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1
00:00:20,233 --> 00:00:22,633
OKAY, SO I
WAS MISERABLE.
2
00:00:22,667 --> 00:00:24,967
AND I STAYED MISERABLE
FOR ABOUT A YEAR.
3
00:00:25,000 --> 00:00:26,700
AND THEN I
DECIDED THAT I WAS
4
00:00:26,733 --> 00:00:28,533
BORED WITH
BEING MISERABLE.
5
00:00:28,567 --> 00:00:29,967
I MEAN,
AFTER A WHILE
6
00:00:30,000 --> 00:00:31,733
HOW MUCH CAN YOU
ENJOY YOUR OWN MISERY?
7
00:00:31,767 --> 00:00:32,967
IT'S TIME
TO STOP.
8
00:00:33,000 --> 00:00:34,700
THE ONLY WAY I KNEW
TO GET OUT OF IT
9
00:00:34,733 --> 00:00:36,100
WAS TO LEAVE
WHERE I WAS FROM,
10
00:00:36,133 --> 00:00:37,700
LEAVE THE HOUSE I
WAS MISERABLE IN,
11
00:00:37,733 --> 00:00:39,300
STOP LOOKING AT
MY MISERABLE MIRROR
12
00:00:39,333 --> 00:00:42,067
IN MY MISERABLE BATHROOM
IN MY MISERABLE HOUSE,
13
00:00:42,100 --> 00:00:44,333
GET ON A PLANE AND
FLY TO NEW YORK CITY,
14
00:00:44,367 --> 00:00:46,800
CHANGE MY LIFE, CHANGE
MY PLACE, GO BACK TO THE
15
00:00:46,833 --> 00:00:49,900
PLACE I WAS FROM BEFORE
ALL MY MISERY STARTED,
16
00:00:49,933 --> 00:00:51,900
START ANEW,
START A NEW LIFE.
17
00:00:51,933 --> 00:00:52,900
AND I DID.
18
00:00:52,933 --> 00:00:54,833
NEW YEAR'S EVE
I GOT ON A PLANE,
19
00:00:54,867 --> 00:00:56,867
THE RED-EYE FROM LOS
ANGELES TO NEW YORK.
20
00:00:56,900 --> 00:00:59,433
I ARRIVED EARLY IN
THE MORNING, EXHAUSTED.
21
00:00:59,467 --> 00:01:02,500
* IT'S A MOST
UNUSUAL DAY *
22
00:01:02,533 --> 00:01:05,600
* FEEL LIKE THROWING
MY WORRIES AWAY *
23
00:01:05,633 --> 00:01:09,267
* AS AN OLD NATIVE-BORN
CALIFORNIAN WOULD SAY *
24
00:01:09,300 --> 00:01:12,467
* IT'S A MOST
UNUSUAL DAY *
25
00:01:12,500 --> 00:01:14,700
* OH, THIS WEATHER'S
AMAZING THEY SAY *
26
00:01:14,733 --> 00:01:17,633
* THERE'S A MOST
UNUSUAL SKY *
27
00:01:17,667 --> 00:01:20,900
* NOT A SIGN OF A
CLOUD PASSING BY *
28
00:01:20,933 --> 00:01:22,767
* AND IF I
WANT TO SING *
29
00:01:22,800 --> 00:01:24,633
* THROW MY
HEART IN THE RING *
30
00:01:24,667 --> 00:01:27,867
* IT'S A MOST
UNUSUAL DAY *
31
00:01:27,900 --> 00:01:31,133
* THERE ARE PEOPLE
MEETING PEOPLE *
32
00:01:31,167 --> 00:01:34,567
* THERE IS
SUNSHINE EVERYWHERE *
33
00:01:34,600 --> 00:01:37,867
* THERE ARE PEOPLE
GREETING PEOPLE *
34
00:01:37,900 --> 00:01:41,267
* AND A FEELING OF
SPRING IN THE AIR *
35
00:01:41,300 --> 00:01:44,533
* IT'S A MOST
UNUSUAL TIME *
36
00:01:44,567 --> 00:01:47,867
* I KEEP FEELING MY
TEMPERATURE CLIMB *
37
00:01:47,900 --> 00:01:51,567
* IF MY HEART WON'T
BEHAVE IN THE USUAL WAY *
38
00:01:51,600 --> 00:01:54,733
* WELL, THERE'S ONLY
ONE THING TO SAY *
39
00:01:54,767 --> 00:01:58,700
* IT'S A MOST UNUSUAL,
MOST UNUSUAL *
40
00:01:58,733 --> 00:02:02,633
* MOST
UNUSUAL DAY. *
41
00:02:02,667 --> 00:02:04,667
OH, JESUS.
42
00:02:06,333 --> 00:02:16,867
(KNOCKING ON DOOR)
43
00:02:16,900 --> 00:02:18,900
OKAY.
44
00:02:18,933 --> 00:02:20,933
WHO IS IT?
45
00:02:24,033 --> 00:02:25,033
WHO IS IT?
46
00:02:28,967 --> 00:02:30,067
YEAH?
47
00:02:30,100 --> 00:02:32,000
WHAT ARE YOU DOING
IN MY APARTMENT?
48
00:02:32,033 --> 00:02:33,400
I LIVE HERE.
49
00:02:33,433 --> 00:02:34,900
3C?
50
00:02:34,933 --> 00:02:36,100
YEAH.
51
00:02:36,133 --> 00:02:37,700
I'M MOVING IN.
52
00:02:37,733 --> 00:02:39,733
OH, SORRY. WE'RE
MOVING OUT TOMORROW.
53
00:02:39,767 --> 00:02:41,733
I'VE GOT THE
PLACE FOR THE FIRST.
54
00:02:41,767 --> 00:02:43,500
NO, NO, WE'RE HERE
THROUGH THE FIRST.
55
00:02:43,533 --> 00:02:45,533
I'VE GOT THIS PLACE
STARTING THE FIRST.
56
00:02:45,567 --> 00:02:47,667
NO, NO, WE HAVE IT
THROUGH THE FIRST-
57
00:02:47,700 --> 00:02:49,033
I HAVE IT ON
THE FIRST.
58
00:02:49,067 --> 00:02:50,767
WE HAVE IT
THROUGH THE FIRST.
59
00:02:50,800 --> 00:02:52,567
I HAVE IT ON THE FIRST
- THIS IS THE FIRST.
60
00:02:52,600 --> 00:02:54,267
HAPPY NEW YEAR.
61
00:02:54,300 --> 00:02:55,833
HAPPY NEW YEAR.
62
00:02:55,867 --> 00:02:58,700
IS THERE SOME SUPER WE
CAN CHECK THIS WITH?
63
00:02:58,733 --> 00:03:01,333
DON'T WAKE HIM UP AT THIS
HOUR, HE'S REAL SURLY.
64
00:03:01,367 --> 00:03:03,533
JUST COME IN AND
WE'LL FIGURE IT OUT.
65
00:03:03,567 --> 00:03:06,133
I DIDN'T SLEEP, I JUST
GOT ON THE RED-EYE
66
00:03:06,167 --> 00:03:07,767
FROM LOS
ANGELES.
67
00:03:07,800 --> 00:03:09,733
COME IN, WE'LL
HAVE SOME TEA.
68
00:03:09,767 --> 00:03:11,300
IT'LL MAKE
YOU FEEL BETTER
69
00:03:11,333 --> 00:03:13,000
AND WE'LL
FIGURE IT OUT.
70
00:03:13,033 --> 00:03:14,333
DID MY
STUFF ARRIVE?
71
00:03:14,367 --> 00:03:15,933
YEAH, THE
FURNITURE'S GREAT.
72
00:03:15,967 --> 00:03:17,633
WHAT DO YOU
MEAN IT'S GREAT?
73
00:03:17,667 --> 00:03:19,533
IT'S NICE, YOU
HAVE WONDERFUL TASTE.
74
00:03:19,567 --> 00:03:22,433
COME ON, I'VE GOT GINGER
TEA, IT'LL FIX ANYTHING.
75
00:03:22,467 --> 00:03:23,900
YOU OKAY?
76
00:03:23,933 --> 00:03:25,600
YEAH.
77
00:03:25,633 --> 00:03:27,167
THE KITCHEN'S HERE.
78
00:03:27,200 --> 00:03:29,400
CAN I LEAVE
THIS SOMEWHERE?
79
00:03:29,433 --> 00:03:31,400
JUST ANYWHERE
IS FINE.
80
00:03:31,433 --> 00:03:33,833
MY GOD, IT'S
STARTED TO SNOW!
81
00:03:33,867 --> 00:03:35,867
JUST SIT DOWN,
TAKE YOUR COAT OFF.
82
00:03:44,333 --> 00:03:46,400
I THINK I SHOULD
FIND A PHONE.
83
00:03:46,433 --> 00:03:48,600
TAKE YOUR
COAT OFF, RELAX.
84
00:03:48,633 --> 00:03:50,500
I'LL MAKE YOU
SOME TEA.
85
00:03:50,533 --> 00:03:52,500
GINGER TEA,
EVERYTHING WILL BE-
86
00:03:52,533 --> 00:03:54,200
NO, NO, I
DON'T NEED THAT.
87
00:03:54,233 --> 00:03:57,000
GINGER IS ONE
OF THREE THINGS
88
00:03:57,033 --> 00:03:59,067
THAT'S REALLY
GOOD FOR YOU
89
00:03:59,100 --> 00:04:01,567
- GINGER, GARLIC
AND ONIONS.
90
00:04:01,600 --> 00:04:03,433
GINGER
TASTES GREAT.
91
00:04:03,467 --> 00:04:05,000
I DON'T
LIKE GINGER.
92
00:04:05,033 --> 00:04:07,000
IT'S GOOD FOR YOUR HEART
AND YOUR BLOODSTREAM
93
00:04:07,033 --> 00:04:08,633
AND YOUR
IMMUNE SYSTEM.
94
00:04:08,667 --> 00:04:11,433
I KEEP A POT ON
ALL WINTER LONG.
95
00:04:11,467 --> 00:04:12,867
WHO ARE YOU?
96
00:04:12,900 --> 00:04:15,067
I'M DREW, HI.
97
00:04:15,100 --> 00:04:17,333
AND IF YOU DO THAT,
YOU DON'T GET SICK.
98
00:04:17,367 --> 00:04:18,533
ARE YOU SICK?
99
00:04:18,567 --> 00:04:20,233
I'M A LITTLE
SICK I THINK.
100
00:04:20,267 --> 00:04:22,633
IT'S COLD IN NEW YORK, I
JUST GOT OFF THE PLANE.
101
00:04:22,667 --> 00:04:24,567
I'LL MAKE TWO KINDS OF
TEA, YOU'LL TRY GINGER.
102
00:04:24,600 --> 00:04:26,233
WHEN ARE YOU GUYS
GOING TO BE OUT?
103
00:04:26,267 --> 00:04:27,567
TOMORROW.
104
00:04:27,600 --> 00:04:28,967
WHO ARE YOU?
105
00:04:29,000 --> 00:04:30,467
OH, MY GOD,
ANOTHER ONE.
106
00:04:30,500 --> 00:04:32,000
WHY IS
EVERYBODY UP?
107
00:04:32,033 --> 00:04:33,900
HOW MANY OF
YOU ARE THERE?
108
00:04:33,933 --> 00:04:36,200
OH, MY GOD.
109
00:04:36,233 --> 00:04:40,033
WE WERE UP UNTIL 5:30
TALKING ABOUT LIFE
110
00:04:40,067 --> 00:04:42,867
AND WHAT WE'RE GOING
TO DO WITH OUR LIVES
111
00:04:42,900 --> 00:04:44,767
WHEN WE GET
OUT OF HERE.
112
00:04:44,800 --> 00:04:46,967
WHEN I DON'T GET ENOUGH
SLEEP MY BODY ACHES
113
00:04:47,000 --> 00:04:48,600
AND I DON'T
FUNCTION VERY WELL.
114
00:04:48,633 --> 00:04:51,467
NOT THAT I FUNCTION SO
WELL WHEN I'M NOT TIRED.
115
00:04:51,500 --> 00:04:53,000
I DON'T FEEL
TOO GOOD EITHER.
116
00:04:53,033 --> 00:04:54,533
YOU KNOW WHAT
YOU SHOULD DO?
117
00:04:54,567 --> 00:04:56,533
YOU TAKE A LEMON AND
PEEL THE YELLOW PART
118
00:04:56,567 --> 00:04:58,433
OFF THE LEMON,
LEAVE THE WHITE,
119
00:04:58,467 --> 00:05:00,900
YOU PUT IT IN QUARTERS
IN A VERY HOT BATH
120
00:05:00,933 --> 00:05:02,833
AND THEN YOU
GET IN THE BATH
121
00:05:02,867 --> 00:05:04,967
AND YOU DRINK IT
WHILE YOU'RE IN THERE.
122
00:05:05,000 --> 00:05:07,167
THIS IS ALL VERY NICE,
I HAVE TO GO TO SLEEP.
123
00:05:07,200 --> 00:05:08,267
I'M HUNGRY.
124
00:05:08,300 --> 00:05:09,900
WHY DON'T
YOU EAT?
125
00:05:09,933 --> 00:05:11,667
IT'S NOT
ABOUT FOOD.
126
00:05:11,700 --> 00:05:14,000
WHERE'S A PHONE?
HELLO?
127
00:05:14,033 --> 00:05:15,233
SORRY.
128
00:05:15,267 --> 00:05:17,800
I WANT TO CALL A HOTEL
AND GET A RESERVATION
129
00:05:17,833 --> 00:05:20,000
AND GO TO BED. I'VE
GOT TO GO TO SLEEP.
130
00:05:20,033 --> 00:05:22,033
WILL YOU BE
OUT TOMORROW?
131
00:05:25,400 --> 00:05:27,467
WHAT IS THIS STUFF
DOING HERE STILL?
132
00:05:27,500 --> 00:05:28,900
WE DIDN'T KNOW
WHAT TO DO WITH IT.
133
00:05:28,933 --> 00:05:30,267
I CAN'T TAKE
IT WITH ME
134
00:05:30,300 --> 00:05:32,033
AND NEITHER
CAN THE GIRLS.
135
00:05:32,067 --> 00:05:33,133
I DON'T
WANT IT.
136
00:05:33,167 --> 00:05:34,900
WHAT AM I GOING
TO DO WITH IT?
137
00:05:34,933 --> 00:05:36,433
IT'S REALLY
PERFECT IN THIS ROOM.
138
00:05:36,467 --> 00:05:38,100
YOU MIGHT
WANT TO KEEP IT.
139
00:05:38,133 --> 00:05:40,000
YOU MIGHT LIKE IT
IN HERE, IT WORKS.
140
00:05:40,033 --> 00:05:41,667
I'M MOVING IN WITH A
FAMILY SO I REALLY
141
00:05:41,700 --> 00:05:43,533
CAN'T TAKE ANYTHING
AND ANNIE'S PLACE
142
00:05:43,567 --> 00:05:45,500
IS GOING TO BE
REALLY SMALL.
143
00:05:45,533 --> 00:05:47,333
WHAT ABOUT THE OTHER
ONE, THE THIRD GIRL?
144
00:05:47,367 --> 00:05:49,500
LUCY'S MOVING TO
LA, IT'S KIND OF FAR
145
00:05:49,533 --> 00:05:51,500
TO DRIVE ANYTHING
LIKE THIS.
146
00:05:51,533 --> 00:05:53,033
SO IF YOU WANT
ANYTHING HERE
147
00:05:53,067 --> 00:05:55,067
LET ME KNOW
AND WE'LL TALK.
148
00:05:57,833 --> 00:06:00,900
THE PHONE'S
RIGHT THERE.
149
00:06:00,933 --> 00:06:03,267
YOU CAN MAKE ANY
CALLS YOU WANT.
150
00:06:03,300 --> 00:06:04,933
MY COUCH...
THAT'S MY CHAIR.
151
00:06:04,967 --> 00:06:06,600
YEAH, IT'S NICE.
YOU GOT ANY KIDS?
152
00:06:06,633 --> 00:06:08,033
KIDS? NO.
153
00:06:08,067 --> 00:06:10,800
I'M GOING TO PUT
SOME CLOTHES ON.
154
00:06:10,833 --> 00:06:12,833
I'LL BE BACK
IN A BIT.
155
00:06:17,300 --> 00:06:18,933
SNOW.
156
00:06:18,967 --> 00:06:20,767
IT'S A
GOOD OMEN.
157
00:06:20,800 --> 00:06:25,467
IT MIGHT BE MY CUE TO
GO TO WARMER WEATHER.
158
00:06:25,500 --> 00:06:26,500
NO.
159
00:06:31,000 --> 00:06:35,500
YEAH, MANHATTAN
INFORMATION, PLEASE.
160
00:06:35,533 --> 00:06:37,033
I'M GOING TO GIVE
UP EVERYTHING
161
00:06:37,067 --> 00:06:38,767
THAT'S BAD FOR
ME THIS YEAR.
162
00:06:38,800 --> 00:06:41,700
I'M GOING TO GIVE UP
CAFFEINE, ALCOHOL, SUGAR.
163
00:06:41,733 --> 00:06:43,967
I ALREADY GAVE UP GRASS
LAST YEAR SO I DON'T HAVE
164
00:06:44,000 --> 00:06:46,600
TO GIVE UP THE GRASS
THIS YEAR, THANK GOD.
165
00:06:46,633 --> 00:06:48,133
I'M GOING TO
GIVE UP MEN.
166
00:06:48,167 --> 00:06:52,233
WHAT YOU'RE GIVING UP-
YOU'RE GIVING ME UP.
167
00:06:52,267 --> 00:06:53,800
I'M NOT
GIVING YOU UP.
168
00:06:53,833 --> 00:06:55,567
I'M GIVING
NEW YORK UP.
169
00:06:55,600 --> 00:06:57,833
AND I'M
GIVING UP MEN.
170
00:06:57,867 --> 00:07:02,433
I'M GOING TO LOS ANGELES
AND I'M NOT GOING TO
171
00:07:02,467 --> 00:07:06,967
LET ONE MORE CREEPY
ASSHOLE INTO MY LIFE.
172
00:07:07,000 --> 00:07:10,967
I'M GOING TO GIVE
UP DIET CANDIES.
173
00:07:11,000 --> 00:07:13,667
RESERVATIONS
PLEASE.
174
00:07:13,700 --> 00:07:17,200
YOU DON'T
HAVE ANYTHING?
175
00:07:17,233 --> 00:07:19,133
YOU DON'T HAVE TO
GO TO LOS ANGELES
176
00:07:19,167 --> 00:07:21,800
TO GIVE MEN UP, YOU
CAN GIVE MEN UP HERE.
177
00:07:21,833 --> 00:07:25,367
YOU DON'T HAVE TO CHANGE
A CITY TO GIVE UP A MAN.
178
00:07:25,400 --> 00:07:27,667
I CAN'T GIVE THIS
MAN UP IN NEW YORK.
179
00:07:27,700 --> 00:07:29,167
THAT'S THE MOST
RIDICULOUS THING
180
00:07:29,200 --> 00:07:30,767
I'VE EVER HEARD.
181
00:07:30,800 --> 00:07:33,333
IT'S NOT, ANNIE. I'VE
TRIED THIS ALREADY.
182
00:07:33,367 --> 00:07:34,367
RESERVATIONS
PLEASE.
183
00:07:40,733 --> 00:07:44,267
DO YOU HAVE ANY ROOMS
FOR TONIGHT, PLEASE?
184
00:07:44,300 --> 00:07:45,633
NOT TONIGHT?
185
00:07:45,667 --> 00:07:47,133
YOU DON'T
HAVE TO GO AWAY.
186
00:07:47,167 --> 00:07:48,500
I HAVE TO GO.
187
00:07:48,533 --> 00:07:50,167
NO, YOU DON'T.
188
00:07:50,200 --> 00:07:52,400
IT'S SOMETHING
THAT YOU WANT TO DO.
189
00:07:52,433 --> 00:07:54,100
SO MAYBE YOU
SHOULD COME WITH ME.
190
00:07:54,133 --> 00:07:55,467
OH, VERY FUNNY.
191
00:07:55,500 --> 00:07:58,000
I REALLY DON'T
WANT TO DO THIS.
192
00:07:58,033 --> 00:08:01,533
I'M JUST COMPLETELY
TERRIFIED ABOUT IT.
193
00:08:01,567 --> 00:08:03,867
IT'S GOING TO
BE OKAY, ANNIE.
194
00:08:03,900 --> 00:08:06,100
I KNOW IT'S GOING
TO BE OKAY, I MEAN
195
00:08:06,133 --> 00:08:08,900
I ABSOLUTELY KNOW
THIS IS GOING TO BE FINE
196
00:08:08,933 --> 00:08:12,467
AND THIS IS A GOOD IDEA,
I JUST HATE CHANGE.
197
00:08:12,500 --> 00:08:15,400
I HATE ANY
KIND OF CHANGE.
198
00:08:15,433 --> 00:08:17,800
RESERVATIONS
PLEASE.
199
00:08:17,833 --> 00:08:20,833
WHAT DO YOU MEAN
THEY'RE CLOSED?
200
00:08:24,067 --> 00:08:27,333
WHO DO I SPEAK TO
ABOUT RESERVATIONS THEN?
201
00:08:27,367 --> 00:08:30,467
I DON'T WANT A
TOLL FREE NUMBER.
202
00:08:30,500 --> 00:08:34,500
THERE'S
NO HOTELS.
203
00:08:34,533 --> 00:08:40,033
(PHONE RINGING)
204
00:08:40,067 --> 00:08:41,233
HELLO?
205
00:08:41,267 --> 00:08:43,567
HI MOM. NO, I'M
OUT OF BREATH
206
00:08:43,600 --> 00:08:45,633
'CAUSE I RAN
FROM THE KITCHEN.
207
00:08:45,667 --> 00:08:47,500
WHAT?
YES, I KNOW.
208
00:08:47,533 --> 00:08:49,967
SO THE NEW TENANT CAN PUT
A PHONE IN THE KITCHEN.
209
00:08:50,000 --> 00:08:52,167
I'M SO GLAD THIS
WHOLE PERIOD IS OVER.
210
00:08:52,200 --> 00:08:53,733
WHAT
WHOLE PERIOD?
211
00:08:53,767 --> 00:08:55,767
THIS WHOLE "IT",
THIS WHOLE PERIOD,
212
00:08:55,800 --> 00:08:58,167
THIS LAST TWO MONTHS
FROM NEW YEAR'S,
213
00:08:58,200 --> 00:08:59,867
CHRISTMAS,
THANKSGIVING -
214
00:08:59,900 --> 00:09:03,400
A WEEK BEFORE THANKSGIVING
IS WHEN IT ALL STARTS.
215
00:09:03,433 --> 00:09:06,600
I'M UP BECAUSE I'VE GOT
100 THINGS TO DO AND-
216
00:09:06,633 --> 00:09:09,700
IT'S EARLY, YES,
WELL, THIS GUY IS HERE.
217
00:09:09,733 --> 00:09:12,000
NO, I WOULD
STILL BE SLEEPING.
218
00:09:12,033 --> 00:09:14,633
LUCY!
219
00:09:14,667 --> 00:09:16,433
YES, MOM.
YES, MOM.
220
00:09:16,467 --> 00:09:18,167
I WILL, I
WILL, I WILL.
221
00:09:18,200 --> 00:09:20,033
YES, I WILL
REMEMBER EVERYTHING.
222
00:09:20,067 --> 00:09:21,800
I'VE GOT A
PACKING LIST.
223
00:09:21,833 --> 00:09:23,700
YES, LIKE A VERY
GOOD GIRL, I DO.
224
00:09:23,733 --> 00:09:26,367
IT DOESN'T HELP THAT
I START EATING SUGAR
225
00:09:26,400 --> 00:09:28,300
AROUND THANKSGIVING AND
THEN I USUALLY EAT SUGAR
226
00:09:28,333 --> 00:09:30,733
FROM THANKSGIVING ALL
THE WAY TO NEW YEARS EVE
227
00:09:30,767 --> 00:09:32,900
SO IT'S A BIOLOGICAL
DEPRESSION AS WELL AS
228
00:09:32,933 --> 00:09:34,967
A PSYCHOLOGICAL
DEPRESSION
229
00:09:35,000 --> 00:09:38,333
AND IT LASTS
UNTIL JANUARY 2ND.
230
00:09:38,367 --> 00:09:39,367
HOLD ON
A SECOND.
231
00:09:43,167 --> 00:09:45,167
THE MAYFLOWER
HOTEL, PLEASE.
232
00:09:49,200 --> 00:09:51,033
LUCY!
233
00:09:51,067 --> 00:09:53,133
YEAH.
234
00:09:53,167 --> 00:09:56,633
YOU DON'T HAVE
ANYTHING AT ALL?
235
00:09:56,667 --> 00:09:59,300
I CAN'T HEAR ANOTHER
ONE OF THESE THINGS.
236
00:09:59,333 --> 00:10:01,067
NOW IT'S
JANUARY 1ST AND
237
00:10:01,100 --> 00:10:03,300
I'M STARTING TO
COME OUT OF IT.
238
00:10:03,333 --> 00:10:05,033
WELL, I'M
GLAD FOR YOU.
239
00:10:05,067 --> 00:10:07,200
I JUST GOT HIM
TO THINK IT WAS
240
00:10:07,233 --> 00:10:09,167
A SEMANTIC
MISUNDERSTANDING.
241
00:10:09,200 --> 00:10:10,933
WHAT DID
YOU TELL HIM?
242
00:10:10,967 --> 00:10:13,100
I THOUGHT WE WERE
HERE THROUGH THE FIRST.
243
00:10:13,133 --> 00:10:14,567
IT SAID
"THROUGH THE FIRST"
244
00:10:14,600 --> 00:10:16,767
AND MY UNDERSTANDING
IS THROUGH THE FIRST
245
00:10:16,800 --> 00:10:18,933
BUT THEN HE SAID WE
WERE CUT OFF ON THE-
246
00:10:18,967 --> 00:10:20,400
ANYWAY, IT
DOESN'T MATTER.
247
00:10:20,433 --> 00:10:22,733
I FEEL SO STRONG,
I FEEL SO HOPEFUL.
248
00:10:22,767 --> 00:10:26,200
I'M COMPLETELY DETERMINED
THAT I'M GOING TO DO
249
00:10:26,233 --> 00:10:28,400
EVERYTHING THAT'S
GOOD FOR MYSELF.
250
00:10:28,433 --> 00:10:31,633
I'M JUST LOOKING AT THIS
GUY I SHOT LAST WEEK.
251
00:10:31,667 --> 00:10:34,800
HE WAS FLIRTING
WITH ME A LOT.
252
00:10:34,833 --> 00:10:37,867
I MEAN, HE MIGHT BE
VOLUNTEER MATERIAL.
253
00:10:37,900 --> 00:10:39,033
OH, STOP.
254
00:10:39,067 --> 00:10:40,700
I'M JUST LOOKING!
255
00:10:40,733 --> 00:10:43,033
LOOK AT THE
GENETICS, YOU KNOW.
256
00:10:43,067 --> 00:10:45,633
THEY'D BE
BEAUTIFUL KIDS, THOUGH.
257
00:10:45,667 --> 00:10:46,967
HE'S AN ACTOR.
258
00:10:47,000 --> 00:10:49,900
TRUST ME, YOU
DON'T WANT THAT.
259
00:10:49,933 --> 00:10:52,767
I'M NOT GOING TO HAVE
TO LIVE WITH HIM,
260
00:10:52,800 --> 00:10:55,533
I'M TALKING ABOUT
A DONOR HERE.
261
00:10:55,567 --> 00:11:00,967
THIS WOULD BE A
BEAUTIFUL COMBINATION.
262
00:11:01,000 --> 00:11:03,567
YOU CAN STAY HERE
WITH US, CAN'T YOU?
263
00:11:03,600 --> 00:11:05,367
WHERE CAN I
STAY WITH YOU?
264
00:11:05,400 --> 00:11:07,600
IT'S BIG, IT'S
JUST FOR ANOTHER DAY.
265
00:11:07,633 --> 00:11:09,600
YOU'RE
SICK ANYWAY,
266
00:11:09,633 --> 00:11:12,833
YOU CAN'T BE WORRIED
ABOUT THESE THINGS.
267
00:11:12,867 --> 00:11:17,400
YEAH, I'M TRYING TO
THINK OF ANOTHER HOTEL.
268
00:11:17,433 --> 00:11:19,433
WE POLISHED OFF A
LOT OF CHAMPAGNE.
269
00:11:19,467 --> 00:11:21,600
(LAUGHING)
270
00:11:21,633 --> 00:11:23,167
I DON'T KNOW
WHAT TO DO.
271
00:11:23,200 --> 00:11:24,800
I CAN'T FIND
A HOTEL.
272
00:11:24,833 --> 00:11:27,200
THEY'RE ALL BOOKED
BECAUSE IT'S NEW YEAR'S.
273
00:11:27,233 --> 00:11:28,733
STAY, THIS
PLACE IS HUGE.
274
00:11:28,767 --> 00:11:30,733
JUST STAY, WE'RE GOING
TO BE GONE TOMORROW.
275
00:11:30,767 --> 00:11:32,400
THANK YOU, BUT
WHERE WOULD I SLEEP?
276
00:11:32,433 --> 00:11:34,067
YOU CAN SLEEP
ANYWHERE.
277
00:11:34,100 --> 00:11:35,767
I'LL SLEEP ON THIS
COUCH, I'M GOING TO BE
278
00:11:35,800 --> 00:11:38,200
PACKED AND OUT OF THAT
ROOM - SOON I HOPE.
279
00:11:38,233 --> 00:11:40,300
WHAT DO YOU DO,
WHAT DO YOU GIRLS DO?
280
00:11:40,333 --> 00:11:42,433
I WORK IN AN
ART GALLERY.
281
00:11:42,467 --> 00:11:44,033
PUBLIC
RELATIONS.
282
00:11:44,067 --> 00:11:45,867
YOU DO PUBLIC
RELATIONS?
283
00:11:45,900 --> 00:11:48,367
WELL, I HAVE DINNER
WITH THE ARTISTS -
284
00:11:48,400 --> 00:11:50,400
DINNERS
AND DRINKS.
285
00:11:50,433 --> 00:11:51,600
HOW ABOUT YOU?
286
00:11:51,633 --> 00:11:52,967
I'M A
PHOTOGRAPHER.
287
00:11:53,000 --> 00:11:55,367
I'M HAVING A BABY.
THIS TIME NEXT YEAR
288
00:11:55,400 --> 00:11:58,067
I WILL HAVE A
CHILD IN MY ARMS.
289
00:11:58,100 --> 00:12:00,433
(LAUGHING)
290
00:12:00,467 --> 00:12:02,233
WHO'S THE
LUCKY GUY?
291
00:12:02,267 --> 00:12:03,700
I DON'T
KNOW YET.
292
00:12:03,733 --> 00:12:05,933
I WILL FIND SOMETHING
GENETICALLY PERFECT,
293
00:12:05,967 --> 00:12:07,600
OR CLOSE
TO PERFECT...
294
00:12:07,633 --> 00:12:09,367
SOMETHING
GENETICALLY SUITABLE
295
00:12:09,400 --> 00:12:12,333
AND GET
KNOCKED UP.
296
00:12:12,367 --> 00:12:15,100
I'M GOING TO FIND A MAN
IN THE NEXT THREE MONTHS
297
00:12:15,133 --> 00:12:16,933
AND HAVE A BABY.
298
00:12:16,967 --> 00:12:18,167
SHE'LL DO IT.
299
00:12:18,200 --> 00:12:19,933
WHAT DO YOU DO?
300
00:12:19,967 --> 00:12:24,433
UH, RIGHT NOW I DO
VOICES FOR CARTOONS.
301
00:12:24,467 --> 00:12:26,467
VOICES FOR
CARTOONS?
302
00:12:26,500 --> 00:12:29,600
I DO ALL THE FEMALE
CHARACTER VOICES FOR SOME
303
00:12:29,633 --> 00:12:32,133
CARTOONS AND, HEY, I
DO SOME MALE ONES TOO;
304
00:12:32,167 --> 00:12:34,433
IT DEPENDS WHAT
THE JOB CALLS FOR,
305
00:12:34,467 --> 00:12:36,167
YOU KNOW
WHAT I MEAN?
306
00:12:36,200 --> 00:12:37,500
WHAT DO
YOU DO?
307
00:12:37,533 --> 00:12:41,267
I'D LIKE TO GO TO THE
BATHROOM IF I COULD.
308
00:12:41,300 --> 00:12:43,400
I WILL SEE
YOU LATER.
309
00:12:43,433 --> 00:12:50,833
(LAUGHING)
310
00:12:50,867 --> 00:12:52,867
OH, GOD.
311
00:12:54,700 --> 00:12:56,167
WHO IS
THIS GUY?
312
00:12:56,200 --> 00:12:58,167
HE'S SO WEIRD.
313
00:12:58,200 --> 00:12:59,933
I THINK I'M GOING
TO GIVE UP MY ROOM
314
00:12:59,967 --> 00:13:03,433
BECAUSE HE LOOKS
LIKE HE'S IN A PANIC.
315
00:13:03,467 --> 00:13:05,267
YEAH, HE'S
PANICKED.
316
00:13:05,300 --> 00:13:08,767
NO MORE PANICKED
THAN ME, BUT PANICKED.
317
00:13:08,800 --> 00:13:10,033
OH, HONEY.
318
00:13:10,067 --> 00:13:12,433
I'M NOT
PANICKED REALLY.
319
00:13:12,467 --> 00:13:14,833
I HAVE TO PACK.
320
00:13:14,867 --> 00:13:16,100
YEAH.
321
00:13:16,133 --> 00:13:17,400
NO!
322
00:13:17,433 --> 00:13:19,133
YOU WANNA HELP?
323
00:13:19,167 --> 00:13:20,633
NO.
324
00:13:20,667 --> 00:13:21,767
PLEASE?
325
00:13:21,800 --> 00:13:23,033
NO.
326
00:13:23,067 --> 00:13:25,767
THERE'S SO MUCH
STUFF IN THAT ROOM.
327
00:13:25,800 --> 00:13:31,067
(PHONE RINGING)
328
00:13:31,100 --> 00:13:33,167
MOM, IT'S FINE.
I'M GONNA BE FINE.
329
00:13:33,200 --> 00:13:36,367
WE DISCUSSED THIS 40
TIMES NOW, COME ON!
330
00:13:36,400 --> 00:13:37,400
WHAT?
331
00:13:40,067 --> 00:13:42,000
I JUST FEEL
REALLY ABANDONED.
332
00:13:42,033 --> 00:13:44,967
OH, DON'T FEEL
ABANDONED, HONEY.
333
00:13:45,000 --> 00:13:47,767
GOODBYE, OKAY?
OKAY, GOODBYE.
334
00:13:47,800 --> 00:13:49,433
WE DON'T-
OKAY, I WILL.
335
00:13:49,467 --> 00:13:50,867
GOODBYE,
GOODBYE, GOODBYE.
336
00:13:50,900 --> 00:13:53,067
I JUST FEEL
REALLY ABANDONED.
337
00:13:53,100 --> 00:13:54,433
DON'T START.
338
00:13:54,467 --> 00:13:56,467
AND I FEEL
COMPLETELY BETRAYED.
339
00:13:58,700 --> 00:14:00,900
GOODBYE, OKAY?
GOODBYE!
340
00:14:00,933 --> 00:14:02,767
YES. (KISS) GOODBYE.
341
00:14:02,800 --> 00:14:04,800
YES, I LOVE YOU,
GOODBYE.
342
00:14:07,700 --> 00:14:10,667
YOU MAKE CONNECTIONS
WITH FRIENDS AND YOU
343
00:14:10,700 --> 00:14:14,067
LIVE TOGETHER FOR FOUR
YEARS AND THEN IT'S OVER.
344
00:14:14,100 --> 00:14:15,100
RELATIONSHIPS
CHANGE.
345
00:14:33,267 --> 00:14:34,767
HI.
346
00:14:34,800 --> 00:14:37,033
WHAT DID YOU
DECIDE TO DO?
347
00:14:37,067 --> 00:14:38,567
ABOUT WHAT?
348
00:14:38,600 --> 00:14:40,367
ABOUT WHERE YOU'RE
GOING TO SLEEP?
349
00:14:40,400 --> 00:14:42,033
I'LL SLEEP
RIGHT HERE.
350
00:14:42,067 --> 00:14:43,033
THAT'S OKAY.
351
00:14:43,067 --> 00:14:45,367
NO, I'LL SLEEP ON
THE COUCH OUT THERE.
352
00:14:45,400 --> 00:14:47,467
I'LL SLEEP ON THE COUCH,
IT'S NOT A PROBLEM.
353
00:14:47,500 --> 00:14:49,800
NO, I DON'T WANT TO MAKE
YOU SLEEP ON THE COUCH.
354
00:14:49,833 --> 00:14:51,233
WHAT ARE
YOU WATCHING?
355
00:14:51,267 --> 00:14:52,933
IT'S A TAPE OF ME
SWIMMING WITH DOLPHINS.
356
00:14:52,967 --> 00:14:54,800
YOU SWIMMING
WITH DOLPHINS?
357
00:14:54,833 --> 00:14:57,233
YEAH, I WENT TO THIS
GREAT PLACE IN KEY LARGO.
358
00:14:57,267 --> 00:15:00,300
THAT'S AMAZING.
ISN'T IT SCARY?
359
00:15:00,333 --> 00:15:01,933
NO, IT'S
NOT SCARY.
360
00:15:01,967 --> 00:15:04,067
ONCE YOU GET OVER
THE INITIAL SHOCK OF
361
00:15:04,100 --> 00:15:06,133
HOW ENORMOUS THEY
ARE AND HOW MUCH
362
00:15:06,167 --> 00:15:08,333
THEY LOOK LIKE
SHARKS WHEN ALL THAT'S
363
00:15:08,367 --> 00:15:10,167
STICKING OUT OF THE
WATER IS THE FIN.
364
00:15:10,200 --> 00:15:12,200
YOU HANG OUT IN THE
WATER WITH THE DOLPHINS
365
00:15:12,233 --> 00:15:14,000
AND THEY SORT OF
DECIDE WHAT TO DO.
366
00:15:14,033 --> 00:15:16,100
THEY'LL SWIM AROUND
AND SUDDENLY SHOW UP
367
00:15:16,133 --> 00:15:18,133
NEXT TO YOU AND YOU
GRAB ONTO THEIR FIN
368
00:15:18,167 --> 00:15:20,000
AND THEY'LL TAKE
YOU TO THE BOTTOM
369
00:15:20,033 --> 00:15:22,100
AND SHOW YOU
AROUND. IT'S GREAT.
370
00:15:22,133 --> 00:15:23,600
THAT'S FANTASTIC.
371
00:15:23,633 --> 00:15:25,200
IT'S REALLY
GREAT.
372
00:15:25,233 --> 00:15:26,800
HE FOLLOWED ME
EVERYWHERE I WENT.
373
00:15:26,833 --> 00:15:28,533
HE FOLLOWED YOU
EVERYWHERE YOU WENT?
374
00:15:28,567 --> 00:15:30,533
DID THEY EVER GET
SEXUALLY EXCITED?
375
00:15:30,567 --> 00:15:32,033
THEY'RE A
RANDY BUNCH.
376
00:15:32,067 --> 00:15:34,200
EVERYTHING
YOU'VE HEARD IS TRUE.
377
00:15:34,233 --> 00:15:35,867
THEY ARE, INDEED.
378
00:15:35,900 --> 00:15:37,467
HOW DO YOU
DEAL WITH THAT?
379
00:15:37,500 --> 00:15:39,300
IT'S FUNNY,
ACTUALLY.
380
00:15:39,333 --> 00:15:41,833
IT'S NOT THREATENING,
IT'S PRETTY AMUSING.
381
00:15:41,867 --> 00:15:43,200
IT'S DIFFERENT.
382
00:15:43,233 --> 00:15:45,433
THEY'RE ONLY
INTERESTED IN YOUR KNEES.
383
00:15:45,467 --> 00:15:46,933
IT'S THE
CORRESPONDING AREA.
384
00:15:46,967 --> 00:15:50,733
IF YOUR FEET WERE A
TAIL, THEN YOUR KNEES...
385
00:15:50,767 --> 00:15:53,800
IF YOUR FEET
WERE A TAIL- AAH.
386
00:15:53,833 --> 00:15:55,733
SO THEY ARE GOING
FOR THE EQUAL AREA
387
00:15:55,767 --> 00:15:58,333
BUT IT HAPPENS TO
HIT YOU IN THE KNEES.
388
00:15:58,367 --> 00:16:00,233
IT'S LIKE THERE ARE
ELECTRICAL CHARGES
389
00:16:00,267 --> 00:16:01,967
GOING THROUGH
THE WATER.
390
00:16:02,000 --> 00:16:03,800
WHEN YOU'RE UNDER THE
WATER YOU CAN HEAR SOUND
391
00:16:03,833 --> 00:16:06,267
ALL AROUND YOU BUT
YOU CAN'T SEE THEM AND
392
00:16:06,300 --> 00:16:08,600
IT'S LIKE THIS CLICKING
SORT OF CRACKLING SOUND
393
00:16:08,633 --> 00:16:10,333
AND IT TRAVELS
FROM ONE SIDE
394
00:16:10,367 --> 00:16:12,400
THROUGH YOUR HEAD
AND OUT THE OTHER.
395
00:16:12,433 --> 00:16:14,933
AND WHEN THEY'RE OUT OF
THE WATER THEY SORT OF GO
396
00:16:14,967 --> 00:16:16,900
AH-AH-AH-AH-AH.
LIKE THAT.
397
00:16:16,933 --> 00:16:18,933
WHAT ABOUT
THESE GUYS HERE?
398
00:16:18,967 --> 00:16:21,667
THAT'S A CHIMPANZEE THAT
I TAUGHT FOR A WHILE.
399
00:16:21,700 --> 00:16:23,733
I TAUGHT HIM HOW TO
SPEAK SIGN LANGUAGE
400
00:16:23,767 --> 00:16:25,033
FOR A COUPLE
OF YEARS.
401
00:16:25,067 --> 00:16:26,433
YOU TAUGHT
THIS GUY?
402
00:16:26,467 --> 00:16:28,267
THIS IS ALL THE
SAME CHIMPANZEE?
403
00:16:28,300 --> 00:16:29,700
YEAH, AT
DIFFERENT STAGES.
404
00:16:29,733 --> 00:16:30,700
THAT'S YOU!
405
00:16:30,733 --> 00:16:32,967
THAT'S ME AT A DIFFERENT
STAGE OF DEVELOPMENT.
406
00:16:33,000 --> 00:16:35,033
THAT'S RIGHT,
IT'S A LITTLE YOU.
407
00:16:35,067 --> 00:16:36,567
YEAH, IT'S
A LITTLE ME.
408
00:16:36,600 --> 00:16:37,967
HOW LONG DID YOU
LIVE WITH THEM?
409
00:16:38,000 --> 00:16:39,467
FOR TWO YEARS
ON AND OFF.
410
00:16:39,500 --> 00:16:41,533
HOW DO YOU KNOW HOW
TO SPEAK SIGN LANGUAGE?
411
00:16:41,567 --> 00:16:43,367
I LEARNED,
TO TEACH HIM.
412
00:16:43,400 --> 00:16:45,067
I HELPED TO
RAISE HIM.
413
00:16:45,100 --> 00:16:46,933
I WAS INVOLVED IN A
PROJECT IN ORDER TO SEE
414
00:16:46,967 --> 00:16:49,000
WHETHER CHIMPANZEES
HAD THE CAPACITY FOR
415
00:16:49,033 --> 00:16:52,300
SENTENCE STRUCTURE AND
I OFFERED MY SERVICES.
416
00:16:52,333 --> 00:16:53,833
I DON'T CARE
WHAT YOU'RE DOING,
417
00:16:53,867 --> 00:16:55,900
I DON'T CARE WHY
YOU'RE DOING IT,
418
00:16:55,933 --> 00:16:57,500
I'LL DO ANYTHING.
I'LL CHANGE DIAPERS,
419
00:16:57,533 --> 00:17:00,533
I'LL CLEAN YOUR KITCHEN,
I'LL DO ANYTHING.
420
00:17:00,567 --> 00:17:02,167
AND SO I DID.
421
00:17:02,200 --> 00:17:04,333
I MISS HIM.
422
00:17:04,367 --> 00:17:06,267
I BET.
423
00:17:06,300 --> 00:17:09,100
SO YOU'VE GOT
DOLPHINS AND CHIMPANZEES?
424
00:17:09,133 --> 00:17:12,167
SOME OF THE BEST COMPANY
YOU'RE GOING TO FIND.
425
00:17:12,200 --> 00:17:14,200
YOU DON'T LIKE
PEOPLE TOO MUCH I GUESS.
426
00:17:14,233 --> 00:17:16,000
NO, I LIKE PEOPLE
BUT ONCE IN A WHILE
427
00:17:16,033 --> 00:17:19,067
IT'S NICE TO HANG OUT
WITH A CHIMP, YOU KNOW?
428
00:17:19,100 --> 00:17:21,133
I'M NOT A CHIMP AND
I'M NOT A DOLPHIN
429
00:17:21,167 --> 00:17:23,000
BUT I NEED A
PLACE TO SLEEP.
430
00:17:23,033 --> 00:17:25,033
WELL, YOU CAN
CERTAINLY SLEEP...
431
00:17:25,067 --> 00:17:26,333
RIGHT HERE?
432
00:17:26,367 --> 00:17:28,300
IN WHATEVER ROOM
IN THIS HOUSE...
433
00:17:28,333 --> 00:17:29,633
RIGHT HERE?
434
00:17:29,667 --> 00:17:31,067
WILL YOU JOIN ME?
435
00:17:31,100 --> 00:17:33,800
I'LL TAKE THE COUCH BUT
FEEL FREE TO HAVE THE ROOM.
436
00:17:33,833 --> 00:17:35,500
DID YOU EVER SLEEP
WITH THE CHIMPANZEE?
437
00:17:35,533 --> 00:17:37,667
HE DIDN'T SLEEP IN BED
WITH ME BUT HE WOULD
438
00:17:37,700 --> 00:17:39,733
HAVE NIGHTMARES
PERIODICALLY AND CLIMB IN
439
00:17:39,767 --> 00:17:41,533
IN THE MIDDLE
OF THE NIGHT.
440
00:17:41,567 --> 00:17:43,667
SORT OF OOH
OOH! AH! AH!
441
00:17:43,700 --> 00:17:46,533
OOH OOH AH AH!
SORT OF LIKE THAT.
442
00:17:46,567 --> 00:17:48,967
IF I DO THAT THEN I
CAN JUMP INTO BED...
443
00:17:49,000 --> 00:17:50,467
OKAY.
444
00:17:50,500 --> 00:17:53,500
OOH OOH AH AH!
445
00:17:53,533 --> 00:17:55,533
OOH OOH AH AH AH!
446
00:17:57,400 --> 00:17:59,033
YOU'RE A VERY
WEIRD MIXTURE.
447
00:17:59,067 --> 00:18:00,900
I DON'T KNOW HOW
TO INTEGRATE YOU
448
00:18:00,933 --> 00:18:02,933
WITH THESE OTHER
TWO PEOPLE I SEE HERE.
449
00:18:02,967 --> 00:18:04,267
THEY'RE NICE
BUT THEY'RE-
450
00:18:04,300 --> 00:18:05,900
THEY'RE
VERY SWEET.
451
00:18:05,933 --> 00:18:08,167
BUT THEY
ARE A LITTLE-
452
00:18:08,200 --> 00:18:09,533
THEY'RE DIFFERENT.
453
00:18:09,567 --> 00:18:11,000
THEY'RE
DIFFERENT, YEAH.
454
00:18:11,033 --> 00:18:12,467
I'VE HAD
TRAINING.
455
00:18:12,500 --> 00:18:15,000
AT DEALING WITH THE
DIFFERENT - OH, I SEE.
456
00:18:15,033 --> 00:18:19,967
CHIMPS, DOLPHINS
AND ROOMMATES.
457
00:18:20,000 --> 00:18:22,200
I'M JUST GOING TO GO
TO SLEEP RIGHT HERE
458
00:18:22,233 --> 00:18:24,100
IF YOU
DON'T MIND.
459
00:18:24,133 --> 00:18:26,667
HOW ABOUT YOU GO HANG
OUT IN THE LIVING ROOM
460
00:18:26,700 --> 00:18:29,200
AND WHEN I'M CLEARED
OUT OF HERE IT'S YOURS.
461
00:18:29,233 --> 00:18:30,233
I'VE GOT TO PACK.
462
00:18:36,800 --> 00:18:39,000
I CAN'T STAND
THAT SOUND.
463
00:18:39,033 --> 00:18:40,933
PLEASE, I
REALLY...
464
00:18:40,967 --> 00:18:42,667
COULD YOU
TAKE THAT STUFF
465
00:18:42,700 --> 00:18:44,567
AND PACK IT
SOMEWHERE ELSE?
466
00:18:44,600 --> 00:18:46,900
I'LL PACK IT OUT
OF THIS ROOM, OKAY?
467
00:18:46,933 --> 00:18:48,967
CAN I PILE IT
UP AND TAKE OFF?
468
00:18:49,000 --> 00:18:50,633
SHHH.
469
00:18:50,667 --> 00:18:53,367
I'M OUT OF
HERE, OKAY?
470
00:18:53,400 --> 00:18:55,167
TWO MORE SECONDS.
471
00:18:55,200 --> 00:18:57,067
YOU'RE NICE,
I'M SORRY.
472
00:18:57,100 --> 00:18:58,633
NO, I
UNDERSTAND.
473
00:18:58,667 --> 00:19:01,100
YOU NEED SLEEP,
YOU'RE NOT FEELING WELL.
474
00:19:01,133 --> 00:19:03,200
IT'S FREEZING
IN NEW YORK.
475
00:19:03,233 --> 00:19:05,467
GOOD NIGHT,
HAPPY DREAMS.
476
00:19:05,500 --> 00:19:07,200
I'M SORRY.
477
00:19:07,233 --> 00:19:08,800
SEE YOU
LATER TONIGHT.
478
00:19:08,833 --> 00:19:10,833
BYE.
479
00:19:20,300 --> 00:19:23,167
SO WHAT ELSE IN HERE IS
MINE THAT I NEED TO TAKE?
480
00:19:23,200 --> 00:19:24,867
I'VE GOT MY
BATHING SUIT...
481
00:19:24,900 --> 00:19:26,433
THIS BLACK
BATHING SUIT.
482
00:19:26,467 --> 00:19:28,467
WHERE'D YOU GET IT?
I WANT ONE LIKE IT.
483
00:19:28,500 --> 00:19:29,633
KEEP MINE.
484
00:19:29,667 --> 00:19:31,167
REALLY? I
LOVE YOU.
485
00:19:31,200 --> 00:19:32,533
I LOVE
YOU TOO.
486
00:19:32,567 --> 00:19:35,067
WHAT ELSE HAVE I GOT
HERE THAT I HAVE TO TAKE?
487
00:19:35,100 --> 00:19:39,500
(DOORBELL)
488
00:19:39,533 --> 00:19:40,933
HEY.
489
00:19:40,967 --> 00:19:43,367
OH, MOTHER, PLEASE LET'S
NOT TALK ABOUT THIS AGAIN.
490
00:19:43,400 --> 00:19:45,033
I'VE MADE A NEW
YEAR'S RESOLUTION.
491
00:19:45,067 --> 00:19:46,767
IT'S GOING TO BE
VERY DIFFERENT NOW.
492
00:19:46,800 --> 00:19:48,300
I'M NOT GOING
TO CALL YOU,
493
00:19:48,333 --> 00:19:50,033
I'M GOING TO LEAVE
YOU TOTALLY ALONE.
494
00:19:50,067 --> 00:19:51,800
I'M GOING TO LET YOU
BE YOUR OWN PERSON.
495
00:19:51,833 --> 00:19:53,400
I KNOW I'VE BEEN
A PAIN IN THE ASS,
496
00:19:53,433 --> 00:19:55,000
I'VE BEEN CALLING
YOU EVERY MORNING.
497
00:19:55,033 --> 00:19:56,467
I WON'T DO
THAT ANYMORE.
498
00:19:56,500 --> 00:19:58,133
YOU KNOW THAT WHEN
I MAKE A RESOLUTION
499
00:19:58,167 --> 00:19:59,400
I STICK TO IT.
500
00:19:59,433 --> 00:20:01,200
I STOPPED SMOKING,
I STOPPED DRINKING.
501
00:20:01,233 --> 00:20:03,200
JUST STAY HERE UNTIL
YOU LINE SOMETHING UP
502
00:20:03,233 --> 00:20:05,033
AND YOU KNOW
WHAT YOU'RE DOING.
503
00:20:05,067 --> 00:20:06,700
WHAT'S THE POINT
OF GOING TO LA
504
00:20:06,733 --> 00:20:08,367
AND GOING TO
THAT JUNGLE?
505
00:20:08,400 --> 00:20:10,233
AH, IT'S JUST
RIDICULOUS.
506
00:20:10,267 --> 00:20:11,767
THANK YOU, I'LL
REMEMBER THAT.
507
00:20:11,800 --> 00:20:15,533
PLEASE DON'T WEAR THAT
RIBBON, IT'S SO WRINKLED.
508
00:20:15,567 --> 00:20:18,233
MY RIBBON IS FINE, I
WEAR IT ALL THE TIME.
509
00:20:18,267 --> 00:20:20,167
IT LOOKS IT.
510
00:20:20,200 --> 00:20:23,100
THANKS. YOU WANT
TO DO ME A FAVOR?
511
00:20:23,133 --> 00:20:24,933
STOP WEARING
THE FUR.
512
00:20:24,967 --> 00:20:26,500
I'LL STOP
WEARING THE RIBBON
513
00:20:26,533 --> 00:20:28,300
IF YOU STOP
WEARING THE FUR.
514
00:20:28,333 --> 00:20:30,333
I'M NOT BUYING ANY
MORE FURS AFTER THIS.
515
00:20:30,367 --> 00:20:33,067
I WASN'T GOING TO SAY
THIS BECAUSE I DON'T
516
00:20:33,100 --> 00:20:35,533
THINK IT'S FAIR TO SAY
THIS BUT YOU'RE MY ONLY
517
00:20:35,567 --> 00:20:38,267
CHILD AND I DON'T THINK
IT'S FAIR OF YOU TO LEAVE
518
00:20:38,300 --> 00:20:41,500
THE CITY THAT I'M IN AND
JUST LEAVE ME HERE ALONE.
519
00:20:41,533 --> 00:20:43,167
YOU'VE GOTTA
BE KIDDING ME.
520
00:20:43,200 --> 00:20:45,067
MOM, I'M NOT
LEAVING YOU HERE ALONE.
521
00:20:45,100 --> 00:20:47,067
YOU'VE GOT
40,000 FRIENDS.
522
00:20:47,100 --> 00:20:48,667
THAT'S NOT
THE SAME THING.
523
00:20:48,700 --> 00:20:51,033
IF I PROMISE THAT I'M
NOT GOING TO BOTHER YOU-
524
00:20:51,067 --> 00:20:53,367
THIS IS NOT ABOUT
YOUR BOTHERING ME,
525
00:20:53,400 --> 00:20:55,200
THIS IS ABOUT
MY LIFE.
526
00:20:55,233 --> 00:20:57,633
BUT YOU'RE SO
WONDERFUL AT WHAT YOU DO.
527
00:20:57,667 --> 00:21:00,000
I WATCH THOSE
CARTOONS ALL THE TIME.
528
00:21:00,033 --> 00:21:01,633
THEY'RE
WONDERFUL.
529
00:21:01,667 --> 00:21:04,000
THE ONE ABOUT THE
DOG AND THE CAT -
530
00:21:04,033 --> 00:21:05,700
YOU'RE ABSOLUTELY
BRILLIANT.
531
00:21:05,733 --> 00:21:08,067
THEY'LL BE IN RE-RUNS
BEFORE YOU KNOW IT.
532
00:21:08,100 --> 00:21:10,833
JUST BECAUSE I GO DOESN'T
MEAN THE CARTOON GOES.
533
00:21:10,867 --> 00:21:12,667
YOU HAVE MADE A
NAME FOR YOURSELF,
534
00:21:12,700 --> 00:21:15,033
YOU HAVE A BRILLIANT,
WONDERFUL CAREER.
535
00:21:15,067 --> 00:21:16,667
WHY SPOIL IT ALL?
536
00:21:16,700 --> 00:21:19,700
YOU WON'T FIND A JOB
THERE, POSSIBLY,
537
00:21:19,733 --> 00:21:23,067
YOU'LL COME BACK HERE AND
THEY WON'T TAKE YOU BACK.
538
00:21:23,100 --> 00:21:25,100
I WOULD APPRECIATE A
LITTLE BIT OF SUPPORT.
539
00:21:25,133 --> 00:21:27,167
DON'T TELL ME I'M
NOT GOING TO GET
540
00:21:27,200 --> 00:21:28,800
ANYTHING
DONE THERE.
541
00:21:28,833 --> 00:21:31,033
THAT'S NOT WHAT
I NEED TO HEAR.
542
00:21:31,067 --> 00:21:33,733
I'M SAYING YOU
POSSIBLY MIGHT NOT.
543
00:21:33,767 --> 00:21:36,033
WELL, THANK YOU FOR
POSSIBLY MIGHT NOT.
544
00:21:36,067 --> 00:21:37,567
MOM, CAN WE
STOP NOW?
545
00:21:37,600 --> 00:21:40,600
I'M NEVER GOING TO
BOTHER YOU AGAIN.
546
00:21:41,867 --> 00:21:43,100
SOMEONE ORDERED-
547
00:21:43,133 --> 00:21:44,467
NO ONE ORDERED
THIS FOOD!
548
00:21:44,500 --> 00:21:46,033
I DON'T WANT
THIS FOOD!
549
00:21:46,067 --> 00:21:48,033
I'M SORRY I JUST DON'T
WANT THE FOOD HERE.
550
00:21:48,067 --> 00:21:50,067
WE GOT THE PHONE CALL AND
SOMEONE ORDERED THE FOOD.
551
00:21:50,100 --> 00:21:52,400
THERE IS NO ONE HERE THAT
COULD ORDER THIS FOOD.
552
00:21:52,433 --> 00:21:54,533
THIS FOOD IS
DRIVING ME NUTS!
553
00:21:54,567 --> 00:21:56,100
JUST WAIT
A SECOND,
554
00:21:56,133 --> 00:21:57,933
I'LL TELL YOU WHO
ORDERED IT, OKAY?
555
00:21:57,967 --> 00:21:59,300
HOLD ON...
556
00:21:59,333 --> 00:22:00,867
RICHARDS,
APARTMENT 3C.
557
00:22:00,900 --> 00:22:02,867
LUCY, WHY WOULD
YOU ORDER THIS FOOD
558
00:22:02,900 --> 00:22:04,667
AND TORTURE
ME LIKE THIS?
559
00:22:04,700 --> 00:22:07,300
$124.87.
560
00:22:07,333 --> 00:22:08,900
I WON'T BE ABLE
TO REACH YOU.
561
00:22:08,933 --> 00:22:10,067
OH, MY GOD.
562
00:22:10,100 --> 00:22:12,067
YOU DON'T KNOW WHAT
CAN HAPPEN AT MY AGE.
563
00:22:12,100 --> 00:22:13,100
OH, MY GOD.
564
00:22:15,167 --> 00:22:17,800
I'M BEGGING YOU, PLEASE
TAKE THE FOOD AWAY.
565
00:22:17,833 --> 00:22:19,667
CALM DOWN,
TAKE IT EASY.
566
00:22:19,700 --> 00:22:21,667
I'M SORRY I CAN'T
TAKE THE FOOD BACK.
567
00:22:21,700 --> 00:22:22,733
WHY NOT?
568
00:22:22,767 --> 00:22:24,233
BECAUSE SOMEONE
ORDERED IT.
569
00:22:24,267 --> 00:22:25,967
WE PREPARED THIS
STUFF FOR YOU GUYS.
570
00:22:26,000 --> 00:22:28,000
THERE'S A TRAY OF PASTA
SALAD, THERE'S A TRAY OF
571
00:22:28,033 --> 00:22:30,033
TUNA SALAD, A TRAY
OF ZUCCHINI SALAD
572
00:22:30,067 --> 00:22:31,700
AND THERE'S TWO
BOXES OF COOKIES.
573
00:22:31,733 --> 00:22:33,233
WHAT YOU SEE IS
WHAT YOU GET.
574
00:22:33,267 --> 00:22:34,733
I'M HAVING A COMPLETE
ANXIETY ATTACK.
575
00:22:34,767 --> 00:22:37,500
I WOULD DO ANYTHING NOT
TO HAVE THIS FOOD HERE!
576
00:22:37,533 --> 00:22:39,567
JUST GET IT
OUT OF HERE!
577
00:22:39,600 --> 00:22:42,233
I'M GOING CRAZY
OVER THIS FOOD!
578
00:22:42,267 --> 00:22:43,667
GET IT OUT!
579
00:22:43,700 --> 00:22:45,100
JUST TAKE
IT EASY.
580
00:22:45,133 --> 00:22:48,100
I SAID I'D MAKE GOOD ON
IT, JUST GET RID OF IT!
581
00:22:48,133 --> 00:22:49,333
WHERE'S LUCY?
582
00:22:49,367 --> 00:22:50,800
FORGET LUCY,
FORGET RICHARDS,
583
00:22:50,833 --> 00:22:52,300
SHE MADE A MISTAKE!
584
00:22:52,333 --> 00:22:54,400
WHERE IS SHE? LET
HER TELL ME, OKAY?
585
00:22:54,433 --> 00:22:56,233
WHERE'S THE
KITCHEN AT?
586
00:22:56,267 --> 00:22:58,667
I'M GOING TO PUT
THIS IN THE KITCHEN,
587
00:22:58,700 --> 00:23:01,000
YOU GET LUCY TO GIVE
ME A CHECK, OKAY?
588
00:23:01,033 --> 00:23:02,033
JESUS CHRIST.
589
00:23:07,033 --> 00:23:10,033
(DOOR BEING
UNLOCKED)
590
00:23:28,200 --> 00:23:30,667
HEY, HOW ARE
YOU DOING?
591
00:23:30,700 --> 00:23:32,333
I'M OKAY.
592
00:23:32,367 --> 00:23:34,167
DO YOU MIND
THAT I'M HERE?
593
00:23:34,200 --> 00:23:36,067
WHAT ARE YOU
DOING HERE?
594
00:23:36,100 --> 00:23:37,667
I JUST CAME
TO SEE YOU.
595
00:23:37,700 --> 00:23:40,667
I HEARD YOU'RE MOVING
TO THE WEST COAST.
596
00:23:40,700 --> 00:23:42,367
YEAH, I AM.
597
00:23:42,400 --> 00:23:45,900
THANKS FOR TELLING
ME. I APPRECIATE IT.
598
00:23:45,933 --> 00:23:48,767
I DIDN'T WANT
TO TELL ANYBODY.
599
00:23:48,800 --> 00:23:52,467
ANYWAY, I
BROUGHT SOME STUFF.
600
00:23:52,500 --> 00:23:56,333
THIS IS ALL THE STUFF
I HAVE THAT'S YOURS.
601
00:23:56,367 --> 00:23:58,833
DON'T DO THIS HERE,
DON'T DO THIS HERE.
602
00:23:58,867 --> 00:24:00,133
JUST TAKE IT.
603
00:24:00,167 --> 00:24:01,600
WHAT IS THIS?
604
00:24:01,633 --> 00:24:03,533
THIS IS YOURS,
AND THIS.
605
00:24:03,567 --> 00:24:06,333
LITTLE WORSE FOR
WEAR BUT IT'S YOURS.
606
00:24:06,367 --> 00:24:09,500
PLEASE DON'T DO
THIS HERE, DAMMIT.
607
00:24:09,533 --> 00:24:10,533
STOP!
608
00:24:24,000 --> 00:24:25,533
I DON'T THINK
THERE'S ANYTHING
609
00:24:25,567 --> 00:24:27,133
TO TALK
ABOUT REALLY.
610
00:24:27,167 --> 00:24:28,567
WHAT CAN I SAY?
611
00:24:28,600 --> 00:24:30,400
I DON'T KNOW
WHAT YOU CAN SAY.
612
00:24:30,433 --> 00:24:32,067
I DON'T THINK
WE NEED TO TALK.
613
00:24:32,100 --> 00:24:33,567
I DON'T THINK WE
NEED TO BE HERE
614
00:24:33,600 --> 00:24:35,167
AND THERE'S PEOPLE
COMING OVER.
615
00:24:35,200 --> 00:24:36,367
ANYTHING
THAT I SAY-
616
00:24:36,400 --> 00:24:38,500
I JUST HAVE TO ACT
NOW, YOU KNOW?
617
00:24:38,533 --> 00:24:41,300
MY ACTIONS ARE GOING
TO BE WHAT YOU SEE
618
00:24:41,333 --> 00:24:43,233
BECAUSE
ANYTHING I SAY
619
00:24:43,267 --> 00:24:45,267
IS JUST GOING TO BE
BULLSHIT, YOU KNOW?
620
00:24:45,300 --> 00:24:46,733
IF YOU HAVE SOMETHING
TO SAY TO ME
621
00:24:46,767 --> 00:24:48,133
YOU SHOULD
SAY IT.
622
00:24:48,167 --> 00:24:49,567
YOU HAVE TO
GIVE ME SOME TIME.
623
00:24:49,600 --> 00:24:51,433
IF YOU GO WHAT
AM I GOING TO DO?
624
00:24:51,467 --> 00:24:53,733
CALL YOU ON THE PHONE AND
GET IT TOGETHER THAT WAY?
625
00:24:53,767 --> 00:24:55,000
YOU HAD A
LOT OF TIME.
626
00:24:55,033 --> 00:24:57,033
I DIDN'T HAVE TIME,
TWO MONTHS WE TOOK OFF.
627
00:24:57,067 --> 00:24:59,267
FOR TWO MONTHS WE
HAD A LOT OF TIME
628
00:24:59,300 --> 00:25:01,133
AND I THINK I'VE
SEEN EVERYTHING
629
00:25:01,167 --> 00:25:03,200
THERE IS TO
SEE WITH THIS.
630
00:25:03,233 --> 00:25:05,000
NOW I KNOW
WHAT'S IMPORTANT.
631
00:25:05,033 --> 00:25:07,167
SO NOW CAN YOU
GIVE ME THE CHANCE
632
00:25:07,200 --> 00:25:09,100
WHEN I KNOW
WHAT'S OVER ME?
633
00:25:09,133 --> 00:25:10,867
WHAT IS GOING
TO BE IN LA?
634
00:25:10,900 --> 00:25:13,700
I'M GONNA BE IN
LA, AWAY FROM YOU.
635
00:25:13,733 --> 00:25:15,300
I'LL CALL YOU
EVERY DAY THEN.
636
00:25:15,333 --> 00:25:18,700
WELL, I MAY
NOT TALK TO YOU.
637
00:25:18,733 --> 00:25:22,733
WELL, THEN I'LL
CALL YOU TWICE A DAY.
638
00:25:26,200 --> 00:25:28,733
LUCY... LOOK.
639
00:25:28,767 --> 00:25:30,400
I SEE YOU.
640
00:25:30,433 --> 00:25:34,100
I SEE YOU! I
KNOW EVERYTHING
641
00:25:34,133 --> 00:25:36,600
THAT THERE IS TO
KNOW ABOUT US.
642
00:25:36,633 --> 00:25:38,767
I DON'T THINK
THERE'S ANY REASON
643
00:25:38,800 --> 00:25:40,500
FOR US TO
DO THIS AGAIN.
644
00:25:40,533 --> 00:25:43,000
DO YOU KNOW HOW MANY
TIMES YOU FUCKED AROUND
645
00:25:43,033 --> 00:25:46,767
ON ME AND LEFT ME SITTING
THERE AND LIED TO ME AND
646
00:25:46,800 --> 00:25:50,333
TREATED ME AS IF I WAS
THE ONE WHO WAS MISTAKEN?
647
00:25:50,367 --> 00:25:52,567
DO YOU KNOW WHAT
THAT FEELS LIKE?
648
00:25:52,600 --> 00:25:54,533
YOU DON'T KNOW
WHAT THAT FEELS LIKE.
649
00:25:54,567 --> 00:25:56,333
I KNOW WHAT
IT FEELS LIKE.
650
00:25:56,367 --> 00:25:57,733
NOBODY DOES
THAT TO YOU.
651
00:25:57,767 --> 00:25:59,567
YOU'VE DONE
IT TO ME.
652
00:25:59,600 --> 00:26:02,567
IF I'VE DONE THAT TO YOU
AND I ADMIT THAT I HAVE
653
00:26:02,600 --> 00:26:05,667
I GUESS I HAVE BECAUSE BY
THE END OF THIS GODDAMN
654
00:26:05,700 --> 00:26:08,833
THING WE WERE BOTH DOING
THE SAME THING, BILLY.
655
00:26:08,867 --> 00:26:10,933
WE WERE BOTH DOING
THE SAME THING
656
00:26:10,967 --> 00:26:12,800
AND THAT'S
WHY I'M GOING.
657
00:26:12,833 --> 00:26:14,633
BECAUSE
THAT'S NOT ME.
658
00:26:14,667 --> 00:26:16,833
AND ALL OF A SUDDEN
I'M TURNING INTO YOU
659
00:26:16,867 --> 00:26:18,533
AND I REALLY
DON'T BELIEVE
660
00:26:18,567 --> 00:26:20,167
THAT'S WHO
YOU ARE EITHER.
661
00:26:20,200 --> 00:26:22,167
BUT I CAN'T PLAY
THAT GAME ANYMORE.
662
00:26:22,200 --> 00:26:24,033
I CAN'T WAIT AROUND
FOR MY THEORY
663
00:26:24,067 --> 00:26:26,100
TO BE
PROVEN TRUE.
664
00:26:26,133 --> 00:26:30,233
I JUST NEED ONE
MORE CHANCE, ALRIGHT?
665
00:26:30,267 --> 00:26:31,733
JUST ONE.
666
00:26:31,767 --> 00:26:35,367
YOU'RE WHAT
I WANT NOW.
667
00:26:35,400 --> 00:26:39,267
OKAY, JUST STAY.
668
00:26:39,300 --> 00:26:41,100
THERE ARE PEOPLE
COMING OVER AND
669
00:26:41,133 --> 00:26:44,200
YOU CAN JUST STAY AND
WE'LL TALK ABOUT IT LATER.
670
00:26:44,233 --> 00:26:45,233
JUST STAY, OKAY?
671
00:26:56,633 --> 00:27:06,733
*
672
00:27:06,733 --> 00:27:13,000
*
673
00:27:13,033 --> 00:27:14,733
WHAT CAN I TELL
YOU ABOUT ME?
674
00:27:14,767 --> 00:27:16,700
WHY ARE YOU GOING
TO LOS ANGELES?
675
00:27:16,733 --> 00:27:18,400
REALLY, WHY
ARE YOU GOING?
676
00:27:18,433 --> 00:27:20,867
I'M LEAVING THINGS
THAT I THINK NEED TO BE
677
00:27:20,900 --> 00:27:23,233
LEFT BEHIND AND I'M
HOPEFULLY MOVING ON
678
00:27:23,267 --> 00:27:26,800
TO SOME THINGS THAT I
CAN LOOK FORWARD TO.
679
00:27:26,833 --> 00:27:29,767
WHAT DO YOU WANT
TO GET AWAY FROM?
680
00:27:29,800 --> 00:27:33,800
A NO-WIN
SITUATION.
681
00:27:37,233 --> 00:27:39,367
DO YOU MIND MY TOUCHING
YOUR KNEE THIS WAY?
682
00:27:39,400 --> 00:27:41,600
WHY ARE YOU TOUCHING
MY KNEE THAT WAY?
683
00:27:41,633 --> 00:27:43,500
I FOUND MYSELF
TOUCHING YOUR KNEE.
684
00:27:43,533 --> 00:27:45,633
IT'S A NICE KNEE
AND IT'S TOUCHABLE.
685
00:27:45,667 --> 00:27:49,067
IT'S PURELY AFFECTION
AT A VERY SAFE DISTANCE.
686
00:27:49,100 --> 00:27:50,233
THAT'S FINE.
687
00:27:50,267 --> 00:27:53,200
STAY THERE AND MY KNEE
WILL STAY WHERE IT IS.
688
00:27:53,233 --> 00:27:58,400
NO, I HAVE NO INTEREST
IN APPROACHING CHILDREN
689
00:27:58,433 --> 00:28:01,367
WITH ANY
SEXUALITY WHATSOEVER.
690
00:28:01,400 --> 00:28:04,700
I'M LOOKING FOR
ADULTS IN LIFE.
691
00:28:04,733 --> 00:28:06,633
NOTHING PERSONAL.
692
00:28:06,667 --> 00:28:09,300
I KNOW THAT'S A HARD
REJECTION FOR YOU, BUT...
693
00:28:09,333 --> 00:28:11,933
I CAN'T TAKE IT!
694
00:28:11,967 --> 00:28:14,100
I KNOW, IT'S
HARD, ISN'T IT?
695
00:28:14,133 --> 00:28:16,467
REALLY, I DON'T HAVE A
PROBLEM WITH THAT AT ALL.
696
00:28:16,500 --> 00:28:19,333
I'M SORRY BUT I
JUST CAN'T ACCEPT
697
00:28:19,367 --> 00:28:23,733
YOUR KIND OFFER
OF SEXUAL FAVORS.
698
00:28:23,767 --> 00:28:25,600
SO WHY'D YOU
COME HERE?
699
00:28:25,633 --> 00:28:27,067
TO NEW YORK?
700
00:28:27,100 --> 00:28:30,167
TO NOT BE IN
LOS ANGELES.
701
00:28:30,200 --> 00:28:33,367
TO NOT BE
ALONE IN MY HOUSE-
702
00:28:33,400 --> 00:28:37,133
IN OUR HOUSE, THE HOUSE
THAT WAS AN "OUR" HOUSE
703
00:28:37,167 --> 00:28:40,733
AND IS NOW A "MY"
HOUSE IN LOS ANGELES.
704
00:28:40,767 --> 00:28:44,200
THE HOUSE I'D BEEN LIVING
HAPPILY IN FOR A LONG TIME
705
00:28:44,233 --> 00:28:48,267
AND NOW I AM NOT IN IT WITH
THE PERSON I WAS HAPPY WITH
706
00:28:48,300 --> 00:28:51,433
SO I COME BACK TO
THE CITY THAT I'M FROM
707
00:28:51,467 --> 00:28:54,767
THINKING I CAN START MY
LIFE OVER AGAIN HERE
708
00:28:54,800 --> 00:28:58,267
AND FIND A WAY TO BE
HAPPY AGAIN HERE
709
00:28:58,300 --> 00:29:01,633
LIKE I WAS BEFORE...
BEFORE.
710
00:29:01,667 --> 00:29:03,900
BUT WHAT I
THINK I PROBABLY
711
00:29:03,933 --> 00:29:05,867
HAVE TO COME
TO TERMS WITH
712
00:29:05,900 --> 00:29:08,400
IS THE FACT THAT IT'S
TOO LATE TO DO THAT.
713
00:29:08,433 --> 00:29:10,533
YOU GET TO A
CERTAIN POINT IN LIFE
714
00:29:10,567 --> 00:29:15,767
AND YOU CAN'T
START AGAIN.
715
00:29:15,800 --> 00:29:17,433
OH, I DON'T
AGREE WITH THAT.
716
00:29:17,467 --> 00:29:19,700
WHETHER YOU AGREE OR
NOT- IT'S VERY SWEET
717
00:29:19,733 --> 00:29:22,100
OF YOU TO SAY YOU
DON'T AGREE WITH IT,
718
00:29:22,133 --> 00:29:23,933
BUT YOU HAVE NO
WAY OF KNOWING YET.
719
00:29:23,967 --> 00:29:25,267
I DO KNOW.
720
00:29:25,300 --> 00:29:26,967
YOU DON'T KNOW.
721
00:29:27,000 --> 00:29:28,567
THERE'S NO REASON
WHY YOU SHOULDN'T
722
00:29:28,600 --> 00:29:30,333
BE ABLE TO
START AGAIN.
723
00:29:30,367 --> 00:29:31,933
THERE'S NO MORE
REASON THAT YOU
724
00:29:31,967 --> 00:29:34,000
SHOULDN'T BE ABLE
TO START AGAIN THAN
725
00:29:34,033 --> 00:29:36,800
THAT I SHOULDN'T BE
ABLE TO START AGAIN.
726
00:29:36,833 --> 00:29:40,867
ONE GENERATION IS ABOUT
THE REASON, DIFFERENT.
727
00:29:40,900 --> 00:29:43,267
WHEN YOU START AND YOU'VE
GOT THIS ENTIRE FUTURE
728
00:29:43,300 --> 00:29:45,500
TO LOOK FORWARD TO AND
IT HASN'T HAPPENED YET
729
00:29:45,533 --> 00:29:47,400
IT'S TOTALLY DIFFERENT
THAN WHEN IT'S HAPPENED
730
00:29:47,433 --> 00:29:49,200
AND IT DIDN'T WORK AND
THEN YOU'RE SUPPOSED TO
731
00:29:49,233 --> 00:29:51,133
START AGAIN AND IT'S
A VERY HARD THING TO
732
00:29:51,167 --> 00:29:53,433
IMAGINE DOING AND
I THINK PROBABLY
733
00:29:53,467 --> 00:29:56,800
THE GROWN-UP THING TO
DO IS TO COME TO TERMS
734
00:29:56,833 --> 00:29:59,100
WITH THE FACT
THAT IT'S TOO LATE.
735
00:29:59,133 --> 00:30:01,567
I DON'T THINK GIVING UP
IS THE GROWN-UP THING
736
00:30:01,600 --> 00:30:03,200
TO DO IN LIFE.
737
00:30:03,233 --> 00:30:06,833
I WASN'T TALKING
ABOUT GIVING UP.
738
00:30:06,867 --> 00:30:09,400
SOUNDS TO ME LIKE
YOU'RE GIVING UP.
739
00:30:09,433 --> 00:30:12,800
I'M TALKING ABOUT
GIVING IN TO REALITY,
740
00:30:12,833 --> 00:30:15,333
I'M TALKING ABOUT GIVING
IN TO THE TRUTH OF THE
741
00:30:15,367 --> 00:30:19,000
FACT THAT REALITY IS THAT
AFTER A CERTAIN NUMBER
742
00:30:19,033 --> 00:30:22,733
OF YEARS YOU CAN'T BEGIN
AGAIN AS IF YOU WERE -
743
00:30:22,767 --> 00:30:25,167
WHAT ARE YOU,
25, 26 YEARS OLD?
744
00:30:25,200 --> 00:30:28,433
YOU CAN'T DO THAT WHEN
YOU'RE 45 OR 46 YEARS OLD.
745
00:30:28,467 --> 00:30:30,400
IT'S A TOTALLY
DIFFERENT THING.
746
00:30:30,433 --> 00:30:33,633
YOU CAN'T SUDDENLY
PRETEND THAT YOU'VE GOT
747
00:30:33,667 --> 00:30:36,467
THAT SAME SPAN OF LIFE IN
FRONT OF YOU AND THE SAME
748
00:30:36,500 --> 00:30:39,233
TIME TO GO OUT THERE AND
HOPE TO MEET THE PERSON
749
00:30:39,267 --> 00:30:42,200
AND TO FIND THAT BALANCE
BETWEEN ALL THE THINGS
750
00:30:42,233 --> 00:30:44,667
NECESSARY IN ORDER FOR
YOU AND THAT OTHER PERSON
751
00:30:44,700 --> 00:30:46,733
TO START A
LIFE TOGETHER.
752
00:30:46,767 --> 00:30:49,133
ESPECIALLY IF LIKE ME YOU
HAVEN'T HAD CHILDREN YET
753
00:30:49,167 --> 00:30:51,300
AND YOU WANT DESPERATELY
TO HAVE CHILDREN
754
00:30:51,333 --> 00:30:53,933
AND YOU DON'T THINK
THERE'S ANY WAY TO DO IT.
755
00:30:53,967 --> 00:30:56,967
IT'S A VERY DANGEROUS
DREAM TO HOLD ONTO.
756
00:30:57,000 --> 00:31:01,233
SO MAYBE IT'S BETTER AND
GROWN AND MORE IN TOUCH
757
00:31:01,267 --> 00:31:03,667
WITH REALITY TO
ACKNOWLEDGE THE FACT
758
00:31:03,700 --> 00:31:08,700
THAT THIS IS WHAT IT IS,
THAT YOU ARE WHO YOU ARE,
759
00:31:08,733 --> 00:31:12,267
IT IS TOO LATE AND FIND
ANOTHER LEVEL IN LIFE,
760
00:31:12,300 --> 00:31:14,567
ANOTHER LEVEL OF
ENJOYMENT OF LIFE
761
00:31:14,600 --> 00:31:17,300
OTHER THAN EXPECTANCY,
OTHER THAN ROMANTIC HOPE,
762
00:31:17,333 --> 00:31:19,900
OTHER THAN DREAMING
STILL OF MEETING SOMEBODY,
763
00:31:19,933 --> 00:31:24,100
OTHER THAN PLACING YOUR
ENTIRE FANTASY LEVEL,
764
00:31:24,133 --> 00:31:27,267
YOUR HOPEFULNESS LEVEL,
YOUR HAPPINESS LEVEL
765
00:31:27,300 --> 00:31:31,300
ON A DREAM THAT IS
APPROPRIATE FOR
766
00:31:31,333 --> 00:31:34,467
SOMEBODY OF 25 AND
NOT SOMEBODY OF 45.
767
00:31:34,500 --> 00:31:37,167
WELL, MAYBE THE NEXT
RELATIONSHIP IN YOUR LIFE
768
00:31:37,200 --> 00:31:39,400
WILL EXIST ON
ANOTHER LEVEL.
769
00:31:39,433 --> 00:31:40,933
YEAH, AND
MAYBE NOT.
770
00:31:40,967 --> 00:31:42,733
OR MAYBE THAT
OTHER LEVEL WILL BE
771
00:31:42,767 --> 00:31:44,467
SOME KIND OF
COMPROMISE LEVEL.
772
00:31:44,500 --> 00:31:46,467
A LEVEL WHERE IT'S NICE
BUT IT'S NOT EVERYTHING.
773
00:31:46,500 --> 00:31:48,567
AND IT'S OKAY
BUT IT'S NOT TOTAL,
774
00:31:48,600 --> 00:31:52,100
AND IT DOESN'T SATISFY
WHAT REALLY HAS TO BE DONE.
775
00:31:52,133 --> 00:31:57,133
(DOORBELL)
776
00:31:57,167 --> 00:31:59,167
HI, HAPPY
NEW YEAR.
777
00:32:02,000 --> 00:32:03,700
WINONA, I'D LIKE YOU
TO MEET MY FRIEND,
778
00:32:03,733 --> 00:32:05,567
DR. STADTHAGEN.
779
00:32:05,600 --> 00:32:07,667
NICE TO MEET
YOU, COME ON IN.
780
00:32:07,700 --> 00:32:09,700
LET ME TAKE
YOUR UMBRELLA.
781
00:32:13,567 --> 00:32:15,333
I THINK EVERYBODY
HAS THE POSSIBILITY
782
00:32:15,367 --> 00:32:16,600
TO START AGAIN,
783
00:32:16,633 --> 00:32:18,333
TO START SOMEWHERE
IN THEIR LIFE AGAIN,
784
00:32:18,367 --> 00:32:19,800
TO HAVE CHILDREN
LATE IN LIFE,
785
00:32:19,833 --> 00:32:21,367
TO HAVE LOVE
LATE IN LIFE.
786
00:32:21,400 --> 00:32:22,633
LATE IN LIFE?
787
00:32:22,667 --> 00:32:24,300
YOU'RE NOT LATE - I
LOOKED AT YOUR FACE
788
00:32:24,333 --> 00:32:25,833
AS SOON AS
I SAID THAT.
789
00:32:25,867 --> 00:32:27,567
I DIDN'T- YOU'RE
TALKING LIKE YOU'RE
790
00:32:27,600 --> 00:32:29,867
AT THE END OF THE
GODDAMN ROAD, MISTER.
791
00:32:29,900 --> 00:32:32,567
LATE IN FUCKING
LIFE, IS YOUR WORDS.
792
00:32:32,600 --> 00:32:35,533
I AM RESPONDING
TO YOUR ATTITUDE.
793
00:32:35,567 --> 00:32:37,900
IT HAS NOTHING TO
DO WITH LATE IN LIFE.
794
00:32:37,933 --> 00:32:43,133
I AM PRENATAL
ACCORDING TO YOU,
795
00:32:43,167 --> 00:32:45,533
SO LOOK AT
WHERE YOU ARE.
796
00:32:45,567 --> 00:32:47,533
YOU'RE ONLY
JUST BEGINNING.
797
00:32:47,567 --> 00:32:49,100
YEP.
798
00:32:49,133 --> 00:32:54,933
I'M FEELING STRANGELY
LIKE THE OLDER MAN.
799
00:32:54,967 --> 00:32:57,133
I GUESS THAT COMES
TO EVERYBODY
800
00:32:57,167 --> 00:32:58,867
AT ONE MOMENT
OR ANOTHER...
801
00:32:58,900 --> 00:33:00,867
FEELING THAT YOU'RE
THE OLDER MAN.
802
00:33:00,900 --> 00:33:02,833
I ALWAYS WAS THE
YOUNGEST ONE,
803
00:33:02,867 --> 00:33:04,667
AND EVERYBODY
ELSE WAS OLDER
804
00:33:04,700 --> 00:33:07,500
SO IT'S VERY WEIRD TO
SUDDENLY WAKE UP ONE DAY
805
00:33:07,533 --> 00:33:09,500
- AND THAT'S
EXACTLY HOW IT SEEMS -
806
00:33:09,533 --> 00:33:12,067
YOU WAKE UP ONE DAY AND
FIND YOURSELF PLAYING A PART.
807
00:33:12,100 --> 00:33:14,033
I'M PLAYING THE
PART OF THE OLDER MAN.
808
00:33:14,067 --> 00:33:15,633
THAT'S A
LITTLE WEIRD.
809
00:33:15,667 --> 00:33:17,833
WHERE ARE YOU
PLAYING THIS ROLE?
810
00:33:17,867 --> 00:33:19,767
WELL, WITH
YOUR KNEE.
811
00:33:19,800 --> 00:33:21,400
(LAUGHING)
812
00:33:21,433 --> 00:33:24,500
KNEES.
813
00:33:24,533 --> 00:33:26,167
HAPPY NEW YEAR.
814
00:33:26,200 --> 00:33:28,333
HAPPY NEW YEAR.
815
00:33:28,367 --> 00:33:30,367
LITTLE DRINK...
816
00:33:35,900 --> 00:33:45,833
(DOORBELL)
817
00:33:45,867 --> 00:33:47,300
DAD?
818
00:33:47,333 --> 00:33:49,267
I WANT TO TALK
TO YOU ABOUT
819
00:33:49,300 --> 00:33:51,100
THIS CALIFORNIA
THING.
820
00:33:51,133 --> 00:33:52,967
BUT I CAN'T DO
IT RIGHT NOW.
821
00:33:53,000 --> 00:33:55,767
IT HAS TO BE RIGHT NOW,
YOU'RE LEAVING TOMORROW.
822
00:33:55,800 --> 00:33:58,667
WHY DON'T I JUST CALL YOU
IN AN HOUR OR SOMETHING.
823
00:33:58,700 --> 00:34:01,600
HONEY, I DON'T THINK
IT'S GOING TO HAPPEN.
824
00:34:01,633 --> 00:34:04,267
IT WILL, I SWEAR. I'LL
CALL YOU IN AN HOUR.
825
00:34:04,300 --> 00:34:06,567
YOU GOT SOMEBODY
HERE? WHAT'S GOING ON?
826
00:34:06,600 --> 00:34:08,300
THERE'S A COUPLE OF
PEOPLE HERE BUT I'VE GOT
827
00:34:08,333 --> 00:34:10,600
SO MUCH STUFF TO DO
AND YOU DIDN'T CALL.
828
00:34:10,633 --> 00:34:12,367
I DON'T HAVE TO
CALL, I'M YOUR FATHER.
829
00:34:12,400 --> 00:34:15,567
TEN MINUTES IS ALL
I WANT, TEN MINUTES!
830
00:34:15,600 --> 00:34:17,567
I CAN'T DO IT
NOW, DADDY!
831
00:34:17,600 --> 00:34:19,367
HONEY, I'VE
THOUGHT ABOUT IT,
832
00:34:19,400 --> 00:34:21,400
I'VE GOT TO TALK
TO YOU ABOUT IT.
833
00:34:21,433 --> 00:34:23,067
I CANNOT LET YOU
GO TO CALIFORNIA
834
00:34:23,100 --> 00:34:24,433
JUST LIKE THAT!
835
00:34:24,467 --> 00:34:26,300
FINE, TEN
MINUTES, OKAY?
836
00:34:26,333 --> 00:34:29,067
THAT'S ALL I'M GIVING
YOU AND THEN YOU'LL GO?
837
00:34:29,100 --> 00:34:30,900
I'LL GO AS SOON AS
WE'RE THROUGH TALKING.
838
00:34:30,933 --> 00:34:32,133
FIFTEEN MINUTES.
839
00:34:32,167 --> 00:34:33,400
TEN MINUTES, DADDY.
840
00:34:33,433 --> 00:34:35,333
I'M YOUR FATHER,
I MAY DIE TOMORROW.
841
00:34:35,367 --> 00:34:37,900
YOU'RE NOT GOING TO DIE,
YOU'VE GOT TEN MINUTES.
842
00:34:37,933 --> 00:34:39,933
BUT DON'T DO IT
WITH AN ATTITUDE.
843
00:34:48,467 --> 00:34:52,933
HONEY, LIFE IS
LIKE A TV SITCOM.
844
00:34:52,967 --> 00:34:56,267
YOU GOTTA KNOW WHERE
THE LAUGHS ARE AND
845
00:34:56,300 --> 00:34:58,733
ALWAYS REMEMBER, WHEN
THINGS GET EMOTIONAL
846
00:34:58,767 --> 00:35:01,500
YOU KNOW THERE'S A
COMMERCIAL COMING UP.
847
00:35:01,533 --> 00:35:02,900
OH, GOD, DAD.
848
00:35:02,933 --> 00:35:04,333
I KNOW
THESE THINGS.
849
00:35:04,367 --> 00:35:06,600
I HAVEN'T SPENT YEARS
WRITING THEM FOR NOTHING.
850
00:35:06,633 --> 00:35:08,300
PEARLS OF
WISDOM.
851
00:35:08,333 --> 00:35:10,467
I DON'T KNOW THAT I
WOULD HAVE BEEN ABLE
852
00:35:10,500 --> 00:35:12,733
TO MAKE THIS TRIP
WITHOUT THAT ADVICE.
853
00:35:12,767 --> 00:35:15,133
HAVE YOU MADE ANY NEW
YEAR'S RESOLUTIONS?
854
00:35:15,167 --> 00:35:17,800
I'M GIVING UP ALL MY
COMPULSIVE BEHAVIOR.
855
00:35:17,833 --> 00:35:19,133
ALL OF IT?
856
00:35:19,167 --> 00:35:21,600
I WAS A HIT, I LEFT A HIT,
YOU DON'T SEE ME OUT THERE.
857
00:35:21,633 --> 00:35:23,833
FINE, I HAVE TO GO
THERE AND BE A HIT.
858
00:35:23,867 --> 00:35:25,133
AND GET HURT?
859
00:35:25,167 --> 00:35:26,933
I CAN HANDLE
BEING HURT, OKAY?
860
00:35:26,967 --> 00:35:30,233
I CAN GET HURT WHEREVER
I GO, I'M GOING TO LA.
861
00:35:30,267 --> 00:35:32,500
HONEY, IT'S LIKE WALKING
INTO A STRANGE PARTY.
862
00:35:32,533 --> 00:35:34,000
YOU DON'T KNOW
ANYBODY THERE,
863
00:35:34,033 --> 00:35:35,700
I'M NOT
THERE ANYMORE.
864
00:35:35,733 --> 00:35:37,233
YOU THINK
IT'S EASY?
865
00:35:37,267 --> 00:35:39,233
YOU KNOW WHAT
THAT PLACE IS LIKE?
866
00:35:39,267 --> 00:35:41,200
WHY DO WE HAVE
TO TALK OUT HERE?
867
00:35:41,233 --> 00:35:43,233
I FEEL LIKE
I'M IN A...
868
00:35:43,267 --> 00:35:45,300
I CAN'T COME UP
WITH ANYTHING NOW.
869
00:35:45,333 --> 00:35:46,800
I'VE GOT MY
PHILOSOPHY,
870
00:35:46,833 --> 00:35:48,700
NOW HERE'S MY ADVICE
AND TAKE IT, PLEASE.
871
00:35:48,733 --> 00:35:50,933
DO NOT GO TO
LA. DON'T GO.
872
00:35:50,967 --> 00:35:52,933
I'M GOING TO GIVE
UP ANSWERING
873
00:35:52,967 --> 00:35:55,900
THE PERSONAL ADS IN
THE NEW YORK REVUE.
874
00:35:55,933 --> 00:36:03,100
(DOORBELL)
875
00:36:03,133 --> 00:36:05,033
LAZLO.
876
00:36:05,067 --> 00:36:09,167
I CAME TO WISH
YOU BON VOYAGE!
877
00:36:09,200 --> 00:36:12,400
NOW THIS
ONE IS COLD.
878
00:36:12,433 --> 00:36:14,500
SO WE'LL
DRINK IT NOW.
879
00:36:14,533 --> 00:36:17,600
THIS ONE YOU'RE SUPPOSED
TO PUT IN THE FREEZER.
880
00:36:17,633 --> 00:36:20,267
MMM.
881
00:36:20,300 --> 00:36:22,433
THE RADIATOR'S BEEN
BANGING AND BANGING
882
00:36:22,467 --> 00:36:24,400
AND MAKING THE
MOST HORRIBLE NOISE.
883
00:36:24,433 --> 00:36:26,900
YOU DON'T HAVE TO
COMPLAIN ABOUT THAT NOW.
884
00:36:26,933 --> 00:36:29,333
ALRIGHT, I
WON'T COMPLAIN.
885
00:36:29,367 --> 00:36:31,567
THE NEW TENANT IS HERE,
HE SHOWED UP A DAY EARLY.
886
00:36:31,600 --> 00:36:33,133
YOU WANT TO
MEET HIM?
887
00:36:33,167 --> 00:36:34,700
HE SEEMS LIKE
A NICE GUY.
888
00:36:34,733 --> 00:36:36,500
WHAT DID YOU WANT
TO TALK TO ME ABOUT?
889
00:36:36,533 --> 00:36:39,333
I CAN'T TALK HER
OUT OF GOING TO LA.
890
00:36:39,367 --> 00:36:40,833
THE KID'S SO
DETERMINED
891
00:36:40,867 --> 00:36:42,667
I DON'T KNOW WHAT
TO DO ANYMORE.
892
00:36:42,700 --> 00:36:44,267
BROOKS, YOU
GOTTA LET HER GO.
893
00:36:44,300 --> 00:36:46,333
IT'S NOT ME
LETTING HER GO,
894
00:36:46,367 --> 00:36:48,000
IT'S NOTHING
TO DO WITH THAT.
895
00:36:48,033 --> 00:36:50,267
SHE'S GOING TO
GET HURT OUT THERE.
896
00:36:50,300 --> 00:36:51,933
YOU HAVE TO LET
HER GET HURT
897
00:36:51,967 --> 00:36:53,567
AND LEARN
ON HER OWN.
898
00:36:53,600 --> 00:36:55,167
OH, COME ON.
899
00:36:55,200 --> 00:36:57,333
MY LITTLE
WHITE DOVE.
900
00:36:57,367 --> 00:36:59,800
WHY DO YOU
ALWAYS CALL ME THAT?
901
00:36:59,833 --> 00:37:02,267
THAT'S THE
LULLABY.
902
00:37:02,300 --> 00:37:07,700
LITTLE WHITE DOVE IS
FLYING AND SHE MEETS
903
00:37:07,733 --> 00:37:13,767
GOD'S LITTLE ANGEL
AND THE ANGEL ASKS
904
00:37:13,800 --> 00:37:16,567
"WHERE ARE YOU
GOING, HUMAN SOUL?"
905
00:37:16,600 --> 00:37:21,600
AND THE SOUL SAYS "I'M
TRYING TO REACH HEAVEN".
906
00:37:26,133 --> 00:37:28,967
I'M TRYING TO
REACH HEAVEN.
907
00:37:29,000 --> 00:37:31,967
HEAVEN.
908
00:37:32,000 --> 00:37:35,200
I NEVER TOLD YOU
THE ENGLISH WORD?
909
00:37:35,233 --> 00:37:37,233
NO.
910
00:37:37,267 --> 00:37:39,867
YOU'RE HER FATHER.
WHATEVER YOU SAY
911
00:37:39,900 --> 00:37:42,733
AT THIS POINT IN HER LIFE
SHE'S GOING TO RESIST.
912
00:37:42,767 --> 00:37:44,200
LET HER LEARN IT.
913
00:37:44,233 --> 00:37:46,100
IF IT'S THAT BAD
SHE'LL FIND OUT.
914
00:37:46,133 --> 00:37:47,700
THEN IT WILL
BE TOO LATE,
915
00:37:47,733 --> 00:37:49,633
LIKE GOING INTO
COMBAT AND DYING.
916
00:37:49,667 --> 00:37:51,167
YOU WENT THERE.
917
00:37:51,200 --> 00:37:52,900
YOU HAD THE
EXPERIENCE.
918
00:37:52,933 --> 00:37:55,500
OH, GOD. THERE'S
NOT GOING TO BE
919
00:37:55,533 --> 00:37:58,467
ANYBODY LIKE
YOU IN CALIFORNIA.
920
00:37:58,500 --> 00:37:59,900
COME ON.
921
00:37:59,933 --> 00:38:02,400
I'M GOING TO GET IN SOME
TINY APARTMENT, SOME GIRL
922
00:38:02,433 --> 00:38:04,867
IN GYM SHORTS IS GOING
TO LIVE IN THE BUILDING.
923
00:38:04,900 --> 00:38:06,600
"OH, HI, YOU
NEED SOMETHING?
924
00:38:06,633 --> 00:38:08,167
WHAT CAN
I GET YOU?
925
00:38:08,200 --> 00:38:09,333
OH, REALLY?
926
00:38:09,367 --> 00:38:10,933
I DON'T THINK WE
HAVE THAT HERE.
927
00:38:10,967 --> 00:38:13,567
I DON'T THINK THEY
EVEN SELL IT IN LA".
928
00:38:13,600 --> 00:38:16,733
THE BRAIN CELLS DIE
THE MINUTE YOU HIT LAX,
929
00:38:16,767 --> 00:38:18,100
I'M NOT KIDDING.
930
00:38:18,133 --> 00:38:20,300
IT'S NOT A PLACE FOR
A YOUNG, VITAL PERSON.
931
00:38:20,333 --> 00:38:22,967
WHO MADE THESE SPOTS
ALL OVER THE WALLS?
932
00:38:23,000 --> 00:38:25,133
NOT ME. THEY
MOVED ALL THAT
933
00:38:25,167 --> 00:38:27,467
FURNITURE IN
AND EVERYTHING.
934
00:38:27,500 --> 00:38:29,667
WELL, OH, NO.
935
00:38:29,700 --> 00:38:31,767
I'M GOING TO
MISS YOU SO MUCH.
936
00:38:31,800 --> 00:38:33,333
THIS
REALLY HURTS.
937
00:38:33,367 --> 00:38:34,433
ME TOO.
938
00:38:34,467 --> 00:38:36,700
LISTEN, THE REASON I
FEEL I CAN TALK TO YOU
939
00:38:36,733 --> 00:38:38,267
ABOUT THIS IS YOU'RE
A LITTLE MORE MATURE
940
00:38:38,300 --> 00:38:39,867
THAN THE
OTHER GIRLS
941
00:38:39,900 --> 00:38:41,967
AND FRANKLY I'M
ATTRACTED TO YOU.
942
00:38:42,000 --> 00:38:44,133
DOES IT BOTHER
YOU IF I SAY THAT?
943
00:38:44,167 --> 00:38:45,433
NO, BROOKS.
944
00:38:45,467 --> 00:38:47,033
BECAUSE I
ALWAYS HAVE BEEN.
945
00:38:47,067 --> 00:38:49,367
REMEMBER WHEN YOU
HELPED ME THAT NIGHT?
946
00:38:49,400 --> 00:38:50,733
DO YOU
REMEMBER?
947
00:38:50,767 --> 00:38:53,133
WOW, DON'T
MENTION THAT.
948
00:38:53,167 --> 00:38:55,667
NO, BECAUSE I CAME IN
AND I WAS REALLY UPSET.
949
00:38:55,700 --> 00:38:57,400
I WAS IN SHOCK.
950
00:38:57,433 --> 00:38:59,867
BUT YOU TOOK ME INTO
YOUR BED AND YOU HELD ME
951
00:38:59,900 --> 00:39:04,333
AND YOU ALSO- BUT
IT... DIDN'T WORK.
952
00:39:04,367 --> 00:39:05,900
YOU HEAR THAT?
953
00:39:05,933 --> 00:39:07,067
STOP.
954
00:39:07,100 --> 00:39:08,633
THAT'S NOTHING
TO BRAG ABOUT.
955
00:39:08,667 --> 00:39:10,133
I'M NOT
BRAGGING.
956
00:39:10,167 --> 00:39:12,700
I SHOULD HAVE A
RAINCHECK FOR THAT NIGHT.
957
00:39:12,733 --> 00:39:14,433
YOU CAN HAVE
A RAINCHECK.
958
00:39:14,467 --> 00:39:15,600
OH, YEAH?
959
00:39:15,633 --> 00:39:17,167
WELL!
960
00:39:17,200 --> 00:39:22,300
(DOORBELL)
961
00:39:22,333 --> 00:39:23,767
HAPPY NEW YEAR.
962
00:39:23,800 --> 00:39:27,567
WHAT USUALLY MAN
SAY WHEN, YOU KNOW,
963
00:39:27,600 --> 00:39:30,133
AS AN EXCUSE WHEN
THEY CAN'T PERFORM?
964
00:39:30,167 --> 00:39:31,500
WHAT DO
THEY SAY?
965
00:39:31,533 --> 00:39:33,133
WHAT DO
THEY BLAME?
966
00:39:33,167 --> 00:39:35,167
THEY SAY THEY'VE
HAD A LOT TO DRINK.
967
00:39:35,200 --> 00:39:36,333
YEAH?
968
00:39:36,367 --> 00:39:38,200
THEY SAY THEY'RE
REALLY TIRED.
969
00:39:38,233 --> 00:39:40,133
YOU KNOW, BORING
STUFF LIKE THAT.
970
00:39:40,167 --> 00:39:43,167
BUT NOBODY EVER
BELIEVES THEM.
971
00:39:45,800 --> 00:39:47,833
DID I SAY
ANYTHING?
972
00:39:47,867 --> 00:39:50,633
THAT WAS THE BEST PART,
YOU DIDN'T SAY ANYTHING.
973
00:39:50,667 --> 00:39:55,467
WHY DO YOU THINK I,
YOU KNOW, DIDN'T?
974
00:39:55,500 --> 00:39:59,200
I DON'T KNOW BUT I
DIDN'T CARE BECAUSE
975
00:39:59,233 --> 00:40:02,500
WE JUST HELD EACH
OTHER ALL NIGHT.
976
00:40:02,533 --> 00:40:04,567
OF COURSE I
HAVE ONE FOR YOU.
977
00:40:04,600 --> 00:40:05,867
OH, GREAT.
978
00:40:05,900 --> 00:40:07,233
YOU LIKE IT?
979
00:40:07,267 --> 00:40:08,767
OH, THAT'S
A NICE ONE.
980
00:40:08,800 --> 00:40:10,467
I'M SO SAD ALL
OF A SUDDEN.
981
00:40:10,500 --> 00:40:12,800
WE DON'T WANT
TO LEAVE YOU.
982
00:40:12,833 --> 00:40:14,033
WE DON'T
WANT TO GO!
983
00:40:14,067 --> 00:40:16,533
WE'RE NEVER GOING
TO BE LIKE THIS AGAIN.
984
00:40:16,567 --> 00:40:22,333
YEAH, YOU BOTH
SMELL GOOD.
985
00:40:22,367 --> 00:40:24,933
OKAY, NOW WHAT
DO I HAVE TO DO?
986
00:40:24,967 --> 00:40:28,000
NOW YOU MAKE A WISH
WHILE I'M TYING THE KNOT.
987
00:40:28,033 --> 00:40:29,467
I KNOW
WHAT THAT IS.
988
00:40:29,500 --> 00:40:31,533
ARE YOU WISHING
FOR A BOY OR A GIRL?
989
00:40:31,567 --> 00:40:35,567
A GIRL. A GIRL
WOULD BE NICE.
990
00:40:45,633 --> 00:40:48,633
OOH AH AH AH.
991
00:41:01,800 --> 00:41:03,200
I DON'T THINK I
WANT TO DO IT.
992
00:41:03,233 --> 00:41:04,333
WHY?
993
00:41:04,367 --> 00:41:07,033
BECAUSE WHAT IF I MAKE A
WISH AND IT COMES TRUE?
994
00:41:07,067 --> 00:41:09,967
I DON'T EVEN
KNOW WHAT I WANT.
995
00:41:10,000 --> 00:41:14,333
WHAT IF I WISH FOR
SOMETHING AND IT'S THE
996
00:41:14,367 --> 00:41:20,367
WRONG THING AND I GET
IT AND I'M NOT READY.
997
00:41:20,400 --> 00:41:22,100
YOU MAKE A NEW
YEAR'S RESOLUTION,
998
00:41:22,133 --> 00:41:23,867
YOU MAKE A
NEW YEAR'S WISH.
999
00:41:23,900 --> 00:41:25,867
YOU STOP SOMETHING AND
YOU START SOMETHING.
1000
00:41:25,900 --> 00:41:27,800
BUT I DON'T EVEN
KNOW WHAT TO WISH FOR.
1001
00:41:27,833 --> 00:41:29,433
WISH FOR SOMETHING
REALLY SIMPLE,
1002
00:41:29,467 --> 00:41:31,000
SOMETHING
REALLY NICE.
1003
00:41:31,033 --> 00:41:32,233
YEAH?
1004
00:41:32,267 --> 00:41:33,800
OKAY.
1005
00:41:33,833 --> 00:41:37,833
MAKE YOUR WISH
WHILE I'M TYING IT ON.
1006
00:41:43,800 --> 00:41:45,500
HI.
1007
00:41:45,533 --> 00:41:47,733
GOD, THERE'S SO
MANY PEOPLE OUT THERE.
1008
00:41:47,767 --> 00:41:49,000
I KNOW.
1009
00:41:49,033 --> 00:41:50,567
I DON'T WANT
YOU TO GO.
1010
00:41:50,600 --> 00:41:52,600
I GOTTA
GO, ANNIE.
1011
00:41:54,200 --> 00:41:55,933
IT'S JUST KIND
OF SAD, ISN'T IT?
1012
00:41:55,967 --> 00:41:57,367
IT IS SAD.
1013
00:41:57,400 --> 00:41:59,400
BUT IT'S GOING
TO BE GREAT.
1014
00:41:59,433 --> 00:42:01,100
IT'S GOING TO BE
GREAT FOR YOU,
1015
00:42:01,133 --> 00:42:03,967
IT'S GOING TO
BE GREAT FOR ME.
1016
00:42:04,000 --> 00:42:14,033
*
1017
00:42:14,033 --> 00:42:24,033
*
1018
00:42:46,267 --> 00:42:47,733
LUCY, I
WANT TO TALK.
1019
00:42:47,767 --> 00:42:49,667
I HAVE TO
TALK TO YOU.
1020
00:42:49,700 --> 00:42:52,100
THIS IS A MAJOR THING,
WHY DON'T YOU JUST...
1021
00:42:52,133 --> 00:42:55,633
WHY ARE YOU
SO CONCERNED?
1022
00:42:55,667 --> 00:42:57,933
YOU CAME OUT OF
MY WIFE'S WOMB!
1023
00:42:57,967 --> 00:43:00,633
YOU'RE MY
DAUGHTER.
1024
00:43:00,667 --> 00:43:02,933
THIS IS NEW, THIS
FATHER OF THE YEAR STUFF.
1025
00:43:02,967 --> 00:43:04,467
I'M FINE, OKAY?
1026
00:43:04,500 --> 00:43:06,133
THERE ARE A LOT OF
PRETTY GIRLS HERE,
1027
00:43:06,167 --> 00:43:08,267
I'M SURE THERE'S
SOMEBODY YOU CAN TALK TO.
1028
00:43:08,300 --> 00:43:10,000
I'M FINE.
1029
00:43:10,033 --> 00:43:11,867
LUCY, COME ON.
1030
00:43:11,900 --> 00:43:15,767
AS OF TODAY NO MORE
SEX. UNLESS I KNOW
1031
00:43:15,800 --> 00:43:19,200
EVERY WOMAN THE
GUY HAS BEEN WITH
1032
00:43:19,233 --> 00:43:22,100
THAT I WANT TO BE WITH,
I'M NOT FUCKING HIM.
1033
00:43:22,133 --> 00:43:24,133
THE THERAPY I DO WITH
WOMEN ENTAILS THEIR
1034
00:43:24,167 --> 00:43:26,633
SEXUALITY AND THE
PROBLEMS RELATED TO IT.
1035
00:43:26,667 --> 00:43:29,400
AND I FOUND THE PERFECT
SYSTEM TO OVERCOME
1036
00:43:29,433 --> 00:43:32,367
THE PROBLEM OF MANY
PSYCHIATRISTS GETTING
1037
00:43:32,400 --> 00:43:35,567
INVOLVED IN THE ADVANTAGE
OF THE RELATIONSHIP
1038
00:43:35,600 --> 00:43:37,800
THEY HAVE WITH WOMEN
AND THEN SEDUCING
1039
00:43:37,833 --> 00:43:39,800
OR OTHERWISE HAVING
SEX WITH THEM.
1040
00:43:39,833 --> 00:43:42,033
WHAT I DO IS IT'S
IMPERATIVE THAT I HAVE
1041
00:43:42,067 --> 00:43:44,167
SEX WITH WOMEN BEFORE
THERE'S EVEN ANY HINT
1042
00:43:44,200 --> 00:43:45,967
THAT I PERFORM
THERAPY ON THEM.
1043
00:43:46,000 --> 00:43:48,067
I DON'T FEEL LIKE
DYING FROM SEX.
1044
00:43:48,100 --> 00:43:49,800
I'M SUPPOSED TO
GET TESTED NOW?
1045
00:43:49,833 --> 00:43:52,000
THEN HAVING THAT OUT
OF THE WAY THERE'S
1046
00:43:52,033 --> 00:43:54,700
NO OBSTACLE AND I'M FREE
TO ENGAGE IN THERAPY.
1047
00:43:54,733 --> 00:43:56,333
HOW DO YOU KNOW
WHERE HE'S BEEN?
1048
00:43:56,367 --> 00:43:58,100
HOW DO YOU KNOW
WHERE YOU'VE BEEN?
1049
00:43:58,133 --> 00:43:59,233
I GOT TESTED.
1050
00:43:59,267 --> 00:44:00,867
I DON'T
BELIEVE THAT.
1051
00:44:00,900 --> 00:44:02,800
I DID, I
GOT TESTED.
1052
00:44:02,833 --> 00:44:06,900
EXCUSE ME,
YOU ARE A...?
1053
00:44:06,933 --> 00:44:10,400
PSYCHOSEXOLOGIST.
1054
00:44:10,433 --> 00:44:12,433
OH, I SEE.
1055
00:44:12,467 --> 00:44:14,500
STOPPING SEX
IS SO BOGUS.
1056
00:44:14,533 --> 00:44:16,167
I MEAN,
STOP DRUGS.
1057
00:44:16,200 --> 00:44:18,667
THAT'S WHY
I DO PROFESS
1058
00:44:18,700 --> 00:44:20,933
TO SOME EXPERTISE
IN THIS FIELD.
1059
00:44:20,967 --> 00:44:23,133
NOTHING WILL EVER
GO UP THIS NOSE.
1060
00:44:23,167 --> 00:44:24,767
YOU THINK YOU
CAN KEEP TO IT?
1061
00:44:24,800 --> 00:44:26,067
I KNOW I CAN.
1062
00:44:26,100 --> 00:44:28,000
YOU KNOW, I
HAVE TO TELL YOU,
1063
00:44:28,033 --> 00:44:30,533
IT'S COMPLETELY
INCONSIDERATE
1064
00:44:30,567 --> 00:44:32,533
TO SMOKE THAT
SMELLY THING
1065
00:44:32,567 --> 00:44:34,800
AND HAVE DISREGARD
FOR PEOPLE LIKE THAT.
1066
00:44:34,833 --> 00:44:36,433
IT ALSO SHOWS
SOMETHING VERY
1067
00:44:36,467 --> 00:44:38,867
UNFORTUNATE ABOUT
YOUR SEXUAL CHARACTER.
1068
00:44:38,900 --> 00:44:40,967
TODAY IS THE FIRST DAY
OF THE REST OF MY LIFE
1069
00:44:41,000 --> 00:44:43,000
WITH A CLEAR
NASAL PASSAGE.
1070
00:44:43,033 --> 00:44:45,200
IF YOU CAN IMAGINE,
THE SHAPE OF THAT THING
1071
00:44:45,233 --> 00:44:48,200
AND WHAT YOU'RE TRYING
TO SUBSTITUTE IT FOR.
1072
00:44:48,233 --> 00:44:50,467
HEY!
1073
00:44:50,500 --> 00:44:52,933
SUBCONSCIOUS OR
UNCONSCIOUS FEAR
1074
00:44:52,967 --> 00:44:54,967
OF IMPOTENCY
ON YOUR PART.
1075
00:44:55,000 --> 00:44:56,333
EVERYBODY OKAY?
1076
00:44:56,367 --> 00:44:58,900
WE'RE TALKING ABOUT
LIFE AND DEATH AND DRUGS.
1077
00:44:58,933 --> 00:45:00,900
YOU'RE ABSOLUTELY
SURE IT'S OVER
1078
00:45:00,933 --> 00:45:02,467
BETWEEN YOU
AND LUCY?
1079
00:45:02,500 --> 00:45:04,133
IT DOESN'T MATTER.
SHE'S SURE.
1080
00:45:04,167 --> 00:45:05,767
SHE'S SURE
IT'S OVER.
1081
00:45:05,800 --> 00:45:07,267
BUT WHAT DO
YOU WANT?
1082
00:45:07,300 --> 00:45:09,033
I DON'T KNOW
WHAT I WANT.
1083
00:45:09,067 --> 00:45:10,633
YOU WANT
ANYTHING? NO?
1084
00:45:10,667 --> 00:45:12,967
A CRANBERRY
JUICE AND VODKA.
1085
00:45:13,000 --> 00:45:16,233
CRANBERRY
JUICE, OKAY.
1086
00:45:16,267 --> 00:45:18,167
I'M GOING TO LA.
1087
00:45:18,200 --> 00:45:22,000
LISTEN, EVERYBODY
OUT THERE IS BISEXUAL.
1088
00:45:22,033 --> 00:45:24,500
MAYBE YOU'LL
MAKE A WISH.
1089
00:45:24,533 --> 00:45:27,167
WHAT IS THIS?
1090
00:45:27,200 --> 00:45:28,733
IT'S A WISH
BRACELET.
1091
00:45:28,767 --> 00:45:30,767
A WISH
BRACELET?
1092
00:45:55,300 --> 00:45:56,700
WHERE DO YOU
GET THOSE?
1093
00:45:56,733 --> 00:45:58,867
I MADE THEM.
1094
00:45:58,900 --> 00:46:01,900
(DOORBELL)
1095
00:46:05,667 --> 00:46:07,367
OH, THANK
GOD IT'S YOU.
1096
00:46:07,400 --> 00:46:09,167
IF I EVER NEEDED TO
TALK TO YOU IT'S NOW.
1097
00:46:09,200 --> 00:46:11,167
MY FATHER'S DRIVING
ME OUT OF MY MIND.
1098
00:46:11,200 --> 00:46:13,267
FOR THE FIRST TIME IN MY
ENTIRE LIFE HE'S PLAYING
1099
00:46:13,300 --> 00:46:15,067
FATHER KNOWS BEST,
HE'S GOT SO MUCH ADVICE
1100
00:46:15,100 --> 00:46:16,500
I DON'T KNOW WHAT
TO DO WITH HIM.
1101
00:46:16,533 --> 00:46:18,067
I CAN'T SHUT
HIM UP BECAUSE
1102
00:46:18,100 --> 00:46:19,767
HE DOESN'T WANT
ME TO LEAVE.
1103
00:46:19,800 --> 00:46:21,800
AND THE GIRLS - I MEAN,
ANNIE'S SO GODDAMNED
1104
00:46:21,833 --> 00:46:23,667
DEPRESSED AND SHE'S
MAKING ME FEEL GUILTY
1105
00:46:23,700 --> 00:46:25,367
FOR LEAVING
BECAUSE IF I LEAVE
1106
00:46:25,400 --> 00:46:27,033
HER WHOLE FUCKING
LIFE FALLS APART.
1107
00:46:27,067 --> 00:46:28,567
I'VE GOTTA GET
OUT OF HERE.
1108
00:46:28,600 --> 00:46:30,200
WILLIAM'S ON THE
GODDAMN FIRE ESCAPE
1109
00:46:30,233 --> 00:46:31,767
FUCKING AROUND
WITH MARJORIE.
1110
00:46:31,800 --> 00:46:33,233
IT'S OUTRAGEOUS.
1111
00:46:33,267 --> 00:46:34,600
HE COMES
OVER HERE,
1112
00:46:34,633 --> 00:46:36,467
I THINK I'M
GOING, YOU KNOW.
1113
00:46:36,500 --> 00:46:38,667
I'VE GOTTEN HIM OUT OF MY
LIFE AND I DON'T WANT TO
1114
00:46:38,700 --> 00:46:41,233
TALK TO HIM AND HE SHOWS
UP HERE AND HE SAYS TO ME
1115
00:46:41,267 --> 00:46:43,567
"DON'T GO, DON'T GO"
AND I START THINKING,
1116
00:46:43,600 --> 00:46:45,067
OKAY, DON'T GO.
1117
00:46:45,100 --> 00:46:47,867
YOU SHOULDN'T LEAVE
SOMEBODY WHO YOU LOVE,
1118
00:46:47,900 --> 00:46:49,600
YOU SHOULDN'T
LEAVE A RELATIONSHIP
1119
00:46:49,633 --> 00:46:51,667
IF YOU THINK
IT'S GOING TO WORK.
1120
00:46:51,700 --> 00:46:53,867
AND I PUT SO MUCH
TIME INTO THIS,
1121
00:46:53,900 --> 00:46:56,100
MAYBE I'M NUTS, YOU
KNOW? MAYBE I'M NUTS
1122
00:46:56,133 --> 00:46:57,833
TO WALK AWAY FROM
THIS WHOLE THING.
1123
00:46:57,867 --> 00:47:00,267
WHAT THE FUCK AM I GOING
TO DO IN CALIFORNIA?
1124
00:47:00,300 --> 00:47:02,233
IT'S HOLLYWOOD
FOR CHRIST SAKE.
1125
00:47:02,267 --> 00:47:04,833
I LOVE THIS GUY,
I MEAN I LOVE HIM.
1126
00:47:04,867 --> 00:47:07,167
I MAY BE AN ASSHOLE
BUT I LOVE HIM.
1127
00:47:07,200 --> 00:47:09,700
AND THEN I WATCH HIM
DO THIS SHIT, YOU KNOW,
1128
00:47:09,733 --> 00:47:11,967
AND HE MAKES THESE
PROMISES TO ME
1129
00:47:12,000 --> 00:47:13,667
AND I START
BELIEVING HIM.
1130
00:47:13,700 --> 00:47:15,533
I START BELIEVING
HIM AGAIN.
1131
00:47:15,567 --> 00:47:17,400
I THINK HE
MEANS IT THIS TIME.
1132
00:47:17,433 --> 00:47:19,333
HE REALLY MEANS IT
BECAUSE HE'S A GOOD
1133
00:47:19,367 --> 00:47:21,700
PERSON, HE'S GOT A GOOD
SOUL AND A GOOD HEART
1134
00:47:21,733 --> 00:47:23,500
AND HE REALLY LOVES
ME, YOU KNOW?
1135
00:47:23,533 --> 00:47:26,233
I KNOW HE LOVES ME, AND
I KNOW HE LOVES ME MORE
1136
00:47:26,267 --> 00:47:29,500
THAN ANY OF THESE PEOPLE
THAT HE CAN'T KEEP HIS
1137
00:47:29,533 --> 00:47:32,367
GODDAMN HANDS OFF OF,
THAT HE HAS TO GO FOR
1138
00:47:32,400 --> 00:47:34,467
BECAUSE THEY'RE
GOING FOR HIM.
1139
00:47:34,500 --> 00:47:36,600
BUT I KNOW THAT
WHAT WE HAVE
1140
00:47:36,633 --> 00:47:38,700
IS MORE IMPORTANT
THAN THAT.
1141
00:47:38,733 --> 00:47:41,167
AND MAYBE I'M AN IDIOT
TO WALK AWAY FROM IT
1142
00:47:41,200 --> 00:47:42,867
AND STOP
FIGHTING.
1143
00:47:42,900 --> 00:47:45,533
WHAT AM
I DOING?
1144
00:47:45,567 --> 00:47:48,633
WHAT IF I GO OUT
THERE AND I REALIZE
1145
00:47:48,667 --> 00:47:50,933
WHAT A MISTAKE I'VE
MADE AND HE'S OFF
1146
00:47:50,967 --> 00:47:54,100
NECK DEEP IN SOME
OTHER RELATIONSHIP
1147
00:47:54,133 --> 00:47:57,167
BECAUSE HE CAN'T STAND
TO BE BY HIMSELF?
1148
00:47:57,200 --> 00:47:59,600
AND THEN I DON'T KNOW
WHO'S GOING TO BE
1149
00:47:59,633 --> 00:48:02,633
MORE UNHAPPY,
HIM OR ME?
1150
00:48:07,867 --> 00:48:10,300
YOU'RE LISTENING TO
THE WRONG VOICES.
1151
00:48:10,333 --> 00:48:12,933
YOU HAVE TO LISTEN
TO YOUR VOICE.
1152
00:48:12,967 --> 00:48:14,567
IT'S A
HASSLE NOW.
1153
00:48:14,600 --> 00:48:18,833
BUT IT'S A
TEMPORARY HASSLE.
1154
00:48:18,867 --> 00:48:21,667
ALL OF THAT
NONSENSE GOES AWAY.
1155
00:48:21,700 --> 00:48:25,200
YOU HAVE TO REMAIN,
AND THE YOU THAT HAS TO
1156
00:48:25,233 --> 00:48:27,967
REMAIN HAS TO BE STRONGER
THAN WHAT'S HERE NOW.
1157
00:48:28,000 --> 00:48:29,567
AND IT CAN'T
BE STRONGER
1158
00:48:29,600 --> 00:48:32,167
UNLESS THERE'S A
LITTLE BIT OF TROUBLE.
1159
00:48:32,200 --> 00:48:37,167
IT LOOKS LIKE IT'S SO
BIG, IT'S SO ENORMOUS,
1160
00:48:37,200 --> 00:48:40,500
BUT IT'S NO MATCH FOR ANY
OF THE DREAMS YOU HAVE.
1161
00:48:40,533 --> 00:48:43,067
IT'S NO MATCH FOR THE
TALENT, IT'S NO MATCH FOR
1162
00:48:43,100 --> 00:48:46,600
ANY OF THE STRENGTH, THE
STRENGTH THAT'S INSIDE.
1163
00:48:46,633 --> 00:48:49,700
THOSE PEOPLE MATTER IN
A CERTAIN WAY BUT NOT
1164
00:48:49,733 --> 00:48:54,900
IN ANY WAY TO EQUAL THE
POWER THAT'S INSIDE YOU.
1165
00:48:54,933 --> 00:48:56,700
YOU GOTTA
KEEP DREAMING.
1166
00:48:56,733 --> 00:48:58,733
THINK OF ALL THE
PHENOMENAL THINGS
1167
00:48:58,767 --> 00:49:02,700
WE TALKED ABOUT YOU
BEING ABLE TO DO.
1168
00:49:02,733 --> 00:49:05,733
YOU CAN DO IT.
1169
00:49:14,633 --> 00:49:16,667
SO WHAT IS THIS
BULLSHIT ABOUT, HUH?
1170
00:49:16,700 --> 00:49:18,100
WHAT BULLSHIT?
1171
00:49:18,133 --> 00:49:20,133
YOUR BULLSHIT, WHAT IS
YOUR BULLSHIT ABOUT?
1172
00:49:20,167 --> 00:49:21,633
YOU HAVE TO BE
MORE SPECIFIC.
1173
00:49:21,667 --> 00:49:23,133
WHAT KIND
OF BULLSHIT?
1174
00:49:23,167 --> 00:49:24,800
YOU DON'T KNOW WHAT
YOUR BULLSHIT IS?
1175
00:49:24,833 --> 00:49:26,367
I KNOW WHAT SOME
OF MY BULLSHIT IS.
1176
00:49:26,400 --> 00:49:28,867
WELL, WHAT IS THE
BULLSHIT YOU KNOW ABOUT?
1177
00:49:28,900 --> 00:49:31,600
WHAT MAKES
YOU INTERESTED?
1178
00:49:31,633 --> 00:49:33,633
BULLSHIT
IS MY LIFE.
1179
00:49:36,300 --> 00:49:38,067
DID YOU EVER
MAKE A WISH
1180
00:49:38,100 --> 00:49:40,233
WHEN YOU BLEW
OUT YOUR CANDLES?
1181
00:49:40,267 --> 00:49:42,500
DID YOU EVER TIE A STRING
AROUND YOUR FINGER?
1182
00:49:42,533 --> 00:49:43,933
THERE'S SOMETHING
VERY DISTURBING
1183
00:49:43,967 --> 00:49:45,600
ABOUT WHAT'S
GOING ON HERE.
1184
00:49:45,633 --> 00:49:47,833
AND YOU MANIFEST
THE DISTURBANCE.
1185
00:49:47,867 --> 00:49:49,733
I EMBODY IT.
1186
00:49:49,767 --> 00:49:51,367
YOU EMBODY THE
DISTURBANCE.
1187
00:49:51,400 --> 00:49:52,900
THAT DOES NOT
MEAN THAT YOU ARE
1188
00:49:52,933 --> 00:49:54,567
WHAT'S
DISTURBING.
1189
00:49:54,600 --> 00:49:56,633
IT DOES MEAN
THAT THE DISTURBANCE
1190
00:49:56,667 --> 00:49:58,800
RESTS IN
YOUR BODY.
1191
00:49:58,833 --> 00:50:00,967
AND IN
YOUR BULLSHIT.
1192
00:50:01,000 --> 00:50:01,933
YUP.
1193
00:50:01,967 --> 00:50:04,133
AND YOUR BULLSHIT
IS CONSIDERABLE.
1194
00:50:04,167 --> 00:50:06,067
THIS IS COMING FROM
SOMEONE WHO KNOWS?
1195
00:50:06,100 --> 00:50:08,767
I DO RECOGNIZE SOMETHING
ABOUT IT OBVIOUSLY.
1196
00:50:08,800 --> 00:50:10,400
SOMETHING
FAMILIAR.
1197
00:50:10,433 --> 00:50:12,133
SOMETHING
FAMILIAR, YES.
1198
00:50:12,167 --> 00:50:14,000
I CAN SAY
IT'S FAMILIAR.
1199
00:50:14,033 --> 00:50:15,733
BUT THE
DIFFERENCE IS,
1200
00:50:15,767 --> 00:50:18,300
AND THIS MAY BE
JUST CHRONOLOGICAL...
1201
00:50:18,333 --> 00:50:19,333
YEAH?
1202
00:50:19,367 --> 00:50:21,167
BUT I DOUBT IT.
1203
00:50:21,200 --> 00:50:23,167
THE DIFFERENCE
SEEMS TO BE THAT
1204
00:50:23,200 --> 00:50:26,833
UNDERNEATH MY
BULLSHIT IS A REALITY
1205
00:50:26,867 --> 00:50:28,767
THAT CAN COME
TO THE SURFACE
1206
00:50:28,800 --> 00:50:31,433
WHEN IT IS ENGAGING
ANOTHER HUMAN BEING.
1207
00:50:31,467 --> 00:50:33,267
UNDERNEATH
YOUR BULLSHIT
1208
00:50:33,300 --> 00:50:36,533
THERE SEEMS TO
BE MORE BULLSHIT.
1209
00:50:36,567 --> 00:50:38,667
WHEN I TIE IT
AROUND YOUR WRIST
1210
00:50:38,700 --> 00:50:41,567
YOU MAKE A WISH
TO YOURSELF.
1211
00:50:41,600 --> 00:50:44,667
AND YOU WEAR IT
UNTIL IT FALLS OFF
1212
00:50:44,700 --> 00:50:47,600
AND THEN YOUR WISH
WILL COME TRUE.
1213
00:50:47,633 --> 00:50:50,333
UNDERNEATH YOUR BULLSHIT
IS THERE SOMEBODY REAL?
1214
00:50:50,367 --> 00:50:52,600
THERE'S SOMEBODY REAL
WHO HAPPENS TO THINK
1215
00:50:52,633 --> 00:50:54,700
THAT THE BULLSHIT
IS SO INTERESTING
1216
00:50:54,733 --> 00:50:56,067
THAT HE CAN'T
GET RID OF IT.
1217
00:50:56,100 --> 00:50:57,500
OH, YOU'VE LEARNED
THAT THIS BULLSHIT
1218
00:50:57,533 --> 00:50:58,800
IS INTERESTING.
1219
00:50:58,833 --> 00:51:01,400
IMAGINATIVE BULLSHIT
DOESN'T SMELL AS BADLY.
1220
00:51:01,433 --> 00:51:04,467
AH, DON'T BE
CUTE WITH ME.
1221
00:51:04,500 --> 00:51:06,533
YOU DON'T TRUST THAT
UNDERNEATH YOUR BULLSHIT
1222
00:51:06,567 --> 00:51:08,433
WHAT YOU'VE REALLY
GOT IS INTERESTING,
1223
00:51:08,467 --> 00:51:10,200
THAT ANYBODY'S GOING
TO GIVE A SHIT, RIGHT?
1224
00:51:10,233 --> 00:51:12,233
I HAVE TO
BITE THIS OFF...
1225
00:51:18,767 --> 00:51:20,500
TELL ME
ABOUT LUCY.
1226
00:51:20,533 --> 00:51:21,900
IT'S PRIVATE.
1227
00:51:21,933 --> 00:51:24,333
I'M INTERESTED IN WHAT
YOU'RE DOING TO LUCY.
1228
00:51:24,367 --> 00:51:27,467
WHY DO YOU DO THIS
BULLSHIT WITH LUCY?
1229
00:51:27,500 --> 00:51:29,633
I DON'T KNOW.
1230
00:51:29,667 --> 00:51:31,667
IT SEEMS TO ME THAT
YOU'RE SAYING TO ME,
1231
00:51:31,700 --> 00:51:33,767
IF I UNDERSTAND
YOU CORRECTLY, THAT
1232
00:51:33,800 --> 00:51:36,933
YOU'RE AFRAID IF YOU LET
PEOPLE SEE WHO YOU ARE
1233
00:51:36,967 --> 00:51:39,233
THEY'RE GOING TO SEE
THAT NOBODY'S THERE...
1234
00:51:39,267 --> 00:51:41,667
OR WHOEVER'S THERE
ISN'T WORTH ANYTHING.
1235
00:51:41,700 --> 00:51:43,067
NOT THAT
NOBODY'S THERE,
1236
00:51:43,100 --> 00:51:45,200
I'M SURE SOMEBODY'S
THERE, THAT THE PERSON
1237
00:51:45,233 --> 00:51:47,700
THAT'S THERE IS
CORRUPT AND IS BAD.
1238
00:51:47,733 --> 00:51:50,867
YOU THINK
YOU'RE BAD?
1239
00:51:50,900 --> 00:51:57,067
I DON'T KNOW BAD, BUT,
YEAH, MAYBE IT IS BAD.
1240
00:51:57,100 --> 00:51:59,467
YOU REALLY BELIEVE
YOU'RE BAD IN SOME WAY?
1241
00:51:59,500 --> 00:52:00,500
YES.
1242
00:52:00,533 --> 00:52:01,700
WHAT WAY?
1243
00:52:01,733 --> 00:52:04,133
WHAT ARE YOU AFRAID
WILL SHOW UNDERNEATH?
1244
00:52:04,167 --> 00:52:06,800
YOU'RE SAYING SOMETHING
NEGATIVE WILL SHOW.
1245
00:52:06,833 --> 00:52:08,167
DARK.
1246
00:52:08,200 --> 00:52:10,267
DARK? IT'S OBVIOUSLY
VERY APPEALING
1247
00:52:10,300 --> 00:52:12,267
ON A CERTAIN LEVEL TO
WOMEN, THAT DARKNESS,
1248
00:52:12,300 --> 00:52:14,467
AND YOU KNOW THAT
AND YOU USE IT.
1249
00:52:14,500 --> 00:52:16,600
BUT WHEN WOMEN
ARE ATTRACTED TO ME
1250
00:52:16,633 --> 00:52:18,400
IT'S NOT FOR
THE DARKNESS,
1251
00:52:18,433 --> 00:52:20,167
IT'S FOR WHAT THEY
CONSIDER TO BE LIGHT.
1252
00:52:20,200 --> 00:52:21,900
BUT THEY'RE
NOT SEEING YOU.
1253
00:52:21,933 --> 00:52:24,200
RIGHT, I THINK THAT HAS
SOMETHING TO DO WITH
1254
00:52:24,233 --> 00:52:26,333
WHY THERE'S SO MUCH
MISTREATMENT GOING ON
1255
00:52:26,367 --> 00:52:28,767
FROM ME TO PEOPLE I
FEEL MISUNDERSTAND ME
1256
00:52:28,800 --> 00:52:30,500
OR DON'T
UNDERSTAND ME.
1257
00:52:30,533 --> 00:52:33,500
OR AREN'T GETTING WHAT
I FEEL MYSELF TO BE
1258
00:52:33,533 --> 00:52:35,067
SO I
PUNISH THEM.
1259
00:52:35,100 --> 00:52:36,900
DOES THAT HAVE ANYTHING
TO DO WITH THE REASON
1260
00:52:36,933 --> 00:52:38,600
SHE'S GOING
TO CALIFORNIA?
1261
00:52:38,633 --> 00:52:40,100
I IMAGINE IT DOES.
WHETHER SHE WANTS TO
1262
00:52:40,133 --> 00:52:41,633
TELL ME THAT OR
NOT IS UP TO HER.
1263
00:52:41,667 --> 00:52:43,033
HAS SHE TOLD
YOU THAT?
1264
00:52:43,067 --> 00:52:44,767
YEAH, SHE'S
TOLD ME THAT.
1265
00:52:44,800 --> 00:52:46,600
THAT HAS SOMETHING
TO DO WITH IT?
1266
00:52:46,633 --> 00:52:48,467
WELL, SURE. I MEAN,
WHAT DID YOU THINK?
1267
00:52:48,500 --> 00:52:50,600
I DON'T KNOW. I
DON'T KNOW HER.
1268
00:52:50,633 --> 00:52:52,600
I JUST WALKED INTO
HER SITUATION HERE
1269
00:52:52,633 --> 00:52:54,933
AND I'M SEEING
SOMETHING VERY FRAUGHT.
1270
00:52:54,967 --> 00:52:57,300
DO YOU MIND MY ASKING
YOU THESE QUESTIONS?
1271
00:52:57,333 --> 00:52:58,967
NOT REALLY.
1272
00:52:59,000 --> 00:53:01,300
I DON'T KNOW WHAT
YOU'RE GETTING OUT OF IT.
1273
00:53:01,333 --> 00:53:03,100
WHY DO YOU
CARE?
1274
00:53:03,133 --> 00:53:05,300
I DON'T KNOW, I'M
TRYING TO UNDERSTAND-
1275
00:53:05,333 --> 00:53:07,567
THESE PEOPLE ARE GOING
TO BE OUT OF YOUR LIFE
1276
00:53:07,600 --> 00:53:09,933
SO WHY DO YOU HAVE
TO UNDERSTAND THEM?
1277
00:53:09,967 --> 00:53:12,533
I'M A WRITER SO I LIKE
TO TRY TO UNDERSTAND
1278
00:53:12,567 --> 00:53:14,733
HUMAN BEHAVIOR.
1279
00:53:14,767 --> 00:53:17,567
SHE'S AN EXTREMELY
TALENTED GIRL.
1280
00:53:17,600 --> 00:53:19,500
AND MORE THAN THAT,
SHE'S APPROACHING
1281
00:53:19,533 --> 00:53:21,333
THE TIME WHEN SHE
REALLY IS GOING TO NEED
1282
00:53:21,367 --> 00:53:23,733
ALL THE SUPPORT NECESSARY
TO MAKE A DECISION
1283
00:53:23,767 --> 00:53:26,233
TO HAVE A CAREER
AND NOT TO DO THIS
1284
00:53:26,267 --> 00:53:28,667
MICKEY MOUSE BUSINESS
SHE'S BEEN DOING.
1285
00:53:28,700 --> 00:53:30,367
THE LITTLE
VOICES ARE GREAT,
1286
00:53:30,400 --> 00:53:32,400
SHE'S MAKING ABOUT
A GRAND A WEEK.
1287
00:53:32,433 --> 00:53:34,333
WHEN I TALK TO
A MAN, LIKE YOU,
1288
00:53:34,367 --> 00:53:36,500
IF YOU'RE NICE TO ME OR
YOU GIVE ME SOMETHING
1289
00:53:36,533 --> 00:53:38,233
I WANT TO GIVE YOU
SOMETHING BACK
1290
00:53:38,267 --> 00:53:39,733
BUT IT'S GOING TO BE
A PAT ON THE BACK
1291
00:53:39,767 --> 00:53:42,367
OR A BOOK OR A BEER
OR SOMETHING LIKE THAT.
1292
00:53:42,400 --> 00:53:44,000
WHEN A GIRL
IS NICE TO ME
1293
00:53:44,033 --> 00:53:47,133
I WANT TO GIVE
A KISS, OR SEX.
1294
00:53:47,167 --> 00:53:49,467
THAT'S THE WAY I
LEARNED HOW TO PAY BACK.
1295
00:53:49,500 --> 00:53:52,000
IT'S A NERVOUS
REACTION.
1296
00:53:52,033 --> 00:53:54,233
KISSING SOMEBODY'S
A NERVOUS REACTION?
1297
00:53:54,267 --> 00:53:55,600
IN A WAY.
1298
00:53:55,633 --> 00:53:57,433
I DON'T KNOW
THE WORD FOR IT.
1299
00:53:57,467 --> 00:53:59,167
IT'S A
CONFUSION.
1300
00:53:59,200 --> 00:54:01,133
WHERE DO
THINGS GO FURTHER?
1301
00:54:01,167 --> 00:54:02,800
HOW DO YOU
GET CLOSER?
1302
00:54:02,833 --> 00:54:04,667
WHEN DO YOU
STOP TALKING?
1303
00:54:04,700 --> 00:54:06,300
WHEN DO YOU
KEEP TALKING?
1304
00:54:06,333 --> 00:54:07,567
I SEE.
1305
00:54:07,600 --> 00:54:08,733
DO YOU SEE?
1306
00:54:08,767 --> 00:54:10,633
YOU STILL THINK
IT'S BULLSHIT.
1307
00:54:10,667 --> 00:54:12,200
I CAN TELL
BECAUSE...
1308
00:54:12,233 --> 00:54:13,533
YEAH, A
LITTLE BIT.
1309
00:54:13,567 --> 00:54:15,500
YOU MAY THINK
IT'S REAL,
1310
00:54:15,533 --> 00:54:17,733
YOU MAY BE IN MORE
TROUBLE THAN I REALIZED.
1311
00:54:17,767 --> 00:54:19,033
WHAT DO YOU DO?
1312
00:54:19,067 --> 00:54:20,433
I WRITE TOO.
1313
00:54:20,467 --> 00:54:22,700
YOU WRITE TOO?
WHAT DO YOU WRITE?
1314
00:54:22,733 --> 00:54:25,567
I'VE WRITTEN POETRY
AND I WRITE FICTION.
1315
00:54:25,600 --> 00:54:28,067
SENSITIVE POETRY YOU
CAN GIVE TO WOMEN?
1316
00:54:28,100 --> 00:54:31,633
AS SEDUCTION?
POETRY SEDUCTION?
1317
00:54:31,667 --> 00:54:34,633
YOU'VE DONE YOUR SHARE
OF POETRY SEDUCTION,
1318
00:54:34,667 --> 00:54:36,133
HAVEN'T YOU?
1319
00:54:36,167 --> 00:54:37,767
IT HAS BEEN
USED, YES.
1320
00:54:37,800 --> 00:54:40,900
WHAT? DON'T
GIVE ME BULLSHIT.
1321
00:54:40,933 --> 00:54:43,533
YOU'RE GIVING THEN
YOU'RE WITHHOLDING.
1322
00:54:43,567 --> 00:54:45,433
WHAT IS THAT?
1323
00:54:45,467 --> 00:54:47,800
IT WAS A LINE, IT
WAS A SEDUCTION.
1324
00:54:47,833 --> 00:54:50,467
"BEST POEMS ARE
IN THE BARROOMS".
1325
00:54:50,500 --> 00:54:51,933
WHO WERE
YOU SEDUCING
1326
00:54:51,967 --> 00:54:54,067
WHEN YOU WERE
GIVING ME THAT LINE?
1327
00:54:54,100 --> 00:54:55,300
YOU.
1328
00:54:55,333 --> 00:54:57,033
I THOUGHT YOU
DON'T SEDUCE MEN.
1329
00:54:57,067 --> 00:54:58,233
IN A
DIFFERENT WAY.
1330
00:54:58,267 --> 00:54:59,533
HOW?
1331
00:54:59,567 --> 00:55:01,700
WITHOUT THE KISS.
1332
00:55:01,733 --> 00:55:03,133
YUP.
1333
00:55:03,167 --> 00:55:06,333
I GOTTA SHOW
YOU THIS.
1334
00:55:06,367 --> 00:55:09,600
OKAY, LET'S SEE.
1335
00:55:09,633 --> 00:55:11,733
THAT'S MY
WISH PICTURE.
1336
00:55:11,767 --> 00:55:13,467
IT'S A NICE
PICTURE.
1337
00:55:13,500 --> 00:55:15,600
THAT'S WHAT I
WANT TO LOOK LIKE
1338
00:55:15,633 --> 00:55:19,067
WITH MY OWN CHILD
IN A YEAR AND A HALF.
1339
00:55:19,100 --> 00:55:21,267
IN A YEAR
AND A HALF?
1340
00:55:21,300 --> 00:55:23,600
WELL, THAT BABY'S
ABOUT SIX MONTHS OLD,
1341
00:55:23,633 --> 00:55:25,867
SO A YEAR AND
A HALF, YEAH.
1342
00:55:25,900 --> 00:55:30,033
I NEED YOUR SUPPORT
AS MY BIG BROTHER
1343
00:55:30,067 --> 00:55:31,733
IF I'M GOING
TO DO THIS.
1344
00:55:31,767 --> 00:55:33,500
YOU DIDN'T
TELL ME...
1345
00:55:33,533 --> 00:55:35,233
YOU'VE GOT
A BOYFRIEND?
1346
00:55:35,267 --> 00:55:38,733
NO. I'M GOING TO
DO IT ON MY OWN.
1347
00:55:38,767 --> 00:55:41,300
LET ME SEE IF
I GOT THIS.
1348
00:55:41,333 --> 00:55:43,300
TELL ME IF I
GOT THIS, OKAY?
1349
00:55:43,333 --> 00:55:45,600
YOU'RE ANGRY AT THEM
BECAUSE THEY DON'T SEE
1350
00:55:45,633 --> 00:55:47,433
WHO YOU REALLY ARE
UNDERNEATH THEREFORE
1351
00:55:47,467 --> 00:55:49,567
YOU DON'T SHOW THEM
WHO YOU ARE UNDERNEATH
1352
00:55:49,600 --> 00:55:51,067
AS A PUNISHMENT
AGAINST THEM
1353
00:55:51,100 --> 00:55:53,933
NOT BEING ABLE TO SEE
WHO YOU ARE UNDERNEATH.
1354
00:55:53,967 --> 00:55:56,800
SOMETHING LIKE THAT BUT
NOT THAT CHRONOLOGICAL.
1355
00:55:56,833 --> 00:55:58,500
TELL ME ABOUT
YOUR MOTHER.
1356
00:55:58,533 --> 00:56:00,500
TELL YOU ABOUT
MY MOTHER?
1357
00:56:00,533 --> 00:56:02,233
TELL ME ABOUT
YOUR MOTHER.
1358
00:56:02,267 --> 00:56:04,233
TELL ME ABOUT
YOUR RELATIONSHIP
1359
00:56:04,267 --> 00:56:05,533
WITH YOUR
MOTHER.
1360
00:56:05,567 --> 00:56:07,333
THIS MUST START
WITH YOUR MOTHER, NO?
1361
00:56:07,367 --> 00:56:08,733
SURE,
DOESN'T YOURS?
1362
00:56:08,767 --> 00:56:10,233
WE'RE NOT
TALKING ABOUT ME.
1363
00:56:10,267 --> 00:56:11,567
I KNOW AND IT'S
BOTHERING ME
1364
00:56:11,600 --> 00:56:13,167
THAT WE'RE NOT
TALKING ABOUT YOU.
1365
00:56:13,200 --> 00:56:14,500
YOU WANT TO
TALK ABOUT ME?
1366
00:56:14,533 --> 00:56:16,000
WE'LL TALK
ABOUT ME NEXT.
1367
00:56:16,033 --> 00:56:18,233
YOU REALLY WANT TO TALK
ABOUT YOU, DON'T YOU?
1368
00:56:18,267 --> 00:56:19,733
TELL THE TRUTH.
1369
00:56:19,767 --> 00:56:21,067
SURE.
1370
00:56:21,100 --> 00:56:22,867
OKAY, WE BOTH WANT
TO TALK ABOUT YOU
1371
00:56:22,900 --> 00:56:24,433
SO WE'RE
IN AGREEMENT.
1372
00:56:24,467 --> 00:56:26,467
TELL ME ABOUT
YOUR MOTHER.
1373
00:56:28,033 --> 00:56:30,133
I CAN'T
WAIT ANYMORE.
1374
00:56:30,167 --> 00:56:32,400
I GOTTA DO IT. I
JUST HAVE TO DO IT.
1375
00:56:32,433 --> 00:56:34,800
THE RELATIONSHIPS
AREN'T WORKING OUT AND
1376
00:56:34,833 --> 00:56:38,067
I CAN'T WAIT AROUND FOR
ONE TO TRY TO HAPPEN.
1377
00:56:38,100 --> 00:56:40,033
I'M GOING TO
DO IT ALONE.
1378
00:56:40,067 --> 00:56:43,567
I GOTTA
BE A MOM.
1379
00:56:43,600 --> 00:56:46,067
MY MOTHER'S VERY
OVERPROTECTIVE.
1380
00:56:46,100 --> 00:56:48,867
SHE'S STILL VERY
MUCH IN MY LIFE
1381
00:56:48,900 --> 00:56:50,700
WHICH IS
A PROBLEM.
1382
00:56:50,733 --> 00:56:56,567
I'M NOT ABLE TO MAKE THE
TRANSITION FROM BEING
1383
00:56:56,600 --> 00:57:01,233
AN ADOLESCENT OR
SOMEBODY WHO'S SHELTERED
1384
00:57:01,267 --> 00:57:04,233
BY THEIR MOTHER INTO
A RELATIONSHIP WHERE
1385
00:57:04,267 --> 00:57:08,000
I CAN TREAT HER AS A
FRIEND OR AS AN ADULT.
1386
00:57:08,033 --> 00:57:11,267
AND WE'RE BOTH GUILTY OF
NOT BEING ABLE TO DO THIS
1387
00:57:11,300 --> 00:57:13,667
AND IT SEEMS TO ME
THAT IT'S FUCKING UP
1388
00:57:13,700 --> 00:57:15,533
MY RELATIONSHIPS
WITH WOMEN.
1389
00:57:15,567 --> 00:57:18,400
NOWADAYS MOST FAMILIES
DIVORCE AND THERE'S
1390
00:57:18,433 --> 00:57:21,300
SINGLE PARENTS
WITH A LOT OF STRIFE.
1391
00:57:21,333 --> 00:57:23,133
THIS WAY IT WOULD
BE A SINGLE PARENT
1392
00:57:23,167 --> 00:57:24,633
FROM THE
BEGINNING.
1393
00:57:24,667 --> 00:57:27,433
WITHOUT THE DIVORCE AND
THE MESS IN THE MIDDLE.
1394
00:57:27,467 --> 00:57:29,667
DON'T FORGET WHAT
HAPPENED TO US.
1395
00:57:29,700 --> 00:57:31,767
MAMA LEFT
WHEN I WAS TEN.
1396
00:57:31,800 --> 00:57:34,167
THAT WASN'T FAIR.
1397
00:57:34,200 --> 00:57:37,100
PAPA WAS NOT
A GOOD MOTHER.
1398
00:57:37,133 --> 00:57:38,967
THAT'S WHY I'M
SUCH A GOOD MOTHER.
1399
00:57:39,000 --> 00:57:41,733
I HAD TO TAKE
UP THE SLACK.
1400
00:57:41,767 --> 00:57:43,733
AND WE DID OKAY.
1401
00:57:43,767 --> 00:57:45,633
WE COULD HAVE
DONE BETTER MAYBE
1402
00:57:45,667 --> 00:57:47,767
IF SHE'D
BEEN AROUND.
1403
00:57:47,800 --> 00:57:51,133
MAYBE THIS CHILD
SHOULD HAVE A REAL FATHER
1404
00:57:51,167 --> 00:57:53,633
INSTEAD OF SOME
KIND OF MYSTERY MAN.
1405
00:57:53,667 --> 00:57:55,633
HE'LL HAVE HIS
UNCLE MARLIN.
1406
00:57:55,667 --> 00:57:57,400
YEAH?
1407
00:57:57,433 --> 00:58:00,200
ARE YOU SEDUCTIVE
WITH YOUR MOTHER?
1408
00:58:00,233 --> 00:58:02,600
I IMAGINE
I AM, YEAH.
1409
00:58:02,633 --> 00:58:04,867
IS SHE SEDUCTIVE
WITH YOU?
1410
00:58:04,900 --> 00:58:07,367
I THINK SO,
PROBABLY.
1411
00:58:07,400 --> 00:58:09,200
I THINK THAT ALL
SONS ARE SEDUCTIVE
1412
00:58:09,233 --> 00:58:11,533
WITH THEIR MOTHERS
AND VICE VERSA.
1413
00:58:11,567 --> 00:58:13,433
ARE YOU DARK
WITH YOUR MOTHER?
1414
00:58:13,467 --> 00:58:15,333
YES. I SHOW HER
ONLY THAT SIDE.
1415
00:58:15,367 --> 00:58:17,367
YOU ONLY SHOW
HER THE DARK SIDE?
1416
00:58:17,400 --> 00:58:19,100
HOW DOES
SHE RESPOND?
1417
00:58:19,133 --> 00:58:20,900
I GUESS SHE
APPROVES OF IT.
1418
00:58:20,933 --> 00:58:22,867
I GUESS THAT'S
PART OF IT.
1419
00:58:22,900 --> 00:58:24,867
MY MOTHER READS
DARKNESS AS DEPTH.
1420
00:58:24,900 --> 00:58:27,033
IF YOU'RE DOWN,
IF YOU'RE BROODING,
1421
00:58:27,067 --> 00:58:29,500
IT'S PERHAPS
A PROFUNDITY.
1422
00:58:29,533 --> 00:58:31,900
BROODING, AT LEAST
SHE'LL GIVE ME THE
1423
00:58:31,933 --> 00:58:34,933
BENEFIT OF THE
DOUBT, YOU KNOW.
1424
00:58:40,933 --> 00:58:43,233
MY SPIRITUAL TEACHER
TOLD ME THAT I CAN
1425
00:58:43,267 --> 00:58:46,733
EITHER BE IN LOVE
OR I CAN BE IN FEAR.
1426
00:58:46,767 --> 00:58:49,067
AND WHICH IS IT?
1427
00:58:49,100 --> 00:58:52,033
WELL, RIGHT
NOW I'M IN FEAR.
1428
00:58:52,067 --> 00:58:53,700
YOU KNOW WHEN
YOU SEE SOMEBODY
1429
00:58:53,733 --> 00:58:56,367
BREAKING A CEMENT
BRICK WITH THEIR HAND?
1430
00:58:56,400 --> 00:58:58,400
THEY THINK RIGHT
THROUGH THE PAIN.
1431
00:58:58,433 --> 00:59:01,033
SO YOU HAVE TO DO
EXACTLY THE SAME THING.
1432
00:59:01,067 --> 00:59:03,067
IT'LL WORK OUT BUT
YOU HAVE TO HAVE
1433
00:59:03,100 --> 00:59:05,333
CONFIDENCE ENOUGH
TO GET THROUGH IT ALL.
1434
00:59:05,367 --> 00:59:07,167
AND TONIGHT YOU
SHOULD ENJOY YOURSELF,
1435
00:59:07,200 --> 00:59:09,233
IT'S A PARTY.
1436
00:59:09,267 --> 00:59:12,533
TAKE A DRINK, SEE
ME IN THE MORNING.
1437
00:59:12,567 --> 00:59:15,067
I MEET PEOPLE, I MEET
PEOPLE ON THE STREET.
1438
00:59:15,100 --> 00:59:18,200
YOU MEAN IF I STOPPED
YOU ON THE STREET
1439
00:59:18,233 --> 00:59:19,933
YOU WOULD
TALK TO ME?
1440
00:59:19,967 --> 00:59:21,233
I MIGHT.
1441
00:59:21,267 --> 00:59:24,067
I DID IN 1983 ON 57TH
STREET AND THEN I WENT
1442
00:59:24,100 --> 00:59:27,467
TO EUROPE, HE SENT ME
A ROUND-TRIP TICKET.
1443
00:59:27,500 --> 00:59:29,667
YOU KNOW WHAT I'M ALSO
GOING TO GET RID OF?
1444
00:59:29,700 --> 00:59:30,800
CALL WAITING.
1445
00:59:30,833 --> 00:59:31,633
CALL WAITING?
1446
00:59:31,667 --> 00:59:32,533
YEAH.
1447
00:59:32,567 --> 00:59:33,933
WHY?
1448
00:59:33,967 --> 00:59:35,533
IT'S A
DEPENDENCY.
1449
00:59:35,567 --> 00:59:38,800
IT PUTS MY LIFE
INTO DIFFERENT, LIKE,
1450
00:59:38,833 --> 00:59:40,333
STRANGE
PRIORITIES.
1451
00:59:40,367 --> 00:59:42,567
BUT WHAT IF YOU HAVE
AN IMPORTANT CALL?
1452
00:59:42,600 --> 00:59:44,600
THERE'S NO SUCH THING
AS AN IMPORTANT CALL.
1453
00:59:44,633 --> 00:59:46,067
WHY DID YOU
GET ME HERE?
1454
00:59:46,100 --> 00:59:48,167
BECAUSE I DON'T
WANT YOU TO BE ANGRY.
1455
00:59:48,200 --> 00:59:50,400
I WOULDN'T HAVE DONE
ANYTHING IF YOU HADN'T
1456
00:59:50,433 --> 00:59:52,533
TOLD ME THE TWO OF
YOU WEREN'T TOGETHER.
1457
00:59:52,567 --> 00:59:54,133
COME ON, MARJORIE,
GIVE ME A BREAK.
1458
00:59:54,167 --> 00:59:56,600
YOU KNOW HOW LONG WILLIAM
AND I HAVE BEEN TOGETHER
1459
00:59:56,633 --> 00:59:58,300
AND HOW LONG
WE HAVEN'T.
1460
00:59:58,333 --> 01:00:00,033
IT'S A TOTALLY
USELESS ARGUMENT.
1461
01:00:00,067 --> 01:00:01,533
WHAT DO
YOU MEAN?
1462
01:00:01,567 --> 01:00:03,633
IT'S ABSURD. HOW COULD
YOU DO THIS TO ME?
1463
01:00:03,667 --> 01:00:05,233
YOU'RE SUPPOSED
TO BE MY FRIEND!
1464
01:00:05,267 --> 01:00:06,800
I AM
YOUR FRIEND.
1465
01:00:06,833 --> 01:00:08,800
YOU HAVE A VERY NICE
WAY OF SHOWING IT.
1466
01:00:08,833 --> 01:00:10,433
I NEED MORE
FRIENDS LIKE YOU.
1467
01:00:10,467 --> 01:00:12,400
YOU KNOW WHO YOU
LOOK LIKE, DON'T YOU?
1468
01:00:12,433 --> 01:00:14,033
LOUISE BROOKS?
1469
01:00:14,067 --> 01:00:15,933
THE SILENT FILM
STAR, LOUISE BROOKS.
1470
01:00:15,967 --> 01:00:17,767
YOU LOOK
JUST LIKE HER.
1471
01:00:17,800 --> 01:00:19,033
DO I?
1472
01:00:19,067 --> 01:00:21,533
YOU WERE BORN ABOUT
50 YEARS TOO LATE.
1473
01:00:21,567 --> 01:00:23,467
BUT FOR ME
IT'S PERFECT.
1474
01:00:23,500 --> 01:00:25,033
JUST FORGET
IT, OKAY?
1475
01:00:25,067 --> 01:00:28,300
IT'S OVER, IT
WON'T HAPPEN.
1476
01:00:28,333 --> 01:00:31,400
WHAT I CAME
HERE TO DO
1477
01:00:31,433 --> 01:00:34,400
IS TO GIVE YOU
A WISH BRACELET.
1478
01:00:34,433 --> 01:00:36,133
KEEP YOUR FUCKING WISH
BRACELET, MY DARLING,
1479
01:00:36,167 --> 01:00:38,167
OR GIVE IT TO SOMEBODY
THAT YOU CARE ABOUT.
1480
01:01:06,600 --> 01:01:08,967
THE TWO OF YOU TOGETHER
IS LIKE THE ODD COUPLE,
1481
01:01:09,000 --> 01:01:10,467
YOU KNOW?
1482
01:01:10,500 --> 01:01:14,167
I MEAN, HOW DID YOU
MEET THIS DOCTOR?
1483
01:01:14,200 --> 01:01:16,367
I DON'T CARE
ABOUT SEX!
1484
01:01:16,400 --> 01:01:19,533
THAT'S JUST IT THAT YOU
DON'T CARE ABOUT SEX!
1485
01:01:19,567 --> 01:01:21,500
I'M NOT
INTERESTED IN SEX.
1486
01:01:21,533 --> 01:01:23,533
I KNOW, WHY DO YOU
THINK I'M INTERESTED
1487
01:01:23,567 --> 01:01:25,667
IN DOING THERAPY
WITH YOU?
1488
01:01:25,700 --> 01:01:27,433
BECAUSE I'LL HAVE
THE PLEASURE OF
1489
01:01:27,467 --> 01:01:29,400
SEEING YOU
APPRECIATE SEX.
1490
01:01:29,433 --> 01:01:31,300
I DON'T WANT
SEX NOW!
1491
01:01:31,333 --> 01:01:32,900
I'LL SEE YOU
COMPLETELY CURED
1492
01:01:32,933 --> 01:01:35,000
AND I'LL GO ON WITH
ANOTHER CASE OF MINE.
1493
01:01:35,033 --> 01:01:37,633
YOU'LL HAVE SEX WITH
ME THEN LEAVE ME?
1494
01:01:37,667 --> 01:01:38,933
YOU'LL
ABANDON ME?
1495
01:01:38,967 --> 01:01:40,500
I ANSWERED A
PERSONAL AD...
1496
01:01:40,533 --> 01:01:42,200
HE PUT OUT
A PERSONAL?
1497
01:01:42,233 --> 01:01:44,067
YES, HE DID AND
I ANSWERED IT.
1498
01:01:44,100 --> 01:01:45,800
IT WOULD IMMEDIATELY
SOLVE YOUR PROBLEMS,
1499
01:01:45,833 --> 01:01:47,500
IT'S NOT THOSE
DRAWN OUT,
1500
01:01:47,533 --> 01:01:49,267
NONSENSICAL
INTROSPECTIVE THERAPIES.
1501
01:01:49,300 --> 01:01:51,133
QUICK DIRECT
ACTION THERAPY.
1502
01:01:51,167 --> 01:01:52,900
HOW LONG
WOULD IT TAKE?
1503
01:01:52,933 --> 01:01:54,967
I'M TAKING AN AD
OUT TOMORROW,
1504
01:01:55,000 --> 01:01:56,600
ARE YOU SERIOUS?
1505
01:01:56,633 --> 01:01:58,433
LOOK, I DON'T WANT
TO JERK YOU AROUND.
1506
01:01:58,467 --> 01:02:00,933
I DELIVER
THE GROCERIES.
1507
01:02:00,967 --> 01:02:02,700
I WORK FOR THEIR
GROCERY STORE.
1508
01:02:02,733 --> 01:02:04,000
DID YOU BRING
A RUBBER?
1509
01:02:04,033 --> 01:02:06,500
A WHAT?
1510
01:02:06,533 --> 01:02:08,433
ANTHONY, DON'T
BULLSHIT ME.
1511
01:02:08,467 --> 01:02:10,267
DID YOU BRING
A RUBBER?
1512
01:02:10,300 --> 01:02:11,767
DID I BRING
A RUBBER?
1513
01:02:11,800 --> 01:02:13,367
IS THERE AN
ECHO IN HERE?
1514
01:02:13,400 --> 01:02:15,500
UH, NO, I DIDN'T
BRING A RUBBER.
1515
01:02:15,533 --> 01:02:16,900
ARE YOU
KIDDING?
1516
01:02:16,933 --> 01:02:18,567
SO WE'LL STOP
ON THE WAY HOME.
1517
01:02:18,600 --> 01:02:20,167
YOU'RE GOING
HOME WITH ME?
1518
01:02:20,200 --> 01:02:22,467
WE DEFINITELY DO HAVE
AN ECHO IN HERE. YEAH.
1519
01:02:22,500 --> 01:02:24,933
I'M JUST NOT
USED TO SOMEONE
1520
01:02:24,967 --> 01:02:26,900
BEING THAT FORWARD
WITH ME, YOU KNOW?
1521
01:02:26,933 --> 01:02:29,333
DIDN'T I ASK WHAT
YOU'RE DOING AFTER THIS?
1522
01:02:29,367 --> 01:02:32,067
HANG OUT AND HAVE A
DRINK OR SOMETHING.
1523
01:02:32,100 --> 01:02:33,633
A LITERATE,
INTELLIGENT-
1524
01:02:33,667 --> 01:02:35,100
ILLITERATE?
1525
01:02:35,133 --> 01:02:36,800
OH, A LITERATE
GENTLEMAN.
1526
01:02:36,833 --> 01:02:38,333
INTELLIGENT,
CULTURED...
1527
01:02:38,367 --> 01:02:39,433
THAT'S ME.
1528
01:02:39,467 --> 01:02:40,567
GENTLE...
1529
01:02:40,600 --> 01:02:41,933
THAT'S ME.
1530
01:02:41,967 --> 01:02:45,033
GEE WHIZ, I COULD
TAKE AN AD OUT.
1531
01:02:45,067 --> 01:02:48,033
COME ON, START THE NEW
YEAR'S OFF WITH A POP.
1532
01:02:48,067 --> 01:02:49,267
YOU SERIOUS?
1533
01:02:49,300 --> 01:02:51,200
OH, HI DR.
STADTHAGEN.
1534
01:02:51,233 --> 01:02:53,000
I SEE YOU
KNOW MY NAME.
1535
01:02:53,033 --> 01:02:54,667
AS A MATTER OF
FACT I HEARD MY NAME
1536
01:02:54,700 --> 01:02:56,300
BEING
MENTIONED.
1537
01:02:56,333 --> 01:02:58,833
I AM FASCINATED BY THE
STORY OF HOW YOU MET.
1538
01:02:58,867 --> 01:03:00,867
WHAT? AND YOU
ALWAYS TELL ME
1539
01:03:00,900 --> 01:03:03,033
NOT TO TELL
PEOPLE ABOUT IT?
1540
01:03:03,067 --> 01:03:04,433
IT'S A
GREAT STORY.
1541
01:03:04,467 --> 01:03:06,967
DO YOU REALIZE HOW
VALUABLE YOU ARE TO ME?
1542
01:03:07,000 --> 01:03:08,900
WHY DO YOU THINK I'M
PAYING WHAT I PAY YOU?
1543
01:03:08,933 --> 01:03:10,567
I KNOW I'M
VALUABLE TO YOU.
1544
01:03:10,600 --> 01:03:12,767
SOME PEOPLE ARE VERY
ASHAMED TO ADMIT IT.
1545
01:03:12,800 --> 01:03:15,367
I MET ONE MAN THROUGH THE
PERSONALS WHO ONLY AGREED
1546
01:03:15,400 --> 01:03:19,533
TO MEET ME IN A PLACE
WHERE THEN HE COULD SAY
1547
01:03:19,567 --> 01:03:22,067
AFTERWARDS IF ANYBODY
ASKED US WHERE WE MET
1548
01:03:22,100 --> 01:03:25,433
WE WOULD SAY WE MET AT THE
CARNEGIE HALL BOX OFFICE
1549
01:03:25,467 --> 01:03:26,900
BUYING TICKETS.
1550
01:03:26,933 --> 01:03:29,333
YOU'RE A LOVELY
WOMAN, YOU KNOW THAT?
1551
01:03:29,367 --> 01:03:31,933
HAD YOU EVER
DONE THIS BEFORE?
1552
01:03:31,967 --> 01:03:34,233
OH, YES, I'VE DONE THIS
BEFORE BUT I DON'T HAVE
1553
01:03:34,267 --> 01:03:36,800
AN ORDINARY
REASON FOR DOING IT.
1554
01:03:36,833 --> 01:03:38,000
YOU EXCITE THE
HELL OUT OF ME.
1555
01:03:38,033 --> 01:03:39,667
I DO? REALLY?
1556
01:03:39,700 --> 01:03:41,200
I LOOK FORWARD TO
COMING TO WORK.
1557
01:03:41,233 --> 01:03:42,267
REALLY?
1558
01:03:42,300 --> 01:03:43,600
I HAVE FANTASIES
THAT MAYBE
1559
01:03:43,633 --> 01:03:45,000
WE'LL HAVE
AN AFFAIR.
1560
01:03:45,033 --> 01:03:46,000
REALLY?
1561
01:03:46,033 --> 01:03:48,600
WHAT DO YOU
THINK ABOUT IT?
1562
01:03:48,633 --> 01:03:50,567
WHY DO YOU SAY IT'S NOT
THE ORDINARY REASON
1563
01:03:50,600 --> 01:03:52,000
FOR MEETING
PEOPLE?
1564
01:03:52,033 --> 01:03:54,000
YOU WANT TO MEET PEOPLE
BECAUSE YOU'RE LONELY.
1565
01:03:54,033 --> 01:03:55,800
WE WANT TO MEET PEOPLE
BECAUSE WE'RE LONELY.
1566
01:03:55,833 --> 01:03:58,300
I'M SURPRISED THAT
YOU DON'T KNOW ME
1567
01:03:58,333 --> 01:03:59,900
WELL ENOUGH...
1568
01:03:59,933 --> 01:04:02,267
TO KEEP THIS ILLUSION
ABOUT MY BEING LONELY-
1569
01:04:02,300 --> 01:04:03,733
I'M NOT LONELY
IN THE LEAST.
1570
01:04:03,767 --> 01:04:05,733
YOU'RE
NEVER LONELY?
1571
01:04:05,767 --> 01:04:08,600
LET ME FEEL YOUR HAND.
DOES BLOOD RUN THERE?
1572
01:04:08,633 --> 01:04:12,533
I LIKE YOU, I THINK
YOU'RE A VERY NICE PERSON
1573
01:04:12,567 --> 01:04:15,067
AND I DON'T WANT TO
HURT YOUR FEELINGS.
1574
01:04:15,100 --> 01:04:16,433
LOOK, YOU'VE
GOT THE JOB
1575
01:04:16,467 --> 01:04:18,800
WHETHER YOU HAVE AN
AFFAIR WITH ME OR NOT.
1576
01:04:18,833 --> 01:04:21,600
I COULDN'T POSSIBLY
HAVE AN AFFAIR WITH YOU.
1577
01:04:21,633 --> 01:04:23,800
I DON'T HAVE
AFFAIRS WITH MEN.
1578
01:04:23,833 --> 01:04:26,100
I BELIEVE, COMPLETELY
CONTRARY TO THE CLASSICAL
1579
01:04:26,133 --> 01:04:28,400
PSYCHOANALYTIC
POINT OF VIEW,
1580
01:04:28,433 --> 01:04:30,333
THAT YOU DON'T DETACH
YOURSELF FROM PEOPLE
1581
01:04:30,367 --> 01:04:32,233
BUT THAT YOU ATTACH
YOURSELF VERY MUCH
1582
01:04:32,267 --> 01:04:34,167
TO THE PEOPLE
YOU GIVE THERAPY TO.
1583
01:04:34,200 --> 01:04:36,167
NOT LIKE THESE FALSE
PSYCHIATRISTS WHO GAIN
1584
01:04:36,200 --> 01:04:38,400
CONTROL OVER PEOPLE AND
THEN HAVE SEX WITH THEM,
1585
01:04:38,433 --> 01:04:40,333
SO I HAVE SEX
WITH THE WOMEN FIRST
1586
01:04:40,367 --> 01:04:42,700
AND IF THEY'RE SUITABLE
I HAVE THERAPY WITH THEM.
1587
01:04:42,733 --> 01:04:43,867
YOU LIKE KIDS?
1588
01:04:43,900 --> 01:04:47,233
KIDS? YEAH,
I SUPPOSE. YEAH.
1589
01:04:47,267 --> 01:04:48,900
YOU WANT
THEM SOMETIME?
1590
01:04:48,933 --> 01:04:50,833
YEAH, I
DEFINITELY DO.
1591
01:04:50,867 --> 01:04:52,067
DEFINITELY?
1592
01:04:52,100 --> 01:04:53,800
I NEED TO PUT IN
THESE ADS, I NEED TO
1593
01:04:53,833 --> 01:04:55,800
CONTINUE TO HAVE SEX
WITH THESE WOMEN.
1594
01:04:55,833 --> 01:04:57,367
YES, BUT YOU
DON'T KNOW WHY.
1595
01:04:57,400 --> 01:04:59,033
IT HAS NOTHING TO DO
WITH MY WANTING TO
1596
01:04:59,067 --> 01:05:01,067
HAVE SEX WITH THEM,
IT HAS NOTHING TO DO
1597
01:05:01,100 --> 01:05:02,867
WITH ANYTHING
EMOTIONAL OR PHYSICAL.
1598
01:05:02,900 --> 01:05:04,467
IT HAS TO DO
WITH THE FACT THAT
1599
01:05:04,500 --> 01:05:06,200
THAT HAS TO BE
GOTTEN OVER WITH
1600
01:05:06,233 --> 01:05:07,667
SO THERE'S NOTHING
INTERFERING WITH
1601
01:05:07,700 --> 01:05:09,467
THE THERAPY
WORKING PROPERLY.
1602
01:05:09,500 --> 01:05:10,900
BUT YOUR HEART. ..
1603
01:05:10,933 --> 01:05:12,700
WHY ARE YOU TALKING ABOUT
IRRELEVANT SUBJECTS?
1604
01:05:12,733 --> 01:05:14,467
I'M TALKING ABOUT A
RATIONAL SYSTEM I HAVE.
1605
01:05:14,500 --> 01:05:16,533
THAT'S RIGHT, RATIONAL
SYSTEM, ALL UP HERE.
1606
01:05:16,567 --> 01:05:19,600
THE IDEA IS TO GET THIS
GOING A BIT MORE TOO,
1607
01:05:19,633 --> 01:05:20,733
YOU KNOW?
1608
01:05:20,767 --> 01:05:23,333
YOU'RE IN A VERY PRIMITIVE
AND CHILDISH WAY JEALOUS,
1609
01:05:23,367 --> 01:05:24,667
AND THAT'S
SO PREPOSTEROUS
1610
01:05:24,700 --> 01:05:26,467
EVEN TO THINK
YOU'D BE JEALOUS.
1611
01:05:26,500 --> 01:05:27,933
I AM JEALOUS, BUT
THERE'S NOTHING
1612
01:05:27,967 --> 01:05:29,533
WRONG WITH
BEING JEALOUS.
1613
01:05:29,567 --> 01:05:31,067
I'M A
PASSIONATE WOMAN,
1614
01:05:31,100 --> 01:05:33,100
THERE'S NOTHING WRONG
WITH BEING JEALOUS!
1615
01:05:35,933 --> 01:05:37,100
HOW TALL
ARE YOU?
1616
01:05:37,133 --> 01:05:39,967
6'1" WHY?
1617
01:05:40,000 --> 01:05:42,767
I'M SIX FOOT, I CAN
NEVER FIND ANYBODY
1618
01:05:42,800 --> 01:05:45,933
TALL ENOUGH SO
THAT'S ENCOURAGING.
1619
01:05:45,967 --> 01:05:47,300
TALL ENOUGH?
1620
01:05:47,333 --> 01:05:48,333
YEAH.
1621
01:05:54,667 --> 01:05:56,500
SO YOU MAKE
A RESOLUTION?
1622
01:05:56,533 --> 01:06:01,533
WELL, YOU KNOW, WHAT
I WANT FOR THIS YEAR
1623
01:06:01,567 --> 01:06:04,533
AND FOR EVERY
YEAR FROM NOW ON IS
1624
01:06:04,567 --> 01:06:08,733
I WANT GOD TO STOP
SAYING "NOT YET".
1625
01:06:08,767 --> 01:06:11,767
HE SAYS
THIS TO YOU?
1626
01:06:16,600 --> 01:06:18,067
HOW OLD
ARE YOU?
1627
01:06:18,100 --> 01:06:19,267
TWENTY-THREE.
1628
01:06:19,300 --> 01:06:21,800
TWENTY-THREE?
YOUNG.
1629
01:06:21,833 --> 01:06:23,300
I GUESS.
1630
01:06:23,333 --> 01:06:25,667
NO, IT'S YOUNG.
BELIEVE ME.
1631
01:06:25,700 --> 01:06:28,133
YEAH, IT IS.
1632
01:06:28,167 --> 01:06:30,233
YOU'RE
REALLY CUTE.
1633
01:06:30,267 --> 01:06:33,133
DO YOU EVER GO OUT
WITH OLDER WOMEN?
1634
01:06:33,167 --> 01:06:34,633
YEAH, I DO.
1635
01:06:34,667 --> 01:06:37,367
WOULD YOU LIKE TO
GO OUT WITH ME?
1636
01:06:37,400 --> 01:06:39,400
IT WOULD BE A NEW
EXPERIENCE FOR ME
1637
01:06:39,433 --> 01:06:41,867
BECAUSE I ALWAYS GO
OUT WITH OLDER MEN.
1638
01:06:41,900 --> 01:06:44,367
YEAH? REALLY?
WHEN?
1639
01:06:44,400 --> 01:06:47,033
IT REALLY DEPENDS, UM,
LET ME LOOK AT MY BOOK.
1640
01:06:47,067 --> 01:06:50,067
I DON'T HAVE
A LOT OF TIME.
1641
01:06:54,467 --> 01:06:56,633
WHAT'S YOUR WISH
FOR THE NEW YEAR?
1642
01:06:56,667 --> 01:06:59,467
I WANT TO GET BACK
INTO TELEVISION.
1643
01:06:59,500 --> 01:07:01,667
I LEFT TOO SOON.
1644
01:07:01,700 --> 01:07:03,833
FEES STARTED GOING
UP ASTRONOMICALLY
1645
01:07:03,867 --> 01:07:05,133
AFTER I LEFT.
1646
01:07:05,167 --> 01:07:06,867
ALL MY FRIENDS
ARE RICHER THAN ME
1647
01:07:06,900 --> 01:07:08,600
'CAUSE THEY
STAYED IN TELEVISION.
1648
01:07:08,633 --> 01:07:10,733
IF I GET BACK INTO
TELEVISION I CAN MAKE
1649
01:07:10,767 --> 01:07:13,767
ENOUGH MONEY TO NOT
WORRY ABOUT DOING TV.
1650
01:07:20,767 --> 01:07:25,833
WANT TO SING ME A
LULLABY ONE LAST TIME?
1651
01:07:25,867 --> 01:07:35,900
(SINGING SOFTLY)
1652
01:07:35,900 --> 01:07:45,900
(SINGING SOFTLY)
1653
01:08:56,500 --> 01:08:58,500
WHAT ARE YOU
DOING IN MY ROOM?
1654
01:08:59,700 --> 01:09:01,833
WHAT ARE YOU
DOING IN MY ROOM?
1655
01:09:01,867 --> 01:09:04,433
I JUST DIDN'T WANT TO
BE OUT THERE ANYMORE.
1656
01:09:04,467 --> 01:09:06,700
ALL THE STUFF
GOING ON OUT THERE.
1657
01:09:06,733 --> 01:09:08,067
WHAT DO
YOU MEAN?
1658
01:09:08,100 --> 01:09:09,600
YOUR FRIENDS ARE
TOTALLY INSANE.
1659
01:09:09,633 --> 01:09:11,600
EVERYBODY SEEMS
NUTS OUT THERE.
1660
01:09:11,633 --> 01:09:14,533
SOMETHING DEPRESSING
ABOUT IT TOO,
1661
01:09:14,567 --> 01:09:16,267
I DON'T KNOW
WHAT THAT IS.
1662
01:09:16,300 --> 01:09:18,500
SOMETHING MADE ME
MOODY AND WEIRD.
1663
01:09:18,533 --> 01:09:20,600
WHY IS IT GETTING
YOU MOODY AND WEIRD?
1664
01:09:20,633 --> 01:09:23,400
I DON'T KNOW WHY
YOU'RE SUSCEPTIBLE
1665
01:09:23,433 --> 01:09:25,867
TO SOME
OF THEM.
1666
01:09:25,900 --> 01:09:27,700
ONE OF THEM.
1667
01:09:27,733 --> 01:09:29,967
WHY DOES THAT
GET YOU MOODY?
1668
01:09:30,000 --> 01:09:35,067
I DON'T KNOW.
MAYBE 'CAUSE I THINK
1669
01:09:35,100 --> 01:09:38,100
YOU'RE WORTH
MORE THAN THAT.
1670
01:09:38,133 --> 01:09:39,833
THANK YOU.
1671
01:09:39,867 --> 01:09:41,867
WHAT DID YOU
COME HERE FOR?
1672
01:09:41,900 --> 01:09:43,467
ESCAPE.
1673
01:09:43,500 --> 01:09:45,500
I SHOULD
ESCAPE, HUH?
1674
01:09:53,800 --> 01:09:56,367
IS THIS WHERE I
SHOULD ESCAPE TO?
1675
01:09:56,400 --> 01:10:00,367
THIS IS PRETTY
NICE. HI.
1676
01:10:00,400 --> 01:10:03,667
SO WHY ARE YOU
SUSCEPTIBLE TO THIS GUY
1677
01:10:03,700 --> 01:10:06,033
YOU'RE
SUSCEPTIBLE TO?
1678
01:10:06,067 --> 01:10:10,867
I DON'T KNOW.
I JUST AM.
1679
01:10:10,900 --> 01:10:12,300
YOU ARE, HUH?
1680
01:10:12,333 --> 01:10:14,067
NOT SO
MUCH ANYMORE.
1681
01:10:14,100 --> 01:10:16,500
REALLY. I'M OKAY.
1682
01:10:16,533 --> 01:10:18,633
WHAT DID YOU WANT
TO TALK TO ME ABOUT?
1683
01:10:18,667 --> 01:10:20,100
HENRY THE BEAR.
1684
01:10:20,133 --> 01:10:22,533
THE BEAR OR
THE MALLARD?
1685
01:10:22,567 --> 01:10:24,067
THE MALLARD.
1686
01:10:24,100 --> 01:10:27,833
THERE YOU GO.
1687
01:10:27,867 --> 01:10:29,700
WHAT?
1688
01:10:29,733 --> 01:10:33,867
THIS DAY'S BEEN WEIRD FOR
ME, I'LL TELL YOU THAT.
1689
01:10:33,900 --> 01:10:36,100
WHY?
1690
01:10:36,133 --> 01:10:39,567
WELL, I THOUGHT I
HAD FORGOTTEN CERTAIN
1691
01:10:39,600 --> 01:10:42,933
FEELINGS THAT I THOUGHT
I WAS NEVER GOING TO
1692
01:10:42,967 --> 01:10:45,600
FEEL AGAIN, AND THEN I
BEGIN TO THINK PERHAPS
1693
01:10:45,633 --> 01:10:47,633
I CAN FEEL SOME OF
THOSE FEELINGS AGAIN.
1694
01:10:47,667 --> 01:10:50,067
NOT THAT I'M FEELING
THOSE FEELINGS ABOUT YOU,
1695
01:10:50,100 --> 01:10:52,300
BUT IT'S
FEELING STUFF.
1696
01:10:52,333 --> 01:10:55,633
AS I'M NEVER GOING TO
SEE YOU AGAIN I WANTED TO
1697
01:10:55,667 --> 01:11:03,000
TELL YOU THAT I FIND YOU
VERY SEXUALLY ATTRACTIVE,
1698
01:11:03,033 --> 01:11:08,800
THAT I GET ALL KINDS
OF FEELINGS AROUND YOU.
1699
01:11:08,833 --> 01:11:10,800
I ALWAYS HAVE.
1700
01:11:10,833 --> 01:11:12,400
I FEEL THAT
WAY ABOUT YOU.
1701
01:11:12,433 --> 01:11:14,433
YEAH?
1702
01:11:14,467 --> 01:11:20,733
YOU HAPPEN TO BE THE
SOURCE TO WHICH THIS
1703
01:11:20,767 --> 01:11:23,967
STUFF IS DIRECTED BUT
IT IS NOT ABOUT YOU.
1704
01:11:24,000 --> 01:11:25,600
I KNOW IT'S NOT
ABOUT YOU AND
1705
01:11:25,633 --> 01:11:27,967
YOU KNOW I KNOW
IT'S NOT ABOUT YOU.
1706
01:11:28,000 --> 01:11:31,667
SO IT'S STILL VERY
NICE TO BE REMINDED
1707
01:11:31,700 --> 01:11:34,133
THAT ONE CAN
FEEL CERTAIN STUFF.
1708
01:11:34,167 --> 01:11:39,467
EVEN IF IT'S TOWARD A
WEIRD BABY LIKE YOU.
1709
01:11:39,500 --> 01:11:43,133
THE REASON I NEVER DID
ANYTHING IS BECAUSE LUCY-
1710
01:11:43,167 --> 01:11:44,933
THAT WOULD
BE STUPID.
1711
01:11:44,967 --> 01:11:47,333
I NEVER SHIT WHERE
I EAT, YOU KNOW?
1712
01:11:47,367 --> 01:11:49,367
I WAS ALWAYS
TAUGHT THAT.
1713
01:11:49,400 --> 01:11:51,600
SO YOU DON'T HAVE
A REAL GOOD SENSE
1714
01:11:51,633 --> 01:11:53,400
OF WHAT
YOU'RE WORTH?
1715
01:11:53,433 --> 01:11:57,300
MAYBE NOT.
1716
01:11:57,333 --> 01:12:00,000
I CAN TELL YOU
IT STRIKES ME THAT
1717
01:12:00,033 --> 01:12:02,200
YOU'RE WORTH
A GREAT DEAL.
1718
01:12:02,233 --> 01:12:04,600
A REALLY GREAT DEAL AND
IT SEEMS INSANE TO ME
1719
01:12:04,633 --> 01:12:06,567
THAT YOU DON'T GO FOR
SOMEBODY WHO KNOWS
1720
01:12:06,600 --> 01:12:08,600
HOW MUCH
YOU'RE WORTH.
1721
01:12:08,633 --> 01:12:10,533
THAT THAT DOESN'T
GET REINFORCED IN
1722
01:12:10,567 --> 01:12:13,300
ANY KIND OF RELATIONSHIP
YOU SHOULD HAVE.
1723
01:12:13,333 --> 01:12:15,067
WELL, SOON.
1724
01:12:15,100 --> 01:12:16,733
SOON?
1725
01:12:16,767 --> 01:12:18,800
YEAH.
1726
01:12:18,833 --> 01:12:21,167
MAYBE NOW.
1727
01:12:21,200 --> 01:12:24,200
MAYBE NOW? WHAT
DOES THAT MEAN?
1728
01:12:28,833 --> 01:12:31,500
WHEN I WAS A LITTLE
GIRL I HAD THESE SAME
1729
01:12:31,533 --> 01:12:34,267
KIND OF FEELINGS
ABOUT MY FATHER.
1730
01:12:34,300 --> 01:12:35,967
THAT YOU
HAVE FOR ME?
1731
01:12:36,000 --> 01:12:38,867
ONLY I WAS
A CHILD.
1732
01:12:38,900 --> 01:12:41,200
BUT I KNEW THAT HE
DIDN'T LIKE MY MOTHER
1733
01:12:41,233 --> 01:12:45,233
SO I GREW UP WITH
THIS SENSE OF SHAME.
1734
01:12:45,267 --> 01:12:47,367
WHAT ABOUT?
1735
01:12:47,400 --> 01:12:49,767
LIKING HIM
THAT WAY.
1736
01:12:49,800 --> 01:12:51,800
SEXUALLY?
1737
01:12:54,500 --> 01:12:56,600
YOU LIKED YOUR
FATHER SEXUALLY?
1738
01:12:56,633 --> 01:12:59,633
SO MAYBE IT'S JUST BETTER
TO GET MY OWN APARTMENT
1739
01:12:59,667 --> 01:13:02,733
AND NOT HAVE TO BE AROUND
ALL THESE MEN ANYMORE
1740
01:13:02,767 --> 01:13:04,667
AND DEAL WITH
ALL THIS STUFF.
1741
01:13:04,700 --> 01:13:06,700
AND FEEL
ASHAMED.
1742
01:13:11,333 --> 01:13:12,633
I FEEL THAT
WAY TOO.
1743
01:13:12,667 --> 01:13:13,900
YOU DO?
1744
01:13:13,933 --> 01:13:16,000
A LOT, YEAH.
ABOUT SEX.
1745
01:13:16,033 --> 01:13:18,167
THERE'S SOMETHING
EVEN IN THE BEGINNING
1746
01:13:18,200 --> 01:13:20,233
OF IT, I ALREADY
FEEL ASHAMED OF
1747
01:13:20,267 --> 01:13:23,267
WHAT HASN'T HAPPENED
YET SOMETIMES.
1748
01:13:29,600 --> 01:13:32,100
I'M SORRY. I
CAN'T DO THIS.
1749
01:13:32,133 --> 01:13:33,700
YOU SURE?
1750
01:13:33,733 --> 01:13:37,067
I CAN'T. I'M SORRY
I REALLY CAN'T.
1751
01:13:37,100 --> 01:13:38,500
OF COURSE
YOU CAN.
1752
01:13:38,533 --> 01:13:39,867
NO, I CAN'T.
1753
01:13:39,900 --> 01:13:43,800
YOU DON'T GET IT,
I REALLY CAN'T.
1754
01:13:43,833 --> 01:13:45,600
NO ONE'S EVER
MADE ME FEEL
1755
01:13:45,633 --> 01:13:48,833
SEXUALLY
DESIRABLE BEFORE.
1756
01:13:48,867 --> 01:13:53,200
I GET THESE
FEELINGS AROUND YOU.
1757
01:13:53,233 --> 01:13:55,633
THEY'RE
VERY STRONG.
1758
01:13:55,667 --> 01:14:03,233
I HOPE IT'S NOT BECAUSE
YOU'RE LUCY'S BOYFRIEND.
1759
01:14:03,267 --> 01:14:10,800
NO. SIT HERE
FOR A SECOND.
1760
01:14:10,833 --> 01:14:12,200
COME ON.
1761
01:14:12,233 --> 01:14:13,900
COME ON,
SERIOUSLY.
1762
01:14:13,933 --> 01:14:15,867
DREW, I
CAN'T DO THIS.
1763
01:14:15,900 --> 01:14:18,500
WILL YOU PLEASE GIVE
ME ONE MORE MOMENT?
1764
01:14:18,533 --> 01:14:20,533
I'M SERIOUS.
1765
01:14:23,900 --> 01:14:26,200
ONE MOMENT
MEANS ONE MOMENT,
1766
01:14:26,233 --> 01:14:28,033
IT DOESN'T MEAN
ONE SECOND.
1767
01:14:28,067 --> 01:14:29,700
THAT'S ALL
THE TIME I GOT.
1768
01:14:29,733 --> 01:14:31,167
WAIT A MINUTE.
1769
01:14:31,200 --> 01:14:33,400
I'M SORRY.
1770
01:14:33,433 --> 01:14:35,533
IT WAS GREAT.
1771
01:14:35,567 --> 01:14:37,800
I DON'T KNOW WHAT
MADE ME DO THIS.
1772
01:14:37,833 --> 01:14:39,300
I REALLY DON'T.
1773
01:14:39,333 --> 01:14:40,667
THAT'S OKAY.
1774
01:14:40,700 --> 01:14:42,000
OKAY?
1775
01:14:42,033 --> 01:14:43,733
YEAH.
1776
01:14:43,767 --> 01:14:46,967
SHHH. DON'T GET
NERVOUS, IT'S OKAY.
1777
01:14:47,000 --> 01:14:48,700
I SHOULDN'T
HAVE DONE THIS.
1778
01:14:48,733 --> 01:14:50,767
I JUST MET YOU AND I
HAD TOO MUCH TO DRINK
1779
01:14:50,800 --> 01:14:52,400
AND I'M
REALLY SORRY.
1780
01:14:52,433 --> 01:14:54,267
SHH SHH,
IT'S OKAY.
1781
01:14:54,300 --> 01:14:56,567
IT'S GOOD
FOR ME.
1782
01:14:56,600 --> 01:14:58,600
I'M SORRY.
1783
01:15:01,833 --> 01:15:03,833
WHAT DO
YOU THINK?
1784
01:15:07,700 --> 01:15:10,067
MAYBE.
1785
01:15:10,100 --> 01:15:13,567
WANT TO SIT
DOWN HERE?
1786
01:15:13,600 --> 01:15:16,667
I'LL MOVE OVER.
1787
01:15:16,700 --> 01:15:19,867
OH, HERE WE GO.
1788
01:15:19,900 --> 01:15:21,900
HERE WE GO.
1789
01:15:28,967 --> 01:15:30,700
BUT I REALLY-
THIS IS WRONG.
1790
01:15:30,733 --> 01:15:33,967
WHAT ARE
YOU DOING?
1791
01:15:34,000 --> 01:15:36,400
I SWEAR TO GOD, YOU
MUST THINK I'M CRAZY.
1792
01:15:36,433 --> 01:15:38,033
DO YOU REALIZE
THE INCREDIBLE PAIN
1793
01:15:38,067 --> 01:15:39,367
MY ARM IS IN?
1794
01:15:39,400 --> 01:15:41,133
I'M SORRY, LET
ME FIX YOUR ARM.
1795
01:15:41,167 --> 01:15:44,733
WHAT IS- ARE WE
TALKING ABOUT A KISS?
1796
01:15:44,767 --> 01:15:48,000
WHAT ARE WE
TALKING ABOUT?
1797
01:15:48,033 --> 01:15:49,233
A KISS.
1798
01:15:49,267 --> 01:15:50,833
A KISS THAT
YOU GOT ALREADY?
1799
01:15:50,867 --> 01:15:52,600
I'M SORRY I SHOULDN'T
HAVE GIVEN YOU.
1800
01:15:52,633 --> 01:15:54,033
WHAT IS THIS?
1801
01:15:54,067 --> 01:15:55,900
YOU MAKE ME FEEL
LIKE I'M 18 YEARS OLD.
1802
01:15:55,933 --> 01:15:57,533
I DON'T MEAN TO.
1803
01:15:57,567 --> 01:15:59,467
IT'S BOTH A GOOD
AND A BAD THING.
1804
01:15:59,500 --> 01:16:01,267
THIS PART OF IT WASN'T
BAD, I DON'T WANT TO
1805
01:16:01,300 --> 01:16:03,233
GO BACK TO THIS
PART OF BEING 18.
1806
01:16:03,267 --> 01:16:05,700
SO FORGET THIS
EVER HAPPENED, OKAY?
1807
01:16:05,733 --> 01:16:07,733
I'VE GOT THESE
SENSATIONS ALONG-
1808
01:16:07,767 --> 01:16:11,133
AH! FORGET THIS
EVER HAPPENED.
1809
01:16:11,167 --> 01:16:13,033
I DIDN'T COME IN HERE,
I DIDN'T DO THIS,
1810
01:16:13,067 --> 01:16:15,367
AND I HAVE A LOAD
OF PEOPLE OUT THERE
1811
01:16:15,400 --> 01:16:16,967
I HAVE TO GO
DEAL WITH.
1812
01:16:17,000 --> 01:16:18,700
I THOUGHT THERE
WAS NOBODY IN HERE.
1813
01:16:18,733 --> 01:16:20,467
I THOUGHT I WAS
COMING INTO MY ROOM
1814
01:16:20,500 --> 01:16:23,067
AND HERE YOU WERE AND I
DON'T KNOW WHY I DID THAT.
1815
01:16:23,100 --> 01:16:24,700
BECAUSE YOU'RE A
BABY, AREN'T YOU?
1816
01:16:24,733 --> 01:16:26,167
I'M A TOTAL
FOUR-YEAR-OLD.
1817
01:16:26,200 --> 01:16:27,200
OKAY, ALRIGHT.
1818
01:16:34,267 --> 01:16:35,833
LET ME JUST
HOLD YOU THEN.
1819
01:16:35,867 --> 01:16:38,000
OKAY, HOLD ME.
ONE MINUTE.
1820
01:16:38,033 --> 01:16:39,400
ONE MINUTE.
1821
01:16:39,433 --> 01:16:41,100
A MINUTE
AND A HALF.
1822
01:16:41,133 --> 01:16:43,000
THEN I HAVE MANY
PEOPLE I HAVE TO-
1823
01:16:43,033 --> 01:16:45,033
SHH, OKAY.
1824
01:17:29,400 --> 01:17:32,467
OH, MY GOD, I
FELL ASLEEP.
1825
01:17:32,500 --> 01:17:34,700
SHH.
1826
01:17:34,733 --> 01:17:36,600
I GOTTA GO.
1827
01:17:36,633 --> 01:17:37,867
WHY?
1828
01:17:37,900 --> 01:17:40,700
I'VE GOTTA GO
OUT THERE. OKAY?
1829
01:17:40,733 --> 01:17:42,233
OKAY.
1830
01:17:42,267 --> 01:17:44,267
YOU SLEEP.
1831
01:18:14,367 --> 01:18:15,367
OH, GOD.
1832
01:18:23,300 --> 01:18:25,733
GET OUT OF
MY HOUSE.
1833
01:18:25,767 --> 01:18:26,767
GET OUT!
1834
01:18:26,800 --> 01:18:28,033
I WANT YOU OUT.
1835
01:18:28,067 --> 01:18:29,267
HOLD ON
A SECOND.
1836
01:18:29,300 --> 01:18:30,600
OUT!
1837
01:18:30,633 --> 01:18:32,400
COME HERE. JUST
WAIT, COME HERE.
1838
01:18:32,433 --> 01:18:34,133
OUT, DAMMIT!
1839
01:18:34,167 --> 01:18:35,667
GET OUT!
1840
01:18:35,700 --> 01:18:38,233
LUCY, YOU
DON'T UNDERSTAND.
1841
01:18:38,267 --> 01:18:40,433
THERE'S AN
EXPLANATION.
1842
01:18:40,467 --> 01:18:41,733
WHAT IS THE
EXPLANATION?
1843
01:18:41,767 --> 01:18:43,100
I DON'T WANT
TO HEAR IT.
1844
01:18:43,133 --> 01:18:44,733
JUST GET OUT!
1845
01:18:44,767 --> 01:18:48,467
I'M NAKED, DON'T
THROW ME OUT LIKE THIS!
1846
01:18:48,500 --> 01:18:53,300
IT'S COLD OUT
THERE, COME ON!
1847
01:18:53,333 --> 01:18:56,167
LUCY!
1848
01:18:56,200 --> 01:18:58,167
JUST GIVE ME
MY PANTS!
1849
01:18:58,200 --> 01:19:00,767
PLEASE, LUCY.
1850
01:19:00,800 --> 01:19:02,367
LUCY?
1851
01:19:02,400 --> 01:19:04,733
JUST GIVE ME MY
PANTS AND I'LL LEAVE.
1852
01:19:04,767 --> 01:19:07,467
LUCY?
1853
01:19:07,500 --> 01:19:08,733
I LOVE YOU.
1854
01:19:08,767 --> 01:19:10,467
COME ON.
1855
01:19:10,500 --> 01:19:13,033
I CAN'T BELIEVE
YOU KICKED ME OUT.
1856
01:19:13,067 --> 01:19:15,100
PLEASE GIVE ME MY
PANTS, ALRIGHT?
1857
01:19:15,133 --> 01:19:18,800
COME ON, GIVE
ME MY PANTS!
1858
01:19:18,833 --> 01:19:20,600
ANNIE, OPEN
THE DOOR!
1859
01:19:20,633 --> 01:19:23,133
LET ME IN, I WANT
TO TALK TO YOU!
1860
01:19:23,167 --> 01:19:26,933
ANNIE, PLEASE? I'M
NOT GONNA HURT YOU,
1861
01:19:26,967 --> 01:19:29,233
I JUST WANT TO
TALK TO YOU!
1862
01:19:29,267 --> 01:19:30,467
DON'T DO THIS!
1863
01:19:30,500 --> 01:19:32,367
I WANT TO TALK TO YOU!
I WANT TO TALK TO YOU!
1864
01:19:32,400 --> 01:19:33,733
WHAT'S GOING ON?
1865
01:19:33,767 --> 01:19:35,033
OPEN THE DOOR!
1866
01:19:35,067 --> 01:19:36,467
ANNIE, PLEASE!
1867
01:19:36,500 --> 01:19:38,100
COME ON!
1868
01:19:38,133 --> 01:19:40,133
WHAT IS IT?
1869
01:19:40,167 --> 01:19:42,500
ANNIE, WHAT
ARE YOU DOING?
1870
01:19:42,533 --> 01:19:44,700
WHAT'S THE
MATTER WITH YOU?
1871
01:19:44,733 --> 01:19:46,167
WHAT'S GOING ON?
1872
01:19:46,200 --> 01:19:47,467
COFFEE, GO
GET COFFEE!
1873
01:19:47,500 --> 01:19:48,933
IT'S IN
THE KITCHEN.
1874
01:19:48,967 --> 01:19:50,267
ANNIE, WHAT
DID YOU DO?
1875
01:19:50,300 --> 01:19:51,900
WHAT DID
YOU DO?
1876
01:19:51,933 --> 01:19:53,200
I DID NOTHING.
1877
01:19:53,233 --> 01:19:55,767
WHAT DID YOU DO,
DAMMIT, WHAT DID YOU DO?
1878
01:19:55,800 --> 01:19:57,300
I JUST TOOK
A FEW PILLS.
1879
01:19:57,333 --> 01:19:58,500
WHAT DID YOU TAKE?
1880
01:19:58,533 --> 01:19:59,933
I DON'T KNOW.
1881
01:19:59,967 --> 01:20:01,233
WHAT DOES
THAT MEAN?
1882
01:20:01,267 --> 01:20:02,733
WHAT KIND
OF PILLS?
1883
01:20:02,767 --> 01:20:04,633
I DON'T EVEN
KNOW WHAT I TOOK.
1884
01:20:04,667 --> 01:20:06,100
WHAT ARE WE
SUPPOSED TO DO?
1885
01:20:06,133 --> 01:20:07,933
YOU WANT ME TO
CALL A DOCTOR?
1886
01:20:07,967 --> 01:20:10,633
DO YOU WANT TO GET
UP AND THROW UP?
1887
01:20:10,667 --> 01:20:12,333
I DON'T WANT
TO DO ANYTHING,
1888
01:20:12,367 --> 01:20:14,033
I JUST WANT
TO CALM DOWN.
1889
01:20:14,067 --> 01:20:15,300
YOU CAN'T
CALM DOWN!
1890
01:20:15,333 --> 01:20:16,733
WHAT DID
YOU TAKE?
1891
01:20:16,767 --> 01:20:19,200
WHAT DID YOU TAKE,
DAMMIT, TALK TO ME!
1892
01:20:19,233 --> 01:20:21,300
I JUST WANT TO
NOT BE DEPRESSED.
1893
01:20:21,333 --> 01:20:23,533
FINE, ANNIE, WE'LL GET
YOU TO NOT BE DEPRESSED
1894
01:20:23,567 --> 01:20:25,000
BUT YOU HAVE
TO GET UP!
1895
01:20:25,033 --> 01:20:26,567
YOU GOTTA GET
UP, DAMMIT!
1896
01:20:26,600 --> 01:20:27,867
GET UP!
1897
01:20:27,900 --> 01:20:29,367
PLEASE GET UP!
1898
01:20:29,400 --> 01:20:30,833
ANNIE,
PLEASE GET UP!
1899
01:20:30,867 --> 01:20:33,600
I WANT YOU TO DRINK SOME
COFFEE AND WALK AROUND.
1900
01:20:33,633 --> 01:20:34,767
GET UP!
1901
01:20:34,800 --> 01:20:36,100
HOW MANY PILLS? I
NEED TO KNOW, DAMMIT!
1902
01:20:36,133 --> 01:20:37,867
I NEED TO KNOW!
1903
01:20:37,900 --> 01:20:40,133
WHY DID YOU
FUCK BILLY?
1904
01:20:40,167 --> 01:20:43,100
WHY DID YOU
FUCK BILLY? WHY?
1905
01:20:43,133 --> 01:20:44,400
I'M SO TIRED.
1906
01:20:44,433 --> 01:20:46,567
WHY WOULD YOU FUCK
HIM? PLEASE TELL ME.
1907
01:20:46,600 --> 01:20:48,033
WHAT ARE
YOU DOING?
1908
01:20:48,067 --> 01:20:49,467
AT LEAST KISS ME.
1909
01:20:49,500 --> 01:20:51,033
WHAT DO YOU
MEAN KISS YOU?
1910
01:20:51,067 --> 01:20:52,467
JUST ONCE?
1911
01:20:52,500 --> 01:20:54,200
ANNIE, WHAT'S THE
MATTER WITH YOU?
1912
01:20:54,233 --> 01:20:55,567
JUST KISS ME.
1913
01:20:55,600 --> 01:20:56,867
WHAT DO
YOU MEAN?
1914
01:20:56,900 --> 01:20:58,367
DON'T ASK ME
TO KISS YOU.
1915
01:20:58,400 --> 01:20:59,967
WHAT ARE YOU
TALKING ABOUT?
1916
01:21:00,000 --> 01:21:01,767
WHY ARE YOU
DOING THIS?
1917
01:21:01,800 --> 01:21:03,800
PLEASE, LUCE...
1918
01:21:07,233 --> 01:21:08,233
ANNIE...
1919
01:21:11,300 --> 01:21:13,167
WHAT IS THE
MATTER WITH YOU?
1920
01:21:13,200 --> 01:21:15,433
WHY ARE YOU
DOING THIS?
1921
01:21:15,467 --> 01:21:17,667
PLEASE EXPLAIN
THIS TO ME
1922
01:21:17,700 --> 01:21:19,967
BECAUSE I
DON'T UNDERSTAND.
1923
01:21:20,000 --> 01:21:21,667
I'M JUST SO
MISERABLE.
1924
01:21:21,700 --> 01:21:23,333
WHAT IS
THE MATTER?
1925
01:21:23,367 --> 01:21:26,300
YOU'VE GOTTA TALK TO ME,
I CAN'T DEAL WITH THIS!
1926
01:21:26,333 --> 01:21:28,767
I CAN'T STAND THE FACT
THAT YOU'RE LEAVING.
1927
01:21:28,800 --> 01:21:31,433
I DON'T CARE
ABOUT BILLY.
1928
01:21:31,467 --> 01:21:37,300
IT WAS LIKE BEING
YOU WITH BILLY.
1929
01:21:37,333 --> 01:21:40,367
IT WAS A WAY OF
GETTING CLOSE TO YOU,
1930
01:21:40,400 --> 01:21:42,233
BEING WITH BILLY.
1931
01:21:42,267 --> 01:21:45,733
YOU DON'T KNOW THAT
I'M IN LOVE WITH YOU?
1932
01:21:45,767 --> 01:21:49,200
ALL THE LAST FOUR YEARS,
YOU DON'T GET THAT?
1933
01:21:49,233 --> 01:21:52,000
YOU NEVER EVEN
THOUGHT ABOUT
1934
01:21:52,033 --> 01:21:55,367
THAT'S MAYBE
WHAT WAS WRONG?
1935
01:21:55,400 --> 01:21:59,333
I JUST CARE ABOUT
YOU AND IT JUST HURTS.
1936
01:21:59,367 --> 01:22:03,167
IT REALLY HURTS TO BE
SO MUCH IN LOVE WITH YOU
1937
01:22:03,200 --> 01:22:05,900
AND HAVE YOU
GOING AWAY.
1938
01:22:05,933 --> 01:22:08,833
I MEAN, IT DIDN'T MATTER
BEFORE WHEN YOU WERE HERE
1939
01:22:08,867 --> 01:22:10,867
AND WE COULD BE
TOGETHER ALL THE TIME.
1940
01:22:10,900 --> 01:22:12,300
I JUST DON'T
FEEL CONNECTED
1941
01:22:12,333 --> 01:22:13,867
TO ANYONE
ELSE BUT YOU.
1942
01:22:13,900 --> 01:22:15,267
I MEAN, NO ONE.
1943
01:22:15,300 --> 01:22:18,067
I JUST DON'T
WANT TO LOSE THAT.
1944
01:22:18,100 --> 01:22:23,433
PLEASE, JUST
PLEASE UNDERSTAND.
1945
01:22:23,467 --> 01:22:29,200
PLEASE,
LUCE. HMM?
1946
01:22:29,233 --> 01:22:32,800
LET ME KISS YOU
ONCE BEFORE YOU LEAVE.
1947
01:22:32,833 --> 01:22:35,800
IT WOULD MAKE
ME FEEL BETTER.
1948
01:22:35,833 --> 01:22:37,833
HUH? YEAH?
1949
01:22:40,333 --> 01:22:41,700
COME ON, A
REAL KISS.
1950
01:22:41,733 --> 01:22:43,033
A REAL KISS?
1951
01:22:43,067 --> 01:22:44,800
ANNIE?
1952
01:22:44,833 --> 01:22:46,833
JUST ONCE,
BE FUN.
1953
01:22:52,300 --> 01:22:55,300
COME ON,
COME ON.
1954
01:23:02,533 --> 01:23:06,500
I LOVE YOU TOO,
ANNIE. I DO.
1955
01:23:06,533 --> 01:23:09,100
WHAT HAPPENED
TO WINONA?
1956
01:23:09,133 --> 01:23:11,467
SHE LEFT WITH
THAT GUY.
1957
01:23:11,500 --> 01:23:13,200
WHAT GUY?
1958
01:23:13,233 --> 01:23:15,233
I DON'T KNOW, I
THOUGHT YOU KNEW HIM.
1959
01:23:20,467 --> 01:23:22,800
YOU'RE GONNA
BE OKAY, HUH?
1960
01:23:22,833 --> 01:23:24,200
IS SHE GONNA
BE OKAY?
1961
01:23:24,233 --> 01:23:25,833
SHE IS GONNA
BE OKAY.
1962
01:23:25,867 --> 01:23:28,533
THERE WERE ONLY A FEW
PILLS LEFT IN THAT BOTTLE
1963
01:23:28,567 --> 01:23:30,467
AND SHE TOOK THEM.
1964
01:23:30,500 --> 01:23:31,900
HOW MANY?
1965
01:23:31,933 --> 01:23:33,367
JUST A COUPLE
ACTUALLY.
1966
01:23:33,400 --> 01:23:35,567
I THOUGHT SHE'D DONE
SOMETHING STUPID BUT-
1967
01:23:35,600 --> 01:23:37,600
IT WAS A
WHOLE BOTTLE.
1968
01:23:37,633 --> 01:23:39,433
NO, THERE WERE
JUST A FEW LEFT,
1969
01:23:39,467 --> 01:23:41,333
IT'S BEEN AROUND
THE HOUSE FOREVER.
1970
01:23:41,367 --> 01:23:43,633
SHE'S ALRIGHT.
SHE'S RESTING.
1971
01:23:43,667 --> 01:23:46,367
SHE DOESN'T HAVE TO GO TO
A HOSPITAL OR ANYTHING?
1972
01:23:46,400 --> 01:23:47,667
NO, SHE'S FINE.
1973
01:23:47,700 --> 01:23:49,433
WHAT A DAY.
1974
01:23:49,467 --> 01:23:51,133
WHAT ARE YOU
GOING TO DO?
1975
01:23:51,167 --> 01:23:53,933
I'M GOING TO GO TO LA AND
FIND A PLACE TO LIVE AND-
1976
01:23:53,967 --> 01:23:55,100
FIND A PLACE
TO LIVE?
1977
01:23:55,133 --> 01:23:56,800
YOU DON'T HAVE A
PLACE TO LIVE?
1978
01:23:56,833 --> 01:23:57,933
NOT YET.
1979
01:23:57,967 --> 01:23:59,600
WHERE ARE YOU
GOING TO STAY?
1980
01:23:59,633 --> 01:24:03,900
I DON'T KNOW, I'LL FIND
AN APARTMENT SOMEWHERE.
1981
01:24:03,933 --> 01:24:09,033
WHY DON'T YOU
STAY AT MY HOUSE?
1982
01:24:09,067 --> 01:24:11,300
WHAT IS IT?
1983
01:24:11,333 --> 01:24:13,000
THE KEYS TO
MY HOUSE.
1984
01:24:13,033 --> 01:24:15,400
STAY IN MY HOUSE.
1985
01:24:15,433 --> 01:24:16,667
REALLY?
1986
01:24:16,700 --> 01:24:18,900
YEAH, I REALLY
WOULD LIKE THAT.
1987
01:24:18,933 --> 01:24:20,967
ARE YOU SURE?
1988
01:24:21,000 --> 01:24:22,667
SURE, I'M SURE.
1989
01:24:22,700 --> 01:24:24,767
THEN I'LL KNOW
WHERE YOU ARE.
1990
01:24:24,800 --> 01:24:26,367
AND YOU'LL
KNOW WHERE I AM.
1991
01:24:26,400 --> 01:24:27,933
YES, I WILL.
1992
01:24:27,967 --> 01:24:30,200
AND YOU'LL CALL?
1993
01:24:30,233 --> 01:24:31,433
I WILL CALL.
1994
01:24:31,467 --> 01:24:32,900
YOU DON'T
HAVE TO WRITE.
1995
01:24:32,933 --> 01:24:33,933
OKAY, GOOD.
1996
01:24:42,433 --> 01:24:44,133
YOU KNOW, WHEN
YOU LOOK AT THE LIGHT
1997
01:24:44,167 --> 01:24:46,667
OF A STAR IN THE SKY,
WHAT YOU'RE SEEING
1998
01:24:46,700 --> 01:24:49,767
ISN'T THE STAR EXISTING
AS IT IS RIGHT NOW.
1999
01:24:49,800 --> 01:24:51,700
YOU'RE SEEING SOMETHING
THAT HASN'T EXISTED
2000
01:24:51,733 --> 01:24:53,400
FOR MILLIONS AND
MILLIONS OF YEARS.
2001
01:24:53,433 --> 01:24:55,967
THE LIGHT FROM THAT STAR
IS COMING TOWARD YOU
2002
01:24:56,000 --> 01:24:57,500
FROM THE PAST.
2003
01:24:57,533 --> 01:24:59,233
THAT STAR HAS
CEASED TO EXIST
2004
01:24:59,267 --> 01:25:01,433
BY THE TIME ITS
LIGHT GETS TO YOU.
2005
01:25:01,467 --> 01:25:03,467
YOU'RE SEEING IT
NOW IN YOUR PRESENT
2006
01:25:03,500 --> 01:25:05,300
BUT THAT STAR HAS
CEASED TO EXIST
2007
01:25:05,333 --> 01:25:07,267
MILLIONS OF YEARS
BEFORE YOU WERE BORN.
2008
01:25:07,300 --> 01:25:10,033
AND BY THE SAME TOKEN, IF
SOMEBODY ON ANOTHER STAR,
2009
01:25:10,067 --> 01:25:12,067
SOMEWHERE MILLIONS OF
YEARS INTO THE FUTURE
2010
01:25:12,100 --> 01:25:14,233
IS LOOKING BACK AT
US WITH A TELESCOPE
2011
01:25:14,267 --> 01:25:16,233
POWERFUL
ENOUGH TO SEE US,
2012
01:25:16,267 --> 01:25:18,733
THEY COULD SEE US RIGHT
NOW AT THIS VERY MOMENT
2013
01:25:18,767 --> 01:25:20,533
BUT WHAT THEY'D
BE SEEING IS THE LIGHT
2014
01:25:20,567 --> 01:25:23,067
FROM OUR PRESENT
WHICH IS THEIR FUTURE.
2015
01:25:23,100 --> 01:25:25,600
BUT WE'VE BEEN DEAD
FOR MILLIONS OF YEARS.
2016
01:25:25,633 --> 01:25:26,767
WE'RE GONE.
2017
01:25:26,800 --> 01:25:28,867
AND YET THEY'RE
SEEING US RIGHT NOW.
2018
01:25:28,900 --> 01:25:31,733
PAST, PRESENT,
FUTURE...
2019
01:25:31,767 --> 01:25:37,333
IT ALL DEPENDS WHAT
STAR YOU'RE STANDING ON.
2020
01:25:37,367 --> 01:25:47,400
*
2021
01:25:47,400 --> 01:25:57,400
*
134060
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