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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:21,260 --> 00:00:22,720 YOU TRIED REACHING THIS GUY? 2 00:00:22,760 --> 00:00:25,730 NO ANSWER UPSTAIRS, NO ANSWER ON HIS CELL PHONE. 3 00:00:25,760 --> 00:00:28,700 THIS IS AN IN‐TOUCH TENANT. WHO’S THE WHOM TO CALL? 4 00:00:28,730 --> 00:00:30,800 I CALLED HIS NEPHEW. 5 00:00:30,840 --> 00:00:33,380 THAT SMART‐ASS PISSPOT HADN’T SEEN HIM IN TWO DAYS. 6 00:00:33,400 --> 00:00:34,800 SAYS, "DON’T WORRY, RHODES. 7 00:00:34,840 --> 00:00:37,210 "WALTER’S PROBABLY INCOMMUNICADO AT THE HAMPTONS 8 00:00:37,240 --> 00:00:39,210 BANGING SOME NEW 22‐YEAR‐OLD GUY." 9 00:00:39,240 --> 00:00:41,480 WALTER GOODE ‐‐ NO ONE’S SEEN HIM FOR TWO DAYS. 10 00:00:41,510 --> 00:00:44,380 THIS IS THE DOORMAN BRUCE RHODES. 11 00:00:44,420 --> 00:00:46,290 REPORTED MR. GOODE’S TAUPE MERCEDES MISSING. 12 00:00:46,320 --> 00:00:48,290 WHAT KIND OF MERCEDES? 13 00:00:48,320 --> 00:00:49,620 TAUPE. 14 00:00:49,650 --> 00:00:51,490 IT’S A COLOR, LIKE BEIGE. 15 00:00:51,520 --> 00:00:54,090 SO WHY DON’T YOU SHOW US THE GARAGE 16 00:00:54,130 --> 00:00:56,100 WHERE MR. GOODE’S TAUPE MERCEDES WENT MISSING FROM? 17 00:00:56,130 --> 00:00:57,800 YEAH, SURE. UH, THIS WAY. 18 00:00:57,830 --> 00:00:59,330 MR. GOODE’S APARTMENT DONE IN TAUPE? 19 00:00:59,360 --> 00:01:02,900 WE MAY NEED TO LOOK AT THAT, TOO. 20 00:01:02,930 --> 00:01:05,400 HIS APARTMENT’S UNDISTURBED. 21 00:01:05,440 --> 00:01:07,350 YOU’RE SHOWING A LOT OF INITIATIVE, BRUCE. 22 00:01:07,370 --> 00:01:08,800 WELL, I WAS WORRIED SICK, 23 00:01:08,840 --> 00:01:11,140 SO I TOOK A RIDE IN THE ELEVATOR. 24 00:01:13,650 --> 00:01:15,290 THIS IS MR. GOODE’S SPACE? 25 00:01:15,310 --> 00:01:16,780 YEAH, RIGHT THERE. 26 00:01:16,820 --> 00:01:19,190 THERE’S SOMETHING HERE BY THE DRIVER’S SIDE. 27 00:01:22,690 --> 00:01:24,360 BLOOD AND HAIR. 28 00:01:24,390 --> 00:01:27,160 DID YOU SEE THIS BLOOD AND HAIR OVER HERE, RHODES? 29 00:01:27,190 --> 00:01:28,760 YEAH, I’VE SEEN IT. 30 00:01:28,790 --> 00:01:30,930 YOU BETTER CALL CRIME SCENE, GREG. 31 00:01:30,960 --> 00:01:32,930 DO YOU THINK BEFORE MAKING SURE WE KNEW 32 00:01:32,960 --> 00:01:34,700 THIS GUY’S CAR WAS TAUPE‐COLORED, 33 00:01:34,730 --> 00:01:37,530 YOU SHOULD HAVE CONVEYED TO US 34 00:01:37,570 --> 00:01:39,940 PART OF HIS HEAD OCCUPIED HIS PARKING SPACE? 35 00:01:39,970 --> 00:01:42,540 THAT WAS THE TIP‐OFF THERE MIGHT HAVE BEEN FOUL PLAY. 36 00:01:42,570 --> 00:01:45,710 DEDUCING FOUL PLAY OFF JUST BLOOD AND HAIR 37 00:01:45,740 --> 00:01:47,480 AND LITTLE PIECES OF BRAIN MATTER? 38 00:01:47,510 --> 00:01:49,880 YOU MAY BE IN THE WRONG LINE OF WORK. 39 00:01:49,910 --> 00:01:52,480 GOOD. I’M GOING TO BE LOOKING FOR A JOB. 40 00:03:22,740 --> 00:03:24,910 GOOD MORNING. 41 00:03:24,940 --> 00:03:27,980 MY DAUGHTER’S GOING TO HAVE A DRINK OF WATER, 42 00:03:28,010 --> 00:03:29,750 THEN WE’RE GOING IN HERE. 43 00:03:29,780 --> 00:03:31,580 I’M DIANE RUSSELL, A DETECTIVE IN THE SQUAD. 44 00:03:31,620 --> 00:03:34,330 IS THERE SOMETHING I COULD HELP YOU WITH? 45 00:03:34,350 --> 00:03:36,380 JANET AND OSCAR WEBB. 46 00:03:36,420 --> 00:03:38,720 THIS IS OUR DAUGHTER ANYA. 47 00:03:38,760 --> 00:03:40,470 HI, ANYA. 48 00:03:40,490 --> 00:03:41,420 HI. 49 00:03:41,460 --> 00:03:43,260 A TERRIBLE THING HAPPENED TO HER. 50 00:03:43,290 --> 00:03:44,730 SHE WAS ATTACKED. 51 00:03:44,760 --> 00:03:45,960 I’M SORRY, ANYA. 52 00:03:46,000 --> 00:03:48,570 THANK YOU. 53 00:03:48,600 --> 00:03:52,770 COME ON. WE’LL TALK ABOUT WHAT HAPPENED. 54 00:03:56,640 --> 00:03:59,610 ANYA AND I ARE GOING TO TALK IN THE COFFEE ROOM. 55 00:03:59,640 --> 00:04:01,610 WOULD YOU SEE IF MR. AND MRS. WEBB 56 00:04:01,650 --> 00:04:03,760 WOULD LIKE ANYTHING FROM DOWNSTAIRS? 57 00:04:03,780 --> 00:04:05,010 OF COURSE. 58 00:04:05,050 --> 00:04:06,950 SHE NEEDS US WITH HER. 59 00:04:06,990 --> 00:04:08,790 HOW OLD ARE YOU, ANYA? 60 00:04:08,820 --> 00:04:10,590 Janet: 23. 61 00:04:10,620 --> 00:04:12,820 SINCE YOU’RE NOT A MINOR, IT ISN’T USUAL PROCEDURE 62 00:04:12,860 --> 00:04:16,770 TO HAVE YOUR PARENTS WITH YOU, BUT WE CAN MAKE AN EXCEPTION. 63 00:04:16,800 --> 00:04:19,500 NOT IF IT CHANGES THE PROCEDURE. 64 00:04:19,530 --> 00:04:20,600 ANYA. 65 00:04:20,630 --> 00:04:22,460 Jill: GOOD MORNING. 66 00:04:22,500 --> 00:04:24,670 THESE ARE THE WEBBS, JILL. THEIR DAUGHTER WAS ATTACKED. 67 00:04:24,700 --> 00:04:25,870 I’M SORRY. 68 00:04:25,900 --> 00:04:27,600 JILL KIRKENDALL. 69 00:04:27,640 --> 00:04:29,770 DID YOU WANT TO MAKE OUT A BACKGROUND STATEMENT 70 00:04:29,810 --> 00:04:31,540 ON THE INCIDENT? 71 00:04:31,580 --> 00:04:34,450 I’M GOING TO TAKE HER IN THE COFFEE ROOM. 72 00:04:34,480 --> 00:04:36,810 OKAY, WE CAN TALK AT MY DESK. 73 00:04:36,850 --> 00:04:38,780 THE DOWNSTAIRS COFFEE’S BETTER IF YOU WANT SOME. 74 00:04:38,820 --> 00:04:40,060 Janet: NO, THANK YOU. 75 00:04:40,080 --> 00:04:42,020 HE PROMISED WE’D BE WITH HER. 76 00:04:42,050 --> 00:04:43,890 YOU PROMISED ANYA? 77 00:04:43,920 --> 00:04:47,060 HE PROMISED. 78 00:04:47,090 --> 00:04:48,720 SO, THAT’S GREAT. 79 00:04:48,760 --> 00:04:51,530 SHE KNOWS YOU’RE RIGHT OUT HERE. 80 00:04:51,560 --> 00:04:53,900 PLEASE HAVE A SEAT. 81 00:05:00,000 --> 00:05:02,670 ONE OF THE KITTENS AT MY WORK 82 00:05:02,710 --> 00:05:05,050 WAS DOING BAD LAST NIGHT 83 00:05:05,080 --> 00:05:06,920 AFTER IT HAD GOTTEN FIXED, 84 00:05:06,950 --> 00:05:09,050 SO I STAYED PETTING HER A WHILE 85 00:05:09,080 --> 00:05:11,550 TILL I COULD GET HER ASLEEP. 86 00:05:11,580 --> 00:05:13,650 AND THEN WHEN DID YOU LEAVE WORK, ANYA? 87 00:05:13,690 --> 00:05:15,390 9:15. 88 00:05:15,420 --> 00:05:18,690 AND WHEN I WAS WAITING FOR THE BUS, 89 00:05:18,720 --> 00:05:23,990 THREE SPANISH BOYS IN BIG HOODED JACKETS CAME UP. 90 00:05:24,030 --> 00:05:26,660 I WAS HOPING THEY’D PASS BY, 91 00:05:26,700 --> 00:05:28,900 BUT THEY GRABBED ME 92 00:05:28,930 --> 00:05:31,530 AND TOLD ME IF I MADE A NOISE, 93 00:05:31,570 --> 00:05:33,870 THEY’D KILL ME RIGHT THERE, 94 00:05:33,910 --> 00:05:37,780 AND ONE PUT HIS JACKET ON ME 95 00:05:37,810 --> 00:05:42,840 AND TIED THE HOOD TIGHT AND LOW ON MY FACE, 96 00:05:42,880 --> 00:05:47,020 AND THEN THEY STARTED ME WALKING BETWEEN THEM 97 00:05:47,050 --> 00:05:50,020 AND TELLING ME KEEP MY HEAD DOWN 98 00:05:50,050 --> 00:05:52,720 AND JUST LOOK AT THE GROUND. 99 00:05:52,760 --> 00:05:56,200 CAN YOU GUESS HOW LONG YOU WALKED, ANYA? 100 00:05:56,230 --> 00:05:59,710 I TRIED TO COUNT SECONDS. 101 00:05:59,730 --> 00:06:02,030 UH, 1 AND 2 AND ‐‐ 102 00:06:02,070 --> 00:06:04,110 THAT WAS SMART. 103 00:06:04,140 --> 00:06:06,950 COUNTING THAT WAY, 104 00:06:06,970 --> 00:06:10,470 I COUNTED 16 1/2 MINUTES. 105 00:06:10,510 --> 00:06:12,710 I‐I HEARD A BUNCH OF SOUNDS, 106 00:06:12,740 --> 00:06:15,040 BUT THEY COULD HAVE BEEN FROM ANY STREET. 107 00:06:15,080 --> 00:06:17,210 BUT THEN AFTER 11 MINUTES, 108 00:06:17,250 --> 00:06:19,580 THE ONE THING I KNOW 109 00:06:19,620 --> 00:06:21,720 IS WE WENT THROUGH SOME CONSTRUCTION. 110 00:06:21,750 --> 00:06:23,720 THE SIDEWALK WAS DUG OUT, 111 00:06:23,760 --> 00:06:29,000 AND WE WERE WALKING ON SAND FOR ABOUT...40 STEPS. 112 00:06:29,030 --> 00:06:31,640 THAT’S REALLY HELPFUL 113 00:06:31,660 --> 00:06:34,500 THAT YOU PAID ATTENTION TO ALL THAT. 114 00:06:34,530 --> 00:06:37,430 THANK YOU. 115 00:06:37,470 --> 00:06:42,500 WE WALKED UP THREE FLIGHTS IN A BUILDING 116 00:06:42,540 --> 00:06:44,940 THAT THE FRONT DOOR WASN’T LOCKED 117 00:06:44,980 --> 00:06:48,650 AND THEN INTO AN APARTMENT THAT WASN’T LOCKED 118 00:06:48,680 --> 00:06:52,080 AND HAD A MATTRESS... 119 00:06:52,120 --> 00:06:54,260 WITH NO SHEETS... 120 00:06:54,290 --> 00:06:56,760 THAT WAS DIRTY, 121 00:06:56,790 --> 00:07:00,790 AND NOTHING ELSE IN THE APARTMENT 122 00:07:00,830 --> 00:07:05,600 EXCEPT VENETIAN BLINDS. 123 00:07:05,630 --> 00:07:10,770 THEY PULLED DOWN MY UNDERWEAR... 124 00:07:10,800 --> 00:07:13,270 AND PUSHED MY SKIRT UP... 125 00:07:13,300 --> 00:07:18,170 AND PUSHED MY SHIRT AND SWEATER UP, 126 00:07:18,210 --> 00:07:21,110 COVERING MY FACE 127 00:07:21,150 --> 00:07:24,990 AND PUSHED MY BRASSIERE UP. 128 00:07:25,020 --> 00:07:29,230 AND... 129 00:07:29,250 --> 00:07:32,650 AFTER 85 MINUTES... 130 00:07:34,530 --> 00:07:39,840 TWO NEW MEN CAME IN, TOO. 131 00:07:39,860 --> 00:07:42,000 NONE OF THEM SAID THEIR NAMES. 132 00:07:42,030 --> 00:07:43,930 THEY ALL SMELLED LIKE BEER. 133 00:07:46,170 --> 00:07:49,970 IF I HAD STAYED LATE WORKING OR NOT 134 00:07:50,010 --> 00:07:52,540 OR I SHOULD HAVE KNOWN OR NOT ‐‐ 135 00:07:52,580 --> 00:07:55,220 YOU DIDN’T DO ANYTHING WRONG, ANYA, 136 00:07:55,250 --> 00:07:57,160 AND WHAT YOU JUST TOLD ME 137 00:07:57,180 --> 00:08:00,050 IS REALLY GOING TO HELP. 138 00:08:00,080 --> 00:08:01,720 IF I SHOULD HAVE FOUGHT ‐‐ 139 00:08:01,750 --> 00:08:03,650 NO, NO, NO. THERE WERE THREE OF THEM 140 00:08:03,690 --> 00:08:06,050 AND THEN THERE WERE FIVE OF THEM. 141 00:08:06,090 --> 00:08:09,590 IF YOU’D HAVE FOUGHT, THEY MIGHT HAVE KILLED YOU. 142 00:08:13,100 --> 00:08:16,010 CAN YOU TELL MY PARENTS? 143 00:08:16,030 --> 00:08:20,540 THEY DON’T KNOW YET ABOUT THE SEX PART. 144 00:08:29,580 --> 00:08:31,850 THERE’S EVERY ELEMENT... 145 00:08:31,880 --> 00:08:34,750 IN THE NEIGHBORHOOD WHERE ANYA WORKS. 146 00:08:34,790 --> 00:08:36,630 AND NEW ELEMENTS EVERY DAY. 147 00:08:40,320 --> 00:08:42,020 IS SHE ALL RIGHT? 148 00:08:42,060 --> 00:08:45,030 WHY IS THE DOOR CLOSED? 149 00:08:45,060 --> 00:08:48,030 ANYA’S ASKED ME TO TELL YOU MORE ABOUT WHAT HAPPENED ‐‐ 150 00:08:48,070 --> 00:08:50,240 MORE SPECIFIC THINGS ABOUT HOW SHE WAS ATTACKED. 151 00:08:50,270 --> 00:08:51,870 THANK GOD SHE’S ALL RIGHT. 152 00:08:51,900 --> 00:08:53,300 SHE SAID SHE WAS. 153 00:08:53,340 --> 00:08:55,880 ANYA WAS ATTACKED SEXUALLY, 154 00:08:55,910 --> 00:08:58,080 AND SHE HAD NO OPPORTUNITY TO RESIST... 155 00:08:58,110 --> 00:09:00,140 OH, MY GOD. 156 00:09:00,180 --> 00:09:02,210 WHICH IS WHY SHE’S NOT BRUISED. 157 00:09:02,250 --> 00:09:04,060 WE NEED TO GET ANYA EXAMINED AT A HOSPITAL. 158 00:09:04,080 --> 00:09:06,050 AS UPSET AS YOU ARE, 159 00:09:06,080 --> 00:09:09,320 YOU’RE GOING TO WANT TO BE WITH HER AND SUPPORT HER. 160 00:09:27,670 --> 00:09:29,940 SHE SAID SHE WASN’T HURT. 161 00:09:29,970 --> 00:09:33,110 SHE SAID SHE JUST WANTED TO REPORT THE INCIDENT. 162 00:09:54,230 --> 00:09:56,200 I DON’T KNOW. I JUST GOT HERE. 163 00:09:56,230 --> 00:09:58,800 DONNY GOODE. I’M NOTIFIED MY UNCLE’S MISSING. 164 00:09:58,840 --> 00:10:02,110 THE INVESTIGATING DETECTIVES ARE JUST ON THEIR WAY BACK. 165 00:10:02,140 --> 00:10:03,810 UM... 166 00:10:05,680 --> 00:10:09,220 CANCEL THE 10:00. TELL TREVOR I’LL BE THERE IN AN HOUR. 167 00:10:17,690 --> 00:10:21,790 YOU EVER BUMP INTO A GUY NAMED BLAKE FROM LOUISVILLE? 168 00:10:21,830 --> 00:10:23,700 WHAT ARE YOU TALKING ABOUT? 169 00:10:23,730 --> 00:10:26,030 WELL, HE PROBABLY KILLED MY UNCLE. 170 00:10:26,060 --> 00:10:28,860 I JUST THOUGHT YOUR FLIGHT PATHS MIGHT HAVE CROSSED. 171 00:10:31,400 --> 00:10:33,330 EITHER OF YOU TWO SORENSON? 172 00:10:33,370 --> 00:10:35,040 ME. ARE YOU DONNY GOODE? 173 00:10:35,070 --> 00:10:37,070 YEAH. WHAT’S THE STORY WITH MY UNCLE? 174 00:10:37,110 --> 00:10:39,840 LIKE I SAID ON THE PHONE, YOUR UNCLE’S CAR IS MISSING. 175 00:10:39,880 --> 00:10:41,480 THERE’S INDICATION OF FOUL PLAY. 176 00:10:41,510 --> 00:10:43,480 WE’RE HOPING YOU CAN GIVE US SOME BACKGROUND. 177 00:10:43,510 --> 00:10:45,180 MY PARTNER ANDY SIPOWICZ. 178 00:10:45,220 --> 00:10:48,890 HOW’S IT GOING, SIPOWICZ? BUT, I MEAN, NOTHING FURTHER? 179 00:10:48,920 --> 00:10:50,420 NO, NOTHING FURTHER YET, DONNY, 180 00:10:50,450 --> 00:10:52,990 FROM THE 20 MINUTES AGO WHEN MY PARTNER CALLED. 181 00:10:53,020 --> 00:10:54,320 MR. GOODE WAS SAYING 182 00:10:54,360 --> 00:10:55,990 HE THOUGHT HIS UNCLE HAD BEEN KILLED 183 00:10:56,030 --> 00:10:57,340 BY A BLAKE FROM LOUISVILLE. 184 00:10:57,360 --> 00:10:59,190 NO KIDDING? 185 00:10:59,230 --> 00:11:01,400 YEAH, WELL, JUST GUESSING. 186 00:11:01,430 --> 00:11:04,930 WELL, COME HERE, DONNY, AND FILL US IN. 187 00:11:04,970 --> 00:11:06,170 WHO’S BLAKE? 188 00:11:06,200 --> 00:11:07,270 THAT GUY’S GAY, RIGHT? 189 00:11:07,310 --> 00:11:09,110 WHY? 190 00:11:09,140 --> 00:11:10,870 I’M YANKING HIS CHAIN ASKING HIM ABOUT BLAKE. 191 00:11:10,910 --> 00:11:12,240 BLAKE’S ANOTHER FAG. 192 00:11:13,880 --> 00:11:15,180 I’M TRYING TO REMEMBER TAKING A SHINE 193 00:11:15,210 --> 00:11:17,210 TO SOMEBODY RIGHT OFF THE BAT LIKE I AM TO YOU. 194 00:11:17,250 --> 00:11:19,250 I GROW ON PEOPLE. 195 00:11:19,280 --> 00:11:20,920 WHY WOULD YOU SAY 196 00:11:20,950 --> 00:11:23,420 YOU THOUGHT BLAKE KILLED YOUR UNCLE? 197 00:11:23,450 --> 00:11:26,350 WELL, BECAUSE WALTER JUST BROKE UP WITH BLAKE. 198 00:11:26,390 --> 00:11:28,960 WALTER SAID BLAKE WAS BEING DRAMATIC ABOUT IT. 199 00:11:28,990 --> 00:11:31,760 OTHERWISE, WALTER’S LIFE WAS PRETTY NORMAL. 200 00:11:31,800 --> 00:11:33,440 HE GOT OTHER FAMILY, YOUR UNCLE? 201 00:11:33,460 --> 00:11:34,930 JUST ME. 202 00:11:34,970 --> 00:11:36,370 HE’S GOT A NICE PLACE. 203 00:11:36,400 --> 00:11:38,800 NICE TAUPE MERCEDES THAT’S MISSING. 204 00:11:38,840 --> 00:11:40,880 HEY, GUYS, I HAVE MY OWN CONSULTING FIRM 205 00:11:40,910 --> 00:11:44,320 AND 58,000 SHARES IN THE MAGELLAN GROWTH FUND. 206 00:11:44,340 --> 00:11:46,210 I DON’T NEED TO KILL ANYBODY. 207 00:11:46,240 --> 00:11:49,480 YOU GOT AN IDEA HOW WE CAN REACH OUT FOR THIS BLAKE? 208 00:11:49,510 --> 00:11:52,050 BLAKE DeWITT. 209 00:11:52,080 --> 00:11:54,120 I HANDLED THE KISS‐OFF. 210 00:11:54,150 --> 00:11:57,320 DON’T THROW THINGS AT US, OR WE’LL THROW THINGS AT YOU. 211 00:11:57,360 --> 00:12:00,270 MI DISPIACE. 212 00:12:02,530 --> 00:12:05,400 I’M STUDYING ITALIAN. 213 00:12:05,430 --> 00:12:10,000 BLAKE MOVED, BUT I’VE GOT HIS MOMMY’S NUMBER IN THERE. 214 00:12:13,000 --> 00:12:15,900 HELLO? THIS IS DANNY, MRS. DeWITT. 215 00:12:15,940 --> 00:12:18,240 I’M A BUDDY OF YOUR SON BLAKE’S. 216 00:12:18,280 --> 00:12:21,290 I GOT SOME CONCERT TICKETS HE MIGHT BE INTERESTED IN, 217 00:12:21,310 --> 00:12:25,250 BUT THE NUMBER HE WROTE OUT FOR ME AIN’T WORKING. 218 00:12:25,280 --> 00:12:27,450 DID HE MOVE OR SOMETHING? OH, YEAH? 219 00:12:27,490 --> 00:12:30,600 YOU GOT THAT NEW ONE FOR HIM? 220 00:12:30,620 --> 00:12:32,020 YOU GUYS ARE DOGS. 221 00:12:32,060 --> 00:12:33,460 SHUT YOUR MOUTH. 222 00:12:33,490 --> 00:12:36,090 YOU’RE THINK OF COMING UP FROM LEXINGTON? 223 00:12:36,130 --> 00:12:39,270 I KNOW BLAKE, HE’D BE GLAD TO SEE YOU, 224 00:12:39,300 --> 00:12:42,110 BUT MAYBE YOU SHOULD GIVE HIM TIME TO GET STRAIGHT 225 00:12:42,130 --> 00:12:45,800 AT HIS NEW PLACE, THEN HE’LL BE READY FOR GUESTS. 226 00:12:45,840 --> 00:12:48,150 THANKS AN AWFUL LOT FOR THE NEW PHONE NUMBER. 227 00:12:48,170 --> 00:12:49,940 TAKE GOOD CARE. 228 00:12:49,970 --> 00:12:53,110 BLAKE JUST RELOCATED WITH A NEW ROOMMATE. 229 00:12:53,140 --> 00:12:55,980 YOU CAN TRACE HIS ADDRESS OFF THE PHONE NUMBER. 230 00:12:56,010 --> 00:12:58,480 WHERE CAN WE FIND YOU, DONNY, 231 00:12:58,520 --> 00:13:00,130 YOUR STOCKBROKER’S? 232 00:13:00,150 --> 00:13:02,620 SEE HOW POLITELY I JUST HANDED THIS BACK TO YOU? 233 00:13:02,650 --> 00:13:04,490 MY STOCKBROKER’S, HUH? 234 00:13:04,520 --> 00:13:07,820 AFTER I GO, EXPLAIN THEY INVENTED THE INTERNET. 235 00:13:10,930 --> 00:13:12,890 SEE YOU, GORGEOUS. 236 00:13:12,930 --> 00:13:15,100 KEEP THINKING YOU’RE STRAIGHT. 237 00:13:21,210 --> 00:13:22,480 JOHN... 238 00:13:22,510 --> 00:13:25,080 THAT CRACK YOU MADE, 239 00:13:25,110 --> 00:13:29,140 WERE YOU INFERRING THAT THIS DONNY 240 00:13:29,180 --> 00:13:31,580 INADVERTENTLY, WITHOUT HIS KNOWING IT... 241 00:13:34,390 --> 00:13:35,930 ON YOUR SIDE? 242 00:13:35,950 --> 00:13:37,850 PLEASE. 243 00:13:42,360 --> 00:13:43,860 PICK UP THIS BLAKE? 244 00:14:15,260 --> 00:14:17,290 LOOK, THE STORE’S AROUND THE CORNER 245 00:14:17,330 --> 00:14:19,030 WHERE I WORK, 246 00:14:19,060 --> 00:14:21,460 AND THIS IS WHERE I WAS WAITING, 247 00:14:21,500 --> 00:14:22,630 LIKE I DO EVERY DAY. 248 00:14:22,670 --> 00:14:24,380 THEY CAME FROM OVER THERE 249 00:14:24,400 --> 00:14:26,200 AND TURNED ME 250 00:14:26,240 --> 00:14:29,550 AND WALKED ME BACK THE SAME WAY. 251 00:14:29,570 --> 00:14:31,210 YOU’RE POSITIVE ABOUT THE DIRECTION? 252 00:14:31,240 --> 00:14:34,040 WELL, EVEN WITH MAKING ME STARE AT THE GROUND, 253 00:14:34,080 --> 00:14:36,550 I’M 100% POSITIVE OF THE DIRECTION WE TOOK, 254 00:14:36,580 --> 00:14:39,380 AND I TRIED TO KEEP REGULAR COUNT OF THE TIME. 255 00:14:39,420 --> 00:14:41,960 FEEL LIKE WALKING A WHILE? 256 00:14:41,990 --> 00:14:44,730 AND YOU WANT ME TO COUNT EXACTLY THE SAME PACE? 257 00:14:44,760 --> 00:14:48,000 YEAH, EXACTLY THE SAME. 258 00:14:49,630 --> 00:14:53,060 IT WAS RIGHT NOT TO LET MY PARENTS COME, RIGHT? 259 00:14:53,100 --> 00:14:54,470 YOU WERE RIGHT, ANYA. 260 00:14:54,500 --> 00:14:57,330 THIS WOULDN’T HAVE DONE YOUR MOM OR DAD ANY GOOD. 261 00:14:57,370 --> 00:14:59,430 AND IT DIDN’T HAPPEN TO THEM. 262 00:14:59,470 --> 00:15:01,240 NO... 263 00:15:01,270 --> 00:15:04,510 IT HAPPENED TO YOU. 264 00:15:07,450 --> 00:15:09,190 ONE‐1,000... 265 00:15:09,210 --> 00:15:11,680 TWO‐1,000... 266 00:15:11,720 --> 00:15:14,090 THREE‐1,000... 267 00:15:14,120 --> 00:15:15,520 FOUR‐1,000... 268 00:15:31,300 --> 00:15:34,700 OH, FOR HEAVEN’S SAKE. 269 00:15:34,740 --> 00:15:36,970 SIT DOWN OVER THERE. 270 00:15:37,010 --> 00:15:39,440 BELIEVE ME OR NOT, THIS IS THE FIRST TIME 271 00:15:39,480 --> 00:15:42,120 IN MY LIFE I’VE BEEN IN A POLICE STATION. 272 00:15:42,150 --> 00:15:44,020 WHY WOULDN’T WE BELIEVE YOU? 273 00:15:44,050 --> 00:15:46,280 WELL, GOOD, ’CAUSE IT’S THE TRUTH. 274 00:15:46,320 --> 00:15:49,630 YOU GOT SOME IDEA WHAT WE WANT TO TALK TO YOU ABOUT? 275 00:15:49,650 --> 00:15:52,520 WALTER GOODE’S CAR IS MISSING. 276 00:15:52,560 --> 00:15:54,400 IF WALTER’S SAYING I TOOK HIS CAR, 277 00:15:54,430 --> 00:15:56,330 THAT’S AN OUT‐AND‐OUT LIE. 278 00:15:56,360 --> 00:15:59,060 YOU GOT NO IDEA WHERE IT’S AT? 279 00:15:59,100 --> 00:16:01,470 IF HE’S SAYING OTHERWISE, WALTER’S LYING. 280 00:16:01,500 --> 00:16:04,130 WHEN’S THE LAST YOU SAW WALTER? 281 00:16:04,170 --> 00:16:06,530 3 WEEKS AGO. 23 DAYS. 282 00:16:06,570 --> 00:16:08,400 YOU MARK THEM OFF ON YOUR CALENDAR? 283 00:16:08,440 --> 00:16:10,010 YES. 284 00:16:13,340 --> 00:16:15,680 IT’S NOT JUST WALTER’S CAR, BLAKE. 285 00:16:15,710 --> 00:16:18,650 HE’S MISSING, TOO. 286 00:16:18,680 --> 00:16:20,480 MAYBE WALTER TOOK HIS CAR HIMSELF 287 00:16:20,520 --> 00:16:22,480 AND NEITHER OF THEM ARE MISSING. 288 00:16:22,520 --> 00:16:24,190 TOOK OFF ON A JAUNT SOMEWHERES? 289 00:16:24,220 --> 00:16:26,490 IF THAT IS WHAT WALTER DID, 290 00:16:26,520 --> 00:16:28,690 IT WOULD HAVE BEEN THE ABSOLUTE 291 00:16:28,730 --> 00:16:31,670 BEST PRESENT IN THE WORLD HE COULD’VE GIVEN HIMSELF. 292 00:16:31,700 --> 00:16:34,340 AND LEAVING THAT LITTLE PART OF HIS HEAD BEHIND, 293 00:16:34,370 --> 00:16:36,680 THAT WOULD BE HIS ABSOLUTE BEST FAREWELL PRESENT 294 00:16:36,700 --> 00:16:38,670 TO THE PARKING GARAGE FLOOR? 295 00:16:38,700 --> 00:16:42,200 WHAT ARE YOU SAYING? 296 00:16:42,240 --> 00:16:45,540 WE THINK SOMETHING BAD MIGHT HAVE HAPPENED TO WALTER, BLAKE. 297 00:16:49,380 --> 00:16:50,710 OH, MY GOD. 298 00:16:53,620 --> 00:16:55,380 MY GOD IN HEAVEN. 299 00:16:57,460 --> 00:17:00,130 WHICH HIS NEPHEW SAYS THAT YOU WERE PRETTY UPSET 300 00:17:00,160 --> 00:17:02,190 WHEN WALTER BROKE UP WITH YOU, 301 00:17:02,230 --> 00:17:04,540 AND WE’RE WONDERING 302 00:17:04,560 --> 00:17:07,230 IF YOU WERE UPSET ENOUGH THAT MAYBE IT WAS YOU 303 00:17:07,270 --> 00:17:09,710 THAT SEPARATED THAT LITTLE PART OF HIS HEAD 304 00:17:09,730 --> 00:17:11,700 THAT WE FOUND ON THE GARAGE FLOOR 305 00:17:11,740 --> 00:17:13,540 FROM THE REST OF WALTER. 306 00:17:13,570 --> 00:17:17,110 I WOULD NEVER DO ANYTHING TO HURT WALTER 307 00:17:17,140 --> 00:17:20,180 OR HIS CAR OR, I HOPE, ANY LIVING CREATURE. 308 00:17:24,250 --> 00:17:27,280 OH, GOD, THIS IS SO TERRIBLE. 309 00:17:27,320 --> 00:17:30,220 THIS NEW GUY PHILLIP THAT YOU’RE LIVING WITH, 310 00:17:30,250 --> 00:17:32,220 WHAT’S HE THINK ABOUT WALTER? 311 00:17:32,260 --> 00:17:34,430 PHILLIP DOESN’T EVEN KNOW WALTER. 312 00:17:34,460 --> 00:17:37,260 BUT YOU DON’T TELL EACH OTHER, LIKE, 313 00:17:37,300 --> 00:17:40,110 WAR STORIES OF PREVIOUS INTIMATES? 314 00:17:40,130 --> 00:17:44,230 WELL, AS FAR AS THAT GOES, 315 00:17:44,270 --> 00:17:49,300 UM, IN TERMS OF HIS ROLE IN MY LIFE, 316 00:17:49,340 --> 00:17:53,140 PHILLIP SAID THAT WALTER WAS SATAN INCARNATE. 317 00:17:55,710 --> 00:17:57,780 PHILLIP SAID THAT, HUH? 318 00:19:11,420 --> 00:19:13,190 IT WAS HERE. 319 00:19:16,560 --> 00:19:19,360 OH, I DIDN’T KNOW PEOPLE WAS IN HERE. 320 00:19:19,400 --> 00:19:22,240 YOU LIVE ON THIS FLOOR? DOWN THE HALL. 321 00:19:22,270 --> 00:19:25,380 HEAR ANYTHING GOING ON IN THIS APARTMENT LAST NIGHT? 322 00:19:25,400 --> 00:19:28,370 LAST NIGHT? NO. WORLD WIDE WRESTLING ON TV. 323 00:19:28,410 --> 00:19:30,220 THEY PLAY THAT STUFF PRETTY LOUD. 324 00:19:30,240 --> 00:19:31,770 WHAT’S YOUR NAME? 325 00:19:31,810 --> 00:19:34,410 CARLOS JIMENEZ. CAN I GO? 326 00:19:34,450 --> 00:19:36,390 YEAH, YOU CAN GO, CARLOS. 327 00:19:37,620 --> 00:19:39,860 WHY, WHAT WENT ON IN HERE? 328 00:19:39,880 --> 00:19:41,550 GO AHEAD, CARLOS. 329 00:19:46,260 --> 00:19:49,230 HE’S A SON OF A BITCH TO STAND THERE AND LIE. 330 00:19:49,260 --> 00:19:51,560 WAS HE ONE OF THEM? THE LAST ONE. 331 00:19:51,600 --> 00:19:52,640 CARLOS. 332 00:19:52,660 --> 00:19:54,400 YEAH, WHAT DO YOU WANT? 333 00:19:54,430 --> 00:19:57,300 I GOT TO GET YOU ON THE COMINGS AND GOINGS. 334 00:19:57,340 --> 00:19:58,880 WHAT DO YOU MEAN? 335 00:19:58,900 --> 00:20:01,770 YOU GOT TO WORK WITH ME ON THE TRESPASSING GOING ON. 336 00:20:01,810 --> 00:20:05,050 YEAH, BUT I DON’T PAY THAT MUCH ATTENTION. 337 00:20:05,080 --> 00:20:07,050 IF YOU WANT TO GET BACK HERE 338 00:20:07,080 --> 00:20:08,880 ANY TIME TONIGHT, CARLOS, 339 00:20:08,910 --> 00:20:11,050 YOU BETTER COME IN WITH ME COOPERATIVE. 340 00:20:11,080 --> 00:20:12,650 YEAH, RIGHT. 341 00:20:15,920 --> 00:20:17,890 HE DIDN’T EVEN RECOGNIZE HER. 342 00:20:17,920 --> 00:20:20,360 NOT WITHOUT HER SWEATER OVER HER HEAD. 343 00:20:23,360 --> 00:20:25,890 IS HE GOING TO BE ARRESTED? 344 00:20:25,930 --> 00:20:28,260 IT’LL GET TO THAT. 345 00:20:28,300 --> 00:20:32,370 DID I HELP YOU BY NOT SHOWING I WAS AFRAID? 346 00:20:34,670 --> 00:20:36,570 COME HERE. 347 00:20:36,610 --> 00:20:37,770 COME HERE. 348 00:20:45,020 --> 00:20:47,590 "WELCOME TO THE POKEY." 349 00:20:47,620 --> 00:20:50,590 YOU GOT A LITTLE GLUM FACE IN THE "O" 350 00:20:50,620 --> 00:20:54,820 AND A STICK FIGURE IN WHAT’S INTENDED TO BE THE POKEY. 351 00:20:54,860 --> 00:20:58,290 DID YOU DRAW THAT? 352 00:21:03,000 --> 00:21:05,600 SO DOES IT PLEASE YOU TO KNOW 353 00:21:05,640 --> 00:21:07,610 YOU’VE COST A MAN HIS DAY’S SALARY? 354 00:21:07,640 --> 00:21:09,440 YEAH, WE’RE SORRY ABOUT THAT. 355 00:21:09,470 --> 00:21:11,970 WELL, THAT’S MORE THAN ADEQUATE COMPENSATION. 356 00:21:12,010 --> 00:21:14,940 DOES THAT PEACOCK ACT DRUM UP TIPS FOR YOU, PHIL, 357 00:21:14,980 --> 00:21:16,780 DOWN THERE AT THE CAFE? 358 00:21:16,820 --> 00:21:18,890 WHAT WOULD YOU GUESS, DETECTIVE? 359 00:21:18,920 --> 00:21:21,030 TOP OF MY HEAD, NO. 360 00:21:21,050 --> 00:21:23,620 WELL, SINCE YOU’D NEVER DINED AT THE CAFE, 361 00:21:23,660 --> 00:21:25,960 YOUR OPINION ISN’T REALLY COMPETENT. 362 00:21:25,990 --> 00:21:28,720 ALTHOUGH THE TOP OF YOUR HEAD IS VERY AMPLE. 363 00:21:28,760 --> 00:21:32,330 YOU GETTING READY TO GO ON A PUDDING DIET, PHIL? 364 00:21:32,360 --> 00:21:34,460 MEANING YOU’RE ABOUT TO KNOCK MY TEETH OUT? 365 00:21:34,500 --> 00:21:37,330 PHILLIP, WALTER GOODE’S GONE MISSING. 366 00:21:37,370 --> 00:21:39,400 THAT USED TO BE YOUR BOYFRIEND’S LOVER. 367 00:21:39,440 --> 00:21:41,680 SO ARE WE ORGANIZING SEARCH TEAMS? 368 00:21:41,710 --> 00:21:45,020 WE’RE WONDERING IF MAYBE YOU’RE WHO GOT HIM THAT WAY. 369 00:21:45,040 --> 00:21:45,970 MISSING, YOU MEAN. 370 00:21:46,010 --> 00:21:47,640 MISSING IS WHAT I MEAN. 371 00:21:47,680 --> 00:21:48,880 NO. 372 00:21:48,910 --> 00:21:51,010 YOU DON’T KNOW NOTHING ABOUT MR. GOODE? 373 00:21:51,050 --> 00:21:53,650 I KNOW THAT MR. GOODE TOOK A PRURIENT PLEASURE 374 00:21:53,690 --> 00:21:55,760 IN TURNING BLAKE OUT AS COUNTRY TRADE. 375 00:21:55,790 --> 00:21:58,430 I KNOW HIS NAME CONFIRMS IRONY AS A CONCEPT. 376 00:21:58,460 --> 00:22:00,100 AND THAT’S ALL I KNOW 377 00:22:00,120 --> 00:22:03,020 THAT I’M WILLING TO SHARE WITH THE TWO OF YOU. 378 00:22:03,060 --> 00:22:06,530 YOU FEEL YOU SHOULD BE EARNING ON ONE OF THEM QUIZ SHOWS 379 00:22:06,570 --> 00:22:09,370 WITH ALL THIS CLEVER CRAP THAT YOU’RE GETTING OFF, 380 00:22:09,400 --> 00:22:11,370 AND HERE WE ARE WASTING YOUR TIME 381 00:22:11,400 --> 00:22:14,370 JUST ’CAUSE A GUY THAT YOU HAD A MOTIVE TO HURT 382 00:22:14,410 --> 00:22:16,720 GOT SEPARATED FROM SOME OF HIS BRAIN MATTER? 383 00:22:16,740 --> 00:22:19,010 I’M GOING TO HURRY MATTERS ALONG, DETECTIVE. 384 00:22:19,040 --> 00:22:21,680 YOU HAVE NOWHERE TO GO IN YOUR INTERROGATION STRATEGY 385 00:22:21,710 --> 00:22:24,010 OTHER THAN PHYSICAL FORCE, AT WHICH POINT 386 00:22:24,050 --> 00:22:26,180 I’M IMMEDIATELY GOING TO DEMAND COUNSEL. 387 00:22:26,220 --> 00:22:28,860 WHICH YOU ASSUME I AM GOING TO RUN AND GET YOU 388 00:22:28,890 --> 00:22:30,900 INSTEAD OF SMACKING YOU IN THE FACE. 389 00:22:30,920 --> 00:22:32,850 YOU’RE NOT WILLING TO ADMINISTER A BEATING 390 00:22:32,890 --> 00:22:34,860 MORE SEVERE THAN I’M PREPARED TO TAKE 391 00:22:34,890 --> 00:22:36,890 WHEN YOU’RE NOT POSITIVE I COMMITTED THE CRIME. 392 00:22:36,930 --> 00:22:40,030 AT THIS POINT, I THINK BOTH OF YOU REALIZE 393 00:22:40,060 --> 00:22:42,200 I’M NOT GOING TO BE RESPONDING 394 00:22:42,230 --> 00:22:43,900 TO ALL THESE SOULFUL, 395 00:22:43,940 --> 00:22:46,580 SUBLIMINAL MESSAGES OF SUPPORT AND UNDERSTANDING 396 00:22:46,610 --> 00:22:49,050 THAT YOUR COLLEAGUE HERE IS SENDING MY WAY 397 00:22:49,070 --> 00:22:51,910 SO HE CAN GET ME TO ACT AGAINST MY OWN INTERESTS. 398 00:22:51,940 --> 00:22:53,980 I TELL YOU ALL THIS 399 00:22:54,010 --> 00:22:57,880 ’CAUSE I’M HOPING I CAN MAKE IT TO THE CAFE IN TIME 400 00:22:57,920 --> 00:23:00,930 TO PERFORM MY PEACOCK ACT FOR THE LATE‐LUNCH CROWD. 401 00:23:07,590 --> 00:23:09,160 Danny: SO, PHILLIP, 402 00:23:09,190 --> 00:23:12,930 DON’T BE EXPECTING BLAKE HOME ANY TIME SOON. 403 00:23:12,960 --> 00:23:15,730 AND THEY SAY THE DESAPARECIDOS ARE IN ARGENTINA. 404 00:23:15,770 --> 00:23:18,010 I THOUGHT THAT WAS ALL THE GAUCHOS. 405 00:23:18,040 --> 00:23:19,810 YOU ARE A VULGAR PIG. 406 00:23:19,840 --> 00:23:23,070 SEE, THAT’S THE TYPE OF THING THAT MAKES YOU WANT TO OINK. 407 00:23:23,110 --> 00:23:25,650 ANY MESSAGE YOU WANT US CONVEYING TO BLAKE? 408 00:23:25,680 --> 00:23:27,620 YEAH, ’CAUSE WE GOT THE IMPRESSION 409 00:23:27,650 --> 00:23:30,460 THAT BLAKE LOOKED TO YOU AS SORT OF A PROTECTOR TYPE. 410 00:23:30,480 --> 00:23:32,950 NO, NO MESSAGE I WANT YOU CONVEYING. 411 00:23:32,980 --> 00:23:35,620 I’LL TELL HIM YOU SAID HE’S ON HIS OWN, 412 00:23:35,650 --> 00:23:37,690 THAT’S LIFE IN THE BIG CITY ‐‐ 413 00:23:37,720 --> 00:23:39,860 GETTING JAMMED FOR SOMETHING YOU DIDN’T DO. 414 00:23:39,890 --> 00:23:45,260 YOU TELL HIM THAT I’M GOING TO WIDEN THE LOOP. 415 00:23:45,300 --> 00:23:47,840 WIDEN THE LOOP, HUH? 416 00:23:47,870 --> 00:23:50,640 AND DO WHAT, STICK YOUR WEENIE THROUGH IT? 417 00:23:52,240 --> 00:23:54,650 THAT GUY’S TOUGH. 418 00:23:57,080 --> 00:23:59,050 WHAT DO YOU THINK, JOHN? 419 00:23:59,080 --> 00:24:01,050 YOU SAW THAT WHOLE INTERVIEW, RIGHT? 420 00:24:01,080 --> 00:24:03,040 I THINK HE KILLED THAT OTHER MAN. 421 00:24:03,080 --> 00:24:05,480 HOW ARE WE GOING TO CATCH HIM? 422 00:24:05,520 --> 00:24:07,660 GIVE ME A CHANCE. I’M NEW AT THIS. 423 00:24:07,690 --> 00:24:10,830 SURE. TAKE ALL THE TIME YOU NEED. 424 00:24:37,220 --> 00:24:39,860 OUT OF THE BLUE, YOU KNOW, 425 00:24:39,880 --> 00:24:42,080 GAY JOHN PASSES A REMARK, 426 00:24:42,120 --> 00:24:44,750 PUTS THIS ASSHOLE NEPHEW WE’RE TALKING TO 427 00:24:44,790 --> 00:24:47,590 INTO TOTAL FOCUS ‐‐ THAT HE WAS HIMSELF A LATENT FRUIT. 428 00:24:47,630 --> 00:24:50,900 BUT WE DON’T LIKE THE NEPHEW FOR HARMING HIS UNCLE. 429 00:24:50,930 --> 00:24:54,030 THE NEPHEW WE ONLY LIKE FOR BEING A SPOILED JERK. 430 00:24:54,070 --> 00:24:56,840 IT’S JUST, WITH GAY JOHN PASSING THIS PERCEPTIVE REMARK, 431 00:24:56,870 --> 00:24:59,840 DANNY GETS THE IDEA, YOU KNOW, THAT THIS IS A GAY MURDER, 432 00:24:59,870 --> 00:25:02,240 OR WHATEVER HAPPENED WITH THIS MISSING WALTER. 433 00:25:02,270 --> 00:25:06,170 WHY NOT HAVE GAY JOHN WATCH THE INTERVIEW 434 00:25:06,210 --> 00:25:08,610 WITH THIS OTHER FRUIT PHILLIP ‐‐ 435 00:25:08,650 --> 00:25:10,190 WE COME OUT LIKING THIS PHILLIP, 436 00:25:10,210 --> 00:25:12,780 BUT NO REAL WAY TO GO AT HIM. 437 00:25:12,820 --> 00:25:15,760 BUT JOHN’S GOT THIS IDEA HOW PHILLIP’S GOING TO ACT. 438 00:25:15,790 --> 00:25:17,760 OFF THIS PHILLIP’S GAY THINKING 439 00:25:17,790 --> 00:25:20,060 INVOLVING HIS GAY BOYFRIEND BLAKE. 440 00:25:20,090 --> 00:25:22,560 I THINK WE’VE GOT EVERYONE ESTABLISHED AS GAY. 441 00:25:22,590 --> 00:25:27,960 ANYWAYS, IT’S RISKY WHERE IF ANYTHING GOES WRONG, 442 00:25:28,000 --> 00:25:30,900 YOU COULD WIND UP YOUR SUSPECT HAS REPRESENTATION, 443 00:25:30,940 --> 00:25:33,610 BUT I THINK YOU OUGHT TO LISTEN TO HIS THINKING. 444 00:25:33,640 --> 00:25:35,100 DON’T YOU AGREE? 445 00:25:35,140 --> 00:25:36,670 YEAH, ABSOLUTELY. 446 00:25:52,290 --> 00:25:54,760 GO AHEAD. 447 00:26:04,940 --> 00:26:07,310 I DON’T THINK HE’D KILL HIM FOR MONEY. 448 00:26:07,340 --> 00:26:09,970 HE’D DO IT BECAUSE HE COULDN’T GET 449 00:26:10,010 --> 00:26:12,410 THAT OTHER BOY TO HATE HIM. 450 00:26:12,440 --> 00:26:14,080 NAMES, JOHN. 451 00:26:14,110 --> 00:26:15,780 PHILLIP, BLAKE’S PRESENT BOYFRIEND, 452 00:26:15,810 --> 00:26:18,850 IS SO AFRAID OF EVERYTHING ‐‐ 453 00:26:18,880 --> 00:26:21,080 LET ME COLLECT MYSELF. 454 00:26:21,120 --> 00:26:23,950 SEE, THAT ‐‐ ABOUT PHILLIP BEING AFRAID OF EVERYTHING ‐‐ 455 00:26:23,990 --> 00:26:25,950 I DON’T NECESSARILY SUBSCRIBE TO 456 00:26:25,990 --> 00:26:29,630 ’CAUSE WE WERE ON THIS PHILLIP PRETTY GOOD, 457 00:26:29,660 --> 00:26:31,330 AND HE DIDN’T GIVE UP NOTHING, 458 00:26:31,360 --> 00:26:34,160 BUT I‐I STILL GO WITH HIS OVERALL IDEA. 459 00:26:34,200 --> 00:26:37,200 HOW ABOUT WE LET JOHN SAY WHAT HIS OVERALL IDEA IS? 460 00:26:37,240 --> 00:26:39,880 YEAH, ABSOLUTELY. 461 00:26:39,900 --> 00:26:42,440 PHILLIP, BLAKE’S CURRENT BOYFRIEND, 462 00:26:42,470 --> 00:26:46,780 UH, CAN’T STAND BEING COMPARED TO ANYONE... 463 00:26:46,810 --> 00:26:48,780 WE DON’T HAVE TO START 464 00:26:48,810 --> 00:26:51,010 WITH THE FORMATION OF THE SOLAR SYSTEM. 465 00:26:51,050 --> 00:26:52,450 I’M A LITTLE NERVOUS. 466 00:26:52,480 --> 00:26:53,880 JOHN’S OVERALL POINT ‐‐ 467 00:26:53,920 --> 00:26:56,150 PHILLIP PROBABLY DID AWAY WITH WALTER 468 00:26:56,190 --> 00:26:58,660 ’CAUSE BLAKE THAT WE’VE GOT IN INTERVIEW THREE 469 00:26:58,690 --> 00:27:00,120 WOULDN’T HATE WALTER 470 00:27:00,160 --> 00:27:02,390 EVEN THOUGH WALTER BUSTED UP WITH HIM. 471 00:27:02,430 --> 00:27:04,170 THAT’S IT. 472 00:27:04,200 --> 00:27:06,200 WHICH JOHN THINKS THAT THIS PHILLIP 473 00:27:06,230 --> 00:27:09,000 IS GOING TO BRING BACK A LAWYER FOR BLAKE. 474 00:27:09,030 --> 00:27:11,370 I THINK THAT’S WHAT WIDENING THE LOOP MEANT. 475 00:27:11,400 --> 00:27:13,370 BUT BLAKE AIN’T LOOKING FOR REPRESENTATION. 476 00:27:13,400 --> 00:27:15,170 HE WANTS WALTER’S DISAPPEARANCE SOLVED. 477 00:27:15,210 --> 00:27:16,880 SO WE SHOULD LET PHILLIP 478 00:27:16,910 --> 00:27:18,870 MAKE HIS PITCH TO BLAKE ABOUT LAWYERING UP, 479 00:27:18,910 --> 00:27:20,880 AND WHEN BLAKE TURNS HIM DOWN, 480 00:27:20,910 --> 00:27:23,180 THAT’S GOING TO GET PHILLIP’S NOSE OPEN, 481 00:27:23,210 --> 00:27:25,480 AND WE CAN GO TO WORK ON HIM. 482 00:27:25,520 --> 00:27:28,060 HOW OPEN DO YOU THINK THE LAWYER 483 00:27:28,090 --> 00:27:30,900 STANDING NEXT TO HIM IS GOING TO LET PHILLIP’S NOSE GET? 484 00:27:30,920 --> 00:27:33,090 HIS POINT ‐‐ PROTECTING HIS OWN SICK ASS 485 00:27:33,120 --> 00:27:35,360 IS GOING TO BE LESS IMPORTANT TO PHILLIP 486 00:27:35,390 --> 00:27:38,090 THAN GETTING BLAKE BACK ON HIS TEAM. 487 00:27:38,130 --> 00:27:41,900 IF BLAKE DON’T WANT A LAWYER, PHILLIP SENDS THE LAWYER AWAY. 488 00:27:41,930 --> 00:27:44,930 HE NEEDS TO BE THE ONLY THING IN THAT BOY’S HEAD. 489 00:27:44,970 --> 00:27:47,970 ALL RIGHT. IF HE COMES BACK, LET’S PUT THEM TOGETHER. 490 00:28:06,460 --> 00:28:08,070 HOW’S IT GOING? 491 00:28:08,090 --> 00:28:10,060 THOSE WOMEN DETECTIVES ARE STARING DAGGERS. 492 00:28:10,090 --> 00:28:11,760 DON’T WORRY ABOUT THEM. 493 00:28:11,800 --> 00:28:14,070 YOU AND ME ARE GOING TO TALK ALONE. 494 00:28:14,100 --> 00:28:16,770 DOES THAT MEAN I SHOULD WORRY ABOUT YOU? 495 00:28:16,800 --> 00:28:18,770 WE CAN TAKE CARE OF THIS HERE. 496 00:28:18,800 --> 00:28:20,870 WOULD YOU BE MORE COMFORTABLE IN HERE? 497 00:28:20,910 --> 00:28:23,480 YEAH, GOOD. KEEP ME NEAR THE EXIT. 498 00:28:25,780 --> 00:28:27,920 THEY SAY THIS IS ABOUT TRESPASSING 499 00:28:27,950 --> 00:28:29,890 IN THAT OPEN APARTMENT, HUH? 500 00:28:29,910 --> 00:28:32,410 YEAH. YOU SEE ANYTHING GOING ON THERE LAST NIGHT? 501 00:28:32,450 --> 00:28:35,280 MAYBE SOME KIDS WERE AROUND. NO BIG DEAL. 502 00:28:35,320 --> 00:28:37,290 THEY COME AROUND A LOT? 503 00:28:37,320 --> 00:28:40,290 JUST SOMETIMES. I HEAR THEM EVERY ONCE IN A WHILE. 504 00:28:40,320 --> 00:28:41,920 YOU GOT NAMES? 505 00:28:41,960 --> 00:28:44,930 I DON’T WANT TO GET THEM IN TROUBLE 506 00:28:44,960 --> 00:28:47,500 OR ME IN THE MIDDLE OF SOMETHING. 507 00:28:47,530 --> 00:28:50,900 YOU WANT TO GET OUT OF HERE IN A TIMELY FASHION, 508 00:28:50,940 --> 00:28:53,080 I’M GOING TO NEED NAMES. 509 00:28:53,100 --> 00:28:56,000 I ONLY KNOW ONE OF THEM FROM CHURCH ‐‐ EDDIE FELIX. 510 00:28:56,040 --> 00:28:57,570 EDDIE FELIX. 511 00:28:57,610 --> 00:28:59,140 YEAH. 512 00:28:59,180 --> 00:29:01,920 WHAT HAPPENED IS I WENT OUT TAKING OUT THE TRASH, 513 00:29:01,950 --> 00:29:04,360 AND I HEARD THEM IN THERE PARTYING. 514 00:29:04,380 --> 00:29:06,850 PARTYING LIKE DRINKING, DRUGS? 515 00:29:06,890 --> 00:29:08,590 NO DRUGS, NO. 516 00:29:08,620 --> 00:29:10,450 GIRLS? 517 00:29:13,320 --> 00:29:15,320 LOOK, I’M A FAMILY MAN, OKAY? 518 00:29:15,360 --> 00:29:17,130 MARRIED 18 YEARS. 519 00:29:17,160 --> 00:29:19,130 OKAY. 520 00:29:19,160 --> 00:29:21,260 NOW, IF WE CAN KEEP THIS BETWEEN US... 521 00:29:21,300 --> 00:29:22,800 SURE. 522 00:29:24,870 --> 00:29:27,340 THEY HAD A GIRL IN THERE DOING EVERYONE. 523 00:29:27,370 --> 00:29:28,800 IS THAT RIGHT? 524 00:29:28,840 --> 00:29:29,970 YEAH. 525 00:29:30,010 --> 00:29:31,470 I’M TAKING OUT THE TRASH, 526 00:29:31,510 --> 00:29:33,980 AND I SEE THIS EDDIE WHO I BARELY KNOW. 527 00:29:34,010 --> 00:29:35,480 HE SAYS, "HEY, CARLOS, 528 00:29:35,510 --> 00:29:37,980 YOU WANT TO PUT A HUMP ON THIS GIRL?" 529 00:29:38,020 --> 00:29:40,830 FAMILY MAN OR NOT, WE ALL GOT URGES, RIGHT? 530 00:29:40,850 --> 00:29:42,520 MM‐HMM. 531 00:29:42,550 --> 00:29:45,490 NOW, MY WIFE AND KIDS ARE IN OUR APARTMENT WATCHING TV. 532 00:29:45,520 --> 00:29:49,190 HEY, I’M TAKING OUT THE TRASH. IT’S A BORING NIGHT. 533 00:29:49,230 --> 00:29:51,340 WHO WOULD EVER GUESS SOMETHING EXCITING IS HAPPENING? 534 00:29:51,360 --> 00:29:53,530 RIGHT NEXT DOOR. 535 00:29:53,570 --> 00:29:55,510 ANYWAYS, I WENT IN THERE 536 00:29:55,530 --> 00:29:58,900 AND PUT A HUMP ON THE GIRL LIKE EDDIE SUGGESTED. 537 00:29:58,940 --> 00:30:02,180 GIRL SEEM LIKE SHE WAS ENJOYING HERSELF, CARLOS? 538 00:30:02,210 --> 00:30:05,150 I DON’T KNOW. SHE WAS KIND OF TIRED. 539 00:30:05,180 --> 00:30:06,990 BEEN WITH FOUR OF THEM ALREADY. 540 00:30:07,010 --> 00:30:08,480 FIFTH MAN IN. 541 00:30:08,510 --> 00:30:10,880 I FIGURED WHY IS ONE MORE GOING TO MATTER? 542 00:30:10,920 --> 00:30:13,360 YOU GOT WHERE EDDIE LIVES? 543 00:30:13,380 --> 00:30:16,050 THEN I GO? 544 00:30:16,090 --> 00:30:17,530 WRITE DOWN EDDIE’S ADDRESS 545 00:30:17,560 --> 00:30:20,030 AND WRITE DOWN WHAT YOU JUST TOLD ME, 546 00:30:20,060 --> 00:30:22,320 THEN WE’LL SEE IF YOU CAN GO. 547 00:30:22,360 --> 00:30:26,360 FIFTH MAN IN, RIGHT? 548 00:30:26,400 --> 00:30:27,910 WHAT THE HELL? 549 00:30:27,930 --> 00:30:29,530 YEAH, WHAT THE HELL. 550 00:30:39,080 --> 00:30:41,520 MY NAME IS DARREL LYMAN. I’M AN ATTORNEY. 551 00:30:41,550 --> 00:30:43,520 UM, TO SPEAK TO WHOM? 552 00:30:43,550 --> 00:30:45,510 BLAKE DeWITT. 553 00:30:45,550 --> 00:30:48,020 HOW’S IT GOING? I’M WORKING THAT CASE. 554 00:30:48,050 --> 00:30:49,690 HE’S ABBOTT, THAT’S COSTELLO. 555 00:30:49,720 --> 00:30:51,950 I’D LIKE TO SEE MY CLIENT. 556 00:30:51,990 --> 00:30:54,090 MR. DeWITT’S TURNED DOWN HIS RIGHT TO A LAWYER. 557 00:30:54,130 --> 00:30:56,300 THESE MANIPULATING SONS OF BITCHES. 558 00:30:56,330 --> 00:30:59,240 Andy: WOULD THAT BE PETER POT CALLING KARL KETTLE BLACK? 559 00:30:59,260 --> 00:31:01,100 I’D LIKE TO HEAR MR. DeWITT DECLINE. 560 00:31:01,130 --> 00:31:03,200 SURE, OKAY. I GUESS THAT’S OKAY. 561 00:31:03,230 --> 00:31:05,530 YOU DON’T HAVE TO LET HIM HEAR NOTHING. 562 00:31:05,570 --> 00:31:07,400 NO, IT’S OKAY, ANDY. HE’S DOWN HERE. 563 00:31:07,440 --> 00:31:09,370 WHOA, HEY. 564 00:31:09,410 --> 00:31:11,720 IX‐NAY ON OING WITH THEM GAY, PHIL. 565 00:31:11,740 --> 00:31:14,440 YEAH. THIS IS JUST MR. LYMAN HEARING HIM DECLINE. 566 00:31:14,480 --> 00:31:18,450 FINE. GREAT. JUST TELL HIM I’M HERE. 567 00:31:32,600 --> 00:31:34,640 HELLO. 568 00:31:34,670 --> 00:31:36,610 THIS IS MR. LYMAN. HE’S A LAWYER. 569 00:31:36,640 --> 00:31:38,180 YOU NEED AN ATTORNEY. 570 00:31:38,200 --> 00:31:40,100 HEY. 571 00:31:40,140 --> 00:31:42,440 HAVE YOU WAIVED YOUR RIGHT TO COUNSEL? 572 00:31:42,470 --> 00:31:45,140 YES. I WANT TO HELP IN SOLVING WALTER’S DISAPPEARANCE. 573 00:31:45,180 --> 00:31:47,020 BLAKE ‐‐ 574 00:31:47,050 --> 00:31:49,620 YOU HEARD IT, COUNSELOR. LET’S GO. 575 00:31:49,650 --> 00:31:51,410 PLEASED TO MEET YOU. 576 00:31:51,450 --> 00:31:55,080 WHAT’S THE BASEBALL LOOK LIKE THIS YEAR, PHIL? 577 00:31:55,120 --> 00:31:57,950 YOU FOLLOW THE YANKEES, THE METS? 578 00:31:57,990 --> 00:31:59,490 JUST MY FAVORITE GAY PLAYERS. 579 00:32:06,030 --> 00:32:08,130 HOW IS HE? DID YOU TELL HIM I’M HERE? 580 00:32:08,170 --> 00:32:09,640 BLAKE SEEMS ALL RIGHT, 581 00:32:09,670 --> 00:32:11,670 AND HE HAS DECLINED COUNSEL, PHILLIP. 582 00:32:11,700 --> 00:32:13,600 DID THEY BEAT HIM? 583 00:32:13,640 --> 00:32:16,100 I HOPE TO HELL YOU LAID ON THE MAKEUP. 584 00:32:16,140 --> 00:32:18,470 I DIDN’T GET THAT CLOSE A LOOK. 585 00:32:18,510 --> 00:32:20,040 WHY NOT? 586 00:32:20,080 --> 00:32:22,110 BLAKE HAS DECLINED REPRESENTATION, PHILLIP. 587 00:32:22,150 --> 00:32:24,360 THAT’S THE FUN FOR YOU, ISN’T IT, 588 00:32:24,380 --> 00:32:25,650 TWISTING PEOPLE’S HEADS AROUND? 589 00:32:25,680 --> 00:32:28,280 HE SAYS HE’S GOT NO HARD FEELINGS. 590 00:32:28,320 --> 00:32:30,120 I GUESS WHEN THEY WERE TOGETHER, 591 00:32:30,150 --> 00:32:32,120 WALTER SHOWED HIM A GOOD TIME. 592 00:32:32,160 --> 00:32:34,300 YES, WALTER HAD DEEP POCKETS AND AN EVIL MIND. 593 00:32:34,330 --> 00:32:35,800 ALL RIGHT, PHILLIP. 594 00:32:35,830 --> 00:32:38,300 HE’S GOING OVER THEIR LIFE, WHO THEY MET, 595 00:32:38,330 --> 00:32:41,030 TRYING TO HELP US COME UP WITH LEADS. 596 00:32:41,070 --> 00:32:43,010 ANYWAY, I DON’T THINK EITHER OF US 597 00:32:43,030 --> 00:32:45,500 HAS A GOOD REASON TO STAY HERE RIGHT NOW. 598 00:32:45,540 --> 00:32:48,310 IF HE CHANGES HIS MIND, PLEASE GIVE THIS TO MR. DeWITT. 599 00:32:48,340 --> 00:32:50,210 SURE, ABSOLUTELY. 600 00:32:50,240 --> 00:32:51,740 I WANT TO TALK TO HIM. 601 00:32:51,780 --> 00:32:53,520 LET’S GET A CUP OF COFFEE. 602 00:32:53,550 --> 00:32:56,490 CAN I TALK TO HIM? 603 00:32:56,510 --> 00:32:59,150 WE’D NEED MORE COOPERATION THAN OUR LAST TALK, PHILLIP. 604 00:32:59,180 --> 00:33:00,820 SOME PRIOR CONVERSATION WITH US 605 00:33:00,850 --> 00:33:03,020 BEFORE WE LET YOU TALK TO BLAKE. 606 00:33:03,050 --> 00:33:05,650 I AM COUNSEL TO PHILLIP ROGERS. THAT’S NOT GOING TO HAPPEN. 607 00:33:05,690 --> 00:33:08,360 I TALK TO YOU IF YOU PROMISE, 608 00:33:08,390 --> 00:33:12,160 IN FRONT OF THESE WITNESSES, I CAN TALK TO BLAKE. 609 00:33:12,200 --> 00:33:15,270 YOU DON’T THINK THEY CAN GET INSIDE YOUR HEAD, TOO? 610 00:33:15,300 --> 00:33:17,700 THAT’S A CHALLENGE I THINK I’M EQUAL TO. 611 00:33:17,740 --> 00:33:20,610 DO I NEED TO SAY SOMETHING TO MAKE THIS OFFICIAL? 612 00:33:20,640 --> 00:33:22,340 "YOU’RE FIRED" GETS IT DONE. 613 00:33:22,370 --> 00:33:24,070 PHILLIP ‐‐ 614 00:33:24,110 --> 00:33:26,510 YOU’RE FIRED! 615 00:33:26,550 --> 00:33:28,550 LET’S GO TALK DOWN HERE. 616 00:33:50,130 --> 00:33:51,700 WHAT HAVE YOU GOT BLAKE THINKING ABOUT ME? 617 00:33:51,740 --> 00:33:55,250 DID PHIL GET THE IDEA HE WAS GOING TO BE INTERVIEWING US? 618 00:33:55,270 --> 00:33:56,570 IF HE’S TURNING DOWN REPRESENTATION, 619 00:33:56,610 --> 00:33:58,710 I CAN ONLY IMAGINE WHAT YOU’VE GOT HIM THINKING. 620 00:33:58,740 --> 00:34:01,740 YOU’LL GET THAT FROM BLAKE AFTER WE HAVE OUR TALK. 621 00:34:01,780 --> 00:34:04,750 I EXPECT BLAKE AND I WILL BE RIDING THEN IN A HANSOM CAB 622 00:34:04,780 --> 00:34:06,380 IN THE BOTANICAL GARDENS. 623 00:34:06,420 --> 00:34:09,560 YOU KNOW YOU’RE NOT GETTING OUT OF HERE. 624 00:34:09,590 --> 00:34:12,320 DON’T YOU THINK YOU’D BE MORE WITHIN YOUR COMFORT ZONE 625 00:34:12,360 --> 00:34:14,630 PROBING THE PSYCHE OF CHIMPS? 626 00:34:14,660 --> 00:34:18,760 YOU’RE GOING TO GIVE IT UP SO YOU CAN HOLD BLAKE 627 00:34:18,800 --> 00:34:22,340 AND TELL HIM YOU LOVE AND WISH HIM HAPPINESS ‐‐ BOO‐HOO‐HOO ‐‐ 628 00:34:22,370 --> 00:34:24,480 AND WILL HE WRITE YOU LONG LETTERS IN PRISON. 629 00:34:24,500 --> 00:34:26,100 I WANT TO SEE HIM. 630 00:34:26,140 --> 00:34:29,480 PHILLIP, THE GREAT RUNNING BACK O. J. SIMPSON ‐‐ 631 00:34:29,510 --> 00:34:32,450 THAT WAS FOUND NOT GUILTY BY A JURY OF HIS PEERS ‐‐ 632 00:34:32,480 --> 00:34:35,450 WHEN HE COME BACK FROM CHICAGO, BEFORE HE WENT IN 633 00:34:35,480 --> 00:34:37,510 TO BE INTERVIEWED BY THE L. A. DETECTIVES, 634 00:34:37,550 --> 00:34:41,120 THE GREAT SIMPSON DISMISSED COUNSEL EXACTLY HOW YOU DID, 635 00:34:41,150 --> 00:34:43,350 AND, PHIL, SO YOU KNOW WHERE YOU STAND, 636 00:34:43,390 --> 00:34:46,430 IF THE GREAT SIMPSON HAD GONE IN WITH ME 637 00:34:46,460 --> 00:34:48,770 AFTER WITNESSES HEARD HIM LET HIS LAWYERS GO, 638 00:34:48,790 --> 00:34:51,360 THAT MURDERING PRICK’S ONLY CHANCE OF WALKING OUT 639 00:34:51,400 --> 00:34:54,270 OF THAT INTERVIEW ROOM BEFORE I GOT HIS CONFESSION 640 00:34:54,300 --> 00:34:56,670 WOULD HAVE BEEN AN EARTHQUAKE. 641 00:34:56,700 --> 00:34:59,700 WHICH I GATHER SOMETIMES DOES OCCUR IN THAT AREA. 642 00:34:59,740 --> 00:35:01,500 GIVE IT UP. 643 00:35:01,540 --> 00:35:04,340 WHY DON’T YOU GO ON TO THE BEATING? 644 00:35:04,380 --> 00:35:06,350 NO ONE’S LOOKING TO DO THAT. 645 00:35:06,380 --> 00:35:08,350 NOBODY WANTS TO BEAT YOU. 646 00:35:08,380 --> 00:35:10,450 THAT’S A CROCK. YOU’D LOVE TO BEAT ME. 647 00:35:10,480 --> 00:35:12,280 NO. 648 00:35:12,320 --> 00:35:14,560 ISN’T THAT YOUR VERSION OF SEX? 649 00:35:14,590 --> 00:35:17,300 ISN’T THAT WHAT YOU’D HAVE DONE TO SIMPSON? 650 00:35:17,320 --> 00:35:19,520 I’D HAVE TOLD HIM THAT WHEN HIS EX‐WIFE DIED 651 00:35:19,560 --> 00:35:22,290 AND THAT WAITER IN THE WRONG PLACE AT THE WRONG TIME, 652 00:35:22,330 --> 00:35:25,300 WAS THE NIGHT WEEKS BEFORE WHEN HE COME TO TALK TO HER 653 00:35:25,330 --> 00:35:26,900 AND THEIR KIDS WERE ASLEEP UPSTAIRS, 654 00:35:26,930 --> 00:35:29,570 AND THROUGH THE WINDOW HE SEES HER GOING DOWN 655 00:35:29,600 --> 00:35:32,900 ON WHOEVER THAT WAS THAT SHE HAD ON THE LIVING ROOM SOFA. 656 00:35:32,940 --> 00:35:35,410 PEOPLE’S PASSIONS GET THE BEST OF THEM. 657 00:35:35,440 --> 00:35:37,640 AND IF HE GOES OVER, MAYBE TWO WEEKS LATER, 658 00:35:37,680 --> 00:35:40,590 AND HE’S HAD TOO MUCH TO DRINK LIKE I HAVE 5,000 TIMES, 659 00:35:40,610 --> 00:35:42,740 OR HE’S PUT SOMETHING UP HIS NOSE 660 00:35:42,780 --> 00:35:44,910 AND HE’S GOING TO DO VANDALISM ON HER CAR ‐‐ 661 00:35:44,950 --> 00:35:47,650 AND THAT’S ALL HE’S PLANNING TO DO. 662 00:35:47,690 --> 00:35:50,330 THAT’S ALL HE WENT OVER INTENDING TO DO. 663 00:35:50,350 --> 00:35:51,920 HE’S PUTTING A DENT IN A MERCEDES, 664 00:35:51,960 --> 00:35:53,670 THE COLOR OF WHICH 665 00:35:53,690 --> 00:35:55,820 SOMEONE SHOULD’VE HAD THE TASTE NOT TO CONCEIVE. 666 00:35:55,860 --> 00:35:58,830 SOMETHING’S IN FRONT OF HIM HE HADN’T EXPECTED. 667 00:35:58,860 --> 00:36:00,830 THAT KILLS KINDNESS AND SWEETNESS AND PITY. 668 00:36:00,870 --> 00:36:02,340 AND THAT EMOTION EXPLODES. 669 00:36:02,370 --> 00:36:04,780 IT JUST EXPLODES! IT EXPLODES! 670 00:36:06,740 --> 00:36:09,370 I PUT A HAMMER 2 INCHES INTO HIS HEAD. 671 00:36:17,420 --> 00:36:20,230 AND I’M AFRAID TO HAMMER A NAIL. 672 00:36:21,750 --> 00:36:23,420 AND A MINUTE BEFORE, 673 00:36:23,450 --> 00:36:26,420 IF YOU’D TOLD HIM HE WAS GOING TO DO IT, 674 00:36:26,460 --> 00:36:29,640 HE’D HAVE TAKEN ANY BETS AGAINST IT YOU WANTED TO MAKE. 675 00:36:40,810 --> 00:36:43,280 [ DOOR OPENS ] 676 00:37:47,970 --> 00:37:49,540 HI. 677 00:37:49,570 --> 00:37:52,610 WE THINK IT’S TIME FOR ANYA TO COME HOME. 678 00:37:52,640 --> 00:37:54,440 HOW’S IT GOING WITH THE CASE? 679 00:37:54,480 --> 00:37:56,810 ONE MAN’S IN CUSTODY, AND HE GAVE US THE NAME 680 00:37:56,850 --> 00:37:59,050 OF ONE OF THE OTHER PERPETRATORS. 681 00:37:59,080 --> 00:38:01,450 ANYA’S LOOKING AT PHOTOS, 682 00:38:01,490 --> 00:38:04,630 TRYING TO IDENTIFY THE OTHER THREE MEN WHO ASSAULTED HER. 683 00:38:04,660 --> 00:38:07,000 ANYWAY, WE THINK IT’S TIME FOR HER TO COME HOME. 684 00:38:07,030 --> 00:38:09,640 ANYA WANTS TO SPEND MORE TIME TO SEE 685 00:38:09,660 --> 00:38:11,890 IF SHE CAN IDENTIFY THE OTHER THREE MEN. 686 00:38:11,930 --> 00:38:14,330 SHE WANTS TO OR YOU’RE MAKING HER? 687 00:38:14,370 --> 00:38:16,640 WE DO FEEL, IT’S, UH, 688 00:38:16,670 --> 00:38:19,900 SOMEWHAT TIME FOR HER TO COME HOME. 689 00:38:19,940 --> 00:38:22,400 IT’S WHAT ANYA FEELS THAT WE’RE GOING TO GO BY. 690 00:38:22,440 --> 00:38:24,410 DO YOU WANT TO TALK TO HER? 691 00:38:24,440 --> 00:38:26,640 WE WANT YOU TO LET HER COME HOME. 692 00:38:26,680 --> 00:38:29,080 THIS TERRIBLE THING HAS HAPPENED TO YOUR DAUGHTER. 693 00:38:29,110 --> 00:38:31,080 SHE’S FOUND A WAY TO FEEL SHE’S GETTING 694 00:38:31,120 --> 00:38:33,420 A LITTLE CONTROL OF HER LIFE BACK. 695 00:38:33,450 --> 00:38:35,150 OF COURSE ANYA CAN GO HOME, 696 00:38:35,190 --> 00:38:37,660 BUT IF SHE WANTS TO STAY, 697 00:38:37,690 --> 00:38:39,920 CAN’T YOU BE BRAVE ENOUGH TO LET HER? 698 00:38:39,960 --> 00:38:42,990 I THINK WE SHOULD LET HER, SOMEWHAT, JANET, 699 00:38:43,030 --> 00:38:44,440 IF ‐‐ IF SHE WANTS TO. 700 00:38:46,770 --> 00:38:51,080 AND THEN YOU’D ARRANGE FOR HER TRANSPORTATION HOME? 701 00:38:51,100 --> 00:38:54,000 YEAH, WE’D BRING ANYA HOME. 702 00:38:54,040 --> 00:38:56,370 POLICE TRANSPORTATION. 703 00:38:56,410 --> 00:38:58,780 I GUESS THAT’S AS SAFE AS YOU CAN GET. 704 00:38:58,810 --> 00:38:59,940 FINE, THEN. 705 00:38:59,980 --> 00:39:02,510 IT’S A FINE WAY TO END IT. 706 00:39:02,550 --> 00:39:04,520 END WHAT? 707 00:39:04,550 --> 00:39:06,010 WE BROUGHT HER IN, 708 00:39:06,050 --> 00:39:08,020 AND NOW WE CAN’T GET HER OUT. 709 00:39:08,050 --> 00:39:10,450 COME HERE. 710 00:39:24,070 --> 00:39:26,570 I WANT TO STAY, MAMA. 711 00:39:29,770 --> 00:39:31,540 FINE, THEN. 712 00:39:31,580 --> 00:39:36,260 I’M FINE. YOU AND DADDY GO HOME. 713 00:39:39,680 --> 00:39:42,420 OKAY? 714 00:39:47,590 --> 00:39:51,430 SO SHE’S ALONE WITH EVERY ELEMENT. 715 00:39:51,460 --> 00:39:53,660 YEAH, SHE’S ALL ALONE WITH DETECTIVE JONES. 716 00:39:57,770 --> 00:40:01,100 YOU’LL SEE SHE GETS HOME? 717 00:40:36,980 --> 00:40:41,620 I DON’T SEE YOU WORKING ON YOUR 5 THERE, JOHN. 718 00:40:41,650 --> 00:40:44,720 CRUCIAL AS YOU WERE TO THE CASE, 719 00:40:44,750 --> 00:40:47,780 LET’S NOT BE TARDY WITH OUR PAPERWORK. 720 00:40:47,820 --> 00:40:50,190 COULD I SEE THAT POOR YOUNG MAN? 721 00:40:50,220 --> 00:40:51,790 BLAKE? 722 00:40:51,820 --> 00:40:55,620 THAT’S WAITING TO SAY FAREWELL TO PHILLIP? 723 00:40:55,660 --> 00:40:57,190 WOULD THAT BE INAPPROPRIATE? 724 00:40:59,260 --> 00:41:01,130 WELL, HE’S NOT IN CUSTODY. 725 00:41:01,170 --> 00:41:04,080 NO, HE’S JUST WAITING TO SAY FAREWELL. 726 00:41:04,100 --> 00:41:07,970 WHY? WHAT DO YOU WANT TO DO? 727 00:41:08,010 --> 00:41:10,150 HE’S ALONE, AND I FEEL IT MIGHT BE HELPFUL. 728 00:41:10,170 --> 00:41:11,970 LET HIM KNOW PHILLIP’S GOING OVER 729 00:41:12,010 --> 00:41:15,040 IN AROUND HALF AN HOUR. 730 00:41:15,080 --> 00:41:16,810 TO THE TOMBS. 731 00:41:16,850 --> 00:41:20,180 HE’S IN INTERVIEW THREE, BLAKE. 732 00:41:24,560 --> 00:41:25,900 THANK YOU. 733 00:41:33,870 --> 00:41:36,640 PROBABLY WANTS TO EXCHANGE PHONE NUMBERS. 734 00:41:40,710 --> 00:41:42,980 HE COULD DO WORSE, THAT BLAKE. 735 00:41:46,710 --> 00:41:48,580 [ KNOCK ON DOOR ] 736 00:41:51,620 --> 00:41:53,890 PHILLIP WILL BE LEAVING FOR CENTRAL BOOKING 737 00:41:53,920 --> 00:41:55,180 IN HALF AN HOUR. 738 00:41:55,220 --> 00:41:57,290 ALL RIGHT, THANKS. 739 00:42:00,730 --> 00:42:03,900 MY NAME IS JOHN IRVIN, AND I’M A CIVILIAN AIDE. 740 00:42:03,930 --> 00:42:08,260 BLAKE DeWITT. HOW DO YOU DO? 741 00:42:08,300 --> 00:42:11,600 HOW DO YOU DO? 742 00:42:11,640 --> 00:42:12,810 WHAT’S, UM, 743 00:42:12,840 --> 00:42:14,750 A CIVILIAN AIDE’S RESPONSIBILITIES? 744 00:42:14,770 --> 00:42:19,010 OH, UH, THEY VARY. UM... 745 00:42:22,350 --> 00:42:25,290 BLAKE, I KNOW JUST NOW YOU FEEL LOST AND CONFUSED. 746 00:42:25,320 --> 00:42:29,090 HOW DO YOU KNOW THAT? 747 00:42:29,120 --> 00:42:30,790 I JUST DO, 748 00:42:30,820 --> 00:42:33,150 AND I HOPE YOU WON’T GIVE IN TO DESPAIR. 749 00:42:33,190 --> 00:42:35,820 THAT’S WHAT I WANT TO TELL YOU. 750 00:42:35,860 --> 00:42:39,160 IT’S SO HARD MAKING SENSE OF OUR LIVES, 751 00:42:39,200 --> 00:42:43,410 OR I GUESS I MEAN TO SAY, MAKING OUR LIVES SENSIBLE. 752 00:42:43,430 --> 00:42:46,740 WE’RE IN A STRANGE CITY. 753 00:42:46,770 --> 00:42:49,340 WE BEGIN A DIFFERENT LIFESTYLE COMPLETELY, 754 00:42:49,370 --> 00:42:52,810 MAYBE NOT EXACTLY SURE INSIDE 755 00:42:52,840 --> 00:42:56,280 IF THE CHANGES WE’RE CHOOSING 756 00:42:56,310 --> 00:42:58,910 ARE RIGHT NECESSARILY, 757 00:42:58,950 --> 00:43:02,150 EVEN IF THEY’RE RIGHT FOR US. 758 00:43:02,190 --> 00:43:04,160 IT’S SO EASY TO BECOME CONFUSED. 759 00:43:04,190 --> 00:43:08,990 IT’S SO HARD TO LOVE OURSELVES 760 00:43:09,030 --> 00:43:13,100 AND TO FIND WHAT’S GOOD FOR OUR LIVES, 761 00:43:13,130 --> 00:43:15,800 AND THEN TO EXPERIENCE SOMETHING 762 00:43:15,830 --> 00:43:17,270 LIKE YOU’VE JUST EXPERIENCED... 763 00:43:17,300 --> 00:43:19,270 I WANT YOU TO KNOW 764 00:43:19,300 --> 00:43:22,300 IT’S POSSIBLE TO MAKE YOUR WAY, 765 00:43:22,340 --> 00:43:25,310 AND THAT HAPPINESS, FRIENDSHIP, 766 00:43:25,340 --> 00:43:28,440 THE SUN RISING AND SETTING, 767 00:43:28,480 --> 00:43:32,710 THE BIRDS IN THE WIND AT THE HARBOR, 768 00:43:32,750 --> 00:43:34,120 THEY’RE ALL HERE, TOO, BLAKE, 769 00:43:34,150 --> 00:43:36,380 AS MUCH FOR YOU AS FOR ANYONE ELSE 770 00:43:36,420 --> 00:43:38,120 IN THE WORLD. 771 00:43:38,160 --> 00:43:41,470 THANK YOU VERY MUCH. 772 00:43:41,490 --> 00:43:46,830 I REALLY APPRECIATE THAT, JOHN. 773 00:43:46,870 --> 00:43:48,840 YOU’RE WELCOME. 57142

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