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These are the user uploaded subtitles that are being translated: 1 00:00:04,080 --> 00:00:08,710 these are the stories of how history's 2 00:00:06,700 --> 00:00:11,789 most important music seeds influenced 3 00:00:08,710 --> 00:00:15,450 our culture and change the way we live 4 00:00:11,789 --> 00:00:15,449 under the influence 5 00:00:18,530 --> 00:00:25,589 back in 1655 the Sun never set on the 6 00:00:22,710 --> 00:00:27,660 British Empire that year the British 7 00:00:25,589 --> 00:00:29,910 Navy kicked the Spanish out of Jamaica 8 00:00:27,660 --> 00:00:32,159 and claimed a large Caribbean island in 9 00:00:29,910 --> 00:00:34,619 the name of the mother country england's 10 00:00:32,159 --> 00:00:36,569 colonies from Asia to Africa and 11 00:00:34,619 --> 00:00:38,579 throughout the Western Hemisphere helped 12 00:00:36,570 --> 00:00:40,710 make it one of the wealthiest most 13 00:00:38,579 --> 00:00:41,399 influential empires of world has ever 14 00:00:40,710 --> 00:00:43,920 seen 15 00:00:41,399 --> 00:00:46,350 the 19th century saw England's 16 00:00:43,920 --> 00:00:48,629 industrial revolution blossom the rich 17 00:00:46,350 --> 00:00:50,640 got richer and the way to working-class 18 00:00:48,628 --> 00:00:52,890 Works changed forever or it is the 19 00:00:50,640 --> 00:00:54,659 Empire which encodes one quarter of all 20 00:00:52,890 --> 00:00:57,359 the land and of all the peoples of the 21 00:00:54,659 --> 00:01:00,689 world that gives to Britain its position 22 00:00:57,359 --> 00:01:08,099 as a first-class power then came the 23 00:01:00,689 --> 00:01:10,859 wars by the time World War two ended 24 00:01:08,099 --> 00:01:13,228 eating was badly bruised looking to its 25 00:01:10,859 --> 00:01:16,950 far-flung colonial population to help 26 00:01:13,228 --> 00:01:19,679 rebuild by the time of the 1970s the 27 00:01:16,950 --> 00:01:22,079 influx of immigrants with brown skin led 28 00:01:19,680 --> 00:01:24,600 to unprecedented racial tension with 29 00:01:22,079 --> 00:01:26,368 economic downturn and energy crisis 30 00:01:24,599 --> 00:01:28,469 putting the country in a state of 31 00:01:26,368 --> 00:01:31,109 emergency the government had put a cap 32 00:01:28,469 --> 00:01:33,599 on wages while inflation spiked out of 33 00:01:31,109 --> 00:01:36,000 control workers went our strike power 34 00:01:33,599 --> 00:01:37,920 outages were the routine power lines are 35 00:01:36,000 --> 00:01:38,969 being drawn along race and class like 36 00:01:37,920 --> 00:01:41,549 never before 37 00:01:38,969 --> 00:01:44,399 post Empire Great Britain was locked in 38 00:01:41,549 --> 00:01:45,629 a struggle to define itself I mean it 39 00:01:44,399 --> 00:01:47,549 was kicking off here man 40 00:01:45,629 --> 00:01:49,560 you know we had riots in the late 70s 41 00:01:47,549 --> 00:01:51,450 talking massive unemployment three day 42 00:01:49,560 --> 00:01:53,099 weeks rise the National Front the 43 00:01:51,450 --> 00:01:55,200 popular music at the time was like a 44 00:01:53,099 --> 00:01:57,630 million miles removed from the feeling 45 00:01:55,200 --> 00:01:59,969 on the street the cultural climate was 46 00:01:57,629 --> 00:02:01,738 pretty dread me and the brothers we had 47 00:01:59,969 --> 00:02:03,810 a soundtrack to ease our pain we had 48 00:02:01,739 --> 00:02:04,200 reggae but my white mates weren't so 49 00:02:03,810 --> 00:02:06,810 lucky 50 00:02:04,200 --> 00:02:08,250 so my white mates said about creating a 51 00:02:06,810 --> 00:02:10,649 soundtrack that was relevant to their 52 00:02:08,250 --> 00:02:13,580 situation some of the people for the 53 00:02:10,649 --> 00:02:13,580 people by the people 54 00:02:18,259 --> 00:02:25,560 London was the center of the punk-rock 55 00:02:20,639 --> 00:02:29,409 universe the Roxy turned out to be the 56 00:02:25,560 --> 00:02:31,330 very first live pop rock venue in the UK 57 00:02:29,409 --> 00:02:33,250 it was so early in the whole punk rock 58 00:02:31,330 --> 00:02:37,540 scene that there weren't any UK Punk 59 00:02:33,250 --> 00:02:38,860 records to play so what am I gonna do 60 00:02:37,539 --> 00:02:45,759 I'm gonna play some highlights on 61 00:02:38,860 --> 00:02:47,080 playing hardcore dub reggae and this all 62 00:02:45,759 --> 00:02:49,359 really came out of the fact that all 63 00:02:47,080 --> 00:02:50,920 these white kids grew up with black 64 00:02:49,360 --> 00:02:54,040 people living next door 65 00:02:50,919 --> 00:02:57,039 we weren't alien we weren't exotic we 66 00:02:54,039 --> 00:03:03,069 were their mates so there are some 67 00:02:57,039 --> 00:03:10,149 serious cultural exchange going on man 68 00:03:03,069 --> 00:03:12,310 went to tone broke it hit big time they 69 00:03:10,150 --> 00:03:15,730 had a magic combination of danceable 70 00:03:12,310 --> 00:03:17,710 music with style and attitude but the 71 00:03:15,729 --> 00:03:20,079 art is being able to slip ideas in 72 00:03:17,710 --> 00:03:21,460 underneath all of that I mean you know 73 00:03:20,080 --> 00:03:23,560 they're singing about unemployment 74 00:03:21,460 --> 00:03:25,960 they're singing about racism they're 75 00:03:23,560 --> 00:03:28,930 singing about teenage pregnancy the band 76 00:03:25,960 --> 00:03:31,990 directly multiracial and they signposted 77 00:03:28,930 --> 00:03:33,870 the way that UK culture was heading that 78 00:03:31,990 --> 00:03:37,030 it was the people that got behind 79 00:03:33,870 --> 00:03:39,219 multiculturalism that would make England 80 00:03:37,030 --> 00:03:41,020 great again and out of that came this 81 00:03:39,219 --> 00:03:42,550 whole 2-tone movement 82 00:03:41,020 --> 00:03:44,740 The Specials and they were the most 83 00:03:42,550 --> 00:03:47,380 politicized of all the bands ghost town 84 00:03:44,740 --> 00:03:49,780 perfectly captured the atmosphere of the 85 00:03:47,379 --> 00:03:53,430 time and the mood of the country I mean 86 00:03:49,780 --> 00:03:53,430 that's why we're number one this job 87 00:03:53,870 --> 00:04:00,158 if England was a 45 rpm record Coventry 88 00:03:58,009 --> 00:04:02,628 would be the hole in the middle floors 89 00:04:00,158 --> 00:04:04,789 Luton industrial city Coventry was the 90 00:04:02,628 --> 00:04:07,068 Detroit of England lots of car factories 91 00:04:04,789 --> 00:04:13,818 lot of Industry a large immigrant 92 00:04:07,068 --> 00:04:15,500 population my Rousseff in Jamaica my 93 00:04:13,818 --> 00:04:17,779 parents come from Jamaica my father 94 00:04:15,500 --> 00:04:20,959 moved the company because of work to 95 00:04:17,779 --> 00:04:23,209 rebuild England after the last World War 96 00:04:20,959 --> 00:04:28,340 you know just before I left Jamaica the 97 00:04:23,209 --> 00:04:29,359 big Sun was like sort of ask ask ask and 98 00:04:28,339 --> 00:04:35,269 this dance like that 99 00:04:29,360 --> 00:04:37,840 Jamaica ask people is old and as a 100 00:04:35,269 --> 00:04:37,839 little kid you know 101 00:04:39,449 --> 00:04:44,009 I got the music world you know and it 102 00:04:41,550 --> 00:04:46,528 was through scar obviously two-tone 103 00:04:44,009 --> 00:04:48,509 black and white it's a melting pot you 104 00:04:46,528 --> 00:04:50,459 got the register side we got the pump 105 00:04:48,509 --> 00:04:52,740 size I'm more aggressive and you put all 106 00:04:50,459 --> 00:05:09,179 those people together it was a perfect 107 00:04:52,740 --> 00:05:12,269 marriage in England it was essentially a 108 00:05:09,180 --> 00:05:14,490 working-class movement in the Midlands 109 00:05:12,269 --> 00:05:17,028 where most are two terms started there 110 00:05:14,490 --> 00:05:19,050 was an interesting industrial 111 00:05:17,028 --> 00:05:21,180 integration if you're working on a 112 00:05:19,050 --> 00:05:23,189 factory track next to somebody it don't 113 00:05:21,180 --> 00:05:24,870 really matter what color e is after five 114 00:05:23,189 --> 00:05:26,909 or six years you get the idea that 115 00:05:24,870 --> 00:05:29,278 you've got way more in common than your 116 00:05:26,908 --> 00:05:30,598 differences all over the Empire but 117 00:05:29,278 --> 00:05:33,028 particularly in the Caribbean people 118 00:05:30,598 --> 00:05:35,610 were invited come over for three years 119 00:05:33,028 --> 00:05:38,189 help rebuild the mother country or make 120 00:05:35,610 --> 00:05:40,830 a fortune people ended having kids in 121 00:05:38,189 --> 00:05:47,610 England before they had enough money to 122 00:05:40,829 --> 00:05:50,748 buy the castle in Jamaica and you know 123 00:05:47,610 --> 00:05:53,158 Jim English like Thank You Roger 124 00:05:50,749 --> 00:05:55,020 we would live in in times where there 125 00:05:53,158 --> 00:05:57,629 was high unemployment there was a lot of 126 00:05:55,019 --> 00:06:00,688 racism and out came all these different 127 00:05:57,629 --> 00:06:02,550 bands who were trying to merge different 128 00:06:00,689 --> 00:06:05,689 types of music together and the beat 129 00:06:02,550 --> 00:06:05,689 happened to be one of them 130 00:06:06,439 --> 00:06:10,620 around that time I was 16 17 and I was a 131 00:06:09,899 --> 00:06:13,079 punk-rocker 132 00:06:10,620 --> 00:06:14,968 and I got a lot of abuse from people 133 00:06:13,079 --> 00:06:17,550 just for being a punk being what I 134 00:06:14,968 --> 00:06:19,259 wanted to be and the punks love me so I 135 00:06:17,550 --> 00:06:21,449 knew there wasn't racism within the 136 00:06:19,259 --> 00:06:23,490 punks and even a lot of the skin is raw 137 00:06:21,449 --> 00:06:25,919 rice once you've got to talk to them 138 00:06:23,490 --> 00:06:28,918 there were anti-nazi skins and there was 139 00:06:25,918 --> 00:06:30,418 Nazi skins and then it was very hard to 140 00:06:28,918 --> 00:06:33,899 tell the difference unless they shook 141 00:06:30,418 --> 00:06:36,718 around or knotted you could scoot and 142 00:06:33,899 --> 00:06:39,060 they said oh I like that but black Jesus 143 00:06:36,718 --> 00:06:41,879 or what Jesus will stage together oh 144 00:06:39,060 --> 00:06:43,889 I'll have a bit of that but we mainly it 145 00:06:41,879 --> 00:06:45,240 went well that's why we do this of 146 00:06:43,889 --> 00:06:49,620 course we thought you'd like it thanks 147 00:06:45,240 --> 00:06:52,620 mate one of the first students mirror in 148 00:06:49,620 --> 00:06:54,840 the bathroom I heard this Punk rhythm 149 00:06:52,620 --> 00:06:57,538 going up and I heard this drummer 150 00:06:54,839 --> 00:06:59,038 playing reggae but he says to me lights 151 00:06:57,538 --> 00:07:01,110 are on he thought he was playing punk 152 00:06:59,038 --> 00:07:04,889 all he knew was to hit him hard 153 00:07:01,110 --> 00:07:07,319 this is ever at Morton new wave mixture 154 00:07:04,889 --> 00:07:08,968 of reggae mixed we saw there was Calypso 155 00:07:07,319 --> 00:07:11,610 there was punk there was putt there was 156 00:07:08,968 --> 00:07:13,829 everything mixed into it and we don't 157 00:07:11,610 --> 00:07:17,028 know what time it comes from we all just 158 00:07:13,829 --> 00:07:17,028 kind of meld it together 159 00:07:21,168 --> 00:07:26,269 there were not that many mixed race 160 00:07:24,079 --> 00:07:30,498 women that you would find either in the 161 00:07:26,269 --> 00:07:32,478 media on television on radio people were 162 00:07:30,499 --> 00:07:34,699 very surprised I think to find black 163 00:07:32,478 --> 00:07:37,158 people and white people being in the 164 00:07:34,699 --> 00:07:41,449 same band and making music together and 165 00:07:37,158 --> 00:07:44,240 that was the whole point at the end of 166 00:07:41,449 --> 00:07:46,249 Britain's industrial age all grieve was 167 00:07:44,240 --> 00:07:48,468 a confrontation from the Middle Ages 168 00:07:46,249 --> 00:07:50,330 Margaret Thatcher had just come to power 169 00:07:48,468 --> 00:07:51,740 so we have a Conservative government in 170 00:07:50,329 --> 00:07:54,800 power there was a lot of youth 171 00:07:51,740 --> 00:07:56,749 unemployment around there were also laws 172 00:07:54,800 --> 00:07:58,819 on the streets called anti softs laws 173 00:07:56,749 --> 00:08:00,289 which meant that if you were black and 174 00:07:58,819 --> 00:08:03,020 you were young you could be picked up 175 00:08:00,288 --> 00:08:04,158 and interrogated for no real reason at 176 00:08:03,019 --> 00:08:05,028 all rather than you just happen to be 177 00:08:04,158 --> 00:08:07,819 hanging around 178 00:08:05,028 --> 00:08:09,228 The Specials and gangsters went top 10 179 00:08:07,819 --> 00:08:11,270 and then they brought I think it was 180 00:08:09,228 --> 00:08:13,848 madness at Nicks and that went top 2 and 181 00:08:11,269 --> 00:08:16,008 then the selector that went up 10 and 182 00:08:13,848 --> 00:08:17,389 that's when we came along and opened up 183 00:08:16,009 --> 00:08:19,908 for the selector we were the fourth 184 00:08:17,389 --> 00:08:21,949 release one to toll that went top ten 185 00:08:19,908 --> 00:08:23,930 within nine months of the ban forming 186 00:08:21,949 --> 00:08:25,520 we're already on top of the pups by the 187 00:08:23,930 --> 00:08:28,218 time we got to New York It was as though 188 00:08:25,519 --> 00:08:29,899 we'd set up this mobile sociology class 189 00:08:28,218 --> 00:08:31,550 that just had music in the back to 190 00:08:29,899 --> 00:08:36,349 listen to who are you discuss race 191 00:08:31,550 --> 00:08:40,158 relations in order to be anything in the 192 00:08:36,349 --> 00:08:43,129 late 70s early eighties you had to 193 00:08:40,158 --> 00:08:45,259 actually be saying something we came out 194 00:08:43,129 --> 00:08:48,289 with a song called stand down Margaret 195 00:08:45,259 --> 00:08:50,389 which all the women at Green and common 196 00:08:48,289 --> 00:08:52,338 at the time I mean I remember hearing 197 00:08:50,389 --> 00:08:54,110 them on the news singing stand her 198 00:08:52,339 --> 00:08:56,420 Margaret which was our song and the 199 00:08:54,110 --> 00:08:59,919 miners who were on strike that was 200 00:08:56,419 --> 00:09:01,990 ground roots working-class music 201 00:08:59,919 --> 00:09:03,458 I thought we bring out standard air 202 00:09:01,990 --> 00:09:05,049 Margaret and it would cause such an 203 00:09:03,458 --> 00:09:06,789 uproar she go you know you're right 204 00:09:05,049 --> 00:09:09,399 you've called me honest 205 00:09:06,789 --> 00:09:11,199 sorry I'm out no everything that been 206 00:09:09,399 --> 00:09:14,259 the longest serving Prime Minister in 207 00:09:11,200 --> 00:09:15,639 British history and all my fault it's 208 00:09:14,259 --> 00:09:18,009 about that was intense 209 00:09:15,639 --> 00:09:19,778 specials keyboards a two-pump founder 210 00:09:18,009 --> 00:09:21,909 Jerry Dammers the mastermind of the 211 00:09:19,778 --> 00:09:25,720 whole movement began to doubt the whole 212 00:09:21,909 --> 00:09:27,250 thing in New York when a limo showed up 213 00:09:25,720 --> 00:09:30,149 to take the specials to her Center at 214 00:09:27,250 --> 00:09:32,919 live performance Dammers refused 215 00:09:30,149 --> 00:09:36,039 arriving at Rockefeller Center in the 216 00:09:32,919 --> 00:09:38,110 equipment van not a limo a sign of 217 00:09:36,039 --> 00:09:40,659 things to come was in a few short years 218 00:09:38,110 --> 00:09:43,209 most two-tone bands had broke up and 219 00:09:40,659 --> 00:09:46,028 moved on but two-tone as an idea 220 00:09:43,208 --> 00:09:49,229 survived the message the music and the 221 00:09:46,028 --> 00:09:53,379 style were here to stay 222 00:09:49,230 --> 00:09:55,690 two-tone is in my estimation subculture 223 00:09:53,379 --> 00:09:58,088 but it's like an umbrella for a whole 224 00:09:55,690 --> 00:10:01,089 load of subcultures they all have their 225 00:09:58,089 --> 00:10:02,889 own individual styles of dress but one 226 00:10:01,089 --> 00:10:05,529 thing I think you can say about all 227 00:10:02,889 --> 00:10:07,990 two-tone style is it is rooted in 228 00:10:05,528 --> 00:10:10,120 working-class youth skin ants were cut 229 00:10:07,990 --> 00:10:12,070 off Levi's how many holes you have in 230 00:10:10,120 --> 00:10:14,139 your boots is absolutely paramount what 231 00:10:12,070 --> 00:10:16,209 color your laces are all of those kind 232 00:10:14,139 --> 00:10:20,559 of thing and certainly the whole mod 233 00:10:16,208 --> 00:10:23,139 style that was always you wore your best 234 00:10:20,559 --> 00:10:25,028 stuff because you want to look good at 235 00:10:23,139 --> 00:10:27,240 the weekend you don't want to look like 236 00:10:25,028 --> 00:10:33,178 a hippie 237 00:10:27,240 --> 00:10:36,749 I sort of deliberately drew the fists 238 00:10:33,178 --> 00:10:40,379 quite big because it's will symbolized 239 00:10:36,749 --> 00:10:42,240 the the aggression we have here the 240 00:10:40,379 --> 00:10:45,058 actual artwork that I did all those 241 00:10:42,240 --> 00:10:47,399 years ago yeah that's the that's the 242 00:10:45,058 --> 00:10:50,100 original artwork that I drew and that 243 00:10:47,399 --> 00:10:54,289 was to become the the 7-inch single bag 244 00:10:50,100 --> 00:10:58,889 and also the 12-inch he was christened 245 00:10:54,289 --> 00:11:00,928 walk James go and check this out 246 00:10:58,889 --> 00:11:03,178 tutto founder Jerry Dammers marled the 247 00:11:00,928 --> 00:11:05,278 actual two-tone guy after the image at 248 00:11:03,178 --> 00:11:06,869 Peter Tosh during pure Tosh's Rudeboy 249 00:11:05,278 --> 00:11:08,999 era look closely 250 00:11:06,869 --> 00:11:13,470 that's Peter Tosh I'm getting Minnie 251 00:11:08,999 --> 00:11:15,269 Mouse from Mexico and Singapore to say 252 00:11:13,470 --> 00:11:17,009 you know when you're going to show all 253 00:11:15,269 --> 00:11:19,799 this artwork from where is this hard 254 00:11:17,009 --> 00:11:22,919 work you know love it was either lying 255 00:11:19,799 --> 00:11:24,688 under my bed or in my mum's shed got it 256 00:11:22,919 --> 00:11:27,208 all together and we had a great 257 00:11:24,688 --> 00:11:30,778 exhibition I met up with a Chinese 258 00:11:27,208 --> 00:11:32,998 delegation that come over to some mare 259 00:11:30,778 --> 00:11:36,360 from some water city in China I said 260 00:11:32,999 --> 00:11:38,069 then you have a scar event that's it yes 261 00:11:36,360 --> 00:11:41,009 that's right how do you know about that 262 00:11:38,068 --> 00:11:44,578 it's all sky is really big in China it's 263 00:11:41,009 --> 00:11:48,329 us really and and that's how that's how 264 00:11:44,578 --> 00:11:51,769 it spreads throughout the world it this 265 00:11:48,328 --> 00:11:51,769 sleeve summed it all up 266 00:11:53,980 --> 00:11:59,028 when the movie dance craze played our 267 00:11:56,328 --> 00:12:00,948 local cinema in the East Bay Northern 268 00:11:59,028 --> 00:12:05,360 California I remember seeing it with my 269 00:12:00,948 --> 00:12:07,938 crew and we're so overwhelmed by the 270 00:12:05,360 --> 00:12:09,558 music that we started dancing right 271 00:12:07,938 --> 00:12:15,620 there in front of the screen 272 00:12:09,558 --> 00:12:17,600 who the hell does that in 1987 Berkeley 273 00:12:15,620 --> 00:12:20,600 California opened up a punk rock club 274 00:12:17,600 --> 00:12:27,259 run by the punks for the punks called 275 00:12:20,600 --> 00:12:30,199 Gilmer Street man it all started to 276 00:12:27,259 --> 00:12:32,209 happen quickly Operation Ivy formed 277 00:12:30,198 --> 00:12:33,859 right after the club opened up and we 278 00:12:32,208 --> 00:12:36,318 start to play our version of punk rock 279 00:12:33,860 --> 00:12:37,909 and sky there are other American ska 280 00:12:36,318 --> 00:12:39,769 bands going on at the same time as 281 00:12:37,909 --> 00:12:42,490 Operation Ivy not a lot but they were 282 00:12:39,769 --> 00:12:44,720 out there fishbone on the west coast 283 00:12:42,490 --> 00:12:47,659 toasters and the box tones on the East 284 00:12:44,720 --> 00:12:51,290 Coast we didn't know it at the time but 285 00:12:47,659 --> 00:12:54,249 we'd become known as members of the 286 00:12:51,289 --> 00:12:54,248 third wave of sky 287 00:13:02,690 --> 00:13:07,680 yo gabba gabba is a punk rock like it's 288 00:13:05,639 --> 00:13:09,509 a punk rock show in the way that we did 289 00:13:07,679 --> 00:13:13,139 it ourselves just like we did Aquabats 290 00:13:09,509 --> 00:13:15,899 records growing up in the 80s in 291 00:13:13,139 --> 00:13:19,110 Southern California I never got a pure 292 00:13:15,899 --> 00:13:21,539 ska experience the mutant bands that 293 00:13:19,110 --> 00:13:24,028 played ska here it was more Punk 294 00:13:21,539 --> 00:13:26,849 so Operation Ivy was really on an island 295 00:13:24,028 --> 00:13:28,620 of their owns 86 87 there was no one 296 00:13:26,850 --> 00:13:30,360 else doing that it was kind of like a 297 00:13:28,620 --> 00:13:32,399 here today gone tomorrow and all those 298 00:13:30,360 --> 00:13:34,889 bands that came in to start the third 299 00:13:32,399 --> 00:13:37,588 wave of ska were directly affected by 300 00:13:34,889 --> 00:13:40,139 Operation Ivy bands like no doubt and 301 00:13:37,589 --> 00:13:43,440 supply listen Jake real be fish skank 302 00:13:40,139 --> 00:13:49,259 and pickle hepcat and then you have the 303 00:13:43,440 --> 00:13:51,720 Aquabats we used to say all the time 304 00:13:49,259 --> 00:13:56,519 that the Aquabats was The Specials meets 305 00:13:51,720 --> 00:13:58,200 Devo so you had a lot of bands in 306 00:13:56,519 --> 00:14:01,379 Southern California you know heavy 307 00:13:58,200 --> 00:14:03,629 Latino Vietnamese and Chinese like this 308 00:14:01,379 --> 00:14:06,389 big melting pot whereas Punk seemed like 309 00:14:03,629 --> 00:14:08,279 it was a white kid thing and then rap 310 00:14:06,389 --> 00:14:11,399 became you know that black kids think 311 00:14:08,279 --> 00:14:14,610 Scott it really said whoever just come 312 00:14:11,399 --> 00:14:16,769 on in when we first started the Aquabats 313 00:14:14,610 --> 00:14:18,839 we didn't take ourselves super seriously 314 00:14:16,769 --> 00:14:21,179 in a scene that wasn't taking itself 315 00:14:18,839 --> 00:14:23,310 seriously we pushed even further into 316 00:14:21,179 --> 00:14:26,239 the ridiculousness of it this is an old 317 00:14:23,309 --> 00:14:29,579 Aquabats shirt right here this pink one 318 00:14:26,240 --> 00:14:30,930 the Scott sound for a second everyone 319 00:14:29,580 --> 00:14:33,690 thought was gonna be the next big thing 320 00:14:30,929 --> 00:14:35,250 and no doubt broke and so all the record 321 00:14:33,690 --> 00:14:36,990 companies went out and started picking 322 00:14:35,250 --> 00:14:40,379 up all the bands that were playing Scott 323 00:14:36,990 --> 00:14:42,269 cuz Orange County ska was like okay this 324 00:14:40,379 --> 00:14:44,429 is it and he even had bands that were 325 00:14:42,269 --> 00:14:46,529 totally Punk and they just switched to 326 00:14:44,429 --> 00:14:49,529 ska and they were like suspenders in 327 00:14:46,529 --> 00:14:51,389 suits and stuff just to get signed when 328 00:14:49,529 --> 00:14:54,659 it really came down to it the mainstream 329 00:14:51,389 --> 00:14:55,769 is not gonna accept the ska it just it 330 00:14:54,659 --> 00:14:58,649 was never gonna happen 331 00:14:55,769 --> 00:15:00,100 hello everybody I think it's time for 332 00:14:58,649 --> 00:15:02,379 the super music 333 00:15:00,100 --> 00:15:03,879 so I wanted to shift gears a little bit 334 00:15:02,379 --> 00:15:05,669 and I was watching TV with my daughter 335 00:15:03,879 --> 00:15:08,470 some of these shows that are like what 336 00:15:05,669 --> 00:15:12,719 why does his kids TV have to be so lame 337 00:15:08,470 --> 00:15:12,720 and that's where yo gabba gabba was born 338 00:15:12,899 --> 00:15:20,199 we won an Emmy for Best stunts and a 339 00:15:16,960 --> 00:15:22,690 kids show and then that's next to the 340 00:15:20,200 --> 00:15:24,820 BAFTA here so I started playing music 341 00:15:22,690 --> 00:15:26,680 for my kids and the stuff that they 342 00:15:24,820 --> 00:15:28,150 really liked was the Scott kids we're 343 00:15:26,679 --> 00:15:32,679 bouncing around to it those upbeats 344 00:15:28,149 --> 00:15:34,569 means it's okay have fun and we've been 345 00:15:32,679 --> 00:15:36,609 able to put a lot of ska on yo gabba 346 00:15:34,570 --> 00:15:38,770 we had agra lights on without hep cat on 347 00:15:36,610 --> 00:15:40,240 the aquabats of course and you know a 348 00:15:38,769 --> 00:15:42,009 couple of the characters on Gabba wear 349 00:15:40,240 --> 00:15:44,139 Aquabats monsters that we fight on stage 350 00:15:42,009 --> 00:15:47,169 this is where we keep the battletram 351 00:15:44,139 --> 00:15:51,220 this is the Aquabats battle vehicle 352 00:15:47,169 --> 00:15:52,029 dun dun dun this is a monster we built 353 00:15:51,220 --> 00:15:54,700 for Aquabats 354 00:15:52,029 --> 00:15:56,769 my son designed this monster this is a 355 00:15:54,700 --> 00:15:59,670 badass car as it gets right here pick it 356 00:15:56,769 --> 00:15:59,669 up pick it up 357 00:16:03,039 --> 00:16:09,469 mas that became ground zero for racial 358 00:16:06,679 --> 00:16:11,809 intolerance everybody that created 359 00:16:09,470 --> 00:16:14,300 policy at that time seemed to have my 360 00:16:11,809 --> 00:16:15,199 skin color but not my best interest in 361 00:16:14,299 --> 00:16:17,449 mind 362 00:16:15,200 --> 00:16:18,560 kids and young people don't really want 363 00:16:17,450 --> 00:16:20,240 to get caught up in the [ __ ] of 364 00:16:18,559 --> 00:16:24,708 their parents and sort of what was being 365 00:16:20,240 --> 00:16:27,259 handed down like hey [ __ ] this we feel 366 00:16:24,708 --> 00:16:30,319 good when I went inside the English be 367 00:16:27,259 --> 00:16:32,328 ranking Roger [ __ ] went for you know 368 00:16:30,320 --> 00:16:34,190 and that's what I was looking for party 369 00:16:32,328 --> 00:16:36,278 with with the political attitude and 370 00:16:34,190 --> 00:16:38,839 from from there I never looked back 371 00:16:36,278 --> 00:16:40,939 when we were 18 years old he went down 372 00:16:38,839 --> 00:16:43,100 to New York City to see madness perform 373 00:16:40,940 --> 00:16:45,500 on Saturday life Suggs was a huge 374 00:16:43,100 --> 00:16:47,600 airline and and you know my first band 375 00:16:45,500 --> 00:16:49,730 it was you know my hair was exactly like 376 00:16:47,600 --> 00:16:53,990 Suggs cutting the flag car up in the 377 00:16:49,730 --> 00:16:56,659 round glasses and overcoats you know in 378 00:16:53,990 --> 00:16:58,310 an effort to label ourselves after years 379 00:16:56,659 --> 00:17:00,169 of saying we don't want to be labeled we 380 00:16:58,309 --> 00:17:00,619 named a record sky core the devil and 381 00:17:00,169 --> 00:17:03,259 more 382 00:17:00,620 --> 00:17:05,439 it's a sky band with a guitar player 383 00:17:03,259 --> 00:17:08,000 that rips and a singer that can't sing I 384 00:17:05,439 --> 00:17:11,300 toured so much and I really needed to 385 00:17:08,000 --> 00:17:13,250 rest it coincided with Jimi starting his 386 00:17:11,299 --> 00:17:16,250 TV show and I knew him because he was a 387 00:17:13,250 --> 00:17:19,459 longtime radio guy and he said once you 388 00:17:16,250 --> 00:17:21,009 try announcing for this show and I said 389 00:17:19,459 --> 00:17:24,380 oh that'll never work 390 00:17:21,009 --> 00:17:26,269 yeah I'm the announcer and I still do a 391 00:17:24,380 --> 00:17:29,059 certain amount of shows with the Mighty 392 00:17:26,269 --> 00:17:31,279 Mighty Bosstones every year and I credit 393 00:17:29,058 --> 00:17:32,869 and I thanked every day you know the 394 00:17:31,279 --> 00:17:34,418 music that I got into the music that I 395 00:17:32,869 --> 00:17:36,859 fell in love with in the records that 396 00:17:34,419 --> 00:17:39,730 changed my life and said hey you know 397 00:17:36,859 --> 00:17:39,729 we're here for you 398 00:17:40,539 --> 00:17:46,789 in the realm of pop music the third wave 399 00:17:44,359 --> 00:17:49,308 did crash but the classic mix of 400 00:17:46,789 --> 00:17:51,589 Jamaican dance music and punk now known 401 00:17:49,308 --> 00:17:53,410 throughout the world of ska spread 402 00:17:51,589 --> 00:17:58,689 throughout the empire of popular culture 403 00:17:53,410 --> 00:17:58,690 evolving uniquely in each place in time 404 00:18:15,279 --> 00:18:21,668 the freaks and weirdos 405 00:18:22,910 --> 00:18:30,070 when we were 15 15 we decided to start a 406 00:18:27,890 --> 00:18:30,070 bath 407 00:18:40,279 --> 00:18:46,220 we are in Bergen in eCollege good in our 408 00:18:45,769 --> 00:18:52,970 heads 409 00:18:46,220 --> 00:18:55,600 this is called murder please I think 410 00:18:52,970 --> 00:18:58,430 when we discovered to toe that culture 411 00:18:55,599 --> 00:19:00,619 represented like toughness that I think 412 00:18:58,430 --> 00:19:02,990 we're really related to everyone is 413 00:19:00,619 --> 00:19:05,599 acting or being like really tough but 414 00:19:02,990 --> 00:19:07,940 they're dressed really nice but in 415 00:19:05,599 --> 00:19:11,919 Bergen if you're in a punk band you look 416 00:19:07,940 --> 00:19:15,500 so dirty and [ __ ] disgusting 417 00:19:11,920 --> 00:19:17,750 everything about the culture is really 418 00:19:15,500 --> 00:19:30,140 appealing to us the the clothes the 419 00:19:17,750 --> 00:19:33,650 musics and good vibes so you know for 420 00:19:30,140 --> 00:19:37,120 sure skin had the adventure type of walk 421 00:19:33,650 --> 00:19:39,950 on the mail tab watch another live 422 00:19:37,119 --> 00:19:46,119 someone that was wrong so they're not 423 00:19:39,950 --> 00:19:54,740 sure Joe Poonam gone male 2 position we 424 00:19:46,119 --> 00:19:57,349 title yami-san whatever was there - oh 425 00:19:54,740 --> 00:20:00,099 ho Thomas er well as the current AG 426 00:19:57,349 --> 00:20:04,849 community generally they're on a whole 427 00:20:00,099 --> 00:20:07,129 kikuchi you even know you know what some 428 00:20:04,849 --> 00:20:10,119 can do that you may not remember it 429 00:20:07,130 --> 00:20:10,120 somehow theater 430 00:20:36,160 --> 00:20:42,460 yeah mm ah ba ba ba gua gua follow the 431 00:20:39,910 --> 00:20:44,230 other steady men Jordan ago you did 432 00:20:42,460 --> 00:20:53,350 Salman Khan sir 433 00:20:44,230 --> 00:20:57,059 and is a boy I know you guys are working 434 00:20:53,349 --> 00:21:01,230 class hopefully so cheers inaudible 435 00:20:57,059 --> 00:21:03,669 working and Phoenicia contagious for me 436 00:21:01,230 --> 00:21:06,490 understand I allergic to those overall 437 00:21:03,670 --> 00:21:09,759 terracing citizen a pleasure sir you 438 00:21:06,490 --> 00:21:11,049 have a true sir your opponent's tracker 439 00:21:09,759 --> 00:21:13,529 you got killed on a terminal for 440 00:21:11,049 --> 00:21:13,529 exposure 441 00:21:19,029 --> 00:21:27,879 I remember someone had a special record 442 00:21:25,930 --> 00:21:30,160 and we were play the [ __ ] out of it 443 00:21:27,880 --> 00:21:33,120 that song ghost town to me was the 444 00:21:30,160 --> 00:21:36,850 epitome of like how I felt at that time 445 00:21:33,119 --> 00:21:38,979 period you know so sublime was like in 446 00:21:36,849 --> 00:21:41,169 that scene too in a sense because they 447 00:21:38,980 --> 00:21:45,539 were playing ska too you know they had a 448 00:21:41,170 --> 00:21:45,539 ska band before that sloppy seconds I 449 00:21:48,900 --> 00:21:55,150 grew up in Long Beach our cult gang was 450 00:21:52,720 --> 00:21:58,120 made up of punker kids you know black 451 00:21:55,150 --> 00:22:02,230 white Thai Cambodian you know you name 452 00:21:58,119 --> 00:22:03,639 it I was 18 my mind was open and you 453 00:22:02,230 --> 00:22:06,610 know I was just kind of trying to create 454 00:22:03,640 --> 00:22:08,800 some imagery that I thought would tell a 455 00:22:06,609 --> 00:22:10,959 story and that was like the first image 456 00:22:08,799 --> 00:22:12,519 like the beginning of the Sun and I 457 00:22:10,960 --> 00:22:14,250 think Brad walked in when I was like 458 00:22:12,519 --> 00:22:17,349 finishing it up and he was like oh 459 00:22:14,250 --> 00:22:20,940 that's cool what are you gonna do with 460 00:22:17,349 --> 00:22:20,939 that I think he threw me 20 bucks 461 00:22:23,119 --> 00:22:27,889 people still call me to this day from 462 00:22:25,220 --> 00:22:29,390 New York Canada Japan all over there 463 00:22:27,890 --> 00:22:31,550 they came to be in Cali I want to get a 464 00:22:29,390 --> 00:22:33,890 sublime Sun I didn't think that I'd 465 00:22:31,549 --> 00:22:35,450 still be tattooing it I used to think 466 00:22:33,890 --> 00:22:37,700 these people don't deserve it 467 00:22:35,450 --> 00:22:41,330 but I thought about it a lot and I was 468 00:22:37,700 --> 00:22:44,690 like it means more you know to them than 469 00:22:41,329 --> 00:22:46,909 I know I have to give it you know that's 470 00:22:44,690 --> 00:22:49,340 weird like Brad's like this martyr you 471 00:22:46,910 --> 00:22:50,840 know like he died for this drug 472 00:22:49,339 --> 00:22:55,069 addiction thing you know and a lot of 473 00:22:50,839 --> 00:22:57,859 people can relate with that they were 474 00:22:55,069 --> 00:23:00,049 recording the self-titled album I think 475 00:22:57,859 --> 00:23:01,699 that was like close to the last time I 476 00:23:00,049 --> 00:23:03,440 saw him when I was done taking the 477 00:23:01,700 --> 00:23:07,670 picture and I was like happy that's the 478 00:23:03,440 --> 00:23:10,009 glorious moment of tattooing you can't 479 00:23:07,670 --> 00:23:13,400 just give your all and not be affected 480 00:23:10,009 --> 00:23:16,220 by it you know he [ __ ] spit his heart 481 00:23:13,400 --> 00:23:18,470 and soul onto that album and that's what 482 00:23:16,220 --> 00:23:21,110 we have 483 00:23:18,470 --> 00:23:23,360 he's not like just a guitar player 484 00:23:21,109 --> 00:23:25,599 singer you know he had like a musical 485 00:23:23,359 --> 00:23:25,599 vision 486 00:23:29,028 --> 00:23:38,089 how's that saying go if we don't know 487 00:23:33,480 --> 00:23:38,089 our history we are doomed to repeat it 488 00:23:39,109 --> 00:23:44,839 the lessons of 2-tone are as relevant 489 00:23:41,788 --> 00:23:44,839 today as ever 490 00:23:45,950 --> 00:23:53,250 any time we the people see something we 491 00:23:48,929 --> 00:23:56,580 don't like in the world there's really 492 00:23:53,250 --> 00:23:59,210 only one thing to do come together and 493 00:23:56,579 --> 00:23:59,210 make some noise 494 00:24:02,450 --> 00:24:07,650 you bring in your own influences to it I 495 00:24:05,220 --> 00:24:09,509 was influenced by up IV rancid and the 496 00:24:07,650 --> 00:24:11,130 specials and a bunch of other bands but 497 00:24:09,509 --> 00:24:12,890 then I brought in my element alike or 498 00:24:11,130 --> 00:24:15,030 maybe I'll sing this song in Spanish 499 00:24:12,890 --> 00:24:17,910 tonight we got a show at South Bay 500 00:24:15,029 --> 00:24:20,639 customs in El Segundo at a typical show 501 00:24:17,910 --> 00:24:23,279 you have Punk's skins rude boys food 502 00:24:20,640 --> 00:24:25,020 girls surfer types and skaters and it's 503 00:24:23,279 --> 00:24:28,170 all a big melting part of every style 504 00:24:25,019 --> 00:24:30,089 even some cholos to the South Bay is 505 00:24:28,170 --> 00:24:32,490 about 30 minutes south of Los Angeles 506 00:24:30,089 --> 00:24:32,909 next to South Central but by the Beach 507 00:24:32,490 --> 00:24:35,279 area 508 00:24:32,910 --> 00:24:37,170 it's a little rough it's kind of sketchy 509 00:24:35,279 --> 00:24:39,210 but that's where you grew up you know 510 00:24:37,170 --> 00:24:41,519 our first shows were like opening up for 511 00:24:39,210 --> 00:24:43,950 DJ's and backyard keg parties to cholo 512 00:24:41,519 --> 00:24:45,690 the backyard scene is equivalent to the 513 00:24:43,950 --> 00:24:47,880 East Coast basement shows you get some 514 00:24:45,690 --> 00:24:49,019 bands the clubs won't book you so you 515 00:24:47,880 --> 00:24:50,100 kind of just throw your own party and 516 00:24:49,019 --> 00:24:51,509 hopefully people show up to see your 517 00:24:50,099 --> 00:24:52,949 band that's all you're trying to do try 518 00:24:51,509 --> 00:24:53,640 and get people to see your band in a 519 00:24:52,950 --> 00:24:55,350 back yard 520 00:24:53,640 --> 00:24:56,850 that's how it starts for a lot of the 521 00:24:55,349 --> 00:24:58,319 bands and that in itself has created its 522 00:24:56,849 --> 00:25:00,089 own community and seeing where there's 523 00:24:58,319 --> 00:25:02,730 no rules it'll be like a punk band 524 00:25:00,089 --> 00:25:05,220 straight like two-tones band scar core 525 00:25:02,730 --> 00:25:13,920 bands got punk a psychobilly band so you 526 00:25:05,220 --> 00:25:15,360 get all that and one night tonight we 527 00:25:13,920 --> 00:25:17,880 got a show with the the Voodoo gloss 528 00:25:15,359 --> 00:25:19,289 schools which are the first Latino Scott 529 00:25:17,880 --> 00:25:21,390 Punk or whatever I mean there are like 530 00:25:19,289 --> 00:25:23,009 88 and I saw them climb they were on the 531 00:25:21,390 --> 00:25:24,870 radio and these dudes are from like the 532 00:25:23,009 --> 00:25:25,440 hood they're from Riverside like that 533 00:25:24,869 --> 00:25:27,359 can happen 534 00:25:25,440 --> 00:25:30,539 they're definitely the beginning of that 535 00:25:27,359 --> 00:25:32,189 arrow for a lot of us it's a natural 536 00:25:30,539 --> 00:25:34,259 connection between the SKA and like the 537 00:25:32,190 --> 00:25:35,039 Latin American side because there's 538 00:25:34,259 --> 00:25:37,230 horns 539 00:25:35,039 --> 00:25:39,899 it's danceable music a lot of people 540 00:25:37,230 --> 00:25:41,670 love the dance and there's very 541 00:25:39,900 --> 00:25:43,230 working-class and it's about the 542 00:25:41,670 --> 00:25:45,090 original kind of way it's just there 543 00:25:43,230 --> 00:25:47,640 they're only taking flavor and it's all 544 00:25:45,089 --> 00:25:50,339 regionally from where they are 545 00:25:47,640 --> 00:25:51,480 there's a huge scene in Mexico big bands 546 00:25:50,339 --> 00:25:53,129 in their own right that just have a 547 00:25:51,480 --> 00:25:56,069 completely different take on two-tone 548 00:25:53,130 --> 00:25:57,570 maldita vecindad the shows are amazing 549 00:25:56,069 --> 00:26:00,439 eight thousand plus people they're just 550 00:25:57,569 --> 00:26:00,439 dancing 551 00:26:11,440 --> 00:26:16,059 Ellen context todo esta musica mexicana 552 00:26:13,539 --> 00:26:17,680 toda la musica mexicana Co a locker to a 553 00:26:16,059 --> 00:26:21,009 mexicana es una cultura totalmente 554 00:26:17,680 --> 00:26:22,720 mestiza to Sparano Soto's slls Kyra gets 555 00:26:21,009 --> 00:26:25,059 first Solomon tune elemento mass a 556 00:26:22,720 --> 00:26:27,250 combina a Peron elemento que nos 557 00:26:25,059 --> 00:26:29,379 identificado or que por que los rudeboys 558 00:26:27,250 --> 00:26:32,200 goes back to pseudos del ESCA Eireann 559 00:26:29,380 --> 00:26:35,610 exactamente como los pachucos noon but 560 00:26:32,200 --> 00:26:40,509 you kiss my tootin van comaat resultado 561 00:26:35,609 --> 00:26:43,000 la mera mera maldita lucinda premier 562 00:26:40,509 --> 00:26:44,710 b-school especial de la primera roll 563 00:26:43,000 --> 00:26:47,650 their message to you Rudy 564 00:26:44,710 --> 00:26:50,350 Nicole's cook Charlie Wow is this when I 565 00:26:47,650 --> 00:26:53,380 come up abandon a Pueblo de Oaxaca could 566 00:26:50,349 --> 00:26:56,469 make a con like t2 Punk la misma sincere 567 00:26:53,380 --> 00:26:58,900 del barrio de la fiesta del barrio star 568 00:26:56,470 --> 00:27:00,990 a little caper de la del Barrio miss 569 00:26:58,900 --> 00:27:04,030 made empty that ambient contain iam 570 00:27:00,990 --> 00:27:05,640 rudeboys him in Jamaica or tow alive 571 00:27:04,029 --> 00:27:08,230 under the mean the working class in 572 00:27:05,640 --> 00:27:10,450 grammar Italian laundress in Inglaterra 573 00:27:08,230 --> 00:27:12,849 Agora Moses de Janeiro in oakum 574 00:27:10,450 --> 00:27:15,009 bonanno's composes referencia noel mambo 575 00:27:12,849 --> 00:27:19,509 la cumbia either choke me and said 576 00:27:15,009 --> 00:27:22,690 afro-latino vamos a hablar de todo lo 577 00:27:19,509 --> 00:27:24,190 que NOS venire todo para members do lo 578 00:27:22,690 --> 00:27:26,559 que es la situación de River en mexico 579 00:27:24,190 --> 00:27:29,110 siendo joven pero lo vamos hacer con a 580 00:27:26,559 --> 00:27:30,970 Liriano lo vamos hacer para bailar no lo 581 00:27:29,109 --> 00:27:33,309 vamos hacer para hacer la Qatar seized a 582 00:27:30,970 --> 00:27:35,759 del Alegria no connect on Elemento 583 00:27:33,309 --> 00:27:35,759 Festiva 584 00:27:43,069 --> 00:27:48,809 Latin America like the Caribbean has its 585 00:27:46,619 --> 00:27:52,409 own colonial legacy and storied history 586 00:27:48,809 --> 00:27:54,240 of resistance and revolution long 587 00:27:52,410 --> 00:27:56,160 referred to as a third world countries 588 00:27:54,240 --> 00:27:58,650 like Chile are no stranger of social 589 00:27:56,160 --> 00:28:01,680 upheaval dictatorship and outside 590 00:27:58,650 --> 00:28:03,960 influence of global superpowers you see 591 00:28:01,680 --> 00:28:09,779 these days the Empire has a different 592 00:28:03,960 --> 00:28:11,880 name but two struggles the same this new 593 00:28:09,779 --> 00:28:13,500 generation was not born during the death 594 00:28:11,880 --> 00:28:16,950 of shape none of the friends so there 595 00:28:13,500 --> 00:28:18,990 are very radical individuals take a 596 00:28:16,950 --> 00:28:23,930 great artists like Anna Teague she 597 00:28:18,990 --> 00:28:23,930 telling her own people story language 598 00:28:36,380 --> 00:28:40,260 because I think music is like how you 599 00:28:38,519 --> 00:28:43,440 see this in like the biography of your 600 00:28:40,259 --> 00:28:45,269 life my parents are always has been 601 00:28:43,440 --> 00:28:47,309 involved in politics my mother used to 602 00:28:45,269 --> 00:28:49,859 being a punk man when I was young I 603 00:28:47,309 --> 00:28:52,230 think my mother used to be protesting 604 00:28:49,859 --> 00:28:57,299 whenever I was in the building I think 605 00:28:52,230 --> 00:29:00,019 that was already my DNA at home we had a 606 00:28:57,299 --> 00:29:06,589 dictatorship for 70 years 607 00:29:00,019 --> 00:29:06,589 and in the 80s with another perspective 608 00:29:18,980 --> 00:29:24,299 one reason a person arrow is like no 609 00:29:22,109 --> 00:29:28,049 we're going to burn everything but 610 00:29:24,299 --> 00:29:29,849 ironic action action action action in 611 00:29:28,049 --> 00:29:37,859 the street action now and I think that 612 00:29:29,849 --> 00:29:39,869 was a bomb for the youth in the 80s I 613 00:29:37,859 --> 00:29:43,529 love when I see an artist that is honest 614 00:29:39,869 --> 00:29:44,279 and not trying to be kind or nice I love 615 00:29:43,529 --> 00:29:46,859 The Specials 616 00:29:44,279 --> 00:29:50,849 form it was so so hip-hop like a mixture 617 00:29:46,859 --> 00:29:54,178 between the England Jamaica or dust in 618 00:29:50,849 --> 00:29:56,129 my ear like are they [ __ ] amazing I 619 00:29:54,179 --> 00:29:58,019 love that one if you think about the 620 00:29:56,130 --> 00:29:59,940 special if you think about Public Enemy 621 00:29:58,019 --> 00:30:02,339 think about and obeah is a response of a 622 00:29:59,940 --> 00:30:05,070 very specific moment of crisis political 623 00:30:02,339 --> 00:30:07,439 social economic when the rage becomes 624 00:30:05,069 --> 00:30:21,149 songs basically and that's not a magic 625 00:30:07,440 --> 00:30:22,500 moment when we talk about colonization 626 00:30:21,150 --> 00:30:24,720 is not only about the addition from 627 00:30:22,500 --> 00:30:27,390 North America to loot Latin America I'm 628 00:30:24,720 --> 00:30:30,019 talking about also colonization in 629 00:30:27,390 --> 00:30:30,020 Africa 630 00:30:32,960 --> 00:30:37,740 the file can be very similar in so many 631 00:30:35,579 --> 00:30:39,899 way with Chilean fight when we talk 632 00:30:37,740 --> 00:30:41,519 about human right and and humanity is 633 00:30:39,900 --> 00:30:53,580 not only about Chileans a fight against 634 00:30:41,519 --> 00:30:57,119 dictatorship in the world as artists we 635 00:30:53,579 --> 00:31:00,449 got that mission always to be very aware 636 00:30:57,119 --> 00:31:02,729 to not become logotype of our own 637 00:31:00,450 --> 00:31:03,840 fighting it's just about to see what 638 00:31:02,730 --> 00:31:17,160 happened in your neighborhood in your 639 00:31:03,839 --> 00:31:19,529 community it's not a CEO it move from 640 00:31:17,160 --> 00:31:21,870 generation to generation yeah because I 641 00:31:19,529 --> 00:31:24,089 had no idea how popular the specials was 642 00:31:21,869 --> 00:31:25,769 until you go on Facebook and Sonny 643 00:31:24,089 --> 00:31:29,779 killer get all these messages like 644 00:31:25,769 --> 00:31:29,779 Argentina Pizza I mean is incredible 645 00:31:30,440 --> 00:31:35,548 tell me a little bit I put on to one 646 00:31:33,089 --> 00:31:37,409 thing good music lyrical content that 647 00:31:35,548 --> 00:31:39,829 makes sense that still means something 648 00:31:37,410 --> 00:31:39,830 today 649 00:31:52,200 --> 00:32:17,580 I consider that two-tone is an ongoing 650 00:32:15,359 --> 00:32:19,229 conversation with the population in the 651 00:32:17,579 --> 00:32:21,509 world because they don't wake up to the 652 00:32:19,230 --> 00:32:23,399 fact that multiculturalism is the future 653 00:32:21,509 --> 00:32:26,308 and the only way you're going to get rid 654 00:32:23,398 --> 00:32:29,099 of racism is through miscegenation black 655 00:32:26,308 --> 00:32:30,869 people and white people doing what they 656 00:32:29,099 --> 00:32:34,490 should be doing with each other which is 657 00:32:30,869 --> 00:32:34,489 making people who look like 658 00:32:42,140 --> 00:32:45,450 we grew up immersed in the music that 659 00:32:44,069 --> 00:32:47,879 was about helping you change your mind 660 00:32:45,450 --> 00:32:49,500 not your [ __ ] sneakers it can't spend 661 00:32:47,880 --> 00:32:51,450 your life on the dance floor man 662 00:32:49,500 --> 00:32:53,910 eventually a musics gonna stop the 663 00:32:51,450 --> 00:32:55,819 newness to go out and face reality once 664 00:32:53,910 --> 00:32:58,019 you say okay I don't want to be on MTV 665 00:32:55,819 --> 00:33:00,269 don't want to be on a red carpet 666 00:32:58,019 --> 00:33:02,759 then the worlds are really exciting 667 00:33:00,269 --> 00:33:04,200 place again and luckily I get to travel 668 00:33:02,759 --> 00:33:05,970 and see that there are a lot of people 669 00:33:04,200 --> 00:33:07,920 that still believe in music as a tool 670 00:33:05,970 --> 00:33:09,630 for social change music that can help 671 00:33:07,920 --> 00:33:12,450 you be all you can be 672 00:33:09,630 --> 00:33:15,210 and 2-tone was part of that lineage that 673 00:33:12,450 --> 00:33:15,870 heritage that tradition and long may it 674 00:33:15,210 --> 00:33:19,259 live 675 00:33:15,869 --> 00:33:21,289 The Specials madness The Selecter that 676 00:33:19,259 --> 00:33:25,099 beat Body Snatchers and bad Mans 677 00:33:21,289 --> 00:33:25,099 Buddha's truth time sky 50965

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