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These are the user uploaded subtitles that are being translated: 1 00:00:01,352 --> 00:00:03,552 [CHOIR SINGING] 2 00:00:24,608 --> 00:00:26,775 [ORCHESTRA PLAYING CLASSICAL MUSIC] 3 00:02:24,595 --> 00:02:26,361 HAVE YOU GOT THEM? 4 00:02:26,430 --> 00:02:28,697 IN HERE, BUT IT'LL COST YOU-- 5 00:02:28,766 --> 00:02:30,098 COME. 6 00:02:34,104 --> 00:02:36,371 IN THE 16th CENTURY, 7 00:02:36,440 --> 00:02:39,208 SPAIN WAS A LAND OF GREAT ART 8 00:02:39,276 --> 00:02:42,711 AND GREAT INTOLERANCE. 9 00:02:43,948 --> 00:02:46,315 THE FAMILY ARROGANCE OF THE RULING CLASSES 10 00:02:46,383 --> 00:02:49,051 FORBADE ANY OUTSIDER TO STEP ACROSS 11 00:02:49,119 --> 00:02:51,019 THEIR ARISTOCRATIC BOUNDARIES. 12 00:02:51,088 --> 00:02:54,756 UNDER THE WATCHFUL EYE OF THE SPANISH INQUISITION, 13 00:02:54,825 --> 00:02:56,925 THE PEOPLE LIVED WITHIN THE CONFINES 14 00:02:56,994 --> 00:02:59,094 OF A STRICT SET OF RULES. 15 00:02:59,163 --> 00:03:01,363 THE ONLY DEFIANCE OF THE CHURCH 16 00:03:01,432 --> 00:03:02,865 CAME FROM EXPERIMENTERS 17 00:03:02,933 --> 00:03:06,368 REGARDED BY THE CHURCH AS DABBLERS IN BLACK MAGIC 18 00:03:06,437 --> 00:03:10,539 TO BE SOUGHT OUT, IMPRISONED, AND TORTURED. 19 00:03:10,608 --> 00:03:14,042 NO LOVE FOR THE AGENTS OF THE HOLY OFFICE, THAT ONE. 20 00:03:14,111 --> 00:03:17,279 WHO COULD BLAME A MAN FOR THAT? 21 00:03:19,383 --> 00:03:22,017 WHAT I'VE GIVEN YOU IS A FAIR PRICE. 22 00:03:22,086 --> 00:03:24,052 [SQUEALING] 23 00:03:28,525 --> 00:03:30,592 [RIBBITS] 24 00:03:34,698 --> 00:03:36,865 [DONKEY BRAYING] 25 00:04:43,701 --> 00:04:45,367 WE'RE FROM ITALY, MY LORD. 26 00:04:45,436 --> 00:04:48,370 MY MASTER HAS BEEN COMMISSIONED BY DON DIEGO DE CASTILLA. 27 00:04:48,439 --> 00:04:51,473 AH. SO YOU ARE A PAINTER, EH? 28 00:04:51,542 --> 00:04:54,042 IN ROME THEY CALL HIM EL GRECO. 29 00:04:54,111 --> 00:04:58,380 SO DON DIEGO WILL HAVE YOU PAINT US A FEW MORE MADONNAS 30 00:04:58,449 --> 00:05:00,349 AND SAINTS AND SHINING ANGELS, 31 00:05:00,417 --> 00:05:02,584 ALL POISED IN EVERLASTING GLORY, EH? 32 00:05:02,653 --> 00:05:04,653 I'M FIRST INSTRUCTED TO PAINT 33 00:05:04,722 --> 00:05:06,121 THE ASSUMPTION OF THE VIRGIN. 34 00:05:06,190 --> 00:05:08,991 MAESTRO, I DO NOT DOUBT YOUR WORDS, 35 00:05:09,059 --> 00:05:11,994 BUT IF YOU ARE AN ARTIST OF SUCH CONSEQUENCE, 36 00:05:12,062 --> 00:05:14,496 WHY CHOOSE TO SLEEP IN OUR MARKETPLACE? 37 00:05:14,565 --> 00:05:17,332 THERE WAS A LITTLE MISUNDERSTANDING, SIR. MY MASTER-- 38 00:05:17,401 --> 00:05:19,501 I QUITE UNDERSTAND. 39 00:05:52,369 --> 00:05:53,735 IT'S JUST ALONG HERE. 40 00:05:53,804 --> 00:05:55,470 YOU'LL LIKE IT, I'M SURE. 41 00:05:55,539 --> 00:05:58,774 THERE. THAT'S MY DOOR. MY MAGNIFICENT PALACE. 42 00:06:04,948 --> 00:06:08,683 UH, LEAVE THE HORSES THERE. COME ALONG. 43 00:07:24,261 --> 00:07:26,194 SAFER? 44 00:07:26,263 --> 00:07:29,331 THE HOLY OFFICE IS VERY INQUISITIVE. 45 00:07:29,399 --> 00:07:34,336 THEY HUNT FOR HERESIES AS INDUSTRIOUSLY AS BIRDS LOOK FOR WORMS. 46 00:07:34,404 --> 00:07:38,006 I DON'T THINK THEY'LL FIND CAUSE TO CROSS MY PATH. 47 00:07:38,075 --> 00:07:40,509 WE HAVE A USEFUL SAYING HERE-- 48 00:07:40,577 --> 00:07:43,311 KEEP OUT OF THE CLUTCHES OF THE CLAW. 49 00:07:43,380 --> 00:07:44,980 THE CLAW? 50 00:07:45,048 --> 00:07:48,016 CARDINAL DON FERNANDO NINO DE GUEVARA, 51 00:07:48,085 --> 00:07:49,985 THE INQUISITOR GENERAL. 52 00:07:50,053 --> 00:07:54,589 I'LL BE WORKING FOR THE CHURCH, NOT AGAINST IT. 53 00:09:41,031 --> 00:09:43,598 DON DIEGO DE CASTILLA. 54 00:09:43,667 --> 00:09:44,666 YES? 55 00:09:44,735 --> 00:09:45,834 DON DIEGO, 56 00:09:45,902 --> 00:09:48,336 I AM DOMENIKOS THEOTOKOPOULOS. 57 00:09:48,405 --> 00:09:49,838 I BEG YOUR PARDON? 58 00:09:49,906 --> 00:09:51,673 THE PAINTER FROM ROME, SIR. 59 00:09:51,742 --> 00:09:53,508 YOUR BROTHER, LUIS DE CASTILLA, 60 00:09:53,577 --> 00:09:55,844 ARRANGED THE COMMISSION ON YOUR BEHALF. 61 00:09:55,912 --> 00:09:57,345 OH, YES, YES, YES. 62 00:09:57,414 --> 00:10:01,016 MY GOOD FELLOW, THIS IS HARDLY THE TIME OR PLACE. 63 00:10:01,084 --> 00:10:03,752 I AM JUST ARRIVED, SIR, AT YOUR INVITATION. 64 00:10:03,820 --> 00:10:06,187 IT IS CUSTOMARY TO PAY ONE'S RESPECTS. 65 00:10:06,256 --> 00:10:09,257 IF YOU NEED MONEY FOR THE NIGHT-- 66 00:12:23,393 --> 00:12:27,162 SO YOUR EYE IS SET ON THE ESCORIAL. 67 00:12:27,230 --> 00:12:31,266 YOU WILL FIND KING PHILIP A DIFFICULT MASTER TO PLEASE. 68 00:12:31,334 --> 00:12:33,334 I'M ADVISED HE HAS A LIKING 69 00:12:33,403 --> 00:12:35,336 FOR THE SUPERNATURAL AND FANTASTIC. 70 00:12:35,405 --> 00:12:38,173 ANY MAN WHO COMMISSIONS THE WORK OF HIERONYMOUS BOSCH-- 71 00:12:38,241 --> 00:12:41,709 YOU ARE VERY SURE OF YOURSELF, DOMENIKOS THEOTOKOPOULOS. 72 00:12:41,778 --> 00:12:43,645 I'M SURE ONLY OF MY ART. 73 00:12:43,713 --> 00:12:45,180 AND IMPULSIVE, TOO. 74 00:12:45,248 --> 00:12:47,682 THIS PLACE, OUR ENTERTAINMENT THIS EVENING 75 00:12:47,751 --> 00:12:50,018 HAS CERTAINLY PUT YOU IN DEBT. 76 00:12:50,086 --> 00:12:53,221 YOUR GESTURES ARE CHARMING, BUT TOO EXPENSIVE. 77 00:12:53,290 --> 00:12:55,690 OUR CONTRACT IS MY SECURITY. 78 00:12:55,759 --> 00:12:57,158 AND MINE, TOO. 79 00:12:57,227 --> 00:13:00,094 THIS MORNING I HAD THREE NEW CLAUSES ADDED. 80 00:13:00,163 --> 00:13:02,797 THE SIX PAINTINGS FOR THE RETABLO MAJOR 81 00:13:02,866 --> 00:13:04,299 AND FOR THE SIDE ALTARS 82 00:13:04,367 --> 00:13:05,967 MUST FOLLOW THE PRELIMINARY SKETCHES 83 00:13:06,036 --> 00:13:07,969 YOU DELIVERED TO MY BRHER. 84 00:13:08,038 --> 00:13:10,305 AND A FURTHER STIPULATION-- 85 00:13:10,373 --> 00:13:15,410 YOU WILL PAINT THE CANVASES WITH YOUR OWN HANDS, WITHOUT ASSISTANCE, 86 00:13:15,479 --> 00:13:19,147 AND NOT UNDERTAKE OTHER WORK UNTIL THEY ARE COMPLETED. 87 00:13:19,216 --> 00:13:20,281 AND LASTLY, 88 00:13:20,350 --> 00:13:23,318 YOU WILL NOT REMOVE YOUR CANVASES FROM THIS CITY 89 00:13:23,386 --> 00:13:25,720 TO FINISH THEM ELSEWHERE. 90 00:13:25,789 --> 00:13:28,022 BUT THAT'S IMPRISONMENT. 91 00:13:28,091 --> 00:13:29,991 IS IT? WHY? 92 00:13:30,060 --> 00:13:32,427 TO BE TRAPPED HERE IN TOLEDO? 93 00:13:32,496 --> 00:13:34,762 IS THE PROSPECT SO DISAGREEABLE? 94 00:13:34,831 --> 00:13:36,130 FRANKLY, YES. 95 00:13:41,071 --> 00:13:45,173 TONIGHT YOU ARE INVITED TO OUR AUTOSACRAMENTAL. 96 00:13:45,242 --> 00:13:47,342 THE VERY SPIRIT OF TOLEDO 97 00:13:47,410 --> 00:13:49,010 GOVERNS OUR MORALITY PLAYS. 98 00:13:49,079 --> 00:13:52,347 I WANT TO SEE YOUR ENJOYMENT OF IT. 99 00:13:52,415 --> 00:13:54,182 YOU SEE, MY FRIEND, 100 00:13:54,251 --> 00:13:56,518 WE ALREADY LIKE YOU. 101 00:13:56,586 --> 00:13:59,354 IN TURN, YOU MUST LEARN TO LIKE US... 102 00:13:59,422 --> 00:14:01,523 AND OUR CITY. 103 00:14:10,200 --> 00:14:13,501 [DRUMS PLAYING] 104 00:14:13,570 --> 00:14:15,737 [MUSIC PLAYING] 105 00:14:30,186 --> 00:14:34,422 [SPEAKING FOREIGN LANGUAGE] 106 00:14:42,399 --> 00:14:45,867 [SHOUTING] 107 00:15:18,602 --> 00:15:21,102 WHO'S THAT OVER THERE? 108 00:17:04,040 --> 00:17:07,542 JERONIMA. JERONIMA. 109 00:17:07,610 --> 00:17:09,343 YES, FATHER. 110 00:17:10,880 --> 00:17:12,780 COME WITH ME. 111 00:17:14,551 --> 00:17:16,684 DOÑA JERONIMA, YOUR SERVANT. 112 00:17:16,753 --> 00:17:20,021 MY DEAR, WE HAVE HERE DOMENIKOS THEOTOK-- 113 00:17:20,090 --> 00:17:21,856 GREEK NAMES ARE DEVILISH TONGUE-TWISTERS. 114 00:17:21,925 --> 00:17:23,391 THEOTOKOPOULOS. 115 00:17:23,460 --> 00:17:26,728 EXACTLY. THE MAESTRO WILL BE PAINTING YOUR PORTRAIT FOR ME. 116 00:17:26,796 --> 00:17:27,995 WHEN? 117 00:17:28,064 --> 00:17:31,199 MY DEAR GIRL, ARRANGE IT TO SUIT YOURSELF. 118 00:17:31,267 --> 00:17:33,201 COME. 119 00:18:13,810 --> 00:18:16,778 Jeronima: "AS ALWAYS, MY HEART IS WITH YOU IN TOLEDO." 120 00:18:16,846 --> 00:18:17,845 HA HA HA! 121 00:18:17,914 --> 00:18:20,248 "OH, WHAT ARE YOU DOING TODAY, MY JERONIMA?" 122 00:18:20,316 --> 00:18:21,783 OHH. 123 00:18:21,851 --> 00:18:24,118 "I AM SO VERY IMPATIENT FOR THE SIGHT OF YOU 124 00:18:24,187 --> 00:18:26,687 THAT I CAN NEITHER EAT NOR SLEEP." 125 00:18:26,756 --> 00:18:28,322 HA HA HA! 126 00:18:28,391 --> 00:18:32,560 "EVEN MY FENCING MASTER TELLS ME I AM NO MORE USE." 127 00:18:32,629 --> 00:18:33,728 OH, POOR LUIS. 128 00:18:33,797 --> 00:18:37,598 HE'S QUITE FADING AWAY. 129 00:18:37,667 --> 00:18:41,335 Jeronima: I'VE ALWAYS WANTED MY HUSBAND TO BE JUST THAT WAY-- 130 00:18:41,404 --> 00:18:45,706 DEVOTED AND WONDERFULLY SLIM. 131 00:18:59,956 --> 00:19:02,557 MAESTRO, A THOUSAND PARDONS. 132 00:19:02,625 --> 00:19:04,525 HA HA HA! 133 00:19:08,598 --> 00:19:11,632 HOPE THE MAESTRO DOESN'T MIND WAITING. 134 00:19:13,002 --> 00:19:16,003 AND DON'T YOU THINK... [INDISTINCT] 135 00:19:16,072 --> 00:19:17,705 [LAUGHTER] 136 00:19:17,774 --> 00:19:20,508 YOUR HEAD ROUND MORE TO ME. 137 00:19:38,528 --> 00:19:41,829 MAESTRO, I GET VERY TIRED OF LOOKING AT YOU. 138 00:19:41,898 --> 00:19:44,966 THEN MERELY PRETEND I DON'T EXIST. 139 00:19:45,034 --> 00:19:46,500 THAT SHOULDN'T BE DIFFICULT FOR YOU. 140 00:19:46,569 --> 00:19:49,670 ARE YOU ALWAYS DISAGREEABLE WITH YOUR SITTERS? 141 00:19:49,739 --> 00:19:50,838 WHENEVER THEY DESERVE IT. 142 00:19:50,907 --> 00:19:53,007 AND DID YOUR ROMAN LADIES OF QUALITY 143 00:19:53,076 --> 00:19:55,343 EVER DESERVE IT? 144 00:19:55,411 --> 00:19:58,412 ROME IS A SOPHISTICATED CAPITAL, MY LADY. 145 00:19:58,481 --> 00:20:01,916 OUR PROBLEM HERE IS A PROVINCIAL ONE. 146 00:20:01,985 --> 00:20:04,252 MAESTRO, YOU FORGET THAT UNTIL RECENTLY, 147 00:20:04,320 --> 00:20:06,120 TOLEDO WAS THE CAPITAL OF SPAIN. 148 00:20:06,189 --> 00:20:08,122 PRECISELY 17 YEARS AGO. 149 00:20:08,191 --> 00:20:12,026 MM-HMM. AND I WAS 3. 150 00:20:12,095 --> 00:20:16,264 NOW I UNDERSTAND WHAT DROVE YOUR POOR KING TO MADRID. 151 00:20:16,332 --> 00:20:17,798 [WOMEN LAUGHING] 152 00:20:19,702 --> 00:20:21,202 STOP THAT AT ONCE. COME BACK INTO THE HOUSE. 153 00:20:21,271 --> 00:20:23,037 OH. 154 00:20:24,140 --> 00:20:26,440 DOÑA JERONIMA... 155 00:20:27,877 --> 00:20:29,610 IF YOU WANT ME TO PAINT YOUR PORTRAIT, 156 00:20:29,679 --> 00:20:33,147 TOMORROW YOU WILL HAVE TO POSE ALONE. 157 00:20:33,216 --> 00:20:34,148 ALONE? 158 00:20:34,217 --> 00:20:35,349 BUT, MY LADY, YOU KNOW VERY WELL 159 00:20:35,418 --> 00:20:36,784 YOUR FATHER GAVE CLEAR INSTRUCTIONS-- 160 00:20:36,853 --> 00:20:38,586 ENOUGH, ZAIDA. 161 00:20:48,865 --> 00:20:51,899 I DON'T SEE THE POINT OF THAT. 162 00:20:51,968 --> 00:20:57,905 YOU SEE, MY LADY, THIS MODEL HAD MANNERS ENOUGH TO STAND STILL. 163 00:21:08,584 --> 00:21:11,686 [CHOIR SINGING HYMN] 164 00:23:57,653 --> 00:24:00,421 AH, WE ARE PLEASED TO WELCOME YOU. 165 00:24:00,490 --> 00:24:01,755 YOUR EXCELLENCY IS MOST KIND. 166 00:24:01,824 --> 00:24:05,659 EMINENCE, GENTLEMEN... 167 00:24:05,728 --> 00:24:10,030 MAY I PRESENT TO YOU THE PAINTING OF THE BURIAL OF COUNT ORGAZ 168 00:24:10,099 --> 00:24:12,800 BY DOMENIKOS THEOTOKOPOULOS. 169 00:25:39,121 --> 00:25:40,487 I TRUST YOU SOUGHT 170 00:25:40,556 --> 00:25:43,557 FATHER FELIX DE PARAVICINO'S HELPFUL ADVICE 171 00:25:43,626 --> 00:25:47,661 CONCERNING THE OFFICIAL ATTITUDE TO SUCH A CONCEPT AS THIS? 172 00:25:47,730 --> 00:25:49,997 I EXPERIENCED NO NEED FOR SUCH GUIDANCE. 173 00:25:50,066 --> 00:25:50,998 MY INSPIRATION-- 174 00:25:51,067 --> 00:25:52,900 A PAINTER OF RELIGIOUS PICTURES 175 00:25:52,969 --> 00:25:56,537 ALWAYS REQUIRES GUIDANCE FROM THE CHURCH. 176 00:25:56,606 --> 00:25:59,039 INACCURACIES OF COLOR AND SACRILEGIOUS EXAGGERATIONS 177 00:25:59,108 --> 00:26:01,008 ARE EASILY PERPETRATED. 178 00:26:01,077 --> 00:26:03,010 I APPRECIATE THAT, YOUR EMINENCE. 179 00:26:03,079 --> 00:26:05,579 MOREOVER, SUCH ERRORS ARE PUNISHABLE. 180 00:26:06,582 --> 00:26:08,849 IN MY CAPACITY OF GRAND INQUISITOR, 181 00:26:08,918 --> 00:26:11,852 I MUST RUTHLESSLY EXTERMINATE ALL HERESIES, 182 00:26:11,921 --> 00:26:15,356 BE THEY NURTURED IN THE MIND OR ON CANVAS. 183 00:26:53,296 --> 00:26:54,395 AN EXPOLIO. 184 00:26:54,463 --> 00:26:56,563 AN EXPOLIO, MAESTRO. 185 00:26:56,632 --> 00:26:58,565 BUT I COMMAND YOU THIS TIME 186 00:26:58,634 --> 00:27:01,769 NOT TO DENY YOURSELF THE GUIDANCE OF FATHER FELIX. 187 00:27:01,837 --> 00:27:05,939 THE COMPOSITION WILL BE NARROW AND VERTICAL. 188 00:27:06,008 --> 00:27:07,441 CENTRALLY, A MAJESTIC CHRIST 189 00:27:07,510 --> 00:27:12,179 SURROUNDED BY-- YET ISOLATED FROM-- THE SURGING MOB. 190 00:27:14,517 --> 00:27:17,518 NOTHING GROTESQUE OR CRUEL. 191 00:27:18,854 --> 00:27:21,789 I HAVE A NATURAL ABHORRENCE OF CRUELTY 192 00:27:21,857 --> 00:27:24,692 IN ANY SHAPE OR FORM. 193 00:27:47,616 --> 00:27:49,550 COME ON. COME ON. 194 00:27:50,820 --> 00:27:52,986 [WOMEN GIGGLING] 195 00:28:38,768 --> 00:28:40,601 [SIGHS] 196 00:28:41,504 --> 00:28:42,436 [INDISTINCT] 197 00:28:42,505 --> 00:28:44,204 YES, OF COURSE. 198 00:29:04,593 --> 00:29:07,995 MY LADY, YOU'RE SITTING FOR A PORTRAIT, NOT AN ICON. 199 00:29:08,964 --> 00:29:11,665 I HAPPEN TO HAVE PINS AND NEEDLES. 200 00:29:11,734 --> 00:29:15,002 IN CRETE, DIDN'T THEY TEACH YOU RESPECT? 201 00:29:15,070 --> 00:29:16,870 RESPECT? 202 00:29:16,939 --> 00:29:18,405 IT DEPENDS. FOR WHAT? 203 00:29:18,474 --> 00:29:21,875 WELL, IN TOLEDO, WE LIKE TO BE CIVILIZED. 204 00:29:21,944 --> 00:29:26,513 OUR GREEK CIVILIZATION IS NEARLY 4,000 YEARS OLD. 205 00:29:26,582 --> 00:29:29,750 I CAN'T THINK WHY YOU EVER LEFT. 206 00:29:29,819 --> 00:29:31,885 I WAS AN UNDERDOG. 207 00:29:31,954 --> 00:29:34,421 IN CRETE, I WAS BORN UNDER LATIN OPPRESSION. 208 00:29:34,490 --> 00:29:37,791 I HAD TO GO SEEK MY FORTUNE IN THE LAND OF MY OPPRESSORS-- 209 00:29:37,860 --> 00:29:44,965 IN VENICE, WHERE I FOUND THE STUDIO OF OLD TITIAN, 210 00:29:45,034 --> 00:29:48,168 WHERE HE GAVE ME THE KEY TO THIS. 211 00:29:48,237 --> 00:29:50,170 THEN WHY DID YOU GO TO ROME? 212 00:29:50,239 --> 00:29:51,872 TO SEARCH. 213 00:29:52,775 --> 00:29:56,577 TO FIND MY OWN BRAND OF TRUTH. 214 00:29:56,645 --> 00:29:59,146 BUT IN ROME, 215 00:29:59,215 --> 00:30:01,081 I BECAME A CAPTIVE AGAIN. 216 00:30:01,150 --> 00:30:03,383 YOU SEE, I WAS EXPECTED TO CONFORM 217 00:30:03,452 --> 00:30:07,321 TO A PATRON WHO WAS BENEVOLENT IF ONE FOLLOWED THE RULES. 218 00:30:07,389 --> 00:30:09,756 BUT I HAD TO SPEAK MY MIND. 219 00:30:11,160 --> 00:30:12,559 I DID. 220 00:30:12,628 --> 00:30:17,431 AND NOW YOU ARE HERE, LOOKING FOR MORE IMPARTIAL PATRONAGE. 221 00:30:17,500 --> 00:30:19,967 YOUR ESCORIAL WILL NEED MANY FINE PAINTINGS. 222 00:30:20,035 --> 00:30:21,835 THEN YOU MUST DESPISE YOURSELF 223 00:30:21,904 --> 00:30:25,772 FOR BEING MADE TO WASTE TIME ON THIS LITTLE PORTRAIT. 224 00:30:25,841 --> 00:30:30,611 NO. NO PAINTER DESPISES HIMSELF 225 00:30:30,679 --> 00:30:33,480 FOR FINDING SOMETHING LOVELY. 226 00:30:34,950 --> 00:30:37,518 I'M FORTUNATE. 227 00:30:37,586 --> 00:30:42,656 YOUR FACE ALREADY LIVES HERE ON MY CANVAS. 228 00:30:42,725 --> 00:30:45,859 A YOUNG SPANISH LADY 229 00:30:45,928 --> 00:30:49,696 WHOSE LARGE EYES COULD BE SO TENDER. 230 00:30:52,501 --> 00:30:55,536 MY PINS AND NEEDLES HAVE GONE. 231 00:31:17,960 --> 00:31:19,826 GO ON. 232 00:31:23,866 --> 00:31:26,133 [PLAYING] 233 00:31:45,387 --> 00:31:49,222 [THEOTOKOPOULOS PLAYING LUTE] 234 00:32:10,613 --> 00:32:13,113 HOW SOON THE LIGHT LEAVES US. 235 00:32:16,485 --> 00:32:20,253 THESE NARROW STREETS SEEM TO HIDE FROM THE SUN. 236 00:32:20,322 --> 00:32:22,823 YOU STILL FEEL A STRANGER HERE? 237 00:32:24,093 --> 00:32:26,860 CANDIA'S ALL SUNLIGHT AND COLOR. 238 00:32:26,929 --> 00:32:28,929 I'VE ALWAYS LIVED NEAR THE SEA, 239 00:32:28,998 --> 00:32:31,598 IN CRETE, THEN VENICE. 240 00:32:31,667 --> 00:32:35,402 EVEN IN ROME, I KNEW OSTIA WAS JUST ACROSS THE FIELDS. 241 00:32:35,471 --> 00:32:37,004 BECAUSE IT'S LANDLOCKED, 242 00:32:37,072 --> 00:32:39,172 TOLEDO IS INTROVERTED. 243 00:32:39,241 --> 00:32:41,708 SO ARE THE LIVES INSIDE IT. 244 00:32:41,777 --> 00:32:44,211 HOW LITTLE YOU UNDERSTAND US. 245 00:32:44,279 --> 00:32:46,546 I UNDERSTAND MY FEELINGS. 246 00:32:46,615 --> 00:32:48,615 THERE'S SOMETHING OPPRESSIVE HERE. 247 00:32:48,684 --> 00:32:50,617 YOUR BUILDINGS ARE LIKE PRISONS. 248 00:32:50,686 --> 00:32:53,120 YOU DECORATE THEM INSIDE TO HIDE THE BARS. 249 00:32:53,188 --> 00:32:55,122 FIRST, THIS IS A SPANISH CITY. 250 00:32:55,190 --> 00:32:57,290 AND YOU CAN NEVER FORGET IT. 251 00:32:57,359 --> 00:33:00,661 IT EXPLAINS YOUR INTENSE PREOCCUPATION WITH RELIGION AND DEATH 252 00:33:00,729 --> 00:33:02,929 AND SOCIAL OSTENTATION. 253 00:33:02,998 --> 00:33:05,499 ARISTOCRATS CANNOT HELP BEING ARISTOCRATS. 254 00:33:05,567 --> 00:33:10,170 YOUR ARISTOCRATS SURROUND THEMSELVES WITH SNOBBISH ETIQUETTE, 255 00:33:10,239 --> 00:33:12,506 SILLY REGULATIONS, ABSURD RULES, 256 00:33:12,574 --> 00:33:15,275 AND GRADUALLY SUFFOCATE... 257 00:33:16,445 --> 00:33:19,913 JUST AS YOU'RE SUFFOCATING, DOÑA JERONIMA. 258 00:33:19,982 --> 00:33:22,649 YOU ARE QUITE WRONG. 259 00:33:24,019 --> 00:33:28,422 IN YOUR SCHEME OF THINGS, EACH MAN MUST KNOW HIS PLACE 260 00:33:28,490 --> 00:33:30,023 AND NEVER TRESPASS. 261 00:33:30,092 --> 00:33:31,625 YOU ARE TRESPASSING NOW. 262 00:33:31,694 --> 00:33:36,029 NO, YOU'RE THE ONE WHO'S TRESPASSING 263 00:36:12,621 --> 00:36:14,788 [LAUGHTER] 264 00:37:09,544 --> 00:37:10,977 [SPEAKING FOREIGN LANGUAGE] 265 00:37:11,046 --> 00:37:12,812 YOU WORK TOO HARD. 266 00:37:12,881 --> 00:37:16,316 CORPUS CHRISTI WILL SOON BE WITH US. THIS MUST BE READY. 267 00:37:16,385 --> 00:37:18,818 DON DIEGO HAS ALREADY ADVISED THE KING. 268 00:37:18,887 --> 00:37:21,821 DOES ROYAL PATRONAGE REALLY MEAN SO MUCH TO YOU? 269 00:37:21,890 --> 00:37:24,824 AS ESCORIAL PAINTER IS AN ESTABLISHED PERSON, SOMEONE OF CONSEQUENCE. 270 00:37:24,893 --> 00:37:27,327 THERE CAN BE NO ARGUMENT ABOUT THAT. 271 00:37:27,396 --> 00:37:30,330 YOU SURPRISE ME. MOST PAINTERS MERELY WISH TO PAINT, 272 00:37:30,399 --> 00:37:34,134 MARRY THEIR MODEL, BREED CHILDREN, AND GO ON PAINTING. 273 00:37:34,202 --> 00:37:36,670 THAT'S EXACTLY MY PROBLEM. 274 00:37:36,738 --> 00:37:40,173 THEN WE MUST FIND YOU A BEAUTIFUL WIFE. 275 00:37:40,242 --> 00:37:42,575 I THINK I ALREADY HAVE. 276 00:38:20,449 --> 00:38:22,349 FELIX, I'M NOT A PASTRY COOK, 277 00:38:22,417 --> 00:38:25,218 AND SHE'S CERTAINLY NOT A BUTCHER'S DAUGHTER. 278 00:38:25,287 --> 00:38:27,487 THEN IF MATTERS ARE AS I SUSPECT, 279 00:38:27,556 --> 00:38:29,456 YOU WILL HARM A YOUNG LADY 280 00:38:29,524 --> 00:38:31,958 AND RUIN YOUR OWN FUTURE. 281 00:38:32,027 --> 00:38:34,461 FELIX, AS A PRIEST, 282 00:38:34,529 --> 00:38:37,864 HOW CAN YOU MAKE SUCH AN INTOLERABLY SNOBBISH STATEMENT? 283 00:38:37,933 --> 00:38:40,367 AS YOUR FRIEND, I HAVE NO OTHER ALTERNATIVE. 284 00:38:40,435 --> 00:38:42,869 AS A PRIEST, I KNOW MY PLACE. 285 00:38:42,938 --> 00:38:45,372 AS A TOLEDAN, I KNOW YOURS. 286 00:38:45,440 --> 00:38:48,375 YOU MAY WISH FOR IT, EVEN FIGHT FOR IT, 287 00:38:48,443 --> 00:38:51,111 BUT YOU WON'T SUCCEED IN MIXING OIL WITH WATER. 288 00:38:51,179 --> 00:38:53,380 BELIEVE ME, DOMENIKOS. 289 00:38:53,448 --> 00:38:55,582 BUT THAT'S RIDICULOUS. 290 00:38:55,650 --> 00:38:57,550 I'M AN EDUCATED MAN. 291 00:38:57,619 --> 00:38:59,953 I SPEAK FIVE LANGUAGES. 292 00:39:00,022 --> 00:39:01,354 I'VE TRAVELED. 293 00:39:01,423 --> 00:39:04,958 FELIX, I'M NOT A PASTRY COOK. 294 00:39:05,027 --> 00:39:06,860 I KNOW. 295 00:39:11,033 --> 00:39:13,366 I NEED HER, FELIX. 296 00:39:14,403 --> 00:39:18,171 IF I LOVE THIS GIRL, TRULY, HONORABLY, 297 00:39:18,240 --> 00:39:20,473 AND IF SHE LOVES ME, 298 00:39:20,542 --> 00:39:22,609 NO FAMILY COULD REFUSE US. 299 00:39:22,677 --> 00:39:25,678 THEY CAN AND WILL, QUITE BLUNTLY. 300 00:39:27,049 --> 00:39:30,283 IN TOLEDO, A GENTLEMAN CAN BECOME AN ACCEPTABLE ARTIST, 301 00:39:30,352 --> 00:39:31,851 BUT IT DOESN'T FOLLOW 302 00:39:31,920 --> 00:39:34,721 THAT AN ARTIST CAN BECOME AN ACCEPTABLE GENTLEMAN. 303 00:39:34,790 --> 00:39:37,724 DON'T TEMPT FATE, DOMENIKOS. 304 00:39:38,894 --> 00:39:40,827 BUT I MUST. 305 00:39:40,896 --> 00:39:45,065 THEN I WILL PRAY FOR YOU, MY FRIEND. 306 00:40:08,090 --> 00:40:09,155 JERONIMA! 307 00:40:09,224 --> 00:40:11,724 [BELLS RING] 308 00:42:20,422 --> 00:42:23,122 [CHOIR SINGING INDISTINCTLY] 309 00:42:33,034 --> 00:42:40,540 ♪ HALLELUJAH ♪ 310 00:42:40,609 --> 00:42:49,282 ♪ HALLELUJAH ♪ 311 00:43:24,519 --> 00:43:26,352 I'M HAPPY FOR YOUR SUCCESS. 312 00:43:26,421 --> 00:43:29,355 ONCE AWAY FROM ROME, I KNEW NOTHING COULD STOP YOU. 313 00:43:29,424 --> 00:43:32,592 DOMENIKOS, I MUST BE THE ONE TO CONGRATULATE YOU. 314 00:43:34,329 --> 00:43:38,931 WELL, DON'T LET'S CRITICIZE THE ETERNAL CITY. 315 00:43:39,000 --> 00:43:40,933 PIGNARELLI IS OVER THERE. 316 00:43:41,002 --> 00:43:41,934 PIGNARELLI? 317 00:43:42,003 --> 00:43:42,869 MM-HMM. 318 00:43:42,937 --> 00:43:44,437 WHAT'S HE DOING HERE? 319 00:43:44,506 --> 00:43:47,106 CLINGING TO HIS MAJESTY LIKE THE LEECH HE IS. 320 00:43:47,175 --> 00:43:48,608 NOT AS A PAINTER? 321 00:43:48,677 --> 00:43:50,143 OH, GOD FORBID. 322 00:43:52,247 --> 00:43:55,181 AH, OUR GENIUS, EL GRECO. 323 00:43:55,250 --> 00:43:59,118 AND HOW FARES OUR REFUGEE FROM THE WRATH OF THE FARENESE? 324 00:43:59,187 --> 00:44:02,388 IN ROME, WE ARE STILL APOLOGIZING FOR YOUR RUDENESS 325 00:44:02,457 --> 00:44:04,490 CONCERNING BUONARROTI'S TALENT. 326 00:44:04,559 --> 00:44:07,226 I DO NOT REGRET MY CRITICISMS. 327 00:44:08,797 --> 00:44:11,631 HIS MAJESTY HOLDS MICHELANGELO IN THE HIGHEST ESTEEM. 328 00:44:11,700 --> 00:44:15,234 PRAY, DO NOT SPEAK ILL OF HIM IN THE KING'S PRESENCE. 329 00:44:15,303 --> 00:44:17,236 I DO NOT INTEND TO. 330 00:44:17,305 --> 00:44:19,739 AND IF YOU CHOOSE TO CURB YOUR TONGUE, 331 00:44:19,808 --> 00:44:22,742 THE KING NEED NEVER LEARN OF THE OPINION I HOLD. 332 00:44:22,811 --> 00:44:24,510 HOW VERY TRUSTING. 333 00:44:24,579 --> 00:44:26,179 NATURALLY, MY DEAR MAESTRO, 334 00:44:26,247 --> 00:44:30,316 WE WILL PERMIT YOUR TALENT TO SPEAK FOR ITSELF. 335 00:44:32,954 --> 00:44:40,360 ♪ HALLELUJAH ♪ 336 00:44:40,428 --> 00:44:49,435 ♪ HALLELUJAH ♪ 337 00:44:49,504 --> 00:44:51,804 [SINGING IN LATIN] 338 00:46:19,561 --> 00:46:20,927 ABSOLUTELY, SIRE. 339 00:46:20,995 --> 00:46:24,197 I BELIEVE IN MAESTRO GRECO'S ART 340 00:46:24,265 --> 00:46:26,766 MORE THAN MY OWN. 341 00:46:26,835 --> 00:46:28,501 YOU, CONTE, 342 00:46:28,570 --> 00:46:30,002 WHAT IS YOUR OPINION? 343 00:46:30,071 --> 00:46:33,005 BOTH IN FORM AND IN COLOR, 344 00:46:33,074 --> 00:46:35,174 AN EXQUISITE CONCEPT. 345 00:46:35,243 --> 00:46:39,679 OF COURSE, THE SYMBOLIC, MYSTIC ASPECTS 346 00:46:39,747 --> 00:46:42,348 REQUIRE CONSIDERATION. 347 00:46:42,417 --> 00:46:45,451 WE HAVE CONSIDERED THEM AND LIKE THEM. 348 00:46:45,520 --> 00:46:51,591 MAESTRO, WE ACCORDINGLY DESIRE TO FAVOR YOU 349 00:46:51,659 --> 00:46:54,594 BY COMMISSIONING YOU TO PORTRAY THE MARTYRDOM 350 00:46:54,662 --> 00:46:57,163 OF THE MUCH DEVOTED SAN MAURICIO 351 00:46:57,232 --> 00:46:59,699 AND HIS FOLLOWERS OF THE THEBIAN LEGION. 352 00:46:59,767 --> 00:47:02,802 YOUR WORK, IF FOUND ACCEPTABLE, 353 00:47:02,871 --> 00:47:05,771 WILL GRACE OUR MONASTERY OF THE ESCORIAL. 354 00:47:05,840 --> 00:47:08,241 YOU HONOR ME, SIRE. 355 00:47:08,309 --> 00:47:10,443 [ORGAN PLAYING] 356 00:47:16,551 --> 00:47:19,519 [CHOIR SINGING INDISTINCTLY] 29315

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