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These are the user uploaded subtitles that are being translated: 1 00:00:12,146 --> 00:00:16,450 CAPTIONING MADE POSSIBLE BY ABC CABLE NETWORKS GROUP 2 00:00:18,419 --> 00:00:19,653 SOME PEOPLE THINK THAT HIGH SCHOOL 3 00:00:19,687 --> 00:00:21,489 IS THE WORST TIME IN A PERSON'S LIFE. 4 00:00:21,522 --> 00:00:24,525 WHAT WITH THE POPULARS, THE PEER PRESSURE, 5 00:00:24,558 --> 00:00:25,626 AND THE PIMPLES, 6 00:00:25,659 --> 00:00:28,062 IT'S JUST TOO MUCH FOR SOME KIDS TO HANDLE 7 00:00:28,096 --> 00:00:29,063 ON A $10 A WEEK ALLOWANCE. 8 00:00:29,097 --> 00:00:32,066 BUT THIS ISN'T ONE OF THOSE STORIES. 9 00:00:32,100 --> 00:00:34,068 MEET ISABELLA. 10 00:00:34,102 --> 00:00:37,037 BUT YOU CAN CALL HER, IS. 11 00:00:40,841 --> 00:00:41,942 HIGH SCHOOL. 12 00:00:41,975 --> 00:00:45,846 A FANTASTICAL KINGDOM OF PROMISE AND PERIL. 13 00:00:45,879 --> 00:00:47,781 WITH WARRIORS. 14 00:00:47,815 --> 00:00:49,550 [WHISTLE BLOWS] 15 00:00:50,251 --> 00:00:52,052 WIZARDS. 16 00:00:54,122 --> 00:00:55,823 AND WITCHES. 17 00:00:57,791 --> 00:00:58,859 SHH. 18 00:00:58,892 --> 00:01:01,695 A BIZARRE WORLD WHERE THE RULES OF SOCIETY 19 00:01:01,729 --> 00:01:04,132 NO LONGER APPLY. 20 00:01:04,165 --> 00:01:06,534 IT IS HERE WHERE DESTINY FINDS 21 00:01:06,567 --> 00:01:09,137 THE INCOMPARABLE, IS. 22 00:01:11,839 --> 00:01:14,375 AND HER NEVER-ENDING BATTLE FOR TRUTH 23 00:01:14,408 --> 00:01:17,445 JUSTICE, AND GYM CLASS. 24 00:01:17,478 --> 00:01:19,547 [BLOWS WHISTLE] 25 00:01:21,915 --> 00:01:23,484 THE ROPE. 26 00:01:23,517 --> 00:01:25,719 THE SCOURGE OF EVERY HIGH SCHOOL STUDENT 27 00:01:25,753 --> 00:01:26,720 SINCE THE DAWN OF TIME. 28 00:01:26,754 --> 00:01:29,157 BUT IT ISN'T THE LENGTH OF THE ROPE. 29 00:01:29,190 --> 00:01:32,660 IT'S THE STRENGTH OF THE GIRL CLIMBING IT. 30 00:01:32,693 --> 00:01:34,195 AND LUCKILY, IN THIS CASE, 31 00:01:34,228 --> 00:01:37,398 THAT GIRL IS, IS. 32 00:01:41,469 --> 00:01:43,137 [WHISTLE BLOWS] 33 00:02:01,855 --> 00:02:02,656 MARCO. 34 00:02:02,690 --> 00:02:05,593 VINCENT. WAS IT THE SMILE, 35 00:02:05,626 --> 00:02:07,261 THE DIMPLES, THE BICEPS, 36 00:02:07,295 --> 00:02:10,298 THAT MADE HIM THE CUTEST BOY IN THE KINGDOM? 37 00:02:10,331 --> 00:02:13,201 WHAT DO YOU THINK? 38 00:02:15,369 --> 00:02:17,171 [WHISTLE BLOWS] 39 00:02:17,205 --> 00:02:18,071 JAMIE, YOU'RE NEXT. 40 00:02:18,105 --> 00:02:21,175 OK. SO THIS ISN'T THAT STORY. 41 00:02:21,209 --> 00:02:24,245 AND IS IS JUST A CHARACTER IN MY JOURNAL. 42 00:02:24,278 --> 00:02:26,347 IMPRESSIVE TIME, MR. VEGA. 43 00:02:26,380 --> 00:02:28,749 NEW STOPWATCH, MR. HEARN? 44 00:02:28,782 --> 00:02:30,551 VERY NICE. 45 00:02:31,252 --> 00:02:34,555 HI. I DON'T FEEL VERY WELL. 46 00:02:34,822 --> 00:02:38,892 UNFORTUNATELY, AS HARD AS I TRY, 47 00:02:38,926 --> 00:02:40,894 I'M NO IS. 48 00:02:40,928 --> 00:02:45,165 [STRUGGLING] 49 00:02:46,967 --> 00:02:48,936 [CONTINUES STRUGGLING] 50 00:02:49,537 --> 00:02:50,671 I CAN'T DO IT. 51 00:02:50,704 --> 00:02:53,741 I REALLY CAN'T. I'M SORRY. 52 00:02:53,774 --> 00:02:55,443 [BELL RINGS] 53 00:02:57,010 --> 00:02:57,945 WATCH IT. 54 00:02:57,978 --> 00:02:58,912 THIS IS THE STORY 55 00:02:58,946 --> 00:03:00,514 OF HOW MY PRIVATE, PERSONAL JOURNAL 56 00:03:00,548 --> 00:03:02,850 BECAME A BEST SELLER. 57 00:03:05,953 --> 00:03:08,389 HEY, J. HOW WAS GYM? 58 00:03:08,422 --> 00:03:10,724 I GOT STUCK ON THE ROPE AGAIN. 59 00:03:10,758 --> 00:03:11,425 OUCH. 60 00:03:11,459 --> 00:03:12,426 MY WORDS EXACTLY. [BELL RINGS] 61 00:03:12,460 --> 00:03:14,695 OH, LET'S BOUNCE. WE CAN'T BE LATE FOR ENGLISH. 62 00:03:14,728 --> 00:03:16,664 BUT WE HAVE TO SAVE THE PLANET FIRST. 63 00:03:16,697 --> 00:03:19,700 ISN'T THAT A LITTLE AMBITIOUS BEFORE LUNCH? 64 00:03:19,733 --> 00:03:21,269 "THE PLANET" IS A THEATER DOWNTOWN, 65 00:03:21,302 --> 00:03:22,836 AND THEY'RE GOING TO TEAR IT DOWN 66 00:03:22,870 --> 00:03:24,938 UNLESS WE DO SOMETHING ABOUT IT. 67 00:03:24,972 --> 00:03:25,706 I ALREADY DID. 68 00:03:25,739 --> 00:03:28,942 I DESIGNED AND PAINTED THE POSTERS. 69 00:03:28,976 --> 00:03:31,945 YEAH. BUT NO ONE CAN READ THEM. 70 00:03:31,979 --> 00:03:35,215 I WAS EXPERIMENTING WITH CUBISM. 71 00:03:35,549 --> 00:03:37,918 WELL, WE'RE GOING TO BE EXPERIMENTING WITH DETENTION 72 00:03:37,951 --> 00:03:38,952 IF WE DON'T GET A MOVE ON. 73 00:03:38,986 --> 00:03:39,887 BUT WHAT ABOUT MY PROTEST? 74 00:03:39,920 --> 00:03:44,592 MAYBE WE CAN SAVE THE PLANET ALONG THE WAY. 75 00:03:45,293 --> 00:03:47,928 SAVE THE PLANET? SAVE--NO? 76 00:03:47,961 --> 00:03:49,463 SAVE THE PLANET. 77 00:03:49,497 --> 00:03:51,965 HELP SAVE THE PLANET. 78 00:03:52,900 --> 00:03:55,002 SAVE THE PLANET. 79 00:03:55,035 --> 00:03:57,305 [TEARS UP PAPER] 80 00:03:57,338 --> 00:03:58,872 SAVE-- 81 00:03:58,906 --> 00:04:00,941 UH-OH. 82 00:04:00,974 --> 00:04:03,010 THE POPULARS. 83 00:04:04,912 --> 00:04:05,746 THERE SHE WAS. 84 00:04:05,779 --> 00:04:09,550 THE EVIL AND FEARED SAWYER. 85 00:04:09,583 --> 00:04:12,720 UH, I MEAN, MYRNA. 86 00:04:13,921 --> 00:04:15,022 A CHEERLEADER SO VILE, 87 00:04:15,055 --> 00:04:18,559 EVEN MILK CURDLED AT THE SOUND OF HER NAME. 88 00:04:18,592 --> 00:04:19,493 SHE ENTERED THE HALLWAY 89 00:04:19,527 --> 00:04:22,796 WITH HER CLONE HORRIFIC COHORTS. 90 00:04:25,566 --> 00:04:27,968 UH... JAMIE. 91 00:04:28,001 --> 00:04:30,070 OH, I WAS GONNA SAY GEEK. 92 00:04:30,103 --> 00:04:32,940 MYRNA WAS ROTTEN TO THE CORE. 93 00:04:32,973 --> 00:04:34,575 I'M SORRY. DID YOU WANT SOMETHING? 94 00:04:34,608 --> 00:04:37,611 YES, I WANTED YOU TO MOVE. YOU'RE BLOCKING MY LOCKER. 95 00:04:37,645 --> 00:04:40,714 RIGHT. SORRY. 96 00:04:41,415 --> 00:04:42,215 I HEARD THE TRYOUTS 97 00:04:42,249 --> 00:04:43,150 ARE GONNA BE REALLY INTENSE THIS YEAR. 98 00:04:43,183 --> 00:04:45,653 OH, ARE YOU GUYS TRYING OUT FOR CHEERLEADING? 99 00:04:45,686 --> 00:04:47,855 DUH. ARE YOU? 100 00:04:48,822 --> 00:04:49,990 YOU AREN'T. 101 00:04:50,023 --> 00:04:50,524 NO. 102 00:04:50,558 --> 00:04:51,892 NO. I DIDN'T THINK SO. 103 00:04:51,925 --> 00:04:53,727 THAT'S A VERY GOOD CALL ON YOUR PART. 104 00:04:53,761 --> 00:04:55,463 [GIGGLING] 105 00:04:56,930 --> 00:04:57,831 RISKING LIFE AND LIMB, 106 00:04:57,865 --> 00:05:00,934 IS NEW SHE HAD TO DESTROY MYRNA 107 00:05:00,968 --> 00:05:02,002 AND HER VICIOUS CLIQUE. 108 00:05:02,035 --> 00:05:05,105 BEFORE THEY CRUSHED EVERY GIRL'S SPIRIT. 109 00:05:05,138 --> 00:05:07,875 WELL, IF YOU'RE NOT GOING TO BE NICE, 110 00:05:07,908 --> 00:05:09,677 THEN BE GONE. 111 00:05:11,011 --> 00:05:13,947 Kids: IS! IS! IS! IS! 112 00:05:13,981 --> 00:05:17,651 AND WITH MYRNA GONE, EVERYONE CHEERED. 113 00:05:25,693 --> 00:05:26,794 JAMIE. 114 00:05:26,827 --> 00:05:29,863 IS THERE SOMETHING YOU'D LIKE TO SHARE WITH THE CLASS? 115 00:05:29,897 --> 00:05:31,365 NO, MISS GALLAGHER. 116 00:05:31,399 --> 00:05:33,834 THEN PAY ATTENTION. 117 00:05:33,867 --> 00:05:35,636 MARCO. 118 00:05:35,669 --> 00:05:37,538 YOU'RE NEXT. 119 00:05:47,681 --> 00:05:48,849 IT'S NOT VERY GOOD. 120 00:05:48,882 --> 00:05:50,751 [LAUGHTER] 121 00:05:52,920 --> 00:05:54,121 "I HAVE A SECRET. 122 00:05:54,154 --> 00:05:55,956 "DOES SHE, TOO? 123 00:05:55,989 --> 00:05:59,627 "THE QUIET GIRL I THOUGHT I KNEW WHO-- 124 00:06:00,894 --> 00:06:03,931 "CONTINUALLY MAKES ME SMILE. 125 00:06:03,964 --> 00:06:06,867 "I HAVE TO WONDER, DOES SHE SEE ME 126 00:06:06,900 --> 00:06:09,437 "OR JUST MY MASK? 127 00:06:09,470 --> 00:06:10,804 INVISIBILITY." 128 00:06:10,838 --> 00:06:12,706 OH... 129 00:06:14,942 --> 00:06:16,043 [BELL RINGS] 130 00:06:16,076 --> 00:06:17,177 ALL RIGHT, EVERYONE. 131 00:06:17,210 --> 00:06:18,378 HAVE A GREAT WEEKEND. 132 00:06:18,412 --> 00:06:21,114 AND DON'T FORGET, YOUR ESSAYS FOR THE WRITING COMPETITION 133 00:06:21,148 --> 00:06:22,816 ARE DUE ON MONDAY. 134 00:06:22,850 --> 00:06:24,718 AND HE WRITES POETRY. 135 00:06:24,752 --> 00:06:26,620 IS THERE ANYTHING MARCO CAN'T DO? 136 00:06:26,654 --> 00:06:27,921 YEAH. WRITE POETRY. 137 00:06:27,955 --> 00:06:29,557 YOU'RE JUST JEALOUS. 138 00:06:29,590 --> 00:06:30,624 TRUST ME, JAMIE, 139 00:06:30,658 --> 00:06:32,993 IF I WANTED TO WRITE A POEM LIKE THAT, I COULD'VE. 140 00:06:33,026 --> 00:06:35,729 HEY, THERE'S YOUR BROTHER. 141 00:06:36,997 --> 00:06:38,098 HEY, LENNY. WHAT'S UP? 142 00:06:38,131 --> 00:06:41,068 I THOUGHT I TOLD YOU NEVER TO TALK TO ME. 143 00:06:41,101 --> 00:06:43,571 ESPECIALLY IN SCHOOL. 144 00:06:45,706 --> 00:06:46,874 WHAT'S WITH HIM? 145 00:06:46,907 --> 00:06:49,142 I WOULDN'T KNOW WHERE TO BEGIN. 146 00:06:49,176 --> 00:06:50,911 OH. 147 00:06:53,814 --> 00:06:56,750 SO, WANT TO HIT THE COMIC BOOK STORE AFTER SCHOOL TODAY? 148 00:06:56,784 --> 00:06:58,586 I CAN'T. I HAVE TO WORK. 149 00:06:58,619 --> 00:07:00,120 WE'RE SERVING PIZZA UNTIL 5:00 150 00:07:00,153 --> 00:07:02,022 IF ANYBODY WANTS A SLICE. 151 00:07:02,055 --> 00:07:03,924 OH, WHAT'S TODAY'S SPECIAL? 152 00:07:03,957 --> 00:07:04,958 DON'T ASK. 153 00:07:04,992 --> 00:07:05,759 IT WAS DISGUSTING. 154 00:07:05,793 --> 00:07:08,762 THE OTHER DAY, HE PUT RAW FISH ON IT. 155 00:07:28,916 --> 00:07:29,750 LET'S GO, JAMIE. 156 00:07:29,783 --> 00:07:31,852 THIS PIZZA'S NOT GOING TO DELIVER ITSELF. 157 00:07:31,885 --> 00:07:33,954 WHAT IS THAT STENCH? 158 00:07:33,987 --> 00:07:35,989 THAT IS THE SMELL OF THE FUTURE. 159 00:07:36,023 --> 00:07:38,926 THE SMELL OF YOUR FUTURE. 160 00:07:40,528 --> 00:07:42,696 LIVER AND ONION PIZZA. 161 00:07:42,730 --> 00:07:43,764 EW. 162 00:07:43,797 --> 00:07:44,498 YOU'RE NOT MAKING THAT 163 00:07:44,532 --> 00:07:45,999 FOR THE SLUMBER PARTY, ARE YOU? 164 00:07:46,033 --> 00:07:47,568 MAYBE HALF? 165 00:07:47,601 --> 00:07:48,902 OH, MR. BARTLETT, PLEASE. 166 00:07:48,936 --> 00:07:50,137 DADDY, DON'T. 167 00:07:50,170 --> 00:07:52,640 BUT GIRLS, IF I DON'T GET SOME TESTERS FOR MY NEW CREATIONS, 168 00:07:52,673 --> 00:07:54,174 HOW AM I GONNA KNOW IF THEY'RE ANY GOOD? 169 00:07:54,207 --> 00:07:55,909 TRUST US. TRUST US. 170 00:07:55,943 --> 00:07:56,810 WHAT IS THAT SMELL? 171 00:07:56,844 --> 00:08:00,648 IT'S OUR FUTURE, AND APPARENTLY, IT STINKS. 172 00:08:00,681 --> 00:08:02,015 EW, RALPH. 173 00:08:02,049 --> 00:08:03,951 IT'S LIVER AND ONION. 174 00:08:03,984 --> 00:08:06,219 YOU PUT LIVER AND ONIONS ON A PIZZA? 175 00:08:06,253 --> 00:08:09,590 I THINK YOU SHOULD JUST STAY OLD SCHOOL, MR. B. 176 00:08:09,623 --> 00:08:11,592 YOUR PLAIN CHEESE IS STILL THE BEST AROUND. 177 00:08:11,625 --> 00:08:15,563 BUT, I'M TRYING TO APPEAL TO A WIDER AUDIENCE. 178 00:08:15,596 --> 00:08:17,064 A MORE DISCERNING PALATE. 179 00:08:17,097 --> 00:08:18,966 EW! EW! 180 00:08:18,999 --> 00:08:19,967 LET'S GET OUT OF HERE. 181 00:08:20,000 --> 00:08:21,969 I WANT TO BE SUPPORTIVE, HONEY, 182 00:08:22,002 --> 00:08:24,237 BUT YOU MIGHT BE DISCERNING US 183 00:08:24,271 --> 00:08:27,007 RIGHT OUT OF BUSINESS. 184 00:08:32,212 --> 00:08:35,315 UH, EXCUSE ME. UH... 185 00:08:35,348 --> 00:08:35,949 JAMIE. 186 00:08:35,983 --> 00:08:38,051 I'M IN YOUR ENGLISH CLASS. 187 00:08:38,085 --> 00:08:41,689 AND LUNCH, AND HISTORY. 188 00:08:41,722 --> 00:08:42,823 AND MATH. 189 00:08:42,856 --> 00:08:44,658 YOU ARE? 190 00:08:44,692 --> 00:08:46,026 [CHUCKLES] 191 00:08:46,894 --> 00:08:48,896 I SAID, NO ICE. 192 00:08:50,363 --> 00:08:51,164 OH, MY BAD. 193 00:08:51,198 --> 00:08:53,100 LET ME GET YOU ANOTHER. 194 00:08:53,934 --> 00:08:55,268 AAH! 195 00:08:56,369 --> 00:08:57,738 OH, MY BAD. 196 00:08:57,771 --> 00:08:59,607 LET ME GET YOU ANOTHER ONE. 197 00:08:59,640 --> 00:09:00,373 THANKS. 198 00:09:00,407 --> 00:09:03,343 SMILE. ONLY 2 HOURS UNTIL CLOSING. 199 00:09:03,376 --> 00:09:07,581 YES. BUT 3 1/2 MORE YEARS OF HIGH SCHOOL. 200 00:09:12,085 --> 00:09:14,087 WHAT DID YOU GUYS DO YOUR ESSAYS ON? 201 00:09:14,121 --> 00:09:15,589 HOW TERM PAPERS ARE A WASTE 202 00:09:15,623 --> 00:09:17,991 OF OUR DWINDLING, NATURAL RESOURCES. 203 00:09:18,025 --> 00:09:18,726 OH, SWEET. 204 00:09:18,759 --> 00:09:20,628 I CRANKED OUT A COUPLE OF PAGES 205 00:09:20,661 --> 00:09:22,362 ON HOW I WOULD CHANGE THE BREAK TIMES 206 00:09:22,395 --> 00:09:24,097 BETWEEN CLASSES TO MAKE OUR LIVES, 207 00:09:24,131 --> 00:09:25,666 OH, SO MORE EFFICIENT. 208 00:09:25,699 --> 00:09:26,433 THAT'S IT? 209 00:09:26,466 --> 00:09:28,902 YES. IT'S A VERY CONVINCING PAPER. 210 00:09:28,936 --> 00:09:29,803 WHY? 211 00:09:29,837 --> 00:09:30,771 BECAUSE THE WINNING ESSAY 212 00:09:30,804 --> 00:09:33,006 WILL BE PUBLISHED IN THE EDUCATION TIMES. 213 00:09:33,040 --> 00:09:33,774 WELL, IT WON'T BE MINE. 214 00:09:33,807 --> 00:09:35,275 I JUST THOUGHT YOU WOULD'VE COME UP 215 00:09:35,308 --> 00:09:36,076 WITH SOMETHING BETTER THAN THAT. 216 00:09:36,109 --> 00:09:38,178 YOU ARE THE BEST WRITER IN THE CLASS. 217 00:09:38,211 --> 00:09:39,847 HARDLY. ARE, TOO. 218 00:09:39,880 --> 00:09:41,114 AM NOT. 219 00:09:41,148 --> 00:09:42,683 IF YOU'RE NOT A WRITER, THEN WHY ARE YOU WRITING ALL THE TIME? 220 00:09:42,716 --> 00:09:45,753 BECAUSE IF I DIDN'T I'D HAVE A NUTTY. 221 00:09:46,954 --> 00:09:48,255 OH, NO. MY PRINTER DIED. 222 00:09:48,288 --> 00:09:49,957 OH, NOW THE WORLD WILL NEVER KNOW 223 00:09:49,990 --> 00:09:53,060 HOW MUCH EASIER OUR LIVES WOULD BE BETWEEN CLASSES. 224 00:09:53,093 --> 00:09:55,829 DOESN'T LENNY HAVE A PRINTER? 225 00:09:55,863 --> 00:09:58,065 OH, YEAH. GOOD IDEA. 226 00:10:00,033 --> 00:10:02,002 [GUITAR PLAYS] 227 00:10:02,035 --> 00:10:02,970 HEY, LENNY? 228 00:10:03,003 --> 00:10:04,672 I THOUGHT I TOLD YOU TO NEVER COME IN MY ROOM. 229 00:10:04,705 --> 00:10:07,941 YEAH. BUT I WAS WONDERING IF I COULD BORROW YOUR... 230 00:10:07,975 --> 00:10:12,045 HEY, YOU WROTE A SONG. 231 00:10:12,079 --> 00:10:12,980 BUT-- 232 00:10:13,013 --> 00:10:14,982 I SAID, OUT. 233 00:10:18,085 --> 00:10:19,753 WELL, WHY DON'T YOU EMAIL IT TO ME, 234 00:10:19,787 --> 00:10:21,321 AND I'LL PRINT IT OUT AT MY HOUSE. 235 00:10:21,354 --> 00:10:24,257 EXCELLENT IDEA. 236 00:10:24,291 --> 00:10:26,994 I JUST WISH I COULD FIND SOMEBODY WHO... 237 00:10:27,027 --> 00:10:27,928 OH... 238 00:10:27,961 --> 00:10:30,297 UNDERSTANDS ME. 239 00:10:30,330 --> 00:10:31,364 EVERY-- 240 00:10:31,398 --> 00:10:33,333 LINDSAY UNDERSTANDS YOU, RYDER. 241 00:10:33,366 --> 00:10:35,002 SHUT UP. THAT'S SUCH A LIE. 242 00:10:35,035 --> 00:10:36,169 COME ON, HARMONY. 243 00:10:36,203 --> 00:10:39,339 WHO DOESN'T LOVE RYDER DONOVAN? 244 00:10:46,847 --> 00:10:47,948 NO. NO. NO. 245 00:10:47,981 --> 00:10:48,782 OH, SHE IS A WITCH. 246 00:10:48,816 --> 00:10:51,151 DID YOU SEE WHO SHE KILLED LAST WEEK? 247 00:10:51,184 --> 00:10:52,352 IF SHE KEEPS THIS UP, 248 00:10:52,385 --> 00:10:55,188 THEY'LL HAVE TO RECAST THE ENTIRE SHOW. 249 00:10:55,222 --> 00:10:56,289 CHANGE THE CHANNEL. 250 00:10:56,323 --> 00:10:57,390 SHE MAKES MY SKIN CRAWL. 251 00:10:57,424 --> 00:11:00,360 THIS ONE ACCIDENTAL CLICK OF THE STYLUS... 252 00:11:00,393 --> 00:11:04,932 THAT ROCKETED MY PERSONAL, PRIVATE JOURNAL INTO CYBERSPACE 253 00:11:04,965 --> 00:11:09,102 WOULD SEND A SHOCKWAVE ROARING THROUGH THE KINGDOM. 254 00:11:09,136 --> 00:11:13,006 ALTERING IT FOREVER. 255 00:11:13,941 --> 00:11:15,976 THINK OF YOUR FACE AS A BLANK CANVAS. 256 00:11:16,009 --> 00:11:18,278 IT'S ALL ABOUT THE SHADING AND COMPOSITION. 257 00:11:18,311 --> 00:11:19,980 WHAT ARE YOU GUYS DOING? 258 00:11:20,013 --> 00:11:22,049 SHADING OUR CANVASSES. 259 00:11:22,082 --> 00:11:24,017 WHEN DID YOU START SELLING THIS MAKE-UP? 260 00:11:24,051 --> 00:11:25,886 JUST LAST WEEK. IT'S NEW. 261 00:11:25,919 --> 00:11:26,820 IT'S CRUEL. 262 00:11:26,854 --> 00:11:28,889 THEY TEST ON ANIMALS. EVERYBODY KNOWS THAT. 263 00:11:28,922 --> 00:11:30,791 YOU SHOULD BE ASHAMED OF YOURSELF. 264 00:11:30,824 --> 00:11:31,792 LOOK, KID, I JUST WORK HERE. 265 00:11:31,825 --> 00:11:33,927 IF YOU'D LIKE TO TAKE IT UP WITH THE COMPANY, 266 00:11:33,961 --> 00:11:34,795 BE MY GUEST. 267 00:11:34,828 --> 00:11:38,165 DON'T THINK I WON'T. LET'S GO, YOU GUYS. 268 00:11:40,868 --> 00:11:41,869 OH, WOW. 269 00:11:41,902 --> 00:11:44,337 DO YOUR MAKE-UP IN THE DARK THIS MORNING, GIRLS? 270 00:11:44,371 --> 00:11:47,107 [GIGGLING] 271 00:11:48,809 --> 00:11:52,145 YOU COULD'VE AT LEAST LET US FINISH. 272 00:11:52,179 --> 00:11:53,847 IT'S BEEN A MONTH. 273 00:11:53,881 --> 00:11:56,383 LET THE SHOCKWAVE BEGIN. 274 00:11:56,416 --> 00:11:57,450 I JUST DON'T BELIEVE-- 275 00:11:57,484 --> 00:12:00,187 THEY ANNOUNCED THE WINNERS OF THE ESSAY COMPETITION. 276 00:12:00,220 --> 00:12:01,188 YAWN. 277 00:12:01,221 --> 00:12:03,023 OH, COME ON, YOU MUST BE EXCITED. 278 00:12:03,056 --> 00:12:04,524 YOU PRACTICALLY WROTE A NOVEL. 279 00:12:04,557 --> 00:12:06,126 WHAT ARE YOU TALKING ABOUT? 280 00:12:06,159 --> 00:12:07,895 IT WAS 5 PAGES. 281 00:12:07,928 --> 00:12:09,897 WITH FOOTNOTES. 282 00:12:09,930 --> 00:12:11,264 UH-OH. 283 00:12:11,298 --> 00:12:12,332 SERIOUSLY. 284 00:12:12,365 --> 00:12:14,902 MISS GALLAGHER SAID IT WAS THE MOST PROVOCATIVE PAPER 285 00:12:14,935 --> 00:12:16,369 SHE'S SEEN IN 15 YEARS. 286 00:12:16,403 --> 00:12:17,838 PUH-LEASE. LIKE JAMIE BARTLETT'S 287 00:12:17,871 --> 00:12:19,472 EVER SAID ANYTHING PROVOCATIVE. 288 00:12:19,506 --> 00:12:20,540 HONESTLY. 289 00:12:20,573 --> 00:12:21,441 JAMIE WHO? 290 00:12:21,474 --> 00:12:23,310 THEY CAN'T BE TALKING ABOUT ME, I MEAN... 291 00:12:23,343 --> 00:12:27,347 BREAK TIMES AREN'T PROVOCATIVE, ARE THEY? 292 00:12:27,380 --> 00:12:28,448 BREAK TIME? 293 00:12:28,481 --> 00:12:31,518 OH, NO. I DON'T THINK THAT WAS THE FILE YOU SENT ME. 294 00:12:31,551 --> 00:12:34,221 A STENCH WORSE THAN LIVER AND ONION PIZZA 295 00:12:34,254 --> 00:12:37,157 FELL UPON THE HALLS. 296 00:12:37,390 --> 00:12:39,927 HEY! GUESS WHO WON THE CONTEST? 297 00:12:39,960 --> 00:12:41,995 GUESS WHO WON THE CONTEST? 298 00:12:42,029 --> 00:12:46,066 NO!!! 299 00:12:47,067 --> 00:12:49,169 "MYRNA AND HER EVIL CLIQUE 300 00:12:49,202 --> 00:12:53,440 "OF GOSSIPERS, INSULTERS, AND BACKSTABBERS 301 00:12:53,473 --> 00:12:55,575 "WERE NO MATCH FOR ISABELLA. 302 00:12:55,608 --> 00:12:56,509 "WITH A FLICK OF HER FINGER, 303 00:12:56,543 --> 00:13:00,013 "SHE WOULD ZAP THEM INTO PERPETUAL DETENTION. 304 00:13:00,047 --> 00:13:04,184 CHAPTER THREE. MARCO VINCENT." 305 00:13:04,217 --> 00:13:05,986 UH, EXCUSE ME, MISS GALLAGHER. 306 00:13:06,019 --> 00:13:08,355 BUT I DON'T THINK ISABELLA'S A VERY REALISTIC CHARACTER. 307 00:13:08,388 --> 00:13:12,059 I THINK SHE'S GREAT. KEEP READING. 308 00:13:12,092 --> 00:13:12,792 UH, NO, HARMONY, 309 00:13:12,826 --> 00:13:15,128 LET'S LISTEN TO SAWYER FOR ONCE. 310 00:13:15,162 --> 00:13:16,129 AHEM. 311 00:13:16,163 --> 00:13:17,597 WHERE WAS I? 312 00:13:17,630 --> 00:13:19,532 OH, YES. MARCO VINCENT. 313 00:13:19,566 --> 00:13:24,071 "WAS IT THAT SMILE, THE DIMPLES, THE BICEPS 314 00:13:24,104 --> 00:13:26,173 "THAT MADE HIM THE CUTEST BOY 315 00:13:26,206 --> 00:13:27,507 "IN THE KINGDOM? 316 00:13:27,540 --> 00:13:29,042 "WHAT DO YOU THINK? 317 00:13:29,076 --> 00:13:30,844 CAN YOU BELIEVE THIS WON? 318 00:13:30,878 --> 00:13:32,012 IT'S TOTALLY WEAK SAUCE. 319 00:13:32,045 --> 00:13:36,249 I DON'T KNOW. MARCO'S PRETTY COOL. 320 00:13:36,283 --> 00:13:37,350 ..."NO MATCH FOR ISABELLA. 321 00:13:37,384 --> 00:13:41,288 "WITH A FLICK OF HER FINGER, SHE WOULD ZAP THEM INTO-- 322 00:13:43,123 --> 00:13:44,191 CONGRATULATIONS, JAMIE. 323 00:13:44,224 --> 00:13:46,126 WAY TO GO, BARTLETT. 324 00:13:47,560 --> 00:13:49,829 GREAT STORY, JAMIE. 325 00:13:54,567 --> 00:13:56,904 WOW. SO INSPIRING. 326 00:13:56,937 --> 00:14:00,107 I KNOW. NEXT TIME RACHEL CALLS ME A COW, 327 00:14:00,140 --> 00:14:02,175 I'M GONNA ZAP HER. 328 00:14:05,012 --> 00:14:07,580 [BELL RINGS] 329 00:14:07,614 --> 00:14:09,416 JAMIE, WAIT UP. 330 00:14:10,117 --> 00:14:10,984 WHERE YOU GOING? 331 00:14:11,018 --> 00:14:12,619 TO CRAWL UNDER A ROCK. 332 00:14:12,652 --> 00:14:13,720 WHY? 333 00:14:13,753 --> 00:14:15,655 I MEAN, YOU JUST WON A THOUSAND DOLLAR SAVINGS BOND. 334 00:14:15,688 --> 00:14:17,390 NO, I WAS JUST PUBLICLY HUMILIATED 335 00:14:17,424 --> 00:14:18,558 WHEN MY JOURNAL WAS READ 336 00:14:18,591 --> 00:14:20,060 IN FRONT OF THE ENTIRE CLASS. 337 00:14:20,093 --> 00:14:21,628 WHAT ARE YOU TALKING ABOUT? 338 00:14:21,661 --> 00:14:23,230 EVERYONE LOVED IT. 339 00:14:23,263 --> 00:14:26,633 WHOA. THAT WAS YOUR JOURNAL? 340 00:14:29,002 --> 00:14:30,603 YES. AND IT WAS A MISTAKE. 341 00:14:30,637 --> 00:14:33,006 AND NOW IT'S PUBLISHED. 342 00:14:33,040 --> 00:14:34,107 CHILL OUT. 343 00:14:34,141 --> 00:14:36,509 THIS WHOLE THING'S GONNA BLOW OVER 344 00:14:36,543 --> 00:14:37,911 BEFORE YOU KNOW IT. 345 00:14:37,945 --> 00:14:39,446 YOU THINK SO? 346 00:14:39,479 --> 00:14:41,181 I KNOW SO. 347 00:14:44,351 --> 00:14:45,118 ALL RIGHT? 348 00:14:45,152 --> 00:14:47,254 ALL RIGHT. ALL RIGHT. 349 00:14:49,990 --> 00:14:51,058 A BOOK? 350 00:14:51,091 --> 00:14:54,061 YES. THEY READ YOUR ESSAY IN THE EDUCATION TIMES, 351 00:14:54,094 --> 00:14:58,065 AND THEY THINK THAT YOU ARE A GREAT WRITER. 352 00:14:58,598 --> 00:15:00,700 LOOK, MOM, I--I JUST DON'T KNOW. 353 00:15:00,733 --> 00:15:03,971 I MEAN, THE HUMILIATION HAS JUST DIED DOWN. 354 00:15:04,004 --> 00:15:07,274 AND I CAN'T SURVIVE ANOTHER LUNCH OF ZAPPING. 355 00:15:07,307 --> 00:15:08,041 JAMIE... 356 00:15:08,075 --> 00:15:11,078 THIS IS AN INCREDIBLE OPPORTUNITY. 357 00:15:11,111 --> 00:15:14,081 I'D HATE TO SEE YOU PASS IT UP. 358 00:15:14,114 --> 00:15:15,215 WELL... 359 00:15:15,248 --> 00:15:18,151 I DON'T HAVE ANYMORE PAGES. 360 00:15:35,402 --> 00:15:36,336 NO MORE PAGES? 361 00:15:36,369 --> 00:15:38,571 WHAT DO YOU CALL THOSE? 362 00:15:39,239 --> 00:15:40,240 PERSONAL PROPERTY. 363 00:15:40,273 --> 00:15:42,976 I CAN'T DO IT. NO WAY. 364 00:15:45,412 --> 00:15:47,280 JAMIE, YOU CAN'T WALK AWAY FROM THIS 365 00:15:47,314 --> 00:15:48,748 JUST BECAUSE YOU'RE SCARED. 366 00:15:48,781 --> 00:15:51,018 I'M NOT SCARED. 367 00:15:51,051 --> 00:15:52,485 I'M NOT SCARED. 368 00:15:52,519 --> 00:15:54,254 THEN PROVE IT. 369 00:16:04,164 --> 00:16:06,533 OH, HONEY. I AM SO PROUD OF YOU. 370 00:16:06,566 --> 00:16:08,701 TRUST ME. YOU WON'T REGRET IT. 371 00:16:08,735 --> 00:16:10,503 CAN I GET THAT IN WRITING? 372 00:16:10,537 --> 00:16:13,373 [VIDEO GAME PLAYS] 373 00:16:17,477 --> 00:16:19,146 MOVE IT, WORM. 374 00:16:19,179 --> 00:16:20,047 ZAP, ZAP. 375 00:16:20,080 --> 00:16:22,049 HEY, MOM. I CHANGED MY MIND. 376 00:16:22,082 --> 00:16:23,383 IF I WRITE A BOOK, 377 00:16:23,416 --> 00:16:26,053 THIS ZAPPING IS ONLY GOING TO GET WORSE. 378 00:16:26,086 --> 00:16:28,055 YOU'RE WRITING A BOOK? 379 00:16:28,088 --> 00:16:30,223 SOUNDS LIKE A PIPE DREAM TO ME. 380 00:16:30,257 --> 00:16:31,991 AH! 381 00:16:32,225 --> 00:16:33,226 IN TWO SHORT MONTHS, 382 00:16:33,260 --> 00:16:35,095 THE PIPE DREAM HAD BECOME A NIGHTMARE. 383 00:16:35,128 --> 00:16:37,130 AND MY PERSONAL, PRIVATE JOURNAL 384 00:16:37,164 --> 00:16:42,169 WAS ON ITS WAY TO BECOMING A NATIONAL BEST SELLER. 385 00:16:44,504 --> 00:16:47,006 HERE YOU GO, MISS GALLAGHER. 386 00:16:47,807 --> 00:16:49,109 THIS IS SO COOL. 387 00:16:49,142 --> 00:16:50,443 YOU'RE GONNA BECOME A CELEBRITY. 388 00:16:50,477 --> 00:16:53,113 I'LL HAVE TO DO YOUR PORTRAIT. 389 00:16:53,146 --> 00:16:54,047 JAMIE. 390 00:16:54,081 --> 00:16:56,449 WOULD YOU SIGN MY COPY? 391 00:16:56,483 --> 00:16:59,319 UH...NO. 392 00:17:01,154 --> 00:17:03,423 SHE'S SIGNING BOOKS! 393 00:17:21,308 --> 00:17:23,576 "THE BIGGEST CRUSH ON THE MOST POPULAR GUY... 394 00:17:23,610 --> 00:17:24,344 "I FELL IN LOVE WHEN ONE DAY 395 00:17:24,377 --> 00:17:25,812 "HE WAS SITTING RIGHT NEXT TO ME. 396 00:17:25,845 --> 00:17:30,383 [KIDS CONTINUE READING EXCERPTS OF BOOK] 397 00:17:38,558 --> 00:17:42,495 "WHERE DESTINY FINDS THE INCOMPARABLE IS. 398 00:17:45,265 --> 00:17:47,667 WHAT HAVE I DONE? 399 00:17:47,700 --> 00:17:50,503 STARTED A REVOLUTION. 400 00:17:52,272 --> 00:17:53,506 ZAP, ZAP, ZAP, ZAP. 401 00:17:53,540 --> 00:17:58,145 [KIDS CONTINUE ZAPPING] 402 00:17:59,812 --> 00:18:01,348 UH, EXCUSE ME. 403 00:18:01,381 --> 00:18:03,383 HERE YOU GO. 404 00:18:03,416 --> 00:18:06,186 THANK YOU. HAVE A NICE DAY. 405 00:18:06,219 --> 00:18:07,687 WOW. DO YOU BELIEVE THIS CROWD? 406 00:18:07,720 --> 00:18:08,888 BUSINESS HAS NOT BEEN THIS GOOD 407 00:18:08,921 --> 00:18:11,458 SINCE WE STOPPED SERVING WHEATGRASS PIZZA. 408 00:18:11,491 --> 00:18:13,160 YOU DON'T THINK THE SIGN 409 00:18:13,193 --> 00:18:15,595 HAS ANYTHING TO DO WITH IT, DO YOU? 410 00:18:18,331 --> 00:18:19,166 WOW. 411 00:18:19,199 --> 00:18:20,567 THIS IS AMAZING. 412 00:18:20,600 --> 00:18:22,869 EVEN CHICKEN FEET CAN'T KEEP THEM AWAY. 413 00:18:22,902 --> 00:18:24,337 LOOK, CAN WE TALK ABOUT ANYTHING 414 00:18:24,371 --> 00:18:26,773 BESIDES THAT STUPID BOOK? 415 00:18:27,374 --> 00:18:28,275 HEY, NOW. 416 00:18:28,308 --> 00:18:29,342 THE BOOK WAS INCREDIBLE. 417 00:18:29,376 --> 00:18:33,146 EMPOWERING. I FELT LIKE I COULD ZAP MYSELF ANYWHERE. 418 00:18:33,180 --> 00:18:33,780 DO ANYTHING. 419 00:18:33,813 --> 00:18:35,482 I WISH I COULD ZAP MYSELF 420 00:18:35,515 --> 00:18:37,884 OFF THE ENGLISH REQUIREMENT READING LIST. 421 00:18:37,917 --> 00:18:39,652 HEY, JAMIE. 422 00:18:39,686 --> 00:18:41,454 I READ YOUR BOOK. 423 00:18:41,488 --> 00:18:43,590 IT WAS...AWESOME. 424 00:18:43,623 --> 00:18:44,724 MARCO? 425 00:18:44,757 --> 00:18:46,593 WE'RE OVER HERE. 426 00:18:46,626 --> 00:18:49,596 I BETTER GET BACK. 427 00:18:51,198 --> 00:18:52,064 [SQUEALING] 428 00:18:52,098 --> 00:18:53,600 DO YOU BELIEVE MARCO VEGA READ YOUR BOOK? 429 00:18:53,633 --> 00:18:56,869 ONLY CAUSE YOU NAMED THE ROMANTIC IDIOT AFTER HIM. 430 00:18:56,903 --> 00:18:58,738 IT IS SHOCKING. 431 00:18:59,739 --> 00:19:02,909 I MEAN, WHO KNEW HE COULD READ? 432 00:19:04,344 --> 00:19:05,011 HEY, JAMESON. 433 00:19:05,044 --> 00:19:07,247 SHE'D NEVER EVEN KNOWN MY NAME 434 00:19:07,280 --> 00:19:09,849 IF IT WEREN'T ON THE COVER. 435 00:19:09,882 --> 00:19:11,918 WHAT'S GOING TO HAPPEN WHEN THEY REALIZE 436 00:19:11,951 --> 00:19:15,422 THAT THE EVIL MYRNA AND THE CLONES ARE REALLY THEM? 437 00:19:15,455 --> 00:19:16,256 GET OUT. 438 00:19:16,289 --> 00:19:17,624 YOU'RE KIDDING. 439 00:19:17,657 --> 00:19:18,458 NO. HOW ELSE WAS I 440 00:19:18,491 --> 00:19:19,859 SUPPOSED TO COME UP WITH A CHEERLEADER 441 00:19:19,892 --> 00:19:21,794 WHO WAS SO VILE THAT MILK CURDLED 442 00:19:21,828 --> 00:19:23,396 AT THE SOUND OF HER NAME? 443 00:19:23,430 --> 00:19:24,331 DON'T WORRY, JAMIE. 444 00:19:24,364 --> 00:19:25,865 AS SELF CENTERED AS THEY ARE, 445 00:19:25,898 --> 00:19:26,599 THEY WILL NEVER REALIZE 446 00:19:26,633 --> 00:19:28,868 THE CHARACTERS ARE BASED ON THEM. 447 00:19:28,901 --> 00:19:29,869 ARE WE IN THE BOOK? 448 00:19:29,902 --> 00:19:32,905 YES. YOU ARE LAURA THE INVINCIBLE, 449 00:19:32,939 --> 00:19:34,841 AND YOU ARE THE MAGNIFICENT MELODY. 450 00:19:34,874 --> 00:19:37,877 BUT THEY'RE ONLY THE COOLEST KIDS IN THE KINGDOM. 451 00:19:37,910 --> 00:19:40,413 YEAH. IT'S MOSTLY FICTION. 452 00:19:43,950 --> 00:19:45,918 HEY, HOW ABOUT YOU PUT THAT BOOK DOWN 453 00:19:45,952 --> 00:19:47,320 AND GIVE ME A HAND. 454 00:19:47,354 --> 00:19:48,388 PUT IT DOWN? 455 00:19:48,421 --> 00:19:50,890 I'D LIKE TO THROW IT AT HER. 456 00:19:50,923 --> 00:19:51,658 COME ON, LENNY. 457 00:19:51,691 --> 00:19:53,593 CAN'T YOU BE HAPPY FOR YOUR SISTER? 458 00:19:53,626 --> 00:19:54,661 HAVE YOU READ THIS, 459 00:19:54,694 --> 00:19:55,895 FOR LACK OF A BETTER WORD, BOOK? 460 00:19:55,928 --> 00:19:57,264 YEAH. IT'S PRETTY TERRIFIC. 461 00:19:57,297 --> 00:20:00,500 NOT IF YOU'RE KENNY THE STINKY TROLL. 462 00:20:00,533 --> 00:20:01,268 COME ON, LENNY. 463 00:20:01,301 --> 00:20:02,835 THAT'S JUST A CHARACTER IN A BOOK. 464 00:20:02,869 --> 00:20:05,872 HAS NO RESEMBLANCE TO YOU WHATSOEVER. 465 00:20:07,039 --> 00:20:09,742 MAYBE A LITTLE BIT AROUND THE EARS. 466 00:20:09,976 --> 00:20:12,779 FANCY, CARTER, DO I PAY YOU TWO 467 00:20:12,812 --> 00:20:14,281 JUST TO SIT AROUND AND EAT PIZZA ALL DAY? 468 00:20:14,314 --> 00:20:15,915 BUT YOU DON'T PAY US, MRS. BARTLETT. 469 00:20:15,948 --> 00:20:19,752 I DO NOW. PUT ON THOSE APRONS AND GRAB A PIE. 470 00:20:31,864 --> 00:20:33,500 HERE YOU GO. 471 00:20:46,946 --> 00:20:49,749 I'VE NEVER SEEN SO MANY PIZZAS IN MY LIFE. 472 00:20:49,782 --> 00:20:50,883 AND I'VE NEVER SEEN SO MANY 473 00:20:50,917 --> 00:20:52,719 HALF EATEN PIZZAS IN MY LIFE. 474 00:20:52,752 --> 00:20:53,786 AM I THE ONLY ONE WHO NOTICED 475 00:20:53,820 --> 00:20:55,588 THAT MOST OF THE CUSTOMERS PICKED OFF THEIR TOPPINGS? 476 00:20:55,622 --> 00:20:57,924 THAT'S BECAUSE THEY'RE HERE TO SEE JAMIE, 477 00:20:57,957 --> 00:20:59,058 NOT EAT PIZZA. 478 00:20:59,091 --> 00:21:01,561 AND WILL YOU PLEASE NOT LET MY FATHER KNOW ABOUT THAT. 479 00:21:01,594 --> 00:21:03,296 HE'S SO EXCITED ABOUT THE NEW BUSINESS 480 00:21:03,330 --> 00:21:04,931 THAT I WOULD HATE FOR HIM TO THINK 481 00:21:04,964 --> 00:21:06,699 THAT IT'S ALL ABOUT ME. 482 00:21:06,733 --> 00:21:08,601 YOU MEAN US. 483 00:21:08,635 --> 00:21:09,302 I MEAN, HER. 484 00:21:09,336 --> 00:21:11,671 LET'S JUST CHANGE THE SUBJECT. 485 00:21:11,704 --> 00:21:12,905 DID YOU HEAR THAT THE TICKETS 486 00:21:12,939 --> 00:21:14,674 GO ON SALE FOR THE DANCE FRIDAY? 487 00:21:14,707 --> 00:21:15,908 YOU GUYS GOING? 488 00:21:15,942 --> 00:21:16,976 I'M NOT. 489 00:21:17,009 --> 00:21:18,945 WHY NOT? YOU HAVE TO. 490 00:21:18,978 --> 00:21:20,547 IT'S THE DEEP BLUE SEA DANCE. 491 00:21:20,580 --> 00:21:22,515 BUT I DON'T HAVE A DATE. 492 00:21:22,549 --> 00:21:23,483 OR A SNORKEL. 493 00:21:23,516 --> 00:21:24,951 WELL, NONE OF US DO. 494 00:21:24,984 --> 00:21:25,718 I HAVE A SNORKEL. 495 00:21:25,752 --> 00:21:28,755 WELL, SINCE NONE OF US HAVE DATES, 496 00:21:28,788 --> 00:21:29,822 WHY DON'T WE GO AS A GROUP? 497 00:21:29,856 --> 00:21:30,957 THAT'S A GREAT IDEA. 498 00:21:30,990 --> 00:21:31,991 I GUESS IT COULD BE FUN. 499 00:21:32,024 --> 00:21:34,661 AND I CAN GET MY BROTHER TO DRIVE US IN HIS TRUCK. 500 00:21:34,694 --> 00:21:35,995 YEAH. THAT WOULD BE SO MUCH COOLER 501 00:21:36,028 --> 00:21:38,531 THAN PULLING UP IN MY DAD'S PIZZA TRUCK. 502 00:21:38,565 --> 00:21:40,600 THEN IT'S A DATE. 503 00:21:46,873 --> 00:21:49,976 VOLUNTEERS NEEDED FOR THIS YEAR'S DANCE COMMITTEE. 504 00:21:50,009 --> 00:21:53,913 OH, HEY, JAMIE, WHAT ABOUT YOU? 505 00:21:53,946 --> 00:21:54,847 YOU GUYS, 506 00:21:54,881 --> 00:21:56,583 WE SHOULD DO IT. 507 00:21:56,616 --> 00:21:57,417 GOOD IDEA. 508 00:21:57,450 --> 00:21:58,585 IF YOU'RE GONNA BE ONE OF THE POPULARS, 509 00:21:58,618 --> 00:22:00,119 YOU MIGHT AS WELL ACT LIKE IT. 510 00:22:00,152 --> 00:22:01,821 WE HAVE TO. 511 00:22:01,854 --> 00:22:04,924 HARMONY, YOU ARE SUCH A GREAT ARTIST. 512 00:22:04,957 --> 00:22:07,126 AND LINDSAY, NOBODY CAN ORGANIZE THE TROOPS 513 00:22:07,159 --> 00:22:08,094 LIKE YOU CAN. 514 00:22:08,127 --> 00:22:09,362 YOU GUYS, WE COULD REALLY ROCK 515 00:22:09,396 --> 00:22:10,930 THE DECORATING COMMITTEE APART. 516 00:22:10,963 --> 00:22:12,965 I DON'T KNOW, I WAS GONNA MOBILIZE A PROTEST 517 00:22:12,999 --> 00:22:15,568 AGAINST THE MAKE-UP COMPANY AT THE MALL. 518 00:22:15,602 --> 00:22:16,903 WELL, WE CAN DO BOTH. 519 00:22:16,936 --> 00:22:19,539 AND IT SOUNDS LIKE A BIG WASTE OF TIME. 520 00:22:19,572 --> 00:22:21,641 WHATEVER, VAN GOGH. 521 00:22:21,674 --> 00:22:23,643 IT'LL BE LOTS OF FUN, I PROMISE. 522 00:22:23,676 --> 00:22:25,812 I'LL TAKE CARE OF EVERYTHING. 523 00:22:28,114 --> 00:22:30,349 [BELL RINGS] 524 00:22:51,003 --> 00:22:52,605 WHAT'S GOING ON HERE? 525 00:22:52,639 --> 00:22:55,942 RALPH, THIS IS DIANA. 526 00:22:56,943 --> 00:22:58,578 HELLO. HI. 527 00:22:58,611 --> 00:22:59,812 I'M YOUR DAUGHTER'S HANDLER. 528 00:22:59,846 --> 00:23:01,914 WHAT DOES JAMIE NEED A HANDLER FOR? 529 00:23:01,948 --> 00:23:03,450 GOOD QUESTION, DAD. 530 00:23:03,483 --> 00:23:05,985 JUST TO HELP HER OVER THE ROUGH SPOTS. 531 00:23:06,018 --> 00:23:06,819 ALL RIGHT, HAIR, UP. 532 00:23:06,853 --> 00:23:08,988 THE PINKS, BRIGHTER. LOSE THE SNEAKERS. 533 00:23:09,021 --> 00:23:11,491 THIS ISN'T A BASKETBALL GAME WE'RE GOING TO. 534 00:23:11,524 --> 00:23:15,662 WHAT AM I GOING TO DO ABOUT THOSE CHEEKS? 535 00:23:15,695 --> 00:23:17,464 OW! 536 00:23:17,497 --> 00:23:18,230 PERFECT. 537 00:23:18,264 --> 00:23:20,833 UM, IS ALL THIS REALLY NECESSARY? 538 00:23:20,867 --> 00:23:22,602 NO, HE DIDN'T. 539 00:23:22,935 --> 00:23:25,638 UH, WHAT MY HUSBAND IS TRYING TO SAY 540 00:23:25,672 --> 00:23:27,874 IS THAT IT SEEMS LIKE A LOT OF EFFORT, 541 00:23:27,907 --> 00:23:31,644 AND PINCHING, JUST FOR AN INTERVIEW. 542 00:23:31,678 --> 00:23:33,846 NOT JUST AN INTERVIEW. 543 00:23:33,880 --> 00:23:34,881 IT'S MAURA LIVE. 544 00:23:34,914 --> 00:23:37,950 MRS. BARTLETT, MAY I CALL YOU PEGGY? 545 00:23:37,984 --> 00:23:38,918 SURE. 546 00:23:38,951 --> 00:23:39,919 PEGGY, SCHILLING PRESS HAS SPENT A LOT OF MONEY 547 00:23:39,952 --> 00:23:42,822 TO GET YOUR DAUGHTER'S BOOK ON THE TOP 10 LIST. 548 00:23:42,855 --> 00:23:46,593 WE THINK YOU CAN PUT UP WITH A LITTLE DISCOMFORT. 549 00:23:46,626 --> 00:23:48,461 HMM? RIGHT, JAMESON? 550 00:23:48,495 --> 00:23:49,962 IT'S JAMIE. 551 00:23:49,996 --> 00:23:52,064 LOVELY CHILD. 552 00:23:54,066 --> 00:23:56,202 I AM NOT DRIVING YOU TO THE DANCE. 553 00:23:56,235 --> 00:23:57,504 STOP BEGGING. 554 00:23:57,537 --> 00:23:58,204 PLEASE. 555 00:23:58,237 --> 00:23:59,606 LOOK, WHY CAN'T DAD TAKE YOU? 556 00:23:59,639 --> 00:24:01,140 BECAUSE HE'S NOT COOL. 557 00:24:01,173 --> 00:24:03,009 THAT'S A GOOD POINT. 558 00:24:03,042 --> 00:24:03,943 BUT NO. 559 00:24:03,976 --> 00:24:06,045 IF YOU WON'T DO IT FOR ME, DO IT FOR JAMIE. 560 00:24:06,078 --> 00:24:09,916 YOU'RE TAKING JAMIE BARTLETT TO THE DANCE? 561 00:24:09,949 --> 00:24:10,650 WAY TO GO, SQUIRT. 562 00:24:10,683 --> 00:24:14,020 WELL, IT'S KIND OF A GROUP THING. 563 00:24:14,053 --> 00:24:15,187 IT'S A START. 564 00:24:15,221 --> 00:24:16,723 SO YOU'LL DO IT? 565 00:24:16,756 --> 00:24:17,490 NO. 566 00:24:17,524 --> 00:24:19,191 PLEASE. I'LL DO ANYTHING YOU WANT. 567 00:24:19,225 --> 00:24:19,926 I'LL WASH YOUR CAR. 568 00:24:19,959 --> 00:24:23,029 DO YOUR LAUNDRY. CLEAN YOUR ROOM. 569 00:24:23,062 --> 00:24:23,896 AND THE IGUANA TANKS? 570 00:24:23,930 --> 00:24:27,800 AND? I WAS JUST TALKING ABOUT ONE CHORE. 571 00:24:27,834 --> 00:24:28,901 WELL, YOU KNOW, I GUESS 572 00:24:28,935 --> 00:24:30,903 YOU DON'T NEED A RIDE THAT BADLY, SO... 573 00:24:30,937 --> 00:24:33,472 OK, DEAL. SWEET. 574 00:24:38,578 --> 00:24:39,612 [STUTTERING] 575 00:24:39,646 --> 00:24:40,246 THANKS. 576 00:24:40,279 --> 00:24:41,981 I'M GONNA GO. 577 00:24:43,650 --> 00:24:45,818 YOU'RE GONNA HAVE SO MUCH FUN, JAMIE. 578 00:24:45,852 --> 00:24:47,820 YEAH. BUT IT WOULD BE MORE FUN 579 00:24:47,854 --> 00:24:49,689 IF THE TWO OF YOU WERE COMING ALONG. 580 00:24:49,722 --> 00:24:51,223 WE WISH. 581 00:24:54,661 --> 00:24:56,028 SOMEHOW I THINK ALL THE PARTIES AND CAVIAR 582 00:24:56,062 --> 00:24:56,996 WILL MAKE UP FOR IT. 583 00:24:57,029 --> 00:24:58,998 YOU'RE RIGHT, IT'LL BE ROUGH, 584 00:24:59,031 --> 00:25:02,935 BUT LET'S FACE IT, SOMEONE HAS TO DO IT. 585 00:25:04,336 --> 00:25:06,806 LENNY SOUNDS PRETTY GOOD. 586 00:25:06,839 --> 00:25:10,543 [LENNY PLAYS GUITAR] 587 00:25:10,577 --> 00:25:12,511 HE'S AWESOME. 588 00:25:15,948 --> 00:25:18,885 YEAH. TOO BAD HE WON'T PLAY ANYWHERE ELSE 589 00:25:18,918 --> 00:25:19,886 BESIDES HIS BEDROOM. 590 00:25:19,919 --> 00:25:20,987 HE'S SUCH A DORK 591 00:25:21,020 --> 00:25:21,888 WHEN IT COMES TO HIS MUSIC. 592 00:25:21,921 --> 00:25:23,823 HE SHOULD PLAY AT THE DANCE. 593 00:25:23,856 --> 00:25:25,091 HE SHOULD ALSO WASH HIS HANDS 594 00:25:25,124 --> 00:25:26,893 MORE OFTEN THAN HE DOES BUT I DON'T THINK 595 00:25:26,926 --> 00:25:28,695 WE'RE GONNA GET HIM TO DO IT EITHER. 596 00:25:28,728 --> 00:25:30,630 COME ON. 597 00:25:32,064 --> 00:25:34,734 [PLAYING STOPS] 598 00:25:38,104 --> 00:25:40,139 COME ON, PEOPLE. WE DON'T HAVE ALL DAY. 599 00:25:40,172 --> 00:25:42,642 WE HAVE A SCHEDULE TO KEEP. 600 00:25:42,675 --> 00:25:45,912 WELL, YOU HEARD HER. WE SHOULD BE GOING. 601 00:25:45,945 --> 00:25:46,979 BYE, DADDY. 602 00:25:47,013 --> 00:25:48,948 BYE, JAMIE. 603 00:25:51,383 --> 00:25:52,284 LENNY. 604 00:25:52,318 --> 00:25:56,322 DO YOU HAVE SOMETHING TO SAY TO YOUR SISTER? 605 00:25:56,355 --> 00:25:58,224 JAMIE. 606 00:25:59,025 --> 00:26:00,026 LENNY. 607 00:26:00,059 --> 00:26:02,061 OK. THANKS FOR TRYING. 608 00:26:02,094 --> 00:26:02,962 [HORN HONKS] 609 00:26:02,995 --> 00:26:06,599 TEMPEST FUGET. TEMPEST FUGET. 610 00:26:07,166 --> 00:26:08,768 BYE, DADDY. 611 00:26:08,801 --> 00:26:09,969 [HORN HONKS] 612 00:26:10,002 --> 00:26:10,903 BETTER GO. 613 00:26:10,937 --> 00:26:12,905 BYE. BYE BYE. 614 00:26:13,773 --> 00:26:15,608 CHOTSY ON THE WINDOW SEAT. 615 00:26:15,642 --> 00:26:19,045 WHEN DID SHE GET SO BOSSY? 616 00:26:20,913 --> 00:26:24,016 * OH, YEAH, ALL RIGHT 617 00:26:24,050 --> 00:26:25,384 * PUT YOUR HANDS TOGETHER 618 00:26:25,417 --> 00:26:27,887 * DANCE TO MEAN NO HANGING OUT * 619 00:26:27,920 --> 00:26:29,321 * OH, YEAH OH, YEAH * 620 00:26:29,355 --> 00:26:31,123 * ALL RIGHT ALL RIGHT * 621 00:26:31,157 --> 00:26:33,159 * MUSIC TAKES YOU HIGHER...* 622 00:26:33,192 --> 00:26:34,661 WE HAVE A VERY EXCITING SHOW THIS MORNING. 623 00:26:34,694 --> 00:26:36,128 JAMIE BARTLETT IS ON THE PROGRAM. 624 00:26:36,162 --> 00:26:38,931 SHE'S WRITTEN THE BOOK, "IS SAVES THE WORLD." 625 00:26:38,965 --> 00:26:41,267 JAMIE, LET'S START WITH IS, THE MAIN CHARACTER. 626 00:26:41,300 --> 00:26:43,002 TELL ME ABOUT HER, WHAT IS SHE LIKE? 627 00:26:43,035 --> 00:26:49,676 Jamie: UM, UH, UH, WELL... 628 00:26:49,709 --> 00:26:52,011 UM... 629 00:26:52,044 --> 00:26:52,912 AND... 630 00:26:52,945 --> 00:26:56,282 YES, AND IS THE CHARACTER... 631 00:26:56,315 --> 00:26:59,686 JAMIE BARTLETT WOWED THE SELL-OUT CROWD TODAY 632 00:26:59,719 --> 00:27:01,921 WITH EXCERPTS OF HER BEST-SELLING BOOK, 633 00:27:01,954 --> 00:27:04,657 "IS SAVES THE WORLD." 634 00:27:06,959 --> 00:27:09,028 GOOD JOB. 635 00:27:09,061 --> 00:27:09,796 * MUSIC TAKES YOU HIGHER 636 00:27:09,829 --> 00:27:12,899 * NOTHING COULD BEGIN TOGETHER * 637 00:27:12,932 --> 00:27:13,933 * SHE'S ON THE WAY BACK 638 00:27:13,966 --> 00:27:16,202 * AND FINDING WHERE IT'S AT * 639 00:27:16,235 --> 00:27:19,706 * LOVE IS A BEAUTIFUL THING * 640 00:27:19,739 --> 00:27:21,674 * LIFE IS LIKE A VALENTINE 641 00:27:21,708 --> 00:27:23,409 * AND EVERY DAY IN TIME 642 00:27:23,442 --> 00:27:26,012 * IS GONNA ROLL AWAY 643 00:27:26,045 --> 00:27:28,080 * SO TURN IT UP LOUDER 644 00:27:28,114 --> 00:27:29,749 * GONNA SHOUT IT 645 00:27:29,782 --> 00:27:32,952 * CAUSE THERE'S A NEW DAY COMING * 646 00:27:32,985 --> 00:27:34,186 * OHHHHH YEAH! 647 00:27:34,220 --> 00:27:35,922 * OH, YEAH OH, YEAH * 648 00:27:35,955 --> 00:27:37,857 * ALL RIGHT ALL RIGHT * 649 00:27:37,890 --> 00:27:39,325 * PUT YOUR HANDS TOGETHER 650 00:27:39,358 --> 00:27:41,761 * DANCE DON'T GET NO BETTER * 651 00:27:41,794 --> 00:27:43,162 * OH, YEAH OH, YEAH * 652 00:27:43,195 --> 00:27:44,931 * ALL RIGHT ALL RIGHT * 653 00:27:44,964 --> 00:27:46,899 JOINING US NOW ON BACKSTAGE TICKET 654 00:27:46,933 --> 00:27:48,768 IS THE FANTASTIC AUTHOR OF A BOOK 655 00:27:48,801 --> 00:27:50,069 THAT IS SWEEPING THE NATION. 656 00:27:50,102 --> 00:27:51,437 "IS SAVES THE WORLD." 657 00:27:51,470 --> 00:27:54,040 HERE SHE IS, JAMESON BARTLETT. 658 00:27:54,073 --> 00:27:56,876 [APPLAUSE] 659 00:27:56,909 --> 00:27:58,010 HI, JAMIE. THANKS FOR COMING IN. 660 00:27:58,044 --> 00:28:00,246 THANK YOU. IT'S NICE TO BE HERE. 661 00:28:00,279 --> 00:28:01,714 HEY, THAT'S JAMIE! 662 00:28:01,748 --> 00:28:04,016 THAT'S MY DAUGHTER ON TV! 663 00:28:09,989 --> 00:28:13,059 WOW. THIS IS THE COOLEST PARTY EVER. 664 00:28:13,092 --> 00:28:14,460 OH, I'LL SAY. 665 00:28:14,493 --> 00:28:15,928 IT'S JAMMING! 666 00:28:15,962 --> 00:28:16,929 JAMMING? 667 00:28:16,963 --> 00:28:17,629 OH, NO, MOM. 668 00:28:17,663 --> 00:28:18,731 DON'T SAY THAT OUT LOUD AGAIN. 669 00:28:18,765 --> 00:28:22,034 SOMEONE MIGHT HEAR YOU AND THINK YOU'RE HERE WITH ME. 670 00:28:22,068 --> 00:28:23,269 YOUNG LADY. 671 00:28:23,302 --> 00:28:25,171 WHAT? I'M SORRY. 672 00:28:25,204 --> 00:28:26,072 BUT JAMMING? 673 00:28:26,105 --> 00:28:27,039 DIDN'T YOUR GENERATION 674 00:28:27,073 --> 00:28:28,975 AT LEAST SAY, GROOVY, OR SOMETHING LIKE THAT? 675 00:28:29,008 --> 00:28:30,910 YEAH. SOMETHING LIKE THAT. 676 00:28:30,943 --> 00:28:33,012 OK THEN, YOU, TOO. 677 00:28:33,045 --> 00:28:35,748 I'VE GOT SOME BUSINESS TO TAKE CARE OF 678 00:28:35,782 --> 00:28:36,749 OVER BY THE SHRIMP PLATE. 679 00:28:36,783 --> 00:28:39,819 SO YOU TWO HELP YOURSELVES TO WHATEVER YOU WANT, 680 00:28:39,852 --> 00:28:41,020 AND HAVE FUN. 681 00:28:41,053 --> 00:28:42,054 THAT'S AN ORDER. 682 00:28:42,088 --> 00:28:45,057 OH, HEY. YEAH. 683 00:28:46,959 --> 00:28:47,994 [GASPS] 684 00:28:48,027 --> 00:28:48,928 IT'S AMBER TIFFANY. 685 00:28:48,961 --> 00:28:50,229 DON'T YOU HAVE A PICTURE OF HER 686 00:28:50,262 --> 00:28:51,063 HANGING ON YOUR BEDROOM WALL? 687 00:28:51,097 --> 00:28:53,465 NO. THAT'S A PICTURE OF RYDER DONOVAN. 688 00:28:53,499 --> 00:28:56,368 AMBER'S JUST STANDING NEXT TO HIM. 689 00:28:56,402 --> 00:28:58,070 SHOULD WE GO SAY HI? 690 00:28:58,104 --> 00:28:58,871 NO! 691 00:28:58,905 --> 00:29:00,807 YOU CAN'T JUST GO UP AND TALK TO HER. 692 00:29:00,840 --> 00:29:02,274 SHE'S AMBER TIFFANY. 693 00:29:02,308 --> 00:29:04,043 SHE'S ON TELEVISION. 694 00:29:04,076 --> 00:29:05,778 YOU KNOW, SOMETIMES I THINK THAT YOU'RE FROM 695 00:29:05,812 --> 00:29:06,779 AN ENTIRELY DIFFERENT PLANET, MOTHER. 696 00:29:06,813 --> 00:29:10,116 JAMIE, THEY'RE JUST PEOPLE JUST LIKE YOU AND ME. 697 00:29:10,149 --> 00:29:12,051 [GASPS] OH, MY GOD! 698 00:29:12,084 --> 00:29:13,986 IT'S GEORGE JACKSON. 699 00:29:14,020 --> 00:29:16,155 I HAVE ALL OF HIS ALBUMS. 700 00:29:16,188 --> 00:29:17,890 UH, YEAH, WHAT'S AN ALBUM? 701 00:29:17,924 --> 00:29:20,960 SOMETHING WE LISTEN TO ON THE PLANET I'M FROM. 702 00:29:20,993 --> 00:29:23,930 WELL, WHY DON'T YOU GO TALK TO HIM. 703 00:29:23,963 --> 00:29:25,264 HE'S JUST PEOPLE. 704 00:29:25,297 --> 00:29:27,967 YOU'RE RIGHT. I'M GOING TO. 705 00:29:28,000 --> 00:29:29,936 GEORGE. GEORGE JACKSON! 706 00:29:29,969 --> 00:29:31,570 NO. MOTHER, I WAS JUST-- 707 00:29:31,603 --> 00:29:33,472 HI. I LOVE YOU. 708 00:29:33,505 --> 00:29:35,074 I AM SO EXCITED. 709 00:29:35,107 --> 00:29:37,009 KIDDING. 710 00:29:44,416 --> 00:29:45,885 SO... 711 00:29:45,918 --> 00:29:46,785 GO MINGLE. 712 00:29:46,819 --> 00:29:50,089 THERE MUST BE SOMEONE HERE YOU CAN TALK TO. 713 00:29:51,390 --> 00:29:53,860 OHH...HI, THERE, LITTLE FELLA. 714 00:29:53,893 --> 00:29:58,064 THAT'S NOT EXACTLY WHAT I HAD IN MIND. 715 00:29:58,097 --> 00:29:59,365 PUPPY! 716 00:29:59,398 --> 00:30:01,934 OW! OW! OW! 717 00:30:01,968 --> 00:30:02,835 MY HAIR. OH... 718 00:30:02,869 --> 00:30:03,903 THIS COULD ONLY HAPPEN TO ME. 719 00:30:03,936 --> 00:30:05,905 I'M REALLY SORRY. I DON'T KNOW HOW THIS COULD'VE-- 720 00:30:05,938 --> 00:30:07,840 WHAT IS WRONG WITH YOU? 721 00:30:07,874 --> 00:30:09,408 FOLLOW ME TO THE GREEN ROOM 722 00:30:09,441 --> 00:30:12,945 BEFORE I END UP ON THE COVER OF STARLET. 723 00:30:12,979 --> 00:30:13,913 OH... 724 00:30:13,946 --> 00:30:15,014 I DON'T BELIEVE THIS. 725 00:30:15,047 --> 00:30:17,116 I'M REALLY SORRY. OW! 726 00:30:19,385 --> 00:30:20,486 OW, OW, OW, OW! 727 00:30:20,519 --> 00:30:24,456 I'M REALLY SORRY. 728 00:30:25,557 --> 00:30:27,093 I GOT IT. 729 00:30:27,126 --> 00:30:28,827 FINALLY. 730 00:30:29,128 --> 00:30:31,530 ARE YOU GONNA LET HER TALK TO YOU LIKE THAT? 731 00:30:31,563 --> 00:30:33,132 SAY SOMETHING. 732 00:30:33,165 --> 00:30:37,003 HI. I'M JAMIE BARTLETT. 733 00:30:37,036 --> 00:30:37,937 HI. 734 00:30:37,970 --> 00:30:41,040 IS THAT THE BEST YOU CAN DO? 735 00:30:41,073 --> 00:30:42,441 YOUR TIARA LOOKS REALLY NICE. 736 00:30:42,474 --> 00:30:45,277 YEAH. IT SHOULD BE. IT COST ENOUGH. 737 00:30:45,311 --> 00:30:48,080 JAMESON BARTLETT? 738 00:30:49,581 --> 00:30:52,384 YOU'RE JAMESON BARTLETT, RIGHT? 739 00:30:52,418 --> 00:30:53,052 YEAH. 740 00:30:53,085 --> 00:30:56,455 ZAP, ZAP. I LOVED YOUR BOOK. 741 00:30:56,488 --> 00:30:57,423 LOVED IT. 742 00:30:57,456 --> 00:30:58,524 YOU WROTE A BOOK? 743 00:30:58,557 --> 00:30:59,291 OH, IT'S FANTASTIC. 744 00:30:59,325 --> 00:31:01,427 I READ IT BETWEEN SCENES LAST WEEK. 745 00:31:01,460 --> 00:31:03,429 SO, HOW'S THE TOUR COMING? 746 00:31:03,462 --> 00:31:05,231 I JUST SAW YOU ON MAURA LIVE. 747 00:31:05,264 --> 00:31:06,232 AND THE LAST TIME I SAW YOU, 748 00:31:06,265 --> 00:31:09,101 YOU WERE POISONING STEFFIE CHANDLER'S LEMONADE. 749 00:31:09,135 --> 00:31:12,138 DON'T WORRY. I ONLY PLAY EVIL ON TV. 750 00:31:12,171 --> 00:31:15,307 CADYN, YOU'RE IN MY LIGHT. 751 00:31:17,309 --> 00:31:20,546 ANOTHER DAY, ANOTHER MYRNA. 752 00:31:22,381 --> 00:31:24,283 [CROWD CHEERS] 753 00:31:29,055 --> 00:31:31,057 WILL THE HUMILIATION NEVER END? 754 00:31:31,090 --> 00:31:34,126 I'M SORRY. WERE YOU TALKING TO ME? 755 00:31:34,160 --> 00:31:36,295 YOU'RE RYDER DONOVAN. 756 00:31:36,328 --> 00:31:37,930 YOU'RE JAMESON BARTLETT. 757 00:31:37,964 --> 00:31:39,331 CALL ME JAMIE. 758 00:31:39,365 --> 00:31:42,334 OK, JAMIE. I'M A BIG FAN. 759 00:31:42,368 --> 00:31:45,237 NO WAY! 760 00:31:45,271 --> 00:31:45,938 A BIG FAN? 761 00:31:45,972 --> 00:31:47,339 WE WANT TO HEAR EVERY DETAIL. 762 00:31:47,373 --> 00:31:48,507 I NEED SOME HELP BACK HERE. 763 00:31:48,540 --> 00:31:50,142 IT'S ON AGAIN. WE'RE WATCHING IT RIGHT NOW. 764 00:31:50,176 --> 00:31:51,643 GIRLS! IT'S JAMIE. 765 00:31:51,677 --> 00:31:52,244 OH! 766 00:31:52,278 --> 00:31:53,679 THERE'S NOT MUCH TO TELL. 767 00:31:53,712 --> 00:31:55,447 THEN HIS HANDLER INTERRUPTED, 768 00:31:55,481 --> 00:31:56,983 AND THEN MY HANDLER INTERRUPTED. 769 00:31:57,016 --> 00:31:59,151 AND THEN THE HANDLERS STARTED HARASSING US. 770 00:31:59,185 --> 00:32:00,319 IT WASN'T PRETTY. 771 00:32:00,352 --> 00:32:02,354 WELL, AT LEAST HE KNOWS YOU'RE ALIVE. 772 00:32:02,388 --> 00:32:03,555 ANYONE ELSE? 773 00:32:03,589 --> 00:32:05,091 AMBER TIFFANY WAS THERE. 774 00:32:05,124 --> 00:32:06,425 GET OUT! GET OUT! 775 00:32:06,458 --> 00:32:07,493 SO NOT IMPRESSIVE. 776 00:32:07,526 --> 00:32:08,527 SO, WHAT'S HAPPENING WITH THE DECORATING COMMITTEE? 777 00:32:08,560 --> 00:32:11,130 I FEEL REALLY BAD THAT I'M NOT THERE TO HELP OUT. 778 00:32:11,163 --> 00:32:13,632 DON'T WORRY. THERE'LL BE PLENTY TO DO WHEN YOU GET BACK. 779 00:32:13,665 --> 00:32:16,302 YOU HAVE TO SEE HARMONY'S WHALE. 780 00:32:16,335 --> 00:32:17,503 IT'S AMAZING. 781 00:32:17,536 --> 00:32:18,137 WELL, IT'S OK. 782 00:32:18,170 --> 00:32:20,072 BUT YOU'RE NEVER GONNA GUESS 783 00:32:20,106 --> 00:32:22,541 WHAT HAPPENED AT SCHOOL ON FRIDAY. 784 00:32:22,574 --> 00:32:24,043 WHAT? GUESS. 785 00:32:24,076 --> 00:32:24,710 TELL ME! 786 00:32:24,743 --> 00:32:26,478 SAWYER AND MARCO BROKE UP. 787 00:32:26,512 --> 00:32:27,413 GET OUT! 788 00:32:27,446 --> 00:32:29,215 THEY HAD A HUGE-- DRAMATIC. 789 00:32:29,248 --> 00:32:30,516 BREAK UP RIGHT AFTER LUNCH. 790 00:32:30,549 --> 00:32:31,350 IT WAS INCREDIBLE. 791 00:32:31,383 --> 00:32:33,752 SHE TOLD HIM THAT HE DIDN'T TREAT HER-- 792 00:32:33,785 --> 00:32:35,121 THE WAY SHE SHOULD BE TREATED. 793 00:32:35,154 --> 00:32:37,589 AND HE SAID SHE WAS A SPOILED BRAT. 794 00:32:37,623 --> 00:32:38,490 WHOA! 795 00:32:38,524 --> 00:32:39,558 I KNOW, RIGHT? 796 00:32:39,591 --> 00:32:43,495 WELL, SOMEONE WANTS TO TALK TO YOU. 797 00:32:43,529 --> 00:32:45,464 THANK YOU. HEY. 798 00:32:45,497 --> 00:32:46,698 JAMIE, HONEY. 799 00:32:46,732 --> 00:32:48,167 THERE ARE A FEW TALKING POINTS 800 00:32:48,200 --> 00:32:49,235 THAT I WOULD LIKE TO COVER 801 00:32:49,268 --> 00:32:51,570 BEFORE YOUR NEXT INTERVIEW, OK? 802 00:32:51,603 --> 00:32:53,139 SORRY, GUYS. I HAVE TO GO. 803 00:32:53,172 --> 00:32:53,972 THAT'S MY HANDLER. 804 00:32:54,006 --> 00:32:57,376 BUT I'LL TALK TO YOU GUYS LATER. BYE. 805 00:33:14,660 --> 00:33:16,095 OH, NOT MORE LAUNDRY. 806 00:33:16,128 --> 00:33:18,664 YOU STILL NEED A RIDE, DON'T YOU? 807 00:33:19,231 --> 00:33:21,300 PUT IT IN THE PILE. 808 00:33:21,333 --> 00:33:22,768 GOOD JOB, SQUIRT. 809 00:33:22,801 --> 00:33:25,037 AND I THOUGHT YOU WOULD'VE QUIT WEEKS AGO. 810 00:33:25,071 --> 00:33:27,005 NOT A CHANCE. 811 00:33:29,075 --> 00:33:31,110 MUST REALLY LIKE HER. 812 00:33:37,149 --> 00:33:38,184 LET'S GO, HONEY. 813 00:33:38,217 --> 00:33:40,052 CHOP, CHOP. YOU'RE GONNA BE LATE. 814 00:33:40,086 --> 00:33:43,089 ALMOST DONE. 815 00:33:43,122 --> 00:33:44,823 TURN OFF THE TABLET. NOW. 816 00:33:44,856 --> 00:33:45,824 I DON'T GET IT. 817 00:33:45,857 --> 00:33:48,094 FIRST YOU TELL ME TO WRITE, THEN YOU SAY DON'T. 818 00:33:48,127 --> 00:33:50,096 I'M GETTING MIXED SIGNALS HERE, MOTHER. 819 00:33:50,129 --> 00:33:53,065 NO. WHAT YOU'RE GETTING IS FRESH. 820 00:33:53,099 --> 00:33:54,133 GET IN THE CAR. 821 00:33:54,166 --> 00:33:57,203 HONEY, COME ON LET'S GO. 822 00:34:07,646 --> 00:34:09,715 SAW YOU ON TV. YOU ROCKED, BARTLETT. 823 00:34:09,748 --> 00:34:11,117 THANK YOU VERY MUCH. 824 00:34:11,150 --> 00:34:12,084 HEY, CUTIE. 825 00:34:12,118 --> 00:34:14,253 HI! HI! 826 00:34:14,286 --> 00:34:15,254 HI! 827 00:34:15,287 --> 00:34:16,555 HI, JAMIE! 828 00:34:16,588 --> 00:34:18,257 HI, JAMIE. 829 00:34:18,290 --> 00:34:19,858 HELLO. 830 00:34:19,891 --> 00:34:21,393 HEY, JAMIE. 831 00:34:21,427 --> 00:34:22,628 HEY. 832 00:34:22,661 --> 00:34:26,132 SO, DID YOU REALLY MEET AMBER TIFFANY? 833 00:34:26,165 --> 00:34:28,834 YEAH. WE'RE KIND OF FRIENDS. 834 00:34:28,867 --> 00:34:30,736 NO WAY. 835 00:34:30,769 --> 00:34:32,504 WAY. 836 00:34:32,538 --> 00:34:34,406 WOW. YOU'RE A SUPERSTAR NOW. 837 00:34:34,440 --> 00:34:36,175 SO WE HAVE TO GET THE WORD OUT 838 00:34:36,208 --> 00:34:37,042 THAT YOU'RE GONNA BE 839 00:34:37,075 --> 00:34:39,211 AT OUR ANIMAL RIGHTS RALLY NEXT THURSDAY. 840 00:34:39,245 --> 00:34:40,279 YOU ARE COMING, RIGHT? 841 00:34:40,312 --> 00:34:41,213 OF COURSE I'M COMING. 842 00:34:41,247 --> 00:34:42,781 I WOULDN'T MISS IT FOR ANYTHING IN THE WORLD. 843 00:34:42,814 --> 00:34:45,284 I WOULD NEVER LET YOU GUYS DOWN. 844 00:34:45,317 --> 00:34:46,785 OR THE BUGS. 845 00:34:46,818 --> 00:34:48,720 COME ON. 846 00:34:52,191 --> 00:34:54,193 WHOA. WHAT IS THAT SMELL? 847 00:34:54,226 --> 00:34:56,895 OH, THE FRESH PINE SCENT? 848 00:34:56,928 --> 00:34:57,629 THAT'S ME. 849 00:34:57,663 --> 00:35:00,166 I HAD TO DETAIL MY BROTHER'S CAR 850 00:35:00,199 --> 00:35:00,866 BEFORE SCHOOL THIS MORNING. 851 00:35:00,899 --> 00:35:01,900 IT'S PART OF OUR DEAL. 852 00:35:01,933 --> 00:35:04,136 SOUNDS LIKE A LOT OF WORK JUST FOR SOME WHEELS. 853 00:35:04,170 --> 00:35:05,371 YEAH. BUT WORTH IT. 854 00:35:05,404 --> 00:35:06,905 CONNOR, THAT IS SO NICE 855 00:35:06,938 --> 00:35:09,175 THAT YOU'RE DOING THIS FOR-- 856 00:35:12,678 --> 00:35:14,380 [STUDENTS GASP] 857 00:35:17,283 --> 00:35:17,949 DID YOU JUST SEE THAT? 858 00:35:17,983 --> 00:35:20,352 YOU TWO TOTALLY HAD A MOMENT. 859 00:35:20,386 --> 00:35:21,353 DID WE? 860 00:35:21,387 --> 00:35:22,721 YEAH. WE DID. 861 00:35:22,754 --> 00:35:24,156 HEY, JAMIE. 862 00:35:24,190 --> 00:35:26,225 WE HAVE AN EXTRA SEAT. 863 00:35:26,258 --> 00:35:28,260 JENNIFER TOO'S OUT SICK. 864 00:35:28,294 --> 00:35:30,362 NO, THANKS. 865 00:35:30,396 --> 00:35:31,663 OH, COME ON WE WANT TO HEAR 866 00:35:31,697 --> 00:35:33,865 ALL ABOUT THE BACKSTAGE PARTY. 867 00:35:34,966 --> 00:35:37,169 GO AHEAD. GIVE THEM A TREAT. 868 00:35:37,203 --> 00:35:40,272 WE'VE ALREADY HEARD ALL THE STORIES. 869 00:35:44,876 --> 00:35:46,312 THAT DIDN'T TAKE MUCH PRODDING. 870 00:35:46,345 --> 00:35:47,579 LET'S FACE IT, CONNOR. 871 00:35:47,613 --> 00:35:48,814 WE HAVE TO SHARE OUR JAMIE 872 00:35:48,847 --> 00:35:49,815 WITH THE REST OF THE WORLD NOW. 873 00:35:49,848 --> 00:35:51,617 JUST AS LONG AS SHE CAN FILL UP 874 00:35:51,650 --> 00:35:52,684 MY ANIMAL RIGHTS RALLY 875 00:35:52,718 --> 00:35:54,420 LIKE SHE CAN FILL UP A PIZZA PARLOR, 876 00:35:54,453 --> 00:35:56,855 I THINK I CAN DEAL WITH IT. 877 00:35:58,957 --> 00:35:59,791 [LAUGHING] 878 00:35:59,825 --> 00:36:01,460 AND THEN WHEN I STOOD UP, 879 00:36:01,493 --> 00:36:03,862 MY HAIR WAS STUCK IN HER TIARA. 880 00:36:03,895 --> 00:36:05,331 NO WAY! 881 00:36:05,364 --> 00:36:05,964 WAY! 882 00:36:05,997 --> 00:36:06,965 WHAT DID YOU DO? 883 00:36:06,998 --> 00:36:07,933 WELL, WE DIDN'T WANT TO END UP 884 00:36:07,966 --> 00:36:10,636 ON THE COVER OF STARLE NOW, DID WE? 885 00:36:10,669 --> 00:36:12,838 NO. SO WE SCURRIED OFF TO THE GREEN ROOM 886 00:36:12,871 --> 00:36:13,872 BEFORE ANYBODY COULD SEE US. 887 00:36:13,905 --> 00:36:15,974 I MEAN, CAN YOU IMAGINE? 888 00:36:16,007 --> 00:36:17,876 THAT IS FUNNY. 889 00:36:24,616 --> 00:36:25,551 NOW THAT HE'S SINGLE, 890 00:36:25,584 --> 00:36:28,454 YOU THINK MARCO WILL TAKE JAMIE TO THE DANCE? 891 00:36:28,487 --> 00:36:29,555 THEY COULDN'T. 892 00:36:29,588 --> 00:36:31,490 WHY NOT? HE'S A FREE MAN NOW. 893 00:36:31,523 --> 00:36:32,891 BECAUSE SHE SAID SHE WAS GOING WITH US. 894 00:36:32,924 --> 00:36:34,660 WE'RE GOING AS A GROUP. 895 00:36:34,693 --> 00:36:35,627 I THINK THE RULE WAS 896 00:36:35,661 --> 00:36:37,629 IF NO ONE ASKED US FIRST WE'D GO AS A GROUP. 897 00:36:37,663 --> 00:36:38,797 WHAT? THAT WASN'T A RULE. 898 00:36:38,830 --> 00:36:39,865 WHEN DID WE MAKE THAT RULE? 899 00:36:39,898 --> 00:36:40,966 WHY? DO YOU KNOW ANYONE ELSE 900 00:36:40,999 --> 00:36:43,335 WHO MIGHT WANT TO TAKE HER TO THE DANCE? 901 00:36:43,369 --> 00:36:43,902 NO. 902 00:36:43,935 --> 00:36:44,870 SOUNDS LIKE YOU DO. 903 00:36:44,903 --> 00:36:45,937 I DON'T. I JUST-- 904 00:36:45,971 --> 00:36:47,839 DIDN'T KNOW IT WAS A RULE. 905 00:36:47,873 --> 00:36:49,908 WHATEVER. 906 00:36:56,882 --> 00:36:59,651 SO, HOW WAS LUNCH WITH THE POPULARS? 907 00:36:59,685 --> 00:37:01,820 WELL, IT WASN'T EXCRUCIATING. 908 00:37:01,853 --> 00:37:03,955 IT SEEMED LIKE YOU WERE HAVING FUN. 909 00:37:03,989 --> 00:37:05,491 I WOULDN'T CALL IT FUN. 910 00:37:05,524 --> 00:37:06,392 I MEAN, IT WAS OK. 911 00:37:06,425 --> 00:37:08,026 NOT LIKE HANGING OUT WITH YOU GUYS, THOUGH. 912 00:37:08,059 --> 00:37:09,027 AND THE LONGER I SAT THERE, 913 00:37:09,060 --> 00:37:11,830 THE MORE I COULD FEEL MYSELF LOSING IQ POINTS. 914 00:37:11,863 --> 00:37:12,864 [LAUGHING] 915 00:37:12,898 --> 00:37:13,932 HEY, WHY DIDN'T CONNOR 916 00:37:13,965 --> 00:37:15,401 WANT TO COME WITH US TODAY? 917 00:37:15,434 --> 00:37:16,602 OH, I DON'T KNOW. 918 00:37:16,635 --> 00:37:18,370 HE'S BEEN ACTING ALL BOY-LIKE LATELY. 919 00:37:18,404 --> 00:37:21,440 WELL, WE'LL SEE YOU AT THE PIZZA PARLOR. 920 00:37:21,473 --> 00:37:22,841 OH, UH... 921 00:37:22,874 --> 00:37:23,842 YOU WON'T SEE ME. 922 00:37:23,875 --> 00:37:25,277 WE WON'T? 923 00:37:25,311 --> 00:37:26,278 NO. 924 00:37:26,312 --> 00:37:27,813 I QUIT. 925 00:37:28,414 --> 00:37:29,815 DIDN'T WE COVER THIS? 926 00:37:29,848 --> 00:37:32,851 I THOUGHT MY HANDLER CALLED YOU GUYS. 927 00:37:32,884 --> 00:37:34,052 YOU'RE NOT SERIOUS. 928 00:37:34,085 --> 00:37:36,955 NO. I'M JOKING. 929 00:37:37,989 --> 00:37:39,491 WELL, MAYBE IT'S THE TRUTH. 930 00:37:39,525 --> 00:37:42,694 I THOUGHT I TOLD SOMEONE. 931 00:37:42,728 --> 00:37:44,463 COME ON, YOU GUYS. 932 00:37:44,496 --> 00:37:47,566 IT'S NOT LIKE I NEED THE MONEY ANYMORE. 933 00:37:47,599 --> 00:37:49,267 BYE BYE. 934 00:38:10,422 --> 00:38:11,523 PRUNE PIZZA, PEG. 935 00:38:11,557 --> 00:38:12,991 HONEY, NO. 936 00:38:13,024 --> 00:38:14,993 TRY IT. 937 00:38:15,026 --> 00:38:17,062 DON'T JUDGE IT SO HARSHLY. 938 00:38:17,095 --> 00:38:17,796 NO. 939 00:38:17,829 --> 00:38:18,730 YOU KNOW, I BET THE FIRST PERSON 940 00:38:18,764 --> 00:38:21,500 TO TRY A PINEAPPLE PIZZA WAS LAUGHED AT, TOO. 941 00:38:21,533 --> 00:38:23,969 BESIDES, IT'S MORE OF A BREAKFAST PIZZA. 942 00:38:24,002 --> 00:38:26,572 YOU KNOW, MY GOURMET PIES ARE DOING SO WELL 943 00:38:26,605 --> 00:38:28,674 I WAS THINKING WE SHOULD OPEN FOR BREAKFAST. 944 00:38:28,707 --> 00:38:30,876 OH, RALPH. DON'T DO THIS TO US. 945 00:38:30,909 --> 00:38:31,510 THINGS ARE GOING GREAT. 946 00:38:31,543 --> 00:38:33,912 IT'S THE POWER OF MY PIZZA. 947 00:38:33,945 --> 00:38:35,414 MM-HMM. [TELEPHONE RINGS] 948 00:38:35,447 --> 00:38:37,616 RALPH'S PIZZA SHACK. 949 00:38:37,649 --> 00:38:42,388 YES. THIS IS THE PLACE RIGHT OUT OF "IS SAVES THE WORLD." 950 00:38:42,421 --> 00:38:45,391 BIRTHDAY RESERVATIONS. 951 00:38:45,424 --> 00:38:47,359 FOR 12. 952 00:38:47,393 --> 00:38:50,396 I HAVE IT. THANK YOU. 953 00:38:50,429 --> 00:38:53,432 MAYBE IT'S NOT ONLY MY PIZZA. 954 00:38:53,465 --> 00:38:55,033 MAYBE. 955 00:38:55,701 --> 00:38:56,968 MAYBE. 956 00:39:01,640 --> 00:39:03,875 [CELL PHONE RINGS] 957 00:39:07,513 --> 00:39:09,448 HEY, LINDS. HOW WAS WORK? 958 00:39:09,481 --> 00:39:10,215 EXHAUSTING. 959 00:39:10,248 --> 00:39:12,050 WHO KNEW PIZZAS COULD BE SO HEAVY? 960 00:39:12,083 --> 00:39:13,151 YOU THINK YOU'RE TIRED? 961 00:39:13,184 --> 00:39:16,722 YOU'D NEVER BELIEVE ALL THE STUFF I'VE GOT GOING ON. 962 00:39:16,755 --> 00:39:17,956 IT'S CRAZY. 963 00:39:17,989 --> 00:39:19,758 YEAH, WELL, I WAS CALLING TO SEE 964 00:39:19,791 --> 00:39:20,992 IF YOU CAN HELP OUT ON SATURDAY. 965 00:39:21,026 --> 00:39:23,795 WE HAVE TO FINISH HARMONY'S WHALE BY NEXT WEEK. 966 00:39:23,829 --> 00:39:25,531 WHY DO WE HAVE TO DO THAT? 967 00:39:25,564 --> 00:39:29,535 HELLO. WE'RE ALL ON THE DECORATING COMMITTEE REMEMBER? 968 00:39:29,568 --> 00:39:30,836 YOU'RE THE ONE WHO GOT US INTO THIS. 969 00:39:30,869 --> 00:39:34,673 RIGHT. UM... LOOK, I'M SORRY, BUT I CAN'T. 970 00:39:34,706 --> 00:39:37,776 DIANA'S COMING OVER TO HELP ME ANSWER FAN MAIL. 971 00:39:37,809 --> 00:39:38,744 YOU HAVE FAN MAIL? 972 00:39:38,777 --> 00:39:42,681 WELL...IT'S FOR IS, BUT I HAVE TO ANSWER IT. 973 00:39:42,714 --> 00:39:43,849 OH. 974 00:39:43,882 --> 00:39:44,950 YOU'RE NOT GONNA FORGET 975 00:39:44,983 --> 00:39:45,884 ABOUT MY ANIMAL RIGHTS RALLY, ARE YOU? 976 00:39:45,917 --> 00:39:48,587 WE REALLY NEED YOUR HELP TO GET THE WORD OUT. 977 00:39:48,620 --> 00:39:50,989 [PHONE BEEPS] [GASPS] 978 00:39:51,022 --> 00:39:51,923 WHAT? WHAT IS IT? 979 00:39:51,957 --> 00:39:54,693 A DIRECT CONNECTION TO HIGH SCHOOL ROYALTY. 980 00:39:54,726 --> 00:39:56,895 UM, I HAVE TO TAKE THIS CALL, 981 00:39:56,928 --> 00:39:58,764 BUT DON'T WORRY, I'LL BE AT THAT RALLY. 982 00:39:58,797 --> 00:40:00,966 CALL ME TOMORROW. 983 00:40:03,969 --> 00:40:04,836 HELLO? 984 00:40:04,870 --> 00:40:07,506 JAMIE. HEY, IT'S SAWYER. WHAT'S HAPPENING? 985 00:40:07,539 --> 00:40:09,441 OH...NOTHING. 986 00:40:09,475 --> 00:40:12,077 HEY, LISTEN, YOU WANT TO HIT THE MALL ON SATURDAY? 987 00:40:12,110 --> 00:40:13,812 SURE. I'D LOVE TO. 988 00:40:13,845 --> 00:40:16,582 SWEET. CAN'T WAIT. 989 00:40:18,917 --> 00:40:20,886 YES! 990 00:40:29,961 --> 00:40:31,530 THANK YOU. 991 00:40:34,666 --> 00:40:35,801 [SIGHS] 992 00:40:35,834 --> 00:40:37,803 HEY. 993 00:40:38,537 --> 00:40:39,705 MARCO. 994 00:40:39,738 --> 00:40:40,772 IS JAMIE HERE? 995 00:40:40,806 --> 00:40:41,940 ONLY IN SPIRIT. 996 00:40:41,973 --> 00:40:44,810 WILL YOU TELL HER THAT I'M LOOKING FOR HER. 997 00:40:44,843 --> 00:40:46,845 NO. 998 00:40:46,878 --> 00:40:47,679 EXCUSE ME? 999 00:40:47,713 --> 00:40:49,748 I MEAN, SHE DOESN'T WORK HERE ANYMORE. 1000 00:40:49,781 --> 00:40:51,016 YEAH, BUT YOU GUYS ARE FRIENDS, RIGHT? 1001 00:40:51,049 --> 00:40:51,883 HEY, DO YOU KNOW 1002 00:40:51,917 --> 00:40:54,586 IF SHE'S GOING TO THE DANCE WITH ANYONE? 1003 00:40:54,620 --> 00:40:55,821 I DON'T KNOW. 1004 00:40:55,854 --> 00:40:59,157 BUT IF I SEE HER, I'LL LET HER KNOW YOU'RE LOOKING FOR HER. 1005 00:40:59,190 --> 00:41:01,760 THANKS. 1006 00:41:01,793 --> 00:41:03,461 NO PROBLEM. 1007 00:41:06,965 --> 00:41:09,668 WHO KNEW BEING AN AUTHOR WOULD BE SUCH HARD WORK? 1008 00:41:09,701 --> 00:41:11,202 WELL, YOU BETTER GET USED TO IT, JAMIE. 1009 00:41:11,236 --> 00:41:13,872 IF YOUR NEXT BOOK SELLS EVERYTHING LIKE THIS ONE, 1010 00:41:13,905 --> 00:41:14,973 THIS IS ONLY THE BEGINNING. 1011 00:41:15,006 --> 00:41:17,008 HEY, WHO WANTS A BITE TO EAT? 1012 00:41:17,042 --> 00:41:17,976 ME. I'M STARVING. 1013 00:41:18,009 --> 00:41:21,479 ME THREE. LET'S CHARGE IT TO THE PUBLISHER. 1014 00:41:30,055 --> 00:41:31,189 YOU KNOW WHAT... 1015 00:41:31,222 --> 00:41:33,592 I'M NOT HUNGRY ANYMORE. 1016 00:41:33,625 --> 00:41:35,193 CAN WE KEEP WALKING? 1017 00:41:41,266 --> 00:41:42,200 HEY, CHECK IT OUT, BRO. 1018 00:41:42,233 --> 00:41:44,035 WAIT TILL JAMIE SEES THESE, HUH? 1019 00:41:44,069 --> 00:41:46,905 DOUBT IF SHE EVER WILL. 1020 00:41:46,938 --> 00:41:49,040 WHY? WHAT HAPPENED? 1021 00:41:49,074 --> 00:41:52,811 WELL, MARCO VEGA'S GONNA ASK HER TO THE DANCE. 1022 00:41:52,844 --> 00:41:53,879 GOING TO? 1023 00:41:53,912 --> 00:41:56,114 IT'S NOT OFFICIAL YET, BUT ALL THE SIGNS ARE THERE. 1024 00:41:56,147 --> 00:41:58,049 WELL, THEN, THERE'S STILL TIME. 1025 00:41:58,083 --> 00:41:58,950 YOU CAN STILL ASK HER. 1026 00:41:58,984 --> 00:42:00,318 BUT IT'S MARCO VEGA. 1027 00:42:00,351 --> 00:42:02,020 AND YOU'RE CONNOR KENNEDY. 1028 00:42:02,053 --> 00:42:03,889 LOOK, DON'T BE LIKE THAT, LITTLE BRO. 1029 00:42:03,922 --> 00:42:05,657 YOU LIKE HER, DON'T YOU? 1030 00:42:05,691 --> 00:42:06,391 YEAH. 1031 00:42:06,424 --> 00:42:07,458 AND YOU DIDN'T WASH MY UNDERWEAR 1032 00:42:07,492 --> 00:42:09,861 FOR AN ENTIRE MONTH JUST TO LET SOME CHUMP JUMP IN 1033 00:42:09,895 --> 00:42:11,897 AND STEAL YOUR GIRL, DID YOU? 1034 00:42:11,930 --> 00:42:12,898 NO. 1035 00:42:12,931 --> 00:42:13,599 THAT'S RIGHT. 1036 00:42:13,632 --> 00:42:14,900 NOW LOOK, YOU'VE COME TOO FAR, 1037 00:42:14,933 --> 00:42:16,167 AND YOU'VE WORKED WAY TO HARD 1038 00:42:16,201 --> 00:42:17,803 JUST TO ROLL OVER. 1039 00:42:17,836 --> 00:42:18,704 YEAH, I HAVE. 1040 00:42:18,737 --> 00:42:19,571 NOW, I WANT YOU TO GO AND FIND THIS GIRL, 1041 00:42:19,605 --> 00:42:21,006 AND I WANT YOU TO ASK HER TO THE DANCE. 1042 00:42:21,039 --> 00:42:22,708 I'LL DO IT. 1043 00:42:29,881 --> 00:42:31,349 WHAT WITH SCHOOLWORK AND ALL THAT... 1044 00:42:31,382 --> 00:42:32,784 [PHONE BEEPS] HANG ON. 1045 00:42:32,818 --> 00:42:34,319 YEAH. IT'S SAWYER. SORRY ABOUT THAT. 1046 00:42:34,352 --> 00:42:37,589 HI. THIS IS JAMIE. LEAVE ME A MESSAGE. 1047 00:42:37,623 --> 00:42:38,456 HEY, JAMIE, IT'S CONNOR. 1048 00:42:38,489 --> 00:42:41,359 CALL ME BACK. I WANT TO TALK TO YOU. BYE. 1049 00:42:41,392 --> 00:42:43,662 HANG ON. I GOTTA FINISH THIS CONVERSATION. 1050 00:42:43,695 --> 00:42:45,030 HOLD ON TWO SECONDS. 1051 00:42:45,063 --> 00:42:46,765 [BUSY TONE] 1052 00:42:49,300 --> 00:42:50,869 CAN YOU HANG ON FOR ONE SECOND? 1053 00:42:50,902 --> 00:42:52,938 GIVE ME TWO MORE SECONDS, OK? 1054 00:42:52,971 --> 00:42:55,173 I'LL BE RIGHT BACK. OK. 1055 00:42:55,206 --> 00:42:57,843 [PHONE RINGING] 1056 00:42:57,876 --> 00:42:59,210 [RING] 1057 00:42:59,244 --> 00:42:59,978 HELLO. 1058 00:43:00,011 --> 00:43:02,648 HI, MRS. BARTLETT. IS JAMIE THERE? 1059 00:43:02,681 --> 00:43:04,149 YEAH. JAMIE! 1060 00:43:04,182 --> 00:43:05,817 CONNOR'S ON THE PHONE. 1061 00:43:05,851 --> 00:43:08,053 TELL HIM I'LL CALL HIM BACK LATER. 1062 00:43:08,086 --> 00:43:10,255 SHE SAID SHE'S GONNA CALL YOU BACK. 1063 00:43:10,288 --> 00:43:12,590 ALL RIGHT. ALL RIGHT. BYE. 1064 00:43:14,660 --> 00:43:19,364 * GOTTA GET UP AND GO, THERE'S NOTHING TO IT * 1065 00:43:23,935 --> 00:43:26,738 * COME ON, DO IT 1066 00:43:26,772 --> 00:43:27,806 HEY. 1067 00:43:27,839 --> 00:43:28,774 WHERE'S JAMIE? 1068 00:43:28,807 --> 00:43:29,941 SHE'S EXCUSED FROM CLASS. 1069 00:43:29,975 --> 00:43:33,611 SHE HAD A MEETING WITH HER HANDLER. 1070 00:43:38,283 --> 00:43:39,785 I CAN'T BELIEVE THIS. 1071 00:43:39,818 --> 00:43:40,919 I'LL BET SHE FORGOT. 1072 00:43:40,952 --> 00:43:44,055 DON'T WORRY, LINDS. SHE'LL BE HERE. 1073 00:43:48,259 --> 00:43:49,260 HI. HI. 1074 00:43:49,294 --> 00:43:51,663 HEY, JAMIE. HEY. 1075 00:43:53,131 --> 00:43:54,933 JAMIE! 1076 00:43:56,768 --> 00:43:57,335 JAMIE! 1077 00:43:57,368 --> 00:44:00,371 HEY. YOU LOOK GREAT. 1078 00:44:00,405 --> 00:44:01,907 MOVE IT. 1079 00:44:01,940 --> 00:44:02,741 THANK YOU. 1080 00:44:02,774 --> 00:44:04,876 YOU'RE JUST THE GIRL I WAS LOOKING FOR. 1081 00:44:04,910 --> 00:44:05,977 WATCH IT! 1082 00:44:06,011 --> 00:44:06,544 I AM? 1083 00:44:06,577 --> 00:44:08,146 CAN I ASK YOU SOMETHING? 1084 00:44:08,179 --> 00:44:09,915 JAMIE! 1085 00:44:11,049 --> 00:44:11,983 JAMIE... 1086 00:44:12,017 --> 00:44:13,451 NOT NOW, CONNOR. 1087 00:44:13,484 --> 00:44:14,319 BUT... 1088 00:44:14,352 --> 00:44:16,354 MARCO WAS JUST ABOUT TO ASK ME SOMETHING. 1089 00:44:16,387 --> 00:44:17,989 I'M SORRY. YOU WERE SAYING? 1090 00:44:18,023 --> 00:44:19,424 LOOK, I KNOW YOU'RE BUSY AND EVERYTHING 1091 00:44:19,457 --> 00:44:21,960 WITH ALL YOUR "IS" STUFF, BUT... 1092 00:44:21,993 --> 00:44:23,194 JAMIE... 1093 00:44:23,228 --> 00:44:25,163 DO YOU WANT TO GO TO THE DANCE WITH ME? 1094 00:44:25,196 --> 00:44:27,833 OF COURSE I DO. 1095 00:44:35,040 --> 00:44:36,908 YOU GUYS, I AM SO LATE. 1096 00:44:36,942 --> 00:44:38,143 LET ME DROP THIS STUFF OFF, 1097 00:44:38,176 --> 00:44:41,246 AND BOY, DO I HAVE NEWS FOR YOU. 1098 00:44:41,279 --> 00:44:44,215 YEAH, YEAH. YOU LOOK BEAUTIFUL, NOW LET'S MOVE IT. 1099 00:44:44,249 --> 00:44:45,250 ARE YOU READY? 1100 00:44:45,283 --> 00:44:46,852 NO. NOT WITHOUT MY NORMAL HAIR AND MAKE-UP TEAM. 1101 00:44:46,885 --> 00:44:49,054 I DON'T KNOW HOW I'M GOING TO PULL THIS OFF. 1102 00:44:49,087 --> 00:44:51,022 WHAT ARE YOU TALKING ABOUT? 1103 00:44:51,056 --> 00:44:53,158 WHAT ARE YOU TALKING ABOUT? 1104 00:44:53,191 --> 00:44:54,926 DON'T TELL ME YOU FORGOT. 1105 00:44:54,960 --> 00:44:56,795 OK. I HAVE REALLY IMPORTANT NEWS. 1106 00:44:56,828 --> 00:45:00,098 MORE IMPORTANT THAN SAVING THE HELPLESS BUNNIES? 1107 00:45:00,131 --> 00:45:02,133 UH, YEAH. 1108 00:45:02,167 --> 00:45:03,034 KIND OF. 1109 00:45:03,068 --> 00:45:05,270 I CAN'T BELIEVE YOU FORGOT. WE NEED YOU. 1110 00:45:05,303 --> 00:45:07,873 OH, YOUR PROTEST IS TODAY, ISN'T IT? 1111 00:45:07,906 --> 00:45:10,909 LINDSAY, IT IS TOTALLY NOT MY FAULT. 1112 00:45:10,942 --> 00:45:12,010 I ASKED, BUT-- 1113 00:45:12,043 --> 00:45:14,112 DIANA TO CALL TO SEE IF YOU COULD MOVE IT TO FRIDAY 1114 00:45:14,145 --> 00:45:16,247 BECAUSE I HAVE THIS PRESS THING TO DO RIGHT NOW. 1115 00:45:16,281 --> 00:45:17,315 WE'VE BEEN PLANNING THIS FOR MONTHS. 1116 00:45:17,348 --> 00:45:20,151 I CAN'T JUST CHANGE THE DATE TO FIT YOUR SCHEDULE. 1117 00:45:20,185 --> 00:45:22,788 THIS IS REALLY BAD, ISN'T IT? 1118 00:45:22,821 --> 00:45:23,955 YOU HAVE TO ASK? 1119 00:45:23,989 --> 00:45:25,957 LOOK, I'M REALLY SORRY, 1120 00:45:25,991 --> 00:45:27,225 BUT IT'S FOR THE BOOK, 1121 00:45:27,258 --> 00:45:29,895 AND I HAVE A LIMO WAITING FOR ME OUTSIDE. 1122 00:45:29,928 --> 00:45:32,397 WHATEVER. 1123 00:45:48,313 --> 00:45:49,981 I CAN CALL THEM AT THE RALLY. 1124 00:45:50,015 --> 00:45:53,084 I CAN MAKE THIS WORK FOR EVERYONE. 1125 00:45:53,118 --> 00:45:56,054 IF I COULD ONLY FIND MY CELL PHONE. 1126 00:45:56,087 --> 00:45:58,957 SAWYER, I DON'T KNOW WHAT TO SAY, 1127 00:45:58,990 --> 00:46:00,792 BUT I REALLY SHOULD BE THERE. 1128 00:46:00,826 --> 00:46:02,961 HEY, WHAT ARE YOU DOING LATER? 1129 00:46:02,994 --> 00:46:04,930 I'M TAPING A SEGMENT OF RISE AND SHINE. 1130 00:46:04,963 --> 00:46:07,398 TOTALLY LAME, BUT WHAT CAN YOU DO? 1131 00:46:07,432 --> 00:46:08,934 ANYWAY, DO YOU WANT TO GRAB A BITE TO EAT LATER? 1132 00:46:08,967 --> 00:46:10,201 ANYTHING BUT PIZZA, EW! 1133 00:46:10,235 --> 00:46:11,903 CAN'T STAND THE STUFF. 1134 00:46:11,937 --> 00:46:13,504 HELLO. 1135 00:46:13,538 --> 00:46:14,539 HEY, THAT IS MY PHONE. 1136 00:46:14,572 --> 00:46:15,974 WELL, YOU WEREN'T GONNA USE IT 1137 00:46:16,007 --> 00:46:16,942 FOR ANYTHING IMPORTANT. 1138 00:46:16,975 --> 00:46:18,977 I LOVE PIZZA. 1139 00:46:19,010 --> 00:46:19,945 AND LINDSAY IS MY FRIEND. 1140 00:46:19,978 --> 00:46:22,981 LINDSAY ISN'T GOING TOO MAKE YOU A SUPERSTAR. 1141 00:46:23,014 --> 00:46:25,216 MAYBE I DON'T WANT TO BE A SUPERSTAR. 1142 00:46:25,250 --> 00:46:27,986 "I DON'T WANT TO BE A SUPERSTAR. 1143 00:46:28,019 --> 00:46:30,088 I LOVE PIZZA." 1144 00:46:30,121 --> 00:46:31,923 WELL, I SUPPOSE YOU DIDN'T WANT 1145 00:46:31,957 --> 00:46:32,924 THE CUTEST BOY IN SCHOOL 1146 00:46:32,958 --> 00:46:34,225 TO ASK YOU TO THE DANCE EITHER. 1147 00:46:34,259 --> 00:46:35,060 WELL... 1148 00:46:35,093 --> 00:46:37,896 STOP WHINING AND START ACTING LIKE IS. 1149 00:46:39,064 --> 00:46:40,365 OH, YOU LOOK ADORABLE. 1150 00:46:40,398 --> 00:46:41,466 SO, YOU READY? 1151 00:46:41,499 --> 00:46:43,334 COME ON. 1152 00:46:43,368 --> 00:46:44,936 UH... 1153 00:46:44,970 --> 00:46:46,972 IN A SOCIETY SUCH AS OURS, 1154 00:46:47,005 --> 00:46:50,041 IT IS INDEFENSIBLE TO TREAT SMALL, LITTLE CREATURES, 1155 00:46:50,075 --> 00:46:52,410 SUCH AS THE BUNNY, IN UNCARING WAYS. 1156 00:46:52,443 --> 00:46:54,012 THEY HAVE ANIMAL TESTING... 1157 00:46:54,045 --> 00:46:55,280 YOU WANT TO SIGN OUR PETITION? 1158 00:46:55,313 --> 00:46:58,416 NO. I WANT TO FIND THE BATHROOM. 1159 00:46:58,449 --> 00:47:01,920 UH-HUH. AROUND THE CORNER TO THE LEFT. 1160 00:47:05,123 --> 00:47:08,994 THIS PROTEST IS A COMPLETE DISASTER. 1161 00:47:09,027 --> 00:47:10,962 NOW THE BUNNIES ARE GONNA PAY FOR IT. 1162 00:47:10,996 --> 00:47:13,631 IT'S NOT OUR FAULT THAT OUR CELEBRITY ENDORSEMENT 1163 00:47:13,664 --> 00:47:15,233 PULLED OUT AT THE LAST MINUTE. 1164 00:47:15,266 --> 00:47:18,870 NO. IT'S HER HANDLER'S FAULT. 1165 00:47:19,270 --> 00:47:22,507 I LIKED HER BETTER WHEN SHE DIDN'T HAVE A HANDLER. 1166 00:47:22,540 --> 00:47:25,010 ME, TOO. 1167 00:47:28,346 --> 00:47:31,216 IN 5, 4, 3, 2, 1. 1168 00:47:31,249 --> 00:47:33,051 HELLO, I'M CHRISTINE BECKLER, 1169 00:47:33,084 --> 00:47:34,886 AND WELCOME TO RISE AND SHINE. 1170 00:47:34,920 --> 00:47:36,587 TODAY, I'M VERY PLEASED TO HAVE 1171 00:47:36,621 --> 00:47:39,457 HIGH SCHOOL FRESHMAN AND BEST SELLING AUTHOR, 1172 00:47:39,490 --> 00:47:40,525 JAMIE BARTLETT. 1173 00:47:40,558 --> 00:47:41,592 IT'S A PLEASURE TO BE HERE. 1174 00:47:41,626 --> 00:47:44,395 SO HOW DOES IT FEEL TO GO FROM HIGH SCHOOL FRESHMAN 1175 00:47:44,429 --> 00:47:46,031 TO BEST SELLING AUTHOR 1176 00:47:46,064 --> 00:47:46,664 IN ONE SEMESTER? 1177 00:47:46,697 --> 00:47:49,034 WELL, THERE'S BEEN A LOT OF 1178 00:47:49,067 --> 00:47:49,935 STRANGE THINGS HAPPENING TO ME, 1179 00:47:49,968 --> 00:47:52,237 BUT AFTER AWHILE, YOU JUST GET USED TO IT. 1180 00:47:52,270 --> 00:47:54,973 WE'VE BEEN TOLD THAT YOUR BOOK, 1181 00:47:55,006 --> 00:47:56,107 "IS SAVES THE WORLD," 1182 00:47:56,141 --> 00:47:58,209 IS THE FASTEST SELLING CHILDREN'S BOOK 1183 00:47:58,243 --> 00:47:59,044 IN SCHILLING PRESS HISTORY. 1184 00:47:59,077 --> 00:48:01,112 WELL, WE OBJECT TO THE WORD "CHILDREN" 1185 00:48:01,146 --> 00:48:03,248 BECAUSE IS RELATES TO EVERYONE. 1186 00:48:03,281 --> 00:48:05,083 WE? 1187 00:48:05,116 --> 00:48:07,118 I MEAN, ME. 1188 00:48:07,152 --> 00:48:08,219 RIGHT. 1189 00:48:08,253 --> 00:48:10,055 YOU'VE SOLD A LOT OF BOOKS. 1190 00:48:10,088 --> 00:48:11,289 IT'S IN ITS SECOND PRINTING. 1191 00:48:11,322 --> 00:48:13,324 WOW, DID YOU EVER THINK IT WOULD DO SO WELL? 1192 00:48:13,358 --> 00:48:17,262 WELL, AS I WAS WRITING "IS SAVES THE WORLD," 1193 00:48:17,295 --> 00:48:20,031 I FELT AS IF I HAD TAPPED INTO SOMETHING 1194 00:48:20,065 --> 00:48:21,066 BIGGER THAN MYSELF. 1195 00:48:21,099 --> 00:48:23,201 AND THIS IS JUST THE BEGINNING. 1196 00:48:23,234 --> 00:48:26,004 AND THAT'S WHAT SCARES ME THE MOST. 1197 00:48:26,037 --> 00:48:27,672 I'M SORRY, WHAT SCARES YOU? 1198 00:48:27,705 --> 00:48:28,606 OH, NOTHING. 1199 00:48:28,639 --> 00:48:31,609 I JUST MEANT THAT PEOPLE CAN REALLY RELATE 1200 00:48:31,642 --> 00:48:32,610 TO THE STORY, 1201 00:48:32,643 --> 00:48:34,145 ALTHOUGH I'M NOT SURE WHY. 1202 00:48:34,179 --> 00:48:35,013 OH, I DO. 1203 00:48:35,046 --> 00:48:36,614 IT'S A TERRIFIC STORY. 1204 00:48:36,647 --> 00:48:37,615 SO TELL US, JAMIE, 1205 00:48:37,648 --> 00:48:38,516 HOW DID YOU COME UP WITH IT IN THE FIRST PLACE? 1206 00:48:38,549 --> 00:48:42,120 WELL, MY ENGLISH TEACHER, MISS GALLAGHER, 1207 00:48:42,153 --> 00:48:43,421 SAID TO WRITE WHAT WE KNOW. 1208 00:48:43,454 --> 00:48:45,991 WAIT. SO YOU'RE SAYING THAT "IS SAVES THE WORLD" 1209 00:48:46,024 --> 00:48:46,757 IS BASED ON REAL EVENTS? 1210 00:48:46,791 --> 00:48:48,493 OH, I COULDN'T MAKE THAT STUFF UP. 1211 00:48:48,526 --> 00:48:50,495 AND THE CHARACTERS ARE REAL AS WELL? 1212 00:48:50,528 --> 00:48:51,729 OH, THEY'RE VERY REAL. YES. 1213 00:48:51,762 --> 00:48:54,065 ACTUALLY, SOME OF MY FANS HAVE POINTED OUT 1214 00:48:54,099 --> 00:48:58,036 THAT IS IS NO MORE THAN AN ALTER EGO OF MYSELF. 1215 00:48:59,004 --> 00:49:00,438 BUT SHE ISN'T. 1216 00:49:00,471 --> 00:49:02,007 AM I IS? 1217 00:49:02,040 --> 00:49:02,974 IS ISN'T. 1218 00:49:03,008 --> 00:49:04,442 IS SHE? 1219 00:49:04,475 --> 00:49:05,343 AM I IS? 1220 00:49:05,376 --> 00:49:07,745 YOU'RE IS? 1221 00:49:07,778 --> 00:49:09,480 THAT'S QUITE IMPRESSIVE. 1222 00:49:09,514 --> 00:49:10,381 IS BATTLES EVIL 1223 00:49:10,415 --> 00:49:12,317 IN ALMOST EVERY SINGLE CHAPTER OF THE BOOK. 1224 00:49:12,350 --> 00:49:13,118 WHAT CAN I SAY? 1225 00:49:13,151 --> 00:49:15,686 EVIL EXISTS IN MANY DIFFERENT FORMS. 1226 00:49:15,720 --> 00:49:17,588 AND THE MORE I TALK TO THE KIDS, 1227 00:49:17,622 --> 00:49:19,624 THE MORE I REALIZE THAT EVERYONE 1228 00:49:19,657 --> 00:49:21,026 HAS A LITTLE BIT OF IS IN THEM 1229 00:49:21,059 --> 00:49:23,261 AND EVERY SCHOOL HAS A SAWYER. 1230 00:49:23,494 --> 00:49:25,496 I'M SORRY. WHO'S SAWYER? 1231 00:49:25,530 --> 00:49:26,431 HOLY COW. 1232 00:49:26,464 --> 00:49:29,567 I THOUGHT THE EVIL VILLAIN'S NAME WAS MYRNA. 1233 00:49:29,600 --> 00:49:30,468 UH-OH. 1234 00:49:30,501 --> 00:49:34,739 I DIDN'T SAY SAWYER. I SAID MYRNA, RIGHT? 1235 00:49:34,772 --> 00:49:37,308 NO. YOU SAID... YOU SAID SAWYER. 1236 00:49:37,342 --> 00:49:39,010 WE HAVE IT ON TAPE. 1237 00:49:39,044 --> 00:49:40,645 BUT--BUT-- 1238 00:49:40,678 --> 00:49:43,014 OH, NO. 1239 00:49:43,048 --> 00:49:43,981 WHY DIDN'T I JUST GO 1240 00:49:44,015 --> 00:49:45,650 AND SAVE A LITTLE CUTE LITTLE BUNNY RABBIT. 1241 00:49:45,683 --> 00:49:48,186 THIS WAS SUPPOSED TO BE THE BEST DAY OF MY LIFE. 1242 00:49:48,219 --> 00:49:50,155 OK, THAT'S ALL WE HAVE TIME FOR TODAY. 1243 00:49:50,188 --> 00:49:52,057 WE THANK YOU FOR JOINING US, MISS BARTLETT. 1244 00:49:52,090 --> 00:49:55,060 WE WISH YOU TREMENDOUS SUCCESS ON YOUR BOOK. 1245 00:49:55,093 --> 00:49:58,096 UP NEXT, 7 THINGS IN YOUR TOILET BOWL 1246 00:49:58,129 --> 00:49:59,197 THAT COULD KILL YOU. 1247 00:49:59,230 --> 00:50:01,066 RIGHT AFTER THIS. 1248 00:50:04,102 --> 00:50:05,603 CUT. 1249 00:50:11,642 --> 00:50:13,278 OK, JAMIE. KEEP IT TOGETHER. 1250 00:50:13,311 --> 00:50:17,715 ONLY 20 MORE FEET UNTIL YOU REACH YOUR LOCKER. 1251 00:50:17,748 --> 00:50:19,084 OH! 1252 00:50:19,117 --> 00:50:19,850 OH, NO! 1253 00:50:19,884 --> 00:50:23,054 JAMIE BARTLETT, STOP RIGHT THERE. 1254 00:50:23,088 --> 00:50:23,821 BUSTED. 1255 00:50:23,854 --> 00:50:29,060 IS PREPARED TO FACE HER DOOM. 1256 00:50:29,094 --> 00:50:31,096 YOU BASED THAT EVIL WITCH ON ME? 1257 00:50:31,129 --> 00:50:32,763 I'M SUPPOSED TO BE MYRNA? 1258 00:50:32,797 --> 00:50:35,133 NO, NO, NO. IT'S FICTION. 1259 00:50:35,166 --> 00:50:37,102 I SAW THE INTERVIEW THIS MORNING, BARTLETT. 1260 00:50:37,135 --> 00:50:38,103 I HEARD WHAT YOU SAID. 1261 00:50:38,136 --> 00:50:39,470 WE ALL HEARD WHAT YOU SAID. 1262 00:50:39,504 --> 00:50:41,072 I'M SORRY, SAWYER. 1263 00:50:41,106 --> 00:50:42,540 OH, NO. BUT YOU'RE GOING TO BE. 1264 00:50:42,573 --> 00:50:43,608 I'M GONNA DESTROY YOU 1265 00:50:43,641 --> 00:50:44,609 BECAUSE THIS IS THE REAL WORLD, JAMIE. 1266 00:50:44,642 --> 00:50:48,246 YOU CAN'T JUST ZAP ME INTO PERPETUAL DETENTION. 1267 00:50:48,279 --> 00:50:49,214 ZAP. 1268 00:50:49,247 --> 00:50:50,681 SHE SPEAKS THE TRUTH. 1269 00:50:50,715 --> 00:50:53,251 BUT I'M GONNA ZAP YOU RIGHT BACK TO LOSERVILLE 1270 00:50:53,284 --> 00:50:54,285 WHERE YOU BELONG. 1271 00:50:54,319 --> 00:50:55,320 LEAVE HER ALONE, SAWYER. 1272 00:50:55,353 --> 00:50:58,256 OH, YOU'RE DEFENDING HER? HAVE YOU READ HER BOOK? 1273 00:50:58,289 --> 00:50:59,224 YEAH. WHY? 1274 00:50:59,257 --> 00:51:00,057 YOU'RE IN IT, TOO. 1275 00:51:00,091 --> 00:51:01,326 WHO DO YOU THINK THE MUSCLE-HEADED BOZO 1276 00:51:01,359 --> 00:51:03,094 WITH THE PEA-SIZED BRAIN IS? 1277 00:51:03,128 --> 00:51:04,629 THAT'S ME? 1278 00:51:04,662 --> 00:51:07,432 NO. IT'S JOSH. 1279 00:51:08,299 --> 00:51:09,867 THAT'S SO NOT COOL. 1280 00:51:09,900 --> 00:51:12,170 SHE WROTE ABOUT ALL OF US. 1281 00:51:12,203 --> 00:51:14,605 SHE TRASHED ALL OF US. 1282 00:51:16,741 --> 00:51:19,144 Both: WE'RE THE CLONE HORRIFIC COHORTS? 1283 00:51:19,177 --> 00:51:22,447 CAN I OFFER YOU A LITTLE PIECE OF ADVICE? 1284 00:51:22,480 --> 00:51:23,814 YEAH. 1285 00:51:23,848 --> 00:51:25,650 RUN. 1286 00:51:25,850 --> 00:51:28,686 [KIDS ALL TALKING AT ONCE] 1287 00:51:37,528 --> 00:51:38,229 YES, DIANA. 1288 00:51:38,263 --> 00:51:41,666 OH, I THINK THAT'S A GREAT IDEA. 1289 00:51:41,699 --> 00:51:43,234 UH-HUH. I'M JUST GONNA RUN IT BY RALPH, 1290 00:51:43,268 --> 00:51:45,170 AND I'LL GET BACK TO YOU. 1291 00:51:45,203 --> 00:51:46,771 OK, WHATEVER IT IS, 1292 00:51:46,804 --> 00:51:49,140 I'M SURE IT'S NOT A GREAT IDEA. 1293 00:51:49,174 --> 00:51:50,675 DIANA WANTS TO HAVE A BOOK SIGNING. 1294 00:51:50,708 --> 00:51:51,676 AT THE PIZZA PARLOR. 1295 00:51:51,709 --> 00:51:55,246 YEAH. SEE, LIKE I SAID, THAT'S NOT A GREAT IDEA. 1296 00:51:55,280 --> 00:51:56,247 JAMIE... 1297 00:51:56,281 --> 00:51:57,215 WHAT'S WRONG? 1298 00:51:57,248 --> 00:51:59,750 EVERYTHING, MOTHER. 1299 00:52:03,188 --> 00:52:06,491 IT WAS THE BEGINNING OF THE END. 1300 00:52:06,524 --> 00:52:07,825 [LENNY PLAYS GUITAR] 1301 00:52:07,858 --> 00:52:09,160 LENNY! 1302 00:52:09,194 --> 00:52:09,994 OH, NO. 1303 00:52:10,027 --> 00:52:11,762 WILL YOU PLEASE DROP THE DRAMARAMA ACT. 1304 00:52:11,796 --> 00:52:12,763 I'M TOTALLY BORED WITH IT. 1305 00:52:12,797 --> 00:52:14,532 OH, I'M SORRY, BUT IN CASE YOU HADN'T NOTICED, 1306 00:52:14,565 --> 00:52:17,134 MY LIFE IS FALLING APART. 1307 00:52:18,769 --> 00:52:20,171 FALLING APART. HELLO. 1308 00:52:20,205 --> 00:52:21,906 YOUR LIFE IS JUST BEGINNING. 1309 00:52:21,939 --> 00:52:23,908 OR HAVE YOU FORGOTTEN SO QUICKLY? 1310 00:52:23,941 --> 00:52:28,246 WE'RE GOING TO THE DEEP BLUE SEA DANCE WITH MARCO VEGA. 1311 00:52:28,279 --> 00:52:28,813 WE ARE. 1312 00:52:28,846 --> 00:52:31,316 WE'RE GOING TO THE-- 1313 00:52:31,949 --> 00:52:33,851 NO, NO, NO, NO, NO. 1314 00:52:34,852 --> 00:52:36,554 I'M GOING TO THE DANCE WITH MARCO. 1315 00:52:36,587 --> 00:52:38,389 YOU ARE STAYING HERE. 1316 00:52:38,423 --> 00:52:39,424 GUESS AGAIN. 1317 00:52:39,457 --> 00:52:42,927 DO YOU THINK YOU COULD PULL THIS OFF WITHOUT ME? 1318 00:52:42,960 --> 00:52:43,528 WELL... 1319 00:52:43,561 --> 00:52:44,862 ANY OF THIS? THE PARTIES, 1320 00:52:44,895 --> 00:52:46,864 THE FAN MAIL, MARCO VEGA. 1321 00:52:46,897 --> 00:52:49,867 YEAH, BUT I WAS A GREAT WRITER BEFORE YOU. 1322 00:52:49,900 --> 00:52:50,968 REALLY? 1323 00:52:51,001 --> 00:52:54,239 DID YOUR PAPER ON MITOSIS GET YOU ON MAURA LIVE? 1324 00:52:54,272 --> 00:52:56,474 DIDN'T THINK SO. 1325 00:52:56,507 --> 00:52:59,310 JAMIE, YOU AND I ARE A TEAM. 1326 00:52:59,344 --> 00:53:01,446 WE DON'T NEED SAWYER OR THE POPULARS. 1327 00:53:01,479 --> 00:53:04,949 OUR BOOK IS ON THE NATIONAL BEST SELLER LIST. 1328 00:53:04,982 --> 00:53:06,817 WE GET TONS OF FAN MAIL EVERY DAY. 1329 00:53:06,851 --> 00:53:07,918 PEOPLE LOVE US. 1330 00:53:07,952 --> 00:53:09,854 YEAH. ONLY THE PEOPLE WHO DON'T KNOW US. 1331 00:53:09,887 --> 00:53:12,423 WHO CARES AS LONG AS THEY KEEP BUYING THE BOOK. 1332 00:53:12,457 --> 00:53:15,593 I WOULD RATHER HAVE FRIENDS THAN FANS ANY DAY. 1333 00:53:15,626 --> 00:53:16,861 YEAH, RIGHT. 1334 00:53:16,894 --> 00:53:17,728 I WOULD. 1335 00:53:17,762 --> 00:53:19,530 THAT'S IT. IS IS OVER. 1336 00:53:19,564 --> 00:53:21,632 I AM NEVER WRITING ANOTHER WORD ABOUT YOU. 1337 00:53:21,666 --> 00:53:23,801 I WOULDN'T DO THAT IF I WERE YOU. 1338 00:53:23,834 --> 00:53:25,803 NOW, IF YOU WON'T THINK ABOUT YOURSELF, 1339 00:53:25,836 --> 00:53:28,673 AND YOU'RE NOT THE GIRL I THINK YOU ARE IF YOU WON'T. 1340 00:53:28,706 --> 00:53:30,341 THEN THINK ABOUT YOUR PARENTS. 1341 00:53:30,375 --> 00:53:31,576 BUSINESS IS BOOMING RIGHT NOW. 1342 00:53:31,609 --> 00:53:32,810 AND LET ME TELL YOU ONE THING, 1343 00:53:32,843 --> 00:53:33,778 THAT DOESN'T HAVE 1344 00:53:33,811 --> 00:53:36,481 ANYTHING TO DO WITH THE LIVER AND ONION PIZZA. 1345 00:53:36,514 --> 00:53:37,948 SO IF YOU SAY GOOD BYE TO ME, 1346 00:53:37,982 --> 00:53:40,518 YOU SAY GOOD BYE TO THE PIZZA PARLOR FOREVER. 1347 00:53:40,551 --> 00:53:41,819 FOR BETTER OR FOR WORSE. 1348 00:53:41,852 --> 00:53:43,254 IT WAS HAPPENING. 1349 00:53:43,288 --> 00:53:44,322 IS WAS TAKING OVER. 1350 00:53:44,355 --> 00:53:46,857 SHE WAS SAYING EVERYTHING I WAS THINKING. 1351 00:53:46,891 --> 00:53:49,927 UNFILTERED, UNCENSORED, 1352 00:53:49,960 --> 00:53:52,563 UNPLUGGED. 1353 00:53:56,967 --> 00:53:58,836 SO WHAT DO YOU SAY? 1354 00:54:04,409 --> 00:54:05,710 [LENNY PLAYS GUITAR] 1355 00:54:05,743 --> 00:54:06,877 Both: WOULD YOU KNOCK IT OFF. 1356 00:54:06,911 --> 00:54:10,415 WE'RE TRYING TO SAVE THE FAMILY IN HERE. 1357 00:54:12,983 --> 00:54:15,520 NO, NO, NO, NO, NO. 1358 00:54:23,561 --> 00:54:24,662 WHAT? 1359 00:54:24,695 --> 00:54:25,663 I NEED QUIET. 1360 00:54:25,696 --> 00:54:26,831 OH, I'M SORRY IF MY MUSIC 1361 00:54:26,864 --> 00:54:28,399 IS INTERRUPTING YOU TALKING TO YOURSELF. 1362 00:54:28,433 --> 00:54:29,800 YOU CALL THAT NOISE MUSIC? 1363 00:54:29,834 --> 00:54:31,936 WHY DON'T YOU DO US BOTH A FAVOR 1364 00:54:31,969 --> 00:54:33,771 AND GIVE IT UP. 1365 00:54:49,587 --> 00:54:52,723 HEY, THIS ISN'T FAIR AND BALANCED. 1366 00:54:52,757 --> 00:54:56,060 I NEVER SAID MR. CLARK HAD B.O. 1367 00:55:03,468 --> 00:55:06,103 4 COLUMNS OF LETTERS TO THE EDITOR. 1368 00:55:06,136 --> 00:55:08,773 WHAT KIND OF YELLOW JOURNALISM IS THIS? 1369 00:55:08,806 --> 00:55:10,641 AND THEY'RE ALL ANTI IS. 1370 00:55:10,675 --> 00:55:12,109 NO, THEY'RE NOT, JAMIE. 1371 00:55:12,142 --> 00:55:14,812 THEY'RE ALL ANTI YOU. 1372 00:55:17,848 --> 00:55:18,849 [WHISTLING] 1373 00:55:18,883 --> 00:55:20,851 [BELL RINGS] 1374 00:55:25,956 --> 00:55:27,925 YOU MIND IF I SIT HERE? 1375 00:55:29,760 --> 00:55:31,862 YEAH. GO FOR IT. 1376 00:55:41,539 --> 00:55:44,542 WOW. YOU REALLY KNOW HOW TO SHAKE THINGS UP. 1377 00:55:44,575 --> 00:55:46,977 IT'S A LITTLE OUT OF CONTROL. 1378 00:55:47,011 --> 00:55:48,379 IT'S JUST WHAT THIS PLACE NEEDED. 1379 00:55:48,413 --> 00:55:51,616 HEY, SO, IS MYRNA REALLY BASED ON SAWYER? 1380 00:55:51,649 --> 00:55:53,951 ONLY A LITTLE. 1381 00:55:53,984 --> 00:55:55,520 OK. A LOT. 1382 00:55:55,553 --> 00:55:56,387 THAT'S SO COOL. 1383 00:55:56,421 --> 00:55:57,822 AND ALL THE OTHER CHARACTERS IN THE BOOK 1384 00:55:57,855 --> 00:55:59,690 ARE REALLY STUDENTS HERE? 1385 00:55:59,724 --> 00:56:01,058 KIND OF. 1386 00:56:01,091 --> 00:56:02,460 SO DOES THAT MEAN YOU'RE IS? 1387 00:56:02,493 --> 00:56:04,895 WELL, SHE'D BE NOTHING WITHOUT ME. 1388 00:56:04,929 --> 00:56:08,966 AND I'M MARCO VINCENT, RIGHT? 1389 00:56:08,999 --> 00:56:10,635 YEAH. 1390 00:56:10,668 --> 00:56:11,869 SWEET. 1391 00:56:11,902 --> 00:56:13,571 [BELL RINGS] 1392 00:56:13,604 --> 00:56:14,405 [LAUGHING] 1393 00:56:14,439 --> 00:56:16,407 HEY, CONNOR. HEY. 1394 00:56:16,441 --> 00:56:17,608 WHAT'S WRONG? 1395 00:56:17,642 --> 00:56:18,876 HAVE YOU TALKED TO JAMIE? 1396 00:56:18,909 --> 00:56:20,978 NO. AND I DON'T REALLY PLAN ON IT. 1397 00:56:21,011 --> 00:56:23,047 SHE'S GOING TO THE DANCE WITH MARCO. 1398 00:56:23,080 --> 00:56:24,114 OH, WHATEV. 1399 00:56:24,148 --> 00:56:25,616 I'M SO SICK OF HER. 1400 00:56:25,650 --> 00:56:26,884 DO YOU KNOW HOW MANY IGUANAS I BATHED 1401 00:56:26,917 --> 00:56:28,653 TO GET THAT CAR FOR THE DANCE? 1402 00:56:28,686 --> 00:56:29,787 Jamie: HEY. 1403 00:56:29,820 --> 00:56:30,921 HERE SHE COMES. 1404 00:56:30,955 --> 00:56:31,856 HEY, GUYS. 1405 00:56:31,889 --> 00:56:32,990 YOU GUYS... 1406 00:56:33,023 --> 00:56:35,526 YOU GUYS, YOU HAVE TO HELP ME. 1407 00:56:36,994 --> 00:56:38,028 ARE YOU SERIOUS? 1408 00:56:38,062 --> 00:56:40,130 YES. SAWYER'S RUNNING A SMEAR CAMPAIGN AGAINST ME. 1409 00:56:40,164 --> 00:56:42,032 I NEED SOME POSITIVE PR, 1410 00:56:42,066 --> 00:56:43,534 AND THAT'S WHERE YOU GUYS COME IN. 1411 00:56:43,568 --> 00:56:45,970 HAVE YOUR HANDLER HANDLE IT. 1412 00:56:46,003 --> 00:56:48,539 WHAT'S HER DAMAGE? 1413 00:56:48,573 --> 00:56:50,040 YOU ARE. 1414 00:56:50,875 --> 00:56:51,842 CONNOR? 1415 00:56:51,876 --> 00:56:54,545 I GOT LAUNDRY TO DO. 1416 00:56:57,515 --> 00:56:58,749 BUT... 1417 00:56:58,783 --> 00:57:00,985 YOU GUYS, I... 1418 00:57:05,956 --> 00:57:07,224 WELL, I TRIED IT. 1419 00:57:07,257 --> 00:57:10,861 GOOD IDEA. I CAN TRY SOMETHING ELSE. 1420 00:57:13,864 --> 00:57:16,601 SHE'S SUCH A MYRNA. 1421 00:57:20,938 --> 00:57:22,006 COME ON, MARCO. 1422 00:57:22,039 --> 00:57:24,909 WHY DON'T WE SIT SOMEWHERE ELSE. 1423 00:57:35,820 --> 00:57:36,721 OH, I NEVER TOLD YOU 1424 00:57:36,754 --> 00:57:37,888 HOW MUCH I LIKED THAT POEM THAT YOU WROTE. 1425 00:57:37,922 --> 00:57:40,224 OH... DON'T BRING THAT UP. 1426 00:57:40,257 --> 00:57:41,592 THAT WAS TOO EMBARRASSING. 1427 00:57:41,626 --> 00:57:43,794 READING THAT IN FRONT OF THE CLASS. 1428 00:57:43,828 --> 00:57:44,695 SO LAME. 1429 00:57:44,729 --> 00:57:45,863 NO, IT WASN'T. 1430 00:57:45,896 --> 00:57:48,966 I LOVED IT. IT WAS SO... 1431 00:57:48,999 --> 00:57:49,867 REAL. 1432 00:57:49,900 --> 00:57:52,036 ARE YOU GONNA EAT THOSE? 1433 00:57:54,238 --> 00:57:55,940 UH...NO. 1434 00:57:59,910 --> 00:58:01,646 MMM... 1435 00:58:10,087 --> 00:58:11,121 WELL, I DON'T UNDERSTAND IT. 1436 00:58:11,155 --> 00:58:13,524 WE PUT ADS IN ALL THE LOCAL PAPERS. 1437 00:58:13,558 --> 00:58:15,560 THIS PLACE SHOULD BE A MADHOUSE BY NOW. 1438 00:58:15,593 --> 00:58:16,527 WELL, BUSINESS HAS BEEN KIND OF OFF 1439 00:58:16,561 --> 00:58:18,929 SINCE JAMIE'S LITTLE ANNOUNCEMENT LAST WEEK. 1440 00:58:18,963 --> 00:58:20,197 MAYBE ALL WE NEED IS A NEW PIZZA 1441 00:58:20,230 --> 00:58:21,198 TO PICK THINGS UP. 1442 00:58:21,231 --> 00:58:24,134 PICKLE PORK EARED PIZZA, PEG? 1443 00:58:26,070 --> 00:58:27,905 MAYBE IT'S TIME TO CUT OUR LOSSES. 1444 00:58:27,938 --> 00:58:30,040 WHERE IS EVERYONE? 1445 00:58:30,074 --> 00:58:32,810 I MEAN, I CAN'T BELIEVE WE ONLY SOLD TWO BOOKS. 1446 00:58:32,843 --> 00:58:35,713 IT'S A GOOD THING RALPH'S PARENTS SHOWED UP. 1447 00:58:36,180 --> 00:58:39,083 OH, GOOD. MMM. 1448 00:58:39,750 --> 00:58:41,986 WAIT. HERE THEY COME! 1449 00:58:42,019 --> 00:58:45,823 CUSTOMERS. WE HAVE CUSTOMERS. 1450 00:58:46,190 --> 00:58:49,126 WHA--WAIT! WAIT! 1451 00:58:55,265 --> 00:58:56,634 HOOLIGANS. 1452 00:58:56,667 --> 00:58:59,003 WE HAVE HOOLIGANS. 1453 00:58:59,036 --> 00:59:00,905 WHAT HAPPENED? 1454 00:59:17,922 --> 00:59:18,555 I'M BACK. 1455 00:59:18,589 --> 00:59:20,591 LINDSAY, DON'T SNEAK UP ON ME 1456 00:59:20,625 --> 00:59:22,593 WHEN I'M WORKING ON OUR MASTERPIECE. 1457 00:59:22,627 --> 00:59:24,962 YEAH. I'VE BEEN THINKING ABOUT WHAT WE SHOULD STUFF 1458 00:59:24,995 --> 00:59:26,296 OUR MASTERPIECE WITH. 1459 00:59:26,330 --> 00:59:27,932 OH, I KNOW. 1460 00:59:27,965 --> 00:59:29,734 I HAVE BEEN DRIVING MYSELF BONKERS. 1461 00:59:29,767 --> 00:59:32,737 WHAT IS GONNA GIVE OUR WHALE LIFE? 1462 00:59:32,770 --> 00:59:34,004 NEWSPAPER? 1463 00:59:34,038 --> 00:59:36,774 FOAM...PACKING PEANUTS? 1464 00:59:36,807 --> 00:59:37,942 YEAH. ALL GREAT SUGGESTIONS, 1465 00:59:37,975 --> 00:59:42,980 BUT I WAS THINKING OF SOMETHING A LITTLE MORE PROACTIVE. 1466 00:59:44,148 --> 00:59:46,016 AND... 1467 00:59:49,119 --> 00:59:50,755 I KNOW THIS WHALE MEANS A LOT TO YOU, 1468 00:59:50,788 --> 00:59:53,123 BUT THIS IS AN INCREDIBLE OPPORTUNITY 1469 00:59:53,157 --> 00:59:54,091 TO MAKE A STATEMENT. 1470 00:59:54,124 --> 00:59:56,226 I CAN'T DO IT WITHOUT YOU. 1471 00:59:56,260 --> 00:59:59,096 WHAT DO YOU THINK? 1472 01:00:01,031 --> 01:00:04,935 I THINK... IT'LL TAKE OUR CREATION TO THE NEXT LEVEL. 1473 01:00:04,969 --> 01:00:07,237 TRUE ART ISN'T MEANT TO BE JUST SEEN. 1474 01:00:07,271 --> 01:00:08,172 IT'S MEANT TO BE EXPERIENCED. 1475 01:00:08,205 --> 01:00:11,008 YOU CAN'T GIVE THE PEOPLE WHAT THEY WANT. 1476 01:00:11,041 --> 01:00:13,043 YOU HAVE TO SHOW THEM WHAT THEY WANT. 1477 01:00:13,077 --> 01:00:14,344 WHAT THEY NEED. 1478 01:00:14,378 --> 01:00:15,913 WAS THAT A YES? 1479 01:00:15,946 --> 01:00:18,615 THAT WAS A HECK YES. 1480 01:00:20,785 --> 01:00:22,019 THAT WAS HUMILIATING. 1481 01:00:22,052 --> 01:00:22,820 LOCAL MARKET'S FICKLE. 1482 01:00:22,853 --> 01:00:24,989 YOU SAID THAT BUSINESS WOULD PICK UP, 1483 01:00:25,022 --> 01:00:27,124 BUT IT'S BEEN EMPTY ALL WEEK. 1484 01:00:27,157 --> 01:00:28,425 WHAT DO YOU WANT FROM ME? 1485 01:00:28,458 --> 01:00:30,427 NOBODY WANTS TO EAT WITH A TATTLETALE. 1486 01:00:30,460 --> 01:00:31,762 THEY'RE ALL AFRAID OF YOU. 1487 01:00:31,796 --> 01:00:32,930 NO. THEY'RE AFRAID OF YOU. 1488 01:00:32,963 --> 01:00:37,001 ME? I'M JUST A FIGMENT OF YOUR IMAGINATION. 1489 01:00:37,034 --> 01:00:37,702 NO, YOU'RE NOT. 1490 01:00:37,735 --> 01:00:40,404 YOU'RE A MONSTER, AND, AND... 1491 01:00:41,939 --> 01:00:43,974 AND I AM, TOO. 1492 01:00:44,341 --> 01:00:45,910 LENNY'S GIVEN UP ON MUSIC 1493 01:00:45,943 --> 01:00:48,979 BECAUSE OF WHAT WE SAID TO HIM. 1494 01:00:54,151 --> 01:00:55,953 LENNY, OPEN UP. 1495 01:00:55,986 --> 01:00:58,856 [TURNS MUSIC UP] 1496 01:00:58,889 --> 01:01:01,091 * THE THINGS THAT YOU SAY * 1497 01:01:01,125 --> 01:01:04,929 I DIDN'T MEAN THOSE THINGS THAT I SAID YESTERDAY. 1498 01:01:04,962 --> 01:01:07,064 * NEVER HEAR ABOUT... 1499 01:01:07,097 --> 01:01:09,967 IT'S NO REASON FOR YOU TO GIVE UP MUSIC. 1500 01:01:10,000 --> 01:01:12,870 * ...WORD TRAVELS FAST 1501 01:01:12,903 --> 01:01:14,739 * I'M TELLING YOU TO YOUR FACE * 1502 01:01:14,772 --> 01:01:18,876 * I'M STANDING HERE BEHIND YOUR BACK * 1503 01:01:18,909 --> 01:01:22,079 * YOU DON'T KNOW HOW IT FEELS * 1504 01:01:22,112 --> 01:01:23,480 * TO BE OUTSIDE THE CROWD * 1505 01:01:23,513 --> 01:01:26,450 * YOU DON'T KNOW WHAT IT'S LIKE * 1506 01:01:26,483 --> 01:01:28,318 * TO FEEL THAT YOU'RE OUT 1507 01:01:28,352 --> 01:01:31,421 * AND YOU DON'T KNOW HOW IT FEELS * 1508 01:01:31,455 --> 01:01:35,492 * TO BE YOUR OWN MESS AGAIN * 1509 01:01:35,525 --> 01:01:41,832 * ON THE OUTSIDE LOOKING IN * 1510 01:01:43,200 --> 01:01:48,105 * IF YOU COULD READ MY MIND * 1511 01:01:48,973 --> 01:01:50,775 * YOU MIGHT SEE 1512 01:01:50,808 --> 01:01:54,211 * MORE OF ME THAN MEETS THE EYE * 1513 01:01:54,244 --> 01:01:56,747 * AND YOU'VE BEEN ALL WRONG * 1514 01:01:56,781 --> 01:02:00,350 * ABOUT WHO YOU THINK I AM * 1515 01:02:00,384 --> 01:02:03,320 * YOU'VE NEVER GIVEN ME A CHANCE * 1516 01:02:03,353 --> 01:02:06,857 * YOU DON'T KNOW HOW IT FEELS * 1517 01:02:06,891 --> 01:02:08,926 * TO BE OUTSIDE ALONE 1518 01:02:08,959 --> 01:02:11,929 * YOU DON'T KNOW WHAT IT'S LIKE * 1519 01:02:11,962 --> 01:02:13,530 * TO BE LEFT OUT 1520 01:02:13,563 --> 01:02:16,500 * YOU DON'T KNOW HOW IT FEELS * 1521 01:02:16,533 --> 01:02:20,504 * TO BE HOPELESS AGAIN 1522 01:02:20,537 --> 01:02:25,075 * ON THE OUTSIDE AGAIN 1523 01:02:25,109 --> 01:02:25,843 * NO, NO 1524 01:02:25,876 --> 01:02:28,412 * I'M TIRED OF STAYING AT HOME * 1525 01:02:28,445 --> 01:02:32,116 * I'M BORED AND ALL ALONE 1526 01:02:32,149 --> 01:02:36,086 * I'M SICK OF WASTING ALL MY TIME * 1527 01:02:36,120 --> 01:02:39,556 * YOU DON'T KNOW HOW IT FEELS * 1528 01:02:39,589 --> 01:02:41,191 * TO BE OUTSIDE THE CROWD * 1529 01:02:41,225 --> 01:02:44,461 * YOU DON'T KNOW WHAT IT'S LIKE * 1530 01:02:44,494 --> 01:02:46,030 * TO FEEL IN DOUBT 1531 01:02:46,063 --> 01:02:49,133 * YOU DON'T KNOW HOW IT FEELS * 1532 01:02:49,166 --> 01:02:52,870 * TO BE ALONE 1533 01:02:52,903 --> 01:02:58,976 * ON THE OUTSIDE LOOKING IN * 1534 01:03:00,110 --> 01:03:02,112 OK, THIS IS GETTING A LITTLE OUT OF HAND. 1535 01:03:02,146 --> 01:03:05,382 SINCE WHEN DOES THE SPARTAN HAVE 5 PAGES 1536 01:03:05,415 --> 01:03:08,052 OF LETTERS TO THE EDITOR? 1537 01:03:09,119 --> 01:03:09,920 HEY, LOOK AT THIS. 1538 01:03:09,954 --> 01:03:12,990 THEY'RE NOT ALL BAD. CHECK OUT PAGE 8. 1539 01:03:14,024 --> 01:03:15,993 "THREE CHEERS FOR JAMIE BARTLETT. 1540 01:03:16,026 --> 01:03:17,527 "SHE DIDN'T LIE OR SLANDER US. 1541 01:03:17,561 --> 01:03:20,430 "SHE MERELY SAW THROUGH OUR MASKS. 1542 01:03:20,464 --> 01:03:23,400 "WE ARE GEEKS, AND JERKS, AND JOCKS, 1543 01:03:23,433 --> 01:03:25,069 "AND ALL THOSE THINGS JAMIE WROTE ABOUT. 1544 01:03:25,102 --> 01:03:27,604 "EVEN IF WE NEVER ADMITTED IT TO OURSELVES. 1545 01:03:27,637 --> 01:03:30,975 "DON'T BE EMBARRASSED THAT SHE SAW WHO WE REALLY WERE. 1546 01:03:31,008 --> 01:03:34,278 "BE EMBARRASSED THAT WE NEVER REALLY SAW HER. 1547 01:03:35,312 --> 01:03:37,114 A FRIEND." 1548 01:03:37,948 --> 01:03:39,549 [BELL RINGS] 1549 01:03:43,587 --> 01:03:44,454 CONNOR. 1550 01:03:44,488 --> 01:03:47,091 HEY. YOU ALL RIGHT? 1551 01:03:47,124 --> 01:03:48,558 YEAH. I'M OK. 1552 01:03:48,592 --> 01:03:50,594 DID YOU SEE THIS? 1553 01:03:50,627 --> 01:03:52,196 SEE IT. 1554 01:03:52,229 --> 01:03:54,398 AT LEAST MARCO THINKS I'M PRETTY SPECIAL. 1555 01:03:54,431 --> 01:03:55,165 HUH? 1556 01:03:55,199 --> 01:03:57,001 I'D RECOGNIZE HIS STYLE ANYWHERE. 1557 01:03:57,034 --> 01:04:00,037 IT'S JUST LIKE HIS POEM. 1558 01:04:00,070 --> 01:04:01,138 OH, AND CONNOR... 1559 01:04:01,171 --> 01:04:03,107 I WANT TO THANK YOU FOR BEING THERE THE OTHER NIGHT. 1560 01:04:03,140 --> 01:04:05,876 YOU'RE REALLY A GREAT FRIEND. 1561 01:04:05,910 --> 01:04:08,145 NOW I GOTTA GO FIND MARCO. 1562 01:04:18,488 --> 01:04:19,924 MARCO! 1563 01:04:19,957 --> 01:04:20,991 THERE YOU ARE. 1564 01:04:21,025 --> 01:04:22,159 AND THERE YOU IS. 1565 01:04:22,192 --> 01:04:23,994 THAT IS THE SWEETEST THING 1566 01:04:24,028 --> 01:04:25,662 ANYBODY HAS EVER DONE FOR ME. 1567 01:04:25,695 --> 01:04:28,065 I'LL PLAY ALONG. 1568 01:04:28,098 --> 01:04:28,966 YOU'RE WELCOME. 1569 01:04:28,999 --> 01:04:30,300 DON'T BE MODEST. 1570 01:04:30,334 --> 01:04:31,468 I KNOW IT WAS YOU 1571 01:04:31,501 --> 01:04:33,570 WHO WROTE THE LETTER TO THE EDITOR ABOUT ME. 1572 01:04:33,603 --> 01:04:35,105 THE POSITIVE ONE. 1573 01:04:35,139 --> 01:04:36,173 IT'S JUST NICE TO KNOW 1574 01:04:36,206 --> 01:04:39,443 THAT IN THE FACE OF ALL THIS NEGATIVITY TOWARDS ME, 1575 01:04:39,476 --> 01:04:43,413 HOWEVER UNWARRANTED AND MEAN IT REALLY IS. 1576 01:04:43,447 --> 01:04:44,648 IT'S JUST NICE TO KNOW 1577 01:04:44,681 --> 01:04:46,116 THAT THERE'S SOMEONE OUT THERE 1578 01:04:46,150 --> 01:04:47,451 WHO KNOWS THE REAL ME. 1579 01:04:47,484 --> 01:04:49,186 OH, AND MARCO... 1580 01:04:49,219 --> 01:04:52,056 I CAN'T WAIT FOR THE DANCE. 1581 01:04:52,089 --> 01:04:55,292 PLUS, I'D RECOGNIZE YOUR STYLE ANYWHERE. 1582 01:04:55,325 --> 01:04:56,994 WHY, THANK YOU, IS. 1583 01:04:57,027 --> 01:04:58,362 IT'S JAMIE. 1584 01:04:58,395 --> 01:05:00,998 RIGHT. SORRY. 1585 01:05:01,265 --> 01:05:04,901 HEY, SO WHAT TIME SHOULD I PICK YOU UP? 1586 01:05:09,573 --> 01:05:11,275 WELL, IT WAS FUN WHILE IT LASTED, 1587 01:05:11,308 --> 01:05:13,677 BUT EVEN LAST MONTH'S INCREDIBLE SALES 1588 01:05:13,710 --> 01:05:16,146 AREN'T GONNA COVER LAST YEAR'S LOSSES. 1589 01:05:16,180 --> 01:05:17,247 YOU KNOW, I THINK YOU'RE WRONG 1590 01:05:17,281 --> 01:05:19,083 ABOUT THAT PÖTÉ PIZZA, PEG. 1591 01:05:19,116 --> 01:05:20,951 LET'S GIVE IT ANOTHER TRY. 1592 01:05:20,985 --> 01:05:22,619 RALPH, HONEY... 1593 01:05:22,652 --> 01:05:24,221 ANOTHER INEDIBLE TOPPING 1594 01:05:24,254 --> 01:05:25,489 ISN'T GONNA SAVE OUR RESTAURANT. 1595 01:05:25,522 --> 01:05:28,325 THE ONLY WAY WE'RE GONNA COME OUT AHEAD 1596 01:05:28,358 --> 01:05:30,594 IS BY SELLING THE PIZZA PARLOR NOW. 1597 01:05:30,627 --> 01:05:32,963 BEFORE IT'S TOO LATE. 1598 01:05:32,997 --> 01:05:36,967 Ralph: I HATE TO ADMIT IT. YOU'RE PROBABLY RIGHT. 1599 01:05:50,047 --> 01:05:53,317 * SLIP ME THE ANSWER 1600 01:05:53,350 --> 01:05:56,186 * OR GIVE ME A CLUE 1601 01:05:56,220 --> 01:05:59,289 * DO YOU THINK THE PARTY 1602 01:05:59,323 --> 01:06:03,093 * IS ALL ABOUT YOU 1603 01:06:03,127 --> 01:06:07,031 * YOU'RE IN THE MIDDLE 1604 01:06:07,064 --> 01:06:08,999 * YOU'RE EVERYWHERE 1605 01:06:09,033 --> 01:06:12,136 * SOMETIMES OUT OF FOCUS 1606 01:06:12,169 --> 01:06:15,272 * BUT YOU'RE ALWAYS THERE 1607 01:06:15,305 --> 01:06:18,442 * YOU WAKE UP AT SUNDOWN 1608 01:06:18,475 --> 01:06:21,711 * YOU'RE IN THE WRONG BED 1609 01:06:21,745 --> 01:06:25,015 * WITH ALL THESE QUESTIONS 1610 01:06:25,049 --> 01:06:28,152 * EATING YOUR HEAD 1611 01:06:28,185 --> 01:06:31,555 * WHO DID YOU MEET THERE 1612 01:06:31,588 --> 01:06:34,524 * WHAT DID YOU DO 1613 01:06:34,558 --> 01:06:37,627 * FORGOTTEN BY MANY 1614 01:06:37,661 --> 01:06:42,032 * REMEMBERED BY FEW 1615 01:06:42,066 --> 01:06:45,102 * YOU THINK EVERYBODY LOVES YOU * 1616 01:06:45,135 --> 01:06:52,409 * BUT EVERYBODY HATES THE SAME * 1617 01:06:54,778 --> 01:06:57,781 * DON'T GET IN THE MIDDLE 1618 01:06:57,814 --> 01:07:05,055 * KNOW THAT TIMES ARE HARD ALL DAY * 1619 01:07:07,524 --> 01:07:10,327 * EVERYBODY LOVES YOU 1620 01:07:10,360 --> 01:07:18,502 * STILL NOBODY KNOWS YOUR NAME * 1621 01:07:19,103 --> 01:07:24,141 * YOUR NAME 1622 01:07:26,476 --> 01:07:27,744 I DON'T KNOW WHAT YOU'RE MOPING ABOUT. 1623 01:07:27,777 --> 01:07:29,813 YOU GOT EVERYTHING YOU WANTED, DIDN'T YOU? 1624 01:07:29,846 --> 01:07:31,748 A BOYFRIEND AND A SEQUEL? 1625 01:07:31,781 --> 01:07:33,383 WHAT ABOUT MY FRIENDS? 1626 01:07:33,417 --> 01:07:35,352 OR MY BROTHER'S DREAMS? 1627 01:07:35,385 --> 01:07:37,354 OR MY PARENTS' PIZZA PARLOR? 1628 01:07:37,387 --> 01:07:39,223 YOU HAVE PLENTY OF MONEY IN YOUR TRUST FUND. 1629 01:07:39,256 --> 01:07:40,190 YOU'LL BE FINE. 1630 01:07:40,224 --> 01:07:42,359 EXCUSE ME? THIS ISN'T ABOUT ME. 1631 01:07:42,392 --> 01:07:43,427 THIS IS ABOUT MY FAMILY. 1632 01:07:43,460 --> 01:07:45,429 DON'T YOU GET IT, JAMIE? 1633 01:07:45,462 --> 01:07:48,298 IT'S ALL ABOUT ME. 1634 01:07:49,599 --> 01:07:51,135 THAT'S WHAT YOU THINK. 1635 01:07:51,168 --> 01:07:53,437 WHAT ARE YOU DOING? 1636 01:07:53,870 --> 01:07:55,839 [KNOCK ON DOOR] 1637 01:07:55,872 --> 01:07:57,807 WHERE'S OUR LITTLE GIRL? 1638 01:07:57,841 --> 01:08:00,644 READY FOR THE DANCE, PRINCESS? 1639 01:08:00,677 --> 01:08:02,212 HONEY? 1640 01:08:02,246 --> 01:08:03,280 ARE YOU ALL RIGHT? 1641 01:08:03,313 --> 01:08:06,216 YEAH. I THINK I'M GOING TO BE FINE. 1642 01:08:07,417 --> 01:08:08,852 JUST FINE. 1643 01:08:19,496 --> 01:08:21,498 LET'S GO. 1644 01:08:22,332 --> 01:08:23,167 ARE YOU OK? 1645 01:08:23,200 --> 01:08:24,033 YEAH. I JUST THOUGHT 1646 01:08:24,067 --> 01:08:25,902 THAT THIS WOULD BE DIFFERENT, THAT'S ALL. 1647 01:08:25,935 --> 01:08:28,305 COME ON. LET'S JUST GET THIS OVER WITH. 1648 01:08:28,338 --> 01:08:32,542 OUCH. NOT THE MOST POSITIVE WAY TO START A DATE, IS. 1649 01:08:32,576 --> 01:08:36,280 WOULD YOU PLEASE STOP CALLING ME IS? 1650 01:08:39,316 --> 01:08:41,485 HI, JAMIE. YOU LOOK BEAUTIFUL. 1651 01:08:41,518 --> 01:08:43,453 THANK YOU. SO DO YOU. 1652 01:08:43,487 --> 01:08:45,822 AND MARCO, VERY HANDSOME. 1653 01:08:45,855 --> 01:08:49,326 ZAP AT YOU, MISS G. 1654 01:09:24,494 --> 01:09:25,895 ALL ECOSYSTEMS GO. 1655 01:09:25,929 --> 01:09:29,933 OH, IT'S GONNA BE A WHALE OF A TIME. 1656 01:09:43,613 --> 01:09:46,250 GUYS, WHAT'S UP? 1657 01:09:46,283 --> 01:09:47,651 HEY, LENNY. 1658 01:09:47,684 --> 01:09:49,819 ALL RIGHT. WE'LL TAKE A QUICK BREAK. 1659 01:09:49,853 --> 01:09:52,422 THANK YOU VERY MUCH. 1660 01:09:56,693 --> 01:09:57,394 YOU WANT SOME PUNCH, IS? 1661 01:09:57,427 --> 01:09:59,796 NO, BUT I'D REALLY APPRECIATE IT 1662 01:09:59,829 --> 01:10:02,366 IF YOU WOULD STOP CALLING ME IS. 1663 01:10:02,399 --> 01:10:03,800 SORRY. 1664 01:10:03,833 --> 01:10:06,770 WELL, I WANT SOME PUNCH. 1665 01:10:08,972 --> 01:10:10,640 SORRY FOR CALLING YOU IS. 1666 01:10:10,674 --> 01:10:12,442 I THINK YOU'RE REALLY COOL, JAMIE. 1667 01:10:12,476 --> 01:10:13,810 NONE OF MY FRIENDS CAN BELIEVE 1668 01:10:13,843 --> 01:10:16,813 THAT SOMEONE AS SMART AS YOU SAID YES TO ME. 1669 01:10:16,846 --> 01:10:18,248 THAT'S CRAZY. 1670 01:10:18,282 --> 01:10:19,716 YOU'RE SO SMART, 1671 01:10:19,749 --> 01:10:22,752 AND YOU'RE AN AMAZING WRITER, 1672 01:10:22,786 --> 01:10:23,687 AND A POET. 1673 01:10:23,720 --> 01:10:24,588 THAT STUPID POEM? 1674 01:10:24,621 --> 01:10:26,856 I WOULD NEVER WRITE SOMETHING LIKE THAT. 1675 01:10:26,890 --> 01:10:27,957 EXCUSE ME? 1676 01:10:27,991 --> 01:10:31,261 I PAID THAT DORK CONNOR TO DO THE ASSIGNMENT FOR ME. 1677 01:10:31,295 --> 01:10:32,329 CONNOR? 1678 01:10:32,362 --> 01:10:34,931 WHO CARES? HE'S HOT. LET'S DANCE. 1679 01:10:34,964 --> 01:10:37,501 YOU STAY OUT OF THIS. 1680 01:10:37,534 --> 01:10:39,803 CALM DOWN. JUST HOMEWORK, RIGHT? 1681 01:10:39,836 --> 01:10:41,605 I HELP YOU WITH YOURS. 1682 01:10:41,638 --> 01:10:43,873 IT'S THE PRINCIPLE. 1683 01:10:43,907 --> 01:10:45,509 WHAT DOES THE PRINCIPAL HAVE TO DO WITH THIS? 1684 01:10:45,542 --> 01:10:48,612 IF I HAVE TO TELL YOU, YOU WILL NEVER KNOW. 1685 01:10:48,645 --> 01:10:49,879 WILL YOU PLEASE JUST SHUT UP 1686 01:10:49,913 --> 01:10:50,980 AND DANCE WITH HIM? 1687 01:10:51,014 --> 01:10:52,015 BUT HE'S NOT THE ONE 1688 01:10:52,048 --> 01:10:54,484 THAT I SHOULD BE DANCING WITH. 1689 01:10:54,851 --> 01:10:56,853 WHO ARE YOU TALKING TO? 1690 01:10:56,886 --> 01:10:57,987 I'M LOST. 1691 01:10:58,021 --> 01:11:00,724 YOU, WITH ME, NOW! 1692 01:11:10,634 --> 01:11:11,568 WHAT ARE YOU DOING HERE? 1693 01:11:11,601 --> 01:11:13,937 YOU'RE SUPPOSED TO BE TRAPPED IN MY COMPUTER. 1694 01:11:13,970 --> 01:11:18,408 ARE WE ALL HAVING A GOOD TIME? 1695 01:11:20,644 --> 01:11:23,647 YOU THINK YOU CAN GET RID OF ME THAT EASILY? 1696 01:11:23,680 --> 01:11:24,681 WE'RE A TEAM. 1697 01:11:24,714 --> 01:11:26,850 LIKE ABBOTT AND COSTELLO. 1698 01:11:26,883 --> 01:11:29,753 MORE LIKE DR. JEKYLL AND MRS. HYDE. 1699 01:11:29,786 --> 01:11:31,655 YOU MADE ME WHAT I AM TODAY. 1700 01:11:31,688 --> 01:11:33,323 YES, BUT I WAS THE NICE ONE. 1701 01:11:33,357 --> 01:11:36,025 I HAD FRIENDS BEFORE I HAD YOU. 1702 01:11:36,059 --> 01:11:37,026 YOU HAD NOTHING. 1703 01:11:37,060 --> 01:11:38,662 YOU WERE INVISIBLE. 1704 01:11:38,695 --> 01:11:40,430 EVERYONE HATED YOU. 1705 01:11:40,464 --> 01:11:41,498 THAT'S NOT TRUE. 1706 01:11:41,531 --> 01:11:42,966 THEY HATED WHAT I BECAME. 1707 01:11:42,999 --> 01:11:45,935 AND I WANT TO THANK ONE SPECIAL GIRL 1708 01:11:45,969 --> 01:11:47,871 WHO IN SPITE OF TREMENDOUS OBLIGATIONS 1709 01:11:47,904 --> 01:11:50,407 AND RESPONSIBILITIES, TOOK THE TIME 1710 01:11:50,440 --> 01:11:51,875 TO MAKE ALL THE BEAUTIFUL 1711 01:11:51,908 --> 01:11:53,877 DECORATIONS IN THE GYM TONIGHT. 1712 01:11:53,910 --> 01:11:55,712 AND IF CONNOR WROTE THE POEM, 1713 01:11:55,745 --> 01:11:58,648 THEN HE HAD TO WRITE THE LETTER IN THE PAPER. 1714 01:11:58,682 --> 01:12:01,418 AND JUST LOOK AT THAT WHALE. 1715 01:12:07,791 --> 01:12:08,892 CONNOR SEES THE REAL ME. 1716 01:12:08,925 --> 01:12:12,028 I'VE BEEN SUCH A HORRIBLE FRIEND TO HIM. 1717 01:12:12,061 --> 01:12:14,398 I HOPE HE'LL FORGIVE ME. 1718 01:12:14,431 --> 01:12:15,565 JAMIE BARTLETT! 1719 01:12:15,599 --> 01:12:18,001 [KIDS BOO] 1720 01:12:18,935 --> 01:12:21,671 GET OUT HERE AND TAKE A BOW. 1721 01:12:21,705 --> 01:12:22,672 ME? 1722 01:12:22,706 --> 01:12:23,940 YES. 1723 01:12:23,973 --> 01:12:24,908 WE WANT TO THANK YOU 1724 01:12:24,941 --> 01:12:26,142 FOR ALL THE GOOD YOU'VE DONE FOR THE SCHOOL. 1725 01:12:26,175 --> 01:12:28,978 PLEASE. COME HERE. 1726 01:12:29,913 --> 01:12:31,748 DO YOU REALLY WANT TO HEAR THIS? 1727 01:12:31,781 --> 01:12:33,983 LET'S JUST PULL IT NOW. 1728 01:12:35,184 --> 01:12:36,119 JUST GIVE HER A SECOND. 1729 01:12:36,152 --> 01:12:39,889 FOR YOUR TIRELESS DEDICATION AND COMMITMENT, 1730 01:12:39,923 --> 01:12:42,459 AND YOUR AMAZING CREATIVITY. 1731 01:12:42,492 --> 01:12:43,993 ACCEPT OUR GRATITUDE. 1732 01:12:44,027 --> 01:12:46,463 AND THESE ROSES. 1733 01:12:46,496 --> 01:12:47,564 YEAH. WHATEVER. 1734 01:12:47,597 --> 01:12:49,633 [CROWD BOOS] 1735 01:12:50,500 --> 01:12:55,038 NOW, IS THERE ANYTHING YOU WANT TO SAY TO US? 1736 01:12:57,741 --> 01:12:59,108 BOO! 1737 01:12:59,142 --> 01:13:01,478 THIS IS OUR CHANCE TO WIN THEM BACK. 1738 01:13:01,511 --> 01:13:04,814 SHOW THEM HOW GREAT WE REALLY ARE. 1739 01:13:04,848 --> 01:13:06,850 TELL THEM ABOUT THE SEQUEL. 1740 01:13:07,584 --> 01:13:09,453 PROMISE SAWYER A ROLE IN THE MOVIE. 1741 01:13:09,486 --> 01:13:10,854 BOO! 1742 01:13:10,887 --> 01:13:11,955 YOU CAN DO IT. 1743 01:13:11,988 --> 01:13:13,523 JUST BE YOURSELF. 1744 01:13:13,557 --> 01:13:15,659 AND, NO, BE ME. 1745 01:13:17,026 --> 01:13:20,664 THANK YOU, MISS GALLAGHER, FOR THOSE KIND WORDS. 1746 01:13:20,697 --> 01:13:21,631 AFTER THE WEEK I'VE HAD, 1747 01:13:21,665 --> 01:13:23,733 IT'S NICE TO BE APPRECIATED. 1748 01:13:23,767 --> 01:13:26,202 [CROWD BOOS] 1749 01:13:26,235 --> 01:13:28,938 WHOO! JAMIE! 1750 01:13:28,972 --> 01:13:31,040 YOU SAID THAT THIS WOULD WORK. 1751 01:13:31,074 --> 01:13:32,942 KEEP GOING. 1752 01:13:32,976 --> 01:13:35,078 HAVE I MENTIONED MY SEQUEL? 1753 01:13:35,111 --> 01:13:36,613 NOT ANOTHER ONE! 1754 01:13:36,646 --> 01:13:38,014 [CROWD BOOS] 1755 01:13:39,115 --> 01:13:40,850 WHOO! 1756 01:13:40,884 --> 01:13:43,419 GUYS, I'M OUT OF HERE. 1757 01:13:52,095 --> 01:13:54,598 ANY OTHER BRILLIANT IDEAS? 1758 01:14:05,041 --> 01:14:05,909 THAT'S IT. 1759 01:14:05,942 --> 01:14:06,943 LINDSAY AND HARMONY HAVE RIGGED THE WHALE 1760 01:14:06,976 --> 01:14:10,947 TO THROW PROTEST FLYERS ALL OVER THE DANCE FLOOR. 1761 01:14:10,980 --> 01:14:13,049 THEY'LL RUIN EVERYTHING, BUT... 1762 01:14:13,082 --> 01:14:14,984 IF YOU RAT THEM OUT BEFORE THAT HAPPENS, 1763 01:14:15,018 --> 01:14:17,987 AND THEY TAKE THE FALL FOR IT, 1764 01:14:18,021 --> 01:14:18,855 YOU'LL BE A HERO. 1765 01:14:18,888 --> 01:14:22,792 YOU KNOW HOW FICKLE THE LOCAL MARKET IS. 1766 01:14:22,826 --> 01:14:24,193 DO IT. 1767 01:14:26,630 --> 01:14:28,131 DO IT. 1768 01:14:28,698 --> 01:14:31,735 HARMONY, LINDSAY, STOP! 1769 01:14:34,137 --> 01:14:34,971 THAT'S MY GIRL. 1770 01:14:35,004 --> 01:14:38,474 THERE'S SOMETHING I HAVE TO SAY TO YOU. 1771 01:14:41,010 --> 01:14:41,945 I'M SORRY. 1772 01:14:41,978 --> 01:14:43,246 WHAT? 1773 01:14:43,279 --> 01:14:45,248 I'M SORRY TO EVERYONE. 1774 01:14:45,281 --> 01:14:48,151 I'M SORRY IF I EMBARRASSED YOU, 1775 01:14:48,184 --> 01:14:49,886 OR INSULTED YOU, OR... 1776 01:14:49,919 --> 01:14:52,789 HURT YOU IN ANY WAY. 1777 01:14:53,957 --> 01:14:56,092 THAT WASN'T MY INTENTION. 1778 01:14:56,125 --> 01:14:57,627 NONE OF THIS WAS. 1779 01:14:57,661 --> 01:15:01,197 THAT WAS MY PERSONAL, PRIVATE JOURNAL, 1780 01:15:01,230 --> 01:15:04,901 AND NO ONE WAS SUPPOSED TO READ IT. 1781 01:15:07,303 --> 01:15:08,905 BUT THAT STILL DOESN'T GIVE ME THE RIGHT 1782 01:15:08,938 --> 01:15:10,874 TO SAY THE THINGS THAT I DID. 1783 01:15:10,907 --> 01:15:12,642 NO ONE IS BLACK AND WHITE 1784 01:15:12,676 --> 01:15:14,010 LIKE THEY APPEAR IN MY BOOK, I MEAN, 1785 01:15:14,043 --> 01:15:16,079 WE'RE ALL A LOT OF THINGS. 1786 01:15:16,112 --> 01:15:19,949 ALL UNIQUE AND SPECIAL IN OUR OWN WAY. 1787 01:15:21,751 --> 01:15:23,186 AND WE ALL HAVE TALENTS, INCLUDING MY BROTHER. 1788 01:15:23,219 --> 01:15:28,191 EVEN THOUGH HE DOESN'T WANT ANYONE TO KNOW IT. 1789 01:15:28,224 --> 01:15:29,292 HE SHOULD. 1790 01:15:29,325 --> 01:15:30,960 SEE, AND THOSE ARE THE THINGS 1791 01:15:30,994 --> 01:15:34,063 THAT I SHOULD'VE BEEN WRITING ABOUT. 1792 01:15:34,097 --> 01:15:35,298 HARMONY. 1793 01:15:35,331 --> 01:15:37,033 LINDSAY. 1794 01:15:37,066 --> 01:15:39,035 COME HERE. 1795 01:15:40,003 --> 01:15:40,704 I WANT EVERYONE TO KNOW 1796 01:15:40,737 --> 01:15:42,572 WHO DID ALL OF THE WORK TONIGHT. 1797 01:15:42,606 --> 01:15:43,372 WHILE I WAS OFF 1798 01:15:43,406 --> 01:15:45,775 PRETENDING TO BE SOMEBODY I WASN'T, 1799 01:15:45,809 --> 01:15:47,911 THESE TWO WORKED ABOVE AND BEYOND 1800 01:15:47,944 --> 01:15:48,945 WHAT THEY SHOULD HAVE 1801 01:15:48,978 --> 01:15:52,215 TO MAKE THIS DEEP BLUE SEE DANCE SO SPECTACULAR. 1802 01:15:56,152 --> 01:15:57,086 THESE... 1803 01:15:57,120 --> 01:15:58,888 ARE FOR YOU. 1804 01:15:59,956 --> 01:16:02,626 WHAT DO YOU THINK YOU'RE DOING? 1805 01:16:04,928 --> 01:16:07,797 AND I HAVE ANOTHER PRESENT FOR YOU. 1806 01:16:08,898 --> 01:16:11,000 JAMIE, STOP! 1807 01:16:11,034 --> 01:16:12,235 IF YOU PULL THAT ROPE, 1808 01:16:12,268 --> 01:16:13,269 YOU'LL BE BLAMED FOR EVERYTHING. 1809 01:16:13,302 --> 01:16:15,004 WHAT DO YOU THINK YOU'RE DOING? 1810 01:16:15,038 --> 01:16:16,973 SOMETHING I SHOULD'VE DONE A LONG TIME AGO. 1811 01:16:17,006 --> 01:16:20,009 YOU DON'T HAVE THE POWER, IS, I DO. 1812 01:16:20,043 --> 01:16:23,079 SAVE THE WHALES! 1813 01:16:24,180 --> 01:16:26,249 [KIDS SCREAM] 1814 01:16:36,125 --> 01:16:38,662 SHE'S NOT GETTING AWAY WITH THIS. 1815 01:16:43,867 --> 01:16:45,635 [KIDS SCREAM] 1816 01:16:45,669 --> 01:16:47,303 NO!!!! 1817 01:16:52,909 --> 01:16:53,943 FRIENDS? 1818 01:16:53,977 --> 01:16:54,678 FRIENDS. 1819 01:16:54,711 --> 01:16:55,444 NOW, WHERE'S CONNOR? 1820 01:16:55,478 --> 01:16:57,914 HE DITCHED WHEN YOU WERE ON STAGE. 1821 01:16:57,947 --> 01:16:59,883 I HAVE TO FIND HIM. 1822 01:16:59,916 --> 01:17:02,018 IT'S ALL RIGHT. DON'T-- 1823 01:17:02,051 --> 01:17:03,286 OH! 1824 01:17:16,265 --> 01:17:18,334 CONNOR! 1825 01:17:20,469 --> 01:17:21,771 WHAT DOES SHE WANT NOW? 1826 01:17:21,805 --> 01:17:25,108 IT'S ONLY ONE WAY TO FIND OUT. 1827 01:17:32,181 --> 01:17:34,150 I'VE BEEN LOOKING FOR YOU. 1828 01:17:34,183 --> 01:17:35,852 WELL... 1829 01:17:35,885 --> 01:17:37,987 YOU FOUND ME. 1830 01:17:39,055 --> 01:17:40,423 HI. 1831 01:17:42,325 --> 01:17:46,696 LOOK, I'M REALLY SORRY I'VE BEEN SUCH A JERK LATELY. 1832 01:17:46,730 --> 01:17:50,099 I DON'T KNOW WHAT'S COME OVER ME. 1833 01:17:51,000 --> 01:17:53,102 OR MAYBE I DO. 1834 01:17:53,136 --> 01:17:56,873 BUT THE TRUTH IS, I NEVER LIKED MARCO. 1835 01:17:56,906 --> 01:17:57,807 I JUST LIKED HIS POETRY, 1836 01:17:57,841 --> 01:18:00,810 AND NOW I FIND OUT THAT IT WASN'T EVEN HIM. 1837 01:18:02,445 --> 01:18:04,080 IT WAS YOU. 1838 01:18:06,249 --> 01:18:07,817 I WIMPED OUT. 1839 01:18:07,851 --> 01:18:10,920 I SHOULD'VE JUST ASKED YOU TO THE DANCE. 1840 01:18:19,095 --> 01:18:21,264 ABOUT THAT DANCE. 1841 01:18:23,432 --> 01:18:25,468 WAY TO GO, SQUIRT. 1842 01:18:32,942 --> 01:18:34,343 MISS BARTLETT. 1843 01:18:34,377 --> 01:18:36,312 ABOUT YOUR DISPLAY... 1844 01:18:36,345 --> 01:18:37,180 YES, MA'AM. 1845 01:18:37,213 --> 01:18:39,749 I WANT A WORD WITH YOU. 1846 01:18:39,783 --> 01:18:43,019 [SLOW APPLAUSE] 1847 01:18:43,419 --> 01:18:45,922 WHAT ARE YOU DOING? 1848 01:18:45,955 --> 01:18:47,323 OH... 1849 01:18:51,394 --> 01:18:52,962 MONDAY. 1850 01:18:54,530 --> 01:18:56,065 DON'T WORRY, SIS. 1851 01:18:56,099 --> 01:18:58,768 YOU'RE NOT THE ONLY ONE WHO'S BEEN A DORK LATELY. 1852 01:18:58,802 --> 01:19:00,169 THIS ONE'S FOR YOU. 1853 01:19:00,203 --> 01:19:02,071 [MUSIC STARTS] 1854 01:19:06,442 --> 01:19:10,146 * YOU SAID YOUR TIME WAS RUNNING OUT * 1855 01:19:10,179 --> 01:19:13,182 * YOU'RE FAR FROM WHERE YOU WANT TO BE * 1856 01:19:13,216 --> 01:19:17,787 * YOUR HANGING IN THE LOST AND FOUND * 1857 01:19:17,821 --> 01:19:19,856 * YOU'RE LOSING TOUCH WITH EVERYTHING * 1858 01:19:19,889 --> 01:19:23,793 * AND WHEN YOU NEED SOMEONE TO * 1859 01:19:23,827 --> 01:19:26,262 * LEAN ON 1860 01:19:26,295 --> 01:19:30,566 * I WILL BE AROUND 1861 01:19:30,599 --> 01:19:33,102 * WHEN YOU THINK IT'S OVER 1862 01:19:33,136 --> 01:19:37,473 * I WON'T LET YOU DOWN 1863 01:19:37,506 --> 01:19:39,042 * IF YOUR LUCK RUNS OUT 1864 01:19:39,075 --> 01:19:42,211 * AND WHEN IT FEELS LIKE LIFE IS HOLDING YOU DOWN * 1865 01:19:42,245 --> 01:19:46,082 * WHENEVER YOU NEED ME, I WILL BE AROUND * 1866 01:19:46,115 --> 01:19:52,488 * DON'T WORRY, THIS WON'T LAST FOREVER * 1867 01:19:52,521 --> 01:19:55,024 * YOU'LL BE ALL RIGHT 1868 01:19:55,058 --> 01:19:59,395 * BETTER LATE THAN NEVER 1869 01:19:59,428 --> 01:20:04,000 * I WILL BE AROUND 1870 01:20:04,033 --> 01:20:06,002 * WHEN YOU THINK IT'S OVER 1871 01:20:06,035 --> 01:20:10,506 * I WON'T LET YOU DOWN 1872 01:20:10,539 --> 01:20:13,977 * IF YOUR LUCK RUNS OUT 1873 01:20:14,243 --> 01:20:19,048 * I WILL BE AROUND 1874 01:20:19,082 --> 01:20:20,884 * WHEN YOU THINK IT'S OVER 1875 01:20:20,917 --> 01:20:25,955 * I WON'T LET YOU DOWN 1876 01:20:25,989 --> 01:20:27,056 * IF YOUR LUCK RUNS OUT 1877 01:20:27,090 --> 01:20:28,958 * AND WHEN IT FEELS LIKE LIFE * 1878 01:20:28,992 --> 01:20:31,094 * IS HOLDING YOU DOWN 1879 01:20:31,127 --> 01:20:33,930 * WHENEVER YOU NEED ME 1880 01:20:33,963 --> 01:20:36,099 * WHENEVER YOU NEED ME 1881 01:20:36,132 --> 01:20:39,068 * I WILL BE AROUND 1882 01:21:13,002 --> 01:21:13,636 MOM. 1883 01:21:13,669 --> 01:21:16,305 DAD. I HOPE YOU DON'T MIND. 1884 01:21:16,339 --> 01:21:20,043 I BROUGHT SOME FRIENDS FOR PIZZA. 1885 01:21:23,179 --> 01:21:25,048 WHOA. 1886 01:21:25,081 --> 01:21:26,916 WHOA. 1887 01:21:27,550 --> 01:21:29,953 WILL YOU LOOK AT THAT? 1888 01:21:30,653 --> 01:21:32,956 I GOTTA GET COOKING. 1889 01:22:06,289 --> 01:22:07,356 ANYMORE SPINACH PIZZA? 1890 01:22:07,390 --> 01:22:08,457 I DIDN'T MAKE SPINACH. 1891 01:22:08,491 --> 01:22:12,261 WHATEVER IT WAS, EVERYBODY WANTS MORE. 1892 01:22:12,295 --> 01:22:14,030 SEAWEED? 1893 01:22:14,063 --> 01:22:17,033 UH-OH. MY BAD. 1894 01:22:17,066 --> 01:22:19,168 NO! YOUR GOOD. 1895 01:22:19,202 --> 01:22:20,336 I THINK THIS COULD BE IT. 1896 01:22:20,369 --> 01:22:21,604 LISTEN TO THOSE KIDS. 1897 01:22:21,637 --> 01:22:23,039 LENNY, GO GET THE SEAWEED 1898 01:22:23,072 --> 01:22:26,142 FROM THE SUSHI IN THE COOLER. HURRY. 1899 01:22:26,175 --> 01:22:28,277 Kids: PIZZA! PIZZA! 1900 01:22:29,412 --> 01:22:32,548 HEY, GREAT PIZZA, MR. B. 1901 01:22:33,049 --> 01:22:35,151 PEG, YOU TAKE THE ORDERS, I'LL GET THE PIZZA. 1902 01:22:35,184 --> 01:22:38,087 YOU DID IT, RALPH. YOU REALLY DID IT. 1903 01:22:38,121 --> 01:22:40,056 NO. HE, BUT-- 1904 01:22:42,425 --> 01:22:43,759 YEAH. I DID. 1905 01:22:43,792 --> 01:22:45,194 PIZZA! PIZZA! PIZZA! 1906 01:22:45,228 --> 01:22:46,329 AND WITH ONE SEAWEED PIZZA, 1907 01:22:46,362 --> 01:22:49,999 ORDER WAS RESTORED IN THE KINGDOM ONCE AGAIN. 1908 01:22:50,033 --> 01:22:51,667 THE PRINCESS KISSED HER FROG, 1909 01:22:51,700 --> 01:22:53,602 AND THEY DANCED UNTIL DAWN. 1910 01:22:53,636 --> 01:22:55,571 OK. 9:30. 1911 01:22:55,604 --> 01:23:00,476 AND EVERYONE LIVED HAPPILY EVER AFTER. 1912 01:23:04,213 --> 01:23:05,181 AAH! 1913 01:23:05,214 --> 01:23:08,717 WELL, ALMOST EVERYONE. 1914 01:23:21,197 --> 01:23:23,166 CAPTIONING MADE POSSIBLE BY ABC CABLE NETWORKS GROUP 1915 01:23:23,199 --> 01:23:25,568 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 1916 01:23:25,601 --> 01:23:29,305 * YOU SAID YOUR TIME WAS RUNNING OUT * 1917 01:23:29,338 --> 01:23:32,341 * YOU'RE FAR FROM WHERE YOU WANT TO BE * 1918 01:23:32,375 --> 01:23:36,712 * YOUR HANGING IN THE LOST AND FOUND * 1919 01:23:36,745 --> 01:23:38,647 * YOU'RE LOSING TOUCH WITH EVERYTHING * 1920 01:23:38,681 --> 01:23:45,421 * AND WHEN YOU NEED SOMEONE TO LEAN ON * 1921 01:23:45,454 --> 01:23:49,725 * I WILL BE AROUND 1922 01:23:49,758 --> 01:23:52,095 * WHEN YOU THINK IT'S OVER 1923 01:23:52,128 --> 01:23:56,632 * I WON'T LET YOU DOWN 1924 01:23:56,665 --> 01:23:57,733 * IF YOUR LUCK RUNS OUT 1925 01:23:57,766 --> 01:24:01,804 * AND WHEN IT FEELS LIKE LIFE IS HOLDING YOU DOWN * 1926 01:24:01,837 --> 01:24:05,108 * WHENEVER YOU NEED ME 1927 01:24:05,141 --> 01:24:07,143 * WHENEVER YOU NEED ME 1928 01:24:07,176 --> 01:24:10,213 * I WILL BE AROUND 120231

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