Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,966 --> 00:00:10,260
SPENCER,
DR. DAMEON SPEARS.
2
00:00:10,260 --> 00:00:12,679
THANK YOU FOR WAITING.
YOU READY TO DO THIS?
3
00:00:12,679 --> 00:00:14,306
YES, SIR.
4
00:00:14,306 --> 00:00:17,976
OK. SO, TELL ME
ABOUT YOURSELF.
5
00:00:20,270 --> 00:00:22,272
COOP, RAPPING: ♪ YEAH,
YOU WAS MORE LIKE A BROTHER ♪
6
00:00:22,272 --> 00:00:24,650
♪ FROM ONE OTHER MOTHER,
MMM, YEAH ♪
7
00:00:24,650 --> 00:00:27,194
♪ YOU RAP FOR ME, I RAP FOR YOU
AND PUT NOTHING ABOVE US ♪
8
00:00:27,194 --> 00:00:29,029
♪ MMM, YEAH, WE LIKE
BONNIE AND CLYDE ♪
9
00:00:29,029 --> 00:00:31,156
♪ WE NEVER SWITCH
NO SIDES, YOU KNOW ♪
10
00:00:31,156 --> 00:00:33,325
♪ MORE LIKE NIP AND J STONE,
'CAUSE LIKE WHERE WE FROM ♪
11
00:00:33,325 --> 00:00:34,868
♪ THEY CALL IT THE WEST SIDE ♪
12
00:00:34,868 --> 00:00:36,745
♪ YOU ARE MY LEFT,
RIGHT, LEFT ♪
13
00:00:36,745 --> 00:00:38,413
♪ AND IT WAS JUST
LIKE THAT, AND WHEN I ♪
14
00:00:38,413 --> 00:00:41,250
♪ SAY SO, THEY KNOW ♪
[ECHOES]
15
00:00:41,250 --> 00:00:43,502
♪ WHEN IT RAINS
AND IT POURS ♪
16
00:00:43,502 --> 00:00:45,796
♪ AND THE SUN DON'T SEEM
TO SHINE ANYMORE ♪
17
00:00:45,796 --> 00:00:48,340
♪ I KNOW YOU'LL BE
THERE FOR ME ♪
18
00:00:48,340 --> 00:00:50,342
♪ IF THERE'S TROUBLE
MY WAY ♪
19
00:00:50,342 --> 00:00:53,053
♪ I KNOW THAT YOU'LL BE
THERE RIGHT AWAY ♪
20
00:00:53,053 --> 00:00:55,555
♪ I KNOW YOU'LL
BE THERE FOR ME ♪
21
00:00:55,555 --> 00:00:59,184
♪ OH, YOU NEVER CHANGE,
I CAN PUT THAT ON A GAME ♪
22
00:00:59,184 --> 00:01:02,020
♪ I KNOW YOU'LL BE
THERE FOR ME ♪
23
00:01:02,020 --> 00:01:04,982
♪ OUR LOVE IS EVERYTHING,
I WOULDN'T CHANGE A THING ♪
24
00:01:04,982 --> 00:01:08,819
♪ AND WHEN THEY ASK, I TELL 'EM
FAMILY OVER EVERYTHING ♪
25
00:01:08,819 --> 00:01:12,030
♪ IF THEY ASK, I TELL
'EM FAMILY OVER EVERYTHING ♪
26
00:01:12,030 --> 00:01:15,409
♪ MY NEIGHBORHOOD GONNA HOLD IT
DOWN IN EACH AND EVERY WAY ♪
27
00:01:15,409 --> 00:01:18,829
♪ I KNOW THAT IF I EVER NEED,
THEY'LL BE HERE RIGHT AWAY ♪
28
00:01:18,829 --> 00:01:22,249
♪ SO MUCH LOVE, IT'S OVERFLOWIN'
LIKE A TIDAL WAVE ♪
29
00:01:22,249 --> 00:01:25,168
♪ SUNSET IN CRENSHAW,
80 ON THE 110 ♪
30
00:01:25,168 --> 00:01:27,462
♪ PUT MY FAMILY FIRST ♪
[SCHOOL BELL RINGS]
31
00:01:27,462 --> 00:01:30,090
♪ EVEN IF IT HURTS ♪
SPENCER: COOP.
32
00:01:30,090 --> 00:01:33,093
HEY, THAT SONG
YOU DROPPED WITH PATIENCE GO CRAZY.
33
00:01:33,093 --> 00:01:35,095
WAIT. WHAT?
HOW YOU HEAR IT ALREADY?
34
00:01:35,095 --> 00:01:37,014
WENT VIRAL
THIS MORNING. LOOK.
35
00:01:37,014 --> 00:01:39,016
COOP ON VIDEO:
♪ SO WHEN I SAY SO ♪
36
00:01:39,016 --> 00:01:41,435
♪ THEY KNOW ♪
37
00:01:41,435 --> 00:01:43,437
COOP AND PATIENCE:
♪ WHEN IT RAINS AND IT POURS ♪
38
00:01:43,437 --> 00:01:46,064
♪ AND THE SUN DON'T SEEM
TO SHINE ANYMORE, I KNOW... ♪
39
00:01:46,064 --> 00:01:47,858
DANG.
40
00:01:47,858 --> 00:01:50,068
AND THAT PART WHERE
YOU SHOUT ME OUT,
41
00:01:50,068 --> 00:01:51,695
YOUR "BROTHER FROM
ANOTHER MOTHER"--
42
00:01:51,695 --> 00:01:53,322
I APPRECIATE THAT.
COOP: ACTUALLY, BRO,
43
00:01:53,322 --> 00:01:54,948
THAT WASN'T ABOUT YOU.
44
00:01:54,948 --> 00:01:57,576
IT WAS A METAPHOR
FOR THE COMMUNITY.
45
00:01:57,576 --> 00:01:59,411
COME ON, MAN.
46
00:01:59,411 --> 00:02:00,495
SPENCER: HA HA!
COOP: I'M JUST PLAYING.
47
00:02:00,495 --> 00:02:02,122
YO, BUT ENOUGH
ABOUT ME.
48
00:02:02,122 --> 00:02:04,624
WHAT'S UP WITH YOU
AND THAT, UH, THERAPIST?
49
00:02:04,624 --> 00:02:06,293
IT WAS COOL, MORE OF
A MEET-AND-GREET,
50
00:02:06,293 --> 00:02:07,919
BUT DR. SPEARS SEEM
LIKE A SOLID DUDE,
51
00:02:07,919 --> 00:02:09,671
AND WHAT? WHY IS
YOUR FACE LIKE THAT?
52
00:02:09,671 --> 00:02:11,214
I DON'T KNOW.
I DON'T GET THE POINT
53
00:02:11,214 --> 00:02:13,216
OF PAYING SOMEBODY TO TALK
ABOUT YOUR FEELINGS.
54
00:02:13,216 --> 00:02:14,968
YOU SHOULD HAVE
JUST CAME TO ME.
55
00:02:14,968 --> 00:02:16,720
WE'VE BEEN EACH OTHER'S
THERAPIST SINCE ELEMENTARY.
56
00:02:16,720 --> 00:02:18,513
AND WE STILL ARE, BUT
CLEARLY WHATEVER'S CAUSING
57
00:02:18,513 --> 00:02:20,515
MY ARM TO GO NUMB, IT'S
MORE MENTAL THAN PHYSICAL.
58
00:02:20,515 --> 00:02:23,352
I NEED A FOR-REAL
THERAPIST TO FIX THAT.
59
00:02:25,145 --> 00:02:27,022
UH-OH.
SOMEBODY MAMA HERE.
60
00:02:27,022 --> 00:02:29,107
HEY, THEY'RE ABOUT
TO CATCH HELL.
61
00:02:29,107 --> 00:02:32,152
NO, FOOL, THAT'S MS. LAWSON,
OUR NEW GUIDANCE COUNSELOR.
62
00:02:32,152 --> 00:02:33,779
SPENCER: WAIT, WAIT. SHE COMING.
COOP: YEAH, FOR ME.
63
00:02:33,779 --> 00:02:36,990
HOW YOU DOING?
MS. LAWSON, I'M SORRY
64
00:02:36,990 --> 00:02:39,618
I MISSED OUR MEETING
THIS MORNING, BUT I GOT MY TIMES MIXED UP.
65
00:02:39,618 --> 00:02:42,245
MMM, LIKE YOU GOT YOUR
TIMES MIXED UP LAST WEEK
66
00:02:42,245 --> 00:02:44,456
AND THE WEEK
BEFORE THAT, TAMIA.
67
00:02:44,456 --> 00:02:46,792
LOOK, I'MMA CUT
RIGHT TO IT.
68
00:02:46,792 --> 00:02:49,795
SCHOOL RECORDS SHOW
THAT YOU HAVE MISSED MORE THAN HALF OF YOUR
69
00:02:49,795 --> 00:02:52,214
LAST TWO SEMESTERS,
AND THAT MEANS YOU'RE A FEW CREDITS SHY OF
70
00:02:52,214 --> 00:02:55,675
BEING A SENIOR, SO MY
ADVICE TO YOU, TAMIA,
71
00:02:55,675 --> 00:02:59,096
MEET WITH THOSE TEACHERS
AND MAKE UP THOSE CLASSES,
72
00:02:59,096 --> 00:03:01,306
BECAUSE IF YOU DON'T,
YOU WILL BE REPEATING
73
00:03:01,306 --> 00:03:03,558
YOUR JUNIOR YEAR.
74
00:03:05,227 --> 00:03:06,937
SPENCER: DAMN, COOP,
75
00:03:06,937 --> 00:03:08,730
THIS IS SERIOUS.
IF YOU DON'T MAKE UP THOSE CLASSES,
76
00:03:08,730 --> 00:03:10,273
YOU AIN'T GRADUATING.
COOP: WHOA, IT AIN'T LIKE
77
00:03:10,273 --> 00:03:12,234
I NEED A DEGREE TO BE
THE NEXT KENDRICK LAMAR.
78
00:03:12,234 --> 00:03:14,027
YOU'RE NOT DROPPING
OUT OF SCHOOL, NOT ON MY WATCH.
79
00:03:14,027 --> 00:03:15,654
LOOK, I'LL MAKE UP
THE CLASSES AT SOME POINT,
80
00:03:15,654 --> 00:03:18,323
BUT RIGHT NOW,
MUSIC IS MY FOCUS.
81
00:03:19,783 --> 00:03:21,827
THAT'S MY THERAPY.
82
00:03:28,625 --> 00:03:31,545
BILLY: HA HA!
I'M BEING HONEST.
83
00:03:31,545 --> 00:03:33,964
BILLY: THAT'S FUNNY.
LAURA: COME ON.
84
00:03:33,964 --> 00:03:35,590
OLIVIA: HEY, DAD.
BILLY: HEY.
85
00:03:35,590 --> 00:03:36,842
WHEN'D YOU GET HERE?
86
00:03:36,842 --> 00:03:38,844
IT'S--IT'S
PIZZA MONDAY.
87
00:03:38,844 --> 00:03:40,554
IS THAT A THING OR--
88
00:03:40,554 --> 00:03:42,764
LAURA: NO, IT IS NOT A THING.
BILLY: HEH HEH!
89
00:03:42,764 --> 00:03:45,183
I HAD A COACH'S MEETING
ON THIS SIDE OF TOWN.
90
00:03:45,183 --> 00:03:47,352
I DECIDED I'D GRAB
SOME PIZZA AND HANG OUT
91
00:03:47,352 --> 00:03:48,979
WITH SOME OF MY FAVORITE PEOPLE.
[DOOR OPENS]
92
00:03:48,979 --> 00:03:51,648
SPEAKING OF
MY FAVORITE PEOPLE...
93
00:03:53,483 --> 00:03:54,943
DAD.
94
00:03:54,943 --> 00:03:56,403
SON.
95
00:03:56,403 --> 00:03:58,738
LAURA: WILLIE.
WILLIE: D.A. BAKER.
96
00:03:58,738 --> 00:04:00,657
CONGRATULATIONS,
BY THE WAY.
97
00:04:00,657 --> 00:04:02,868
I HEARD GOOD THINGS
WHILE I WAS IN FLORIDA,
98
00:04:02,868 --> 00:04:05,620
ESPECIALLY THE WORK YOU'RE
DOING FOR BLACK FOLKS.
99
00:04:05,620 --> 00:04:07,539
[BILLY SCOFFS]
WILLIE: NOT ENOUGH TO GET YOU AN INVITE
100
00:04:07,539 --> 00:04:11,042
TO THE COOKOUT
JUST YET, BUT, YOU KNOW, ONE DAY. HEH HEH HEH!
101
00:04:11,042 --> 00:04:12,377
BILLY: WHAT ARE YOU
DOING HERE, DAD?
102
00:04:12,377 --> 00:04:13,962
WHEN'D YOU GET
BACK INTO TOWN?
103
00:04:13,962 --> 00:04:15,547
JORDAN: UH,
A COUPLE DAYS AGO.
104
00:04:15,547 --> 00:04:17,591
HE--HE SURPRISED ME
AT PRACTICE.
105
00:04:17,591 --> 00:04:20,886
BILLY: YOU KNOW,
PHONES WORK, TOO.
106
00:04:20,886 --> 00:04:23,972
JORDAN: UM, SO,
LOOK, WHILE I HAVE YOU BOTH HERE,
107
00:04:23,972 --> 00:04:25,974
IS IT COOL IF G.W.
JOINS US FOR
108
00:04:25,974 --> 00:04:28,310
A FAMILY DINNER
THIS WEEK OR...
109
00:04:28,310 --> 00:04:30,645
LAURA: YEAH, THAT--THAT'S FINE.
WILLIE: GREAT.
110
00:04:30,645 --> 00:04:33,398
I CAN GET SOME
QUALITY TIME WITH BOTH MY GRANDKIDS.
111
00:04:33,398 --> 00:04:35,025
QUALITY TIME WITH ME?
112
00:04:35,025 --> 00:04:36,735
ISN'T IT TIME I GET
TO KNOW YOU BETTER, TOO?
113
00:04:36,735 --> 00:04:38,361
WELL, IN THAT CASE,
WHY DON'T WE HAVE
114
00:04:38,361 --> 00:04:40,780
A COOKOUT, AND WE
CAN INVITE MY MOM?
115
00:04:40,780 --> 00:04:44,075
BILLY: HA!
[WILLIE CHUCKLING]
116
00:04:44,075 --> 00:04:45,827
I LIKE THIS ONE.
[CHUCKLING]
117
00:04:45,827 --> 00:04:47,746
WELL, I SHOULD GO.
118
00:04:47,746 --> 00:04:49,581
LAURA: YEAH, I ACTUALLY
HAVE A CONFERENCE CALL.
119
00:04:49,581 --> 00:04:51,500
DID YOU--YOU HAVE
A CONFERENCE CALL. I KNOW.
120
00:04:51,500 --> 00:04:53,126
BILLY: 'CAUSE YOU MIGHT WANT
TO GET--TELL YOU BEFORE.
121
00:04:53,126 --> 00:04:55,754
LAURA: SUPER IMPORTANT.
WILLIE: SO...
122
00:04:55,754 --> 00:04:58,381
TELL ME ABOUT
THIS NEW COACH.
123
00:04:58,381 --> 00:05:00,675
YEAH, JUST ONE SECOND,
G.W., SORRY.
124
00:05:00,675 --> 00:05:02,928
HEY, BOY...
125
00:05:02,928 --> 00:05:04,846
DO I LOOK LIKE ONE OF
YOUR LITTLE FRIENDS?
126
00:05:04,846 --> 00:05:06,473
I'M SORRY.
JUST, UM...
127
00:05:06,473 --> 00:05:09,559
MY--MY GIRLFRIEND
SIMONE...
128
00:05:09,559 --> 00:05:12,687
I DON'T KNOW.
SOMETHING'S JUST BEEN OFF RECENTLY.
129
00:05:12,687 --> 00:05:14,731
YOUR HEAD'S IN
THE WRONG PLACE, SON.
130
00:05:14,731 --> 00:05:16,942
WITH SPENCER GONE,
YOU'RE THE LEADER NOW.
131
00:05:16,942 --> 00:05:18,652
YOU NEED TO BE
FOCUSED ON THAT,
132
00:05:18,652 --> 00:05:20,987
NOT SOME GIRL.
[PHONE VIBRATING]
133
00:05:20,987 --> 00:05:23,532
RIGHT, UH, I GOT
TO TAKE THIS.
134
00:05:23,532 --> 00:05:25,951
MY BAD. HEY, BABE,
YOU ALL RIGHT?
135
00:05:27,452 --> 00:05:30,622
SPENCER: I DID SOME RESEARCH
ON, UH, PSYCHOSOMATIC DISORDERS.
136
00:05:30,622 --> 00:05:31,873
THAT'S A GOOD PLACE
TO START.
137
00:05:31,873 --> 00:05:33,291
YEAH, IT GOT ME
THINKING,
138
00:05:33,291 --> 00:05:36,253
IS THIS ISSUE WITH
MY ARM STRESS-RELATED?
139
00:05:36,253 --> 00:05:37,420
WELL, WHAT ARE YOU
STRESSED ABOUT?
140
00:05:37,420 --> 00:05:38,880
WELL, FOR STARTERS,
MY HOMIE
141
00:05:38,880 --> 00:05:40,507
JORDAN'S STILL NOT
TALKING TO ME,
142
00:05:40,507 --> 00:05:42,717
WHICH IS CRAZY,
'CAUSE...[SCOFFS]
143
00:05:42,717 --> 00:05:45,095
WE'RE LIKE BROTHERS,
AND THEN DARNELL'S
144
00:05:45,095 --> 00:05:46,721
LEAVING TO GO BE
THERE FOR HIS MOM.
145
00:05:46,721 --> 00:05:49,724
NOW, THE SON IN ME GETS IT.
I'D DO THE SAME THING.
146
00:05:49,724 --> 00:05:53,728
I JUST FEEL LIKE I'M
LOSING THE CLOSEST LINK TO MY DAD, YOU KNOW?
147
00:05:53,728 --> 00:05:56,523
AND THEN THERE'S THE PROMISE
I MADE TO SOUTH CRENSHAW.
148
00:05:56,523 --> 00:05:59,526
I WAS SUPPOSED TO GET US
THE STATE CHAMPIONSHIP TO HELP SAVE THE SCHOOL,
149
00:05:59,526 --> 00:06:02,028
AND THEN WHAT HAPPENS
DURING OUR FIRST GAME?
150
00:06:02,028 --> 00:06:03,655
WE LOSE.
151
00:06:03,655 --> 00:06:06,283
YES, THAT IS A LOT TO
UNPACK, BUT ALL THAT
152
00:06:06,283 --> 00:06:09,452
HAPPENED AFTER YOU
STARTED TO EXPERIENCE NUMBNESS IN YOUR ARM.
153
00:06:09,452 --> 00:06:11,329
SO WHAT'S
CAUSING IT, THEN?
154
00:06:11,329 --> 00:06:15,333
WHEN...ATHLETES GET
HURT ON THE FIELD,
155
00:06:15,333 --> 00:06:18,253
I LIKE TO GO BACK
OVER THE PLAY THAT CAUSED THE INJURY.
156
00:06:18,253 --> 00:06:20,880
THERE'S USUALLY
SOMETHING THAT HAPPENED IN THE MOMENT
157
00:06:20,880 --> 00:06:24,134
THAT THE BRAIN
HAS SKIPPED OVER OR IS NOT ADDRESSING.
158
00:06:24,134 --> 00:06:26,136
SPENCER: OK.
SPEARS: THAT'S CALLED
159
00:06:26,136 --> 00:06:27,804
A STUCK POINT.
160
00:06:27,804 --> 00:06:29,431
IT'S A DEFINING MOMENT
FROM OUR PAST THAT IS
161
00:06:29,431 --> 00:06:31,057
POWERFUL ENOUGH
TO KEEP US
162
00:06:31,057 --> 00:06:33,059
FROM RECOVERING
PSYCHOLOGICALLY.
163
00:06:33,059 --> 00:06:35,061
YOUR PLAY THAT
CAUSED THE INJURY
164
00:06:35,061 --> 00:06:37,397
IS THE SHOOTING.
165
00:06:37,397 --> 00:06:39,608
AND THE THING THAT'S
HOLDING ME BACK FROM UNDERSTANDING
166
00:06:39,608 --> 00:06:42,777
WHY MY ARM'S GOING NUMB
IS--IS MY STUCK POINT?
167
00:06:42,777 --> 00:06:44,779
SPEARS: EXACTLY.
SPENCER: AND IT CAN BE ANYTHING?
168
00:06:44,779 --> 00:06:47,198
YES, THIS CAN BE A
THOUGHT, AN EVENT,
169
00:06:47,198 --> 00:06:49,200
A PERSON.
WHATEVER IT IS,
170
00:06:49,200 --> 00:06:52,162
THE MIND CAN'T
PROPERLY HEAL UNTIL WE FIND YOUR "IT."
171
00:06:52,162 --> 00:06:56,458
SO, YOU READY
TO PUT THE WORK IN?
172
00:07:03,423 --> 00:07:04,674
DARNELL: ALL, RIGHT,
AND THANK YOU.
173
00:07:04,674 --> 00:07:07,093
APPRECIATE IT.
YEAH, YOU, TOO.
174
00:07:07,093 --> 00:07:10,722
MALE SINGER:
♪ ALTHOUGH YOU'RE NOT AROUND ♪
175
00:07:10,722 --> 00:07:13,141
DARNELL: MY MOM'S
OUT OF SURGERY.
176
00:07:13,141 --> 00:07:15,226
SHE'S STABLE,
BUT THEY SAID IT'S
177
00:07:15,226 --> 00:07:17,646
GONNA BE A LONG ROAD
TO RECOVERY.
178
00:07:17,646 --> 00:07:20,065
WHEN ARE YOU LEAVING?
179
00:07:20,065 --> 00:07:21,900
THIS FRIDAY.
180
00:07:21,900 --> 00:07:24,527
IS THERE ANYTHING
WE CAN DO?
181
00:07:24,527 --> 00:07:28,323
NAH, I'M--I'M--I'M GOOD.
[ZIPS BAG]
182
00:07:28,323 --> 00:07:30,325
UH, YOU WANT
TO PLAY FORTNITE?
183
00:07:30,325 --> 00:07:33,620
YEAH, M-MAYBE LATER.
WE'LL--WE'LL SEE.
184
00:07:33,620 --> 00:07:36,456
MALE SINGER:
♪ WELL, NOBODY KNOWS ♪
185
00:07:36,456 --> 00:07:37,999
♪ A HOUSE AIN'T... ♪
186
00:07:37,999 --> 00:07:39,876
I GOT TO BOUNCE.
187
00:07:39,876 --> 00:07:44,339
♪ IT'S THE MEMORIES
WE HOLD ♪
188
00:07:44,339 --> 00:07:47,926
♪ UNTIL WE GROW OLD ♪
189
00:07:47,926 --> 00:07:54,974
♪ O-O-O-OLD ♪
190
00:07:54,974 --> 00:07:57,560
[WHISTLE BLOWS ON VIDEO]
MONTES: OK, SO THERE WERE
191
00:07:57,560 --> 00:08:00,563
TWO PLAYS
THAT ALMOST COST US THE GAME LAST WEEK.
192
00:08:00,563 --> 00:08:03,983
IF, WHEN I POINT THEM
OUT, YOU CAN TELL ME WHAT WENT WRONG
193
00:08:03,983 --> 00:08:08,822
AND HOW TO FIX IT, I WILL
CANCEL YOUR WORKOUT TOMORROW MORNING.
194
00:08:08,822 --> 00:08:10,407
HEH HEH!
195
00:08:14,994 --> 00:08:17,205
[PLAYERS ON VIDEO GRUNT]
196
00:08:17,205 --> 00:08:18,707
JORDAN.
197
00:08:18,707 --> 00:08:20,500
JORDAN: CO--COACH.
MONTES: YOU'RE UP.
198
00:08:20,500 --> 00:08:21,876
WHY DID YOU TAKE
THIS SACK?
199
00:08:21,876 --> 00:08:23,628
UH, THIS, UM...
200
00:08:23,628 --> 00:08:25,422
I HELD THE BALL
TOO LONG.
201
00:08:25,422 --> 00:08:27,465
I WAS TRYING TO MAKE
A BIG PLAY, WHEN I--
202
00:08:27,465 --> 00:08:29,676
I COULD HAVE JUST
HIT JJ DOWN THE SEAM.
203
00:08:29,676 --> 00:08:32,303
NICE ANSWER, QB1.
I HAD MY DOUBTS.
204
00:08:32,303 --> 00:08:36,349
MONTES: YOU'VE BEEN TEXTING
NONSTOP SINCE WE STARTED. LADY TROUBLES?
205
00:08:36,349 --> 00:08:38,268
JORDAN: UH, ACTUALLY, IT'S--
MONTES: DON'T CARE.
206
00:08:38,268 --> 00:08:40,395
PUT YOUR PHONE AWAY.
JORDAN: YOU BET.
207
00:08:40,395 --> 00:08:42,731
[PLAYERS CHUCKLING]
BOY: YEAH.
208
00:08:42,731 --> 00:08:44,441
[PLAYERS GRUNT ON VIDEO]
209
00:08:44,441 --> 00:08:47,360
[WHISTLE BLOWS]
210
00:08:47,360 --> 00:08:50,739
ASHER, WHY DID OUR SAFETY
ALLOW THIS TOUCHDOWN?
211
00:08:50,739 --> 00:08:53,324
UH...
212
00:08:54,993 --> 00:08:56,870
CAN YOU SHOW
THE PLAY AGAIN?
213
00:08:56,870 --> 00:08:59,497
[SCOFFS]
WELL, GUYS,
214
00:08:59,497 --> 00:09:02,208
SEE YOU ALL TOMORROW,
ALONG WITH YOUR TEAMMATES,
215
00:09:02,208 --> 00:09:03,835
AT 7 A.M.
216
00:09:03,835 --> 00:09:06,004
[PLAYERS GROAN]
217
00:09:06,004 --> 00:09:08,506
MY BAD, COACH.
I FIGURED YOU'D ASK KEITH.
218
00:09:08,506 --> 00:09:10,133
HE'S THE ONE WHO
GAVE UP THE TOUCHDOWN.
219
00:09:10,133 --> 00:09:11,760
BEFORE YOU LEAVE, I'M
GONNA NEED YOU TO PUT
220
00:09:11,760 --> 00:09:14,179
THE EQUIPMENT AWAY AND
TIDY UP THE WEIGHT ROOM.
221
00:09:20,602 --> 00:09:23,229
GRACE: HEY, BABY.
SPENCER: HEY, MA.
222
00:09:23,229 --> 00:09:24,773
HOW'D IT GO
LAST NIGHT?
223
00:09:24,773 --> 00:09:27,776
[ZIPS BACKPACK]
IT WAS ALL RIGHT.
224
00:09:27,776 --> 00:09:30,403
DR. SPEARS WANTS ME
TO MEET HIM TOMORROW,
225
00:09:30,403 --> 00:09:32,489
WALK HIM THROUGH
THE NIGHT I WAS SHOT.
226
00:09:32,489 --> 00:09:34,491
LISTEN...
227
00:09:34,491 --> 00:09:37,827
IF TALKING
ABOUT IT BECOMES TOO HARD FOR YOU,
228
00:09:37,827 --> 00:09:39,829
JUST LET HIM KNOW.
229
00:09:39,829 --> 00:09:41,456
TALKING ABOUT IT
AIN'T THE PROBLEM.
230
00:09:41,456 --> 00:09:43,082
I JUST DON'T SEE
THE POINT.
231
00:09:43,082 --> 00:09:44,751
GUN VIOLENCE AIN'T
NOTHING NEW AROUND HERE.
232
00:09:44,751 --> 00:09:46,795
GRACE: THAT DOESN'T MAKE IT OK.
SPENCER: I KNOW.
233
00:09:46,795 --> 00:09:50,465
I KNOW. I'M JUST SAYING...
IT DON'T TRIP ME UP.
234
00:09:50,465 --> 00:09:53,092
AND THAT IS A PART
OF THE PROBLEM.
235
00:09:53,092 --> 00:09:55,094
YOU'RE DESENSITIZED
TO IT, SON.
236
00:09:55,094 --> 00:09:57,138
SHOOT, WE PROBABLY
ALL ARE.
237
00:09:57,138 --> 00:10:00,141
THAT'S WHY SO MANY
OF OUR KIDS ARE RUNNING AROUND HERE
238
00:10:00,141 --> 00:10:03,561
WITH PTSD, AND THEY
DON'T EVEN KNOW IT.
239
00:10:03,561 --> 00:10:06,564
THAT'S WHY YOU NEED
TO TALK TO DR. SPEARS ABOUT IT,
240
00:10:06,564 --> 00:10:08,566
CONFRONT IT.
241
00:10:08,566 --> 00:10:11,194
PROMISE ME YOU'LL
AT LEAST TRY.
242
00:10:11,194 --> 00:10:13,863
I PROMISE.
243
00:10:16,699 --> 00:10:19,619
MALE RAPPER: ♪ PULL UP TO
THE CLUB IN A SPACESHIP ♪
244
00:10:19,619 --> 00:10:22,455
♪ [INDISTINCT] IN MY POCKET
LIKE I MADE A FLIP ♪
245
00:10:22,455 --> 00:10:26,459
♪ AND KEEP THAT... ♪
[CONTINUES INDISTINCTLY]
246
00:10:26,459 --> 00:10:29,462
YOU KNOW YOUR NAME CAME UP
WITH MRS. LAWSON TODAY?
247
00:10:29,462 --> 00:10:33,466
SHE SAID SOMETHING
ABOUT YOU NOT OFFICIALLY BEING A SENIOR.
248
00:10:33,466 --> 00:10:36,177
DAMN. YOU, TOO?
249
00:10:36,177 --> 00:10:38,179
AIN'T THERE SOME KIND
OF STUDENT/COUNSELOR
250
00:10:38,179 --> 00:10:39,806
CONFIDENTIALITY THING
OR SOMETHING?
251
00:10:39,806 --> 00:10:42,016
NO, SHE JUST TOLD ME
'CAUSE SHE CARES, COOP.
252
00:10:42,016 --> 00:10:44,018
I MEAN, I SAID I
WOULD HELP YOU.
253
00:10:44,018 --> 00:10:46,229
YOU JUST GOT TO
FIGURE OUT A BALANCE
254
00:10:46,229 --> 00:10:48,857
BETWEEN MUSIC
AND SCHOOL.
255
00:10:48,857 --> 00:10:52,318
I MEAN, I THINK
THAT SHOULDN'T BE A PROBLEM, RIGHT?
256
00:10:53,820 --> 00:10:55,280
HELLO! RIGHT?
257
00:10:55,280 --> 00:10:57,323
RIGHT.
258
00:10:57,323 --> 00:11:00,535
YEAH 'CAUSE I'M NOT TRYING
TO GO TO NO SENIOR PROM WITH NO JUNIOR.
259
00:11:00,535 --> 00:11:02,537
COOP: YOU AIN'T GOING NOWHERE.
PATIENCE: SHUT UP.
260
00:11:02,537 --> 00:11:05,373
HEY, COOP, I GOT YOUR TEXT.
WHAT'S THE EMERGENCY?
261
00:11:05,373 --> 00:11:08,543
DID YOU GET TO TALK
TO YOUR POP ABOUT RELEASING PATIENCE FROM HER CONTRACT?
262
00:11:08,543 --> 00:11:12,046
UM, IT'S A LITTLE MORE
COMPLICATED LEGALLY,
263
00:11:12,046 --> 00:11:14,048
BUT I'M WORKING ON IT.
WHY? WHAT'S UP?
264
00:11:14,048 --> 00:11:16,342
WE GOT A NEW SONG,
"FAMILY OVER EVERYTHING."
265
00:11:16,342 --> 00:11:19,095
YEAH, THE ONE
THAT GOT LEAKED ALL OVER THE INTERNET? THAT SONG?
266
00:11:19,095 --> 00:11:20,763
[SCOFFS]
I KNOW, I KNOW. OUR BAD.
267
00:11:20,763 --> 00:11:22,682
LOOK, I DIDN'T KNOW FOLKS
WERE RECORDING. I DIDN'T.
268
00:11:22,682 --> 00:11:25,143
IT'S NO PROBLEM,
AND YES, IT'S AMAZING.
269
00:11:25,143 --> 00:11:28,855
OK. WELL, YEAH.
WE WERE HOPING TO SHOOT A MUSIC VIDEO SOON
270
00:11:28,855 --> 00:11:31,190
SO WE CAN JUST DROP
THE SONG AND THE VIDEO AT THE SAME TIME.
271
00:11:31,190 --> 00:11:32,859
COOP: IT'S GOT A WHOLE
DIFFERENT TYPE OF ENERGY.
272
00:11:32,859 --> 00:11:34,360
PATIENCE: YEAH.
COOP: I MEAN, WE GOT TO KEEP
273
00:11:34,360 --> 00:11:35,820
RIDING THE WAVE
OF OUR SUMMER TOUR.
274
00:11:35,820 --> 00:11:37,822
UM, I'M GONNA KEEP
PUSHING FORWARD
275
00:11:37,822 --> 00:11:40,033
ON THE CONTRACT,
BUT IN THE MEANTIME,
276
00:11:40,033 --> 00:11:41,826
I AM HAPPY TO PRODUCE
A GAME-CHANGING
277
00:11:41,826 --> 00:11:43,745
MUSIC VIDEO FOR YOU GUYS.
PATIENCE: YES!
278
00:11:43,745 --> 00:11:47,582
COOP: GAME-CHANGING.
PATIENCE: HA HA HA!
279
00:11:49,709 --> 00:11:51,878
HI.
PICKUP FOR OLIVIA?
280
00:11:51,878 --> 00:11:53,546
THANKS.
281
00:11:56,966 --> 00:11:58,593
HEY.
282
00:11:58,593 --> 00:12:00,178
WHAT'S UP?
283
00:12:00,178 --> 00:12:02,472
JUST POPPED BY
TO GET SOME FOOD.
284
00:12:03,932 --> 00:12:05,266
DAMN.
285
00:12:05,266 --> 00:12:07,143
THOSE ARE SOME DOPE KICKS.
THEY NEW?
286
00:12:07,143 --> 00:12:08,811
THESE OLD THINGS?
287
00:12:08,811 --> 00:12:11,856
NAH, I JUST, UH,
MOSTLY WEAR 'EM FOR DANCE CLASS.
288
00:12:11,856 --> 00:12:13,524
YEAH, KIA MENTIONED
SOMETHING ABOUT YOU ALL
289
00:12:13,524 --> 00:12:14,859
TEACHING THE KIDS
AT THE REC CENTER.
290
00:12:14,859 --> 00:12:16,235
THAT'S WHAT'S UP.
OLIVIA: YEAH.
291
00:12:16,235 --> 00:12:17,612
TODAY WE ACTUALLY
SHOWED THEM
292
00:12:17,612 --> 00:12:19,072
THIS AMAZING
DOCUMENTARY ABOUT
293
00:12:19,072 --> 00:12:20,865
L.A. STREET DANCERS
AND KRUMPING.
294
00:12:20,865 --> 00:12:22,575
OH, HAVE YOU ALL
WATCHED "RIZE, AS IN
295
00:12:22,575 --> 00:12:24,160
TOMMY THE CLOWN,
"RIZE"?
296
00:12:24,160 --> 00:12:25,370
WAIT. HOW DO YOU
KNOW ABOUT HIM?
297
00:12:25,370 --> 00:12:26,829
EXCUSE YOU.
TOMMY THE CLOWN IS
298
00:12:26,829 --> 00:12:28,831
A L.A. ICON,
AND IT'S POSSIBLE
299
00:12:28,831 --> 00:12:31,751
YOUR BOY HAD A LITTLE
DANCE PHASE BACK IN THE DAY.
300
00:12:31,751 --> 00:12:33,503
SPENCER: WHAT?
OLIVIA, CHUCKLING: STOP.
301
00:12:33,503 --> 00:12:35,421
SPENCER: NO?
OLIVIA: DON'T DO THAT AGAIN.
302
00:12:35,421 --> 00:12:37,382
SPENCER: WHATEVER, OK?
OLIVIA: UH-HUH.
303
00:12:37,382 --> 00:12:38,883
THEY USED TO CALL ME
PROFESSOR KRUMP BACK IN THE DAY.
304
00:12:38,883 --> 00:12:40,510
SPENCER: PROFESSOR KRUMP!
OLIVIA: OH, YEAH?
305
00:12:40,510 --> 00:12:42,136
SPENCER: YES, THEY DID.
OLIVIA: WOW.
306
00:12:42,136 --> 00:12:44,138
[CLEARS THROAT]
307
00:12:44,138 --> 00:12:46,766
LIV, LISTEN...
308
00:12:46,766 --> 00:12:49,811
WE GOT REAL CLOSE
THIS LAST YEAR,
309
00:12:49,811 --> 00:12:52,814
AND WE HELPED EACH OTHER
THROUGH A LOT,
310
00:12:52,814 --> 00:12:57,318
AND I KNOW THIS SUMMER
CHANGED SOME THINGS, BUT...
311
00:12:57,318 --> 00:13:00,321
I MISS MY FRIEND.
312
00:13:00,321 --> 00:13:02,907
I MISS MY FRIEND, TOO.
313
00:13:02,907 --> 00:13:05,618
[CHUCKLES]
COME HERE.
314
00:13:05,618 --> 00:13:09,122
FEMALE SINGER:
♪ I'M REACHING OUT ♪
315
00:13:09,122 --> 00:13:11,290
♪ HOLD ON ♪
316
00:13:11,290 --> 00:13:13,209
SO...
317
00:13:13,209 --> 00:13:15,086
OLIVIA: HOW HAVE YOU BEEN?
[BOTH CHUCKLE]
318
00:13:15,086 --> 00:13:16,921
IS YOUR ARM
FEELING BETTER?
319
00:13:16,921 --> 00:13:20,008
YEAH. I'M ACTUALLY
SEEING A SPORTS PSYCHOLOGIST ABOUT IT.
320
00:13:20,008 --> 00:13:21,843
OLIVIA: YEAH? THAT'S AMAZING.
SPENCER: YEAH.
321
00:13:21,843 --> 00:13:24,887
HE THINKS
MY ISSUE'S CONNECTED TO THE NIGHT I WAS SHOT.
322
00:13:24,887 --> 00:13:26,806
I'M SORRY, SPENCER.
323
00:13:26,806 --> 00:13:29,058
I MEAN, YOU TOOK
THAT BULLET FOR ME,
324
00:13:29,058 --> 00:13:30,685
AND NOW YOU HAVE TO DEAL
WITH ALL THE FALLOUT.
325
00:13:30,685 --> 00:13:33,521
NO, NO, NO. JUST 'CAUSE
I GOT SHOT DON'T MEAN
326
00:13:33,521 --> 00:13:35,523
YOU'RE THE ONE
TO BLAME.
327
00:13:35,523 --> 00:13:37,942
AND I'D DO IT AGAIN.
328
00:13:41,779 --> 00:13:44,365
OLIVIA: THANKS.
329
00:13:45,950 --> 00:13:48,161
WELL, I SHOULD
GET GOING.
330
00:13:48,161 --> 00:13:50,163
UNTIL NEXT TIME,
331
00:13:50,163 --> 00:13:52,165
PROFESSOR KRUMP?
332
00:13:52,165 --> 00:13:54,500
YOU BETTER RECOGNIZE.
333
00:13:54,500 --> 00:13:56,878
HA HA!
334
00:13:56,878 --> 00:13:59,172
[KNOCK ON DOOR]
335
00:14:02,133 --> 00:14:04,343
SHE LIVES.
336
00:14:04,343 --> 00:14:06,345
I'M SORRY, BABE.
337
00:14:06,345 --> 00:14:09,932
I KNOW THINGS HAVE BEEN
A LITTLE MESSY LATELY.
338
00:14:09,932 --> 00:14:12,185
COME ON IN.
339
00:14:12,185 --> 00:14:14,812
SIMONE: I JUST...
[DOOR CLOSES]
340
00:14:14,812 --> 00:14:16,981
HAVE A LOT ON MY MIND.
341
00:14:16,981 --> 00:14:20,985
LOOK, SIMONE,
YOU SAID IT YOURSELF.
342
00:14:20,985 --> 00:14:24,072
WHAT WE HAVE ISN'T
SOME "SITUATIONSHIP." WE MADE A COMMITMENT.
343
00:14:24,072 --> 00:14:26,282
YOU REMEMBER?
YOU AND ME, BUT, HEY,
344
00:14:26,282 --> 00:14:29,077
I CAN'T BE THERE FOR
YOU IF YOU DON'T TELL ME WHAT'S GOING ON.
345
00:14:29,077 --> 00:14:31,746
[SIGHS]
346
00:14:34,040 --> 00:14:36,793
CAN WE...TAKE A DRIVE?
347
00:14:38,503 --> 00:14:41,255
PLEASE?
348
00:14:41,255 --> 00:14:43,925
[BRAKES SQUEAK]
349
00:14:50,598 --> 00:14:53,643
YOU SEE THAT YELLOW
HOUSE OVER THERE?
350
00:14:55,603 --> 00:14:58,356
THAT'S WHERE
MY SON LIVES.
351
00:14:59,816 --> 00:15:02,235
[SIGHS]
I KNOW IT'S CRAZY,
352
00:15:02,235 --> 00:15:04,278
BUT I'VE BEEN
COMING HERE THE PAST FEW NIGHTS
353
00:15:04,278 --> 00:15:08,241
JUST...HOPING
THAT I'D SEE HIM.
354
00:15:08,241 --> 00:15:09,742
SIMONE--
355
00:15:09,742 --> 00:15:12,203
JORDAN, HOW DO I KNOW
HE'S HAPPY,
356
00:15:12,203 --> 00:15:15,373
THAT THOSE PEOPLE
ARE NICE PEOPLE?
357
00:15:16,958 --> 00:15:20,002
JORDAN, HE'S MY SON,
AND I KNOW NOTHING.
358
00:15:22,338 --> 00:15:24,966
I'M SORRY, BABE.
359
00:15:24,966 --> 00:15:29,011
I--I KNOW HOW HARD IT WAS
FOR YOU TO GIVE HIM UP.
360
00:15:32,974 --> 00:15:36,018
I DON'T THINK I MADE
THE RIGHT DECISION.
361
00:15:37,979 --> 00:15:40,982
SWEETHEART...
362
00:15:40,982 --> 00:15:44,652
I MEAN,
ISN'T IT TOO LATE?
363
00:15:46,404 --> 00:15:48,072
NO.
364
00:15:51,033 --> 00:15:55,079
I LEGALLY HAVE 3 MORE DAYS
TO CHANGE MY MIND.
365
00:16:02,461 --> 00:16:04,088
[KNOCKS ON DOOR]
366
00:16:04,088 --> 00:16:07,383
"COACH BILLY BAKER."
HEH HEH!
367
00:16:07,383 --> 00:16:09,510
THEY GOT YOUR NAME ALL
OVER THIS PLACE, DON'T THEY?
368
00:16:09,510 --> 00:16:10,845
NOT NOW, DAD.
369
00:16:10,845 --> 00:16:13,389
WHEN I HEARD YOU
ABANDONED YOUR OWN SON
370
00:16:13,389 --> 00:16:17,185
TO FOLLOW
SPENCER JAMES TO CRENSHAW, I DIDN'T BELIEVE IT.
371
00:16:17,185 --> 00:16:18,811
GONNA FOLLOW HIM
TO COLLEGE, TOO?
372
00:16:18,811 --> 00:16:21,814
WOW. OK. GOOD TO
HAVE YOU BACK, DAD.
373
00:16:21,814 --> 00:16:23,774
I'M HERE ABOUT JORDAN.
374
00:16:23,774 --> 00:16:26,611
WHILE YOU'RE DOWN HERE
PLAYING FATHER TO EVERYONE ELSE'S SON,
375
00:16:26,611 --> 00:16:30,948
YOUR OWN SON IS
TOO BUSY CHASING BEHIND SOME FAST-TAIL LITTLE GAL.
376
00:16:30,948 --> 00:16:33,743
YEAH. SIMONE, UH,
SHE'S NOT LIKE THAT.
377
00:16:33,743 --> 00:16:36,037
SOMETHING IS DIFFERENT
ABOUT THIS ONE.
378
00:16:36,037 --> 00:16:38,748
JORDAN JUST CAN'T SEEM
TO SEE PAST HER.
379
00:16:38,748 --> 00:16:42,919
IF I HAD TO GUESS,
I'D SAY SHE'S THE REASON HE CANCELED ON ME TONIGHT.
380
00:16:42,919 --> 00:16:45,296
SO IS THAT IT?
YOUR FEELINGS ARE HURT?
381
00:16:45,296 --> 00:16:47,924
ONE OF US NEEDS TO CARE.
382
00:16:47,924 --> 00:16:50,593
WE BOTH KNOW HOW EASILY
JORDAN CAN LOSE FOCUS.
383
00:16:50,593 --> 00:16:52,470
JORDAN KNOWS WHAT'S
AT STAKE THIS YEAR, ALL RIGHT?
384
00:16:52,470 --> 00:16:53,763
HE'S GONNA BE FINE.
385
00:16:53,763 --> 00:16:55,556
YOU'RE NOT SEEING
WHAT I'M SEEING.
386
00:16:55,556 --> 00:16:57,058
I KNOW MY SON.
I RAISED HIM.
387
00:16:57,058 --> 00:16:59,060
TO BE SOFT
AND UNPREPARED
388
00:16:59,060 --> 00:17:01,187
FOR WHEN LIFE WILL
KNOCK HIM ON THE ASS.
389
00:17:01,187 --> 00:17:03,189
LOOK, MAN,
390
00:17:03,189 --> 00:17:05,274
NO MATTER HOW DIFFICULT
THINGS MAY GET,
391
00:17:05,274 --> 00:17:08,819
I KNOW FOR A FACT
THAT JORDAN WILL NOT FOLD AND GIVE UP,
392
00:17:08,819 --> 00:17:10,821
UNLIKE YOU,
393
00:17:10,821 --> 00:17:13,407
WHO SHUTTLED MOM OFF
TO THE NURSING HOME
394
00:17:13,407 --> 00:17:16,410
THE MINUTE
SHE GOT TOO SICK!
395
00:17:16,410 --> 00:17:19,413
DON'T YOU DARE...
396
00:17:20,998 --> 00:17:23,626
SPEAK ON SOMETHING
397
00:17:23,626 --> 00:17:26,462
YOU KNOW NOTHING ABOUT.
398
00:17:26,462 --> 00:17:29,465
I ADVISE YOU DO
THE SAME...
399
00:17:29,465 --> 00:17:31,467
POP.
400
00:17:31,467 --> 00:17:35,221
[DOOR OPENS]
401
00:17:35,221 --> 00:17:38,224
MAN: WE NEED THE RED-LINED
CONTRACTS BY TOMORROW
402
00:17:38,224 --> 00:17:40,226
OR THERE IS NO DEAL.
403
00:17:40,226 --> 00:17:42,228
[DISTANT PHONE RINGING]
404
00:17:42,228 --> 00:17:46,857
CHRISTIAN, HEY, UM, SORRY.
WHAT ARE YOU DOING HERE?
405
00:17:46,857 --> 00:17:48,943
CHRISTIAN: UM, I WORK HERE.
LAYLA: NO,
406
00:17:48,943 --> 00:17:51,862
I MEAN I--I THOUGHT YOU
WERE SUPPOSED TO BE BACK AT HOWARD THIS FALL.
407
00:17:51,862 --> 00:17:54,490
WELL, YOUR DAD OFFERED
ME A FULL-TIME GIG AS A TALENT DIRECTOR,
408
00:17:54,490 --> 00:17:57,201
SO I'M TAKING A GAP YEAR.
HE DIDN'T TELL YOU?
409
00:17:57,201 --> 00:18:00,663
I GUESS WE CAN ADD IT TO
THE LONG LIST OF THINGS HE FAILED TO MENTION.
410
00:18:00,663 --> 00:18:03,040
I'M JUST LOOKING
FOR GAYLE.
411
00:18:03,040 --> 00:18:05,459
UM, SHE'S NOT HERE YET.
MAYBE I CAN HELP?
412
00:18:05,459 --> 00:18:08,087
YEAH, UM, I JUST
HAD A QUESTION
413
00:18:08,087 --> 00:18:11,048
ABOUT LIL JEWEL'S
NEW SINGLE.
414
00:18:12,550 --> 00:18:14,552
PATIENCE SIGNED AN NDA.
415
00:18:14,552 --> 00:18:16,554
I DIDN'T
MENTION ANYTHING ABOUT PATIENCE,
416
00:18:16,554 --> 00:18:19,098
BUT THANK YOU
FOR THE CONFIRMATION.
417
00:18:19,098 --> 00:18:21,100
HOW CAN MY DAD
DO THAT TO HER?
418
00:18:21,100 --> 00:18:23,060
IT'S HIS LABEL, LAYLA.
419
00:18:23,060 --> 00:18:24,770
HE OWNS THE RIGHTS
TO EVERY SONG,
420
00:18:24,770 --> 00:18:26,606
SO HE GETS TO CHOOSE
WHO'S SINGING 'EM.
421
00:18:26,606 --> 00:18:28,691
PATIENCE SHOULD HAVE
READ THE FINE PRINT IN HER CONTRACT.
422
00:18:28,691 --> 00:18:30,901
IT'S JUST THAT SIMPLE
FOR YOU GUYS?
423
00:18:30,901 --> 00:18:33,738
PATIENCE IS A PERSON,
WITH FEELINGS.
424
00:18:33,738 --> 00:18:35,948
LOOK, I GET
THAT'S YOUR FRIEND,
425
00:18:35,948 --> 00:18:38,075
BUT THIS IS BUSINESS,
426
00:18:38,075 --> 00:18:39,869
AND THE SOONER YOU
UNDERSTAND THE DIFFERENCE,
427
00:18:39,869 --> 00:18:42,204
THE SOONER
YOUR LITTLE PRODUCING CAREER CAN TAKE OFF.
428
00:18:42,204 --> 00:18:43,831
"LITTLE"?
429
00:18:43,831 --> 00:18:45,833
OH, YOU MUST NOT READ
THE TRADES BECAUSE
430
00:18:45,833 --> 00:18:48,210
MY "LITTLE" TOUR WITH
COOP GAINED MORE BUZZ
431
00:18:48,210 --> 00:18:51,756
THAN THE OVERPRODUCED
STADIUM CIRCUS THAT THIS LABEL PUT TOGETHER.
432
00:18:51,756 --> 00:18:53,924
THAT'S WHY PATIENCE
WANTS TO SIGN WITH ME.
433
00:18:53,924 --> 00:18:56,552
YOU DAD WOULD
NEVER RELEASE HER.
434
00:18:56,552 --> 00:19:01,349
IF HE DID, EVERY TWO-BIT
ARTIST ON THIS LABEL WOULD BE COMING FOR US,
435
00:19:01,349 --> 00:19:04,560
THINKING THEY CAN LEAVE
J.P. KEATING MUSIC WHENEVER THEY DAMN WELL FELT LIKE IT.
436
00:19:04,560 --> 00:19:06,854
WHY AM I ARGUING THIS
WITH AN INTERN?
437
00:19:06,854 --> 00:19:08,856
CHRISTIAN: TALENT DIRECTOR.
LAYLA: WHATEVER.
438
00:19:08,856 --> 00:19:10,816
I'M GONNA CALL MY DAD.
439
00:19:10,816 --> 00:19:14,362
GO FOR IT. HE'S NOT GONNA
SAY ANYTHING DIFFERENT.
440
00:19:14,362 --> 00:19:16,238
WHO YOU THINK
TRAINED ME?
441
00:19:19,325 --> 00:19:20,951
CAN'T LIE.
442
00:19:20,951 --> 00:19:22,787
I'VE MISSED THIS.
443
00:19:22,787 --> 00:19:24,789
YOU, ME, US.
444
00:19:24,789 --> 00:19:27,416
HEH! BABE, I SEE YOU
EVERY DAY IN CLASS.
445
00:19:27,416 --> 00:19:30,252
I KNOW, BUT BETWEEN
ME TRYING TO PROVE MYSELF TO MONTES,
446
00:19:30,252 --> 00:19:33,172
AND YOUR VOLUNTEER
WORK, THERE'S BEEN, LIKE, ZERO "US" TIME.
447
00:19:33,172 --> 00:19:35,216
EVERYTHING GOOD?
448
00:19:35,216 --> 00:19:36,842
OF COURSE.
449
00:19:36,842 --> 00:19:38,511
THE WHOLE VANESSA
SUMMER THING?
450
00:19:38,511 --> 00:19:40,930
ASH, I MEANT WHAT I SAID
AFTER YOU TOLD ME,
451
00:19:40,930 --> 00:19:43,391
OK? WE'RE GOOD.
SUMMER'S DONE.
452
00:19:45,643 --> 00:19:48,270
HEY, EITHER OF YOU
SEEN SIMONE?
453
00:19:48,270 --> 00:19:51,148
GROSS.
OLIVIA: I'M NOT HER KEEPER.
454
00:19:51,148 --> 00:19:53,567
YEAH, WELL, SHE
MISSED OUR LAST CLASS, WHICH IS NOT LIKE HER.
455
00:19:53,567 --> 00:19:55,569
[SNAPS FINGERS]
ASH, COVER FOR ME NEXT PERIOD, ALL RIGHT?
456
00:19:55,569 --> 00:19:57,196
I NEED TO DO SOMETHING
REAL QUICK.
457
00:19:57,196 --> 00:20:00,199
SPEARS: OK,
THE NIGHT YOU GOT SHOT.
458
00:20:00,199 --> 00:20:02,827
WALK ME THROUGH IT.
459
00:20:02,827 --> 00:20:05,037
UH, I WAS
AT A COTILLION.
460
00:20:05,037 --> 00:20:06,789
SPEARS: OK.
SPENCER: AND WE WERE CELEBRATING
461
00:20:06,789 --> 00:20:08,791
MY HOMIE OLIVIA AND
ALL THE DOPE STUFF
462
00:20:08,791 --> 00:20:10,751
SHE BEEN DOING
IN THE COMMUNITY.
463
00:20:10,751 --> 00:20:13,379
OLIVIA FEELS LIKE
A INTERESTING FOCAL POINT.
464
00:20:13,379 --> 00:20:15,339
TELL ME ABOUT HER.
465
00:20:15,339 --> 00:20:17,591
SPENCER: WHY?
SPEARS: AH, HUMOR ME.
466
00:20:17,591 --> 00:20:22,012
OK. UH, OLIVIA, UM...
467
00:20:22,012 --> 00:20:24,640
MAN,
THAT'S MY DAY ONE.
468
00:20:24,640 --> 00:20:27,268
YOU KNOW, SHE
THE FIRST PERSON I MET WHEN I GOT TO BEVERLY.
469
00:20:27,268 --> 00:20:28,894
SPEARS: MM-HMM.
SPENCER: WE, UH, SHARED
470
00:20:28,894 --> 00:20:31,439
A LAPTOP AND BONDED
OVER CHROMOSOMAL DNA.
471
00:20:31,439 --> 00:20:33,315
[SPEARS CHUCKLES]
SPENCER: I DON'T KNOW, MAN.
472
00:20:33,315 --> 00:20:35,317
WE JUST...
473
00:20:35,317 --> 00:20:37,945
VIBE OVER EVERYTHING.
474
00:20:37,945 --> 00:20:41,615
IT'S HARD TO EXPLAIN,
YOU KNOW. WE JUST...
475
00:20:43,200 --> 00:20:45,744
UH, WE JUST GET
EACH OTHER.
476
00:20:45,744 --> 00:20:49,790
I GUESS THAT'S WHY IT WAS
SO EASY TO JUMP IN FRONT OF HER WHEN I SAW THAT GUN.
477
00:20:49,790 --> 00:20:52,960
THAT TYPE OF TRAUMA CAN
BOND TWO PEOPLE FOR LIFE.
478
00:20:52,960 --> 00:20:55,296
YOU THINK SHE'S
MY STUCK POINT?
479
00:20:55,296 --> 00:20:58,924
NO. YOUR FEELINGS
FOR OLIVIA AREN'T COMPLICATED.
480
00:20:58,924 --> 00:21:00,217
THEY'RE CLEAR.
481
00:21:00,217 --> 00:21:02,678
YOU'RE IN LOVE
WITH HER.
482
00:21:02,678 --> 00:21:04,305
[SCOFFS]
NAH.
483
00:21:04,305 --> 00:21:07,099
NO, NO. NO, LIV'S
JUST MY FRIEND.
484
00:21:07,099 --> 00:21:11,020
NOW, LAYLA, LAYLA,
THAT'S MY GIRL. I LOVE HER.
485
00:21:11,020 --> 00:21:14,315
LET'S TABLE THAT DISCUSSION
FOR ANOTHER TIME.
486
00:21:14,315 --> 00:21:18,152
SO, WHO DO YOU
HOLD RESPONSIBLE FOR THE SHOOTING THAT NIGHT?
487
00:21:18,152 --> 00:21:20,154
SPENCER: TYRONE.
SPEARS: OK.
488
00:21:20,154 --> 00:21:21,655
YEAH, HE SET
THE WHOLE THING UP.
489
00:21:21,655 --> 00:21:23,199
I MEAN, HE CAN'T BE
MY STUCK POINT.
490
00:21:23,199 --> 00:21:24,742
I MEAN, MY FEELINGS
ON HIM ARE CLEAR.
491
00:21:24,742 --> 00:21:26,368
SO WHO ELSE?
492
00:21:26,368 --> 00:21:28,245
WHO DO YOU
REALLY BLAME,
493
00:21:28,245 --> 00:21:29,872
YOURSELF?
494
00:21:29,872 --> 00:21:32,500
IT DOESN'T EVEN HAVE
TO BE A PERSON.
495
00:21:32,500 --> 00:21:35,002
MAYBE YOU BLAME
YOUR CIRCUMSTANCES?
496
00:21:37,588 --> 00:21:42,218
I DON'T KNOW.
I THINK I NEED SOME TIME TO THINK ON IT.
497
00:21:42,218 --> 00:21:44,303
OR YOU CAN
WRITE IT DOWN.
498
00:21:44,303 --> 00:21:45,638
WRITE WHAT DOWN?
499
00:21:45,638 --> 00:21:47,056
EVERYTHING THAT
HAPPENED THAT NIGHT.
500
00:21:47,056 --> 00:21:48,682
SOMETIMES MY PATIENTS
FIND MORE CLARITY
501
00:21:48,682 --> 00:21:50,518
WHEN THEY WRITE
THEIR THOUGHTS DOWN.
502
00:21:50,518 --> 00:21:52,520
IT'S A FORM
OF NARRATIVE THERAPY.
503
00:21:52,520 --> 00:21:54,730
IT HELPS YOU UNLOCK STUFF
THAT, FOR WHATEVER REASON,
504
00:21:54,730 --> 00:21:57,900
GETS BURIED IN THE DEEP
RECESSES OF YOUR BRAIN.
505
00:21:57,900 --> 00:22:00,110
SO THAT'S YOUR HOMEWORK.
506
00:22:00,110 --> 00:22:02,780
YOUR SUBCONSCIOUS WILL
HELP YOU FIND THE ANSWER.
507
00:22:14,166 --> 00:22:17,211
[DISTANT DOG BARKING]
508
00:22:20,297 --> 00:22:22,341
[TEXTING]
509
00:22:25,177 --> 00:22:27,221
[TRASH CAN LID SLAMS]
510
00:22:29,265 --> 00:22:31,141
DO I KNOW YOU?
511
00:22:31,141 --> 00:22:34,562
JORDAN: NOT OFFICIALLY, NO.
MAN: WHAT DOES THAT MEAN?
512
00:22:34,562 --> 00:22:36,188
[SIGHS]
513
00:22:36,188 --> 00:22:38,899
UM...
514
00:22:38,899 --> 00:22:43,112
LOOK, LAST THING I WANT
TO DO IS CALL THE COPS ON ANOTHER BLACK MAN,
515
00:22:43,112 --> 00:22:45,739
SO IF YOU HAVE SOMETHING
YOU WANT TO TELL ME...
516
00:22:45,739 --> 00:22:48,367
LOOK, UM...
517
00:22:48,367 --> 00:22:51,370
MY, UH, MY--MY
GIRLFRIEND SIMONE,
518
00:22:51,370 --> 00:22:53,414
SHE--SHE GAVE BIRTH
TO YOUR SON,
519
00:22:53,414 --> 00:22:56,709
ALL RIGHT?
SHE'S THE REASON I'M HERE.
520
00:23:00,170 --> 00:23:02,798
SHE'S HAVING
SECOND THOUGHTS ABOUT THE ADOPTION.
521
00:23:02,798 --> 00:23:06,802
LOOK, MAN, I'M--I'M
SORRY. I KNOW THIS IS CRAZY, MESSED UP.
522
00:23:06,802 --> 00:23:09,638
BUT YOU GOT TO UNDERSTAND
SIMONE, ALL RIGHT?
523
00:23:09,638 --> 00:23:11,640
SHE'S ONLY 18,
524
00:23:11,640 --> 00:23:14,059
AND GIVING UP HER SON
FELT LIKE THE RIGHT THING
525
00:23:14,059 --> 00:23:16,895
AT THE TIME, BUT--BUT NOW,
NOW IT'S COMPLICATED--
526
00:23:16,895 --> 00:23:20,232
GET OFF MY BLOCK!
GO!
527
00:23:20,232 --> 00:23:22,693
DON'T COME BACK
OVER HERE AGAIN.
528
00:23:22,693 --> 00:23:24,737
ALL RIGHT.
529
00:23:30,909 --> 00:23:35,497
[SIGHS]
YO, D.
530
00:23:35,497 --> 00:23:38,334
[CLOSES DOOR]
WHAT'S ALL THIS, MAN?
531
00:23:38,334 --> 00:23:39,585
OH, UH, THIS IS
532
00:23:39,585 --> 00:23:41,462
THE COMIC BOOK ME AND
DARNELL WAS WORKING ON.
533
00:23:41,462 --> 00:23:43,464
DARNELL WAS SUPPOSED TO
COME OVER AFTER SCHOOL
534
00:23:43,464 --> 00:23:45,799
AND HELP OUT,
BUT NEVER SHOWED UP.
535
00:23:45,799 --> 00:23:49,595
DARNELL, HE JUST...
HE DEALING WITH A LOT RIGHT NOW.
536
00:23:52,556 --> 00:23:55,559
HEY, I CAN HELP,
RIGHT?
537
00:23:55,559 --> 00:23:58,062
"KING CRENSHAW."
538
00:23:58,062 --> 00:24:00,064
DILLON: YEAH.
IT'S ABOUT A SUPERHERO
539
00:24:00,064 --> 00:24:02,733
WHO WAS RAISED ON THE CORNER
AT KING AND CRENSHAW.
540
00:24:04,610 --> 00:24:07,029
THIS IS DAD.
541
00:24:07,029 --> 00:24:09,657
TOOK YOU LONG ENOUGH.
542
00:24:09,657 --> 00:24:12,826
HEY, UH, COULD YOU
PROMISE ME SOMETHING?
543
00:24:12,826 --> 00:24:15,120
YEAH. YEAH, YEAH, YEAH.
WHAT'S UP?
544
00:24:15,120 --> 00:24:17,748
PLEASE DON'T TELL HIM
THAT I WAS UPSET.
545
00:24:17,748 --> 00:24:22,503
I JUST WANTED TO SPEND
SOME EXTRA TIME WITH HIM BEFORE HE BOUNCED.
546
00:24:22,503 --> 00:24:24,546
I GOT YOU.
547
00:24:34,556 --> 00:24:37,768
YOU KNOW, THE BEST THING
YOU CAN DO RIGHT NOW IS STAY PRAYED UP.
548
00:24:37,768 --> 00:24:40,771
I'M TRYING, BRO.
549
00:24:40,771 --> 00:24:43,774
YOU HAVE ANY IDEA
WHEN YOU'RE COMING BACK?
550
00:24:43,774 --> 00:24:47,277
UH, IT DEPENDS
ON MY MOM'S RECOVERY.
551
00:24:49,154 --> 00:24:51,156
MY BAD.
552
00:24:51,156 --> 00:24:53,158
COACH TOLD ME YOU
WAS HERE ALONE.
553
00:24:53,158 --> 00:24:55,994
YEAH, WELL,
I GOT TO ROLL, BRO.
554
00:24:55,994 --> 00:24:57,996
YOU AIN'T GOT TO LEAVE
ON ACCOUNT OF ME, MAN.
555
00:24:57,996 --> 00:25:00,499
AIN'T NOBODY
DOING NOTHING ON ACCOUNT OF YOU.
556
00:25:00,499 --> 00:25:02,459
HIT ME IF YOU NEED
ANYTHING.
557
00:25:02,459 --> 00:25:04,962
ALL RIGHT, MAN.
APPRECIATE YOU, CHAMP.
558
00:25:09,258 --> 00:25:11,301
YOU ALL RIGHT?
559
00:25:18,475 --> 00:25:20,477
HEY, BRO...
560
00:25:20,477 --> 00:25:22,980
I CAN'T IMAGINE WHAT YOU'RE
GOING THROUGH RIGHT NOW.
561
00:25:22,980 --> 00:25:25,941
AIN'T NONE
OF THIS EASY.
562
00:25:25,941 --> 00:25:28,569
I'MMA MISS YOU.
563
00:25:28,569 --> 00:25:32,322
DILLON'S GONNA MISS YOU,
MOM'S GONNA MISS YOU,
564
00:25:32,322 --> 00:25:34,950
BUT YOU'RE ACTING
LIKE NONE OF THAT MATTERS, MAN.
565
00:25:36,910 --> 00:25:39,371
WE DO SOMETHING WRONG?
566
00:25:40,956 --> 00:25:43,167
YOU KNOW...
567
00:25:43,167 --> 00:25:46,795
BY THE AGE OF 7,
I MOVED 4 TIMES.
568
00:25:46,795 --> 00:25:48,797
4.
569
00:25:48,797 --> 00:25:50,799
LIFE IN THE MILITARY,
570
00:25:50,799 --> 00:25:53,427
IT TEACHES YOU
TO NEVER GET SETTLED,
571
00:25:53,427 --> 00:25:56,096
AND I JUST...
572
00:25:56,096 --> 00:25:58,724
[SIGHS]
573
00:25:58,724 --> 00:26:01,727
Y'ALL DIDN'T DO
ANYTHING WRONG.
574
00:26:01,727 --> 00:26:04,354
THAT'S ON ME.
575
00:26:04,354 --> 00:26:07,149
I GOT COMFORTABLE.
576
00:26:07,149 --> 00:26:08,901
I MADE A MISTAKE
577
00:26:08,901 --> 00:26:11,612
OF THINKING I'D
FINALLY FIND A HOME.
578
00:26:11,612 --> 00:26:14,198
YO, I'M A MILITARY
BRAT, SPENCE.
579
00:26:14,198 --> 00:26:16,867
I SHOULD HAVE
KNOWN BETTER.
580
00:26:18,494 --> 00:26:20,913
HOME IS A MYTH.
581
00:26:20,913 --> 00:26:23,165
[CHUCKLES]
582
00:26:23,165 --> 00:26:25,834
HOME IS WHAT
YOU MAKE IT, MAN.
583
00:26:30,964 --> 00:26:32,966
[SIGHS]
584
00:26:32,966 --> 00:26:34,968
MONTES: BACK AT IT AGAIN?
585
00:26:34,968 --> 00:26:39,014
JUST KEEPING MYSELF
IN SHAPE FOR WHEN MY NUMBER'S CALLED.
586
00:26:45,229 --> 00:26:48,482
I MEAN,
IT'S GONNA GET CALLED AT SOME POINT, RIGHT?
587
00:26:50,067 --> 00:26:52,694
I'M DOING EVERYTHING
POSSIBLE TO GET BACK ON THE TEAM, COACH.
588
00:26:52,694 --> 00:26:54,822
WHAT ELSE CAN I DO
TO EARN YOUR TRUST?
589
00:26:54,822 --> 00:26:58,450
STEP UP
FOR YOUR TEAMMATES IN WHATEVER CAPACITY,
590
00:26:58,450 --> 00:27:00,786
THE SAME WAY
JORDAN HAS ASSUMED HIS LEADERSHIP ROLE.
591
00:27:00,786 --> 00:27:03,163
DONE.
IF YOU REINSTATE ME,
592
00:27:03,163 --> 00:27:04,915
I CAN PROVE THAT
AT PRACTICE TOMORROW.
593
00:27:04,915 --> 00:27:07,793
MY ACTIONS SPEAK
THE LOUDEST WITH A BALL IN MY HANDS.
594
00:27:09,253 --> 00:27:12,422
YOU KNOW, MY DAUGHTER
VANESSA HAS BEEN RAVING
595
00:27:12,422 --> 00:27:16,844
ABOUT HOW SMART AND KIND
AND SELFLESS YOU ARE.
596
00:27:16,844 --> 00:27:20,681
BUT ALL I SEE IS A KID
WHO NOT ONLY GAVE AWAY HIS TEAM'S PLAYBOOK
597
00:27:20,681 --> 00:27:23,392
TO A RIVAL, BUT ALSO
TOOK STEROIDS, AND NOW,
598
00:27:23,392 --> 00:27:25,394
ALL HE CARES ABOUT
IS MAKING PLAYS AGAIN.
599
00:27:25,394 --> 00:27:28,188
YOU CAN'T GET
MORE SELFISH THAN THAT.
600
00:27:32,192 --> 00:27:34,820
YOU DRAW THESE
YOURSELF, LAYLA?
601
00:27:34,820 --> 00:27:36,822
OLIVIA: NOPE, THAT--
THAT WOULD BE ME.
602
00:27:36,822 --> 00:27:38,824
LAYLA: HEH!
OLIVIA: UM, NO, THESE ARE
603
00:27:38,824 --> 00:27:41,451
THE KIDS IN KIA'S AND MY
DANCE CLASS AT THE CENTER,
604
00:27:41,451 --> 00:27:44,454
AND THEY ARE SO HYPED OVER
YOUR SONG, AND LAYLA THOUGHT IT
605
00:27:44,454 --> 00:27:47,082
WOULD BE COOL TO ADD THEM,
YOU KNOW, KEEPING WITH THE WHOLE COMMUNITY THEME.
606
00:27:47,082 --> 00:27:50,294
MM-HMM, PLUS SPENCER
TOLD ME THAT "FAMILY OVER EVERYTHING" HAS KIND OF
607
00:27:50,294 --> 00:27:54,298
BECOME A THEME FOR
THE FOOTBALL TEAM, SO I THOUGHT, EMBRACE THAT.
608
00:27:54,298 --> 00:27:57,301
SO WE COULD SHOOT
AT SOUTH CRENSHAW HIGH FOOTBALL FIELD--
609
00:27:57,301 --> 00:28:00,929
THANK YOU, COACH BAKER--
YOU KNOW, HIRE FOLKS FROM THE COMMUNITY.
610
00:28:00,929 --> 00:28:03,181
IT'D BE LIKE
YOUR LOVE LETTER TO SOUTH CRENSHAW.
611
00:28:03,181 --> 00:28:05,183
PATIENCE: DAMN,
THESE ARE DOPE AS HELL.
612
00:28:05,183 --> 00:28:07,185
YEAH, I CAN'T WAIT
TO SHOOT THIS.
613
00:28:07,185 --> 00:28:10,188
UM, THERE'S JUST
ONE CHANGE. UM,
614
00:28:10,188 --> 00:28:12,983
IT'S--IT'S JUST GONNA
BE COOP IN THE VIDEO.
615
00:28:12,983 --> 00:28:15,193
WHAT? NO. THE SONG
IS BOTH OF OURS.
616
00:28:15,193 --> 00:28:17,070
WAIT, J.P. ISN'T
RELEASING ME FROM MY CONTRACT?
617
00:28:17,070 --> 00:28:19,197
LAYLA: I'M SORRY.
OLIVIA: WAIT, WAS YOUR DAD
618
00:28:19,197 --> 00:28:20,782
PISSED ABOUT THE WHOLE
PATIENCE THING?
619
00:28:20,782 --> 00:28:23,660
WELL, I DEFINITELY HEARD
A DIFFERENT SIDE OF HIM
620
00:28:23,660 --> 00:28:25,537
ON THE PHONE
THIS AFTERNOON,
621
00:28:25,537 --> 00:28:27,789
A CUTTHROAT, "BUSINESS
OVER FAMILY" SIDE.
622
00:28:27,789 --> 00:28:31,001
I COULD NEVER OPERATE
LIKE THAT AND, YOU KNOW, MAYBE CHRISTIAN'S RIGHT.
623
00:28:31,001 --> 00:28:32,628
MAYBE I'M NOT WILLING
TO DO WHAT IT TAKES.
624
00:28:32,628 --> 00:28:34,630
COOP: WHAT?
STOP, ALL RIGHT?
625
00:28:34,630 --> 00:28:36,632
AND WHOEVER THIS CHRISTIAN IS
NEEDS TO MIND HIS BUSINESS.
626
00:28:36,632 --> 00:28:38,634
YOU'VE BEEN READY.
YOU JUST DO IT DIFFERENT--
627
00:28:38,634 --> 00:28:40,385
RUNNING A LABEL
WHERE THE BOSS
628
00:28:40,385 --> 00:28:42,179
ALLOWS YOU THE FREEDOM
TO BE YOURSELF?
629
00:28:42,179 --> 00:28:43,513
WHILE STILL TREATING
YOU LIKE FAMILY.
630
00:28:43,513 --> 00:28:45,140
EXACTLY.
THAT'S WHY I SIGNED
631
00:28:45,140 --> 00:28:46,475
WITH YOU
IN THE FIRST PLACE.
632
00:28:46,475 --> 00:28:47,726
I MEAN, LOOK AT WHAT
YOU CAME UP WITH
633
00:28:47,726 --> 00:28:49,311
FOR THIS VIDEO
OVERNIGHT.
634
00:28:49,311 --> 00:28:50,938
WE GOT FAITH IN YOU,
SIS, AND EVERYTHING
635
00:28:50,938 --> 00:28:52,439
WE EARNED UP UNTIL
THIS POINT WE HAD TO
636
00:28:52,439 --> 00:28:54,066
FIGHT FOR IT,
AND WE KEEP WINNING.
637
00:28:54,066 --> 00:28:55,609
THAT AIN'T GONNA CHANGE
AS LONG AS WE STAY
638
00:28:55,609 --> 00:28:57,235
TRUE TO WHO WE ARE.
639
00:28:57,235 --> 00:28:59,154
WE'RE FIGHTERS, RIGHT?
640
00:29:00,572 --> 00:29:02,032
[CHUCKLES]
641
00:29:02,032 --> 00:29:04,451
SIMONE: JORDAN,
YOU SERIOUSLY WENT
642
00:29:04,451 --> 00:29:07,120
TO SEE MY ADOPTED SON'S
PARENTS BEHIND MY BACK?
643
00:29:07,120 --> 00:29:10,874
UH, NO, NO. I COULDN'T
FIND YOU AT SCHOOL, SO I WENT THERE INSTEAD.
644
00:29:10,874 --> 00:29:12,834
I DIDN'T PLAN ON
TALKING TO TARIQ, OK?
645
00:29:12,834 --> 00:29:14,836
BELIEVE ME.
646
00:29:14,836 --> 00:29:17,172
[SIGHS]
LOOK, SIMONE,
647
00:29:17,172 --> 00:29:19,675
I WAS JUST TRYING
TO HELP.
648
00:29:19,675 --> 00:29:21,301
TALK TO ME.
649
00:29:21,301 --> 00:29:23,345
COME ON.
650
00:29:26,932 --> 00:29:29,559
[SIGHS]
651
00:29:29,559 --> 00:29:31,979
THE DAY I DECIDED
ON ADOPTION,
652
00:29:31,979 --> 00:29:35,649
EVERYONE JUST
KEPT TELLING ME HOW SELFLESS I WAS.
653
00:29:37,776 --> 00:29:40,904
BUT, TO ME...
654
00:29:40,904 --> 00:29:44,032
GIVING UP SHAY JUST
FELT LIKE THE MOST
655
00:29:44,032 --> 00:29:46,576
SELFISH THING I'VE
EVER DONE, JORDAN.
656
00:29:46,576 --> 00:29:48,787
WHAT IF MY SON
ENDS UP WORSE OFF?
657
00:29:48,787 --> 00:29:51,832
I COULDN'T LIVE
WITH MYSELF.
658
00:29:51,832 --> 00:29:54,710
WHAT ARE YOU SAYING?
659
00:29:56,169 --> 00:30:00,799
JORDAN, I KNOW
THIS ISN'T WHAT YOU SIGNED UP FOR...
660
00:30:00,799 --> 00:30:04,845
BUT I AM DONE
BEING SELFISH.
661
00:30:07,931 --> 00:30:10,600
I'M TAKING
MY BABY BACK.
662
00:30:21,445 --> 00:30:23,405
WILLIE, CHUCKLING:
SO, YOU'RE THE ONE
663
00:30:23,405 --> 00:30:26,033
WHO PUT
CRENSHAW CATHY OUT OF BUSINESS.
664
00:30:26,033 --> 00:30:29,036
ME AND MY SMALL
LEGION OF FANS.
665
00:30:29,036 --> 00:30:31,204
UM, NO, THEY'RE
THE REAL HEROES.
666
00:30:31,204 --> 00:30:33,206
WILLIE: AND HERE I THOUGHT
THE LONG TRADITION
667
00:30:33,206 --> 00:30:35,751
OF BAKER RADICALS
WAS ENDING WITH ME.
668
00:30:35,751 --> 00:30:37,711
[WILLIE CHUCKLES]
669
00:30:37,711 --> 00:30:40,130
SO, I WAS THINKING
WE SHOULD GET IN
670
00:30:40,130 --> 00:30:42,507
SOME WORK ON THE FIELD
AFTER YOUR TEAM PHOTOS.
671
00:30:42,507 --> 00:30:44,551
UH, ACTUALLY,
G.W., I DON'T THINK
672
00:30:44,551 --> 00:30:46,178
I'M GONNA BE AT
THE TEAM PHOTO TOMORROW.
673
00:30:46,178 --> 00:30:48,430
BILLY: HOLD UP. WHY?
JORDAN: UH, SIMONE NEEDS
674
00:30:48,430 --> 00:30:50,766
MY HELP WITH SOMETHING
THAT'S REALLY IMPORTANT.
675
00:30:50,766 --> 00:30:53,351
SON, WHAT COULD BE
MORE IMPORTANT THAN YOUR TEAMMATES?
676
00:30:53,351 --> 00:30:55,353
OLIVIA: WHO WANTS DESSERT?
BILLY: I DO, RIGHT?
677
00:30:55,353 --> 00:30:57,939
YEAH, ME, TOO.
UM, G.W., WILL YOU GIVE ME A HAND?
678
00:30:57,939 --> 00:30:59,775
WILLIE: IT'S JUST SOME
FANCY LITTLE COOKIES.
679
00:30:59,775 --> 00:31:00,901
HOW HEAVY COULD
THEY BE, HUH?
680
00:31:00,901 --> 00:31:02,944
AHEM!
681
00:31:10,786 --> 00:31:13,413
LOOK, HONEY,
682
00:31:13,413 --> 00:31:16,583
I'M SUPER PROUD
OF HOW YOU'VE STUCK BY SIMONE,
683
00:31:16,583 --> 00:31:18,585
BUT MAYBE YOUR
GRANDFATHER'S RIGHT.
684
00:31:18,585 --> 00:31:20,212
BILLY: LAURA.
LAURA: BILLY, IT'S HIS
685
00:31:20,212 --> 00:31:21,838
SENIOR YEAR OF SCHOOL.
686
00:31:21,838 --> 00:31:23,465
HE'S GOT A LOT
TO JUGGLE.
687
00:31:23,465 --> 00:31:25,467
I JUST THINK IT'S
TIME MAYBE SIMONE
688
00:31:25,467 --> 00:31:27,177
LEARNED TO STAND
ON HER OWN.
689
00:31:27,177 --> 00:31:29,096
BILLY: LOOK, OUR CONCERN
IS COMING FROM A PLACE
690
00:31:29,096 --> 00:31:30,722
OF LOVE, ALL RIGHT?
691
00:31:30,722 --> 00:31:34,559
WE'RE JUST ASKING--
WE'RE...TRUSTING
692
00:31:34,559 --> 00:31:36,603
THAT WHILE YOU'RE
HELPING YOUR FRIENDS,
693
00:31:36,603 --> 00:31:38,980
YOU DON'T LOSE SIGHT
OF YOUR PRIORITIES.
694
00:31:38,980 --> 00:31:40,607
YOU GUYS JUST--
YOU DON'T UNDERSTAND.
695
00:31:40,607 --> 00:31:43,944
THEN HELP US UNDERSTAND,
BABE. TALK TO US.
696
00:31:43,944 --> 00:31:47,030
IT'S FINE, BUT I'M ALL
TALKED OUT FOR THE EVENING.
697
00:31:47,030 --> 00:31:49,658
BILLY: ALL RIGHT, IF
YOU DON'T WANT TO TALK TO US, THAT'S FINE,
698
00:31:49,658 --> 00:31:51,952
BUT PLEASE TALK TO
SOMEBODY, AND MAKE SURE
699
00:31:51,952 --> 00:31:55,789
THAT SOMEBODY HAS
YOUR BEST INTERESTS AT HEART.
700
00:31:55,789 --> 00:31:57,332
COOKIES.
701
00:31:57,332 --> 00:31:58,667
HEY.
702
00:31:58,667 --> 00:32:00,836
BILLY: MACAROONS.
LAURA: OOH.
703
00:32:00,836 --> 00:32:03,964
SPENCER: YO, D, HOW YOU
PUT AWAY 3 BASKETS OF BREADSTICKS, BRO?
704
00:32:03,964 --> 00:32:06,591
DILLON: OK, GARLIC
BREADSTICKS ARE LIFE.
705
00:32:06,591 --> 00:32:08,552
DARNELL: THANKS AGAIN
FOR DINNER, MS. GRACE. I MEAN, I DIDN'T--
706
00:32:08,552 --> 00:32:10,637
Y'ALL DIDN'T REALLY
HAVE TO DO THAT.
707
00:32:10,637 --> 00:32:13,807
ALL: SURPRISE!
708
00:32:13,807 --> 00:32:16,393
WHOO! YOU REALLY DIDN'T
THINK I WAS GONNA
709
00:32:16,393 --> 00:32:18,103
LET YOU LEAVE JUST
LIKE THAT, DID YOU?
710
00:32:18,103 --> 00:32:20,397
WOW. YOU REALLY GOT ME.
I APPRECIATE THAT.
711
00:32:20,397 --> 00:32:21,940
COME ON.
BRING IT IN, BRO.
712
00:32:21,940 --> 00:32:23,608
DARNELL: HEY. HEH HEH!
COOP: AH!
713
00:32:23,608 --> 00:32:25,944
YO, I'MMA PUT EVERYBODY
IN GERMANY ONTO YOUR MUSIC.
714
00:32:25,944 --> 00:32:27,654
THAT PART,
I APPRECIATE IT.
715
00:32:27,654 --> 00:32:29,239
[DOOR OPENS]
716
00:32:29,239 --> 00:32:30,866
DID I MI--
I MISSED THE SURPRISE.
717
00:32:30,866 --> 00:32:32,534
DAMN IT! SURPRISE.
718
00:32:32,534 --> 00:32:34,494
[CLOSES DOOR]
MY BAD.
719
00:32:34,494 --> 00:32:36,997
SPENCER, WHAT'S UP?
720
00:32:36,997 --> 00:32:40,417
UM, I JUST WANTED
TO SAY, AS A--AS A MAN
721
00:32:40,417 --> 00:32:43,044
WHO WAS VERY, VERY CLOSE
TO HIS MOTHER,
722
00:32:43,044 --> 00:32:46,047
I FEEL LIKE I KNOW A LITTLE
BIT ABOUT WHAT YOU'RE GOING THROUGH, YOU KNOW,
723
00:32:46,047 --> 00:32:49,676
AND YOU...BEING THERE
BY YOUR MOTHER'S SIDE,
724
00:32:49,676 --> 00:32:52,679
THAT'S THE, UH, IT'S
THE RIGHT WAY TO GO.
725
00:32:52,679 --> 00:32:55,932
ACTUALLY, THE ONLY--
THE ONLY WAY TO GO, BUT I'M PROUD OF YOU.
726
00:32:55,932 --> 00:32:58,977
DARNELL: THANK YOU.
BILLY: YOU NEED ANYTHING, YOU KNOW WHERE I'M AT.
727
00:32:58,977 --> 00:33:01,021
DARNELL: APPRECIATE YOU.
BILLY: YEAH, MAN.
728
00:33:01,021 --> 00:33:02,731
GOOD MAN. ALL RIGHT.
729
00:33:02,731 --> 00:33:04,566
YO, THE FACT THAT Y'ALL
TWO IN THE SAME ROOM
730
00:33:04,566 --> 00:33:06,776
RIGHT NOW AND NOT COMING
FOR EACH OTHER'S NECKS?
731
00:33:06,776 --> 00:33:09,571
[CAM CHUCKLES]
DARNELL: IT MEANS A LOT, BRO.
732
00:33:09,571 --> 00:33:11,698
HEY, MAN, FAMILY
OVER EVERYTHING, RIGHT?
733
00:33:11,698 --> 00:33:13,533
COOP: DAMN RIGHT.
I HEARD THAT.
734
00:33:13,533 --> 00:33:16,328
HA HA HA!
735
00:33:17,871 --> 00:33:19,873
THANKS FOR
SHOWING UP, MAN.
736
00:33:19,873 --> 00:33:22,584
I APPRECIATE
THE INVITE.
737
00:33:22,584 --> 00:33:25,587
MALE SINGER: ♪ YEAH,
WE JUMPIN' ON COUCHES ♪
738
00:33:25,587 --> 00:33:29,382
♪ GROOVE, WE DON'T DO A LOT
OF FROWNIN', SCROOGE... ♪
739
00:33:29,382 --> 00:33:31,885
YOU FINISH YOUR
THERAPY HOMEWORK?
740
00:33:31,885 --> 00:33:34,054
HMM.
TURNS OUT WRITING
741
00:33:34,054 --> 00:33:36,097
ABOUT THAT NIGHT'S
EASIER SAID THAN DONE.
742
00:33:36,097 --> 00:33:38,683
WHEN THE MOMENT'S RIGHT,
IT'LL COME TO YOU.
743
00:33:38,683 --> 00:33:41,102
[SIGHS]
744
00:33:41,102 --> 00:33:43,104
LOOKS LIKE Y'ALL
PULLED IT OFF.
745
00:33:43,104 --> 00:33:44,981
SPENCER: MM-HMM.
BILLY: WELL DONE.
746
00:33:44,981 --> 00:33:47,192
YEAH, YOU NEVER KNOW
WITH SURPRISES, RIGHT?
747
00:33:47,192 --> 00:33:49,194
UH, SPEAKING
OF SURPRISES,
748
00:33:49,194 --> 00:33:51,279
I BROUGHT ONE
FOR YOU.
749
00:33:51,279 --> 00:33:53,281
IT'S OUT
ON THE PORCH.
750
00:33:53,281 --> 00:33:54,574
WHAT YOU TALKING ABOUT?
751
00:33:54,574 --> 00:33:56,159
IT'S OUT
ON THE PORCH.
752
00:33:56,159 --> 00:33:58,328
HA HA! OK.
753
00:33:58,328 --> 00:34:00,330
MALE SINGER:
♪ NO PLACE LIKE HOME ♪
754
00:34:00,330 --> 00:34:02,374
[MUSIC STOPS]
755
00:34:11,132 --> 00:34:13,760
LOOK, MAN,
ABOUT OUR BEEF--
756
00:34:13,760 --> 00:34:15,387
WE'RE FAMILY.
757
00:34:15,387 --> 00:34:17,764
WE FIGHT.
758
00:34:17,764 --> 00:34:19,766
THAT'S IT?
759
00:34:19,766 --> 00:34:22,185
I MEAN, USUALLY YOU HAVE
SOMETHING A LITTLE MORE
760
00:34:22,185 --> 00:34:24,479
COOL AND POETIC TO SAY
RIGHT ABOUT NOW.
761
00:34:24,479 --> 00:34:28,692
MY BAD. I'M ACTUALLY
SAVING THAT FOR DARNELL'S PARTY LATER.
762
00:34:30,110 --> 00:34:31,778
YOU ALL RIGHT?
763
00:34:34,364 --> 00:34:37,033
SIMONE IS TAKING
HER SON BACK.
764
00:34:37,033 --> 00:34:40,120
SHE'S GOING OVER TO THE
PARENTS' HOUSE TOMORROW.
765
00:34:40,120 --> 00:34:41,913
YOU GOING WITH HER?
766
00:34:41,913 --> 00:34:44,541
IT'S THE SAME TIME
AS OUR TEAM PHOTO.
767
00:34:44,541 --> 00:34:48,169
I MEAN, COACH MONTES
IS--IS JUST NOW STARTING TO TRUST ME.
768
00:34:48,169 --> 00:34:51,798
YOU KNOW, I MEAN, I FEEL
LIKE I SHOULD BE THERE FOR HER AND MY GUYS,
769
00:34:51,798 --> 00:34:55,468
BUT AT THE SAME TIME,
THIS IS A LIFE-CHANGING DECISION FOR ME AND SIMONE.
770
00:34:55,468 --> 00:34:56,720
SHE ASK YOU TO GO?
771
00:34:58,430 --> 00:35:01,766
J, YOU'VE BEEN THERE
FOR SIMONE EVERY STEP OF THE WAY, MAN, BUT
772
00:35:01,766 --> 00:35:04,436
AT SOME POINT, YOU'VE
BOTH GOT TO TRUST THAT SHE'S CAPABLE
773
00:35:04,436 --> 00:35:07,188
OF MAKING
THE RIGHT DECISION ALL ON HER OWN.
774
00:35:07,188 --> 00:35:09,149
I MEAN,
JUST 'CAUSE Y'ALL TOGETHER-TOGETHER
775
00:35:09,149 --> 00:35:11,776
DON'T MEAN YOU ALWAYS
GOT TO STEP IN AND SAVE HER.
776
00:35:11,776 --> 00:35:14,988
THIS, COMING
FROM OUR FRIENDLY NEIGHBORHOOD SUPERHERO?
777
00:35:14,988 --> 00:35:17,282
I GUESS IT'S A LESSON
WE BOTH GOT TO LEARN.
778
00:35:17,282 --> 00:35:19,326
YEAH.
779
00:35:20,869 --> 00:35:22,871
BILLY: ALL RIGHT.
780
00:35:22,871 --> 00:35:25,498
HEY, GUYS, UM,
I JUST WANT
781
00:35:25,498 --> 00:35:27,542
TO THANK YOU ALL FROM
THE BOTTOM OF MY HEART.
782
00:35:27,542 --> 00:35:29,210
I DON'T EVEN KNOW
WHAT TO SAY.
783
00:35:29,210 --> 00:35:31,546
WE ACTUALLY GOT ONE MORE
SURPRISE FOR YOU, MAN.
784
00:35:33,506 --> 00:35:36,634
HEH! WHAT IS THIS?
785
00:35:36,634 --> 00:35:39,304
[DARNELL CHUCKLES]
OH, WOW.
786
00:35:41,264 --> 00:35:44,142
WOW, MAN. THANKS.
787
00:35:44,142 --> 00:35:46,144
BILLY: OOH.
SPENCER: CRENSHAW WILL
788
00:35:46,144 --> 00:35:48,563
ALWAYS BE YOUR HOME,
SO TAKE AS LONG
789
00:35:48,563 --> 00:35:51,566
AS YOU NEED
FOR MS. RENEE TO RECOVER...
790
00:35:51,566 --> 00:35:55,570
AND WHEN IT'S TIME
TO COME BACK, WE, YOUR FAMILY,
791
00:35:55,570 --> 00:35:58,865
ARE GONNA BE RIGHT HERE,
WAITING FOR YOU AND YOUR MOM.
792
00:35:58,865 --> 00:36:01,409
APPRECIATE THAT.
793
00:36:04,120 --> 00:36:06,206
OK, OK, LET'S DO THIS HERE.
794
00:36:06,206 --> 00:36:07,791
[LAUGHTER]
795
00:36:15,507 --> 00:36:17,967
HAMZAA:
♪ I PUT IT ALL IN THE SONG ♪
796
00:36:17,967 --> 00:36:20,345
♪ I HOPE YOU HEAR THIS ONE ♪
797
00:36:20,345 --> 00:36:23,348
♪ 'CAUSE WHEN IT'S ALL
SAID AND DONE ♪
798
00:36:23,348 --> 00:36:26,351
♪ THERE'S NOTHING
LEFT TO SAY ♪
799
00:36:26,351 --> 00:36:29,562
♪ I THOUGHT I'D ONLY BECOME ♪
800
00:36:29,562 --> 00:36:32,357
♪ THE LAST OF WHAT IS TO COME ♪
801
00:36:32,357 --> 00:36:37,362
♪ SO FORGIVE ME
FOR MY INSECURITY ♪
802
00:36:37,362 --> 00:36:40,365
SPENCER: "THE DAY OF
THE COTILLION STARTED LIKE ANY OTHER DAY.
803
00:36:40,365 --> 00:36:43,576
"I HAD NO IDEA I'D END IT TAKING
A BULLET FOR A FRIEND.
804
00:36:43,576 --> 00:36:47,580
"I MEAN, YEAH, THE MINUTE
TYRONE SHOWED UP AT MY JOB,
805
00:36:47,580 --> 00:36:51,584
"I WAS WORRIED FOR COOP'S
SAFETY, BUT IF I'M BEING HONEST,
806
00:36:51,584 --> 00:36:54,587
"BEING WORRIED ABOUT COOP
IS NOTHING NEW.
807
00:36:54,587 --> 00:36:57,215
"I'VE BEEN TRYING TO SAVE HER
FROM NOT JUST GANG VIOLENCE,
808
00:36:57,215 --> 00:37:00,218
BUT FROM HERSELF FOR AS LONG
AS I CAN REMEMBER."
809
00:37:00,218 --> 00:37:02,053
PATIENCE: DUDE, LIV'S
WORKING IN THE GYM
810
00:37:02,053 --> 00:37:04,055
WITH THOSE DANCE KIDS,
AND THEY'RE DOPE.
811
00:37:04,055 --> 00:37:06,683
YEAH, THE ONLY THING
MORE DOPE WOULD BE YOU ON THIS SONG WITH ME.
812
00:37:06,683 --> 00:37:09,936
PATIENCE: YEAH, I KNOW.
LAYLA: WELL, UM,
813
00:37:09,936 --> 00:37:13,440
I MAY HAVE FIGURED OUT
A WAY TO FREE PATIENCE FROM HER CONTRACT.
814
00:37:13,440 --> 00:37:16,067
SPENCER: "SEE, THAT'S
THE THING ABOUT FAMILY.
815
00:37:16,067 --> 00:37:20,113
SOMETIMES YOU DO
THE UNTHINKABLE TO SAVE THEM FROM THEMSELVES."
816
00:37:20,113 --> 00:37:22,031
WHAT'S WRONG, GAYLE?
817
00:37:22,031 --> 00:37:24,242
WAS PATIENCE A MINOR
WHEN WE SIGNED HER?
818
00:37:24,242 --> 00:37:27,245
BECAUSE
WE'RE BEING SUED,
819
00:37:27,245 --> 00:37:30,665
AND I'LL GIVE YOU
ONE GUESS BY WHO.
820
00:37:30,665 --> 00:37:32,292
SO WHO'S CALLING
J.P. TO TELL HIM
821
00:37:32,292 --> 00:37:34,961
THAT HIS DAUGHTER IS
COMING FOR HIS NECK?
822
00:37:34,961 --> 00:37:37,255
SPENCER: "AND THAT'S WHAT
I WAS TRYING TO DO FOR COOP THAT DAY.
823
00:37:37,255 --> 00:37:39,257
THAT'S WHY I
CONFRONTED TYRONE."
824
00:37:39,257 --> 00:37:41,092
ASHER: HEY,
GOOD WORK TODAY.
825
00:37:41,092 --> 00:37:43,219
I'M FREE TO HELP
RUN THAT PLAY AGAIN ANYTIME.
826
00:37:43,219 --> 00:37:45,305
KEITH: ALL RIGHT.
ASHER: JUST REMEMBER, TRUST YOUR TECHNIQUE.
827
00:37:45,305 --> 00:37:48,308
KEITH: OK, THANKS.
MONTES: YOU A COACH NOW?
828
00:37:48,308 --> 00:37:50,018
JUST DOING MY PART.
829
00:37:50,018 --> 00:37:52,604
KEITH WANTED
TO GET IN SOME EXTRA TIME ON THE FIELD.
830
00:37:52,604 --> 00:37:54,606
LAST GAME,
HE TOOK A BAD ANGLE AND OVER-PURSUED,
831
00:37:54,606 --> 00:37:57,734
WHICH ALLOWED
THE OTHER TEAM'S TAILBACK TO SCORE.
832
00:37:57,734 --> 00:38:00,278
THAT'S THE ANSWER
TO YOUR QUESTION FROM OUR FILM STUDY.
833
00:38:00,278 --> 00:38:04,115
LOOK, COACH, I'VE
MADE SOME MISTAKES,
834
00:38:04,115 --> 00:38:06,826
BUT I LOVE THESE GUYS
MORE THAN ANYTHING.
835
00:38:06,826 --> 00:38:08,912
AND WHILE YOU MAY KEEP
ME BENCHED FOREVER,
836
00:38:08,912 --> 00:38:11,372
YOU CAN'T STOP ME FROM
HELPING MY TEAMMATES.
837
00:38:13,333 --> 00:38:14,501
I KNEW YOU'D GET IT.
838
00:38:14,501 --> 00:38:16,044
LOOK,
I ONLY PUSHED YOU
839
00:38:16,044 --> 00:38:18,046
BECAUSE I KNEW
YOU'D GET THERE.
840
00:38:18,046 --> 00:38:20,882
YOU ARE VALUABLE
TO THIS TEAM IN MORE WAYS THAN ONE.
841
00:38:20,882 --> 00:38:23,968
I ALWAYS BELIEVED THAT,
BUT I NEEDED YOU TO SEE IT FOR YOURSELF.
842
00:38:23,968 --> 00:38:25,970
HAMZAA:
♪ CAN I GET AWAY ♪
843
00:38:25,970 --> 00:38:28,598
MONTES: COME ON.
HAMZAA: ♪ FOR A MINUTE ♪
844
00:38:28,598 --> 00:38:30,808
♪ 'CAUSE I'M OUT
OF PATIENCE ♪
845
00:38:30,808 --> 00:38:32,810
SPENCER: "BUT WHAT I DIDN'T
REALIZE AT THE TIME WAS THAT
846
00:38:32,810 --> 00:38:36,439
"IT'S NOT ALWAYS OUR JOB
TO SAVE THOSE WE LOVE.
847
00:38:36,439 --> 00:38:39,442
"SOMETIMES WE HAVE
TO LET THEM STAND OR FALL
848
00:38:39,442 --> 00:38:41,444
ON THEIR OWN."
849
00:38:41,444 --> 00:38:45,448
JORDAN: HEY, SIMONE,
IT'S--IT'S ME.
850
00:38:45,448 --> 00:38:49,452
UM, LOOK, I JUST WANT TO LET YOU
KNOW THAT I LOVE YOU.
851
00:38:49,452 --> 00:38:51,663
LOOK, I KNOW YOU'RE MORE
THAN STRONG ENOUGH
852
00:38:51,663 --> 00:38:54,290
TO HANDLE THIS ON YOUR OWN,
853
00:38:54,290 --> 00:38:57,710
BUT IF YOU NEED ME, I'M
JUST A PHONE CALL AWAY.
854
00:38:57,710 --> 00:39:02,382
HAMZAA: ♪ PUT IT ALL
IN THE SONG ♪
855
00:39:04,342 --> 00:39:07,512
♪ YEAH,
I'LL WRITE IT DOWN ♪
856
00:39:07,512 --> 00:39:11,766
♪ YEAH, I'LL WRITE IT DOWN
AND PUT IT ALL IN THE ♪
857
00:39:22,235 --> 00:39:23,778
HI.
858
00:39:23,778 --> 00:39:25,697
I'M SIMONE. UM...
859
00:39:27,282 --> 00:39:29,075
MAY I?
860
00:39:29,075 --> 00:39:31,619
M-MY WIFE AND SON
ARE IN THERE.
861
00:39:31,619 --> 00:39:34,831
I KNOW.
I'M REALLY SORRY.
862
00:39:34,831 --> 00:39:36,833
WOMAN: BABE, BABE.
863
00:39:36,833 --> 00:39:39,043
HE JUST LAUGHED,
I SWEAR.
864
00:39:39,043 --> 00:39:41,629
SHAY FULL-ON LAUGHED,
NOT GAS OR WHATEVER.
865
00:39:41,629 --> 00:39:45,133
REAL LAUGHTER.
866
00:39:45,133 --> 00:39:47,760
SIMONE: I'M SORRY.
867
00:39:47,760 --> 00:39:49,762
I SHOULDN'T HAVE COME.
868
00:39:49,762 --> 00:39:51,180
WAIT.
869
00:39:52,599 --> 00:39:54,017
WHY DON'T WE
SIT DOWN?
870
00:39:58,521 --> 00:40:01,149
NO. UH...
871
00:40:01,149 --> 00:40:03,151
IT'S OK.
872
00:40:03,151 --> 00:40:04,777
HE LOOKS SO HAPPY,
873
00:40:04,777 --> 00:40:07,780
AND SHAY IS RIGHT WHERE
HE'S SUPPOSED TO BE,
874
00:40:07,780 --> 00:40:12,410
AND IT'S CLEARLY HERE
WITH YOU ALL AND NOT WITH ME, SO, UM,
875
00:40:12,410 --> 00:40:15,538
I'M REALLY SORRY
THAT I SCARED YOU.
876
00:40:15,538 --> 00:40:16,831
HOLD UP.
877
00:40:20,752 --> 00:40:22,587
HAMZAA: ♪ CAN I GET... ♪
878
00:40:22,587 --> 00:40:25,715
YOU DON'T HAVE TO
APOLOGIZE FOR COMING TO SEE YOUR SON.
879
00:40:25,715 --> 00:40:28,384
HAMZAA:
♪ 'CAUSE I'M OUT OF PATIENCE ♪ TARIQ: MAYBE YOU COULD STOP BY
880
00:40:28,384 --> 00:40:30,011
AND CHECK--CHECK ON HIM
FROM TIME TO TIME.
881
00:40:30,011 --> 00:40:32,347
WOMAN:
YEAH, I MEAN, THERE IS
882
00:40:32,347 --> 00:40:34,682
NO REASON WHY WE CAN'T
ALL BE IN HIS LIFE.
883
00:40:34,682 --> 00:40:36,893
HAMZAA: ♪ ...YOU'D HEAR
ME WHEN I SAY... ♪
884
00:40:36,893 --> 00:40:38,978
WOULD YOU LIKE
TO HOLD HIM?
885
00:40:38,978 --> 00:40:41,189
HAMZAA:
♪ SO I'LL WRITE IT DOWN ♪
886
00:40:41,189 --> 00:40:46,235
♪ YEAH, I'LL WRITE IT DOWN
AND PUT IT ALL IN THE SONG ♪
887
00:40:46,235 --> 00:40:48,613
SHAY KOBE DOUGLAS...
888
00:40:48,613 --> 00:40:50,448
MEET YOUR OTHER MOM.
889
00:40:50,448 --> 00:40:54,118
HAMZAA: ♪ IN THE SONG ♪
WOMAN: AREN'T YOU LUCKY?
890
00:40:54,118 --> 00:40:56,663
YOU GET TWO.
891
00:40:56,663 --> 00:41:00,208
HAMZAA: ♪ IN THE SONG ♪
892
00:41:00,208 --> 00:41:02,293
WOMAN: WHY DON'T
WE COME INSIDE?
893
00:41:02,293 --> 00:41:04,212
HAMZAA: ♪ YEAH,
I'LL WRITE IT DOWN ♪
894
00:41:04,212 --> 00:41:06,214
♪ YEAH, I'LL
WRITE IT DOWN... ♪
895
00:41:06,214 --> 00:41:08,216
SPENCER: "SOMETIMES,
WHEN YOU GET IN THE WAY,
896
00:41:08,216 --> 00:41:10,093
"YOU END UP PAYING
THE PRICE.
897
00:41:10,093 --> 00:41:12,512
"BUT I DIDN'T KNOW THAT
THEN, SO I KEPT TRYING
898
00:41:12,512 --> 00:41:15,932
"TO GET COOP TO LISTEN,
IF ONLY SHE WOULD HAVE.
899
00:41:15,932 --> 00:41:18,601
"WHEN I WARNED HER THAT
TYRONE WAS UP TO SOMETHING,
900
00:41:18,601 --> 00:41:21,229
"WHEN I TOLD HER NOT TO GET
JUMPED INTO THE GANG,
901
00:41:21,229 --> 00:41:23,231
"WHEN I WARNED HER ABOUT
GETTING REVENGE FOR SHAWN,
902
00:41:23,231 --> 00:41:25,650
"OR WHEN I TOLD HER A YEAR AGO
NOT TO GET INVOLVED
903
00:41:25,650 --> 00:41:27,860
"WITH SHAWN
IN THE FIRST PLACE,
904
00:41:27,860 --> 00:41:31,489
"ALL THAT LED TO WHAT HAPPENED
THE NIGHT I WAS SHOT.
905
00:41:31,489 --> 00:41:34,492
"IT'S TAKEN ME ALL THIS TIME
TO REALIZE THAT YEAH,
906
00:41:34,492 --> 00:41:37,328
"I TOOK A BULLET
FOR A FRIEND THAT DAY,
907
00:41:37,328 --> 00:41:39,747
"BUT THE BULLET I TOOK
WASN'T FOR LIV.
908
00:41:39,747 --> 00:41:42,709
"IT WAS FOR COOP.
909
00:41:42,709 --> 00:41:46,713
"COOP IS WHO I BLAME
FOR WHAT HAPPENED TO ME.
910
00:41:46,713 --> 00:41:49,340
"COOP...
911
00:41:49,340 --> 00:41:51,342
IS MY STUCK POINT."
912
00:41:51,342 --> 00:41:53,177
HAMZAA: ♪ YEAH, I'LL
WRITE IT DOWN ♪
913
00:41:53,177 --> 00:41:56,222
♪ AND PUT IT ALL IN THE ♪
914
00:42:19,871 --> 00:42:21,372
MAN: GREG, MOVE YOUR HEAD!
915
00:42:21,422 --> 00:42:25,972
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
69773
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
