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1
00:00:08,339 --> 00:00:09,799
SORRY WE'RE LATE.
2
00:00:09,800 --> 00:00:11,390
WE WERE AT GIGANTIC'S
GETTING A GIGANTIC
3
00:00:11,392 --> 00:00:13,802
PAIR OF SCISSORS FOR
THE RIBBON CUTTING CEREMONY.
4
00:00:13,804 --> 00:00:15,354
WHY ARE THEY
COVERED IN MUSTARD?
5
00:00:15,346 --> 00:00:17,306
WE ALSO SPLIT
A GIGANTIC HOT DOG.
6
00:00:17,308 --> 00:00:19,848
NOW I HAVE
A GIGANTIC STOMACHACHE.
7
00:00:19,850 --> 00:00:21,100
GUYS.
8
00:00:21,102 --> 00:00:24,452
THE GRAND OPENING OF
THE A&A MUSIC FACTORY
ISN'T UNTIL NEXT WEEK.
9
00:00:24,445 --> 00:00:27,065
TODAY'S JUST A PREVIEW
FOR SOME REPORTERS
TO GENERATE BUZZ.
10
00:00:27,068 --> 00:00:29,278
AW, SO I DON'T GET
TO CUT ANYTHING?
11
00:00:29,280 --> 00:00:30,910
YOU CAN CUT THIS TINY THREAD
OFF MY SHIRT,
12
00:00:30,911 --> 00:00:32,411
IT'S BEEN BUGGING ME ALL DAY.
13
00:00:32,413 --> 00:00:33,413
PFFT, OH.
14
00:00:34,745 --> 00:00:36,455
OH, DID YOU GET IT?
15
00:00:36,457 --> 00:00:38,157
UH...
16
00:00:38,159 --> 00:00:39,459
YEAH, I THINK SO.
17
00:00:42,963 --> 00:00:44,933
LADIES AND GENTLEMEN
OF THE PRESS,
18
00:00:44,925 --> 00:00:46,545
WE ARE VERY EXCITED
TO WELCOME YOU
19
00:00:46,547 --> 00:00:49,297
TO A SNEAK PEAK OF
THE A&A MUSIC FACTORY.
20
00:00:49,300 --> 00:00:53,130
AS YOU CAN SEE, WE'VE BUILT
A STATE OF THE ART
MUSIC ACADEMY.
21
00:00:53,134 --> 00:00:55,394
WE HAVE EVERY INSTRUMENT
A KID COULD DREAM OF
22
00:00:55,386 --> 00:00:57,226
ON OUR ONE OF A KIND
MUSIC CAROUSEL.
23
00:01:00,231 --> 00:01:02,391
A PROFESSIONAL
RECORDING BOOTH.
24
00:01:02,393 --> 00:01:04,023
A STAGE FOR PERFORMING,
25
00:01:04,024 --> 00:01:05,494
ANOTHER STAGE
26
00:01:05,486 --> 00:01:07,566
COMPLETE WITH VIRTUAL CONCERT
SIMULATOR GOGGLES.
27
00:01:07,568 --> 00:01:09,188
THANK YOU, MIAMI!
28
00:01:09,190 --> 00:01:10,820
OH!
29
00:01:10,821 --> 00:01:12,781
MAN, THIS THING IS AWESOME.
30
00:01:12,783 --> 00:01:14,833
IT LETS YOU PERFORM
ANYWHERE ON EARTH.
31
00:01:14,825 --> 00:01:17,285
OR ANYWHERE NOT ON EARTH.
32
00:01:17,288 --> 00:01:19,748
THANK YOU, PLANET ZYTRAX!
33
00:01:19,750 --> 00:01:21,250
BOOM! OH, NO.
34
00:01:21,252 --> 00:01:22,872
INCOMING ASTEROID.
35
00:01:22,873 --> 00:01:23,873
(screams)
36
00:01:26,507 --> 00:01:28,207
MOVING RIGHT ALONG.
37
00:01:29,210 --> 00:01:30,510
OUR GOAL AT
THE A&A MUSIC FACTORY
38
00:01:30,511 --> 00:01:32,421
IS TO SPREAD THE JOY OF MUSIC.
39
00:01:32,423 --> 00:01:34,393
AND THAT'S SOMETHING
YOU CAN'T PUT
40
00:01:34,385 --> 00:01:35,425
A PRICE TAG ON.
41
00:01:35,426 --> 00:01:37,216
BUT TO BE CLEAR,
THERE IS A PRICE TAG.
42
00:01:37,218 --> 00:01:39,268
300 BUCKS, CASH ONLY.
43
00:01:40,771 --> 00:01:45,151
BEVERLY ROBBINS, SENIOR EDITOR,
MIAMI DAILY STAR GAZETTE.
44
00:01:45,146 --> 00:01:47,526
SO, WHAT WAS YOUR MOTIVATION
FOR THE REDESIGN?
45
00:01:47,528 --> 00:01:48,988
WELL...
46
00:01:48,989 --> 00:01:50,529
IT WAS IMPORTANT
FOR US TO CREATE
47
00:01:50,531 --> 00:01:52,361
A NURTURING ENVIRONMENT
FOR OUR YOUNG STUDENTS.
48
00:01:52,363 --> 00:01:55,703
SO THEY CAN LEARN MUSIC
IN A COMFORTABLE, SAFE SETTING.
49
00:01:55,696 --> 00:01:57,076
NO ONE IS SAFE!
50
00:01:57,077 --> 00:01:58,447
WE'RE BEING ATTACKED BY ALIENS!
51
00:01:58,449 --> 00:02:00,659
(screaming)
52
00:02:00,661 --> 00:02:03,081
STOP! YOU'RE
IN VIRTUAL REALITY!
53
00:02:03,083 --> 00:02:04,383
HUH?
54
00:02:04,375 --> 00:02:06,295
OH. WHOO! THAT'S A RELIEF.
55
00:02:07,508 --> 00:02:08,508
WHAT'S THAT?
56
00:02:13,714 --> 00:02:15,264
I THINK THIS BELONGS TO YOU.
57
00:02:16,257 --> 00:02:18,217
(theme music playing)
58
00:02:20,521 --> 00:02:22,761
♪ WHEN THE CROWD
WANTS MORE ♪
59
00:02:22,763 --> 00:02:24,403
♪ I BRING ON THE THUNDER ♪
60
00:02:24,395 --> 00:02:25,975
♪ 'CAUSE YOU'VE GOT MY BACK ♪
61
00:02:25,976 --> 00:02:27,316
♪ AND I'M NOT GOING UNDER ♪
62
00:02:27,318 --> 00:02:29,028
♪ YOU'RE MY POINT,
YOU'RE MY GUARD ♪
63
00:02:29,029 --> 00:02:30,529
♪ YOU'RE
THE PERFECT CHORD ♪
64
00:02:30,531 --> 00:02:33,611
♪ AND I SEE OUR NAMES TOGETHER
ON EVERY BILLBOARD ♪
65
00:02:33,614 --> 00:02:36,784
♪ WE'RE HEADED FOR THE TOP,
WE'VE GOT IT ON LOCK ♪
66
00:02:36,777 --> 00:02:38,237
♪ WE'LL MAKE 'EM
SAY "HEY!" ♪
67
00:02:38,239 --> 00:02:40,739
♪ AND WE'LL KEEP ROCKIN' ♪
68
00:02:40,741 --> 00:02:45,091
♪ OH, THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
69
00:02:45,085 --> 00:02:48,205
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA ♪
70
00:02:48,209 --> 00:02:51,419
♪ IT'S NO FUN
WHEN YOU'RE DOING IT SOLO ♪
71
00:02:51,422 --> 00:02:54,222
♪ WITH YOU IT'S LIKE, "WHOA,"
YEAH, AND I KNOW ♪
72
00:02:54,215 --> 00:02:57,255
♪ I OWN THIS DREAM ♪
73
00:02:57,258 --> 00:03:00,348
♪ 'CAUSE I GOT YOU WITH ME ♪
74
00:03:00,351 --> 00:03:03,681
♪ THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
75
00:03:03,684 --> 00:03:07,024
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA. ♪
76
00:03:11,232 --> 00:03:13,522
THE A&A MUSIC FACTORY HAS
SOMETHING FOR EVERYONE.
77
00:03:13,524 --> 00:03:15,994
WE CAN TEACH YOU HOW TO DANCE,
HOW TO WRITE SONGS,
78
00:03:15,986 --> 00:03:17,366
HOW TO MAKE MUSIC VIDEOS.
79
00:03:17,368 --> 00:03:21,278
BEVERLY ROBBINS, SENIOR EDITOR
AT MIAMI DAILY STAR GAZETTE.
80
00:03:21,282 --> 00:03:22,872
I HATE TO SOUND NEGATIVE,
81
00:03:22,873 --> 00:03:25,093
BUT THIS JUST SOUNDS LIKE
A COUPLE OF POP STARS
82
00:03:25,085 --> 00:03:27,415
EXPLOITING THEIR FAME
FOR A QUICK BUCK.
83
00:03:27,418 --> 00:03:31,038
WOW, FOR SOMEONE WHO HATES
TO SOUND NEGATIVE,
YOU ARE GOOD AT IT.
84
00:03:32,212 --> 00:03:34,042
WE GET YOUR SKEPTICISM,
MS. ROBBINS,
85
00:03:34,044 --> 00:03:36,934
BUT WE TAKE THIS
VERY SERIOUSLY.
86
00:03:36,927 --> 00:03:40,297
YEP, GIVE AUSTIN AND ALLY
A WEEK, AND THEY CAN TURN
ANYONE INTO A MUSICIAN.
87
00:03:40,301 --> 00:03:42,221
WELL, I DON'T KNOW
ABOUT JUST A WEEK.
88
00:03:42,222 --> 00:03:43,262
YEAH!
89
00:03:43,264 --> 00:03:45,154
EVEN IF A KID HAS NEVER
TOUCHED AN INSTRUMENT,
90
00:03:45,145 --> 00:03:46,605
THEY'LL WALK OUT OF HERE A PRO.
91
00:03:46,607 --> 00:03:49,397
UM, I MEAN IT WOULD HELP
IF THEY HAD SOME EXPERIENCE.
92
00:03:49,400 --> 00:03:51,520
AH, BEVERLY ROBBINS,
SENIOR EDITOR,
93
00:03:51,522 --> 00:03:53,272
MIAMI DAILY STAR GAZETTE.
94
00:03:53,274 --> 00:03:54,284
SO YOU'RE SAYING YOU CAN
95
00:03:54,275 --> 00:03:57,195
TAKE A CHILD,
AND TURN THEM INTO A MUSICIAN
96
00:03:57,197 --> 00:03:58,197
IN ONE WEEK?
97
00:03:59,199 --> 00:04:00,239
WELL...
98
00:04:00,240 --> 00:04:02,240
IF THAT'S WHAT YOU
RECORDED US SAYING
99
00:04:02,242 --> 00:04:03,912
THEN I GUESS THAT'S
WHAT WE SAID.
100
00:04:03,914 --> 00:04:05,544
THEN PROVE IT.
101
00:04:05,536 --> 00:04:07,496
TEACH A GROUP OF AMATEURS
A SONG TO PERFORM
102
00:04:07,498 --> 00:04:09,998
AT YOUR GRAND OPENING NEXT WEEK.
103
00:04:10,000 --> 00:04:11,960
OH, COME ON.
104
00:04:11,962 --> 00:04:14,592
THAT JUST SOUNDS LIKE
SOME PUBLICITY STUNT
TO GENERATE ATTENTION
105
00:04:14,585 --> 00:04:16,215
FOR OUR NEW MUSIC SCHOOL.
106
00:04:17,217 --> 00:04:18,337
WAIT!
107
00:04:18,339 --> 00:04:20,089
THAT SOUNDS LIKE
A BIG PUBLICITY STUNT
108
00:04:20,090 --> 00:04:22,640
TO GENERATE ATTENTION
FOR OUR NEW MUSIC SCHOOL!
109
00:04:22,643 --> 00:04:23,683
WE'RE IN!
110
00:04:23,684 --> 00:04:24,814
UM...
111
00:04:24,805 --> 00:04:26,265
EXCUSE US.
112
00:04:26,266 --> 00:04:27,306
TRISH,
113
00:04:27,308 --> 00:04:28,938
WHAT ARE YOU DOING?
114
00:04:28,939 --> 00:04:30,599
WE WANT TO MAKE
HEADLINES, RIGHT?
115
00:04:30,601 --> 00:04:31,651
THIS IS OUR CHANCE!
116
00:04:31,652 --> 00:04:32,692
YEAH.
117
00:04:32,693 --> 00:04:34,273
OUR CHANCE
TO EMBARRASS OURSELVES.
118
00:04:34,274 --> 00:04:37,364
HEY, IF ANYBODY CAN PUT
A BAND TOGETHER IN A WEEK,
119
00:04:37,358 --> 00:04:38,358
IT'S YOU GUYS.
120
00:04:38,359 --> 00:04:39,399
-(Austin sighs)
-OKAY,
121
00:04:39,400 --> 00:04:40,450
IF YOU'RE TRYING TO FLATTER US
122
00:04:40,451 --> 00:04:42,201
INTO GOING ALONG WITH THIS,
123
00:04:42,202 --> 00:04:43,782
IT'S WORKING.
124
00:04:43,784 --> 00:04:45,504
YEAH, WE ARE
PRETTY AWESOME,
AREN'T WE?
125
00:04:45,496 --> 00:04:47,746
YES! WE'RE MAKING A BAND!
126
00:04:47,748 --> 00:04:48,788
GREAT!
127
00:04:48,789 --> 00:04:50,669
MY SON, MAX, CAN BE
YOUR FIRST MEMBER.
128
00:04:50,671 --> 00:04:51,671
MAX.
129
00:04:53,123 --> 00:04:54,293
OH.
130
00:04:54,294 --> 00:04:55,344
WOW.
131
00:04:55,336 --> 00:04:59,336
WATCHING A STUDENT EMBARK
ON HIS FIRST MUSICAL JOURNEY
REALLY WARMS MY HEART.
132
00:05:00,511 --> 00:05:01,801
I HATE MUSIC.
133
00:05:03,424 --> 00:05:04,264
AND THAT BREAKS IT.
134
00:05:05,846 --> 00:05:06,886
-OH.
-GIVE ME IT!
135
00:05:06,887 --> 00:05:07,927
-OH.
-(grunts)
136
00:05:07,928 --> 00:05:10,018
KIDS, RIGHT?
(laughs)
137
00:05:12,272 --> 00:05:15,282
WELCOME TO STEP ONE OF OPERATION
MAKE A BAND IN A WEEK
138
00:05:15,275 --> 00:05:17,275
FROM A BUNCH OF NEWBIES
TO IMPRESS THE MEDIA
139
00:05:17,277 --> 00:05:18,437
ON OUR GRAND OPENING.
140
00:05:19,530 --> 00:05:21,400
MAYBE STEP ONE SHOULD BE
COMING UP WITH A SHORTER NAME.
141
00:05:22,443 --> 00:05:23,493
WAIT,
142
00:05:23,494 --> 00:05:24,954
WHERE'S DEZ?
143
00:05:24,945 --> 00:05:26,445
I THOUGHT WE ALL
WERE SUPPOSED TO FIND
144
00:05:26,447 --> 00:05:27,657
A NEW STUDENT TO JOIN OUR BAND.
145
00:05:28,909 --> 00:05:29,949
HELLO, STRANGERS.
146
00:05:29,950 --> 00:05:32,540
I'M JUST A KID
WITH NO MUSICAL TALENT.
147
00:05:32,543 --> 00:05:33,873
DEZ SENT ME HERE TO JOIN
148
00:05:33,874 --> 00:05:35,804
THE A&A MUSIC FACTORY BAND.
149
00:05:37,087 --> 00:05:38,377
SO YOU COULDN'T FIND A KID, DEZ?
150
00:05:38,379 --> 00:05:39,379
NO, I COULD NOT.
151
00:05:40,961 --> 00:05:42,011
WELL, THAT'S OKAY.
152
00:05:42,012 --> 00:05:44,342
THE THREE OF US FOUND STUDENTS
AND MAX MAKES FOUR.
153
00:05:44,344 --> 00:05:47,394
LET'S JUST HOPE THE OTHER KIDS
HAVE A LITTLE MORE ENTHUSIASM
THAN MAX.
154
00:05:47,388 --> 00:05:49,888
MAYBE MAX JUST HASN'T FOUND
THE RIGHT INSTRUMENT.
155
00:05:49,890 --> 00:05:51,350
WHAT DO YOU WANT
TO PLAY, LITTLE DUDE?
156
00:05:52,352 --> 00:05:54,402
RIGHT NOW, I WANT
TO PLAY ZOMBIE SHREDDER.
157
00:05:54,395 --> 00:05:55,975
OH, I LOVE THAT GAME.
158
00:05:55,976 --> 00:05:58,566
I HATE TO BRAG,
BUT I MADE IT TO LEVEL SIX.
159
00:05:58,569 --> 00:06:00,899
-I'M ON LEVEL SIX...
-OH.
160
00:06:00,901 --> 00:06:02,241
...HUNDRED AND TWELVE.
161
00:06:03,323 --> 00:06:04,363
NOBODY LIKES A SHOW OFF.
162
00:06:04,364 --> 00:06:07,164
ALL RIGHT, WELL I BROUGHT LILY.
163
00:06:07,157 --> 00:06:09,117
SHE STARTED PIANO LESSONS
HERE LAST WEEK.
164
00:06:09,119 --> 00:06:10,289
I'M SUPER PUMPED!
165
00:06:10,290 --> 00:06:12,200
I'VE BEEN PRACTICING NONSTOP.
166
00:06:12,202 --> 00:06:14,332
(plays notes off key)
167
00:06:16,206 --> 00:06:17,876
WERE THE LIGHTS ON OR OFF
WHEN YOU WERE PRACTICING?
168
00:06:19,710 --> 00:06:20,760
THIS IS DYLAN.
169
00:06:20,761 --> 00:06:22,211
I MET HER AT THE SKATE PARK.
170
00:06:22,212 --> 00:06:23,262
'SUP?
171
00:06:23,263 --> 00:06:26,013
WELL, WELCOME TO
THE A&A MUSIC FACTORY, DYLAN.
172
00:06:26,006 --> 00:06:27,716
OH MY GOSH! I CAN'T BELIEVE
173
00:06:27,718 --> 00:06:30,058
I'M ACTUALLY TALKING
TO ALLY DAWSON!
174
00:06:30,060 --> 00:06:32,390
WHO I'VE NEVER HEARD OF
175
00:06:32,392 --> 00:06:34,272
BECAUSE I DON'T
LISTEN TO POP MUSIC.
176
00:06:35,726 --> 00:06:39,396
SO IF YOU DON'T LIKE POP MUSIC,
THEN WHY DO YOU WANT
TO JOIN OUR SCHOOL?
177
00:06:39,399 --> 00:06:41,819
THIS AUSTIN GUY
JUST KEPT BUGGING ME. PFFT.
178
00:06:41,822 --> 00:06:45,122
YOU CAME UP TO ME
AND ASKED ME TO AUTOGRAPH
EVERYTHING IN YOUR BACKPACK.
179
00:06:45,115 --> 00:06:48,115
I WAS JUST MAKING SURE
ALL MY PENS WORKED.
180
00:06:48,118 --> 00:06:50,828
PSH, I DON'T THINK
YOU'RE GORGEOUS.
(clicks tongue)
181
00:06:52,993 --> 00:06:54,033
THIS IS HERMAN.
182
00:06:54,034 --> 00:06:55,754
HE'S ON MY LITTLE BROTHER'S
BASEBALL TEAM.
183
00:06:55,746 --> 00:06:57,376
I REALLY WANT TO GO
BACK TO MY GAME.
184
00:06:57,377 --> 00:06:59,247
I DON'T THINK I
I'M ANY GOOD AT MUSIC.
185
00:06:59,249 --> 00:07:01,419
I JUST WATCHED YOU
AT BATTING PRACTICE.
186
00:07:01,421 --> 00:07:03,751
TRUST ME, YOU'RE NOT
ANY GOOD AT BASEBALL EITHER.
187
00:07:05,095 --> 00:07:07,885
NO GOOD? I STRUCK OUT
TEN TIMES LAST GAME.
188
00:07:07,888 --> 00:07:09,548
MY COACH SAID
THAT'S A RECORD!
189
00:07:10,641 --> 00:07:11,851
LOOK, HERMAN,
190
00:07:11,852 --> 00:07:13,512
YOU MAY NOT
BE GOOD AT MUSIC NOW,
191
00:07:13,514 --> 00:07:16,064
BUT YOU'LL BE
A ROCKSTAR BY
THE END OF THE WEEK.
192
00:07:16,056 --> 00:07:17,316
YOU ALL WILL!
193
00:07:17,317 --> 00:07:18,607
THE FIRST THING
WE NEED TO DO
194
00:07:18,609 --> 00:07:20,319
IS FIND YOU
INSTRUMENTS TO PLAY.
195
00:07:21,482 --> 00:07:24,192
YOU KNOW, MAX,
SINCE YOU'VE GOT
SUCH QUICK FINGERS,
196
00:07:24,194 --> 00:07:25,954
I THOUGHT YOU'D BE GREAT
AT THE KEYBOARD.
197
00:07:25,946 --> 00:07:27,196
SICK!
198
00:07:27,197 --> 00:07:30,367
YEAH, I GUESS PLAYING
THE KEYBOARD IS PRETTY...
199
00:07:30,370 --> 00:07:31,660
SICK!
200
00:07:31,662 --> 00:07:34,032
I JUST THREW A ZOMBIE HEAD
INTO A WOOD CHIPPER.
201
00:07:35,876 --> 00:07:36,876
THAT IS ALSO SICK.
202
00:07:39,079 --> 00:07:40,999
CAN YOU AT LEAST TRY
PLAYING THE KEYBOARD?
203
00:07:41,001 --> 00:07:42,041
SURE.
204
00:07:42,042 --> 00:07:44,292
(bangs notes off key)
205
00:07:44,294 --> 00:07:45,354
WELL,
206
00:07:45,345 --> 00:07:46,925
IT'S A START.
207
00:07:48,298 --> 00:07:49,348
ALL RIGHT, HERMAN.
208
00:07:49,349 --> 00:07:50,349
SHOW US WHAT YOU GOT.
209
00:07:51,351 --> 00:07:52,471
(sticks fumble)
210
00:07:52,472 --> 00:07:54,092
(air whooshes)
211
00:07:54,094 --> 00:07:55,904
(air whooshes)
212
00:07:55,896 --> 00:07:57,516
HEY, I'M PRETTY GOOD.
213
00:07:58,519 --> 00:08:00,519
(sighs) WE SHOULD HAVE
BEEN MORE CLEAR.
214
00:08:01,522 --> 00:08:03,812
WHEN YOU PLAY THE DRUMS,
THE KEY IS TO...
215
00:08:03,814 --> 00:08:05,204
(drum beat)
216
00:08:05,195 --> 00:08:06,565
HIT THE DRUMS.
217
00:08:07,778 --> 00:08:09,488
(drum beats)
218
00:08:10,490 --> 00:08:12,240
-(crash)
-Trish: HEY!
219
00:08:16,286 --> 00:08:17,916
WELL, AT LEAST
YOU HIT SOMETHING.
220
00:08:21,672 --> 00:08:25,802
(plays loud,
out of tune keys)
221
00:08:26,887 --> 00:08:28,757
YOU KNOW WHAT,
MAYBE THE KEYBOARD ISN'T FOR ME.
222
00:08:28,759 --> 00:08:30,759
-BUT YOU'RE SO TALENTED.
-OH, THANK GOODNESS.
223
00:08:32,182 --> 00:08:33,182
HOW ABOUT THIS?
224
00:08:35,766 --> 00:08:38,346
(out of tune accordion notes)
225
00:08:38,348 --> 00:08:41,098
OH, HERE. LET ME SHOW YOU
HOW TO HOLD THAT.
226
00:08:43,103 --> 00:08:44,193
OOPSIE.
227
00:08:44,194 --> 00:08:45,204
IT BROKE.
228
00:08:47,357 --> 00:08:49,197
OOH, CAN I TRY
THE GIANT GUITAR?
229
00:08:49,199 --> 00:08:50,359
OH, ARE YOU SURE?
230
00:08:50,360 --> 00:08:52,320
THE UPRIGHT BASS IS
KIND OF A BIG INSTRUMENT.
231
00:08:55,285 --> 00:08:57,245
(struggling)
AM I PLAYING BASS YET?
232
00:08:59,580 --> 00:09:00,920
SO DYLAN,
233
00:09:00,921 --> 00:09:02,291
WHAT DO YOU THINK
ABOUT PLAYING GUITAR?
234
00:09:02,292 --> 00:09:03,752
OR THE AIR GUITAR.
235
00:09:03,754 --> 00:09:06,264
(imitates guitar chords)
236
00:09:07,588 --> 00:09:08,588
AW.
237
00:09:10,090 --> 00:09:11,130
GUITAR COULD BE FUN.
238
00:09:11,131 --> 00:09:12,511
SOMETHING CUTE AND GLITTERY
239
00:09:12,512 --> 00:09:15,232
LIKE THE ONE ALLY PLAYED
ON HER FINALLY ME TOUR.
240
00:09:15,225 --> 00:09:16,555
OR... WHATEVER.
241
00:09:17,557 --> 00:09:19,387
HERE, THIS IS
THE EXACT ONE SHE USED.
242
00:09:20,731 --> 00:09:23,231
WELL, I GUESS IF THIS IS
THE ONLY ONE YOU HAVE.
243
00:09:23,233 --> 00:09:24,523
ALL RIGHT.
244
00:09:24,524 --> 00:09:26,534
LET'S START WITH
SOME SIMPLE CHORDS.
245
00:09:26,526 --> 00:09:27,566
THIS IS "D."
246
00:09:27,567 --> 00:09:29,237
(strums chord)
247
00:09:32,032 --> 00:09:33,402
(strums chord)
248
00:09:33,403 --> 00:09:35,333
COOL, YOU PICKED THAT UP QUICK.
249
00:09:35,325 --> 00:09:36,955
THIS IS FUN.
250
00:09:36,957 --> 00:09:39,407
YOU'LL BE A POP PRINCESS
IN NO TIME.
251
00:09:40,911 --> 00:09:42,251
POP PRINCESS?
252
00:09:43,333 --> 00:09:44,843
UH, YOU KNOW WHAT?
253
00:09:44,835 --> 00:09:48,165
I JUST REMEMBERED,
I GOTTA GO MEET MY FRIENDS
AT THE SKATE PARK. SO...
254
00:09:48,168 --> 00:09:49,378
CATCH YOU LATER.
255
00:09:51,341 --> 00:09:53,131
THAT WAS WEIRD.
256
00:09:53,133 --> 00:09:55,023
SHE SAID SHE WAS HAVING FUN,
AND THEN SHE JUST RAN OUT.
257
00:09:55,015 --> 00:09:56,635
♪ CH-CH-CH-CH-CH. ♪
258
00:09:57,638 --> 00:09:59,348
OH, I'M SORRY, WHAT WAS THAT?
I COULDN'T HEAR YOU.
259
00:09:59,349 --> 00:10:01,479
I WAS TOO BUSY JAMMING OUT
ON MY AIR TAMBOURINE.
260
00:10:01,481 --> 00:10:03,681
I'D RATHER BE PLAYING
MY AIR GUITAR,
261
00:10:03,684 --> 00:10:05,284
BUT SOMEONE
TOOK IT AWAY FROM ME.
262
00:10:05,275 --> 00:10:08,145
♪ CH-CH-CH-CH-CH. ♪
263
00:10:08,148 --> 00:10:09,278
(faster)
♪ CH-CH-CH-CH-CH. ♪
264
00:10:12,863 --> 00:10:14,233
THIS BAND HAS GOT TO BE GOOD.
265
00:10:14,234 --> 00:10:17,374
WE CAN'T RUIN OUR MUSIC SCHOOL'S
REPUTATION BEFORE IT EVEN OPENS.
266
00:10:17,367 --> 00:10:18,827
IT'S GONNA BE AWESOME.
267
00:10:18,829 --> 00:10:20,869
WE'VE BEEN WORKING WITH THEM
ONE ON ONE FOR DAYS.
268
00:10:20,871 --> 00:10:22,661
NOW IT'S JUST A MATTER
OF HAVING THEM PLAY TOGETHER.
269
00:10:22,663 --> 00:10:25,303
ALL RIGHT,
LET'S DESTROY THIS SONG.
270
00:10:27,627 --> 00:10:30,337
(all playing out of tune)
271
00:10:39,599 --> 00:10:41,719
WELL, THEY'RE DEFINITELY
DESTROYING THE SONG.
272
00:10:41,722 --> 00:10:43,102
THIS IS A DISASTER.
273
00:10:43,103 --> 00:10:44,863
I HAVE ONE WORD FOR THAT MESS.
274
00:10:44,855 --> 00:10:45,895
YIKES.
275
00:10:45,896 --> 00:10:47,356
I'VE GOT 22 WORDS
FOR THIS MESS.
276
00:10:47,357 --> 00:10:49,397
THERE'S NO WAY THEY'LL BE ABLE
TO PLAY THE GRAND OPENING
277
00:10:49,399 --> 00:10:51,569
THIS WEEKEND BECAUSE
THEY WERE REALLY, REALLY,
REALLY BAD.
278
00:10:53,153 --> 00:10:54,613
REALLY.
279
00:10:54,614 --> 00:10:57,044
THE PRESS IS GONNA
RIP US TO SHREDS.
280
00:10:57,037 --> 00:10:58,277
MAYBE WE SHOULD
POSTPONE THE OPENING.
281
00:10:58,278 --> 00:11:00,198
THAT'LL LOOK JUST AS BAD.
282
00:11:00,200 --> 00:11:01,410
WE NEED A PLAN "B."
283
00:11:01,411 --> 00:11:02,661
GUYS, COME ON.
284
00:11:02,662 --> 00:11:04,372
WE'RE NOT POSTPONING IT,
285
00:11:04,374 --> 00:11:05,754
AND THERE'S NO PLAN "B."
286
00:11:05,746 --> 00:11:07,336
WE CAN'T GIVE UP.
287
00:11:07,337 --> 00:11:09,167
MAYBE THEY'RE NOT GOOD TODAY.
288
00:11:09,169 --> 00:11:11,339
AND MAYBE THEY WON'T
BE GOOD TOMORROW.
289
00:11:11,341 --> 00:11:13,091
OR THE NEXT DAY.
290
00:11:13,093 --> 00:11:15,263
BUT I BELIEVE IN US.
291
00:11:15,255 --> 00:11:19,345
AND IF WE PROMISED TO TURN
THIS RAG TAG BUNCH OF ROOKIES
INTO A BAND,
292
00:11:19,349 --> 00:11:21,179
THEN THAT'S WHAT WE'RE GONNA DO.
293
00:11:21,181 --> 00:11:22,351
NOW WHO'S WITH ME?
294
00:11:24,394 --> 00:11:26,194
(out of tune notes continue)
295
00:11:26,186 --> 00:11:27,516
YEAH, WE NEED A PLAN "B."
296
00:11:32,272 --> 00:11:33,402
OKAY, GUYS.
297
00:11:33,403 --> 00:11:35,203
WE HEARD YOUR FIRST PERFORMANCE
AS A BAND,
298
00:11:35,195 --> 00:11:36,815
AND WOW.
299
00:11:36,817 --> 00:11:38,197
YOU GUYS SOUNDED...
300
00:11:38,198 --> 00:11:39,778
WOW.
301
00:11:40,781 --> 00:11:42,121
BUT WE THOUGHT TO OURSELVES,
302
00:11:42,122 --> 00:11:44,662
HOW CAN WE TAKE SOMETHING
THAT'S ALREADY SO PERFECT,
303
00:11:44,664 --> 00:11:46,294
AND MAKE IT EVEN BETTER?
304
00:11:46,286 --> 00:11:48,416
MEET YOUR NEW BAND MATES.
305
00:11:50,420 --> 00:11:52,000
YOU'RE REPLACING US?
306
00:11:52,002 --> 00:11:53,252
NO, NO, NO, NO, NO!
307
00:11:53,253 --> 00:11:56,183
THESE GUYS ARE JUST HERE
TO MAKE YOUR MUSIC
BIGGER, LOUDER...
308
00:11:56,176 --> 00:11:57,596
MORE MUSIC-LIKE.
309
00:11:58,598 --> 00:11:59,968
UM, SO.
310
00:11:59,970 --> 00:12:01,340
LET'S SHAKE THINGS UP.
311
00:12:01,341 --> 00:12:03,341
DYLAN, WE'RE GONNA PUT YOU
312
00:12:03,343 --> 00:12:05,313
ON THE MARACAS.
313
00:12:05,305 --> 00:12:07,805
AND LILY, WE'RE GONNA
PUT YOU ON THE TRIANGLE.
314
00:12:07,808 --> 00:12:09,148
EXCITING, HUH?
315
00:12:09,149 --> 00:12:10,189
REALLY?
316
00:12:10,190 --> 00:12:12,270
YOU THINK YOU CAN HAND US
A COUPLE TINY NOISEMAKERS
317
00:12:12,272 --> 00:12:14,232
AND WE'RE JUST GONNA
JUMP FOR JOY?
318
00:12:14,234 --> 00:12:17,414
OH! A TRIANGLE,
MY FAVORITE SHAPE!
319
00:12:19,529 --> 00:12:21,279
AND MAX, YOU GET
TO STAY ON THE KEYBOARD.
320
00:12:22,412 --> 00:12:24,122
(groans)
WHATEVER.
321
00:12:28,288 --> 00:12:29,418
WHAT DO YOU WANT ME TO PLAY?
322
00:12:29,419 --> 00:12:32,289
YOU HAVE GOT
THE MOST IMPORTANT JOB OF ALL.
323
00:12:32,292 --> 00:12:33,872
THE FINGER SNAPPER.
324
00:12:33,874 --> 00:12:38,014
-(Dez snaps fingers)
-(Herman snaps silently)
325
00:12:39,049 --> 00:12:40,679
HA! YOU'RE A NATURAL.
326
00:12:42,382 --> 00:12:43,972
HE CAN'T DO ANYTHING.
327
00:12:43,974 --> 00:12:45,654
ALL SET.
328
00:12:45,645 --> 00:12:47,095
LET'S HEAR HOW YOU SOUND.
329
00:12:49,309 --> 00:12:50,729
(band plays in tune)
330
00:13:02,993 --> 00:13:04,323
Dez and Trish: WHOO!
331
00:13:05,455 --> 00:13:08,285
I THINK IT'S PRETTY OBVIOUS
WHAT'S GOING ON HERE.
332
00:13:08,288 --> 00:13:10,368
YEAH, WE'RE NAILING IT!
333
00:13:12,292 --> 00:13:13,372
NO.
334
00:13:13,373 --> 00:13:15,763
THEY BROUGHT IN PROS
TO DROWN OUT OUR SOUND.
335
00:13:15,755 --> 00:13:18,375
I MEAN, MAX'S KEYBOARD
ISN'T EVEN PLUGGED IN.
336
00:13:18,378 --> 00:13:20,298
AND NEITHER IS MY TRIANGLE.
337
00:13:22,222 --> 00:13:24,382
I THOUGHT WE WERE
GONNA BE THE ROCKSTARS.
338
00:13:24,384 --> 00:13:25,894
All: YEAH!
339
00:13:25,886 --> 00:13:27,726
YOU ARE!
340
00:13:27,727 --> 00:13:30,347
WE'RE SORRY. WE JUST WANTED
TO HEAR HOW THIS WOULD SOUND.
341
00:13:30,350 --> 00:13:32,980
AND OBVIOUSLY,
IT SOUNDS TERRIBLE.
342
00:13:32,983 --> 00:13:34,353
YOU, YOU, AND YOU,
343
00:13:34,354 --> 00:13:35,904
YOU ARE OUT OF THE BAND.
344
00:13:35,896 --> 00:13:38,356
YOU DON'T HAVE
WHAT IT TAKES TO PLAY
WITH THESE UNIQUE TALENTS.
345
00:13:39,359 --> 00:13:40,399
UH...
346
00:13:40,400 --> 00:13:43,110
YEAH, GET LOST!
I'M SORRY...
347
00:13:43,113 --> 00:13:44,533
I THOUGHT YOU WERE
WAY BETTER THAN THOSE KIDS.
348
00:13:44,534 --> 00:13:46,214
I REALLY DON'T KNOW
WHAT'S GOING ON RIGHT NOW.
349
00:13:46,206 --> 00:13:47,206
BYE.
350
00:13:48,288 --> 00:13:49,288
ALLY.
351
00:13:51,121 --> 00:13:52,331
WHAT ARE YOU DOING?
352
00:13:52,332 --> 00:13:54,162
SHE'S DOING THE RIGHT THING.
353
00:13:54,164 --> 00:13:56,674
WE MADE A PROMISE TO THESE KIDS
THAT WE'D TURN THEM INTO A BAND
354
00:13:56,666 --> 00:13:57,916
AND THAT'S WHAT WE'RE GONNA DO.
355
00:13:57,918 --> 00:13:59,878
CAN I STILL BE THE SNAPPER?
356
00:14:02,672 --> 00:14:04,632
WE HAVE OUR WORK
CUT OUT FOR US.
357
00:14:08,558 --> 00:14:10,308
(chuckles)
HERE, LILY.
358
00:14:10,310 --> 00:14:13,390
I THOUGHT MAYBE WE COULD TRY
A BASS YOU COULD ACTUALLY HOLD.
359
00:14:15,525 --> 00:14:18,605
HEY, I CAN TOUCH THE STRINGS!
360
00:14:18,608 --> 00:14:20,188
(plays notes)
361
00:14:21,241 --> 00:14:22,281
(buttons clicking)
362
00:14:22,282 --> 00:14:23,322
O--
363
00:14:23,323 --> 00:14:24,363
-HEY!
-KAY.
364
00:14:25,535 --> 00:14:27,365
I HOOKED UP YOUR KEYBOARD
TO THE VIDEO GAME
365
00:14:27,367 --> 00:14:29,407
AND RIGGED IT SO THAT EVERY TIME
YOU HIT THE RIGHT KEY...
366
00:14:29,409 --> 00:14:30,449
(plays note)
367
00:14:30,450 --> 00:14:31,490
...YOU KILL A ZOMBIE.
368
00:14:31,491 --> 00:14:33,251
WHOA!
369
00:14:33,253 --> 00:14:35,213
(plays notes, lasers zap)
370
00:14:35,205 --> 00:14:36,295
LOOK AT, LOOK AT, LOOK AT!
371
00:14:36,296 --> 00:14:37,416
OH, GET IT, GET IT, GET IT!
372
00:14:37,417 --> 00:14:38,457
YEAH, YEAH, YEAH!
373
00:14:38,458 --> 00:14:39,628
-SICK!
-OH!
374
00:14:39,629 --> 00:14:41,169
THAT WAS GROSS.
375
00:14:46,056 --> 00:14:47,096
Both: OH!
376
00:14:47,097 --> 00:14:48,387
RIGHT, OKAY, TIME OUT, KID.
377
00:14:49,389 --> 00:14:50,269
HOW MANY FINGERS
AM I HOLDING UP?
378
00:14:51,351 --> 00:14:52,391
TWELVE?
379
00:14:52,392 --> 00:14:54,182
YEAH, YOU NEED GLASSES.
380
00:14:54,184 --> 00:14:56,234
AND AN ANATOMY LESSON.
381
00:14:56,226 --> 00:14:57,646
HERE, TRY THESE.
382
00:14:59,109 --> 00:15:01,149
WHOA!
383
00:15:01,151 --> 00:15:03,731
WHO KNEW THE WORLD WAS
SO CLEAR AND IN FOCUS?
384
00:15:04,824 --> 00:15:05,874
ALLY,
385
00:15:05,865 --> 00:15:07,195
YOU HAVE LETTUCE
IN BETWEEN YOUR TEETH.
386
00:15:09,409 --> 00:15:13,619
(rhythmic beats)
387
00:15:15,165 --> 00:15:17,625
(guitar chords)
388
00:15:17,627 --> 00:15:18,837
GREAT, DYLAN.
389
00:15:18,838 --> 00:15:20,168
YOU'RE A NATURAL.
390
00:15:20,170 --> 00:15:21,840
I HAVE
A LITTLE SURPRISE FOR YOU.
391
00:15:23,463 --> 00:15:24,503
(gasps)
392
00:15:24,504 --> 00:15:27,014
IT'S THE JACKET ALLY WORE
IN HER REDIAL VIDEO!
393
00:15:27,007 --> 00:15:29,547
I THOUGHT YOU MIGHT WANT
TO WEAR IT WHEN YOU PERFORM
AT THE GRAND OPENING.
394
00:15:29,549 --> 00:15:31,219
OH MY GOSH,
I LOVE IT!
395
00:15:32,222 --> 00:15:33,222
(murmuring)
396
00:15:34,224 --> 00:15:35,984
I CAN TOTALLY
SELL THAT ONLINE.
397
00:15:35,976 --> 00:15:36,976
THANKS.
398
00:15:40,230 --> 00:15:41,270
WHOO!
399
00:15:41,271 --> 00:15:43,521
PREPARE TO BE BASHED,
ZOMBIE SCUM!
400
00:15:43,523 --> 00:15:45,413
I WILL WIPE OUT
YOUR LEGION OF UNDEAD
401
00:15:45,405 --> 00:15:47,405
WITH A BEAUTIFUL
C MINOR SCALE.
402
00:15:47,407 --> 00:15:49,737
(melodic notes)
403
00:15:49,739 --> 00:15:51,409
LATER, ZOMBIES.
404
00:15:52,282 --> 00:15:53,912
I CAN SEE EVERYTHING!
405
00:15:53,913 --> 00:15:56,253
I BET I'M EVEN BETTER
AT BASEBALL NOW.
406
00:15:56,246 --> 00:15:57,956
DEZ, TOSS ME THAT APPLE.
407
00:16:00,580 --> 00:16:01,630
YES!
408
00:16:01,631 --> 00:16:04,581
I MISSED IT BY WAY LESS
THAN I USUALLY DO!
409
00:16:05,845 --> 00:16:06,845
STICK TO THE DRUMS, KID.
410
00:16:08,468 --> 00:16:10,388
WOW, I'M IMPRESSED.
411
00:16:10,390 --> 00:16:12,390
EVERYBODY'S BEEN SOUNDING
REALLY GOOD.
412
00:16:12,392 --> 00:16:15,442
I KNOW! WE MIGHT ACTUALLY
PULL THIS OFF TONIGHT.
413
00:16:15,435 --> 00:16:17,265
WAIT, WHERE'S DYLAN?
414
00:16:17,267 --> 00:16:19,357
I DON'T KNOW
EXACTLY WHAT HAPPENED
415
00:16:19,359 --> 00:16:21,599
BUT DYLAN SAID SHE'S QUITTING
BECAUSE SHE DOESN'T WANT
416
00:16:21,601 --> 00:16:24,151
HER SKATER FRIENDS TO TEASE HER
FOR BEING IN A POP BAND.
417
00:16:24,154 --> 00:16:26,994
THEN SHE GOT ON HER SKATEBOARD
AND SKATED AWAY REAL FAST.
418
00:16:28,108 --> 00:16:29,488
SO YOU DO KNOW
EXACTLY WHAT HAPPENED.
419
00:16:31,371 --> 00:16:32,571
OH, YEAH, I GUESS I DO.
420
00:16:42,672 --> 00:16:43,672
DYLAN.
421
00:16:44,674 --> 00:16:46,264
(sighs) IF YOU'RE HERE
TO CONVINCE ME
TO COME BACK
422
00:16:46,256 --> 00:16:47,796
TO THE BAND,
IT'S NOT GONNA WORK.
423
00:16:49,129 --> 00:16:50,259
COME ON.
424
00:16:50,260 --> 00:16:52,680
IT'S OBVIOUS YOU LIKE
BEING IN THE BAND.
425
00:16:52,682 --> 00:16:53,892
WHAT'S THE DEAL?
426
00:16:54,894 --> 00:16:56,024
WELL, IT'S JUST...
427
00:16:56,015 --> 00:16:57,975
MY FRIENDS ARE ALL SKATERS.
428
00:16:57,977 --> 00:17:00,937
THEY WOULD TOTALLY
MAKE FUN OF ME IF THEY SAW
ME WEARING A GIRLY JACKET
429
00:17:00,940 --> 00:17:03,440
AND PLAYING IN A POP BAND
WITH A BUNCH OF LITTLE KIDS.
430
00:17:04,234 --> 00:17:05,914
I KNOW HOW YOU FEEL.
431
00:17:05,905 --> 00:17:10,145
SOMETIMES, PEOPLE WALK UP TO ME
AND SAY, "AUSTIN, YOU'RE REALLY,
REALLY COOL."
432
00:17:10,150 --> 00:17:13,360
OTHER TIMES, THEY JUST SAY,
"AUSTIN, YOU'RE COOL."
433
00:17:14,204 --> 00:17:15,214
SO...
434
00:17:17,117 --> 00:17:19,287
SO IS THAT SUPPOSED
TO MAKE ME FEEL BETTER?
435
00:17:20,580 --> 00:17:21,920
OKAY, BAD EXAMPLE.
436
00:17:22,922 --> 00:17:23,962
I HAVE A BETTER ONE.
437
00:17:25,585 --> 00:17:27,085
WHEN I WAS A KID,
438
00:17:27,087 --> 00:17:28,507
I TOOK A BALLROOM DANCE CLASS.
439
00:17:29,719 --> 00:17:32,339
SOME OF MY FRIENDS TEASED ME
AND I WANTED TO QUIT,
440
00:17:32,342 --> 00:17:34,052
BUT I'M GLAD I DIDN'T.
441
00:17:34,053 --> 00:17:37,443
THAT CLASS HELPED MAKE ME
AN AWESOME DANCER.
442
00:17:38,678 --> 00:17:41,348
I GET WHAT YOU'RE SAYING,
BUT I'M NOT COMING BACK.
443
00:17:41,351 --> 00:17:42,521
WELL, JUST THINK ABOUT IT.
444
00:17:42,522 --> 00:17:43,602
DON'T NEED TO.
445
00:17:43,603 --> 00:17:44,853
NOT COMING BACK.
446
00:17:45,855 --> 00:17:48,235
OKAY, WELL... LET ME KNOW
WHEN YOU MAKE A DECISION!
447
00:17:49,239 --> 00:17:50,239
GOOD TALK!
448
00:18:00,870 --> 00:18:02,250
I DON'T THINK
DYLAN'S COMING BACK.
449
00:18:02,252 --> 00:18:03,662
WHAT MAKES YOU SAY THAT?
450
00:18:03,663 --> 00:18:05,673
BECAUSE SHE SAID,
"I'M NOT COMING BACK."
451
00:18:05,665 --> 00:18:07,045
LIKE, NINE TIMES.
452
00:18:07,046 --> 00:18:09,336
BUT I'M STILL HOPING
SHE'S GONNA CHANGE HER MIND.
453
00:18:09,339 --> 00:18:12,089
I DON'T KNOW HOW MUCH LONGER
WE CAN HAVE HERMAN STALL.
454
00:18:12,091 --> 00:18:15,391
YEAH, PEOPLE ARE GETTING SICK
OF WATCHING HIM SHOW OFF
HIS EYESIGHT.
455
00:18:15,385 --> 00:18:17,425
DOORS MUST REMAIN
456
00:18:17,427 --> 00:18:19,847
UNLOCKED DURING BUSINESS HOURS.
457
00:18:22,642 --> 00:18:25,532
RESTROOMS FOR PATRONS ONLY.
458
00:18:28,728 --> 00:18:29,778
HI.
459
00:18:29,779 --> 00:18:33,359
BEVERLY ROBBINS, SENIOR EDITOR,
MIAMI DAILY STAR GAZETTE.
460
00:18:33,363 --> 00:18:37,243
WE'RE ALL EXCITED TO SEE
IF YOU ACTUALLY MADE A BAND
IN ONE WEEK.
461
00:18:37,237 --> 00:18:38,367
ARE WE?
462
00:18:38,368 --> 00:18:40,158
ARE WE ALL EXCITED?
463
00:18:41,291 --> 00:18:43,371
IT'S GONNA BE GREAT, GUYS.
464
00:18:43,373 --> 00:18:45,513
BUT WOULD YOU MIND
NOT MENTIONING MY NAME UP THERE?
465
00:18:45,505 --> 00:18:47,005
OKAY, THANKS.
466
00:18:47,006 --> 00:18:49,296
MADE IN TAIWAN.
467
00:18:50,420 --> 00:18:51,420
HERMAN, IT'S OKAY.
468
00:18:53,303 --> 00:18:54,513
UH, HI.
469
00:18:54,514 --> 00:18:55,564
(Austin chuckles nervously)
470
00:18:55,555 --> 00:18:59,135
WELCOME TO THE GRAND OPENING
OF THE A&A MUSIC FACTORY.
471
00:18:59,138 --> 00:19:00,428
DEZ, WANNA DO THE HONORS?
472
00:19:01,721 --> 00:19:04,061
OH, MAN. I FORGOT
MY GIANT PAIR OF SCISSORS.
473
00:19:04,063 --> 00:19:06,693
OH, GOOD THING I BROUGHT
MY TOENAIL SCISSORS.
474
00:19:08,358 --> 00:19:09,398
UM...
475
00:19:09,399 --> 00:19:10,399
(drumroll)
476
00:19:12,322 --> 00:19:13,322
(chuckles nervously)
477
00:19:25,205 --> 00:19:26,205
(drumroll continues)
478
00:19:32,502 --> 00:19:34,132
TA-DA!
479
00:19:38,298 --> 00:19:41,468
LAST WEEK WE BEGAN
WORKING WITH A GROUP
OF BRAND NEW STUDENTS.
480
00:19:41,471 --> 00:19:43,511
AND TONIGHT,
THEY'RE GONNA PERFORM A SONG.
481
00:19:43,513 --> 00:19:46,313
AND WHEN AUSTIN
SAYS "BRAND NEW,"
482
00:19:46,306 --> 00:19:48,646
HE MEANS BRAND NEW.
483
00:19:48,648 --> 00:19:51,108
LIKE THEY'D NEVER EVEN
TOUCHED INSTRUMENTS BEFORE.
484
00:19:51,110 --> 00:19:52,150
LIKE EVER.
485
00:19:52,151 --> 00:19:53,731
LIKE NEVER, EVER.
486
00:19:53,733 --> 00:19:55,873
SO IF THEY WERE
EVEN ABLE TO MAKE A SOUND
487
00:19:55,865 --> 00:19:57,525
WITH THEIR INSTRUMENTS,
488
00:19:57,527 --> 00:19:59,277
THAT ALONE
WOULD BE A VICTORY.
489
00:19:59,279 --> 00:20:02,029
I MEAN, ESPECIALLY CONSIDERING
THAT WE DON'T HAVE
A LEAD GUITARIST.
490
00:20:02,031 --> 00:20:03,031
WAIT!
491
00:20:04,494 --> 00:20:06,044
YOU CAME BACK.
492
00:20:06,035 --> 00:20:07,085
YEAH.
493
00:20:07,086 --> 00:20:08,826
I WANT TO BE IN THE BAND.
494
00:20:08,828 --> 00:20:12,248
YOUR STORY ABOUT
TAKING BALLROOM DANCING
REALLY HELPED ME.
495
00:20:12,252 --> 00:20:14,542
IT MADE YOU REALIZE
THAT YOU SHOULDN'T CARE
WHAT YOUR FRIENDS THINK?
496
00:20:14,544 --> 00:20:15,604
NO.
497
00:20:15,595 --> 00:20:18,425
IT GAVE MY FRIENDS SOMETHING
WAY LAMER TO MAKE FUN OF.
498
00:20:18,428 --> 00:20:19,428
SO THANKS.
499
00:20:20,600 --> 00:20:21,760
(laughs)
500
00:20:21,761 --> 00:20:23,511
YOU TOOK BALLROOM DANCING? HA!
501
00:20:24,554 --> 00:20:26,024
DEZ, WE TOOK IT TOGETHER.
502
00:20:27,347 --> 00:20:28,307
OH, YEAH.
503
00:20:29,769 --> 00:20:31,399
LET'S DO THIS, GUYS.
504
00:20:33,813 --> 00:20:38,163
(plays melodic tune)
505
00:20:38,157 --> 00:20:39,817
All:
♪ NA, NA, NA ♪
506
00:20:41,120 --> 00:20:43,280
♪ NA, NA, NA ♪
507
00:20:43,283 --> 00:20:45,293
♪ NA, NA, NA ♪
508
00:20:45,285 --> 00:20:47,365
♪ NA, NA, NA ♪
509
00:20:48,368 --> 00:20:50,078
♪ NA, NA, NA ♪
510
00:20:50,079 --> 00:20:52,369
♪ NA, NA, NA ♪
511
00:20:52,372 --> 00:20:54,792
♪ NA, NA, NA ♪
512
00:20:54,794 --> 00:20:57,644
♪ NA, NA, NA ♪
513
00:21:01,971 --> 00:21:04,091
(cheers and applause)
514
00:21:07,437 --> 00:21:09,977
BEVERLY ROBBINS, SENIOR EDITOR.
515
00:21:09,979 --> 00:21:11,269
YEAH, YEAH, WE KNOW, BEV.
516
00:21:12,522 --> 00:21:13,982
I THINK I SPEAK FOR EVERYONE
517
00:21:13,983 --> 00:21:16,363
WHEN I SAY HOW IMPRESSED I AM
518
00:21:16,356 --> 00:21:18,696
THAT THESE KIDS WERE ABLE
TO RISE TO THE CHALLENGE.
519
00:21:18,698 --> 00:21:21,108
I DON'T KNOW, I THOUGHT
THEY MISSED A FEW NOTES.
520
00:21:21,110 --> 00:21:22,110
Both: DEZ!
521
00:21:23,202 --> 00:21:24,782
MOM, CAN I KEEP
TAKING LESSONS?
522
00:21:24,784 --> 00:21:28,964
MUSIC IS JUST AS FUN
AS BASHING IN THE SKULL
OF A ZOMBIE CORPSE.
523
00:21:28,958 --> 00:21:30,908
THAT MAKES ME SO HAPPY.
524
00:21:31,911 --> 00:21:33,251
AND A LITTLE DISTURBED.
525
00:21:35,335 --> 00:21:37,465
WE DESTROYED THAT SONG!
526
00:21:37,467 --> 00:21:39,297
IN THE GOOD WAY.
527
00:21:39,298 --> 00:21:41,178
NOW I'M GREAT AT TWO THINGS:
528
00:21:41,180 --> 00:21:43,470
BASEBALL AND ROCK AND ROLL!
529
00:21:44,884 --> 00:21:47,144
HEY, LET'S DO ANOTHER SONG.
530
00:21:47,136 --> 00:21:48,136
All: YEAH.
531
00:21:49,138 --> 00:21:50,308
(all playing out of tune)
532
00:21:53,232 --> 00:21:54,692
I WOULD JUST LIKE
TO POINT OUT
533
00:21:54,694 --> 00:21:56,404
WE ONLY TAUGHT THEM
THE ONE SONG.
534
00:21:57,397 --> 00:21:58,397
JUST THE ONE.
535
00:22:02,402 --> 00:22:04,402
HEY. WHAT ARE
YOU GUYS LOOKING AT?
536
00:22:04,404 --> 00:22:06,084
IT'S THE ARTICLE
BY BEVERLY ROBBINS,
537
00:22:06,075 --> 00:22:08,155
SENIOR EDITOR,
MIAMI DAILY STAR GAZETTE.
538
00:22:08,157 --> 00:22:09,497
OH. WHAT'D SHE SAY?
539
00:22:11,080 --> 00:22:13,870
FANTASTIC. AMAZING.
BRIGHT FUTURE AHEAD.
540
00:22:13,873 --> 00:22:16,303
WOW, SHE REALLY LOVES
THE MUSIC FACTORY.
541
00:22:16,295 --> 00:22:18,255
NO, THAT WAS ABOUT
HER SON, MAX.
542
00:22:18,257 --> 00:22:20,127
BUT SHE DID MENTION US
AT THE VERY END.
543
00:22:20,129 --> 00:22:23,259
THE A&A MUSIC FACTORY
WAS MORE THAN ADEQUATE
544
00:22:23,262 --> 00:22:25,392
IN RECOGNIZING
MAX'S NATURAL TALENT.
545
00:22:25,385 --> 00:22:27,595
YEAH! I TOLD YOU GUYS
YOU WERE MORE THAN ADEQUATE.
546
00:22:29,469 --> 00:22:31,639
WELL, SPEAKING OF
NATURAL TALENT,
547
00:22:31,641 --> 00:22:33,681
AUSTIN, I HEAR YOU'RE
QUITE THE BALLROOM DANCER.
548
00:22:33,683 --> 00:22:35,533
OH, YOU TELL ME.
549
00:22:37,106 --> 00:22:38,566
-(classical music plays)
-MAY I HAVE THIS DANCE?
550
00:22:50,369 --> 00:22:52,329
UH, MIND IF I CUT IN?
551
00:22:52,331 --> 00:22:53,251
-Austin: SURE.
-Ally: YES, I-- OH.
38284
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