Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,146 --> 00:00:16,450
CAPTIONING MADE POSSIBLE BY
ABC CABLE NETWORKS GROUP
2
00:00:18,419 --> 00:00:19,653
SOME PEOPLE THINK
THAT HIGH SCHOOL
3
00:00:19,687 --> 00:00:21,489
IS THE WORST TIME
IN A PERSON'S LIFE.
4
00:00:21,522 --> 00:00:24,525
WHAT WITH THE POPULARS,
THE PEER PRESSURE,
5
00:00:24,558 --> 00:00:25,626
AND THE PIMPLES,
6
00:00:25,659 --> 00:00:28,062
IT'S JUST TOO MUCH
FOR SOME KIDS TO HANDLE
7
00:00:28,096 --> 00:00:29,063
ON A $10 A WEEK ALLOWANCE.
8
00:00:29,097 --> 00:00:32,066
BUT THIS ISN'T
ONE OF THOSE STORIES.
9
00:00:32,100 --> 00:00:34,068
MEET ISABELLA.
10
00:00:34,102 --> 00:00:37,037
BUT YOU CAN CALL HER, IS.
11
00:00:40,841 --> 00:00:41,942
HIGH SCHOOL.
12
00:00:41,975 --> 00:00:45,846
A FANTASTICAL KINGDOM
OF PROMISE AND PERIL.
13
00:00:45,879 --> 00:00:47,781
WITH WARRIORS.
14
00:00:47,815 --> 00:00:49,550
[WHISTLE BLOWS]
15
00:00:50,251 --> 00:00:52,052
WIZARDS.
16
00:00:54,122 --> 00:00:55,823
AND WITCHES.
17
00:00:57,791 --> 00:00:58,859
SHH.
18
00:00:58,892 --> 00:01:01,695
A BIZARRE WORLD
WHERE THE RULES OF SOCIETY
19
00:01:01,729 --> 00:01:04,132
NO LONGER APPLY.
20
00:01:04,165 --> 00:01:06,534
IT IS HERE WHERE
DESTINY FINDS
21
00:01:06,567 --> 00:01:09,137
THE INCOMPARABLE, IS.
22
00:01:11,839 --> 00:01:14,375
AND HER NEVER-ENDING
BATTLE FOR TRUTH
23
00:01:14,408 --> 00:01:17,445
JUSTICE, AND GYM CLASS.
24
00:01:17,478 --> 00:01:19,547
[BLOWS WHISTLE]
25
00:01:21,915 --> 00:01:23,484
THE ROPE.
26
00:01:23,517 --> 00:01:25,719
THE SCOURGE OF EVERY
HIGH SCHOOL STUDENT
27
00:01:25,753 --> 00:01:26,720
SINCE THE DAWN OF TIME.
28
00:01:26,754 --> 00:01:29,157
BUT IT ISN'T THE LENGTH
OF THE ROPE.
29
00:01:29,190 --> 00:01:32,660
IT'S THE STRENGTH
OF THE GIRL CLIMBING IT.
30
00:01:32,693 --> 00:01:34,195
AND LUCKILY, IN THIS CASE,
31
00:01:34,228 --> 00:01:37,398
THAT GIRL IS, IS.
32
00:01:41,469 --> 00:01:43,137
[WHISTLE BLOWS]
33
00:02:01,855 --> 00:02:02,656
MARCO.
34
00:02:02,690 --> 00:02:05,593
VINCENT.
WAS IT THE SMILE,
35
00:02:05,626 --> 00:02:07,261
THE DIMPLES, THE BICEPS,
36
00:02:07,295 --> 00:02:10,298
THAT MADE HIM THE CUTEST
BOY IN THE KINGDOM?
37
00:02:10,331 --> 00:02:13,201
WHAT DO YOU THINK?
38
00:02:15,369 --> 00:02:17,171
[WHISTLE BLOWS]
39
00:02:17,205 --> 00:02:18,071
JAMIE, YOU'RE NEXT.
40
00:02:18,105 --> 00:02:21,175
OK. SO THIS ISN'T
THAT STORY.
41
00:02:21,209 --> 00:02:24,245
AND IS IS JUST
A CHARACTER IN MY JOURNAL.
42
00:02:24,278 --> 00:02:26,347
IMPRESSIVE TIME,
MR. VEGA.
43
00:02:26,380 --> 00:02:28,749
NEW STOPWATCH,
MR. HEARN?
44
00:02:28,782 --> 00:02:30,551
VERY NICE.
45
00:02:31,252 --> 00:02:34,555
HI. I DON'T FEEL
VERY WELL.
46
00:02:34,822 --> 00:02:38,892
UNFORTUNATELY,
AS HARD AS I TRY,
47
00:02:38,926 --> 00:02:40,894
I'M NO IS.
48
00:02:40,928 --> 00:02:45,165
[STRUGGLING]
49
00:02:46,967 --> 00:02:48,936
[CONTINUES STRUGGLING]
50
00:02:49,537 --> 00:02:50,671
I CAN'T DO IT.
51
00:02:50,704 --> 00:02:53,741
I REALLY CAN'T.
I'M SORRY.
52
00:02:53,774 --> 00:02:55,443
[BELL RINGS]
53
00:02:57,010 --> 00:02:57,945
WATCH IT.
54
00:02:57,978 --> 00:02:58,912
THIS IS THE STORY
55
00:02:58,946 --> 00:03:00,514
OF HOW MY PRIVATE,
PERSONAL JOURNAL
56
00:03:00,548 --> 00:03:02,850
BECAME A BEST SELLER.
57
00:03:05,953 --> 00:03:08,389
HEY, J.
HOW WAS GYM?
58
00:03:08,422 --> 00:03:10,724
I GOT STUCK
ON THE ROPE AGAIN.
59
00:03:10,758 --> 00:03:11,425
OUCH.
60
00:03:11,459 --> 00:03:12,426
MY WORDS EXACTLY.
[BELL RINGS]
61
00:03:12,460 --> 00:03:14,695
OH, LET'S BOUNCE.
WE CAN'T BE LATE
FOR ENGLISH.
62
00:03:14,728 --> 00:03:16,664
BUT WE HAVE TO
SAVE THE PLANET FIRST.
63
00:03:16,697 --> 00:03:19,700
ISN'T THAT A LITTLE
AMBITIOUS BEFORE LUNCH?
64
00:03:19,733 --> 00:03:21,269
"THE PLANET"
IS A THEATER DOWNTOWN,
65
00:03:21,302 --> 00:03:22,836
AND THEY'RE GOING
TO TEAR IT DOWN
66
00:03:22,870 --> 00:03:24,938
UNLESS WE DO
SOMETHING ABOUT IT.
67
00:03:24,972 --> 00:03:25,706
I ALREADY DID.
68
00:03:25,739 --> 00:03:28,942
I DESIGNED AND PAINTED
THE POSTERS.
69
00:03:28,976 --> 00:03:31,945
YEAH. BUT NO ONE
CAN READ THEM.
70
00:03:31,979 --> 00:03:35,215
I WAS EXPERIMENTING
WITH CUBISM.
71
00:03:35,549 --> 00:03:37,918
WELL, WE'RE GOING TO BE
EXPERIMENTING WITH DETENTION
72
00:03:37,951 --> 00:03:38,952
IF WE DON'T GET
A MOVE ON.
73
00:03:38,986 --> 00:03:39,887
BUT WHAT ABOUT
MY PROTEST?
74
00:03:39,920 --> 00:03:44,592
MAYBE WE CAN SAVE
THE PLANET ALONG THE WAY.
75
00:03:45,293 --> 00:03:47,928
SAVE THE PLANET?
SAVE--NO?
76
00:03:47,961 --> 00:03:49,463
SAVE THE PLANET.
77
00:03:49,497 --> 00:03:51,965
HELP SAVE THE PLANET.
78
00:03:52,900 --> 00:03:55,002
SAVE THE PLANET.
79
00:03:55,035 --> 00:03:57,305
[TEARS UP PAPER]
80
00:03:57,338 --> 00:03:58,872
SAVE--
81
00:03:58,906 --> 00:04:00,941
UH-OH.
82
00:04:00,974 --> 00:04:03,010
THE POPULARS.
83
00:04:04,912 --> 00:04:05,746
THERE SHE WAS.
84
00:04:05,779 --> 00:04:09,550
THE EVIL AND FEARED
SAWYER.
85
00:04:09,583 --> 00:04:12,720
UH, I MEAN, MYRNA.
86
00:04:13,921 --> 00:04:15,022
A CHEERLEADER SO VILE,
87
00:04:15,055 --> 00:04:18,559
EVEN MILK CURDLED
AT THE SOUND OF HER NAME.
88
00:04:18,592 --> 00:04:19,493
SHE ENTERED THE HALLWAY
89
00:04:19,527 --> 00:04:22,796
WITH HER
CLONE HORRIFIC COHORTS.
90
00:04:25,566 --> 00:04:27,968
UH...
JAMIE.
91
00:04:28,001 --> 00:04:30,070
OH, I WAS GONNA SAY GEEK.
92
00:04:30,103 --> 00:04:32,940
MYRNA WAS ROTTEN
TO THE CORE.
93
00:04:32,973 --> 00:04:34,575
I'M SORRY.
DID YOU WANT SOMETHING?
94
00:04:34,608 --> 00:04:37,611
YES, I WANTED YOU TO MOVE.
YOU'RE BLOCKING MY LOCKER.
95
00:04:37,645 --> 00:04:40,714
RIGHT. SORRY.
96
00:04:41,415 --> 00:04:42,215
I HEARD THE TRYOUTS
97
00:04:42,249 --> 00:04:43,150
ARE GONNA BE REALLY
INTENSE THIS YEAR.
98
00:04:43,183 --> 00:04:45,653
OH, ARE YOU GUYS
TRYING OUT FOR CHEERLEADING?
99
00:04:45,686 --> 00:04:47,855
DUH. ARE YOU?
100
00:04:48,822 --> 00:04:49,990
YOU AREN'T.
101
00:04:50,023 --> 00:04:50,524
NO.
102
00:04:50,558 --> 00:04:51,892
NO. I DIDN'T THINK SO.
103
00:04:51,925 --> 00:04:53,727
THAT'S A VERY GOOD CALL
ON YOUR PART.
104
00:04:53,761 --> 00:04:55,463
[GIGGLING]
105
00:04:56,930 --> 00:04:57,831
RISKING LIFE AND LIMB,
106
00:04:57,865 --> 00:05:00,934
IS NEW SHE HAD
TO DESTROY MYRNA
107
00:05:00,968 --> 00:05:02,002
AND HER VICIOUS CLIQUE.
108
00:05:02,035 --> 00:05:05,105
BEFORE THEY CRUSHED
EVERY GIRL'S SPIRIT.
109
00:05:05,138 --> 00:05:07,875
WELL, IF YOU'RE NOT
GOING TO BE NICE,
110
00:05:07,908 --> 00:05:09,677
THEN BE GONE.
111
00:05:11,011 --> 00:05:13,947
Kids: IS! IS! IS! IS!
112
00:05:13,981 --> 00:05:17,651
AND WITH MYRNA GONE,
EVERYONE CHEERED.
113
00:05:25,693 --> 00:05:26,794
JAMIE.
114
00:05:26,827 --> 00:05:29,863
IS THERE SOMETHING
YOU'D LIKE TO SHARE
WITH THE CLASS?
115
00:05:29,897 --> 00:05:31,365
NO, MISS GALLAGHER.
116
00:05:31,399 --> 00:05:33,834
THEN PAY ATTENTION.
117
00:05:33,867 --> 00:05:35,636
MARCO.
118
00:05:35,669 --> 00:05:37,538
YOU'RE NEXT.
119
00:05:47,681 --> 00:05:48,849
IT'S NOT VERY GOOD.
120
00:05:48,882 --> 00:05:50,751
[LAUGHTER]
121
00:05:52,920 --> 00:05:54,121
"I HAVE A SECRET.
122
00:05:54,154 --> 00:05:55,956
"DOES SHE, TOO?
123
00:05:55,989 --> 00:05:59,627
"THE QUIET GIRL
I THOUGHT I KNEW WHO--
124
00:06:00,894 --> 00:06:03,931
"CONTINUALLY
MAKES ME SMILE.
125
00:06:03,964 --> 00:06:06,867
"I HAVE TO WONDER,
DOES SHE SEE ME
126
00:06:06,900 --> 00:06:09,437
"OR JUST MY MASK?
127
00:06:09,470 --> 00:06:10,804
INVISIBILITY."
128
00:06:10,838 --> 00:06:12,706
OH...
129
00:06:14,942 --> 00:06:16,043
[BELL RINGS]
130
00:06:16,076 --> 00:06:17,177
ALL RIGHT, EVERYONE.
131
00:06:17,210 --> 00:06:18,378
HAVE A GREAT WEEKEND.
132
00:06:18,412 --> 00:06:21,114
AND DON'T FORGET,
YOUR ESSAYS
FOR THE WRITING COMPETITION
133
00:06:21,148 --> 00:06:22,816
ARE DUE ON MONDAY.
134
00:06:22,850 --> 00:06:24,718
AND HE WRITES POETRY.
135
00:06:24,752 --> 00:06:26,620
IS THERE ANYTHING
MARCO CAN'T DO?
136
00:06:26,654 --> 00:06:27,921
YEAH. WRITE POETRY.
137
00:06:27,955 --> 00:06:29,557
YOU'RE JUST JEALOUS.
138
00:06:29,590 --> 00:06:30,624
TRUST ME, JAMIE,
139
00:06:30,658 --> 00:06:32,993
IF I WANTED TO WRITE
A POEM LIKE THAT,
I COULD'VE.
140
00:06:33,026 --> 00:06:35,729
HEY, THERE'S
YOUR BROTHER.
141
00:06:36,997 --> 00:06:38,098
HEY, LENNY. WHAT'S UP?
142
00:06:38,131 --> 00:06:41,068
I THOUGHT I TOLD YOU
NEVER TO TALK TO ME.
143
00:06:41,101 --> 00:06:43,571
ESPECIALLY IN SCHOOL.
144
00:06:45,706 --> 00:06:46,874
WHAT'S WITH HIM?
145
00:06:46,907 --> 00:06:49,142
I WOULDN'T KNOW
WHERE TO BEGIN.
146
00:06:49,176 --> 00:06:50,911
OH.
147
00:06:53,814 --> 00:06:56,750
SO, WANT TO HIT
THE COMIC BOOK STORE
AFTER SCHOOL TODAY?
148
00:06:56,784 --> 00:06:58,586
I CAN'T. I HAVE TO WORK.
149
00:06:58,619 --> 00:07:00,120
WE'RE SERVING PIZZA
UNTIL 5:00
150
00:07:00,153 --> 00:07:02,022
IF ANYBODY
WANTS A SLICE.
151
00:07:02,055 --> 00:07:03,924
OH, WHAT'S
TODAY'S SPECIAL?
152
00:07:03,957 --> 00:07:04,958
DON'T ASK.
153
00:07:04,992 --> 00:07:05,759
IT WAS DISGUSTING.
154
00:07:05,793 --> 00:07:08,762
THE OTHER DAY,
HE PUT RAW FISH ON IT.
155
00:07:28,916 --> 00:07:29,750
LET'S GO, JAMIE.
156
00:07:29,783 --> 00:07:31,852
THIS PIZZA'S NOT GOING
TO DELIVER ITSELF.
157
00:07:31,885 --> 00:07:33,954
WHAT IS THAT STENCH?
158
00:07:33,987 --> 00:07:35,989
THAT IS THE SMELL
OF THE FUTURE.
159
00:07:36,023 --> 00:07:38,926
THE SMELL OF YOUR FUTURE.
160
00:07:40,528 --> 00:07:42,696
LIVER AND ONION PIZZA.
161
00:07:42,730 --> 00:07:43,764
EW.
162
00:07:43,797 --> 00:07:44,498
YOU'RE NOT
MAKING THAT
163
00:07:44,532 --> 00:07:45,999
FOR THE SLUMBER
PARTY, ARE YOU?
164
00:07:46,033 --> 00:07:47,568
MAYBE HALF?
165
00:07:47,601 --> 00:07:48,902
OH, MR. BARTLETT, PLEASE.
166
00:07:48,936 --> 00:07:50,137
DADDY, DON'T.
167
00:07:50,170 --> 00:07:52,640
BUT GIRLS, IF I DON'T
GET SOME TESTERS
FOR MY NEW CREATIONS,
168
00:07:52,673 --> 00:07:54,174
HOW AM I GONNA KNOW
IF THEY'RE ANY GOOD?
169
00:07:54,207 --> 00:07:55,909
TRUST US.
TRUST US.
170
00:07:55,943 --> 00:07:56,810
WHAT IS THAT SMELL?
171
00:07:56,844 --> 00:08:00,648
IT'S OUR FUTURE,
AND APPARENTLY, IT STINKS.
172
00:08:00,681 --> 00:08:02,015
EW, RALPH.
173
00:08:02,049 --> 00:08:03,951
IT'S LIVER AND ONION.
174
00:08:03,984 --> 00:08:06,219
YOU PUT LIVER AND ONIONS
ON A PIZZA?
175
00:08:06,253 --> 00:08:09,590
I THINK YOU SHOULD JUST
STAY OLD SCHOOL, MR. B.
176
00:08:09,623 --> 00:08:11,592
YOUR PLAIN CHEESE IS STILL
THE BEST AROUND.
177
00:08:11,625 --> 00:08:15,563
BUT, I'M TRYING TO APPEAL
TO A WIDER AUDIENCE.
178
00:08:15,596 --> 00:08:17,064
A MORE DISCERNING PALATE.
179
00:08:17,097 --> 00:08:18,966
EW!
EW!
180
00:08:18,999 --> 00:08:19,967
LET'S GET OUT OF HERE.
181
00:08:20,000 --> 00:08:21,969
I WANT TO BE
SUPPORTIVE, HONEY,
182
00:08:22,002 --> 00:08:24,237
BUT YOU MIGHT BE
DISCERNING US
183
00:08:24,271 --> 00:08:27,007
RIGHT OUT
OF BUSINESS.
184
00:08:32,212 --> 00:08:35,315
UH, EXCUSE ME. UH...
185
00:08:35,348 --> 00:08:35,949
JAMIE.
186
00:08:35,983 --> 00:08:38,051
I'M IN
YOUR ENGLISH CLASS.
187
00:08:38,085 --> 00:08:41,689
AND LUNCH,
AND HISTORY.
188
00:08:41,722 --> 00:08:42,823
AND MATH.
189
00:08:42,856 --> 00:08:44,658
YOU ARE?
190
00:08:44,692 --> 00:08:46,026
[CHUCKLES]
191
00:08:46,894 --> 00:08:48,896
I SAID, NO ICE.
192
00:08:50,363 --> 00:08:51,164
OH, MY BAD.
193
00:08:51,198 --> 00:08:53,100
LET ME GET YOU ANOTHER.
194
00:08:53,934 --> 00:08:55,268
AAH!
195
00:08:56,369 --> 00:08:57,738
OH, MY BAD.
196
00:08:57,771 --> 00:08:59,607
LET ME GET YOU
ANOTHER ONE.
197
00:08:59,640 --> 00:09:00,373
THANKS.
198
00:09:00,407 --> 00:09:03,343
SMILE. ONLY 2 HOURS
UNTIL CLOSING.
199
00:09:03,376 --> 00:09:07,581
YES. BUT 3 1/2
MORE YEARS
OF HIGH SCHOOL.
200
00:09:12,085 --> 00:09:14,087
WHAT DID YOU GUYS
DO YOUR ESSAYS ON?
201
00:09:14,121 --> 00:09:15,589
HOW TERM PAPERS
ARE A WASTE
202
00:09:15,623 --> 00:09:17,991
OF OUR DWINDLING,
NATURAL RESOURCES.
203
00:09:18,025 --> 00:09:18,726
OH, SWEET.
204
00:09:18,759 --> 00:09:20,628
I CRANKED OUT
A COUPLE OF PAGES
205
00:09:20,661 --> 00:09:22,362
ON HOW I WOULD CHANGE
THE BREAK TIMES
206
00:09:22,395 --> 00:09:24,097
BETWEEN CLASSES
TO MAKE OUR LIVES,
207
00:09:24,131 --> 00:09:25,666
OH, SO MORE EFFICIENT.
208
00:09:25,699 --> 00:09:26,433
THAT'S IT?
209
00:09:26,466 --> 00:09:28,902
YES. IT'S A VERY
CONVINCING PAPER.
210
00:09:28,936 --> 00:09:29,803
WHY?
211
00:09:29,837 --> 00:09:30,771
BECAUSE
THE WINNING ESSAY
212
00:09:30,804 --> 00:09:33,006
WILL BE PUBLISHED
IN THE EDUCATION TIMES.
213
00:09:33,040 --> 00:09:33,774
WELL, IT WON'T
BE MINE.
214
00:09:33,807 --> 00:09:35,275
I JUST THOUGHT
YOU WOULD'VE COME UP
215
00:09:35,308 --> 00:09:36,076
WITH SOMETHING
BETTER THAN THAT.
216
00:09:36,109 --> 00:09:38,178
YOU ARE THE BEST
WRITER IN THE CLASS.
217
00:09:38,211 --> 00:09:39,847
HARDLY.
ARE, TOO.
218
00:09:39,880 --> 00:09:41,114
AM NOT.
219
00:09:41,148 --> 00:09:42,683
IF YOU'RE NOT A WRITER,
THEN WHY ARE YOU
WRITING ALL THE TIME?
220
00:09:42,716 --> 00:09:45,753
BECAUSE IF I DIDN'T
I'D HAVE A NUTTY.
221
00:09:46,954 --> 00:09:48,255
OH, NO.
MY PRINTER DIED.
222
00:09:48,288 --> 00:09:49,957
OH, NOW THE WORLD
WILL NEVER KNOW
223
00:09:49,990 --> 00:09:53,060
HOW MUCH EASIER
OUR LIVES WOULD BE
BETWEEN CLASSES.
224
00:09:53,093 --> 00:09:55,829
DOESN'T LENNY
HAVE A PRINTER?
225
00:09:55,863 --> 00:09:58,065
OH, YEAH. GOOD IDEA.
226
00:10:00,033 --> 00:10:02,002
[GUITAR PLAYS]
227
00:10:02,035 --> 00:10:02,970
HEY, LENNY?
228
00:10:03,003 --> 00:10:04,672
I THOUGHT I TOLD YOU
TO NEVER COME IN MY ROOM.
229
00:10:04,705 --> 00:10:07,941
YEAH. BUT I WAS WONDERING
IF I COULD BORROW YOUR...
230
00:10:07,975 --> 00:10:12,045
HEY, YOU WROTE A SONG.
231
00:10:12,079 --> 00:10:12,980
BUT--
232
00:10:13,013 --> 00:10:14,982
I SAID, OUT.
233
00:10:18,085 --> 00:10:19,753
WELL, WHY DON'T YOU
EMAIL IT TO ME,
234
00:10:19,787 --> 00:10:21,321
AND I'LL PRINT IT OUT
AT MY HOUSE.
235
00:10:21,354 --> 00:10:24,257
EXCELLENT IDEA.
236
00:10:24,291 --> 00:10:26,994
I JUST WISH I COULD
FIND SOMEBODY WHO...
237
00:10:27,027 --> 00:10:27,928
OH...
238
00:10:27,961 --> 00:10:30,297
UNDERSTANDS ME.
239
00:10:30,330 --> 00:10:31,364
EVERY--
240
00:10:31,398 --> 00:10:33,333
LINDSAY UNDERSTANDS YOU,
RYDER.
241
00:10:33,366 --> 00:10:35,002
SHUT UP.
THAT'S SUCH A LIE.
242
00:10:35,035 --> 00:10:36,169
COME ON, HARMONY.
243
00:10:36,203 --> 00:10:39,339
WHO DOESN'T LOVE
RYDER DONOVAN?
244
00:10:46,847 --> 00:10:47,948
NO.
NO.
NO.
245
00:10:47,981 --> 00:10:48,782
OH, SHE IS A WITCH.
246
00:10:48,816 --> 00:10:51,151
DID YOU SEE WHO
SHE KILLED LAST WEEK?
247
00:10:51,184 --> 00:10:52,352
IF SHE KEEPS THIS UP,
248
00:10:52,385 --> 00:10:55,188
THEY'LL HAVE TO RECAST
THE ENTIRE SHOW.
249
00:10:55,222 --> 00:10:56,289
CHANGE THE CHANNEL.
250
00:10:56,323 --> 00:10:57,390
SHE MAKES MY SKIN CRAWL.
251
00:10:57,424 --> 00:11:00,360
THIS ONE ACCIDENTAL
CLICK OF THE STYLUS...
252
00:11:00,393 --> 00:11:04,932
THAT ROCKETED MY PERSONAL,
PRIVATE JOURNAL
INTO CYBERSPACE
253
00:11:04,965 --> 00:11:09,102
WOULD SEND A SHOCKWAVE
ROARING THROUGH
THE KINGDOM.
254
00:11:09,136 --> 00:11:13,006
ALTERING IT FOREVER.
255
00:11:13,941 --> 00:11:15,976
THINK OF YOUR FACE
AS A BLANK CANVAS.
256
00:11:16,009 --> 00:11:18,278
IT'S ALL ABOUT
THE SHADING
AND COMPOSITION.
257
00:11:18,311 --> 00:11:19,980
WHAT ARE YOU GUYS DOING?
258
00:11:20,013 --> 00:11:22,049
SHADING OUR CANVASSES.
259
00:11:22,082 --> 00:11:24,017
WHEN DID YOU START
SELLING THIS MAKE-UP?
260
00:11:24,051 --> 00:11:25,886
JUST LAST WEEK.
IT'S NEW.
261
00:11:25,919 --> 00:11:26,820
IT'S CRUEL.
262
00:11:26,854 --> 00:11:28,889
THEY TEST ON ANIMALS.
EVERYBODY KNOWS THAT.
263
00:11:28,922 --> 00:11:30,791
YOU SHOULD BE
ASHAMED OF YOURSELF.
264
00:11:30,824 --> 00:11:31,792
LOOK, KID,
I JUST WORK HERE.
265
00:11:31,825 --> 00:11:33,927
IF YOU'D LIKE
TO TAKE IT UP
WITH THE COMPANY,
266
00:11:33,961 --> 00:11:34,795
BE MY GUEST.
267
00:11:34,828 --> 00:11:38,165
DON'T THINK I WON'T.
LET'S GO, YOU GUYS.
268
00:11:40,868 --> 00:11:41,869
OH, WOW.
269
00:11:41,902 --> 00:11:44,337
DO YOUR MAKE-UP
IN THE DARK
THIS MORNING, GIRLS?
270
00:11:44,371 --> 00:11:47,107
[GIGGLING]
271
00:11:48,809 --> 00:11:52,145
YOU COULD'VE AT LEAST
LET US FINISH.
272
00:11:52,179 --> 00:11:53,847
IT'S BEEN A MONTH.
273
00:11:53,881 --> 00:11:56,383
LET THE SHOCKWAVE BEGIN.
274
00:11:56,416 --> 00:11:57,450
I JUST DON'T BELIEVE--
275
00:11:57,484 --> 00:12:00,187
THEY ANNOUNCED THE WINNERS
OF THE ESSAY COMPETITION.
276
00:12:00,220 --> 00:12:01,188
YAWN.
277
00:12:01,221 --> 00:12:03,023
OH, COME ON,
YOU MUST BE EXCITED.
278
00:12:03,056 --> 00:12:04,524
YOU PRACTICALLY
WROTE A NOVEL.
279
00:12:04,557 --> 00:12:06,126
WHAT ARE YOU
TALKING ABOUT?
280
00:12:06,159 --> 00:12:07,895
IT WAS 5 PAGES.
281
00:12:07,928 --> 00:12:09,897
WITH FOOTNOTES.
282
00:12:09,930 --> 00:12:11,264
UH-OH.
283
00:12:11,298 --> 00:12:12,332
SERIOUSLY.
284
00:12:12,365 --> 00:12:14,902
MISS GALLAGHER SAID IT WAS
THE MOST PROVOCATIVE PAPER
285
00:12:14,935 --> 00:12:16,369
SHE'S SEEN IN 15 YEARS.
286
00:12:16,403 --> 00:12:17,838
PUH-LEASE.
LIKE JAMIE BARTLETT'S
287
00:12:17,871 --> 00:12:19,472
EVER SAID
ANYTHING PROVOCATIVE.
288
00:12:19,506 --> 00:12:20,540
HONESTLY.
289
00:12:20,573 --> 00:12:21,441
JAMIE WHO?
290
00:12:21,474 --> 00:12:23,310
THEY CAN'T BE TALKING
ABOUT ME, I MEAN...
291
00:12:23,343 --> 00:12:27,347
BREAK TIMES
AREN'T PROVOCATIVE,
ARE THEY?
292
00:12:27,380 --> 00:12:28,448
BREAK TIME?
293
00:12:28,481 --> 00:12:31,518
OH, NO. I DON'T THINK
THAT WAS THE FILE
YOU SENT ME.
294
00:12:31,551 --> 00:12:34,221
A STENCH WORSE THAN
LIVER AND ONION PIZZA
295
00:12:34,254 --> 00:12:37,157
FELL UPON THE HALLS.
296
00:12:37,390 --> 00:12:39,927
HEY! GUESS WHO WON
THE CONTEST?
297
00:12:39,960 --> 00:12:41,995
GUESS WHO WON
THE CONTEST?
298
00:12:42,029 --> 00:12:46,066
NO!!!
299
00:12:47,067 --> 00:12:49,169
"MYRNA AND HER EVIL CLIQUE
300
00:12:49,202 --> 00:12:53,440
"OF GOSSIPERS, INSULTERS,
AND BACKSTABBERS
301
00:12:53,473 --> 00:12:55,575
"WERE NO MATCH
FOR ISABELLA.
302
00:12:55,608 --> 00:12:56,509
"WITH A FLICK OF HER FINGER,
303
00:12:56,543 --> 00:13:00,013
"SHE WOULD ZAP THEM INTO
PERPETUAL DETENTION.
304
00:13:00,047 --> 00:13:04,184
CHAPTER THREE.
MARCO VINCENT."
305
00:13:04,217 --> 00:13:05,986
UH, EXCUSE ME,
MISS GALLAGHER.
306
00:13:06,019 --> 00:13:08,355
BUT I DON'T THINK
ISABELLA'S A VERY
REALISTIC CHARACTER.
307
00:13:08,388 --> 00:13:12,059
I THINK SHE'S GREAT.
KEEP READING.
308
00:13:12,092 --> 00:13:12,792
UH, NO, HARMONY,
309
00:13:12,826 --> 00:13:15,128
LET'S LISTEN TO
SAWYER FOR ONCE.
310
00:13:15,162 --> 00:13:16,129
AHEM.
311
00:13:16,163 --> 00:13:17,597
WHERE WAS I?
312
00:13:17,630 --> 00:13:19,532
OH, YES. MARCO VINCENT.
313
00:13:19,566 --> 00:13:24,071
"WAS IT THAT SMILE,
THE DIMPLES, THE BICEPS
314
00:13:24,104 --> 00:13:26,173
"THAT MADE HIM
THE CUTEST BOY
315
00:13:26,206 --> 00:13:27,507
"IN THE KINGDOM?
316
00:13:27,540 --> 00:13:29,042
"WHAT DO YOU THINK?
317
00:13:29,076 --> 00:13:30,844
CAN YOU BELIEVE
THIS WON?
318
00:13:30,878 --> 00:13:32,012
IT'S TOTALLY
WEAK SAUCE.
319
00:13:32,045 --> 00:13:36,249
I DON'T KNOW.
MARCO'S PRETTY COOL.
320
00:13:36,283 --> 00:13:37,350
..."NO MATCH FOR ISABELLA.
321
00:13:37,384 --> 00:13:41,288
"WITH A FLICK OF HER FINGER,
SHE WOULD ZAP THEM INTO--
322
00:13:43,123 --> 00:13:44,191
CONGRATULATIONS,
JAMIE.
323
00:13:44,224 --> 00:13:46,126
WAY TO GO, BARTLETT.
324
00:13:47,560 --> 00:13:49,829
GREAT STORY, JAMIE.
325
00:13:54,567 --> 00:13:56,904
WOW. SO INSPIRING.
326
00:13:56,937 --> 00:14:00,107
I KNOW. NEXT TIME
RACHEL CALLS ME A COW,
327
00:14:00,140 --> 00:14:02,175
I'M GONNA ZAP HER.
328
00:14:05,012 --> 00:14:07,580
[BELL RINGS]
329
00:14:07,614 --> 00:14:09,416
JAMIE, WAIT UP.
330
00:14:10,117 --> 00:14:10,984
WHERE YOU GOING?
331
00:14:11,018 --> 00:14:12,619
TO CRAWL UNDER A ROCK.
332
00:14:12,652 --> 00:14:13,720
WHY?
333
00:14:13,753 --> 00:14:15,655
I MEAN, YOU JUST WON
A THOUSAND DOLLAR
SAVINGS BOND.
334
00:14:15,688 --> 00:14:17,390
NO, I WAS JUST
PUBLICLY HUMILIATED
335
00:14:17,424 --> 00:14:18,558
WHEN MY JOURNAL
WAS READ
336
00:14:18,591 --> 00:14:20,060
IN FRONT OF
THE ENTIRE CLASS.
337
00:14:20,093 --> 00:14:21,628
WHAT ARE YOU
TALKING ABOUT?
338
00:14:21,661 --> 00:14:23,230
EVERYONE LOVED IT.
339
00:14:23,263 --> 00:14:26,633
WHOA.
THAT WAS YOUR JOURNAL?
340
00:14:29,002 --> 00:14:30,603
YES. AND IT WAS A MISTAKE.
341
00:14:30,637 --> 00:14:33,006
AND NOW IT'S PUBLISHED.
342
00:14:33,040 --> 00:14:34,107
CHILL OUT.
343
00:14:34,141 --> 00:14:36,509
THIS WHOLE THING'S
GONNA BLOW OVER
344
00:14:36,543 --> 00:14:37,911
BEFORE YOU KNOW IT.
345
00:14:37,945 --> 00:14:39,446
YOU THINK SO?
346
00:14:39,479 --> 00:14:41,181
I KNOW SO.
347
00:14:44,351 --> 00:14:45,118
ALL RIGHT?
348
00:14:45,152 --> 00:14:47,254
ALL RIGHT.
ALL RIGHT.
349
00:14:49,990 --> 00:14:51,058
A BOOK?
350
00:14:51,091 --> 00:14:54,061
YES. THEY READ YOUR ESSAY
IN THE EDUCATION TIMES,
351
00:14:54,094 --> 00:14:58,065
AND THEY THINK THAT YOU
ARE A GREAT WRITER.
352
00:14:58,598 --> 00:15:00,700
LOOK, MOM,
I--I JUST DON'T KNOW.
353
00:15:00,733 --> 00:15:03,971
I MEAN, THE HUMILIATION
HAS JUST DIED DOWN.
354
00:15:04,004 --> 00:15:07,274
AND I CAN'T SURVIVE
ANOTHER LUNCH
OF ZAPPING.
355
00:15:07,307 --> 00:15:08,041
JAMIE...
356
00:15:08,075 --> 00:15:11,078
THIS IS AN INCREDIBLE
OPPORTUNITY.
357
00:15:11,111 --> 00:15:14,081
I'D HATE TO SEE YOU
PASS IT UP.
358
00:15:14,114 --> 00:15:15,215
WELL...
359
00:15:15,248 --> 00:15:18,151
I DON'T HAVE
ANYMORE PAGES.
360
00:15:35,402 --> 00:15:36,336
NO MORE PAGES?
361
00:15:36,369 --> 00:15:38,571
WHAT DO YOU CALL THOSE?
362
00:15:39,239 --> 00:15:40,240
PERSONAL PROPERTY.
363
00:15:40,273 --> 00:15:42,976
I CAN'T DO IT. NO WAY.
364
00:15:45,412 --> 00:15:47,280
JAMIE, YOU CAN'T
WALK AWAY FROM THIS
365
00:15:47,314 --> 00:15:48,748
JUST BECAUSE YOU'RE SCARED.
366
00:15:48,781 --> 00:15:51,018
I'M NOT SCARED.
367
00:15:51,051 --> 00:15:52,485
I'M NOT SCARED.
368
00:15:52,519 --> 00:15:54,254
THEN PROVE IT.
369
00:16:04,164 --> 00:16:06,533
OH, HONEY.
I AM SO PROUD OF YOU.
370
00:16:06,566 --> 00:16:08,701
TRUST ME.
YOU WON'T REGRET IT.
371
00:16:08,735 --> 00:16:10,503
CAN I GET THAT
IN WRITING?
372
00:16:10,537 --> 00:16:13,373
[VIDEO GAME PLAYS]
373
00:16:17,477 --> 00:16:19,146
MOVE IT, WORM.
374
00:16:19,179 --> 00:16:20,047
ZAP, ZAP.
375
00:16:20,080 --> 00:16:22,049
HEY, MOM.
I CHANGED MY MIND.
376
00:16:22,082 --> 00:16:23,383
IF I WRITE A BOOK,
377
00:16:23,416 --> 00:16:26,053
THIS ZAPPING IS ONLY
GOING TO GET WORSE.
378
00:16:26,086 --> 00:16:28,055
YOU'RE WRITING A BOOK?
379
00:16:28,088 --> 00:16:30,223
SOUNDS LIKE
A PIPE DREAM TO ME.
380
00:16:30,257 --> 00:16:31,991
AH!
381
00:16:32,225 --> 00:16:33,226
IN TWO SHORT MONTHS,
382
00:16:33,260 --> 00:16:35,095
THE PIPE DREAM
HAD BECOME A NIGHTMARE.
383
00:16:35,128 --> 00:16:37,130
AND MY PERSONAL,
PRIVATE JOURNAL
384
00:16:37,164 --> 00:16:42,169
WAS ON ITS WAY
TO BECOMING
A NATIONAL BEST SELLER.
385
00:16:44,504 --> 00:16:47,006
HERE YOU GO,
MISS GALLAGHER.
386
00:16:47,807 --> 00:16:49,109
THIS IS SO COOL.
387
00:16:49,142 --> 00:16:50,443
YOU'RE GONNA BECOME
A CELEBRITY.
388
00:16:50,477 --> 00:16:53,113
I'LL HAVE TO DO
YOUR PORTRAIT.
389
00:16:53,146 --> 00:16:54,047
JAMIE.
390
00:16:54,081 --> 00:16:56,449
WOULD YOU SIGN
MY COPY?
391
00:16:56,483 --> 00:16:59,319
UH...NO.
392
00:17:01,154 --> 00:17:03,423
SHE'S SIGNING BOOKS!
393
00:17:21,308 --> 00:17:23,576
"THE BIGGEST CRUSH
ON THE MOST POPULAR GUY...
394
00:17:23,610 --> 00:17:24,344
"I FELL IN LOVE
WHEN ONE DAY
395
00:17:24,377 --> 00:17:25,812
"HE WAS SITTING
RIGHT NEXT TO ME.
396
00:17:25,845 --> 00:17:30,383
[KIDS CONTINUE READING
EXCERPTS OF BOOK]
397
00:17:38,558 --> 00:17:42,495
"WHERE DESTINY FINDS
THE INCOMPARABLE IS.
398
00:17:45,265 --> 00:17:47,667
WHAT HAVE I DONE?
399
00:17:47,700 --> 00:17:50,503
STARTED
A REVOLUTION.
400
00:17:52,272 --> 00:17:53,506
ZAP, ZAP, ZAP, ZAP.
401
00:17:53,540 --> 00:17:58,145
[KIDS CONTINUE ZAPPING]
402
00:17:59,812 --> 00:18:01,348
UH, EXCUSE ME.
403
00:18:01,381 --> 00:18:03,383
HERE YOU GO.
404
00:18:03,416 --> 00:18:06,186
THANK YOU.
HAVE A NICE DAY.
405
00:18:06,219 --> 00:18:07,687
WOW. DO YOU BELIEVE
THIS CROWD?
406
00:18:07,720 --> 00:18:08,888
BUSINESS HAS NOT
BEEN THIS GOOD
407
00:18:08,921 --> 00:18:11,458
SINCE WE
STOPPED SERVING
WHEATGRASS PIZZA.
408
00:18:11,491 --> 00:18:13,160
YOU DON'T THINK THE SIGN
409
00:18:13,193 --> 00:18:15,595
HAS ANYTHING TO DO
WITH IT, DO YOU?
410
00:18:18,331 --> 00:18:19,166
WOW.
411
00:18:19,199 --> 00:18:20,567
THIS IS AMAZING.
412
00:18:20,600 --> 00:18:22,869
EVEN CHICKEN FEET
CAN'T KEEP THEM AWAY.
413
00:18:22,902 --> 00:18:24,337
LOOK, CAN WE TALK
ABOUT ANYTHING
414
00:18:24,371 --> 00:18:26,773
BESIDES THAT STUPID BOOK?
415
00:18:27,374 --> 00:18:28,275
HEY, NOW.
416
00:18:28,308 --> 00:18:29,342
THE BOOK WAS INCREDIBLE.
417
00:18:29,376 --> 00:18:33,146
EMPOWERING. I FELT
LIKE I COULD
ZAP MYSELF ANYWHERE.
418
00:18:33,180 --> 00:18:33,780
DO ANYTHING.
419
00:18:33,813 --> 00:18:35,482
I WISH I COULD
ZAP MYSELF
420
00:18:35,515 --> 00:18:37,884
OFF THE ENGLISH
REQUIREMENT READING LIST.
421
00:18:37,917 --> 00:18:39,652
HEY, JAMIE.
422
00:18:39,686 --> 00:18:41,454
I READ YOUR BOOK.
423
00:18:41,488 --> 00:18:43,590
IT WAS...AWESOME.
424
00:18:43,623 --> 00:18:44,724
MARCO?
425
00:18:44,757 --> 00:18:46,593
WE'RE OVER HERE.
426
00:18:46,626 --> 00:18:49,596
I BETTER GET BACK.
427
00:18:51,198 --> 00:18:52,064
[SQUEALING]
428
00:18:52,098 --> 00:18:53,600
DO YOU BELIEVE
MARCO VEGA
READ YOUR BOOK?
429
00:18:53,633 --> 00:18:56,869
ONLY CAUSE YOU NAMED
THE ROMANTIC IDIOT
AFTER HIM.
430
00:18:56,903 --> 00:18:58,738
IT IS SHOCKING.
431
00:18:59,739 --> 00:19:02,909
I MEAN, WHO KNEW
HE COULD READ?
432
00:19:04,344 --> 00:19:05,011
HEY, JAMESON.
433
00:19:05,044 --> 00:19:07,247
SHE'D NEVER EVEN
KNOWN MY NAME
434
00:19:07,280 --> 00:19:09,849
IF IT WEREN'T
ON THE COVER.
435
00:19:09,882 --> 00:19:11,918
WHAT'S GOING TO HAPPEN
WHEN THEY REALIZE
436
00:19:11,951 --> 00:19:15,422
THAT THE EVIL MYRNA
AND THE CLONES
ARE REALLY THEM?
437
00:19:15,455 --> 00:19:16,256
GET OUT.
438
00:19:16,289 --> 00:19:17,624
YOU'RE KIDDING.
439
00:19:17,657 --> 00:19:18,458
NO. HOW ELSE WAS I
440
00:19:18,491 --> 00:19:19,859
SUPPOSED TO COME UP
WITH A CHEERLEADER
441
00:19:19,892 --> 00:19:21,794
WHO WAS SO VILE
THAT MILK CURDLED
442
00:19:21,828 --> 00:19:23,396
AT THE SOUND OF HER NAME?
443
00:19:23,430 --> 00:19:24,331
DON'T WORRY, JAMIE.
444
00:19:24,364 --> 00:19:25,865
AS SELF CENTERED
AS THEY ARE,
445
00:19:25,898 --> 00:19:26,599
THEY WILL NEVER REALIZE
446
00:19:26,633 --> 00:19:28,868
THE CHARACTERS
ARE BASED ON THEM.
447
00:19:28,901 --> 00:19:29,869
ARE WE IN THE BOOK?
448
00:19:29,902 --> 00:19:32,905
YES. YOU ARE LAURA
THE INVINCIBLE,
449
00:19:32,939 --> 00:19:34,841
AND YOU ARE
THE MAGNIFICENT MELODY.
450
00:19:34,874 --> 00:19:37,877
BUT THEY'RE ONLY
THE COOLEST KIDS
IN THE KINGDOM.
451
00:19:37,910 --> 00:19:40,413
YEAH. IT'S MOSTLY FICTION.
452
00:19:43,950 --> 00:19:45,918
HEY, HOW ABOUT YOU PUT
THAT BOOK DOWN
453
00:19:45,952 --> 00:19:47,320
AND GIVE ME A HAND.
454
00:19:47,354 --> 00:19:48,388
PUT IT DOWN?
455
00:19:48,421 --> 00:19:50,890
I'D LIKE TO
THROW IT AT HER.
456
00:19:50,923 --> 00:19:51,658
COME ON, LENNY.
457
00:19:51,691 --> 00:19:53,593
CAN'T YOU BE HAPPY
FOR YOUR SISTER?
458
00:19:53,626 --> 00:19:54,661
HAVE YOU READ THIS,
459
00:19:54,694 --> 00:19:55,895
FOR LACK OF
A BETTER WORD, BOOK?
460
00:19:55,928 --> 00:19:57,264
YEAH. IT'S PRETTY
TERRIFIC.
461
00:19:57,297 --> 00:20:00,500
NOT IF YOU'RE KENNY
THE STINKY TROLL.
462
00:20:00,533 --> 00:20:01,268
COME ON, LENNY.
463
00:20:01,301 --> 00:20:02,835
THAT'S JUST A CHARACTER
IN A BOOK.
464
00:20:02,869 --> 00:20:05,872
HAS NO RESEMBLANCE
TO YOU WHATSOEVER.
465
00:20:07,039 --> 00:20:09,742
MAYBE A LITTLE BIT
AROUND THE EARS.
466
00:20:09,976 --> 00:20:12,779
FANCY, CARTER,
DO I PAY YOU TWO
467
00:20:12,812 --> 00:20:14,281
JUST TO SIT AROUND
AND EAT PIZZA ALL DAY?
468
00:20:14,314 --> 00:20:15,915
BUT YOU DON'T PAY US,
MRS. BARTLETT.
469
00:20:15,948 --> 00:20:19,752
I DO NOW.
PUT ON THOSE APRONS
AND GRAB A PIE.
470
00:20:31,864 --> 00:20:33,500
HERE YOU GO.
471
00:20:46,946 --> 00:20:49,749
I'VE NEVER SEEN
SO MANY PIZZAS
IN MY LIFE.
472
00:20:49,782 --> 00:20:50,883
AND I'VE NEVER SEEN SO MANY
473
00:20:50,917 --> 00:20:52,719
HALF EATEN PIZZAS
IN MY LIFE.
474
00:20:52,752 --> 00:20:53,786
AM I THE ONLY ONE
WHO NOTICED
475
00:20:53,820 --> 00:20:55,588
THAT MOST OF THE CUSTOMERS
PICKED OFF THEIR TOPPINGS?
476
00:20:55,622 --> 00:20:57,924
THAT'S BECAUSE
THEY'RE HERE TO SEE JAMIE,
477
00:20:57,957 --> 00:20:59,058
NOT EAT PIZZA.
478
00:20:59,091 --> 00:21:01,561
AND WILL YOU PLEASE
NOT LET MY FATHER
KNOW ABOUT THAT.
479
00:21:01,594 --> 00:21:03,296
HE'S SO EXCITED
ABOUT THE NEW BUSINESS
480
00:21:03,330 --> 00:21:04,931
THAT I WOULD HATE
FOR HIM TO THINK
481
00:21:04,964 --> 00:21:06,699
THAT IT'S ALL ABOUT ME.
482
00:21:06,733 --> 00:21:08,601
YOU MEAN US.
483
00:21:08,635 --> 00:21:09,302
I MEAN, HER.
484
00:21:09,336 --> 00:21:11,671
LET'S JUST
CHANGE THE SUBJECT.
485
00:21:11,704 --> 00:21:12,905
DID YOU HEAR
THAT THE TICKETS
486
00:21:12,939 --> 00:21:14,674
GO ON SALE FOR
THE DANCE FRIDAY?
487
00:21:14,707 --> 00:21:15,908
YOU GUYS GOING?
488
00:21:15,942 --> 00:21:16,976
I'M NOT.
489
00:21:17,009 --> 00:21:18,945
WHY NOT? YOU HAVE TO.
490
00:21:18,978 --> 00:21:20,547
IT'S THE DEEP BLUE SEA DANCE.
491
00:21:20,580 --> 00:21:22,515
BUT I DON'T
HAVE A DATE.
492
00:21:22,549 --> 00:21:23,483
OR A SNORKEL.
493
00:21:23,516 --> 00:21:24,951
WELL, NONE OF US DO.
494
00:21:24,984 --> 00:21:25,718
I HAVE A SNORKEL.
495
00:21:25,752 --> 00:21:28,755
WELL, SINCE NONE OF US
HAVE DATES,
496
00:21:28,788 --> 00:21:29,822
WHY DON'T WE GO
AS A GROUP?
497
00:21:29,856 --> 00:21:30,957
THAT'S A GREAT IDEA.
498
00:21:30,990 --> 00:21:31,991
I GUESS
IT COULD BE FUN.
499
00:21:32,024 --> 00:21:34,661
AND I CAN GET MY BROTHER
TO DRIVE US IN HIS TRUCK.
500
00:21:34,694 --> 00:21:35,995
YEAH. THAT WOULD BE
SO MUCH COOLER
501
00:21:36,028 --> 00:21:38,531
THAN PULLING UP
IN MY DAD'S PIZZA TRUCK.
502
00:21:38,565 --> 00:21:40,600
THEN IT'S A DATE.
503
00:21:46,873 --> 00:21:49,976
VOLUNTEERS NEEDED
FOR THIS YEAR'S
DANCE COMMITTEE.
504
00:21:50,009 --> 00:21:53,913
OH, HEY, JAMIE,
WHAT ABOUT YOU?
505
00:21:53,946 --> 00:21:54,847
YOU GUYS,
506
00:21:54,881 --> 00:21:56,583
WE SHOULD DO IT.
507
00:21:56,616 --> 00:21:57,417
GOOD IDEA.
508
00:21:57,450 --> 00:21:58,585
IF YOU'RE GONNA BE
ONE OF THE POPULARS,
509
00:21:58,618 --> 00:22:00,119
YOU MIGHT AS WELL
ACT LIKE IT.
510
00:22:00,152 --> 00:22:01,821
WE HAVE TO.
511
00:22:01,854 --> 00:22:04,924
HARMONY, YOU ARE SUCH
A GREAT ARTIST.
512
00:22:04,957 --> 00:22:07,126
AND LINDSAY, NOBODY CAN
ORGANIZE THE TROOPS
513
00:22:07,159 --> 00:22:08,094
LIKE YOU CAN.
514
00:22:08,127 --> 00:22:09,362
YOU GUYS,
WE COULD REALLY ROCK
515
00:22:09,396 --> 00:22:10,930
THE DECORATING
COMMITTEE APART.
516
00:22:10,963 --> 00:22:12,965
I DON'T KNOW,
I WAS GONNA
MOBILIZE A PROTEST
517
00:22:12,999 --> 00:22:15,568
AGAINST
THE MAKE-UP COMPANY
AT THE MALL.
518
00:22:15,602 --> 00:22:16,903
WELL, WE CAN DO BOTH.
519
00:22:16,936 --> 00:22:19,539
AND IT SOUNDS LIKE
A BIG WASTE OF TIME.
520
00:22:19,572 --> 00:22:21,641
WHATEVER, VAN GOGH.
521
00:22:21,674 --> 00:22:23,643
IT'LL BE LOTS OF FUN,
I PROMISE.
522
00:22:23,676 --> 00:22:25,812
I'LL TAKE CARE
OF EVERYTHING.
523
00:22:28,114 --> 00:22:30,349
[BELL RINGS]
524
00:22:51,003 --> 00:22:52,605
WHAT'S GOING ON HERE?
525
00:22:52,639 --> 00:22:55,942
RALPH,
THIS IS DIANA.
526
00:22:56,943 --> 00:22:58,578
HELLO.
HI.
527
00:22:58,611 --> 00:22:59,812
I'M YOUR DAUGHTER'S
HANDLER.
528
00:22:59,846 --> 00:23:01,914
WHAT DOES JAMIE NEED
A HANDLER FOR?
529
00:23:01,948 --> 00:23:03,450
GOOD QUESTION, DAD.
530
00:23:03,483 --> 00:23:05,985
JUST TO HELP HER
OVER THE ROUGH SPOTS.
531
00:23:06,018 --> 00:23:06,819
ALL RIGHT, HAIR, UP.
532
00:23:06,853 --> 00:23:08,988
THE PINKS, BRIGHTER.
LOSE THE SNEAKERS.
533
00:23:09,021 --> 00:23:11,491
THIS ISN'T
A BASKETBALL GAME
WE'RE GOING TO.
534
00:23:11,524 --> 00:23:15,662
WHAT AM I GOING TO DO
ABOUT THOSE CHEEKS?
535
00:23:15,695 --> 00:23:17,464
OW!
536
00:23:17,497 --> 00:23:18,230
PERFECT.
537
00:23:18,264 --> 00:23:20,833
UM, IS ALL THIS
REALLY NECESSARY?
538
00:23:20,867 --> 00:23:22,602
NO, HE DIDN'T.
539
00:23:22,935 --> 00:23:25,638
UH, WHAT MY HUSBAND
IS TRYING TO SAY
540
00:23:25,672 --> 00:23:27,874
IS THAT IT SEEMS LIKE
A LOT OF EFFORT,
541
00:23:27,907 --> 00:23:31,644
AND PINCHING,
JUST FOR AN INTERVIEW.
542
00:23:31,678 --> 00:23:33,846
NOT JUST AN INTERVIEW.
543
00:23:33,880 --> 00:23:34,881
IT'S MAURA LIVE.
544
00:23:34,914 --> 00:23:37,950
MRS. BARTLETT,
MAY I CALL YOU PEGGY?
545
00:23:37,984 --> 00:23:38,918
SURE.
546
00:23:38,951 --> 00:23:39,919
PEGGY, SCHILLING PRESS
HAS SPENT A LOT OF MONEY
547
00:23:39,952 --> 00:23:42,822
TO GET YOUR DAUGHTER'S BOOK
ON THE TOP 10 LIST.
548
00:23:42,855 --> 00:23:46,593
WE THINK YOU CAN PUT UP
WITH A LITTLE DISCOMFORT.
549
00:23:46,626 --> 00:23:48,461
HMM? RIGHT, JAMESON?
550
00:23:48,495 --> 00:23:49,962
IT'S JAMIE.
551
00:23:49,996 --> 00:23:52,064
LOVELY CHILD.
552
00:23:54,066 --> 00:23:56,202
I AM NOT DRIVING YOU
TO THE DANCE.
553
00:23:56,235 --> 00:23:57,504
STOP BEGGING.
554
00:23:57,537 --> 00:23:58,204
PLEASE.
555
00:23:58,237 --> 00:23:59,606
LOOK, WHY CAN'T DAD
TAKE YOU?
556
00:23:59,639 --> 00:24:01,140
BECAUSE HE'S NOT COOL.
557
00:24:01,173 --> 00:24:03,009
THAT'S A GOOD POINT.
558
00:24:03,042 --> 00:24:03,943
BUT NO.
559
00:24:03,976 --> 00:24:06,045
IF YOU WON'T
DO IT FOR ME,
DO IT FOR JAMIE.
560
00:24:06,078 --> 00:24:09,916
YOU'RE TAKING JAMIE BARTLETT
TO THE DANCE?
561
00:24:09,949 --> 00:24:10,650
WAY TO GO, SQUIRT.
562
00:24:10,683 --> 00:24:14,020
WELL, IT'S KIND OF
A GROUP THING.
563
00:24:14,053 --> 00:24:15,187
IT'S A START.
564
00:24:15,221 --> 00:24:16,723
SO YOU'LL DO IT?
565
00:24:16,756 --> 00:24:17,490
NO.
566
00:24:17,524 --> 00:24:19,191
PLEASE. I'LL DO
ANYTHING YOU WANT.
567
00:24:19,225 --> 00:24:19,926
I'LL WASH YOUR CAR.
568
00:24:19,959 --> 00:24:23,029
DO YOUR LAUNDRY.
CLEAN YOUR ROOM.
569
00:24:23,062 --> 00:24:23,896
AND THE IGUANA TANKS?
570
00:24:23,930 --> 00:24:27,800
AND? I WAS JUST TALKING
ABOUT ONE CHORE.
571
00:24:27,834 --> 00:24:28,901
WELL, YOU KNOW, I GUESS
572
00:24:28,935 --> 00:24:30,903
YOU DON'T NEED A RIDE
THAT BADLY, SO...
573
00:24:30,937 --> 00:24:33,472
OK, DEAL.
SWEET.
574
00:24:38,578 --> 00:24:39,612
[STUTTERING]
575
00:24:39,646 --> 00:24:40,246
THANKS.
576
00:24:40,279 --> 00:24:41,981
I'M GONNA GO.
577
00:24:43,650 --> 00:24:45,818
YOU'RE GONNA HAVE
SO MUCH FUN, JAMIE.
578
00:24:45,852 --> 00:24:47,820
YEAH. BUT IT WOULD BE
MORE FUN
579
00:24:47,854 --> 00:24:49,689
IF THE TWO OF YOU
WERE COMING ALONG.
580
00:24:49,722 --> 00:24:51,223
WE WISH.
581
00:24:54,661 --> 00:24:56,028
SOMEHOW I THINK ALL
THE PARTIES AND CAVIAR
582
00:24:56,062 --> 00:24:56,996
WILL MAKE UP FOR IT.
583
00:24:57,029 --> 00:24:58,998
YOU'RE RIGHT,
IT'LL BE ROUGH,
584
00:24:59,031 --> 00:25:02,935
BUT LET'S FACE IT,
SOMEONE HAS TO DO IT.
585
00:25:04,336 --> 00:25:06,806
LENNY SOUNDS PRETTY GOOD.
586
00:25:06,839 --> 00:25:10,543
[LENNY PLAYS GUITAR]
587
00:25:10,577 --> 00:25:12,511
HE'S AWESOME.
588
00:25:15,948 --> 00:25:18,885
YEAH. TOO BAD HE WON'T
PLAY ANYWHERE ELSE
589
00:25:18,918 --> 00:25:19,886
BESIDES HIS BEDROOM.
590
00:25:19,919 --> 00:25:20,987
HE'S SUCH A DORK
591
00:25:21,020 --> 00:25:21,888
WHEN IT COMES
TO HIS MUSIC.
592
00:25:21,921 --> 00:25:23,823
HE SHOULD PLAY
AT THE DANCE.
593
00:25:23,856 --> 00:25:25,091
HE SHOULD ALSO
WASH HIS HANDS
594
00:25:25,124 --> 00:25:26,893
MORE OFTEN THAN HE DOES
BUT I DON'T THINK
595
00:25:26,926 --> 00:25:28,695
WE'RE GONNA GET HIM
TO DO IT EITHER.
596
00:25:28,728 --> 00:25:30,630
COME ON.
597
00:25:32,064 --> 00:25:34,734
[PLAYING STOPS]
598
00:25:38,104 --> 00:25:40,139
COME ON, PEOPLE.
WE DON'T HAVE ALL DAY.
599
00:25:40,172 --> 00:25:42,642
WE HAVE A SCHEDULE
TO KEEP.
600
00:25:42,675 --> 00:25:45,912
WELL, YOU HEARD HER.
WE SHOULD BE GOING.
601
00:25:45,945 --> 00:25:46,979
BYE, DADDY.
602
00:25:47,013 --> 00:25:48,948
BYE, JAMIE.
603
00:25:51,383 --> 00:25:52,284
LENNY.
604
00:25:52,318 --> 00:25:56,322
DO YOU HAVE SOMETHING
TO SAY TO YOUR SISTER?
605
00:25:56,355 --> 00:25:58,224
JAMIE.
606
00:25:59,025 --> 00:26:00,026
LENNY.
607
00:26:00,059 --> 00:26:02,061
OK. THANKS FOR TRYING.
608
00:26:02,094 --> 00:26:02,962
[HORN HONKS]
609
00:26:02,995 --> 00:26:06,599
TEMPEST FUGET.
TEMPEST FUGET.
610
00:26:07,166 --> 00:26:08,768
BYE, DADDY.
611
00:26:08,801 --> 00:26:09,969
[HORN HONKS]
612
00:26:10,002 --> 00:26:10,903
BETTER GO.
613
00:26:10,937 --> 00:26:12,905
BYE.
BYE BYE.
614
00:26:13,773 --> 00:26:15,608
CHOTSY ON
THE WINDOW SEAT.
615
00:26:15,642 --> 00:26:19,045
WHEN DID SHE
GET SO BOSSY?
616
00:26:20,913 --> 00:26:24,016
* OH, YEAH, ALL RIGHT
617
00:26:24,050 --> 00:26:25,384
* PUT YOUR HANDS TOGETHER
618
00:26:25,417 --> 00:26:27,887
* DANCE TO MEAN
NO HANGING OUT *
619
00:26:27,920 --> 00:26:29,321
* OH, YEAH
OH, YEAH *
620
00:26:29,355 --> 00:26:31,123
* ALL RIGHT
ALL RIGHT *
621
00:26:31,157 --> 00:26:33,159
* MUSIC TAKES YOU
HIGHER...*
622
00:26:33,192 --> 00:26:34,661
WE HAVE A VERY EXCITING
SHOW THIS MORNING.
623
00:26:34,694 --> 00:26:36,128
JAMIE BARTLETT
IS ON THE PROGRAM.
624
00:26:36,162 --> 00:26:38,931
SHE'S WRITTEN THE BOOK,
"IS SAVES THE WORLD."
625
00:26:38,965 --> 00:26:41,267
JAMIE, LET'S START
WITH IS, THE MAIN CHARACTER.
626
00:26:41,300 --> 00:26:43,002
TELL ME ABOUT HER,
WHAT IS SHE LIKE?
627
00:26:43,035 --> 00:26:49,676
Jamie: UM, UH, UH, WELL...
628
00:26:49,709 --> 00:26:52,011
UM...
629
00:26:52,044 --> 00:26:52,912
AND...
630
00:26:52,945 --> 00:26:56,282
YES, AND IS
THE CHARACTER...
631
00:26:56,315 --> 00:26:59,686
JAMIE BARTLETT WOWED
THE SELL-OUT CROWD TODAY
632
00:26:59,719 --> 00:27:01,921
WITH EXCERPTS OF
HER BEST-SELLING BOOK,
633
00:27:01,954 --> 00:27:04,657
"IS SAVES THE WORLD."
634
00:27:06,959 --> 00:27:09,028
GOOD JOB.
635
00:27:09,061 --> 00:27:09,796
* MUSIC TAKES YOU HIGHER
636
00:27:09,829 --> 00:27:12,899
* NOTHING COULD BEGIN
TOGETHER *
637
00:27:12,932 --> 00:27:13,933
* SHE'S ON THE WAY BACK
638
00:27:13,966 --> 00:27:16,202
* AND FINDING
WHERE IT'S AT *
639
00:27:16,235 --> 00:27:19,706
* LOVE IS
A BEAUTIFUL THING *
640
00:27:19,739 --> 00:27:21,674
* LIFE IS LIKE A VALENTINE
641
00:27:21,708 --> 00:27:23,409
* AND EVERY DAY IN TIME
642
00:27:23,442 --> 00:27:26,012
* IS GONNA ROLL AWAY
643
00:27:26,045 --> 00:27:28,080
* SO TURN IT UP LOUDER
644
00:27:28,114 --> 00:27:29,749
* GONNA SHOUT IT
645
00:27:29,782 --> 00:27:32,952
* CAUSE THERE'S
A NEW DAY COMING *
646
00:27:32,985 --> 00:27:34,186
* OHHHHH YEAH!
647
00:27:34,220 --> 00:27:35,922
* OH, YEAH
OH, YEAH *
648
00:27:35,955 --> 00:27:37,857
* ALL RIGHT
ALL RIGHT *
649
00:27:37,890 --> 00:27:39,325
* PUT YOUR HANDS TOGETHER
650
00:27:39,358 --> 00:27:41,761
* DANCE DON'T GET
NO BETTER *
651
00:27:41,794 --> 00:27:43,162
* OH, YEAH
OH, YEAH *
652
00:27:43,195 --> 00:27:44,931
* ALL RIGHT
ALL RIGHT *
653
00:27:44,964 --> 00:27:46,899
JOINING US NOW
ON BACKSTAGE TICKET
654
00:27:46,933 --> 00:27:48,768
IS THE FANTASTIC AUTHOR
OF A BOOK
655
00:27:48,801 --> 00:27:50,069
THAT IS SWEEPING
THE NATION.
656
00:27:50,102 --> 00:27:51,437
"IS SAVES THE WORLD."
657
00:27:51,470 --> 00:27:54,040
HERE SHE IS,
JAMESON BARTLETT.
658
00:27:54,073 --> 00:27:56,876
[APPLAUSE]
659
00:27:56,909 --> 00:27:58,010
HI, JAMIE.
THANKS FOR COMING IN.
660
00:27:58,044 --> 00:28:00,246
THANK YOU.
IT'S NICE TO BE HERE.
661
00:28:00,279 --> 00:28:01,714
HEY, THAT'S JAMIE!
662
00:28:01,748 --> 00:28:04,016
THAT'S MY DAUGHTER
ON TV!
663
00:28:09,989 --> 00:28:13,059
WOW. THIS IS THE COOLEST
PARTY EVER.
664
00:28:13,092 --> 00:28:14,460
OH, I'LL SAY.
665
00:28:14,493 --> 00:28:15,928
IT'S JAMMING!
666
00:28:15,962 --> 00:28:16,929
JAMMING?
667
00:28:16,963 --> 00:28:17,629
OH, NO, MOM.
668
00:28:17,663 --> 00:28:18,731
DON'T SAY THAT
OUT LOUD AGAIN.
669
00:28:18,765 --> 00:28:22,034
SOMEONE MIGHT HEAR YOU
AND THINK YOU'RE HERE
WITH ME.
670
00:28:22,068 --> 00:28:23,269
YOUNG LADY.
671
00:28:23,302 --> 00:28:25,171
WHAT? I'M SORRY.
672
00:28:25,204 --> 00:28:26,072
BUT JAMMING?
673
00:28:26,105 --> 00:28:27,039
DIDN'T YOUR GENERATION
674
00:28:27,073 --> 00:28:28,975
AT LEAST SAY, GROOVY,
OR SOMETHING LIKE THAT?
675
00:28:29,008 --> 00:28:30,910
YEAH. SOMETHING
LIKE THAT.
676
00:28:30,943 --> 00:28:33,012
OK THEN, YOU, TOO.
677
00:28:33,045 --> 00:28:35,748
I'VE GOT SOME BUSINESS
TO TAKE CARE OF
678
00:28:35,782 --> 00:28:36,749
OVER BY THE SHRIMP PLATE.
679
00:28:36,783 --> 00:28:39,819
SO YOU TWO HELP YOURSELVES
TO WHATEVER YOU WANT,
680
00:28:39,852 --> 00:28:41,020
AND HAVE FUN.
681
00:28:41,053 --> 00:28:42,054
THAT'S AN ORDER.
682
00:28:42,088 --> 00:28:45,057
OH, HEY. YEAH.
683
00:28:46,959 --> 00:28:47,994
[GASPS]
684
00:28:48,027 --> 00:28:48,928
IT'S AMBER TIFFANY.
685
00:28:48,961 --> 00:28:50,229
DON'T YOU HAVE
A PICTURE OF HER
686
00:28:50,262 --> 00:28:51,063
HANGING ON
YOUR BEDROOM WALL?
687
00:28:51,097 --> 00:28:53,465
NO. THAT'S A PICTURE
OF RYDER DONOVAN.
688
00:28:53,499 --> 00:28:56,368
AMBER'S JUST STANDING
NEXT TO HIM.
689
00:28:56,402 --> 00:28:58,070
SHOULD WE GO SAY HI?
690
00:28:58,104 --> 00:28:58,871
NO!
691
00:28:58,905 --> 00:29:00,807
YOU CAN'T JUST GO UP
AND TALK TO HER.
692
00:29:00,840 --> 00:29:02,274
SHE'S AMBER TIFFANY.
693
00:29:02,308 --> 00:29:04,043
SHE'S ON TELEVISION.
694
00:29:04,076 --> 00:29:05,778
YOU KNOW,
SOMETIMES I THINK
THAT YOU'RE FROM
695
00:29:05,812 --> 00:29:06,779
AN ENTIRELY DIFFERENT
PLANET, MOTHER.
696
00:29:06,813 --> 00:29:10,116
JAMIE, THEY'RE JUST PEOPLE
JUST LIKE YOU AND ME.
697
00:29:10,149 --> 00:29:12,051
[GASPS] OH, MY GOD!
698
00:29:12,084 --> 00:29:13,986
IT'S GEORGE JACKSON.
699
00:29:14,020 --> 00:29:16,155
I HAVE ALL OF HIS ALBUMS.
700
00:29:16,188 --> 00:29:17,890
UH, YEAH, WHAT'S AN ALBUM?
701
00:29:17,924 --> 00:29:20,960
SOMETHING WE LISTEN TO
ON THE PLANET I'M FROM.
702
00:29:20,993 --> 00:29:23,930
WELL, WHY DON'T YOU GO
TALK TO HIM.
703
00:29:23,963 --> 00:29:25,264
HE'S JUST PEOPLE.
704
00:29:25,297 --> 00:29:27,967
YOU'RE RIGHT.
I'M GOING TO.
705
00:29:28,000 --> 00:29:29,936
GEORGE.
GEORGE JACKSON!
706
00:29:29,969 --> 00:29:31,570
NO. MOTHER, I WAS JUST--
707
00:29:31,603 --> 00:29:33,472
HI. I LOVE YOU.
708
00:29:33,505 --> 00:29:35,074
I AM SO EXCITED.
709
00:29:35,107 --> 00:29:37,009
KIDDING.
710
00:29:44,416 --> 00:29:45,885
SO...
711
00:29:45,918 --> 00:29:46,785
GO MINGLE.
712
00:29:46,819 --> 00:29:50,089
THERE MUST BE SOMEONE HERE
YOU CAN TALK TO.
713
00:29:51,390 --> 00:29:53,860
OHH...HI, THERE,
LITTLE FELLA.
714
00:29:53,893 --> 00:29:58,064
THAT'S NOT EXACTLY
WHAT I HAD IN MIND.
715
00:29:58,097 --> 00:29:59,365
PUPPY!
716
00:29:59,398 --> 00:30:01,934
OW! OW! OW!
717
00:30:01,968 --> 00:30:02,835
MY HAIR. OH...
718
00:30:02,869 --> 00:30:03,903
THIS COULD ONLY
HAPPEN TO ME.
719
00:30:03,936 --> 00:30:05,905
I'M REALLY SORRY.
I DON'T KNOW HOW
THIS COULD'VE--
720
00:30:05,938 --> 00:30:07,840
WHAT IS WRONG WITH YOU?
721
00:30:07,874 --> 00:30:09,408
FOLLOW ME
TO THE GREEN ROOM
722
00:30:09,441 --> 00:30:12,945
BEFORE I END UP ON
THE COVER OF STARLET.
723
00:30:12,979 --> 00:30:13,913
OH...
724
00:30:13,946 --> 00:30:15,014
I DON'T BELIEVE THIS.
725
00:30:15,047 --> 00:30:17,116
I'M REALLY SORRY. OW!
726
00:30:19,385 --> 00:30:20,486
OW, OW, OW, OW!
727
00:30:20,519 --> 00:30:24,456
I'M REALLY SORRY.
728
00:30:25,557 --> 00:30:27,093
I GOT IT.
729
00:30:27,126 --> 00:30:28,827
FINALLY.
730
00:30:29,128 --> 00:30:31,530
ARE YOU GONNA LET HER
TALK TO YOU LIKE THAT?
731
00:30:31,563 --> 00:30:33,132
SAY SOMETHING.
732
00:30:33,165 --> 00:30:37,003
HI. I'M JAMIE BARTLETT.
733
00:30:37,036 --> 00:30:37,937
HI.
734
00:30:37,970 --> 00:30:41,040
IS THAT THE BEST
YOU CAN DO?
735
00:30:41,073 --> 00:30:42,441
YOUR TIARA
LOOKS REALLY NICE.
736
00:30:42,474 --> 00:30:45,277
YEAH. IT SHOULD BE.
IT COST ENOUGH.
737
00:30:45,311 --> 00:30:48,080
JAMESON BARTLETT?
738
00:30:49,581 --> 00:30:52,384
YOU'RE JAMESON BARTLETT,
RIGHT?
739
00:30:52,418 --> 00:30:53,052
YEAH.
740
00:30:53,085 --> 00:30:56,455
ZAP, ZAP.
I LOVED YOUR BOOK.
741
00:30:56,488 --> 00:30:57,423
LOVED IT.
742
00:30:57,456 --> 00:30:58,524
YOU WROTE A BOOK?
743
00:30:58,557 --> 00:30:59,291
OH, IT'S FANTASTIC.
744
00:30:59,325 --> 00:31:01,427
I READ IT BETWEEN SCENES
LAST WEEK.
745
00:31:01,460 --> 00:31:03,429
SO, HOW'S THE TOUR COMING?
746
00:31:03,462 --> 00:31:05,231
I JUST SAW YOU
ON MAURA LIVE.
747
00:31:05,264 --> 00:31:06,232
AND THE LAST TIME
I SAW YOU,
748
00:31:06,265 --> 00:31:09,101
YOU WERE POISONING
STEFFIE CHANDLER'S
LEMONADE.
749
00:31:09,135 --> 00:31:12,138
DON'T WORRY.
I ONLY PLAY EVIL ON TV.
750
00:31:12,171 --> 00:31:15,307
CADYN, YOU'RE IN MY LIGHT.
751
00:31:17,309 --> 00:31:20,546
ANOTHER DAY, ANOTHER MYRNA.
752
00:31:22,381 --> 00:31:24,283
[CROWD CHEERS]
753
00:31:29,055 --> 00:31:31,057
WILL THE HUMILIATION
NEVER END?
754
00:31:31,090 --> 00:31:34,126
I'M SORRY. WERE YOU
TALKING TO ME?
755
00:31:34,160 --> 00:31:36,295
YOU'RE RYDER DONOVAN.
756
00:31:36,328 --> 00:31:37,930
YOU'RE JAMESON BARTLETT.
757
00:31:37,964 --> 00:31:39,331
CALL ME JAMIE.
758
00:31:39,365 --> 00:31:42,334
OK, JAMIE.
I'M A BIG FAN.
759
00:31:42,368 --> 00:31:45,237
NO WAY!
760
00:31:45,271 --> 00:31:45,938
A BIG FAN?
761
00:31:45,972 --> 00:31:47,339
WE WANT TO HEAR
EVERY DETAIL.
762
00:31:47,373 --> 00:31:48,507
I NEED SOME HELP
BACK HERE.
763
00:31:48,540 --> 00:31:50,142
IT'S ON AGAIN.
WE'RE WATCHING IT RIGHT NOW.
764
00:31:50,176 --> 00:31:51,643
GIRLS!
IT'S JAMIE.
765
00:31:51,677 --> 00:31:52,244
OH!
766
00:31:52,278 --> 00:31:53,679
THERE'S NOT MUCH TO TELL.
767
00:31:53,712 --> 00:31:55,447
THEN HIS HANDLER
INTERRUPTED,
768
00:31:55,481 --> 00:31:56,983
AND THEN MY HANDLER
INTERRUPTED.
769
00:31:57,016 --> 00:31:59,151
AND THEN THE HANDLERS
STARTED HARASSING US.
770
00:31:59,185 --> 00:32:00,319
IT WASN'T PRETTY.
771
00:32:00,352 --> 00:32:02,354
WELL, AT LEAST
HE KNOWS
YOU'RE ALIVE.
772
00:32:02,388 --> 00:32:03,555
ANYONE ELSE?
773
00:32:03,589 --> 00:32:05,091
AMBER TIFFANY WAS THERE.
774
00:32:05,124 --> 00:32:06,425
GET OUT!
GET OUT!
775
00:32:06,458 --> 00:32:07,493
SO NOT IMPRESSIVE.
776
00:32:07,526 --> 00:32:08,527
SO, WHAT'S HAPPENING
WITH THE DECORATING
COMMITTEE?
777
00:32:08,560 --> 00:32:11,130
I FEEL REALLY BAD
THAT I'M NOT THERE
TO HELP OUT.
778
00:32:11,163 --> 00:32:13,632
DON'T WORRY. THERE'LL BE
PLENTY TO DO
WHEN YOU GET BACK.
779
00:32:13,665 --> 00:32:16,302
YOU HAVE TO SEE
HARMONY'S WHALE.
780
00:32:16,335 --> 00:32:17,503
IT'S AMAZING.
781
00:32:17,536 --> 00:32:18,137
WELL, IT'S OK.
782
00:32:18,170 --> 00:32:20,072
BUT YOU'RE NEVER GONNA GUESS
783
00:32:20,106 --> 00:32:22,541
WHAT HAPPENED AT SCHOOL
ON FRIDAY.
784
00:32:22,574 --> 00:32:24,043
WHAT?
GUESS.
785
00:32:24,076 --> 00:32:24,710
TELL ME!
786
00:32:24,743 --> 00:32:26,478
SAWYER AND MARCO
BROKE UP.
787
00:32:26,512 --> 00:32:27,413
GET OUT!
788
00:32:27,446 --> 00:32:29,215
THEY HAD A HUGE--
DRAMATIC.
789
00:32:29,248 --> 00:32:30,516
BREAK UP
RIGHT AFTER LUNCH.
790
00:32:30,549 --> 00:32:31,350
IT WAS INCREDIBLE.
791
00:32:31,383 --> 00:32:33,752
SHE TOLD HIM THAT HE
DIDN'T TREAT HER--
792
00:32:33,785 --> 00:32:35,121
THE WAY SHE SHOULD
BE TREATED.
793
00:32:35,154 --> 00:32:37,589
AND HE SAID SHE WAS
A SPOILED BRAT.
794
00:32:37,623 --> 00:32:38,490
WHOA!
795
00:32:38,524 --> 00:32:39,558
I KNOW, RIGHT?
796
00:32:39,591 --> 00:32:43,495
WELL, SOMEONE WANTS
TO TALK TO YOU.
797
00:32:43,529 --> 00:32:45,464
THANK YOU. HEY.
798
00:32:45,497 --> 00:32:46,698
JAMIE, HONEY.
799
00:32:46,732 --> 00:32:48,167
THERE ARE A FEW
TALKING POINTS
800
00:32:48,200 --> 00:32:49,235
THAT I WOULD
LIKE TO COVER
801
00:32:49,268 --> 00:32:51,570
BEFORE YOUR NEXT
INTERVIEW, OK?
802
00:32:51,603 --> 00:32:53,139
SORRY, GUYS.
I HAVE TO GO.
803
00:32:53,172 --> 00:32:53,972
THAT'S MY HANDLER.
804
00:32:54,006 --> 00:32:57,376
BUT I'LL TALK
TO YOU GUYS LATER. BYE.
805
00:33:14,660 --> 00:33:16,095
OH, NOT MORE LAUNDRY.
806
00:33:16,128 --> 00:33:18,664
YOU STILL NEED A RIDE,
DON'T YOU?
807
00:33:19,231 --> 00:33:21,300
PUT IT IN THE PILE.
808
00:33:21,333 --> 00:33:22,768
GOOD JOB, SQUIRT.
809
00:33:22,801 --> 00:33:25,037
AND I THOUGHT YOU WOULD'VE
QUIT WEEKS AGO.
810
00:33:25,071 --> 00:33:27,005
NOT A CHANCE.
811
00:33:29,075 --> 00:33:31,110
MUST REALLY LIKE HER.
812
00:33:37,149 --> 00:33:38,184
LET'S GO, HONEY.
813
00:33:38,217 --> 00:33:40,052
CHOP, CHOP.
YOU'RE GONNA BE LATE.
814
00:33:40,086 --> 00:33:43,089
ALMOST DONE.
815
00:33:43,122 --> 00:33:44,823
TURN OFF THE TABLET. NOW.
816
00:33:44,856 --> 00:33:45,824
I DON'T GET IT.
817
00:33:45,857 --> 00:33:48,094
FIRST YOU TELL ME TO WRITE,
THEN YOU SAY DON'T.
818
00:33:48,127 --> 00:33:50,096
I'M GETTING MIXED SIGNALS
HERE, MOTHER.
819
00:33:50,129 --> 00:33:53,065
NO. WHAT YOU'RE GETTING
IS FRESH.
820
00:33:53,099 --> 00:33:54,133
GET IN THE CAR.
821
00:33:54,166 --> 00:33:57,203
HONEY, COME ON
LET'S GO.
822
00:34:07,646 --> 00:34:09,715
SAW YOU ON TV.
YOU ROCKED, BARTLETT.
823
00:34:09,748 --> 00:34:11,117
THANK YOU VERY MUCH.
824
00:34:11,150 --> 00:34:12,084
HEY, CUTIE.
825
00:34:12,118 --> 00:34:14,253
HI!
HI!
826
00:34:14,286 --> 00:34:15,254
HI!
827
00:34:15,287 --> 00:34:16,555
HI, JAMIE!
828
00:34:16,588 --> 00:34:18,257
HI, JAMIE.
829
00:34:18,290 --> 00:34:19,858
HELLO.
830
00:34:19,891 --> 00:34:21,393
HEY, JAMIE.
831
00:34:21,427 --> 00:34:22,628
HEY.
832
00:34:22,661 --> 00:34:26,132
SO, DID YOU REALLY
MEET AMBER TIFFANY?
833
00:34:26,165 --> 00:34:28,834
YEAH. WE'RE KIND OF FRIENDS.
834
00:34:28,867 --> 00:34:30,736
NO WAY.
835
00:34:30,769 --> 00:34:32,504
WAY.
836
00:34:32,538 --> 00:34:34,406
WOW. YOU'RE
A SUPERSTAR NOW.
837
00:34:34,440 --> 00:34:36,175
SO WE HAVE TO
GET THE WORD OUT
838
00:34:36,208 --> 00:34:37,042
THAT YOU'RE
GONNA BE
839
00:34:37,075 --> 00:34:39,211
AT OUR ANIMAL RIGHTS
RALLY NEXT THURSDAY.
840
00:34:39,245 --> 00:34:40,279
YOU ARE COMING, RIGHT?
841
00:34:40,312 --> 00:34:41,213
OF COURSE I'M COMING.
842
00:34:41,247 --> 00:34:42,781
I WOULDN'T MISS IT
FOR ANYTHING IN THE WORLD.
843
00:34:42,814 --> 00:34:45,284
I WOULD NEVER
LET YOU GUYS DOWN.
844
00:34:45,317 --> 00:34:46,785
OR THE BUGS.
845
00:34:46,818 --> 00:34:48,720
COME ON.
846
00:34:52,191 --> 00:34:54,193
WHOA. WHAT IS THAT SMELL?
847
00:34:54,226 --> 00:34:56,895
OH, THE FRESH
PINE SCENT?
848
00:34:56,928 --> 00:34:57,629
THAT'S ME.
849
00:34:57,663 --> 00:35:00,166
I HAD TO DETAIL
MY BROTHER'S CAR
850
00:35:00,199 --> 00:35:00,866
BEFORE SCHOOL
THIS MORNING.
851
00:35:00,899 --> 00:35:01,900
IT'S PART
OF OUR DEAL.
852
00:35:01,933 --> 00:35:04,136
SOUNDS LIKE
A LOT OF WORK
JUST FOR SOME WHEELS.
853
00:35:04,170 --> 00:35:05,371
YEAH. BUT WORTH IT.
854
00:35:05,404 --> 00:35:06,905
CONNOR, THAT IS
SO NICE
855
00:35:06,938 --> 00:35:09,175
THAT YOU'RE
DOING THIS FOR--
856
00:35:12,678 --> 00:35:14,380
[STUDENTS GASP]
857
00:35:17,283 --> 00:35:17,949
DID YOU JUST SEE THAT?
858
00:35:17,983 --> 00:35:20,352
YOU TWO TOTALLY
HAD A MOMENT.
859
00:35:20,386 --> 00:35:21,353
DID WE?
860
00:35:21,387 --> 00:35:22,721
YEAH. WE DID.
861
00:35:22,754 --> 00:35:24,156
HEY, JAMIE.
862
00:35:24,190 --> 00:35:26,225
WE HAVE
AN EXTRA SEAT.
863
00:35:26,258 --> 00:35:28,260
JENNIFER TOO'S
OUT SICK.
864
00:35:28,294 --> 00:35:30,362
NO, THANKS.
865
00:35:30,396 --> 00:35:31,663
OH, COME ON
WE WANT TO HEAR
866
00:35:31,697 --> 00:35:33,865
ALL ABOUT
THE BACKSTAGE PARTY.
867
00:35:34,966 --> 00:35:37,169
GO AHEAD.
GIVE THEM A TREAT.
868
00:35:37,203 --> 00:35:40,272
WE'VE ALREADY HEARD
ALL THE STORIES.
869
00:35:44,876 --> 00:35:46,312
THAT DIDN'T TAKE
MUCH PRODDING.
870
00:35:46,345 --> 00:35:47,579
LET'S FACE IT, CONNOR.
871
00:35:47,613 --> 00:35:48,814
WE HAVE TO
SHARE OUR JAMIE
872
00:35:48,847 --> 00:35:49,815
WITH THE REST
OF THE WORLD NOW.
873
00:35:49,848 --> 00:35:51,617
JUST AS LONG AS SHE
CAN FILL UP
874
00:35:51,650 --> 00:35:52,684
MY ANIMAL RIGHTS RALLY
875
00:35:52,718 --> 00:35:54,420
LIKE SHE CAN FILL UP
A PIZZA PARLOR,
876
00:35:54,453 --> 00:35:56,855
I THINK I CAN
DEAL WITH IT.
877
00:35:58,957 --> 00:35:59,791
[LAUGHING]
878
00:35:59,825 --> 00:36:01,460
AND THEN
WHEN I STOOD UP,
879
00:36:01,493 --> 00:36:03,862
MY HAIR WAS STUCK
IN HER TIARA.
880
00:36:03,895 --> 00:36:05,331
NO WAY!
881
00:36:05,364 --> 00:36:05,964
WAY!
882
00:36:05,997 --> 00:36:06,965
WHAT DID YOU DO?
883
00:36:06,998 --> 00:36:07,933
WELL, WE DIDN'T
WANT TO END UP
884
00:36:07,966 --> 00:36:10,636
ON THE COVER
OF STARLE NOW, DID WE?
885
00:36:10,669 --> 00:36:12,838
NO. SO WE SCURRIED OFF
TO THE GREEN ROOM
886
00:36:12,871 --> 00:36:13,872
BEFORE ANYBODY
COULD SEE US.
887
00:36:13,905 --> 00:36:15,974
I MEAN,
CAN YOU IMAGINE?
888
00:36:16,007 --> 00:36:17,876
THAT IS FUNNY.
889
00:36:24,616 --> 00:36:25,551
NOW THAT HE'S SINGLE,
890
00:36:25,584 --> 00:36:28,454
YOU THINK MARCO WILL TAKE
JAMIE TO THE DANCE?
891
00:36:28,487 --> 00:36:29,555
THEY COULDN'T.
892
00:36:29,588 --> 00:36:31,490
WHY NOT?
HE'S A FREE MAN NOW.
893
00:36:31,523 --> 00:36:32,891
BECAUSE SHE SAID
SHE WAS GOING WITH US.
894
00:36:32,924 --> 00:36:34,660
WE'RE GOING AS A GROUP.
895
00:36:34,693 --> 00:36:35,627
I THINK THE RULE WAS
896
00:36:35,661 --> 00:36:37,629
IF NO ONE
ASKED US FIRST
WE'D GO AS A GROUP.
897
00:36:37,663 --> 00:36:38,797
WHAT?
THAT WASN'T A RULE.
898
00:36:38,830 --> 00:36:39,865
WHEN DID WE MAKE THAT RULE?
899
00:36:39,898 --> 00:36:40,966
WHY? DO YOU KNOW
ANYONE ELSE
900
00:36:40,999 --> 00:36:43,335
WHO MIGHT WANT TO
TAKE HER TO THE DANCE?
901
00:36:43,369 --> 00:36:43,902
NO.
902
00:36:43,935 --> 00:36:44,870
SOUNDS LIKE YOU DO.
903
00:36:44,903 --> 00:36:45,937
I DON'T. I JUST--
904
00:36:45,971 --> 00:36:47,839
DIDN'T KNOW IT WAS A RULE.
905
00:36:47,873 --> 00:36:49,908
WHATEVER.
906
00:36:56,882 --> 00:36:59,651
SO, HOW WAS LUNCH
WITH THE POPULARS?
907
00:36:59,685 --> 00:37:01,820
WELL, IT WASN'T
EXCRUCIATING.
908
00:37:01,853 --> 00:37:03,955
IT SEEMED LIKE YOU
WERE HAVING FUN.
909
00:37:03,989 --> 00:37:05,491
I WOULDN'T
CALL IT FUN.
910
00:37:05,524 --> 00:37:06,392
I MEAN, IT WAS OK.
911
00:37:06,425 --> 00:37:08,026
NOT LIKE HANGING OUT
WITH YOU GUYS, THOUGH.
912
00:37:08,059 --> 00:37:09,027
AND THE LONGER
I SAT THERE,
913
00:37:09,060 --> 00:37:11,830
THE MORE I COULD
FEEL MYSELF
LOSING IQ POINTS.
914
00:37:11,863 --> 00:37:12,864
[LAUGHING]
915
00:37:12,898 --> 00:37:13,932
HEY, WHY
DIDN'T CONNOR
916
00:37:13,965 --> 00:37:15,401
WANT TO COME
WITH US TODAY?
917
00:37:15,434 --> 00:37:16,602
OH, I DON'T KNOW.
918
00:37:16,635 --> 00:37:18,370
HE'S BEEN ACTING
ALL BOY-LIKE LATELY.
919
00:37:18,404 --> 00:37:21,440
WELL, WE'LL SEE YOU
AT THE PIZZA PARLOR.
920
00:37:21,473 --> 00:37:22,841
OH, UH...
921
00:37:22,874 --> 00:37:23,842
YOU WON'T SEE ME.
922
00:37:23,875 --> 00:37:25,277
WE WON'T?
923
00:37:25,311 --> 00:37:26,278
NO.
924
00:37:26,312 --> 00:37:27,813
I QUIT.
925
00:37:28,414 --> 00:37:29,815
DIDN'T WE COVER THIS?
926
00:37:29,848 --> 00:37:32,851
I THOUGHT MY HANDLER
CALLED YOU GUYS.
927
00:37:32,884 --> 00:37:34,052
YOU'RE NOT SERIOUS.
928
00:37:34,085 --> 00:37:36,955
NO. I'M JOKING.
929
00:37:37,989 --> 00:37:39,491
WELL, MAYBE
IT'S THE TRUTH.
930
00:37:39,525 --> 00:37:42,694
I THOUGHT I TOLD
SOMEONE.
931
00:37:42,728 --> 00:37:44,463
COME ON, YOU GUYS.
932
00:37:44,496 --> 00:37:47,566
IT'S NOT LIKE I NEED
THE MONEY ANYMORE.
933
00:37:47,599 --> 00:37:49,267
BYE BYE.
934
00:38:10,422 --> 00:38:11,523
PRUNE PIZZA, PEG.
935
00:38:11,557 --> 00:38:12,991
HONEY, NO.
936
00:38:13,024 --> 00:38:14,993
TRY IT.
937
00:38:15,026 --> 00:38:17,062
DON'T JUDGE IT
SO HARSHLY.
938
00:38:17,095 --> 00:38:17,796
NO.
939
00:38:17,829 --> 00:38:18,730
YOU KNOW, I BET
THE FIRST PERSON
940
00:38:18,764 --> 00:38:21,500
TO TRY A PINEAPPLE PIZZA
WAS LAUGHED AT, TOO.
941
00:38:21,533 --> 00:38:23,969
BESIDES, IT'S MORE
OF A BREAKFAST PIZZA.
942
00:38:24,002 --> 00:38:26,572
YOU KNOW,
MY GOURMET PIES
ARE DOING SO WELL
943
00:38:26,605 --> 00:38:28,674
I WAS THINKING WE SHOULD
OPEN FOR BREAKFAST.
944
00:38:28,707 --> 00:38:30,876
OH, RALPH.
DON'T DO THIS TO US.
945
00:38:30,909 --> 00:38:31,510
THINGS ARE GOING GREAT.
946
00:38:31,543 --> 00:38:33,912
IT'S THE POWER
OF MY PIZZA.
947
00:38:33,945 --> 00:38:35,414
MM-HMM.
[TELEPHONE RINGS]
948
00:38:35,447 --> 00:38:37,616
RALPH'S PIZZA SHACK.
949
00:38:37,649 --> 00:38:42,388
YES. THIS IS THE PLACE
RIGHT OUT OF
"IS SAVES THE WORLD."
950
00:38:42,421 --> 00:38:45,391
BIRTHDAY RESERVATIONS.
951
00:38:45,424 --> 00:38:47,359
FOR 12.
952
00:38:47,393 --> 00:38:50,396
I HAVE IT. THANK YOU.
953
00:38:50,429 --> 00:38:53,432
MAYBE IT'S NOT ONLY
MY PIZZA.
954
00:38:53,465 --> 00:38:55,033
MAYBE.
955
00:38:55,701 --> 00:38:56,968
MAYBE.
956
00:39:01,640 --> 00:39:03,875
[CELL PHONE RINGS]
957
00:39:07,513 --> 00:39:09,448
HEY, LINDS. HOW WAS WORK?
958
00:39:09,481 --> 00:39:10,215
EXHAUSTING.
959
00:39:10,248 --> 00:39:12,050
WHO KNEW PIZZAS
COULD BE SO HEAVY?
960
00:39:12,083 --> 00:39:13,151
YOU THINK YOU'RE TIRED?
961
00:39:13,184 --> 00:39:16,722
YOU'D NEVER BELIEVE
ALL THE STUFF
I'VE GOT GOING ON.
962
00:39:16,755 --> 00:39:17,956
IT'S CRAZY.
963
00:39:17,989 --> 00:39:19,758
YEAH, WELL,
I WAS CALLING TO SEE
964
00:39:19,791 --> 00:39:20,992
IF YOU CAN HELP OUT
ON SATURDAY.
965
00:39:21,026 --> 00:39:23,795
WE HAVE TO FINISH
HARMONY'S WHALE BY NEXT WEEK.
966
00:39:23,829 --> 00:39:25,531
WHY DO WE
HAVE TO DO THAT?
967
00:39:25,564 --> 00:39:29,535
HELLO. WE'RE ALL ON
THE DECORATING COMMITTEE
REMEMBER?
968
00:39:29,568 --> 00:39:30,836
YOU'RE THE ONE
WHO GOT US INTO THIS.
969
00:39:30,869 --> 00:39:34,673
RIGHT. UM... LOOK,
I'M SORRY, BUT I CAN'T.
970
00:39:34,706 --> 00:39:37,776
DIANA'S COMING OVER
TO HELP ME
ANSWER FAN MAIL.
971
00:39:37,809 --> 00:39:38,744
YOU HAVE FAN MAIL?
972
00:39:38,777 --> 00:39:42,681
WELL...IT'S FOR IS,
BUT I HAVE TO
ANSWER IT.
973
00:39:42,714 --> 00:39:43,849
OH.
974
00:39:43,882 --> 00:39:44,950
YOU'RE NOT GONNA FORGET
975
00:39:44,983 --> 00:39:45,884
ABOUT MY ANIMAL RIGHTS
RALLY, ARE YOU?
976
00:39:45,917 --> 00:39:48,587
WE REALLY NEED YOUR HELP
TO GET THE WORD OUT.
977
00:39:48,620 --> 00:39:50,989
[PHONE BEEPS]
[GASPS]
978
00:39:51,022 --> 00:39:51,923
WHAT? WHAT IS IT?
979
00:39:51,957 --> 00:39:54,693
A DIRECT CONNECTION
TO HIGH SCHOOL ROYALTY.
980
00:39:54,726 --> 00:39:56,895
UM, I HAVE TO
TAKE THIS CALL,
981
00:39:56,928 --> 00:39:58,764
BUT DON'T WORRY,
I'LL BE AT THAT RALLY.
982
00:39:58,797 --> 00:40:00,966
CALL ME TOMORROW.
983
00:40:03,969 --> 00:40:04,836
HELLO?
984
00:40:04,870 --> 00:40:07,506
JAMIE. HEY, IT'S SAWYER.
WHAT'S HAPPENING?
985
00:40:07,539 --> 00:40:09,441
OH...NOTHING.
986
00:40:09,475 --> 00:40:12,077
HEY, LISTEN,
YOU WANT TO HIT
THE MALL ON SATURDAY?
987
00:40:12,110 --> 00:40:13,812
SURE. I'D LOVE TO.
988
00:40:13,845 --> 00:40:16,582
SWEET. CAN'T WAIT.
989
00:40:18,917 --> 00:40:20,886
YES!
990
00:40:29,961 --> 00:40:31,530
THANK YOU.
991
00:40:34,666 --> 00:40:35,801
[SIGHS]
992
00:40:35,834 --> 00:40:37,803
HEY.
993
00:40:38,537 --> 00:40:39,705
MARCO.
994
00:40:39,738 --> 00:40:40,772
IS JAMIE HERE?
995
00:40:40,806 --> 00:40:41,940
ONLY IN SPIRIT.
996
00:40:41,973 --> 00:40:44,810
WILL YOU TELL HER
THAT I'M LOOKING FOR HER.
997
00:40:44,843 --> 00:40:46,845
NO.
998
00:40:46,878 --> 00:40:47,679
EXCUSE ME?
999
00:40:47,713 --> 00:40:49,748
I MEAN, SHE DOESN'T
WORK HERE ANYMORE.
1000
00:40:49,781 --> 00:40:51,016
YEAH, BUT YOU GUYS
ARE FRIENDS, RIGHT?
1001
00:40:51,049 --> 00:40:51,883
HEY, DO YOU KNOW
1002
00:40:51,917 --> 00:40:54,586
IF SHE'S GOING
TO THE DANCE
WITH ANYONE?
1003
00:40:54,620 --> 00:40:55,821
I DON'T KNOW.
1004
00:40:55,854 --> 00:40:59,157
BUT IF I SEE HER,
I'LL LET HER KNOW
YOU'RE LOOKING FOR HER.
1005
00:40:59,190 --> 00:41:01,760
THANKS.
1006
00:41:01,793 --> 00:41:03,461
NO PROBLEM.
1007
00:41:06,965 --> 00:41:09,668
WHO KNEW BEING AN AUTHOR
WOULD BE SUCH HARD WORK?
1008
00:41:09,701 --> 00:41:11,202
WELL, YOU BETTER
GET USED TO IT,
JAMIE.
1009
00:41:11,236 --> 00:41:13,872
IF YOUR NEXT BOOK
SELLS EVERYTHING
LIKE THIS ONE,
1010
00:41:13,905 --> 00:41:14,973
THIS IS ONLY
THE BEGINNING.
1011
00:41:15,006 --> 00:41:17,008
HEY, WHO WANTS A BITE
TO EAT?
1012
00:41:17,042 --> 00:41:17,976
ME. I'M STARVING.
1013
00:41:18,009 --> 00:41:21,479
ME THREE.
LET'S CHARGE IT
TO THE PUBLISHER.
1014
00:41:30,055 --> 00:41:31,189
YOU KNOW WHAT...
1015
00:41:31,222 --> 00:41:33,592
I'M NOT HUNGRY ANYMORE.
1016
00:41:33,625 --> 00:41:35,193
CAN WE KEEP WALKING?
1017
00:41:41,266 --> 00:41:42,200
HEY, CHECK IT OUT, BRO.
1018
00:41:42,233 --> 00:41:44,035
WAIT TILL JAMIE
SEES THESE, HUH?
1019
00:41:44,069 --> 00:41:46,905
DOUBT IF SHE EVER WILL.
1020
00:41:46,938 --> 00:41:49,040
WHY? WHAT HAPPENED?
1021
00:41:49,074 --> 00:41:52,811
WELL, MARCO VEGA'S
GONNA ASK HER
TO THE DANCE.
1022
00:41:52,844 --> 00:41:53,879
GOING TO?
1023
00:41:53,912 --> 00:41:56,114
IT'S NOT OFFICIAL YET,
BUT ALL THE SIGNS
ARE THERE.
1024
00:41:56,147 --> 00:41:58,049
WELL, THEN,
THERE'S STILL TIME.
1025
00:41:58,083 --> 00:41:58,950
YOU CAN STILL ASK HER.
1026
00:41:58,984 --> 00:42:00,318
BUT IT'S MARCO VEGA.
1027
00:42:00,351 --> 00:42:02,020
AND YOU'RE CONNOR KENNEDY.
1028
00:42:02,053 --> 00:42:03,889
LOOK, DON'T BE LIKE THAT,
LITTLE BRO.
1029
00:42:03,922 --> 00:42:05,657
YOU LIKE HER, DON'T YOU?
1030
00:42:05,691 --> 00:42:06,391
YEAH.
1031
00:42:06,424 --> 00:42:07,458
AND YOU DIDN'T WASH
MY UNDERWEAR
1032
00:42:07,492 --> 00:42:09,861
FOR AN ENTIRE MONTH
JUST TO LET
SOME CHUMP JUMP IN
1033
00:42:09,895 --> 00:42:11,897
AND STEAL YOUR GIRL,
DID YOU?
1034
00:42:11,930 --> 00:42:12,898
NO.
1035
00:42:12,931 --> 00:42:13,599
THAT'S RIGHT.
1036
00:42:13,632 --> 00:42:14,900
NOW LOOK,
YOU'VE COME TOO FAR,
1037
00:42:14,933 --> 00:42:16,167
AND YOU'VE WORKED
WAY TO HARD
1038
00:42:16,201 --> 00:42:17,803
JUST TO ROLL OVER.
1039
00:42:17,836 --> 00:42:18,704
YEAH, I HAVE.
1040
00:42:18,737 --> 00:42:19,571
NOW, I WANT YOU TO GO
AND FIND THIS GIRL,
1041
00:42:19,605 --> 00:42:21,006
AND I WANT YOU
TO ASK HER TO THE DANCE.
1042
00:42:21,039 --> 00:42:22,708
I'LL DO IT.
1043
00:42:29,881 --> 00:42:31,349
WHAT WITH SCHOOLWORK
AND ALL THAT...
1044
00:42:31,382 --> 00:42:32,784
[PHONE BEEPS]
HANG ON.
1045
00:42:32,818 --> 00:42:34,319
YEAH. IT'S SAWYER.
SORRY ABOUT THAT.
1046
00:42:34,352 --> 00:42:37,589
HI. THIS IS JAMIE.
LEAVE ME A MESSAGE.
1047
00:42:37,623 --> 00:42:38,456
HEY, JAMIE,
IT'S CONNOR.
1048
00:42:38,489 --> 00:42:41,359
CALL ME BACK. I WANT
TO TALK TO YOU. BYE.
1049
00:42:41,392 --> 00:42:43,662
HANG ON. I GOTTA
FINISH THIS CONVERSATION.
1050
00:42:43,695 --> 00:42:45,030
HOLD ON TWO SECONDS.
1051
00:42:45,063 --> 00:42:46,765
[BUSY TONE]
1052
00:42:49,300 --> 00:42:50,869
CAN YOU HANG ON
FOR ONE SECOND?
1053
00:42:50,902 --> 00:42:52,938
GIVE ME TWO MORE
SECONDS, OK?
1054
00:42:52,971 --> 00:42:55,173
I'LL BE RIGHT BACK. OK.
1055
00:42:55,206 --> 00:42:57,843
[PHONE RINGING]
1056
00:42:57,876 --> 00:42:59,210
[RING]
1057
00:42:59,244 --> 00:42:59,978
HELLO.
1058
00:43:00,011 --> 00:43:02,648
HI, MRS. BARTLETT.
IS JAMIE THERE?
1059
00:43:02,681 --> 00:43:04,149
YEAH. JAMIE!
1060
00:43:04,182 --> 00:43:05,817
CONNOR'S ON THE PHONE.
1061
00:43:05,851 --> 00:43:08,053
TELL HIM I'LL CALL HIM
BACK LATER.
1062
00:43:08,086 --> 00:43:10,255
SHE SAID SHE'S GONNA
CALL YOU BACK.
1063
00:43:10,288 --> 00:43:12,590
ALL RIGHT.
ALL RIGHT. BYE.
1064
00:43:14,660 --> 00:43:19,364
* GOTTA GET UP AND GO,
THERE'S NOTHING TO IT *
1065
00:43:23,935 --> 00:43:26,738
* COME ON, DO IT
1066
00:43:26,772 --> 00:43:27,806
HEY.
1067
00:43:27,839 --> 00:43:28,774
WHERE'S JAMIE?
1068
00:43:28,807 --> 00:43:29,941
SHE'S EXCUSED FROM CLASS.
1069
00:43:29,975 --> 00:43:33,611
SHE HAD A MEETING
WITH HER HANDLER.
1070
00:43:38,283 --> 00:43:39,785
I CAN'T BELIEVE THIS.
1071
00:43:39,818 --> 00:43:40,919
I'LL BET SHE FORGOT.
1072
00:43:40,952 --> 00:43:44,055
DON'T WORRY, LINDS.
SHE'LL BE HERE.
1073
00:43:48,259 --> 00:43:49,260
HI.
HI.
1074
00:43:49,294 --> 00:43:51,663
HEY, JAMIE.
HEY.
1075
00:43:53,131 --> 00:43:54,933
JAMIE!
1076
00:43:56,768 --> 00:43:57,335
JAMIE!
1077
00:43:57,368 --> 00:44:00,371
HEY. YOU LOOK GREAT.
1078
00:44:00,405 --> 00:44:01,907
MOVE IT.
1079
00:44:01,940 --> 00:44:02,741
THANK YOU.
1080
00:44:02,774 --> 00:44:04,876
YOU'RE JUST THE GIRL
I WAS LOOKING FOR.
1081
00:44:04,910 --> 00:44:05,977
WATCH IT!
1082
00:44:06,011 --> 00:44:06,544
I AM?
1083
00:44:06,577 --> 00:44:08,146
CAN I ASK YOU SOMETHING?
1084
00:44:08,179 --> 00:44:09,915
JAMIE!
1085
00:44:11,049 --> 00:44:11,983
JAMIE...
1086
00:44:12,017 --> 00:44:13,451
NOT NOW, CONNOR.
1087
00:44:13,484 --> 00:44:14,319
BUT...
1088
00:44:14,352 --> 00:44:16,354
MARCO WAS JUST ABOUT
TO ASK ME SOMETHING.
1089
00:44:16,387 --> 00:44:17,989
I'M SORRY.
YOU WERE SAYING?
1090
00:44:18,023 --> 00:44:19,424
LOOK, I KNOW YOU'RE BUSY
AND EVERYTHING
1091
00:44:19,457 --> 00:44:21,960
WITH ALL
YOUR "IS" STUFF, BUT...
1092
00:44:21,993 --> 00:44:23,194
JAMIE...
1093
00:44:23,228 --> 00:44:25,163
DO YOU WANT TO GO
TO THE DANCE WITH ME?
1094
00:44:25,196 --> 00:44:27,833
OF COURSE I DO.
1095
00:44:35,040 --> 00:44:36,908
YOU GUYS, I AM SO LATE.
1096
00:44:36,942 --> 00:44:38,143
LET ME DROP
THIS STUFF OFF,
1097
00:44:38,176 --> 00:44:41,246
AND BOY, DO I HAVE
NEWS FOR YOU.
1098
00:44:41,279 --> 00:44:44,215
YEAH, YEAH.
YOU LOOK BEAUTIFUL,
NOW LET'S MOVE IT.
1099
00:44:44,249 --> 00:44:45,250
ARE YOU READY?
1100
00:44:45,283 --> 00:44:46,852
NO. NOT WITHOUT
MY NORMAL HAIR
AND MAKE-UP TEAM.
1101
00:44:46,885 --> 00:44:49,054
I DON'T KNOW HOW
I'M GOING TO
PULL THIS OFF.
1102
00:44:49,087 --> 00:44:51,022
WHAT ARE YOU
TALKING ABOUT?
1103
00:44:51,056 --> 00:44:53,158
WHAT ARE YOU
TALKING ABOUT?
1104
00:44:53,191 --> 00:44:54,926
DON'T TELL ME
YOU FORGOT.
1105
00:44:54,960 --> 00:44:56,795
OK. I HAVE REALLY
IMPORTANT NEWS.
1106
00:44:56,828 --> 00:45:00,098
MORE IMPORTANT
THAN SAVING
THE HELPLESS BUNNIES?
1107
00:45:00,131 --> 00:45:02,133
UH, YEAH.
1108
00:45:02,167 --> 00:45:03,034
KIND OF.
1109
00:45:03,068 --> 00:45:05,270
I CAN'T BELIEVE
YOU FORGOT.
WE NEED YOU.
1110
00:45:05,303 --> 00:45:07,873
OH, YOUR PROTEST
IS TODAY, ISN'T IT?
1111
00:45:07,906 --> 00:45:10,909
LINDSAY, IT IS
TOTALLY NOT MY FAULT.
1112
00:45:10,942 --> 00:45:12,010
I ASKED, BUT--
1113
00:45:12,043 --> 00:45:14,112
DIANA TO CALL
TO SEE IF YOU COULD
MOVE IT TO FRIDAY
1114
00:45:14,145 --> 00:45:16,247
BECAUSE I HAVE
THIS PRESS THING
TO DO RIGHT NOW.
1115
00:45:16,281 --> 00:45:17,315
WE'VE BEEN
PLANNING THIS
FOR MONTHS.
1116
00:45:17,348 --> 00:45:20,151
I CAN'T JUST CHANGE
THE DATE TO FIT
YOUR SCHEDULE.
1117
00:45:20,185 --> 00:45:22,788
THIS IS REALLY BAD,
ISN'T IT?
1118
00:45:22,821 --> 00:45:23,955
YOU HAVE TO ASK?
1119
00:45:23,989 --> 00:45:25,957
LOOK, I'M REALLY SORRY,
1120
00:45:25,991 --> 00:45:27,225
BUT IT'S FOR THE BOOK,
1121
00:45:27,258 --> 00:45:29,895
AND I HAVE A LIMO
WAITING FOR ME OUTSIDE.
1122
00:45:29,928 --> 00:45:32,397
WHATEVER.
1123
00:45:48,313 --> 00:45:49,981
I CAN CALL THEM
AT THE RALLY.
1124
00:45:50,015 --> 00:45:53,084
I CAN MAKE THIS WORK
FOR EVERYONE.
1125
00:45:53,118 --> 00:45:56,054
IF I COULD ONLY FIND
MY CELL PHONE.
1126
00:45:56,087 --> 00:45:58,957
SAWYER, I DON'T KNOW
WHAT TO SAY,
1127
00:45:58,990 --> 00:46:00,792
BUT I REALLY
SHOULD BE THERE.
1128
00:46:00,826 --> 00:46:02,961
HEY, WHAT ARE YOU
DOING LATER?
1129
00:46:02,994 --> 00:46:04,930
I'M TAPING A SEGMENT
OF RISE AND SHINE.
1130
00:46:04,963 --> 00:46:07,398
TOTALLY LAME,
BUT WHAT CAN YOU DO?
1131
00:46:07,432 --> 00:46:08,934
ANYWAY, DO YOU WANT
TO GRAB A BITE
TO EAT LATER?
1132
00:46:08,967 --> 00:46:10,201
ANYTHING
BUT PIZZA, EW!
1133
00:46:10,235 --> 00:46:11,903
CAN'T STAND
THE STUFF.
1134
00:46:11,937 --> 00:46:13,504
HELLO.
1135
00:46:13,538 --> 00:46:14,539
HEY, THAT IS MY PHONE.
1136
00:46:14,572 --> 00:46:15,974
WELL, YOU WEREN'T
GONNA USE IT
1137
00:46:16,007 --> 00:46:16,942
FOR ANYTHING IMPORTANT.
1138
00:46:16,975 --> 00:46:18,977
I LOVE PIZZA.
1139
00:46:19,010 --> 00:46:19,945
AND LINDSAY IS MY FRIEND.
1140
00:46:19,978 --> 00:46:22,981
LINDSAY ISN'T GOING
TOO MAKE YOU A SUPERSTAR.
1141
00:46:23,014 --> 00:46:25,216
MAYBE I DON'T WANT
TO BE A SUPERSTAR.
1142
00:46:25,250 --> 00:46:27,986
"I DON'T WANT TO BE
A SUPERSTAR.
1143
00:46:28,019 --> 00:46:30,088
I LOVE PIZZA."
1144
00:46:30,121 --> 00:46:31,923
WELL, I SUPPOSE
YOU DIDN'T WANT
1145
00:46:31,957 --> 00:46:32,924
THE CUTEST BOY IN SCHOOL
1146
00:46:32,958 --> 00:46:34,225
TO ASK YOU
TO THE DANCE EITHER.
1147
00:46:34,259 --> 00:46:35,060
WELL...
1148
00:46:35,093 --> 00:46:37,896
STOP WHINING AND START
ACTING LIKE IS.
1149
00:46:39,064 --> 00:46:40,365
OH, YOU LOOK ADORABLE.
1150
00:46:40,398 --> 00:46:41,466
SO, YOU READY?
1151
00:46:41,499 --> 00:46:43,334
COME ON.
1152
00:46:43,368 --> 00:46:44,936
UH...
1153
00:46:44,970 --> 00:46:46,972
IN A SOCIETY
SUCH AS OURS,
1154
00:46:47,005 --> 00:46:50,041
IT IS INDEFENSIBLE
TO TREAT SMALL,
LITTLE CREATURES,
1155
00:46:50,075 --> 00:46:52,410
SUCH AS THE BUNNY,
IN UNCARING WAYS.
1156
00:46:52,443 --> 00:46:54,012
THEY HAVE ANIMAL TESTING...
1157
00:46:54,045 --> 00:46:55,280
YOU WANT TO SIGN
OUR PETITION?
1158
00:46:55,313 --> 00:46:58,416
NO. I WANT TO FIND
THE BATHROOM.
1159
00:46:58,449 --> 00:47:01,920
UH-HUH. AROUND THE CORNER
TO THE LEFT.
1160
00:47:05,123 --> 00:47:08,994
THIS PROTEST
IS A COMPLETE DISASTER.
1161
00:47:09,027 --> 00:47:10,962
NOW THE BUNNIES
ARE GONNA PAY FOR IT.
1162
00:47:10,996 --> 00:47:13,631
IT'S NOT OUR FAULT
THAT OUR
CELEBRITY ENDORSEMENT
1163
00:47:13,664 --> 00:47:15,233
PULLED OUT
AT THE LAST MINUTE.
1164
00:47:15,266 --> 00:47:18,870
NO. IT'S HER
HANDLER'S FAULT.
1165
00:47:19,270 --> 00:47:22,507
I LIKED HER BETTER
WHEN SHE DIDN'T
HAVE A HANDLER.
1166
00:47:22,540 --> 00:47:25,010
ME, TOO.
1167
00:47:28,346 --> 00:47:31,216
IN 5, 4, 3, 2, 1.
1168
00:47:31,249 --> 00:47:33,051
HELLO,
I'M CHRISTINE BECKLER,
1169
00:47:33,084 --> 00:47:34,886
AND WELCOME
TO RISE AND SHINE.
1170
00:47:34,920 --> 00:47:36,587
TODAY, I'M VERY PLEASED
TO HAVE
1171
00:47:36,621 --> 00:47:39,457
HIGH SCHOOL FRESHMAN
AND BEST SELLING AUTHOR,
1172
00:47:39,490 --> 00:47:40,525
JAMIE BARTLETT.
1173
00:47:40,558 --> 00:47:41,592
IT'S A PLEASURE
TO BE HERE.
1174
00:47:41,626 --> 00:47:44,395
SO HOW DOES IT FEEL
TO GO FROM
HIGH SCHOOL FRESHMAN
1175
00:47:44,429 --> 00:47:46,031
TO BEST SELLING AUTHOR
1176
00:47:46,064 --> 00:47:46,664
IN ONE SEMESTER?
1177
00:47:46,697 --> 00:47:49,034
WELL, THERE'S BEEN
A LOT OF
1178
00:47:49,067 --> 00:47:49,935
STRANGE THINGS
HAPPENING TO ME,
1179
00:47:49,968 --> 00:47:52,237
BUT AFTER AWHILE,
YOU JUST GET USED TO IT.
1180
00:47:52,270 --> 00:47:54,973
WE'VE BEEN TOLD
THAT YOUR BOOK,
1181
00:47:55,006 --> 00:47:56,107
"IS SAVES THE WORLD,"
1182
00:47:56,141 --> 00:47:58,209
IS THE FASTEST SELLING
CHILDREN'S BOOK
1183
00:47:58,243 --> 00:47:59,044
IN SCHILLING PRESS HISTORY.
1184
00:47:59,077 --> 00:48:01,112
WELL, WE OBJECT
TO THE WORD "CHILDREN"
1185
00:48:01,146 --> 00:48:03,248
BECAUSE IS RELATES
TO EVERYONE.
1186
00:48:03,281 --> 00:48:05,083
WE?
1187
00:48:05,116 --> 00:48:07,118
I MEAN, ME.
1188
00:48:07,152 --> 00:48:08,219
RIGHT.
1189
00:48:08,253 --> 00:48:10,055
YOU'VE SOLD
A LOT OF BOOKS.
1190
00:48:10,088 --> 00:48:11,289
IT'S IN
ITS SECOND PRINTING.
1191
00:48:11,322 --> 00:48:13,324
WOW, DID YOU EVER THINK
IT WOULD DO SO WELL?
1192
00:48:13,358 --> 00:48:17,262
WELL, AS I WAS WRITING
"IS SAVES THE WORLD,"
1193
00:48:17,295 --> 00:48:20,031
I FELT AS IF I HAD
TAPPED INTO SOMETHING
1194
00:48:20,065 --> 00:48:21,066
BIGGER THAN MYSELF.
1195
00:48:21,099 --> 00:48:23,201
AND THIS IS JUST
THE BEGINNING.
1196
00:48:23,234 --> 00:48:26,004
AND THAT'S WHAT
SCARES ME THE MOST.
1197
00:48:26,037 --> 00:48:27,672
I'M SORRY,
WHAT SCARES YOU?
1198
00:48:27,705 --> 00:48:28,606
OH, NOTHING.
1199
00:48:28,639 --> 00:48:31,609
I JUST MEANT
THAT PEOPLE
CAN REALLY RELATE
1200
00:48:31,642 --> 00:48:32,610
TO THE STORY,
1201
00:48:32,643 --> 00:48:34,145
ALTHOUGH I'M NOT
SURE WHY.
1202
00:48:34,179 --> 00:48:35,013
OH, I DO.
1203
00:48:35,046 --> 00:48:36,614
IT'S A TERRIFIC STORY.
1204
00:48:36,647 --> 00:48:37,615
SO TELL US, JAMIE,
1205
00:48:37,648 --> 00:48:38,516
HOW DID YOU COME UP
WITH IT IN THE FIRST PLACE?
1206
00:48:38,549 --> 00:48:42,120
WELL, MY
ENGLISH TEACHER,
MISS GALLAGHER,
1207
00:48:42,153 --> 00:48:43,421
SAID TO WRITE
WHAT WE KNOW.
1208
00:48:43,454 --> 00:48:45,991
WAIT. SO YOU'RE SAYING
THAT "IS SAVES THE WORLD"
1209
00:48:46,024 --> 00:48:46,757
IS BASED ON REAL EVENTS?
1210
00:48:46,791 --> 00:48:48,493
OH, I COULDN'T
MAKE THAT STUFF UP.
1211
00:48:48,526 --> 00:48:50,495
AND THE CHARACTERS
ARE REAL AS WELL?
1212
00:48:50,528 --> 00:48:51,729
OH, THEY'RE VERY REAL.
YES.
1213
00:48:51,762 --> 00:48:54,065
ACTUALLY,
SOME OF MY FANS
HAVE POINTED OUT
1214
00:48:54,099 --> 00:48:58,036
THAT IS IS NO MORE
THAN AN ALTER EGO
OF MYSELF.
1215
00:48:59,004 --> 00:49:00,438
BUT SHE ISN'T.
1216
00:49:00,471 --> 00:49:02,007
AM I IS?
1217
00:49:02,040 --> 00:49:02,974
IS ISN'T.
1218
00:49:03,008 --> 00:49:04,442
IS SHE?
1219
00:49:04,475 --> 00:49:05,343
AM I IS?
1220
00:49:05,376 --> 00:49:07,745
YOU'RE IS?
1221
00:49:07,778 --> 00:49:09,480
THAT'S QUITE IMPRESSIVE.
1222
00:49:09,514 --> 00:49:10,381
IS BATTLES EVIL
1223
00:49:10,415 --> 00:49:12,317
IN ALMOST EVERY SINGLE
CHAPTER OF THE BOOK.
1224
00:49:12,350 --> 00:49:13,118
WHAT CAN I SAY?
1225
00:49:13,151 --> 00:49:15,686
EVIL EXISTS IN MANY
DIFFERENT FORMS.
1226
00:49:15,720 --> 00:49:17,588
AND THE MORE I TALK
TO THE KIDS,
1227
00:49:17,622 --> 00:49:19,624
THE MORE I REALIZE
THAT EVERYONE
1228
00:49:19,657 --> 00:49:21,026
HAS A LITTLE BIT
OF IS IN THEM
1229
00:49:21,059 --> 00:49:23,261
AND EVERY SCHOOL
HAS A SAWYER.
1230
00:49:23,494 --> 00:49:25,496
I'M SORRY. WHO'S SAWYER?
1231
00:49:25,530 --> 00:49:26,431
HOLY COW.
1232
00:49:26,464 --> 00:49:29,567
I THOUGHT THE EVIL VILLAIN'S
NAME WAS MYRNA.
1233
00:49:29,600 --> 00:49:30,468
UH-OH.
1234
00:49:30,501 --> 00:49:34,739
I DIDN'T SAY SAWYER.
I SAID MYRNA,
RIGHT?
1235
00:49:34,772 --> 00:49:37,308
NO. YOU SAID...
YOU SAID SAWYER.
1236
00:49:37,342 --> 00:49:39,010
WE HAVE IT ON TAPE.
1237
00:49:39,044 --> 00:49:40,645
BUT--BUT--
1238
00:49:40,678 --> 00:49:43,014
OH, NO.
1239
00:49:43,048 --> 00:49:43,981
WHY DIDN'T I JUST GO
1240
00:49:44,015 --> 00:49:45,650
AND SAVE A LITTLE
CUTE LITTLE
BUNNY RABBIT.
1241
00:49:45,683 --> 00:49:48,186
THIS WAS SUPPOSED
TO BE THE BEST DAY
OF MY LIFE.
1242
00:49:48,219 --> 00:49:50,155
OK, THAT'S ALL WE HAVE
TIME FOR TODAY.
1243
00:49:50,188 --> 00:49:52,057
WE THANK YOU FOR JOINING US,
MISS BARTLETT.
1244
00:49:52,090 --> 00:49:55,060
WE WISH YOU
TREMENDOUS SUCCESS
ON YOUR BOOK.
1245
00:49:55,093 --> 00:49:58,096
UP NEXT, 7 THINGS
IN YOUR TOILET BOWL
1246
00:49:58,129 --> 00:49:59,197
THAT COULD KILL YOU.
1247
00:49:59,230 --> 00:50:01,066
RIGHT AFTER THIS.
1248
00:50:04,102 --> 00:50:05,603
CUT.
1249
00:50:11,642 --> 00:50:13,278
OK, JAMIE.
KEEP IT TOGETHER.
1250
00:50:13,311 --> 00:50:17,715
ONLY 20 MORE FEET
UNTIL YOU REACH YOUR LOCKER.
1251
00:50:17,748 --> 00:50:19,084
OH!
1252
00:50:19,117 --> 00:50:19,850
OH, NO!
1253
00:50:19,884 --> 00:50:23,054
JAMIE BARTLETT,
STOP RIGHT THERE.
1254
00:50:23,088 --> 00:50:23,821
BUSTED.
1255
00:50:23,854 --> 00:50:29,060
IS PREPARED TO FACE HER DOOM.
1256
00:50:29,094 --> 00:50:31,096
YOU BASED
THAT EVIL WITCH ON ME?
1257
00:50:31,129 --> 00:50:32,763
I'M SUPPOSED TO BE MYRNA?
1258
00:50:32,797 --> 00:50:35,133
NO, NO, NO.
IT'S FICTION.
1259
00:50:35,166 --> 00:50:37,102
I SAW THE INTERVIEW
THIS MORNING, BARTLETT.
1260
00:50:37,135 --> 00:50:38,103
I HEARD WHAT YOU SAID.
1261
00:50:38,136 --> 00:50:39,470
WE ALL HEARD WHAT YOU SAID.
1262
00:50:39,504 --> 00:50:41,072
I'M SORRY, SAWYER.
1263
00:50:41,106 --> 00:50:42,540
OH, NO.
BUT YOU'RE GOING TO BE.
1264
00:50:42,573 --> 00:50:43,608
I'M GONNA DESTROY YOU
1265
00:50:43,641 --> 00:50:44,609
BECAUSE THIS IS
THE REAL WORLD, JAMIE.
1266
00:50:44,642 --> 00:50:48,246
YOU CAN'T JUST ZAP ME
INTO PERPETUAL DETENTION.
1267
00:50:48,279 --> 00:50:49,214
ZAP.
1268
00:50:49,247 --> 00:50:50,681
SHE SPEAKS THE TRUTH.
1269
00:50:50,715 --> 00:50:53,251
BUT I'M GONNA ZAP YOU
RIGHT BACK TO LOSERVILLE
1270
00:50:53,284 --> 00:50:54,285
WHERE YOU BELONG.
1271
00:50:54,319 --> 00:50:55,320
LEAVE HER ALONE, SAWYER.
1272
00:50:55,353 --> 00:50:58,256
OH, YOU'RE DEFENDING HER?
HAVE YOU READ HER BOOK?
1273
00:50:58,289 --> 00:50:59,224
YEAH. WHY?
1274
00:50:59,257 --> 00:51:00,057
YOU'RE IN IT, TOO.
1275
00:51:00,091 --> 00:51:01,326
WHO DO YOU THINK
THE MUSCLE-HEADED BOZO
1276
00:51:01,359 --> 00:51:03,094
WITH THE PEA-SIZED
BRAIN IS?
1277
00:51:03,128 --> 00:51:04,629
THAT'S ME?
1278
00:51:04,662 --> 00:51:07,432
NO. IT'S JOSH.
1279
00:51:08,299 --> 00:51:09,867
THAT'S SO NOT COOL.
1280
00:51:09,900 --> 00:51:12,170
SHE WROTE ABOUT
ALL OF US.
1281
00:51:12,203 --> 00:51:14,605
SHE TRASHED ALL OF US.
1282
00:51:16,741 --> 00:51:19,144
Both: WE'RE THE CLONE
HORRIFIC COHORTS?
1283
00:51:19,177 --> 00:51:22,447
CAN I OFFER YOU
A LITTLE PIECE
OF ADVICE?
1284
00:51:22,480 --> 00:51:23,814
YEAH.
1285
00:51:23,848 --> 00:51:25,650
RUN.
1286
00:51:25,850 --> 00:51:28,686
[KIDS ALL TALKING AT ONCE]
1287
00:51:37,528 --> 00:51:38,229
YES, DIANA.
1288
00:51:38,263 --> 00:51:41,666
OH, I THINK
THAT'S A GREAT IDEA.
1289
00:51:41,699 --> 00:51:43,234
UH-HUH. I'M JUST
GONNA RUN IT
BY RALPH,
1290
00:51:43,268 --> 00:51:45,170
AND I'LL GET BACK
TO YOU.
1291
00:51:45,203 --> 00:51:46,771
OK, WHATEVER IT IS,
1292
00:51:46,804 --> 00:51:49,140
I'M SURE IT'S NOT
A GREAT IDEA.
1293
00:51:49,174 --> 00:51:50,675
DIANA WANTS TO HAVE
A BOOK SIGNING.
1294
00:51:50,708 --> 00:51:51,676
AT THE PIZZA PARLOR.
1295
00:51:51,709 --> 00:51:55,246
YEAH. SEE, LIKE I SAID,
THAT'S NOT A GREAT IDEA.
1296
00:51:55,280 --> 00:51:56,247
JAMIE...
1297
00:51:56,281 --> 00:51:57,215
WHAT'S WRONG?
1298
00:51:57,248 --> 00:51:59,750
EVERYTHING, MOTHER.
1299
00:52:03,188 --> 00:52:06,491
IT WAS THE BEGINNING
OF THE END.
1300
00:52:06,524 --> 00:52:07,825
[LENNY PLAYS GUITAR]
1301
00:52:07,858 --> 00:52:09,160
LENNY!
1302
00:52:09,194 --> 00:52:09,994
OH, NO.
1303
00:52:10,027 --> 00:52:11,762
WILL YOU PLEASE DROP
THE DRAMARAMA ACT.
1304
00:52:11,796 --> 00:52:12,763
I'M TOTALLY
BORED WITH IT.
1305
00:52:12,797 --> 00:52:14,532
OH, I'M SORRY,
BUT IN CASE
YOU HADN'T NOTICED,
1306
00:52:14,565 --> 00:52:17,134
MY LIFE
IS FALLING APART.
1307
00:52:18,769 --> 00:52:20,171
FALLING APART. HELLO.
1308
00:52:20,205 --> 00:52:21,906
YOUR LIFE IS JUST
BEGINNING.
1309
00:52:21,939 --> 00:52:23,908
OR HAVE YOU FORGOTTEN
SO QUICKLY?
1310
00:52:23,941 --> 00:52:28,246
WE'RE GOING TO
THE DEEP BLUE SEA DANCE
WITH MARCO VEGA.
1311
00:52:28,279 --> 00:52:28,813
WE ARE.
1312
00:52:28,846 --> 00:52:31,316
WE'RE GOING TO THE--
1313
00:52:31,949 --> 00:52:33,851
NO, NO, NO, NO, NO.
1314
00:52:34,852 --> 00:52:36,554
I'M GOING TO THE DANCE
WITH MARCO.
1315
00:52:36,587 --> 00:52:38,389
YOU ARE STAYING HERE.
1316
00:52:38,423 --> 00:52:39,424
GUESS AGAIN.
1317
00:52:39,457 --> 00:52:42,927
DO YOU THINK YOU COULD
PULL THIS OFF
WITHOUT ME?
1318
00:52:42,960 --> 00:52:43,528
WELL...
1319
00:52:43,561 --> 00:52:44,862
ANY OF THIS?
THE PARTIES,
1320
00:52:44,895 --> 00:52:46,864
THE FAN MAIL,
MARCO VEGA.
1321
00:52:46,897 --> 00:52:49,867
YEAH, BUT I WAS
A GREAT WRITER BEFORE YOU.
1322
00:52:49,900 --> 00:52:50,968
REALLY?
1323
00:52:51,001 --> 00:52:54,239
DID YOUR PAPER
ON MITOSIS
GET YOU ON MAURA LIVE?
1324
00:52:54,272 --> 00:52:56,474
DIDN'T THINK SO.
1325
00:52:56,507 --> 00:52:59,310
JAMIE, YOU AND I
ARE A TEAM.
1326
00:52:59,344 --> 00:53:01,446
WE DON'T NEED SAWYER
OR THE POPULARS.
1327
00:53:01,479 --> 00:53:04,949
OUR BOOK IS ON
THE NATIONAL
BEST SELLER LIST.
1328
00:53:04,982 --> 00:53:06,817
WE GET TONS OF FAN MAIL
EVERY DAY.
1329
00:53:06,851 --> 00:53:07,918
PEOPLE LOVE US.
1330
00:53:07,952 --> 00:53:09,854
YEAH. ONLY THE PEOPLE
WHO DON'T KNOW US.
1331
00:53:09,887 --> 00:53:12,423
WHO CARES AS LONG
AS THEY KEEP
BUYING THE BOOK.
1332
00:53:12,457 --> 00:53:15,593
I WOULD RATHER HAVE
FRIENDS THAN FANS ANY DAY.
1333
00:53:15,626 --> 00:53:16,861
YEAH, RIGHT.
1334
00:53:16,894 --> 00:53:17,728
I WOULD.
1335
00:53:17,762 --> 00:53:19,530
THAT'S IT. IS IS OVER.
1336
00:53:19,564 --> 00:53:21,632
I AM NEVER WRITING
ANOTHER WORD ABOUT YOU.
1337
00:53:21,666 --> 00:53:23,801
I WOULDN'T DO THAT
IF I WERE YOU.
1338
00:53:23,834 --> 00:53:25,803
NOW, IF YOU WON'T
THINK ABOUT YOURSELF,
1339
00:53:25,836 --> 00:53:28,673
AND YOU'RE NOT THE GIRL
I THINK YOU ARE
IF YOU WON'T.
1340
00:53:28,706 --> 00:53:30,341
THEN THINK ABOUT
YOUR PARENTS.
1341
00:53:30,375 --> 00:53:31,576
BUSINESS IS BOOMING
RIGHT NOW.
1342
00:53:31,609 --> 00:53:32,810
AND LET ME
TELL YOU ONE THING,
1343
00:53:32,843 --> 00:53:33,778
THAT DOESN'T HAVE
1344
00:53:33,811 --> 00:53:36,481
ANYTHING TO DO WITH
THE LIVER AND ONION PIZZA.
1345
00:53:36,514 --> 00:53:37,948
SO IF YOU SAY GOOD BYE TO ME,
1346
00:53:37,982 --> 00:53:40,518
YOU SAY GOOD BYE
TO THE PIZZA PARLOR FOREVER.
1347
00:53:40,551 --> 00:53:41,819
FOR BETTER
OR FOR WORSE.
1348
00:53:41,852 --> 00:53:43,254
IT WAS HAPPENING.
1349
00:53:43,288 --> 00:53:44,322
IS WAS TAKING OVER.
1350
00:53:44,355 --> 00:53:46,857
SHE WAS SAYING
EVERYTHING I WAS THINKING.
1351
00:53:46,891 --> 00:53:49,927
UNFILTERED, UNCENSORED,
1352
00:53:49,960 --> 00:53:52,563
UNPLUGGED.
1353
00:53:56,967 --> 00:53:58,836
SO WHAT DO YOU SAY?
1354
00:54:04,409 --> 00:54:05,710
[LENNY PLAYS GUITAR]
1355
00:54:05,743 --> 00:54:06,877
Both: WOULD YOU
KNOCK IT OFF.
1356
00:54:06,911 --> 00:54:10,415
WE'RE TRYING TO SAVE
THE FAMILY IN HERE.
1357
00:54:12,983 --> 00:54:15,520
NO, NO, NO, NO, NO.
1358
00:54:23,561 --> 00:54:24,662
WHAT?
1359
00:54:24,695 --> 00:54:25,663
I NEED QUIET.
1360
00:54:25,696 --> 00:54:26,831
OH, I'M SORRY
IF MY MUSIC
1361
00:54:26,864 --> 00:54:28,399
IS INTERRUPTING YOU
TALKING TO YOURSELF.
1362
00:54:28,433 --> 00:54:29,800
YOU CALL THAT NOISE MUSIC?
1363
00:54:29,834 --> 00:54:31,936
WHY DON'T YOU DO US
BOTH A FAVOR
1364
00:54:31,969 --> 00:54:33,771
AND GIVE IT UP.
1365
00:54:49,587 --> 00:54:52,723
HEY, THIS ISN'T
FAIR AND BALANCED.
1366
00:54:52,757 --> 00:54:56,060
I NEVER SAID
MR. CLARK HAD B.O.
1367
00:55:03,468 --> 00:55:06,103
4 COLUMNS OF LETTERS
TO THE EDITOR.
1368
00:55:06,136 --> 00:55:08,773
WHAT KIND OF
YELLOW JOURNALISM IS THIS?
1369
00:55:08,806 --> 00:55:10,641
AND THEY'RE ALL
ANTI IS.
1370
00:55:10,675 --> 00:55:12,109
NO, THEY'RE NOT, JAMIE.
1371
00:55:12,142 --> 00:55:14,812
THEY'RE ALL ANTI YOU.
1372
00:55:17,848 --> 00:55:18,849
[WHISTLING]
1373
00:55:18,883 --> 00:55:20,851
[BELL RINGS]
1374
00:55:25,956 --> 00:55:27,925
YOU MIND
IF I SIT HERE?
1375
00:55:29,760 --> 00:55:31,862
YEAH. GO FOR IT.
1376
00:55:41,539 --> 00:55:44,542
WOW. YOU REALLY KNOW
HOW TO SHAKE THINGS UP.
1377
00:55:44,575 --> 00:55:46,977
IT'S A LITTLE
OUT OF CONTROL.
1378
00:55:47,011 --> 00:55:48,379
IT'S JUST WHAT
THIS PLACE NEEDED.
1379
00:55:48,413 --> 00:55:51,616
HEY, SO, IS MYRNA
REALLY BASED
ON SAWYER?
1380
00:55:51,649 --> 00:55:53,951
ONLY A LITTLE.
1381
00:55:53,984 --> 00:55:55,520
OK. A LOT.
1382
00:55:55,553 --> 00:55:56,387
THAT'S SO COOL.
1383
00:55:56,421 --> 00:55:57,822
AND ALL THE OTHER
CHARACTERS IN THE BOOK
1384
00:55:57,855 --> 00:55:59,690
ARE REALLY
STUDENTS HERE?
1385
00:55:59,724 --> 00:56:01,058
KIND OF.
1386
00:56:01,091 --> 00:56:02,460
SO DOES THAT MEAN
YOU'RE IS?
1387
00:56:02,493 --> 00:56:04,895
WELL, SHE'D BE
NOTHING WITHOUT ME.
1388
00:56:04,929 --> 00:56:08,966
AND I'M MARCO VINCENT,
RIGHT?
1389
00:56:08,999 --> 00:56:10,635
YEAH.
1390
00:56:10,668 --> 00:56:11,869
SWEET.
1391
00:56:11,902 --> 00:56:13,571
[BELL RINGS]
1392
00:56:13,604 --> 00:56:14,405
[LAUGHING]
1393
00:56:14,439 --> 00:56:16,407
HEY, CONNOR.
HEY.
1394
00:56:16,441 --> 00:56:17,608
WHAT'S WRONG?
1395
00:56:17,642 --> 00:56:18,876
HAVE YOU TALKED TO JAMIE?
1396
00:56:18,909 --> 00:56:20,978
NO. AND I DON'T
REALLY PLAN ON IT.
1397
00:56:21,011 --> 00:56:23,047
SHE'S GOING TO THE DANCE
WITH MARCO.
1398
00:56:23,080 --> 00:56:24,114
OH, WHATEV.
1399
00:56:24,148 --> 00:56:25,616
I'M SO SICK OF HER.
1400
00:56:25,650 --> 00:56:26,884
DO YOU KNOW HOW MANY
IGUANAS I BATHED
1401
00:56:26,917 --> 00:56:28,653
TO GET THAT CAR
FOR THE DANCE?
1402
00:56:28,686 --> 00:56:29,787
Jamie: HEY.
1403
00:56:29,820 --> 00:56:30,921
HERE SHE COMES.
1404
00:56:30,955 --> 00:56:31,856
HEY, GUYS.
1405
00:56:31,889 --> 00:56:32,990
YOU GUYS...
1406
00:56:33,023 --> 00:56:35,526
YOU GUYS,
YOU HAVE TO HELP ME.
1407
00:56:36,994 --> 00:56:38,028
ARE YOU SERIOUS?
1408
00:56:38,062 --> 00:56:40,130
YES. SAWYER'S RUNNING
A SMEAR CAMPAIGN
AGAINST ME.
1409
00:56:40,164 --> 00:56:42,032
I NEED SOME
POSITIVE PR,
1410
00:56:42,066 --> 00:56:43,534
AND THAT'S WHERE
YOU GUYS COME IN.
1411
00:56:43,568 --> 00:56:45,970
HAVE YOUR HANDLER
HANDLE IT.
1412
00:56:46,003 --> 00:56:48,539
WHAT'S HER DAMAGE?
1413
00:56:48,573 --> 00:56:50,040
YOU ARE.
1414
00:56:50,875 --> 00:56:51,842
CONNOR?
1415
00:56:51,876 --> 00:56:54,545
I GOT LAUNDRY TO DO.
1416
00:56:57,515 --> 00:56:58,749
BUT...
1417
00:56:58,783 --> 00:57:00,985
YOU GUYS, I...
1418
00:57:05,956 --> 00:57:07,224
WELL, I TRIED IT.
1419
00:57:07,257 --> 00:57:10,861
GOOD IDEA.
I CAN TRY
SOMETHING ELSE.
1420
00:57:13,864 --> 00:57:16,601
SHE'S SUCH A MYRNA.
1421
00:57:20,938 --> 00:57:22,006
COME ON, MARCO.
1422
00:57:22,039 --> 00:57:24,909
WHY DON'T WE
SIT SOMEWHERE ELSE.
1423
00:57:35,820 --> 00:57:36,721
OH, I NEVER TOLD YOU
1424
00:57:36,754 --> 00:57:37,888
HOW MUCH I LIKED
THAT POEM
THAT YOU WROTE.
1425
00:57:37,922 --> 00:57:40,224
OH...
DON'T BRING THAT UP.
1426
00:57:40,257 --> 00:57:41,592
THAT WAS TOO EMBARRASSING.
1427
00:57:41,626 --> 00:57:43,794
READING THAT
IN FRONT OF THE CLASS.
1428
00:57:43,828 --> 00:57:44,695
SO LAME.
1429
00:57:44,729 --> 00:57:45,863
NO, IT WASN'T.
1430
00:57:45,896 --> 00:57:48,966
I LOVED IT.
IT WAS SO...
1431
00:57:48,999 --> 00:57:49,867
REAL.
1432
00:57:49,900 --> 00:57:52,036
ARE YOU GONNA EAT THOSE?
1433
00:57:54,238 --> 00:57:55,940
UH...NO.
1434
00:57:59,910 --> 00:58:01,646
MMM...
1435
00:58:10,087 --> 00:58:11,121
WELL, I DON'T
UNDERSTAND IT.
1436
00:58:11,155 --> 00:58:13,524
WE PUT ADS IN ALL
THE LOCAL PAPERS.
1437
00:58:13,558 --> 00:58:15,560
THIS PLACE SHOULD BE
A MADHOUSE BY NOW.
1438
00:58:15,593 --> 00:58:16,527
WELL, BUSINESS HAS BEEN
KIND OF OFF
1439
00:58:16,561 --> 00:58:18,929
SINCE JAMIE'S
LITTLE ANNOUNCEMENT
LAST WEEK.
1440
00:58:18,963 --> 00:58:20,197
MAYBE ALL WE NEED
IS A NEW PIZZA
1441
00:58:20,230 --> 00:58:21,198
TO PICK THINGS UP.
1442
00:58:21,231 --> 00:58:24,134
PICKLE PORK EARED
PIZZA, PEG?
1443
00:58:26,070 --> 00:58:27,905
MAYBE IT'S TIME
TO CUT OUR LOSSES.
1444
00:58:27,938 --> 00:58:30,040
WHERE IS EVERYONE?
1445
00:58:30,074 --> 00:58:32,810
I MEAN, I CAN'T BELIEVE
WE ONLY SOLD TWO BOOKS.
1446
00:58:32,843 --> 00:58:35,713
IT'S A GOOD THING
RALPH'S PARENTS
SHOWED UP.
1447
00:58:36,180 --> 00:58:39,083
OH, GOOD. MMM.
1448
00:58:39,750 --> 00:58:41,986
WAIT. HERE THEY COME!
1449
00:58:42,019 --> 00:58:45,823
CUSTOMERS.
WE HAVE CUSTOMERS.
1450
00:58:46,190 --> 00:58:49,126
WHA--WAIT! WAIT!
1451
00:58:55,265 --> 00:58:56,634
HOOLIGANS.
1452
00:58:56,667 --> 00:58:59,003
WE HAVE HOOLIGANS.
1453
00:58:59,036 --> 00:59:00,905
WHAT HAPPENED?
1454
00:59:17,922 --> 00:59:18,555
I'M BACK.
1455
00:59:18,589 --> 00:59:20,591
LINDSAY,
DON'T SNEAK UP ON ME
1456
00:59:20,625 --> 00:59:22,593
WHEN I'M WORKING
ON OUR MASTERPIECE.
1457
00:59:22,627 --> 00:59:24,962
YEAH. I'VE BEEN THINKING
ABOUT WHAT WE SHOULD STUFF
1458
00:59:24,995 --> 00:59:26,296
OUR MASTERPIECE WITH.
1459
00:59:26,330 --> 00:59:27,932
OH, I KNOW.
1460
00:59:27,965 --> 00:59:29,734
I HAVE BEEN
DRIVING MYSELF BONKERS.
1461
00:59:29,767 --> 00:59:32,737
WHAT IS GONNA GIVE
OUR WHALE LIFE?
1462
00:59:32,770 --> 00:59:34,004
NEWSPAPER?
1463
00:59:34,038 --> 00:59:36,774
FOAM...PACKING PEANUTS?
1464
00:59:36,807 --> 00:59:37,942
YEAH. ALL GREAT
SUGGESTIONS,
1465
00:59:37,975 --> 00:59:42,980
BUT I WAS THINKING
OF SOMETHING A LITTLE
MORE PROACTIVE.
1466
00:59:44,148 --> 00:59:46,016
AND...
1467
00:59:49,119 --> 00:59:50,755
I KNOW THIS WHALE
MEANS A LOT TO YOU,
1468
00:59:50,788 --> 00:59:53,123
BUT THIS IS
AN INCREDIBLE OPPORTUNITY
1469
00:59:53,157 --> 00:59:54,091
TO MAKE A STATEMENT.
1470
00:59:54,124 --> 00:59:56,226
I CAN'T DO IT WITHOUT YOU.
1471
00:59:56,260 --> 00:59:59,096
WHAT DO YOU THINK?
1472
01:00:01,031 --> 01:00:04,935
I THINK...
IT'LL TAKE OUR CREATION
TO THE NEXT LEVEL.
1473
01:00:04,969 --> 01:00:07,237
TRUE ART ISN'T MEANT
TO BE JUST SEEN.
1474
01:00:07,271 --> 01:00:08,172
IT'S MEANT TO BE
EXPERIENCED.
1475
01:00:08,205 --> 01:00:11,008
YOU CAN'T
GIVE THE PEOPLE
WHAT THEY WANT.
1476
01:00:11,041 --> 01:00:13,043
YOU HAVE TO SHOW THEM
WHAT THEY WANT.
1477
01:00:13,077 --> 01:00:14,344
WHAT THEY NEED.
1478
01:00:14,378 --> 01:00:15,913
WAS THAT A YES?
1479
01:00:15,946 --> 01:00:18,615
THAT WAS A HECK YES.
1480
01:00:20,785 --> 01:00:22,019
THAT WAS HUMILIATING.
1481
01:00:22,052 --> 01:00:22,820
LOCAL MARKET'S FICKLE.
1482
01:00:22,853 --> 01:00:24,989
YOU SAID THAT BUSINESS
WOULD PICK UP,
1483
01:00:25,022 --> 01:00:27,124
BUT IT'S BEEN EMPTY
ALL WEEK.
1484
01:00:27,157 --> 01:00:28,425
WHAT DO YOU WANT
FROM ME?
1485
01:00:28,458 --> 01:00:30,427
NOBODY WANTS TO EAT
WITH A TATTLETALE.
1486
01:00:30,460 --> 01:00:31,762
THEY'RE ALL
AFRAID OF YOU.
1487
01:00:31,796 --> 01:00:32,930
NO. THEY'RE AFRAID OF YOU.
1488
01:00:32,963 --> 01:00:37,001
ME? I'M JUST
A FIGMENT
OF YOUR IMAGINATION.
1489
01:00:37,034 --> 01:00:37,702
NO, YOU'RE NOT.
1490
01:00:37,735 --> 01:00:40,404
YOU'RE A MONSTER,
AND, AND...
1491
01:00:41,939 --> 01:00:43,974
AND I AM, TOO.
1492
01:00:44,341 --> 01:00:45,910
LENNY'S GIVEN UP
ON MUSIC
1493
01:00:45,943 --> 01:00:48,979
BECAUSE OF WHAT
WE SAID TO HIM.
1494
01:00:54,151 --> 01:00:55,953
LENNY, OPEN UP.
1495
01:00:55,986 --> 01:00:58,856
[TURNS MUSIC UP]
1496
01:00:58,889 --> 01:01:01,091
* THE THINGS
THAT YOU SAY *
1497
01:01:01,125 --> 01:01:04,929
I DIDN'T MEAN THOSE THINGS
THAT I SAID YESTERDAY.
1498
01:01:04,962 --> 01:01:07,064
* NEVER HEAR ABOUT...
1499
01:01:07,097 --> 01:01:09,967
IT'S NO REASON FOR YOU
TO GIVE UP MUSIC.
1500
01:01:10,000 --> 01:01:12,870
* ...WORD TRAVELS FAST
1501
01:01:12,903 --> 01:01:14,739
* I'M TELLING YOU
TO YOUR FACE *
1502
01:01:14,772 --> 01:01:18,876
* I'M STANDING HERE
BEHIND YOUR BACK *
1503
01:01:18,909 --> 01:01:22,079
* YOU DON'T KNOW
HOW IT FEELS *
1504
01:01:22,112 --> 01:01:23,480
* TO BE OUTSIDE
THE CROWD *
1505
01:01:23,513 --> 01:01:26,450
* YOU DON'T KNOW
WHAT IT'S LIKE *
1506
01:01:26,483 --> 01:01:28,318
* TO FEEL THAT YOU'RE OUT
1507
01:01:28,352 --> 01:01:31,421
* AND YOU DON'T KNOW
HOW IT FEELS *
1508
01:01:31,455 --> 01:01:35,492
* TO BE YOUR OWN
MESS AGAIN *
1509
01:01:35,525 --> 01:01:41,832
* ON THE OUTSIDE
LOOKING IN *
1510
01:01:43,200 --> 01:01:48,105
* IF YOU COULD
READ MY MIND *
1511
01:01:48,973 --> 01:01:50,775
* YOU MIGHT SEE
1512
01:01:50,808 --> 01:01:54,211
* MORE OF ME
THAN MEETS THE EYE *
1513
01:01:54,244 --> 01:01:56,747
* AND YOU'VE BEEN
ALL WRONG *
1514
01:01:56,781 --> 01:02:00,350
* ABOUT WHO YOU
THINK I AM *
1515
01:02:00,384 --> 01:02:03,320
* YOU'VE NEVER
GIVEN ME A CHANCE *
1516
01:02:03,353 --> 01:02:06,857
* YOU DON'T KNOW
HOW IT FEELS *
1517
01:02:06,891 --> 01:02:08,926
* TO BE OUTSIDE ALONE
1518
01:02:08,959 --> 01:02:11,929
* YOU DON'T KNOW
WHAT IT'S LIKE *
1519
01:02:11,962 --> 01:02:13,530
* TO BE LEFT OUT
1520
01:02:13,563 --> 01:02:16,500
* YOU DON'T KNOW
HOW IT FEELS *
1521
01:02:16,533 --> 01:02:20,504
* TO BE HOPELESS AGAIN
1522
01:02:20,537 --> 01:02:25,075
* ON THE OUTSIDE AGAIN
1523
01:02:25,109 --> 01:02:25,843
* NO, NO
1524
01:02:25,876 --> 01:02:28,412
* I'M TIRED OF STAYING
AT HOME *
1525
01:02:28,445 --> 01:02:32,116
* I'M BORED AND ALL ALONE
1526
01:02:32,149 --> 01:02:36,086
* I'M SICK OF WASTING
ALL MY TIME *
1527
01:02:36,120 --> 01:02:39,556
* YOU DON'T KNOW
HOW IT FEELS *
1528
01:02:39,589 --> 01:02:41,191
* TO BE OUTSIDE
THE CROWD *
1529
01:02:41,225 --> 01:02:44,461
* YOU DON'T KNOW
WHAT IT'S LIKE *
1530
01:02:44,494 --> 01:02:46,030
* TO FEEL IN DOUBT
1531
01:02:46,063 --> 01:02:49,133
* YOU DON'T KNOW
HOW IT FEELS *
1532
01:02:49,166 --> 01:02:52,870
* TO BE ALONE
1533
01:02:52,903 --> 01:02:58,976
* ON THE OUTSIDE
LOOKING IN *
1534
01:03:00,110 --> 01:03:02,112
OK, THIS IS GETTING
A LITTLE OUT OF HAND.
1535
01:03:02,146 --> 01:03:05,382
SINCE WHEN DOES THE SPARTAN
HAVE 5 PAGES
1536
01:03:05,415 --> 01:03:08,052
OF LETTERS TO THE EDITOR?
1537
01:03:09,119 --> 01:03:09,920
HEY, LOOK AT THIS.
1538
01:03:09,954 --> 01:03:12,990
THEY'RE NOT ALL BAD.
CHECK OUT PAGE 8.
1539
01:03:14,024 --> 01:03:15,993
"THREE CHEERS
FOR JAMIE BARTLETT.
1540
01:03:16,026 --> 01:03:17,527
"SHE DIDN'T LIE
OR SLANDER US.
1541
01:03:17,561 --> 01:03:20,430
"SHE MERELY
SAW THROUGH OUR MASKS.
1542
01:03:20,464 --> 01:03:23,400
"WE ARE GEEKS, AND JERKS,
AND JOCKS,
1543
01:03:23,433 --> 01:03:25,069
"AND ALL THOSE THINGS
JAMIE WROTE ABOUT.
1544
01:03:25,102 --> 01:03:27,604
"EVEN IF WE NEVER
ADMITTED IT TO OURSELVES.
1545
01:03:27,637 --> 01:03:30,975
"DON'T BE EMBARRASSED
THAT SHE SAW
WHO WE REALLY WERE.
1546
01:03:31,008 --> 01:03:34,278
"BE EMBARRASSED THAT
WE NEVER REALLY SAW HER.
1547
01:03:35,312 --> 01:03:37,114
A FRIEND."
1548
01:03:37,948 --> 01:03:39,549
[BELL RINGS]
1549
01:03:43,587 --> 01:03:44,454
CONNOR.
1550
01:03:44,488 --> 01:03:47,091
HEY. YOU ALL RIGHT?
1551
01:03:47,124 --> 01:03:48,558
YEAH. I'M OK.
1552
01:03:48,592 --> 01:03:50,594
DID YOU SEE THIS?
1553
01:03:50,627 --> 01:03:52,196
SEE IT.
1554
01:03:52,229 --> 01:03:54,398
AT LEAST MARCO THINKS
I'M PRETTY SPECIAL.
1555
01:03:54,431 --> 01:03:55,165
HUH?
1556
01:03:55,199 --> 01:03:57,001
I'D RECOGNIZE
HIS STYLE ANYWHERE.
1557
01:03:57,034 --> 01:04:00,037
IT'S JUST LIKE
HIS POEM.
1558
01:04:00,070 --> 01:04:01,138
OH, AND CONNOR...
1559
01:04:01,171 --> 01:04:03,107
I WANT TO THANK YOU
FOR BEING THERE
THE OTHER NIGHT.
1560
01:04:03,140 --> 01:04:05,876
YOU'RE REALLY
A GREAT FRIEND.
1561
01:04:05,910 --> 01:04:08,145
NOW I GOTTA GO FIND MARCO.
1562
01:04:18,488 --> 01:04:19,924
MARCO!
1563
01:04:19,957 --> 01:04:20,991
THERE YOU ARE.
1564
01:04:21,025 --> 01:04:22,159
AND THERE YOU IS.
1565
01:04:22,192 --> 01:04:23,994
THAT IS
THE SWEETEST THING
1566
01:04:24,028 --> 01:04:25,662
ANYBODY HAS EVER
DONE FOR ME.
1567
01:04:25,695 --> 01:04:28,065
I'LL PLAY ALONG.
1568
01:04:28,098 --> 01:04:28,966
YOU'RE WELCOME.
1569
01:04:28,999 --> 01:04:30,300
DON'T BE MODEST.
1570
01:04:30,334 --> 01:04:31,468
I KNOW IT WAS YOU
1571
01:04:31,501 --> 01:04:33,570
WHO WROTE THE LETTER
TO THE EDITOR ABOUT ME.
1572
01:04:33,603 --> 01:04:35,105
THE POSITIVE ONE.
1573
01:04:35,139 --> 01:04:36,173
IT'S JUST NICE TO KNOW
1574
01:04:36,206 --> 01:04:39,443
THAT IN THE FACE
OF ALL THIS
NEGATIVITY TOWARDS ME,
1575
01:04:39,476 --> 01:04:43,413
HOWEVER UNWARRANTED
AND MEAN IT REALLY IS.
1576
01:04:43,447 --> 01:04:44,648
IT'S JUST NICE TO KNOW
1577
01:04:44,681 --> 01:04:46,116
THAT THERE'S
SOMEONE OUT THERE
1578
01:04:46,150 --> 01:04:47,451
WHO KNOWS THE REAL ME.
1579
01:04:47,484 --> 01:04:49,186
OH, AND MARCO...
1580
01:04:49,219 --> 01:04:52,056
I CAN'T WAIT
FOR THE DANCE.
1581
01:04:52,089 --> 01:04:55,292
PLUS, I'D RECOGNIZE
YOUR STYLE ANYWHERE.
1582
01:04:55,325 --> 01:04:56,994
WHY, THANK YOU, IS.
1583
01:04:57,027 --> 01:04:58,362
IT'S JAMIE.
1584
01:04:58,395 --> 01:05:00,998
RIGHT. SORRY.
1585
01:05:01,265 --> 01:05:04,901
HEY, SO WHAT TIME
SHOULD I PICK YOU UP?
1586
01:05:09,573 --> 01:05:11,275
WELL, IT WAS FUN
WHILE IT LASTED,
1587
01:05:11,308 --> 01:05:13,677
BUT EVEN LAST MONTH'S
INCREDIBLE SALES
1588
01:05:13,710 --> 01:05:16,146
AREN'T GONNA COVER
LAST YEAR'S LOSSES.
1589
01:05:16,180 --> 01:05:17,247
YOU KNOW,
I THINK YOU'RE WRONG
1590
01:05:17,281 --> 01:05:19,083
ABOUT THAT
PÖTÉ PIZZA, PEG.
1591
01:05:19,116 --> 01:05:20,951
LET'S GIVE IT
ANOTHER TRY.
1592
01:05:20,985 --> 01:05:22,619
RALPH, HONEY...
1593
01:05:22,652 --> 01:05:24,221
ANOTHER INEDIBLE TOPPING
1594
01:05:24,254 --> 01:05:25,489
ISN'T GONNA SAVE
OUR RESTAURANT.
1595
01:05:25,522 --> 01:05:28,325
THE ONLY WAY WE'RE GONNA
COME OUT AHEAD
1596
01:05:28,358 --> 01:05:30,594
IS BY SELLING
THE PIZZA PARLOR NOW.
1597
01:05:30,627 --> 01:05:32,963
BEFORE IT'S TOO LATE.
1598
01:05:32,997 --> 01:05:36,967
Ralph: I HATE TO ADMIT IT.
YOU'RE PROBABLY RIGHT.
1599
01:05:50,047 --> 01:05:53,317
* SLIP ME THE ANSWER
1600
01:05:53,350 --> 01:05:56,186
* OR GIVE ME A CLUE
1601
01:05:56,220 --> 01:05:59,289
* DO YOU THINK THE PARTY
1602
01:05:59,323 --> 01:06:03,093
* IS ALL ABOUT YOU
1603
01:06:03,127 --> 01:06:07,031
* YOU'RE IN THE MIDDLE
1604
01:06:07,064 --> 01:06:08,999
* YOU'RE EVERYWHERE
1605
01:06:09,033 --> 01:06:12,136
* SOMETIMES OUT OF FOCUS
1606
01:06:12,169 --> 01:06:15,272
* BUT YOU'RE ALWAYS THERE
1607
01:06:15,305 --> 01:06:18,442
* YOU WAKE UP AT SUNDOWN
1608
01:06:18,475 --> 01:06:21,711
* YOU'RE IN THE WRONG BED
1609
01:06:21,745 --> 01:06:25,015
* WITH ALL THESE QUESTIONS
1610
01:06:25,049 --> 01:06:28,152
* EATING YOUR HEAD
1611
01:06:28,185 --> 01:06:31,555
* WHO DID YOU MEET THERE
1612
01:06:31,588 --> 01:06:34,524
* WHAT DID YOU DO
1613
01:06:34,558 --> 01:06:37,627
* FORGOTTEN BY MANY
1614
01:06:37,661 --> 01:06:42,032
* REMEMBERED BY FEW
1615
01:06:42,066 --> 01:06:45,102
* YOU THINK EVERYBODY
LOVES YOU *
1616
01:06:45,135 --> 01:06:52,409
* BUT EVERYBODY
HATES THE SAME *
1617
01:06:54,778 --> 01:06:57,781
* DON'T GET IN THE MIDDLE
1618
01:06:57,814 --> 01:07:05,055
* KNOW THAT TIMES
ARE HARD ALL DAY *
1619
01:07:07,524 --> 01:07:10,327
* EVERYBODY LOVES YOU
1620
01:07:10,360 --> 01:07:18,502
* STILL NOBODY
KNOWS YOUR NAME *
1621
01:07:19,103 --> 01:07:24,141
* YOUR NAME
1622
01:07:26,476 --> 01:07:27,744
I DON'T KNOW WHAT YOU'RE
MOPING ABOUT.
1623
01:07:27,777 --> 01:07:29,813
YOU GOT EVERYTHING
YOU WANTED,
DIDN'T YOU?
1624
01:07:29,846 --> 01:07:31,748
A BOYFRIEND
AND A SEQUEL?
1625
01:07:31,781 --> 01:07:33,383
WHAT ABOUT MY FRIENDS?
1626
01:07:33,417 --> 01:07:35,352
OR MY BROTHER'S DREAMS?
1627
01:07:35,385 --> 01:07:37,354
OR MY PARENTS'
PIZZA PARLOR?
1628
01:07:37,387 --> 01:07:39,223
YOU HAVE PLENTY OF MONEY
IN YOUR TRUST FUND.
1629
01:07:39,256 --> 01:07:40,190
YOU'LL BE FINE.
1630
01:07:40,224 --> 01:07:42,359
EXCUSE ME?
THIS ISN'T ABOUT ME.
1631
01:07:42,392 --> 01:07:43,427
THIS IS ABOUT
MY FAMILY.
1632
01:07:43,460 --> 01:07:45,429
DON'T YOU GET IT, JAMIE?
1633
01:07:45,462 --> 01:07:48,298
IT'S ALL ABOUT ME.
1634
01:07:49,599 --> 01:07:51,135
THAT'S WHAT YOU THINK.
1635
01:07:51,168 --> 01:07:53,437
WHAT ARE YOU DOING?
1636
01:07:53,870 --> 01:07:55,839
[KNOCK ON DOOR]
1637
01:07:55,872 --> 01:07:57,807
WHERE'S OUR LITTLE GIRL?
1638
01:07:57,841 --> 01:08:00,644
READY FOR THE DANCE,
PRINCESS?
1639
01:08:00,677 --> 01:08:02,212
HONEY?
1640
01:08:02,246 --> 01:08:03,280
ARE YOU ALL RIGHT?
1641
01:08:03,313 --> 01:08:06,216
YEAH. I THINK I'M GOING
TO BE FINE.
1642
01:08:07,417 --> 01:08:08,852
JUST FINE.
1643
01:08:19,496 --> 01:08:21,498
LET'S GO.
1644
01:08:22,332 --> 01:08:23,167
ARE YOU OK?
1645
01:08:23,200 --> 01:08:24,033
YEAH. I JUST THOUGHT
1646
01:08:24,067 --> 01:08:25,902
THAT THIS WOULD BE
DIFFERENT, THAT'S ALL.
1647
01:08:25,935 --> 01:08:28,305
COME ON. LET'S JUST
GET THIS OVER WITH.
1648
01:08:28,338 --> 01:08:32,542
OUCH. NOT THE MOST
POSITIVE WAY
TO START A DATE, IS.
1649
01:08:32,576 --> 01:08:36,280
WOULD YOU PLEASE
STOP CALLING ME IS?
1650
01:08:39,316 --> 01:08:41,485
HI, JAMIE.
YOU LOOK BEAUTIFUL.
1651
01:08:41,518 --> 01:08:43,453
THANK YOU. SO DO YOU.
1652
01:08:43,487 --> 01:08:45,822
AND MARCO,
VERY HANDSOME.
1653
01:08:45,855 --> 01:08:49,326
ZAP AT YOU, MISS G.
1654
01:09:24,494 --> 01:09:25,895
ALL ECOSYSTEMS GO.
1655
01:09:25,929 --> 01:09:29,933
OH, IT'S GONNA BE
A WHALE OF A TIME.
1656
01:09:43,613 --> 01:09:46,250
GUYS, WHAT'S UP?
1657
01:09:46,283 --> 01:09:47,651
HEY, LENNY.
1658
01:09:47,684 --> 01:09:49,819
ALL RIGHT.
WE'LL TAKE A QUICK BREAK.
1659
01:09:49,853 --> 01:09:52,422
THANK YOU VERY MUCH.
1660
01:09:56,693 --> 01:09:57,394
YOU WANT SOME PUNCH, IS?
1661
01:09:57,427 --> 01:09:59,796
NO, BUT I'D REALLY
APPRECIATE IT
1662
01:09:59,829 --> 01:10:02,366
IF YOU WOULD STOP
CALLING ME IS.
1663
01:10:02,399 --> 01:10:03,800
SORRY.
1664
01:10:03,833 --> 01:10:06,770
WELL, I WANT SOME PUNCH.
1665
01:10:08,972 --> 01:10:10,640
SORRY FOR
CALLING YOU IS.
1666
01:10:10,674 --> 01:10:12,442
I THINK YOU'RE
REALLY COOL, JAMIE.
1667
01:10:12,476 --> 01:10:13,810
NONE OF MY FRIENDS
CAN BELIEVE
1668
01:10:13,843 --> 01:10:16,813
THAT SOMEONE
AS SMART AS YOU
SAID YES TO ME.
1669
01:10:16,846 --> 01:10:18,248
THAT'S CRAZY.
1670
01:10:18,282 --> 01:10:19,716
YOU'RE SO SMART,
1671
01:10:19,749 --> 01:10:22,752
AND YOU'RE
AN AMAZING WRITER,
1672
01:10:22,786 --> 01:10:23,687
AND A POET.
1673
01:10:23,720 --> 01:10:24,588
THAT STUPID POEM?
1674
01:10:24,621 --> 01:10:26,856
I WOULD NEVER
WRITE SOMETHING
LIKE THAT.
1675
01:10:26,890 --> 01:10:27,957
EXCUSE ME?
1676
01:10:27,991 --> 01:10:31,261
I PAID THAT DORK CONNOR
TO DO THE ASSIGNMENT
FOR ME.
1677
01:10:31,295 --> 01:10:32,329
CONNOR?
1678
01:10:32,362 --> 01:10:34,931
WHO CARES? HE'S HOT.
LET'S DANCE.
1679
01:10:34,964 --> 01:10:37,501
YOU STAY OUT OF THIS.
1680
01:10:37,534 --> 01:10:39,803
CALM DOWN.
JUST HOMEWORK, RIGHT?
1681
01:10:39,836 --> 01:10:41,605
I HELP YOU
WITH YOURS.
1682
01:10:41,638 --> 01:10:43,873
IT'S THE PRINCIPLE.
1683
01:10:43,907 --> 01:10:45,509
WHAT DOES THE PRINCIPAL
HAVE TO DO WITH THIS?
1684
01:10:45,542 --> 01:10:48,612
IF I HAVE TO TELL YOU,
YOU WILL NEVER KNOW.
1685
01:10:48,645 --> 01:10:49,879
WILL YOU PLEASE
JUST SHUT UP
1686
01:10:49,913 --> 01:10:50,980
AND DANCE WITH HIM?
1687
01:10:51,014 --> 01:10:52,015
BUT HE'S NOT THE ONE
1688
01:10:52,048 --> 01:10:54,484
THAT I SHOULD BE
DANCING WITH.
1689
01:10:54,851 --> 01:10:56,853
WHO ARE YOU
TALKING TO?
1690
01:10:56,886 --> 01:10:57,987
I'M LOST.
1691
01:10:58,021 --> 01:11:00,724
YOU, WITH ME, NOW!
1692
01:11:10,634 --> 01:11:11,568
WHAT ARE YOU
DOING HERE?
1693
01:11:11,601 --> 01:11:13,937
YOU'RE SUPPOSED TO BE
TRAPPED IN MY COMPUTER.
1694
01:11:13,970 --> 01:11:18,408
ARE WE ALL HAVING
A GOOD TIME?
1695
01:11:20,644 --> 01:11:23,647
YOU THINK YOU CAN
GET RID OF ME
THAT EASILY?
1696
01:11:23,680 --> 01:11:24,681
WE'RE A TEAM.
1697
01:11:24,714 --> 01:11:26,850
LIKE ABBOTT AND COSTELLO.
1698
01:11:26,883 --> 01:11:29,753
MORE LIKE DR. JEKYLL
AND MRS. HYDE.
1699
01:11:29,786 --> 01:11:31,655
YOU MADE ME
WHAT I AM TODAY.
1700
01:11:31,688 --> 01:11:33,323
YES, BUT I WAS
THE NICE ONE.
1701
01:11:33,357 --> 01:11:36,025
I HAD FRIENDS
BEFORE I HAD YOU.
1702
01:11:36,059 --> 01:11:37,026
YOU HAD NOTHING.
1703
01:11:37,060 --> 01:11:38,662
YOU WERE INVISIBLE.
1704
01:11:38,695 --> 01:11:40,430
EVERYONE HATED YOU.
1705
01:11:40,464 --> 01:11:41,498
THAT'S NOT TRUE.
1706
01:11:41,531 --> 01:11:42,966
THEY HATED WHAT I BECAME.
1707
01:11:42,999 --> 01:11:45,935
AND I WANT TO THANK
ONE SPECIAL GIRL
1708
01:11:45,969 --> 01:11:47,871
WHO IN SPITE OF
TREMENDOUS OBLIGATIONS
1709
01:11:47,904 --> 01:11:50,407
AND RESPONSIBILITIES,
TOOK THE TIME
1710
01:11:50,440 --> 01:11:51,875
TO MAKE ALL THE BEAUTIFUL
1711
01:11:51,908 --> 01:11:53,877
DECORATIONS
IN THE GYM TONIGHT.
1712
01:11:53,910 --> 01:11:55,712
AND IF CONNOR
WROTE THE POEM,
1713
01:11:55,745 --> 01:11:58,648
THEN HE HAD TO WRITE
THE LETTER IN THE PAPER.
1714
01:11:58,682 --> 01:12:01,418
AND JUST LOOK
AT THAT WHALE.
1715
01:12:07,791 --> 01:12:08,892
CONNOR SEES THE REAL ME.
1716
01:12:08,925 --> 01:12:12,028
I'VE BEEN SUCH
A HORRIBLE FRIEND TO HIM.
1717
01:12:12,061 --> 01:12:14,398
I HOPE HE'LL FORGIVE ME.
1718
01:12:14,431 --> 01:12:15,565
JAMIE BARTLETT!
1719
01:12:15,599 --> 01:12:18,001
[KIDS BOO]
1720
01:12:18,935 --> 01:12:21,671
GET OUT HERE
AND TAKE A BOW.
1721
01:12:21,705 --> 01:12:22,672
ME?
1722
01:12:22,706 --> 01:12:23,940
YES.
1723
01:12:23,973 --> 01:12:24,908
WE WANT TO THANK YOU
1724
01:12:24,941 --> 01:12:26,142
FOR ALL THE GOOD
YOU'VE DONE
FOR THE SCHOOL.
1725
01:12:26,175 --> 01:12:28,978
PLEASE. COME HERE.
1726
01:12:29,913 --> 01:12:31,748
DO YOU REALLY
WANT TO HEAR THIS?
1727
01:12:31,781 --> 01:12:33,983
LET'S JUST
PULL IT NOW.
1728
01:12:35,184 --> 01:12:36,119
JUST GIVE HER A SECOND.
1729
01:12:36,152 --> 01:12:39,889
FOR YOUR TIRELESS
DEDICATION
AND COMMITMENT,
1730
01:12:39,923 --> 01:12:42,459
AND YOUR AMAZING
CREATIVITY.
1731
01:12:42,492 --> 01:12:43,993
ACCEPT
OUR GRATITUDE.
1732
01:12:44,027 --> 01:12:46,463
AND THESE ROSES.
1733
01:12:46,496 --> 01:12:47,564
YEAH. WHATEVER.
1734
01:12:47,597 --> 01:12:49,633
[CROWD BOOS]
1735
01:12:50,500 --> 01:12:55,038
NOW, IS THERE ANYTHING
YOU WANT TO SAY TO US?
1736
01:12:57,741 --> 01:12:59,108
BOO!
1737
01:12:59,142 --> 01:13:01,478
THIS IS OUR CHANCE
TO WIN THEM BACK.
1738
01:13:01,511 --> 01:13:04,814
SHOW THEM HOW GREAT
WE REALLY ARE.
1739
01:13:04,848 --> 01:13:06,850
TELL THEM
ABOUT THE SEQUEL.
1740
01:13:07,584 --> 01:13:09,453
PROMISE SAWYER
A ROLE IN THE MOVIE.
1741
01:13:09,486 --> 01:13:10,854
BOO!
1742
01:13:10,887 --> 01:13:11,955
YOU CAN DO IT.
1743
01:13:11,988 --> 01:13:13,523
JUST BE YOURSELF.
1744
01:13:13,557 --> 01:13:15,659
AND, NO, BE ME.
1745
01:13:17,026 --> 01:13:20,664
THANK YOU, MISS GALLAGHER,
FOR THOSE KIND WORDS.
1746
01:13:20,697 --> 01:13:21,631
AFTER THE WEEK I'VE HAD,
1747
01:13:21,665 --> 01:13:23,733
IT'S NICE TO BE
APPRECIATED.
1748
01:13:23,767 --> 01:13:26,202
[CROWD BOOS]
1749
01:13:26,235 --> 01:13:28,938
WHOO! JAMIE!
1750
01:13:28,972 --> 01:13:31,040
YOU SAID
THAT THIS WOULD WORK.
1751
01:13:31,074 --> 01:13:32,942
KEEP GOING.
1752
01:13:32,976 --> 01:13:35,078
HAVE I MENTIONED MY SEQUEL?
1753
01:13:35,111 --> 01:13:36,613
NOT ANOTHER ONE!
1754
01:13:36,646 --> 01:13:38,014
[CROWD BOOS]
1755
01:13:39,115 --> 01:13:40,850
WHOO!
1756
01:13:40,884 --> 01:13:43,419
GUYS,
I'M OUT OF HERE.
1757
01:13:52,095 --> 01:13:54,598
ANY OTHER BRILLIANT IDEAS?
1758
01:14:05,041 --> 01:14:05,909
THAT'S IT.
1759
01:14:05,942 --> 01:14:06,943
LINDSAY AND HARMONY
HAVE RIGGED THE WHALE
1760
01:14:06,976 --> 01:14:10,947
TO THROW PROTEST FLYERS
ALL OVER THE DANCE FLOOR.
1761
01:14:10,980 --> 01:14:13,049
THEY'LL RUIN EVERYTHING,
BUT...
1762
01:14:13,082 --> 01:14:14,984
IF YOU RAT THEM OUT
BEFORE THAT HAPPENS,
1763
01:14:15,018 --> 01:14:17,987
AND THEY TAKE
THE FALL FOR IT,
1764
01:14:18,021 --> 01:14:18,855
YOU'LL BE A HERO.
1765
01:14:18,888 --> 01:14:22,792
YOU KNOW HOW FICKLE
THE LOCAL MARKET IS.
1766
01:14:22,826 --> 01:14:24,193
DO IT.
1767
01:14:26,630 --> 01:14:28,131
DO IT.
1768
01:14:28,698 --> 01:14:31,735
HARMONY, LINDSAY, STOP!
1769
01:14:34,137 --> 01:14:34,971
THAT'S MY GIRL.
1770
01:14:35,004 --> 01:14:38,474
THERE'S SOMETHING
I HAVE TO SAY TO YOU.
1771
01:14:41,010 --> 01:14:41,945
I'M SORRY.
1772
01:14:41,978 --> 01:14:43,246
WHAT?
1773
01:14:43,279 --> 01:14:45,248
I'M SORRY TO EVERYONE.
1774
01:14:45,281 --> 01:14:48,151
I'M SORRY IF I
EMBARRASSED YOU,
1775
01:14:48,184 --> 01:14:49,886
OR INSULTED YOU, OR...
1776
01:14:49,919 --> 01:14:52,789
HURT YOU IN ANY WAY.
1777
01:14:53,957 --> 01:14:56,092
THAT WASN'T MY INTENTION.
1778
01:14:56,125 --> 01:14:57,627
NONE OF THIS WAS.
1779
01:14:57,661 --> 01:15:01,197
THAT WAS MY PERSONAL,
PRIVATE JOURNAL,
1780
01:15:01,230 --> 01:15:04,901
AND NO ONE WAS SUPPOSED
TO READ IT.
1781
01:15:07,303 --> 01:15:08,905
BUT THAT STILL DOESN'T
GIVE ME THE RIGHT
1782
01:15:08,938 --> 01:15:10,874
TO SAY THE THINGS
THAT I DID.
1783
01:15:10,907 --> 01:15:12,642
NO ONE IS BLACK AND WHITE
1784
01:15:12,676 --> 01:15:14,010
LIKE THEY APPEAR
IN MY BOOK, I MEAN,
1785
01:15:14,043 --> 01:15:16,079
WE'RE ALL A LOT OF THINGS.
1786
01:15:16,112 --> 01:15:19,949
ALL UNIQUE AND SPECIAL
IN OUR OWN WAY.
1787
01:15:21,751 --> 01:15:23,186
AND WE ALL HAVE TALENTS,
INCLUDING MY BROTHER.
1788
01:15:23,219 --> 01:15:28,191
EVEN THOUGH HE DOESN'T
WANT ANYONE TO KNOW IT.
1789
01:15:28,224 --> 01:15:29,292
HE SHOULD.
1790
01:15:29,325 --> 01:15:30,960
SEE, AND THOSE
ARE THE THINGS
1791
01:15:30,994 --> 01:15:34,063
THAT I SHOULD'VE
BEEN WRITING ABOUT.
1792
01:15:34,097 --> 01:15:35,298
HARMONY.
1793
01:15:35,331 --> 01:15:37,033
LINDSAY.
1794
01:15:37,066 --> 01:15:39,035
COME HERE.
1795
01:15:40,003 --> 01:15:40,704
I WANT EVERYONE TO KNOW
1796
01:15:40,737 --> 01:15:42,572
WHO DID ALL OF
THE WORK TONIGHT.
1797
01:15:42,606 --> 01:15:43,372
WHILE I WAS OFF
1798
01:15:43,406 --> 01:15:45,775
PRETENDING TO BE SOMEBODY
I WASN'T,
1799
01:15:45,809 --> 01:15:47,911
THESE TWO WORKED
ABOVE AND BEYOND
1800
01:15:47,944 --> 01:15:48,945
WHAT THEY SHOULD HAVE
1801
01:15:48,978 --> 01:15:52,215
TO MAKE THIS
DEEP BLUE SEE DANCE
SO SPECTACULAR.
1802
01:15:56,152 --> 01:15:57,086
THESE...
1803
01:15:57,120 --> 01:15:58,888
ARE FOR YOU.
1804
01:15:59,956 --> 01:16:02,626
WHAT DO YOU THINK
YOU'RE DOING?
1805
01:16:04,928 --> 01:16:07,797
AND I HAVE ANOTHER
PRESENT FOR YOU.
1806
01:16:08,898 --> 01:16:11,000
JAMIE, STOP!
1807
01:16:11,034 --> 01:16:12,235
IF YOU PULL THAT ROPE,
1808
01:16:12,268 --> 01:16:13,269
YOU'LL BE BLAMED
FOR EVERYTHING.
1809
01:16:13,302 --> 01:16:15,004
WHAT DO YOU THINK
YOU'RE DOING?
1810
01:16:15,038 --> 01:16:16,973
SOMETHING I SHOULD'VE DONE
A LONG TIME AGO.
1811
01:16:17,006 --> 01:16:20,009
YOU DON'T HAVE
THE POWER, IS, I DO.
1812
01:16:20,043 --> 01:16:23,079
SAVE THE WHALES!
1813
01:16:24,180 --> 01:16:26,249
[KIDS SCREAM]
1814
01:16:36,125 --> 01:16:38,662
SHE'S NOT GETTING AWAY
WITH THIS.
1815
01:16:43,867 --> 01:16:45,635
[KIDS SCREAM]
1816
01:16:45,669 --> 01:16:47,303
NO!!!!
1817
01:16:52,909 --> 01:16:53,943
FRIENDS?
1818
01:16:53,977 --> 01:16:54,678
FRIENDS.
1819
01:16:54,711 --> 01:16:55,444
NOW, WHERE'S CONNOR?
1820
01:16:55,478 --> 01:16:57,914
HE DITCHED WHEN YOU
WERE ON STAGE.
1821
01:16:57,947 --> 01:16:59,883
I HAVE TO FIND HIM.
1822
01:16:59,916 --> 01:17:02,018
IT'S ALL RIGHT. DON'T--
1823
01:17:02,051 --> 01:17:03,286
OH!
1824
01:17:16,265 --> 01:17:18,334
CONNOR!
1825
01:17:20,469 --> 01:17:21,771
WHAT DOES SHE WANT NOW?
1826
01:17:21,805 --> 01:17:25,108
IT'S ONLY ONE WAY
TO FIND OUT.
1827
01:17:32,181 --> 01:17:34,150
I'VE BEEN LOOKING
FOR YOU.
1828
01:17:34,183 --> 01:17:35,852
WELL...
1829
01:17:35,885 --> 01:17:37,987
YOU FOUND ME.
1830
01:17:39,055 --> 01:17:40,423
HI.
1831
01:17:42,325 --> 01:17:46,696
LOOK, I'M REALLY SORRY
I'VE BEEN SUCH
A JERK LATELY.
1832
01:17:46,730 --> 01:17:50,099
I DON'T KNOW
WHAT'S COME OVER ME.
1833
01:17:51,000 --> 01:17:53,102
OR MAYBE I DO.
1834
01:17:53,136 --> 01:17:56,873
BUT THE TRUTH IS,
I NEVER LIKED MARCO.
1835
01:17:56,906 --> 01:17:57,807
I JUST LIKED
HIS POETRY,
1836
01:17:57,841 --> 01:18:00,810
AND NOW I FIND OUT
THAT IT WASN'T
EVEN HIM.
1837
01:18:02,445 --> 01:18:04,080
IT WAS YOU.
1838
01:18:06,249 --> 01:18:07,817
I WIMPED OUT.
1839
01:18:07,851 --> 01:18:10,920
I SHOULD'VE JUST ASKED YOU
TO THE DANCE.
1840
01:18:19,095 --> 01:18:21,264
ABOUT THAT DANCE.
1841
01:18:23,432 --> 01:18:25,468
WAY TO GO, SQUIRT.
1842
01:18:32,942 --> 01:18:34,343
MISS BARTLETT.
1843
01:18:34,377 --> 01:18:36,312
ABOUT YOUR DISPLAY...
1844
01:18:36,345 --> 01:18:37,180
YES, MA'AM.
1845
01:18:37,213 --> 01:18:39,749
I WANT A WORD
WITH YOU.
1846
01:18:39,783 --> 01:18:43,019
[SLOW APPLAUSE]
1847
01:18:43,419 --> 01:18:45,922
WHAT ARE YOU DOING?
1848
01:18:45,955 --> 01:18:47,323
OH...
1849
01:18:51,394 --> 01:18:52,962
MONDAY.
1850
01:18:54,530 --> 01:18:56,065
DON'T WORRY, SIS.
1851
01:18:56,099 --> 01:18:58,768
YOU'RE NOT THE ONLY ONE
WHO'S BEEN A DORK LATELY.
1852
01:18:58,802 --> 01:19:00,169
THIS ONE'S FOR YOU.
1853
01:19:00,203 --> 01:19:02,071
[MUSIC STARTS]
1854
01:19:06,442 --> 01:19:10,146
* YOU SAID YOUR TIME
WAS RUNNING OUT *
1855
01:19:10,179 --> 01:19:13,182
* YOU'RE FAR FROM WHERE
YOU WANT TO BE *
1856
01:19:13,216 --> 01:19:17,787
* YOUR HANGING IN
THE LOST AND FOUND *
1857
01:19:17,821 --> 01:19:19,856
* YOU'RE LOSING TOUCH
WITH EVERYTHING *
1858
01:19:19,889 --> 01:19:23,793
* AND WHEN YOU NEED
SOMEONE TO *
1859
01:19:23,827 --> 01:19:26,262
* LEAN ON
1860
01:19:26,295 --> 01:19:30,566
* I WILL BE AROUND
1861
01:19:30,599 --> 01:19:33,102
* WHEN YOU THINK IT'S OVER
1862
01:19:33,136 --> 01:19:37,473
* I WON'T LET YOU DOWN
1863
01:19:37,506 --> 01:19:39,042
* IF YOUR LUCK RUNS OUT
1864
01:19:39,075 --> 01:19:42,211
* AND WHEN IT FEELS LIKE
LIFE IS HOLDING YOU DOWN *
1865
01:19:42,245 --> 01:19:46,082
* WHENEVER YOU NEED ME,
I WILL BE AROUND *
1866
01:19:46,115 --> 01:19:52,488
* DON'T WORRY,
THIS WON'T LAST FOREVER *
1867
01:19:52,521 --> 01:19:55,024
* YOU'LL BE ALL RIGHT
1868
01:19:55,058 --> 01:19:59,395
* BETTER LATE THAN NEVER
1869
01:19:59,428 --> 01:20:04,000
* I WILL BE AROUND
1870
01:20:04,033 --> 01:20:06,002
* WHEN YOU THINK IT'S OVER
1871
01:20:06,035 --> 01:20:10,506
* I WON'T LET YOU DOWN
1872
01:20:10,539 --> 01:20:13,977
* IF YOUR LUCK RUNS OUT
1873
01:20:14,243 --> 01:20:19,048
* I WILL BE AROUND
1874
01:20:19,082 --> 01:20:20,884
* WHEN YOU THINK IT'S OVER
1875
01:20:20,917 --> 01:20:25,955
* I WON'T LET YOU DOWN
1876
01:20:25,989 --> 01:20:27,056
* IF YOUR LUCK RUNS OUT
1877
01:20:27,090 --> 01:20:28,958
* AND WHEN IT FEELS
LIKE LIFE *
1878
01:20:28,992 --> 01:20:31,094
* IS HOLDING YOU DOWN
1879
01:20:31,127 --> 01:20:33,930
* WHENEVER YOU NEED ME
1880
01:20:33,963 --> 01:20:36,099
* WHENEVER YOU NEED ME
1881
01:20:36,132 --> 01:20:39,068
* I WILL BE AROUND
1882
01:21:13,002 --> 01:21:13,636
MOM.
1883
01:21:13,669 --> 01:21:16,305
DAD. I HOPE
YOU DON'T MIND.
1884
01:21:16,339 --> 01:21:20,043
I BROUGHT SOME FRIENDS
FOR PIZZA.
1885
01:21:23,179 --> 01:21:25,048
WHOA.
1886
01:21:25,081 --> 01:21:26,916
WHOA.
1887
01:21:27,550 --> 01:21:29,953
WILL YOU LOOK AT THAT?
1888
01:21:30,653 --> 01:21:32,956
I GOTTA GET COOKING.
1889
01:22:06,289 --> 01:22:07,356
ANYMORE SPINACH PIZZA?
1890
01:22:07,390 --> 01:22:08,457
I DIDN'T MAKE SPINACH.
1891
01:22:08,491 --> 01:22:12,261
WHATEVER IT WAS,
EVERYBODY WANTS MORE.
1892
01:22:12,295 --> 01:22:14,030
SEAWEED?
1893
01:22:14,063 --> 01:22:17,033
UH-OH. MY BAD.
1894
01:22:17,066 --> 01:22:19,168
NO! YOUR GOOD.
1895
01:22:19,202 --> 01:22:20,336
I THINK THIS COULD BE IT.
1896
01:22:20,369 --> 01:22:21,604
LISTEN TO THOSE KIDS.
1897
01:22:21,637 --> 01:22:23,039
LENNY, GO GET THE SEAWEED
1898
01:22:23,072 --> 01:22:26,142
FROM THE SUSHI
IN THE COOLER. HURRY.
1899
01:22:26,175 --> 01:22:28,277
Kids: PIZZA! PIZZA!
1900
01:22:29,412 --> 01:22:32,548
HEY, GREAT PIZZA,
MR. B.
1901
01:22:33,049 --> 01:22:35,151
PEG, YOU TAKE THE ORDERS,
I'LL GET THE PIZZA.
1902
01:22:35,184 --> 01:22:38,087
YOU DID IT, RALPH.
YOU REALLY DID IT.
1903
01:22:38,121 --> 01:22:40,056
NO. HE, BUT--
1904
01:22:42,425 --> 01:22:43,759
YEAH. I DID.
1905
01:22:43,792 --> 01:22:45,194
PIZZA! PIZZA! PIZZA!
1906
01:22:45,228 --> 01:22:46,329
AND WITH ONE
SEAWEED PIZZA,
1907
01:22:46,362 --> 01:22:49,999
ORDER WAS RESTORED
IN THE KINGDOM ONCE AGAIN.
1908
01:22:50,033 --> 01:22:51,667
THE PRINCESS
KISSED HER FROG,
1909
01:22:51,700 --> 01:22:53,602
AND THEY DANCED
UNTIL DAWN.
1910
01:22:53,636 --> 01:22:55,571
OK. 9:30.
1911
01:22:55,604 --> 01:23:00,476
AND EVERYONE LIVED
HAPPILY EVER AFTER.
1912
01:23:04,213 --> 01:23:05,181
AAH!
1913
01:23:05,214 --> 01:23:08,717
WELL, ALMOST EVERYONE.
1914
01:23:21,197 --> 01:23:23,166
CAPTIONING MADE POSSIBLE BY
ABC CABLE NETWORKS GROUP
1915
01:23:23,199 --> 01:23:25,568
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
1916
01:23:25,601 --> 01:23:29,305
* YOU SAID YOUR TIME
WAS RUNNING OUT *
1917
01:23:29,338 --> 01:23:32,341
* YOU'RE FAR FROM WHERE
YOU WANT TO BE *
1918
01:23:32,375 --> 01:23:36,712
* YOUR HANGING IN
THE LOST AND FOUND *
1919
01:23:36,745 --> 01:23:38,647
* YOU'RE LOSING TOUCH
WITH EVERYTHING *
1920
01:23:38,681 --> 01:23:45,421
* AND WHEN YOU NEED
SOMEONE TO LEAN ON *
1921
01:23:45,454 --> 01:23:49,725
* I WILL BE AROUND
1922
01:23:49,758 --> 01:23:52,095
* WHEN YOU THINK IT'S OVER
1923
01:23:52,128 --> 01:23:56,632
* I WON'T LET YOU DOWN
1924
01:23:56,665 --> 01:23:57,733
* IF YOUR LUCK RUNS OUT
1925
01:23:57,766 --> 01:24:01,804
* AND WHEN IT FEELS LIKE
LIFE IS HOLDING YOU DOWN *
1926
01:24:01,837 --> 01:24:05,108
* WHENEVER YOU NEED ME
1927
01:24:05,141 --> 01:24:07,143
* WHENEVER YOU NEED ME
1928
01:24:07,176 --> 01:24:10,213
* I WILL BE AROUND
120231
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.