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♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH
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00:00:11,261 --> 00:00:15,807
♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW
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00:00:15,807 --> 00:00:25,692
♪ OH, OH
IT'S THE LATE LATE SHOW ♪
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♪ ♪ ♪
♪ ♪ ♪
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>> James: GOOD EVENING LADIES
AND GENTLEMEN, WELCOME TO THE
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00:00:37,620 --> 00:00:38,705
"LATE LATE SHOW."
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HOPE YOU HAD A GREAT TUESDAY.
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00:00:39,622 --> 00:00:40,707
WE HAVE A FUN ONE PLANNED FOR
YOU TONIGHT.
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00:00:40,707 --> 00:00:41,583
WE'LL BE CHATTING WITH THE
INCREDIBLY TALENTED ANDREW
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00:00:41,583 --> 00:00:42,834
RANNELLS.
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00:00:42,834 --> 00:00:44,210
THEN LATER ON, WE'LL HAVE A
PERFORMANCE FROM BRITTANY
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00:00:44,210 --> 00:00:47,797
HOWARD, SO STICK AROUND
FOR THAT.
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00:00:47,797 --> 00:00:51,843
TONIGHT, OF COURSE, WAS THE
FIRST PRESIDENTIAL DEBATE.
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00:00:51,843 --> 00:00:53,595
NOW OBVIOUSLY, WE TAPE THIS SHOW
EARLIER IN THE DAY, SO WE DON'T
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00:00:53,595 --> 00:00:57,182
KNOW WHAT HAPPENED YET.
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00:00:57,182 --> 00:01:01,603
IF YOU HAD TO GUESS, REGGIE,
WHAT HAPPENED IN THE DEBATE?
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00:01:01,603 --> 00:01:07,442
>> Reggie: TRUMP SAID A BUNCH
OF STUFF THAT DOESN'T MAKE SENSE
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00:01:07,442 --> 00:01:13,615
BUT KEPT SAYING IT ANYWAYS, AND
THEN BIDEN WAS, WHAT ARE YOU,
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00:01:13,615 --> 00:01:17,911
SOME JIVE TURKEY?
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00:01:17,911 --> 00:01:19,746
( LAUGHTER )
>> James: IMAGINE IF WE TUNE
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00:01:19,746 --> 00:01:25,335
IN TONIGHT AND JOE BIDEN DOES
SAY, WHAT ARE YOU, SOME JIVE
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TURKEY?
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( LAUGHTER )
IT WOULD CEMENT WHAT I'VE ALWAYS
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THOUGHT IS REGGIE TRAVELS BACK
AND FORWARD THROUGH TIME.
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>> Reggie: YES.
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>> James: I DO BELIEVE IT.
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I DO.
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WELL, DONALD TRUMP'S TEAM WASTED
NO TIME GOING ON THE OFFENSIVE
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TODAY.
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AHEAD OF THE DEBATE THIS MORNING
RUDY GIULIANI WENT ON "FOX
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& FRIENDS" AND CLAIMED JOE BIDEN
IS UNWELL.
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>> THE MAN HAS DEMENTIA.
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NO DOUBT ABOUT IT.
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I'VE TALKED TO DOCTOR, HAD THEM
LOOK AT 100 DIFFERENT TAPES OF
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00:01:55,448 --> 00:01:56,908
HIS FIVE YEARS AGO AND TODAY.
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>> THE BIDEN PEOPLE SAY HE'S
FINE.
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>> WELL, WELL, WELL, HE CAN'T
RECITE THE PLEDGE OF ALLEGIANCE
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00:02:03,832 --> 00:02:04,916
AND HE'S FINE?
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00:02:04,916 --> 00:02:06,125
>> Reggie: WOW.
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00:02:06,125 --> 00:02:13,591
>> James: I HAVE TO GIVE IT TO
JULIAN, IT'S HARD TO ARGUE WITH
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BUAWAAWA!
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LOOKS LIKE HE GOT BUSTED BY
SCOOBY AND THE GANG.
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I LIKE WHEN HE SAID I'VE TALKED
TO DOCTORS.
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THOSE WHO DON'T WANT TO WEAR
MASKS, SUDDENLY DOCTORS ARE
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00:02:32,151 --> 00:02:33,319
EXPERTS AGAIN.
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I AM CERTAIN RUDY GIULIANI HAS
SPOKEN TO MULTIPLE DOCTORS AND
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00:02:39,617 --> 00:02:40,493
DEMENTIA.
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( LAUGHTER )
HIS FAMILY WERE LIKE, NO, NO,
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IT'S NOTHING TO DO WITH YOU.
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00:02:44,831 --> 00:02:48,835
THEY'RE GOING TO ASK YOU
QUESTIONS ABOUT JOE BIDEN.
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YEAH, YOU WILL BE THERE THE
WHOLE WEEKEND!
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GIULIANI THEN TRIED TO PRESENT
MORE EVIDENCE OF BIDEN'S MENTAL
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00:02:58,136 --> 00:03:01,514
DECLINE BUT SEEMED TO STRUGGLE A
BIT HIMSELF.
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00:03:01,514 --> 00:03:06,352
>> HE'S BEEN A -- HE'S BEEN --
HE WAS IN A CENTER FOR 160
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00:03:06,352 --> 00:03:07,645
YEARS.
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00:03:07,645 --> 00:03:15,737
I MEAN, HE CAN'T DO THE PROLOGS
TO THE CONST -- THE CONSTITUTION
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00:03:15,737 --> 00:03:20,408
OF THE UNITED STATES OR THE
DECLARATION OF INDEPENDENCE OR
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00:03:20,408 --> 00:03:22,160
ANY OF THEM?
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00:03:22,160 --> 00:03:24,037
HE CAN'T DO NUMBERS.
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00:03:24,037 --> 00:03:25,496
THE NUMBERS ARE SCREWED UP.
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>> James: I STOPPED LISTENING
WHEN HE SAID BIDEN WAS IN THE
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00:03:28,499 --> 00:03:30,251
SENATE FOR 160 YEARS.
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00:03:30,251 --> 00:03:34,255
LOOKT AT HIS FACIAL EXPRESSION.
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00:03:34,255 --> 00:03:39,761
RUDY GIULIANI CAN'T EVEN BELIEVE
RUDY GIULIANI SAID THAT.
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00:03:39,761 --> 00:03:42,889
MAYBE GIULIANI IS RIGHT, 160
YEARS.
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00:03:42,889 --> 00:03:45,767
WHO COULD FORGET JOE BIDEN'S
PIVOTAL WORK TO UNIT THE COUNTRY
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00:03:45,767 --> 00:03:47,852
DURING THE AMERICAN CIVIL WAR?
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( LAUGHTER )
I'VE ONLY LIVED IN AMERICA FIVE
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00:03:49,520 --> 00:03:53,399
AND A HALF ALMOST SIX YEARS.
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00:03:53,399 --> 00:03:56,736
IAN, EXPLAIN RUDY GIULIANI TO
ME.
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00:03:56,736 --> 00:04:00,114
>> UM -- HE'S LIKE A ONE-HIT
WONDER POLITICIAN.
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00:04:00,114 --> 00:04:04,744
HE WAS KIND OF POPPING IN THE
EARLY 2000s, BUT NOW PEOPLE
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00:04:04,744 --> 00:04:07,580
ONLY CARE ABOUT HIM BECAUSE OF
TRUMP.
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00:04:07,580 --> 00:04:10,959
HE'S LIKE IF KID ROCK WAS A
POLITICIAN.
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00:04:10,959 --> 00:04:13,419
>> James: DO YOU KNOW WHAT I
THINK THE RUDY GIULIANI THING
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00:04:13,419 --> 00:04:14,587
IS?
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00:04:14,587 --> 00:04:17,340
I THINK IT MIGHT BE A GENIUS
MOVE -- I THINK THEY BRING HIM
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00:04:17,340 --> 00:04:21,469
OUT ON TV RIGHT BEFORE A DEBATE
TO MAKE TRUMP LOOK MORE TOGETHER
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00:04:21,469 --> 00:04:23,429
AND NORMAL.
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00:04:23,429 --> 00:04:24,597
>> Reggie: OH, NICE.
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00:04:24,597 --> 00:04:27,433
>> James: PRESIDENT TRUMP
DIDN'T SEEM TOO CONCERNED ABOUT
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00:04:27,433 --> 00:04:31,312
HIS DEBATE WITH JOE BIDEN
TONIGHT BECAUSE ACCORDING TO
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00:04:31,312 --> 00:04:35,441
REPORTS, TRUMP DID ALMOST NO
DEBATE PREP WHATSOEVER.
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00:04:35,441 --> 00:04:40,071
ALMOST NO PREP IS STILL MORE
PREP THAN I WOULD HAVE GUESSED.
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00:04:40,071 --> 00:04:44,659
APPARENTLY, EACH TEAM MADE
UNUSUAL REQUESTS HEADING INTO
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00:04:44,659 --> 00:04:49,539
TONIGHT'S DEBATE AND THOSE
REQUESTED WERE VETOED BY THE
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00:04:49,539 --> 00:04:50,790
OTHER SIDE.
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00:04:50,790 --> 00:04:54,752
TEAM BIDEN APPARENTLY REQUESTED
FOR A BREAK EVERY 30 MINUTES,
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00:04:54,752 --> 00:04:58,798
WHILE TEAM TRUMP ASKED FOR EACH
CANDIDATES' EARS TO BE INSPECTED
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00:04:58,798 --> 00:04:59,590
FOR ELECTRONIC DEVICES.
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00:04:59,590 --> 00:05:01,175
>> Reggie: WOW.
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00:05:01,175 --> 00:05:05,471
>> James: THE SECOND REQUEST
WAS REJECTED BECAUSE THEY
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00:05:05,471 --> 00:05:09,475
COULDN'T FIND A SINGLE PERSON IN
THE COUNTRY WILLING TO LOOK
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00:05:09,475 --> 00:05:13,479
INSIDE DONALD TRUMP'S EARS.
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00:05:13,479 --> 00:05:18,651
( LAUGHTER )
THOUGH I THINK IF YOU LOOK INTO
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00:05:18,651 --> 00:05:25,324
HIS EARS, YOU WILL JUST SEE
RIGHT OUT THE OTHER SIDE.
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00:05:25,324 --> 00:05:26,617
( APPLAUSE )
>> YES, THAT'S TRUE.
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00:05:26,617 --> 00:05:31,039
>> James: I CAN'T BELIEVE I
GOT OVERLOOKED IN THE WRITING
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00:05:31,039 --> 00:05:31,998
CATEGORIES.
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00:05:31,998 --> 00:05:32,623
( LAUGHTER )
I ACTUALLY THINK THAT'S THE JOKE
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00:05:32,623 --> 00:05:36,002
THAT WILL BRING HIM DOWN.
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00:05:36,002 --> 00:05:36,794
>> THAT'S IT.
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00:05:36,794 --> 00:05:38,504
IT'S CURTAINS FOR HIM AFTER
THAT.
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00:05:38,504 --> 00:05:41,549
>> James: THEY'LL PROBABLY
CANCEL THE DEBATE AFT THAT.
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00:05:41,549 --> 00:05:45,720
IF THEY PUT THAT UP NOW, THEY'LL
CANCEL THE DEBATE.
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00:05:45,720 --> 00:05:50,516
THEY CAN'T COPE WITH THAT LEVEL
OF SATIRE.
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00:05:50,516 --> 00:05:52,852
>> IT'S TRENDING ON TWITTER NOW.
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00:05:52,852 --> 00:05:58,149
THE SHOW HASN'T GONE OUT YET, I
HAVE NO IDEA HOW IT HAPPENED,
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00:05:58,149 --> 00:06:04,405
BUT IT'S THE NUMBER ONE TOPIC.
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00:06:04,405 --> 00:06:05,490
BIDEN ASKED FOR A BREAK EVERY 30
MINUTES?
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00:06:05,490 --> 00:06:06,699
HE CAN'T JUST CHECK OUT WHENEVER
HE WANTS TO!
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00:06:06,699 --> 00:06:10,369
WHO DOES JOE BIDEN THINK HE IS,
A MEMBER OF OUR BAND?
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00:06:10,369 --> 00:06:14,999
YOU CAN'T JUST ZONE OUT IN
BETWEEN COMMERCIAL BREAK BUMPS.
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00:06:14,999 --> 00:06:19,212
IN THE PRESIDENCY, IF YOU HAVE
TO TAKE A BREAK EVERY 30
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00:06:19,212 --> 00:06:22,882
MINUTES, YOU'RE NOT GETTING A
SHIFT MANAGER POSITION AT DEL
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00:06:22,882 --> 00:06:24,133
TACO.
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00:06:24,133 --> 00:06:27,762
AND BIG NEWS THIS MORNING FOR
JOE BIDEN, HE'S BEEN OFFICIALLY
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NOMINATED FOR A NOBEL PEACE
PRIZE.
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00:06:30,598 --> 00:06:31,349
I MEAN, YEAH.
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00:06:31,349 --> 00:06:33,559
HE SHOULD GET SOME KIND OF
AWARD.
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00:06:33,559 --> 00:06:35,520
HE SERVED 160 YEARS IN THE
SENATE.
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00:06:35,520 --> 00:06:36,646
>> Reggie: YEAH.
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00:06:36,646 --> 00:06:41,859
>> James: FIRST, TRUMP WAS
NOMINATED FOR ONE, NOW BIDEN.
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00:06:41,859 --> 00:06:44,445
HOW EASY IS IT TO GET THESE
NOMINATIONS?
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00:06:44,445 --> 00:06:48,449
I'M STARTING TO THINK GETTING A
NOBEL PRIZE NOMINATION SEEMS A
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00:06:48,449 --> 00:06:54,455
LIT LIKE AN INSTAGRAM CHALLENGE.
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00:06:54,455 --> 00:06:57,458
WHO ELSE DESERVES A NOBEL PRIZE
NOMINATION THIS YEAR, IAN?
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00:06:57,458 --> 00:07:00,128
REGGIE?
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00:07:00,128 --> 00:07:02,922
>> Reggie: PROBABLY CINDY
LAUPER.
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00:07:02,922 --> 00:07:04,090
>> James: YEAH, GO ON.
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00:07:04,090 --> 00:07:05,758
>> Reggie: YOU MEAN SOMEONE
ELSE?
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00:07:05,758 --> 00:07:10,555
>> James: NO, I MEAN WHAT'S
SHE DONE THIS YEAR?
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00:07:10,555 --> 00:07:16,060
>> Reggie: OH, GOSH --
>> James: RETROSPECTIVELY.
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00:07:16,060 --> 00:07:19,397
>> Reggie: SHE'S JUST DONE A
LOT.
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00:07:19,397 --> 00:07:20,648
SHOWN HER TRUE COLORS.
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00:07:20,648 --> 00:07:23,317
( CHEERS AND APPLAUSE )
>> James: YOU'RE RIGHT.
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00:07:23,317 --> 00:07:24,277
SHE JUST WANTS TO HAVE FUN.
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00:07:24,277 --> 00:07:26,612
>> Reggie: SHE JUST WANTS TO
HAVE FUN.
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00:07:26,612 --> 00:07:27,572
WE NEED THAT.
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00:07:27,572 --> 00:07:30,283
>> JAMES: AND WE HAD TO TELL YOU
ABOUT THIS.
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00:07:30,283 --> 00:07:33,077
A FIVE-YEAR-OLD AFRICAN RAT WAS
RECENTLY AWARDED A PRESTIGIOUS
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MEDAL FOR HIS WORK DETECTING
MINES AND EXPLOSIVES IN
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00:07:34,120 --> 00:07:37,498
CAMBODIA.
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00:07:37,498 --> 00:07:38,332
THE RAT WAS GIVEN A MEDAL.
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00:07:38,332 --> 00:07:44,755
OR AS THE RAT CALLED IT, "NOT
CHEESE."
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( LAUGHTER )
THE RAT'S LIKE, RIGHT, WHAT DO I
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00:07:48,134 --> 00:07:48,968
DO WITH THIS?
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00:07:48,968 --> 00:07:51,679
TH
THAT IS THE MOST IMPRESSIVE RAT
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00:07:51,679 --> 00:07:53,347
I'VE EVER SEEN.
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00:07:53,347 --> 00:07:54,557
AND I ONCE SAW A DOCUMENTARY
ABOUT A RAT WHO LOVED TO COOK
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00:07:54,557 --> 00:07:57,768
AND ENDED UP OWNING HIS OWN
RESTAURANT.
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00:07:57,768 --> 00:08:00,688
( LAUGHTER )
BUT THE EXPLOSIVE-DETECTING RAT
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00:08:00,688 --> 00:08:05,109
WAS REALLY MODEST ABOUT THE
WHOLE THING.
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00:08:05,109 --> 00:08:09,488
THE RAT SAID HE THINKS NOTHING
OF PUTTING HIS LIFE ON THE LINE
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00:08:09,488 --> 00:08:12,742
TO SAVE OTHERS... BECAUSE HE HAS
NO CLUE WHAT'S GOING ON.
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00:08:12,742 --> 00:08:16,996
( LAUGHTER )
BECAUSE HE'S A RAT.
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00:08:16,996 --> 00:08:18,122
I DON'T UNDERSTAND.
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00:08:18,122 --> 00:08:20,625
SO THE RAT GOES IN AND SAYS,
THERE'S MINES HERE OR THERE
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00:08:20,625 --> 00:08:23,002
ISN'T MINES HERE.
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00:08:23,002 --> 00:08:24,670
IMAGINE THAT, REGGIE.
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00:08:24,670 --> 00:08:27,715
IT'S FINE, YOU CAN GO ACROSS
THAT FIELD NOW.
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00:08:27,715 --> 00:08:28,674
YOU SURE?
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00:08:28,674 --> 00:08:32,094
NO, THE RAT SAID IT'S FINE.
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00:08:32,094 --> 00:08:33,346
( LAUGHTER )
SORRY, WHAT?
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00:08:33,346 --> 00:08:34,847
THE RAT.
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00:08:34,847 --> 00:08:36,724
SORRY, HAVE YOU MET NIGEL?
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00:08:36,724 --> 00:08:39,727
NIGEL SAYS --
( LAUGHTER )
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00:08:39,727 --> 00:08:41,479
TOTALLY FINE.
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00:08:41,479 --> 00:08:42,688
SO I'M GOOD TO GO ACROSS.
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00:08:42,688 --> 00:08:44,732
YEAH, YEAH YEAH.
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00:08:44,732 --> 00:08:46,192
BECAUSE --
( LAUGHTER )
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00:08:46,192 --> 00:08:47,026
BUT WHY DON'T YOU GO?
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00:08:47,026 --> 00:08:47,944
I CAN'T.
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00:08:47,944 --> 00:08:50,655
I'M LOOKING AFTER NIGEL.
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00:08:50,655 --> 00:08:52,323
I'M GIVING HIM A MEDAL LATER.
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00:08:52,323 --> 00:08:52,698
GO ON, YOU GO.
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00:08:52,698 --> 00:08:55,076
YOU TAKE OFF.
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00:08:55,076 --> 00:08:56,702
( LAUGHTER )
DID YOU SEE THIS STORY?
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00:08:56,702 --> 00:09:03,417
AN AIRLINE IS NOW SELLING OFF
USED DRINK CARTS FROM THEIR
180
00:09:03,417 --> 00:09:04,418
RETIRED 747 AIRSPACE.
181
00:09:04,418 --> 00:09:07,713
YOU KNOW THE BIG CARTS THAT ROLL
DOWN THE AISLES?
182
00:09:07,713 --> 00:09:11,717
THEY'RE FULLY STOCKED WITH
DRINKS AND SOLD FOR $685 EACH.
183
00:09:11,717 --> 00:09:20,851
GREAT NEWS FOR ANYONE ON THE
HUMP OF A METAL BOX
184
00:09:20,851 --> 00:09:24,188
FILLED WITH CANS OF EXPIRED
TOMATO JUICE.
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00:09:24,188 --> 00:09:27,066
MAKES A GREAT CONVERSATION
STARTER THAT STARTS WITH, KEVIN,
186
00:09:27,066 --> 00:09:30,069
WE'RE ALL A BIT CONCERNED ABOUT
YOU.
187
00:09:30,069 --> 00:09:31,320
( LAUGHTER )
AND THIS IS NICE, FOR AN EXTRA
188
00:09:31,320 --> 00:09:32,738
$50, THEY'LL BRING IT TO YOUR
HOUSE AND SLAM IT INTO YOUR KNEE
189
00:09:32,738 --> 00:09:36,742
WHILE YOU'RE ASLEEP.
190
00:09:36,742 --> 00:09:38,869
( LAUGHTER )
>> Reggie: YEAH.
191
00:09:38,869 --> 00:09:42,915
>> James: DID YOU SEE THIS?
192
00:09:42,915 --> 00:09:48,087
APPLE RECENTLY HELD A VIRTUAL
EVENT WHERE THEY ANNOUNCED THE
193
00:09:48,087 --> 00:09:51,757
BRAND-NEW APPLE WATCH SERIES 6
WHICH WILL INTRODUCE WITH ALONG
194
00:09:51,757 --> 00:09:55,928
WITH LOTS OF THINGS A NEW HAND
WASHING REMINDER.
195
00:09:55,928 --> 00:09:58,764
IT'S NOT ENOUGH BIG TECH IS
MONITORING ALL OUR PERSONAL
196
00:09:58,764 --> 00:10:03,102
INFORMATION, THEY'RE NOW
MONITORING OUR PERSONAL HYGIENE.
197
00:10:03,102 --> 00:10:06,605
I HAPPEN TO HAVE BEEN SENT ONE
OF THESE SAID NEW WATCHES THAT
198
00:10:06,605 --> 00:10:09,442
HAS A TON OF INTERESTING
FEATURES I WOULD LIKE TO SHARE
199
00:10:09,442 --> 00:10:10,609
WITH YOU NOW.
200
00:10:10,609 --> 00:10:13,612
FIRST OFF, THEY'VE ADDED THIS
AND THIS IS QUITE A COOL ONE,
201
00:10:13,612 --> 00:10:16,657
THIS IS BANJO MODE, WHICH IS
PRETTY FUN IF YOU HAVEN'T
202
00:10:16,657 --> 00:10:20,661
LEARNED TO PLAY THE BANJO, BUT
YOU WANT TO PLAY THE BANJO, AND
203
00:10:20,661 --> 00:10:25,916
YOU SET IT TO BANJO MODE AND
YOU'VE JUST GOT THIS, LOOK
204
00:10:25,916 --> 00:10:32,673
( BANJO MUSIC )
♪
205
00:10:32,673 --> 00:10:33,799
♪
♪
206
00:10:33,799 --> 00:10:45,603
AND SINCE WE'RE LIVING IN THE --
( BANJO STRING PLUCKED )
207
00:10:45,603 --> 00:10:50,149
AND I THINK THIS IS USEFUL, A
DISTANT HIGH FIVE MODE WHICH
208
00:10:50,149 --> 00:10:51,400
WORKS THROUGH BLUETOOTH.
209
00:10:51,400 --> 00:10:55,780
SO YOU SET YOUR WATCH -- YOU SEE
SOMEONE, WANT TO HIGH FIVE THEM
210
00:10:55,780 --> 00:10:59,033
AND YOU JUST DO THIS.
211
00:10:59,033 --> 00:11:09,293
HEY, REGGIE!
212
00:11:09,293 --> 00:11:10,669
( HAND SLAP )
MISSED.
213
00:11:10,669 --> 00:11:11,462
GO AGAIN.
214
00:11:11,462 --> 00:11:12,463
GOT IT.
215
00:11:12,463 --> 00:11:13,172
TRY THIS.
216
00:11:13,172 --> 00:11:20,388
TRY LIKE OVER AND BACK, TOP GUN.
217
00:11:20,388 --> 00:11:21,514
HEY, REGGIE!
218
00:11:21,514 --> 00:11:23,808
( SLAP SLAP )
SEE YOU LATER.
219
00:11:23,808 --> 00:11:26,352
HERE'S ANOTHER ONE.
220
00:11:26,352 --> 00:11:30,022
WE ALL WANT TO LET LOOSE.
221
00:11:30,022 --> 00:11:32,692
WE'VE ADDED THIS NEW MODE.
222
00:11:32,692 --> 00:11:33,859
IT'S THRASH MODE.
223
00:11:33,859 --> 00:11:38,823
YOU SET IT TO THRASH MODE AND
YOUNG ADULT PLAY HEAVY THRASH
224
00:11:38,823 --> 00:11:41,700
METAL WHENEVER YOU JUST START
DOING THIS.
225
00:11:41,700 --> 00:11:54,880
SO HEAVY THRASH MODE AND YOU
(HEAVY METAL MUSIC )
226
00:11:54,880 --> 00:11:56,048
RIGHT?
227
00:11:56,048 --> 00:11:58,717
BUT IF THAT GETS TOO LOUD,
THERE'S ALSO VOLUME MODE, WHICH
228
00:11:58,717 --> 00:12:01,887
ALLOWS YOU TO CONTROL THE
COLONEL VOLUME YIEWM OF ANY
229
00:12:01,887 --> 00:12:03,889
MUSIC YOU HAVE BEEN LISTENING
TO.
230
00:12:03,889 --> 00:12:04,932
YOU CAN TURN THE DIAL UP OR
DOWN.
231
00:12:04,932 --> 00:12:13,732
SO I'LL PUT SOME MUSIC ON NOW.
232
00:12:13,732 --> 00:12:24,702
♪ ♪ ♪
LET ME TRY ANOTHER SONG.
233
00:12:24,702 --> 00:12:29,039
AND WHEN I SAY "SONG," I MEAN,
YOU KNOW, SOMETHING THAT SOUNDS
234
00:12:29,039 --> 00:12:32,585
LIKE A SONG.
235
00:12:32,585 --> 00:12:37,673
( LAUGHTER )
OH -- THIS IS A GOOD ONE.
236
00:12:37,673 --> 00:12:50,811
♪ ♪ ♪
(MUSIC VOLUME LOWERING )
237
00:12:50,811 --> 00:12:56,066
(MUSIC VOLUME RAISING )
>> James: YEAH, TWO SUGARS.
238
00:12:56,066 --> 00:12:59,945
THE MUSIC, STILL UPLOUD.
239
00:12:59,945 --> 00:13:01,614
MUTE IT.
240
00:13:01,614 --> 00:13:03,782
A
(MUSIC STOPS )
241
00:13:03,782 --> 00:13:05,618
ND IT JUST MUTES INSTANTLY.
242
00:13:05,618 --> 00:13:09,622
AND
♪ ♪ ♪
243
00:13:09,622 --> 00:13:21,592
(MUSIC VOLUME LOWERING )
(MUSIC STOPS )
244
00:13:21,592 --> 00:13:26,305
(LAUGHTER )
(MUSIC VOLUME RAISING )
245
00:13:26,305 --> 00:13:28,098
THEN -- SO, AND SINCE NONE
OF US ARE REALLY ABLE TO GO OUT
246
00:13:28,098 --> 00:13:31,977
AT THE MOMENT AND SOCIALIZE THE
WAY WE USED TO, THEY'VE ADDED
247
00:13:31,977 --> 00:13:33,354
THIS, THIS IS PUB MODE.
248
00:13:33,354 --> 00:13:35,856
SO IF YOU'RE IN ON YOUR OWN BUT
YOU WANT TO FEEL LIKE YOU'RE IN
249
00:13:35,856 --> 00:13:40,653
A PACKED PUB WITH PEOPLE ALL
AROUND YOU, YOU KNOW, YOU JUST
250
00:13:40,653 --> 00:13:45,324
SET IT TO PUB MODE, AND WHENEVER
YOU TAKE A DRINK, IT JUST GIVES
251
00:13:45,324 --> 00:13:50,037
YOU THE ATMOSPHERE AND FEELING
OF BEING IN A PUB.
252
00:13:50,037 --> 00:13:50,955
LOOK.
253
00:13:50,955 --> 00:14:05,553
(CROWD NOISE )
AND THIS IS --
254
00:14:05,553 --> 00:14:08,013
( LAUGHTER )
BUT HERE'S WHAT'S REALLY GREAT,
255
00:14:08,013 --> 00:14:12,685
IF YOU SET THE WATCH TO SWITCH
MODE, YOU CAN SWITCH
256
00:14:12,685 --> 00:14:14,979
EFFORTLESSLY BETWEEN ALL OF THE
DIFFERENT SETTINGS.
257
00:14:14,979 --> 00:14:20,317
SO, LOOK, YOU SET IT ON TO
SWITCH MODE, AND THEN YOU CAN BE
258
00:14:20,317 --> 00:14:24,738
JUST LIKE --
(BANJO )
259
00:14:24,738 --> 00:14:29,577
(SLAPPING )
(HEAVY METAL MUSIC )
260
00:14:29,577 --> 00:14:37,585
(BANJO )
(HEAVY METAL MUSIC )
261
00:14:37,585 --> 00:14:49,597
(MUSIC VOLUME LOWERING )
(SLAPPING )
262
00:14:49,597 --> 00:14:53,017
(CROWD NOISE )
(MUSIC VOLUME RAISING )
263
00:14:53,017 --> 00:15:07,948
(HEAVY METAL MUSIC )
♪ ♪ ♪
264
00:15:07,948 --> 00:15:08,741
(HEAVY METAL MUSIC )
♪ ♪ ♪
265
00:15:08,741 --> 00:15:11,577
(BANJO )
♪ ♪ ♪
266
00:15:32,181 --> 00:15:32,931
♪
>> James: WELCOME BACK.
267
00:15:32,931 --> 00:15:35,225
LET'S MEET OUR FIRST GUEST
TONIGHT!
268
00:15:35,225 --> 00:15:36,977
HE'S A GRAMMY-WINNING AND
TONY-NOMINATED PERFORMER YOU
269
00:15:36,977 --> 00:15:41,649
KNOW AND LOVE FROM "GIRLS," "A
SIMPLE FAVOR" AND "THE INTERN."
270
00:15:41,649 --> 00:15:42,983
AND SO MUCH MORE.
271
00:15:42,983 --> 00:15:48,280
PLEASE WELCOME THE WILDLY
TALENTED ANDREW RANNELLS.
272
00:15:48,280 --> 00:15:49,281
THERE HE IS!
273
00:15:49,281 --> 00:15:52,910
HOW ARE YOU?
274
00:15:52,910 --> 00:15:54,453
>> I'M SO GOOD AND SO GOOD TO
SEE YOU.
275
00:15:54,453 --> 00:15:56,080
>> James: IT'S NICE TO SEE
YOU.
276
00:15:56,080 --> 00:15:59,083
I DON'T KNOW IF PEOPLE KNOW
THIS, BUT BASICALLY, OUTSIDE MY
277
00:15:59,083 --> 00:16:03,462
FAMILY, I FEEL LIKE YOU'RE THE
PERSON I SAW THE MOST THIS YEAR
278
00:16:03,462 --> 00:16:05,130
BEFORE COVID HAPPENS BECAUSE WE
WERE SHOOTING THIS FILM
279
00:16:05,130 --> 00:16:10,135
TOGETHER, A FILM CALLED "THE
PROM," AND I MISS IT VERY MUCH.
280
00:16:10,135 --> 00:16:12,930
IT FEELS LIKE ANOTHER WORLD NOW,
DOESN'T IT?
281
00:16:12,930 --> 00:16:15,933
>> IT DOES FEEL LIKE ANOTHER
WORLD BECAUSE I FEEL LIKE WE
282
00:16:15,933 --> 00:16:19,311
FELL INTO -- YOU KNOW, WE ALL
GOT VERY COZY TOGETHER, AND THEN
283
00:16:19,311 --> 00:16:22,022
TO HAVE THAT ALL RIPPED OUT FROM
UNDER US WAS VERY ODD.
284
00:16:22,022 --> 00:16:27,111
BUT I JUST GOT VERY USED TO
SEEING YOUR FACE EVERY DAY, AND,
285
00:16:27,111 --> 00:16:31,949
YOU KNOW, YOU WERE SORT OF MY,
UM -- WELL, NOT SORT OF -- I
286
00:16:31,949 --> 00:16:35,160
MEAN, YOU WERE MY ON-SET
HUSBAND, LET'S BE HONEST.
287
00:16:35,160 --> 00:16:38,789
>> James: I WAS VERY
COMFORTABLE.
288
00:16:38,789 --> 00:16:42,543
IT JUST BECAME SORT OF ANDREW
AND JAMES.
289
00:16:42,543 --> 00:16:43,502
>> IT REALLY WAS.
290
00:16:43,502 --> 00:16:46,171
>> James: WE WERE NEVER
MENTIONED ON OUR OWN.
291
00:16:46,171 --> 00:16:53,011
>> WE CREATED A CLIQUE AND
LEANED INTO THAT AND EXCLUDED
292
00:16:53,011 --> 00:16:54,847
MERYL STREEP AND NICOLE KIDMAN
FROM THAT.
293
00:16:54,847 --> 00:16:56,348
( LAUGHTER )
>> James: WHAT WOULD A YOUNG
294
00:16:56,348 --> 00:16:58,225
ANDREW RANNELLS THINK OF HIS
LIFE RIGHT NOW TODAY?
295
00:16:58,225 --> 00:17:00,978
>> HE WOULD HAVE LOST HIS MIND.
296
00:17:00,978 --> 00:17:02,146
HE WOULD HAVE LOST HIS MIND.
297
00:17:02,146 --> 00:17:07,901
THERE WAS A MOMENT DURING THAT
FILM WHERE I FINALLY HAD THE
298
00:17:07,901 --> 00:17:15,993
COURAGE TO TELL NICOLE EXACTLY
HOW MUCH I LOVE MULAN ROUGE, AND
299
00:17:15,993 --> 00:17:20,330
SHE REENACTED HER DEATH SCENE
FOR ME.
300
00:17:20,330 --> 00:17:22,541
( LAUGHTER )
AND I WAS, LIKE, NO ONE ELSE --
301
00:17:22,541 --> 00:17:24,084
I MEAN, MAYBE SHE DOES IT ALL
THE TIME, I DON'T KNOW.
302
00:17:24,084 --> 00:17:28,213
BUT SHE DID THE WHOLE THING FOR
ME.
303
00:17:28,213 --> 00:17:33,051
SHE, LIKE, COUGHED AND DID ALL
OF THE -- SHE WAS, LIKE, OH, IT
304
00:17:33,051 --> 00:17:34,219
MEANS SO MUCH TO ME THAT YOU
LIKED IT.
305
00:17:34,219 --> 00:17:37,055
AND THEN SHE DID IT.
306
00:17:37,055 --> 00:17:42,060
I SAID, NICOLE KIDMAN, YOU ARE
DOWN TO CLOUD.
307
00:17:42,060 --> 00:17:43,479
( LAUGHTER )
>> James: YOU'RE CURRENTLY IN
308
00:17:43,479 --> 00:17:50,235
NEW YORK CITY AND I KNOW
BROADWAY IS A BIG PART OF YOUR
309
00:17:50,235 --> 00:17:51,403
LIFE.
310
00:17:51,403 --> 00:17:54,281
TELL ME, BECAUSE I HAVEN'T BEEN
IN PROBABLY A YEAR NOW TO
311
00:17:54,281 --> 00:17:55,407
NEW YORK.
312
00:17:55,407 --> 00:17:58,368
LIKE, HOW IS IT -- HOW SURREAL
IS IT SEEING THAT KIND OF
313
00:17:58,368 --> 00:18:05,918
STRETCH OF EIGHT OR TEN BLOCKS
OF BROADWAY CLOSED WITHOUT
314
00:18:05,918 --> 00:18:06,835
ACTIVITY?
315
00:18:06,835 --> 00:18:08,420
WHAT'S IT LIKE WHEN YOU WALK
AROUND THE AREA?
316
00:18:08,420 --> 00:18:13,050
>> IT'S VERY SAD BECAUSE, YOU
KNOW -- AND I FEEL IT'S SORT
317
00:18:13,050 --> 00:18:16,637
OF -- YOU KNOW, THAT OBVIOUSLY
IS SUCH A HUGE PART OF MY LIFE.
318
00:18:16,637 --> 00:18:22,226
SO TO HAVE THAT ALL GONE, IT
FEELS LIKE JUST SOMETHING VERY
319
00:18:22,226 --> 00:18:25,103
LARGE IS MISSING HERE.
320
00:18:25,103 --> 00:18:28,941
AND NEW YORK, YOU KNOW, I'M
HAPPY TO SAY, YOU KNOW, IT FEELS
321
00:18:28,941 --> 00:18:33,111
LIKE IT'S SORT OF STARTING TO
FUNCTION AGAIN IN A GOOD WAY,
322
00:18:33,111 --> 00:18:36,615
BUT THAT PARTICULAR PART OF IT
IS REALLY, UM, THERE'S A HOLE.
323
00:18:36,615 --> 00:18:43,914
THERE'S A HOLE IN THE CITY THAT
IT'S JUST NOT -- IT CAN'T BE
324
00:18:43,914 --> 00:18:47,125
REPLACED AND, YEAH, THAT'S HARD.
325
00:18:47,125 --> 00:18:53,090
>> James: AND EVERY SINGLE
BROADWAY PERFORMING, MUSICIAN,
326
00:18:53,090 --> 00:18:56,802
CREW, STAGEHAND, BOX OFFICE
WORKER, YOU KNOW, WE'RE THINKING
327
00:18:56,802 --> 00:19:01,014
ABOUT EVERY SINGLE ONE OF THEM,
WE REALLY, REALLY ARE.
328
00:19:01,014 --> 00:19:05,060
IT'S WORRYING, BUT WE HOPE SO
MUCH THAT IT WILL, YOU KNOW,
329
00:19:05,060 --> 00:19:08,981
THAT IT WILL FIND A WAY THROUGH
THIS AS SO MANY OTHER THINGS
330
00:19:08,981 --> 00:19:10,148
ARE.
331
00:19:10,148 --> 00:19:12,860
AND LET'S TALK ABOUT THIS, THIS
IS VERY EXCITING TO ME.
332
00:19:12,860 --> 00:19:18,615
YOU'VE JUST FINISHED WORKING ON
YOUR DIRECTORIAL DEBUT.
333
00:19:18,615 --> 00:19:20,826
I'M REALLY EXCITED FOR YOU.
334
00:19:20,826 --> 00:19:23,328
HOW NERVOUS WERE YOU GOING INTO
IT?
335
00:19:23,328 --> 00:19:25,455
I THINK YOU JUST WRAPPED.
336
00:19:25,455 --> 00:19:27,624
HOW DID IT GO?
337
00:19:27,624 --> 00:19:28,834
>> IT WAS TERRIFYING.
338
00:19:28,834 --> 00:19:31,795
I WAS ASKED TO ADAPT AN ESSAY I
WROTE FOR MODERN LOVE IN THE
339
00:19:31,795 --> 00:19:33,005
"NEW YORK TIMES."
340
00:19:33,005 --> 00:19:37,301
I WAS ASKED TO ADAPT THAT FOR
THE SECOND SEASON, AND THEN JOHN
341
00:19:37,301 --> 00:19:40,345
CARNEY, THE EXECUTIVE PRODUCER
WAS, LIKE, WELL, MAYBE WOULD YOU
342
00:19:40,345 --> 00:19:44,391
WANT TO DIRECT IT BECAUSE IT'S
YOUR STORY AND YOU'RE WRITING
343
00:19:44,391 --> 00:19:45,517
IT?
344
00:19:45,517 --> 00:19:48,854
SO I WAS TERRIFIED, ABSOLUTELY
TERRIFIED, BUT I HAD MANY
345
00:19:48,854 --> 00:19:52,441
CONVERSATIONS WITH RYAN MURPHY
AND JOE MANTELLO WHO DIRECTED
346
00:19:52,441 --> 00:19:56,486
"THE BOYS IN THE BAND" AND THEY
JUST SORT OF TALKED ME THROUGH
347
00:19:56,486 --> 00:20:03,535
IT IN A GREAT WAY AND WERE VERY
ENCOURAGING, AND, UM -- SO I
348
00:20:03,535 --> 00:20:07,873
TRIED -- WELL, SEE -- WE'LL SEE
WHAT HAPPENS, BUT I FEEL LIKE IT
349
00:20:07,873 --> 00:20:08,498
WENT WELL, JAMES.
350
00:20:08,498 --> 00:20:10,375
I FEEL LIKE IT WENT WELL.
351
00:20:10,375 --> 00:20:13,045
>> James: WE HAVE A PHOTO OF
YOU HERE IN ACTION, AND YOU LOOK
352
00:20:13,045 --> 00:20:14,212
LIKE A DIRECTOR HERE.
353
00:20:14,212 --> 00:20:18,884
IT'S A VERY -- IT'S A VERY
DIRECTOR'S CHOICE OF JACKET.
354
00:20:18,884 --> 00:20:19,927
>> YES.
355
00:20:19,927 --> 00:20:22,846
NO, I BOUGHT THAT JACKET -- SO
MY FRIEND SUSANNAH --
356
00:20:22,846 --> 00:20:25,265
>> James: DID YOU BUY THE
JACKET TO LOOK LIKE A DIRECTOR?
357
00:20:25,265 --> 00:20:25,682
>> YES.
358
00:20:25,682 --> 00:20:28,560
>> James: WOW.
359
00:20:28,560 --> 00:20:29,436
YES, I DID.
360
00:20:29,436 --> 00:20:33,065
( LAUGHTER )
IT CAME FROM A PLACE CALLED
361
00:20:33,065 --> 00:20:33,899
PHILSON.
362
00:20:33,899 --> 00:20:36,234
IT FELT LIKE A VERY DIRECTOR
JACKET.
363
00:20:36,234 --> 00:20:40,113
SO IF NOTHING ELSE, YOU KNOW,
BECAUSE I'M AN ACTOR SORT OF
364
00:20:40,113 --> 00:20:43,784
FIRST, I WAS, LIKE, IF NOTHING
ELSE, I'LL LOOK THE PART.
365
00:20:43,784 --> 00:20:44,743
>> James: YEAH.
366
00:20:44,743 --> 00:20:47,120
I MIGHT FAIL, BUT I'LL TRY
THAT.
367
00:20:47,120 --> 00:20:48,413
>> James: I DON'T THINK YOU
WILL.
368
00:20:48,413 --> 00:20:49,748
I'M VERY EXCITED TO SEE IT.
369
00:20:49,748 --> 00:20:50,582
I CAN'T WAIT.
370
00:20:50,582 --> 00:20:51,959
I REALLY, REALLY CAN'T.
371
00:20:51,959 --> 00:20:58,382
NOW, WE HAVE TO CONGRATULATE YOU
ON YOUR BRILLIANT PERFORMANCE IN
372
00:20:58,382 --> 00:21:00,842
"THE BOYS IN THE BAND."
373
00:21:00,842 --> 00:21:04,513
TELL THEM ABOUT THIS PROJECT AND
WHO YOU PLAY.
374
00:21:04,513 --> 00:21:10,269
>> "THE BOYS IN THE BAND" IS A
FABULOUS PLAY IN 1968, MARK
375
00:21:10,269 --> 00:21:14,314
CROWLEY WROTE IT, WE GOT TO
REVIVE IT IN BROADWAY IN 2018, A
376
00:21:14,314 --> 00:21:20,445
LOT OF DATES, BUT THE POINT IS
IT'S ABOUT NINE GAY MEN SORT OF
377
00:21:20,445 --> 00:21:27,661
TRAPPED IN AN APARTMENT AT A
BIRTHDAY PARTY IN 1968, IN ONE
378
00:21:27,661 --> 00:21:30,580
APARTMENT, THAT, YOU KNOW, WITH
ENOUGH BOOS AND ENOUGH EMOTION
379
00:21:30,580 --> 00:21:37,754
THAT THE WHEELS SORT OF START TO
COME OFF, AND IT'S JUST -- I
380
00:21:37,754 --> 00:21:39,006
LOVE BEING A PART OF IT.
381
00:21:39,006 --> 00:21:43,301
IT WAS SUCH A UNIQUE EXPERIENCE
GETTING TO DO IT ON BROADWAY AND
382
00:21:43,301 --> 00:21:46,972
THEN, YOU KNOW, WITH THE EXACT
SAME CAST COMING BACK AND DOING
383
00:21:46,972 --> 00:21:50,267
IT AS A FILM WAS REALLY
INCREDIBLE.
384
00:21:50,267 --> 00:21:55,105
AND IT WILL BE ON, YOU KNOW,
NETFLIX ON THE 30th, AND WE'RE
385
00:21:55,105 --> 00:21:58,150
SO EXCITED TO FINALLY GET TO
SHARE IT WITH PEOPLE.
386
00:21:58,150 --> 00:22:00,819
IT'S BEEN A VERY LONG JOURNEY
WITH THE SHOW.
387
00:22:00,819 --> 00:22:02,487
SO WE'RE VERY EXCITED FOR PEOPLE
TO SEE THIS VERSION.
388
00:22:02,487 --> 00:22:06,366
>> James: I'M INCREDIBLY
EXCITED TO WATCH IT.
389
00:22:06,366 --> 00:22:08,994
I'M A REAL FAN OF THE ORIGINAL.
390
00:22:08,994 --> 00:22:13,498
I DON'T EVEN KNOW, I THINK
THERE'S A GENERATION OF YOUNG
391
00:22:13,498 --> 00:22:17,169
PEOPLE THAT DON'T SORT OF
UNDERSTAND THAT IN 1968 YOU
392
00:22:17,169 --> 00:22:19,546
COULD BE ARRESTED FOR BEING GAY.
393
00:22:19,546 --> 00:22:20,714
>> YES.
394
00:22:20,714 --> 00:22:23,508
>> James: AS AN OUT GAY MAN,
HOW DO YOU PROCESS THAT, WHEN
395
00:22:23,508 --> 00:22:26,636
YOU'RE GOING INTO A PROJECT LIKE
THIS?
396
00:22:26,636 --> 00:22:29,347
>> WELL, I THINK THAT WAS
SOMETHING THAT WE GOT TO EXPLORE
397
00:22:29,347 --> 00:22:34,102
IN A VERY DIFFERENT WAY ON THE
FILM THAN WE DID WHEN WE WERE
398
00:22:34,102 --> 00:22:39,983
DOING THE BROADWAY VERSION THAT
THERE WAS THIS SORT OF
399
00:22:39,983 --> 00:22:44,029
OVERARCHING FEELING OF CONCERN
AND OF DANGER THAT, IF SOMEONE
400
00:22:44,029 --> 00:22:48,200
HAD CALLED THE POLICE AND SAID
THERE'S, YOU KNOW, A PARTY OF A
401
00:22:48,200 --> 00:22:52,120
BUNCH OF GAY MEN HAPPENING RIGHT
NOW, ALL OF THEM COULD HAVE BEEN
402
00:22:52,120 --> 00:22:54,539
ARRESTED, THEIR NAMES WOULD HAVE
BEEN PUT IN THE NEWSPAPER, THEIR
403
00:22:54,539 --> 00:22:57,834
LIVES WOULD HAVE BEEN DISRUPTED,
AND IT'S SOMETHING THAT I SORT
404
00:22:57,834 --> 00:23:00,504
OF TOOK -- I DIDN'T REALLY
UNDERSTAND THAT.
405
00:23:00,504 --> 00:23:06,802
AND THEN, LIKE, I DIDN'T --
BECAUSE WHEN I CAME OUT IN THE
406
00:23:06,802 --> 00:23:09,513
'90s, YOU KNOW, OBVIOUSLY THAT
WAS NOT A CONCERN.
407
00:23:09,513 --> 00:23:11,431
AND PUTTING YOURSELF -- AND
REALLY BEING ABLE TO PUT
408
00:23:11,431 --> 00:23:18,271
YOURSELF IN THAT PLACE AND SAYT
THAT JUST BEING YOURSELF WAS NOT
409
00:23:18,271 --> 00:23:23,068
OKAY WAS SOMETHING THAT I THINK
WE ALL HAD TO -- HAD TO REMIND
410
00:23:23,068 --> 00:23:30,450
OURSELVES OF WHEN WE WERE DOING
THE FILM, YOU KNOW, TO SAY, YES,
411
00:23:30,450 --> 00:23:31,660
THERE'S VERY COMPLICATED
RELATIONSHIPS HAPPENING IN THIS
412
00:23:31,660 --> 00:23:37,624
ROOM, BUT, ALSO, ON TOP OF THAT,
THERE'S A LOT ELSE HAPPENING
413
00:23:37,624 --> 00:23:40,919
JUST POLITICALLY AND SOCIALLY.
414
00:23:40,919 --> 00:23:46,591
SO JOE MANTELLO, OUR BRILLIANT
DIRECTOR, ALLOWED US TO SORT OF
415
00:23:46,591 --> 00:23:49,052
EXPLORE THAT PART OF IT AS WELL.
416
00:23:49,052 --> 00:23:51,596
BUT IT'S ALSO, LIKE -- IT'S VERY
FUNNY.
417
00:23:51,596 --> 00:23:53,932
IT'S A FUNNY MOVIE.
418
00:23:53,932 --> 00:23:59,062
THERE'S A LOT OF LOVE IN IT, BUT
IT IS SORT OF A DARK STORY OF
419
00:23:59,062 --> 00:24:03,608
THESE FRIENDS SORT OF, YOU KNOW,
REALLY TRUTH TELLING.
420
00:24:03,608 --> 00:24:06,611
BUT I THINK THAT WHAT -- AGAIN,
WHAT WE GOT TO EXPLORE MAYBE IN
421
00:24:06,611 --> 00:24:12,576
THE FILM THAN WE DID ON BROADWAY
WAS THERE'S A REASON THEY'RE ALL
422
00:24:12,576 --> 00:24:16,329
IN THE ROOM TOGETHER AND IT'S
BECAUSE THEY LOVE EACH OTHER AND
423
00:24:16,329 --> 00:24:19,583
IT'S BECAUSE THEY'RE FRIENDS AND
IT'S ABOUT CHOSEN FAMILY AND
424
00:24:19,583 --> 00:24:24,963
ABOUT THESE GUYS WHO REALLY DO
CARE AND WANT TO PROTECT EACH
425
00:24:24,963 --> 00:24:25,922
OTHER.
426
00:24:25,922 --> 00:24:28,466
SO AS A CAST, WE ALL KNEW EACH
OTHER SO WELL.
427
00:24:28,466 --> 00:24:32,596
YOU KNOW, WHEN YOU DO A SHOW ON
BROADWAY OR WHEREVER, THAT'S
428
00:24:32,596 --> 00:24:38,185
YOUR FAMILY, RIGHT, LIKE THAT'S
YOUR FAMILY FOR A BIT.
429
00:24:38,185 --> 00:24:43,815
SO WE ALL BECAME VERY CLOSE, SO
IT WAS REALLY FUN TO GET TO
430
00:24:43,815 --> 00:24:45,358
REUNITE AND TELL THIS STORY ON
FILM.
431
00:24:45,358 --> 00:24:46,776
>> James: WELL, I'M REALLY,
REALLY EXCITED TO SEE.
432
00:24:46,776 --> 00:24:50,655
I THINK IT'S GOING TO BE A HUGE
SUCCESS.
433
00:24:50,655 --> 00:24:54,534
LET'S TAKE A LOOK AT THE CLIP
FROM THE BOYS IN THE BAND
434
00:24:54,534 --> 00:24:56,995
STREAMING ON NETFLIX.
435
00:24:56,995 --> 00:24:58,121
>> WHERE'S YOUR PRESENT?
436
00:24:58,121 --> 00:24:59,331
IT'S ARRIVING LATER.
437
00:24:59,331 --> 00:25:00,999
LARRY, LARRY.
438
00:25:00,999 --> 00:25:01,708
LARRY.
439
00:25:01,708 --> 00:25:02,209
>> WHAT?
440
00:25:02,209 --> 00:25:05,003
GIVE MIKE THE GIFT.
441
00:25:05,003 --> 00:25:05,712
OH.
442
00:25:05,712 --> 00:25:06,713
HERE.
443
00:25:06,713 --> 00:25:09,674
LOUDER SO MY MOTHER IN
PHILADELPHIA CAN HEAR YOU.
444
00:25:09,674 --> 00:25:11,343
>> YOU'RE JUST STANDING THERE IN
TRANCE.
445
00:25:11,343 --> 00:25:12,594
>> WHAT'S THAT?
446
00:25:12,594 --> 00:25:15,013
NOW BOTH KNOW DONALD, DON'T
YOU?
447
00:25:15,013 --> 00:25:15,430
>> SURE.
448
00:25:15,430 --> 00:25:16,306
NICE TO SEE YOU.
449
00:25:16,306 --> 00:25:16,765
>> HI.
450
00:25:16,765 --> 00:25:17,515
NICE TO MEET YOU.
451
00:25:17,515 --> 00:25:19,726
OH, I'M SORRY, I THOUGHT
YOU'D MET.
452
00:25:19,726 --> 00:25:23,188
>> WELL, WE HAVEN'T EXACTLY MET,
BUT WE'VE -- HI.
453
00:25:23,188 --> 00:25:23,647
>> HI.
454
00:25:23,647 --> 00:25:24,606
BUT YOU'VE WHAT?
455
00:25:27,734 --> 00:25:28,235
>> James: STICK AROUND.
456
00:25:28,860 --> 00:25:31,529
MORE WITH ANDREW RANNELLS WHEN
WE COME BACK, EVERYBODY.
457
00:25:45,752 --> 00:25:46,962
♪
>> James: WELCOME BACK!
458
00:25:46,962 --> 00:25:49,798
WE ARE HERE WITH THE BRILLIANT
AND ALWAYS TERRIFIC FUN ANDREW
459
00:25:49,798 --> 00:25:51,007
RANNELLS.
460
00:25:51,007 --> 00:25:56,388
NOW, ANDREW, WE HAVE BEEN ASKING
OUR GUEST TO DO THE THING, A
461
00:25:56,388 --> 00:25:59,557
LATE LATE SHOW AND TELL, WHEN WE
ASK OUR GUESTS TO SHOW SOMETHING
462
00:25:59,557 --> 00:26:04,271
FROM THEIR HOME WE MIGHT NOT
OTHERWISE GET TO SEE.
463
00:26:04,271 --> 00:26:06,439
DO YOU HAVE SOMETHING YOU COULD
SHARE WITH US THIS EVENING IS
464
00:26:06,439 --> 00:26:06,731
THIS.
465
00:26:06,731 --> 00:26:07,732
>> I DO.
466
00:26:07,732 --> 00:26:11,861
I DO.
467
00:26:11,861 --> 00:26:14,906
IT'S -- I DON'T KNOW IF YOU
CAN -- CAN YOU SEE THAT?
468
00:26:14,906 --> 00:26:18,535
( LAUGHTER )
>> James: YEAH.
469
00:26:18,535 --> 00:26:22,414
I HAVE BEEN ON THE SHOW MANY
TIMES AND I'VE NEVER GOTTEN A
470
00:26:22,414 --> 00:26:22,831
MUG.
471
00:26:22,831 --> 00:26:23,456
>> James: WHAT?!
472
00:26:23,456 --> 00:26:24,541
WELL THAT'S YOUR PUBLICIST.
473
00:26:24,541 --> 00:26:27,711
YOUR PUBLICIST IS STEALING ALL
OF THE MUGS BECAUSE --
474
00:26:27,711 --> 00:26:28,086
>> NO.
475
00:26:28,086 --> 00:26:29,629
>> James: YES.
476
00:26:29,629 --> 00:26:35,802
NO, BECAUSE THEY'RE USUALLY
IN A BAG IN THE DRESSING ROOM.
477
00:26:35,802 --> 00:26:36,678
NO.
478
00:26:36,678 --> 00:26:40,557
BUT THIS GUY HANDED ONE TO ME
DIRECTLY.
479
00:26:40,557 --> 00:26:42,767
SO I JUST WANTED TO SHOW YOU
THAT.
480
00:26:42,767 --> 00:26:45,770
SO, I DON'T KNOW.
481
00:26:45,770 --> 00:26:47,731
( LAUGHTER )
IT'S JUST INFORMATIO FOR YOU.
482
00:26:47,731 --> 00:26:50,358
THERE'S NO JUDGMENT.
483
00:26:50,358 --> 00:26:58,783
I JUST WANTED TO --
>> James: YOU ARE ABOUT TO
484
00:26:58,783 --> 00:27:03,413
ENTER MUG WAYS, THE GATES OF
HELL.
485
00:27:03,413 --> 00:27:06,750
I CANNOT STRESS TO YOU HOW MUCH
YOU WILL REGRET THIS, BECAUSE I
486
00:27:06,750 --> 00:27:13,298
HAVE BOTH YOUR ADDRESSES AND I
WILL FILL YOUR HOUSE WITH THESE
487
00:27:13,298 --> 00:27:13,798
VERY MUGS.
488
00:27:13,798 --> 00:27:14,132
OKAY?
489
00:27:14,132 --> 00:27:14,924
>> I KNOW.
490
00:27:14,924 --> 00:27:17,969
BUT WHY DON'T I HAVE ONE OF
THOSE?
491
00:27:17,969 --> 00:27:20,305
>> James: BECAUSE YOU HAVEN'T
TAKEN ONE.
492
00:27:20,305 --> 00:27:23,475
I DIDN'T REALIZE I HAD TO HAND
ONE TO YOU PERSONALLY.
493
00:27:23,475 --> 00:27:24,642
>> WELL.
494
00:27:24,642 --> 00:27:28,813
>> James: I THOUGHT IT WAS
OBVIOUS THE ONE -- YEAH, YEAH.
495
00:27:28,813 --> 00:27:30,023
>> OKAY!
496
00:27:30,023 --> 00:27:33,943
>> Reggie: REGGIE, DO YOU HAVE
A QUESTION FOR OUR GUEST THIS IS
497
00:27:33,943 --> 00:27:34,486
EVENING?
498
00:27:34,486 --> 00:27:35,904
>> Reggie: YES, I DO.
499
00:27:35,904 --> 00:27:39,866
TONIGHT'S QUESTION GOES TO --
( DRUM ROLL )
500
00:27:39,866 --> 00:27:41,659
-- LET'S MAKE IT FOR ALL OUR
GUESTS.
501
00:27:41,659 --> 00:27:51,127
>> James: WOULD YOU RATHER THE
QUESTION WAS ASKED TO YOU BY JON
502
00:27:51,127 --> 00:27:55,548
BAPTISTE OR ARE YOU OKAY?
503
00:27:55,548 --> 00:27:56,424
>> NO, I'M GOOD.
504
00:27:56,424 --> 00:27:58,802
( LAUGHTER )
>> James: REGGIE, WHAT'S THE
505
00:27:58,802 --> 00:27:59,886
QUESTION?
506
00:27:59,886 --> 00:28:00,720
>> Reggie: WHAT WAS YOUR
FAVORITE GREEN ROOM EXPERIENCE
507
00:28:00,720 --> 00:28:04,849
BETWEEN THIS SHOW AND THE "LATE
SHOW"?
508
00:28:04,849 --> 00:28:08,812
>> JAMES IS A VERY TENDER
HUGGER, SO I APPRECIATED THAT,
509
00:28:08,812 --> 00:28:10,021
YEAH.
510
00:28:10,021 --> 00:28:13,983
SO THAT'S -- THAT'S, YOU KNOW,
THE BEST GREEN ROOM I HAVE BEEN
511
00:28:13,983 --> 00:28:17,862
IN BECAUSE I JUST FELT SEEN AND
HEARD AND HELD AND, YEAH, I FELT
512
00:28:17,862 --> 00:28:23,493
VERY CLOSE TO -- I'VE NEVER FELT
SO CLOSE TO A HOST BEFORE.
513
00:28:23,493 --> 00:28:28,081
>> James: HE'S A TENDER HUGGER
BUT A STINGY MUGGER.
514
00:28:28,081 --> 00:28:32,710
THAT'S WHAT WE'VE GOT FROM THIS.
515
00:28:32,710 --> 00:28:33,503
REG, IS THAT CORRECT?
516
00:28:33,503 --> 00:28:35,213
>> Reggie: IT'S ABSOLUTELY
CORRECT.
517
00:28:35,213 --> 00:28:37,173
>> James: IT'S ABSOLUTELY
CORRECT.
518
00:28:37,173 --> 00:28:38,842
PLEASE THANK THE ONE, THE ONLY
ANDREW RANNELLS.
519
00:28:38,842 --> 00:28:41,678
WHEN WE COME BACK, BRITTANY
HOWARD IS GOING TO BE HERE.
520
00:28:41,678 --> 00:28:42,679
COME ON BACK, EVERYBODY!
521
00:28:57,986 --> 00:28:59,946
♪
>> James: WELCOME BACK.
522
00:28:59,946 --> 00:29:01,156
OUR NEXT GUEST IS A FOUR-TIME
GRAMMY AWARD WINNING
523
00:29:01,156 --> 00:29:03,575
SINGER-SONGWRITER AND MUSICIAN
YOU KNOW FROM ALABAMA SHAKES.
524
00:29:03,575 --> 00:29:09,122
HER CRITICALLY ACCLAIMED DEBUT
SOLO ALBUM "JAMIE" IS OUT NOW.
525
00:29:09,122 --> 00:29:15,545
PLEASE WELCOME THE EXCEPTIONAL,
THE SINGULAR, BRITTANY HOWARD,
526
00:29:15,545 --> 00:29:17,213
EVERYBODY!
527
00:29:17,213 --> 00:29:21,926
( APPLAUSE )
BRITTANY, IT'S SO GOOD TO SEE
528
00:29:21,926 --> 00:29:23,178
YOU.
529
00:29:23,178 --> 00:29:25,054
I'M SO HAPPY THAT YOU'RE HERE,
AND, YES, I'M DISAPPOINTED THAT
530
00:29:25,054 --> 00:29:29,142
YOU'RE NOT HERE IN THE STUDIO
BECAUSE I WILL SAY -- AND I MEAN
531
00:29:29,142 --> 00:29:36,274
THIS TO THIS DAY, 812 SHOWS IN,
YOUR PERFORMANCE THAT YOU DID IN
532
00:29:36,274 --> 00:29:39,277
THE STUDIO IS STILL MY FAVORITE
PERFORMANCE WE'VE EVER HAD ON
533
00:29:39,277 --> 00:29:40,778
THE SHOW.
534
00:29:40,778 --> 00:29:42,113
I MEAN IT.
535
00:29:42,113 --> 00:29:43,114
LIKE, IT WAS JUST INCREDIBLE.
536
00:29:43,114 --> 00:29:44,616
HOW ARE YOU DOING?
537
00:29:44,616 --> 00:29:46,034
ARE YOU WELL?
538
00:29:46,034 --> 00:29:49,120
>> I'M DOING REALLY GOOD, JAMES,
THANK YOU.
539
00:29:49,120 --> 00:29:55,793
AND THANK YOU FOR HAVING ME, BY
THE WAY, AND THANK YOU FOR YOUR
540
00:29:55,793 --> 00:29:56,628
KIND WORDS.
541
00:29:56,628 --> 00:29:57,462
>> James: WE SHOULD
CONGRATULATE YOU.
542
00:29:57,462 --> 00:30:01,341
YOU HAVE A BIRTHDAY COMING UP
FRIDAY.
543
00:30:01,341 --> 00:30:02,467
HAPPY BIRTHDAY FRIDAY.
544
00:30:02,467 --> 00:30:05,970
HOW ARE YOU GOING TO BE
CELEBRATING THIS MON MEN US TO
545
00:30:05,970 --> 00:30:07,138
OCCASION?
546
00:30:07,138 --> 00:30:10,308
>> WELL, ME AND A GROUP OF MY
CLOSEST FRIENDS ARE GOING TO
547
00:30:10,308 --> 00:30:13,353
RENT A CABIN AND WE'RE GOING
FISHING.
548
00:30:13,353 --> 00:30:16,648
>> James: FISHING IN A BOAT OR
FROM THE BANK?
549
00:30:16,648 --> 00:30:18,858
>> HOPEFULLY, I WILL BE FISHING
ON ALL OF IT.
550
00:30:18,858 --> 00:30:22,779
HOPEFULLY, I WILL BE IN A BOAT,
BANK, I'LL GO UNDERWATER, I'LL
551
00:30:22,779 --> 00:30:23,363
DO WHATEVER IT TAKES.
552
00:30:23,363 --> 00:30:25,031
>> James: CAN I BE HONEST?
553
00:30:25,031 --> 00:30:29,619
I CAN THINK OF NOTHING BETTER
THAN GOING FISHING WITH BRITTANY
554
00:30:29,619 --> 00:30:30,495
HOWARD.
555
00:30:30,495 --> 00:30:32,205
( LAUGHTER )
AND I SAY THAT, AND I FEED YOU
556
00:30:32,205 --> 00:30:35,291
TO KNOW I MEAN THIS, THERE IS NO
ONE IN THIS ROOM I WOULD WANT TO
557
00:30:35,291 --> 00:30:37,043
GO FISHING WITH.
558
00:30:37,043 --> 00:30:39,170
( LAUGHTER )
>> HAVE YOU BEEN FISHING?
559
00:30:39,170 --> 00:30:41,839
>> James: I'VE NEVER BEEN
FISHING.
560
00:30:41,839 --> 00:30:43,341
BECAUSE IT DOESN'T APPEAL TO ME.
561
00:30:43,341 --> 00:30:50,139
BUT IF I WAS FISHING WITH YOU, I
THINK I WOULD BE INTO IT.
562
00:30:50,139 --> 00:30:57,021
IF I WOULD BE FISHING WITH IAN,
I WOULD BE WE'RE LEAVING.
563
00:30:57,021 --> 00:30:59,524
>> THE FISHING FASHION IS WHY I
DO IT.
564
00:30:59,524 --> 00:31:01,067
>> James: THE WADERS, I'M INTO
THE WHOLE THING.
565
00:31:01,067 --> 00:31:05,071
>> THE WADERS, THE WADING BOOTS,
YOU KNOW, REAL EARTH AND TONE.
566
00:31:05,071 --> 00:31:06,739
>> James: YES.
567
00:31:06,739 --> 00:31:07,740
YEAH, YEAH, YEAH.
568
00:31:07,740 --> 00:31:09,117
THAT'S WHERE UH IT'S AT.
569
00:31:09,117 --> 00:31:11,703
THAT'S THE FUTURE, GUCCI WADERS.
570
00:31:11,703 --> 00:31:14,872
>> James: I NEVER KNEW YOU
WERE A FISHER BECAUSE IN
571
00:31:14,872 --> 00:31:23,965
ADDITION TO FISHING, YOU'VE ALSO
TAKEN UP -- AND THIS IS
572
00:31:23,965 --> 00:31:25,174
IMPRESSIVE.
573
00:31:25,174 --> 00:31:29,053
YOU'VE TAKEN UP WEIGHT LIFTING
AND YOU DEAD LIFT 250 POUNDS.
574
00:31:29,053 --> 00:31:30,888
LOOK AT THIS!
575
00:31:30,888 --> 00:31:33,016
( APPLAUSE )
THIS IS SO IMPRESSIVE.
576
00:31:33,016 --> 00:31:34,726
HOW DID YOU GET INTO THIS?
577
00:31:34,726 --> 00:31:38,229
WHEN DID DEAD LIFTING BECOME A
PART OF YOUR LIFE?
578
00:31:38,229 --> 00:31:40,565
>> I GET INTO IT OVER THE
PANDEMIC.
579
00:31:40,565 --> 00:31:45,069
I'M A PERSON WHO REALLY LIKES TO
STAY BUSY, AND RUNNING OUT OF
580
00:31:45,069 --> 00:31:49,032
TOUR THE DO AND SITTING AROUND
THE HOUSE, I HAD TO COME UP WITH
581
00:31:49,032 --> 00:31:50,074
SOME NEW SOLUTIONS.
582
00:31:50,074 --> 00:31:53,911
AND ONE OF THOSE THINGS WAS,
LIKE, WEIGHT LIFTING.
583
00:31:53,911 --> 00:31:56,372
I GREW UP, MY MOTHER WAS A BODY
BUILDER.
584
00:31:56,372 --> 00:31:59,083
SO, YOU KNOW, AS A KID, I GREW
UP AROUND ALL THESE REALLY
585
00:31:59,083 --> 00:32:02,962
TANNED, YOU KNOW, STRONG MEN AND
WOMEN, AND I GUESS AS I GOT
586
00:32:02,962 --> 00:32:06,924
OLDER, I WAS JUST, LIKE, OH,
YEAH, THAT'S SOMETHING I KNOW
587
00:32:06,924 --> 00:32:08,134
ABOUT.
588
00:32:08,134 --> 00:32:11,596
SO I TRIED IT, AND I HAVE BEEN
TRAINING WITH MY TRAINER, AND,
589
00:32:11,596 --> 00:32:12,847
YEAH, I'M LIFTING.
590
00:32:12,847 --> 00:32:17,644
I GOT PEOPLE HITTING ME UP NOW,
CELEBRITIES AND STUFF, THEY WANT
591
00:32:17,644 --> 00:32:18,311
TO WEIGHT TRAIN WITH ME, NOW.
592
00:32:18,311 --> 00:32:19,437
>> James: WHO?
593
00:32:19,437 --> 00:32:24,442
WHO WANTS TO WEIGHT TRAIN?
594
00:32:24,442 --> 00:32:25,610
>> PABLO SCHREIBER.
595
00:32:25,610 --> 00:32:28,988
>> James: HE CALLS YOU SAND
SAYS, I WANT TO DEAD LIFT, I
596
00:32:28,988 --> 00:32:30,990
WANT TO PICK SOME STUFF UP?
597
00:32:30,990 --> 00:32:34,619
>> HE SAID, NEXT TIME YOU'RE IN
L.A., LET'S GO TRAIN TOGETHER.
598
00:32:34,619 --> 00:32:36,746
I SAID, OH, YES.
599
00:32:36,746 --> 00:32:37,330
OKAY.
600
00:32:37,330 --> 00:32:38,122
I CAN GET THAT IN MY LIFE.
601
00:32:38,122 --> 00:32:39,123
YOU KNOW WHAT I MEAN?
602
00:32:39,123 --> 00:32:42,168
>> James: SO YOU TAKE IT TO
THE WAIST.
603
00:32:42,168 --> 00:32:51,469
DO YOU EVER TO THE -- AAAHHH!
604
00:32:51,469 --> 00:32:54,472
>> WE CALL IT CLING AND PRESS.
605
00:32:54,472 --> 00:32:57,475
>> James: YEAH, THESE ARE ALL
TECHNICAL THINGS YOU NEED TO
606
00:32:57,475 --> 00:32:58,142
KNOW ABOUT.
607
00:32:58,142 --> 00:32:59,894
ARE YOU A CLEAN PRESSER?
608
00:32:59,894 --> 00:33:00,395
>> I'M A CLEAN PRESSER.
609
00:33:00,395 --> 00:33:01,312
I'M THE BEST AROUND.
610
00:33:01,312 --> 00:33:04,774
THAT'S THE THING, I CAN'T WAIT
TO GO STATE.
611
00:33:04,774 --> 00:33:06,025
YOU NEVER KNOW.
612
00:33:06,025 --> 00:33:09,028
I THINK I WOULD LIKE TO PACK IN
AS MANY TITLES AND AWARDSHIPS AS
613
00:33:09,028 --> 00:33:11,114
I CAN IN THIS LIFETIME.
614
00:33:11,114 --> 00:33:14,325
I WANT TO BE THE TENNESSEE STATE
CHAMP.
615
00:33:14,325 --> 00:33:15,118
>> James: OH, MY GOODNESS.
616
00:33:15,118 --> 00:33:16,160
THAT WOULD BE INCREDIBLE.
617
00:33:16,160 --> 00:33:18,496
NOW, LET'S TALK ABOUT YOUR
ALBUM, JAMIE.
618
00:33:18,496 --> 00:33:23,668
YOU SAID THAT IT'S A MEMORIAL TO
YOUR SISTER, WHO PASSED AWAY
619
00:33:23,668 --> 00:33:25,044
WHEN YOU WERE YOUNGER.
620
00:33:25,044 --> 00:33:29,882
TALK TO ME ABOUT THAT, HOW HAS
SHE IMPACTED YOUR CAREER AS A
621
00:33:29,882 --> 00:33:32,218
SOLO ARTIST AND, PARTICULARLY,
THIS RECORD?
622
00:33:32,218 --> 00:33:33,511
>> SURE.
623
00:33:33,511 --> 00:33:38,015
SO WHEN I WAS LITTLE, MY SISTER
JAMIE WAS MY FIRST TEACHER, SHE
624
00:33:38,015 --> 00:33:43,312
WAS MY HERO, YOU KNOW, SHE WAS
FOUR YEARS OLDER THAN ME, SO I
625
00:33:43,312 --> 00:33:47,525
GOT ON HER NERVOUS, AND SHE WAS
ALSO JUST LIKE THE BEST THING IN
626
00:33:47,525 --> 00:33:48,693
THE WORLD.
627
00:33:48,693 --> 00:33:53,114
SHE TAUGHT ME HOW TO PLAY PIANO,
HOW TO DRAW, HOW TO USE MY
628
00:33:53,114 --> 00:33:54,240
IMAGINATION.
629
00:33:54,240 --> 00:33:57,076
REALLY TAUGHT ME EVERYTHING I
USE TODAY TO BE WHO I AM.
630
00:33:57,076 --> 00:34:01,706
AND TO HAVE THIS MUSIC CAREER
THAT I HAVE BEEN GIFTED, YOU
631
00:34:01,706 --> 00:34:02,874
KNOW.
632
00:34:02,874 --> 00:34:06,711
SO WHEN I WAS DOING MY SOLO
RECORD I WAS AFRAID AND SCARED.
633
00:34:06,711 --> 00:34:10,214
I THOUGHT, THIS COULD BE A
REALLY BAD IDEA BUT THERE WAS
634
00:34:10,214 --> 00:34:15,303
SOMETHING IN ME THAT MADE ME
WANT TO LEAN INTO IT AND MAKE
635
00:34:15,303 --> 00:34:18,848
SOMETHING ON MY OWN AND CREATING
AND TAKING A RISK.
636
00:34:18,848 --> 00:34:20,183
MY SISTER TAUGHT ME THOSE THINGS
AND THOSE QUALITIES.
637
00:34:20,183 --> 00:34:23,227
I KNEW WHEN THE RECORD WAS
FINISHED EVERYONE WAS ASKING ME
638
00:34:23,227 --> 00:34:26,230
WHT ARE YOU GOING TO CALL A
RECORD?
639
00:34:26,230 --> 00:34:29,859
AND I KNEW MY NAME HAD TO BE ON
IT, OF COURSE, BUT MY SISTER'S
640
00:34:29,859 --> 00:34:31,235
NAME HAD TO BE ON IT.
641
00:34:31,235 --> 00:34:34,906
I WANTED TO SHARE THAT AND PUT
GRATEFULNESS ON HER NAME.
642
00:34:34,906 --> 00:34:36,532
>> James: THAT'S SO WONDERFUL.
643
00:34:36,532 --> 00:34:42,038
THANK YOU SO MUCH FOR BEING HERE
WITH US, BRITTANY, I CAN'T TELL
644
00:34:42,038 --> 00:34:44,749
YOU HOW MUCH -- I FEEL LIKE I
COULD TALK TO YOU FOR A WEEK AND
645
00:34:44,749 --> 00:34:46,417
I WOULD BE HAPPY.
646
00:34:46,417 --> 00:34:47,293
BRITTANY HOWARD WILL BE
PERFORMING RIGHT HERE.
647
00:34:47,293 --> 00:34:50,087
COME ON BACK, EVERYBODY.
648
00:35:13,319 --> 00:35:14,529
♪
>> James: WELCOME BACK.
649
00:35:14,529 --> 00:35:15,530
HERE PERFORMING "BABY" OFF HER
BRILLIANT ALBUM "JAMIE," WHICH
650
00:35:15,530 --> 00:35:25,123
IS OUT RIGHT NOW, PLEASE WELCOME
BRITTANY HOWARD!
651
00:35:25,123 --> 00:35:29,126
♪ ♪ ♪
♪ YEAH, THIS IS THE CHECK
652
00:35:29,126 --> 00:35:33,130
ONE, TWO
♪ THE CHECK
653
00:35:33,130 --> 00:35:43,516
THREE, FOUR
♪ YOU KNOW WHO IT IS
654
00:35:43,516 --> 00:35:49,105
♪ ♪ ♪
YOU SEE
655
00:35:49,105 --> 00:35:53,109
♪ I TRIED TO BE EVERYTHING
YOU'D EVER WANT
656
00:35:53,109 --> 00:35:57,113
♪ YOU'LL EVER WANT
YOU EVER WOULD ASK ME
657
00:35:57,113 --> 00:36:04,871
♪ TO BE, BABY
HA, BABY
658
00:36:04,871 --> 00:36:09,083
♪ HOW COULD YOU CALL
ME YOUR BABE
659
00:36:09,083 --> 00:36:13,045
♪ YOU DON'T PROVIDE FOR ME
YOU DON'T RIDE FOR ME
660
00:36:13,045 --> 00:36:17,133
♪ YOU DON'T, NO, YOU DON'T
HOW COULD YOU CALL
661
00:36:17,133 --> 00:36:27,310
♪ ME YOUR BABE
I TRIED TO DO EVERYTHING
662
00:36:27,310 --> 00:36:31,063
♪ YOU ASKED ME TO
I NEVER THOUGHT YOU
663
00:36:31,063 --> 00:36:39,322
♪ EVER WOULD ASK ME
TO LEAVE, BABY
664
00:36:39,322 --> 00:36:44,243
♪ I GUESS THE JOKE'S
ON ME, BABY
665
00:36:44,243 --> 00:36:46,370
♪ YOU NEVER DID FAIL
TO DECEIVE
666
00:36:46,370 --> 00:36:53,044
♪ I GUESS THAT'S WHAT I GET
FOR BEING SO QUALITY, BABE
667
00:36:53,044 --> 00:37:01,177
♪ HA, BABY
BABY, BABY
668
00:37:01,177 --> 00:37:09,060
♪ BABY, BABY
♪ ♪ ♪
669
00:37:09,060 --> 00:37:15,274
BABY, BABY
♪ HOW COULD YOU CALL
670
00:37:15,274 --> 00:37:30,248
ME YOUR BABY
♪ ♪ ♪
671
00:37:30,248 --> 00:37:33,084
ME YOUR BABY
♪ ♪ ♪
672
00:37:33,084 --> 00:37:38,547
♪ ♪ ♪
♪ ♪ ♪
673
00:37:38,547 --> 00:37:49,100
OOH, OOH, OOH, OW
♪ ♪ ♪
674
00:37:49,100 --> 00:37:55,773
♪ ♪ ♪
♪ ♪ ♪
675
00:37:55,773 --> 00:37:59,777
♪ ♪ ♪
♪ ♪ ♪
676
00:37:59,777 --> 00:38:02,780
♪ ♪ ♪
♪ ♪ ♪
677
00:38:02,780 --> 00:38:05,074
♪ ♪ ♪
♪ ♪ ♪
678
00:38:05,074 --> 00:38:12,456
♪ ♪ ♪
>> James: OH, THE INCREDIBLE
679
00:38:12,456 --> 00:38:14,709
BRITTANY HOWARD, EVERYBODY.
680
00:38:14,709 --> 00:38:21,132
HER ALBUM ALABAM ALBUM JAMIE IS
RIGHT NOW.
681
00:38:21,132 --> 00:38:22,133
BACK AFTER THIS.
682
00:38:39,525 --> 00:38:40,526
♪ ♪ ♪
>> James: THANKS SO MUCH FOR
683
00:38:40,526 --> 00:38:41,736
WATCHING.
684
00:38:41,736 --> 00:38:44,530
TOMORROW NIGHT: FORMER SECRETARY
OF STATE HILLARY CLINTON AND
685
00:38:44,530 --> 00:38:45,531
EVAN RACHEL WOOD.
686
00:38:45,531 --> 00:38:47,491
WE'LL SEE YOU THEN.
687
00:38:47,491 --> 00:38:49,243
REGGIE, TAKE US HOME.
688
00:38:49,493 --> 00:38:51,620
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