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♪♪♪
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Announcer: Ladies and gentlemen,
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Tony winner for Best Musical,
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"Jersey Boys."
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♪ Who loves you, pretty baby ♪
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♪ Who's gonna help you
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through the night? ♪
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♪ Who loves you, pretty mama ♪
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♪ Who's always there
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to make it right? ♪
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♪ Who loves you, pretty baby ♪
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♪ Who's gonna help you
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through the night? ♪
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♪ Who loves you, pretty mama ♪
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♪ Who's always there
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to make it right? ♪
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♪ Who loves you ♪
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♪ Who loves you, pretty baby? ♪
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♪ Who's gonna love you, mama? ♪
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♪ Who loves you ♪
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♪ Who loves you, pretty baby? ♪
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♪♪♪
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♪ When tears are in your eyes,
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and you can't find the way ♪
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♪ It's hard to make believe
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you're happy when you're gray ♪
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♪ Baby, when you're
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feelin' like ♪
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♪ You'll never see
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the morning light ♪
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♪ Come to me ♪
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♪ Baby, you'll see ♪
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♪ Who loves you, pretty baby ♪
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♪ Who's gonna help you
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through the night? ♪
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♪ Who loves you, pretty mama ♪
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♪ Who's always there
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to make it ♪
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♪ Who loves you ♪
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♪ Who loves you, pretty baby? ♪
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♪ Who's gonna
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love you, love you ♪
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♪ Who's gonna love you, mama? ♪
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♪ Who loves you ♪
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♪ Who loves you, pretty baby? ♪
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♪ Who's gonna
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love you, love you ♪
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[ All vocalizing ]
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♪♪♪
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♪♪♪
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♪ Oh, what a night ♪
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♪ Late December
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back in '63 ♪
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♪ What a very special
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time for me ♪
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♪ 'Cause I remember
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what a night ♪
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♪♪♪
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♪ Oh, what a night ♪
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♪ You know, I didn't even
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know her name ♪
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♪ But I was never gonna
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be the same ♪
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♪ What a lady,
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what a night ♪
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♪♪♪
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♪ Oh, I ♪
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♪ I got a funny feeling
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when she walked in the room
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♪ Yeah, and I ♪
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♪ As I recall,
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it ended much too soon ♪
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♪ Oh, what a night ♪
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♪ Why'd it take so long
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to see the light? ♪
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♪ Seemed so wrong,
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but now it seems so right ♪
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♪ Sweet surrender,
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what a night ♪
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♪ I felt a rush
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like a rolling bolt of thunder ♪
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♪ Spinnin' my head around
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and taking my body under ♪
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♪ What a night ♪
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♪ Do, do, do, do, do,
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do, do, do, do, do, do ♪
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♪ Oh, what a night ♪
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♪ Do, do, do, do, do,
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do, do, do, do, do, do ♪
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♪ Oh, what a night ♪
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♪ Do, do, do, do, do,
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do, do, do, do, do, do ♪
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♪ Oh, what a night ♪
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♪ Do, do, do, do, do,
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do, do, do, do, do, do ♪
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♪ Oh, what a night ♪
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♪♪♪
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Announcer: From the heart
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of New York City's
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Theater District,
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it's "One Night Only:
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The Best of Broadway,"
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with the casts
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of "A Chorus Line,"
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"Ain't Too Proud: The Life
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and Times of The Temptations,"
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"Chicago,"
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"Diana: A New Musical,"
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"Harry Potter
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and the Cursed Child,"
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"Jagged Little Pill,"
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"Jersey Boys,"
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"Mean Girls,"
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and a classic from "Rent."
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Performances by international
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superstar Antonio Banderas,
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pop great Kelly Clarkson,
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country recording artist
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Brett Eldredge,
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R&B icon Patti LaBelle,
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and the legendary
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Barbra Streisand.
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Appearances
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by Annaleigh Ashford,
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Lance Bass, Kristen Bell,
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Jesse Tyler Ferguson,
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Sutton Foster, Peter Gallagher,
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Josh Groban, Jake Gyllenhaal,
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Sean Hayes, Ron Cephas Jones,
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Nathan Lane, Brittney Mack,
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Camryn Manheim,
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Alanis Morissette, Rob McClure,
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Leslie Odom Jr, Jerry O'Connell,
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Mary-Louise Parker,
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Billy Porter, John Stamos,
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Aaron Tveit, Blair Underwood,
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Susan Kelechi Watson,
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and Vanessa Williams.
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And now our host Tina Fey.
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Tonight is a one-night-only
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salute to an art form
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that has been a driving force
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in American life
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for over a century --
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the Broadway show.
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Over 14 million people came here
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to see live performances
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in the Theater District
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during the last Broadway season.
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But as we all know,
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for health and safety reasons,
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last March 12th,
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the doors of these
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lovely theaters were shuttered.
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The impact on Broadway
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has been devastating --
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thousands of theater jobs lost,
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and each week
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Broadway is closed,
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it loses tens of millions
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in ticket sales.
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But one day soon, Broadway will
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be back and better than ever.
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But until that time,
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theater professionals
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are turning to Broadway Cares
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to stay afloat.
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Throughout the night, we'll be
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sharing more of their work
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and how you can join in
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and support this great cause.
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Thank you, Tina. And by the way,
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I loved you in "The Crown."
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As you may or may not know,
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I made my Broadway debut in 1982
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at the Circle
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in the Square Theatre
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in a revival of Noel Coward's
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"Present Laughter"
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starring and directed by the
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late, great George C. Scott.
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I've appeared in
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23 Broadway shows since then
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and at least as many
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off-Broadway,
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so my connection
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to the New York theater
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and its people runs deep.
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One of the many reasons
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I love theater people
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is because you can always
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count on them to be there,
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which brings me to Broadway
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Cares/Equity Fights AIDS.
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It's the philanthropic heart
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of Broadway.
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When the theater community
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is hurting,
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we turn to Broadway Cares.
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They're the helping hand
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we reach for
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and the shoulder we lean on.
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I've been a part of Broadway
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Cares/Equity Fights AIDS
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for 25 years as a member
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of its Board of Trustees
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and as an actor holding
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one of these iconic red buckets
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asking for donations
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as folks leave the theater.
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Today, though,
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those theaters are closed.
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That has left friends
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and colleagues out of work,
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no paycheck since March.
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But thanks
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to this incredible evening,
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you can be in the spotlight.
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You can be the star that helps
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an actor or stage manager
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get groceries next week
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or an usher or musician
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see a doctor next month.
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Help make someone's tomorrow
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brighter than their today.
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Go to broadwaycares.org/help2020
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and donate whatever you can.
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Thank you.
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Announcer: Ladies and gentlemen,
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"Ain't Too Proud: The Life
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and Times of The Temptations."
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♪♪♪
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♪ You've got a smile so bright ♪
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♪ You know
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you could have been a candle ♪
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♪ I'm holding you so tight ♪
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♪ You know
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you could have been a handle ♪
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♪ The way you swept me
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off my feet ♪
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♪ You know
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you could have been a broom ♪
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♪ The way you smell so sweet ♪
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♪ You know you could have been
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some perfume ♪
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♪ Well, you could have been
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anything that you wanted to ♪
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♪ And I can tell ♪
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♪ The way you do
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the things you do ♪
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♪ The way you do
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the things you do ♪
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♪ Oh, yeah ♪
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♪ The way you do
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the things you do ♪
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♪ As pretty as you are ♪
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♪ You know
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you could have been a flower ♪
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♪ If good looks was a minute ♪
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♪ You know
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you could have been an hour ♪
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♪ Oh, the way
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you stole my heart ♪
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♪ You know you could have been
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a cool crook ♪
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♪ And, baby, you're so smart ♪
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♪ You know you should have been
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a schoolbook ♪
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♪ Well, you could have been
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anything that you wanted to ♪
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♪ And I can tell ♪
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♪ The way you do
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the things you do ♪
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♪ The way you do
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the things you do ♪
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♪♪♪
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♪♪♪
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♪ I know you wanna leave me ♪
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♪ But I refuse to let you go ♪
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♪ If I have to beg and plead
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for your sympathy ♪
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♪ I don't mind 'cause
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you mean that much to me ♪
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♪ Ain't too proud to beg ♪
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♪ And you know that ♪
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♪ Sweet darlin' ♪
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♪ Please don't leave me, girl ♪
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♪ Don't you go ♪
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♪ Ain't too proud
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to plead, baby, baby ♪
292
00:09:17,070 --> 00:09:21,080
♪ Please don't leave me, girl ♪
293
00:09:17,070 --> 00:09:21,080
♪ Don't you go ♪
294
00:09:21,080 --> 00:09:25,179
♪ Now I heard a cryin' man
295
00:09:21,080 --> 00:09:25,179
is half a man ♪
296
00:09:25,179 --> 00:09:28,139
♪ With no sense of pride ♪
297
00:09:28,139 --> 00:09:31,070
♪ But if I have to cry
298
00:09:28,139 --> 00:09:31,070
to keep you ♪
299
00:09:31,070 --> 00:09:36,000
♪ I don't mind weepin'
300
00:09:31,070 --> 00:09:36,000
if it keeps you by my side ♪
301
00:09:36,000 --> 00:09:39,220
♪ Ain't too proud to beg,
302
00:09:36,000 --> 00:09:39,220
sweet darlin' ♪
303
00:09:39,220 --> 00:09:43,139
♪ Please don't leave me, girl,
304
00:09:39,220 --> 00:09:43,139
don't you go ♪
305
00:09:43,139 --> 00:09:47,129
♪ Ain't too proud
306
00:09:43,139 --> 00:09:47,129
to plead, baby, baby ♪
307
00:09:47,129 --> 00:09:51,110
♪ Please don't leave me, girl ♪
308
00:09:47,129 --> 00:09:51,110
♪ Don't you go ♪
309
00:09:51,110 --> 00:09:55,240
♪ Now, I've got a love so deep
310
00:09:51,110 --> 00:09:55,240
in the pit of my heart ♪
311
00:09:55,240 --> 00:09:59,009
♪ And each day
312
00:09:55,240 --> 00:09:59,009
it grows more and more ♪
313
00:09:59,009 --> 00:10:03,139
♪ I'm not ashamed
314
00:09:59,009 --> 00:10:03,139
to come and plead to you, baby ♪
315
00:10:03,139 --> 00:10:07,049
♪ If pleadin' keeps you
316
00:10:03,139 --> 00:10:07,049
from walkin' out that door ♪
317
00:10:07,049 --> 00:10:09,279
♪ Ain't too proud to beg,
318
00:10:07,049 --> 00:10:09,279
sweet darlin' ♪
319
00:10:09,279 --> 00:10:13,269
♪ Please don't leave me, girl,
320
00:10:09,279 --> 00:10:13,269
don't you go ♪
321
00:10:13,269 --> 00:10:17,210
♪ Ain't too proud
322
00:10:13,269 --> 00:10:17,210
to plead, baby, baby ♪
323
00:10:17,210 --> 00:10:21,049
♪ Please don't leave me, girl ♪
324
00:10:17,210 --> 00:10:21,049
♪ Don't you go ♪
325
00:10:21,049 --> 00:10:28,100
♪♪♪
326
00:10:28,100 --> 00:10:30,129
Announcer:
327
00:10:28,100 --> 00:10:30,129
Pop superstar Kelly Clarkson,
328
00:10:30,129 --> 00:10:33,019
15-time Tony nominee,
329
00:10:30,129 --> 00:10:33,019
"Jagged Little Pill,"
330
00:10:33,019 --> 00:10:35,220
and a performance
331
00:10:33,019 --> 00:10:35,220
from the cast of "Mean Girls,"
332
00:10:35,220 --> 00:10:38,210
when "One Night Only:
333
00:10:35,220 --> 00:10:38,210
The Best of Broadway" returns.
334
00:10:38,210 --> 00:10:40,120
♪ On the nights on Broadway ♪
335
00:10:40,120 --> 00:10:41,200
♪ Blame it
336
00:10:40,120 --> 00:10:41,200
on the nights on Broadway ♪
337
00:10:41,200 --> 00:10:42,230
♪ Singin' them love ♪
338
00:10:46,070 --> 00:10:46,090
.
339
00:10:47,070 --> 00:10:51,110
♪♪♪
340
00:10:55,070 --> 00:10:57,019
Welcome back to
341
00:10:55,070 --> 00:10:57,019
"The Best of Broadway."
342
00:10:57,019 --> 00:10:58,279
Our next performer
343
00:10:57,019 --> 00:10:58,279
is the nicest,
344
00:10:58,279 --> 00:11:01,049
hardest-working person
345
00:10:58,279 --> 00:11:01,049
on television.
346
00:11:01,049 --> 00:11:02,279
She's on "The Voice,"
347
00:11:01,049 --> 00:11:02,279
has her own talk show,
348
00:11:02,279 --> 00:11:04,230
just hosted
349
00:11:02,279 --> 00:11:04,230
the "Billboard Music Awards,"
350
00:11:04,230 --> 00:11:07,070
and is one of the biggest stars
351
00:11:04,230 --> 00:11:07,070
in the world of music.
352
00:11:07,070 --> 00:11:09,240
Here is Kelly Clarkson.
353
00:11:09,240 --> 00:11:12,169
I have always loved the song
354
00:11:09,240 --> 00:11:12,169
"White Christmas."
355
00:11:12,169 --> 00:11:14,169
It was originally written
356
00:11:12,169 --> 00:11:14,169
by Irving Berlin
357
00:11:14,169 --> 00:11:17,070
for the 1942 film "Holiday Inn,"
358
00:11:17,070 --> 00:11:19,149
and it went on
359
00:11:17,070 --> 00:11:19,149
to win an Oscar that year.
360
00:11:19,149 --> 00:11:22,149
The film was later adapted for
361
00:11:19,149 --> 00:11:22,149
the bright lights of Broadway,
362
00:11:22,149 --> 00:11:23,230
and the song "White Christmas"
363
00:11:23,230 --> 00:11:27,190
is still one of the most
364
00:11:23,230 --> 00:11:27,190
beloved songs of all time.
365
00:11:27,190 --> 00:11:34,240
♪♪♪
366
00:11:34,240 --> 00:11:46,029
♪ I'm dreaming
367
00:11:34,240 --> 00:11:46,029
of a white Christmas ♪
368
00:11:46,029 --> 00:11:54,049
♪ Just like the ones
369
00:11:46,029 --> 00:11:54,049
I used to know ♪
370
00:11:54,049 --> 00:11:59,230
♪ Where the tree tops glisten ♪
371
00:11:59,230 --> 00:12:04,149
♪ And children listen ♪
372
00:12:04,149 --> 00:12:13,169
♪ To hear sleigh bells
373
00:12:04,149 --> 00:12:13,169
in the snow ♪
374
00:12:13,169 --> 00:12:24,169
♪ I'm dreaming
375
00:12:13,169 --> 00:12:24,169
of a white Christmas ♪
376
00:12:24,169 --> 00:12:32,169
♪ With every Christmas card
377
00:12:24,169 --> 00:12:32,169
I write ♪
378
00:12:32,169 --> 00:12:43,159
♪ May your days be merry
379
00:12:32,169 --> 00:12:43,159
and bright ♪
380
00:12:43,159 --> 00:12:53,169
♪ And may all your Christmases
381
00:12:43,159 --> 00:12:53,169
be white ♪
382
00:12:53,169 --> 00:13:02,080
♪♪♪
383
00:13:02,080 --> 00:13:10,279
♪♪♪
384
00:13:10,279 --> 00:13:24,070
♪ May your days be merry
385
00:13:10,279 --> 00:13:24,070
and bright ♪
386
00:13:25,179 --> 00:13:39,100
♪ And may all your Christmases
387
00:13:25,179 --> 00:13:39,100
be white ♪
388
00:13:39,100 --> 00:13:42,090
♪♪♪
389
00:13:42,090 --> 00:13:46,059
Whoo-whoo! Happy holidays!
390
00:13:46,059 --> 00:13:48,000
Happy holi-Broadway!
391
00:13:48,000 --> 00:13:51,029
Nope, doesn't work.
392
00:13:51,029 --> 00:13:53,190
Just hap-happy holidays,
393
00:13:51,029 --> 00:13:53,190
plus Broadway.
394
00:13:53,190 --> 00:13:55,120
So much goes on
395
00:13:53,190 --> 00:13:55,120
behind the scenes
396
00:13:55,120 --> 00:13:58,080
to get a Broadway show
397
00:13:55,120 --> 00:13:58,080
ready for a big premiere.
398
00:13:58,080 --> 00:13:59,279
You're in rehearsals
399
00:13:58,080 --> 00:13:59,279
for six weeks,
400
00:13:59,279 --> 00:14:01,259
two weeks of tech
401
00:13:59,279 --> 00:14:01,259
in the theater,
402
00:14:01,259 --> 00:14:04,240
four weeks of previews before
403
00:14:01,259 --> 00:14:04,240
you make it to opening night.
404
00:14:04,240 --> 00:14:07,070
There's the run-through,
405
00:14:04,240 --> 00:14:07,070
and you got to be off-book
406
00:14:07,070 --> 00:14:08,120
and have all your lines
407
00:14:07,070 --> 00:14:08,120
together.
408
00:14:08,120 --> 00:14:09,200
Then we're going to layer in
409
00:14:08,120 --> 00:14:09,200
the audience,
410
00:14:09,200 --> 00:14:10,279
and then the critics are coming.
411
00:14:10,279 --> 00:14:13,000
All of those steps
412
00:14:10,279 --> 00:14:13,000
leading up to opening night
413
00:14:13,000 --> 00:14:14,129
was a wonderful tightrope walk,
414
00:14:14,129 --> 00:14:17,080
and it's such
415
00:14:14,129 --> 00:14:17,080
an incredible community.
416
00:14:17,080 --> 00:14:19,200
We all keep each other
417
00:14:17,080 --> 00:14:19,200
from falling off the rope.
418
00:14:19,200 --> 00:14:22,000
♪♪♪
419
00:14:22,000 --> 00:14:23,259
There's nothing like
420
00:14:22,000 --> 00:14:23,259
an opening night on Broadway.
421
00:14:23,259 --> 00:14:25,230
We're at the opening
422
00:14:23,259 --> 00:14:25,230
of "Girl from the North Country"
423
00:14:25,230 --> 00:14:27,019
on Broadway.
424
00:14:27,019 --> 00:14:28,159
Ferguson: That's when
425
00:14:27,019 --> 00:14:28,159
all the famous people come.
426
00:14:28,159 --> 00:14:30,019
It's just -- It's really,
427
00:14:28,159 --> 00:14:30,019
really special.
428
00:14:30,019 --> 00:14:32,110
-[ Chanting ] Tina! Tina!
429
00:14:30,019 --> 00:14:32,110
-[ Chanting ] Tina! Tina!
430
00:14:32,110 --> 00:14:34,279
I could never be as happy
431
00:14:32,110 --> 00:14:34,279
as I am now.
432
00:14:34,279 --> 00:14:38,110
One of my cast mates, Tina Ou,
433
00:14:34,279 --> 00:14:38,110
she said, you know,
434
00:14:38,110 --> 00:14:41,169
"You only make
435
00:14:38,110 --> 00:14:41,169
your Broadway debut once.
436
00:14:41,169 --> 00:14:45,019
Remember this moment.
437
00:14:41,169 --> 00:14:45,019
Honor this moment."
438
00:14:45,019 --> 00:14:47,009
I was 24 years old,
439
00:14:47,009 --> 00:14:50,090
and I still have the earrings
440
00:14:47,009 --> 00:14:50,090
that I wore that night.
441
00:14:50,090 --> 00:14:54,039
I remember my parents being
442
00:14:50,090 --> 00:14:54,039
there and, yeah, it was magic.
443
00:14:54,039 --> 00:14:55,230
Opening night
444
00:14:54,039 --> 00:14:55,230
of "The Great Comet" was --
445
00:14:55,230 --> 00:14:57,230
It was just such a par--
446
00:14:55,230 --> 00:14:57,230
It was such a party.
447
00:14:57,230 --> 00:15:01,080
But we all knew that reviews
448
00:14:57,230 --> 00:15:01,080
were going to be coming in,
449
00:15:01,080 --> 00:15:02,190
which is such a cruel thing.
450
00:15:02,190 --> 00:15:04,029
To any reviewer watching,
451
00:15:02,190 --> 00:15:04,029
I love you.
452
00:15:04,029 --> 00:15:06,169
I respect what you do.
453
00:15:04,029 --> 00:15:06,169
You are so necessary.
454
00:15:06,169 --> 00:15:08,009
But do they have to come in
455
00:15:06,169 --> 00:15:08,009
at intermission?
456
00:15:08,009 --> 00:15:09,149
We're opening tonight!
457
00:15:09,149 --> 00:15:11,110
-Aah!
458
00:15:09,149 --> 00:15:11,110
-♪ Opening night ♪
459
00:15:11,110 --> 00:15:13,269
♪ Finally ♪
460
00:15:13,269 --> 00:15:17,120
I was really nervous
461
00:15:13,269 --> 00:15:17,120
my first Broadway opening night.
462
00:15:17,120 --> 00:15:21,080
You get a bad review,
463
00:15:17,120 --> 00:15:21,080
you open, and you close.
464
00:15:21,080 --> 00:15:24,059
There's no gentle hand-holding
465
00:15:21,080 --> 00:15:24,059
on Broadway.
466
00:15:24,059 --> 00:15:29,009
I remember before I stepped out
467
00:15:24,059 --> 00:15:29,009
there on opening night thinking,
468
00:15:29,009 --> 00:15:32,070
"My God. I'm on Broadway."
469
00:15:32,070 --> 00:15:36,169
I made my Broadway debut
470
00:15:32,070 --> 00:15:36,169
in the first revival of "Hair."
471
00:15:36,169 --> 00:15:37,279
I remember my mother
472
00:15:36,169 --> 00:15:37,279
was out there,
473
00:15:37,279 --> 00:15:39,129
and I was going to be naked!
474
00:15:39,129 --> 00:15:41,000
[ Laughs ]
475
00:15:41,000 --> 00:15:43,000
My dad, too!
476
00:15:43,000 --> 00:15:45,279
It was a dilemma
477
00:15:43,000 --> 00:15:45,279
I hadn't quite anticipated.
478
00:15:45,279 --> 00:15:48,220
The opening night jitters
479
00:15:45,279 --> 00:15:48,220
are no joke.
480
00:15:48,220 --> 00:15:51,179
When I was in "Tom Sawyer,"
481
00:15:48,220 --> 00:15:51,179
my first Broadway show,
482
00:15:51,179 --> 00:15:54,250
I remember, like, coming
483
00:15:51,179 --> 00:15:54,250
offstage after my first number,
484
00:15:54,250 --> 00:15:56,269
and I just was kind of
485
00:15:54,250 --> 00:15:56,269
having a panic attack,
486
00:15:56,269 --> 00:15:59,090
and I had to have the costumer
487
00:15:56,269 --> 00:15:59,090
rip off my corset
488
00:15:59,090 --> 00:16:00,220
so I could breathe.
489
00:16:00,220 --> 00:16:03,070
Ashford: I remember the first
490
00:16:00,220 --> 00:16:03,070
night of my Broadway debut,
491
00:16:03,070 --> 00:16:04,159
it was crazy.
492
00:16:04,159 --> 00:16:08,190
I cried, and I think I peed
493
00:16:04,159 --> 00:16:08,190
a little bit in my pants.
494
00:16:08,190 --> 00:16:10,049
It's like being shot
495
00:16:08,190 --> 00:16:10,049
out of a cannon,
496
00:16:10,049 --> 00:16:12,220
and it just keeps going
497
00:16:10,049 --> 00:16:12,220
and going and going.
498
00:16:12,220 --> 00:16:14,220
It's a runaway train,
499
00:16:12,220 --> 00:16:14,220
and you jump on it,
500
00:16:14,220 --> 00:16:18,059
and you hold on for dear life,
501
00:16:14,220 --> 00:16:18,059
'cause it doesn't stop.
502
00:16:18,059 --> 00:16:20,080
But it was the most --
503
00:16:18,059 --> 00:16:20,080
one of the most fulfilling,
504
00:16:20,080 --> 00:16:22,200
gratifying moments
505
00:16:20,080 --> 00:16:22,200
of my life ever.
506
00:16:22,200 --> 00:16:25,019
[ Cheers and applause ]
507
00:16:25,019 --> 00:16:27,279
♪♪♪
508
00:16:27,279 --> 00:16:30,100
[ Cheers and applause continue ]
509
00:16:35,090 --> 00:16:43,059
♪♪♪
510
00:16:43,059 --> 00:16:45,000
Now for our next performance,
511
00:16:45,000 --> 00:16:47,149
it's from a show
512
00:16:45,000 --> 00:16:47,149
that is definitely my favorite,
513
00:16:47,149 --> 00:16:51,210
"Mean Girls" is a musical comedy
514
00:16:47,149 --> 00:16:51,210
sociology class about queen bees
515
00:16:51,210 --> 00:16:53,070
and why we fear them.
516
00:16:53,070 --> 00:16:56,090
This 12-time Tony nominee
517
00:16:53,070 --> 00:16:56,090
is packed with jokes,
518
00:16:56,090 --> 00:16:58,110
dance, and show-stopping songs.
519
00:16:58,110 --> 00:17:01,009
We opened at the August Wilson
520
00:16:58,110 --> 00:17:01,009
Theatre in 2018,
521
00:17:01,009 --> 00:17:02,059
and the national tour
522
00:17:02,059 --> 00:17:04,109
will hopefully be
523
00:17:02,059 --> 00:17:04,109
hitting the road again soon.
524
00:17:04,109 --> 00:17:06,150
Let's take a look at
525
00:17:04,109 --> 00:17:06,150
some behind-the-scenes footage
526
00:17:06,150 --> 00:17:09,019
from "Mean Girls" and then
527
00:17:06,150 --> 00:17:09,019
a performance by Dani Wade,
528
00:17:09,019 --> 00:17:11,019
Adante Carter,
529
00:17:09,019 --> 00:17:11,019
and Catherine Brunell
530
00:17:11,019 --> 00:17:12,220
of the song "Stupid with Love."
531
00:17:12,220 --> 00:17:18,029
I remember the audition process
532
00:17:12,220 --> 00:17:18,029
being so, so nervous
533
00:17:18,029 --> 00:17:19,289
and then when I got
534
00:17:18,029 --> 00:17:19,289
the part, feeling like,
535
00:17:19,289 --> 00:17:22,279
"How am I going to do this?"
536
00:17:19,289 --> 00:17:22,279
But as soon as we got a week in,
537
00:17:22,279 --> 00:17:25,269
I felt all these people
538
00:17:22,279 --> 00:17:25,269
just holding me and saying,
539
00:17:25,269 --> 00:17:28,119
like, "This is a collaboration.
540
00:17:25,269 --> 00:17:28,119
We're going to work together."
541
00:17:28,119 --> 00:17:31,150
Playing a high-schooler
542
00:17:28,119 --> 00:17:31,150
every night,
543
00:17:31,150 --> 00:17:34,269
and that was the exact time
544
00:17:31,150 --> 00:17:34,269
in my life
545
00:17:34,269 --> 00:17:37,049
where I was kind of deciding
546
00:17:34,269 --> 00:17:37,049
whether or not, like,
547
00:17:37,049 --> 00:17:39,240
this was going to be something
548
00:17:37,049 --> 00:17:39,240
that I was going to pursue.
549
00:17:39,240 --> 00:17:41,289
And so it just feels
550
00:17:39,240 --> 00:17:41,289
very full circle right now.
551
00:17:41,289 --> 00:17:43,109
Henson:
552
00:17:41,289 --> 00:17:43,109
It's such an amazing company,
553
00:17:43,109 --> 00:17:45,190
and there's so many newbies
554
00:17:43,109 --> 00:17:45,190
and so many Broadway debuts,
555
00:17:45,190 --> 00:17:48,109
and it's just --
556
00:17:45,190 --> 00:17:48,109
It's unbelievable.
557
00:17:48,109 --> 00:17:50,250
♪♪♪
558
00:17:50,250 --> 00:17:54,279
Okay, friends, Chapter 1 --
559
00:17:50,250 --> 00:17:54,279
"Limits and their properties."
560
00:17:54,279 --> 00:17:57,009
Now, if I write out
561
00:17:54,279 --> 00:17:57,009
this equation,
562
00:17:57,009 --> 00:17:59,240
the limit as X approaches
563
00:17:57,009 --> 00:17:59,240
2 of X plus 1,
564
00:17:59,240 --> 00:18:02,109
the function is what
565
00:17:59,240 --> 00:18:02,109
we're taking the limit of.
566
00:18:02,109 --> 00:18:04,230
X equals 3.
567
00:18:02,109 --> 00:18:04,230
That's right, actually.
568
00:18:04,230 --> 00:18:07,119
Wow, okay,
569
00:18:04,230 --> 00:18:07,119
let's try another one.
570
00:18:07,119 --> 00:18:10,279
Find the value of K for which
571
00:18:07,119 --> 00:18:10,279
the following limit exists.
572
00:18:10,279 --> 00:18:12,220
K equals negative-3.
573
00:18:12,220 --> 00:18:15,140
Wow. Are you trying to make
574
00:18:12,220 --> 00:18:15,140
the rest of us feel dumb?
575
00:18:15,140 --> 00:18:18,289
No, I'm not trying to.
576
00:18:15,140 --> 00:18:18,289
It's just happening.
577
00:18:18,289 --> 00:18:21,210
I'm Aaron.
578
00:18:18,289 --> 00:18:21,210
Hey, it's nice to meet --
579
00:18:21,210 --> 00:18:25,150
♪ When I was five,
580
00:18:21,210 --> 00:18:25,150
I fell in love ♪
581
00:18:25,150 --> 00:18:29,039
♪ It didn't last ♪
582
00:18:29,039 --> 00:18:32,279
♪ He ran from me,
583
00:18:29,039 --> 00:18:32,279
literally ran from me ♪
584
00:18:32,279 --> 00:18:37,009
♪ And being Kenyan,
585
00:18:32,279 --> 00:18:37,009
he ran fast ♪
586
00:18:37,009 --> 00:18:40,259
♪ When I was ten,
587
00:18:37,009 --> 00:18:40,259
in love again ♪
588
00:18:40,259 --> 00:18:43,089
♪ This Peace Corps guy ♪
589
00:18:43,089 --> 00:18:44,220
[ Laughs ]
590
00:18:44,220 --> 00:18:48,079
♪ I waited hours
591
00:18:44,220 --> 00:18:48,079
inside his tent with flowers ♪
592
00:18:48,079 --> 00:18:51,289
♪ Which made him laugh,
593
00:18:48,079 --> 00:18:51,289
which made me cry ♪
594
00:18:51,289 --> 00:18:54,180
♪ By thirteen,
595
00:18:51,289 --> 00:18:54,180
I gave up trying ♪
596
00:18:54,180 --> 00:18:58,170
♪ I decided I would be
597
00:18:54,180 --> 00:18:58,170
a mathematician ♪
598
00:18:58,170 --> 00:19:00,289
♪ Because math is real ♪
599
00:19:00,289 --> 00:19:03,029
♪ I memorized a lot of pi ♪
600
00:19:03,029 --> 00:19:06,119
♪ Because addition
601
00:19:03,029 --> 00:19:06,119
and subtraction and division ♪
602
00:19:06,119 --> 00:19:10,250
♪ Would never make me feel
603
00:19:06,119 --> 00:19:10,250
so stupid with love ♪
604
00:19:10,250 --> 00:19:12,240
♪ Like I didn't get it ♪
605
00:19:12,240 --> 00:19:16,220
♪ I didn't get it somehow ♪
606
00:19:16,220 --> 00:19:20,220
♪ Smart with math
607
00:19:16,220 --> 00:19:20,220
but stupid with love ♪
608
00:19:20,220 --> 00:19:23,029
♪ I didn't get it ♪
609
00:19:23,029 --> 00:19:25,000
♪ I didn't get it till now ♪
610
00:19:25,000 --> 00:19:26,009
Do you have an eraser?
611
00:19:26,009 --> 00:19:28,230
I would love to.
612
00:19:28,230 --> 00:19:32,200
♪ So, thank you, math,
613
00:19:28,230 --> 00:19:32,200
for being there ♪
614
00:19:32,200 --> 00:19:34,210
♪ To bring me joy ♪
615
00:19:34,210 --> 00:19:36,210
♪♪♪
616
00:19:36,210 --> 00:19:38,119
♪ And thank you, math ♪
617
00:19:38,119 --> 00:19:41,190
♪ 'Cause now brought me
618
00:19:38,119 --> 00:19:41,190
this cute boy ♪
619
00:19:41,190 --> 00:19:43,029
Is it 2?
620
00:19:41,190 --> 00:19:43,029
Norbury: Yes.
621
00:19:43,029 --> 00:19:45,049
Good. Nice.
622
00:19:43,029 --> 00:19:45,049
♪ He's like someone from TV ♪
623
00:19:45,049 --> 00:19:49,200
♪ He's like that guy who
624
00:19:45,049 --> 00:19:49,200
gives out roses to those women ♪
625
00:19:49,200 --> 00:19:52,029
♪ His clothes, his grooming ♪
626
00:19:52,029 --> 00:19:54,029
♪ And he's a foot away from me ♪
627
00:19:54,029 --> 00:19:57,170
♪ With dreamy smile and shiny
628
00:19:54,029 --> 00:19:57,170
eyes that I could swim in ♪
629
00:19:57,170 --> 00:20:00,000
♪ He's livening the room ♪
630
00:20:00,000 --> 00:20:03,289
♪ And I'm stupid with love ♪
631
00:20:03,289 --> 00:20:09,250
♪ I wanna get it,
632
00:20:03,289 --> 00:20:09,250
I wanna get it, but how? ♪
633
00:20:09,250 --> 00:20:13,200
♪ Smart with math
634
00:20:09,250 --> 00:20:13,200
but stupid with love ♪
635
00:20:13,200 --> 00:20:18,009
♪ I wanna get it,
636
00:20:13,200 --> 00:20:18,009
I didn't get it till now ♪
637
00:20:18,009 --> 00:20:19,250
2 over zero is undefined.
638
00:20:18,009 --> 00:20:19,250
2 over zero is undefined.
639
00:20:19,250 --> 00:20:21,150
Jinx.
640
00:20:21,150 --> 00:20:25,109
♪ I'm astounded and nonplussed,
641
00:20:21,150 --> 00:20:25,109
I am filled with "calculust" ♪
642
00:20:25,109 --> 00:20:29,150
♪ Does this guy work out?
643
00:20:25,109 --> 00:20:29,150
He must, all sweaty at the gym ♪
644
00:20:29,150 --> 00:20:33,099
♪ Could that image be more hot?
645
00:20:29,150 --> 00:20:33,099
Let me just enjoy that thought ♪
646
00:20:33,099 --> 00:20:36,009
♪ School was rough,
647
00:20:33,099 --> 00:20:36,009
but now it's not ♪
648
00:20:36,009 --> 00:20:40,000
♪ 'Cause now there's him ♪
649
00:20:40,000 --> 00:20:43,109
♪ It's all so simple ♪
650
00:20:43,109 --> 00:20:47,170
♪ Stupid with love,
651
00:20:43,109 --> 00:20:47,170
but I can get it ♪
652
00:20:47,170 --> 00:20:51,140
♪ Watch this girl self-educate ♪
653
00:20:51,140 --> 00:20:55,269
♪ I learned math,
654
00:20:51,140 --> 00:20:55,269
so I can learn love ♪
655
00:20:55,269 --> 00:20:57,250
♪ You wanna bet it ♪
656
00:20:57,250 --> 00:21:00,190
♪ That I can get it, just wait ♪
657
00:21:00,190 --> 00:21:02,190
♪♪♪
658
00:21:02,190 --> 00:21:06,150
♪ Just wait ♪
659
00:21:06,150 --> 00:21:14,190
♪ Just wait ♪
660
00:21:18,000 --> 00:21:20,210
♪♪♪
661
00:21:20,210 --> 00:21:22,240
Announcer:
662
00:21:20,210 --> 00:21:22,240
The legendary Barbra Streisand,
663
00:21:22,240 --> 00:21:25,240
15-time Tony nominee
664
00:21:22,240 --> 00:21:25,240
"Jagged Little Pill,"
665
00:21:25,240 --> 00:21:28,259
and a special performance
666
00:21:25,240 --> 00:21:28,259
of a classic from "Rent"
667
00:21:28,259 --> 00:21:32,119
when "One Night Only:
668
00:21:28,259 --> 00:21:32,119
The Best of Broadway" continues.
669
00:21:32,119 --> 00:21:33,230
♪ Blame it
670
00:21:32,119 --> 00:21:33,230
on the nights on Broadway ♪
671
00:21:33,230 --> 00:21:37,069
♪ Singin' them love songs,
672
00:21:33,230 --> 00:21:37,069
singin' them ♪
673
00:21:40,059 --> 00:21:40,079
.
674
00:21:41,119 --> 00:21:41,150
♪♪♪
675
00:21:44,160 --> 00:21:46,200
When COVID hit, I --
676
00:21:46,200 --> 00:21:49,240
After the initial
677
00:21:46,200 --> 00:21:49,240
shock and sadness
678
00:21:49,240 --> 00:21:51,059
for what was happening
679
00:21:49,240 --> 00:21:51,059
in the world,
680
00:21:51,059 --> 00:21:53,009
then I just thought,
681
00:21:51,059 --> 00:21:53,009
"Oh my theater friends.
682
00:21:53,009 --> 00:21:54,259
Like, how is this
683
00:21:53,009 --> 00:21:54,259
ever going to --
684
00:21:54,259 --> 00:21:56,130
How are they ever
685
00:21:54,259 --> 00:21:56,130
going to recover?"
686
00:21:56,130 --> 00:21:59,119
O'Connell: It not only affects
687
00:21:56,130 --> 00:21:59,119
my performer friends.
688
00:21:59,119 --> 00:22:02,289
It affects all the customers,
689
00:22:02,289 --> 00:22:07,089
all the crew people
690
00:22:02,289 --> 00:22:07,089
who work on a show,
691
00:22:07,089 --> 00:22:10,170
all the ushers,
692
00:22:07,089 --> 00:22:10,170
the box office people,
693
00:22:10,170 --> 00:22:13,049
the ticket people.
694
00:22:10,170 --> 00:22:13,049
TV still goes on.
695
00:22:13,049 --> 00:22:16,220
Streaming services
696
00:22:13,049 --> 00:22:16,220
still release things.
697
00:22:16,220 --> 00:22:19,109
But in order
698
00:22:16,220 --> 00:22:19,109
for Broadway to go on,
699
00:22:19,109 --> 00:22:21,039
there has to be butts in seats.
700
00:22:21,039 --> 00:22:25,019
Manheim: I do have a very soft
701
00:22:21,039 --> 00:22:25,019
spot in my heart for theater.
702
00:22:25,019 --> 00:22:28,259
It is my first and truest love,
703
00:22:28,259 --> 00:22:32,029
and I could actually
704
00:22:28,259 --> 00:22:32,029
get emotional about it,
705
00:22:32,029 --> 00:22:34,170
knowing that it's
706
00:22:32,029 --> 00:22:34,170
in peril right now.
707
00:22:36,269 --> 00:22:40,240
Banderas: I wanted "A Chorus
708
00:22:36,269 --> 00:22:40,240
Line" to be the first company
709
00:22:40,240 --> 00:22:43,190
that can perform
710
00:22:40,240 --> 00:22:43,190
an American play,
711
00:22:43,190 --> 00:22:46,099
but to do it in Spanish
712
00:22:43,190 --> 00:22:46,099
on Broadway.
713
00:22:46,099 --> 00:22:48,190
Producer with me, John Breglio,
714
00:22:46,099 --> 00:22:48,190
called me
715
00:22:48,190 --> 00:22:50,009
and said to me, "It's done.
716
00:22:50,009 --> 00:22:53,079
We are going to be on Broadway
717
00:22:50,009 --> 00:22:53,079
with the show."
718
00:22:53,079 --> 00:22:57,200
Two weeks after,
719
00:22:53,079 --> 00:22:57,200
everything was shut down.
720
00:22:57,200 --> 00:23:00,079
When we found out "Moulin Rouge"
721
00:22:57,200 --> 00:23:00,079
was going to temporary close
722
00:23:00,079 --> 00:23:02,150
because of
723
00:23:00,079 --> 00:23:02,150
the COVID-19 pandemic,
724
00:23:02,150 --> 00:23:06,009
our company had been about
725
00:23:02,150 --> 00:23:06,009
eight months into our run.
726
00:23:06,009 --> 00:23:08,059
It was -- Yeah, it was --
727
00:23:06,009 --> 00:23:08,059
It was devastating,
728
00:23:08,059 --> 00:23:10,039
for every reason
729
00:23:08,059 --> 00:23:10,039
you can imagine.
730
00:23:10,039 --> 00:23:11,160
You get to your opening night,
731
00:23:11,160 --> 00:23:17,210
and something like
732
00:23:11,160 --> 00:23:17,210
the COVID-19 pandemic,
733
00:23:17,210 --> 00:23:19,269
this virus, happens.
734
00:23:19,269 --> 00:23:21,089
I was the only one
735
00:23:19,269 --> 00:23:21,089
at the theater,
736
00:23:21,089 --> 00:23:24,130
and I had never felt so alone
737
00:23:24,130 --> 00:23:28,049
when I found out
738
00:23:24,130 --> 00:23:28,049
that we would not be having
739
00:23:28,049 --> 00:23:30,289
our big opening night
740
00:23:28,049 --> 00:23:30,289
on Broadway.
741
00:23:30,289 --> 00:23:32,200
I will never forget it
742
00:23:30,289 --> 00:23:32,200
as long as I live.
743
00:23:32,200 --> 00:23:34,089
We were in the middle
744
00:23:32,200 --> 00:23:34,089
of rehearsal
745
00:23:34,089 --> 00:23:35,220
in the Stephen Sondheim theater,
746
00:23:35,220 --> 00:23:38,190
implementing changes
747
00:23:35,220 --> 00:23:38,190
to go in that night.
748
00:23:38,190 --> 00:23:41,130
And our producer came into
749
00:23:38,190 --> 00:23:41,130
the theater, sat us all down,
750
00:23:41,130 --> 00:23:46,029
told us to leave everything
751
00:23:41,130 --> 00:23:46,029
where it is, and go home.
752
00:23:46,029 --> 00:23:49,119
Mrs. Doubtfire's face is sitting
753
00:23:46,029 --> 00:23:49,119
on my dressing room station
754
00:23:49,119 --> 00:23:51,059
next to a picture of my family.
755
00:23:51,059 --> 00:23:52,279
Morissette:
756
00:23:51,059 --> 00:23:52,279
This pandemic is so serious
757
00:23:52,279 --> 00:23:54,049
that Broadway's going dark.
758
00:23:54,049 --> 00:23:56,019
I mean, Broadway
759
00:23:54,049 --> 00:23:56,019
doesn't go dark.
760
00:23:56,019 --> 00:23:57,119
[ Laughing ]
761
00:23:56,019 --> 00:23:57,119
You know? It's like --
762
00:23:57,119 --> 00:23:59,009
So it was really shocking.
763
00:23:59,009 --> 00:24:00,269
And it really brought home
764
00:23:59,009 --> 00:24:00,269
the reality
765
00:24:00,269 --> 00:24:04,130
of how many people's lives
766
00:24:00,269 --> 00:24:04,130
are being affected.
767
00:24:04,130 --> 00:24:05,250
Performed by Broadway actors
768
00:24:05,250 --> 00:24:07,230
who represent the entire
769
00:24:05,250 --> 00:24:07,230
theater community,
770
00:24:07,230 --> 00:24:11,029
from "Rent,"
771
00:24:07,230 --> 00:24:11,029
here is "Seasons of Love."
772
00:24:11,029 --> 00:24:16,190
♪♪♪
773
00:24:16,190 --> 00:24:22,049
♪♪♪
774
00:24:22,049 --> 00:24:27,180
♪ Five hundred twenty-five
775
00:24:22,049 --> 00:24:27,180
thousand six hundred minutes ♪
776
00:24:27,180 --> 00:24:33,000
♪ Five hundred twenty-five
777
00:24:27,180 --> 00:24:33,000
thousand moments so dear ♪
778
00:24:33,000 --> 00:24:38,140
♪ Five hundred twenty-five
779
00:24:33,000 --> 00:24:38,140
thousand six hundred minutes ♪
780
00:24:38,140 --> 00:24:43,049
♪ How do you measure,
781
00:24:38,140 --> 00:24:43,049
measure a year? ♪
782
00:24:43,049 --> 00:24:49,059
♪ In daylights, in sunsets, in
783
00:24:43,049 --> 00:24:49,059
midnights, in cups of coffee ♪
784
00:24:49,059 --> 00:24:53,279
♪ In inches, in miles,
785
00:24:49,059 --> 00:24:53,279
in laughter, in strife ♪
786
00:24:53,279 --> 00:24:59,089
♪ In five hundred twenty-five
787
00:24:53,279 --> 00:24:59,089
thousand six hundred minutes ♪
788
00:24:59,089 --> 00:25:04,130
♪ How do you measure
789
00:24:59,089 --> 00:25:04,130
a year in the life? ♪
790
00:25:04,130 --> 00:25:09,250
♪ How about love? ♪
791
00:25:09,250 --> 00:25:15,049
♪ How about love? ♪
792
00:25:15,049 --> 00:25:20,160
♪ How about love? ♪
793
00:25:20,160 --> 00:25:24,160
♪ Measure in love ♪
794
00:25:24,160 --> 00:25:27,140
♪ Seasons of love ♪
795
00:25:27,140 --> 00:25:31,009
♪ Love ♪
796
00:25:31,009 --> 00:25:32,240
♪ Seasons of love ♪
797
00:25:32,240 --> 00:25:37,250
♪ Love ♪
798
00:25:37,250 --> 00:25:43,059
♪ Five hundred twenty-five
799
00:25:37,250 --> 00:25:43,059
thousand six hundred minutes ♪
800
00:25:43,059 --> 00:25:48,170
♪ Five hundred twenty-five
801
00:25:43,059 --> 00:25:48,170
thousand journeys to plan ♪
802
00:25:48,170 --> 00:25:53,099
♪ Five hundred twenty-five
803
00:25:48,170 --> 00:25:53,099
thousand six hundred minutes ♪
804
00:25:53,099 --> 00:25:58,230
♪ How do you measure the life
805
00:25:53,099 --> 00:25:58,230
of a woman or a man? ♪
806
00:25:58,230 --> 00:26:04,109
♪ In truths that she learned
807
00:25:58,230 --> 00:26:04,109
or in times that he cried ♪
808
00:26:04,109 --> 00:26:09,170
♪ The bridges he burned
809
00:26:04,109 --> 00:26:09,170
or the way that she died ♪
810
00:26:09,170 --> 00:26:14,269
♪ It's time now to sing out,
811
00:26:09,170 --> 00:26:14,269
though the story never ends ♪
812
00:26:14,269 --> 00:26:19,269
♪ Let's celebrate, remember
813
00:26:14,269 --> 00:26:19,269
a year in the life of friends ♪
814
00:26:19,269 --> 00:26:23,059
♪ Remember the love ♪
815
00:26:23,059 --> 00:26:25,099
♪ You got to, you got to
816
00:26:23,059 --> 00:26:25,099
remember the love ♪
817
00:26:25,099 --> 00:26:27,220
♪ Remember the love ♪
818
00:26:27,220 --> 00:26:30,230
♪ You know that life
819
00:26:27,220 --> 00:26:30,230
is a gift from up above ♪
820
00:26:30,230 --> 00:26:32,170
♪ Remember the love ♪
821
00:26:32,170 --> 00:26:36,039
♪ Give love,
822
00:26:32,170 --> 00:26:36,039
share love, celebrate ♪
823
00:26:36,039 --> 00:26:37,160
♪ Measure in love ♪
824
00:26:37,160 --> 00:26:42,279
♪ Measure your life in,
825
00:26:37,160 --> 00:26:42,279
measure your life in love ♪
826
00:26:42,279 --> 00:26:45,220
♪ Seasons of love ♪
827
00:26:45,220 --> 00:26:49,109
♪ Love ♪
828
00:26:49,109 --> 00:26:51,029
♪ Seasons of love ♪
829
00:26:51,029 --> 00:26:53,009
♪ Love ♪
830
00:26:53,009 --> 00:26:57,269
♪ Measure your life
831
00:26:53,009 --> 00:26:57,269
in love ♪
832
00:26:57,269 --> 00:27:03,180
♪♪♪
833
00:27:03,180 --> 00:27:05,190
Announcer:
834
00:27:03,180 --> 00:27:05,190
Broadway great Billy Porter,
835
00:27:05,190 --> 00:27:08,099
a sneak peek from "Diana,"
836
00:27:05,190 --> 00:27:08,099
the new musical,
837
00:27:08,099 --> 00:27:11,009
and the legendary
838
00:27:08,099 --> 00:27:11,009
Barbra Streisand,
839
00:27:11,009 --> 00:27:14,230
when "One Night Only:
840
00:27:11,009 --> 00:27:14,230
The Best of Broadway" returns.
841
00:27:14,230 --> 00:27:16,029
♪ Blame it
842
00:27:14,230 --> 00:27:16,029
on the nights on Broadway ♪
843
00:27:16,029 --> 00:27:17,059
♪ Singin' them love ♪
844
00:27:20,049 --> 00:27:20,069
.
845
00:27:21,099 --> 00:27:21,130
♪♪♪
846
00:27:24,140 --> 00:27:27,269
My first time seeing a Broadway
847
00:27:24,140 --> 00:27:27,269
show was "Dreamgirls."
848
00:27:27,269 --> 00:27:29,099
I was in New York,
849
00:27:29,099 --> 00:27:32,000
and it was my first time,
850
00:27:29,099 --> 00:27:32,000
really, in the big city,
851
00:27:32,000 --> 00:27:35,009
and I said, I just want to be
852
00:27:32,000 --> 00:27:35,009
around kind of Broadway and what
853
00:27:32,000 --> 00:27:35,009
it's like."
854
00:27:35,009 --> 00:27:37,230
And I went by
855
00:27:35,009 --> 00:27:37,230
the Dreamgirls theater,
856
00:27:37,230 --> 00:27:39,000
and I saw the backstage door,
857
00:27:39,000 --> 00:27:40,220
and I knocked
858
00:27:39,000 --> 00:27:40,220
on the backstage door.
859
00:27:40,220 --> 00:27:42,109
And one of the actors came out
860
00:27:40,220 --> 00:27:42,109
by the name of --
861
00:27:42,109 --> 00:27:44,200
the great Obba Babatunde,
862
00:27:44,200 --> 00:27:46,190
and he came in --
863
00:27:44,200 --> 00:27:46,190
He didn't know me from Adam.
864
00:27:46,190 --> 00:27:48,119
I didn't know him, either.
865
00:27:46,190 --> 00:27:48,119
I said, "Listen, man,
866
00:27:48,119 --> 00:27:51,160
I'm college right now,
867
00:27:48,119 --> 00:27:51,160
and I just want to kind of see
868
00:27:51,160 --> 00:27:53,200
kind of
869
00:27:51,160 --> 00:27:53,200
what Broadway feels like.
870
00:27:53,200 --> 00:27:54,269
Is it possible?
871
00:27:53,200 --> 00:27:54,269
Can I just peek in?"
872
00:27:54,269 --> 00:27:56,049
He said,
873
00:27:54,269 --> 00:27:56,049
"Yeah, man, come on in."
874
00:27:56,049 --> 00:27:57,250
He showed me the stage
875
00:27:56,049 --> 00:27:57,250
and everything.
876
00:27:57,250 --> 00:28:00,160
And I think Obba saw
877
00:27:57,250 --> 00:28:00,160
just the eagerness in my eyes
878
00:28:00,160 --> 00:28:01,220
and just the naivete,
879
00:28:01,220 --> 00:28:03,190
and he's like,
880
00:28:01,220 --> 00:28:03,190
"Ah, let me help this kid out.
881
00:28:03,190 --> 00:28:07,230
First experience with musical
882
00:28:03,190 --> 00:28:07,230
theater was going to see "Cats."
883
00:28:07,230 --> 00:28:09,250
I was like,
884
00:28:09,250 --> 00:28:13,039
"What is happening?
885
00:28:09,250 --> 00:28:13,039
[ Chuckles ]
886
00:28:13,039 --> 00:28:17,059
These are adults, and
887
00:28:13,039 --> 00:28:17,059
they're in spandex and makeup,
888
00:28:17,059 --> 00:28:20,089
and they're just being
889
00:28:17,059 --> 00:28:20,089
kitty-cats onstage,
890
00:28:20,089 --> 00:28:22,250
and that's a job?
891
00:28:22,250 --> 00:28:24,059
I want that job."
892
00:28:24,059 --> 00:28:28,240
I saw "Rent"
893
00:28:24,059 --> 00:28:28,240
when they came to Philadelphia,
894
00:28:28,240 --> 00:28:32,119
The top of Act II starts,
895
00:28:32,119 --> 00:28:35,170
and a guy enters
896
00:28:32,119 --> 00:28:35,170
from stage left,
897
00:28:35,170 --> 00:28:39,269
and he winks at this girl
898
00:28:35,170 --> 00:28:39,269
entering from stage right.
899
00:28:39,269 --> 00:28:44,049
I can't even tell you
900
00:28:39,269 --> 00:28:44,049
the light bulbs that went off.
901
00:28:44,049 --> 00:28:46,150
I was interested in the life
902
00:28:44,049 --> 00:28:46,150
that was happening
903
00:28:46,150 --> 00:28:48,150
before they came on the stage.
904
00:28:48,150 --> 00:28:50,049
I didn't just want to be
905
00:28:48,150 --> 00:28:50,049
onstage with them.
906
00:28:50,049 --> 00:28:52,029
I wanted to be offstage
907
00:28:50,049 --> 00:28:52,029
with them, too.
908
00:28:52,029 --> 00:28:55,039
A little wink changed my life.
909
00:28:55,039 --> 00:28:57,130
There are stars,
910
00:28:55,039 --> 00:28:57,130
and there are superstars,
911
00:28:57,130 --> 00:28:59,079
and then there are
912
00:28:57,130 --> 00:28:59,079
a select few artists
913
00:28:59,079 --> 00:29:01,190
who transcend
914
00:28:59,079 --> 00:29:01,190
even those descriptions.
915
00:29:01,190 --> 00:29:03,039
She is one of
916
00:29:01,190 --> 00:29:03,039
the greatest performers
917
00:29:03,039 --> 00:29:04,180
in the history of Broadway
918
00:29:04,180 --> 00:29:07,259
and a recipient of an Emmy,
919
00:29:04,180 --> 00:29:07,259
Grammy, Oscar, and Tony.
920
00:29:07,259 --> 00:29:10,230
She was Miss Marmelstein
921
00:29:07,259 --> 00:29:10,230
and Fanny Brice onstage,
922
00:29:10,230 --> 00:29:13,210
but the world knows her better
923
00:29:10,230 --> 00:29:13,210
as Barbra Streisand.
924
00:29:13,210 --> 00:29:20,089
♪♪♪
925
00:29:20,089 --> 00:29:22,069
♪ People ♪
926
00:29:22,069 --> 00:29:25,089
[ Cheers and applause ]
927
00:29:25,089 --> 00:29:32,000
♪ People who need people ♪
928
00:29:32,000 --> 00:29:37,029
♪ Are the luckiest people ♪
929
00:29:37,029 --> 00:29:43,160
♪ In the world ♪
930
00:29:43,160 --> 00:29:48,009
♪ A feeling deep in your soul ♪
931
00:29:48,009 --> 00:29:52,170
♪ Says you were half,
932
00:29:48,009 --> 00:29:52,170
now you're whole ♪
933
00:29:52,170 --> 00:29:56,240
♪ No more hunger and thirst ♪
934
00:29:56,240 --> 00:30:03,089
♪ But first be a person
935
00:29:56,240 --> 00:30:03,089
who needs people ♪
936
00:30:03,089 --> 00:30:10,009
♪ People who need people ♪
937
00:30:10,009 --> 00:30:15,269
♪ Are the luckiest people ♪
938
00:30:15,269 --> 00:30:29,000
♪ In the world ♪
939
00:30:29,000 --> 00:30:31,170
[ Cheers and applause ]
940
00:30:31,170 --> 00:30:33,190
♪♪♪
941
00:30:33,190 --> 00:30:36,000
Thank you.
942
00:30:36,000 --> 00:30:37,279
Thank you.
943
00:30:37,279 --> 00:30:40,130
♪♪♪
944
00:30:40,130 --> 00:30:43,279
Good words that are
945
00:30:40,130 --> 00:30:43,279
just as relevant today.
946
00:30:43,279 --> 00:30:47,210
That song brings back
947
00:30:43,279 --> 00:30:47,210
a lot of memories to me.
948
00:30:47,210 --> 00:30:50,190
My love affair with Broadway
949
00:30:50,190 --> 00:30:54,200
started when I was actually
950
00:30:50,190 --> 00:30:54,200
14 years old,
951
00:30:54,200 --> 00:30:56,240
and I saw
952
00:30:54,200 --> 00:30:56,240
my first Broadway show,
953
00:30:56,240 --> 00:30:59,140
"The Diary of Anne Frank."
954
00:30:59,140 --> 00:31:01,220
I remember the price
955
00:30:59,140 --> 00:31:01,220
of the ticket.
956
00:31:01,220 --> 00:31:04,259
It was a $1.89
957
00:31:01,220 --> 00:31:04,259
for a balcony seat.
958
00:31:04,259 --> 00:31:06,160
From then on, every Saturday,
959
00:31:06,160 --> 00:31:09,089
I took the subway
960
00:31:06,160 --> 00:31:09,089
from Brooklyn to Manhattan
961
00:31:09,089 --> 00:31:10,250
to see another show.
962
00:31:10,250 --> 00:31:14,160
After I moved to Manhattan
963
00:31:10,250 --> 00:31:14,160
when I was 16,
964
00:31:14,160 --> 00:31:18,150
I was so happy to get a job
965
00:31:14,160 --> 00:31:18,150
on New Year's Eve
966
00:31:18,150 --> 00:31:21,059
as an usher
967
00:31:18,150 --> 00:31:21,059
in a Broadway theater,
968
00:31:21,059 --> 00:31:23,259
where I was paid -- I remember
969
00:31:21,059 --> 00:31:23,259
that, too --
970
00:31:23,259 --> 00:31:26,259
$4.15 an hour
971
00:31:26,259 --> 00:31:29,210
and got to see the show
972
00:31:26,259 --> 00:31:29,210
for free.
973
00:31:29,210 --> 00:31:32,049
Little did they know
974
00:31:29,210 --> 00:31:32,049
I would have paid them.
975
00:31:32,049 --> 00:31:34,289
When I was 19,
976
00:31:34,289 --> 00:31:39,019
I was lucky to be cast
977
00:31:34,289 --> 00:31:39,019
in my first Broadway role,
978
00:31:39,019 --> 00:31:43,049
as the lovelorn secretary
979
00:31:39,019 --> 00:31:43,049
Miss Marmelstein
980
00:31:43,049 --> 00:31:45,289
in "I Can Get It
981
00:31:43,049 --> 00:31:45,289
For You Wholesale."
982
00:31:45,289 --> 00:31:48,240
Two years later,
983
00:31:45,289 --> 00:31:48,240
I found myself playing
984
00:31:48,240 --> 00:31:52,019
the lead role of Fanny Brice
985
00:31:48,240 --> 00:31:52,019
in "Funny Girl."
986
00:31:52,019 --> 00:31:54,059
What I think about it,
987
00:31:52,019 --> 00:31:54,059
I can still feel
988
00:31:54,059 --> 00:31:57,059
the excitement
989
00:31:54,059 --> 00:31:57,059
of the creative process,
990
00:31:57,059 --> 00:32:00,099
working on the script,
991
00:31:57,059 --> 00:32:00,099
or rehearsing the songs.
992
00:32:00,099 --> 00:32:04,289
And it makes me think
993
00:32:00,099 --> 00:32:04,289
of all the young people today
994
00:32:04,289 --> 00:32:07,210
who dream of being on the stage
995
00:32:07,210 --> 00:32:12,069
but have no outlet for their
996
00:32:07,210 --> 00:32:12,069
talent and creative energy.
997
00:32:12,069 --> 00:32:17,150
I'm worried about the thousands
998
00:32:12,069 --> 00:32:17,150
of dedicated professionals
999
00:32:17,150 --> 00:32:22,099
who have lost their jobs --
1000
00:32:17,150 --> 00:32:22,099
actors, writers, directors,
1001
00:32:22,099 --> 00:32:24,210
choreographers, costume people,
1002
00:32:24,210 --> 00:32:28,079
set designers,
1003
00:32:24,210 --> 00:32:28,079
sound and lighting technicians,
1004
00:32:28,079 --> 00:32:32,140
makeup artists,
1005
00:32:28,079 --> 00:32:32,140
musicians, stagehands.
1006
00:32:32,140 --> 00:32:35,029
And what about the audience --
1007
00:32:32,140 --> 00:32:35,029
all of the people
1008
00:32:35,029 --> 00:32:39,079
who simply want a break
1009
00:32:35,029 --> 00:32:39,079
from their daily lives,
1010
00:32:39,079 --> 00:32:42,000
who go to a show
1011
00:32:39,079 --> 00:32:42,000
to be transported
1012
00:32:42,000 --> 00:32:45,210
into another reality
1013
00:32:42,000 --> 00:32:45,210
for a few hours?
1014
00:32:45,210 --> 00:32:50,240
Because there is nothing more
1015
00:32:45,210 --> 00:32:50,240
exhilarating than live theater,
1016
00:32:50,240 --> 00:32:53,170
when we're all
1017
00:32:50,240 --> 00:32:53,170
in a moment together.
1018
00:32:53,170 --> 00:32:55,279
That's why I'm such
1019
00:32:53,170 --> 00:32:55,279
a passionate believer
1020
00:32:55,279 --> 00:32:58,279
in the mission
1021
00:32:55,279 --> 00:32:58,279
of Broadway Cares.
1022
00:32:58,279 --> 00:33:00,059
For decades,
1023
00:33:00,059 --> 00:33:03,220
it has been a resource
1024
00:33:00,059 --> 00:33:03,220
for the theater community.
1025
00:33:03,220 --> 00:33:06,079
Your donations
1026
00:33:03,220 --> 00:33:06,079
during this broadcast
1027
00:33:06,079 --> 00:33:11,019
will help provide medications,
1028
00:33:06,079 --> 00:33:11,019
groceries, healthcare,
1029
00:33:11,019 --> 00:33:14,049
and emergency
1030
00:33:11,019 --> 00:33:14,049
financial assistance
1031
00:33:14,049 --> 00:33:17,069
to those struggling
1032
00:33:14,049 --> 00:33:17,069
through a pandemic
1033
00:33:17,069 --> 00:33:20,289
that will have shut down this
1034
00:33:17,069 --> 00:33:20,289
industry for more than a year.
1035
00:33:20,289 --> 00:33:23,269
So if you love Broadway
1036
00:33:23,269 --> 00:33:29,000
and want to support the people
1037
00:33:23,269 --> 00:33:29,000
who are its lifeblood,
1038
00:33:29,000 --> 00:33:34,049
please give what you can
1039
00:33:29,000 --> 00:33:34,049
and donate today.
1040
00:33:34,049 --> 00:33:40,079
♪♪♪
1041
00:33:40,079 --> 00:33:43,240
Chicago opened 45 years ago
1042
00:33:40,079 --> 00:33:43,240
at the 46th Street Theatre,
1043
00:33:43,240 --> 00:33:46,240
now called the Richard Rodgers
1044
00:33:43,240 --> 00:33:46,240
Theatre, to huge acclaim,
1045
00:33:46,240 --> 00:33:49,140
and its 1996 production
1046
00:33:46,240 --> 00:33:49,140
holds the record
1047
00:33:49,140 --> 00:33:52,220
as the longest running American
1048
00:33:49,140 --> 00:33:52,220
musical in Broadway history,
1049
00:33:52,220 --> 00:33:55,210
celebrating its 25th
1050
00:33:52,220 --> 00:33:55,210
anniversary next year.
1051
00:33:55,210 --> 00:33:57,099
I'm going to guess
1052
00:33:55,210 --> 00:33:57,099
that when Broadway reopens,
1053
00:33:57,099 --> 00:33:59,119
it'll pick up
1054
00:33:57,099 --> 00:33:59,119
right where it left off.
1055
00:33:59,119 --> 00:34:01,279
Here with "All That Jazz"
1056
00:33:59,119 --> 00:34:01,279
is Lana Gordon
1057
00:34:01,279 --> 00:34:04,059
and the cast of "Chicago."
1058
00:34:04,059 --> 00:34:11,050
♪♪♪
1059
00:34:11,050 --> 00:34:18,039
♪♪♪
1060
00:34:18,039 --> 00:34:25,030
♪♪♪
1061
00:34:25,030 --> 00:34:29,019
♪ Come on, babe,
1062
00:34:25,030 --> 00:34:29,019
why don't we paint the town? ♪
1063
00:34:29,019 --> 00:34:31,070
♪♪♪
1064
00:34:31,070 --> 00:34:32,219
♪ And all that jazz ♪
1065
00:34:32,219 --> 00:34:37,130
♪ I'm gonna rouge my knees
1066
00:34:32,219 --> 00:34:37,130
and roll my stockings down ♪
1067
00:34:37,130 --> 00:34:39,150
♪♪♪
1068
00:34:39,150 --> 00:34:41,139
♪ And all that jazz ♪
1069
00:34:41,139 --> 00:34:45,119
♪ Start the car,
1070
00:34:41,139 --> 00:34:45,119
I know a whoopee spot ♪
1071
00:34:45,119 --> 00:34:49,110
♪ Where the gin is cold
1072
00:34:45,119 --> 00:34:49,110
but the piano's hot ♪
1073
00:34:49,110 --> 00:34:53,170
♪ It's just a noisy hall
1074
00:34:49,110 --> 00:34:53,170
where there's a nightly brawl ♪
1075
00:34:53,170 --> 00:35:03,150
♪ And all that jazz ♪
1076
00:35:03,150 --> 00:35:05,280
♪♪♪
1077
00:35:05,280 --> 00:35:11,219
♪ Slick your hair,
1078
00:35:05,280 --> 00:35:11,219
wear your buckled shoes ♪
1079
00:35:11,219 --> 00:35:13,050
♪ And all that jazz ♪
1080
00:35:13,050 --> 00:35:19,170
♪ I hear that Father Dip
1081
00:35:13,050 --> 00:35:19,170
is gonna blow the blues ♪
1082
00:35:19,170 --> 00:35:21,210
♪ And all that jazz ♪
1083
00:35:21,210 --> 00:35:25,000
♪ Hold on, hon,
1084
00:35:21,210 --> 00:35:25,000
we're gonna bunny hug ♪
1085
00:35:25,000 --> 00:35:28,230
♪ I bought some aspirin
1086
00:35:25,000 --> 00:35:28,230
down at United Drug ♪
1087
00:35:28,230 --> 00:35:32,250
♪ In case you shake apart
1088
00:35:28,230 --> 00:35:32,250
and want a brand new start ♪
1089
00:35:32,250 --> 00:35:43,039
♪ To do that jazz-skeedo ♪
1090
00:35:43,039 --> 00:35:45,050
♪ And all that jazz ♪
1091
00:35:45,050 --> 00:35:47,050
♪ Watch out ♪
1092
00:35:47,050 --> 00:35:49,030
♪ Whoopee! ♪
1093
00:35:49,030 --> 00:35:50,250
♪♪♪
1094
00:35:50,250 --> 00:35:54,179
♪ And all that jazz ♪
1095
00:35:54,179 --> 00:35:59,239
♪♪♪
1096
00:35:59,239 --> 00:36:04,079
♪ It's just a noisy hall where
1097
00:35:59,239 --> 00:36:04,079
there's a nightly brawl and ♪
1098
00:36:04,079 --> 00:36:11,280
♪ All that jazz ♪
1099
00:36:11,280 --> 00:36:16,150
♪ Oh, you're gonna see
1100
00:36:11,280 --> 00:36:16,150
your Sheba shimmy shake ♪
1101
00:36:16,150 --> 00:36:18,250
♪ And all that jazz ♪
1102
00:36:18,250 --> 00:36:22,280
♪ Oh, she's gonna shimmy
1103
00:36:18,250 --> 00:36:22,280
till her garters break ♪
1104
00:36:22,280 --> 00:36:25,210
♪ Oh, and all that jazz ♪
1105
00:36:25,210 --> 00:36:29,059
♪ Show her
1106
00:36:25,210 --> 00:36:29,059
where to park her girdle ♪
1107
00:36:29,059 --> 00:36:32,059
♪ Oh, her mother's
1108
00:36:29,059 --> 00:36:32,059
blood'll curdle ♪
1109
00:36:32,059 --> 00:36:35,059
♪ If she'd hear
1110
00:36:32,059 --> 00:36:35,059
her baby's queer ♪
1111
00:36:35,059 --> 00:36:42,219
♪ For all that jazz ♪
1112
00:36:42,219 --> 00:36:46,000
♪ Come on, babe,
1113
00:36:42,219 --> 00:36:46,000
why don't we paint the town? ♪
1114
00:36:42,219 --> 00:36:46,000
♪ Oh, you're gonna see
1115
00:36:42,219 --> 00:36:46,000
your Sheba ♪
1116
00:36:46,000 --> 00:36:48,260
♪ And all that jazz ♪
1117
00:36:46,000 --> 00:36:48,260
♪ Shimmy shake,
1118
00:36:46,000 --> 00:36:48,260
and all that jazz ♪
1119
00:36:48,260 --> 00:36:52,139
♪ I'm gonna rouge my knees
1120
00:36:48,260 --> 00:36:52,139
and roll my stockings down ♪
1121
00:36:48,260 --> 00:36:52,139
♪ Oh, she's gonna shimmy ♪
1122
00:36:52,139 --> 00:36:56,039
♪ And all that jazz ♪
1123
00:36:52,139 --> 00:36:56,039
♪ Till her garters break
1124
00:36:52,139 --> 00:36:56,039
and all that jazz ♪
1125
00:36:56,039 --> 00:36:59,079
♪ Start the car,
1126
00:36:56,039 --> 00:36:59,079
I know a whoopee spot ♪
1127
00:36:56,039 --> 00:36:59,079
♪ Show her where
1128
00:36:56,039 --> 00:36:59,079
to park her girdle ♪
1129
00:36:59,079 --> 00:37:02,179
♪ Where the gin is cold
1130
00:36:59,079 --> 00:37:02,179
but the piano's hot ♪
1131
00:36:59,079 --> 00:37:02,179
♪ Oh, her mother's
1132
00:36:59,079 --> 00:37:02,179
blood'll curdle ♪
1133
00:37:02,179 --> 00:37:05,289
♪ It's just a noisy hall
1134
00:37:02,179 --> 00:37:05,289
where there's a nightly brawl ♪
1135
00:37:02,179 --> 00:37:05,289
♪ If she'd hear
1136
00:37:02,179 --> 00:37:05,289
her baby's queer ♪
1137
00:37:05,289 --> 00:37:09,019
♪ And all that ♪
1138
00:37:05,289 --> 00:37:09,019
♪ For all that ♪
1139
00:37:09,019 --> 00:37:11,269
♪♪♪
1140
00:37:11,269 --> 00:37:14,119
♪ No, I'm no one's wife ♪
1141
00:37:14,119 --> 00:37:18,199
♪ But, oh, I love my life ♪
1142
00:37:18,199 --> 00:37:24,289
♪ And all that ♪
1143
00:37:24,289 --> 00:37:30,139
♪ Jazz ♪
1144
00:37:30,139 --> 00:37:33,289
♪ That jazz ♪
1145
00:37:33,289 --> 00:37:36,159
♪♪♪
1146
00:37:36,159 --> 00:37:39,039
Announcer: A performance
1147
00:37:36,159 --> 00:37:39,039
from the 15-time Tony nominee
1148
00:37:39,039 --> 00:37:41,019
"Jagged Little Pill"
1149
00:37:39,039 --> 00:37:41,019
and more from
1150
00:37:41,019 --> 00:37:44,059
"Ain't Too Proud: The Life
1151
00:37:41,019 --> 00:37:44,059
and Times of The Temptations,"
1152
00:37:44,059 --> 00:37:48,090
when "One Night Only:
1153
00:37:44,059 --> 00:37:48,090
The Best of Broadway" continues.
1154
00:37:48,090 --> 00:37:50,070
♪ Blame it
1155
00:37:48,090 --> 00:37:50,070
on the nights on Broadway ♪
1156
00:37:53,039 --> 00:37:53,059
.
1157
00:37:54,090 --> 00:37:54,250
♪♪♪
1158
00:37:58,139 --> 00:38:00,010
Inspired by Alanis Morissette's
1159
00:38:00,010 --> 00:38:02,170
legendary 1995
1160
00:38:00,010 --> 00:38:02,170
Grammy-winning album,
1161
00:38:02,170 --> 00:38:05,269
this powerful and empowering
1162
00:38:02,170 --> 00:38:05,269
story of pain and hurt,
1163
00:38:05,269 --> 00:38:09,000
joy, and redemption
1164
00:38:05,269 --> 00:38:09,000
opened on Broadway in 2019
1165
00:38:09,000 --> 00:38:11,130
and received
1166
00:38:09,000 --> 00:38:11,130
15 Tony nominations.
1167
00:38:11,130 --> 00:38:13,070
With the song "You Oughta Know,"
1168
00:38:13,070 --> 00:38:15,230
here is the cast
1169
00:38:13,070 --> 00:38:15,230
of "Jagged Little Pill."
1170
00:38:15,230 --> 00:38:20,250
♪ I want you to know ♪
1171
00:38:20,250 --> 00:38:27,079
♪ That I'm happy for you ♪
1172
00:38:27,079 --> 00:38:31,289
♪ I wish nothing but ♪
1173
00:38:31,289 --> 00:38:37,090
♪ The best for you both ♪
1174
00:38:37,090 --> 00:38:42,000
♪ The perfect version of me,
1175
00:38:37,090 --> 00:38:42,000
is he perverted like me? ♪
1176
00:38:42,000 --> 00:38:46,210
♪ Would he go down
1177
00:38:42,000 --> 00:38:46,210
in a theater? ♪
1178
00:38:46,210 --> 00:38:51,139
♪ So he speaks eloquently
1179
00:38:46,210 --> 00:38:51,139
and you can have his baby? ♪
1180
00:38:51,139 --> 00:38:56,269
♪ I'm sure you'd make
1181
00:38:51,139 --> 00:38:56,269
a really excellent mother ♪
1182
00:38:56,269 --> 00:38:58,179
♪ 'Cause the love
1183
00:38:56,269 --> 00:38:58,179
that you gave that we made ♪
1184
00:38:58,179 --> 00:39:03,070
♪ Wasn't able to make it enough
1185
00:38:58,179 --> 00:39:03,070
for you to be open wide ♪
1186
00:39:03,070 --> 00:39:06,090
♪♪♪
1187
00:39:06,090 --> 00:39:08,150
♪ And every time
1188
00:39:06,090 --> 00:39:08,150
you speak his name ♪
1189
00:39:08,150 --> 00:39:12,030
♪ Does he know why you told me
1190
00:39:08,150 --> 00:39:12,030
you'd be there until you died ♪
1191
00:39:12,030 --> 00:39:15,000
♪ Till you died,
1192
00:39:12,030 --> 00:39:15,000
but you're still alive ♪
1193
00:39:15,000 --> 00:39:19,230
♪ And I'm here to remind you ♪
1194
00:39:19,230 --> 00:39:24,159
♪ Of the mess you left
1195
00:39:19,230 --> 00:39:24,159
when you went away ♪
1196
00:39:24,159 --> 00:39:29,050
♪ It's not fair to deny me ♪
1197
00:39:29,050 --> 00:39:33,059
♪ Of the cross I bear
1198
00:39:29,050 --> 00:39:33,059
that you gave to me ♪
1199
00:39:33,059 --> 00:39:37,039
♪ You, you, you oughta know ♪
1200
00:39:37,039 --> 00:39:41,219
♪ You seem very well ♪
1201
00:39:41,219 --> 00:39:46,150
♪ Things look peaceful ♪
1202
00:39:46,150 --> 00:39:50,179
♪ I'm not quite as well ♪
1203
00:39:50,179 --> 00:39:55,030
♪ I thought you should know ♪
1204
00:39:55,030 --> 00:39:59,190
♪ Did you forget about me,
1205
00:39:55,030 --> 00:39:59,190
Mrs. Duplicity? ♪
1206
00:39:59,190 --> 00:40:04,130
♪ I hate to give him
1207
00:39:59,190 --> 00:40:04,130
so much to live up to ♪
1208
00:40:04,130 --> 00:40:09,039
♪ It was a slap in the face
1209
00:40:04,130 --> 00:40:09,039
how quickly I was replaced ♪
1210
00:40:09,039 --> 00:40:13,269
♪ And are you thinking of me
1211
00:40:09,039 --> 00:40:13,269
when he ♪
1212
00:40:13,269 --> 00:40:18,159
♪ And I'm here to remind you ♪
1213
00:40:18,159 --> 00:40:23,090
♪ Of the mess you left
1214
00:40:18,159 --> 00:40:23,090
when you went away ♪
1215
00:40:23,090 --> 00:40:27,260
♪ It's not fair to deny me ♪
1216
00:40:27,260 --> 00:40:32,019
♪ Of the cross I bear
1217
00:40:27,260 --> 00:40:32,019
that you gave to me ♪
1218
00:40:32,019 --> 00:40:36,039
♪ You, you, you oughta know ♪
1219
00:40:36,039 --> 00:40:37,260
♪♪♪
1220
00:40:37,260 --> 00:40:40,269
[ All vocalizing ]
1221
00:40:40,269 --> 00:40:47,190
♪♪♪
1222
00:40:47,190 --> 00:40:54,110
♪♪♪
1223
00:40:54,110 --> 00:40:56,230
♪ 'Cause the joke that you laid
1224
00:40:54,110 --> 00:40:56,230
in the bed, that was me ♪
1225
00:40:56,230 --> 00:41:00,250
♪ And I'm not gonna fade
1226
00:40:56,230 --> 00:41:00,250
as soon as you close your eyes ♪
1227
00:41:00,250 --> 00:41:02,019
♪ And you know it ♪
1228
00:41:02,019 --> 00:41:04,000
♪ And you know it,
1229
00:41:02,019 --> 00:41:04,000
and you know ♪
1230
00:41:04,000 --> 00:41:06,050
♪ And every time
1231
00:41:04,000 --> 00:41:06,050
I scratch my nails ♪
1232
00:41:06,050 --> 00:41:10,090
♪ Down someone else's back,
1233
00:41:06,050 --> 00:41:10,090
I hope you feel it ♪
1234
00:41:10,090 --> 00:41:12,210
♪ Well, can you feel it? ♪
1235
00:41:12,210 --> 00:41:17,099
♪ And I'm here to remind you ♪
1236
00:41:17,099 --> 00:41:21,099
♪ Of the mess you left
1237
00:41:17,099 --> 00:41:21,099
when you went away ♪
1238
00:41:21,099 --> 00:41:24,119
♪ You, you, you oughta know ♪
1239
00:41:24,119 --> 00:41:28,260
♪ That I'm here to remind you ♪
1240
00:41:28,260 --> 00:41:33,179
♪ Of the mess you left
1241
00:41:28,260 --> 00:41:33,179
when you went away ♪
1242
00:41:33,179 --> 00:41:38,059
♪ It's not fair to deny me ♪
1243
00:41:38,059 --> 00:41:42,099
♪ Of the cross I bear
1244
00:41:38,059 --> 00:41:42,099
that you gave to me ♪
1245
00:41:42,099 --> 00:41:46,210
♪ You, you, you oughta know ♪
1246
00:41:49,210 --> 00:41:51,269
"Ain't Too Proud,"
1247
00:41:49,210 --> 00:41:51,269
the electrifying musical
1248
00:41:51,269 --> 00:41:54,130
about the life and times
1249
00:41:51,269 --> 00:41:54,130
of the Temptations, opened
1250
00:41:54,130 --> 00:41:57,239
at Broadway's Imperial Theatre
1251
00:41:54,130 --> 00:41:57,239
in March of 2019.
1252
00:41:57,239 --> 00:41:59,269
It won the Tony Award
1253
00:41:57,239 --> 00:41:59,269
for Best Choreography.
1254
00:41:59,269 --> 00:42:02,059
And if you're a fan of Motown,
1255
00:41:59,269 --> 00:42:02,059
like my friend Laura,
1256
00:42:02,059 --> 00:42:04,219
who's obsessed with this show,
1257
00:42:02,059 --> 00:42:04,219
you will love hearing
1258
00:42:04,219 --> 00:42:08,019
the cast's performances
1259
00:42:04,219 --> 00:42:08,019
of the group's greatest songs.
1260
00:42:08,019 --> 00:42:11,219
I think that the place that The
1261
00:42:08,019 --> 00:42:11,219
Temptations have in our history
1262
00:42:11,219 --> 00:42:13,090
is a really unique one.
1263
00:42:13,090 --> 00:42:15,230
One of the wonderful things
1264
00:42:13,090 --> 00:42:15,230
about Motown was the start
1265
00:42:15,230 --> 00:42:18,030
of the intersection
1266
00:42:15,230 --> 00:42:18,030
of arts and activism.
1267
00:42:18,030 --> 00:42:21,019
These young men were
1268
00:42:18,030 --> 00:42:21,019
at the precipice of something,
1269
00:42:21,019 --> 00:42:23,099
not knowing what the other end
1270
00:42:21,019 --> 00:42:23,099
of it looks like,
1271
00:42:23,099 --> 00:42:24,289
but knowing they got
1272
00:42:23,099 --> 00:42:24,289
to say something.
1273
00:42:24,289 --> 00:42:26,050
There's speaking the message,
1274
00:42:26,050 --> 00:42:27,250
and then there's just
1275
00:42:26,050 --> 00:42:27,250
being the message.
1276
00:42:27,250 --> 00:42:29,219
And this show is the message.
1277
00:42:29,219 --> 00:42:32,260
Jackson: You know, it's just
1278
00:42:29,219 --> 00:42:32,260
so much history with this music,
1279
00:42:32,260 --> 00:42:35,199
and it's through everything
1280
00:42:32,260 --> 00:42:35,199
that's going on in America,
1281
00:42:35,199 --> 00:42:38,159
The Temptations
1282
00:42:35,199 --> 00:42:38,159
are a blueprint of that.
1283
00:42:38,159 --> 00:42:43,190
Singing "Rain"
1284
00:42:38,159 --> 00:42:43,190
is a cathartic moment for me,
1285
00:42:43,190 --> 00:42:47,099
that moment of when everyone
1286
00:42:43,190 --> 00:42:47,099
finds out the terrible news
1287
00:42:47,099 --> 00:42:50,159
that Martin Luther King Jr.
1288
00:42:47,099 --> 00:42:50,159
has been shot.
1289
00:42:50,159 --> 00:42:53,059
I feel responsible
1290
00:42:50,159 --> 00:42:53,059
in that moment of caring,
1291
00:42:53,059 --> 00:42:57,110
and I'm hoping somebody walks
1292
00:42:53,059 --> 00:42:57,110
away with an answer to something
1293
00:42:57,110 --> 00:43:00,250
or or at least hope
1294
00:42:57,110 --> 00:43:00,250
that they're not alone.
1295
00:43:00,250 --> 00:43:09,170
♪♪♪
1296
00:43:09,170 --> 00:43:18,099
♪♪♪
1297
00:43:18,099 --> 00:43:24,050
♪ Sunshine, blue skies,
1298
00:43:18,099 --> 00:43:24,050
please go away ♪
1299
00:43:24,050 --> 00:43:29,070
♪ My girl has found another
1300
00:43:24,050 --> 00:43:29,070
and gone away ♪
1301
00:43:29,070 --> 00:43:34,099
♪ With her went my future,
1302
00:43:29,070 --> 00:43:34,099
my life is filled with gloom ♪
1303
00:43:34,099 --> 00:43:39,130
♪ So day after day,
1304
00:43:34,099 --> 00:43:39,130
I stay locked up in my room ♪
1305
00:43:39,130 --> 00:43:44,050
♪ I know to you,
1306
00:43:39,130 --> 00:43:44,050
it might sound strange ♪
1307
00:43:44,050 --> 00:43:45,179
♪ But I wish it would rain ♪
1308
00:43:45,179 --> 00:43:50,280
♪ Oh, how I wish
1309
00:43:45,179 --> 00:43:50,280
that it would rain ♪
1310
00:43:50,280 --> 00:43:54,250
♪ 'Cause so badly
1311
00:43:50,280 --> 00:43:54,250
I wanna go outside ♪
1312
00:43:54,250 --> 00:43:56,079
♪ Such a lovely day ♪
1313
00:43:56,079 --> 00:44:00,139
♪ But everyone knows that a man
1314
00:43:56,079 --> 00:44:00,139
ain't supposed to cry ♪
1315
00:44:00,139 --> 00:44:02,010
♪ But listen ♪
1316
00:44:02,010 --> 00:44:11,059
♪ I gotta cry 'cause crying
1317
00:44:02,010 --> 00:44:11,059
eases the pain, oh, yeah ♪
1318
00:44:11,059 --> 00:44:14,000
♪ People, this hurt
1319
00:44:11,059 --> 00:44:14,000
I feel inside ♪
1320
00:44:14,000 --> 00:44:17,199
♪ Words could never explain,
1321
00:44:14,000 --> 00:44:17,199
I wish it would rain ♪
1322
00:44:17,199 --> 00:44:22,070
♪ Oh, how I wish
1323
00:44:17,199 --> 00:44:22,070
that it would rain ♪
1324
00:44:22,070 --> 00:44:25,070
♪ Day in, day out,
1325
00:44:22,070 --> 00:44:25,070
my tear-stained face ♪
1326
00:44:25,070 --> 00:44:27,199
♪ Pressed against
1327
00:44:25,070 --> 00:44:27,199
the window pane ♪
1328
00:44:27,199 --> 00:44:32,179
♪ My eyes search the skies
1329
00:44:27,199 --> 00:44:32,179
desperately for rain ♪
1330
00:44:32,179 --> 00:44:35,159
♪ 'Cause rain drops
1331
00:44:32,179 --> 00:44:35,159
will hide my tear drops ♪
1332
00:44:35,159 --> 00:44:39,079
♪ And no one will ever know
1333
00:44:35,159 --> 00:44:39,079
that I'm crying ♪
1334
00:44:39,079 --> 00:44:40,250
♪ Crying, crying ♪
1335
00:44:40,250 --> 00:44:43,159
♪ When I go outside ♪
1336
00:44:43,159 --> 00:44:47,280
♪ To the world outside my tears,
1337
00:44:43,159 --> 00:44:47,280
I refuse to explain ♪
1338
00:44:47,280 --> 00:44:49,179
♪ Ooh, I wish it would rain ♪
1339
00:44:49,179 --> 00:44:53,130
♪ Oh, how I wish
1340
00:44:49,179 --> 00:44:53,130
that it would rain ♪
1341
00:44:53,130 --> 00:44:56,289
♪♪♪
1342
00:44:56,289 --> 00:45:00,010
There was nowhere for sanctuary.
1343
00:45:00,010 --> 00:45:02,119
Outside, the world
1344
00:45:00,010 --> 00:45:02,119
was exploding,
1345
00:45:02,119 --> 00:45:05,230
and inside, so were we.
1346
00:45:05,230 --> 00:45:08,239
♪ Ooh, baby ♪
1347
00:45:08,239 --> 00:45:12,210
♪ Let it rain, let it rain ♪
1348
00:45:08,239 --> 00:45:12,210
♪ Let it rain ♪
1349
00:45:12,210 --> 00:45:19,110
♪ I need rain to disguise
1350
00:45:12,210 --> 00:45:19,110
the tears in my eyes, whoa ♪
1351
00:45:19,110 --> 00:45:23,099
♪ Let it rain, let it rain ♪
1352
00:45:19,110 --> 00:45:23,099
♪ Let it rain ♪
1353
00:45:23,099 --> 00:45:27,230
♪ I'm a man, and I got my pride,
1354
00:45:23,099 --> 00:45:27,230
I'm a man ♪
1355
00:45:27,230 --> 00:45:31,079
♪♪♪
1356
00:45:31,079 --> 00:45:34,230
♪ Let it rain ♪
1357
00:45:34,230 --> 00:45:38,260
♪♪♪
1358
00:45:41,019 --> 00:45:43,250
♪♪♪
1359
00:45:43,250 --> 00:45:46,230
Announcer: Broadway superstar
1360
00:45:43,250 --> 00:45:46,230
Billy Porter and a performance
1361
00:45:46,230 --> 00:45:49,139
from the upcoming "Diana,"
1362
00:45:46,230 --> 00:45:49,139
the new musical,
1363
00:45:49,139 --> 00:45:52,260
when "One Night Only:
1364
00:45:49,139 --> 00:45:52,260
The Best of Broadway" returns.
1365
00:45:52,260 --> 00:45:55,170
♪ Blame it all ♪
1366
00:45:52,260 --> 00:45:55,170
♪ On the nights on Broadway ♪
1367
00:45:55,170 --> 00:45:57,050
♪ Blame it
1368
00:45:55,170 --> 00:45:57,050
on the nights on Broadway ♪
1369
00:46:00,039 --> 00:46:00,059
.
1370
00:46:01,079 --> 00:46:01,110
♪♪♪
1371
00:46:04,130 --> 00:46:07,130
Hey, everybody.
1372
00:46:04,130 --> 00:46:07,130
Billy Porter here.
1373
00:46:07,130 --> 00:46:11,150
So, I made my Broadway debut
1374
00:46:07,130 --> 00:46:11,150
back in 1991
1375
00:46:11,150 --> 00:46:15,190
in the ensemble
1376
00:46:11,150 --> 00:46:15,190
of the musical "Miss Saigon."
1377
00:46:15,190 --> 00:46:20,000
At the time, our nation
1378
00:46:15,190 --> 00:46:20,000
was facing the scourge
1379
00:46:20,000 --> 00:46:21,159
of another pandemic.
1380
00:46:21,159 --> 00:46:25,090
That's when, from the hearts of
1381
00:46:21,159 --> 00:46:25,090
those in the theater community,
1382
00:46:25,090 --> 00:46:29,010
Broadway Cares/Equity
1383
00:46:25,090 --> 00:46:29,010
Fights AIDS was born.
1384
00:46:29,010 --> 00:46:32,239
And now here we are today in
1385
00:46:29,010 --> 00:46:32,239
the midst of another pandemic,
1386
00:46:32,239 --> 00:46:35,139
one that has shut down
1387
00:46:32,239 --> 00:46:35,139
our beloved theaters
1388
00:46:35,139 --> 00:46:37,190
for what will be
1389
00:46:35,139 --> 00:46:37,190
more than a year,
1390
00:46:37,190 --> 00:46:39,269
leaving many without a paycheck,
1391
00:46:39,269 --> 00:46:42,090
with health insurance
1392
00:46:39,269 --> 00:46:42,090
in jeopardy,
1393
00:46:42,090 --> 00:46:44,019
and with futures uncertain.
1394
00:46:44,019 --> 00:46:47,019
So again,
1395
00:46:44,019 --> 00:46:47,019
led by Broadway Cares,
1396
00:46:47,019 --> 00:46:50,210
we're turning our anger
1397
00:46:47,019 --> 00:46:50,210
and our sorrow into action
1398
00:46:50,210 --> 00:46:54,110
to help those struggling
1399
00:46:50,210 --> 00:46:54,110
during this pandemic.
1400
00:46:54,110 --> 00:46:56,119
When we're in the theater,
1401
00:46:56,119 --> 00:46:59,079
we have little red buckets
1402
00:46:56,119 --> 00:46:59,079
like these from Broadway Cares
1403
00:46:59,079 --> 00:47:01,269
that symbolize help and hope.
1404
00:47:01,269 --> 00:47:03,219
It's how audiences
1405
00:47:01,269 --> 00:47:03,219
make a difference
1406
00:47:03,219 --> 00:47:06,210
by donating on their way
1407
00:47:03,219 --> 00:47:06,210
out of the theater.
1408
00:47:06,210 --> 00:47:10,090
Tonight, your contribution
1409
00:47:06,210 --> 00:47:10,090
to the online red bucket
1410
00:47:10,090 --> 00:47:13,210
ensures those onstage
1411
00:47:10,090 --> 00:47:13,210
and behind the scenes
1412
00:47:13,210 --> 00:47:15,099
can pay for groceries,
1413
00:47:15,099 --> 00:47:17,199
see a doctor,
1414
00:47:15,099 --> 00:47:17,199
and get emergency help.
1415
00:47:17,199 --> 00:47:19,219
So join me by going to
1416
00:47:19,219 --> 00:47:24,210
broadwaycares.org/help2020.
1417
00:47:24,210 --> 00:47:28,159
And we thank you in advance
1418
00:47:24,210 --> 00:47:28,159
for your help
1419
00:47:28,159 --> 00:47:31,030
and your love
1420
00:47:28,159 --> 00:47:31,030
and your generosity.
1421
00:47:31,030 --> 00:47:33,210
God bless you all.
1422
00:47:33,210 --> 00:47:37,130
Just 19 days before its
1423
00:47:33,210 --> 00:47:37,130
scheduled March 31st opening,
1424
00:47:37,130 --> 00:47:40,239
the much-anticipated musical
1425
00:47:37,130 --> 00:47:40,239
about Diana, Princess of Wales,
1426
00:47:40,239 --> 00:47:43,090
was shut down
1427
00:47:40,239 --> 00:47:43,090
like so many other productions.
1428
00:47:43,090 --> 00:47:45,150
But tonight, we are lucky
1429
00:47:43,090 --> 00:47:45,150
to be able to bring you
1430
00:47:45,150 --> 00:47:48,199
one of its big numbers, a song
1431
00:47:45,150 --> 00:47:48,199
about Diana's relief and joy
1432
00:47:48,199 --> 00:47:51,050
about being freed
1433
00:47:48,199 --> 00:47:51,050
from the royal family.
1434
00:47:51,050 --> 00:47:53,190
Accompanied by Tony Award
1435
00:47:51,050 --> 00:47:53,190
winner David Bryan,
1436
00:47:53,190 --> 00:47:56,289
with the song "If,"
1437
00:47:53,190 --> 00:47:56,289
here is Jeanna de Waal.
1438
00:47:56,289 --> 00:48:03,039
♪♪♪
1439
00:48:03,039 --> 00:48:09,090
♪♪♪
1440
00:48:09,090 --> 00:48:15,050
♪ I offer my goodbyes
1441
00:48:09,090 --> 00:48:15,050
without compromise ♪
1442
00:48:15,050 --> 00:48:21,139
♪ A princess moving on ♪
1443
00:48:21,139 --> 00:48:26,190
♪ Beyond the palace staffs,
1444
00:48:21,139 --> 00:48:26,190
beyond the photographs ♪
1445
00:48:26,190 --> 00:48:33,030
♪ A fairy tale come and gone ♪
1446
00:48:33,030 --> 00:48:39,010
♪ All I shall do again,
1447
00:48:33,030 --> 00:48:39,010
stand in a queue again ♪
1448
00:48:39,010 --> 00:48:45,050
♪ Here's to not making news ♪
1449
00:48:45,050 --> 00:48:50,139
♪ A mother full of pride,
1450
00:48:45,050 --> 00:48:50,139
her prince is by her side ♪
1451
00:48:50,139 --> 00:48:56,170
♪ Her life finally hers
1452
00:48:50,139 --> 00:48:56,170
to choose ♪
1453
00:48:56,170 --> 00:49:01,159
♪ And I choose happiness,
1454
00:48:56,170 --> 00:49:01,159
I choose a fresh new start ♪
1455
00:49:01,159 --> 00:49:08,090
♪ I choose whatever lies ahead ♪
1456
00:49:08,090 --> 00:49:11,119
♪ If ♪
1457
00:49:08,090 --> 00:49:11,119
♪ If I can carry on ♪
1458
00:49:11,119 --> 00:49:14,130
♪ If ♪
1459
00:49:11,119 --> 00:49:14,130
♪ Stay calm and simply breathe ♪
1460
00:49:14,130 --> 00:49:17,119
♪ If ♪
1461
00:49:14,130 --> 00:49:17,119
♪ If I devote my soul ♪
1462
00:49:17,119 --> 00:49:20,099
♪ If ♪
1463
00:49:17,119 --> 00:49:20,099
♪ To every child in need ♪
1464
00:49:20,099 --> 00:49:23,119
♪ If ♪
1465
00:49:20,099 --> 00:49:23,119
♪ The Queen bestows her grace ♪
1466
00:49:23,119 --> 00:49:26,099
♪ If ♪
1467
00:49:23,119 --> 00:49:26,099
♪ And places me in charge ♪
1468
00:49:26,099 --> 00:49:29,119
♪ If ♪
1469
00:49:26,099 --> 00:49:29,119
♪ To represent the crown ♪
1470
00:49:29,119 --> 00:49:32,150
♪ If ♪
1471
00:49:29,119 --> 00:49:32,150
♪ Ambassador at large ♪
1472
00:49:32,150 --> 00:49:35,119
♪ If ♪
1473
00:49:32,150 --> 00:49:35,119
♪ I'll be their English rose ♪
1474
00:49:35,119 --> 00:49:38,119
♪ If ♪
1475
00:49:35,119 --> 00:49:38,119
♪ Their proudest
1476
00:49:35,119 --> 00:49:38,119
shining knight ♪
1477
00:49:38,119 --> 00:49:39,139
♪ If ♪
1478
00:49:39,139 --> 00:49:42,260
♪ And I'll light the world ♪
1479
00:49:42,260 --> 00:49:45,139
♪ I'll light the world ♪
1480
00:49:45,139 --> 00:49:48,110
♪♪♪
1481
00:49:48,110 --> 00:49:54,010
♪ But how does one begin
1482
00:49:48,110 --> 00:49:54,010
to shed her royal skin ♪
1483
00:49:54,010 --> 00:49:57,289
♪ Be better than before ♪
1484
00:49:57,289 --> 00:50:00,099
♪♪♪
1485
00:50:00,099 --> 00:50:05,110
♪ She discards her past,
1486
00:50:00,099 --> 00:50:05,110
all that she's amassed ♪
1487
00:50:05,110 --> 00:50:11,190
♪ Set free,
1488
00:50:05,110 --> 00:50:11,190
she'll do even more ♪
1489
00:50:11,190 --> 00:50:16,150
♪ I choose happiness,
1490
00:50:11,190 --> 00:50:16,150
I choose a fresh new start ♪
1491
00:50:16,150 --> 00:50:23,099
♪ I choose whatever lies ahead ♪
1492
00:50:23,099 --> 00:50:26,099
♪ If ♪
1493
00:50:23,099 --> 00:50:26,099
♪ I'll have another child ♪
1494
00:50:26,099 --> 00:50:29,110
♪ If ♪
1495
00:50:26,099 --> 00:50:29,110
♪ An answer to my prayer ♪
1496
00:50:29,110 --> 00:50:32,130
♪ If ♪
1497
00:50:29,110 --> 00:50:32,130
♪ Perhaps a baby girl ♪
1498
00:50:32,130 --> 00:50:35,099
♪ If ♪
1499
00:50:32,130 --> 00:50:35,099
♪ Or better yet a pair ♪
1500
00:50:35,099 --> 00:50:38,119
♪ If ♪
1501
00:50:35,099 --> 00:50:38,119
♪ If Charles steps aside ♪
1502
00:50:38,119 --> 00:50:41,110
♪ If ♪
1503
00:50:38,119 --> 00:50:41,110
♪ And lets my William reign ♪
1504
00:50:41,110 --> 00:50:44,110
♪ If ♪
1505
00:50:41,110 --> 00:50:44,110
♪ Then all this suffering ♪
1506
00:50:44,110 --> 00:50:47,099
♪ If ♪
1507
00:50:44,110 --> 00:50:47,099
♪ Will not have been in vain ♪
1508
00:50:47,099 --> 00:50:50,110
♪ If ♪
1509
00:50:47,099 --> 00:50:50,110
♪ My future's my design ♪
1510
00:50:50,110 --> 00:50:53,099
♪ If ♪
1511
00:50:50,110 --> 00:50:53,099
♪ My story's finally mine ♪
1512
00:50:53,099 --> 00:50:54,150
♪ If ♪
1513
00:50:54,150 --> 00:50:59,139
♪ And I'll light the world ♪
1514
00:51:00,289 --> 00:51:04,150
♪ I'll light the world ♪
1515
00:51:04,150 --> 00:51:11,260
♪♪♪
1516
00:51:11,260 --> 00:51:14,159
♪ Blame it all ♪
1517
00:51:11,260 --> 00:51:14,159
♪ On the nights on Broadway ♪
1518
00:51:14,159 --> 00:51:16,039
♪ Blame it
1519
00:51:14,159 --> 00:51:16,039
on the nights on Broadway ♪
1520
00:51:19,059 --> 00:51:19,079
.
1521
00:51:20,110 --> 00:51:20,139
♪♪♪
1522
00:51:23,179 --> 00:51:25,250
Sometimes the most
1523
00:51:23,179 --> 00:51:25,250
painful breakup
1524
00:51:25,250 --> 00:51:27,139
is a friendship breakup.
1525
00:51:27,139 --> 00:51:28,280
Here with a fiery anthem
1526
00:51:28,280 --> 00:51:31,210
about that very specific
1527
00:51:28,280 --> 00:51:31,210
kind of heartbreak
1528
00:51:31,210 --> 00:51:34,110
is Mary Kate Morrissey
1529
00:51:31,210 --> 00:51:34,110
from the cast of "Mean Girls"
1530
00:51:34,110 --> 00:51:36,190
singing "I'd Rather Be Me."
1531
00:51:36,190 --> 00:51:43,090
♪♪♪
1532
00:51:43,090 --> 00:51:44,210
♪ So your best friend
1533
00:51:43,090 --> 00:51:44,210
screwed you over ♪
1534
00:51:44,210 --> 00:51:46,190
♪ Acted nice when she not nice ♪
1535
00:51:46,190 --> 00:51:48,090
♪ Well, I have some advice ♪
1536
00:51:48,090 --> 00:51:50,010
♪ 'Cause it's happened
1537
00:51:48,090 --> 00:51:50,010
to me twice ♪
1538
00:51:50,010 --> 00:51:53,190
♪ Here's my secret strategy,
1539
00:51:50,010 --> 00:51:53,190
it always works because ♪
1540
00:51:53,190 --> 00:51:56,179
♪ The world doesn't end,
1541
00:51:53,190 --> 00:51:56,179
it just feels like it does ♪
1542
00:51:56,179 --> 00:52:00,070
♪ So raise your right finger ♪
1543
00:52:00,070 --> 00:52:03,250
♪ And solemnly swear ♪
1544
00:52:03,250 --> 00:52:07,070
♪ "Whatever they say about me ♪
1545
00:52:07,070 --> 00:52:10,170
♪ I don't care!" ♪
1546
00:52:10,170 --> 00:52:12,099
♪ I won't twist in knots
1547
00:52:10,170 --> 00:52:12,099
to join your game ♪
1548
00:52:12,099 --> 00:52:13,260
♪ I will say,
1549
00:52:12,099 --> 00:52:13,260
"You make me mad" ♪
1550
00:52:13,260 --> 00:52:17,110
♪ And if you treat me bad,
1551
00:52:13,260 --> 00:52:17,110
I'll say "you're bad" ♪
1552
00:52:17,110 --> 00:52:19,070
♪ And if I eat alone
1553
00:52:17,110 --> 00:52:19,070
from this moment on ♪
1554
00:52:19,070 --> 00:52:20,280
♪ That's just what I'll do ♪
1555
00:52:20,280 --> 00:52:24,130
♪ 'Cause I'd rather be me,
1556
00:52:20,280 --> 00:52:24,130
I'd rather be me ♪
1557
00:52:24,130 --> 00:52:29,070
♪ I'd rather be me
1558
00:52:24,130 --> 00:52:29,070
than be with you ♪
1559
00:52:29,070 --> 00:52:30,159
[ Laughs ]
1560
00:52:30,159 --> 00:52:32,239
Oh, we're supposed
1561
00:52:30,159 --> 00:52:32,239
to all be ladies
1562
00:52:32,239 --> 00:52:34,219
and be nurturing and care.
1563
00:52:34,219 --> 00:52:35,269
But is that really fair?
1564
00:52:35,269 --> 00:52:38,010
Boys get to fight,
1565
00:52:35,269 --> 00:52:38,010
and we have to share.
1566
00:52:38,010 --> 00:52:39,119
Here's the way that turns out.
1567
00:52:39,119 --> 00:52:41,139
♪ We always understand ♪
1568
00:52:41,139 --> 00:52:44,170
♪ How to slap someone down
1569
00:52:41,139 --> 00:52:44,170
with our underhand ♪
1570
00:52:44,170 --> 00:52:48,099
♪ So here's my right finger ♪
1571
00:52:48,099 --> 00:52:52,019
♪ To how girls should behave ♪
1572
00:52:52,019 --> 00:52:55,070
♪ Sometimes what's meant
1573
00:52:52,019 --> 00:52:55,070
to break you ♪
1574
00:52:55,070 --> 00:52:58,190
♪ Makes you brave ♪
1575
00:52:58,190 --> 00:53:00,090
♪ So I will not act
1576
00:52:58,190 --> 00:53:00,090
all innocent ♪
1577
00:53:00,090 --> 00:53:01,250
♪ I won't fake apologize ♪
1578
00:53:01,250 --> 00:53:05,159
♪ Let's just fight and then
1579
00:53:01,250 --> 00:53:05,159
make up, not tell these lies ♪
1580
00:53:05,159 --> 00:53:07,000
♪ Let's call our damage even ♪
1581
00:53:07,000 --> 00:53:08,280
♪ Clean the slate
1582
00:53:07,000 --> 00:53:08,280
till it's like new ♪
1583
00:53:08,280 --> 00:53:12,139
♪ It's a new life for me
1584
00:53:08,280 --> 00:53:12,139
where I'd rather be me ♪
1585
00:53:12,139 --> 00:53:17,230
♪ I'd rather be me
1586
00:53:12,139 --> 00:53:17,230
than be with you ♪
1587
00:53:17,230 --> 00:53:18,289
[ Chuckles ]
1588
00:53:18,289 --> 00:53:20,280
♪ I'll say no,
1589
00:53:18,289 --> 00:53:20,280
I'll say knock it off ♪
1590
00:53:20,280 --> 00:53:22,179
♪ With your notes and your rules
1591
00:53:20,280 --> 00:53:22,179
and your games ♪
1592
00:53:22,179 --> 00:53:24,090
♪ And those sycophants
1593
00:53:22,179 --> 00:53:24,090
who follow you ♪
1594
00:53:24,090 --> 00:53:25,250
♪ I'll remember
1595
00:53:24,090 --> 00:53:25,250
all their names ♪
1596
00:53:25,250 --> 00:53:29,199
♪ And when they drag you down
1597
00:53:25,250 --> 00:53:29,199
as they inevitably do ♪
1598
00:53:29,199 --> 00:53:31,090
♪ I will not laugh
1599
00:53:29,199 --> 00:53:31,090
along with them ♪
1600
00:53:31,090 --> 00:53:34,110
♪ And approve their palace coup
1601
00:53:31,090 --> 00:53:34,110
'cause that's not me ♪
1602
00:53:34,110 --> 00:53:36,070
[ Giggles ]
1603
00:53:36,070 --> 00:53:37,280
♪ I don't need
1604
00:53:36,070 --> 00:53:37,280
their good opinions ♪
1605
00:53:37,280 --> 00:53:39,260
♪ I've got plenty of opinions ♪
1606
00:53:39,260 --> 00:53:43,079
♪ Everybody has opinions,
1607
00:53:39,260 --> 00:53:43,079
but it doesn't make them true ♪
1608
00:53:43,079 --> 00:53:46,210
♪ What's true is being me
1609
00:53:43,079 --> 00:53:46,210
and I'd rather be me ♪
1610
00:53:46,210 --> 00:53:53,079
♪ I'd rather be me
1611
00:53:46,210 --> 00:53:53,079
than be with you ♪
1612
00:53:53,079 --> 00:53:56,199
♪ So raise them high,
1613
00:53:53,079 --> 00:53:56,199
'cause playing nice and shy ♪
1614
00:53:56,199 --> 00:54:01,079
♪ Is insulting my IQ ♪
1615
00:54:01,079 --> 00:54:04,190
♪ I'd rather be me,
1616
00:54:01,079 --> 00:54:04,190
I'd rather be me ♪
1617
00:54:04,190 --> 00:54:08,039
♪ I'd rather be me
1618
00:54:04,190 --> 00:54:08,039
than be with you ♪
1619
00:54:08,039 --> 00:54:11,139
♪ I'd rather be me,
1620
00:54:08,039 --> 00:54:11,139
I'd rather be me ♪
1621
00:54:11,139 --> 00:54:16,039
♪ I'd rather be me than be ♪
1622
00:54:16,039 --> 00:54:23,250
♪ With you ♪
1623
00:54:25,159 --> 00:54:30,070
My whole career has been
1624
00:54:25,159 --> 00:54:30,070
about being a Bro--
1625
00:54:30,070 --> 00:54:33,000
It wasn't about being
1626
00:54:30,070 --> 00:54:33,000
a television or TV star.
1627
00:54:33,000 --> 00:54:35,019
It was about being
1628
00:54:33,000 --> 00:54:35,019
a Broadway star.
1629
00:54:35,019 --> 00:54:39,110
It was about being Broadway.
1630
00:54:35,019 --> 00:54:39,110
doing August Wilson on Broadway.
1631
00:54:39,110 --> 00:54:42,059
I was doing "Sunday in the Park"
1632
00:54:39,110 --> 00:54:42,059
with George
1633
00:54:42,059 --> 00:54:45,119
at the Hudson Theater.
1634
00:54:45,119 --> 00:54:47,269
I didn't know that Mandy
1635
00:54:45,119 --> 00:54:47,269
Patinkin was in the audience.
1636
00:54:47,269 --> 00:54:49,199
And sure enough,
1637
00:54:47,269 --> 00:54:49,199
at the end of the show,
1638
00:54:49,199 --> 00:54:52,050
Mandy came backstage.
1639
00:54:52,050 --> 00:54:54,150
And we said nothing.
1640
00:54:54,150 --> 00:54:57,070
He just opened his arms
1641
00:54:54,150 --> 00:54:57,070
and threw them around me.
1642
00:54:57,070 --> 00:55:00,230
To be there onstage playing
1643
00:54:57,070 --> 00:55:00,230
a role that he originated
1644
00:55:00,230 --> 00:55:02,019
and to have him see me in it
1645
00:55:02,019 --> 00:55:06,199
and to have him be moved
1646
00:55:02,019 --> 00:55:06,199
as much as he was,
1647
00:55:06,199 --> 00:55:10,019
I will never, ever
1648
00:55:06,199 --> 00:55:10,019
forget that moment.
1649
00:55:10,019 --> 00:55:11,170
Foster: There's nothing like
1650
00:55:10,019 --> 00:55:11,170
performing live.
1651
00:55:11,170 --> 00:55:14,099
There's nothing like
1652
00:55:11,170 --> 00:55:14,099
sharing an experience
1653
00:55:14,099 --> 00:55:18,019
with 1,000 other people.
1654
00:55:18,019 --> 00:55:20,139
Tveit: I grew up only about an
1655
00:55:18,019 --> 00:55:20,139
hour outside of New York City.
1656
00:55:20,139 --> 00:55:23,070
And so when I joined the
1657
00:55:20,139 --> 00:55:23,070
Broadway "Hairspray" company,
1658
00:55:23,070 --> 00:55:26,280
I found out that about 75 people
1659
00:55:23,070 --> 00:55:26,280
from my hometown
1660
00:55:26,280 --> 00:55:28,269
were coming to my opening night.
1661
00:55:28,269 --> 00:55:30,289
My high school chorus teacher
1662
00:55:28,269 --> 00:55:30,289
actually chartered a bus,
1663
00:55:30,289 --> 00:55:33,139
and a bunch of people piled in
1664
00:55:30,289 --> 00:55:33,139
and came down and supported.
1665
00:55:33,139 --> 00:55:37,159
I got entrance applause.
1666
00:55:33,139 --> 00:55:37,159
People were just going berserk.
1667
00:55:37,159 --> 00:55:39,050
Stamos: You don't want to know
1668
00:55:37,159 --> 00:55:39,050
who's in the audience.
1669
00:55:39,050 --> 00:55:41,070
Early on, it was like,
1670
00:55:39,050 --> 00:55:41,070
"Henry Kissinger's here."
1671
00:55:41,070 --> 00:55:43,039
It was like, "Oh --"
1672
00:55:41,070 --> 00:55:43,039
I said, "I'm nervous --"
1673
00:55:43,039 --> 00:55:45,110
"Just don't look at him.
1674
00:55:43,039 --> 00:55:45,110
Don't let the Secret Serv--
1675
00:55:45,110 --> 00:55:46,219
You know, don't,
1676
00:55:45,110 --> 00:55:46,219
whatever you do --"
1677
00:55:46,219 --> 00:55:49,179
And I got through the first act
1678
00:55:46,219 --> 00:55:49,179
pretty well without --
1679
00:55:49,179 --> 00:55:51,210
I didn't look. I was just --
1680
00:55:49,179 --> 00:55:51,210
But I knew he was over there.
1681
00:55:51,210 --> 00:55:52,289
The second act comes up,
1682
00:55:52,289 --> 00:55:54,219
and I said,
1683
00:55:52,289 --> 00:55:54,219
"I got to look at Henry."
1684
00:55:54,219 --> 00:55:57,179
I look. He's like [Snoring]
1685
00:55:57,179 --> 00:56:02,260
♪♪♪
1686
00:56:02,260 --> 00:56:04,000
Announcer: Please welcome
1687
00:56:04,000 --> 00:56:07,010
country music superstar
1688
00:56:04,000 --> 00:56:07,010
Brett Eldredge.
1689
00:56:07,010 --> 00:56:09,280
I'm originally from Illinois,
1690
00:56:07,010 --> 00:56:09,280
but I love "Oklahoma."
1691
00:56:09,280 --> 00:56:11,059
Although the state is fine,
1692
00:56:11,059 --> 00:56:13,119
I'm talking about
1693
00:56:11,059 --> 00:56:13,119
the musical "Oklahoma."
1694
00:56:13,119 --> 00:56:15,179
Who doesn't love it?
1695
00:56:13,119 --> 00:56:15,179
It changed Broadway forever.
1696
00:56:15,179 --> 00:56:17,030
It was the first
1697
00:56:15,179 --> 00:56:17,030
American musical
1698
00:56:17,030 --> 00:56:18,210
to play around the world
1699
00:56:18,210 --> 00:56:21,119
and had its fifth revival
1700
00:56:18,210 --> 00:56:21,119
in 2019.
1701
00:56:21,119 --> 00:56:23,190
It has one of the greatest
1702
00:56:21,119 --> 00:56:23,190
Broadway opening numbers
1703
00:56:23,190 --> 00:56:25,139
of all time.
1704
00:56:25,139 --> 00:56:33,050
♪♪♪
1705
00:56:33,050 --> 00:56:40,010
♪ There's a bright golden haze
1706
00:56:33,050 --> 00:56:40,010
on the meadow ♪
1707
00:56:40,010 --> 00:56:46,079
♪ There's a bright golden
1708
00:56:40,010 --> 00:56:46,079
haze on the meadow ♪
1709
00:56:46,079 --> 00:56:53,289
♪ The corn is as high
1710
00:56:46,079 --> 00:56:53,289
as an elephant's eye ♪
1711
00:56:53,289 --> 00:57:02,260
♪ And looks like its climbin'
1712
00:56:53,289 --> 00:57:02,260
clear up to the sky ♪
1713
00:57:02,260 --> 00:57:08,050
♪ Oh, what a beautiful morning ♪
1714
00:57:08,050 --> 00:57:13,260
♪ Oh, what a beautiful day ♪
1715
00:57:13,260 --> 00:57:19,280
♪ I got a beautiful feeling ♪
1716
00:57:19,280 --> 00:57:25,250
♪ Everything's going my way ♪
1717
00:57:25,250 --> 00:57:30,280
♪♪♪
1718
00:57:30,280 --> 00:57:36,230
♪ All the cattle are standing
1719
00:57:30,280 --> 00:57:36,230
like statues ♪
1720
00:57:36,230 --> 00:57:42,039
♪ All the cattle
1721
00:57:36,230 --> 00:57:42,039
are standing like statues ♪
1722
00:57:42,039 --> 00:57:49,210
♪ They don't turn their heads
1723
00:57:42,039 --> 00:57:49,210
as they see me ride by ♪
1724
00:57:49,210 --> 00:57:59,010
♪ But a little brown mav'rick
1725
00:57:49,210 --> 00:57:59,010
is winking her eye ♪
1726
00:57:59,010 --> 00:58:04,269
♪ Oh, what a beautiful morning ♪
1727
00:58:04,269 --> 00:58:10,250
♪ Oh, what a beautiful day ♪
1728
00:58:10,250 --> 00:58:16,139
♪ I got a beautiful feeling ♪
1729
00:58:16,139 --> 00:58:22,199
♪ Everything's going my way ♪
1730
00:58:22,199 --> 00:58:25,099
[ Humming ]
1731
00:58:25,099 --> 00:58:27,150
♪♪♪
1732
00:58:27,150 --> 00:58:33,159
♪ All the sounds of the earth
1733
00:58:27,150 --> 00:58:33,159
are like music ♪
1734
00:58:33,159 --> 00:58:39,039
♪ All the sounds
1735
00:58:33,159 --> 00:58:39,039
of the earth are like music ♪
1736
00:58:39,039 --> 00:58:46,019
♪ The breeze is so busy
1737
00:58:39,039 --> 00:58:46,019
it don't miss a tree ♪
1738
00:58:46,019 --> 00:58:54,199
♪ And an ol' Weepin' Willer
1739
00:58:46,019 --> 00:58:54,199
is laughin' at me ♪
1740
00:58:54,199 --> 00:59:00,079
♪ Oh, what a beautiful morning ♪
1741
00:59:00,079 --> 00:59:05,250
♪ Oh, what a beautiful day ♪
1742
00:59:05,250 --> 00:59:11,030
♪ I got a beautiful feeling ♪
1743
00:59:11,030 --> 00:59:17,239
♪ Everything's going my way ♪
1744
00:59:17,239 --> 00:59:24,170
♪ Oh, what a beautiful ♪
1745
00:59:24,170 --> 00:59:34,070
♪ Day ♪
1746
00:59:34,070 --> 00:59:38,139
♪♪♪
1747
00:59:40,059 --> 00:59:42,260
♪♪♪
1748
00:59:42,260 --> 00:59:44,219
Announcer: A number
1749
00:59:42,260 --> 00:59:44,219
from Broadway's longest running
1750
00:59:44,219 --> 00:59:47,039
American musical "Chicago,"
1751
00:59:47,039 --> 00:59:49,130
jukebox classic "Jersey Boys,"
1752
00:59:49,130 --> 00:59:51,250
and a message from Sean Hayes,
1753
00:59:51,250 --> 00:59:55,250
when "One Night Only:
1754
00:59:51,250 --> 00:59:55,250
The Best of Broadway" continues.
1755
00:59:55,250 --> 00:59:59,059
♪ Singin' them love songs,
1756
00:59:55,250 --> 00:59:59,059
singin' them ♪
1757
01:00:02,070 --> 01:00:02,090
.
1758
01:00:03,119 --> 01:00:03,150
♪♪♪
1759
01:00:07,110 --> 01:00:09,039
We're back in New York's
1760
01:00:07,110 --> 01:00:09,039
Theater District
1761
01:00:09,039 --> 01:00:11,190
on "One Night Only:
1762
01:00:09,039 --> 01:00:11,190
The Best of Broadway."
1763
01:00:11,190 --> 01:00:13,289
One of the most iconic
1764
01:00:11,190 --> 01:00:13,289
characters ever to appear
1765
01:00:13,289 --> 01:00:15,239
on a Broadway stage
1766
01:00:13,289 --> 01:00:15,239
is Mama Morton,
1767
01:00:15,239 --> 01:00:19,000
the matron of the Cook County
1768
01:00:15,239 --> 01:00:19,000
Jail in the musical "Chicago."
1769
01:00:19,000 --> 01:00:21,219
Here to show exactly why
1770
01:00:19,000 --> 01:00:21,219
"Chicago" is the longest running
1771
01:00:21,219 --> 01:00:23,250
American musical
1772
01:00:21,219 --> 01:00:23,250
in Broadway history
1773
01:00:23,250 --> 01:00:26,019
is NaTasha Yvette Williams
1774
01:00:23,250 --> 01:00:26,019
performing
1775
01:00:26,019 --> 01:00:28,119
"When You're Good to Mama."
1776
01:00:28,119 --> 01:00:34,000
♪♪♪
1777
01:00:34,000 --> 01:00:39,190
♪♪♪
1778
01:00:39,190 --> 01:00:44,130
♪ Ask any of the chickies
1779
01:00:39,190 --> 01:00:44,130
in my pen ♪
1780
01:00:44,130 --> 01:00:50,119
♪ They'll tell you
1781
01:00:44,130 --> 01:00:50,119
I'm the biggest mother hen ♪
1782
01:00:50,119 --> 01:00:55,039
♪ I love them all
1783
01:00:50,119 --> 01:00:55,039
and all of them love me ♪
1784
01:00:55,039 --> 01:00:59,170
♪ 'Cause the system works,
1785
01:00:55,039 --> 01:00:59,170
the system called ♪
1786
01:00:59,170 --> 01:01:06,219
♪ Reciprocity ♪
1787
01:01:06,219 --> 01:01:09,079
♪♪♪
1788
01:01:09,079 --> 01:01:12,130
[ Laughs ]
1789
01:01:12,130 --> 01:01:15,139
♪ Got a little motto ♪
1790
01:01:15,139 --> 01:01:18,139
♪ Always sees me through ♪
1791
01:01:18,139 --> 01:01:21,119
♪ When you're good to Mama ♪
1792
01:01:21,119 --> 01:01:26,010
♪ Mama's good to you ♪
1793
01:01:26,010 --> 01:01:29,019
♪ There's a lot of favors ♪
1794
01:01:29,019 --> 01:01:32,030
♪ I'm prepared to do ♪
1795
01:01:32,030 --> 01:01:35,039
♪ You do one for Mama ♪
1796
01:01:35,039 --> 01:01:39,090
♪ She'll do one for you ♪
1797
01:01:39,090 --> 01:01:42,219
♪ They say that life
1798
01:01:39,090 --> 01:01:42,219
is tit for tat ♪
1799
01:01:42,219 --> 01:01:45,230
♪ And that's the way I live ♪
1800
01:01:45,230 --> 01:01:48,219
♪ So I deserve a lot of tat ♪
1801
01:01:48,219 --> 01:01:51,269
♪ For what I got to give ♪
1802
01:01:51,269 --> 01:01:54,260
♪ Don't you know
1803
01:01:51,269 --> 01:01:54,260
that this hand ♪
1804
01:01:54,260 --> 01:01:57,269
♪ Washes that one, too? ♪
1805
01:01:57,269 --> 01:02:00,269
♪ When you're good to Mama ♪
1806
01:02:00,269 --> 01:02:09,219
♪ Mama's good to you ♪
1807
01:02:09,219 --> 01:02:15,219
♪ The folks atop the ladder
1808
01:02:09,219 --> 01:02:15,219
are the ones the world adores ♪
1809
01:02:15,219 --> 01:02:19,050
♪ So boost me
1810
01:02:15,219 --> 01:02:19,050
up my ladder, kid ♪
1811
01:02:19,050 --> 01:02:22,079
♪ And I'll boost you up yours ♪
1812
01:02:22,079 --> 01:02:25,070
♪ Let's all stroke together ♪
1813
01:02:25,070 --> 01:02:28,090
♪ Like the Princeton crew ♪
1814
01:02:28,090 --> 01:02:31,150
♪ When you're strokin' Mama ♪
1815
01:02:31,150 --> 01:02:38,050
♪ Mama's strokin' you ♪
1816
01:02:38,050 --> 01:02:40,179
♪ What's the one conclusion ♪
1817
01:02:40,179 --> 01:02:45,239
♪ I can bring this number to? ♪
1818
01:02:45,239 --> 01:02:53,079
♪ When you're good to Mama ♪
1819
01:02:53,079 --> 01:02:57,190
♪ Mama's good ♪
1820
01:02:57,190 --> 01:03:03,130
♪ To you ♪
1821
01:03:03,130 --> 01:03:07,269
♪ To you ♪
1822
01:03:09,269 --> 01:03:15,059
When I got my first
1823
01:03:09,269 --> 01:03:15,059
Broadway show, I was thrilled.
1824
01:03:15,059 --> 01:03:18,159
I wanted to do
1825
01:03:15,059 --> 01:03:18,159
just a decent-enough job
1826
01:03:18,159 --> 01:03:21,179
to make my mom
1827
01:03:18,159 --> 01:03:21,179
not embarrassed of me.
1828
01:03:21,179 --> 01:03:23,199
But what was more important
1829
01:03:21,179 --> 01:03:23,199
than that
1830
01:03:23,199 --> 01:03:25,079
and any success I might achieve
1831
01:03:25,079 --> 01:03:28,260
was the way that the Broadway
1832
01:03:25,079 --> 01:03:28,260
community embraced me
1833
01:03:28,260 --> 01:03:30,150
and made me feel accepted.
1834
01:03:30,150 --> 01:03:31,280
They made me feel safe.
1835
01:03:31,280 --> 01:03:34,230
They made me feel taken care of.
1836
01:03:34,230 --> 01:03:37,010
So you can't know
1837
01:03:34,230 --> 01:03:37,010
how awesome it feels
1838
01:03:37,010 --> 01:03:40,019
to be a part of Broadway
1839
01:03:37,010 --> 01:03:40,019
Cares/Equity Fights AIDS
1840
01:03:40,019 --> 01:03:43,010
and return the favor
1841
01:03:40,019 --> 01:03:43,010
and take care of those people
1842
01:03:43,010 --> 01:03:45,250
that welcomed me
1843
01:03:43,010 --> 01:03:45,250
into their lives.
1844
01:03:45,250 --> 01:03:49,079
During the year, the casts
1845
01:03:45,250 --> 01:03:49,079
and crews of Broadway shows
1846
01:03:49,079 --> 01:03:51,119
will appeal to our inner good
1847
01:03:51,119 --> 01:03:54,239
and ask for donations
1848
01:03:51,119 --> 01:03:54,239
from the audience
1849
01:03:54,239 --> 01:03:58,039
in this little red bucket
1850
01:03:54,239 --> 01:03:58,039
as they leave the theater.
1851
01:03:58,039 --> 01:04:01,000
And tonight,
1852
01:03:58,039 --> 01:04:01,000
I'm asking you to help me
1853
01:04:01,000 --> 01:04:03,139
fill this red bucket again.
1854
01:04:03,139 --> 01:04:05,199
Broadway is closed,
1855
01:04:05,199 --> 01:04:10,280
and those people who make
1856
01:04:05,199 --> 01:04:10,280
Broadway so magical need us.
1857
01:04:10,280 --> 01:04:15,170
So please help
1858
01:04:10,280 --> 01:04:15,170
and make a donation if you can.
1859
01:04:15,170 --> 01:04:19,130
You'll be providing groceries,
1860
01:04:15,170 --> 01:04:19,130
medicine, and hope
1861
01:04:19,130 --> 01:04:22,079
to all of those people
1862
01:04:19,130 --> 01:04:22,079
working offstage, onstage,
1863
01:04:22,079 --> 01:04:24,039
backstage, behind the scenes.
1864
01:04:24,039 --> 01:04:26,230
This entire awesome
1865
01:04:24,039 --> 01:04:26,230
community needs it.
1866
01:04:26,230 --> 01:04:28,230
So let's fill
1867
01:04:26,230 --> 01:04:28,230
this red bucket together
1868
01:04:28,230 --> 01:04:30,269
for the most awesome people
1869
01:04:28,230 --> 01:04:30,269
on the planet.
1870
01:04:30,269 --> 01:04:38,070
Please go to
1871
01:04:30,269 --> 01:04:38,070
broadwaycares.org/help2020
1872
01:04:38,070 --> 01:04:40,119
And now it's time
1873
01:04:38,070 --> 01:04:40,119
for our next performance.
1874
01:04:40,119 --> 01:04:42,070
It's from "Jersey Boys,"
1875
01:04:40,119 --> 01:04:42,070
which might just be
1876
01:04:42,070 --> 01:04:45,110
the perfect jukebox musical,
1877
01:04:42,070 --> 01:04:45,110
bringing to the stage the songs
1878
01:04:45,110 --> 01:04:47,269
and story of Frankie Valli
1879
01:04:45,110 --> 01:04:47,269
and the Four Seasons,
1880
01:04:47,269 --> 01:04:50,030
whose talents took them
1881
01:04:47,269 --> 01:04:50,030
from the streets of New Jersey
1882
01:04:50,030 --> 01:04:52,010
to the Rock & Roll Hall of Fame.
1883
01:04:52,010 --> 01:04:54,110
The show opened
1884
01:04:52,010 --> 01:04:54,110
on Broadway in 2005
1885
01:04:54,110 --> 01:04:59,000
and ran for an incredible
1886
01:04:54,110 --> 01:04:59,000
4,642 performances
1887
01:04:59,000 --> 01:05:01,039
and will continue to play
1888
01:04:59,000 --> 01:05:01,039
at the New World Stages
1889
01:05:01,039 --> 01:05:03,269
in New York City
1890
01:05:01,039 --> 01:05:03,269
when theaters can reopen.
1891
01:05:03,269 --> 01:05:11,090
♪♪♪
1892
01:05:11,090 --> 01:05:15,000
♪ Sherry, Sherry, baby ♪
1893
01:05:15,000 --> 01:05:18,210
♪ Sherry, Sherry, baby ♪
1894
01:05:18,210 --> 01:05:22,130
♪ Sherry ♪
1895
01:05:18,210 --> 01:05:22,130
♪ Sherry, Sherry, baby ♪
1896
01:05:22,130 --> 01:05:24,210
♪ Baby ♪
1897
01:05:24,210 --> 01:05:26,010
♪ Sherry, baby ♪
1898
01:05:26,010 --> 01:05:30,070
♪ Sherry, can you
1899
01:05:26,010 --> 01:05:30,070
come out tonight? ♪
1900
01:05:30,070 --> 01:05:33,119
♪ Come, come, come out tonight ♪
1901
01:05:33,119 --> 01:05:39,139
♪ Sherry, baby ♪
1902
01:05:39,139 --> 01:05:40,250
♪ Sherry, baby ♪
1903
01:05:40,250 --> 01:05:46,269
♪ Sherry, can you
1904
01:05:40,250 --> 01:05:46,269
come out tonight? ♪
1905
01:05:46,269 --> 01:05:49,039
♪ Why don't you come out ♪
1906
01:05:49,039 --> 01:05:51,280
♪ Come to my twist party ♪
1907
01:05:51,280 --> 01:05:53,030
♪ Come out ♪
1908
01:05:53,030 --> 01:05:55,170
♪ Where the bright moon shines ♪
1909
01:05:55,170 --> 01:05:57,000
♪ Come out ♪
1910
01:05:57,000 --> 01:05:59,150
♪ We'll dance the night away ♪
1911
01:05:59,150 --> 01:06:03,030
♪ I'm gonna make you mine ♪
1912
01:06:03,030 --> 01:06:04,250
♪♪♪
1913
01:06:04,250 --> 01:06:12,030
♪ Big girls don't cry,
1914
01:06:04,250 --> 01:06:12,030
big girls don't cry ♪
1915
01:06:12,030 --> 01:06:14,269
♪ Big girls ♪
1916
01:06:14,269 --> 01:06:17,159
♪ Don't cry ♪
1917
01:06:17,159 --> 01:06:19,119
♪ They don't cry ♪
1918
01:06:19,119 --> 01:06:23,150
♪ Big girls don't cry ♪
1919
01:06:23,150 --> 01:06:26,179
♪ Who said they don't cry ♪
1920
01:06:26,179 --> 01:06:32,010
♪ My girl said goodbye ♪
1921
01:06:32,010 --> 01:06:33,230
♪ My, oh, my ♪
1922
01:06:33,230 --> 01:06:37,289
♪ My girl didn't cry ♪
1923
01:06:37,289 --> 01:06:40,030
♪ I wonder why ♪
1924
01:06:40,030 --> 01:06:41,190
♪ Silly girl ♪
1925
01:06:41,190 --> 01:06:43,269
♪ Shame on you,
1926
01:06:41,190 --> 01:06:43,269
your mama said ♪
1927
01:06:43,269 --> 01:06:45,079
♪ Silly girl ♪
1928
01:06:45,079 --> 01:06:47,159
♪ Shame on you,
1929
01:06:45,079 --> 01:06:47,159
you cried in bed ♪
1930
01:06:47,159 --> 01:06:48,280
♪ Silly girl ♪
1931
01:06:48,280 --> 01:06:52,019
♪ Shame on you, you told a lie ♪
1932
01:06:52,019 --> 01:06:55,230
♪ Big girls do cry ♪
1933
01:06:55,230 --> 01:06:58,159
♪ Big girls ♪
1934
01:06:58,159 --> 01:07:01,050
♪ Don't cry ♪
1935
01:07:01,050 --> 01:07:03,010
♪ They don't cry ♪
1936
01:07:03,010 --> 01:07:07,030
♪ Big girls don't cry ♪
1937
01:07:07,030 --> 01:07:10,090
♪ That's just an alibi ♪
1938
01:07:10,090 --> 01:07:18,030
♪ Big girls don't cry,
1939
01:07:10,090 --> 01:07:18,030
big girls don't cry ♪
1940
01:07:18,030 --> 01:07:21,219
[ High-pitched vocalizing ]
1941
01:07:21,219 --> 01:07:25,110
♪ Walk, walk, walk, walk ♪
1942
01:07:25,110 --> 01:07:28,119
[ High-pitched vocalizing ]
1943
01:07:28,119 --> 01:07:35,219
♪ Walk like a man ♪
1944
01:07:35,219 --> 01:07:39,110
♪ Oh, how you tried
1945
01:07:35,219 --> 01:07:39,110
to cut me down to size ♪
1946
01:07:39,110 --> 01:07:43,010
♪ Tellin' dirty lies
1947
01:07:39,110 --> 01:07:43,010
to my friends ♪
1948
01:07:43,010 --> 01:07:46,110
♪ My own father said,
1949
01:07:43,010 --> 01:07:46,110
"Give her up, don't bother ♪
1950
01:07:46,110 --> 01:07:48,269
♪ The world isn't
1951
01:07:46,110 --> 01:07:48,269
comin' to an end" ♪
1952
01:07:48,269 --> 01:07:50,070
♪ He said ♪
1953
01:07:50,070 --> 01:07:53,280
♪ Walk like a man,
1954
01:07:50,070 --> 01:07:53,280
talk like a man ♪
1955
01:07:53,280 --> 01:07:57,159
♪ Walk like a man, my son ♪
1956
01:07:57,159 --> 01:08:00,289
♪ No woman's worth
1957
01:07:57,159 --> 01:08:00,289
crawlin' on the earth ♪
1958
01:08:00,289 --> 01:08:05,090
♪ So walk like a man, my son ♪
1959
01:08:05,090 --> 01:08:08,280
[ High-pitched vocalizing ]
1960
01:08:08,280 --> 01:08:12,170
♪ Walk, walk, walk, walk ♪
1961
01:08:12,170 --> 01:08:15,199
[ High-pitched vocalizing ]
1962
01:08:15,199 --> 01:08:22,279
♪ Walk like a man ♪
1963
01:08:22,279 --> 01:08:32,060
♪ Like a man ♪
1964
01:08:32,060 --> 01:08:34,100
♪♪♪
1965
01:08:36,060 --> 01:08:39,029
♪♪♪
1966
01:08:39,029 --> 01:08:42,170
Announcer: Antonio Banderas in a
1967
01:08:39,029 --> 01:08:42,170
performance from "A Chorus Line"
1968
01:08:42,170 --> 01:08:45,119
and the magic of "Harry Potter
1969
01:08:42,170 --> 01:08:45,119
and the Cursed Child,"
1970
01:08:45,119 --> 01:08:48,250
when "One Night Only:
1971
01:08:45,119 --> 01:08:48,250
The Best of Broadway" returns.
1972
01:08:48,250 --> 01:08:50,189
♪ On the nights on Broadway ♪
1973
01:08:50,189 --> 01:08:52,000
♪ Blame it
1974
01:08:50,189 --> 01:08:52,000
on the nights on Broadway ♪
1975
01:08:52,000 --> 01:08:54,079
♪ Singin' them love songs ♪
1976
01:08:57,050 --> 01:08:57,069
.
1977
01:08:58,060 --> 01:09:02,020
♪♪♪
1978
01:09:06,020 --> 01:09:08,189
For "Harry Potter" fans,
1979
01:09:06,020 --> 01:09:08,189
it was a dream come true
1980
01:09:08,189 --> 01:09:11,039
when "Harry Potter and the
1981
01:09:08,189 --> 01:09:11,039
Cursed Child" opened on Broadway
1982
01:09:11,039 --> 01:09:12,189
in 2018.
1983
01:09:12,189 --> 01:09:15,130
The play, the eighth story in
1984
01:09:12,189 --> 01:09:15,130
the series, was a huge success,
1985
01:09:15,130 --> 01:09:16,239
winning six Tony Awards,
1986
01:09:16,239 --> 01:09:19,090
and it gave fans of the books
1987
01:09:16,239 --> 01:09:19,090
and movies a chance
1988
01:09:19,090 --> 01:09:22,020
to see the magic
1989
01:09:19,090 --> 01:09:22,020
of "Harry Potter" live onstage.
1990
01:09:22,020 --> 01:09:23,289
And now let's check in
1991
01:09:22,020 --> 01:09:23,289
with three of the stars
1992
01:09:23,289 --> 01:09:26,189
of "Harry Potter and
1993
01:09:23,289 --> 01:09:26,189
the Cursed Child," James Romney,
1994
01:09:26,189 --> 01:09:29,069
Brady Dalton Richards,
1995
01:09:26,189 --> 01:09:29,069
and Nadia Brown.
1996
01:09:29,069 --> 01:09:30,260
Hi, Tina.
1997
01:09:29,069 --> 01:09:30,260
Hi, Tina.
1998
01:09:29,069 --> 01:09:30,260
Hi, Tina.
1999
01:09:30,260 --> 01:09:32,210
We are honored to be here
2000
01:09:32,210 --> 01:09:34,020
to help celebrate
2001
01:09:32,210 --> 01:09:34,020
Broadway tonight.
2002
01:09:34,020 --> 01:09:36,170
Guys, I'm having trouble
2003
01:09:34,020 --> 01:09:36,170
reading the teleprompter.
2004
01:09:36,170 --> 01:09:38,060
I should be wearing
2005
01:09:36,170 --> 01:09:38,060
my glasses.
2006
01:09:38,060 --> 01:09:40,079
James,
2007
01:09:38,060 --> 01:09:40,079
those aren't glasses.
2008
01:09:40,079 --> 01:09:42,260
[ Chuckles ]
2009
01:09:40,079 --> 01:09:42,260
Wait for it, Nadia.
2010
01:09:42,260 --> 01:09:44,289
James?
2011
01:09:42,260 --> 01:09:44,289
Brady?
2012
01:09:44,289 --> 01:09:47,189
Incendio!
2013
01:09:47,189 --> 01:09:49,289
Oh, he's --
2014
01:09:49,289 --> 01:09:51,130
Ah.
2015
01:09:49,289 --> 01:09:51,130
He did it. Wow.
2016
01:09:51,130 --> 01:09:53,199
Now, that's more like it.
2017
01:09:53,199 --> 01:09:54,270
[ Laughing ]
2018
01:09:53,199 --> 01:09:54,270
No way.
2019
01:09:54,270 --> 01:09:56,119
As Tina mentioned,
2020
01:09:54,270 --> 01:09:56,119
our show
2021
01:09:56,119 --> 01:09:58,159
tells the eighth story
2022
01:09:56,119 --> 01:09:58,159
in the "Harry Potter" series.
2023
01:09:58,159 --> 01:10:01,060
It's an epic new adventure
2024
01:09:58,159 --> 01:10:01,060
in the wizarding world,
2025
01:10:01,060 --> 01:10:04,100
created exclusively
2026
01:10:01,060 --> 01:10:04,100
to be performed live onstage.
2027
01:10:04,100 --> 01:10:07,170
And truly, it's like nothing
2028
01:10:04,100 --> 01:10:07,170
else you'll see on Broadway.
2029
01:10:07,170 --> 01:10:08,260
And since it's a new story,
2030
01:10:08,260 --> 01:10:10,220
you'll meet new characters
2031
01:10:08,260 --> 01:10:10,220
along the way,
2032
01:10:10,220 --> 01:10:12,159
like the three we play,
2033
01:10:12,159 --> 01:10:15,020
the next generation
2034
01:10:12,159 --> 01:10:15,020
of witches and wizards.
2035
01:10:15,020 --> 01:10:17,109
Being a part of the show
2036
01:10:15,020 --> 01:10:17,109
is absolutely thrilling.
2037
01:10:17,109 --> 01:10:20,090
I mean, okay, who else can say
2038
01:10:17,109 --> 01:10:20,090
that they can perform spells
2039
01:10:20,090 --> 01:10:24,079
like Wingardium Leviosa
2040
01:10:20,090 --> 01:10:24,079
or travel through time and space
2041
01:10:24,079 --> 01:10:27,060
from Kings Cross Station
2042
01:10:24,079 --> 01:10:27,060
to Platform 9 3/4
2043
01:10:27,060 --> 01:10:29,279
live onstage eight times a week?
2044
01:10:29,279 --> 01:10:32,090
Now, when the shutdown
2045
01:10:29,279 --> 01:10:32,090
happened in March,
2046
01:10:32,090 --> 01:10:35,010
we were all together
2047
01:10:32,090 --> 01:10:35,010
at the Lyric Theatre
2048
01:10:35,010 --> 01:10:37,000
in our final rehearsals,
2049
01:10:37,000 --> 01:10:38,250
but days away
2050
01:10:38,250 --> 01:10:41,109
from our year-three company
2051
01:10:38,250 --> 01:10:41,109
taking their launch.
2052
01:10:41,109 --> 01:10:43,180
Now, these guys have been
2053
01:10:41,109 --> 01:10:43,180
on the show for a while,
2054
01:10:43,180 --> 01:10:45,210
and I was set
2055
01:10:43,180 --> 01:10:45,210
to make my Broadway debut.
2056
01:10:45,210 --> 01:10:48,060
So this is
2057
01:10:45,210 --> 01:10:48,060
a bit bittersweet,
2058
01:10:48,060 --> 01:10:51,130
but amazing to be back here
2059
01:10:48,060 --> 01:10:51,130
tonight in the Theater District
2060
01:10:51,130 --> 01:10:53,159
celebrating with
2061
01:10:51,130 --> 01:10:53,159
this incredible community.
2062
01:10:53,159 --> 01:10:56,140
We cannot wait to welcome you
2063
01:10:53,159 --> 01:10:56,140
back to Broadway
2064
01:10:56,140 --> 01:10:58,090
and to "Harry Potter
2065
01:10:56,140 --> 01:10:58,090
in the Cursed Child"
2066
01:10:58,090 --> 01:11:02,010
when performances
2067
01:10:58,090 --> 01:11:02,010
can finally resume.
2068
01:11:02,010 --> 01:11:05,229
I think theater actually
2069
01:11:05,229 --> 01:11:10,069
became more valuable
2070
01:11:05,229 --> 01:11:10,069
in our times.
2071
01:11:10,069 --> 01:11:11,130
It seems in our times
2072
01:11:11,130 --> 01:11:15,239
that things that are
2073
01:11:11,130 --> 01:11:15,239
not recorded don't exist.
2074
01:11:15,239 --> 01:11:18,170
But theater is something
2075
01:11:15,239 --> 01:11:18,170
that is present, is very alive.
2076
01:11:18,170 --> 01:11:22,109
You come, and you have to
2077
01:11:18,170 --> 01:11:22,109
see it live here.
2078
01:11:22,109 --> 01:11:25,000
Theater is something
2079
01:11:22,109 --> 01:11:25,000
that is unique.
2080
01:11:25,000 --> 01:11:26,069
It's a unique experience,
2081
01:11:26,069 --> 01:11:29,109
and it's almost
2082
01:11:26,069 --> 01:11:29,109
personalized for you.
2083
01:11:29,109 --> 01:11:32,149
In the moment that you're here,
2084
01:11:29,109 --> 01:11:32,149
you're watching, it is for you.
2085
01:11:32,149 --> 01:11:36,039
♪ One singular sensation ♪
2086
01:11:32,149 --> 01:11:36,039
♪ She walks into a room, and
2087
01:11:32,149 --> 01:11:36,039
you know she's uncommonly rare ♪
2088
01:11:36,039 --> 01:11:39,170
♪ Every little step she takes ♪
2089
01:11:36,039 --> 01:11:39,170
♪ Very unique, peripatetic,
2090
01:11:36,039 --> 01:11:39,170
poetic, and chic ♪
2091
01:11:39,170 --> 01:11:43,029
♪ One thrilling combination ♪
2092
01:11:39,170 --> 01:11:43,029
♪ She walks into a room,
2093
01:11:39,170 --> 01:11:43,029
and you know from her ♪
2094
01:11:43,029 --> 01:11:46,220
♪ Every move that she makes ♪
2095
01:11:43,029 --> 01:11:46,220
♪ Maddening poise, effortless
2096
01:11:43,029 --> 01:11:46,220
whirl, she's a special girl ♪
2097
01:11:46,220 --> 01:11:49,090
♪ Strolling ♪
2098
01:11:46,220 --> 01:11:49,090
♪ One smile and suddenly ♪
2099
01:11:49,090 --> 01:11:54,140
♪ Nobody else will do ♪
2100
01:11:49,090 --> 01:11:54,140
♪ Can't help all of her
2101
01:11:49,090 --> 01:11:54,140
qualities extolling ♪
2102
01:11:54,140 --> 01:11:57,020
♪ You know
2103
01:11:54,140 --> 01:11:57,020
you'll never be lonely ♪
2104
01:11:57,020 --> 01:12:01,010
♪ With you-know-who ♪
2105
01:11:57,020 --> 01:12:01,010
♪ Loaded with charisma ♪
2106
01:12:01,010 --> 01:12:04,149
Banderas: "A Chorus Line,"
2107
01:12:01,010 --> 01:12:04,149
it was performed once in Spain,
2108
01:12:04,149 --> 01:12:06,130
but it was -- You know,
2109
01:12:04,149 --> 01:12:06,130
the music was in playback.
2110
01:12:06,130 --> 01:12:09,180
It was not entirely produced
2111
01:12:09,180 --> 01:12:11,140
as I thought that it should be.
2112
01:12:11,140 --> 01:12:13,149
When we sang at the end,
2113
01:12:13,149 --> 01:12:16,020
with the golden suits and hats
2114
01:12:13,149 --> 01:12:16,020
and everything,
2115
01:12:16,020 --> 01:12:19,100
I wanted to create the illusion
2116
01:12:16,020 --> 01:12:19,100
that, for a moment,
2117
01:12:19,100 --> 01:12:21,130
that we are actually
2118
01:12:19,100 --> 01:12:21,130
on Broadway.
2119
01:12:21,130 --> 01:12:26,260
And if it's possible and
2120
01:12:21,130 --> 01:12:26,260
when all of this is finished,
2121
01:12:26,260 --> 01:12:30,060
we will be there.
2122
01:12:30,060 --> 01:12:35,180
♪♪♪
2123
01:12:35,180 --> 01:12:41,010
♪♪♪
2124
01:12:41,010 --> 01:12:44,159
♪ One singular sensation ♪
2125
01:12:44,159 --> 01:12:48,050
♪ Every little step she takes ♪
2126
01:12:48,050 --> 01:12:51,220
♪ One thrilling combination ♪
2127
01:12:51,220 --> 01:12:55,229
♪ Every move that she makes ♪
2128
01:12:55,229 --> 01:12:57,270
♪ One smile and suddenly ♪
2129
01:12:57,270 --> 01:13:03,010
♪ Nobody else will do ♪
2130
01:13:03,010 --> 01:13:05,229
♪ You know
2131
01:13:03,010 --> 01:13:05,229
you'll never be lonely ♪
2132
01:13:05,229 --> 01:13:09,289
♪ With you-know-who ♪
2133
01:13:09,289 --> 01:13:13,189
♪ One moment in her presence ♪
2134
01:13:13,189 --> 01:13:17,090
♪ And you can forget the rest ♪
2135
01:13:17,090 --> 01:13:20,020
♪ For the girl is second best ♪
2136
01:13:20,020 --> 01:13:24,210
♪ To none, son ♪
2137
01:13:24,210 --> 01:13:28,119
♪ Ooh! Sigh!
2138
01:13:24,210 --> 01:13:28,119
Give her your attention ♪
2139
01:13:28,119 --> 01:13:32,010
♪ Do I really have to mention ♪
2140
01:13:32,010 --> 01:13:35,239
♪ She's the ♪
2141
01:13:35,239 --> 01:13:39,149
♪ She's the ♪
2142
01:13:39,149 --> 01:13:43,029
♪ She's the ♪
2143
01:13:43,029 --> 01:13:47,119
♪ One ♪
2144
01:13:47,119 --> 01:13:54,029
♪♪♪
2145
01:13:54,029 --> 01:14:00,250
♪♪♪
2146
01:14:00,250 --> 01:14:02,260
Announcer:
2147
01:14:00,250 --> 01:14:02,260
R&B legend Patti LaBelle,
2148
01:14:02,260 --> 01:14:04,279
superstar Vanessa Williams,
2149
01:14:04,279 --> 01:14:07,090
and more
2150
01:14:04,279 --> 01:14:07,090
from "Jagged Little Pill,"
2151
01:14:07,090 --> 01:14:10,229
when "One Night Only:
2152
01:14:07,090 --> 01:14:10,229
The Best of Broadway" continues.
2153
01:14:10,229 --> 01:14:12,159
♪ On the nights on Broadway ♪
2154
01:14:12,159 --> 01:14:14,079
♪ Blame it
2155
01:14:12,159 --> 01:14:14,079
on the nights on Broadway ♪
2156
01:14:17,050 --> 01:14:17,069
.
2157
01:14:18,079 --> 01:14:18,109
♪♪♪
2158
01:14:21,210 --> 01:14:25,039
Hi, I'm Vanessa Williams,
2159
01:14:21,210 --> 01:14:25,039
and I am one of the lucky ones.
2160
01:14:25,039 --> 01:14:28,100
My childhood dream
2161
01:14:25,039 --> 01:14:28,100
came true to star on Broadway
2162
01:14:28,100 --> 01:14:31,020
with my name in lights
2163
01:14:28,100 --> 01:14:31,020
on the marquee.
2164
01:14:31,020 --> 01:14:33,039
There's nothing like the sound
2165
01:14:31,020 --> 01:14:33,039
of a full orchestra
2166
01:14:33,039 --> 01:14:35,119
anxiously awaiting
2167
01:14:33,039 --> 01:14:35,119
the downbeat of a score
2168
01:14:35,119 --> 01:14:37,159
they've been dying to play live
2169
01:14:37,159 --> 01:14:38,210
or the roar of laughter
2170
01:14:38,210 --> 01:14:41,109
when you say the perfect line
2171
01:14:38,210 --> 01:14:41,109
the perfect way.
2172
01:14:41,109 --> 01:14:44,220
That privilege and excitement
2173
01:14:41,109 --> 01:14:44,220
is on hold at the moment.
2174
01:14:44,220 --> 01:14:48,130
But we on Broadway are ready
2175
01:14:44,220 --> 01:14:48,130
to return to the stage.
2176
01:14:48,130 --> 01:14:50,159
Rooted deep in the history
2177
01:14:48,130 --> 01:14:50,159
and identity
2178
01:14:50,159 --> 01:14:53,000
of Broadway Cares/Equity
2179
01:14:50,159 --> 01:14:53,000
Fights AIDS
2180
01:14:53,000 --> 01:14:55,020
is a commitment to being a voice
2181
01:14:55,020 --> 01:14:59,140
for those who've been silenced,
2182
01:14:55,020 --> 01:14:59,140
marginalized, and oppressed.
2183
01:14:59,140 --> 01:15:01,210
Whether it's facing
2184
01:14:59,140 --> 01:15:01,210
the AIDS epidemic
2185
01:15:01,210 --> 01:15:04,170
or today's COVID-19 challenges,
2186
01:15:04,170 --> 01:15:08,079
Broadway Cares has never been
2187
01:15:04,170 --> 01:15:08,079
more committed in our fight.
2188
01:15:08,079 --> 01:15:10,000
And this red bucket,
2189
01:15:10,000 --> 01:15:13,069
it's the beacon
2190
01:15:10,000 --> 01:15:13,069
and the symbol of that fight,
2191
01:15:13,069 --> 01:15:15,050
the beacon people
2192
01:15:13,069 --> 01:15:15,050
see in the theaters,
2193
01:15:15,050 --> 01:15:16,100
the place where they know
2194
01:15:16,100 --> 01:15:19,079
their donation
2195
01:15:16,100 --> 01:15:19,079
can end up saving a life.
2196
01:15:19,079 --> 01:15:22,069
But right now, the entire
2197
01:15:19,079 --> 01:15:22,069
theater industry is shut down,
2198
01:15:22,069 --> 01:15:24,130
closed until further notice.
2199
01:15:24,130 --> 01:15:25,239
We need your help.
2200
01:15:25,239 --> 01:15:27,039
Please join me in making sure
2201
01:15:27,039 --> 01:15:29,229
those who devote their lives
2202
01:15:27,039 --> 01:15:29,229
to Broadway
2203
01:15:29,229 --> 01:15:33,100
have meals on the table,
2204
01:15:29,229 --> 01:15:33,100
heat for this winter,
2205
01:15:33,100 --> 01:15:36,039
and access to a doctor
2206
01:15:33,100 --> 01:15:36,039
when they're sick.
2207
01:15:36,039 --> 01:15:38,149
It's your turn
2208
01:15:36,039 --> 01:15:38,149
to be center stage.
2209
01:15:38,149 --> 01:15:39,210
You're the one
2210
01:15:39,210 --> 01:15:43,020
that can make this bucket
2211
01:15:39,210 --> 01:15:43,020
mean something today.
2212
01:15:43,020 --> 01:15:45,069
Lives truly depend on it.
2213
01:15:45,069 --> 01:15:49,199
Please visit
2214
01:15:45,069 --> 01:15:49,199
broadwaycares.org/help2020
2215
01:15:49,199 --> 01:15:51,229
to make a difference.
2216
01:15:51,229 --> 01:15:56,100
♪♪♪
2217
01:15:56,100 --> 01:16:00,039
Announcer: Ladies and gentlemen,
2218
01:15:56,100 --> 01:16:00,039
R&B legend Patti LaBelle.
2219
01:16:00,039 --> 01:16:03,020
There are so many songs
2220
01:16:00,039 --> 01:16:03,020
that inspire
2221
01:16:03,020 --> 01:16:06,250
and remind us
2222
01:16:03,020 --> 01:16:06,250
of the promise of America.
2223
01:16:06,250 --> 01:16:10,279
"The House I Live In" from
2224
01:16:06,250 --> 01:16:10,279
the musical "Let Freedom Sing"
2225
01:16:10,279 --> 01:16:12,260
does exactly that.
2226
01:16:12,260 --> 01:16:17,279
And 78 years after it made
2227
01:16:12,260 --> 01:16:17,279
its Broadway debut,
2228
01:16:17,279 --> 01:16:20,130
it still lifts us all up.
2229
01:16:20,130 --> 01:16:22,239
It's a fabulous song.
2230
01:16:22,239 --> 01:16:24,239
♪♪♪
2231
01:16:24,239 --> 01:16:32,010
♪ What is America to me? ♪
2232
01:16:32,010 --> 01:16:36,149
♪ A name, a map ♪
2233
01:16:36,149 --> 01:16:42,250
♪ Or a flag I see? ♪
2234
01:16:42,250 --> 01:16:47,060
♪ A certain word ♪
2235
01:16:47,060 --> 01:16:53,100
♪ Ooh, "democracy," yes ♪
2236
01:16:53,100 --> 01:16:59,180
♪ What is America to me? ♪
2237
01:16:59,180 --> 01:17:02,260
♪♪♪
2238
01:17:02,260 --> 01:17:10,289
♪ The house I live in,
2239
01:17:02,260 --> 01:17:10,289
a plot of earth, a street ♪
2240
01:17:10,289 --> 01:17:19,180
♪ The grocer and the butcher,
2241
01:17:10,289 --> 01:17:19,180
and all people that I meet ♪
2242
01:17:19,180 --> 01:17:24,140
♪ The children
2243
01:17:19,180 --> 01:17:24,140
in the playground ♪
2244
01:17:24,140 --> 01:17:28,229
♪ Oh, the faces that I see ♪
2245
01:17:28,229 --> 01:17:34,180
♪ All races, all religions ♪
2246
01:17:34,180 --> 01:17:39,130
♪ That's America to me ♪
2247
01:17:39,130 --> 01:17:44,050
♪ The things I see about me ♪
2248
01:17:44,050 --> 01:17:49,000
♪ The big things and the small ♪
2249
01:17:49,000 --> 01:17:53,229
♪ The little corner newsstand ♪
2250
01:17:53,229 --> 01:17:57,250
♪ Or a house a mile tall ♪
2251
01:17:57,250 --> 01:18:03,109
♪ Oh, the wedding
2252
01:17:57,250 --> 01:18:03,109
in the churchyard ♪
2253
01:18:03,109 --> 01:18:08,029
♪ The laughter and the tears ♪
2254
01:18:08,029 --> 01:18:12,239
♪ And the dream
2255
01:18:08,029 --> 01:18:12,239
that we've been growin' ♪
2256
01:18:12,239 --> 01:18:20,279
♪ For a hundred
2257
01:18:12,239 --> 01:18:20,279
to two hundred years ♪
2258
01:18:20,279 --> 01:18:24,130
♪ Oh, mm ♪
2259
01:18:24,130 --> 01:18:27,000
♪ Oh ♪
2260
01:18:27,000 --> 01:18:34,229
♪ The town I live in, the
2261
01:18:27,000 --> 01:18:34,229
street, the house, the room ♪
2262
01:18:34,229 --> 01:18:44,010
♪ Oh, the pavement of the city,
2263
01:18:34,229 --> 01:18:44,010
or a garden all in bloom ♪
2264
01:18:44,010 --> 01:18:48,289
♪ The church, the school,
2265
01:18:44,010 --> 01:18:48,289
the clubhouse ♪
2266
01:18:48,289 --> 01:18:54,170
♪ A millions lights I see, oh ♪
2267
01:18:54,170 --> 01:18:57,159
♪ Especially the people ♪
2268
01:18:57,159 --> 01:19:02,000
♪ Oh, that's America,
2269
01:18:57,159 --> 01:19:02,000
that's America to me ♪
2270
01:19:02,000 --> 01:19:09,130
♪ Oh, especially
2271
01:19:02,000 --> 01:19:09,130
the good, old people ♪
2272
01:19:09,130 --> 01:19:15,279
♪ That's America, America ♪
2273
01:19:15,279 --> 01:19:21,159
♪ To ♪
2274
01:19:21,159 --> 01:19:24,279
♪ Me, yes! ♪
2275
01:19:27,210 --> 01:19:30,100
♪♪♪
2276
01:19:30,100 --> 01:19:31,220
Announcer:
2277
01:19:30,100 --> 01:19:31,220
The Tony-nominated cast
2278
01:19:31,220 --> 01:19:33,260
of Broadway's
2279
01:19:31,220 --> 01:19:33,260
"Jagged Little Pill,"
2280
01:19:33,260 --> 01:19:36,220
when "One Night Only:
2281
01:19:33,260 --> 01:19:36,220
The Best of Broadway" returns.
2282
01:19:36,220 --> 01:19:37,279
♪ Blame it
2283
01:19:36,220 --> 01:19:37,279
on the nights on Broadway ♪
2284
01:19:37,279 --> 01:19:40,170
♪ Singin' them love songs ♪
2285
01:19:40,170 --> 01:19:43,020
♪ Singin' them
2286
01:19:40,170 --> 01:19:43,020
straight to the heart songs ♪
2287
01:19:46,069 --> 01:19:46,090
.
2288
01:19:47,119 --> 01:19:50,220
♪♪♪
2289
01:19:54,250 --> 01:19:57,140
Ferguson: The Broadway community
2290
01:19:54,250 --> 01:19:57,140
is extremely resilient.
2291
01:19:57,140 --> 01:19:59,180
I mean, our motto is,
2292
01:19:57,140 --> 01:19:59,180
"The show must go on,"
2293
01:19:59,180 --> 01:20:01,060
and that has always
2294
01:19:59,180 --> 01:20:01,060
been our motto,
2295
01:20:01,060 --> 01:20:02,260
and that will always
2296
01:20:01,060 --> 01:20:02,260
be our motto.
2297
01:20:02,260 --> 01:20:04,239
Bass:
2298
01:20:02,260 --> 01:20:04,239
Everyone that's on that stage,
2299
01:20:04,239 --> 01:20:07,029
they've gone through hell
2300
01:20:04,239 --> 01:20:07,029
just to even get there.
2301
01:20:07,029 --> 01:20:10,060
[ Chuckles ]
2302
01:20:07,029 --> 01:20:10,060
You're told no 99% of the time.
2303
01:20:10,060 --> 01:20:14,210
To audition and not get it,
2304
01:20:10,060 --> 01:20:14,210
you know, and can still go back,
2305
01:20:14,210 --> 01:20:16,039
there's a certain
2306
01:20:14,210 --> 01:20:16,039
resilience there.
2307
01:20:16,039 --> 01:20:18,090
Because a live performance
2308
01:20:16,039 --> 01:20:18,090
cannot exist
2309
01:20:18,090 --> 01:20:19,260
without everyone
2310
01:20:18,090 --> 01:20:19,260
working together,
2311
01:20:19,260 --> 01:20:23,029
it is no surprise to me
2312
01:20:19,260 --> 01:20:23,029
in moments of crisis
2313
01:20:23,029 --> 01:20:26,079
where people need the most help,
2314
01:20:23,029 --> 01:20:26,079
we are all together in it.
2315
01:20:26,079 --> 01:20:27,270
We will come back,
2316
01:20:27,270 --> 01:20:29,159
and we will be
2317
01:20:27,270 --> 01:20:29,159
stronger than ever.
2318
01:20:29,159 --> 01:20:30,270
I cannot wait to be on a stage,
2319
01:20:30,270 --> 01:20:33,100
and I cannot wait
2320
01:20:30,270 --> 01:20:33,100
to be in the audience.
2321
01:20:33,100 --> 01:20:35,109
Broadway will be back.
2322
01:20:33,100 --> 01:20:35,109
It just has to be back.
2323
01:20:35,109 --> 01:20:37,239
There's no experience like it.
2324
01:20:37,239 --> 01:20:41,079
We just have to get through
2325
01:20:37,239 --> 01:20:41,079
this, and...we will.
2326
01:20:41,079 --> 01:20:45,079
We will get back
2327
01:20:41,079 --> 01:20:45,079
up on the stage.
2328
01:20:45,079 --> 01:20:48,149
There's no doubt. We don't know
2329
01:20:45,079 --> 01:20:48,149
when. We don't know how,
2330
01:20:48,149 --> 01:20:51,010
but it will happen,
2331
01:20:48,149 --> 01:20:51,010
because we are a community
2332
01:20:51,010 --> 01:20:53,029
that makes it happen
2333
01:20:51,010 --> 01:20:53,029
no matter what.
2334
01:20:53,029 --> 01:20:55,090
Manheim: I have every faith
2335
01:20:55,090 --> 01:20:57,270
that Broadway will be back
2336
01:20:55,090 --> 01:20:57,270
in no time,
2337
01:20:57,270 --> 01:21:00,289
as soon as David slays Goliath,
2338
01:20:57,270 --> 01:21:00,289
and that's going to happen.
2339
01:21:00,289 --> 01:21:03,289
We know how that story ends,
2340
01:21:00,289 --> 01:21:03,289
so let's do this.
2341
01:21:03,289 --> 01:21:06,090
Bass: I feel like we're about
2342
01:21:03,289 --> 01:21:06,090
to enter our roaring '20s,
2343
01:21:06,090 --> 01:21:08,079
which was what happened
2344
01:21:06,090 --> 01:21:08,079
after the Spanish flu.
2345
01:21:08,079 --> 01:21:10,100
Like, everyone was so down
2346
01:21:08,079 --> 01:21:10,100
and pandemic,
2347
01:21:10,100 --> 01:21:11,109
and then all of a sudden,
2348
01:21:11,109 --> 01:21:13,079
everyone just wanted
2349
01:21:11,109 --> 01:21:13,079
to celebrate.
2350
01:21:13,079 --> 01:21:16,270
When "Moulin Rouge"
2351
01:21:13,079 --> 01:21:16,270
returns to the stage,
2352
01:21:16,270 --> 01:21:20,069
and all the other Broadway
2353
01:21:16,270 --> 01:21:20,069
shows, it's going to be --
2354
01:21:20,069 --> 01:21:23,140
It's going to be a -- It's going
2355
01:21:20,069 --> 01:21:23,140
to be a big party that night.
2356
01:21:23,140 --> 01:21:26,029
Thanks for coming to our play!
2357
01:21:23,140 --> 01:21:26,029
I'll see you at the party!
2358
01:21:26,029 --> 01:21:28,039
[ Cheers and applause ]
2359
01:21:28,039 --> 01:21:30,159
♪♪♪
2360
01:21:30,159 --> 01:21:33,010
When it is safe to go
2361
01:21:30,159 --> 01:21:33,010
to the theater again,
2362
01:21:33,010 --> 01:21:35,170
it's going to be
2363
01:21:33,010 --> 01:21:35,170
exactly what we need,
2364
01:21:35,170 --> 01:21:38,149
because when theater works,
2365
01:21:38,149 --> 01:21:40,159
for a moment,
2366
01:21:38,149 --> 01:21:40,159
none of us feel alone.
2367
01:21:40,159 --> 01:21:44,279
For a moment, we're all members
2368
01:21:40,159 --> 01:21:44,279
of the same family.
2369
01:21:44,279 --> 01:21:49,289
After a time of having
2370
01:21:44,279 --> 01:21:49,289
so much separation,
2371
01:21:49,289 --> 01:21:55,060
when it's safe again,
2372
01:21:49,289 --> 01:21:55,060
the best thing for all people
2373
01:21:55,060 --> 01:21:57,149
would be to have
2374
01:21:55,060 --> 01:21:57,149
some community activities,
2375
01:21:57,149 --> 01:21:59,250
to be reminded
2376
01:21:57,149 --> 01:21:59,250
why we do things together.
2377
01:21:59,250 --> 01:22:05,180
And going to the theater is --
2378
01:21:59,250 --> 01:22:05,180
is a perfect experience.
2379
01:22:05,180 --> 01:22:07,109
Well, we're almost at the end
2380
01:22:05,180 --> 01:22:07,109
of tonight's show.
2381
01:22:07,109 --> 01:22:08,239
We want to thank
2382
01:22:07,109 --> 01:22:08,239
all of our casts
2383
01:22:08,239 --> 01:22:10,039
and our guests for joining us.
2384
01:22:10,039 --> 01:22:12,270
And remember, Broadway
2385
01:22:10,039 --> 01:22:12,270
will be back better than ever,
2386
01:22:12,270 --> 01:22:14,180
and we'll see you here soon.
2387
01:22:14,180 --> 01:22:15,220
Before our curtain comes down,
2388
01:22:15,220 --> 01:22:17,100
we want to share
2389
01:22:15,220 --> 01:22:17,100
one more performance.
2390
01:22:17,100 --> 01:22:20,140
Here is the cast
2391
01:22:17,100 --> 01:22:20,140
of "Jagged Little Pill."
2392
01:22:20,140 --> 01:22:25,069
♪ I recommend getting your heart
2393
01:22:20,140 --> 01:22:25,069
trampled on ♪
2394
01:22:25,069 --> 01:22:29,050
♪ To anyone ♪
2395
01:22:29,050 --> 01:22:31,130
Yeah.
2396
01:22:31,130 --> 01:22:40,050
♪ I recommend walking around
2397
01:22:31,130 --> 01:22:40,050
naked in your living room ♪
2398
01:22:40,050 --> 01:22:41,119
Yeah.
2399
01:22:40,050 --> 01:22:41,119
Yeah.
2400
01:22:41,119 --> 01:22:42,149
[ Both laugh ]
2401
01:22:42,149 --> 01:22:45,159
♪ Swallow it down ♪
2402
01:22:45,159 --> 01:22:48,000
♪ What a jagged
2403
01:22:45,159 --> 01:22:48,000
little pill ♪
2404
01:22:48,000 --> 01:22:51,060
♪ It feels so good ♪
2405
01:22:51,060 --> 01:22:53,130
♪ Swimming in your stomach ♪
2406
01:22:53,130 --> 01:22:58,270
♪ Wait until
2407
01:22:53,130 --> 01:22:58,270
the dust settles ♪
2408
01:22:58,270 --> 01:23:04,180
♪ You live, you learn,
2409
01:22:58,270 --> 01:23:04,180
you love, you learn ♪
2410
01:23:04,180 --> 01:23:10,010
♪ You cry, you learn,
2411
01:23:04,180 --> 01:23:10,010
you lose, you learn ♪
2412
01:23:10,010 --> 01:23:14,050
♪ You bleed, you learn,
2413
01:23:10,010 --> 01:23:14,050
you scream ♪
2414
01:23:14,050 --> 01:23:21,039
♪ You learn ♪
2415
01:23:21,039 --> 01:23:27,279
♪ I recommend biting off more
2416
01:23:21,039 --> 01:23:27,279
than you can chew to anyone ♪
2417
01:23:27,279 --> 01:23:32,050
♪ I certainly do ♪
2418
01:23:32,050 --> 01:23:40,220
♪ I recommend sticking your foot
2419
01:23:32,050 --> 01:23:40,220
in your mouth at any time ♪
2420
01:23:40,220 --> 01:23:43,050
♪ Feel free ♪
2421
01:23:43,050 --> 01:23:45,239
♪ Throw it down ♪
2422
01:23:45,239 --> 01:23:48,189
♪ The caution blocks you
2423
01:23:45,239 --> 01:23:48,189
from the wind ♪
2424
01:23:48,189 --> 01:23:51,189
♪ Hold it up ♪
2425
01:23:51,189 --> 01:23:54,039
♪ To the rays ♪
2426
01:23:54,039 --> 01:23:59,220
♪ You wait and see
2427
01:23:54,039 --> 01:23:59,220
when the smoke clears ♪
2428
01:23:59,220 --> 01:24:01,010
♪ You live ♪
2429
01:24:01,010 --> 01:24:02,119
♪ You learn ♪
2430
01:24:02,119 --> 01:24:03,229
♪ You scream ♪
2431
01:24:03,229 --> 01:24:09,140
♪ You learn ♪
2432
01:24:09,140 --> 01:24:11,270
♪♪♪
2433
01:24:11,270 --> 01:24:13,180
[ All vocalize ]
2434
01:24:13,180 --> 01:24:20,140
♪♪♪
2435
01:24:20,140 --> 01:24:27,090
♪♪♪
2436
01:24:27,090 --> 01:24:29,260
♪ Wear it out ♪
2437
01:24:29,260 --> 01:24:32,239
♪ The way
2438
01:24:29,260 --> 01:24:32,239
a three-year-old would do ♪
2439
01:24:32,239 --> 01:24:35,140
♪ Melt it down ♪
2440
01:24:35,140 --> 01:24:38,100
♪ You're gonna have to
2441
01:24:35,140 --> 01:24:38,100
eventually, anyway ♪
2442
01:24:38,100 --> 01:24:43,239
♪ The fire trucks are coming up
2443
01:24:38,100 --> 01:24:43,239
around the bend ♪
2444
01:24:43,239 --> 01:24:49,109
♪ You live, you learn,
2445
01:24:43,239 --> 01:24:49,109
you love, you learn ♪
2446
01:24:49,109 --> 01:24:54,260
♪ You cry, you learn,
2447
01:24:49,109 --> 01:24:54,260
you lose, you learn ♪
2448
01:24:54,260 --> 01:24:59,000
♪ You bleed, you learn,
2449
01:24:54,260 --> 01:24:59,000
you scream ♪
2450
01:24:59,000 --> 01:25:04,050
♪ You learn ♪
2451
01:25:04,050 --> 01:25:05,260
♪ Thank you, India ♪
2452
01:25:04,050 --> 01:25:05,260
♪ You learn ♪
2453
01:25:05,260 --> 01:25:08,210
♪ You grieve, you learn ♪
2454
01:25:05,260 --> 01:25:08,210
♪ Thank you, providence ♪
2455
01:25:08,210 --> 01:25:11,140
♪ You choke, you learn ♪
2456
01:25:08,210 --> 01:25:11,140
♪ Thank you, disillusionment ♪
2457
01:25:11,140 --> 01:25:15,079
♪ You laugh, you learn,
2458
01:25:11,140 --> 01:25:15,079
you choose ♪
2459
01:25:15,079 --> 01:25:16,289
♪ Thank you, clarity ♪
2460
01:25:15,079 --> 01:25:16,289
♪ You learn ♪
2461
01:25:16,289 --> 01:25:19,220
♪ You pray, you learn ♪
2462
01:25:16,289 --> 01:25:19,220
♪ Thank you, consequence ♪
2463
01:25:19,220 --> 01:25:24,199
♪ You ask, you learn, you live ♪
2464
01:25:19,220 --> 01:25:24,199
♪ Thank you,
2465
01:25:19,220 --> 01:25:24,199
thank you, silence ♪
2466
01:25:24,199 --> 01:25:30,159
♪ You learn ♪
2467
01:25:30,159 --> 01:25:32,149
[ Vocalizing ]
2468
01:25:32,149 --> 01:25:42,159
♪♪♪
2469
01:26:05,260 --> 01:26:14,229
♪♪♪
2470
01:26:14,229 --> 01:26:23,199
♪♪♪
2471
01:26:23,199 --> 01:26:32,180
♪♪♪
145996
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