Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,020 --> 00:00:06,854
PICASSO: Previously on Genius...
2
00:00:06,855 --> 00:00:08,356
DIAGHILEV: Olga Khokhlova.
3
00:00:08,357 --> 00:00:09,857
COCTEAU: Russian aristocracy.
4
00:00:09,858 --> 00:00:12,260
She must be looking for
the Duke or Viscount.
5
00:00:12,394 --> 00:00:13,895
OLGA: I cannot let you in.
6
00:00:13,896 --> 00:00:15,229
We are not married.
7
00:00:15,230 --> 00:00:17,999
MAX: She certainly has
you under her spell.
8
00:00:18,033 --> 00:00:20,668
OLGA: You're a married man,
with a reputation to protect.
9
00:00:20,669 --> 00:00:23,120
MAX: You spend your
days with your snob of
10
00:00:23,121 --> 00:00:26,744
a wife pretending you
are an aristocrat.
11
00:00:26,745 --> 00:00:29,443
At least I have not
abandoned my friends.
12
00:00:29,812 --> 00:00:32,613
OLGA: I am the only Madam Picasso.
13
00:00:32,614 --> 00:00:34,048
(YELLS).
14
00:00:34,049 --> 00:00:35,550
PICASSO: Hey, Olga!
15
00:00:35,551 --> 00:00:37,885
PABLO: Someday I'm going to
paint the perfect painting.
16
00:00:37,886 --> 00:00:39,420
PAULO: I had no idea
you were so talented.
17
00:00:39,421 --> 00:00:41,723
FRANÇOISE: Kahnweiler's been
asking me for new works to
18
00:00:41,724 --> 00:00:42,924
show, and I just...
19
00:00:42,925 --> 00:00:44,392
Don't have the time anymore...
20
00:00:44,393 --> 00:00:45,626
PICASSO: Go on.
21
00:00:45,627 --> 00:00:47,195
Play the game you played
the night we first met.
22
00:00:47,196 --> 00:00:48,997
Even when you missed,
you didn't flinch.
23
00:00:48,998 --> 00:00:51,099
MARIE-THÉRÈSE: She is so happy
when you are here, Pablo.
24
00:00:51,100 --> 00:00:54,503
PICASSO: Do you think Maya wants
to watch me cuddling Paloma?
25
00:00:54,603 --> 00:00:56,170
FRANÇOISE: Maya loves Paloma.
26
00:00:56,171 --> 00:00:58,673
GENEVIÈVE: And how long do
you plan to keep me waiting?
27
00:00:58,674 --> 00:01:00,441
PICASSO: It did not occur
to me that you were interested
28
00:01:00,442 --> 00:01:01,609
in an old man.
29
00:01:01,610 --> 00:01:03,277
GENEVIÈVE: You don't seem old to me.
30
00:01:03,278 --> 00:01:04,779
DOCTOR: Clear!
31
00:01:04,780 --> 00:01:06,447
DORA: I don't understand why
you let these women hang on.
32
00:01:06,448 --> 00:01:07,648
FRANÇOISE: I should leave you.
33
00:01:07,649 --> 00:01:11,309
PICASSO: Ridiculous!
Nobody leaves Picasso!
34
00:01:11,687 --> 00:01:17,758
(THEME MUSIC PLAYS).
35
00:01:26,602 --> 00:01:33,341
♪
36
00:01:35,019 --> 00:01:42,319
sync and corrections by awaqeded
www.addic7ed.com
37
00:01:42,384 --> 00:01:48,189
♪
38
00:01:58,333 --> 00:02:02,670
♪
39
00:02:03,172 --> 00:02:05,139
(SHUDDERS).
40
00:02:08,577 --> 00:02:12,146
(GRUNTS AND GROANS).
41
00:02:15,984 --> 00:02:19,954
(SINGING IN FRENCH).
42
00:02:19,955 --> 00:02:22,990
ÉLUARD: My hand in your
hair will sow the stars of
43
00:02:22,991 --> 00:02:25,659
sapphire, pearl, ruby...
44
00:02:26,829 --> 00:02:29,797
that you never be deaf to my desire...
45
00:02:29,798 --> 00:02:35,236
my oasis and my gourd whence I aspire.
46
00:02:37,973 --> 00:02:41,008
DORA: Your writing is exquisite.
47
00:02:41,143 --> 00:02:45,813
ÉLUARD: It's not me. It's Baudelaire.
48
00:02:45,814 --> 00:02:48,015
DORA: You're absurdly romantic, Paul.
49
00:02:48,016 --> 00:02:52,487
ÉLUARD: And you, you don't have a
romantic bone in your body, do you, hm?
50
00:02:52,488 --> 00:02:55,756
To you, it's just
photography, politics and sex.
51
00:02:56,658 --> 00:02:58,593
DORA: Sex is just a game.
52
00:02:58,594 --> 00:03:00,995
Lately, it bores the hell out of me.
53
00:03:00,996 --> 00:03:03,030
ÉLUARD: All these great
men you've bedded,
54
00:03:03,031 --> 00:03:05,399
not one of them has managed
to get his claws into you?
55
00:03:05,400 --> 00:03:06,634
DORA: God no.
56
00:03:06,635 --> 00:03:08,702
I get tired of them
in a matter of weeks.
57
00:03:09,071 --> 00:03:11,272
(LAUGHS).
58
00:03:12,207 --> 00:03:15,843
ÉLUARD: You've never been in love?
59
00:03:16,044 --> 00:03:17,149
DORA: Paul...
60
00:03:17,150 --> 00:03:20,214
I can barely tolerate romantic.
61
00:03:20,215 --> 00:03:23,417
I absolutely despise sentimental.
62
00:03:23,418 --> 00:03:27,889
ÉLUARD: Dora, uh, love is the
most creative force in nature.
63
00:03:27,890 --> 00:03:31,091
What you need is an Amour Fou.
64
00:03:31,560 --> 00:03:33,861
DORA: A mad love?
65
00:03:33,862 --> 00:03:35,429
No thank you.
66
00:03:35,430 --> 00:03:38,232
ÉLUARD: It's what inspires
true artists like us.
67
00:03:38,233 --> 00:03:40,468
DORA: You don't have
to explain it to me.
68
00:03:40,469 --> 00:03:43,237
I understand the Surrealist
dogma as well as anyone.
69
00:03:43,639 --> 00:03:46,674
A magical love, born
of a chance encounter.
70
00:03:47,342 --> 00:03:51,412
'Fate.' Frankly, I think it's
a ridiculous superstition.
71
00:03:56,185 --> 00:03:58,786
ÉLUARD: You are a goddess, Dora.
72
00:03:58,787 --> 00:04:02,857
What you need is a God.
73
00:04:04,560 --> 00:04:07,595
DORA: Do you have someone in mind?
74
00:04:07,629 --> 00:04:09,430
(ROARS AND GROWLS).
75
00:04:09,431 --> 00:04:12,500
(LAUGHTER).
76
00:04:12,601 --> 00:04:14,669
PICASSO: Oh!
Gorillas are chasing us. Yeah!
77
00:04:14,670 --> 00:04:17,404
(LAUGHTER).
78
00:04:18,373 --> 00:04:19,407
OLGA: Pablo, stop that!
79
00:04:19,408 --> 00:04:21,142
PICASSO: What, what?
80
00:04:21,143 --> 00:04:23,133
OLGA: You're embarrassing yourself.
Have you no sense of decorum?
81
00:04:23,145 --> 00:04:25,613
PICASSO: Oh. Andre, Paul!
82
00:04:26,281 --> 00:04:28,415
You've come just in time.
83
00:04:29,885 --> 00:04:33,087
Ah, oh, uh, Andre Breton
and, uh, Paul Éluard.
84
00:04:33,488 --> 00:04:36,790
My wife. Olga Khokhlova.
85
00:04:37,125 --> 00:04:39,327
OLGA: It seems you forgot to
mention to your friends that
86
00:04:39,328 --> 00:04:41,028
this is a formal occasion.
87
00:04:41,029 --> 00:04:43,764
PICASSO: For God's sake, Olga,
who cares how they are dressed?
88
00:04:44,199 --> 00:04:45,600
OLGA: If you want to entertain adults,
89
00:04:45,601 --> 00:04:47,768
you should learn to act like one.
90
00:04:48,570 --> 00:04:50,137
PICASSO: Let's go to my studio.
91
00:04:50,138 --> 00:04:52,473
It's the only place
she can't torture me.
92
00:05:04,086 --> 00:05:05,753
BRETON: "I am not a gentleman."
93
00:05:05,754 --> 00:05:08,522
That is exactly why
you are our hero, Pablo.
94
00:05:08,523 --> 00:05:11,259
(LAUGHS).
95
00:05:11,260 --> 00:05:13,094
BRETON: It's intuitive, automatic.
96
00:05:13,095 --> 00:05:14,929
Emanations from the subconscious.
97
00:05:14,930 --> 00:05:17,231
ÉLUARD: Charged with eroticism,
98
00:05:17,232 --> 00:05:20,701
born from the chance
juxtaposition of images.
99
00:05:20,702 --> 00:05:23,470
BRETON: This painting is everything
I've been writing about.
100
00:05:23,972 --> 00:05:26,340
It's a masterpiece of Surrealism.
101
00:05:26,341 --> 00:05:29,677
ÉLUARD: Andre has just finished
a collection of essays,
102
00:05:30,178 --> 00:05:31,879
Surrealism and Painting.
103
00:05:31,880 --> 00:05:34,782
We would be honored
if you would endorse it.
104
00:05:34,783 --> 00:05:36,317
Maybe come to our next meeting?
105
00:05:36,318 --> 00:05:39,086
PICASSO: I don't want to be labeled.
106
00:05:40,055 --> 00:05:42,456
Surrealist, Cubist and Modernist.
107
00:05:42,624 --> 00:05:45,192
What is next? Communist?
108
00:05:45,193 --> 00:05:47,962
ÉLUARD: The Communists are
going to remake the world.
109
00:05:48,630 --> 00:05:54,316
PICASSO: Besides, my work
lately is nothing but anger.
110
00:05:54,469 --> 00:05:56,037
Bitterness.
111
00:05:56,038 --> 00:05:57,972
No one wants to see that, really.
112
00:05:57,973 --> 00:05:59,407
BRETON: That's absurd.
113
00:05:59,408 --> 00:06:01,475
You're the most important
painter in France.
114
00:06:01,476 --> 00:06:04,645
PICASSO: I am stuck in a
golden cage with a woman who
115
00:06:04,646 --> 00:06:07,515
cares more about chandeliers
and Persian carpets than
116
00:06:07,516 --> 00:06:10,484
anything I will ever paint.
117
00:06:10,485 --> 00:06:13,020
I should have known better
than to ever get married.
118
00:06:15,090 --> 00:06:17,958
I need someone new...
119
00:06:27,602 --> 00:06:34,174
♪
120
00:06:42,751 --> 00:06:48,856
♪
121
00:06:51,326 --> 00:06:53,761
(CLEARS THROAT)
122
00:06:53,762 --> 00:06:55,296
PICASSO: Excuse me, Mademoiselle.
123
00:06:55,297 --> 00:06:56,764
MARIE-THÉRÈSE: Uh, yes?
124
00:06:56,765 --> 00:06:59,933
PICASSO: Um, you have
an extraordinary face.
125
00:07:00,402 --> 00:07:01,736
MARIE-THÉRÈSE: I beg your pardon?
126
00:07:01,737 --> 00:07:04,572
PICASSO: It was fate
that you walked by.
127
00:07:04,573 --> 00:07:06,440
MARIE-THÉRÈSE: Oh, what do you mean?
128
00:07:06,441 --> 00:07:09,310
PICASSO: I want to paint you.
129
00:07:09,311 --> 00:07:13,214
MARIE-THÉRÈSE: Oh, I,
I don't think so, Monsieur.
130
00:07:13,215 --> 00:07:15,249
PICASSO: I am Picasso.
131
00:07:15,250 --> 00:07:17,651
MARIE-THÉRÈSE: I'm sorry, what?
132
00:07:17,652 --> 00:07:19,253
PICASSO: You have never heard of me?
133
00:07:19,254 --> 00:07:20,921
MARIE-THÉRÈSE: No.
134
00:07:20,922 --> 00:07:22,623
Should I have?
135
00:07:22,624 --> 00:07:25,125
PICASSO: Um...
136
00:07:28,029 --> 00:07:30,397
PICASSO: Recognize him?
137
00:07:30,432 --> 00:07:32,299
MARIE-THÉRÈSE: You're famous.
138
00:07:32,300 --> 00:07:34,468
PICASSO: In certain circles.
139
00:07:35,303 --> 00:07:37,972
Now would you let me paint you?
140
00:07:37,973 --> 00:07:40,307
MARIE-THÉRÈSE: Why would you want to?
141
00:07:40,976 --> 00:07:43,010
My sisters call me an ugly duck.
142
00:07:43,011 --> 00:07:45,179
PICASSO: Oh, that's absurd.
143
00:07:45,180 --> 00:07:47,081
They're jealous.
144
00:07:47,082 --> 00:07:50,617
Let me show you how I see you.
145
00:07:51,820 --> 00:07:55,122
My studio is just
two blocks from here.
146
00:07:59,194 --> 00:08:02,796
MARIE-THÉRÈSE: Only for a few
minutes, I have to get home.
147
00:08:12,040 --> 00:08:18,679
♪
148
00:08:18,747 --> 00:08:23,350
PICASSO: You, your sisters
couldn't be more wrong about you.
149
00:08:24,252 --> 00:08:26,620
You are magnificent.
150
00:08:27,689 --> 00:08:31,024
Like a Roman statue.
151
00:08:33,495 --> 00:08:35,429
That's a very special book.
152
00:08:35,430 --> 00:08:38,799
Go ahead, take a look at it.
153
00:08:45,173 --> 00:08:48,509
120 Days of Sodom by Marquis de Sade.
154
00:08:49,044 --> 00:08:51,812
Have you heard of it?
155
00:08:52,747 --> 00:08:55,983
Marquis de Sade destroyed
old-fashioned literature the
156
00:08:55,984 --> 00:08:59,753
same way I have
destroyed the rules of old
157
00:08:59,754 --> 00:09:02,055
masters of painting.
158
00:09:11,566 --> 00:09:16,070
♪
159
00:09:16,071 --> 00:09:19,907
"Bestowing heartfelt kisses
on my mouth and eyes, he said,
160
00:09:20,175 --> 00:09:22,743
'If I am to teach
you what to do in order
161
00:09:22,744 --> 00:09:26,513
to give me pleasure,
162
00:09:26,815 --> 00:09:30,584
'tis only fair that at
the same time I teach you
163
00:09:30,585 --> 00:09:34,288
what to do in order to receive it.'
164
00:09:36,391 --> 00:09:44,317
He then placed his hand upon my..."
165
00:09:52,474 --> 00:09:58,045
♪
166
00:09:58,046 --> 00:10:00,514
I don't want to make you late.
167
00:10:00,515 --> 00:10:04,952
Why don't you come back
and see me again tomorrow?
168
00:10:05,854 --> 00:10:07,755
MARIE-THÉRÈSE: I still
live with my mother.
169
00:10:07,756 --> 00:10:11,158
She, she might not approve.
170
00:10:11,560 --> 00:10:15,429
PICASSO: You seem
like an intelligent girl.
171
00:10:15,497 --> 00:10:19,099
I am sure you can think
of something to tell her.
172
00:10:20,368 --> 00:10:24,137
If you want to come, be
here at 3:00 in the afternoon.
173
00:10:25,473 --> 00:10:28,041
Precisely.
174
00:10:39,220 --> 00:10:41,121
EMILIE: Where have you been?
175
00:10:41,122 --> 00:10:42,456
MARIE-THÉRÈSE: I'm sorry...
176
00:10:42,457 --> 00:10:43,724
I went shopping and then...
177
00:10:43,725 --> 00:10:46,426
I, um, I played tennis with Nicoline.
178
00:10:47,128 --> 00:10:49,730
EMILIE: In those clothes?
179
00:10:49,764 --> 00:10:52,666
Tell me the truth.
180
00:10:52,667 --> 00:10:53,934
MARIE-THÉRÈSE: I met someone...
181
00:10:53,935 --> 00:10:55,202
EMILIE: Who?
182
00:10:55,203 --> 00:10:56,670
MARIE-THÉRÈSE: An artist.
183
00:10:56,671 --> 00:10:58,439
He wants to do my portrait.
184
00:10:58,440 --> 00:11:01,141
EMILIE: He's probably
trying to get you into bed.
185
00:11:01,142 --> 00:11:03,510
For all you know, he's not
really an artist at all.
186
00:11:03,511 --> 00:11:06,680
MARIE-THÉRÈSE: Oh, I-I think
he's quite successful, actually.
187
00:11:06,681 --> 00:11:09,817
His name is Picasso.
188
00:11:09,818 --> 00:11:12,786
EMILIE: Picasso?
189
00:11:14,122 --> 00:11:16,657
By all means, let him paint you.
190
00:11:18,693 --> 00:11:21,094
(KNOCK)
191
00:11:30,405 --> 00:11:32,506
PICASSO: You're late.
192
00:11:32,507 --> 00:11:34,541
MARIE-THÉRÈSE: I'm sorry,
Monsieur Picasso.
193
00:11:34,542 --> 00:11:38,378
PICASSO: And you must call me Pablo.
194
00:11:39,514 --> 00:11:43,183
MARIE-THÉRÈSE: I promise
to always be on time...
195
00:11:43,184 --> 00:11:45,485
Pablo.
196
00:11:53,595 --> 00:11:57,230
PICASSO: Don't be shy.
You can look at it again.
197
00:12:12,747 --> 00:12:16,383
PICASSO: Read out loud.
198
00:12:23,725 --> 00:12:25,626
MARIE-THÉRÈSE: "She
had very handsome eyes,
199
00:12:25,627 --> 00:12:29,697
exceedingly fair skin,
and one of the most splendid
200
00:12:29,698 --> 00:12:32,199
and plumpest..."
201
00:12:33,401 --> 00:12:36,570
PICASSO: Are you a virgin?
202
00:12:36,571 --> 00:12:39,573
MARIE-THÉRÈSE: Yes.
203
00:12:44,713 --> 00:12:48,048
PICASSO: Then I will be your first.
204
00:12:49,150 --> 00:12:51,485
(LAUGHS SOFTLY).
205
00:12:51,486 --> 00:12:54,788
Shh, don't laugh.
206
00:13:00,228 --> 00:13:02,029
(GASPS).
207
00:13:11,573 --> 00:13:15,609
♪
208
00:13:15,610 --> 00:13:18,278
(MOANS AND GIGGLES).
209
00:13:18,279 --> 00:13:21,448
(PANTING).
210
00:13:22,484 --> 00:13:25,319
PICASSO: It's Amour Fou...
211
00:13:25,320 --> 00:13:26,987
This girl, Geneviève.
212
00:13:26,988 --> 00:13:30,424
She's so young and vibrant and...
213
00:13:31,126 --> 00:13:33,827
It's different this time, Paul.
214
00:13:34,929 --> 00:13:38,799
All my romantic adventures
have been ruined by friction
215
00:13:38,800 --> 00:13:44,185
and-and suffering; Two
bodies coiled in barbed wire,
216
00:13:44,186 --> 00:13:47,703
you know, chafing against each
other, tearing their flesh.
217
00:13:47,704 --> 00:13:53,066
But with this one, it's been
all sweetness and honey.
218
00:13:54,716 --> 00:13:57,617
She's a hive without bees.
219
00:13:57,886 --> 00:13:59,831
ÉLUARD: She must be
very good in bed to
220
00:13:59,844 --> 00:14:01,934
elicit such poetry from
the great Picasso.
221
00:14:02,157 --> 00:14:06,293
PICASSO: She makes me feel alive.
222
00:14:06,561 --> 00:14:08,228
ÉLUARD: And Françoise doesn't?
223
00:14:08,229 --> 00:14:11,698
PICASSO: She looks
at me like I am old.
224
00:14:12,300 --> 00:14:15,001
Anyway, I have a favor to ask you.
225
00:14:15,570 --> 00:14:17,304
ÉLUARD: Of course, anything.
226
00:14:17,305 --> 00:14:20,107
PICASSO: I have to sneak all the way
to Paris when I want to see her.
227
00:14:21,643 --> 00:14:24,011
I need a place closer.
228
00:14:24,012 --> 00:14:26,746
St. Tropez would be perfect.
229
00:14:27,649 --> 00:14:29,416
ÉLUARD: I'll see what I can do.
230
00:14:29,417 --> 00:14:30,717
PICASSO: Yes...
231
00:14:30,718 --> 00:14:32,886
ÉLUARD: A flat, a house, a castle?
232
00:14:32,887 --> 00:14:37,991
(CHILDREN LAUGHING).
233
00:14:39,561 --> 00:14:42,329
FRANÇOISE: Thanks for helping
me watch the children, Kostas.
234
00:14:42,330 --> 00:14:46,066
KOSTAS: Well, maybe they
should take naps and we could
235
00:14:46,067 --> 00:14:47,768
have some sangria.
236
00:14:47,769 --> 00:14:49,369
FRANÇOISE: Sangria?
237
00:14:49,370 --> 00:14:52,039
You've been spending too much
time with Pablo's nephews.
238
00:14:52,040 --> 00:14:54,441
KOSTAS: Actually, I don't
like the way Javier makes it.
239
00:14:54,442 --> 00:14:56,910
No, we do it better in Greece.
240
00:14:56,911 --> 00:14:59,112
FRANÇOISE: Didn't you have
a dissertation to finish?
241
00:14:59,113 --> 00:15:02,049
KOSTAS: I could go
back to Paris tomorrow.
242
00:15:02,050 --> 00:15:04,551
All day long it's
mama this, mama that.
243
00:15:04,552 --> 00:15:06,186
You need a little adult time.
244
00:15:06,187 --> 00:15:08,222
FRANÇOISE: Oh, I wish I could,
but when Pablo comes home...
245
00:15:08,223 --> 00:15:11,725
I have a third child to look after.
246
00:15:11,726 --> 00:15:14,761
KOSTAS: Where is he anyway?
247
00:15:14,896 --> 00:15:18,532
FRANÇOISE: We barely
ever see him these days.
248
00:15:18,533 --> 00:15:22,235
He's always dashing off
to Paris or St. Tropez.
249
00:15:24,038 --> 00:15:27,140
The children miss him.
250
00:15:27,141 --> 00:15:30,310
KOSTAS: What about you?
251
00:15:30,311 --> 00:15:35,165
FRANÇOISE: You're right, Kostas.
The children need their nap.
252
00:15:36,284 --> 00:15:39,419
And you need to get on a train.
253
00:15:43,725 --> 00:15:46,626
(KNOCK)
254
00:15:48,162 --> 00:15:49,696
FRANÇOISE: Daniel...
255
00:15:49,697 --> 00:15:55,645
Uh, it's very nice to see you,
I'm sorry, Pablo isn't here.
256
00:15:56,738 --> 00:15:58,572
KAHNWEILER: Well, that's
my good fortune then.
257
00:15:58,573 --> 00:16:01,608
It gives me some time to see
what you've been working on.
258
00:16:02,143 --> 00:16:04,645
FRANÇOISE: Well, I'm afraid I don't
have anything new to show you.
259
00:16:04,646 --> 00:16:08,415
I've been too busy with the children.
260
00:16:08,416 --> 00:16:09,950
KAHNWEILER: That's a shame.
261
00:16:09,951 --> 00:16:12,185
I've been getting a marvelous
response to your paintings.
262
00:16:12,186 --> 00:16:13,654
FRANÇOISE: You're just being kind.
263
00:16:13,655 --> 00:16:15,088
KAHNWEILER: No, not at all.
264
00:16:15,089 --> 00:16:16,823
I've sold three pieces
this month and...
265
00:16:16,824 --> 00:16:19,159
do you know Janine Charrat?
266
00:16:19,160 --> 00:16:20,994
FRANÇOISE: The choreographer?
267
00:16:20,995 --> 00:16:25,732
KAHNWEILER: She's looking for a
designer for her new ballet in Paris.
268
00:16:25,733 --> 00:16:29,336
I told her you would be perfect.
269
00:16:29,871 --> 00:16:34,007
FRANÇOISE: I've never designed
a set or a costume in my life.
270
00:16:35,043 --> 00:16:37,611
KAHNWEILER: Neither had
Pablo when he did Parade.
271
00:16:38,046 --> 00:16:40,847
She loves your work, Françoise.
272
00:16:44,786 --> 00:16:47,287
FRANÇOISE: God that sounds like fun.
273
00:16:47,288 --> 00:16:49,222
PICASSO: It's impossible.
274
00:16:49,223 --> 00:16:51,158
How can you go to
Paris for weeks on end?
275
00:16:51,159 --> 00:16:54,661
Who's going to take
care of the children?
276
00:16:54,996 --> 00:16:58,832
FRANÇOISE: Well, they have a father.
277
00:16:58,833 --> 00:17:02,169
PICASSO: You know I cannot
look after them night and day.
278
00:17:02,170 --> 00:17:04,537
(SCOFFS).
279
00:17:05,506 --> 00:17:08,808
I wouldn't get any work done.
280
00:17:24,544 --> 00:17:27,428
(BANGING)
281
00:17:27,429 --> 00:17:30,264
OLGA: Open the door
before I break it down!
282
00:17:31,166 --> 00:17:33,401
PICASSO: What in God's
name do you want?
283
00:17:33,402 --> 00:17:34,590
OLGA: You must get dressed.
We're going
284
00:17:34,602 --> 00:17:35,836
to be late for dinner
with the Beaumonts.
285
00:17:35,837 --> 00:17:38,806
PICASSO: No, you go without me.
I'm working.
286
00:17:38,807 --> 00:17:40,041
OLGA: You're always working.
287
00:17:40,042 --> 00:17:41,709
You are never home
and when you are home,
288
00:17:41,710 --> 00:17:42,977
you lock yourself in here.
289
00:17:42,978 --> 00:17:44,145
PICASSO: Well, why wouldn't I?
290
00:17:44,146 --> 00:17:47,815
All you ever do is complain.
291
00:17:48,550 --> 00:17:51,085
Please, Olga, I'm working. Please.
292
00:18:00,629 --> 00:18:03,330
MARIE-THÉRÈSE: Don't you ever
get tired of painting me?
293
00:18:05,200 --> 00:18:07,401
PICASSO: Your face, in this light?
294
00:18:07,402 --> 00:18:09,336
How could I ever get tired of that?
295
00:18:09,337 --> 00:18:12,573
MARIE-THÉRÈSE: I'm glad
you still feel that way.
296
00:18:12,574 --> 00:18:14,475
Now go and get cleaned up.
297
00:18:14,476 --> 00:18:17,478
I have a surprise for you.
298
00:18:19,047 --> 00:18:21,315
PICASSO: Do you?
299
00:18:21,316 --> 00:18:24,852
MARIE-THÉRÈSE: I bought us
tickets to see Josephine Baker.
300
00:18:27,322 --> 00:18:33,491
PICASSO: Yeah, well
it's a, it's a popular play.
301
00:18:36,932 --> 00:18:42,207
We might run into someone who knows
Olga and what would I say to them?
302
00:18:43,071 --> 00:18:46,607
MARIE-THÉRÈSE: So even
after all these years,
303
00:18:46,675 --> 00:18:49,743
this little flat will be the only
place we can ever be together?
304
00:18:53,014 --> 00:18:58,152
Pablo, when are you
going to divorce her?
305
00:18:58,720 --> 00:19:01,688
You promised me.
306
00:19:02,924 --> 00:19:04,673
PICASSO: You know I would like nothing
307
00:19:04,686 --> 00:19:06,572
better than to be
free from that woman.
308
00:19:08,096 --> 00:19:11,331
But, but divorce is very complicated.
309
00:19:14,936 --> 00:19:17,538
I love you...
310
00:19:17,539 --> 00:19:21,742
but for now we need to
keep things as they are.
311
00:19:21,910 --> 00:19:28,601
If Olga found out about you,
she would make life hell.
312
00:19:30,085 --> 00:19:31,619
GENEVIÈVE: It's heaven...
313
00:19:31,620 --> 00:19:33,554
Our own secret little Shangri-La.
314
00:19:33,555 --> 00:19:36,623
ÉLUARD: Yes, I thought it was
a rather romantic little flat.
315
00:19:36,925 --> 00:19:38,492
I'm delighted you like it.
316
00:19:38,493 --> 00:19:39,794
GENEVIÈVE: We love it.
317
00:19:39,795 --> 00:19:41,162
Thank you so much, Paul.
318
00:19:41,163 --> 00:19:42,819
PICASSO: I owe you one favor, my friend.
ÉLUARD: Oh.
319
00:19:42,820 --> 00:19:45,443
Monsieur Picasso, a-a few
questions for my readers, please.
320
00:19:45,444 --> 00:19:46,744
PICASSO: Oh, not now.
321
00:19:46,745 --> 00:19:48,212
Who's your pretty friend,
a new muse perhaps?
322
00:19:48,213 --> 00:19:51,048
ÉLUARD: Get out of here,
before I break that thing.
323
00:19:52,684 --> 00:19:55,753
MADAME RAMIE: Ah, Mademoiselle
Gilot, how may I help you?
324
00:19:56,088 --> 00:19:58,389
FRANÇOISE: I've come to collect
Monsieur Picasso's pieces.
325
00:19:58,390 --> 00:20:00,658
MADAME RAMIE: I'm sorry,
they have not been fired yet.
326
00:20:00,659 --> 00:20:04,929
But they should be ready by the
time he returns from St. Tropez.
327
00:20:04,930 --> 00:20:07,532
FRANÇOISE: He's in Paris, actually.
328
00:20:07,533 --> 00:20:08,933
MADAME RAMIE: Oh, well.
329
00:20:08,934 --> 00:20:11,969
The papers must be mistaken.
330
00:20:11,970 --> 00:20:14,539
FRANÇOISE: Mistaken about what?
331
00:20:14,540 --> 00:20:17,809
MADAME RAMIE: I'm sure
it's just silly gossip...
332
00:20:17,810 --> 00:20:20,911
FRANÇOISE: What kind of gossip?
333
00:20:20,979 --> 00:20:23,648
MADAME RAMIE: Well,
if you must know...
334
00:20:23,649 --> 00:20:25,680
they say he has been seen there in the
335
00:20:25,693 --> 00:20:27,563
company of a striking young lady.
336
00:20:42,100 --> 00:20:45,870
PICASSO: Ah, what are these? Costumes?
337
00:20:46,638 --> 00:20:50,241
FRANÇOISE: Mm.
338
00:20:50,275 --> 00:20:52,610
I've accepted the
position with the ballet.
339
00:20:52,611 --> 00:20:55,646
I'm leaving for Paris next week.
340
00:20:57,082 --> 00:21:00,551
PICASSO: But I told you it,
it was not possible.
341
00:21:05,691 --> 00:21:09,894
FRANÇOISE: Well, if you can do
whatever you want, so can I.
342
00:21:10,929 --> 00:21:12,263
PICASSO: Do what I want?
343
00:21:12,264 --> 00:21:14,965
Uh-huh.
344
00:21:18,036 --> 00:21:20,438
What are you talking about?
345
00:21:20,439 --> 00:21:22,673
FRANÇOISE: Your new girlfriend...
346
00:21:22,674 --> 00:21:25,342
in St. Tropez.
347
00:21:26,144 --> 00:21:29,380
PICASSO: How can you listen
to such ridiculous rumors?
348
00:21:29,381 --> 00:21:32,116
There is no girlfriend.
349
00:21:32,117 --> 00:21:35,186
FRANÇOISE: Don't lie to me, Pablo.
350
00:21:36,221 --> 00:21:37,688
After everything we've been through,
351
00:21:37,689 --> 00:21:39,390
the one thing I've always
counted on is that we always
352
00:21:39,391 --> 00:21:42,493
tell each other the truth.
353
00:21:48,534 --> 00:21:52,303
PICASSO: Well, I, I
am telling the truth.
354
00:21:54,706 --> 00:21:56,641
And if I was with another woman,
355
00:21:56,642 --> 00:21:58,409
it would be your own fault.
356
00:21:58,410 --> 00:22:01,579
When was the last time you
showed me any affection?
357
00:22:03,015 --> 00:22:05,650
FRANÇOISE: That's hard to
do when you're never here.
358
00:22:05,651 --> 00:22:10,154
PICASSO: Oh, I see.
You're punishing me.
359
00:22:10,722 --> 00:22:15,626
FRANÇOISE: No.
No, I'm rewarding myself.
360
00:22:16,528 --> 00:22:18,495
PICASSO: Oh.
361
00:22:18,697 --> 00:22:20,765
FRANÇOISE: For all the
sacrifices I've made to your
362
00:22:20,766 --> 00:22:22,333
art at the expense of my own.
363
00:22:22,334 --> 00:22:24,835
It's my turn, Pablo.
364
00:22:24,836 --> 00:22:27,805
PICASSO: My God, you are made of ice.
365
00:22:28,106 --> 00:22:31,042
How else could a mother
just abandon her children?
366
00:22:31,043 --> 00:22:32,677
FRANÇOISE: I'm not
abandoning my children.
367
00:22:32,678 --> 00:22:35,913
I've spoken to Maya, she's
gonna come and watch them.
368
00:22:35,914 --> 00:22:37,415
I'm only going away for two months.
369
00:22:37,416 --> 00:22:39,917
They can visit me on weekends.
370
00:22:40,218 --> 00:22:42,419
(MUTTERS IN SPANISH).
371
00:22:51,597 --> 00:22:57,668
♪
372
00:23:06,511 --> 00:23:12,583
♪
373
00:23:21,326 --> 00:23:24,795
♪
374
00:23:26,765 --> 00:23:29,500
OLGA: Who is she?
375
00:23:29,501 --> 00:23:32,770
You've painted her
over and over again.
376
00:23:36,508 --> 00:23:38,943
PICASSO: She's nobody,
just, just a model.
377
00:23:39,277 --> 00:23:41,012
OLGA: I won't be made a fool of.
378
00:23:41,013 --> 00:23:43,180
I gave up everything for you.
379
00:23:43,181 --> 00:23:45,482
My career, my country, my body.
380
00:23:45,917 --> 00:23:48,452
I won't have myself and my child
humiliated by some harlot.
381
00:23:48,787 --> 00:23:51,789
PICASSO: Humiliated?
382
00:23:51,790 --> 00:23:53,758
You live like a Russian princess.
383
00:23:53,759 --> 00:23:56,593
OLGA: Get rid of her.
384
00:24:00,432 --> 00:24:03,434
PICASSO: Marie-Thérèse.
385
00:24:06,171 --> 00:24:09,206
What is it?
386
00:24:09,207 --> 00:24:11,976
MARIE-THÉRÈSE: I know
it's complicated,
387
00:24:11,977 --> 00:24:13,377
but we must get married.
388
00:24:13,378 --> 00:24:14,879
PICASSO: We have discussed this.
389
00:24:14,880 --> 00:24:17,281
You know how difficult
that is and especially now,
390
00:24:17,282 --> 00:24:18,683
Olga is just...
391
00:24:18,684 --> 00:24:21,352
MARIE-THÉRÈSE: Pablo...
392
00:24:22,387 --> 00:24:25,189
I'm pregnant.
393
00:24:30,562 --> 00:24:33,130
(SNIFFS).
394
00:24:34,833 --> 00:24:38,369
(CHUCKLES).
395
00:24:40,305 --> 00:24:42,439
(SIGHS).
396
00:24:49,915 --> 00:24:53,484
OLGA: Did you tell her it's over?
397
00:24:56,054 --> 00:24:59,123
PICASSO: I want a divorce.
398
00:25:07,874 --> 00:25:10,408
PICASSO: It was a, a wedding gift.
399
00:25:10,810 --> 00:25:13,011
I never liked it, she can have it.
400
00:25:18,084 --> 00:25:19,818
BAILIFF: I'm told
there's a second floor?
401
00:25:19,819 --> 00:25:21,319
PICASSO: Yeah, but that's my studio.
402
00:25:21,320 --> 00:25:22,888
Everything there belongs to me.
403
00:25:22,889 --> 00:25:25,424
BAILIFF: Monsieur Picasso,
"one half of all possessions"
404
00:25:25,425 --> 00:25:27,893
includes any artwork that you own.
405
00:25:27,894 --> 00:25:31,696
PICASSO: Um, But I painted them.
406
00:25:32,098 --> 00:25:35,667
DE SARIAC: I'm afraid
the law is quite clear.
407
00:25:41,841 --> 00:25:43,775
PICASSO: The divorce is off.
408
00:25:43,776 --> 00:25:45,911
OLGA: So you are
getting rid of the girl?
409
00:25:45,912 --> 00:25:46,945
PICASSO: No.
410
00:25:46,946 --> 00:25:47,756
OLGA: Then what?
411
00:25:47,757 --> 00:25:49,340
PICASSO: I am not going to let you get
412
00:25:49,341 --> 00:25:51,049
away with half of my life's work.
413
00:25:51,050 --> 00:25:52,584
OLGA: I see...
414
00:25:52,585 --> 00:25:54,586
God forbid you should lose any
of your precious paintings.
415
00:25:54,587 --> 00:25:56,121
They mean more to you than people do.
416
00:25:56,122 --> 00:25:58,090
PICASSO: Oh, I know you, Olga.
417
00:25:58,091 --> 00:26:00,692
You would only sell them
to buy shoes and fur coats.
418
00:26:00,693 --> 00:26:02,260
OLGA: Do what you wish.
419
00:26:02,261 --> 00:26:05,097
But I refuse to be humiliated
when the papers discover you
420
00:26:05,098 --> 00:26:07,733
are having a baby with
your filthy mistress.
421
00:26:07,734 --> 00:26:10,068
Paulo and I are moving
to the Hotel California.
422
00:26:10,069 --> 00:26:12,837
At your expense...
423
00:26:13,039 --> 00:26:16,007
I hope you and your new
family are very happy...
424
00:26:28,755 --> 00:26:30,889
MARIE-THÉRÈSE: Thank you for
taking such good care of me
425
00:26:30,890 --> 00:26:33,558
and little Maya.
426
00:26:34,994 --> 00:26:38,029
PICASSO: Oh, of course,
you're my two girls.
427
00:26:56,849 --> 00:26:58,350
Marie-Thérèse...
428
00:26:58,351 --> 00:27:00,452
Marie-Thérèse...
429
00:27:00,453 --> 00:27:02,754
MARIE-THÉRÈSE:
The doctor said it's okay.
430
00:27:02,755 --> 00:27:05,023
It's been two months.
431
00:27:05,024 --> 00:27:08,660
We have plenty of time
while the baby's asleep.
432
00:27:09,162 --> 00:27:12,497
PICASSO: Yes...
433
00:27:15,034 --> 00:27:18,636
MARIE-THÉRÈSE: Is, is something wrong?
434
00:27:27,046 --> 00:27:31,249
PICASSO: I haven't painted anything
since I have been living here.
435
00:27:33,152 --> 00:27:35,720
I need to go back to my studio.
436
00:27:35,721 --> 00:27:37,889
MARIE-THÉRÈSE: I thought
you loved the light here.
437
00:27:37,890 --> 00:27:43,962
PICASSO: Yes, yes, I,
I, yes, but it's, uh...
438
00:27:45,531 --> 00:27:49,501
different now.
439
00:27:49,735 --> 00:27:52,137
MARIE-THÉRÈSE: It's not me,
is it, Pablo?
440
00:27:52,138 --> 00:27:55,340
I, I still inspire you, don't I?
441
00:27:55,341 --> 00:27:58,676
PICASSO: No, no, no,
no, you, you mean the,
442
00:28:00,079 --> 00:28:03,381
you mean the world to me...
443
00:28:03,883 --> 00:28:08,653
It's just, uh, too
many distractions here.
444
00:28:11,157 --> 00:28:14,259
I need to go back to my studio.
445
00:28:14,260 --> 00:28:16,828
I have to.
446
00:28:17,663 --> 00:28:19,264
Hey.
447
00:28:19,265 --> 00:28:20,899
Dear Maya.
448
00:28:20,900 --> 00:28:24,035
Papa will come see you
and Mama very soon.
449
00:28:28,341 --> 00:28:31,543
You are an angel, Maya.
How many stories did it take?
450
00:28:32,645 --> 00:28:35,880
MAYA: Four, but
they're finally asleep.
451
00:28:38,951 --> 00:28:44,377
PICASSO: Well, I don't know
what I would do without you.
452
00:28:46,893 --> 00:28:48,693
You're a wonderful big sister.
453
00:28:48,694 --> 00:28:50,929
MAYA: They're wonderful children.
454
00:28:50,930 --> 00:28:54,532
Obviously, Françoise
is a very good mother.
455
00:28:55,868 --> 00:28:59,237
PICASSO: Good mother?
456
00:28:59,238 --> 00:29:01,706
No, we have barely heard from her.
457
00:29:01,707 --> 00:29:04,042
MAYA: I'm sure she's quite
busy with the ballet.
458
00:29:04,043 --> 00:29:06,411
PICASSO: Yeah, but her real
responsibilities are here.
459
00:29:06,412 --> 00:29:08,380
She's taking advantage
of your kindness.
460
00:29:08,381 --> 00:29:09,748
MAYA: No, don't be silly.
461
00:29:09,749 --> 00:29:11,049
I'm glad to help.
462
00:29:11,050 --> 00:29:12,817
I want her to be able
to pursue her work,
463
00:29:12,818 --> 00:29:14,219
just like you do, Papa.
464
00:29:14,220 --> 00:29:17,455
PICASSO: But she can work here.
Nobody's stopping her.
465
00:29:17,456 --> 00:29:19,791
She doesn't have to run
off to Paris to do it.
466
00:29:19,792 --> 00:29:21,459
MAYA: Instead of
complaining about her,
467
00:29:21,460 --> 00:29:23,161
you should be her champion.
468
00:29:23,162 --> 00:29:24,729
She's not like Mama.
469
00:29:24,730 --> 00:29:27,565
She's more independent and if
you do not treat her better,
470
00:29:27,566 --> 00:29:30,568
you are going to lose her.
471
00:29:40,413 --> 00:29:43,782
♪
472
00:29:43,783 --> 00:29:47,485
FRANÇOISE: Kostas, what?
473
00:29:47,520 --> 00:29:50,989
KOSTAS: Javier told me
you were working here.
474
00:29:52,458 --> 00:29:55,126
Why didn't you tell
me you were in town?
475
00:29:58,965 --> 00:30:02,066
FRANÇOISE: I've been busy.
476
00:30:02,234 --> 00:30:03,668
KOSTAS: Is it going well?
477
00:30:03,669 --> 00:30:06,471
FRANÇOISE: It is, actually, it's, um,
478
00:30:06,472 --> 00:30:09,607
it's thrilling to work with
so many talented artists...
479
00:30:09,608 --> 00:30:13,177
KOSTAS: Well, sounds wonderful.
480
00:30:14,013 --> 00:30:16,982
FRANÇOISE: What are?
481
00:30:16,983 --> 00:30:19,884
KOSTAS: Oh, I thought we
could have some sangria.
482
00:30:19,885 --> 00:30:21,953
FRANÇOISE: And you know where
to find sangria in Paris?
483
00:30:21,954 --> 00:30:23,188
KOSTAS: No.
484
00:30:23,189 --> 00:30:24,723
(LAUGHS).
485
00:30:24,724 --> 00:30:28,192
KOSTAS: No, I know a place
with a Chablis I can afford.
486
00:30:30,796 --> 00:30:32,998
FRANÇOISE: Merci.
487
00:30:32,999 --> 00:30:37,671
KOSTAS: So, let me
guess, you left him?
488
00:30:39,638 --> 00:30:42,340
FRANÇOISE: No, why would you say that?
489
00:30:43,509 --> 00:30:46,978
KOSTAS: Well, it's the only
way I could imagine Pablo
490
00:30:46,979 --> 00:30:48,857
allowing the mother of his children
491
00:30:48,870 --> 00:30:50,682
to run off to Paris without him.
492
00:30:50,683 --> 00:30:53,251
FRANÇOISE: I didn't give him a choice.
493
00:30:53,252 --> 00:30:54,886
KOSTAS: Good for you.
494
00:30:54,887 --> 00:30:56,388
FRANÇOISE: I do miss
the children though.
495
00:30:56,389 --> 00:31:01,157
I finish work and I go
home to a quiet apartment.
496
00:31:01,427 --> 00:31:03,995
KOSTAS: If you're lonely,
you can always call me...
497
00:31:03,996 --> 00:31:06,798
(LAUGHS).
498
00:31:09,035 --> 00:31:14,720
KOSTAS: Well, we all know Pablo
does whatever Pablo wants.
499
00:31:14,907 --> 00:31:18,376
Why can't you do the same?
500
00:31:23,082 --> 00:31:27,518
Heraclitus said nothing remains still,
501
00:31:27,853 --> 00:31:31,856
change is the essence of the universe.
502
00:31:35,261 --> 00:31:37,629
PICASSO: All day on his knees,
503
00:31:37,630 --> 00:31:39,897
before the rag so dirty
as it dribbles down.
504
00:31:42,468 --> 00:31:45,670
Love seated in the
corner of the kitchen.
505
00:31:46,305 --> 00:31:49,374
To amuse herself, she cuts her nails.
506
00:31:55,414 --> 00:31:59,083
ÉLUARD: It's uh, bold.
507
00:32:00,953 --> 00:32:03,554
Original, just like your paintings.
508
00:32:05,524 --> 00:32:08,593
PICASSO: You are afraid
to tell me it's dreadful.
509
00:32:09,829 --> 00:32:13,731
You see, I know I am an
amateur, but poetry...
510
00:32:16,102 --> 00:32:18,603
Is the only way I can
express myself lately.
511
00:32:18,604 --> 00:32:22,073
I, I haven't painted in-in months.
512
00:32:22,942 --> 00:32:27,497
I, nothing moves me
anymore, not the light,
513
00:32:27,498 --> 00:32:29,614
not Marie-Thérèse, nothing.
514
00:32:29,615 --> 00:32:32,317
ÉLUARD: You need something
new to inspire you.
515
00:32:32,318 --> 00:32:34,119
PICASSO: Let me guess.
516
00:32:34,120 --> 00:32:35,820
Another Amour Fou?
517
00:32:35,821 --> 00:32:37,789
ÉLUARD: No.
518
00:32:37,790 --> 00:32:42,732
Actually, I was thinking...
519
00:32:42,733 --> 00:32:45,363
another artist.
520
00:32:45,364 --> 00:32:46,812
Do you know Renoir?
521
00:32:46,813 --> 00:32:50,209
PICASSO: Of course, but I have always
522
00:32:50,210 --> 00:32:52,313
despised his pretty paintings.
523
00:32:52,369 --> 00:32:55,771
ÉLUARD: Ah, not the father, the son.
524
00:32:55,772 --> 00:32:58,607
Now, he's doing some
very interesting work.
525
00:33:02,579 --> 00:33:04,947
RENOIR: Cut!
526
00:33:04,948 --> 00:33:07,750
Cutting, that's a cut.
527
00:33:08,919 --> 00:33:10,810
Checking the gate, moving on.
528
00:33:10,811 --> 00:33:13,846
RENOIR: Let's print the
last two takes, please.
529
00:33:14,448 --> 00:33:16,749
PICASSO: So this is how
Charlie Chaplin does it?
530
00:33:17,184 --> 00:33:18,318
RENOIR: Well, Chaplin's a genius...
531
00:33:18,319 --> 00:33:21,014
PICASSO: Ah.
RENOIR: I can only hope.
532
00:33:21,015 --> 00:33:22,303
ÉLUARD: Jean, is that, uh?
533
00:33:22,304 --> 00:33:24,169
RENOIR: She's Dora Maar,
our set photographer.
534
00:33:24,170 --> 00:33:26,519
ÉLUARD: Ah, you should meet
her, Pablo, she's fascinating.
535
00:33:26,520 --> 00:33:27,920
Come, I'll introduce you.
536
00:33:27,921 --> 00:33:29,455
RENOIR: Florelle is our lead actress.
537
00:33:29,456 --> 00:33:31,791
Florelle, please meet Pablo Picasso.
538
00:33:31,792 --> 00:33:33,293
FLORELLE: Monsieur Picasso,
539
00:33:33,294 --> 00:33:36,129
you're even more handsome
than your pictures.
540
00:33:36,130 --> 00:33:39,613
PICASSO: And you are as ravishing
as you are in your films.
541
00:33:39,633 --> 00:33:41,167
FLORELLE: Even dressed as a laundress?
542
00:33:41,168 --> 00:33:44,203
PICASSO: Especially
dressed as a laundress.
543
00:33:44,204 --> 00:33:47,106
Why don't you introduce
me to your friends?
544
00:33:52,813 --> 00:33:54,347
DORA: That went well.
545
00:33:54,348 --> 00:33:57,917
ÉLUARD: He's easily
distracted, like a child.
546
00:33:59,653 --> 00:34:02,288
DORA: I thought you said he was a God?
547
00:34:02,289 --> 00:34:04,724
ÉLUARD: Ah, you'd think so
too if you got to know him.
548
00:34:04,725 --> 00:34:06,125
DORA: I would have to meet him first.
549
00:34:06,126 --> 00:34:10,163
ÉLUARD: And you will.
Just not today apparently.
550
00:34:10,164 --> 00:34:11,566
DORA: Honestly, I can't understand
551
00:34:11,579 --> 00:34:13,132
why you think we are so well-suited.
552
00:34:13,133 --> 00:34:15,201
ÉLUARD: Because my dear
Dora, you are the two most
553
00:34:15,202 --> 00:34:17,704
extraordinary people I know.
554
00:34:17,705 --> 00:34:20,373
DORA: This is absurd, Paul.
555
00:34:20,374 --> 00:34:22,308
Why don't you simply invite
us both to dinner instead of
556
00:34:22,309 --> 00:34:24,811
contriving a "chance encounter"?
557
00:34:24,812 --> 00:34:26,346
ÉLUARD: You know the
rules of Amour Fou.
558
00:34:26,347 --> 00:34:27,880
DORA: If it's arranged by you,
559
00:34:27,881 --> 00:34:29,415
it's not exactly "fate" is it?
560
00:34:29,416 --> 00:34:32,018
ÉLUARD: Ah, I'm just trying
to give fate a little push.
561
00:34:33,420 --> 00:34:34,687
DORA: Well?
562
00:34:34,688 --> 00:34:38,224
We've tried it your way.
563
00:34:38,225 --> 00:34:41,160
Now, we are going to try mine.
564
00:34:49,203 --> 00:34:53,973
♪
565
00:34:56,543 --> 00:34:57,777
ÉLUARD: What are you having?
566
00:34:57,778 --> 00:35:00,413
PICASSO: Whatever you are.
567
00:35:00,848 --> 00:35:02,582
ÉLUARD: Pernod.
568
00:35:02,583 --> 00:35:05,584
Are you going to show
me your latest poems?
569
00:35:07,721 --> 00:35:10,589
PICASSO: I've had a new idea.
570
00:35:10,891 --> 00:35:14,127
No punctuation, and um...
571
00:35:14,128 --> 00:35:15,361
ÉLUARD: What?
572
00:35:15,362 --> 00:35:17,263
Reinventing painting wasn't enough?
573
00:35:17,264 --> 00:35:20,433
Now you've got to...
574
00:35:37,985 --> 00:35:39,786
PICASSO: You don't even flinch.
575
00:35:39,787 --> 00:35:43,222
DORA: That is the point.
576
00:35:44,725 --> 00:35:49,095
PICASSO: It's, uh, hypnotizing.
577
00:35:50,097 --> 00:35:53,433
ÉLUARD: Dora! I didn't see you there.
578
00:35:53,434 --> 00:35:57,069
Pablo, Dora Maar, the photographer.
579
00:35:57,070 --> 00:35:59,572
PICASSO: Yes, I've,
I've heard your name.
580
00:35:59,573 --> 00:36:01,307
A Surrealist, yes?
581
00:36:01,308 --> 00:36:03,509
ÉLUARD: You should see her work.
582
00:36:03,510 --> 00:36:06,012
Intense, provocative...
583
00:36:06,013 --> 00:36:09,949
PICASSO: Well, if it as
daring as she is, it must be.
584
00:36:09,950 --> 00:36:11,284
Where did you learn that game?
585
00:36:11,285 --> 00:36:12,852
DORA: Game?
586
00:36:12,853 --> 00:36:15,121
This is quite serious.
587
00:36:15,122 --> 00:36:17,690
I could lose a finger.
588
00:36:17,691 --> 00:36:20,693
PICASSO: But one must
sacrifice for one's art.
589
00:36:20,694 --> 00:36:23,362
DORA: Very true.
590
00:36:23,363 --> 00:36:27,883
Perhaps you might be willing to
make a small sacrifice to my art.
591
00:36:31,438 --> 00:36:33,339
PICASSO: What do you have in mind?
592
00:36:33,340 --> 00:36:36,375
DORA: Come to my studio.
593
00:36:36,376 --> 00:36:40,780
You have a most interesting face.
594
00:36:41,215 --> 00:36:44,984
I want to photograph you.
595
00:36:49,690 --> 00:36:52,492
PICASSO: I will agree to that.
596
00:36:52,493 --> 00:36:55,628
But only if you allow
me to keep your gloves.
597
00:36:57,030 --> 00:37:02,168
I would like a memento of the day
that fate put you in my path.
598
00:37:11,879 --> 00:37:18,117
♪
599
00:37:32,203 --> 00:37:34,204
PICASSO: I have tried my
hand at photography but it's,
600
00:37:34,205 --> 00:37:35,772
it's not for me.
601
00:37:35,773 --> 00:37:37,107
DORA: Oh, no?
602
00:37:37,108 --> 00:37:40,010
PICASSO: No, too unpredictable.
603
00:37:40,011 --> 00:37:44,347
Not like painting where
the artist is in control.
604
00:37:44,349 --> 00:37:47,284
Not a slave to the whims of the sun.
605
00:37:47,285 --> 00:37:50,454
DORA: But the sun is similar to paint.
606
00:37:50,455 --> 00:37:52,222
PICASSO: How is that?
607
00:37:52,223 --> 00:37:53,639
DORA: At first you feel you must work
608
00:37:53,640 --> 00:37:56,643
within its limitations, its quirks.
609
00:37:57,895 --> 00:38:02,999
But with practice, you learn to
use those to your advantage.
610
00:38:03,334 --> 00:38:06,703
You feel what it wants from you.
611
00:38:10,041 --> 00:38:13,009
PICASSO: But paint I can touch.
612
00:38:15,146 --> 00:38:16,913
I can move with a brush...
613
00:38:16,914 --> 00:38:19,716
or my fingertips...
614
00:38:21,219 --> 00:38:22,753
DORA: Mm-hmm.
615
00:38:22,754 --> 00:38:26,256
But the sun surprises you.
616
00:38:26,257 --> 00:38:29,125
Plays with you.
617
00:38:29,460 --> 00:38:35,065
And film reveals
things that aren't uh...
618
00:38:35,867 --> 00:38:40,670
obvious to the naked eye.
619
00:38:44,542 --> 00:38:49,546
Maybe you would enjoy it a bit more...
620
00:38:50,048 --> 00:38:53,149
if you gave up some of your control...
621
00:38:59,157 --> 00:39:03,526
(SHUTTER CLICKS)
622
00:39:07,699 --> 00:39:09,933
PICASSO: Françoise.
623
00:39:10,368 --> 00:39:12,369
FRANÇOISE: I wasn't sure you'd come.
624
00:39:12,370 --> 00:39:14,404
PICASSO: Well, how
could I miss your debut?
625
00:39:14,405 --> 00:39:17,073
I am your greatest champion.
626
00:39:29,253 --> 00:39:32,422
Bravo!
627
00:39:32,423 --> 00:39:37,494
(CROWD CHEERS).
628
00:39:37,495 --> 00:39:41,297
Bravo, bravo.
629
00:39:50,408 --> 00:39:52,743
FRANÇOISE: How did you get back here?
630
00:39:52,744 --> 00:39:56,446
KOSTAS: I, uh, slipped
the doorman five francs.
631
00:39:57,081 --> 00:39:59,750
Yeah, he should be more
careful because any scoundrel
632
00:39:59,751 --> 00:40:02,285
could just sneak in here.
633
00:40:04,155 --> 00:40:07,390
Your work is stunning, Françoise.
634
00:40:08,693 --> 00:40:12,429
These are for you.
635
00:40:16,000 --> 00:40:18,768
FRANÇOISE: Thank you.
636
00:40:26,377 --> 00:40:31,803
I'm, I'm so sorry, I have to
go, Pablo is waiting for me.
637
00:40:34,685 --> 00:40:37,654
KOSTAS: Well at least I
have one kiss to remember.
638
00:40:37,655 --> 00:40:39,856
(LAUGH).
639
00:40:42,059 --> 00:40:45,628
PICASSO: Oh, bravo.
640
00:40:45,663 --> 00:40:46,897
(SIGHS).
641
00:40:46,898 --> 00:40:48,465
FRANÇOISE: I'm sorry
I kept you waiting.
642
00:40:48,466 --> 00:40:51,434
PICASSO: I waited two months
for you to finish the ballet.
643
00:40:53,137 --> 00:40:56,539
I don't mind a few extra minutes.
644
00:40:57,842 --> 00:41:01,144
But it will be wonderful
to have you home again.
645
00:41:02,580 --> 00:41:04,748
FRANÇOISE: Yes, I'm excited
to see the children.
646
00:41:04,749 --> 00:41:08,785
PICASSO: Now you can concentrate
on being a mother again.
647
00:41:17,995 --> 00:41:21,331
FRANÇOISE: Is that the only
reason you want me back home?
648
00:41:21,365 --> 00:41:23,200
PICASSO: No, no, of course not.
649
00:41:23,201 --> 00:41:25,902
I-I only meant that the
children have missed you.
650
00:41:25,903 --> 00:41:27,704
And so have I.
651
00:41:27,705 --> 00:41:31,575
So, you know, it has been
a change for all of us not
652
00:41:31,576 --> 00:41:34,310
having Mama to look after us.
653
00:41:36,614 --> 00:41:40,884
FRANÇOISE: Well, change is the
essence of the universe, Pablo.
654
00:41:41,919 --> 00:41:44,921
PICASSO: Françoise,
where are you going?
655
00:41:54,765 --> 00:42:01,037
♪
656
00:42:10,281 --> 00:42:13,550
♪
657
00:42:13,551 --> 00:42:17,287
No, keep them open.
658
00:42:17,288 --> 00:42:20,290
Look at me.
659
00:42:37,441 --> 00:42:40,610
What's wrong?
660
00:42:40,845 --> 00:42:44,247
DORA: Nothing's wrong.
661
00:42:44,348 --> 00:42:47,317
I, realized Paul was right.
662
00:42:52,356 --> 00:42:56,226
He was right that I
have never been in love before.
663
00:43:05,603 --> 00:43:11,574
♪
664
00:43:20,851 --> 00:43:25,021
♪
665
00:43:25,022 --> 00:43:27,190
PICASSO: Dora,
I already have a studio.
666
00:43:27,191 --> 00:43:29,592
DORA: Not like this.
667
00:43:39,503 --> 00:43:46,342
♪
668
00:43:50,348 --> 00:43:53,683
This place is perfect for you.
669
00:43:55,987 --> 00:43:59,622
A place to start something new.
670
00:44:00,358 --> 00:44:06,426
To forget about Olga and dinner
jackets and stuffy cocktail parties.
671
00:44:10,835 --> 00:44:13,903
What do you think?
672
00:44:14,071 --> 00:44:17,507
PICASSO: The light is good.
673
00:44:20,945 --> 00:44:23,046
DORA: Did you know this
building is the setting for
674
00:44:23,047 --> 00:44:26,749
Balzac's story
Le Chef d'Oeuvre Inconnu?
675
00:44:28,886 --> 00:44:32,221
The one where the protagonist
Frenhofer is striving...
676
00:44:32,223 --> 00:44:36,826
PICASSO: Trying to paint
the perfect painting.
677
00:44:42,233 --> 00:44:45,068
You're right.
678
00:44:45,069 --> 00:44:48,538
It would be perfect.
679
00:44:49,707 --> 00:44:54,243
Dora, you know I cannot live with you.
680
00:44:54,912 --> 00:44:58,247
At least not right now.
681
00:45:07,925 --> 00:45:11,227
DORA: Pablo, I could
never live with you.
682
00:45:11,228 --> 00:45:14,297
You would drive me mad.
683
00:45:15,132 --> 00:45:18,101
(CHUCKLES).
684
00:45:24,141 --> 00:45:27,610
(FOOTSTEPS)
685
00:45:31,649 --> 00:45:35,952
PICASSO: You have come to your senses.
686
00:45:40,758 --> 00:45:43,626
FRANÇOISE: Yes, I have.
687
00:45:45,830 --> 00:45:49,032
PICASSO: I knew you would.
688
00:45:49,033 --> 00:45:51,968
No one understands you like I do.
689
00:45:56,540 --> 00:46:00,143
FRANÇOISE: Pablo, I'm leaving you.
690
00:46:00,144 --> 00:46:02,945
PICASSO: Don't tell me.
691
00:46:04,315 --> 00:46:07,250
Now you want to do an opera.
692
00:46:12,056 --> 00:46:15,825
FRANÇOISE: I'm not joking.
693
00:46:19,163 --> 00:46:23,366
I can't live with you anymore.
694
00:46:24,068 --> 00:46:28,004
PICASSO: Is there someone else?
695
00:46:28,472 --> 00:46:31,674
FRANÇOISE: Kostas.
696
00:46:33,010 --> 00:46:36,713
PICASSO: My, my nephew's friend?
697
00:46:36,714 --> 00:46:39,382
Is that who you choose to replace me?
698
00:46:40,251 --> 00:46:43,820
An he's an amateur philosopher?
699
00:46:44,221 --> 00:46:48,724
FRANÇOISE: The last thing I
need is a replacement for you.
700
00:46:50,895 --> 00:46:55,582
I need to be free, to work
and live the way I want.
701
00:47:00,371 --> 00:47:04,907
I need to learn how to be happy.
702
00:47:05,509 --> 00:47:08,211
I have made some
arrangements for the children
703
00:47:08,212 --> 00:47:11,781
to start school in September in Paris.
704
00:47:11,782 --> 00:47:13,183
We'll be leaving then.
705
00:47:13,184 --> 00:47:17,420
PICASSO: We both know that
you will never do that.
706
00:47:19,423 --> 00:47:22,925
Without me, what will your life be?
707
00:47:27,398 --> 00:47:29,532
FRANÇOISE: I don't know...
708
00:47:32,736 --> 00:47:36,405
but it will be my own.
709
00:47:36,774 --> 00:47:40,310
PICASSO: Well, then you
will be known as the
710
00:47:40,311 --> 00:47:44,614
foolish woman who left Picasso.
711
00:47:51,889 --> 00:47:54,290
Yep.
712
00:48:14,578 --> 00:48:17,847
MADAME RAMIE: She must
be out of her mind.
713
00:48:17,848 --> 00:48:21,417
Those poor children being
kept from their father.
714
00:48:22,286 --> 00:48:26,972
PICASSO: Yeah, but I am sure
she won't go through with it.
715
00:48:29,159 --> 00:48:32,328
JACQUELINE: Here are the
pieces you asked for.
716
00:48:33,297 --> 00:48:36,732
MADAME RAMIE: I don't think
you've met my cousin Jacqueline.
717
00:48:39,703 --> 00:48:42,338
PICASSO: No.
718
00:48:44,475 --> 00:48:47,777
JACQUELINE: It's an
honor, Monsieur Picasso.
719
00:48:47,778 --> 00:48:49,846
MADAME RAMIE:
Jacqueline is very handy.
720
00:48:49,847 --> 00:48:52,215
She has been a great help to me.
721
00:48:52,216 --> 00:48:55,184
I'm sure she could help you, too...
722
00:48:55,185 --> 00:48:59,155
if you do find yourself needing
someone to cook or clean.
723
00:48:59,156 --> 00:49:02,158
Or anything else you may want.
724
00:49:08,565 --> 00:49:11,701
FRANÇOISE: Paloma, Paloma.
725
00:49:16,173 --> 00:49:18,241
PALOMA: I need mine, Mom...
726
00:49:18,242 --> 00:49:22,278
FRANÇOISE: All right, we'll
get it, we'll grab it after.
727
00:49:26,216 --> 00:49:31,354
♪
728
00:49:32,240 --> 00:49:38,216
sync and corrections by awaqeded
www.addic7ed.com
53969
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
