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These are the user uploaded subtitles that are being translated: 1 00:00:14,420 --> 00:00:18,520 ABANDON YOURSELF TO GOD AS YOU UNDERSTAND GOD. 2 00:00:18,560 --> 00:00:21,200 ADMIT YOUR FAULTS TO HIM AND TO YOUR FELLOWS. 3 00:00:21,230 --> 00:00:23,900 CLEAR AWAY THE WRECKAGE OF YOUR PAST. 4 00:00:23,930 --> 00:00:25,560 GIVE FREELY OF WHAT YOU FIND 5 00:00:25,600 --> 00:00:27,640 AND JOIN US. 6 00:00:27,670 --> 00:00:30,580 WE SHALL BE WITH YOU IN THE FELLOWSHIP OF THE SPIRIT, 7 00:00:30,600 --> 00:00:32,530 AND YOU WILL SURELY MEET SOME OF US 8 00:00:32,570 --> 00:00:35,140 AS YOU TRUDGE THE ROAD OF HAPPY DESTINY. 9 00:00:35,170 --> 00:00:39,910 MAY GOD BLESS YOU AND KEEP YOU UNTIL THEN. 10 00:00:39,940 --> 00:00:41,080 THANKS, KATIE. 11 00:00:42,350 --> 00:00:43,720 AFTER A MOMENT OF SILENT MEDITATION 12 00:00:43,750 --> 00:00:45,450 FOR THE ALCOHOLIC WHO STILL SUFFERS, 13 00:00:45,480 --> 00:00:49,250 WILL, UM, MICHAEL LEAD US IN THE SERENITY PRAYER? 14 00:00:54,160 --> 00:00:56,360 [TAP TAP] 15 00:01:02,970 --> 00:01:04,340 Michael: GOD... 16 00:01:04,370 --> 00:01:05,300 All: GOD... 17 00:01:05,340 --> 00:01:07,010 GRANT ME THE SERENITY 18 00:01:07,040 --> 00:01:09,400 TO ACCEPT THE THINGS I CANNOT CHANGE, 19 00:01:09,440 --> 00:01:11,840 THE COURAGE TO CHANGE THE THINGS I CAN, 20 00:01:11,880 --> 00:01:15,150 AND THE WISDOM TO KNOW THE DIFFERENCE. 21 00:01:15,180 --> 00:01:17,250 AMEN. 22 00:01:17,280 --> 00:01:19,010 GREAT JOB. THANKS. 23 00:01:20,450 --> 00:01:22,750 THAT WAS A GREAT MEETING. IS THAT YOUR WIFE? 24 00:01:22,790 --> 00:01:24,430 NO, SHE‐‐ 25 00:01:24,460 --> 00:01:26,100 WHAT DIFFERENCE DOES IT MAKE? 26 00:01:26,120 --> 00:01:27,660 NOTHING. I JUST... 27 00:01:27,690 --> 00:01:31,090 SEEN THE TWO OF YOU AT A COUPLE MEETINGS. 28 00:01:31,130 --> 00:01:33,090 ANYWAY, MY NAME’S MICHAEL. 29 00:01:33,130 --> 00:01:35,200 ANDY. HAVE A GOOD WEEK TILL THE NEXT MEETING. 30 00:01:36,530 --> 00:01:39,600 I’M SO GLAD I BROUGHT MY GLASSES. 31 00:01:39,640 --> 00:01:42,270 I’M DEFINITELY GONNA RAISE MY HAND TO SHARE NEXT TIME, 32 00:01:42,310 --> 00:01:45,280 AND NOT WHEN IT’S GETTING TOWARD THE END EITHER. 33 00:01:45,310 --> 00:01:46,710 Woman: EXCUSE ME. 34 00:01:46,750 --> 00:01:49,790 WHY THE HELL DON’T YOU GET YOUR TIMES RIGHT? 35 00:01:49,810 --> 00:01:51,610 CENTRAL OFFICE GAVE YOU A WRONG TIME? 36 00:01:51,650 --> 00:01:53,950 WHAT? ANYWAY, THERE’S A MEETING 12 BLOCKS OVER. 37 00:01:53,990 --> 00:01:55,290 I’LL TAKE YOU THERE. 38 00:01:55,320 --> 00:01:57,190 NO, NO, NO. THE HELL WITH THE MEETING. 39 00:01:57,220 --> 00:01:59,820 YOU WANT TO GET A CUP OF COFFEE? MY NAME’S HUBERT. 40 00:01:59,860 --> 00:02:01,620 I KNOW THIS GUY. 41 00:02:01,660 --> 00:02:04,190 HI, I’M HUBERT. 42 00:02:04,230 --> 00:02:06,490 ANDY. 43 00:02:06,530 --> 00:02:07,960 YOU WANT TO GO SOMEWHERE AND TALK? 44 00:02:08,000 --> 00:02:10,970 NOT TO YOU. 45 00:02:11,000 --> 00:02:14,870 COME ON, WE’LL HAVE A BROKEN‐DOWN COPS SPECIAL SESSION. 46 00:02:14,910 --> 00:02:17,980 WELL, SINCE I AIN’T A COP NO MORE, 47 00:02:18,010 --> 00:02:19,840 I GUESS I DON’T QUALIFY. 48 00:02:25,420 --> 00:02:28,490 YOU KNOW HIM FROM WORK, ANDY? 49 00:02:28,520 --> 00:02:29,690 HE DID ME A FAVOR. 50 00:02:29,720 --> 00:02:32,550 HE COULD USE GOD’S HELP NOW. 51 00:02:32,590 --> 00:02:34,090 SHORT‐TERM HE OUGHT TO SETTLE 52 00:02:34,130 --> 00:02:35,700 FOR GETTING HIS HEAD OUT OF HIS ASS. 53 00:02:35,730 --> 00:02:36,770 LANGUAGE. 54 00:02:36,800 --> 00:02:38,740 COME ON, KATIE. 55 00:03:56,540 --> 00:03:57,740 MORNING. 56 00:03:57,780 --> 00:03:58,920 YEAH. GOOD MORNING. 57 00:03:58,940 --> 00:03:59,980 MORNING, ANDY. 58 00:04:00,010 --> 00:04:01,140 HOW’S IT GOING? 59 00:04:01,180 --> 00:04:03,410 WHAT’D THEY DO AT CULLINAN’S ARRAIGNMENT? 60 00:04:03,450 --> 00:04:06,260 UH, CRIMINAL POSSESSION. $150,000 BOND. 61 00:04:06,280 --> 00:04:07,820 WHAT THE HELL’S THAT SUPPOSED TO ACCOMPLISH? 62 00:04:07,850 --> 00:04:09,180 THAT’S METER MONEY TO THIS ASSHOLE. 63 00:04:09,220 --> 00:04:10,420 MORNING. 64 00:04:10,450 --> 00:04:12,120 YEAH. GOOD MORNING. 65 00:04:15,830 --> 00:04:17,700 JUDGE WOULD ONLY GO 150, HUH? 66 00:04:17,730 --> 00:04:19,090 YEAH. 67 00:04:19,130 --> 00:04:21,030 THAT’LL DEFINITELY DETER FLIGHT. 68 00:04:21,070 --> 00:04:22,770 WHY WOULD CULLINAN WANT TO FLEE? 69 00:04:22,800 --> 00:04:24,730 IF I WERE HIM, I’D BE DYING TO GO TO BAT. 70 00:04:26,140 --> 00:04:28,180 WHAT THE HELL’S THAT SUPPOSED TO MEAN? 71 00:04:29,810 --> 00:04:31,670 150,000, HUH? 72 00:04:31,710 --> 00:04:33,270 NO RECORD AND ROOTS IN THE COMMUNITY. 73 00:04:33,310 --> 00:04:35,140 CULLINAN REPRESENTS ZERO FLIGHT RISK. 74 00:04:35,180 --> 00:04:36,610 I’M LUCKY I GOT THE 150. 75 00:04:36,650 --> 00:04:39,380 HE IS BEING INVESTIGATED FOR ATTEMPTED MURDER. 76 00:04:39,420 --> 00:04:41,090 YOU WANT TO BRING YOUR DETECTIVES IN? 77 00:04:42,590 --> 00:04:47,070 EVERYBODY, MY OFFICE. 78 00:04:47,090 --> 00:04:48,820 HE TALKS TO ME AGAIN LIKE MY SCHOOL PRINCIPAL, 79 00:04:48,860 --> 00:04:50,960 HE’S GETTING PUNCHED IN HIS LARGE NOSE. 80 00:04:51,000 --> 00:04:54,140 IF YOU PLAN ON THIS LASTING MORE THAN 5 OR 10 SECONDS, 81 00:04:54,170 --> 00:04:55,970 YOU WANT TO DO A LITTLE ATTITUDE CHECK. 82 00:04:56,000 --> 00:04:57,630 MY PROBLEM IS, I’VE BEEN LOOKING AT THE TAPES 83 00:04:57,670 --> 00:04:58,730 FROM THAT APARTMENT. 84 00:04:58,770 --> 00:05:00,640 WHY ARE THE TAPES A PROBLEM? 85 00:05:00,670 --> 00:05:02,840 YOU TELLING CULLINAN HE’S THE VICTIM IN THE OPERATION 86 00:05:02,870 --> 00:05:04,510 AFTER HE ACCUSES YOU OF A POLICE VENDETTA 87 00:05:04,540 --> 00:05:06,540 KIND OF GIVES ME A PROBLEM. 88 00:05:06,580 --> 00:05:07,980 SHE WAS BEING SARCASTIC. 89 00:05:08,010 --> 00:05:09,140 GOOD. WE’LL DO VOIR DIRE 90 00:05:09,180 --> 00:05:10,750 ON PROSPECTIVE JURORS’ UNDERSTANDING OF IRONY. 91 00:05:10,780 --> 00:05:12,180 ANYONE WATCHING THAT TAPE 92 00:05:12,220 --> 00:05:13,930 KNOWS JILL WAS BREAKING BALLS. 93 00:05:13,950 --> 00:05:15,520 SHE’S BREAKING BALLS 94 00:05:15,550 --> 00:05:17,350 JUST AFTER SIPOWICZ THREATENS TO FRACTURE CULLINAN’S SKULL. 95 00:05:17,390 --> 00:05:19,150 COME ON, COHEN. APPREHEND A SUSPECT, 96 00:05:19,190 --> 00:05:21,260 YOU INTIMIDATE SO AS NOT TO USE FORCE. 97 00:05:21,290 --> 00:05:23,690 GRATEFUL AS I AM BEING EDIFIED BY MINDS OF YOUR CALIBER 98 00:05:23,730 --> 00:05:26,060 ABOUT THE LEGAL STRENGTHS AND WEAKNESSES OF MY CASE, 99 00:05:26,100 --> 00:05:27,740 I’M ACTUALLY HERE TO SUGGEST AN AREA 100 00:05:27,770 --> 00:05:29,780 OF INVESTIGATIVE FOCUS. 101 00:05:29,800 --> 00:05:33,530 AND WHAT WOULD THAT BE, O BIG‐SYLLABLE DOUCHE BAG? 102 00:05:33,570 --> 00:05:35,670 IF YOU WANT ANYTHING MORE THAN CRIMINAL POSSESSION TO STAND, 103 00:05:35,710 --> 00:05:38,120 YOU’RE GONNA HAVE TO LINK THE DOPE THAT KILLED DOLORES MAYO 104 00:05:38,140 --> 00:05:40,180 WITH WHAT CULLINAN TRIED TO MAKE HER TAKE. 105 00:05:40,210 --> 00:05:42,580 THAT WOULD BE ME, DETECTIVE KIRKENDALL. 106 00:05:42,610 --> 00:05:44,950 IT’S NOT ATTEMPTED MURDER 107 00:05:44,980 --> 00:05:46,510 UNLESS CULLINAN KNOWS THE DOSE IS LETHAL. 108 00:05:46,550 --> 00:05:47,780 YOU ONLY ESTABLISH THAT 109 00:05:47,820 --> 00:05:49,850 BY SHOWING HE HAD REASONABLE EXPECTATION 110 00:05:49,890 --> 00:05:53,250 BASED ON THE FIRST GIRL DYING THAT SHE MIGHT DIE, 111 00:05:53,290 --> 00:05:55,020 WHICH REQUIRES PREDICATE KNOWLEDGE ON CULLINAN’S PART 112 00:05:55,060 --> 00:05:56,630 THAT THE DRUGS WERE THE SAME. 113 00:05:56,660 --> 00:05:57,930 YOU’RE TALKING ABOUT THE PURITY, 114 00:05:57,960 --> 00:05:59,360 NOT THAT IT WAS JUST HEROIN. 115 00:05:59,400 --> 00:06:01,610 YES, IN ONE SYLLABLE. 116 00:06:01,630 --> 00:06:03,260 THIS’LL BE THE FIRST CASE IN HISTORY 117 00:06:03,300 --> 00:06:04,700 PROSECUTED BY AN 8‐YEAR‐OLD. 118 00:06:04,740 --> 00:06:07,550 CASTRATE AN ADULT, HE TENDS TO SOUND LIKE A CHILD. 119 00:06:07,570 --> 00:06:09,840 NO ONE CASTRATED YOU, ASSHOLE. 120 00:06:16,080 --> 00:06:18,150 I CAN’T WIN PUTTING MY TOXICOLOGIST ON 121 00:06:18,180 --> 00:06:19,480 AGAINST SINCLAIR’S. 122 00:06:19,520 --> 00:06:21,630 YOU NEED TO FIND YOUR FLOPPED COP’S HEROIN SOURCE‐‐ 123 00:06:21,650 --> 00:06:22,950 ROBERTS. 124 00:06:22,990 --> 00:06:26,000 ROBERTS BEING THE FLOPPED COP, NOW DEAD. CORRECT. 125 00:06:26,020 --> 00:06:27,560 ROBERTS ACKNOWLEDGED PROVIDING THE SMACK 126 00:06:27,590 --> 00:06:29,060 CULLINAN GAVE DOLORES MAYO. 127 00:06:29,090 --> 00:06:31,060 I NEED ROBERTS’ SOURCE ON THE STAND 128 00:06:31,100 --> 00:06:33,670 SAYING THAT SMACK AND WHAT CULLINAN USED 2 NIGHTS AGO 129 00:06:33,700 --> 00:06:35,560 CAME FROM THE SAME GLASSINE BAG. 130 00:06:35,600 --> 00:06:36,900 ALTERNATIVELY, 131 00:06:36,940 --> 00:06:39,750 MAKE THE CASE IT WAS CULLINAN BOUGHT ROBERTS’ HOMICIDE. 132 00:06:39,770 --> 00:06:42,200 THANKS FOR THE HIGH LEVEL OF DISCOURSE. 133 00:06:44,880 --> 00:06:46,920 DID HE JUST INSULT US? 134 00:06:46,950 --> 00:06:49,090 THIS OVEREDUCATED SNOT RAG. 135 00:06:49,110 --> 00:06:51,080 YEAH. NOTHING JILL SAID HURT THIS CASE. 136 00:06:51,120 --> 00:06:52,790 GIVE ME A MINUTE, WOULD YOU, PLEASE? 137 00:07:03,460 --> 00:07:06,260 [CLEARS THROAT] 138 00:07:06,300 --> 00:07:07,970 ANDY, WOULD YOU LET ME CLEAR MY HEAD 139 00:07:08,000 --> 00:07:09,600 SO I CAN DECIDE IF I WANT COHEN OFF THE CASE? 140 00:07:09,630 --> 00:07:11,100 I WANT TO TALK TO YOU ABOUT SOMETHING ELSE. 141 00:07:11,140 --> 00:07:13,780 MOVE TO GET HIM OFF‐‐ LOOKS TO HURT HER WORSE. 142 00:07:13,810 --> 00:07:15,280 YEAH, THAT MAKES SENSE. 143 00:07:15,310 --> 00:07:18,180 BAD ENOUGH SINCLAIR’S GONNA BE LOOKING TO CRUCIFY THE SQUAD. 144 00:07:18,210 --> 00:07:20,540 MY CASE, THAT’LL BE A RETURN CRUCIFIXION. 145 00:07:26,320 --> 00:07:28,630 YOU NEED TO REACH OUT TO DORNAN. 146 00:07:28,650 --> 00:07:30,290 WHERE DOES THAT COME FROM? 147 00:07:30,320 --> 00:07:32,850 ME SEEING HIM FALL DOWN DRUNK AT AN A. A. MEETING 148 00:07:32,890 --> 00:07:35,560 AND HIM RATHER GO OFF THE EMPIRE STATE BUILDING THAN TALK TO ME. 149 00:07:35,590 --> 00:07:36,830 YOU GOTTA REACH OUT. 150 00:07:36,860 --> 00:07:38,790 HOW DOES DORNAN BEING DRUNK GET TO BE MY PROBLEM? 151 00:07:38,830 --> 00:07:42,460 HE’S IN BAD SHAPE. I’M NOT SURE IF HE MIGHT NOT BE OFF THE JOB. 152 00:07:42,500 --> 00:07:45,170 AND I’M SAYING WHY DON’T YOU GET HIM HELP FROM SOMEONE ELSE IN A. A.? 153 00:07:45,200 --> 00:07:47,970 I DON’T CONVERSE WITH A LOT OF PEOPLE AT THEM MEETINGS. 154 00:07:48,010 --> 00:07:49,480 I THOUGHT THAT WAS THE POINT. 155 00:07:49,510 --> 00:07:51,680 ARE YOU GONNA REVIEW MY CONDUCT, 156 00:07:51,710 --> 00:07:53,610 OR YOU WANNA HELP WITH ONE OF YOUR OWN? 157 00:07:55,610 --> 00:07:56,710 ALL RIGHT. 158 00:07:56,750 --> 00:07:58,080 I’LL REACH OUT. 159 00:08:00,020 --> 00:08:03,250 I’M ALREADY REACHING BACK ON ROBERTS’ DOPE CONNECTIONS. 160 00:08:03,290 --> 00:08:04,430 GOOD. 161 00:08:05,690 --> 00:08:07,020 THANKS. 162 00:08:07,060 --> 00:08:09,190 IT’S OK. 163 00:08:15,530 --> 00:08:17,170 JILL DON’T TAKE THAT TO HEART, I HOPE, 164 00:08:17,200 --> 00:08:18,330 BREAKING IT OFF WITH COHEN. 165 00:08:18,370 --> 00:08:19,430 NO. 166 00:08:19,470 --> 00:08:22,270 NO. SHE KNOWS SHE’S BETTER OFF. 167 00:08:22,310 --> 00:08:23,720 [SIPOWICZ SIGHS] 168 00:08:23,740 --> 00:08:24,910 GOOD JOB. 169 00:08:24,940 --> 00:08:26,340 THANKS, ANDY. 170 00:08:26,380 --> 00:08:28,890 THE PERSONAL ASPECTS ARE NONE OF MY BUSINESS. 171 00:08:28,910 --> 00:08:30,880 NO, I, UH, I UNDERSTAND. 172 00:08:30,920 --> 00:08:32,690 ALTHOUGH, THE LONG RUN THERE, 173 00:08:32,720 --> 00:08:34,030 I FEEL YOU’RE AHEAD OF THE GAME 174 00:08:34,050 --> 00:08:35,780 PARTING WAYS WITH THIS GUY. 175 00:08:35,820 --> 00:08:38,590 I APPRECIATE ABOUT HOW I DID MY JOB. 176 00:08:38,620 --> 00:08:40,220 THAT’S WHAT I’M EMPHASIZING. 177 00:08:40,260 --> 00:08:41,160 THANKS. 178 00:08:46,230 --> 00:08:48,060 AND THAT HE WON’T APPRECIATE THAT, 179 00:08:48,100 --> 00:08:50,400 FROM JEALOUSY OR CHILDISHNESS, 180 00:08:50,430 --> 00:08:52,930 PERSONALLY, YOU’RE BETTER OFF, TOO. 181 00:08:52,970 --> 00:08:55,870 BUT THAT PART I DON’T GET INTO. 182 00:08:55,910 --> 00:08:57,280 OK. 183 00:09:08,820 --> 00:09:10,090 SHE’S ALL RIGHT? 184 00:09:10,120 --> 00:09:11,790 YEAH. [CLEARING THROAT] 185 00:09:11,820 --> 00:09:15,120 YOU WANNA KNOW THE ASPECT I BELIEVE IS DISTRESSING HER? 186 00:09:15,160 --> 00:09:17,460 AND YOU CORRECT ME IF I’M WRONG. 187 00:09:17,500 --> 00:09:19,840 HIM WITH HER BOYS. 188 00:09:19,860 --> 00:09:22,130 COHEN GOT ALONG GOOD WITH HER BOYS. 189 00:09:22,170 --> 00:09:24,410 THAT’S THE ASPECT THAT’S GOT HER DOWN, 190 00:09:24,440 --> 00:09:26,440 THAT THEY ENJOYED THIS DILDO’S COMPANY. 191 00:09:26,470 --> 00:09:27,970 I’LL HANG OUT WITH HER BOYS. 192 00:09:28,010 --> 00:09:30,780 THAT WOULD BE A BIG RELIEF TO HER, HEARING THAT. 193 00:09:30,810 --> 00:09:32,240 I’LL GO TELL HER RIGHT NOW. 194 00:09:32,280 --> 00:09:33,280 DON’T TELL HER NOW. 195 00:09:33,310 --> 00:09:35,280 NO, NO. YOU TELL HER NOW, 196 00:09:35,310 --> 00:09:38,410 SHE’LL THINK IT’S OUT OF PITY OR SO FORTH. 197 00:09:38,450 --> 00:09:39,620 OK. I’LL WAIT. 198 00:09:41,650 --> 00:09:43,590 WHAT THE HELL DID YOU PEOPLE ALLOW? 199 00:09:43,620 --> 00:09:44,590 MR. MAYO. 200 00:09:44,620 --> 00:09:45,750 YOU SAID DRUG O. D. 201 00:09:45,790 --> 00:09:47,290 YOU DIDN’T SAY SOMEONE KILLED HER. 202 00:09:47,330 --> 00:09:49,030 WHY DON’T WE GO IN THE COFFEE ROOM? 203 00:09:49,060 --> 00:09:50,790 YOU DIDN’T TELL ME THIS CULLINAN 204 00:09:50,830 --> 00:09:52,430 GAVE MY DAUGHTER OVER‐PURE DRUGS. 205 00:09:52,460 --> 00:09:54,830 Sipowicz: WHERE ARE YOU GETTING YOUR INFORMATION? 206 00:09:54,870 --> 00:09:56,510 I’VE BEEN KEEPING MR. MAYO POSTED. 207 00:09:56,530 --> 00:09:59,600 DON’T TRY ANY COVER‐UP IF YOU WANT TO KEEP CONTROL OF THIS. 208 00:09:59,640 --> 00:10:01,700 GRIEF OR NOT, DON’T YOU START GIVING ORDERS. 209 00:10:01,740 --> 00:10:02,970 WHAT’S GOING ON? 210 00:10:03,010 --> 00:10:04,380 THIS IS, UH, JAMES MAYO, 211 00:10:04,410 --> 00:10:06,440 DOLORES’ FATHER. 212 00:10:06,480 --> 00:10:07,650 ARTHUR FANCY. 213 00:10:07,680 --> 00:10:10,480 ARE YOU IN CHARGE? DID YOU GIVE THE ORDER? 214 00:10:10,510 --> 00:10:12,380 WHAT ORDER IS THAT, MR. MAYO? 215 00:10:12,420 --> 00:10:15,160 HOLD OUT ON ME HOW MY DAUGHTER DIED. 216 00:10:15,190 --> 00:10:17,830 I NEVER TOLD MR. MAYO ANYTHING WAS BEING HELD BACK. 217 00:10:17,860 --> 00:10:19,230 I DID SAY MALCOLM CULLINAN’S 218 00:10:19,260 --> 00:10:20,570 ARREST FOR NARCOTICS POSSESSION 219 00:10:20,590 --> 00:10:22,320 AND THE POSSIBILITY HE’LL BE CHARGED 220 00:10:22,360 --> 00:10:24,290 WITH TRYING TO MURDER DETECTIVE KIRKENDALL, 221 00:10:24,330 --> 00:10:25,660 AND IF HE IS CHARGED, 222 00:10:25,700 --> 00:10:27,170 THAT MAY HAVE IMPLICATIONS FOR HOW DOLORES DIED. 223 00:10:27,200 --> 00:10:28,630 OK, JOHN. 224 00:10:28,670 --> 00:10:31,310 MR. MAYO, WE DON’T GIVE RELATIVES PARTIAL INFORMATION 225 00:10:31,340 --> 00:10:32,840 DURING AN ACTIVE INVESTIGATION. 226 00:10:32,870 --> 00:10:34,340 IT’S PAINFUL FOR THEM 227 00:10:34,370 --> 00:10:36,640 AND OFTEN UNNECESSARY. 228 00:10:36,680 --> 00:10:38,880 FINDING OUT SHE WAS KILLED BY THIS GUY, 229 00:10:38,910 --> 00:10:41,140 THAT’S LIKE HEARING SHE DIED ALL OVER AGAIN. 230 00:10:41,180 --> 00:10:44,150 WE CAN’T BE SURE YET YOUR DAUGHTER’S DEATH WAS A MURDER. 231 00:10:44,180 --> 00:10:46,010 YOU MEAN YOU CAN’T PROVE IT YET. 232 00:10:46,050 --> 00:10:50,190 I KNOW WHAT HAPPENED. I KNOW WHAT KIND OF A PERSON SHE’D BE DRAWN TO. 233 00:10:50,220 --> 00:10:52,750 SHE STILL CALLED ME HER SWEET DADDY 234 00:10:52,790 --> 00:10:55,690 3 YEARS AFTER I’D BEEN DOING THAT TO HER. 235 00:10:56,730 --> 00:10:59,330 GO HOME. 236 00:10:59,360 --> 00:11:00,700 SOMEONE’LL BE IN TOUCH. 237 00:11:00,730 --> 00:11:02,160 DON’T GO SCAPEGOATING HIM. 238 00:11:02,200 --> 00:11:05,370 AND YOU TAKE CARE OF HER KILLER, OR I’M GOING TO. 239 00:11:14,210 --> 00:11:15,980 MY OFFICE. 240 00:11:44,340 --> 00:11:47,110 GIVING DOLORES’ FATHER THAT INFORMATION ABOUT CULLINAN 241 00:11:47,150 --> 00:11:49,220 WAS A VERY SERIOUS MISTAKE. 242 00:11:49,250 --> 00:11:52,390 PEOPLE CAN DO HARMFUL THINGS WITH THE BEST OF MOTIVES, 243 00:11:52,420 --> 00:11:54,960 AND IT’S PRETTY CLEAR THIS IS AN EXAMPLE. 244 00:11:56,020 --> 00:11:57,590 I’M SURE YOU’RE UPSET 245 00:11:57,620 --> 00:12:00,160 YOU HAD THIS KIND OF LAPSE IN JUDGMENT, 246 00:12:00,190 --> 00:12:02,960 AS MUCH PROBABLY AS ANY OF US. 247 00:12:02,990 --> 00:12:04,060 [STIFLED SOB] 248 00:12:04,100 --> 00:12:06,970 MAYBE MORE. 249 00:12:07,000 --> 00:12:09,060 AND KNOWING THAT, 250 00:12:09,100 --> 00:12:11,400 I DON’T FEEL IT’S NECESSARY TO TELL YOU 251 00:12:11,440 --> 00:12:13,140 DOING SOMETHING LIKE THIS AGAIN 252 00:12:13,170 --> 00:12:14,600 COULD COST YOU YOUR JOB. 253 00:12:18,780 --> 00:12:20,090 [SNIFFS] 254 00:12:20,110 --> 00:12:22,510 WHICH IS NOT AN OPTION I’M THINKING ABOUT NOW. 255 00:12:26,280 --> 00:12:27,450 THAT’S ALL. 256 00:12:29,450 --> 00:12:31,990 IF YOU WANT TO TAKE A LITTLE LOST TIME, THAT’S FINE. 257 00:12:36,490 --> 00:12:40,030 EVERYONE HERE LIKES YOU VERY MUCH. 258 00:12:46,710 --> 00:12:48,010 SO THAT "SWEET DADDY," 259 00:12:48,040 --> 00:12:50,010 THAT WAS HER FATHER SAYING HE GOT OVER ON DOLORES. 260 00:12:50,040 --> 00:12:51,540 HE GOT HALFWAY TO THAT 261 00:12:51,580 --> 00:12:53,550 WHEN WE TOLD HIM SHE WAS DEAD‐‐ 262 00:12:53,580 --> 00:12:55,280 SAID HE TREATED HER BADLY GROWING UP. 263 00:12:55,310 --> 00:12:56,750 [SIPOWICZ CLEARS THROAT] 264 00:12:57,750 --> 00:12:59,380 UH, ROBERTS’ JUNKIE INFORMANT 265 00:12:59,420 --> 00:13:01,290 THAT KILLED HERSELF 5 YEARS AGO? 266 00:13:01,320 --> 00:13:03,320 DEE DEE. 2 COLLARS‐‐ 267 00:13:05,820 --> 00:13:08,790 2 COLLARS FOR PROSS WITH A TAMMY FOSTER. 268 00:13:08,830 --> 00:13:11,140 TAMMY FOSTER’S COLLARED LAST MONTH FOR POSSESSION 269 00:13:11,160 --> 00:13:13,130 A BLOCK FROM ROBERTS’ BUILDING, 270 00:13:13,160 --> 00:13:14,460 MAKES A $7,500 BAIL. 271 00:13:14,500 --> 00:13:16,500 Russell: TAMMY WAS SAVING HER NICKELS. 272 00:13:21,410 --> 00:13:23,650 SO, DO WE NEED TO SIT ON THIS GUY? 273 00:13:23,680 --> 00:13:26,320 SOUNDS LIKE SOMEONE NEEDED TO SIT ON HIM 20 YEARS AGO. 274 00:13:26,340 --> 00:13:27,840 QUESTION IS, DOES DOLORES’ FATHER 275 00:13:27,880 --> 00:13:30,380 TAKE FEELING GUILTY ABOUT WHAT HE DID OUT ON CULLINAN? 276 00:13:30,410 --> 00:13:34,320 QUESTION IS HOW BIG A PARADE WE GIVE HIM IF HE KILLS THE PRICK. 277 00:13:34,350 --> 00:13:36,550 IT’S NOT LIKE MAYO MADE A DIRECT THREAT. 278 00:13:36,590 --> 00:13:38,720 ANYWAYS, YOU KNOW CULLINAN’S GOT STRONG SECURITY. 279 00:13:38,760 --> 00:13:40,670 DON’T FORGET HE HIRED MIKE ROBERTS. 280 00:13:40,690 --> 00:13:42,320 YOU’RE MOVING ON ROBERTS’ SOURCES. 281 00:13:42,360 --> 00:13:44,730 YEAH. WE’RE MOVING ON THAT. 282 00:13:44,760 --> 00:13:45,690 [CLEARS THROAT] 283 00:13:54,710 --> 00:13:55,910 WHAT’S THE PHONE PANTOMIME? 284 00:13:55,940 --> 00:13:56,910 WHAT? 285 00:13:56,940 --> 00:13:58,010 WE WANNA LOOK FOR TAMMY? 286 00:13:58,040 --> 00:13:59,540 YEAH. 287 00:13:59,580 --> 00:14:03,340 I GOT A LIST OF LAST KNOWN ADDRESS AND OF HER STROLLS. 288 00:14:03,380 --> 00:14:04,910 JUNKIE ROBERTS MIGHT HAVE KNOWN. 289 00:14:06,950 --> 00:14:10,420 FANCY JUST RAPPED HIS KNUCKLES‐‐ GAY JOHN. 290 00:14:10,450 --> 00:14:12,420 NOT CLEARING HIS DESK OUT. 291 00:14:24,600 --> 00:14:27,300 I’M TERRIBLY SORRY FOR HINDERING YOUR INVESTIGATION. 292 00:14:27,340 --> 00:14:28,640 MISTAKES HAPPEN. 293 00:14:28,670 --> 00:14:30,040 I PROMISE I WON’T REPEAT MY MISTAKE. 294 00:14:30,070 --> 00:14:31,610 APOLOGY ACCEPTED. 295 00:14:31,640 --> 00:14:33,110 NO HARM DONE. 296 00:15:04,210 --> 00:15:05,170 HEY, TAMMY. 297 00:15:05,210 --> 00:15:06,910 HEY. 298 00:15:06,950 --> 00:15:09,350 GIVE HER YOUR PURSE SO WE DON’T CATCH YOU DIRTY. 299 00:15:09,380 --> 00:15:10,910 THEN WHAT ARE YOU GOING TO DO TO ME? 300 00:15:10,950 --> 00:15:12,150 WE’RE NOT GONNA CHECK HER PURSE, 301 00:15:12,180 --> 00:15:13,850 AND WE’RE NOT GONNA ASK YOU FOR YOUR GREEN CARD. 302 00:15:13,890 --> 00:15:15,190 I’VE GOT A GREEN CARD. 303 00:15:15,220 --> 00:15:17,290 LISTING YOUR PRESENT OCCUPATION? COME ON. LET’S GO. 304 00:15:17,320 --> 00:15:19,150 ANYWAY, WHAT’S IT ABOUT? 305 00:15:19,190 --> 00:15:21,820 AT THE STATION HOUSE, TAMMY. 306 00:15:21,860 --> 00:15:23,590 I KNOW HOW MUCH IS IN THERE. 307 00:15:23,630 --> 00:15:25,160 SHE MEANS HER COSMETICS. 308 00:15:46,150 --> 00:15:48,550 HOW THE HELL CAN YOU CHEW THAT STUFF? 309 00:15:48,590 --> 00:15:52,200 HOW IN THE HELL CAN YOU WORK ON YOUR KNEES FOR 8 HOURS A DAY? 310 00:15:52,220 --> 00:15:55,060 SO I GUESS YOU’RE NOT ONE OF THOSE HAPPY DRUNKS, HUH, DORNAN? 311 00:15:55,090 --> 00:15:58,460 WHEN YOU STOP PISSIN’ MY EAR SO I CAN GET ON MY BID’NESS, 312 00:15:58,500 --> 00:16:00,670 I’LL BE A WHOLE LOT HAPPIER. 313 00:16:00,700 --> 00:16:02,400 YOUR "BID’NESS," HUH? 314 00:16:02,430 --> 00:16:06,530 MY PEOPLE ARE GEORGIA...NEGROES. 315 00:16:06,570 --> 00:16:09,200 SUPPOSE YOURS CAME OVER ON THE MAYFLOWER. 316 00:16:09,240 --> 00:16:10,410 NO. 317 00:16:10,440 --> 00:16:13,070 THEIR BOAT DROPPED ’EM OFF IN NORTH CAROLINA, 318 00:16:13,110 --> 00:16:14,140 CHAINED. 319 00:16:14,180 --> 00:16:16,180 CHAINED‐‐ THAT’S ROUGH. 320 00:16:17,450 --> 00:16:18,880 HEY, BOSS. 321 00:16:18,920 --> 00:16:21,360 HEY, GREG, JAMES. 322 00:16:21,390 --> 00:16:23,490 HOW’S IT GOING? HOW YOU DOING? 323 00:16:23,520 --> 00:16:25,390 YEAH. 324 00:16:25,420 --> 00:16:26,690 HOW’D YOU DO? 325 00:16:26,730 --> 00:16:27,870 WE DID GOOD. YEAH. 326 00:16:27,890 --> 00:16:29,160 YEAH, HALF A PAIL APIECE. 327 00:16:29,190 --> 00:16:30,590 FLOUNDER AND FLUKE. 328 00:16:30,630 --> 00:16:33,830 PLUS A COUPLE OF DROWNED SHOPPING CARTS, BUT WE THREW THEM BACK. 329 00:16:33,870 --> 00:16:34,910 WHERE WERE YOU? 330 00:16:34,930 --> 00:16:36,930 UH, BREEZY POINT. YEAH. 331 00:16:36,970 --> 00:16:38,770 THE IRISH RIVIERA. 332 00:16:38,800 --> 00:16:40,870 ANYWAYS, UH, HAROLD IN THERE, 333 00:16:40,910 --> 00:16:42,950 HE FILETS ’EM UP FOR US. 334 00:16:42,970 --> 00:16:44,670 YEAH, WE GO THIRDS WITH HAROLD. 335 00:16:44,710 --> 00:16:46,910 THEN WE GO OUT THE BACK. 336 00:16:46,950 --> 00:16:48,750 HE MUST THINK WE SMELL LIKE FISH. 337 00:16:48,780 --> 00:16:50,210 ANYWAYS... 338 00:16:50,250 --> 00:16:51,510 SEE YA, BOSS. 339 00:16:51,550 --> 00:16:53,210 YEP. SEE YOU TOMORROW. 340 00:16:54,490 --> 00:16:57,060 BREEZY POINT’S A GOOD PLACE 341 00:16:57,090 --> 00:16:59,250 FOR A BROTHER TO SHOP FOR A FRACTURED SKULL. 342 00:16:59,290 --> 00:17:01,590 I LISTENED TO BETTER THAN YOU’RE DISHING OUT 343 00:17:01,630 --> 00:17:03,530 THE FIRST 23 YEARS OF MY LIFE. 344 00:17:03,560 --> 00:17:06,090 MY MOTHER COME BACK FROM A POST OFFICE JOB 345 00:17:06,130 --> 00:17:07,430 WITH OTHER PEOPLE’S LAUNDRY. 346 00:17:07,470 --> 00:17:09,910 AND I LISTENED TO AN ASSHOLE PICK AT HER‐‐ 347 00:17:09,930 --> 00:17:11,530 BETTER THAN YOU EVER THOUGHT ABOUT‐‐ 348 00:17:11,570 --> 00:17:13,800 TILL FINALLY SHE COME BACK AT HIM 349 00:17:13,840 --> 00:17:15,300 AND HE’D HAVE EXCUSE ENOUGH 350 00:17:15,340 --> 00:17:18,310 TO GRAB MONEY FOR HIS LOAD FROM HER PURSE. 351 00:17:18,340 --> 00:17:20,580 WANTED DRINKING MONEY BAD ENOUGH, 352 00:17:20,610 --> 00:17:21,910 HE’D GIVE UP EVEN THE PRIDE 353 00:17:21,950 --> 00:17:23,760 THAT WOULD’VE MOVED HIS BLACK ASS OUT OF THE KITCHEN 354 00:17:23,780 --> 00:17:25,880 WHILE SHE WASHED SOME STRANGER’S DIRTY UNDERWEAR 355 00:17:25,920 --> 00:17:27,630 IN FRONT OF HIS FACE. 356 00:17:27,650 --> 00:17:30,950 SO HE COULD PICK A FIGHT AND STEAL HER MONEY. 357 00:17:34,690 --> 00:17:36,260 SO YOU’RE OFF THE JOB, DORNAN? 358 00:17:40,530 --> 00:17:42,100 WORKIN’ AT IT. 359 00:17:44,340 --> 00:17:46,140 ON TERMINAL LEAVE. 360 00:17:46,170 --> 00:17:47,740 I CAN’T THINK OF A SINGLE REASON 361 00:17:47,770 --> 00:17:48,740 YOU SHOULD RECONSIDER. 362 00:17:48,770 --> 00:17:51,310 STAY BUDDIED UP WITH THAT BOTTLE, 363 00:17:51,340 --> 00:17:52,910 HIT THE STREETS. 364 00:17:52,940 --> 00:17:55,010 IT’LL KEEP YOU COMPANY. 365 00:17:55,050 --> 00:17:56,660 THEN WHEN IT’S OVER, 366 00:17:56,680 --> 00:18:00,050 AT LEAST THE ONLY ONE YOU HURT IS YOURSELF. 367 00:18:27,380 --> 00:18:28,710 DO YOU KNOW MIKE ROBERTS? 368 00:18:28,750 --> 00:18:30,190 WHAT’S IT ABOUT? 369 00:18:30,210 --> 00:18:32,050 EYE ON THE BALL, TAMMY. 370 00:18:32,080 --> 00:18:34,020 I MEAN, REMIND ME WHO HE IS. 371 00:18:34,050 --> 00:18:35,150 MIKE WENT OUT HIS OFFICE WINDOW, 372 00:18:35,190 --> 00:18:37,300 SMASHED HIS HEAD THROUGH A CAR WINDSHIELD 373 00:18:37,320 --> 00:18:38,490 NEAR YOUR WORK AREA. 374 00:18:38,520 --> 00:18:40,460 HE’S WHO WENT OUT HIS EIGHTH‐STORY WINDOW? 375 00:18:40,490 --> 00:18:42,290 GOOD THING YOU WEREN’T TRICKIN’ IN THAT CAR, HUH? 376 00:18:42,330 --> 00:18:44,140 WOULD’VE RUINED THE MOOD. 377 00:18:44,160 --> 00:18:46,130 YOU SAYING YOU DIDN’T KNOW ROBERTS PERSONALLY? 378 00:18:46,160 --> 00:18:47,530 NO. YOU’RE LYING. 379 00:18:47,570 --> 00:18:49,210 MAYBE I KNEW HIM BY FACE. 380 00:18:49,230 --> 00:18:50,830 YOU KNEW HIM BETTER THAN THAT. 381 00:18:50,870 --> 00:18:52,470 YOUR PAL DEE DEE 382 00:18:52,500 --> 00:18:55,070 YOU TOOK 2 COLLARS WITH FOR PROSS 383 00:18:55,110 --> 00:18:57,350 WAS BANGING ROBERTS SILLY A COUPLE OF YEARS. 384 00:18:57,380 --> 00:18:59,320 I MEAN, WHAT’S IT ABOUT? 385 00:18:59,340 --> 00:19:00,480 JUST NOW, TAMMY, 386 00:19:00,510 --> 00:19:02,510 IT’S ABOUT YOU TAKING AN OPPORTUNITY TO EARN 387 00:19:02,550 --> 00:19:05,360 AND TURNING IT INTO AN OCCASION FOR PISSING US OFF. 388 00:19:05,380 --> 00:19:07,020 I MEAN, IF I’D RUN A FEW ERRANDS FOR HIM, 389 00:19:07,050 --> 00:19:08,220 THAT’S ALL I DID. 390 00:19:08,250 --> 00:19:10,090 YOU WERE RUNNING DOPE FOR ROBERTS? 391 00:19:10,120 --> 00:19:11,820 I WOULDN’T KNOW WHAT I WAS PICKING UP. 392 00:19:11,860 --> 00:19:14,100 TAMMY. 393 00:19:14,130 --> 00:19:16,000 I MEAN, WHEN YOU SAY EARNING OPPORTUNITY... 394 00:19:16,030 --> 00:19:18,170 200 FOR ROBERTS’ SOURCE. 395 00:19:18,200 --> 00:19:21,240 THEN I GOTTA GET A NEW PLACE TO COP AND EVERYTHING ELSE. 396 00:19:21,270 --> 00:19:23,740 WHAT ABOUT THE CONCEPT OF NO WAIT AT A DETOX? 397 00:19:23,770 --> 00:19:26,870 YEAH, THAT SHOULD TIP THE SCALES. 398 00:19:26,910 --> 00:19:29,850 WHAT I’M WORRIED ABOUT, BEING HONEST... 399 00:19:29,870 --> 00:19:32,440 IS THAT SOMETHING’S GOING ON. 400 00:19:32,480 --> 00:19:34,890 THAT’S MY WHOLE REASON FOR NOT BEING COOPERATIVE, 401 00:19:34,910 --> 00:19:36,380 IS THAT SOMETHING’S GOING ON. 402 00:19:36,410 --> 00:19:37,780 WE THINK YOU’RE RIGHT. 403 00:19:37,820 --> 00:19:41,190 GUY’S COMING UP WITH 7,500 TO BAIL YOU OUT ON POSSESSION. 404 00:19:41,220 --> 00:19:43,350 SOMETHING DOES SEEM LIKE IT’S GOIN’ ON. 405 00:19:43,390 --> 00:19:45,230 WHAT COULD IT BE, TAMMY? 406 00:19:45,260 --> 00:19:46,870 I MEAN, ROBERTS DID NOT WANNA BE DOING 407 00:19:46,890 --> 00:19:47,890 WHAT HE WAS DOING, 408 00:19:47,930 --> 00:19:49,370 AND HE WOUND UP WITH HIS HEAD 409 00:19:49,390 --> 00:19:51,260 THROUGH THAT CAR WINDSHIELD. 410 00:19:51,300 --> 00:19:53,610 I’M AFRAID OF GETTING CAUGHT IN THE SWITCHES. 411 00:19:53,630 --> 00:19:55,960 I’M YOU, TAMMY? MY MAIN WORRY THAT REGARD 412 00:19:56,000 --> 00:19:57,700 IS MY DEALER KNOWING I CAN JAM HIM 413 00:19:57,740 --> 00:19:59,080 IN A MURDER INVESTIGATION 414 00:19:59,100 --> 00:20:00,740 AND TAKING PREVENTATIVE MEASURES. 415 00:20:00,770 --> 00:20:02,740 YEAH. MAYBE THE NEXT SOMETHIN’ GOING ON 416 00:20:02,770 --> 00:20:04,640 IS YOU KEELING OVER FROM A HOT SHOT. 417 00:20:04,680 --> 00:20:06,320 I WORKED NARCOTICS. 418 00:20:06,340 --> 00:20:08,740 I CAN SHOW YOU SOME OTHER GOOD CORNERS TO SCORE. 419 00:20:08,780 --> 00:20:10,810 I KNOW SOME. 420 00:20:10,850 --> 00:20:14,080 I’M JUST NO GOOD WITH CHANGE. 421 00:20:17,860 --> 00:20:19,300 YOU’RE NOT GONNA BELIEVE 422 00:20:19,320 --> 00:20:21,790 THE GUY I’M ABOUT TO GIVE YOU IS A DEALER. 423 00:20:38,710 --> 00:20:41,140 SHE GIVE US A DEALER TO LOOK AT, THAT WHORE. 424 00:20:41,180 --> 00:20:43,010 RUNS A WALL STREET MESSENGER SERVICE. 425 00:20:43,050 --> 00:20:44,290 SHE KNEW WE’D BE SHOCKED, TAMMY, 426 00:20:44,320 --> 00:20:45,920 A GUY LIKE THAT MOVING SMACK. 427 00:20:45,950 --> 00:20:47,250 YOU GOT A PLACE TO LOOK? 428 00:20:47,290 --> 00:20:48,460 YEAH. SHE GIVE US WHERE TO LOOK. 429 00:20:48,490 --> 00:20:50,360 HOW THOROUGH DO YOU WANT TAMMY TO MAKE HER LIST? 430 00:20:50,390 --> 00:20:51,750 OTHER GIRLS SHE SAW ROBERTS WITH? 431 00:20:51,790 --> 00:20:53,420 IF YOU THINK, WHEN YOU GO BACK IN THERE, 432 00:20:53,460 --> 00:20:54,970 SHE’S GONNA HAVE ANYTHING ON THAT PAD 433 00:20:54,990 --> 00:20:56,520 BUT HER HEAD ASLEEP, 434 00:20:56,560 --> 00:20:57,930 YOU BETTER LEARN TO CURB YOUR OPTIMISM. 435 00:20:57,960 --> 00:20:59,600 SO I’LL GET, LIKE, 3 NAMES AND CUT HER LOOSE. 436 00:20:59,630 --> 00:21:02,460 3 NAMES‐‐YOU SHOULD GET A GRADE PROMOTION. 437 00:21:12,840 --> 00:21:14,040 I SAW DORNAN. 438 00:21:14,080 --> 00:21:15,010 WHAT COME OF THAT? 439 00:21:15,050 --> 00:21:16,960 YOU KNOW. HE’S IN TROUBLE. 440 00:21:16,980 --> 00:21:19,010 I KNOW HE’S IN TROUBLE. WHAT CAN YOU DO FOR HIM? 441 00:21:19,050 --> 00:21:20,880 WHAT MAKES YOU THINK I GOT SOME SPECIAL IN 442 00:21:20,920 --> 00:21:21,950 TO DO ANYTHING FOR DORNAN? 443 00:21:21,990 --> 00:21:23,800 YEAH. OK. 444 00:21:23,820 --> 00:21:25,120 DOES BOTH OF YOU BEING ALCOHOLICS 445 00:21:25,160 --> 00:21:26,630 GIVE YOU SOME SPECIAL IN? 446 00:21:26,660 --> 00:21:29,390 OBVIOUSLY, IF IT DID, I WOULDN’T BE ASKING A FAVOR. 447 00:21:29,430 --> 00:21:30,970 NEITHER DOES OUR BOTH BEING BLACK. 448 00:21:31,000 --> 00:21:32,470 I GOT THE PICTURE. NO PROBLEM. 449 00:21:32,500 --> 00:21:34,740 DORNAN’S PROBLEM GOES PAST HIS COLOR, 450 00:21:34,770 --> 00:21:37,180 SAME AS IT GOES PAST FALLING OFF THE WAGON. 451 00:21:37,200 --> 00:21:39,670 YEAH. GOOD. 452 00:21:48,680 --> 00:21:50,310 MY OLD MAN DID NOT LOSE HIS EYE UNPROVOKED. 453 00:21:50,350 --> 00:21:51,410 ALL RIGHT? 454 00:21:51,450 --> 00:21:53,380 I DIDN’T KNOW HE LOST HIS EYE. 455 00:21:53,420 --> 00:21:55,260 WHAT’S THAT GOT TO DO WITH DORNAN? 456 00:21:55,290 --> 00:21:57,400 I REMEMBERED IN A DREAM 457 00:21:57,420 --> 00:21:59,660 HOW HE REALLY LOST HIS EYE, MY POP. 458 00:21:59,690 --> 00:22:02,390 AND IT WASN’T ONE OF YOU DRUNK 459 00:22:02,430 --> 00:22:05,000 ATTACKING HIM ON HIS METER ROUTE. 460 00:22:05,030 --> 00:22:08,000 HE WAS DRUNK, AND HE’D BEEN FIRED BY HIS BOSS ALREADY 461 00:22:08,030 --> 00:22:10,900 BEFORE HE WENT BACK TO THOSE PROJECTS. 462 00:22:10,940 --> 00:22:12,880 THAT DREAM COME TO ME 463 00:22:12,900 --> 00:22:15,840 AFTER DORNAN REACHED OUT DOIN’ A FAVOR FOR SYLVIA 464 00:22:15,870 --> 00:22:17,770 AND SHOWING ME YOU COULDN’T GENERALIZE. 465 00:22:17,810 --> 00:22:18,870 AND FOR REACHING OUT, 466 00:22:18,910 --> 00:22:20,740 HE WINDS UP FLOPPED, DORNAN, 467 00:22:20,780 --> 00:22:22,240 AND GOES BACK DRINKIN’. 468 00:22:22,280 --> 00:22:25,710 AND YOU CAN’T STAND OWING A BLACK MAN A SOLID. 469 00:22:25,750 --> 00:22:27,350 HUH. 470 00:22:27,390 --> 00:22:30,430 I GUESS ONE OF US COULDN’T HAVE AS GOOD A MOTIVE AS ONE OF YOU, 471 00:22:30,450 --> 00:22:33,220 SO THAT MUST BE IT. 472 00:22:33,260 --> 00:22:35,870 I’M WRONG ABOUT A LOT, 473 00:22:35,890 --> 00:22:38,390 BUT DRINKING AIN’T INCLUDED. 474 00:22:40,730 --> 00:22:43,700 HE’S GONNA GET AMBUSHED, DORNAN. 475 00:22:43,740 --> 00:22:47,210 11 DRY YEARS, THEY DON’T COUNT FOR NOTHIN’. 476 00:22:47,240 --> 00:22:50,410 IT’S GONNA BE WORSE ON HIM THAN IT’S EVER BEEN. 477 00:22:51,840 --> 00:22:53,310 HE WON’T BE ABLE TO FIGURE OUT 478 00:22:53,340 --> 00:22:55,880 WHY THE BOOZE ISN’T WORKIN’, 479 00:22:55,910 --> 00:22:58,250 AND HE’LL START DRINKIN’ AT THAT. 480 00:22:58,280 --> 00:23:01,280 AND HE’LL WIND UP WITH CRAPPED PANTS 481 00:23:01,320 --> 00:23:05,590 AND LYING IN HIS OWN PUKE. 482 00:23:05,620 --> 00:23:08,060 HE’S A PROUD MAN, DORNAN. 483 00:23:08,090 --> 00:23:09,960 IT COME ON HIM SUDDEN. 484 00:23:09,990 --> 00:23:11,960 HE DON’T KNOW WHAT HAPPENED. 485 00:23:12,000 --> 00:23:16,010 MIGHT AS WELL DIE. 486 00:23:16,030 --> 00:23:18,570 FIND SOMEONE ELSE IN YOUR PROGRAM. 487 00:23:18,600 --> 00:23:21,270 I DON’T KNOW HOW TO HELP HIM. 488 00:23:26,280 --> 00:23:27,820 YEAH. I SHOULD. 489 00:23:30,780 --> 00:23:33,620 THANKS FOR TRYING. 490 00:23:45,060 --> 00:23:46,330 I GOT NOTHING TO SAY 491 00:23:46,360 --> 00:23:48,030 I WOULDN’T WANT TO SAY IN THE SQUAD. 492 00:23:49,700 --> 00:23:52,430 [SIGH] SEE, THAT’S ASSUMING I’M INTERESTED 493 00:23:52,470 --> 00:23:54,040 IN WHERE YOU’RE COMFORTABLE. 494 00:23:56,370 --> 00:23:57,370 MM‐HMM. 495 00:23:59,080 --> 00:24:00,390 HIYA, KATIE. 496 00:24:00,410 --> 00:24:01,640 [RUSSELL SIGHS] ALL RIGHT. 497 00:24:03,650 --> 00:24:05,180 CAN YOU PUT ME WITH THAT HUGO 498 00:24:05,220 --> 00:24:06,560 THAT’S BEEN GIVING YOU YOUR A. A. ADVICE? 499 00:24:10,660 --> 00:24:13,500 OR HUBERT‐‐ WHATEVER HIS NAME IS. 500 00:24:13,520 --> 00:24:15,220 WHY CORRECT ME ON HIS NAME 501 00:24:15,260 --> 00:24:18,660 IF HE’S SEEING A RELATIVE IN TEANECK? 502 00:24:18,700 --> 00:24:20,070 NEVER MIND, KATIE. 503 00:24:20,100 --> 00:24:21,730 I DON’T WANNA TALK TO NOBODY ABOUT ME. 504 00:24:21,770 --> 00:24:24,640 THIS IS NOT IN CONNECTION WITH ME. 505 00:24:24,670 --> 00:24:27,900 NO. NO, DO NOT, KATIE. DON’T. 506 00:24:27,940 --> 00:24:30,070 KATIE? 507 00:24:30,110 --> 00:24:31,710 [SIGH] 508 00:24:42,350 --> 00:24:44,690 [RUSSELL CLEARING THROAT] 509 00:24:44,720 --> 00:24:45,650 THANKS. 510 00:24:45,690 --> 00:24:46,860 WHAT’S UP? 511 00:24:46,890 --> 00:24:48,420 I NEED SOME HELP. 512 00:24:48,460 --> 00:24:49,520 IT’S A BIG PHONE BOOK. 513 00:24:49,560 --> 00:24:50,990 I KNOW I’VE BEEN ACTING LIKE A JERK. 514 00:24:51,030 --> 00:24:52,330 I GUESS I’D LIKE TO FIND OUT 515 00:24:52,360 --> 00:24:53,700 IF THE SITUATION’S SALVAGEABLE. 516 00:24:53,730 --> 00:24:56,000 WHY ASK ME INSTEAD OF JILL? 517 00:24:56,030 --> 00:24:58,330 ’CAUSE WHEN I SEE HER, I GO NUTS. 518 00:24:58,370 --> 00:25:00,500 THEN WHAT’S THE POINT IN WANTING TO SALVAGE IT? 519 00:25:00,540 --> 00:25:02,740 BECAUSE I ALSO HAVE STRONG FEELINGS FOR HER. 520 00:25:02,770 --> 00:25:05,670 WHEN I WAS, LIKE, 6 OR 7, 521 00:25:05,710 --> 00:25:08,180 JOEY DOPKINS HAD A CRUSH ON ME. 522 00:25:08,210 --> 00:25:09,610 USED TO COME UP TO ME ON THE PLAYGROUND 523 00:25:09,650 --> 00:25:11,350 AND SMACK ME IN THE BACK OF THE HEAD. 524 00:25:11,380 --> 00:25:13,410 I GUESS GIRLS GROW OUT OF THINKING THAT’S CUTE. 525 00:25:13,450 --> 00:25:15,320 I NEVER THOUGHT IT WAS CUTE. 526 00:25:17,220 --> 00:25:18,690 WHAT’S REALLY CRAZY IS 527 00:25:18,720 --> 00:25:19,960 THE THINGS THAT ATTRACT ME TO JILL 528 00:25:19,990 --> 00:25:22,560 ARE, I GUESS, WHAT ALSO MAKE ME INSECURE. 529 00:25:22,590 --> 00:25:25,090 SHE’S SELF‐RELIANT. SHE HAS HER OWN IDEAS. 530 00:25:25,130 --> 00:25:26,430 YEAH, THAT IS CRAZY. 531 00:25:26,460 --> 00:25:28,360 I’VE GOT A LOT OF CONTROL ISSUES. 532 00:25:28,400 --> 00:25:29,900 I REALIZE THAT. 533 00:25:29,930 --> 00:25:32,230 WHEN PEOPLE SAY THEY HAVE ISSUES, 534 00:25:32,270 --> 00:25:33,700 I START FEELING SLEEPY. 535 00:25:33,740 --> 00:25:35,240 OK, I GET IT. 536 00:25:35,270 --> 00:25:36,640 NO FRATERNIZING WITH THE ENEMY. 537 00:25:36,680 --> 00:25:40,320 DOESN’T THAT TIRE YOU OUT AFTER A WHILE‐‐ 538 00:25:40,340 --> 00:25:44,250 THINKING OF ABSOLUTELY THE MOST CLEVER WAY TO SAY EVERYTHING? 539 00:25:49,920 --> 00:25:51,320 [SIGH] 540 00:25:51,360 --> 00:25:52,700 YOU CAN’T IMAGINE. 541 00:26:00,770 --> 00:26:01,840 HEY, JILL. 542 00:26:01,870 --> 00:26:04,410 HEY. HOW YOU DOIN’ WITH TAMMY? 543 00:26:04,440 --> 00:26:05,640 OH, GAVE US A GUY TO LOOK AT 544 00:26:05,670 --> 00:26:07,400 FOR MAYBE SUPPLYING ROBERTS. 545 00:26:07,440 --> 00:26:08,900 DEALS MOSTLY TO WALL STREET. 546 00:26:08,940 --> 00:26:11,010 HMM. WHAT BROKER’S TAMMY WORK FOR? 547 00:26:11,040 --> 00:26:13,980 YEAH, RIGHT. 548 00:26:14,010 --> 00:26:15,340 SO, I WAS WONDERING, 549 00:26:15,380 --> 00:26:17,080 YOU MENTIONING BASEBALL BEFORE. 550 00:26:17,120 --> 00:26:19,760 FRIEND OF MINE GAVE ME TICKETS FOR THE METS, 551 00:26:19,780 --> 00:26:22,080 AND I WAS WONDERING IF MAYBE THE BOYS WOULD LIKE TO GO. 552 00:26:22,120 --> 00:26:24,090 OR ARE THEY CONFIRMED AMERICAN LEAGUERS? 553 00:26:24,120 --> 00:26:26,250 THEY’D LOVE IT. WHAT NIGHT? 554 00:26:26,290 --> 00:26:28,420 OH, PRETTY MUCH ANY GAME THEY’D LIKE TO GO TO. 555 00:26:28,460 --> 00:26:29,760 OH, YOU DON’T HAVE TICKETS YET. 556 00:26:29,790 --> 00:26:32,460 NO. HE’S HOOKED UP, THOUGH, 557 00:26:32,500 --> 00:26:35,010 WHERE HE CAN GET THEM GENERALLY, MY FRIEND. 558 00:26:36,640 --> 00:26:37,710 CAN HE GET 4 TICKETS? 559 00:26:37,740 --> 00:26:39,180 I’D LIKE TO COME, TOO. 560 00:26:39,200 --> 00:26:41,440 UH...ABSOLUTELY. 561 00:26:41,470 --> 00:26:42,870 SURE. 562 00:26:42,910 --> 00:26:45,220 I’LL TELL HIM WE WANT 4. 563 00:26:46,880 --> 00:26:48,680 THE BOYS WILL REALLY APPRECIATE IT, DANNY. 564 00:26:48,710 --> 00:26:50,710 YOU KNOW WHAT? I’LL GET A SCHEDULE, LET ’EM PICK THE GAME. 565 00:26:50,750 --> 00:26:51,950 THANKS. 566 00:26:51,980 --> 00:26:53,050 SURE. 567 00:27:06,500 --> 00:27:07,840 I HAVE NO IDEA WHAT’S GOIN’ ON. 568 00:27:07,870 --> 00:27:08,910 EVIDENTLY, 569 00:27:08,930 --> 00:27:10,370 SOMEONE’S LOOKING TO RUIN YOUR LIFE. 570 00:27:10,400 --> 00:27:12,730 PLANTS DRUGS IN YOUR GYM BAG, SOME SON OF A BITCH. 571 00:27:12,770 --> 00:27:14,170 OH, MY GOD. 572 00:27:14,210 --> 00:27:15,980 WHAT IS IT? 573 00:27:16,010 --> 00:27:18,050 ALL RIGHT. ALL RIGHT. 574 00:27:18,080 --> 00:27:19,550 THE BIKE? 575 00:27:19,580 --> 00:27:21,480 IT HAS SOMETHING TO DO WITH THE GREEN BIKE. 576 00:27:21,510 --> 00:27:23,140 MAYBE IT’LL COME TO HIM AS WE DRIVE. 577 00:27:23,180 --> 00:27:24,880 I GET IT. I SEE WHAT’S GOING ON. 578 00:27:24,920 --> 00:27:26,160 IT’S A FORMER OPERATOR. 579 00:27:26,180 --> 00:27:28,650 THAT BIKE RIGHT THERE IS INVOLVED IN THIS. 580 00:27:28,690 --> 00:27:29,700 DO YOU NEED TO SPILL NOW, 581 00:27:29,720 --> 00:27:31,320 OR CAN YOU HOLD THE THOUGHT? 582 00:27:31,360 --> 00:27:33,430 I’M GOOD. I CAN HOLD IT. 583 00:27:34,790 --> 00:27:36,220 GOOD. HERE WE GO. 584 00:27:36,260 --> 00:27:38,430 SLIDE OVER. 585 00:27:48,370 --> 00:27:49,710 NO SECOND CHANCES. 586 00:27:49,740 --> 00:27:51,070 MESSENGER BEHAVES INAPPROPRIATELY, 587 00:27:51,110 --> 00:27:52,110 HE’S GONE. 588 00:27:52,140 --> 00:27:53,440 THAT’S HARD AND FAST WITH YOU? 589 00:27:53,480 --> 00:27:55,050 HE’S GONE. DOESN’T WORK FOR ME ANYMORE. 590 00:27:55,080 --> 00:27:56,510 SO IT’S YOUR FEELING 591 00:27:56,550 --> 00:27:59,210 SOME DISGRUNTLED FORMER EMPLOYEE JACKED YOU UP... 592 00:27:59,250 --> 00:28:00,250 KENNY. 593 00:28:00,280 --> 00:28:01,220 KENNY. 594 00:28:01,250 --> 00:28:02,720 I CAN GIVE YOU THE GUY’S NAME. 595 00:28:02,750 --> 00:28:04,020 N’TUNDI. 596 00:28:04,060 --> 00:28:05,630 N’TUNDI? 597 00:28:05,660 --> 00:28:07,100 LAST NAME? 598 00:28:07,130 --> 00:28:08,770 THAT IS HIS LAST NAME. 599 00:28:08,790 --> 00:28:10,390 FIRST NAME. OBED. 600 00:28:10,430 --> 00:28:12,790 OBED N’TUNDI. 601 00:28:12,830 --> 00:28:14,400 Sipowicz: WHAT IS THAT, SWISS? 602 00:28:14,430 --> 00:28:17,530 HE’S A NIGERIAN I FIRED FOR SMOKING HEROIN. 603 00:28:17,570 --> 00:28:18,730 I DON’T KNOW WHERE HE IS NOW. 604 00:28:18,770 --> 00:28:21,240 AND HE SWORE VENGEANCE, OBED? 605 00:28:21,270 --> 00:28:23,240 PLANTS A HALF A KEY OF SMACK IN YOUR GYM BAG. 606 00:28:23,270 --> 00:28:25,440 DEPENDING ON PURITY‐‐AND GIVEN OBED’S EXTRACTION, 607 00:28:25,480 --> 00:28:27,390 I’M BETTING IT COULD BE VERY PURE‐‐ 608 00:28:27,410 --> 00:28:30,380 THAT COULD BE WORTH UPWARDS OF A HUNDRED GRAND. 609 00:28:30,410 --> 00:28:31,710 WELL, I DON’T KNOW WHAT IT’S WORTH. 610 00:28:31,750 --> 00:28:33,820 SO THAT MUST HAVE BEEN SOME RESENTMENT OBED HARBORED, 611 00:28:33,850 --> 00:28:35,120 BLOWIN’ THAT KIND OF DOUGH. 612 00:28:35,150 --> 00:28:36,380 THE TWO OF YOU HAVE HARSH WORDS? 613 00:28:36,420 --> 00:28:37,990 DID THAT UP THE ANTE? 614 00:28:38,020 --> 00:28:40,660 DID HE FEEL YOU GAVE HIM FAULTY DIRECTIONS 615 00:28:40,690 --> 00:28:43,290 TO A DELIVERY DESTINATION? 616 00:28:43,330 --> 00:28:45,270 YOU GUYS WANT ME, RIGHT? 617 00:28:45,300 --> 00:28:46,810 NO MATTER WHAT THE TRUTH IS. 618 00:28:46,830 --> 00:28:48,400 YEAH. IF A GUY LIKE THAT EXISTED, 619 00:28:48,430 --> 00:28:50,070 WE WOULDN’T WANT TO COLLAR UP, 620 00:28:50,100 --> 00:28:52,000 MAYBE FLIP HIM INTO GIVING US 621 00:28:52,040 --> 00:28:53,340 SOME INTERNATIONAL IMPORT GROUP. 622 00:28:53,370 --> 00:28:55,070 YEAH. THEN YOU’RE LOOKING AT PROMOTION, 623 00:28:55,110 --> 00:28:56,410 EVERY OTHER DAMN THING. 624 00:28:56,440 --> 00:28:58,940 WELL, I’M TELLING YOU, HE PLANTED THAT HEROIN. 625 00:28:58,980 --> 00:29:00,520 OBED’S WHERE NOW, KENNY? 626 00:29:00,550 --> 00:29:02,150 GUESSING‐‐MANITOBA? 627 00:29:02,180 --> 00:29:03,650 HEY, SCREW THIS. 628 00:29:03,680 --> 00:29:04,750 MIKE ROBERTS. 629 00:29:04,780 --> 00:29:06,820 THE WHOLE STORY, AND YOU WALK. 630 00:29:06,850 --> 00:29:08,350 TRACK DOWN OBED 631 00:29:08,390 --> 00:29:10,000 AND CONFRONT HIM WITH HIS BETRAYAL. 632 00:29:10,020 --> 00:29:11,690 [CLEARS THROAT] 633 00:29:11,720 --> 00:29:14,260 MIKE ROBERTS SECURITY? 634 00:29:14,290 --> 00:29:16,690 THAT...WORKED SECURITY FOR MY DELIVERY SERVICE 635 00:29:16,730 --> 00:29:18,190 TILL I FOUND OUT HE USED DRUGS? 636 00:29:19,560 --> 00:29:21,700 I MEAN, THAT’S, UH... 637 00:29:21,730 --> 00:29:23,260 THAT’S ALL I KNOW. 638 00:29:23,300 --> 00:29:25,700 KENNY, YOU’RE A GUPPY. 639 00:29:25,740 --> 00:29:27,380 YOU REALIZE THE LUCK OF THAT? 640 00:29:27,410 --> 00:29:28,780 YOU’RE A GUPPY. 641 00:29:28,810 --> 00:29:30,450 YOU’RE HOLDING 20 YEARS OF WEIGHT. 642 00:29:30,470 --> 00:29:31,940 YOU’RE A GUPPY. 643 00:29:31,980 --> 00:29:33,320 EMBRACE YOUR GUPPYNESS. 644 00:29:35,480 --> 00:29:37,880 I MEAN... 645 00:29:37,920 --> 00:29:39,390 WHO DO YOU WANT? 646 00:29:39,420 --> 00:29:40,960 WHO HAVE YOU GOT, KENNY? 647 00:29:40,990 --> 00:29:44,530 EVERYONE ROBERTS RAN WITH. 648 00:29:44,560 --> 00:29:47,670 THE TRUTH IS, HE WAS THE GUPPY. 649 00:29:47,690 --> 00:29:49,190 HE WORKED SECURITY. 650 00:29:49,230 --> 00:29:52,070 HE HAD A CLIENT WHO WAS A VERY POWERFUL FREAK. 651 00:29:52,100 --> 00:29:53,400 JUNKIE? 652 00:29:53,430 --> 00:29:54,530 FREAK... 653 00:29:54,570 --> 00:29:55,710 FOR JUNKIES. 654 00:29:55,730 --> 00:29:56,730 Sorenson: ANY TYPE? 655 00:29:56,770 --> 00:29:58,570 JUNKIE HOOKERS. 656 00:29:58,600 --> 00:30:00,570 DEAD JUNKIE HOOKERS, KENNY? 657 00:30:03,240 --> 00:30:07,340 SO YOU GUYS KNEW WHERE THE CAB WAS GOIN’ ALL THE TIME. 658 00:30:07,380 --> 00:30:08,980 SAY THE NAME. 659 00:30:09,010 --> 00:30:11,180 MALCOLM CULLINAN. 660 00:30:15,020 --> 00:30:17,350 YOU GOT GOOD HYGIENE? 661 00:30:17,390 --> 00:30:19,320 UNTIL YOU TESTIFY, YOU TWO LUCKY DUCKS 662 00:30:19,360 --> 00:30:21,630 GET TO SPEND SOME TIME TOGETHER IN A MOTEL. 663 00:30:24,530 --> 00:30:27,830 EPSOM SALTS AND COFFEE GROUNDS? 664 00:30:27,870 --> 00:30:30,180 I THINK PROBABLY EITHER/OR, AND‐‐ 665 00:30:30,200 --> 00:30:31,430 HI, ANDY. 666 00:30:31,470 --> 00:30:32,500 HI. 667 00:30:32,540 --> 00:30:33,610 HE GARDENS ALSO. 668 00:30:33,640 --> 00:30:35,170 WE WERE SHARING OUR SECRETS. 669 00:30:35,210 --> 00:30:37,280 BRINGING BLOOM OUT OF OUR ROSES. 670 00:30:37,310 --> 00:30:41,840 THIS IS MY PARTNER DANNY SORENSON. KATIE, MY EX‐WIFE. 671 00:30:41,880 --> 00:30:43,950 HOW DO YOU DO, DANNY? 672 00:30:43,980 --> 00:30:46,010 HOW DO YOU DO? 673 00:30:46,050 --> 00:30:47,780 [SIPOWICZ CLEARS THROAT] 674 00:30:47,820 --> 00:30:49,590 ANYWAYS, COME ON. WE CAN TALK IN HERE. 675 00:30:49,620 --> 00:30:52,520 ANDY, MOTEL MONEY FROM THE D. A.’s OFFICE? 676 00:30:52,560 --> 00:30:55,370 SAVE US A BALL‐BREAKING. GET IT FROM THE CHIEF OF DETECTIVES. 677 00:30:55,390 --> 00:30:56,390 LIEUTENANT FANCY’S UPSTAIRS IN ROBBERY. 678 00:30:56,430 --> 00:30:57,540 THEN HE’S LEAVING FOR THE DAY. 679 00:30:57,560 --> 00:30:59,060 THANKS, JOHN. 680 00:31:09,570 --> 00:31:12,140 I HEARD SOMETHING IN YOUR VOICE, ANDY, WHEN YOU CALLED. 681 00:31:12,180 --> 00:31:14,920 I GUESS WHAT YOU HEARD DIDN’T INCLUDE THE WORDS COMING OUT OF MY MOUTH. 682 00:31:14,950 --> 00:31:18,620 I HEARD SOMETHING, AND I CHECKED MY INTUITION AFTERWARDS BY PRAYER. 683 00:31:18,650 --> 00:31:20,250 KATIE, THIS HAS GOTTA STOP. 684 00:31:22,250 --> 00:31:23,950 AFTER GOD TELLS YOU WHAT TO DO, 685 00:31:23,990 --> 00:31:26,890 IF I’M INVOLVED IN THE MESSAGE, YOU CHECK BACK WITH ME. 686 00:31:26,930 --> 00:31:29,400 SO MANY PEOPLE, WHEN THEY’RE SEEKING COUNSEL, 687 00:31:29,430 --> 00:31:30,640 SAY IT’S NOT FOR THEMSELVES. 688 00:31:30,660 --> 00:31:32,430 I BROUGHT YOU TO THAT PROGRAM. 689 00:31:32,460 --> 00:31:34,900 WHERE DO YOU GET OFF WORKING ON ME? 690 00:31:34,930 --> 00:31:36,330 I’M NOT WORKING ON YOU. 691 00:31:36,370 --> 00:31:39,650 BY YOUR OWN ACCOUNT, YOU DON’T PARTICIPATE VERY MUCH, 692 00:31:39,670 --> 00:31:41,570 AND I THOUGHT MAYBE YOU WERE REACHING OUT 693 00:31:41,610 --> 00:31:43,250 TO BE HELPED IN THIS AREA. 694 00:31:43,270 --> 00:31:45,910 KATIE, THAT SOMEONE ELSE‐‐ THAT’S A REAL PERSON 695 00:31:45,940 --> 00:31:48,140 THAT I WAS REALLY LOOKING FOR SOMEONE TO TALK TO HIM. 696 00:31:48,180 --> 00:31:50,410 THAT MAN FROM THE MEETING? 697 00:31:50,450 --> 00:31:51,980 THE BLACK COP‐‐DORNAN. 698 00:31:52,020 --> 00:31:54,490 IF YOU WEREN’T SO BUSY FLAPPIN’ YOUR ANGEL’S WINGS, 699 00:31:54,520 --> 00:31:56,420 YOU’D HAVE REALIZED THAT HE’S THE SUBJECT 700 00:31:56,450 --> 00:31:58,720 INSTEAD OF RUNNIN’ TO BOTHER ME. 701 00:32:01,160 --> 00:32:04,390 I DON’T MEAN "BOTHERING" ME. 702 00:32:08,130 --> 00:32:11,270 I DON’T THINK I’M AN ANGEL. 703 00:32:11,300 --> 00:32:14,440 I JUST FEEL LIKE I’VE GOTTEN MY LIFE BACK. 704 00:32:14,470 --> 00:32:17,710 KATIE, I’M GLAD. 705 00:32:21,250 --> 00:32:25,020 I BROUGHT A PHONE LIST FROM THE MEETING. 706 00:32:25,050 --> 00:32:27,450 THINKING THAT I WANTED PEOPLE TO CALL MYSELF. 707 00:32:27,490 --> 00:32:28,990 I’VE LEARNED SO MANY TIMES 708 00:32:29,020 --> 00:32:31,550 WHAT WE THINK AND WHAT GOD INTENDS THROUGH US 709 00:32:31,590 --> 00:32:33,490 IS SO DIFFERENT. 710 00:32:33,520 --> 00:32:36,860 HE MADE SURE I GOT THIS FOR YOUR FRIEND‐‐ 711 00:32:36,900 --> 00:32:38,470 HE’S NOT MY FRIEND. 712 00:32:38,500 --> 00:32:41,110 EVEN THOUGH I MISUNDERSTOOD. 713 00:32:48,170 --> 00:32:49,470 DO YOU WANT ME TO TAKE YOU TONIGHT? 714 00:32:49,510 --> 00:32:51,250 IT’S OK, ANDY. 715 00:32:51,280 --> 00:32:53,450 ONLY IF YOU’LL BE GOING YOURSELF. 716 00:33:09,890 --> 00:33:11,360 BOSS? 717 00:33:11,400 --> 00:33:13,870 WHAT IS IT? 718 00:33:13,900 --> 00:33:16,060 UM, I WAS‐‐I WAS, UH, LOOKING FOR YOU 719 00:33:16,100 --> 00:33:17,700 IN THE ROBBERY SQUAD. 720 00:33:17,740 --> 00:33:19,180 WHAT DO YOU NEED? 721 00:33:19,200 --> 00:33:22,240 ANDY AND ME WERE WONDERING WHETHER OR NOT 722 00:33:22,270 --> 00:33:24,670 YOU’D REACH OUT TO THE CHIEF OF Ds FOR MOTEL MONEY. 723 00:33:24,710 --> 00:33:26,170 YOU TURN THAT DEALER? 724 00:33:26,210 --> 00:33:27,540 ON HIS ASS, BOSS. 725 00:33:27,580 --> 00:33:29,910 PUTS HIS DOPE IN CULLINAN’S POCKET. 726 00:33:38,060 --> 00:33:41,870 ANDY AND I WERE TALKING ABOUT SOMEBODY WITH A DRINKING PROBLEM. 727 00:33:41,890 --> 00:33:43,590 [STIFLING TEARS] 728 00:33:43,630 --> 00:33:46,390 AND IT REMINDED ME OF SOMEBODY IN MY FAMILY... 729 00:33:48,430 --> 00:33:50,200 AND THAT’S WHY I’M IN HERE. 730 00:33:50,230 --> 00:33:52,570 NO RUSH CALLING THE CHIEF OF DETECTIVES. 731 00:33:54,640 --> 00:33:56,170 I COULDN’T HELP HIM. 732 00:33:58,740 --> 00:34:02,210 HE DIED ON THE STREET AND SO FORTH. 733 00:34:02,250 --> 00:34:04,320 YEAH, HUH? 734 00:34:04,350 --> 00:34:06,650 HE DIED... 735 00:34:06,690 --> 00:34:07,790 YOU KNOW... 736 00:34:07,820 --> 00:34:10,590 HE DIED HELPLESS. 737 00:34:12,090 --> 00:34:14,790 YOU COULDN’T HELP HIM. 738 00:34:14,830 --> 00:34:18,740 YOU CAN’T HELP SOMEBODY LIKE THAT. 739 00:34:18,760 --> 00:34:20,330 IT DON’T MAKE THE PAIN LESS. 740 00:34:20,360 --> 00:34:22,600 NO. 741 00:34:23,640 --> 00:34:25,640 YOU WISH YOU COULD HELP. 742 00:34:27,310 --> 00:34:30,250 BUT THAT’S SOMETHING YOU HAVE TO LEARN FROM LIFE. 743 00:34:30,270 --> 00:34:32,440 YOU HAVE TO LEARN TO... 744 00:34:38,780 --> 00:34:39,980 I WON’T TELL ANYBODY. 745 00:34:41,290 --> 00:34:43,430 THANK YOU, DANNY. 746 00:34:43,450 --> 00:34:48,620 [CRYING] 747 00:35:02,510 --> 00:35:03,980 HEY. 748 00:35:04,010 --> 00:35:05,210 HEY. 749 00:35:07,850 --> 00:35:09,960 SORENSON INVITED THE BOYS TO SEE THE METS. 750 00:35:09,980 --> 00:35:11,480 OH, THAT’S NICE. 751 00:35:11,520 --> 00:35:13,760 YEAH. HE SAID HE HAS A FRIEND WHO GETS TICKETS. 752 00:35:15,350 --> 00:35:18,520 I WENT AHEAD AND ASKED IF I COULD COME, TOO. 753 00:35:18,560 --> 00:35:19,530 OH, YEAH? 754 00:35:19,560 --> 00:35:20,960 YEAH. 755 00:35:20,990 --> 00:35:24,530 I HEARD THOSE VERY WORDS COME FROM THIS MOUTH. 756 00:35:24,560 --> 00:35:27,030 AND, UM, WHAT WORDS CAME FROM HIS? 757 00:35:27,070 --> 00:35:28,640 OH, HE SAID, UH... "SURE." 758 00:35:28,670 --> 00:35:29,710 SOMETHING LIKE THAT. 759 00:35:29,730 --> 00:35:31,100 SO...GOOD. 760 00:35:32,540 --> 00:35:35,850 THERE STILL MIGHT BE LAWS AGAINST THAT IN SEVERAL STATES. 761 00:35:35,870 --> 00:35:39,510 YOU’RE A COUPLE YEARS OLDER THAN HE IS. 762 00:35:39,540 --> 00:35:41,510 ANYWAYS, THE MAGAZINES SAY IT’S OK, 763 00:35:41,550 --> 00:35:43,720 WHICH IS HOW I’VE ALWAYS TRIED TO GUIDE MY BEHAVIOR. 764 00:35:43,750 --> 00:35:46,950 WELL, YOU CAN’T GO WRONG DOING THAT. 765 00:35:51,390 --> 00:35:54,390 COHEN REACHED OUT ON MAKING UP WITH YOU. 766 00:35:54,430 --> 00:35:56,370 HUH. DID YOU TELL HIM TO STAY HOSTILE 767 00:35:56,390 --> 00:35:58,330 AND KEEP BELITTLING MY JOB PERFORMANCE? 768 00:35:58,360 --> 00:36:01,630 YEAH. I TOLD HIM THAT WAS THE SHORTCUT TO YOUR HEART. 769 00:36:07,940 --> 00:36:10,940 SO HERE’S YOUR OPPORTUNITY SHOWING ME. 770 00:36:12,910 --> 00:36:14,380 WOULD YOU EXCUSE US? 771 00:36:14,410 --> 00:36:16,080 YES, WITH REMINDING YOU‐‐ 772 00:36:16,110 --> 00:36:17,680 GO BELLIGERENT ON HER AGAIN, 773 00:36:17,720 --> 00:36:19,560 AND WE WILL ALL TAKE THAT PERSONALLY. 774 00:36:19,580 --> 00:36:20,920 I UNDERSTAND. 775 00:36:20,950 --> 00:36:23,080 IF YOU DON’T NOW, YOU WILL RIGHT AFTER YOU DO IT. 776 00:36:31,300 --> 00:36:32,300 HI. 777 00:36:32,330 --> 00:36:33,530 HI. 778 00:36:33,570 --> 00:36:35,770 DO YOU MIND IF WE TALK IN THE COFFEE ROOM? 779 00:36:35,800 --> 00:36:37,570 UM... 780 00:36:37,600 --> 00:36:39,640 LET’S TALK HERE. 781 00:36:39,670 --> 00:36:43,440 UH, THIS ISN’T ABOUT THE CASE, JILL. 782 00:36:43,470 --> 00:36:45,810 LET’S‐‐ LET’S DO IT HERE. 783 00:36:47,610 --> 00:36:49,440 IS HE SQUEEZIN’ HER SHOES? 784 00:36:49,480 --> 00:36:50,880 NO. 785 00:36:50,920 --> 00:36:54,530 I ASKED HER KIDS TO A BALL GAME. 786 00:36:56,320 --> 00:36:59,920 MY BEHAVIOR’S SOMETHING THAT CAME OVER ME. 787 00:36:59,960 --> 00:37:01,460 CAN YOU UNDERSTAND THAT? 788 00:37:01,490 --> 00:37:03,220 YEAH, I CAN UNDERSTAND IT. 789 00:37:03,260 --> 00:37:05,460 I APOLOGIZE FOR IT. 790 00:37:05,500 --> 00:37:06,740 SINCERELY. 791 00:37:06,770 --> 00:37:09,140 NOW YOU’RE GONNA SIGN YOUR NAME? 792 00:37:09,170 --> 00:37:10,140 YES. 793 00:37:10,170 --> 00:37:12,130 SINCERELY YOURS, LEO COHEN. 794 00:37:19,180 --> 00:37:20,690 I CAN UNDERSTAND 795 00:37:20,710 --> 00:37:22,980 SOMEONE REACTING THE WAY YOU DID, LEO. 796 00:37:23,010 --> 00:37:25,450 IF WE’D HAD A BIG RELATIONSHIP, 797 00:37:25,480 --> 00:37:28,180 I MIGHT... TRY TO HELP YOU THROUGH IT. 798 00:37:29,550 --> 00:37:33,290 BUT WE HAVEN’T HAD THAT KIND OF RELATIONSHIP... 799 00:37:33,320 --> 00:37:36,830 AND I’M TRYING TO RAISE 2 KIDS OF MY OWN. 800 00:37:36,860 --> 00:37:39,030 KIDS DON’T GET JEALOUS THE WAY I WAS. 801 00:37:39,060 --> 00:37:41,460 KIDS ARE THE ONES WHO DO. 802 00:37:47,840 --> 00:37:49,870 CAN WE DO THIS NICELY? 803 00:37:51,540 --> 00:37:53,340 YEAH, OK. 804 00:37:58,750 --> 00:38:02,220 DON’T WORRY THAT I’LL MAKE IT TOUGH FOR YOU ON THE CASE. 805 00:38:08,190 --> 00:38:09,360 GOOD NIGHT. 806 00:38:13,770 --> 00:38:16,640 I SHOULDN’T CHASE HIM DOWN, TELL HIM ABOUT KENNY PRIEST. 807 00:38:16,670 --> 00:38:18,670 SPARE ME HEARING 50 PROCEDURAL DEFECTS 808 00:38:18,700 --> 00:38:20,500 HOW WE WENT AFTER THIS PRICK, 809 00:38:20,540 --> 00:38:22,970 WHY WE CAN’T USE HIM AGAINST CULLINAN. 810 00:38:23,010 --> 00:38:25,350 I DON’T THINK HE’S GONNA BE BREAKIN’ BALLS 811 00:38:25,380 --> 00:38:26,890 IN THE INVESTIGATION ANYMORE. 812 00:38:26,910 --> 00:38:27,980 BECAUSE? 813 00:38:28,010 --> 00:38:30,250 YOU DIDN’T ASK THIS CREEP NO FAVORS? 814 00:38:30,280 --> 00:38:31,680 NO. 815 00:38:31,720 --> 00:38:34,260 UH...I DON’T THINK HE’S GONNA STAY ON THE CASE. 816 00:38:36,720 --> 00:38:37,890 SEE YA. 817 00:38:39,760 --> 00:38:42,190 GOOD NIGHT. 818 00:38:42,230 --> 00:38:44,700 AGAIN, ABOUT DOLORES’ FATHER... 819 00:38:44,730 --> 00:38:46,160 HEY, JOHN... 820 00:38:46,200 --> 00:38:47,570 TOMORROW’S ANOTHER DAY. 821 00:38:50,400 --> 00:38:52,930 HOW’D SHE TAKE THAT, INVITING HER KIDS? 822 00:38:52,970 --> 00:38:55,370 WAS SHE...ENTHUSED? 823 00:38:55,410 --> 00:38:57,220 YEAH. 824 00:38:57,240 --> 00:39:00,380 [TELEPHONE RINGS] 825 00:39:00,410 --> 00:39:01,540 15th SQUAD. 826 00:39:01,580 --> 00:39:02,780 I GOTTA DO SOMETHING. 827 00:39:02,810 --> 00:39:04,110 GOOD NIGHT, ANDY. 828 00:39:04,150 --> 00:39:06,550 YEAH, GOOD NIGHT. 829 00:39:06,590 --> 00:39:08,590 I’D LEAVE THROUGH THE JOHN 830 00:39:08,620 --> 00:39:10,390 SO HE DON’T HAVE TO APOLOGIZE, 831 00:39:10,420 --> 00:39:11,590 BUT MY COAT’S OVER THERE. 832 00:39:15,260 --> 00:39:16,730 OH‐‐ GOOD NIGHT. 833 00:39:16,760 --> 00:39:18,260 DON’T WORRY ABOUT NOTHIN’. 834 00:39:25,070 --> 00:39:27,970 I’LL, UH, CALL THE CHIEF OF DETECTIVES, 835 00:39:28,010 --> 00:39:29,750 GET YOUR MOTEL AUTHORIZATION. 836 00:39:29,770 --> 00:39:32,010 YEAH. THANKS. 837 00:39:36,450 --> 00:39:38,260 I GOT A LIST FROM MY EX‐WIFE. 838 00:39:38,280 --> 00:39:41,220 PEOPLE WHO MIGHT TALK TO DORNAN. 839 00:39:41,250 --> 00:39:42,650 YEAH. 840 00:39:42,690 --> 00:39:44,630 ’CAUSE I CAN’T HELP. 841 00:39:46,120 --> 00:39:48,120 I CALL FROM OUTSIDE THE OFFICE. 842 00:39:50,800 --> 00:39:52,840 YOU CAN CALL FROM MY OFFICE IF YOU WANT. 843 00:39:55,300 --> 00:39:57,400 CALL HIM FROM IN THERE? 844 00:39:57,440 --> 00:40:01,180 OR I CAN TRY TO TALK TO HIM AGAIN. 845 00:40:03,980 --> 00:40:05,520 AS FAR AS THAT GOES, 846 00:40:05,540 --> 00:40:07,880 I COULD TRY TO TALK TO HIM AGAIN. 847 00:40:19,990 --> 00:40:23,190 THE CHIEF OF Ds AND THEN SOME PERSONAL CALLS. 848 00:40:29,070 --> 00:40:30,810 CHIEF OF Ds. 849 00:40:30,840 --> 00:40:33,010 GET THAT OUT OF THE WAY. 850 00:40:35,510 --> 00:40:37,350 [CLEARS THROAT] 851 00:40:37,380 --> 00:40:39,050 JILL, UH... 852 00:40:39,080 --> 00:40:40,820 JILL TOLD ME YOU’RE TAKING HER, TOO. 853 00:40:40,850 --> 00:40:41,850 THAT’S REALLY NICE. 854 00:40:41,880 --> 00:40:43,140 YEAH. 855 00:40:43,180 --> 00:40:44,310 YOU KNOW, IT’S JUST... 856 00:40:44,350 --> 00:40:46,150 ONE EXTRA TICKET. 857 00:40:59,900 --> 00:41:03,900 WHAT WAS IN OUR LUNCH, THINKING HE WOULDN’T BE GONE ALREADY? 858 00:41:03,940 --> 00:41:05,340 I’LL AUTHORIZE THE MOTEL. 859 00:41:05,370 --> 00:41:06,900 [CLEARS THROAT] 860 00:41:06,940 --> 00:41:08,370 DORNAN. 861 00:41:08,410 --> 00:41:10,380 OH. 862 00:41:25,290 --> 00:41:26,520 [CLEARS THROAT] 863 00:41:28,560 --> 00:41:30,390 GET ON IF YOU WANT. 864 00:41:40,240 --> 00:41:41,200 NO ANSWER. 865 00:41:41,240 --> 00:41:42,270 NO. 866 00:41:42,310 --> 00:41:44,380 ANSWERING MACHINE’S NOT ON. 867 00:41:44,410 --> 00:41:45,940 MM‐MMM. 868 00:41:47,550 --> 00:41:48,620 YOU KNOW WHAT? 869 00:41:48,650 --> 00:41:49,690 I GOT HIS BEEPER. 870 00:41:49,710 --> 00:41:50,750 CALL HIS BEEPER. 871 00:41:50,780 --> 00:41:52,280 LET ME CALL THAT. 872 00:41:59,220 --> 00:42:00,720 YOU LEAVING THE NUMBER OF THE SQUAD? 873 00:42:00,760 --> 00:42:01,920 YEAH. 874 00:42:04,130 --> 00:42:06,060 [HANGS UP] 875 00:42:06,100 --> 00:42:07,710 WE’LL WAIT, THAT’S ALL. 876 00:42:07,730 --> 00:42:09,730 YEAH. 877 00:42:11,600 --> 00:42:13,470 WON’T GO HUNT IN EVERY BOROUGH. 878 00:42:18,280 --> 00:42:20,250 HE WANTS TO CALL, WE’RE HERE. 879 00:42:20,280 --> 00:42:22,080 YEAH. 880 00:42:30,620 --> 00:42:33,250 I’LL TELL THE KID HE’S OK FOR THE MOTEL. 881 00:42:33,290 --> 00:42:34,560 BUT THEN YOU’RE COMING BACK, RIGHT? 882 00:42:34,590 --> 00:42:36,060 YEAH. I’LL TELL HIM, THEN I’LL COME BACK 883 00:42:36,090 --> 00:42:37,090 AND WAIT WITH YOU. 884 00:42:37,130 --> 00:42:39,530 OK. 62924

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