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These are the user uploaded subtitles that are being translated: 1 00:00:11,645 --> 00:00:13,847 - AH, WELL, 2 00:00:13,847 --> 00:00:17,818 BTR'S WHIRLWIND WORLD TOUR IS OFFICIALLY OVER. 3 00:00:17,818 --> 00:00:19,253 - AND NOW IT'S BACK TO THE PALMWOODS, 4 00:00:19,253 --> 00:00:20,788 WHERE THE NEW KIDS HAVE MOVED IN, 5 00:00:20,788 --> 00:00:22,090 AND NONE OF THEM WILL KNOW US. 6 00:00:22,090 --> 00:00:24,758 - WHICH MEANS WE HAVE TO REESTABLISH 7 00:00:24,758 --> 00:00:28,429 OUR BIG TIME POOL, LOBBY, AND HALLWAY CRED 8 00:00:28,429 --> 00:00:30,131 ALL OVER AGAIN. 9 00:00:30,131 --> 00:00:31,799 - I HATE REESTABLISHING CRED. 10 00:00:31,799 --> 00:00:32,966 - HEY. 11 00:00:32,966 --> 00:00:35,469 AFTER FOUR CONTINENTS AND OUR HOTEL ROOMS 12 00:00:35,469 --> 00:00:38,406 BEING BROKEN INTO 19 TIMES, I'M LOOK FORWARD TO A LITTLE 13 00:00:38,406 --> 00:00:42,376 "NOBODY KNOWS US AT THE PALMWOODS" RELAXING TIME. 14 00:00:44,245 --> 00:00:46,247 all: WELCOME BACK! 15 00:00:46,247 --> 00:00:47,815 [cheers and applause] 16 00:00:47,815 --> 00:00:50,484 [noisemakers rattling, horns blowing] 17 00:00:50,484 --> 00:00:52,920 - HUH, MAYBE THINGS WILL BE DIFFERENT THIS SEASON. 18 00:00:52,920 --> 00:00:53,921 [horn beeps] 19 00:00:53,921 --> 00:00:55,489 - AND HERE'S BIG TIME RUSH. 20 00:00:55,489 --> 00:00:58,626 NOW WOULD BE A GOOD TIME TO USE YOUR COMPLIMENTARY SCISSORS 21 00:00:58,626 --> 00:01:00,228 TO GET SOME SOUVENIR HAIR. 22 00:01:00,228 --> 00:01:02,130 all: VERY DIFFERENT. 23 00:01:02,130 --> 00:01:05,133 - * AH, AH, AH-AH, OH 24 00:01:05,133 --> 00:01:07,135 [all yelling] 25 00:01:07,135 --> 00:01:09,970 - AS YOU CAN SEE, THEY ARE VERY FAST. 26 00:01:09,970 --> 00:01:11,805 - * MAKE IT COUNT, PLAY IT STRAIGHT * 27 00:01:11,805 --> 00:01:13,707 * DON'T LOOK BACK, DON'T HESITATE * 28 00:01:13,707 --> 00:01:17,911 - * WHEN YOU GO BIG TIME 29 00:01:17,911 --> 00:01:19,780 - * WHAT YOU WANT, WHAT YOU FEEL * 30 00:01:19,780 --> 00:01:21,582 * NEVER QUIT AND MAKE IT REAL * 31 00:01:21,582 --> 00:01:24,852 - * WHEN YOU ROLL BIG TIME 32 00:01:24,852 --> 00:01:25,953 - * OH-OH, OH-OH 33 00:01:25,953 --> 00:01:27,755 - * HEY, HEY 34 00:01:27,755 --> 00:01:29,790 - * LISTEN TO YOUR HEART NOW 35 00:01:29,790 --> 00:01:31,625 - * HEY, HEY 36 00:01:31,625 --> 00:01:33,661 - * DON'T YOU FEEL THE RUSH * 37 00:01:33,661 --> 00:01:35,496 - * UH-OH, UH-OH 38 00:01:35,496 --> 00:01:36,797 * UH-OH, UH-OH 39 00:01:36,797 --> 00:01:37,798 - * OH 40 00:01:37,798 --> 00:01:39,200 - * GO AND SHAKE IT UP 41 00:01:39,200 --> 00:01:41,635 * WHATCHA GOTTA LOSE 42 00:01:41,635 --> 00:01:43,171 * GO AND MAKE YOUR LUCK 43 00:01:43,171 --> 00:01:45,673 * WITH THE LIFE YOU CHOOSE 44 00:01:45,673 --> 00:01:49,177 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 45 00:01:49,177 --> 00:01:53,481 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 46 00:01:57,084 --> 00:01:58,886 - KEEP GOING! GO! 47 00:01:58,886 --> 00:02:00,921 [horn beeps] 48 00:02:01,989 --> 00:02:03,691 - JUST A SECOND, AND LET ME, UH, 49 00:02:03,691 --> 00:02:05,092 JUST BACK THE VEHICLE UP, 50 00:02:05,092 --> 00:02:07,661 AND WE'LL CONTINUE ON WITH THE BIG TIME EXPERIENCE. 51 00:02:07,661 --> 00:02:10,631 - WHAT IS GOING ON AROUND HERE? 52 00:02:10,631 --> 00:02:12,633 - ONE, YOU'RE FAMOUS NOW. 53 00:02:12,633 --> 00:02:15,102 AND TWO, I'M JEALOUS THAT BITTERS THOUGHT 54 00:02:15,102 --> 00:02:17,104 OF THE BIG TIME EXPERIENCE BEFORE I DID. 55 00:02:17,104 --> 00:02:18,206 [horn beeps] 56 00:02:18,206 --> 00:02:19,407 - AND THREE, WELCOME-HOME HUG! 57 00:02:22,210 --> 00:02:24,878 - AND CAMILLE WILL BE CRASHING DOWN THE DOOR ANY SECOND 58 00:02:24,878 --> 00:02:27,415 FOR HER WELCOME-HOME TACKLE. 59 00:02:27,415 --> 00:02:29,350 AND THIS YEAR, I'M GONNA LET HER. 60 00:02:29,350 --> 00:02:31,319 - WAIT. SO YOU WANT TO GO OUT WITH CAMILLE AGAIN? 61 00:02:31,319 --> 00:02:32,686 - YUP. 62 00:02:32,686 --> 00:02:34,788 BUT I'M GOING TO LET HER MAKE THE FIRST MOVE, 63 00:02:34,788 --> 00:02:37,658 THUS PROTECTING MYSELF FROM THE DATING DISADVANTAGE 64 00:02:37,658 --> 00:02:41,229 OF BEING THE PURSUER INSTEAD OF THE PURSUEE. 65 00:02:41,229 --> 00:02:42,596 IT'S LOVE SCIENCE. 66 00:02:42,596 --> 00:02:43,964 - IT'S SOMETHING. 67 00:02:51,539 --> 00:02:52,940 - HUH. 68 00:02:52,940 --> 00:02:55,543 WELL, SHE MUCH HAVE FORGOT WHAT TIME WE WERE ARRIVING. 69 00:02:55,543 --> 00:02:57,811 SO A LITTLE KNOCK ON THE DOOR MIGHT HELP REMIND HER. 70 00:02:57,811 --> 00:02:59,480 - BUT IF YOU KNOCK ON HER DOOR, 71 00:02:59,480 --> 00:03:02,082 ISN'T THAT YOU MAKING THE FIRST MOVE? 72 00:03:02,082 --> 00:03:04,852 - DON'T QUESTION LOVE SCIENCE. 73 00:03:08,756 --> 00:03:10,123 [horn beeps] 74 00:03:10,123 --> 00:03:12,059 - AND THERE'S LOGAN NOW. 75 00:03:13,394 --> 00:03:15,863 - SPEAKING OF LOVE, NOW THAT BTR IS FAMOUS 76 00:03:15,863 --> 00:03:17,265 AND HAS A TOP TEN HIT, 77 00:03:17,265 --> 00:03:19,433 THE JENNIFERS WILL TOTALLY DATE ME. 78 00:03:19,433 --> 00:03:21,269 - ISN'T THAT KIND OF SHALLOW? 79 00:03:21,269 --> 00:03:22,570 - YEAH. 80 00:03:22,570 --> 00:03:24,272 BYE! 81 00:03:24,272 --> 00:03:25,273 - HUH. 82 00:03:25,273 --> 00:03:27,508 WITH CARLOS PURSUING THE JENS, 83 00:03:27,508 --> 00:03:29,277 THAT LEAVES ME WITH SOLE DIBS 84 00:03:29,277 --> 00:03:30,678 ON THE LOVE OF MY LIFE: 85 00:03:30,678 --> 00:03:31,879 LUCY. 86 00:03:31,879 --> 00:03:33,947 - LUCY IS THE LOVE OF YOUR LIFE? 87 00:03:33,947 --> 00:03:37,751 - WELL, SHE'S SMART AND HOT, SO YEAH. 88 00:03:37,751 --> 00:03:39,420 - WHAT WOULD YOU SAY IF I TOLD YOU 89 00:03:39,420 --> 00:03:42,556 THAT SHE WINKED AT ME BEFORE WE LEFT FOR TOUR, 90 00:03:42,556 --> 00:03:44,492 YOU KNOW, WHEN WE SANG BY THE POOL? 91 00:03:44,492 --> 00:03:47,194 - I WOULD SAY SHE PROBABLY HAD SOMETHING IN HER EYE 92 00:03:47,194 --> 00:03:50,030 AND DIDN'T WINK AT YOU. 93 00:03:50,030 --> 00:03:51,332 - OKAY, SWEETIE, LET'S GO. 94 00:03:51,332 --> 00:03:52,600 - BUT I THINK THEY'RE GONNA FIGHT. 95 00:03:57,371 --> 00:04:01,542 - ALL I'M SAYING IS, IS THAT SHE WINKED AT ME. 96 00:04:01,542 --> 00:04:04,378 - AND ALL I'M SAYING IS THAT YOU SHOULD FOLLOW 97 00:04:04,378 --> 00:04:06,179 THE RULE OF DIBS, 98 00:04:06,179 --> 00:04:07,781 WHICH STATES THAT THE FIRST PERSON 99 00:04:07,781 --> 00:04:09,383 TO UTTER THE WORD "DIBS" 100 00:04:09,383 --> 00:04:11,485 HAS PROPRIETARY CLAIM ON ALL 101 00:04:11,485 --> 00:04:12,786 CAR SEATING, REMOTE CONTROLS, 102 00:04:12,786 --> 00:04:15,523 FOUND MONEY, TASTY SNACK FOOD, AND GIRLS. 103 00:04:15,523 --> 00:04:16,524 - W-- 104 00:04:16,524 --> 00:04:18,326 - ANY VIOLATION OF SAID RULE 105 00:04:18,326 --> 00:04:21,329 WILL RESULT IN THE VIOLATOR HAVING TO RUN ONE HALF MILE 106 00:04:21,329 --> 00:04:24,465 THROUGH A CROWDED PUBLIC AREA IN HIS UNDERWEAR. 107 00:04:24,465 --> 00:04:26,199 ANYTHING ELSE? 108 00:04:26,199 --> 00:04:28,336 I DIDN'T THINK SO. 109 00:04:34,608 --> 00:04:36,344 - WHOA, WHOA, WAIT A MINUTE! 110 00:04:36,344 --> 00:04:38,479 WAIT! HEY, WHERE ARE YOU TAKING ME? 111 00:04:38,479 --> 00:04:39,480 HEY, HELP ME! 112 00:04:40,714 --> 00:04:42,182 OKAY, WHAT-- 113 00:04:42,182 --> 00:04:44,718 WHERE ARE YOU TAKING ME? 114 00:04:44,718 --> 00:04:45,986 - HELLO, CARLOS. 115 00:04:45,986 --> 00:04:47,054 WELCOME BACK. 116 00:04:47,054 --> 00:04:48,522 - GRIFFIN? 117 00:04:48,522 --> 00:04:50,023 YOU COULD HAVE JUST CALLED, YOU KNOW. 118 00:04:50,023 --> 00:04:52,960 - NO, I ALWAYS PREFER TO DO BUSINESS FACE-TO-FACE 119 00:04:52,960 --> 00:04:54,161 WITH SACKS. 120 00:04:54,161 --> 00:04:56,664 - OKAY, WELL, IT WAS GREAT TO SEE YOU. 121 00:04:56,664 --> 00:04:57,698 BUT I NEED TO RETURN TO-- 122 00:04:57,698 --> 00:04:59,099 - WHAT UP, YO? 123 00:04:59,099 --> 00:05:02,135 IT'S JOJO ON THE RADIO, AND TOMORROW, BIG TIME RUSH 124 00:05:02,135 --> 00:05:04,538 IS GONNA BE HERE LIVE TO DEBUT THEIR NEW SINGLE. 125 00:05:04,538 --> 00:05:05,973 - SWEET. 126 00:05:05,973 --> 00:05:08,409 - EVEN SWEETER, GUSTAVO AND I HAVE DECIDED TO LET YOU 127 00:05:08,409 --> 00:05:11,512 PICK WHICH BIG TIME SONG JOJO PLAYS. 128 00:05:11,512 --> 00:05:14,081 - GREAT, UM, OKAY. 129 00:05:14,081 --> 00:05:15,215 I-I PICK, UH-- 130 00:05:15,215 --> 00:05:16,950 - LOVE ME, LOVE ME, I AGREE. 131 00:05:16,950 --> 00:05:18,419 LET'S GO TELL GUSTAVO. 132 00:05:18,419 --> 00:05:20,721 - WAIT. I THOUGHT THAT I WAS GONNA PICK. 133 00:05:20,721 --> 00:05:21,822 - YOU ARE, 134 00:05:21,822 --> 00:05:23,657 AS LONG AS IT'S LOVE ME, LOVE ME. 135 00:05:23,657 --> 00:05:25,192 - * LOVE ME, LOVE ME 136 00:05:25,192 --> 00:05:27,027 * SAY YOU'RE GONNA LOVE ME * 137 00:05:27,027 --> 00:05:28,662 * I KNOW YOU'RE READY TO GO * 138 00:05:28,662 --> 00:05:30,230 * I-I'M READY TO GO * 139 00:05:32,032 --> 00:05:33,501 - BUT IF YOU KNOCK ON HER DOOR, 140 00:05:33,501 --> 00:05:35,603 ISN'T THAT YOU MAKING THE FIRST MOVE? 141 00:05:41,174 --> 00:05:43,043 [pounding on door] 142 00:05:44,445 --> 00:05:46,113 - JIMBO, WHAT'S UP? 143 00:05:46,113 --> 00:05:47,481 IT'S SO GOOD TO BE BACK. 144 00:05:47,481 --> 00:05:49,817 BIG TIME RUSH IS BACK. 145 00:05:49,817 --> 00:05:51,051 WHOO! 146 00:05:51,051 --> 00:05:53,053 - I'M CALLING THE COPS. 147 00:05:53,053 --> 00:05:54,154 - WHAT? 148 00:05:56,424 --> 00:05:58,759 - LOGAN? 149 00:05:58,759 --> 00:05:59,893 - HELLO, CAMILLE. 150 00:06:02,763 --> 00:06:04,465 - SO YOU GUYS GOT BACK TODAY. 151 00:06:05,866 --> 00:06:07,935 - YEAH, GOT BACK TODAY. 152 00:06:07,935 --> 00:06:10,538 LET ME JUST SAY IT IS SO GOOD TO BE BACK. 153 00:06:11,605 --> 00:06:14,107 - GREAT. 154 00:06:14,107 --> 00:06:15,175 - GREAT. 155 00:06:15,175 --> 00:06:16,577 GREAT, GREAT. 156 00:06:16,577 --> 00:06:19,346 [siren wailing] 157 00:06:19,346 --> 00:06:21,449 WELL, I SHOULD BE GOING. 158 00:06:21,449 --> 00:06:23,116 - OKAY. 159 00:06:23,116 --> 00:06:24,852 - SEE YOU AROUND. 160 00:06:24,852 --> 00:06:28,188 - OKAY, I'LL SEE YOU AROUND. 161 00:06:28,188 --> 00:06:30,491 - I REALLY WANT TO TACKLE HIM. 162 00:06:30,491 --> 00:06:31,825 - NO. 163 00:06:31,825 --> 00:06:33,927 LOGAN HAS TO MAKE THE FIRST MOVE THIS TIME. 164 00:06:33,927 --> 00:06:36,764 YOU ALWAYS MAKE THE FIRST MOVE, AND WHAT'S IT GOTTEN YOU? 165 00:06:36,764 --> 00:06:39,733 - AN ON-AGAIN, OFF-AGAIN ROMANCE FILLED WITH QUESTION MARKS 166 00:06:39,733 --> 00:06:40,901 AND NO COMMITMENT. 167 00:06:40,901 --> 00:06:41,935 - JUST TRUST ME. 168 00:06:41,935 --> 00:06:42,970 IT'S LOVE SCIENCE. 169 00:06:42,970 --> 00:06:44,572 OH, HEY, I'LL BE ON CHANNEL FOUR 170 00:06:44,572 --> 00:06:46,940 IF YOU HAVE ANY MORE MAN OR BATHROOM PROBLEMS 171 00:06:46,940 --> 00:06:48,909 OR MAN-IN-THE-BATHROOM PROBLEMS. 172 00:06:51,712 --> 00:06:53,080 - LUCY. 173 00:06:53,080 --> 00:06:54,615 DO YOU KNOW WHAT I WAS THINKING ABOUT 174 00:06:54,615 --> 00:06:55,749 ALL TOUR LONG, 175 00:06:55,749 --> 00:06:58,351 BESIDES, "DOES THIS HAVE NUTS IN IT?" 176 00:06:58,351 --> 00:06:59,720 YOU. 177 00:06:59,720 --> 00:07:02,022 - SAY NO MORE. 178 00:07:02,022 --> 00:07:03,524 CLOSE YOUR EYES. 179 00:07:13,300 --> 00:07:14,301 both: OH! 180 00:07:15,769 --> 00:07:17,538 - HI. 181 00:07:17,538 --> 00:07:18,972 - HI. 182 00:07:21,742 --> 00:07:24,512 - SO HOW WAS YOUR TOUR? 183 00:07:24,512 --> 00:07:26,514 - MAYBE YOU SHOULD ASK JAMES ABOUT THAT. 184 00:07:26,514 --> 00:07:28,516 - I WOULD, BUT HE'S CRUSHING ON ME AGAIN, 185 00:07:28,516 --> 00:07:30,918 AND YOU'RE NOT CRUSHING ON ME, WHICH MEANS WE CAN HAVE, 186 00:07:30,918 --> 00:07:33,654 YOU KNOW, AN INTELLIGENT CONVERSATION. 187 00:07:33,654 --> 00:07:35,889 - YEAH, CAN'T DO THAT RIGHT NOW. 188 00:07:35,889 --> 00:07:36,990 - WHY NOT? 189 00:07:36,990 --> 00:07:38,391 - BECAUSE THEN I'D HAVE TO RUN 190 00:07:38,391 --> 00:07:40,661 A HALF MILE THROUGH A CROWD IN MY UNDERWEAR. 191 00:07:40,661 --> 00:07:43,163 - [laughs] 192 00:07:43,163 --> 00:07:44,698 OH, MY GOD, YOU'RE SERIOUS. 193 00:07:46,534 --> 00:07:48,335 WHY ARE YOU ALL SO WEIRD? 194 00:07:48,335 --> 00:07:49,870 [horn beeps] 195 00:07:49,870 --> 00:07:52,139 - AND ON YOUR RIGHT, A POSSIBLE FUTURE LOVE INTEREST 196 00:07:52,139 --> 00:07:54,675 FOR KENDALL AND/OR JAMES. 197 00:07:54,675 --> 00:07:56,910 [camera shutters clicking] 198 00:07:56,910 --> 00:08:00,113 - CARLOS, I WAS JUST GONNA CALL YOU. 199 00:08:00,113 --> 00:08:02,950 GRIFFIN AND I ALWAYS ARGUE OVER WHICH NEW SONG TO RELEASE, 200 00:08:02,950 --> 00:08:05,686 SO WE'VE DECIDED TO LET YOU PICK IT. 201 00:08:05,686 --> 00:08:08,722 - BECAUSE YOU ARE THE MOST HONEST PERSON WE KNOW. 202 00:08:08,722 --> 00:08:10,157 - I'M NOT ALWAYS HONEST. 203 00:08:10,157 --> 00:08:11,592 - SEE? 204 00:08:11,592 --> 00:08:14,762 - NOW, GRIFFIN WANTS LOVE ME, LOVE ME, 205 00:08:14,762 --> 00:08:17,197 BUT I THINK OUR NEW HIT SONG SHOULD BE ELEVATE. 206 00:08:17,197 --> 00:08:18,298 - I LIKE LOVE ME, LOVE ME. 207 00:08:18,298 --> 00:08:20,267 - NO, YOU DON'T. 208 00:08:20,267 --> 00:08:22,770 - YES, I DO. 209 00:08:22,770 --> 00:08:25,873 - YES, I DO. 210 00:08:25,873 --> 00:08:27,074 - WHY? 211 00:08:27,074 --> 00:08:28,408 - BECAUSE LOVE ME, LOVE ME 212 00:08:28,408 --> 00:08:29,943 CONNECTS TO TODAY'S 12-... 213 00:08:29,943 --> 00:08:33,581 - TO 21-YEAR-OLDS WHO POSSESS THE MOST DISPOSABLE CASH, 214 00:08:33,581 --> 00:08:36,850 THUS SELLING MORE BIG TIME RUSH MERCHANDISE. 215 00:08:42,022 --> 00:08:43,657 - [clears throat] 216 00:08:43,657 --> 00:08:45,458 both: WHAT'S GOING ON HERE? 217 00:08:45,458 --> 00:08:48,228 - LOVE ME, LOVE ME IS OUR NEXT BIG TIME HIT. 218 00:08:48,228 --> 00:08:50,097 - UH, NO. ELEVATE IS. 219 00:08:50,097 --> 00:08:52,099 - LOVE ME, LOVE ME. - ELEVATE. 220 00:08:52,099 --> 00:08:53,601 - LOVE ME, LOVE ME. - ELEVATE! 221 00:08:53,601 --> 00:08:54,902 - HEY, HEY. 222 00:08:54,902 --> 00:08:57,104 DOESN'T ANYBODY WANT TO KNOW WHAT I THINK 223 00:08:57,104 --> 00:08:58,405 THE NEXT HIT SHOULD BE? 224 00:08:58,405 --> 00:08:59,773 both: NO! 225 00:09:02,042 --> 00:09:03,043 - NOW. 226 00:09:06,614 --> 00:09:08,181 - JUST MAKE THE FIRST MOVE. 227 00:09:08,181 --> 00:09:10,017 - KATIE, YOU KNOW NOTHING OF TEEN LOVE. 228 00:09:10,017 --> 00:09:11,652 NOW, CAMILLE'S COMING TO THE POOL 229 00:09:11,652 --> 00:09:12,853 TO READ SOME SCRIPTS, 230 00:09:12,853 --> 00:09:15,255 BUT INSTEAD, SHE'S GONNA BE TACKLING ME. 231 00:09:26,667 --> 00:09:28,535 - HE'S GLOWING. 232 00:09:28,535 --> 00:09:30,237 - YOU CAN'T MAKE THE FIRST MOVE. 233 00:09:31,872 --> 00:09:33,273 - BUT HE'S GLOWING. 234 00:09:33,273 --> 00:09:35,843 - SHIELD YOUR EYES AND GET OUT OF THERE. 235 00:09:35,843 --> 00:09:37,277 RUN. 236 00:09:40,881 --> 00:09:44,117 - CAMILLE JUST WALKIE-TALKIE'D TO SOMEONE AND THEN LEFT. 237 00:09:44,117 --> 00:09:46,486 - SOMEONE TOLD HER TO LEAVE ME? 238 00:09:46,486 --> 00:09:48,488 I JUST WANT TO BE TACKLED. 239 00:09:48,488 --> 00:09:49,690 [horn beeps] 240 00:09:49,690 --> 00:09:51,458 - OKAY, EVERYONE, NOW WOULD BE A GREAT TIME 241 00:09:51,458 --> 00:09:53,861 TO GET OUT AND TACKLE GLOWING LOGAN. 242 00:09:55,929 --> 00:09:56,930 - YOU SAW ME TALK TO HER. 243 00:09:56,930 --> 00:09:58,031 - YEAH, I DID. 244 00:09:58,031 --> 00:09:59,700 NOW RUN IN YOUR UNDERWEAR. 245 00:09:59,700 --> 00:10:01,034 - NO. 246 00:10:01,034 --> 00:10:03,070 BECAUSE SHE BUMPED INTO ME. 247 00:10:03,070 --> 00:10:04,672 DID WE KISS? NO. 248 00:10:04,672 --> 00:10:07,841 AND MAYBE THE RULE OF DIBS IS STUPID. 249 00:10:07,841 --> 00:10:09,042 - [gasps] 250 00:10:09,042 --> 00:10:12,179 WITHOUT RULES LIKE DIBS, THERE'S ONLY CHAOS, 251 00:10:12,179 --> 00:10:13,213 TOTAL GIRL CHAOS, 252 00:10:13,213 --> 00:10:15,649 WHICH SOUNDS GOOD BUT ISN'T. 253 00:10:15,649 --> 00:10:20,120 HOW WOULD YOU LIKE IT IF I... 254 00:10:20,120 --> 00:10:21,321 UN-DIB-IFIED 255 00:10:21,321 --> 00:10:23,056 THE FRUIT PIE, CUPCAKE, MINI DOUGHNUTS, 256 00:10:23,056 --> 00:10:26,794 AND PINKIE PUFFS THAT CARLOS, LOGAN, AND ME, AND, OH, YOU 257 00:10:26,794 --> 00:10:28,261 CALLED DIBS ON IN THE SEVENTH GRADE? 258 00:10:28,261 --> 00:10:30,230 - YOU PUT THOSE DOWN. THOSE ARE MINE. 259 00:10:30,230 --> 00:10:32,332 - OH, I'LL STAY AWAY FROM YOUR PINKIE PUFFS, 260 00:10:32,332 --> 00:10:34,067 AND YOU STAY AWAY FROM MY LUCY. 261 00:10:34,067 --> 00:10:36,069 - FINE, I'LL STAY AWAY. 262 00:10:41,274 --> 00:10:42,542 DON'T TALK TO ME. 263 00:10:44,044 --> 00:10:46,446 - SO YOU CAN'T TALK TO ME ANYMORE? 264 00:10:46,446 --> 00:10:48,716 YOU'RE SOME BIG STAR NOW WHO DOESN'T HAVE ANY TIME 265 00:10:48,716 --> 00:10:50,017 FOR HIS FRIENDS? 266 00:10:51,451 --> 00:10:53,787 - JAMES HAS DIBS ON YOU. 267 00:10:53,787 --> 00:10:56,256 THAT'S WHY I CAN'T TALK OR HANG OUT WITH YOU. 268 00:10:56,256 --> 00:10:58,025 - JAMES HAS DIBS ON ME? 269 00:10:58,025 --> 00:10:59,092 - SHH! 270 00:10:59,092 --> 00:11:00,828 - SO BIG TIME RUSH 271 00:11:00,828 --> 00:11:02,429 JUST PICKS OUT A GIRL 272 00:11:02,429 --> 00:11:04,798 AND DECIDES WHO THEY CAN AND CANNOT DATE? 273 00:11:04,798 --> 00:11:06,166 - YEAH. 274 00:11:06,166 --> 00:11:08,568 BUT IT'S RULES THAT PREVENT TOTAL GIRL CHAOS, 275 00:11:08,568 --> 00:11:10,403 WHICH SOUNDS GOOD, BUT IT ISN'T. 276 00:11:10,403 --> 00:11:13,774 - WHAT IF I CALLED DIBS ON YOU, HUH? 277 00:11:13,774 --> 00:11:15,375 - WELL, I GUESS WE NEVER REALLY THOUGHT-- 278 00:11:15,375 --> 00:11:17,577 - HEY, EVERYBODY. 279 00:11:17,577 --> 00:11:20,213 DIBS ON KENDALL. 280 00:11:20,213 --> 00:11:22,950 AND NO GIRL CAN TALK TO OR LOOK AT HIM. 281 00:11:24,317 --> 00:11:26,053 MWAH! 282 00:11:26,053 --> 00:11:27,821 WHAT DO YOU GOT TO SAY ABOUT THAT? 283 00:11:31,892 --> 00:11:35,028 - DO YOU MIND HOLDING MY PANTS? 284 00:11:35,028 --> 00:11:37,164 - * AH, AH, AH-AH, OH [girls screaming] 285 00:11:37,164 --> 00:11:38,465 - STOP IT! STOP IT! 286 00:11:38,465 --> 00:11:40,667 - YES, ON BITTERS' BIG TIME EXPERIENCE, 287 00:11:40,667 --> 00:11:41,802 YOU SEE YOUR FAVORITE STARS 288 00:11:41,802 --> 00:11:44,037 LIKE YOU'VE NEVER SEEN THEM BEFORE. 289 00:11:47,908 --> 00:11:49,042 - JOJO ON THE RADIO HERE. 290 00:11:49,042 --> 00:11:50,643 AND REMEMBER, TOMORROW, BIG TIME RUSH. 291 00:11:50,643 --> 00:11:53,380 THEY'RE GONNA BE HERE LIVE TO PLAY THEIR NEW SINGLE. 292 00:11:53,380 --> 00:11:57,951 - SO WHAT'S THAT SONG GONNA BE, CARLOS? 293 00:11:57,951 --> 00:12:00,453 - WELL, IF IT WASN'T FOR GUSTAVO, 294 00:12:00,453 --> 00:12:03,156 I'D STILL BE IN MINNESOTA SHOVELING DRIVEWAYS. 295 00:12:03,156 --> 00:12:05,092 - YOU'RE DARN RIGHT YOU WOULD. 296 00:12:05,092 --> 00:12:06,960 - BUT I LOVE THE PONY THAT GRIFFIN GOT ME. 297 00:12:06,960 --> 00:12:08,796 [horse neighs] 298 00:12:08,796 --> 00:12:10,563 - AND THERE'S MORE PONIES WHERE THAT CAME FROM. 299 00:12:10,563 --> 00:12:11,799 - NOT FAIR. 300 00:12:11,799 --> 00:12:13,133 YOU'RE TRYING TO BUY CARLOS' VOTE. 301 00:12:13,133 --> 00:12:14,134 - WRONG. 302 00:12:14,134 --> 00:12:15,435 I'M SIMPLY DOING BUSINESS, 303 00:12:15,435 --> 00:12:16,804 WITH PONIES. 304 00:12:16,804 --> 00:12:18,939 NOW, WHAT SONG'S IT GOING TO BE? 305 00:12:18,939 --> 00:12:20,240 LOVE ME, LOVE ME? 306 00:12:20,240 --> 00:12:21,608 - * SAY YOU'RE GONNA LOVE ME * 307 00:12:21,608 --> 00:12:23,176 [knuckles cracking] 308 00:12:23,176 --> 00:12:24,177 - OR ELEVATE? 309 00:12:24,177 --> 00:12:25,245 - * ELEVATE A LITTLE HIGHER 310 00:12:25,245 --> 00:12:26,179 [knuckles cracking] 311 00:12:31,218 --> 00:12:32,385 [horse neighs] 312 00:12:35,255 --> 00:12:37,290 - WILDFIRE, AWAY! 313 00:12:40,894 --> 00:12:45,298 - FOR THE LAST TIME, I DON'T WANT TO DATE LUCY. 314 00:12:45,298 --> 00:12:47,100 BUT LUCY THINKS WE SHOULD TAKE GIRLS 315 00:12:47,100 --> 00:12:49,702 OFF THE DIBS RULE, AND MAYBE SHE'S RIGHT. 316 00:12:49,702 --> 00:12:52,672 - OH, YEAH, THEN YOU CAN GO TELL HER HOW AMAZING SHE IS 317 00:12:52,672 --> 00:12:53,706 TO WIN HER LOVE. 318 00:12:53,706 --> 00:12:54,842 [laughs] 319 00:12:54,842 --> 00:12:56,910 PLUS, YOU NEED ALL FOUR MEMBERS PRESENT 320 00:12:56,910 --> 00:12:58,846 TO REMOVE A DIB-ULATION. 321 00:12:58,846 --> 00:13:00,313 - HE'S RIGHT. 322 00:13:00,313 --> 00:13:02,215 - I WAS THERE WHEN YOU SIGNED THAT STUPID THING. 323 00:13:02,215 --> 00:13:04,551 - AS YOU CAN SEE, KENDALL AND JAMES 324 00:13:04,551 --> 00:13:06,753 ARE FIGHTING OVER A GIRL. 325 00:13:06,753 --> 00:13:09,256 AND IF YOU'LL ALL LOOK LEFT, 326 00:13:09,256 --> 00:13:13,126 THIS IS THE TIME MOM USUALLY EXITS THE BATHROOM. 327 00:13:13,126 --> 00:13:15,762 - BITTERS! 328 00:13:15,762 --> 00:13:17,030 - AND THIS IS THE PART OF THE TOUR 329 00:13:17,030 --> 00:13:18,131 WHERE WE LEAVE VERY QUICKLY. 330 00:13:18,131 --> 00:13:19,132 GO! 331 00:13:19,132 --> 00:13:20,067 [shouts] 332 00:13:21,534 --> 00:13:22,903 - KATIE, LET'S GO. 333 00:13:22,903 --> 00:13:25,873 - NO, I DON'T UNDERSTAND TEEN LOVE, REMEMBER? 334 00:13:25,873 --> 00:13:27,574 - WE HAVE TO FIND OUT WHO'S COACHING CAMILLE 335 00:13:27,574 --> 00:13:29,409 AND MEDDLING WITH MY LOVE SCIENCE. 336 00:13:29,409 --> 00:13:31,511 NOW, GRAB A MEASURING CUP, AND LET'S GO. 337 00:13:31,511 --> 00:13:32,980 - NO. 338 00:13:32,980 --> 00:13:35,182 COULD I TROUBLE YOU FOR A CUP OF SUGAR? 339 00:13:35,182 --> 00:13:36,649 - OKAY. 340 00:13:36,649 --> 00:13:38,618 SURE. 341 00:13:38,618 --> 00:13:40,287 - [whistling] 342 00:13:40,287 --> 00:13:41,321 OH, HELLO. 343 00:13:41,321 --> 00:13:42,355 WHAT'S GOING ON? 344 00:13:42,355 --> 00:13:43,790 - LOGAN. 345 00:13:43,790 --> 00:13:45,058 WHAT ARE YOU DOING? 346 00:13:45,058 --> 00:13:47,460 - OH, YOU KNOW, PROBABLY JUST GONNA TACKLE 347 00:13:47,460 --> 00:13:48,896 SOME CHORES AROUND THE CRIB, 348 00:13:48,896 --> 00:13:50,663 MAYBE PLAY SOME TACKLE FOOTBALL, 349 00:13:50,663 --> 00:13:52,799 AND THEN AFTER THAT, MAYBE DO SOME FISHING... 350 00:13:52,799 --> 00:13:55,235 WITH A TACKLE BOX. 351 00:13:55,235 --> 00:13:56,569 WELL, I'LL SEE YOU GUYS LATER. 352 00:13:56,569 --> 00:13:57,905 TACKLE. 353 00:13:59,139 --> 00:14:00,307 - YOU KNOW WHAT? 354 00:14:00,307 --> 00:14:01,909 FORGET ABOUT THE SUGAR. 355 00:14:03,776 --> 00:14:05,345 [static crackling] 356 00:14:05,345 --> 00:14:07,347 - I'M TELLING YOU, HE'S TOO CUTE. 357 00:14:07,347 --> 00:14:10,583 I DON'T KNOW HOW MUCH MORE OF THIS I CAN TAKE. 358 00:14:10,583 --> 00:14:13,253 - THINK ABOUT BOOGERS HANGING OUT OF HIS NOSE 359 00:14:13,253 --> 00:14:15,923 AND KIND OF DANGLING IN THE WIND. 360 00:14:15,923 --> 00:14:19,092 - BUDDHA BOB IS STOPPING HER TACKLES OF LOVE? 361 00:14:19,092 --> 00:14:21,428 WELL, NOT FOR LONG! 362 00:14:23,196 --> 00:14:25,732 - HEY. 363 00:14:25,732 --> 00:14:27,067 HELLO. 364 00:14:36,109 --> 00:14:38,311 WILL YOU PLEASE UN-DIBS ME? 365 00:14:38,311 --> 00:14:41,048 NO GIRLS AT THE PALMWOODS WILL EVEN LOOK OR TALK TO ME. 366 00:14:41,048 --> 00:14:44,651 - DO YOU KNOW WHAT THE TERM "DIBS" STANDS FOR? 367 00:14:44,651 --> 00:14:46,186 "DEALER IDENTIFICATION BOOK," 368 00:14:46,186 --> 00:14:48,055 AS IN, FARMERS WOULD PUT A CHALK MARK 369 00:14:48,055 --> 00:14:50,390 ON THE BACK OF COWS THAT WERE FOR SALE. 370 00:14:50,390 --> 00:14:51,758 AM I A COW TO YOU? 371 00:14:51,758 --> 00:14:54,361 - YOU'RE NOT A COW. 372 00:14:54,361 --> 00:14:55,495 YOU'RE GREAT. 373 00:14:55,495 --> 00:14:57,097 AND YOU'RE AN AWESOME GUITAR PLAYER. 374 00:14:57,097 --> 00:14:58,365 AND YOU SPEAK YOUR MIND. 375 00:14:58,365 --> 00:14:59,466 - HECK, YEAH, I DO. 376 00:14:59,466 --> 00:15:01,969 - AND YOU'RE KIND OF MYSTERIOUS. 377 00:15:01,969 --> 00:15:04,237 - OH, I'M VERY MYSTERIOUS. 378 00:15:04,237 --> 00:15:08,308 - AND YOU'RE A GOOD CHEEK KISSER. 379 00:15:14,514 --> 00:15:15,848 - DO YOU NEED ME TO HOLD YOUR PANTS? 380 00:15:15,848 --> 00:15:18,251 - YEAH. 381 00:15:18,251 --> 00:15:19,552 [girls screaming] 382 00:15:19,552 --> 00:15:21,989 - THIS IS UNBELIEVABLE. 383 00:15:23,190 --> 00:15:25,325 - MR. BITTERS. 384 00:15:25,325 --> 00:15:27,995 I WOULD LIKE TO TALK TO YOU ABOUT YOUR LITTLE TOUR. 385 00:15:27,995 --> 00:15:30,230 - OF COURSE. 386 00:15:30,230 --> 00:15:31,831 NOW, TOUR, AT THIS MOMENT, I'D LIKE YOU ALL 387 00:15:31,831 --> 00:15:34,534 TO HOLD ON TO THE HAND RAILINGS, BECAUSE... 388 00:15:34,534 --> 00:15:37,004 [tires squealing] 389 00:15:37,004 --> 00:15:38,705 - WE'RE NOT DONE HERE. 390 00:15:41,841 --> 00:15:43,610 - WHY ARE YOU TELLING CAMILLE TO AVOID ME? 391 00:15:43,610 --> 00:15:44,744 HUH? 392 00:15:44,744 --> 00:15:47,347 I WANT SOME ANSWERS NOW. 393 00:15:47,347 --> 00:15:49,782 - WELL, CLEARLY, YOU HAVE COMMITMENT ISSUES, 394 00:15:49,782 --> 00:15:51,551 AND YOU'LL NEVER BE A STEADY BOYFRIEND 395 00:15:51,551 --> 00:15:53,286 TILL YOU CONQUER YOUR INSECURITIES 396 00:15:53,286 --> 00:15:55,555 AND YOUR FEAR OF REJECTION. 397 00:15:55,555 --> 00:15:58,358 - NOT THOSE ANSWERS. 398 00:15:58,358 --> 00:16:00,160 - LOGAN? 399 00:16:00,160 --> 00:16:01,261 IS THAT TRUE? 400 00:16:04,031 --> 00:16:06,833 - WHAT'S TRUE IS, EVERY TIME I COME BACK FROM A LONG TRIP, 401 00:16:06,833 --> 00:16:08,035 YOU TACKLE ME, 402 00:16:08,035 --> 00:16:10,670 AND THIS TIME, YOU DIDN'T. 403 00:16:10,670 --> 00:16:14,774 - THAT'S BECAUSE THIS TIME, I WANT THINGS TO BE DIFFERENT. 404 00:16:16,476 --> 00:16:18,878 - WHY DON'T YOU JUST TACKLE EACH OTHER AT THE SAME TIME? 405 00:16:18,878 --> 00:16:22,049 THAT WAY, YOU BOTH MAKE THE FIRST MOVE. 406 00:16:22,049 --> 00:16:23,116 [laughter] 407 00:16:23,116 --> 00:16:25,152 - TACKLE EACH OTHER AT THE SAME TIME? 408 00:16:25,152 --> 00:16:26,219 - [laughs] 409 00:16:26,219 --> 00:16:27,554 KATIE, YOU'VE PROVED ONCE AGAIN 410 00:16:27,554 --> 00:16:30,057 THAT YOU KNOW NOTHING OF TEEN LOVE. 411 00:16:30,057 --> 00:16:32,359 - THAT'S NOT A TERRIBLE IDEA. 412 00:16:33,793 --> 00:16:36,796 [joyful orchestral music] 413 00:16:36,796 --> 00:16:44,737 * 414 00:16:52,379 --> 00:16:53,746 - WHOA! 415 00:16:53,746 --> 00:16:55,415 - OUCH, AH. 416 00:17:00,520 --> 00:17:01,621 - HE'S RIGHT. 417 00:17:01,621 --> 00:17:03,290 I DO NOT GET TEEN LOVE. 418 00:17:03,290 --> 00:17:04,291 - MM. 419 00:17:05,325 --> 00:17:06,959 - HEY, GUYS. 420 00:17:06,959 --> 00:17:08,095 [horse neighs] 421 00:17:11,431 --> 00:17:14,667 - WELL, IF IT ISN'T THE DIB-SY TWINS. 422 00:17:14,667 --> 00:17:16,103 - GO ON. 423 00:17:16,103 --> 00:17:17,137 ASK HER. 424 00:17:17,137 --> 00:17:19,339 BECAUSE I AM DONE RUNNING 95% NAKED 425 00:17:19,339 --> 00:17:20,607 THROUGH THE PALMWOODS. 426 00:17:22,475 --> 00:17:26,113 - LUCY, I HAVE BEEN THINKING A LOT ABOUT YOU 427 00:17:26,113 --> 00:17:29,116 AND WAS WONDERING IF YOU WOULD LIKE TO GO ON A DATE 428 00:17:29,116 --> 00:17:30,817 WITH ME. 429 00:17:33,853 --> 00:17:36,589 - YOU'RE REALLY SWEET, JAMES. 430 00:17:36,589 --> 00:17:38,758 BUT IT'S LIKE I SAID BEFORE. 431 00:17:38,758 --> 00:17:40,127 I GOT OUT OF A MESSY RELATIONSHIP, 432 00:17:40,127 --> 00:17:41,828 AND I'M JUST NOT READY FOR ANOTHER ONE. 433 00:17:41,828 --> 00:17:43,496 - SO IT'S NOT A NO. 434 00:17:43,496 --> 00:17:45,765 - OH, IT'S A NO. 435 00:17:45,765 --> 00:17:47,834 - RIGHT, BECAUSE YOU LIKE KENDALL, 436 00:17:47,834 --> 00:17:50,137 AND YOU WINKED AT HIM BEFORE WE LEFT FOR THE TOUR. 437 00:17:50,137 --> 00:17:51,938 - I NEVER WINKED AT KENDALL. 438 00:17:51,938 --> 00:17:54,141 - UH, YEAH, YOU DID. 439 00:17:54,141 --> 00:17:56,476 - I MIGHT HAVE HAD SOME DUST IN MY EYE, 440 00:17:56,476 --> 00:17:58,578 BUT I NEVER WINKED AT YOU. 441 00:17:58,578 --> 00:18:01,781 - SO YOU DON'T WANT TO GO OUT WITH KENDALL EITHER? 442 00:18:01,781 --> 00:18:03,583 - LET'S JUST SAY... 443 00:18:05,518 --> 00:18:08,054 KENDALL'S UNDIBBED. 444 00:18:13,426 --> 00:18:15,295 - WELL, GLAD THERE'S NO MORE CONFUSION. 445 00:18:19,366 --> 00:18:20,900 - IS IT DUSTY OUT HERE? 446 00:18:20,900 --> 00:18:21,834 - NO. 447 00:18:27,207 --> 00:18:28,675 HELP US. 448 00:18:28,675 --> 00:18:30,910 - CAMILLE AND I ARE DATING AGAIN. 449 00:18:30,910 --> 00:18:33,413 - AND GUSTAVO AND GRIFFIN ARE GONNA KILL ME 450 00:18:33,413 --> 00:18:34,814 IF I DON'T PICK THEIR FAVORITE SONG 451 00:18:34,814 --> 00:18:36,383 TO PLAY FOR JOJO ON THE RADIO. 452 00:18:36,383 --> 00:18:37,450 - THAT'S SIMPLE. 453 00:18:37,450 --> 00:18:39,619 JUST PICK THE SONG YOU WANT TO PLAY. 454 00:18:39,619 --> 00:18:41,488 - OH, YEAH, I WOULD LOVE TO. 455 00:18:41,488 --> 00:18:42,622 BUT QUESTION: 456 00:18:42,622 --> 00:18:45,192 HOW DOES THAT SOLVE THE "KILL ME" PART? 457 00:18:45,192 --> 00:18:46,793 both: WE BRING HOCKEY STICKS. 458 00:18:49,529 --> 00:18:50,530 - GOOD MORNING, L.A. 459 00:18:50,530 --> 00:18:51,564 WHAT UP? 460 00:18:51,564 --> 00:18:52,932 IT'S JOJO ON THE RADIO 461 00:18:52,932 --> 00:18:55,067 IN THE STUDIO WITH KENDALL, LOGAN, JAMES, AND CARLOS. 462 00:18:55,067 --> 00:18:58,605 CARLOS, I UNDERSTAND YOU HAVE BTR'S NEXT HIT SINGLE WITH YOU. 463 00:19:00,207 --> 00:19:02,108 - I GOT TO BE HONEST, JOJO. 464 00:19:02,108 --> 00:19:04,677 IT'S MY FAVORITE SONG ON THE ALBUM. 465 00:19:04,677 --> 00:19:06,679 - WHICH IS LOVE ME, LOVE ME. - WHICH IS ELEVATE. 466 00:19:06,679 --> 00:19:08,114 - LOVE ME, LOVE ME. - ELEVATE. 467 00:19:08,114 --> 00:19:10,950 - LOVE ME, LOVE ME! - ELEVATE! 468 00:19:10,950 --> 00:19:13,686 - WELL, LET'S HEAR THIS THING. 469 00:19:13,686 --> 00:19:15,422 [upbeat rock music] 470 00:19:15,422 --> 00:19:16,456 - * THROW IT UP 471 00:19:16,456 --> 00:19:20,260 * WOO HOO 472 00:19:20,260 --> 00:19:22,562 * WOO HOO 473 00:19:22,562 --> 00:19:23,796 * YEAH, YEAH 474 00:19:23,796 --> 00:19:27,133 - * YOU'RE PRETTY, BABY * 475 00:19:27,133 --> 00:19:30,903 * BUT YOU KNOW THAT 476 00:19:30,903 --> 00:19:34,241 * WISH I COULD BRING YOU 477 00:19:34,241 --> 00:19:36,909 * ACROSS THE MAP 478 00:19:36,909 --> 00:19:38,144 * YEAH 479 00:19:38,144 --> 00:19:40,247 - * I CAN FEEL IT IN THE AIR * 480 00:19:40,247 --> 00:19:42,749 * THAT IT'S ON TONIGHT * 481 00:19:42,749 --> 00:19:46,353 * I DON'T REALLY CARE IF IT'S WRONG OR RIGHT * 482 00:19:46,353 --> 00:19:50,022 * PEDAL TO THE METAL, BABY, HOLD ME TIGHT * 483 00:19:50,022 --> 00:19:52,124 * ANYTHING YOU WANT, I CAN GET THAT, GIRL * 484 00:19:52,124 --> 00:19:53,693 * IF YOU'RE WITH THAT GIRL * 485 00:19:53,693 --> 00:19:57,264 - * EVERYBODY KNOWS THAT I WANT YOU * 486 00:19:57,264 --> 00:20:01,434 * IF YOU WANT ME, BABY, SHOW ME * 487 00:20:01,434 --> 00:20:04,404 * ROLL THE WINDOWS DOWN, LET YOUR HAIR FLOW * 488 00:20:04,404 --> 00:20:06,138 * LET IT ALL GO 489 00:20:06,138 --> 00:20:08,941 * TONIGHT-NIGHT-NIGHT- NIGHT-NIGHT-NIGHT * 490 00:20:08,941 --> 00:20:10,042 * PARTY PEOPLE 491 00:20:10,042 --> 00:20:12,345 * WOO HOO 492 00:20:12,345 --> 00:20:13,613 * ALL THE WINDOWS DOWN 493 00:20:13,613 --> 00:20:15,482 * WOO HOO 494 00:20:15,482 --> 00:20:17,183 * WHEN I'M ROLLIN' THROUGH YOUR TOWN * 495 00:20:17,183 --> 00:20:19,319 * WOO HOO 496 00:20:19,319 --> 00:20:20,953 * SAYING YEAH, YEAH 497 00:20:20,953 --> 00:20:21,954 - * STOP 498 00:20:21,954 --> 00:20:23,122 - * IT'S ON AND ON * 499 00:20:23,122 --> 00:20:24,156 - * WHOO! 500 00:20:24,156 --> 00:20:25,592 - * IT'S ON AND ON * 501 00:20:25,592 --> 00:20:28,728 * IT'S ON, ON, ON, ON, ON AND ON * 502 00:20:28,728 --> 00:20:31,063 - * WOO HOO 503 00:20:31,063 --> 00:20:32,532 * ALL THE WINDOWS DOWN 504 00:20:32,532 --> 00:20:34,066 * WOO HOO 505 00:20:34,066 --> 00:20:36,235 * WHEN I'M ROLLIN' THROUGH YOUR TOWN * 506 00:20:36,235 --> 00:20:37,904 * WOO HOO 507 00:20:37,904 --> 00:20:39,839 * SAYING YEAH, YEAH 508 00:20:39,839 --> 00:20:41,641 * WOO HOO 509 00:20:41,641 --> 00:20:44,377 - I GOT TO SAY, GUYS. 510 00:20:44,377 --> 00:20:45,745 I LIKE THAT SONG. 511 00:20:45,745 --> 00:20:49,816 I PREDICT THAT IS THE NEXT BIG TIME HIT RIGHT THERE. 512 00:20:49,816 --> 00:20:50,983 - AH. 513 00:20:50,983 --> 00:20:52,619 - THAT'S IT FOR THE JOJO ON THE RADIO SHOW. 514 00:20:52,619 --> 00:20:55,021 SPECIAL GUESTS BIG TIME RUSH, THANK YOU GUYS FOR HANGING OUT. 515 00:20:55,021 --> 00:20:56,088 - THANK YOU FOR HAVING US. 516 00:20:56,088 --> 00:20:57,490 - NOW LET'S GO BACK TO THE PALMWOODS 517 00:20:57,490 --> 00:20:59,326 SO WE CAN WRAP UP THEIR SHOW. 518 00:21:00,860 --> 00:21:03,330 - NOW THAT WE'RE ALL ASSEMBLED 519 00:21:03,330 --> 00:21:04,997 AND HAVE AGREED THAT DIBS ON GIRLS 520 00:21:04,997 --> 00:21:06,833 CREATES TOTAL GIRL CHAOS 521 00:21:06,833 --> 00:21:08,134 RATHER THAN PREVENTING IT... 522 00:21:08,134 --> 00:21:12,204 - GIRLS ARE HEREBY REMOVED FROM THE RULE OF DIBS. 523 00:21:12,204 --> 00:21:13,139 both: AGREED. 524 00:21:17,477 --> 00:21:21,047 - AND NOW LET'S CELEBRATE THIS HISTORIC OCCASION 525 00:21:21,047 --> 00:21:24,384 BY FEASTING ON THE SNACK CAKES THAT WE'VE COVETED AND DIBBED 526 00:21:24,384 --> 00:21:26,986 FOR ALMOST SIX YEARS. 527 00:21:26,986 --> 00:21:28,655 - GO! 528 00:21:31,391 --> 00:21:32,959 - YOU GUYS KNOW YOU'RE EATING 529 00:21:32,959 --> 00:21:35,027 ALL THE WRONG SNACK CAKES, RIGHT? 530 00:21:35,027 --> 00:21:38,030 KENDALL DIBBED THE FRUIT PIE; JAMES, THE CUPCAKES; 531 00:21:38,030 --> 00:21:42,869 CARLOS, THE PINKIE PUFFS; AND LOGAN, THE MINI DOUGHNUTS. 532 00:21:42,869 --> 00:21:44,471 - * AH, AH, AH-AH, OH [girls screaming] 533 00:21:44,471 --> 00:21:45,838 - OKAY, WHEN WE GET BACK TO THE CRIB, 534 00:21:45,838 --> 00:21:48,074 LET'S JUST GET RID OF THE RULE OF DIBS ALTOGETHER. 535 00:21:48,074 --> 00:21:49,075 [horn beeps] 536 00:21:49,075 --> 00:21:50,577 - TAKE YOUR PICTURES NOW, 537 00:21:50,577 --> 00:21:52,545 'CAUSE I THINK THIS IS BITTERS' LAST BIG TIME EXPERIENCE! 538 00:21:53,813 --> 00:21:54,947 - BITTERS! 539 00:21:58,017 --> 00:21:59,018 - * STEP IT UP, GET IN GEAR * 540 00:21:59,018 --> 00:22:00,620 * GO FOR BROKE, MAKE IT CLEAR * 541 00:22:00,620 --> 00:22:03,255 - * GOT TO GO BIG TIME 542 00:22:03,255 --> 00:22:04,791 - * HEY, HEY 543 00:22:04,791 --> 00:22:06,826 - * MAKE IT WORK, GET IT RIGHT * 544 00:22:06,826 --> 00:22:08,761 * CHANGE THE WORLD OVERNIGHT 545 00:22:08,761 --> 00:22:11,931 - * GOT TO DREAM BIG TIME 546 00:22:11,931 --> 00:22:12,999 - * OH-OH, OH-OH 547 00:22:12,999 --> 00:22:14,834 - * HEY, HEY 548 00:22:14,834 --> 00:22:16,836 - * GIVE IT ALL YOU GOT NOW 549 00:22:16,836 --> 00:22:18,805 - * HEY, HEY 550 00:22:18,805 --> 00:22:20,907 - * ISN'T IT A RUSH * 551 00:22:20,907 --> 00:22:22,875 - * OH-OH, OH-OH 552 00:22:22,875 --> 00:22:24,911 * OH-OH, OH-OH 553 00:22:24,911 --> 00:22:26,413 - * GO AND SHAKE IT UP 554 00:22:26,413 --> 00:22:28,881 * WHATCHA GOTTA LOSE 555 00:22:28,881 --> 00:22:32,919 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 556 00:22:32,919 --> 00:22:36,122 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 557 00:22:36,122 --> 00:22:41,060 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 37604

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