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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,573 --> 00:00:11,245 >> Dicky: FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE," WITH GUEST 2 00:00:11,245 --> 00:00:17,284 HOST, NIKKI GLASER. TONIGHT, PARIS HILTON AND PHOEBE 3 00:00:17,284 --> 00:00:23,290 ROBINSON. AND NOW, NIKKI GLASER! 4 00:00:23,290 --> 00:00:27,294 >> WELCOME TO "JIMMY KIMMEL LIVE." I'M NIKKI GLASER, YOUR 5 00:00:27,294 --> 00:00:29,229 GUEST‐HOST FOR THE EVENING. I REALLY CAN'T BELIEVE I'M 6 00:00:29,229 --> 00:00:30,964 HOSTING A NETWORK LATE NIGHT TALK SHOW. ALONE. 7 00:00:30,964 --> 00:00:35,269 INSIDE A WEIRD HOUSE. WITH NO LAUGHTER. 8 00:00:35,269 --> 00:00:36,570 WOW, THIS IS BOTH THE HIGH AND LOW POINT OF MY CAREER. 9 00:00:36,570 --> 00:00:40,440 I WANT TO THANK JIMMY FOR LETTING ME HOST HIS SHOW WHILE 10 00:00:40,440 --> 00:00:42,910 HE'S ON PREGNANCY LEAVE. I'M REALLY HAPPY HE'S KEEPING 11 00:00:42,910 --> 00:00:45,879 THIS ONE. THE LAST TIME I SAW JIMMY IN 12 00:00:45,879 --> 00:00:47,281 PERSON WAS ACTUALLY JUST A COUPLE DAYS BEFORE THE 13 00:00:47,281 --> 00:00:51,485 QUARANTINE WHEN I TAPED AN EPISODE OF WHO WANTS TO BE A 14 00:00:51,485 --> 00:00:54,955 MILLIONAIRE WHERE I ACCIDENTALLY LOCKED IN A WRONG ANSWER AND 15 00:00:54,955 --> 00:01:04,164 THIS HAPPENED. 16 00:01:04,164 --> 00:01:06,066 NO! NO! NO! THE DAY AFTER I TAPED THAT, I 17 00:01:06,066 --> 00:01:09,136 DECIDED THAT INSTEAD OF GOING BACK TO MY PLACE IN NEW YORK, 18 00:01:09,136 --> 00:01:11,338 I'D GO TO MY PARENTS' HOUSE IN ST. LOUIS WHERE I COULD STAY FOR 19 00:01:11,338 --> 00:01:16,977 A WEEK OR TWO UNTIL THIS WHOLE CORONA THING BLEW OVER. 20 00:01:16,977 --> 00:01:18,912 HERE'S FOOTAGE OF MY REACTION WHEN I REALIZED VIRUSES DON'T 21 00:01:18,912 --> 00:01:26,787 BLOW OVER. NO! NO! 22 00:01:26,787 --> 00:01:29,089 NO! IT'S HONESTLY NOT BEEN SO BAD BEING STUCK LIVING IN ST. LOUIS 23 00:01:29,089 --> 00:01:33,894 WITH A COUPLE IN THEIR 60s IT COULD BE WORSE, AT LEAST IT'S 24 00:01:33,894 --> 00:01:36,930 NOT THESE TWO. MY MOM WOULD NEVER WEAR 25 00:01:36,930 --> 00:01:39,900 HORIZONTAL STRIPES. I GOTTA SAY THOUGH, NOT MUCH HAS 26 00:01:39,900 --> 00:01:42,169 CHANGED SINCE THE LAST TIME I LIVED AT HOME. 27 00:01:42,169 --> 00:01:47,207 I STILL SLEEP LATE, MY ROOM IS A MESS, I STEAL THEIR WEED. 28 00:01:47,207 --> 00:01:49,076 THE MAIN DIFFERENCE IS NOW IF I'M GOING TO MY ROOM TO 29 00:01:49,076 --> 00:01:54,748 MASTURBATE, I SAY "MOM, DAD, I'M GOING TO MY ROOM TO MASTURBATE. 30 00:01:54,748 --> 00:01:57,651 I CAN'T WATCH ANY MORE "DOWN TO EARTH WITH ZAC EFRON" WITH YOU 31 00:01:57,651 --> 00:01:59,319 GUYS. OL' GLAZ DOG'S GONNA FINISH THIS 32 00:01:59,319 --> 00:02:06,493 EP ALONE. AS GRATEFUL AS I AM TO HAVE THIS 33 00:02:06,493 --> 00:02:08,161 TIME TO GET REACQUAINTED WITH BOTH MY PARENTS AND THE ZACK 34 00:02:08,161 --> 00:02:11,431 MORRIS POSTER OVER MY BED, I'M NOT PRETENDING THAT ANY OF THIS 35 00:02:11,431 --> 00:02:14,635 IS WORTH IT. I LOVE HOW SO MANY GIRLS ARE 36 00:02:14,635 --> 00:02:17,304 MAKING THIS CRISIS ABOUT THEMSELVES. 37 00:02:17,304 --> 00:02:21,341 I KEEP HEARING SOME VERSION OF THIS. 38 00:02:21,341 --> 00:02:22,809 "HONESTLY, THIS PANDEMIC WAS A SIGN FROM THE UNIVERSE THAT I 39 00:02:22,809 --> 00:02:24,945 NEEDED TO SLOW DOWN." AND IT'S LIKE, NO BECCA, I DON'T 40 00:02:24,945 --> 00:02:27,247 THINK A HALF A MILLION PEOPLE DIED SO YOU COULD RECOMMIT TO 41 00:02:27,247 --> 00:02:31,518 YOUR YOGA PRACTICE." I'VE EVEN BEEN GUILTY OF THIS 42 00:02:31,518 --> 00:02:35,088 REASONING. BEFORE COVID HIT, I WAS GETTING 43 00:02:35,088 --> 00:02:38,759 LASER HAIR REMOVAL. I WAS HALFWAY THROUGH MY 44 00:02:38,759 --> 00:02:42,095 12 SESSIONS AND HAD TO STOP. AND I SWEAR THE OTHER DAY I 45 00:02:42,095 --> 00:02:43,463 LOOKED DOWN WAS LIKE, "I GUESS I WAS NEVER MEANT TO HAVE A 46 00:02:43,463 --> 00:02:47,234 HAIRLESS VAGINA." THAT WASN'T GOD'S PLAN. 47 00:02:47,234 --> 00:02:51,271 APPARENTLY, HIS PLAN WAS FOR IT TO LOOK LIKE A SOUTH AMERICAN 48 00:02:51,271 --> 00:02:54,975 SOCCER FIELD. I DON'T EVEN CARE WHAT IT LOOKS 49 00:02:54,975 --> 00:03:01,515 LIKE ANYMORE. WHO CARES? IT'S NOT LIKE ANYONE IS SEEING 50 00:03:01,515 --> 00:03:03,383 IT. AND WHEN THEY DO. I'M GUESSING I KNOW THEIR 51 00:03:03,383 --> 00:03:09,022 REACTION. NO! NO! NO! 52 00:03:09,022 --> 00:03:12,926 AND DR. DREW WILL BE THERE! I CAN'T EVEN DATE RIGHT NOW. 53 00:03:12,926 --> 00:03:15,896 IF I MEET UP WITH A GUY, I RISK EXPOSING MY PARENTS TO COVID. 54 00:03:15,896 --> 00:03:19,166 I DON'T WANT MY MOM GETTING INTUBATED SO I'M NOT GETTING 55 00:03:19,166 --> 00:03:22,903 INTUBATED. AND CAN I EVEN TRUST A GUY I 56 00:03:22,903 --> 00:03:24,938 MEET ONLINE TO KEEP SIX FEET AWAY? 57 00:03:24,938 --> 00:03:28,542 DO THEY EVEN KNOW WHAT SIX FEET IS? OR AM I GOING TO SHOW UP AND 58 00:03:28,542 --> 00:03:33,914 IT'S GOING TO BE MORE LIKE 5'8 AND THREE QUARTERS? 59 00:03:33,914 --> 00:03:35,716 AND EVEN IF DATING DIDN'T PUT MY PARENTS' LIVES AT RISK, EVERY 60 00:03:35,716 --> 00:03:39,086 SOCIAL DISTANCE DATE SOUNDS LIKE IT'S PUTTING MY LIFE AT RISK. 61 00:03:39,086 --> 00:03:41,988 THEY HAVE THE SAME SETTING AS EVERY TRUE CRIME PODCAST. 62 00:03:41,988 --> 00:03:45,092 "LET'S GO FOR A HIKE IN THE WOODS" OR "LET'S MEET UP AT THE 63 00:03:45,092 --> 00:03:47,494 SOUTHEAST CORNER OF THE BEST BUY PARKING LOT." 64 00:03:47,494 --> 00:03:51,298 "I GUESS I'M DOWN FOR A PICNIC AT THE ABANDONED QUARRY, BUT WHY 65 00:03:51,298 --> 00:03:54,901 DO I NEED TO BRING ZIP TIES AND GARBAGE BAGS?" 66 00:03:54,901 --> 00:03:58,605 SO IN ORDER TO DATE DURING QUARANTINE, I'VE ACTUALLY BEEN 67 00:03:58,605 --> 00:04:00,907 SPEED DATING LIVE ON MY INSTAGRAM. 68 00:04:00,907 --> 00:04:05,746 WHICH IS DEPRESSING BUT ALSO HUMILIATING! 69 00:04:05,746 --> 00:04:08,048 AND I THOUGHT YOU MIGHT ENJOY COMING ON AN INTERNET DATE RIDE 70 00:04:08,048 --> 00:04:08,982 ALONG WITH ME, SO IT'S TIME FOR 71 00:04:08,982 --> 00:04:16,423 NIKKI'S QUICKIES. 72 00:04:16,423 --> 00:04:17,023 ♪ 73 00:04:17,023 --> 00:04:19,793 >> YEAH, LET'S DO THIS. HI! 74 00:04:19,793 --> 00:04:22,529 >> HEY, NIKKI, HOW'S IT GOING? 75 00:04:22,529 --> 00:04:23,864 >> I'M GOOD, HOW ARE YOU? 76 00:04:23,864 --> 00:04:27,234 >> THANK YOU, GREAT TO MEET YOU. 77 00:04:27,234 --> 00:04:30,904 >> HIS BACKGROUND KIND OF INTIMIDATED ME AT FIRST. 78 00:04:30,904 --> 00:04:35,675 IT LOOKED LOOK HE WAS SHOOTING A BEHEADING VIDEO FOR AL QAEDA, 79 00:04:35,675 --> 00:04:39,246 THEN HE WAS THE NICEST GUY EVER. CAN I MEET YOUR MOM? 80 00:04:39,246 --> 00:04:41,782 >> YOU WANT ME TO GET HER RIGHT NOW? 81 00:04:41,782 --> 00:04:42,115 >> YEAH. 82 00:04:42,115 --> 00:04:46,286 >> I GOT TO GET UP CAREFULLY. I DON'T HAVE PANTS ON OR 83 00:04:46,286 --> 00:04:47,287 ANYTHING, HOLD ON. 84 00:04:47,287 --> 00:04:51,858 >> OH, MY! 85 00:04:51,858 --> 00:04:54,928 >> NEITHER DO I! 86 00:04:54,928 --> 00:04:56,863 >> THERE WE GO. HEY. 87 00:04:56,863 --> 00:04:57,731 >> HI. 88 00:04:57,731 --> 00:04:59,800 >> HELLO. WHAT KIND OF GIRL ARE YOU 89 00:04:59,800 --> 00:05:01,902 LOOKING FOR, FOR YOUR SON? 90 00:05:01,902 --> 00:05:04,104 >> A GIRL WHO WOULD TREAT HIM WELL. 91 00:05:04,104 --> 00:05:09,209 WHO WOULD BE HIS SISTER, HIS FRIEND, HIS LOVER. 92 00:05:09,209 --> 00:05:11,144 >> I HEAR YOU HAVE A NICKNAME? 93 00:05:11,144 --> 00:05:12,746 >> YEAH, BOOTS. 94 00:05:12,746 --> 00:05:16,216 >> ALL RIGHT, WELL, WHAT DO YOU LIKE TO DO FOR FUN? 95 00:05:16,216 --> 00:05:21,188 >> I STILL DO A LITTLE RESEARCH WORK ON THE COMPUTER. 96 00:05:21,188 --> 00:05:24,791 >> INVESTIGATING BIG FOOT? I LIKE THAT IT LOOKS LIKE BOOTS 97 00:05:24,791 --> 00:05:27,627 HAS BEEN IN QUARANTINE SINCE 1977. 98 00:05:27,627 --> 00:05:34,401 >> ARE YOU READY TO PLAY 99 00:05:34,401 --> 00:05:36,036 [ BLEEP ] MARRY, KILL. 100 00:05:36,036 --> 00:05:40,373 WHICH ONE WOULD YOU LIKE TO DO TO ME? 101 00:05:40,373 --> 00:05:42,008 >> MARRY. DOESN'T MARRY APPLY TO THE OTHER 102 00:05:42,008 --> 00:05:45,579 ONE? IF YOU MARRY THEN I [ BLEEP ]. 103 00:05:45,579 --> 00:05:48,515 >> LET'S BE HONEST, A LOT OF THEM END IN MURDER. 104 00:05:48,515 --> 00:05:52,285 WHAT DO YOU DO BESIDES HANG OUT IN A BASEMENT? 105 00:05:52,285 --> 00:05:54,754 >> I'M A TEST ENGINEER FOR PANERA. 106 00:05:54,754 --> 00:05:58,158 THERE ARE A FEW THINGS I'M LOOKING FOR IN THIS JOB. 107 00:05:58,158 --> 00:06:01,027 ONE, I'M LOOKING FOR THE CHICKEN SALAD RECIPE. 108 00:06:01,027 --> 00:06:01,561 >> RIGHT. 109 00:06:01,561 --> 00:06:04,998 >> BECAUSE THEY HAVE A CHICKEN SALAD, FANTASTIC, AND THEN THEY 110 00:06:04,998 --> 00:06:10,337 CHANGED THE RECIPE, AND THEY ADDED WALNUTS, AND ALMONDS AND 111 00:06:10,337 --> 00:06:14,107 GRAPES, AND I'M LIKE WHAT MONSTER DID THIS TO ME? 112 00:06:14,107 --> 00:06:17,210 >> WHAT ELSE ARE YOU LOOKING FOR, OTHER THAN SOMEONE TO STAIN 113 00:06:17,210 --> 00:06:18,478 THE REST OF THAT FENCE? 114 00:06:18,478 --> 00:06:22,916 >> I DON'T KNOW, SOMEONE YOU COULD BE COMFORTABLE DOING 115 00:06:22,916 --> 00:06:23,250 NOTHING WITH. 116 00:06:23,250 --> 00:06:25,352 >> ARE YOU EVER GOING TO BE IN L.A.? 117 00:06:25,352 --> 00:06:28,188 >> YEAH, I'M ACTUALLY THERE NEXT WEEK. 118 00:06:28,188 --> 00:06:31,858 >> WE SHOULD HANG OUT. 119 00:06:31,858 --> 00:06:34,694 >> ALL RIGHT. 120 00:06:34,694 --> 00:06:39,099 >> MARK PAUL IS UP NEXT. LET'S SEE WHO THIS IS. 121 00:06:39,099 --> 00:06:45,438 OH, MY, UH, MARK PAUL GOSSLER? 122 00:06:45,438 --> 00:06:48,975 >> YOU MUST BE NIKKI. 123 00:06:48,975 --> 00:06:53,146 >> HI. I CAN'T BELIEVE I'M ON A DATE 124 00:06:53,146 --> 00:06:54,981 WITH MARK PAUL GOSSLER RIGHT NOW. 125 00:06:54,981 --> 00:06:58,018 >> THAT YOU'RE CALLING THIS A DATE, THAT'S SO CUTE. 126 00:06:58,018 --> 00:07:01,187 >> THAT'S WHAT THIS IS. I'M SPEED DATING WITH PEOPLE. 127 00:07:01,187 --> 00:07:05,392 >> WAIT, THIS ISN'T A CHARITY THING? CAUSE ‐‐ 128 00:07:05,392 --> 00:07:06,159 >> NO. 129 00:07:06,159 --> 00:07:10,597 >> THE PRODUCER SAID THAT BY DOING THIS I WAS GRANTING A WISH 130 00:07:10,597 --> 00:07:14,334 TO A VERY SICK WOMAN, IS THAT NOT WHAT THIS IS? 131 00:07:14,334 --> 00:07:20,573 >> UM, WELL, YEAH, I GUESS IN A WAY THAT'S EXACTLY, THAT'S 132 00:07:20,573 --> 00:07:28,581 EXACTLY WHAT THIS IS. 133 00:07:28,581 --> 00:07:29,217 THANKS. 134 00:07:29,217 --> 00:07:29,582 ♪ 135 00:07:29,582 --> 00:07:34,054 >> WE'VE GOT A GOOD SHOW FOR YOU TONIGHT. PARIS HILTON IS HERE. 136 00:07:34,054 --> 00:07:35,922 PHOEBE ROBINSON IS WITH US. AND ALSO MY HOUSE BAND TONIGHT 137 00:07:35,922 --> 00:07:39,926 LITERALLY LIVE FROM THEIR HOUSE IN ST. LOUIS ARE MY PARENTS EJ 138 00:07:39,926 --> 00:07:46,166 AND JULIE GLASER. PLAY US OUT, GUYS. 139 00:07:46,166 --> 00:07:48,802 >> A ONE, TWO. 140 00:07:48,802 --> 00:07:52,439 ♪ YEAH, YEAH, OH, YEAH, MY 141 00:07:52,439 --> 00:07:55,575 CONDITION, MY CONDITION WAS IN ♪ 142 00:07:55,575 --> 00:07:56,176 ♪ I WOKE UP THIS MORNING WITH 143 00:07:56,176 --> 00:07:57,644 THE SUNDOWN ♪ 144 00:07:57,644 --> 00:07:57,978 ♪ POURING IN 145 00:08:04,951 --> 00:08:12,592 ♪ YEAH, YEAH, OH, YEAH ♪ 146 00:08:12,592 --> 00:08:15,161 >> Nikki: THANK YOU, MOM AND DAD. 147 00:08:15,161 --> 00:08:21,368 WELCOME BACK TO "JIMMY KIMMEL LIVE". 148 00:08:21,368 --> 00:08:22,936 I'M YOUR HOST FOR THE NIGHT, NIKKI GLASER. 149 00:08:22,936 --> 00:08:24,604 TOMORROW, I'LL BE SPENDING EVEN MORE TIME WITH MY PARENTS, BUT 150 00:08:24,604 --> 00:08:26,439 GEORGE LOPEZ WILL BE HERE HOSTING WITH HIS GUEST 151 00:08:26,439 --> 00:08:28,408 WILLIE NELSON. MY FIRST GUEST TONIGHT IS A HOTEL 152 00:08:28,408 --> 00:08:30,310 HEIRESS‐TURNED‐REALITY‐STAR‐ TURNED‐ BUSINESS‐MOGUL, WITH A 153 00:08:30,310 --> 00:08:31,745 NEW AND UNEXPECTEDLY REVEALING DOCUMENTARY THAT I CAN'T STOP 154 00:08:31,745 --> 00:08:35,348 THINKING ABOUT. 155 00:08:35,348 --> 00:08:41,287 >> NO ONE REALLY KNOWS WHO I AM. SOMETHING HAPPENED IN MY 156 00:08:41,287 --> 00:08:45,225 CHILDHOOD THAT I'VE NEVER TALKED ABOUT WITH ANY ONE. 157 00:08:45,225 --> 00:08:50,964 I STILL HAVE NIGHTMARES ABOUT IT. 158 00:08:50,964 --> 00:08:56,202 >> Nikki: "THIS IS PARIS" PREMIERS SENT 14th ON YOUTUBE. 159 00:08:56,202 --> 00:08:56,870 HI, PARIS. 160 00:08:56,870 --> 00:08:59,806 >> HELLO. SO GOOD TO SEE YOU. 161 00:08:59,806 --> 00:09:04,044 >> Nikki: SO GOOD TO SEE YOU, TOO. HOW ARE YOU FEELING WITH THE 162 00:09:04,044 --> 00:09:09,416 ANTICIPATION OF THIS COMING OUT? BECAUSE THERE ARE SOME PRETTY 163 00:09:09,416 --> 00:09:11,651 REVELATORY THINGS COMING OUT, HOW ARE YOU FEELING RIGHT NOW? 164 00:09:11,651 --> 00:09:15,221 >> I'M EXCITED, ALSO VERY NERVOUS GIVEN THE TOPICS 165 00:09:15,221 --> 00:09:18,792 DISCUSSED IN THIS FILM, BECAUSE IT'S THINGS I'VE NEVER TALKED 166 00:09:18,792 --> 00:09:21,661 ABOUT. REALLY PERSON AND TRAUMATIC 167 00:09:21,661 --> 00:09:24,497 EXPERIENCES. TO TALK ABOUT THAT PUBLICLY IS 168 00:09:24,497 --> 00:09:29,069 OBVIOUSLY VERY HARD. 169 00:09:29,069 --> 00:09:31,504 >> Nikki: IT S IS. YOU REALLY GO THERE. 170 00:09:31,504 --> 00:09:37,143 AND YOU'VE REALLY GONE THERE IN REALITY SHOWS AND VERSIONS OF 171 00:09:37,143 --> 00:09:41,014 YOURSELF. YOU'VE PEEL ED IT BACK FROM "TH 172 00:09:41,014 --> 00:09:46,653 SIMPLE LIFE" WHERE WE WERE FIRST EXPOSED TO YOU. 173 00:09:46,653 --> 00:09:50,023 WHAT IS IT LIKE BEING ON CAMERA IN SUCH A REAL WAY? 174 00:09:50,023 --> 00:09:52,392 I REALLY FEEL LIKE WE GOT TO KNOW WHO YOU ARE. 175 00:09:52,392 --> 00:09:55,895 HOW IS THAT TRANSITIONED FROM BEING FOLLOWED AROUND ALL DAY 176 00:09:55,895 --> 00:09:57,130 AND BEING YOU? 177 00:09:57,130 --> 00:10:02,001 >> OBVIOUSLY, I'M USED TO BEING ON CAMERA FROM BEING ON CAMERA 178 00:10:02,001 --> 00:10:04,904 FOR SO LONG, BUT I'VE ALWAYS BEEN A NATURALLY SHY PERSON, SO 179 00:10:04,904 --> 00:10:08,575 I LOVED INVENTING THIS CHARACTER AND PLAYING THAT CHARACTER, AND 180 00:10:08,575 --> 00:10:12,745 TO ACTUALLY BE MYSELF WAS A COMPLETELY DIFFERENT EXPERIENCE, 181 00:10:12,745 --> 00:10:16,015 BUT ALSO ALMOST THERAPEUTIC IN SOME WAY, WHERE I LEARNED SO 182 00:10:16,015 --> 00:10:19,752 MUCH ABOUT MYSELF THAT I HAD NO IDEA OF, YOU KNOW, WHY I AM THE 183 00:10:19,752 --> 00:10:22,890 WAY I AM. AND NOW I UNDERSTAND MYSELF SO 184 00:10:22,890 --> 00:10:23,223 MUCH MORE. 185 00:10:23,223 --> 00:10:27,427 >> YEAH, I FEEL LIKE EVERYONE WILL UNDERSTAND YOU MORE. 186 00:10:27,427 --> 00:10:31,364 I FEEL LIKE I WAS ALREADY A HUGE FAN GOING INTO IT, I WAS LIKE, I 187 00:10:31,364 --> 00:10:35,068 KNOW THE REAL HER, AND THEN I WAS LIKE, OH, NO, I DID NOT. 188 00:10:35,068 --> 00:10:39,305 IT'S TAKEN ME EVERYTHING NOT TO SEND MY SECRET LINK TO ALL MY 189 00:10:39,305 --> 00:10:42,242 FRIENDS AND BE LIKE, WE NEED TO WATCH THIS AND DISCUSS. 190 00:10:42,242 --> 00:10:47,680 I'M SO EXCITED FOR PEOPLE TO SEE IT. WHAT HAVE YOU BEEN UP TO IN 191 00:10:47,680 --> 00:10:49,983 QUARANTINE? YOU ARE AT YOUR MANOR WHICH YOU 192 00:10:49,983 --> 00:10:52,285 CALL YOUR HOUSE. WHAT ARE YOU DOING ALL DAY? 193 00:10:52,285 --> 00:10:56,523 BECAUSE ARE YOU A WORKAHOLIC, WHICH WE LEARN IN THE 194 00:10:56,523 --> 00:10:58,158 DOCUMENTARY. HOW HAS THIS BEEN NOT BEING ABLE 195 00:10:58,158 --> 00:10:59,425 TO WORK AS MUCH? 196 00:10:59,425 --> 00:11:03,463 >> I'M USED TO BEING ON A PLANE 197 00:11:03,463 --> 00:11:10,803 250 DAYS A YEAR AND TRAVELING. THIS IS THE FIRST TIME SINCE 198 00:11:10,803 --> 00:11:13,173 BEING A LITTLE KID THAT I'M STUCK IN ONE PLACE. 199 00:11:13,173 --> 00:11:17,410 SO JUST BEING HOME, A LOT OF ART, A LOT OF COOKING, SPENDING 200 00:11:17,410 --> 00:11:21,447 TIME WITH MY PETS AND MY BOYFRIEND. 201 00:11:21,447 --> 00:11:24,951 STILL MAKING THE MOST OF IT. 202 00:11:24,951 --> 00:11:26,986 >> Nikki: WE GET IT, YOU HAVE A BOYFRIEND. STOP BRAGGING. 203 00:11:26,986 --> 00:11:30,790 YOU GUYS ARE SO CUTE, TELL ME WHAT IT'S LIKE TO HAVE A 204 00:11:30,790 --> 00:11:32,058 BOYFRIEND IN QUARANTINE? 205 00:11:32,058 --> 00:11:35,428 >> CHILL TOGETHER, WE WATCH "THE SIMPLE LIFE." 206 00:11:35,428 --> 00:11:40,633 HE'S NOT LIKE A REALITY PERSON. HE'S AN INTELLECTUAL MAN. 207 00:11:40,633 --> 00:11:49,175 TO SEE HIM WATCITH SOMETHING LI 208 00:11:49,175 --> 00:11:52,111 THAT IS FUN. 209 00:11:52,111 --> 00:11:53,746 >> Nikki: YOU'RE SUCH A SEX SYMBOL TO ME AT LEAST. 210 00:11:53,746 --> 00:11:57,150 I LOVE THAT YOU WERE GIVEN A NICKNAME IN YOUR LIFE, I'D LOVE 211 00:11:57,150 --> 00:12:03,723 IF YOU'D SHARE THAT WITH US. BECAUSE IT ACTUALLY EMPOWERED ME. 212 00:12:03,723 --> 00:12:07,694 >> MY NICKNAME IS MS. BLUE BALLER. 213 00:12:07,694 --> 00:12:12,865 >> Nikki: NOW EXPLAIN THAT AN ILL WILL BIT. 214 00:12:12,865 --> 00:12:17,303 I THINK WE CAN GET THERE ON OUR OWN. YOU DON'T GIVE IT UP EASILY. 215 00:12:17,303 --> 00:12:19,372 YOU MAKE THEM WAIT FOR IT. 216 00:12:19,372 --> 00:12:24,010 >> YES, MY MOM ALWAYS TAUGHT ME SINCE I WAS A LITTLE GIRL GUYS 217 00:12:24,010 --> 00:12:27,680 WANT WHAT THEY CAN'T HAVE. I'VE ALWAYS BEEN VERY PRUDE IN 218 00:12:27,680 --> 00:12:29,549 THAT WAY. YES, I LIKE TO KISS AND MAKE 219 00:12:29,549 --> 00:12:32,885 OUT, BUT THAT'S IT. SO I FEEL THAT MOST GIRLS ARE 220 00:12:32,885 --> 00:12:35,488 NOT LIKE THAT, SO GUYS ARE NOT USED TO IT. 221 00:12:35,488 --> 00:12:40,193 BUT I'M SO HAPPY MY MOM TAUGHT ME THAT, I'M GOING TO TEACH MY 222 00:12:40,193 --> 00:12:43,096 DAUGHTER THE SAME THING. I THINK IT'S WAY HOTTER. 223 00:12:43,096 --> 00:12:47,533 >> Nikki: I NEEDED YOU TO TEACH ME THAT. IT'S A STRUGGLE. 224 00:12:47,533 --> 00:12:50,903 GIRLS FEEL PRESSURED TO DO SOMETHING THEY DON'T WANT TO DO. 225 00:12:50,903 --> 00:12:54,440 SINCE WE'VE HAD THAT CONVERSATION I'VE BEEN MAKING 226 00:12:54,440 --> 00:12:57,944 OUT AND TRYING TO KEEP IT AT THAT. I LEARNED HOW TO SURVEIL 227 00:12:57,944 --> 00:13:00,280 BOYFRIENDS. I LOVE THAT YOU GET A NEW 228 00:13:00,280 --> 00:13:03,216 COMPUTER FOR EVERY GUY YOU DATE. THAT WAS AWESOME. 229 00:13:03,216 --> 00:13:06,486 YOU HAVE STACKS AND STACKS OF COMPUTERS, JUST BOUGHT TRUST 230 00:13:06,486 --> 00:13:09,589 ISSUES THAT YOU TALK ABOUT IN THE DOCUMENTARY, YOU KIND OF 231 00:13:09,589 --> 00:13:11,658 REVEAL. YOU HAVE A LOT OF FOOTAGE OF 232 00:13:11,658 --> 00:13:15,228 THEM. YOU WOULD SET UP CAMERAS JUST TO 233 00:13:15,228 --> 00:13:17,163 HAVE THEM IF THEY WERE AT YOUR PLACE. 234 00:13:17,163 --> 00:13:20,700 DID YOU SIT THERE AND REVIEW FOOTAGE AND HAVE TO WATCH IT FOR 235 00:13:20,700 --> 00:13:22,335 HOURS AND HOURS? 236 00:13:22,335 --> 00:13:25,171 >> NO, I ACTUALLY ONLY DID THAT TO ONE PERSON. 237 00:13:25,171 --> 00:13:26,839 I JUST DON'T TRUST CERTAIN PEOPLE. 238 00:13:26,839 --> 00:13:30,310 IF I'M GOING TO HAVE TO GO OUT AND WORK AND THEY'RE GOING TO BE 239 00:13:30,310 --> 00:13:33,913 ALONE IN MY ROOM, I DON'T WANT THEN GOING THROUGH ALL MY THINGS. 240 00:13:33,913 --> 00:13:37,150 I WANTED TO SEE WHAT WAS HAPPENING WHILE I WAS AT WORK 241 00:13:37,150 --> 00:13:39,819 SOY DON'T HAVE TO WORRY. 242 00:13:39,819 --> 00:13:44,924 >> Nikki: I LOVE, LOVE, LOVED YOUR DOCUMENTARY, "THIS IS 243 00:13:44,924 --> 00:13:46,759 PARIS" ON SEPTEMBER 14 ON YOUTUBE. 244 00:13:46,759 --> 00:13:50,263 PEOPLE ARE GOING TO FREAK. THANK YOU SO MUCH FOR SHARING SO 245 00:13:50,263 --> 00:13:53,066 MUCH OF YOURSELF AND BEING YOU. I LOVE YOU, PARIS. 246 00:13:53,066 --> 00:13:54,867 >> I LOVE YOU. 247 00:13:54,867 --> 00:14:01,843 >> Nikki: WE'LL BE RIGHT BACK WITH PHOEBE ROBINSON. 248 00:14:01,843 --> 00:14:02,208 ♪ 249 00:14:02,208 --> 00:14:03,743 ♪ FAIRY TALES CAN COME TRUE 250 00:14:03,743 --> 00:14:04,747 ♪ CAN HAPPEN TO YOU 251 00:14:04,747 --> 00:14:05,111 ♪ 252 00:14:12,518 --> 00:14:13,686 ♪ THE BEST PART 253 00:14:13,686 --> 00:14:16,089 ♪ YOU HAD A HEAD START 254 00:14:16,089 --> 00:14:19,959 ♪ IF YOU ARE AMONG THE VERY 255 00:14:19,959 --> 00:14:21,527 YOUNG AT HEART ♪ 256 00:14:21,527 --> 00:14:26,466 >> Nikki: WELCOME BACK TO "JIMMY KIMMEL LIVE". 257 00:14:26,466 --> 00:14:27,767 I'M TONIGHT'S SUB, NIKKI GLASER. MY NEXT GUEST IS A COMEDIAN, 258 00:14:27,767 --> 00:14:28,901 BEST‐SELLING AUTHOR AND FORMER DOPE QUEEN WHO LAUNCHED A 259 00:14:28,901 --> 00:14:31,938 BRAND‐NEW BOOK IMPRINT CALLED "TINY REPARATIONS BOOKS" 260 00:14:31,938 --> 00:14:33,673 AND STARTING NEXT MONTH, YOU CAN LISTEN TO HER NEW PODCAST "BLACK 261 00:14:33,673 --> 00:14:39,746 FRASIER." PLEASE WELCOME PHOEBE ROBINSON. 262 00:14:39,746 --> 00:14:40,613 HI, PHOEBE. 263 00:14:40,613 --> 00:14:43,516 >> NIKKI, HI, QUEEN! 264 00:14:43,516 --> 00:14:47,053 >> Nikki: I'M READING YOUR BOOK RIGHT NOW, SOY FEEL LIKE I'VE 265 00:14:47,053 --> 00:14:49,088 BEEN TALKING TO YOU LIKE EVERY DAY. 266 00:14:49,088 --> 00:14:54,927 SO IT'S SO GOOD TO TALK TO YOU. I WANT TO QUICKLY ASK. 267 00:14:54,927 --> 00:14:59,532 YOU'RE FRIENDS WITH A LOT OF FAMOUS PEOPLE, PHOEBE. 268 00:14:59,532 --> 00:15:02,535 LITTLE BIT. I JUST INTERVIEWED PARIS HILTON, 269 00:15:02,535 --> 00:15:06,105 AND I REALLY WANT TO BECOME FRIENDS WITH HER, HOW DO I GO 270 00:15:06,105 --> 00:15:08,977 ABOUT DOING THAT? HOW DO YOU TAKE IT TO THE NEXT 271 00:15:08,977 --> 00:15:09,342 LEVEL? 272 00:15:09,342 --> 00:15:16,749 >> I AM VERY LOOSELY FRIENDS WITH MICHELLE OBAMA, WHICH IS 273 00:15:16,749 --> 00:15:21,154 TRULY WILD TO KNME. THE KEYS TO THAT ARE DON'T BE 274 00:15:21,154 --> 00:15:26,559 THIRSTY AND HOLD IN EVERY SINGLE FART WHEN YOU ARE AROUND THEM. 275 00:15:26,559 --> 00:15:32,532 I HAVE ENGAGED MY CORE SO MUCH WHEN I'M AROUND, IT'S WILD. 276 00:15:32,532 --> 00:15:35,568 >> Nikki: DO YOU, LIKE HOW ARE YOU FRIENDS WITH HER? 277 00:15:35,568 --> 00:15:38,704 WHAT IS THE FRIENDSHIP? HOW OFTEN DO YOU GUYS TALK? 278 00:15:38,704 --> 00:15:42,708 >> EVERY FEW MONTHS WE'LL CHECK IN. WE HAVE EACH OTHER'S PHONE 279 00:15:42,708 --> 00:15:44,210 NUMBERS. SHE'S IN MY PHONE UNDER LIKE A 280 00:15:44,210 --> 00:15:48,915 CODE NAME, AND I'M ALWAYS SO TERRIFIED WHEN I TEXT HER. 281 00:15:48,915 --> 00:15:53,319 I PROOFREAD IT. I DO ALL THE THINGS, YOU KNOW. 282 00:15:53,319 --> 00:15:53,886 IT'S SCARY. 283 00:15:53,886 --> 00:15:57,457 >> Nikki: THE WHOLE THING. OH, MY GOSH. 284 00:15:57,457 --> 00:16:01,694 IT'S SO, IT'S A DELICATE THING TO HAVE SOMEONE THAT'S, I'D BE 285 00:16:01,694 --> 00:16:09,068 SO SCARED TO ACCIDENTLY FACE TIME HER. 286 00:16:09,068 --> 00:16:12,472 I'M READING YOUR BOOK "EVERYTHING'S TRASH" RIGHT NOW. 287 00:16:12,472 --> 00:16:16,642 IT'S SO FREAKING GOOD. I'M SO EXCITED FOR YOUR NEW BOOK 288 00:16:16,642 --> 00:16:24,517 IN PRINT THAT YOU ARE ALSO R RELEASING, YOU'RE WRITING A BOOK 289 00:16:24,517 --> 00:16:25,184 ABOUT QUARANTINE IN QUARANTINE. 290 00:16:25,184 --> 00:16:29,689 >> YEAH, IT'S CALLED "SIX FEET APART." 291 00:16:29,689 --> 00:16:35,161 I HAVE ESSAYS LIKE WAIVE YOUR ISSUES LIKE BLACK EXCELLENCE AND 292 00:16:35,161 --> 00:16:39,465 QUARANTINING WITH MY BOYFRIEND OF THREE YEARS, AND, YOU KNOW, 293 00:16:39,465 --> 00:16:42,835 IT'S GOOD. BUT IT'S A LOT. YOU KNOW, TO BE IN AN APARTMENT 294 00:16:42,835 --> 00:16:47,673 FOR ALMOST FIVE MONTHS, IT'S LIKE, THAT'S TOO MUCH. 295 00:16:47,673 --> 00:16:50,543 >> Nikki: IT'S SO MUCH. IT'S KIND OF LIKE WHAT I AM 296 00:16:50,543 --> 00:16:53,312 LOOKING FORWARD TO FOR THE NEXT TIME THIS ALL GOES DOWN. 297 00:16:53,312 --> 00:16:57,683 I'D LIKE TO HAVE A PARTNER TO END UP RESENTING THROUGH IT. 298 00:16:57,683 --> 00:17:02,522 I'M LIVING WITH MY MOM AND DAD NOW. WHAT IS YOUR WRITING PROCESS 299 00:17:02,522 --> 00:17:05,691 LIKE WITH HIM THERE? YOU'RE WRITING FROM HOME. 300 00:17:05,691 --> 00:17:08,661 EVERYONE'S TRYING TO WRITE A BOOK RIGHT NOW. 301 00:17:08,661 --> 00:17:10,296 YOU'RE ACTUALLY DOING IT. 302 00:17:10,296 --> 00:17:14,166 >> IT'S GREAT. I STAY HOME, SIT ON THE COUCH, 303 00:17:14,166 --> 00:17:16,836 I'M NOT WEARING PANTS. THIS IS NOT SEXUAL. 304 00:17:16,836 --> 00:17:20,239 THIS IS PROFESSIONAL. THIS IS HOW I WRITE, AND I HAVE 305 00:17:20,239 --> 00:17:25,645 MY SNACKS, TONIGHT I WANTED TO BE NICE FOR YOU, SO I'M WEARING 306 00:17:25,645 --> 00:17:27,313 BIKER SHORTS. 307 00:17:27,313 --> 00:17:31,117 >> Nikki: NO. YES, YES, AMAZING. 308 00:17:31,117 --> 00:17:36,722 THAT OUTFIT ACTUALLY GOES. YOU LOOK GREAT. 309 00:17:36,722 --> 00:17:39,759 ISN'T THIS SO GREAT? THIS IS THE FIRST TIME I'VE BEEN 310 00:17:39,759 --> 00:17:43,496 WEARING MAKEUP OR THINK KIND OF FITTED THING IN MONTHS AND 311 00:17:43,496 --> 00:17:45,865 MONTHS, AND IT'S SO NICE TO GET A BREAK FROM THAT. 312 00:17:45,865 --> 00:17:52,705 HAVE YOU FOUND IT'S NICE TO ESCAPE ALL THE PRESSURES OF VYI 313 00:17:52,705 --> 00:17:53,573 TRYING TO LOOK HOT? 314 00:17:53,573 --> 00:17:57,376 >> OH, MY GOSH, I LOOK LIKE TRASH MOST DAYS. 315 00:17:57,376 --> 00:17:58,978 JUST THROWING IT ALL OUT THERE. 316 00:17:58,978 --> 00:18:01,013 >> Nikki: WE GOT IT TOGETHER FOR ALL THIS. 317 00:18:01,013 --> 00:18:08,721 >> I ALWAYS HAVE A ZIT PATCH ON JUST IN CASE. JUST IN CASE. 318 00:18:08,721 --> 00:18:10,690 >> Nikki: PREEMPTIVELY. 319 00:18:10,690 --> 00:18:11,257 >> YEAH. 320 00:18:11,257 --> 00:18:20,366 >> Nikki: YOU HAVE A NEW VICE 321 00:18:20,366 --> 00:18:26,673 POD ADVICE PRODODCAST CALLED "BLACK 322 00:18:26,673 --> 00:18:27,006 FRASIER." 323 00:18:27,006 --> 00:18:29,041 >> NEVER SEEN IT. NEVER SEEN IT. 324 00:18:29,041 --> 00:18:33,646 >> Nikki: I MOVE THAT YOU'VE NEVER SEEN IT, AND IT'S SUCH A 325 00:18:33,646 --> 00:18:36,582 GREAT NAME BECAUSE YOU HAVE NO INFORMATION ABOUT FRASIER OTHER 326 00:18:36,582 --> 00:18:39,085 THAN THE COVER OF THE DVD. 327 00:18:39,085 --> 00:18:45,524 >> MY BOYFRIEND LOVES THE SHOW, AND I ALWAYS GIVE ADVICE, SO I'M 328 00:18:45,524 --> 00:18:49,962 LIKE A BLACK FRAS. GO FOR IT, BABE. 329 00:18:49,962 --> 00:18:53,466 >> Nikki: I WAS ON A FLIGHT YESTERDAY, MET A CUTE GUY. 330 00:18:53,466 --> 00:18:56,869 THREE HOURS INTO THE FLIGHT OF TALKING THE WHOLE TIME HE 331 00:18:56,869 --> 00:19:00,006 REVEALS HE HAS A GIRLFRIEND, THREE HOURS IN. 332 00:19:00,006 --> 00:19:02,742 WHAT WOULD YOU DO IN THAT MOMENT? 333 00:19:02,742 --> 00:19:06,479 >> YOU KNOW WHAT? IF HE WAS DRINKING A MOUNTAIN 334 00:19:06,479 --> 00:19:11,017 DEW, I WOULD HAVE POURED IT ON HIS LAP. THAT IS RUDE AS HELL. 335 00:19:11,017 --> 00:19:15,821 WE ARE IN THE AGE OF CORONA. EVERYTHING IS WAY STRESSFUL. 336 00:19:15,821 --> 00:19:20,126 IF YOU ARE IN A RELATIONSHIP, DO NOT TALK TO ME, I DON'T WANT 337 00:19:20,126 --> 00:19:22,862 FRIENDS RIGHT NOW. I DON'T WANT THEM. NO THANKS. 338 00:19:22,862 --> 00:19:25,598 >> Nikki: YOU KNOW WHAT I DID? NOTHING. 339 00:19:25,598 --> 00:19:27,967 I CONTINUED THE CONVERSATION UNTIL WE LANDED AND WASTED MORE 340 00:19:27,967 --> 00:19:30,903 OF MY TIME. I COULD HAVE USED YOU. 341 00:19:30,903 --> 00:19:37,009 SINCE READING YOUR BOOK, YOUR VOICE IS IN MY HEAD ALL THE TIME. 342 00:19:37,009 --> 00:19:40,479 YOU'RE SO FREAKIN' FUNNY. I CAN'T WAIT FOR YOUR NEW BOOK. 343 00:19:40,479 --> 00:19:45,317 CAN'T WAIT FOR YOUR PODCAST, THANK YOU FOR BEING HERE TONIGHT. 344 00:19:45,317 --> 00:19:50,489 >> THANK YOU FOR HAVING ME. YOU'RE A GEM. I LOVE YOU 345 00:19:50,489 --> 00:19:52,491 ♪ I'M GOING TO TAKE MY HORSE TO 346 00:19:52,491 --> 00:19:53,225 ♪ I'M GOING TO RIDE UNTIL I 347 00:19:53,225 --> 00:19:53,739 CAN'T NO MORE ♪ 348 00:19:58,798 --> 00:20:01,000 >> THAT'S ALL THE TIME WE HAVE. I'D LIKE TO THANK PARIS HILTON, 349 00:20:01,000 --> 00:20:03,302 PHOEBE ROBINSON, MARC PAUL GOSSELAAR, MY PARENTS 350 00:20:03,302 --> 00:20:06,038 AND OF COURSE, JIMMY KIMMEL. MY APOLOGIES TO JENNIFER ANISTON 351 00:20:06,038 --> 00:20:09,842 WE RAN OUT OF TIME. GEORGE LOPEZ WILL HOST TOMORROW. 352 00:20:09,842 --> 00:20:13,342 "NIGHTLINE" IS NEXT. THANKS FOR WATCHING. GOODNIGHT. 29726

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