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Eߣ�B��B��B�B�B��matroskaB��B��S�g �<M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��?�M��S��T�gS�����O� I�f�*ױ�B@M��libebml v1.3.10 + libmatroska v1.5.2WA�mkvmerge v44.0.0 ('Domino') 64-bitD��AU��@ Da��/��O� s��f��� �5c��5T�k���ׁsňXE蛞gn'���� �� ��S_TEXT/UTF8�D% C�u��:����� I can't resist, I can't resist�������K I can't resist, I can't resist, I can't resist���C�u��\렷��� A boy in a uniform, a boy in a uniform��������` A soldier handsome and brave���C�u@��{I����� When I am kissed, when I am kissed�� �ȡl When I am kissedI must insist that I be kissed���C�u���d����� By a boy in a uniformA boy in a uniform��JC�u�������� And he can make me his slave��
������
� Look at that manly figure���C�u���P����� He's always so well-dressed����¡�� His strong physiquemakes me feel so weak�� C�u���Ġ���� Look at that caveman chest��
͠���� I can't resist���C�u�������� I can't resist��(�����7 I can't resist, I can't resist, I can't resist���C�u�������� A boy in a uniform, a boy in a uniform��9����� A handsome soldier��
mC�u��?r����� Just like you���C�u��`�ơ�� She abused me which, of course,
means she's crazy about me.��
���� The way she keeps running after me.��rC�u��x������ Oh, well, I might as well give in.��
g�����
� I just simply can't escape her desire
to love me.��
JC�u���砯��� I can't resist, I can't resist��٠����K I can't resist, I can't resist, I can't resist���C�u���q����� A boy in a uniform, a boy in a uniform��9������ A handsome soldier��C�u��ڌ����� Just like you���C�u���!����� But he's mine, he's mine��������a All mine��xC�u@��N������ - Oh, Hap, you're wonderful.
- I am?����̡Ɓa Gee, every other girl that ever
kissed me thought I was a square.��
�C�u@��f�١Ӂ The way the act went over tonight,
well, it was the biggest thrill I ever had.��.������ - Didn't you get a thrill, too?
- Yeah.���C�u@��}��ǡ�� Every other girl that ever kissed me
thought I was a square.�� a����� � - Hap, you said that before.
- Oh, yeah.��������� Well, aren't you happy
the act went over?��
C�u@���G�Ρȁ Oh, sure, Betsy. And I wanna thank you
for having confidence in me.����š��� You see, when my partner,
Chick, went in the paratroopers,��
�C�u@�������� I never thought I'd be able
to do an act without him.��.������ Well, you're doing a darn good one.��.�͡ǁ5 - Well, you're pretty...
- Oh, I'm in it, Hap, but you're the act.��
(C�u���%����� No. We're a team.
And, I'd like us to be a team.���C�u���z����� I mean, all the time.��~�����
� And, well, Betsy,���C�u��𠷡�� I was wondering
if maybe tonight we could...�����W Now, Hap, we do a swell act on stage.���C�u��#����� Let's just keep it that way, huh?��P�����
� The army turned me down
because I have a bum ear.�� ?C�u��.x����� - But I heard you say no.
- You know something, Hap?��
���W You're just about the nicest boy I know.��
�C�u@��Rr����� Here, here, Betsy, as your agent,
I get 10% of that.��x�ġ��� Oh, fine thing. I don't suppose
you have anything for us.��
C�u@��h������ Yeah, I sure do. Earl White liked you��9������ and he wants to see us
at 11:30, Wednesday.��9�����
L Earl White! Oh, Sam, that's wonderful.
Isn't it, Hap?��
mC�u@���ؠ���� - Yeah. That means Broadway.
- Yeah.�������x - The big time.
- Yes.��~�����` Sit down, Sam. You sit here, Betsy.���C�u@���K����� I can see it all now. It's opening night.��
��ޡ� And everyone's all seated in their seats,
and they're all dressed up, too, waiting.��EC�u��Ƶ����� And then the conductor comes out
to start the show.���C�u��箠ɡÁ He smiles at the audience
and looks around, and he gets ready.��
C�u��#Š͡ǁ And he stops the music. And the
MC is introduced and he comes out.��
�C�u@��?�ӡ́ Hello there, folks! Just starting
our show! I'm sorry I'm a little late.��Ӡ����A But on the way over to the theater,��E������ a panhandler stopped me on the street
and said,���C�u@��V����� "Buddy, give me a dime, will you,
and hurry up."�������� I said, "Why hurry up?"
He says, "I'm double-parked."��xC�u@��j'����� Anyhow, we'd like to start the show,
folks.��~������ We'd like to start
with that beautiful chanteuse,��9�Ρȁ
� the very lovely mademoiselle
Sally Sack, and here she comes!��EC�u���'����� I'm in the mood for love��xC�u���|����� Simply because you're near me�������a Funny, but when you're near me�� C�u��������� I'm in the mood for love��(C�u@������ And then they clap,
and then the MC comes out again.�� ������
+ He says, "Ladies and gentlemen,�� �ơ��� "we're going to introduce
those two wonderful entertainers,��rC�u@�� ����� "and here they are,
Betsy Carver and Hap Smith!"��
�ơ��x And we come out, Betsy, see,
and we're on the stage, Betsy.���C�u�� ~�̡Ɓ - The both of us are out there, see?
- But what are you gonna do?�������� I don't know, I'm too tired.��C�u��>������ Where you been?
You missed the whole show.�������� - Telegram for Hap Smith.
- Oh, that's me.�� ?C�u@��Sנ���� Oh, certainly, the tip.��䠧��� � Anybody got change of a dime?��������l - Okay, keep the whole thing.
- Thank you, mister.�� �C�u��qm����� That's all right.�������� A Excuse me.��C�u@��;�סс If I'd have known you were that hungry,
I would have brought you a sandwich.��������b - What is it, Hap?
- Yeah, what does this mean?�� �C�u��U������ I'm sorry. I can't explain.��������� Where you going?��C�u��s����� Even I don't know.��\C�u���4����� "Important patriotic mission."�� �C�u���Ӡ���� "Secrecy essential."��.C�u��:X����� It'd be easier to see
if you took those glasses off.�� ?����� � I beg your pardon.��\C�u��Z&����� Oh, I'm sorry, lady.���C�u@���͠���� - Hap!
- Chick!��������! Hiya, pal!�� �����
� - You're my chum- I'm your chum���̡Ɓ - You're my friend- Through thick and through thin��VC�u����� - Hey, just like old times, huh?
- Yeah.�������� Sit down. You sit over there.
Here, over here.��
C�u@�� ������ Hey, how's your new partner?��������� Oh, great.
Has something you'll never have.��ꠢ���V - Yeah? What?
- Skirts.��\C�u@�� !-����� Hey, it's good to see you, Hap.��.�ġ��� Don't mention my name.
I'm here on a very secret mission.�� ������� - I know.
- You know?��(C�u�� ;>����� Sure. I sent the telegram.�� �
L Oh, and I thought this was gonna be
something patriotic.���C�u@�� Q������ - It is.
- Yeah?�������� Yeah, look, Hap. Now, we're in a spot.��P������ See, we're putting on a show tonight
and we need you.���C�u@� h������ I've been working with Dogface.��x�͡ǁ� Wait, Chick, I know from blackface,
but I don't know from dogface.��.C�u�� }����� Well, this is Dogface Dolan.��r����� - Are you sure?
- It's only a nickname.�� ?C�u�� �ɠ���� My folks never christened me that.�������n - What'd they call you?
- Dogface.���C�u�� ���ɡÁ Now, look, Hap. The big wheel
of this camp is General Timmons.��
�����
m And he doesn't like soldier shows.��mC�u@�� �̠ȡ But our colonel has finally
talked him into seeing this show.��4�֡Ё� Now, we've got to sell him. You and I,
Hap, have got to sell him this show.��
JC�u@�� ������ - It's got to be great.
- Or no more shows.��
��
m If it's great,
then plenty of entertainment for the boys�� aC�u@�� �I����� and an extra stripe for Chick.�����
Now, the first thing we have to do
is get you a uniform.��4������ Oh, I got one.
Right in here and it's a real doozy.��
EC�u@��
������ Do you want
to get us all landed in the clink?����ȡ Oh, don't be silly.
This is a trick suit I use in my new act.�� ������ We'll see it in a minute.
You can put it on in there.�� ?C�u@��
'j����� Well, why can't I change backstage?�������� A Because you're not GI.
This is an all-army show.�� ������) So?�� C�u��
?����� So, your being in it
is a top military secret.��
#�����
� You're not even supposed
to be on the post.�� �C�u��
T������ Forget you're Hap Smith.
You're Dogface Dolan.��
���x Oh, I'm Smith out here
and I'm Dolan in there.�� �C�u@��
j�ơ�� And if they find out
that Smith ain't Dolan... Bye, fellas.����ġ��a Okay, Hap. I never thought
you'd let your old buddy down.��PC�u��
������� But what if I get caught?
Ain't this illegal?�������� I'm surprised at you, Hap.��C�u��
���ȡ Didn't you once say you'd
cut your arm off up to here for me?��䠫���
m Up to here, yeah. Up to here, no.���C�u@��
�D�ʡā Besides, I have an important spot
in a Broadway show coming up.�� ޠ����
L I can't take no chances.������ And how about me?��9C�u@��
������� I'm in charge of entertainment
in this outfit.��
g�ȡ� Wouldn't you like to see your old buddy
with an extra stripe?���C�u@��
�
�ɡÁ - Of course I would.
- I knew you'd do it, pal. We can't miss.��
m�ҡ́
� Now, you go ahead, put on your
uniform. We'll see you at the main gate.��C�u��
V����� Good luck, Dogface.��V������ - Who you calling dog-face?
- You.�� �C�u�� ������ Dog.�� C�u��;X����� Dogface.���C�u��������� Why, you're all jealous.��䠖���� - Hi.
- Hi.��~C�u���Ӡʡā - Well, where are you?
- I'm in there someplace. How do I look?�����w - Gee, I...
- GI, swell.���C�u@���I�ơ�� - That's what I hoped you'd say.
- Now, look, listen to me.���Ρȁy After you get through the gate,
you can't miss the main auditorium.��
�C�u@���֠���� Well, why don't you go with me?��V�ڡԁ� I can't. I have to round up the boys
for a quick rehearsal. I'll see you there.��PC�u@���蠨��� Then why don't you go with me?����ˡŁ Because you've got my pass.
And hang on to it. It's my lifeline.�� ��ɡÁ� Now, as soon as the show is over,
we'll meet you here. Got it?���C�u��&����� - Yeah.
- Show that to him.���C�u��n����� Hey, soldier, come here.��J�����
L - Let me see your pass.
- My, but you're inquisitive.��
�C�u��3Ϡơ�� You didn't think I had one, huh?
Well, there it is, smarty.�������� Ha ha and ho.���C�u��N렡��� - Hey, Wilkes.
- Yeah?��x������ If I saw what I think I saw,
I need a psycho test.��\C�u@��z����� Maybe we'll bump into each other
again sometime.�� ޠ����x - Didn't you forget something?
- I don't think so.��C�u@���
�ġ�� A little matter of a salute.
And say "sir" to an officer.�������x - You watch it.
- Of course, sir. Yes, sir!���C�u���x����� - Morning, sir.
- Good morning.�� ������
Details will report to the orderly room
at 0700.��
�C�u���͠���� - Hello, sir.
- Hey, soldier!��
E�����) Yes, sir?��#C�u@��
��� - Do I look like a commissioned officer?
- Oh, yes, sir.����Ρȁ� What kind of a goon are you?
I'm a sergeant. I don't rate a salute.��xC�u��
"����� - Yes, sir.
- And I don't rate no "sir."��������� Yes.�� C�u@��
6ʠ���� You're a disgrace to the outfit.��J�ѡˁ� Look at that uniform. It has more
wrinkles than an unfolded parachute.��xC�u��
JW����� Straighten it out!��V�̡ƁV Why don't you take better care
of your issue? It's falling apart.��
�C�u@��
i⠴��� Well, you see,
it was made that way, sir.��ӠɡÁA The Quartermaster Corps
issued that uniform in good condition.��9������ Keep it that way!��gC�u@��
������� - Well, let me explain, sir.
- Explain what?�� ޠ����
L That this pocket is made to fall off?�� ����w And these buttons are supposed
to be loose?��JC�u@��
� ���� Well, now I'm all dressed
for the summer.��������c Pull up those pants!�� ԡX Where did a yard bird like you ever
manage to pick up those fancy medals?��
�C�u@��
�q����� - In a pawnshop?
- Oh, no, sir.��P������ Stop that "sir."�������� There's one I've never seen. What is it?��
�C�u��
ق����� - Oh, nothing, nothing.
- What's it for?��
�����
� - Slow fire.
- And this?��
#C�u��
�q����� - Rapid fire, but please don't...
- And this?��9������ - Extinguish fire.
- Extinguish fire?��xC�u@��4����� Let me at him.
I'll bend those medals around his ears.��
͠����6 Easy, Sarge. Easy, Sarge.��Ƞ����b Hey, Chick, he thinks
I'm a regular soldier.��\C�u@��J@����� Tell him I'm not, tell him the truth.��������� Of course I'll tell him the truth.
You see, Sarge,�� ����
* this fellow doesn't ordinarily
look like this.���C�u@��^t����� Why, he's one of the neatest men
in his outfit.����¡�� He's only wearing a trick uniform
for our show tonight.���C�u@��r������ It is, huh? Why doesn't he say so?
Trying to rib me?��~�Ρȁ� Well, no, he's a little upset.
You know how this amateur talent is.���C�u�����ɡÁ Here, amateur talent?
I ask you, Sergeant, is this amateurish?��\C�u���ˠ���� - "What a rogue and peasant slave am I"
- Hey. Hey.��������
"Is it not monstrous that the player here��9C�u���x����� "Is it not"��ޠ����M Knock it off!����� Acting. Theatricals. What an army.��gC�u@��֠�ҡ́ I remember, in the old days, when
the army wanted to raise your morale,��������� they'd issue you a pass and you'd...�� �C�u���+�ˡŁ Sergeant, careful or we'll
have to wash out your mind with soap.��x����� Get him out of my sight!��~C�u������� Relax, watch your blood pressure.
How about a cigar.��٠���� A Have a cigarette.���C�u��(������ That's him there, Hap.
General Timmons.��
#C�u��<𠫡�� Wonder what would make him laugh.�������� Blood.��gC�u��S}����� Well, it was nice being in the show.�� ?������ Look, you stay here. I go on first.�� �C�u���.����� The parachute jump��\�����
� The parachute jump��\C�u@��� ����� It's thrilling to do a dance that's new�� ������
* The parachute jump�������l When the music begins to ride��
�C�u���g����� Then you begin to glide�� ޠơ��
L Bouncing from side to sidethe parachute jump��9C�u�� ����� You leap into space��������
L Smile on your face��\C�u������� But what do you knowdown there below�� ������
the world is in place��C�u��(p����� Hold it steady, so you won't slip��V����� Attaboy, let her rip���C�u��@J����� Then you begin to dipthe parachute jump��~������ You dance, and while you dance��EC�u��f�ǡ�� Angels are singing songsfrom high in the blue��C�u��zJ����� You dance, oh, how you dance��mC�u��������� Suddenly heaven's doorsare open to you��?C�u���o����� You sway, and as you sway��JC�u���?�ġ�� All of your dreams it seemsare coming true��?C�u���0����� You whirl, into a spin����ơ��J Loving the spin you're inwhen you do, do, do���C�u�������� The parachute jump��\����� � The parachute jump��\C�u@����֡Ё You drop and you drop, then popyou stop and land with a bump��P�����k If you really would like to fly��
JC�u��&ܠ���� Be like a bird on high�� ?�¡�� � Take my adviceand try the parachute jump���C�u��Aנ���� The parachute jump��~����� � The parachute jump, jump, jump, jump��
C�u��U頮��� Jump, jump, jump, jump, jump!��
�C�u��?������ The parachute jump��\�����
� The parachute jump��9C�u��T��ӡ́ You want to fly like a bird in the skythen you better try���C�u��j������ The parachute jump���C�u@�����á�� I told you Hap would make the show.
You were great, Hap.��V�֡Ё� Oh, no, Chick. We worked together
tonight just like we did in the old days.���C�u@���T����� And I sure hope
you make sergeant now.��~������ - Me, too.
- Holy mackerel!��9�����
� I better hurry. I'll miss the last train.���C�u@���E�աρ Oh, don't worry, Hap. Dogface will have
a cab waiting for you at the gate.��4������ Oh, swell. Well, so long, fellas.��������� - So long.
- So long.��#C�u��揠ӡ́ It was sure nice knowing all of you.
And give my regards to the General.��.������ - Attention!
- At ease.���C�u@��
����� At ease, men.�������y - Who is Corporal Allen?
- I am, sir.��������� I want to congratulate you, Corporal.���C�u@��/K�Сʁ You and the rest of your cast have
turned out a most successful show.��V������ - Thank you, sir.
- And where is Private Dolan?���C�u@��O[����� Well, I don't believe Private Dolan's
on stage, sir.�������� The last I saw of him,
he was on his way off the post.��C�u@��i������ - Oh, that's too bad.
- Yes, sir.��r������ I wanted to congratulate him personally.��J������ Thank you, sir.��C�u@���O�֡Ё Well, Dolan, it appears you're as much
a clown off the stage as you are on.��Ӡ����@ Yeah.��#������ - Corporal.
- Yes, sir.���C�u@���4�ȡ Tonight's show has convinced me
that Colonel Bradon is right.��٠ɡÁ A These shows mean a lot to the men.
Now, keep up the good work.�� �C�u@��������� - Yes, sir.
- Oh, but this show�������� will please the men
in any army camp, sir.��\�¡��� You know, in show business,
shows go from town to town.��
gC�u@���o����� Say, that's a brilliant idea, Dolan.�������n - Lieutenant?
- Yes, sir.����š��b Detach this unit to tour
the other army camps in our area.��
�C�u@���Ġ���� Yes, sir.��������� There may have to be
a few minor changes made, sir.��
��ӡ́� Oh, don't be silly, Chick. This show
could play just like you put it on.��C�u@��.����� What would you want
to make changes for?�������� He's right. It's perfect as is.
Don't change a thing.��
������w - Now, that's an order.
- Yes, sir.���C�u@����Сʁ And since I'll be traveling
around myself, I'll see it several times.��x�ơ��� Congratulations again, Corporal.
I'll be seeing you, Dolan.��VC�u��6Q����� Oh, thank you, General.
Yes, sir. Thank you, sir.��9C�u@��J!����� Say, you should use that routine
in the show.��J������ Yeah, you could use that in a show,
huh, Chick.����¡��� Well, anytime the army wants me
to help out again, sir,��C�u��cH����� don't hesitate to call on me.��E������ I won't.��ޠ����� Attention!��C�u��w����� He's a nice man.�������� Well, let me hear from you guys.���C�u@���@����� Drop me a post card sometime.��r������ Now you've done it.
You and your big mouth.��r������ "The men in the other camps
will like this show.��mC�u@��������� "Chick, what do you want
to make changes for?"����ϡɁ - I was only trying to get you in good.
- You know what you've done?��
������ You've cooked us all including yourself.��C�u@���c����� I have?�� �����n You were supposed to open
on Broadway, weren't you?��Ƞ����� - Well, your season just closed.
- Oh, no!�� �C�u���S����� - This show goes on tour as is.
- Oh, no!�������� And you'll go with it, Private Dolan.
That's an order.���C�u���Ӡ���� Oh, no!��Ӡ����A - Oh, yes!
- Oh, yes!���C�u���¡�� Come on, fellas, this is blackmail.
This is kidnapping.��ޠ����K This is self-protection.��C�u@��+Z����� If I let you go now,
the whole story will get out��������� and we'll end up in the hoosegow.��͠ڡԁ
* If you guys don't let me go, I'll call
an officer and tell him the whole story.��gC�u��U1����� I'll scream.��VC�u@��kߠ���� - What happens if I do?
- I'm glad you asked that.��~�ѡˁ
* Evans, what's the penalty for wearing
a uniform under false pretences?��C�u@���ؠ���� Oh, they put you in jail for six months.��������� Well, that's not so tough.��Ӡ����@ And then they take you out
and shoot you.��PC�u@���Ԡ���� Because you wore a uniform
to sneak into an army camp.�������� And that comes under
the heading of "Espionage."�� C�u���w����� You're a spy, see?��䠔���� Espionage?��C�u@���ˠ���� They shoot spies, don't they?��������� Naturally.��������l But usually,
the first volley of shots does the trick.��VC�u����ġ�� If they don't hit a vital spot,
they shoot until they do.������� And you know that old motto,���C�u@��i����� "If at first you don't succeed,��(������ - "you try and try again."
- "You try and try again."��������� Try again. I know.��EC�u@����ʡā I wonder, are they supposed
to shoot for the head or the heart?��͠����w Oh, the heart.
That's so they don't bleed so much.���C�u@��8>�ȡ All right, fellas.
If the execution is over, can I go to bed?��E�����U - I don't feel so good.
- All right, come on.��
�C�u@��^������ Attention!�������
+ At ease, men.����١ӁK This is Sergeant McClusky. He'll be
in charge of this unit while it's on tour.��
�C�u@��| ���� I've given him full instructions.��䠬���M - Carry on, Sergeant.
- Yes, sir.��m������ All right, men,
fall in at the foot of your bunks.���C�u@���W����� When you men volunteered
for the paratroops,�� �ɡÁ � you knew you were entering
the toughest branch of the service.��
�C�u@����ϡɁ The General has okayed the show,
but he wants your training kept up.��٠����� Now, I know how it is
when you get a new sergeant.��
C�u���ޠ���� You don't know what to expect
and it upsets you.��Ӡ����@ Well, let me put your minds at ease.�� ?C�u@���Ġġ�� Just to let you know
a little more about me, I'm a louse!��?�š��( Now, turn in, because tomorrow's
gonna be a very busy day.���C�u@��
����� - Sergeant?
- Yes?��\������ Aren't you gonna say good night?��������� I'll do that when I come back
to tuck you in.��xC�u@��%�ԡ Alrighty, because it wouldn't be
very nice of you to go to bed mad at us.��
m�����
� Save the comedy
for the paying customers.�� aC�u��?9�ġ�� Well, if you don't like it, break me.
Make me a civilian.��~������ Turn in!���C�u@��n��ɡÁ Boy, what a break. A new sergeant,
and he thinks you're Dolan.��
�����W Well, if he thinks he's Dolan,
what does that make me?��PC�u@�����ѡˁ Now, look, you have to lay low
until the General sees this show again.��
(�����
� And you take his bunk. Dogface's.��.C�u@���àá�� Oh, fine. It ain't bad enough
I got to give him my name.�� ?�ǡ�� � - Now, I got to give him my bunk, too.
- Pipe down in there!���C�u@���[����� - Where am I gonna sleep?
- Oh, you can have your bed.�� ����� I'll sleep outside.
The fresh air will give me a lift.���C�u@��ј����� Nice try, kid, but you stay here.�� ��Ρȁ � What's the matter? Do I have
to come in there and shut you guys up?��
�C�u@��浠���� Now, look, we have to turn in.
Take off your clothes.��r������ Here?��#������ - Here in front of all these fellows?
- Take them off.���C�u��Ѡ���� Well, I'll take them off my own way.��PC�u�������� I happen to like privacy.���C�u��O����� You'll have to get out of here.��������
+ Go on. Run along.��\������ Outside. Shoo. Come on. Hurry.���C�u���꠹��� Well, some people
are more modest than others.��������� Okay, now that you're all undressed,
turn in!��
gC�u����� Hey, Dogface.����ġ��� Here's the key to the boiler room.
Now, go hide yourself.��C�u@�����ġ�� There's no window in there.
If I can't breathe, I'll die.��
������
� Good, then there'll only be one Dolan.��������� - Yeah.
- Go on. Beat it.�� �C�u@����ǡ�� - Chick, I'm scared.
- Cheer up, we're all in the same boat.��P�¡��� Yeah, but why does it
have to leak right under my seat?���C�u@��/������ Now, go to bed.��#������ - I don't want to.
- Why not?��E����� A I'm not going to bed
till that Sergeant comes back��\����� and tucks me in like he promised.���C�u��V(����� I'll tuck you in. Hit it for 10.�������W - What do you mean?
- I said, hit it for 10 push-ups.��
�C�u@��i������ - For what?
- For being naughty.��(������ I wasn't naughty,
and I don't have to do it anyhow.��.�����) - You don't?
- No, because I don't know how to do it.��
�C�u@���5����� - And, if you want me to do it...
- Yes?��.������ Well, you'll have
to show me how to do it.��\�����b Well, come here and I'll show you.���C�u����ġ�� - Should I go with him?
- I think it'd be nice. Go ahead.��
�����
m - Alrighty. Bye.
- Bye.��\C�u��������� All right. Go ahead.�� ����
� One, two, three.���C�u��������� You do it.�������� - All right, how many did you do?
- Three.��
gC�u���ɠ���� Four, five...���C�u��V$����� What?��͠����� Wise guy.��xC�u���[����� - Turn off the radio.
- All right. Come on. Get up.��
�C�u@�������� - It's the middle of the night.
- Come on, get up.�� ������
Okay, Allen, get your men up.��r�¡��) Good morning, everybody.
Come on. Everybody out of bed.��#C�u@���[����� Got a big day's work ahead of us.
Come on.����Сʁ b Hey, Kelsey, shake that guy.
He'll never get to be sergeant that way.���C�u@��͡ǁ Come on, now, you bunch of
debutantes. This ain't the Plaza Hotel.��
Ƞ����5 Here we go. Come on. Everybody. Up.���C�u�������� Oh, a wise guy, huh? A real smart guy.��
mC�u��/������ You heard me. Everybody up. Come on!�� ������
L Let's go.
Last one out's a second lieutenant.�� C�u��Cr����� Come on, children. Naptime is over.��r������ Time for crackers and milk.
You down there, up.���C�u��X������ On your feet. Rise and shine!�� �C�u���B����� Everybody up!���C�u��࣠���� Morning.���C�u��������� Well, Mr. Dolan, you left a 5:30 call.��?C�u@�� �á�� What are you, one of
these tough corporals or something?��9������ No, I'm one of those tough sergeants.
What about it?��.C�u��<ɠ���� No, nothing.
I'm one of those scared privates.��9����� Okay, you guys. This is still the army.��
(C�u@��]�ơ�� You have exactly four minutes
and 35 seconds for roll call.��
J�š��
� - That means uniform "C."
- Now, hurry up and get dressed.��
�C�u@��u��ڡԁ We got to go outside. Every man has to
answer roll call to show that he's here.����
L But the man just saw us.
You mean, we have to go outside���C�u@���)�͡ǁ to tell the man we're here when
he knows we're here? That's silly.�� ޠˡŁ
L No, that's the army. Now,
get into your jump boots and fatigues.��
�C�u��ַ����� Yahoo!��������J - Army.
- Yep.��VC�u�������� Parade rest!��V������ - Archdeacon.
- Here!��V�����
L - Baker.
- Here!��Ƞ����w - Benton.
- Here!���C�u��ؠ���� - Chambers.
- Here!��Ƞ����, - Dobie.
- Here!�� ������ Dolan! Dolan!��J������ - Here!
- Here!���C�u��'����� As you were. Dolan?��
������� Here!��#C�u��??����� You! Front and center.�� ?�����J Not bad. Fall in.���C�u@��[E����� - You.
- No, you!��~����� I said "Fall in," didn't I?��9�ġ��� Yeah, but, you didn't say what
to fall into. I'm looking.�� �C�u@��xV�ܡց Still a clown, eh? Well, it may take
a little time, but I'll knock it out of you.��r������ Now, get back in line.��JC�u@���젚��� It's your fault.��x������ You're slipping, Corporal Allen.��J�ҡ́
� I remember you when you were one
of the 10 best-dressed men in America.��
(C�u@�������� I'm sorry, Sarge.��Ƞ����, I know, trying to grab
a little extra shuteye.��P������ But, your sidekick here
was right on the ball.�� aC�u��Ƕ����� Next time,
try to shape up the way he did.�� a����� � And that goes for the rest of you men.���C�u���頒��� Fall in.����¡��� - I said "Fall in!"
- Okay, okay, but where's the hole?���C�u������ All right, funny man,
get a shovel and dig one!���C�u@�� !����� At ease, men.��������� We got riggers to pack parachutes.�� a�ڡԁa At the same time, every man hasto learn to pack a chute himself.���C�u@�� ;R�ǡ�� So, even if you've done this100 times before,��\�����
m today you're gonna do it again.�� aC�u�� T������ Okay, start packing.���C�u�� �p����� Hey, Chick? Chick? Chick?��4�����
* Chick!��gC�u@�� �K����� What do I do?��Ƞڡԁ, Make-believe you're packing and I'll fix it
for you when I'm through with mine.�������� Now, hurry up.��VC�u��!W������ Cut it, will you? Cut it!��~C�u��!������ Hurry up, get them chutes folded.�� aC�u��!���ˡŁ Remember, would you jumpthe chute you're folding?��.������ You may have to.��C�u��"������ - Dolan, finished already?
- Yes, sir.�������( This, I got to see.���C�u��"B������ Not bad at all.��Ӡ���� � Nice work, Corporal. All chutes folded?��\C�u��"YC����� Yes, sir.
All except that one under Chick's table.�� a����� � Chick, show that one to the Sergeant.���C�u��"|�ġ�� Well, Corporal, what's
that chute doing under your table?��P����� I put it there, Sarge.��C�u@��"���ѡˁ Can't fold a chute, so you hide it
and let someone else do it for you.���š��� Well, I don't know
what kind of pull got you them stripes,���C�u@��"�3�̡Ɓ but I do know what kind of pull
is gonna take them away from you!�� ������
No, Sarge, that's my chute.����U Don't try taking up for your buddy!
It don't go with me.��\C�u��"�{����� - I'm sorry, Chick.
- What are you sorry about?�� ������ � You done the right thing.���C�u@��#����� At ease, men.��������� It's been decided
to send you on tour immediately.��
�̡Ɓ) I want you to go back to the barracks,
and get ready to move out.��PC�u@��#)͠���� In 45 minutes,
you'll march over to the auditorium,��9�Сʁ� load your equipment on trucks,
and catch the train for Camp Crutcher.��C�u��#Dꠟ��� That's all, Sergeant.���¡��
m All right, men,
turn in those chutes and start packing.��
mC�u��#c������ Sarge, can I help you?��\�����L You know, I'm beginning to like you.��������K You are? Is that good?��\C�u��#z������ Yeah, and I'm gonna let you in
on a little secret.��
͠����� - What?
- I'm not half as tough as I sound.���C�u@��#������� You're not?��#������ Nah. It's just something
that comes over me.��������
� Sometimes I think
I'm my own worst enemy.��
�C�u��#�/����� No, you're not, Sarge.
Not as long as I'm alive.��
(C�u��#��֡Ё Hey, buddy, if you think you can pull
that on me, you're perfectly welcome.�������� Yes, sir, Lieutenant.��VC�u��$������ I'm sorry, sir. Go right ahead.
Help yourself, sir.���C�u@��$Ԡ���� - Hi, fellas.
- Hi.�� ����+ - Having a big time, huh?
- Yep.��~����� Don't let him use too much cream.
He's got to drive.�� �C�u��$3������ All right. Thank you.����¡��b Just a minute, son.
How long have you been in the army?��C�u@��$H֠���� - Well, I'm not exactly in...
- What?��������� Long enough to know better, sir.
I'm sorry, sir.��
�ġ��l - Now, if you'll excuse me...
- Just a minute, young man.��
�C�u@��$dw����� You're a paratrooper now.����͡ǁ� And discipline and military courtesy
mean more than they ever did.��~�ϡɁ� Yeah, I know that, sir.
Yes, I'm sorry, sir. And I'll watch it, sir.��
�C�u@��$������� And the next time...�� �����o There won't be any next time,
do you understand?�������
� Oh, I do, sir. Yes, sir.��Ƞġ�� - That's better.
- Thank you, sir. All right, Lieutenant.���C�u@��$��¡�� - As you were.
- Yes, thank you. Thank you, Lieutenant.��Ƞ����6 - At ease.
- Yes, sir.��ޠ����� - At ease.
- Yes, sir.���C�u��$ų����� Wise guy.���C�u��$�l����� - Hello?
- Hello, Betsy?�������� This is Hap. Happy to hear from me?�� �C�u��$�;����� I have to be very careful.
A captain just walked in.��
ꠧ���� This is Dolan. Dogface Dolan.��
�C�u��%�� Where did I ever meet you before?��P������ You know, I'm a friend of Hap Smith's.��
JC�u��%+;����� Hap, where are you?��
�ơ��
And what do you mean calling me
in the middle of the night?���C�u��%Ad����� Middle of the night? It's 7:05.��
������ Rise and shine.��������) What's this all about?���C�u@��%VĠ���� I can't tell you now, Betsy.
I can't tell you now,���ӡ́x but all I can tell you is I can't make
that appointment with Earl White.��VC�u@��%p������ You listen to me, Hap Smith.����ݡׁ You either be at Earl White's office at
11:30 sharp or this is the end of the act.���C�u@��%������� Oh, is that so?
Well, you listen to me, young lady.��
J�����
� I'm getting pretty sick and tired
of your tantrums.��rC�u@��%�D�Ρȁ And from now on, I'm gonna be
the boss around here, you understand?��\�ϡɁ� - And furthermore...
- Your party has been disconnected, sir.�� �C�u@��%�V����� You keep out of this!�����X And get this straight.���ϡɁ
� You can't make a fool out of me.
Just what do you think I am anyway?��
(C�u��%۶�ܡց I'm sorry, sir, but we're not allowedto give out that information.��
(C�u��& ������ At ease, men. Keep your smokes.�� �C�u��&������ It's 9:15.���ɡÁn The schedule says, "9:15,
instruction in hand-to-hand combat."��~C�u��&9�� And train or no train,
we're gonna keep on schedule.��C�u@��&P����� Williams.��͠¡��, Now, you're sneaking up
on an enemy sentry in the dark.��
������ Where would you knife him?���C�u��&iB����� Under the ribs.����ڡԁ� And before I take the knife out, I'd give it
a twist, so it wouldn't get stuck.��
�C�u��&}3����� That's wrong. Evans.��������
� How would you do it?���C�u��&������� Well, I'd...�������� - Like this.
- That's wrong.���C�u��&������� You could hear him gurgle
200 yards away.�� ޠ����
K Dolan.��gC�u��&ר����� Now, the correct method
is a down stroke��
g�����
� between the shoulder blades
and the backbone.�� �C�u��&������� - Sarge?
- Yes.��͠����7 - That's very interesting.
- I'm glad you like it.��
�C�u��'N����� Dolan, where you going?��J�š��� - Oh, sometimes, I don't hear so good.
- No alibis, Dolan.��
�C�u��'-������ Supposing you were disarmed,�������n and some guy was ready
to put his bayonet in your gut.���C�u@��'A\�ǡ�� Supposing he was coming
at you like this, what would you do?��\������ - Well, I'd probably faint.
- That's right!�� �C�u@��'XM����� You'd feint him out of position.���١Ӂ A Supposing that failed, how would you
parry the thrust and take away his rifle?��C�u��'tt����� Well...���C�u��'���¡�� That was absolutely perfect, Dolan.
Absolutely perfect.���C�u��'ɐ����� Who are you? Who are you?��(������ Sarge. Sarge!��C�u��'�>����� May I cut in?���C�u@��(������ - Hey, Chick.
- What?��P������ I'm hungry.��Ƞ����� Now, wait a minute, will you?
Will you wait?��������J "Wait a minute."
I'm so weak now, I can hardly write.��
�C�u@��("2����� Give me something to eat.�������� There you are, gentlemen.
I hope you enjoy it.��P������ Thank you. Leave some for the others.���C�u��(>U�š�� What do you mean, "the others?"
Ain't I one of the others?��\�����V - I'm hungry.
- You'll eat last.���C�u��(ox����� How come you're taking
the little fella's sandwich?��V������ This isn't his.
This belongs to everybody.��
�C�u��(�͠���� - Do you mind?
- No.��(C�u��(�J����� Let him have it.�������� Do you mind if I have one?��r�����V - Well...
- No, not at all.��mC�u��(�4����� Look, Dolan.��V�����A If you don't want me
to have a sandwich, say so.��������a Don't try to be funny.��\C�u��)\����� I'm not trying to be funny. Honest.�� �C�u@��).�ѡˁ Well, as soon as we have something
to eat, we'll do a little training.��
͠����5 Nothing like keeping a fella in shape.���C�u��)������� Two hands. One for each head.����ġ��
L You know, boy,
you're getting funnier to me all the time.��
�C�u��)�?����� What's that?��g�ҡ́� We used to belong to Beaver Patrol.
That was our pack call. Wanna join?��
JC�u��*!������ Move along, let's go there.��ꠕ���� Snap it up!��4C�u@��*;M�ۡՁ All right, men, it'll be an hour before
the next train leaves for Camp Crutcher.�������x Corporal Allen,
I got to make out my report.�� C�u@��*SH����� I'm putting you in charge
until I get back.��������
Okay, Sarge.��Ƞơ��6 You can send somebody to Lindy's
for coffee and sandwiches,�� �C�u@��*h������ but nobody else
leaves this spot, understand?��������� I got you.��ޠ����A You better,
because I'm making you responsible.�� aC�u@��*~������ I can go for the sandwiches, Chick.�������n - No, let me.
- I don't mind.��Ƞ����� - No, I'll go get them.
- Will you wait a minute?��������� - I think I ought to go.
- "Wait a minute," he said.���C�u@��*�]����� He wants I should go
for the sandwiches.��������
No, not you. You're staying with me.��ꠚ���a Why can't he go?��xC�u@��*������� Why can't I go?�������� Well, I thought,
maybe he'd stay and keep me company.��P������ He's my buddy.��ޠǡ��( Well, if I'm his buddy,
I should go for the sandwiches, huh?�� aC�u��*ʋ����� - Go ahead, get sandwiches.
- But, Sarge...��r������ When I give an order, it's an order!
Get going.���C�u@��*�"����� Thank you, Sarge.
Thank you very much.��9������ Would you like mustard or ketchup?��������� Keep your eye on my duffel bag,
will you, Chick?��JC�u��*�k����� I won't be... I mean, I'll be back.
Thank you, Sarge.��
(C�u@��+렻��� Now, why do you always
pick on the little fella?�� ?�ϡɁ � In my book, he's the only one
I'd trust outside these station gates.�� C�u��+3������ And I know men.��.������ He knows men.���C�u��+R|����� Yes, it's 11:35.��9�����
Better late than never.��(C�u��+g����� Hap, why didn't you
tell me over the phone?��r�����b I couldn't tell you then,
but I'll explain now.��JC�u@��+~&����� You don't have to.
Hap, I think it's just wonderful.�������� I don't want to interrupt
this touching scene,�� �C�u@�+������� but I'd like to know
which Sam is representing you?��
���W - Gilmore or Uncle?
- Well, Uncle, of course.�� �C�u@��+�U����� He's a paratrooper. See?��Ƞءҁ, - And when did you take basic training?
- And when did your bad ear get well?��������* And how come you're not quarantined?���C�u@��+���ɡÁ I didn't take any basic training
and I didn't get quarantined.��
E�ǡ��
� I suppose all they did
was to slap a uniform on you and say,�� �C�u@��+Ԑ����� - "Okay, you're a soldier."
- That's exactly...��~������ Now, see here, Mr. White,
I don't like your tone.��������K And I don't like what's going on here.���C�u@��+�堛��� But, Mr. White...��Ƞ����, Hold up those Hap Smith contracts,
Miss Brady.��Ƞ����b Now, wait a minute!
I'm gonna be in the show!���C�u��, [����� Oh, no, you're not.
I refuse to let you be a deserter.��
m�����
� I'm not gonna be a deserter.��C�u@��,������ Everybody's talking so fast,
I'm in a tizzy.��
#�ʡā
� Now, if you'll just be quiet for a minute,
maybe I can explain.���C�u@��,.����� I thought I'd find you here.��Ƞ����6 Why, Chick,
what are you doing in town?��������5 I'm doing his booking for the time being.���C�u@��,C{����� Now, come on, we'll miss our train.��������c Just a minute.��V�ϡɁ - You can at least let him say goodbye.
- I don't wanna say goodbye.���C�u@��,\Ġ̡Ɓ Don't you know when you leave a lady,
it's polite to say goodbye?��9������ And when you meet a lady,
it's customary to say hello.��
�C�u��,t������ - I'm Chick Allen.
- Hello. I'm Betsy Carver.��4������ I've heard a lot about you, Chick, and...���C�u@��,���ʡā Well, I'm awfully glad that you and Hap
are in the same outfit.��
���
� So am I. I don't know what we'd do
without good old Hap.��C�u@��,��¡�� Tell her how I became a paratrooper
in one easy lesson.�� ������
* You will look after him, won't you?�� ����U Won't let him out of my sight
for a minute.���C�u��,�ɠ���� He's like a brother to me.���ȡW I'd like to write to his sister,
let her know how he's doing.���C�u@��,�)�ġ�� In fact, after General Timmons
sees Hap at Camp Crutcher,���¡��x you two may be able to work
in White's show, after all.�� �C�u@��,�̠���� Do you think you could get him
a leave of absence?�������y I'll use my influence.����ʡā
� Meanwhile you and I will have
to keep in touch with each other.��
�C�u��,�n����� Of course.�������c Well, I'll go tell Mr. White.��(�����
� - Goodbye.
- Bye.��\C�u@��-����� Bye, Hap.��#�ءҁ� I told you, I don't wanna say goodbye,
and I don't wanna go back to the camp.��9�����5 And I don't want any part of army life.���C�u@��-0������ Hap, you don't know what you're saying.��m�աρ� When you talk like that, you sound like
you didn't belong in that uniform.��
(C�u@��-G������ That's exactly what I'm trying to tell you!�� ��ȡ
Come on, Hap. There's a lot of people
waiting to talk to you.��
C�u��-[������ Well, I don't wanna talk to them.
I hate people!��
�C�u��-�8����� Gonna fly, fly away��������
Fly over the mountain��ꠤ���x Gonna fly, fly away��\C�u��-�w����� Fly over the sea�� ?����� � Gonna keep flying around�� �C�u��-������ And never, never come down���ġ��x 'Cause the big blue skyis the place for me��#C�u@��-�Ҡ���� - Got a gal out in Wyoming- Yeah?�������� And a gal in Tennessee�� ������ One thing they've got in common��C�u@��.��� - They want no part of me- No?�������� Oh, a gal here on Earth�������) Is more trouble than she's worth��rC�u@��.������ So I'll leave them all behind yessiree�������� Yessiree��������4 - Gonna fly- Fly away��C�u@��.6������ - Fly away- Over the mountain�������� Over the mountain�� �����
� Gonna fly, fly away��������U Fly over the sea�� C�u@��.Q������ Gonna keep flying around��P�š��� - Flying around- And never, never come down�� ?�ġ��a 'Cause the big blue skyis the place for me���C�u@��.v'����� You will find me playing leapfrog��������� With the man up in the moon��(������ Have myself a time each evening�� aC�u@��.�{����� Sleep each day till noon��m������ And the bluebirds I'll bet��(�����b Let me sing in their quartet���C�u@��.������� And we'll harmonize a barbershop tune��x������ Tune��������� - Gonna fly, fly away- Gonna fly away��rC�u@��.�ˠġ�� - Fly over the mountain- Over the mountain��������� - Gonna fly away- Gonna fly, fly away�������l Fly over the sea��rC�u@��.������ Gonna keep flying around��r�š��� - Flying around- And never, never come down����ġ��? 'Cause the big blue skyis the place for me��RC�u@��.�t����� Gonna hobnob with the angels�������� b Who could want a better crowd?�������� Gonna dance all over heaven���C�u@��/M����� And boy, will I be proud�������� Gonna play peekaboo��.������ With the stars up in the blue��rC�u��/3٠���� And when I get tired, I'll rest on a cloud��������� Gonna fly, fly away��(C�u@��/L9�͡ǁ - Fly over the mountain- Fly away over the mountain��~������ Fly away, fly away over the sea��
�C�u@��/g4����� Gonna keep flying around��
������
� And never, never come down��������� 'Cause the big blue sky���C�u��/�q����� is the place I want to be��䠧���
L Gonna fly over the sea��
�C�u��/������ Yes, the big blue sky��
E�����
� is the place for me��~C�u��/������� The big blue sky��#������ is the place for me���C�u@��/�Ѡ���� "The General was unable
to see the show.��4������ "So I shall continue to remain in hiding."����ءҁ
� Hey, I'm writing a letter to Betsy tonight.
You want me to say hello for you?��\C�u@��0%����� No. Say goodbye from me to you.�������n Now, look, Hap.
When we were working together��
������a you never wanted to quit
after every show, did you?���C�u@��0������ - No.
- Well, we're still doing our act together.�� �ˡŁ � Only we're using different wardrobe.
You're giving a great show.��
mC�u@��05٠���� Oh, thank you so much, sir.��䠤���M So glad you liked it, sir,��4�ġ��� because, you see,
tonight I gave me farewell performance.���C�u@��0Nߠ���� No, don't try and stop me, sir.�� ޡ, I should like to make me final exit while
the applause is still ringing in me ears.��rC�u@��0d样��� - Now, look, Hap...
- Don't say a word, sir.����ɡÁ! Just close your eyes. And when
you open them, I shall be gone.��
g������ - Oh, no.
- Oh, yes.��C�u��0{Q����� - You can't.
- Why?��E������ Military security.�������� � Can't hear you. Don't want to. Leaving.��
�C�u��0�,����� Staying.�� C�u��0�-����� Rip! Pull!��E������ 1,000, 2,000, 3,000.�� ����� Recover. Next man.��4C�u@��0��Ρȁ Bend your knees. Look straight ahead.
Lower your hands on the door.��~������ Rip. Pull! Spring out.��������� - 1,000, 2,000, 3,000...
- Put your feet together.��(C�u@��0�\����� Bring your hands around
the end of the reserve.��Ӡ����A Around the end.
Around the end of reserve.��\�����
Sit on your chest.
That's the way. Recover.��PC�u��1 ����� Thank you.��Ƞ����� Men, as you know,
this tower is designed��xC�u@��1 ��ϡɁ to teach you the proper body position
when exiting from the aircraft����ʡā� and to give you the feel
of the opening shock of the parachute.��.C�u@��1>-����� Now, I know
you guys have done this before,��
͠����5 so be sure you do it right����ȡ) because I'll be waiting for you
at the other end of the ride.���C�u��1eh����� 1,000, 2,000, 3,000.��C�u��1������� I don't like it. I want to go back down.��٠���� A No, no. There's only one way down.
This way.���C�u��1��� This tower is to get you guys
used to a jerk,��������� a real big jerk.��mC�u@��1�àȡ Just remember, Dolan,
you've been given a little rubber ball.��٠͡ǁ@ Well, it ain't to play catch with.
It's to test your coordination.���C�u@��1�7�ȡ Just remember, you got to hold onto it
all through your fall.��ӠˡŁ@ 'Cause if you drop it, you got
to do the whole thing over again.��aC�u@��2������ Rest of the men, normal procedure.�������� All right, Dolan.��͠ǡ��V I want to see that ball in your hand
when you get down here.���C�u��2-ޠ���� My heart ain't in it. It's up here.��
�����
m Sarge, we better have the men
sound off their names.���C�u��2F������ Hold it!��͠����y Well, that's me.��������U 1,000, 2,000, 3,000. Look out!�� �C�u��2b����� Chick!��g�����6 Chick!��xC�u��2�,����� You! Come here!��C�u@��2������� What's the matter?
Didn't you hear me say hold it?�� ޠ����
L Huh? I mean, sure.��������K Oh, I thought you said, "Dolan."���C�u��2�.����� You'll have to do it all over again.��r������ Do it all over?�������V Yeah. You dropped the ball.��mC�u��2�V����� No, I didn't, Sarge. See?����ǡ��
� You're clowning around,
but you come through like a trooper.��
�C�u@��3~����� Oh, yeah. I've been a trouper all my life.�������� See, this ball is stuck to my hand
like it was glued.��
#������ You don't have to do it over again.���C�u��3y����� Thanks a lot, Sarge. Thank you.��
E�����@ Thanks, Sergeant.��9C�u@��3E���ہ Everybody sound off just as soon asyou hit the ground. What do you say?��4������ - Yeah!
- Yeah!���C�u@��3Z �͡ǁ Rigs are coming down.You boys ready to rig them up?�� ?�ǡ�� � So, all the jumpers,get shoulder-to-shoulder.����͡ǁ� Riggers, get shoulder-to-shoulderwith your jumpers.���C�u@��3t�ҡ́ Let's move on these rigs,on the double, and rig them up.�������� Now, which army is coming in first?��C�u��3�z�ݡׁ It's gonna be a close call. We'regonna see which one it's gonna be.���C�u��3�"����� Oh, no!��͠����7 Shape up, Dolan!��Ӡ����x Come on now.��\C�u��3�۠���� I'm not gonna do that.��J������ Okay.��E�����a If it'll make you any happier,
you don't have to jump.��C�u@��3������� I don't have to jump?
You're not kidding me?�� ���
* - I guarantee it. After all, I'm your chum.
- My friend.��
JC�u��4������ Your pal.��#������ I don't have to jump.��Ӡ����
K I don't have to jump.��\C�u��4+������ Quick time. March!��(������ Platoon, halt!��Ӡ����w Right face!���C�u��4F6����� At ease.��������� Okay, Allen, you take on three.��٠����w Dolan, you come with me.���C�u��4p������ Hello.��g�����
� What are you fellas
fussing around about?��
�C�u@��4�h�Сʁ Oh, no, you don't! I mean, I can't.
Chick said I didn't have to jump.��Ӡ����? That's right, you don't have to jump.��PC�u��4�b����� This just takes you up, then drops you.��
g������ Oh, fine.��͠���� Then I don't have to jump.���C�u��4֠�ɡÁ That's nice. See, I don't have to jump.
This thing takes me up��
(�����
� and drops me?���C�u��4푠���� Chick! Let me down!��
������ I'm scared. Chick!��
�C�u��5ڠ���� Dolan, you're a card.�� ����+ Well, what goes up must come down.��
͠����� Chick!��mC�u��5#"����� It's so high.��������! Chick! You said I didn't have to jump.��C�u��5>`����� Ma!���C�u��5s�� Chick!��g�����@ Ma! Ma!��͠����� Ma, help!���C�u��5�砗��� It's so high.��������
* I'll be a good boy. I promise.
Let me down.��
mC�u��5�᠐��� Sarge!��gC�u��5�7����� I'm scared, Chick.��\����� Chick! Please help me!�������� Oh, please help me!��9C�u��5�h����� I'm scared, Chick!��~�����W Ma! Ma!��rC�u��5������� Chick! Oh, Chick!��
�C�u��6/Ƞ���� Where's Hap? Dolan?
Anyone see him land?��
������
m Hey, Dolan.��E����� Chick! Chick!���C�u��6QG����� Chick!�������� Chick!���C�u��6x������ I'm sorry, fellas.��\������ I didn't ask to become a corporal.�� aC�u@��6������� And I didn't ask Sergeant McClusky
to like me, either.��~�ѡˁ5 And I certainly didn't ask him
to go out and get me this 48-hour pass.���C�u@�6�s����� 48-hour pass?��V������ You can't use that.
You won't come back.��J�����
l I'll say hello to Betsy for you.���C�u��6�B����� All right, men, cover the exits.��Ӡ����B Cover the exits.��͠����y You aren't going anyplace. Sit down.���C�u@��6����� Wait a minute.
I'm a corporal, remember?�� ޠǡ��
L And a private is not supposed
to tell a corporal what to do.��rC�u��7<����� Come on, fellas,
now stop fooling around.��ꠤ���W I'm a corporal. Attention!���C�u��76������ Come on, fellas.������� A Attention, fellas.��������� Attention!��C�u��7K������ Forward march! One, two, three...�� a�����5 No. March.��4������ We're gonna march together.���C�u@��7d������ All right? March.��4������ Attention.��Ƞ���� � Forward. Double-time. Here.�������? One, two, three, four...�� C�u@��7������� Come on, suck in those stomachs.
Stick out the chest.�������x That's it. Here we go!��������� Marching along together.�� �C�u��7������� One, two, three, four...�� a������ - You fellas don't play fair.
- Knock it off.��C�u@��7�蠴��� Well, at least he paid me
some attention.��m������ - All right. Give me the pass.
- No.�������V - Give me the pass.
- No.��xC�u��7������ Give me the pass!��VC�u��7�l����� Did you have a nice trip?���C�u��8i�� Come on, gang. Lengthen it out there.�� ������� After him!��C�u��8�~����� Out the back way! After him!��.C�u��8������� Come on, Kelsey!��C�u��8ᙠ���� Wait a minute.��Ӡ����
m Go get your hats.��9C�u@��960�ϡɁ Any time a patient's to be operated on,
don't leave him in the hall.��������� - But I...
- No arguments.��������� Get him to the operating room.���C�u��9O6����� No visitors. Out.��������� - Yes, sir.
- Yes, sir.���C�u��9������� What's going on here?��䠼���
L Nothing, Sarge.
I just stopped in for a Band-Aid.��4C�u@��9ͤ����� You'll miss your train if you don't hurry.��~������ Come on,
I'll give you a lift to the station.���̡Ɓ5 Oh, fine. Thanks, Sarge.
'Cause I wouldn't want to miss my train.��C�u��9�P����� These fellows don't have their hats.��~������ - Go get your hats.
- Okay, Sarge.��
�����V Yes, Sarge.��4C�u��:����� Shall we go?��VC�u��:`$����� Hey, buddy, you got a match?��P������ Hello, Chick.
I've been looking all over for you.��
mC�u@��:y�� Where do you keep disappearing to?��������� Look how far I had to come this time
to find you.�� ��סс Oh, sure, sure. You know, if I hadn't
won myself a pass in a fast crap game,��aC�u@��:�֠���� you wouldn't have found me at all.��䠹���L And that would've been more
than I could bear.�������� How did you find me so fast?��\C�u@�:�b����� I knew you'd run right straight to Betsy.��
g��
� Oh, sure, but I was gonna tell her
all about you, Chick.��
�C�u��:Ȋ����� That's fine.����ءҁ Now, when you're through doing this,
you and I will go back to camp together.�� C�u@��:��ϡɁ And in the meantime, I won't let you
out of my sight for one minute.��
(�����
� 'Cause I don't trust you! Now, come on!��
gC�u@��;͠���� - Where we going?
- Servicemen's Center.�������� What we going there for?��V������ That's where Betsy is.
She runs a show there.��xC�u@��;#B�ơ�� Chick, you know,
I don't want to spoil it for you two kids.��P������ I mean...
Well, you know, three is a crowd.���C�u��;<�ϡɁ I thought maybe I could meet you
someplace later, like maybe Denver.��������* Okay? I'll see you.���C�u��;iŠ���� Did you have a nice trip?��������� - Why didn't you write?
- I was busy.��PC�u��;͗����� - Hi.
- Hi.��͠����� What outfit you with, soldier?���C�u��;�.����� Pretty good outfit.���C�u@��;������� What's the matter, you having trouble?��٠���� A Tough beard.��������V Maybe you're using
the wrong kind of a razor.��xC�u��<à���� This is the only kind.��J�����X Here, I'll show you.��䠲���� I've been using this razor for 23 years.��~C�u��<;N����� For the fastest, cleanest,
smoothest shave.��Ӡ����@ You can't beat it.��\C�u��