All language subtitles for My.Favorite.Martian.S03E28.Martin.Meets.His.Match.AMZN.WEB-DL.DDP2.0.H.264-NTb_Subtítulos01.ENG

(bright music)

(audience laughing)

- If you're trying to
invent the sofa bed,

Uncle Martin, forget it.

Somebody already beat you to it.

(audience laughing)

- At this point, Tim,

I don't believe I could
invent a good excuse.

(audience laughing)

- What's the matter
with you, Uncle Martin?

You're acting like
you're in a blue funk.

- Pink.

We Martians don't fall
into blue funks, Tim.

Only pink.

- Pink schmink.

What's bugging you?

- I've reached an impasse
with my spaceship.

I can't decide which of
three directions to go

in trying to repair it.

- Oh, well, I wish
I could help you,

but it's a little
out of my line.

- I know.

That's why I've decided
to bring in a consultant.

- A consultant?

- A fellow inventor.

Possibly the greatest
mind this small planet

of yours has ever produced.

- Oh?

Anyone I know?

- I seriously doubt it.

He was a few centuries
ahead of your time.

He may have to stay a few days,

which is why I was experimenting
with the chair bed.

- Wait a minute, I have one
little question for you.

When you bring this guy in,

don't you think he's gonna be

just a little bit suspicious
about the spaceship?

- Well, he already knows
that I'm a Martian.

Now, come over here, Tim.

Stand next to me
and cover your eyes.

(outer space music)

(audience laughing)

- Well, there must
have been a lot

of inventions since his time.

Like trousers and
haircuts for example.

(audience laughing)

(speaking foreign language)

- Leonardo.

- Martinelli.

- Old friend.

- Leonardo?

(bright music)

Leonardo da Vinci.

(audience laughing)

(outer space music)

(satellite beeping)

(satellite beeping)

(upbeat music)

(Leonardo chuckling)

- Kindly bear in mind,
Tim, the primary purpose

of Leonardo's visit is to
help me with my spaceship.

- Oh, don't worry.

All I want is an interview
and a few pictures

for future publication.

(Leonardo laughing)

Hey, can he really
learn all the languages

just by skimming through
the dictionary like that?

- For a man of his
intellectual capacity,

it will be mere child's play.

- See John run.

Run, John, run.

Did Betty see John run?

(audience laughing)

- Maybe he can give me the
lowdown on the sandbox set.

- Patience.

He has absorbed the language.

Now he needs a
moment to digest it.

(bright music)

That's an interesting
theory, Leonardo.

There's no question
it would provide

the necessary escape velocity.

But what about
the stored energy?

- Ah, it is constantly
being stored and unstored

as kinetic energy, Martinelli.

But, here my
friend, because see,

the angle of velocities which
compensate for the first.

(audience laughing)

- That was a great
shot, Mr. da Vinci.

Now if I can just
get another one.

- Martinelli, you
apprentice vexes me.

Please have him flogged.

(audience laughing)

- Flogged?

- Well, I'm afraid that would
be impractical, Leonardo.

This is my host,
not my apprentice.

- Oh, well, we'll have
to take what we can get

when it comes to patron.

(audience laughing)

- Look, Mr. da Vinci, I, uh,

I didn't mean to vex you.

It's just that, well, you
see I'm a newspaper reporter.

And someday I'm going to write
a story about Uncle Martin

and some of the
people whom I've met.

And I'll need
photographic proof.

- Photographic?

- Yes, uh, this is
a camera, Leonardo.

You remember Jean
Baptiste's camera obscura

which you described at some
length in your notebook?

- Of course.

- Well, there've been a great
many changes in 500 years.

Earthlings have discovered how
to make a permanent picture

now with the camera.

- Oh, yes, like, well here.

Here's good example,
Mr. da Vinci.

(Leonardo whistling)

(audience laughing)

- Well, things haven't
changed much in 500 years.

(audience laughing)

- Fortunately.

(audience laughing)

- What is this?

Who are these imposterers?

- Oh, the Wright brothers,
Orville and Wilbur.

You see they invented
the airplane.

- I, Leonardo da Vinci,
invented the airplane.

- That's right, Tim.

Leonardo invented the
airplane, the helicopter,

the submarine, dozens
of things which we take

for granted these days.

- You?

- Me and not one florin
did I get paid for them.

Martinelli, get
your time machine.

We get my father here.

He's a lawyer.

We sue them for
their last ducet.

(audience laughing)

- Well, uh, I'm afraid
it's too late, amigo.

Any claim would have expired

under the statute
of limitations.

- Oh, well, easy come, easy go.

(audience laughing)

(upbeat music)

(mysterious music)

- Yoohoo, Martin, Tim.

Guess what?

Bill just phoned and
he's just been given

a terribly important assignment.

Oh, I'm sorry, I didn't
know you had company.

- Oh, this is a very old
friend of mine, Lorelei.

- Oh, how do you do?

Oh, my, what a lovely bathrobe.

- Uh, yes, yes,
well he's just in

from out of town, Mrs. Brown,

and, and you see, he hasn't
had a chance to shower yet.

He wanted to change first.

- Oh.

- He hasn't had a chance to get
a haircut or a shave either.

(audience laughing)

- Oh, my goodness, I didn't
even know I had these.

I was so excited about Bill.

- Just keep talking.

Act natural.

- Yes, well, Bill, that's
Detective Lieutenant Brennan,

now a very dear friend of mine.

You see, um, he's going
to be in charge of,

- Yes, don't look
at me, signora.

Talk to them.

(audience laughing)

- Well, you read in the paper
about that famous painting

they're bringing here
from the art museum.

Well, Bill has been put
in charge of guarding it.

Isn't that marvelous?

- That's fine.

You come back here
at four o'clock.

Bring plenty of those.

I paint your portrait.

Then you can tell all
your little friends

your painting was made
by the immortal da Vinci.

- da Vinci?

Oh, that's the name of
the man whose painting

is coming here on exhibit.

The one Bill is guarding.

- What? Whose painting
is coming here?

- The Mona Lisa.

- La Gioconda.

- The Mona Lisa.

- La Gioconda.

- The Mona Lisa.

- La Gioconda.

I'm quite sure Bill said that-

- It's quite all right, Lorelei.

The original name of the
painting was La Gioconda,

but the name was changed
to Mona Lisa after-

- After they stole it.

Those thieves.

- Stole it?

Now what do you mean?

- Now, you don't suppose
they paid me a copper

for it, do you?

Those robbers.

- You mean that Bill is
guarding stolen goods?

- Well, not exactly Lorelei.

Mr. da Vinci means the artist
who painted the picture

wasn't paid for it.

- Yeah, and that
was 500 years ago.

(audience laughing)

- Oh, dear, that's a
shame, the poor man.

I don't suppose there's anything

he can do about
it now, is there?

- Of that, senora, I
would not be too sure.

(audience laughing)

(speaking in a foreign language)

- This is, this is a very
bad world you have here.

They steal my flying machine.

They steal my submarine.

They steal my helicopter.

Thieves, they steal
and sign their name

to all of my invention.

- Maybe you should have
invented a better lock

to put in your desk drawer.

(audience laughing)

- That's very funny.

You make jokes while I
suffer the final insult.

They take my painting
and they change the name.

- Well, perhaps if we discuss
the torque conversion factor

on the spaceship, Leonardo,
it would take your mind.

- No, no, no, no, no.
- Yes, it would.

- No, no, no, no, no.
- It would take your mind

off things.

- No, no, no, no,
no, amigo, no, I, uh.

I'm suddenly very tired.

It's very late.

- No, it's not late.

Not even noon.

- I'm still on Italian time.

(audience laughing)

I want to take a nap.

You mind?

(audience laughing)

- Oh, we have this chair bed
here that I just ordered.

(audience laughing)

- That's fine, enjoy.

(audience laughing)

- Tim, he's furious.

This is going to be difficult.

- Yeah, I know.

- Problems, problems.

Only one thing is lacking
to make my day complete.

(door knocking)

Well, that one thing is here.

Now my day's complete.

Good morning,
Lieutenant Brennan.

- Don't you "good
morning" me, O'Hara.

What do you mean bring
that lout up in here?

- Lout?

- Yes, lout.

Where is he?

I'm gonna give him
a piece of my mind.

- Make it a small
piece, Lieutenant.

You can't afford much.

- You stay out of this, O'Hara.

- Now just a minute, Brennan.

What right have you to
come storming in here

insulting our guest?

- Lorelei told me how
he pinched her cheek

and ate her fudge brownies.

And I'm telling you, I
will not have a delicate,

sensitive woman like Lorelei
associating with the, with the.

- With the what?

- An itinerate artist.

- What you mean, Brennan,
is that you are a snob.

You're unwilling to judge
a man's work on it's merit.

Only on his reputation.

- I didn't come here to discuss
art appreciation, O'Hara.

I came here to find
that broken down artist.

(discouraging music)

Flown the coop, huh?

You tell that broken down artist

to keep his hands off Lorelei.

If I see him.

- da Vinci's gone.

- Quiet, please.

- What are you doing?

(shushing)

What are you doing?

- A man as angry as Leonardo

just can't help
muttering to himself.

Sound waves are never lost, Tim.

I'm tuning in on da
Vinci's mutterings.

- Oh.

- Mmhmm.

- Tell me. What is it?

- Such language.

- What's he saying?

- Brennan may see da Vinci
sooner than he realizes.

- What do you mean?

- Leonardo is on his way
right now to the museum.

He's planning to steal
back his Mona Lisa.

- Oh, no.

(upbeat music)

- Sorry, sir, no admittance.

- Oh, we thought
this was the room

that had the Mona Lisa in it.

- Yes, sir, that's right, sir.

That's why no admittance
until it's been uncrated.

- Oh, well, thank you very much.

Thank you very much.

Well, so far so good.

At least we know Leonardo
didn't get in there.

- Oh, don't underrate him, Tim.

He's around here somewhere.

I'm getting vibrations.

We've got to get into that room.

- How?

- Well, I can make myself
invisible, but I may need help.

Your help.

I've got it.

There's one man who
can get in that room.

- Who?

- Brennan.

I'll hypnotize those guards
into thinking that your him.

Then you can follow me in.

Quick, now get over
there and hurry.

- Now what?

(audience laughing)

(sonic squealing)

(audience laughing)

- Oh, Lieutenant Brennan,
I didn't recognize you sir.

Go right in.

- Carry on, men.

- Yes, sir.

Watch it, Uncle Martin.

(audience laughing)

(mysterious music)

- Too late.

- I don't understand it.

How did he get in here?

- Broken glass.

Oh, see that window, there?

- [Tim] But that's 50
feet off the ground.

- Yeah, well, you forget

that da Vinci also
invented the catapult.

He must have
improvised something

and fired himself through the
window as if from a slingshot.

- Maybe he's still around.

(outer space music)

- Someone's coming.

- Everything in order?

- Yes, sir, Lieutenant
Brennan's in with the painting.

Lieutenant Brennan,
you just went in there.

(audience laughing)

- How can I walk in there
when I just walked in here?

(door handle rattling)

- Brennan.

(audience laughing)

- O'Hara.

What are you doing here?

- Well, as a reporter, I
was trying to get a story

on, uh, on what it's
like to be alone

in the same room
with the Mona Lisa.

- How would you like
to write a story

on how it feels to be
alone in a jail cell?

- Oh, come on, Brennan,
you know how hard

we reporters work for a story.

- This case hasn't been
out of anyone's sight

since it was crated
and shipped here.

At 5 o'clock, a team of experts

is coming here to uncrate her.

If I find one teeny,
weeny thing out of order,

do you know whose
fault it will be?

- Oh, yes, but you'd
never believe me.

(audience laughing)

- Your fault, O'Hara.

And just to make sure I
can get my hands on you,

I'm taking you into
custody for illegal entry

as soon as I get downtown.

Lock him up in the anteroom
until I'm ready for him.

- Yes, sir, Lieutenant.

Come on, Tim.

(upbeat music)

- [Tim] Easy, fellas,
I'm going, I'm going.

(audience laughing)

(door closing)

Uncle Martin?

Oh, come on.

Uncle Martin?

Uncle Martin?

Ah!

- Here I am, Tim.

- Now what?

- Five hours to doomsday.

When they unlock that crate
and find that frame empty,

we're going to be framed
and locked up in its place.

Then they'll search our house.

- Our house? Why?

The painting isn't there.

- What about the garage?

- It's in the garage?

- No, but the spaceship is.

- Oh.

- We've got to catch
up with Leonardo.

- Well, maybe he took the
painting and went home.

- Of course, that's it.

Not just home to our apartment,

back home to the 15th century.

- The time machine.

- With a brain like
his, he can figure out

how it works in no time.

I've got to get you out of here.

- Well, just call me Brennan.

- Okay, you're Brennan.

- All right, you, oh,
sorry, Lieutenant.

- Just wanted to see whether
you boys were on your toes.

- Hey, yes, sir,
Lieutenant, yes, sir.

- Watch it, Uncle Martin.

(audience laughing)

Carry on, men.

- Well, he sure moves
fast, doesn't he?

(audience laughing)

- Fast just isn't
the word for it.

- Everything under control?

He hasn't tried
to escape, has he?

- Oh, no, sir, Lieutenant.

Nobody's come through
that door but you, sir.

- Me?

How could I have come out
when I've just come in?

(mysterious music)

You idiots.

That must've been
O'Hara himself you saw.

He used a disguise.

- Yeah, some disguise.

- Something's going on.

Come on.

We'll go to his house and
search it from top to bottom.

(upbeat music)

- What are you doing?

- They steal from me,
I steal from them.

- Careful, Tim, careful.

He's got my time machine.

- Your time machine?

Well, what about
my television set?

My watch?

My transistor radio?

My telephone.

- Who misses a few souvenirs?

- [Tim] Souvenirs?

- And what do you
expect da Vinci to take?

Bath towels?

What do you think I am?

Some cheap tourist, eh?

- Now see here, Leonardo.

- All right, I don't argue.

Who needs your inventions?

I'll just take,

my little painting.

- The Mona Lisa?

- La Gioconda.

- Let's not make him angry.

Now let's talk like
reasonable men.

All right, Leonardo, if
you don't want to stay.

- Martinelli, I want to
speak honestly, with you.

I do not

like it here.

I'm telling you the truth.

I miss

the blue skies of Italia.

Come to think of it, how is it

that you people
have a brown sky?

(audience laughing)

- We call it smog.

- Must be one of
your inventions.

(audience laughing)

I leave against you.

I go now.

(audience laughing)

And I take my little
painting with me.

I just press uh, press
this little button here.

(audience laughing)

- I'm afraid I can't let
you do that, Leonardo.

You see, I'm the one
whose responsible.

(audience laughing)

(Leonardo laughing)

- How did he do that?

- Levitation has been known
since the time of the Romans.

- [Tim] Uncle
Martin, freeze him.

- I can't, Tim, it's impossible.

- That's right,
that's impossible.

I read all his books.

I know all his tricks.

(Leonardo laughing)

- Well, you're not gonna
take that picture with you.

- No, no, no.

- I broke it.

- I know.

Leonardo was always
experimenting.

He painted the Mona
Lisa on a wood panel.

- Should have
really used cement.

(audience laughing)

My masterpiece is ruined.

- Look, I,

I'm really sorry, Leo.

- You presume to care
about my painting?

- Well, you only painted it,

I destroyed it.

- And you were trying to
save it for the world.

- For the world.

- Why do you think that
painting was priceless?

- Why?

- Why do you think
the world loved it so?

- Why?

- And why do you think Tim,
here, was trying to save it?

- Why?

- Because of your
genius, that's why.

- That's right.

Now no one will know
how wonderful I was.

They will not appreciate me.

- Let's kill each other.

(audience laughing)

- All right.

(audience laughing)

Wait a minute.

I got a better idea.

They will know because
I, Leonardo da Vinci,

will repaint it.

- Leonardo, hurry, hurry, begin.

- I cannot.

- Why not?

- Because I must
paint from life.

I have no model.

- Oh, come on, now, many
painters don't use models today.

- Maybe that's what's
wrong with them.

- I think I can get you a model.

(outer space music)

- Just a little smile, please.

Oh, Martinelli,
please, a little smile.

- Oh.

(sonic squeal)

- Ah, it's perfect, perfect.

- Are you sure she
won't remember a thing

after you unfreeze her?

- Positive.

She'll think she merely stopped
by on her way to the museum.

- [Tim] How much
time do we have?

- Is no matter.

Is finished.

(upbeat music)

Is not magnificent naturally?

(audience laughing)

- Well, it may be magnificent,
but the Mona Lisa it ain't.

- Leonardo, we can't put
this in place of La Gioconda.

- Why not?

It is a even greater.

I out did myself.

I was magnificent.

Hello, oh I forgot
that you're frozen.

- Everyone knows the original.

They'll think this
one is a fraud.

- Bah, what do they know?

Peasants.

It was I who made that miserable
Madonna Lisa beautiful,

believe me, it took real genius.

(audience laughing)

- Mr. da Vinci, can't you
just repaint the picture

the way it was?

- No, it is done.

It is finito.

It is superb.

- Very well, Leonardo.

Thank you very much
helping me on my spaceship.

- Wait a minute,
Uncle Martin, you mean

you're gonna let him
without repainting it?

- It won't be necessary, Tim.

I'll do it myself.

- You will paint my masterpiece.

Ha.

(outer space music)

(upbeat music)

- There now, it's finished.

(sirens screaming)

- Oh, we're finished all right.

- Not yet, Tim.

We still have time to
get it to the gallery.

- Wait.

- Well?

- Eh, not bad for an amateur.

- You'll notice in the hair-

- Could you please
postpone the symposium

until the police
are not invited?

- Of course.

- Well, is time for me to go.

(speaking in a foreign language)

Ciao.

(audience laughing)

I go now and I take
Mona Lorelei with me.

- Bye, Leonardo.

Bon voyage.

(outer space music)

I'll see you at the museum, Tim.

- Okay.

Oh, wait a minute, Uncle
Martin, Mrs. Brown.

- [Martin] Oh, yes, yes.

I better unfreeze her.

- Let's see now, I was
on my way to the museum.

- Uncle Martin, the
smile, the smile.

- [Martin] I must've
frozen it on too hard.

But don't worry, it'll
thaw out in a few hours.

(door knocking)

- Oh, there you are, O'Hara.

- Yes, how about that,
Lieutenant, here I am.

- Who gave you permission
to leave the museum?

Hello, Lorelei.

- Hello, Bill.

- What's been going on
around here, anyway?

- Well, that's a long
story, Lieutenant.

You see, um, uh, when
you came in the room.

- O'Hara would you stand still.

- Oh, sorry.

Now, what was I saying?

Oh, yes, um.

- Nevermind.

I wouldn't believe
you in any case.

- Well, I can't say that
I blame you, Lieutenant.

I wouldn't either.

(majestic music)

- It's here.

The moment we have
all been waiting for.

Notice that the
colors are so fresh

that it looks as though it
were painted only yesterday.

- Today.

Oh, Uncle Martin.

Well, you did it again.

- Yes, I thought it
was rather magnificent.

(audience laughing)

- Strange, I, I never heard
of this da Vinci work before.

(audience laughing)

- How did?

- That wonderful ham must've
dropped it off on his way back.

Well, Brennan was right
about one thing, Tim.

- He was?

- You just can't trust
an itinerant artist.

(audience laughing)

(outer space music)