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These are the user uploaded subtitles that are being translated: 1 00:00:03,200 --> 00:00:04,870 - TONIGHT ON JON BENJAMIN HAS A VAN... 2 00:00:04,900 --> 00:00:06,870 WE BRING YOU THE STORY OF ONE MAN'S COURAGE 3 00:00:06,900 --> 00:00:08,530 IN THE FACE OF ADVERSITY. 4 00:00:08,567 --> 00:00:10,527 THE HISTORIC LITTLE ITALY SECTION 5 00:00:10,567 --> 00:00:13,267 OF NEW YORK CITY IS GETTING SMALLER AND SMALLER. 6 00:00:13,300 --> 00:00:15,870 IS IT IN DANGER OF DISAPPEARING ALTOGETHER? 7 00:00:15,900 --> 00:00:18,470 AND WE TALK TO THE YOUNGEST PERSON 8 00:00:18,500 --> 00:00:20,270 CURRENTLY ON DEATH ROW. 9 00:00:20,300 --> 00:00:23,430 DO YOU FEEL REMORSE FOR WHAT YOU DID? 10 00:00:23,467 --> 00:00:27,997 - [whimpering] 11 00:00:28,033 --> 00:00:30,103 ALL THIS AND MORE ON TONIGHT'S 12 00:00:30,133 --> 00:00:31,873 JON BENJAMIN HAS A VAN. 13 00:00:31,900 --> 00:00:34,500 [inspiring music] 14 00:00:34,533 --> 00:00:37,603 * 15 00:00:40,433 --> 00:00:41,773 - AHH! 16 00:00:41,800 --> 00:00:43,730 [bomb beeping] 17 00:00:43,767 --> 00:00:44,927 [explosion] 18 00:00:54,133 --> 00:00:56,133 [birds chirping] 19 00:00:56,167 --> 00:00:58,327 - THIS IS THE STORY OF COURAGE AND STRENGTH 20 00:00:58,367 --> 00:01:00,897 IN THE FACE OF GREAT ADVERSITY. 21 00:01:00,933 --> 00:01:03,733 IN 2008, 32 YEAR OLD FARMER BROSS LOCKLEY 22 00:01:03,767 --> 00:01:05,367 SUFFERED A HORRIBLE ACCIDENT 23 00:01:05,400 --> 00:01:08,300 WHILE WORKING RIGHT HERE ON HIS FARM. 24 00:01:08,333 --> 00:01:11,373 AFTER FALLING INTO THE FEEDER OF A GRAIN THRESHER, 25 00:01:11,400 --> 00:01:14,570 BROSS WAS BASICALLY FLAYED ALIVE. 26 00:01:14,600 --> 00:01:16,870 AFTER COUNTLESS SURGERIES EVEN THE BEST DOCTORS 27 00:01:16,900 --> 00:01:18,070 IN THE WORLD COULDN'T REPAIR 28 00:01:18,067 --> 00:01:19,527 THE HORRENDOUS DEFORMITIES 29 00:01:19,567 --> 00:01:21,297 THAT BROSS HAD SUFFERED. 30 00:01:21,333 --> 00:01:24,073 IN 2009 HE WAS INTERVIEWED 31 00:01:24,067 --> 00:01:27,067 BY NEBRASKAN REPORTER, GREG DEVLIN. 32 00:01:27,067 --> 00:01:29,467 - IT WAS PROBABLY THE MOST DISGUSTING THING 33 00:01:29,500 --> 00:01:31,830 I'D EVER EXPERIENCED IN MY LIFE. 34 00:01:31,867 --> 00:01:34,197 - WHERE WERE YOU WHEN YOU SAW HIM? 35 00:01:34,233 --> 00:01:36,773 - OVER THERE IN THAT BARN, INTERVIEWING HIM. 36 00:01:36,800 --> 00:01:39,070 I'VE DONE A LOT OF STORIES IN MY LIFE, 37 00:01:39,100 --> 00:01:41,430 AND THIS WAS BY FAR THE WORST THING I'D EVER SEEN. 38 00:01:41,467 --> 00:01:43,367 HIS FACE WAS... 39 00:01:43,400 --> 00:01:45,930 LIKE A PILE OF RAW CHICKEN FAT 40 00:01:45,967 --> 00:01:48,367 WITH BLOOD DRIZZLED ON IT... 41 00:01:48,400 --> 00:01:49,630 AND EYES. 42 00:01:49,667 --> 00:01:50,767 [gulps] 43 00:01:50,800 --> 00:01:53,470 - GREG PROVIDED US WITH SOME OF THE RAW FOOTAGE 44 00:01:53,500 --> 00:01:55,230 FROM HIS INTERVIEW THAT DAY. 45 00:01:55,267 --> 00:01:57,527 -[electronic voice] WHEN I WOKE UP FROM MY COMA, 46 00:01:57,567 --> 00:02:00,127 I DIDN'T EVEN COMPREHEND 47 00:02:00,167 --> 00:02:02,697 THE EXTENT OF DAMAGE TO MY BODY. 48 00:02:02,733 --> 00:02:05,403 I'VE BEEN SO PUMPED FULL OF DRUGS, 49 00:02:05,433 --> 00:02:08,603 IT WAS LIKE BEING IN A DREAM. 50 00:02:08,633 --> 00:02:10,133 - THREE MINUTES INTO THE INTERVIEW 51 00:02:10,167 --> 00:02:13,797 GREG ALREADY STRUGGLES TO MAINTAIN HIS COMPOSURE. 52 00:02:13,833 --> 00:02:16,603 - AND SO WHEN THEY BROUGHT MY DAUGHTER 53 00:02:16,633 --> 00:02:19,603 IN TO SEE ME, SHE SCREAMED AT THE TOP OF HER LUNGS. 54 00:02:19,633 --> 00:02:21,903 - [nervous laughter] 55 00:02:21,933 --> 00:02:25,133 - 15 MINUTES IN, GREG MANIPULATES HIS VISION 56 00:02:25,167 --> 00:02:28,167 BY SUDDENLY CROSSING ONE EYE SO THAT BROSS' FACE 57 00:02:28,200 --> 00:02:30,270 IS SLIGHTLY BLURRED. 58 00:02:30,300 --> 00:02:31,900 HOW DID YOU MAKE IT THROUGH TILL THE END? 59 00:02:31,933 --> 00:02:33,303 - I DON'T KNOW. 60 00:02:33,333 --> 00:02:35,073 EVERY OUNCE OF STRENGTH IN MY BODY 61 00:02:35,067 --> 00:02:37,067 I USED IT TO NOT RUN AWAY. 62 00:02:37,067 --> 00:02:38,297 - MM-HM. 63 00:02:38,333 --> 00:02:39,533 - THEN I JUST RAN AWAY. 64 00:02:39,567 --> 00:02:43,097 - WOW, THAT'S INCREDIBLE. 65 00:02:43,133 --> 00:02:45,273 - I STILL HAVE NIGHTMARES. 66 00:02:45,300 --> 00:02:46,570 - [electronic voice] SHE SCREAMED 67 00:02:46,600 --> 00:02:48,930 AT THE TOP OF HER LUNGS. 68 00:02:52,067 --> 00:02:54,727 - THAT'S, UH, NOT WHERE YOU SHOULD PUT OUT YOUR CIGARETTE. 69 00:02:54,767 --> 00:02:55,797 - I DON'T LIKE NIGHTMARES. 70 00:02:55,833 --> 00:02:57,433 - I UNDERSTAND, BUT YOU CAN'T 71 00:02:57,467 --> 00:03:00,397 THROW CIGARETTES AT PEOPLE. 72 00:03:02,300 --> 00:03:04,700 WE RETURN TO LOCKLEY FARM TO SPEAK WITH THE WIFE 73 00:03:04,733 --> 00:03:07,373 OF THE DISFIGURED FARMER ABOUT HER EXPERIENCE 74 00:03:07,400 --> 00:03:08,730 WITH GREG DEVLIN. 75 00:03:08,767 --> 00:03:12,067 - HE JUST HAD THIS FEELING OF STRENGTH COMING OFF HIM 76 00:03:12,067 --> 00:03:13,127 THE MOMENT I MET HIM. 77 00:03:13,167 --> 00:03:14,797 - HMM. 78 00:03:14,833 --> 00:03:15,833 - THAT INTERVIEW WAS, LIKE, THREE HOURS LONG 79 00:03:15,867 --> 00:03:18,367 AND HE SAT THERE THE ENTIRE TIME. 80 00:03:18,400 --> 00:03:19,570 - YEAH, I MEAN, THAT'S-- 81 00:03:19,600 --> 00:03:20,630 - [electronic voice] HEY, HON. 82 00:03:20,667 --> 00:03:23,367 I MADE SOME ICED TEA. - OOH...OH. 83 00:03:23,400 --> 00:03:26,930 - I'M SO SORRY. HONEY, I TOLD YOU TO KNOCK. 84 00:03:26,967 --> 00:03:29,697 - MR. BENJAMIN? MR. BENJAMIN? 85 00:03:29,733 --> 00:03:33,503 [upbeat music] 86 00:03:33,533 --> 00:03:36,733 - WELL, I WAS IN HIS HOUSE, UH, INTERVIEWING HIS WIFE 87 00:03:36,767 --> 00:03:37,967 FOR MY STORY ABOUT YOU. 88 00:03:38,067 --> 00:03:40,467 - AH. - AND YOUR INTERVIEW WITH HIM. 89 00:03:40,500 --> 00:03:42,370 - AND WHAT, UH, WHAT HAPPENED? 90 00:03:42,400 --> 00:03:43,970 - WELL, HE CAME INTO THE ROOM. 91 00:03:44,067 --> 00:03:47,067 AND, UM, HE SAID SOMETHING ABOUT ICED TEA, 92 00:03:47,067 --> 00:03:49,327 AND THEN I IMMEDIATELY PASSED OUT. 93 00:03:49,367 --> 00:03:51,227 - OH. 94 00:03:51,267 --> 00:03:53,597 I REALLY, REALLY WISH I COULD HAVE PASSED OUT. 95 00:03:53,633 --> 00:03:55,073 - WELL, TO EACH HIS OWN. 96 00:03:55,067 --> 00:03:56,767 - WELL, UM, I DON'T KNOW IF YOU KNEW THIS 97 00:03:56,800 --> 00:04:00,070 BUT, UH, MR. LOCKLEY PASSED AWAY RECENTLY 98 00:04:00,067 --> 00:04:01,527 DUE TO COMPLICATIONS. 99 00:04:01,567 --> 00:04:03,497 - YEAH, YEAH, THE WIFE EMAILED ME. 100 00:04:03,533 --> 00:04:05,173 - AH, WELL, HIS DEATH TAKES NOTHING AWAY 101 00:04:05,200 --> 00:04:07,070 FROM YOUR INCREDIBLE STORY. 102 00:04:07,067 --> 00:04:09,727 - OR YOURS, I MEAN YOU ARE THE ONE THAT STARTED IT. 103 00:04:09,767 --> 00:04:11,067 - THANK YOU VERY MUCH. - NO, THANK YOU. 104 00:04:11,067 --> 00:04:12,867 I MEAN, I-- - NOT THAT I'M LOOKING FOR IT. 105 00:04:12,900 --> 00:04:14,700 BUT THANK YOU VERY MUCH. - NO, IT WAS MY PLEASURE. 106 00:04:14,733 --> 00:04:15,733 I MEAN, WE BOTH-- 107 00:04:15,767 --> 00:04:17,527 - THANK YOU. - YEAH. 108 00:04:17,567 --> 00:04:19,297 - THANK YOU VERY MUCH FOR TALKING WITH ME. 109 00:04:19,333 --> 00:04:21,073 - UH, NO PROBLEM, GREG, THANK YOU FOR HAVING ME. 110 00:04:21,100 --> 00:04:22,470 - AH, THANK YOU. 111 00:04:22,500 --> 00:04:25,470 [uplifting orchestration] 112 00:04:25,500 --> 00:04:28,770 * 113 00:04:42,133 --> 00:04:44,533 - HEY, MAN, DO YOU HAVE A SECOND TO DISCUSS GAY MARRIAGE? 114 00:04:44,567 --> 00:04:46,497 - NO. - OKAY. 115 00:04:46,533 --> 00:04:49,073 DO YOU HAVE A SECOND TO DISCUSS GAY MARRIAGE? 116 00:04:49,067 --> 00:04:50,097 DO YOU HAVE A SECOND? 117 00:04:52,533 --> 00:04:55,303 - YOU HAVE A SECOND TO DISCUSS THE ISSUE OF GAY MARRIAGE? 118 00:04:55,333 --> 00:04:57,303 - UH, I'M SORRY, I REALLY DON'T. 119 00:04:57,333 --> 00:04:58,333 - OH, I MEAN, ARE YOU FOR OR AGAINST? 120 00:04:58,367 --> 00:04:59,497 [horns honking] 121 00:04:59,533 --> 00:05:01,073 - OH, ABSOLUTELY FOR. - OH, WE GOT THAT LIGHT. 122 00:05:01,067 --> 00:05:03,367 - I'M SORRY, THANK YOU. - ABSOLUTELY. 123 00:05:05,600 --> 00:05:06,830 - EXCUSE ME, SIR. 124 00:05:26,100 --> 00:05:28,900 - GAY MARRIAGE? I DON'T KNOW MUCH ABOUT THAT. 125 00:05:28,933 --> 00:05:32,703 ALL I COULD TELL YOU IS WHEN GOD MADE MAN-- 126 00:05:32,733 --> 00:05:35,103 - OH, I'M SORRY, HOLD ON. 127 00:05:35,133 --> 00:05:36,533 HELLO? 128 00:05:36,567 --> 00:05:37,527 HOLD ON ONE SECOND. 129 00:05:37,567 --> 00:05:40,927 HEY...YEAH. 130 00:05:40,967 --> 00:05:44,267 I'M DOING THE INTERVIEW. 131 00:05:44,300 --> 00:05:46,530 UM, IN BROOKLYN. 132 00:05:46,567 --> 00:05:48,427 [chuckles] I KNOW. 133 00:05:48,467 --> 00:05:49,767 WELL, NO, I FELT THE SAME WAY 134 00:05:49,800 --> 00:05:51,070 'CAUSE THAT WAS-- WHEN I LEFT LAST NIGHT 135 00:05:51,067 --> 00:05:53,167 THAT WAS--THAT WAS... 136 00:05:53,200 --> 00:05:54,430 VERY AWKWARD. 137 00:05:54,467 --> 00:05:55,797 NO, I MEAN I'LL CALL HER, 138 00:05:55,833 --> 00:05:57,973 I JUST DIDN'T FEEL LIKE I WANTED TO DEAL WITH IT THERE 139 00:05:58,067 --> 00:05:59,667 BECAUSE TWO OTHER PEOPLE WERE THERE 140 00:05:59,700 --> 00:06:01,400 AND I WAS, LIKE, UM... 141 00:06:01,433 --> 00:06:02,903 - [clears throat] 142 00:06:02,933 --> 00:06:04,903 - YOU KNOW, I FELT IT WOULD HAVE BEEN COMPLETELY AWKWARD 143 00:06:04,933 --> 00:06:06,803 IF I SPOKE TO HER THEN. 144 00:06:06,833 --> 00:06:09,703 WELL THAT'S A POSSIBILITY-- - MORE THAN A MOMENT. 145 00:06:09,733 --> 00:06:11,503 - WAS IT? YEAH. OH, YOU HAVE TO GO? 146 00:06:11,533 --> 00:06:12,503 OKAY. - WELL-- 147 00:06:12,533 --> 00:06:13,503 - YEAH, GO AHEAD, I'M SORRY. 148 00:06:13,533 --> 00:06:14,533 - OKAY, YEAH. 149 00:06:14,567 --> 00:06:16,297 ALL I CAN SAY IS, GOD MADE MAN-- 150 00:06:16,333 --> 00:06:18,103 - I CAN'T--I KNOW, I CAN'T-- UH, 'CAUSE I'M ON THE PHONE. 151 00:06:24,267 --> 00:06:25,767 - WITH A HISTORY SPANNING BACK OVER A CENTURY, 152 00:06:25,800 --> 00:06:27,700 LITTLE ITALY REMAINS ONE OF NEW YORK CITY'S 153 00:06:27,733 --> 00:06:29,933 PREMIERE TOURIST DESTINATIONS. 154 00:06:29,967 --> 00:06:31,967 HOWEVER, IN RECENT YEARS, 155 00:06:32,067 --> 00:06:33,697 LITTLE ITALY HAS SHRUNK DRAMATICALLY. 156 00:06:33,733 --> 00:06:37,533 NOW CONSISTING OF ONLY A FEW NEW YORK CITY BLOCKS. 157 00:06:37,567 --> 00:06:40,467 MUCH OF IT HAS BEEN ABSORBED BY NEIGHBORING CHINA TOWN, 158 00:06:40,500 --> 00:06:43,070 AND WEALTHY REAL ESTATE DEVELOPERS. 159 00:06:43,067 --> 00:06:44,727 BUT JUST AS LITTLE ITALY IS BEING SQUEEZED 160 00:06:44,767 --> 00:06:46,467 BY OUTSIDE FORCES, 161 00:06:46,500 --> 00:06:49,970 THEY THEMSELVES ARE SQUEEZING OUT SOMEONE ELSE. 162 00:06:53,400 --> 00:06:54,730 - THROUGH THAT DOOR, TO THE RIGHT. 163 00:06:54,767 --> 00:06:55,867 YOU'LL SEE IT. 164 00:06:55,900 --> 00:06:59,300 - OKAY. 165 00:07:11,867 --> 00:07:14,827 [Italian-style orchestration] 166 00:07:14,867 --> 00:07:17,927 * 167 00:07:24,567 --> 00:07:28,227 HI. 168 00:07:28,267 --> 00:07:31,327 HELLO. - MANGIA, MANGIA, YOU HUNGRY? 169 00:07:31,367 --> 00:07:33,427 - OH, NO THANKS, I JUST ATE. 170 00:07:40,500 --> 00:07:41,970 - PERVERT! 171 00:07:42,067 --> 00:07:43,867 - SORRY. 172 00:07:43,900 --> 00:07:46,070 - HEY, WHAT ARE YOU DOIN'? WHAT'S YOUR NAME? 173 00:07:46,100 --> 00:07:47,170 - I'M JON, I'M JUST VISITING. 174 00:07:47,200 --> 00:07:48,730 - HEY WATCH IT, BIG MAN! 175 00:07:48,767 --> 00:07:49,897 - EXCUSE ME. - WHERE YOU GOIN', EH? 176 00:07:49,933 --> 00:07:51,633 - SORRY. - WHAT THE MATTER WITH YOU? 177 00:07:51,667 --> 00:07:53,327 [cursing in Italian] 178 00:07:53,367 --> 00:07:57,697 [Italian mandolin music] 179 00:07:57,733 --> 00:08:00,803 * 180 00:08:09,233 --> 00:08:10,573 - I DON'T MEAN TO BE INSULTING, 181 00:08:10,600 --> 00:08:13,170 BUT I NEVER EVEN KNEW THERE WAS A LITTLE, LITTLE ITALY. 182 00:08:13,200 --> 00:08:16,130 - [high-pitched voice] WELL, NOT MANY DO ANYMORE. 183 00:08:16,167 --> 00:08:19,067 SEE BEFORE WE CAME HERE, UH, WE LIVED IN AN AREA 184 00:08:19,067 --> 00:08:21,627 OF ITALY CALLED "LITTLE ITALY." 185 00:08:21,667 --> 00:08:23,097 - MM. 186 00:08:23,133 --> 00:08:24,433 - UH, BUT THEN FASCISM 187 00:08:24,467 --> 00:08:27,667 CAME INTO LITTLE ITALY LIKE IT CAME TO REGULAR ITALY, 188 00:08:27,700 --> 00:08:32,570 SO MANY OF US CAME TO AMERICA TO HAVE A BETTER LIFE. 189 00:08:32,600 --> 00:08:34,170 - SO BECAUSE THERE WAS ALREADY A LITTLE ITALY 190 00:08:34,200 --> 00:08:36,970 IN AMERICA, YOU BECAME LITTLE, LITTLE ITALY. 191 00:08:37,067 --> 00:08:38,567 - YES, THAT'S HOW 192 00:08:38,600 --> 00:08:40,870 LITTLE, LITTLE ITALY STARTED. 193 00:08:40,900 --> 00:08:44,800 AT FIRST LITTLE, LITTLE ITALY AND LITTLE ITALY 194 00:08:44,833 --> 00:08:46,833 UH, WE ALL GET ALONG. 195 00:08:46,867 --> 00:08:48,727 WE SHARE EVERYTHING. 196 00:08:48,767 --> 00:08:51,797 - AND THEN WHAT HAPPENED? - WELL, THEN THINGS CHANGE. 197 00:08:51,833 --> 00:08:54,203 SEE, LITTLE ITALY STARTS TO SHRINK 198 00:08:54,233 --> 00:08:56,273 AND THEN THEY TAKE ROOM FROM US. 199 00:08:56,300 --> 00:08:58,600 AND THEN IT STARTS TO GET UGLY. 200 00:08:58,633 --> 00:08:59,633 [speaking in Italian] 201 00:08:59,667 --> 00:09:00,897 - HM. 202 00:09:00,933 --> 00:09:02,073 - AND NOW ALL WE GOT 203 00:09:02,067 --> 00:09:03,797 IS THE BACK ROOM OF THIS DELI. 204 00:09:03,833 --> 00:09:08,433 AND WHO KNOWS HOW LONG BEFORE THEY TAKE THAT FROM US TOO? 205 00:09:08,467 --> 00:09:10,627 - FOR CLARIFICATION ON THIS LAND DISPUTE, 206 00:09:10,667 --> 00:09:11,967 I INTERVIEWED LITTLE ITALY 207 00:09:12,067 --> 00:09:14,667 NEIGHBORHOOD ASSOCIATION PRESIDENT FRANK PALANTINO. 208 00:09:14,700 --> 00:09:17,270 - IT'S NOT THEIR LAND. IT'S OUR LAND. 209 00:09:17,300 --> 00:09:18,770 WE LET 'EM USE IT. 210 00:09:18,800 --> 00:09:20,570 I MEAN, YOU KNOW, THEY'RE LUCKY TO HAVE THE BACK ROOM. 211 00:09:20,600 --> 00:09:21,570 AND IF WE NEED IT BACK, 212 00:09:21,600 --> 00:09:23,600 IT'S OURS TO TAKE. 213 00:09:23,633 --> 00:09:25,403 HEY, WHO'D YOU TALK TO OVER THERE? 214 00:09:25,433 --> 00:09:28,173 - UM, NINO. - NINO? 215 00:09:28,200 --> 00:09:30,170 - NINO. - NINO? 216 00:09:30,200 --> 00:09:31,170 - YEAH. 217 00:09:31,200 --> 00:09:32,170 - YOU TELL NINO HE'S LUCKY 218 00:09:32,200 --> 00:09:33,530 WE DON'T TAKE IT ALL. 219 00:09:33,567 --> 00:09:34,797 I GOT A LOT OF PEOPLE WANT TO RENT OUT THAT BACK ROOM. 220 00:09:34,833 --> 00:09:36,533 YOU KNOW, [bleep] THOSE LITTLE [bleep]. 221 00:09:36,567 --> 00:09:38,827 - WELL, I MEAN, HE DID SAY THEY WERE GETTING SQUEEZED, SO... 222 00:09:38,867 --> 00:09:40,297 - YOU TELL NINO SHUT IS [bleep] MOUTH! 223 00:09:40,333 --> 00:09:42,073 AND THAT'S ALL YOU NEED TO UNDERSTAND. 224 00:09:42,100 --> 00:09:44,770 YOU GOT ME, PAL? - YEAH, YEAH...YEP. 225 00:09:44,800 --> 00:09:46,700 FRANK PALANTINO TOLD ME 226 00:09:46,733 --> 00:09:48,133 TO TELL YOU TO SHUT YOUR [bleep] MOUTH. 227 00:09:48,167 --> 00:09:51,127 - [chuckles] ALLORA, IS THAT SO? 228 00:09:52,533 --> 00:09:55,373 FRANK PALANTINO HAS SOME TROUBLE 229 00:09:55,400 --> 00:09:57,230 WITH HIS COMMUNICATION SKILLS, HUH? 230 00:09:57,267 --> 00:09:59,327 - WELL, I GUESS WHAT HE'S TRYING TO GET ACROSS IS 231 00:09:59,367 --> 00:10:02,927 THAT LITTLE ITALY HAS ALWAYS JUST LET LITTLE, LITTLE ITALY 232 00:10:02,967 --> 00:10:05,897 STAY HERE, AND, YOU KNOW, SPACE IS A PREMIUM, SO... 233 00:10:05,933 --> 00:10:06,933 - YOU KNOW WHAT? 234 00:10:06,967 --> 00:10:09,097 I'M GLAD YOU CAME TO SEE ME, JON. 235 00:10:09,133 --> 00:10:10,203 - OKAY. 236 00:10:10,233 --> 00:10:11,233 - BECAUSE I DON'T LIKE 237 00:10:11,267 --> 00:10:12,627 THIS BAD BLOOD. 238 00:10:12,667 --> 00:10:13,927 - RIGHT. 239 00:10:13,967 --> 00:10:15,227 - I WANT YOU TO DO ME A FAVOR. 240 00:10:15,267 --> 00:10:17,267 I MAKE THE GESTURE TO FRANK 241 00:10:17,300 --> 00:10:19,170 TO MAKE THINGS RIGHT. 242 00:10:19,200 --> 00:10:22,800 NOW MY DAUGHTER, SHE MAKE DELICIOUS ITALIAN COOKIES. 243 00:10:22,833 --> 00:10:24,473 PIZZELLE CON LA MACCHINA. 244 00:10:24,500 --> 00:10:25,770 MUCH BETTER. 245 00:10:25,800 --> 00:10:29,500 UH, CARA, GABRIELLA, BELLA, [speaking in Italian] 246 00:10:29,533 --> 00:10:33,003 BRING ME A BOX OF PIZZELLE. 247 00:10:33,033 --> 00:10:34,833 AH. 248 00:10:34,867 --> 00:10:37,667 THIS IS MY DAUGHTER GABRIELLA. 249 00:10:37,700 --> 00:10:40,770 THE IS THE INTERVIEW MAN I TOLD YOU ABOUT. 250 00:10:40,800 --> 00:10:42,600 - HI, GABRIELLA. 251 00:10:42,633 --> 00:10:46,903 - NOW YOU BRING THIS BOX TO LITTLE ITALY 252 00:10:46,933 --> 00:10:50,203 AND YOU GIVE IT TO FRANK TO SMOOTH THINGS OVER. 253 00:10:50,233 --> 00:10:51,473 [speaking Italian] 254 00:10:51,500 --> 00:10:52,530 - RIGHT, RIGHT, OKAY. 255 00:10:52,567 --> 00:10:55,297 FINE, YEAH, I'LL DO IT, UM... 256 00:10:55,333 --> 00:10:56,333 - YEAH, HURRY. 257 00:10:56,367 --> 00:10:59,427 BEFORE FRANK LEAVES, OKAY? 258 00:10:59,467 --> 00:11:01,527 - ALL RIGHT. BYE, NINO. 259 00:11:01,567 --> 00:11:02,767 BYE, GABRIELLA. 260 00:11:08,200 --> 00:11:10,500 JUST SO YOU KNOW THIS HAS GOTTA BE THE LAST TIME 261 00:11:10,533 --> 00:11:12,233 I GO BACK AND FORTH BETWEEN YOU AND NINO. 262 00:11:12,267 --> 00:11:14,527 - YEAH, SURE. - THANK YOU. 263 00:11:14,567 --> 00:11:15,567 OH, NINO ASKED ME 264 00:11:15,600 --> 00:11:17,700 TO GIVE YOU THIS. 265 00:11:17,733 --> 00:11:20,203 THIS, UM, PIZELLES. - PIZELLES? 266 00:11:20,233 --> 00:11:21,873 I LOVE PIZELLES, THANKS. 267 00:11:21,900 --> 00:11:22,900 - YEAH, IT'S A PEACE OFFERING I GUESS. 268 00:11:22,933 --> 00:11:24,433 HIS DAUGHTER MAKES THEM, SO, UH... 269 00:11:24,467 --> 00:11:26,367 - NICE. 270 00:11:26,400 --> 00:11:28,100 WHAT THE... 271 00:11:28,133 --> 00:11:30,373 [ticking sound] 272 00:11:30,400 --> 00:11:34,700 [soft orchestration] 273 00:11:34,733 --> 00:11:38,203 - BOOOOOMB! 274 00:11:48,400 --> 00:11:49,370 [small explosion] 275 00:11:49,400 --> 00:11:50,530 AAH! 276 00:11:50,567 --> 00:11:51,927 YOU MOTHER-- 277 00:11:55,300 --> 00:11:58,270 [dramatic newscast music] 278 00:11:58,300 --> 00:12:00,800 * 279 00:12:00,833 --> 00:12:02,233 - SO JUST EXPLAIN WHAT YOU'RE DOING, 280 00:12:02,267 --> 00:12:03,227 AS YOU'RE DOING IT. 281 00:12:03,267 --> 00:12:04,567 - OKAY. 282 00:12:04,600 --> 00:12:07,900 I'M GOING ON--IN, UH, ON THE--ON, UH, EMAIL. 283 00:12:07,933 --> 00:12:09,633 I'M GOING ON WEB. 284 00:12:09,667 --> 00:12:10,767 ON NET. 285 00:12:10,800 --> 00:12:11,800 - OKAY. 286 00:12:11,833 --> 00:12:13,303 LOG ON. 287 00:12:13,333 --> 00:12:14,903 YOU WANNA LOG ON? - I DON'T KNOW HOW. 288 00:12:14,933 --> 00:12:16,433 - HM. 289 00:12:16,467 --> 00:12:20,397 - I'M GOING TO TRY TO GO TO MY INBOX. 290 00:12:20,433 --> 00:12:21,803 - MM-HM. 291 00:12:21,833 --> 00:12:23,803 - DO YOU WANT ME TO DO ANYTHING HERE? 292 00:12:23,833 --> 00:12:25,403 - WE DON'T WANT TO READ YOUR MAIL. 293 00:12:25,433 --> 00:12:26,403 - OH... 294 00:12:26,433 --> 00:12:28,403 AW, IT'S NOT THAT SECRET. 295 00:12:28,433 --> 00:12:30,073 - ALL RIGHT, LET'S READ SOME MAIL THEN. 296 00:12:30,100 --> 00:12:31,900 YEAH, DO YOU CHECK IT EVERY DAY, OR... 297 00:12:31,933 --> 00:12:33,903 - YEAH, EVERY MORNING. 298 00:12:33,933 --> 00:12:36,173 SO YOU GOT 34 NEW MESSAGES THIS MORNING? 299 00:12:36,200 --> 00:12:39,100 - UH, YEAH, THESE ARE THEY. 300 00:12:39,133 --> 00:12:40,933 - MM--OOH, LOOK, "SARAH, CHAT TONIGHT." 301 00:12:40,967 --> 00:12:42,297 - YEAH, RIGHT, RIGHT. 302 00:12:42,333 --> 00:12:43,303 - WHAT'S THAT ALL ABOUT? 303 00:12:43,333 --> 00:12:46,473 - WELL, LET'S SEE SARAH. 304 00:12:46,500 --> 00:12:48,200 "MY NAME IS SARAH." - YEAH, "MY NAME IS SARAH." 305 00:12:48,233 --> 00:12:50,233 YOU DON'T WANNA DO THAT. 306 00:12:50,267 --> 00:12:51,497 - OKAY. 307 00:12:55,400 --> 00:12:56,500 - OOF! 308 00:12:56,533 --> 00:12:58,233 - TOM BROKAW, HOW YOU HOLDING UP? 309 00:12:58,267 --> 00:12:59,527 [laughter] 310 00:12:59,567 --> 00:13:02,367 - YEAH, HOW YOU DOIN', ANDERSON COOPER? 311 00:13:02,400 --> 00:13:05,930 - HA-HA, I GET IT, 'CAUSE I'M ON TV, THAT'S FUNNY. 312 00:13:05,967 --> 00:13:08,067 - YEAH, KRAMER. 313 00:13:08,100 --> 00:13:09,970 - WHAT ARE YOU TALKING ABOUT? 314 00:13:10,067 --> 00:13:11,427 - KRAMER, FROM SEINFELD. 315 00:13:11,467 --> 00:13:13,927 - THIS GUY DOES INTERVIEWS. 316 00:13:13,967 --> 00:13:14,967 - I DON'T WATCH THE NEWS. 317 00:13:15,067 --> 00:13:16,467 - GEEZ. 318 00:13:16,500 --> 00:13:17,700 LISTEN, JON, WE CAN DO THIS 319 00:13:17,733 --> 00:13:18,903 ALL DAY LONG. 320 00:13:18,933 --> 00:13:20,173 BUT I'M ASKING YOU ONLY ONE MORE TIME. 321 00:13:20,200 --> 00:13:21,430 HOW LONG YOU BEEN WORKING FOR NINO? 322 00:13:21,467 --> 00:13:23,867 - I TOLD YOU GUYS, I DON'T WORK FOR NINO. 323 00:13:23,900 --> 00:13:26,100 I JUST HOST A TV SHOW. THAT'S IT. 324 00:13:26,133 --> 00:13:28,603 - AW, THIS IS MAKING ME HUNGRY, YOU GUYS WANNA EAT? 325 00:13:28,633 --> 00:13:30,203 - I COULD EAT. - YEAH, LET'S EAT, LET'S EAT. 326 00:13:30,233 --> 00:13:31,233 - HIT HIM ONE MORE TIME, THAT'LL GIVE HIM 327 00:13:31,267 --> 00:13:32,297 ABOUT 20 MINUTES TO THINK ABOUT IT. 328 00:13:32,333 --> 00:13:33,303 - NO, COME ON. 329 00:13:33,333 --> 00:13:34,873 OH! 330 00:13:34,900 --> 00:13:35,930 [groans] 331 00:13:35,967 --> 00:13:37,367 - WHAT DO YOU GUYS WANT, CHINESE? 332 00:13:37,400 --> 00:13:40,230 - YEAH, THAT SOUNDS GOOD. - YEAH, LET'S GET DUMPLINGS. 333 00:13:40,267 --> 00:13:43,927 [door locks closed] 334 00:13:43,967 --> 00:13:45,897 - WHY'D I GET INVOLVED IN A TURF WAR BETWEEN 335 00:13:45,933 --> 00:13:47,973 LITTLE ITALY AND LITTLE, LITTLE ITALY? 336 00:13:48,067 --> 00:13:49,297 - PSST, JON. 337 00:13:49,333 --> 00:13:52,233 OVER HERE. 338 00:13:52,267 --> 00:13:53,727 - GABRIELLA? 339 00:13:53,767 --> 00:13:54,897 WHAT ARE YOU DOING HERE? 340 00:13:54,933 --> 00:13:56,733 - I CAME FOR YOU. 341 00:13:56,767 --> 00:13:58,367 I CAN'T STAND PAPA. 342 00:13:58,400 --> 00:14:00,700 HE ACTS LIKE HE'S A SAINT, BUT HE'S A HYPOCRITE. 343 00:14:00,733 --> 00:14:02,133 - WHAT? 344 00:14:02,167 --> 00:14:03,797 - HE MAKES HIS MONEY 345 00:14:03,833 --> 00:14:06,173 FROM IMPORTING TINY PROSTITUTES FROM ITALY. 346 00:14:06,200 --> 00:14:08,070 - THAT'S AWFUL. 347 00:14:08,067 --> 00:14:09,397 - I KNOW. 348 00:14:09,433 --> 00:14:11,333 WE HAVE TO HURRY. 349 00:14:11,367 --> 00:14:13,497 [chain saw revving] 350 00:14:20,667 --> 00:14:22,397 - WHAT IS THIS PLACE? 351 00:14:22,433 --> 00:14:25,433 - ORIGINALLY IT WAS A STOP ON THE UNDERGROUND RAILROAD. 352 00:14:25,467 --> 00:14:26,967 SINCE THEN WE USE IT WHEN BIG TOURISTS 353 00:14:27,067 --> 00:14:29,567 WANT TO STAY IN LITTLE, LITTLE ITALY. 354 00:14:30,933 --> 00:14:32,303 - THAT'S INTERESTING. 355 00:14:32,333 --> 00:14:34,103 - TAKE OFF YOUR SHIRT. 356 00:14:34,133 --> 00:14:35,273 - WHAT? 357 00:14:35,300 --> 00:14:39,670 - I'M GOING TO WASH YOUR WOUNDS. 358 00:14:39,700 --> 00:14:41,630 - OKAY. 359 00:14:46,433 --> 00:14:48,073 I'M SORRY ABOUT-- 360 00:14:48,067 --> 00:14:50,267 I LET MYSELF GO. 361 00:14:52,800 --> 00:14:53,770 OW. 362 00:14:53,800 --> 00:14:55,400 - I'M SORRY. 363 00:14:55,433 --> 00:14:58,403 - AAH. - YOUR HANDS. 364 00:14:58,433 --> 00:15:01,073 THEY'RE SO... 365 00:15:01,100 --> 00:15:02,830 LARGE. 366 00:15:02,867 --> 00:15:06,067 - YOUR EYES... 367 00:15:06,067 --> 00:15:07,867 THEY'RE SO SMALL. 368 00:15:07,900 --> 00:15:10,300 - [giggles] YES. 369 00:15:10,333 --> 00:15:11,733 - GABRIELLA, WE SHOULDN'T. 370 00:15:11,767 --> 00:15:13,627 I... 371 00:15:13,667 --> 00:15:14,667 I DON'T THINK IT'S-- 372 00:15:14,700 --> 00:15:19,430 - SHH. 373 00:15:24,833 --> 00:15:28,303 [kissing] 374 00:15:28,333 --> 00:15:31,303 [Italian opera music] 375 00:15:31,333 --> 00:15:35,433 * 376 00:15:35,467 --> 00:15:38,167 - OH, YES. 377 00:15:38,200 --> 00:15:41,730 OH, GOD. 378 00:15:41,767 --> 00:15:44,367 OOH. 379 00:15:46,600 --> 00:15:49,070 OH--OOH. 380 00:15:49,067 --> 00:15:51,967 AAH...AAH. 381 00:15:58,167 --> 00:16:02,497 [laughs 382 00:16:06,633 --> 00:16:09,633 [grunting, moaning] 383 00:16:16,433 --> 00:16:20,773 [grunting, moaning] 384 00:16:20,800 --> 00:16:22,130 OH, GOD! 385 00:16:22,167 --> 00:16:24,897 - GABRIELLA! 386 00:16:24,933 --> 00:16:27,333 - NINO. - PAPA! 387 00:16:27,367 --> 00:16:29,267 - IT'S NOT WHAT YOU THINK. 388 00:16:29,300 --> 00:16:30,430 - [speaking Italian] 389 00:16:30,467 --> 00:16:34,367 - PAPA...I LOVE HIM. 390 00:16:34,400 --> 00:16:35,900 - GET HIM! 391 00:16:35,933 --> 00:16:37,473 - NO, PLEASE, YOU DON'T UNDERSTAND! NINO! 392 00:16:40,200 --> 00:16:42,130 - HYAH! - OW. 393 00:16:42,167 --> 00:16:45,567 - THIS IS WHAT YOU DO TO ME AFTER I TRUSTED YOU. 394 00:16:45,600 --> 00:16:48,130 - YOU LIED TO ME, YOU HAD ME DELIVER A BOMB. 395 00:16:48,167 --> 00:16:50,297 - AND YOU DIDN'T DELIVER IT, YOU'RE STILL ALIVE. 396 00:16:50,333 --> 00:16:53,133 - IT EXPLODED IN HIS HAND, NINO, IT WAS A TINY BOMB. 397 00:16:53,167 --> 00:16:55,167 - THAT'S NOT THE POINT, THE POINT IS THAT 398 00:16:55,200 --> 00:16:57,370 I TRUSTED YOU WITH MY LITTLE GIRL, 399 00:16:57,400 --> 00:16:59,570 AND YOU SLEPT WITH HER. 400 00:16:59,600 --> 00:17:01,430 - WITH ALL DUE RESPECT, SIR. 401 00:17:01,467 --> 00:17:02,427 SHE'S A FULL-GROWN WOMAN, 402 00:17:02,467 --> 00:17:03,967 SHE CAN MAKE HER OWN DECISIONS! 403 00:17:04,067 --> 00:17:06,527 - SHE'S 15, YOU SICK [bleep]! 404 00:17:06,567 --> 00:17:07,897 - WHAT? 405 00:17:07,933 --> 00:17:10,273 - YEAH, THAT'S RIGHT. - OH, MY GOD, REALLY? 406 00:17:10,300 --> 00:17:12,200 - 15! [speaking Italian] 407 00:17:12,233 --> 00:17:13,603 - I COULDN'T TELL, THE SCALE WAS OFF. 408 00:17:13,633 --> 00:17:14,933 SHE'S SO SMALL. 409 00:17:14,967 --> 00:17:16,627 - IT'S TOO LATE FOR EXCUSES, 410 00:17:16,667 --> 00:17:19,897 THIS IS NOT MISSISSIPPI WHERE THE AGE OF CONSENT IS 12. 411 00:17:19,933 --> 00:17:22,273 - IT'S 14, ACTUALLY. 412 00:17:22,300 --> 00:17:24,400 - UGH! - OW. 413 00:17:24,433 --> 00:17:27,273 - HEY, PAULIE, FINISH HIM OFF. 414 00:17:27,300 --> 00:17:28,270 [gun hammer clicks] 415 00:17:28,300 --> 00:17:30,070 - NINO! THEY'RE COMING! 416 00:17:30,067 --> 00:17:31,067 IT'S HAPPENING TONIGHT. 417 00:17:31,067 --> 00:17:32,067 FRANK PALANTINO AND HIS GANG, 418 00:17:32,100 --> 00:17:33,970 THEY'RE GONNA TRY TO WIPE US OUT. 419 00:17:34,067 --> 00:17:35,367 LITTLE ITALY IS COMING! 420 00:17:35,400 --> 00:17:38,170 - WHAT? - WE DON'T HAVE MUCH TIME! 421 00:17:38,200 --> 00:17:40,370 - THIS WAS BOUND TO HAPPEN. 422 00:17:40,400 --> 00:17:41,970 ALL RIGHT, I WANT EVERYONE TO GEAR UP, 423 00:17:42,067 --> 00:17:43,627 I WANT ALL THE GUNS ON THE STREET! 424 00:17:43,667 --> 00:17:45,667 AND I'LL DEAL WITH YOU LATER. 425 00:17:45,700 --> 00:17:47,330 ANDIAMO. 426 00:17:49,600 --> 00:17:52,230 - NINO. - WHAT, SCUM? 427 00:17:52,267 --> 00:17:53,767 - CUT ME LOOSE. 428 00:17:53,800 --> 00:17:54,770 - WHAT? 429 00:17:54,800 --> 00:17:56,230 - YOU HEARD ME. 430 00:17:56,267 --> 00:17:58,167 I'LL FIGHT FOR YOU. 431 00:17:58,200 --> 00:17:59,530 YOU CAN'T WIN THIS. 432 00:17:59,567 --> 00:18:02,267 YOU'RE ALL TOO SMALL AND YOU KNOW IT. 433 00:18:02,300 --> 00:18:04,430 - OH, JEEZ. 434 00:18:04,467 --> 00:18:07,467 [exhales] CUT HIM LOOSE AND GIVE HIM A GUN. 435 00:18:12,667 --> 00:18:14,597 [dramatic music] 436 00:18:31,133 --> 00:18:34,933 - THIS IS IT, NO MERCY. 437 00:18:34,967 --> 00:18:37,797 - NO MERCY. 438 00:18:44,400 --> 00:18:46,670 [laughs] 439 00:18:46,700 --> 00:18:49,070 all: [screaming] [squishing sound] 440 00:18:49,100 --> 00:18:51,370 [Italian opera music] 441 00:18:51,400 --> 00:18:55,200 [glass breaking] 442 00:18:55,233 --> 00:18:57,073 - [screams] 443 00:18:59,067 --> 00:19:00,527 - AAH! 444 00:19:19,067 --> 00:19:21,067 [loud explosion] 445 00:19:21,100 --> 00:19:23,800 [glass breaking] 446 00:19:23,833 --> 00:19:25,573 - ALL RIGHT, ALL RIGHT, ALL RIGHT! 447 00:19:25,600 --> 00:19:28,100 WE'RE DONE. 448 00:19:28,133 --> 00:19:30,073 LET'S EAT. 449 00:19:30,067 --> 00:19:33,067 [glass breaking] 450 00:19:33,100 --> 00:19:34,730 - AAH! 451 00:19:38,933 --> 00:19:40,933 - [moaning] 452 00:19:49,667 --> 00:19:52,927 - [coughs] 453 00:19:52,967 --> 00:19:54,767 - AAH! 454 00:19:58,833 --> 00:20:00,333 AAH! 455 00:20:03,533 --> 00:20:07,503 - [crying] JON. 456 00:20:07,533 --> 00:20:09,603 - GABRIELLA. 457 00:20:09,633 --> 00:20:11,973 - [crying] HELP ME. 458 00:20:12,000 --> 00:20:14,030 - YOU SHOULD HAVE TOLD ME YOU WERE 15. 459 00:20:14,067 --> 00:20:16,167 I CAN GET IN A [bleep]LOAD OF TROUBLE FOR THAT. 460 00:20:16,200 --> 00:20:19,470 - PLEASE, DO SOMETHING. 461 00:20:19,500 --> 00:20:20,730 I LOVE YOU-- 462 00:20:20,767 --> 00:20:22,897 [squishing sound] 463 00:20:22,933 --> 00:20:24,803 - [sighs] 464 00:20:24,833 --> 00:20:27,773 SORRY. 465 00:20:38,567 --> 00:20:39,527 - [sighs] 466 00:20:39,567 --> 00:20:42,227 - HOW'D THE STORY GO? 467 00:20:42,267 --> 00:20:45,297 - IT DIDN'T END WELL. 468 00:20:47,700 --> 00:20:50,670 [Italian mandolin music] 469 00:20:50,700 --> 00:20:53,700 Captioning by CaptionMax www.captionmax.com 31517

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