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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,141 --> 00:00:06,021 [instrumental playing] 2 00:00:13,101 --> 00:00:15,190 JOSELITO: Come on! Hurry up! Let's go! 3 00:00:15,210 --> 00:00:18,051 MANOLITO: I'm coming, but I'm out of breath. 4 00:00:22,200 --> 00:00:26,100 Look. There she is, Sara Montiel. 5 00:00:26,121 --> 00:00:27,071 WOMAN: Sara! Sara! 6 00:00:27,091 --> 00:00:30,031 Sara, an autograph, please! 7 00:00:30,051 --> 00:00:31,040 Please, Sara. 8 00:00:31,060 --> 00:00:32,240 Can I please have an autograph? 9 00:00:33,021 --> 00:00:35,081 She's Spain's most beautiful woman. 10 00:00:35,100 --> 00:00:36,240 No lie! They say she has two boyfriends, 11 00:00:37,021 --> 00:00:39,130 Gary Cooper and Burt Lancaster. 12 00:00:39,151 --> 00:00:42,180 She's dating both? Oh, my God. 13 00:00:42,200 --> 00:00:44,250 - Sara. - Thank goodness she's here. 14 00:00:45,030 --> 00:00:47,041 I've been here all day. I'm going first. 15 00:00:47,060 --> 00:00:49,240 You know, Joselito, Grandma says I'm really entertaining, 16 00:00:50,021 --> 00:00:53,130 that one day, I'm gonna be an artist. 17 00:00:53,151 --> 00:00:56,191 I'll leave the village and cause a big stir in the city. 18 00:00:56,210 --> 00:00:58,210 I'm María José. I've been waiting all morning, Sara. 19 00:00:58,231 --> 00:01:00,170 Please! - No, no, no. 20 00:01:00,191 --> 00:01:02,081 Please come back. 21 00:01:02,100 --> 00:01:04,221 Hey, isn't that your mother? 22 00:01:04,240 --> 00:01:07,150 Yes, that's my mother. 23 00:01:07,171 --> 00:01:09,150 WOMAN: Please, please. Come on. Give me a kiss. 24 00:01:09,171 --> 00:01:11,100 MANOLITO: What's she doing here? 25 00:01:11,120 --> 00:01:13,210 PEPE: She once was Joselito, 26 00:01:13,231 --> 00:01:16,150 but seven million have made her 27 00:01:16,171 --> 00:01:17,210 the exquisite treat she is today. 28 00:01:17,231 --> 00:01:21,021 She is La Veneno, 29 00:01:21,040 --> 00:01:22,120 the most provocative, seductive, 30 00:01:22,141 --> 00:01:24,141 and sensual of all transgender women. 31 00:01:24,161 --> 00:01:27,150 She's the queen of the night, the night in Madrid. 32 00:01:27,171 --> 00:01:29,070 Women envy her, and men fantasize about her. 33 00:01:29,090 --> 00:01:31,240 MARÍA: What a sick world. Dear Lord. 34 00:01:32,021 --> 00:01:33,161 - Manola, come on, let's go. - Yeah. 35 00:01:33,180 --> 00:01:35,161 Drop the bottle, please. Come in here and see our girl. 36 00:01:35,180 --> 00:01:36,180 Coming, bitch. 37 00:01:36,201 --> 00:01:37,250 Go easy with the wine, my love. 38 00:01:38,030 --> 00:01:39,201 - It's my princess. - Oh, wow, scandalous. 39 00:01:39,221 --> 00:01:41,141 - Her profession, prostitute... - There she is. 40 00:01:41,161 --> 00:01:42,191 her price, more than $800 per night. 41 00:01:42,210 --> 00:01:43,210 Amazing, showing the nipples. What a tramp she is. 42 00:01:43,231 --> 00:01:48,141 Oh, my. Sweetie, come on. 43 00:01:48,161 --> 00:01:50,120 - If you talk about sex... - [laughing] 44 00:01:50,141 --> 00:01:53,111 - La Veneno has no rival. - She's a charmer! 45 00:01:53,130 --> 00:01:56,111 Go, baby! She's the queen of Prostitunia, 46 00:01:56,130 --> 00:01:57,221 a dick-munching monarch, 47 00:01:57,240 --> 00:01:58,171 Quiet, whores! I can't hear! 48 00:01:58,191 --> 00:02:00,180 Ladies and gentlemen, 49 00:02:00,201 --> 00:02:02,210 here at the studio, live with us, 50 00:02:02,230 --> 00:02:07,051 please welcome our guest, Cristina La Veneno! 51 00:02:07,070 --> 00:02:07,201 [applause] 52 00:02:07,221 --> 00:02:09,051 PEPE: Tonight! 53 00:02:15,220 --> 00:02:18,051 Isn't that... 54 00:02:21,150 --> 00:02:22,160 [rock music playing] 55 00:02:39,041 --> 00:02:41,180 PEPE: Oh, my God. Eh, do I call you Cristina? 56 00:02:41,201 --> 00:02:44,220 Yes, call me Cristina, because my name is not Veneno. 57 00:02:44,240 --> 00:02:46,041 That's a nickname. - Oh, but that nickname 58 00:02:46,060 --> 00:02:48,160 is because you kill with something. 59 00:02:48,180 --> 00:02:49,250 Pablo, stand by. 60 00:02:50,030 --> 00:02:52,100 No, no, I got it, because when I came 61 00:02:52,120 --> 00:02:54,150 out to the street for the first time 62 00:02:54,171 --> 00:02:57,171 as usual, I was a transvestite, and they wanted to kick me out, 63 00:02:57,191 --> 00:02:58,250 so I carried in my purse a reaping hook 64 00:02:59,030 --> 00:03:02,041 that you use to cut grass. - Really, and you pull it out? 65 00:03:02,060 --> 00:03:04,231 - Well, I did a couple of times. - [audience laughs] 66 00:03:04,250 --> 00:03:06,231 I carried it in a big purse, 67 00:03:06,250 --> 00:03:08,101 and when anyone tried to threaten me, 68 00:03:08,120 --> 00:03:10,081 I would pull it out and say, 69 00:03:10,101 --> 00:03:11,120 "Come on. Come here. I dare you all." 70 00:03:11,141 --> 00:03:13,160 What were you threatening to cut? 71 00:03:13,180 --> 00:03:14,081 - Their throat. - [audience laughs] 72 00:03:14,101 --> 00:03:17,210 And are you... 73 00:03:17,231 --> 00:03:19,201 as much of a woman as you would like? 74 00:03:19,220 --> 00:03:20,030 Yes. 75 00:03:22,030 --> 00:03:22,210 All the way? 76 00:03:22,231 --> 00:03:25,081 Yes, all the way. [laughs] 77 00:03:25,100 --> 00:03:26,191 What's so funny? 78 00:03:26,210 --> 00:03:29,160 - Well, you. You are. - Oh, you think I'm funny, huh? 79 00:03:29,180 --> 00:03:33,171 Finally someone laughs at what I don't actually say. 80 00:03:33,191 --> 00:03:35,210 Pablo, I need you to zoom out camera one. 81 00:03:35,231 --> 00:03:38,041 I want to see her boobs in the shot. 82 00:03:38,060 --> 00:03:39,120 There you go. - Let's have a little tour of-- 83 00:03:39,141 --> 00:03:42,120 a tour of your life. In this one, 84 00:03:42,141 --> 00:03:44,051 you were-- Who were you in this picture? 85 00:03:44,071 --> 00:03:46,171 Joselito? Eh, Juanma? 86 00:03:46,191 --> 00:03:47,210 Eh, wh-what's wrong? 87 00:03:47,231 --> 00:03:50,081 Do we-- do you have the images or not? 88 00:03:50,100 --> 00:03:52,041 - Shit, play the video. - PEPE: What a night. 89 00:03:52,060 --> 00:03:54,160 I-I don't get what's going on tonight. 90 00:03:54,180 --> 00:03:55,171 Come on, Juanma. 91 00:03:55,191 --> 00:03:56,171 - Juanma. - You're dead on cue, huh? 92 00:03:56,191 --> 00:03:58,100 PEPE: You are making them nervous. 93 00:03:58,120 --> 00:03:59,120 Two tits, and you're lost, guys. 94 00:03:59,141 --> 00:04:02,160 Now come on. Focus. Focus. Focus, please. 95 00:04:02,180 --> 00:04:03,131 PEPE: Oh, good. Good. There you are. 96 00:04:03,150 --> 00:04:04,081 Your name was Joselito. 97 00:04:04,101 --> 00:04:06,250 You were 23 in this one. 98 00:04:07,030 --> 00:04:10,081 Do your parents approve of this change? 99 00:04:10,101 --> 00:04:12,021 Ahh, it's been a very long time 100 00:04:12,041 --> 00:04:13,220 since-- since I've seen my parents. 101 00:04:13,240 --> 00:04:16,251 My sister visited me last Christmas 102 00:04:17,030 --> 00:04:19,121 for dinner at my house, and she told me 103 00:04:19,141 --> 00:04:23,141 that my father and my brother accepted my decision. 104 00:04:23,160 --> 00:04:27,181 But I called my mom because I wanted to check on her, 105 00:04:27,201 --> 00:04:31,110 but her response was that I should understand that... 106 00:04:31,131 --> 00:04:33,170 I don't exist to her anymore. - Hmm. 107 00:04:33,191 --> 00:04:34,241 She doesn't want to hear from me, 108 00:04:35,021 --> 00:04:36,160 and if I'm being honest, 109 00:04:36,180 --> 00:04:38,030 I don't really want to talk any more about my mother, 110 00:04:38,050 --> 00:04:41,081 because the more I talk about her, 111 00:04:41,100 --> 00:04:42,150 I'll burst into tears. 112 00:04:42,170 --> 00:04:43,170 [chuckles] 113 00:04:43,191 --> 00:04:48,040 And did-- did you feel this feminine 114 00:04:48,061 --> 00:04:49,121 when you were a man? 115 00:04:49,141 --> 00:04:51,160 Yes, exactly the same. 116 00:04:51,180 --> 00:04:55,111 Oh! And since when did you feel like a woman? 117 00:04:55,131 --> 00:04:57,170 I felt like a woman since I was born. 118 00:04:57,191 --> 00:04:58,201 - Ah. - Oh, God, guys. 119 00:04:58,220 --> 00:05:00,100 A-a nipple is out. 120 00:05:00,121 --> 00:05:01,110 I see it. I see it. It just popped out. 121 00:05:01,131 --> 00:05:03,230 - What now? - I don't know. 122 00:05:03,251 --> 00:05:05,210 Maybe we should let it be. - I don't know. 123 00:05:05,230 --> 00:05:07,071 - It's very noticeable. - I don't know what we... 124 00:05:07,090 --> 00:05:10,071 - What's happening? - Hey, Mari, just look. 125 00:05:10,090 --> 00:05:12,191 She's about to pop out. Look. You see? 126 00:05:12,210 --> 00:05:15,110 Oh, dear God. - ...things even existed. 127 00:05:15,131 --> 00:05:16,201 But then I-- Well, I moved to Madrid, 128 00:05:16,220 --> 00:05:20,030 where I made a good friend, and I said, "Let's do this." 129 00:05:20,050 --> 00:05:21,081 What town are you from? 130 00:05:21,100 --> 00:05:24,141 From Adra, where even who ain't a bitch growls. 131 00:05:24,160 --> 00:05:25,230 [audience laughs] 132 00:05:27,071 --> 00:05:28,131 Okay. Well... 133 00:05:28,150 --> 00:05:30,220 so, uh... 134 00:05:30,241 --> 00:05:31,210 eh, oh! 135 00:05:31,230 --> 00:05:34,081 You have a bra issue. 136 00:05:34,100 --> 00:05:36,210 I don't care. They like to air out. 137 00:05:36,230 --> 00:05:38,040 Plus, they're paid for and so pretty. 138 00:05:38,061 --> 00:05:39,241 Sure. How much did they cost? 139 00:05:40,021 --> 00:05:42,201 These babies cost me 1.5 mil. 140 00:05:42,220 --> 00:05:45,040 - In one single surgery or... - No, no, no. 141 00:05:45,061 --> 00:05:46,201 At first, I had small, cute boobs. 142 00:05:46,220 --> 00:05:48,071 They were smaller, but nice-looking tits, 143 00:05:48,090 --> 00:05:50,241 but so beautiful. - Ah. 144 00:05:51,021 --> 00:05:52,090 It's just that I like them when they're really huge, 145 00:05:52,111 --> 00:05:55,100 because the big titties make men even hornier. 146 00:05:55,121 --> 00:05:57,121 - It's pulling focus. - So do I get the nipple 147 00:05:57,141 --> 00:05:58,180 or not get the nipple? - Do it. It is what it is. 148 00:05:58,201 --> 00:05:59,241 - Camera one, go. - CRISTINA: You get it, right? 149 00:06:00,021 --> 00:06:02,131 Sure. You like it all huge, you could say. 150 00:06:02,150 --> 00:06:04,210 There's only one thing I have that's small. 151 00:06:04,230 --> 00:06:06,100 [audience laughs] 152 00:06:06,121 --> 00:06:08,131 But I can show it to you in private, honey. 153 00:06:08,150 --> 00:06:09,081 She's having fun, huh? 154 00:06:09,100 --> 00:06:11,150 She's a very grateful guest. 155 00:06:11,170 --> 00:06:13,061 We thank you, Veneno, 156 00:06:13,081 --> 00:06:16,170 for laughing without me telling any jokes. 157 00:06:16,191 --> 00:06:18,040 Oh, well, it poked out. There it is. 158 00:06:18,061 --> 00:06:19,191 I don't care that it's out, no. 159 00:06:19,210 --> 00:06:20,220 - Do you wanna touch it? - Uh, no, I'm sorry. 160 00:06:20,241 --> 00:06:22,251 I'll let you give it a little touch. 161 00:06:23,030 --> 00:06:24,050 - No, no. - This is heavy, man. 162 00:06:24,071 --> 00:06:25,131 No, no, no, no, touch it. Touch me, Pepe. 163 00:06:25,150 --> 00:06:26,141 - What's happening now? - Come on. Be a man. 164 00:06:26,160 --> 00:06:29,210 It has nothing to do with masculinity. 165 00:06:29,230 --> 00:06:31,131 It has to do with decency, Veneno. 166 00:06:31,150 --> 00:06:32,210 Here it comes. It's coming. 167 00:06:32,230 --> 00:06:34,030 Here it comes. Here it comes. It's coming. 168 00:06:34,050 --> 00:06:35,040 I'm shameless, honey. 169 00:06:35,061 --> 00:06:36,090 Of course you have. 170 00:06:36,111 --> 00:06:37,160 Aren't they pretty? 171 00:06:37,180 --> 00:06:39,170 [audience cheering] 172 00:06:40,021 --> 00:06:41,100 Oh, my. 173 00:06:41,121 --> 00:06:43,251 - She took 'em out. - Both of 'em. 174 00:06:44,030 --> 00:06:46,050 Pepelu, please, help us. 175 00:06:46,071 --> 00:06:48,210 Well it could have been worse, people. 176 00:06:48,230 --> 00:06:51,030 Put them back, 'cause there-- there could be kids 177 00:06:51,050 --> 00:06:52,021 watching the program, you know? 178 00:06:52,040 --> 00:06:53,141 If there are any kids watching us, 179 00:06:53,160 --> 00:06:55,040 tell them to get in bed. It's late. 180 00:06:55,061 --> 00:06:56,210 Okay, then, 181 00:06:56,230 --> 00:06:58,230 uh, give it up for Cristina. 182 00:06:58,251 --> 00:07:01,030 [applause] 183 00:07:02,121 --> 00:07:04,181 - [cheering] - [music playing] 184 00:07:25,050 --> 00:07:27,061 [overlapping chatter] 185 00:07:27,081 --> 00:07:27,181 [van horn honks] 186 00:07:31,141 --> 00:07:33,061 MANOLA: Oh, it's her. 187 00:07:33,081 --> 00:07:35,241 Hey, girl, it's Cristina! 188 00:07:36,021 --> 00:07:37,040 Scandalous. 189 00:07:37,061 --> 00:07:39,030 Gorgeous, girl! Love you! 190 00:07:39,050 --> 00:07:42,030 - Thank you. - You did great! 191 00:07:42,050 --> 00:07:43,100 Such a bombshell. 192 00:07:43,121 --> 00:07:46,021 You're a hooker with a driver now, sweetie. 193 00:07:46,040 --> 00:07:47,241 The Pretty Woman of West Park, honey! 194 00:07:48,021 --> 00:07:50,121 - So scandalous. - You were so sassy on the show. 195 00:07:50,141 --> 00:07:53,071 - You saw me, girl. - Scandalous. 196 00:07:53,090 --> 00:07:55,131 That Pepe guy wants to show you the stars. 197 00:07:55,150 --> 00:07:56,061 You're crazy. Don't say that. 198 00:07:56,081 --> 00:07:58,030 Let him have it, girl! 199 00:07:58,050 --> 00:08:00,100 Girl, that was crazy. 200 00:08:00,121 --> 00:08:01,150 How could you say all that? 201 00:08:01,170 --> 00:08:03,220 Whatever. It is what it is, Manolita. 202 00:08:03,241 --> 00:08:05,241 I am very proud of you. 203 00:08:06,021 --> 00:08:08,030 Stop that now, sweetheart. 204 00:08:08,050 --> 00:08:09,220 Give me a kiss. 205 00:08:09,241 --> 00:08:11,100 - I love you. - Now back to work. 206 00:08:11,121 --> 00:08:12,150 The world is yours. 207 00:08:12,170 --> 00:08:14,061 - [car horn honks] - MAN: Hey! 208 00:08:14,081 --> 00:08:16,030 You were on TV, right? 209 00:08:16,050 --> 00:08:18,050 Jump on in, princess. 210 00:08:18,071 --> 00:08:19,160 Fuck you very much. 211 00:08:19,181 --> 00:08:22,110 Get lost! Go suck a dick somewhere else! 212 00:08:22,131 --> 00:08:24,251 - [dog barks] - What you want? 213 00:08:25,030 --> 00:08:27,030 So I guess you're famous now. 214 00:08:27,050 --> 00:08:28,201 How the tables have turned. 215 00:08:28,220 --> 00:08:30,061 Life is unpredictable. 216 00:08:30,081 --> 00:08:32,121 You bitch. Congrats! 217 00:08:32,141 --> 00:08:35,221 Veneno, flash those boobs! 218 00:08:35,241 --> 00:08:37,200 Give us an autograph, Veneno! 219 00:08:37,221 --> 00:08:39,150 - Paca, my love. - We're working! 220 00:08:39,170 --> 00:08:41,131 Welcome back, star. [laughs] 221 00:08:41,150 --> 00:08:43,050 [laughs] Mmm. 222 00:08:43,070 --> 00:08:45,121 Oh, honey. 223 00:08:45,141 --> 00:08:46,251 Did you watch it, Paca? 224 00:08:47,030 --> 00:08:49,121 Of course I did. You're a sculptured creature. 225 00:08:49,141 --> 00:08:50,160 You're a human Venus. 226 00:08:50,180 --> 00:08:52,070 Hah! I love you. 227 00:08:52,091 --> 00:08:54,040 Now, tell me, did someone call? 228 00:08:54,060 --> 00:08:55,200 No, honey, nobody called. 229 00:08:55,221 --> 00:08:57,050 Not even my mother? 230 00:08:57,070 --> 00:08:58,211 No. It was too late. 231 00:08:58,231 --> 00:08:59,170 She must be asleep by now. 232 00:08:59,190 --> 00:09:01,170 You're right. She must be. 233 00:09:01,190 --> 00:09:04,251 Oh, I love you! How's work tonight? 234 00:09:05,030 --> 00:09:06,170 Well, so far, it's not too bad, 235 00:09:06,190 --> 00:09:08,211 but now that you've returned, I'm sure no one else 236 00:09:08,231 --> 00:09:10,251 is gonna get a client for the rest of the night. 237 00:09:11,030 --> 00:09:12,190 Oh, bullshit. You've got your own fans, you filthy bitch. 238 00:09:12,211 --> 00:09:16,091 And speak of the devil, there's yours. 239 00:09:16,111 --> 00:09:18,050 What the fuck? He's back? 240 00:09:18,070 --> 00:09:20,080 What does he want? - You'll find out. 241 00:09:20,101 --> 00:09:21,190 - [car horns honking] - Hey, you asshole. 242 00:09:21,211 --> 00:09:24,211 What are you doing here every night? 243 00:09:24,231 --> 00:09:26,060 You homeless or what? 244 00:09:26,080 --> 00:09:28,190 What has got you so excited? 245 00:09:28,211 --> 00:09:29,211 - Haven't you heard the news? - No. 246 00:09:29,231 --> 00:09:31,131 You're talking to a big star now. 247 00:09:31,150 --> 00:09:34,121 Is that right? Oh, interessante. 248 00:09:34,141 --> 00:09:36,211 Why do you come here every day? 249 00:09:36,231 --> 00:09:37,231 I have my Italian friends. 250 00:09:37,251 --> 00:09:40,040 Their girlfriends are transvestites, 251 00:09:40,060 --> 00:09:43,141 and they work here, but I'm not into any of them. 252 00:09:43,160 --> 00:09:46,170 Still haven't found the one, huh? 253 00:09:46,190 --> 00:09:48,251 No, I haven't. 254 00:09:49,030 --> 00:09:50,160 I only think about you. 255 00:09:50,180 --> 00:09:51,221 Vuoi fare l'amore con me? 256 00:09:51,241 --> 00:09:53,021 - [car horn honks] - Hey! 257 00:09:53,040 --> 00:09:54,060 - Go away, nutter. - Hey! 258 00:09:54,080 --> 00:09:55,251 - I can't make love to you. - Hey! 259 00:09:56,030 --> 00:09:57,141 - I have work here. - Come with me! 260 00:09:57,160 --> 00:09:59,211 Aren't you a star? 261 00:09:59,231 --> 00:10:00,190 [car horn honks] 262 00:10:00,211 --> 00:10:02,251 A star shouldn't be working here. 263 00:10:03,030 --> 00:10:05,241 - Hop in. - [song playing in Italian] 264 00:10:06,021 --> 00:10:08,241 What are you doing? Get in the car. 265 00:10:09,021 --> 00:10:10,111 [car horn honks] 266 00:10:10,131 --> 00:10:14,060 ♪ Sui bracieri ardenti 267 00:10:15,060 --> 00:10:18,080 ♪ E Radio Tirana trasmette... 268 00:10:18,101 --> 00:10:19,170 [Angelo] Mamma mia. 269 00:10:20,111 --> 00:10:22,251 Uà fai paura. 270 00:10:23,141 --> 00:10:25,121 Sei bellissima. 271 00:10:27,080 --> 00:10:29,190 Ti piace? 272 00:10:29,211 --> 00:10:31,080 Oh, sweet Jesus. 273 00:10:31,101 --> 00:10:33,091 Humongous. 274 00:10:33,111 --> 00:10:36,070 - ♪ Stanza mentre si danza ♪ - [moaning] 275 00:10:36,091 --> 00:10:37,251 ♪ Danza 276 00:10:38,030 --> 00:10:43,241 ♪ E gira tutto alla stanza mentre si danza ♪ 277 00:10:44,021 --> 00:10:44,180 ♪ Danza... 278 00:10:47,111 --> 00:10:49,080 CRISTINA: Mamma mia! 279 00:10:50,221 --> 00:10:52,170 ♪ Danza 280 00:10:58,070 --> 00:11:00,040 Give it to me. 281 00:11:01,091 --> 00:11:01,200 Oh, my God! 282 00:11:13,131 --> 00:11:15,241 Good morning, everyone. 283 00:11:16,021 --> 00:11:18,060 We have prepared a special program for you today, 284 00:11:18,080 --> 00:11:19,160 starting with your horoscope, 285 00:11:19,180 --> 00:11:22,111 brought to you by Esperanza Gracia, 286 00:11:22,131 --> 00:11:24,121 who for sure shouldn't mess with Gemini, 287 00:11:24,141 --> 00:11:27,040 as I am one, and I will remember. 288 00:11:27,060 --> 00:11:30,170 Followed by the happy bit with Paco Valladares, 289 00:11:30,190 --> 00:11:32,091 our breaking news segment featuring... 290 00:11:32,111 --> 00:11:33,121 I'm leaving. 291 00:11:33,141 --> 00:11:34,180 I'm flying to Italia. 292 00:11:37,160 --> 00:11:38,170 - A flight to Italy? - Mm. 293 00:11:38,190 --> 00:11:41,180 ...interview him especially for you. 294 00:11:41,200 --> 00:11:43,121 Well, okay. Go, then. 295 00:11:43,141 --> 00:11:45,170 Make sure you don't miss it. 296 00:11:46,221 --> 00:11:48,131 But the biggest news of the day 297 00:11:48,150 --> 00:11:51,040 is that a star was born last night 298 00:11:51,060 --> 00:11:54,050 right on the shores of the Mississippi. 299 00:11:54,070 --> 00:11:55,091 Her name is Cristina, 300 00:11:55,111 --> 00:11:57,211 but everybody calls her by her nickname. 301 00:11:57,231 --> 00:12:00,131 Everybody is talking about La Veneno, 302 00:12:00,150 --> 00:12:03,080 who last night peaked the ratings of The Mississippi. 303 00:12:03,101 --> 00:12:05,231 And now let's get to know La Veneno better. 304 00:12:05,251 --> 00:12:08,091 - Ohh. - PEPE: Ladies and gentlemen, 305 00:12:08,111 --> 00:12:09,211 Cristina La Veneno. 306 00:12:10,211 --> 00:12:12,170 Yesterday, the audience discovered 307 00:12:12,190 --> 00:12:14,050 a strong woman full of dazzling self-confidence 308 00:12:14,070 --> 00:12:17,141 and incredible beauty. - Oh, dear Lord. 309 00:12:17,160 --> 00:12:18,241 Sure. You like it all huge, you could say? 310 00:12:19,021 --> 00:12:22,050 There's only one thing I have that's small. 311 00:12:22,070 --> 00:12:24,221 But I can show it to you in private, hon. 312 00:12:24,241 --> 00:12:27,241 - Uh, her name's Cristina... - [telephone rings] 313 00:12:28,021 --> 00:12:29,040 ...she goes by a more suggestive name. 314 00:12:29,060 --> 00:12:31,040 Hello. 315 00:12:31,200 --> 00:12:33,111 But back where? 316 00:12:33,131 --> 00:12:34,160 Because when I came 317 00:12:34,180 --> 00:12:37,091 out to the street for the first time... 318 00:12:37,111 --> 00:12:39,030 You mean tonight or when, exactly? 319 00:12:39,050 --> 00:12:41,040 Because I can't tonight. I gotta work. 320 00:12:43,091 --> 00:12:45,160 Okay, then, uh, I'll bring two outfits 321 00:12:45,180 --> 00:12:46,170 and my brand-new wig. 322 00:12:46,190 --> 00:12:47,180 Well, I did a couple of times. 323 00:12:47,200 --> 00:12:49,231 Very well, then. Thank you. 324 00:12:51,160 --> 00:12:53,040 Sweet Jesus. 325 00:12:53,060 --> 00:12:54,141 What happened? 326 00:12:54,160 --> 00:12:56,030 ...we've received so many reactions 327 00:12:56,050 --> 00:12:57,180 from the audience about this new star. 328 00:12:57,200 --> 00:12:59,030 They want me back tonight. 329 00:12:59,050 --> 00:12:59,211 I'll be on TV again. 330 00:12:59,231 --> 00:13:03,101 Really? I'll come along. 331 00:13:03,121 --> 00:13:04,251 But don't you have a flight to Italy? 332 00:13:05,030 --> 00:13:06,131 Italia will have to wait. 333 00:13:06,150 --> 00:13:09,200 ♪ E gira tutto intorno alla stanza ♪ 334 00:13:09,221 --> 00:13:11,080 ♪ Mentre si danza ♪ 335 00:13:11,101 --> 00:13:13,200 ♪ Danza 336 00:13:13,221 --> 00:13:14,231 CRISTINA: Excuse me. Where's Mr. Navarro's office? 337 00:13:14,251 --> 00:13:18,241 Yes, Cristina. He's expecting you, 338 00:13:19,021 --> 00:13:20,150 Second door on the left. 339 00:13:20,170 --> 00:13:21,021 Thanks, my love. 340 00:13:36,040 --> 00:13:37,070 He's my boyfriend. 341 00:13:37,091 --> 00:13:42,091 He's Italian, like Count Lequio. 342 00:13:42,111 --> 00:13:43,111 Ciao. 343 00:13:49,040 --> 00:13:50,160 PEPE: Do you know what this is? 344 00:13:53,040 --> 00:13:54,150 I'm not sure, Pepe. 345 00:13:54,170 --> 00:13:56,111 Test results from the doctor? 346 00:13:56,131 --> 00:13:57,060 - Hmm. - Are you okay? 347 00:13:57,080 --> 00:13:58,170 Yes, I am. Don't worry. 348 00:13:58,190 --> 00:14:01,160 That's yesterday's audience ratings, 349 00:14:01,180 --> 00:14:04,221 and this right here is you. 350 00:14:04,241 --> 00:14:06,160 - Am I that line? - Mm-hmm. 351 00:14:06,180 --> 00:14:07,190 Ah. 352 00:14:10,021 --> 00:14:10,231 So what are you saying? 353 00:14:10,251 --> 00:14:11,190 That when you appear on-screen, 354 00:14:11,211 --> 00:14:14,021 the audience pays attention. 355 00:14:14,040 --> 00:14:16,170 - They wanna see you. - They wanna watch me? 356 00:14:16,190 --> 00:14:19,121 Yes, you. Cristina, you were made just for television. 357 00:14:19,141 --> 00:14:21,200 Like plastic or... 358 00:14:21,221 --> 00:14:24,080 No, dear, electromagnetic waves. 359 00:14:24,101 --> 00:14:27,121 - Oh. - I have two surprises for you. 360 00:14:27,141 --> 00:14:30,080 First, if tonight, you match that ratings curve, 361 00:14:30,101 --> 00:14:32,050 I'll offer you a permanent job on TV. 362 00:14:32,070 --> 00:14:33,190 A permanent job? But, Pepe, 363 00:14:33,211 --> 00:14:35,121 my abilities are giving blow jobs 364 00:14:35,141 --> 00:14:36,251 and fucking sideways, though. 365 00:14:37,030 --> 00:14:38,231 I think we both know you can do a lot more, Cristina. 366 00:14:38,251 --> 00:14:41,251 You think so? And the second one? 367 00:14:42,190 --> 00:14:44,040 The second one... 368 00:14:46,030 --> 00:14:47,211 is that your parents are here. 369 00:14:53,070 --> 00:14:54,190 What do you mean my parents are here? 370 00:14:54,211 --> 00:14:56,021 They came to see you. 371 00:14:56,040 --> 00:14:58,160 But that's impossible. My parents are in Adra. 372 00:14:58,180 --> 00:14:59,251 - No. - Where are they? 373 00:15:00,030 --> 00:15:01,170 Tell me where they are. - No. 374 00:15:01,190 --> 00:15:03,040 - It's me they came to visit. - You can't see them. 375 00:15:03,060 --> 00:15:05,160 - What do keep saying that? - You can't. 376 00:15:05,180 --> 00:15:07,241 - Who says that? - You cannot see them. 377 00:15:08,021 --> 00:15:08,241 Not yet. 378 00:15:10,050 --> 00:15:12,251 Please surrender that moment to the program, 379 00:15:13,030 --> 00:15:16,241 but mostly surrender it to the audience. 380 00:15:17,021 --> 00:15:20,121 [breathes deeply] 381 00:15:21,091 --> 00:15:23,030 PEPE: María José, good evening. 382 00:15:23,050 --> 00:15:25,021 - Good evening. - Do you feel all right? 383 00:15:25,040 --> 00:15:26,111 MARÍA: Well, here we are. 384 00:15:27,141 --> 00:15:29,170 - PEPE: José, good evening. - Good evening. 385 00:15:29,190 --> 00:15:31,021 How was your flight today? All good? 386 00:15:31,040 --> 00:15:33,241 - Uh-huh. - Yeah, a bit scary, but okay. 387 00:15:35,080 --> 00:15:37,030 Right, uh... 388 00:15:37,050 --> 00:15:40,190 the person that we saw is your daughter? 389 00:15:40,211 --> 00:15:43,050 [sighs] Well... 390 00:15:43,070 --> 00:15:46,060 I'm having a hard time saying daughter. 391 00:15:46,080 --> 00:15:48,091 He's my son, 392 00:15:48,111 --> 00:15:50,141 but, I mean, he has chosen that path. 393 00:15:50,160 --> 00:15:53,221 That's my mother. 394 00:15:53,241 --> 00:15:56,021 Are you hoping she'd turn back into a man? 395 00:15:56,040 --> 00:15:57,080 To me, he still is. 396 00:15:57,101 --> 00:16:01,070 But he was telling us-- Well, she was telling us 397 00:16:01,091 --> 00:16:04,091 that back in your hometown, everyone called her faggot. 398 00:16:04,111 --> 00:16:07,060 Ah, they were all just jealous because he was handsome. 399 00:16:07,080 --> 00:16:11,111 But he was always, always well thought of. 400 00:16:11,131 --> 00:16:13,190 In Adra, everyone loved him. 401 00:16:13,211 --> 00:16:16,150 Besides, he was very well raised. 402 00:16:16,170 --> 00:16:19,131 I raised him well. 403 00:16:19,150 --> 00:16:23,060 Well, she's here with us tonight. 404 00:16:23,080 --> 00:16:24,060 Do I look pretty? 405 00:16:24,080 --> 00:16:26,231 Bellissima, the most beautiful. 406 00:16:26,251 --> 00:16:28,190 Let's go. We're ready for you. 407 00:16:28,211 --> 00:16:31,080 PEPE: Cristina. 408 00:16:31,101 --> 00:16:32,200 Stand by. She's coming out. 409 00:16:32,221 --> 00:16:34,251 - Cristina? - And go. 410 00:16:35,030 --> 00:16:36,091 Cue Veneno. 411 00:16:38,160 --> 00:16:40,190 [applause] 412 00:16:45,040 --> 00:16:46,070 [music playing] 413 00:17:01,241 --> 00:17:03,160 The mother can't be bothered to stand? [scoffs] 414 00:17:03,180 --> 00:17:05,211 Honestly, I can't believe this. 415 00:17:05,231 --> 00:17:06,090 Why is she even here, then? 416 00:17:06,110 --> 00:17:09,120 Oh, hon. 417 00:17:10,021 --> 00:17:12,090 [applause] 418 00:17:12,110 --> 00:17:15,021 [crying] 419 00:17:15,040 --> 00:17:16,211 Come on, for Christ's sake. 420 00:17:16,231 --> 00:17:19,130 How hard can it be, eh? 421 00:17:19,151 --> 00:17:20,140 Okay, number two, go. 422 00:17:21,241 --> 00:17:24,191 [applause] 423 00:17:27,171 --> 00:17:29,181 Ah, that's my girl. 424 00:17:33,021 --> 00:17:33,211 Look at you. 425 00:17:33,231 --> 00:17:36,231 - [sighs] - Look at you. 426 00:17:38,040 --> 00:17:39,241 What a shame. 427 00:17:40,021 --> 00:17:40,080 I'm ashamed of you. 428 00:17:48,030 --> 00:17:51,040 Uh, take a seat, Cristina. 429 00:17:55,100 --> 00:17:56,030 So... 430 00:17:56,050 --> 00:17:58,140 are you happy now, lad? 431 00:17:58,161 --> 00:18:00,130 Come on, you asshole. Just say, "girl." 432 00:18:00,151 --> 00:18:02,070 Well, surely not with my life, 433 00:18:02,090 --> 00:18:05,080 but there's no other path for me. 434 00:18:05,100 --> 00:18:08,151 To make a living, I have to do that. 435 00:18:08,171 --> 00:18:13,060 Now they're saying that I might get a job on the show. 436 00:18:13,080 --> 00:18:15,040 I don't know if that's true, but it's what they said. 437 00:18:15,060 --> 00:18:17,140 We'd be complete fools 438 00:18:17,161 --> 00:18:19,110 if we didn't hire her after yesterday. 439 00:18:19,130 --> 00:18:20,221 PEPE: Did you refuse to see her? 440 00:18:20,241 --> 00:18:24,100 No, I never refused to see him. 441 00:18:24,120 --> 00:18:27,060 But the truth is... 442 00:18:27,080 --> 00:18:28,161 I'm shattered, 443 00:18:28,181 --> 00:18:30,161 because he came to Madrid. 444 00:18:30,181 --> 00:18:33,040 Look at him now. 445 00:18:34,040 --> 00:18:37,231 You see, his siblings are good people, 446 00:18:37,251 --> 00:18:39,181 good, hard workers, 447 00:18:39,201 --> 00:18:43,030 very well regarded, respected. 448 00:18:43,050 --> 00:18:47,140 No one-- no one can say otherwise. 449 00:18:47,161 --> 00:18:49,070 Really? 450 00:18:49,090 --> 00:18:50,130 To be honest... 451 00:18:50,151 --> 00:18:51,090 I've always been... 452 00:18:53,161 --> 00:18:55,130 very eager. 453 00:18:55,151 --> 00:18:56,181 I had faith in him. 454 00:18:56,201 --> 00:19:00,161 But it's just that seeing him in this state, 455 00:19:00,181 --> 00:19:04,140 my-- my right eye got paralyzed, couldn't see. 456 00:19:04,161 --> 00:19:07,070 - PEPE: Hmm? - Then the left eye followed. 457 00:19:07,090 --> 00:19:09,171 Guess how long I was hospitalized? 458 00:19:09,191 --> 00:19:12,080 Fifteen days. Huh? 459 00:19:12,100 --> 00:19:13,080 Fifteen days... 460 00:19:14,251 --> 00:19:17,090 and he's to blame. 461 00:19:17,110 --> 00:19:20,191 The fault is his and no one else's. 462 00:19:20,211 --> 00:19:23,231 If your son's happy, who cares if he's a boy or a girl? 463 00:19:23,251 --> 00:19:27,161 I'll be clear. When I-- when I go to the-- 464 00:19:27,181 --> 00:19:30,110 when I go to the main square in our hometown... 465 00:19:30,130 --> 00:19:33,161 - Yeah. - they all ask me, 466 00:19:33,181 --> 00:19:36,080 "Did you see your Joselito last night?" 467 00:19:36,100 --> 00:19:38,181 Or, "Oh, I saw Joselito," 468 00:19:38,201 --> 00:19:43,040 and they say that with a tone. 469 00:19:43,060 --> 00:19:46,050 You wouldn't believe how much it hurts. 470 00:19:46,070 --> 00:19:47,080 It kills me little by little every day. 471 00:19:51,140 --> 00:19:52,171 [breathing heavily] 472 00:19:55,040 --> 00:19:55,060 Mom. 473 00:20:04,181 --> 00:20:05,080 Mom, please look at me. 474 00:20:15,070 --> 00:20:16,140 [siren passing] 475 00:20:24,110 --> 00:20:27,021 Hey, I was looking for you, darling. 476 00:20:27,040 --> 00:20:29,040 How you feeling, eh? 477 00:20:29,060 --> 00:20:33,030 Oh, Mari, I-I didn't know what to say. 478 00:20:33,050 --> 00:20:34,251 My mind went blank. 479 00:20:36,030 --> 00:20:37,231 Did I disappoint Pepe? 480 00:20:37,251 --> 00:20:40,080 Hell, no. Disappoint Pepe? 481 00:20:40,100 --> 00:20:42,080 He is delighted. I am delighted. 482 00:20:42,100 --> 00:20:43,241 We're all crazy about you. 483 00:20:44,021 --> 00:20:45,211 Take this. 484 00:20:47,251 --> 00:20:48,201 What... 485 00:20:48,221 --> 00:20:51,140 And we'll see you tomorrow. 486 00:20:51,161 --> 00:20:52,040 Tomorrow? 487 00:20:52,060 --> 00:20:53,221 No lie! 488 00:20:53,241 --> 00:20:55,100 - [breathing heavily] - Go rest now. 489 00:21:00,070 --> 00:21:01,171 [goat bleats] 490 00:21:02,211 --> 00:21:03,181 But what is this? 491 00:21:03,201 --> 00:21:05,201 [gasps] 492 00:21:05,221 --> 00:21:08,050 What are you doing here all alone? 493 00:21:08,070 --> 00:21:10,050 Ohh. 494 00:21:10,070 --> 00:21:12,030 What's up with you? 495 00:21:12,050 --> 00:21:14,191 Aw, such a pretty little thing. 496 00:21:14,211 --> 00:21:15,171 - [bleats] - Oh! 497 00:21:15,191 --> 00:21:18,181 Such a pretty little thing. 498 00:21:18,201 --> 00:21:20,241 [footsteps approaching] 499 00:21:25,251 --> 00:21:26,140 Her name is Marcela. 500 00:21:26,161 --> 00:21:29,181 [gasps] Marcela? 501 00:21:29,201 --> 00:21:31,181 Yeah. 502 00:21:31,201 --> 00:21:34,021 What a cutie. 503 00:21:34,040 --> 00:21:35,130 Pepe rescued her. 504 00:21:35,151 --> 00:21:38,120 Little lady was about to be thrown off a village bell tower. 505 00:21:38,140 --> 00:21:39,151 [sighs] 506 00:21:39,171 --> 00:21:41,231 People from villages are filthy scum. 507 00:21:41,251 --> 00:21:44,181 Well, she's lucky. 508 00:21:44,201 --> 00:21:45,251 Now she's here with us. 509 00:21:46,030 --> 00:21:48,140 That's the way this program is. 510 00:21:48,161 --> 00:21:49,151 [chuckles] 511 00:21:49,171 --> 00:21:52,140 Welcome to Mississippi, Cristina. 512 00:21:53,251 --> 00:21:55,030 Thank you. 513 00:21:55,050 --> 00:21:58,070 And now let's put Marcela to sleep. 514 00:21:58,090 --> 00:21:59,030 It's late for little kids. 515 00:21:59,050 --> 00:22:01,140 - [bleats] - Night. 516 00:22:01,161 --> 00:22:01,181 Good night. 517 00:22:17,050 --> 00:22:19,050 Mamma mia, quanti soldi. 518 00:22:19,070 --> 00:22:22,090 And tonight we will go party. 519 00:22:22,110 --> 00:22:24,201 Hell, no. No party. 520 00:22:24,221 --> 00:22:26,120 You're a party animal. 521 00:22:30,100 --> 00:22:33,021 Ladies and gents, the exceptional, 522 00:22:33,040 --> 00:22:36,201 the unrivalled, the fiery Cristina La Veneno. 523 00:22:36,221 --> 00:22:38,251 [music playing] 524 00:22:40,060 --> 00:22:42,100 PEPE: We have the question of the day. 525 00:22:42,120 --> 00:22:44,110 Is a woman born, or can she be made? 526 00:22:44,130 --> 00:22:45,110 You're pretty much second class. 527 00:22:45,130 --> 00:22:46,171 For me, you are half a women. 528 00:22:46,191 --> 00:22:49,241 You're pretty much an asshole, period. 529 00:22:50,021 --> 00:22:51,161 Let's go out tonight and see who scores more. 530 00:22:51,181 --> 00:22:52,231 Won't be you. 531 00:22:52,251 --> 00:22:55,080 [applause] 532 00:22:55,100 --> 00:22:57,120 Unlike Veneno's, these are the real thing. 533 00:22:57,140 --> 00:22:59,120 - Check 'em out. - Veneno! 534 00:22:59,140 --> 00:23:00,171 These bitches are gonna blind me! 535 00:23:00,191 --> 00:23:03,100 Now listen, you pack of envious hos. 536 00:23:03,120 --> 00:23:06,161 These tits are Cartier, baby. 537 00:23:06,181 --> 00:23:08,161 Hah. Better find a dick to suck, slut. 538 00:23:08,181 --> 00:23:10,161 - Hey, Christina! - Cristina, over here, please. 539 00:23:10,181 --> 00:23:13,090 Hey, Cristina, I'm Lydia Lozano from Interview. 540 00:23:13,110 --> 00:23:15,140 We wanna make a documentary with you, 24 hours with you 541 00:23:15,161 --> 00:23:18,110 from the moment you wake up until bedtime. 542 00:23:18,130 --> 00:23:19,211 Ohh! - One question! 543 00:23:19,231 --> 00:23:21,090 Cristina! - Cristina! 544 00:23:21,110 --> 00:23:23,211 Remember, Lydia Lozano from Interview. Interview! 545 00:23:23,231 --> 00:23:27,151 If I come in my panties tonight, 546 00:23:27,171 --> 00:23:30,080 every single man in Spain will get a "Paco Paco." 547 00:23:30,100 --> 00:23:31,171 - What's a "Paco Paco"? - Paco, Paco, Paco, Paco. 548 00:23:31,191 --> 00:23:34,251 Every now and then, you spit in your hand. 549 00:23:35,030 --> 00:23:37,090 - But stop, please. Stop that. - [buzzer] 550 00:23:37,110 --> 00:23:39,140 - It's the truth, my love. - Holly, I feel like-- 551 00:23:39,161 --> 00:23:41,021 like you wanna dance a little. 552 00:23:41,040 --> 00:23:42,181 [crowd whooping] 553 00:23:42,201 --> 00:23:44,251 [pop music playing] 554 00:23:48,221 --> 00:23:49,221 ♪ No puedes vivir 555 00:23:49,241 --> 00:23:51,050 ♪ Lleno de sospechas 556 00:23:51,070 --> 00:23:54,100 ♪ Sin parar de fingir 557 00:23:54,120 --> 00:23:57,171 ♪ Sal fuera de ti 558 00:23:57,191 --> 00:24:01,080 ♪ Veneno pa' tu piel 559 00:24:01,100 --> 00:24:04,100 ♪ Veneno pa' tu piel 560 00:24:04,120 --> 00:24:07,140 ♪ Yo vivo la madrugada 561 00:24:07,161 --> 00:24:09,090 ♪ Soy los besos, soy la cama 562 00:24:09,110 --> 00:24:10,181 ♪ Y tú vives escondido 563 00:24:10,201 --> 00:24:14,030 ♪ Y sólo hablas con tu almohada ♪ 564 00:24:14,050 --> 00:24:17,060 ♪ Pa' tu piel 565 00:24:17,080 --> 00:24:21,030 ♪ Veneno pa' tu piel 566 00:24:21,050 --> 00:24:22,070 [whooping] 567 00:24:22,090 --> 00:24:24,080 ♪ Soy la magia, soy el hada... ♪ 568 00:24:24,100 --> 00:24:25,231 Oh, my God. Oh, my God, 569 00:24:25,251 --> 00:24:27,080 So much wealth in this place! 570 00:24:27,100 --> 00:24:30,231 Here's to Cristina. To Cristina. 571 00:24:30,251 --> 00:24:32,241 Hi, Veneno. I would like to know if-- 572 00:24:33,021 --> 00:24:35,140 if you get a boner when taking it from behind? 573 00:24:35,161 --> 00:24:36,181 I wanna know, can you tell us how you put 574 00:24:36,201 --> 00:24:38,021 a condom on with only your mouth? 575 00:24:38,040 --> 00:24:39,050 Can you have it between your tits 576 00:24:39,070 --> 00:24:41,100 and at the same time give a blow job? 577 00:24:41,120 --> 00:24:42,120 German, Greek, Civil Guard, 578 00:24:42,140 --> 00:24:44,060 the girl from The Exorcist-- 579 00:24:44,080 --> 00:24:46,030 I do it all, my love. 580 00:24:46,050 --> 00:24:48,060 You're the type of guy that has his wife 581 00:24:48,080 --> 00:24:50,040 locked up at home like she's in a convent 582 00:24:50,060 --> 00:24:52,110 and then goes out and fucks whatever's out there. 583 00:24:52,130 --> 00:24:53,151 My pussy don't agree. 584 00:24:53,171 --> 00:24:54,241 What an intellectual. 585 00:24:55,021 --> 00:24:55,251 That's what you are. 586 00:24:56,030 --> 00:24:57,021 Now quiet, you roofless man. 587 00:24:57,040 --> 00:25:00,140 - [applause] - ♪ Pa' tu piel 588 00:25:00,161 --> 00:25:04,120 ♪ Veneno pa' tu piel 589 00:25:04,140 --> 00:25:07,080 ♪ Yo vivo la madrugada 590 00:25:07,100 --> 00:25:08,120 ♪ Soy los besos, soy la cama 591 00:25:08,140 --> 00:25:11,080 ♪ Y tú vives escondido 592 00:25:11,100 --> 00:25:12,080 ♪ Y sólo hablas con tu almohada ♪ 593 00:25:12,100 --> 00:25:15,080 ♪ Pa' tu piel 594 00:25:15,100 --> 00:25:19,050 ♪ Veneno pa' tu piel 595 00:25:19,070 --> 00:25:20,120 [audience whooping] 596 00:25:20,140 --> 00:25:22,120 ♪ Soy la magia, soy el hada 597 00:25:22,140 --> 00:25:24,100 ♪ Que se clava en tu mirada 598 00:25:24,120 --> 00:25:27,040 ♪ Soy la tentación prohibida 599 00:25:27,060 --> 00:25:29,221 ♪ Que te va quemando el alma 600 00:25:29,241 --> 00:25:33,161 [applause] 601 00:25:33,181 --> 00:25:33,201 Hey. Right? 602 00:25:35,191 --> 00:25:36,100 You were wonderful tonight. 603 00:25:36,120 --> 00:25:38,161 Thank you, juicy ass. 604 00:25:38,181 --> 00:25:41,151 - Here's your water. - My purse. 605 00:25:41,171 --> 00:25:44,130 Cristina, dear, you're a blessing to this channel. 606 00:25:44,151 --> 00:25:46,151 Thank you. Please toss this. 607 00:25:46,171 --> 00:25:48,050 Who's this coot? - The boss. 608 00:25:48,070 --> 00:25:49,181 Ah. Ooh! See you later, honey! 609 00:25:49,201 --> 00:25:50,181 Love you, girl! 610 00:25:50,201 --> 00:25:52,070 - Cristina. - Not now. 611 00:25:52,090 --> 00:25:53,130 These are for you, Cris. 612 00:25:53,151 --> 00:25:55,060 - Shit, Cristina. - Hold these. 613 00:25:55,080 --> 00:25:57,090 All right, ladies and gentlemen. We'll be back in three. 614 00:25:57,110 --> 00:25:58,040 Ma chi cazzo ti credi di essere? Eh? 615 00:25:58,060 --> 00:26:00,211 Darling girl! 616 00:26:00,231 --> 00:26:03,050 You are a sensation! Fabulous! Oh! 617 00:26:03,070 --> 00:26:05,181 Who is this guy? Eh? 618 00:26:05,201 --> 00:26:06,130 - He's my new manager. - Damn right. 619 00:26:06,151 --> 00:26:07,231 Just wait for me in the car. 620 00:26:07,251 --> 00:26:10,171 - Now come, come, come... - Just wait for me there. 621 00:26:10,191 --> 00:26:12,040 There's someone who wants to meet you. 622 00:26:12,060 --> 00:26:13,151 Are you ready? - Ah. But who is it? 623 00:26:13,171 --> 00:26:16,070 You'll see. We're gonna take you to Las Vegas, sweetie. 624 00:26:16,090 --> 00:26:18,100 Hey, you like the booty shorts for the boys? 625 00:26:18,120 --> 00:26:19,050 I was close to fucking them. 626 00:26:19,070 --> 00:26:21,161 Before that, look. 627 00:26:21,181 --> 00:26:21,191 Sara. 628 00:26:25,211 --> 00:26:26,211 Cristina. 629 00:26:26,231 --> 00:26:28,080 [chuckles] 630 00:26:28,100 --> 00:26:30,171 Jesus Christ. Sara. 631 00:26:33,151 --> 00:26:35,110 What are you doing here? 632 00:26:35,130 --> 00:26:37,120 Promoting the release of my new record. 633 00:26:37,140 --> 00:26:39,110 Amados Mios, that's the name. 634 00:26:39,130 --> 00:26:41,241 Oh, Sara. You have to know that, for me, 635 00:26:42,021 --> 00:26:43,110 you're the biggest star Spain has ever made. 636 00:26:43,130 --> 00:26:47,030 Thank you. I was really looking forward to meeting you. 637 00:26:47,050 --> 00:26:48,110 I love your attitude, my dear. 638 00:26:48,130 --> 00:26:52,161 You're beautiful, and you've got a spectacular body. 639 00:26:52,181 --> 00:26:53,191 Thank you so much. 640 00:26:53,211 --> 00:26:56,161 And that spark in your eyes, my dear. 641 00:26:56,181 --> 00:26:59,120 Don't lose track, Cristina. Keep going. 642 00:26:59,140 --> 00:27:00,241 So let me know whenever you're free. 643 00:27:01,021 --> 00:27:03,021 We can meet for coffee, Sara, huh? 644 00:27:03,040 --> 00:27:04,241 You can tell this girl is dynamite. 645 00:27:05,021 --> 00:27:06,161 She's a star. 646 00:27:06,181 --> 00:27:09,211 She's the new face of the Rumba Total. That's right. 647 00:27:09,231 --> 00:27:10,130 Really? 648 00:27:10,151 --> 00:27:11,221 Good luck, Cristina. 649 00:27:17,030 --> 00:27:19,030 Sara! 650 00:27:19,050 --> 00:27:20,060 Yes? 651 00:27:22,050 --> 00:27:24,161 Can I ask you something? 652 00:27:24,181 --> 00:27:25,211 Of course. What is it? 653 00:27:30,251 --> 00:27:32,161 Would you give me an autograph? 654 00:27:32,181 --> 00:27:34,100 [chuckles] Of course. 655 00:27:36,060 --> 00:27:38,070 Ah. 656 00:27:38,090 --> 00:27:40,030 Sorry. 657 00:27:40,201 --> 00:27:42,221 [marker squeaking] 658 00:27:48,171 --> 00:27:49,191 What does it say? 659 00:27:49,211 --> 00:27:51,040 I don't have my glasses on. 660 00:27:51,060 --> 00:27:54,120 [chuckles] 661 00:27:54,140 --> 00:27:57,021 "All my love, Antonia." 662 00:27:57,181 --> 00:27:59,201 I'll never forget this. 663 00:27:59,221 --> 00:28:00,251 Cristina, find yourself men 664 00:28:01,030 --> 00:28:05,100 who'll teach you and don't diminish you. 665 00:28:06,021 --> 00:28:08,161 By the time I was 22, 666 00:28:08,181 --> 00:28:12,161 I had learned how to read from a Nobel Prize winner. 667 00:28:12,181 --> 00:28:15,030 My God, what a crazy world we live in. 668 00:28:15,050 --> 00:28:17,100 [laughs] 669 00:28:17,120 --> 00:28:18,241 So? [laughs] 670 00:28:19,021 --> 00:28:20,161 You should see your face. 671 00:28:20,181 --> 00:28:21,151 [Cristina sighs] Hi, Dad. 672 00:28:21,171 --> 00:28:23,201 PEPE: For all of you... 673 00:28:23,221 --> 00:28:25,080 How are you? 674 00:28:25,100 --> 00:28:28,191 It's me, Joselito. - Hi. 675 00:28:28,211 --> 00:28:29,231 Can you put Mom on the phone, please, Dad? 676 00:28:29,251 --> 00:28:34,181 - [applause] - Joselito, it's really late. 677 00:28:34,201 --> 00:28:37,050 I know that. It's just that 678 00:28:37,070 --> 00:28:39,080 there's something I want to tell her. 679 00:28:39,100 --> 00:28:40,211 I met Sara Montiel, 680 00:28:40,231 --> 00:28:41,151 and she said I was beautiful. 681 00:28:41,171 --> 00:28:43,181 Oh, that's great. 682 00:28:43,201 --> 00:28:46,251 I'm very happy for you, Joselito. 683 00:28:47,030 --> 00:28:48,241 She gave me an autograph. 684 00:28:49,021 --> 00:28:50,201 She gave me an autograph for her. 685 00:28:50,221 --> 00:28:51,251 Would you tell her? 686 00:28:52,030 --> 00:28:54,181 I finally got her an autograph. 687 00:28:54,201 --> 00:28:56,090 Okay, good. I'll tell her. 688 00:28:56,110 --> 00:28:58,201 PEPE: I'm still so amazed by you. 689 00:28:58,221 --> 00:29:01,050 Do you see me on television? 690 00:29:01,070 --> 00:29:03,090 No. 691 00:29:03,110 --> 00:29:06,151 Your mother sold it when we came back from Madrid. 692 00:29:06,171 --> 00:29:08,151 No TV at home. 693 00:29:10,060 --> 00:29:12,060 You don't see me anymore? 694 00:29:12,080 --> 00:29:13,100 No, I'm sorry. 695 00:29:13,120 --> 00:29:15,191 Talk soon, Joselito. 696 00:29:17,221 --> 00:29:19,151 PEPE: I'm sorry to get personal, 697 00:29:19,171 --> 00:29:22,070 but we know that you have a particular taste 698 00:29:22,090 --> 00:29:25,080 for interesting people, specifically for older men. 699 00:29:25,100 --> 00:29:27,181 [door opens] 700 00:29:27,201 --> 00:29:28,151 What's going on, Cristi, huh? 701 00:29:28,171 --> 00:29:30,140 What are you talking about? 702 00:29:30,161 --> 00:29:31,040 You think I'm your servant, right? 703 00:29:31,060 --> 00:29:33,140 Let go of me! 704 00:29:33,161 --> 00:29:34,100 Perché touch those men's cocks, eh? 705 00:29:34,120 --> 00:29:37,221 Puttana, perché? 706 00:29:37,241 --> 00:29:39,030 What, and you expect me not to grab the cocks? 707 00:29:39,050 --> 00:29:42,021 Just look at you, nothing more than a faggot. 708 00:29:42,040 --> 00:29:42,241 You disgust me. 709 00:29:43,221 --> 00:29:46,060 You owe me respect! Okay?! 710 00:29:46,080 --> 00:29:48,060 [gasps] 711 00:29:48,080 --> 00:29:48,241 You like to suck penis, don't you? 712 00:29:49,021 --> 00:29:51,060 You like to do it? 713 00:29:51,080 --> 00:29:53,070 Puttana di merda! 714 00:29:53,090 --> 00:29:55,030 Puttana! 715 00:29:55,050 --> 00:29:57,110 You think you can hit me, you piece of shit?! 716 00:29:57,130 --> 00:29:59,021 Get out of here. 717 00:29:59,040 --> 00:30:00,030 Fuck off, asshole! 718 00:30:00,050 --> 00:30:02,050 Sei solo una puttana di merda... 719 00:30:02,070 --> 00:30:03,191 Get out! I don't ever want to see you again! 720 00:30:03,211 --> 00:30:05,241 - [glass shatters] - We're done! 721 00:30:06,021 --> 00:30:09,110 I fed off the wisdom of the people 722 00:30:09,130 --> 00:30:13,151 that I was lucky enough to meet, and it wasn't easy. 723 00:30:13,171 --> 00:30:14,231 It was not easy at all 724 00:30:14,251 --> 00:30:19,021 to have Nobel Prize winners as admirers. 725 00:30:19,040 --> 00:30:21,080 PEPE: Huh. But we all know 726 00:30:21,100 --> 00:30:23,110 that Hemingway was a famous womanizer. 727 00:30:23,130 --> 00:30:25,151 He hit on everybody. 728 00:30:25,171 --> 00:30:27,191 You know this better than anyone. 729 00:30:27,211 --> 00:30:29,181 SARA: Hemingway was very Hemingway, 730 00:30:29,201 --> 00:30:32,151 but I was very Antonia. 731 00:30:32,171 --> 00:30:34,161 - [audience laughs] - [door closes] 732 00:30:36,171 --> 00:30:38,161 Pepe. 733 00:30:38,181 --> 00:30:40,110 Why are you here? 734 00:30:40,130 --> 00:30:41,191 Take me to Adra. 735 00:30:41,211 --> 00:30:42,211 Excuse me? 736 00:30:42,231 --> 00:30:45,120 I want you to drive me to Adra, 737 00:30:45,140 --> 00:30:46,201 but I want to be taken in a limo. 738 00:30:46,221 --> 00:30:50,080 I want them all to die of jealousy by a simple look, 739 00:30:50,100 --> 00:30:52,070 a simple look at a queen. 740 00:30:52,090 --> 00:30:53,080 [chuckles] 741 00:30:53,100 --> 00:30:54,241 [music playing only] 742 00:31:30,070 --> 00:31:32,050 Manolito! 743 00:31:36,030 --> 00:31:37,211 Manolito! 744 00:31:37,231 --> 00:31:37,241 Who's that? 745 00:31:49,030 --> 00:31:49,151 Cristina. 746 00:31:49,171 --> 00:31:51,030 Not Cristina. 747 00:31:51,050 --> 00:31:52,100 I'm your Joselito. 748 00:31:54,161 --> 00:31:54,201 Here. 749 00:32:00,110 --> 00:32:03,030 You came? Ah. Oh, God. 750 00:32:03,050 --> 00:32:04,211 How could I not visit you? 751 00:32:04,231 --> 00:32:06,021 [laughs] 752 00:32:06,040 --> 00:32:08,221 Manolito, I wanted to see you so bad. 753 00:32:08,241 --> 00:32:11,140 [kisses] 754 00:32:11,161 --> 00:32:14,021 Oh, I've been longing to hug you for years. 755 00:32:14,040 --> 00:32:14,231 You look spectacular. 756 00:32:14,251 --> 00:32:17,100 Do you want a lemonade? 757 00:32:17,120 --> 00:32:19,050 [dog barking] 758 00:32:22,070 --> 00:32:24,130 What happened to your face? 759 00:32:24,151 --> 00:32:24,201 Mm... 760 00:32:27,030 --> 00:32:29,040 nothing. 761 00:32:33,140 --> 00:32:35,191 I was on hormones for a bit, too... 762 00:32:36,161 --> 00:32:37,221 a little bit. 763 00:32:38,171 --> 00:32:41,241 I went to Barcelona. 764 00:32:42,021 --> 00:32:43,100 I got a procedure from a trans woman named Marisol. 765 00:32:43,120 --> 00:32:46,050 She said she was a surgeon, but... 766 00:32:46,171 --> 00:32:49,080 a total failure. 767 00:32:49,100 --> 00:32:50,211 It got gangrenous... 768 00:32:53,070 --> 00:32:53,090 so they had to remove my tits. 769 00:32:58,241 --> 00:33:02,191 I don't have money to pay for a proper procedure, and so... 770 00:33:02,211 --> 00:33:04,171 Going back wasn't an option, either, 771 00:33:04,191 --> 00:33:05,251 so I look like this. 772 00:33:06,030 --> 00:33:08,040 Oh, Manolito. 773 00:33:08,060 --> 00:33:09,151 I guess that wasn't for me. 774 00:33:09,171 --> 00:33:12,050 [sighs] 775 00:33:12,070 --> 00:33:13,221 But you, oh, you-- you look simply stunning. 776 00:33:13,241 --> 00:33:17,201 [laughs] 777 00:33:17,221 --> 00:33:19,070 You know, I've been in the main square. 778 00:33:19,090 --> 00:33:21,120 Yeah. I saw that everybody was there, 779 00:33:21,140 --> 00:33:22,151 even some of those errant bullies. 780 00:33:22,171 --> 00:33:25,070 Well, people can be really fake, you know? 781 00:33:25,090 --> 00:33:26,110 People are totally crazy. 782 00:33:26,130 --> 00:33:27,251 There's someone I didn't see. 783 00:33:28,030 --> 00:33:28,201 Who? 784 00:33:28,221 --> 00:33:29,211 I didn't see my mother. 785 00:33:29,231 --> 00:33:31,201 No, they're gone. 786 00:33:31,221 --> 00:33:33,040 I rang the doorbell, but no answer. 787 00:33:33,060 --> 00:33:35,030 They left town. I saw them packing their stuff. 788 00:33:35,050 --> 00:33:38,030 My mother said they headed to a spa because of the arthritis. 789 00:33:38,050 --> 00:33:39,191 Didn't they know I was coming today? 790 00:33:46,120 --> 00:33:48,140 The whole village knew, Joselito. 791 00:33:48,161 --> 00:33:50,070 Forget about her, and let it go. 792 00:33:50,090 --> 00:33:53,100 Let go. You're the most beautiful woman in Spain, huh? 793 00:33:53,120 --> 00:33:54,110 You know that. Hey! 794 00:33:54,130 --> 00:33:56,181 You know what I'd give to be like you? 795 00:33:56,201 --> 00:33:58,181 Got a boyfriend? 796 00:33:58,201 --> 00:34:00,171 - Huh. An Italian. - Oh! 797 00:34:00,191 --> 00:34:02,050 With an arm for a dick. 798 00:34:02,070 --> 00:34:04,201 - An Italian. - Like the sweet potatoes, 799 00:34:04,221 --> 00:34:06,090 you know, the ones we adore. 800 00:34:06,110 --> 00:34:07,211 I miss getting ass-fucked so much. 801 00:34:07,231 --> 00:34:09,131 He always speaks Italian. 802 00:34:09,151 --> 00:34:10,111 I don't get a single word, but I play along. 803 00:34:10,131 --> 00:34:11,191 [both laugh] 804 00:34:11,211 --> 00:34:14,131 I bought an apartment. 805 00:34:14,151 --> 00:34:16,171 I love it. It's a palace. 806 00:34:16,191 --> 00:34:17,140 You're welcome to visit anytime, though. 807 00:34:17,160 --> 00:34:18,251 Well, what would I do in Madrid? 808 00:34:19,031 --> 00:34:22,131 Yeah, right, with this face in Madrid. 809 00:34:22,151 --> 00:34:25,131 Nah, there's nothing to look forward to. 810 00:34:25,151 --> 00:34:27,140 I'm gonna stay right here. It's done. 811 00:34:32,051 --> 00:34:33,111 I got you something. 812 00:34:33,131 --> 00:34:34,021 What something? 813 00:34:42,040 --> 00:34:43,071 I met Sara... 814 00:34:43,091 --> 00:34:43,111 [sobs] 815 00:34:45,071 --> 00:34:46,080 and she gave an autograph for you. 816 00:34:47,171 --> 00:34:48,171 [laughs] 817 00:34:56,080 --> 00:34:58,151 You really met her? 818 00:35:00,040 --> 00:35:03,151 We all know each other, Manolito. 819 00:35:06,160 --> 00:35:08,220 Listen to me now. 820 00:35:10,140 --> 00:35:12,120 Live your own life, Joselito... 821 00:35:14,140 --> 00:35:16,140 and live your life for me. You hear me? 822 00:35:19,060 --> 00:35:20,111 I love you. 823 00:35:20,131 --> 00:35:21,100 [sighs] 824 00:35:23,100 --> 00:35:24,220 I have to go. 825 00:35:24,240 --> 00:35:25,140 The driver's waiting in the limousine. 826 00:35:25,160 --> 00:35:27,240 [laughs] 827 00:35:29,021 --> 00:35:29,091 See you soon, Manolito. 828 00:35:32,131 --> 00:35:33,191 Every night... 829 00:35:34,231 --> 00:35:35,140 on the telly. 830 00:35:35,160 --> 00:35:37,080 [sighs] 831 00:36:03,111 --> 00:36:04,071 [beeps] 832 00:36:04,091 --> 00:36:06,100 You have one new message. 833 00:36:06,120 --> 00:36:07,191 [beep] 834 00:36:07,211 --> 00:36:08,180 ANGELO: I am very sorry, Cristina. 835 00:36:08,200 --> 00:36:10,211 I'll never hurt you again. 836 00:36:10,231 --> 00:36:11,191 I have never hit a woman before. 837 00:36:11,211 --> 00:36:12,240 I don't know what happened. 838 00:36:13,021 --> 00:36:14,120 I love you. Give me another chance. 839 00:36:14,140 --> 00:36:17,031 Please. Mi manchi, honey. 840 00:36:17,051 --> 00:36:19,040 - [beep] - You have no more messages. 841 00:36:29,220 --> 00:36:32,160 Angelo. 842 00:36:32,251 --> 00:36:35,031 I'm home. 843 00:36:35,211 --> 00:36:36,200 Come over. 844 00:36:41,191 --> 00:36:45,051 [crowd murmuring] 845 00:36:46,120 --> 00:36:47,231 [festival music playing] 846 00:36:47,251 --> 00:36:49,091 - [crowd singing] - [bleats] 847 00:36:51,200 --> 00:36:53,100 [crowd yells] 848 00:36:56,191 --> 00:36:57,180 [sighs] 849 00:37:00,220 --> 00:37:02,180 [guitar plays] 850 00:37:02,200 --> 00:37:02,251 Sorry. 851 00:37:08,140 --> 00:37:09,191 Is it sore? 852 00:37:09,211 --> 00:37:13,051 This? Hmm, not at all. 853 00:37:13,071 --> 00:37:16,091 It's just a bang on a door, my dear. 854 00:37:16,111 --> 00:37:16,120 Shit happens. 855 00:37:19,091 --> 00:37:21,211 Hey, what happened to you? 856 00:37:21,231 --> 00:37:23,071 This? 857 00:37:23,200 --> 00:37:24,220 Well, shit happens. 858 00:37:24,240 --> 00:37:27,120 I was at a concert and got thrown a tomato. 859 00:37:27,140 --> 00:37:29,171 [chuckles] - That's from a tomato? 860 00:37:29,191 --> 00:37:32,091 I doubt that entirely, my friend. 861 00:37:32,111 --> 00:37:36,091 No, no, no, no, no, but then a guy got a little heated 862 00:37:36,111 --> 00:37:40,180 and decided to get upgraded to something more solid. 863 00:37:40,200 --> 00:37:42,080 This was a cocktail glass. 864 00:37:42,100 --> 00:37:44,100 Those motherfuckers. 865 00:37:44,120 --> 00:37:47,060 Cocktail glasses. What an upgrade. 866 00:37:47,080 --> 00:37:51,111 Hey, love, you're the lemon song guy, aren't you? 867 00:37:51,131 --> 00:37:52,180 I am. My name's Juan Antonio, 868 00:37:52,200 --> 00:37:55,160 and since I sing in Spanish, Juan Antonio Canta. 869 00:37:55,180 --> 00:37:58,200 Well, my name is Cristina, 870 00:37:58,220 --> 00:38:00,220 and since I sting, they call me La Veneno. 871 00:38:00,240 --> 00:38:04,091 A pleasure. 872 00:38:04,111 --> 00:38:04,131 You smoke? 873 00:38:07,051 --> 00:38:08,080 Well, more for me. 874 00:38:15,151 --> 00:38:16,211 Hey, my love... 875 00:38:18,220 --> 00:38:21,040 so why'd they throw those tomatoes? 876 00:38:23,051 --> 00:38:24,031 'Cause I want to sing my own songs. 877 00:38:24,051 --> 00:38:27,031 Obviously the concert is yours. 878 00:38:27,051 --> 00:38:29,060 It's not set up for Marta Sánchez. 879 00:38:29,080 --> 00:38:32,060 People don't want to listen to my songs. 880 00:38:32,080 --> 00:38:34,140 They only want to hear that one song 881 00:38:34,160 --> 00:38:36,140 and not even the whole thing. 882 00:38:36,160 --> 00:38:38,191 The whole thing? Well, but isn't it 883 00:38:38,211 --> 00:38:41,051 just lemons up above, lemons down below? 884 00:38:41,071 --> 00:38:42,240 No way. There's more to it, 885 00:38:43,021 --> 00:38:46,220 way more, but the thing is, when I came here, 886 00:38:46,240 --> 00:38:50,151 I was forced to sing only the chorus, 887 00:38:50,171 --> 00:38:54,051 you know, to make it easier, to make it catchier to sing. 888 00:38:54,071 --> 00:38:58,120 [sighs] And, well, now here I am. 889 00:38:58,140 --> 00:38:59,140 I want you to sing the whole thing. 890 00:39:00,120 --> 00:39:02,180 The skipped part, sing it to me. 891 00:39:02,200 --> 00:39:04,211 Now? 892 00:39:04,231 --> 00:39:05,140 We're alone here. 893 00:39:05,160 --> 00:39:07,040 Come on. Sing it now. 894 00:39:13,071 --> 00:39:18,040 ♪ Sé que parece una película de Greenaway ♪ 895 00:39:18,060 --> 00:39:21,160 ♪ Pero es tan solo un ejercicio de malabarismo ♪ 896 00:39:21,180 --> 00:39:27,131 ♪ Me da lo mismo que nadie lo pueda entender ♪ 897 00:39:27,151 --> 00:39:31,060 ♪ Yo y mis limones tenemos tanto ♪ 898 00:39:31,080 --> 00:39:33,231 ♪ Tanto que hablar 899 00:39:36,251 --> 00:39:39,220 Well, I love it. 900 00:39:39,240 --> 00:39:42,140 Such a shame they won't let you sing the whole song. 901 00:39:43,240 --> 00:39:45,080 Veneno... 902 00:39:46,240 --> 00:39:48,091 careful with television. 903 00:39:48,111 --> 00:39:51,080 It only wants more and more catchy choruses from you. 904 00:39:51,100 --> 00:39:54,111 And if you keep giving it to 'em, 905 00:39:54,131 --> 00:40:00,071 you may end up singing that and nothing more. 906 00:40:01,160 --> 00:40:03,160 [lights clunk] 907 00:40:03,180 --> 00:40:05,131 Juan Antonio, rehearsal. 908 00:40:12,120 --> 00:40:14,111 Nice to meet you, my love. 909 00:40:16,051 --> 00:40:18,160 Silence, please. 910 00:40:18,180 --> 00:40:22,080 Juan Antonio, ready, and rehearsal's up. 911 00:40:22,100 --> 00:40:24,021 ♪ Un limón y medio limón 912 00:40:24,040 --> 00:40:25,180 ♪ Y dos limones y medio limón 913 00:40:25,200 --> 00:40:27,240 ♪ Tres limones y medio limón 914 00:40:28,021 --> 00:40:31,031 ♪ Cuatro limones y medio limón ♪ 915 00:40:31,051 --> 00:40:33,080 ♪ Cinco limones y medio limón 916 00:40:33,100 --> 00:40:34,100 ♪ Seis limones y medio limón 917 00:40:34,120 --> 00:40:38,051 ♪ Siete limones y medio limón 918 00:40:38,071 --> 00:40:39,021 ♪ Ocho limones y medio limón 919 00:40:39,040 --> 00:40:42,100 ♪ Un limón y medio limón 920 00:40:42,120 --> 00:40:44,131 - ♪ Dos limones y medio limón - [bleating] 921 00:40:44,151 --> 00:40:45,200 ♪ Tres limones... 922 00:40:45,220 --> 00:40:49,071 Marcela, what are you doing here all alone? 923 00:40:49,091 --> 00:40:51,060 ♪ Cinco limones y medio limón... ♪ 924 00:40:51,080 --> 00:40:52,140 Cristina. 925 00:40:52,160 --> 00:40:54,231 Who's looking after her right now? 926 00:40:54,251 --> 00:40:56,100 Each of us a little. 927 00:40:56,120 --> 00:40:57,180 Listen, Pepe told me he wants to speak to you. 928 00:40:57,200 --> 00:41:00,171 Come on. Let's go. He's in his office. 929 00:41:02,240 --> 00:41:03,191 ♪ Tres limones y medio limón 930 00:41:03,211 --> 00:41:05,180 [bleats] 931 00:41:05,200 --> 00:41:06,131 Mari, for Christ's sake, 932 00:41:06,151 --> 00:41:08,071 mind your own business. 933 00:41:08,091 --> 00:41:09,080 I'm sorry, but it is my business. 934 00:41:09,100 --> 00:41:11,160 It is when the team calls, 935 00:41:11,180 --> 00:41:15,040 asking me if we are really so fucking stupid 936 00:41:15,060 --> 00:41:17,160 to risk everything we have achieved so far. 937 00:41:17,180 --> 00:41:19,040 Do you really want to go back to Channel Three? 938 00:41:19,060 --> 00:41:22,120 We got kicked out of there two years ago. 939 00:41:23,111 --> 00:41:25,191 It's for the money. - No. 940 00:41:25,211 --> 00:41:26,180 May I? 941 00:41:26,200 --> 00:41:29,151 Just a second, dear. Are you sure? 942 00:41:29,171 --> 00:41:32,120 Mari, it's not a good moment. 943 00:41:32,140 --> 00:41:36,060 Now do me a damn favor, and get out of my office. 944 00:41:36,080 --> 00:41:37,051 That's always been your style, hasn't it? 945 00:41:37,071 --> 00:41:39,060 What's going on? 946 00:41:39,080 --> 00:41:40,180 Have him. He's all yours. 947 00:41:40,200 --> 00:41:42,240 Enjoy. 948 00:41:43,031 --> 00:41:43,060 - [door closes] - Sit down. 949 00:41:46,021 --> 00:41:48,140 Sit, and take off your shades. 950 00:41:49,071 --> 00:41:52,091 Cristina, take them off now. 951 00:41:52,111 --> 00:41:52,220 I know what's wrong. 952 00:41:52,240 --> 00:41:53,251 [sighs] 953 00:41:54,031 --> 00:41:56,191 [clock ticking] 954 00:41:59,220 --> 00:42:00,100 Who did that? 955 00:42:00,120 --> 00:42:02,040 A client, right? 956 00:42:02,060 --> 00:42:03,040 [sighs] 957 00:42:03,060 --> 00:42:05,191 It was a client. 958 00:42:05,211 --> 00:42:06,151 Listen, Cristina. 959 00:42:06,171 --> 00:42:09,080 For, uh, the program, for us, 960 00:42:09,100 --> 00:42:10,151 you're very important, 961 00:42:10,171 --> 00:42:12,171 and my responsibility is to look after you. 962 00:42:13,231 --> 00:42:14,251 Don't worry about me, Pepe. 963 00:42:15,031 --> 00:42:16,100 I can look after myself. Please. 964 00:42:16,120 --> 00:42:19,071 No, you can't do that, Cristina. 965 00:42:19,091 --> 00:42:20,151 You gotta quit the streets, 966 00:42:20,171 --> 00:42:22,211 never go back to the Park of the West. 967 00:42:22,231 --> 00:42:25,021 No going back to the Park of the West? 968 00:42:25,040 --> 00:42:26,100 That park is where all of my friends are, 969 00:42:26,120 --> 00:42:29,160 all of my family. That's my place. 970 00:42:29,180 --> 00:42:31,171 No, you're wrong, and the sooner you realize that, 971 00:42:31,191 --> 00:42:32,051 the sooner you'll grow. 972 00:42:32,071 --> 00:42:33,251 [scoffs] 973 00:42:34,031 --> 00:42:36,091 Are you gonna pay me as much money 974 00:42:36,111 --> 00:42:38,171 as I make working in that park? Are you? 975 00:42:38,191 --> 00:42:40,191 - Excuse me? - You heard me, my love. 976 00:42:40,211 --> 00:42:43,180 Unless you and the show pay me what I earn there, 977 00:42:43,200 --> 00:42:46,180 my pussy will not leave the streets. 978 00:42:48,111 --> 00:42:48,200 But, Cristina, that's not fair at all. 979 00:42:51,191 --> 00:42:52,180 It is what it is, Pepe. 980 00:42:54,060 --> 00:42:56,021 Okay. 981 00:42:57,160 --> 00:43:00,191 [sighs] As you wish. 982 00:43:02,031 --> 00:43:03,120 Out of my office. 983 00:43:03,140 --> 00:43:03,180 [sighs] 984 00:43:06,100 --> 00:43:07,200 All right, out it is, then. 985 00:43:37,120 --> 00:43:39,171 PEPE: She seems unstoppable. 986 00:43:39,191 --> 00:43:43,100 She hires gunmen, and she's more and more sophisticate, 987 00:43:43,120 --> 00:43:44,191 but where does she train herself? 988 00:43:44,211 --> 00:43:47,021 Where does she live? - [inhales] 989 00:43:47,040 --> 00:43:49,231 Mari. Cristina here. 990 00:43:49,251 --> 00:43:52,071 What's going on? Not a single call this week. 991 00:43:52,091 --> 00:43:53,251 MARI: Timing is looking really tight this week, Cristina. 992 00:43:54,031 --> 00:43:58,031 But you said the same thing last week and the week before. 993 00:43:58,051 --> 00:43:59,140 Well, we'll see if next week 994 00:43:59,160 --> 00:44:01,131 we can squeeze you in, all right? 995 00:44:01,151 --> 00:44:02,111 - [inhales] - Next week? 996 00:44:02,131 --> 00:44:05,031 Should I call again tomorrow? 997 00:44:05,051 --> 00:44:06,021 Listen. Don't worry. We'll give you a call, okay? 998 00:44:06,040 --> 00:44:09,160 Yeah, right. You'll call me, sure. 999 00:44:09,180 --> 00:44:10,251 I'll be waiting, Mari. 1000 00:44:12,131 --> 00:44:14,111 Stop calling them. Let them call you instead. 1001 00:44:14,131 --> 00:44:15,180 Manola, you stay out of it. 1002 00:44:15,200 --> 00:44:18,151 I'm quite worried and fed up right now, 1003 00:44:18,171 --> 00:44:20,100 so I don't need your comments. 1004 00:44:20,120 --> 00:44:23,140 ...for answers that might shed some light on the situation. 1005 00:44:23,160 --> 00:44:24,031 Let's see the report. 1006 00:44:24,051 --> 00:44:25,220 [snorting] 1007 00:44:28,080 --> 00:44:29,191 ...still on the scene collecting evidence... 1008 00:44:29,211 --> 00:44:31,240 I can't believe all you ever do is get high! 1009 00:44:32,021 --> 00:44:33,051 - Huh? - What the fuck 1010 00:44:33,071 --> 00:44:35,200 do you think my house is, an after-party? 1011 00:44:35,220 --> 00:44:37,100 - Shut up! - Respect my home! 1012 00:44:37,120 --> 00:44:39,040 - Stop it, you two. - CRISTINA: Did you hear me? 1013 00:44:39,060 --> 00:44:41,131 I don't want your lazy ass here getting high all day. 1014 00:44:41,151 --> 00:44:43,021 - Shut up! - You're just a fucking junkie, 1015 00:44:43,040 --> 00:44:44,021 and I can't stand you. 1016 00:44:44,040 --> 00:44:44,191 - A junkie? - Get out! 1017 00:44:44,211 --> 00:44:45,140 Cristina! Please stop. 1018 00:44:45,160 --> 00:44:48,220 A junkie? And you? Huh? 1019 00:44:48,240 --> 00:44:50,151 Nobody loves you. - [scoffs] 1020 00:44:50,171 --> 00:44:51,220 Not the television show. 1021 00:44:51,240 --> 00:44:53,040 Not even your mother. 1022 00:44:53,060 --> 00:44:54,160 Not even my mother? 1023 00:44:54,180 --> 00:44:56,160 Yeah, and who loves you? If it wasn't for me, 1024 00:44:56,180 --> 00:44:58,051 you'll be giving blow jobs at the Black & White. 1025 00:44:58,071 --> 00:44:59,200 You think you are the prettiest, right? Right? 1026 00:44:59,220 --> 00:45:00,211 Go get ass-fucked, you jerk! 1027 00:45:00,231 --> 00:45:02,160 Fuck you! - Please stop it. 1028 00:45:02,180 --> 00:45:03,200 - Puttana di merda. - All right, enough. 1029 00:45:03,220 --> 00:45:05,031 Just get out. - I'm going to hit you. 1030 00:45:05,051 --> 00:45:07,060 - What? You gonna hit me? - I will! Sì! 1031 00:45:07,080 --> 00:45:08,080 You gonna hit me? [gasps] 1032 00:45:08,100 --> 00:45:10,131 You're such a bastard! Get out of my house! 1033 00:45:10,151 --> 00:45:12,100 - You can't tell me! - Fuck off. Get out of here. 1034 00:45:12,120 --> 00:45:13,200 - What do you want? - Get out of here! 1035 00:45:13,220 --> 00:45:14,160 CRISTINA: Get the fuck out! 1036 00:45:14,180 --> 00:45:17,031 Fuck off, you son of a bitch! 1037 00:45:17,051 --> 00:45:17,180 MANOLA: Go! 1038 00:45:17,200 --> 00:45:19,220 [objects clatter] 1039 00:45:19,240 --> 00:45:21,140 Puttana! 1040 00:45:21,160 --> 00:45:23,080 Cristina, please calm down, sweetheart. 1041 00:45:23,100 --> 00:45:25,171 Relax. Calm down, 1042 00:45:25,191 --> 00:45:27,151 Put something on, and let's go to West Park. 1043 00:45:27,171 --> 00:45:29,051 Come on. Let's go, Cristina. Come on. Let's go. 1044 00:45:29,071 --> 00:45:30,091 I'm not going to the park, Manola. 1045 00:45:30,111 --> 00:45:33,111 Why not? Well, then, please have a drink, 1046 00:45:33,131 --> 00:45:35,091 and lay down, relax, and we'll see you tomorrow. 1047 00:45:35,111 --> 00:45:37,071 You don't get it, do you? 1048 00:45:37,091 --> 00:45:40,251 That park is for you two, just a pair of prostitutes. 1049 00:45:41,031 --> 00:45:42,171 You're crossing the line. Please stop. 1050 00:45:42,191 --> 00:45:44,080 What line am I crossing? 1051 00:45:44,100 --> 00:45:45,160 This is my house. 1052 00:45:45,180 --> 00:45:47,171 Haven't you noticed where you all are standing? 1053 00:45:47,191 --> 00:45:48,131 What the hell are you? 1054 00:45:48,151 --> 00:45:51,021 - What am I? - Huh? A star? 1055 00:45:51,040 --> 00:45:51,180 A star. That's right. 1056 00:45:51,200 --> 00:45:53,220 Yeah, I have it all. 1057 00:45:53,240 --> 00:45:55,040 And I have my house, my boyfriend, lots of cash. 1058 00:45:55,060 --> 00:45:57,180 Boyfriend? The one that just stormed out? 1059 00:45:57,200 --> 00:45:59,021 At least I have a boyfriend, my dear. 1060 00:45:59,040 --> 00:46:03,051 - Is that a boyfriend? - But you, what do you have? 1061 00:46:03,071 --> 00:46:04,120 Years piling up, 1062 00:46:04,140 --> 00:46:06,080 and a disease that's devouring you from the inside. 1063 00:46:06,100 --> 00:46:10,091 - Cristina. - My God, Cristina. 1064 00:46:10,111 --> 00:46:12,031 Fuck off now. 1065 00:46:12,051 --> 00:46:14,171 [sighs] I'm leaving, Paca. 1066 00:46:14,191 --> 00:46:15,191 What are you doing, Cristina? For God's sake. 1067 00:46:15,211 --> 00:46:18,031 - Back off now. - Jesus, Cristina. 1068 00:46:18,051 --> 00:46:19,131 - Back off, Paca. - Have you no pity 1069 00:46:19,151 --> 00:46:20,160 or sense of shame? 1070 00:46:20,180 --> 00:46:21,220 After everything she's done for you? 1071 00:46:21,240 --> 00:46:24,240 - Go with her. - Let's go, Paca. 1072 00:46:25,021 --> 00:46:26,071 Just go. Leave with Manola. 1073 00:46:27,080 --> 00:46:28,180 Get out! 1074 00:46:28,200 --> 00:46:31,120 Paca, let's go. Leave the star alone. 1075 00:46:31,140 --> 00:46:32,140 Prostitutes don't belong here. 1076 00:46:32,160 --> 00:46:35,021 Enjoy yourself, big star. 1077 00:46:37,140 --> 00:46:37,220 Come on, Paca. 1078 00:46:40,021 --> 00:46:41,021 PEPE: Hi, Loli. Welcome. 1079 00:46:41,040 --> 00:46:43,031 So Loli is your name, right? 1080 00:46:43,051 --> 00:46:44,111 Yes, that's right. 1081 00:46:44,131 --> 00:46:47,040 Eh, I've heard you are some sort of goddess 1082 00:46:47,060 --> 00:46:50,171 of the night in Madrid, is that true? 1083 00:46:50,191 --> 00:46:51,231 Well, yeah. To be perfectly honest, 1084 00:46:51,251 --> 00:46:54,040 professionally I'm very good at my job. 1085 00:46:54,060 --> 00:46:57,060 By job and professionally, what do you mean? 1086 00:46:57,080 --> 00:46:58,151 Exactly what is it that-- 1087 00:46:58,171 --> 00:47:01,171 Well, prostitution of course, my dear. 1088 00:47:01,191 --> 00:47:04,171 Prostitution, yeah, and how do you hook the clients? 1089 00:47:04,191 --> 00:47:05,191 What do you do? 1090 00:47:05,211 --> 00:47:07,151 Well, I like to be playful, 1091 00:47:07,171 --> 00:47:08,200 my hair, the killer eyes, my hips. 1092 00:47:08,220 --> 00:47:11,040 I like to be seen to be admired. 1093 00:47:11,060 --> 00:47:14,240 One of the things I love is to feel wanted. 1094 00:48:05,031 --> 00:48:06,251 [squealing] 1095 00:48:09,091 --> 00:48:12,060 [gasping] 1096 00:48:37,251 --> 00:48:38,251 Tell me I'm the most beautiful. 1097 00:48:39,031 --> 00:48:42,100 You are the most beautiful. You are. 1098 00:48:42,120 --> 00:48:43,060 [panting] 1099 00:48:43,080 --> 00:48:44,021 Say it to me, you dog. 1100 00:48:44,040 --> 00:48:47,040 You're the most beautiful. 1101 00:48:50,200 --> 00:48:53,220 Ah, do you like my dress? 1102 00:48:53,240 --> 00:48:57,140 - Yes. - Oh, you like my tits, huh? 1103 00:48:57,160 --> 00:48:59,251 Oh, Veneno's tits! - Yes. 1104 00:49:00,031 --> 00:49:01,180 - [panting] - Yes. 1105 00:49:01,200 --> 00:49:04,120 Tell me I'm beautiful. 1106 00:49:04,140 --> 00:49:06,171 - You're the most beautiful. - I'm a goddess. 1107 00:49:06,191 --> 00:49:07,160 Say it. - You're a goddess. 1108 00:49:07,180 --> 00:49:09,140 Don't I look like Brigitte Bardot? 1109 00:49:09,160 --> 00:49:11,180 I'm Raquel Welch. - Yes. 1110 00:49:11,200 --> 00:49:13,080 - Who am I? - La Veneno. 1111 00:49:13,100 --> 00:49:16,220 - I'm La Veneno. Say it. - La Veneno. La Veneno. 1112 00:49:16,240 --> 00:49:17,200 - Say it! - La Ven-- La Veneno. 1113 00:49:17,220 --> 00:49:20,080 I'm a goddess. Say my name. 1114 00:49:20,100 --> 00:49:23,051 La Veneno. [groaning] 1115 00:49:29,021 --> 00:49:31,251 [gasping] 1116 00:49:38,180 --> 00:49:42,071 CRISTINA: Pepe... 1117 00:49:42,091 --> 00:49:43,111 I'll do as you say. 1118 00:49:43,131 --> 00:49:45,071 I won't go back to West Park, 1119 00:49:45,091 --> 00:49:49,131 but I'm gonna need one thing from you. 1120 00:49:49,151 --> 00:49:50,131 [goat bleating] 1121 00:49:50,151 --> 00:49:52,071 Bring my mother. 1122 00:49:52,091 --> 00:49:54,140 I need to see her. 1123 00:50:13,100 --> 00:50:17,040 PEPE: But tell us, why are you so scared of-- 1124 00:50:17,060 --> 00:50:19,111 How I would be scared of the truth? 1125 00:50:19,131 --> 00:50:21,111 I am not scared of the truth. 1126 00:50:21,131 --> 00:50:23,180 In fact, we-- we have a lot of documents. 1127 00:50:23,200 --> 00:50:25,040 - Mama. - I have a video 1128 00:50:25,060 --> 00:50:27,200 that can corroborate it, plain and simple. 1129 00:50:27,220 --> 00:50:29,220 Wait, wait, wait, wait, wait. Stop, stop, stop. 1130 00:50:29,240 --> 00:50:31,200 Look at me. 1131 00:50:31,220 --> 00:50:34,080 - ...you have a video? - Yes, of course I do. 1132 00:50:34,100 --> 00:50:35,180 - You do? - Mm-hmm. 1133 00:50:35,200 --> 00:50:38,100 But how did you get it all of a sudden? 1134 00:50:38,120 --> 00:50:39,171 What? 1135 00:50:39,191 --> 00:50:41,200 I can't tell you who my source is. 1136 00:50:41,220 --> 00:50:45,091 If you didn't wanna see me... 1137 00:50:45,111 --> 00:50:46,060 then why'd you come to the show? 1138 00:50:46,080 --> 00:50:49,231 [scoffs] 1139 00:50:49,251 --> 00:50:51,071 Honestly... 1140 00:50:51,091 --> 00:50:54,120 I enjoy having nice things and living the good life. 1141 00:50:57,021 --> 00:51:00,080 I love the chance to be on television, Joselito. 1142 00:51:03,191 --> 00:51:05,071 Wait. Do you-- do you think 1143 00:51:05,091 --> 00:51:07,220 that your childhood was more difficult than mine? 1144 00:51:07,240 --> 00:51:12,131 Oh, poor thing. 1145 00:51:12,151 --> 00:51:14,091 They called you faggot in Adra. 1146 00:51:15,200 --> 00:51:17,040 What do you know about my childhood? 1147 00:51:19,231 --> 00:51:22,171 You don't know about my father, 1148 00:51:22,191 --> 00:51:25,021 all those nights coming back drunk 1149 00:51:25,040 --> 00:51:27,111 and then beating all of us. Huh? 1150 00:51:30,091 --> 00:51:31,071 Nah. 1151 00:51:32,071 --> 00:51:35,051 No, Joselito. 1152 00:51:35,071 --> 00:51:35,211 You are not special. 1153 00:51:39,211 --> 00:51:42,191 I might not be special to you. 1154 00:51:44,240 --> 00:51:48,171 But everyone else loves me. 1155 00:51:50,040 --> 00:51:51,051 Why don't you love me? 1156 00:51:53,071 --> 00:51:55,120 I used to love Joselito. 1157 00:51:56,180 --> 00:51:58,140 You... 1158 00:52:00,111 --> 00:52:03,100 I don't know who you are. 1159 00:52:03,120 --> 00:52:06,031 [knocks] Cristina, you gotta get ready. 1160 00:52:07,100 --> 00:52:08,060 Come on, my love. 1161 00:52:10,211 --> 00:52:14,080 [music playing] 1162 00:52:14,171 --> 00:52:16,100 Let's go. 1163 00:52:22,051 --> 00:52:23,151 PEPE: Ladies and gentleman, here comes 1164 00:52:23,171 --> 00:52:28,100 the most twinkling TV star, Cristina La Veneno! 1165 00:52:43,251 --> 00:52:46,071 Uh, María José, tell us, 1166 00:52:46,091 --> 00:52:48,120 uh, do you feel proud of your daughter? 1167 00:52:48,140 --> 00:52:51,220 I mean your son, your daughter. 1168 00:52:51,240 --> 00:52:54,021 I'm not sure which word you'd like to use. 1169 00:52:58,140 --> 00:52:59,021 I'd say my... 1170 00:52:59,040 --> 00:52:59,171 Say, "your son." 1171 00:52:59,191 --> 00:53:03,040 Don't choke on it. 1172 00:53:03,060 --> 00:53:03,251 Say, "your son." 1173 00:53:04,031 --> 00:53:05,140 My dad calls me "daughter." 1174 00:53:05,160 --> 00:53:06,100 You call me "son." 1175 00:53:06,120 --> 00:53:07,140 I'm right in front of you, 1176 00:53:07,160 --> 00:53:09,151 and still the world could up and end, 1177 00:53:09,171 --> 00:53:11,171 and you'd still call me your son, Joselito. 1178 00:53:11,191 --> 00:53:13,151 You have to at least give me that... 1179 00:53:13,171 --> 00:53:16,120 I've spent many years calling you my son. 1180 00:53:16,140 --> 00:53:18,171 Sure, I was born with a flute, but now I've got a harmonica. 1181 00:53:18,191 --> 00:53:20,251 [audience laughs] 1182 00:53:21,031 --> 00:53:22,131 [applause] 1183 00:53:24,071 --> 00:53:26,120 Who's sitting in front of you, a guy? 1184 00:53:26,140 --> 00:53:27,220 - No. - Who is sitting here? 1185 00:53:27,240 --> 00:53:29,060 No, no, no, I know you had a procedure 1186 00:53:29,080 --> 00:53:32,021 and turned into a woman. Well, that's it. 1187 00:53:32,040 --> 00:53:33,240 Exactly. I'm a woman. Haven't you seen my rack? 1188 00:53:34,021 --> 00:53:34,240 I just don't get it. 1189 00:53:35,021 --> 00:53:36,071 PEPE: By rack, you mean your breasts? 1190 00:53:36,091 --> 00:53:38,251 I mean, I hide my pussy in my crack! 1191 00:53:39,031 --> 00:53:40,160 [laughter] 1192 00:53:41,200 --> 00:53:44,031 María José, you haven't answered. 1193 00:53:44,051 --> 00:53:47,091 Do you feel proud of your son? 1194 00:53:47,111 --> 00:53:49,160 Please... 1195 00:53:49,180 --> 00:53:50,091 how could I feel proud of this, huh? 1196 00:53:50,111 --> 00:53:54,080 Don't you think your son 1197 00:53:54,100 --> 00:53:56,040 has had his share of pain to make it here? 1198 00:53:56,060 --> 00:54:00,111 Well, yeah, just like I have. 1199 00:54:00,131 --> 00:54:02,171 Both of us have had our share of pain, us both-- 1200 00:54:02,191 --> 00:54:04,251 I'm the only one who has suffered. 1201 00:54:05,031 --> 00:54:06,220 Can't you remember the beatings you gave me for being a faggot? 1202 00:54:06,240 --> 00:54:08,211 Excuse me? 1203 00:54:08,231 --> 00:54:11,120 My mother almost beat me to death. 1204 00:54:11,140 --> 00:54:13,040 Have you forgotten about that, too? 1205 00:54:13,060 --> 00:54:15,051 PEPE: Uh... 1206 00:54:15,071 --> 00:54:16,211 María José, huh? 1207 00:54:16,231 --> 00:54:21,021 Okay. I'm gonna tell you one thing here. 1208 00:54:21,040 --> 00:54:24,100 There are many like him, tons of them. 1209 00:54:24,120 --> 00:54:28,100 Some are shameless, and others are more discreet. 1210 00:54:28,120 --> 00:54:30,131 They're gays dressed as men, okay? 1211 00:54:30,151 --> 00:54:35,031 And there are gays that, even though that's the case, 1212 00:54:35,051 --> 00:54:38,111 are more sensible with the people around them. 1213 00:54:38,131 --> 00:54:39,060 And what would you like me to be? 1214 00:54:39,080 --> 00:54:42,091 One of those manlike gays 1215 00:54:42,111 --> 00:54:44,160 who have a wifey at home, but then at nighttime, 1216 00:54:44,180 --> 00:54:47,071 they go out with the other guys to get ass-fucked? 1217 00:54:47,091 --> 00:54:48,180 - No, no, no. - Want me to be one of those? 1218 00:54:48,200 --> 00:54:51,180 - I don't want that. - Like the one we both know 1219 00:54:51,200 --> 00:54:53,080 you don't want me to talk about? 1220 00:54:53,100 --> 00:54:58,140 I'd better shut up, be quiet, 1221 00:54:58,160 --> 00:55:00,191 because if I turned out this way, 1222 00:55:00,211 --> 00:55:03,060 it's because genes have played a role, Mom. 1223 00:55:03,080 --> 00:55:04,231 Well, that is how genetics work, right? 1224 00:55:04,251 --> 00:55:08,060 Oh, no, it wasn't my father's family. 1225 00:55:08,080 --> 00:55:11,051 It's in your family's genes. You hear me? 1226 00:55:11,071 --> 00:55:12,120 PEPE: Okay, okay. Drop it, Cristina. 1227 00:55:12,140 --> 00:55:14,151 Let's not-- not get into that today. 1228 00:55:14,171 --> 00:55:17,200 Uh, María José, what happened in the village? 1229 00:55:17,220 --> 00:55:20,051 Well, nothing. 1230 00:55:20,071 --> 00:55:22,111 To be honest, I mean, back home, 1231 00:55:22,131 --> 00:55:26,160 yeah, there were some people that did turn against him, 1232 00:55:26,180 --> 00:55:27,220 but I guess it's normal. 1233 00:55:27,240 --> 00:55:30,140 And who are those people? Tell me, huh? 1234 00:55:30,160 --> 00:55:33,091 All their children are either drug addicts 1235 00:55:33,111 --> 00:55:34,191 or even homeless and living on the street. 1236 00:55:34,211 --> 00:55:37,231 They had better bite right down on their own tongues, 1237 00:55:37,251 --> 00:55:39,040 because I had no idea 1238 00:55:39,060 --> 00:55:42,100 how to even smoke a joint or drink a whiskey. 1239 00:55:42,120 --> 00:55:43,091 - Are you listening? - But I maybe-- 1240 00:55:43,111 --> 00:55:46,031 All I want is a nice outfit. 1241 00:55:46,051 --> 00:55:47,120 - But I've never had any drugs. - But you-- 1242 00:55:47,140 --> 00:55:51,080 So the gossip spreaders should learn what honesty tastes like 1243 00:55:51,100 --> 00:55:52,080 and take all those words back, 1244 00:55:52,100 --> 00:55:54,240 because gossip rots on the tongue. 1245 00:55:55,021 --> 00:55:56,131 - But-- - Both gossip 1246 00:55:56,151 --> 00:55:57,060 and emotional blackmail. 1247 00:55:57,080 --> 00:55:58,031 What are you implying? 1248 00:55:58,051 --> 00:56:00,120 What are you even trying to say? 1249 00:56:00,140 --> 00:56:01,140 I can say whatever I want to. 1250 00:56:01,160 --> 00:56:03,071 No, you can't say that, Joselito. 1251 00:56:03,091 --> 00:56:03,251 - I say whatever I want. - You must stop. 1252 00:56:04,031 --> 00:56:05,071 There's no Joselito here. 1253 00:56:05,091 --> 00:56:09,060 Cristina Ortíz Rodríguez. Remember that, Mom. 1254 00:56:09,080 --> 00:56:11,131 [audience cheering] 1255 00:56:17,021 --> 00:56:19,051 What you mean is that you have always 1256 00:56:19,071 --> 00:56:22,040 been someone truthful to yourself 1257 00:56:22,060 --> 00:56:23,171 and that you have followed the path you chose. 1258 00:56:23,191 --> 00:56:28,040 I can say out loud this girl is transgender, oh, yes, sir. 1259 00:56:28,060 --> 00:56:29,051 I have no reason to deny it. 1260 00:56:29,071 --> 00:56:32,021 Do you understand? 1261 00:56:32,040 --> 00:56:33,240 But back in that small town, 1262 00:56:34,021 --> 00:56:35,060 I had to apologize for doing this 1263 00:56:35,080 --> 00:56:37,200 or doing some other shit. 1264 00:56:37,220 --> 00:56:40,021 My mother says they were jealous of me for being handsome. 1265 00:56:40,040 --> 00:56:41,211 Well, it wasn't because I was handsome. 1266 00:56:41,231 --> 00:56:44,051 I was gay, and they hated me for it, 1267 00:56:44,071 --> 00:56:46,031 and they couldn't even look at me. 1268 00:56:46,051 --> 00:56:47,071 Do you understand now? 1269 00:56:47,091 --> 00:56:49,100 Mother, do you see now? Now you know. 1270 00:56:55,231 --> 00:56:58,111 [applause] 1271 00:57:04,140 --> 00:57:08,171 Ladies and gents, Cristina La Veneno. 1272 00:57:08,191 --> 00:57:10,231 [cheers echoing] 1273 00:57:15,240 --> 00:57:17,180 [panting] 1274 00:57:17,200 --> 00:57:20,131 [sobbing] 1275 00:57:22,021 --> 00:57:24,021 Are you okay? 1276 00:57:24,040 --> 00:57:26,180 Cristi. Cristi. 1277 00:57:26,200 --> 00:57:28,021 Take the dress off! 1278 00:57:28,040 --> 00:57:30,220 [sobs] 1279 00:57:32,180 --> 00:57:34,180 Take this off of me! 1280 00:57:34,200 --> 00:57:35,220 [sobbing] 1281 00:57:35,240 --> 00:57:36,040 Hey. 1282 00:57:39,200 --> 00:57:40,131 Shh. Shh. 1283 00:57:41,200 --> 00:57:45,191 Shh. 1284 00:57:45,211 --> 00:57:46,191 Easy. 1285 00:57:46,211 --> 00:57:47,120 I'm here for you. 1286 00:57:47,140 --> 00:57:49,160 It's gonna be okay. 1287 00:57:49,180 --> 00:57:52,021 I'll be here for you forever. 1288 00:57:57,031 --> 00:57:59,040 [set chatter] 1289 00:58:06,240 --> 00:58:07,131 [tools whirring] 1290 00:58:12,111 --> 00:58:13,160 Hey, the mug is mine. 1291 00:58:15,100 --> 00:58:16,151 Thanks. 1292 00:58:18,131 --> 00:58:20,211 Pepe, what's happening? 1293 00:58:25,111 --> 00:58:26,051 It's over. 1294 00:58:26,071 --> 00:58:28,240 What's over? What do you mean? 1295 00:58:29,021 --> 00:58:31,031 Everything. We're getting fired. 1296 00:58:31,051 --> 00:58:32,040 Wait. What? 1297 00:58:32,060 --> 00:58:35,021 That's right. 1298 00:58:35,151 --> 00:58:39,080 But now what? 1299 00:58:39,100 --> 00:58:41,080 Nothing. 1300 00:58:41,100 --> 00:58:42,140 There's nothing left for us here. 1301 00:58:42,160 --> 00:58:45,180 Leave. - Excuse me, Mr. Navarro. 1302 00:58:45,200 --> 00:58:47,231 I've been told that I have to ask you to leave the TV set. 1303 00:58:47,251 --> 00:58:49,021 Please. 1304 00:58:55,021 --> 00:58:55,120 Cristina... 1305 00:58:59,040 --> 00:58:59,060 best of luck. 1306 00:59:18,151 --> 00:59:19,140 Cristina. 1307 00:59:19,160 --> 00:59:21,131 What are you still doing here? 1308 00:59:21,151 --> 00:59:24,031 Do you need a lift somewhere? 1309 00:59:24,051 --> 00:59:25,220 Where are you going? 1310 00:59:30,040 --> 00:59:30,060 I don't know. 1311 00:59:33,191 --> 00:59:33,200 Machús. 1312 00:59:35,191 --> 00:59:36,091 You coming? 1313 00:59:36,111 --> 00:59:38,220 Yeah, just a sec. 1314 00:59:44,171 --> 00:59:45,131 I'm so sorry, Cristina. 1315 00:59:48,060 --> 00:59:49,231 [sighs] 1316 00:59:55,111 --> 00:59:57,151 That's heavy, right, Cristina? 1317 00:59:57,171 --> 00:59:59,031 [sighs] See you later. 1318 01:00:01,200 --> 01:00:03,111 [door opens] 1319 01:00:03,131 --> 01:00:04,051 [bleats] 1320 01:00:04,071 --> 01:00:05,091 [door closes] 1321 01:00:05,111 --> 01:00:07,080 [slow electric guitar playing] 1322 01:00:14,021 --> 01:00:20,040 ♪ Nunca debiste cruzar el Mississippi ♪ 1323 01:00:21,111 --> 01:00:23,191 [light pops] 1324 01:00:23,211 --> 01:00:30,040 ♪ Era mucho más salvaje que tú ♪ 1325 01:00:33,160 --> 01:00:39,171 ♪ Nunca la venganza te curó los años difíciles ♪ 1326 01:00:43,091 --> 01:00:49,100 ♪ Es más caprichosa que tú 1327 01:00:51,211 --> 01:00:55,071 ♪ Bajo el aguacero, curtida en el oeste ♪ 1328 01:00:55,091 --> 01:01:01,071 ♪ Que no te hablen de gloria, brillantina y presente ♪ 1329 01:01:01,091 --> 01:01:05,191 ♪ De eso sabes tú, limusina y puchero ♪ 1330 01:01:05,211 --> 01:01:09,091 ♪ De reírte en el suelo 1331 01:01:09,111 --> 01:01:12,251 ♪ Joselito, Cristina Veneno 1332 01:01:21,140 --> 01:01:25,200 ♪ Televisión, realidad 1333 01:01:25,220 --> 01:01:27,220 ♪ ¿A quién le importa? ♪ 1334 01:01:31,111 --> 01:01:37,080 ♪ Un minutito de gloria y vanidad ♪ 1335 01:01:41,021 --> 01:01:45,220 ♪ Solo destellos de luz y chispazos de euforia ♪ 1336 01:01:50,140 --> 01:01:53,220 ♪ Llámalo destino 1337 01:01:53,240 --> 01:01:54,200 ♪ Llámalo casualidad 1338 01:01:57,191 --> 01:01:59,051 [Marcela bleats] 1339 01:01:59,071 --> 01:02:03,111 ♪ Bajo el aguacero, curtida en el oeste ♪ 1340 01:02:03,131 --> 01:02:08,131 ♪ Que no te hablen de gloria, brillantina y presente ♪ 1341 01:02:08,151 --> 01:02:13,051 ♪ De eso sabes tú, limusina y puchero ♪ 1342 01:02:13,071 --> 01:02:16,140 ♪ De reírte en el suelo 1343 01:02:16,160 --> 01:02:19,171 ♪ Joselito, Cristina Veneno 1344 01:02:21,111 --> 01:02:24,100 [vocalizing] 1345 01:02:50,140 --> 01:02:51,171 [vocalizing ends] 1346 01:03:06,021 --> 01:03:06,231 [music ends] 88304