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These are the user uploaded subtitles that are being translated: 1 00:00:14,626 --> 00:00:19,292 I WAS AT HOME, BUT... 2 00:08:38,584 --> 00:08:41,834 Nor earth to me give food, nor heaven light! 3 00:08:43,459 --> 00:08:47,084 Sport and repose lock from me day and night! 4 00:08:49,001 --> 00:08:52,209 To desperation turn my trust and hope. 5 00:08:54,126 --> 00:08:57,251 An anchor's cheer in prison be my scope. 6 00:08:58,751 --> 00:09:02,084 Each opposite, that blanks the face of joy 7 00:09:03,334 --> 00:09:07,126 meet what I would have well, and it destroy! 8 00:09:08,876 --> 00:09:12,251 Both here and hence, pursue me lasting strife 9 00:09:13,334 --> 00:09:16,209 if, once a widow, ever I be wife! 10 00:09:19,084 --> 00:09:21,209 'Tis deeply sworn. 11 00:09:21,292 --> 00:09:23,751 Sweet, leave me here awhile. 12 00:09:25,417 --> 00:09:27,709 My spirits grow dull 13 00:09:27,792 --> 00:09:29,834 and fain I would beguile 14 00:09:31,209 --> 00:09:33,501 the tedious day with sleep. 15 00:09:35,626 --> 00:09:37,542 Sleep rock thy brain. 16 00:09:37,626 --> 00:09:39,626 And never come mischance 17 00:09:40,959 --> 00:09:42,792 between us twain. 18 00:11:22,167 --> 00:11:24,084 I might have a bike. 19 00:11:26,334 --> 00:11:28,167 What's it like? 20 00:11:28,584 --> 00:11:30,459 Ten gears. Silver. 21 00:11:30,542 --> 00:11:32,459 Should we take a look? 22 00:11:34,376 --> 00:11:36,417 Not now. I'll stay here. 23 00:11:38,292 --> 00:11:40,251 I might need advice. 24 00:12:16,917 --> 00:12:18,834 I have this jacket. 25 00:12:22,751 --> 00:12:24,251 Hello. 26 00:12:33,626 --> 00:12:35,626 This won't come clean. 27 00:12:40,792 --> 00:12:43,042 I can't promise you anything. 28 00:12:44,376 --> 00:12:46,126 Will you try? 29 00:12:55,917 --> 00:12:57,417 Yes. 30 00:13:04,376 --> 00:13:06,292 When should I come? 31 00:13:06,709 --> 00:13:08,209 Thursday. 32 00:13:12,209 --> 00:13:14,709 I hope it will come out. - Goodbye. 33 00:13:39,792 --> 00:13:41,709 It looks really nice. 34 00:13:44,126 --> 00:13:47,334 It's in perfect condition. 35 00:13:53,126 --> 00:13:55,251 And you want 80 euros for it? 36 00:13:56,001 --> 00:13:57,501 Yes. 37 00:13:59,042 --> 00:14:01,042 Okay, I'll give it a try. 38 00:14:56,251 --> 00:14:58,292 It's fine. I'll take it. 39 00:16:29,459 --> 00:16:31,376 He's back with me. 40 00:16:31,709 --> 00:16:33,459 He's back home. 41 00:16:34,667 --> 00:16:36,501 He's doing well. 42 00:18:10,542 --> 00:18:12,542 Flo, please don't cry. 43 00:18:14,626 --> 00:18:16,376 Please don't cry. 44 00:18:18,167 --> 00:18:20,167 Flo, stop crying. 45 00:22:20,876 --> 00:22:24,167 It's okay not to kick him out of school if we care. 46 00:22:24,251 --> 00:22:25,834 Sure. 47 00:22:25,917 --> 00:22:27,501 I don't get it. 48 00:22:27,584 --> 00:22:30,584 Do you want him to go or to stay? - To stay. 49 00:22:31,626 --> 00:22:35,917 I just want to point out that I don't think he needs our care. 50 00:22:36,542 --> 00:22:39,167 We still have to react in some way. 51 00:22:52,626 --> 00:22:54,917 You want to be needed. I see. 52 00:22:55,626 --> 00:22:57,626 I want to be needed too. 53 00:22:57,959 --> 00:22:59,459 Me too. 54 00:22:59,959 --> 00:23:02,709 I don't want to be more boring than my pupils. 55 00:23:03,042 --> 00:23:06,584 Or you want pupils as boring as you are? - Exactly. 56 00:23:13,042 --> 00:23:15,959 Are we going to decide or go home to bed? 57 00:24:06,167 --> 00:24:08,751 It's me. Am I going to see you later? 58 00:24:10,792 --> 00:24:12,292 No. 59 00:24:13,751 --> 00:24:15,251 Please. 60 00:24:16,834 --> 00:24:18,334 No, Lars. 61 00:24:30,167 --> 00:24:31,667 Lars? 62 00:24:32,417 --> 00:24:34,084 Yes, I'm here. 63 00:24:43,167 --> 00:24:46,334 How old is she now? - Three and a half weeks. 64 00:24:52,334 --> 00:24:55,417 Ying-Li is doing well? - Yes, very well. 65 00:25:01,167 --> 00:25:03,417 Have her parents been to visit? 66 00:25:03,501 --> 00:25:05,876 No, it's all a bit uncertain. 67 00:25:05,959 --> 00:25:08,126 She and the baby might fly over. 68 00:25:08,209 --> 00:25:10,959 Or we both will, in the holidays. 69 00:25:11,501 --> 00:25:13,251 We'll see. 70 00:25:23,584 --> 00:25:25,334 Are you honest? 71 00:25:30,709 --> 00:25:32,209 My lord? 72 00:25:36,417 --> 00:25:38,167 Are you fair? 73 00:25:41,709 --> 00:25:43,709 What means your lordship? 74 00:25:46,501 --> 00:25:48,876 That if you be honest and fair, 75 00:25:49,542 --> 00:25:53,667 your honesty should admit no discourse to your beauty. 76 00:25:54,292 --> 00:25:56,167 I did love you once. 77 00:26:00,334 --> 00:26:02,042 Indeed, my lord, 78 00:26:02,459 --> 00:26:04,459 you made me believe so. 79 00:26:09,709 --> 00:26:12,209 You should not have believed me. 80 00:26:12,292 --> 00:26:14,126 I loved you not. 81 00:26:21,209 --> 00:26:23,417 I was the more deceived. 82 00:27:00,584 --> 00:27:02,084 Yes? 83 00:27:02,501 --> 00:27:04,334 Hello, it's Astrid. 84 00:27:05,167 --> 00:27:07,667 I've come back about the bike. 85 00:27:10,667 --> 00:27:12,709 I bought your bike. 86 00:27:15,126 --> 00:27:16,917 Can you hear me? 87 00:27:20,084 --> 00:27:21,584 Hello? 88 00:27:23,042 --> 00:27:24,584 Mr. Meissner? 89 00:27:33,626 --> 00:27:34,917 Yes? 90 00:27:35,001 --> 00:27:36,584 It's Astrid. 91 00:27:36,667 --> 00:27:38,667 The bike. You remember? 92 00:27:39,709 --> 00:27:41,709 Could you come out here? 93 00:28:32,834 --> 00:28:34,334 Hello. 94 00:28:34,834 --> 00:28:37,042 I've brought your bike back. 95 00:28:37,751 --> 00:28:43,042 The back wheel gets jammed and it skips from one gear to the next on its own. 96 00:28:55,501 --> 00:28:59,292 The ad said it had been reconditioned but it's junk. 97 00:29:00,001 --> 00:29:01,751 Please take it back. 98 00:29:19,376 --> 00:29:22,126 Mr. Meissner, please take it back. 99 00:29:22,209 --> 00:29:26,626 It doesn't work properly. I bought it under mistaken premises. 100 00:29:40,542 --> 00:29:44,251 I can repair it. 101 00:29:44,334 --> 00:29:47,292 I'd be happy to do that. 102 00:30:04,542 --> 00:30:06,834 Mr. Meissner, I don't have time! 103 00:30:18,334 --> 00:30:21,417 I don't need a bike that doesn't work. 104 00:30:21,501 --> 00:30:24,959 It hadn't been reconditioned. You deceived me. 105 00:31:18,542 --> 00:31:20,334 Voilà! 106 00:31:21,251 --> 00:31:23,751 No, I don't want the bike anymore. 107 00:31:25,959 --> 00:31:31,126 I believe that it'll work now but I can't keep coming here to get it fixed. 108 00:31:40,709 --> 00:31:43,959 You won't have to do that. 109 00:31:44,459 --> 00:31:48,001 It works fine again now. 110 00:31:50,542 --> 00:31:52,459 But I don't want it! 111 00:31:52,834 --> 00:31:55,292 I made a mistake. Mr. Meissner! 112 00:32:00,376 --> 00:32:03,667 If what you say is true, you can sell it again. 113 00:32:06,501 --> 00:32:12,459 I've already removed the advertisement though. 114 00:32:13,334 --> 00:32:15,001 Put it back in. 115 00:32:15,084 --> 00:32:17,542 I can't do that. 116 00:32:18,251 --> 00:32:20,876 I need help 117 00:32:20,959 --> 00:32:26,001 and my friend isn't here at the moment. 118 00:32:26,917 --> 00:32:28,542 Your friend? 119 00:32:30,251 --> 00:32:33,959 I'll leave you the new saddle, then you make a profit. 120 00:32:38,084 --> 00:32:41,084 Where's the old one? 121 00:32:41,167 --> 00:32:44,834 What? - Where is the old saddle? 122 00:32:44,917 --> 00:32:47,626 I don't have it. The new one is better. 123 00:32:58,876 --> 00:33:01,709 It isn't junk. 124 00:33:02,459 --> 00:33:05,959 No, it's not junk. I'm sorry I said it's junk. 125 00:33:06,376 --> 00:33:10,959 But it caused me lots of stress and the gears don't work either. 126 00:33:12,584 --> 00:33:14,459 Okay. 127 00:33:14,542 --> 00:33:19,292 I'll take the time to have a proper look at that. 128 00:33:19,959 --> 00:33:21,542 Meaning? 129 00:33:21,626 --> 00:33:26,292 I'll make sure that it works properly again. 130 00:33:27,292 --> 00:33:28,792 No! 131 00:33:29,626 --> 00:33:32,626 You bought it. 132 00:33:33,126 --> 00:33:35,334 I know. I made a mistake. 133 00:33:35,417 --> 00:33:38,542 I don't understand why you won't take it back. 134 00:33:38,626 --> 00:33:41,542 If what you say is true and it's a good bike 135 00:33:41,626 --> 00:33:43,751 you'll sell it again quickly. 136 00:33:43,834 --> 00:33:48,542 I don't have your money anymore. 137 00:33:53,334 --> 00:33:55,042 Okay. Goodbye. 138 00:33:55,126 --> 00:34:00,417 I can get it to you next week. 139 00:34:00,834 --> 00:34:01,959 Yeah? 140 00:34:02,042 --> 00:34:05,792 I can transfer the money to you. 141 00:34:06,417 --> 00:34:09,834 Really? Then I'll give you my account number. 142 00:36:08,334 --> 00:36:09,834 Hello. 143 00:36:11,209 --> 00:36:12,709 Hello. 144 00:36:14,501 --> 00:36:16,126 How are you? 145 00:36:16,626 --> 00:36:18,251 Fine, thanks. 146 00:36:23,292 --> 00:36:25,584 Phillip doesn't know I'm here. 147 00:36:27,251 --> 00:36:29,876 I came here without planning to. 148 00:36:31,751 --> 00:36:33,792 I wanted to tell you... 149 00:36:36,584 --> 00:36:38,417 all of you... 150 00:36:47,417 --> 00:36:50,584 I keep imagining you talking about him 151 00:36:50,667 --> 00:36:52,292 and it's torture. 152 00:36:53,876 --> 00:36:57,667 I know you have to make an informed judgement, but... 153 00:36:58,126 --> 00:37:00,709 that doesn't seem possible to me 154 00:37:02,209 --> 00:37:05,376 as any judgement is unthinkable or wrong, 155 00:37:10,709 --> 00:37:15,209 and I'm sorry I'm confronting you with a problem I can't solve, 156 00:37:17,417 --> 00:37:20,126 but I came because... 157 00:37:25,667 --> 00:37:30,751 I don't think anyone can understand something they have never felt, 158 00:37:31,001 --> 00:37:34,084 that hasn't affected them personally. 159 00:37:38,751 --> 00:37:42,042 I know I can't influence your decision. 160 00:37:43,501 --> 00:37:48,042 I came because I fear for my son as I worry he will be treated unfairly 161 00:37:48,126 --> 00:37:50,959 because this child, my son... 162 00:37:57,042 --> 00:37:59,292 My whole life is in his hands, 163 00:37:59,376 --> 00:38:01,501 as is the life of his sister, 164 00:38:01,584 --> 00:38:04,334 although it's in my hands too, but... 165 00:38:09,042 --> 00:38:11,876 it has to do with the fact he's a man, 166 00:38:12,626 --> 00:38:14,792 or is becoming one. 167 00:38:15,709 --> 00:38:21,126 There's no word for that state of becoming and being at the same time. 168 00:38:21,917 --> 00:38:25,251 At the same time. I see it... 169 00:38:29,459 --> 00:38:32,751 I would like to ask you not to worry. 170 00:38:33,709 --> 00:38:35,959 If that's at all possible. 171 00:38:37,917 --> 00:38:40,084 To worry? 172 00:38:41,584 --> 00:38:43,209 Yes... 173 00:38:46,917 --> 00:38:49,667 I think it's stupid that I came here. 174 00:38:51,376 --> 00:38:55,334 I'm not sure... How does one talk to a radiator? 175 00:39:00,876 --> 00:39:03,542 No, a radiator.... 176 00:39:07,251 --> 00:39:09,667 is something else. 177 00:39:15,542 --> 00:39:18,376 I'm glad you're his class teacher. 178 00:39:22,001 --> 00:39:23,501 Goodbye. 179 00:42:03,459 --> 00:42:05,917 We're looking for Phillip. 180 00:42:06,167 --> 00:42:08,584 Is that the boy with sepsis? 181 00:42:11,876 --> 00:42:14,292 He's having surgery. 182 00:43:07,709 --> 00:43:09,626 Hi. 183 00:43:09,709 --> 00:43:11,584 Hi. 184 00:43:12,542 --> 00:43:14,876 What are you doing? 185 00:43:17,792 --> 00:43:19,751 Hey? 186 00:43:20,334 --> 00:43:22,084 Nothing. 187 00:43:24,042 --> 00:43:26,709 How was your match? - I lost. 188 00:43:28,459 --> 00:43:30,459 You lost? 189 00:43:30,542 --> 00:43:33,292 Six to three, six to seven, three to six. 190 00:43:34,584 --> 00:43:38,042 I was pretty good, but the other guy was better. 191 00:43:38,126 --> 00:43:40,209 I'm exhausted. 192 00:43:42,792 --> 00:43:45,167 I understand. 193 00:43:45,792 --> 00:43:48,126 I have to sleep. 194 00:43:48,209 --> 00:43:50,209 Will I see you tomorrow? 195 00:43:51,334 --> 00:43:53,334 That'd be nice. 196 00:51:55,292 --> 00:51:56,792 Hello. 197 00:51:59,167 --> 00:52:01,459 Do you live here? 198 00:52:01,542 --> 00:52:03,959 Only when I'm here in Berlin. 199 00:52:04,626 --> 00:52:07,084 Because you have a bike, I mean. 200 00:52:07,584 --> 00:52:09,584 I borrowed it. 201 00:52:23,376 --> 00:52:25,834 She's lovely. - Yes. 202 00:52:30,084 --> 00:52:32,751 Good luck with the professorship. 203 00:52:33,251 --> 00:52:37,251 Thanks. I haven't heard yet. - It usually takes a while. 204 00:52:37,584 --> 00:52:39,959 Acting is liberation, 205 00:52:41,042 --> 00:52:45,292 and staging death is deliverance from it, says the director, 206 00:52:45,376 --> 00:52:48,417 thought what he knows is irrelevant. 207 00:52:48,501 --> 00:52:52,584 That's why I think theatre is the opposite of death in a way. 208 00:52:52,667 --> 00:52:56,501 So acting, when an actor acts, it's always a lie 209 00:52:56,584 --> 00:52:59,709 because he's doing something unnecessary, 210 00:52:59,792 --> 00:53:04,042 that isn't natural but rather something he decides to do 211 00:53:04,292 --> 00:53:07,792 because the director wants it, the script says so, 212 00:53:07,876 --> 00:53:10,876 or because he just had the idea himself. 213 00:53:11,501 --> 00:53:17,376 But it's very rare that we see an actor or dancer do what they really have to do 214 00:53:18,167 --> 00:53:22,501 because, although it's not impossible, we just never see it 215 00:53:22,584 --> 00:53:27,501 and that's why I find it odd to place a terminally ill person, 216 00:53:27,584 --> 00:53:31,876 who knows, who really knows they're going to die soon... 217 00:53:31,959 --> 00:53:35,501 to place that person opposite an actor. 218 00:53:36,667 --> 00:53:39,584 The gravity that's seized the ill person, 219 00:53:39,667 --> 00:53:43,209 the undeniable truth plain to see on their person, 220 00:53:43,292 --> 00:53:47,501 contrasts so starkly with the actor who only pretends, 221 00:53:47,584 --> 00:53:51,626 who is a master liar with every fibre of their being, 222 00:53:51,709 --> 00:53:56,292 who sees it as their duty to use their body to tell lies. 223 00:53:58,501 --> 00:54:02,126 I didn't see the rest of your film because I had to go 224 00:54:02,209 --> 00:54:08,042 but that moment where the dancer, whose only concern is controlling her body, 225 00:54:08,126 --> 00:54:13,334 meets the sick woman, who has understood there's nothing she can control, 226 00:54:13,417 --> 00:54:16,917 and is therefore much more "body" than the dancer... 227 00:54:17,001 --> 00:54:19,792 Because she knows that she's going to die, 228 00:54:19,876 --> 00:54:23,876 that she is at the mercy of her body, that she is her body, 229 00:54:23,959 --> 00:54:28,959 she has actually achieved the dancer's goal of being nothing but body. 230 00:54:30,084 --> 00:54:34,501 While the dancer tries with control, actually the opposite is true: 231 00:54:34,584 --> 00:54:39,084 the truth only reveals itself when you are forced to lose control. 232 00:54:39,167 --> 00:54:42,709 So the dancer is just pretending, it's all pretend, 233 00:54:42,792 --> 00:54:45,834 while the ill woman can't pretend a thing. 234 00:54:45,917 --> 00:54:51,417 I mean, in that encounter between them you see how hollow and empty acting is. 235 00:54:51,501 --> 00:54:54,876 When the dancer touches the woman and smiles, 236 00:54:54,959 --> 00:54:58,751 it's not two people meeting, it's false meeting true, 237 00:54:58,834 --> 00:55:03,876 false smile versus true smile, and so the encounter means nothing 238 00:55:03,959 --> 00:55:06,584 because false is always stronger 239 00:55:06,667 --> 00:55:09,959 and one false moment ruins the whole thing. 240 00:55:10,042 --> 00:55:12,626 It's like food, you've got a great dish, 241 00:55:12,709 --> 00:55:17,626 but one false spice, or too much of it, and the whole thing is ruined. 242 00:55:17,709 --> 00:55:20,709 It's not a great analogy, but do you get it? 243 00:55:22,126 --> 00:55:25,751 Maybe you have to watch the entire film. 244 00:55:26,334 --> 00:55:28,709 Yes. Yes, I will watch it. 245 00:55:29,209 --> 00:55:31,834 I only saw the bit you mentioned. 246 00:55:31,917 --> 00:55:35,251 I'm sorry that I got so excited about it. 247 00:55:36,834 --> 00:55:39,626 Do you have much to do with theatre? 248 00:55:40,167 --> 00:55:43,251 Not at all. I hardly go to the theatre now. 249 00:55:43,334 --> 00:55:46,876 But my children's dad was a theatre director. 250 00:55:46,959 --> 00:55:49,751 He died two years ago. 251 00:55:52,042 --> 00:55:54,376 I understand. 252 00:55:55,792 --> 00:55:58,376 What? What do you understand? 253 00:55:58,834 --> 00:56:01,209 Why you react like that. 254 00:56:01,501 --> 00:56:03,376 Yeah? 255 00:56:03,917 --> 00:56:06,376 Why do I react like that? 256 00:56:06,626 --> 00:56:09,417 It's your own personal truth. 257 00:56:17,876 --> 00:56:21,584 The people... who are sick 258 00:56:21,667 --> 00:56:24,709 got a lot out of meeting the artists. 259 00:56:25,376 --> 00:56:30,001 For me, the dancers and the actors are artists. 260 00:56:30,084 --> 00:56:33,167 I get that. But it wasn't a social project. 261 00:56:33,251 --> 00:56:35,834 That's not what you were doing. 262 00:56:36,501 --> 00:56:38,001 No. 263 00:56:39,709 --> 00:56:42,334 I wanted to do it 264 00:56:42,959 --> 00:56:46,126 because I was interested in the people. 265 00:56:46,584 --> 00:56:49,792 But not because I was trying to help them. 266 00:56:50,334 --> 00:56:52,667 I'm not a therapist. 267 00:56:53,042 --> 00:56:55,376 But when you actually do it, 268 00:56:55,459 --> 00:56:59,501 when you're working on a film with other people, 269 00:56:59,917 --> 00:57:02,126 then it does become important 270 00:57:02,209 --> 00:57:04,959 how the work affects those people. 271 00:57:05,709 --> 00:57:08,209 What it means to them. 272 00:57:09,334 --> 00:57:11,959 Whether they have the feeling 273 00:57:12,042 --> 00:57:16,001 that the things that are being expected of them 274 00:57:16,751 --> 00:57:19,292 mean something to them. 275 00:57:20,959 --> 00:57:25,001 And that was the case. There was meaning. 276 00:57:25,084 --> 00:57:28,626 The sick people we worked with confirmed that. 277 00:57:29,251 --> 00:57:32,376 And that's something I sensed as well. 278 00:57:33,126 --> 00:57:37,667 Those encounters, that physical contact, were important. 279 00:57:37,751 --> 00:57:42,251 Something new, something different. - Yes. I believe that. 280 00:57:44,001 --> 00:57:46,542 But that's a different matter. 281 00:57:48,459 --> 00:57:52,126 But I do get it. Of course it has meaning, or can have. 282 00:57:52,209 --> 00:57:54,417 And that's great, 283 00:57:56,459 --> 00:58:01,417 but if I'm just someone at the cinema, then I don't care about that 284 00:58:01,501 --> 00:58:06,001 and I don't like when a lie meets the truth and makes it look silly 285 00:58:06,084 --> 00:58:08,584 because the people who meet... 286 00:58:09,376 --> 00:58:13,376 because the people who meet don't share a common truth. 287 00:58:13,751 --> 00:58:16,334 I think art, including performance art, 288 00:58:16,417 --> 00:58:19,584 is always an encounter between two things 289 00:58:19,667 --> 00:58:22,959 that transform as a result of that encounter, 290 00:58:23,042 --> 00:58:27,667 and there are elements that meet but nothing happens. 291 00:58:27,751 --> 00:58:32,042 Nothing emerges. They don't transform. Like oil and water? 292 00:58:32,126 --> 00:58:36,792 They can't mix. It's just theory. You were exploring a theory. 293 00:58:36,876 --> 00:58:41,709 You can do that, but then it's based only on an idea, not experience. 294 00:58:41,792 --> 00:58:46,251 Never mind. I shouldn't be so upset because you didn't hurt me. 295 00:58:46,626 --> 00:58:49,084 It's okay. - It's an experiment 296 00:58:49,167 --> 00:58:51,542 and I get that you wanted to try it. 297 00:58:51,626 --> 00:58:55,251 And in your eyes, the experiment failed. - Yes! 298 00:58:55,334 --> 00:58:57,584 In mine it didn't. - Okay! 299 00:58:59,292 --> 00:59:04,459 If you don't have a problem filming an actor on stage like it's real life, 300 00:59:04,542 --> 00:59:07,209 then you don't have a problem. 301 00:59:10,209 --> 00:59:13,209 There are wonderful moments at the start 302 00:59:13,292 --> 00:59:15,709 where you show what life is, 303 00:59:15,792 --> 00:59:20,292 like the amazing scene where the old woman gets up in the morning. 304 00:59:20,376 --> 00:59:24,709 How you did that is pure art: it only exists because you did it. 305 00:59:24,792 --> 00:59:28,792 The colours, the light, the movement of the body, 306 00:59:29,292 --> 00:59:34,334 the bed as a place where we sleep, that we have to leave in the morning, 307 00:59:34,417 --> 00:59:37,292 all of us, throughout our entire lives, 308 00:59:37,376 --> 00:59:39,876 unless you live in the woods 309 00:59:39,959 --> 00:59:44,834 where there are no beds, just earth to which we must return one day. 310 00:59:45,084 --> 00:59:50,709 That's why you already seek the earth and reject the soft warm bed 311 00:59:50,792 --> 00:59:55,459 so as not to forget that one day the body will, without a doubt, 312 00:59:57,959 --> 01:00:00,667 reunite with it. 313 01:00:01,167 --> 01:00:02,959 But... 314 01:00:04,251 --> 01:00:06,751 that's not what I wanted to say. 315 01:00:07,292 --> 01:00:10,709 I assume you sleep in a bed, not in the woods. 316 01:00:11,751 --> 01:00:16,751 This encounter with the "artists"... And you might as well call them that 317 01:00:16,834 --> 01:00:21,084 though it means different things to everyone, as all words do. 318 01:00:21,167 --> 01:00:24,501 It's amazing we even expect to be understood, 319 01:00:24,584 --> 01:00:27,209 yet words just come pouring out. 320 01:00:27,292 --> 01:00:31,917 The artists meeting the sick people was unbearably bad cinema! 321 01:00:32,001 --> 01:00:33,917 Do you understand? 322 01:00:34,001 --> 01:00:37,167 I understood that some time ago. - Right! 323 01:00:37,251 --> 01:00:40,251 What did you call it? Personal truth? 324 01:00:40,334 --> 01:00:42,959 Should I choke on my own truth? 325 01:00:43,042 --> 01:00:45,917 You don't want to be alone with your truth, 326 01:00:46,001 --> 01:00:50,126 you want to share it with others! Although that's nonsense. 327 01:00:50,209 --> 01:00:53,876 An opinion can be shared but opinion isn't truth, 328 01:00:53,959 --> 01:00:55,917 but okay... 329 01:00:57,834 --> 01:01:01,709 But I still think it'd be great if you get the professorship. 330 01:01:01,792 --> 01:01:05,251 I find you quite likable. - We'll see. 331 01:01:05,334 --> 01:01:09,584 The others were keen, though, as I'm sure you noticed. 332 01:01:12,876 --> 01:01:15,209 Where are we going now? 333 01:01:15,542 --> 01:01:17,126 Nowhere. 334 01:01:17,209 --> 01:01:19,334 I live over there. 335 01:01:26,501 --> 01:01:29,626 Thank you. That was helpful. - My pleasure. 336 01:01:34,334 --> 01:01:37,084 I talked your ear off. I'm sorry. 337 01:01:37,167 --> 01:01:39,626 Sometimes I think I'm going mad. 338 01:01:39,709 --> 01:01:41,917 No, no. It was interesting. 339 01:01:42,959 --> 01:01:46,126 Are you staying here long? - One month. 340 01:01:46,209 --> 01:01:48,709 You chose the grey Berlin winter. 341 01:01:48,792 --> 01:01:50,542 Yes. 342 01:01:51,292 --> 01:01:54,376 Take care. And don't be cross with me. 343 01:01:54,751 --> 01:01:56,834 I hope to see you again. 344 01:01:57,751 --> 01:02:00,042 Goodbye. Take care. 345 01:02:49,001 --> 01:02:52,042 Flo, you're not supposed to cook alone! 346 01:02:52,126 --> 01:02:54,042 Mum! - Damn it! 347 01:02:54,126 --> 01:02:58,876 Mum, nothing happened. - I don't want you to turn on the stove! 348 01:02:58,959 --> 01:03:02,001 Do something else! Make toast or something! 349 01:03:12,126 --> 01:03:14,251 Do you understand me? - Yes. 350 01:03:22,501 --> 01:03:25,042 Leave it! You'll make a bigger mess! 351 01:03:27,459 --> 01:03:28,959 Go away! 352 01:03:33,959 --> 01:03:38,376 Don't act like you need protecting! I won't do anything to you! 353 01:03:47,417 --> 01:03:49,167 Do you want something? 354 01:03:50,709 --> 01:03:54,084 Flo, eat if you're hungry! - I'm not hungry. 355 01:03:56,792 --> 01:03:58,626 Mum, you eat one. 356 01:03:58,709 --> 01:04:00,709 I have to get this clean. 357 01:04:13,584 --> 01:04:15,251 Leave me! 358 01:04:24,751 --> 01:04:26,584 Stop it, Phillip! 359 01:04:39,001 --> 01:04:41,001 Leave me be! Please! 360 01:06:21,001 --> 01:06:22,501 Get out! 361 01:06:24,709 --> 01:06:25,959 Out! 362 01:06:26,042 --> 01:06:27,834 Both of you, out! 363 01:06:29,251 --> 01:06:30,292 Out! 364 01:06:31,542 --> 01:06:33,167 Get out! 365 01:06:50,709 --> 01:06:53,084 Get lost! Get out of here! 366 01:07:52,126 --> 01:07:54,126 When will I see you again? 367 01:07:56,917 --> 01:07:58,417 Tomorrow? 368 01:08:04,501 --> 01:08:06,501 What are you doing tonight? 369 01:08:06,917 --> 01:08:09,167 Going to dinner with my dad. 370 01:08:09,251 --> 01:08:11,167 Just the two of you? 371 01:08:11,251 --> 01:08:12,834 Yes. 372 01:08:12,917 --> 01:08:15,084 I want him to give me money. 373 01:08:16,292 --> 01:08:18,584 For the app? - Yes. 374 01:08:19,626 --> 01:08:22,001 It's not much. Eight thousand. 375 01:08:26,001 --> 01:08:27,917 Will that be enough? 376 01:08:30,042 --> 01:08:31,876 For the time being. 377 01:09:00,876 --> 01:09:03,459 What's it like having a rich dad? 378 01:09:04,334 --> 01:09:05,959 Normal. 379 01:09:06,042 --> 01:09:07,917 It is what it is. 380 01:09:17,751 --> 01:09:19,584 Where are you eating? 381 01:09:21,709 --> 01:09:24,292 I don't know. He wants steak. 382 01:09:31,126 --> 01:09:32,626 Steak... 383 01:09:35,959 --> 01:09:37,459 You could... 384 01:09:38,042 --> 01:09:40,001 We'll find something. 385 01:10:22,251 --> 01:10:24,709 Hello? - ... my name... 386 01:10:24,792 --> 01:10:28,417 Sorry? - You can come get the money. 387 01:10:28,501 --> 01:10:30,084 Get it? 388 01:10:30,167 --> 01:10:32,667 Meissner, hello? 389 01:10:32,751 --> 01:10:34,417 Yes. Sorry. 390 01:10:35,251 --> 01:10:38,126 When are you at home today? - Today. 391 01:10:41,501 --> 01:10:43,501 Is the speaker broken? 392 01:10:44,459 --> 01:10:47,376 The bike guy's giving me the money back. 393 01:10:47,459 --> 01:10:49,042 Great! 394 01:10:49,126 --> 01:10:51,417 Where are you going to get a bike? 395 01:10:57,376 --> 01:11:00,084 You could take it back if he's fixed it. 396 01:11:00,167 --> 01:11:01,792 You're joking? 397 01:11:01,876 --> 01:11:03,709 I don't want that bike. 398 01:11:07,209 --> 01:11:09,209 Bye. - Bye. 399 01:11:43,834 --> 01:11:47,042 When in your motion you are hot and dry 400 01:11:47,126 --> 01:11:50,251 as make your bouts more violent to that end 401 01:11:50,334 --> 01:11:53,167 and that he calls for drink I'll have prepared him 402 01:11:53,251 --> 01:11:56,376 a chalice for the nonce, whereon but sipping 403 01:11:56,459 --> 01:11:59,292 if he by chance escape your venom'd stuck 404 01:11:59,376 --> 01:12:01,709 our purpose may hold there. 405 01:12:04,584 --> 01:12:06,501 What is that noise? 406 01:12:10,209 --> 01:12:13,709 One woe doth tread upon another's heel. 407 01:12:14,917 --> 01:12:16,501 Laertes, 408 01:12:16,584 --> 01:12:18,959 your sister's drown'd. 409 01:12:22,209 --> 01:12:23,709 Drown'd! 410 01:12:24,876 --> 01:12:26,459 O, where? 411 01:12:26,542 --> 01:12:30,459 There is a willow grows aslant a brook, 412 01:12:31,667 --> 01:12:35,917 that shows his hoar leaves in the glassy stream. 413 01:12:37,042 --> 01:12:40,667 There with fantastic garlands did she come 414 01:12:42,001 --> 01:12:43,959 of crowflowers, 415 01:12:44,042 --> 01:12:46,709 nettles, and long purples, 416 01:12:48,042 --> 01:12:51,792 that liberal shepherds give a grosser name, 417 01:12:53,084 --> 01:12:55,084 but our cold maids 418 01:12:55,167 --> 01:12:57,709 do dead men's fingers call them. 419 01:12:58,501 --> 01:13:01,959 There, on the pendant boughs her coronet weeds 420 01:13:02,876 --> 01:13:05,126 clambering to hang, 421 01:13:05,542 --> 01:13:07,542 an envious silver broke. 422 01:13:08,584 --> 01:13:12,376 When down her weedy trophies and herself fell 423 01:13:13,459 --> 01:13:15,209 in the weeping brook. 424 01:13:15,834 --> 01:13:18,001 Her clothes spread wide 425 01:13:18,792 --> 01:13:22,376 and, mermaid-like, awhile they bore her up, 426 01:13:23,334 --> 01:13:26,792 which time she chanted snatches of old tunes 427 01:13:28,126 --> 01:13:32,042 as one incapable of her own distress, 428 01:13:33,376 --> 01:13:36,709 or like a creature native and induc'd 429 01:13:37,376 --> 01:13:39,251 unto that element. 430 01:13:39,334 --> 01:13:41,501 But long it could not be 431 01:13:41,584 --> 01:13:43,792 till that her garments, 432 01:13:43,876 --> 01:13:46,001 heavy with their drink, 433 01:13:46,084 --> 01:13:50,376 pull'd the poor wretch from her melodious lay 434 01:13:51,042 --> 01:13:53,459 to muddy death. 435 01:13:57,792 --> 01:13:59,459 Alas, then, 436 01:14:01,209 --> 01:14:02,959 she is drown'd? 437 01:14:04,001 --> 01:14:05,584 Drown'd, 438 01:14:05,667 --> 01:14:07,167 drown'd. 439 01:14:35,792 --> 01:14:37,959 Are you staying? - Should I? 440 01:14:38,834 --> 01:14:41,209 I have to go shopping. - Stay a bit. 441 01:14:41,292 --> 01:14:43,709 Right? You want her to watch? - Yes! 442 01:14:46,834 --> 01:14:48,334 Sit. 443 01:15:48,751 --> 01:15:50,251 Excuse me! 444 01:15:59,542 --> 01:16:03,792 I want a crate of these. There are only single bottles inside. 445 01:16:21,084 --> 01:16:22,584 Thank you. 446 01:16:44,667 --> 01:16:46,584 Who are you? 447 01:16:46,667 --> 01:16:48,501 Get out of here. 448 01:16:53,126 --> 01:16:54,626 Get lost. 449 01:17:15,626 --> 01:17:17,459 Now get out of here. 450 01:22:21,501 --> 01:22:23,084 Come on. 451 01:24:30,459 --> 01:24:32,834 All the creatures in the world... 452 01:24:36,209 --> 01:24:38,126 It's too much for me. 453 01:24:44,084 --> 01:24:47,084 How can I determine between good and bad? 454 01:24:49,167 --> 01:24:51,167 Aren't they all the same? 455 01:24:56,667 --> 01:25:00,126 And then, in this mass of senseless creatures... 456 01:25:01,209 --> 01:25:02,709 a child. 457 01:25:05,084 --> 01:25:08,584 One that only exists because you and I wanted it. 458 01:25:11,001 --> 01:25:12,876 It seems crazy. 459 01:25:16,917 --> 01:25:19,959 If everyone's crazy, why can't we be too? 460 01:25:24,292 --> 01:25:27,292 Isn't it enough that we know each other? 461 01:25:27,376 --> 01:25:29,792 I'm scared of vanishing. 462 01:25:31,876 --> 01:25:34,209 Then there'll be nothing left. 463 01:25:37,792 --> 01:25:39,584 I'll hold you. 464 01:25:39,667 --> 01:25:41,376 How much longer? 465 01:25:44,126 --> 01:25:48,251 It's hard to believe you love me if you don't want a child. 466 01:25:49,292 --> 01:25:51,751 I understand. - Do you love me? 467 01:25:54,292 --> 01:25:56,584 I think I do. - You think so? 468 01:25:58,209 --> 01:26:01,501 How can I know? - I know that I love you. 469 01:26:05,417 --> 01:26:07,834 I feel that I have to be lonely. 470 01:26:10,292 --> 01:26:13,209 A person who is lonely and has nothing. 471 01:26:16,292 --> 01:26:20,042 When I see you or think of you, I feel loved. 472 01:26:22,917 --> 01:26:26,209 But that doesn't alter the fact that I'm alone. 473 01:26:27,584 --> 01:26:30,459 Having a child wouldn't change that. 474 01:26:30,542 --> 01:26:32,501 What do you mean? 475 01:26:33,542 --> 01:26:36,334 There's a reason why we're here. 476 01:26:36,417 --> 01:26:38,084 A mission. 477 01:26:40,209 --> 01:26:43,959 What kind of mission is that? Being lonely and alone? 478 01:26:44,042 --> 01:26:45,876 Who does it help? 479 01:26:46,292 --> 01:26:48,042 What does it achieve? 480 01:26:48,459 --> 01:26:50,209 I don't know. 481 01:26:51,501 --> 01:26:53,334 It's just a feeling. 482 01:26:56,626 --> 01:26:58,459 How does it feel? 483 01:27:00,584 --> 01:27:02,209 I don't know. 484 01:27:03,376 --> 01:27:05,292 I feel it very deeply. 485 01:27:06,334 --> 01:27:08,751 But is it good? Does it feel good? 486 01:27:08,834 --> 01:27:10,251 Good? 487 01:27:10,334 --> 01:27:11,834 Deep. 488 01:27:12,501 --> 01:27:14,751 I am steeped in loneliness. 489 01:27:15,417 --> 01:27:17,001 In loneliness? 490 01:27:20,251 --> 01:27:22,001 That's not true. 491 01:27:26,542 --> 01:27:28,167 That's horrible. 492 01:27:30,084 --> 01:27:31,834 It's a nightmare. 493 01:27:36,084 --> 01:27:40,251 I couldn't be anyone's wife. That's not my mission. 494 01:27:40,334 --> 01:27:43,292 Stop talking about a silly mission. - What? 495 01:27:43,376 --> 01:27:45,834 You're convincing yourself of it. 496 01:27:45,917 --> 01:27:49,751 Okay, you want to be alone. But that's not a mission. 497 01:27:49,834 --> 01:27:51,667 What's the goal? 498 01:27:51,751 --> 01:27:54,501 I don't know. I already told you that. 499 01:27:56,001 --> 01:27:59,126 I just want to be ready. - Ready for what? 500 01:27:59,209 --> 01:28:01,959 Lars, can't you hear? I don't know! 501 01:28:03,876 --> 01:28:06,376 We don't have forever, you know? 502 01:28:15,876 --> 01:28:17,876 But you think you love me. 503 01:28:24,667 --> 01:28:26,167 Okay. 504 01:28:31,376 --> 01:28:34,459 Come for the third, Laertes. You but dally. 505 01:28:34,542 --> 01:28:39,334 I pray you, pass with your best violence. I am afeard you make a wanton of me. 506 01:28:39,417 --> 01:28:41,626 Say you so? Come on. 507 01:28:47,709 --> 01:28:49,459 Nothing, neither way. 508 01:28:50,834 --> 01:28:52,751 Have at you now! 509 01:29:30,876 --> 01:29:33,001 Look to the queen there, ho! 510 01:29:34,917 --> 01:29:36,959 How does the queen? 511 01:29:37,042 --> 01:29:39,251 She swoons to see them bleed. 512 01:29:39,876 --> 01:29:42,001 No, no! The drink! 513 01:29:42,084 --> 01:29:43,709 The drink! 514 01:29:44,834 --> 01:29:47,001 O my dear Hamlet! The drink! 515 01:29:47,084 --> 01:29:48,834 I am poison'd. 516 01:29:59,251 --> 01:30:00,917 O villainy! 517 01:30:01,792 --> 01:30:04,626 Ho! Let the door be lock'd. 518 01:30:11,834 --> 01:30:13,334 Hamlet, 519 01:30:13,667 --> 01:30:15,292 thou art slain. 520 01:30:17,001 --> 01:30:19,084 No medicine in the world 521 01:30:19,167 --> 01:30:21,084 can do thee good. 522 01:30:22,501 --> 01:30:24,251 In thee 523 01:30:24,334 --> 01:30:26,334 is not half an hour of life. 524 01:30:28,292 --> 01:30:30,751 The treacherous instrument 525 01:30:31,667 --> 01:30:33,501 is in thy hand. 526 01:30:35,042 --> 01:30:36,751 Unbated 527 01:30:36,834 --> 01:30:38,751 and envenom'd. 528 01:30:40,292 --> 01:30:42,042 The foul practice 529 01:30:42,459 --> 01:30:44,459 hath turned itself on me. 530 01:30:46,542 --> 01:30:48,126 Lo! 531 01:30:48,209 --> 01:30:49,792 Here I lie, 532 01:30:50,542 --> 01:30:52,376 never to rise again. 533 01:30:53,501 --> 01:30:55,667 The point envenom'd. 534 01:30:59,376 --> 01:31:00,876 The king! 535 01:31:01,626 --> 01:31:03,667 The king's to blame. 536 01:31:03,751 --> 01:31:05,584 The point envenom'd too! 537 01:31:05,667 --> 01:31:08,126 Then, venom, to thy work. 538 01:31:17,251 --> 01:31:18,751 Treason! 539 01:31:19,709 --> 01:31:21,209 Treason! 540 01:31:31,251 --> 01:31:34,251 O, yet defend me, friends. I am but hurt. 541 01:31:35,917 --> 01:31:37,917 Incestuous, murderous, 542 01:31:38,001 --> 01:31:39,709 damned Dane! 543 01:31:49,126 --> 01:31:52,376 Drink off this potion. Is thy union here? 544 01:31:58,376 --> 01:32:00,084 Follow my mother. 545 01:32:20,417 --> 01:32:22,334 Horatio, I am dead. 546 01:32:26,626 --> 01:32:28,251 Thou liv'st. 547 01:32:31,042 --> 01:32:33,584 Report me and my cause aright. 548 01:32:36,334 --> 01:32:38,209 To the unsatisfied. 549 01:32:52,584 --> 01:32:54,334 Never believe it. 550 01:32:54,417 --> 01:32:56,167 I swear it. 551 01:32:57,001 --> 01:32:59,209 Here's yet some liquor left. 552 01:33:05,584 --> 01:33:07,417 Give me the cup. 553 01:33:11,584 --> 01:33:13,417 Let go, by heaven. 554 01:33:35,251 --> 01:33:38,167 If thou didst ever hold me in thy heart, 555 01:33:40,251 --> 01:33:42,959 absent thee from felicity awhile 556 01:33:46,209 --> 01:33:48,209 and in this harsh world 557 01:33:50,459 --> 01:33:52,584 draw thy breath in pain 558 01:33:54,251 --> 01:33:56,251 to tell my story. 559 01:34:06,917 --> 01:34:08,751 What noise is this? 560 01:34:12,292 --> 01:34:13,917 So warlike. 561 01:34:15,292 --> 01:34:19,001 Young Fortinbras, with conquest come from Poland 562 01:34:19,084 --> 01:34:23,501 to the ambassadors of England gives this warlike volley. 563 01:34:47,334 --> 01:34:49,209 O, I die, Horatio. 564 01:34:53,667 --> 01:34:55,376 The potent poison 565 01:34:57,501 --> 01:34:59,751 quite o'er-crows my spirit. 566 01:35:02,876 --> 01:35:05,042 I cannot live to hear the news 567 01:35:05,542 --> 01:35:07,167 from England. 568 01:35:10,376 --> 01:35:12,292 But I do prophesy 569 01:35:18,584 --> 01:35:20,501 the election lights 570 01:35:21,292 --> 01:35:22,792 on Fortinbras. 571 01:35:24,751 --> 01:35:26,751 He has my dying voice. 572 01:35:30,251 --> 01:35:31,917 So tell him. 573 01:35:33,459 --> 01:35:35,917 With the occurrents, more or less. 574 01:35:37,334 --> 01:35:39,334 which have solicited. 575 01:35:45,209 --> 01:35:47,501 The rest... is silence. 576 01:36:14,292 --> 01:36:17,417 Now cracks a noble heart. 577 01:36:20,251 --> 01:36:22,251 Goodnight, sweet prince. 578 01:36:23,417 --> 01:36:27,001 And flights of angels sing thee to thy rest. 38180

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