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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:14,320 --> 00:00:16,250 [ KNOCK ON DOOR ] 2 00:00:19,190 --> 00:00:20,390 [ SIGHS ] 3 00:00:25,060 --> 00:00:26,530 HI, JILL. 4 00:00:26,570 --> 00:00:27,910 [ SIGHS ] I’M SORRY, DIANE. 5 00:00:27,930 --> 00:00:29,770 COME ON IN. 6 00:00:31,570 --> 00:00:33,900 I, UH... 7 00:00:33,940 --> 00:00:36,500 I DON’T KNOW WHAT TO DO ABOUT DON. 8 00:00:36,540 --> 00:00:38,440 IT’S OKAY, JILL. SIT DOWN, WE’LL FIGURE IT OUT. 9 00:00:38,480 --> 00:00:40,050 WANT SOME WATER? 10 00:00:40,080 --> 00:00:41,480 YOU GOING TO THROW IT ON ME? 11 00:00:48,950 --> 00:00:50,720 DID YOU, UM, 12 00:00:50,760 --> 00:00:53,530 DID YOU SEE ANYTHING ON THE NEWS ABOUT DON’S COLLAR? 13 00:00:53,560 --> 00:00:55,060 Diane: NO. 14 00:00:55,090 --> 00:00:57,060 YEAH, I DIDN’T SEE ANYTHING. 15 00:00:57,100 --> 00:00:58,600 THAT MUST BE A RELIEF. 16 00:00:58,630 --> 00:01:01,300 YEAH, I WAS AFRAID I WAS GOING TO SEE IT ON THE NEWS. 17 00:01:02,700 --> 00:01:04,730 HERE YOU GO. THANKS. 18 00:01:04,770 --> 00:01:05,930 MM‐HMM. 19 00:01:08,070 --> 00:01:10,040 I, UH, I FEEL LIKE 20 00:01:10,070 --> 00:01:12,570 I’M ON ONE OF THOSE WHEELS IN A CAGE, 21 00:01:12,610 --> 00:01:15,180 WHICH WOULD MAKE ME THE RAT IN THIS STORY, 22 00:01:15,210 --> 00:01:18,050 WHICH I’M TRYING NOT TO THINK I AM. 23 00:01:18,080 --> 00:01:20,050 WHY WOULD YOU BE THE RAT? 24 00:01:20,080 --> 00:01:23,990 BECAUSE I MADE HIM THE BOYS’ FATHER. 25 00:01:24,020 --> 00:01:26,220 I LOVED HIM. 26 00:01:26,260 --> 00:01:28,100 HE WAS ALWAYS IN TROUBLE, 27 00:01:28,130 --> 00:01:31,000 AND ‐‐ 28 00:01:31,030 --> 00:01:33,730 AND I LOVED THAT ABOUT HIM, TOO. 29 00:01:33,770 --> 00:01:36,210 I DON’T KNOW WHAT TO TELL THE BOYS. 30 00:01:36,230 --> 00:01:38,200 MAYBE THAT MEANS DON’T SAY ANYTHING. 31 00:01:38,240 --> 00:01:41,380 I DON’T WANT TO TELL THEM ANYTHING. 32 00:01:41,410 --> 00:01:43,410 WE’LL SEE HOW THINGS SHAKE OUT 33 00:01:43,440 --> 00:01:46,170 WITH THIS MOVE THE BOSS IS TRYING. 34 00:01:46,210 --> 00:01:49,240 YEAH, YOU KNOW, MAYBE IF DON GETS A DEAL 35 00:01:49,280 --> 00:01:51,250 AND THEY DON’T MAKE HIM TESTIFY, 36 00:01:51,280 --> 00:01:53,920 OR IF THEY USE HIS INFORMATION 37 00:01:53,950 --> 00:01:56,790 AND THEY DON’T MAKE HIM TESTIFY AND HE DOESN’T HAVE TO DO TIME ‐‐ JILL. 38 00:01:56,820 --> 00:01:58,950 JILL. 39 00:02:04,130 --> 00:02:06,860 YOU KNOW, WHAT KIND OF SENSE DOES IT MAKE, DIANE, 40 00:02:06,900 --> 00:02:08,500 WHEN SOMEONE LIKE DON 41 00:02:08,530 --> 00:02:11,070 HAS GOT PEOPLE GOING CRAZY OVER HIM, 42 00:02:11,100 --> 00:02:13,940 AND ‐‐ AND SOMEONE LIKE BOBBY IS DEAD? 43 00:02:17,210 --> 00:02:18,910 WE’LL JUST GET THROUGH IT, JILL. 44 00:02:18,940 --> 00:02:21,340 WE’LL JUST GET THROUGH IT. 45 00:02:21,380 --> 00:02:24,410 WE GOT TO GET TO WORK. 46 00:02:24,450 --> 00:02:26,250 THIS IS WORK. 47 00:02:26,280 --> 00:02:27,450 HA HA. 48 00:02:27,490 --> 00:02:28,590 YEAH. 49 00:04:00,880 --> 00:04:02,710 D.O.A.’s RICARDO MONTEL. 50 00:04:02,750 --> 00:04:05,260 HE WAS WATCHING TV WITH HIS WIFE AND KID. 51 00:04:05,280 --> 00:04:08,050 SHOOTER ‐‐ DARK MALE ‐‐ JUST WALKS INTO NUMBER 1 ‐‐ 52 00:04:08,090 --> 00:04:10,400 COUPLE SHOTGUN BLASTS TO THE CHEST. 53 00:04:10,420 --> 00:04:13,320 LOOKS LIKE NOTHING WAS TAKEN. WIFE’S IN NUMBER 6. 54 00:04:13,360 --> 00:04:15,370 YEAH, WE’LL GO TALK TO HER. Man: NAME’S ROSIE. 55 00:04:15,390 --> 00:04:17,490 SHE’S CRYING UPSTAIRS. YOU’RE GONNA HAVE TO GET HER OUT OF THE BATHROOM. 56 00:04:17,530 --> 00:04:19,090 WE GOT IT. 57 00:04:19,130 --> 00:04:21,660 D.O.A.’s BROTHER THREW SHOTS AT HIM WITH THIS. 58 00:04:21,700 --> 00:04:24,400 JOAQUIN ENRIQUEZ. 59 00:04:24,440 --> 00:04:26,580 JOAQUIN? I LIVE NEXT DOOR. 60 00:04:26,610 --> 00:04:28,550 HOW DO YOU SPELL THAT? JUST PUT "JOE" DOWN. 61 00:04:28,570 --> 00:04:30,170 YOU THREW SHOTS AT THE GUY? DAMN RIGHT I DID. 62 00:04:30,210 --> 00:04:33,210 I HEARD THE NOISE, MY SISTER‐IN‐LAW SCREAMING. 63 00:04:33,240 --> 00:04:35,410 I GRABBED MY .38, I COME OUTSIDE, 64 00:04:35,450 --> 00:04:37,960 I SEE THIS PRICK RUNNING, I THROW SOME SHOTS. 65 00:04:37,980 --> 00:04:40,020 YOU HIT HIM? COULD BE. 66 00:04:40,050 --> 00:04:41,850 HE TRIPPED, LOST HIS RIFLE. 67 00:04:41,890 --> 00:04:43,130 SHOTGUN ‐‐ WE GOT THAT. 68 00:04:43,150 --> 00:04:45,350 YOU WERE JUST WAITING FOR A LULL 69 00:04:45,390 --> 00:04:47,760 TO CONVEY THAT YOU’VE GOT THE MURDER WEAPON. 70 00:04:47,790 --> 00:04:49,890 SO WHAT DID THIS GUY LOOK LIKE? 71 00:04:49,930 --> 00:04:51,590 I JUST SAW THE BACK. 72 00:04:51,630 --> 00:04:53,660 YOU GOT A PERMIT FOR THAT .38? 73 00:04:53,700 --> 00:04:56,000 YEAH. I WORK IN PLUMBING SUPPLY. 74 00:04:56,030 --> 00:04:58,530 CASH BUSINESS ‐‐ OUR OFFICE AIN’T EXACTLY PARK AVENUE. 75 00:04:58,570 --> 00:05:00,570 WHO MIGHT WANT YOUR BROTHER DEAD? 76 00:05:00,610 --> 00:05:02,210 COULD HAVE BEEN ROBBERY. 77 00:05:02,240 --> 00:05:04,170 BROAD DAYLIGHT, NOTHING MISSING ‐‐ LOOKS PERSONAL. 78 00:05:04,210 --> 00:05:07,840 WHAT KIND OF BUSINESS WAS RICO IN? 79 00:05:07,880 --> 00:05:10,580 SAME AS ME ‐‐ IT’S HIS BUSINESS I WORK FOR. 80 00:05:10,620 --> 00:05:13,020 ALSO, UH, RICO SOMETIMES ‐‐ 81 00:05:13,050 --> 00:05:15,120 HE LOANED MONEY. 82 00:05:15,150 --> 00:05:18,090 SOMEONE MIGHT HAVE WANTED TO CANCEL A LOAN. 83 00:05:18,120 --> 00:05:19,820 GOT ANY IDEA WHO THAT COULD BE? 84 00:05:19,860 --> 00:05:21,420 I STAYED OUT OF HIS WAY. 85 00:05:21,460 --> 00:05:23,690 ALL RIGHT, THANKS FOR YOUR HELP, MR. ENRIQUEZ. WE’LL BE IN TOUCH. 86 00:05:23,730 --> 00:05:26,190 I’M GOING TO GET MY GUN BACK, RIGHT? 87 00:05:26,230 --> 00:05:29,060 YEAH, YEAH. THAT IS, IF WE DON’T LOSE IT. 88 00:05:37,780 --> 00:05:40,920 SO I’M WAITING FOR YOU TO ASK ME 89 00:05:40,950 --> 00:05:43,220 HOW IT WENT WITH THAT LORETTA BECKWITH 90 00:05:43,250 --> 00:05:44,690 OF E. M. S. LAST NIGHT. 91 00:05:44,720 --> 00:05:46,560 YEAH, HOW’D IT GO? 92 00:05:46,590 --> 00:05:49,090 I HAD SOME MOMENT OF REALIZATION. 93 00:05:49,120 --> 00:05:51,220 A COUPLE IN THE BUFFET LINE 94 00:05:51,260 --> 00:05:52,600 AT THAT LANCOTTA’S RESTAURANT ‐‐ 95 00:05:52,620 --> 00:05:56,590 GIRL’S MAYBE A FAST 22, GUY WITH HER’S MID‐40s, 96 00:05:56,630 --> 00:05:58,590 AND I’M THINKING TO MYSELF, 97 00:05:58,630 --> 00:06:01,600 "WHAT IS IN THAT MAN’S MIND? 98 00:06:01,630 --> 00:06:04,530 DON’T HE REALIZE THE DOPEY CONTRAST?" 99 00:06:04,570 --> 00:06:07,540 I THEN LOOK AT THIS E. M. S. GIRL BESIDE ME 100 00:06:07,570 --> 00:06:12,240 AND I REALIZE, AS FAR AS AGE DISCREPANCY, 101 00:06:12,280 --> 00:06:14,850 HER AND I ARE NO DIFFERENT FROM THAT COUPLE. 102 00:06:14,880 --> 00:06:17,280 IN FACT, WE’RE A MIRROR IMAGE. 103 00:06:17,320 --> 00:06:21,290 BROUGHT ME UP SHORT, I’LL TELL YOU THAT MUCH. 104 00:06:21,320 --> 00:06:23,950 HEY, GREG, I PASSED THE SERGEANT’S TEST. 105 00:06:26,520 --> 00:06:27,990 YEAH. JAMES. 106 00:06:28,030 --> 00:06:29,600 I’M NUMBER 67. 107 00:06:29,630 --> 00:06:32,290 I HEARD THE JOB’S GOING TO TAKE THE FIRST 100. 108 00:06:35,100 --> 00:06:36,870 CONGRATULATIONS, BUDDY. 109 00:06:36,900 --> 00:06:39,070 I CAN’T FIGURE I’M ANYTHING BUT NUTS ‐‐ 110 00:06:39,100 --> 00:06:41,200 WHEN I FIND OUT I’M IN LINE FOR A PROMOTION, 111 00:06:41,240 --> 00:06:43,200 IT THROWS ME FOR A LOOP. 112 00:06:43,240 --> 00:06:45,240 WELL, JAMES, 113 00:06:45,280 --> 00:06:49,220 MOVING UP TO SERGEANT’S A LIFE‐CHANGING CAREER MOVE. 114 00:06:49,250 --> 00:06:52,090 YEAH, MORE SALARY, 115 00:06:52,120 --> 00:06:54,090 BETTER PENSION, AND STEADIER HOURS ‐‐ 116 00:06:54,120 --> 00:06:57,250 WHO WOULDN’T HAVE MISGIVINGS? 117 00:06:57,290 --> 00:06:59,660 WELL, HOW ABOUT A TOTALLY NEW WORK ENVIRONMENT 118 00:06:59,690 --> 00:07:01,660 AND LOSS OF PRIOR FRIENDSHIPS 119 00:07:01,690 --> 00:07:05,490 ON THE OTHER SIDE OF THE LEDGER, JAMES? 120 00:07:05,530 --> 00:07:08,100 IMAGINE SPENDING A WHOLE SHIFT BEHIND A DESK. 121 00:07:08,130 --> 00:07:10,570 THAT’S WHAT A LOT OF THEM GUYS DO. 122 00:07:10,600 --> 00:07:12,930 NOT TO MENTION LOSS OF PRIOR FRIENDSHIPS. 123 00:07:15,610 --> 00:07:19,180 ANYWAYS, FOOD FOR THOUGHT, I GUESS, YOU KNOW? 124 00:07:19,210 --> 00:07:20,780 OH, YEAH, YOU ABSOLUTELY 125 00:07:20,810 --> 00:07:23,410 GOT TO GIVE IT SERIOUS CONSIDERATION. 126 00:07:23,450 --> 00:07:25,190 WELL, ONE THING I GUARANTEE YOU ‐‐ 127 00:07:25,220 --> 00:07:26,760 WHATEVER I DECIDE, 128 00:07:26,790 --> 00:07:29,390 THE FRIENDSHIP BETWEEN YOU AND ME CONTINUES. 129 00:07:29,420 --> 00:07:31,390 NO, THAT ‐‐ THAT GOES WITHOUT SAYING. 130 00:07:31,420 --> 00:07:33,660 I MEAN, YOU’RE MY FRIEND 131 00:07:33,690 --> 00:07:35,820 AND GODFATHER TO MY CHILD. 132 00:07:35,860 --> 00:07:38,430 ABSOLUTELY GOES WITHOUT SAYING, JAMES. 133 00:08:01,320 --> 00:08:03,250 GOT A MAN D.O.A. IN HIS APARTMENT, 134 00:08:03,290 --> 00:08:05,500 MALE HISPANIC, SHOOTER FLED ON FOOT. 135 00:08:05,520 --> 00:08:08,420 SHOOTER WALKS IN, GIVES HIM TWO IN THE CHEST. 136 00:08:08,460 --> 00:08:10,160 WIFE GOT SOME KIND OF LOOK AT THE GUY, 137 00:08:10,190 --> 00:08:12,490 BUT SHE WAS TOO UPSET TO TALK. LOCKED HERSELF IN THE BATHROOM. 138 00:08:12,530 --> 00:08:14,260 WE GOT HER COMING IN SOON TO LOOK AT PICTURES. 139 00:08:14,300 --> 00:08:15,900 Danny: WE GOT A SHOTGUN. 140 00:08:15,930 --> 00:08:18,200 CRIME SCENE’S PROCESSING THAT FOR PRINTS. 141 00:08:18,240 --> 00:08:20,380 PLUS WE GOT THE D. O. A.’s BROTHER, LIVES NEXT DOOR, 142 00:08:20,400 --> 00:08:22,600 WHO THREW SHOTS AT THE GUY. 143 00:08:22,640 --> 00:08:24,110 THAT’S WHEN THE SHOOTER DROPPED THE SHOTGUN. 144 00:08:24,140 --> 00:08:26,270 HE GET A LOOK? 145 00:08:26,310 --> 00:08:30,110 NO, JOAQUIN SAYS HE ONLY SAW HIM FROM BEHIND WHILE HE WAS TAKING TARGET PRACTICE. 146 00:08:30,150 --> 00:08:32,280 WE’RE ALSO WORKING ON DUMPING THE PHONE RECORDS. 147 00:08:32,320 --> 00:08:34,790 GOOD. KEEP ME POSTED. 148 00:08:34,820 --> 00:08:37,250 ARE THERE CASES YOU DON’T WANT TO KEEP POSTED ON? 149 00:08:37,290 --> 00:08:38,890 WHAT’S THE POINT OF SAYING THAT? 150 00:08:38,920 --> 00:08:41,220 OKAY. GET OUT OF MY OFFICE. 151 00:08:41,260 --> 00:08:44,230 Man: LATENT PRINTS. I’D LIKE TO SPEAK TO A DETECTIVE. 152 00:08:46,730 --> 00:08:49,330 THIS GENTLEMAN WANTS TO SEE A DETECTIVE. 153 00:08:49,370 --> 00:08:52,110 HE GESTURES AS IF HE’S ACKNOWLEDGING A CROWD, 154 00:08:52,140 --> 00:08:56,080 AND I THINK HE’S SAYING HE’S UNCROWNED ROYALTY. 155 00:08:57,640 --> 00:09:00,110 YEAH, DETECTIVE SIPOWICZ, DETECTIVE SORENSON. 156 00:09:00,140 --> 00:09:02,210 HOW’S IT GOING? 157 00:09:02,250 --> 00:09:03,620 GENTLEMEN, 158 00:09:03,650 --> 00:09:07,520 DO I APPEAR TO HAVE A FUNGO BAT IN MY HANDS? 159 00:09:07,550 --> 00:09:09,520 DO YOU THINK YOU HAVE ONE? 160 00:09:09,550 --> 00:09:11,850 PRESTON ROSS ‐‐ LATENT PRINTS. 161 00:09:11,890 --> 00:09:13,390 ON OUR JOB. 162 00:09:13,420 --> 00:09:16,020 LATENT PRINTS ‐‐ PRESTON ROSS. 163 00:09:16,060 --> 00:09:18,030 OUR COMPUTER KICKED OUT A HIT 164 00:09:18,060 --> 00:09:21,230 ON THOSE PRINTS WE LIFTED OFF THAT SHOTGUN 165 00:09:21,270 --> 00:09:23,610 FROM YOUR CRIME SCENE, AND I WAS SO PLEASED, 166 00:09:23,640 --> 00:09:26,340 I CAME TO DELIVER THE MESSAGE PERSONALLY. 167 00:09:26,370 --> 00:09:28,240 WHO’S OUR MAN, PRESTON? 168 00:09:28,270 --> 00:09:30,040 I’VE GOT SOME CHARTS RIGHT HERE. 169 00:09:30,070 --> 00:09:32,340 DO WE HAVE SOMEWHERE WE COULD POST THEM? 170 00:09:32,380 --> 00:09:33,620 AHEM. 171 00:09:46,860 --> 00:09:50,530 DACTYLOSCOPY, GENTLEMEN ‐‐ 172 00:09:50,560 --> 00:09:54,330 THE STUDY OF THE PAPILLARY RIDGES. 173 00:09:54,370 --> 00:09:55,940 Andy: COME ON, ROSS, 174 00:09:55,970 --> 00:09:58,580 YOU SAID THE COMPUTER KICKED BACK A MATCH. 175 00:09:58,600 --> 00:10:02,070 WELL, AS YOU CAN SEE ON THESE LIFTS 176 00:10:02,110 --> 00:10:04,220 FROM YOUR SHOTGUN, 177 00:10:04,240 --> 00:10:06,840 TWO, PERHAPS THREE DIFFERENT PEOPLE 178 00:10:06,880 --> 00:10:08,440 HANDLED THE SUBSTRATE. 179 00:10:08,480 --> 00:10:12,280 BUT ON THE LEFT HERE, THAT’S YOUR MAN. 180 00:10:12,320 --> 00:10:15,060 ONE OF THE PERSONS WHO TOUCHED THIS WEAPON 181 00:10:15,090 --> 00:10:16,700 HAD GREASY HANDS. 182 00:10:16,720 --> 00:10:19,690 NOW, BECAUSE HIS HANDS WERE GREASY, 183 00:10:19,720 --> 00:10:22,320 HIS PRINT ON THE WEAPON IS PATENT, 184 00:10:22,360 --> 00:10:24,690 AND BECAUSE THE PATENT PRINT 185 00:10:24,730 --> 00:10:27,430 IS SUPERIMPOSED ON THE LATENT PRINTS, 186 00:10:27,470 --> 00:10:30,610 WE KNOW THAT THE MAN WHO LEFT IT 187 00:10:30,640 --> 00:10:33,010 WAS THE FINAL HANDLER OF THE GUN, 188 00:10:33,040 --> 00:10:36,550 AND HENCE, THE LIKELY PERPETRATOR. 189 00:10:39,140 --> 00:10:41,380 TERRELL BIGGS, GENTLEMEN. 190 00:10:41,410 --> 00:10:47,220 I, UH, TOOK THE LIBERTY OF RUNNING HIM THROUGH BCI. 191 00:10:47,250 --> 00:10:52,150 IT’S MOSTLY PENNY‐ANTE STUFF. 192 00:10:52,190 --> 00:10:54,890 TERRELL TOOK SOME STEP UP WITH THIS WHACK, HUH? 193 00:10:54,930 --> 00:10:56,470 THIS IS GOOD. 194 00:10:58,060 --> 00:11:01,900 DON’T THANK ME. THANK THE TECHNOLOGY. 195 00:11:01,930 --> 00:11:04,030 OH, YOU THANK THE TECHNOLOGY FOR US. 196 00:11:04,070 --> 00:11:06,670 YEAH, IT PROBABLY UNDERSTANDS YOU BETTER. 197 00:11:06,710 --> 00:11:12,050 I‐I’LL JUST TAKE A MOMENT, IF YOU DON’T MIND. 198 00:11:12,080 --> 00:11:14,050 SUCCESSFUL CASEWORK IN THE FIELD 199 00:11:14,080 --> 00:11:16,040 IS A LITTLE NEW FOR ME. 200 00:11:16,080 --> 00:11:18,380 SURE. HAVE A DOUGHNUT. 201 00:11:22,450 --> 00:11:24,450 "HAVE A DOUGHNUT." 202 00:11:38,070 --> 00:11:41,570 THIS IS THE WIDOW. 203 00:11:41,610 --> 00:11:46,020 HI, I’M DETECTIVE RUSSELL, MRS. ENRIQUEZ. 204 00:11:46,040 --> 00:11:48,940 WE APPRECIATE YOUR COMING IN. 205 00:11:48,980 --> 00:11:51,110 YEAH, I RECOGNIZE YOUR VOICE. 206 00:11:51,150 --> 00:11:53,250 I’M SORRY I WOULDN’T TALK TO YOU BEFORE. 207 00:11:53,280 --> 00:11:54,550 WE UNDERSTAND. 208 00:11:54,590 --> 00:11:56,530 LOCKED HERSELF IN THE BATHROOM. 209 00:11:56,560 --> 00:11:57,930 WOULDN’T TALK TO THEM. 210 00:11:57,960 --> 00:11:59,830 MY PARTNER JILL KIRKENDALL. 211 00:11:59,860 --> 00:12:01,060 HI. 212 00:12:01,090 --> 00:12:02,720 SORRY FOR YOUR LOSS. 213 00:12:02,760 --> 00:12:06,030 OH, MY GOD. I RECOGNIZE YOUR VOICE, TOO. 214 00:12:06,060 --> 00:12:08,360 HER HUSBAND MURDERED IN THEIR OWN APARTMENT. 215 00:12:08,400 --> 00:12:10,400 THE VICTIM WAS ALSO YOUR BROTHER, CORRECT? 216 00:12:10,430 --> 00:12:12,830 RICO WAS MY BROTHER, ALSO. YEAH. 217 00:12:12,870 --> 00:12:14,940 I TRIED TO SHOOT THAT SON OF A BITCH WHO MURDERED HIM, 218 00:12:14,970 --> 00:12:17,270 BUT I MISSED THAT SON OF A BITCH. 219 00:12:17,310 --> 00:12:19,580 ROSIE, COME SIT HERE. 220 00:12:19,610 --> 00:12:21,210 COME HERE. 221 00:12:21,250 --> 00:12:24,120 SO WHAT DO YOU WANT TO ASK ROSIE? 222 00:12:24,150 --> 00:12:26,250 Diane: CAN YOU TELL US WHAT YOU SAW? 223 00:12:26,280 --> 00:12:30,390 OH, LET ME SEE IF I CAN COLLECT MYSELF. 224 00:12:30,420 --> 00:12:33,390 UH, GRAB UP SOME PHOTOS FROM THE CABINET. 225 00:12:33,420 --> 00:12:35,390 BALLPARK FOR OUR BOY TERRELL? 226 00:12:35,430 --> 00:12:38,170 YEAH, PHOTOS IN HIS AREA. IT’S A DEEP POOL. 227 00:12:38,200 --> 00:12:40,410 I WAS IN THE KITCHEN 228 00:12:40,430 --> 00:12:43,000 MIXING RICO’S MAALOX AND CEREAL. 229 00:12:43,030 --> 00:12:46,870 I RAN TO THE LIVING ROOM WHEN I HEARD THE SHOTS. 230 00:12:46,910 --> 00:12:50,180 RICO WAS JUST LAYING ON THE COUCH, BLOOD EVERYWHERE. 231 00:12:50,210 --> 00:12:52,870 THE KILLER WAS TRYING TO GO THROUGH HIS POCKETS, 232 00:12:52,910 --> 00:12:55,440 BUT WHEN HE SAW ME, HE RAN. 233 00:12:55,480 --> 00:12:57,080 CAN YOU DESCRIBE HIM? 234 00:12:57,120 --> 00:13:00,060 BEST I SAW, HE WAS A BLACK GUY, 235 00:13:00,080 --> 00:13:05,220 BIG, MAYBE 30, BUT I DIDN’T SEE HIM THAT GOOD. 236 00:13:05,260 --> 00:13:07,900 OH, MY GOD. 237 00:13:07,930 --> 00:13:10,600 EVERYONE LIKED RICO, MORE OR LESS. 238 00:13:10,630 --> 00:13:12,590 SUPPOSE YOU COULD LOOK AT SOME PHOTOS 239 00:13:12,630 --> 00:13:14,030 FOR THE POSSIBLE PERPETRATOR? 240 00:13:14,070 --> 00:13:15,740 FOR THE GUY WHO SHOT RICO? 241 00:13:15,770 --> 00:13:17,010 THIS IS DETECTIVE SIPOWICZ. 242 00:13:17,040 --> 00:13:18,780 I DON’T RECOGNIZE YOUR VOICE. 243 00:13:18,800 --> 00:13:21,000 HE TALKED TO ME OUTSIDE THE BUILDING. 244 00:13:21,040 --> 00:13:24,170 YES, HOW ARE YOU? COULD YOU LOOK AT THESE? 245 00:13:24,210 --> 00:13:26,840 OKAY... 246 00:13:26,880 --> 00:13:30,450 BUT I DON’T WAIVE MY RIGHTS NOT TO TESTIFY. 247 00:13:30,480 --> 00:13:34,080 MY UNDERSTANDING IS YOU ONLY SAW THE SHOOTER FROM THE BACK. 248 00:13:34,120 --> 00:13:35,720 YEAH, THE BACK EXCLUSIVELY. 249 00:13:35,750 --> 00:13:38,220 OKAY, WELL, WHY DON’T WE GET SOME COFFEE? 250 00:13:38,260 --> 00:13:40,230 NO, I WANT TO SUPPORT MY SISTER‐IN‐LAW. 251 00:13:40,260 --> 00:13:43,160 OKAY. WELL, THEN LET’S GO SIT DOWN OVER HERE, OKAY? 252 00:13:43,190 --> 00:13:44,230 OVER THERE? 253 00:13:44,260 --> 00:13:46,230 YEAH, SURE, OVER THERE’S FINE. 254 00:13:48,470 --> 00:13:50,940 TELL US IF YOU RECOGNIZE ANYBODY. 255 00:13:50,970 --> 00:13:54,170 Diane: TAKE A LOOK, ROSIE. 256 00:13:54,210 --> 00:13:56,780 WHAT THE HELL IS HE DOING HERE? 257 00:13:56,810 --> 00:13:59,410 THIS GUY DIDN’T HAVE NOTHING TO DO WITH IT. 258 00:13:59,440 --> 00:14:01,440 WHO IS THAT MAN? 259 00:14:01,480 --> 00:14:05,050 THIS GUY IS SOME DRUNKEN BUM, HANGS AROUND MY NEIGHBORHOOD 260 00:14:05,080 --> 00:14:08,050 PICKING THROUGH GARBAGE, SLEEPING IN THE ALLEY. 261 00:14:08,090 --> 00:14:10,760 HE WALKS WITH A BIG LIMP. 262 00:14:10,790 --> 00:14:14,320 THE GUY WHO SHOT MY HUSBAND TOOK OFF LIKE A JACKRABBIT. 263 00:14:14,360 --> 00:14:17,590 WHAT DO YOU PEOPLE DO WITH THE TAXPAYERS’ MONEY? 264 00:14:17,630 --> 00:14:19,830 UH, WHY DON’T YOU LOOK THROUGH THE REST OF THESE? 265 00:14:19,860 --> 00:14:22,730 Probably picked up the shotgun when the perp dropped it, this Tyrrell. 266 00:14:22,770 --> 00:14:24,740 That’s why his is the last print. 267 00:14:24,770 --> 00:14:26,370 Gets rid of it when he sees all the cops. 268 00:14:26,400 --> 00:14:28,370 So much for ground balls. 269 00:14:28,410 --> 00:14:31,280 I DON’T RECOGNIZE ANY OF THESE GUYS. 270 00:14:31,310 --> 00:14:34,040 SO THAT’S IT FOR HER? 271 00:14:34,080 --> 00:14:36,550 THAT’S IT FOR NOW. WE APPRECIATE YOU COMING IN. 272 00:14:36,580 --> 00:14:39,880 BEFORE RICO GOT SHOT, THE LAST 20 MINUTES, 273 00:14:39,920 --> 00:14:43,220 OUR PHONE RANG THREE DIFFERENT TIMES. 274 00:14:43,250 --> 00:14:45,820 THE LAST TIME, I MADE RICO ANSWER IT 275 00:14:45,860 --> 00:14:48,830 SO HE COULD GIVE THE BUSINESS TO WHOEVER WAS HANGING UP. 276 00:14:48,860 --> 00:14:51,590 LAST WORDS I HAD TO HEAR HIM SAY ‐‐ 277 00:14:51,630 --> 00:14:55,100 "KISS MY ASS. DIE, YOU DIRTY CREEP." 278 00:14:55,130 --> 00:14:58,030 HE WASN’T LIKE THAT THAT OFTEN. 279 00:14:58,070 --> 00:15:01,440 WE’RE ALREADY GETTING ON YOUR PHONE RECORDS AND WE’LL CHECK THOSE CALLS OUT. 280 00:15:01,470 --> 00:15:02,740 THANKS FOR COMING IN. 281 00:15:02,770 --> 00:15:05,270 I’M GOING TO TAKE HER HOME NOW. 282 00:15:09,110 --> 00:15:11,780 TAKE THE WHOLE DAY FROM WORK. 283 00:15:11,820 --> 00:15:13,560 WHEW. 284 00:15:13,590 --> 00:15:15,690 HE’S A CANDIDATE FOR THE HOMICIDE. 285 00:15:15,720 --> 00:15:17,050 OH, YEAH. 286 00:15:17,090 --> 00:15:19,690 YOU GOT THE HEART TO TELL HIM 287 00:15:19,720 --> 00:15:22,460 HIS FUNGO’S A FOUL? 288 00:15:23,900 --> 00:15:26,540 WOULD YOU MIND LETTING ME KNOW 289 00:15:26,570 --> 00:15:28,910 WHEN WE COLLAR UP ON THIS BIGGS? 290 00:15:28,930 --> 00:15:31,330 YEAH, WE THINK WE MAY EVEN HAVE 291 00:15:31,370 --> 00:15:33,530 A PLACE TO LOOK FOR THE GUY. 292 00:15:33,570 --> 00:15:35,370 THAT FAST. 293 00:15:35,410 --> 00:15:38,380 YEAH. THEY KNOW ONE OF BIGGS’ RECENT PLACES. 294 00:15:38,410 --> 00:15:41,080 Preston: WOW. OH, YEAH. 295 00:15:41,110 --> 00:15:42,880 PRESTON ROSS. 296 00:15:42,910 --> 00:15:43,950 DETECTIVES KIRKENDALL AND RUSSELL. 297 00:15:43,980 --> 00:15:44,950 HI. 298 00:15:44,980 --> 00:15:45,950 HOW’S IT GOING? 299 00:15:45,980 --> 00:15:47,280 LATENT PRINTS. 300 00:15:47,320 --> 00:15:48,980 GLAD TO BE ON THE TEAM. 301 00:16:08,970 --> 00:16:12,940 SO, UM, DIANE, SHOULD I ASK 302 00:16:12,980 --> 00:16:16,020 HOW THE NEGOTIATIONS ARE GOING FOR DON’S DEAL? 303 00:16:16,050 --> 00:16:18,220 YOU KNOW, ASK THE BOSS HOW THAT’S GOING, 304 00:16:18,250 --> 00:16:20,050 DO YOU THINK? 305 00:16:20,080 --> 00:16:22,250 WHAT DO YOU THINK, JILL? 306 00:16:22,290 --> 00:16:25,560 WHEN HE TOLD ME HE WAS GOING TO WORK SOMETHING OUT, 307 00:16:25,590 --> 00:16:28,760 THE BOSS SAID IF I DIDN’T GET DON OUT OF MY HEAD, 308 00:16:28,790 --> 00:16:32,060 NOTHING HE DID WOULD MAKE ANY DIFFERENCE BECAUSE I’D JUST SCREW EVERYTHING UP, 309 00:16:32,100 --> 00:16:35,210 SO I WASN’T SURE IF THIS WAS LETTING DON INTO MY HEAD 310 00:16:35,230 --> 00:16:37,200 OR JUST SEEKING INFORMATION. 311 00:16:37,240 --> 00:16:39,240 THAT’S WHY I ASKED YOUR ADVICE. 312 00:16:42,040 --> 00:16:44,310 DON’T ASK THE BOSS. 313 00:16:48,250 --> 00:16:50,020 HEY, HOW’S IT GOING? 314 00:16:50,050 --> 00:16:51,210 HEY, GREG. 315 00:16:51,250 --> 00:16:52,510 UH... 316 00:16:52,550 --> 00:16:54,920 PHONE DUMP INFO 317 00:16:54,950 --> 00:16:57,320 FROM THE D. O. A.’s APARTMENT COMING IN? 318 00:16:57,360 --> 00:16:59,670 THE THREE CALLS THEY GOT JUST BEFORE THE HOMICIDE 319 00:16:59,690 --> 00:17:02,160 WERE ALL FROM THE SAME CELL PHONE. AH. 320 00:17:02,190 --> 00:17:03,860 THE D. O. A.’s WIFE DIDN’T PUT HIM ON 321 00:17:03,900 --> 00:17:05,500 TILL THE LAST CALL. 322 00:17:05,530 --> 00:17:07,260 IF THE SHOOTER WAS TRYING TO CONFIRM 323 00:17:07,300 --> 00:17:09,730 THE D. O. A. WAS HOME, THAT WOULD EXPLAIN THREE. 324 00:17:09,770 --> 00:17:11,400 WE’RE WAITING TO GET 325 00:17:11,440 --> 00:17:13,280 THE CELL PHONE SUBSCRIBER’S PEDIGREE FROM TARU. 326 00:17:13,300 --> 00:17:16,540 ISN’T IT SOMETHING HOW FAX‐DEPENDENT WE’VE BECOME? 327 00:17:16,580 --> 00:17:19,220 WHAT ARE YOU WAITING FOR, GREG? 328 00:17:19,240 --> 00:17:22,410 I GUESS TECHNICALLY I’M VIOLATING REGS. 329 00:17:22,450 --> 00:17:24,520 A BUDDY OF MINE AT THE BUREAU 330 00:17:24,550 --> 00:17:26,920 IS CHECKING A CREDIT APP SNAFU ‐‐ 331 00:17:26,950 --> 00:17:29,180 FAXING ME MY TRW REPORT. 332 00:17:29,220 --> 00:17:30,550 AH. 333 00:17:30,590 --> 00:17:32,720 YEAH, THAT’S A DOCUMENT 334 00:17:32,760 --> 00:17:35,370 I’D AS SOON NOT HAVE LYING AROUND THE FAX TRAY. 335 00:17:35,390 --> 00:17:37,030 NOT UNDER HERE. 336 00:17:37,060 --> 00:17:38,930 I’VE BEEN CHECKING IT PRETTY REGULAR. 337 00:17:38,960 --> 00:17:41,500 [ FAX MACHINE RINGS ] 338 00:17:41,530 --> 00:17:44,170 SO HOW’S THIS FOR A PIECE OF NEWS ‐‐ 339 00:17:44,200 --> 00:17:47,040 JAMES MARTINEZ PASSED THE SERGEANT’S TEST. 340 00:17:47,070 --> 00:17:49,670 HUH. I DIDN’T KNOW HE HAD TAKEN IT. 341 00:17:49,710 --> 00:17:52,240 HEY, WHEN HE’S OF A MIND, 342 00:17:52,280 --> 00:17:54,890 MY PARTNER PLAYS IT PLENTY CLOSE TO THE VEST. 343 00:17:54,910 --> 00:17:57,610 KEPT ME IN THE DARK AS WELL. 344 00:17:57,650 --> 00:18:00,580 [ FAX MACHINE BEEPS ] 345 00:18:00,620 --> 00:18:02,180 WHO’S THAT FOR? 346 00:18:02,220 --> 00:18:03,750 HMM. 347 00:18:03,790 --> 00:18:06,350 CELL PHONE’S REGISTERED TO A LARRY WATSON. 348 00:18:06,390 --> 00:18:07,760 AH. 349 00:18:07,790 --> 00:18:10,260 SO NOW WE GET TO RUN LARRY THROUGH BCI. 350 00:18:10,290 --> 00:18:12,690 YEAH, INFORMATION SUPERHIGHWAY, HUH? 351 00:18:12,730 --> 00:18:14,200 PROCEED AT YOUR OWN PERIL. 352 00:18:16,270 --> 00:18:19,510 ANYWAYS, THAT’S ‐‐ THAT’S GREAT FOR JAMES. 353 00:18:19,540 --> 00:18:20,910 YEAH, WELL, YOU KNOW, 354 00:18:20,940 --> 00:18:23,270 HE’S STILL PROCESSING THE INS AND OUTS, 355 00:18:23,310 --> 00:18:25,250 AS AM I, COMPLETELY CANDID, 356 00:18:25,280 --> 00:18:28,950 BUT ON BALANCE, I‐I THINK IT’S GREAT. 357 00:18:35,550 --> 00:18:37,850 JUST GREAT. 358 00:18:37,890 --> 00:18:40,260 IT’S BAD, IT’S BAD, IT’S BAD, IT’S BAD. 359 00:18:40,290 --> 00:18:41,890 LET IT BE BAD 360 00:18:41,930 --> 00:18:45,240 SPEAKING DIRECTLY DOWN AT THE FLOOR, TERRELL. CAN WE WORK THAT OUT? 361 00:18:45,260 --> 00:18:47,230 THE WHOLE SITUATION IS BAD. 362 00:18:47,270 --> 00:18:49,240 ARE YOU CHEWING THAT GUM? 363 00:18:49,270 --> 00:18:50,880 I ATE THE GUM. 364 00:18:50,900 --> 00:18:52,670 GIVE HIM MORE GUM, WOULD YOU? 365 00:18:52,700 --> 00:18:54,570 I KNOW MY BREATH SMELLS. 366 00:18:54,610 --> 00:18:57,580 FEELS LIKE I SLEPT WITH DOG CRAP IN MY MOUTH. 367 00:18:57,610 --> 00:18:59,680 SIT THIS GUY IN THE POKEY. 368 00:18:59,710 --> 00:19:01,710 MAKE TERRELL CHEW THIS. 369 00:19:01,750 --> 00:19:04,360 YOU CAN’T MAKE ME DO NOTHING. 370 00:19:04,380 --> 00:19:08,220 I’M HERE ON MY OWN COOPERATION. 371 00:19:08,250 --> 00:19:11,250 WE GOT THE PHONE DUMP FROM THE D. O. A.’s APARTMENT. 372 00:19:11,290 --> 00:19:13,920 THE THREE HANG‐UPS THE WIDOW WAS TALKING ABOUT 373 00:19:13,960 --> 00:19:15,760 CAME FROM THE SAME CELL PHONE. 374 00:19:15,790 --> 00:19:18,430 THE CELLULAR IS REGISTERED TO A LARRY WATSON. 375 00:19:18,460 --> 00:19:20,100 BCI IS FAXING WATSON’S PHOTO AND RAP SHEET. 376 00:19:20,130 --> 00:19:22,600 JOIN US TALKING TO TERRELL? 377 00:19:22,630 --> 00:19:24,570 WE’LL STAY ALERT FOR THE FAX. 378 00:19:24,600 --> 00:19:26,740 WHY I TEND TO SWALLOW THEM 379 00:19:26,770 --> 00:19:29,000 IS THE SUGAR ROTS YOUR TEETH, 380 00:19:29,040 --> 00:19:31,370 AND I GOT A HORROR OF DYING TOOTHLESS. 381 00:19:31,410 --> 00:19:32,370 YEAH, GOOD. 382 00:19:32,410 --> 00:19:33,780 THANKS, JOSH. 383 00:19:33,810 --> 00:19:35,340 Josh: YEAH, GOOD. 384 00:19:35,380 --> 00:19:37,750 Sipowicz: WHAT ARE YOU TAKING AN ATTITUDE FOR? 385 00:19:37,780 --> 00:19:39,380 WE’RE THE ONES STAYING. 386 00:19:39,420 --> 00:19:42,360 YOU REALIZE YOU’RE HERE ON A HOMICIDE, RIGHT, TYRELL? 387 00:19:42,390 --> 00:19:44,400 WHOA! 388 00:19:44,420 --> 00:19:47,520 WHAT YOU TALKING HOMICIDE? COME ON, FEWER H’s, HUH? 389 00:19:47,560 --> 00:19:50,390 YOUR PRINTS ARE ON THE MURDER WEAPON. IT’S AN OPEN‐AND‐SHUT CASE. 390 00:19:50,430 --> 00:19:53,060 YOU BETTER TELL US ABOUT THAT SHOTGUN, TERRELL, 391 00:19:53,100 --> 00:19:55,170 ’CAUSE I DON’T SEE NO JOHNNIE COCHRAN 392 00:19:55,200 --> 00:19:57,770 GETTING YOU OFF FOR THEM FINGERPRINTS. 393 00:19:57,800 --> 00:20:00,870 LISTEN TO ME ‐‐ 394 00:20:00,910 --> 00:20:03,410 AND STAND BACK, ’CAUSE I’M COMING WITH IT ALL. 395 00:20:04,980 --> 00:20:06,450 GARBAGE DAY. 396 00:20:06,480 --> 00:20:09,250 I’M OUT THE FRONT OF THE BUILDING I SLEEP BEHIND 397 00:20:09,280 --> 00:20:11,850 CIRCULATING FOR USEFUL DISPOSABLES, 398 00:20:11,880 --> 00:20:14,250 AND UP JUMPS A FIREFIGHT. 399 00:20:14,290 --> 00:20:16,900 POPPETY, POW, POW, POW, POW! 400 00:20:16,920 --> 00:20:18,590 FROM INSIDE THE BUILDING. 401 00:20:18,620 --> 00:20:21,860 COUPLE SECONDS LATER, 402 00:20:21,890 --> 00:20:25,760 HERE COMES A BROTHER DOWN THE OUTSIDE STEPS. 403 00:20:25,800 --> 00:20:29,370 POPPETY COMES FROM A WINDOW ON THE FIRST FLOOR. 404 00:20:29,400 --> 00:20:32,570 BIG OLD FAT OL’ THING LEANING OUT. 405 00:20:32,600 --> 00:20:37,540 BROTHER DROPS THE SHOTGUN AND KEEPS ON TRUCKING. 406 00:20:37,580 --> 00:20:40,750 I TOUCHED THAT SHOTGUN, 407 00:20:40,780 --> 00:20:43,340 AND THEN I LEFT IT BE, 408 00:20:43,380 --> 00:20:47,120 AND THAT’S ALL I HAD TO DO WITH NO MURDER. 409 00:20:50,520 --> 00:20:52,720 ONE OF THOSE A RECENT ARRIVAL FROM BCI? 410 00:20:52,760 --> 00:20:54,100 UH‐HUH, YEAH. 411 00:20:54,130 --> 00:20:57,100 DO YOU RECOGNIZE THE BROTHER, TERRELL? 412 00:20:57,130 --> 00:20:59,490 I GOT EYES TO GET BACK TO MY ALLEY. 413 00:20:59,530 --> 00:21:01,060 THINK WE WANT YOU ON A WITNESS STAND? 414 00:21:14,310 --> 00:21:16,580 THAT THE RECENT ARRIVAL? 415 00:21:16,620 --> 00:21:17,890 THAT’S THE ONE. 416 00:21:23,490 --> 00:21:24,430 WHEW. 417 00:21:38,540 --> 00:21:41,550 UM... 418 00:21:41,570 --> 00:21:43,370 HEY, JOHN. 419 00:21:43,410 --> 00:21:45,850 I NOTICED YOUR NAME AT THE TOP OF THIS. 420 00:21:45,880 --> 00:21:48,090 YOU WILL NOT BELIEVE THIS, JOHN, 421 00:21:48,110 --> 00:21:50,550 BUT I’VE SEEN THIS DOCUMENT. 422 00:21:50,580 --> 00:21:53,210 I MUST HAVE LEFT IT UPSTAIRS IN THE FAX TRAY 423 00:21:53,250 --> 00:21:55,380 AFTER BEING DOUBLY VIGILANT, CHECKING HAD IT COME IN. 424 00:21:55,420 --> 00:21:58,220 YOU MUST HAVE OTHER THINGS ON YOUR MIND. 425 00:21:58,260 --> 00:22:03,370 JAMES MARTINEZ PASSED THE SERGEANT EXAM, JOHN. 426 00:22:03,390 --> 00:22:04,730 REALLY? 427 00:22:04,760 --> 00:22:06,560 YES, HE DID. 428 00:22:06,600 --> 00:22:09,330 TOOK THE TEST, UNBEKNOWNST TO ME, 429 00:22:09,370 --> 00:22:11,410 AND WROTE SOME GOOD SCORE. 430 00:22:11,440 --> 00:22:13,910 67th ON THE LIST. 431 00:22:13,940 --> 00:22:17,110 AM I HAPPY FOR JAMES, JOHN? 432 00:22:17,140 --> 00:22:18,740 OF COURSE I AM, 433 00:22:18,780 --> 00:22:21,120 BUT WHAT I BET HE’S FEELING ALSO 434 00:22:21,150 --> 00:22:23,050 IS ONE SIMPLE FACT ‐‐ 435 00:22:23,080 --> 00:22:26,350 A BOSS NEVER HAS A PARTNER. 436 00:22:26,380 --> 00:22:28,750 HE DON’T HAVE A PARTNER, JOHN, 437 00:22:28,790 --> 00:22:31,400 AND A PARTNER IN A GOOD WORKING PARTNERSHIP 438 00:22:31,420 --> 00:22:34,920 IS HANDS DOWN THE ABSOLUTE BEST PART OF THIS JOB. 439 00:22:37,060 --> 00:22:38,460 YOU’D MISS HIM. 440 00:22:41,070 --> 00:22:44,510 AND THAT WOULD BE TRUE ALSO. 441 00:22:44,540 --> 00:22:47,510 I‐I WAS THINKING OF THIS FROM JAMES’ PERSPECTIVE, 442 00:22:47,540 --> 00:22:50,270 BUT, UH, YEAH, IF HE ‐‐ 443 00:22:50,310 --> 00:22:53,170 IF HE WERE TO TAKE THAT PROMOTION, 444 00:22:53,210 --> 00:22:54,910 I’D MISS JAMES PLENTY. 445 00:22:58,550 --> 00:23:01,920 ANYWAYS, THANKS FOR TAKING MY BACK. 446 00:23:01,950 --> 00:23:04,190 OF COURSE. 447 00:23:04,220 --> 00:23:06,220 UH, IT’S A FIGURE OF SPEECH. 448 00:23:12,900 --> 00:23:15,110 HA HA. 449 00:23:17,200 --> 00:23:20,170 JEEZ, IT STINKS IN HERE, FELLAS, DON’T IT? 450 00:23:20,200 --> 00:23:22,340 YEAH, IT STINKS LIKE A BUM WAS IN HERE 451 00:23:22,370 --> 00:23:24,240 WHO WITNESSED A SHOOTING INCIDENT. 452 00:23:24,280 --> 00:23:25,520 WHAT? 453 00:23:25,540 --> 00:23:28,310 SOME BUM WITNESSED A SHOOTING. SIT DOWN. 454 00:23:31,380 --> 00:23:33,880 Danny: WE GOT A GUY SHOT THIS MORNING, LARRY. 455 00:23:33,920 --> 00:23:36,450 WE GOT THREE PHONE CALLS, ALL WITHIN A HALF AN HOUR 456 00:23:36,490 --> 00:23:38,760 OF THAT SHOOTING, ALL TRACED TO YOUR CELL PHONE. 457 00:23:42,090 --> 00:23:45,230 MAYBE SOMEONE USED MY PHONE. 458 00:23:45,260 --> 00:23:47,600 THIS PHONE? THE ONE WE PICKED YOU UP WITH? 459 00:23:47,630 --> 00:23:49,500 WHO’D YOU LOAN IT TO? 460 00:23:49,530 --> 00:23:51,730 OH, COME ON, MAN. 461 00:23:51,770 --> 00:23:55,200 YOU KNOW THEY CAN CLONE THEM PHONES, MAN, PLEASE. 462 00:23:55,240 --> 00:23:57,670 YEAH, THERE’S A CRIMINAL ELEMENT OUT THERE 463 00:23:57,710 --> 00:23:59,370 EXPLOITS EVERY TECHNOLOGICAL NICHE. 464 00:24:02,750 --> 00:24:05,090 YEAH, YEAH, YOU KNOW, NOW THAT YOU’RE SAYING, 465 00:24:05,120 --> 00:24:07,260 I TRIED REACHING A FRIEND OF MINE, 466 00:24:07,290 --> 00:24:09,960 BUT I KEPT GETTING A WRONG NUMBER. 467 00:24:09,990 --> 00:24:11,590 YOU’RE PICKED OUT, LARRY. 468 00:24:11,620 --> 00:24:13,990 YOU’RE SEEN RUNNING OUT THE APARTMENT BUILDING. 469 00:24:14,030 --> 00:24:16,230 YOU’RE SEEN TOSSING THE MURDER WEAPON. 470 00:24:16,260 --> 00:24:20,530 THE WORLD’S GREATEST EXPERT LIFTED YOUR LATENT PRINTS OFF THE SHOTGUN. 471 00:24:20,570 --> 00:24:22,170 WE’RE GOING TO BRING THE WIDOW IN HERE 472 00:24:22,200 --> 00:24:24,230 AND THE GUY WHO THREW THOSE SHOTS TRYING TO STOP YOU, 473 00:24:24,270 --> 00:24:25,870 AND AFTER THEY PICK YOU OUT, 474 00:24:25,900 --> 00:24:27,370 YOU KNOW WHAT KIND OF WIGGLE ROOM YOU’RE GOING TO HAVE? 475 00:24:32,580 --> 00:24:34,620 WHAT KIND OF WIGGLE ROOM? 476 00:24:34,650 --> 00:24:37,390 THE WIGGLE ROOM OF SCRUNCHING AROUND, GETTING COMFORTABLE IN THE GIFT BOX YOU’RE IN 477 00:24:37,420 --> 00:24:39,520 WHEN WE HAND YOU TO THE D. A. 478 00:24:39,550 --> 00:24:41,520 HOPE YOUR PERSONAL FRIENDSHIP 479 00:24:41,550 --> 00:24:43,620 WITH GOVERNOR PATAKI GETS YOU A PARDON. 480 00:24:46,090 --> 00:24:48,890 SO YOU’RE SAYING I GOT NO WIGGLE ROOM AT ALL. THAT RIGHT? 481 00:24:48,930 --> 00:24:51,100 YOU GOT SOMETHING FOR US? 482 00:24:51,130 --> 00:24:55,230 THE GUY WHO HIRED ME COUNTS FOR SOMETHING. 483 00:24:55,270 --> 00:24:57,240 THE GUY WHO HIRED YOU IS BIG. 484 00:24:57,270 --> 00:25:00,670 HE’S A BIG FAT SLOB THAT TRIED SHOOTING ME AFTERWARDS. 485 00:25:00,710 --> 00:25:04,320 I’M WIGGLING PRETTY GOOD NOW, AREN’T I, HMM? 486 00:25:12,650 --> 00:25:14,250 I’LL TELL YOU, 487 00:25:14,290 --> 00:25:17,260 I’M SO FULL OF PUBLIC OUTRAGE HOW I’M BEING HANDLED. 488 00:25:17,290 --> 00:25:19,590 WE APPRECIATE YOUR COOPERATION. 489 00:25:19,620 --> 00:25:21,190 Man: DETECTIVE RUSSELL? YEAH? 490 00:25:21,230 --> 00:25:23,940 DETECTIVE DENBY. YOU GOT A MINUTE FOR ME? 491 00:25:23,960 --> 00:25:25,330 WHAT’S IT ABOUT? 492 00:25:25,360 --> 00:25:27,730 IS THIS YOUNG LADY ON THE JOB? 493 00:25:27,770 --> 00:25:30,240 COME ON, ROSIE. 494 00:25:30,270 --> 00:25:32,770 Rosie: IF YOU WIND UP SHOWING ME ANOTHER STREET BUM 495 00:25:32,800 --> 00:25:34,740 OR CAN COLLECTOR TO IDENTIFY 496 00:25:34,770 --> 00:25:36,910 FOR MY HUSBAND’S POSSIBLE MURDER SUSPECT, 497 00:25:36,940 --> 00:25:39,210 I’M GOING STRAIGHT TO THE NATIONAL ENQUIRER. 498 00:25:39,240 --> 00:25:40,540 OKAY, THAT’S A DEAL. 499 00:25:43,310 --> 00:25:46,050 WHAT? 500 00:25:46,080 --> 00:25:47,220 CAN WE TALK OUTSIDE? 501 00:25:47,250 --> 00:25:49,620 NOT TILL I KNOW WHAT THIS IS ABOUT. 502 00:25:49,650 --> 00:25:51,890 I’M WITH THE NARCOTICS TASK FORCE. 503 00:25:51,920 --> 00:25:53,890 I’M INVESTIGATING THE INFORMATION 504 00:25:53,930 --> 00:25:55,500 DETECTIVE KIRKENDALL’S EX‐HUSBAND’S PROVIDING 505 00:25:55,530 --> 00:25:57,440 TO SECURE HIS PLEA AGREEMENT. 506 00:26:07,110 --> 00:26:09,720 NONE OF THIS IS OUT OF SCHOOL. 507 00:26:09,740 --> 00:26:12,540 YEAH, I LIKE BEING OUTSIDE WHEN IT’S A LITTLE NIPPY. 508 00:26:12,580 --> 00:26:14,190 NO, I’M SAYING 509 00:26:14,210 --> 00:26:16,240 IF YOU WANT TO TELL YOUR PARTNER WE TALKED, 510 00:26:16,280 --> 00:26:18,550 THAT’S PERFECTLY OKAY. 511 00:26:18,580 --> 00:26:21,620 SEE, THAT WAS MY PARTNER I JUST WALKED IN WITH, SO SHE’S GONNA KNOW THAT WE TALKED. 512 00:26:21,650 --> 00:26:24,350 YEAH, I KNOW. I KNOW THAT WAS YOUR PARTNER. 513 00:26:24,390 --> 00:26:25,720 HER EX‐HUSBAND BEATS JAIL 514 00:26:25,760 --> 00:26:28,030 ONLY FOR A FULL AND TOTAL FLIP, 515 00:26:28,060 --> 00:26:30,390 WHICH HE IS NOWHERE CLOSE TO DOING YET, 516 00:26:30,430 --> 00:26:32,660 AND I’M PRESUMING, FOR HER KIDS, 517 00:26:32,700 --> 00:26:34,610 EVEN IF SHE THINKS HE’S A HARD‐ON, 518 00:26:34,630 --> 00:26:36,770 SHE DON’T WANT THIS GUY DOING 20. 519 00:26:36,800 --> 00:26:38,700 SO ARE WE GETTING CLOSE 520 00:26:38,740 --> 00:26:41,110 TO WHY I’M OUT HERE FREEZING? 521 00:26:41,140 --> 00:26:43,710 I’M NOT LOOKING TO HURT HER. 522 00:26:43,740 --> 00:26:45,340 IF SHE’S GOT SOMETHING, 523 00:26:45,380 --> 00:26:48,350 SHE CAN HELP US WITH PUTTING PRESSURE ON THIS GUY. 524 00:26:48,380 --> 00:26:51,350 EVEN IF THAT INFORMATION PUTS HER IN AN AWKWARD LIGHT, 525 00:26:51,380 --> 00:26:53,720 SHE SHOULDN’T BE AFRAID TO GIVE IT UP. 526 00:26:53,750 --> 00:26:56,120 SHE HAD NOTHING TO DO 527 00:26:56,150 --> 00:26:59,520 WITH WHAT HER EX‐HUSBAND WAS INTO. 528 00:26:59,560 --> 00:27:02,220 IF SHE NEEDED TO GIVE IT UP THROUGH SOMEONE ELSE, 529 00:27:02,260 --> 00:27:03,660 THAT’D BE OKAY, TOO. 530 00:27:03,700 --> 00:27:05,870 DID YOU HEAR WHAT I SAID? 531 00:27:05,900 --> 00:27:08,440 JILL HAD NOTHING TO DO WITH THIS. 532 00:27:08,470 --> 00:27:10,340 HER EX‐HUSBAND INDICATES OTHERWISE. 533 00:27:10,370 --> 00:27:11,330 WHAT? 534 00:27:11,370 --> 00:27:12,930 HE INDICATES SHE HAD 535 00:27:12,970 --> 00:27:15,200 SOME KIND OF PERIPHERAL CONNECTION, 536 00:27:15,240 --> 00:27:18,210 AND HE’S NOT GOING TO SAY NOTHING MORE ABOUT HER TO PROTECT HER. 537 00:27:18,240 --> 00:27:20,210 I WANT HER TO KNOW 538 00:27:20,240 --> 00:27:22,840 I COULD CARE LESS ABOUT HER PERIPHERAL CONNECTION. 539 00:27:22,880 --> 00:27:25,880 I KNOW WHAT WOMEN DO TO PROTECT THEIR FAMILIES. 540 00:27:25,920 --> 00:27:29,090 MY SOLE INTEREST IS WHAT SHE CAN TELL ME ABOUT HIM 541 00:27:29,120 --> 00:27:32,420 THAT I CAN USE TO GET HER ASSHOLE EX UP IN THE AIR. 542 00:27:36,060 --> 00:27:38,460 YOU SHOULD GO IN AND GET WARM. 543 00:27:50,070 --> 00:27:52,840 ALL THE TEA IN CHINA, I WILL NOT APPEAR IN COURT. 544 00:27:52,880 --> 00:27:54,450 WE UNDERSTAND THAT, ROSIE. 545 00:27:54,480 --> 00:27:57,780 THIS I. D., IF I MAKE IT, IS FOR I. D. PURPOSES ONLY. 546 00:27:57,820 --> 00:28:00,130 LET’S NOT GET AHEAD OF OURSELVES, ROSIE. 547 00:28:00,150 --> 00:28:03,080 THAT’S RIGHT, ASSUMING I EVEN SEE THE PERSON IN THERE. 548 00:28:03,120 --> 00:28:04,620 WE READY? 549 00:28:04,660 --> 00:28:06,030 OH, MY GOD. 550 00:28:06,060 --> 00:28:09,030 IF YOU RECOGNIZE ANY OF THE MEN IN THAT ROOM, 551 00:28:09,060 --> 00:28:10,660 TELL US WHICH NUMBER 552 00:28:10,700 --> 00:28:12,440 AND WHERE YOU RECOGNIZE HIM FROM. 553 00:28:17,470 --> 00:28:18,970 LIFT THE FRICKIN’ SHADE. 554 00:28:23,640 --> 00:28:26,610 OH, YOU DIRTY BASTARD! 555 00:28:26,650 --> 00:28:29,020 SOUNDS LIKE SHE MAY HAVE PICKED THE GUY OUT. 556 00:28:29,050 --> 00:28:30,960 YEAH, THAT COULD BE A POSITIVE I. D. 557 00:28:30,980 --> 00:28:32,950 ONLY SHOT THAT GUY’S GOT, 558 00:28:32,980 --> 00:28:35,950 GIVE A STATEMENT UP WHILE IT STILL MEANS SOMETHING. 559 00:28:35,990 --> 00:28:37,960 MEANS SOMETHING AS FAR AS WHAT? 560 00:28:37,990 --> 00:28:39,760 FACILITATING THE PROCESS. 561 00:28:39,790 --> 00:28:41,760 FULL DISCLOSURE ‐‐ ONCE YOU’RE I. D.’d 562 00:28:41,790 --> 00:28:44,190 IN A HOMICIDE, THAT’S ALL YOU GOT LEFT. 563 00:28:44,230 --> 00:28:47,360 FULL DISCLOSURE SHOWS COOPERATION AND REMORSE. 564 00:28:47,400 --> 00:28:49,930 ASSUMING HE’S GOT SOMETHING TO DISCLOSE. 565 00:28:49,970 --> 00:28:52,930 SOME ASPECT OF THE CASE WE HAVE YET TO FILL IN. 566 00:28:52,970 --> 00:28:56,500 LAST THING THAT GUY IN THERE HAS GOT GOING FOR HIM. 567 00:28:56,540 --> 00:28:58,710 THE SON OF A BITCH THAT SHOT RICO 568 00:28:58,740 --> 00:29:00,580 IS IN THAT ROOM, JOAQUIN. 569 00:29:00,610 --> 00:29:02,380 Diane: OKAY, ROSIE, OKAY. 570 00:29:02,410 --> 00:29:04,880 POSITIVE I. D. GO IN AND CLOSE THE DEAL. 571 00:29:04,920 --> 00:29:07,030 SEE IF THIS GUY’S GOT ANYONE ELSE TO GIVE YOU. 572 00:29:07,050 --> 00:29:08,780 Rosie: TAKE ME HOME. 573 00:29:08,820 --> 00:29:11,090 I DON’T WANT THAT SON OF A BITCH GLIMPSING ME. 574 00:29:11,120 --> 00:29:12,990 H‐HOLD ON A SECOND. 575 00:29:13,020 --> 00:29:16,660 Rosie: YOU SAY IN MY GRIEF I CAN LEAN ON YOU. 576 00:29:16,700 --> 00:29:18,840 I’M ASKING YOU FOR A SIMPLE RIDE HOME! 577 00:29:18,860 --> 00:29:21,000 I MAY HAVE SOME FACILITATING INFORMATION. 578 00:29:21,030 --> 00:29:22,260 OF WHAT TYPE? 579 00:29:22,300 --> 00:29:24,830 FACILITATING INFORMATION 580 00:29:24,870 --> 00:29:27,670 WHILE AN ASPECT OF THE CASE IS STILL OPEN, 581 00:29:27,710 --> 00:29:31,120 SHOWING COOPERATION... 582 00:29:31,140 --> 00:29:34,510 AND REMORSE. 583 00:29:34,550 --> 00:29:36,520 YOU KNOW SOMETHING ABOUT WHAT HAPPENED 584 00:29:36,550 --> 00:29:37,780 TO YOUR BROTHER, JOAQUIN, 585 00:29:37,820 --> 00:29:40,630 THAT RUINED MY LIFE’S EXPECTATIONS? 586 00:29:40,650 --> 00:29:42,020 WE CAN GIVE YOU A RIDE HOME, ROSIE. 587 00:29:42,050 --> 00:29:44,720 YEAH, TAKE HER HOME. TAKE CARE OF HER. 588 00:29:46,120 --> 00:29:49,020 DID YOU RUIN MY LIFE’S EXPECTATIONS, JOAQUIN, 589 00:29:49,060 --> 00:29:51,830 ’CAUSE YOU HAD A HARD‐ON FOR YOUR BROTHER’S WIFE? 590 00:29:51,860 --> 00:29:53,930 SHE NEEDS TO GO HOME NOW. 591 00:29:53,970 --> 00:29:56,610 IS THAT WHAT THIS FAT STINKING SLOB IS TALKING ABOUT? 592 00:29:56,640 --> 00:29:58,840 OKAY, ROSIE, OKAY. 593 00:29:58,870 --> 00:30:01,540 [ ROSIE SPEAKING SPANISH ] 594 00:30:03,470 --> 00:30:07,480 MY BROTHER WAS A PRICK. 595 00:30:09,980 --> 00:30:13,180 IF SHE COULD LOVE HIM, 596 00:30:13,220 --> 00:30:16,190 I THOUGHT I COULD MAKE HER LOVE ME, TOO. 597 00:30:16,220 --> 00:30:18,920 COME ON. WE’LL GO IN THE COFFEE ROOM AND TALK. 598 00:30:18,960 --> 00:30:21,930 BELIEVE ME, JAIL’S SOMETIMES PREFERABLE 599 00:30:21,960 --> 00:30:24,260 TO WHAT YOU WOULD HAVE WOUND UP WITH. 600 00:30:45,280 --> 00:30:46,950 [ INDISTINCT CHATTERING ] 601 00:30:51,690 --> 00:30:53,660 I’LL BET ROSIE WAS WORKING 602 00:30:53,690 --> 00:30:55,660 ON A PERSONALS AD RIDING HOME ‐‐ 603 00:30:55,690 --> 00:30:58,560 "RECENT WIDOW SEEKS MEAL TICKET." 604 00:30:58,600 --> 00:31:01,740 WAS IT ABOUT ME ‐‐ HARRY DENBY? 605 00:31:01,770 --> 00:31:04,340 YEAH, IT WAS ABOUT YOU. 606 00:31:04,370 --> 00:31:07,770 AND YOU HAVEN’T TOLD ME WHY? 607 00:31:07,810 --> 00:31:09,950 AND I HAVEN’T TOLD YOU 608 00:31:09,970 --> 00:31:11,940 BECAUSE I DIDN’T KNOW WHAT I SHOULD DO. 609 00:31:11,980 --> 00:31:14,020 HE WANTS ME TO GIVE YOU A MESSAGE. 610 00:31:14,050 --> 00:31:16,190 I DON’T KNOW IF HE CAN BE TRUSTED. 611 00:31:16,210 --> 00:31:18,580 HE’S A TASK FORCE GUY THAT’S WORKING WITH DON, 612 00:31:18,620 --> 00:31:20,230 CHECKING OUT HIS STORY. 613 00:31:20,250 --> 00:31:23,720 AND WHAT’S THE MESSAGE HE WANTS YOU TO GIVE ME? 614 00:31:29,030 --> 00:31:32,370 JILL, LOOKING BACK, COULD YOU EVER MAYBE 615 00:31:32,400 --> 00:31:34,540 HAVE DONE SOMETHING FOR DON, 616 00:31:34,570 --> 00:31:37,010 COMPLETELY WITHOUT KNOWING? 617 00:31:37,040 --> 00:31:39,210 SURE, I COULD HAVE. 618 00:31:39,240 --> 00:31:41,210 I COULD HAVE DROPPED OFF BOXES OF PASTRIES 619 00:31:41,240 --> 00:31:43,170 HIS MOTHER MADE FOR PRIVATE PARTIES, 620 00:31:43,210 --> 00:31:45,880 HELP BEAT A TAIL. 621 00:31:48,480 --> 00:31:49,880 I DID. 622 00:31:51,550 --> 00:31:52,780 OH. 623 00:31:57,390 --> 00:32:00,090 WHATEVER YOU GAVE, 624 00:32:00,120 --> 00:32:02,090 EVEN IF ANY OF IT IMPLICATED YOU, 625 00:32:02,130 --> 00:32:04,740 THIS TASK FORCE GUY SAYS HE’D WRITE IT UP 626 00:32:04,760 --> 00:32:06,360 "INVESTIGATED AND UNFOUNDED." 627 00:32:06,400 --> 00:32:08,410 AS LONG AS WHAT YOU DID WAS UNINTENTIONAL, 628 00:32:08,430 --> 00:32:09,770 HE’D SAY IT NEVER HAPPENED. 629 00:32:09,800 --> 00:32:12,100 AND WE BELIEVE THE TASK FORCE GUY? 630 00:32:12,140 --> 00:32:14,950 HE WANTS DON TO REALIZE HE’S GOT NO LEVERAGE. 631 00:32:14,970 --> 00:32:17,070 AND WE BELIEVE HIM? 632 00:32:17,110 --> 00:32:18,770 I DON’T KNOW IF I BELIEVE HIM. 633 00:32:20,750 --> 00:32:24,920 IF HE’D REALLY WRITE IT "INVESTIGATED AND UNFOUNDED," 634 00:32:24,950 --> 00:32:26,280 WHATEVER DON STARTS SPRAYING, 635 00:32:26,320 --> 00:32:27,690 I’D BE PROTECTED. 636 00:32:27,720 --> 00:32:28,750 YEAH. 637 00:32:28,790 --> 00:32:30,760 IF I CAN TRUST THE GUY. 638 00:32:30,790 --> 00:32:31,720 YEAH. 639 00:32:33,460 --> 00:32:35,170 DO I GIVE IT TO HIM? 640 00:32:35,190 --> 00:32:37,160 NOT YET. 641 00:32:37,200 --> 00:32:38,870 LET ME GET INTO HIM A LITTLE. 642 00:32:55,410 --> 00:32:56,580 HEY, BOSS. 643 00:32:56,620 --> 00:32:58,620 HEY. 644 00:32:58,650 --> 00:33:00,680 I WANTED TO LET YOU KNOW 645 00:33:00,720 --> 00:33:03,280 I PASSED THE SERGEANT’S EXAM. 646 00:33:03,320 --> 00:33:05,750 CONGRATULATIONS, JAMES. YEAH. 647 00:33:05,790 --> 00:33:08,020 I WROTE A 67th ON THE LIST. 648 00:33:08,060 --> 00:33:10,430 I SURPRISED MYSELF A LITTLE, I GUESS. 649 00:33:10,460 --> 00:33:12,890 ANY WORD HOW MANY THEY’RE TAKING? 650 00:33:12,930 --> 00:33:14,330 100. 651 00:33:14,370 --> 00:33:17,380 WELL, THAT’S GREAT, JAMES. 652 00:33:17,400 --> 00:33:21,170 YEAH, SO, UH, I WANTED TO LET YOU KNOW. 653 00:33:21,210 --> 00:33:23,780 I KNOW A LOT OF GUYS TAKE THE TEST 654 00:33:23,810 --> 00:33:26,170 BUT DON’T NECESSARILY GO AHEAD AND LEAVE THE BUREAU. 655 00:33:26,210 --> 00:33:28,710 THEY JUST WANT TO SEE WHAT THEIR OPTIONS ARE. 656 00:33:28,750 --> 00:33:31,520 THAT’S WHAT I WAS TELLING MYSELF, 657 00:33:31,550 --> 00:33:33,620 BUT THE THING OF IT IS, 658 00:33:33,650 --> 00:33:36,120 MY WIFE WANTS ME OFF THE STREET, 659 00:33:36,150 --> 00:33:40,560 SO I GOT TO TAKE IT, YOU KNOW? 660 00:33:40,590 --> 00:33:43,190 THERE’S A LOT OF UPSIDE TO IT, JAMES. 661 00:33:43,230 --> 00:33:46,610 OH, THERE’S A HELL OF A LOT OF UPSIDE, DEFINITELY. 662 00:33:46,630 --> 00:33:48,600 NO, A BIG PART OF ME 663 00:33:48,630 --> 00:33:50,370 IS REALLY LOOKING FORWARD TO IT. 664 00:33:50,400 --> 00:33:53,900 CONGRATULATIONS. 665 00:33:53,940 --> 00:33:55,870 THANKS VERY MUCH. 666 00:34:06,990 --> 00:34:09,230 I TOLD HER WHAT YOU SAID. 667 00:34:09,250 --> 00:34:11,950 RIGHT NOW SHE’S LEAVING IT UP TO ME. 668 00:34:13,460 --> 00:34:15,430 WELL, IT WOULDN’T HURT ME 669 00:34:15,460 --> 00:34:18,090 GETTING TO KNOW YOU A LITTLE BETTER. 670 00:34:18,130 --> 00:34:21,030 DO YOU HAVE SOME TIME NOW? 671 00:34:21,070 --> 00:34:23,710 SURE. THAT’S GOOD. 672 00:34:23,740 --> 00:34:26,210 OKAY, SEE YOU IN A LITTLE WHILE. 673 00:34:30,140 --> 00:34:32,240 WHOA. HI. 674 00:34:32,280 --> 00:34:34,020 HEY. 675 00:34:34,050 --> 00:34:37,390 I WAS LOOKING TO SAVE A TRIP TO THE PHOTO BUREAU ON A SKELL. 676 00:34:37,420 --> 00:34:39,390 SURE. YOU WANT TO CHECK OUR FILES? 677 00:34:39,420 --> 00:34:40,960 YEAH, PLEASE. 678 00:34:40,990 --> 00:34:42,760 SURE, ABSOLUTELY. RIGHT OVER HERE. 679 00:34:42,790 --> 00:34:44,530 COME DOWN FROM ANTI‐CRIME? 680 00:34:44,560 --> 00:34:45,800 Mary: YES, I AM. 681 00:34:50,730 --> 00:34:52,490 THEY’RE SPLIT AT THE M’s. 682 00:34:52,530 --> 00:34:54,330 WHAT DID HE SAY? 683 00:34:54,370 --> 00:34:56,940 I’M GOING TO MEET HIM AT SMITTY’S. 684 00:34:56,970 --> 00:34:59,570 I MEAN, DID THIS TASK FORCE GUY SAY ANYTHING? 685 00:34:59,600 --> 00:35:01,200 "MEET YOU THERE." 686 00:35:01,240 --> 00:35:04,610 DID YOU SEE DANNY JUMP OUT OF HIS SKIN A MINUTE AGO? 687 00:35:04,640 --> 00:35:07,080 YEAH, WHEN THIS GIRL CAME DOWN FROM ANTI‐CRIME. MM‐HMM. 688 00:35:07,110 --> 00:35:08,740 SHE’S CUTE. 689 00:35:08,780 --> 00:35:11,180 TOOK TWO PAPER CLIPS TO SHOW HER THE PHOTO FILES. 690 00:35:11,220 --> 00:35:12,120 UH‐OH. 691 00:35:14,220 --> 00:35:16,890 IT LOOKS LIKE I’M NOT GETTING OFF TILL AROUND 7:00. 692 00:35:16,920 --> 00:35:18,490 THAT’S GOOD, ANYWAYS. 693 00:35:18,520 --> 00:35:20,090 ANDY AND ME, 694 00:35:20,120 --> 00:35:21,790 WE’RE TAKING THIS GUY’S STATEMENT. 695 00:35:24,130 --> 00:35:26,930 Danny: SO, DO YOU THINK ANYONE NOTICED ANYTHING? 696 00:35:26,970 --> 00:35:29,910 I THINK IT’S A GOOD THING YOU GOT OUT OF UNDERCOVER WORK. 697 00:35:29,930 --> 00:35:33,000 MARY FRANCO, JILL KIRKENDALL, DIANE RUSSELL. Mary: HI. HI. 698 00:35:33,040 --> 00:35:34,580 Diane: HOW’S IT GOING, MARY? 699 00:35:34,610 --> 00:35:37,350 MARY’S IN ANTI‐CRIME, COME LOOKING FOR A PHOTO. 700 00:35:37,380 --> 00:35:39,350 SAVE A TRIP TO ONE P. P. 701 00:35:39,380 --> 00:35:40,690 YEAH, EXACTLY. 702 00:35:40,710 --> 00:35:42,040 ANYWAYS, GOOD LUCK WITH THAT ‐‐ 703 00:35:42,080 --> 00:35:43,910 PUTTING THAT PHOTO TO GOOD USE. 704 00:35:43,950 --> 00:35:45,280 OKAY, THANKS. 705 00:35:45,320 --> 00:35:47,460 GOOD MEETIN’ YOU, MARY. SAME HERE. 706 00:35:47,490 --> 00:35:48,590 Jill: BYE. 707 00:35:57,800 --> 00:35:59,100 GOOD NIGHT, DIANE. 708 00:35:59,130 --> 00:36:00,860 NIGHT. 709 00:36:00,900 --> 00:36:02,400 NIGHT. 710 00:36:02,430 --> 00:36:04,900 YEAH, GOOD NIGHT. 711 00:36:04,940 --> 00:36:07,450 SHE’S CUTE, DANNY. 712 00:36:07,470 --> 00:36:09,340 WHO? 713 00:36:09,370 --> 00:36:11,370 OH, YOU MEAN MARY FROM ANTI‐CRIME? 714 00:36:11,410 --> 00:36:12,370 YEAH. 715 00:36:12,410 --> 00:36:13,910 YEAH, SHE IS CUTE. 716 00:36:16,150 --> 00:36:18,790 WHAT DO YOU GOT, A DATE OF SOME SORT? 717 00:36:18,820 --> 00:36:21,290 YEAH, SORT OF. 718 00:36:23,560 --> 00:36:25,600 GOOD NIGHT. 719 00:36:25,620 --> 00:36:26,590 YEAH. 720 00:36:26,630 --> 00:36:28,230 LET ME GO BACK IN 721 00:36:28,260 --> 00:36:29,960 AND HELP ANDY WITH THIS STATEMENT. 722 00:36:45,140 --> 00:36:48,440 I WAS ON A FOOT POST IN THE BRONX, 723 00:36:48,480 --> 00:36:50,080 TWO YEARS A COP. 724 00:36:50,110 --> 00:36:53,080 A COUPLE OF GENIUSES IN SKI MASKS 725 00:36:53,120 --> 00:36:55,090 COME OUT THE FRONT DOOR OF A BANK. 726 00:36:55,120 --> 00:36:57,250 I GOT LUCKY IN THE SHOOTOUT. 727 00:36:57,290 --> 00:36:59,220 JOB GIVES ME MY GOLD SHIELD, 728 00:36:59,260 --> 00:37:01,670 MAKE SOME LUCKY COLLARS IN NARCOTICS ‐‐ 729 00:37:01,690 --> 00:37:03,090 YOU’RE A LUCKY BOY. 730 00:37:03,130 --> 00:37:04,870 THEY UPPED ME TO THIS TASK FORCE. 731 00:37:04,900 --> 00:37:06,500 I WORK REGULAR HOURS, 732 00:37:06,530 --> 00:37:08,330 EXCEPT WHEN I’M BABYSITTING JERKS 733 00:37:08,370 --> 00:37:09,940 LIKE YOUR FRIEND DON. 734 00:37:09,970 --> 00:37:12,530 A NEW CAR EVERY YEAR, WHICH I DRIVE HOME. 735 00:37:12,570 --> 00:37:15,170 WHO’S GOT IT BETTER THAN ME? [ CHUCKLES ] 736 00:37:15,210 --> 00:37:16,720 THANKS. 737 00:37:16,740 --> 00:37:18,040 THANK YOU, MY CHILD. 738 00:37:22,080 --> 00:37:23,750 NOW I’M SAFELY IN THE LEAD, 739 00:37:23,780 --> 00:37:25,510 YOU’RE STILL NOT GOING TO DRINK WITH ME? 740 00:37:25,550 --> 00:37:27,350 NO. NO. 741 00:37:27,390 --> 00:37:29,360 IS THIS TACTICAL? 742 00:37:29,390 --> 00:37:31,360 YOU ABSTAIN, FIND OUT WHAT DENBY KNOWS 743 00:37:31,390 --> 00:37:33,320 AS HE YIELDS TO WHAT IS, ADMITTEDLY, 744 00:37:33,360 --> 00:37:35,200 A SMALL PROBLEM WITH ALCOHOL, 745 00:37:35,230 --> 00:37:36,940 OR AM I IN THE PRESENCE OF CONVICTION? 746 00:37:36,960 --> 00:37:38,360 YOU’RE IN THE PRESENCE 747 00:37:38,400 --> 00:37:40,370 OF SOMEONE WHO DOESN’T WANT A DRINK. 748 00:37:40,400 --> 00:37:44,030 NO, I SENSE WE’RE DRILLING IN BEDROCK HERE. 749 00:37:44,070 --> 00:37:45,770 IS IT THE OLD STORY? 750 00:37:45,800 --> 00:37:48,100 ONE’S TOO MANY, 50 AREN’T ENOUGH? 751 00:37:48,140 --> 00:37:50,210 THAT’S GOT A RING TO IT. 752 00:37:50,240 --> 00:37:53,240 AND HAVE YOU NOW SEEN THE LIGHT? 753 00:37:53,280 --> 00:37:56,220 THIS SEEMS LIKE A GOOD PLACE 754 00:37:56,250 --> 00:37:59,260 TO TAKE A TURN IN THE CONVERSATION. 755 00:38:02,820 --> 00:38:05,250 GETS MEAN BEHIND HIS COCKTAILS, THIS DENBY. 756 00:38:08,630 --> 00:38:09,840 I APOLOGIZE. 757 00:38:09,860 --> 00:38:11,360 IT’S OKAY. 758 00:38:12,960 --> 00:38:15,660 SO, DO YOU COME BEARING A MESSAGE 759 00:38:15,700 --> 00:38:17,030 FROM DETECTIVE KIRKENDALL? 760 00:38:17,070 --> 00:38:18,670 "I COME IN PEACE" 761 00:38:18,700 --> 00:38:21,740 IS AS FAR AS I’M READY TO GO AT THE MOMENT. 762 00:38:21,770 --> 00:38:23,270 YOU COME IN PEACE? HMM. 763 00:38:23,310 --> 00:38:25,920 LOOK WHAT BELIEVING THAT FROM A STRANGER 764 00:38:25,940 --> 00:38:27,780 GOT THE INDIANS. 765 00:38:27,810 --> 00:38:30,750 IF YOU’RE PREPARED TO HAVE A DRINK WITH ME, 766 00:38:30,780 --> 00:38:32,710 I COULD SHED SOME VALUABLE LIGHT 767 00:38:32,750 --> 00:38:34,180 ON YOUR PARTNER’S SITUATION. 768 00:38:34,220 --> 00:38:36,180 HOW ABOUT DOING THAT ANYWAY 769 00:38:36,220 --> 00:38:37,920 JUST ’CAUSE YOU’RE A GOOD GUY? 770 00:38:37,960 --> 00:38:39,900 TOO INTANGIBLE. 771 00:38:39,920 --> 00:38:41,990 WE NEED WHAT THE DEVIL WOULD CALL 772 00:38:42,030 --> 00:38:43,370 AN EXCHANGE OF CONSIDERATION. 773 00:38:43,390 --> 00:38:44,830 I’M NOT DRINKING WITH YOU. 774 00:38:44,860 --> 00:38:47,530 WILL YOU GIVE ME A SMALL PECK ON THE CHEEK? 775 00:38:48,870 --> 00:38:50,340 YEAH, YEAH, 776 00:38:50,370 --> 00:38:53,030 I’LL GIVE YOU A SMALL PECK ON THE CHEEK. 777 00:38:53,070 --> 00:38:56,000 WELL, THIS KISS WOULD HAVE TO BE A PRIORI. 778 00:38:56,040 --> 00:38:58,270 YOU KNOW WHAT THAT MEANS? 779 00:38:58,310 --> 00:39:00,710 ARE YOU A VICTIM OF A JESUIT EDUCATION, TOO? 780 00:39:00,750 --> 00:39:02,120 COME ON, DENBY. 781 00:39:02,150 --> 00:39:05,360 A PRIORI MEANS YOU GO FIRST. 782 00:39:05,380 --> 00:39:08,280 YOU PECK, I SHED LIGHT. 783 00:39:17,960 --> 00:39:20,830 NOW, DON’T YOU FEEL LIKE AN ASSHOLE? 784 00:39:20,870 --> 00:39:23,840 NO. ACTUALLY, I FEEL RATHER GOOD ABOUT THE WORLD. 785 00:39:23,870 --> 00:39:25,530 I FEEL RATHER SET UP. 786 00:39:25,570 --> 00:39:27,840 YOUR TURN. 787 00:39:27,870 --> 00:39:29,740 GOD DID THIS, RIGHT? 788 00:39:29,770 --> 00:39:32,070 WHEN THERE WAS DARKNESS ON THE WATERS? 789 00:39:35,550 --> 00:39:39,590 I WOULD SAY THIS, DETECTIVE. 790 00:39:39,620 --> 00:39:41,580 AS IT APPLIES TO A FEDERAL PROSECUTOR, 791 00:39:41,620 --> 00:39:43,890 ARE YOU FAMILIAR WITH THE LEGAL TERM "WUSS"? 792 00:39:43,920 --> 00:39:46,860 TALKING ABOUT THE PROSECUTOR THAT WOULD BE GOING TO BAT 793 00:39:46,890 --> 00:39:49,190 AGAINST MY PARTNER’S EX‐HUSBAND? 794 00:39:49,230 --> 00:39:51,170 I’M TALKING ABOUT A PROSECUTOR 795 00:39:51,200 --> 00:39:53,340 WHO’S SUPPOSED TO BE GOING TO BAT 796 00:39:53,360 --> 00:39:55,700 AGAINST SIX DOMINICAN AND TWO PERUVIAN BAD GUYS ‐‐ 797 00:39:55,730 --> 00:39:57,200 AGAINST WHO, 798 00:39:57,240 --> 00:39:59,280 WITHOUT YOUR PARTNER’S EX‐HUSBAND’S TESTIMONY, 799 00:39:59,300 --> 00:40:02,170 WE HAVE GOT EVIDENCE UP THE ASS. 800 00:40:02,210 --> 00:40:05,250 SO GIVING A DEAL TO DON 801 00:40:05,280 --> 00:40:07,720 IS WHAT MAKES THE PROSECUTOR A WUSS? 802 00:40:07,750 --> 00:40:11,020 REAL KISS, YOU GET THE REST. 803 00:40:11,050 --> 00:40:15,020 AND I FIND MYSELF OUT OF SCOTCH. 804 00:40:15,050 --> 00:40:16,750 COULD HE GET ANOTHER DRINK? 805 00:40:16,790 --> 00:40:18,090 AND HER, TOO. 806 00:40:18,120 --> 00:40:19,490 SCREW YOU, DENBY. 807 00:40:19,520 --> 00:40:20,920 SCREW ME? 808 00:40:20,960 --> 00:40:23,760 NAH, I’M A REALIST. MY PRICE ISN’T THAT HIGH. 809 00:40:23,800 --> 00:40:25,070 I’M NOT DRINKING. 810 00:40:25,100 --> 00:40:27,370 I NEED A WET ONE, THEN. 811 00:40:27,400 --> 00:40:28,760 YOU WERE A DECENT GUY THIS MORNING. 812 00:40:28,800 --> 00:40:30,370 IT’S NOT MORNING ANYMORE 813 00:40:30,400 --> 00:40:32,100 ON THIS PART OF THE GLOBE. 814 00:40:32,140 --> 00:40:33,750 IT’S GOOD. 815 00:40:33,770 --> 00:40:35,540 THE REST OF THE STORY’S GOOD. 816 00:40:39,640 --> 00:40:40,740 ALL RIGHT. 817 00:40:44,720 --> 00:40:45,990 YOU FIRST THIS TIME. 818 00:40:50,590 --> 00:40:54,020 I CAN’T RATIONALIZE THAT, DIANE. 819 00:40:54,060 --> 00:40:56,590 THE WHOLE SORRY HISTORY OF THE RED MAN’S TRUST 820 00:40:56,630 --> 00:40:58,590 IS STARING ME IN THE FACE. 821 00:40:58,630 --> 00:41:02,000 YOU MUST HATE YOURSELF IN THE MORNINGS. 822 00:41:02,030 --> 00:41:04,730 ONLY SOMETIMES. 823 00:41:04,770 --> 00:41:07,440 OFTEN, I DON’T REMEMBER ANYTHING AT ALL. 824 00:41:07,470 --> 00:41:10,410 I MEAN, HOW MUCH DO YOU CARE ABOUT YOUR PARTNER? 825 00:41:10,440 --> 00:41:12,210 YOU PRICK. 826 00:41:12,240 --> 00:41:13,440 NOW, NOW. 827 00:41:30,530 --> 00:41:33,630 I BELIEVE THIS IS CALLED HITTING THE DAILY DOUBLE. 828 00:41:38,740 --> 00:41:40,380 AHH. 829 00:41:42,270 --> 00:41:43,570 YOU BETTER TELL ME. 830 00:41:45,740 --> 00:41:48,510 THE PROSECUTOR’S NEW BOSS IS AN ANTI‐WUSS. 831 00:41:48,550 --> 00:41:50,190 I DON’T WANT TO HEAR ANY CLEVER CRAP. 832 00:41:50,210 --> 00:41:51,780 YOU TELL ME WHAT’S GOING ON. 833 00:41:51,820 --> 00:41:53,520 THE PROSECUTOR’S NEW BOSS 834 00:41:53,550 --> 00:41:55,550 IS GOING TO MAKE THE PROSECUTOR 835 00:41:55,590 --> 00:41:57,560 GO TO BAT AGAINST THESE DEALERS, 836 00:41:57,590 --> 00:41:59,150 WITH OR WITHOUT 837 00:41:59,190 --> 00:42:01,160 YOUR PARTNER’S EX‐HUSBAND ON THE TEAM. 838 00:42:01,190 --> 00:42:03,590 TELL ME WHAT I SHOULD TELL HER. 839 00:42:07,370 --> 00:42:09,580 YOU SHOULD TELL YOUR PARTNER "SIT TIGHT." 840 00:42:09,600 --> 00:42:11,970 TELL HER NOT TO GIVE ME ANYTHING. 841 00:42:21,250 --> 00:42:23,290 CAN I HAVE THAT IF YOU DON’T WANT IT? 842 00:42:28,950 --> 00:42:30,420 GOOD NIGHT. 843 00:42:45,470 --> 00:42:48,200 Captioned by VISUAL DATA Your Closed Captioning Resource 844 00:42:48,240 --> 00:42:50,140 ♪ ♪ 61490

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