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1
00:00:16,449 --> 00:00:21,125
- HIGH SCHOOL IS HYPNOTIC.
2
00:00:21,187 --> 00:00:24,828
IT TICKS, AND TOCKS,
3
00:00:24,924 --> 00:00:31,273
DRAWING US INTO A WORLD
WE KNOW ALL TOO WELL...
4
00:00:31,331 --> 00:00:34,437
FROM MEMORIES, DREAMS,
5
00:00:34,501 --> 00:00:40,213
AND MOST OF ALL,
FROM THE MOVIES.
6
00:00:41,274 --> 00:00:43,811
THE FURTHER WE VENTURE INSIDE,
7
00:00:43,877 --> 00:00:49,418
THE MORE WE GIVE OURSELVES OVER
TO ITS ETERNAL RHYTHM.
8
00:00:49,516 --> 00:00:51,393
BEFORE WE KNOW IT,
9
00:00:51,484 --> 00:00:56,832
WE'RE UNDER THE SPELL
OF A PARALLEL UNIVERSE.
10
00:00:57,190 --> 00:01:02,071
BUSES GLIDE
INTO THE PARKING LOT.
11
00:01:02,162 --> 00:01:09,603
STARS AND STRIPES HANG LIFELESS
AS ANOTHER SEMESTER UNFOLDS.
12
00:01:09,669 --> 00:01:16,484
TEENS FROM ALL AROUND
FLOCK INTO THE BUILDING,
13
00:01:16,543 --> 00:01:20,685
LOST IN AN ENDLESS RITUAL.
14
00:01:22,749 --> 00:01:24,422
MOST REMAIN OBLIVIOUS
15
00:01:24,517 --> 00:01:29,159
TO THEIR ROLE
WITHIN THIS VAST PRODUCTION,
16
00:01:29,222 --> 00:01:31,862
BUT THOSE WHO WAKE
FROM THE TRANCE
17
00:01:31,925 --> 00:01:34,599
AND SEE THE SYSTEM
FOR WHAT IT REALLY IS,
18
00:01:34,694 --> 00:01:40,007
FIND THAT THE PATH TO FREEDOM
LIES STRAIGHT AHEAD.
19
00:01:40,066 --> 00:01:44,606
THE BEST WAY
TO SURVIVE HIGH SCHOOL
20
00:01:44,704 --> 00:01:49,847
IS TO PLAY
BY HIGH SCHOOL'S RULES.
21
00:01:52,011 --> 00:01:53,684
TRANSFER STUDENT SARAH
22
00:01:53,746 --> 00:01:57,250
UNDERSTANDS THESE RULES
BEITER THAN ANYONE
23
00:01:57,350 --> 00:02:00,024
IN "THE CRAFT".
24
00:02:00,086 --> 00:02:02,726
BLESSED WITH
A SUPERNATURAL GIFT,
25
00:02:02,789 --> 00:02:06,794
SHE SENSES A PATH
THROUGH THE MAZE OF HIGH SCHOOL
26
00:02:06,893 --> 00:02:11,000
AND SITS A COURSE
FOR WHAT LIES BEYOND.
27
00:02:11,064 --> 00:02:13,840
FIRST, SHE IDENTIFIES
NATURAL ALLIES
28
00:02:13,900 --> 00:02:19,009
IN BONNIE, NANCY AND ROCHELLE -
A TRIO OF GOTHIC PARIAHS
29
00:02:19,072 --> 00:02:21,245
TORMENTED BY
THEIR FELLOW STUDENTS...
30
00:02:21,307 --> 00:02:23,253
- HEY, SCARY BITCH ALERT.
- GOD!
31
00:02:23,309 --> 00:02:24,788
I THOUGHT IT WAS SATAN.
32
00:02:24,878 --> 00:02:30,726
- AND MARKED AS OUTSIDERS
BY FACTORS THEY CAN'T CONTROL.
33
00:02:30,783 --> 00:02:32,285
- SHARK!
34
00:02:33,920 --> 00:02:36,264
- WHY ARE YOU
DOING THIS TO ME, LAURA?
35
00:02:36,322 --> 00:02:39,428
DO YOU THINK YOU'RE FUNNY?
36
00:02:40,126 --> 00:02:41,264
- YOU REALLY WANNA KNOW WHY?
37
00:02:41,327 --> 00:02:45,639
- YES, I REALLY
WANNA KNOW WHY.
38
00:02:46,232 --> 00:02:48,007
- BECAUSE I DON'T LIKE NEGROIDS.
39
00:02:50,270 --> 00:02:50,771
- SORRY.
40
00:02:50,837 --> 00:02:56,310
- BONDED TOGETHER,
THEY ASSERT THEIR POWER AS ONE.
41
00:02:56,409 --> 00:02:59,049
- YOU GIRLS WATCH OUT
FOR THOSE WEIRDOS.
42
00:03:00,013 --> 00:03:03,460
WE ARE THE WEIRDOS,
MISTER.
43
00:03:04,751 --> 00:03:08,392
- AS THEY FORGE A FRESH PATH
THROUGH THE SYSTEM,
44
00:03:08,454 --> 00:03:11,401
THEY LIBERATE THEMSELVES
FROM THE PAST...
45
00:03:11,457 --> 00:03:13,095
- I DRINK OF MY SISTERS,
46
00:03:13,159 --> 00:03:17,335
AND I ASK FOR THE ABILITY
TO NOT HATE THOSE WHO HATE ME,
47
00:03:17,430 --> 00:03:21,401
ESPECIALLY RACIST
PIECES OF BLEACH-BLONDE SHIT,
48
00:03:21,467 --> 00:03:22,172
LIKE LAURA LIZZIE.
49
00:03:22,268 --> 00:03:27,718
- AND WREAK GRUESOME REVENGE
ON THOSE WHO'VE DONE THEM WRONG.
50
00:03:29,008 --> 00:03:35,550
FOR THEM, HIGH SCHOOL
WILL NEVER BE THE SAME.
51
00:03:36,182 --> 00:03:40,153
BUT AS THEY SHARE OUT
SARAH'S INCREDIBLE ABILITIES
52
00:03:40,220 --> 00:03:41,062
AMONGST THE GROUP...
53
00:03:41,154 --> 00:03:42,428
- Light as a feather,
stiff as a board.
54
00:03:42,488 --> 00:03:44,468
Light as a feather,
stiff as a board.
55
00:03:44,524 --> 00:03:48,529
- THEY CEASE TO EXIST
AS DISTINCT INDIVIDUALS,
56
00:03:48,628 --> 00:03:52,770
INSTEAD TAKING ON
A COLLECTIVE IDENTITY.
57
00:03:52,832 --> 00:03:55,642
NANCY CAN BE NANCY...
58
00:03:55,969 --> 00:03:58,643
OR SHE CAN BE SARAH,
59
00:03:58,705 --> 00:04:03,848
AS THE BORDERS BETWEEN THEM
FADE AWAY.
60
00:04:04,844 --> 00:04:07,347
UNNERVED BY THIS LOSS OF SELF,
61
00:04:07,413 --> 00:04:10,917
SARAH TURNS HER BACK
ON THE OTHERS...
62
00:04:12,685 --> 00:04:16,462
- THERE YOU ARE! WE'VE BEEN
LOOKING EVERYWHERE FOR YOU.
63
00:04:16,522 --> 00:04:19,401
- AND TURNS THEM
AGAINST HER.
64
00:04:19,492 --> 00:04:21,096
- WELL, IF YOU'RE
GONNA LEAVE THE CIRCLE,
65
00:04:21,160 --> 00:04:23,333
YOU MIGHT WANNA THINK
ABOUT LEAVING THE SCHOOL.
66
00:04:23,396 --> 00:04:26,570
- AND MAYBE THE CITY, TOO.
WE'RE NOT SURE.
67
00:04:26,666 --> 00:04:27,701
- OR THE PLANET.
68
00:04:27,767 --> 00:04:29,474
- DESPERATE TO MAINTAIN CONTROL,
69
00:04:29,569 --> 00:04:33,779
THE TRIO JOIN FORCES
TO CRUSH SARAH'S REBELLION,
70
00:04:33,873 --> 00:04:35,978
BUT WEAKENED
BY THEIR MISSING LINK,
71
00:04:36,042 --> 00:04:38,716
THEY'RE HELPLESS
TO DEFEND THEMSELVES...
72
00:04:38,778 --> 00:04:39,586
- WHERE ARE YOU GOING?!
73
00:04:39,679 --> 00:04:42,182
AS SHE TEARS THE PACK APART
FROM WITHIN.
74
00:04:42,248 --> 00:04:43,625
- I BIND YOU, NANCY,
FROM DOING HARM...
75
00:04:43,716 --> 00:04:46,560
HARM AGAINST OTHER PEOPLE
AND HARM AGAINST YOURSELF.
76
00:04:46,619 --> 00:04:49,463
- WAIT. -l BIND YOU,
NANCY, FROM DOING HARM...
77
00:04:49,555 --> 00:04:52,536
HARM AGAINST OTHER PEOPLE
AND HARM AGAINST YOURSELF.
78
00:04:52,592 --> 00:04:55,436
- AS THE GROUP SHATFERS
BEYOND REPAIR,
79
00:04:55,528 --> 00:04:58,168
POWER RETURNS
TO THE INDIVIDUAL.
80
00:04:58,231 --> 00:04:59,107
- WE WERE JUST WONDERING,
81
00:04:59,198 --> 00:05:01,474
DO YOU - DO YOU STILL
HAVE ANY POWERS?
82
00:05:01,534 --> 00:05:03,707
-'CAUSE WE DON'T.
83
00:05:04,304 --> 00:05:06,841
- HOLD YOUR BREATH
UNTIL I CALL.
84
00:05:06,939 --> 00:05:12,218
- SHE PROBABLY DOESN'T HAVE
ANY POWERS ANYWAY.
85
00:05:43,976 --> 00:05:49,790
- THE SPELL OF HIGH SCHOOL
IS LII-TED.
86
00:06:18,778 --> 00:06:20,758
- SHE KNOWS EVERYTHING
ABOUT EVERYONE
87
00:06:20,813 --> 00:06:23,692
SHE'S THE STAR,
SHE'S THE ONLY ONE TO BELONG
88
00:06:23,783 --> 00:06:25,319
SHE FEELS BAD FOR YOU
THAT YOU DON'T COMPARE
89
00:06:25,385 --> 00:06:28,764
SHE KNOWS IT'S HARD WHEN
SHE SEES, SHE SEES YOU STARE
90
00:06:28,855 --> 00:06:31,165
SHE'S A SYMBOL
OF THE TURNING WORLD
91
00:06:31,224 --> 00:06:34,228
SHE THINKS EVERYBODY'S
IN LOVE WITH HER
92
00:06:34,327 --> 00:06:35,931
SHE'S A STONE-COLD FOX
93
00:06:35,995 --> 00:06:37,702
SHE'S A STONE-COLD FOX
94
00:06:37,797 --> 00:06:42,678
AND THE TREES, LIKE LUNGS,
FILLING UP WITH AIR
95
00:06:42,735 --> 00:06:48,617
MY SISTER, THE MEAN ONE,
PULLING MY HAIR
96
00:06:48,708 --> 00:06:53,088
AND THOSE GIRLS, THEY WERE
JUST WOMEN IN DISGUISE
97
00:06:53,179 --> 00:06:57,719
THEY UNDERSTOOD IT ALL,
THERE WAS DARKNESS AND PAIN
98
00:06:57,817 --> 00:06:59,091
IN THEIR EYES
99
00:06:59,152 --> 00:07:01,462
IT ONLY MATTERS
THAT WE LOVED THEM
100
00:07:01,521 --> 00:07:04,229
IT ONLY MATTERS
THAT WE LOVED THEM
101
00:07:04,323 --> 00:07:08,169
IT ONLY MATTERS
THAT WE LOVED THEM
102
00:07:09,395 --> 00:07:10,999
IT ONLY MATTERS
THAT WE LOVED THEM
103
00:07:11,063 --> 00:07:14,374
IT ONLY MATTERS
THAT WE LOVED THEM
104
00:07:14,434 --> 00:07:20,715
IT ONLY MATTERS
THAT WE LOVED THEM
105
00:07:33,252 --> 00:07:35,596
- A FLURRY OF ACTIVITY
106
00:07:35,688 --> 00:07:39,033
SIGNALS THE BEGINNING
OF A TRANSFORMATIVE JOURNEY
107
00:07:39,091 --> 00:07:42,698
THROUGH THE TREACHEROUS
HIGH-SCHOOL SYSTEM.
108
00:07:42,762 --> 00:07:44,901
AS THE NEW
SCHOOL YEAR BEGINS,
109
00:07:44,964 --> 00:07:49,606
TEENS ARE POURED
INTO WHICHEVER MOLD BEST FITS.
110
00:07:49,702 --> 00:07:52,239
- THESE SEATS TAKEN, HERE?
111
00:07:52,305 --> 00:07:54,478
- NO, GO AHEAD.
112
00:07:54,574 --> 00:07:58,579
- THE THOUGHTS AND BELIEFS
THAT MAKE THEM WHO THEY ARE
113
00:07:58,644 --> 00:07:59,816
MUST BE SET ASIDE,
114
00:07:59,912 --> 00:08:01,949
AS THEY IDENTIFY
THE COMMON ELEMENTS
115
00:08:02,048 --> 00:08:04,255
THAT MIGHT
BOND THEM TOGETHER...
116
00:08:04,317 --> 00:08:06,661
- Hl, I'M GAVIN.
THIS IS U.v.
117
00:08:06,752 --> 00:08:09,198
- BECAUSE IN A WORLD
WHERE CLIQUES RULE...
118
00:08:09,255 --> 00:08:09,858
- I'M STEVE.
119
00:08:09,922 --> 00:08:11,959
- THEY'LL GET NOWHERE
ON THEIR OWN.
120
00:08:12,058 --> 00:08:14,368
- IT'S A CLASS SYSTEM, MAN.
121
00:08:14,427 --> 00:08:15,770
CHECK IT OUT.
122
00:08:15,828 --> 00:08:17,535
THERE YOU GOT
YOUR MOTORHEADS, JOCKS...
123
00:08:17,630 --> 00:08:21,305
ALL THE WORLD'S A GASKET,
A LUBE JOB AND A PACK OF LUCKYS.
124
00:08:21,400 --> 00:08:24,108
- WE WERE THE KIDS IN HIGH SCHOOL
WHO RAN THE FUCKING SCHOOL.
125
00:08:24,170 --> 00:08:26,047
THAT'S ALL IT IS.
THIS IS AN EXTENSION.
126
00:08:26,138 --> 00:08:27,776
- WE WERE THE JOCKS
IN HIGH SCHOOL.
127
00:08:27,840 --> 00:08:31,947
WE PLAYED THE SPORTS, WE RAN
THE SCHOOL, WE RAN THE PARTIES.
128
00:08:32,011 --> 00:08:33,388
- I'M GONNA MISS THIS PLACE...
129
00:08:33,479 --> 00:08:38,326
THE GAMES, THE PARTIES, ALL
THESE LOVELY WOMEN DIGGING ME.
130
00:08:38,417 --> 00:08:41,398
- NOW, OVER HERE
YOU HAVE YOUR MICRO-GEEKS...
131
00:08:41,454 --> 00:08:45,994
NERDS, WIZ-KIDS, AND VARIOUS
OTHER BOTFOM-FEEDERS.
132
00:08:46,092 --> 00:08:47,230
MUSIC OF CHOICE...
133
00:08:47,293 --> 00:08:48,567
THE SOUND OF AN APPLE PC
BEING BOOTED UP.
134
00:08:48,628 --> 00:08:51,666
DRUG OF CHOICE... STEPHEN HAWKING'S
"A BRIEF HISTORY OF TIME"
135
00:08:51,764 --> 00:08:54,540
AND A CUP OF JASMINE TEA
ON A SATURDAY NIGHT.
136
00:08:54,600 --> 00:08:57,809
- YOU TALK WEIRD,
AND YOUR CLOTHES ARE LAME.
137
00:08:57,870 --> 00:08:59,872
YOU'RE JUST
THIS WORMY LITTLE GUY
138
00:08:59,972 --> 00:09:01,645
WHO SITS IN HIS ROOM
AND STUDIES.
139
00:09:01,707 --> 00:09:04,085
- OVER THERE,
YOU HAVE YOUR SKATERS...
140
00:09:04,176 --> 00:09:06,884
RIFFIN', RAGIN' KIDS
AND THEIR RAMP TRAMPS.
141
00:09:06,979 --> 00:09:08,424
BAGGY PANTS, DICKIE WOOLS,
142
00:09:08,481 --> 00:09:10,859
DOING 50-50 GRINDS
WITH A GNARLY GRAB FINISH
143
00:09:10,950 --> 00:09:12,258
ON A HOMEMADE HALF PIPE.
144
00:09:12,318 --> 00:09:14,025
- THEY...
THEY LOOK LIKE TRASH,
145
00:09:14,120 --> 00:09:14,894
THEY'RE WEARING GARBAGE,
146
00:09:14,954 --> 00:09:17,594
THEY EXTEND TO THE GREATEST
LIMITS OF - OF INSANITY
147
00:09:17,657 --> 00:09:19,136
AND - AND...
AND HIDEOSITY,
148
00:09:19,191 --> 00:09:22,400
AND I JUST DON'T UNDERSTAND WHY THAT'S
SOMETHING THAT THEY STRIVE FOR.
149
00:09:22,495 --> 00:09:26,102
- HERE'S WHERE IT GETS
REALLY NASTY.
150
00:09:26,165 --> 00:09:27,974
- EVERYONE WANTED TO BE THEM.
151
00:09:28,034 --> 00:09:30,742
YOU KNOW THEM.
THEY WENT TO YOUR SCHOOL, TOO.
152
00:09:30,836 --> 00:09:33,339
THEY TOTALLY RULED.
153
00:09:33,406 --> 00:09:37,582
- YOU KNOW, HE'S SMART,
HE'S RICH.
154
00:09:37,677 --> 00:09:39,452
HE'S WI I I Y,
AND EVERYONE LIKES HIM.
155
00:09:39,512 --> 00:09:45,554
- YEAH, I KNEW KIDS LIKE THAT...
SUPERSTARS OF HIGH SCHOOL.
156
00:09:47,353 --> 00:09:47,990
- THAT'S IT.
157
00:09:48,054 --> 00:09:51,900
LESSON OVER,
CLASS DISMEMBERED.
158
00:09:51,991 --> 00:09:55,268
WELCOME TO CRADLE BAY HIGH,
STEVIE BOY.
159
00:09:55,328 --> 00:09:58,332
WELCOME TO MY NIGHTMARE.
160
00:10:00,499 --> 00:10:05,278
- TO A NEW ARRIVAL,
HIGH SCHOOL IS A JUNGLE.
161
00:10:05,338 --> 00:10:07,147
ONLY BY FINDING
THEIR RIGHTFUL PLACE
162
00:10:07,206 --> 00:10:11,882
CAN A LOST AND LONELY TEEN
MAKE THEIR WAY TO SAFETY.
163
00:10:11,944 --> 00:10:17,622
IN "MEAN GIRLS", NAVIGATING
THE CRUSH OF THE CAFETERIA
164
00:10:17,717 --> 00:10:21,665
PROVES AN OVERWHELMING TASK
FOR NEW STUDENT CADY
165
00:10:21,721 --> 00:10:25,567
UNTIL SHE COMES TO APPRECIATE
THE ORDER BENEATH THE CHAOS.
166
00:10:25,625 --> 00:10:28,799
- HERE, THIS MAP IS GONNA BE
YOUR GUIDE TO NORTH SHORE.
167
00:10:28,894 --> 00:10:32,341
NOW, WHERE YOU SIT
IN THE CAFETERIA IS CRUCIAL.
168
00:10:32,398 --> 00:10:33,934
- A STRICT HIERARCHY
169
00:10:34,033 --> 00:10:36,411
KEEPS EACH OF THE SCHOOL'S
CLIQUES IN PLACE,
170
00:10:36,469 --> 00:10:42,750
DAMNING SOME TO OBSCURITY WHILE
OTHERS ARE LII-TED TO STARDOM.
171
00:10:42,808 --> 00:10:45,516
MOST NOTORIOUS
ARE THE PLASTICS...
172
00:10:45,611 --> 00:10:49,081
AN ELITE GANG
OF CAREFULLY SCULPTED TEENS
173
00:10:49,148 --> 00:10:50,593
WHO WILL STOP AT NOTHING
174
00:10:50,650 --> 00:10:55,099
TO ENSURE
THEIR CONTINUED DOMINANCE.
175
00:10:55,154 --> 00:10:56,656
SO STRONG IS THEIR WILL
176
00:10:56,756 --> 00:11:00,465
THAT THE CLIQUE'S SUPREMACY
GOES ENTIRELY UNQUESTIONED
177
00:11:00,559 --> 00:11:03,665
BY THE REST
OF THE STUDENT BODY.
178
00:11:03,729 --> 00:11:06,369
[APPLAUSE 1
179
00:11:06,432 --> 00:11:10,574
THE PLASTICS OFFER TO MOLD CADY
INTO ONE OF THEIR OWN,
180
00:11:10,636 --> 00:11:14,106
TRANSFORMING HER INTO
HIGH-SCHOOL ROYALTY OVERNIGHT.
181
00:11:14,173 --> 00:11:17,620
- OKAY, YOU SHOULD JUST KNOW
THAT WE DON'T DO THIS A LOT,
182
00:11:17,677 --> 00:11:19,714
SO THIS IS, LIKE,
A REALLY HUGE DEAL.
183
00:11:19,812 --> 00:11:22,122
- WE WANT TO INVITE YOU
TO HAVE LUNCH WITH US
184
00:11:22,181 --> 00:11:23,956
EVERY DAY
FOR THE REST OF THE WEEK.
185
00:11:24,016 --> 00:11:26,121
- Ol-|, I-IT'S OKA-
- COOLNESS!
186
00:11:26,185 --> 00:11:27,357
SO, WE'LL SEE YOU TOMORROW.
187
00:11:27,453 --> 00:11:28,830
ON WEDNESDAYS,
WE WEAR PINK.
188
00:11:28,921 --> 00:11:33,199
- ONCE INSIDE, SHE DISCOVERS
THE SOURCE OF THE GROUPS POWER.
189
00:11:33,259 --> 00:11:34,932
TO MAINTAIN THEIR STANDING,
190
00:11:34,994 --> 00:11:39,136
THEY MUST DRAW STRENGTH
FROM THEIR LESS-POPULAR PEERS.
191
00:11:39,198 --> 00:11:39,972
- IT'S OUR BURN BOOK.
192
00:11:40,032 --> 00:11:42,638
SEE, WE CUT OUT GIRLS' PICTURES
FROM THE YEARBOOK,
193
00:11:42,702 --> 00:11:44,181
AND THEN WE WROTE COMMENTS.
194
00:11:44,270 --> 00:11:47,615
"TRANG PAK
IS A GROTSKY LITTLE BYOTCH."
195
00:11:47,673 --> 00:11:48,378
- STILL TRUE.
196
00:11:48,474 --> 00:11:51,284
- THIS IS THE CLIQUES
ULTIMATE CONTRADICTION...
197
00:11:51,343 --> 00:11:54,483
IN REALITY, THERE'S LITTLE
TO SEPARATE THE PLASTICS
198
00:11:54,547 --> 00:11:55,651
FROM THEIR FELLOW
STUDENTS.
199
00:11:55,715 --> 00:11:58,355
- WHY IS EVERYBODY
STRESSING OVER THIS THING?
200
00:11:58,451 --> 00:12:01,762
I MEAN, IT'S JUST PLASTIC.
201
00:12:01,821 --> 00:12:03,164
YOU COULD REALLY JUST...
202
00:12:04,657 --> 00:12:07,536
- THEY SURVIVE ONLY BY
FEEDING ON THE APPROVAL
203
00:12:07,626 --> 00:12:09,663
OF THE VERY PEOPLE
THEY MISTREAT.
204
00:12:09,729 --> 00:12:12,608
- I'M SORRY THAT PEOPLE
ARE SO JEALOUS OF ME,
205
00:12:12,698 --> 00:12:14,837
BUT I CAN'T HELP IT
THAT I'M POPULAR.
206
00:12:14,900 --> 00:12:17,107
- WITHOUT THE SUPPORT
OF THOSE BELOW THEM,
207
00:12:17,203 --> 00:12:20,241
THEY'D FALL HEADLONG
FROM THEIR PERCH.
208
00:12:21,040 --> 00:12:25,079
TEENAGE LIFE
IS FOUNDED ON THIS OPEN SECRET.
209
00:12:25,177 --> 00:12:27,350
- WELL, I KNOW
THIS SOUNDS CORNY,
210
00:12:27,413 --> 00:12:31,122
BUT WHENEVER I FEEL
THE TEMPTATION OF PEER PRESSURE,
211
00:12:31,217 --> 00:12:36,257
I TURN TO GOD AND HE
HELPS ME THROUGH THE PROBLEM.
212
00:12:36,355 --> 00:12:37,493
- THAT BEAUTIFUL.
213
00:12:37,556 --> 00:12:42,232
- THE ENTIRE SOCIAL FABRIC
OF HIGH SCHOOL
214
00:12:42,328 --> 00:12:43,432
RESTS ON A WILLINGNESS
TO IGNORE
215
00:12:43,496 --> 00:12:47,967
THE ARTIFICIAL FORCES
THAT KEEP THE CLIQUES IN PLACE.
216
00:12:49,869 --> 00:12:51,507
- THIS CULTURE OF SILENCE
217
00:12:51,570 --> 00:12:54,210
CAN MASK EVEN THE DARKEST
OF SECRETS,
218
00:12:54,273 --> 00:12:57,152
AS A GROUP OF HIGH-SCHOOL
A-LISTERS FINDS OUT
219
00:12:57,243 --> 00:12:59,849
IN "I KNOW WHAT YOU DID
LAST SUMMER."
220
00:12:59,912 --> 00:13:02,051
- A TOAST...
221
00:13:02,114 --> 00:13:02,649
TO US...
222
00:13:02,748 --> 00:13:09,859
TO OUR LAST SUMMER OF IMMATURE,
ADOLESCENT DECADENCE.
223
00:13:11,056 --> 00:13:12,763
- SOMEBODY'S BUZZED.
224
00:13:13,692 --> 00:13:16,639
YO, CHUM BAIT,
TAKE A HIKE!
225
00:13:17,530 --> 00:13:21,068
- AFTER ACCIDENTALLY RUNNING DOWN
A STRANGER IN THEIR CAR,
226
00:13:21,133 --> 00:13:22,635
THE TEENS
ARE QUICK TO ASSUME
227
00:13:22,735 --> 00:13:25,545
THAT THEY CAN STEER CLEAR
OF PUNISHMENT.
228
00:13:25,604 --> 00:13:27,106
- WHAT DO WE DO?
229
00:13:27,206 --> 00:13:27,741
- HELP ME.
230
00:13:27,807 --> 00:13:31,516
- AS MEMBERS OF THEIR SCHOOL'S
MOST PRIVILEGED CLIQUE,
231
00:13:31,610 --> 00:13:34,955
THEIR SLATES
CAN ALWAYS BE WIPED CLEAN.
232
00:13:35,047 --> 00:13:36,583
- SHIT, THEY'RE SLOWING DOWN!
233
00:13:36,649 --> 00:13:40,187
- THE ONLY THING
BEYOND THEIR CONTROL...
234
00:13:40,286 --> 00:13:41,594
- IT'S MAX.
235
00:13:41,654 --> 00:13:43,463
- GET RID OF HIM!
236
00:13:43,556 --> 00:13:47,060
- LS AN OUTSIDER.
237
00:13:49,228 --> 00:13:52,107
- JULIE?
WHAT YOU GOT, CAR TROUBLE?
238
00:13:52,164 --> 00:13:53,336
- ACTUALLY, UM...
239
00:13:55,267 --> 00:13:55,904
- L-lT'S BARRY.
240
00:13:55,968 --> 00:13:57,174
HE'S HAD
WAY TOO MUCH TO DRINK,
241
00:13:57,269 --> 00:14:01,775
AND WE'RE TRYING TO KEEP
THE UPCHUCK OUT OF THE NEW CAR.
242
00:14:02,341 --> 00:14:03,684
- WHAT CAN I DO FOR YOU, MAX?
243
00:14:03,776 --> 00:14:06,279
- YOU CAN WIPE THAT
MY-SHIT-DON'T-STINK GRIN
244
00:14:06,345 --> 00:14:06,982
OFF YOUR FACE.
245
00:14:07,079 --> 00:14:11,687
- A LONE WOLF WILL ALWAYS
BE A THREAT TO THE HERD.
246
00:14:11,750 --> 00:14:14,230
- OKAY, MAX. WILL DO.
247
00:14:14,286 --> 00:14:17,597
HAVE A GOOD NIGHT.
248
00:14:18,691 --> 00:14:21,365
- WELL, I'M SURE
SHE'LL JUST BE DARLING.
249
00:14:21,460 --> 00:14:24,168
- MY GOSH,
HERE THEY COME!
250
00:14:24,263 --> 00:14:25,367
I'M SO EXCITED!
251
00:14:25,431 --> 00:14:27,138
- FRENCH EXCHANGE STUDENT
GENEVIEVE
252
00:14:27,199 --> 00:14:31,739
IS A WOLF IN SHEEP'S CLOTHING
IN "SLAP HER, SHE'S FRENCH!"
253
00:14:31,837 --> 00:14:34,374
HELLO. I AM GENEVIEVE.
254
00:14:34,473 --> 00:14:39,354
TAKEN UNDER THE WING OF
THE ALL-AMERICAN GRADY FAMILY...
255
00:14:39,445 --> 00:14:40,082
- BONJOUR!
256
00:14:40,145 --> 00:14:43,592
SHE'S LIKE NOTHING ANY
OF THEM HAVE EVER SEEN BEFORE...
257
00:14:43,649 --> 00:14:48,496
SOPHISTICATED, MODEST,
AND CHARMINGLY INDIVIDUAL.
258
00:14:48,554 --> 00:14:50,090
- "WHAT IS PERHAPS
MOST REFRESHING
259
00:14:50,189 --> 00:14:52,032
"lS HER NATURAL APPEARANCE.
260
00:14:52,124 --> 00:14:54,627
"WHAT A RELIEF FROM THE
COSMETICALLY ENHANCED BARBIES
261
00:14:54,693 --> 00:14:57,572
THAT SEEM TO OVERPOPULATE
OUR SCHOOL."
262
00:14:57,663 --> 00:15:00,667
- ALONG WITH THE REST
OF THEIR SMALL TEXAN TOWN,
263
00:15:00,733 --> 00:15:04,203
THE GRADYS QUICKLY FALL
HEAD-OVER-HEELS IN LOVE
264
00:15:04,303 --> 00:15:07,147
WITH HER IMPOSSIBLY
ROMANTIC SENSIBILITY...
265
00:15:07,206 --> 00:15:11,552
A WORLD APART FROM THE PICKET
FENCES OF THE LONE STAR STATE.
266
00:15:11,644 --> 00:15:14,488
- GENEVIEVE, THESE ARE MY TWO
BEST FRIENDS IN THE WORLD...
267
00:15:14,546 --> 00:15:17,083
ASHLEY LOPEZ
AND TANNER JENNINGS.
268
00:15:17,182 --> 00:15:17,683
- HELLO.
269
00:15:17,750 --> 00:15:20,890
- SO, THIS IS
OUR LITTLE FRENCH VISITOR?
270
00:15:20,986 --> 00:15:21,760
- OUl.
271
00:15:21,820 --> 00:15:22,525
THAT MEANS "YEAH."
272
00:15:22,588 --> 00:15:24,932
IT'S WHAT HIP PEOPLE
IN FRANCE SAY.
273
00:15:26,892 --> 00:15:28,496
- HEY, CUTE OUTFIT.
- I-ll.
274
00:15:28,560 --> 00:15:32,667
- SOON, GENEVIEVE REPLACES THE
GRADYS' OWN DAUGHTER, STARLA,
275
00:15:32,731 --> 00:15:35,234
AS QUEEN BEE
OF THEIR SUBURBAN HIGH SCHOOL.
276
00:15:35,334 --> 00:15:37,507
GOOD MORNING, STARLA.
277
00:15:37,569 --> 00:15:40,413
I LOVE YOUR NEW PERFUME.
WHAT'S THAT CALLED?
278
00:15:40,506 --> 00:15:44,386
I REMEMBER.
IT'S CALLED "OVER!"
279
00:15:44,443 --> 00:15:46,081
- YEAH?
280
00:15:47,379 --> 00:15:48,881
AND IN CASE
YOU DIDN'T KNOW,
281
00:15:48,948 --> 00:15:51,087
YOUR BERET
LOOKS TOTALLY RETARDED!
282
00:15:54,219 --> 00:15:59,760
- BUT THE GLAMOUR OF HER BOHEMIAN
WAYS DOESN'T LAST LONG.
283
00:15:59,858 --> 00:16:03,362
- MANY OF YOU MIGHT RECOGNIZE
THIS LITTLE MESS OF A GIRL.
284
00:16:03,429 --> 00:16:10,142
IT'S GLARISSA VOGELSEY,
FORMERLY OF SPLENDONA, TEXAS!
285
00:16:10,970 --> 00:16:13,177
- AGAINST THE MONOTONY
OF THE CLIQUES,
286
00:16:13,272 --> 00:16:16,151
IT'S NO WONDER NON-CONFORMISTS
APPEAR SO EXOTIC,
287
00:16:16,241 --> 00:16:19,188
BUT THEY'RE NOT ALWAYS
WHAT THEY SEEM.
288
00:16:19,244 --> 00:16:21,588
- ISN'T THAT RIGHT,
CLARISSA?
289
00:16:21,647 --> 00:16:25,789
YOU ARE SUCH A LOSER BITCH!
290
00:16:26,618 --> 00:16:32,569
- SAY WHAT YOU WANT ABOUT ME,
BUT DON'T MESS WITH SPLENDONA!
291
00:16:37,229 --> 00:16:39,402
- TO PRESERVE ORDER,
292
00:16:39,465 --> 00:16:42,776
MAVERICKS LIKE GENEVIEVE
MUST BE CAST OUT
293
00:16:42,835 --> 00:16:47,875
OR MADE OVER
INTO SOMETHING NEW.
294
00:16:49,074 --> 00:16:54,456
CLASS PRESIDENT ZACK RULES
THE SCHOOL IN "SHE'S ALL THAT."
295
00:16:54,513 --> 00:16:55,491
- WHAT'S HAPPENING, CONNIE?
296
00:16:55,581 --> 00:16:57,618
HE SPOKE TO ME.
297
00:16:57,683 --> 00:17:00,721
- TO PROVE HIS POWER,
HE BITS HIS JOCK BUDDIES
298
00:17:00,819 --> 00:17:05,495
THAT HE CAN TRANSFORM ANY GIRL
AT SCHOOL INTO PROM QUEEN,
299
00:17:05,591 --> 00:17:09,471
SUCH IS THE FORCE
OF HIS SOCIAL INFLUENCE.
300
00:17:09,528 --> 00:17:11,508
- TAKE...
301
00:17:11,597 --> 00:17:13,804
TAKE HER FOR EXAMPLE...
302
00:17:13,866 --> 00:17:14,708
SHORT, DECENT RACK,
303
00:17:14,800 --> 00:17:18,338
KIND OF A CHELSEA CLINTON THING
GOING ON,
304
00:17:18,437 --> 00:17:21,611
BUT GIVEN THE RIGHT LOOK,
THE RIGHT BOYFRIEND,
305
00:17:21,673 --> 00:17:25,382
BAM! IN SIX WEEKS, SHE'S THE ONE
BEING CROWNED PROM QUEEN.
306
00:17:25,477 --> 00:17:28,822
- BUT WHEN THEY ELECT
HOPELESS OUTCAST LANEY
307
00:17:28,881 --> 00:17:30,189
AS HIS TEST SUBJECT,
308
00:17:30,282 --> 00:17:32,728
HIS CONFIDENCE IS SHAKEN.
309
00:17:32,785 --> 00:17:33,820
- LOOK, FAT I CAN HANDLE.
310
00:17:33,886 --> 00:17:38,096
WEIRD BOOBS, BAD PERSONALITY,
MAYBE SOME SORT OF FUNGUS.
311
00:17:38,190 --> 00:17:41,637
COME ON, SCARY AND
lNACCESSIBLE'S ANOTHER STORY.
312
00:17:41,693 --> 00:17:44,196
- A MEMBER OF EVEN
THE MOST LOWLY OF CLIQUES
313
00:17:44,296 --> 00:17:46,776
COULD'VE BEEN RAPIDLY
PROMOTED UP THE CHAIN
314
00:17:46,832 --> 00:17:47,674
TO ZACK'S STRATOSPHERE,
315
00:17:47,733 --> 00:17:52,045
BUT LANEY EXISTS COMPLETELY
OUTSIDE OF THE SYSTEM.
316
00:17:52,137 --> 00:17:53,582
- LANEY.
317
00:17:53,639 --> 00:17:54,583
- TO REMODEL HER,
318
00:17:54,640 --> 00:17:55,914
ZACK WILL HAVE TO TAKE
A SABBATICAL
319
00:17:55,974 --> 00:17:59,615
FROM THE STRUCTURE
THAT'S SERVED HIM SO WELL
320
00:17:59,678 --> 00:18:00,520
AND DIVE HEADFIRST
321
00:18:00,579 --> 00:18:04,584
INTO THE UNCERTAIN WATERS
OF THE OUTSIDE WORLD.
322
00:18:04,683 --> 00:18:09,826
HIS ODYSSEY BEGINS
AT A PERFORMANCE-ART SHOW.
323
00:18:13,092 --> 00:18:18,872
HE DOES HIS BEST TO EMBRACE
LANEY'S WAY OF LIFE...
324
00:18:22,534 --> 00:18:24,309
HACK-Y-SACK.
325
00:18:24,369 --> 00:18:25,074
- BUT IT'S CLEAR
326
00:18:25,170 --> 00:18:28,310
HE LONGS TO RETURN TO THE
SECURITY OF HIS LETFERMAN JACKET
327
00:18:28,373 --> 00:18:32,219
AND CAREFULLY HONED
REPUTATION.
328
00:18:32,277 --> 00:18:36,453
- BY CONTRAST, LANEY'S FIRST
FOOTSTEPS INTO ZACK'S DOMAIN,
329
00:18:36,548 --> 00:18:41,691
BY WAY OF A SLEEK RED DRESS AND
AN IMPROMPTU MAKEOVER SESSION,
330
00:18:41,753 --> 00:18:43,858
ARE A REVELATION.
331
00:18:43,922 --> 00:18:45,629
- SWING THE SPINNING STEP
332
00:18:45,724 --> 00:18:47,203
YOU WEAR THOSE SHOES,
AND I...
333
00:18:47,259 --> 00:18:50,468
- FINALLY, HER INDIVIDUALITY
WON'T BE A BARRIER
334
00:18:50,562 --> 00:18:55,033
TO HER - AND ZACK'S...
ABILITY TO GIT AHEAD.
335
00:18:55,100 --> 00:18:57,205
SOON, SHE'S THE TALK
OF THE HALLWAY,
336
00:18:57,269 --> 00:18:58,270
AS STUDENTS
FROM ALL CLIQUES
337
00:18:58,370 --> 00:19:04,343
DELIGHT IN HER
SUDDEN EMBRACE OF THEIR WAYS.
338
00:19:04,409 --> 00:19:07,947
BUT FOR ALL HER
TEMPORARY CELEBRITY,
339
00:19:08,046 --> 00:19:14,327
HER NEW LOOK SOON SEES HER
FADE QUIETLY INTO THE CROWD.
340
00:19:15,220 --> 00:19:21,068
LANEY'S BRAND OF REBELLION
IS EASILY QUELLED,
341
00:19:21,126 --> 00:19:25,268
NOT WITH BRUTE FORCE,
BUT SOFT EMBRACE.
342
00:19:25,330 --> 00:19:27,936
- BETWEEN TWO GIRLS,
WHICH ONE WE GONNA PICK?
343
00:19:28,000 --> 00:19:30,640
I'D RATHER PICK LANEY 'CAUSE
TAYLOR BE TALKING - SHHHH
344
00:19:30,736 --> 00:19:33,512
SHE THINKS SHE'S ALL OF THAT
WITH EVERYTHING IN BETWEEN
345
00:19:33,572 --> 00:19:36,075
BUT WHO'S ABOUT TO BE
PROM QUEEN? LANEY
346
00:19:36,141 --> 00:19:38,280
WELL TAYLOR USED TO BE
THE THING, BUT NOW SHE'S NOT
347
00:19:38,343 --> 00:19:40,721
LANEY'S GOING FOR PROM QUEEN
AND TAYLOR'S HOT
348
00:19:40,812 --> 00:19:43,486
BUT WE DON'T GIVE A DAMN
ABOUT TAYLOR VAUGHAN
349
00:19:43,582 --> 00:19:46,188
'CAUSE TAYLOR'S FADING OUT
AND LANEY'S ON
350
00:19:46,251 --> 00:19:48,561
IF I GOULD GIT WITH LANEY,
YO, lT'D BE REAL COOL
351
00:19:48,620 --> 00:19:51,464
WITH THE QUEEN BY MY SIDE,
WE'D RUN THE WHOLE DAMN SCHOOL
352
00:19:51,523 --> 00:19:53,833
- YO, KEEP IT ON THE BREAK,
AND I'MA KEEP THIS COOL
353
00:19:53,926 --> 00:19:56,964
TAYLOR DITCHED ZACK
FOR A CAR AND A FOOL
354
00:19:57,029 --> 00:19:59,168
ALL FOR THE HIGH-SCHOOL
JOCK NAMED BROCK,
355
00:19:59,264 --> 00:20:02,438
WITH MY MAN CLICK
ON THE BEATBOX
356
00:20:04,503 --> 00:20:05,777
LAN EY.
357
00:20:05,837 --> 00:20:07,874
- YEAH, SHE'S ALL THAT
358
00:20:09,942 --> 00:20:15,415
- WITH EVERY ROLE CAST,
THE PERFORMANCE CAN BEGIN.
359
00:20:34,499 --> 00:20:39,312
I THINK IT'S THE SADDEST THING
I EVER HEARD
360
00:20:39,371 --> 00:20:44,480
BUT I'VE A REPUTATION
TO UPHOLD
361
00:20:44,543 --> 00:20:49,515
I HATE YOU SO MUCH
THAT IT MAKES ME SICK
362
00:20:49,581 --> 00:20:53,188
BUT I DON'T TRUST MYSELF
WITH YOU, YOU KNOW?
363
00:20:53,252 --> 00:20:57,029
YOU TAKE YOURSELF
TOO SERIOUSLY
364
00:20:57,089 --> 00:21:02,437
I ALWAYS KNEW
IT WOULD BE LIKE THAT
365
00:21:02,527 --> 00:21:08,239
YOU TAKE YOURSELF
TOO SERIOUSLY
366
00:21:13,939 --> 00:21:19,446
I GUESS THIS IS A STORY
THAT MIGHT BORE YOU
367
00:21:19,544 --> 00:21:24,254
ARE YOU TOO AFRAID
TO COME UP TO ME'?
368
00:21:24,349 --> 00:21:29,856
WE'LL DANCE, WE'LL KISS,
THEN WE'LL GO HOME
369
00:21:29,921 --> 00:21:33,698
DON'T BE WHO
THEY WANT YOU TO BE
370
00:21:33,759 --> 00:21:37,400
YOU TAKE YOURSELF
TOO SERIOUSLY
371
00:21:37,462 --> 00:21:40,909
- BENEATH THE CHAOTIC SURFACE
OF TEEN EXCESS
372
00:21:40,966 --> 00:21:43,674
LIES A CAREFULLY ORCHESTRATED
RITUAL...
373
00:21:43,769 --> 00:21:47,649
- HUNTINGTON HILLS HIGH,
KISS MY ASS!
374
00:21:47,739 --> 00:21:49,047
- THE JOCKS AT THE CENTRE
375
00:21:49,107 --> 00:21:52,714
SCHEMING TO PAIR THEMSELVES UP
WITH AVAILABLE GHEERLEADERS...
376
00:21:52,778 --> 00:21:53,756
- THERE THEY ARE.
377
00:21:55,747 --> 00:21:56,782
- COME ON.
378
00:21:56,882 --> 00:21:58,259
- THE GEEKS
ON THE DOORSTEP,
379
00:21:58,317 --> 00:22:01,958
DESPERATE TO BARTER
THEIR WAY INSIDE...
380
00:22:02,054 --> 00:22:03,328
- THERE'S NO PARTY.
381
00:22:03,388 --> 00:22:05,026
- THE BURNOUTS
ON THE FRINGES,
382
00:22:05,090 --> 00:22:09,698
OBSERVING THE CHAOS
FROM AN IMPARTIAL DISTANCE.
383
00:22:09,761 --> 00:22:13,971
THEY'RE TOGETHER BUT APART,
UNITED ONLY BY YOUTH
384
00:22:14,066 --> 00:22:19,709
AND A FAITHFUL ADHERENCE
TO THE HIGH-SCHOOL RULE BOOK.
385
00:22:22,274 --> 00:22:25,778
- THAT GIRL DIDN'T LOVE YOU.
SHE JUST FELT SORRY FOR YOU.
386
00:22:25,844 --> 00:22:29,883
- NAIVE ODDBALL JIMMY
LIVES BY A STRICT SET OF RULES
387
00:22:29,981 --> 00:22:30,584
IN "BUBBLE BOY".
388
00:22:30,649 --> 00:22:33,459
MOST OF THEM DICTATED
BY HIS DEVOUT CHRISTIAN MOTHER,
389
00:22:33,518 --> 00:22:36,965
WHO KEEPS HIM LOCKED UP
IN A STERILE PLASTIC DOME
390
00:22:37,022 --> 00:22:41,129
TO PROTECT HIM FROM THE
CORRUPTION OF THE WIDER WORLD.
391
00:22:41,193 --> 00:22:42,695
SHE MAINTAINS TOTAL CONTROL
392
00:22:42,794 --> 00:22:45,775
OVER EVERYTHING THAT PASSES
THROUGH THE BUBBLES WALLS.
393
00:22:45,831 --> 00:22:47,936
- AND THEY PINOCCHIO
CAME OUT OF HIS PLASTIC BUBBLE,
394
00:22:47,999 --> 00:22:51,537
TOUCHED THE FILTHY LITTLE WHORE
NEXT DOOR, AND DIED.
395
00:22:51,636 --> 00:22:52,171
THE END.
396
00:22:52,270 --> 00:22:54,113
- BUT STILL,
SOME NAGGING RESISTANCE
397
00:22:54,172 --> 00:22:58,314
KEEPS JIMMY FROM SUBMITTING
ENTIRELY TO HER AUTHORITY,
398
00:22:58,377 --> 00:23:02,826
ESPECIALLY ONCE A RIVAL FOR HIS
AFFECTIONS ARRIVES ON THE SCENE.
399
00:23:02,881 --> 00:23:04,986
- SOMETHING
WAS HAPPENING TO ME,
400
00:23:05,050 --> 00:23:08,190
BUT I DIDN'T KNOW WHAT.
401
00:23:13,825 --> 00:23:14,496
MOM!
402
00:23:14,559 --> 00:23:16,368
JIMMY, WHAT'S GOING ON?!
403
00:23:16,461 --> 00:23:17,064
- WHAT HAPPENED'?!
404
00:23:17,129 --> 00:23:19,473
ARE YOU ALL RIGHT?
- WHAT IS IT?!
405
00:23:19,531 --> 00:23:21,477
MY GOD.
406
00:23:21,533 --> 00:23:23,308
DON'T TOUGH IT!
407
00:23:23,368 --> 00:23:23,903
HANDS OFF!
408
00:23:24,002 --> 00:23:26,004
NOW, JUST RELAX, DON'T GET UPSET.
- IT HURTS!
409
00:23:26,071 --> 00:23:27,243
- JUST - JUST DO
WHAT I TELL YOUR FATHER,
410
00:23:27,339 --> 00:23:31,014
JUST SAY THE PLEDGE OF ALLEGIANCE
OVER AND OVER UNTIL IT GOES AWAY.
411
00:23:31,076 --> 00:23:31,611
COME ON!
412
00:23:31,710 --> 00:23:35,214
- I PLEDGE ALLEGIANCE TO THE FLAG
OF THE UNITED STATES OF AMERICA,
413
00:23:35,313 --> 00:23:37,122
AND TO THE REPUBLIC
FOR WHICH IT STANDS,
414
00:23:37,182 --> 00:23:38,855
ONE NATION UNDER GOD,
INDIVISIBLE,
415
00:23:38,917 --> 00:23:42,387
WITH LIBERTY AND JUSTICE
FOR ALL.
416
00:23:42,487 --> 00:23:44,933
I PLEDGE ALLEGIANCE TO THE FLAG
OF THE UNITED STATES...
417
00:23:44,990 --> 00:23:46,628
- THE SEEDS OF DOUBT
ARE PLANTED,
418
00:23:46,691 --> 00:23:50,730
AND AS JIMMY'S NEW CRUSH, CHLOE,
EDGES EVER CLOSER...
419
00:23:50,829 --> 00:23:51,773
- I SUCK!
420
00:23:51,830 --> 00:23:52,638
- THE BUBBLE PROVES
421
00:23:52,697 --> 00:23:56,873
AN ENTIRELY INEFFECTIVE
CHASTITY BELT.
422
00:23:56,935 --> 00:24:00,075
- YOU HAVE TO JUST PRESS HARDER.
- OKAY.
423
00:24:00,172 --> 00:24:01,515
- HARDER HERE.
424
00:24:01,573 --> 00:24:02,916
- LIKE...
- NOW GO. NOW GO.
425
00:24:03,008 --> 00:24:03,884
- OKAY.
426
00:24:03,942 --> 00:24:05,819
- HARDER.
- WHEN I LOOK
427
00:24:07,512 --> 00:24:09,514
ALL A... ROU-ROUND...
428
00:24:09,581 --> 00:24:12,755
- I PLEDGE ALLEGIANCE TO THE FLAG
OF THE UNITED STATES OF AMERICA
429
00:24:12,851 --> 00:24:15,695
- SOON, SHE ATFEMPTS
TO BREACH THE DOME...
430
00:24:15,754 --> 00:24:17,028
- THAT'S WHY
I'M COMING IN.
431
00:24:17,088 --> 00:24:19,591
- CHLOE! WAIT!
WHOA. WHOA.
432
00:24:19,691 --> 00:24:20,669
- BUT JIMMY BLOCKS HER OUT,
433
00:24:20,725 --> 00:24:22,762
PAYING CLOSE ATTENTION
TO HIS MOTHER'S WARNINGS.
434
00:24:22,861 --> 00:24:27,901
REJECTED, CHLOE IS PROPELLED
INTO THE ARMS OF THE ANTI-JIMMY,
435
00:24:27,966 --> 00:24:33,245
A SWAGGERING, MULLEFED EXTROVERT
WITH NOTHING TO HOLDHIMBACK.
436
00:24:33,305 --> 00:24:35,842
- MARK, JIMMY.
JIMMY, MARK.
437
00:24:35,941 --> 00:24:37,921
- SUP, JIMBO'?
438
00:24:37,976 --> 00:24:41,014
- PUSHED TO THE LIMIT,
JIMMY ATFEMPTS TO RECONCILE
439
00:24:41,112 --> 00:24:47,119
HIS LONGING FOR CHLOE WITH
HIS FEAR OF THE OUTSIDE WORLD.
440
00:24:47,886 --> 00:24:52,835
HE GONSTRUCTS A MOBILE BUBBLE
AND TAKES IT ON THE ROAD
441
00:24:52,891 --> 00:24:53,995
IN SEARCH OF ANSWERS
442
00:24:54,059 --> 00:24:58,667
TO A QUESTION
HE DOESN'T FULLY UNDERSTAND.
443
00:25:00,398 --> 00:25:04,107
ALONG THE WAY,
HIS CONFUSION ONLY DEEPENS.
444
00:25:04,169 --> 00:25:05,648
- ARE YOU ALL RIGHT?!
445
00:25:05,737 --> 00:25:07,080
- A BUSLOAD OF PILGRIMS
446
00:25:07,138 --> 00:25:10,745
STRESS THE DANGERS
OF GIVING IN TO IMPULSE...
447
00:25:10,809 --> 00:25:12,288
- FIRST, WE PREPARE OUR SOULS
448
00:25:12,344 --> 00:25:15,951
BY STRIPPING OURSELVES
OF ALL MATERIAL POSSESSIONS,
449
00:25:16,014 --> 00:25:20,121
AND SEXUAL DESIRES.
450
00:25:27,325 --> 00:25:28,463
- WHILE A FREE-SPIRITED BIKER
451
00:25:28,527 --> 00:25:33,670
ENCOURAGES HIM TO LOSE HIS
INHIBITIONS AND GO FOR IT.
452
00:25:33,765 --> 00:25:35,802
- SLl M?
- YEAH.
453
00:25:35,867 --> 00:25:38,347
- WHAT'S IT LIKE?
454
00:25:44,442 --> 00:25:49,790
1200 CCS OF AMERICAN STEEL
VIBRATING BETWEEN YOUR LEGS!
455
00:25:49,848 --> 00:25:50,952
MAN.
456
00:25:51,016 --> 00:25:52,825
I'M TALKING FOURTH GEAR.
457
00:25:52,884 --> 00:25:54,363
4000 RPMs!
458
00:25:54,452 --> 00:25:56,489
Al!
459
00:25:56,555 --> 00:25:59,195
- THAT SOUNDS AMAZING.
[CHUCKLES 1
460
00:26:01,560 --> 00:26:03,767
- JIMMY IS TORN...
461
00:26:03,862 --> 00:26:05,341
BUT NOT FOR LONG.
462
00:26:05,397 --> 00:26:10,107
CHLOE FINALLY WITHIN HIS GRASP,
HE SHEDS THE BUBBLE FOR GOOD.
463
00:26:10,201 --> 00:26:12,044
- I'D RATHER SPEND ONE MINUTE
HOLDING YOU
464
00:26:12,137 --> 00:26:15,482
THAN THE REST OF MY LIFE
KNOWING I NEVER COULD.
465
00:26:15,540 --> 00:26:22,185
THE RULES FALL AWAY,
AS INSTINCT TAKES OVER.
466
00:27:02,754 --> 00:27:06,224
- IT'S OKAY,
I WANT YOU TO.
467
00:27:43,128 --> 00:27:46,769
- WAIT, WAIT, WAIT, WAIT, WAIT,
WE CAN'T...
468
00:27:46,831 --> 00:27:50,108
WE CAN'T DO THIS.
WE CAN'T DO THIS.
469
00:28:23,968 --> 00:28:24,571
- AS THEIR BODIES
470
00:28:24,636 --> 00:28:28,140
PULL THEM EVER CLOSER
TOWARDS A SEXUAL AWAKENING,
471
00:28:28,206 --> 00:28:32,655
TEENAGE MINDS EXERT
AN EQUAL AND OPPOSITE REACTION
472
00:28:32,711 --> 00:28:33,712
TO PULL THEM AWAY
473
00:28:34,512 --> 00:28:41,726
OUT IN THE OPEN, SEX SEEMS
A STRANGE AND TERRIFYING THING.
474
00:28:41,820 --> 00:28:44,699
TORN BETWEEN
DESIRE AND FEAR,
475
00:28:44,789 --> 00:28:48,066
TEENS ARE TRAPPED
IN A HOPELESS BATTLE...
476
00:28:48,126 --> 00:28:50,970
AGAINST THEMSELVES.
477
00:28:51,029 --> 00:28:54,340
IN "lDLE HANDS",
ADOLESCENT STONER ANTON
478
00:28:54,399 --> 00:28:59,371
LIVES A LIFE OF QUIET APATHY
IN HIS SLEEPY SUBURBAN HOMETOWN.
479
00:28:59,471 --> 00:29:07,151
HIS SEXUAL INSTINCTS, NUMBED BY
DRUGS AND BOREDOM, LIE DORMANT.
480
00:29:08,213 --> 00:29:11,592
AT LEAST UNTIL HIS PUBESCENT
URGES ARE ROUSED
481
00:29:11,683 --> 00:29:13,685
BY THE SUDDEN APPEARANCE
OF MOLLY,
482
00:29:13,752 --> 00:29:16,596
A SOULFUL ARTIST
WHO ENTRANCES ANTON
483
00:29:16,688 --> 00:29:20,192
WITH THE BEAUTY
OF HER LYRICISM...
484
00:29:21,259 --> 00:29:23,967
- THESE ARE GREAT.
485
00:29:24,662 --> 00:29:30,943
- AND PETRIFIES HIM WITH
THE PROSPECT OF HER SEXUALITY.
486
00:29:38,443 --> 00:29:40,389
- MY BOOK!
487
00:29:41,346 --> 00:29:42,984
THANK YOU SO MUCH FOR...
488
00:29:43,047 --> 00:29:45,493
RETURNING IT.
489
00:29:45,550 --> 00:29:46,426
HEY!
490
00:29:46,518 --> 00:29:50,227
- SHE SPARKS IN HIM
A TOTAL PERSONALITY SHIFT,
491
00:29:50,288 --> 00:29:51,665
HIS NORMAL PASSIVE SELF
492
00:29:51,756 --> 00:29:56,296
MUTATING INTO AN AGGRESSIVE,
DEEPLY VOLATILE PERSONA.
493
00:29:56,394 --> 00:29:57,031
- WANT A BEER'?
494
00:29:57,095 --> 00:30:00,474
- NO, THANKS.
- YOU SURE'? JUST...
495
00:30:04,235 --> 00:30:07,079
- WHOA.
496
00:30:09,474 --> 00:30:10,680
- MICK.
497
00:30:10,775 --> 00:30:11,583
- THIS NEW ANTON
498
00:30:11,643 --> 00:30:15,250
LASHES OUT VIOLENTLY
AT HIS SLACKER FRIENDS
499
00:30:15,313 --> 00:30:18,522
BUT WHEN CONFRONTED,
DENIES RESPONSIBILITY.
500
00:30:18,616 --> 00:30:21,324
- NO MAN, I DIDN'T DO IT.
501
00:30:21,419 --> 00:30:22,454
- O-OKAY, ANTON.
502
00:30:24,255 --> 00:30:25,393
I HAVE TO LEAVE NOW.
503
00:30:25,456 --> 00:30:27,231
- INSTEAD, HE BLAMES
504
00:30:27,292 --> 00:30:30,967
THAT ULTIMATE AGENT
OF TEEN SEXUALITY...
505
00:30:31,062 --> 00:30:32,837
HIS RIGHT HAND.
506
00:30:33,298 --> 00:30:35,175
'AAH!
507
00:30:39,771 --> 00:30:41,580
AAH!
508
00:30:42,507 --> 00:30:45,181
- THE HAND TAKES ON
A MIND OF ITS OWN,
509
00:30:45,276 --> 00:30:47,415
ELIMINATING ANY OBSTACLE
IN ITS PATH
510
00:30:47,478 --> 00:30:51,585
AS IT SETS A COURSE
FOR THE OBJECT OF ITS AFFECTION.
511
00:30:52,851 --> 00:30:54,956
PANIG-STRICKEN BY WHAT
HE APPEARS TO CRAVE,
512
00:30:55,019 --> 00:30:58,159
ANTON TRIES TO RESIST
THE HAND'S IMPULSES...
513
00:30:58,990 --> 00:31:01,527
- BUT THE REST OF HIS BODY
PROVES WEAK BY COMPARISON.
514
00:31:01,626 --> 00:31:04,266
- LOOK, DO YOU WANT TO COME
INSIDE FOR A SECOND AND TALK?
515
00:31:04,329 --> 00:31:06,275
- NO.
- YEAH?
516
00:31:06,331 --> 00:31:07,503
- NO!
- OKAY.
517
00:31:08,366 --> 00:31:11,711
- DESPERATE TO PUT AN END
TO THESE UNWANTED DESIRES,
518
00:31:11,803 --> 00:31:13,510
HE RESOLVES
TO SEVER THE HAND,
519
00:31:13,605 --> 00:31:17,417
CASTRATING HIMSELF
FROM ITS IMPURE URGES.
520
00:31:30,555 --> 00:31:32,557
- IT'S A BOLD SACRIFICE...
521
00:31:33,324 --> 00:31:37,864
- BUT THIS IS ONE APPETITE THAT
WON'T BE SO EASILY SUPPRESSED.
522
00:31:39,664 --> 00:31:42,270
- SHIT.
523
00:31:46,671 --> 00:31:49,151
- DETACHED FROM
HIS MIND AND BODY,
524
00:31:49,207 --> 00:31:53,212
ANTON'S SEXUAL INSTINCTS
NOW RUN RIOT,
525
00:31:53,311 --> 00:31:56,758
WITH DISASTROUS CONSEQUENCES.
526
00:32:04,355 --> 00:32:05,993
RIGHT THERE.
527
00:32:07,091 --> 00:32:08,968
MY GOODNESS.
528
00:32:23,775 --> 00:32:27,951
- WITH SEXUAL AWAKENING
SO OFTEN ENDING IN CATASTROPHE,
529
00:32:28,046 --> 00:32:32,085
IT'S NOT HARD TO SEE WHY TEENS
MIGHT BE EAGER TO PUT IT OFF.
530
00:32:32,183 --> 00:32:36,154
- DOES IT HURT DOWN BY YOUR
TAILBONE, OR IT UP HIGHER?
531
00:32:36,220 --> 00:32:38,598
IS - IS IT TIGHT
THROUGHOUT HERE?
532
00:32:38,690 --> 00:32:40,328
- MAYBE.
533
00:32:40,391 --> 00:32:43,031
- DOES IT ACHE BACK HERE?
534
00:32:43,895 --> 00:32:44,839
- MIGHT.
535
00:32:44,896 --> 00:32:46,603
- MY GOD.
536
00:32:49,033 --> 00:32:50,171
DO YOU THINK IT'S CRAMPS?
537
00:32:50,234 --> 00:32:54,376
- WOULD YOU GIVE IT
A REST FOR TWO SECONDS?...
538
00:32:54,439 --> 00:32:56,248
- PAM, WE'RE EATING.
- HENRY...
539
00:32:56,307 --> 00:33:00,016
THE GIRLS ARE BOTH THREE YEARS LATE
MENSTRUATING, OKAY? IT'S NOT NORMAL.
540
00:33:00,111 --> 00:33:01,886
IF IT'S FINALLY HAPPENING...
541
00:33:01,946 --> 00:33:02,947
- IN "GINGER SNAPS",
542
00:33:03,047 --> 00:33:06,028
THE ONSET OF PUBERTY
IN TEENAGE NIHILIST GINGER
543
00:33:06,084 --> 00:33:09,588
COINCIDES WITH THE BEGINNING
OF HER TRANSFORMATION
544
00:33:09,654 --> 00:33:10,598
INTO A WEREWOLF.
545
00:33:10,655 --> 00:33:14,626
BOTH DEVELOPMENTS TRIGGER
GRUESOME PHYSICAL CHANGES
546
00:33:14,726 --> 00:33:17,104
AND EXTREME SHIFTS
IN TEMPERAMENT,
547
00:33:17,161 --> 00:33:20,165
MAKING IT HARD
TO SEPARATE ONE
548
00:33:20,264 --> 00:33:22,403
FROM THE OTHER.
549
00:33:22,467 --> 00:33:25,641
- I'M SURE IT SEEMS LIKE
A LOT OF BLOOD.
550
00:33:25,737 --> 00:33:27,341
IT'S A PERIOD!
551
00:33:27,405 --> 00:33:30,181
- BUT REALLY, IT WAS LIKE...
552
00:33:31,809 --> 00:33:32,253
- GEYSER.
553
00:33:32,310 --> 00:33:36,156
- EVERYONE
SEEMS TO PANIC THEIR FIRST TIME.
554
00:33:36,247 --> 00:33:37,123
IN THREE TO FIVE DAYS,
555
00:33:37,181 --> 00:33:38,785
YOU'LL FIND LIGHTER
BRIGHT-RED BLEEDING.
556
00:33:38,850 --> 00:33:43,128
THAT MAY TURN TO
A BROWNISH OR BLACKISH SLUDGE,
557
00:33:43,187 --> 00:33:46,657
WHICH SIGNALS
THE END OF THE FLOW.
558
00:33:46,758 --> 00:33:49,967
- OKAY, SO IT'S ALL NORMAL.
- VERY.
559
00:33:50,028 --> 00:33:56,707
EXPECT IT EVERY 28 DAYS, GIVE
OR TAKE, FOR THE NEXT 30 YEARS.
560
00:33:56,801 --> 00:33:59,008
- GREAT.
561
00:33:59,103 --> 00:33:59,604
THAN KS.
562
00:33:59,670 --> 00:34:03,675
- WHAT ABOUT, UM, HAIR
THAT WASN'T THERE BEFORE?
563
00:34:03,775 --> 00:34:06,255
AND PAIN?
564
00:34:06,310 --> 00:34:07,118
COMES WITH THE TERRITORY.
565
00:34:07,178 --> 00:34:09,818
- FOR GINGER
AND SO MANY OTHERS LIKE HER,
566
00:34:09,881 --> 00:34:13,328
BECOME LINKED...
567
00:34:13,384 --> 00:34:15,830
I GET THIS ACHE.
568
00:34:15,887 --> 00:34:18,561
AND I-l THOUGHT
IT WAS FOR SEX,
569
00:34:18,656 --> 00:34:23,298
BUT IT'S TO TEAR EVERYTHING
TO FUCKING PIECES.
570
00:34:24,328 --> 00:34:26,467
THE RESULT OF YEARS
OF CONDITIONING.
571
00:34:26,531 --> 00:34:30,638
- DON'T HAVE SEX,
'CAUSE YOU WILL GET PREGNANT...
572
00:34:30,701 --> 00:34:31,145
AND DIE.
573
00:34:31,202 --> 00:34:32,977
DON'T HAVE SEX
IN THE MISSIONARY POSITION,
574
00:34:33,037 --> 00:34:35,415
DON'T HAVE SEX
STANDING UP...
575
00:34:35,506 --> 00:34:38,282
JUST DON'T DO IT.
PROMISE'?
576
00:34:38,342 --> 00:34:41,949
OKAY, EVERYBODY TAKE
SOME RUBBERS.
577
00:34:43,347 --> 00:34:45,850
- SUCH POWERFUL IMPULSES...
578
00:34:45,917 --> 00:34:46,691
- W-WAIT A SECOND.
579
00:34:46,751 --> 00:34:49,231
SOON BECOME
A SOURCE OF SHAME.
580
00:34:50,555 --> 00:34:53,934
I KNOW I'M NOT
SUPPOSED TO BE DOING THIS.
581
00:34:54,225 --> 00:34:57,695
IT'S BAD, WRONG.
582
00:34:57,762 --> 00:34:59,400
WRONG, BAD.
583
00:34:59,497 --> 00:35:00,942
NO, IT'S NOT BAD. IT'S...
584
00:35:00,998 --> 00:35:02,136
JESUS CHRIST.
585
00:35:02,200 --> 00:35:04,009
- WRONG, BAD.
586
00:35:04,068 --> 00:35:05,945
BAD, WRONG.
587
00:35:06,037 --> 00:35:08,074
WRONG, BAD.
588
00:35:08,172 --> 00:35:10,550
BAD, WRONG.
589
00:35:10,608 --> 00:35:14,818
- LN "THE GIRL NEXT DOOR",
HIGH-SCHOOL EVERYMAN MATTHEW
590
00:35:14,912 --> 00:35:17,688
REFUSES TO EVEN ACKNOWLEDGE
HIS SEXUALITY,
591
00:35:17,748 --> 00:35:18,726
INSTEAD HIDING IT AWAY
592
00:35:18,783 --> 00:35:25,667
BENEATH HIS STRAIGHT-A STUDENT,
SUREFIRE VALEDIGTORIAN IMAGE.
593
00:35:26,858 --> 00:35:28,337
BUT LIKE THE REST
OF HIS PEERS,
594
00:35:28,392 --> 00:35:32,431
SEX EVENTUALLY FINDS
IT'S WAY INTO MA'l'l'HEW'S LIFE
595
00:35:32,530 --> 00:35:35,977
IN THE FORM OF NEXT-DOOR
NEIGHBOR DANIELLE.
596
00:35:36,033 --> 00:35:38,912
- MY GOD,
SHE'S SO HOT
597
00:35:38,970 --> 00:35:39,971
- WHAT CHANNEL, DUDE?
598
00:35:40,071 --> 00:35:41,550
- NO, TH-THE GIRL NEXT DOOR.
599
00:35:41,606 --> 00:35:43,984
I-I CAN SEE HER
THROUGH MY WINDOW.
600
00:35:44,075 --> 00:35:45,179
- HOW'S THE RACK?
601
00:35:45,243 --> 00:35:48,850
- GOD, WHO IS THIS GIRL?
602
00:35:50,414 --> 00:35:52,917
MY GOD.
603
00:35:52,984 --> 00:35:54,429
- What'.7
604
00:35:54,485 --> 00:35:55,429
Matt, what?
605
00:35:55,486 --> 00:35:56,760
Matt...
606
00:36:02,960 --> 00:36:04,405
- Dude, what the fuck...
607
00:36:04,462 --> 00:36:08,000
- LARGE ON CONFIDENCE
AND SHORT ON CLOTHING,
608
00:36:08,099 --> 00:36:10,204
SHE COAXES MATTHEW
OUT OF HIS SHELL,
609
00:36:10,268 --> 00:36:16,617
URGING HIM TO EXPLORE HIS WILD
SIDE AND LIVE FOR THE MOMENT.
610
00:36:16,674 --> 00:36:17,516
- WHAT?
611
00:36:17,608 --> 00:36:19,747
- YOU SAWME.
612
00:36:21,078 --> 00:36:25,049
YEAH, RIGHT, LIKE I'M
GONNA STRIP RIGHT HERE.
613
00:36:27,518 --> 00:36:30,158
ARE YOU...
ARE YOU SERIOUS?
614
00:36:32,190 --> 00:36:33,168
NO.
615
00:36:35,193 --> 00:36:35,796
NO.
616
00:36:35,860 --> 00:36:38,841
NO, NEVER GONNA HAPPEN.
617
00:36:40,431 --> 00:36:41,136
- UNH-UNH.
618
00:36:41,199 --> 00:36:42,837
THE WHOLE PACKAGE.
619
00:36:42,934 --> 00:36:45,141
AAH!
620
00:36:45,203 --> 00:36:45,704
JESUS!
621
00:36:45,803 --> 00:36:50,183
- YEARS OF REPRESSION
ARE UNDONE IN A MATTER OF DAYS
622
00:36:50,274 --> 00:36:51,218
AS DANIELLE TEACHES MATTHEW
623
00:36:51,275 --> 00:36:55,587
TO EMBRACE HIS SEXUAL SELF,
RATHER THAN SUBDUE IT.
624
00:36:55,646 --> 00:36:57,990
- SO, YOU'RE ABOUT
TO GRADUATE.
625
00:36:58,049 --> 00:37:00,757
YOU MUST BE GOING NUTS
RIGHT NOW.
626
00:37:01,953 --> 00:37:03,227
- YEAH.
627
00:37:03,287 --> 00:37:04,288
I MEAN, ul-|
628
00:37:04,355 --> 00:37:07,802
IT'S JUST BEEN,
BEEN OFF THE HOOK, YOU KNOW?
629
00:37:07,858 --> 00:37:08,666
- REALLY?
- YEAH.
630
00:37:08,726 --> 00:37:14,074
- SO, WHAT'S THE CRAZIEST THING
YOU'VE DONE LATELY?
631
00:37:14,165 --> 00:37:16,304
- SHE SEEMS SENT FROM ABOVE
632
00:37:16,367 --> 00:37:20,975
TO FULFILL HIS EVERY
MASTURBATORY FANTASY.
633
00:37:21,038 --> 00:37:22,415
- HOW DO YOU WANT ME?
634
00:37:22,506 --> 00:37:24,645
- BUT STILL,
HE TURNS HER DOWN.
635
00:37:24,709 --> 00:37:26,814
- WHY ARE YOU DOING THIS?
636
00:37:27,812 --> 00:37:29,257
- WHAT?
637
00:37:29,313 --> 00:37:31,987
- THIS.
638
00:37:33,184 --> 00:37:36,324
- ISN'T THIS WHAT YOU WANT?
639
00:37:36,387 --> 00:37:39,527
- SEXISWHAT MATTHEW WANTS,
640
00:37:39,590 --> 00:37:43,697
BUT NOT WITH DANIELLE,
OR AT LEAST NOT YET.
641
00:37:43,761 --> 00:37:48,232
- TAKE HER TO A MOTEL ROOM,
AND BANG HER LIKE A BEAST!
642
00:37:48,332 --> 00:37:49,333
- ELl, I LIKE THIS GIRL.
643
00:37:49,400 --> 00:37:52,609
- AND YOU CAN STILL LIKE HER
WITH YOUR PENIS INSIDE HER.
644
00:37:53,437 --> 00:37:57,749
WHEN HE DISCOVERS TO HIS HORROR
THAT SHE'S SEGRETLY A PORN STAR,
645
00:37:57,842 --> 00:37:59,321
THE REVELATION
MERELY CONFIRMS
646
00:37:59,377 --> 00:38:04,087
MA'I_I'HEW'S WORST SUSPICIONS
ABOUT DANIELLE.
647
00:38:04,915 --> 00:38:06,019
- MATl', MATT!
648
00:38:06,083 --> 00:38:07,585
DUDE, YOU'RE MISSING
THE BEST PART.
649
00:38:07,685 --> 00:38:09,392
- SHE MAKES PUBLIC
THE SIDE OF HERSELF
650
00:38:09,453 --> 00:38:11,592
THAT MATTHEW
DENIES ALTOGETHER.
651
00:38:11,689 --> 00:38:15,364
THE CHASM BETWEEN THEM
IS SIMPLY TOO GREAT,
652
00:38:15,426 --> 00:38:19,238
AND IT'S CLEAR
WHO SHOULD BE THE ONE TO CHANGE.
653
00:38:19,297 --> 00:38:20,605
EXCUSE ME.
654
00:38:20,698 --> 00:38:22,302
I JUST WANT
TO LIT YOU KNOW,
655
00:38:22,366 --> 00:38:24,846
I KNOW WHO YOU REALLY ARE...
656
00:38:25,770 --> 00:38:29,081
AND YOU'RE
BEITER THAN THIS.
657
00:38:29,140 --> 00:38:31,086
- AND SO, DANIELLE
ABANDONS HER CAREER
658
00:38:31,142 --> 00:38:36,319
AND FOLLOWS MATTHEW INTO
A WORLD OF PRIM RESPECTABILITY.
659
00:38:36,414 --> 00:38:38,121
- THANK YOU.
660
00:38:38,783 --> 00:38:39,727
- FOR WHAT'?
661
00:38:39,784 --> 00:38:43,061
- I NEVER WENT TO PROM.
662
00:38:44,488 --> 00:38:46,866
- LN THE END,
IT'S HIM WHO SAVES HER,
663
00:38:46,957 --> 00:38:48,493
MOLDING HER
INTO HIS OWN IMAGE
664
00:38:48,592 --> 00:38:54,133
AND PAVING THE WAY
TOWARDS HIS ULTIMATE GOAL.
665
00:38:55,232 --> 00:38:59,339
TEEN SEXUALITY
DOESN'T HAVE TO BE SUPPRESSED...
666
00:39:00,438 --> 00:39:03,044
IT JUST HAS TO BE
CONTAINED...
667
00:39:03,107 --> 00:39:04,051
- READY?
668
00:39:04,108 --> 00:39:05,485
- YEAH, YEAH, YEAH,
JUST - JUST TWO SECONDS.
669
00:39:05,576 --> 00:39:11,356
- AND REVEALED ONLY AT
PRECISELY THE RIGHT MOMENT.
670
00:39:12,750 --> 00:39:14,627
OKAY. HOLD ON.
671
00:39:17,521 --> 00:39:20,832
- HENRY, ARE YOU READY'?
672
00:39:23,361 --> 00:39:25,807
- I'M READY.
673
00:39:27,031 --> 00:39:32,481
YEAH, I WANNA FIX
ALL MY MISTAKES
674
00:39:32,536 --> 00:39:37,713
YEAH, I DIDN'T EXPECT
TO FALL IN LOVE
675
00:39:37,808 --> 00:39:39,947
SO DROP DEAD
676
00:39:40,010 --> 00:39:43,287
LOVE, SO DROP DEAD
677
00:39:43,347 --> 00:39:48,194
YEAH, YOU KNOW
I'VE SEEN IT ALL BEFORE
678
00:39:48,285 --> 00:39:53,291
YEAH, THIS SOUND REALLY SUCKS
FOR SURE
679
00:39:53,357 --> 00:39:56,031
SO GO BACK
680
00:39:56,127 --> 00:39:59,472
SURE, SO GO BACK
681
00:39:59,530 --> 00:40:05,037
HAVEN'T YOU EVER WANTED
TO DISAPPEAR?
682
00:40:05,136 --> 00:40:08,413
TO DISAPPEAR
683
00:40:08,472 --> 00:40:12,420
I THOUGHT MAYBE
YOU COULD HELP ME
684
00:40:12,476 --> 00:40:14,149
TO DISAPPEAR
685
00:40:14,211 --> 00:40:17,556
LET'S BE HONEST,
JUST BE HONEST
686
00:40:17,648 --> 00:40:19,025
CAN YOU BE HONEST?
687
00:40:19,083 --> 00:40:23,054
YEAH, YOU COULDN'T
TURN BACK THE CLOCK
688
00:40:23,154 --> 00:40:28,661
YEAH, NOTHING
WILL EVER HURT AS MUCH
689
00:40:28,726 --> 00:40:30,899
I'M FALLIN'
690
00:40:30,995 --> 00:40:34,875
AS MUCH, I'M FALLING
691
00:40:34,932 --> 00:40:38,539
YEAH, THIS IS ALL
A BIG MISTAKE
692
00:40:38,602 --> 00:40:43,415
YEAH, WILL YOU STILL
WANT ME WHEN I LEAVE'?
693
00:40:43,507 --> 00:40:46,147
IT'S OVER
694
00:40:46,210 --> 00:40:50,659
I LEAVE, IT'S OVER
695
00:40:50,714 --> 00:40:56,187
HAVEN'T YOU EVER WANTED
TO DISAPPEAR?
696
00:40:56,253 --> 00:40:58,597
TO DISAPPEAR
697
00:40:58,689 --> 00:41:03,866
I THOUGHT MAYBE
YOU COULD HELP ME
698
00:41:03,928 --> 00:41:04,929
TO DISAPPEAR
699
00:41:05,029 --> 00:41:08,806
LET'S BE HONEST,
JUST BE HONEST
700
00:41:08,866 --> 00:41:14,578
CAN YOU BE HONEST?
701
00:41:42,500 --> 00:41:47,006
BA-A-A-CK
702
00:41:47,104 --> 00:41:54,420
HOW FAR DO YOU
GO BA-A-A-ACK?
703
00:41:54,478 --> 00:42:02,295
HOW FAR DO YOU
GO BA-A-A-ACK?
704
00:42:19,503 --> 00:42:22,677
- SEX CHANGES EVERYTHING.
705
00:42:22,773 --> 00:42:24,912
IN A POST-COITAL RAPTURE,
706
00:42:24,975 --> 00:42:26,682
TEENS SLIP
THROUGH THE LOOKING GLASS
707
00:42:26,777 --> 00:42:34,059
AND INTO A WORLD IN WHICH THEIR
PLACE NO LONGER SEEMS CERTAIN.
708
00:42:34,118 --> 00:42:34,755
- I THINK MAYBE
709
00:42:34,818 --> 00:42:37,697
IT'S MORE POWERFUL
THAN WE'D LIKE IT TO BE.
710
00:42:41,325 --> 00:42:44,829
- IT'S FUCKING TRIPPY...
711
00:42:44,895 --> 00:42:49,344
THAT'S FOR SURE.
712
00:42:55,339 --> 00:42:59,378
- AS THEIR OUTWARD APPEARANCES
AND INNER-LIVES
713
00:42:59,476 --> 00:43:00,819
BEGIN TO DIVERGE,
714
00:43:00,878 --> 00:43:05,725
THE ADOLESCENT MIND
SPLITS IN TWO.
715
00:43:05,816 --> 00:43:06,920
AWIDENING RIFT
716
00:43:06,984 --> 00:43:10,830
SEPARATES THE IMAGE PROJECTED
TO THE OUTSIDE WORLD
717
00:43:10,888 --> 00:43:15,064
FROM THE UNEXAMINED TRUTH
WITHIN.
718
00:43:17,761 --> 00:43:23,302
TEENS ARE FACED WITH
TWO VERSIONS OF THEMSELVES,
719
00:43:23,400 --> 00:43:28,179
BARELY SURE OF WHICH IS REAL.
720
00:43:29,607 --> 00:43:34,249
- THAT'S A PART OF HISTORY
YOU CAN'T CHANGE.
721
00:43:34,345 --> 00:43:37,451
- IN "JEEPERS CREEPERS",
SIBLINGS DAFiFIY AND TRISH,
722
00:43:37,514 --> 00:43:39,892
WILE AWAY
A CROSS-COUNTRY DRIVE
723
00:43:39,950 --> 00:43:43,955
BY GUESSING THE MEANINGS
OF CUSTOM LICENSE PLATES.
724
00:43:44,054 --> 00:43:44,828
-"GAY...
725
00:43:44,888 --> 00:43:45,889
"GAY FEVER."
726
00:43:45,956 --> 00:43:46,661
NO, "GAY FOREVER"!
727
00:43:46,757 --> 00:43:50,432
- DARRY'S SUGGESTIONS REVEAL
MORE ABOUT HIS OWN CONCERNS
728
00:43:50,527 --> 00:43:52,905
THAN THOSE
OF THE PLATES' OWNERS.
729
00:43:52,963 --> 00:43:56,672
- THAT'S A
NOT A YOU IDIOT.
730
00:43:56,767 --> 00:43:57,768
THAT'S "SEXY FOREVER".
731
00:43:57,868 --> 00:43:59,973
THAT'S MINE.
THAT'S 5 TO 2.
732
00:44:00,037 --> 00:44:01,641
- SHIT.
733
00:44:01,705 --> 00:44:03,548
- GAY FEVER?
734
00:44:05,976 --> 00:44:10,857
- SOON, HE SPIRALS INTO
HIS OWN PERSONAL GAY FEVER
735
00:44:10,948 --> 00:44:13,053
AFTER STUMBLING UPON
A BODY-STREWN LAIR
736
00:44:13,117 --> 00:44:17,065
FILLED WITH SEMI-NAKED
TEENAGE BOYS.
737
00:44:17,121 --> 00:44:17,997
- WHAT?
738
00:44:18,088 --> 00:44:19,362
- I FOUND A...
AAH!
739
00:44:19,423 --> 00:44:21,562
JESUS!
AAH!
740
00:44:21,625 --> 00:44:22,330
GET OFF!
741
00:44:22,426 --> 00:44:23,598
- DARRY!
742
00:44:23,661 --> 00:44:24,503
DAR RY!
743
00:44:24,595 --> 00:44:25,972
- JESUS.
744
00:44:39,576 --> 00:44:45,390
- THIS CHAMBER OF HOMOEROTIC
HORROR BELONGS TO THE CREEPER,
745
00:44:45,449 --> 00:44:48,157
A PREDATORY
HALF-HUMAN KILLER
746
00:44:48,252 --> 00:44:52,257
WITH A FONDNESS
FOR '30s JAZZ STANDARDS.
747
00:44:53,023 --> 00:44:57,130
THE INHABITANTS
OF A SMALL, CONSERVATIVE TOWN
748
00:44:57,194 --> 00:44:59,231
LIVE IN CONSTANT FEAR
749
00:44:59,329 --> 00:45:04,540
OF THIS SEXUALLY-VORACIOUS
MONSTER IN THEIR MIDST.
750
00:45:08,439 --> 00:45:09,383
DARRY, ON THE OTHER HAND,
751
00:45:09,440 --> 00:45:13,115
SEEMS EVERY BIT
AS FASCINATED WITH THE CREEPER
752
00:45:13,177 --> 00:45:16,989
AS THE CREEPER IS WITH HIM.
753
00:45:19,817 --> 00:45:21,854
- EVENTUALLY, THE MONSTER
TAKES AHOLD OF THE BOY,
754
00:45:21,952 --> 00:45:27,493
TOSSING TRISH ASIDE
AND MAKING HIS INTENTIONS CLEAR
755
00:45:27,558 --> 00:45:29,162
- YOU DON'T WANT HIM.
756
00:45:29,226 --> 00:45:30,432
YOU DON'T WANT HIM.
757
00:45:30,527 --> 00:45:32,507
WHATEVER YOU WANT...
758
00:45:32,563 --> 00:45:34,042
YOU CAN TAKE IT FROM ME.
759
00:45:37,167 --> 00:45:40,114
- LET HIM GO, AND TAKE ME.
760
00:45:40,504 --> 00:45:42,848
YOU LET HIM GO!
761
00:45:50,214 --> 00:45:53,752
- HIS BODY EVISCERATED
BY THE BEAST,
762
00:45:53,851 --> 00:45:56,127
DARRY IS STRUNG UP
ON DISPLAY,
763
00:45:56,186 --> 00:46:02,364
JUST ANOTHER MONUMENT
TO THE GREEPER'S DARK DESIRES.
764
00:46:06,697 --> 00:46:09,007
TEENS' UNWILLING
TO FOLLOW DARRY'S LEAD
765
00:46:09,066 --> 00:46:11,876
AND GIVE IN
TO THEIR REPRESSED IMPULSES
766
00:46:11,935 --> 00:46:16,975
INSTEAD RESORT TO OUTLANDISH
ACTS OF DENIAL.
767
00:46:17,074 --> 00:46:19,179
- WHAT THE FUCK?!
768
00:46:19,777 --> 00:46:22,223
MAIL, MOTHERFUCKER.
769
00:46:22,279 --> 00:46:23,815
- HEY, I GOT ONE FROM MIKE.
770
00:46:23,914 --> 00:46:24,915
- IN "EuroTrip",
771
00:46:25,015 --> 00:46:26,016
SUBURBAN TEEN SGOTFY
772
00:46:26,083 --> 00:46:29,064
FEELS LANDLOCKED
IN HIS QUIET HOMETOWN.
773
00:46:29,119 --> 00:46:30,257
BORED OF THE ROUTINE,
774
00:46:30,420 --> 00:46:35,460
HE EXCHANGES WISTFUL E-MAILS
WITH HIS GERMAN PEN-PAL, MIKE.
775
00:46:35,559 --> 00:46:40,065
- "DEAR MIKE, GREETINGS
FROM YOUR AMERICAN PEN PAL."
776
00:46:40,130 --> 00:46:43,304
- BEST FRIEND COOPER
IS SUSPICIOUS.
777
00:46:43,400 --> 00:46:45,437
- LISTEN TO YOURSELF,
ALL RIGHT.
778
00:46:45,536 --> 00:46:49,985
NOW, YOU MET A "COOL GUY
ON THE INTERNET", OKAY?
779
00:46:50,040 --> 00:46:51,383
THIS IS HOW
THESE SEXUAL PREDATORS WORK.
780
00:46:51,441 --> 00:46:54,115
NEXT THING YOU KNOW, HE'S GONNA
WANT TO "ARRANGE A MEETING,"
781
00:46:54,211 --> 00:46:57,556
WHERE HE WILL GAS YOU AND
STUFF YOU IN THE BACK OF HIS VAN
782
00:46:57,614 --> 00:46:59,651
AND MAKE A WIND-CHIME
OUT OF YOUR GENITALS
783
00:46:59,750 --> 00:47:02,356
- SCOTl'Y DISREGARDS
THE WARNING...
784
00:47:02,419 --> 00:47:04,023
"AUF WIEDERSEHENMIKE."
785
00:47:04,087 --> 00:47:06,863
BUT RETURNS HOME DRUNK
LATER THAT NIGHT
786
00:47:06,924 --> 00:47:10,633
TO DISCOVER THAT COOPER
MAY HAVE BEEN ON TO SOMETHING.
787
00:47:10,727 --> 00:47:11,762
- HEY, MIKE.
788
00:47:11,829 --> 00:47:14,036
"DEAR SCOTT, I WAS VERY SAD
789
00:47:14,131 --> 00:47:17,442
"TO HEAR ABOUT YOUR LADY-WOMAN
FIONA DUMPING YOU.
790
00:47:17,501 --> 00:47:19,708
"SINCE YOU NO LONGER
HAVE A GIRLFRIEND,
791
00:47:19,803 --> 00:47:21,009
"MAYBE I COULD
COME TO AMERICA
792
00:47:21,104 --> 00:47:23,641
"AND WE COULD GET TO KNOW
EACH OTHER BEITER.
793
00:47:23,740 --> 00:47:26,380
"PERHAPS WE COULD...
794
00:47:26,443 --> 00:47:28,081
ZUSSAMEN."
795
00:47:28,145 --> 00:47:31,683
WHAT THE FUCK
IS AZUSSAMEN?
796
00:47:38,455 --> 00:47:40,059
"ARRANGE A MEETING."
797
00:47:40,123 --> 00:47:41,602
NO. NO, NO COME ON!
798
00:47:41,658 --> 00:47:44,332
COOPER WAS RIGHT, THIS GUY
WANTS TO HAVE SEX WITH ME.
799
00:47:44,428 --> 00:47:48,399
- LN A HAZE OF FEAR,
HE FIRES BACK A FURIOUS REPLY...
800
00:47:48,465 --> 00:47:51,503
- "I DON'T WANT TO ARRANGE
ANY MEETINGS WITH YOU,
801
00:47:51,602 --> 00:47:53,639
"YOU SICK GERMAN FREAK.
802
00:47:53,704 --> 00:47:56,708
"SO - SO PLEASE KEEP YOUR HANDS
OFF OF MY GENITALS,
803
00:47:56,807 --> 00:48:01,813
"AND NEVER WRITE TO ME AGAIN,
AND DON'T COME TO AMERICA.
804
00:48:01,879 --> 00:48:03,222
GOODBYE."
805
00:48:03,313 --> 00:48:09,025
- ONLY TO REALIZE THE ERROR
OF HIS WAYS THE NEXT MORNING.
806
00:48:11,221 --> 00:48:13,098
- I CAN'T BELIEVE
THIS GERMAN CHICK
807
00:48:13,190 --> 00:48:14,965
WANTS TO COME OVER HERE
AND HOOK UP WITH YOU.
808
00:48:15,025 --> 00:48:17,335
- YEAH, I DON'T THINK SO BUDDY.
MIKE'S A GUY.
809
00:48:17,394 --> 00:48:20,068
- UM, NO, IT SAYS RIGHT HERE
"TRAURIGES MADCHEN".
810
00:48:20,163 --> 00:48:25,340
I'M TAKINGINTROTO GERMAN,
AND EVENIKNOW THAT.
811
00:48:25,402 --> 00:48:26,278
- COME HERE.
812
00:48:26,370 --> 00:48:27,644
HE SENT ME A PICTURE,
REFARDO.
813
00:48:27,704 --> 00:48:32,653
SEE? THAT'S A PICTURE OF MIKE,
AND THAT'S HIS CUTE COUSIN JAN.
814
00:48:32,709 --> 00:48:34,848
- NO, REFARDO.
815
00:48:34,912 --> 00:48:36,585
THAT'S JAN, A MAN'S NAME,
816
00:48:36,680 --> 00:48:38,819
AND THAT'S NOT "MIKE,"
IT'S "MIEKE,"
817
00:48:38,882 --> 00:48:43,228
A COMMON GERMAN GIRL'S NAME,
SIMILAR TO OUR MICHELLE.
818
00:48:43,320 --> 00:48:44,025
- WITHIN MOMENTS,
819
00:48:44,087 --> 00:48:48,194
SCOTFY IS READY TO DECLARE
HIS UNDYING LOVE FOR MIEKE,
820
00:48:48,258 --> 00:48:52,638
DESPITE FORMING THIS BOND
WHILE BELIEVING HER TO BE A MAN.
821
00:48:52,729 --> 00:48:54,333
- THAT'S MIKE.
822
00:48:54,398 --> 00:48:55,536
I MEAN MIEKE.
823
00:48:55,599 --> 00:48:59,979
- AND SO, HE EMBARKS UPON
A VOYAGE OF DISCOVERY
824
00:49:00,070 --> 00:49:01,208
ACROSS EUROPE
825
00:49:01,271 --> 00:49:06,118
TO WIN BACK HER LOVE.
826
00:49:06,843 --> 00:49:09,289
AS THEY CROSS THE CONTINENT,
SCOTFY AND FRIENDS
827
00:49:09,346 --> 00:49:14,625
SEEK OUT ONE OVERT DISPLAY OF
HETEROSEXUALITY AFTER ANOTHER.
828
00:49:14,685 --> 00:49:17,666
STILL,
THEIR SITUATION INVARIABLY
829
00:49:17,721 --> 00:49:20,099
TAKES A TURN
FOR THE HOMOEROTIC.
830
00:49:25,696 --> 00:49:27,573
WHETHER AT THE BEACH...
831
00:49:27,631 --> 00:49:28,666
WHAT A RIP!
832
00:49:28,765 --> 00:49:30,244
- LN AN AMSTERDAM
COFFEE SHOP...
833
00:49:30,300 --> 00:49:32,337
IT'S HOT IN HERE. YOU HOT?
'CAUSE I'M - I'M REALLY HOT.
834
00:49:32,436 --> 00:49:35,815
- MY GOD!
- OKAY, I CAN'T BREATHE! GOD!
835
00:49:35,906 --> 00:49:37,408
I'M FREAKING OUT!
836
00:49:37,474 --> 00:49:39,010
I SAW A GAY PORNO ONCE.
837
00:49:39,109 --> 00:49:41,055
I DIDN'T KNOW UNTIL HALFWAY m.
838
00:49:41,111 --> 00:49:43,489
THE GIRLS NEVER GAME.
839
00:49:43,580 --> 00:49:44,752
THE GIRLS NEVER GAME!
840
00:49:44,815 --> 00:49:47,853
- OR VISITING
THE RED LIGHT DISTRICT.
841
00:49:47,951 --> 00:49:50,329
- ON, ON, VANDERSEXXX!
842
00:49:52,723 --> 00:49:57,103
- THE SEX-STARVED GANG FIND
THEMSELVES TIME AND TIME AGAIN
843
00:49:57,160 --> 00:50:01,370
DIVERTED FROM
THE STRAIGHT AND NARROW.
844
00:50:04,067 --> 00:50:05,603
- I-ll.
845
00:50:15,479 --> 00:50:18,517
SO, A-ARE THE GIRLS
C-COMING BACK'?
846
00:50:18,615 --> 00:50:20,720
- WHEN SCOTFY DOES CATCH UP
WITH MIEKE,
847
00:50:20,784 --> 00:50:24,425
IN THE SUITABLY REPRESSED
SURROUNDINGS OF VATICAN CITY,
848
00:50:24,488 --> 00:50:29,665
HIS HETEROSEXUAL CREDENTIALS
FINALLY SEEM CONFIRMED.
849
00:50:29,760 --> 00:50:30,795
- I LOVE YOU, MIEKE.
850
00:50:30,861 --> 00:50:32,738
- BUT WHEN THEIR RELATIONSHIP
IS CONSUMMATED,
851
00:50:32,829 --> 00:50:35,275
IN A CONFESSIONAL
DEEP WITHIN THE PALACE,
852
00:50:35,332 --> 00:50:39,212
SCOTFY LETS OUT A DEVASTATING
CONFESSION OF HIS OWN.
853
00:50:39,302 --> 00:50:40,804
MIKE. M-MIEKE!
854
00:50:41,605 --> 00:50:46,384
- THE MASQUERADE GOES ON,
AND MIKE IS LAID TO REST
855
00:50:46,443 --> 00:50:51,756
WHILE SCOTIY REMAINS SAFELY
INSIDE THE CLOSET.
856
00:50:51,815 --> 00:50:54,352
- FLIGHT ATFENDANTS,
PREPARE FOR DEPARTURE.
857
00:50:54,451 --> 00:50:57,125
- BUT THE TRUTH CAN ONLY
STAY HIDDEN FOR SO LONG
858
00:50:57,187 --> 00:51:03,001
BEFORE IT SPILLS DISASTROUSLY
INTO THE OPEN.
859
00:51:03,060 --> 00:51:04,164
- Eo.
860
00:51:05,328 --> 00:51:09,799
- LN "FINAL DESTINATION,
SUPERNATURAL PRODIGY ALEX"
861
00:51:09,866 --> 00:51:14,576
LIBERATES A SELECT GROUP OF HIGH
SCHOOLERS FROM CERTAIN DEATH
862
00:51:14,671 --> 00:51:20,121
AFTER HIS PSYCHIC FREAK-OUT
FORCES THEM OFF A DOOMED FLIGHT.
863
00:51:22,979 --> 00:51:24,686
ALEX'.7
864
00:51:29,186 --> 00:51:30,859
THE FUCKING PLANE'S
GONNA EXPLODE!
865
00:51:30,921 --> 00:51:33,197
- SHUT UP, BROWNING.
- YOU'RE SO NOT FUNNY.
866
00:51:33,256 --> 00:51:34,735
- IF THIS IS
YOUR IDEA OF A JOKE...
867
00:51:34,825 --> 00:51:36,805
IT'S NOT A JOKE!
IT'S NOT A JOKE!
868
00:51:36,860 --> 00:51:38,737
- ALEX, TAKE IT EASY.
869
00:51:41,231 --> 00:51:42,209
- AS THEY CHEAT FATE,
870
00:51:42,265 --> 00:51:47,078
THEY REPRESS
THE ONE CERTAINTY IN LIFE...
871
00:51:47,170 --> 00:51:48,877
DEATH.
872
00:51:48,939 --> 00:51:50,077
- WHOA.
873
00:51:50,173 --> 00:51:51,447
WE GET THROWN OFF THE PLANE,
874
00:51:51,508 --> 00:51:53,181
WE BLOW, WHAT,
A HALF A DAY IN PARIS?
875
00:51:53,243 --> 00:51:56,281
ALL BECAUSE BROWNING
HAS A BAD FUCKING DREAM?
876
00:51:56,379 --> 00:51:57,323
BUT WAIT, BUT - THE PLANE,
877
00:51:57,380 --> 00:51:59,189
IT'S GONNA BLOW UP, IT'S GONNA BLOW UP.
- TOD...
878
00:51:59,249 --> 00:52:02,958
- THE ONLY TRIP YOU'RE TAKING
IS TO THE FUCKING HOSPITAL!
879
00:52:03,053 --> 00:52:04,259
- GET OFF HIM!
880
00:52:04,354 --> 00:52:06,231
- SHIT!
881
00:52:14,431 --> 00:52:17,742
- MORTALITY WRESTLED
INTO SUBMISSION,
882
00:52:17,801 --> 00:52:22,443
ALEX AND FRIENDS
WALK AWAY PHYSICALLY UNSCATHED
883
00:52:22,539 --> 00:52:28,649
BUT MENTALLY DISORIENTED.
884
00:52:28,712 --> 00:52:33,388
THEY ALLOW THEMSELVES TO BELIEVE
THAT THE HARD TIMES ARE OVER...
885
00:52:33,450 --> 00:52:36,431
- BECAUSE OF YOU,
I'M STILL ALIVE.
886
00:52:36,486 --> 00:52:37,191
- BUT IT'S CLEAR
887
00:52:37,287 --> 00:52:41,463
THAT THEIR NEWFOUND EQUILIBRIUM
IS UNSUSTAINABLE.
888
00:52:41,558 --> 00:52:44,505
- I'M NEVER GONNA DIE.
889
00:52:44,561 --> 00:52:49,169
- INSIST AS THEY MIGHT, DEATH
WAS NEVER REALLY EXPELLED.
890
00:52:49,232 --> 00:52:52,839
IT WAS MERELY
FORCED INTO THE SHADOWS.
891
00:52:52,903 --> 00:53:00,583
THE LONGER THEY DENY THE TRUTH,
THE MORE DESTRUCTIVE IT BECOMES.
892
00:53:18,862 --> 00:53:22,674
- AS THE FORCES OF REPRESSION
SWELL,
893
00:53:22,766 --> 00:53:26,441
AN EXPLOSION IS INEVITABLE.
894
00:53:26,503 --> 00:53:29,040
- HERE SHE IS.
895
00:53:37,113 --> 00:53:42,426
ONE DAY, YOU WAKE UP
AND YOU FIGURE OUT,
896
00:53:42,485 --> 00:53:46,865
WHAT'S THE WORST THING
THEY CAN DO TO YOU?
897
00:53:52,729 --> 00:53:56,836
EACH OF US HAS WITHIN US
A WEAK ASPECT,
898
00:53:56,900 --> 00:54:02,441
EAGER TO GIVE UP FREEDOM FOR
THE COMFORT OF BEING DOMINATED,
899
00:54:02,539 --> 00:54:06,988
BUT WE ALSO HAVE A WILL TO POWER
THAT DESIRES FREEDOM,
900
00:54:07,043 --> 00:54:09,216
THAT INSISTS ON DECIDING
FOR OURSELVES,
901
00:54:09,312 --> 00:54:12,816
EACH OF US INDIVIDUALLY,
902
00:54:12,882 --> 00:54:16,159
WHAT IS GOOD...
903
00:54:16,219 --> 00:54:19,598
AND WHAT IS EVIL.
904
00:54:31,368 --> 00:54:32,711
- HEY, GARY.
- DAVl D.
905
00:54:32,769 --> 00:54:35,375
- GARY, DID YOU KNOW I GREW UP IN
A LOT OF DIFFERENT PLACES'?
906
00:54:35,438 --> 00:54:37,315
- NO, ACTUALLY
NICOLE TOLD ME THAT YOU...
907
00:54:37,407 --> 00:54:40,388
- YEAH - BRIDGEWATER,
SPOFFORD, RIKERS, YOU NAME IT.
908
00:54:40,443 --> 00:54:43,390
YOU KNOW WHAT THEY ALL HAVE
IN COMMON, GARY? -l\1o.
909
00:54:43,446 --> 00:54:44,049
- WEAK WALLS.
910
00:54:44,114 --> 00:54:46,287
ACTUALLY, THAT'S WHY
THEY MOVED ME AROUND SO MUCH.
911
00:54:46,383 --> 00:54:47,691
I'D POUND ON A WALL,
IT WOULD BREAK,
912
00:54:47,751 --> 00:54:49,594
THEY'D MOVED ME TO THE NEXT ONE
AND THE NEXT ONE
913
00:54:49,686 --> 00:54:51,723
UNTIL FINALLY THEY GOT SICK
OF BUILDING WALLS
914
00:54:51,788 --> 00:54:55,133
AND JUST SHOWED ME
THE DOOR.
915
00:54:55,225 --> 00:55:00,868
- HERE WE HAVE YOUR STANDARD
.22 LEVER ACTION,
916
00:55:00,930 --> 00:55:03,308
PERSONALLY,
I'M NOT A BIG FAN.
917
00:55:03,400 --> 00:55:06,279
NEXT, WE HAVE THE PRIDE
OF THE OLD WEST HERE...
918
00:55:06,369 --> 00:55:08,849
.20 GAUGE
DOUBLE-BARREL SHOTGUN.
919
00:55:08,905 --> 00:55:11,215
- COOL.
920
00:55:11,574 --> 00:55:15,886
- DON'T EVER
CONDESCEND TO ME AGAIN.
921
00:55:15,945 --> 00:55:19,950
I AM NOT
YOUR LITTLE WIND-UP DOLL.
922
00:55:20,050 --> 00:55:23,429
- THIS, THIS IS PROBABLY MY FAV-
ONE OF MY FAVORITE GUNS.
923
00:55:23,486 --> 00:55:27,957
THIS IS, LIKE, THE DIRTY HARRY
FUCKING GUN RIGHT HERE.
924
00:55:32,128 --> 00:55:33,106
- YOU SEE THAT'?
925
00:55:33,163 --> 00:55:37,942
DO YOU SEE HOW FAST IT JUST
SLIDES STRAIGHT THROUGH?
926
00:55:38,001 --> 00:55:43,144
- DO YOU THINK THAT IF YOU
WERE FALLING IN SPACE,
927
00:55:43,239 --> 00:55:48,951
THAT YOU WOULD SLOW DOWN AFTER
A WHILE OR GO FASTER AND FASTER?
928
00:55:49,012 --> 00:55:50,685
- YOU ARE PSYCHO!
929
00:55:50,780 --> 00:55:52,259
WHAT THE HELL
IS WRONG WITH YOU?!
930
00:55:52,315 --> 00:55:57,856
YOU ALL BELONG IN A LOONY BIN!
EVERY ONE OF YOU!
931
00:55:57,954 --> 00:55:59,729
- MY BEST TIME SO FAR
IS 64 SECONDS.
932
00:55:59,789 --> 00:56:02,429
I WANT TO BE ABLE TO DO IT
AT A MOMENT'S NOTICE
933
00:56:02,492 --> 00:56:05,268
'CAUSE WE NEVER KNOW
WHEN ZERO DAY'S COMING.
934
00:56:05,328 --> 00:56:07,308
- GO.
935
00:56:13,770 --> 00:56:14,771
- I DON'T NEED YOU!
936
00:56:14,838 --> 00:56:16,943
YOU THINK YOU'RE SO HAPPY.
937
00:56:17,006 --> 00:56:19,213
YOU THINK YOU'RE SO...
938
00:56:19,309 --> 00:56:20,811
SUPERIOR.
939
00:56:33,890 --> 00:56:37,337
- LIZZY, I'M GONNA
FUCKING KILL YOU.
940
00:56:40,730 --> 00:56:43,677
- YOU WANNA GIT FUCKED UP,
MOTHERFUCKER?
941
00:57:05,922 --> 00:57:08,232
- YOU KNOW WHAT, BRO,
FUCK YOU, OKAY?
942
00:57:08,324 --> 00:57:09,860
FUCK YOU. ALL RIGHT?
943
00:57:09,926 --> 00:57:14,534
- DON'T PUT YOUR FUCKING FINGER
IN MY FACE.
944
00:59:14,050 --> 00:59:14,550
- EVERYTHING WE EVER DID,
945
00:59:14,551 --> 00:59:15,495
- EVERYTHING WE EVER DID,
946
00:59:15,552 --> 00:59:18,556
EVERYTHING WE EVER OWNED
AND EVERYTHING WE OWN RIGHT NOW
947
00:59:18,655 --> 00:59:19,531
IS GOING TO BE SCRUTINIZED
948
00:59:19,622 --> 00:59:21,966
UNDER, LIKE, THE BIGGEST
MICROSCOPE THE WORLD CAN PRODUCE.
949
00:59:22,025 --> 00:59:23,834
EVERY CD YOU HAVE,
EVERY - EVERY VIDEO GAME,
950
00:59:23,893 --> 00:59:25,031
THEY'RE GOING TO
GO THROUGH AND SAY
951
00:59:25,128 --> 00:59:29,167
"'MORTAL KOMBAT',
IT WAS BECAUSE OF THAT."
952
00:59:41,044 --> 00:59:44,924
- lN THE WAKE OF A BLAST
THEY NEVER SAW COMING,
953
00:59:45,014 --> 00:59:45,890
THE POWERS THAT BE
954
00:59:45,982 --> 00:59:53,366
SEARCH DESPERATELY FOR SOMEONE,
OR SOMETHING, TO BLAME.
955
00:59:53,423 --> 00:59:55,130
- EXPLICIT AND GRAPHIC SEX,
956
00:59:55,224 --> 00:59:58,694
EXTREME VIOLENCE,
SUICIDE IN LYRICS...
957
00:59:58,761 --> 01:00:01,708
- NEVER BEFORE
IN THE HISTORY OF THIS COUNTRY
958
01:00:01,764 --> 01:00:03,869
HAVE SO MANY
CORRUPTING INFLUENCES
959
01:00:03,933 --> 01:00:07,938
DESCENDED UPON CHILDREN
AT ONE TIME.
960
01:00:08,037 --> 01:00:11,211
- TEENS WHO DARE
TO SUBVERT PROTOCOL
961
01:00:11,274 --> 01:00:12,480
ARE IMMEDIATELY SUSPECT
962
01:00:12,575 --> 01:00:17,684
AND FIND THEMSELVES
RUTHLESSLY POLICED.
963
01:00:17,747 --> 01:00:21,524
- AS I STUDY THE LAST 60 YEARS
OF POPULAR TEEN CULTURE,
964
01:00:21,584 --> 01:00:24,963
I'VE COME TO THE CONCLUSION
THAT WE'RE LOSING OUR KIDS.
965
01:00:25,054 --> 01:00:30,060
SOMETIME, SOMEBODY HAS TO STAND
UP AND SAY "ENOUGH IS ENOUGH."
966
01:00:30,126 --> 01:00:31,799
SO, LET'S SAY IT TONIGHT.
967
01:00:31,894 --> 01:00:34,067
ENOUGH IS ENOUGH.
968
01:00:34,130 --> 01:00:37,839
IN "THE FACULTY",
QUARTERBACK STAN
969
01:00:37,934 --> 01:00:41,143
IS ONE OF A NUMBER OF TEENS
RELUCTANT TO PLAY THE ROLES
970
01:00:41,237 --> 01:00:43,217
IN WHICH THEY'VE
UNWITFINGLY BEEN CAST.
971
01:00:43,272 --> 01:00:46,116
- I'M QUITFING FOOTBALL.
- NOT PLAYING TOMORROW?
972
01:00:46,209 --> 01:00:48,917
- NO, I'M NOT PLAYING THIS YEAR,
WOULD YOU LISTEN TO ME?
973
01:00:48,978 --> 01:00:54,257
I'M QUIT-TING THE TEAM,
I'M NOT PLAYING BALL ANYMORE.
974
01:00:54,317 --> 01:00:55,159
- WHAT BROUGHT THIS ON?
975
01:00:55,251 --> 01:00:57,925
- HIS HIGH-SCHOOL ECOSYSTEM
REJECTS THE NOTION,
976
01:00:57,987 --> 01:01:01,025
EAGER TO FORGE STAN
BACK INTO HIS PLACE.
977
01:01:01,124 --> 01:01:03,832
- YOU'RE NOT GOOD AT STUDYING,
STAN, YOU'RE GOOD AT FOOTBALL.
978
01:01:03,926 --> 01:01:05,269
YOU SHOULD STICK TO
WHAT YOU'RE GOOD AT.
979
01:01:05,328 --> 01:01:08,832
- YEAH I'VE ALWAYS BEEN GOOD
AT FOOTBALL AND BASKETBALL
980
01:01:08,931 --> 01:01:09,739
AND OTHER SPORT I TRY.
981
01:01:09,799 --> 01:01:13,975
I THINK MAYBE IT'S TIME I TRY
SOMETHING I'M NOT SO GOOD AT.
982
01:01:14,070 --> 01:01:14,775
- AT THE SAME TIME,
983
01:01:14,837 --> 01:01:18,216
HIS FELLOW STUDENTS
DISCOVER A MYSTERIOUS ORGANISM
984
01:01:18,307 --> 01:01:20,981
LURKING IN THE SCHOOL'S
WATER SUPPLY.
985
01:01:21,077 --> 01:01:22,715
- JUST GONNA
CHECK HIS PROSTATE.
986
01:01:22,779 --> 01:01:26,989
ACTUALLY, THE SURFACE TEXTURE
CHANGED, SO...
987
01:01:41,631 --> 01:01:43,804
GATE.
988
01:01:43,866 --> 01:01:47,473
- IT'S A PARASITE, CAPABLE
OF TAKING ON HUMAN HOSTS
989
01:01:47,537 --> 01:01:52,008
AND TRANSFORMING THEM INTO
MODELS OF AMERICAN TEEN-DOM,
990
01:01:52,108 --> 01:01:58,389
FORCING CONFORMITY ON
AN UNSUSPECTING STUDENT BODY.
991
01:01:58,448 --> 01:02:02,123
STAN AND THE OTHERS
REFUSE TO RELINQUISH CONTROL,
992
01:02:02,185 --> 01:02:06,531
MAKING THEM EVER MORE DESIRABLE
TO THE BUG.
993
01:02:06,622 --> 01:02:08,124
- WHAT ARE YOU KIDS
DOING IN HERE?
994
01:02:08,191 --> 01:02:09,534
- LITl'LE DO THEY KNOW
995
01:02:09,625 --> 01:02:13,596
THAT ONE OF THEIR NUMBER
HAS ALREADY BEEN TURNED.
996
01:02:13,663 --> 01:02:17,304
- CASEY, COME OUT COME OUT
WHEREVER YOU ARE.
997
01:02:17,366 --> 01:02:18,845
- WHEN TRANSFER STUDENT
MARYBEFH
998
01:02:18,901 --> 01:02:23,509
IS FINALLY UNVEILED
AS A HOST FOR THE PARASITE,
999
01:02:23,573 --> 01:02:24,574
SHE APPEALS TO THE OTHERS
1000
01:02:24,674 --> 01:02:28,486
TO CONSIDER THE VALUE
OF GIVING IN TO CONFORMITY.
1001
01:02:28,544 --> 01:02:31,650
- ALL OF YOU ARE DIFFERENT
FROM THE OTHERS.
1002
01:02:31,714 --> 01:02:35,526
YOU'RE LOST AND LONELY,
JUST LIKE ME.
1003
01:02:35,585 --> 01:02:36,859
AND I THOUGHT THAT MAYBE,
1004
01:02:36,919 --> 01:02:39,866
I GOULD GIVE YOU
A TASTE OF MY WORLD...
1005
01:02:39,922 --> 01:02:44,302
A WORLD WITHOUT ANGER,
WITHOUT FEAR, WITHOUT ATTITUDE,
1006
01:02:44,393 --> 01:02:48,068
WHERE THE UNDER-ACHIEVER GOES HOME
AT NIGHT TO PARENTS WHO CARE.
1007
01:02:48,164 --> 01:02:51,304
THE JOCK CAN BE SMART,
THE UGLY DUCKLING BEAUTIFUL,
1008
01:02:51,367 --> 01:02:54,405
THE CLASS WUSS
DOESN'T HAVE TO LIVE IN TERROR,
1009
01:02:54,504 --> 01:02:55,312
AND THE NEW GIRL, WELL...
1010
01:02:55,371 --> 01:02:57,510
THE NEW GIRL,
SHE CAN JUST FIT RIGHT IN
1011
01:02:57,573 --> 01:02:59,712
WITH PEOPLE
WHO ARE JUST LIKE HER.
1012
01:02:59,776 --> 01:03:02,222
- THOUGH SHE PROMISES PARADISE,
1013
01:03:02,278 --> 01:03:07,159
MARYBEFHS WORLD IS IN FACT
ONE OF COLD UNIFORMITY,
1014
01:03:07,250 --> 01:03:11,562
WHERE UNRULY TEENS
CAN BE SAFELY CONTROLLED,
1015
01:03:11,621 --> 01:03:18,061
ALL WITH THEIR BEST INTERESTS
SUPPOSEDLY IN MIND.
1016
01:03:32,041 --> 01:03:35,545
THE BIND OF CONFORMITY
GROWS EVER STRONGER
1017
01:03:35,611 --> 01:03:38,956
IN "JOSIE AND THE PUSSYCATS."
1018
01:03:39,048 --> 01:03:41,858
A SINISTER GROUP
OF RECORD EXECUTIVES
1019
01:03:41,918 --> 01:03:43,056
RECOGNIZE THE VALUE
1020
01:03:43,119 --> 01:03:44,792
OF CONTROLLING
THE YOUNGER GENERATION,
1021
01:03:44,887 --> 01:03:48,926
NOT ONLY TO KEEP THEM IN LINE,
BUT TO KEEP THEM SPENDING.
1022
01:03:48,991 --> 01:03:53,804
- I AM SICK OF MY REEBOK SWEATS
I NEED SOME PUMA SWEATS.
1023
01:03:53,896 --> 01:03:56,740
- I GOT TO BUY
A SIX-PACK OF ZIMA.
1024
01:03:56,799 --> 01:03:58,472
- DUDE, YOU DON'T DRINK.
1025
01:03:58,568 --> 01:04:00,241
- I THINK I SHOULD START.
1026
01:04:00,303 --> 01:04:04,615
- THREATS TO THE ORGANIZATION ARE
QUIEFLY REMOVED FROM THE PICTURE
1027
01:04:04,674 --> 01:04:06,483
BY SLIMY PROMOTERS...
1028
01:04:06,576 --> 01:04:08,021
- I THINK THAT SONG SUCKS.
1029
01:04:08,077 --> 01:04:11,581
I PLUG MY EARS
WHEN CRAP LIKE THAT COMES ON.
1030
01:04:11,647 --> 01:04:12,091
- REALLY?
1031
01:04:12,148 --> 01:04:13,786
WELL, EVERYBODY ELSE
SEEMED TO LIKE IT.
1032
01:04:13,850 --> 01:04:15,852
- THAT'S JUST BECAUSE
THEY'RE MINDLESS DRONES
1033
01:04:15,952 --> 01:04:20,162
WHO WILL GOBBLE UP
ANYTHING YOU TELL THEM IS COOL.
1034
01:04:20,256 --> 01:04:21,758
- I SEE...
1035
01:04:21,824 --> 01:04:23,963
THIS MUST BE MY LUCKY DAY.
1036
01:04:24,026 --> 01:04:24,834
A REAL NON-CONFORMIST
1037
01:04:24,927 --> 01:04:27,237
I'M SO INTERESTED TO HEAR
WHAT ELSE YOU HAVE TO SAY.
1038
01:04:27,296 --> 01:04:31,745
- WELL, FIRST OF ALL,
I DON'T UNDERSTAND WHAT...
1039
01:04:31,801 --> 01:04:33,508
- GOSH, THAT'S FASCINATING.
1040
01:04:33,603 --> 01:04:38,052
- OR ERADICATED ALTOGETHER
IN THEIR MASTER PLAN,
1041
01:04:38,107 --> 01:04:39,085
A GLOBAL CONSPIRACY
1042
01:04:39,141 --> 01:04:42,020
TO SYSTEMICALLY REPROGRAM
ALL TEENS.
1043
01:04:42,111 --> 01:04:45,786
- GENTLEMAN,
A DEMONSTRATION.
1044
01:04:45,848 --> 01:04:49,295
THIS IS WHAT THOSE KIDS THINK
THEY'RE HEARING ON THOSE HEADSETS.
1045
01:04:50,453 --> 01:04:53,991
AND THIS IS WHAT
THEY'RE REALLY HEARING.
1046
01:04:54,056 --> 01:04:57,333
- "CONFORM!
FREE WILL ls OVERRATED.
1047
01:04:57,393 --> 01:04:58,895
JUMP ON THE BANDWAGON!
1048
01:04:58,995 --> 01:05:02,499
- THE THREAT OF THE INDIVIDUAL
FADES AWAY,
1049
01:05:02,565 --> 01:05:08,243
LEAVING ONLY OBEDIENCE
TO THE SYSTEM...
1050
01:05:08,337 --> 01:05:13,218
A SYSTEM THAT HIDES
IN PLAIN SIGHT.
1051
01:05:13,309 --> 01:05:14,185
- GOT TO MAKE ROOM FOR HER.
1052
01:05:14,243 --> 01:05:15,881
I DON'T KNOW
WHERE SHE'S GONNA SIT.
1053
01:05:15,978 --> 01:05:19,858
- COME ON! THE PROM!
- LET'S GO!
1054
01:05:19,916 --> 01:05:21,862
'YEAH!
1055
01:06:37,827 --> 01:06:38,771
- I BEGIN THE PRESENTATION
1056
01:06:38,828 --> 01:06:43,038
WITH THE ANNOUNCEMENT
OF THE 1999 PROM KING.
1057
01:06:43,132 --> 01:06:46,409
- WHOO!
THAT'S WHAT I'M TALKING ABOUT!
1058
01:06:48,971 --> 01:06:55,286
- AND NOW FOR
THE 1999 PROM QUEEN.
1059
01:07:47,329 --> 01:07:50,037
- AS THE DYING DAYS
OF HIGH SCHOOL LOOM,
1060
01:07:50,132 --> 01:07:55,514
THE ILLUSION OF ATEEN UTOPIA
COMES CRASHING DOWN.
1061
01:07:55,571 --> 01:07:56,208
- YOU WANT A BEER?
1062
01:07:56,305 --> 01:07:58,342
- AS QUICKLY AS THEY
WERE ASKED TO FIT IN,
1063
01:07:58,407 --> 01:08:02,856
ADOLESCENTS ARE ORDERED
TO MOVE ON.
1064
01:08:02,912 --> 01:08:04,516
- TRIP McNEELY!
1065
01:08:04,580 --> 01:08:05,854
TRIP McNEELY.
1066
01:08:05,915 --> 01:08:06,757
- NO WAY, MAN.
1067
01:08:06,849 --> 01:08:10,160
- TRIP McNEELY.
- TRIP McNEELY!
1068
01:08:10,219 --> 01:08:12,096
GEEZ.
1069
01:08:12,188 --> 01:08:14,168
YOU WERE A SEXUAL ICON.
1070
01:08:14,223 --> 01:08:18,069
YOU KNOW, GIRLS AT HUNTINGDON
STILL TALK ABOUT YOU.
1071
01:08:18,160 --> 01:08:20,037
- REALLY?
1072
01:08:20,096 --> 01:08:20,699
WHICH ONES?
1073
01:08:20,763 --> 01:08:24,074
- YOU MUST BE RACKING UP
AT COLLEGE. COLLEGE.
1074
01:08:24,166 --> 01:08:27,841
- I WISH, BRO. lCAN'T EVEN
GET DIGITS AS A FRESHMAN.
1075
01:08:27,903 --> 01:08:28,438
- SHUT UP!
1076
01:08:28,537 --> 01:08:31,347
COME ON,
YOU CAN TELL ME.
1077
01:08:31,407 --> 01:08:32,215
- SERIOUSLY, MAN.
1078
01:08:32,274 --> 01:08:36,586
I THOUGHT COLLEGE
WAS GONNA BE A 24/7 ORGY.
1079
01:08:38,114 --> 01:08:39,752
- S-SO, WHAT HAPPENED?
1080
01:08:40,850 --> 01:08:44,662
COLLEGE CHICKS
ARE TOTALLY DIFFERENT, BRO.
1081
01:08:44,720 --> 01:08:48,361
THEY'RE ALL SERIOUS
AND SHIT.
1082
01:08:48,424 --> 01:08:53,601
THEY ALL TALK ABOUT WORLD ISSUES
AND ECO-MOLOGICAL CRAP.
1083
01:08:53,696 --> 01:08:57,007
THEY ALL WANT TO DATE
OLDER GUYS.
1084
01:08:58,934 --> 01:09:01,039
- YEAH, BUT...
1085
01:09:01,103 --> 01:09:02,776
NOT ALL OF THEM, RIGHT?
1086
01:09:02,872 --> 01:09:04,510
- THE WAY IT GOES.
1087
01:09:04,573 --> 01:09:09,545
GUYS LIKE US,
WE ARE A DIME A DOZEN.
1088
01:09:11,380 --> 01:09:15,419
- FAIL TO RE-ASSERT THEMSELVES
AS INDIVIDUALS,
1089
01:09:15,484 --> 01:09:19,955
AND THEY'LL BE LEFT
TO A LIFE OF EMPTY FANTASY.
1090
01:09:20,055 --> 01:09:22,592
- TAKE IT EASY, TRIP!
1091
01:09:22,658 --> 01:09:24,194
TRIP McNEELY!
1092
01:09:24,293 --> 01:09:26,933
ALL RIGHT.
1093
01:09:34,770 --> 01:09:36,477
- LN "DISTURBING BEHAVIOR,"
1094
01:09:36,572 --> 01:09:39,178
BRAINWASHED STUDENTS
BECOME LOCKED
1095
01:09:39,241 --> 01:09:41,517
IN AN INFINITE LOOP
OF HIGH-SCHOOL ROUTINE,
1096
01:09:41,577 --> 01:09:47,892
UNABLE TO MOVE PAST THEIR TEEN
IDENTITIES TOWARDS ADULTHOOD.
1097
01:09:47,950 --> 01:09:50,590
HIDDEN AWAY
IN A REMOTE ASYLUM,
1098
01:09:50,653 --> 01:09:53,463
THEY LIVE OUT
A PERVERSE NIGHTMARE
1099
01:09:53,522 --> 01:09:56,469
OF INDEFINITE ADOLESCENCE.
1100
01:09:56,525 --> 01:09:57,868
- YOU'RE PRE Y.
1101
01:09:57,960 --> 01:09:59,837
AND...
1102
01:09:59,929 --> 01:10:00,532
DO IT.
1103
01:10:00,596 --> 01:10:02,439
- THIS IS THE LIFE
THAT AWAITS THOSE
1104
01:10:02,498 --> 01:10:05,968
WHO FAIL TO SHAKE OFF
THE TRAPPINGS OF YOUTH.
1105
01:10:07,102 --> 01:10:13,075
- THIS IS THE FATE
OF THE PERPETUAL TEEN.
1106
01:10:13,442 --> 01:10:17,913
- SOCIAL MISFIT JENNA
IS WELL AWARE OF THIS DANGER
1107
01:10:17,980 --> 01:10:19,482
IN "13 GOING ON 30,"
1108
01:10:19,548 --> 01:10:22,688
AND THOUGH SHE'S BARELY ENTERED
HER TEEN YEARS,
1109
01:10:22,785 --> 01:10:24,822
SHE'S ALREADY EAGER TO MOVE ON.
1110
01:10:24,887 --> 01:10:29,165
BEST FRIEND MAI I Y, MEANWHILE,
IS HAPPY TO STAY PUT.
1111
01:10:29,225 --> 01:10:30,704
- WANT SOME RAZZLES?
1112
01:10:30,793 --> 01:10:32,466
- RAZZLES ARE FOR KIDS.
1113
01:10:32,528 --> 01:10:35,372
- EXACTLY.
1114
01:10:35,464 --> 01:10:37,444
- I WANNA BE 30!
1115
01:10:37,499 --> 01:10:38,341
- JENNA'S WISH COMES TRUE
1116
01:10:38,400 --> 01:10:41,938
AS SHE'S SENT MIRACULOUSLY
FORWARD THROUGH TIME
1117
01:10:42,037 --> 01:10:42,913
TO HER 30th YEAR,
1118
01:10:43,005 --> 01:10:46,111
WHERE SHE FINDS HERSELF
A SUCCESSFUL,
1119
01:10:46,175 --> 01:10:51,682
POPULAR, AND FIERCELY
INDEPENDENT WOMAN.
1120
01:10:53,716 --> 01:10:56,697
- MOM?
1121
01:10:59,221 --> 01:11:02,168
DAD?
1122
01:11:12,601 --> 01:11:13,306
WH OA!
1123
01:11:13,402 --> 01:11:15,848
- DISORIENTED
BY THE TRANSFORMATION,
1124
01:11:15,904 --> 01:11:20,444
SHE FRANTICALLY TRACKS DOWN
THE REMNANTS OF HER TEEN YEARS,
1125
01:11:20,542 --> 01:11:21,577
INCLUDING MAI I Y.
1126
01:11:21,677 --> 01:11:26,023
TRUE TO HIS WORD, HE CONTINUES
TO PRACTICE THE SAME HOBBIES,
1127
01:11:26,081 --> 01:11:26,889
LISTEN TO THE SAME MUSIC,
1128
01:11:26,949 --> 01:11:30,453
AND FOLLOW THE SAME FASHIONS
HE DID AS AN ADOLESCENT.
1129
01:11:30,552 --> 01:11:32,395
- HEY, JENNA. WHY ARE YOU HERE?
1130
01:11:32,454 --> 01:11:35,128
- I WAS SITTING IN MY CLOSET,
1131
01:11:35,224 --> 01:11:38,034
AND I-l... l SKIPPED EVERYTHING.
1132
01:11:38,093 --> 01:11:39,629
I MEAN, IT'S LIKE A WEIRD DREAM.
1133
01:11:39,728 --> 01:11:41,071
I-I CAN'T REMEMBER MY LIFE.
1134
01:11:41,130 --> 01:11:43,508
YOU NEED TO HELP ME
REMEMBER MY LIFE.
1135
01:11:43,599 --> 01:11:44,737
- ME'?
- YES.
1136
01:11:44,800 --> 01:11:46,074
- I CAN'T DO THAT.
- WHY NOT?
1137
01:11:46,802 --> 01:11:48,975
I DON'T KNOW ANYTHING ABOUT YOU,
ALL RIGHT?
1138
01:11:49,071 --> 01:11:52,518
I HAVEN'T SEEN YOU
SINCE HIGH SCHOOL.
1139
01:11:53,475 --> 01:11:53,953
- WHAT?
1140
01:11:54,043 --> 01:11:56,580
- WE'RE NOT FRIENDS ANYMORE,
JENNA.
1141
01:11:56,645 --> 01:12:01,025
- FINDING COMFORT IN
THE CONTINUITY OF MAI I Y'S LIFE,
1142
01:12:01,116 --> 01:12:04,928
JENNA, TOO, ATTEMPTS TO RESUME
HER CHILDHOOD IDENTITY,
1143
01:12:04,987 --> 01:12:08,366
MUCH TO THE DELIGHT
OF HER FORMER FRIEND.
1144
01:12:08,457 --> 01:12:11,495
TOGETHER, THEY ENACT
A WARPED ADULT SIMULATION
1145
01:12:11,593 --> 01:12:13,595
OF THEIR TEENAGE LIVES.
1146
01:12:13,662 --> 01:12:16,973
- YOU WHAT I WISH I HAD
RIGHT NOW?
1147
01:12:17,066 --> 01:12:18,909
- NO. WHAT'?
1148
01:12:18,967 --> 01:12:20,969
- RAZZLES.
1149
01:12:21,070 --> 01:12:22,674
- RAZZLES?
1150
01:12:22,738 --> 01:12:26,379
- THIS UNCOMPLICATED VISION
OF GROWN-UP LIFE
1151
01:12:26,442 --> 01:12:28,581
SEEMS FAR MORE APPEALING
TO JENNA,
1152
01:12:28,644 --> 01:12:31,625
AND SHE SETS OUT
TO MAKE SURE IT'S FOR GOOD,
1153
01:12:31,680 --> 01:12:33,682
BY RETREATING INTO THE PAST...
1154
01:12:33,782 --> 01:12:34,590
- MA'l'l'Y!
1155
01:12:34,650 --> 01:12:36,357
- DIVING INTO THE ARMS
OF MAI I Y,
1156
01:12:36,452 --> 01:12:39,922
AND SHUNNING THE POPULAR GIRLS
ONCE AND FOR ALL.
1157
01:12:39,988 --> 01:12:41,262
- BIATGH.
1158
01:12:41,323 --> 01:12:42,927
- BACK IN THE PRESENT DAY,
1159
01:12:42,991 --> 01:12:45,528
JENNA NOW LIVES
AS AN ETERNAL TEENAGER,
1160
01:12:45,627 --> 01:12:50,406
TRAPPED INSIDE THE BODY
OF A 30-YEAR-OLD WOMAN.
1161
01:12:50,466 --> 01:12:53,242
ABANDONING THE CAREER
AND INDEPENDENCE
1162
01:12:53,302 --> 01:12:54,337
SHE FOUGHT SO HARD TO ACQUIRE,
1163
01:12:54,436 --> 01:12:58,282
SHE LIVES OUT AN IMPOSSIBLE
CHILDHOOD FANTASY OF ADULTHOOD,
1164
01:12:58,340 --> 01:13:01,514
COMPLETE WITH HER HIGH-SCHOOL
ADMIRER IN TOW
1165
01:13:01,610 --> 01:13:05,581
AND A LIFE-SIZE DOLLHOUSE
FOR A HOME.
1166
01:13:05,647 --> 01:13:07,456
- RAZZLE, MR. FLAMHAFF?
1167
01:13:07,516 --> 01:13:10,656
- THANK YOU, MRS. FLAMHAFF.
1168
01:13:17,626 --> 01:13:19,003
- THE MECHANICS OF HIGH SCHOOL...
1169
01:13:19,061 --> 01:13:22,941
SWEETHEARTS, CLIQUES,
AND HAPPILY EVER AFFERS...
1170
01:13:23,031 --> 01:13:26,137
CAN NEVER BE SQUARED
WITH ADULTHOOD.
1171
01:13:26,201 --> 01:13:27,373
- I RENTED THE LIMO.
1172
01:13:27,469 --> 01:13:28,914
I GET TO BE THE GUY.
1173
01:13:28,971 --> 01:13:30,143
- YEAH?
1174
01:13:30,706 --> 01:13:34,483
- SO I GUESS
THAT MAKES ME THE GIRL, '?
1175
01:13:34,543 --> 01:13:35,214
- RIGHT.
1176
01:13:35,310 --> 01:13:36,186
- IN "DRIVE ME CRAZY,"
1177
01:13:36,245 --> 01:13:38,225
CHILDHOOD FRIENDS
CHASE AND NICOLE
1178
01:13:38,547 --> 01:13:41,551
FINALLY UNITE
AT THEIR SENIOR PROM,
1179
01:13:41,650 --> 01:13:45,928
AFTER YEARS
OF UNFULFILLED FLIRTATION.
1180
01:13:50,025 --> 01:13:53,370
THEY LOOK FORWARD
TO AN ETERNITY TOGETHER,
1181
01:13:53,429 --> 01:13:57,878
A NOTION THAT SOON BECOMES
ALL TOO TERRIFYINGLY REAL.
1182
01:13:59,368 --> 01:14:00,813
- MOM'.7!
1183
01:14:00,869 --> 01:14:01,745
- Ol-|.
1184
01:14:01,837 --> 01:14:06,843
WELL, THAT MUST'VE BEEN
AN INTERESTING EVENING.
1185
01:14:06,909 --> 01:14:08,286
- DAD.
1186
01:14:08,377 --> 01:14:10,823
- CHASE....
1187
01:14:10,879 --> 01:14:13,223
-ol-|.
1188
01:14:13,282 --> 01:14:16,092
- SHOULD WE TELL THEM?
- YEAH.
1189
01:14:17,886 --> 01:14:21,060
- WE'RE MOVING IN TOGETHER.
- YEAH.
1190
01:14:23,792 --> 01:14:26,102
- AT THIS DECISIVE CROSSROADS,
1191
01:14:26,195 --> 01:14:29,506
MAKING A CLEAN BREAK
IS ESSENTIAL.
1192
01:14:29,565 --> 01:14:31,169
- IT IS YOU.
1193
01:14:31,233 --> 01:14:32,337
I DON'T BELIEVE IT.
1194
01:14:32,401 --> 01:14:33,436
- IN "BOYS AND cums,"
1195
01:14:33,535 --> 01:14:35,173
FELLOW HIGH SGHOOLERS
JENNIFER AND RYAN
1196
01:14:35,237 --> 01:14:39,117
ARE SURPRISED TO FIND THEMSELVES
REUNITED AT COLLEGE.
1197
01:14:39,208 --> 01:14:42,712
THEY BOTH EMBARK UPON
A FRESH CHAPTER IN THEIR LIVES,
1198
01:14:42,778 --> 01:14:45,952
BUT WHILE SHE MAKES THE MOST
OF HER NEWFOUND FREEDOM,
1199
01:14:46,048 --> 01:14:48,358
HE REMAINS TIED
TO HIS TEENAGE PAST.
1200
01:14:48,417 --> 01:14:52,058
- I LOVE YOU.
- I LOVE YOU.
1201
01:14:52,120 --> 01:14:54,999
- SO, IS SHE YOUR HIGH-SCHOOL
SWEETHEART?
1202
01:14:55,090 --> 01:14:57,798
- AS A MATTER OF FACT, SHE IS.
1203
01:14:57,893 --> 01:14:59,497
- GOOD FOR YOU.
1204
01:14:59,561 --> 01:15:01,700
WHERE IS SHE GOING TO SCHOOL'?
1205
01:15:01,763 --> 01:15:03,037
- SEATl'LE.
1206
01:15:03,098 --> 01:15:03,906
- Ol-|.
1207
01:15:03,966 --> 01:15:06,105
LONG DISTANCE.
1208
01:15:06,168 --> 01:15:07,545
- 50?
1209
01:15:07,636 --> 01:15:08,410
- GOOD LUCK.
1210
01:15:08,470 --> 01:15:09,244
- WE DON'T NEED LUCK.
1211
01:15:09,304 --> 01:15:10,840
WE HAVE
A VERY STRONG RELATIONSHIP.
1212
01:15:10,939 --> 01:15:13,920
WE WEREN'T TOGETHER OVER THE
SUMMER, AND EVERYTHING WAS FINE.
1213
01:15:13,976 --> 01:15:17,355
- WHEN RYAN'S DREAMS
OF ROMANTIC HARMONY
1214
01:15:17,446 --> 01:15:19,824
COME CRASHING DOWN AROUND HIM,
1215
01:15:19,915 --> 01:15:20,893
HE STRUGGLES TO MOVE ON,
1216
01:15:20,949 --> 01:15:25,125
FRUSTRATED BY THE FAILURE
OF HIS BLUEPRINT FOR HAPPINESS.
1217
01:15:25,187 --> 01:15:28,168
- YOU KNOW THE ONLY WAY
TO BUILD SOMETHING THAT AWESOME?
1218
01:15:28,257 --> 01:15:31,636
- ALIEN SLAVES FROM OUTER SPACE?
1219
01:15:31,693 --> 01:15:33,536
- PERFECT PLANNING.
- ol-|.
1220
01:15:33,629 --> 01:15:35,404
- DOESN'T IT MAKE SO MUCH SENSE?
1221
01:15:35,464 --> 01:15:38,468
YOU EXAMINE A SITUATION.
YOU PLAN A COURSE OF ACTION.
1222
01:15:38,534 --> 01:15:40,912
YOU EXECUTE IT.
1223
01:15:41,003 --> 01:15:44,314
AND EVERYTHING WORKS OUT FINE.
1224
01:15:45,340 --> 01:15:46,045
BUT IT DOESN'T.
1225
01:15:46,141 --> 01:15:50,749
- HE REJECTS EACH NEW OPPORTUNITY
THAT COMES HIS WAY...
1226
01:15:50,812 --> 01:15:52,689
- YOU WANT TO SIT DOWN?
1227
01:15:52,781 --> 01:15:55,091
- SURE! SURE.
1228
01:15:55,150 --> 01:15:57,926
BUT, ACTUALLY, I WAS...
I WAS JUST LEAVING.
1229
01:15:57,986 --> 01:16:00,865
- DESPERATE TO RECLAIM
THE HIGH-SCHOOL ROMANCE
1230
01:16:00,956 --> 01:16:03,232
THAT HE THINKS COMPLETED HIM.
1231
01:16:03,292 --> 01:16:05,829
- THERE WAS THIS GIRL
AT THE PARTY THE OTHER NIGHT
1232
01:16:05,894 --> 01:16:07,100
- AGIRLGIRL'.7
1233
01:16:07,195 --> 01:16:08,833
YOU DIDN'T TELL ME.
1234
01:16:08,897 --> 01:16:11,434
- I JUST BLEW HER OFF.
1235
01:16:11,533 --> 01:16:13,672
- WHY?
1236
01:16:13,735 --> 01:16:15,009
- I DON'T KNOW.
1237
01:16:15,070 --> 01:16:17,016
- EAGER TO HELP HEAL HIS WOUNDS,
1238
01:16:17,072 --> 01:16:22,078
JENNIFER TURNS TO A RELIABLE
SOURCE OF EXPERTISE...
1239
01:16:22,177 --> 01:16:24,851
TEEN MOVIES.
1240
01:16:24,913 --> 01:16:25,516
IT'S THERE,
1241
01:16:25,581 --> 01:16:29,085
IN THE COMFORTABLE FICTION
OF THE TEENAGE HAPPY ENDING,
1242
01:16:29,184 --> 01:16:30,788
THAT SHE FINDS HER ANSWERS.
1243
01:16:30,852 --> 01:16:33,958
- I MEAN,
IT'S SUCH A LOT OF BULLSHIT.
1244
01:16:34,022 --> 01:16:34,830
- BULLSHIT?
1245
01:16:34,890 --> 01:16:35,698
- JUST SHOW ME A MOVIE
1246
01:16:35,757 --> 01:16:37,759
THAT TAKES PLACE SIX MONTHS
AFTERTHEY GET TOGETHER,
1247
01:16:37,859 --> 01:16:40,863
YOU KNOW, WHEN EVERYTHING STARTS
FALLING APART.
1248
01:16:40,929 --> 01:16:41,464
- JENNIFER.
1249
01:16:41,563 --> 01:16:42,837
- IT'S JUST THAT I DON'T THINK
1250
01:16:42,898 --> 01:16:45,003
THAT ANY OF US KNOW
WHO WE REALLY ARE,
1251
01:16:45,067 --> 01:16:49,675
SO HOW ARE WE SUPPOSED TO KNOW
WHO MR. RIGHT IS'?
1252
01:16:57,412 --> 01:17:01,554
- IF THEY'RE EVER TO MAKE SENSE
OF THE WIDER WORLD,
1253
01:17:01,617 --> 01:17:04,291
OVERGROWN ADOLESCENTS LIKE RYAN
1254
01:17:04,386 --> 01:17:08,061
MUST SEVER
THEIR HIGH-SCHOOL ATTACHMENTS
1255
01:17:08,123 --> 01:17:13,937
AND FIRST MAKE SENSE
OF THEMSELVES.
1256
01:19:15,383 --> 01:19:17,863
I CAN BE WHOEVER I WANT TO BE.
1257
01:19:17,919 --> 01:19:21,128
I DON'T HAVE
TO DRESS FOR ANYONE.
1258
01:19:21,223 --> 01:19:23,328
I DON'T
HAVE TO LOOK LIKE ANYONE.
1259
01:19:23,391 --> 01:19:24,870
I CAN DO ANYTHING.
1260
01:19:24,926 --> 01:19:27,600
I CAN JUST BE MYSELF!
1261
01:20:02,297 --> 01:20:06,439
- AS THE CURTAIN FALLS
ON THEIR HIGH-SCHOOL ODYSSEY,
1262
01:20:06,535 --> 01:20:09,516
TEENS COME TOGETHER
ONE LAST TIME,
1263
01:20:09,571 --> 01:20:13,246
UNITED BY THE JOURNEY
BEHIND THEM.
1264
01:20:13,308 --> 01:20:17,654
SIDE-BY-SIDE, THEY FOUND THEIR
SEAT AT THE GAFEFERIA TABLE,
1265
01:20:17,746 --> 01:20:22,752
GIVING THEMSELVES OVER
TO THE POWER OF THE CLIQUES.
1266
01:20:22,818 --> 01:20:28,860
COMPELLED BY STRANGE NEW URGES,
THEY SURRENDERED TO DESIRE
1267
01:20:28,957 --> 01:20:33,337
AS THEIR CHANGING BODIES
TOOK CONTROL.
1268
01:20:33,428 --> 01:20:38,741
THEY LOST TOUCH WITH REALITY
AND PAID THE PRICE.
1269
01:20:38,800 --> 01:20:41,440
BUT IN THE FACE
OF A HARSH SYSTEM,
1270
01:20:41,503 --> 01:20:43,380
THEY FOUGHT TO REDISCOVER
WHAT WAS ONCE THEIRS.
1271
01:20:43,471 --> 01:20:48,784
AND LAID THE GROUNDWORK
FOR A LIFE BEYOND HIGH SCHOOL.
1272
01:20:48,844 --> 01:20:52,792
- GOOD AFTERNOON, CLASSMATES
AND INVITED GUESTS.
1273
01:20:52,848 --> 01:20:56,193
TODAY, WE MARK
THE END OF OUR INFANCY,
1274
01:20:56,284 --> 01:20:58,321
THE END OF OUR CHILDHOOD,
1275
01:20:58,420 --> 01:21:01,799
THE END OUR BEGINNING.
1276
01:21:01,857 --> 01:21:04,463
- TODAY, THEY TAKE A BOW.
1277
01:21:04,526 --> 01:21:08,474
TOMORROW,
THE SHOW COMES TO A CLOSE.
1278
01:21:08,530 --> 01:21:11,374
- I WANT YOU
TO TRY TO ENJOY THIS DAY.
1279
01:21:11,466 --> 01:21:16,609
COMMENCEMENT...
THE END OF ONE THING,
1280
01:21:16,671 --> 01:21:19,117
THE START OF SOMETHING NEW.
1281
01:21:19,174 --> 01:21:19,811
- IN "SPIDER-MAN,"
1282
01:21:19,875 --> 01:21:23,413
THE AMAZING POWERS
OF TEENAGE LONER PETER
1283
01:21:23,511 --> 01:21:26,890
SEE HIM ISOLATED FROM HIS PEERS.
1284
01:21:36,558 --> 01:21:39,903
- JESUS, PARKER,
YOU ARE A FREAK.
1285
01:21:39,995 --> 01:21:43,772
- EAGER TO BLEND IN,
HE HIDES THEM FROM VIEW.
1286
01:21:43,832 --> 01:21:47,712
- WHAT DO YOU SEE COMING FOR YOU?
1287
01:21:49,170 --> 01:21:49,807
- I DON'T KNOW.
1288
01:21:49,871 --> 01:21:55,514
- ONLY IN ADULTHOOD IS HE FREE
TO EMBRACE THE ABNORMALITIES
1289
01:21:55,577 --> 01:21:59,457
THAT MAKE HIM WHO HE REALLY IS.
1290
01:21:59,547 --> 01:22:03,085
WITH HIS TRANSFORMATION
INTO A MASKED SUPERHERO,
1291
01:22:03,184 --> 01:22:05,824
HE AT LAST SHOWS THE WORLD
HIS TRUE FACE,
1292
01:22:05,887 --> 01:22:11,667
LEITING HIS GUARD DOWN
AND REVEALING HIS POWERS...
1293
01:22:13,895 --> 01:22:18,037
AND HIS DESIRES.
1294
01:22:18,099 --> 01:22:20,238
IN HIGH SCHOOL,
HE PLAYED A ROLE,
1295
01:22:20,335 --> 01:22:24,340
MUTATING HIMSELF INTO SOMEONE
CAPABLE OF SURVIVING
1296
01:22:24,406 --> 01:22:25,282
THE ADOLESCENT EXPERIENCE.
1297
01:22:25,373 --> 01:22:30,823
- SOME SPIDERS CHANGE COLORS
TO BLEND INTO THEIR ENVIRONMENT.
1298
01:22:30,879 --> 01:22:34,918
IT'S A DEFENSE MECHANISM.
- PEl'ER.
1299
01:22:39,254 --> 01:22:45,205
- BEYOND THAT,
HE CAN LEAVE THE SCRIPT BEHIND.
1300
01:23:19,260 --> 01:23:21,103
- SHE KNOWS EVERYTHING
ABOUT EVERYONE
1301
01:23:21,162 --> 01:23:23,938
SHE'S THE STAR,
SHE'S THE ONLY ONE TO BELONG
1302
01:23:23,999 --> 01:23:25,979
SHE FEELS BAD FOR YOU
THAT YOU DON'T COMPARE
1303
01:23:26,067 --> 01:23:29,571
SHE KNOWS IT'S HARD WHEN
SHE SEES, SHE SEES YOU STARE
1304
01:23:29,637 --> 01:23:31,344
SHE'S A SYMBOL
OF THE TURNING WORLD
1305
01:23:31,439 --> 01:23:34,420
SHE THINKS EVERYBODY'S
IN LOVE WITH HER
1306
01:23:34,476 --> 01:23:37,013
SHE'S A STONE-COLD FOX
1307
01:23:37,112 --> 01:23:38,785
SHE'S A STONE-COLD FOX
1308
01:23:38,847 --> 01:23:43,887
AND THE TREES, LIKE LUNGS,
FILLING UP WITH AIR
1309
01:23:43,985 --> 01:23:48,866
MY SISTER, THE MEAN ONE,
PULLING MY HAIR
1310
01:23:48,957 --> 01:23:53,929
AND THOSE GIRLS, THEY WERE
JUST WOMEN IN DISGUISE
1311
01:23:53,995 --> 01:23:58,273
THEY UNDERSTOOD IT ALL,
THERE WAS DARKNESS AND PAIN
1312
01:23:58,333 --> 01:23:59,937
IN THEIR EYES
1313
01:24:00,001 --> 01:24:02,345
IT ONLY MATTERS
THAT WE LOVED THEM
1314
01:24:02,437 --> 01:24:05,077
IT ONLY MATTERS
THAT WE LOVED THEM
1315
01:24:05,140 --> 01:24:09,611
IT ONLY MATTERS
THAT WE LOVED THEM
1316
01:24:09,677 --> 01:24:12,851
HE'S FIT, BUT HE'S A WASTE
OF YEARBOOK SPACE
1317
01:24:12,947 --> 01:24:14,722
AN INSTITUTION IN THIS PLACE
1318
01:24:14,783 --> 01:24:16,990
HIS SOUL IS AN ISLAND,
HIS CAR IS A FORD
1319
01:24:17,052 --> 01:24:20,261
HE'S CLASS PRESIDENT,
HE CAN'T BE IGNORED
1320
01:24:20,355 --> 01:24:21,493
HE CAN'T EAT, HE CAN'T SLEEP
1321
01:24:21,556 --> 01:24:25,094
'CAUSE HE THINKS
THAT HE'S IN LOVE WITH HER
1322
01:24:25,193 --> 01:24:27,298
HE'S THE BRAVEST
1323
01:24:27,362 --> 01:24:29,740
HE'S THE BEST-EST
1324
01:24:29,831 --> 01:24:31,640
AND AS ABOVE, SO BELOW
1325
01:24:31,699 --> 01:24:34,543
THE WORLD SPINS,
NO PLACE LEI-T TO GO
1326
01:24:34,636 --> 01:24:39,244
AS BOYS BECAME MEN, YEAH,
THEY WANTED IT SO
1327
01:24:39,307 --> 01:24:44,188
AND THEY HAD IT ALL LAID OUT
RIGHT BEFORE THEIR EYES
1328
01:24:44,245 --> 01:24:50,355
WHEN NIGHT COMES, THE DARKNESS
PROVED A SAD DISGUISE
1329
01:24:50,418 --> 01:24:52,955
IT ONLY MATTERS
THAT THEY LOVED US
1330
01:24:53,054 --> 01:24:55,557
IT ONLY MATTERS
THAT THEY LOVED US
1331
01:24:55,657 --> 01:25:00,333
IT ONLY MATTERS
THAT THEY LOVED US
1332
01:25:00,395 --> 01:25:03,035
IT ONLY MATTERS
THAT THEY LOVED US
1333
01:25:03,098 --> 01:25:05,476
IT ONLY MATTERS
THAT THEY LOVED US
1334
01:25:05,567 --> 01:25:13,110
IT ONLY MATTERS
THAT THEY LOVED US
1335
01:25:13,208 --> 01:25:18,180
- IT ONLY MATTERS
THAT WE LOVED THEM
1336
01:25:18,246 --> 01:25:20,783
- IT ONLY MATTERS
THAT WE LOVED THEM
1337
01:25:20,882 --> 01:25:23,385
- I WILL REMEMBER YOU
1338
01:25:23,451 --> 01:25:25,727
- IT ONLY MATTERS
THAT WE LOVED THEM
1339
01:25:25,787 --> 01:25:28,461
- I WILL REMEMBER YOU
1340
01:25:28,556 --> 01:25:31,002
- IT ONLY MATTERS
THAT WE LOVED THEM
1341
01:25:31,059 --> 01:25:33,596
- I WILL REMEMBER YOU
1342
01:25:33,695 --> 01:25:36,005
- IT ONLY MATTERS
THAT WE LOVED THEM
1343
01:25:36,064 --> 01:25:38,670
- I WILL REMEMBER YOU
1344
01:25:38,733 --> 01:25:44,615
- IT ONLY MATTERS
THAT WE LOVED THEM
1345
01:25:48,743 --> 01:25:52,885
[SUMMER CAMP'S "WHATEVER"
PLAYS 1
1346
01:26:26,014 --> 01:26:29,894
AHHHHH
1347
01:26:34,322 --> 01:26:38,134
AHHHHH
1348
01:26:42,530 --> 01:26:46,376
AHHHHH
1349
01:26:50,872 --> 01:26:55,548
AHHHHH
1350
01:28:21,963 --> 01:28:25,740
AHHHHH
1351
01:28:30,405 --> 01:28:34,012
AHHHHH
1352
01:28:38,413 --> 01:28:42,259
AHHHHH
1353
01:28:46,921 --> 01:28:52,599
AHHHHH
100895
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