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These are the user uploaded subtitles that are being translated: 1 00:00:00,801 --> 00:00:02,334 ¶¶ 2 00:00:02,336 --> 00:00:05,871 Narrator: STIRLING CASTLE IN SCOTLAND -- 3 00:00:05,873 --> 00:00:09,875 A MIGHTY AND MYSTERIOUS MEDIEVAL FORTRESS, 4 00:00:09,877 --> 00:00:13,645 FORGED BY CENTURIES OF WARFARE. 5 00:00:13,647 --> 00:00:16,982 Cook: THIS IS THE LOCATION ON WHICH HISTORY IS WRITTEN. 6 00:00:16,984 --> 00:00:20,819 HEROIC DEEDS, BLOODY ACTS ARE FOCUSED HERE. 7 00:00:20,821 --> 00:00:23,555 Narrator: STIRLING IS FAMOUS FOR EPIC BATTLES 8 00:00:23,557 --> 00:00:25,457 AND THE GREAT HEROES IMMORTALIZED 9 00:00:25,459 --> 00:00:27,459 IN THE MOVIE "BRAVEHEART." 10 00:00:27,461 --> 00:00:30,329 BUT WHAT AGE-OLD SECRETS DOES IT HOLD? 11 00:00:30,331 --> 00:00:32,698 THIS IS A FAIRLY YOUNG AGE TO DIE. 12 00:00:32,700 --> 00:00:35,801 IT'S AN UNUSUAL AGE TO DIE, EVEN IN THE PAST. 13 00:00:35,803 --> 00:00:37,403 Narrator: CAN NEW TECHNOLOGY REVEAL 14 00:00:37,405 --> 00:00:40,572 THE MIGHTY WAR MACHINE THAT ONCE STOOD HERE... 15 00:00:40,574 --> 00:00:43,409 Cox: GOSH, 2 METERS, THAT'S AMAZING. 16 00:00:43,411 --> 00:00:45,577 ...AND DISCOVER THE TRUTH BEHIND 17 00:00:45,579 --> 00:00:48,180 ONE OF THE GREATEST LEGENDS OF ALL TIME, 18 00:00:48,182 --> 00:00:49,648 KING ARTHUR? 19 00:00:49,650 --> 00:00:52,851 Cook: IF ARTHUR EXISTS, THIS IS THE SORT OF LOCATION, 20 00:00:52,853 --> 00:00:56,088 THIS IS THE SORT OF PLACE THAT HE WOULD BE FAMILIAR WITH. 21 00:00:56,090 --> 00:00:59,558 Narrator: THE ONLY WAY TO UNRAVEL THESE MYSTERIES 22 00:00:59,560 --> 00:01:02,728 IS TO PRY OPEN THIS MIGHTY MEDIEVAL FORTRESS 23 00:01:02,730 --> 00:01:05,731 STONE BY STONE. 24 00:01:05,733 --> 00:01:09,101 DIVING DEEP THROUGH ITS WALLS AND DEFENSES, 25 00:01:09,103 --> 00:01:12,471 WE'LL UNEARTH THE ASTONISHING SECRETS 26 00:01:12,473 --> 00:01:15,174 AT THE HEART OF THIS LEGENDARY CASTLE. 27 00:01:16,177 --> 00:01:19,178 -- Captions by VITAC -- www.vitac.com 28 00:01:19,180 --> 00:01:22,181 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 29 00:01:22,183 --> 00:01:24,183 AT THE ENTRANCE TO THE SCOTTISH HIGHLANDS 30 00:01:24,185 --> 00:01:27,486 STANDS A MAJESTIC FORTRESS -- 31 00:01:27,488 --> 00:01:28,787 STIRLING, 32 00:01:28,789 --> 00:01:31,990 ONE OF THE FINEST CASTLES IN EUROPE. 33 00:01:31,992 --> 00:01:33,725 BUT IT'S SURROUNDED 34 00:01:33,727 --> 00:01:36,395 BY AN ANCIENT AND MYSTERIOUS LANDSCAPE, 35 00:01:36,397 --> 00:01:39,264 WHICH HAS SHAPED SCOTLAND'S DESTINY. 36 00:01:40,968 --> 00:01:46,004 WHY IS SO MUCH MYTH AND HISTORY CONCENTRATED IN THIS ONE PLACE? 37 00:01:47,141 --> 00:01:50,309 EVERY SIGNIFICANT EVENT IN SCOTTISH HISTORY 38 00:01:50,311 --> 00:01:52,211 FOR THE LAST 2,000 YEARS 39 00:01:52,213 --> 00:01:56,315 HAS EITHER IMPACTED OR BEEN IMPACTED BY STIRLING. 40 00:01:59,987 --> 00:02:03,121 Narrator: ENTERING THROUGH THE CASTLE'S MIGHTY GATEHOUSE 41 00:02:03,123 --> 00:02:05,324 IS LIKE TRAVELING BACK IN TIME 42 00:02:05,326 --> 00:02:08,794 TO A GOLDEN AGE OF KNIGHTS IN ARMOR. 43 00:02:08,796 --> 00:02:14,066 ITS HUGE MEDIEVAL HALL IS THE LARGEST IN ALL SCOTLAND. 44 00:02:14,068 --> 00:02:19,204 BUT STIRLING'S TRUE POWER LIES UNDERNEATH THESE BUILDINGS. 45 00:02:19,206 --> 00:02:24,610 THEY ALL STAND ON A MIGHTY AND IMMOVABLE VOLCANIC ROCK. 46 00:02:24,612 --> 00:02:28,080 FORGED AROUND 300 MILLION YEARS AGO, 47 00:02:28,082 --> 00:02:30,883 IT'S A NATURAL FORTRESS. 48 00:02:30,885 --> 00:02:32,551 BUT WHAT MAKES THIS ROCK 49 00:02:32,553 --> 00:02:36,054 THE FOUNDATION STONE OF SO MANY LEGENDS, 50 00:02:36,056 --> 00:02:39,925 AND HOW MANY SECRETS ARE STILL LOCKED INSIDE IT? 51 00:02:44,398 --> 00:02:46,565 THE ROCK OVERLOOKS ONE OF THE MOST IMPORTANT 52 00:02:46,567 --> 00:02:48,934 RIVER CROSSINGS IN THE BRITISH ISLES -- 53 00:02:50,704 --> 00:02:53,071 STIRLING BRIDGE, 54 00:02:53,073 --> 00:02:54,907 WHERE 700 YEARS AGO, 55 00:02:54,909 --> 00:02:57,943 A LEGENDARY WARRIOR CALLED WILLIAM WALLACE 56 00:02:57,945 --> 00:03:01,647 WON A STUNNING VICTORY. 57 00:03:01,649 --> 00:03:03,248 TODAY WE KNOW HIM BETTER 58 00:03:03,250 --> 00:03:06,752 AS THE HERO OF THE FILM "BRAVEHEART." 59 00:03:06,754 --> 00:03:08,220 BUT LITTLE PHYSICAL EVIDENCE 60 00:03:08,222 --> 00:03:10,188 FOR THE BATTLE OR THE WARS THAT FOLLOWED 61 00:03:10,190 --> 00:03:12,024 HAS EVER BEEN FOUND. 62 00:03:12,026 --> 00:03:13,759 WE CAN SEE STIRLING BRIDGE. 63 00:03:13,761 --> 00:03:16,962 WE CAN SEE THE BATTLEFIELD OVER THERE. 64 00:03:16,964 --> 00:03:19,932 WE KNOW THE 11th OF SEPTEMBER, 1297, 65 00:03:19,934 --> 00:03:22,935 SOME-5,000 TROOPS DIED THERE. 66 00:03:22,937 --> 00:03:25,037 Narrator: NOW AN ASTONISHING DISCOVERY 67 00:03:25,039 --> 00:03:26,672 INSIDE THIS CASTLE 68 00:03:26,674 --> 00:03:29,074 COULD REWRITE THE HISTORY BOOKS. 69 00:03:34,481 --> 00:03:36,415 UNDERNEATH THE OLD KITCHENS, 70 00:03:36,417 --> 00:03:40,085 INVESTIGATORS STUMBLED ACROSS A REMARKABLE SECRET... 71 00:03:41,789 --> 00:03:44,289 ...HUMAN SKELETONS 72 00:03:44,291 --> 00:03:45,691 BURIED IN THE FOUNDATIONS 73 00:03:45,693 --> 00:03:47,759 OF A LOST ROYAL CHAPEL. 74 00:03:50,264 --> 00:03:54,666 BUT THESE BURIALS DON'T APPEAR TO BE OF KINGS OR QUEENS. 75 00:03:54,668 --> 00:03:58,537 THEIR BONES BEAR MARKS OF BRUTAL AND HORRIFIC DEATHS. 76 00:04:00,207 --> 00:04:04,409 SO WHO WERE THESE FORGOTTEN INDIVIDUALS, 77 00:04:04,411 --> 00:04:06,578 AND COULD THEY REWRITE WHAT WE KNOW 78 00:04:06,580 --> 00:04:09,247 ABOUT WALLACE'S FAMOUS VICTORY? 79 00:04:09,249 --> 00:04:13,118 ¶¶ 80 00:04:19,627 --> 00:04:22,961 AT BRADFORD IN ENGLAND, 81 00:04:22,963 --> 00:04:25,530 OSTEOARCHAEOLOGIST DR. JO BUCKBERRY 82 00:04:25,532 --> 00:04:28,967 INVESTIGATES THE STIRLING COLD CASE. 83 00:04:28,969 --> 00:04:31,903 THE FIRST THING FOR ME IS TO ALWAYS REMEMBER THAT 84 00:04:31,905 --> 00:04:34,239 THIS IS A PERSON THAT YOU'RE DEALING WITH. 85 00:04:34,241 --> 00:04:37,075 IT'S PIECING TOGETHER A STORY ABOUT THAT PERSON'S HISTORY, 86 00:04:37,077 --> 00:04:39,144 AND THEN I THINK IT'S A REALLY IMPORTANT THING TO DO 87 00:04:39,146 --> 00:04:40,445 BECAUSE IT'S KIND OF GIVING THEM A VOICE 88 00:04:40,447 --> 00:04:42,581 LONG AFTER THEY'VE DIED. 89 00:04:42,583 --> 00:04:46,585 Narrator: JO STARTS BY LOOKING AT THE EARLIEST SKELETON -- 90 00:04:46,587 --> 00:04:49,621 A MAN WITH NEARLY 100 INJURIES. 91 00:04:49,623 --> 00:04:51,156 Buckberry: THIS SKELETON REALLY STANDS OUT 92 00:04:51,158 --> 00:04:53,025 JUST BECAUSE OF THE SHEER NUMBER OF FRACTURES 93 00:04:53,027 --> 00:04:54,393 THAT WE CAN SEE ON THE BODY. 94 00:04:54,395 --> 00:04:58,096 WE'VE GOT OVER 40 FRACTURES IN THE CRANIUM. 95 00:04:58,098 --> 00:05:00,198 WE'VE GOT THREE FRACTURES IN THE MANDIBLE. 96 00:05:00,200 --> 00:05:02,668 HE'S FRACTURED BOTH OF HIS COLLARBONES, 97 00:05:02,670 --> 00:05:04,436 BOTH OF HIS SHOULDER BLADES. 98 00:05:04,438 --> 00:05:09,141 HE'S FRACTURED HIS HUMERUS AND THEN ALSO HIS RADIUS ULNAR 99 00:05:09,143 --> 00:05:10,442 ON THE OTHER SIDE. 100 00:05:10,444 --> 00:05:13,779 HE'S GOT FRACTURES IN HIS LEFT HAND. 101 00:05:13,781 --> 00:05:15,981 HE'S GOT A COUPLE OF FRACTURES IN HIS SPINE 102 00:05:15,983 --> 00:05:18,684 AND MULTIPLE FRACTURES RUNNING THROUGHOUT THE RIBS. 103 00:05:18,686 --> 00:05:21,520 Narrator: THESE INJURIES ARE CATASTROPHIC, 104 00:05:21,522 --> 00:05:24,156 BUT WHAT CAUSED THEM IS A MYSTERY. 105 00:05:24,158 --> 00:05:25,857 HOW DID THIS MAN DIE? 106 00:05:25,859 --> 00:05:29,227 WAS IT MURDER OR SIMPLY A TERRIBLE ACCIDENT? 107 00:05:29,229 --> 00:05:32,564 JO THINKS THE ANSWER LIES WITH A SECOND SKELETON, 108 00:05:32,566 --> 00:05:34,399 THE REMAINS OF A WOMAN. 109 00:05:34,401 --> 00:05:37,335 ON THE SIDE OF THE HEAD, WE'VE GOT THIS LARGE ROUND HOLE, 110 00:05:37,337 --> 00:05:39,337 WHICH INITIALLY WE THOUGHT WAS JUST SOME DAMAGE 111 00:05:39,339 --> 00:05:41,039 TO THE SKULL IN THE BURIED ENVIRONMENT. 112 00:05:41,041 --> 00:05:43,909 BUT WHEN LOOKED AT THE EDGES OF THE SMALL PIECES OF BONE, 113 00:05:43,911 --> 00:05:48,580 THE TEXTURE OF THAT AND HOW IT ALL FITS TOGETHER, 114 00:05:48,582 --> 00:05:50,282 IT LOOKS AS THOUGH THIS LADY WAS HIT 115 00:05:50,284 --> 00:05:51,383 ON THE SIDE OF THE HEAD 116 00:05:51,385 --> 00:05:52,784 ONCE, POSSIBLY TWICE, 117 00:05:52,786 --> 00:05:55,187 CAUSING THE SIDE OF THE CRANIUM TO FRAGMENT. 118 00:05:56,657 --> 00:05:59,858 THIS KIND OF BLUNT FORCE TRAUMA IS SIMILAR TO THE WOUNDS 119 00:05:59,860 --> 00:06:01,460 ON THE FIRST SKELETON, 120 00:06:01,462 --> 00:06:04,129 BUT THIS WOMAN'S DEATH WAS NO ACCIDENT. 121 00:06:04,131 --> 00:06:07,599 SHE ALSO HAS PUNCTURE MARKS CAUSED BY A WEAPON. 122 00:06:07,601 --> 00:06:09,067 Buckberry: SO, ON THE OUTSIDE OF THIS CRANIUM, 123 00:06:09,069 --> 00:06:11,703 THERE ARE TWO RECTANGULAR HOLES. 124 00:06:11,705 --> 00:06:14,339 WE DON'T EXACTLY KNOW WHAT CAUSED THE TWO INJURIES. 125 00:06:14,341 --> 00:06:17,175 IT WAS PROBABLY SOMETHING WITH A SPIKE ON THE END 126 00:06:17,177 --> 00:06:19,111 THAT HAD A RECTANGULAR-CROSS SECTION. 127 00:06:19,113 --> 00:06:20,746 AND IT WAS DELIVERED WITH ENOUGH FORCE 128 00:06:20,748 --> 00:06:22,280 TO ACTUALLY GO ALL THE WAY THROUGH THE SKULL 129 00:06:22,282 --> 00:06:24,483 INTO WHERE THE BRAIN IS. 130 00:06:24,485 --> 00:06:25,717 Narrator: MOST OF THE SKELETONS 131 00:06:25,719 --> 00:06:29,087 HAVE THIS PUZZLING COMBINATION OF WOUNDS. 132 00:06:29,089 --> 00:06:31,456 SO, HOW DID THEY DIE? 133 00:06:31,458 --> 00:06:33,959 ¶¶ 134 00:06:33,961 --> 00:06:36,962 MOST MEDIEVAL BATTLES WERE FOUGHT HAND TO HAND. 135 00:06:38,232 --> 00:06:42,100 THE WEAPONS INVOLVED LEFT UNIQUE AND BRUTAL SIGNATURES. 136 00:06:44,338 --> 00:06:47,906 SWORDS CAUSED SLASHING INJURIES, 137 00:06:47,908 --> 00:06:49,574 FRACTURING AND SPLITTING BONES 138 00:06:49,576 --> 00:06:51,777 ALONG EXISTING WEAKNESSES, 139 00:06:56,383 --> 00:06:59,217 WHILE SPEARS AND HALBERDS CAUSED PUNCTURE WOUNDS 140 00:06:59,219 --> 00:07:02,120 TO THE HEAD AND LOWER BODY. 141 00:07:05,559 --> 00:07:07,526 BUT BLUNT TRAUMA WOUNDS ARE 142 00:07:07,528 --> 00:07:09,728 MUCH LESS COMMON ON THE BATTLEFIELD. 143 00:07:11,198 --> 00:07:14,132 THEY'RE MORE ASSOCIATED WITH HEAVY OBJECTS. 144 00:07:17,171 --> 00:07:20,005 JO THINKS THE INJURIES ON THE STIRLING SKELETONS 145 00:07:20,007 --> 00:07:22,574 HINT AT A UNIQUE TYPE OF FIGHTING 146 00:07:22,576 --> 00:07:24,609 NOT SEEN ON THE BATTLEFIELD. 147 00:07:27,614 --> 00:07:30,448 WERE THESE SKELETONS HIT BY FALLING DEBRIS 148 00:07:30,450 --> 00:07:32,284 OR EVEN ARTILLERY? 149 00:07:32,286 --> 00:07:33,552 Buckberry: THE OVERALL PATTERN OF TRAUMA 150 00:07:33,554 --> 00:07:35,253 IS NOTHING LIKE WHAT WE EXPECT TO SEE 151 00:07:35,255 --> 00:07:37,088 IN A MEDIEVAL BATTLEFIELD. 152 00:07:37,090 --> 00:07:38,824 ONE OF THE POSSIBILITIES IS THAT WE'RE ACTUALLY 153 00:07:38,826 --> 00:07:41,793 LOOKING AT EVIDENCE OF A SIEGE AT STIRLING CASTLE. 154 00:07:41,795 --> 00:07:44,095 SO THE TYPE OF FIGHTING IS DIFFERENT. 155 00:07:47,401 --> 00:07:49,067 WHEN THESE PEOPLE DIED, 156 00:07:49,069 --> 00:07:51,937 THEY WERE UNABLE TO BE BURIED OUTSIDE OF THE CASTLE. 157 00:07:51,939 --> 00:07:53,371 PEOPLE WERE STILL WITHIN THE CASTLE GROUNDS, 158 00:07:53,373 --> 00:07:54,940 AND THAT'S WHY THEY WERE BURIED 159 00:07:54,942 --> 00:07:57,843 IN THAT CHAPEL, INSIDE THE CASTLE ITSELF. 160 00:08:00,681 --> 00:08:03,148 Narrator: JO BELIEVES A SIEGE MIGHT EXPLAIN 161 00:08:03,150 --> 00:08:05,550 WHY THESE ORDINARY SOLDIERS WERE BURIED 162 00:08:05,552 --> 00:08:08,486 IN THE MOST UNLIKELY OF PLACES, 163 00:08:08,488 --> 00:08:11,456 A ROYAL CHAPEL. 164 00:08:11,458 --> 00:08:13,758 BUT WHEN DID THESE PEOPLE DIE? 165 00:08:13,760 --> 00:08:17,495 JO ONLY NEEDS A TINY FRAGMENT FROM EACH SKELETON. 166 00:08:17,497 --> 00:08:20,131 THIS HOLE HERE WAS MADE WHEN THEY TOOK A SAMPLE FOR AGE, 167 00:08:20,133 --> 00:08:22,033 CARBON DATING FOR THIS INDIVIDUAL. 168 00:08:22,035 --> 00:08:25,503 Narrator: BY ANALYZING THE BONE'S CHEMICAL COMPOSITION, 169 00:08:25,505 --> 00:08:28,273 SHE CAN WORK OUT WHEN A PERSON DIED. 170 00:08:28,275 --> 00:08:30,075 SO, SEVEN OF THE SKELETONS DATE 171 00:08:30,077 --> 00:08:31,877 TO THE SCOTTISH WARS OF INDEPENDENCE. 172 00:08:31,879 --> 00:08:33,979 AND WE KNOW, FROM THE HISTORICAL RECORDS, 173 00:08:33,981 --> 00:08:35,447 THAT VIOLENCE WAS ACTUALLY HAPPENING 174 00:08:35,449 --> 00:08:38,683 IN THE LOCATION OF THE CASTLE ON A FAIRLY FREQUENT BASIS. 175 00:08:39,753 --> 00:08:42,454 Narrator: JO'S RESULTS PAINT A VERY DIFFERENT PICTURE 176 00:08:42,456 --> 00:08:45,090 TO THE "BRAVEHEART" OF HOLLYWOOD. 177 00:08:45,092 --> 00:08:47,158 SCOTLAND'S FREEDOM WAS WON, 178 00:08:47,160 --> 00:08:49,861 NOT WITH A SINGLE HEROIC BATTLE OR TWO, 179 00:08:49,863 --> 00:08:54,199 BUT OVER 40 YEARS OF SIEGE WARFARE. 180 00:08:54,201 --> 00:08:57,035 WHAT MADE THIS ROCK WORTH DYING FOR 181 00:08:57,037 --> 00:08:59,137 TIME AND AGAIN? 182 00:08:59,139 --> 00:09:03,375 COULD A CLUE LIE HIDDEN IN THE FAMOUS ROCK ITSELF? 183 00:09:09,055 --> 00:09:11,422 ¶¶ 184 00:09:14,126 --> 00:09:16,794 Narrator: 700 YEARS AGO, WILLIAM WALLACE, 185 00:09:16,796 --> 00:09:19,329 THE HERO IMMORTALIZED IN "BRAVEHEART," 186 00:09:19,331 --> 00:09:22,900 WON A FAMOUS BATTLE BELOW STIRLING CASTLE. 187 00:09:22,902 --> 00:09:25,869 TWO GREAT ARMIES -- ONE SCOTTISH, ONE ENGLISH -- 188 00:09:25,871 --> 00:09:29,073 CLASHED FOR THE RIGHT TO RULE SCOTLAND. 189 00:09:29,075 --> 00:09:32,242 BUT NEW DISCOVERIES INSIDE THIS FORTRESS REVEAL 190 00:09:32,244 --> 00:09:34,411 HOW HIS VICTORY... 191 00:09:34,413 --> 00:09:36,613 WAS FAR FROM DECISIVE. 192 00:09:39,151 --> 00:09:41,919 ARCHAEOLOGIST GORDON EWART THINKS THAT DEFENSES 193 00:09:41,921 --> 00:09:43,987 OF EARTH AND WOOD MATTERED 194 00:09:43,989 --> 00:09:46,824 JUST AS MUCH AS SWORDS AND SPEARS. 195 00:09:46,826 --> 00:09:50,060 HE'S SPENT 40 YEARS HUNTING FOR THE ORIGINAL CASTLE 196 00:09:50,062 --> 00:09:52,062 THAT HELPED WIN SCOTLAND'S FREEDOM, 197 00:09:52,064 --> 00:09:55,432 BUT NO TRACE OF IT HAS EVER BEEN FOUND. 198 00:09:55,434 --> 00:09:58,802 WHAT YOU SEE THESE DAYS IS WHAT YOU MIGHT SAY 199 00:09:58,804 --> 00:10:00,170 A LATE-MEDIEVAL CASTLE. 200 00:10:00,172 --> 00:10:01,405 THE EARLY MEDIEVAL CASTLE, 201 00:10:01,407 --> 00:10:03,207 THE CASTLES OF THE WARS OF INDEPENDENCE, 202 00:10:03,209 --> 00:10:05,542 THE CASTLE THAT MIGHT HAVE BEEN WITNESSED 203 00:10:05,544 --> 00:10:07,010 BY WILLIAM WALLACE, 204 00:10:07,012 --> 00:10:08,512 IS SIMPLY NOT HERE. 205 00:10:08,514 --> 00:10:12,716 Narrator: THE FIRST CASTLES WERE SIMPLE TIMBER STRUCTURES 206 00:10:12,718 --> 00:10:15,986 WITH FOUNDATIONS DUG DEEP INTO STEEP MOUNDS OF EARTH 207 00:10:15,988 --> 00:10:17,788 CALLED MOTTES. 208 00:10:17,790 --> 00:10:19,289 THEY WERE DESIGNED TO REPEL 209 00:10:19,291 --> 00:10:21,492 EVEN THE MOST DETERMINED ATTACKER. 210 00:10:23,229 --> 00:10:25,195 BUT STIRLING'S ROCKY OUTCROP 211 00:10:25,197 --> 00:10:28,799 WOULD'VE MADE THIS KIND OF LAYOUT IMPOSSIBLE. 212 00:10:28,801 --> 00:10:30,334 SO, HOW DID THEY DO IT? 213 00:10:33,072 --> 00:10:35,472 ¶¶ 214 00:10:35,474 --> 00:10:38,308 STIRLING BELONGS TO A SMALL BUT FAMOUS 215 00:10:38,310 --> 00:10:42,045 COLLECTION OF EUROPEAN CASTLES BUILT ON ROCKS, 216 00:10:42,047 --> 00:10:45,048 LIKE MONT SAINT-MICHEL IN FRANCE 217 00:10:45,050 --> 00:10:48,352 AND LICHTENSTEIN CASTLE IN GERMANY. 218 00:10:48,354 --> 00:10:50,788 EACH ONE IS UNIQUE. 219 00:10:50,790 --> 00:10:54,658 THEIR DESIGN DEPENDS ON THE NATURAL GEOLOGY. 220 00:10:54,660 --> 00:10:56,226 THEY'RE NOT EASY TO BUILD, 221 00:10:56,228 --> 00:10:59,663 BUT THEIR IMPOSING HEIGHT MAKES THE EFFORT WORTHWHILE. 222 00:11:03,202 --> 00:11:04,802 GORDON BELIEVES THAT A CLUE 223 00:11:04,804 --> 00:11:07,704 TO HOW THE SCOTS BUILT THE FIRST CASTLE HERE 224 00:11:07,706 --> 00:11:09,740 COULD LIE BENEATH THE GROUND. 225 00:11:11,744 --> 00:11:13,443 Ewart: WELL, THIS IS THE UPPER SQUARE, 226 00:11:13,445 --> 00:11:17,281 THIS BEING THE HIGHEST POINT OF THE CASTLE COMPLEX. 227 00:11:17,283 --> 00:11:20,150 AND THE BUILDINGS THAT YOU SEE 228 00:11:20,152 --> 00:11:21,919 ARE ARRANGED AROUND, WHAT SEEMS TO BE, 229 00:11:21,921 --> 00:11:25,189 THE NATURAL SUMMIT OF THE ROCKY OUTCROP. 230 00:11:29,528 --> 00:11:31,862 Narrator: GORDON'S CONVINCED THE SCOTTISH BUILDERS 231 00:11:31,864 --> 00:11:33,797 HAD TO MODIFY THE NATURAL ROCK 232 00:11:33,799 --> 00:11:38,168 TO BUILD THE FIRST CASTLE HERE. 233 00:11:38,170 --> 00:11:42,873 HIDDEN UNDER THE UPPER SQUARE LIES A TANTALIZING CLUE, 234 00:11:42,875 --> 00:11:45,209 THE SLOPING GROUND BENEATH THE COURTYARD 235 00:11:45,211 --> 00:11:46,810 ISN'T ROCK. 236 00:11:46,812 --> 00:11:49,513 IT'S A MAN-MADE MOUNTAIN OF EARTH... 237 00:11:51,817 --> 00:11:54,751 ...DESIGNED TO TURN AN UNEVEN PEAK 238 00:11:54,753 --> 00:11:57,788 INTO A SMOOTH PLATFORM. 239 00:11:57,790 --> 00:11:59,923 COULD THIS BE THE REMAINS OF A MOTTE, 240 00:11:59,925 --> 00:12:02,626 THE EARTHWORKS OF THE ORIGINAL CASTLE? 241 00:12:12,071 --> 00:12:15,405 GORDON FOLLOWS THIS SLOPE AS FAR AS IT GOES, 242 00:12:15,407 --> 00:12:19,409 TO A FORGOTTEN CORNER CALLED "THE DOUGLAS GARDEN." 243 00:12:19,411 --> 00:12:20,911 MY HOPE IS, ANYWAY, 244 00:12:20,913 --> 00:12:23,146 THAT SOMEWHERE TOWARDS THIS SORT OF AREA 245 00:12:23,148 --> 00:12:25,849 WILL BE THE HIGHEST POINT. 246 00:12:29,321 --> 00:12:31,355 Narrator: THE BEST WAY FOR GORDON TO PROVE 247 00:12:31,357 --> 00:12:33,156 THIS REALLY WAS A MOTTE 248 00:12:33,158 --> 00:12:37,127 IS TO FIND THE REMAINS OF THE CASTLE IT ONCE SUPPORTED. 249 00:12:37,129 --> 00:12:38,795 BUT THERE'S A PROBLEM. 250 00:12:38,797 --> 00:12:42,866 NO ONE IS ALLOWED TO DIG HERE. 251 00:12:42,868 --> 00:12:47,371 SO GORDON WORKS WITH GEOPHYSICST SUSAN OVENDEN. 252 00:12:47,373 --> 00:12:49,606 SHE USES GROUND-PENETRATING RADAR 253 00:12:49,608 --> 00:12:53,110 TO HELP ARCHAEOLOGISTS SEE UNDERGROUND. 254 00:12:53,112 --> 00:12:54,177 MOST PEOPLE, WHEN THEY THINK OF RADAR, 255 00:12:54,179 --> 00:12:56,046 THEY THINK OF SUBMARINES AND AEROPLANES. 256 00:12:56,048 --> 00:12:57,481 EXACTLY THE SAME PRINCIPLE, 257 00:12:57,483 --> 00:13:00,450 WE ARE FIRING A SIGNAL INTO THE GROUND. 258 00:13:00,452 --> 00:13:02,486 AND AS IT TRAVELS THROUGH, 259 00:13:02,488 --> 00:13:05,022 IF IT HITS ANYTHING THAT'S DIFFERENT, 260 00:13:05,024 --> 00:13:06,423 ANY SORT OF DIFFERENT INTERFACE, 261 00:13:06,425 --> 00:13:07,958 IT BOUNCES BACK UP. 262 00:13:07,960 --> 00:13:09,126 Narrator: THE TEAM GETS READY, 263 00:13:09,128 --> 00:13:11,495 AND THE RADAR BEEPS INTO LIFE. 264 00:13:12,665 --> 00:13:13,497 OKAY. YEP. 265 00:13:13,499 --> 00:13:15,065 THERE YOU GO. 266 00:13:15,067 --> 00:13:16,800 IT'S A CHALLENGING PROCESS, 267 00:13:16,802 --> 00:13:20,804 NAVIGATING AROUND TREES, ROOTS, AND MODERN POWERLINES. 268 00:13:20,806 --> 00:13:24,741 I'M HOPING THESE ARE WIRED THROUGH THE WALL, MAYBE. 269 00:13:24,743 --> 00:13:27,978 IT'S SOON CLEAR THAT THERE'S SOMETHING ODD DOWN THERE. 270 00:13:27,980 --> 00:13:29,746 BUT WHAT? 271 00:13:29,748 --> 00:13:31,915 WHEN WE LOOK ON THE DATA COMING THROUGH ON THE SCREEN... 272 00:13:31,917 --> 00:13:32,916 UH-HUH. 273 00:13:32,918 --> 00:13:33,817 ...WE SEEM TO BE GETTING QUITE A BIT 274 00:13:33,819 --> 00:13:35,018 OF PROMISING LOOKING REFLECTIONS. 275 00:13:35,020 --> 00:13:36,053 GOOD. 276 00:13:39,825 --> 00:13:41,658 GORDON IS MORE CONVINCED THAN EVER 277 00:13:41,660 --> 00:13:43,660 THAT THIS QUIET GARDEN 278 00:13:43,662 --> 00:13:46,229 IS WHERE DEFENDERS ONCE RAINED DOWN FIRE 279 00:13:46,231 --> 00:13:48,865 ON THE ENEMY BELOW. 280 00:13:48,867 --> 00:13:50,467 FROM THIS ANGLE, YOU GET A SENSE 281 00:13:50,469 --> 00:13:54,004 OF WHAT MAY BE THE MOTTE I'VE DESCRIBED EARLIER. 282 00:13:54,006 --> 00:13:56,306 IN THE DAYS BEFORE ARTILLERY, 283 00:13:56,308 --> 00:13:59,977 THIS IS AS GOOD AS YOU WOULD GET. 284 00:13:59,979 --> 00:14:04,014 Narrator: SO IS THERE A CASTLE HIDING BENEATH THE SURFACE? 285 00:14:04,016 --> 00:14:07,217 THE RADAR RESULTS ARE INTRIGUING. 286 00:14:07,219 --> 00:14:08,452 ¶¶ 287 00:14:08,454 --> 00:14:10,120 AT FIRST, IT DOESN'T LOOK GOOD 288 00:14:10,122 --> 00:14:11,922 FOR A WOODEN BUILDING. 289 00:14:11,924 --> 00:14:17,361 THE YELLOW AREAS INDICATE STONE JUST BENEATH THE SURFACE. 290 00:14:17,363 --> 00:14:18,895 AS WE GO A BIT DEEPER, 291 00:14:18,897 --> 00:14:20,163 YOU'VE, THEN GOT THIS 292 00:14:20,165 --> 00:14:22,632 VERY WELL-DEFINED RECTANGULAR FEATURE 293 00:14:22,634 --> 00:14:25,736 ABOUT 4 METERS OR 6 METERS. 294 00:14:25,738 --> 00:14:29,039 BUT SUSAN THINKS SHE CAN PICK OUT A SERIES OF BLUE DOTS 295 00:14:29,041 --> 00:14:31,541 THAT INDICATE DISTURBED EARTH. 296 00:14:31,543 --> 00:14:34,578 COULD THEY BE SIGNS OF AN OLDER WOODEN STRUCTURE? 297 00:14:36,582 --> 00:14:38,682 AS WE LOOK AT SORT OF THE DIFFERENT DEPTHS... 298 00:14:38,684 --> 00:14:41,051 Ewart: MM-HMM. 299 00:14:41,053 --> 00:14:44,087 ...THERE IS A CLEAR CHANGE IN WHAT IS HAPPENING 300 00:14:44,089 --> 00:14:46,723 THIS SIDE TO THAT SIDE. 301 00:14:46,725 --> 00:14:50,727 THEY COULD BE POSTHOLES FOR A TIMBER BUILDING. 302 00:14:50,729 --> 00:14:52,729 YOU CAN SEE A WHOLE CLUSTER HERE. 303 00:14:52,731 --> 00:14:55,399 YEAH, WELL, SUE, LOOKING AT THESE RESULTS, 304 00:14:55,401 --> 00:14:57,934 THEY LOOK TO ME TO BE PRETTY IMPRESSIVE. 305 00:15:02,775 --> 00:15:05,375 THE RESULTS SUGGEST THAT THE ORIGINAL STIRLING 306 00:15:05,377 --> 00:15:09,546 LOOKED VERY DIFFERENT FROM A TRADITIONAL CASTLE. 307 00:15:09,548 --> 00:15:12,382 GORDON THINKS THAT A SMALL BUT COMPACT FORTRESS 308 00:15:12,384 --> 00:15:15,519 WAS SQUEEZED ON TOP OF THE ROCK, 309 00:15:15,521 --> 00:15:18,321 EXPLOITING THE HEIGHT OF THE NATURAL GEOLOGY 310 00:15:18,323 --> 00:15:20,524 TO DOMINATE THE LAND AROUND IT. 311 00:15:23,362 --> 00:15:26,163 GORDON IS CONVINCED THAT THIS QUIET GARDEN 312 00:15:26,165 --> 00:15:28,999 IS THE OLDEST PART OF THE CASTLE. 313 00:15:29,001 --> 00:15:31,701 THERE ARE DIFFICULTIES IN OCCUPYING A SITE LIKE THIS, 314 00:15:31,703 --> 00:15:33,837 BUT THE DIVIDEND, THE PAYBACK, 315 00:15:33,839 --> 00:15:36,006 IS CLEARLY ITS PROMINENCE 316 00:15:36,008 --> 00:15:37,207 IN BOTH PHYSICAL 317 00:15:37,209 --> 00:15:39,676 AND, PERHAPS, IN SYMBOLIC TERMS. 318 00:15:39,678 --> 00:15:41,011 IT STANDS OUT. 319 00:15:41,013 --> 00:15:43,013 STIRLING CASTLE MUST BE REGARDED AS ONE 320 00:15:43,015 --> 00:15:44,981 OF THE MOST CELEBRATED CASTLES 321 00:15:44,983 --> 00:15:47,984 IN BRITAIN AND NORTHERN EUROPE. 322 00:15:47,986 --> 00:15:51,021 Narrator: STIRLING WAS A MAGNIFICENT PRIZE, 323 00:15:51,023 --> 00:15:54,024 A SYMBOL OF POWER FOR WHOEVER HELD IT. 324 00:15:54,026 --> 00:15:57,527 BUT HOW DID THIS SIMPLE FORTRESS MADE OF WOOD AND STONE 325 00:15:57,529 --> 00:15:59,196 ENDURE NOT ONE, 326 00:15:59,198 --> 00:16:02,933 BUT THREE SIEGES IN 50 YEARS? 327 00:16:02,935 --> 00:16:05,302 WHY DID THIS CASTLE HOLD OUT 328 00:16:05,304 --> 00:16:07,370 WHEN SO MANY OTHERS CRUMBLED? 329 00:16:15,234 --> 00:16:17,300 ¶¶ 330 00:16:17,302 --> 00:16:20,303 Narrator: AT STIRLING CASTLE IN SCOTLAND, 331 00:16:20,305 --> 00:16:23,507 ARCHAEOLOGISTS UNCOVER THE UNIQUE MEDIEVAL FORTRESS 332 00:16:23,509 --> 00:16:25,642 THAT WILLIAM WALLACE KNEW. 333 00:16:29,348 --> 00:16:30,680 YEAH. 334 00:16:30,682 --> 00:16:33,350 THEY THINK THEY'VE FOUND THE HEART OF IT. 335 00:16:33,352 --> 00:16:35,018 BUT WHERE WAS THE OUTER WALL 336 00:16:35,020 --> 00:16:38,722 THAT ALLOWED STIRLING TO RESIST SIEGE AFTER SIEGE? 337 00:16:40,359 --> 00:16:42,425 ARCHAEOLOGIST ADRIAN COX THINKS 338 00:16:42,427 --> 00:16:45,162 THE LOCATION OF THIS ORIGINAL CASTLE WALL 339 00:16:45,164 --> 00:16:47,531 WAS THE SECRET TO STIRLING'S SURVIVAL. 340 00:16:49,268 --> 00:16:52,669 BUT NO ONE HAS EVER FOUND IT. 341 00:16:52,671 --> 00:16:55,238 Narrator: THE MAGNIFICENT GATEHOUSE WE SEE TODAY 342 00:16:55,240 --> 00:16:57,107 WAS BUILT HUNDREDS OF YEARS LATER, 343 00:16:57,109 --> 00:16:58,775 IN THE 1500s. 344 00:16:58,777 --> 00:17:00,944 LOOKING AT THE GATEHOUSE ITSELF, 345 00:17:00,946 --> 00:17:02,879 IT'S COMPOSED OF A VERY FINELY JOINTED, 346 00:17:02,881 --> 00:17:04,714 VERY HIGH-QUALITY WORK, 347 00:17:04,716 --> 00:17:08,919 DEFINITELY AN ENTRANCE WHICH WAS DESIGNED TO IMPRESS. 348 00:17:08,921 --> 00:17:10,987 Narrator: BUT ADRIAN THINKS THERE'S SOMETHING ODD 349 00:17:10,989 --> 00:17:12,689 ABOUT THIS ENTRANCE. 350 00:17:17,629 --> 00:17:19,863 TODAY'S GATEHOUSE IS MASSIVELY BUILT, 351 00:17:19,865 --> 00:17:22,799 DESIGNED TO SURVIVE THE ONSLAUGHT 352 00:17:22,801 --> 00:17:24,835 OF THE MOST DETERMINED ATTACKERS. 353 00:17:27,005 --> 00:17:28,572 ON THE OUTSIDE, 354 00:17:28,574 --> 00:17:31,775 IT STILL BEARS THE SCARS OF FEROCIOUS BATTLES. 355 00:17:33,912 --> 00:17:36,646 BUT THE STONE BLOCKS IN THE WALLS AROUND IT 356 00:17:36,648 --> 00:17:38,081 LOOK STRANGE. 357 00:17:39,818 --> 00:17:42,185 THE BLOCKS THAT MAKE UP THE BOTTOM OF THE WALL 358 00:17:42,187 --> 00:17:44,788 ARE MADE FROM ROUGH RUBBLE... 359 00:17:44,790 --> 00:17:47,190 WHEREAS THE BLOCKS THAT SIT ON TOP OF THEM 360 00:17:47,192 --> 00:17:49,359 ARE FINELY CUT. 361 00:17:49,361 --> 00:17:52,429 COULD THE ROUGH BASE OF THIS OTHERWISE PERFECT WALL 362 00:17:52,431 --> 00:17:54,764 BE EVIDENCE OF A MUCH OLDER STRUCTURE, 363 00:17:54,766 --> 00:17:57,801 A WALL DEFENDED WITH SWORDS AND SPEARS? 364 00:18:03,876 --> 00:18:07,244 IT WOULD BE FASCINATING TO KNOW WHETHER THIS LINE, 365 00:18:07,246 --> 00:18:09,579 THIS ENTRANCEWAY WOULD'VE BEEN THE SITE 366 00:18:09,581 --> 00:18:12,282 WHERE WILLIAM WALLACE WOULD'VE ENTERED THE CASTLE. 367 00:18:14,253 --> 00:18:16,753 Narrator: IT'S AN INTRIGUING IDEA. 368 00:18:16,755 --> 00:18:20,857 BUT HOW CAN ADRIAN PROVE THE EXISTENCE OF AN OLDER WALL 369 00:18:20,859 --> 00:18:23,393 WITHOUT TAKING THE CURRENT ONE APART? 370 00:18:24,796 --> 00:18:29,299 THE SOLUTION COULD LIE WITH INGENIOUS TECHNOLOGY. 371 00:18:29,301 --> 00:18:32,202 TODAY, ADRIAN'S COLLEAGUE, JAMES HEPHER, 372 00:18:32,204 --> 00:18:35,939 LASER SCANS THE CASTLE WITH MILLIMETER PRECISION. 373 00:18:35,941 --> 00:18:37,841 IT'S AN INCREDIBLE PIECE OF TECHNOLOGY. 374 00:18:37,843 --> 00:18:40,543 THIS LASER SCANNER, IT CAN FIRE UP 375 00:18:40,545 --> 00:18:44,214 TO A MILLION MEASUREMENTS A SECOND. 376 00:18:44,216 --> 00:18:47,017 Narrator: JAMES' LASER SCANNER CREATES VIRTUAL IMAGES 377 00:18:47,019 --> 00:18:48,318 CALLED "POINT CLOUDS," 378 00:18:48,320 --> 00:18:51,721 MADE FROM MILLIONS OF TINY LASER HITS. 379 00:18:51,723 --> 00:18:53,957 THEY ALLOW ARCHAEOLOGISTS TO SLICE THROUGH 380 00:18:53,959 --> 00:18:57,794 ENTIRE BUILDINGS IN A DIGITAL WORLD. 381 00:18:57,796 --> 00:19:00,430 SO WHAT YOU CAN SEE HERE IS, 382 00:19:00,432 --> 00:19:02,999 WE HAVE THE BUILDING ITSELF. 383 00:19:03,001 --> 00:19:04,968 WE CAN PAN RIGHT. 384 00:19:04,970 --> 00:19:06,169 WE CAN ZOOM IN, 385 00:19:06,171 --> 00:19:08,438 DEPENDING ON WHAT RESOLUTION WE SCANNED AT. 386 00:19:08,440 --> 00:19:10,473 DEPENDING ON THE RESOLUTION THAT YOU CHOOSE, 387 00:19:10,475 --> 00:19:16,313 A SCAN CAN TAKE BETWEEN 33 SECONDS AND 30 MINUTES. 388 00:19:18,317 --> 00:19:20,283 Narrator: ARMED WITH THIS TECHNOLOGY, 389 00:19:20,285 --> 00:19:24,487 ADRIAN AND JAMES HEAD OVER TO ONE OF THE CORNER TOWERS. 390 00:19:24,489 --> 00:19:26,756 THEY CAN'T GET INTO THE BASEMENT OF THE GATEHOUSE. 391 00:19:26,758 --> 00:19:28,558 SO THEY WANT TO TRY TO INVESTIGATE 392 00:19:28,560 --> 00:19:31,394 THE STRANGE RUBBLE LAYER FROM INSIDE HERE. 393 00:19:31,396 --> 00:19:33,663 [ BEEPS ] 394 00:19:33,665 --> 00:19:35,899 WHILE JAMES SETS UP HIS SCANNER, 395 00:19:35,901 --> 00:19:40,103 ADRIAN HEADS EVEN DEEPER INTO THE BUILDING. 396 00:19:40,105 --> 00:19:42,739 Cox: WE'RE IN THE BASEMENT OF THE TOWER. 397 00:19:42,741 --> 00:19:45,408 THIS PART WOULD'VE BEEN USED AS THE KITCHENS, 398 00:19:45,410 --> 00:19:48,745 THE LOWER KITCHENS OF THE SELF-CONTAINED RESIDENTS. 399 00:19:48,747 --> 00:19:51,548 SO ABOVE THESE VAULTED CEILINGS 400 00:19:51,550 --> 00:19:53,683 WOULD'VE BEEN THE LIVING ACCOMMODATION, 401 00:19:53,685 --> 00:19:55,185 WHICH WE THINK WOULD'VE BEEN RESERVED 402 00:19:55,187 --> 00:19:57,821 FOR THE CONSTABLE AND HIS FAMILY. 403 00:19:57,823 --> 00:19:59,389 SO VERY LARGE SPACES, 404 00:19:59,391 --> 00:20:01,124 VERY LARGE, LUXURIOUS SPACES. 405 00:20:01,126 --> 00:20:03,226 ¶¶ 406 00:20:03,228 --> 00:20:06,629 Narrator: NO ONE HAS EVER SCANNED THESE CHAMBERS BEFORE. 407 00:20:06,631 --> 00:20:08,698 HERE, IF WE PICK TWO POINTS... 408 00:20:08,700 --> 00:20:09,733 Cox: THAT'S AMAZING. 409 00:20:09,735 --> 00:20:12,802 LASER SCANNING ALLOWS ADRIAN 410 00:20:12,804 --> 00:20:15,005 TO LOOK AT A CROSS SECTION OF THE TOWER. 411 00:20:17,743 --> 00:20:20,010 COULD THIS UNIQUE VIEW REVEAL EVIDENCE 412 00:20:20,012 --> 00:20:22,045 OF THE ORIGINAL CASTLE WALL? 413 00:20:24,649 --> 00:20:28,752 GOSH, IT'S OVER 2 METERS THICK, WHICH IS SURPRISING. 414 00:20:28,754 --> 00:20:30,620 IT'S CLEARLY A MASSIVELY BUILD STRUCTURE. 415 00:20:30,622 --> 00:20:31,955 IT IS. THAT'S AMAZING. 416 00:20:31,957 --> 00:20:35,125 THAT'S A LOT OF MASONRY BETWEEN US AND ANY ARTILLERY 417 00:20:35,127 --> 00:20:37,660 THAT'S OUT THERE, TRYING TO BESIEGE THE CASTLES. 418 00:20:37,662 --> 00:20:40,864 AT THE VERY BOTTOM OF THE WALL, 419 00:20:40,866 --> 00:20:44,367 ADRIAN THINKS HE CAN IDENTIFY THE SHAPE OF A NOT-SO-PRETTY 420 00:20:44,369 --> 00:20:46,403 BUT EVEN THICKER STRUCTURE. 421 00:20:48,340 --> 00:20:49,439 JUST IN FRONT OF THE WALL, 422 00:20:49,441 --> 00:20:51,207 YOU CAN SEE THERE'S A LITTLE STEP OUT. 423 00:20:51,209 --> 00:20:53,643 IT'S NOT VERY THICK, BUT THE LASER SCANNER 424 00:20:53,645 --> 00:20:55,578 HAS PICKED IT UP REALLY QUITE WELL. 425 00:20:55,580 --> 00:20:58,882 THERE IS A POSSIBILITY THAT WE'RE PICKING UP 426 00:20:58,884 --> 00:21:02,052 SOMETHING LIKE AN EARLIER DEFENSIVE LINE 427 00:21:02,054 --> 00:21:05,522 IN THAT LITTLE PROJECTION, IF YOU LIKE, 428 00:21:05,524 --> 00:21:07,657 AT THE VERY FRONT OF THE BUILDING. 429 00:21:07,659 --> 00:21:10,326 Narrator: BUT WHY DID THE SCOTS BUILD THE NEWER WALL 430 00:21:10,328 --> 00:21:12,829 DIRECTLY ON TOP OF THE OLD ONE? 431 00:21:12,831 --> 00:21:15,999 ADRIAN THINKS THAT BUILDING A WALL ANYWHERE ELSE 432 00:21:16,001 --> 00:21:17,867 WOULD HAVE WEAKENED THE CASTLE. 433 00:21:17,869 --> 00:21:19,636 Cox: CERTAINLY, THERE IS THE POSSIBILITY 434 00:21:19,638 --> 00:21:21,905 THAT THE STRUCTURE THAT WE'RE IN NOW WAS 435 00:21:21,907 --> 00:21:24,374 BUILT ON A VERY SOLID PART OF THE BEDROCK, 436 00:21:24,376 --> 00:21:26,209 PERHAPS EVEN A LITTLE RISE 437 00:21:26,211 --> 00:21:28,078 OR A LITTLE RIDGE IN THE BEDROCK. 438 00:21:31,783 --> 00:21:35,185 Narrator: ARCHAEOLOGISTS THINK STIRLING'S INNER DEFENSES 439 00:21:35,187 --> 00:21:37,687 COULD SIT ON A HIDDEN CLIFF, 440 00:21:37,689 --> 00:21:41,858 THE STRONGEST PLACE TO BUILD A WALL. 441 00:21:41,860 --> 00:21:43,660 STIRLING'S RULERS TRANSFORMED 442 00:21:43,662 --> 00:21:46,729 AN INHOSPITABLE RIDGE OF VOLCANIC ROCK 443 00:21:46,731 --> 00:21:49,566 INTO THE PERFECT WAR MACHINE, 444 00:21:49,568 --> 00:21:53,703 AN IRRESISTIBLE PRIZE FOR ANY INVADING ARMY. 445 00:21:53,705 --> 00:21:56,473 THESE WALLS HAD TO BE THICK TO PROTECT IT 446 00:21:56,475 --> 00:21:59,209 FROM THE MOST FEARSOME WEAPONS OF THE AGE, 447 00:21:59,211 --> 00:22:02,912 MASSIVE CATAPULTS, KNOWN AS TREBUCHETS. 448 00:22:05,250 --> 00:22:07,417 NO ONE COULD CLAIM TO RULE SCOTLAND 449 00:22:07,419 --> 00:22:10,453 WITHOUT HOLDING THIS TERRIFYING CITADEL. 450 00:22:10,455 --> 00:22:13,656 STIRLING WAS KEY TO POWER IN SCOTLAND. 451 00:22:16,761 --> 00:22:21,264 BUT DID THIS REMARKABLE LAND GIVE RISE TO A MUCH OLDER HERO, 452 00:22:21,266 --> 00:22:23,500 WHO PERHAPS INSPIRED THE RESISTANCE 453 00:22:23,502 --> 00:22:26,202 OF WILLIAM WALLACE IN THIS VERY SPOT? 454 00:22:28,240 --> 00:22:30,240 LOCAL LEGEND CLAIMS THAT STIRLING 455 00:22:30,242 --> 00:22:33,143 HAS FAR MORE ANCIENT ORIGINS 456 00:22:33,145 --> 00:22:36,279 THAT STRETCH BACK TO THE GREATEST HERO OF ALL, 457 00:22:36,281 --> 00:22:37,680 KING ARTHUR. 458 00:22:46,330 --> 00:22:47,963 ¶¶ 459 00:22:47,965 --> 00:22:50,866 Narrator: AT STIRLING CASTLE IN SCOTLAND, 460 00:22:50,868 --> 00:22:54,403 AN MYSTERIOUS STRUCTURE EMERGES FROM THE VALLEY BELOW. 461 00:22:55,806 --> 00:22:59,108 IT'S CALLED THE KING'S KNOT. 462 00:22:59,110 --> 00:23:00,109 LEGEND SAYS THAT 463 00:23:00,111 --> 00:23:02,011 ONE OF HISTORY'S GREATEST TREASURES 464 00:23:02,013 --> 00:23:05,180 ONCE STOOD RIGHT HERE -- 465 00:23:05,182 --> 00:23:09,852 THE ROUND TABLE OF KING ARTHUR AND HIS KNIGHTS. 466 00:23:09,854 --> 00:23:12,154 IS IT POSSIBLE THAT STIRLING WAS FOUNDED 467 00:23:12,156 --> 00:23:14,390 HUNDREDS OF YEARS EARLIER, 468 00:23:14,392 --> 00:23:16,592 AT THE DAWN OF THE MIDDLE AGES? 469 00:23:20,698 --> 00:23:23,566 UNDER THE GRASS AND SOIL OF THE KING'S KNOT, 470 00:23:23,568 --> 00:23:28,270 INVESTIGATIONS HAVE DETECTED A SERIES OF MYSTERIOUS DITCHES. 471 00:23:31,876 --> 00:23:34,877 THEY COULD BELONG TO AN ANCIENT RITUAL SITE 472 00:23:34,879 --> 00:23:38,881 THAT USE TO HAVE A RING OF STANDING STONES AT ITS CENTER. 473 00:23:42,219 --> 00:23:44,753 BUT THE KNOT ALSO STANDS NEXT DOOR 474 00:23:44,755 --> 00:23:47,289 TO WHAT WAS ONCE A JOUSTING GROUND. 475 00:23:52,363 --> 00:23:55,364 ARTHUR AND HIS KNIGHTS WERE CONNECTED WITH JOUSTING. 476 00:23:55,366 --> 00:23:56,899 SO IS THIS A COINCIDENCE 477 00:23:56,901 --> 00:24:00,669 OR A CLUE TO THE ORIGINS OF THE ROUND TABLE STORY? 478 00:24:06,877 --> 00:24:08,410 HI, ROB. HOW ARE YOU GETTING ON? 479 00:24:08,412 --> 00:24:11,981 HI. PRETTY WELL. 480 00:24:11,983 --> 00:24:14,116 MURRAY COOK IS STIRLING COUNCIL'S 481 00:24:14,118 --> 00:24:16,418 CHIEF ARCHAEOLOGIST. 482 00:24:16,420 --> 00:24:19,588 HIS TEAM TRIES TO UNRAVEL THIS TANGLED LANDSCAPE 483 00:24:19,590 --> 00:24:22,791 AND THE SECRETS HIDDEN UNDERGROUND. 484 00:24:22,793 --> 00:24:24,493 TODAY, MURRAY INVESTIGATES 485 00:24:24,495 --> 00:24:26,362 THE MODERN FOOTPATH THAT SEPARATES 486 00:24:26,364 --> 00:24:28,197 THE KING'S KNOT FROM THE CASTLE. 487 00:24:28,199 --> 00:24:29,798 UNDERNEATH, 488 00:24:29,800 --> 00:24:31,467 HE'S DISCOVERED, WHAT APPEARS TO BE, 489 00:24:31,469 --> 00:24:34,603 A MUCH OLDER ROAD CONNECTING THE TWO SITES. 490 00:24:34,605 --> 00:24:38,007 SO, WE HAVE THERE, THE ROAD HERE RUNNING ALONG 491 00:24:38,009 --> 00:24:40,876 AND THEN ACTUALLY TURNING AND GOING UP THE SLOPE. 492 00:24:40,878 --> 00:24:43,445 I EXPOSED IT ALL, GOT A TURN IN THE ROAD, 493 00:24:43,447 --> 00:24:45,848 LOOKS LIKE IT'S SWINGING UP THE HILL THERE. 494 00:24:45,850 --> 00:24:48,951 WOW, THAT'S VERY GOOD. 495 00:24:48,953 --> 00:24:51,320 SO, HOW OLD IS THIS TRACK? 496 00:24:51,322 --> 00:24:54,256 COULD IT BE MEDIEVAL OR EVEN ARTHURIAN? 497 00:24:54,258 --> 00:24:57,192 IT'S HARD TO TELL BECAUSE SO LITTLE OF IT REMAINS. 498 00:24:59,363 --> 00:25:01,730 MURRAY TAKES A CLOSER LOOK. 499 00:25:01,732 --> 00:25:05,534 Cook: THIS STONE HERE AND THESE SURFACES BEHIND ME 500 00:25:05,536 --> 00:25:07,069 ARE VERY, VERY SMOOTH. 501 00:25:07,071 --> 00:25:09,705 IT'S SMOOTH BECAUSE OF THE PASSAGE OF FEET, 502 00:25:09,707 --> 00:25:11,173 BECAUSE OF THE PASSAGE OF HOOVES, 503 00:25:11,175 --> 00:25:12,941 BECAUSE OF THE PASSAGE OF TRAFFIC 504 00:25:12,943 --> 00:25:14,910 OVER HUNDREDS OF YEARS. 505 00:25:14,912 --> 00:25:16,679 Narrator: CENTURIES OF WIND AND RAIN 506 00:25:16,681 --> 00:25:18,614 HAVE LEFT THEIR MARK. 507 00:25:18,616 --> 00:25:21,417 BUT MURRAY THINKS THIS PATH MATCHES THE DESCRIPTION 508 00:25:21,419 --> 00:25:23,652 OF A 16th-CENTURY ROAD 509 00:25:23,654 --> 00:25:26,689 THAT ONCE LINKED THE CASTLE TO A JOUSTING GROUND. 510 00:25:28,025 --> 00:25:33,629 1531, A ROAD IS CONSTRUCTED BY ORDER OF THE CROWN. 511 00:25:33,631 --> 00:25:36,598 IT'S TO FACILITATE JOUSTING. 512 00:25:36,600 --> 00:25:39,568 Narrator: ALTHOUGH JOUSTING IS ASSOCIATED WITH ARTHUR, 513 00:25:39,570 --> 00:25:44,273 MURRAY IS CONVINCED POPULAR HISTORY HAS IT WRONG. 514 00:25:44,275 --> 00:25:47,476 ARTHUR WOULD'VE BEEN BORN TOO EARLY TO JOUST. 515 00:25:49,246 --> 00:25:51,980 Cook: THIS IS THE CLASSIC EUROPEAN MEDIEVAL JOUSTING. 516 00:25:51,982 --> 00:25:53,649 YOU'VE GOT PEOPLE IN SHINING ARMOR. 517 00:25:53,651 --> 00:25:55,851 THERE'D BE FIGHTS. THERE'D BE RIVALRY. 518 00:25:55,853 --> 00:25:58,187 ALL OF WHICH GETS EXPRESSED ON THE FIELD. 519 00:25:58,189 --> 00:26:00,322 WHO WILL WIN? WHO WILL LOSE? 520 00:26:00,324 --> 00:26:01,824 BLOOD IS SHED. 521 00:26:01,826 --> 00:26:03,759 YOU KNOW, FAIR MAIDENS SWOONING, 522 00:26:03,761 --> 00:26:07,262 ALL THAT SORT OF ROMANTIC STUFF HAPPENED HERE. 523 00:26:07,264 --> 00:26:09,031 ¶¶ 524 00:26:09,033 --> 00:26:12,568 Narrator: MURRAY ALSO SUSPECTS THE KING'S KNOT IS JUST A GARDEN 525 00:26:12,570 --> 00:26:15,971 FROM AROUND THE SAME TIME. 526 00:26:15,973 --> 00:26:17,873 BUT THE JOUSTING THAT WENT ON NEXT TO IT 527 00:26:17,875 --> 00:26:20,075 MIGHT EXPLAIN THE ARTHUR STORIES. 528 00:26:23,180 --> 00:26:25,247 THE KING WHO BUILT THE JOUSTING GROUND 529 00:26:25,249 --> 00:26:27,149 WAS CALLED JAMES IV, 530 00:26:27,151 --> 00:26:30,586 ONE OF SCOTLAND'S GREATEST RULERS. 531 00:26:30,588 --> 00:26:34,456 JAMES ADORED TOURNAMENTS AND THE TALES OF KING ARTHUR. 532 00:26:35,993 --> 00:26:40,395 JAMES IV, HE REORGANIZES THIS LANDSCAPE. 533 00:26:40,397 --> 00:26:44,566 HE SETS UP THE MAJESTY, THE PAGEANTRY OF STIRLING, 534 00:26:44,568 --> 00:26:46,869 THE PAGEANTRY OF THE JOUSTING GROUND. 535 00:26:46,871 --> 00:26:48,771 BUT IT'S HIS SON WHO DEVELOPS 536 00:26:48,773 --> 00:26:50,973 THE VERY, VERY ELABORATE TOURNAMENTS. 537 00:26:50,975 --> 00:26:53,709 HE DEVELOPS THIS KING ARTHUR THEME. 538 00:26:53,711 --> 00:26:54,943 ¶¶ 539 00:26:54,945 --> 00:26:58,881 MURRAY THINKS THAT THIS IS A ROYAL PLAYGROUND. 540 00:26:58,883 --> 00:27:01,583 SCOTTISH KINGS HELD ARTHURIAN-THEMED TOURNAMENTS 541 00:27:01,585 --> 00:27:05,754 RIGHT HERE, CALLED ROUND TABLES. 542 00:27:05,756 --> 00:27:08,624 BEHIND ME IS THE KING'S KNOT. 543 00:27:08,626 --> 00:27:11,760 IT'S ACTUALLY BUILT ON A MUCH OLDER ROYAL GARDEN, 544 00:27:11,762 --> 00:27:14,363 AND THIS IS THE GARDEN THAT APPEARS TO BE LINKED 545 00:27:14,365 --> 00:27:16,532 TO THE ROUND TABLE, TO KING ARTHUR. 546 00:27:16,534 --> 00:27:19,034 SO WHAT WE HAVE IS A VERY ELABORATE 547 00:27:19,036 --> 00:27:20,903 THEATRICAL LANDSCAPE. 548 00:27:22,940 --> 00:27:24,506 Narrator: WHY WERE THE SCOTTISH KINGS 549 00:27:24,508 --> 00:27:26,708 SO INTERESTED IN ARTHUR? 550 00:27:26,710 --> 00:27:28,977 THE ORIGINAL STORIES OF HIM AT STIRLING 551 00:27:28,979 --> 00:27:32,447 GO BACK WELL BEFORE THE 1500s. 552 00:27:32,449 --> 00:27:34,316 SOME EVEN CLAIM THAT STIRLING 553 00:27:34,318 --> 00:27:38,754 WAS ONCE AN ARTHURIAN CASTLE CALLED "SNOWDEN." 554 00:27:38,756 --> 00:27:43,225 DO MORE SECRETS LIE INSIDE THIS MYSTERIOUS FORTRESS? 555 00:27:51,640 --> 00:27:53,907 ¶¶ 556 00:27:53,909 --> 00:27:55,709 Narrator: STIRLING CASTLE IN SCOTLAND 557 00:27:55,711 --> 00:27:57,911 IS HOME TO ONE OF THE GRANDEST PALACES 558 00:27:57,913 --> 00:28:00,814 IN THE BRITISH ISLES. 559 00:28:00,816 --> 00:28:04,885 BUT LEGEND SAYS KING ARTHUR HAD AN EVEN GREATER CASTLE HERE, 560 00:28:04,887 --> 00:28:07,054 CALLED "SNOWDEN." 561 00:28:07,056 --> 00:28:08,789 MOST OF WHAT WE SEE TODAY 562 00:28:08,791 --> 00:28:11,658 WAS BUILT BY TWO OF SCOTLAND'S GREATEST KINGS, 563 00:28:11,660 --> 00:28:16,296 JAMES IV AND HIS SON, WHO LOVED THE TALES OF ARTHUR. 564 00:28:16,298 --> 00:28:21,335 WHY WAS IT SO IMPORTANT FOR THEM TO HARK BACK TO A BYGONE AGE? 565 00:28:22,571 --> 00:28:28,242 ¶¶ 566 00:28:28,244 --> 00:28:31,311 NICKI SCOTT BELIEVES THAT HEROES LIKE ARTHUR 567 00:28:31,313 --> 00:28:34,848 WERE USED AS A POLITICAL WEAPON IN THE ROYAL ARSENAL. 568 00:28:36,419 --> 00:28:39,753 SHE LOOKS FOR CLUES IN STIRLING'S ARCHITECTURE. 569 00:28:39,755 --> 00:28:42,256 Scott: GRANDEUR IS... HUGELY IMPORTANT. 570 00:28:42,258 --> 00:28:44,825 THIS IS HOW KINGS AND QUEENS 571 00:28:44,827 --> 00:28:46,493 IN MEDIEVAL AND RENAISSANCE EUROPE 572 00:28:46,495 --> 00:28:47,561 SHOW OFF. 573 00:28:47,563 --> 00:28:49,229 THIS IS HOW THEY SHOW WHO THEY ARE. 574 00:28:49,231 --> 00:28:51,965 THIS IS HOW THEY SAY, "I'M HERE. I'M POWERFUL. 575 00:28:51,967 --> 00:28:54,034 I'M IN CONTROL OF MY KINGDOM." 576 00:28:54,036 --> 00:28:56,236 YOU KNOW, "YOU BETTER NOT MESS WITH ME." 577 00:29:01,710 --> 00:29:03,944 Narrator: SO, WAS THE ROYAL PALACE DESIGNED 578 00:29:03,946 --> 00:29:05,913 TO HAVE A HIDDEN MEANING? 579 00:29:05,915 --> 00:29:09,149 THE ANSWER COULD BE LOCKED INSIDE ITS STONEWORK. 580 00:29:11,287 --> 00:29:14,755 HIGH ABOVE THE COURTYARD LOOMS STRANGE STATUES, 581 00:29:14,757 --> 00:29:18,625 CENTURIES OF WIND AND RAIN HAVE WORN AWAY THEIR FEATURES. 582 00:29:20,229 --> 00:29:23,697 BUT INVESTIGATORS THINK THEY MIGHT REPRESENT MYTHICAL HEROES 583 00:29:23,699 --> 00:29:26,900 SURROUNDING KING JAMES V HIMSELF. 584 00:29:29,939 --> 00:29:32,372 WERE THESE JUST LEGENDARY BEASTS, 585 00:29:32,374 --> 00:29:36,376 LIKE THE LAUGHING DEVIL THAT GREETS VISITORS? 586 00:29:36,378 --> 00:29:37,978 OR WERE THEY MEANT TO HERALD 587 00:29:37,980 --> 00:29:41,048 THE DAWN OF A NEW GOLDEN AGE IN SCOTLAND? 588 00:29:43,986 --> 00:29:45,452 ¶¶ 589 00:29:45,454 --> 00:29:50,824 NICKI BELIEVES A CLUE COULD LIE INSIDE JAMES' PALACE. 590 00:29:50,826 --> 00:29:54,428 THESE ARE THE MAGNIFICENT STIRLING HEADS. 591 00:29:54,430 --> 00:29:57,397 NICKI THINKS THE KING USED ICONS LIKE THESE 592 00:29:57,399 --> 00:30:01,869 AS A STATEMENT OF HIS RIGHT TO RULE. 593 00:30:01,871 --> 00:30:04,438 JAMES CARVED IMAGES OF HIMSELF 594 00:30:04,440 --> 00:30:07,241 SURROUNDED BY HISTORY'S GREATEST RULERS, 595 00:30:07,243 --> 00:30:09,543 SUCH AS JULIUS CAESAR. 596 00:30:09,545 --> 00:30:11,745 THE STIRLING HEADS ARE REALLY ONE OF THE GLORIES 597 00:30:11,747 --> 00:30:13,847 OF STIRLING CASTLE. 598 00:30:13,849 --> 00:30:16,216 THIS IS THE PEOPLE THAT JAMES V IS SAYING, 599 00:30:16,218 --> 00:30:19,153 "I'M CONNECTED TO THESE PEOPLE. I AM LIKE THESE PEOPLE." 600 00:30:21,457 --> 00:30:23,457 Narrator: KING JAMES REALLY DID BELIEVE 601 00:30:23,459 --> 00:30:25,926 THAT HE HAD FAMOUS ANCESTORS 602 00:30:25,928 --> 00:30:30,397 AND THAT HIS PALACE ALSO BEGAN IN THE MISTS OF TIME. 603 00:30:30,399 --> 00:30:34,868 HE BOASTED THAT STIRLING CASTLE WAS ONCE CALLED SNOWDEN, 604 00:30:34,870 --> 00:30:37,738 A FAMOUS ARTHURIAN FORTRESS. 605 00:30:37,740 --> 00:30:40,073 THE SCOTTISH KING SHOWED A GREAT DEAL OF INTEREST 606 00:30:40,075 --> 00:30:41,675 IN ARTHURIAN LEGENDS. 607 00:30:41,677 --> 00:30:43,010 STIRLING, PARTICULARLY, 608 00:30:43,012 --> 00:30:45,579 THEY TRIED TO CONNECT WITH ARTHUR. 609 00:30:45,581 --> 00:30:48,849 THEY PROMOTED THE IDEA OF STIRLING BEING SNOWDEN, 610 00:30:48,851 --> 00:30:52,986 THIS SORT OF FICTITIOUS PLACE FROM ARTHURIAN LEGEND. 611 00:30:52,988 --> 00:30:54,454 Narrator: IN MEDIEVAL SCOTLAND, 612 00:30:54,456 --> 00:30:58,458 MANY PEOPLE BELIEVED THAT STIRLING REALLY WAS SNOWDEN, 613 00:30:58,460 --> 00:31:01,595 A MYTHICAL FORTRESS ASSOCIATED WITH ARTHUR. 614 00:31:01,597 --> 00:31:04,498 BUT WHERE DID THIS INCREDIBLE STORY BEGIN? 615 00:31:08,871 --> 00:31:11,605 THE TRAIL LEADS HUNDREDS OF MILES AWAY, 616 00:31:11,607 --> 00:31:14,775 TO PARIS IN FRANCE, 617 00:31:14,777 --> 00:31:16,677 WHERE HISTORIAN KATIE STEVENSON 618 00:31:16,679 --> 00:31:21,114 INVESTIGATES THE ORIGINS OF THE SNOWDEN MYTH. 619 00:31:21,116 --> 00:31:25,285 KATIE'S ON HER WAY TO NATIONAL LIBRARY OF FRANCE. 620 00:31:25,287 --> 00:31:28,455 INSIDE IS A MYSTERIOUS MANUSCRIPT, 621 00:31:28,457 --> 00:31:32,492 THE FIRST TO IDENTIFY STIRLING AS KING ARTHUR'S SNOWDEN. 622 00:31:39,868 --> 00:31:41,735 INTO THE... 623 00:31:41,737 --> 00:31:43,670 YEAH. 624 00:31:43,672 --> 00:31:45,405 AND THE LEGEND. 625 00:31:45,407 --> 00:31:48,141 THIS 600-YEAR-OLD POEM 626 00:31:48,143 --> 00:31:51,612 IS THE STORY OF A TOURNAMENT AT STIRLING CASTLE. 627 00:31:51,614 --> 00:31:53,413 IT WAS WRITTEN BY A FRENCH CHRONICLER 628 00:31:53,415 --> 00:31:54,982 NAMED FROISSART, 629 00:31:54,984 --> 00:31:56,250 WHO HAD VISITED SCOTLAND 630 00:31:56,252 --> 00:31:59,686 AND BROUGHT HOME TALES OF WHAT HE HAD SEEN. 631 00:31:59,688 --> 00:32:03,257 THAT COULD BE THERE TO EVOKE STIRLING. 632 00:32:03,259 --> 00:32:05,325 SO THIS IS NOT WHAT STIRLING CASTLE LOOKS LIKE... 633 00:32:05,327 --> 00:32:07,561 YES. ...BUT IT IS EVOCATIVE 634 00:32:07,563 --> 00:32:10,797 OF WHAT SOMEONE BEING TOLD STIRLING WOULD LOOK LIKE. 635 00:32:10,799 --> 00:32:12,666 IT'S A CASTLE ON TOP OF A ROCK. 636 00:32:12,668 --> 00:32:16,336 THAT CERTAINLY WOULD TEND TO SUGGEST THIS IS MEANT 637 00:32:16,338 --> 00:32:20,207 TO REPRESENT SNOWDEN OR STIRLING. 638 00:32:20,209 --> 00:32:21,675 KATIE THINKS THIS POEM 639 00:32:21,677 --> 00:32:25,012 IS A CRUCIAL PIECE IN THE ARTHURIAN PUZZLE. 640 00:32:25,014 --> 00:32:28,749 THE STORY ITSELF IS A WORK OF ROMANTIC FICTION, 641 00:32:28,751 --> 00:32:31,718 BUT THE AUTHOR WROTE IT JUST AFTER SCOTLAND'S WARS 642 00:32:31,720 --> 00:32:33,687 OF INDEPENDENCE. 643 00:32:33,689 --> 00:32:35,222 AND HE GOT HIS INFORMATION 644 00:32:35,224 --> 00:32:38,625 FROM NONE OTHER THAN THE SCOTTISH KING HIMSELF. 645 00:32:38,627 --> 00:32:40,494 HE CAME TO THE SCOTTISH COURT. 646 00:32:40,496 --> 00:32:43,363 HE SPENT A COUPLE OF WEEKS AT STIRLING CASTLE. 647 00:32:43,365 --> 00:32:46,566 AND HE HAD BEEN INSPIRED DURING THIS PERIOD, 648 00:32:46,568 --> 00:32:49,436 HAVING BEEN TOLD THAT STIRLING WAS SNOWDEN 649 00:32:49,438 --> 00:32:55,375 AND WHERE ARTHUR'S KNIGHTS OF THE ROUND TABLE JOUSTED. 650 00:32:55,377 --> 00:32:58,011 Narrator: IT APPEARS THAT THE SCOTTISH KINGS THEMSELVES 651 00:32:58,013 --> 00:33:00,147 WERE EAGER TO SPREAD THE LEGEND OF SNOWDEN 652 00:33:00,149 --> 00:33:02,582 TO FOREIGN GUESTS 653 00:33:02,584 --> 00:33:06,153 AND PERHAPS, IN DOING SO, BOOST SCOTLAND'S CLAIMS 654 00:33:06,155 --> 00:33:09,356 TO SELF-RULE IN THE EYES OF THE WIDER WORLD. 655 00:33:09,358 --> 00:33:12,993 Stevenson: ARTHUR REPRESENTS A UNIFIED BRITAIN. 656 00:33:12,995 --> 00:33:16,997 ARTHUR CAN BE USED TO SAY THAT THE KINGS OF SCOTLAND 657 00:33:16,999 --> 00:33:18,365 OR THE KINGS OF SCOTS 658 00:33:18,367 --> 00:33:21,234 COULD HAVE CLAIM OVER THE THRONE OF ENGLAND. 659 00:33:23,305 --> 00:33:26,206 Narrator: IT'S AN EXTRAORDINARY POSSIBILITY. 660 00:33:26,208 --> 00:33:28,475 WERE SCOTLAND'S KINGS RESPONSIBLE 661 00:33:28,477 --> 00:33:33,013 FOR STIRLING'S ARTHURIAN STORIES? 662 00:33:33,015 --> 00:33:34,881 THEY CERTAINLY USED ARTHUR 663 00:33:34,883 --> 00:33:37,250 TO CONTINUE THE STRUGGLE FOR INDEPENDENCE 664 00:33:37,252 --> 00:33:39,286 THAT BEGAN WITH WILLIAM WALLACE. 665 00:33:41,490 --> 00:33:44,091 BUT WAS THERE A REAL ARTHUR, 666 00:33:44,093 --> 00:33:46,593 A MAN BEHIND THE MYTH? 667 00:33:46,595 --> 00:33:49,863 SOME INVESTIGATORS THINK THAT IF HE DID EXIST, 668 00:33:49,865 --> 00:33:52,399 THIS WAS THE LAND HE WOULD'VE KNOWN. 669 00:34:00,680 --> 00:34:02,747 ¶¶ 670 00:34:02,749 --> 00:34:06,818 Narrator: STIRLING CASTLE IS A SYMBOL OF SCOTLAND'S FREEDOM, 671 00:34:06,820 --> 00:34:08,653 A CASTLE SO POWERFUL 672 00:34:08,655 --> 00:34:10,455 THAT SCOTTISH KINGS INVENTED 673 00:34:10,457 --> 00:34:13,925 A LEGENDARY PAST FOR IT. 674 00:34:13,927 --> 00:34:16,761 BUT COULD THE STORIES OF KING ARTHUR AT STIRLING 675 00:34:16,763 --> 00:34:19,897 SOMEHOW BE TRUE? 676 00:34:19,899 --> 00:34:23,067 THE RIVER BELOW THE CASTLE HAS BEEN A NATURAL FRONTIER 677 00:34:23,069 --> 00:34:25,036 SINCE PREHISTORIC TIMES, 678 00:34:25,038 --> 00:34:27,739 AND ON THE OPPOSITE HILL STANDS A CLUE. 679 00:34:31,611 --> 00:34:35,480 THIS IMPOSING TOWER IS CALLED THE WALLACE MONUMENT. 680 00:34:37,651 --> 00:34:39,284 BUILT IN MODERN TIMES, 681 00:34:39,286 --> 00:34:41,185 IT COMMEMORATES WHERE WILLIAM WALLACE 682 00:34:41,187 --> 00:34:44,389 MADE HIS HEADQUARTERS DURING THE BATTLE FOR STIRLING. 683 00:34:45,892 --> 00:34:49,093 BUT BENEATH IT LIES SOMETHING FAR OLDER... 684 00:34:51,197 --> 00:34:53,364 ...A RING OF STONE WALLS 685 00:34:53,366 --> 00:34:56,834 BUILT BY AN ANCIENT BRITISH TRIBE. 686 00:34:56,836 --> 00:35:00,538 THESE ARE THE RAMPARTS OF A HILL FORT, 687 00:35:00,540 --> 00:35:02,740 A 260-FOOT BANK, 688 00:35:02,742 --> 00:35:06,244 10 FEET WIDE, MADE OF MASSIVE STONES. 689 00:35:07,314 --> 00:35:10,748 COULD THIS BE A REAL-LIFE ARTHURIAN CASTLE? 690 00:35:14,888 --> 00:35:16,921 ARCHAEOLOGIST MURRAY COOK TRIES 691 00:35:16,923 --> 00:35:19,857 TO PIECE TOGETHER THE EVIDENCE. 692 00:35:19,859 --> 00:35:21,859 MURRAY'S INVESTIGATIONS SUGGEST 693 00:35:21,861 --> 00:35:24,562 THAT THESE EARTH-COVERED STONE RAMPARTS 694 00:35:24,564 --> 00:35:27,965 ARE AT LEAST 1,300 YEARS OLD. 695 00:35:27,967 --> 00:35:31,436 THIS IS AN EARLY MEDIEVAL CITADEL. 696 00:35:31,438 --> 00:35:34,605 THIS IS A PLACE WHERE AN EARLY MEDIEVAL LORD 697 00:35:34,607 --> 00:35:36,374 WOULD IMPRESS PEOPLE, 698 00:35:36,376 --> 00:35:37,642 WOULD HOST PEOPLE, 699 00:35:37,644 --> 00:35:40,945 WOULD GO OUT ON HUNTING EXPEDITIONS, 700 00:35:40,947 --> 00:35:43,314 WOULD GO OUT ON WARFARE. 701 00:35:43,316 --> 00:35:46,851 THE EVES OF THE HALL WOULD RING WITH SONG. 702 00:35:51,991 --> 00:35:54,492 FAR FROM BEING CAMELOT, 703 00:35:54,494 --> 00:35:57,328 MURRAY BELIEVES THAT THE FORTS OF THE ARTHURIAN AGE 704 00:35:57,330 --> 00:36:00,631 WERE SETTLEMENTS SURROUNDED BY STONE CIRCLES. 705 00:36:03,269 --> 00:36:05,470 TO MAKE THE WALLS STRONG, 706 00:36:05,472 --> 00:36:07,972 THEY LAYERED EARTH AND STONE 707 00:36:07,974 --> 00:36:10,508 AND REINFORCED THEM WITH TIMBER BEAMS. 708 00:36:14,581 --> 00:36:17,315 THIS STONE, WE GOT FROM AN EXCAVATION DOWN SLOPE, 709 00:36:17,317 --> 00:36:19,317 BUT IT COMES FROM THIS RAMPART. 710 00:36:19,319 --> 00:36:22,220 THIS IS A RAMPART DESTROYED BY FIRE 711 00:36:22,222 --> 00:36:24,455 IN THE 6th AND 7th CENTURIES A.D. 712 00:36:24,457 --> 00:36:27,525 THIS STONE IS FROM THE COLLAPSE 713 00:36:27,527 --> 00:36:30,495 AND THE DESTRUCTION OF THIS RAMPART. 714 00:36:30,497 --> 00:36:32,964 Narrator: THE FORT DATES TO A TIME LONG BEFORE 715 00:36:32,966 --> 00:36:35,166 SCOTLAND EVEN EXISTED, 716 00:36:35,168 --> 00:36:38,202 WHEN STIRLING WAS PART OF ANCIENT BRITAIN. 717 00:36:38,204 --> 00:36:40,638 IN THE VIOLENT CHAOS OF THE 6th CENTURY, 718 00:36:40,640 --> 00:36:42,874 ONE MAN IS SAID TO HAVE STOOD OUT 719 00:36:42,876 --> 00:36:44,876 AS A BEACON OF HOPE -- 720 00:36:44,878 --> 00:36:46,344 ARTHUR. 721 00:36:46,346 --> 00:36:51,816 WHOEVER KING ARTHUR IS, HE IS A WAR LEADER 722 00:36:51,818 --> 00:36:56,788 WHO IS VERY SUCCESSFUL AT THE END OF THE 5th CENTURY. 723 00:36:56,790 --> 00:36:58,923 CERTAINLY, IF ARTHUR EXISTS, 724 00:36:58,925 --> 00:37:00,525 THIS IS THE SORT OF LOCATION, 725 00:37:00,527 --> 00:37:03,928 THIS IS THE SORT OF PLACE THAT HE WOULD BE FAMILIAR WITH. 726 00:37:03,930 --> 00:37:06,464 Narrator: MURRAY THINKS THE ANCIENT STONE REVEALS 727 00:37:06,466 --> 00:37:09,066 A SOCIETY FIGHTING FOR SURVIVAL. 728 00:37:09,068 --> 00:37:12,904 I THINK THIS IS WHAT WE CALL VITRIFIED STONE. 729 00:37:12,906 --> 00:37:15,506 SEE, HERE I THINK WE HAVE THREE STONES. 730 00:37:15,508 --> 00:37:17,809 WE HAVE ONE STONE HERE, ONE STONE HERE, 731 00:37:17,811 --> 00:37:19,444 AND THEN THIS IN THE MIDDLE 732 00:37:19,446 --> 00:37:23,080 THAT SEEMS TO HAVE MELTED AND FUSED THESE TWO TOGETHER. 733 00:37:27,687 --> 00:37:31,155 Narrator: MURRAY THINKS THAT WHEN INVADERS ATTACKED THE FORT, 734 00:37:31,157 --> 00:37:34,192 THEY SET FIRE TO THE REINFORCED DEFENSES. 735 00:37:36,529 --> 00:37:38,396 LOCKED INSIDE THE EARTH, 736 00:37:38,398 --> 00:37:40,765 THE TIMBER BURNED WITH SUCH FIERCE HEAT 737 00:37:40,767 --> 00:37:42,633 IT MELTED THE STONE. 738 00:37:44,904 --> 00:37:49,340 BUT IS THIS MELTED STONE REALLY EVIDENCE OF AN ANCIENT BATTLE 739 00:37:49,342 --> 00:37:52,710 OR JUST AN ACCIDENTAL FIRE? 740 00:37:52,712 --> 00:37:54,879 MURRAY WANTS TO CHECK IT OUT. 741 00:37:54,881 --> 00:37:58,149 SO HE HEADS TO STIRLING UNIVERSITY, 742 00:37:58,151 --> 00:38:00,852 WHERE HE JOINS SPECIALIST AMANDA DOLAN. 743 00:38:00,854 --> 00:38:02,086 -IT IS AMAZING. -YEAH. 744 00:38:02,088 --> 00:38:03,421 Cook: IT'S A KALEIDOSCOPE REALLY, ISN'T IT? 745 00:38:03,423 --> 00:38:04,789 YEAH. 746 00:38:04,791 --> 00:38:07,592 Narrator: THEY START BY LOOKING AT A SLICE OF STONE TAKEN 747 00:38:07,594 --> 00:38:09,961 FROM A SIMILAR SCOTTISH HILL FORT. 748 00:38:19,205 --> 00:38:21,005 THE FIRE THAT MELTED THIS STONE 749 00:38:21,007 --> 00:38:24,976 WAS SO HOT, IT CHANGED THE MINERALS INSIDE. 750 00:38:24,978 --> 00:38:27,345 IT WAS AS FIERCE AS A VOLCANO. 751 00:38:32,318 --> 00:38:34,519 AMANDA SUSPECTS SOMETHING SIMILAR HAPPENED 752 00:38:34,521 --> 00:38:36,053 TO MURRAY'S ROCK. 753 00:38:36,055 --> 00:38:39,557 THE STIRLING FIRE MUST'VE BEEN DELIBERATELY STOKED FOR DAYS 754 00:38:39,559 --> 00:38:42,226 TO PRODUCE SUCH INTENSE HEAT. 755 00:38:55,475 --> 00:38:58,342 AND SQUEEZING ITS WAY OUT LIKE A WEE BIT OF TOOTHPASTE. 756 00:38:58,344 --> 00:39:00,177 YES, INDEED. 757 00:39:00,179 --> 00:39:01,913 WELL, THAT'S HORRIFYING. 758 00:39:01,915 --> 00:39:03,447 IT'S ABSOLUTELY AMAZING. 759 00:39:03,449 --> 00:39:06,584 ARE WE SUGGESTING THAT THIS IS DONE BY SOMEONE 760 00:39:06,586 --> 00:39:07,818 WHEN THEY'VE CAPTURED THE FORT? 761 00:39:07,820 --> 00:39:11,355 IS THIS, IN EFFECT, A U.N. WAR CRIME? 762 00:39:11,357 --> 00:39:13,457 IT'S A PUNISHMENT DESTRUCTION. 763 00:39:13,459 --> 00:39:16,093 SOMEONE HAS TAKEN A BEATING, YOU KNOW? 764 00:39:21,267 --> 00:39:24,835 THE VIOLENT END OF THE FORT UNDER THE WALLACE MONUMENT 765 00:39:24,837 --> 00:39:29,407 COINCIDES WITH THE VERY FIRST MENTION OF ARTHUR, 766 00:39:29,409 --> 00:39:30,875 A HEROIC POEM WRITTEN 767 00:39:30,877 --> 00:39:34,512 ABOUT THE PEOPLE HERE IN THE YEAR 600. 768 00:39:34,514 --> 00:39:37,448 FOR THE PEOPLE, ARTHUR BECOMES AN IMPORTANT FIGURE. 769 00:39:37,450 --> 00:39:39,550 WHETHER OR NOT YOU REALLY BELIEVE 770 00:39:39,552 --> 00:39:40,885 THERE WAS AN ARTHUR, 771 00:39:40,887 --> 00:39:44,221 YOU'RE IDENTIFYING YOURSELF WITH A HISTORIC FIGURE, 772 00:39:44,223 --> 00:39:47,191 WITH A FIGURE THAT LEADS RESISTANCE. 773 00:39:48,494 --> 00:39:52,830 Narrator: IT'S AN EXTRAORDINARY FINAL TWIST. 774 00:39:52,832 --> 00:39:54,532 WOW. 775 00:39:54,534 --> 00:39:56,100 THAT'S AMAZING. 776 00:39:56,102 --> 00:40:00,204 STIRLING MAY NOT BE CAMELOT OR SNOWDEN. 777 00:40:00,206 --> 00:40:02,206 BUT DID THE VIOLENT WORLD AROUND IT 778 00:40:02,208 --> 00:40:05,009 CREATE THE ARTHUR MYTHS? 779 00:40:05,011 --> 00:40:07,345 THE GEOGRAPHY, THE GEOLOGY OF STIRLING, 780 00:40:07,347 --> 00:40:11,882 FOR 2000 YEARS HAS BEEN CENTRAL TO SCOTLAND'S DESTINY. 781 00:40:11,884 --> 00:40:13,951 THIS IS THE ONLY PLACE 782 00:40:13,953 --> 00:40:16,520 WHERE ARMIES CAN CROSS, ALL FIGHTING, 783 00:40:16,522 --> 00:40:19,890 ALL DYING TO CONTROL THIS LOCATION, 784 00:40:19,892 --> 00:40:23,294 THIS STIRLING, THIS PLACE OF STRIFE. 785 00:40:23,296 --> 00:40:25,062 Narrator: MURRAY THINKS THIS LANDSCAPE 786 00:40:25,064 --> 00:40:28,165 SHAPED SCOTLAND'S IDENTITY. 787 00:40:28,167 --> 00:40:33,037 JUST AS ARTHUR WAS 600, 700 HUNDRED YEARS BEFORE HIM, 788 00:40:33,039 --> 00:40:36,741 WALLACE IS THIS ENORMOUS HEROIC FIGURE. 789 00:40:36,743 --> 00:40:38,643 SO WALLACE, IN EFFECT, 790 00:40:38,645 --> 00:40:42,113 BECOMES THE INHERITOR OF A TRADITION OF RESISTANCE. 791 00:40:42,115 --> 00:40:47,251 HISTORY IS REINVENTED BY EACH SUCCESSIVE GENERATION. 792 00:40:49,989 --> 00:40:53,057 Narrator: STIRLING'S IMPOSING ARCHITECTURE MAKES IT 793 00:40:53,059 --> 00:40:58,029 ONE OF THE MOST IMPORTANT MEDIEVAL CASTLES IN THE WORLD. 794 00:40:58,031 --> 00:41:00,231 BUT NEW DISCOVERIES INSIDE IT 795 00:41:00,233 --> 00:41:03,034 CONTINUE TO EXCITE ARCHAEOLOGISTS 796 00:41:03,036 --> 00:41:05,036 AND TRANSFORM OUR UNDERSTANDING 797 00:41:05,038 --> 00:41:09,106 OF SCOTLAND'S WARS OF INDEPENDENCE. 798 00:41:09,108 --> 00:41:10,741 FROM ITS EARLIEST DAYS, 799 00:41:10,743 --> 00:41:14,612 BRAVE WARRIORS HAVE ALWAYS FOUGHT TO CONTROL THIS ROCK. 800 00:41:16,983 --> 00:41:19,850 STIRLING'S HISTORY HAS CREATED POWERFUL LEGENDS 801 00:41:19,852 --> 00:41:21,719 THAT ARE STILL WITH US TODAY. 802 00:41:23,690 --> 00:41:25,856 SCOTLAND AS WE KNOW IT 803 00:41:25,858 --> 00:41:29,727 MIGHT NOT EXIST WITHOUT THIS TOWERING FORTRESS. 804 00:41:29,729 --> 00:41:31,429 ¶¶ 805 00:41:39,072 --> 00:41:42,807 ¶¶ 806 00:41:50,316 --> 00:41:54,952 ¶¶ 61639

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