Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,801 --> 00:00:02,334
¶¶
2
00:00:02,336 --> 00:00:05,871
Narrator: STIRLING CASTLE
IN SCOTLAND --
3
00:00:05,873 --> 00:00:09,875
A MIGHTY AND MYSTERIOUS
MEDIEVAL FORTRESS,
4
00:00:09,877 --> 00:00:13,645
FORGED BY CENTURIES OF WARFARE.
5
00:00:13,647 --> 00:00:16,982
Cook: THIS IS THE LOCATION
ON WHICH HISTORY IS WRITTEN.
6
00:00:16,984 --> 00:00:20,819
HEROIC DEEDS, BLOODY ACTS
ARE FOCUSED HERE.
7
00:00:20,821 --> 00:00:23,555
Narrator: STIRLING IS FAMOUS
FOR EPIC BATTLES
8
00:00:23,557 --> 00:00:25,457
AND THE GREAT HEROES
IMMORTALIZED
9
00:00:25,459 --> 00:00:27,459
IN THE MOVIE "BRAVEHEART."
10
00:00:27,461 --> 00:00:30,329
BUT WHAT AGE-OLD SECRETS
DOES IT HOLD?
11
00:00:30,331 --> 00:00:32,698
THIS IS A FAIRLY YOUNG AGE
TO DIE.
12
00:00:32,700 --> 00:00:35,801
IT'S AN UNUSUAL AGE TO DIE,
EVEN IN THE PAST.
13
00:00:35,803 --> 00:00:37,403
Narrator:
CAN NEW TECHNOLOGY REVEAL
14
00:00:37,405 --> 00:00:40,572
THE MIGHTY WAR MACHINE
THAT ONCE STOOD HERE...
15
00:00:40,574 --> 00:00:43,409
Cox: GOSH, 2 METERS,
THAT'S AMAZING.
16
00:00:43,411 --> 00:00:45,577
...AND DISCOVER THE TRUTH BEHIND
17
00:00:45,579 --> 00:00:48,180
ONE OF THE GREATEST LEGENDS
OF ALL TIME,
18
00:00:48,182 --> 00:00:49,648
KING ARTHUR?
19
00:00:49,650 --> 00:00:52,851
Cook: IF ARTHUR EXISTS,
THIS IS THE SORT OF LOCATION,
20
00:00:52,853 --> 00:00:56,088
THIS IS THE SORT OF PLACE
THAT HE WOULD BE FAMILIAR WITH.
21
00:00:56,090 --> 00:00:59,558
Narrator: THE ONLY WAY
TO UNRAVEL THESE MYSTERIES
22
00:00:59,560 --> 00:01:02,728
IS TO PRY OPEN
THIS MIGHTY MEDIEVAL FORTRESS
23
00:01:02,730 --> 00:01:05,731
STONE BY STONE.
24
00:01:05,733 --> 00:01:09,101
DIVING DEEP THROUGH
ITS WALLS AND DEFENSES,
25
00:01:09,103 --> 00:01:12,471
WE'LL UNEARTH
THE ASTONISHING SECRETS
26
00:01:12,473 --> 00:01:15,174
AT THE HEART
OF THIS LEGENDARY CASTLE.
27
00:01:16,177 --> 00:01:19,178
-- Captions by VITAC --
www.vitac.com
28
00:01:19,180 --> 00:01:22,181
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
29
00:01:22,183 --> 00:01:24,183
AT THE ENTRANCE TO
THE SCOTTISH HIGHLANDS
30
00:01:24,185 --> 00:01:27,486
STANDS A MAJESTIC FORTRESS --
31
00:01:27,488 --> 00:01:28,787
STIRLING,
32
00:01:28,789 --> 00:01:31,990
ONE OF THE FINEST CASTLES
IN EUROPE.
33
00:01:31,992 --> 00:01:33,725
BUT IT'S SURROUNDED
34
00:01:33,727 --> 00:01:36,395
BY AN ANCIENT
AND MYSTERIOUS LANDSCAPE,
35
00:01:36,397 --> 00:01:39,264
WHICH HAS SHAPED
SCOTLAND'S DESTINY.
36
00:01:40,968 --> 00:01:46,004
WHY IS SO MUCH MYTH AND HISTORY
CONCENTRATED IN THIS ONE PLACE?
37
00:01:47,141 --> 00:01:50,309
EVERY SIGNIFICANT EVENT
IN SCOTTISH HISTORY
38
00:01:50,311 --> 00:01:52,211
FOR THE LAST 2,000 YEARS
39
00:01:52,213 --> 00:01:56,315
HAS EITHER IMPACTED
OR BEEN IMPACTED BY STIRLING.
40
00:01:59,987 --> 00:02:03,121
Narrator: ENTERING THROUGH
THE CASTLE'S MIGHTY GATEHOUSE
41
00:02:03,123 --> 00:02:05,324
IS LIKE TRAVELING BACK IN TIME
42
00:02:05,326 --> 00:02:08,794
TO A GOLDEN AGE
OF KNIGHTS IN ARMOR.
43
00:02:08,796 --> 00:02:14,066
ITS HUGE MEDIEVAL HALL
IS THE LARGEST IN ALL SCOTLAND.
44
00:02:14,068 --> 00:02:19,204
BUT STIRLING'S TRUE POWER LIES
UNDERNEATH THESE BUILDINGS.
45
00:02:19,206 --> 00:02:24,610
THEY ALL STAND ON A MIGHTY
AND IMMOVABLE VOLCANIC ROCK.
46
00:02:24,612 --> 00:02:28,080
FORGED AROUND
300 MILLION YEARS AGO,
47
00:02:28,082 --> 00:02:30,883
IT'S A NATURAL FORTRESS.
48
00:02:30,885 --> 00:02:32,551
BUT WHAT MAKES THIS ROCK
49
00:02:32,553 --> 00:02:36,054
THE FOUNDATION STONE
OF SO MANY LEGENDS,
50
00:02:36,056 --> 00:02:39,925
AND HOW MANY SECRETS ARE
STILL LOCKED INSIDE IT?
51
00:02:44,398 --> 00:02:46,565
THE ROCK OVERLOOKS
ONE OF THE MOST IMPORTANT
52
00:02:46,567 --> 00:02:48,934
RIVER CROSSINGS
IN THE BRITISH ISLES --
53
00:02:50,704 --> 00:02:53,071
STIRLING BRIDGE,
54
00:02:53,073 --> 00:02:54,907
WHERE 700 YEARS AGO,
55
00:02:54,909 --> 00:02:57,943
A LEGENDARY WARRIOR
CALLED WILLIAM WALLACE
56
00:02:57,945 --> 00:03:01,647
WON A STUNNING VICTORY.
57
00:03:01,649 --> 00:03:03,248
TODAY WE KNOW HIM BETTER
58
00:03:03,250 --> 00:03:06,752
AS THE HERO
OF THE FILM "BRAVEHEART."
59
00:03:06,754 --> 00:03:08,220
BUT LITTLE PHYSICAL EVIDENCE
60
00:03:08,222 --> 00:03:10,188
FOR THE BATTLE
OR THE WARS THAT FOLLOWED
61
00:03:10,190 --> 00:03:12,024
HAS EVER BEEN FOUND.
62
00:03:12,026 --> 00:03:13,759
WE CAN SEE STIRLING BRIDGE.
63
00:03:13,761 --> 00:03:16,962
WE CAN SEE THE BATTLEFIELD
OVER THERE.
64
00:03:16,964 --> 00:03:19,932
WE KNOW
THE 11th OF SEPTEMBER, 1297,
65
00:03:19,934 --> 00:03:22,935
SOME-5,000 TROOPS DIED THERE.
66
00:03:22,937 --> 00:03:25,037
Narrator:
NOW AN ASTONISHING DISCOVERY
67
00:03:25,039 --> 00:03:26,672
INSIDE THIS CASTLE
68
00:03:26,674 --> 00:03:29,074
COULD REWRITE THE HISTORY BOOKS.
69
00:03:34,481 --> 00:03:36,415
UNDERNEATH THE OLD KITCHENS,
70
00:03:36,417 --> 00:03:40,085
INVESTIGATORS STUMBLED ACROSS
A REMARKABLE SECRET...
71
00:03:41,789 --> 00:03:44,289
...HUMAN SKELETONS
72
00:03:44,291 --> 00:03:45,691
BURIED IN THE FOUNDATIONS
73
00:03:45,693 --> 00:03:47,759
OF A LOST ROYAL CHAPEL.
74
00:03:50,264 --> 00:03:54,666
BUT THESE BURIALS DON'T APPEAR
TO BE OF KINGS OR QUEENS.
75
00:03:54,668 --> 00:03:58,537
THEIR BONES BEAR MARKS
OF BRUTAL AND HORRIFIC DEATHS.
76
00:04:00,207 --> 00:04:04,409
SO WHO WERE THESE
FORGOTTEN INDIVIDUALS,
77
00:04:04,411 --> 00:04:06,578
AND COULD THEY REWRITE
WHAT WE KNOW
78
00:04:06,580 --> 00:04:09,247
ABOUT WALLACE'S FAMOUS VICTORY?
79
00:04:09,249 --> 00:04:13,118
¶¶
80
00:04:19,627 --> 00:04:22,961
AT BRADFORD IN ENGLAND,
81
00:04:22,963 --> 00:04:25,530
OSTEOARCHAEOLOGIST
DR. JO BUCKBERRY
82
00:04:25,532 --> 00:04:28,967
INVESTIGATES
THE STIRLING COLD CASE.
83
00:04:28,969 --> 00:04:31,903
THE FIRST THING FOR ME
IS TO ALWAYS REMEMBER THAT
84
00:04:31,905 --> 00:04:34,239
THIS IS A PERSON
THAT YOU'RE DEALING WITH.
85
00:04:34,241 --> 00:04:37,075
IT'S PIECING TOGETHER A STORY
ABOUT THAT PERSON'S HISTORY,
86
00:04:37,077 --> 00:04:39,144
AND THEN I THINK IT'S A REALLY
IMPORTANT THING TO DO
87
00:04:39,146 --> 00:04:40,445
BECAUSE IT'S KIND OF
GIVING THEM A VOICE
88
00:04:40,447 --> 00:04:42,581
LONG AFTER THEY'VE DIED.
89
00:04:42,583 --> 00:04:46,585
Narrator: JO STARTS BY LOOKING
AT THE EARLIEST SKELETON --
90
00:04:46,587 --> 00:04:49,621
A MAN WITH NEARLY 100 INJURIES.
91
00:04:49,623 --> 00:04:51,156
Buckberry: THIS SKELETON
REALLY STANDS OUT
92
00:04:51,158 --> 00:04:53,025
JUST BECAUSE
OF THE SHEER NUMBER OF FRACTURES
93
00:04:53,027 --> 00:04:54,393
THAT WE CAN SEE ON THE BODY.
94
00:04:54,395 --> 00:04:58,096
WE'VE GOT OVER 40 FRACTURES
IN THE CRANIUM.
95
00:04:58,098 --> 00:05:00,198
WE'VE GOT THREE FRACTURES
IN THE MANDIBLE.
96
00:05:00,200 --> 00:05:02,668
HE'S FRACTURED
BOTH OF HIS COLLARBONES,
97
00:05:02,670 --> 00:05:04,436
BOTH OF HIS SHOULDER BLADES.
98
00:05:04,438 --> 00:05:09,141
HE'S FRACTURED HIS HUMERUS
AND THEN ALSO HIS RADIUS ULNAR
99
00:05:09,143 --> 00:05:10,442
ON THE OTHER SIDE.
100
00:05:10,444 --> 00:05:13,779
HE'S GOT FRACTURES
IN HIS LEFT HAND.
101
00:05:13,781 --> 00:05:15,981
HE'S GOT A COUPLE OF FRACTURES
IN HIS SPINE
102
00:05:15,983 --> 00:05:18,684
AND MULTIPLE FRACTURES
RUNNING THROUGHOUT THE RIBS.
103
00:05:18,686 --> 00:05:21,520
Narrator: THESE INJURIES
ARE CATASTROPHIC,
104
00:05:21,522 --> 00:05:24,156
BUT WHAT CAUSED THEM
IS A MYSTERY.
105
00:05:24,158 --> 00:05:25,857
HOW DID THIS MAN DIE?
106
00:05:25,859 --> 00:05:29,227
WAS IT MURDER
OR SIMPLY A TERRIBLE ACCIDENT?
107
00:05:29,229 --> 00:05:32,564
JO THINKS THE ANSWER LIES
WITH A SECOND SKELETON,
108
00:05:32,566 --> 00:05:34,399
THE REMAINS OF A WOMAN.
109
00:05:34,401 --> 00:05:37,335
ON THE SIDE OF THE HEAD,
WE'VE GOT THIS LARGE ROUND HOLE,
110
00:05:37,337 --> 00:05:39,337
WHICH INITIALLY WE THOUGHT
WAS JUST SOME DAMAGE
111
00:05:39,339 --> 00:05:41,039
TO THE SKULL
IN THE BURIED ENVIRONMENT.
112
00:05:41,041 --> 00:05:43,909
BUT WHEN LOOKED AT THE EDGES
OF THE SMALL PIECES OF BONE,
113
00:05:43,911 --> 00:05:48,580
THE TEXTURE OF THAT
AND HOW IT ALL FITS TOGETHER,
114
00:05:48,582 --> 00:05:50,282
IT LOOKS AS THOUGH
THIS LADY WAS HIT
115
00:05:50,284 --> 00:05:51,383
ON THE SIDE OF THE HEAD
116
00:05:51,385 --> 00:05:52,784
ONCE, POSSIBLY TWICE,
117
00:05:52,786 --> 00:05:55,187
CAUSING THE SIDE OF THE CRANIUM
TO FRAGMENT.
118
00:05:56,657 --> 00:05:59,858
THIS KIND OF BLUNT FORCE TRAUMA
IS SIMILAR TO THE WOUNDS
119
00:05:59,860 --> 00:06:01,460
ON THE FIRST SKELETON,
120
00:06:01,462 --> 00:06:04,129
BUT THIS WOMAN'S DEATH
WAS NO ACCIDENT.
121
00:06:04,131 --> 00:06:07,599
SHE ALSO HAS PUNCTURE MARKS
CAUSED BY A WEAPON.
122
00:06:07,601 --> 00:06:09,067
Buckberry: SO, ON THE OUTSIDE
OF THIS CRANIUM,
123
00:06:09,069 --> 00:06:11,703
THERE ARE TWO RECTANGULAR HOLES.
124
00:06:11,705 --> 00:06:14,339
WE DON'T EXACTLY KNOW
WHAT CAUSED THE TWO INJURIES.
125
00:06:14,341 --> 00:06:17,175
IT WAS PROBABLY SOMETHING
WITH A SPIKE ON THE END
126
00:06:17,177 --> 00:06:19,111
THAT HAD
A RECTANGULAR-CROSS SECTION.
127
00:06:19,113 --> 00:06:20,746
AND IT WAS DELIVERED
WITH ENOUGH FORCE
128
00:06:20,748 --> 00:06:22,280
TO ACTUALLY GO ALL THE WAY
THROUGH THE SKULL
129
00:06:22,282 --> 00:06:24,483
INTO WHERE THE BRAIN IS.
130
00:06:24,485 --> 00:06:25,717
Narrator: MOST OF THE SKELETONS
131
00:06:25,719 --> 00:06:29,087
HAVE THIS
PUZZLING COMBINATION OF WOUNDS.
132
00:06:29,089 --> 00:06:31,456
SO, HOW DID THEY DIE?
133
00:06:31,458 --> 00:06:33,959
¶¶
134
00:06:33,961 --> 00:06:36,962
MOST MEDIEVAL BATTLES
WERE FOUGHT HAND TO HAND.
135
00:06:38,232 --> 00:06:42,100
THE WEAPONS INVOLVED LEFT
UNIQUE AND BRUTAL SIGNATURES.
136
00:06:44,338 --> 00:06:47,906
SWORDS CAUSED SLASHING INJURIES,
137
00:06:47,908 --> 00:06:49,574
FRACTURING AND SPLITTING BONES
138
00:06:49,576 --> 00:06:51,777
ALONG EXISTING WEAKNESSES,
139
00:06:56,383 --> 00:06:59,217
WHILE SPEARS AND HALBERDS
CAUSED PUNCTURE WOUNDS
140
00:06:59,219 --> 00:07:02,120
TO THE HEAD AND LOWER BODY.
141
00:07:05,559 --> 00:07:07,526
BUT BLUNT TRAUMA WOUNDS ARE
142
00:07:07,528 --> 00:07:09,728
MUCH LESS COMMON
ON THE BATTLEFIELD.
143
00:07:11,198 --> 00:07:14,132
THEY'RE MORE ASSOCIATED
WITH HEAVY OBJECTS.
144
00:07:17,171 --> 00:07:20,005
JO THINKS THE INJURIES
ON THE STIRLING SKELETONS
145
00:07:20,007 --> 00:07:22,574
HINT AT A UNIQUE TYPE
OF FIGHTING
146
00:07:22,576 --> 00:07:24,609
NOT SEEN ON THE BATTLEFIELD.
147
00:07:27,614 --> 00:07:30,448
WERE THESE SKELETONS HIT
BY FALLING DEBRIS
148
00:07:30,450 --> 00:07:32,284
OR EVEN ARTILLERY?
149
00:07:32,286 --> 00:07:33,552
Buckberry:
THE OVERALL PATTERN OF TRAUMA
150
00:07:33,554 --> 00:07:35,253
IS NOTHING LIKE
WHAT WE EXPECT TO SEE
151
00:07:35,255 --> 00:07:37,088
IN A MEDIEVAL BATTLEFIELD.
152
00:07:37,090 --> 00:07:38,824
ONE OF THE POSSIBILITIES
IS THAT WE'RE ACTUALLY
153
00:07:38,826 --> 00:07:41,793
LOOKING AT EVIDENCE
OF A SIEGE AT STIRLING CASTLE.
154
00:07:41,795 --> 00:07:44,095
SO THE TYPE OF FIGHTING
IS DIFFERENT.
155
00:07:47,401 --> 00:07:49,067
WHEN THESE PEOPLE DIED,
156
00:07:49,069 --> 00:07:51,937
THEY WERE UNABLE TO BE
BURIED OUTSIDE OF THE CASTLE.
157
00:07:51,939 --> 00:07:53,371
PEOPLE WERE STILL
WITHIN THE CASTLE GROUNDS,
158
00:07:53,373 --> 00:07:54,940
AND THAT'S WHY THEY WERE BURIED
159
00:07:54,942 --> 00:07:57,843
IN THAT CHAPEL,
INSIDE THE CASTLE ITSELF.
160
00:08:00,681 --> 00:08:03,148
Narrator: JO BELIEVES
A SIEGE MIGHT EXPLAIN
161
00:08:03,150 --> 00:08:05,550
WHY THESE ORDINARY SOLDIERS
WERE BURIED
162
00:08:05,552 --> 00:08:08,486
IN THE MOST UNLIKELY OF PLACES,
163
00:08:08,488 --> 00:08:11,456
A ROYAL CHAPEL.
164
00:08:11,458 --> 00:08:13,758
BUT WHEN DID THESE PEOPLE DIE?
165
00:08:13,760 --> 00:08:17,495
JO ONLY NEEDS A TINY FRAGMENT
FROM EACH SKELETON.
166
00:08:17,497 --> 00:08:20,131
THIS HOLE HERE WAS MADE
WHEN THEY TOOK A SAMPLE FOR AGE,
167
00:08:20,133 --> 00:08:22,033
CARBON DATING
FOR THIS INDIVIDUAL.
168
00:08:22,035 --> 00:08:25,503
Narrator: BY ANALYZING
THE BONE'S CHEMICAL COMPOSITION,
169
00:08:25,505 --> 00:08:28,273
SHE CAN WORK OUT
WHEN A PERSON DIED.
170
00:08:28,275 --> 00:08:30,075
SO, SEVEN OF THE SKELETONS DATE
171
00:08:30,077 --> 00:08:31,877
TO THE SCOTTISH WARS
OF INDEPENDENCE.
172
00:08:31,879 --> 00:08:33,979
AND WE KNOW,
FROM THE HISTORICAL RECORDS,
173
00:08:33,981 --> 00:08:35,447
THAT VIOLENCE WAS
ACTUALLY HAPPENING
174
00:08:35,449 --> 00:08:38,683
IN THE LOCATION OF THE CASTLE
ON A FAIRLY FREQUENT BASIS.
175
00:08:39,753 --> 00:08:42,454
Narrator: JO'S RESULTS PAINT
A VERY DIFFERENT PICTURE
176
00:08:42,456 --> 00:08:45,090
TO THE "BRAVEHEART"
OF HOLLYWOOD.
177
00:08:45,092 --> 00:08:47,158
SCOTLAND'S FREEDOM WAS WON,
178
00:08:47,160 --> 00:08:49,861
NOT WITH A SINGLE
HEROIC BATTLE OR TWO,
179
00:08:49,863 --> 00:08:54,199
BUT OVER 40 YEARS
OF SIEGE WARFARE.
180
00:08:54,201 --> 00:08:57,035
WHAT MADE THIS ROCK
WORTH DYING FOR
181
00:08:57,037 --> 00:08:59,137
TIME AND AGAIN?
182
00:08:59,139 --> 00:09:03,375
COULD A CLUE LIE HIDDEN
IN THE FAMOUS ROCK ITSELF?
183
00:09:09,055 --> 00:09:11,422
¶¶
184
00:09:14,126 --> 00:09:16,794
Narrator: 700 YEARS AGO,
WILLIAM WALLACE,
185
00:09:16,796 --> 00:09:19,329
THE HERO IMMORTALIZED
IN "BRAVEHEART,"
186
00:09:19,331 --> 00:09:22,900
WON A FAMOUS BATTLE
BELOW STIRLING CASTLE.
187
00:09:22,902 --> 00:09:25,869
TWO GREAT ARMIES --
ONE SCOTTISH, ONE ENGLISH --
188
00:09:25,871 --> 00:09:29,073
CLASHED FOR THE RIGHT
TO RULE SCOTLAND.
189
00:09:29,075 --> 00:09:32,242
BUT NEW DISCOVERIES
INSIDE THIS FORTRESS REVEAL
190
00:09:32,244 --> 00:09:34,411
HOW HIS VICTORY...
191
00:09:34,413 --> 00:09:36,613
WAS FAR FROM DECISIVE.
192
00:09:39,151 --> 00:09:41,919
ARCHAEOLOGIST GORDON EWART
THINKS THAT DEFENSES
193
00:09:41,921 --> 00:09:43,987
OF EARTH AND WOOD MATTERED
194
00:09:43,989 --> 00:09:46,824
JUST AS MUCH
AS SWORDS AND SPEARS.
195
00:09:46,826 --> 00:09:50,060
HE'S SPENT 40 YEARS HUNTING
FOR THE ORIGINAL CASTLE
196
00:09:50,062 --> 00:09:52,062
THAT HELPED WIN
SCOTLAND'S FREEDOM,
197
00:09:52,064 --> 00:09:55,432
BUT NO TRACE OF IT
HAS EVER BEEN FOUND.
198
00:09:55,434 --> 00:09:58,802
WHAT YOU SEE THESE DAYS
IS WHAT YOU MIGHT SAY
199
00:09:58,804 --> 00:10:00,170
A LATE-MEDIEVAL CASTLE.
200
00:10:00,172 --> 00:10:01,405
THE EARLY MEDIEVAL CASTLE,
201
00:10:01,407 --> 00:10:03,207
THE CASTLES OF THE WARS
OF INDEPENDENCE,
202
00:10:03,209 --> 00:10:05,542
THE CASTLE THAT MIGHT
HAVE BEEN WITNESSED
203
00:10:05,544 --> 00:10:07,010
BY WILLIAM WALLACE,
204
00:10:07,012 --> 00:10:08,512
IS SIMPLY NOT HERE.
205
00:10:08,514 --> 00:10:12,716
Narrator: THE FIRST CASTLES
WERE SIMPLE TIMBER STRUCTURES
206
00:10:12,718 --> 00:10:15,986
WITH FOUNDATIONS DUG DEEP
INTO STEEP MOUNDS OF EARTH
207
00:10:15,988 --> 00:10:17,788
CALLED MOTTES.
208
00:10:17,790 --> 00:10:19,289
THEY WERE DESIGNED TO REPEL
209
00:10:19,291 --> 00:10:21,492
EVEN THE MOST DETERMINED
ATTACKER.
210
00:10:23,229 --> 00:10:25,195
BUT STIRLING'S ROCKY OUTCROP
211
00:10:25,197 --> 00:10:28,799
WOULD'VE MADE THIS KIND
OF LAYOUT IMPOSSIBLE.
212
00:10:28,801 --> 00:10:30,334
SO, HOW DID THEY DO IT?
213
00:10:33,072 --> 00:10:35,472
¶¶
214
00:10:35,474 --> 00:10:38,308
STIRLING BELONGS
TO A SMALL BUT FAMOUS
215
00:10:38,310 --> 00:10:42,045
COLLECTION OF EUROPEAN CASTLES
BUILT ON ROCKS,
216
00:10:42,047 --> 00:10:45,048
LIKE MONT SAINT-MICHEL IN FRANCE
217
00:10:45,050 --> 00:10:48,352
AND LICHTENSTEIN CASTLE
IN GERMANY.
218
00:10:48,354 --> 00:10:50,788
EACH ONE IS UNIQUE.
219
00:10:50,790 --> 00:10:54,658
THEIR DESIGN DEPENDS
ON THE NATURAL GEOLOGY.
220
00:10:54,660 --> 00:10:56,226
THEY'RE NOT EASY TO BUILD,
221
00:10:56,228 --> 00:10:59,663
BUT THEIR IMPOSING HEIGHT
MAKES THE EFFORT WORTHWHILE.
222
00:11:03,202 --> 00:11:04,802
GORDON BELIEVES THAT A CLUE
223
00:11:04,804 --> 00:11:07,704
TO HOW THE SCOTS BUILT
THE FIRST CASTLE HERE
224
00:11:07,706 --> 00:11:09,740
COULD LIE BENEATH THE GROUND.
225
00:11:11,744 --> 00:11:13,443
Ewart: WELL,
THIS IS THE UPPER SQUARE,
226
00:11:13,445 --> 00:11:17,281
THIS BEING THE HIGHEST POINT
OF THE CASTLE COMPLEX.
227
00:11:17,283 --> 00:11:20,150
AND THE BUILDINGS THAT YOU SEE
228
00:11:20,152 --> 00:11:21,919
ARE ARRANGED AROUND,
WHAT SEEMS TO BE,
229
00:11:21,921 --> 00:11:25,189
THE NATURAL SUMMIT
OF THE ROCKY OUTCROP.
230
00:11:29,528 --> 00:11:31,862
Narrator: GORDON'S CONVINCED
THE SCOTTISH BUILDERS
231
00:11:31,864 --> 00:11:33,797
HAD TO MODIFY THE NATURAL ROCK
232
00:11:33,799 --> 00:11:38,168
TO BUILD THE FIRST CASTLE HERE.
233
00:11:38,170 --> 00:11:42,873
HIDDEN UNDER THE UPPER SQUARE
LIES A TANTALIZING CLUE,
234
00:11:42,875 --> 00:11:45,209
THE SLOPING GROUND
BENEATH THE COURTYARD
235
00:11:45,211 --> 00:11:46,810
ISN'T ROCK.
236
00:11:46,812 --> 00:11:49,513
IT'S A MAN-MADE MOUNTAIN
OF EARTH...
237
00:11:51,817 --> 00:11:54,751
...DESIGNED TO TURN
AN UNEVEN PEAK
238
00:11:54,753 --> 00:11:57,788
INTO A SMOOTH PLATFORM.
239
00:11:57,790 --> 00:11:59,923
COULD THIS BE THE REMAINS
OF A MOTTE,
240
00:11:59,925 --> 00:12:02,626
THE EARTHWORKS
OF THE ORIGINAL CASTLE?
241
00:12:12,071 --> 00:12:15,405
GORDON FOLLOWS THIS SLOPE
AS FAR AS IT GOES,
242
00:12:15,407 --> 00:12:19,409
TO A FORGOTTEN CORNER CALLED
"THE DOUGLAS GARDEN."
243
00:12:19,411 --> 00:12:20,911
MY HOPE IS, ANYWAY,
244
00:12:20,913 --> 00:12:23,146
THAT SOMEWHERE TOWARDS
THIS SORT OF AREA
245
00:12:23,148 --> 00:12:25,849
WILL BE THE HIGHEST POINT.
246
00:12:29,321 --> 00:12:31,355
Narrator: THE BEST WAY
FOR GORDON TO PROVE
247
00:12:31,357 --> 00:12:33,156
THIS REALLY WAS A MOTTE
248
00:12:33,158 --> 00:12:37,127
IS TO FIND THE REMAINS
OF THE CASTLE IT ONCE SUPPORTED.
249
00:12:37,129 --> 00:12:38,795
BUT THERE'S A PROBLEM.
250
00:12:38,797 --> 00:12:42,866
NO ONE IS ALLOWED TO DIG HERE.
251
00:12:42,868 --> 00:12:47,371
SO GORDON WORKS WITH
GEOPHYSICST SUSAN OVENDEN.
252
00:12:47,373 --> 00:12:49,606
SHE USES
GROUND-PENETRATING RADAR
253
00:12:49,608 --> 00:12:53,110
TO HELP ARCHAEOLOGISTS
SEE UNDERGROUND.
254
00:12:53,112 --> 00:12:54,177
MOST PEOPLE,
WHEN THEY THINK OF RADAR,
255
00:12:54,179 --> 00:12:56,046
THEY THINK OF SUBMARINES
AND AEROPLANES.
256
00:12:56,048 --> 00:12:57,481
EXACTLY THE SAME PRINCIPLE,
257
00:12:57,483 --> 00:13:00,450
WE ARE FIRING A SIGNAL
INTO THE GROUND.
258
00:13:00,452 --> 00:13:02,486
AND AS IT TRAVELS THROUGH,
259
00:13:02,488 --> 00:13:05,022
IF IT HITS ANYTHING
THAT'S DIFFERENT,
260
00:13:05,024 --> 00:13:06,423
ANY SORT OF
DIFFERENT INTERFACE,
261
00:13:06,425 --> 00:13:07,958
IT BOUNCES BACK UP.
262
00:13:07,960 --> 00:13:09,126
Narrator: THE TEAM GETS READY,
263
00:13:09,128 --> 00:13:11,495
AND THE RADAR BEEPS INTO LIFE.
264
00:13:12,665 --> 00:13:13,497
OKAY.
YEP.
265
00:13:13,499 --> 00:13:15,065
THERE YOU GO.
266
00:13:15,067 --> 00:13:16,800
IT'S A CHALLENGING PROCESS,
267
00:13:16,802 --> 00:13:20,804
NAVIGATING AROUND TREES,
ROOTS, AND MODERN POWERLINES.
268
00:13:20,806 --> 00:13:24,741
I'M HOPING THESE ARE WIRED
THROUGH THE WALL, MAYBE.
269
00:13:24,743 --> 00:13:27,978
IT'S SOON CLEAR THAT THERE'S
SOMETHING ODD DOWN THERE.
270
00:13:27,980 --> 00:13:29,746
BUT WHAT?
271
00:13:29,748 --> 00:13:31,915
WHEN WE LOOK ON THE DATA
COMING THROUGH ON THE SCREEN...
272
00:13:31,917 --> 00:13:32,916
UH-HUH.
273
00:13:32,918 --> 00:13:33,817
...WE SEEM TO BE GETTING
QUITE A BIT
274
00:13:33,819 --> 00:13:35,018
OF PROMISING
LOOKING REFLECTIONS.
275
00:13:35,020 --> 00:13:36,053
GOOD.
276
00:13:39,825 --> 00:13:41,658
GORDON IS
MORE CONVINCED THAN EVER
277
00:13:41,660 --> 00:13:43,660
THAT THIS QUIET GARDEN
278
00:13:43,662 --> 00:13:46,229
IS WHERE DEFENDERS
ONCE RAINED DOWN FIRE
279
00:13:46,231 --> 00:13:48,865
ON THE ENEMY BELOW.
280
00:13:48,867 --> 00:13:50,467
FROM THIS ANGLE, YOU GET A SENSE
281
00:13:50,469 --> 00:13:54,004
OF WHAT MAY BE THE MOTTE
I'VE DESCRIBED EARLIER.
282
00:13:54,006 --> 00:13:56,306
IN THE DAYS BEFORE ARTILLERY,
283
00:13:56,308 --> 00:13:59,977
THIS IS AS GOOD
AS YOU WOULD GET.
284
00:13:59,979 --> 00:14:04,014
Narrator: SO IS THERE A CASTLE
HIDING BENEATH THE SURFACE?
285
00:14:04,016 --> 00:14:07,217
THE RADAR RESULTS
ARE INTRIGUING.
286
00:14:07,219 --> 00:14:08,452
¶¶
287
00:14:08,454 --> 00:14:10,120
AT FIRST, IT DOESN'T LOOK GOOD
288
00:14:10,122 --> 00:14:11,922
FOR A WOODEN BUILDING.
289
00:14:11,924 --> 00:14:17,361
THE YELLOW AREAS INDICATE STONE
JUST BENEATH THE SURFACE.
290
00:14:17,363 --> 00:14:18,895
AS WE GO A BIT DEEPER,
291
00:14:18,897 --> 00:14:20,163
YOU'VE, THEN GOT THIS
292
00:14:20,165 --> 00:14:22,632
VERY WELL-DEFINED
RECTANGULAR FEATURE
293
00:14:22,634 --> 00:14:25,736
ABOUT 4 METERS
OR 6 METERS.
294
00:14:25,738 --> 00:14:29,039
BUT SUSAN THINKS SHE CAN
PICK OUT A SERIES OF BLUE DOTS
295
00:14:29,041 --> 00:14:31,541
THAT INDICATE DISTURBED EARTH.
296
00:14:31,543 --> 00:14:34,578
COULD THEY BE SIGNS
OF AN OLDER WOODEN STRUCTURE?
297
00:14:36,582 --> 00:14:38,682
AS WE LOOK AT SORT OF
THE DIFFERENT DEPTHS...
298
00:14:38,684 --> 00:14:41,051
Ewart: MM-HMM.
299
00:14:41,053 --> 00:14:44,087
...THERE IS A CLEAR CHANGE
IN WHAT IS HAPPENING
300
00:14:44,089 --> 00:14:46,723
THIS SIDE
TO THAT SIDE.
301
00:14:46,725 --> 00:14:50,727
THEY COULD BE POSTHOLES
FOR A TIMBER BUILDING.
302
00:14:50,729 --> 00:14:52,729
YOU CAN SEE
A WHOLE CLUSTER HERE.
303
00:14:52,731 --> 00:14:55,399
YEAH, WELL, SUE,
LOOKING AT THESE RESULTS,
304
00:14:55,401 --> 00:14:57,934
THEY LOOK TO ME TO BE
PRETTY IMPRESSIVE.
305
00:15:02,775 --> 00:15:05,375
THE RESULTS SUGGEST
THAT THE ORIGINAL STIRLING
306
00:15:05,377 --> 00:15:09,546
LOOKED VERY DIFFERENT
FROM A TRADITIONAL CASTLE.
307
00:15:09,548 --> 00:15:12,382
GORDON THINKS THAT
A SMALL BUT COMPACT FORTRESS
308
00:15:12,384 --> 00:15:15,519
WAS SQUEEZED
ON TOP OF THE ROCK,
309
00:15:15,521 --> 00:15:18,321
EXPLOITING THE HEIGHT
OF THE NATURAL GEOLOGY
310
00:15:18,323 --> 00:15:20,524
TO DOMINATE THE LAND AROUND IT.
311
00:15:23,362 --> 00:15:26,163
GORDON IS CONVINCED
THAT THIS QUIET GARDEN
312
00:15:26,165 --> 00:15:28,999
IS THE OLDEST PART
OF THE CASTLE.
313
00:15:29,001 --> 00:15:31,701
THERE ARE DIFFICULTIES IN
OCCUPYING A SITE LIKE THIS,
314
00:15:31,703 --> 00:15:33,837
BUT THE DIVIDEND,
THE PAYBACK,
315
00:15:33,839 --> 00:15:36,006
IS CLEARLY ITS PROMINENCE
316
00:15:36,008 --> 00:15:37,207
IN BOTH PHYSICAL
317
00:15:37,209 --> 00:15:39,676
AND, PERHAPS, IN SYMBOLIC TERMS.
318
00:15:39,678 --> 00:15:41,011
IT STANDS OUT.
319
00:15:41,013 --> 00:15:43,013
STIRLING CASTLE MUST BE
REGARDED AS ONE
320
00:15:43,015 --> 00:15:44,981
OF THE MOST CELEBRATED CASTLES
321
00:15:44,983 --> 00:15:47,984
IN BRITAIN AND NORTHERN EUROPE.
322
00:15:47,986 --> 00:15:51,021
Narrator: STIRLING
WAS A MAGNIFICENT PRIZE,
323
00:15:51,023 --> 00:15:54,024
A SYMBOL OF POWER
FOR WHOEVER HELD IT.
324
00:15:54,026 --> 00:15:57,527
BUT HOW DID THIS SIMPLE FORTRESS
MADE OF WOOD AND STONE
325
00:15:57,529 --> 00:15:59,196
ENDURE NOT ONE,
326
00:15:59,198 --> 00:16:02,933
BUT THREE SIEGES IN 50 YEARS?
327
00:16:02,935 --> 00:16:05,302
WHY DID THIS CASTLE HOLD OUT
328
00:16:05,304 --> 00:16:07,370
WHEN SO MANY OTHERS CRUMBLED?
329
00:16:15,234 --> 00:16:17,300
¶¶
330
00:16:17,302 --> 00:16:20,303
Narrator:
AT STIRLING CASTLE IN SCOTLAND,
331
00:16:20,305 --> 00:16:23,507
ARCHAEOLOGISTS UNCOVER
THE UNIQUE MEDIEVAL FORTRESS
332
00:16:23,509 --> 00:16:25,642
THAT WILLIAM WALLACE KNEW.
333
00:16:29,348 --> 00:16:30,680
YEAH.
334
00:16:30,682 --> 00:16:33,350
THEY THINK THEY'VE FOUND
THE HEART OF IT.
335
00:16:33,352 --> 00:16:35,018
BUT WHERE WAS THE OUTER WALL
336
00:16:35,020 --> 00:16:38,722
THAT ALLOWED STIRLING
TO RESIST SIEGE AFTER SIEGE?
337
00:16:40,359 --> 00:16:42,425
ARCHAEOLOGIST ADRIAN COX THINKS
338
00:16:42,427 --> 00:16:45,162
THE LOCATION
OF THIS ORIGINAL CASTLE WALL
339
00:16:45,164 --> 00:16:47,531
WAS THE SECRET
TO STIRLING'S SURVIVAL.
340
00:16:49,268 --> 00:16:52,669
BUT NO ONE HAS EVER FOUND IT.
341
00:16:52,671 --> 00:16:55,238
Narrator: THE MAGNIFICENT
GATEHOUSE WE SEE TODAY
342
00:16:55,240 --> 00:16:57,107
WAS BUILT
HUNDREDS OF YEARS LATER,
343
00:16:57,109 --> 00:16:58,775
IN THE 1500s.
344
00:16:58,777 --> 00:17:00,944
LOOKING AT THE GATEHOUSE ITSELF,
345
00:17:00,946 --> 00:17:02,879
IT'S COMPOSED
OF A VERY FINELY JOINTED,
346
00:17:02,881 --> 00:17:04,714
VERY HIGH-QUALITY WORK,
347
00:17:04,716 --> 00:17:08,919
DEFINITELY AN ENTRANCE
WHICH WAS DESIGNED TO IMPRESS.
348
00:17:08,921 --> 00:17:10,987
Narrator: BUT ADRIAN THINKS
THERE'S SOMETHING ODD
349
00:17:10,989 --> 00:17:12,689
ABOUT THIS ENTRANCE.
350
00:17:17,629 --> 00:17:19,863
TODAY'S GATEHOUSE
IS MASSIVELY BUILT,
351
00:17:19,865 --> 00:17:22,799
DESIGNED TO SURVIVE
THE ONSLAUGHT
352
00:17:22,801 --> 00:17:24,835
OF THE MOST
DETERMINED ATTACKERS.
353
00:17:27,005 --> 00:17:28,572
ON THE OUTSIDE,
354
00:17:28,574 --> 00:17:31,775
IT STILL BEARS THE SCARS
OF FEROCIOUS BATTLES.
355
00:17:33,912 --> 00:17:36,646
BUT THE STONE BLOCKS
IN THE WALLS AROUND IT
356
00:17:36,648 --> 00:17:38,081
LOOK STRANGE.
357
00:17:39,818 --> 00:17:42,185
THE BLOCKS THAT MAKE UP
THE BOTTOM OF THE WALL
358
00:17:42,187 --> 00:17:44,788
ARE MADE FROM ROUGH RUBBLE...
359
00:17:44,790 --> 00:17:47,190
WHEREAS THE BLOCKS
THAT SIT ON TOP OF THEM
360
00:17:47,192 --> 00:17:49,359
ARE FINELY CUT.
361
00:17:49,361 --> 00:17:52,429
COULD THE ROUGH BASE
OF THIS OTHERWISE PERFECT WALL
362
00:17:52,431 --> 00:17:54,764
BE EVIDENCE
OF A MUCH OLDER STRUCTURE,
363
00:17:54,766 --> 00:17:57,801
A WALL DEFENDED
WITH SWORDS AND SPEARS?
364
00:18:03,876 --> 00:18:07,244
IT WOULD BE FASCINATING TO KNOW
WHETHER THIS LINE,
365
00:18:07,246 --> 00:18:09,579
THIS ENTRANCEWAY
WOULD'VE BEEN THE SITE
366
00:18:09,581 --> 00:18:12,282
WHERE WILLIAM WALLACE
WOULD'VE ENTERED THE CASTLE.
367
00:18:14,253 --> 00:18:16,753
Narrator:
IT'S AN INTRIGUING IDEA.
368
00:18:16,755 --> 00:18:20,857
BUT HOW CAN ADRIAN PROVE
THE EXISTENCE OF AN OLDER WALL
369
00:18:20,859 --> 00:18:23,393
WITHOUT TAKING
THE CURRENT ONE APART?
370
00:18:24,796 --> 00:18:29,299
THE SOLUTION COULD LIE
WITH INGENIOUS TECHNOLOGY.
371
00:18:29,301 --> 00:18:32,202
TODAY, ADRIAN'S COLLEAGUE,
JAMES HEPHER,
372
00:18:32,204 --> 00:18:35,939
LASER SCANS THE CASTLE
WITH MILLIMETER PRECISION.
373
00:18:35,941 --> 00:18:37,841
IT'S AN INCREDIBLE
PIECE OF TECHNOLOGY.
374
00:18:37,843 --> 00:18:40,543
THIS LASER SCANNER,
IT CAN FIRE UP
375
00:18:40,545 --> 00:18:44,214
TO A MILLION MEASUREMENTS
A SECOND.
376
00:18:44,216 --> 00:18:47,017
Narrator: JAMES' LASER SCANNER
CREATES VIRTUAL IMAGES
377
00:18:47,019 --> 00:18:48,318
CALLED "POINT CLOUDS,"
378
00:18:48,320 --> 00:18:51,721
MADE FROM MILLIONS
OF TINY LASER HITS.
379
00:18:51,723 --> 00:18:53,957
THEY ALLOW ARCHAEOLOGISTS
TO SLICE THROUGH
380
00:18:53,959 --> 00:18:57,794
ENTIRE BUILDINGS
IN A DIGITAL WORLD.
381
00:18:57,796 --> 00:19:00,430
SO WHAT YOU CAN SEE HERE IS,
382
00:19:00,432 --> 00:19:02,999
WE HAVE THE BUILDING ITSELF.
383
00:19:03,001 --> 00:19:04,968
WE CAN PAN RIGHT.
384
00:19:04,970 --> 00:19:06,169
WE CAN ZOOM IN,
385
00:19:06,171 --> 00:19:08,438
DEPENDING ON WHAT RESOLUTION
WE SCANNED AT.
386
00:19:08,440 --> 00:19:10,473
DEPENDING ON THE RESOLUTION
THAT YOU CHOOSE,
387
00:19:10,475 --> 00:19:16,313
A SCAN CAN TAKE BETWEEN
33 SECONDS AND 30 MINUTES.
388
00:19:18,317 --> 00:19:20,283
Narrator:
ARMED WITH THIS TECHNOLOGY,
389
00:19:20,285 --> 00:19:24,487
ADRIAN AND JAMES HEAD OVER
TO ONE OF THE CORNER TOWERS.
390
00:19:24,489 --> 00:19:26,756
THEY CAN'T GET INTO THE BASEMENT
OF THE GATEHOUSE.
391
00:19:26,758 --> 00:19:28,558
SO THEY WANT TO TRY
TO INVESTIGATE
392
00:19:28,560 --> 00:19:31,394
THE STRANGE RUBBLE LAYER
FROM INSIDE HERE.
393
00:19:31,396 --> 00:19:33,663
[ BEEPS ]
394
00:19:33,665 --> 00:19:35,899
WHILE JAMES SETS UP HIS SCANNER,
395
00:19:35,901 --> 00:19:40,103
ADRIAN HEADS EVEN DEEPER
INTO THE BUILDING.
396
00:19:40,105 --> 00:19:42,739
Cox: WE'RE IN THE BASEMENT
OF THE TOWER.
397
00:19:42,741 --> 00:19:45,408
THIS PART WOULD'VE BEEN USED
AS THE KITCHENS,
398
00:19:45,410 --> 00:19:48,745
THE LOWER KITCHENS
OF THE SELF-CONTAINED RESIDENTS.
399
00:19:48,747 --> 00:19:51,548
SO ABOVE THESE VAULTED CEILINGS
400
00:19:51,550 --> 00:19:53,683
WOULD'VE BEEN
THE LIVING ACCOMMODATION,
401
00:19:53,685 --> 00:19:55,185
WHICH WE THINK
WOULD'VE BEEN RESERVED
402
00:19:55,187 --> 00:19:57,821
FOR THE CONSTABLE
AND HIS FAMILY.
403
00:19:57,823 --> 00:19:59,389
SO VERY LARGE SPACES,
404
00:19:59,391 --> 00:20:01,124
VERY LARGE, LUXURIOUS SPACES.
405
00:20:01,126 --> 00:20:03,226
¶¶
406
00:20:03,228 --> 00:20:06,629
Narrator: NO ONE HAS EVER
SCANNED THESE CHAMBERS BEFORE.
407
00:20:06,631 --> 00:20:08,698
HERE,
IF WE PICK TWO POINTS...
408
00:20:08,700 --> 00:20:09,733
Cox: THAT'S AMAZING.
409
00:20:09,735 --> 00:20:12,802
LASER SCANNING ALLOWS ADRIAN
410
00:20:12,804 --> 00:20:15,005
TO LOOK AT A CROSS SECTION
OF THE TOWER.
411
00:20:17,743 --> 00:20:20,010
COULD THIS UNIQUE VIEW
REVEAL EVIDENCE
412
00:20:20,012 --> 00:20:22,045
OF THE ORIGINAL CASTLE WALL?
413
00:20:24,649 --> 00:20:28,752
GOSH, IT'S OVER 2 METERS THICK,
WHICH IS SURPRISING.
414
00:20:28,754 --> 00:20:30,620
IT'S CLEARLY
A MASSIVELY BUILD STRUCTURE.
415
00:20:30,622 --> 00:20:31,955
IT IS.
THAT'S AMAZING.
416
00:20:31,957 --> 00:20:35,125
THAT'S A LOT OF MASONRY
BETWEEN US AND ANY ARTILLERY
417
00:20:35,127 --> 00:20:37,660
THAT'S OUT THERE,
TRYING TO BESIEGE THE CASTLES.
418
00:20:37,662 --> 00:20:40,864
AT THE VERY BOTTOM OF THE WALL,
419
00:20:40,866 --> 00:20:44,367
ADRIAN THINKS HE CAN IDENTIFY
THE SHAPE OF A NOT-SO-PRETTY
420
00:20:44,369 --> 00:20:46,403
BUT EVEN THICKER STRUCTURE.
421
00:20:48,340 --> 00:20:49,439
JUST IN FRONT OF THE WALL,
422
00:20:49,441 --> 00:20:51,207
YOU CAN SEE
THERE'S A LITTLE STEP OUT.
423
00:20:51,209 --> 00:20:53,643
IT'S NOT VERY THICK,
BUT THE LASER SCANNER
424
00:20:53,645 --> 00:20:55,578
HAS PICKED IT UP
REALLY QUITE WELL.
425
00:20:55,580 --> 00:20:58,882
THERE IS A POSSIBILITY
THAT WE'RE PICKING UP
426
00:20:58,884 --> 00:21:02,052
SOMETHING LIKE
AN EARLIER DEFENSIVE LINE
427
00:21:02,054 --> 00:21:05,522
IN THAT LITTLE PROJECTION,
IF YOU LIKE,
428
00:21:05,524 --> 00:21:07,657
AT THE VERY FRONT
OF THE BUILDING.
429
00:21:07,659 --> 00:21:10,326
Narrator: BUT WHY DID THE SCOTS
BUILD THE NEWER WALL
430
00:21:10,328 --> 00:21:12,829
DIRECTLY ON TOP OF THE OLD ONE?
431
00:21:12,831 --> 00:21:15,999
ADRIAN THINKS THAT
BUILDING A WALL ANYWHERE ELSE
432
00:21:16,001 --> 00:21:17,867
WOULD HAVE WEAKENED THE CASTLE.
433
00:21:17,869 --> 00:21:19,636
Cox: CERTAINLY,
THERE IS THE POSSIBILITY
434
00:21:19,638 --> 00:21:21,905
THAT THE STRUCTURE
THAT WE'RE IN NOW WAS
435
00:21:21,907 --> 00:21:24,374
BUILT ON A VERY SOLID PART
OF THE BEDROCK,
436
00:21:24,376 --> 00:21:26,209
PERHAPS EVEN A LITTLE RISE
437
00:21:26,211 --> 00:21:28,078
OR A LITTLE RIDGE
IN THE BEDROCK.
438
00:21:31,783 --> 00:21:35,185
Narrator: ARCHAEOLOGISTS THINK
STIRLING'S INNER DEFENSES
439
00:21:35,187 --> 00:21:37,687
COULD SIT ON A HIDDEN CLIFF,
440
00:21:37,689 --> 00:21:41,858
THE STRONGEST PLACE
TO BUILD A WALL.
441
00:21:41,860 --> 00:21:43,660
STIRLING'S RULERS TRANSFORMED
442
00:21:43,662 --> 00:21:46,729
AN INHOSPITABLE RIDGE
OF VOLCANIC ROCK
443
00:21:46,731 --> 00:21:49,566
INTO THE PERFECT WAR MACHINE,
444
00:21:49,568 --> 00:21:53,703
AN IRRESISTIBLE PRIZE
FOR ANY INVADING ARMY.
445
00:21:53,705 --> 00:21:56,473
THESE WALLS HAD TO BE THICK
TO PROTECT IT
446
00:21:56,475 --> 00:21:59,209
FROM THE MOST FEARSOME WEAPONS
OF THE AGE,
447
00:21:59,211 --> 00:22:02,912
MASSIVE CATAPULTS,
KNOWN AS TREBUCHETS.
448
00:22:05,250 --> 00:22:07,417
NO ONE COULD CLAIM
TO RULE SCOTLAND
449
00:22:07,419 --> 00:22:10,453
WITHOUT HOLDING
THIS TERRIFYING CITADEL.
450
00:22:10,455 --> 00:22:13,656
STIRLING WAS KEY
TO POWER IN SCOTLAND.
451
00:22:16,761 --> 00:22:21,264
BUT DID THIS REMARKABLE LAND
GIVE RISE TO A MUCH OLDER HERO,
452
00:22:21,266 --> 00:22:23,500
WHO PERHAPS INSPIRED
THE RESISTANCE
453
00:22:23,502 --> 00:22:26,202
OF WILLIAM WALLACE
IN THIS VERY SPOT?
454
00:22:28,240 --> 00:22:30,240
LOCAL LEGEND CLAIMS
THAT STIRLING
455
00:22:30,242 --> 00:22:33,143
HAS FAR MORE ANCIENT ORIGINS
456
00:22:33,145 --> 00:22:36,279
THAT STRETCH BACK
TO THE GREATEST HERO OF ALL,
457
00:22:36,281 --> 00:22:37,680
KING ARTHUR.
458
00:22:46,330 --> 00:22:47,963
¶¶
459
00:22:47,965 --> 00:22:50,866
Narrator:
AT STIRLING CASTLE IN SCOTLAND,
460
00:22:50,868 --> 00:22:54,403
AN MYSTERIOUS STRUCTURE EMERGES
FROM THE VALLEY BELOW.
461
00:22:55,806 --> 00:22:59,108
IT'S CALLED THE KING'S KNOT.
462
00:22:59,110 --> 00:23:00,109
LEGEND SAYS THAT
463
00:23:00,111 --> 00:23:02,011
ONE OF HISTORY'S
GREATEST TREASURES
464
00:23:02,013 --> 00:23:05,180
ONCE STOOD RIGHT HERE --
465
00:23:05,182 --> 00:23:09,852
THE ROUND TABLE
OF KING ARTHUR AND HIS KNIGHTS.
466
00:23:09,854 --> 00:23:12,154
IS IT POSSIBLE THAT STIRLING
WAS FOUNDED
467
00:23:12,156 --> 00:23:14,390
HUNDREDS OF YEARS EARLIER,
468
00:23:14,392 --> 00:23:16,592
AT THE DAWN OF THE MIDDLE AGES?
469
00:23:20,698 --> 00:23:23,566
UNDER THE GRASS AND SOIL
OF THE KING'S KNOT,
470
00:23:23,568 --> 00:23:28,270
INVESTIGATIONS HAVE DETECTED
A SERIES OF MYSTERIOUS DITCHES.
471
00:23:31,876 --> 00:23:34,877
THEY COULD BELONG
TO AN ANCIENT RITUAL SITE
472
00:23:34,879 --> 00:23:38,881
THAT USE TO HAVE A RING OF
STANDING STONES AT ITS CENTER.
473
00:23:42,219 --> 00:23:44,753
BUT THE KNOT ALSO STANDS
NEXT DOOR
474
00:23:44,755 --> 00:23:47,289
TO WHAT WAS ONCE
A JOUSTING GROUND.
475
00:23:52,363 --> 00:23:55,364
ARTHUR AND HIS KNIGHTS
WERE CONNECTED WITH JOUSTING.
476
00:23:55,366 --> 00:23:56,899
SO IS THIS A COINCIDENCE
477
00:23:56,901 --> 00:24:00,669
OR A CLUE TO THE ORIGINS
OF THE ROUND TABLE STORY?
478
00:24:06,877 --> 00:24:08,410
HI, ROB.
HOW ARE YOU GETTING ON?
479
00:24:08,412 --> 00:24:11,981
HI. PRETTY WELL.
480
00:24:11,983 --> 00:24:14,116
MURRAY COOK IS
STIRLING COUNCIL'S
481
00:24:14,118 --> 00:24:16,418
CHIEF ARCHAEOLOGIST.
482
00:24:16,420 --> 00:24:19,588
HIS TEAM TRIES TO UNRAVEL
THIS TANGLED LANDSCAPE
483
00:24:19,590 --> 00:24:22,791
AND THE SECRETS
HIDDEN UNDERGROUND.
484
00:24:22,793 --> 00:24:24,493
TODAY, MURRAY INVESTIGATES
485
00:24:24,495 --> 00:24:26,362
THE MODERN FOOTPATH
THAT SEPARATES
486
00:24:26,364 --> 00:24:28,197
THE KING'S KNOT FROM THE CASTLE.
487
00:24:28,199 --> 00:24:29,798
UNDERNEATH,
488
00:24:29,800 --> 00:24:31,467
HE'S DISCOVERED,
WHAT APPEARS TO BE,
489
00:24:31,469 --> 00:24:34,603
A MUCH OLDER ROAD
CONNECTING THE TWO SITES.
490
00:24:34,605 --> 00:24:38,007
SO, WE HAVE THERE,
THE ROAD HERE RUNNING ALONG
491
00:24:38,009 --> 00:24:40,876
AND THEN ACTUALLY TURNING
AND GOING UP THE SLOPE.
492
00:24:40,878 --> 00:24:43,445
I EXPOSED IT ALL,
GOT A TURN IN THE ROAD,
493
00:24:43,447 --> 00:24:45,848
LOOKS LIKE IT'S SWINGING
UP THE HILL THERE.
494
00:24:45,850 --> 00:24:48,951
WOW, THAT'S VERY GOOD.
495
00:24:48,953 --> 00:24:51,320
SO, HOW OLD IS THIS TRACK?
496
00:24:51,322 --> 00:24:54,256
COULD IT BE MEDIEVAL
OR EVEN ARTHURIAN?
497
00:24:54,258 --> 00:24:57,192
IT'S HARD TO TELL BECAUSE
SO LITTLE OF IT REMAINS.
498
00:24:59,363 --> 00:25:01,730
MURRAY TAKES A CLOSER LOOK.
499
00:25:01,732 --> 00:25:05,534
Cook: THIS STONE HERE
AND THESE SURFACES BEHIND ME
500
00:25:05,536 --> 00:25:07,069
ARE VERY, VERY SMOOTH.
501
00:25:07,071 --> 00:25:09,705
IT'S SMOOTH BECAUSE
OF THE PASSAGE OF FEET,
502
00:25:09,707 --> 00:25:11,173
BECAUSE OF THE PASSAGE
OF HOOVES,
503
00:25:11,175 --> 00:25:12,941
BECAUSE OF THE PASSAGE
OF TRAFFIC
504
00:25:12,943 --> 00:25:14,910
OVER HUNDREDS OF YEARS.
505
00:25:14,912 --> 00:25:16,679
Narrator: CENTURIES
OF WIND AND RAIN
506
00:25:16,681 --> 00:25:18,614
HAVE LEFT THEIR MARK.
507
00:25:18,616 --> 00:25:21,417
BUT MURRAY THINKS THIS PATH
MATCHES THE DESCRIPTION
508
00:25:21,419 --> 00:25:23,652
OF A 16th-CENTURY ROAD
509
00:25:23,654 --> 00:25:26,689
THAT ONCE LINKED THE CASTLE
TO A JOUSTING GROUND.
510
00:25:28,025 --> 00:25:33,629
1531, A ROAD IS CONSTRUCTED
BY ORDER OF THE CROWN.
511
00:25:33,631 --> 00:25:36,598
IT'S TO FACILITATE JOUSTING.
512
00:25:36,600 --> 00:25:39,568
Narrator: ALTHOUGH JOUSTING IS
ASSOCIATED WITH ARTHUR,
513
00:25:39,570 --> 00:25:44,273
MURRAY IS CONVINCED
POPULAR HISTORY HAS IT WRONG.
514
00:25:44,275 --> 00:25:47,476
ARTHUR WOULD'VE BEEN BORN
TOO EARLY TO JOUST.
515
00:25:49,246 --> 00:25:51,980
Cook: THIS IS THE CLASSIC
EUROPEAN MEDIEVAL JOUSTING.
516
00:25:51,982 --> 00:25:53,649
YOU'VE GOT PEOPLE
IN SHINING ARMOR.
517
00:25:53,651 --> 00:25:55,851
THERE'D BE FIGHTS.
THERE'D BE RIVALRY.
518
00:25:55,853 --> 00:25:58,187
ALL OF WHICH
GETS EXPRESSED ON THE FIELD.
519
00:25:58,189 --> 00:26:00,322
WHO WILL WIN?
WHO WILL LOSE?
520
00:26:00,324 --> 00:26:01,824
BLOOD IS SHED.
521
00:26:01,826 --> 00:26:03,759
YOU KNOW, FAIR MAIDENS SWOONING,
522
00:26:03,761 --> 00:26:07,262
ALL THAT SORT OF ROMANTIC STUFF
HAPPENED HERE.
523
00:26:07,264 --> 00:26:09,031
¶¶
524
00:26:09,033 --> 00:26:12,568
Narrator: MURRAY ALSO SUSPECTS
THE KING'S KNOT IS JUST A GARDEN
525
00:26:12,570 --> 00:26:15,971
FROM AROUND THE SAME TIME.
526
00:26:15,973 --> 00:26:17,873
BUT THE JOUSTING
THAT WENT ON NEXT TO IT
527
00:26:17,875 --> 00:26:20,075
MIGHT EXPLAIN
THE ARTHUR STORIES.
528
00:26:23,180 --> 00:26:25,247
THE KING WHO BUILT
THE JOUSTING GROUND
529
00:26:25,249 --> 00:26:27,149
WAS CALLED JAMES IV,
530
00:26:27,151 --> 00:26:30,586
ONE OF SCOTLAND'S
GREATEST RULERS.
531
00:26:30,588 --> 00:26:34,456
JAMES ADORED TOURNAMENTS
AND THE TALES OF KING ARTHUR.
532
00:26:35,993 --> 00:26:40,395
JAMES IV,
HE REORGANIZES THIS LANDSCAPE.
533
00:26:40,397 --> 00:26:44,566
HE SETS UP THE MAJESTY,
THE PAGEANTRY OF STIRLING,
534
00:26:44,568 --> 00:26:46,869
THE PAGEANTRY
OF THE JOUSTING GROUND.
535
00:26:46,871 --> 00:26:48,771
BUT IT'S HIS SON WHO DEVELOPS
536
00:26:48,773 --> 00:26:50,973
THE VERY, VERY ELABORATE
TOURNAMENTS.
537
00:26:50,975 --> 00:26:53,709
HE DEVELOPS
THIS KING ARTHUR THEME.
538
00:26:53,711 --> 00:26:54,943
¶¶
539
00:26:54,945 --> 00:26:58,881
MURRAY THINKS THAT
THIS IS A ROYAL PLAYGROUND.
540
00:26:58,883 --> 00:27:01,583
SCOTTISH KINGS HELD
ARTHURIAN-THEMED TOURNAMENTS
541
00:27:01,585 --> 00:27:05,754
RIGHT HERE,
CALLED ROUND TABLES.
542
00:27:05,756 --> 00:27:08,624
BEHIND ME IS THE KING'S KNOT.
543
00:27:08,626 --> 00:27:11,760
IT'S ACTUALLY BUILT
ON A MUCH OLDER ROYAL GARDEN,
544
00:27:11,762 --> 00:27:14,363
AND THIS IS THE GARDEN
THAT APPEARS TO BE LINKED
545
00:27:14,365 --> 00:27:16,532
TO THE ROUND TABLE,
TO KING ARTHUR.
546
00:27:16,534 --> 00:27:19,034
SO WHAT WE HAVE
IS A VERY ELABORATE
547
00:27:19,036 --> 00:27:20,903
THEATRICAL LANDSCAPE.
548
00:27:22,940 --> 00:27:24,506
Narrator: WHY WERE
THE SCOTTISH KINGS
549
00:27:24,508 --> 00:27:26,708
SO INTERESTED IN ARTHUR?
550
00:27:26,710 --> 00:27:28,977
THE ORIGINAL STORIES
OF HIM AT STIRLING
551
00:27:28,979 --> 00:27:32,447
GO BACK WELL BEFORE THE 1500s.
552
00:27:32,449 --> 00:27:34,316
SOME EVEN CLAIM THAT STIRLING
553
00:27:34,318 --> 00:27:38,754
WAS ONCE AN ARTHURIAN CASTLE
CALLED "SNOWDEN."
554
00:27:38,756 --> 00:27:43,225
DO MORE SECRETS LIE
INSIDE THIS MYSTERIOUS FORTRESS?
555
00:27:51,640 --> 00:27:53,907
¶¶
556
00:27:53,909 --> 00:27:55,709
Narrator:
STIRLING CASTLE IN SCOTLAND
557
00:27:55,711 --> 00:27:57,911
IS HOME TO ONE
OF THE GRANDEST PALACES
558
00:27:57,913 --> 00:28:00,814
IN THE BRITISH ISLES.
559
00:28:00,816 --> 00:28:04,885
BUT LEGEND SAYS KING ARTHUR
HAD AN EVEN GREATER CASTLE HERE,
560
00:28:04,887 --> 00:28:07,054
CALLED "SNOWDEN."
561
00:28:07,056 --> 00:28:08,789
MOST OF WHAT WE SEE TODAY
562
00:28:08,791 --> 00:28:11,658
WAS BUILT BY TWO
OF SCOTLAND'S GREATEST KINGS,
563
00:28:11,660 --> 00:28:16,296
JAMES IV AND HIS SON,
WHO LOVED THE TALES OF ARTHUR.
564
00:28:16,298 --> 00:28:21,335
WHY WAS IT SO IMPORTANT FOR THEM
TO HARK BACK TO A BYGONE AGE?
565
00:28:22,571 --> 00:28:28,242
¶¶
566
00:28:28,244 --> 00:28:31,311
NICKI SCOTT BELIEVES
THAT HEROES LIKE ARTHUR
567
00:28:31,313 --> 00:28:34,848
WERE USED AS A POLITICAL WEAPON
IN THE ROYAL ARSENAL.
568
00:28:36,419 --> 00:28:39,753
SHE LOOKS FOR CLUES
IN STIRLING'S ARCHITECTURE.
569
00:28:39,755 --> 00:28:42,256
Scott: GRANDEUR IS...
HUGELY IMPORTANT.
570
00:28:42,258 --> 00:28:44,825
THIS IS HOW KINGS AND QUEENS
571
00:28:44,827 --> 00:28:46,493
IN MEDIEVAL
AND RENAISSANCE EUROPE
572
00:28:46,495 --> 00:28:47,561
SHOW OFF.
573
00:28:47,563 --> 00:28:49,229
THIS IS HOW THEY SHOW
WHO THEY ARE.
574
00:28:49,231 --> 00:28:51,965
THIS IS HOW THEY SAY,
"I'M HERE. I'M POWERFUL.
575
00:28:51,967 --> 00:28:54,034
I'M IN CONTROL OF MY KINGDOM."
576
00:28:54,036 --> 00:28:56,236
YOU KNOW,
"YOU BETTER NOT MESS WITH ME."
577
00:29:01,710 --> 00:29:03,944
Narrator: SO,
WAS THE ROYAL PALACE DESIGNED
578
00:29:03,946 --> 00:29:05,913
TO HAVE A HIDDEN MEANING?
579
00:29:05,915 --> 00:29:09,149
THE ANSWER COULD BE LOCKED
INSIDE ITS STONEWORK.
580
00:29:11,287 --> 00:29:14,755
HIGH ABOVE THE COURTYARD
LOOMS STRANGE STATUES,
581
00:29:14,757 --> 00:29:18,625
CENTURIES OF WIND AND RAIN
HAVE WORN AWAY THEIR FEATURES.
582
00:29:20,229 --> 00:29:23,697
BUT INVESTIGATORS THINK THEY
MIGHT REPRESENT MYTHICAL HEROES
583
00:29:23,699 --> 00:29:26,900
SURROUNDING KING JAMES V
HIMSELF.
584
00:29:29,939 --> 00:29:32,372
WERE THESE JUST
LEGENDARY BEASTS,
585
00:29:32,374 --> 00:29:36,376
LIKE THE LAUGHING DEVIL
THAT GREETS VISITORS?
586
00:29:36,378 --> 00:29:37,978
OR WERE THEY MEANT TO HERALD
587
00:29:37,980 --> 00:29:41,048
THE DAWN OF A NEW GOLDEN AGE
IN SCOTLAND?
588
00:29:43,986 --> 00:29:45,452
¶¶
589
00:29:45,454 --> 00:29:50,824
NICKI BELIEVES A CLUE COULD LIE
INSIDE JAMES' PALACE.
590
00:29:50,826 --> 00:29:54,428
THESE ARE THE MAGNIFICENT
STIRLING HEADS.
591
00:29:54,430 --> 00:29:57,397
NICKI THINKS
THE KING USED ICONS LIKE THESE
592
00:29:57,399 --> 00:30:01,869
AS A STATEMENT
OF HIS RIGHT TO RULE.
593
00:30:01,871 --> 00:30:04,438
JAMES CARVED IMAGES OF HIMSELF
594
00:30:04,440 --> 00:30:07,241
SURROUNDED
BY HISTORY'S GREATEST RULERS,
595
00:30:07,243 --> 00:30:09,543
SUCH AS JULIUS CAESAR.
596
00:30:09,545 --> 00:30:11,745
THE STIRLING HEADS ARE
REALLY ONE OF THE GLORIES
597
00:30:11,747 --> 00:30:13,847
OF STIRLING CASTLE.
598
00:30:13,849 --> 00:30:16,216
THIS IS THE PEOPLE
THAT JAMES V IS SAYING,
599
00:30:16,218 --> 00:30:19,153
"I'M CONNECTED TO THESE PEOPLE.
I AM LIKE THESE PEOPLE."
600
00:30:21,457 --> 00:30:23,457
Narrator: KING JAMES
REALLY DID BELIEVE
601
00:30:23,459 --> 00:30:25,926
THAT HE HAD FAMOUS ANCESTORS
602
00:30:25,928 --> 00:30:30,397
AND THAT HIS PALACE ALSO BEGAN
IN THE MISTS OF TIME.
603
00:30:30,399 --> 00:30:34,868
HE BOASTED THAT STIRLING CASTLE
WAS ONCE CALLED SNOWDEN,
604
00:30:34,870 --> 00:30:37,738
A FAMOUS ARTHURIAN FORTRESS.
605
00:30:37,740 --> 00:30:40,073
THE SCOTTISH KING SHOWED
A GREAT DEAL OF INTEREST
606
00:30:40,075 --> 00:30:41,675
IN ARTHURIAN LEGENDS.
607
00:30:41,677 --> 00:30:43,010
STIRLING, PARTICULARLY,
608
00:30:43,012 --> 00:30:45,579
THEY TRIED
TO CONNECT WITH ARTHUR.
609
00:30:45,581 --> 00:30:48,849
THEY PROMOTED THE IDEA
OF STIRLING BEING SNOWDEN,
610
00:30:48,851 --> 00:30:52,986
THIS SORT OF FICTITIOUS PLACE
FROM ARTHURIAN LEGEND.
611
00:30:52,988 --> 00:30:54,454
Narrator: IN MEDIEVAL SCOTLAND,
612
00:30:54,456 --> 00:30:58,458
MANY PEOPLE BELIEVED THAT
STIRLING REALLY WAS SNOWDEN,
613
00:30:58,460 --> 00:31:01,595
A MYTHICAL FORTRESS
ASSOCIATED WITH ARTHUR.
614
00:31:01,597 --> 00:31:04,498
BUT WHERE DID THIS
INCREDIBLE STORY BEGIN?
615
00:31:08,871 --> 00:31:11,605
THE TRAIL LEADS
HUNDREDS OF MILES AWAY,
616
00:31:11,607 --> 00:31:14,775
TO PARIS IN FRANCE,
617
00:31:14,777 --> 00:31:16,677
WHERE HISTORIAN KATIE STEVENSON
618
00:31:16,679 --> 00:31:21,114
INVESTIGATES THE ORIGINS
OF THE SNOWDEN MYTH.
619
00:31:21,116 --> 00:31:25,285
KATIE'S ON HER WAY
TO NATIONAL LIBRARY OF FRANCE.
620
00:31:25,287 --> 00:31:28,455
INSIDE
IS A MYSTERIOUS MANUSCRIPT,
621
00:31:28,457 --> 00:31:32,492
THE FIRST TO IDENTIFY STIRLING
AS KING ARTHUR'S SNOWDEN.
622
00:31:39,868 --> 00:31:41,735
INTO THE...
623
00:31:41,737 --> 00:31:43,670
YEAH.
624
00:31:43,672 --> 00:31:45,405
AND THE LEGEND.
625
00:31:45,407 --> 00:31:48,141
THIS 600-YEAR-OLD POEM
626
00:31:48,143 --> 00:31:51,612
IS THE STORY OF A TOURNAMENT
AT STIRLING CASTLE.
627
00:31:51,614 --> 00:31:53,413
IT WAS WRITTEN
BY A FRENCH CHRONICLER
628
00:31:53,415 --> 00:31:54,982
NAMED FROISSART,
629
00:31:54,984 --> 00:31:56,250
WHO HAD VISITED SCOTLAND
630
00:31:56,252 --> 00:31:59,686
AND BROUGHT HOME TALES
OF WHAT HE HAD SEEN.
631
00:31:59,688 --> 00:32:03,257
THAT COULD BE THERE
TO EVOKE STIRLING.
632
00:32:03,259 --> 00:32:05,325
SO THIS IS NOT WHAT
STIRLING CASTLE LOOKS LIKE...
633
00:32:05,327 --> 00:32:07,561
YES.
...BUT IT IS EVOCATIVE
634
00:32:07,563 --> 00:32:10,797
OF WHAT SOMEONE BEING
TOLD STIRLING WOULD LOOK LIKE.
635
00:32:10,799 --> 00:32:12,666
IT'S A CASTLE
ON TOP OF A ROCK.
636
00:32:12,668 --> 00:32:16,336
THAT CERTAINLY WOULD TEND
TO SUGGEST THIS IS MEANT
637
00:32:16,338 --> 00:32:20,207
TO REPRESENT
SNOWDEN OR STIRLING.
638
00:32:20,209 --> 00:32:21,675
KATIE THINKS THIS POEM
639
00:32:21,677 --> 00:32:25,012
IS A CRUCIAL PIECE
IN THE ARTHURIAN PUZZLE.
640
00:32:25,014 --> 00:32:28,749
THE STORY ITSELF IS A WORK
OF ROMANTIC FICTION,
641
00:32:28,751 --> 00:32:31,718
BUT THE AUTHOR WROTE IT
JUST AFTER SCOTLAND'S WARS
642
00:32:31,720 --> 00:32:33,687
OF INDEPENDENCE.
643
00:32:33,689 --> 00:32:35,222
AND HE GOT HIS INFORMATION
644
00:32:35,224 --> 00:32:38,625
FROM NONE OTHER
THAN THE SCOTTISH KING HIMSELF.
645
00:32:38,627 --> 00:32:40,494
HE CAME TO THE SCOTTISH COURT.
646
00:32:40,496 --> 00:32:43,363
HE SPENT A COUPLE OF WEEKS
AT STIRLING CASTLE.
647
00:32:43,365 --> 00:32:46,566
AND HE HAD BEEN INSPIRED
DURING THIS PERIOD,
648
00:32:46,568 --> 00:32:49,436
HAVING BEEN TOLD
THAT STIRLING WAS SNOWDEN
649
00:32:49,438 --> 00:32:55,375
AND WHERE ARTHUR'S KNIGHTS
OF THE ROUND TABLE JOUSTED.
650
00:32:55,377 --> 00:32:58,011
Narrator: IT APPEARS THAT
THE SCOTTISH KINGS THEMSELVES
651
00:32:58,013 --> 00:33:00,147
WERE EAGER
TO SPREAD THE LEGEND OF SNOWDEN
652
00:33:00,149 --> 00:33:02,582
TO FOREIGN GUESTS
653
00:33:02,584 --> 00:33:06,153
AND PERHAPS, IN DOING SO,
BOOST SCOTLAND'S CLAIMS
654
00:33:06,155 --> 00:33:09,356
TO SELF-RULE
IN THE EYES OF THE WIDER WORLD.
655
00:33:09,358 --> 00:33:12,993
Stevenson: ARTHUR REPRESENTS
A UNIFIED BRITAIN.
656
00:33:12,995 --> 00:33:16,997
ARTHUR CAN BE USED TO SAY
THAT THE KINGS OF SCOTLAND
657
00:33:16,999 --> 00:33:18,365
OR THE KINGS OF SCOTS
658
00:33:18,367 --> 00:33:21,234
COULD HAVE CLAIM
OVER THE THRONE OF ENGLAND.
659
00:33:23,305 --> 00:33:26,206
Narrator: IT'S AN EXTRAORDINARY
POSSIBILITY.
660
00:33:26,208 --> 00:33:28,475
WERE SCOTLAND'S KINGS
RESPONSIBLE
661
00:33:28,477 --> 00:33:33,013
FOR STIRLING'S
ARTHURIAN STORIES?
662
00:33:33,015 --> 00:33:34,881
THEY CERTAINLY USED ARTHUR
663
00:33:34,883 --> 00:33:37,250
TO CONTINUE THE STRUGGLE
FOR INDEPENDENCE
664
00:33:37,252 --> 00:33:39,286
THAT BEGAN WITH WILLIAM WALLACE.
665
00:33:41,490 --> 00:33:44,091
BUT WAS THERE A REAL ARTHUR,
666
00:33:44,093 --> 00:33:46,593
A MAN BEHIND THE MYTH?
667
00:33:46,595 --> 00:33:49,863
SOME INVESTIGATORS THINK
THAT IF HE DID EXIST,
668
00:33:49,865 --> 00:33:52,399
THIS WAS THE LAND
HE WOULD'VE KNOWN.
669
00:34:00,680 --> 00:34:02,747
¶¶
670
00:34:02,749 --> 00:34:06,818
Narrator: STIRLING CASTLE IS
A SYMBOL OF SCOTLAND'S FREEDOM,
671
00:34:06,820 --> 00:34:08,653
A CASTLE SO POWERFUL
672
00:34:08,655 --> 00:34:10,455
THAT SCOTTISH KINGS INVENTED
673
00:34:10,457 --> 00:34:13,925
A LEGENDARY PAST FOR IT.
674
00:34:13,927 --> 00:34:16,761
BUT COULD THE STORIES
OF KING ARTHUR AT STIRLING
675
00:34:16,763 --> 00:34:19,897
SOMEHOW BE TRUE?
676
00:34:19,899 --> 00:34:23,067
THE RIVER BELOW THE CASTLE
HAS BEEN A NATURAL FRONTIER
677
00:34:23,069 --> 00:34:25,036
SINCE PREHISTORIC TIMES,
678
00:34:25,038 --> 00:34:27,739
AND ON THE OPPOSITE HILL
STANDS A CLUE.
679
00:34:31,611 --> 00:34:35,480
THIS IMPOSING TOWER
IS CALLED THE WALLACE MONUMENT.
680
00:34:37,651 --> 00:34:39,284
BUILT IN MODERN TIMES,
681
00:34:39,286 --> 00:34:41,185
IT COMMEMORATES
WHERE WILLIAM WALLACE
682
00:34:41,187 --> 00:34:44,389
MADE HIS HEADQUARTERS
DURING THE BATTLE FOR STIRLING.
683
00:34:45,892 --> 00:34:49,093
BUT BENEATH IT
LIES SOMETHING FAR OLDER...
684
00:34:51,197 --> 00:34:53,364
...A RING OF STONE WALLS
685
00:34:53,366 --> 00:34:56,834
BUILT BY AN ANCIENT
BRITISH TRIBE.
686
00:34:56,836 --> 00:35:00,538
THESE ARE THE RAMPARTS
OF A HILL FORT,
687
00:35:00,540 --> 00:35:02,740
A 260-FOOT BANK,
688
00:35:02,742 --> 00:35:06,244
10 FEET WIDE,
MADE OF MASSIVE STONES.
689
00:35:07,314 --> 00:35:10,748
COULD THIS BE A REAL-LIFE
ARTHURIAN CASTLE?
690
00:35:14,888 --> 00:35:16,921
ARCHAEOLOGIST MURRAY COOK TRIES
691
00:35:16,923 --> 00:35:19,857
TO PIECE TOGETHER THE EVIDENCE.
692
00:35:19,859 --> 00:35:21,859
MURRAY'S INVESTIGATIONS SUGGEST
693
00:35:21,861 --> 00:35:24,562
THAT THESE EARTH-COVERED
STONE RAMPARTS
694
00:35:24,564 --> 00:35:27,965
ARE AT LEAST 1,300 YEARS OLD.
695
00:35:27,967 --> 00:35:31,436
THIS IS AN EARLY
MEDIEVAL CITADEL.
696
00:35:31,438 --> 00:35:34,605
THIS IS A PLACE
WHERE AN EARLY MEDIEVAL LORD
697
00:35:34,607 --> 00:35:36,374
WOULD IMPRESS PEOPLE,
698
00:35:36,376 --> 00:35:37,642
WOULD HOST PEOPLE,
699
00:35:37,644 --> 00:35:40,945
WOULD GO OUT ON
HUNTING EXPEDITIONS,
700
00:35:40,947 --> 00:35:43,314
WOULD GO OUT ON WARFARE.
701
00:35:43,316 --> 00:35:46,851
THE EVES OF THE HALL
WOULD RING WITH SONG.
702
00:35:51,991 --> 00:35:54,492
FAR FROM BEING CAMELOT,
703
00:35:54,494 --> 00:35:57,328
MURRAY BELIEVES THAT THE FORTS
OF THE ARTHURIAN AGE
704
00:35:57,330 --> 00:36:00,631
WERE SETTLEMENTS SURROUNDED
BY STONE CIRCLES.
705
00:36:03,269 --> 00:36:05,470
TO MAKE THE WALLS STRONG,
706
00:36:05,472 --> 00:36:07,972
THEY LAYERED EARTH AND STONE
707
00:36:07,974 --> 00:36:10,508
AND REINFORCED THEM
WITH TIMBER BEAMS.
708
00:36:14,581 --> 00:36:17,315
THIS STONE, WE GOT FROM
AN EXCAVATION DOWN SLOPE,
709
00:36:17,317 --> 00:36:19,317
BUT IT COMES
FROM THIS RAMPART.
710
00:36:19,319 --> 00:36:22,220
THIS IS A RAMPART DESTROYED
BY FIRE
711
00:36:22,222 --> 00:36:24,455
IN THE 6th AND 7th
CENTURIES A.D.
712
00:36:24,457 --> 00:36:27,525
THIS STONE IS FROM THE COLLAPSE
713
00:36:27,527 --> 00:36:30,495
AND THE DESTRUCTION
OF THIS RAMPART.
714
00:36:30,497 --> 00:36:32,964
Narrator: THE FORT DATES
TO A TIME LONG BEFORE
715
00:36:32,966 --> 00:36:35,166
SCOTLAND EVEN EXISTED,
716
00:36:35,168 --> 00:36:38,202
WHEN STIRLING WAS PART
OF ANCIENT BRITAIN.
717
00:36:38,204 --> 00:36:40,638
IN THE VIOLENT CHAOS
OF THE 6th CENTURY,
718
00:36:40,640 --> 00:36:42,874
ONE MAN IS SAID
TO HAVE STOOD OUT
719
00:36:42,876 --> 00:36:44,876
AS A BEACON OF HOPE --
720
00:36:44,878 --> 00:36:46,344
ARTHUR.
721
00:36:46,346 --> 00:36:51,816
WHOEVER KING ARTHUR IS,
HE IS A WAR LEADER
722
00:36:51,818 --> 00:36:56,788
WHO IS VERY SUCCESSFUL
AT THE END OF THE 5th CENTURY.
723
00:36:56,790 --> 00:36:58,923
CERTAINLY, IF ARTHUR EXISTS,
724
00:36:58,925 --> 00:37:00,525
THIS IS THE SORT OF LOCATION,
725
00:37:00,527 --> 00:37:03,928
THIS IS THE SORT OF PLACE
THAT HE WOULD BE FAMILIAR WITH.
726
00:37:03,930 --> 00:37:06,464
Narrator: MURRAY THINKS
THE ANCIENT STONE REVEALS
727
00:37:06,466 --> 00:37:09,066
A SOCIETY FIGHTING FOR SURVIVAL.
728
00:37:09,068 --> 00:37:12,904
I THINK THIS IS WHAT
WE CALL VITRIFIED STONE.
729
00:37:12,906 --> 00:37:15,506
SEE, HERE I THINK
WE HAVE THREE STONES.
730
00:37:15,508 --> 00:37:17,809
WE HAVE ONE STONE HERE,
ONE STONE HERE,
731
00:37:17,811 --> 00:37:19,444
AND THEN THIS IN THE MIDDLE
732
00:37:19,446 --> 00:37:23,080
THAT SEEMS TO HAVE MELTED
AND FUSED THESE TWO TOGETHER.
733
00:37:27,687 --> 00:37:31,155
Narrator: MURRAY THINKS THAT
WHEN INVADERS ATTACKED THE FORT,
734
00:37:31,157 --> 00:37:34,192
THEY SET FIRE
TO THE REINFORCED DEFENSES.
735
00:37:36,529 --> 00:37:38,396
LOCKED INSIDE THE EARTH,
736
00:37:38,398 --> 00:37:40,765
THE TIMBER BURNED
WITH SUCH FIERCE HEAT
737
00:37:40,767 --> 00:37:42,633
IT MELTED THE STONE.
738
00:37:44,904 --> 00:37:49,340
BUT IS THIS MELTED STONE REALLY
EVIDENCE OF AN ANCIENT BATTLE
739
00:37:49,342 --> 00:37:52,710
OR JUST AN ACCIDENTAL FIRE?
740
00:37:52,712 --> 00:37:54,879
MURRAY WANTS TO CHECK IT OUT.
741
00:37:54,881 --> 00:37:58,149
SO HE HEADS TO
STIRLING UNIVERSITY,
742
00:37:58,151 --> 00:38:00,852
WHERE HE JOINS SPECIALIST
AMANDA DOLAN.
743
00:38:00,854 --> 00:38:02,086
-IT IS AMAZING.
-YEAH.
744
00:38:02,088 --> 00:38:03,421
Cook: IT'S A KALEIDOSCOPE
REALLY, ISN'T IT?
745
00:38:03,423 --> 00:38:04,789
YEAH.
746
00:38:04,791 --> 00:38:07,592
Narrator: THEY START BY LOOKING
AT A SLICE OF STONE TAKEN
747
00:38:07,594 --> 00:38:09,961
FROM A SIMILAR
SCOTTISH HILL FORT.
748
00:38:19,205 --> 00:38:21,005
THE FIRE THAT MELTED THIS STONE
749
00:38:21,007 --> 00:38:24,976
WAS SO HOT,
IT CHANGED THE MINERALS INSIDE.
750
00:38:24,978 --> 00:38:27,345
IT WAS AS FIERCE AS A VOLCANO.
751
00:38:32,318 --> 00:38:34,519
AMANDA SUSPECTS SOMETHING
SIMILAR HAPPENED
752
00:38:34,521 --> 00:38:36,053
TO MURRAY'S ROCK.
753
00:38:36,055 --> 00:38:39,557
THE STIRLING FIRE MUST'VE BEEN
DELIBERATELY STOKED FOR DAYS
754
00:38:39,559 --> 00:38:42,226
TO PRODUCE SUCH INTENSE HEAT.
755
00:38:55,475 --> 00:38:58,342
AND SQUEEZING ITS WAY OUT
LIKE A WEE BIT OF TOOTHPASTE.
756
00:38:58,344 --> 00:39:00,177
YES, INDEED.
757
00:39:00,179 --> 00:39:01,913
WELL,
THAT'S HORRIFYING.
758
00:39:01,915 --> 00:39:03,447
IT'S ABSOLUTELY AMAZING.
759
00:39:03,449 --> 00:39:06,584
ARE WE SUGGESTING
THAT THIS IS DONE BY SOMEONE
760
00:39:06,586 --> 00:39:07,818
WHEN THEY'VE CAPTURED
THE FORT?
761
00:39:07,820 --> 00:39:11,355
IS THIS, IN EFFECT,
A U.N. WAR CRIME?
762
00:39:11,357 --> 00:39:13,457
IT'S A PUNISHMENT
DESTRUCTION.
763
00:39:13,459 --> 00:39:16,093
SOMEONE HAS TAKEN
A BEATING, YOU KNOW?
764
00:39:21,267 --> 00:39:24,835
THE VIOLENT END OF THE FORT
UNDER THE WALLACE MONUMENT
765
00:39:24,837 --> 00:39:29,407
COINCIDES WITH THE VERY
FIRST MENTION OF ARTHUR,
766
00:39:29,409 --> 00:39:30,875
A HEROIC POEM WRITTEN
767
00:39:30,877 --> 00:39:34,512
ABOUT THE PEOPLE HERE
IN THE YEAR 600.
768
00:39:34,514 --> 00:39:37,448
FOR THE PEOPLE, ARTHUR
BECOMES AN IMPORTANT FIGURE.
769
00:39:37,450 --> 00:39:39,550
WHETHER OR NOT
YOU REALLY BELIEVE
770
00:39:39,552 --> 00:39:40,885
THERE WAS AN ARTHUR,
771
00:39:40,887 --> 00:39:44,221
YOU'RE IDENTIFYING YOURSELF
WITH A HISTORIC FIGURE,
772
00:39:44,223 --> 00:39:47,191
WITH A FIGURE
THAT LEADS RESISTANCE.
773
00:39:48,494 --> 00:39:52,830
Narrator: IT'S AN EXTRAORDINARY
FINAL TWIST.
774
00:39:52,832 --> 00:39:54,532
WOW.
775
00:39:54,534 --> 00:39:56,100
THAT'S AMAZING.
776
00:39:56,102 --> 00:40:00,204
STIRLING MAY NOT
BE CAMELOT OR SNOWDEN.
777
00:40:00,206 --> 00:40:02,206
BUT DID THE VIOLENT WORLD
AROUND IT
778
00:40:02,208 --> 00:40:05,009
CREATE THE ARTHUR MYTHS?
779
00:40:05,011 --> 00:40:07,345
THE GEOGRAPHY,
THE GEOLOGY OF STIRLING,
780
00:40:07,347 --> 00:40:11,882
FOR 2000 YEARS HAS BEEN CENTRAL
TO SCOTLAND'S DESTINY.
781
00:40:11,884 --> 00:40:13,951
THIS IS THE ONLY PLACE
782
00:40:13,953 --> 00:40:16,520
WHERE ARMIES CAN CROSS,
ALL FIGHTING,
783
00:40:16,522 --> 00:40:19,890
ALL DYING TO CONTROL
THIS LOCATION,
784
00:40:19,892 --> 00:40:23,294
THIS STIRLING,
THIS PLACE OF STRIFE.
785
00:40:23,296 --> 00:40:25,062
Narrator: MURRAY THINKS
THIS LANDSCAPE
786
00:40:25,064 --> 00:40:28,165
SHAPED SCOTLAND'S IDENTITY.
787
00:40:28,167 --> 00:40:33,037
JUST AS ARTHUR WAS 600,
700 HUNDRED YEARS BEFORE HIM,
788
00:40:33,039 --> 00:40:36,741
WALLACE IS THIS
ENORMOUS HEROIC FIGURE.
789
00:40:36,743 --> 00:40:38,643
SO WALLACE, IN EFFECT,
790
00:40:38,645 --> 00:40:42,113
BECOMES THE INHERITOR
OF A TRADITION OF RESISTANCE.
791
00:40:42,115 --> 00:40:47,251
HISTORY IS REINVENTED
BY EACH SUCCESSIVE GENERATION.
792
00:40:49,989 --> 00:40:53,057
Narrator: STIRLING'S
IMPOSING ARCHITECTURE MAKES IT
793
00:40:53,059 --> 00:40:58,029
ONE OF THE MOST IMPORTANT
MEDIEVAL CASTLES IN THE WORLD.
794
00:40:58,031 --> 00:41:00,231
BUT NEW DISCOVERIES INSIDE IT
795
00:41:00,233 --> 00:41:03,034
CONTINUE TO EXCITE
ARCHAEOLOGISTS
796
00:41:03,036 --> 00:41:05,036
AND TRANSFORM OUR UNDERSTANDING
797
00:41:05,038 --> 00:41:09,106
OF SCOTLAND'S WARS
OF INDEPENDENCE.
798
00:41:09,108 --> 00:41:10,741
FROM ITS EARLIEST DAYS,
799
00:41:10,743 --> 00:41:14,612
BRAVE WARRIORS HAVE ALWAYS
FOUGHT TO CONTROL THIS ROCK.
800
00:41:16,983 --> 00:41:19,850
STIRLING'S HISTORY HAS CREATED
POWERFUL LEGENDS
801
00:41:19,852 --> 00:41:21,719
THAT ARE STILL WITH US TODAY.
802
00:41:23,690 --> 00:41:25,856
SCOTLAND AS WE KNOW IT
803
00:41:25,858 --> 00:41:29,727
MIGHT NOT EXIST
WITHOUT THIS TOWERING FORTRESS.
804
00:41:29,729 --> 00:41:31,429
¶¶
805
00:41:39,072 --> 00:41:42,807
¶¶
806
00:41:50,316 --> 00:41:54,952
¶¶
61639
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.