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These are the user uploaded subtitles that are being translated: 1 00:00:01,634 --> 00:00:04,571 COMING TO YOU LIVE FROM SIX ICONIC STAGES 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:04,637 --> 00:00:08,641 ACROSS NASHVILLE INCLUDING THE GRAND OLE OPRY, RYMAN AUDITORIUM 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:08,708 --> 00:00:14,981 AND BLUEBIRD CAFE, CBS PRESENTS THE 56th ACM AWARDS WITH 6 00:00:15,048 --> 00:00:19,619 ALL-STAR PERFORMANCES AND PERFORMANCES BY MIR ANA LAMBERT, 7 00:00:19,686 --> 00:00:27,227 DOLLY PARTON, BLAKE SHELTON, CARRIE UNDERWOOD, CECE WINS, 8 00:00:27,293 --> 00:00:34,167 MAREN MORRIS AND LUKE COMBS, CHRIS STAPLETON, CARLY PEARSZE, 9 00:00:34,234 --> 00:00:37,937 KELSEY BALLERINI, KENNY CHESNEY, LITTLE BIGTOWN, ALAN JACKSON, 10 00:00:38,004 --> 00:00:42,308 AMY GRANT, CHRIS YOUNG AND KANE BROWN, ASHLEY McBRYDE, BLANCO 11 00:00:42,375 --> 00:00:48,214 BROWN, ERIC CHURCH, DARIUS RUCKER, DAN + SHAY, JIMMY ALLEN, 12 00:00:48,281 --> 00:00:52,485 BROTHERS OSBORNE, THOMAS RHETT, DIERKS BENTLEY WITH THE WAR ON 13 00:00:52,552 --> 00:00:59,959 TREATY AND MORE HOSTED BY MICKEY GUYTON AND KEERT YOU ARE KEITH 14 00:01:00,026 --> 00:01:11,070 URBAN. 15 00:01:11,137 --> 00:01:17,710 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 16 00:01:17,777 --> 00:01:23,883 ♪ I GOT SOME MONEY IN MY POCKET GOT SOME TROUBLE ON MY TAIL 17 00:01:23,950 --> 00:01:26,286 ♪ I CAN HEAR THE DOORS ARE KNOCKING, GUESS I'M 18 00:01:26,352 --> 00:01:29,956 ♪ HEADING OFF THE RAILS SINGING OOH-OOH-OOH-OOH 19 00:01:30,023 --> 00:01:34,093 ♪ OOH-OOH-OOH I'M TALKING 'BOUT YOU 20 00:01:34,160 --> 00:01:37,063 ♪ OOH-OOH-OOH, OOH-OOH-OOH I GOT SOME NEW BEST FRIENDS 21 00:01:37,130 --> 00:01:38,932 ♪ FOREVER, SEE, I MET 'EM AT THE BAR 22 00:01:38,998 --> 00:01:42,268 ♪ WHERE THE WHISKEY GOES DOWN BETTER, WHEN THEY 23 00:01:42,335 --> 00:01:46,206 ♪ DON'T KNOW WHO YOU ARE SINGING OOH-OOH-OOH-OOH 24 00:01:46,272 --> 00:01:49,075 ♪ OOH-OOH-OOH I'M TALKING 'BOUT YOU 25 00:01:49,142 --> 00:01:54,914 ♪ OOH-OOH-OOH, OOH-OOH-OOH OOH, GONNA FEEL THIS 26 00:01:54,981 --> 00:02:00,320 ♪ IN THE MORNING OOH-OOH 27 00:02:00,386 --> 00:02:09,696 ♪ 'CAUSE I'M GOING HARD TONIGHT SO BARTENDER, TAKE MY KEYS 28 00:02:09,762 --> 00:02:12,866 ♪ WHAT DO YOU WANT FROM ME BABY, I'M DRUNK AND 29 00:02:12,932 --> 00:02:15,668 ♪ I DON'T WANNA GO HOME NOT STAYING IN TO FIGHT 30 00:02:15,735 --> 00:02:21,708 ♪ I'M STAYING OUT ALL NIGHT BABY, I'M DRUNK AND 31 00:02:21,774 --> 00:02:24,878 ♪ I DON'T WANNA GO HOME WE DON'T GOTTA WAIT 32 00:02:24,944 --> 00:02:27,113 ♪ UNTIL THE WEEKEND THERE'S ALWAYS TIME FOR 33 00:02:27,180 --> 00:02:33,486 ♪ JUMPING OFF THE DEEP END SO DON'T YOU WAIT UP TONIGHT 34 00:02:33,553 --> 00:02:35,121 ♪ DON'T WORRY, I'LL BE FINE BABY, I'M DRUNK AND 35 00:02:35,188 --> 00:02:42,996 ♪ I DON'T WANNA GO HOME, YEAH ( CHEERS AND APPLAUSE ) 36 00:02:43,062 --> 00:02:45,164 WE'RE IN THE BATHROOM ♪ GETTIN' TATTED 37 00:02:45,231 --> 00:02:49,135 THERE'S A LINE OUT IN THE HALL ♪ TRYNA BE MY SUGAR DADDY 38 00:02:49,202 --> 00:02:54,073 GETTIN' HANDSY IN THE STALLS ♪ SINGING OOH-OOH-OOH-OOH 39 00:02:54,140 --> 00:02:58,711 OOH-OOH-OOH ♪ I'M TALKING 'BOUT YOU 40 00:02:58,778 --> 00:03:00,647 OOH-OOH-OOH, OOH-OOH-OOH ♪ YOU LIKE MY GIN AND TONIC 41 00:03:00,713 --> 00:03:02,715 KISSES, 'CAUSE YOU ♪ KNOW THEY TASTE SO SWEET 42 00:03:02,782 --> 00:03:06,286 AND I KNOW YOU GOT YOUR ♪ MISSUS, BUT THERE 43 00:03:06,352 --> 00:03:11,190 AIN'T NO ONE LIKE ME ♪ TALKIN' 'BOUT YOU 44 00:03:11,257 --> 00:03:14,027 OOH-OOH-OOH-OOH, OOH-OOH-OOH ♪ MMM, I'M TALKING 'BOUT YOU 45 00:03:14,093 --> 00:03:19,832 OOH-OOH-OOH, OOH-OOH-OOH ♪ OOH, GONNA FEEL THIS 46 00:03:19,899 --> 00:03:26,005 IN THE MORNING ♪ OOH-OOH 47 00:03:26,072 --> 00:03:33,313 'CAUSE I'M GOING HARD TONIGHT ♪ SO BARTENDER, TAKE MY KEYS 48 00:03:33,379 --> 00:03:36,683 WHAT DO YOU WANT FROM ME ♪ BABY, I'M DRUNK AND 49 00:03:36,749 --> 00:03:39,352 I DON'T WANNA GO HOME ♪ NOT STAYING IN TO FIGHT 50 00:03:39,419 --> 00:03:45,325 I'M STAYING OUT ALL NIGHT ♪ BABY, I'M DRUNK AND 51 00:03:45,391 --> 00:03:48,661 I DON'T WANNA GO HOME ♪ WE DON'T GOTTA WAIT 52 00:03:48,728 --> 00:03:52,265 UNTIL THE WEEKEND ♪ THERE'S ALWAYS TIME FOR 53 00:03:52,332 --> 00:03:58,671 JUMPING OFF THE DEEP END ♪ SO DON'T YOU WAIT UP TONIGHT 54 00:03:58,738 --> 00:04:00,907 DON'T WORRY, I'LL BE FINE ♪ BABY, I'M DRUNK AND 55 00:04:00,974 --> 00:04:06,746 I DON'T WANNA GO HOME, YEAH ♪ OH-OH, I DON'T WANNA 56 00:04:06,813 --> 00:04:12,619 OH-OH-OH ♪ DON'T WANNA GO HOME 57 00:04:12,685 --> 00:04:14,721 SO BARTENDER, TAKE MY KEYS ♪ WHAT DO YOU WANT FROM ME 58 00:04:14,787 --> 00:04:18,725 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME 59 00:04:18,791 --> 00:04:22,729 NOT STAYING IN TO FIGHT ♪ I'M STAYING OUT ALL NIGHT 60 00:04:22,795 --> 00:04:25,798 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME 61 00:04:25,865 --> 00:04:31,104 WE DON'T GOTTA WAIT ♪ UNTIL THE WEEKEND 62 00:04:31,170 --> 00:04:34,741 ♪ THERE'S ALWAYS TIME FOR JUMPING OFF THE DEEP END 63 00:04:34,807 --> 00:04:38,811 SO DON'T YOU WAIT UP TONIGHT ♪ DON'T WORRY, I'LL BE FINE 64 00:04:38,878 --> 00:04:46,619 BABY, I'M DRUNK AND ♪ I DON'T WANNA GO HOME, YEAH 65 00:04:46,686 --> 00:04:50,690 OH-OH, I DON'T WANNA ♪ OH-OH-OH 66 00:04:50,757 --> 00:04:54,761 DON'T WANNA GO HOME ♪ OH-OH, I DON'T WANNA 67 00:04:54,827 --> 00:05:04,671 ( CHEERS AND APPLAUSE ) >> PLEASE WELCOME YOUR HOSTS FOR 68 00:05:04,737 --> 00:05:06,973 TONIGHT, KEITH URBAN AND MICKEY GUYTON. 69 00:05:07,040 --> 00:05:12,912 LOVE Y'ALL! 70 00:05:12,979 --> 00:05:15,648 (APPLAUSE) >> MICKEY MICKEY! 71 00:05:15,715 --> 00:05:16,049 HEY! 72 00:05:16,115 --> 00:05:16,849 >> OH MY GOSH. 73 00:05:16,916 --> 00:05:18,384 >> HOW ARE YOU? 74 00:05:18,451 --> 00:05:19,285 >> I'M SO GOOD. 75 00:05:19,352 --> 00:05:20,853 >> SO GOOD TO SEE YOU. 76 00:05:20,920 --> 00:05:22,755 >> SO GOOD TO SEEYOU HERE. 77 00:05:22,822 --> 00:05:26,225 >> OH MY GOSH. 78 00:05:26,292 --> 00:05:27,727 >> Keith: WELCOME TO THE 56th ACADEMY OF COUNTRY MUSIC AWARDS! 79 00:05:27,794 --> 00:05:34,734 NASHVILLE IS BACK AND IT'S GREAT ( CHEERS AND APPLAUSE ) 80 00:05:34,801 --> 00:05:38,004 TO BE BACK HERE LIVE AT THE GRAND OLE OPRY HOUSE WITH MICKEY 81 00:05:38,071 --> 00:05:39,238 GUYTON. 82 00:05:39,305 --> 00:05:41,974 >> Mickey: AND WHAT A FANTASTIC WAY TO KICK OFF THE SHOW WITH 83 00:05:42,041 --> 00:05:43,276 MIRANDA AND ELLE. 84 00:05:43,342 --> 00:05:45,445 BIG THANKS. 85 00:05:45,511 --> 00:05:47,080 >> Keith: THEY WERE AMAZING. 86 00:05:47,146 --> 00:05:50,750 >> AMAZING, I LOVE THAT SONG >> Mickey: I'M JUST GLAD MIRANDA 87 00:05:50,817 --> 00:05:52,485 HAS THAT CAR OUTSIDE BECAUSE WE'RE GONNA SEE HER ALL OVER 88 00:05:52,552 --> 00:05:54,420 TOWN TONIGHT. 89 00:05:54,487 --> 00:05:58,191 >> Keith: TONIGHT, WHILE WE CELEBRATE THE BEST IN COUNTRY 90 00:05:58,257 --> 00:06:02,428 MUSIC, WE'RE ALSO CELEBRATING THE PROGRESS MADE BY THIS 91 00:06:02,495 --> 00:06:05,932 GREAT CITY AND CITIES ACROSS THE COUNTRY. 92 00:06:05,998 --> 00:06:11,738 ( APPLAUSE ) WE'VE ALL BEEN THROUGH SO MUCH, 93 00:06:11,804 --> 00:06:16,242 BUT I'M PROUD TO SAY WE'RE ALL ON OUR WAY BACK. 94 00:06:16,309 --> 00:06:20,012 AND WE'VE DONE IT WITH A LOT OF FIGHT AND A LOT OF HELP. 95 00:06:20,079 --> 00:06:23,516 >> Mickey: AND SPEAKING OF HELP, UP THERE IN THEIR MASKS, 96 00:06:23,583 --> 00:06:25,952 SOCIALLY DISTANCED AND VACCINATED, ARE HEALTHCARE 97 00:06:26,018 --> 00:06:31,491 WORKERS FROM VANDERBILT HEALTH. 98 00:06:31,557 --> 00:06:35,328 ( CHEERS AND APPLAUSE ) A.C.M.'s CHARITABLE ARM,“ 99 00:06:35,394 --> 00:06:37,897 LIFTING LIVES,” HAS A LONG- STANDING PARTNERSHIP WITH 100 00:06:37,964 --> 00:06:40,867 VANDERBILT, AND WE WANT TO THANK EVERYONE THERE FOR THEIR SUPPORT 101 00:06:40,933 --> 00:06:49,108 TONIGHT. 102 00:06:49,175 --> 00:06:50,343 YOU GUYS ARE OUR ARMY RIGHT NOW AND THIS WOULD NOT BE POSSIBLE 103 00:06:50,409 --> 00:06:54,614 WITHOUT YOU SO THANK YOU ALL SO, SO, MUCH 104 00:06:54,680 --> 00:06:57,550 >> Keith: I'M SO HAPPY WE'RE DOING THIS TOGETHER, MICKEY. 105 00:06:57,617 --> 00:07:00,987 >> ME TOO. 106 00:07:01,053 --> 00:07:04,490 >> YOU'VE HAD AN IMPRESSIVE YEAR SINCE THE LAST TIME WE SHARED 107 00:07:04,557 --> 00:07:09,896 THIS STAGE, WITH A LOT OF FIRSTS-- FIRST GRAMMY NOMINATION 108 00:07:09,962 --> 00:07:11,597 YOU GOT TO PLAY ON THE GRAMMY FOR THE FIRST TIME, 109 00:07:11,664 --> 00:07:15,802 FIRST TIME HOSTING THE ACM'S, ONE OF THE MOST IMPORTANT, YOU 110 00:07:15,868 --> 00:07:17,770 HAD A BABY FOR THE FIRST TIME. 111 00:07:17,837 --> 00:07:20,439 >> HI A BABY. 112 00:07:20,506 --> 00:07:23,376 I LOVE HIM SO MUCH. 113 00:07:23,442 --> 00:07:25,511 IT HAS BEEN A CRAZY YEAR AND THIS IS THE MOST ADULT 114 00:07:25,578 --> 00:07:29,115 INTERACTION I'VE HAD IN THREE MONTHS SO I AM VERY EXCITED TO 115 00:07:29,182 --> 00:07:29,916 BE HERE. 116 00:07:29,982 --> 00:07:33,352 WITHOUT THE DIAPERS. 117 00:07:33,419 --> 00:07:34,320 >> ME TOO. 118 00:07:34,387 --> 00:07:36,122 I WILL TRY TO BE AS ADULT AS CAN I BE TONIGHT. 119 00:07:36,189 --> 00:07:38,090 THIS SHOW IS SPECIAL BECAUSE NOT ONLY ARE WE BACK IN THE ICONIC 120 00:07:38,157 --> 00:07:41,727 GRAND OLE OPRY HOUSE, WE'LL ALSO BE AT THE LEGENDARY BLUEBIRD 121 00:07:41,794 --> 00:07:45,464 CAFÉ, THE STATION INN, AND A FEW OTHER COUNTRY MUSIC TREASURES 122 00:07:45,531 --> 00:07:47,567 ALL AROUND NASHVILLE. 123 00:07:47,633 --> 00:07:49,335 >> Mickey: AND IN A LITTLE WHILE, I'LL BE HEADING OVER 124 00:07:49,402 --> 00:07:52,405 TO ONE OF MY FAVORITE PLACES, THE MOTHER CHURCH OF COUNTRY 125 00:07:52,471 --> 00:07:55,174 MUSIC, THE HISTORIC RYMAN AUDITORIUM. 126 00:07:55,241 --> 00:07:59,345 AND I CAN'T WAIT TO GET TOGETHER WITH THE ARTISTS THAT ARE 127 00:07:59,412 --> 00:08:00,580 OVER THERE. 128 00:08:00,646 --> 00:08:01,480 >> Keith: SO, LET'S GET THINGS STARTED OVER AT THE RYMAN RIGHT 129 00:08:01,547 --> 00:08:05,451 NOW. 130 00:08:05,518 --> 00:08:09,655 HERE TO KICK THINGS OFF WITH THEIR HIT SONG, “FAMOUS 131 00:08:09,722 --> 00:08:11,958 WITH OUR FAVORITE FRIENDS, THEY HAVE A HIT SONG, 132 00:08:12,024 --> 00:08:12,325 ACTUALLY. 133 00:08:12,391 --> 00:08:13,292 >> THEY DO. 134 00:08:13,359 --> 00:08:16,095 JOINED BY CHRIS >> Mickey: CHRIS YOUNG, JOINED 135 00:08:16,162 --> 00:08:23,302 BY A WINNER TONIGHT FOR VIDEO OF THE YEAR, KANE BROWN. 136 00:08:23,369 --> 00:08:24,670 >> THANK YOU MICKEY AND KEITH. 137 00:08:24,737 --> 00:08:26,405 IT'S GREAT TO BE BACK AT THESE ACM AWARDS PLAYING AGAIN TO A 138 00:08:26,472 --> 00:08:29,108 LIVE AUDIENCE. 139 00:08:29,175 --> 00:08:32,245 ♪ ♪ ♪ ♪ MY BUDDY BRANDON 140 00:08:32,311 --> 00:08:38,317 HOLDS A RECORD ♪ FOR SINGLE SEASON 141 00:08:38,384 --> 00:08:41,787 TOUCHDOWN THROWS ♪ AND GOOD OLD JOHNNY 142 00:08:41,854 --> 00:08:44,924 HE'S THE LIFE OF EVERY PARTY ♪ IT'S LIKE "CHEERS" 143 00:08:44,991 --> 00:08:50,630 THEY KNOW HIM EVERYWHERE HE GOES ♪ I'VE GOT SOME FAMOUS FRIENDS 144 00:08:50,696 --> 00:08:55,968 YOU'VE PROBABLY NEVER HEARD OF ♪ BUT BACK IN RUTHERFORD COUNTY 145 00:08:56,035 --> 00:09:02,141 OUR CROWD IS SECOND TO NONE ♪ YOU MIGHT NOT KNOW 'EM HERE 146 00:09:02,208 --> 00:09:05,011 IN THIS BIG CITY WE'RE IN ♪ BUT WHEN I GO BACK HOME 147 00:09:05,077 --> 00:09:09,448 I'VE GOT SOME FAMOUS FRIENDS ♪ YEAH, I DO 148 00:09:09,515 --> 00:09:15,755 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 149 00:09:15,821 --> 00:09:16,522 HOW WE FEELING? 150 00:09:16,589 --> 00:09:21,360 ♪ MY BUDDY JASON HE'S THE SHERIFF 151 00:09:21,427 --> 00:09:24,764 ♪ HE'LL FLASH HIS LIGHTS BUT LET ME GO 152 00:09:24,830 --> 00:09:29,936 ♪ MY BOY RANDY, HE'S A PREACHER MY GIRL MEGAN, SHE'S BEEN 153 00:09:30,002 --> 00:09:33,572 ♪ TEACHER OF THE YEAR I SWEAR FOR FIVE YEARS IN A ROW 154 00:09:33,639 --> 00:09:38,144 ♪ I'VE GOT SOME FAMOUS FRIENDS YOU'VE PROBABLY NEVER HEARD OF 155 00:09:38,210 --> 00:09:42,782 ♪ BUT BACK IN HAMILTON COUNTY OUR CROWD IS SECOND TO NONE 156 00:09:42,848 --> 00:09:48,154 ♪ YOU MIGHT NOT KNOW 'EM HERE IN THIS BIG CITY WE'RE IN 157 00:09:48,220 --> 00:09:53,926 ♪ BUT WHEN I GO BACK HOME I'VE GOT SOME FAMOUS FRIENDS 158 00:09:53,993 --> 00:09:58,197 ♪ YEAH, I DO, OOH ♪ ♪ ♪ 159 00:09:58,264 --> 00:10:05,938 ♪ ♪ ♪ ♪ I GOT FRIENDS IN HIGH PLACES 160 00:10:06,005 --> 00:10:10,810 ON THESE SMALL-TOWN ROADS ♪ 'CAUSE 'ROUND HERE IT'S ALL 161 00:10:10,876 --> 00:10:14,413 ABOUT THE PEOPLE THAT YOU KNOW ♪ AND I'VE GOT SOME 162 00:10:14,480 --> 00:10:20,052 FAMOUS FRIENDS YOU'VE PROBABLY ♪ NEVER HEARD OF 163 00:10:20,119 --> 00:10:24,023 BUT BACK IN DAVIDSON COUNTY ♪ OUR CROWD IS SECOND TO NONE 164 00:10:24,090 --> 00:10:28,027 YOU MIGHT NOT KNOW 'EM HERE ♪ IN THIS BIG CITY WE'RE IN 165 00:10:28,094 --> 00:10:32,398 BUT WHEN I GO BACK HOME ♪ I'VE GOT SOME FAMOUS FRIENDS 166 00:10:32,465 --> 00:10:43,642 YEAH, I DO, OOH ♪ YEAH, I DO 167 00:10:43,709 --> 00:10:48,047 MIGHT NOT KNOW 'EM HERE ♪ IN THIS BIG CITY WE'RE IN 168 00:10:48,114 --> 00:10:50,249 BUT WHEN I GO BACK HOME ♪ I GOT SOME 169 00:10:50,316 --> 00:10:55,554 FAMOUS FRIENDS, YEAH ♪ ♪ ♪ 170 00:10:55,621 --> 00:11:00,026 ( CHEERS AND APPLAUSE ) ♪ I'VE GOT SOME FAMOUS FRIENDS 171 00:11:00,092 --> 00:11:03,329 I'VE GOT SOME FAMOUS FRIENDS ♪ YEAH ♪ 172 00:11:03,396 --> 00:11:12,038 ( CHEERS AND APPLAUSE ) >> Keith: WOO! 173 00:11:12,104 --> 00:11:15,274 >> WELL DONE BOYS, FROM THE RYMAN AUDITORIUM, OF COURSE. 174 00:11:15,341 --> 00:11:16,909 LAST YEAR, AT THE TIME OF OUR 175 00:11:16,976 --> 00:11:23,282 SHOW, BLANCO BROWN WAS INVOLVED IN A VERY SERIOUS ACCIDENT, AND 176 00:11:23,349 --> 00:11:24,517 I'M TALKING SERIOUS TO THE POINT WHERE THEY WEREN'T 177 00:11:24,583 --> 00:11:27,286 EVEN SURE IF BLANCO WAS GOING TO WALK AGAIN. 178 00:11:27,353 --> 00:11:30,890 WE WERE SENDING HIM OUR PRAYERS AND LIGHT AND HOPE THAT HE WOULD 179 00:11:30,956 --> 00:11:32,058 HAVE A RECOVERY. 180 00:11:32,124 --> 00:11:34,960 HE NOT ONLY HAS HAD A SPEEDY RECOVERY BUT I'M HAPPY TO SAY 181 00:11:35,027 --> 00:11:37,696 THAT HE IS ACTUALLY BACK WITH US TONIGHT. 182 00:11:37,763 --> 00:11:40,633 HERE TO PRESENT THE FIRST AWARD OF THE EVENING, IN HIS SWRE 183 00:11:40,699 --> 00:11:47,973 FIRST PUBLIC APPEARANCE, PLEASE MAKE HIM WELCOME, BLANCO 184 00:11:48,040 --> 00:11:55,981 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 185 00:11:56,048 --> 00:12:00,052 ( CHEERS AND APPLAUSE ) >> I'M SO BLESSED TO BE BACK ON 186 00:12:00,119 --> 00:12:03,956 THIS STAGE, AND I WANT TO THANK EVERYONE IN THE COUNTRY 187 00:12:04,023 --> 00:12:10,296 COMMUNITY FOR THEIR LOVE AND SUPPORT. 188 00:12:10,362 --> 00:12:13,666 AND TO ALL THE LIFESAVING FIRST RESPONDERS, WORDS ARE NOT 189 00:12:13,732 --> 00:12:15,468 ENOUGH. 190 00:12:15,534 --> 00:12:18,471 AND NOW, IT'S MY PLEASURE TO PRESENT THE NOMINEES FOR GROUP 191 00:12:18,537 --> 00:12:22,475 OF THE YEAR. 192 00:12:22,541 --> 00:12:24,677 >> Announcer: LADY A. 193 00:12:24,743 --> 00:12:30,449 LITTLE BIG TOWN. 194 00:12:30,516 --> 00:12:34,453 OLD DOMINION. 195 00:12:34,520 --> 00:12:36,689 THE CADILLAC THREE. 196 00:12:36,755 --> 00:12:41,694 THE HIGHWOMEN. 197 00:12:41,760 --> 00:12:53,906 >> AND THE A.C.M. GROUP OF THE YEAR GOES TO: 198 00:12:53,973 --> 00:12:58,477 OLD DOMINION. 199 00:12:58,544 --> 00:13:10,456 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 200 00:13:10,523 --> 00:13:22,468 ( CHEERS AND APPLAUSE ) ♪. 201 00:13:22,535 --> 00:13:28,807 >> WOW, HEY, THANK YOU, I MEAN IF WE LOOK SURPRISED, IT IS 202 00:13:28,874 --> 00:13:31,777 BECAUSE, YOU KNOW, OBVIOUSLY EVERYONE IN THIS CATEGORY 203 00:13:31,844 --> 00:13:35,848 ESPECIALLY THIS YEAR, REALLY, REALLY, IT COULD BE ANYONE. 204 00:13:35,915 --> 00:13:40,519 SO WE'RE JUST VERY FORTUNATE TO BE STANDING HERE THIS YEAR. 205 00:13:40,586 --> 00:13:44,089 THIS CRAZY YEAR, A LOT OF SILVER LININGS THAT WE HAVE ALL 206 00:13:44,156 --> 00:13:47,193 SEARCHED FOR, YOU GUYS ARE CERTAINLY ONE, THE FRONT LINE UP 207 00:13:47,259 --> 00:13:51,130 THERE, SO THANK YOU FOR ALL THAT YOU HAVE DONE. 208 00:13:51,197 --> 00:13:57,303 THANK YOU GUYS FOR BEING AMAZING GROUPS THAT INSPIRE US 209 00:13:57,369 --> 00:14:02,942 CONSTANTLY WITH JUST, NOW HERE WE ARE JUST AMONG SUCH BAD 210 00:14:03,008 --> 00:14:06,278 ASSES, THANK YOU FOR INCLUDING NEWS THAT CATEGORY AND THANK YOU 211 00:14:06,345 --> 00:14:09,315 GUYS FOR BEING IN MY BAND. 212 00:14:09,381 --> 00:14:11,517 >> THANKS. 213 00:14:11,584 --> 00:14:16,555 (APPLAUSE) >> Announcer: NEXT, WE'RE AT THE 214 00:14:16,622 --> 00:14:18,824 RYMAN AUDITORIUM FOR MAREN MORRIS AND RYAN HURD. 215 00:14:18,891 --> 00:14:26,465 AND THEN, A SPECIAL MEDLEY FROM CARRIE UNDERWOOD. 216 00:14:26,532 --> 00:14:29,935 WHERE SHE WILL BE JOINED BY CECE PLUS, THANKS TO FORD, WE HEAD TO 217 00:14:30,002 --> 00:14:33,305 THE ICONIC NASHVILLE RIVERFRONT FOR A PERFORMANCE FROM LADY A. 218 00:14:33,372 --> 00:14:46,151 THIS IS CBS. 219 00:14:46,218 --> 00:14:47,853 WINANS, SUB VIBE TO PARAMOUNT PLUS FOR BREAKING NEWS AND A 220 00:14:47,920 --> 00:14:52,458 MOUNTAIN OF ENTERTAINMENT. 221 00:14:52,524 --> 00:14:57,296 >> THE 56th ACM AWARDS SPONSORED BY FORD, BUILT FORD 222 00:14:57,363 --> 00:14:57,763 PROUD. 223 00:15:04,870 --> 00:15:09,775 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 224 00:15:09,842 --> 00:15:11,744 >> Keith: WELCOME BACK. 225 00:15:11,810 --> 00:15:15,414 NOW, I HAD THE PLEASURE OF WORKING WITH THIS ARTIST ON A 226 00:15:15,481 --> 00:15:17,950 SONG NOMINATED FOR VOCAL EVENT OF THE YEAR. 227 00:15:18,017 --> 00:15:21,954 HE'S ALSO ONE OF OUR REIGNING ENTERTAINERS OF THE YEAR. 228 00:15:22,021 --> 00:15:23,856 PLEASE MAKE HIM WELCOME, THOMAS RHETT. 229 00:15:23,922 --> 00:15:37,002 ( APPLAUSE ) ♪ ♪ ♪ 230 00:15:37,069 --> 00:15:43,442 ♪ I QUIT HUNTING WITH MY DADDY GUESS I DIDN'T MAKE THE TIME 231 00:15:43,509 --> 00:15:46,111 ♪ AND ITS BEEN A YEAR SINCE I'VE SEEN A DEER 232 00:15:46,178 --> 00:15:52,518 ♪ HAD A SMALLMOUTH ON THE LINE THE OTHER DAY 233 00:15:52,584 --> 00:15:55,254 ♪ I HOOKED A MONSTER AND AS I REELED HIM IN 234 00:15:55,321 --> 00:16:05,197 ♪ I THOUGHT 'MAN IT FEELS GOOD TO BE COUNTRY AGAIN' 235 00:16:05,264 --> 00:16:07,433 ♪ I SPENT WAY LESS TIME IN NASHVILLE 236 00:16:07,499 --> 00:16:10,703 ♪ AND MORE TIME IN L.A. 237 00:16:10,769 --> 00:16:13,205 MY BACK HOME BUDDIES ♪ THEY QUIT CALLIN' 238 00:16:13,272 --> 00:16:16,742 THOUGHT I HAD TOO MUCH ♪ ON MY PLATE 239 00:16:16,809 --> 00:16:19,445 BUT LAST NIGHT, WE ♪ CRACKED SOME COLD BEERS 240 00:16:19,511 --> 00:16:25,217 AND CRACKED ERIC CHURCH TO TEN ♪ THOUGHT, MAN, IT FEELS GOOD 241 00:16:25,284 --> 00:16:29,221 TO BE COUNTRY AGAIN ♪ YEAH, I LOVE ME SOME 242 00:16:29,288 --> 00:16:33,192 CALIFORNIA ♪ BUT IT SURE AIN'T 243 00:16:33,258 --> 00:16:36,528 TENNESSEE ♪ AND MY ROOTS DOWN THERE 244 00:16:36,595 --> 00:16:41,200 IN GEORGIA ♪ YEAH THEY STARTED MISSIN' ME 245 00:16:41,266 --> 00:16:43,702 AND I WOULDN'T CHANGE ♪ THE THINGS I'VE DONE 246 00:16:43,769 --> 00:16:49,208 OR THE PLACES THAT I'VE BEEN ♪ MAN, IT FEELS GOOD TO BE 247 00:16:49,274 --> 00:16:55,447 COUNTRY AGAIN ♪ ♪ ♪ 248 00:16:55,514 --> 00:17:01,220 ♪ MAN, IT FEELS GOOD TO BE COUNTRY AGAIN ♪ 249 00:17:01,286 --> 00:17:09,194 ♪ ♪ ♪ ♪ ♪ ♪ 250 00:17:09,261 --> 00:17:16,235 ♪ ♪ ♪ HOW WE FEELING 251 00:17:16,301 --> 00:17:19,438 ♪ ♪ ♪ ♪ DID YOU GROW UP ON A TRACTOR 252 00:17:19,505 --> 00:17:24,376 DID YOUR DADDY LET YOU DRIVE ♪ ARE YOU WHISKEY-BENT AND 253 00:17:24,443 --> 00:17:27,112 HELL-BOUND ♪ EVEN THOUGH YOUR MAMA TRIED 254 00:17:27,179 --> 00:17:33,218 DID YOU CRUISE DOWN A BACK ROAD ♪ WITH YOUR DIXIELAND DELIGHT 255 00:17:33,285 --> 00:17:39,425 ARE YOU ON THE CHATTAHOOCHEE ♪ ON A BAREFOOT, BLUE JEAN NIGHT 256 00:17:39,491 --> 00:17:41,593 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 257 00:17:41,660 --> 00:17:48,033 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 258 00:17:48,100 --> 00:17:50,536 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 259 00:17:50,602 --> 00:17:53,205 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 260 00:17:53,272 --> 00:17:57,976 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 261 00:17:58,043 --> 00:18:07,453 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH, WHAT'S YOUR COUNTRY SONG 262 00:18:07,519 --> 00:18:09,488 ♪ DO YOUR EXES LIVE IN TEXAS ARE YOU SO LONESOME 263 00:18:09,555 --> 00:18:13,192 ♪ YOU COULD CRY ARE YOU HEARTBROKE 264 00:18:13,258 --> 00:18:16,395 ♪ 'CAUSE YOU KNOW THAT AIN'T YOUR TRUCK 265 00:18:16,462 --> 00:18:19,331 ♪ IN HER DRIVE ARE YOUR FRIENDS 266 00:18:19,398 --> 00:18:25,037 ♪ ALL IN LOW PLACES UNDERNEATH THE NEON MOON 267 00:18:25,103 --> 00:18:29,074 ♪ WERE YOU ALREADY COUNTRY BACK WHEN COUNTRY WASN'T COOL 268 00:18:29,141 --> 00:18:31,009 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 269 00:18:31,076 --> 00:18:36,949 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 270 00:18:37,015 --> 00:18:40,185 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 271 00:18:40,252 --> 00:18:43,455 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 272 00:18:43,522 --> 00:18:47,559 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 273 00:18:47,626 --> 00:18:54,366 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH WHAT'S YOUR COUNTRY SONG 274 00:18:54,433 --> 00:19:00,873 MAKE SOME NOISE AT THE ACM'S ♪ ♪ ♪ 275 00:19:00,939 --> 00:19:05,210 ♪ ♪ ♪ ♪ WHO'S YOUR STRAWBERRY WINE 276 00:19:05,277 --> 00:19:09,214 WHAT'S YOUR FAMILY TRADITION ♪ WHAT MAKES YOU TURN IT UP 277 00:19:09,281 --> 00:19:13,218 MAKES YOU RAISE YOUR CUP ♪ EVERY TIME YOU LISTEN 278 00:19:13,285 --> 00:19:15,454 ♪ EVERYBODY GOT A SMALL TOWN ANTHEM 279 00:19:15,521 --> 00:19:21,326 ♪ EVERYBODY GOT A STORY TO TELL EVERYBODY GOT A HALLELUJAH 280 00:19:21,393 --> 00:19:24,329 ♪ EVERYBODY BEEN THROUGH A LITTLE HELL 281 00:19:24,396 --> 00:19:26,098 ♪ WHEN YOU'RE ROLLIN' DOWN A TWO-LANE HIGHWAY 282 00:19:26,164 --> 00:19:31,803 ♪ AND YOU TURN YOUR RADIO ON TELL ME WHICH ONE HITS YOU, BABY 283 00:19:31,870 --> 00:19:45,217 ♪ YEAH, WHAT'S YOUR COUNTRY SONG YEAH, WHAT'S YOUR COUNTRY SONG ♪ 284 00:19:45,284 --> 00:19:49,955 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 285 00:19:50,022 --> 00:19:53,191 >> THANK YOU SO MUCH, LOVE Y'ALL. 286 00:19:53,258 --> 00:19:55,861 >> AND NOW TO >> AND NOW, OVER TO THE 287 00:19:55,928 --> 00:20:01,600 LEGENDARY BLUEBIRD CAFÉ FOR MIRANDA LAMBERT AND CHRIS 288 00:20:01,667 --> 00:20:04,836 STAPLETON. 289 00:20:04,903 --> 00:20:09,207 ♪ LET ME TELL YOU A STORY ABOUT AN OLD FRIEND OF MINE 290 00:20:09,274 --> 00:20:12,811 ♪ SOMEBODY LEFT HER IN A SHOPPING CART 291 00:20:12,878 --> 00:20:15,981 ♪ IN A PARKING LOT FOR US TO FIND 292 00:20:16,048 --> 00:20:23,522 ♪ JUST A FUZZY BLACK PUP SHE WAS HUNGRY AND FEELING ALONE 293 00:20:23,589 --> 00:20:31,430 ♪ WE PUT HER IN THE BACK SEAT TOLD HER WE WERE TAKING HER HOME 294 00:20:31,496 --> 00:20:37,202 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 295 00:20:37,269 --> 00:20:48,180 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 296 00:20:48,246 --> 00:20:53,218 ♪ A FEW KIDS LATER WE MOVED OUT ON THE FARM 297 00:20:53,285 --> 00:20:55,854 ♪ AND SHE FOLLOWED THOSE KIDS AROUND, YEAH 298 00:20:55,921 --> 00:21:02,894 ♪ SHE KEPT THEM SAFE FROM HARM AND SHE LOVED TO CHASE SQUIRRELS 299 00:21:02,961 --> 00:21:10,969 ♪ AND PLAYING OUT IN THE SNOW SHE'D TAKE OFF LIKE A BULLET 300 00:21:11,036 --> 00:21:17,109 ♪ MAN, YOU SHOULD HAVE SEEN HER GO 301 00:21:17,175 --> 00:21:21,279 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 302 00:21:21,346 --> 00:21:29,221 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 303 00:21:29,287 --> 00:21:37,195 ♪ ♪ ♪ ♪ ♪ ♪ 304 00:21:37,262 --> 00:21:45,203 ♪ ♪ ♪ ♪ ♪ ♪ 305 00:21:45,270 --> 00:21:52,544 ♪ IT WAS RAINING ON A MONDAY THE DAY THAT MAGGIE DIED 306 00:21:52,611 --> 00:21:54,713 ♪SHE WOKE UP AND COULDN'T USE HER LEGS 307 00:21:54,780 --> 00:22:01,787 ♪ SO I LAID DOWN BY HER SIDE SHE PUT HER HEAD ON MY HAND 308 00:22:01,853 --> 00:22:09,227 ♪ LIKE SHE'D DONE SO MANY TIMES I TOLD HER SHE WAS A GOOD DOG 309 00:22:09,294 --> 00:22:17,135 ♪ THEN I TOLD HER GOODBYE RUN, MAGGIE, RUN 310 00:22:17,202 --> 00:22:19,938 ♪ WITH THE HEART OF A REBEL CHILD 311 00:22:20,005 --> 00:22:29,214 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 312 00:22:29,281 --> 00:22:37,222 ♪ I HAD A REVELATION AS THE TRACTOR DUG A HOLE 313 00:22:37,289 --> 00:22:43,462 ♪ I CAN TELL YOU RIGHT NOW THAT A DOG HAS A SOUL 314 00:22:43,528 --> 00:22:50,135 ♪ AND I THOUGHT TO MYSELF AS WE BURIED HER ON THE HILL 315 00:22:50,202 --> 00:22:57,209 ♪ I NEVER KNEW ME A BETTER DOG AND I GUESS I NEVER WILL 316 00:22:57,275 --> 00:23:05,217 ♪ RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 317 00:23:05,283 --> 00:23:13,191 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE AS YOU ARE WILD 318 00:23:13,258 --> 00:23:19,464 ♪ OH, RUN, MAGGIE, RUN WITH THE HEART OF A REBEL CHILD 319 00:23:19,531 --> 00:23:25,203 ♪ OH, RUN, MAGGIE, RUN BE JUST AS FREE 320 00:23:25,270 --> 00:23:34,079 ♪ AS YOU ARE WILD ♪ ( APPLAUSE ) 321 00:23:34,146 --> 00:23:35,547 >> Mickey: HEY, Y'ALL. 322 00:23:35,614 --> 00:23:37,182 I'M AT THE HISTORIC RYMAN AUDITORIUM FOR A VERY SPECIAL 323 00:23:37,249 --> 00:23:40,318 PERFORMANCE. 324 00:23:40,385 --> 00:23:42,587 MAREN MORRIS AND RYAN HURD RECENTLY COLLABORATED ON TWO 325 00:23:42,654 --> 00:23:44,289 GREAT PROJECTS. 326 00:23:44,356 --> 00:23:49,060 FIRST WAS THEIR BABY, HAYES ANDREW HURD; AND SECOND IS THEIR 327 00:23:49,127 --> 00:23:52,230 FIRST EVER DUET, “CHASING AFTER YOU.” 328 00:23:52,297 --> 00:23:55,433 THEY'RE ONE OF MY FAVORITE MARRIED COUPLES. 329 00:23:55,500 --> 00:23:57,869 THEY'RE BOTH SO TALENTED, AND SHE'S ALWAYS BEEN THERE FOR ME. 330 00:23:57,936 --> 00:24:05,010 HERE ARE MAREN MORRIS AND RYAN HURD. 331 00:24:05,076 --> 00:24:12,784 ( APPLAUSE ) ♪ ♪ ♪ 332 00:24:12,851 --> 00:24:19,157 ♪ ♪ ♪ ♪ ♪ ♪ 333 00:24:19,224 --> 00:24:21,326 ♪ ♪ ♪ ♪ YOU COME OVER WHEN 334 00:24:21,393 --> 00:24:25,163 YOUR WINE'S ALL GONE ♪ ALWAYS CATCH ME WHEN I'M 335 00:24:25,230 --> 00:24:29,167 NOT THAT STRONG ♪ THEN YOU WIND UP STAYIN' 336 00:24:29,234 --> 00:24:34,573 ALL NIGHT LONG ♪ AIN'T NOTHIN' NEW 337 00:24:34,639 --> 00:24:37,175 THEN I WAKE UP WITH YOU ♪ ON MY CHEST 338 00:24:37,242 --> 00:24:41,179 YOU GOT A WAY OF ♪ MAKIN' ME FORGET 339 00:24:41,246 --> 00:24:45,183 GIRL, WITH YOU THE ANSWER'S ♪ ALWAYS YES 340 00:24:45,250 --> 00:24:49,187 EVERY TIME YOU CALL ♪ BUT I KNOW, YEAH I KNOW 341 00:24:49,254 --> 00:24:51,957 IT'S A MATTER OF TIME ♪ 'TIL YOU WALK, 'TIL YOU WALK 342 00:24:52,023 --> 00:24:57,162 BACK OUTTA MY LIFE ♪ LEAVE ME STANDIN' HERE LONELY 343 00:24:57,229 --> 00:25:05,170 FEELIN' LIKE A FOOL, MM-MM ♪ EVERY TIME, EVERY TIME 344 00:25:05,237 --> 00:25:07,439 YOU SAY WE'RE DONE ♪ YOU COME BACK TO THE LOVE 345 00:25:07,505 --> 00:25:13,178 YOU WERE RUNNIN' FROM ♪ DON'T KNOW WHY, DON'T KNOW WHY 346 00:25:13,245 --> 00:25:17,182 I LET YOU, BUT I DO ♪ GUESS I LOVE CHASIN' 347 00:25:17,249 --> 00:25:25,190 AFTER YOU, MM-MM ♪ LISTEN, WISH I COULD QUIT YOU 348 00:25:25,257 --> 00:25:29,461 BUT IT FEEL TOO GOOD ♪ IF I COULD TURN IT OFF 349 00:25:29,527 --> 00:25:33,164 YOU KNOW I WOULD ♪ BUT SOMETHIN' 'BOUT YOU 350 00:25:33,231 --> 00:25:39,537 MAKES ME THINK WE COULD ♪ MAKE IT AFTER ALL 351 00:25:39,604 --> 00:25:43,008 BUT I KNOW, YEAH I KNOW ♪ IT'S A MATTER OF TIME 352 00:25:43,074 --> 00:25:45,176 'TIL YOU WALK, 'TIL YOU WALK ♪ BACK OUTTA MY LIFE 353 00:25:45,243 --> 00:25:53,184 LEAVE ME STANDIN' HERE LONELY ♪ FEELIN' LIKE A FOOL 354 00:25:53,251 --> 00:25:57,188 EVERY TIME, EVERY TIME ♪ YOU SAY WE'RE DONE 355 00:25:57,255 --> 00:25:59,991 YOU COME BACK TO THE LOVE ♪ YOU WERE RUNNIN' FROM 356 00:26:00,058 --> 00:26:05,196 DON'T KNOW WHY, DON'T KNOW WHY ♪ I LET YOU BUT I DO 357 00:26:05,263 --> 00:26:12,671 'CAUSE I LOVE CHASIN' AFTER YOU 358 00:26:12,737 --> 00:26:17,175 ♪ ♪ ♪ OOOH 359 00:26:17,242 --> 00:26:25,183 OH, YEAH OOOH 360 00:26:25,250 --> 00:26:29,187 ♪ YOU COME OVER WHEN YOUR WINE'S ALL GONE 361 00:26:29,254 --> 00:26:32,691 ♪ ALWAYS CATCH ME WHEN I'M NOT THAT STRONG 362 00:26:32,757 --> 00:26:37,162 ♪ THEN YOU WIND UP STAYIN' ALL NIGHT LONG 363 00:26:37,228 --> 00:26:41,166 ♪ AIN'T NOTHIN' NEW BUT I KNOW, YEAH I KNOW 364 00:26:41,232 --> 00:26:45,170 ♪ IT'S A MATTER OF TIME 'TIL YOU WALK, 'TIL YOU WALK 365 00:26:45,236 --> 00:26:49,174 ♪ BACK OUTTA MY LIFE LEAVE ME STANDIN' HERE LONELY 366 00:26:49,240 --> 00:26:53,178 ♪ FEELIN' LIKE A FOOL YEAH 367 00:26:53,244 --> 00:26:57,182 ♪ EVERY TIME, EVERY TIME YOU SAY WE'RE DONE 368 00:26:57,248 --> 00:27:00,085 ♪ YOU COME BACK TO THE LOVE YOU WERE RUNNIN' FROM 369 00:27:00,151 --> 00:27:05,390 ♪ DON'T KNOW WHY, DON'T KNOW WHY I LET YOU DO, BUT I DO 370 00:27:05,457 --> 00:27:10,595 ♪ GUESS I LOVE CHASIN' AFTER YOU 371 00:27:10,662 --> 00:27:21,206 ♪ I LOVE CHASIN' AFTER YOU ♪ ♪ ♪ ♪ 372 00:27:21,272 --> 00:27:31,249 ♪ OOOH ♪ ( CHEERS AND APPLAUSE ) 373 00:27:31,316 --> 00:27:38,757 ♪ OOOH ♪ ( CHEERS AND APPLAUSE ) 374 00:27:38,823 --> 00:27:43,762 >> Announcer: AND NOW, LET'S GO DOWN TO THE RIVERFRONT FOR A 375 00:27:43,828 --> 00:27:49,167 PERFORMANCE BY NOMINEE TONIGHT, LADY A. 376 00:27:49,234 --> 00:27:55,440 ♪ LADY ♪ ♪ ♪ 377 00:27:55,507 --> 00:27:59,778 LADY ♪ BOY 378 00:27:59,844 --> 00:28:05,083 I'M NOT THE KIND OF GIRL ♪ TO GO AND FIGHT FOR 379 00:28:05,150 --> 00:28:09,187 ALL YOUR ATTENTION MMM, MMM 380 00:28:09,254 --> 00:28:12,424 ♪ I'M NOT TOO AFRAID TO CALL THIS OFF 381 00:28:12,490 --> 00:28:17,162 ♪ AND GO SEE WHAT I'VE BEEN MISSING 382 00:28:17,228 --> 00:28:20,165 MMM, MMM ♪ LEAVE THE DRESS AT HOME 383 00:28:20,231 --> 00:28:25,437 'CAUSE IT MAKES ME TOO POLITE ♪ NO MORE WAITIN' BY THE PHONE 384 00:28:25,503 --> 00:28:31,443 I'M STEPPIN' OUT TONIGHT ♪ 'CAUSE I FEEL LIKE A LADY 385 00:28:31,509 --> 00:28:33,578 SIPPIN' ON TEQUILA ♪ WITH MY LEVI'S ON 386 00:28:33,645 --> 00:28:37,315 A LADY ♪ SINGIN' TO THE MUSIC 387 00:28:37,382 --> 00:28:40,652 PLAYIN' ALL NIGHT LONG ♪ YEAH, I'M FEELIN' RIGHT 388 00:28:40,718 --> 00:28:43,455 I'M LIVIN' MY LIFE ♪ I DO WHAT I LIKE 389 00:28:43,521 --> 00:28:49,160 'CAUSE I FEEL LIKE A LADY LADY 390 00:28:49,227 --> 00:28:53,164 ♪ TREAT MYSELF TO WHAT'S UP ON THE HIGHEST SHELF 391 00:28:53,231 --> 00:28:58,603 ♪ I WANT IT, I GET IT MMM, MMM 392 00:28:58,670 --> 00:29:05,176 ♪ I MIGHT LOOK LIKE I'M LONELY BUT I'M ONLY 393 00:29:05,243 --> 00:29:08,546 ♪ LOVING EVERY MINUTE OOH, BABY 394 00:29:08,613 --> 00:29:13,518 ♪ LEAVE THE HEELS AT HOME 'CAUSE THEY NEVER DO ME RIGHT 395 00:29:13,585 --> 00:29:19,457 ♪ GO OUT DANCING ON MY OWN MAN, THESE HIPS DON'T LIE 396 00:29:19,524 --> 00:29:23,194 ♪ 'CAUSE I FEEL LIKE A LADY SIPPIN' ON TEQUILA 397 00:29:23,261 --> 00:29:26,898 ♪ WITH MY LEVI'S ON A LADY 398 00:29:26,965 --> 00:29:29,067 ♪ SINGIN' TO THE MUSIC PLAYIN' ALL NIGHT LONG 399 00:29:29,134 --> 00:29:31,336 ♪ YEAH, I'M FEELIN' RIGHT I'M LIVIN' MY LIFE 400 00:29:31,402 --> 00:29:37,075 ♪ I DO WHAT I LIKE 'CAUSE I FEEL LIKE A LADY 401 00:29:37,142 --> 00:29:41,479 LADY ♪ FEEL LIKE A LADY 402 00:29:41,546 --> 00:29:49,087 A LADY, YEAH ♪ ♪ ♪ 403 00:29:49,154 --> 00:29:55,326 ♪ ♪ ♪ ♪ ♪ ♪ 404 00:29:55,393 --> 00:29:57,295 ♪ MIGHT CHANGE MY HAIR AND CHANGE MY MIND 405 00:29:57,362 --> 00:29:59,531 ♪ MIGHT CHANGE YOUR WHOLE DAMN LIFE 406 00:29:59,597 --> 00:30:03,368 ♪ I MIGHT BREAK YOUR HEART AND NOT THINK TWICE 407 00:30:03,434 --> 00:30:06,137 ♪ THAT'S RIGHT I'M A LADY 408 00:30:06,204 --> 00:30:09,073 ♪ SIPPIN' ON TEQUILA WITH MY LEVI'S ON 409 00:30:09,140 --> 00:30:13,344 ♪ A LADY SINGIN' TO THE MUSIC 410 00:30:13,411 --> 00:30:16,915 ♪ PLAYIN' ALL NIGHT LONG YEAH, I'M FEELIN' RIGHT 411 00:30:16,981 --> 00:30:18,183 ♪ I'M LIVIN' MY LIFE I DO WHAT I LIKE 412 00:30:18,249 --> 00:30:25,723 ♪ 'CAUSE I FEEL LIKE A LADY LADY, YEAH 413 00:30:25,790 --> 00:30:29,827 ♪ I FEEL LIKE FEEL LIKE A LADY 414 00:30:29,894 --> 00:30:37,001 ♪ I FEEL LIKE I FEEL LIKE A LADY 415 00:30:37,068 --> 00:30:41,706 ♪ LIKE A LADY I FEEL LIKE A LADY ♪ 416 00:30:41,773 --> 00:30:45,710 I FEEL LIKE A LADY I FEEL LIKE A LADY ♪ 417 00:30:45,777 --> 00:30:49,714 ( CHEERS AND APPLAUSE ) >> Announcer: DIERKS BENTLEY IS 418 00:30:49,781 --> 00:30:53,084 COMING UP WITH THE WAR AND TREATY, PLUS DOLLY PARTON. 419 00:30:53,151 --> 00:30:56,654 THEN, CARRIE UNDERWOOD TAKES THE GRAND OLE OPRY HOUSE STAGE. 420 00:30:56,721 --> 00:31:00,858 WITH C.E.O. C.E.O. WINANS, LATER, THANKS TO FORD, AN 421 00:31:00,925 --> 00:31:03,995 EMOTIONAL PERFORMANCE BY LUKE COMBS. 422 00:31:04,062 --> 00:31:08,466 THIS IS CBS. 423 00:31:08,533 --> 00:31:09,634 >> THERE ARE MORE THAN 2,000 COUNTRY RADIO STATIONS ACROSS 424 00:31:09,701 --> 00:31:13,304 THE U.S. AND MORE THAN 76 MILLION LYAL LISTENERS. 425 00:31:13,371 --> 00:31:17,909 THE ACADEMY SALUTES THIS YEAR'S WINNERS FOR ON AIR PERSONALITIES 426 00:31:17,976 --> 00:31:26,751 OF THE YEAR. 427 00:31:26,818 --> 00:31:28,186 >> I AM SO EXCITED. 428 00:31:28,253 --> 00:31:30,154 >> BUZZ JACKSON. 429 00:31:30,221 --> 00:31:31,256 >> THANK YOU SO MUCH. 430 00:31:31,322 --> 00:31:32,490 >> STEVE, BEN AND NIKKI. 431 00:31:32,557 --> 00:31:36,728 >> THANK YOU SO MUCH, WE LOVE IT, MAN. 432 00:31:36,794 --> 00:31:39,597 >> Announcer: THE 56th ACM AWARDS 433 00:31:39,664 --> 00:31:42,400 SPONSORED BY EMGALITY. 434 00:31:47,472 --> 00:31:50,541 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 435 00:31:50,608 --> 00:31:50,708 CONTINUE. THIS IS CBS. 436 00:31:56,914 --> 00:31:59,584 >> Announcer: WELCOME BACK TO THE A.C.M. AWARDS. 437 00:31:59,651 --> 00:32:03,721 AND NOW, FROM NASHVILLE'S FAMOUS BLUEBIRD CAFÉ, HERE'S NEW FEMAL 438 00:32:03,788 --> 00:32:07,225 ARTIST WINNER, GABBY BARRETT. 439 00:32:07,292 --> 00:32:15,233 ♪ ♪ ♪ ♪ HE'S A PHONE CALL TO 440 00:32:15,300 --> 00:32:19,237 HIS PARENTS ♪ HE'S A BIBLE BY THE BED 441 00:32:19,304 --> 00:32:23,241 HE'S THE TEE SHIRT ♪ THAT I'M WEARIN' 442 00:32:23,308 --> 00:32:30,448 HE'S THE SONG STUCK IN MY HEAD ♪ HE'S SOLID AND HE'S STEADY 443 00:32:30,515 --> 00:32:33,184 LIKE THE ALLEGHENY RUNS ♪ HE KNOWS JUST WHERE 444 00:32:33,251 --> 00:32:35,219 HE'S GOIN' ♪ AND HE'S PROUD OF 445 00:32:35,286 --> 00:32:42,860 WHERE HE'S FROM ♪ ONE OF THE GOOD ONES 446 00:32:42,927 --> 00:32:47,231 HE'S ONE OF THE GOOD ONES ♪ A LOVE-ME-LIKE-HE-SHOULD ONE 447 00:32:47,298 --> 00:32:51,235 LIKE-HE-WROTE-THE-BOOK ONE ♪ THE KIND YOU FIND WHEN YOU 448 00:32:51,302 --> 00:32:59,210 DON'T EVEN LOOK ONE ♪ ANYBODY CAN BE GOOD ONCE 449 00:32:59,277 --> 00:33:07,218 BUT HE'S GOOD ALL THE TIME ♪ HE'S ONE OF THE GOOD ONES 450 00:33:07,285 --> 00:33:09,954 AND HE'S ALL MINE ♪ WE SHOULD ALL 451 00:33:10,021 --> 00:33:15,693 FIND US ONE ♪ THEY'RE OUT THERE 452 00:33:15,760 --> 00:33:25,336 MINUS ONE ♪ SOME OF THE GOOD ONES 453 00:33:25,403 --> 00:33:32,643 YEAH, I GOT A GOOD ONE ♪ A LOVE-ME-LIKE-HE-SHOULD ONE 454 00:33:32,710 --> 00:33:39,083 LIKE-HE-WROTE-THE-BOOK ONE ♪ THE KIND YOU FIND WHEN YOU 455 00:33:39,150 --> 00:33:47,024 DON'T EVEN LOOK ♪ ANYBODY CAN BE GOOD ONCE 456 00:33:47,091 --> 00:33:59,036 BUT HE'S GOOD ALL THE TIME ♪ HE'S ONE OF THE GOOD ONES 457 00:33:59,103 --> 00:34:11,182 AND HE'S ALL MINE ♪ ( APPLAUSE ) 458 00:34:11,249 --> 00:34:15,019 >> AND NOW, LET'S GO BACK TO THE GRAND OLE OPRY HOUSE. 459 00:34:15,086 --> 00:34:21,492 AND TO PRESENT OUR NEXT AWARD, DARIUS RUCKER. 460 00:34:21,559 --> 00:34:24,429 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 461 00:34:24,495 --> 00:34:27,031 >> THESE ARE THE SONGS GAVE US GREAT EMOTIONAL CONNECTIONS AND 462 00:34:27,098 --> 00:34:28,299 REASONS TO SMILE. 463 00:34:28,366 --> 00:34:32,270 HERE ARE THE NOMINEES FOR SONG OF THE YEAR. 464 00:34:32,336 --> 00:34:35,473 >> Announcer: “BLUEBIRD,” BY MIRANDA LAMBERT. 465 00:34:35,540 --> 00:34:46,050 SONGWRITERS: LUKE DICK, MIRANDA LAMBERT, NATALIE HEMBY“ 466 00:34:46,117 --> 00:34:49,487 ONE NIGHT STANDARDS,” BY ASHLEY McBRYDE. 467 00:34:49,554 --> 00:34:55,026 SONGWRITERS: ASHLEY McBRYDE, NICOLETTE HAYFORD, SHANE 468 00:34:55,092 --> 00:35:06,204 McANALLY.“ SOME PEOPLE DO,” BY OLD 469 00:35:06,270 --> 00:35:07,405 DOMINION. 470 00:35:07,472 --> 00:35:11,042 SONGWRITERS: JESSE FRASURE, MATT RAMSEY, THOMAS RHETT, SHANE 471 00:35:11,108 --> 00:35:21,052 McANALLY.“ STARTING OVER,” BY CHRIS 472 00:35:21,118 --> 00:35:22,753 STAPLETON. 473 00:35:22,820 --> 00:35:31,662 SONGWRITERS: CHRIS STAPLETON, MIKE HENDERSON.“ 474 00:35:31,729 --> 00:35:35,032 THE BONES,” BY MAREN MORRIS. 475 00:35:35,099 --> 00:35:44,809 SONGWRITERS: JIMMY ROBBINS, MAREN MORRIS, LAURA VELTZ. 476 00:35:44,876 --> 00:35:51,148 >> AND THE A.C.M. SONG OF THE YEAR GOES TO:“ 477 00:35:51,215 --> 00:35:55,019 THE BONES,” BY MAREN MORRIS. 478 00:35:55,086 --> 00:36:03,895 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 479 00:36:03,961 --> 00:36:13,938 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 480 00:36:14,005 --> 00:36:19,010 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 481 00:36:19,076 --> 00:36:21,178 >> THANK YOU. 482 00:36:21,245 --> 00:36:24,916 THIS IS, THIS IS REALLY BITTERSWEET BECAUSE I DIDN'T 483 00:36:24,982 --> 00:36:28,019 WRITE THIS JUST BY MYSELF, AND EACH TIME I'VE BEEN SO LUCKY TO 484 00:36:28,085 --> 00:36:35,760 ACCEPT AN AWARD FOR THIS SONG, MY COWRITERS LAURA VELTZ AND 485 00:36:35,826 --> 00:36:41,198 JIMMY ROBYNS HAVE NOT BEEN ABLE TO BE HERE, THANK YOU FOR THE 486 00:36:41,265 --> 00:36:42,366 ACMS FOR KEEPING US SAFE, THIS SO MEANINGFUL TO ME, SONG OF THE 487 00:36:42,433 --> 00:36:44,969 YEAR IS SOMETHING THAT I HAVE JUST DREAMT OF FOR SO LONG. 488 00:36:45,036 --> 00:36:50,107 AND I FEEL LIKE WITH THIS SONG, WITH "THE BONES" I WROTE T I WAS 489 00:36:50,174 --> 00:36:57,248 DATING MY NOW HUSBAND, AND IT WAS JUST A SONG TO HIM. 490 00:36:57,315 --> 00:37:00,051 AND I FEEL SOMETIMES LIKE SONGS KNOW YOU BETTER THAN YOU KNOW 491 00:37:00,117 --> 00:37:01,252 THEM AT THE TIME. 492 00:37:01,319 --> 00:37:03,688 AND I FEEL LIKE THIS SONG HAS REVEALED SO MANY NEW THINGS TO 493 00:37:03,754 --> 00:37:07,858 ME THAT I DIDN'T KNOW WERE POSSIBLE THE DAY I WROTE IT. 494 00:37:07,925 --> 00:37:10,928 AND THIS HAS JUST BEEN A HELL OF A YEAR. 495 00:37:10,995 --> 00:37:15,499 AND HOPEFULLY COUNTRY MUSIC AND MAYBE EVEN THIS SONG BROUGHT YOU 496 00:37:15,566 --> 00:37:18,069 AND YOUR FAMILY AND FRIENDS SOME PEACE. 497 00:37:18,135 --> 00:37:21,739 SO THANK YOU SO MUCH. 498 00:37:21,806 --> 00:37:23,341 ( CHEERS AND APPLAUSE ) >> Announcer: LET'S GO TO 499 00:37:23,407 --> 00:37:25,176 NASHVILLE'S FAMOUS STATION INN AND MALE ARTIST OF THE YEAR 500 00:37:25,242 --> 00:37:32,850 NOMINEE, DIERKS BENTLEY, JOINED BY THE WAR AND TREATY. 501 00:37:32,917 --> 00:37:35,953 WELCOME TO THE STAKES INN. 502 00:37:36,020 --> 00:37:39,790 I FIRST CAME IN THIS BAR WHEN I WAS ABOUT 19 YEARS OLD LOOKING 503 00:37:39,857 --> 00:37:41,058 FOR SOMETHING. 504 00:37:41,125 --> 00:37:43,995 AND I FOUND IT IN THE MUSIC HERE AND I FOUND IT IN THE BLUEGRASS 505 00:37:44,061 --> 00:37:46,897 COMMUNITY AND WE RECENTLY LOST THE LEADER OF THAT BLUEGRASS 506 00:37:46,964 --> 00:37:51,002 COMMUNITY AND THE OWNER OF THIS BAR, MR. JT GRAY SO WE WILL BE 507 00:37:51,068 --> 00:38:01,712 THINKING OF HIM TONIGHT AS WE SING THIS SONG. 508 00:38:01,779 --> 00:38:12,056 ♪ ♪ ♪ ♪ ♪ ♪ 509 00:38:12,123 --> 00:38:16,293 ♪ ♪ ♪ ♪ ONE MAN COME 510 00:38:16,360 --> 00:38:21,732 IN THE NAME OF LOVE ♪ ONE MAN COME AND GO 511 00:38:21,799 --> 00:38:25,736 ONE MAN COME ♪ HERE TO JUSTIFY 512 00:38:25,803 --> 00:38:33,711 ONE MAN TO OVERTHROW ♪ IN THE NAME OF LOVE 513 00:38:33,778 --> 00:38:40,918 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 514 00:38:40,985 --> 00:38:49,727 WHAT MORE IN THE NAME OF LOVE ♪ ONE MAN CAUGHT 515 00:38:49,794 --> 00:38:54,065 ON A BARBED WIRE FENCE ♪ ONE MAN, HE RESIST 516 00:38:54,131 --> 00:39:00,037 ONE MAN WASHED ♪ ON AN EMPTY BEACH 517 00:39:00,104 --> 00:39:06,177 ONE MAN BETRAYED WITH A KISS ♪ IN THE NAME OF LOVE 518 00:39:06,243 --> 00:39:17,722 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 519 00:39:17,788 --> 00:39:25,730 WHAT MORE IN THE NAME OF LOVE ♪ ♪ ♪ 520 00:39:25,796 --> 00:39:36,040 ♪ ♪ ♪ ♪ ♪ ♪ 521 00:39:36,107 --> 00:39:45,716 ♪ ♪ ♪ ♪ ♪ ♪ 522 00:39:45,783 --> 00:39:53,724 ♪ ♪ ♪ ♪ ♪ ♪ 523 00:39:53,791 --> 00:40:01,732 ♪ ♪ ♪ OOH,OOH 524 00:40:01,799 --> 00:40:09,006 ♪ OOH, OOH ♪ EARLY EVENING, APRIL 4 525 00:40:09,073 --> 00:40:10,174 SHOT RINGS OUT ♪ IN THE MEMPHIS SKY 526 00:40:10,241 --> 00:40:14,245 YEAH ♪ FREE AT LAST 527 00:40:14,311 --> 00:40:19,717 THEY TOOK YOUR LIFE ♪ BUT THEY COULD NOT TAKE 528 00:40:19,784 --> 00:40:23,921 YOUR PRIDE ♪ IN THE NAME OF LOVE 529 00:40:23,988 --> 00:40:32,429 WHAT MORE IN THE NAME OF LOVE ♪ IN THE NAME OF LOVE 530 00:40:32,496 --> 00:40:43,707 WHAT MORE IN THE NAME OF LOVE ♪ ♪ ♪ ♪ 531 00:40:43,774 --> 00:40:51,715 ♪ ♪ ♪ ♪ ♪ ♪ 532 00:40:51,782 --> 00:40:59,123 ♪ ♪ ♪ ♪ ♪ ♪ 533 00:40:59,190 --> 00:41:03,727 ♪ ♪ ♪ ♪ ♪ ♪ 534 00:41:03,794 --> 00:41:11,735 ♪ ♪ ♪ ♪ ♪ ♪ 535 00:41:11,802 --> 00:41:18,375 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 536 00:41:18,442 --> 00:41:22,146 >> Announcer: CARRIE UNDERWOOD WITH A SPECIAL PERFORMANCE 537 00:41:22,213 --> 00:41:23,714 FEATURING CECE WINANS. AND ERIC CHURCH AT THE RYMAN 538 00:41:23,781 --> 00:41:25,282 AUDITORIUM. 539 00:41:25,349 --> 00:41:27,718 PLUS, DAN + SHAY. LATER, THANKS TO FORD, WE RETURN 540 00:41:27,785 --> 00:41:30,988 TO THE NASHVILLE RIVERFRONT FOR A PERFORMANCE FROM ASHLEY 541 00:41:31,055 --> 00:41:35,125 McBRYDE. THIS IS CBS. 542 00:41:35,192 --> 00:41:37,862 >> VACCINE, VACCINE, VACCINE, VACCINE! 543 00:41:37,928 --> 00:41:41,765 I'M BEGGING OF YOU, PLEASE DON'T HESITATE. 544 00:41:41,832 --> 00:41:46,604 I KNOW I'M TRYING TO BEING FUNNY NOW, BUT I'M DEAD SERIOUS ABOUT 545 00:41:46,670 --> 00:41:47,805 THE VACCINE. 546 00:41:47,872 --> 00:41:49,306 I JUST WANT TO TO ENCOURAGE EVERYBODY BECAUSE THE SOONER WE 547 00:41:49,373 --> 00:41:53,110 GET TO FEELING BETTER, THE SOONER WE ARE GOING TO GET BACK 548 00:41:53,177 --> 00:41:56,814 TO BEING NORMAL. 549 00:41:56,881 --> 00:41:58,816 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, 550 00:41:58,883 --> 00:42:01,952 SPONSORED BY: T-MOBILE, THE LEADER IN 5G. 551 00:42:02,019 --> 00:42:06,390 AMERICA'S LARGEST, FASTEST, AND NOW MOST RELIABLE 5G NETWORK. 552 00:42:09,193 --> 00:42:12,396 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 553 00:42:12,463 --> 00:42:14,164 CONTINUE. THIS IS CBS 554 00:42:17,301 --> 00:42:19,003 >> WELL, HEY, EVERYBODY. 555 00:42:19,069 --> 00:42:23,340 I AM SO PLEASED AND PROUD TO INTRODUCE MY DEAR FRIEND, CARRIE 556 00:42:23,407 --> 00:42:24,575 UNDERWOOD, TONIGHT. 557 00:42:24,642 --> 00:42:29,613 I HAVE ALWAYS ADMIRED CARRIE'S INCREDIBLE TALENT, BUT I AM JUST 558 00:42:29,680 --> 00:42:31,916 AS IMPRESSED WITH HER PERSONAL QUALITIES-- HER COMPASSION, 559 00:42:31,982 --> 00:42:37,721 KINDNESS, GENEROSITY, AND, MOST OF ALL, THE POWERFUL FAITH THAT 560 00:42:37,788 --> 00:42:38,923 WE BOTH SHARE. 561 00:42:38,989 --> 00:42:42,860 NOW, HER PERFORMANCE TONIGHT SPEAKS TO THAT FAITH IN A MEDLEY 562 00:42:42,927 --> 00:42:47,131 FROM HER NEW GOSPEL HYMNS ALBUM, "MY SAVIOR," WHICH I KNOW IS A 563 00:42:47,197 --> 00:42:51,335 TRUE PASSION PROJECT FOR HER. 564 00:42:51,402 --> 00:42:56,874 LADIES AND GENTLEMEN, CARRIE UNDERWOOD. 565 00:42:56,941 --> 00:43:07,351 ( CHEERS AND APPLAUSE ) ♪ AMAZING GRACE 566 00:43:07,418 --> 00:43:19,363 HOW SWEET THE SOUND ♪ THAT SAVED A WRETCH 567 00:43:19,430 --> 00:43:31,709 LIKE ME ♪ I ONCE WAS LOST 568 00:43:31,775 --> 00:43:41,752 BUT NOW I'M FOUND ♪ WAS BLIND, BUT NOW 569 00:43:41,819 --> 00:43:47,358 BUT NOW I'M FOUND ♪ WAS BLIND, BUT NOW 570 00:43:47,424 --> 00:43:59,236 I SEE ♪ ♪ ♪ 571 00:43:59,303 --> 00:44:03,107 ♪ GREAT IS THY FAITHFULNESS O GOD MY FATHER 572 00:44:03,173 --> 00:44:11,348 ♪ THERE IS NO SHADOW OF TURNING WITH THEE 573 00:44:11,415 --> 00:44:19,323 ♪ THOU CHANGEST NOT THY COMPASSIONS 574 00:44:19,390 --> 00:44:23,360 ♪ THEY FAIL NOT AS THOU HAST BEEN 575 00:44:23,427 --> 00:44:31,802 ♪ THOU FOREVER WILL BE GREAT IS THY FAITHFULNESS 576 00:44:31,869 --> 00:44:39,343 ♪ GREAT IS THY FAITHFULNESS MORNING BY MORNING 577 00:44:39,410 --> 00:44:47,351 ♪ NEW MERCIES I SEE ALL I HAVE NEEDED 578 00:44:47,418 --> 00:44:55,359 ♪ THY HAND HATH PROVIDED GREAT IS THY FAITHFULNESS 579 00:44:55,426 --> 00:45:05,402 ♪ LORD, UNTO ME SUMMER AND WINTER 580 00:45:05,469 --> 00:45:11,675 ♪ LORD, UNTO ME SUMMER AND WINTER 581 00:45:16,547 --> 00:45:19,349 ♪ SPRINGTIME AND HARVEST SUN, MOON AND STARS 582 00:45:19,416 --> 00:45:25,722 ♪ IN THEIR COURSES ABOVE JOIN WITH ALL NATURE 583 00:45:25,789 --> 00:45:35,332 ♪ IN MANIFOLD WITNESS T THY GREAT FAITHFULNESS 584 00:45:35,399 --> 00:45:43,340 ♪ MERCY, AND LOVE GREAT IS THY FAITHFULNESS 585 00:45:43,407 --> 00:45:47,044 ♪ GREAT IS THY FAITHFULNESS MORNING BY MORNING 586 00:45:47,111 --> 00:45:59,356 ♪ NEW MERCIES I SEE ALL I HAVE NEEDED 587 00:45:59,423 --> 00:46:05,429 ♪ THY HAND HATH PROVIDED GREAT IS THY FAITHFULNESS 588 00:46:05,496 --> 00:46:19,109 GREAT IS THY FAITHFULNESS ♪ GREAT IS THY FAITHFULNESS 589 00:46:19,176 --> 00:46:30,754 ( CHEERS AND APPLAUSE ) ♪ LORD, UNTO ME 590 00:46:30,821 --> 00:46:31,822 ♪ SO I'LL CHERISH THE OLD RUGGED CROSS 591 00:46:31,889 --> 00:46:37,728 ♪ 'TIL MY TROPHIES AT LAST I LAY DOWN 592 00:46:37,794 --> 00:46:42,966 ♪ I WILL CLING TO THE OLD RUGGED CROSS 593 00:46:43,033 --> 00:46:54,878 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN 594 00:46:54,945 --> 00:46:59,349 ♪ OOH, OOH YEAH, AH 595 00:46:59,416 --> 00:47:06,223 ♪ OOH, OOH YEAH, AH 596 00:47:06,290 --> 00:47:07,524 ♪ OOH, OOH ♪ YES, I'LL CHERISH THE 597 00:47:07,591 --> 00:47:18,869 OLD RUGGED CROSS ♪ THANK YOU, JESUS 598 00:47:18,936 --> 00:47:21,338 ♪ YES, I'LL CHERISH THE OLD RUGGED CROSS 599 00:47:21,405 --> 00:47:27,444 ♪ 'TIL MY TROPHIES AT LAST I LAY DOWN 600 00:47:27,511 --> 00:47:35,419 ♪ I WILL CLING TO THE OLD RUGGED CROSS 601 00:47:35,485 --> 00:47:38,855 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN 602 00:47:38,922 --> 00:47:47,397 ♪ YES, I'LL CHERISH THE OLD RUGGED CROSS 603 00:47:47,464 --> 00:47:59,409 ♪ AND EXCHANGE IT SOMEDAY FOR A CROWN ♪ 604 00:47:59,476 --> 00:48:10,020 ( CHEERS AND APPLAUSE ) ♪ WHEN CHRIST SHALL COME 605 00:48:10,087 --> 00:48:19,429 WITH SHOUT OF ACCLAMATION ♪ AND TAKE ME HOME 606 00:48:19,496 --> 00:48:31,408 WHAT JOY SHALL FILL MY HEART ♪ THEN I SHALL BOW 607 00:48:31,475 --> 00:48:39,416 IN HUMBLE ADORATION ♪ AND THEN PROCLAIM, MY GOD 608 00:48:39,483 --> 00:48:47,424 HOW GREAT THOU ART ♪ THEN SINGS MY SOUL 609 00:48:47,491 --> 00:48:58,502 MY SAVIOR GOD TO THEE ♪ HOW GREAT THOU ART 610 00:48:58,568 --> 00:49:11,415 HOW GREAT THOU ART ♪ THEN SINGS MY SOUL 611 00:49:11,481 --> 00:49:19,423 MY SAVIOR GOD TO THEE ♪ HOW GREAT THOU ART 612 00:49:19,489 --> 00:49:29,466 HOW GREAT THOU ART ♪ HOW GREAT THOU ART 613 00:49:29,533 --> 00:49:35,372 HOW GREAT THOU ART ♪ HOW GREAT THOU ART 614 00:49:35,439 --> 00:49:43,580 ( CHEERS AND APPLAUSE ) HOW GREAT THOU ART ♪ 615 00:49:43,647 --> 00:49:55,425 ( CHEERS AND APPLAUSE ) ( CHEERS AND APPLAUSE ) 616 00:49:55,492 --> 00:50:07,003 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 617 00:50:07,070 --> 00:50:19,583 ( CHEERS AND APPLAUSE ) UNBELIEVABLE. 618 00:50:19,649 --> 00:50:23,487 OH MY GOSH. WHAT CAN I SAY ABOUT ARTISTS LIKE CARRIE 619 00:50:23,553 --> 00:50:27,257 UNDERWOOD, ONE OF OUR REIGNING ENTS TIERNS OF THE YEAR AND 620 00:50:27,324 --> 00:50:30,227 GOSPEL ICON CECE WINANS OTHER THAN THE FACT THAT THE ONLY 621 00:50:30,293 --> 00:50:34,564 THING MORE REMARKABLE THAN THEIR TALENT ARE THE WOMEN THEMSELVES. 622 00:50:34,631 --> 00:50:37,534 THANK YOU SO MUCH CARRIE AND C.E.O. C.E.O. FOR SHARING THOSE 623 00:50:37,601 --> 00:50:38,435 SONGS WITH US. 624 00:50:38,502 --> 00:50:39,336 MY WORD. 625 00:50:39,403 --> 00:50:42,706 SO GOOD. ALL RIGHT. 626 00:50:42,773 --> 00:50:46,376 HERE'S NOWR GUY THAT LIGHTS UP EVERY STAGE, WHAT AM I TALKING 627 00:50:46,443 --> 00:50:49,045 ABOUT, HE BURNS THEM DOWN, WHETHER PLAYING AN INTIMATE 628 00:50:49,112 --> 00:50:52,149 CLUB, WHETHER HE'S PLAYING THE SUPER BOWL. 629 00:50:52,215 --> 00:50:55,252 HE IS THE REAL DEAL, HE IS JUST PHENOMENAL AND HIS AUDIENCE, OF 630 00:50:55,318 --> 00:50:59,556 COURSE, ARE AS INTENTION AND IMPASSIONED AS HE IS. 631 00:50:59,623 --> 00:51:02,793 COMING FROM THE RYMAN AUDITORIUM WITH A BRAND NEW SONG CALLED A 632 00:51:02,859 --> 00:51:06,797 BUNCH OF NOTHING, ALSO NOMINATED FOR ENTERTAINER OF THE YEAR, MY 633 00:51:06,863 --> 00:51:13,003 GOOD BUDDY ERIC CHURCH. 634 00:51:13,069 --> 00:51:21,011 ♪ ♪ ♪ ♪ ♪ ♪ 635 00:51:21,077 --> 00:51:26,283 ♪ WHY THE LONG FACE THERE, SAMMY WHY'D YOU COME DRAGGIN' IN HERE 636 00:51:26,349 --> 00:51:28,685 ♪ NOW SIT DOWN, BOY BEFORE YOU HURT YOURSELF 637 00:51:28,752 --> 00:51:32,489 ♪ AND I'LL LET YOU BEND MY EAR 638 00:51:32,556 --> 00:51:33,857 ♪ LOVE IS A BITCH AIN'T IT, BUDDY 639 00:51:33,924 --> 00:51:37,027 ♪ WHEN BABY TURNS THE TABLES ON YOUR HEAD 640 00:51:37,093 --> 00:51:40,096 ♪ I KNOW YOU CAME IN HERE TO BRING BACK HER LEAVING 641 00:51:40,163 --> 00:51:45,335 ♪ I'LL LEAVE YOU WITH THIS INSTEAD 642 00:51:45,402 --> 00:51:47,204 ♪ I KNOW EVERY HOLE IN THE CLINCH RIVER 643 00:51:47,270 --> 00:51:49,739 ♪ AND I KNOW HOW TO FIND THEM BASS 644 00:51:49,806 --> 00:51:53,944 ♪ I KNOW HOW TO TUNE A SIX-STRING MARTIN 645 00:51:54,010 --> 00:51:55,312 ♪ AND KICK SATURDAY IN THE ASS 646 00:51:55,378 --> 00:51:58,648 ♪ I KNOW HOW TO MAKE THAT MOON SHINE 647 00:51:58,715 --> 00:52:00,717 ♪ I KNOW YOU WANT YOUR SUNSHINE BACK 648 00:52:00,784 --> 00:52:04,354 ♪ I KNOW A WHOLE LOTTA 'BOUT A LIL' SOMETHIN', SOMETHIN' 649 00:52:04,421 --> 00:52:07,224 ♪ AND A WHOLE BUNCH OF NOTHING 'BOUT THAT 650 00:52:07,290 --> 00:52:13,597 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT 651 00:52:13,663 --> 00:52:15,265 ♪ ♪ ♪ ♪ ♪ ♪ 652 00:52:15,332 --> 00:52:19,936 ♪ BEFORE MY MIND TOOK A VACATION I HAD A SITUATION LIKE YOU GOT 653 00:52:20,003 --> 00:52:23,206 ♪ THEY TELL ME THAT I HAD A GOOD WOMAN GONE BAD 654 00:52:23,273 --> 00:52:25,942 ♪ BUT I CAN'T REMEMBER WHAT I FORGOT 655 00:52:26,009 --> 00:52:29,045 ♪ NOW JUST KICK BACK AND LISTEN UP, SON 656 00:52:29,112 --> 00:52:31,248 ♪ I'LL HELP YOU GET TO WHERE I AM 657 00:52:31,314 --> 00:52:35,218 ♪ GET YOU GOING FULL THROTTLE AND LEANIN' ON THE BOTTLE 658 00:52:35,285 --> 00:52:37,587 ♪ AND SOME BAIT IN A COFFEE CAN WELL 659 00:52:37,654 --> 00:52:39,256 ♪ I KNOW EVERY HOLE IN THE CLINCH RIVER 660 00:52:39,322 --> 00:52:43,059 ♪ AND I KNOW HOW TO FIND THEM BASS 661 00:52:43,126 --> 00:52:45,562 ♪ I KNOW HOW TO TUNE A SIX-STRING MARTIN 662 00:52:45,629 --> 00:52:48,431 ♪ AND KICK SATURDAY IN THE ASS 663 00:52:48,498 --> 00:52:50,901 ♪ I KNOW HOW TO MAKE THAT MOON SHINE 664 00:52:50,967 --> 00:52:54,404 ♪ I KNOW YOU WANT YOUR SUNSHINE BACK 665 00:52:54,471 --> 00:52:55,772 ♪ I KNOW A WHOLE LOTTA 'BOUT A LIL' SOMETHIN', SOMETHIN' 666 00:52:55,839 --> 00:52:59,209 ♪ AND A WHOLE BUNCH OF NOTHING 'BOUT THAT 667 00:52:59,276 --> 00:53:03,213 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT 668 00:53:03,280 --> 00:53:07,717 ♪ I KNOW WHERE TO GO AND YOU KNOW HOW TO GET THERE 669 00:53:07,784 --> 00:53:12,322 ♪ OFF YOU GO, HIT THE ROAD BUZZ AND A POLE 670 00:53:12,389 --> 00:53:22,933 ♪ A WING AND A PRAYER ♪ ♪ ♪ 671 00:53:22,999 --> 00:53:29,306 ♪ ♪ ♪ ♪ ♪ ♪ 672 00:53:29,372 --> 00:53:31,207 >> NOW, COME ON, CHILDREN! 673 00:53:31,274 --> 00:53:37,614 ♪ ♪ ♪ ♪ ♪ ♪ 674 00:53:37,681 --> 00:53:40,650 ♪ ♪ ♪ ♪ I KNOW EVERY HOLE IN THE 675 00:53:40,717 --> 00:53:43,219 CLINCH RIVER ♪ AND I KNOW HOW TO FIND 676 00:53:43,286 --> 00:53:46,189 THEM BASS ♪ I KNOW HOW TO TUNE A 677 00:53:46,256 --> 00:53:49,059 SIX-STRING MARTIN ♪ AND KICK SATURDAY IN 678 00:53:49,125 --> 00:53:51,227 THE ASS ♪ I KNOW HOW TO MAKE 679 00:53:51,294 --> 00:53:54,764 THAT MOON SHINE ♪ I KNOW YOU WANT YOUR 680 00:53:54,831 --> 00:53:57,100 SUNSHINE BACK ♪ I KNOW A WHOLE LOTTA 'BOUT 681 00:53:57,167 --> 00:53:59,202 A LIL' SOMETHIN', SOMETHIN' ♪ AND A WHOLE BUNCH OF NOTHING 682 00:53:59,269 --> 00:54:01,605 'BOUT THAT ♪ A WHOLE BUNCH OF NOTHING 683 00:54:01,671 --> 00:54:11,214 'BOUT THAT ♪ ♪ ♪ ♪ 684 00:54:11,281 --> 00:54:13,917 ♪ A WHOLE BUNCH OF NOTHING ♪ ♪ ♪ 685 00:54:13,984 --> 00:54:18,722 ♪ A WHOLE BUNCH OF NOTHING 'BOUT THAT ♪ 686 00:54:18,788 --> 00:54:21,424 ♪ ♪ ♪ ♪ ♪ ♪ 687 00:54:21,491 --> 00:54:32,969 ♪ A WHOLE BUNCH OF NOTHING ♪ ♪ ♪ 688 00:54:33,036 --> 00:54:42,178 ( CHEERS AND APPLAUSE ) >> Announcer: NOW, TAKING THE 689 00:54:42,245 --> 00:54:47,217 STAGE AT THE BLUEBIRD CAFÉ, VOCAL DUO NOMINEES DAN + SHAY. 690 00:54:47,283 --> 00:54:50,820 ♪ ♪ ♪ ♪ HERE'S TO ALL 691 00:54:50,887 --> 00:54:52,722 THE LATE NIGHT DRUNK PHONE CALLS ♪ THAT YOU PICKED UP 692 00:54:52,789 --> 00:54:59,062 HERE'S TO ALL THE BAD DECISIONS ♪ THAT YOU DIDN'T JUDGE 693 00:54:59,129 --> 00:55:00,463 ALL THE "LOVE YOUs" AND ♪ THE "HATE YOUs" AND THE 694 00:55:00,530 --> 00:55:01,931 SECRETS THAT YOU TOLD ME ♪ HERE'S TO EVERYONE 695 00:55:07,103 --> 00:55:09,372 BUT MOSTLY US ♪ THERE'S A COUPLE BILLION 696 00:55:09,439 --> 00:55:14,878 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 697 00:55:14,944 --> 00:55:17,580 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 698 00:55:17,647 --> 00:55:23,620 TAKE A MOMENT JUST TO TAKE IT IN ♪ 'CAUSE EVERY HIGH 699 00:55:23,687 --> 00:55:24,821 AND EVERY LOW ♪ LED TO THIS 700 00:55:24,888 --> 00:55:36,466 I'M JUST SO GLAD YOU EXIST OOOH 701 00:55:36,533 --> 00:55:38,868 OOOH ♪ HEY, LOOK WHAT A HELLO FROM A 702 00:55:38,935 --> 00:55:42,138 STRANGER TURNED INTO ♪ CAUGHT UP IN A MOMENT 703 00:55:42,205 --> 00:55:47,310 LIKE IT'S JUST US IN THIS ROOM ♪ ALL THE RIGHT WORDS 704 00:55:47,377 --> 00:55:48,511 AT THE RIGHT TIME ♪ AND YOU KNOW 'EM 705 00:55:48,578 --> 00:55:51,881 'CAUSE YOU KNOW ME ♪ BETTER THAN ANYONE ELSE 706 00:55:51,948 --> 00:55:56,486 WE DON'T NEED ANYONE ELSE ♪ THERE'S A COUPLE BILLION 707 00:55:56,553 --> 00:56:00,623 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 708 00:56:00,690 --> 00:56:03,793 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 709 00:56:03,860 --> 00:56:08,865 TAKE A MOMENT JUST TO TAKE IT IN ♪ 'CAUSE EVERY HIGH 710 00:56:08,932 --> 00:56:11,334 AND EVERY LOW ♪ LED TO THIS 711 00:56:11,401 --> 00:56:16,473 I'M JUST SO GLAD YOU EXIST ♪ OOOH 712 00:56:16,539 --> 00:56:20,477 OOOH ♪ OOOH 713 00:56:20,543 --> 00:56:24,481 OOOH ♪ DON'T YOU EVER GO 714 00:56:24,547 --> 00:56:27,150 DON'T YOU EVER GO ♪ DON'T YOU EVER GO CHANGING 715 00:56:27,217 --> 00:56:31,521 NEVER LET ME GO ♪ NEVER LET ME GO 716 00:56:31,588 --> 00:56:32,689 NEVER LET ME GO, BABY ♪ DON'T YOU EVER GO 717 00:56:32,756 --> 00:56:36,493 DON'T YOU EVER GO ♪ DON'T YOU EVER GO CHANGING 718 00:56:36,559 --> 00:56:38,461 NEVER LET ME GO ♪ NEVER, EVER LET ME GO 719 00:56:38,528 --> 00:56:44,400 NEVER LET ME GO, BABY ♪ THERE'S A COUPLE BILLION 720 00:56:44,467 --> 00:56:46,636 PEOPLE IN THE WORLD ♪ AND A MILLION OTHER PLACES 721 00:56:46,703 --> 00:56:49,606 WE COULD BE ♪ BUT YOU'RE HERE WITH ME 722 00:56:49,672 --> 00:56:55,178 TAKE A MOMENT JUST TO TAKE IT IN ♪ JUST TO TAKE IT IN 723 00:56:55,245 --> 00:56:57,046 'CAUSE EVERY HIGH AND EVERY LOW ♪ LED TO THIS 724 00:56:57,113 --> 00:57:06,990 I'M JUST SO GLAD YOU EXIST ♪ OOOH 725 00:57:07,056 --> 00:57:11,694 OOOH I'M GLAD YOU EXIST 726 00:57:11,761 --> 00:57:12,929 ( CHEERS AND APPLAUSE ) >> Announcer: ALAN JACKSON WITH 727 00:57:12,996 --> 00:57:16,833 A CLASSIC HIT, AND A PERFORMANCE BY MIRANDA LAMBERT ARE ON THE 728 00:57:16,900 --> 00:57:18,635 WAY. 729 00:57:18,701 --> 00:57:21,271 PLUS, NEW MALE ARTIST WINNER, JIMMIE ALLEN; AND NEXT, A 730 00:57:21,337 --> 00:57:24,908 SPECIAL MOMENT FEATURING A DESERVING NASHVILLE VETERAN 731 00:57:24,974 --> 00:57:31,447 WHEN LUKE COMBS TEAMS UP WITH FORD. 732 00:57:31,514 --> 00:57:32,549 THIS IS CBS. 733 00:57:32,615 --> 00:57:34,884 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS. 734 00:57:34,951 --> 00:57:37,987 SPONSORED BY: SWIFFER-- STOP CLEANING, START SWIFFERING. 735 00:57:45,128 --> 00:57:47,564 >> Announcer: WE'RE BACK AT THE GRAND OLE OPRY HOUSE WITH 736 00:57:47,630 --> 00:57:50,900 ENTERTAINER OF THE YEAR NOMINEE LUKE COMBS. 737 00:57:50,967 --> 00:57:54,137 >> THANKS TO FORD, I RECENTLY MET UP WITH A TALENTED VETERAN 738 00:57:54,204 --> 00:57:56,539 NAMED DAMON WILLIAMS FROM THE "GUITARS FOR VETS" PROGRAM. 739 00:57:56,606 --> 00:57:58,374 IT WAS AN HONOR AND A GREAT EXPERIENCE. 740 00:57:58,441 --> 00:58:04,814 TAKE A LOOK. 741 00:58:04,881 --> 00:58:06,149 LAST YEAR, A PARTNERSHIP OF THE BEST, 742 00:58:06,216 --> 00:58:09,018 IT IS A GREAT ORGANIZATION THAT HELPS VETERANS COPE WITH PTSD 743 00:58:09,085 --> 00:58:12,222 THROUGH MUSIC BY TEACHING THEM HOW TO PLAY GUITAR. 744 00:58:12,288 --> 00:58:16,492 >> FORD RECENTLY DONATED 500,000 TO GUITARS FOR VETS TO HELP THEM 745 00:58:16,559 --> 00:58:17,694 CONTINUE THEIR GREAT WORK. 746 00:58:17,760 --> 00:58:21,531 >> WE'RE VERY PROUD OF GUITARS FOR VETS FOR HAVING GRADUATED 747 00:58:21,598 --> 00:58:23,299 OVER 5,000 VETERANS FROM THE PROGRAM. 748 00:58:23,366 --> 00:58:27,871 THE DONATIONS FROM FORD ALLOW US TO BUY THOUSANDS OF GUITARS SO 749 00:58:27,937 --> 00:58:31,574 MORE VETERAN-- VETERANS CAN EXPERIENCE THE HEALING POWER OF 750 00:58:31,641 --> 00:58:32,842 MUSIC. 751 00:58:32,909 --> 00:58:35,178 >> WITH THE HELP OF GUITARS FOR VETS HAVE I BEEN ABLE TO TAKE A 752 00:58:35,245 --> 00:58:37,247 SONG THAT I HAVE WRITTEN AND SING TO MY DAUGHTER. 753 00:58:37,313 --> 00:58:39,482 >> I JUST COULDN'T HAVE DONE IT WITHOUT THE PROGRAM. 754 00:58:39,549 --> 00:58:42,952 >> WE OWE SO MUCH TO OUR TROOPS AND VETERANS SO I'M HONORED TO 755 00:58:43,019 --> 00:58:47,857 MEET UP AGAIN WITH SOME FOLKS FROM GUITARS FOR VETS AND PLAY 756 00:58:47,924 --> 00:58:52,896 SOME MUSIC TOGETHER. 757 00:58:52,962 --> 00:58:55,231 >> HEY Y'ALL, HOW ARE YOU DOING. 758 00:58:55,298 --> 00:58:55,899 >> HEY, LUKE. 759 00:58:55,965 --> 00:58:57,433 >> GOOD TO SEE Y'ALL. 760 00:58:57,500 --> 00:58:59,102 >> I HEARD YOU WROTE A SONG. 761 00:58:59,168 --> 00:59:00,103 >> I WROTE A LITTLE SOMETHING. 762 00:59:00,169 --> 00:59:02,405 >> I BROWTS A GUITAR IF YOU WANT TO PLAY IT. 763 00:59:02,472 --> 00:59:08,611 >> PLUG ME IN, COME ON. 764 00:59:08,678 --> 00:59:15,218 ♪ HOLD ON. 765 00:59:15,285 --> 00:59:20,590 ♪ ♪ IT'S ALL RIGHT. 766 00:59:20,657 --> 00:59:21,758 ♪. 767 00:59:21,824 --> 00:59:23,559 >> TO LEARN MORE ABOUT MY PARTNERSHIP WITH GUITAR FOR VETS 768 00:59:23,626 --> 00:59:31,868 AND HOW YOU CAN HELP GO TO FORDPROUDTOHODGE OR-- HONOR.COM. 769 00:59:31,935 --> 00:59:39,876 >> ALL RIGHT. 770 00:59:39,943 --> 00:59:50,253 ♪ ♪ ♪ ♪ A COLD BEER'S GOT 12 OUNCES 771 00:59:50,320 --> 00:59:55,058 A GOOD TRUCK'S GOT MAYBE 300,000 ♪ YOU ONLY GET SO MUCH 772 00:59:55,124 --> 01:00:02,598 UNTIL IT'S GONE ♪ DURACELLS IN A MAGLITE 773 01:00:02,665 --> 01:00:07,837 A NEEDLE DROP ON A 45 ♪ ARE THE KIND OF THINGS THAT 774 01:00:07,904 --> 01:00:14,644 ONLY LAST SO LONG ♪ WHEN THE NEW WEARS OFF 775 01:00:14,711 --> 01:00:21,551 AND THEY GET TO GETTING OLD ♪ SOONER OR LATER 776 01:00:21,617 --> 01:00:28,057 TIME'S GONNA TAKE ITS TOLL ♪ THEY SAY NOTHING LASTS FOREVER 777 01:00:28,124 --> 01:00:33,196 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 778 01:00:33,262 --> 01:00:43,172 DANCES IN YOUR EYES ♪ JUST A T-SHIRT IN THE KITCHEN 779 01:00:43,239 --> 01:00:47,176 WITH NO MAKE-UP AND A MILLION ♪ OTHER THINGS THAT I COULD 780 01:00:47,243 --> 01:00:52,382 LOOK AT MY WHOLE LIFE ♪ A LOVE LIKE THAT MAKES A MAN 781 01:00:52,448 --> 01:00:59,288 HAVE SECOND THOUGHTS ♪ MAYBE SOME THINGS LAST FOREVER 782 01:00:59,355 --> 01:01:09,332 AFTER ALL ♪ FM STATION ON THE OUTSKIRTS 783 01:01:09,399 --> 01:01:14,771 BLUE JEANS, AFTER YEARS OF ♪ SHIFT WORK 784 01:01:14,837 --> 01:01:18,775 ALL FADING OUT LIKE I ALWAYS ♪ KNEW THEY WOULD 785 01:01:18,841 --> 01:01:23,613 THE STRINGS ON THIS GUITAR ♪ THE FIRST LOVE LOST 786 01:01:23,679 --> 01:01:27,817 ON A YOUNG HEART ♪ THOSE THINGS ARE GONNA BREAK 787 01:01:27,884 --> 01:01:33,456 AFTER THE GETTING'S GOOD ♪ 'CAUSE THE NEW WEARS OFF 788 01:01:33,523 --> 01:01:43,166 AND THEY GET TO GETTING OLD ♪ YEAH, SOONER OR LATER 789 01:01:43,232 --> 01:01:47,036 TIME'S GONNA TAKE ITS TOLL ♪ THEY SAY NOTHING LASTS FOREVER 790 01:01:47,103 --> 01:01:55,144 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 791 01:01:55,211 --> 01:01:59,282 DANCES IN YOUR EYES ♪ JUST A T-SHIRT IN THE KITCHEN 792 01:01:59,348 --> 01:02:04,787 WITH NO MAKE-UP AND A MILLION ♪ OTHER THINGS THAT I COULD LOOK 793 01:02:04,854 --> 01:02:11,527 AT MY WHOLE LIFE ♪ A LOVE LIKE THAT MAKES A MAN 794 01:02:11,594 --> 01:02:17,967 HAVE SECOND THOUGHTS ♪ MAYBE SOME THINGS LAST FOREVER 795 01:02:18,034 --> 01:02:27,176 AFTER ALL ♪ ♪ ♪ 796 01:02:27,243 --> 01:02:34,250 ♪ ♪ ♪ ♪ THEY SAY NOTHING LASTS FOREVER 797 01:02:34,317 --> 01:02:39,422 BUT THEY AIN'T SEEN US TOGETHER ♪ OR THE WAY THE MOONLIGHT 798 01:02:39,489 --> 01:02:45,595 DANCES IN YOUR EYES ♪ AND I KNOW THERE'LL BE 799 01:02:45,661 --> 01:02:49,932 THAT MOMENT ♪ THE GOOD LORD CALLS ONE OF US 800 01:02:49,999 --> 01:02:52,869 HOME, AND ♪ ONE WON'T HAVE THE OTHER 801 01:02:52,935 --> 01:02:56,939 BY THEIR SIDE ♪ BUT HEAVEN KNOWS THAT THAT 802 01:02:57,006 --> 01:03:04,881 WON'T LAST TOO LONG ♪ MAYBE SOME THINGS LAST FOREVER 803 01:03:04,947 --> 01:03:14,924 AFTER ALL ♪ AFTER ALL ♪ 804 01:03:14,991 --> 01:03:20,830 AFTER ALL ♪ AFTER ALL ♪ 805 01:03:20,897 --> 01:03:28,604 ( CHEERS AND APPLAUSE ) >> Mickey: SO, SO GOOD. 806 01:03:28,671 --> 01:03:31,207 MY FELLOW TEXAN, MIRANDA LAMBERT, IS THE MOST AWARDED 807 01:03:31,274 --> 01:03:39,248 ARTIST IN A.C.M. AWARDS HISTORY. 808 01:03:39,315 --> 01:03:40,283 I'M GOING TO SAY THAT AGAIN. 809 01:03:40,349 --> 01:03:42,051 MIRANDA LAMBERT IS THE MOST AWARDED ARTIST IN ACM 810 01:03:42,118 --> 01:03:44,887 MIRANDA LAMBERT, IS THE MOST AWARDED ARTIST IN A.C.M. AWARDS 811 01:03:44,954 --> 01:03:46,889 HISTORY. 812 01:03:46,956 --> 01:03:48,224 ( CHEERS AND APPLAUSE ) I LOVE HOW SHE DESCRIBED HOW 813 01:03:48,291 --> 01:03:51,727 THE SONGS ON “THE MARFA TAPES” COLLABORATION WITH JACK INGRAM 814 01:03:51,794 --> 01:03:55,231 AND JON RANDALL CAME ABOUT. SHE SAID THE THREE OF THEM WOULD 815 01:03:55,298 --> 01:04:01,571 GET TOGETHER OUTDOORS IN MARFA, TEXAS, SIT AROUND THE CAMPFIRE, 816 01:04:01,637 --> 01:04:02,805 UNWIND AND WRITE SONGS TOGETHER. 817 01:04:02,872 --> 01:04:06,309 THE END RESULT FROM THEIR TIME TOGETHER: A MASTERPIECE. 818 01:04:06,375 --> 01:04:08,878 AND NOW, WITH A SPECIAL PERFORMANCE OF “IN HIS ARMS,” 819 01:04:08,945 --> 01:04:14,817 THE FIRST SONG FROM “THE MARFA TAPES” ALBUM, HERE ARE JACK, JON 820 01:04:14,884 --> 01:04:18,821 AND MIRANDA. 821 01:04:18,888 --> 01:04:28,864 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 822 01:04:28,931 --> 01:04:37,373 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 823 01:04:37,440 --> 01:04:42,511 ♪ I'VE SEEN EL PASO WHEN THE SKY WAS ON FIRE 824 01:04:42,578 --> 01:04:45,214 ♪ LOST A NIGHT IN JUAREZ A COUPLE OF TIMES 825 01:04:45,281 --> 01:04:50,152 ♪ DANCED WITH A COWBOY ON A STRAIGHT TEQUILA HIGH 826 01:04:50,219 --> 01:04:54,824 ♪ I WISH I WAS IN HIS ARMS TONIGHT 827 01:04:54,890 --> 01:05:06,802 ♪ ♪ ♪ ♪ I'VE BEEN A ROLLING STONE 828 01:05:06,869 --> 01:05:10,806 A TUMBLEWEED ♪ WAITING FOR THE RIGHT ONE 829 01:05:10,873 --> 01:05:17,480 TO COME FIND ME ♪ BUT THE WRONG ONE 830 01:05:17,546 --> 01:05:18,881 ALWAYS SET ME FREE ♪ I WISH I WAS 831 01:05:18,948 --> 01:05:26,789 IN HIS ARMS TONIGHT ♪ IS HE PLAYING IN SOME 832 01:05:26,856 --> 01:05:30,760 HOUSE BAND IN DALLAS ♪ IS HE BREAKING HORSES 833 01:05:30,826 --> 01:05:34,830 IN SAN ANTONE ♪ IS HE ALL ALONE 834 01:05:34,897 --> 01:05:38,801 IN THE NEON LIGHT ♪ I WISH I WAS 835 01:05:38,868 --> 01:05:48,844 IN HIS ARMS TONIGHT ♪ ♪ ♪ 836 01:05:48,911 --> 01:05:54,817 IN HIS ARMS TONIGHT ♪ ♪ ♪ 837 01:05:54,884 --> 01:06:02,792 ♪ ♪ ♪ ♪ IS HE PRAYING FOR RAIN 838 01:06:02,858 --> 01:06:08,364 OUT IN WEST TEXAS ♪ IS HE LOST IN THE MARFA LIGHTS 839 01:06:08,431 --> 01:06:14,804 IS HE OUT THERE LOOKING FOR ME ♪ WISHING I WAS IN 840 01:06:14,870 --> 01:06:19,208 HIS ARMS TONIGHT ♪ I WISH I WAS IN 841 01:06:19,275 --> 01:06:30,820 HIS ARMS TONIGHT ♪ ♪ ♪ 842 01:06:30,886 --> 01:06:40,162 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 843 01:06:40,229 --> 01:06:42,898 >> Mickey: WHAT A BEAUTIFUL PERFORMANCE. 844 01:06:42,965 --> 01:06:46,102 COMING UP NEXT AT THE RYMAN AUDITORIUM IS COUNTRY LEGEND 845 01:06:46,168 --> 01:06:48,771 ALAN JACKSON. PLUS, KENNY CHESNEY IN A 846 01:06:48,838 --> 01:06:50,573 PERFORMANCE YOU WON'T WANT TO MISS. 847 01:06:50,639 --> 01:06:54,276 THIS IS CBS. 848 01:06:54,343 --> 01:06:56,946 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, 849 01:06:57,012 --> 01:06:58,080 SPONSORED BY: FORD. 850 01:06:58,147 --> 01:07:00,383 TO LEARN MORE ABOUT FORD-- PROUD TO HONOR AND SUPPORT ITS 851 01:07:00,449 --> 01:07:02,618 PARTNERS, INCLUDING GUITARS 4 VETS-- VISIT: 852 01:07:02,685 --> 01:07:04,220 www.fordproudtohoor.com. 853 01:07:07,156 --> 01:07:09,992 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 854 01:07:10,059 --> 01:07:11,961 CONTINUE. THIS IS CBS 855 01:07:15,297 --> 01:07:16,532 >> HEY FOLKS, BRAD PAISLEY HERE. 856 01:07:16,599 --> 01:07:20,736 SO, I'M OUTSIDE THE BLUEBIRD JIMMIE ALLEN, THE ACM NEW MALE 857 01:07:20,803 --> 01:07:22,538 ARTIST WINNER, IS ABOUT TO SING OUR NEW DUET, "FREEDOM WAS A 858 01:07:22,605 --> 01:07:27,543 HIGHWAY," BUT HE THINKS I'M OUT OF TOWN. 859 01:07:27,610 --> 01:07:30,713 SO, I HAVE DRIVEN UP HERE AND I'M GONNA SURPRISE HIM AND GO IN 860 01:07:30,780 --> 01:07:31,747 AND JUST START SINGING. 861 01:07:31,814 --> 01:07:32,915 I HOPE THAT'S OKAY. 862 01:07:32,982 --> 01:07:36,752 WATCH THIS. 863 01:07:36,819 --> 01:07:38,454 >> Announcer: LADIES AND GENTLEMEN, NEW MALE ARTIST 864 01:07:38,521 --> 01:07:42,458 WINNER JIMMIE ALLEN. 865 01:07:42,525 --> 01:07:45,227 ♪ ♪ ♪ ♪ ♪ ♪ 866 01:07:45,294 --> 01:07:48,631 ♪ SUNSET THROUGH A WINDSHIELD I CAN SEE IT NOW 867 01:07:48,697 --> 01:07:58,307 ♪ LIKE A PICTURE IN A FRAME OOH 868 01:07:58,374 --> 01:08:02,478 ♪ BLUE JEANS AND T-SHIRTS WHO WE WERE 869 01:08:02,545 --> 01:08:04,346 ♪ WE WORE IT LIKE A NAME ♪ I WISH I COULD GO 870 01:08:04,413 --> 01:08:06,449 BACK TO THOSE DAYS ♪ WHEN THE TOWN 871 01:08:06,515 --> 01:08:08,884 WAS THE WHOLE WORLD ♪ AND LOVE WAS 872 01:08:08,951 --> 01:08:12,621 THE GIRL NEXT DOOR ♪ SOUNDTRACK WAS 873 01:08:12,688 --> 01:08:15,591 A SONG IN THE DARK ♪ I MISS THOSE DAYS WHEN OUR 874 01:08:15,658 --> 01:08:21,864 DREAMS WERE THERE FOR CHASIN' ♪ BUT TIME WAS BETTER WASTED 875 01:08:21,931 --> 01:08:27,603 WE WERE SUMMER YOUNG ♪ AND LIVIN' FOR A FRIDAY 876 01:08:27,670 --> 01:08:37,246 AND FREEDOM WAS A HIGHWAY, OH ♪ FREEDOM WAS A HIGHWAY, OH 877 01:08:37,313 --> 01:08:39,348 ♪ ♪ ♪ BARBWIRE ON A FENCE POST 878 01:08:39,415 --> 01:08:46,021 ♪ WITH A CROSSWIND ON A ROAD NO ONE WAS ON 879 01:08:46,088 --> 01:08:49,358 YEAH, YEAH, YEAH ♪ FIVE-DEEP WITH OUR HANDS UP 880 01:08:49,425 --> 01:08:55,130 JUST SINGIN' ALONG ♪ TO A HIP-HOP SONG 881 01:08:55,197 --> 01:08:56,799 I WISH I COULD REWIND AND REPLAY ♪ WHEN THE TOWN WAS 882 01:08:56,866 --> 01:09:00,236 THE WHOLE WORLD ♪ AND LOVE WAS 883 01:09:00,302 --> 01:09:02,371 THE GIRL NEXT DOOR ♪ SOUNDTRACK WAS 884 01:09:02,438 --> 01:09:04,273 A SONG IN THE DARK ♪ I MISS THOSE DAYS WHEN OUR 885 01:09:04,340 --> 01:09:07,276 DREAMS WERE THERE FOR CHASIN' ♪ BUT TIME WAS BETTER WASTED 886 01:09:07,343 --> 01:09:14,350 WE WERE SUMMER YOUNG AND ♪ LIVIN' FOR A FRIDAY 887 01:09:14,416 --> 01:09:26,795 AND FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 888 01:09:26,862 --> 01:09:36,839 FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 889 01:09:36,906 --> 01:09:42,344 FREEDOM WAS A HIGHWAY ♪ FREEDOM WAS A HIGHWAY 890 01:09:42,411 --> 01:09:45,481 ( CHEERS AND APPLAUSE ) >> PRESENTING OUR NEXT AWARD AT 891 01:09:45,548 --> 01:09:50,386 THE GRAND OLE OPRY HOUSE, HERE'S THE GREAT MARTINA McBRIDE. 892 01:09:50,452 --> 01:09:54,924 ♪ ♪ ♪ >> THANKS, BRAD. 893 01:09:54,990 --> 01:09:58,360 I AM SO PROUD TO GIVE THIS AWARD TONIGHT BECAUSE, FOR THE FIRST 894 01:09:58,427 --> 01:10:01,564 TIME IN A.C.M. AWARD SHOW HISTORY, EVERY NOMINATED 895 01:10:01,630 --> 01:10:04,767 SONG IS PERFORMED BY A WOMAN! 896 01:10:04,833 --> 01:10:08,804 THAT'S RIGHT, THIS ONE'S FOR THE GIRLS! 897 01:10:08,871 --> 01:10:10,239 ( CHEERS AND APPLAUSE ) YEAH! 898 01:10:10,306 --> 01:10:13,809 HERE ARE THE NOMINEES FOR SINGLE OF THE YEAR. 899 01:10:13,876 --> 01:10:18,380 >> Announcer: “BLUEBIRD,” BY MIRANDA LAMBERT.“ 900 01:10:18,447 --> 01:10:24,153 I HOPE,” BY GABBY BARRETT.“ I HOPE YOU'RE HAPPY NOW,” BY 901 01:10:24,219 --> 01:10:31,827 CARLY PEARCE AND LEE BRICE.“ MORE HEARTS THAN MINE," BY 902 01:10:31,894 --> 01:10:38,834 INGRID ANDRESS.“ THE BONES,” BY MAREN MORRIS. 903 01:10:38,901 --> 01:10:45,841 >> AND THE A.C.M. SINGLE OF THE YEAR GOES TO:“ 904 01:10:45,908 --> 01:10:51,180 I HOPE YOU'RE HAPPY NOW,” BY CARLY PEARCE AND LEE BRICE. 905 01:10:51,246 --> 01:10:59,822 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 906 01:10:59,888 --> 01:11:07,830 ♪ ♪ ♪ ♪ I HOPE. 907 01:11:07,896 --> 01:11:10,332 ♪. 908 01:11:10,399 --> 01:11:13,502 >> I CANNOT EVEN BELIEVE THIS, OH MY GOODNESS. 909 01:11:13,569 --> 01:11:15,337 I'M GOING TO TRY REALLY HARD NOT TO CRY. 910 01:11:15,404 --> 01:11:18,173 I LOVE COUNTRY MUSIC MORE THAN ANYTHING IN THE WHOLE WORLD. 911 01:11:18,240 --> 01:11:21,910 YOU WANT TO THANK MY COWRITERS LUKE COMBS, JONATHAN SINGLETON 912 01:11:21,977 --> 01:11:24,913 AND RANDY, WE WROTE THIS SONG ABOUT MY STORY. 913 01:11:24,980 --> 01:11:27,182 AND I GUESS IT RESONATED WITH EVERYBODY. 914 01:11:27,249 --> 01:11:30,285 THANK YOU SO MUCH, FOR EVERYTHING, THANK YOU TO MY 915 01:11:30,352 --> 01:11:35,024 MANAGEMENT, MY RECORD LABEL AND BUSBY, THIS-- BUSBEE, STH THE 916 01:11:35,090 --> 01:11:38,427 LAST SONG MY PRODUCER WORKED ON, THANK YOU BUSBEE. 917 01:11:38,494 --> 01:11:40,229 >> I JUST WANT TO SAY THANK YOU. 918 01:11:40,295 --> 01:11:44,867 GOD PUTS PEOPLE IN YOUR LIVES, FROM MY MANAGEMENT TO MY WIFE, 919 01:11:44,933 --> 01:11:48,504 WITHOUT PUTS UP WITH EVERYTHING, EF RADIO HE DAY AND HELPS ME AND 920 01:11:48,570 --> 01:11:49,772 SUPPORTS ME. 921 01:11:49,838 --> 01:11:55,244 RECORD LABELS AND EVERYTHING BUT PEOPLE, HE PUT PEOPLE IN MY LIFE 922 01:11:55,310 --> 01:11:58,881 SO THIS KIND OF STUFF CAN HAPPEN, THANK YOU ALL, THANK YOU 923 01:11:58,947 --> 01:11:59,548 CARLY. 924 01:11:59,615 --> 01:12:03,052 >> THANK YOU FANS, THANK YOU! 925 01:12:03,118 --> 01:12:12,394 >> Announcer: WITH HIS SMASH H“" KNOWING YOU," PLEASE WELCOME 926 01:12:12,461 --> 01:12:16,498 FOUR-TIME A.C.M. ENTERTAINER OF THE YEAR, KENNY CHESNEY. 927 01:12:16,565 --> 01:12:23,205 ♪ ♪ ♪ ♪ ♪ ♪ 928 01:12:23,272 --> 01:12:24,640 ♪ KNOWIN' YOU YOU PROBABLY GOT 929 01:12:24,707 --> 01:12:30,913 ♪ YOUR TOES IN THE SAND AT A BAR ON A BEACH 930 01:12:30,979 --> 01:12:37,486 ♪ IN THE SUN SOMEWHERE KNOWIN' YOU 931 01:12:37,553 --> 01:12:39,521 ♪ YOU GOT SOMETHING COLD IN YOUR HAND 932 01:12:39,588 --> 01:12:46,061 ♪ CHATTIN' UP A STRANGER WITHOUT A CARE 933 01:12:46,128 --> 01:12:52,534 ♪ KNOWIN' YOU YOU'RE STILL WILD AND FREE 934 01:12:52,601 --> 01:12:59,241 ♪ AND KNOWIN' YOU YOU'RE PROBABLY WAY OVER ME 935 01:12:59,308 --> 01:13:05,981 ♪ BUT GOD, WE WERE SO ALIVE 936 01:13:06,048 --> 01:13:09,985 ♪ I WAS A KID ON A CARNIVAL RIDE 937 01:13:10,052 --> 01:13:14,289 ♪ HOLDIN' MY BREATH 'TIL THE MOMENT 938 01:13:14,356 --> 01:13:20,429 ♪ WHEN YOU WERE GONNA LEAVE ME TOO SOON 939 01:13:20,496 --> 01:13:26,001 ♪ BUT I'D DO IT ALL OVER 'CAUSE DAMN 940 01:13:26,068 --> 01:13:31,807 ♪ IT WAS GOOD KNOWIN' YOU ♪ ♪ ♪ 941 01:13:31,874 --> 01:13:34,009 ♪ ♪ ♪ ♪ KNOWIN' YOU WAS A FREE FALL 942 01:13:34,076 --> 01:13:41,984 FROM A HUNDRED THOUSAND FEET ♪ WHEN YOU DON'T EVEN CARE 943 01:13:42,050 --> 01:13:45,888 WHERE YOU LAND ♪ AND KNOWIN' YOU 944 01:13:45,954 --> 01:13:49,324 WAS THE KIND OF RUSH ♪ THAT YOU FEEL 945 01:13:49,391 --> 01:13:55,964 WHEN YOU FINALLY ♪ GET TO SIT IN WITH THE BAND 946 01:13:56,031 --> 01:14:01,770 AND KNOWIN' YOU ♪ YOU'RE STILL A TUMBLEWEED 947 01:14:01,837 --> 01:14:08,143 I ONLY WISH THAT YOU WOULD ♪ TUMBLE BACK TO ME 948 01:14:08,210 --> 01:14:13,982 BUT GOD, WE WERE ♪ SO ALIVE 949 01:14:14,049 --> 01:14:18,353 I WAS A KID ON A ♪ CARNIVAL RIDE 950 01:14:18,420 --> 01:14:22,324 HOLDIN' MY BREATH ♪ 'TIL THE MOMENT 951 01:14:22,391 --> 01:14:29,998 WHEN YOU WERE GONNA LEAVE ME ♪ TOO SOON 952 01:14:30,065 --> 01:14:34,002 BUT I'D DO IT ALL OVER ♪ 'CAUSE DAMN, IT WAS GOOD 953 01:14:34,069 --> 01:14:38,407 KNOWIN' YOU ♪ ♪ ♪ 954 01:14:38,473 --> 01:14:44,413 ♪ ♪ ♪ ♪ ♪ ♪ 955 01:14:44,479 --> 01:14:47,349 ♪ ♪ ♪ ♪ ♪ ♪ 956 01:14:47,416 --> 01:14:50,419 ♪ KNOWIN' YOU YOU'RE STILL A TUMBLEWEED 957 01:14:50,485 --> 01:14:57,993 ♪ I ONLY WISH THAT YOU WOULD TUMBLE BACK TO ME 958 01:14:58,060 --> 01:15:06,001 ♪ 'CAUSE GOD, WE WERE SO ALIVE 959 01:15:06,068 --> 01:15:10,005 ♪ I WAS A KID ON A CARNIVAL RIDE 960 01:15:10,072 --> 01:15:14,142 ♪ HOLDIN' MY BREATH 'TIL THE MOMENT 961 01:15:14,209 --> 01:15:20,415 ♪ WHEN YOU WERE GONNA LEAVE ME TOO SOON 962 01:15:20,482 --> 01:15:25,988 ♪ BUT I'D DO IT ALL OVER 'CAUSE DAMN, IT WAS GOOD 963 01:15:26,054 --> 01:15:29,992 ♪ I'D DO IT ALL OVER 'CAUSE DAMN 964 01:15:30,058 --> 01:15:38,000 ♪ IT WAS GOOD KNOWIN' YOU ♪ ♪ ♪ ♪ 965 01:15:38,066 --> 01:15:46,108 ♪ ♪ ♪ ♪ ♪ ♪ 966 01:15:46,174 --> 01:15:53,282 ♪ ♪ ♪ ♪ ♪ ♪ 967 01:15:53,348 --> 01:15:57,986 ♪ ♪ ♪ ♪ ♪ ♪ 968 01:15:58,053 --> 01:16:05,994 ♪ ♪ ♪ ♪ ♪ ♪ 969 01:16:06,061 --> 01:16:12,200 ♪ ♪ ♪ ♪ ♪ ♪ 970 01:16:12,267 --> 01:16:18,006 ♪ ♪ ♪ ♪ ♪ ♪ 971 01:16:18,073 --> 01:16:21,710 ♪ ♪ ♪ ♪ ♪ ♪ 972 01:16:37,926 --> 01:16:41,330 >> THE THING I MISSED THE MOST DURING THIS ENTIRE TIME IN THE 973 01:16:41,396 --> 01:16:42,531 PANDEMIC IS THE MUSIC. 974 01:16:42,597 --> 01:16:47,102 >> I LOVE PLAYING TO A LIVE AUDIENCE, THERE IS NOTHING LIKE 975 01:16:47,169 --> 01:16:48,337 IT. 976 01:16:48,403 --> 01:16:51,073 >> THE COVID-19 VACCINE IS GOING TO HELP US ALL GET BACK TO THE 977 01:16:51,139 --> 01:16:51,974 MOMENT WE MISSED. 978 01:16:52,040 --> 01:16:54,810 >> IT IS TOTALLY NORMAL TO HAVE QUESTIONS. 979 01:16:54,876 --> 01:16:55,911 I DO TOO. 980 01:16:55,978 --> 01:16:58,213 >> THAT IS WHY IT IS SO IMPORTANT TO GET INVOLVED, TO 981 01:16:58,280 --> 01:17:04,720 ASK YOUR DOCTOR, TO GET THE >> Announcer: WE'RE BACK, FROM 982 01:17:04,786 --> 01:17:09,091 NASHVILLE, WITH FEMALE ARTIST AND ALBUM OF THE YEAR NOMINEE, 983 01:17:09,157 --> 01:17:14,830 ASHLEY McBRYDE. 984 01:17:14,896 --> 01:17:17,199 ♪ ♪ ♪ ♪ I'VE GOT THIS FEELING 985 01:17:17,265 --> 01:17:24,439 AND I GOT THIS SHOVEL ♪ BETWEEN ME AND YOU AND IT 986 01:17:24,506 --> 01:17:30,312 YOU'RE IN A LITTLE TROUBLE ♪ I SAW YOU SNEAKING 987 01:17:30,379 --> 01:17:37,452 AND I KNOW WHAT HAPPENED ♪ I THINK IT'S KINDA FUNNY 988 01:17:37,519 --> 01:17:40,822 YOU GOT CAUGHT ONLY ♪ I AIN'T LAUGHING 989 01:17:40,889 --> 01:17:47,529 MARTHA DIVINE ♪ MARTHA DIVINE 990 01:17:47,596 --> 01:17:56,805 YOU PUT YOUR HANDS ON THE ♪ WRONG DAMN MAN THIS TIME 991 01:17:56,872 --> 01:18:02,644 JEZEBEL ♪ YOU'RE BOUND FOR HELL 992 01:18:02,711 --> 01:18:06,081 BUT EVIDENTLY ♪ THE DEVIL WAS BUSY 993 01:18:06,148 --> 01:18:12,654 SO I MOVED YOU UP IN LINE ♪ MARTHA DIVINE 994 01:18:12,721 --> 01:18:20,395 WELL, YOU CALL HIM DARLING ♪ AND I CALL HIM DADDY 995 01:18:20,462 --> 01:18:26,168 AND DADDY SAYS HE'LL WHUP ME ♪ IF I DON'T KEEP MAMA HAPPY 996 01:18:26,234 --> 01:18:33,675 HONOR THY FATHER ♪ HONOR THY MOTHER 997 01:18:33,742 --> 01:18:38,346 BUT THE BIBLE DOESN'T SAY ♪ A DAMN THING ABOUT 998 01:18:38,413 --> 01:18:44,786 YOUR DADDY'S LOVER ♪ MARTHA DIVINE 999 01:18:44,853 --> 01:18:50,625 MARTHA DIVINE ♪ PUT YOUR HANDS ON THE WRONG 1000 01:18:50,692 --> 01:18:57,899 DAMN MAN THIS TIME ♪ JEZEBEL 1001 01:18:57,966 --> 01:19:05,540 YOU'RE BOUND FOR HELL ♪ BUT EVIDENTLY 1002 01:19:05,607 --> 01:19:08,810 THE DEVIL WAS BUSY ♪ SO I MOVED YOU UP IN LINE 1003 01:19:08,877 --> 01:19:14,349 MARTHA DIVINE ♪ ♪ ♪ 1004 01:19:14,416 --> 01:19:26,161 ♪ ♪ ♪ ♪ ♪ ♪ 1005 01:19:26,228 --> 01:19:29,464 ♪ ♪ ♪ ♪ ♪ ♪ 1006 01:19:29,531 --> 01:19:32,801 ♪ ♪ ♪ ♪ MAMA'S AN ANGEL 1007 01:19:32,868 --> 01:19:38,507 MY DADDY ISN'T ♪ LOOKS LIKE A LITTLE MORE 1008 01:19:38,573 --> 01:19:43,545 OF HIM RUBBED OFF ON ME ♪ THAN DIDN'T 1009 01:19:43,612 --> 01:19:50,352 WELL, I'LL LEAVE YOU TO IT ♪ THEY'LL NEVER PROVE IT 1010 01:19:50,418 --> 01:19:54,356 AND IF THEY EVER ♪ FIND OUT I'LL SAY 1011 01:19:54,422 --> 01:20:02,364 "THE DEVIL MADE ME DO IT" ♪ MARTHA DIVINE 1012 01:20:02,430 --> 01:20:08,336 MARTHA DIVINE ♪ YOU PUT YOUR HANDS ON THE 1013 01:20:08,403 --> 01:20:18,346 WRONG DAMN MAN THIS TIME ♪ MARTHA DIVINE 1014 01:20:18,413 --> 01:20:21,216 YOUR ASS IS MINE ♪ AND IT AIN'T MURDER 1015 01:20:21,283 --> 01:20:30,192 IF I BURY YOU ALIVE ♪ MARTHA DIVINE ♪ 1016 01:20:30,258 --> 01:20:34,329 >> NOW, AT THE RYMAN AUDITORIUM, HERE'S SEVEN-TIME A.C.M. WINNER, 1017 01:20:34,396 --> 01:20:38,366 ALAN JACKSON. 1018 01:20:38,433 --> 01:20:40,835 ♪ ♪ ♪ ♪ IT'S PAINTED RED 1019 01:20:40,902 --> 01:20:43,772 THE STRIPE WAS WHITE ♪ IT WAS 18 FEET 1020 01:20:43,838 --> 01:20:47,809 FROM THE BOW TO STERN LIGHT ♪ SECONDHAND 1021 01:20:47,876 --> 01:20:51,646 FROM A DEALER IN ATLANTA ♪ I RODE UP WITH DADDY 1022 01:20:51,713 --> 01:20:56,818 WHEN HE WENT THERE TO GET HER ♪ PUT ON A SHINE 1023 01:20:56,885 --> 01:20:59,154 PUT ON A MOTOR ♪ BUILT OUT OF LOVE 1024 01:20:59,221 --> 01:21:02,991 MADE FOR THE WATER ♪ RAN HER FOR YEARS 1025 01:21:03,058 --> 01:21:06,895 'TIL THE TRANSOM GOT ROTTEN ♪ A PIECE OF MY CHILDHOOD 1026 01:21:06,962 --> 01:21:09,931 WILL NEVER BE FORGOTTEN ♪ IT WAS 1027 01:21:09,998 --> 01:21:14,603 JUST AN OLD PLYWOOD BOAT ♪ A '75 JOHNSON 1028 01:21:14,669 --> 01:21:18,406 WITH ELECTRIC CHOKE ♪ A YOUNG BOY 1029 01:21:18,473 --> 01:21:22,344 TWO HANDS ON THE WHEEL ♪ I CAN'T REPLACE THE WAY 1030 01:21:22,410 --> 01:21:26,348 IT MADE ME FEEL ♪ AND I WOULD TURN HER SHARP 1031 01:21:26,414 --> 01:21:29,718 AND I WOULD MAKE IT WHINE ♪ HE'D SAY, YOU CAN'T BEAT 1032 01:21:29,784 --> 01:21:33,588 THE WAY AN OLD WOOD BOAT RIDES ♪ JUST A LITTLE LAKE 1033 01:21:33,655 --> 01:21:37,192 ACROSS THE ALABAMA LINE ♪ BUT I WAS KING OF THE OCEAN 1034 01:21:37,259 --> 01:21:44,799 WHEN DADDY LET ME DRIVE ♪ ♪ ♪ 1035 01:21:44,866 --> 01:21:56,244 ♪ ♪ ♪ ♪ I'M GROWN UP NOW 1036 01:21:56,311 --> 01:21:57,946 THREE DAUGHTERS OF MY OWN ♪ I LET THEM DRIVE MY OLD JEEP 1037 01:21:58,013 --> 01:21:59,347 ACROSS THE PASTURE AT OUR HOME ♪ MAYBE ONE DAY THEY'LL 1038 01:21:59,414 --> 01:22:02,751 REACH BACK IN THEIR FILE ♪ AND PULL OUT THAT OLD MEMORY 1039 01:22:02,817 --> 01:22:05,854 AND THINK OF ME AND SMILE ♪ AND SAY 1040 01:22:05,920 --> 01:22:10,358 IT WAS JUST AN OLD WORN OUT JEEP ♪ RUSTY OLD FLOOR BOARDS 1041 01:22:10,425 --> 01:22:14,329 HOT ON MY FEET ♪ A YOUNG GIRL 1042 01:22:14,396 --> 01:22:17,699 TWO HANDS ON THE WHEEL ♪ I CAN'T REPLACE THE WAY 1043 01:22:17,766 --> 01:22:22,370 IT MADE ME FEEL ♪ AND HE'D SAY TURN IT LEFT 1044 01:22:22,437 --> 01:22:25,573 AND STEER IT RIGHT ♪ STRAIGHTEN UP GIRL NOW 1045 01:22:25,640 --> 01:22:29,711 YOU'RE DOING JUST FINE ♪ JUST A LITTLE VALLEY BY 1046 01:22:29,778 --> 01:22:33,348 THE RIVER WHERE WE'D RIDE ♪ BUT I WAS HIGH ON A MOUNTAIN 1047 01:22:33,415 --> 01:22:46,161 WHEN DADDY LET ME DRIVE ♪ ♪ ♪ 1048 01:22:46,227 --> 01:22:49,230 ♪ ♪ ♪ ♪ FIRST STEPS 1049 01:22:49,297 --> 01:22:51,766 FIRST WORDS ♪ SEEMS LIKE YESTERDAY 1050 01:22:51,833 --> 01:23:01,876 YOU WERE JUST A GIRL ♪ SKINNED KNEES 1051 01:23:01,943 --> 01:23:04,079 CLIMBIN' TREES ♪ ALL THOSE MEMORIES 1052 01:23:04,145 --> 01:23:12,087 SO CLOSE TO ME ♪ NOW YOU'RE A WOMAN 1053 01:23:12,153 --> 01:23:18,526 ON YOUR OWN ♪ ALL IN LOVE 1054 01:23:18,593 --> 01:23:25,266 AND NEARLY GONE ♪ BUT YOU'LL ALWAYS BE MY BABY 1055 01:23:25,333 --> 01:23:40,081 NO MATTER WHERE YOU ARE ♪ YOU'LL ALWAYS BE MY BABY 1056 01:23:40,148 --> 01:23:51,192 FOREVER IN MY HEART ♪ SO I SAY A PRAYER EVERYDAY 1057 01:23:51,259 --> 01:24:00,001 THAT GOD WILL GUIDE YOU ♪ AS YOU FIND YOUR WAY 1058 01:24:00,068 --> 01:24:10,278 YOU KNOW THAT I'M NEAR ♪ ANYTIME MY LOVE IS ALWAYS HERE 1059 01:24:10,345 --> 01:24:22,724 CAUSE YOU'LL ALWAYS BE MY BABY ♪ NO MATTER WHERE YOU ARE 1060 01:24:22,791 --> 01:24:35,437 YOU'LL ALWAYS BE MY BABY ♪ O FOREVER IN MY HEART 1061 01:24:35,503 --> 01:24:45,480 FOREVER IN MY HEART ♪ ( CHEERS AND APPLAUSE ) 1062 01:24:45,547 --> 01:24:52,353 FOREVER IN MY HEART ♪ ( CHEERS AND APPLAUSE ) 1063 01:24:57,459 --> 01:24:58,593 >> Announcer: BLAKE SHELTON PERFORMS ON THE GRAND OLE OPRY 1064 01:24:58,660 --> 01:25:00,261 HOUSE STAGE, NEXT. 1065 01:25:00,328 --> 01:25:06,034 CARLY PEARCE DUETS WITH LEE BRICE, AND, COMING UP, A BREATH- 1066 01:25:06,100 --> 01:25:09,070 TAKING PERFORMANCE BY HOST MICKEY GUYTON. 1067 01:25:09,137 --> 01:25:10,638 THIS IS CBS. 1068 01:25:40,869 --> 01:25:43,771 >> Announcer: WE'RE BACK, IN NASHVILLE, AT THE GRAND OLE OPRY 1069 01:25:43,838 --> 01:25:48,977 HOUSE WITH SIX-TIME A.C.M. AWARD WINNER, BLAKE SHELTON. 1070 01:25:49,043 --> 01:25:54,749 ♪ ♪ ♪ ♪ ♪ ♪ 1071 01:25:54,816 --> 01:25:58,786 ♪ SHE LEFT WITHOUT LEAVIN' A NUMBER 1072 01:25:58,853 --> 01:26:03,157 ♪ SAID SHE NEEDED TO CLEAR HER MIND 1073 01:26:03,224 --> 01:26:06,461 ♪ HE FIGURED SHE'D GONE BACK TO AUSTIN 1074 01:26:06,528 --> 01:26:11,332 ♪ 'CAUSE SHE TALKED ABOUT IT ALL THE TIME 1075 01:26:11,399 --> 01:26:19,073 ♪ IT WAS ALMOST A YEAR BEFORE SHE CALLED HIM UP 1076 01:26:19,140 --> 01:26:23,578 ♪ THREE RINGS AND AN ANSWERING MACHINE 1077 01:26:23,645 --> 01:26:30,451 ♪ IS WHAT SHE GOT IF YOU'RE CALLIN' 'BOUT THE CAR 1078 01:26:30,518 --> 01:26:34,455 ♪ I SOLD IT IF THIS IS TUESDAY NIGHT 1079 01:26:34,522 --> 01:26:37,692 ♪ I'M BOWLIN' IF YOU'VE GOT SOMETHIN' TO SELL 1080 01:26:37,759 --> 01:26:42,664 ♪ YOUR WASTIN' YOUR TIME I'M NOT BUYIN' 1081 01:26:42,730 --> 01:26:47,702 ♪ IF IT'S ANYBODY ELSE WAIT FOR THE TONE 1082 01:26:47,769 --> 01:26:54,475 ♪ YOU KNOW WHAT TO DO AND P.S. 1083 01:26:54,542 --> 01:27:02,450 ♪ IF THIS IS AUSTIN I STILL LOVE YOU 1084 01:27:02,517 --> 01:27:07,956 ♪ ♪ ♪ ♪ THE TELEPHONE 1085 01:27:08,022 --> 01:27:11,893 FELL TO THE COUNTER ♪ SHE HEARD 1086 01:27:11,960 --> 01:27:17,065 BUT SHE COULDN'T BELIEVE ♪ WHAT KIND OF MAN 1087 01:27:17,131 --> 01:27:22,937 WOULD HANG ON THAT LONG ♪ WHAT KIND OF LOVE THAT MUST BE 1088 01:27:23,004 --> 01:27:31,346 SHE WAITED THREE DAYS ♪ AND THEN SHE TRIED AGAIN 1089 01:27:31,412 --> 01:27:37,185 SHE DIDN'T KNOW WHAT SHE'D SAY ♪ BUT SHE HEARD 1090 01:27:37,251 --> 01:27:42,156 THREE RINGS AND THEN ♪ IF IT'S FRIDAY NIGHT 1091 01:27:42,223 --> 01:27:48,162 I'M AT THE BALL GAME ♪ AND FIRST THING SATURDAY 1092 01:27:48,229 --> 01:27:52,166 IF IT DON'T RAIN ♪ I'M HEADED OUT TO THE LAKE 1093 01:27:52,233 --> 01:27:56,204 AND I'LL BE GONE ♪ ALL WEEKEND LONG 1094 01:27:56,270 --> 01:28:00,174 BUT I'LL CALL YOU BACK ♪ WHEN I GET HOME 1095 01:28:00,241 --> 01:28:08,182 ON SUNDAY AFTERNOON ♪ AND P.S. 1096 01:28:08,249 --> 01:28:17,425 IF THIS IS AUSTIN ♪ I STILL LOVE YOU 1097 01:28:17,492 --> 01:28:20,294 WELL THIS TIME ♪ SHE LEFT HER NUMBER 1098 01:28:20,361 --> 01:28:26,668 BUT NOT ANOTHER WORD ♪ THEN SHE WAITED BY THE PHONE 1099 01:28:26,734 --> 01:28:36,244 ON SUNDAY EVENING ♪ AND THIS IS WHAT HE HEARD 1100 01:28:36,310 --> 01:28:41,182 IF YOUR CALLIN' 'BOUT MY HEART ♪ IT'S STILL YOURS 1101 01:28:41,249 --> 01:28:45,086 I SHOULD HAVE LISTENED ♪ TO IT A LITTLE MORE 1102 01:28:45,153 --> 01:28:49,424 THEN IT WOULDN'T HAVE ♪ TAKEN ME SO LONG 1103 01:28:49,490 --> 01:28:56,164 TO KNOW WHERE I BELONG ♪ AND BY THE WAY BOY 1104 01:28:56,230 --> 01:29:02,670 THIS IS NO MACHINE ♪ YOUR TALKIN' TO 1105 01:29:02,737 --> 01:29:07,642 CAN'T YOU TELL ♪ THIS IS AUSTIN 1106 01:29:07,709 --> 01:29:20,188 AND I STILL LOVE YOU ♪ ♪ ♪ 1107 01:29:20,254 --> 01:29:25,226 ♪ ♪ ♪ ♪ ♪ ♪ 1108 01:29:25,293 --> 01:29:26,694 ♪ YEAH, I MET YOU 'FORE ANYBODY KNEW MY NAME 1109 01:29:26,761 --> 01:29:29,063 ♪ PLAYING FOR PENNIES ON THE DIVE BAR STAGE 1110 01:29:29,130 --> 01:29:32,467 ♪ SPLIT AN ALL-STAR SPECIAL ON OUR FIRST DATE 1111 01:29:32,533 --> 01:29:35,403 ♪ IN A WAFFLE HOUSE BOOTH YOUR DADDY WAS CRYING 1112 01:29:35,470 --> 01:29:38,673 ♪ WHEN HE GAVE YOU AWAY 'CAUSE ALL THOSE COUNTRY 1113 01:29:38,740 --> 01:29:44,178 SONGS I PLAYED THEY DIDN'T COME WITH A 401K 1114 01:29:44,245 --> 01:29:46,247 ♪ BUT HEY, I HAD YOU YOU CAN MAKE A SIX PACK ON 1115 01:29:46,314 --> 01:29:50,685 ♪ THE CARPET TASTE LIKE A MILLION DOLLAR BILL 1116 01:29:50,752 --> 01:29:52,587 ♪ YOU CAN MAKE A ONE BEDROOM APARTMENT 1117 01:29:52,653 --> 01:29:55,256 ♪ FEEL LIKE A HOUSE UP ON THE HILL 1118 01:29:55,323 --> 01:29:58,893 ♪ YOU CAN MAKE MY TRUCK OUT IN THE DRIVEWAY 1119 01:29:58,960 --> 01:30:00,962 ♪ ROLL LIKE A CLEANED UP CADILLAC 1120 01:30:01,028 --> 01:30:03,498 ♪ GIRL, LOOKIN' AT YOU LOOKIN' AT ME THAT WAY 1121 01:30:03,564 --> 01:30:08,169 ♪ CAN MAKE A MAN FEEL RICH ON MINIMUM WAGE 1122 01:30:08,236 --> 01:30:14,375 ♪ GIRL, YOUR LOVE IS MONEY YOUR LOVE IS MONEY 1123 01:30:14,442 --> 01:30:15,443 ♪ YEAH, YOUR LOVE CAN MAKE A MAN FEEL RICH 1124 01:30:15,510 --> 01:30:21,048 ♪ ON MINIMUM WAGE GIRL, YOUR LOVE IS MONEY 1125 01:30:21,115 --> 01:30:24,752 ♪ YOUR LOVE IS MONEY YEAH, YOUR LOVE 1126 01:30:24,819 --> 01:30:32,260 ♪ CAN MAKE A MAN FEEL RICH ON MINIMUM WAGE 1127 01:30:32,326 --> 01:30:35,496 GIRL, YOUR LOVE IS MONEY ♪ YOUR LOVE IS MONEY 1128 01:30:35,563 --> 01:30:38,699 YEAH, YOUR LOVE ♪ CAN MAKE A MAN FEEL RICH 1129 01:30:38,766 --> 01:30:48,042 ON MINIMUM WAGE ( CHEERS AND APPLAUSE ) 1130 01:30:48,109 --> 01:30:53,848 >> NOW, WELCOME BACK MISS DOLLY PARTON. 1131 01:30:53,915 --> 01:30:58,719 >> TO PRESENT OUR NEXT AWARD IS AN ACTOR, WRITER, INSTAGRAM 1132 01:30:58,786 --> 01:31:02,557 STAR, FUNNIEST PERSON IN THE WHOLE WIDE WORLD, BEEN A FRIEND 1133 01:31:02,623 --> 01:31:03,591 OF MINE FOR YEARS. 1134 01:31:03,658 --> 01:31:06,527 I GOT TO SING A SONG ON HIS UPCOMING GOSPEL ALBUM. 1135 01:31:06,594 --> 01:31:08,863 THE ALBUM IS CALLED "COMPANY'S COMING." 1136 01:31:08,930 --> 01:31:11,165 I DON'T KNOW WHAT HE'S GOING TO DO TONIGHT. 1137 01:31:11,232 --> 01:31:14,068 MAYBE ONE DAY WE'LL GET TO SING OUR SONG ON A TV SHOW. 1138 01:31:14,135 --> 01:31:24,111 WOULD YOU PLEASE MAKE WELCOME MY BUDDY, LESLIE JORDAN? 1139 01:31:24,178 --> 01:31:33,354 WOULD YOU PLEASE MAKE WELCOME MY BUDDY, LESLIE JORDAN? 1140 01:31:33,421 --> 01:31:34,789 >> WOAH. 1141 01:31:34,856 --> 01:31:38,693 I NEVER DREAMED I'D BE ON THIS STAGE AND BE INTRODUCED BY DOLLY 1142 01:31:38,759 --> 01:31:40,628 PARTON. 1143 01:31:40,695 --> 01:31:50,071 AND HERE ARE THE NOMINEES FOR THE DUO OF THE YEAR. 1144 01:31:50,137 --> 01:31:51,305 >> Announcer: BROOKS & DUNN. 1145 01:31:51,372 --> 01:31:51,839 BROTHERS OSBORNE. 1146 01:31:51,906 --> 01:31:52,740 DAN + SHAY. 1147 01:31:52,807 --> 01:31:55,843 FLORIDA GEORGIA LINE. 1148 01:31:55,910 --> 01:32:03,784 MADDIE & TAE. 1149 01:32:03,851 --> 01:32:11,826 >> AND THE A.C.M. DUO OF THE YEAR GOES TO: 1150 01:32:11,893 --> 01:32:19,834 DAN + SHAY. 1151 01:32:19,901 --> 01:32:26,807 ♪ ♪ ♪ TELY INCREDIBLE TO 1152 01:32:26,874 --> 01:32:28,509 STAND ON STAGE AT THE BLUE BIRD. 1153 01:32:28,576 --> 01:32:31,512 I REMEMBER VISITING THIS PLACE OVER TEN YEARS AGO BEFORE I 1154 01:32:31,579 --> 01:32:34,348 MOVED TO NASHVILLE AND DREAMED OF BEING A SONGWRITER IN THIS 1155 01:32:34,415 --> 01:32:35,549 TOWN. 1156 01:32:35,616 --> 01:32:39,320 STILL JUST AS EXCITED EVERY DAY TO WAKE UP AND WRITE COUNTRY 1157 01:32:39,387 --> 01:32:40,521 MUSIC. 1158 01:32:40,588 --> 01:32:43,824 THANK YOU SO TO THE ACM, THE OTHER NOMINEES IN OUR CATEGORY, 1159 01:32:43,891 --> 01:32:48,362 WE LOVE Y'ALL, EVERYBODY IS DESERVING OF THIS AWARD. 1160 01:32:48,429 --> 01:32:51,432 OUR TEAM, THANK YOU SO MUCH AND MY WIFE ABBY, I LOVE YOU. 1161 01:32:51,499 --> 01:32:54,969 >> THIS IS SO SPECIAL, I WANT TO THANK GOD FOR THIS GUY. 1162 01:32:55,036 --> 01:32:58,839 MY WIFE HANNA, MY BOYS AN COUNTRY RADIO. 1163 01:32:58,906 --> 01:33:00,641 COUNTRY FANS THANK YOU FOR BEING WITH US. 1164 01:33:00,708 --> 01:33:05,413 LOVE YOU GUYS. 1165 01:33:05,479 --> 01:33:06,681 >> LOVE >> Announcer: WITH “I HOPE 1166 01:33:06,747 --> 01:33:12,253 YOU'RE HAPPY NOW,” THE SONG THAT WON THEM THE A.C.M. AWARD FOR 1167 01:33:12,320 --> 01:33:13,955 MUSIC EVENT AND SINGLE OF THE YEAR, HERE ARE CARLY PEARCE AND 1168 01:33:14,021 --> 01:33:17,658 LEE BRICE. 1169 01:33:17,725 --> 01:33:20,795 ♪ ♪ ♪ ♪ IT'S ALL ON ME 1170 01:33:20,861 --> 01:33:24,165 IT'S MY MISTAKE ♪ I SAID I DON'T LOVE YOU 1171 01:33:24,231 --> 01:33:29,136 A LITTLE TOO LATE ♪ BUT I GUESS THERE AIN'T 1172 01:33:29,203 --> 01:33:30,271 EVER A RIGHT TIME ♪ AND I DON'T KNOW WHY 1173 01:33:30,338 --> 01:33:37,678 IT'S CALLED A GOOD-BYE ♪ GO RUN MY NAME 1174 01:33:37,745 --> 01:33:41,482 INTO THE GROUND ♪ TELL EVERYONE YOU KNOW 1175 01:33:41,549 --> 01:33:48,189 JUST HOW, HOW I SLAMMED ♪ THE DOOR ON OUR FOREVER 1176 01:33:48,255 --> 01:33:53,661 BUT I PROMISE YOU ♪ IT'S FOR THE BETTER 1177 01:33:53,728 --> 01:34:01,669 I HOPE YOU FIND ♪ WHAT YOU WERE LOOKING FOR 1178 01:34:01,736 --> 01:34:08,242 I HOPE YOUR HEART ♪ AIN'T HURTING ANYMORE 1179 01:34:08,309 --> 01:34:15,750 AND YOU GET MOVING ON ♪ I FIGURED IT OUT 1180 01:34:15,816 --> 01:34:23,958 AND YOU DON'T HATE ME SOMEHOW ♪ 'CAUSE I HOPE 1181 01:34:24,025 --> 01:34:35,503 YOU'RE HAPPY NOW MY FRIEND 1182 01:34:35,569 --> 01:34:36,704 ♪ WHO KNEW THIS HEART COULD BREAK THIS HARD 1183 01:34:36,771 --> 01:34:40,741 ♪ OR LOVE LIKE OURS COULD FALL APART 1184 01:34:40,808 --> 01:34:46,047 ♪ WITHOUT SO MUCH AS A WARNING I THOUGHT THAT I 1185 01:34:46,113 --> 01:34:52,853 ♪ WAS WHAT YOU WANTED WELL, I GUESS YOU FOUND 1186 01:34:52,920 --> 01:35:01,662 ♪ WHAT YOU WERE LOOKING FOR I GUESS MY HEART 1187 01:35:01,729 --> 01:35:10,938 ♪ AIN'T WORTH IT ANYMORE I'M A WRECK, I'M A MESS 1188 01:35:11,005 --> 01:35:20,681 ♪ AND I AIN'T GOT NOTHING LEFT AND SO I HOPE 1189 01:35:20,748 --> 01:35:24,652 ♪ YOU'RE HAPPY NOW ♪ ♪ ♪ 1190 01:35:24,718 --> 01:35:32,326 ♪ ♪ ♪ ♪ ♪ ♪ 1191 01:35:32,393 --> 01:35:39,200 I HOPE YOU FOUND ♪ WHAT YOU WERE LOOKING FOR 1192 01:35:39,266 --> 01:35:45,706 I GUESS MY HEART ♪ AIN'T WORTH IT ANYMORE 1193 01:35:45,773 --> 01:35:50,444 HOPE YOU BEEN MOVING ON ♪ ALL FIGURED OUT 1194 01:35:50,511 --> 01:35:57,551 AND YOU DON'T HATE ME SOMEHOW ♪ I'M A WRECK, I'M A MESS 1195 01:35:57,618 --> 01:36:08,662 AND I AIN'T GOT NOTHING LEFT ♪ SO I HOPE 1196 01:36:08,729 --> 01:36:12,800 YOU'RE HAPPY NOW ♪ HAPPY NOW 1197 01:36:12,867 --> 01:36:20,674 OH, I HOPE ♪ YOU'RE HAPPY NOW ♪ 1198 01:36:20,741 --> 01:36:33,120 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1199 01:36:33,187 --> 01:36:35,322 >> Announcer: UP NEXT, AN UNFORGETTABLE PERFORMANCE 1200 01:36:35,389 --> 01:36:36,257 BY MICKEY GUYTON. 1201 01:36:36,323 --> 01:36:39,126 PLUS, THE AWARD FOR MALE ARTIST OF THE YEAR. 1202 01:36:39,193 --> 01:36:43,330 THEN, KEITH URBAN TAKES THE GRAND OLE OPRY HOUSE STAGE. 1203 01:36:43,397 --> 01:36:46,934 THIS IS CBS. 1204 01:36:47,001 --> 01:36:51,805 AND NOW, A SPECIAL MESSAGE FROM T-MOBILE AND 11-TIME A.C.M. 1205 01:36:51,872 --> 01:36:54,508 AWARD WINNERS, FLORIDA GEORGIA LINE! 1206 01:37:00,881 --> 01:37:02,883 >> Mickey: WELCOME BACK. 1207 01:37:02,950 --> 01:37:05,920 I'M SO THANKFUL TO THE ACADEMY FOR THE SUPPORT THEY HAVE GIVEN 1208 01:37:05,986 --> 01:37:09,323 ME OVER THE LAST FEW YEARS, AND I'M ALSO PROUD OF THEIR WORK ON 1209 01:37:09,390 --> 01:37:12,426 BEHALF OF SO MANY DIFFERENT GROUPS IN OUR COMMUNITY. 1210 01:37:12,493 --> 01:37:15,129 ONE OF THE WAYS THEY PROVIDE THAT HELP IS THROUGH THE “A.C.M. 1211 01:37:15,196 --> 01:37:17,998 LIFTING LIVES COVID-19 RESPONSE FUND." 1212 01:37:18,065 --> 01:37:23,837 LET'S TAKE A LOOK. 1213 01:37:23,904 --> 01:37:26,240 IN MARCH 2020 COVID PANDEMIC HIT, LIVE MUSIC 1214 01:37:26,307 --> 01:37:28,175 AS WE KNOW IT SHUT DOWN. 1215 01:37:28,242 --> 01:37:30,277 >> NOBODY COULD SEE THIS DRAGGING OUT FOR A YEAR. 1216 01:37:30,344 --> 01:37:33,914 >> HOW ARE OUR FANS SUPPOSED TO TAKE CARE OF THEIR FAMILIES. 1217 01:37:33,981 --> 01:37:35,616 >> HOW WOULD THEY PAY THEIR BILLS. 1218 01:37:35,683 --> 01:37:39,720 >> WITHOUT THOSE GUYS, I DON'T GET TO HAPPEN. 1219 01:37:39,787 --> 01:37:44,525 >> ACM LIFTING LIVES COVID-19 RESPONSE FUND HAS GIVEN AWAY 3.9 1220 01:37:44,592 --> 01:37:47,061 MILLION FOR PEOPLE IN OUR COUNTRY WHO NEED IT. 1221 01:37:47,127 --> 01:37:48,996 >> IT PAID OUR MORTGAGE THAT MONTH. 1222 01:37:49,063 --> 01:37:51,498 >> IT CAME AT THE EXACT RIGHT TIME I NEEDED IT TO COME. 1223 01:37:51,565 --> 01:37:54,702 >> THE FUNDS HAVE BEEN DEPLETED BECAUSE THEY HAVE GIVEN O SO 1224 01:37:54,768 --> 01:37:55,970 MANY PEOPLE IN NEED. 1225 01:37:56,036 --> 01:37:58,405 >> IF YOU WANT THAT FEELING OF A CONCERT AGAIN, YOU HAVE TO KEEP 1226 01:37:58,472 --> 01:37:59,640 THESE PEOPLE GOING. 1227 01:37:59,707 --> 01:38:09,316 >> WHETHER YOU CAN GIVE $1, $10 OR $100, YOUR DONATION MAKES A 1228 01:38:09,383 --> 01:38:10,618 >> Mickey: THANK YOU, "LIFTING LIVES," FOR HELPING US GET 1229 01:38:10,684 --> 01:38:12,019 THROUGH SOME VERY TOUGH TIMES. 1230 01:38:12,086 --> 01:38:13,887 I WROTE THIS NEXT SONG AS A PRAYER. 1231 01:38:13,954 --> 01:38:16,857 WHEN FACED WITH PAIN AND UNCERTAINTY, I HOPE IT INSPIRES 1232 01:38:16,924 --> 01:38:21,996 YOU TO HOLD ON. 1233 01:38:22,062 --> 01:38:24,698 ♪ ♪ ♪ ♪ WHEN YOU'RE AFRAID 1234 01:38:24,765 --> 01:38:30,638 I'M RIGHT BESIDE YOU ♪ WHEN YOU'RE IN THE DARK 1235 01:38:30,704 --> 01:38:36,777 I'LL COME AND FIND YOU ♪ THERE IS NO DOOR 1236 01:38:36,844 --> 01:38:43,183 I'LL LEAVE UNOPENED ♪ AND THERE IS NO CHANCE 1237 01:38:43,250 --> 01:38:54,495 I'LL LEAVE IT BROKEN ♪ SO, HOLD ON, HOLD ON 1238 01:38:54,561 --> 01:39:00,401 DON'T LET GO ♪ HOLD ON, HOLD ON 1239 01:39:00,467 --> 01:39:05,205 I'LL BE YOUR HOPE ♪ I'LL BE YOUR LIFELINE 1240 01:39:05,272 --> 01:39:14,882 I'LL NEVER STOP FIGHTING ♪ SO HOLD ON, HOLD ON 1241 01:39:14,948 --> 01:39:27,261 HOLD ON TO ME ♪ HOLD ON TO ME 1242 01:39:27,328 --> 01:39:35,869 IF THERE'S A PRAYER ♪ I'M GONNA PRAY IT 1243 01:39:35,936 --> 01:39:42,276 WHEN THERE'S AN ANSWER ♪ I'LL BE RIGHT HERE WAITING 1244 01:39:42,343 --> 01:39:46,380 AND THERE AIN'T A STONE ♪ I WON'T TURN OVER 1245 01:39:46,447 --> 01:39:49,616 A WEIGHT TOO HEAVY ♪ ON MY SHOULDER 1246 01:39:49,683 --> 01:39:55,989 A FIRE THAT I WON'T WALK THROUGH ♪ YOU KNOW I GOT YOU, I GOT YOU 1247 01:39:56,056 --> 01:40:02,863 SO HOLD ON, HOLD ON ♪ AND DON'T LET GO 1248 01:40:02,930 --> 01:40:07,835 HOLD ON, HOLD ON ♪ I'LL BE YOUR HOPE 1249 01:40:07,901 --> 01:40:13,040 I'LL BE YOUR LIFELINE ♪ I'LL NEVER STOP FIGHTING 1250 01:40:13,107 --> 01:40:20,047 BELIEVING ♪ SO HOLD ON, HOLD ON 1251 01:40:20,114 --> 01:40:27,121 HOLD ON TO ME, YEAH ♪ HOLD ON TO ME, YEAH 1252 01:40:27,187 --> 01:40:38,832 HOLD ON TO ME, YEAH ♪ HOLD ON TO ME, YEAH 1253 01:40:38,899 --> 01:40:43,103 DON'T KNOW IF YOU'RE LISTENING ♪ BUT IF YOU CAN HERE ME 1254 01:40:43,170 --> 01:40:49,510 JUST HOLD ON, HOLD ON ♪ AND DON'T LET GO 1255 01:40:49,576 --> 01:40:55,249 HOLD ON, HOLD ON ♪ I'LL BE YOUR HOPE 1256 01:40:55,315 --> 01:41:02,856 I'LL BE YOUR LIFELINE ♪ AND I'LL NEVER STOP FIGHTING 1257 01:41:02,923 --> 01:41:10,998 BELIEVING ♪ JUST HOLD ON, HOLD ON 1258 01:41:11,064 --> 01:41:22,543 HOLD ON TO ME ♪ ( CHEERS AND APPLAUSE ) 1259 01:41:22,609 --> 01:41:25,279 >> Announcer: COMING TO THE STAGE WITH OUR NEXT AWARD, 1260 01:41:25,345 --> 01:41:39,726 HERE'S THREE-TIME NOMINEE TONIGHT, INGRID ANDRESS. 1261 01:41:39,793 --> 01:41:40,794 >> WHAT'S UP, FAM? 1262 01:41:40,861 --> 01:41:42,629 A LOT OF GREAT THINGS HAVE HAPPENED TO ME EARLY IN MY 1263 01:41:42,696 --> 01:41:45,032 CAREER, AND SOMETIMES I REALLY WONDER HOW I LITERALLY GOT HERE. 1264 01:41:45,098 --> 01:41:47,901 SO, THIS IS A SPECIAL MOMENT. 1265 01:41:47,968 --> 01:41:52,339 I'M HONORED TO PRESENT THIS AWARD TO ONE OF THESE FIVE 1266 01:41:52,406 --> 01:41:55,075 SUPERSTARS, ALL MEN I RESPECT AND ADMIRE. 1267 01:41:55,142 --> 01:42:01,281 HERE ARE THE INCREDIBLE NOMINEES FOR MALE ARTIST OF THE YEAR. 1268 01:42:01,348 --> 01:42:11,892 >> Announcer: DIERKS BENTLEY. 1269 01:42:11,959 --> 01:42:22,035 ERIC CHURCH. 1270 01:42:22,102 --> 01:42:30,777 LUKE COMBS. 1271 01:42:30,844 --> 01:42:41,688 THOMAS RHETT. 1272 01:42:41,755 --> 01:42:55,903 CHRIS STAPLETON. 1273 01:42:55,969 --> 01:42:59,406 ( APPLAUSE ) >> AND THE A.C.M. MALE ARTIST OF 1274 01:42:59,473 --> 01:43:12,319 THE YEAR GOES TO: THOMAS RHETT. 1275 01:43:12,386 --> 01:43:19,860 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1276 01:43:19,927 --> 01:43:29,903 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1277 01:43:29,970 --> 01:43:35,742 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1278 01:43:35,809 --> 01:43:38,845 >> MAN, THIS IS ABSOLUTELY UNBELIEVABLE, ESPECIALLY SITTING 1279 01:43:38,912 --> 01:43:44,618 HERE NEXT TO DIERKS, HOLLERING HIS SHENANIGANS OVER HERE, I 1280 01:43:44,685 --> 01:43:48,822 WANT TO SAY THANK YOU SO MUCH TO THE ACMS, THIS IS INCREDIBLE. 1281 01:43:48,889 --> 01:43:51,992 TO MY WIFE, MY THREE BABY GIRLS WATCHING THIS AT HOME ON THE TV, 1282 01:43:52,059 --> 01:43:55,596 I LOVE Y'ALL SO MUCH, ALL THE HEALTH CARE WORKERS SITTING UP 1283 01:43:55,662 --> 01:43:56,330 HERE, THANK YOU, THANK YOU. 1284 01:43:56,396 --> 01:43:59,132 COME ON! 1285 01:43:59,199 --> 01:44:02,736 IT JUST FEELS INVEDDABLE-- INCREDIBLE TO BE IN 1286 01:44:02,803 --> 01:44:06,006 THIS CATEGORY, TO BE HONEST, THESE ARE LITERALLY MY HEROES 1287 01:44:06,073 --> 01:44:09,309 SITTING RIGHT HERE IN THESE SEATS, SO THANK YOU LORD, LORD 1288 01:44:09,376 --> 01:44:10,344 JESUS, WE LOVE YOU. 1289 01:44:10,410 --> 01:44:13,513 THANK YOU FOR THIS AWARD. 1290 01:44:13,580 --> 01:44:16,316 THANK YOU. 1291 01:44:16,383 --> 01:44:20,387 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1292 01:44:20,454 --> 01:44:23,857 >> Keith: CONGRATULATIONS TO YOU. 1293 01:44:23,924 --> 01:44:24,291 PUT IT THERE, MAN. 1294 01:44:24,358 --> 01:44:25,392 TELL YOU WHAT. 1295 01:44:25,459 --> 01:44:26,960 TROPHY ROOM IS GETTING THE TROPHY ROOM, YOU'RE GOING TO 1296 01:44:27,027 --> 01:44:31,231 NEED A TROPHY HOUSE IF YOU KEEP KEEP THAT UP. 1297 01:44:31,298 --> 01:44:38,171 STILL TO COME, KELSEY BALLERINI FEATURE-- FEATURING KENNY 1298 01:44:38,238 --> 01:44:40,674 CHESNEY, THIS IS >> Announcer: YOU CAN "STREAM 1299 01:44:40,741 --> 01:44:42,509 FOR A CAUSE" WITH THE OFFICIAL 56th A.C.M. AWARDS PLAYLISTS, 1300 01:44:42,576 --> 01:44:47,014 FEATURING SONGS FROM EVERY NOMINEE, AND RAISE VALUABLE 1301 01:44:47,080 --> 01:44:48,115 FUNDS FOR A.C.M. LIFTING LIVES. 1302 01:44:48,181 --> 01:44:50,817 VISIT www.acmliftinglives.org. 1303 01:44:50,884 --> 01:44:53,754 THE 56th ACADEMY OF COUNTRY MUSIC AWARDS, SPONSORED BY: 1304 01:44:53,820 --> 01:44:56,189 THE ALL-NEW BRONCO SPORT, BUILT WILD. 1305 01:44:59,459 --> 01:45:02,663 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 1306 01:45:02,729 --> 01:45:03,397 CONTINUE. 1307 01:45:03,463 --> 01:45:03,797 THIS IS CBS. 1308 01:45:08,368 --> 01:45:15,342 ♪ ♪ ♪ 1309 01:45:15,409 --> 01:45:18,612 >> Keith: WELCOME BACK. WHAT AN AMAZING NIGHTK MICKEY. 1310 01:45:18,679 --> 01:45:19,446 >> I'M HAVING AN AMAZING TIME. 1311 01:45:19,513 --> 01:45:20,847 SO WHAT HAVE YOU GOT THERE? 1312 01:45:20,914 --> 01:45:24,951 >> I'M GOING TO PLAY. 1313 01:45:25,018 --> 01:45:25,919 >> PLAYING WHAT. 1314 01:45:25,986 --> 01:45:27,120 >> LIKE WITH MY BAND. 1315 01:45:27,187 --> 01:45:30,457 >> SO WHERE YOU GOING AND I'VE NEVER PLAYED THIS SONG WITH MY 1316 01:45:30,524 --> 01:45:32,926 BAND BEFORE SO IT WILL BE NICE TO ACTUALLY FINALLY PLAY. 1317 01:45:32,993 --> 01:45:39,399 >> SO YOU ARE LEAVING ME RIGHT NOW. 1318 01:45:39,466 --> 01:45:39,833 >> YEAH. 1319 01:45:39,900 --> 01:45:40,667 >> KEITH URBAN. 1320 01:45:40,734 --> 01:45:42,035 HERE TO >> Mickey: HERE TO PERFORM HIS 1321 01:45:42,102 --> 01:45:48,308 HIT SONG, “TUMBLEWEED,” IS MY TUMBLEWEED, IS MY DEAR FRIEND 15 1322 01:45:48,375 --> 01:45:58,652 TIME ACM AWARD WINNER, KEITH FREAKING URBAN. 1323 01:45:58,719 --> 01:46:04,124 ♪ ♪ ♪ ♪ ♪ ♪ 1324 01:46:04,191 --> 01:46:09,763 ♪ ♪ ♪ ♪ ♪ ♪ 1325 01:46:09,830 --> 01:46:10,864 ♪ HOTTER THAN A $2 SHOT OF WHISKEY 1326 01:46:10,931 --> 01:46:13,200 ♪ LOOKING PRETTY SITTING AT THE BAR 1327 01:46:13,266 --> 01:46:15,702 ♪ LOOKING 'ROUND THE ROOM WITH THE DEVIL ON YOUR SHOULDER 1328 01:46:15,769 --> 01:46:17,637 ♪ LIKE YOU'RE 'BOUT TO STEAL A COWBOY'S HEART 1329 01:46:17,704 --> 01:46:21,942 ♪ I'M YOUR BILLY THE KID SO BABY, LET'S GIDDY-UP, GONE 1330 01:46:22,008 --> 01:46:24,211 ♪ I AIN'T EVEN SURE JUST A WHERE YOU'RE HEADED 1331 01:46:24,277 --> 01:46:29,750 ♪ BUT I'D SURE LIKE TO TAG ALONG HEY, MISS TUMBLEWEED 1332 01:46:29,816 --> 01:46:35,689 ♪ WELL, I BELIEVE TWO TUMBLEWEEDS IS BETTER THAN ONE 1333 01:46:35,756 --> 01:46:37,991 ♪ EVERYBODY NEEDS A BUDDY WHEN THEY'RE ON THE RUN 1334 01:46:38,058 --> 01:46:42,262 ♪ HEY, MISS TUMBLEWEED LET'S RIDE THE BREEZE 1335 01:46:42,329 --> 01:46:44,431 ♪ TOWN TO TOWN JUST A-KICKING UP DUST 1336 01:46:44,498 --> 01:46:49,536 ♪ MAKE A LITTLE TROUBLE MIGHT MAKE A LITTLE LOVE 1337 01:46:49,603 --> 01:46:54,508 ♪ ♪ ♪ ♪ ♪ ♪ 1338 01:46:54,574 --> 01:46:57,944 ♪ TEACH ME YOUR GYPSY WAYS COME ON, BABY, SHOW ME THE ROPES 1339 01:46:58,011 --> 01:46:59,479 ♪ THE REAL WORLD CAN CHASE US, GIRL 1340 01:46:59,546 --> 01:47:01,782 ♪ BUT WE'LL LEAVE 'EM IN A CLOUD OF SMOKE 1341 01:47:01,848 --> 01:47:04,184 ♪ NO TELLING WHERE WE MIGHT END UP 1342 01:47:04,251 --> 01:47:07,487 ♪ REBELS LIKE YOU AND ME NOWHERE, ANYWHERE 1343 01:47:07,554 --> 01:47:10,724 ♪ EVERYWHERE, OUT THERE SOMEWHERE IN BETWEEN 1344 01:47:10,791 --> 01:47:15,328 ♪ HEY, MISS TUMBLEWEED WELL, I BELIEVE TWO TUMBLEWEEDS 1345 01:47:15,395 --> 01:47:18,298 ♪ IS BETTER THAN ONE EVERYBODY NEEDS A BUDDY 1346 01:47:18,365 --> 01:47:22,435 ♪ WHEN THEY'RE ON THE RUN HEY, MISS TUMBLEWEED 1347 01:47:22,502 --> 01:47:24,738 ♪ LET'S RIDE THE BREEZE TOWN TO TOWN 1348 01:47:24,805 --> 01:47:26,940 ♪ JUST A-KICKING UP DUST MAKE A LITTLE TROUBLE 1349 01:47:27,007 --> 01:47:31,545 ♪ MIGHT MAKE A LITTLE LOVE ♪ ♪ ♪ 1350 01:47:31,611 --> 01:47:37,551 ♪ ♪ ♪ ♪ ♪ ♪ 1351 01:47:37,617 --> 01:47:46,993 ♪ ♪ ♪ ♪ ♪ ♪ 1352 01:47:47,060 --> 01:47:57,804 ♪ ♪ ♪ ♪ OH, YEAH, THAT'S RIGHT 1353 01:47:57,871 --> 01:47:58,738 OPRY HOUSE! 1354 01:47:58,805 --> 01:48:01,007 TUMBLEWEED, TUMBLEWEED ♪ I'LL ROLL WITH YOU 1355 01:48:01,074 --> 01:48:02,676 YOU ROLL WITH ME ♪ TUMBLEWEED, TUMBLEWEED 1356 01:48:02,742 --> 01:48:05,712 I'LL ROLL WITH YOU ♪ YOU ROLL WITH ME HEY 1357 01:48:05,779 --> 01:48:08,348 TUMBLEWEED, TUMBLEWEED ♪ I'LL ROLL WITH YOU 1358 01:48:08,415 --> 01:48:11,551 YOU ROLL WITH ME ♪ TUMBLEWEED, TUMBLEWEED 1359 01:48:11,618 --> 01:48:14,120 I'LL ROLL WITH YOU ♪ YOU ROLL WITH ME 1360 01:48:14,187 --> 01:48:18,625 HEY, MISS TUMBLEWEED ♪ WELL, I BELIEVE TWO 1361 01:48:18,692 --> 01:48:22,562 TUMBLEWEEDS IS BETTER THAN ONE ♪ EVERYBODY NEEDS A BUDDY 1362 01:48:22,629 --> 01:48:25,465 WHEN THEY'RE ON THE RUN ♪ HEY, MISS TUMBLEWEED 1363 01:48:25,532 --> 01:48:29,102 LET'S RIDE THE BREEZE ♪ TOWN TO TOWN 1364 01:48:29,169 --> 01:48:30,437 JUST A-KICKING UP DUST ♪ MAKE A LITTLE TROUBLE 1365 01:48:30,503 --> 01:48:43,850 MIGHT MAKE A LITTLE LOVE ♪ ( CHEERS AND APPLAUSE ) 1366 01:48:43,917 --> 01:48:45,385 >> Keith: THANK YOU SO MUCH. 1367 01:48:45,452 --> 01:48:46,953 NOW, LET'S HEAD BACK LIVE TO THE RYMAN AUDITORIUM FOR DOUBLE 1368 01:48:47,020 --> 01:48:50,991 NOMINEES TONIGHT, BROTHERS OSBORNE. 1369 01:48:51,057 --> 01:49:01,501 ♪ ♪ ♪ ♪ ♪ ♪ 1370 01:49:01,568 --> 01:49:04,237 ♪ SOME PEOPLE CLAP ON THE ONE AND THE THREE 1371 01:49:04,304 --> 01:49:07,407 ♪ SOME PEOPLE CLAP ON THE TWO AND FOUR 1372 01:49:07,474 --> 01:49:11,278 ♪ SOME PEOPLE DON'T JOIN AT ALL 'CAUSE THEY GOT NO RHYTHM 1373 01:49:11,344 --> 01:49:15,982 ♪ AND THAT'S ALRIGHT SOME PEOPLE, THEY DRINK TOO MUCH 1374 01:49:16,049 --> 01:49:22,355 ♪ SOME PEOPLE DON'T DRINK ENOUGH SOME PEOPLE ARE JUST LIKE ME 1375 01:49:22,422 --> 01:49:25,792 ♪ I HOPE Y'ALL FORGIVE 'EM I'M LIKE SCOTCH 1376 01:49:25,859 --> 01:49:28,595 ♪ AND ZYDECO BANDS I'M LIKE B-SIDE 1377 01:49:28,662 --> 01:49:31,932 ♪ TOWNES VAN ZANDT I'M ALWAYS SPEAKING MY MIND 1378 01:49:31,998 --> 01:49:35,969 ♪ WHEN I'M BETTER OFF BIING MY TONGUE 1379 01:49:36,036 --> 01:49:39,139 ♪ I'M A BAD JOKE AT THE WRONG TIME 1380 01:49:39,205 --> 01:49:41,975 ♪ HELL, I'M A LEGEND IN MY OWN MIND 1381 01:49:42,042 --> 01:49:50,984 ♪ I'M GOOD FOR SOME BUT I'M NOT FOR EVERYONE 1382 01:49:51,051 --> 01:49:53,586 ♪ IF I WAS SWEET TEA IT'D BE A BIT BITTER 1383 01:49:53,653 --> 01:49:56,556 ♪ IF YOU TOOK A DRINK YOU MIGHT RECONSIDER 1384 01:49:56,623 --> 01:49:59,559 ♪ IF I WAS A CHURCH I'D BE HANGING WITH THE SINNERS 1385 01:49:59,626 --> 01:50:03,129 ♪ TALKING 'BOUT HENDRIX AND HEAVEN 1386 01:50:03,196 --> 01:50:06,733 ♪ IF I WAS A BAR I'D BE A DIVE 1387 01:50:06,800 --> 01:50:08,501 ♪ A FREE JUKEBOX IN A DOUBLE-WIDE 1388 01:50:08,568 --> 01:50:11,538 ♪ NEON LIGHTS SAYING "COME INSIDE" 1389 01:50:11,604 --> 01:50:15,508 ♪ AND I'D BE "OPEN 24/7" I'M LIKE SCOTCH 1390 01:50:15,575 --> 01:50:18,378 ♪ AND ZYDECO BANDS I'M LIKE B-SIDE 1391 01:50:18,445 --> 01:50:22,048 ♪ TOWNES VAN ZANDT I'M ALWAYS SPEAKING MY MIND 1392 01:50:22,115 --> 01:50:25,685 ♪ WHEN I'M BETTER OFF BITING MY TONGUE 1393 01:50:25,752 --> 01:50:28,955 ♪ I'M A BAD JOKE AT THE WRONG TIME 1394 01:50:29,022 --> 01:50:31,624 ♪ HELL, I'M A LEGEND IN MY OWN MIND 1395 01:50:31,691 --> 01:50:37,263 ♪ I'M GOOD FOR SOME BUT I'M NOT FOR EVERYONE 1396 01:50:37,330 --> 01:50:43,269 ♪ ♪ ♪ ♪ ♪ ♪ 1397 01:50:43,336 --> 01:50:47,107 ♪ ♪ ♪ ♪ ♪ ♪ 1398 01:50:47,173 --> 01:50:49,609 ♪ YEAH, I'M HARD TO LOVE IT'S TRUE 1399 01:50:49,676 --> 01:50:52,612 ♪ I'M A LITTLE MORE ROUGH THAN SMOOTH 1400 01:50:52,679 --> 01:50:58,151 ♪ IT'S A WONDER I FOUND SOMEBODY LIKE ME, LIKE YOU 1401 01:50:58,218 --> 01:51:00,987 ♪ I'M LIKE SCOTCH AND ZYDECO BANDS 1402 01:51:01,054 --> 01:51:03,923 ♪ I'M LIKE B-SIDE TOWNES VAN ZANDT 1403 01:51:03,990 --> 01:51:06,793 ♪ I'M ALWAYS SPEAKING MY MIND WHEN I'M BETTER OFF 1404 01:51:06,860 --> 01:51:11,097 ♪ BITING MY TONGUE I'M A BAD JOKE 1405 01:51:11,164 --> 01:51:13,867 ♪ AT THE WRONG TIME HELL, I'M A LEGEND 1406 01:51:13,933 --> 01:51:17,704 ♪ IN MY OWN MIND I'M GOOD FOR SOME 1407 01:51:17,771 --> 01:51:23,443 ♪ BUT I'M NOT FOR EVERYONE YEAH, I'M GOOD FOR SOME 1408 01:51:23,510 --> 01:51:36,523 ♪ BUT I'M NOT FOR EVERYONE ♪ ♪ ♪ ♪ 1409 01:51:36,589 --> 01:51:42,328 ( CHEERS AND APPLAUSE ) >> Announcer: XFINITY CUSTOMERS, 1410 01:51:42,395 --> 01:51:44,831 CATCH THE EXCLUSIVE PREMIERE O“" YOUNGER ME." 1411 01:51:44,898 --> 01:51:50,937 JUST SAY "A.C.M. AWARDS" INTO YOUR XFINITY VOICE REMOTE. 1412 01:51:51,004 --> 01:51:53,940 KELSEA BALLERINI PERFORMS WITH KENNY CHESNEY, NEXT. 1413 01:51:54,007 --> 01:51:56,576 PLUS, THE AWARD FOR ALBUM OF THE YEAR. 1414 01:51:56,643 --> 01:52:01,214 AND STILL TO COME FROM THE HEART OF NASHVILLE, LITTLE BIG TOWN. 1415 01:52:01,281 --> 01:52:04,150 THIS IS CBS. 1416 01:52:04,217 --> 01:52:07,720 LAST YEAR, A.C.M. AWARD WINNER DARIUS RUCKER TOLD US ABOUT AN 1417 01:52:07,787 --> 01:52:10,390 EXCITING MUSEUM COMING TO NASHVILLE. 1418 01:52:10,457 --> 01:52:13,326 WE ARE HAPPY TO SAY THAT THE NATIONAL MUSEUM OF AFRICAN- 1419 01:52:13,393 --> 01:52:16,996 AMERICAN MUSIC IS NOW OFFICIALLY OPEN ON LOWER BROADWAY AND 1420 01:52:17,063 --> 01:52:20,867 SHARING ITS MISSION TO EDUCATE AND PRESERVE. 1421 01:52:20,934 --> 01:52:22,402 THE ACADEMY SHARES THAT MISSION THROUGH IT'S DIVERSITY AND 1422 01:52:22,469 --> 01:52:25,271 INCLUSION TASK FORCE, WHICH IS COMMITTED TO CREATING A MORE 1423 01:52:25,338 --> 01:52:28,174 INCLUSIVE ENVIRONMENT FOR UNDERREPRESENTED GROUPS IN 1424 01:52:28,241 --> 01:52:30,510 COUNTRY MUSIC, FROM THE BOARDROOM TO THE STAGE. 1425 01:52:33,580 --> 01:52:36,816 >> Announcer: THE 56th ACADEMY OF COUNTRY MUSIC AWARDS WILL 1426 01:52:36,883 --> 01:52:38,518 CONTINUE. THIS IS CBS 1427 01:52:43,389 --> 01:52:44,524 >> Announcer: WE'RE BACK IN 1428 01:52:44,591 --> 01:52:47,594 NASHVILLE AT THE GRAND OLE OPRY HOUSE WITH KELSEA BALLERINI, 1429 01:52:47,660 --> 01:52:51,898 FEATURING KENNY CHESNEY. 1430 01:52:51,965 --> 01:52:57,537 ♪ ♪ ♪ ♪ ♪ ♪ 1431 01:52:57,604 --> 01:53:00,640 ♪ HALF OF MY HIGH SCHOOL GOT TOO DRUNK 1432 01:53:00,707 --> 01:53:04,978 ♪ HALF OF MY HIGH SCHOOL FELL IN LOVE 1433 01:53:05,044 --> 01:53:10,884 ♪ WITH THE GIRL NEXT DOOR IN THEIR DADDY'S FORD 1434 01:53:10,950 --> 01:53:15,522 ♪ HALF OF MY MAIN STREET'S MINI SKIRTS 1435 01:53:15,588 --> 01:53:20,026 ♪ HALF OF MY MAIN STREET'S DRESSED FOR CHURCH 1436 01:53:20,093 --> 01:53:23,263 ♪ IT COULD USE SOME RAIN AND A FRESH COAT OF PAINT 1437 01:53:23,329 --> 01:53:26,799 ♪ HALF OF MY HOMETOWN'S STILL HANGIN' AROUND 1438 01:53:26,866 --> 01:53:30,403 ♪ STILL TALKIN' ABOUT THAT ONE TOUCHDOWN 1439 01:53:30,470 --> 01:53:33,473 ♪ THEY'RE STILL WEARIN' RED AND BLACK 1440 01:53:33,540 --> 01:53:37,010 ♪ GO BOBCATS WHILE THE OTHER HALF 1441 01:53:37,076 --> 01:53:40,547 ♪ OF MY HOMETOWN THEY ALL GOT OUT 1442 01:53:40,613 --> 01:53:44,684 ♪ SOME WENT NORTH SOME WENT SOUTH 1443 01:53:44,751 --> 01:53:51,057 ♪ STILL LOOKIN' FOR A FEELIN' HALF OF US AIN'T FOUND 1444 01:53:51,124 --> 01:53:54,294 ♪ SO STAY OR LEAVE PART OF ME 1445 01:53:54,360 --> 01:54:03,870 ♪ WILL ALWAYS BE HALF OF MY HOMETOWN 1446 01:54:03,937 --> 01:54:06,105 ♪ HALF OF OUR PROM QUEENS CUT THEIR HAIR 1447 01:54:06,172 --> 01:54:09,676 ♪ HALF OF THEM THINK THAT IT AIN'T FAIR 1448 01:54:09,742 --> 01:54:17,584 ♪ THE QUARTERBACK MOVED AWAY AND NEVER CAME BACK 1449 01:54:17,650 --> 01:54:22,522 ♪ OH, HALF OF MY FAMILY IS HAPPY I LEFT 1450 01:54:22,589 --> 01:54:23,690 ♪ THE OTHER HALF WORRIES I'LL JUST FORGET 1451 01:54:23,756 --> 01:54:27,060 ♪ WHERE I CAME FROM THE SAME PLACE 1452 01:54:27,126 --> 01:54:31,231 ♪ WHERE THEY CAME FROM HALF OF MY HOMETOWN'S 1453 01:54:31,297 --> 01:54:34,634 ♪ STILL HANGIN' AROUND STILL TALKIN' ABOUT 1454 01:54:34,701 --> 01:54:38,171 ♪ THAT ONE TOUCHDOWN THEY'RE STILL WEARIN' 1455 01:54:38,238 --> 01:54:41,207 ♪ RED AND BLACK GO BOBCATS 1456 01:54:41,274 --> 01:54:44,844 ♪ WHILE THE OTHER HALF OF MY HOMETOWN 1457 01:54:44,911 --> 01:54:48,481 ♪ THEY ALL GOT OUT SOME WENT NORTH 1458 01:54:48,548 --> 01:54:53,519 ♪ SOME WENT SOUTH STILL LOOKIN' FOR A FEELIN' 1459 01:54:53,586 --> 01:54:59,058 ♪ HALF OF US AIN'T FOUND SO STAY OR LEAVE 1460 01:54:59,125 --> 01:55:06,633 ♪ PART OF ME WILL ALWAYS BE HALF OF MY HOMETOWN 1461 01:55:06,699 --> 01:55:08,601 ♪ HALF OF MY HOMETOWN BACK ROADS RAISE US 1462 01:55:08,668 --> 01:55:14,907 ♪ HIGHWAYS TAKE US MEMORIES MAKE US 1463 01:55:14,974 --> 01:55:19,979 ♪ WANNA GO BACK TO OUR HOMETOWN 1464 01:55:20,046 --> 01:55:23,182 ♪ SETTLE DOWN TALK ABOUT 1465 01:55:23,249 --> 01:55:28,254 ♪ THAT ONE TOUCHDOWN RAISE SOME KIDS 1466 01:55:28,321 --> 01:55:30,256 ♪ IN RED AND BLACK GO BOBCATS 1467 01:55:30,323 --> 01:55:33,526 ♪ WHILE THE OTHER HALF OF MY HOMETOWN 1468 01:55:33,593 --> 01:55:36,996 ♪ WAS IN THE CROWD THEY KNEW THE WORDS 1469 01:55:37,063 --> 01:55:42,235 ♪ THEY SANG THEM LOUD AND ALL I WANNA DO 1470 01:55:42,302 --> 01:55:47,707 ♪ IS MAKE THEM PROUD 'CAUSE HALF OF ME 1471 01:55:47,774 --> 01:55:56,049 ♪ WILL ALWAYS BE FROM KNOXVILLE, TENNESSEE 1472 01:55:56,115 --> 01:56:00,720 ( CHEERS AND APPLAUSE ) ♪ MY HOMETOWN 1473 01:56:00,787 --> 01:56:10,763 YEAH, MY HOMETOWN ( CHEERS AND APPLAUSE ) 1474 01:56:10,830 --> 01:56:17,170 YEAH, MY HOMETOWN ( CHEERS AND APPLAUSE ) 1475 01:56:17,236 --> 01:56:20,573 >> AND NOW, TO PRESENT THE NEXT AWARD OF THE NIGHT, IT'S MY 1476 01:56:20,640 --> 01:56:26,579 PLEASURE TO INTRODUCE CLAY WALKER. 1477 01:56:26,646 --> 01:56:36,322 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 1478 01:56:36,389 --> 01:56:41,661 >> WHEN AN ARTIST GOES INTO THE RECORDING STUDIO, THEIR DREAM IS 1479 01:56:41,728 --> 01:56:44,397 THAT ONE DAY THEIR ALBUM WILL BE INCLUDED IN THIS CATEGORY. 1480 01:56:44,464 --> 01:56:47,734 FOR THESE FIVE ARTISTS, THAT DREAM CAME TRUE. 1481 01:56:47,800 --> 01:56:52,805 HERE ARE THE NOMINEES FOR ALBUM OF THE YEAR. 1482 01:56:52,872 --> 01:56:59,312 >> Announcer: “BORN HERE, LIVE HERE, DIE HERE,” BY LUKE BRYAN“" 1483 01:56:59,379 --> 01:57:07,320 MIXTAPE VOL. 1,” BY KANE BROWN“" NEVER WILL,” BY ASHLEY McBRYDE“" 1484 01:57:07,387 --> 01:57:11,524 SKELETONS,” BY BROTHERS OSBORNE.“ 1485 01:57:11,591 --> 01:57:18,664 STARTING OVER,” BY CHRIS STAPLETON. 1486 01:57:18,731 --> 01:57:27,173 >> AND THE A.C.M. ALBUM OF THE YEAR GOES TO: 1487 01:57:27,240 --> 01:57:28,441 SO DESERVING. 1488 01:57:28,508 --> 01:57:33,446 CHRIS STAPLETON. 1489 01:57:33,513 --> 01:57:34,981 ♪ ♪ ♪ ( APPLAUSE ) 1490 01:57:35,047 --> 01:57:43,189 >> I WANT TO THANK EVERYBODY FOR GIVING US THIS AWARD TONIGHT. 1491 01:57:43,256 --> 01:57:48,628 WE WORKED REALLY HARD MAKING MUSIC AND THINK A LOT ABOUT IT. 1492 01:57:48,694 --> 01:57:55,201 I WANT TO THANK MY WIFE AND JAIK, NIXON, EVERYBODY PLAY ON 1493 01:57:55,268 --> 01:57:56,602 THIS RECORD. 1494 01:57:56,669 --> 01:58:00,273 MIKE CAMPBELL, FINCH, MIKE HENDERSON AND ALL THOSE FOLKS 1495 01:58:00,339 --> 01:58:03,643 HAVE I WRITTEN SONGS WITH ON THIS RECORD. 1496 01:58:03,709 --> 01:58:07,180 IT MEANS A LOT TO US, IT REALLY DOES, THANK YOU, THANK YOU VERY 1497 01:58:07,246 --> 01:58:09,081 MUCH. 1498 01:58:09,148 --> 01:58:15,221 ( APPLAUSE ) >> Mickey: WHAT A GREAT GROUP OF 1499 01:58:15,288 --> 01:58:16,055 ARTISTS UP FOR THAT AWARD. 1500 01:58:16,122 --> 01:58:18,791 CONGRATULATIONS TO CHRIS STAPLETON. 1501 01:58:18,858 --> 01:58:22,895 NEXT, A BIG AWARD FOR FEMALE ARTIST OF THE YEAR, AND WE GET 1502 01:58:22,962 --> 01:58:29,836 TO ENJOY SOME “WINE, BEER, WHISKEY” WITH LITTLE BIG TOWN. 1503 01:58:29,902 --> 01:58:32,405 >> Announcer: STREAM THE LATEST EPISODES OF YOUR FAVORITE CBS 1504 01:58:32,472 --> 01:58:37,109 ORIGINALS FOR FREE ON THE CBS APP AND SUBSCRIBE TO PARAMOUNT+ 1505 01:58:37,176 --> 01:58:40,613 FOR MORE LIVE SPORTS, BREAKING NEWS AND A MODEM OF 1506 01:58:40,680 --> 01:58:41,647 ENTERTAINMENT. 1507 01:58:47,487 --> 01:58:52,959 ♪ ♪ ♪ >> Announcer: AND NOW, WITH OUR 1508 01:58:53,025 --> 01:58:56,963 NEXT AWARD OF THE NIGHT, HERE'S POP AND CHRISTIAN MUSIC 1509 01:58:57,029 --> 01:59:03,236 SUPERSTAR, AMY GRANT. 1510 01:59:03,302 --> 01:59:07,240 ( CHEERS AND APPLAUSE ) >> HERE ARE SOME LYRICS FROM A 1511 01:59:07,306 --> 01:59:13,446 SONG BY A.C.M. AWARD WINNER LAUREN ALAINA CALLED “THE ROAD 1512 01:59:13,513 --> 01:59:16,449 LESS TRAVELED”:“ YOU WON'T MAKE YOURSELF A NAME 1513 01:59:16,516 --> 01:59:20,953 IF YOU FOLLOW THE RULES. 1514 01:59:21,020 --> 01:59:22,688 IF YOU TRUST YOUR REBEL HEART, RIDE IT INTO BATTLE. 1515 01:59:22,755 --> 01:59:30,563 DON'T BE AFRAID, TAKE THE ROAD LESS TRAVELED.” 1516 01:59:30,630 --> 01:59:33,032 THESE WORDS COULD BE SAID ABOUT ALL OF YOU LADIES. 1517 01:59:33,099 --> 01:59:36,135 YOU HAVE DONE THAT OUR NOMINEES FOR FEMALE ARTIST 1518 01:59:36,202 --> 01:59:36,836 OF THE YEAR. 1519 01:59:36,903 --> 01:59:46,879 >> Announcer: KELSEA BALLERINI. 1520 01:59:46,946 --> 01:59:52,084 >> Announcer: KELSEA BALLERINI. 1521 01:59:52,151 --> 02:00:02,728 MIRANDA LAMBERT. 1522 02:00:02,795 --> 02:00:11,771 ASHLEY McBRYDE. 1523 02:00:11,837 --> 02:00:22,114 MAREN MORRIS. 1524 02:00:22,181 --> 02:00:32,158 CARLY PEARCE. 1525 02:00:32,224 --> 02:00:38,731 CARLY PEARCE. 1526 02:00:39,231 --> 02:00:40,499 ( CHEERS AND APPLAUSE ) >> AND THE A.C.M. FEMALE ARTIST 1527 02:00:40,566 --> 02:00:50,610 OF THE YEAR GOES TO: MAREN MORRIS. 1528 02:00:50,676 --> 02:00:57,049 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 1529 02:00:57,116 --> 02:01:08,494 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 1530 02:01:08,561 --> 02:01:10,696 >> THANK YOU GUYS SO MUCH. 1531 02:01:10,763 --> 02:01:13,499 ME AND THE LADIES WERE JUST LAUGHING OUR BUTTS OFF DURING 1532 02:01:13,566 --> 02:01:16,235 THE COMMERCIAL BREAK SO I FEEL REALLY, REALLY JUST HAPPY TO BE 1533 02:01:16,302 --> 02:01:20,172 IN A CATEGORY WITH WOMEN THAT WERE NOT ABLE TO TOUR THIS YEAR 1534 02:01:20,239 --> 02:01:24,443 BUT BROUGHT SO MUCH PEACE TO THE GAME, TO COUNTRY MUSIC THIS 1535 02:01:24,510 --> 02:01:28,180 YEAR, YOU HAVE INSPIRED ME SO MUCH TO KNOW END, AND EVEN IN A 1536 02:01:28,247 --> 02:01:32,718 YEAR WHERE NO ONE HAS GOTTEN TO PLAY SHOWS, I HAVE HEARD SOME OF 1537 02:01:32,785 --> 02:01:35,655 THE BEST MUSIC OUT OF ALL OF YOU THIS PAST YEAR. 1538 02:01:35,721 --> 02:01:43,562 SO THANK YOU SO MUCH FOR INSPIRING ME. 1539 02:01:43,629 --> 02:01:50,169 THIS CATEGORY IS NOT ABOUT WHO CAN SING THEIR AS OFF OR 1540 02:01:50,236 --> 02:01:51,437 ENTERTAINS THE BEST EVEN. 1541 02:01:51,504 --> 02:01:57,209 I KIND OF CONSIDER THIS CATEGORY TO JUST BE WHO TRIED THEIR BEST 1542 02:01:57,276 --> 02:02:00,613 IN A YEAR WHERE IT WAS VERY WEIRD AND NO ONE COULD REALLY DO 1543 02:02:00,680 --> 02:02:03,115 WHAT THEY WERE MADE TO DO. 1544 02:02:03,182 --> 02:02:07,119 BUT I REALLY APPRECIATE ALL OF MY PEERS FOR VOTING FOR ME IN 1545 02:02:07,186 --> 02:02:07,653 THIS. 1546 02:02:07,720 --> 02:02:09,288 IT MEANS SO MUCH. 1547 02:02:09,355 --> 02:02:14,960 AND I WANT TO THANK, BECAUSE I ALWAYS FORGET TO, MY MANAGER 1548 02:02:15,027 --> 02:02:18,698 JANET WEIR, SHE HAS BEEN WITH ME THROUGH EVERYTHING FROM THE 1549 02:02:18,764 --> 02:02:23,469 BEGINNINGK RANDY GOODMAN, TAYLOR LINDSAY, STEVE HODGE KSZ ALL AT 1550 02:02:23,536 --> 02:02:27,306 SONY FOR HELPING A SONG LIKE THE BONES GO IN A YEAR WHERE THE 1551 02:02:27,373 --> 02:02:30,810 WORLD SHUT DOWN, I JUST REALLY CAN'T THANK YOU ENOUGH. 1552 02:02:30,876 --> 02:02:35,614 I LOVE YOU COUNTRY MUSIC. 1553 02:02:35,681 --> 02:02:36,682 THANK Y'ALL. 1554 02:02:36,749 --> 02:02:38,317 >> HEY, EVERYBODY, THIS >> HI, I'M PHILLIP SWEET OF 1555 02:02:38,384 --> 02:02:40,953 LITTLE BIG TOWN. 1556 02:02:41,020 --> 02:02:42,555 I WISH I COULD BE WITH ALL OF YOU TONIGHT BUT I'M AT HOME 1557 02:02:42,621 --> 02:02:45,624 BECAUSE I RECENTLY TESTED POSITIVE FOR COVID. 1558 02:02:45,691 --> 02:02:47,893 BUT I'M ON MY WAY TO A FULL RECOVERY. 1559 02:02:47,960 --> 02:02:49,261 EVERYONE STAY HEALTHY. 1560 02:02:49,328 --> 02:02:53,199 WEAR YOUR MASK, GET VACCINATED AND LET'S ALL GET BACK TO LIVE 1561 02:02:53,265 --> 02:02:54,433 MUSIC. 1562 02:02:54,500 --> 02:02:57,269 AND SPEAKING OF LIVE MUSIC FROM DOWNTOWN NASHVILLE RIGHT HERE, 1563 02:02:57,336 --> 02:03:02,908 MY FRIEND AND BAND MATES KAREN, KIMBERLY AND JIMMIE, HERE'S 1564 02:03:02,975 --> 02:03:09,448 LITTLE BIG TOWN. 1565 02:03:09,515 --> 02:03:11,150 ♪ ♪ ♪ ♪ MY FRIEND NAMED JACK 1566 02:03:11,217 --> 02:03:18,424 HE'S GOT MY BACK ♪ HE ALWAYS SEEMS TO KNOW 1567 02:03:18,491 --> 02:03:22,561 RIGHT WHERE I'M AT ♪ MY FRIEND JOSE 1568 02:03:22,628 --> 02:03:27,166 HE LIKES TO PLAY ♪ HE'S ALWAYS UP FOR 1569 02:03:27,233 --> 02:03:33,139 ANYTHING I SAY ♪ LITTLE BIT OF RED 1570 02:03:33,205 --> 02:03:35,941 LOTTA BIT OF CROWN ♪ DON'T MATTER WHAT IT IS 1571 02:03:36,008 --> 02:03:39,378 I'M GONNA DRINK IT ♪ DOWN, DOWN, DOWN 1572 02:03:39,445 --> 02:03:46,585 THE WINE, THE BEER, THE WHISKEY ♪ ARE THE ONLY THINGS 1573 02:03:46,652 --> 02:03:50,589 THAT FIX ME ♪ I'M NOT SAYING IT'S A PROBLEM 1574 02:03:50,656 --> 02:03:56,796 I CAN STOP IT IF I WANNA ♪ BUT THE WINE, THE BEER 1575 02:03:56,862 --> 02:03:58,597 THE WHISKEY ♪ THEY ALWAYS GET ME 1576 02:03:58,664 --> 02:04:03,435 ♪ ♪ ♪ ♪ MY FRIEND NAMED GIN 1577 02:04:03,502 --> 02:04:07,673 SHE'S GOT SOME FRIENDS ♪ I'M TALKING BRANDY, SHERRY 1578 02:04:07,740 --> 02:04:12,711 AND THEIR BROTHER JIM ♪ MY FRIEND, THE CAPTAIN 1579 02:04:12,778 --> 02:04:16,849 WE CALL HIM MORGAN ♪ HE LIKES TO ANCHOR DOWN 1580 02:04:16,916 --> 02:04:21,754 AND HANG OVER 'TIL MORNIN' ♪ LITTLE BIT OF RED 1581 02:04:21,821 --> 02:04:25,958 LOTTA BIT OF WHITE ♪ DON'T MATTER WHAT IT IS 1582 02:04:26,025 --> 02:04:33,132 IT'S GONNA MAKE IT ALL ALRIGHT ♪ THE WINE, THE BEER 1583 02:04:33,199 --> 02:04:35,534 THE WHISKEY ♪ ARE THE ONLY THINGS 1584 02:04:35,601 --> 02:04:39,905 THAT FIX ME ♪ I'M NOT SAYING IT'S A PROBLEM 1585 02:04:39,972 --> 02:04:44,543 I CAN STOP IT IF I WANNA ♪ BUT THE WINE, THE BEER 1586 02:04:44,610 --> 02:04:47,880 THE WHISKEY ♪ THEY ALWAYS GET ME 1587 02:04:47,947 --> 02:04:54,587 ♪ ♪ ♪ ♪ ♪ ♪ 1588 02:04:54,653 --> 02:04:58,591 ♪ ♪ ♪ ♪ ♪ ♪ 1589 02:04:58,657 --> 02:05:04,129 ♪ ♪ ♪ ♪ ♪ ♪ 1590 02:05:04,196 --> 02:05:10,603 ♪ MY FRIEND NAMED TITO HE'S MY AMIGO 1591 02:05:10,669 --> 02:05:14,540 ♪ I'M GONNA FOLLOW HIM AROUND WHEREVER HE GO 1592 02:05:14,607 --> 02:05:18,611 ♪ THE WINE, THE BEER THE WHISKEY 1593 02:05:18,677 --> 02:05:23,215 ♪ YEAH, I GOT ALL MY FRIENDS HERE WITH ME 1594 02:05:23,282 --> 02:05:27,553 ♪ I'M NOT SAYING IT'S A PROBLEM I CAN STOP IT IF I WANNA 1595 02:05:27,620 --> 02:05:33,192 ♪ BUT WHO WOULD WANNA WHEN THE WINE, THE BEER 1596 02:05:33,259 --> 02:05:38,797 ♪ THE WHISKEY THEY ALWAYS GET ME 1597 02:05:38,864 --> 02:05:49,508 ♪ THEY ALWAYS GET ME THEY ALWAYS GET ME 1598 02:05:49,575 --> 02:05:59,785 ♪ YEAH, THEY ALWAYS GET ME ♪ ♪ ♪ ♪ 1599 02:05:59,852 --> 02:06:02,821 ( CHEERS AND APPLAUSE ) IS WE MISS YOU 1600 02:06:02,888 --> 02:06:06,859 PHILLIP. 1601 02:06:06,926 --> 02:06:09,595 >> Mickey: WOO! 1602 02:06:09,662 --> 02:06:10,896 THIS IS NOT THE FIRST TIME THESE ARTISTS HAVE BEEN IN THIS 1603 02:06:10,963 --> 02:06:12,531 LEGENDARY VENUE. 1604 02:06:12,598 --> 02:06:15,100 >> ST NOT, BUT IT IS A NIGHT THEY WILL REMEMBER FOR THE REST 1605 02:06:15,167 --> 02:06:17,036 OF THEIR LIVES. 1606 02:06:17,102 --> 02:06:22,007 >> Mickey: HERE ARE THE NOMINEES FOR ENTERTAINER OF THE YEAR. 1607 02:06:22,074 --> 02:06:25,210 >> Announcer: LUKE BRYAN. 1608 02:06:25,277 --> 02:06:29,181 ERIC CHURCH. 1609 02:06:29,248 --> 02:06:31,817 LUKE COMBS. 1610 02:06:31,884 --> 02:06:34,253 THOMAS RHETT. 1611 02:06:34,320 --> 02:06:38,724 CHRIS STAPLETON. 1612 02:06:38,791 --> 02:06:41,427 >> Keith: AND THE A.C.M. 1613 02:06:41,493 --> 02:06:51,470 ENTERTAINER OF THE YEAR GOES TO: LUKE BRYAN. 1614 02:06:51,537 --> 02:06:58,143 ENTERTAINER OF THE YEAR GOES TO: LUKE BRYAN. 1615 02:06:58,210 --> 02:07:01,914 ♪ ♪ ♪ >> Keith: CONGRATULATIONS LUKE. 1616 02:07:01,981 --> 02:07:05,451 NOW, LUKE ISN'T HERE SO WE SET CONGRATULATIONS, LUKE, LUKEY 1617 02:07:05,517 --> 02:07:06,318 LUKE. 1618 02:07:06,385 --> 02:07:07,186 HE CAN'T BE HERE TONIGHT, IS HE AT HOME. 1619 02:07:07,252 --> 02:07:07,753 >> HEY GUYS. 1620 02:07:07,820 --> 02:07:08,787 >> BUT WE'VE GOT A ZOOM. 1621 02:07:08,854 --> 02:07:10,122 WHERE ARE YOU, LUKE? 1622 02:07:10,189 --> 02:07:13,993 >> I'M IN L.A OH MY GOD, Y'ALL GOT ME. 1623 02:07:14,059 --> 02:07:20,332 I AM AMAZINGLY SURPRISEED. 1624 02:07:20,399 --> 02:07:25,437 WHAT AN AN HONOR, TO THE ACM'S, I'M SO SORRY I COULD NOT BE 1625 02:07:25,504 --> 02:07:26,705 THERE. 1626 02:07:26,772 --> 02:07:30,175 I MISSED CERTAINLY BEING ABLETO DO MY SONGS AND ALL THE WINNERS 1627 02:07:30,242 --> 02:07:31,977 TONIGHT, CONGRATULATIONS. 1628 02:07:32,044 --> 02:07:34,646 OH MY GOD, Y'ALL GOT ME. 1629 02:07:34,713 --> 02:07:38,484 EVERYBODY AT MY RECORD LABEL, AND MY BOOKING AGENT JAY 1630 02:07:38,550 --> 02:07:45,824 WILLIAMS, OH MY GOD, ROYCE, DOUG AND CINDY, MY MANAGEMENT, CARRIE 1631 02:07:45,891 --> 02:07:48,660 EDWARDS WHO IS OFF CAMERA FREAKING OUT RIGHT NOW. 1632 02:07:48,727 --> 02:07:57,469 MY WIFE AT HOME AND MY BOYS AND OH MY GOD, CONGRATS. 1633 02:07:57,536 --> 02:08:01,240 MICKEY AND KEITH, WHAT A GREAT NIGHT YOU HAVE DONE. 1634 02:08:01,306 --> 02:08:04,910 TO ALL MY FANS OUT THERE, AND COUNTRY RADIO, WE'VE MISSED 1635 02:08:04,977 --> 02:08:06,145 TOURING. 1636 02:08:06,211 --> 02:08:10,282 WE'VE MISSED BEING ON THE ROAD WITH EVERYBODY THAT MAKES ME AN 1637 02:08:10,349 --> 02:08:10,983 ENTERTAINER. 1638 02:08:11,050 --> 02:08:13,519 MY BUS DRIVER, MY BAND, MY CREW. 1639 02:08:13,585 --> 02:08:17,289 WHAT A CHALLENGING YEAR BUT TO ALL THE FANS AND EVERYBODY, 1640 02:08:17,356 --> 02:08:22,728 WE'LL BE BACK OUT ON THE ROAD DOING WHAT WE LOVE AND WHAT AN 1641 02:08:22,795 --> 02:08:23,262 AMAZING HONOR. 1642 02:08:23,328 --> 02:08:26,231 I LOVE YOU GUYS. 1643 02:08:26,298 --> 02:08:31,837 >> THANK YOU, LUKE, CONGRATS, WHAT AN AMAZING NIGHT TONIGHT. 1644 02:08:31,904 --> 02:08:35,808 AND JUST A REMINDER, AS YOU HAVE SEEN ON THIS STAGE, PRESENTED 1645 02:08:35,874 --> 02:08:40,412 TONIGHT, COUNTRY MUSIC IS A HUGE, BIG FAMILY WHERE EVERYONE 1646 02:08:40,479 --> 02:08:41,980 IS WELCOME. 1647 02:08:42,047 --> 02:08:45,350 >> AND CONGRATULATIONS TO ALL OF OUR WINNERS AND A BIG THANK YOU 1648 02:08:45,417 --> 02:08:47,920 TO THE COUNTRY MUSIC FANS OUT THERE. 1649 02:08:47,986 --> 02:08:48,887 WE LOVE YOU SO MUCH. 1650 02:08:48,954 --> 02:08:51,857 >> AND WE WANT A TOUR AS SOON AS WE CAN. 1651 02:08:51,924 --> 02:08:54,326 NOW PLEASE MICKEY, I HAD THE BEST NIGHT TONIGHT. 1652 02:08:54,393 --> 02:08:56,895 >> I I HAD THE BEST NIGHT TOO. 1653 02:08:56,962 --> 02:08:58,130 TAKE US HOME. 1654 02:08:58,197 --> 02:09:00,799 BY GOING TO THE RYMAN AND ONCE AGAIN HERE ARE BROTHERS OSBORNE, 1655 02:09:00,866 --> 02:09:07,072 GOD BLESS Y'ALL, GOOD NIGHT. 1656 02:09:07,139 --> 02:09:14,113 ♪ ♪ ♪ ♪ GRANDADDY CALLED HER PRINCESS 1657 02:09:14,179 --> 02:09:16,682 COUNTY FAIR CALLED HER QUEEN ♪ HIGH SCHOOL CALLED 1658 02:09:16,748 --> 02:09:18,984 HER CUM LAUDE, MOST LIKELY ♪ TO SUCCEED 1659 02:09:19,051 --> 02:09:21,954 HER DADDY'S BACKWOOD CRAZY ♪ SHE'S GOT TWO 6'4" BROTHERS 1660 02:09:22,020 --> 02:09:25,724 YOU TAKE ONE STEP ♪ ONTO THAT FRONT PORCH 1661 02:09:25,791 --> 02:09:26,959 AND YOU ONE CRAZY MOTHER-- ♪ CHASE WILL LEAVE 1662 02:09:27,025 --> 02:09:29,294 YOU BREATHLESS ♪ EVERY BACK ROAD IN THIS TOWN 1663 02:09:29,361 --> 02:09:30,696 SHE'LL LOVE YOU ♪ LIKE A SUNDAY DRIVE 1664 02:09:30,762 --> 02:09:32,698 AND SHE'LL TAKE YOUR ♪ POOR HEART DOWN 1665 02:09:32,764 --> 02:09:34,366 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1666 02:09:34,433 --> 02:09:37,169 NO REDEMPTION, NO RETURN ♪ GOOD GOD, I'M EITHER GONNA 1667 02:09:37,236 --> 02:09:38,537 CRASH OR BURN DOWN ♪ DEAD MAN'S CURVE 1668 02:09:38,604 --> 02:09:41,039 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1669 02:09:41,106 --> 02:09:42,808 COUNTRY BOYS AIN'T ♪ NEVER GONNA LEARN 1670 02:09:42,875 --> 02:09:44,476 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1671 02:09:44,543 --> 02:09:50,182 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE, OH 1672 02:09:50,249 --> 02:09:54,786 ♪ ♪ ♪ ♪ EVERY MAN'S BEEN TEMPTED 1673 02:09:54,853 --> 02:09:57,923 GREATER MEN HAVE TRIED ♪ AT BEST YOU'LL WIND UP DINNER 1674 02:09:57,990 --> 02:10:00,626 IF YOU'RE LUCKY ENOUGH ♪ TO SURVIVE 1675 02:10:00,692 --> 02:10:01,927 NOW SHE'S THE FINGER ♪ THAT YOU'RE WRAPPED AROUND 1676 02:10:01,994 --> 02:10:03,195 SHE'S WHAT EVERY ♪ COUNTRY SONG'S ABOUT 1677 02:10:03,262 --> 02:10:05,330 SHE'S THE TROUBLE ♪ THAT YOU'RE LOOKING FOR 1678 02:10:05,397 --> 02:10:06,899 SHE'S GONNA TAKE YOU DOWN AND ♪ LEAVE YOU COMING BACK FOR MORE 1679 02:10:06,965 --> 02:10:08,667 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1680 02:10:08,734 --> 02:10:12,037 NO REDEMPTION, NO RETURN ♪ GOOD GOD, I'M EITHER GONNA 1681 02:10:12,104 --> 02:10:13,639 CRASH OR BURN ♪ DOWN DEAD MAN'S CURVE 1682 02:10:13,705 --> 02:10:15,541 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1683 02:10:15,607 --> 02:10:17,509 COUNTRY BOYS AIN'T ♪ NEVER GONNA LEARN 1684 02:10:17,576 --> 02:10:19,178 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1685 02:10:19,244 --> 02:10:22,181 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1686 02:10:22,247 --> 02:10:26,818 ♪ ♪ ♪ ♪ ♪ ♪ 1687 02:10:26,885 --> 02:10:30,155 ♪ ♪ ♪ ♪ ♪ ♪ 1688 02:10:30,222 --> 02:10:33,492 >> WHAT YOU DOING WADDLIN' UP HERE? 1689 02:10:33,559 --> 02:10:38,230 YOU A DEAD MAN ♪ ♪ ♪ 1690 02:10:38,297 --> 02:10:42,301 ♪ ♪ ♪ ♪ ♪ ♪ 1691 02:10:42,367 --> 02:10:47,239 ♪ ♪ ♪ ♪ ♪ ♪ 1692 02:10:47,306 --> 02:10:49,708 ♪ ♪ ♪ ♪ YEAH, DEAD MAN'S CURVE 1693 02:10:49,775 --> 02:10:52,477 DEAD MAN'S CURVE ♪ NO REDEMPTION, NO RETURN 1694 02:10:52,544 --> 02:10:53,579 NOBODY EVER MAKES IT ♪ THROUGH THAT TURN 1695 02:10:53,645 --> 02:10:56,081 DEAD MAN'S CURVE ♪ DEAD MAN'S CURVE 1696 02:10:56,148 --> 02:10:57,983 DEAD MAN'S CURVE ♪ COUNTRY BOYS AIN'T 1697 02:10:58,050 --> 02:10:59,718 NEVER GONNA LEARN ♪ NOBODY EVER MAKES IT 1698 02:10:59,785 --> 02:11:01,253 THROUGH THAT TURN ♪ DEAD MAN'S CURVE 1699 02:11:01,320 --> 02:11:05,557 DEAD MAN'S CURVE ♪ ♪ ♪ 1700 02:11:05,624 --> 02:11:09,795 ♪ DEAD MAN'S CURVE, OH ♪ ♪ ♪ 1701 02:11:09,861 --> 02:11:12,831 YOU'RE COMIN' IN WAY TOO HOT ♪ YOU DONE HIT 1702 02:11:12,898 --> 02:11:15,834 THE WRONG TURN, BOY ♪ YOU'RE A DEAD MAN ♪ 133690

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