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1
00:00:00,431 --> 00:00:02,831
♪♪
2
00:00:08,109 --> 00:00:10,609
ARE YOU GUYS
READING BOOKS?
3
00:00:12,343 --> 00:00:14,293
SINCE AUSTIN'S
WORLD TOUR
STARTS IN A WEEK,
4
00:00:14,285 --> 00:00:16,385
I'M HELPING HIM
LEARN SOME FOREIGN
LANGUAGES.
5
00:00:16,387 --> 00:00:18,617
I CAN ASK, "WHERE ARE
THE PANCAKES?"
6
00:00:18,619 --> 00:00:20,249
IN FIFTEEN
DIFFERENT
LANGUAGES.
7
00:00:20,251 --> 00:00:21,591
FRENCH...
8
00:00:21,592 --> 00:00:23,722
(speaking French)
9
00:00:24,795 --> 00:00:26,095
MANDARIN...
10
00:00:26,097 --> 00:00:27,757
(speaking Mandarin)
11
00:00:27,758 --> 00:00:29,298
EVEN PIG LATIN.
12
00:00:29,300 --> 00:00:32,400
"ERE-WHAY ARE-AY
E-THAY ANCAKES-PAY?"
13
00:00:34,805 --> 00:00:36,535
YOU GUYS ARE A
COUPLE OF OOF-DAYS.
14
00:00:38,139 --> 00:00:40,139
WHAT'S WITH THE
ANIMAL PRINT PILLOWS?ú
15
00:00:40,141 --> 00:00:41,971
I'M TURNING THE
PRACTICE ROOM
INTO MY NEW OFFICE.
16
00:00:41,972 --> 00:00:43,972
(gasps)
WHAT GIVES YOU
THE RIGHT?
17
00:00:45,516 --> 00:00:47,276
DEZ, CALM DOWN.
18
00:00:47,278 --> 00:00:49,718
SHE'LL BE RUNNING
THE MUSIC FACTORY
WHILE I'M AT SCHOOL
19
00:00:49,720 --> 00:00:51,020
AND AUSTIN'S
ON TOUR.
20
00:00:51,021 --> 00:00:52,381
WHAT DO YOU
CARE ANYWAY?
21
00:00:52,383 --> 00:00:54,963
YOU'LL BE FINISHING
FILM SCHOOL AND
HANGING OUT WITH CARRIE
22
00:00:54,955 --> 00:00:57,385
WAY ON THE OTHER
SIDE OF THE COUNTRY.
23
00:00:57,388 --> 00:00:59,128
OH, I CAN'T WAIT.
24
00:00:59,130 --> 00:01:01,230
AW, I'M GOING
TO MISS YOU TOO.
25
00:01:01,232 --> 00:01:02,892
I'M GOING TO MISS
ALL YOU GUYS.
26
00:01:02,893 --> 00:01:05,873
WELL, NO MATTER
WHERE LIFE TAKES US,
27
00:01:05,866 --> 00:01:08,236
WE'LL ALWAYS HAVE
THIS PLACE TO BRING
US TOGETHER.
28
00:01:08,239 --> 00:01:10,699
AND LUCKILY, WE'LL
HAVE TRISH TO TAKE
REALLY GOOD CARE OF IT.
29
00:01:10,701 --> 00:01:13,571
AND I PROMISE
TO MAKE THE SCHOOL
MY TOP PRIORITY.
30
00:01:13,574 --> 00:01:16,884
TRISH, IT'S SO GREAT
THAT YOU'RE TAKING THIS
SO SERIOUSLY.
31
00:01:16,877 --> 00:01:18,847
NOTHING MEANS
MORE TO ME THAN
32
00:01:18,849 --> 00:01:21,179
THAN THE A&A MUSIC--
OH, MY HOT TUB!
33
00:01:23,284 --> 00:01:25,194
WHAT? IT'S FOR
MY NEW OFFICE.
34
00:01:25,186 --> 00:01:27,516
IT'LL FIT. I JUST
GOT TO GET RID
OF THE PIANO...
35
00:01:27,518 --> 00:01:29,358
AND ALL THAT
MUSIC JUNK.
36
00:01:29,360 --> 00:01:31,290
(theme music playing)
37
00:01:34,495 --> 00:01:37,325
♪ WHEN THE CROWD
WANTS MORE ♪
38
00:01:37,328 --> 00:01:38,668
♪ I BRING ON THE THUNDER ♪
39
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♪ 'CAUSE YOU'VE GOT MY BACK ♪
40
00:01:40,201 --> 00:01:41,731
♪ AND I'M NOT GOING UNDER ♪
41
00:01:41,732 --> 00:01:43,402
♪ YOU'RE MY POINT,
YOU'RE MY GUARD ♪
42
00:01:43,404 --> 00:01:44,884
♪ YOU'RE
THE PERFECT CHORD ♪
43
00:01:44,875 --> 00:01:47,935
♪ AND I SEE OUR NAMES TOGETHER
ON EVERY BILLBOARD ♪
44
00:01:47,938 --> 00:01:51,078
♪ WE'RE HEADED FOR THE TOP,
WE'VE GOT IT ON LOCK ♪
45
00:01:51,081 --> 00:01:52,481
♪ WE'LL MAKE 'EM
SAY "HEY!" ♪
46
00:01:52,483 --> 00:01:54,953
♪ AND WE'LL KEEP ROCKIN' ♪
47
00:01:54,945 --> 00:01:59,245
♪ OH, THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
48
00:01:59,250 --> 00:02:02,390
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA ♪
49
00:02:02,393 --> 00:02:05,363
♪ IT'S NO FUN
WHEN YOU'RE DOING IT SOLO ♪
50
00:02:05,356 --> 00:02:08,356
♪ WITH YOU IT'S LIKE, "WHOA,"
YEAH, AND I KNOW ♪
51
00:02:08,359 --> 00:02:11,329
♪ I OWN THIS DREAM ♪
52
00:02:11,332 --> 00:02:14,412
♪ 'CAUSE I GOT YOU WITH ME ♪
53
00:02:14,405 --> 00:02:17,605
♪ THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
54
00:02:17,608 --> 00:02:20,938
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA. ♪
55
00:02:26,547 --> 00:02:27,677
I WAS THINKING.
56
00:02:27,678 --> 00:02:29,348
SINCE WE WON'T BE TOGETHER
57
00:02:29,350 --> 00:02:31,050
FOR A LOT OF THE HOLIDAYS
THIS YEAR,
58
00:02:31,051 --> 00:02:33,421
WE SHOULD CELEBRATE ALL
OF THEM THIS WEEK
59
00:02:33,424 --> 00:02:34,694
BEFORE WE LEAVE TOWN.
60
00:02:34,685 --> 00:02:35,725
GREAT IDEA.
61
00:02:35,726 --> 00:02:38,186
WE CAN DO OUR ANNIVERSARY,
CHRISTMAS,
62
00:02:38,189 --> 00:02:39,959
VALENTINE'S DAY.
63
00:02:39,960 --> 00:02:41,790
THERE'S ONLY
ONE PROBLEM.
64
00:02:41,792 --> 00:02:44,302
I'M ACTUALLY LEAVING FOR
MY TOUR IN A HOUR.
65
00:02:44,295 --> 00:02:45,735
WHAT?
66
00:02:45,736 --> 00:02:47,166
APRIL FOOLS!
67
00:02:47,167 --> 00:02:48,567
(laughs)
68
00:02:48,569 --> 00:02:50,199
CROSS THAT ONE
OFF THE LIST.
69
00:02:52,002 --> 00:02:55,312
GUESS WHO'S AUDITIONING
FOR A... ♪ MUSICAL? ♪
70
00:02:55,306 --> 00:02:57,006
I GOT HER THE AUDITION.
71
00:02:57,007 --> 00:02:59,407
THE PLAY IS DIRECTED
BY MY MENTOR AND HERO,
72
00:02:59,410 --> 00:03:00,650
SPIKE STEVENS.
73
00:03:00,651 --> 00:03:02,311
HE'S ALSO STARRING IN IT.
74
00:03:02,313 --> 00:03:03,983
BUT I THOUGHT
HE ONLY DID MOVIES,
75
00:03:03,984 --> 00:03:05,524
LIKE THE ONE
I STARRED IN.
76
00:03:05,516 --> 00:03:07,386
YOU KNOW? THE PILOT
AND THE MERMAID.
77
00:03:07,388 --> 00:03:10,088
BASED ON THE BOOK,
THE MERMAID AND THE PILOT.
78
00:03:10,090 --> 00:03:13,160
(chuckles) OH.
YOU IGNORANT FOOLS.
79
00:03:14,825 --> 00:03:16,995
IF YOU KNEW ANYTHING
ABOUT SPIKE,
80
00:03:16,997 --> 00:03:19,467
YOU'D KNOW HIS FIRST LOVE
IS MUSICAL THEATER.
81
00:03:19,470 --> 00:03:21,900
AND NOW, HE'S COME HOME.
82
00:03:22,903 --> 00:03:24,513
THIS COULD BE HUGE!
83
00:03:24,505 --> 00:03:25,875
I READ ABOUT IT ONLINE.
84
00:03:25,876 --> 00:03:27,606
WELL, IF I GET THE PART,
85
00:03:27,608 --> 00:03:29,308
I'D HAVE TO DO
A LITTLE JUGGLING BETWEEN
86
00:03:29,310 --> 00:03:31,310
RUNNING THE FACTORY
AND DOING THE PLAY.
87
00:03:31,312 --> 00:03:33,912
BUT WHO AM I KIDDING?
IT'S A LONG SHOT.
88
00:03:33,914 --> 00:03:35,294
A VERY LONG SHOT.
89
00:03:36,287 --> 00:03:38,287
BUT I KNOW WHAT
SPIKE DEMANDS OF HIS ACTORS.
90
00:03:38,289 --> 00:03:39,919
I CAN HELP YOU.
WATCH...
91
00:03:39,920 --> 00:03:40,990
AND REPEAT.
92
00:03:41,992 --> 00:03:43,122
HAPPY.
93
00:03:43,123 --> 00:03:44,503
SAD.
94
00:03:44,495 --> 00:03:45,525
HAPPY.
95
00:03:45,526 --> 00:03:46,656
SAD.
96
00:03:49,430 --> 00:03:50,960
COME ON,
YOU'RE NOT DOING IT.
97
00:03:50,961 --> 00:03:52,231
HAPPY.
98
00:03:52,232 --> 00:03:53,362
SAD.
99
00:03:53,364 --> 00:03:54,514
HAPPY.
100
00:03:54,505 --> 00:03:55,965
SAD.
101
00:03:55,966 --> 00:03:57,406
OOH, MAD!
NICE.
102
00:04:03,474 --> 00:04:05,854
(piano music playing)
103
00:04:07,478 --> 00:04:08,718
HAPPY EASTER-VERSARY.
104
00:04:08,719 --> 00:04:10,719
(giggles) OH.
105
00:04:10,721 --> 00:04:12,851
I BOUGHT YOU
AN ANNIVERSARY PRESENT.
106
00:04:12,853 --> 00:04:14,493
IT'S HIDDEN INSIDE
AN EASTER EGG
107
00:04:14,485 --> 00:04:16,055
SOMEWHERE IN
THE RESTAURANT.
108
00:04:16,056 --> 00:04:17,386
AW, THANKS.
109
00:04:17,388 --> 00:04:19,588
I'LL HUNT FOR IT
AFTER WE ORDER.
110
00:04:19,590 --> 00:04:20,660
(both chuckle)
111
00:04:20,661 --> 00:04:22,361
(both sigh)
112
00:04:22,363 --> 00:04:25,203
I CAN'T BELIEVE
WE ONLY HAVE A WEEK LEFT.
113
00:04:26,367 --> 00:04:27,797
I'M REALLY GONNA MISS YOU.
114
00:04:27,798 --> 00:04:29,598
BUT WE'LL STILL TALK
ALL THE TIME
115
00:04:29,600 --> 00:04:31,600
AND WRITE SONGS
TOGETHER OVER THE PHONE.
116
00:04:31,602 --> 00:04:32,902
ACTUALLY,
117
00:04:32,903 --> 00:04:35,653
I DON'T KNOW HOW MUCH
TIME I'LL HAVE FOR SONGWRITING.
118
00:04:35,646 --> 00:04:40,946
I'VE BEEN DOING A LOT
OF THINKING, AND I'VE DECIDED
TO PUT MUSIC ON HOLD FOR AWHILE.
119
00:04:41,952 --> 00:04:43,182
SERIOUSLY?
120
00:04:43,183 --> 00:04:44,393
YOU'RE NOT GONNA MAKE MUSIC?
121
00:04:44,385 --> 00:04:47,155
WELL, HARVARD'S GONNA
KEEP ME REALLY BUSY.
122
00:04:47,157 --> 00:04:48,387
IT'S VERY COMPETITIVE.
123
00:04:48,389 --> 00:04:50,459
I'LL BE TAKING A LOT
OF HARD CLASSES
124
00:04:50,461 --> 00:04:52,221
WITH A LOT OF
SUPER SMART PEOPLE.
125
00:04:52,222 --> 00:04:53,562
WOW.
126
00:04:53,564 --> 00:04:56,274
YOU'RE GONNA BE MEETING ALL
KINDS OF SMART HARVARD PEOPLE,
127
00:04:56,266 --> 00:04:58,526
DOING ALL KINDS OF
SMART HARVARD STUFF,
128
00:04:58,529 --> 00:05:00,429
EATING SMART HARVARD FOOD.
129
00:05:00,431 --> 00:05:03,701
WELL, I'M NOT SURE
FOOD CAN REALLY BE SMART.
130
00:05:03,704 --> 00:05:05,044
SURE IT CAN.
131
00:05:05,035 --> 00:05:06,475
I JUST SAW THIS THING ON TV
132
00:05:06,477 --> 00:05:09,007
ABOUT CELERY THAT CAN
SING BABIES TO SLEEP.
133
00:05:09,009 --> 00:05:13,239
ARE YOU TALKING ABOUT
THAT DIAPER COMMERCIAL
WITH THE SINGING CELERY?
134
00:05:13,243 --> 00:05:15,353
OH, MAYBE.
135
00:05:15,346 --> 00:05:16,586
(chuckles)
136
00:05:16,587 --> 00:05:18,387
YOU'RE SO CUTE.
137
00:05:20,891 --> 00:05:22,821
HAPPY
EASTER-BEST-FRIEND-AVERSARY!
138
00:05:22,823 --> 00:05:25,903
TRISH TOLD ME WE'RE CELEBRATING
A YEAR'S WORTH OF HOLIDAYS,
139
00:05:25,896 --> 00:05:27,556
SO...
140
00:05:27,558 --> 00:05:29,158
HERE I AM.
141
00:05:30,260 --> 00:05:32,500
UH, NO. WE'RE CELEBRATING.
142
00:05:32,503 --> 00:05:34,613
THAT'S WHAT I SAID--
"WE'RE CELEBRATING."
143
00:05:34,605 --> 00:05:36,305
AND AUSTIN,
144
00:05:36,306 --> 00:05:38,336
I FOUND THE GIFT
YOU HID FOR ME.
145
00:05:40,511 --> 00:05:42,711
HOW DID YOU KNOW
MY FAVORITE LETTER WAS "A"?
146
00:05:48,248 --> 00:05:50,948
SPIKE, THANK YOU
SO MUCH FOR THIS AUDITION.
147
00:05:50,951 --> 00:05:53,121
DON'T THANK ME,
IMPRESS ME.
148
00:05:53,123 --> 00:05:55,263
ROOFTOP SCENE, GO!
149
00:05:57,227 --> 00:05:58,887
WHAT HAPPENED TO US,
JAZZY McGEE?
150
00:05:58,889 --> 00:06:00,659
WE USED TO BE
BEST FRIENDS.
151
00:06:00,661 --> 00:06:02,691
YOU WERE THE MUSTARD
TO MY HOT DOG.
152
00:06:02,693 --> 00:06:06,443
WELL, TRIXIE, THAT WAS BEFORE
YOU LEFT ME IN THE DUST
WHEN YOU HIT IT BIG.
153
00:06:06,437 --> 00:06:08,697
YOUR RECORD MAY BE GOLD,
154
00:06:08,699 --> 00:06:10,739
BUT YOUR HEART SURE AIN'T.
155
00:06:10,741 --> 00:06:12,871
I CROSS OVER HERE.
156
00:06:12,873 --> 00:06:14,953
I TURN, AND THEN YOU SAY...
157
00:06:14,945 --> 00:06:19,105
I LEARNED IT FROM YOU.
YOU DESTROYED WHAT
WAS MOST PRECIOUS TO ME.
158
00:06:19,109 --> 00:06:22,749
AND NOW, I'M GONNA
DO THE SAME TO YOU.
159
00:06:22,753 --> 00:06:24,923
NOW WE FIGHT
OVER MY SAXOPHONES.
160
00:06:24,915 --> 00:06:26,585
STRUGGLE,
STRUGGLE, STRUGGLE!
161
00:06:26,587 --> 00:06:28,617
I FALL BACKWARDS
AND HANG FROM THE LEDGE
162
00:06:28,619 --> 00:06:30,119
WHILE YOU SING.
163
00:06:30,120 --> 00:06:33,220
-(piano music plays)
-♪ WE WERE ON THE SAME PAGE ♪
164
00:06:34,194 --> 00:06:36,504
♪ WHEN WE SHARED THE STAGE ♪
165
00:06:37,498 --> 00:06:40,428
- ♪ BUT YOU DESTROYED MY NAME ♪
-(mouthing)
166
00:06:41,432 --> 00:06:44,402
♪ AND TOOK MY FAME ♪
167
00:06:45,405 --> 00:06:51,805
♪ NOW YOU'RE GONNA GET
WHAT'S COMING ♪
168
00:06:53,684 --> 00:06:55,154
THAT...
169
00:06:55,145 --> 00:06:56,345
WAS...
170
00:06:56,346 --> 00:06:58,346
I KNOW, SPIKE,
SHE DID NOTHING. I--
171
00:06:58,348 --> 00:06:59,618
...BRILLIANT!
172
00:06:59,620 --> 00:07:00,790
(gasps)
173
00:07:00,791 --> 00:07:02,251
I TAUGHT HER
EVERYTHING SHE KNOWS.
174
00:07:04,194 --> 00:07:06,764
TRISH,
I HAVE CHOSEN YOU
175
00:07:06,757 --> 00:07:11,457
TO BE THE STAR
OF MY PRODUCTION OF
THE SINGER AND THE SAX PLAYER!
176
00:07:11,462 --> 00:07:12,902
BASED ON THE NOVEL,
177
00:07:12,903 --> 00:07:15,513
THE SAX PLAYER
AND THE SINGER.
178
00:07:16,767 --> 00:07:18,137
I CAN'T BELIEVE IT.
REALLY?
179
00:07:18,138 --> 00:07:19,668
JENNIFER LAWRENCE
WANTED IT.
180
00:07:19,670 --> 00:07:21,010
BUT YOU KNOW WHAT?
181
00:07:21,011 --> 00:07:22,771
SHE CAN'T HOLD
A CANDLE TO YOU.
182
00:07:22,773 --> 00:07:25,053
IN FACT, ACCORDING
TO HER PEOPLE,
183
00:07:25,045 --> 00:07:27,245
SHE REFUSES TO HOLD
A CANDLE AT ALL,
184
00:07:27,247 --> 00:07:28,477
SO IT NEVER
WOULD HAVE WORKED OUT.
185
00:07:29,480 --> 00:07:31,580
BECAUSE OF THE BIG
CANDLE HOLDING SCENE
IN ACT TWO.
186
00:07:34,354 --> 00:07:36,734
PACK YOUR BAGS,
WE'RE TAKING THIS SHOW
ON THE ROAD!
187
00:07:37,728 --> 00:07:40,128
ON THE ROAD?
I THOUGHT WE WERE
PERFORMING IN MIAMI.
188
00:07:40,130 --> 00:07:41,590
WE OPEN IN MIAMI,
189
00:07:41,592 --> 00:07:43,562
AND THEN WE'RE PERFORMING
ALL AROUND THE COUNTRY.
190
00:07:43,564 --> 00:07:44,774
OH, NO.
191
00:07:44,765 --> 00:07:46,895
I'M SORRY, SPIKE,
BUT I ALREADY MADE
A COMMITMENT
192
00:07:46,897 --> 00:07:48,597
TO STAY HERE
AND RUN THE MUSIC FACTORY.
193
00:07:48,599 --> 00:07:50,099
I CAN'T LET MY FRIENDS DOWN.
194
00:07:50,100 --> 00:07:51,340
NONSENSE!
195
00:07:51,341 --> 00:07:52,801
STICK WITH ME,
196
00:07:52,803 --> 00:07:55,513
AND YOUR NAME WILL BE
IN LIGHTS ON BROADWAY.
197
00:07:55,506 --> 00:07:57,276
CAN YOU SEE THE SIGN?
198
00:07:57,277 --> 00:08:00,147
"THE SINGER AND THE SAX PLAYER.
199
00:08:00,150 --> 00:08:02,810
"BASED ON THE NOVEL
THE SAX PLAYER
AND THE SINGER.
200
00:08:02,813 --> 00:08:03,883
"STARRING TRISH..."
201
00:08:05,115 --> 00:08:06,485
WHATEVER YOUR LAST NAME IS.
202
00:08:07,487 --> 00:08:08,717
IT'S BEAUTIFUL.
203
00:08:08,719 --> 00:08:10,959
"STARRING TRISH BEAUTIFUL."
204
00:08:13,664 --> 00:08:15,274
I SEE A SIGN TOO.
205
00:08:15,265 --> 00:08:16,925
IT'S IN FRONT OF
THE MUSIC FACTORY.
206
00:08:16,927 --> 00:08:18,727
IT SAYS,
"CLOSED FOREVER."
207
00:08:20,701 --> 00:08:22,101
OH, THERE'S ANOTHER SIGN.
208
00:08:22,102 --> 00:08:24,682
IT SAYS, "GOING OUT
OF BUSINESS SALE.
209
00:08:24,675 --> 00:08:26,205
"TRUMPETS,
70% OFF."
210
00:08:26,206 --> 00:08:27,836
OH, IT'S ACTUALLY
A PRETTY GOOD DEAL.
211
00:08:33,884 --> 00:08:35,724
WHAT A BEAUTIFUL DAY,
212
00:08:35,716 --> 00:08:37,546
NOT A CLOUD IN THE SKY.
213
00:08:37,548 --> 00:08:40,818
THE PERFECT-- BATTLE STATIONS,
GIANT BABY DUCK ATTACKING
ON THE PORT SIDE.
214
00:08:40,821 --> 00:08:43,521
QUACK, QUACK. AH!
OH, THE HUMANITY!
215
00:08:43,523 --> 00:08:44,663
(sobbing)
216
00:08:44,655 --> 00:08:46,925
DEZ! WHAT ARE YOU
DOING IN MY HOT TUB?
217
00:08:47,928 --> 00:08:49,958
UH... NOT PEEING.
218
00:08:49,960 --> 00:08:51,660
THAT'S FOR SURE.
219
00:08:54,364 --> 00:08:55,714
ANYWAY,
220
00:08:55,706 --> 00:08:56,906
SINCE YOU'RE GONNA
BE OFF DOING THE PLAY,
221
00:08:56,907 --> 00:08:58,607
THIS IS NO LONGER
YOUR OFFICE,
222
00:08:58,609 --> 00:08:59,969
OR YOUR HOT TUB.
223
00:08:59,970 --> 00:09:01,640
DON'T GET TOO COMFORTABLE.
224
00:09:01,642 --> 00:09:03,172
I HAVEN'T DECIDED
IF I'M TAKING THE PART.
225
00:09:03,173 --> 00:09:05,853
WELL, YOU'VE JUST
GOT TO ASK YOURSELF,
226
00:09:05,846 --> 00:09:08,376
DO YOU WANT TO BE
THE CAPTAIN THAT KEEPS
THE FACTORY AFLOAT?
227
00:09:09,379 --> 00:09:10,879
OR DO YOU WANT
TO BE THE DUCK
228
00:09:10,881 --> 00:09:13,551
THAT FLAPS ITS WINGS
AND FLIES OFF TO BROADWAY?
229
00:09:17,327 --> 00:09:19,157
I THINK I WANT
TO BE A DUCK.
230
00:09:19,159 --> 00:09:21,729
BUT THAT MEANS HAVING
TO CLOSE DOWN THE FACTORY.
231
00:09:21,732 --> 00:09:24,192
WELL, YOU NEED TO DO
WHAT MAKES YOU HAPPIEST,
232
00:09:24,194 --> 00:09:25,904
LIKE ME.
233
00:09:25,896 --> 00:09:27,936
THE STORE CLERK SAID
I COULD NEVER PULL OFF
HORIZONTAL STRIPES,
234
00:09:27,938 --> 00:09:29,638
BUT I LOOK... ♪ AMAZING! ♪
235
00:09:32,973 --> 00:09:34,913
THAT'S NOT THE WORD
I WOULD USE.
236
00:09:34,905 --> 00:09:36,705
ALL I'M SAYING IS
237
00:09:36,707 --> 00:09:38,477
WE'LL SUPPORT YOU
NO MATTER WHAT
YOU DECIDE.
238
00:09:39,479 --> 00:09:40,779
THANKS, DEZ.
239
00:09:40,781 --> 00:09:42,451
I KNOW WE HAVE
OUR DIFFERENCES,
240
00:09:42,452 --> 00:09:44,352
BUT WHEN I REALLY
NEED A FRIEND,
241
00:09:44,354 --> 00:09:45,864
YOU'VE ALWAYS
BEEN THERE FOR ME.
242
00:09:46,857 --> 00:09:47,787
AW.
243
00:09:47,788 --> 00:09:49,418
I'LL MISS YOU TOO, TRISH.
244
00:09:49,419 --> 00:09:51,589
(Trish shivers)
OH, DEZ!
245
00:09:51,591 --> 00:09:52,761
YOU'RE GETTING
MY CLOTHES ALL WET!
246
00:09:52,763 --> 00:09:54,933
SHH! DON'T RUIN THIS.
247
00:09:54,925 --> 00:09:55,765
OH.
248
00:10:00,300 --> 00:10:02,300
HAPPY NEW YEAR!
(chuckles)
249
00:10:02,302 --> 00:10:04,912
AND ALSO,
HAPPY THANKSGIVING.
250
00:10:04,905 --> 00:10:07,175
I PUT A TOP HAT
AND TAILS ON THE TURKEY.
251
00:10:07,177 --> 00:10:08,477
HUH.
252
00:10:10,410 --> 00:10:12,780
DID YOU KNOW THE FIRST
NEW YEAR'S CELEBRATION
253
00:10:12,783 --> 00:10:15,353
WAS HELD 4,000 YEARS AGO
BY THE BABY-LONIANS.
254
00:10:16,386 --> 00:10:18,416
UH, I THINK YOU MEAN
"BABYLONIANS."
255
00:10:18,418 --> 00:10:20,348
I KNOW WHAT I MEAN.
256
00:10:20,350 --> 00:10:24,020
I'M A SMART GUY
WHO SAYS SMART THINGS
LIKE "INDUBITABLY,"
257
00:10:24,024 --> 00:10:26,434
"POST-MODERNISM," AND...
258
00:10:27,397 --> 00:10:28,827
"MOZAMBIQUE."
259
00:10:29,900 --> 00:10:32,430
THERE'S A LOT MORE
TO ME THAN PERFORMING
AND PERFECT HAIR.
260
00:10:32,432 --> 00:10:33,802
I KNOW.
261
00:10:33,804 --> 00:10:35,874
COME ON, LET'S JUST
ENJOY NEW YEARS.
262
00:10:35,866 --> 00:10:37,036
IT'S ALMOST FAKE MIDNIGHT.
263
00:10:37,037 --> 00:10:38,537
PFFT, YOU'RE RIGHT. SORRY.
264
00:10:39,539 --> 00:10:42,009
Both:
FIVE, FOUR, THREE,
265
00:10:42,012 --> 00:10:43,142
TWO...
266
00:10:43,143 --> 00:10:44,413
ONE.
267
00:10:44,414 --> 00:10:46,024
-HAPPY NEW YEAR!
-(gasps)
268
00:10:46,016 --> 00:10:48,346
(blares)
269
00:10:49,349 --> 00:10:51,279
OOH! LET'S SHARE
OUR NEW YEARS RESOLUTIONS.
270
00:10:51,281 --> 00:10:52,821
ALL RIGHT.
271
00:10:52,823 --> 00:10:55,593
THIS YEAR, I WANT
SOME MORE ALONE TIME
WITH MY BOYFRIEND.
272
00:10:55,585 --> 00:10:57,155
UGH, BORING.
273
00:10:57,157 --> 00:10:58,487
GUYS,
274
00:10:58,488 --> 00:10:59,988
I'M SORRY TO INTERRUPT,
275
00:10:59,990 --> 00:11:02,630
BUT I HAVE SOME REALLY
IMPORTANT NEWS THAT CAN'T WAIT.
276
00:11:03,834 --> 00:11:05,674
AFTER THINKING
LONG AND HARD...
277
00:11:06,666 --> 00:11:07,936
I'VE COME TO A DECISION.
278
00:11:09,169 --> 00:11:10,669
AUSTIN,
279
00:11:10,670 --> 00:11:11,870
ALLY,
280
00:11:11,872 --> 00:11:13,042
I...
281
00:11:13,043 --> 00:11:15,683
UGH, WHAT TRISH IS TAKING
FOREVER TO SAY
282
00:11:15,675 --> 00:11:18,005
IS THAT SHE'S GONNA GO
ON TOUR WITH SPIKE'S MUSICAL,
283
00:11:18,008 --> 00:11:20,448
SO WE'RE GONNA HAVE TO
SHUT THE MUSIC FACTORY DOWN.
284
00:11:20,450 --> 00:11:22,510
-W--
-HAPPY NEW YEAR!
285
00:11:22,512 --> 00:11:23,952
SAD NEW YEAR.
286
00:11:23,954 --> 00:11:25,394
HAPPY NEW YEAR!
287
00:11:25,385 --> 00:11:27,255
SAD NEW YEAR.
HAPPY NEW YEAR!
288
00:11:27,257 --> 00:11:29,557
SAD NEW YEAR.
HAPPY NEW YEAR!
289
00:11:31,762 --> 00:11:34,092
GUYS, I'M REALLY
SORRY ABOUT THIS,
290
00:11:34,094 --> 00:11:36,334
BUT I CAN'T PASS UP
THIS OPPORTUNITY.
291
00:11:36,326 --> 00:11:37,996
I LOVE BEING ONSTAGE,
292
00:11:37,998 --> 00:11:40,768
AND SPIKE SAYS THIS COULD
LEAD TO A CAREER ON BROADWAY.
293
00:11:41,732 --> 00:11:43,532
TRISH, IF ACTING
IS YOUR PASSION,
294
00:11:43,533 --> 00:11:45,183
YOU HAVE OUR FULL SUPPORT.
295
00:11:45,175 --> 00:11:48,175
ALTHOUGH YOU DID KIND OF
PROMISE YOU'D STAY HERE
AND RUN THE FACTORY.
296
00:11:48,178 --> 00:11:51,208
WELL, I DON'T SEE YOU
CANCELING YOUR TOUR
TO STAY HERE AND RUN IT.
297
00:11:52,212 --> 00:11:54,012
THIS STINKS.
298
00:11:54,014 --> 00:11:56,794
WITHOUT THE FACTORY,
WE'LL PROBABLY NEVER
TALK TO EACH OTHER AGAIN.
299
00:11:57,788 --> 00:11:59,048
WHAT? WHY WOULD
YOU SAY THAT?
300
00:11:59,049 --> 00:12:01,689
LET'S FACE IT,
YOU'RE GOING ON TOUR.
301
00:12:01,691 --> 00:12:04,451
YOU'LL PROBABLY REPLACE ME
WITH A NEW OFFBEAT,
REDHEADED BEST FRIEND.
302
00:12:05,655 --> 00:12:07,325
WHAT ABOUT YOU?
303
00:12:07,327 --> 00:12:10,027
YOU'LL GO TO L.A.
AND REPLACE ME WITH
ANOTHER POP STAR BEST FRIEND
304
00:12:10,030 --> 00:12:13,360
LIKE JUSTIN BIEBER,
OR JUSTIN TIMBERLAKE,
OR SOME OTHER JUSTIN.
305
00:12:13,363 --> 00:12:15,373
COME ON, YOU GUYS
ARE BEING SILLY.
306
00:12:15,365 --> 00:12:18,365
ARE WE? WHAT ABOUT YOU,
QUACKING OFF TO BROADWAY.
307
00:12:18,368 --> 00:12:21,038
YOU'LL FIND A WHOLE NEW FLOCK
AND FORGET ALL ABOUT US.
308
00:12:21,041 --> 00:12:23,741
YOU'RE THE ONE
WHO TOLD ME TO BE A DUCK
AND FOLLOW MY DREAM.
309
00:12:23,743 --> 00:12:24,853
OH, THAT WAS THIS MORNING!
310
00:12:26,576 --> 00:12:28,776
WAIT, DOES THIS MEAN
YOU'RE GONNA BE TOO BUSY
TO MANAGE ME?
311
00:12:28,779 --> 00:12:30,449
WHAT ARE YOU
EVEN TALKING ABOUT?
312
00:12:30,450 --> 00:12:32,750
EVERYONE CALM DOWN,
THIS IS RIDICULOUS.
313
00:12:32,752 --> 00:12:34,452
OH, SO I'M RIDICULOUS NOW.
314
00:12:34,454 --> 00:12:36,564
-NO ONE EVER SAID
YOU WERE RIDICULOUS.
-(Trish sighs)
315
00:12:36,556 --> 00:12:37,956
ALLY, JUST BECAUSE
YOU'RE GOING TO HARVARD
316
00:12:37,958 --> 00:12:40,458
DOESN'T MEAN YOU'RE
QUALIFIED TO TELL PEOPLE
WHEN THEY'RE NOT RIDICULOUS.
317
00:12:40,460 --> 00:12:42,530
YEAH, IF WE
WANNA BE RIDICULOUS,
318
00:12:42,532 --> 00:12:44,032
WE DON'T NEED
YOUR PERMISSION.
319
00:12:44,034 --> 00:12:45,904
YOU KNOW, EVER SINCE
YOU GOT INTO HARVARD,
320
00:12:45,896 --> 00:12:46,866
YOU CAN'T STOP
TALKING ABOUT
321
00:12:46,867 --> 00:12:48,997
HOW EXCITED YOU ARE
TO HANG OUT WITH SMART PEOPLE,
322
00:12:48,999 --> 00:12:50,569
LIKE WE AREN'T GOOD ENOUGH
FOR YOU ANYMORE.
323
00:12:50,570 --> 00:12:52,740
WHAT? I NEVER SAID THAT!
324
00:12:52,742 --> 00:12:54,672
YOU DIDN'T HAVE TO,
IT'S IN YOUR TONE.
325
00:12:55,806 --> 00:12:59,076
YEAH, YOU'RE GOING
TO SMARTY-PANTS SCHOOL
WITH SMARTY-PANTS PEOPLE,
326
00:12:59,079 --> 00:13:02,049
IT'S JUST A MATTER OF TIME
BEFORE YOU FIND A NEW BOYFRIEND
WITH REALLY SMART PANTS ON.
327
00:13:03,313 --> 00:13:05,863
WAIT, IS THIS WHAT
THE BABY-LONIANS THING
WAS ABOUT?
328
00:13:05,856 --> 00:13:07,316
ISN'T IT "BABYLONIANS"?
329
00:13:07,317 --> 00:13:10,557
IF I WANT TO PRONOUNCE IT
"BABY-LONIANS," THEN THAT'S
HOW I'M GOING TO SAY IT!
330
00:13:10,560 --> 00:13:13,060
BABY-LONIANS,
BABY-LONIANS,
BABY-LONIANS!
331
00:13:14,564 --> 00:13:16,834
YOU KNOW WHAT,
IF YOU'RE ALL GONNA
ACT LIKE THIS,
332
00:13:16,827 --> 00:13:18,897
MAYBE IT'S BEST WE'RE GOING
OUR SEPARATE WAYS.
333
00:13:18,899 --> 00:13:20,199
All:
YEAH!
334
00:13:22,873 --> 00:13:24,633
DEZ, SEPARATE WAYS.
335
00:13:24,634 --> 00:13:25,884
RIGHT!
336
00:13:38,548 --> 00:13:39,918
♪ ♪
337
00:13:43,894 --> 00:13:45,404
(audience chattering)
338
00:13:48,899 --> 00:13:51,029
I HOPE THIS PLACE
OFFICIATED ENOUGH FOR YOU.
339
00:13:51,031 --> 00:13:53,761
I KNOW YOU HARVARD TYPES
LOVE YOUR THEATER.
340
00:13:55,105 --> 00:13:59,035
WELL, AT LEAST I KNOW
THEATER WASN'T INVENTED
BY THE BABY-LONIANS.
341
00:14:00,370 --> 00:14:03,670
WILL YOU TWO KEEP IT DOWN?
I'M TRYING TO WATCH THE PLAY.
342
00:14:03,673 --> 00:14:06,123
IT HASN'T EVEN STARTED YET.
YOU'RE STARING AT A CURTAIN.
343
00:14:06,116 --> 00:14:08,216
NOTHING I DO
IS GOOD ENOUGH FOR YOU.
344
00:14:09,880 --> 00:14:12,250
(saxophone music plays)
345
00:14:12,252 --> 00:14:14,962
♪ ♪
346
00:14:20,991 --> 00:14:22,961
WHAT HAPPENED TO US,
JAZZY McGEE?
347
00:14:22,963 --> 00:14:24,193
WE USED TO BE BEST FRIENDS.
348
00:14:24,194 --> 00:14:26,674
YOU WERE THE MUSTARD
TO MY HOT DOG.
349
00:14:26,666 --> 00:14:28,266
WELL, TRIXIE,
350
00:14:28,268 --> 00:14:31,498
THAT WAS BEFORE YOU
LEFT ME IN THE DUST
WHEN YOU HIT IT BIG.
351
00:14:32,842 --> 00:14:34,372
YOUR RECORD MAY BE GOLD,
352
00:14:34,374 --> 00:14:36,184
BUT YOUR HEART SURE AIN'T.
353
00:14:36,176 --> 00:14:37,846
Trish:
I LEARNED IT FROM YOU.
354
00:14:37,847 --> 00:14:40,277
YOU DESTROYED WHAT WAS
MOST PRECIOUS TO ME,
355
00:14:40,280 --> 00:14:43,650
AND NOW I'M GONNA DO
THE SAME TO YOU.
356
00:14:43,653 --> 00:14:45,263
GIVE ME THAT SAXOPHONE!
357
00:14:45,255 --> 00:14:46,615
NEVER! (grunts)
358
00:14:46,616 --> 00:14:48,656
(grunting)
359
00:14:48,658 --> 00:14:50,858
(grunting continues)
360
00:14:50,860 --> 00:14:52,260
(both groan)
361
00:14:52,262 --> 00:14:53,692
AH!
362
00:14:53,693 --> 00:14:55,203
(screams)
363
00:14:55,195 --> 00:14:57,165
(groans)
364
00:14:57,167 --> 00:14:59,897
GO AHEAD,
TAKE YOUR REVENGE.
365
00:14:59,899 --> 00:15:03,999
WE LIVED AS FRIENDS,
BUT WE'LL PART AS ENEMIES.
366
00:15:09,909 --> 00:15:11,339
MAYBE WE CAN WORK THIS OUT.
367
00:15:11,341 --> 00:15:13,181
WE CAN STILL BE FRIENDS.
368
00:15:13,183 --> 00:15:15,823
UH... NO.
369
00:15:15,815 --> 00:15:17,045
NOPE.
370
00:15:17,047 --> 00:15:20,517
PRETTY SURE IT'S TIME
FOR YOU TO TAKE YOUR REVENGE!
371
00:15:23,023 --> 00:15:27,003
WE'VE BEEN TOO CLOSE TOO LONG
TO ALLOW ONE LITTLE TIFF
TO COME BETWEEN US.
372
00:15:26,997 --> 00:15:29,257
(mutters)
STICK TO THE SCRIPT!
373
00:15:31,231 --> 00:15:32,731
WELL, I FORGIVE YOU ANYWAY,
374
00:15:32,732 --> 00:15:35,142
BECAUSE THAT'S WHAT FRIENDS
ARE SUPPOSED TO DO.
375
00:15:38,068 --> 00:15:40,068
FRIENDS ARE SUPPOSED TO
BE THERE FOR EACH OTHER,
376
00:15:40,070 --> 00:15:41,310
NO MATTER WHAT.
377
00:15:41,311 --> 00:15:44,011
(mutters)
JUST SING THE REVENGE SONG!
378
00:15:45,145 --> 00:15:46,615
ACTUALLY,
379
00:15:46,616 --> 00:15:48,416
I HAVE SOMETHING ELSE
IN MIND.
380
00:15:50,550 --> 00:15:52,750
♪ WHEN YOU'RE DOWN ♪
381
00:15:52,752 --> 00:15:55,232
♪ AND TROUBLED ♪
382
00:15:55,225 --> 00:16:00,255
♪ AND YOU NEED
SOME LOVE AND CARE ♪
383
00:16:00,260 --> 00:16:02,790
♪ AND NOTHING ♪
384
00:16:02,792 --> 00:16:05,242
-(snapping rhythmically)
- ♪ OH, NOTHING ♪
385
00:16:05,235 --> 00:16:08,395
♪ IS GOING RIGHT ♪
386
00:16:11,441 --> 00:16:13,341
♪ CLOSE YOUR EYES ♪
387
00:16:13,343 --> 00:16:15,083
♪ AND THINK OF ME ♪
388
00:16:16,176 --> 00:16:19,276
♪ AND SOON I WILL BE THERE ♪
389
00:16:21,111 --> 00:16:27,421
♪ TO BRIGHTEN UP
EVEN YOUR DARKEST NIGHT ♪
390
00:16:27,417 --> 00:16:30,057
(vocalizing)
391
00:16:30,060 --> 00:16:35,130
♪ YOU JUST CALL
OUT MY NAME ♪
392
00:16:35,125 --> 00:16:39,695
♪ AND YOU KNOW
WHEREVER I AM ♪
393
00:16:39,699 --> 00:16:44,799
♪ I'LL COME RUNNING ♪
394
00:16:44,804 --> 00:16:48,214
♪ TO SEE YOU AGAIN ♪
395
00:16:48,208 --> 00:16:49,808
(vocalizing)
396
00:16:51,241 --> 00:16:54,181
♪ WINTER, SPRING,
SUMMER, OR FALL ♪
397
00:16:56,346 --> 00:16:59,386
♪ ALL YOU HAVE
TO DO IS CALL ♪
398
00:17:00,390 --> 00:17:03,020
♪ AND I'LL BE THERE ♪
399
00:17:03,022 --> 00:17:04,952
♪ YES, I WILL ♪
400
00:17:06,296 --> 00:17:11,226
♪ HEY, AIN'T IT GOOD TO KNOW
THAT YOU'VE GOT A FRIEND ♪
401
00:17:11,231 --> 00:17:15,511
♪ WHEN PEOPLE
CAN BE SO COLD ♪
402
00:17:15,505 --> 00:17:20,865
♪ THEY'LL HURT YOU
AND DESERT YOU ♪
403
00:17:20,870 --> 00:17:24,940
♪ AND TAKE YOUR SOUL
IF YOU LET THEM ♪
404
00:17:24,944 --> 00:17:26,424
♪ YEAH ♪
405
00:17:26,416 --> 00:17:30,076
♪ BUT DON'T YOU LET THEM ♪
406
00:17:30,080 --> 00:17:32,520
All:
♪ YOU JUST CALL ♪
407
00:17:32,522 --> 00:17:33,852
♪ OUT MY NAME ♪
408
00:17:33,853 --> 00:17:35,393
♪ OUT MY NAME ♪
409
00:17:35,385 --> 00:17:37,285
-♪ AND YOU KNOW ♪
-♪ HEY! ♪
410
00:17:37,287 --> 00:17:38,987
♪ WHEREVER I AM ♪
411
00:17:38,988 --> 00:17:40,628
♪ WHEREVER I AM ♪
412
00:17:40,630 --> 00:17:42,460
-♪ I'LL COME... ♪
-All: ♪ RUNNING ♪
413
00:17:42,462 --> 00:17:44,492
♪ RUNNING, RUNNING ♪
414
00:17:44,494 --> 00:17:46,904
♪ TO SEE YOU AGAIN ♪
415
00:17:46,896 --> 00:17:51,196
♪ JUST TO SEE YOU AGAIN ♪
416
00:17:51,201 --> 00:17:56,411
All:
♪ WINTER, SPRING,
SUMMER, OR FALL ♪
417
00:17:56,406 --> 00:18:00,446
♪ ALL YOU HAVE
TO DO IS CALL ♪
418
00:18:00,450 --> 00:18:02,710
♪ AND I'LL BE THERE ♪
419
00:18:02,712 --> 00:18:05,222
♪ YEAH, YEAH ♪
420
00:18:05,215 --> 00:18:08,185
♪ YOU'VE GOT A FRIEND ♪
421
00:18:10,320 --> 00:18:14,690
♪ YOU'VE GOT A FRIEND ♪
422
00:18:14,694 --> 00:18:17,234
(audience cheers and applauds)
423
00:18:21,070 --> 00:18:22,800
WE'RE SORRY, TRISH.
424
00:18:22,802 --> 00:18:24,202
LET'S NEVER FIGHT AGAIN.
425
00:18:24,204 --> 00:18:25,584
CAN WE GROUP HUG NOW?
426
00:18:30,210 --> 00:18:32,980
REALLY HATE TO BREAK THIS UP,
BUT COULD WE PLEASE DO
OUR CLOSING NUMBER?
427
00:18:39,919 --> 00:18:42,049
I'M SO GLAD THAT WE'RE
NOT FIGHTING ANYMORE.
428
00:18:42,051 --> 00:18:44,091
THAT WAS SO SILLY.
429
00:18:44,093 --> 00:18:47,303
WELL, CLEARLY THE FIGHT WAS
A MANIFESTATION OF OUR FEARS
OF LOSING EACH OTHER.
430
00:18:48,428 --> 00:18:49,958
WHAT DEZ MEANS IS
431
00:18:49,959 --> 00:18:53,059
OUR FIGHT WAS MERELY
THE BYPRODUCT OF OUR SADNESS
432
00:18:53,062 --> 00:18:55,972
AND HEARTACHE RATHER THAN
ANY TRUE ANIMOSITY.
433
00:19:00,270 --> 00:19:03,110
LOOK WHO'S WEARING
THE SMARTY-PANTS NOW.
434
00:19:03,112 --> 00:19:04,412
MOZAMBIQUE.
435
00:19:07,417 --> 00:19:08,717
ALLY,
436
00:19:08,718 --> 00:19:11,048
I'M SORRY FOR ACTING
SO JEALOUS.
437
00:19:11,050 --> 00:19:12,980
I WAS JUST
MISSING YOU ALREADY.
438
00:19:12,982 --> 00:19:14,952
I FEEL THE SAME WAY.
439
00:19:14,954 --> 00:19:19,364
AND YOU DON'T HAVE TO WORRY
ABOUT ME FALLING FOR SOME
BRAINY HARVARD GUY.
440
00:19:19,359 --> 00:19:22,289
I LOVE YOU FOR YOU
AND I ALWAYS WILL.
441
00:19:23,633 --> 00:19:24,833
I LOVE YOU TOO.
442
00:19:29,098 --> 00:19:30,168
AND TRISH--
443
00:19:30,169 --> 00:19:31,269
I'M GOOD.
444
00:19:33,203 --> 00:19:35,413
I ALSO HAVE A GOING AWAY
PRESENT FOR YOU.
445
00:19:35,405 --> 00:19:38,745
ACTUALLY, IT'S
A GOING AWAY/BIRTHDAY/
GROUNDHOG DAY PRESENT.
446
00:19:42,812 --> 00:19:44,152
YOUR SONGBOOK?
447
00:19:45,315 --> 00:19:47,155
YOU'RE LETTING ME TOUCH IT?
448
00:19:47,156 --> 00:19:48,956
I'M LETTING YOU HAVE IT.
449
00:19:48,958 --> 00:19:50,618
IT'S FULL OF MEMORIES.
450
00:19:51,621 --> 00:19:55,301
AND I WROTE SOME NEW SONGS
FOR YOU TO USE WHILE
I'M AT SCHOOL.
451
00:19:56,226 --> 00:19:57,326
OOH, CAN I SEE IT?
452
00:19:57,327 --> 00:19:58,667
DON'T TOUCH MY BOOK!
453
00:19:58,668 --> 00:19:59,828
(knocking)
454
00:19:59,829 --> 00:20:02,499
AH, THERE'S MY STAR!
455
00:20:02,502 --> 00:20:04,032
NOW, TRISH,
456
00:20:04,033 --> 00:20:06,443
ARE YOU READY
TO TAKE THIS SHOW
ON THE ROAD?
457
00:20:10,510 --> 00:20:12,780
ACTUALLY, SPIKE,
I'M NOT.
458
00:20:12,782 --> 00:20:14,682
I'VE DECIDED I WANT
TO STAY IN MIAMI.
459
00:20:14,684 --> 00:20:16,224
UH...
460
00:20:16,215 --> 00:20:17,445
YOU CAN'T DO THAT.
461
00:20:17,447 --> 00:20:19,217
WHAT ABOUT
FOLLOWING YOUR DREAM?
462
00:20:19,218 --> 00:20:21,248
YEAH, I THOUGHT
YOU LOVED THE THEATER.
463
00:20:21,251 --> 00:20:22,951
I DO.
464
00:20:22,952 --> 00:20:25,532
AND THAT'S WHY I WANT
TO STAY AND OPEN UP
A MUSICAL THEATER PROGRAM
465
00:20:25,525 --> 00:20:27,325
FOR KIDS HERE AT THE FACTORY.
466
00:20:27,327 --> 00:20:29,657
I'M AFRAID YOU LEAVE ME
NO CHOICE.
467
00:20:29,659 --> 00:20:31,299
FINE.
468
00:20:31,301 --> 00:20:32,301
SPIKE,
469
00:20:33,533 --> 00:20:35,373
I'LL BE YOUR
GORGEOUS JAZZ LADY.
470
00:20:37,066 --> 00:20:38,406
-NO.
-AW.
471
00:20:38,408 --> 00:20:44,108
TRISH, I, SPIKE STEVENS,
REFUSE TO DO THE SHOW
WITHOUT YOU.
472
00:20:44,113 --> 00:20:48,923
THEREFORE, THE SINGER
AND THE SAX PLAYER
WILL REMAIN IN MIAMI!
473
00:20:48,918 --> 00:20:51,748
REALLY? OH, THANK YOU!
474
00:20:51,751 --> 00:20:53,451
(excited squeals)
475
00:20:55,024 --> 00:20:57,394
I CAN'T BELIEVE IT.
WE GET TO KEEP
THE FACTORY,
476
00:20:57,387 --> 00:20:59,157
I STILL GET TO STAR
IN THE PLAY.
477
00:20:59,158 --> 00:21:00,828
AND BEST OF ALL,
478
00:21:00,830 --> 00:21:02,560
HOT TUB.
479
00:21:02,562 --> 00:21:04,762
WHOO! HOT TUB.
CANNON BALL!
480
00:21:11,601 --> 00:21:13,771
WHOO-HOO! WHOO!
481
00:21:13,773 --> 00:21:15,953
(laughs)
482
00:21:15,945 --> 00:21:18,945
YOU GUYS LOOK HILARIOUS.
LET ME GET A PICTURE.
483
00:21:20,780 --> 00:21:22,450
AW.
484
00:21:28,718 --> 00:21:31,458
-ALLY!
-AUSTIN!
485
00:21:31,461 --> 00:21:33,521
(squeals) IT IS
SO GOOD TO SEE YOU.
486
00:21:33,523 --> 00:21:35,573
-I MISSED YOU SO MUCH.
-ME TOO.
487
00:21:35,565 --> 00:21:37,025
I CAN'T BELIEVE
IT'S BEEN FOUR MONTHS.
488
00:21:37,026 --> 00:21:38,566
HOW WAS SCHOOL?
489
00:21:38,568 --> 00:21:40,668
HARD, BUT AMAZING.
HOW'S THE TOUR?
490
00:21:40,670 --> 00:21:42,970
IT'S BEEN FUN
BUT ALSO REALLY LONELY.
491
00:21:42,972 --> 00:21:46,282
AND IT KIND OF
GOT ME THINKING...
492
00:21:46,275 --> 00:21:48,275
ABOUT US.
493
00:21:49,939 --> 00:21:51,939
I DIDN'T KNOW IT
AT THE TIME,
494
00:21:51,941 --> 00:21:53,781
BUT THE DAY I WALKED
INTO THE MUSIC STORE,
495
00:21:53,783 --> 00:21:55,753
WAS THE GREATEST
DAY OF MY LIFE.
496
00:21:57,186 --> 00:21:58,646
BECAUSE IT'S THE DAY
I MET YOU.
497
00:22:01,391 --> 00:22:03,821
THERE'S SO MUCH ABOUT
THE FUTURE I DON'T KNOW,
498
00:22:03,823 --> 00:22:06,333
BUT THE ONE THING
I'M SURE OF IS
499
00:22:06,325 --> 00:22:08,455
THERE'S NO WAY I CAN
MAKE IT WITHOUT YOU.
500
00:22:10,430 --> 00:22:12,460
SO...
501
00:22:12,462 --> 00:22:14,162
ALLY WILLOW DAWSON,
502
00:22:15,665 --> 00:22:17,905
WILL YOU MAKE ME
THE HAPPIEST MAN ALIVE AND...
503
00:22:19,038 --> 00:22:20,368
MARRY ME?
504
00:22:21,671 --> 00:22:23,541
AUSTIN.
505
00:22:25,174 --> 00:22:26,854
I CAN'T.
35814
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