All language subtitles for The.Dead.Half.2017.1080p.WEBRip.x264-RARBG

There's pain, anger,

fear, restlessness,

spirits, dark spirits,

and they're trapped here.

- The house was unique
for its time and place,

larger than most homes,
built outside of town,

so it prompted gossip.

He, they moved here.

He was a doctor, and he built the house

so that it also had his office and clinic.

You've seen the house, right?

- It was the girls. He killed his girls.

My grandmother told me.

He abused them and beat them, for years.

- A European doctor and his family.

There were patients who went
there, but as I understand it,

the people in the house
were pretty reclusive,

the doctor and his two daughters, twins.

- Yeah, we were gonna stay overnight.

And we camped in this large room,

at the bottom of the stairs.

Nothin' happened at first.

We went to sleep.

I woke up.

I heard this sound, like moving,

then like crying, coming from upstairs.

It was dark.

I looked up.

I saw this figure leaning
over the stair rail,

and it looked at me.

I'm sure I screamed. Somebody did.

We all jumped up and got out of there.

It was a long time ago.

- These look incredible.

How long did you say you've
been working on this?

I don't know, months,

years, really.

I heard about the house,
ever since I was a kid.

- And this house is for real.

I mean, everyone says it's haunted.

- Classic.

Murder, ghosts, sightings,
sounds, mystery.

It's why I'm doing this, really.

- A paranormal investigation?

Or like another one of
those found-footage movies?

- No, no, nothing like another one

of those found-footage movies.

I want to get in there and
capture some real footage,

dramatize it with some good
acting and some effects,

and get it out there and get
rich and famous off of it.

Anyway, uh, like I
said, nobody saw much of them,

the same thing with the dad.

He was a doctor, and he
was just a real odd bird.

If his patients didn't pay him in 30 days,

he'd killed them.

Oh, he did not!

It was the girls.

He killed his own girls.

If you're going to tell
the story, tell it right.

I am.

I was doing that.

- You haven't said anything right,

since you started talking.

Bottom line, it's haunted,

for all the horrible reasons
a house can be haunted.

- Dude, stop it!

- Better check your pants.

- That's not funny.

- Hi.

- Hi.
- I'm Dillon.

Claire, right?

Aaron said you were a really good actress

and pretty.

- Get serious, man.

- I am.

- This is, uh, Dillon.

He's helping me produce this.

He's my DP.

- Director of photography, actor,

co-producer, and just
about everything else.

Everybody's gonna have
one of these, a GoPro,

or a cheap knockoff.

- They're not cheap.

- Just like that one.

Aaron's put every penny
he has into this thing.

- Because this is serious filmmaking.

Yeah, what are you paying her?

Uh, that's okay.

I'm doing this film for the fun of it.

- That's the right reason.

- My mom always told me
to never spend the night

in a haunted house, with an empty stomach.

Claire?

I've seen you.

I know you.

I've sensed your spirit.

There's darkness around
you tonight, in that house.

The things that are there,

the house itself, won't welcome you.

And you won't like what you find.

I have this gift, to sense and feel,

to see what was and what is coming.

And what I see is

bullshit.

- Actually, I wrote some of it.

- Actually, what it was was acting,

I'm playing the
in-touch-with-the-other-world clairvoyant

in the movie.

Oh.

You're good.
- Thanks.

I hear you're good, too,

except Aaron didn't tell me
that you're kinda pretty.

- So, uh, let's eat.

Then we can pack up and get on the road,

and we'll have our production
meeting on the way.

- Well, other than Dr. Stanilestri,

I believe there was only one
other doctor in town, then.

The doctor had two daughters, twins.

You never saw one without the other.

But as I said, they were pretty reclusive.

The girls, Sophia and
Sara, were mentally ill.

It's said the doctor
was embarrassed by them.

He supposedly used his medical knowledge

to try and cure them.

The doctor killed
them right there in house?

- That's one of the more colorful legends.

The girls did die in the house,

when they were around 16, I think,

during the flu epidemic.

The doctor had a mausoleum
behind the house,

where he buried them.

Shortly after that, the doctor died.

He went crazy too, right?

Killed himself?

- Well, that's another one
of those colorful stories.

It was likely he died of the flu, also.

And he was buried in the
mausoleum with his daughters.

- Aaron, this looks so good.

Huh, you really can't make
up stuff like this, can you?

- Yeah, we can,

at least make up our reaction to it.

We have the story.

Now, all we need is an ample amount

of fear to go with it.

Right, baby?

That's the trick.

Jill, camera!

- Wait, nobody goes in the house,

till they run some
behind-the-scenes stuff,

some bonus material.

This looks like
something out of a movie.

- It is now.
- Where have you been?

Everyone around here
knows about this place.

I mean, I just got into town.

All of this is new to me.

- All right, let's get the gear.

Let's get this thing rolling.

- Wait a minute.

Let's go inside, check it out,

get a feel for the place,

find out where to set things up.

Dillon, help
him with the gear, first!

- What the hell?

It's locked. It's boarded up.

- What?

I thought that real
estate lady was supposed

to have it open for you.

- Let's call her and get her out of here.

- She told me she had
something else she had to do,

so she came over here and unlocked it.

- She didn't unlock it.

She didn't get that done.

- Aaron, just try calling her,

or we can go meet her somewhere.

- I told you she's not around.

- Well, she screwed up and forgot,

and she's gonna want to come
unlock it and make it right.

Just call.

- Jill, who's the director here?

- Look, I can just go
around and check the back.

Claire, come on.

- Sure, okay.

This is a real pain, isn't it?

- If we had any money to pay her,

Pomonas Real Estate would be out here

with that front door opened,
a bottle of champagne,

and a red carpet for us.

Dammit!

I don't believe this.

The last time I came here,
I didn't check the back,

because the idea was
that we would be going in

through the unlocked front door.

Claire?

Oh.

Yeah.

It's cool, huh?

They were buried there?

- The girls, their dad.

- What happened to it?

Why is it all tilted?

- Over the years, it's just kind

of drifted into the ground.

It may be a sinkhole or something.

It's all underground,
anyway, the burial vault.

They say when you open the doors,

there's steps that lead down
to where the caskets are.

When I was a kid, we
used to dare each other

to go down to where the tomb was,

but now nobody's getting down there.

- Nobody?

- Okay, well!

We should probably tell Aaron

that we didn't find anything back here.

- Aaron, just try calling her.

Maybe she got caught up.

At least talk to her.

I mean, she's still good with this, right?

Great, now you're gonna
be a jackass-pouty baby.

This'll be a fun night.

I won't be stopped!

Showtime.

Claire, just put that over there, okay?

Here, here!

Of course it creaks.

Claire!

Whoa, you okay?

Yeah.

- Come on and help out, okay?

Okay.

- Look, I'm sorry

about Aaron's psycho,
country fit, out there.

- It's fine.
- It's not,

and he knows it.

- This place really is a
vibe about it, doesn't it?

- A vibe?

- Yeah, you know, like a feeling.

- Look, who's the
clairvoyant in this movie?

Um, you.

- It still works,

and this will work.

Lookin' good!

- Hey, Dillon, why is
it that the guys can put

on their own cameras, but
the girls need your help?

Here we go!

Woo!

- Sweet.

I love technology.

- Okay, everybody's
camera records internally

and sends it back here to the base.

We'll be able to talk
over the headset mics,

and audio will transmit back here too.

I spent tons on extra
batteries and memory cards.

So we'll be good if we need backups.

- Um, so everyone's going around alone?

- No, we're gonna be going in teams.

Claire, you will be going with Dillon,

and I will be going with Jill.

All right, everybody, give me your phones.

I, I don't want to,

I don't want anyone, uh,

having a phone in the house.

So, so if you get scared,

you don't text or tweet

or call Mommy and Daddy for help.

- We're not gonna do that.

I'm not!

- We'll need our phones.

This is an old house.
Somebody could get hurt.

- We've got a first aid kit, somewhere.

- Like 911 hurt.

- Look, Jill, the phones
will be right here.

If anything
really scary does happen,

I don't want anyone making
the impulse call for help.

This kind of movie is a lot better

if there's an air of isolation around it.

- I love you, but you're really
getting weird about this.

- Something's going to happen tonight.

I can feel it.

Something paranormal, weird, scary.

Okay, even if nothing happens tonight,

we're going to make something happen.

- You mean fake it.

- Jill, one way or the other,

we are not leaving this house

until we have a scary movie.

- Sweet! I'm with you, man.

- Let's do it.
- That's why I'm here.

- All right.
- All right,

ready or not, ghosts, here we come.

- All right, everyone's cameras recording?

No, it's, uh, it's right here.

Don't!

- Okay, seance time.

- Seance?

- Builds tension and suspense.

Four attractive young
people in a creepy house?

This is a movie, you know.

Okay, everybody, close your eyes

and clear your minds.

- We're really, finally,
really doing this.

Dillon!

- We enter this house with
peace, not threatening,

here to wake and welcome
the spirits that reside.

We now call on the spirits

of Sophia and Sara Stanilestri.

And we call on the spirits
of Dr. Stanilestri.

Come to us now and make
your presence known.

Hear us.

Come to us.

We want to meet you.

We ask for a sign of your presence.

- What?

- There!

Something there, I saw it!

A figure, a person, something!

- A ghost?
- No, no.

It was, it was just a figure.

I don't know!

Something's there!

- Oh, you're really good.

She's really good.

- No, no, I, I swear I actually saw,

I actually saw someone.

I'm serious!

I saw something! I swear!

- All right, that was a great seance.

Nice way to start this off.

The flight to the infirmary are down here.

The doctor's in the girls'
bedrooms are upstairs.

I'm gonna get the flashlight,
to make sure everything is-

- Aaron!
- Oh my god.

- Pull it out!

Pull it out!

- Hey!
- Get it out.

Claire, it's in my things.

Okay, it's okay.

You're all right. It's okay.

It's okay. It's okay.

You're all right.

Ah, let's see what's in here.

Get it open.
- Oh my God.

- Breathe.
- This, this, there.

Get that.
- Yeah.

- Okay, it's okay. It's okay.

It's okay.
- Breathe.

- Okay.
- Come on!

- All right, that's it. Night's over.

I'm taking you to the ER.

- Be careful.
- No!

- Careful.
- You've got to

get this looked at.

- Keep it smooth.
- It is being looked at.

- Dillon, talk to your idiot
filmmaking friend here.

Jackass! I don't believe this.

Aaron, you had a nail
go through your foot,

all the way through.

Our little Boy Scout first aid
kit is not gonna be enough.

- She's right.

Let's just leave here.

It'll be fine.

- No, we'll make your movie
some other night, okay?

Maybe something's telling us
we're not supposed to be here.

Jill.

- It does look ugly, bro.

- Thank you, finally.

- Look, it's bandaged.

I'll, I'll take some aspirin for-

- Like hell! You need a tetanus shot.

You'll get lockjaw.

Have you ever seen anybody with lockjaw?

- How am I gonna get tetanus
and lockjaw in the same night?

- Oh, thank you, doctor.

How do you think you're gonna
do your movie like this?

You think you're gonna walk

around the house being
Ghostbuster with this foot.

You all right?

Yeah, it just hurts a little.

The pressure
should stop he bleeding.

- Great, everybody's a doctor now.

All right.

If we're gonna do this,

let's make your damn movie.

- Okay, everything looks good.

Dillon, Claire, upstairs,
bedrooms are up there,

doctor's room and the girls'.

Jill, downstairs hallway,
toward the back of the house,

somewhere along the way, you
should pass the infirmary area.

I need tension, suspense, and fear,

especially from you Jill.

You're the one in touch
with the other side.

- You got it.

- Okay.

Action.

You seein' this, Aaron?

- If it's not haunted, it should be.

- Any idea which room
belonged to the girls

and which room belongs to the doctor?

- Well, I guess you could
just start by opening doors.

Jill.

Jill!

Jill, Jill, come on, give me something.

- There's something here.

There's something written on the wall.

- What is it?

Something written in blood?

- No, spray paint.

- It's the word boo, what?

Dammit, Jill!

- I think it's some kind of warning.

- Come on!

Probably some pot-smoking
kids snuck in here

and did that 30 years ago,

probably your parents!

Quit screwin' around.

Come on, baby.

I'll get serious enough, in a minute.

- Whatever might happen
in this house, tonight,

is nothing compared to what'll happen

if Aaron doesn't get his movie.

We're going into the first room.

- Cool.

Okay, I need some suspenseful narration.

- Okay.

Well, it's cold in here,

much colder than in the hall.

- She's right. You could really tell.

Not much left in here.

It's obviously somebody's bedroom.

Obviously.

Who's?

- Not sure.

Pretty spooky though.

We might catch some orbs
or energy apparitions.

- Over against the wall.

Is that a wardrobe?

- The closet thing.

Yeah, the, yeah, the wardrobe.

Can you go look inside it?

Claire, you go.

- Me?

- Look, I'll, I'll do it.

- No, I want Claire to do it.

These kinds of things are
scarier when a girl does it.

Damn.

- What? What is it?

Empty.

- Empty?

- Empty.

- Move on.

- Hey, what's going on?

- Hold this.

Oh my god.

- What is it?

- Dr. Stanilestri's lab coat.

- Okay, this is scary.

- He was a doctor.

- With blood on his coat.

- Blood?
- And he was hiding it.

- God.
- Oh god!

No, no, wait, wait!

Get a better shot of that.

- It's back in there,
and it's staying there.

- I don't think so.

It's coming with us.

We've discovered something.

This could be a big thing for my movie.

Look, we came here, because we heard

that there was something about this place,

something that was true to
what all they say about it.

And now we found something
that gives that credibility.

And on top of that, it's scary.

- Look, just give me a minute.

I'm with you on this man.

But this guy has blood on his lab coat.

This guy might've been murdering people.

Yeah.

- I'm not going to carry that coat around.

It's staying in here.

Look, I'll come back
and get it, as we leave.

I'm not gonna carry it around, all night.

- Look, if Dillon is crapping his pants

over whatever's going on up there,

then I'm gonna go up there

and make something happen with it.

- Shut up, Jill.

- No, Jill, I need you
working things down here.

- Why? So I can see more
scary graffiti on the wall?

Just keep moving.

The infirmary's back there somewhere.

Oh wow.

My turn now.

This wins an Oscar for Best Set Design.

- Sometimes, the doctor
would keep patients overnight

or for a few days, if you
needed to keep an eye on them.

Move on, go slow, and remember-

- I'm the psychic in the movie.

- You are the psychic in the movie.

- Okay, I'm feeling something here.

There's pain,

fear, anger,

restlessness, spirits,

dark spirits who never made
it out of this room alive.

They're trapped here.

Aaron, are you, are you seeing this?

On, on that bed, like a body?

- Uh-huh.

Come on, move closer to it.

- Like hell.

- I just want to get a
better shot of it, is all.

Aaron, Aaron!

- Jill!

Something fell off the bed.

I dropped my flashlight.

- Well, grab it.

I can't see anything in the shot.

- Okay.

Nothing but sheets.

What?

- This is where all the
underage kids came to drink?

- Used to be, not so much now.

- Guys, don't waste any more time here.

Unless this a haunted trunk,

we're not going to beat

that lab coat.
- Wait!

What is that?

- What?

- Wait.

What is that?

A whisper.

- It's one of the Stanilestri girls.

- You sure?

- It's gotta be.

Who else could it be?

- Looks like daddy or
somebody was pissed off

at the other sister.

- Or this one.

- So cool.

Be sure to bring that with you

when you come back down here, okay?

- Hey, remember me?

I'm in the psycho sick room
with the straps on the bed.

Aaron.

What?

- There's something out there,

around the mausoleum,

like a person.

- What?

- For real, I'm serious.

- I can't see anything from here.

- Well, I can.

I just can't get a good shot from here.

- Is this for real?

Or is this for my movie?

- Aaron, jackass!

- Jill stay there.

Dillon, get down here.

Hmm.

Yeah, that's nice.

Okay, Dillon, I need you to get the camera

off the tripod in the entry hall

and take it around back
and get a closer look

at whatever it is that
Jill is seeing back there.

- Do you really want me to do that?

- Yes, Jill's camera angle is too wide.

I can't get a good look at
what she's seeing back there.

- What happened to things being
scarier when girls do them?

- Get the camera, go back there, shoot it!

What do you think we came here for?

Where are you going?

With him.

- No, I need you here.

Dillon.

Back upstairs, to the girls' rooms.

All right, I'm on the side-

- Dillon?
- Headed toward-

- Dillon?
- Mausoleum.

- Dillon, do you...

- Aaron, can you hear me?

Aaron?

- Hey, Dillon, I see you.

Dillon?

Jill?

- Yeah.

I can see him out there,
but he can't hear me.

- I've lost sight of him, too,

audio and video.

- If anybody can hear me, I,

I'm almost done out here.

I don't see anything.

I'm almost done out of here.

I...

- Dillon?

Dillon!

It's just me, sorry.

- I thought you were
back in the infirmary.

- I saw Dillon outside the mausoleum.

Whatever I saw back there
isn't there anymore.

- Uh-huh, well, why don't
you go back to the infirmary?

I need you to get more
scary stuff back there.

- Bars and shackles aren't enough?

I mean, what do you think
was going on with that stuff

in a room full of sick people?

What are you doing with that?

- It's for the pain.

Getting impaled in the foot hurts a lot.

- But it looks like a lot of
the pills are already gone.

You told me you'd quit.

You're still hooked, aren't you?

- It's under control.
- Jackass.

Really? Under control?

Is that why you're sneaking
and lying about it?

Aaron?

- Yeah.

- You're getting all this, right?

- Yeah.

Looks like one of the girls' rooms.

- Yeah, um,

I'm seeing two of almost
everything in here,

uh, except the stool

and, uh, the bed.

- Looks like a prime
location to do something.

You can find the other
girl's room, in a minute.

I'll get Jill and Dillon to join you,

and we'll milk the scary out of that place

as much as we can.

Weird.

There's like waves of cold in the room,

and a smell,

like perfume.

Really strong.

This is just so strange.

I've never been around
anything like this before,

never believed in it.

- So she's your psychic now?

She's your drama queen?

I'll go pay your new star a visit.

- Jill!

Dillon?

Dillon, I'm, I'm getting
your signal again.

Are you okay?

Dillon, can you hear me?

I, I, I, I don't see anything here.

You just turn around
and run into something.

- What do you think you're gonna see?

- He said something attacked him.

- Hey, baby, look at him.

Something did.

- Aaron, there was something there.

- But there's nothing here.

There's trees
back there, all right,

you know, bushes.

There's a gate back there, somewhere.

Maybe you ran into that.

- I saw something, too,
out the window, remember?

I mean, you want all
these things to be real,

and then you try to find
a reason that they're not.

- Damn right!

- Don't get me wrong. It's cool.

Maybe we could use it.

You know, get some shots of Dillon's face.

It's scarier.

- No, that's it. Night's over.

Okay, you're crippled.

He got clawed across the face,

a mark you said he got
from running into a tree?

I mean, everyone's getting hurt,

and this is getting out of control.

- No, I don't have
enough for my movie yet.

- We'll come back.

No, we won't.

Once we leave, I'll never
get everyone back here.

- Sure, we will.

- No, I won't.

And you know that.

Look.

Let's just,

just go for an hour more.

Okay?

Then we'll get the lab coat,

and we'll leave, promise.

Dillon?

- I don't know.

I'm in this.

I don't want to let you down, Aaron.

But I am not going back
out there, to that tomb.

I'm not.

I just need a few minutes.

Okay?

- Claire?

- I don't know.

It's getting pretty weird out there.

I mean, I'm not even sure
what's going on, myself.

Maybe if we give it a time limit,

stay another hour and then go.

I mean, I said I wanted
to help you out on this.

- Okay, let's go.

Come on!

The drama queen and I
are going back upstairs,

to the twin's room, right?

- Jill?

Jill.
- No!

Let's find some ghosts
and restless spirits,

or at least pretend that we do

so that people will
jump out of their seats

and get their money's worth, okay?

Come on.

- Jill!
- No, really, it's cool,

big-time acting job.

We'll be the psychic twins.

That's the role we're both playing, right?

Come on, let's go upstairs.

Show the boys what we got.

They can stay down here

where they think it's safe.
- Jill.

- Let's go.

This one here, right?

- Uh, Jill.

Jill, we need to-
- Wait!

I'm sensing a presence here?

Something dark, something evil.

I feel a dark presence here.

Actually, I feel two dark presences,

competing for dominance.

- Dammit, Jill.

Then again, maybe that's
what this movie needs,

a real cat fight.

- Okay, it is scary. I'll give you that.

So what kind of vibes are
you getting, right now?

Come on, play it up.

Still gettin' that feeling from this room?

- The feeling I'm
getting right now is more

from you than the house.

- Oh, this will add an
edge to Aaron's movie.

- Look, Jill, I've told you
this so many times already.

I'm doing this because I love
acting and I love movies.

I thought it was gonna help Aaron

and it was going to be fun.

You can be the psychic.

I don't care.

- So are you acting-

- What?

Jill!

- So what was that?

Did you see the girls?

- I saw something!

- Bullshit!

Just say it.

You're moving in and taking my part.

Well, you can stop it now,

because they can't hear you downstairs,

and they can't see you either.

You're sleeping with Aaron, aren't you?

You're screwing off camera,

and I'm getting screwed on camera.

- Jill, Jill, I told you.

I'm doing this for fun.

I just wanted to help you guys.

- Sure.

- I don't care about
being some stupid psychic.

I don't care about being
the star. You can have it.

But I have seen things.

I mean it.

I don't know why you or Aaron

or any of them aren't
seeing this, but I am.

Isn't the point of this that we would have

to make some things up?

Well, I wish I could say
I'm acting, but I'm not!

- Dillon, get up there,

get their mics and cameras back on.

If there's a fight, I don't wanna miss it.

Dillon!

- I just found this.

It's the twins. It's an old medical file.

- Aaron and Dillon put you
up to this, didn't they?

Did they tell you to start seeing things

so that you can mess with me or scare me

or make a movie out of
this with me as the joke?

- No!

- Then maybe they're doing
this to both of us then.

- You mean faking things?

- Yeah.
- Setting us up?

- Yeah, like maybe that was
Dillon outside the mausoleum

with a mask on.

- But I was with him when you saw that.

Okay, well, maybe they
got their buddies from town

to creep around the house and scare us.

- But what about his face?

That was real.

- We didn't see it happen.

- You really think he
would do that to himself?

- Let me tell you something, new girl,

those guys have been talking
about this movie for so long.

Dillon is almost as obsessed as Aaron.

Clawing their faces,

coming in here days ago to rig the house?

They'd do anything.

They're geeks, fanboys, tech heads.

You've been to the movies lately?

They can make anything look real.

- But what about what I've seen?

- You know, in all the
haunted house movies,

I've always wondered,

why would an ethereal, spirit-y ghost

even bother with a door?

Hey, jackasses, we're on to you.

We know what you're doing.

We could've been together on this,

but we're outta here.

We won't be as scaredy girls
in your movie, anymore.

We're done!

- Jill!

Jill, Jill!

Jill, are you out there?

Jill!

Ah!

Are you okay?

It's not funny!

Jill!

Oh, my god!

Jill!

Jill!

Somebody!

Is somebody there?

Oh my god!

Jill!

Oh my god!

- And you didn't see anything?

- I told you. She was gone
when I opened the door.

- Well, I didn't see
anything down here, either.

You had your cameras and your mics off.

- You think we're faking this?

I mean, me and Jill?

But that's what she said about you.

This is crazy.

You want a real haunted house movie,

but you're fine with faking it,

as long as nobody's faking you?

Well, this is real.

Something horrible is happening here,

because something
horrible did happen here.

- Look, enough of this crap, okay.

You're so drugged up on your meds,

you can't even tell what's
real and what's not.

Look, I did not do this to myself.

I didn't run into a
tree or a post, either.

And I believe Claire and
Jill saw something upstairs.

And now Jill is gone.

I found this earlier where it wasn't.

It's an old medical file.

I read just enough to know
that it's about twins.

And apparently Dr. Daddy
was gonna experiment

on them or something.

Maybe this place isn't a clinic.

Maybe it's like an asylum, a nuthouse.

And we somehow woke it up.

- Maybe one of us did.

Could be you have a gift.

You didn't even have to act.

You weren't looking for the role

of the psychic, the clairvoyant.

No, it was looking for you.

Steps!

- Looks like the basement.

- Yeah.

- I'll find Jill,

and then we're gonna get out of here.

- Wait, turn your cameras back on.

- When Claire and I find Jill,

we're leaving this place.

And then this movie is over, for us.

Come on, Claire.

Go!

- It is me.

Something about me woke up this house.

- This house has been
haunted for a long time.

- Like this?

- Listen, okay, this is the basement.

We'll find Jill, get Aaron

to give us the keys, our phones.

We'll call the police,
and we'll be gone, okay?

Hey, okay?

I can't believe I'm doing this.

- You're there.

I can see your flashlights
showing up on Jill's camera.

Jill.

- There's no way you guys
are making this up, right?

- I can't hear you guys.

Can you get a little bit
closer to Jill's camera?

- Hey, Aaron.

Shut up and go to hell!

We're gonna find Jill.

And then we're getting outta here.

Your movie's over.

Claire.

Claire.

Oh god, this took us under the mausoleum.

Claire, Jill's not here.

We said we would go.

Now let's go.

- Why are you awake?

Claire!

- You did something horrible.

You couldn't live with it.

You killed them!

Killed them!

There were two sisters.

Why is there just one other casket?

- Dammit, Claire, are you crazy?

- Oh god!

They were conjoined twins.

This was your life.

No hope for anything different.

And you hated it.

No one knew.

No one was told!

And you!

You hid them away.

You were embarrassed, ashamed.

How could a doctor have
medical freaks for children

and not be able to do anything about it?

You!

You hated her!

Hated her for the way she made you live!

You killed her!

Stop it!

Oh my god!

You walked around like that, for days.

Weeks.

Till you couldn't take it anymore.

- Claire, Claire!
- No, no, no, let go!

- Claire, look at me!
- Let go of me!

- Claire, look at me.

Turn it off.
- I can't!

- Turn it off!
- I can't!

- Claire, look at me.
- I can't.

- Look at me.

It's okay.
- I can't.

- Claire, it's okay.

It's okay.

It's okay.

Go!

Go!

- I did a great casting job.

You are really good at this.

- Aaron, give me your keys.

Jill's gone.

Dillon's gone!

There's something in
this house that isn't us.

- You're not just a good actress.

You're an alarm clock, waking the dead.

You've seen them.

Sophie and Sara?

I mean, you're really seeing them.

I read more of the medical
file than Dillon did,

enough to know that they were
Siamese twins, conjoined,

and their Dr. Daddy was desperately trying

to find a way to separate them.

From his notes, it looked
like he was even experimenting

on some of his patients.

My movie's turning out much
better than I expected.

- You're crazy!
- You're not?

- This is real!

This isn't a movie.

Those sisters, the doctor,

the evil in this house is killing us.

Didn't see that
coming, did you?

Yeah, I, I thought the movie
could use a twist ending.

You know, I thought maybe just
one person survives the night

in a haunted house.

You know, it happens that way, sometimes,

because if it was another one

of those found-footage movies,

then we'd all have to die.

You won't kill me!

- Dammit, Claire!

Who's movie is this, anyways?

- It's mine.