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1
00:00:15,220 --> 00:00:16,220
ANDY.
2
00:00:16,250 --> 00:00:17,520
HOW'S IT GOING, FEELY?
3
00:00:17,560 --> 00:00:18,860
HOW'S IT GOING?
4
00:00:18,890 --> 00:00:21,020
DANNY SORENSON,
DIANE RUSSELL, TOMMY FEELY.
5
00:00:21,060 --> 00:00:24,230
ME AND HIM WORKED UNIFORM
BACK WHEN THEY RACED CHARIOTS.
6
00:00:24,260 --> 00:00:25,590
HEADS UP SECURITY HERE.
7
00:00:25,630 --> 00:00:27,600
GOT A GUEST HERE
WHO GOT RAPED,
8
00:00:27,630 --> 00:00:29,730
BEAT UP REAL BAD.
9
00:00:29,770 --> 00:00:32,030
ALL RIGHT, FOLKS, COME ON.
KEEP IT MOVING.
10
00:00:32,070 --> 00:00:33,530
SICK BASTARDS.
11
00:00:33,570 --> 00:00:34,900
Diane: MARDI GRAS BALL?
12
00:00:34,940 --> 00:00:36,370
YEAH, IT'S SUPPOSED
TO BE LEGIT,
13
00:00:36,410 --> 00:00:38,220
BUT IT TURNS OUT IT'S THESE
DEGENERATE SWINGER TYPES.
14
00:00:38,240 --> 00:00:40,210
PLUS, THE PROMOTER
BONED US.
15
00:00:40,240 --> 00:00:43,080
YOU KNOW, OVERSOLD IT
TO DOUBLE CAPACITY.
16
00:00:43,110 --> 00:00:44,080
TOTALLY OVERWHELMED US.
17
00:00:44,120 --> 00:00:45,720
WHO'S THAT?
THAT'S THE VICTIM'S KID.
18
00:00:45,750 --> 00:00:46,880
HER GIRLFRIEND
IS WATCHING HER.
19
00:00:46,920 --> 00:00:48,580
EVERYTHING
WILL BE OKAY.
20
00:00:51,090 --> 00:00:52,720
HI.
21
00:00:52,760 --> 00:00:54,570
DEBORAH JOHANSEN,
HERE ON ONE OF THEM
22
00:00:54,590 --> 00:00:56,260
3‐DAY "I LOVE NEW YORK"
PACKAGES.
23
00:00:56,290 --> 00:00:58,290
Andy: WHO'S THE GUY?
HER BROTHER.
HE'S LOCAL.
24
00:00:58,330 --> 00:01:01,060
Danny: HE CALL IT IN?
VICTIM'S GIRLFRIEND,
ABOUT 10:45 P. M.
25
00:01:01,100 --> 00:01:02,930
HER AND THE VICTIM'S
DAUGHTER WERE ON THEIR WAY BACK
26
00:01:02,970 --> 00:01:04,640
FROM "THE LION KING"
WHEN THEY DISCOVERED HER.
27
00:01:04,670 --> 00:01:06,070
LET'S KEEP THE LITTLE ONE
OUT OF HERE.
28
00:01:06,100 --> 00:01:08,070
HEY, FEELY,
HOW ABOUT GETTING A ROOM
29
00:01:08,110 --> 00:01:09,950
FOR THE GIRLFRIEND AND DAUGHTER
TILL WE'RE READY FOR THEM?
30
00:01:09,970 --> 00:01:11,470
I CAN CHECK, BUT WE'RE
BOOKED TO THE GILLS.
31
00:01:11,510 --> 00:01:13,110
FEELY, FIND A ROOM.
32
00:01:13,140 --> 00:01:16,910
PULL UP
YOUR SECURITY TAPES.
33
00:01:16,950 --> 00:01:19,480
YOU KNOW, THIS COULD BE
THE END FOR ME, ANDY.
34
00:01:19,520 --> 00:01:21,590
I MEAN,
THIS COULD BE MY JOB.
35
00:01:21,620 --> 00:01:24,750
COULDN'T BE WORSE,
HUH, FEELY?
36
00:01:24,790 --> 00:01:29,160
I'M SORRY.
DON'T LISTEN TO ME.
37
00:01:30,630 --> 00:01:32,590
I‐I'M ROGER JOHANSEN ‐‐
DEBORAH'S BROTHER.
38
00:01:32,630 --> 00:01:34,460
DETECTIVES SORENSON,
SIPOWICZ, RUSSELL.
39
00:01:34,500 --> 00:01:36,100
SHE'S GOT TO GO
TO THE HOSPITAL,
40
00:01:36,130 --> 00:01:37,600
OR AT LEAST
GET OUT OF THIS ROOM.
41
00:01:37,640 --> 00:01:38,940
IS SHE UP FOR A COUPLE
QUESTIONS FIRST?
42
00:01:38,970 --> 00:01:41,500
SHE SAID THE GUY
WAS WEARING A MASK,
43
00:01:41,540 --> 00:01:44,110
LIKE A COURT JESTER MASK
FROM THIS MARDI GRAS BALL
44
00:01:44,140 --> 00:01:45,440
I GUESS
THEY GOT GOING ON.
45
00:01:45,480 --> 00:01:46,790
I'LL BE REAL QUICK.
46
00:01:46,810 --> 00:01:50,950
IT WAS MY IDEA ‐‐
HER COMING OUT AND VISITING.
47
00:01:50,980 --> 00:01:53,620
I KEPT TELLING HER
HOW SAFE NEW YORK'S BEEN.
48
00:01:53,650 --> 00:01:55,480
Danny: HEY, SARGE.
49
00:01:55,520 --> 00:01:56,650
YOU STAYING HERE, TOO?
50
00:01:56,690 --> 00:01:58,120
NO, I LIVE
OVER ON SECOND AVENUE.
51
00:01:58,160 --> 00:02:00,130
MY PLACE
WAS TOO SMALL, THOUGH.
52
00:02:00,160 --> 00:02:02,290
CAN WE GET UNIFORMS
AT EVERY EXIT
53
00:02:02,330 --> 00:02:05,040
AND SNAG UP ANYBODY
IN A COURT JESTER OUTFIT?
54
00:02:05,060 --> 00:02:07,130
AND MAYBE
GET SOME MEN STARTED
55
00:02:07,170 --> 00:02:09,040
GOING THROUGH
THE TRASH CANS.
56
00:02:09,070 --> 00:02:11,310
WAS HE WHITE,
BLACK, LATINO?
57
00:02:11,340 --> 00:02:12,980
I DON'T KNOW ‐‐
THE MASK.
58
00:02:13,000 --> 00:02:14,800
COULD YOU TELL
BY HIS HANDS?
59
00:02:14,840 --> 00:02:17,370
UH, HE HAD GLOVES ON.
WHERE'S MY DAUGHTER?
60
00:02:17,410 --> 00:02:18,640
WE'RE PUTTING HER
AND YOUR GIRLFRIEND
61
00:02:18,680 --> 00:02:19,850
IN ANOTHER ROOM.
62
00:02:19,880 --> 00:02:21,880
THE WORST PART WAS WHEN
I WAS TIED TO THE BED
63
00:02:21,910 --> 00:02:23,710
AFTER HE LEFT,
64
00:02:23,750 --> 00:02:26,310
KNOWING THAT MY DAUGHTER
WOULD SEE ME LIKE THAT
65
00:02:26,350 --> 00:02:28,220
AND THERE WAS
NOTHING I COULD DO.
66
00:02:28,250 --> 00:02:29,820
ALL RIGHT.
WE'LL GET YOU OUT OF HERE.
67
00:02:29,850 --> 00:02:32,020
PLEASE DON'T LET MY DAUGHTER
SEE ME LIKE THIS.
68
00:03:48,770 --> 00:03:50,440
THERE'S, LIKE,
69
00:03:50,470 --> 00:03:52,430
56 COSTUME SHOPS
IN MANHATTAN.
70
00:03:52,470 --> 00:03:54,070
CALL THEM
WHEN THEY OPEN UP,
71
00:03:54,110 --> 00:03:56,580
SEE WHO SOLD OR RENTED
COURT JESTER OUTFITS,
72
00:03:56,610 --> 00:03:58,070
IF THEY PAID
WITH CREDIT CARDS,
73
00:03:58,110 --> 00:03:59,580
IF THEY GOT
SECURITY CAMERAS.
74
00:03:59,610 --> 00:04:02,410
THAT'S WHAT I WAS
I WAS GOING TO DO, YEAH.
75
00:04:02,450 --> 00:04:05,290
SO FANCY HAS GOT THAT
COMPUTER TRAINING COURSE
76
00:04:05,320 --> 00:04:06,590
THE NEXT FEW DAYS.
77
00:04:06,620 --> 00:04:08,920
GOING TO GET THE SQUAD
WIRED UP.
78
00:04:08,950 --> 00:04:11,420
HEY, EVEN MONEY GREG'S
ADDICTED TO CHAT ROOMS
79
00:04:11,460 --> 00:04:12,630
WITHIN A WEEK.
80
00:04:14,460 --> 00:04:15,990
HEY, MORNING, DIANE.
81
00:04:16,030 --> 00:04:18,500
MORNING. YOU GUYS
GET ANY SLEEP?
82
00:04:18,530 --> 00:04:19,830
COUPLE OF HOURS.
83
00:04:19,860 --> 00:04:21,260
ANOTHER 10 OR 15 YEARS,
84
00:04:21,300 --> 00:04:22,930
I'LL GET USED TO
THIS DETECTIVE CHART.
85
00:04:22,970 --> 00:04:24,610
ANY WORD
FROM THE HOSPITAL?
86
00:04:24,640 --> 00:04:26,280
HER AND HER BROTHER
ARE STILL THERE.
87
00:04:26,300 --> 00:04:28,000
I TALKED TO THEM
A LITTLE WHILE AGO.
88
00:04:28,040 --> 00:04:29,610
HE THINKS SHE'LL BE READY
TO COME IN
89
00:04:29,640 --> 00:04:30,810
AND GIVE A STATEMENT
IN ANOTHER HOUR OR SO.
90
00:04:30,840 --> 00:04:32,270
ANYTHING JUMP OUT?
91
00:04:32,310 --> 00:04:35,610
YEAH, FEELY TALKED TO HIS
KEYSTONE KOPS SECURITY FORCE,
92
00:04:35,650 --> 00:04:37,290
FOUND OUT
THAT SOME ASSHOLE
93
00:04:37,320 --> 00:04:39,120
DRESSED
IN A COURT JESTER SUIT
94
00:04:39,150 --> 00:04:41,950
WAS HITTING ON ALL THE FEMALE
GUESTS DOWN IN THE LOBBY.
95
00:04:41,990 --> 00:04:43,190
THEY WARNED HIM FIRST,
96
00:04:43,220 --> 00:04:44,490
THEN TOLD HIM
TO HIT THE BRICKS.
97
00:04:44,520 --> 00:04:46,620
FEELY'S GUYS SAY
THERE MUST HAVE BEEN
98
00:04:46,660 --> 00:04:48,620
AT LEAST FIVE OF THESE
JESTER IDIOTS PRANCING AROUND.
99
00:04:48,660 --> 00:04:50,330
BELMONT HOTEL ‐‐ THAT'S
WHERE YOUR RAPE WAS?
100
00:04:50,360 --> 00:04:51,990
YEAH, WHAT ABOUT IT?
101
00:04:52,030 --> 00:04:53,460
D.O.A. IN ROOM 813.
102
00:04:53,500 --> 00:04:55,670
YOU'RE SURE IT WAS
THE BELMONT HOTEL?
103
00:04:55,700 --> 00:04:57,130
JUST TALKED
TO THE COP AT THE SCENE.
104
00:04:57,170 --> 00:04:58,630
MAYBE CONNECTED
TO THE RAPE?
105
00:04:58,670 --> 00:05:00,800
GOING TO HAVE TO TALK
YOUR BUDDY FEELY OFF THE ROOF.
106
00:05:00,840 --> 00:05:02,800
HEAD OF SECURITY'S
TOMMY FEELY,
107
00:05:02,840 --> 00:05:04,210
RETIRED OUT OF THE 3‐2.
108
00:05:04,240 --> 00:05:06,810
WHEN YOU SEE HIM,
LET HIM KNOW I'M WAITING
109
00:05:06,850 --> 00:05:09,150
ON THOSE SECURITY TAPES
FROM LAST NIGHT.
110
00:05:09,180 --> 00:05:10,980
THE RAPE WAS IN 407.
111
00:05:11,020 --> 00:05:12,820
LET US KNOW
IF THEY LOOK CONNECTED.
112
00:05:12,850 --> 00:05:14,380
ANY SEMEN
FROM THE RAPE KIT?
113
00:05:14,420 --> 00:05:16,220
LAB TESTS OUT
FOR DNA AND BLOOD TYPE.
114
00:05:16,250 --> 00:05:18,220
I'M CHECKING ANYTHING
ON COURT JESTER SUITS
115
00:05:18,260 --> 00:05:19,900
WITH THE LOCAL
COSTUME SHOPS...
116
00:05:19,920 --> 00:05:22,160
WHEN THEY OPEN UP,
SEEING AS IT WOULDN'T BE
117
00:05:22,190 --> 00:05:24,490
TOO FRUITFUL CALLING NOW
WHEN THEY'RE CLOSED.
118
00:05:24,530 --> 00:05:27,430
YEAH.
119
00:05:36,880 --> 00:05:38,880
YOU'RE FEELY?
120
00:05:38,910 --> 00:05:41,180
YEAH.
121
00:05:41,210 --> 00:05:43,850
WORST 24 HOURS
OF MY LIFE.
122
00:05:43,880 --> 00:05:45,210
YOU GOT ANYTHING
ON THIS?
123
00:05:45,250 --> 00:05:47,180
HOUSEKEEPER FOUND HIM
ABOUT 8:00 A. M.
124
00:05:47,220 --> 00:05:49,520
BEAT, CHOKED ‐‐
PINKY FINGER CUT OFF.
125
00:05:49,550 --> 00:05:51,720
THIS WAS A FULL‐ON BRAWL.
NO ONE HEARD NOTHING?
126
00:05:51,760 --> 00:05:53,570
THE COUPLE NEXT DOOR
HEARD SOME YELLING
127
00:05:53,590 --> 00:05:55,020
LAST NIGHT
AROUND MIDNIGHT,
128
00:05:55,060 --> 00:05:56,060
MAYBE A SCREAM OR TWO.
129
00:05:56,090 --> 00:05:57,730
PEGGED IT
FOR SOME KIND OF SEX DEAL
130
00:05:57,760 --> 00:06:00,200
OFF OF THAT MARDI GRAS DISASTER
WE HAD HERE LAST NIGHT.
131
00:06:00,230 --> 00:06:01,730
HAD A RAPE/ASSAULT, TOO.
132
00:06:01,770 --> 00:06:02,870
YEAH, WE HEARD.
133
00:06:02,900 --> 00:06:03,870
YOU THINK
THEY'RE CONNECTED?
134
00:06:03,900 --> 00:06:04,900
WE JUST GOT HERE.
135
00:06:04,940 --> 00:06:06,880
WHO'S THE ROOM
REGISTERED TO?
136
00:06:06,910 --> 00:06:08,910
JOHN WILLIAMS ‐‐
PAID IN CASH.
137
00:06:08,940 --> 00:06:11,040
GEE, I WONDER
WHAT THE ODDS ARE
138
00:06:11,080 --> 00:06:13,050
THAT BEING
HIS REAL NAME?
139
00:06:13,080 --> 00:06:14,920
SIPOWICZ IS WAITING
ON THOSE SECURITY TAPES.
140
00:06:14,950 --> 00:06:16,390
YEAH, LET ME
GO CHECK ON THOSE,
141
00:06:16,410 --> 00:06:18,410
ASSUMING
I STILL GOT A JOB.
142
00:06:21,990 --> 00:06:23,460
THIS IS
MIKE STURTEVANT.
143
00:06:23,490 --> 00:06:25,730
I'VE HAD PRIOR CONTACT
WITH THIS BUM. HE'S A PIMP.
144
00:06:25,760 --> 00:06:27,430
CELL PHONE
IN HIS POCKET.
145
00:06:27,460 --> 00:06:29,960
WE HAVE A FUTURE DETECTIVE
IN OUR MIDST.
146
00:06:29,990 --> 00:06:31,390
THAT'S MY GOAL, SIR.
147
00:06:31,430 --> 00:06:34,230
OH, I FOUND THIS
UNDER THE COFFEE TABLE.
148
00:06:34,270 --> 00:06:36,810
ARE YOU GIVING ME
THE FINGER, OFFICER?
149
00:06:36,840 --> 00:06:38,740
SO WHO WENT THROUGH
HIS POCKETS?
150
00:06:38,770 --> 00:06:40,140
THAT SECURITY GUY.
151
00:06:40,170 --> 00:06:42,140
HE HAD THEM EMPTIED OUT
BY THE TIME I SHOWED UP.
152
00:06:42,170 --> 00:06:43,740
FEELY? HE WAS
ON THE JOB, RIGHT?
153
00:06:43,780 --> 00:06:45,150
AND HE SHOULD
KNOW BETTER.
154
00:06:45,180 --> 00:06:47,150
DO YOU WANT ME TO RUN
THE CELL PHONE NUMBERS?
155
00:06:47,180 --> 00:06:48,480
NO, SLOW DOWN THERE,
TIGER.
156
00:06:48,510 --> 00:06:50,080
ABSOLUTELY.
157
00:06:50,110 --> 00:06:52,080
IT'S ALL YOURS.
158
00:06:52,120 --> 00:06:54,760
BRAINED HIM WITH THE PHONE,
IT LOOKS LIKE,
159
00:06:54,790 --> 00:06:57,600
AND THEN STRANGLED HIM OFF
WITH THE CORD FOR DESSERT.
160
00:06:57,620 --> 00:06:58,590
A WHITE PIMP, HUH?
161
00:06:58,620 --> 00:07:00,460
YEAH, HOW ABOUT THAT, D.?
162
00:07:09,470 --> 00:07:11,780
I CAN GET YOU
SOME COFFEE OR SOMETHING.
163
00:07:11,800 --> 00:07:13,270
NO, WE'RE OKAY.
164
00:07:13,300 --> 00:07:15,600
WE REALLY APPRECIATE
YOUR COMING IN.
165
00:07:15,640 --> 00:07:18,640
I JUST WANT TO GET THIS
OVER WITH AND GET BACK HOME.
166
00:07:18,680 --> 00:07:20,790
WE UNDERSTAND.
167
00:07:20,810 --> 00:07:22,480
HOW'S YOUR DAUGHTER?
168
00:07:22,510 --> 00:07:25,480
I TALKED TO HER ON THE PHONE
FROM THE HOSPITAL.
169
00:07:25,520 --> 00:07:27,330
I STILL DON'T KNOW
WHAT TO TELL HER.
170
00:07:27,350 --> 00:07:29,150
WERE YOU ABLE TO GET LEADS
ON WHO MIGHT HAVE DONE THIS?
171
00:07:29,190 --> 00:07:31,460
NOT YET.
172
00:07:31,490 --> 00:07:33,120
WHAT WE NEED
TO DO NOW ‐‐
173
00:07:33,160 --> 00:07:35,470
AND I KNOW IT'S GOING
TO BE DIFFICULT ‐‐
174
00:07:35,490 --> 00:07:37,130
IS GET
A FORMAL STATEMENT
175
00:07:37,160 --> 00:07:39,130
ABOUT WHAT HAPPENED
LAST NIGHT.
176
00:07:39,160 --> 00:07:40,500
CAN YOU DO THAT,
DEBORAH?
177
00:07:40,530 --> 00:07:42,460
I'LL TRY.
178
00:07:42,500 --> 00:07:46,300
WE WERE ALL SUPPOSED TO GO
TO "THE LION KING" LAST NIGHT.
179
00:07:46,340 --> 00:07:48,210
WHO'S "WE"?
ME.
180
00:07:48,240 --> 00:07:50,040
MY GIRLFRIEND CATHY
WHO CAME UP WITH US,
181
00:07:50,070 --> 00:07:51,370
AND MY DAUGHTER
RACHEL.
182
00:07:51,410 --> 00:07:53,640
A COUPLE HOURS
BEFORE, THOUGH,
183
00:07:53,680 --> 00:07:55,640
I FELT A MIGRAINE
COMING ON,
184
00:07:55,680 --> 00:07:57,480
AND I COULDN'T GO.
185
00:07:57,520 --> 00:08:00,360
I SHOULD HAVE
GONE, THOUGH.
186
00:08:00,380 --> 00:08:02,350
I SHOULD HAVE
JUST TOUGHED IT OUT.
187
00:08:03,590 --> 00:08:05,490
AT AROUND 9:00,
I WENT DOWN THE HALL
188
00:08:05,520 --> 00:08:09,520
TO GET SOME ICE
FOR A COLD COMPRESS.
189
00:08:09,560 --> 00:08:11,990
THE PAIN WAS SO GREAT,
190
00:08:12,030 --> 00:08:13,060
I COULDN'T FOCUS.
191
00:08:13,100 --> 00:08:15,370
DID YOU LOCK THE DOOR
BEHIND YOU?
192
00:08:17,200 --> 00:08:18,370
I, UH...
193
00:08:18,400 --> 00:08:21,540
I SHUT THE DOOR
WITH THE DEAD BOLT OUT
194
00:08:21,570 --> 00:08:22,700
SO IT WOULDN'T
LOCK SHUT.
195
00:08:22,740 --> 00:08:25,010
WAS THIS GUY
ALREADY IN THE ROOM
196
00:08:25,040 --> 00:08:26,840
WHEN YOU GOT BACK?
197
00:08:26,880 --> 00:08:28,540
AND HE CHOKED ME.
198
00:08:28,580 --> 00:08:31,380
AND HE TOLD ME
HE'D KILL ME
199
00:08:31,420 --> 00:08:33,220
IF I MADE A SOUND,
200
00:08:33,250 --> 00:08:35,920
AND I TURNED MY HEAD
TO THE SIDE
201
00:08:35,950 --> 00:08:37,850
SO THAT I COULD BREATHE
202
00:08:37,890 --> 00:08:40,720
BECAUSE HIS ARM
WAS CRUSHING MY ‐‐
203
00:08:40,760 --> 00:08:43,520
MY WINDPIPE,
AND I SAW THE MASK.
204
00:08:43,560 --> 00:08:47,060
IT WAS THIS WHITE MASK
WITH THESE
205
00:08:47,100 --> 00:08:50,400
SCARY RED SMILING LIPS.
206
00:08:50,430 --> 00:08:53,530
I FELT LIKE I WAS
IN A NIGHTMARE.
207
00:08:53,570 --> 00:08:55,270
Diane: IT'S OKAY.
208
00:08:57,080 --> 00:09:00,050
AND THEN HE RAPED ME
209
00:09:00,080 --> 00:09:02,410
AND HE BEAT ME,
210
00:09:02,450 --> 00:09:05,060
AND I TOLD HIM HE DIDN'T
HAVE TO HIT ME,
211
00:09:05,080 --> 00:09:08,380
THAT I WOULDN'T SCREAM
OR MAKE HIM STOP,
212
00:09:08,420 --> 00:09:10,550
BUT HE SAID, "SHUT UP,"
213
00:09:10,590 --> 00:09:13,220
AND HE JUST KEPT ON
HITTING ME.
214
00:09:13,260 --> 00:09:15,470
[ SOBBING ]
215
00:09:28,110 --> 00:09:30,420
D.O.A. AT THE BELMONT'S
A PIMP.
216
00:09:30,440 --> 00:09:32,440
THE ROOM WAS REGISTERED
UNDER A BOGUS NAME.
217
00:09:32,480 --> 00:09:34,420
WE PULLED THE LAST NUMBER
DIALED FROM HIS CELL PHONE.
218
00:09:34,450 --> 00:09:35,750
IT CAME BACK
TO A STELLA KENSINGTON.
219
00:09:35,780 --> 00:09:37,110
BASED ON HER PRIORS,
220
00:09:37,150 --> 00:09:39,250
WE FIGURE HER
FOR ONE OF HIS WHORES.
221
00:09:39,280 --> 00:09:41,420
WE DEPUTIZED THIS COP RAMOS.
HE'S PICKING HER UP.
222
00:09:41,450 --> 00:09:43,080
YOU RUN INTO FEELY?
223
00:09:43,120 --> 00:09:44,750
YEAH, HE'S HAD
BETTER DAYS, FOR SURE.
224
00:09:44,790 --> 00:09:46,120
WHERE'S THOSE
SECURITY TAPES
225
00:09:46,160 --> 00:09:47,770
I'VE BEEN WAITING ON
ALL MORNING?
226
00:09:47,790 --> 00:09:49,090
HE WAS GETTING AN EARFUL
FROM HOTEL BRASS
227
00:09:49,130 --> 00:09:50,500
LAST WE LEFT HIM.
228
00:09:50,530 --> 00:09:52,590
HE NEEDS TO GET HIS ASS
OVER HERE WITH THOSE TAPES.
229
00:09:52,630 --> 00:09:54,260
YEAH, I'LL CALL HIM
RIGHT NOW.
230
00:09:54,300 --> 00:09:56,430
IS EVERYTHING ALL RIGHT?
231
00:09:56,470 --> 00:09:58,440
THAT RAPE VICTIM
FROM LAST NIGHT'S
232
00:09:58,470 --> 00:09:59,770
IN INTERVIEW THREE.
233
00:09:59,800 --> 00:10:01,140
GOTCHA.
234
00:10:07,480 --> 00:10:09,380
ALL RIGHT.
TAKE IT EASY.
235
00:10:16,660 --> 00:10:19,130
DIANE ALL RIGHT?
236
00:10:19,160 --> 00:10:21,830
YEAH. YOU KNOW, ANDY,
I DON'T WANT YOU TO THINK
237
00:10:21,860 --> 00:10:23,520
THAT BY NOT TALKING
TO YOU ABOUT IT,
238
00:10:23,560 --> 00:10:25,160
I'M PULLING SOMETHING
OVER ON YOU.
239
00:10:25,200 --> 00:10:27,140
AND WHAT
WOULD THAT BE?
240
00:10:27,170 --> 00:10:28,370
YOU GOING
TO MAKE ME SAY IT?
241
00:10:28,400 --> 00:10:30,870
YOU DON'T HAVE TO
SPILL YOUR GUTS TO ME...
242
00:10:30,900 --> 00:10:32,000
[ URINAL FLUSHES ]
243
00:10:32,040 --> 00:10:33,680
EVERY DETAIL
OF YOUR LIFE.
244
00:10:33,710 --> 00:10:35,010
YEAH, BUT THIS ‐‐
245
00:10:35,040 --> 00:10:36,470
I'VE BEEN WANTING TO TALK
TO YOU ABOUT THIS,
246
00:10:36,510 --> 00:10:39,520
BUT I GUESS I WAS AFRAID
THAT YOU'D TELL ME TO QUIT,
247
00:10:39,540 --> 00:10:40,980
AND I'M NOT ABOUT TO.
248
00:10:41,010 --> 00:10:42,680
I WOULDN'T
TELL YOU THAT.
249
00:10:42,710 --> 00:10:45,380
THERE ARE THINGS
I WOULD TELL YOU
250
00:10:45,420 --> 00:10:47,030
REGARDING THE JOB ‐‐
251
00:10:47,050 --> 00:10:48,820
REPERCUSSIONS AND SO FORTH
IF THIS GETS OUT ‐‐
252
00:10:48,850 --> 00:10:50,820
BUT I FIGURE
YOU KNOW ABOUT THAT.
253
00:10:50,860 --> 00:10:53,000
I DO.
254
00:10:53,020 --> 00:10:55,020
I KNOW DIANE DOES.
255
00:10:58,360 --> 00:10:59,860
SHE'S HAPPY?
256
00:10:59,900 --> 00:11:00,860
YEAH.
257
00:11:00,900 --> 00:11:02,530
YOU'RE HAPPY?
258
00:11:02,570 --> 00:11:04,010
DEFINITELY.
259
00:11:04,040 --> 00:11:05,010
OKAY, THEN.
260
00:11:05,040 --> 00:11:06,410
I DIDN'T KNOW BOBBY.
261
00:11:06,440 --> 00:11:09,550
IN THAT SENSE, I DON'T
FEEL I'M BETRAYING HIM.
262
00:11:09,570 --> 00:11:12,240
I JUST DON'T WANT TO FEEL
LIKE I'M BETRAYING YOU.
263
00:11:12,280 --> 00:11:14,090
NO, YOU AND ME
ARE STRAIGHT.
264
00:11:14,110 --> 00:11:16,750
I APPRECIATE THAT, ANDY.
265
00:11:16,780 --> 00:11:19,750
YOU'RE HAPPY,
SHE'S HAPPY.
266
00:11:39,740 --> 00:11:41,600
YOU RENT JESTER OUTFITS?
267
00:11:41,640 --> 00:11:43,710
CAN YOU CHECK?
THANKS.
268
00:11:43,740 --> 00:11:45,110
NO, COURT JESTER.
269
00:11:45,140 --> 00:11:46,540
ALL RIGHT, THANKS.
270
00:11:46,580 --> 00:11:48,910
ALL RIGHT, LOOK, YOU DON'T KNOW
WHAT I'M TALKING ABOUT,
271
00:11:48,950 --> 00:11:51,390
YOU PROBABLY DON'T
CARRY THEM, RIGHT?
272
00:11:51,420 --> 00:11:53,090
HOW'S IT GOING
IN THERE?
273
00:11:53,120 --> 00:11:55,290
SHE'S STILL
IN A LOT OF PAIN.
274
00:11:55,320 --> 00:11:57,790
I CAN IMAGINE.
ARE YOU OKAY?
275
00:12:01,430 --> 00:12:06,100
THERE A DETECTIVE JONES HERE?
I'M STELLA.
276
00:12:10,800 --> 00:12:12,900
THERE'S...
277
00:12:12,940 --> 00:12:14,650
OKAY.
278
00:12:17,640 --> 00:12:19,810
WHAT'S HIS PROBLEM?
279
00:12:19,840 --> 00:12:22,410
I WAS GOING
TO ASK YOU.
280
00:12:22,450 --> 00:12:23,620
RIGHT THIS WAY.
281
00:12:25,980 --> 00:12:28,420
YOU NEED A TELEPHONE BOOK
OR SOMETHING?
282
00:12:28,450 --> 00:12:29,920
KISS MY ASS.
283
00:12:29,950 --> 00:12:31,420
I WAS JUST OFFERING.
284
00:12:31,460 --> 00:12:33,770
MIKE STURTEVANT ‐‐ HOW LONG
HAS HE BEEN PIMPING YOU?
285
00:12:33,790 --> 00:12:35,420
HE'S MY MANAGER.
286
00:12:35,460 --> 00:12:37,090
WE RAN BOTH OF YOU FOR RECORDS.
287
00:12:37,130 --> 00:12:38,090
THERE'S NOTHING IN THERE
288
00:12:38,130 --> 00:12:39,460
ABOUT 2‐WEEK LOUNGE GIGS
IN THE CATSKILLS.
289
00:12:39,500 --> 00:12:41,470
THREE YEARS
I'VE WORKED FOR HIM.
290
00:12:41,500 --> 00:12:44,300
HE CALLED YOU AT HOME
LAST NIGHT AT 9:30.
SO?
291
00:12:44,340 --> 00:12:46,440
IT WAS THE LAST
PHONE CALL HE MADE.
292
00:12:46,470 --> 00:12:48,270
THE LAST CALL HE MADE
LAST NIGHT.
293
00:12:48,310 --> 00:12:50,780
THE LAST PHONE CALL
HE'S EVER GONNA MAKE.
294
00:12:50,810 --> 00:12:52,340
OH, MY GOD.
295
00:12:52,380 --> 00:12:54,290
WHAT WAS THE CALL
ABOUT?
296
00:12:54,310 --> 00:12:56,310
HE WAS GOING
TO A POKER GAME
297
00:12:56,350 --> 00:12:57,790
OVER AT THE BELMONT.
298
00:12:57,820 --> 00:12:59,460
SAID HE WAS GOING TO BE
UNAVAILABLE
299
00:12:59,480 --> 00:13:01,780
AND WANTED TO MAKE SURE
I WAS ON FOR MY 10:00 DATE.
300
00:13:01,820 --> 00:13:03,180
OH, MY GOD.
301
00:13:03,220 --> 00:13:05,120
DID HE SAY WHO HE WAS
PLAYING CARDS WITH?
302
00:13:05,160 --> 00:13:08,130
NO, BUT BRENDA MIGHT KNOW.
THAT'S HIS BOTTOM LADY.
303
00:13:08,160 --> 00:13:10,530
I'M MEETING HER FOR LUNCH,
SO I COULD ASK HER THEN.
304
00:13:10,560 --> 00:13:11,830
WE'LL ASK HER.
305
00:13:11,860 --> 00:13:13,360
WHERE YOU MEETING
FOR LUNCH?
306
00:13:13,400 --> 00:13:15,740
STRUTHER'S,
OVER ON LEX AT 12:30.
307
00:13:17,870 --> 00:13:20,040
SO, YOU WORK PRETTY STEADY,
308
00:13:20,070 --> 00:13:22,500
OR IS IT MORE
THE BACHELOR PARTY,
309
00:13:22,540 --> 00:13:23,870
SHRINER CONVENTION
TYPE THING?
310
00:13:23,910 --> 00:13:25,810
BOOKED SOLID.
311
00:13:25,840 --> 00:13:27,140
HUH. I'LL BE DARNED.
312
00:13:27,180 --> 00:13:29,210
BRENDA'S LAST NAME?
313
00:13:29,250 --> 00:13:30,220
MARTIN.
314
00:13:30,250 --> 00:13:31,880
BRENDA'S A MIDGET, TOO?
315
00:13:31,920 --> 00:13:33,390
IT'S LITTLE PERSON,
ASSHOLE.
316
00:13:33,420 --> 00:13:35,060
LIKE I'M SUPPOSED
TO KNOW THAT.
317
00:13:35,090 --> 00:13:37,500
YOU KNOW, YOU'RE NOT
SO TALL YOURSELF.
318
00:13:37,520 --> 00:13:39,320
IS BRENDA
A LITTLE PERSON, TOO?
319
00:13:39,360 --> 00:13:42,000
NO, SHE'S BIG,
BLONDE HAIR.
320
00:13:42,030 --> 00:13:43,530
POOR MIKE.
321
00:13:43,560 --> 00:13:46,830
HE WAS A SPECIAL GUY.
322
00:13:46,870 --> 00:13:48,840
WE COULD LOCK YOU UP
TILL AFTER LUNCH
323
00:13:48,870 --> 00:13:51,540
TO MAKE SURE YOU DON'T
TIP BRENDA FOR WHATEVER REASON,
324
00:13:51,570 --> 00:13:53,740
BUT, UH, SHE'S BEEN
PRETTY HELPFUL.
325
00:13:53,770 --> 00:13:56,910
NO, I'M COOL.
I WON'T TALK TO HER.
326
00:13:56,940 --> 00:13:59,740
YOU CAN GO, THEN.
327
00:14:10,560 --> 00:14:12,860
I KNEW A MIDGET
IN HIGH SCHOOL.
328
00:14:12,890 --> 00:14:14,590
WENDY OVERACKER.
329
00:14:14,630 --> 00:14:16,400
YEAH, HUH?
330
00:14:16,430 --> 00:14:18,100
SHE WAS VOTED
BEST SCHOOL SPIRIT.
331
00:14:18,130 --> 00:14:21,530
SPUNKY LITTLE THING.
332
00:14:21,570 --> 00:14:23,540
WOULD YOU GO OUT
WITH HER?
333
00:14:23,570 --> 00:14:24,700
WOULD YOU?
334
00:14:24,740 --> 00:14:26,780
I ASKED YOU FIRST.
335
00:14:26,810 --> 00:14:29,080
COME ON.
THIS STAYS IN THE ROOM.
336
00:14:31,240 --> 00:14:34,210
I GUESS
UNDER THE RIGHT CIRCUMSTANCES.
337
00:14:34,250 --> 00:14:37,720
YOU KNOW, BUSINESS TRIP,
SOMETHING LIKE THAT.
338
00:14:37,750 --> 00:14:39,720
YEAH, I'D GIVE IT
A WHIRL.
339
00:14:39,750 --> 00:14:40,880
WOULD YOU?
340
00:14:40,920 --> 00:14:43,590
NEVER THOUGHT ABOUT IT.
341
00:14:45,660 --> 00:14:48,670
WELL, IT'S NOT LIKE IT'S BEEN
KEEPING ME UP NIGHTS.
342
00:15:02,340 --> 00:15:03,640
WHAT'S THIS?
343
00:15:03,680 --> 00:15:06,120
OH, THAT MIDGET WOMAN
LEFT IT.
344
00:15:06,140 --> 00:15:08,580
CAN YOU CALL HER UP
AND ARRANGE GETTING IT BACK?
345
00:15:08,610 --> 00:15:11,080
LITTLE PERSON.
THEY DON'T LIKE ‐‐
346
00:15:11,120 --> 00:15:14,530
OKAY, OKAY, CAN YOU JUST
TAKE CARE OF IT FOR ME?
347
00:15:19,820 --> 00:15:22,920
HEY, GUYS.
WE HAVE THE SECURITY TAPES,
348
00:15:22,960 --> 00:15:24,590
PLUS EMPLOYEES LIST,
349
00:15:24,630 --> 00:15:26,130
MARDI GRAS GUEST LIST,
350
00:15:26,160 --> 00:15:28,100
EVERYTHING I COULD THINK OF.
351
00:15:28,130 --> 00:15:30,930
I DON'T SUPPOSE YOU GOT
ANY LEADS ON THE RAPE, HUH?
352
00:15:30,970 --> 00:15:32,770
WHO'S THE SUIT?
353
00:15:32,800 --> 00:15:35,770
OH, ANDY, CAN YOU AND ME
TALK IN A PRIVATE ROOM?
354
00:15:35,810 --> 00:15:37,780
WHO'S THE SUIT, FEELY?
355
00:15:37,810 --> 00:15:39,940
LAWYER FROM THE HOTEL.
356
00:15:39,980 --> 00:15:42,940
THEY WANT TO TRY AND SETTLE
WITH THE RAPE VICTIM ASAP.
357
00:15:42,980 --> 00:15:45,110
WE'RE GOING TO GO HAVE
A CONVERSATION
358
00:15:45,150 --> 00:15:46,620
WITH THE D. O. A. PIMP'S
BOTTOM LADY.
359
00:15:46,650 --> 00:15:48,480
ANY MOVEMENT ON THAT?
360
00:15:48,520 --> 00:15:50,790
NOTHING PAST
WHAT I JUST SAID.
361
00:15:50,820 --> 00:15:52,620
ARE THOSE
THE SECURITY TAPES?
RIGHT HERE.
362
00:15:52,660 --> 00:15:54,870
YEAH, WE'RE GOING TO NEED TAPE
FROM THE FRONT DESK CAMERA.
363
00:15:54,890 --> 00:15:56,860
SEE WHO CHECKED
INTO ROOM 813.
364
00:15:56,900 --> 00:15:59,470
THINK THEY'RE CONNECTED,
RAPE AND D. O. A.?
365
00:15:59,500 --> 00:16:01,470
WE DON'T KNOW YET.
366
00:16:01,500 --> 00:16:03,200
WHAT DO YOU SAY, ANDY?
367
00:16:03,230 --> 00:16:04,830
BROKERING THE SIT‐DOWN
368
00:16:04,870 --> 00:16:07,540
COULD GO A LONG WAY
TO SAVING MY JOB,
369
00:16:07,570 --> 00:16:09,200
AND WHAT I GATHERED,
370
00:16:09,240 --> 00:16:11,870
BECAUSE OF THE P. R. JACKPOT
THE RAPE AND MURDER GOT US IN ‐‐
371
00:16:11,910 --> 00:16:14,040
THEY'RE TALKING
MAJOR NUMBERS HERE.
372
00:16:14,080 --> 00:16:16,850
COULD BE A NICE WINDFALL
FOR THESE POOR PEOPLE.
373
00:16:18,020 --> 00:16:19,990
YOU GUYS CAN BE IN THE ROOM
IF YOU WANT.
374
00:16:20,020 --> 00:16:21,480
YOU SURE, FEELY?
375
00:16:21,520 --> 00:16:23,690
I MEAN, WE WOULDN'T
BE PUTTING YOU OUT?
376
00:16:23,720 --> 00:16:25,220
COME ON, ANDY.
377
00:16:25,260 --> 00:16:28,730
GO AHEAD.
I'LL TAKE CARE OF THIS.
378
00:16:28,760 --> 00:16:31,190
THANKS A MILLION, ANDY.
379
00:16:37,570 --> 00:16:39,740
WHAT'S UP?
380
00:16:39,770 --> 00:16:42,570
DEBORAH, THERE'S A LAWYER
HERE FOR THE HOTEL,
381
00:16:42,610 --> 00:16:45,050
AND BECAUSE
OF WHAT HAPPENED,
382
00:16:45,080 --> 00:16:47,850
THEY'RE READY TO MAKE YOU
A SETTLEMENT OFFER.
383
00:16:47,880 --> 00:16:50,380
I DON'T KNOW ANYTHING
ABOUT THE NUMBERS
384
00:16:50,410 --> 00:16:52,380
OR WHAT
THEY'RE GOING TO ASK,
385
00:16:52,420 --> 00:16:54,730
BUT I'M SURE
IT'S GOING TO INVOLVE
386
00:16:54,750 --> 00:16:56,250
A CONFIDENTIALITY
ASPECT ‐‐
387
00:16:56,290 --> 00:16:57,860
NOT TALKING TO THE PRESS
AND THE LIKE.
388
00:16:57,890 --> 00:16:59,520
YOU THINK WE SHOULD
TALK TO HIM?
389
00:16:59,560 --> 00:17:01,590
DO YOU FEEL UP TO IT?
390
00:17:01,630 --> 00:17:04,240
IF NOT, I'LL TELL HIM
TO GET LOST.
391
00:17:06,730 --> 00:17:09,200
I GUESS WE GOT TO DEAL
WITH IT SOONER OR LATER.
392
00:17:09,230 --> 00:17:11,600
YOU TELL ME WHAT
YOU WANT TO DO.
393
00:17:12,800 --> 00:17:14,440
WILL YOU STAY HERE?
394
00:17:14,470 --> 00:17:15,570
OF COURSE.
395
00:17:18,580 --> 00:17:20,620
WE'LL TALK TO HIM,
I GUESS.
396
00:17:31,760 --> 00:17:33,900
DEBORAH, MY NAME
IS JAMES EDELMAN.
397
00:17:33,930 --> 00:17:37,070
I'M AN ATTORNEY REPRESENTING
THE BELMONT HOTEL.
398
00:17:37,100 --> 00:17:39,140
ON BEHALF
OF MY EMPLOYERS,
399
00:17:39,160 --> 00:17:41,400
I WANT TO TELL YOU
HOW DEEPLY SORRY WE ARE.
400
00:17:41,430 --> 00:17:43,230
THANK YOU.
401
00:17:43,270 --> 00:17:45,410
NOW, I'M HERE RIGHT NOW
TO OFFER A SETTLEMENT,
402
00:17:45,440 --> 00:17:47,280
BUT I'LL WALK
OUT THE DOOR
403
00:17:47,310 --> 00:17:49,580
IF THIS IS
A PREMATURE CONVERSATION.
404
00:17:49,610 --> 00:17:51,610
I DO NOT
WANT TO OFFEND YOU.
405
00:17:51,640 --> 00:17:53,740
I UNDERSTAND.
406
00:17:53,780 --> 00:17:55,740
THE ALTERNATIVE
TO A SETTLEMENT AGREEMENT
407
00:17:55,780 --> 00:17:57,810
THAT WE COULD
MAKE HAPPEN TODAY
408
00:17:57,850 --> 00:17:59,580
IS YOU TAKING
THE HOTEL TO COURT.
409
00:17:59,620 --> 00:18:01,750
YOU'D WIN, AS I'M SURE
THESE DETECTIVES WOULD TELL YOU.
410
00:18:01,790 --> 00:18:04,760
THESE DETECTIVES ARE NOT
PART OF THIS NEGOTIATION.
411
00:18:04,790 --> 00:18:07,090
FORGIVE ME.
412
00:18:07,130 --> 00:18:10,470
BUT AFTER YOU WIN,
THE HOTEL WOULD APPEAL,
413
00:18:10,490 --> 00:18:12,760
AND THIS PROCESS
COULD GO ON FOR YEARS,
414
00:18:12,800 --> 00:18:14,640
KEEPING YOU MIRED
IN THE DETAILS
415
00:18:14,670 --> 00:18:17,810
OF WHAT I'M SURE IS THE WORST
EXPERIENCE OF YOUR LIFE.
416
00:18:17,840 --> 00:18:20,610
I WANT THIS OVER WITH.
I WANT TO GO HOME.
417
00:18:20,640 --> 00:18:23,100
I WILL
CUT YOU A CHECK
418
00:18:23,140 --> 00:18:26,610
FOR $500,000 TODAY,
419
00:18:26,650 --> 00:18:29,120
AND YOU WILL NOT HAVE
TO GIVE 1/3 TO AN ATTORNEY,
420
00:18:29,150 --> 00:18:31,490
ALTHOUGH I'M NOT TRYING
TO TALK YOU OUT OF GETTING ONE.
421
00:18:31,520 --> 00:18:35,530
$500,000 ‐‐
A HALF A MILLION DOLLARS ‐‐
422
00:18:35,550 --> 00:18:39,150
AND YOU CAN START HEALING
AND GET ON WITH YOUR LIFE
423
00:18:39,190 --> 00:18:42,820
IN FINANCIAL COMFORT.
424
00:18:42,860 --> 00:18:44,660
WHAT DO YOU THINK?
425
00:18:44,700 --> 00:18:46,810
IT'S UP TO YOU,
DEBORAH.
426
00:18:46,830 --> 00:18:49,830
I CAN'T TELL YOU
ONE WAY OR THE OTHER.
427
00:18:49,870 --> 00:18:52,900
I WANT THIS BEHIND ME.
428
00:18:57,340 --> 00:18:59,040
HOW ‐‐ HOW DO WE
DO THIS?
429
00:18:59,080 --> 00:19:00,890
I'VE GOT A CAR OUTSIDE.
430
00:19:00,910 --> 00:19:03,140
WE CAN GO BACK TO MY OFFICE
RIGHT NOW.
431
00:19:03,180 --> 00:19:05,650
DO YOU NEED THEM
FOR ANYTHING ELSE?
432
00:19:05,680 --> 00:19:07,750
NO. WE'RE DONE FOR NOW.
433
00:19:10,190 --> 00:19:13,020
THANK YOU
FOR BEING THERE FOR ME.
434
00:19:13,060 --> 00:19:15,230
IT REALLY MEANT A LOT.
435
00:19:15,260 --> 00:19:18,090
TAKE CARE OF YOURSELF.
436
00:19:20,030 --> 00:19:21,060
THANKS.
437
00:19:35,880 --> 00:19:38,010
FREAK SHOW
THEY HAD THERE LAST NIGHT.
438
00:19:38,050 --> 00:19:39,850
HOTEL WAS TEEMING
WITH FREAKS.
439
00:19:39,880 --> 00:19:41,220
I FOUND THREE CALLS
440
00:19:41,250 --> 00:19:43,590
OUT OF DEBORAH'S ROOM
YESTERDAY.
441
00:19:43,620 --> 00:19:46,190
ONE TO 911,
ONE TO ROGER'S APARTMENT,
442
00:19:46,220 --> 00:19:47,260
AND ONE AT 11:00 A. M.
443
00:19:47,290 --> 00:19:48,860
TO AN OFFICE AT ALLIED
INSURANCE IN ASTORIA.
444
00:19:48,890 --> 00:19:51,060
DEBORAH'S BROTHER
WORK INSURANCE IN QUEENS?
445
00:19:51,100 --> 00:19:52,770
NO. HE WORKS
IN THE CITY.
446
00:19:52,800 --> 00:19:55,770
I'LL CHECK OUT WHO THIS IS,
HAVE HIM COME IN.
447
00:20:02,410 --> 00:20:05,220
ANDY, CAN WE
TALK A MINUTE?
448
00:20:05,240 --> 00:20:07,780
YEAH. SURE.
449
00:20:07,810 --> 00:20:09,950
I GUESS
YOU'VE FIGURED OUT
450
00:20:09,980 --> 00:20:11,710
DANNY AND ME,
WE'VE GOTTEN CLOSE LATELY.
451
00:20:11,750 --> 00:20:14,120
YEAH, WITH YOU TWO
HAVING TO COVER FOR ME
452
00:20:14,150 --> 00:20:15,450
THE LAST SIX MONTHS,
453
00:20:15,490 --> 00:20:17,900
WHICH I NEVER GOT A CHANCE
TO THANK YOU FOR THAT.
454
00:20:17,920 --> 00:20:21,390
I MEAN CLOSE LIKE
INTIMATE.
455
00:20:21,430 --> 00:20:24,070
OKAY.
456
00:20:24,100 --> 00:20:26,570
IS IT WITH YOU?
457
00:20:26,600 --> 00:20:29,460
'CAUSE THAT'S PART
OF WHAT'S BEEN EATING ME UP ‐‐
458
00:20:29,500 --> 00:20:32,800
HOW YOU'D FEEL
ABOUT IT.
459
00:20:32,840 --> 00:20:34,810
COMES A POINT
460
00:20:34,840 --> 00:20:37,910
WHEN YOU HAVE
TO FIND A WAY TO BE HAPPY,
461
00:20:37,940 --> 00:20:39,980
OR AT LEAST BE WILLING
TO ACCEPT IT
462
00:20:40,010 --> 00:20:41,410
WHEN IT COMES YOUR WAY.
463
00:20:41,450 --> 00:20:44,090
BUT THEN THERE'S
HOW I FEEL AFTERWARDS,
464
00:20:44,120 --> 00:20:47,290
AND IF I'D KNOWN
I WOULD HAVE FELT THAT BAD,
465
00:20:47,320 --> 00:20:49,280
I NEVER WOULD HAVE
GONE THROUGH WITH THIS,
466
00:20:49,320 --> 00:20:52,950
NOT JUST FOR MY SAKE,
BUT FOR DANNY'S, TOO.
467
00:20:52,990 --> 00:20:55,590
HE'S STILL A KID
IN A LOT OF WAYS.
468
00:20:55,630 --> 00:20:58,600
IF YOU THINK
THIS IS WRONG LIKE THIS,
469
00:20:58,630 --> 00:21:00,930
MAYBE YOU'D GIVE HIM
A HEADS‐UP
470
00:21:00,970 --> 00:21:03,440
BEFORE HE LEAVES HIS FEET
MORE THAN HE ALREADY HAS.
471
00:21:03,470 --> 00:21:08,310
IT'S BEEN ALMOST TWO YEARS
SINCE BOBBY PASSED,
472
00:21:08,340 --> 00:21:12,310
AND I'M MORE SCREWED UP NOW
THAN I WAS THEN.
473
00:21:12,340 --> 00:21:17,010
MAYBE IT'S TOUGHER NOW
BECAUSE YOU'RE WAKING UP...
474
00:21:17,050 --> 00:21:19,820
COMING ALIVE.
475
00:21:19,850 --> 00:21:22,020
MAYBE.
476
00:21:22,050 --> 00:21:23,950
ALL I KNOW IS,
477
00:21:23,990 --> 00:21:26,820
IT'S SO UNFAIR.
478
00:21:26,860 --> 00:21:30,160
IT'LL ALWAYS BE UNFAIR,
HIM LEAVING THAT SOON.
479
00:21:50,180 --> 00:21:52,980
Danny: THANKS
FOR COMING IN, JIM.
480
00:21:53,020 --> 00:21:54,660
SURE.
481
00:21:54,690 --> 00:21:57,060
HOW LONG YOU BEEN WORKING
FOR ALLIED INSURANCE?
482
00:21:57,090 --> 00:21:58,990
OH, UH,
483
00:21:59,020 --> 00:22:01,360
GOING ON THREE YEARS NOW.
484
00:22:01,390 --> 00:22:04,160
SO, YOU THINK
NOW YOU COULD TELL ME
485
00:22:04,200 --> 00:22:06,710
WHAT INVESTIGATION
MY NAME CAME UP IN?
486
00:22:06,730 --> 00:22:09,330
DO YOU KNOW DEBORAH JOHANSEN
OR CATHY ALDERSON?
487
00:22:09,370 --> 00:22:11,340
NO.
488
00:22:11,370 --> 00:22:13,000
SO NEITHER OF THEM
CALLED YOU YESTERDAY?
489
00:22:13,040 --> 00:22:15,010
WHY? WHAT DID THEY SAY?
490
00:22:15,040 --> 00:22:17,570
YOU THINK MAYBE WE'RE
GETTING OFF ON THE WRONG FOOT?
491
00:22:17,610 --> 00:22:20,340
OKAY. I WENT TO HIGH SCHOOL
WITH DEBORAH AND CATHY.
492
00:22:20,380 --> 00:22:21,880
IS SOMETHING WRONG?
493
00:22:21,910 --> 00:22:23,750
SO ONE OF THEM
DID CALL YOU?
494
00:22:23,780 --> 00:22:25,750
DEBORAH DID, SEEING IF I
WANTED TO GET A BEER.
495
00:22:25,780 --> 00:22:27,750
WHY DID YOU
JUST LIE ABOUT IT?
496
00:22:27,790 --> 00:22:29,860
AFTER HIGH SCHOOL
WE HAD ‐‐
497
00:22:29,890 --> 00:22:32,050
I GUESS YOU'D CALL IT
AN AFFAIR,
498
00:22:32,090 --> 00:22:34,690
WHICH DAMN NEAR
BROKE UP MY MARRIAGE
499
00:22:34,730 --> 00:22:36,740
WHEN MY WIFE FOUND OUT.
500
00:22:36,760 --> 00:22:38,930
I LIED
BECAUSE I'M MARRIED, OKAY?
501
00:22:38,960 --> 00:22:40,230
I GOT KIDS.
502
00:22:40,260 --> 00:22:42,230
SO YOU AND DEBORAH
HAD SEX YESTERDAY?
503
00:22:42,270 --> 00:22:44,580
ABSOLUTELY NOT. WE HAD
A COUPLE OF BEERS,
504
00:22:44,600 --> 00:22:46,070
LIKE, AT 3:00,
505
00:22:46,100 --> 00:22:49,070
IN THE LOBBY BAR
OF THE PARKCREST HOTEL.
506
00:22:49,110 --> 00:22:52,080
SHE WANTED TO HAVE CLOSURE.
THAT'S HOW SHE PUT IT.
507
00:22:52,110 --> 00:22:55,040
THAT'S ALL, BUT I WOULD SURE
LIKE TO KNOW WHAT SHE'S SAYING
508
00:22:55,080 --> 00:22:57,210
AND WHO SHE'S
SAYING IT TO.
509
00:22:57,250 --> 00:22:59,750
DEBORAH WAS RAPED
AND BEATEN LAST NIGHT.
510
00:22:59,780 --> 00:23:02,050
OH, JEEZ.
511
00:23:02,090 --> 00:23:04,600
YOU HAD NO CONTACT WITH HER
AFTER DRINKS AT 3:00?
512
00:23:04,620 --> 00:23:05,720
NO.
513
00:23:05,760 --> 00:23:08,230
MY GOD, SHE'S NOT SAYING
THAT I RAPED HER?
514
00:23:08,260 --> 00:23:10,760
WE'RE ASKING YOU.
MAYBE THINGS GOT OUT OF HAND.
515
00:23:10,800 --> 00:23:13,910
I DON'T KNOW HOW TO RESPOND
OTHER THAN SAYING NO!
516
00:23:13,930 --> 00:23:15,760
WHO CAN VOUCH
WHERE YOU WERE LAST NIGHT?
517
00:23:15,800 --> 00:23:18,730
MY WIFE AND KIDS.
I WAS HOME,
518
00:23:18,770 --> 00:23:20,800
BUT, PLEASE, I CAN'T
TELL MY WIFE.
519
00:23:20,840 --> 00:23:22,300
SO YOU WOULDN'T MIND
520
00:23:22,340 --> 00:23:24,410
GIVING US A CONFIDENTIAL
DNA SAMPLE?
521
00:23:24,440 --> 00:23:25,740
WHAT IS GOING ON?
522
00:23:25,780 --> 00:23:27,450
HOPEFULLY IT'S YOU
TELLING US THE TRUTH.
523
00:23:27,480 --> 00:23:28,640
I'M MARRIED.
524
00:23:28,680 --> 00:23:30,250
YEAH, WE GOT THAT PART.
525
00:23:30,280 --> 00:23:33,250
OKAY, WE HAD
A COUPLE BEERS,
526
00:23:33,280 --> 00:23:36,590
AND ME AND DEBORAH ‐‐
527
00:23:36,620 --> 00:23:38,950
IT'S ALWAYS BEEN HOT
BETWEEN US,
528
00:23:38,990 --> 00:23:41,090
AND WE GOT A ROOM
529
00:23:41,130 --> 00:23:43,300
AND WE HAD SEX,
530
00:23:43,330 --> 00:23:45,770
AND I LEFT AT 4:30
AND WENT HOME.
531
00:23:45,800 --> 00:23:47,970
DID YOU EJACULATE
INSIDE OF HER?
532
00:23:48,000 --> 00:23:51,100
AW, JEEZ,
I HAVE TO ANSWER THAT?
533
00:23:51,140 --> 00:23:53,110
UNLESS YOU WANT
TO MULL IT OVER
534
00:23:53,140 --> 00:23:55,180
AND WE'LL STOP BY
YOUR HOUSE LATER ON
535
00:23:55,210 --> 00:23:57,280
AND SEE
WHERE YOU'RE AT WITH IT.
536
00:23:57,310 --> 00:24:00,480
OKAY, I DID,
537
00:24:00,510 --> 00:24:03,480
BUT ASK YOURSELF, IF WE
HAD SEX IN THE AFTERNOON,
538
00:24:03,510 --> 00:24:05,810
WHERE'S THE SENSE
THAT I WOULD RAPE HER LATER
539
00:24:05,850 --> 00:24:07,320
AND BEAT HER?
540
00:24:07,350 --> 00:24:09,990
WHY ISN'T DEBORAH
TELLING YOU THIS?
541
00:24:10,020 --> 00:24:11,450
WE'LL CHECK IT OUT.
542
00:24:11,490 --> 00:24:14,290
SO DEBORAH'S
A GOOD PERSON OTHERWISE?
543
00:24:14,330 --> 00:24:16,000
I ‐‐ YOU KNOW,
544
00:24:16,030 --> 00:24:17,970
A LITTLE LOST,
I GUESS ‐‐
545
00:24:18,000 --> 00:24:20,140
BAD LUCK WITH MEN,
BAD LUCK IN GENERAL.
546
00:24:20,160 --> 00:24:22,460
DO YOU KNOW
HER BROTHER ROGER?
547
00:24:22,500 --> 00:24:24,630
HE WAS
KIND OF A SLIMEBALL,
548
00:24:24,670 --> 00:24:26,170
HAD A PROBLEM
WITH DRUGS.
549
00:24:26,200 --> 00:24:27,800
I THINK
HE HAS AIDS NOW
550
00:24:27,840 --> 00:24:30,640
FROM SHOOTING UP
OR WHO KNOWS WHAT.
551
00:24:30,680 --> 00:24:32,650
LOOK, WHERE
DO I STAND HERE?
552
00:24:32,680 --> 00:24:35,890
WHERE YOU GOING TO BE
THE REST OF THE DAY
553
00:24:35,910 --> 00:24:39,210
IN CASE WE'VE GOT
TO GET AHOLD OF YOU?
554
00:24:39,250 --> 00:24:41,320
NOT AT HOME.
I'LL BE AT MY OFFICE
555
00:24:41,350 --> 00:24:43,550
SITTING AT MY DESK
UNTIL YOU CALL ME.
556
00:24:43,590 --> 00:24:46,560
I'LL SPEND THE NIGHT THERE
IF I HAVE TO.
557
00:24:46,590 --> 00:24:48,320
IF YOUR STORY HOLDS UP,
558
00:24:48,360 --> 00:24:50,360
YOU'LL BE GETTING
BACK TO YOUR HAPPY HOME,
559
00:24:50,390 --> 00:24:52,890
SUCH AS IT IS.
560
00:25:05,740 --> 00:25:07,840
UH, BRENDA MARTIN?
561
00:25:07,880 --> 00:25:09,410
NO.
562
00:25:09,450 --> 00:25:11,360
[ WHISTLES ]
563
00:25:11,380 --> 00:25:13,510
OVER HERE.
564
00:25:13,550 --> 00:25:16,180
WHEN THAT LITTLE PERSON HOSS
SAID BRENDA WAS BIG,
565
00:25:16,220 --> 00:25:18,520
I DIDN'T THINK
SHE MEANT ‐‐
566
00:25:18,560 --> 00:25:21,400
ME NEITHER.
567
00:25:21,430 --> 00:25:25,700
UH, STELLA
ALREADY TOLD ME ABOUT MIKE.
568
00:25:25,730 --> 00:25:27,700
JUST LIKE
WE ASKED HER TO.
569
00:25:27,730 --> 00:25:31,270
I TAKE IT YOU WANT TO HELP US
FIND WHOEVER WHACKED HIM.
570
00:25:31,300 --> 00:25:32,900
HELL, YES, I DO.
571
00:25:32,940 --> 00:25:35,910
MIKE WAS
ALWAYS GOOD TO ME,
572
00:25:35,940 --> 00:25:37,910
PLUS I'VE GOT
THIS PROS CHARGE PENDING
573
00:25:37,940 --> 00:25:39,610
I WOULDN'T MIND SEEING
GET TOSSED.
574
00:25:39,640 --> 00:25:41,580
WE CAN WORK
WITH YOU ON THAT.
575
00:25:41,610 --> 00:25:43,280
TALK TO JOHNNY DuMONT.
576
00:25:43,310 --> 00:25:46,720
HE AND MIKE BEEN
HANGING OUT A LOT LATELY.
577
00:25:46,750 --> 00:25:49,450
JOHNNY INVITED MIKE
TO A POKER GAME LAST NIGHT.
578
00:25:49,490 --> 00:25:51,400
NOW, I MEAN,
I DON'T SEE JOHNNY
579
00:25:51,420 --> 00:25:53,220
HAVING THE GUTS
TO KILL ANYBODY,
580
00:25:53,260 --> 00:25:55,570
BUT HE WAS GOING TO BE
WITH MIKE LAST NIGHT.
581
00:25:55,590 --> 00:25:57,060
ANY OTHER NAMES?
582
00:25:57,100 --> 00:25:58,570
NO.
583
00:25:58,600 --> 00:26:00,070
YOU KNOW, I KNEW
584
00:26:00,100 --> 00:26:02,260
THIS WAS GOING
TO HAPPEN SOMEDAY.
585
00:26:02,300 --> 00:26:04,270
MIKE ALWAYS HAD TO BE
WALKING AROUND
586
00:26:04,300 --> 00:26:05,900
WITH A BIG ROLL,
587
00:26:05,940 --> 00:26:07,450
SEVEN,
EIGHT GRAND SOMETIMES,
588
00:26:07,470 --> 00:26:09,940
WRAPPED UP IN A RUBBER BAND
IN HIS POCKET,
589
00:26:09,970 --> 00:26:12,970
AND THAT STUPID‐ASS
DIAMOND PINKIE RING.
590
00:26:13,010 --> 00:26:15,310
WHERE ARE WE
GOING TO FIND THIS JOHNNY?
591
00:26:15,350 --> 00:26:17,160
THROWING BACK BOILERMAKERS
592
00:26:17,180 --> 00:26:19,450
OVER AT SMITTY'S
ON THIRD.
593
00:26:19,480 --> 00:26:22,480
THAT WAS ME AND MIKE'S SPOT.
THAT'S WHERE WE MET JOHNNY.
594
00:26:22,520 --> 00:26:24,750
SO YOU'RE ONE
OF MIKE'S GIRLS, HUH?
595
00:26:24,790 --> 00:26:26,420
YEAH.
596
00:26:26,460 --> 00:26:27,930
HE KEEP YOU PRETTY BUSY?
597
00:26:27,960 --> 00:26:31,090
MM‐HMM.
BUSY AND PROTECTED.
598
00:26:31,130 --> 00:26:33,930
ALL RIGHT, WE'LL TAKE CARE
OF THAT COLLAR
599
00:26:33,970 --> 00:26:36,140
IF YOU'RE
PLAYING STRAIGHT WITH US.
600
00:26:36,170 --> 00:26:38,110
SO, THIS MIKE
DEALT WITH FRINGE STUFF,
601
00:26:38,140 --> 00:26:40,280
I GUESS, HUH?
NO OFFENSE.
602
00:26:40,300 --> 00:26:42,770
SPECIALTY ACTS,
HE LIKED TO CALL IT.
603
00:26:42,810 --> 00:26:44,620
HE COULD
GET YOU ANYTHING.
604
00:26:44,640 --> 00:26:46,440
SO, LIKE,
UH, LITTLE PERSONS,
605
00:26:46,480 --> 00:26:48,690
BIG GALS, OBVIOUSLY...
606
00:26:48,710 --> 00:26:50,950
GRANNIES, AMPUTEES.
607
00:26:50,980 --> 00:26:53,010
CRAZY‐ASS MIKE.
608
00:26:53,050 --> 00:26:55,820
I REMEMBER ONE TIME
THIS PERVO GERMAN GUY
609
00:26:55,850 --> 00:26:57,520
COMES TO TOWN, RIGHT?
610
00:26:57,560 --> 00:27:00,200
THAT'S COOL, BUT I THINK
WE'VE GOT EVERYTHING.
611
00:27:00,220 --> 00:27:02,160
UH, YEAH. GOOD.
612
00:27:02,190 --> 00:27:04,490
I REALLY HOPE YOU NAIL
WHOEVER DID THIS.
613
00:27:06,060 --> 00:27:07,230
THANKS.
614
00:27:20,510 --> 00:27:21,840
HOW YOU HOLDING UP?
615
00:27:21,880 --> 00:27:23,810
OKAY, I GUESS.
616
00:27:23,850 --> 00:27:26,820
THANKS.
617
00:27:26,850 --> 00:27:29,720
SAW MY DAUGHTER FINALLY.
TALKED TO HER.
618
00:27:29,750 --> 00:27:30,990
GOOD.
619
00:27:31,020 --> 00:27:34,320
DO YOU KNOW
A JIMMY SYSLER, DEBORAH?
620
00:27:34,360 --> 00:27:36,160
YEAH.
621
00:27:36,190 --> 00:27:38,360
I KNOW JIMMY.
622
00:27:38,400 --> 00:27:41,340
HAVE YOU SEEN HIM
SINCE YOU'VE BEEN IN TOWN?
623
00:27:41,370 --> 00:27:43,840
YEAH. YESTERDAY.
624
00:27:43,870 --> 00:27:46,570
WHY DIDN'T YOU
TELL US ABOUT IT?
625
00:27:46,610 --> 00:27:48,050
HE'S MARRIED,
626
00:27:48,070 --> 00:27:50,540
AND I DIDN'T WANT
TO INVOLVE HIM IN THIS.
627
00:27:50,580 --> 00:27:53,220
I SEE NOW THAT
THAT WAS WRONG. SORRY.
628
00:27:53,240 --> 00:27:56,910
SO, UH, YOU TWO HAD SEX
EARLIER IN THE DAY?
629
00:27:56,950 --> 00:27:59,550
DO WE REALLY HAVE
TO DRAG HIM INTO THIS?
630
00:27:59,580 --> 00:28:01,420
YEAH, WE REALLY DO.
631
00:28:01,450 --> 00:28:05,020
WE WERE JUST GOING
TO HAVE A COUPLE OF BEERS,
632
00:28:05,060 --> 00:28:06,700
BUT ‐‐
633
00:28:06,730 --> 00:28:08,230
SORRY.
634
00:28:08,260 --> 00:28:10,430
IT'S JUST THAT WE SAID THAT
MORE THAN A FEW TIMES.
635
00:28:10,460 --> 00:28:12,430
"WE'LL JUST
MEET FOR A BEER."
636
00:28:12,460 --> 00:28:14,530
YEAH, RIGHT.
637
00:28:14,570 --> 00:28:17,380
DID YOU TELL THE E. R. NURSE
YOU HAD SEX EARLIER?
638
00:28:17,400 --> 00:28:19,400
I DIDN'T TELL ANYONE.
639
00:28:19,440 --> 00:28:22,550
IF WE COULD, I'D LIKE
TO KEEP IT THAT WAY.
640
00:28:22,570 --> 00:28:25,870
I DON'T WANT TO GET HIM
IN TROUBLE WITH HIS WIFE.
641
00:28:25,910 --> 00:28:27,880
IT WAS MY STUPID IDEA.
I CALLED HIM.
642
00:28:27,910 --> 00:28:30,380
IT'S JUST THAT
SOMETHING LIKE THIS,
643
00:28:30,410 --> 00:28:32,380
AS FAR
AS THE INVESTIGATION,
644
00:28:32,420 --> 00:28:35,230
IT'S BETTER
TO BE COMPLETELY HONEST.
645
00:28:35,250 --> 00:28:38,250
I JUST FELT
SO GUILTY AFTERWARDS.
646
00:28:38,290 --> 00:28:40,060
I DON'T KNOW,
THINKING ABOUT IT ‐‐
647
00:28:40,090 --> 00:28:42,560
IT WAS THAT GUILT
WHICH TRIGGERED THE MIGRAINE,
648
00:28:42,590 --> 00:28:44,890
MADE ME STAY
IN THE HOTEL LAST NIGHT.
649
00:28:44,930 --> 00:28:47,560
I FEEL ANOTHER ONE
COMING ON.
650
00:28:47,600 --> 00:28:50,230
WE'LL GET YOU
BACK TO THE HOTEL.
651
00:28:50,270 --> 00:28:52,230
CAN I USE
THE RESTROOM FIRST?
652
00:28:52,270 --> 00:28:54,770
SURE. COME ON.
653
00:29:06,620 --> 00:29:10,250
GOOD. THANKS.
654
00:29:10,290 --> 00:29:11,750
THAT WAS
THE HOTEL LAWYER.
655
00:29:11,790 --> 00:29:14,920
DEBORAH'S BROTHER JUST LEFT
WITH A CHECK FOR $700,000.
656
00:29:14,960 --> 00:29:16,930
HE DICKED 'EM UP
200 GRAND?
657
00:29:16,960 --> 00:29:18,930
HE ASKED THAT 90%
OF THE SETTLEMENT
658
00:29:18,960 --> 00:29:22,000
BE LISTED AS "GENERAL DAMAGES,"
I. E., PAIN AND SUFFERING.
659
00:29:22,030 --> 00:29:23,930
GENERAL DAMAGES
ARE NONTAXABLE.
660
00:29:23,970 --> 00:29:26,600
ROGER KNEW HIS WAY
AROUND THE FINE PRINT.
661
00:29:26,640 --> 00:29:28,170
DID YOU RUN HIM
THROUGH BCI?
662
00:29:28,210 --> 00:29:31,120
ROGER'S GOT THREE ARRESTS
FOR BAD CHECKS IN STEUBENVILLE,
663
00:29:31,140 --> 00:29:32,810
RECEIVING STOLEN GOODS
IN MASSILLON.
664
00:29:32,840 --> 00:29:36,110
DEBORAH'S CARRYING 18 GRAND
IN CREDIT‐CARD DEBT.
665
00:29:36,150 --> 00:29:38,620
SHE HAS UNPROTECTED SEX
WITH THIS SYSLER
666
00:29:38,650 --> 00:29:41,120
A COUPLE OF HOURS
BEFORE SHE'S RAPED,
667
00:29:41,150 --> 00:29:43,320
AND SHE DON'T TELL
NOBODY ABOUT IT.
668
00:29:43,350 --> 00:29:46,150
HE'S MARRIED. MAYBE SHE IS
JUST COVERING FOR HIM.
669
00:29:46,190 --> 00:29:48,460
OR MAYBE SHE NEEDS
A SPERM DONOR,
670
00:29:48,490 --> 00:29:50,290
AND JIMMY'S HER MAN.
671
00:29:50,330 --> 00:29:54,130
THE RAPE KIT COMES UP POSITIVE
EVEN IF THERE IS NO RAPE.
672
00:29:54,170 --> 00:29:55,870
AND SOMEONE BEATS HER
LIKE THAT
673
00:29:55,900 --> 00:29:57,870
SO IT WILL LOOK
AUTHENTIC?
674
00:29:57,900 --> 00:30:00,200
EVERYTHING SHE'S SAID
SO FAR TRACKS.
675
00:30:00,240 --> 00:30:03,170
IF WE'RE WRONG,
SHE GETS FROM THIS DEPARTMENT
676
00:30:03,210 --> 00:30:05,550
10 TIMES WHAT SHE GOT
FROM THE HOTEL.
677
00:30:05,580 --> 00:30:07,550
WHERE'S HER GIRLFRIEND
CATHY?
678
00:30:07,580 --> 00:30:09,140
BABYSITTING
DEBORAH'S DAUGHTER
679
00:30:09,180 --> 00:30:10,480
AT THE HOTEL.
680
00:30:10,510 --> 00:30:12,380
LET'S GET HER IN HERE.
681
00:30:12,420 --> 00:30:13,390
I'M READY.
682
00:30:13,420 --> 00:30:15,990
YEAH, UH,
WE'LL BE RIGHT WITH YOU.
683
00:30:16,020 --> 00:30:19,220
I'LL DROP HER OFF
AND BRING BACK CATHY,
684
00:30:19,260 --> 00:30:22,000
MAKE SURE THE TWO OF THEM
AREN'T ALONE TOGETHER.
685
00:30:22,030 --> 00:30:24,500
WE GOT A GUY MIGHT BE
IN ON THAT DOA PIMP.
686
00:30:24,530 --> 00:30:26,230
CHECK OUT THE TAPE
IN THE VCR.
687
00:30:26,260 --> 00:30:28,660
THERE MIGHT BE A SHOT
OF YOUR GUY CHECKING IN.
688
00:30:28,700 --> 00:30:30,570
A TAPE
OF THE HOTEL HALLWAY?
689
00:30:30,600 --> 00:30:33,170
HOTEL ONLY HAS CAMERAS
690
00:30:33,200 --> 00:30:35,700
AT THE FRONT DESK,
LOBBY, AND EXITS.
691
00:30:40,080 --> 00:30:42,040
AHEM.
692
00:30:42,080 --> 00:30:43,710
UM, FEELING BETTER?
693
00:30:43,750 --> 00:30:45,850
YEAH. I'M FINE.
694
00:30:45,880 --> 00:30:48,050
I'VE JUST GOT
A LOT ON MY MIND.
695
00:30:48,090 --> 00:30:50,530
IS THERE ANYTHING
I CAN BE DOING HERE?
696
00:30:50,560 --> 00:30:53,400
WHAT I NEED RIGHT NOW,
DANNY, IS JUST A LITTLE AIR,
697
00:30:53,420 --> 00:30:56,020
SOME ROOM TO FIGURE OUT
SOME STUFF FOR MYSELF.
698
00:30:56,060 --> 00:30:58,390
YOU CAN TALK TO ME
ABOUT IT.
699
00:30:58,430 --> 00:31:01,030
AND YOU'LL WANT TO FIX IT,
AND YOU CAN'T.
700
00:31:01,070 --> 00:31:02,910
I JUST NEED
A LITTLE ROOM.
701
00:31:02,930 --> 00:31:04,900
BUT WE'RE OKAY?
702
00:31:04,940 --> 00:31:06,980
WE'RE OKAY.
703
00:31:27,330 --> 00:31:30,900
YOU KNOW
A MIKE STURTEVANT, JOHNNY?
704
00:31:30,930 --> 00:31:33,390
I'VE NEVER BEEN
TOO GOOD WITH NAMES.
705
00:31:33,430 --> 00:31:36,430
HOW ARE YOU
WITH FACES?
706
00:31:36,470 --> 00:31:39,650
OH, YEAH, OKAY.
MIKE. RIGHT.
707
00:31:39,670 --> 00:31:42,070
WHEN DID YOU
SEE HIM LAST?
708
00:31:42,110 --> 00:31:43,580
DATES, TIME FRAMES ‐‐
709
00:31:43,610 --> 00:31:46,580
NEVER BEEN TOO GOOD
WITH THOSE, EITHER.
710
00:31:46,610 --> 00:31:48,810
LIKE, ASK ME
WHEN MY MOM'S BIRTHDAY IS.
711
00:31:48,850 --> 00:31:51,160
YOU'D THINK
I'D KNOW THAT, RIGHT? NO.
712
00:31:51,180 --> 00:31:54,420
WHERE WERE YOU LAST NIGHT?
WE'LL LEAVE YOUR MOM OUT.
713
00:31:54,450 --> 00:31:55,650
OUT AND ABOUT.
714
00:31:55,690 --> 00:31:58,430
HAPPEN TO STOP
BY THE BELMONT HOTEL
715
00:31:58,460 --> 00:32:00,430
AT ANY POINT?
716
00:32:00,460 --> 00:32:02,020
NOPE.
717
00:32:06,460 --> 00:32:08,760
NOW, UNLESS YOU'VE GOT
AN EVIL TWIN STORY
718
00:32:08,800 --> 00:32:10,930
THAT YOU'RE
PREPARED TO FLOAT,
719
00:32:10,970 --> 00:32:13,470
I'D SAY THAT'S YOU CHECKING IN
AT THE BELMONT HOTEL.
720
00:32:13,500 --> 00:32:16,940
THERE'S A GUY LOOKS A LOT
LIKE YOU ON SURVEILLANCE
721
00:32:16,980 --> 00:32:20,950
WALKING IN AND OUT
OF ROOM 813 LAST NIGHT,
722
00:32:20,980 --> 00:32:22,780
AND GUESS
WHO WE FOUND MURDERED
723
00:32:22,810 --> 00:32:24,610
IN ROOM 813 THIS MORNING?
724
00:32:24,650 --> 00:32:26,780
WE LIVE
IN THE ELECTRONIC AGE.
725
00:32:26,820 --> 00:32:29,620
I DON'T KNOW IF ANYBODY'S
BROKE THE NEWS TO YOU YET.
726
00:32:29,650 --> 00:32:32,020
SO I WAS THERE. THAT DON'T
MEAN I KILLED MIKE.
727
00:32:32,060 --> 00:32:34,970
SURE AS HELL DOES, AS FAR
AS THE D. A. IS CONCERNED.
728
00:32:34,990 --> 00:32:37,790
WHY DON'T YOU CHECK
THAT TAPE OF ROOM 813
729
00:32:37,830 --> 00:32:40,530
AND SEE WHO ELSE
WAS WALKING IN AND OUT?
730
00:32:40,570 --> 00:32:43,140
DON'T RECOGNIZE HIM.
731
00:32:43,170 --> 00:32:46,140
HOW ABOUT
I GIVE YOU A HINT?
732
00:32:46,170 --> 00:32:50,010
THAT WAY I DIDN'T
ACTUALLY TELL YOU WHO IT WAS.
733
00:32:50,040 --> 00:32:51,840
I'M NOT
IN THE MOOD FOR HINTS.
734
00:32:51,880 --> 00:32:54,220
SEE, JUDGING
BY YOUR GENERAL DISPOSITION,
735
00:32:54,250 --> 00:32:56,220
WE FIGURE YOU'RE THE ONE
736
00:32:56,250 --> 00:32:58,560
WHOSE JOB IT WAS
TO LURE MIKE INTO THE ROOM.
737
00:32:58,580 --> 00:33:01,380
THEN YOU CLOSED YOUR EYES
AND STARTED HUMMING TO YOURSELF
738
00:33:01,420 --> 00:33:03,650
WHEN THE REAL BUSINESS
STARTED.
739
00:33:03,690 --> 00:33:06,520
SO NOW YOU'RE GOING
TO TELL US, NOT HINT,
740
00:33:06,560 --> 00:33:08,190
WHO THE MUSCLE WAS,
741
00:33:08,230 --> 00:33:11,000
AND SAVE YOURSELF
20 YEARS IN THE PROCESS
742
00:33:11,030 --> 00:33:13,560
'CAUSE I KNOW
YOU DON'T DO TIME GOOD.
743
00:33:13,600 --> 00:33:16,930
TONY POSADA.
744
00:33:18,270 --> 00:33:22,000
I TOLD MIKE IT WAS A $10,000
BUY‐IN TO THE GAME.
745
00:33:22,040 --> 00:33:23,870
I DUMMIED UP A ROLL
746
00:33:23,910 --> 00:33:25,870
TO SHOW HIM
I HAD THE SAME.
747
00:33:25,910 --> 00:33:27,880
TONY WAS SUPPOSED TO MAKE IT
LOOK LIKE A SETUP,
748
00:33:27,910 --> 00:33:31,710
TAKE OFF ME AND MIKE
AS SOON AS WE WALKED IN.
749
00:33:31,750 --> 00:33:33,720
TONY GOES AT MIKE
WITH A BLACKJACK.
750
00:33:33,750 --> 00:33:35,220
MIKE DUCKS IT,
751
00:33:35,250 --> 00:33:37,190
AND THEY GO AT IT
LIKE TWO HURRICANES,
752
00:33:37,220 --> 00:33:39,190
OFF THE WALLS,
INTO THE BATHROOM,
753
00:33:39,220 --> 00:33:41,690
AND TONY'S JUST
BASHING MIKE'S HEAD IN
754
00:33:41,730 --> 00:33:43,870
WITH THE DAMN PHONE.
755
00:33:43,900 --> 00:33:45,940
FINALLY, TONY GETS
THAT PHONE CORD
756
00:33:45,960 --> 00:33:48,100
AROUND MIKE'S NECK,
AND JUST ‐‐
757
00:33:48,130 --> 00:33:50,530
[ IMITATES TRACHEA
BEING CRUSHED ]
758
00:33:50,570 --> 00:33:54,240
TONY WALKED AWAY.
MIKE DIDN'T.
759
00:33:54,270 --> 00:33:56,740
A COUPLE OF HICCUPS
BUT, OVERALL,
760
00:33:56,780 --> 00:34:01,250
A PRETTY AIRTIGHT PLAN
YOU PUT TOGETHER THERE.
761
00:34:01,280 --> 00:34:03,880
THIS KNIFE
I FOUND ON YOU ‐‐
762
00:34:03,920 --> 00:34:05,720
USE IT
TO CUT OFF MIKE'S PINKIE
763
00:34:05,750 --> 00:34:06,880
FOR THAT DIAMOND RING?
764
00:34:06,920 --> 00:34:10,420
HE WAS DEAD ALREADY.
WHAT'S HE NEED HIS RING FOR?
765
00:34:11,620 --> 00:34:13,420
THANKS FOR COMING IN.
766
00:34:13,460 --> 00:34:15,900
WE'RE CUTTING IT CLOSE
AS FAR AS OUR FLIGHT.
767
00:34:15,930 --> 00:34:17,740
YEAH, WELL,
WHEN A SETTLEMENT HAPPENS,
768
00:34:17,760 --> 00:34:20,400
BIG FLAGS GO UP AND WE
HAVE TO LOOK INTO THINGS.
769
00:34:20,430 --> 00:34:22,230
YOU KNOW
A JIMMY SYSLER?
770
00:34:22,270 --> 00:34:24,080
YEAH. I WENT
TO HIGH SCHOOL WITH HIM.
771
00:34:24,100 --> 00:34:26,900
YOU KNOW ABOUT JIMMY
AND DEBORAH
772
00:34:26,940 --> 00:34:28,740
WORKING UP A SWEAT
AT A HOTEL ROOM YESTERDAY?
773
00:34:28,770 --> 00:34:32,110
FIRST I'VE HEARD OF IT.
774
00:34:33,780 --> 00:34:35,080
WHAT?
775
00:34:35,110 --> 00:34:37,580
CHECK OUR THINKING HERE,
CATHY.
776
00:34:37,620 --> 00:34:39,930
DEBORAH AND HER BROTHER
COOK UP
777
00:34:39,950 --> 00:34:41,920
THIS PHONY RAPE SCHEME,
778
00:34:41,950 --> 00:34:45,290
MAKE IT HAPPEN THE NIGHT
OF THE MARDI GRAS PARTY.
779
00:34:45,320 --> 00:34:47,590
SHE SCREWS AN OLD FRIEND
FROM HER HOMETOWN
780
00:34:47,630 --> 00:34:49,600
SO THE RAPE KIT
WILL COME BACK POSITIVE,
781
00:34:49,630 --> 00:34:52,130
BEGS OFF GOING OUT
'CAUSE OF A HEADACHE.
782
00:34:52,160 --> 00:34:54,630
YOU TAKE THE KID
TO "THE LION KING,"
783
00:34:54,670 --> 00:34:56,140
SHE FAKES THE RAPE,
784
00:34:56,170 --> 00:34:58,780
YOU WALK IN
AT A PREARRANGED TIME.
785
00:34:58,800 --> 00:35:01,270
HOTEL GETS
ITS CHECKBOOK OUT.
786
00:35:01,310 --> 00:35:03,950
HOW ABOUT THAT BEATING?
HOW'D SHE FAKE THAT?
787
00:35:03,980 --> 00:35:06,480
FOR 700 GRAND,
YOU'D TAKE THE BEATING.
788
00:35:06,510 --> 00:35:07,810
50 GRAND.
789
00:35:10,180 --> 00:35:14,620
DEBORAH SETTLED
WITH THE HOTEL FOR 50 GRAND.
790
00:35:14,650 --> 00:35:16,950
CATHY, THEY SETTLED
FOR $700,000
791
00:35:16,990 --> 00:35:19,450
ABOUT FOUR HOURS AGO.
792
00:35:19,490 --> 00:35:22,290
NO.
YEAH.
793
00:35:22,330 --> 00:35:24,800
ROGER TOLD ME
THEY SETTLED FOR $50,000.
794
00:35:24,830 --> 00:35:27,130
THEN ROGER
CONNED YOU, TOO.
795
00:35:27,170 --> 00:35:30,480
ALL YOU'RE LOOKING AT IS
FILING A FALSE REPORT...
796
00:35:30,500 --> 00:35:32,200
I WANT TO GO HOME.
797
00:35:32,240 --> 00:35:34,210
OR KEEP UP THE ACT
798
00:35:34,240 --> 00:35:37,370
AND YOU'LL BE ON THE HOOK
FOR FELONY FRAUD.
799
00:35:37,410 --> 00:35:39,310
NO ONE IS GOING
TO SEE ANY MONEY.
800
00:35:39,340 --> 00:35:41,640
I WANT TO SEE
A COPY OF THAT CHECK.
801
00:35:41,680 --> 00:35:43,650
MAYBE MORE THAN THAT,
802
00:35:43,680 --> 00:35:46,380
YOU WANT TO SEE YOUR BED
BACK IN STEUBENVILLE
803
00:35:46,420 --> 00:35:49,160
SOMETIME
IN THE NEXT FIVE YEARS.
804
00:35:49,190 --> 00:35:51,830
THAT SON OF A BITCH.
805
00:35:51,860 --> 00:35:53,830
WHAT WAS
YOUR PLAY IN THIS?
806
00:35:53,860 --> 00:35:55,560
THAT CREEPY
SON OF A BITCH.
807
00:35:55,590 --> 00:35:57,890
NOW, OR WE GO
GET ROGER'S VERSION,
808
00:35:57,930 --> 00:35:59,900
HOW IT WAS
YOUR IDEA.
809
00:35:59,930 --> 00:36:01,900
I DON'T KNOW WHAT HAPPENED.
810
00:36:01,930 --> 00:36:04,400
I SWEAR TO GOD,
I DIDN'T WANT TO KNOW.
811
00:36:04,440 --> 00:36:06,750
ROGER SAID HE'D PAY ME
10% OF WHATEVER
812
00:36:06,770 --> 00:36:08,700
IF I TOOK RACHEL
TO "THE LION KING"
813
00:36:08,740 --> 00:36:11,540
AND CAME BACK TO THE HOTEL
AFTER AND CALLED THE COPS.
814
00:36:11,580 --> 00:36:13,050
THAT'S IT.
815
00:36:13,080 --> 00:36:16,020
THAT LYING BASTARD.
HE SAID THEY GOT $50,000,
816
00:36:16,050 --> 00:36:17,190
NOT $700,000.
817
00:36:17,220 --> 00:36:19,060
LET'S GET
DEBORAH BACK IN.
818
00:36:19,080 --> 00:36:22,450
GIVE A HEADS‐UP
TO THE D. A.'s OFFICE?
819
00:36:33,260 --> 00:36:36,200
I'M HERE
TO PICK UP MY SCARF.
820
00:36:36,230 --> 00:36:39,200
YES. I HAVE IT
FOR YOU RIGHT HERE.
821
00:36:39,240 --> 00:36:40,750
THANKS.
822
00:36:47,750 --> 00:36:49,960
I'D LIKE
TO INTRODUCE MYSELF.
823
00:36:49,980 --> 00:36:53,110
I'M JOHN IRVIN, AND I ‐‐
824
00:36:53,150 --> 00:36:54,880
LET ME GUESS.
LITTLE‐PEOPLE ISSUES.
825
00:36:54,920 --> 00:36:57,620
SINCE I WAS A CHILD.
826
00:36:57,660 --> 00:37:00,400
I SAW "THE WIZARD OF OZ"
WHEN I WAS 7,
827
00:37:00,420 --> 00:37:04,060
AND IT'S HAD A STRANGLEHOLD
ON MY IMAGINATION EVER SINCE.
828
00:37:04,100 --> 00:37:05,600
EVERYBODY'S GOT THEIR THING,
YOU KNOW?
829
00:37:05,630 --> 00:37:08,060
I KNOW,
BUT IT'S STILL WRONG.
830
00:37:08,100 --> 00:37:11,570
I MAKE MY LIVING
OFF IT BEING WRONG.
831
00:37:11,600 --> 00:37:13,470
WE'VE GOT
TO MAKE A RUN, JOHN. HEY.
832
00:37:13,500 --> 00:37:16,070
ANY LUCK?
833
00:37:16,110 --> 00:37:17,980
WE'RE GETTING THERE.
834
00:37:18,010 --> 00:37:21,440
IF YOU HAVE ANY
FOLLOW‐UP QUESTIONS, DETECTIVE,
835
00:37:21,480 --> 00:37:24,580
OR HOWEVER I COULD BE
OF ANY HELP.
836
00:37:24,620 --> 00:37:25,620
UH...
837
00:37:25,650 --> 00:37:27,350
UH...
838
00:37:34,660 --> 00:37:36,460
THANKS FOR THE SCARF.
839
00:37:36,490 --> 00:37:38,290
NO. THANK YOU.
840
00:37:41,970 --> 00:37:44,110
BACK AND FORTH,
BACK AND FORTH.
841
00:37:44,140 --> 00:37:46,440
THIS IS REALLY
GETTING HARD ON ME.
842
00:37:46,470 --> 00:37:47,840
SIT DOWN.
843
00:37:51,980 --> 00:37:54,290
CATHY FLIPPED.
844
00:37:54,310 --> 00:37:56,280
FLIPPED
LIKE "FLIPPED OUT"?
845
00:37:56,310 --> 00:37:58,850
FLIPPED FROM, LIKE, LYING
TO TELLING THE TRUTH.
846
00:37:58,880 --> 00:38:00,350
SO THAT 10%,
847
00:38:00,380 --> 00:38:02,780
THAT'S 10%
OF NOTHING NOW.
848
00:38:02,820 --> 00:38:06,290
THIS IS VALERIE HAYWOOD.
SHE'S WITH THE D. A.'s OFFICE.
849
00:38:06,320 --> 00:38:08,120
WHY?
850
00:38:08,160 --> 00:38:10,790
TO EITHER PUT YOU IN JAIL
AS A PRINCIPAL IN A FELONY,
851
00:38:10,830 --> 00:38:13,130
OR KEEP YOU OUT
AS A WITNESS FOR THE PEOPLE.
852
00:38:13,160 --> 00:38:15,130
CATHY WENT
FOR THE SECOND ONE.
853
00:38:15,170 --> 00:38:16,880
HERE'S YOUR CHANCE.
854
00:38:16,900 --> 00:38:19,200
OTHERWISE YOU RISK ENDING UP
WITH THE BEATING,
855
00:38:19,240 --> 00:38:21,010
NO MONEY,
AND THE JAIL TIME.
856
00:38:21,040 --> 00:38:23,710
AND I UNDERSTAND
YOU HAVE A YOUNG DAUGHTER.
857
00:38:23,740 --> 00:38:25,970
WHAT ARE YOU
GOING TO DO TO HER?
858
00:38:26,010 --> 00:38:29,480
WHAT ARE YOU
GOING TO DO TO HER?
859
00:38:29,510 --> 00:38:31,480
IF YOU AGREE TO TESTIFY
860
00:38:31,520 --> 00:38:33,490
AGAINST
THE OTHER PARTICIPANTS,
861
00:38:33,520 --> 00:38:35,360
INCLUDING YOUR BROTHER...
862
00:38:35,390 --> 00:38:37,060
THEN YOU WON'T
TAKE HER AWAY FROM ME?
863
00:38:37,090 --> 00:38:38,890
THEN I WON'T
PUT YOU IN JAIL,
864
00:38:38,920 --> 00:38:41,720
AND I'LL RECOMMEND
THAT YOU KEEP YOUR DAUGHTER,
865
00:38:41,760 --> 00:38:44,060
BUT THIS IS ALL CONTINGENT
866
00:38:44,100 --> 00:38:46,610
ON YOUR
SUBSTANTIAL COOPERATION.
867
00:38:52,040 --> 00:38:54,080
WAS IT
YOUR BROTHER'S IDEA?
868
00:38:54,110 --> 00:38:57,050
AND YOU HUMPED SYSLER
TO TRICK THE RAPE KIT?
869
00:38:57,080 --> 00:38:58,850
WHO'S THE FOURTH?
870
00:38:58,880 --> 00:39:00,390
WHO DO YOU MEAN?
871
00:39:00,410 --> 00:39:03,380
WHO PUT
THAT BEATING ON YOU?
872
00:39:03,410 --> 00:39:06,180
SYSLER?
873
00:39:06,220 --> 00:39:07,290
ROGER.
874
00:39:09,590 --> 00:39:11,690
YOUR BROTHER
BEAT YOU LIKE THIS?
875
00:39:11,720 --> 00:39:14,520
I'VE BEEN BEATEN WORSE
FOR NOTHING,
876
00:39:14,560 --> 00:39:17,030
AND WHAT I HAVE TO DO
TO SUPPORT MY DAUGHTER...
877
00:39:17,060 --> 00:39:19,730
SHE'S WHO I DID THIS FOR,
PLUS ROGER.
878
00:39:19,760 --> 00:39:22,130
HE WANTED TO SEE THE WORLD
BEFORE HE DIED.
879
00:39:27,810 --> 00:39:29,620
HE REALLY THOUGHT
IT WAS GOING TO WORK.
880
00:39:29,640 --> 00:39:30,810
SHAME ON YOU.
881
00:39:43,590 --> 00:39:46,390
JIMMY SYSLER?
DETECTIVE SIPOWICZ.
882
00:39:46,420 --> 00:39:49,730
YOU CAN GO HOME NOW.
DON'T WORRY ABOUT IT.
883
00:39:49,760 --> 00:39:53,090
JUST GO HOME.
884
00:39:53,130 --> 00:39:56,600
A BROTHER DOING THAT
TO HIS OWN SISTER.
885
00:40:01,970 --> 00:40:03,740
YOU GET
THAT SECOND PERP?
886
00:40:03,780 --> 00:40:05,580
YEAH. THEY'RE BOTH
LOCKED UP DOWNSTAIRS.
887
00:40:05,610 --> 00:40:07,740
WHAT THE HELL IS THAT?
888
00:40:07,780 --> 00:40:10,080
IT WAS DOWNSTAIRS.
889
00:40:10,110 --> 00:40:13,250
TOMMY FEELY
SENT IT TO YOU.
890
00:40:13,280 --> 00:40:16,450
[ Hisses ] LOOK AT THIS.
HOTEL CRAP.
891
00:40:16,490 --> 00:40:18,800
CHEAP BASTARD.
892
00:40:18,820 --> 00:40:20,820
IF THERE'S A SHOEHORN
IN THERE,
893
00:40:20,860 --> 00:40:22,660
I COULD
ACTUALLY GO FOR ONE.
894
00:40:22,690 --> 00:40:24,160
CAN WE TALK LATER?
895
00:40:24,200 --> 00:40:26,610
SURE. I'LL STOP BY.
896
00:40:26,630 --> 00:40:27,530
OKAY.
897
00:40:29,700 --> 00:40:31,770
HEY, WHAT'S GOING ON?
898
00:40:31,800 --> 00:40:34,300
I JUST PICKED UP MY MESSAGES.
YOU GOT MY SISTER HERE?
899
00:40:34,340 --> 00:40:36,440
YEAH. SHE'S HERE
ALL RIGHT.
900
00:40:36,470 --> 00:40:38,010
WHAT FOR?
901
00:40:38,040 --> 00:40:39,510
WHAT ARE YOU DOING?
902
00:40:39,540 --> 00:40:40,510
SHUT UP.
903
00:40:40,550 --> 00:40:42,350
IS THIS A JOKE?
904
00:40:42,380 --> 00:40:45,110
I GUESS A GUY WHO WOULD
BEAT HIS SISTER BLOODY
905
00:40:45,150 --> 00:40:47,680
MIGHT GET A KICK
OUT OF THIS. TURN AROUND.
906
00:40:47,720 --> 00:40:49,650
I WANT
TO TALK TO HER.
907
00:40:49,690 --> 00:40:50,650
TURN AROUND.
908
00:40:50,690 --> 00:40:53,290
YOU WANT A LAWYER?
I WOULD, TOO.
909
00:40:53,320 --> 00:40:54,460
WHAT?
910
00:40:54,490 --> 00:40:57,190
I'M TRYING TO RESIST
THE URGE TO BEAT YOU
911
00:40:57,230 --> 00:40:59,130
LIKE YOU BEAT
YOUR SISTER.
912
00:40:59,160 --> 00:41:01,130
GO AHEAD. BEAT ME.
913
00:41:01,170 --> 00:41:03,170
BEAT ME BLOODY.
914
00:41:23,690 --> 00:41:26,050
YOU ALL RIGHT?
915
00:41:26,090 --> 00:41:28,060
YEAH.
JUST A LITTLE CHILLY.
916
00:41:28,090 --> 00:41:30,660
WELL, YOU WANT
TO GO BACK DOWN?
917
00:41:30,700 --> 00:41:32,400
NO. IT'S OKAY.
918
00:41:32,430 --> 00:41:34,230
ONE OF THOSE DAYS
919
00:41:34,270 --> 00:41:37,710
THAT DON'T SCRAPE OFF
SO EASY, HUH?
920
00:41:39,600 --> 00:41:42,170
THIS WAS BOBBY'S COOP?
921
00:41:42,210 --> 00:41:43,450
YEAH.
922
00:41:45,740 --> 00:41:49,210
HE'S ALWAYS GOING
TO BE WITH US, ISN'T HE?
923
00:41:53,590 --> 00:41:56,090
I CAN'T
COMPETE WITH HIM, DIANE.
924
00:41:56,120 --> 00:41:59,090
NO ONE'S
WANTING YOU TO COMPETE.
925
00:42:01,090 --> 00:42:04,730
I JUST DIDN'T EXPECT IT
TO BE THIS HARD.
926
00:42:04,760 --> 00:42:06,030
I'VE TRIED.
927
00:42:06,060 --> 00:42:07,730
I'VE REALLY TRIED
TO LET HIM GO,
928
00:42:07,770 --> 00:42:10,080
BUT THE MORE I TRIED,
929
00:42:10,100 --> 00:42:12,600
THE MORE I KNEW
I COULDN'T GET PAST IT.
930
00:42:12,640 --> 00:42:16,080
THEN IT'S NO GOOD,
IS IT?
931
00:42:16,110 --> 00:42:18,580
I WANTED IT
TO BE GOOD.
932
00:42:18,610 --> 00:42:20,380
I REALLY DID.
933
00:42:20,410 --> 00:42:22,580
I JUST TALKED
TO ANDY AND TOLD HIM
934
00:42:22,610 --> 00:42:24,910
HOW STRONG THE DIRECTION
WE WERE HEADED WAS.
935
00:42:24,950 --> 00:42:26,380
KNOWING ALL HE KNOWS,
936
00:42:26,420 --> 00:42:28,560
HE DIDN'T SAY
HOW WRONG THIS MIGHT BE?
937
00:42:28,590 --> 00:42:30,500
THAT'S NOT
THE PART I HEARD.
938
00:42:32,820 --> 00:42:33,960
ANYWAYS,
939
00:42:33,990 --> 00:42:36,660
I GUESS I OUGHT
TO TAKE OFF.
940
00:42:39,000 --> 00:42:41,110
I'M SORRY, DANNY.
941
00:42:41,130 --> 00:42:43,930
HEY, IF WE HADN'T
TAKEN A SHOT,
942
00:42:43,970 --> 00:42:45,800
I'D HAVE WONDERED
A DOZEN TIMES A DAY
943
00:42:45,840 --> 00:42:48,950
WHY WE NEVER DID.
67056
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