FOR TRADITIONAL FORMS.
170
00:18:51,564 --> 00:18:53,874
NO.
171
00:18:54,701 --> 00:18:58,237
THIS, MY FELLOW STUDENTS,
WAS CREATED
172
00:18:58,238 --> 00:19:01,838
OUT OF NO OTHER TRADITION
BUT THAT OF BOREDOM.
173
00:19:08,515 --> 00:19:12,345
THIS...THIS IS
AN A-PLUS.
174
00:19:12,352 --> 00:19:16,222
THIS IS
A PERFECT EXAMPLE
175
00:19:16,223 --> 00:19:19,658
OF 100% SURRENDER
TO THE PROCESS
176
00:19:19,659 --> 00:19:21,659
OF TRADITION.
177
00:19:21,661 --> 00:19:23,461
IT'S SO LIFELIKE
178
00:19:23,463 --> 00:19:25,903
THAT YOU COULD
ALMOST FUCK IT.
179
00:19:33,806 --> 00:19:35,874
YOU THROUGH?
180
00:19:35,875 --> 00:19:38,275
CAN WE GET
BACK TO WORK?
181
00:19:50,022 --> 00:19:51,622
JACKASS.
182
00:20:01,768 --> 00:20:03,034
LILY?
183
00:20:03,035 --> 00:20:05,305
YOU O.K.?
184
00:20:06,506 --> 00:20:07,766
YEAH.
185
00:20:22,922 --> 00:20:24,922
LILY?
186
00:20:24,924 --> 00:20:26,325
YEAH?
187
00:20:26,326 --> 00:20:28,326
CAN I COME IN?
188
00:20:28,328 --> 00:20:30,328
NO. I'M NOT DRESSED.
189
00:20:30,330 --> 00:20:32,730
I'M SORRY
ABOUT EARLIER.
190
00:20:32,732 --> 00:20:35,942
IT HAD NOTHING
TO DO WITH YOU.
191
00:20:59,759 --> 00:21:03,759
"JANUARY 28th.
IT'S LATE. I'M WIDE-AWAKE.
192
00:21:03,763 --> 00:21:07,366
"BURNING UP. BORED.
FEEL LIKE DANCING.
193
00:21:07,367 --> 00:21:11,767
"HAVING SOME FUN,
LIKE TURNING SOMEONE ON,
194
00:21:11,771 --> 00:21:18,977
"TEASE, TAUNT, TWIST HIM
AROUND MY LITTLE FINGER.
195
00:21:18,978 --> 00:21:23,778
"TAKE HIM TO PLACES
HE NEVER KNEW HE WANTED TO GO.
196
00:21:23,783 --> 00:21:30,593
BAD PLACES. DARK PLACES.
GREAT PLACES."
197
00:21:35,395 --> 00:21:39,395
"FEBRUARY 1st.
SELF-PORTRAITS.
198
00:21:39,399 --> 00:21:41,399
"TO EXPOSE IT ALL.
199
00:21:41,401 --> 00:21:44,401
"TO SEE MYSELF
THE WAY A LOVER WOULD.
200
00:21:44,404 --> 00:21:47,406
"NO SHAME. NO FEAR.
201
00:21:47,407 --> 00:21:50,607
NOT A FEAR
IN THE WORLD."
202
00:21:54,414 --> 00:21:56,281
"NOTHING HIDDEN.
203
00:21:56,282 --> 00:21:58,022
NO SECRETS."
204
00:22:56,075 --> 00:22:57,675
NOTHING HIDDEN.
205
00:22:59,078 --> 00:23:01,078
NO SECRETS.
206
00:23:19,532 --> 00:23:22,501
"WITH YOU,
I'M SO FOOLISH IT HURTS.
207
00:23:22,502 --> 00:23:24,502
"MY MOUTH
WANTS TO SPEAK
208
00:23:24,504 --> 00:23:27,506
"BUT ONLY KNOWS
THE WRONG THINGS TO SAY.
209
00:23:27,507 --> 00:23:29,507
"WITHOUT YOU,
THERE IS NO FLOWER,
210
00:23:29,509 --> 00:23:33,149
AND NOTHING GOOD GROWS
IN THE GARDEN OF MY HEART."
211
00:23:37,717 --> 00:23:38,917
HELLO.
212
00:23:38,918 --> 00:23:41,118
HELLO.
LILY LEONETTI?
213
00:23:41,120 --> 00:23:42,520
YEAH.
214
00:23:42,522 --> 00:23:44,522
I UNDERSTAND
YOU'RE LOOKING
215
00:23:44,524 --> 00:23:46,734
FOR A BABYSITTING
JOB.
216
00:23:47,794 --> 00:23:50,434
BRIDGETTE!
SHUT THAT SHIT OFF!
217
00:23:52,031 --> 00:23:53,431
BRIDGETTE!
218
00:23:56,435 --> 00:23:58,435
I'M GOING TO
KILL HER.
219
00:23:58,437 --> 00:24:00,437
YOU WANT
TO HELP? GOOD.
220
00:24:00,439 --> 00:24:02,239
I WAS THINKING
FAT PILLS.
221
00:24:02,241 --> 00:24:05,441
SHE'S ALWAYS
SAYING IF SHE GAINS
ONE MORE POUND,
222
00:24:05,444 --> 00:24:07,054
SHE'S GOING TO
KILL HERSELF.
223
00:24:07,055 --> 00:24:08,446
SUICIDE'S VERY GOOD.
224
00:24:08,447 --> 00:24:10,447
THANK YOU.
THANK YOU VERY MUCH.
225
00:24:10,449 --> 00:24:12,049
HEY, YOU KNOW WHAT?
226
00:24:12,051 --> 00:24:13,051
WHAT?
227
00:24:13,052 --> 00:24:14,452
I GOT A JOB.
228
00:24:14,453 --> 00:24:16,054
DOING WHAT?
229
00:24:16,055 --> 00:24:16,855
BABYSITTING.
230
00:24:16,856 --> 00:24:19,056
WELL,
HOW TOTALLY SWEET.
231
00:24:19,058 --> 00:24:20,058
HEY!
232
00:24:20,059 --> 00:24:21,659
IT IS.
233
00:24:23,462 --> 00:24:27,866
SHE HATES ME.
I'M AN INSENSITIVE MALE.
234
00:24:27,867 --> 00:24:29,867
YOU TWO KNOW
EACH OTHER?
235
00:24:29,869 --> 00:24:34,669
WE DO, BUT SHE MIGHT
NOT WANT TO KNOW ME NOW.
236
00:24:36,475 --> 00:24:39,044
TELL HER I'M NOT
HALF BAD, TANYA.
237
00:24:39,045 --> 00:24:43,075
I WISH I WERE
HALF AS GOOD
AS YOU, GREDIN.
238
00:24:45,685 --> 00:24:48,085
COME ON.
I'LL MAKE IT UP TO YOU.
239
00:24:49,488 --> 00:24:52,088
NOTHING VENTURED,
NOTHING GAINED,
RIGHT?
240
00:25:10,509 --> 00:25:12,309
I GOT CARRIED AWAY
WITH DONALD.
241
00:25:12,311 --> 00:25:15,914
I SHOULDN'T
HAVE PUT YOU
IN THE MIDDLE OF IT.
242
00:25:15,915 --> 00:25:17,915
YEAH, WELL,
I PROBABLY OVERREACTED.
243
00:25:17,917 --> 00:25:20,917
I CAN SOMETIMES
BE HYPERSENSITIVE.
244
00:25:20,920 --> 00:25:24,520
YOU SHOULDN'T BE.
YOU GOT IT.
245
00:25:24,523 --> 00:25:28,927
YEAH. I'M THE ONLY
PERSON IN CLASS
246
00:25:28,928 --> 00:25:33,128
WHOSE HAND THE TEACHER
HAS TO HOLD--LITERALLY.
247
00:25:34,533 --> 00:25:36,534
WELL, FALK HAS
A WEAKNESS
248
00:25:36,535 --> 00:25:38,535
FOR HIS FEMALE
UNDERGRADS,
249
00:25:38,537 --> 00:25:40,737
ESPECIALLY WHEN THEY
LOOK LIKE YOU.
250
00:25:42,541 --> 00:25:43,941
WHAT IS THIS?
251
00:25:43,943 --> 00:25:46,144
THIS IS MY
MAGICAL CRAP.
252
00:25:46,145 --> 00:25:47,745
I'M SORT OF
HOPING
253
00:25:47,747 --> 00:25:50,277
IT WILL WIN ME
A GUGGENHEIM.
254
00:25:50,282 --> 00:25:53,151
YOU'LL GET IT.
255
00:25:53,152 --> 00:25:56,154
YOU PSYCHIC?
256
00:25:56,155 --> 00:25:58,755
NO. YOU DESERVE IT.
257
00:26:00,559 --> 00:26:02,189
SO WHERE WERE YOU
258
00:26:02,194 --> 00:26:03,964
THE FIRST
TWO WEEKS?
259
00:26:05,564 --> 00:26:08,967
WELL...
WHEN I APPLIED,
260
00:26:08,968 --> 00:26:12,168
I NEVER THOUGHT
I'D GET ACCEPTED.
261
00:26:12,171 --> 00:26:14,571
THEN I WAS,
262
00:26:14,573 --> 00:26:17,008
AND I JUST
FREAKED.
263
00:26:17,009 --> 00:26:19,978
NO BIG FAMILY
EMERGENCY.
264
00:26:19,979 --> 00:26:24,179
JUST MY OWN
LITTLE PRIVATE ONE.
265
00:26:24,183 --> 00:26:26,193
THAT'S ALL.
266
00:26:27,586 --> 00:26:28,986
THAT'S ENOUGH.
267
00:26:28,988 --> 00:26:32,588
YOU, UH, SEE THAT
HILL OVER THERE?
268
00:26:32,591 --> 00:26:33,991
MM-HMM.
269
00:26:33,993 --> 00:26:36,995
THAT'S BEVERLY HILLS.
THAT'S MY HOME.
270
00:26:36,996 --> 00:26:40,996
MIGHT AS WELL
BE TIMBUKTU.
271
00:26:41,000 --> 00:26:44,600
MY FATHER AND I--
WE DON'T TALK ANYMORE.
272
00:26:57,016 --> 00:26:59,616
WHAT ARE YOU
THINKING?
273
00:26:59,618 --> 00:27:01,948
I'M MAKING A WISH.
274
00:27:04,623 --> 00:27:07,225
WHAT ARE YOU
WISHING?
275
00:27:07,226 --> 00:27:10,026
THAT I COULD JUST...
276
00:27:10,029 --> 00:27:14,229
OPEN MY EYES
AND BE DIFFERENT.
277
00:27:16,235 --> 00:27:18,235
LISTEN TO ME.
278
00:27:18,237 --> 00:27:20,237
I'M LISTENING.
279
00:27:27,646 --> 00:27:29,846
AND I LIKE
DOING THAT.
280
00:27:31,650 --> 00:27:34,650
YOU'RE BEAUTIFUL.
281
00:27:34,653 --> 00:27:36,654
NO, I'M NOT.
282
00:27:36,655 --> 00:27:39,055
YES, YOU ARE.
283
00:27:39,058 --> 00:27:43,858
YOU'RE SWEET,
YOU'RE BEAUTIFUL...
284
00:27:45,664 --> 00:27:47,274
AND DIFFERENT.
285
00:27:56,275 --> 00:27:57,875
UM...
286
00:27:59,278 --> 00:28:00,878
LILY.
287
00:28:16,729 --> 00:28:18,129
"MARCH 1st.
288
00:28:18,130 --> 00:28:21,730
"HOW DO YOU KNOW
WHAT YOU CAN DO
289
00:28:21,734 --> 00:28:23,735
"UNTIL YOU DO IT?
290
00:28:23,736 --> 00:28:26,736
"HOW DO YOU KNOW
WHO YOU CAN HAVE
291
00:28:26,739 --> 00:28:28,739
"UNTIL YOU HAVE THEM?
292
00:28:28,741 --> 00:28:31,741
"I DIDN'T KNOW HIM
FROM ADAM,
293
00:28:31,744 --> 00:28:35,146
"BUT I KNEW
EXACTLY WHAT HE NEEDED.
294
00:28:35,147 --> 00:28:37,777
WHAT HE NEEDED WAS ME."
295
00:28:38,985 --> 00:28:41,715
"A DARK CLUB,
LOUD MUSIC,
296
00:28:41,720 --> 00:28:44,320
"A CORNER TO OURSELVES.
297
00:28:44,323 --> 00:28:46,324
"ANONYMOUS...
298
00:28:46,325 --> 00:28:48,325
"SHAMELESS.
299
00:28:48,327 --> 00:28:51,327
NO PAST. NO FUTURE."
300
00:30:05,804 --> 00:30:11,943
* NEVER SEEN MYSELF
THIS WAY BEFORE *
301
00:30:11,944 --> 00:30:13,544
* WHAT'S COME OVER... *
302
00:30:13,545 --> 00:30:14,945
OH!
303
00:30:14,947 --> 00:30:17,077
* ME? *
304
00:30:17,083 --> 00:30:22,220
* ALL I KNOW
IS THAT I NEED TO EXPLORE *
305
00:30:22,221 --> 00:30:27,959
* THIS FEELING
THAT'S COME OVER ME *
306
00:30:27,960 --> 00:30:31,560
* I CAN'T CONTROL *
307
00:30:31,563 --> 00:30:33,231
* THIS NEW BEGINNING *
308
00:30:33,232 --> 00:30:39,837
* AM I COMING UP
OR GOING INTO A TRANCE? *
309
00:30:39,838 --> 00:30:42,974
* DEEP INSIDE *
310
00:30:42,975 --> 00:30:44,775
* I FEEL THE HEARTBEAT *
311
00:30:44,776 --> 00:30:51,846
* OF THE PART OF ME
THAT'S COME TO LIFE AT LAST *
312
00:30:51,850 --> 00:30:58,020
* NEVER SEEN MYSELF
THIS WAY BEFORE *
313
00:30:58,024 --> 00:31:02,194
* WHAT'S COME OVER ME? *
314
00:31:03,395 --> 00:31:08,465
* ALL I KNOW
IS THAT I MUST EXPLORE *
315
00:31:08,467 --> 00:31:17,875
* THIS FEELING
THAT'S COME OVER ME *
316
00:31:17,876 --> 00:31:20,476
* WHAT'S COME OVER ME? **
317
00:31:20,479 --> 00:31:21,879
TEASE.
318
00:31:21,880 --> 00:31:24,080
TAUNT.
319
00:31:25,284 --> 00:31:28,494
TWIST HIM
AROUND MY LITTLE FINGER.
320
00:31:29,488 --> 00:31:32,288
"NO SHAME. NO FEAR.
321
00:31:32,291 --> 00:31:36,061
NOT A FEAR IN THE WORLD."
322
00:31:52,244 --> 00:31:55,084
HA HA!
323
00:32:01,520 --> 00:32:03,420
HA HA!
LOOKING GOOD!
324
00:32:03,422 --> 00:32:06,992
THAT GUY'S A LOSER.
IT'S ME YOU WANT.
325
00:32:08,194 --> 00:32:10,334
BESIDES, I HAVE
A LOT MORE TO OFFER
326
00:32:10,335 --> 00:32:12,529
THAN JUST MY FINE
YOUNG BODY.
327
00:32:12,531 --> 00:32:14,531
I HAVE IT UP HERE.
328
00:32:14,533 --> 00:32:15,933
THAT'S, UH, TOO BAD
329
00:32:15,934 --> 00:32:18,936
BECAUSE ALL I WAS
REALLY INTERESTED IN
330
00:32:18,937 --> 00:32:21,137
WAS YOUR BODY.
331
00:32:24,343 --> 00:32:26,644
SAME TIME,
SAME PLACE?
332
00:32:26,645 --> 00:32:28,245
MAYBE.
333
00:32:55,574 --> 00:32:56,974
HEY THERE.
334
00:32:56,975 --> 00:32:58,575
HI.
335
00:32:59,978 --> 00:33:01,978
WELL, WHAT DO YOU
THINK?
336
00:33:03,115 --> 00:33:04,575
IT'S, UH...
337
00:33:05,984 --> 00:33:08,194
INTENSE. HA HA!
338
00:33:20,799 --> 00:33:23,399
EITHER SOMETHING VERY TRAGIC
OR TERRIBLY EXCITING
339
00:33:23,402 --> 00:33:25,602
IS HAPPENING
IN YOUR LIFE.
340
00:33:30,809 --> 00:33:34,379
WOMEN ONLY CHANGE THEIR HAIR
WHEN IT'S ONE OF THE TWO.
341
00:33:34,380 --> 00:33:35,780
OH.
342
00:33:35,781 --> 00:33:37,781
I DON'T KNOW.
343
00:33:37,783 --> 00:33:40,585
I--I THINK
I WAS JUST BORED.
344
00:33:40,586 --> 00:33:42,616
I BET IT WAS
SOMETHING EXCITING.
345
00:33:42,621 --> 00:33:43,688
LIKE WHAT?
346
00:33:43,689 --> 00:33:46,489
I CONFESS.
I'M NOT REALLY
A FORTUNETELLER.
347
00:33:47,426 --> 00:33:49,026
YOU HAVE
A PRETTY FACE.
348
00:33:49,027 --> 00:33:50,427
YOU SHOULDN'T
HIDE IT
349
00:33:50,429 --> 00:33:52,029
BEHIND THAT NEW
HAIR STYLE.
350
00:33:52,030 --> 00:33:53,630
DONALD?
351
00:33:53,632 --> 00:33:54,572
HEY.
352
00:33:54,573 --> 00:33:57,766
HEY! I THOUGHT
I'D FIND YOU HERE.
353
00:33:57,769 --> 00:33:59,569
LILY, MEET ANGELA,
MY WIFE.
354
00:33:59,571 --> 00:34:02,511
ANGELA, THIS IS LILY,
YOUR NEW BABYSITTER.
355
00:34:03,375 --> 00:34:06,705
HI. NICE
TO MEET YOU, LILY.
356
00:34:08,114 --> 00:34:10,254
12 MISSISSIPPI.
357
00:34:11,217 --> 00:34:13,717
13 MISSISSIPPI.
358
00:34:14,920 --> 00:34:17,060
14 MISSISSIPPI.
359
00:34:22,828 --> 00:34:25,058
15 MISSISSIPPI.
360
00:34:25,063 --> 00:34:26,764
I'M READY!
361
00:34:26,765 --> 00:34:29,665
16 MISSISSIPPI.
362
00:34:29,668 --> 00:34:32,068
LILY, HURRY UP!
363
00:34:32,070 --> 00:34:34,670
17, 18,
364
00:34:34,673 --> 00:34:37,283
19, 20!
365
00:34:39,678 --> 00:34:41,678
DAPHNA.
366
00:34:43,081 --> 00:34:46,081
OH, DAPHNA.
367
00:34:58,364 --> 00:35:00,531
BOO!
368
00:35:00,532 --> 00:35:02,066
AAH!
369
00:35:02,067 --> 00:35:03,467
GOTCHA.
370
00:35:03,469 --> 00:35:05,469
OH, I MUST SAY,
DAPHNA.
371
00:35:05,471 --> 00:35:07,671
YOU ARE
A GREAT HIDER.
372
00:35:07,673 --> 00:35:09,073
THANK YOU.
373
00:35:09,074 --> 00:35:10,714
OH, YOU'RE WELCOME.
374
00:35:13,245 --> 00:35:16,245
THOSE ARE PICTURES
OF DADDY'S OLD PAINTINGS.
375
00:35:16,248 --> 00:35:18,878
HE DOESN'T LIKE
TO PAINT ANYMORE.
376
00:35:23,121 --> 00:35:24,721
WHY?
377
00:35:25,924 --> 00:35:29,727
MAMMA SAYS IT'S BECAUSE
PAINTING MAKES HIM CRAZY.
378
00:35:29,728 --> 00:35:31,728
HA HA HA!
379
00:35:34,733 --> 00:35:36,133
DAPHNA?
380
00:35:36,134 --> 00:35:38,135
I'M GOING TO
HIDE AGAIN.
381
00:35:38,136 --> 00:35:39,636
OH, WAIT, DAPHNA.
382
00:35:43,475 --> 00:35:44,835
HI.
383
00:35:45,911 --> 00:35:47,481
Hi.
384
00:35:50,148 --> 00:35:51,748
HELLO!
385
00:35:53,752 --> 00:35:55,152
HELLO?
386
00:35:55,153 --> 00:35:56,621
HI.
387
00:35:56,622 --> 00:35:57,888
HI, SWEETIE.
388
00:35:57,889 --> 00:35:59,189
HI. HI, LILY.
389
00:35:59,191 --> 00:36:00,631
HI.
390
00:36:01,427 --> 00:36:03,427
WHAT YOU BEEN UP TO?
391
00:36:03,429 --> 00:36:05,629
OH, I DID
THE PORTRAIT.
392
00:36:05,631 --> 00:36:06,764
ALL RIGHT.
393
00:36:06,765 --> 00:36:08,765
ANGELA'S GETTING
BACK INTO HER PHOTOGRAPHY.
394
00:36:08,767 --> 00:36:11,367
SHE ALWAYS SAID SHE'D GIVE
DAPHNA FOUR YEARS,
395
00:36:11,370 --> 00:36:13,640
BUT LUCKY DAPHNA
GOT A FULL SEVEN.
396
00:36:13,641 --> 00:36:15,105
HA HA HA!
397
00:36:15,106 --> 00:36:16,506
RIGHT.
398
00:36:16,508 --> 00:36:19,138
WHY DON'T YOU
TAKE LILY HOME?
399
00:36:19,144 --> 00:36:20,545
MOM! I'M HIDING!
400
00:36:20,546 --> 00:36:23,176
NO ONE'S COME
TO FIND ME!
401
00:36:23,181 --> 00:36:24,581
BYE, LILY.
402
00:36:24,583 --> 00:36:26,884
I'LL GIVE YOU A LIFT.
403
00:36:26,885 --> 00:36:28,885
NOW FROM L.A.'s BEST STATION
404
00:36:28,887 --> 00:36:31,487
FOR THE SOUND OF JAZZ,
ANOTHER 30 MINUTES...
405
00:36:31,490 --> 00:36:32,790
SO...
HA HA HA!
406
00:36:36,595 --> 00:36:38,195
WHY DON'T YOU
TELL ME
407
00:36:38,196 --> 00:36:40,196
A LITTLE BIT
ABOUT YOURSELF,
LILY?
408
00:36:40,198 --> 00:36:42,798
WHERE WAS IT
YOU SAID
YOU WERE FROM?
409
00:36:42,801 --> 00:36:44,401
YOU'LL LAUGH.
410
00:36:47,205 --> 00:36:49,205
KALAMAZOO, MICHIGAN.
411
00:36:49,207 --> 00:36:50,807
HA HA!
412
00:36:50,809 --> 00:36:52,209
BORN AND BRED...
413
00:36:52,210 --> 00:36:54,078
AND STIFLED.
414
00:36:54,079 --> 00:36:56,347
WELL, THAT'S
A BIG MOVE, HUH?
415
00:36:56,348 --> 00:36:58,918
ALL THE WAY
OUT TO CALIFORNIA
BY YOURSELF.
416
00:37:00,619 --> 00:37:03,354
I WAS REALLY SCARED
AT FIRST, YOU KNOW,
417
00:37:03,355 --> 00:37:06,085
BUT I THINK I MADE
THE RIGHT DECISION.
418
00:37:06,091 --> 00:37:07,325
DEFINITELY.
419
00:37:07,326 --> 00:37:08,926
CAN'T AFFORD
TO BE AFRAID
420
00:37:08,927 --> 00:37:10,727
AT YOUR STAGE
OF THE GAME.
421
00:37:14,833 --> 00:37:16,233
RIGHT UP HERE?
422
00:37:16,234 --> 00:37:17,844
YEAH, THAT'S IT.
423
00:37:19,638 --> 00:37:22,838
WELL,
I GUESS I BETTER
LET YOU OUT.
424
00:37:22,841 --> 00:37:24,841
THANKS A LOT.
425
00:37:24,843 --> 00:37:26,243
HERE'S YOUR BAG.
426
00:37:26,244 --> 00:37:28,245
THANKS.
427
00:37:28,246 --> 00:37:30,246
IF YOU WANT
TO SHOW ME
428
00:37:30,248 --> 00:37:32,248
SOME OF YOUR
OTHER WORK SOMETIME,
429
00:37:32,250 --> 00:37:33,650
I'D LOVE TO SEE IT.
430
00:37:33,652 --> 00:37:35,652
LIKE WHEN--
LIKE AFTER CLASS?
431
00:37:35,654 --> 00:37:38,260
YEAH.
I'M IN THE STUDIO
EVERY AFTERNOON
432
00:37:38,261 --> 00:37:39,856
BY THE FACULTY
BUILDING.
433
00:37:39,858 --> 00:37:41,858
O.K. YEAH.
434
00:37:41,860 --> 00:37:43,260
MAYBE I'LL DO THAT.
435
00:37:43,261 --> 00:37:44,501
GREAT.
436
00:38:16,895 --> 00:38:18,695
"JUNE 1st.
437
00:38:18,697 --> 00:38:21,297
"IVY'S PHILOSOPHY
NUMBER 21.
438
00:38:21,299 --> 00:38:23,499
NEVER FALL IN LOVE."
439
00:38:24,703 --> 00:38:27,705
"AS LONG AS I CAN BREAK
SOMEBODY'S HEART,
440
00:38:27,706 --> 00:38:29,906
THAT'S LOVE ENOUGH
FOR ME."
441
00:38:43,355 --> 00:38:45,915
"HOW DO YOU KNOW
WHAT YOU CAN DO
442
00:38:45,924 --> 00:38:47,534
UNTIL YOU DO IT?"
443
00:39:00,338 --> 00:39:01,938
HI.
444
00:39:01,940 --> 00:39:03,540
HI.
445
00:39:05,944 --> 00:39:07,554
AHEM.
446
00:39:08,947 --> 00:39:10,347
HOW ARE YOU?
447
00:39:10,348 --> 00:39:12,348
GOOD, AND YOU?
448
00:39:12,350 --> 00:39:14,350
I'M GOOD.
449
00:39:14,352 --> 00:39:16,562
THIRSTY?
450
00:39:17,956 --> 00:39:19,556
SURE.
451
00:40:02,501 --> 00:40:04,701
YOU DON'T LIKE IT.
452
00:40:04,703 --> 00:40:06,203
NO.
453
00:40:07,072 --> 00:40:09,612
NO, I THINK YOU LOOK
INCREDIBLY SEXY.
454
00:40:12,077 --> 00:40:14,077
I'M GLAD YOU LIKE IT.
455
00:40:14,079 --> 00:40:15,879
DID DONALD
LIKE IT?
456
00:40:19,818 --> 00:40:21,686
I SAW HIM
DROP YOU OFF.
457
00:40:21,687 --> 00:40:23,217
SEEMS LIKE
YOU'RE BECOMING
458
00:40:23,221 --> 00:40:24,761
A REGULAR
TEACHER'S PET.
459
00:40:25,857 --> 00:40:27,257
NO.
460
00:40:27,258 --> 00:40:29,458
JUST HIS BABYSITTER.
461
00:40:44,442 --> 00:40:46,042
DO YOU STILL THINK
462
00:40:46,044 --> 00:40:48,045
THAT I'M
DIFFERENT...
463
00:40:48,046 --> 00:40:49,646
BEAUTIFUL?
464
00:40:51,182 --> 00:40:53,182
YEAH.
465
00:40:53,184 --> 00:40:54,785
MMM.
466
00:40:54,786 --> 00:40:56,186
MAY I?
467
00:40:56,187 --> 00:40:58,187
HMM...
468
00:40:58,189 --> 00:40:59,789
O.K.
469
00:41:07,799 --> 00:41:09,199
MAY I?
470
00:41:10,602 --> 00:41:12,202
HA HA HA!
471
00:41:39,965 --> 00:41:41,865
* HEY *
472
00:42:03,722 --> 00:42:06,891
* DON'T GO TOO SLOW *
473
00:42:06,892 --> 00:42:12,262
* DON'T GO TOO FAST *
474
00:42:12,263 --> 00:42:14,932
* BABY *
475
00:42:14,933 --> 00:42:17,802
* I'VE BEEN WAITING SO LONG *
476
00:42:17,803 --> 00:42:23,007
* I WANT IT TO LAST *
477
00:42:23,008 --> 00:42:24,908
* BABY *
478
00:42:25,944 --> 00:42:28,679
* TREMBLING INSIDE *
479
00:42:28,680 --> 00:42:31,548
* WITH BURNING DESIRE *
480
00:42:31,549 --> 00:42:35,619
* I'M 'BOUT
TO LOSE MY MIND *
481
00:42:36,822 --> 00:42:39,690
* IT FEELS SO RIGHT *
482
00:42:39,691 --> 00:42:42,426
* TO FEED THIS FIRE *
483
00:42:42,427 --> 00:42:47,564
* ALL THROUGH THE NIGHT *
484
00:42:47,565 --> 00:42:50,434
* I CAN'T DENY *
485
00:42:50,435 --> 00:42:52,835
* DON'T WANT TO HIDE *
486
00:42:52,838 --> 00:42:56,778
* THIS ACHING FOR YOU *
487
00:42:58,443 --> 00:43:00,845
* DEEP IN MY SOUL *
488
00:43:00,846 --> 00:43:03,714
* I NEED YOUR CONTROL *
489
00:43:03,715 --> 00:43:09,315
* ACHING FOR YOU *
490
00:43:09,320 --> 00:43:11,856
* HERE IN YOUR ARMS *
491
00:43:11,857 --> 00:43:14,587
* I FEEL SO WARM *
492
00:43:14,592 --> 00:43:19,864
* ACHING FOR YOU *
493
00:43:19,865 --> 00:43:22,595
* I LOVE YOUR TOUCH *
494
00:43:22,600 --> 00:43:25,335
* IT'S NEVER TOO MUCH *
495
00:43:25,336 --> 00:43:30,936
* THIS ACHING FOR YOU *
496
00:43:33,111 --> 00:43:35,746
* YEAH *
497
00:43:35,747 --> 00:43:40,347
* THIS ACHING FOR YOU **
498
00:44:06,377 --> 00:44:08,177
"THERE I WAS AGAIN,
499
00:44:08,179 --> 00:44:10,379
"GOING OUT INTO THE UNKNOWN...
500
00:44:10,381 --> 00:44:12,121
JUST BECAUSE."
501
00:44:56,661 --> 00:44:59,731
DO YOU
REMEMBER ME?
502
00:45:06,838 --> 00:45:08,908
TAKE ME WITH YOU?
503
00:45:10,441 --> 00:45:12,041
I CAN'T.
504
00:46:03,628 --> 00:46:05,758
YOU DIDN'T THINK
I'D COME.
505
00:46:07,899 --> 00:46:09,399
I WASN'T SURE.
506
00:46:10,902 --> 00:46:12,502
BRING IT HERE.
507
00:46:35,526 --> 00:46:38,126
GREAT MIDWEST.
508
00:46:38,129 --> 00:46:39,929
HA HA!
509
00:46:39,931 --> 00:46:42,599
MMM. THAT'S NICE.
510
00:46:42,600 --> 00:46:44,200
THANKS.
511
00:46:46,404 --> 00:46:47,974
GOOD STUDENT.
512
00:46:50,808 --> 00:46:52,408
STUDENT?
513
00:46:53,478 --> 00:46:55,278
WELL...
514
00:46:55,280 --> 00:46:57,480
YOU'RE STILL
VERY CAUTIOUS...
515
00:46:57,482 --> 00:46:59,282
CAREFUL.
516
00:47:04,555 --> 00:47:06,215
YOU KNOW, IT'S...
517
00:47:06,224 --> 00:47:08,692
IT'S SORT OF FUNNY
TO ME
518
00:47:08,693 --> 00:47:10,928
THE WAY YOU CAN...
519
00:47:10,929 --> 00:47:12,929
TEACH AND JUDGE,
520
00:47:12,931 --> 00:47:14,331
AND YET...
521
00:47:14,332 --> 00:47:16,572
YOU YOURSELF
NO LONGER PAINT.
522
00:47:18,970 --> 00:47:20,570
THINK THAT'S FUNNY?
523
00:47:20,571 --> 00:47:21,771
HA HA!
524
00:47:21,772 --> 00:47:24,312
NO. ACTUALLY,
I THINK IT'S
BULLSHIT.
525
00:47:26,377 --> 00:47:28,877
HMM...
526
00:47:28,880 --> 00:47:31,980
WHAT DO YOU PROPOSE
TO DO ABOUT IT?
527
00:47:31,983 --> 00:47:33,583
I DON'T KNOW.
528
00:47:36,988 --> 00:47:38,488
YOU SEE...
529
00:47:39,590 --> 00:47:41,190
TO BE AN ARTIST...
530
00:47:43,394 --> 00:47:46,396
YOU KNOW, TO BE
A SERIOUS ARTIST...
531
00:47:46,397 --> 00:47:50,067
YOU HAVE TO BE WILLING
TO SACRIFICE EVERYTHING.
532
00:47:50,068 --> 00:47:52,668
YOU HAVE TO CONFRONT
YOUR DEMONS
533
00:47:52,670 --> 00:47:55,270
AND GO INTO BATTLE
WITH THEM.
534
00:47:57,608 --> 00:47:59,208
THAT'S WHAT I WANT.
535
00:48:00,611 --> 00:48:01,878
I'M READY FOR THAT.
536
00:48:01,879 --> 00:48:03,479
REALLY?
537
00:48:07,418 --> 00:48:11,218
I LOST A FEW BATTLES
ALONG THE WAY MYSELF.
538
00:48:12,423 --> 00:48:15,233
THAT'S WHY I STOPPED
PAINTING.
539
00:48:20,631 --> 00:48:22,366
WELL, THEN...
540
00:48:22,367 --> 00:48:23,897
MAYBE...
541
00:48:23,901 --> 00:48:26,641
I CAN HELP YOU
FACE YOUR FEARS...
542
00:48:27,738 --> 00:48:30,608
AND YOU COULD
HELP ME FACE MINE.
543
00:48:32,643 --> 00:48:34,513
ARE YOU SURE?
544
00:48:45,656 --> 00:48:47,256
SIT DOWN.
545
00:48:50,261 --> 00:48:51,661
DO IT.
546
00:49:19,890 --> 00:49:21,790
TAKE OFF
YOUR CLOTHES.
547
00:49:21,792 --> 00:49:23,692
HA HA!
548
00:49:26,831 --> 00:49:28,831
DOES THAT PROSPECT
FRIGHTEN YOU?
549
00:49:28,833 --> 00:49:32,073
Y-YEAH, A LITTLE.
550
00:49:35,106 --> 00:49:37,706
THEN ALL
THE MORE REASON
TO DO IT, RIGHT?
551
00:49:51,389 --> 00:49:52,989
O.K.
552
00:50:54,452 --> 00:50:58,922
* SEEKIN' FOR PLEASURE *
553
00:50:58,923 --> 00:51:03,593
* IN ALL THE WRONG PLACES *
554
00:51:03,594 --> 00:51:08,064
* CAN'T TAKE
THE PRESSURE *
555
00:51:08,065 --> 00:51:12,935
* TO KEEP GETTIN' WASTED *
556
00:51:12,937 --> 00:51:15,205
* DEEPER AND DEEPER *
557
00:51:15,206 --> 00:51:17,336
* GOIN' DOWN *
558
00:51:17,342 --> 00:51:19,342
* DEEPER AND DEEPER *
559
00:51:19,344 --> 00:51:21,945
* WITHOUT A SOUND *
560
00:51:21,946 --> 00:51:24,076
* DEEPER AND DEEPER *
561
00:51:24,081 --> 00:51:26,216
* GOIN' DOWN *
562
00:51:26,217 --> 00:51:29,817
* DEEPER AND DEEPER *
563
00:51:29,820 --> 00:51:31,688
* OOH, OOH, OOH *
564
00:51:31,689 --> 00:51:34,089
* OOH, OOH, OOH *
565
00:51:34,091 --> 00:51:36,560
* YEAH, YEAH *
566
00:51:36,561 --> 00:51:38,501
YEAH.
567
00:51:39,364 --> 00:51:42,932
* MIND GETS SO TIRED *
568
00:51:42,933 --> 00:51:47,036
* FROM TOO MUCH THINKIN' *
569
00:51:47,037 --> 00:51:51,337
* TRY TO GET HIGHER *
570
00:51:51,342 --> 00:51:55,345
* BUT YOU'RE ALWAYS SINKIN' *
571
00:51:55,346 --> 00:51:58,815
* DEEPER AND DEEPER *
572
00:51:58,816 --> 00:52:00,346
* GOIN' DOWN *
573
00:52:00,351 --> 00:52:03,086
* DEEPER AND DEEPER *
574
00:52:03,087 --> 00:52:04,817
* WITHOUT A SOUND *
575
00:52:04,822 --> 00:52:07,090
* DEEPER AND DEEPER *
576
00:52:07,091 --> 00:52:10,260
* GOIN' DOWN *
577
00:52:10,261 --> 00:52:12,496
* DEEPER AND DEEPER *
578
00:52:12,497 --> 00:52:14,964
* OOH, OOH, OOH *
579
00:52:14,965 --> 00:52:17,895
* OOH, OOH, OOH *
580
00:52:17,902 --> 00:52:20,442
* AHH *
581
00:53:07,618 --> 00:53:09,185
SEE YOU.
582
00:53:09,186 --> 00:53:11,016
* OOH OOH,
OOH OOH, OOH OOH *
583
00:53:11,021 --> 00:53:12,491
TOMORROW?
584
00:53:13,391 --> 00:53:16,231
* AH AH, AH AH,
AH AH *
585
00:53:17,928 --> 00:53:20,468
* AH AH, AH AH,
AH AH *
586
00:53:21,399 --> 00:53:23,629
* AH AH, AH AH,
AH AH *
587
00:53:23,634 --> 00:53:25,034
HI.
588
00:53:25,035 --> 00:53:26,435
HI.
589
00:53:26,437 --> 00:53:28,437
UM, I'M REALLY LATE
FOR WORK.
590
00:53:28,439 --> 00:53:29,839
I'M STARTING TO FEEL
591
00:53:29,840 --> 00:53:32,510
LIKE ONE OF THOSE SEDUCED
AND ABANDONED CASES.
592
00:53:33,444 --> 00:53:36,446
THIS ISN'T
A BOY/GIRL THING,
GREDIN.
593
00:53:36,447 --> 00:53:38,647
THIS IS
A WORK THING.
594
00:53:40,050 --> 00:53:41,650
ARE YOU SURE?
595
00:53:44,455 --> 00:53:46,315
DON'T BE
SO INSECURE.
596
00:53:46,324 --> 00:53:48,458
* DEEPER *
597
00:53:48,459 --> 00:53:50,794
* DEEPER *
598
00:53:50,795 --> 00:53:53,025
* DEEPER *
599
00:53:53,030 --> 00:53:54,930
* DEEPER *
600
00:53:54,932 --> 00:53:57,066
* DEEPER *
601
00:53:57,067 --> 00:53:59,336
* DEEPER *
602
00:53:59,337 --> 00:54:01,467
* DEEPER *
603
00:54:01,472 --> 00:54:03,612
* OH, OH, OH, OH,
OH, OH, OH, OH *
604
00:54:03,613 --> 00:54:05,938
* DEEPER AND DEEPER *
605
00:54:05,943 --> 00:54:07,944
* GOIN' DOWN *
606
00:54:07,945 --> 00:54:09,945
* DEEPER AND DEEPER *
607
00:54:09,947 --> 00:54:12,215
* WITHOUT A SOUND *
608
00:54:12,216 --> 00:54:14,784
* DEEPER AND DEEPER *
609
00:54:14,785 --> 00:54:16,485
* GOIN' DOWN *
610
00:54:16,487 --> 00:54:19,617
* DEEPER AND DEEPER *
611
00:54:19,624 --> 00:54:21,491
* OOH, OOH, OOH *
612
00:54:21,492 --> 00:54:24,494
* OOH, AHH, AHH *
613
00:54:24,495 --> 00:54:26,695
* AHH, UH **
614
00:54:41,512 --> 00:54:43,112
HI. THIS IS LILY.
615
00:54:43,113 --> 00:54:44,914
I CAN'T GET
TO THE PHONE,
616
00:54:44,915 --> 00:54:47,715
SO LEAVE YOUR MESSAGE
AFTER THE BEEP. THANKS.
617
00:55:22,219 --> 00:55:24,754
BOO! HA HA HA!
618
00:55:24,755 --> 00:55:26,455
GOTCHA!
619
00:55:26,457 --> 00:55:28,457
UM, WE'RE HAVING
A PARTY TONIGHT.
620
00:55:28,459 --> 00:55:30,694
IT'S GOING TO BE
PRETTY LOUD.
621
00:55:30,695 --> 00:55:33,495
I JUST THOUGHT
I'D LET YOU KNOW. BYE.
622
00:55:40,771 --> 00:55:42,371
FUCK HER.
623
00:55:48,579 --> 00:55:51,179
GREDIN! GREDIN!
624
00:55:51,181 --> 00:55:53,181
YO! OVER HERE!
625
00:55:53,183 --> 00:55:56,185
HEY, YOU BEAUTIFUL MAN,
COME ON!
626
00:55:56,186 --> 00:55:58,186
GREDIN!
627
00:55:58,188 --> 00:56:00,188
STOP WHAT YOU'RE DOING!
628
00:56:00,190 --> 00:56:02,058
OH, GOD, I'M SO TIRED!
629
00:56:02,059 --> 00:56:05,795
WHY DO YOU HAVE TO
HAVE THIS SCULPTURE
UP HERE?
630
00:56:05,796 --> 00:56:07,666
HERE'S A BEER!
631
00:56:09,199 --> 00:56:12,068
IS THAT LIPSTICK
ON YOUR FACE?
632
00:56:12,069 --> 00:56:13,469
IT IS!
633
00:56:13,471 --> 00:56:15,611
YOU BETTER NOT
BE KISSING ANYBODY
634
00:56:15,612 --> 00:56:17,206
BUT ME TONIGHT, O.K.?
635
00:56:17,207 --> 00:56:19,707
OH, YOU SEXY MAN.
636
00:56:19,710 --> 00:56:21,910
WE'RE HAVING A PARTY.
637
00:56:21,912 --> 00:56:23,312
FUCK HIM.
638
00:56:23,313 --> 00:56:26,423
OH, IT'S GOING TO BE
SO MUCH FUN.
639
00:56:28,819 --> 00:56:30,819
FUCK THEM ALL.
640
00:56:45,870 --> 00:56:49,670
* MAYBE I'LL NEVER BE *
641
00:56:49,674 --> 00:56:52,742
* WHAT YOU WANT ME
TO BE *
642
00:56:52,743 --> 00:56:56,079
* MAYBE I'LL FALL APART *
643
00:56:56,080 --> 00:56:59,315
* THERE'S NO SPACE
IN YOUR HEART *
644
00:56:59,316 --> 00:57:02,486
* LET'S PRETEND
I'M A GOD *
645
00:57:02,487 --> 00:57:05,655
* WHAT ARE YOU
WEARING NOW? *
646
00:57:05,656 --> 00:57:08,386
* LOVE'S THE PERFECT
DISGUISE *
647
00:57:08,392 --> 00:57:13,962
* I CAN'T BE FOUND THERE **
648
00:57:33,551 --> 00:57:35,651
ARE YOU
OUT OF YOUR MIND?
649
00:57:35,653 --> 00:57:38,254
WHY WOULD YOU
WANT TO DO
650
00:57:38,255 --> 00:57:39,955
SOMETHING LIKE THAT?
651
00:57:39,957 --> 00:57:42,257
SELF-EXPRESSION.
652
00:57:42,259 --> 00:57:43,827
WAIT A MINUTE.
653
00:57:43,828 --> 00:57:45,828
FIRST YOU CUT OFF
ALL YOUR HAIR.
654
00:57:45,830 --> 00:57:47,400
THEN YOU PIERCE
YOUR BELLYBUTTON.
655
00:57:47,401 --> 00:57:48,897
NOW YOU'RE SMOKING?
656
00:57:48,899 --> 00:57:52,335
WHAT THE HELL
IS GOING ON WITH YOU?
657
00:57:52,336 --> 00:57:53,736
TANYA...
658
00:57:53,738 --> 00:57:55,938
DON'T YOU HAVE
SOME SORT
659
00:57:55,940 --> 00:57:57,340
OF SUPERHIGHWAY
660
00:57:57,341 --> 00:58:00,409
THAT YOU NEED
TO GET ON?
661
00:58:00,410 --> 00:58:03,210
WHY DON'T YOU GO
HAVE SOME FUN?
662
00:58:07,284 --> 00:58:09,054
I WAS JUST LEAVING.
663
00:58:13,858 --> 00:58:16,928
GUESS I WON'T
INTRODUCE YOU TO ROXANNE.
664
00:59:03,240 --> 00:59:04,240
HI.
665
00:59:04,241 --> 00:59:05,241
HI.
666
00:59:05,242 --> 00:59:07,510
HMM,
WHAT SHOULD I HAVE?
667
00:59:07,511 --> 00:59:10,411
HOW ABOUT
AN ICEBREAKER?
668
00:59:10,414 --> 00:59:13,316
AND WHAT EXACTLY
IS AN ICEBREAKER?
669
00:59:13,317 --> 00:59:16,085
TURN AROUND,
AND I'LL SHOW YOU.
670
00:59:16,086 --> 00:59:18,316
O.K.
671
00:59:18,322 --> 00:59:20,632
DON'T MOVE.
672
00:59:25,863 --> 00:59:27,263
UH...
673
00:59:42,312 --> 00:59:45,022
HEY,
TO ICEBREAKERS.
674
00:59:48,385 --> 00:59:49,985
THANKS.
675
00:59:54,224 --> 00:59:56,159
WHOO!
676
00:59:56,160 --> 00:59:59,000
WHOO HOO HOO!
677
01:00:26,190 --> 01:00:27,990
DANCE WITH ME.
678
01:01:01,625 --> 01:01:03,225
OH, MY GOD.
679
01:01:07,497 --> 01:01:10,527
NO ONE'S SAFE
WITH YOU AROUND.
680
01:01:10,534 --> 01:01:13,074
YEAH. YOU GOT
A PROBLEM WITH THAT?
681
01:04:34,538 --> 01:04:35,938
HI. THIS IS LILY,
682
01:04:35,940 --> 01:04:37,940
AND I CAN'T
GET TO THE PHONE.
683
01:04:37,942 --> 01:04:40,376
LEAVE ME A MESSAGE
AFTER THE BEEP.
684
01:04:40,377 --> 01:04:41,777
THANKS.
685
01:04:43,180 --> 01:04:44,780
LILY, IT'S YOUR MOM.
686
01:04:44,781 --> 01:04:46,251
LILY, WE'RE WORRIED
ABOUT YOU.
687
01:04:46,252 --> 01:04:48,250
YOUR DAD WANTS TO
TALK TO YOU.
688
01:04:48,252 --> 01:04:50,252
HEY, KIDDO.
HOW ARE YOU DOING?
689
01:04:50,254 --> 01:04:51,860
PLEASE CALL HOME,
DARLING.
690
01:04:51,861 --> 01:04:53,815
YOUR MOTHER'S
DRIVING ME CRAZY.
691
01:04:53,823 --> 01:04:56,492
WE'LL SEE YOU
AT THANKSGIVING, RIGHT?
692
01:04:56,493 --> 01:04:59,803
AHEM.
693
01:05:07,137 --> 01:05:09,037
IS THAT THE TIME?
694
01:05:12,776 --> 01:05:14,376
WE'RE LATE
FOR DONALD'S CLASS.
695
01:05:14,378 --> 01:05:16,608
SO WE'RE LATE FOR
PROFESSOR FUCK'S CLASS.
696
01:05:16,613 --> 01:05:18,047
WHAT'S THE BIG DEAL?
697
01:05:18,048 --> 01:05:19,648
I WANT TO GO.
698
01:05:19,649 --> 01:05:21,419
THAT'S WHAT
THE BIG DEAL IS.
699
01:05:21,420 --> 01:05:23,648
SO GO.
700
01:05:25,255 --> 01:05:27,485
WHAT DO YOU THINK
I'M TRYING TO DO?
701
01:05:43,940 --> 01:05:46,440
SO, WHAT ARE YOU DOING
FOR THANKSGIVING?
702
01:05:46,443 --> 01:05:47,843
I DON'T KNOW YET.
703
01:05:49,779 --> 01:05:51,779
UH, BRIDGETTE, TANYA,
AND ROBERT
704
01:05:51,781 --> 01:05:53,981
ARE GOING TO GO HOME.
705
01:06:02,292 --> 01:06:05,328
IT'S GOING TO GET
RATHER LONELY AROUND HERE.
706
01:06:05,329 --> 01:06:06,929
WHAT ABOUT YOU?
707
01:06:06,930 --> 01:06:09,170
WHAT ARE YOU
GOING TO DO?
708
01:06:10,734 --> 01:06:12,404
GREDIN?
709
01:06:47,837 --> 01:06:50,437
HELLO? HELLO?
710
01:06:57,414 --> 01:06:59,684
WHO WAS THAT
ON THE PHONE?
711
01:07:03,019 --> 01:07:04,349
GREDIN?
712
01:07:04,354 --> 01:07:07,064
WHO WAS THAT
ON THE PHONE?
713
01:07:08,225 --> 01:07:09,625
I DON'T KNOW.
714
01:07:09,626 --> 01:07:11,996
SOMEONE WHO
DIDN'T WANT
TO TALK TO ME.
715
01:07:11,997 --> 01:07:14,495
THERE SEEMS TO BE
A HELL OF A LOT
716
01:07:14,498 --> 01:07:16,068
I DON'T KNOW.
717
01:07:20,770 --> 01:07:22,240
DON'T.
718
01:07:27,611 --> 01:07:30,211
WHAT'S THE MATTER?
719
01:07:30,214 --> 01:07:31,914
WHAT DID I DO?
720
01:07:31,915 --> 01:07:33,515
YOU TELL ME.
721
01:07:35,785 --> 01:07:37,615
WHAT ARE YOU DOING?
722
01:07:40,324 --> 01:07:41,924
I WANT TO KNOW,
LILY.
723
01:07:41,925 --> 01:07:43,325
UM, I REALLY CAN'T
724
01:07:43,327 --> 01:07:45,457
HAVE THIS CONVERSATION
RIGHT NOW
725
01:07:45,462 --> 01:07:47,702
BECAUSE I'M LATE
FOR CLASS.
726
01:08:04,114 --> 01:08:06,582
I DON'T KNOW
WHO YOU ARE ANYMORE.
727
01:08:06,583 --> 01:08:08,384
I DON'T KNOW
728
01:08:08,385 --> 01:08:11,315
WHO I'M MAKING LOVE
TO ANYMORE.
729
01:08:11,321 --> 01:08:15,158
IF THIS IS SOME KIND
OF CONTEST, LILY...
730
01:08:15,159 --> 01:08:17,359
I DON'T WANT TO
COMPETE.
731
01:08:56,966 --> 01:08:59,666
I THOUGHT
YOU WROTE THESE.
732
01:09:35,639 --> 01:09:37,005
HI.
733
01:09:37,006 --> 01:09:39,406
OH, WHAT A NICE
SURPRISE.
734
01:09:39,409 --> 01:09:42,177
THOUGHT YOU MIGHT
BE HUNGRY.
735
01:09:42,178 --> 01:09:44,178
AS A MATTER
OF FACT, I AM.
736
01:09:44,180 --> 01:09:46,380
SINCE WHEN DO YOU
LOCK THE DOOR?
737
01:09:46,383 --> 01:09:48,623
SINCE THE LAST
CAMPUS SHOOTING.
738
01:10:00,897 --> 01:10:02,027
PAINTING AGAIN?
739
01:10:02,031 --> 01:10:03,065
MM-HMM.
740
01:10:03,066 --> 01:10:05,466
IT'S DELICIOUS,
HONEY. THANKS.
741
01:10:05,469 --> 01:10:06,969
CAN I
HAVE A LOOK?
742
01:10:06,970 --> 01:10:08,270
NO.
743
01:10:08,272 --> 01:10:09,672
YOU KNOW
NOT TO ASK.
744
01:10:09,673 --> 01:10:11,883
WHEN I HAVE
SOMETHING
TO SHOW YOU,
745
01:10:11,884 --> 01:10:13,805
I'LL SHOW IT
TO YOU.
746
01:10:18,014 --> 01:10:19,014
DONALD...
747
01:10:19,015 --> 01:10:20,015
YEAH?
748
01:10:20,016 --> 01:10:22,746
YOU O.K.?
749
01:10:22,752 --> 01:10:24,487
YEAH.
I'M FINE.
750
01:10:24,488 --> 01:10:26,154
WHY?
751
01:10:26,155 --> 01:10:28,355
SO WHO ARE YOU
PAINTING?
752
01:10:30,427 --> 01:10:32,397
NO ONE
IN PARTICULAR.
753
01:10:34,931 --> 01:10:36,265
O.K. FINE.
754
01:10:36,266 --> 01:10:37,626
WHAT?
755
01:10:37,634 --> 01:10:39,644
DO YOU WANT ME
TO YAK ABOUT
SOMETHING
756
01:10:39,645 --> 01:10:42,266
I DON'T HAVE
THE GUTS TO DO?
757
01:10:42,272 --> 01:10:44,610
THAT'S NOT WHAT
WE'RE TALKING ABOUT.
758
01:10:44,611 --> 01:10:46,438
I DON'T WANT TO
LOSE YOU AGAIN,
759
01:10:46,443 --> 01:10:47,843
AND ESPECIALLY NOT
760
01:10:47,844 --> 01:10:49,782
TO SOME 20-YEAR-OLD
UNDERGRADUATE
761
01:10:49,783 --> 01:10:51,949
WHO LOOKS AT YOU
LIKE YOU'RE GOD
762
01:10:51,950 --> 01:10:54,048
AND POSES
BETWEEN FUCKS.
763
01:10:54,050 --> 01:10:56,519
YOU AND DAPHNA
ARE MY LIFE,
764
01:10:56,520 --> 01:10:59,154
AND I LOVE YOU
VERY MUCH.
765
01:10:59,155 --> 01:11:01,155
AND WE'VE BOTH
BEEN FOOLED
766
01:11:01,157 --> 01:11:03,826
BY THAT BEFORE,
HAVEN'T WE?
767
01:11:03,827 --> 01:11:06,627
LAST TIME NEARLY
KILLED US, DONALD.
768
01:11:06,630 --> 01:11:08,570
WHATEVER.
769
01:11:56,312 --> 01:11:58,414
WELL, WHERE
WERE YOU TODAY?
770
01:11:58,415 --> 01:12:00,575
WHAT DO YOU MEAN?
771
01:12:01,951 --> 01:12:05,388
YOU WEREN'T IN CLASS.
NEITHER WAS GREDIN.
772
01:12:05,389 --> 01:12:08,289
ANY CONNECTION
BETWEEN THE TWO?
773
01:12:08,291 --> 01:12:09,961
YOU KNOW,
I'M GOING TO GO
774
01:12:09,962 --> 01:12:11,359
BECAUSE THIS IS--
775
01:12:11,361 --> 01:12:14,397
WAIT. WAIT.
JUST TELL ME.
776
01:12:14,398 --> 01:12:16,068
WERE YOU WITH HIM?
777
01:12:18,067 --> 01:12:19,867
YES.
778
01:12:19,869 --> 01:12:22,738
WAIT.
779
01:12:22,739 --> 01:12:25,039
DON'T GO.
780
01:12:25,041 --> 01:12:27,441
I DON'T WANT YOU
TO GO.
781
01:12:27,444 --> 01:12:29,084
I CAN'T LET YOU GO.
782
01:12:30,146 --> 01:12:32,915
I CAN'T STOP
THINKING ABOUT YOU.
783
01:12:32,916 --> 01:12:34,316
I'M PAINTING AGAIN
784
01:12:34,317 --> 01:12:35,717
FOR THE FIRST TIME
IN YEARS,
785
01:12:35,719 --> 01:12:38,019
AND IT'S BECAUSE
OF YOU.
786
01:12:40,424 --> 01:12:42,034
I'VE NEVER FELT
THIS WAY BEFORE
787
01:12:42,035 --> 01:12:43,455
IN MY LIFE.
788
01:12:43,460 --> 01:12:47,930
YOU HELPED ME
OVERCOME MY FEAR.
789
01:12:49,599 --> 01:12:51,399
BIG SCAREDY-CAT.
790
01:12:55,038 --> 01:12:56,908
NOT ANYMORE.
791
01:13:00,109 --> 01:13:01,609
DONALD...
792
01:13:01,611 --> 01:13:04,179
WHAT ARE YOU
DOING?
793
01:13:04,180 --> 01:13:06,415
KISSING YOU.
794
01:13:06,416 --> 01:13:09,084
FALLING IN LOVE
WITH YOU.
795
01:13:09,085 --> 01:13:10,645
DON'T.
796
01:13:12,155 --> 01:13:14,555
WHY?
797
01:13:14,558 --> 01:13:16,088
JUST DON'T.
798
01:13:19,829 --> 01:13:21,429
COME HERE.
799
01:14:35,905 --> 01:14:37,305
WHAT?
800
01:14:37,306 --> 01:14:39,206
YOUR BEAUTY
SCARES ME.
801
01:14:41,177 --> 01:14:43,947
IT TERRIFIES ME.
802
01:16:13,536 --> 01:16:15,166
WAIT. WAIT.
803
01:16:21,778 --> 01:16:23,178
WHO IS IT?
804
01:16:23,179 --> 01:16:24,579
IT'S DIANA.
805
01:16:24,580 --> 01:16:25,980
NOT RIGHT NOW,
O.K.?
806
01:16:25,982 --> 01:16:29,092
OH, ALL RIGHT.
I'LL COME BACK.
807
01:16:37,060 --> 01:16:40,600
IT'S ALL RIGHT.
PLEASE STAY.
808
01:17:58,541 --> 01:18:00,909
I'M REALLY SORRY
ABOUT THE WAY
809
01:18:00,910 --> 01:18:04,210
I'VE BEEN ACTING
LATELY.
810
01:18:06,382 --> 01:18:07,882
IT'S JUST THIS IS
811
01:18:07,884 --> 01:18:10,485
A REALLY HARD
TRANSITION FOR ME,
812
01:18:10,486 --> 01:18:12,086
AND I, UH...
813
01:18:15,658 --> 01:18:17,828
I'VE BEEN CONFUSED.
814
01:18:19,662 --> 01:18:22,232
BUT I'M NOT
CONFUSED ANYMORE.
815
01:18:48,657 --> 01:18:51,757
PLEASE DON'T
GIVE UP ON ME.
816
01:19:08,677 --> 01:19:10,277
DON'T JUST
STAND THERE, DONALD.
817
01:19:10,279 --> 01:19:11,479
INVITE THEM IN.
818
01:19:11,480 --> 01:19:14,380
ANGELA, HI.
THIS IS GREDIN.
I INVITED HIM.
819
01:19:14,383 --> 01:19:16,084
I HOPE YOU
DON'T MIND.
820
01:19:16,085 --> 01:19:18,145
NO, NOT AT ALL.
HI, GREDIN.
821
01:19:18,154 --> 01:19:20,755
DO YOU TWO
KNOW EACH OTHER?
822
01:19:20,756 --> 01:19:22,786
YEAH.
HE'S IN MY CLASS.
823
01:19:22,792 --> 01:19:26,002
OH. WELL, THEN
WE'VE GOT THE POSSE.
824
01:19:28,965 --> 01:19:31,565
IT SMELLS GREAT IN HERE.
CAN I DO ANYTHING?
825
01:19:31,567 --> 01:19:33,567
YOU CAN SET A PLACE
FOR GREDIN.
826
01:19:33,569 --> 01:19:34,569
HI, LILY.
827
01:19:34,570 --> 01:19:35,970
HEY, LITTLE ONE!
828
01:19:35,972 --> 01:19:38,172
CAN I ASK YOU
SOMETHING?
829
01:19:38,174 --> 01:19:38,984
WHAT?
830
01:19:38,985 --> 01:19:40,575
IS GREDIN
YOUR BOYFRIEND?
831
01:19:40,576 --> 01:19:41,976
MY BOYFRIEND?
832
01:19:41,978 --> 01:19:43,978
IS THAT YOU?
833
01:19:43,980 --> 01:19:46,380
YEAH. YES, IT IS.
834
01:19:46,382 --> 01:19:49,584
DONALD PAINTED THAT
A LONG TIME AGO NOW,
835
01:19:49,585 --> 01:19:51,315
BUT THAT'S ME.
836
01:19:52,989 --> 01:19:55,419
UM, COME IN.
COME ON.
837
01:19:55,424 --> 01:19:57,334
I'LL SHOW YOU AROUND.
838
01:20:22,485 --> 01:20:23,885
Very good.
839
01:20:23,887 --> 01:20:26,057
Very nice.
840
01:20:36,499 --> 01:20:37,899
WHY DIDN'T YOU
TELL ME
841
01:20:37,901 --> 01:20:39,501
YOU WERE
INVITING LILY?
842
01:20:39,502 --> 01:20:40,635
THOUGHT I DID.
843
01:20:40,636 --> 01:20:43,236
YOU DIDN'T.
844
01:20:43,239 --> 01:20:45,369
ALL SET.
845
01:20:45,374 --> 01:20:47,509
NEED SOME HELP?
846
01:20:47,510 --> 01:20:48,880
YEAH. THANKS.
847
01:20:54,951 --> 01:20:56,551
WOW. YOU DID GOOD
848
01:20:56,552 --> 01:20:57,952
WITH THIS ONE, LILY.
849
01:20:57,954 --> 01:20:59,121
THANKS.
850
01:20:59,122 --> 01:21:01,262
YOU BRING
THE CRANBERRIES
FOR ME?
851
01:21:01,263 --> 01:21:02,887
UH-HUH.
852
01:21:04,327 --> 01:21:06,527
LILY, GRAB
THE MINERAL WATER,
WOULD YOU?
853
01:21:06,529 --> 01:21:07,929
IT'S IN THE FRIDGE.
854
01:21:07,931 --> 01:21:09,171
SURE.
855
01:21:16,805 --> 01:21:20,535
I'M GLAD YOU'RE HERE.
I WANTED YOU HERE.
856
01:21:21,744 --> 01:21:23,854
WHAT'S UP?
WHERE ARE YOU GOING?
857
01:21:23,855 --> 01:21:25,246
INTO THE OTHER ROOM.
858
01:21:25,248 --> 01:21:28,016
WHERE DO YOU THINK
I'M GOING?
859
01:21:28,017 --> 01:21:30,247
WAIT JUST A SECOND.
860
01:21:30,253 --> 01:21:31,286
DON'T.
861
01:21:31,287 --> 01:21:33,957
JUST LET ME
LOOK AT YOU.
862
01:21:36,159 --> 01:21:38,159
WHY DID YOU BRING HIM?
863
01:21:38,161 --> 01:21:41,101
BECAUSE
HE'S MY BOYFRIEND.
864
01:21:50,106 --> 01:21:53,706
SO, GREDIN, WHY DON'T
YOU SIT OVER HERE?
865
01:21:53,709 --> 01:21:55,109
LILY, NEXT TO GREDIN.
866
01:21:55,111 --> 01:21:57,311
DAPHNA, YOU'RE HERE
BESIDE LILY.
867
01:22:04,520 --> 01:22:07,920
DONALD,
YOU'RE OVER HERE
NEXT TO ME.
868
01:22:13,129 --> 01:22:15,729
DO YOU HAVE
A KIT FOR JOHNNY?
869
01:22:15,731 --> 01:22:17,331
OF COURSE.
870
01:23:04,647 --> 01:23:06,247
HMM.
871
01:23:15,591 --> 01:23:19,027
I'M FINISHED, MOM.
I'M GOING TO HIDE.
872
01:23:19,028 --> 01:23:21,628
FINE, HONEY.
YOU GO AHEAD.
873
01:23:33,209 --> 01:23:35,739
LILY TELLS ME
YOU'RE A PHOTOGRAPHER.
874
01:23:35,744 --> 01:23:38,946
MMM...I USED TO BE.
I'M MAKING
A COMEBACK.
875
01:23:38,947 --> 01:23:41,216
AND YOU'RE
A PAINTER?
876
01:23:41,217 --> 01:23:42,817
I'M A SCULPTOR,
MOSTLY.
877
01:23:42,818 --> 01:23:44,886
AN AMAZING
SCULPTOR.
878
01:23:44,887 --> 01:23:47,287
WITH AN AVERSION
TO LIFE STUDY.
879
01:23:47,290 --> 01:23:49,890
THAT'S NOT
ENTIRELY TRUE.
880
01:23:49,892 --> 01:23:52,232
REALLY?
NEWS TO ME.
881
01:23:53,296 --> 01:23:56,466
ME AND DONALD AGREE
ON A COUPLE OF THINGS.
882
01:23:58,234 --> 01:24:00,444
LIKE YOUR BEAUTY,
FOR EXAMPLE.
883
01:24:02,138 --> 01:24:05,438
I'VE NEVER SEEN
YOUR WORK BEFORE.
884
01:24:05,441 --> 01:24:06,708
IT'S GOOD.
885
01:24:06,709 --> 01:24:10,049
IT'S AMAZING
WHAT YOU CAN DO
WITH THE RIGHT SUBJECT.
886
01:24:13,082 --> 01:24:15,016
DONALD'S
PAINTING AGAIN.
887
01:24:15,017 --> 01:24:19,017
FIRST TIME
IN A LONG WHILE.
QUITE--
888
01:24:19,021 --> 01:24:20,891
I'M GOING TO GET
SOME MORE WINE.
889
01:24:20,892 --> 01:24:22,489
SERIOUS ABOUT IT.
890
01:24:23,892 --> 01:24:25,592
IT'S A SECRET.
891
01:24:27,663 --> 01:24:33,568
SO...UM...HOW DID
YOU AND DONALD MEET?
892
01:24:33,569 --> 01:24:34,469
WOW...UH...
893
01:24:34,470 --> 01:24:38,140
I WANTED TO DO
A LIFE STUDY CLASS.
894
01:24:38,141 --> 01:24:40,975
I...UM...HEARD
ABOUT THIS SINGLE,
895
01:24:40,976 --> 01:24:42,776
BRILLIANT, GOOD-
LOOKING PROFESSOR,
896
01:24:42,778 --> 01:24:46,378
AND, UH,
WEASELED MY WAY
INTO HIS CLASS.
897
01:24:46,382 --> 01:24:47,982
THE REST IS HISTORY.
898
01:24:47,983 --> 01:24:52,223
BIT OF A CLICHE,
I KNOW, BUT...
899
01:24:54,223 --> 01:24:55,223
SOME MORE?
900
01:24:55,224 --> 01:24:56,958
YEAH. THANKS.
901
01:24:56,959 --> 01:24:59,359
ANGELA WAS JUST
TELLING US
902
01:24:59,362 --> 01:25:02,264
HOW THE TWO
OF YOU MET.
903
01:25:02,265 --> 01:25:04,925
LET'S NOT BORE THEM
WITH OUR TRIVIA.
904
01:25:04,933 --> 01:25:07,935
NEVER ACTUALLY
THOUGHT OF IT
905
01:25:07,936 --> 01:25:10,636
AS TRIVIA, DONALD.
906
01:25:45,341 --> 01:25:46,674
WHERE'S DAPHNA?
907
01:25:46,675 --> 01:25:47,935
SOUND ASLEEP.
908
01:25:48,811 --> 01:25:51,846
SHE SHOULD BE IN BED,
SHOULDN'T SHE?
909
01:25:51,847 --> 01:25:52,917
YEAH.
910
01:25:55,951 --> 01:25:57,285
COME ON, SWEETIE.
911
01:25:57,286 --> 01:25:59,786
LET'S GO.
912
01:25:59,788 --> 01:26:00,988
I'LL TAKE HER.
913
01:26:00,989 --> 01:26:06,089
NO. I WANT DADDY
AND LILY TO TAKE ME.
914
01:26:06,094 --> 01:26:09,231
OH, WELL.
915
01:26:09,232 --> 01:26:10,832
GOOD NIGHT.
916
01:26:22,445 --> 01:26:24,645
LET ME GIVE YOU
A HAND.
917
01:26:24,647 --> 01:26:26,247
YEAH. THANK YOU.
918
01:26:36,992 --> 01:26:39,394
THERE YOU GO.
919
01:26:39,395 --> 01:26:40,995
SLEEP TIGHT NOW,
BEAUTIFUL.
920
01:26:40,996 --> 01:26:43,196
O.K.
921
01:26:44,800 --> 01:26:46,468
GOOD NIGHT,
LITTLE GIRL.
922
01:26:46,469 --> 01:26:48,669
GOOD NIGHT,
BIG GIRL.
923
01:26:58,013 --> 01:26:59,414
WHAT ARE
YOU DOING?
924
01:26:59,415 --> 01:27:02,415
WHAT DOES IT
FEEL LIKE I'M DOING?
925
01:27:02,418 --> 01:27:04,418
IT FEELS LIKE
YOU'RE FUCKING CRAZY.
926
01:27:04,420 --> 01:27:06,360
I'M FUCKING CRAZY
ABOUT YOU.
927
01:27:11,660 --> 01:27:12,927
WHAT WAS THAT?
928
01:27:12,928 --> 01:27:14,095
AH.
929
01:27:14,096 --> 01:27:16,296
OW!
930
01:27:16,299 --> 01:27:18,769
AAH! I CUT MYSELF.
931
01:27:21,036 --> 01:27:22,066
HERE.
932
01:27:22,070 --> 01:27:23,570
WHAT ARE YOU GOING
TO DO, HUH?
933
01:27:23,572 --> 01:27:25,872
YOU GOING TO
FUCK ME RIGHT HERE?
934
01:27:28,210 --> 01:27:30,345
I LOVE YOU.
935
01:27:30,346 --> 01:27:31,946
YOU DON'T LOVE ME.
936
01:27:31,947 --> 01:27:33,315
I DO.
937
01:27:33,316 --> 01:27:35,246
NO, YOU DON'T.
938
01:27:35,250 --> 01:27:37,250
LET ME.
LET ME, PLEASE.
939
01:27:37,252 --> 01:27:38,722
NO! NO!
940
01:27:41,724 --> 01:27:42,964
NO!
941
01:27:44,560 --> 01:27:45,827
NO!
942
01:27:45,828 --> 01:27:46,898
LILY, LILY--
943
01:27:59,241 --> 01:28:03,345
OHH! OH!
944
01:28:03,346 --> 01:28:05,706
GET OFF ME.
945
01:28:12,588 --> 01:28:14,388
DAPHNA!
946
01:28:30,339 --> 01:28:32,439
DAPHNA!
947
01:28:35,944 --> 01:28:37,784
AAH!NO!
948
01:28:52,027 --> 01:28:53,027
DAPHNA!
949
01:28:53,028 --> 01:28:54,828
DAPHNA...
950
01:28:54,830 --> 01:28:57,030
DON'T YOU TOUCH HER!
951
01:28:57,032 --> 01:28:58,432
DON'T YOU--
GET YOUR--
952
01:28:58,434 --> 01:29:00,444
DON'T YOU TOUCH HER,
YOU BASTARD!
953
01:29:01,437 --> 01:29:03,037
WHAT'S THE MATTER
WITH YOU?
954
01:29:03,038 --> 01:29:04,038
COME ON.
955
01:29:09,244 --> 01:29:12,647
911, STATE YOUR EMERGENCY...
956
01:29:12,648 --> 01:29:14,378
MAMMA?
957
01:31:14,570 --> 01:31:16,770
FUCK YOU, IVY.
958
01:31:28,951 --> 01:31:30,951
AAH!
959
01:31:56,211 --> 01:31:58,211
SHIT!
960
01:34:18,653 --> 01:34:22,089
DAPHNA'S GOING
TO BE FINE.
961
01:34:22,090 --> 01:34:24,730
I DON'T KNOW
IF YOU CARE.
962
01:34:25,627 --> 01:34:26,997
AND YOU?
963
01:34:28,363 --> 01:34:31,673
AM I FINE,
OR DO I CARE?
964
01:34:37,439 --> 01:34:39,209
OH, GREDIN...
965
01:34:56,591 --> 01:34:59,994
I CAN'T
LET YOU GO, LILY.
966
01:34:59,995 --> 01:35:03,095
NOT AFTER EVERYTHING
WE'VE BEEN THROUGH.
967
01:35:03,098 --> 01:35:06,968
OH, NO.
IT'S OVER, DONALD.
968
01:35:09,671 --> 01:35:12,411
DON'T FIGHT ME, LILY.
969
01:35:20,348 --> 01:35:22,418
DON'T SHUT ME OUT!
970
01:35:25,687 --> 01:35:28,087
I CAN'T
LET YOU GO, LILY.
971
01:35:28,090 --> 01:35:30,960
I LOVE YOU
TOO MUCH. I--
972
01:35:48,410 --> 01:35:49,780
GET OFF!
973
01:35:52,414 --> 01:35:54,124
AAH!
974
01:35:57,219 --> 01:35:58,919
NO!
975
01:36:23,145 --> 01:36:25,145
I WON'T HURT YOU.
JUST LET ME IN.
976
01:36:25,147 --> 01:36:27,347
THE POLICE
ARE ON THEIR WAY.
977
01:36:50,205 --> 01:36:53,674
I NEVER MEANT
TO HURT YOU
OR YOUR BABY.
978
01:36:53,675 --> 01:36:56,105
YOU HAVE TO
BELIEVE ME.
979
01:36:57,145 --> 01:36:58,905
WHAT ARE
YOU DOING?
980
01:37:00,048 --> 01:37:01,818
WHAT ARE
YOU DOING?
981
01:37:03,385 --> 01:37:05,115
DONALD!
982
01:37:05,120 --> 01:37:06,420
AAH!
983
01:37:15,497 --> 01:37:18,097
AAH!
984
01:37:18,100 --> 01:37:20,100
UH!
985
01:37:21,703 --> 01:37:25,943
NO! NO! NO!
986
01:37:34,950 --> 01:37:38,150
GET AWAY FROM ME!
987
01:37:39,955 --> 01:37:44,155
GO! GO! GO!
988
01:39:34,669 --> 01:39:36,069
I KNOW IT'S POINTLESS
989
01:39:36,071 --> 01:39:38,671
TO ASK YOU
TO FORGIVE ME.
990
01:39:40,075 --> 01:39:43,075
O.K., WELL,
I'M JUST GOING TO TALK,
991
01:39:43,078 --> 01:39:47,278
AND THEN YOU WON'T HAVE TO
DEAL WITH ME ANYMORE.
992
01:39:49,684 --> 01:39:52,086
UM...
993
01:39:52,087 --> 01:39:57,087
MY WHOLE LIFE,
I'VE--I'VE FELT
LIKE A FREAK.
994
01:39:57,092 --> 01:40:01,095
YOU KNOW,
BACK HOME IN MICHIGAN,
995
01:40:01,096 --> 01:40:04,696
I WASN'T ACCEPTED
BECAUSE I WAS DIFFERENT.
996
01:40:04,699 --> 01:40:07,099
AND THEN I COME HERE,
997
01:40:07,102 --> 01:40:09,702
AND I'M NOT
DIFFERENT ENOUGH.
998
01:40:14,709 --> 01:40:18,109
SO...I DECIDED...
999
01:40:18,113 --> 01:40:22,116
TO BECOME SOMEONE ELSE--
1000
01:40:22,117 --> 01:40:28,057
SOMEONE...TOUGH
AND INFALLIBLE...
1001
01:40:29,724 --> 01:40:33,334
BEAUTIFUL AND SEXY...
1002
01:40:34,729 --> 01:40:36,329
FEARLESS.
1003
01:40:38,133 --> 01:40:39,733
AND IT WORKED.
1004
01:40:41,536 --> 01:40:44,736
FOR THE FIRST TIME
IN MY LIFE,
1005
01:40:44,739 --> 01:40:46,739
I WAS ACCEPTED.
1006
01:40:49,944 --> 01:40:54,354
AND I BECAME INTOXICATED
BY THE FREEDOM OF IT ALL...
1007
01:40:56,651 --> 01:40:58,651
UNTIL IT WAS TOO LATE.
1008
01:41:01,156 --> 01:41:03,356
IT'S TOO LATE, ISN'T IT?
1009
01:41:12,767 --> 01:41:14,367
WELL...
1010
01:41:15,770 --> 01:41:17,770
FOR WHAT IT'S WORTH...
1011
01:41:20,775 --> 01:41:22,775
I LOVE YOU.
1012
01:41:24,779 --> 01:41:26,779
LILY...
1013
01:41:28,183 --> 01:41:29,783
I LOVE YOU.
1014
01:42:38,653 --> 01:42:41,660
CAPTIONING MADE POSSIBLE BY
NEW LINE HOME VIDEO
1015
01:42:41,661 --> 01:42:44,456
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
1016
01:42:44,459 --> 01:42:47,659
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
1017
01:42:47,662 --> 01:42:52,098
* DRIVING, HARD,
STINGING RAIN *
1018
01:42:52,099 --> 01:42:56,169
* SLAPPING ME
IN MY FACE *
1019
01:42:56,170 --> 01:43:00,240
* JUST LIKE YOU,
SCREAMING WORDS *
1020
01:43:00,242 --> 01:43:03,410
* A SIDE OF YOU
I NEVER HEARD *
1021
01:43:03,411 --> 01:43:05,979
* I WANT TO GO BACK *
1022
01:43:05,980 --> 01:43:10,350
* I WANT TO GO BACK NOW *
1023
01:43:11,386 --> 01:43:14,216
* I WANT TO GO BACK *
1024
01:43:14,222 --> 01:43:18,532
* I WANT TO GO BACK NOW *
1025
01:43:21,162 --> 01:43:25,131
* BLACK AS PITCH,
VICIOUS FIGHTS *
1026
01:43:25,132 --> 01:43:29,336
* ALL THIS PAIN
OVERNIGHT *
1027
01:43:29,337 --> 01:43:33,307
* I WON'T CRY,
I WON'T FIGHT *
1028
01:43:33,308 --> 01:43:36,538
* BE THE SICKENED
AND BE RIGHT *
1029
01:43:36,544 --> 01:43:39,313
* I WANT TO GO BACK *
1030
01:43:39,314 --> 01:43:43,394
* I WANT TO GO BACK NOW *
1031
01:43:44,652 --> 01:43:47,288
* I WANT TO GO BACK *
1032
01:43:47,289 --> 01:43:51,729
* I WANT TO GO BACK NOW *
1033
01:44:02,337 --> 01:44:06,567
* SOAKING WET
AND TORN APART *
1034
01:44:06,574 --> 01:44:10,644
* THIS CAN ONLY
BE THE START *
1035
01:44:10,645 --> 01:44:14,615
* BROKEN DOWN,
SLAPPED AROUND *
1036
01:44:14,616 --> 01:44:17,346
* SILENCE COSTS FREEDOM *
1037
01:44:17,352 --> 01:44:22,222
* I'M RAISED AGAIN *
1038
01:44:22,223 --> 01:44:26,360
* I'M RAISED AGAIN *
1039
01:44:26,361 --> 01:44:30,331
* I'M RAISED AGAIN *
1040
01:44:30,332 --> 01:44:33,572
* I'M RAISED AGAIN *
1041
01:45:16,944 --> 01:45:18,345
* CHANGE OF FACE *
1042
01:45:18,346 --> 01:45:20,416
* IT'S TOO LATE
TO GO BACK NOW *
1043
01:45:20,417 --> 01:45:24,985
* GO BACK,
NEVER GO BACK *
1044
01:45:24,986 --> 01:45:29,155
* GONE OUR SEPARATE WAYS,
AND IT'S TOO LATE *
1045
01:45:29,156 --> 01:45:33,286
* TOO LATE *
1046
01:45:33,294 --> 01:45:34,695
* GROWN APART *
1047
01:45:34,696 --> 01:45:37,364
* IT'S TOO LATE
TO GO BACK NOW *
1048
01:45:37,365 --> 01:45:41,265
* GO BACK,
NEVER GO BACK *
1049
01:45:41,268 --> 01:45:46,038
* GONE OUR SEPARATE WAYS,
AND IT'S TOO LATE **
65206
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