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1
00:00:21,260 --> 00:00:22,720
YOU TRIED
REACHING THIS GUY?
2
00:00:22,760 --> 00:00:25,730
NO ANSWER UPSTAIRS,
NO ANSWER ON HIS CELL PHONE.
3
00:00:25,760 --> 00:00:28,700
THIS IS AN IN‐TOUCH TENANT.
WHO’S THE WHOM TO CALL?
4
00:00:28,730 --> 00:00:30,800
I CALLED HIS NEPHEW.
5
00:00:30,840 --> 00:00:33,380
THAT SMART‐ASS PISSPOT
HADN’T SEEN HIM IN TWO DAYS.
6
00:00:33,400 --> 00:00:34,800
SAYS, "DON’T WORRY, RHODES.
7
00:00:34,840 --> 00:00:37,210
"WALTER’S PROBABLY
INCOMMUNICADO AT THE HAMPTONS
8
00:00:37,240 --> 00:00:39,210
BANGING SOME NEW
22‐YEAR‐OLD GUY."
9
00:00:39,240 --> 00:00:41,480
WALTER GOODE ‐‐ NO ONE’S
SEEN HIM FOR TWO DAYS.
10
00:00:41,510 --> 00:00:44,380
THIS IS THE DOORMAN
BRUCE RHODES.
11
00:00:44,420 --> 00:00:46,290
REPORTED MR. GOODE’S
TAUPE MERCEDES MISSING.
12
00:00:46,320 --> 00:00:48,290
WHAT KIND OF MERCEDES?
13
00:00:48,320 --> 00:00:49,620
TAUPE.
14
00:00:49,650 --> 00:00:51,490
IT’S A COLOR, LIKE BEIGE.
15
00:00:51,520 --> 00:00:54,090
SO WHY DON’T YOU SHOW US
THE GARAGE
16
00:00:54,130 --> 00:00:56,100
WHERE MR. GOODE’S TAUPE MERCEDES
WENT MISSING FROM?
17
00:00:56,130 --> 00:00:57,800
YEAH, SURE.
UH, THIS WAY.
18
00:00:57,830 --> 00:00:59,330
MR. GOODE’S APARTMENT
DONE IN TAUPE?
19
00:00:59,360 --> 00:01:02,900
WE MAY NEED TO LOOK
AT THAT, TOO.
20
00:01:02,930 --> 00:01:05,400
HIS APARTMENT’S UNDISTURBED.
21
00:01:05,440 --> 00:01:07,350
YOU’RE SHOWING A LOT
OF INITIATIVE, BRUCE.
22
00:01:07,370 --> 00:01:08,800
WELL, I WAS WORRIED SICK,
23
00:01:08,840 --> 00:01:11,140
SO I TOOK A RIDE
IN THE ELEVATOR.
24
00:01:13,650 --> 00:01:15,290
THIS IS MR. GOODE’S SPACE?
25
00:01:15,310 --> 00:01:16,780
YEAH, RIGHT THERE.
26
00:01:16,820 --> 00:01:19,190
THERE’S SOMETHING HERE
BY THE DRIVER’S SIDE.
27
00:01:22,690 --> 00:01:24,360
BLOOD AND HAIR.
28
00:01:24,390 --> 00:01:27,160
DID YOU SEE THIS BLOOD
AND HAIR OVER HERE, RHODES?
29
00:01:27,190 --> 00:01:28,760
YEAH, I’VE SEEN IT.
30
00:01:28,790 --> 00:01:30,930
YOU BETTER CALL
CRIME SCENE, GREG.
31
00:01:30,960 --> 00:01:32,930
DO YOU THINK
BEFORE MAKING SURE WE KNEW
32
00:01:32,960 --> 00:01:34,700
THIS GUY’S CAR
WAS TAUPE‐COLORED,
33
00:01:34,730 --> 00:01:37,530
YOU SHOULD HAVE
CONVEYED TO US
34
00:01:37,570 --> 00:01:39,940
PART OF HIS HEAD OCCUPIED
HIS PARKING SPACE?
35
00:01:39,970 --> 00:01:42,540
THAT WAS THE TIP‐OFF THERE
MIGHT HAVE BEEN FOUL PLAY.
36
00:01:42,570 --> 00:01:45,710
DEDUCING FOUL PLAY
OFF JUST BLOOD AND HAIR
37
00:01:45,740 --> 00:01:47,480
AND LITTLE PIECES
OF BRAIN MATTER?
38
00:01:47,510 --> 00:01:49,880
YOU MAY BE
IN THE WRONG LINE OF WORK.
39
00:01:49,910 --> 00:01:52,480
GOOD. I’M GOING
TO BE LOOKING FOR A JOB.
40
00:03:22,740 --> 00:03:24,910
GOOD MORNING.
41
00:03:24,940 --> 00:03:27,980
MY DAUGHTER’S GOING
TO HAVE A DRINK OF WATER,
42
00:03:28,010 --> 00:03:29,750
THEN WE’RE GOING IN HERE.
43
00:03:29,780 --> 00:03:31,580
I’M DIANE RUSSELL,
A DETECTIVE IN THE SQUAD.
44
00:03:31,620 --> 00:03:34,330
IS THERE SOMETHING
I COULD HELP YOU WITH?
45
00:03:34,350 --> 00:03:36,380
JANET AND OSCAR WEBB.
46
00:03:36,420 --> 00:03:38,720
THIS IS OUR DAUGHTER ANYA.
47
00:03:38,760 --> 00:03:40,470
HI, ANYA.
48
00:03:40,490 --> 00:03:41,420
HI.
49
00:03:41,460 --> 00:03:43,260
A TERRIBLE THING
HAPPENED TO HER.
50
00:03:43,290 --> 00:03:44,730
SHE WAS ATTACKED.
51
00:03:44,760 --> 00:03:45,960
I’M SORRY, ANYA.
52
00:03:46,000 --> 00:03:48,570
THANK YOU.
53
00:03:48,600 --> 00:03:52,770
COME ON. WE’LL TALK
ABOUT WHAT HAPPENED.
54
00:03:56,640 --> 00:03:59,610
ANYA AND I ARE GOING TO TALK
IN THE COFFEE ROOM.
55
00:03:59,640 --> 00:04:01,610
WOULD YOU SEE
IF MR. AND MRS. WEBB
56
00:04:01,650 --> 00:04:03,760
WOULD LIKE ANYTHING
FROM DOWNSTAIRS?
57
00:04:03,780 --> 00:04:05,010
OF COURSE.
58
00:04:05,050 --> 00:04:06,950
SHE NEEDS US WITH HER.
59
00:04:06,990 --> 00:04:08,790
HOW OLD ARE YOU, ANYA?
60
00:04:08,820 --> 00:04:10,590
Janet: 23.
61
00:04:10,620 --> 00:04:12,820
SINCE YOU’RE NOT A MINOR,
IT ISN’T USUAL PROCEDURE
62
00:04:12,860 --> 00:04:16,770
TO HAVE YOUR PARENTS WITH YOU,
BUT WE CAN MAKE AN EXCEPTION.
63
00:04:16,800 --> 00:04:19,500
NOT IF IT CHANGES
THE PROCEDURE.
64
00:04:19,530 --> 00:04:20,600
ANYA.
65
00:04:20,630 --> 00:04:22,460
Jill: GOOD MORNING.
66
00:04:22,500 --> 00:04:24,670
THESE ARE THE WEBBS, JILL.
THEIR DAUGHTER WAS ATTACKED.
67
00:04:24,700 --> 00:04:25,870
I’M SORRY.
68
00:04:25,900 --> 00:04:27,600
JILL KIRKENDALL.
69
00:04:27,640 --> 00:04:29,770
DID YOU WANT TO MAKE OUT
A BACKGROUND STATEMENT
70
00:04:29,810 --> 00:04:31,540
ON THE INCIDENT?
71
00:04:31,580 --> 00:04:34,450
I’M GOING TO TAKE HER
IN THE COFFEE ROOM.
72
00:04:34,480 --> 00:04:36,810
OKAY,
WE CAN TALK AT MY DESK.
73
00:04:36,850 --> 00:04:38,780
THE DOWNSTAIRS COFFEE’S BETTER
IF YOU WANT SOME.
74
00:04:38,820 --> 00:04:40,060
Janet: NO, THANK YOU.
75
00:04:40,080 --> 00:04:42,020
HE PROMISED
WE’D BE WITH HER.
76
00:04:42,050 --> 00:04:43,890
YOU PROMISED ANYA?
77
00:04:43,920 --> 00:04:47,060
HE PROMISED.
78
00:04:47,090 --> 00:04:48,720
SO, THAT’S GREAT.
79
00:04:48,760 --> 00:04:51,530
SHE KNOWS
YOU’RE RIGHT OUT HERE.
80
00:04:51,560 --> 00:04:53,900
PLEASE HAVE A SEAT.
81
00:05:00,000 --> 00:05:02,670
ONE OF THE KITTENS
AT MY WORK
82
00:05:02,710 --> 00:05:05,050
WAS DOING BAD LAST NIGHT
83
00:05:05,080 --> 00:05:06,920
AFTER IT HAD GOTTEN FIXED,
84
00:05:06,950 --> 00:05:09,050
SO I STAYED
PETTING HER A WHILE
85
00:05:09,080 --> 00:05:11,550
TILL I COULD GET HER ASLEEP.
86
00:05:11,580 --> 00:05:13,650
AND THEN WHEN DID YOU
LEAVE WORK, ANYA?
87
00:05:13,690 --> 00:05:15,390
9:15.
88
00:05:15,420 --> 00:05:18,690
AND WHEN I WAS WAITING
FOR THE BUS,
89
00:05:18,720 --> 00:05:23,990
THREE SPANISH BOYS
IN BIG HOODED JACKETS CAME UP.
90
00:05:24,030 --> 00:05:26,660
I WAS HOPING THEY’D PASS BY,
91
00:05:26,700 --> 00:05:28,900
BUT THEY GRABBED ME
92
00:05:28,930 --> 00:05:31,530
AND TOLD ME
IF I MADE A NOISE,
93
00:05:31,570 --> 00:05:33,870
THEY’D KILL ME RIGHT THERE,
94
00:05:33,910 --> 00:05:37,780
AND ONE PUT HIS JACKET ON ME
95
00:05:37,810 --> 00:05:42,840
AND TIED THE HOOD TIGHT
AND LOW ON MY FACE,
96
00:05:42,880 --> 00:05:47,020
AND THEN THEY STARTED ME
WALKING BETWEEN THEM
97
00:05:47,050 --> 00:05:50,020
AND TELLING ME
KEEP MY HEAD DOWN
98
00:05:50,050 --> 00:05:52,720
AND JUST LOOK AT THE GROUND.
99
00:05:52,760 --> 00:05:56,200
CAN YOU GUESS HOW LONG
YOU WALKED, ANYA?
100
00:05:56,230 --> 00:05:59,710
I TRIED TO COUNT SECONDS.
101
00:05:59,730 --> 00:06:02,030
UH, 1 AND 2 AND ‐‐
102
00:06:02,070 --> 00:06:04,110
THAT WAS SMART.
103
00:06:04,140 --> 00:06:06,950
COUNTING THAT WAY,
104
00:06:06,970 --> 00:06:10,470
I COUNTED 16 1/2 MINUTES.
105
00:06:10,510 --> 00:06:12,710
I‐I HEARD A BUNCH OF SOUNDS,
106
00:06:12,740 --> 00:06:15,040
BUT THEY COULD HAVE BEEN
FROM ANY STREET.
107
00:06:15,080 --> 00:06:17,210
BUT THEN AFTER 11 MINUTES,
108
00:06:17,250 --> 00:06:19,580
THE ONE THING I KNOW
109
00:06:19,620 --> 00:06:21,720
IS WE WENT THROUGH
SOME CONSTRUCTION.
110
00:06:21,750 --> 00:06:23,720
THE SIDEWALK WAS DUG OUT,
111
00:06:23,760 --> 00:06:29,000
AND WE WERE WALKING ON SAND
FOR ABOUT...40 STEPS.
112
00:06:29,030 --> 00:06:31,640
THAT’S REALLY HELPFUL
113
00:06:31,660 --> 00:06:34,500
THAT YOU PAID ATTENTION
TO ALL THAT.
114
00:06:34,530 --> 00:06:37,430
THANK YOU.
115
00:06:37,470 --> 00:06:42,500
WE WALKED UP THREE FLIGHTS
IN A BUILDING
116
00:06:42,540 --> 00:06:44,940
THAT THE FRONT DOOR
WASN’T LOCKED
117
00:06:44,980 --> 00:06:48,650
AND THEN INTO AN APARTMENT
THAT WASN’T LOCKED
118
00:06:48,680 --> 00:06:52,080
AND HAD A MATTRESS...
119
00:06:52,120 --> 00:06:54,260
WITH NO SHEETS...
120
00:06:54,290 --> 00:06:56,760
THAT WAS DIRTY,
121
00:06:56,790 --> 00:07:00,790
AND NOTHING ELSE
IN THE APARTMENT
122
00:07:00,830 --> 00:07:05,600
EXCEPT VENETIAN BLINDS.
123
00:07:05,630 --> 00:07:10,770
THEY PULLED DOWN
MY UNDERWEAR...
124
00:07:10,800 --> 00:07:13,270
AND PUSHED MY SKIRT UP...
125
00:07:13,300 --> 00:07:18,170
AND PUSHED MY SHIRT
AND SWEATER UP,
126
00:07:18,210 --> 00:07:21,110
COVERING MY FACE
127
00:07:21,150 --> 00:07:24,990
AND PUSHED MY BRASSIERE UP.
128
00:07:25,020 --> 00:07:29,230
AND...
129
00:07:29,250 --> 00:07:32,650
AFTER 85 MINUTES...
130
00:07:34,530 --> 00:07:39,840
TWO NEW MEN CAME IN, TOO.
131
00:07:39,860 --> 00:07:42,000
NONE OF THEM
SAID THEIR NAMES.
132
00:07:42,030 --> 00:07:43,930
THEY ALL SMELLED LIKE BEER.
133
00:07:46,170 --> 00:07:49,970
IF I HAD STAYED LATE
WORKING OR NOT
134
00:07:50,010 --> 00:07:52,540
OR I SHOULD HAVE KNOWN
OR NOT ‐‐
135
00:07:52,580 --> 00:07:55,220
YOU DIDN’T DO ANYTHING
WRONG, ANYA,
136
00:07:55,250 --> 00:07:57,160
AND WHAT YOU JUST TOLD ME
137
00:07:57,180 --> 00:08:00,050
IS REALLY GOING TO HELP.
138
00:08:00,080 --> 00:08:01,720
IF I SHOULD HAVE FOUGHT ‐‐
139
00:08:01,750 --> 00:08:03,650
NO, NO, NO.
THERE WERE THREE OF THEM
140
00:08:03,690 --> 00:08:06,050
AND THEN
THERE WERE FIVE OF THEM.
141
00:08:06,090 --> 00:08:09,590
IF YOU’D HAVE FOUGHT,
THEY MIGHT HAVE KILLED YOU.
142
00:08:13,100 --> 00:08:16,010
CAN YOU TELL MY PARENTS?
143
00:08:16,030 --> 00:08:20,540
THEY DON’T KNOW YET
ABOUT THE SEX PART.
144
00:08:29,580 --> 00:08:31,850
THERE’S EVERY ELEMENT...
145
00:08:31,880 --> 00:08:34,750
IN THE NEIGHBORHOOD
WHERE ANYA WORKS.
146
00:08:34,790 --> 00:08:36,630
AND NEW ELEMENTS EVERY DAY.
147
00:08:40,320 --> 00:08:42,020
IS SHE ALL RIGHT?
148
00:08:42,060 --> 00:08:45,030
WHY IS THE DOOR CLOSED?
149
00:08:45,060 --> 00:08:48,030
ANYA’S ASKED ME TO TELL YOU
MORE ABOUT WHAT HAPPENED ‐‐
150
00:08:48,070 --> 00:08:50,240
MORE SPECIFIC THINGS
ABOUT HOW SHE WAS ATTACKED.
151
00:08:50,270 --> 00:08:51,870
THANK GOD SHE’S ALL RIGHT.
152
00:08:51,900 --> 00:08:53,300
SHE SAID SHE WAS.
153
00:08:53,340 --> 00:08:55,880
ANYA WAS ATTACKED SEXUALLY,
154
00:08:55,910 --> 00:08:58,080
AND SHE HAD NO OPPORTUNITY
TO RESIST...
155
00:08:58,110 --> 00:09:00,140
OH, MY GOD.
156
00:09:00,180 --> 00:09:02,210
WHICH IS WHY
SHE’S NOT BRUISED.
157
00:09:02,250 --> 00:09:04,060
WE NEED TO GET ANYA
EXAMINED AT A HOSPITAL.
158
00:09:04,080 --> 00:09:06,050
AS UPSET AS YOU ARE,
159
00:09:06,080 --> 00:09:09,320
YOU’RE GOING TO WANT TO
BE WITH HER AND SUPPORT HER.
160
00:09:27,670 --> 00:09:29,940
SHE SAID SHE WASN’T HURT.
161
00:09:29,970 --> 00:09:33,110
SHE SAID SHE JUST WANTED
TO REPORT THE INCIDENT.
162
00:09:54,230 --> 00:09:56,200
I DON’T KNOW.
I JUST GOT HERE.
163
00:09:56,230 --> 00:09:58,800
DONNY GOODE. I’M NOTIFIED
MY UNCLE’S MISSING.
164
00:09:58,840 --> 00:10:02,110
THE INVESTIGATING DETECTIVES
ARE JUST ON THEIR WAY BACK.
165
00:10:02,140 --> 00:10:03,810
UM...
166
00:10:05,680 --> 00:10:09,220
CANCEL THE 10:00. TELL TREVOR
I’LL BE THERE IN AN HOUR.
167
00:10:17,690 --> 00:10:21,790
YOU EVER BUMP INTO A GUY
NAMED BLAKE FROM LOUISVILLE?
168
00:10:21,830 --> 00:10:23,700
WHAT ARE YOU TALKING ABOUT?
169
00:10:23,730 --> 00:10:26,030
WELL, HE PROBABLY
KILLED MY UNCLE.
170
00:10:26,060 --> 00:10:28,860
I JUST THOUGHT YOUR FLIGHT
PATHS MIGHT HAVE CROSSED.
171
00:10:31,400 --> 00:10:33,330
EITHER OF YOU TWO SORENSON?
172
00:10:33,370 --> 00:10:35,040
ME. ARE YOU DONNY GOODE?
173
00:10:35,070 --> 00:10:37,070
YEAH. WHAT’S THE STORY
WITH MY UNCLE?
174
00:10:37,110 --> 00:10:39,840
LIKE I SAID ON THE PHONE,
YOUR UNCLE’S CAR IS MISSING.
175
00:10:39,880 --> 00:10:41,480
THERE’S INDICATION
OF FOUL PLAY.
176
00:10:41,510 --> 00:10:43,480
WE’RE HOPING YOU CAN
GIVE US SOME BACKGROUND.
177
00:10:43,510 --> 00:10:45,180
MY PARTNER ANDY SIPOWICZ.
178
00:10:45,220 --> 00:10:48,890
HOW’S IT GOING, SIPOWICZ?
BUT, I MEAN, NOTHING FURTHER?
179
00:10:48,920 --> 00:10:50,420
NO, NOTHING FURTHER YET,
DONNY,
180
00:10:50,450 --> 00:10:52,990
FROM THE 20 MINUTES AGO
WHEN MY PARTNER CALLED.
181
00:10:53,020 --> 00:10:54,320
MR. GOODE WAS SAYING
182
00:10:54,360 --> 00:10:55,990
HE THOUGHT HIS UNCLE
HAD BEEN KILLED
183
00:10:56,030 --> 00:10:57,340
BY A BLAKE FROM LOUISVILLE.
184
00:10:57,360 --> 00:10:59,190
NO KIDDING?
185
00:10:59,230 --> 00:11:01,400
YEAH, WELL, JUST GUESSING.
186
00:11:01,430 --> 00:11:04,930
WELL, COME HERE, DONNY,
AND FILL US IN.
187
00:11:04,970 --> 00:11:06,170
WHO’S BLAKE?
188
00:11:06,200 --> 00:11:07,270
THAT GUY’S GAY, RIGHT?
189
00:11:07,310 --> 00:11:09,110
WHY?
190
00:11:09,140 --> 00:11:10,870
I’M YANKING HIS CHAIN
ASKING HIM ABOUT BLAKE.
191
00:11:10,910 --> 00:11:12,240
BLAKE’S ANOTHER FAG.
192
00:11:13,880 --> 00:11:15,180
I’M TRYING TO REMEMBER
TAKING A SHINE
193
00:11:15,210 --> 00:11:17,210
TO SOMEBODY RIGHT OFF THE BAT
LIKE I AM TO YOU.
194
00:11:17,250 --> 00:11:19,250
I GROW ON PEOPLE.
195
00:11:19,280 --> 00:11:20,920
WHY WOULD YOU SAY
196
00:11:20,950 --> 00:11:23,420
YOU THOUGHT BLAKE
KILLED YOUR UNCLE?
197
00:11:23,450 --> 00:11:26,350
WELL, BECAUSE WALTER
JUST BROKE UP WITH BLAKE.
198
00:11:26,390 --> 00:11:28,960
WALTER SAID BLAKE
WAS BEING DRAMATIC ABOUT IT.
199
00:11:28,990 --> 00:11:31,760
OTHERWISE, WALTER’S LIFE
WAS PRETTY NORMAL.
200
00:11:31,800 --> 00:11:33,440
HE GOT OTHER FAMILY,
YOUR UNCLE?
201
00:11:33,460 --> 00:11:34,930
JUST ME.
202
00:11:34,970 --> 00:11:36,370
HE’S GOT A NICE PLACE.
203
00:11:36,400 --> 00:11:38,800
NICE TAUPE MERCEDES
THAT’S MISSING.
204
00:11:38,840 --> 00:11:40,880
HEY, GUYS, I HAVE
MY OWN CONSULTING FIRM
205
00:11:40,910 --> 00:11:44,320
AND 58,000 SHARES
IN THE MAGELLAN GROWTH FUND.
206
00:11:44,340 --> 00:11:46,210
I DON’T NEED
TO KILL ANYBODY.
207
00:11:46,240 --> 00:11:49,480
YOU GOT AN IDEA HOW WE
CAN REACH OUT FOR THIS BLAKE?
208
00:11:49,510 --> 00:11:52,050
BLAKE DeWITT.
209
00:11:52,080 --> 00:11:54,120
I HANDLED THE KISS‐OFF.
210
00:11:54,150 --> 00:11:57,320
DON’T THROW THINGS AT US,
OR WE’LL THROW THINGS AT YOU.
211
00:11:57,360 --> 00:12:00,270
MI DISPIACE.
212
00:12:02,530 --> 00:12:05,400
I’M STUDYING ITALIAN.
213
00:12:05,430 --> 00:12:10,000
BLAKE MOVED, BUT I’VE GOT
HIS MOMMY’S NUMBER IN THERE.
214
00:12:13,000 --> 00:12:15,900
HELLO?
THIS IS DANNY, MRS. DeWITT.
215
00:12:15,940 --> 00:12:18,240
I’M A BUDDY
OF YOUR SON BLAKE’S.
216
00:12:18,280 --> 00:12:21,290
I GOT SOME CONCERT TICKETS
HE MIGHT BE INTERESTED IN,
217
00:12:21,310 --> 00:12:25,250
BUT THE NUMBER HE WROTE OUT
FOR ME AIN’T WORKING.
218
00:12:25,280 --> 00:12:27,450
DID HE MOVE OR SOMETHING?
OH, YEAH?
219
00:12:27,490 --> 00:12:30,600
YOU GOT THAT NEW ONE
FOR HIM?
220
00:12:30,620 --> 00:12:32,020
YOU GUYS ARE DOGS.
221
00:12:32,060 --> 00:12:33,460
SHUT YOUR MOUTH.
222
00:12:33,490 --> 00:12:36,090
YOU’RE THINK OF COMING UP
FROM LEXINGTON?
223
00:12:36,130 --> 00:12:39,270
I KNOW BLAKE,
HE’D BE GLAD TO SEE YOU,
224
00:12:39,300 --> 00:12:42,110
BUT MAYBE YOU SHOULD
GIVE HIM TIME TO GET STRAIGHT
225
00:12:42,130 --> 00:12:45,800
AT HIS NEW PLACE,
THEN HE’LL BE READY FOR GUESTS.
226
00:12:45,840 --> 00:12:48,150
THANKS AN AWFUL LOT
FOR THE NEW PHONE NUMBER.
227
00:12:48,170 --> 00:12:49,940
TAKE GOOD CARE.
228
00:12:49,970 --> 00:12:53,110
BLAKE JUST RELOCATED
WITH A NEW ROOMMATE.
229
00:12:53,140 --> 00:12:55,980
YOU CAN TRACE HIS ADDRESS
OFF THE PHONE NUMBER.
230
00:12:56,010 --> 00:12:58,480
WHERE CAN WE FIND YOU,
DONNY,
231
00:12:58,520 --> 00:13:00,130
YOUR STOCKBROKER’S?
232
00:13:00,150 --> 00:13:02,620
SEE HOW POLITELY I JUST
HANDED THIS BACK TO YOU?
233
00:13:02,650 --> 00:13:04,490
MY STOCKBROKER’S, HUH?
234
00:13:04,520 --> 00:13:07,820
AFTER I GO, EXPLAIN
THEY INVENTED THE INTERNET.
235
00:13:10,930 --> 00:13:12,890
SEE YOU, GORGEOUS.
236
00:13:12,930 --> 00:13:15,100
KEEP THINKING
YOU’RE STRAIGHT.
237
00:13:21,210 --> 00:13:22,480
JOHN...
238
00:13:22,510 --> 00:13:25,080
THAT CRACK YOU MADE,
239
00:13:25,110 --> 00:13:29,140
WERE YOU INFERRING
THAT THIS DONNY
240
00:13:29,180 --> 00:13:31,580
INADVERTENTLY,
WITHOUT HIS KNOWING IT...
241
00:13:34,390 --> 00:13:35,930
ON YOUR SIDE?
242
00:13:35,950 --> 00:13:37,850
PLEASE.
243
00:13:42,360 --> 00:13:43,860
PICK UP THIS BLAKE?
244
00:14:15,260 --> 00:14:17,290
LOOK, THE STORE’S
AROUND THE CORNER
245
00:14:17,330 --> 00:14:19,030
WHERE I WORK,
246
00:14:19,060 --> 00:14:21,460
AND THIS IS WHERE
I WAS WAITING,
247
00:14:21,500 --> 00:14:22,630
LIKE I DO EVERY DAY.
248
00:14:22,670 --> 00:14:24,380
THEY CAME FROM OVER THERE
249
00:14:24,400 --> 00:14:26,200
AND TURNED ME
250
00:14:26,240 --> 00:14:29,550
AND WALKED ME BACK
THE SAME WAY.
251
00:14:29,570 --> 00:14:31,210
YOU’RE POSITIVE
ABOUT THE DIRECTION?
252
00:14:31,240 --> 00:14:34,040
WELL, EVEN WITH MAKING ME
STARE AT THE GROUND,
253
00:14:34,080 --> 00:14:36,550
I’M 100% POSITIVE
OF THE DIRECTION WE TOOK,
254
00:14:36,580 --> 00:14:39,380
AND I TRIED TO KEEP
REGULAR COUNT OF THE TIME.
255
00:14:39,420 --> 00:14:41,960
FEEL LIKE WALKING A WHILE?
256
00:14:41,990 --> 00:14:44,730
AND YOU WANT ME TO COUNT
EXACTLY THE SAME PACE?
257
00:14:44,760 --> 00:14:48,000
YEAH, EXACTLY THE SAME.
258
00:14:49,630 --> 00:14:53,060
IT WAS RIGHT NOT TO LET
MY PARENTS COME, RIGHT?
259
00:14:53,100 --> 00:14:54,470
YOU WERE RIGHT, ANYA.
260
00:14:54,500 --> 00:14:57,330
THIS WOULDN’T HAVE DONE
YOUR MOM OR DAD ANY GOOD.
261
00:14:57,370 --> 00:14:59,430
AND IT DIDN’T HAPPEN
TO THEM.
262
00:14:59,470 --> 00:15:01,240
NO...
263
00:15:01,270 --> 00:15:04,510
IT HAPPENED TO YOU.
264
00:15:07,450 --> 00:15:09,190
ONE‐1,000...
265
00:15:09,210 --> 00:15:11,680
TWO‐1,000...
266
00:15:11,720 --> 00:15:14,090
THREE‐1,000...
267
00:15:14,120 --> 00:15:15,520
FOUR‐1,000...
268
00:15:31,300 --> 00:15:34,700
OH, FOR HEAVEN’S SAKE.
269
00:15:34,740 --> 00:15:36,970
SIT DOWN OVER THERE.
270
00:15:37,010 --> 00:15:39,440
BELIEVE ME OR NOT,
THIS IS THE FIRST TIME
271
00:15:39,480 --> 00:15:42,120
IN MY LIFE I’VE BEEN
IN A POLICE STATION.
272
00:15:42,150 --> 00:15:44,020
WHY WOULDN’T WE
BELIEVE YOU?
273
00:15:44,050 --> 00:15:46,280
WELL, GOOD,
’CAUSE IT’S THE TRUTH.
274
00:15:46,320 --> 00:15:49,630
YOU GOT SOME IDEA WHAT WE
WANT TO TALK TO YOU ABOUT?
275
00:15:49,650 --> 00:15:52,520
WALTER GOODE’S CAR
IS MISSING.
276
00:15:52,560 --> 00:15:54,400
IF WALTER’S SAYING
I TOOK HIS CAR,
277
00:15:54,430 --> 00:15:56,330
THAT’S AN OUT‐AND‐OUT LIE.
278
00:15:56,360 --> 00:15:59,060
YOU GOT NO IDEA
WHERE IT’S AT?
279
00:15:59,100 --> 00:16:01,470
IF HE’S SAYING OTHERWISE,
WALTER’S LYING.
280
00:16:01,500 --> 00:16:04,130
WHEN’S THE LAST
YOU SAW WALTER?
281
00:16:04,170 --> 00:16:06,530
3 WEEKS AGO.
23 DAYS.
282
00:16:06,570 --> 00:16:08,400
YOU MARK THEM OFF
ON YOUR CALENDAR?
283
00:16:08,440 --> 00:16:10,010
YES.
284
00:16:13,340 --> 00:16:15,680
IT’S NOT JUST
WALTER’S CAR, BLAKE.
285
00:16:15,710 --> 00:16:18,650
HE’S MISSING, TOO.
286
00:16:18,680 --> 00:16:20,480
MAYBE WALTER TOOK
HIS CAR HIMSELF
287
00:16:20,520 --> 00:16:22,480
AND NEITHER OF THEM
ARE MISSING.
288
00:16:22,520 --> 00:16:24,190
TOOK OFF
ON A JAUNT SOMEWHERES?
289
00:16:24,220 --> 00:16:26,490
IF THAT IS
WHAT WALTER DID,
290
00:16:26,520 --> 00:16:28,690
IT WOULD HAVE BEEN
THE ABSOLUTE
291
00:16:28,730 --> 00:16:31,670
BEST PRESENT IN THE WORLD
HE COULD’VE GIVEN HIMSELF.
292
00:16:31,700 --> 00:16:34,340
AND LEAVING THAT LITTLE PART
OF HIS HEAD BEHIND,
293
00:16:34,370 --> 00:16:36,680
THAT WOULD BE HIS ABSOLUTE
BEST FAREWELL PRESENT
294
00:16:36,700 --> 00:16:38,670
TO THE PARKING GARAGE FLOOR?
295
00:16:38,700 --> 00:16:42,200
WHAT ARE YOU SAYING?
296
00:16:42,240 --> 00:16:45,540
WE THINK SOMETHING BAD MIGHT
HAVE HAPPENED TO WALTER, BLAKE.
297
00:16:49,380 --> 00:16:50,710
OH, MY GOD.
298
00:16:53,620 --> 00:16:55,380
MY GOD IN HEAVEN.
299
00:16:57,460 --> 00:17:00,130
WHICH HIS NEPHEW SAYS
THAT YOU WERE PRETTY UPSET
300
00:17:00,160 --> 00:17:02,190
WHEN WALTER BROKE UP WITH YOU,
301
00:17:02,230 --> 00:17:04,540
AND WE’RE WONDERING
302
00:17:04,560 --> 00:17:07,230
IF YOU WERE UPSET ENOUGH
THAT MAYBE IT WAS YOU
303
00:17:07,270 --> 00:17:09,710
THAT SEPARATED THAT LITTLE PART
OF HIS HEAD
304
00:17:09,730 --> 00:17:11,700
THAT WE FOUND
ON THE GARAGE FLOOR
305
00:17:11,740 --> 00:17:13,540
FROM THE REST OF WALTER.
306
00:17:13,570 --> 00:17:17,110
I WOULD NEVER DO ANYTHING
TO HURT WALTER
307
00:17:17,140 --> 00:17:20,180
OR HIS CAR OR, I HOPE,
ANY LIVING CREATURE.
308
00:17:24,250 --> 00:17:27,280
OH, GOD,
THIS IS SO TERRIBLE.
309
00:17:27,320 --> 00:17:30,220
THIS NEW GUY PHILLIP
THAT YOU’RE LIVING WITH,
310
00:17:30,250 --> 00:17:32,220
WHAT’S HE THINK
ABOUT WALTER?
311
00:17:32,260 --> 00:17:34,430
PHILLIP DOESN’T EVEN
KNOW WALTER.
312
00:17:34,460 --> 00:17:37,260
BUT YOU DON’T
TELL EACH OTHER, LIKE,
313
00:17:37,300 --> 00:17:40,110
WAR STORIES
OF PREVIOUS INTIMATES?
314
00:17:40,130 --> 00:17:44,230
WELL, AS FAR
AS THAT GOES,
315
00:17:44,270 --> 00:17:49,300
UM, IN TERMS OF HIS ROLE
IN MY LIFE,
316
00:17:49,340 --> 00:17:53,140
PHILLIP SAID THAT WALTER
WAS SATAN INCARNATE.
317
00:17:55,710 --> 00:17:57,780
PHILLIP SAID THAT, HUH?
318
00:19:11,420 --> 00:19:13,190
IT WAS HERE.
319
00:19:16,560 --> 00:19:19,360
OH, I DIDN’T KNOW
PEOPLE WAS IN HERE.
320
00:19:19,400 --> 00:19:22,240
YOU LIVE ON THIS FLOOR?
DOWN THE HALL.
321
00:19:22,270 --> 00:19:25,380
HEAR ANYTHING GOING ON
IN THIS APARTMENT LAST NIGHT?
322
00:19:25,400 --> 00:19:28,370
LAST NIGHT? NO.
WORLD WIDE WRESTLING ON TV.
323
00:19:28,410 --> 00:19:30,220
THEY PLAY THAT STUFF
PRETTY LOUD.
324
00:19:30,240 --> 00:19:31,770
WHAT’S YOUR NAME?
325
00:19:31,810 --> 00:19:34,410
CARLOS JIMENEZ.
CAN I GO?
326
00:19:34,450 --> 00:19:36,390
YEAH, YOU CAN GO, CARLOS.
327
00:19:37,620 --> 00:19:39,860
WHY, WHAT WENT ON IN HERE?
328
00:19:39,880 --> 00:19:41,550
GO AHEAD, CARLOS.
329
00:19:46,260 --> 00:19:49,230
HE’S A SON OF A BITCH
TO STAND THERE AND LIE.
330
00:19:49,260 --> 00:19:51,560
WAS HE ONE OF THEM?
THE LAST ONE.
331
00:19:51,600 --> 00:19:52,640
CARLOS.
332
00:19:52,660 --> 00:19:54,400
YEAH, WHAT DO YOU WANT?
333
00:19:54,430 --> 00:19:57,300
I GOT TO GET YOU
ON THE COMINGS AND GOINGS.
334
00:19:57,340 --> 00:19:58,880
WHAT DO YOU MEAN?
335
00:19:58,900 --> 00:20:01,770
YOU GOT TO WORK WITH ME
ON THE TRESPASSING GOING ON.
336
00:20:01,810 --> 00:20:05,050
YEAH, BUT I DON’T
PAY THAT MUCH ATTENTION.
337
00:20:05,080 --> 00:20:07,050
IF YOU WANT
TO GET BACK HERE
338
00:20:07,080 --> 00:20:08,880
ANY TIME TONIGHT, CARLOS,
339
00:20:08,910 --> 00:20:11,050
YOU BETTER COME IN
WITH ME COOPERATIVE.
340
00:20:11,080 --> 00:20:12,650
YEAH, RIGHT.
341
00:20:15,920 --> 00:20:17,890
HE DIDN’T EVEN
RECOGNIZE HER.
342
00:20:17,920 --> 00:20:20,360
NOT WITHOUT HER SWEATER
OVER HER HEAD.
343
00:20:23,360 --> 00:20:25,890
IS HE GOING
TO BE ARRESTED?
344
00:20:25,930 --> 00:20:28,260
IT’LL GET TO THAT.
345
00:20:28,300 --> 00:20:32,370
DID I HELP YOU BY NOT SHOWING
I WAS AFRAID?
346
00:20:34,670 --> 00:20:36,570
COME HERE.
347
00:20:36,610 --> 00:20:37,770
COME HERE.
348
00:20:45,020 --> 00:20:47,590
"WELCOME TO THE POKEY."
349
00:20:47,620 --> 00:20:50,590
YOU GOT A LITTLE GLUM FACE
IN THE "O"
350
00:20:50,620 --> 00:20:54,820
AND A STICK FIGURE IN WHAT’S
INTENDED TO BE THE POKEY.
351
00:20:54,860 --> 00:20:58,290
DID YOU DRAW THAT?
352
00:21:03,000 --> 00:21:05,600
SO DOES IT PLEASE YOU
TO KNOW
353
00:21:05,640 --> 00:21:07,610
YOU’VE COST A MAN
HIS DAY’S SALARY?
354
00:21:07,640 --> 00:21:09,440
YEAH,
WE’RE SORRY ABOUT THAT.
355
00:21:09,470 --> 00:21:11,970
WELL, THAT’S MORE
THAN ADEQUATE COMPENSATION.
356
00:21:12,010 --> 00:21:14,940
DOES THAT PEACOCK ACT
DRUM UP TIPS FOR YOU, PHIL,
357
00:21:14,980 --> 00:21:16,780
DOWN THERE AT THE CAFE?
358
00:21:16,820 --> 00:21:18,890
WHAT WOULD YOU GUESS,
DETECTIVE?
359
00:21:18,920 --> 00:21:21,030
TOP OF MY HEAD, NO.
360
00:21:21,050 --> 00:21:23,620
WELL, SINCE YOU’D NEVER
DINED AT THE CAFE,
361
00:21:23,660 --> 00:21:25,960
YOUR OPINION ISN’T
REALLY COMPETENT.
362
00:21:25,990 --> 00:21:28,720
ALTHOUGH THE TOP OF YOUR HEAD
IS VERY AMPLE.
363
00:21:28,760 --> 00:21:32,330
YOU GETTING READY TO GO
ON A PUDDING DIET, PHIL?
364
00:21:32,360 --> 00:21:34,460
MEANING YOU’RE ABOUT
TO KNOCK MY TEETH OUT?
365
00:21:34,500 --> 00:21:37,330
PHILLIP,
WALTER GOODE’S GONE MISSING.
366
00:21:37,370 --> 00:21:39,400
THAT USED TO BE
YOUR BOYFRIEND’S LOVER.
367
00:21:39,440 --> 00:21:41,680
SO ARE WE ORGANIZING
SEARCH TEAMS?
368
00:21:41,710 --> 00:21:45,020
WE’RE WONDERING IF MAYBE
YOU’RE WHO GOT HIM THAT WAY.
369
00:21:45,040 --> 00:21:45,970
MISSING, YOU MEAN.
370
00:21:46,010 --> 00:21:47,640
MISSING IS WHAT I MEAN.
371
00:21:47,680 --> 00:21:48,880
NO.
372
00:21:48,910 --> 00:21:51,010
YOU DON’T KNOW NOTHING
ABOUT MR. GOODE?
373
00:21:51,050 --> 00:21:53,650
I KNOW THAT MR. GOODE
TOOK A PRURIENT PLEASURE
374
00:21:53,690 --> 00:21:55,760
IN TURNING BLAKE OUT
AS COUNTRY TRADE.
375
00:21:55,790 --> 00:21:58,430
I KNOW HIS NAME
CONFIRMS IRONY AS A CONCEPT.
376
00:21:58,460 --> 00:22:00,100
AND THAT’S ALL I KNOW
377
00:22:00,120 --> 00:22:03,020
THAT I’M WILLING TO SHARE
WITH THE TWO OF YOU.
378
00:22:03,060 --> 00:22:06,530
YOU FEEL YOU SHOULD BE EARNING
ON ONE OF THEM QUIZ SHOWS
379
00:22:06,570 --> 00:22:09,370
WITH ALL THIS CLEVER CRAP
THAT YOU’RE GETTING OFF,
380
00:22:09,400 --> 00:22:11,370
AND HERE WE ARE
WASTING YOUR TIME
381
00:22:11,400 --> 00:22:14,370
JUST ’CAUSE A GUY
THAT YOU HAD A MOTIVE TO HURT
382
00:22:14,410 --> 00:22:16,720
GOT SEPARATED FROM SOME
OF HIS BRAIN MATTER?
383
00:22:16,740 --> 00:22:19,010
I’M GOING TO HURRY MATTERS
ALONG, DETECTIVE.
384
00:22:19,040 --> 00:22:21,680
YOU HAVE NOWHERE TO GO
IN YOUR INTERROGATION STRATEGY
385
00:22:21,710 --> 00:22:24,010
OTHER THAN PHYSICAL FORCE,
AT WHICH POINT
386
00:22:24,050 --> 00:22:26,180
I’M IMMEDIATELY GOING
TO DEMAND COUNSEL.
387
00:22:26,220 --> 00:22:28,860
WHICH YOU ASSUME I AM
GOING TO RUN AND GET YOU
388
00:22:28,890 --> 00:22:30,900
INSTEAD OF SMACKING YOU
IN THE FACE.
389
00:22:30,920 --> 00:22:32,850
YOU’RE NOT WILLING
TO ADMINISTER A BEATING
390
00:22:32,890 --> 00:22:34,860
MORE SEVERE
THAN I’M PREPARED TO TAKE
391
00:22:34,890 --> 00:22:36,890
WHEN YOU’RE NOT POSITIVE
I COMMITTED THE CRIME.
392
00:22:36,930 --> 00:22:40,030
AT THIS POINT,
I THINK BOTH OF YOU REALIZE
393
00:22:40,060 --> 00:22:42,200
I’M NOT GOING
TO BE RESPONDING
394
00:22:42,230 --> 00:22:43,900
TO ALL THESE SOULFUL,
395
00:22:43,940 --> 00:22:46,580
SUBLIMINAL MESSAGES OF SUPPORT
AND UNDERSTANDING
396
00:22:46,610 --> 00:22:49,050
THAT YOUR COLLEAGUE HERE
IS SENDING MY WAY
397
00:22:49,070 --> 00:22:51,910
SO HE CAN GET ME TO ACT
AGAINST MY OWN INTERESTS.
398
00:22:51,940 --> 00:22:53,980
I TELL YOU ALL THIS
399
00:22:54,010 --> 00:22:57,880
’CAUSE I’M HOPING I CAN
MAKE IT TO THE CAFE IN TIME
400
00:22:57,920 --> 00:23:00,930
TO PERFORM MY PEACOCK ACT
FOR THE LATE‐LUNCH CROWD.
401
00:23:07,590 --> 00:23:09,160
Danny: SO, PHILLIP,
402
00:23:09,190 --> 00:23:12,930
DON’T BE EXPECTING
BLAKE HOME ANY TIME SOON.
403
00:23:12,960 --> 00:23:15,730
AND THEY SAY THE DESAPARECIDOS
ARE IN ARGENTINA.
404
00:23:15,770 --> 00:23:18,010
I THOUGHT THAT WAS
ALL THE GAUCHOS.
405
00:23:18,040 --> 00:23:19,810
YOU ARE A VULGAR PIG.
406
00:23:19,840 --> 00:23:23,070
SEE, THAT’S THE TYPE OF THING
THAT MAKES YOU WANT TO OINK.
407
00:23:23,110 --> 00:23:25,650
ANY MESSAGE YOU WANT US
CONVEYING TO BLAKE?
408
00:23:25,680 --> 00:23:27,620
YEAH, ’CAUSE WE GOT
THE IMPRESSION
409
00:23:27,650 --> 00:23:30,460
THAT BLAKE LOOKED TO YOU
AS SORT OF A PROTECTOR TYPE.
410
00:23:30,480 --> 00:23:32,950
NO, NO MESSAGE
I WANT YOU CONVEYING.
411
00:23:32,980 --> 00:23:35,620
I’LL TELL HIM YOU SAID
HE’S ON HIS OWN,
412
00:23:35,650 --> 00:23:37,690
THAT’S LIFE IN THE BIG CITY ‐‐
413
00:23:37,720 --> 00:23:39,860
GETTING JAMMED FOR SOMETHING
YOU DIDN’T DO.
414
00:23:39,890 --> 00:23:45,260
YOU TELL HIM THAT I’M GOING
TO WIDEN THE LOOP.
415
00:23:45,300 --> 00:23:47,840
WIDEN THE LOOP, HUH?
416
00:23:47,870 --> 00:23:50,640
AND DO WHAT,
STICK YOUR WEENIE THROUGH IT?
417
00:23:52,240 --> 00:23:54,650
THAT GUY’S TOUGH.
418
00:23:57,080 --> 00:23:59,050
WHAT DO YOU THINK, JOHN?
419
00:23:59,080 --> 00:24:01,050
YOU SAW THAT WHOLE
INTERVIEW, RIGHT?
420
00:24:01,080 --> 00:24:03,040
I THINK HE KILLED
THAT OTHER MAN.
421
00:24:03,080 --> 00:24:05,480
HOW ARE WE
GOING TO CATCH HIM?
422
00:24:05,520 --> 00:24:07,660
GIVE ME A CHANCE.
I’M NEW AT THIS.
423
00:24:07,690 --> 00:24:10,830
SURE. TAKE ALL THE TIME
YOU NEED.
424
00:24:37,220 --> 00:24:39,860
OUT OF THE BLUE, YOU KNOW,
425
00:24:39,880 --> 00:24:42,080
GAY JOHN PASSES A REMARK,
426
00:24:42,120 --> 00:24:44,750
PUTS THIS ASSHOLE NEPHEW
WE’RE TALKING TO
427
00:24:44,790 --> 00:24:47,590
INTO TOTAL FOCUS ‐‐ THAT HE
WAS HIMSELF A LATENT FRUIT.
428
00:24:47,630 --> 00:24:50,900
BUT WE DON’T LIKE THE NEPHEW
FOR HARMING HIS UNCLE.
429
00:24:50,930 --> 00:24:54,030
THE NEPHEW WE ONLY LIKE
FOR BEING A SPOILED JERK.
430
00:24:54,070 --> 00:24:56,840
IT’S JUST, WITH GAY JOHN
PASSING THIS PERCEPTIVE REMARK,
431
00:24:56,870 --> 00:24:59,840
DANNY GETS THE IDEA, YOU KNOW,
THAT THIS IS A GAY MURDER,
432
00:24:59,870 --> 00:25:02,240
OR WHATEVER HAPPENED
WITH THIS MISSING WALTER.
433
00:25:02,270 --> 00:25:06,170
WHY NOT HAVE GAY JOHN
WATCH THE INTERVIEW
434
00:25:06,210 --> 00:25:08,610
WITH THIS
OTHER FRUIT PHILLIP ‐‐
435
00:25:08,650 --> 00:25:10,190
WE COME OUT
LIKING THIS PHILLIP,
436
00:25:10,210 --> 00:25:12,780
BUT NO REAL WAY TO GO AT HIM.
437
00:25:12,820 --> 00:25:15,760
BUT JOHN’S GOT THIS IDEA
HOW PHILLIP’S GOING TO ACT.
438
00:25:15,790 --> 00:25:17,760
OFF THIS PHILLIP’S
GAY THINKING
439
00:25:17,790 --> 00:25:20,060
INVOLVING HIS
GAY BOYFRIEND BLAKE.
440
00:25:20,090 --> 00:25:22,560
I THINK WE’VE GOT EVERYONE
ESTABLISHED AS GAY.
441
00:25:22,590 --> 00:25:27,960
ANYWAYS, IT’S RISKY
WHERE IF ANYTHING GOES WRONG,
442
00:25:28,000 --> 00:25:30,900
YOU COULD WIND UP YOUR
SUSPECT HAS REPRESENTATION,
443
00:25:30,940 --> 00:25:33,610
BUT I THINK YOU OUGHT
TO LISTEN TO HIS THINKING.
444
00:25:33,640 --> 00:25:35,100
DON’T YOU AGREE?
445
00:25:35,140 --> 00:25:36,670
YEAH, ABSOLUTELY.
446
00:25:52,290 --> 00:25:54,760
GO AHEAD.
447
00:26:04,940 --> 00:26:07,310
I DON’T THINK
HE’D KILL HIM FOR MONEY.
448
00:26:07,340 --> 00:26:09,970
HE’D DO IT
BECAUSE HE COULDN’T GET
449
00:26:10,010 --> 00:26:12,410
THAT OTHER BOY TO HATE HIM.
450
00:26:12,440 --> 00:26:14,080
NAMES, JOHN.
451
00:26:14,110 --> 00:26:15,780
PHILLIP,
BLAKE’S PRESENT BOYFRIEND,
452
00:26:15,810 --> 00:26:18,850
IS SO AFRAID OF EVERYTHING ‐‐
453
00:26:18,880 --> 00:26:21,080
LET ME COLLECT MYSELF.
454
00:26:21,120 --> 00:26:23,950
SEE, THAT ‐‐ ABOUT PHILLIP
BEING AFRAID OF EVERYTHING ‐‐
455
00:26:23,990 --> 00:26:25,950
I DON’T
NECESSARILY SUBSCRIBE TO
456
00:26:25,990 --> 00:26:29,630
’CAUSE WE WERE
ON THIS PHILLIP PRETTY GOOD,
457
00:26:29,660 --> 00:26:31,330
AND HE DIDN’T GIVE UP NOTHING,
458
00:26:31,360 --> 00:26:34,160
BUT I‐I STILL GO
WITH HIS OVERALL IDEA.
459
00:26:34,200 --> 00:26:37,200
HOW ABOUT WE LET JOHN SAY
WHAT HIS OVERALL IDEA IS?
460
00:26:37,240 --> 00:26:39,880
YEAH, ABSOLUTELY.
461
00:26:39,900 --> 00:26:42,440
PHILLIP,
BLAKE’S CURRENT BOYFRIEND,
462
00:26:42,470 --> 00:26:46,780
UH, CAN’T STAND BEING
COMPARED TO ANYONE...
463
00:26:46,810 --> 00:26:48,780
WE DON’T HAVE TO START
464
00:26:48,810 --> 00:26:51,010
WITH THE FORMATION
OF THE SOLAR SYSTEM.
465
00:26:51,050 --> 00:26:52,450
I’M A LITTLE NERVOUS.
466
00:26:52,480 --> 00:26:53,880
JOHN’S OVERALL POINT ‐‐
467
00:26:53,920 --> 00:26:56,150
PHILLIP PROBABLY
DID AWAY WITH WALTER
468
00:26:56,190 --> 00:26:58,660
’CAUSE BLAKE THAT WE’VE GOT
IN INTERVIEW THREE
469
00:26:58,690 --> 00:27:00,120
WOULDN’T HATE WALTER
470
00:27:00,160 --> 00:27:02,390
EVEN THOUGH WALTER
BUSTED UP WITH HIM.
471
00:27:02,430 --> 00:27:04,170
THAT’S IT.
472
00:27:04,200 --> 00:27:06,200
WHICH JOHN THINKS
THAT THIS PHILLIP
473
00:27:06,230 --> 00:27:09,000
IS GOING TO BRING BACK
A LAWYER FOR BLAKE.
474
00:27:09,030 --> 00:27:11,370
I THINK THAT’S WHAT
WIDENING THE LOOP MEANT.
475
00:27:11,400 --> 00:27:13,370
BUT BLAKE AIN’T LOOKING
FOR REPRESENTATION.
476
00:27:13,400 --> 00:27:15,170
HE WANTS WALTER’S
DISAPPEARANCE SOLVED.
477
00:27:15,210 --> 00:27:16,880
SO WE SHOULD LET PHILLIP
478
00:27:16,910 --> 00:27:18,870
MAKE HIS PITCH TO BLAKE
ABOUT LAWYERING UP,
479
00:27:18,910 --> 00:27:20,880
AND WHEN BLAKE
TURNS HIM DOWN,
480
00:27:20,910 --> 00:27:23,180
THAT’S GOING TO GET
PHILLIP’S NOSE OPEN,
481
00:27:23,210 --> 00:27:25,480
AND WE CAN GO TO WORK ON HIM.
482
00:27:25,520 --> 00:27:28,060
HOW OPEN DO YOU THINK
THE LAWYER
483
00:27:28,090 --> 00:27:30,900
STANDING NEXT TO HIM IS GOING
TO LET PHILLIP’S NOSE GET?
484
00:27:30,920 --> 00:27:33,090
HIS POINT ‐‐
PROTECTING HIS OWN SICK ASS
485
00:27:33,120 --> 00:27:35,360
IS GOING TO BE
LESS IMPORTANT TO PHILLIP
486
00:27:35,390 --> 00:27:38,090
THAN GETTING BLAKE BACK
ON HIS TEAM.
487
00:27:38,130 --> 00:27:41,900
IF BLAKE DON’T WANT A LAWYER,
PHILLIP SENDS THE LAWYER AWAY.
488
00:27:41,930 --> 00:27:44,930
HE NEEDS TO BE THE ONLY THING
IN THAT BOY’S HEAD.
489
00:27:44,970 --> 00:27:47,970
ALL RIGHT. IF HE COMES BACK,
LET’S PUT THEM TOGETHER.
490
00:28:06,460 --> 00:28:08,070
HOW’S IT GOING?
491
00:28:08,090 --> 00:28:10,060
THOSE WOMEN DETECTIVES
ARE STARING DAGGERS.
492
00:28:10,090 --> 00:28:11,760
DON’T WORRY ABOUT THEM.
493
00:28:11,800 --> 00:28:14,070
YOU AND ME ARE GOING
TO TALK ALONE.
494
00:28:14,100 --> 00:28:16,770
DOES THAT MEAN
I SHOULD WORRY ABOUT YOU?
495
00:28:16,800 --> 00:28:18,770
WE CAN TAKE CARE
OF THIS HERE.
496
00:28:18,800 --> 00:28:20,870
WOULD YOU BE
MORE COMFORTABLE IN HERE?
497
00:28:20,910 --> 00:28:23,480
YEAH, GOOD.
KEEP ME NEAR THE EXIT.
498
00:28:25,780 --> 00:28:27,920
THEY SAY THIS
IS ABOUT TRESPASSING
499
00:28:27,950 --> 00:28:29,890
IN THAT OPEN APARTMENT,
HUH?
500
00:28:29,910 --> 00:28:32,410
YEAH. YOU SEE ANYTHING
GOING ON THERE LAST NIGHT?
501
00:28:32,450 --> 00:28:35,280
MAYBE SOME KIDS WERE AROUND.
NO BIG DEAL.
502
00:28:35,320 --> 00:28:37,290
THEY COME AROUND A LOT?
503
00:28:37,320 --> 00:28:40,290
JUST SOMETIMES. I HEAR THEM
EVERY ONCE IN A WHILE.
504
00:28:40,320 --> 00:28:41,920
YOU GOT NAMES?
505
00:28:41,960 --> 00:28:44,930
I DON’T WANT
TO GET THEM IN TROUBLE
506
00:28:44,960 --> 00:28:47,500
OR ME IN THE MIDDLE
OF SOMETHING.
507
00:28:47,530 --> 00:28:50,900
YOU WANT TO GET OUT OF HERE
IN A TIMELY FASHION,
508
00:28:50,940 --> 00:28:53,080
I’M GOING TO NEED NAMES.
509
00:28:53,100 --> 00:28:56,000
I ONLY KNOW ONE OF THEM
FROM CHURCH ‐‐ EDDIE FELIX.
510
00:28:56,040 --> 00:28:57,570
EDDIE FELIX.
511
00:28:57,610 --> 00:28:59,140
YEAH.
512
00:28:59,180 --> 00:29:01,920
WHAT HAPPENED IS I WENT OUT
TAKING OUT THE TRASH,
513
00:29:01,950 --> 00:29:04,360
AND I HEARD THEM
IN THERE PARTYING.
514
00:29:04,380 --> 00:29:06,850
PARTYING LIKE DRINKING,
DRUGS?
515
00:29:06,890 --> 00:29:08,590
NO DRUGS, NO.
516
00:29:08,620 --> 00:29:10,450
GIRLS?
517
00:29:13,320 --> 00:29:15,320
LOOK, I’M A FAMILY MAN,
OKAY?
518
00:29:15,360 --> 00:29:17,130
MARRIED 18 YEARS.
519
00:29:17,160 --> 00:29:19,130
OKAY.
520
00:29:19,160 --> 00:29:21,260
NOW, IF WE CAN
KEEP THIS BETWEEN US...
521
00:29:21,300 --> 00:29:22,800
SURE.
522
00:29:24,870 --> 00:29:27,340
THEY HAD A GIRL IN THERE
DOING EVERYONE.
523
00:29:27,370 --> 00:29:28,800
IS THAT RIGHT?
524
00:29:28,840 --> 00:29:29,970
YEAH.
525
00:29:30,010 --> 00:29:31,470
I’M TAKING OUT THE TRASH,
526
00:29:31,510 --> 00:29:33,980
AND I SEE THIS EDDIE
WHO I BARELY KNOW.
527
00:29:34,010 --> 00:29:35,480
HE SAYS, "HEY, CARLOS,
528
00:29:35,510 --> 00:29:37,980
YOU WANT TO PUT A HUMP
ON THIS GIRL?"
529
00:29:38,020 --> 00:29:40,830
FAMILY MAN OR NOT,
WE ALL GOT URGES, RIGHT?
530
00:29:40,850 --> 00:29:42,520
MM‐HMM.
531
00:29:42,550 --> 00:29:45,490
NOW, MY WIFE AND KIDS ARE
IN OUR APARTMENT WATCHING TV.
532
00:29:45,520 --> 00:29:49,190
HEY, I’M TAKING OUT THE TRASH.
IT’S A BORING NIGHT.
533
00:29:49,230 --> 00:29:51,340
WHO WOULD EVER GUESS SOMETHING
EXCITING IS HAPPENING?
534
00:29:51,360 --> 00:29:53,530
RIGHT NEXT DOOR.
535
00:29:53,570 --> 00:29:55,510
ANYWAYS, I WENT IN THERE
536
00:29:55,530 --> 00:29:58,900
AND PUT A HUMP ON THE GIRL
LIKE EDDIE SUGGESTED.
537
00:29:58,940 --> 00:30:02,180
GIRL SEEM LIKE SHE WAS
ENJOYING HERSELF, CARLOS?
538
00:30:02,210 --> 00:30:05,150
I DON’T KNOW.
SHE WAS KIND OF TIRED.
539
00:30:05,180 --> 00:30:06,990
BEEN WITH FOUR
OF THEM ALREADY.
540
00:30:07,010 --> 00:30:08,480
FIFTH MAN IN.
541
00:30:08,510 --> 00:30:10,880
I FIGURED WHY IS ONE MORE
GOING TO MATTER?
542
00:30:10,920 --> 00:30:13,360
YOU GOT WHERE EDDIE LIVES?
543
00:30:13,380 --> 00:30:16,050
THEN I GO?
544
00:30:16,090 --> 00:30:17,530
WRITE DOWN EDDIE’S ADDRESS
545
00:30:17,560 --> 00:30:20,030
AND WRITE DOWN
WHAT YOU JUST TOLD ME,
546
00:30:20,060 --> 00:30:22,320
THEN WE’LL SEE
IF YOU CAN GO.
547
00:30:22,360 --> 00:30:26,360
FIFTH MAN IN, RIGHT?
548
00:30:26,400 --> 00:30:27,910
WHAT THE HELL?
549
00:30:27,930 --> 00:30:29,530
YEAH, WHAT THE HELL.
550
00:30:39,080 --> 00:30:41,520
MY NAME IS DARREL LYMAN.
I’M AN ATTORNEY.
551
00:30:41,550 --> 00:30:43,520
UM, TO SPEAK TO WHOM?
552
00:30:43,550 --> 00:30:45,510
BLAKE DeWITT.
553
00:30:45,550 --> 00:30:48,020
HOW’S IT GOING?
I’M WORKING THAT CASE.
554
00:30:48,050 --> 00:30:49,690
HE’S ABBOTT, THAT’S COSTELLO.
555
00:30:49,720 --> 00:30:51,950
I’D LIKE TO SEE MY CLIENT.
556
00:30:51,990 --> 00:30:54,090
MR. DeWITT’S TURNED DOWN
HIS RIGHT TO A LAWYER.
557
00:30:54,130 --> 00:30:56,300
THESE MANIPULATING
SONS OF BITCHES.
558
00:30:56,330 --> 00:30:59,240
Andy: WOULD THAT BE PETER POT
CALLING KARL KETTLE BLACK?
559
00:30:59,260 --> 00:31:01,100
I’D LIKE TO HEAR
MR. DeWITT DECLINE.
560
00:31:01,130 --> 00:31:03,200
SURE, OKAY.
I GUESS THAT’S OKAY.
561
00:31:03,230 --> 00:31:05,530
YOU DON’T HAVE TO LET HIM
HEAR NOTHING.
562
00:31:05,570 --> 00:31:07,400
NO, IT’S OKAY, ANDY.
HE’S DOWN HERE.
563
00:31:07,440 --> 00:31:09,370
WHOA, HEY.
564
00:31:09,410 --> 00:31:11,720
IX‐NAY ON OING
WITH THEM GAY, PHIL.
565
00:31:11,740 --> 00:31:14,440
YEAH. THIS IS JUST MR. LYMAN
HEARING HIM DECLINE.
566
00:31:14,480 --> 00:31:18,450
FINE. GREAT.
JUST TELL HIM I’M HERE.
567
00:31:32,600 --> 00:31:34,640
HELLO.
568
00:31:34,670 --> 00:31:36,610
THIS IS MR. LYMAN.
HE’S A LAWYER.
569
00:31:36,640 --> 00:31:38,180
YOU NEED AN ATTORNEY.
570
00:31:38,200 --> 00:31:40,100
HEY.
571
00:31:40,140 --> 00:31:42,440
HAVE YOU WAIVED YOUR RIGHT
TO COUNSEL?
572
00:31:42,470 --> 00:31:45,140
YES. I WANT TO HELP IN SOLVING
WALTER’S DISAPPEARANCE.
573
00:31:45,180 --> 00:31:47,020
BLAKE ‐‐
574
00:31:47,050 --> 00:31:49,620
YOU HEARD IT, COUNSELOR.
LET’S GO.
575
00:31:49,650 --> 00:31:51,410
PLEASED TO MEET YOU.
576
00:31:51,450 --> 00:31:55,080
WHAT’S THE BASEBALL
LOOK LIKE THIS YEAR, PHIL?
577
00:31:55,120 --> 00:31:57,950
YOU FOLLOW THE YANKEES,
THE METS?
578
00:31:57,990 --> 00:31:59,490
JUST MY FAVORITE GAY PLAYERS.
579
00:32:06,030 --> 00:32:08,130
HOW IS HE?
DID YOU TELL HIM I’M HERE?
580
00:32:08,170 --> 00:32:09,640
BLAKE SEEMS ALL RIGHT,
581
00:32:09,670 --> 00:32:11,670
AND HE HAS
DECLINED COUNSEL, PHILLIP.
582
00:32:11,700 --> 00:32:13,600
DID THEY BEAT HIM?
583
00:32:13,640 --> 00:32:16,100
I HOPE TO HELL
YOU LAID ON THE MAKEUP.
584
00:32:16,140 --> 00:32:18,470
I DIDN’T GET
THAT CLOSE A LOOK.
585
00:32:18,510 --> 00:32:20,040
WHY NOT?
586
00:32:20,080 --> 00:32:22,110
BLAKE HAS DECLINED
REPRESENTATION, PHILLIP.
587
00:32:22,150 --> 00:32:24,360
THAT’S THE FUN FOR YOU,
ISN’T IT,
588
00:32:24,380 --> 00:32:25,650
TWISTING PEOPLE’S
HEADS AROUND?
589
00:32:25,680 --> 00:32:28,280
HE SAYS HE’S GOT
NO HARD FEELINGS.
590
00:32:28,320 --> 00:32:30,120
I GUESS
WHEN THEY WERE TOGETHER,
591
00:32:30,150 --> 00:32:32,120
WALTER SHOWED HIM
A GOOD TIME.
592
00:32:32,160 --> 00:32:34,300
YES, WALTER HAD DEEP POCKETS
AND AN EVIL MIND.
593
00:32:34,330 --> 00:32:35,800
ALL RIGHT, PHILLIP.
594
00:32:35,830 --> 00:32:38,300
HE’S GOING OVER THEIR LIFE,
WHO THEY MET,
595
00:32:38,330 --> 00:32:41,030
TRYING TO HELP US
COME UP WITH LEADS.
596
00:32:41,070 --> 00:32:43,010
ANYWAY, I DON’T THINK
EITHER OF US
597
00:32:43,030 --> 00:32:45,500
HAS A GOOD REASON
TO STAY HERE RIGHT NOW.
598
00:32:45,540 --> 00:32:48,310
IF HE CHANGES HIS MIND,
PLEASE GIVE THIS TO MR. DeWITT.
599
00:32:48,340 --> 00:32:50,210
SURE, ABSOLUTELY.
600
00:32:50,240 --> 00:32:51,740
I WANT TO TALK TO HIM.
601
00:32:51,780 --> 00:32:53,520
LET’S GET A CUP OF COFFEE.
602
00:32:53,550 --> 00:32:56,490
CAN I TALK TO HIM?
603
00:32:56,510 --> 00:32:59,150
WE’D NEED MORE COOPERATION
THAN OUR LAST TALK, PHILLIP.
604
00:32:59,180 --> 00:33:00,820
SOME PRIOR CONVERSATION
WITH US
605
00:33:00,850 --> 00:33:03,020
BEFORE WE LET YOU
TALK TO BLAKE.
606
00:33:03,050 --> 00:33:05,650
I AM COUNSEL TO PHILLIP ROGERS.
THAT’S NOT GOING TO HAPPEN.
607
00:33:05,690 --> 00:33:08,360
I TALK TO YOU IF YOU PROMISE,
608
00:33:08,390 --> 00:33:12,160
IN FRONT OF THESE WITNESSES,
I CAN TALK TO BLAKE.
609
00:33:12,200 --> 00:33:15,270
YOU DON’T THINK THEY CAN
GET INSIDE YOUR HEAD, TOO?
610
00:33:15,300 --> 00:33:17,700
THAT’S A CHALLENGE
I THINK I’M EQUAL TO.
611
00:33:17,740 --> 00:33:20,610
DO I NEED TO SAY SOMETHING
TO MAKE THIS OFFICIAL?
612
00:33:20,640 --> 00:33:22,340
"YOU’RE FIRED" GETS IT DONE.
613
00:33:22,370 --> 00:33:24,070
PHILLIP ‐‐
614
00:33:24,110 --> 00:33:26,510
YOU’RE FIRED!
615
00:33:26,550 --> 00:33:28,550
LET’S GO TALK DOWN HERE.
616
00:33:50,130 --> 00:33:51,700
WHAT HAVE YOU GOT BLAKE
THINKING ABOUT ME?
617
00:33:51,740 --> 00:33:55,250
DID PHIL GET THE IDEA HE WAS
GOING TO BE INTERVIEWING US?
618
00:33:55,270 --> 00:33:56,570
IF HE’S TURNING DOWN
REPRESENTATION,
619
00:33:56,610 --> 00:33:58,710
I CAN ONLY IMAGINE WHAT
YOU’VE GOT HIM THINKING.
620
00:33:58,740 --> 00:34:01,740
YOU’LL GET THAT FROM BLAKE
AFTER WE HAVE OUR TALK.
621
00:34:01,780 --> 00:34:04,750
I EXPECT BLAKE AND I WILL BE
RIDING THEN IN A HANSOM CAB
622
00:34:04,780 --> 00:34:06,380
IN THE BOTANICAL GARDENS.
623
00:34:06,420 --> 00:34:09,560
YOU KNOW YOU’RE NOT
GETTING OUT OF HERE.
624
00:34:09,590 --> 00:34:12,320
DON’T YOU THINK YOU’D BE MORE
WITHIN YOUR COMFORT ZONE
625
00:34:12,360 --> 00:34:14,630
PROBING THE PSYCHE OF CHIMPS?
626
00:34:14,660 --> 00:34:18,760
YOU’RE GOING TO GIVE IT UP
SO YOU CAN HOLD BLAKE
627
00:34:18,800 --> 00:34:22,340
AND TELL HIM YOU LOVE AND WISH
HIM HAPPINESS ‐‐ BOO‐HOO‐HOO ‐‐
628
00:34:22,370 --> 00:34:24,480
AND WILL HE WRITE YOU
LONG LETTERS IN PRISON.
629
00:34:24,500 --> 00:34:26,100
I WANT TO SEE HIM.
630
00:34:26,140 --> 00:34:29,480
PHILLIP, THE GREAT RUNNING BACK
O. J. SIMPSON ‐‐
631
00:34:29,510 --> 00:34:32,450
THAT WAS FOUND NOT GUILTY
BY A JURY OF HIS PEERS ‐‐
632
00:34:32,480 --> 00:34:35,450
WHEN HE COME BACK FROM CHICAGO,
BEFORE HE WENT IN
633
00:34:35,480 --> 00:34:37,510
TO BE INTERVIEWED
BY THE L. A. DETECTIVES,
634
00:34:37,550 --> 00:34:41,120
THE GREAT SIMPSON DISMISSED
COUNSEL EXACTLY HOW YOU DID,
635
00:34:41,150 --> 00:34:43,350
AND, PHIL, SO YOU KNOW
WHERE YOU STAND,
636
00:34:43,390 --> 00:34:46,430
IF THE GREAT SIMPSON
HAD GONE IN WITH ME
637
00:34:46,460 --> 00:34:48,770
AFTER WITNESSES HEARD HIM
LET HIS LAWYERS GO,
638
00:34:48,790 --> 00:34:51,360
THAT MURDERING PRICK’S
ONLY CHANCE OF WALKING OUT
639
00:34:51,400 --> 00:34:54,270
OF THAT INTERVIEW ROOM
BEFORE I GOT HIS CONFESSION
640
00:34:54,300 --> 00:34:56,670
WOULD HAVE BEEN AN EARTHQUAKE.
641
00:34:56,700 --> 00:34:59,700
WHICH I GATHER SOMETIMES
DOES OCCUR IN THAT AREA.
642
00:34:59,740 --> 00:35:01,500
GIVE IT UP.
643
00:35:01,540 --> 00:35:04,340
WHY DON’T YOU GO ON
TO THE BEATING?
644
00:35:04,380 --> 00:35:06,350
NO ONE’S LOOKING
TO DO THAT.
645
00:35:06,380 --> 00:35:08,350
NOBODY WANTS TO BEAT YOU.
646
00:35:08,380 --> 00:35:10,450
THAT’S A CROCK.
YOU’D LOVE TO BEAT ME.
647
00:35:10,480 --> 00:35:12,280
NO.
648
00:35:12,320 --> 00:35:14,560
ISN’T THAT YOUR VERSION
OF SEX?
649
00:35:14,590 --> 00:35:17,300
ISN’T THAT WHAT YOU’D
HAVE DONE TO SIMPSON?
650
00:35:17,320 --> 00:35:19,520
I’D HAVE TOLD HIM
THAT WHEN HIS EX‐WIFE DIED
651
00:35:19,560 --> 00:35:22,290
AND THAT WAITER IN THE WRONG
PLACE AT THE WRONG TIME,
652
00:35:22,330 --> 00:35:25,300
WAS THE NIGHT WEEKS BEFORE
WHEN HE COME TO TALK TO HER
653
00:35:25,330 --> 00:35:26,900
AND THEIR KIDS
WERE ASLEEP UPSTAIRS,
654
00:35:26,930 --> 00:35:29,570
AND THROUGH THE WINDOW
HE SEES HER GOING DOWN
655
00:35:29,600 --> 00:35:32,900
ON WHOEVER THAT WAS THAT SHE
HAD ON THE LIVING ROOM SOFA.
656
00:35:32,940 --> 00:35:35,410
PEOPLE’S PASSIONS
GET THE BEST OF THEM.
657
00:35:35,440 --> 00:35:37,640
AND IF HE GOES OVER,
MAYBE TWO WEEKS LATER,
658
00:35:37,680 --> 00:35:40,590
AND HE’S HAD TOO MUCH TO DRINK
LIKE I HAVE 5,000 TIMES,
659
00:35:40,610 --> 00:35:42,740
OR HE’S PUT SOMETHING
UP HIS NOSE
660
00:35:42,780 --> 00:35:44,910
AND HE’S GOING TO DO
VANDALISM ON HER CAR ‐‐
661
00:35:44,950 --> 00:35:47,650
AND THAT’S ALL
HE’S PLANNING TO DO.
662
00:35:47,690 --> 00:35:50,330
THAT’S ALL HE WENT OVER
INTENDING TO DO.
663
00:35:50,350 --> 00:35:51,920
HE’S PUTTING A DENT
IN A MERCEDES,
664
00:35:51,960 --> 00:35:53,670
THE COLOR OF WHICH
665
00:35:53,690 --> 00:35:55,820
SOMEONE SHOULD’VE HAD THE TASTE
NOT TO CONCEIVE.
666
00:35:55,860 --> 00:35:58,830
SOMETHING’S IN FRONT OF HIM
HE HADN’T EXPECTED.
667
00:35:58,860 --> 00:36:00,830
THAT KILLS KINDNESS
AND SWEETNESS AND PITY.
668
00:36:00,870 --> 00:36:02,340
AND THAT EMOTION EXPLODES.
669
00:36:02,370 --> 00:36:04,780
IT JUST EXPLODES!
IT EXPLODES!
670
00:36:06,740 --> 00:36:09,370
I PUT A HAMMER 2 INCHES
INTO HIS HEAD.
671
00:36:17,420 --> 00:36:20,230
AND I’M AFRAID
TO HAMMER A NAIL.
672
00:36:21,750 --> 00:36:23,420
AND A MINUTE BEFORE,
673
00:36:23,450 --> 00:36:26,420
IF YOU’D TOLD HIM
HE WAS GOING TO DO IT,
674
00:36:26,460 --> 00:36:29,640
HE’D HAVE TAKEN ANY BETS
AGAINST IT YOU WANTED TO MAKE.
675
00:36:40,810 --> 00:36:43,280
[ DOOR OPENS ]
676
00:37:47,970 --> 00:37:49,540
HI.
677
00:37:49,570 --> 00:37:52,610
WE THINK IT’S TIME
FOR ANYA TO COME HOME.
678
00:37:52,640 --> 00:37:54,440
HOW’S IT GOING
WITH THE CASE?
679
00:37:54,480 --> 00:37:56,810
ONE MAN’S IN CUSTODY,
AND HE GAVE US THE NAME
680
00:37:56,850 --> 00:37:59,050
OF ONE OF THE OTHER
PERPETRATORS.
681
00:37:59,080 --> 00:38:01,450
ANYA’S LOOKING AT PHOTOS,
682
00:38:01,490 --> 00:38:04,630
TRYING TO IDENTIFY THE OTHER
THREE MEN WHO ASSAULTED HER.
683
00:38:04,660 --> 00:38:07,000
ANYWAY, WE THINK IT’S TIME
FOR HER TO COME HOME.
684
00:38:07,030 --> 00:38:09,640
ANYA WANTS TO SPEND
MORE TIME TO SEE
685
00:38:09,660 --> 00:38:11,890
IF SHE CAN IDENTIFY
THE OTHER THREE MEN.
686
00:38:11,930 --> 00:38:14,330
SHE WANTS TO
OR YOU’RE MAKING HER?
687
00:38:14,370 --> 00:38:16,640
WE DO FEEL, IT’S, UH,
688
00:38:16,670 --> 00:38:19,900
SOMEWHAT TIME
FOR HER TO COME HOME.
689
00:38:19,940 --> 00:38:22,400
IT’S WHAT ANYA FEELS
THAT WE’RE GOING TO GO BY.
690
00:38:22,440 --> 00:38:24,410
DO YOU WANT
TO TALK TO HER?
691
00:38:24,440 --> 00:38:26,640
WE WANT YOU
TO LET HER COME HOME.
692
00:38:26,680 --> 00:38:29,080
THIS TERRIBLE THING HAS HAPPENED
TO YOUR DAUGHTER.
693
00:38:29,110 --> 00:38:31,080
SHE’S FOUND A WAY
TO FEEL SHE’S GETTING
694
00:38:31,120 --> 00:38:33,420
A LITTLE CONTROL
OF HER LIFE BACK.
695
00:38:33,450 --> 00:38:35,150
OF COURSE
ANYA CAN GO HOME,
696
00:38:35,190 --> 00:38:37,660
BUT IF SHE WANTS TO STAY,
697
00:38:37,690 --> 00:38:39,920
CAN’T YOU BE BRAVE ENOUGH
TO LET HER?
698
00:38:39,960 --> 00:38:42,990
I THINK WE SHOULD LET HER,
SOMEWHAT, JANET,
699
00:38:43,030 --> 00:38:44,440
IF ‐‐ IF SHE WANTS TO.
700
00:38:46,770 --> 00:38:51,080
AND THEN YOU’D ARRANGE
FOR HER TRANSPORTATION HOME?
701
00:38:51,100 --> 00:38:54,000
YEAH, WE’D BRING ANYA HOME.
702
00:38:54,040 --> 00:38:56,370
POLICE TRANSPORTATION.
703
00:38:56,410 --> 00:38:58,780
I GUESS THAT’S AS SAFE
AS YOU CAN GET.
704
00:38:58,810 --> 00:38:59,940
FINE, THEN.
705
00:38:59,980 --> 00:39:02,510
IT’S A FINE WAY
TO END IT.
706
00:39:02,550 --> 00:39:04,520
END WHAT?
707
00:39:04,550 --> 00:39:06,010
WE BROUGHT HER IN,
708
00:39:06,050 --> 00:39:08,020
AND NOW WE CAN’T
GET HER OUT.
709
00:39:08,050 --> 00:39:10,450
COME HERE.
710
00:39:24,070 --> 00:39:26,570
I WANT TO STAY, MAMA.
711
00:39:29,770 --> 00:39:31,540
FINE, THEN.
712
00:39:31,580 --> 00:39:36,260
I’M FINE.
YOU AND DADDY GO HOME.
713
00:39:39,680 --> 00:39:42,420
OKAY?
714
00:39:47,590 --> 00:39:51,430
SO SHE’S ALONE
WITH EVERY ELEMENT.
715
00:39:51,460 --> 00:39:53,660
YEAH, SHE’S ALL ALONE
WITH DETECTIVE JONES.
716
00:39:57,770 --> 00:40:01,100
YOU’LL SEE SHE GETS HOME?
717
00:40:36,980 --> 00:40:41,620
I DON’T SEE YOU WORKING
ON YOUR 5 THERE, JOHN.
718
00:40:41,650 --> 00:40:44,720
CRUCIAL AS YOU WERE
TO THE CASE,
719
00:40:44,750 --> 00:40:47,780
LET’S NOT BE TARDY
WITH OUR PAPERWORK.
720
00:40:47,820 --> 00:40:50,190
COULD I SEE
THAT POOR YOUNG MAN?
721
00:40:50,220 --> 00:40:51,790
BLAKE?
722
00:40:51,820 --> 00:40:55,620
THAT’S WAITING
TO SAY FAREWELL TO PHILLIP?
723
00:40:55,660 --> 00:40:57,190
WOULD THAT BE INAPPROPRIATE?
724
00:40:59,260 --> 00:41:01,130
WELL, HE’S NOT IN CUSTODY.
725
00:41:01,170 --> 00:41:04,080
NO, HE’S JUST WAITING
TO SAY FAREWELL.
726
00:41:04,100 --> 00:41:07,970
WHY? WHAT DO YOU
WANT TO DO?
727
00:41:08,010 --> 00:41:10,150
HE’S ALONE, AND I FEEL
IT MIGHT BE HELPFUL.
728
00:41:10,170 --> 00:41:11,970
LET HIM KNOW
PHILLIP’S GOING OVER
729
00:41:12,010 --> 00:41:15,040
IN AROUND HALF AN HOUR.
730
00:41:15,080 --> 00:41:16,810
TO THE TOMBS.
731
00:41:16,850 --> 00:41:20,180
HE’S IN INTERVIEW THREE,
BLAKE.
732
00:41:24,560 --> 00:41:25,900
THANK YOU.
733
00:41:33,870 --> 00:41:36,640
PROBABLY WANTS TO EXCHANGE
PHONE NUMBERS.
734
00:41:40,710 --> 00:41:42,980
HE COULD DO WORSE,
THAT BLAKE.
735
00:41:46,710 --> 00:41:48,580
[ KNOCK ON DOOR ]
736
00:41:51,620 --> 00:41:53,890
PHILLIP WILL BE LEAVING
FOR CENTRAL BOOKING
737
00:41:53,920 --> 00:41:55,180
IN HALF AN HOUR.
738
00:41:55,220 --> 00:41:57,290
ALL RIGHT, THANKS.
739
00:42:00,730 --> 00:42:03,900
MY NAME IS JOHN IRVIN,
AND I’M A CIVILIAN AIDE.
740
00:42:03,930 --> 00:42:08,260
BLAKE DeWITT.
HOW DO YOU DO?
741
00:42:08,300 --> 00:42:11,600
HOW DO YOU DO?
742
00:42:11,640 --> 00:42:12,810
WHAT’S, UM,
743
00:42:12,840 --> 00:42:14,750
A CIVILIAN AIDE’S
RESPONSIBILITIES?
744
00:42:14,770 --> 00:42:19,010
OH, UH, THEY VARY. UM...
745
00:42:22,350 --> 00:42:25,290
BLAKE, I KNOW JUST NOW
YOU FEEL LOST AND CONFUSED.
746
00:42:25,320 --> 00:42:29,090
HOW DO YOU KNOW THAT?
747
00:42:29,120 --> 00:42:30,790
I JUST DO,
748
00:42:30,820 --> 00:42:33,150
AND I HOPE YOU WON’T
GIVE IN TO DESPAIR.
749
00:42:33,190 --> 00:42:35,820
THAT’S WHAT I WANT
TO TELL YOU.
750
00:42:35,860 --> 00:42:39,160
IT’S SO HARD MAKING SENSE
OF OUR LIVES,
751
00:42:39,200 --> 00:42:43,410
OR I GUESS I MEAN TO SAY,
MAKING OUR LIVES SENSIBLE.
752
00:42:43,430 --> 00:42:46,740
WE’RE IN A STRANGE CITY.
753
00:42:46,770 --> 00:42:49,340
WE BEGIN A DIFFERENT
LIFESTYLE COMPLETELY,
754
00:42:49,370 --> 00:42:52,810
MAYBE NOT
EXACTLY SURE INSIDE
755
00:42:52,840 --> 00:42:56,280
IF THE CHANGES
WE’RE CHOOSING
756
00:42:56,310 --> 00:42:58,910
ARE RIGHT NECESSARILY,
757
00:42:58,950 --> 00:43:02,150
EVEN IF THEY’RE RIGHT
FOR US.
758
00:43:02,190 --> 00:43:04,160
IT’S SO EASY
TO BECOME CONFUSED.
759
00:43:04,190 --> 00:43:08,990
IT’S SO HARD
TO LOVE OURSELVES
760
00:43:09,030 --> 00:43:13,100
AND TO FIND WHAT’S GOOD
FOR OUR LIVES,
761
00:43:13,130 --> 00:43:15,800
AND THEN
TO EXPERIENCE SOMETHING
762
00:43:15,830 --> 00:43:17,270
LIKE YOU’VE
JUST EXPERIENCED...
763
00:43:17,300 --> 00:43:19,270
I WANT YOU TO KNOW
764
00:43:19,300 --> 00:43:22,300
IT’S POSSIBLE
TO MAKE YOUR WAY,
765
00:43:22,340 --> 00:43:25,310
AND THAT HAPPINESS,
FRIENDSHIP,
766
00:43:25,340 --> 00:43:28,440
THE SUN RISING AND SETTING,
767
00:43:28,480 --> 00:43:32,710
THE BIRDS IN THE WIND
AT THE HARBOR,
768
00:43:32,750 --> 00:43:34,120
THEY’RE ALL HERE,
TOO, BLAKE,
769
00:43:34,150 --> 00:43:36,380
AS MUCH FOR YOU
AS FOR ANYONE ELSE
770
00:43:36,420 --> 00:43:38,120
IN THE WORLD.
771
00:43:38,160 --> 00:43:41,470
THANK YOU VERY MUCH.
772
00:43:41,490 --> 00:43:46,830
I REALLY APPRECIATE
THAT, JOHN.
773
00:43:46,870 --> 00:43:48,840
YOU’RE WELCOME.
57142
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