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1
00:00:02,440 --> 00:00:03,910
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:03,940 --> 00:00:05,610
Andy: WHAT’S THE MATTER?
3
00:00:05,640 --> 00:00:06,610
POP?
4
00:00:06,650 --> 00:00:07,850
OHH.
5
00:00:07,880 --> 00:00:09,380
COME ON.
6
00:00:09,410 --> 00:00:11,210
15th SQUAD
TO CENTRAL "K"‐‐
7
00:00:11,250 --> 00:00:13,580
HAVE AN AMBULANCE AND A 4‐5
SUPERVISOR RESPOND
8
00:00:13,620 --> 00:00:16,420
TO 8412 FORDHAM ROAD FORTHWITH.
WE HAVE A D. O. A.
9
00:00:16,450 --> 00:00:17,950
THE LAST TIME I SAW HIM,
WE FOUGHT.
10
00:00:17,990 --> 00:00:19,890
YOU DID EVERYTHING
YOU COULD FOR HIM.
11
00:00:19,920 --> 00:00:21,090
I TURNED HIM AWAY.
12
00:00:21,130 --> 00:00:22,630
THIS HAS NOTHING TO DO
WITH YOU, JOHN.
13
00:00:22,660 --> 00:00:24,230
YEAH.
14
00:00:24,260 --> 00:00:28,430
MOURN FOR HIM, GRIEVE FOR HIM,
BUT DON’T TAKE ON THE GUILT.
15
00:00:28,470 --> 00:00:31,210
THIS IS STRANGE FOR ME,
AS I’M SURE IT IS FOR YOU.
16
00:00:31,240 --> 00:00:33,440
I’M SORRY.
I KNOW THIS IS WRONG,
17
00:00:33,470 --> 00:00:36,100
BUT I JUST DON’T HAVE ANY FIGHT
LEFT IN ME ANYMORE.
18
00:00:36,140 --> 00:00:37,740
I LOVE YOU.
19
00:00:37,780 --> 00:00:39,280
KEEP MAKING ME PROUD.
20
00:00:58,660 --> 00:01:00,630
THIS IS REAL FRESH.
21
00:01:00,670 --> 00:01:02,770
UNIFORM WAS RIGHT AROUND
THE CORNER WHEN THIS JUMPED OFF.
22
00:01:02,800 --> 00:01:04,600
D.O.A.’s KENNETH WILLIAMS.
ONE IN THE CHEST.
23
00:01:04,640 --> 00:01:06,480
WITNESSES?
24
00:01:06,500 --> 00:01:08,570
WELL, THEY’RE SAYING THEY
DIDN’T SEE ANYTHING,
25
00:01:08,610 --> 00:01:10,650
BUT WHEN UNIFORM ROLLED UP,
26
00:01:10,680 --> 00:01:14,150
THIS GUY, A LOCAL DEALER,
WAS TRYING TO WHEEL AWAY.
27
00:01:14,180 --> 00:01:16,680
AND SHE WAS STANDING
THERE STUNNED
28
00:01:16,720 --> 00:01:18,660
WITH A BAG OF GARBAGE
IN HER HAND.
29
00:01:18,680 --> 00:01:21,150
UNIFORMS ALSO SPOTTED
A BLACK FEMALE RUNNING THIS WAY.
30
00:01:21,190 --> 00:01:22,790
WE GOT A DESCRIPTION,
SO WE’LL CHECK IT OUT.
31
00:01:22,820 --> 00:01:24,350
TAKE THE GIRL.
I GOT HIM.
32
00:01:29,230 --> 00:01:31,170
I THOUGHT HE
WAS TAKING THE WEEK.
33
00:01:31,200 --> 00:01:32,170
HEY.
34
00:01:32,200 --> 00:01:33,500
HEY.
35
00:01:33,530 --> 00:01:35,300
I WAS GOING STIR‐CRAZY.
36
00:01:35,330 --> 00:01:37,470
BOSS SAID IT WAS OKAY
TO GET BACK TO WORK.
37
00:01:37,500 --> 00:01:38,830
WHAT WE GOT?
38
00:01:38,870 --> 00:01:41,870
UH, D. O. A.’s
KENNETH WILLIAMS.
39
00:01:41,910 --> 00:01:43,820
POSSIBLE WITNESS.
40
00:01:43,840 --> 00:01:45,010
I’LL TAKE HIM.
41
00:01:45,040 --> 00:01:47,280
LEAD THE WAY.
42
00:01:47,310 --> 00:01:48,980
UM, HI.
HEY.
43
00:01:49,010 --> 00:01:50,880
I JUST NEEDED
TO GET BACK INTO IT.
44
00:01:52,650 --> 00:01:54,380
WE HAVEN’T SPOKEN
IN THREE DAYS.
45
00:01:54,420 --> 00:01:55,550
IT’S A ROUGH TIME.
46
00:01:55,590 --> 00:01:57,630
WHAT’S YOUR NAME?
47
00:01:57,660 --> 00:01:59,460
CLIFTON SHAW.
48
00:01:59,490 --> 00:02:00,720
WHAT’D YOU SEE?
NOTHING.
49
00:02:00,760 --> 00:02:02,990
THIS YOUR REGULAR SPOT?
NO.
50
00:02:03,030 --> 00:02:05,670
YEAH, IT IS, AND YOU SAW
WHAT HAPPENED, OR YOU WOULDN’T
HAVE BEEN TRUCKING AWAY.
51
00:02:05,700 --> 00:02:07,010
I WAS DOZING.
52
00:02:07,030 --> 00:02:08,860
YEAH, WE TOSS THAT CHAIR,
WE GONNA FIND A STASH?
53
00:02:08,900 --> 00:02:11,000
CHUMP ROLLED UP WITH A GUN,
54
00:02:11,040 --> 00:02:13,680
LOOKING TO TAKE OUT MY BOY TODD
AND SOME DUDES HE WAS WITH.
55
00:02:13,710 --> 00:02:15,650
BUT TODD GOT THE JUMP
ON ’EM‐‐
56
00:02:15,670 --> 00:02:17,040
AND SHOT HIM?
57
00:02:17,080 --> 00:02:19,350
LET ME FINISH, PLEASE.
58
00:02:19,380 --> 00:02:21,490
HE GOT THE JUMP ON ’EM,
WRESTLED ’EM,
59
00:02:21,510 --> 00:02:23,380
AND THE GUN WENT OFF
IN THE SCUFFLE.
60
00:02:23,410 --> 00:02:24,880
WHERE’D TODD GO?
NO IDEA.
61
00:02:24,920 --> 00:02:26,220
AND THE BUDDIES?
NO IDEA.
62
00:02:26,250 --> 00:02:27,850
HOW ’BOUT THE D. O. A.’s GUN?
63
00:02:27,890 --> 00:02:29,830
I DIDN’T SEE.
64
00:02:29,850 --> 00:02:31,420
THIS WOULDN’T BE YOU LYING
TO PROTECT YOUR BOY TODD?
65
00:02:31,460 --> 00:02:34,000
MAN, YOU ASKED WHAT I SAW,
AND I TOLD YOU.
66
00:02:34,030 --> 00:02:35,830
IF WE START HEARING A DIFFERENT
ACCOUNT, WE’RE COMING BACK.
67
00:02:35,860 --> 00:02:37,530
OOH, DON’T SCARE ME, NOW.
68
00:02:37,560 --> 00:02:38,990
HEY, ASSHOLE‐‐
69
00:02:39,030 --> 00:02:41,100
TODD’S LAST NAME
AND WHERE HE LIVES.
70
00:02:41,130 --> 00:02:43,230
GRADY, AND I DON’T KNOW.
71
00:02:43,270 --> 00:02:44,610
WHAT’S HE LOOK LIKE?
72
00:02:44,640 --> 00:02:45,480
BLACK.
73
00:02:47,770 --> 00:02:51,170
TALL, LIGHT‐SKINNED DUDE
WITH CHIN WHISKERS.
74
00:02:51,210 --> 00:02:52,740
YOUR BOY NEEDS
TO CHILL HIS ASS OUT.
75
00:02:52,780 --> 00:02:54,190
SHUT UP, ASSHOLE.
76
00:02:54,210 --> 00:02:56,850
YOU DIDN’T NOTICE ANYONE
SITTING THERE?
77
00:02:56,880 --> 00:02:59,280
I WAS CARRYING OUT A BAG OF
GARBAGE WHEN I HEARD THE SHOT.
78
00:02:59,320 --> 00:03:01,130
YOU SEE WHO FIRED?
79
00:03:01,150 --> 00:03:03,450
I DUCKED DOWN, AND I DIDN’T
LOOK UP FOR, LIKE, A MINUTE,
80
00:03:03,490 --> 00:03:05,530
AND THEN ALL I SAW
WAS THE GUY LYING THERE,
81
00:03:05,560 --> 00:03:07,100
AND THE COP SHOWED UP.
82
00:03:07,130 --> 00:03:08,970
GREG AND BALDWIN RADIOED.
83
00:03:08,990 --> 00:03:10,960
A GUY SAW A BLACK MALE SPRINT
AROUND THE CORNER.
84
00:03:11,000 --> 00:03:12,370
SAID HE WAS TODD GRADY.
85
00:03:12,400 --> 00:03:14,070
SAID THAT GRADY LIVES
AT 1203 RIDGE STREET.
86
00:03:14,100 --> 00:03:15,360
WHO’S TODD GRADY?
87
00:03:15,400 --> 00:03:16,460
IT COULD BE THE SHOOTER.
88
00:03:21,970 --> 00:03:23,440
[ KNOCK ON DOOR ]
89
00:03:23,470 --> 00:03:24,810
HEY, MR. GRADY,
90
00:03:24,840 --> 00:03:27,440
IF YOU’RE THERE,
WE JUST WANT TO TALK TO YOU.
91
00:03:27,480 --> 00:03:29,780
[ SIGHS ] LET’S CHECK
WITH THE NEIGHBORS.
92
00:03:34,920 --> 00:03:36,690
[ DOGS BARKING ]
93
00:03:40,990 --> 00:03:42,990
TODD? TODD GRADY?
94
00:03:44,100 --> 00:03:45,140
GREG.
95
00:03:47,300 --> 00:03:48,160
GUN!
96
00:03:56,010 --> 00:04:00,390
[ PANTING ]
97
00:04:02,280 --> 00:04:03,180
OH, MY GOD.
98
00:04:08,290 --> 00:04:10,360
YOU’RE GONNA BE OKAY,
KID. JUST HOLD ON.
99
00:04:12,360 --> 00:04:14,470
15th SQUAD
TO CENTRAL "K"‐‐
100
00:04:14,490 --> 00:04:15,920
Go ahead, 15.
101
00:04:15,960 --> 00:04:18,690
HAVE AN AMBULANCE RESPOND
FORTHWITH AT 1203 RIDGE.
102
00:04:18,730 --> 00:04:20,260
Andy: MEDAVOY, JONES,
YOU ALL RIGHT?!
103
00:04:20,300 --> 00:04:22,200
WE’RE OKAY.
104
00:04:22,230 --> 00:04:23,800
WHAT HAPPENED?
WHO FIRED?
105
00:04:23,840 --> 00:04:25,210
BOTH OF US.
106
00:04:25,240 --> 00:04:26,510
BULLET THROUGH THE WALL.
107
00:04:26,540 --> 00:04:27,710
THIS ONE OF YOURS?
108
00:04:27,740 --> 00:04:30,340
I DON’T KNOW. PROBABLY.
109
00:04:30,370 --> 00:04:32,640
Baldwin: PUT A RUSH
ON THE AMBULANCE.
WE GOT A SERIOUS BLEEDER.
110
00:04:32,680 --> 00:04:34,390
Copy that, 15.
111
00:04:36,510 --> 00:04:38,310
BACK INSIDE, MA’AM.
112
00:06:07,170 --> 00:06:08,770
KID’S IN SURGERY.
113
00:06:08,810 --> 00:06:10,920
PROGNOSIS GOING
IN WAS GUARDED,
114
00:06:10,940 --> 00:06:12,640
WHICH COULD LAND ON
EITHER SIDE OF THE FENCE.
115
00:06:12,680 --> 00:06:14,420
ANYTHING ON THE CAMERAS?
NO ONE SAW IT.
116
00:06:14,450 --> 00:06:16,290
WHAT ABOUT THE OLD LADY?
117
00:06:16,310 --> 00:06:18,310
ALL SHE SAW WAS US
STANDING OVER THE KID.
118
00:06:18,350 --> 00:06:19,950
WITH GUNS IN OUR HANDS.
119
00:06:19,980 --> 00:06:21,650
SHE RECOGNIZE HIM?
120
00:06:21,690 --> 00:06:23,460
THEODORE LAWSON.
HE LIVES IN THE BUILDING.
121
00:06:23,490 --> 00:06:25,330
HOW OLD?
13.
122
00:06:25,360 --> 00:06:28,400
Woman on radio: 15th squad
supervisor, on the air.
123
00:06:28,430 --> 00:06:31,100
Tony: 15th SQUAD
SUPERVISOR. GO AHEAD.
124
00:06:31,130 --> 00:06:32,490
CONNIE AND RITA
ARE SCOURING THE BUILDING.
125
00:06:32,530 --> 00:06:34,100
WE’LL FIND THIS GRADY.
126
00:06:34,130 --> 00:06:36,930
WHAT THE HELL WAS THIS GUY DOING
PULLING A GUN ON US?
127
00:06:36,970 --> 00:06:38,500
WASN’T HE THE ONE GETTING
ROBBED THIS MORNING?
128
00:06:38,540 --> 00:06:39,810
THAT’S DEBATABLE.
129
00:06:39,840 --> 00:06:40,840
D.O.A. ON OLIVER.
130
00:06:42,470 --> 00:06:44,340
CALL CONNIE AND RITA.
HAVE ’EM RESPOND.
131
00:06:48,480 --> 00:06:52,310
15th SQUAD HOSPITAL
TO 15th SQUAD BASE.
132
00:06:52,350 --> 00:06:53,650
Woman: Go ahead, 15th squad.
133
00:06:53,690 --> 00:06:55,630
Woman over P. A.:
Wheelchair to cardiology
checkout.
134
00:06:55,650 --> 00:06:57,120
Wheelchair
to cardiology checkout.
135
00:06:57,160 --> 00:06:58,730
KID DIED.
136
00:07:01,530 --> 00:07:03,770
THEY GET A SLUG OUT OF HIM?
137
00:07:03,800 --> 00:07:05,270
IT’S ON ITS WAY
TO BALLISTICS.
138
00:07:05,300 --> 00:07:07,310
SO IT’S INTACT ENOUGH
FOR COMPARISON?
139
00:07:07,330 --> 00:07:08,800
APPEARED TO BE.
I NEED YOUR GUNS.
140
00:07:18,710 --> 00:07:21,310
[ CLEARS THROAT ]
141
00:07:21,350 --> 00:07:22,820
HEAD BACK DOWN TO SQUAD.
142
00:07:22,850 --> 00:07:24,790
DON’T DO A THING
TILL YOU HEAR FROM ME.
143
00:07:24,820 --> 00:07:26,390
AND DON’T TALK TO ANYBODY.
144
00:07:26,420 --> 00:07:27,790
THE PARENTS BEEN CONTACTED?
145
00:07:27,820 --> 00:07:30,520
THE FATHER. GET GOING.
146
00:07:30,560 --> 00:07:32,660
DIG UP EVERYTHING YOU
CAN ON THIS GRADY.
147
00:07:32,690 --> 00:07:34,890
I DON’T CARE WHAT IT TAKES.
GET HIM IN.
148
00:07:34,930 --> 00:07:36,840
THIS IS WHAT WE HAVE SO FAR...
149
00:07:51,680 --> 00:07:52,880
HEY.
150
00:07:52,910 --> 00:07:54,380
WHO FOUND HIM?
151
00:07:54,410 --> 00:07:56,750
OCCUPANT ON HIS WAY TO WORK.
THAT’S HIS PUKE.
152
00:07:59,380 --> 00:08:01,680
HEY.
UH, SO YOU RECOGNIZE HIM?
153
00:08:01,720 --> 00:08:03,820
ANY IDEA HOW LONG
HE’S BEEN HERE?
154
00:08:03,860 --> 00:08:05,900
UH, I WAS IN ALL NIGHT
PAST 8:00,
155
00:08:05,920 --> 00:08:08,860
AND HE WASN’T THERE THEN.
156
00:08:08,890 --> 00:08:11,190
I‐IS HE REALLY, UH...
157
00:08:11,230 --> 00:08:12,830
YEAH, HE IS.
158
00:08:12,860 --> 00:08:15,830
UH, UH, I’M GONNA
BE SICK AGAIN.
159
00:08:15,870 --> 00:08:17,910
WHY DON’T YOU WAIT
ACROSS THE STREET?
160
00:08:17,940 --> 00:08:20,750
I HEARD ABOUT THE SHOOTING
THIS MORNING‐‐ 8‐YEAR‐OLD KID?
161
00:08:20,770 --> 00:08:22,370
MORE LIKE 13.
162
00:08:22,410 --> 00:08:24,120
[ SIGHS ]
163
00:08:24,140 --> 00:08:25,670
ANY WOUNDS?
164
00:08:25,710 --> 00:08:27,740
A LITTLE CUT ON THE BACK
OF HIS HEAD.
165
00:08:27,780 --> 00:08:29,040
PAST THAT, NOTHING.
166
00:08:29,080 --> 00:08:30,710
I.D.?
167
00:08:30,750 --> 00:08:34,180
YEAH, UH,
FRANK MALVOYN, QUEENS.
168
00:08:34,220 --> 00:08:35,880
HE’S A LITTLE
OUT OF HIS NEIGHBORHOOD.
169
00:08:35,920 --> 00:08:37,920
THE GUYS IN THIS SECTOR
SEE ANYTHING?
170
00:08:37,960 --> 00:08:41,030
THEY WENT AROUND THIS BLOCK
10 TIMES‐‐DIDN’T SEE A THING.
171
00:08:41,060 --> 00:08:43,630
IS IT TRUE THE KID GOT IT
THROUGH THE WALL?
172
00:08:43,660 --> 00:08:45,390
WOULD YOU MIND KEEPING
AN EYE ON HIM?
173
00:08:45,430 --> 00:08:46,760
SURE.
174
00:08:48,170 --> 00:08:50,810
IT’S GONNA BE A LONG DAY.
175
00:08:58,240 --> 00:08:59,910
I NEED THE CHIEF OF DETECTIVES
ON THE PHONE.
176
00:08:59,940 --> 00:09:01,410
ANY WORD FROM BALLISTICS?
177
00:09:01,450 --> 00:09:02,450
NOTHING YET.
178
00:09:02,480 --> 00:09:04,110
WHERE IS EVERYBODY?
179
00:09:04,150 --> 00:09:05,780
DETECTIVE MEDAVOY’S
WITH THE DUTY CAPTAIN.
180
00:09:05,820 --> 00:09:08,060
DETECTIVE JONES
IS WRITING UP HIS NOTES.
181
00:09:08,090 --> 00:09:09,430
THE REST
ARE ON THEIR WAY IN.
182
00:09:09,450 --> 00:09:11,590
THIS IS REV. HARRISON WALKER
TO SEE YOU.
183
00:09:11,620 --> 00:09:15,120
UH, FIRST PENTECOSTAL
ON RIVINGTON, LIEUTENANT.
184
00:09:15,160 --> 00:09:17,290
HAVE YOU GOT A MINUTE
REGARDING THIS SHOOTING?
185
00:09:17,330 --> 00:09:18,790
LITERALLY ONE MINUTE.
186
00:09:18,830 --> 00:09:21,000
CHIEF OF D’s AS SOON
AS YOU CAN.
187
00:09:26,270 --> 00:09:28,540
[ DOOR CLOSES ]
188
00:09:28,970 --> 00:09:31,310
I’M HERE ON BEHALF
OF JERMAINE LAWSON,
189
00:09:31,340 --> 00:09:34,110
FATHER OF THEODORE LAWSON,
THE BOY WHO WAS KILLED TODAY.
190
00:09:34,150 --> 00:09:35,690
PLEASE HAVE A SEAT.
191
00:09:36,150 --> 00:09:37,960
HE’S GOT SOME QUESTIONS,
UNDERSTANDABLY.
192
00:09:37,980 --> 00:09:42,280
AND ANY INFORMATION I CAN
PASS ON WOULD BE HELPFUL.
193
00:09:42,320 --> 00:09:44,420
WE’RE EARLY IN
THE INVESTIGATION,
194
00:09:44,460 --> 00:09:46,030
BUT IT LOOKS LIKE THE BOY
WAS AN INNOCENT BYSTANDER.
195
00:09:46,060 --> 00:09:48,100
SHOT THROUGH A WALL?
THAT’S RIGHT.
196
00:09:48,130 --> 00:09:50,600
RUMOR IS THE BULLET CAME
FROM THE GUN OF A WHITE COP.
197
00:09:50,630 --> 00:09:52,960
THAT’S NOT A RUMOR
TO FLOAT LIGHTLY, REVEREND.
198
00:09:53,000 --> 00:09:55,040
DOESN’T COME FROM ME.
199
00:09:55,070 --> 00:09:57,040
BUT I DO NEED IT TO BE
CONFIRMED OR DENIED.
200
00:09:57,070 --> 00:10:00,270
THIS COULD BECOME SOMETHING
IT HAS NO REASON BEING.
201
00:10:00,300 --> 00:10:02,040
PEOPLE WANT TO KNOW.
202
00:10:02,070 --> 00:10:04,440
SO THIS ISN’T YOU LOOKING TO
STIR SOMETHING UP FOR PUBLICITY?
203
00:10:04,480 --> 00:10:06,620
A GRIEVING FATHER
CAME TO ME
204
00:10:06,650 --> 00:10:09,350
WITH OTHER SCARED
AND FRUSTRATED PARISHIONERS.
205
00:10:09,380 --> 00:10:11,550
I NEED TO GIVE THEM
THE FACTS.
206
00:10:11,580 --> 00:10:13,720
WE DON’T KNOW WHOSE BULLET
IT WAS YET.
207
00:10:13,750 --> 00:10:15,650
DO YOU KNOW HOW MANY BULLETS
WERE FIRED?
208
00:10:15,690 --> 00:10:17,330
FROM MY DETECTIVES?
TWO APIECE.
209
00:10:17,360 --> 00:10:18,700
AND FROM THE PERPETRATOR?
210
00:10:18,720 --> 00:10:19,890
WE’RE NOT SURE.
211
00:10:22,260 --> 00:10:23,990
I HAVE TO TAKE THIS,
REVEREND.
212
00:10:26,200 --> 00:10:28,570
BETTER IF FOLKS
GET INFORMATION FROM ME
213
00:10:28,600 --> 00:10:30,730
THAN RUMORS ON THE STREET.
214
00:10:30,770 --> 00:10:32,070
I’LL KEEP YOU UP TO SPEED.
215
00:10:34,270 --> 00:10:35,900
YES?
216
00:10:37,710 --> 00:10:39,210
WHAT’S GOING ON?
217
00:10:39,240 --> 00:10:42,080
HE’S ON THE PHONE
WITH THE CHIEF OF D’s.
218
00:10:42,110 --> 00:10:43,880
I‐‐I DIDN’T KNOW
YOU WERE BACK SO SOON.
219
00:10:43,920 --> 00:10:46,060
I WAS GOING STIR‐CRAZY.
220
00:10:46,080 --> 00:10:50,190
I GOT SOME INFO
ON TODD GRADY.
221
00:10:50,220 --> 00:10:53,150
UH, SORRY I DIDN’T CALL YOU BACK
THE LAST COUPLE DAYS.
222
00:10:53,190 --> 00:10:55,190
I WAS JUST CALLING
TO OFFER MY HELP.
223
00:10:55,230 --> 00:10:57,170
YEAH, IT TURNED OUT
TO BE EASIER
224
00:10:57,200 --> 00:10:58,940
TAKING CARE OF THIS
STUFF MYSELF.
225
00:10:58,960 --> 00:11:00,860
UH...
226
00:11:00,900 --> 00:11:03,330
WE SHOULD TALK SOON.
227
00:11:03,370 --> 00:11:05,840
WHAT DO WE GOT ON GRADY?
228
00:11:05,870 --> 00:11:09,610
UH, TWO POSSESSION COLLARS,
ANOTHER FOR SALES,
229
00:11:09,640 --> 00:11:12,340
AND A COLLAR FOR ASSAULT,
BUT NO OUTSTANDING WARRANTS.
230
00:11:12,380 --> 00:11:13,590
WHERE DO WE FIND HIM?
231
00:11:13,610 --> 00:11:15,380
ON TWO OF HIS COLLARS,
HE WAS BAILED OUT
232
00:11:15,410 --> 00:11:19,010
BY A LASHANDA HARRIS‐‐
LONG SHEET FOR PROSS AND HEROIN.
233
00:11:19,050 --> 00:11:21,420
WE SHOWED HER PHOTO TO THE COP
WHO WAS FIRST ON THE SCENE.
234
00:11:21,450 --> 00:11:23,120
HE SAW HER RUNNING OFF.
235
00:11:23,150 --> 00:11:24,950
P.O. SAID SHE GETS HER
METHADONE ON "D" IN AN HOUR.
236
00:11:24,990 --> 00:11:26,860
ANYTHING ON
KENNETH WILLIAMS?
237
00:11:26,890 --> 00:11:29,220
ANOTHER CITIZEN,
JUST DID A YEAR
FOR DEALING.
238
00:11:29,260 --> 00:11:30,590
ANY CONNECTION BETWEEN
HIM AND GRADY?
239
00:11:30,630 --> 00:11:31,790
NONE SO FAR.
240
00:11:31,830 --> 00:11:33,430
WHERE ARE YOU GUYS?
241
00:11:33,460 --> 00:11:35,200
D.O.A.’s
FRANK MALVOYN.
242
00:11:35,230 --> 00:11:37,270
PAY STUB IN HIS POCKET
FROM LANCER TRUCKING.
243
00:11:37,300 --> 00:11:39,940
A COWORKER SAID THEY WENT OUT
BOOZING LAST NIGHT.
244
00:11:39,970 --> 00:11:42,100
FRANK SPLIT OFF TO SEE HIS
GIRLFRIEND, HELEN CALODNER‐‐
245
00:11:42,140 --> 00:11:43,270
LIVES IN PARK SLOPE.
246
00:11:43,310 --> 00:11:45,080
NO ANSWER AT HER PLACE,
247
00:11:45,110 --> 00:11:46,910
BUT A NEIGHBOR SAYS THE COPS
WERE THERE LAST NIGHT.
248
00:11:46,950 --> 00:11:49,150
SHE LIVES IN BROOKLYN.
HE’S DEAD ON THE LOW EAST SIDE.
249
00:11:49,180 --> 00:11:50,810
THAT’S 5 MILES.
250
00:11:50,850 --> 00:11:52,810
THE COPS WHO RESPONDED
TO THE GIRLFRIEND’S PLACE
251
00:11:52,850 --> 00:11:54,050
ARE ON THEIR WAY IN.
252
00:11:54,090 --> 00:11:57,100
LIEUTENANT, BALLISTICS
ON THREE.
253
00:12:01,660 --> 00:12:02,960
HE’S ON WITH BALLISTICS.
254
00:12:13,610 --> 00:12:16,050
GREG, BALDWIN.
255
00:12:30,890 --> 00:12:32,650
IT WAS JONES’ BULLET.
256
00:12:32,690 --> 00:12:33,820
Clark: SON OF A BITCH.
257
00:12:33,860 --> 00:12:35,420
BETTER HIM THAN MEDAVOY.
258
00:12:35,460 --> 00:12:37,160
NOT FOR JONES.
259
00:12:37,200 --> 00:12:40,040
I’M SAYING IT’S BETTER
ALL AROUND IT’S A BLACK COP.
260
00:12:40,060 --> 00:12:41,400
BUT, YEAH, NOT FOR JONES.
261
00:12:47,140 --> 00:12:48,540
ANYONE’D DONE THE SAME.
262
00:12:48,570 --> 00:12:50,870
DON’T LET IT GET YOU DOWN.
263
00:13:19,170 --> 00:13:21,200
WHOA, WHOA, WHOA.
WHERE YOU GOING, LASHANDA?
264
00:13:21,240 --> 00:13:22,470
I CAN’T LOSE MY PLACE
IN LINE.
265
00:13:22,510 --> 00:13:24,050
SHE’LL BE BACK.
266
00:13:24,080 --> 00:13:26,020
WHERE WERE YOU
THIS MORNING?
GETTING READY FOR WORK.
267
00:13:26,040 --> 00:13:28,140
YOU WEREN’T ON THE STREET
WITH TODD GRADY?
268
00:13:28,180 --> 00:13:29,340
HELL, NO.
269
00:13:29,380 --> 00:13:31,380
WE GOT A WITNESS
PUTS YOU THERE‐‐A COP.
270
00:13:31,420 --> 00:13:32,720
THE LINE’S MOVING.
271
00:13:32,750 --> 00:13:34,520
LET’S TALK
AT THE STATION HOUSE.
272
00:13:34,550 --> 00:13:36,480
TODD OWES ME MONEY.
I WENT TO GET IT.
273
00:13:36,520 --> 00:13:38,020
HE WOULDN’T GIVE IT UP.
I SPLIT.
274
00:13:38,060 --> 00:13:39,330
TALK ABOUT THE SHOOTOUT.
275
00:13:39,360 --> 00:13:41,270
I DIDN’T SEE IT.
I SWEAR.
276
00:13:41,290 --> 00:13:43,260
I HEARD IT OVER MY SHOULDER,
LOOKED BACK,
277
00:13:43,290 --> 00:13:45,060
SAW SOMETHING GOING DOWN,
278
00:13:45,100 --> 00:13:46,940
AND DID NOT WANT TO GET
INVOLVED, SO I SPLIT.
279
00:13:46,970 --> 00:13:48,370
WHAT’D YOU SEE GOING DOWN?
280
00:13:48,400 --> 00:13:50,070
JUST TODD AND HIS LITTLE
PILE OF IDIOTS
281
00:13:50,100 --> 00:13:51,830
RUNNING OUT OF THE STREET.
282
00:13:51,870 --> 00:13:54,040
AND KENNETH WILLIAMS
ON THE GROUND.
THAT’S WHO IT WAS?
283
00:13:54,070 --> 00:13:55,700
HOW DO YOU KNOW HIM?
284
00:13:55,740 --> 00:13:58,070
FROM THE PAST.
HE’S BEEN IN JAIL
THE LAST YEAR.
285
00:13:58,110 --> 00:14:00,910
ANY REASON HE MIGHT HAVE COME BY
TO TRY AND RIP TODD OFF?
286
00:14:00,950 --> 00:14:03,920
ONLY IF SOMEBODY SCOOPED OUT
HIS BRAIN AND PUT A TURD INSIDE.
287
00:14:03,950 --> 00:14:06,880
EXPLAIN THAT.
TODD’S ON HIS STOOP,
HE’S DEALING.
288
00:14:06,920 --> 00:14:09,850
AND IF HE’S DEALING,
THERE’S GUNS AROUND.
KENNY WOULD KNOW THAT.
289
00:14:09,890 --> 00:14:12,120
ALSO, SINCE KENNY GOT SPRUNG,
I HEARD HE WAS CLEAN.
290
00:14:12,160 --> 00:14:13,930
SO WHAT WAS KENNY
DOING THERE?
291
00:14:13,960 --> 00:14:15,720
MAYBE SAME AS ME‐‐
LOOKING TO GET HIS MONEY.
292
00:14:15,760 --> 00:14:17,590
SO THEY GOT AN OLD BEEF,
TODD AND KENNY?
293
00:14:17,630 --> 00:14:19,260
KENNY WAS A DEALER.
294
00:14:19,300 --> 00:14:21,910
TODD TOOK A PIECE OF HIS TURF
WITHOUT PAYING NO TRIBUTE.
295
00:14:21,930 --> 00:14:24,530
THEY WAS GONNA BATTLE OVER IT,
BUT KENNY GOT PINCHED.
296
00:14:24,570 --> 00:14:26,300
NOW, CAN I PLEASE
GET BACK ON LINE?
297
00:14:26,340 --> 00:14:27,910
WHO WAS WITH TODD?
298
00:14:27,940 --> 00:14:29,870
COST YOU 20 BUCKS.
299
00:14:29,910 --> 00:14:31,540
GET IN THE CAR.
300
00:14:31,580 --> 00:14:33,750
DANTE KELLY’S THE ONLY ONE
I KNOW, OKAY?
301
00:14:33,780 --> 00:14:36,180
CAN I TAKE CARE OF MYSELF
NOW, PLEASE?
302
00:14:38,520 --> 00:14:40,160
I DON’T NEED
YOUR DAMN MONEY.
303
00:14:40,180 --> 00:14:42,020
I’LL TAKE IT ANYWAY.
304
00:14:48,360 --> 00:14:50,230
Rita: HEY, THANKS
FOR COMING IN.
305
00:14:50,260 --> 00:14:52,260
WAS IT BALDWIN JONES
SHOT THAT KID THIS MORNING?
306
00:14:52,300 --> 00:14:53,770
YEAH.
307
00:14:53,800 --> 00:14:55,630
MY OLD PARTNER KNOWS HIM
FROM THE ACADEMY.
308
00:14:55,670 --> 00:14:57,010
HE GONNA GET JAMMED UP?
309
00:14:57,040 --> 00:14:58,780
IT’S STILL PRETTY FRESH.
310
00:14:58,800 --> 00:15:00,770
DID YOU GUYS HANDLE A JOB
AT 234 16th STREET LAST NIGHT,
311
00:15:00,810 --> 00:15:02,450
HELEN CALODNER’S
RESIDENCE?
312
00:15:02,470 --> 00:15:05,240
DOMESTIC DISPUTE, BUT NOBODY
THERE, AND NOBODY HAD SEEN ’EM.
313
00:15:05,280 --> 00:15:06,350
THEM BEING?
314
00:15:06,380 --> 00:15:07,790
HELEN AND HER BOYFRIEND FRANK.
315
00:15:07,810 --> 00:15:08,940
MALVOYN.
316
00:15:08,980 --> 00:15:10,810
ANY DETAILS ON THE DISPUTE?
317
00:15:10,850 --> 00:15:12,750
FRANK WAS DRUNK AGAIN,
YELLING, BREAKING FURNITURE.
318
00:15:12,780 --> 00:15:14,780
BUT, AGAIN, NO ONE WAS HOME.
319
00:15:14,820 --> 00:15:16,650
YOU GET HER CALLBACK NUMBER
FROM THE DISPATCHER?
320
00:15:16,690 --> 00:15:19,520
THEY’RE PRETTY BUSY.
WE SHOULD HAVE CHECKED UP AGAIN.
321
00:15:19,560 --> 00:15:21,320
BUT THIS ISN’T THE FIRST TIME
WE’VE RESPONDED THERE.
322
00:15:21,360 --> 00:15:22,990
THERE A PROBLEM?
323
00:15:23,030 --> 00:15:25,470
FRANK MALVOYN TURNED UP
D. O. A. IN OUR PRECINCT.
324
00:15:25,500 --> 00:15:27,310
YEAH? HUH.
325
00:15:27,330 --> 00:15:29,100
HE WAS A NASTY DRUNK.
326
00:15:29,130 --> 00:15:31,000
WELL, DURING ANY OF YOUR VISITS
TO THE GIRLFRIEND’S PLACE,
327
00:15:31,040 --> 00:15:33,280
YOU EVER HEAR ANYTHING
328
00:15:33,300 --> 00:15:35,670
ABOUT FRANK HAVING BUSINESS
IN THE LOWER EAST SIDE?
IS THAT WHERE HE GO IT?
329
00:15:35,710 --> 00:15:37,320
OLIVER STREET‐‐
IT EVER COME UP?
330
00:15:37,340 --> 00:15:39,110
SORRY, NO.
NEVER CAME UP.
331
00:15:39,140 --> 00:15:42,310
HEY, THE JOB CAN’T GIVE HIM
MUCH FOR A MISTAKE, RIGHT?
332
00:15:42,350 --> 00:15:44,060
JONES, I MEAN.
333
00:15:44,080 --> 00:15:45,980
LIKE I SAID,
IT’S STILL PRETTY FRESH.
334
00:15:46,020 --> 00:15:48,330
WELL, WE’RE DONE,
SO THANKS FOR YOUR TIME.
335
00:15:53,730 --> 00:15:56,700
WE TURNED FROM THE DOOR
TO TALK TO GRADY’S NEIGHBORS
336
00:15:56,730 --> 00:15:59,030
WHEN I SAW GRADY
TURN THE CORNER.
337
00:15:59,060 --> 00:16:00,160
WHERE WAS DETECTIVE MEDAVOY?
338
00:16:00,200 --> 00:16:01,700
BEHIND ME.
339
00:16:01,730 --> 00:16:03,530
I CALLED TO GRADY, WHO TURNED
IN THE DIRECTION HE CAME IN.
340
00:16:03,570 --> 00:16:05,330
HE WENT AROUND THE CORNER,
341
00:16:05,370 --> 00:16:07,200
THEN CAME BACK A SECOND LATER
WITH A GUN.
342
00:16:07,240 --> 00:16:08,670
THAT’S WHEN YOU FIRED?
343
00:16:08,710 --> 00:16:09,680
TWO SHOTS.
344
00:16:09,710 --> 00:16:10,970
AND YOUR PARTNER?
345
00:16:11,010 --> 00:16:13,010
I THINK HE ALSO
FIRED TWICE.
346
00:16:13,040 --> 00:16:14,880
WHAT KIND OF GUN
THE PERP HAVE ON HIM?
347
00:16:14,910 --> 00:16:16,210
IT LOOKED LIKE AN AUTOMATIC.
348
00:16:16,250 --> 00:16:18,720
YOUR PARTNER SAID REVOLVER.
349
00:16:18,750 --> 00:16:21,420
ALL I SAW WAS A GUN.
350
00:16:21,450 --> 00:16:22,880
DID YOU HIT THE PERP?
351
00:16:22,920 --> 00:16:26,860
I DON’T KNOW.
THERE WASN’T A BLOOD TRAIL.
352
00:16:26,890 --> 00:16:29,420
THE BOY AROUND THE CORNER‐‐
DID YOU KNOW HE WAS THERE?
353
00:16:29,460 --> 00:16:30,560
OF COURSE NOT.
354
00:16:30,600 --> 00:16:32,500
SO THAT SHOT
WAS SIMPLY ERRANT?
355
00:16:32,530 --> 00:16:34,000
I FIRED TWICE.
356
00:16:34,030 --> 00:16:36,100
I DIDN’T JUST SPRAY THE HALL
WITH BULLETS.
357
00:16:36,130 --> 00:16:37,930
STILL, YOU COULDN’T HAVE
BEEN AIMING FOR THE WALL.
358
00:16:37,970 --> 00:16:40,170
I’VE BEEN THINKING
ABOUT THIS.
359
00:16:40,200 --> 00:16:43,570
WHEN GRADY TURNED THE CORNER,
I FOLLOWED HIS NATURAL PATH.
360
00:16:43,610 --> 00:16:45,870
SO YOU AIMED TO SHOOT
THROUGH THE WALL?
361
00:16:45,910 --> 00:16:48,410
I’M SAYING, INSTINCTIVELY,
I MIGHT HAVE FOLLOWED HIS TRAIL.
362
00:16:48,450 --> 00:16:52,020
THAT’D BE AWFULLY JAMES BOND,
SHOOTING A GUY THROUGH A WALL.
363
00:16:52,050 --> 00:16:53,280
WHICH I SAID
I DIDN’T TRY TO DO.
364
00:16:53,320 --> 00:16:55,790
I’M NOT TRYING TO
FRUSTRATE YOU, DETECTIVE.
365
00:16:55,820 --> 00:16:59,920
I WASN’T BEING FANCY
OR CARELESS.
366
00:16:59,960 --> 00:17:02,260
IT WAS AN ACCIDENT.
367
00:17:02,290 --> 00:17:04,230
HOW FAR FROM THE PERP
WHERE YOU WHEN YOU FIRED?
368
00:17:04,260 --> 00:17:05,560
25 FEET.
369
00:17:05,600 --> 00:17:08,210
HOW’S YOUR VISION?
IT’S PERFECT. WHY?
370
00:17:08,230 --> 00:17:10,630
I NEED TO KNOW HOW CERTAIN
YOU WERE THAT THE PERP
HAD A GUN IN HIS HAND.
371
00:17:10,670 --> 00:17:12,100
100%.
372
00:17:12,140 --> 00:17:14,250
ALL RIGHT.
373
00:17:14,270 --> 00:17:15,740
IS THERE SOME QUESTION?
374
00:17:15,770 --> 00:17:17,070
NOT FROM ME.
375
00:17:17,110 --> 00:17:19,580
BUT YOU AND YOUR PARTNER
DESCRIBED DIFFERENT GUNS.
376
00:17:19,610 --> 00:17:21,640
THE PERP NEVER FIRED, AND
THE GUN HASN’T BEEN RECOVERED.
377
00:17:21,680 --> 00:17:24,380
HE BROUGHT THE GUN UP
AND AIMED AT ME.
378
00:17:24,420 --> 00:17:25,960
GOT IT.
379
00:17:30,820 --> 00:17:32,220
DANTE KELLY?
380
00:17:32,260 --> 00:17:34,500
POSSESSION COLLAR,
SALES COLLARS,
381
00:17:34,530 --> 00:17:36,600
WARRANT FOR PAROLE VIOLATION.
382
00:17:36,630 --> 00:17:38,630
ADDRESS OVER ON STANTON.
WE’RE GONNA GO SIT ON IT.
383
00:17:40,160 --> 00:17:42,460
YOU BOTH DO
A LEFT‐RIGHT SITTING.
384
00:17:42,500 --> 00:17:43,670
YOU ALL RIGHT?
385
00:17:46,610 --> 00:17:48,180
HOW’D IT GO?
386
00:17:48,210 --> 00:17:51,020
WHAT KIND OF GUN YOU
SEE IN GRADY’S HAND?
387
00:17:51,040 --> 00:17:52,740
I THOUGHT IT
WAS A REVOLVER.
388
00:17:52,780 --> 00:17:53,790
I SAW AN AUTOMATIC.
389
00:17:55,710 --> 00:17:58,450
DIDN’T THE M.E. GET
A .38 SLUG OUT OF WILLIAMS?
390
00:17:58,480 --> 00:18:01,320
THAT’S WHAT THEY THOUGHT AT
FIRST, BUT AN HOUR AGO,
391
00:18:01,350 --> 00:18:04,920
CRIME SCENE FOUND A 9‐MILLIMETER
CASING IN THE GUTTER.
MAYBE IT WAS A 9.
392
00:18:04,960 --> 00:18:06,600
MAYBE WE SHOULD HAVE
GOT OUR STORIES STRAIGHT.
393
00:18:06,630 --> 00:18:08,670
I‐‐I JUST DIDN’T GET
THAT GOOD A LOOK AT IT.
394
00:18:08,690 --> 00:18:10,160
BUT YOU DID SEE A GUN.
395
00:18:10,190 --> 00:18:11,190
OF COURSE I DID.
396
00:18:12,900 --> 00:18:15,570
I’LL GRAB SOME WATER,
AND WE’LL HEAD OUT.
397
00:18:23,910 --> 00:18:24,740
WHAT, MEDAVOY?
398
00:18:27,250 --> 00:18:28,390
YOU DIDN’T SEE A GUN.
399
00:18:30,050 --> 00:18:33,010
BACKING HIM UP‐‐THAT WAS
THE RIGHT THING TO DO.
400
00:18:33,050 --> 00:18:35,220
DID I JAM US UP WITH
THE DISCREPANCY ON THE GUN?
401
00:18:35,250 --> 00:18:37,020
JUST BE VAGUE FROM NOW ON.
402
00:18:42,030 --> 00:18:43,170
YOU’RE JONES?
403
00:18:43,190 --> 00:18:44,730
YEAH. CAN I HELP YOU?
404
00:18:44,760 --> 00:18:46,360
JUST PUTTING A FACE
WITH THE NAME.
405
00:18:46,400 --> 00:18:48,910
Tony: GET GOING.
406
00:18:48,930 --> 00:18:50,730
WHAT DO YOU NEED,
REVEREND?
407
00:18:50,770 --> 00:18:51,930
A MOMENT OF YOUR TIME.
408
00:18:58,580 --> 00:19:00,320
FIRST THING, LIEUTENANT,
409
00:19:00,340 --> 00:19:02,310
I WANT YOU TO KNOW THAT
I AM VERY PRO‐POLICE.
410
00:19:02,350 --> 00:19:03,720
WHAT’S ON YOUR MIND?
411
00:19:03,750 --> 00:19:05,880
WHEN PEOPLE SHOUT
"EXCESSIVE FORCE," I SAY,
412
00:19:05,920 --> 00:19:07,830
"SPEND A DAY IN A COP’S SHOES,
SEE WHAT THEY SEE."
413
00:19:07,850 --> 00:19:09,590
WE APPRECIATE THAT.
414
00:19:09,620 --> 00:19:11,090
AND PEOPLE GENERALLY LISTEN.
415
00:19:11,120 --> 00:19:13,020
BUT QUESTIONS ARE COMING UP,
416
00:19:13,060 --> 00:19:16,170
AND WITHOUT ANSWERS,
I’LL LOSE MY CREDIBILITY.
417
00:19:16,190 --> 00:19:18,390
IS IT TRUE TODD GRADY
WAS ROBBED
418
00:19:18,430 --> 00:19:20,200
PRIOR TO BEING SHOT AT
BY YOUR DETECTIVES?
419
00:19:20,230 --> 00:19:22,560
THE SOURCE FOR THAT WAS GRADY’S
DRUG‐DEALING ASSOCIATE.
420
00:19:22,600 --> 00:19:24,900
DO YOU HAVE EVIDENCE
TO REFUTE IT?
421
00:19:24,940 --> 00:19:26,910
NOT YET, BUT WE WILL.
IT’S ALSO CIRCULATING
422
00:19:26,940 --> 00:19:29,940
THAT TODD GRADY NEVER
FIRED A SHOT AT YOUR POLICE.
423
00:19:29,970 --> 00:19:32,170
NO, BUT HE DID AIM
A GUN AT ’EM.
424
00:19:32,210 --> 00:19:34,280
I’VE HEARD THAT GRADY MAY NEVER
HAVE HAD A GUN ON HIM AT ALL.
425
00:19:34,310 --> 00:19:36,510
DON’T KNOW WHO YOU GOT THAT
FROM, BUT THAT’S A LIE.
426
00:19:36,550 --> 00:19:38,380
TELL ME THAT YOU
CAN PROVE IT.
427
00:19:38,420 --> 00:19:40,460
SO FAR, ALL I HAVE
IS THE WORD OF MY DETECTIVES.
428
00:19:43,220 --> 00:19:45,420
PEOPLE ARE TALKING
TO JERMAINE LAWSON
429
00:19:45,460 --> 00:19:48,230
ABOUT CALLING THE PRESS,
CALLING IN A TEAM OF LAWYERS.
430
00:19:48,260 --> 00:19:50,390
IF I HAVE TO STAND IN FRONT
OF THAT WAVE,
431
00:19:50,430 --> 00:19:54,800
I NEED YOUR WORD
THAT DETECTIVE JONES
DIDN’T DO WRONG.
432
00:19:54,830 --> 00:19:55,960
YOU HAVE IT.
433
00:19:57,670 --> 00:20:00,470
AGAIN, THANK YOU
FOR YOUR TIME.
434
00:20:13,950 --> 00:20:17,550
ALL THE RELATIVES GO HOME?
435
00:20:17,590 --> 00:20:20,320
THERE WERE ONLY A FEW‐‐
PRETTY DISTANT.
436
00:20:22,460 --> 00:20:24,830
YOU BEEN TALKING TO ANYBODY
ABOUT WHAT HAPPENED?
437
00:20:24,860 --> 00:20:26,900
LIKE A SHRINK?
438
00:20:26,930 --> 00:20:28,460
ANYBODY.
439
00:20:28,500 --> 00:20:30,170
NOT REALLY.
440
00:20:30,200 --> 00:20:31,570
NOT ORTIZ?
441
00:20:31,600 --> 00:20:34,840
I’VE BEEN HANDLING
THINGS MYSELF.
442
00:20:34,870 --> 00:20:37,640
OUR GUY DOESN’T
HAVE DREADS, BUT THAT’S
A SHADY‐LOOKING RASTA.
443
00:20:37,680 --> 00:20:39,750
I GOT MY EYE ON HIM.
444
00:20:39,780 --> 00:20:42,810
SHE’S A DECENT GIRL, ORTIZ.
445
00:20:42,850 --> 00:20:44,460
I NEVER SAID SHE WASN’T.
446
00:20:44,480 --> 00:20:46,510
I’M JUST SAYING CONSIDER
LETTING HER HELP.
447
00:20:46,550 --> 00:20:48,120
WITH WHAT, ANDY? HUH?
448
00:20:48,150 --> 00:20:49,790
THE UNPAID BILLS HE LEFT
449
00:20:49,820 --> 00:20:52,750
OR THE QUESTIONS FROM
THE INSURANCE COMPANY?
450
00:20:52,790 --> 00:20:56,020
OR HOW ABOUT THE HOUSE
I GOT TO PUT ON THE MARKET NOW
451
00:20:56,060 --> 00:20:57,860
BECAUSE I CAN’T
STEP FOOT IN IT AGAIN?
452
00:20:57,900 --> 00:20:59,840
OR SHOULD I HAVE CALLED HER
THE DAY WE FOUND HIM,
453
00:20:59,860 --> 00:21:01,830
BECAUSE AFTER THE M.E.
TOOK THE BODY AWAY,
454
00:21:01,870 --> 00:21:04,380
I HAD A HELL OF TIME TRYING
TO FIND SOMEONE TO COME OVER
455
00:21:04,400 --> 00:21:06,370
AND CLEAN THE BLOOD OFF
THE WALLS AND FLOOR.
456
00:21:06,400 --> 00:21:08,540
SELF‐CENTERED,
SPINELESS ASSHOLE.
457
00:21:08,570 --> 00:21:11,170
DIDN’T THINK FOR A SECOND
WHAT HE WAS LEAVING BEHIND.
458
00:21:11,210 --> 00:21:13,270
AND, NO, I CAN’T
SHARE IT WITH ANYBODY,
459
00:21:13,310 --> 00:21:15,640
BECAUSE THE SECOND
I START TALKING ABOUT IT,
460
00:21:15,680 --> 00:21:17,710
I WANT TO SMASH SOMETHING.
461
00:21:17,750 --> 00:21:20,520
THAT’S NOT A REAL RASTAMAN.
THAT ASSHOLE’S WEARING A WIG.
462
00:21:22,320 --> 00:21:24,020
HEY!
463
00:21:24,060 --> 00:21:26,230
WHERE YOU GOING?
464
00:21:26,260 --> 00:21:27,730
HEY!
465
00:21:33,030 --> 00:21:35,330
[ GRUNTING ]
466
00:21:35,370 --> 00:21:37,310
GET YOUR HANDS UP!
467
00:21:37,340 --> 00:21:39,380
DON’T SHOOT ME!
DON’T SHOOT ME!
468
00:21:39,400 --> 00:21:41,070
MAN, I CAN’T MOVE!
I’M STUCK!
469
00:21:41,110 --> 00:21:42,180
WHAT ARE YOU RUNNING
FOR, DANTE?
470
00:21:42,210 --> 00:21:43,650
I THOUGHT YOU WERE
SOMEBODY ELSE.
471
00:21:43,680 --> 00:21:45,520
CIA, AL QUAEDA,
OR JUST THE RASTA COPS?
472
00:21:45,540 --> 00:21:47,040
CAN YOU PLEASE GET ME
OUT OF HERE?!
473
00:21:47,080 --> 00:21:48,680
WHERE WERE YOU
THIS MORNING?
474
00:21:48,710 --> 00:21:50,850
LOOK, MAN, I DIDN’T SHOOT
KENNY WILLIAMS.
475
00:21:50,880 --> 00:21:53,080
AAH! COME ON, MAN!
IT HURTS!
476
00:21:53,120 --> 00:21:55,390
NOW THAT YOU BROUGHT IT UP,
HOW’D KENNY WIND UP SHOT?
477
00:21:55,420 --> 00:21:57,090
TALK TO TODD GRADY
ABOUT THAT.
478
00:21:57,120 --> 00:21:59,050
SINCE TODD’S NOT LIKELY
TO BE HONEST,
479
00:21:59,090 --> 00:22:01,020
WHY DON’T WE GET
YOUR SIDE FIRST?
480
00:22:01,060 --> 00:22:03,220
LOOK, I GOT NOTHING TO SAY
UNTIL I SEE A LAWYER.
481
00:22:03,260 --> 00:22:05,660
YOU WANT TO KNOW WHO KILLED
KENNY, TALK TO TODD!
482
00:22:05,700 --> 00:22:07,610
NOW, PLEASE,
GET ME OUT OF HERE!
483
00:22:09,570 --> 00:22:10,900
[ LAUGHS ]
484
00:22:10,940 --> 00:22:12,780
NOW, CAN YOU HELP ME, PLEASE?!
485
00:22:13,870 --> 00:22:16,370
MAN, THIS AIN’T FUNNY!
486
00:22:16,410 --> 00:22:18,750
COME ON, MAN!
IT HURTS!
JOHN, PUSH.
487
00:22:18,780 --> 00:22:20,190
[ LAUGHING ]
488
00:22:20,210 --> 00:22:21,340
AAH!
489
00:22:21,380 --> 00:22:23,410
ALL RIGHT.
490
00:22:23,450 --> 00:22:25,220
[ LAUGHING ]
491
00:22:25,250 --> 00:22:26,950
APPRECIATE IT.
492
00:22:26,990 --> 00:22:29,030
SHUT UP.
YOU ALL RIGHT?
493
00:22:29,050 --> 00:22:30,250
YEAH.
494
00:22:45,670 --> 00:22:48,470
A GRAVE INJUSTICE
HAS BEEN DONE TO THIS MAN,
495
00:22:48,510 --> 00:22:50,050
JERMAINE LAWSON‐‐
496
00:22:50,070 --> 00:22:52,640
FATHER OF 13‐YEAR‐OLD
THEODORE LAWSON.
497
00:22:52,680 --> 00:22:54,950
MR. LAWSON BELIEVES
THAT HIS SON THEODORE
498
00:22:54,980 --> 00:22:58,150
LEFT THE APARTMENT IN ORDER
TO BUY MEDICATION...
499
00:22:58,180 --> 00:23:00,280
A TURN FOR THE WORSE.
500
00:23:00,320 --> 00:23:02,220
WHAT’S SHE DOING HERE?
501
00:23:02,250 --> 00:23:04,590
AND THIS GUY?
502
00:23:04,620 --> 00:23:08,460
YEAH, YOU DON’T WANT TO BE
LOOKING AT ME, ASSHOLE.
503
00:23:08,490 --> 00:23:11,290
HEY, AM I GONNA
BE ON TV?
SHUT YOUR MOUTH. COME ON.
504
00:23:11,330 --> 00:23:15,100
MR. SHAW SAW TODD GRADY
ROBBED THIS MORNING
505
00:23:15,130 --> 00:23:17,600
PRIOR TO BEING
FIRED UPON BY POLICE.
506
00:23:17,640 --> 00:23:21,350
ELEANOR HEWITT WAS ON THE SCENE
SECONDS AFTER THE SHOOTING
507
00:23:21,370 --> 00:23:23,740
AND NEVER SAW TODD GRADY
WITH A GUN.
508
00:23:23,780 --> 00:23:26,320
SHE POKED HER HEAD OUT
AFTER HE WAS GONE.
509
00:23:26,340 --> 00:23:28,310
FROM THESE EYEWITNESSES,
510
00:23:28,350 --> 00:23:32,160
OUR ONLY CONCLUSION
CAN BE THAT THEODORE LAWSON,
511
00:23:32,180 --> 00:23:35,520
AN HONOR STUDENT WITH DREAMS
OF BEING A SCHOOLTEACHER,
512
00:23:35,550 --> 00:23:38,290
WAS GUNNED DOWN
IN AN ACT OF NEGLIGENCE
513
00:23:38,320 --> 00:23:39,690
AND EXCESSIVE FORCE.
514
00:23:39,720 --> 00:23:41,990
THE REVEREND SOLD OUT.
515
00:23:42,030 --> 00:23:44,170
WE’LL GET THAT OLD LADY IN,
SHE’LL RECANT EVERYTHING.
516
00:23:44,200 --> 00:23:45,970
Andy: AND THAT DICKHEAD
IN THE WHEELCHAIR‐‐
517
00:23:46,000 --> 00:23:47,870
THREATEN HIM WITH PERJURY‐‐
HE’LL FOLD.
518
00:23:47,900 --> 00:23:50,500
THE NEWS IS GONNA PLAY THIS OVER
EVERY 10 MINUTES.
519
00:23:50,530 --> 00:23:52,770
WE JUST GOT AN ANONYMOUS CALL‐‐
SOMEONE SAYING,
520
00:23:52,800 --> 00:23:55,040
"TALK TO THE CHINESE GIRL.
SHE SAW IT."
WHO’S THIS?
521
00:23:55,070 --> 00:23:56,770
WE TALKED TO A GIRL
WHO WORKS IN A RESTAURANT
522
00:23:56,810 --> 00:23:58,270
NEAR THE CRIME SCENE‐‐
GAVE US A DECENT STORY.
523
00:23:58,310 --> 00:24:00,610
WE NEED A CREDIBLE ACCOUNT
OF WHAT HAPPENED.
524
00:24:00,650 --> 00:24:04,020
TALK TO THE GIRL.
LEAN ON HER IF YOU HAVE TO.
525
00:24:04,050 --> 00:24:06,720
CONNIE, OUR D. O. A.’s
GIRLFRIEND SHOWED UP.
526
00:24:06,750 --> 00:24:09,380
AND, LIEUTENANT, THERE’S
PEOPLE HERE FOR YOU.
527
00:24:09,420 --> 00:24:10,990
I.A.B.
528
00:24:11,020 --> 00:24:13,020
ALL RIGHT,
GET GOING, EVERYONE.
529
00:24:15,890 --> 00:24:18,360
DON’T WORRY.
530
00:24:19,900 --> 00:24:20,730
YEAH.
531
00:24:23,430 --> 00:24:26,330
TAKE A SEAT,
MRS. CALODNER.
532
00:24:26,370 --> 00:24:28,570
WHAT’S GOING ON OUT FRONT?
IT’S A MADHOUSE.
533
00:24:28,610 --> 00:24:31,320
SORRY ABOUT THAT.
LET’S GET TO WHY YOU’RE HERE.
534
00:24:31,340 --> 00:24:33,840
YOUR CARD SAID "URGENT."
WHAT’S URGENT?
535
00:24:33,880 --> 00:24:37,010
WE GOT SOME QUESTIONS
ABOUT FRANK MALVOYN.
536
00:24:37,050 --> 00:24:38,980
OH, MY GOD.
WHAT DID HE DO NOW?
537
00:24:39,020 --> 00:24:40,190
WAS HE WITH YOU
LAST NIGHT?
538
00:24:40,220 --> 00:24:41,250
PART OF IT.
539
00:24:41,290 --> 00:24:42,260
TELL US WHAT HAPPENED.
540
00:24:42,290 --> 00:24:44,000
HE CAME OVER DRUNK.
541
00:24:44,020 --> 00:24:46,690
THEN HE HIT MY LIQUOR,
AND HE GOT MORE DRUNK.
542
00:24:46,730 --> 00:24:49,230
THEN HE WANTED TO SCREW,
AND I TOLD HIM TO GO TO HELL.
543
00:24:49,260 --> 00:24:50,830
IT GOT HIM VIOLENT.
544
00:24:50,860 --> 00:24:52,490
DID YOU CALL THE POLICE?
545
00:24:52,530 --> 00:24:54,730
HE SMASHED THE DINETTE,
GAVE ME A POP ON THE CHIN,
546
00:24:54,770 --> 00:24:56,270
SO, YEAH, I CALLED THE COPS.
547
00:24:56,300 --> 00:24:57,530
WHERE DID HE GO THEN?
548
00:24:57,570 --> 00:25:00,270
WITH THE COPS.
549
00:25:00,300 --> 00:25:03,040
YOU WERE THERE WHEN
THE POLICE SHOWED UP?
550
00:25:03,070 --> 00:25:06,340
YEAH, THEY CALMED FRANK DOWN,
AND THEY TOOK HIM AWAY.
551
00:25:06,380 --> 00:25:07,850
DID THE POLICE
ARREST FRANK?
552
00:25:07,880 --> 00:25:09,610
I ASKED THEM NOT TO.
I BEGGED.
553
00:25:09,650 --> 00:25:12,610
FRANK’S NOT SO BAD
WHEN HE’S SOBER,
554
00:25:12,650 --> 00:25:15,950
AND HE HELPS WITH MY RENT,
SO I BEGGED.
555
00:25:15,990 --> 00:25:17,630
WHAT DID THEY LOOK LIKE‐‐
THE COPS?
556
00:25:17,660 --> 00:25:20,070
A BLACK FELLA
AND A WHITE GUY.
557
00:25:20,090 --> 00:25:22,590
WHAT’S THE PROBLEM?
WE GOT TWO DIFFERENT
STORIES HERE.
558
00:25:22,630 --> 00:25:24,800
ARE YOU SURE
THIS WAS LAST NIGHT?
559
00:25:24,830 --> 00:25:28,230
I MIGHT TAKE A DRINK OR TWO,
BUT I GOT MY FACILITIES.
560
00:25:28,270 --> 00:25:30,380
AM I IN SOME
KIND OF TROUBLE?
561
00:25:30,400 --> 00:25:31,770
ONLY IF YOU’RE LYING.
562
00:25:31,800 --> 00:25:33,770
I SWEAR ON THE BIBLE
THEY CAME AND TOOK FRANK!
563
00:25:33,810 --> 00:25:35,310
DID THEY SAY WHERE
THEY WERE TAKING HIM?
564
00:25:35,340 --> 00:25:37,570
TO CHILL OUT.
HE WASN’T UNDER ARREST.
565
00:25:37,610 --> 00:25:40,640
THEY WERE JUST GONNA
TAKE HIM SOMEWHERE TO CHILL OUT.
566
00:25:40,680 --> 00:25:43,140
I SWEAR TO GOD.
SWEAR TO GOD.
567
00:25:44,780 --> 00:25:46,620
IS FRANK OKAY?
568
00:25:46,650 --> 00:25:48,480
[ Sighing ] HELEN...
569
00:25:48,520 --> 00:25:50,650
WE’VE GOT SOME BAD NEWS.
570
00:26:02,970 --> 00:26:04,910
MISS LU...
WE NEED A MINUTE.
571
00:26:04,940 --> 00:26:06,310
I’M WORKING.
572
00:26:06,340 --> 00:26:08,510
SHE NEEDS TO TALK TO US.
YOU WATCH THE REGISTER.
573
00:26:08,540 --> 00:26:10,070
COME ON.
574
00:26:10,110 --> 00:26:12,840
I ALREADY TOLD YOU
I DIDN’T SEE ANYTHING.
575
00:26:12,880 --> 00:26:14,350
WE GOT INFORMATION
SAYS YOU DID.
576
00:26:14,380 --> 00:26:16,010
I HAD MY BACK TURNED,
AND THEN I DUCKED.
577
00:26:16,050 --> 00:26:17,490
Clark:
DO YOU KNOW TODD GRADY?
578
00:26:17,520 --> 00:26:19,020
NO.
579
00:26:19,050 --> 00:26:20,680
HE DEALS DRUGS ON THAT STOOP
EVERY DAY,
580
00:26:20,720 --> 00:26:22,280
AND YOU DON’T RECOGNIZE HIM?
581
00:26:22,320 --> 00:26:23,990
WE DON’T PAY MUCH
ATTENTION TO THEM.
582
00:26:24,020 --> 00:26:26,290
’CAUSE IF YOU DID,
THEY’D FIREBOMB YOU?
583
00:26:26,320 --> 00:26:28,460
WE FOUND OUT YOU
GOT TORCHED LAST YEAR.
584
00:26:28,490 --> 00:26:29,990
JUST RANDOM.
585
00:26:30,030 --> 00:26:32,030
ARE YOU AFRAID IF YOU TALK,
THEY’LL DO IT AGAIN?
586
00:26:32,060 --> 00:26:33,130
I DIDN’T SEE ANYTHING.
587
00:26:33,160 --> 00:26:35,100
DO YOU REALIZE
STONEWALLING US
588
00:26:35,130 --> 00:26:37,370
JUST KEEPS A KILLER
ON THE STREETS?
589
00:26:37,400 --> 00:26:39,600
A DECENT COP’S CAREER
RESTS ON IT.
590
00:26:39,640 --> 00:26:41,170
I WISH I COULD HELP YOU.
591
00:26:41,210 --> 00:26:42,380
IF YOU DON’T HELP US,
592
00:26:42,410 --> 00:26:46,050
WORD ON THE STREET
WILL BE THAT YOU DID.
593
00:26:46,080 --> 00:26:48,290
YOU’D TELL THEM?
594
00:26:48,310 --> 00:26:49,850
THAT YOU COOPERATED
WITH THE POLICE.
595
00:26:49,880 --> 00:26:51,780
THEY’LL BOMB US AGAIN.
596
00:26:51,820 --> 00:26:53,490
THEY CAN’T
IF THEY’RE IN JAIL.
597
00:26:53,520 --> 00:26:54,890
WHAT’S IT GONNA BE?
598
00:27:02,390 --> 00:27:05,330
THE ONE WHO WAS KILLED,
HE WASN’T DOING ANYTHING.
599
00:27:05,360 --> 00:27:06,830
WHAT HAPPENED?
600
00:27:06,870 --> 00:27:09,880
THE LIGHT‐SKINNED GUY
WITH THE GOATEE WALKED UP,
601
00:27:09,900 --> 00:27:12,070
SHOT HIM, AND RAN.
602
00:27:12,100 --> 00:27:14,500
SO TODD GRADY KILLED HIM
FOR NO REASON?
603
00:27:14,540 --> 00:27:16,870
AND THEN HE RAN
AND POINTED THE GUN AT ME.
604
00:27:16,910 --> 00:27:19,170
WE’LL DO EVERYTHING WE CAN
605
00:27:19,210 --> 00:27:21,910
TO KEEP YOU AND YOUR FAMILY
OUT OF IT.
606
00:27:26,080 --> 00:27:29,420
HELEN CALODNER SAYS YOU
CAME TO HER PLACE LAST NIGHT
607
00:27:29,450 --> 00:27:32,490
AND LEFT WITH HER BOYFRIEND,
FRANK MALVOYN.
608
00:27:32,520 --> 00:27:34,090
DON’T LOOK AT HIM.
LOOK AT US.
609
00:27:34,130 --> 00:27:35,730
YOU DIDN’T THINK
WE’D TALK TO HER?
610
00:27:35,760 --> 00:27:37,990
WE HOPED THE CASE WOULD CLEAR
WITHOUT YOU HAVING TO.
611
00:27:38,030 --> 00:27:39,490
WELL, WE DID.
612
00:27:39,530 --> 00:27:40,560
OH, GOD.
613
00:27:40,600 --> 00:27:42,230
WHAT HAPPENED LAST NIGHT?
614
00:27:42,270 --> 00:27:44,440
WE GOT THERE, AND SHE
BEGGED US NOT TO LOCK HIM UP.
615
00:27:44,470 --> 00:27:46,030
SHE WAS CRYING HER EYES OUT.
616
00:27:46,070 --> 00:27:47,200
HE SMACKED HER.
617
00:27:47,240 --> 00:27:48,570
SHE WAS BEGGING.
618
00:27:48,610 --> 00:27:50,920
IT DOESN’T MATTER.
IT’S A MUST ARREST.
619
00:27:50,940 --> 00:27:53,910
[ SIGHS ] START WITH WHEN
YOU GOT TO THE APARTMENT.
620
00:27:53,950 --> 00:27:55,920
MALVOYN HAD BUSTED HER TABLE.
621
00:27:55,950 --> 00:27:58,290
THE WOMAN HAD A BAG OF ICE
ON HER FACE, CRYING.
622
00:27:58,320 --> 00:27:59,930
HE GAVE IT UP PRETTY EASY,
623
00:27:59,950 --> 00:28:01,880
SO IT SEEMED LIKE
HE WAS CALMING DOWN.
624
00:28:01,920 --> 00:28:03,380
AND ’CAUSE SHE WAS
BEGGING US, WE SAID‐‐
625
00:28:05,420 --> 00:28:06,920
[ SIGHS ]
626
00:28:06,960 --> 00:28:08,860
WE SAID WE’D TAKE CARE OF IT
OUTSIDE THE SYSTEM.
627
00:28:08,890 --> 00:28:10,890
WHERE DID YOU TAKE HIM?
HENRY AND PIKE.
628
00:28:10,930 --> 00:28:12,690
FOUR BLOCKS FROM WHERE
WE’VE BEEN CANVASSING.
629
00:28:12,730 --> 00:28:14,800
DID YOU EVER
PUT YOUR HANDS ON HIM?
630
00:28:14,830 --> 00:28:16,700
NOT AT ALL.
HOW DID HE HIT HIS HEAD?
631
00:28:16,740 --> 00:28:18,310
HE WAS FINE
WHEN WE DROPPED HIM OFF.
632
00:28:18,340 --> 00:28:19,910
WE HAD NOTHING TO DO
WITH THAT.
633
00:28:19,940 --> 00:28:21,570
IF YOU DID, NOW’S THE TIME
TO GET IN FRONT OF IT.
634
00:28:21,610 --> 00:28:23,780
WHEN WE PUT HIM
ON THE STREET,
HE WAS FINE.
635
00:28:23,810 --> 00:28:25,310
WHY DID YOU LIE BEFORE?
636
00:28:25,340 --> 00:28:27,240
WE’D ALREADY PUT THE JOB BACK
AS GONE ON ARRIVAL,
637
00:28:27,280 --> 00:28:29,550
AND SINCE WE
DROPPED HIM OFF HEALTHY,
638
00:28:29,580 --> 00:28:31,050
WE DIDN’T THINK
IT WAS WORTH THE HASSLE.
639
00:28:31,080 --> 00:28:32,880
IF YOU’D BEEN HONEST
WITH US UP FRONT,
640
00:28:32,920 --> 00:28:34,760
WE NEVER WOULD HAVE THOUGHT
OF GIVING YOU ONE.
641
00:28:34,790 --> 00:28:36,490
[ SIGHS ]
642
00:28:36,520 --> 00:28:38,720
HENRY AND PIKE‐‐
YOU SURE?
643
00:28:38,760 --> 00:28:40,730
SOUTHWEST CORNER.
THERE’S A BAR THERE.
644
00:28:40,760 --> 00:28:42,490
YOU LEFT AN ANGRY DRUNK
IN FRONT OF A BAR.
645
00:28:42,530 --> 00:28:43,840
THEY WERE CLOSED.
646
00:28:43,860 --> 00:28:46,430
ARE WE LOOKING
AT A MAJOR PROBLEM HERE?
647
00:28:46,460 --> 00:28:48,460
FOR NOW, WORRY ABOUT
STAYING AVAILABLE.
648
00:28:48,500 --> 00:28:50,370
[ SIGHS ]
649
00:28:54,340 --> 00:28:55,640
[ HANGS UP RECEIVER ]
650
00:28:55,670 --> 00:28:57,170
GOT YOUR MESSAGE.
651
00:28:57,210 --> 00:28:58,140
SAW YOUR NEWS CONFERENCE.
652
00:28:58,180 --> 00:28:59,750
YES.
653
00:28:59,780 --> 00:29:01,940
COULDN’T FIND IT IN YOU
TO FIGHT THE TIDE, HUH?
654
00:29:01,980 --> 00:29:04,080
OR DID THE CAMERA LIGHTS
DRAW YOU LIKE A MOTH?
655
00:29:04,120 --> 00:29:06,020
I BELIEVE YOU
HAVE QUESTIONS TO ANSWER.
656
00:29:06,050 --> 00:29:08,420
BUT YOU DON’T HAVE THE PATIENCE
TO WAIT FOR THEM?
657
00:29:08,450 --> 00:29:10,320
WE HAVE A WITNESS
WHO SAW TODD GRADY
658
00:29:10,350 --> 00:29:12,420
DO A COLD‐BLOODED MURDER
THIS MORNING.
659
00:29:12,460 --> 00:29:14,500
I HAVE ONE WHO
SAYS HE WAS ROBBED.
660
00:29:14,530 --> 00:29:16,800
OURS AIN’T A DOPE DEALER
WITH A COP BULLET IN HIS SPINE.
661
00:29:16,830 --> 00:29:18,460
THIS IS A LEGIT WITNESS.
662
00:29:18,500 --> 00:29:20,270
GRADY AND KENNETH WILLIAMS
HAD AN OLD BEEF.
663
00:29:20,300 --> 00:29:22,430
GRADY SETTLED IT AND RAN OFF
WITH A GUN IN HIS HAND.
664
00:29:22,470 --> 00:29:25,010
SAME GUN HE AIMED
AT OUR COLLEAGUE.
665
00:29:25,040 --> 00:29:27,780
SAME GUN THAT WE RECOVERED
OUT OF A DUMPSTER
666
00:29:27,810 --> 00:29:31,880
TWO BLOCKS FROM GRADY’S BUILDING
WITH GRADY’S PRINTS ON IT.
667
00:29:31,910 --> 00:29:35,610
ELEANOR HEWITT, THE OLD WOMAN,
SAW GRADY WASN’T ARMED.
668
00:29:35,650 --> 00:29:36,860
Clark: THE OLD WOMAN
DIDN’T SEE ANYTHING.
669
00:29:36,880 --> 00:29:38,550
SHE CAME OUT AFTER THE FACT.
670
00:29:38,580 --> 00:29:40,550
YOU BACKED THE WRONG HORSE,
REVEREND.
671
00:29:40,590 --> 00:29:43,390
YOU WANT TO MAKE UP FOR IT?
TAKE US TO TODD GRADY.
672
00:29:43,420 --> 00:29:45,120
HOW WOULD I KNOW
WHERE HE IS?
673
00:29:45,160 --> 00:29:46,330
Andy: FIND OUT.
674
00:29:46,360 --> 00:29:48,400
I KNOW WHERE
HIS MOTHER’S STAYING.
675
00:29:48,430 --> 00:29:49,700
I’LL SEE IF SHE KNOWS.
676
00:29:49,730 --> 00:29:50,560
THEN GET MOVING.
677
00:29:57,870 --> 00:29:59,500
YOU LIED TO A HOLY MAN.
678
00:29:59,540 --> 00:30:01,350
[ SCOFFS ] I’LL LIVE.
679
00:30:01,370 --> 00:30:03,500
YOU FOLLOWING HIM,
OR ARE YOU SITTING HERE TALKING?
680
00:30:03,540 --> 00:30:05,170
GIVING HIM A LEAD.
681
00:30:05,210 --> 00:30:06,710
THAT’S ENOUGH LEAD. GO.
682
00:30:15,750 --> 00:30:17,520
[ INDISTINCT CHATTERING ]
683
00:30:24,800 --> 00:30:26,240
WHAT IS THIS?
684
00:30:26,260 --> 00:30:27,260
LET’S GO, TODD.
685
00:30:27,300 --> 00:30:29,200
I DIDN’T DO NOTHING!
686
00:30:29,230 --> 00:30:30,900
DID YOU FOLLOW ME HERE?
687
00:30:30,940 --> 00:30:32,240
WE’LL TALK ABOUT IT
AT THE STATION HOUSE.
688
00:30:32,270 --> 00:30:33,670
DON’T LET THEM TAKE ME.
THEY’LL KILL ME!
689
00:30:33,710 --> 00:30:35,780
YOU TALK TO HIM,
I’M IN THE ROOM.
690
00:30:35,810 --> 00:30:38,050
YOU HAD YOUR CHANCE
TO DO THE RIGHT THING.
YOU BLEW IT.
691
00:30:38,080 --> 00:30:40,790
IT’S OUR TURN NOW.
OUT OF THE WAY. COME ON.
692
00:30:40,810 --> 00:30:42,440
I’LL BE RIGHT DOWN THERE.
693
00:30:42,480 --> 00:30:44,110
REVEREND!
694
00:30:52,790 --> 00:30:55,890
I THINK I KNOW WHY I’M HERE,
AND I’M GLAD YOU CALLED ME IN.
695
00:30:55,930 --> 00:30:58,540
LAST NIGHT OUTSIDE
McDUFFY’S, RIGHT?
696
00:30:58,560 --> 00:31:00,100
WE HEARD YOU LEFT
AROUND CLOSING TIME.
697
00:31:00,130 --> 00:31:02,060
WE GOT A REPORT
OF AN INCIDENT AROUND THEN.
698
00:31:02,100 --> 00:31:05,470
RIGHT. I WAS ASSAULTED.
THAT GUY ASSAULTED ME.
699
00:31:05,500 --> 00:31:07,140
TELL US WHAT HAPPENED.
700
00:31:07,170 --> 00:31:10,040
I’M COMING HOME FROM WORK,
WHERE I’VE BEEN STEADY
THE LAST SIX MONTHS.
701
00:31:10,070 --> 00:31:11,440
SINCE YOU GOT OUT OF JAIL.
702
00:31:11,480 --> 00:31:13,790
STEADY AND PAYING MY BILLS.
703
00:31:13,810 --> 00:31:15,410
MY FRIEND CALLED,
WHO’S HAVING TROUBLES AT HOME,
704
00:31:15,450 --> 00:31:16,620
WANTED TO TALK.
705
00:31:16,650 --> 00:31:19,080
I SAID, "McDUFFY’S,"
BUT I DIDN’T DRINK.
706
00:31:19,120 --> 00:31:20,490
YEAH, YOU WERE BEING
A GOOD GUY.
707
00:31:20,520 --> 00:31:22,050
LET’S MOVE AHEAD
TO THE ASSAULT.
708
00:31:22,090 --> 00:31:24,160
I’M HEADING HOME.
THIS GUY RUNS INTO ME.
709
00:31:24,190 --> 00:31:25,650
SHOVES ME,
CALLS ME "ASSHOLE."
710
00:31:26,930 --> 00:31:29,100
DID YOU PUT YOUR
HANDS ON HIM?
711
00:31:29,130 --> 00:31:31,400
I SHOVED HIM OUT OF THE WAY,
HE FELL ON HIS ASS.
712
00:31:31,430 --> 00:31:33,060
DID HIS HEAD
HIT THE GROUND?
713
00:31:33,100 --> 00:31:35,110
MAYBE, BUT LIKE I SAID,
I’M STONE SOBER,
714
00:31:35,130 --> 00:31:36,930
HE’S WASTED,
AND HE RAN INTO ME.
715
00:31:36,970 --> 00:31:38,430
WHAT HAPPENED THEN?
716
00:31:38,470 --> 00:31:39,970
GOT UP, CALLED ME
AN ASSHOLE AGAIN,
717
00:31:40,000 --> 00:31:41,240
AND HE WALKED AWAY.
718
00:31:41,270 --> 00:31:42,800
WAS HE BLEEDING
FROM HIS HEAD?
719
00:31:42,840 --> 00:31:44,140
NO.
720
00:31:44,180 --> 00:31:46,850
MAYBE A LITTLE.
721
00:31:48,480 --> 00:31:50,850
I DON’T KNOW WHAT THIS GUY
IS SAYING, BUT HE ASSAULTED ME.
722
00:31:52,980 --> 00:31:54,750
WHAT’S HE SAYING?
723
00:31:54,790 --> 00:31:56,860
HE’S DEAD, PETE‐‐
BRAIN HEMORRHAGE.
724
00:31:57,820 --> 00:31:58,920
FROM FALLING DOWN?
725
00:31:58,960 --> 00:32:00,930
FROM BEING PUSHED.
726
00:32:00,960 --> 00:32:03,290
NO. NO, NO, NO.
HE RAN INTO ME.
727
00:32:03,330 --> 00:32:04,500
HE WOUND UP DEAD.
728
00:32:04,530 --> 00:32:05,990
I’VE BEEN KEEPING CLEAN.
729
00:32:06,030 --> 00:32:07,760
I’VE BEEN WORKING,
PAYING MY BILLS.
730
00:32:07,800 --> 00:32:08,860
I’M NOT OUT LOOKING
FOR TROUBLE ANYMORE.
731
00:32:09,400 --> 00:32:11,500
WELL, YOU NEED TO PUT THAT
IN YOUR STATEMENT.
732
00:32:11,540 --> 00:32:13,180
I NEVER EVEN HIT THE GUY.
733
00:32:13,200 --> 00:32:15,270
I WASN’T EVEN DRINKING!
I QUIT DRINKING!
734
00:32:15,310 --> 00:32:16,920
PUT THAT IN, TOO.
735
00:32:20,340 --> 00:32:22,340
I GOT A WITNESS WHO SAW IT.
WE LEFT TOGETHER.
736
00:32:22,380 --> 00:32:24,050
BARTENDER SAID
YOU LEFT ALONE,
737
00:32:24,080 --> 00:32:25,810
AND YOU WERE ALONE ALL NIGHT.
738
00:32:25,850 --> 00:32:27,780
HE WOULDN’T SAY NOTHING
ON ACCOUNT OF WE’RE FRIENDS.
739
00:32:27,820 --> 00:32:30,150
SHE’S MARRIED,
I’M MARRIED. YOU GET IT?
740
00:32:30,190 --> 00:32:31,820
THIS PERSON SAW YOU
GET ATTACKED?
741
00:32:31,860 --> 00:32:34,400
HER NAME.
742
00:32:34,430 --> 00:32:36,130
COULD YOU JUST
TAKE MY WORD FOR IT?
743
00:32:36,160 --> 00:32:38,790
I MEAN, IF HER HUSBAND
FINDS OUT... OH, MY GOD.
744
00:32:38,830 --> 00:32:41,130
PETE, YOU’RE LOOKING AT
A MANSLAUGHTER CHARGE.
745
00:32:41,170 --> 00:32:43,240
THAT’S PRISON TIME.
HER NAME.
746
00:32:43,270 --> 00:32:46,540
[ SIGHS ]
LOIS CARMICHAEL.
747
00:32:46,570 --> 00:32:48,400
WHERE CAN WE FIND HER?
748
00:32:52,440 --> 00:32:54,310
HAULING ME IN FOR NOTHING,
749
00:32:54,350 --> 00:32:56,020
FIRING SHOTS AT ME.
750
00:32:56,050 --> 00:32:58,660
I GOT THE PEOPLE
ON MY SIDE, FELLAS.
751
00:32:58,680 --> 00:33:00,250
Y’ALL GONNA GET BIT.
752
00:33:00,280 --> 00:33:01,380
Andy: PEOPLE, HUH?
753
00:33:01,420 --> 00:33:03,220
SIT DOWN.
754
00:33:04,020 --> 00:33:05,150
DID YOU FORGET ABOUT
WHAT HAPPENED
755
00:33:05,190 --> 00:33:06,520
WITH KENNETH WILLIAMS
THIS MORNING?
756
00:33:06,560 --> 00:33:08,060
I DEFENDED MYSELF.
757
00:33:08,090 --> 00:33:10,560
FROM KENNY, WHO WAS LIVING CLEAN
AND HOLDING DOWN A JOB,
758
00:33:10,600 --> 00:33:12,740
ON HIS WAY TO SEE HIS SISTER
AND BABY NEPHEW
759
00:33:12,760 --> 00:33:15,030
A BLOCK AWAY FROM WHERE
YOU WALKED UP AND SHOT HIM?
760
00:33:15,070 --> 00:33:16,340
HE TRIED TO ROB ME.
761
00:33:16,370 --> 00:33:18,180
WELL, OUR RELIABLE,
PERFECT‐EYESIGHT,
762
00:33:18,200 --> 00:33:20,770
NO‐CRIMINAL‐HISTORY WITNESS
SAYS DIFFERENT.
763
00:33:23,110 --> 00:33:25,850
YOU THOUGHT YOUR TOUGH‐GUY REP
WAS GONNA KEEP PEOPLE QUIET?
764
00:33:25,880 --> 00:33:28,590
LET’S START TALLYING UP
THE SCORECARD HERE.
765
00:33:28,610 --> 00:33:31,850
KILLING KENNY WILLIAMS‐‐
THAT’S A BIG CHECK
ON THE NEGATIVE SIDE.
766
00:33:31,880 --> 00:33:33,380
ANOTHER ONE’S
THEODORE LAWSON
GETTING KILLED.
767
00:33:33,420 --> 00:33:35,390
YOU COPS SHOT HIM.
768
00:33:35,420 --> 00:33:38,690
YOU WERE SPRINTING FROM A CRIME
AND PULLED A GUN ON POLICE?
THAT MEANS YOU KILLED HIM.
769
00:33:38,720 --> 00:33:40,790
TWO INNOCENT GUYS DEAD
IN YOUR PATH,
770
00:33:40,830 --> 00:33:42,570
AND YOU PULL A GUN ON COPS?
771
00:33:42,590 --> 00:33:44,260
BIG CHECKS AGAINST YOU.
772
00:33:44,300 --> 00:33:45,900
THE THING TO DO NOW
773
00:33:45,930 --> 00:33:48,260
IS START PUTTING CHECKS
IN THE POSITIVE COLUMN‐‐
774
00:33:48,300 --> 00:33:50,270
THINGS THAT WILL
HELP YOU OUT AT TRIAL
775
00:33:50,300 --> 00:33:51,930
AND FOOL A JUDGE
INTO THINKING YOU GAVE A DAMN.
776
00:33:51,970 --> 00:33:53,470
YOU TALLY THEM UP,
777
00:33:53,500 --> 00:33:54,970
YOU GOT A GOOD SHOT
AT DOING MINIMAL TIME.
778
00:33:55,010 --> 00:33:56,950
DO YOU WANT TO HEAR HOW?
779
00:33:56,980 --> 00:33:58,820
WILLIAMS HAD A LONG SHEET.
YOU HAD A PRIOR BEEF.
780
00:33:58,840 --> 00:34:00,240
THERE’S AN ARGUMENT
781
00:34:00,280 --> 00:34:01,480
THAT YOU THOUGHT
HE WAS STILL GUNNING FOR YOU.
782
00:34:01,510 --> 00:34:04,210
AND RAISING THAT GUN
AT COPS‐‐ IT WAS
THE HEAT OF THE MOMENT.
783
00:34:04,250 --> 00:34:05,380
YOU MADE A MISTAKE.
784
00:34:05,420 --> 00:34:08,160
YOU FEEL AWFUL ABOUT THAT
INNOCENT KID GETTING KILLED.
785
00:34:09,350 --> 00:34:10,650
I GOT THE PEOPLE
ON MY SIDE.
786
00:34:10,690 --> 00:34:13,720
NO "THE PEOPLE" IN HERE.
JUST US...
787
00:34:13,760 --> 00:34:15,990
WHO GOT A WITNESS.
GET INSIDE.
788
00:34:18,130 --> 00:34:19,530
GOOD LUCK AT TRIAL.
789
00:34:20,360 --> 00:34:21,360
HEY.
790
00:34:22,270 --> 00:34:23,110
HEY!
791
00:34:25,440 --> 00:34:27,550
HEY, DAMN IT!
792
00:34:30,210 --> 00:34:31,940
JUST CURIOUS.
793
00:34:31,980 --> 00:34:34,150
HOW’S IT WORK IF THAT KID
WASN’T SO INNOCENT?
794
00:34:34,180 --> 00:34:36,010
IS THAT POSITIVE
OR NEGATIVE?
795
00:34:36,050 --> 00:34:37,420
LIKE HE WAS INVOLVED?
796
00:34:37,450 --> 00:34:38,850
LIKE HE WAS
HOLDING MY GUN.
797
00:34:38,880 --> 00:34:40,450
LIKE THAT WAS HIS JOB
FOR ME.
798
00:34:40,480 --> 00:34:41,950
THAT’S THE RIGHT DIRECTION.
799
00:34:41,990 --> 00:34:43,830
BUT WE NEED TO GET
THE WHOLE PICTURE FIRST
800
00:34:43,860 --> 00:34:45,600
FROM THE STREET
TO THE HALLWAY.
801
00:34:45,620 --> 00:34:47,790
I’M ON THE STOOP
DOING MY THING.
802
00:34:47,830 --> 00:34:49,670
SEE KENNY WILLIAMS
ROLL UP.
803
00:34:49,690 --> 00:34:51,190
NOW, YOU SAY HE’S GOING
TO HIS SISTER’S.
804
00:34:51,230 --> 00:34:53,090
I SAY HE GUNNING FOR ME.
805
00:34:53,130 --> 00:34:55,260
I TURN TO LAWSON, SAY,
"GIVE ME THE PIECE."
806
00:34:55,300 --> 00:34:57,930
HE’S A MINOR.
HE GETS BUSTED WITH IT,
IT’S A SLAP ON THE WRIST.
807
00:34:57,970 --> 00:34:59,670
Y’ALL GOT HIM SHOT
IN HIS COMMUNION SUIT
808
00:34:59,700 --> 00:35:01,270
WITH A BIBLE IN HIS HAND.
809
00:35:01,310 --> 00:35:02,680
THE KID WAS A THUG.
810
00:35:02,710 --> 00:35:05,020
KEEP GOIN’.
SO I MOVE UP ON KENNY‐‐
811
00:35:05,040 --> 00:35:06,540
BECAUSE, LIKE,
WHAT THEY SAY IN FOOTBALL,
812
00:35:06,580 --> 00:35:08,540
"THE BEST DEFENSE
IS A GOOD OFFENSE."
813
00:35:08,580 --> 00:35:10,350
SORT OF, YEAH.
814
00:35:10,380 --> 00:35:11,950
SO YOU DROPPED KENNY?
815
00:35:11,980 --> 00:35:14,120
AND HIT THE ROAD,
LAWSON BEHIND ME.
816
00:35:14,150 --> 00:35:15,720
WE RUN AROUND
THE CORNER OF MY BUILDING,
817
00:35:15,750 --> 00:35:18,350
DOWN THE ALLEY,
SIT COOL A WHILE.
818
00:35:18,390 --> 00:35:19,690
THEN WHEN THE SIRENS
DIE DOWN,
819
00:35:19,720 --> 00:35:21,560
WE HEAD UP TO MY PLACE
TO STASH THE PIECE.
820
00:35:21,590 --> 00:35:23,560
I KEEP IT WITH ME AT HOME
FOR PROTECTION.
821
00:35:23,600 --> 00:35:24,800
NOW YOU’RE GONNA
STASH THE PIECE.
822
00:35:24,830 --> 00:35:26,360
WHO’S HOLDING IT?
LAWSON.
823
00:35:26,400 --> 00:35:28,570
BUT I TURN THE CORNER,
THERE’S YOUR BOYS.
824
00:35:28,600 --> 00:35:30,370
I TURN BACK,
LAWSON GOT THE GUN OUT.
825
00:35:30,400 --> 00:35:32,630
I GRAB IT, FIGURE,
"FLASH IT AND SLOW THEM DOWN,"
826
00:35:32,670 --> 00:35:34,300
BUT THEY FAST.
827
00:35:34,340 --> 00:35:35,670
THEY WERE PROBABLY
UNDER THE IMPRESSION
828
00:35:35,710 --> 00:35:37,250
THAT YOU MIGHT ACTUALLY
USE IT TO KILL THEM.
829
00:35:39,510 --> 00:35:42,010
YEAH, I COULD SEE THAT.
830
00:35:42,050 --> 00:35:45,420
SO...WHAT I SAID‐‐
POSITIVE OR NEGATIVE?
831
00:35:45,450 --> 00:35:47,480
Clark: WE’LL PUT ALL THAT
IN THE POSITIVE COLUMN,
832
00:35:47,520 --> 00:35:49,420
BUT YOU WANT TO GO BIG,
YOU TELL US WHERE YOU’RE
KEEPING THE GUN.
833
00:35:50,290 --> 00:35:52,890
FREEZER WHERE Y’ALL
GRABBED ME UP.
834
00:35:52,920 --> 00:35:55,760
NOW, THAT’S, LIKE,
6 IN THE POSITIVE COLUMN,
835
00:35:55,790 --> 00:35:59,430
TWO NEGATIVE.
MAYBE I WON’T
DO NO TIME AT ALL?
836
00:35:59,460 --> 00:36:02,200
YOU READY TO COME OUT,
TALLY ALL THIS UP?
837
00:36:08,370 --> 00:36:09,940
I OWE YOU BOTH
AN APOLOGY.
838
00:36:13,210 --> 00:36:14,980
YOU CAN LET YOURSELF OUT,
REVEREND.
839
00:36:22,150 --> 00:36:24,850
HEARD YOU COLLARED THE GUY
WHO KILLED FRANK MALVOYN.
840
00:36:24,890 --> 00:36:26,720
FRANK PICKED A FIGHT
WITH A PATRON AT THE BAR
841
00:36:26,760 --> 00:36:28,190
WHERE YOU DROPPED HIM OFF.
842
00:36:28,230 --> 00:36:29,530
WE THOUGHT THE BAR
WAS CLOSED.
843
00:36:29,560 --> 00:36:31,390
IT WAS CLOSING.
844
00:36:31,430 --> 00:36:33,630
THE PATRON WAS LEAVING,
FRANK SHOVED HIM.
845
00:36:33,670 --> 00:36:34,710
THE PATRON WAS DRUNK?
846
00:36:34,730 --> 00:36:36,060
SOBER.
847
00:36:36,100 --> 00:36:38,930
SO WE GOT FRANK MALVOYN KILLED?
IS THAT WHERE WE’RE GOING?
848
00:36:38,970 --> 00:36:40,970
HARD TO DENY
YOU PUT THE BALL IN MOTION.
849
00:36:41,010 --> 00:36:42,450
[ Sighing ] OH, MAN.
850
00:36:44,010 --> 00:36:45,910
HOW MANY YEARS
YOU GOT ON THE JOB?
851
00:36:45,940 --> 00:36:47,810
SIX.
852
00:36:47,850 --> 00:36:49,120
THREE.
853
00:36:49,150 --> 00:36:50,390
YOU’RE NOT THAT GREEN.
854
00:36:50,410 --> 00:36:52,580
IF IT’S A MUST ARREST,
HOW COULD YOU NOT?
855
00:36:52,620 --> 00:36:54,290
WE THOUGHT WE WERE
USING OUR JUDGMENT.
856
00:36:54,320 --> 00:36:57,090
YOU HAD A DRUNK, VIOLENT GUY
WHO SMACKED HIS GIRLFRIEND,
857
00:36:57,120 --> 00:36:58,950
AND YOU DROP HIM
IN FRONT OF A BAR.
858
00:36:58,990 --> 00:37:01,120
THAT’S YOUR JUDGMENT?
859
00:37:01,160 --> 00:37:03,060
THE GUY WHO FOUGHT
WITH MALVOYN‐‐IS HE LOCKED UP?
860
00:37:03,090 --> 00:37:06,130
THE PATRON HAD A WITNESS
WHO CORROBORATED
THAT FRANK PICKED THE FIGHT.
861
00:37:06,160 --> 00:37:08,000
GONNA GO TO THE GRAND JURY,
AND HE’LL PROBABLY GET A WALK.
862
00:37:08,030 --> 00:37:09,600
THAT’S GOOD.
863
00:37:09,630 --> 00:37:12,400
AND US? IS THIS GONNA
COST US OUR JOBS?
864
00:37:12,440 --> 00:37:14,650
IT DEPENDS HOW CLEAR
IT IS YOU SCREWED UP.
865
00:37:14,670 --> 00:37:16,470
I THINK IT’S PRETTY CLEAR
WE BLEW IT.
866
00:37:18,440 --> 00:37:20,410
[ SIGHS ]
IF WE KEPT YOUR SIDE
OUT OF IT
867
00:37:20,440 --> 00:37:22,180
AND YOU RAN YOUR MOUTHS,
868
00:37:22,210 --> 00:37:24,280
WE COULD GET
FLOPPED BACK TO UNIFORM.
869
00:37:24,320 --> 00:37:26,690
THAT WOULDN’T HAPPEN.
870
00:37:27,820 --> 00:37:29,450
BEAT IT.
871
00:37:29,490 --> 00:37:30,100
[ SIGHS ]
872
00:37:30,120 --> 00:37:32,290
WE OWE YOU ONE.
873
00:37:41,830 --> 00:37:43,460
TODD FINISH WRITING?
874
00:37:43,500 --> 00:37:44,870
YEAH, THEY GET HIM
TO CENTRAL BOOKING.
875
00:37:44,900 --> 00:37:46,230
I’M GONNA HEAD DOWN
WITH THEM.
876
00:37:47,570 --> 00:37:48,970
[ SIGHS ]
877
00:37:49,010 --> 00:37:50,450
ROUGH DAY.
878
00:37:50,470 --> 00:37:51,940
ENDED RIGHT.
879
00:37:51,980 --> 00:37:53,380
WAY TO HANG IN THERE.
880
00:38:04,090 --> 00:38:06,290
I APPRECIATE YOU
BACKING ME UP THIS MORNING.
881
00:38:06,320 --> 00:38:07,820
THAT’S WHAT I’M HERE FOR.
882
00:38:07,860 --> 00:38:09,990
I MEAN, ABOUT THE GUN.
883
00:38:10,030 --> 00:38:12,730
YOU NEVER SAW IT, DID YOU?
884
00:38:14,030 --> 00:38:16,330
I KNOW YOU, BALDWIN.
885
00:38:16,370 --> 00:38:20,580
I DIDN’T HAVE TO SEE IT
TO KNOW HE HAD ONE.
886
00:38:20,610 --> 00:38:21,610
THANKS, GREG.
887
00:38:23,440 --> 00:38:24,570
SEE YOU TOMORROW, PARTNER.
888
00:38:30,880 --> 00:38:32,250
GOOD NIGHT, COUNSELOR.
889
00:38:32,280 --> 00:38:33,980
GOOD NIGHT, GREG.
890
00:38:34,020 --> 00:38:35,680
HEY.
891
00:38:35,720 --> 00:38:36,520
HEY.
892
00:38:36,560 --> 00:38:38,200
HOW YOU DOING?
893
00:38:38,220 --> 00:38:39,890
I’M ALL RIGHT.
894
00:38:39,920 --> 00:38:41,860
DO YOU KNOW WHAT TIME I’M DUE
AT THE GRAND JURY TOMORROW?
895
00:38:41,890 --> 00:38:43,830
9:00. AND YOU HAVE
NOTHING TO WORRY ABOUT.
896
00:38:43,860 --> 00:38:45,760
I KNOW.
897
00:38:45,800 --> 00:38:47,040
YOU’RE NOT ACTING LIKE IT.
898
00:38:48,770 --> 00:38:50,780
I GOT AN IMAGE IN MY HEAD
I CAN’T GET RID OF.
899
00:38:52,570 --> 00:38:54,100
WHY DON’T YOU
LET ME TAKE YOU OUT?
900
00:38:55,140 --> 00:38:56,270
NO, I’M NOT IN THE MOOD.
901
00:39:03,580 --> 00:39:05,250
YOU KNOW,
A COP’S WORST NIGHTMARE
902
00:39:05,280 --> 00:39:08,250
IS KILLING
AN INNOCENT PERSON‐‐
903
00:39:08,290 --> 00:39:11,460
OR WORSE‐‐
KILLING A KID.
904
00:39:11,490 --> 00:39:14,790
IF HE WAS AN INNOCENT KID,
HE WOULD HAVE BEEN IN SCHOOL.
905
00:39:14,830 --> 00:39:17,200
HE HAD A GUN ON HIM.
HE WAS A CRIMINAL.
906
00:39:17,230 --> 00:39:18,730
CRIMINAL OR NOT,
907
00:39:18,760 --> 00:39:21,060
13‐YEAR‐OLDS NEED LUCK
TO GET RIGHT IN LIFE.
908
00:39:21,100 --> 00:39:22,700
THAT’S TRUE,
909
00:39:22,730 --> 00:39:25,070
BUT YOU CAN’T BEAT YOURSELF UP
OVER DOING YOUR JOB.
910
00:39:25,100 --> 00:39:26,570
I KNOW.
911
00:39:26,610 --> 00:39:28,710
YOU’RE RIGHT.
912
00:39:28,740 --> 00:39:30,210
COME HOME WITH ME.
913
00:39:30,240 --> 00:39:33,640
I’LL MAKE YOU DINNER,
WE’LL DRINK SOME WINE.
914
00:39:33,680 --> 00:39:36,480
LET ME TAKE YOUR MIND
OFF THE DAY.
915
00:39:50,700 --> 00:39:51,800
HEY.
HEY.
916
00:39:51,830 --> 00:39:53,490
COME ON IN.
917
00:39:55,930 --> 00:39:58,000
YOU CLEANING UP?
918
00:39:58,040 --> 00:40:01,110
YEAH, I LET THE PLACE
SLIDE LAST WEEK.
919
00:40:01,140 --> 00:40:03,400
YOU CAN GUESS WHY.
920
00:40:03,440 --> 00:40:06,210
IT’S A LOT TO DEAL WITH,
A FUNERAL AND FAMILY.
921
00:40:08,180 --> 00:40:09,650
I COULD HAVE HELPED OUT.
922
00:40:09,680 --> 00:40:13,110
I DIDN’T SEE THE POINT OF US
BOTH BEING MISERABLE.
923
00:40:13,150 --> 00:40:14,450
PEOPLE WHO ARE TOGETHER
924
00:40:14,490 --> 00:40:15,730
HELP EACH OTHER
THROUGH THINGS LIKE THIS.
925
00:40:18,520 --> 00:40:19,820
JOHN, WHAT’S GOING ON?
926
00:40:19,860 --> 00:40:21,920
A LOT, RITA.
YOU KNOW THAT.
927
00:40:21,960 --> 00:40:24,260
BUT WHERE DO I FIT IN?
OR DO I?
928
00:40:24,300 --> 00:40:25,370
I HAVEN’T THOUGHT ABOUT IT.
929
00:40:25,400 --> 00:40:26,710
SURE YOU HAVE.
930
00:40:28,570 --> 00:40:31,010
I JUST CAN’T SHARE THIS.
931
00:40:31,040 --> 00:40:33,780
BECAUSE YOU DON’T TRUST ME?
932
00:40:33,810 --> 00:40:35,650
OR BECAUSE YOU DON’T
LOVE ME ANYMORE?
933
00:40:35,670 --> 00:40:37,110
’CAUSE, UH...
934
00:40:37,140 --> 00:40:38,710
THIS ISN’T JUST
ABOUT YOUR DAD.
935
00:40:38,740 --> 00:40:41,210
IT’S BEEN CREEPING UP.
936
00:40:41,250 --> 00:40:43,390
I’VE HAD A LOT
GOING ON RECENTLY.
937
00:40:43,410 --> 00:40:45,650
AND YOU KEPT IT ALL
TO YOURSELF, BOTTLED UP,
938
00:40:45,680 --> 00:40:46,780
JUST LIKE THIS.
939
00:40:46,820 --> 00:40:49,620
BECAUSE THIS IS HOW
I HANDLE THINGS.
940
00:40:49,650 --> 00:40:53,290
NOT IF YOU WANT TO BE
WITH ME.
941
00:40:53,320 --> 00:40:54,720
AND I GET THE FEELING
YOU DON’T.
942
00:40:56,390 --> 00:40:58,130
I WISH I FELT THE WAY
THAT YOU WANT ME TO,
943
00:40:58,160 --> 00:40:59,730
BUT I JUST CAN’T.
944
00:40:59,760 --> 00:41:02,200
THEN BE STRAIGHT WITH ME
AND BE HONEST.
945
00:41:02,230 --> 00:41:04,030
I’M NOT A KID.
I CAN HANDLE IT.
946
00:41:06,440 --> 00:41:09,150
THEN MAYBE
IT’S A GOOD IDEA...
947
00:41:09,170 --> 00:41:11,210
IF WE STOP SEEING EACH OTHER
FOR A WHILE.
948
00:41:11,240 --> 00:41:13,440
[ EXHALES SHARPLY ]
949
00:41:16,450 --> 00:41:18,060
I’M SORRY.
950
00:41:20,280 --> 00:41:22,550
I GUESS IT’S A RELIEF
TO GET IT OUT.
951
00:41:22,590 --> 00:41:24,460
YEAH.
952
00:41:27,790 --> 00:41:29,520
WE GONNA BE OKAY
AT WORK?
953
00:41:31,730 --> 00:41:33,930
I’LL DO WHAT YOU WANT.
IF‐‐IF THAT MEANS TRANSFER‐‐
954
00:41:33,970 --> 00:41:36,410
NO. I’M FINE.
955
00:41:38,100 --> 00:41:39,870
WE’LL BE FINE.
956
00:41:56,660 --> 00:41:57,460
[ CLEARS THROAT ]
957
00:41:58,420 --> 00:41:59,790
I’M GONNA GO.
958
00:42:18,240 --> 00:42:19,640
[ LOCK ENGAGES ]
959
00:42:21,310 --> 00:42:23,580
[ SIGHS DEEPLY ]
960
00:43:03,790 --> 00:43:06,620
[ CLASSICAL MUSIC PLAYING ]
70339
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