Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:14,420 --> 00:00:18,520
ABANDON YOURSELF TO GOD
AS YOU UNDERSTAND GOD.
2
00:00:18,560 --> 00:00:21,200
ADMIT YOUR FAULTS TO HIM
AND TO YOUR FELLOWS.
3
00:00:21,230 --> 00:00:23,900
CLEAR AWAY THE WRECKAGE
OF YOUR PAST.
4
00:00:23,930 --> 00:00:25,560
GIVE FREELY
OF WHAT YOU FIND
5
00:00:25,600 --> 00:00:27,640
AND JOIN US.
6
00:00:27,670 --> 00:00:30,580
WE SHALL BE WITH YOU
IN THE FELLOWSHIP
OF THE SPIRIT,
7
00:00:30,600 --> 00:00:32,530
AND YOU WILL SURELY
MEET SOME OF US
8
00:00:32,570 --> 00:00:35,140
AS YOU TRUDGE THE ROAD
OF HAPPY DESTINY.
9
00:00:35,170 --> 00:00:39,910
MAY GOD BLESS YOU
AND KEEP YOU UNTIL THEN.
10
00:00:39,940 --> 00:00:41,080
THANKS, KATIE.
11
00:00:42,350 --> 00:00:43,720
AFTER A MOMENT
OF SILENT MEDITATION
12
00:00:43,750 --> 00:00:45,450
FOR THE ALCOHOLIC
WHO STILL SUFFERS,
13
00:00:45,480 --> 00:00:49,250
WILL, UM,
MICHAEL LEAD US IN
THE SERENITY PRAYER?
14
00:00:54,160 --> 00:00:56,360
[TAP TAP]
15
00:01:02,970 --> 00:01:04,340
Michael: GOD...
16
00:01:04,370 --> 00:01:05,300
All: GOD...
17
00:01:05,340 --> 00:01:07,010
GRANT ME THE SERENITY
18
00:01:07,040 --> 00:01:09,400
TO ACCEPT THE THINGS
I CANNOT CHANGE,
19
00:01:09,440 --> 00:01:11,840
THE COURAGE TO CHANGE
THE THINGS I CAN,
20
00:01:11,880 --> 00:01:15,150
AND THE WISDOM
TO KNOW THE DIFFERENCE.
21
00:01:15,180 --> 00:01:17,250
AMEN.
22
00:01:17,280 --> 00:01:19,010
GREAT JOB.
THANKS.
23
00:01:20,450 --> 00:01:22,750
THAT WAS A GREAT
MEETING. IS THAT
YOUR WIFE?
24
00:01:22,790 --> 00:01:24,430
NO, SHE‐‐
25
00:01:24,460 --> 00:01:26,100
WHAT DIFFERENCE
DOES IT MAKE?
26
00:01:26,120 --> 00:01:27,660
NOTHING. I JUST...
27
00:01:27,690 --> 00:01:31,090
SEEN THE TWO OF YOU
AT A COUPLE
MEETINGS.
28
00:01:31,130 --> 00:01:33,090
ANYWAY,
MY NAME’S MICHAEL.
29
00:01:33,130 --> 00:01:35,200
ANDY. HAVE A GOOD WEEK
TILL THE NEXT MEETING.
30
00:01:36,530 --> 00:01:39,600
I’M SO GLAD
I BROUGHT MY GLASSES.
31
00:01:39,640 --> 00:01:42,270
I’M DEFINITELY GONNA
RAISE MY HAND
TO SHARE NEXT TIME,
32
00:01:42,310 --> 00:01:45,280
AND NOT WHEN IT’S GETTING
TOWARD THE END EITHER.
33
00:01:45,310 --> 00:01:46,710
Woman:
EXCUSE ME.
34
00:01:46,750 --> 00:01:49,790
WHY THE HELL
DON’T YOU GET
YOUR TIMES RIGHT?
35
00:01:49,810 --> 00:01:51,610
CENTRAL OFFICE GAVE YOU
A WRONG TIME?
36
00:01:51,650 --> 00:01:53,950
WHAT?
ANYWAY, THERE’S
A MEETING 12 BLOCKS OVER.
37
00:01:53,990 --> 00:01:55,290
I’LL TAKE YOU THERE.
38
00:01:55,320 --> 00:01:57,190
NO, NO, NO. THE HELL
WITH THE MEETING.
39
00:01:57,220 --> 00:01:59,820
YOU WANT TO GET
A CUP OF COFFEE?
MY NAME’S HUBERT.
40
00:01:59,860 --> 00:02:01,620
I KNOW THIS GUY.
41
00:02:01,660 --> 00:02:04,190
HI, I’M HUBERT.
42
00:02:04,230 --> 00:02:06,490
ANDY.
43
00:02:06,530 --> 00:02:07,960
YOU WANT TO GO
SOMEWHERE AND TALK?
44
00:02:08,000 --> 00:02:10,970
NOT TO YOU.
45
00:02:11,000 --> 00:02:14,870
COME ON, WE’LL HAVE
A BROKEN‐DOWN COPS
SPECIAL SESSION.
46
00:02:14,910 --> 00:02:17,980
WELL, SINCE I AIN’T
A COP NO MORE,
47
00:02:18,010 --> 00:02:19,840
I GUESS I DON’T
QUALIFY.
48
00:02:25,420 --> 00:02:28,490
YOU KNOW HIM
FROM WORK, ANDY?
49
00:02:28,520 --> 00:02:29,690
HE DID ME A FAVOR.
50
00:02:29,720 --> 00:02:32,550
HE COULD USE
GOD’S HELP NOW.
51
00:02:32,590 --> 00:02:34,090
SHORT‐TERM
HE OUGHT TO SETTLE
52
00:02:34,130 --> 00:02:35,700
FOR GETTING HIS HEAD
OUT OF HIS ASS.
53
00:02:35,730 --> 00:02:36,770
LANGUAGE.
54
00:02:36,800 --> 00:02:38,740
COME ON, KATIE.
55
00:03:56,540 --> 00:03:57,740
MORNING.
56
00:03:57,780 --> 00:03:58,920
YEAH. GOOD MORNING.
57
00:03:58,940 --> 00:03:59,980
MORNING, ANDY.
58
00:04:00,010 --> 00:04:01,140
HOW’S IT GOING?
59
00:04:01,180 --> 00:04:03,410
WHAT’D THEY DO
AT CULLINAN’S ARRAIGNMENT?
60
00:04:03,450 --> 00:04:06,260
UH, CRIMINAL POSSESSION.
$150,000 BOND.
61
00:04:06,280 --> 00:04:07,820
WHAT THE HELL’S
THAT SUPPOSED
TO ACCOMPLISH?
62
00:04:07,850 --> 00:04:09,180
THAT’S METER MONEY
TO THIS ASSHOLE.
63
00:04:09,220 --> 00:04:10,420
MORNING.
64
00:04:10,450 --> 00:04:12,120
YEAH. GOOD MORNING.
65
00:04:15,830 --> 00:04:17,700
JUDGE WOULD ONLY
GO 150, HUH?
66
00:04:17,730 --> 00:04:19,090
YEAH.
67
00:04:19,130 --> 00:04:21,030
THAT’LL DEFINITELY
DETER FLIGHT.
68
00:04:21,070 --> 00:04:22,770
WHY WOULD CULLINAN
WANT TO FLEE?
69
00:04:22,800 --> 00:04:24,730
IF I WERE HIM,
I’D BE DYING
TO GO TO BAT.
70
00:04:26,140 --> 00:04:28,180
WHAT THE HELL’S THAT
SUPPOSED TO MEAN?
71
00:04:29,810 --> 00:04:31,670
150,000, HUH?
72
00:04:31,710 --> 00:04:33,270
NO RECORD AND ROOTS
IN THE COMMUNITY.
73
00:04:33,310 --> 00:04:35,140
CULLINAN REPRESENTS
ZERO FLIGHT RISK.
74
00:04:35,180 --> 00:04:36,610
I’M LUCKY
I GOT THE 150.
75
00:04:36,650 --> 00:04:39,380
HE IS BEING
INVESTIGATED FOR
ATTEMPTED MURDER.
76
00:04:39,420 --> 00:04:41,090
YOU WANT TO BRING
YOUR DETECTIVES IN?
77
00:04:42,590 --> 00:04:47,070
EVERYBODY,
MY OFFICE.
78
00:04:47,090 --> 00:04:48,820
HE TALKS TO ME AGAIN
LIKE MY SCHOOL
PRINCIPAL,
79
00:04:48,860 --> 00:04:50,960
HE’S GETTING PUNCHED
IN HIS LARGE NOSE.
80
00:04:51,000 --> 00:04:54,140
IF YOU PLAN ON THIS
LASTING MORE THAN
5 OR 10 SECONDS,
81
00:04:54,170 --> 00:04:55,970
YOU WANT TO DO
A LITTLE ATTITUDE CHECK.
82
00:04:56,000 --> 00:04:57,630
MY PROBLEM IS,
I’VE BEEN LOOKING
AT THE TAPES
83
00:04:57,670 --> 00:04:58,730
FROM THAT APARTMENT.
84
00:04:58,770 --> 00:05:00,640
WHY ARE THE TAPES
A PROBLEM?
85
00:05:00,670 --> 00:05:02,840
YOU TELLING CULLINAN
HE’S THE VICTIM
IN THE OPERATION
86
00:05:02,870 --> 00:05:04,510
AFTER HE ACCUSES YOU
OF A POLICE VENDETTA
87
00:05:04,540 --> 00:05:06,540
KIND OF GIVES ME
A PROBLEM.
88
00:05:06,580 --> 00:05:07,980
SHE WAS BEING
SARCASTIC.
89
00:05:08,010 --> 00:05:09,140
GOOD.
WE’LL DO VOIR DIRE
90
00:05:09,180 --> 00:05:10,750
ON PROSPECTIVE JURORS’
UNDERSTANDING OF IRONY.
91
00:05:10,780 --> 00:05:12,180
ANYONE WATCHING
THAT TAPE
92
00:05:12,220 --> 00:05:13,930
KNOWS JILL
WAS BREAKING BALLS.
93
00:05:13,950 --> 00:05:15,520
SHE’S BREAKING BALLS
94
00:05:15,550 --> 00:05:17,350
JUST AFTER SIPOWICZ
THREATENS TO FRACTURE
CULLINAN’S SKULL.
95
00:05:17,390 --> 00:05:19,150
COME ON, COHEN.
APPREHEND A SUSPECT,
96
00:05:19,190 --> 00:05:21,260
YOU INTIMIDATE
SO AS NOT
TO USE FORCE.
97
00:05:21,290 --> 00:05:23,690
GRATEFUL AS I AM
BEING EDIFIED BY MINDS
OF YOUR CALIBER
98
00:05:23,730 --> 00:05:26,060
ABOUT THE LEGAL
STRENGTHS AND WEAKNESSES
OF MY CASE,
99
00:05:26,100 --> 00:05:27,740
I’M ACTUALLY HERE
TO SUGGEST AN AREA
100
00:05:27,770 --> 00:05:29,780
OF INVESTIGATIVE FOCUS.
101
00:05:29,800 --> 00:05:33,530
AND WHAT WOULD THAT BE,
O BIG‐SYLLABLE DOUCHE BAG?
102
00:05:33,570 --> 00:05:35,670
IF YOU WANT ANYTHING
MORE THAN CRIMINAL
POSSESSION TO STAND,
103
00:05:35,710 --> 00:05:38,120
YOU’RE GONNA HAVE
TO LINK THE DOPE
THAT KILLED DOLORES MAYO
104
00:05:38,140 --> 00:05:40,180
WITH WHAT CULLINAN
TRIED TO MAKE HER TAKE.
105
00:05:40,210 --> 00:05:42,580
THAT WOULD BE ME,
DETECTIVE KIRKENDALL.
106
00:05:42,610 --> 00:05:44,950
IT’S NOT
ATTEMPTED MURDER
107
00:05:44,980 --> 00:05:46,510
UNLESS CULLINAN KNOWS
THE DOSE IS LETHAL.
108
00:05:46,550 --> 00:05:47,780
YOU ONLY ESTABLISH THAT
109
00:05:47,820 --> 00:05:49,850
BY SHOWING HE HAD
REASONABLE EXPECTATION
110
00:05:49,890 --> 00:05:53,250
BASED ON THE
FIRST GIRL DYING
THAT SHE MIGHT DIE,
111
00:05:53,290 --> 00:05:55,020
WHICH REQUIRES
PREDICATE KNOWLEDGE
ON CULLINAN’S PART
112
00:05:55,060 --> 00:05:56,630
THAT THE DRUGS
WERE THE SAME.
113
00:05:56,660 --> 00:05:57,930
YOU’RE TALKING
ABOUT THE PURITY,
114
00:05:57,960 --> 00:05:59,360
NOT THAT IT WAS
JUST HEROIN.
115
00:05:59,400 --> 00:06:01,610
YES, IN ONE SYLLABLE.
116
00:06:01,630 --> 00:06:03,260
THIS’LL BE THE FIRST CASE
IN HISTORY
117
00:06:03,300 --> 00:06:04,700
PROSECUTED
BY AN 8‐YEAR‐OLD.
118
00:06:04,740 --> 00:06:07,550
CASTRATE AN ADULT,
HE TENDS TO SOUND
LIKE A CHILD.
119
00:06:07,570 --> 00:06:09,840
NO ONE CASTRATED YOU,
ASSHOLE.
120
00:06:16,080 --> 00:06:18,150
I CAN’T WIN PUTTING
MY TOXICOLOGIST ON
121
00:06:18,180 --> 00:06:19,480
AGAINST SINCLAIR’S.
122
00:06:19,520 --> 00:06:21,630
YOU NEED TO FIND
YOUR FLOPPED COP’S
HEROIN SOURCE‐‐
123
00:06:21,650 --> 00:06:22,950
ROBERTS.
124
00:06:22,990 --> 00:06:26,000
ROBERTS BEING
THE FLOPPED COP,
NOW DEAD. CORRECT.
125
00:06:26,020 --> 00:06:27,560
ROBERTS ACKNOWLEDGED
PROVIDING THE SMACK
126
00:06:27,590 --> 00:06:29,060
CULLINAN GAVE
DOLORES MAYO.
127
00:06:29,090 --> 00:06:31,060
I NEED ROBERTS’ SOURCE
ON THE STAND
128
00:06:31,100 --> 00:06:33,670
SAYING THAT SMACK
AND WHAT CULLINAN USED
2 NIGHTS AGO
129
00:06:33,700 --> 00:06:35,560
CAME FROM THE SAME
GLASSINE BAG.
130
00:06:35,600 --> 00:06:36,900
ALTERNATIVELY,
131
00:06:36,940 --> 00:06:39,750
MAKE THE CASE
IT WAS CULLINAN
BOUGHT ROBERTS’ HOMICIDE.
132
00:06:39,770 --> 00:06:42,200
THANKS FOR THE HIGH LEVEL
OF DISCOURSE.
133
00:06:44,880 --> 00:06:46,920
DID HE JUST INSULT US?
134
00:06:46,950 --> 00:06:49,090
THIS OVEREDUCATED
SNOT RAG.
135
00:06:49,110 --> 00:06:51,080
YEAH. NOTHING JILL SAID
HURT THIS CASE.
136
00:06:51,120 --> 00:06:52,790
GIVE ME A MINUTE,
WOULD YOU, PLEASE?
137
00:07:03,460 --> 00:07:06,260
[CLEARS THROAT]
138
00:07:06,300 --> 00:07:07,970
ANDY, WOULD YOU
LET ME CLEAR MY HEAD
139
00:07:08,000 --> 00:07:09,600
SO I CAN DECIDE
IF I WANT COHEN
OFF THE CASE?
140
00:07:09,630 --> 00:07:11,100
I WANT TO TALK TO YOU
ABOUT SOMETHING ELSE.
141
00:07:11,140 --> 00:07:13,780
MOVE TO GET HIM OFF‐‐
LOOKS TO HURT HER WORSE.
142
00:07:13,810 --> 00:07:15,280
YEAH, THAT MAKES SENSE.
143
00:07:15,310 --> 00:07:18,180
BAD ENOUGH SINCLAIR’S
GONNA BE LOOKING
TO CRUCIFY THE SQUAD.
144
00:07:18,210 --> 00:07:20,540
MY CASE, THAT’LL BE
A RETURN CRUCIFIXION.
145
00:07:26,320 --> 00:07:28,630
YOU NEED TO REACH OUT
TO DORNAN.
146
00:07:28,650 --> 00:07:30,290
WHERE DOES THAT
COME FROM?
147
00:07:30,320 --> 00:07:32,850
ME SEEING HIM FALL DOWN DRUNK
AT AN A. A. MEETING
148
00:07:32,890 --> 00:07:35,560
AND HIM RATHER GO OFF
THE EMPIRE STATE BUILDING
THAN TALK TO ME.
149
00:07:35,590 --> 00:07:36,830
YOU GOTTA REACH OUT.
150
00:07:36,860 --> 00:07:38,790
HOW DOES DORNAN
BEING DRUNK GET
TO BE MY PROBLEM?
151
00:07:38,830 --> 00:07:42,460
HE’S IN BAD SHAPE.
I’M NOT SURE IF HE
MIGHT NOT BE OFF THE JOB.
152
00:07:42,500 --> 00:07:45,170
AND I’M SAYING WHY DON’T
YOU GET HIM HELP FROM
SOMEONE ELSE IN A. A.?
153
00:07:45,200 --> 00:07:47,970
I DON’T CONVERSE
WITH A LOT OF PEOPLE
AT THEM MEETINGS.
154
00:07:48,010 --> 00:07:49,480
I THOUGHT
THAT WAS THE POINT.
155
00:07:49,510 --> 00:07:51,680
ARE YOU GONNA REVIEW
MY CONDUCT,
156
00:07:51,710 --> 00:07:53,610
OR YOU WANNA HELP
WITH ONE OF YOUR OWN?
157
00:07:55,610 --> 00:07:56,710
ALL RIGHT.
158
00:07:56,750 --> 00:07:58,080
I’LL REACH OUT.
159
00:08:00,020 --> 00:08:03,250
I’M ALREADY REACHING BACK
ON ROBERTS’ DOPE CONNECTIONS.
160
00:08:03,290 --> 00:08:04,430
GOOD.
161
00:08:05,690 --> 00:08:07,020
THANKS.
162
00:08:07,060 --> 00:08:09,190
IT’S OK.
163
00:08:15,530 --> 00:08:17,170
JILL DON’T TAKE THAT
TO HEART, I HOPE,
164
00:08:17,200 --> 00:08:18,330
BREAKING IT OFF
WITH COHEN.
165
00:08:18,370 --> 00:08:19,430
NO.
166
00:08:19,470 --> 00:08:22,270
NO. SHE KNOWS
SHE’S BETTER OFF.
167
00:08:22,310 --> 00:08:23,720
[SIPOWICZ SIGHS]
168
00:08:23,740 --> 00:08:24,910
GOOD JOB.
169
00:08:24,940 --> 00:08:26,340
THANKS, ANDY.
170
00:08:26,380 --> 00:08:28,890
THE PERSONAL ASPECTS
ARE NONE OF MY BUSINESS.
171
00:08:28,910 --> 00:08:30,880
NO, I, UH,
I UNDERSTAND.
172
00:08:30,920 --> 00:08:32,690
ALTHOUGH,
THE LONG RUN THERE,
173
00:08:32,720 --> 00:08:34,030
I FEEL YOU’RE
AHEAD OF THE GAME
174
00:08:34,050 --> 00:08:35,780
PARTING WAYS
WITH THIS GUY.
175
00:08:35,820 --> 00:08:38,590
I APPRECIATE
ABOUT HOW I DID MY JOB.
176
00:08:38,620 --> 00:08:40,220
THAT’S WHAT
I’M EMPHASIZING.
177
00:08:40,260 --> 00:08:41,160
THANKS.
178
00:08:46,230 --> 00:08:48,060
AND THAT HE WON’T
APPRECIATE THAT,
179
00:08:48,100 --> 00:08:50,400
FROM JEALOUSY
OR CHILDISHNESS,
180
00:08:50,430 --> 00:08:52,930
PERSONALLY,
YOU’RE BETTER OFF, TOO.
181
00:08:52,970 --> 00:08:55,870
BUT THAT PART
I DON’T GET INTO.
182
00:08:55,910 --> 00:08:57,280
OK.
183
00:09:08,820 --> 00:09:10,090
SHE’S ALL RIGHT?
184
00:09:10,120 --> 00:09:11,790
YEAH.
[CLEARING THROAT]
185
00:09:11,820 --> 00:09:15,120
YOU WANNA KNOW
THE ASPECT I BELIEVE
IS DISTRESSING HER?
186
00:09:15,160 --> 00:09:17,460
AND YOU CORRECT ME
IF I’M WRONG.
187
00:09:17,500 --> 00:09:19,840
HIM WITH HER BOYS.
188
00:09:19,860 --> 00:09:22,130
COHEN GOT ALONG GOOD
WITH HER BOYS.
189
00:09:22,170 --> 00:09:24,410
THAT’S THE ASPECT
THAT’S GOT HER DOWN,
190
00:09:24,440 --> 00:09:26,440
THAT THEY ENJOYED
THIS DILDO’S COMPANY.
191
00:09:26,470 --> 00:09:27,970
I’LL HANG OUT
WITH HER BOYS.
192
00:09:28,010 --> 00:09:30,780
THAT WOULD BE
A BIG RELIEF TO HER,
HEARING THAT.
193
00:09:30,810 --> 00:09:32,240
I’LL GO TELL HER
RIGHT NOW.
194
00:09:32,280 --> 00:09:33,280
DON’T TELL HER NOW.
195
00:09:33,310 --> 00:09:35,280
NO, NO.
YOU TELL HER NOW,
196
00:09:35,310 --> 00:09:38,410
SHE’LL THINK
IT’S OUT OF PITY
OR SO FORTH.
197
00:09:38,450 --> 00:09:39,620
OK. I’LL WAIT.
198
00:09:41,650 --> 00:09:43,590
WHAT THE HELL
DID YOU PEOPLE ALLOW?
199
00:09:43,620 --> 00:09:44,590
MR. MAYO.
200
00:09:44,620 --> 00:09:45,750
YOU SAID DRUG O. D.
201
00:09:45,790 --> 00:09:47,290
YOU DIDN’T SAY
SOMEONE KILLED HER.
202
00:09:47,330 --> 00:09:49,030
WHY DON’T WE GO
IN THE COFFEE ROOM?
203
00:09:49,060 --> 00:09:50,790
YOU DIDN’T TELL ME
THIS CULLINAN
204
00:09:50,830 --> 00:09:52,430
GAVE MY DAUGHTER
OVER‐PURE DRUGS.
205
00:09:52,460 --> 00:09:54,830
Sipowicz: WHERE ARE YOU
GETTING YOUR INFORMATION?
206
00:09:54,870 --> 00:09:56,510
I’VE BEEN KEEPING
MR. MAYO POSTED.
207
00:09:56,530 --> 00:09:59,600
DON’T TRY ANY COVER‐UP IF YOU
WANT TO KEEP CONTROL OF THIS.
208
00:09:59,640 --> 00:10:01,700
GRIEF OR NOT,
DON’T YOU START
GIVING ORDERS.
209
00:10:01,740 --> 00:10:02,970
WHAT’S GOING ON?
210
00:10:03,010 --> 00:10:04,380
THIS IS, UH,
JAMES MAYO,
211
00:10:04,410 --> 00:10:06,440
DOLORES’
FATHER.
212
00:10:06,480 --> 00:10:07,650
ARTHUR FANCY.
213
00:10:07,680 --> 00:10:10,480
ARE YOU IN CHARGE?
DID YOU GIVE THE ORDER?
214
00:10:10,510 --> 00:10:12,380
WHAT ORDER IS THAT,
MR. MAYO?
215
00:10:12,420 --> 00:10:15,160
HOLD OUT ON ME
HOW MY DAUGHTER DIED.
216
00:10:15,190 --> 00:10:17,830
I NEVER TOLD
MR. MAYO ANYTHING
WAS BEING HELD BACK.
217
00:10:17,860 --> 00:10:19,230
I DID SAY
MALCOLM CULLINAN’S
218
00:10:19,260 --> 00:10:20,570
ARREST FOR
NARCOTICS POSSESSION
219
00:10:20,590 --> 00:10:22,320
AND THE POSSIBILITY
HE’LL BE CHARGED
220
00:10:22,360 --> 00:10:24,290
WITH TRYING
TO MURDER DETECTIVE
KIRKENDALL,
221
00:10:24,330 --> 00:10:25,660
AND IF HE
IS CHARGED,
222
00:10:25,700 --> 00:10:27,170
THAT MAY HAVE
IMPLICATIONS FOR
HOW DOLORES DIED.
223
00:10:27,200 --> 00:10:28,630
OK, JOHN.
224
00:10:28,670 --> 00:10:31,310
MR. MAYO, WE DON’T
GIVE RELATIVES
PARTIAL INFORMATION
225
00:10:31,340 --> 00:10:32,840
DURING AN ACTIVE
INVESTIGATION.
226
00:10:32,870 --> 00:10:34,340
IT’S PAINFUL FOR THEM
227
00:10:34,370 --> 00:10:36,640
AND OFTEN UNNECESSARY.
228
00:10:36,680 --> 00:10:38,880
FINDING OUT SHE WAS
KILLED BY THIS GUY,
229
00:10:38,910 --> 00:10:41,140
THAT’S LIKE
HEARING SHE DIED
ALL OVER AGAIN.
230
00:10:41,180 --> 00:10:44,150
WE CAN’T BE SURE YET
YOUR DAUGHTER’S DEATH
WAS A MURDER.
231
00:10:44,180 --> 00:10:46,010
YOU MEAN
YOU CAN’T PROVE IT YET.
232
00:10:46,050 --> 00:10:50,190
I KNOW WHAT HAPPENED.
I KNOW WHAT KIND OF A PERSON
SHE’D BE DRAWN TO.
233
00:10:50,220 --> 00:10:52,750
SHE STILL CALLED ME
HER SWEET DADDY
234
00:10:52,790 --> 00:10:55,690
3 YEARS AFTER I’D BEEN
DOING THAT TO HER.
235
00:10:56,730 --> 00:10:59,330
GO HOME.
236
00:10:59,360 --> 00:11:00,700
SOMEONE’LL
BE IN TOUCH.
237
00:11:00,730 --> 00:11:02,160
DON’T GO SCAPEGOATING HIM.
238
00:11:02,200 --> 00:11:05,370
AND YOU TAKE CARE
OF HER KILLER,
OR I’M GOING TO.
239
00:11:14,210 --> 00:11:15,980
MY OFFICE.
240
00:11:44,340 --> 00:11:47,110
GIVING DOLORES’ FATHER
THAT INFORMATION
ABOUT CULLINAN
241
00:11:47,150 --> 00:11:49,220
WAS A VERY SERIOUS
MISTAKE.
242
00:11:49,250 --> 00:11:52,390
PEOPLE CAN DO
HARMFUL THINGS WITH
THE BEST OF MOTIVES,
243
00:11:52,420 --> 00:11:54,960
AND IT’S PRETTY CLEAR
THIS IS AN EXAMPLE.
244
00:11:56,020 --> 00:11:57,590
I’M SURE YOU’RE UPSET
245
00:11:57,620 --> 00:12:00,160
YOU HAD THIS KIND
OF LAPSE IN JUDGMENT,
246
00:12:00,190 --> 00:12:02,960
AS MUCH PROBABLY
AS ANY OF US.
247
00:12:02,990 --> 00:12:04,060
[STIFLED SOB]
248
00:12:04,100 --> 00:12:06,970
MAYBE MORE.
249
00:12:07,000 --> 00:12:09,060
AND KNOWING THAT,
250
00:12:09,100 --> 00:12:11,400
I DON’T FEEL
IT’S NECESSARY
TO TELL YOU
251
00:12:11,440 --> 00:12:13,140
DOING SOMETHING
LIKE THIS AGAIN
252
00:12:13,170 --> 00:12:14,600
COULD COST YOU
YOUR JOB.
253
00:12:18,780 --> 00:12:20,090
[SNIFFS]
254
00:12:20,110 --> 00:12:22,510
WHICH IS NOT AN OPTION
I’M THINKING ABOUT NOW.
255
00:12:26,280 --> 00:12:27,450
THAT’S ALL.
256
00:12:29,450 --> 00:12:31,990
IF YOU WANT TO TAKE
A LITTLE LOST TIME,
THAT’S FINE.
257
00:12:36,490 --> 00:12:40,030
EVERYONE HERE
LIKES YOU VERY MUCH.
258
00:12:46,710 --> 00:12:48,010
SO THAT "SWEET DADDY,"
259
00:12:48,040 --> 00:12:50,010
THAT WAS HER FATHER SAYING
HE GOT OVER ON DOLORES.
260
00:12:50,040 --> 00:12:51,540
HE GOT HALFWAY TO THAT
261
00:12:51,580 --> 00:12:53,550
WHEN WE TOLD HIM
SHE WAS DEAD‐‐
262
00:12:53,580 --> 00:12:55,280
SAID HE TREATED HER
BADLY GROWING UP.
263
00:12:55,310 --> 00:12:56,750
[SIPOWICZ CLEARS THROAT]
264
00:12:57,750 --> 00:12:59,380
UH, ROBERTS’
JUNKIE INFORMANT
265
00:12:59,420 --> 00:13:01,290
THAT KILLED HERSELF
5 YEARS AGO?
266
00:13:01,320 --> 00:13:03,320
DEE DEE.
2 COLLARS‐‐
267
00:13:05,820 --> 00:13:08,790
2 COLLARS FOR PROSS
WITH A TAMMY FOSTER.
268
00:13:08,830 --> 00:13:11,140
TAMMY FOSTER’S
COLLARED LAST MONTH
FOR POSSESSION
269
00:13:11,160 --> 00:13:13,130
A BLOCK
FROM ROBERTS’ BUILDING,
270
00:13:13,160 --> 00:13:14,460
MAKES A $7,500 BAIL.
271
00:13:14,500 --> 00:13:16,500
Russell: TAMMY WAS
SAVING HER NICKELS.
272
00:13:21,410 --> 00:13:23,650
SO, DO WE NEED
TO SIT ON THIS GUY?
273
00:13:23,680 --> 00:13:26,320
SOUNDS LIKE SOMEONE
NEEDED TO SIT ON HIM
20 YEARS AGO.
274
00:13:26,340 --> 00:13:27,840
QUESTION IS,
DOES DOLORES’ FATHER
275
00:13:27,880 --> 00:13:30,380
TAKE FEELING GUILTY
ABOUT WHAT HE DID
OUT ON CULLINAN?
276
00:13:30,410 --> 00:13:34,320
QUESTION IS HOW BIG
A PARADE WE GIVE HIM
IF HE KILLS THE PRICK.
277
00:13:34,350 --> 00:13:36,550
IT’S NOT
LIKE MAYO MADE
A DIRECT THREAT.
278
00:13:36,590 --> 00:13:38,720
ANYWAYS, YOU KNOW CULLINAN’S
GOT STRONG SECURITY.
279
00:13:38,760 --> 00:13:40,670
DON’T FORGET
HE HIRED MIKE ROBERTS.
280
00:13:40,690 --> 00:13:42,320
YOU’RE MOVING
ON ROBERTS’ SOURCES.
281
00:13:42,360 --> 00:13:44,730
YEAH.
WE’RE MOVING ON THAT.
282
00:13:44,760 --> 00:13:45,690
[CLEARS THROAT]
283
00:13:54,710 --> 00:13:55,910
WHAT’S
THE PHONE PANTOMIME?
284
00:13:55,940 --> 00:13:56,910
WHAT?
285
00:13:56,940 --> 00:13:58,010
WE WANNA LOOK
FOR TAMMY?
286
00:13:58,040 --> 00:13:59,540
YEAH.
287
00:13:59,580 --> 00:14:03,340
I GOT A LIST OF
LAST KNOWN ADDRESS
AND OF HER STROLLS.
288
00:14:03,380 --> 00:14:04,910
JUNKIE ROBERTS
MIGHT HAVE KNOWN.
289
00:14:06,950 --> 00:14:10,420
FANCY JUST
RAPPED HIS KNUCKLES‐‐
GAY JOHN.
290
00:14:10,450 --> 00:14:12,420
NOT CLEARING
HIS DESK OUT.
291
00:14:24,600 --> 00:14:27,300
I’M TERRIBLY SORRY
FOR HINDERING
YOUR INVESTIGATION.
292
00:14:27,340 --> 00:14:28,640
MISTAKES HAPPEN.
293
00:14:28,670 --> 00:14:30,040
I PROMISE I WON’T
REPEAT MY MISTAKE.
294
00:14:30,070 --> 00:14:31,610
APOLOGY ACCEPTED.
295
00:14:31,640 --> 00:14:33,110
NO HARM DONE.
296
00:15:04,210 --> 00:15:05,170
HEY, TAMMY.
297
00:15:05,210 --> 00:15:06,910
HEY.
298
00:15:06,950 --> 00:15:09,350
GIVE HER YOUR PURSE
SO WE DON’T CATCH YOU DIRTY.
299
00:15:09,380 --> 00:15:10,910
THEN WHAT ARE YOU
GOING TO DO TO ME?
300
00:15:10,950 --> 00:15:12,150
WE’RE NOT GONNA
CHECK HER PURSE,
301
00:15:12,180 --> 00:15:13,850
AND WE’RE NOT GONNA ASK YOU
FOR YOUR GREEN CARD.
302
00:15:13,890 --> 00:15:15,190
I’VE GOT
A GREEN CARD.
303
00:15:15,220 --> 00:15:17,290
LISTING YOUR
PRESENT OCCUPATION?
COME ON. LET’S GO.
304
00:15:17,320 --> 00:15:19,150
ANYWAY,
WHAT’S IT ABOUT?
305
00:15:19,190 --> 00:15:21,820
AT THE STATION HOUSE,
TAMMY.
306
00:15:21,860 --> 00:15:23,590
I KNOW HOW MUCH
IS IN THERE.
307
00:15:23,630 --> 00:15:25,160
SHE MEANS
HER COSMETICS.
308
00:15:46,150 --> 00:15:48,550
HOW THE HELL
CAN YOU CHEW THAT STUFF?
309
00:15:48,590 --> 00:15:52,200
HOW IN THE HELL CAN YOU
WORK ON YOUR KNEES
FOR 8 HOURS A DAY?
310
00:15:52,220 --> 00:15:55,060
SO I GUESS YOU’RE NOT
ONE OF THOSE HAPPY DRUNKS,
HUH, DORNAN?
311
00:15:55,090 --> 00:15:58,460
WHEN YOU STOP
PISSIN’ MY EAR SO I CAN
GET ON MY BID’NESS,
312
00:15:58,500 --> 00:16:00,670
I’LL BE
A WHOLE LOT HAPPIER.
313
00:16:00,700 --> 00:16:02,400
YOUR "BID’NESS," HUH?
314
00:16:02,430 --> 00:16:06,530
MY PEOPLE ARE
GEORGIA...NEGROES.
315
00:16:06,570 --> 00:16:09,200
SUPPOSE YOURS CAME OVER
ON THE MAYFLOWER.
316
00:16:09,240 --> 00:16:10,410
NO.
317
00:16:10,440 --> 00:16:13,070
THEIR BOAT DROPPED ’EM OFF
IN NORTH CAROLINA,
318
00:16:13,110 --> 00:16:14,140
CHAINED.
319
00:16:14,180 --> 00:16:16,180
CHAINED‐‐
THAT’S ROUGH.
320
00:16:17,450 --> 00:16:18,880
HEY, BOSS.
321
00:16:18,920 --> 00:16:21,360
HEY, GREG, JAMES.
322
00:16:21,390 --> 00:16:23,490
HOW’S IT GOING?
HOW YOU DOING?
323
00:16:23,520 --> 00:16:25,390
YEAH.
324
00:16:25,420 --> 00:16:26,690
HOW’D YOU DO?
325
00:16:26,730 --> 00:16:27,870
WE DID GOOD.
YEAH.
326
00:16:27,890 --> 00:16:29,160
YEAH, HALF A PAIL
APIECE.
327
00:16:29,190 --> 00:16:30,590
FLOUNDER AND FLUKE.
328
00:16:30,630 --> 00:16:33,830
PLUS A COUPLE
OF DROWNED SHOPPING CARTS,
BUT WE THREW THEM BACK.
329
00:16:33,870 --> 00:16:34,910
WHERE WERE YOU?
330
00:16:34,930 --> 00:16:36,930
UH, BREEZY POINT.
YEAH.
331
00:16:36,970 --> 00:16:38,770
THE IRISH RIVIERA.
332
00:16:38,800 --> 00:16:40,870
ANYWAYS, UH,
HAROLD IN THERE,
333
00:16:40,910 --> 00:16:42,950
HE FILETS ’EM UP
FOR US.
334
00:16:42,970 --> 00:16:44,670
YEAH, WE GO THIRDS
WITH HAROLD.
335
00:16:44,710 --> 00:16:46,910
THEN WE GO
OUT THE BACK.
336
00:16:46,950 --> 00:16:48,750
HE MUST THINK
WE SMELL LIKE FISH.
337
00:16:48,780 --> 00:16:50,210
ANYWAYS...
338
00:16:50,250 --> 00:16:51,510
SEE YA, BOSS.
339
00:16:51,550 --> 00:16:53,210
YEP. SEE YOU TOMORROW.
340
00:16:54,490 --> 00:16:57,060
BREEZY POINT’S
A GOOD PLACE
341
00:16:57,090 --> 00:16:59,250
FOR A BROTHER TO SHOP
FOR A FRACTURED SKULL.
342
00:16:59,290 --> 00:17:01,590
I LISTENED TO BETTER
THAN YOU’RE DISHING OUT
343
00:17:01,630 --> 00:17:03,530
THE FIRST 23 YEARS
OF MY LIFE.
344
00:17:03,560 --> 00:17:06,090
MY MOTHER COME BACK
FROM A POST OFFICE JOB
345
00:17:06,130 --> 00:17:07,430
WITH OTHER PEOPLE’S
LAUNDRY.
346
00:17:07,470 --> 00:17:09,910
AND I LISTENED
TO AN ASSHOLE PICK AT HER‐‐
347
00:17:09,930 --> 00:17:11,530
BETTER THAN YOU EVER
THOUGHT ABOUT‐‐
348
00:17:11,570 --> 00:17:13,800
TILL FINALLY
SHE COME BACK AT HIM
349
00:17:13,840 --> 00:17:15,300
AND HE’D HAVE
EXCUSE ENOUGH
350
00:17:15,340 --> 00:17:18,310
TO GRAB MONEY FOR HIS LOAD
FROM HER PURSE.
351
00:17:18,340 --> 00:17:20,580
WANTED DRINKING MONEY
BAD ENOUGH,
352
00:17:20,610 --> 00:17:21,910
HE’D GIVE UP
EVEN THE PRIDE
353
00:17:21,950 --> 00:17:23,760
THAT WOULD’VE MOVED
HIS BLACK ASS
OUT OF THE KITCHEN
354
00:17:23,780 --> 00:17:25,880
WHILE SHE WASHED SOME
STRANGER’S DIRTY UNDERWEAR
355
00:17:25,920 --> 00:17:27,630
IN FRONT OF HIS FACE.
356
00:17:27,650 --> 00:17:30,950
SO HE COULD PICK A FIGHT
AND STEAL HER MONEY.
357
00:17:34,690 --> 00:17:36,260
SO YOU’RE OFF THE JOB,
DORNAN?
358
00:17:40,530 --> 00:17:42,100
WORKIN’ AT IT.
359
00:17:44,340 --> 00:17:46,140
ON TERMINAL LEAVE.
360
00:17:46,170 --> 00:17:47,740
I CAN’T THINK
OF A SINGLE REASON
361
00:17:47,770 --> 00:17:48,740
YOU SHOULD RECONSIDER.
362
00:17:48,770 --> 00:17:51,310
STAY BUDDIED UP
WITH THAT BOTTLE,
363
00:17:51,340 --> 00:17:52,910
HIT THE STREETS.
364
00:17:52,940 --> 00:17:55,010
IT’LL KEEP YOU COMPANY.
365
00:17:55,050 --> 00:17:56,660
THEN WHEN IT’S OVER,
366
00:17:56,680 --> 00:18:00,050
AT LEAST THE ONLY ONE
YOU HURT IS YOURSELF.
367
00:18:27,380 --> 00:18:28,710
DO YOU KNOW
MIKE ROBERTS?
368
00:18:28,750 --> 00:18:30,190
WHAT’S IT ABOUT?
369
00:18:30,210 --> 00:18:32,050
EYE ON THE BALL, TAMMY.
370
00:18:32,080 --> 00:18:34,020
I MEAN, REMIND ME
WHO HE IS.
371
00:18:34,050 --> 00:18:35,150
MIKE WENT OUT
HIS OFFICE WINDOW,
372
00:18:35,190 --> 00:18:37,300
SMASHED HIS HEAD
THROUGH A CAR WINDSHIELD
373
00:18:37,320 --> 00:18:38,490
NEAR YOUR WORK AREA.
374
00:18:38,520 --> 00:18:40,460
HE’S WHO WENT OUT
HIS EIGHTH‐STORY WINDOW?
375
00:18:40,490 --> 00:18:42,290
GOOD THING YOU WEREN’T
TRICKIN’ IN THAT CAR, HUH?
376
00:18:42,330 --> 00:18:44,140
WOULD’VE RUINED THE MOOD.
377
00:18:44,160 --> 00:18:46,130
YOU SAYING YOU DIDN’T
KNOW ROBERTS PERSONALLY?
378
00:18:46,160 --> 00:18:47,530
NO.
YOU’RE LYING.
379
00:18:47,570 --> 00:18:49,210
MAYBE I KNEW HIM BY FACE.
380
00:18:49,230 --> 00:18:50,830
YOU KNEW HIM
BETTER THAN THAT.
381
00:18:50,870 --> 00:18:52,470
YOUR PAL DEE DEE
382
00:18:52,500 --> 00:18:55,070
YOU TOOK 2 COLLARS WITH
FOR PROSS
383
00:18:55,110 --> 00:18:57,350
WAS BANGING
ROBERTS SILLY
A COUPLE OF YEARS.
384
00:18:57,380 --> 00:18:59,320
I MEAN, WHAT’S IT ABOUT?
385
00:18:59,340 --> 00:19:00,480
JUST NOW, TAMMY,
386
00:19:00,510 --> 00:19:02,510
IT’S ABOUT YOU TAKING
AN OPPORTUNITY TO EARN
387
00:19:02,550 --> 00:19:05,360
AND TURNING IT
INTO AN OCCASION
FOR PISSING US OFF.
388
00:19:05,380 --> 00:19:07,020
I MEAN, IF I’D RUN
A FEW ERRANDS FOR HIM,
389
00:19:07,050 --> 00:19:08,220
THAT’S ALL I DID.
390
00:19:08,250 --> 00:19:10,090
YOU WERE RUNNING DOPE
FOR ROBERTS?
391
00:19:10,120 --> 00:19:11,820
I WOULDN’T KNOW WHAT
I WAS PICKING UP.
392
00:19:11,860 --> 00:19:14,100
TAMMY.
393
00:19:14,130 --> 00:19:16,000
I MEAN, WHEN YOU SAY
EARNING OPPORTUNITY...
394
00:19:16,030 --> 00:19:18,170
200 FOR ROBERTS’ SOURCE.
395
00:19:18,200 --> 00:19:21,240
THEN I GOTTA GET
A NEW PLACE TO COP
AND EVERYTHING ELSE.
396
00:19:21,270 --> 00:19:23,740
WHAT ABOUT THE CONCEPT
OF NO WAIT AT A DETOX?
397
00:19:23,770 --> 00:19:26,870
YEAH, THAT SHOULD
TIP THE SCALES.
398
00:19:26,910 --> 00:19:29,850
WHAT I’M WORRIED ABOUT,
BEING HONEST...
399
00:19:29,870 --> 00:19:32,440
IS THAT SOMETHING’S
GOING ON.
400
00:19:32,480 --> 00:19:34,890
THAT’S MY WHOLE REASON
FOR NOT BEING COOPERATIVE,
401
00:19:34,910 --> 00:19:36,380
IS THAT SOMETHING’S
GOING ON.
402
00:19:36,410 --> 00:19:37,780
WE THINK YOU’RE RIGHT.
403
00:19:37,820 --> 00:19:41,190
GUY’S COMING UP WITH 7,500
TO BAIL YOU OUT
ON POSSESSION.
404
00:19:41,220 --> 00:19:43,350
SOMETHING DOES SEEM
LIKE IT’S GOIN’ ON.
405
00:19:43,390 --> 00:19:45,230
WHAT COULD IT BE, TAMMY?
406
00:19:45,260 --> 00:19:46,870
I MEAN, ROBERTS DID NOT
WANNA BE DOING
407
00:19:46,890 --> 00:19:47,890
WHAT HE WAS DOING,
408
00:19:47,930 --> 00:19:49,370
AND HE WOUND UP
WITH HIS HEAD
409
00:19:49,390 --> 00:19:51,260
THROUGH THAT CAR WINDSHIELD.
410
00:19:51,300 --> 00:19:53,610
I’M AFRAID OF GETTING
CAUGHT IN THE SWITCHES.
411
00:19:53,630 --> 00:19:55,960
I’M YOU, TAMMY?
MY MAIN WORRY THAT REGARD
412
00:19:56,000 --> 00:19:57,700
IS MY DEALER KNOWING
I CAN JAM HIM
413
00:19:57,740 --> 00:19:59,080
IN A MURDER INVESTIGATION
414
00:19:59,100 --> 00:20:00,740
AND TAKING
PREVENTATIVE MEASURES.
415
00:20:00,770 --> 00:20:02,740
YEAH. MAYBE THE NEXT
SOMETHIN’ GOING ON
416
00:20:02,770 --> 00:20:04,640
IS YOU KEELING OVER
FROM A HOT SHOT.
417
00:20:04,680 --> 00:20:06,320
I WORKED NARCOTICS.
418
00:20:06,340 --> 00:20:08,740
I CAN SHOW YOU SOME OTHER
GOOD CORNERS TO SCORE.
419
00:20:08,780 --> 00:20:10,810
I KNOW SOME.
420
00:20:10,850 --> 00:20:14,080
I’M JUST NO GOOD WITH CHANGE.
421
00:20:17,860 --> 00:20:19,300
YOU’RE NOT GONNA BELIEVE
422
00:20:19,320 --> 00:20:21,790
THE GUY I’M ABOUT
TO GIVE YOU IS A DEALER.
423
00:20:38,710 --> 00:20:41,140
SHE GIVE US A DEALER
TO LOOK AT, THAT WHORE.
424
00:20:41,180 --> 00:20:43,010
RUNS A WALL STREET
MESSENGER SERVICE.
425
00:20:43,050 --> 00:20:44,290
SHE KNEW WE’D BE
SHOCKED, TAMMY,
426
00:20:44,320 --> 00:20:45,920
A GUY LIKE THAT
MOVING SMACK.
427
00:20:45,950 --> 00:20:47,250
YOU GOT A PLACE TO LOOK?
428
00:20:47,290 --> 00:20:48,460
YEAH. SHE GIVE US
WHERE TO LOOK.
429
00:20:48,490 --> 00:20:50,360
HOW THOROUGH DO YOU WANT
TAMMY TO MAKE HER LIST?
430
00:20:50,390 --> 00:20:51,750
OTHER GIRLS
SHE SAW ROBERTS WITH?
431
00:20:51,790 --> 00:20:53,420
IF YOU THINK, WHEN YOU
GO BACK IN THERE,
432
00:20:53,460 --> 00:20:54,970
SHE’S GONNA HAVE
ANYTHING ON THAT PAD
433
00:20:54,990 --> 00:20:56,520
BUT HER HEAD ASLEEP,
434
00:20:56,560 --> 00:20:57,930
YOU BETTER LEARN
TO CURB YOUR OPTIMISM.
435
00:20:57,960 --> 00:20:59,600
SO I’LL GET, LIKE, 3 NAMES
AND CUT HER LOOSE.
436
00:20:59,630 --> 00:21:02,460
3 NAMES‐‐YOU SHOULD GET
A GRADE PROMOTION.
437
00:21:12,840 --> 00:21:14,040
I SAW DORNAN.
438
00:21:14,080 --> 00:21:15,010
WHAT COME OF THAT?
439
00:21:15,050 --> 00:21:16,960
YOU KNOW.
HE’S IN TROUBLE.
440
00:21:16,980 --> 00:21:19,010
I KNOW HE’S IN TROUBLE.
WHAT CAN YOU DO FOR HIM?
441
00:21:19,050 --> 00:21:20,880
WHAT MAKES YOU THINK
I GOT SOME SPECIAL IN
442
00:21:20,920 --> 00:21:21,950
TO DO ANYTHING
FOR DORNAN?
443
00:21:21,990 --> 00:21:23,800
YEAH. OK.
444
00:21:23,820 --> 00:21:25,120
DOES BOTH OF YOU
BEING ALCOHOLICS
445
00:21:25,160 --> 00:21:26,630
GIVE YOU
SOME SPECIAL IN?
446
00:21:26,660 --> 00:21:29,390
OBVIOUSLY, IF IT DID,
I WOULDN’T BE ASKING
A FAVOR.
447
00:21:29,430 --> 00:21:30,970
NEITHER DOES
OUR BOTH BEING BLACK.
448
00:21:31,000 --> 00:21:32,470
I GOT THE PICTURE.
NO PROBLEM.
449
00:21:32,500 --> 00:21:34,740
DORNAN’S PROBLEM GOES
PAST HIS COLOR,
450
00:21:34,770 --> 00:21:37,180
SAME AS IT GOES PAST
FALLING OFF THE WAGON.
451
00:21:37,200 --> 00:21:39,670
YEAH. GOOD.
452
00:21:48,680 --> 00:21:50,310
MY OLD MAN DID NOT LOSE
HIS EYE UNPROVOKED.
453
00:21:50,350 --> 00:21:51,410
ALL RIGHT?
454
00:21:51,450 --> 00:21:53,380
I DIDN’T KNOW
HE LOST HIS EYE.
455
00:21:53,420 --> 00:21:55,260
WHAT’S THAT GOT
TO DO WITH DORNAN?
456
00:21:55,290 --> 00:21:57,400
I REMEMBERED IN A DREAM
457
00:21:57,420 --> 00:21:59,660
HOW HE REALLY LOST
HIS EYE, MY POP.
458
00:21:59,690 --> 00:22:02,390
AND IT WASN’T
ONE OF YOU DRUNK
459
00:22:02,430 --> 00:22:05,000
ATTACKING HIM
ON HIS METER ROUTE.
460
00:22:05,030 --> 00:22:08,000
HE WAS DRUNK, AND HE’D BEEN
FIRED BY HIS BOSS ALREADY
461
00:22:08,030 --> 00:22:10,900
BEFORE HE WENT BACK
TO THOSE PROJECTS.
462
00:22:10,940 --> 00:22:12,880
THAT DREAM COME TO ME
463
00:22:12,900 --> 00:22:15,840
AFTER DORNAN REACHED OUT
DOIN’ A FAVOR FOR SYLVIA
464
00:22:15,870 --> 00:22:17,770
AND SHOWING ME
YOU COULDN’T GENERALIZE.
465
00:22:17,810 --> 00:22:18,870
AND FOR REACHING OUT,
466
00:22:18,910 --> 00:22:20,740
HE WINDS UP FLOPPED,
DORNAN,
467
00:22:20,780 --> 00:22:22,240
AND GOES BACK DRINKIN’.
468
00:22:22,280 --> 00:22:25,710
AND YOU CAN’T STAND
OWING A BLACK MAN
A SOLID.
469
00:22:25,750 --> 00:22:27,350
HUH.
470
00:22:27,390 --> 00:22:30,430
I GUESS ONE OF US COULDN’T
HAVE AS GOOD A MOTIVE
AS ONE OF YOU,
471
00:22:30,450 --> 00:22:33,220
SO THAT MUST BE IT.
472
00:22:33,260 --> 00:22:35,870
I’M WRONG ABOUT A LOT,
473
00:22:35,890 --> 00:22:38,390
BUT DRINKING
AIN’T INCLUDED.
474
00:22:40,730 --> 00:22:43,700
HE’S GONNA GET
AMBUSHED, DORNAN.
475
00:22:43,740 --> 00:22:47,210
11 DRY YEARS, THEY DON’T
COUNT FOR NOTHIN’.
476
00:22:47,240 --> 00:22:50,410
IT’S GONNA BE WORSE ON HIM
THAN IT’S EVER BEEN.
477
00:22:51,840 --> 00:22:53,310
HE WON’T BE ABLE
TO FIGURE OUT
478
00:22:53,340 --> 00:22:55,880
WHY THE BOOZE
ISN’T WORKIN’,
479
00:22:55,910 --> 00:22:58,250
AND HE’LL START
DRINKIN’ AT THAT.
480
00:22:58,280 --> 00:23:01,280
AND HE’LL WIND UP
WITH CRAPPED PANTS
481
00:23:01,320 --> 00:23:05,590
AND LYING IN HIS OWN PUKE.
482
00:23:05,620 --> 00:23:08,060
HE’S A PROUD MAN,
DORNAN.
483
00:23:08,090 --> 00:23:09,960
IT COME ON HIM SUDDEN.
484
00:23:09,990 --> 00:23:11,960
HE DON’T KNOW
WHAT HAPPENED.
485
00:23:12,000 --> 00:23:16,010
MIGHT AS WELL DIE.
486
00:23:16,030 --> 00:23:18,570
FIND SOMEONE ELSE
IN YOUR PROGRAM.
487
00:23:18,600 --> 00:23:21,270
I DON’T KNOW HOW
TO HELP HIM.
488
00:23:26,280 --> 00:23:27,820
YEAH. I SHOULD.
489
00:23:30,780 --> 00:23:33,620
THANKS FOR TRYING.
490
00:23:45,060 --> 00:23:46,330
I GOT NOTHING TO SAY
491
00:23:46,360 --> 00:23:48,030
I WOULDN’T WANT TO SAY
IN THE SQUAD.
492
00:23:49,700 --> 00:23:52,430
[SIGH] SEE, THAT’S
ASSUMING I’M INTERESTED
493
00:23:52,470 --> 00:23:54,040
IN WHERE YOU’RE COMFORTABLE.
494
00:23:56,370 --> 00:23:57,370
MM‐HMM.
495
00:23:59,080 --> 00:24:00,390
HIYA, KATIE.
496
00:24:00,410 --> 00:24:01,640
[RUSSELL SIGHS]
ALL RIGHT.
497
00:24:03,650 --> 00:24:05,180
CAN YOU PUT ME
WITH THAT HUGO
498
00:24:05,220 --> 00:24:06,560
THAT’S BEEN GIVING YOU
YOUR A. A. ADVICE?
499
00:24:10,660 --> 00:24:13,500
OR HUBERT‐‐
WHATEVER HIS NAME IS.
500
00:24:13,520 --> 00:24:15,220
WHY CORRECT ME
ON HIS NAME
501
00:24:15,260 --> 00:24:18,660
IF HE’S SEEING
A RELATIVE IN TEANECK?
502
00:24:18,700 --> 00:24:20,070
NEVER MIND, KATIE.
503
00:24:20,100 --> 00:24:21,730
I DON’T WANNA TALK
TO NOBODY ABOUT ME.
504
00:24:21,770 --> 00:24:24,640
THIS IS NOT
IN CONNECTION WITH ME.
505
00:24:24,670 --> 00:24:27,900
NO. NO, DO NOT, KATIE.
DON’T.
506
00:24:27,940 --> 00:24:30,070
KATIE?
507
00:24:30,110 --> 00:24:31,710
[SIGH]
508
00:24:42,350 --> 00:24:44,690
[RUSSELL
CLEARING THROAT]
509
00:24:44,720 --> 00:24:45,650
THANKS.
510
00:24:45,690 --> 00:24:46,860
WHAT’S UP?
511
00:24:46,890 --> 00:24:48,420
I NEED SOME HELP.
512
00:24:48,460 --> 00:24:49,520
IT’S A BIG PHONE BOOK.
513
00:24:49,560 --> 00:24:50,990
I KNOW I’VE BEEN
ACTING LIKE A JERK.
514
00:24:51,030 --> 00:24:52,330
I GUESS I’D LIKE
TO FIND OUT
515
00:24:52,360 --> 00:24:53,700
IF THE SITUATION’S
SALVAGEABLE.
516
00:24:53,730 --> 00:24:56,000
WHY ASK ME
INSTEAD OF JILL?
517
00:24:56,030 --> 00:24:58,330
’CAUSE WHEN I SEE HER,
I GO NUTS.
518
00:24:58,370 --> 00:25:00,500
THEN WHAT’S THE POINT IN
WANTING TO SALVAGE IT?
519
00:25:00,540 --> 00:25:02,740
BECAUSE I ALSO HAVE
STRONG FEELINGS FOR HER.
520
00:25:02,770 --> 00:25:05,670
WHEN I WAS, LIKE,
6 OR 7,
521
00:25:05,710 --> 00:25:08,180
JOEY DOPKINS
HAD A CRUSH ON ME.
522
00:25:08,210 --> 00:25:09,610
USED TO COME UP TO ME
ON THE PLAYGROUND
523
00:25:09,650 --> 00:25:11,350
AND SMACK ME
IN THE BACK OF THE HEAD.
524
00:25:11,380 --> 00:25:13,410
I GUESS GIRLS GROW OUT
OF THINKING THAT’S CUTE.
525
00:25:13,450 --> 00:25:15,320
I NEVER THOUGHT
IT WAS CUTE.
526
00:25:17,220 --> 00:25:18,690
WHAT’S REALLY CRAZY IS
527
00:25:18,720 --> 00:25:19,960
THE THINGS THAT
ATTRACT ME TO JILL
528
00:25:19,990 --> 00:25:22,560
ARE, I GUESS, WHAT
ALSO MAKE ME INSECURE.
529
00:25:22,590 --> 00:25:25,090
SHE’S SELF‐RELIANT.
SHE HAS HER OWN IDEAS.
530
00:25:25,130 --> 00:25:26,430
YEAH, THAT IS CRAZY.
531
00:25:26,460 --> 00:25:28,360
I’VE GOT A LOT
OF CONTROL ISSUES.
532
00:25:28,400 --> 00:25:29,900
I REALIZE THAT.
533
00:25:29,930 --> 00:25:32,230
WHEN PEOPLE SAY
THEY HAVE ISSUES,
534
00:25:32,270 --> 00:25:33,700
I START
FEELING SLEEPY.
535
00:25:33,740 --> 00:25:35,240
OK, I GET IT.
536
00:25:35,270 --> 00:25:36,640
NO FRATERNIZING
WITH THE ENEMY.
537
00:25:36,680 --> 00:25:40,320
DOESN’T THAT
TIRE YOU OUT
AFTER A WHILE‐‐
538
00:25:40,340 --> 00:25:44,250
THINKING OF ABSOLUTELY
THE MOST CLEVER WAY
TO SAY EVERYTHING?
539
00:25:49,920 --> 00:25:51,320
[SIGH]
540
00:25:51,360 --> 00:25:52,700
YOU CAN’T IMAGINE.
541
00:26:00,770 --> 00:26:01,840
HEY, JILL.
542
00:26:01,870 --> 00:26:04,410
HEY. HOW YOU DOIN’
WITH TAMMY?
543
00:26:04,440 --> 00:26:05,640
OH, GAVE US A GUY
TO LOOK AT
544
00:26:05,670 --> 00:26:07,400
FOR MAYBE
SUPPLYING ROBERTS.
545
00:26:07,440 --> 00:26:08,900
DEALS MOSTLY
TO WALL STREET.
546
00:26:08,940 --> 00:26:11,010
HMM. WHAT BROKER’S
TAMMY WORK FOR?
547
00:26:11,040 --> 00:26:13,980
YEAH, RIGHT.
548
00:26:14,010 --> 00:26:15,340
SO, I WAS WONDERING,
549
00:26:15,380 --> 00:26:17,080
YOU MENTIONING
BASEBALL BEFORE.
550
00:26:17,120 --> 00:26:19,760
FRIEND OF MINE GAVE ME
TICKETS FOR THE METS,
551
00:26:19,780 --> 00:26:22,080
AND I WAS WONDERING
IF MAYBE THE BOYS
WOULD LIKE TO GO.
552
00:26:22,120 --> 00:26:24,090
OR ARE THEY CONFIRMED
AMERICAN LEAGUERS?
553
00:26:24,120 --> 00:26:26,250
THEY’D LOVE IT.
WHAT NIGHT?
554
00:26:26,290 --> 00:26:28,420
OH, PRETTY MUCH ANY GAME
THEY’D LIKE TO GO TO.
555
00:26:28,460 --> 00:26:29,760
OH, YOU DON’T
HAVE TICKETS YET.
556
00:26:29,790 --> 00:26:32,460
NO. HE’S HOOKED UP,
THOUGH,
557
00:26:32,500 --> 00:26:35,010
WHERE HE CAN GET THEM
GENERALLY, MY FRIEND.
558
00:26:36,640 --> 00:26:37,710
CAN HE GET 4 TICKETS?
559
00:26:37,740 --> 00:26:39,180
I’D LIKE TO COME, TOO.
560
00:26:39,200 --> 00:26:41,440
UH...ABSOLUTELY.
561
00:26:41,470 --> 00:26:42,870
SURE.
562
00:26:42,910 --> 00:26:45,220
I’LL TELL HIM
WE WANT 4.
563
00:26:46,880 --> 00:26:48,680
THE BOYS WILL REALLY
APPRECIATE IT, DANNY.
564
00:26:48,710 --> 00:26:50,710
YOU KNOW WHAT?
I’LL GET A SCHEDULE,
LET ’EM PICK THE GAME.
565
00:26:50,750 --> 00:26:51,950
THANKS.
566
00:26:51,980 --> 00:26:53,050
SURE.
567
00:27:06,500 --> 00:27:07,840
I HAVE NO IDEA
WHAT’S GOIN’ ON.
568
00:27:07,870 --> 00:27:08,910
EVIDENTLY,
569
00:27:08,930 --> 00:27:10,370
SOMEONE’S LOOKING
TO RUIN YOUR LIFE.
570
00:27:10,400 --> 00:27:12,730
PLANTS DRUGS
IN YOUR GYM BAG,
SOME SON OF A BITCH.
571
00:27:12,770 --> 00:27:14,170
OH, MY GOD.
572
00:27:14,210 --> 00:27:15,980
WHAT IS IT?
573
00:27:16,010 --> 00:27:18,050
ALL RIGHT. ALL RIGHT.
574
00:27:18,080 --> 00:27:19,550
THE BIKE?
575
00:27:19,580 --> 00:27:21,480
IT HAS SOMETHING TO DO
WITH THE GREEN BIKE.
576
00:27:21,510 --> 00:27:23,140
MAYBE IT’LL COME TO HIM
AS WE DRIVE.
577
00:27:23,180 --> 00:27:24,880
I GET IT. I SEE
WHAT’S GOING ON.
578
00:27:24,920 --> 00:27:26,160
IT’S A FORMER OPERATOR.
579
00:27:26,180 --> 00:27:28,650
THAT BIKE RIGHT THERE
IS INVOLVED IN THIS.
580
00:27:28,690 --> 00:27:29,700
DO YOU NEED
TO SPILL NOW,
581
00:27:29,720 --> 00:27:31,320
OR CAN YOU
HOLD THE THOUGHT?
582
00:27:31,360 --> 00:27:33,430
I’M GOOD. I CAN HOLD IT.
583
00:27:34,790 --> 00:27:36,220
GOOD. HERE WE GO.
584
00:27:36,260 --> 00:27:38,430
SLIDE OVER.
585
00:27:48,370 --> 00:27:49,710
NO SECOND CHANCES.
586
00:27:49,740 --> 00:27:51,070
MESSENGER BEHAVES
INAPPROPRIATELY,
587
00:27:51,110 --> 00:27:52,110
HE’S GONE.
588
00:27:52,140 --> 00:27:53,440
THAT’S HARD AND FAST
WITH YOU?
589
00:27:53,480 --> 00:27:55,050
HE’S GONE. DOESN’T
WORK FOR ME ANYMORE.
590
00:27:55,080 --> 00:27:56,510
SO IT’S YOUR FEELING
591
00:27:56,550 --> 00:27:59,210
SOME DISGRUNTLED
FORMER EMPLOYEE
JACKED YOU UP...
592
00:27:59,250 --> 00:28:00,250
KENNY.
593
00:28:00,280 --> 00:28:01,220
KENNY.
594
00:28:01,250 --> 00:28:02,720
I CAN GIVE YOU
THE GUY’S NAME.
595
00:28:02,750 --> 00:28:04,020
N’TUNDI.
596
00:28:04,060 --> 00:28:05,630
N’TUNDI?
597
00:28:05,660 --> 00:28:07,100
LAST NAME?
598
00:28:07,130 --> 00:28:08,770
THAT IS HIS LAST NAME.
599
00:28:08,790 --> 00:28:10,390
FIRST NAME.
OBED.
600
00:28:10,430 --> 00:28:12,790
OBED N’TUNDI.
601
00:28:12,830 --> 00:28:14,400
Sipowicz:
WHAT IS THAT, SWISS?
602
00:28:14,430 --> 00:28:17,530
HE’S A NIGERIAN I FIRED
FOR SMOKING HEROIN.
603
00:28:17,570 --> 00:28:18,730
I DON’T KNOW
WHERE HE IS NOW.
604
00:28:18,770 --> 00:28:21,240
AND HE SWORE
VENGEANCE, OBED?
605
00:28:21,270 --> 00:28:23,240
PLANTS A HALF A KEY OF SMACK
IN YOUR GYM BAG.
606
00:28:23,270 --> 00:28:25,440
DEPENDING ON PURITY‐‐AND
GIVEN OBED’S EXTRACTION,
607
00:28:25,480 --> 00:28:27,390
I’M BETTING IT COULD
BE VERY PURE‐‐
608
00:28:27,410 --> 00:28:30,380
THAT COULD BE WORTH UPWARDS
OF A HUNDRED GRAND.
609
00:28:30,410 --> 00:28:31,710
WELL, I DON’T KNOW
WHAT IT’S WORTH.
610
00:28:31,750 --> 00:28:33,820
SO THAT MUST HAVE BEEN
SOME RESENTMENT
OBED HARBORED,
611
00:28:33,850 --> 00:28:35,120
BLOWIN’ THAT KIND
OF DOUGH.
612
00:28:35,150 --> 00:28:36,380
THE TWO OF YOU
HAVE HARSH WORDS?
613
00:28:36,420 --> 00:28:37,990
DID THAT UP THE ANTE?
614
00:28:38,020 --> 00:28:40,660
DID HE FEEL YOU GAVE HIM
FAULTY DIRECTIONS
615
00:28:40,690 --> 00:28:43,290
TO A DELIVERY DESTINATION?
616
00:28:43,330 --> 00:28:45,270
YOU GUYS
WANT ME, RIGHT?
617
00:28:45,300 --> 00:28:46,810
NO MATTER
WHAT THE TRUTH IS.
618
00:28:46,830 --> 00:28:48,400
YEAH. IF A GUY
LIKE THAT EXISTED,
619
00:28:48,430 --> 00:28:50,070
WE WOULDN’T WANT
TO COLLAR UP,
620
00:28:50,100 --> 00:28:52,000
MAYBE FLIP HIM
INTO GIVING US
621
00:28:52,040 --> 00:28:53,340
SOME INTERNATIONAL
IMPORT GROUP.
622
00:28:53,370 --> 00:28:55,070
YEAH. THEN YOU’RE
LOOKING AT PROMOTION,
623
00:28:55,110 --> 00:28:56,410
EVERY OTHER DAMN THING.
624
00:28:56,440 --> 00:28:58,940
WELL, I’M TELLING YOU,
HE PLANTED THAT HEROIN.
625
00:28:58,980 --> 00:29:00,520
OBED’S WHERE NOW,
KENNY?
626
00:29:00,550 --> 00:29:02,150
GUESSING‐‐MANITOBA?
627
00:29:02,180 --> 00:29:03,650
HEY, SCREW THIS.
628
00:29:03,680 --> 00:29:04,750
MIKE ROBERTS.
629
00:29:04,780 --> 00:29:06,820
THE WHOLE STORY,
AND YOU WALK.
630
00:29:06,850 --> 00:29:08,350
TRACK DOWN OBED
631
00:29:08,390 --> 00:29:10,000
AND CONFRONT HIM
WITH HIS BETRAYAL.
632
00:29:10,020 --> 00:29:11,690
[CLEARS THROAT]
633
00:29:11,720 --> 00:29:14,260
MIKE ROBERTS SECURITY?
634
00:29:14,290 --> 00:29:16,690
THAT...WORKED SECURITY
FOR MY DELIVERY SERVICE
635
00:29:16,730 --> 00:29:18,190
TILL I FOUND OUT
HE USED DRUGS?
636
00:29:19,560 --> 00:29:21,700
I MEAN, THAT’S, UH...
637
00:29:21,730 --> 00:29:23,260
THAT’S ALL I KNOW.
638
00:29:23,300 --> 00:29:25,700
KENNY, YOU’RE A GUPPY.
639
00:29:25,740 --> 00:29:27,380
YOU REALIZE
THE LUCK OF THAT?
640
00:29:27,410 --> 00:29:28,780
YOU’RE A GUPPY.
641
00:29:28,810 --> 00:29:30,450
YOU’RE HOLDING
20 YEARS OF WEIGHT.
642
00:29:30,470 --> 00:29:31,940
YOU’RE A GUPPY.
643
00:29:31,980 --> 00:29:33,320
EMBRACE YOUR GUPPYNESS.
644
00:29:35,480 --> 00:29:37,880
I MEAN...
645
00:29:37,920 --> 00:29:39,390
WHO DO YOU WANT?
646
00:29:39,420 --> 00:29:40,960
WHO HAVE YOU GOT,
KENNY?
647
00:29:40,990 --> 00:29:44,530
EVERYONE ROBERTS
RAN WITH.
648
00:29:44,560 --> 00:29:47,670
THE TRUTH IS,
HE WAS THE GUPPY.
649
00:29:47,690 --> 00:29:49,190
HE WORKED SECURITY.
650
00:29:49,230 --> 00:29:52,070
HE HAD A CLIENT WHO WAS
A VERY POWERFUL FREAK.
651
00:29:52,100 --> 00:29:53,400
JUNKIE?
652
00:29:53,430 --> 00:29:54,530
FREAK...
653
00:29:54,570 --> 00:29:55,710
FOR JUNKIES.
654
00:29:55,730 --> 00:29:56,730
Sorenson: ANY TYPE?
655
00:29:56,770 --> 00:29:58,570
JUNKIE HOOKERS.
656
00:29:58,600 --> 00:30:00,570
DEAD JUNKIE HOOKERS,
KENNY?
657
00:30:03,240 --> 00:30:07,340
SO YOU GUYS KNEW
WHERE THE CAB WAS GOIN’
ALL THE TIME.
658
00:30:07,380 --> 00:30:08,980
SAY THE NAME.
659
00:30:09,010 --> 00:30:11,180
MALCOLM CULLINAN.
660
00:30:15,020 --> 00:30:17,350
YOU GOT GOOD HYGIENE?
661
00:30:17,390 --> 00:30:19,320
UNTIL YOU TESTIFY,
YOU TWO LUCKY DUCKS
662
00:30:19,360 --> 00:30:21,630
GET TO SPEND SOME TIME
TOGETHER IN A MOTEL.
663
00:30:24,530 --> 00:30:27,830
EPSOM SALTS
AND COFFEE GROUNDS?
664
00:30:27,870 --> 00:30:30,180
I THINK PROBABLY
EITHER/OR, AND‐‐
665
00:30:30,200 --> 00:30:31,430
HI, ANDY.
666
00:30:31,470 --> 00:30:32,500
HI.
667
00:30:32,540 --> 00:30:33,610
HE GARDENS ALSO.
668
00:30:33,640 --> 00:30:35,170
WE WERE SHARING
OUR SECRETS.
669
00:30:35,210 --> 00:30:37,280
BRINGING BLOOM
OUT OF OUR ROSES.
670
00:30:37,310 --> 00:30:41,840
THIS IS MY PARTNER
DANNY SORENSON.
KATIE, MY EX‐WIFE.
671
00:30:41,880 --> 00:30:43,950
HOW DO YOU DO, DANNY?
672
00:30:43,980 --> 00:30:46,010
HOW DO YOU DO?
673
00:30:46,050 --> 00:30:47,780
[SIPOWICZ CLEARS THROAT]
674
00:30:47,820 --> 00:30:49,590
ANYWAYS, COME ON.
WE CAN TALK IN HERE.
675
00:30:49,620 --> 00:30:52,520
ANDY, MOTEL MONEY
FROM THE D. A.’s
OFFICE?
676
00:30:52,560 --> 00:30:55,370
SAVE US A BALL‐BREAKING.
GET IT FROM
THE CHIEF OF DETECTIVES.
677
00:30:55,390 --> 00:30:56,390
LIEUTENANT FANCY’S
UPSTAIRS IN ROBBERY.
678
00:30:56,430 --> 00:30:57,540
THEN HE’S LEAVING
FOR THE DAY.
679
00:30:57,560 --> 00:30:59,060
THANKS, JOHN.
680
00:31:09,570 --> 00:31:12,140
I HEARD SOMETHING
IN YOUR VOICE, ANDY,
WHEN YOU CALLED.
681
00:31:12,180 --> 00:31:14,920
I GUESS WHAT YOU HEARD
DIDN’T INCLUDE THE WORDS
COMING OUT OF MY MOUTH.
682
00:31:14,950 --> 00:31:18,620
I HEARD SOMETHING,
AND I CHECKED MY INTUITION
AFTERWARDS BY PRAYER.
683
00:31:18,650 --> 00:31:20,250
KATIE, THIS HAS GOTTA STOP.
684
00:31:22,250 --> 00:31:23,950
AFTER GOD TELLS YOU
WHAT TO DO,
685
00:31:23,990 --> 00:31:26,890
IF I’M INVOLVED
IN THE MESSAGE,
YOU CHECK BACK WITH ME.
686
00:31:26,930 --> 00:31:29,400
SO MANY PEOPLE,
WHEN THEY’RE
SEEKING COUNSEL,
687
00:31:29,430 --> 00:31:30,640
SAY IT’S NOT
FOR THEMSELVES.
688
00:31:30,660 --> 00:31:32,430
I BROUGHT YOU
TO THAT PROGRAM.
689
00:31:32,460 --> 00:31:34,900
WHERE DO YOU GET OFF
WORKING ON ME?
690
00:31:34,930 --> 00:31:36,330
I’M NOT WORKING ON YOU.
691
00:31:36,370 --> 00:31:39,650
BY YOUR OWN ACCOUNT,
YOU DON’T PARTICIPATE
VERY MUCH,
692
00:31:39,670 --> 00:31:41,570
AND I THOUGHT MAYBE
YOU WERE REACHING OUT
693
00:31:41,610 --> 00:31:43,250
TO BE HELPED
IN THIS AREA.
694
00:31:43,270 --> 00:31:45,910
KATIE, THAT SOMEONE ELSE‐‐
THAT’S A REAL PERSON
695
00:31:45,940 --> 00:31:48,140
THAT I WAS REALLY LOOKING
FOR SOMEONE TO TALK TO HIM.
696
00:31:48,180 --> 00:31:50,410
THAT MAN
FROM THE MEETING?
697
00:31:50,450 --> 00:31:51,980
THE BLACK COP‐‐DORNAN.
698
00:31:52,020 --> 00:31:54,490
IF YOU WEREN’T SO BUSY
FLAPPIN’ YOUR ANGEL’S WINGS,
699
00:31:54,520 --> 00:31:56,420
YOU’D HAVE REALIZED
THAT HE’S THE SUBJECT
700
00:31:56,450 --> 00:31:58,720
INSTEAD OF RUNNIN’
TO BOTHER ME.
701
00:32:01,160 --> 00:32:04,390
I DON’T MEAN "BOTHERING" ME.
702
00:32:08,130 --> 00:32:11,270
I DON’T THINK
I’M AN ANGEL.
703
00:32:11,300 --> 00:32:14,440
I JUST FEEL LIKE I’VE
GOTTEN MY LIFE BACK.
704
00:32:14,470 --> 00:32:17,710
KATIE, I’M GLAD.
705
00:32:21,250 --> 00:32:25,020
I BROUGHT A PHONE LIST
FROM THE MEETING.
706
00:32:25,050 --> 00:32:27,450
THINKING THAT I WANTED PEOPLE
TO CALL MYSELF.
707
00:32:27,490 --> 00:32:28,990
I’VE LEARNED
SO MANY TIMES
708
00:32:29,020 --> 00:32:31,550
WHAT WE THINK
AND WHAT GOD INTENDS
THROUGH US
709
00:32:31,590 --> 00:32:33,490
IS SO DIFFERENT.
710
00:32:33,520 --> 00:32:36,860
HE MADE SURE I GOT THIS
FOR YOUR FRIEND‐‐
711
00:32:36,900 --> 00:32:38,470
HE’S NOT MY FRIEND.
712
00:32:38,500 --> 00:32:41,110
EVEN THOUGH
I MISUNDERSTOOD.
713
00:32:48,170 --> 00:32:49,470
DO YOU WANT ME
TO TAKE YOU TONIGHT?
714
00:32:49,510 --> 00:32:51,250
IT’S OK, ANDY.
715
00:32:51,280 --> 00:32:53,450
ONLY IF YOU’LL BE
GOING YOURSELF.
716
00:33:09,890 --> 00:33:11,360
BOSS?
717
00:33:11,400 --> 00:33:13,870
WHAT IS IT?
718
00:33:13,900 --> 00:33:16,060
UM, I WAS‐‐I WAS, UH,
LOOKING FOR YOU
719
00:33:16,100 --> 00:33:17,700
IN THE ROBBERY SQUAD.
720
00:33:17,740 --> 00:33:19,180
WHAT DO YOU NEED?
721
00:33:19,200 --> 00:33:22,240
ANDY AND ME WERE WONDERING
WHETHER OR NOT
722
00:33:22,270 --> 00:33:24,670
YOU’D REACH OUT
TO THE CHIEF OF Ds
FOR MOTEL MONEY.
723
00:33:24,710 --> 00:33:26,170
YOU TURN THAT DEALER?
724
00:33:26,210 --> 00:33:27,540
ON HIS ASS, BOSS.
725
00:33:27,580 --> 00:33:29,910
PUTS HIS DOPE
IN CULLINAN’S POCKET.
726
00:33:38,060 --> 00:33:41,870
ANDY AND I WERE
TALKING ABOUT SOMEBODY
WITH A DRINKING PROBLEM.
727
00:33:41,890 --> 00:33:43,590
[STIFLING TEARS]
728
00:33:43,630 --> 00:33:46,390
AND IT REMINDED ME
OF SOMEBODY
IN MY FAMILY...
729
00:33:48,430 --> 00:33:50,200
AND THAT’S WHY
I’M IN HERE.
730
00:33:50,230 --> 00:33:52,570
NO RUSH CALLING
THE CHIEF OF DETECTIVES.
731
00:33:54,640 --> 00:33:56,170
I COULDN’T HELP HIM.
732
00:33:58,740 --> 00:34:02,210
HE DIED ON THE STREET
AND SO FORTH.
733
00:34:02,250 --> 00:34:04,320
YEAH, HUH?
734
00:34:04,350 --> 00:34:06,650
HE DIED...
735
00:34:06,690 --> 00:34:07,790
YOU KNOW...
736
00:34:07,820 --> 00:34:10,590
HE DIED HELPLESS.
737
00:34:12,090 --> 00:34:14,790
YOU COULDN’T HELP HIM.
738
00:34:14,830 --> 00:34:18,740
YOU CAN’T HELP SOMEBODY
LIKE THAT.
739
00:34:18,760 --> 00:34:20,330
IT DON’T MAKE
THE PAIN LESS.
740
00:34:20,360 --> 00:34:22,600
NO.
741
00:34:23,640 --> 00:34:25,640
YOU WISH YOU COULD HELP.
742
00:34:27,310 --> 00:34:30,250
BUT THAT’S SOMETHING
YOU HAVE TO LEARN
FROM LIFE.
743
00:34:30,270 --> 00:34:32,440
YOU HAVE TO LEARN TO...
744
00:34:38,780 --> 00:34:39,980
I WON’T TELL ANYBODY.
745
00:34:41,290 --> 00:34:43,430
THANK YOU, DANNY.
746
00:34:43,450 --> 00:34:48,620
[CRYING]
747
00:35:02,510 --> 00:35:03,980
HEY.
748
00:35:04,010 --> 00:35:05,210
HEY.
749
00:35:07,850 --> 00:35:09,960
SORENSON INVITED THE BOYS
TO SEE THE METS.
750
00:35:09,980 --> 00:35:11,480
OH, THAT’S NICE.
751
00:35:11,520 --> 00:35:13,760
YEAH. HE SAID
HE HAS A FRIEND
WHO GETS TICKETS.
752
00:35:15,350 --> 00:35:18,520
I WENT AHEAD
AND ASKED IF I
COULD COME, TOO.
753
00:35:18,560 --> 00:35:19,530
OH, YEAH?
754
00:35:19,560 --> 00:35:20,960
YEAH.
755
00:35:20,990 --> 00:35:24,530
I HEARD THOSE VERY WORDS
COME FROM THIS MOUTH.
756
00:35:24,560 --> 00:35:27,030
AND, UM, WHAT WORDS
CAME FROM HIS?
757
00:35:27,070 --> 00:35:28,640
OH, HE SAID, UH...
"SURE."
758
00:35:28,670 --> 00:35:29,710
SOMETHING LIKE THAT.
759
00:35:29,730 --> 00:35:31,100
SO...GOOD.
760
00:35:32,540 --> 00:35:35,850
THERE STILL MIGHT BE
LAWS AGAINST THAT
IN SEVERAL STATES.
761
00:35:35,870 --> 00:35:39,510
YOU’RE A COUPLE YEARS
OLDER THAN HE IS.
762
00:35:39,540 --> 00:35:41,510
ANYWAYS, THE MAGAZINES
SAY IT’S OK,
763
00:35:41,550 --> 00:35:43,720
WHICH IS HOW
I’VE ALWAYS TRIED
TO GUIDE MY BEHAVIOR.
764
00:35:43,750 --> 00:35:46,950
WELL, YOU CAN’T GO WRONG
DOING THAT.
765
00:35:51,390 --> 00:35:54,390
COHEN REACHED OUT
ON MAKING UP WITH YOU.
766
00:35:54,430 --> 00:35:56,370
HUH. DID YOU TELL HIM
TO STAY HOSTILE
767
00:35:56,390 --> 00:35:58,330
AND KEEP BELITTLING
MY JOB PERFORMANCE?
768
00:35:58,360 --> 00:36:01,630
YEAH. I TOLD HIM
THAT WAS THE SHORTCUT
TO YOUR HEART.
769
00:36:07,940 --> 00:36:10,940
SO HERE’S YOUR
OPPORTUNITY SHOWING ME.
770
00:36:12,910 --> 00:36:14,380
WOULD YOU EXCUSE US?
771
00:36:14,410 --> 00:36:16,080
YES,
WITH REMINDING YOU‐‐
772
00:36:16,110 --> 00:36:17,680
GO BELLIGERENT
ON HER AGAIN,
773
00:36:17,720 --> 00:36:19,560
AND WE WILL ALL
TAKE THAT PERSONALLY.
774
00:36:19,580 --> 00:36:20,920
I UNDERSTAND.
775
00:36:20,950 --> 00:36:23,080
IF YOU DON’T NOW,
YOU WILL RIGHT AFTER
YOU DO IT.
776
00:36:31,300 --> 00:36:32,300
HI.
777
00:36:32,330 --> 00:36:33,530
HI.
778
00:36:33,570 --> 00:36:35,770
DO YOU MIND IF WE TALK
IN THE COFFEE ROOM?
779
00:36:35,800 --> 00:36:37,570
UM...
780
00:36:37,600 --> 00:36:39,640
LET’S TALK HERE.
781
00:36:39,670 --> 00:36:43,440
UH, THIS ISN’T ABOUT
THE CASE, JILL.
782
00:36:43,470 --> 00:36:45,810
LET’S‐‐
LET’S DO IT HERE.
783
00:36:47,610 --> 00:36:49,440
IS HE SQUEEZIN’
HER SHOES?
784
00:36:49,480 --> 00:36:50,880
NO.
785
00:36:50,920 --> 00:36:54,530
I ASKED HER KIDS
TO A BALL GAME.
786
00:36:56,320 --> 00:36:59,920
MY BEHAVIOR’S SOMETHING
THAT CAME OVER ME.
787
00:36:59,960 --> 00:37:01,460
CAN YOU UNDERSTAND THAT?
788
00:37:01,490 --> 00:37:03,220
YEAH, I CAN
UNDERSTAND IT.
789
00:37:03,260 --> 00:37:05,460
I APOLOGIZE FOR IT.
790
00:37:05,500 --> 00:37:06,740
SINCERELY.
791
00:37:06,770 --> 00:37:09,140
NOW YOU’RE GONNA
SIGN YOUR NAME?
792
00:37:09,170 --> 00:37:10,140
YES.
793
00:37:10,170 --> 00:37:12,130
SINCERELY YOURS,
LEO COHEN.
794
00:37:19,180 --> 00:37:20,690
I CAN UNDERSTAND
795
00:37:20,710 --> 00:37:22,980
SOMEONE REACTING
THE WAY YOU DID, LEO.
796
00:37:23,010 --> 00:37:25,450
IF WE’D HAD
A BIG RELATIONSHIP,
797
00:37:25,480 --> 00:37:28,180
I MIGHT...
TRY TO HELP YOU
THROUGH IT.
798
00:37:29,550 --> 00:37:33,290
BUT WE HAVEN’T
HAD THAT KIND
OF RELATIONSHIP...
799
00:37:33,320 --> 00:37:36,830
AND I’M TRYING
TO RAISE 2 KIDS
OF MY OWN.
800
00:37:36,860 --> 00:37:39,030
KIDS DON’T GET JEALOUS
THE WAY I WAS.
801
00:37:39,060 --> 00:37:41,460
KIDS ARE THE ONES
WHO DO.
802
00:37:47,840 --> 00:37:49,870
CAN WE DO THIS
NICELY?
803
00:37:51,540 --> 00:37:53,340
YEAH, OK.
804
00:37:58,750 --> 00:38:02,220
DON’T WORRY THAT
I’LL MAKE IT TOUGH
FOR YOU ON THE CASE.
805
00:38:08,190 --> 00:38:09,360
GOOD NIGHT.
806
00:38:13,770 --> 00:38:16,640
I SHOULDN’T CHASE HIM DOWN,
TELL HIM ABOUT KENNY PRIEST.
807
00:38:16,670 --> 00:38:18,670
SPARE ME HEARING
50 PROCEDURAL DEFECTS
808
00:38:18,700 --> 00:38:20,500
HOW WE WENT AFTER
THIS PRICK,
809
00:38:20,540 --> 00:38:22,970
WHY WE CAN’T USE HIM
AGAINST CULLINAN.
810
00:38:23,010 --> 00:38:25,350
I DON’T THINK HE’S
GONNA BE BREAKIN’ BALLS
811
00:38:25,380 --> 00:38:26,890
IN THE INVESTIGATION
ANYMORE.
812
00:38:26,910 --> 00:38:27,980
BECAUSE?
813
00:38:28,010 --> 00:38:30,250
YOU DIDN’T ASK
THIS CREEP NO FAVORS?
814
00:38:30,280 --> 00:38:31,680
NO.
815
00:38:31,720 --> 00:38:34,260
UH...I DON’T THINK
HE’S GONNA STAY ON THE CASE.
816
00:38:36,720 --> 00:38:37,890
SEE YA.
817
00:38:39,760 --> 00:38:42,190
GOOD NIGHT.
818
00:38:42,230 --> 00:38:44,700
AGAIN, ABOUT
DOLORES’ FATHER...
819
00:38:44,730 --> 00:38:46,160
HEY, JOHN...
820
00:38:46,200 --> 00:38:47,570
TOMORROW’S ANOTHER DAY.
821
00:38:50,400 --> 00:38:52,930
HOW’D SHE TAKE THAT,
INVITING HER KIDS?
822
00:38:52,970 --> 00:38:55,370
WAS SHE...ENTHUSED?
823
00:38:55,410 --> 00:38:57,220
YEAH.
824
00:38:57,240 --> 00:39:00,380
[TELEPHONE RINGS]
825
00:39:00,410 --> 00:39:01,540
15th SQUAD.
826
00:39:01,580 --> 00:39:02,780
I GOTTA DO SOMETHING.
827
00:39:02,810 --> 00:39:04,110
GOOD NIGHT, ANDY.
828
00:39:04,150 --> 00:39:06,550
YEAH, GOOD NIGHT.
829
00:39:06,590 --> 00:39:08,590
I’D LEAVE THROUGH THE JOHN
830
00:39:08,620 --> 00:39:10,390
SO HE DON’T HAVE TO
APOLOGIZE,
831
00:39:10,420 --> 00:39:11,590
BUT MY COAT’S OVER THERE.
832
00:39:15,260 --> 00:39:16,730
OH‐‐
GOOD NIGHT.
833
00:39:16,760 --> 00:39:18,260
DON’T WORRY ABOUT NOTHIN’.
834
00:39:25,070 --> 00:39:27,970
I’LL, UH, CALL
THE CHIEF OF DETECTIVES,
835
00:39:28,010 --> 00:39:29,750
GET YOUR MOTEL
AUTHORIZATION.
836
00:39:29,770 --> 00:39:32,010
YEAH. THANKS.
837
00:39:36,450 --> 00:39:38,260
I GOT A LIST
FROM MY EX‐WIFE.
838
00:39:38,280 --> 00:39:41,220
PEOPLE WHO MIGHT
TALK TO DORNAN.
839
00:39:41,250 --> 00:39:42,650
YEAH.
840
00:39:42,690 --> 00:39:44,630
’CAUSE I CAN’T HELP.
841
00:39:46,120 --> 00:39:48,120
I CALL FROM OUTSIDE
THE OFFICE.
842
00:39:50,800 --> 00:39:52,840
YOU CAN CALL
FROM MY OFFICE IF YOU WANT.
843
00:39:55,300 --> 00:39:57,400
CALL HIM FROM IN THERE?
844
00:39:57,440 --> 00:40:01,180
OR I CAN TRY
TO TALK TO HIM AGAIN.
845
00:40:03,980 --> 00:40:05,520
AS FAR AS THAT GOES,
846
00:40:05,540 --> 00:40:07,880
I COULD TRY
TO TALK TO HIM AGAIN.
847
00:40:19,990 --> 00:40:23,190
THE CHIEF OF Ds
AND THEN SOME
PERSONAL CALLS.
848
00:40:29,070 --> 00:40:30,810
CHIEF OF Ds.
849
00:40:30,840 --> 00:40:33,010
GET THAT OUT OF THE WAY.
850
00:40:35,510 --> 00:40:37,350
[CLEARS THROAT]
851
00:40:37,380 --> 00:40:39,050
JILL, UH...
852
00:40:39,080 --> 00:40:40,820
JILL TOLD ME
YOU’RE TAKING HER, TOO.
853
00:40:40,850 --> 00:40:41,850
THAT’S REALLY NICE.
854
00:40:41,880 --> 00:40:43,140
YEAH.
855
00:40:43,180 --> 00:40:44,310
YOU KNOW,
IT’S JUST...
856
00:40:44,350 --> 00:40:46,150
ONE EXTRA TICKET.
857
00:40:59,900 --> 00:41:03,900
WHAT WAS IN OUR LUNCH,
THINKING HE WOULDN’T BE
GONE ALREADY?
858
00:41:03,940 --> 00:41:05,340
I’LL AUTHORIZE
THE MOTEL.
859
00:41:05,370 --> 00:41:06,900
[CLEARS THROAT]
860
00:41:06,940 --> 00:41:08,370
DORNAN.
861
00:41:08,410 --> 00:41:10,380
OH.
862
00:41:25,290 --> 00:41:26,520
[CLEARS THROAT]
863
00:41:28,560 --> 00:41:30,390
GET ON IF YOU WANT.
864
00:41:40,240 --> 00:41:41,200
NO ANSWER.
865
00:41:41,240 --> 00:41:42,270
NO.
866
00:41:42,310 --> 00:41:44,380
ANSWERING MACHINE’S
NOT ON.
867
00:41:44,410 --> 00:41:45,940
MM‐MMM.
868
00:41:47,550 --> 00:41:48,620
YOU KNOW WHAT?
869
00:41:48,650 --> 00:41:49,690
I GOT HIS BEEPER.
870
00:41:49,710 --> 00:41:50,750
CALL HIS BEEPER.
871
00:41:50,780 --> 00:41:52,280
LET ME CALL THAT.
872
00:41:59,220 --> 00:42:00,720
YOU LEAVING THE NUMBER
OF THE SQUAD?
873
00:42:00,760 --> 00:42:01,920
YEAH.
874
00:42:04,130 --> 00:42:06,060
[HANGS UP]
875
00:42:06,100 --> 00:42:07,710
WE’LL WAIT, THAT’S ALL.
876
00:42:07,730 --> 00:42:09,730
YEAH.
877
00:42:11,600 --> 00:42:13,470
WON’T GO HUNT
IN EVERY BOROUGH.
878
00:42:18,280 --> 00:42:20,250
HE WANTS TO CALL,
WE’RE HERE.
879
00:42:20,280 --> 00:42:22,080
YEAH.
880
00:42:30,620 --> 00:42:33,250
I’LL TELL THE KID
HE’S OK FOR THE MOTEL.
881
00:42:33,290 --> 00:42:34,560
BUT THEN YOU’RE
COMING BACK, RIGHT?
882
00:42:34,590 --> 00:42:36,060
YEAH. I’LL TELL HIM,
THEN I’LL COME BACK
883
00:42:36,090 --> 00:42:37,090
AND WAIT WITH YOU.
884
00:42:37,130 --> 00:42:39,530
OK.
62924
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.