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These are the user uploaded subtitles that are being translated: 1 00:00:07,340 --> 00:00:11,428 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:11,511 --> 00:00:16,266 IT'S THE LATE LATE SHOW ♪ >> James: IT CERTAINLY IS! 3 00:00:16,349 --> 00:00:18,435 >> James: GOODS EVENING AND WELCOME TO THE "LATE, LATE 4 00:00:18,518 --> 00:00:20,270 SHOW," I'M JAMES CORDEN. 5 00:00:20,353 --> 00:00:25,275 AND I KNOW YOU MAY NOT BELIEVE ME, BUT I USED TO GO OUTSIDE AND 6 00:00:25,358 --> 00:00:25,817 DO STUFF. 7 00:00:25,900 --> 00:00:29,279 DO YOU REMEMBER THAT? 8 00:00:29,362 --> 00:00:33,950 DO YOU REMEMBER THAT, GOING OUTSIDE AND DOING STUFF, REG? 9 00:00:34,033 --> 00:00:35,702 >> Reggie: BARELY. 10 00:00:35,785 --> 00:00:38,037 >> James: WE WERE THE GUYS, MAN. 11 00:00:38,121 --> 00:00:43,918 WE WOULD GO OUT AND WE WOULD DO STUFF. 12 00:00:44,002 --> 00:00:45,128 I WOULD SAY TO YOU, I WOULD SAY HEY, REG, WHAT ARE YOU UP TO 13 00:00:45,211 --> 00:00:49,257 TONIGHT, AND HE WITH BE LIKE OH, MAN, I'M DOING A SHOW AND THEN 14 00:00:49,340 --> 00:00:53,511 I'M FLYING HERE, I'M DOING THIS, I HAVE A DATE WITH A LOVELY 15 00:00:53,595 --> 00:00:54,804 LADY. 16 00:00:54,888 --> 00:00:57,640 AND I WILL BE LIKE YEAH, I WILL PROBABLY STAY IN BUT I COULD DO 17 00:00:57,724 --> 00:00:58,308 STUFF. 18 00:00:58,391 --> 00:01:01,019 AND THAT WAS WHAT IT WAS LIKE. 19 00:01:01,102 --> 00:01:02,312 BUT NOW WE'RE HERE. 20 00:01:02,395 --> 00:01:04,856 AND THAT'S WHAT WE ARE DOING. 21 00:01:04,939 --> 00:01:06,316 BUT WE'RE PLEASED TO BE HERE RIGHT NOW BECAUSE TONIGHT WE'LL 22 00:01:06,399 --> 00:01:09,319 BE TALKING TO THE ONE AND ONLY RUSSELL CROWE. 23 00:01:09,402 --> 00:01:11,321 WE THEN HAVE A MUSICAL PERFORMANCE FROM THE FANTASTIC 24 00:01:11,404 --> 00:01:15,992 CHARLIE PUTH, AND LISTEN TO THIS, WE WILL BE CHECKING IN 25 00:01:16,075 --> 00:01:20,330 WITH THE ASTRONAUTS ON THE INTERNATIONAL SPACE STATION. 26 00:01:20,413 --> 00:01:24,834 YOU GO TO SLEEP, DO T I DARE YOU, GO TO SLEEP AND YOU WILL 27 00:01:24,918 --> 00:01:29,339 LIVE A LIFE HAUNTED BY THE FEELING OF NEAR CONSTANT REGRET. 28 00:01:29,422 --> 00:01:35,011 YOU OWE IT TO FUTURE YOU TO MAKE SURE THAT DOESN'T HAPPEN. 29 00:01:35,094 --> 00:01:38,848 HOW LONG HAVE WE BEEN DOING THESE SHOWS NOW? 30 00:01:38,932 --> 00:01:40,350 >> Reggie: LIKE THREE AND A HALF MONTHS. 31 00:01:40,433 --> 00:01:43,353 >> James: YEAH, I THINK IT IS NEARLY FOUR MONTHS. 32 00:01:43,436 --> 00:01:46,481 FOUR MONTHS WE'VE BEEN DOING THIS. 33 00:01:46,564 --> 00:01:49,984 AND I HAVE GOT TO TELL YOU, IT HASN'T GOTTEN ANY EASIER. 34 00:01:50,068 --> 00:01:53,530 AS OF, WE'RE PERFORMERS, THE BAND ARE PERFORMERS, WE LOVE AN 35 00:01:53,613 --> 00:01:57,992 AUDIENCE THERE IS NOTHING WORSE THAN TRYING TO TELL JOKES ALONE 36 00:01:58,076 --> 00:01:59,661 IN COMPLETE SILENCE. 37 00:01:59,744 --> 00:02:02,330 BUT TONIGHT WE ARE GOING TO TRY SOMETHING THAT IS GOING TO BE 38 00:02:02,413 --> 00:02:03,581 DIFFERENT. 39 00:02:03,665 --> 00:02:06,042 BECAUSE I DONE KNOW IF YOU READ ABOUT THIS, THERE IS A BRAND NEW 40 00:02:06,125 --> 00:02:07,377 COMPANY AND WE'RE EXCITED ABOUT THIS. 41 00:02:07,460 --> 00:02:11,214 A NEW COMPANY THAT WILL PROVIDE ANYONE WHO NEEDS ONE WITH AN 42 00:02:11,297 --> 00:02:16,344 ONLINE VIRTUAL ODD YINS IS-- AUDIENCE SO THAT YOU CAN 43 00:02:16,427 --> 00:02:17,554 GET REALTIME FEEDBACK. 44 00:02:17,637 --> 00:02:20,390 YOU MUST HAVE FRIEND, STANDUP COMEDIANS DOING THIS, C.E.O.S OF 45 00:02:20,473 --> 00:02:25,436 BIG COMPANIES ARE USING IT TO UNVEIL NEW PRODUCTS TO THEIR 46 00:02:25,520 --> 00:02:29,232 WORKFORCE, SO ON AND SO FORTH, AND BASICALLY WE AT THE "LATE, 47 00:02:29,315 --> 00:02:30,525 LATE SHOW" HAVE SIGNED UP. 48 00:02:30,608 --> 00:02:34,612 SO TONIGHT WE'RE GOING TO DO AN ACTUAL MONOLOGUE WITH A GENUINE 49 00:02:34,696 --> 00:02:35,446 LIVE AUDIENCE. 50 00:02:35,530 --> 00:02:37,407 I DOP KNOW HOW THEY FIND THESE PEOPLE. 51 00:02:37,490 --> 00:02:38,408 I DON'T. 52 00:02:38,491 --> 00:02:42,412 BUT WE FIGURE WE'RE GOING TO GIVE IT A TRY, OKAY. 53 00:02:42,495 --> 00:02:45,331 SO WHAT I HAVE TO DO, I HAVE TO OPEN THIS. 54 00:02:45,415 --> 00:02:51,629 AND THEN IF I CLICK ON THIS, THIS SHOULD BE. 55 00:02:51,713 --> 00:02:52,297 >> HEY JAMES. 56 00:02:52,380 --> 00:02:52,714 >> IT WORKED. 57 00:02:52,797 --> 00:02:53,756 >> HEY JAMES. 58 00:02:53,840 --> 00:02:55,884 >> OH NO, NOT YOU TWO. 59 00:02:55,967 --> 00:02:58,303 >> OH, LOOK, HE REALLY IS IN THE GARAGE. 60 00:02:58,386 --> 00:03:05,435 >> YEAH, BUT HIS RATINGS ARE STILL IN THE BASEMENT. 61 00:03:05,518 --> 00:03:06,436 >> James: I DON'T THINK THIS IS GOING TO WORK. 62 00:03:06,519 --> 00:03:07,437 >> WE'LL BE THE JUDGE OF THAT. 63 00:03:07,520 --> 00:03:10,648 >> YEAH, WHY WOULD TONIGHT BE ANY DIFFERENT. 64 00:03:10,732 --> 00:03:11,858 (LAUGHTER). 65 00:03:11,941 --> 00:03:14,444 >> James: YOU KNOW WHAT, DO YOU KNOW WHAT, FINE, FINE, OKAY, 66 00:03:14,527 --> 00:03:16,738 I AM A PROFESSIONAL. 67 00:03:16,821 --> 00:03:20,325 FINE, IF THAT IS THE AUDIENCE WE'VE GOT, THAT IS WHAT WE WILL 68 00:03:20,408 --> 00:03:21,159 DO. 69 00:03:21,242 --> 00:03:22,285 OKAY, LET'S JUMP IN WITH THE MONOLOGUE. 70 00:03:22,368 --> 00:03:25,538 OKAY, HERE WE GO. 71 00:03:25,622 --> 00:03:29,459 ACCORDING TO A RECENT POLL MR. BLUE SKY BY ELO IS THE 72 00:03:29,542 --> 00:03:30,752 HAPPIEST SONG EVER RECORDED. 73 00:03:30,835 --> 00:03:36,132 IT BEAT OUT THE SEDGED HAPPIEST SONG OF ALL TIME, ANY SONG THAT 74 00:03:36,215 --> 00:03:39,636 IMMEDIATELY FOLLOWS BABY SHARK. 75 00:03:39,719 --> 00:03:43,598 >> NOT ONLY DID THAT JOKE NOT LAND, IT NEVER GOT OFF THE 76 00:03:43,681 --> 00:03:44,807 RUNWAY. 77 00:03:44,891 --> 00:03:47,810 >> BETTER CHECK WITH THE IT WE ARE, I DON'T THINK IT GT CLEARED 78 00:03:47,894 --> 00:03:48,770 FOR TAKEOFF. 79 00:03:48,853 --> 00:03:50,688 >> James: OKAY, FINE, WE'LL TRY ANOTHER ONE. 80 00:03:50,772 --> 00:03:53,524 HERE IS ANOTHER ONE, OKAY, YOU WILL LIKE THIS ONE. 81 00:03:53,608 --> 00:03:56,694 SCIENTISTS HAVE RECENTLY DISCOVERED THAT MICE ARE SMALLER 82 00:03:56,778 --> 00:04:00,323 NOW THAN THEY WERE A HUNDRED YEARS AGO. 83 00:04:00,406 --> 00:04:04,827 OBVIOUSLY NONE OF THOSE SCIENTISTS HAS EVER BEEN TO 84 00:04:04,911 --> 00:04:05,161 DISNEYLAND. 85 00:04:05,244 --> 00:04:06,037 >> YES. 86 00:04:06,120 --> 00:04:07,664 >> James: THERE YOU GO, YOU LIKE THAT ONE. 87 00:04:07,747 --> 00:04:08,748 >> NO, WE MADE A BET. 88 00:04:08,831 --> 00:04:13,461 I SAID THERE WAS NO WAY YOUR JOKES COULD GET ANY WORSE. 89 00:04:13,544 --> 00:04:14,545 >> AND I WON. 90 00:04:14,629 --> 00:04:17,090 >> James: YOU THINK ARE YOU THE ONLY ONE WHO CAN THROW 91 00:04:17,173 --> 00:04:20,134 AROUND CLEVER INSULTS, IS THAT WHAT YOU THINK, WE CAN ALL DO 92 00:04:20,218 --> 00:04:21,177 THAT. 93 00:04:21,260 --> 00:04:25,181 WHAT ABOUT THIS, YOU TWO-- HERE'S ONE, THE BOTH OF 94 00:04:25,264 --> 00:04:29,519 YOU-- YOU BOTH-- GIVE ME A MINUTE. 95 00:04:29,602 --> 00:04:32,021 >> TAKE THE WHOLE HOUR. 96 00:04:32,105 --> 00:04:33,231 >> YEAH, AND WAKE US WHEN ARE YOU FUNNY. 97 00:04:33,314 --> 00:04:35,525 >> James: THIS IS RIDICULOUS, HOW ARE THESE THE ONLY PEOPLE. 98 00:04:35,608 --> 00:04:38,069 >> HEY THERE, HI, JAMES. 99 00:04:38,152 --> 00:04:39,821 >> James: WHAT? 100 00:04:39,904 --> 00:04:40,655 >> HELLO. 101 00:04:40,738 --> 00:04:41,698 >> James: KERMIT. 102 00:04:41,781 --> 00:04:42,865 >> HI JAMES. 103 00:04:42,949 --> 00:04:45,868 >> James: FOZZIE, OH, THANK GOODNESS YOU ARE BOTH HERE. 104 00:04:45,952 --> 00:04:48,413 >> YOU KNOW WHAT, I AM SO SORRY ABOUT THOSE GUYS. 105 00:04:48,496 --> 00:04:49,372 I APOLOGIZE. 106 00:04:49,455 --> 00:04:51,582 JAMES, JAMES, CONTINUE. 107 00:04:51,666 --> 00:04:53,835 YOU ARE DOING GREAT, YOU ARE DOING GREAT. 108 00:04:53,918 --> 00:04:57,380 >> YES, YES, LOVE YOUR STUFF, VERY FUNNY. 109 00:04:57,463 --> 00:05:00,758 >> James: OH, YOU DON'T KNOW HOW MUCH I NEEDED TO HEAR THAT, 110 00:05:00,842 --> 00:05:01,217 GUYS. 111 00:05:01,300 --> 00:05:01,843 THANK YOU SO MUCH. 112 00:05:01,926 --> 00:05:03,386 THIS IS A BETTER AUDIENCE. 113 00:05:03,469 --> 00:05:05,722 OKAY, HERE'S ONE, YOU WILL LIKE THIS ONE. 114 00:05:05,805 --> 00:05:10,727 OKAYS AN IDAHO WOMAN HAS SET A NEW WORLD RECORD BY DRESSING HER 115 00:05:10,810 --> 00:05:15,064 HUSBAND IN 32 T-SHIRTS IN ONE MINUTE, ACCORDING TO THE HUSBAND 116 00:05:15,148 --> 00:05:21,612 HE'S ALMOST GOT THE HANG OF IT AND HE COULD BE DRESSING HIMSELF 117 00:05:21,696 --> 00:05:23,448 SOON. 118 00:05:23,531 --> 00:05:24,490 >> YEAH. 119 00:05:24,574 --> 00:05:26,951 YOU THINK MAYBE WE SHOULD DO A MUSICAL NUMBER, HUH? 120 00:05:27,035 --> 00:05:29,495 >> OH BOY, THAT COULD BE FUN TOO. 121 00:05:29,579 --> 00:05:34,083 >> James: WAIT A MINUTE, DID YOU GUYS PLAN AND REHEARSE A BIG 122 00:05:34,167 --> 00:05:37,545 MUSICAL NUMBER, MAYBE EVEN WITH MY OWN BAND JUST IN CASE YOU HAD 123 00:05:37,628 --> 00:05:44,594 TO SAVE ME FROM TELLING MORE JOKES? 124 00:05:44,677 --> 00:05:45,553 >> MAYBE. 125 00:05:45,636 --> 00:05:48,598 >> James: WELL THEN I'VE GOT TO SAY THANK YOU. 126 00:05:48,681 --> 00:05:56,981 >> GEE, THAT'S WHAT FRIENDS ARE FOR, JAMES, HIT IT GUYS. 127 00:05:57,065 --> 00:06:01,444 ♪ ♪ ♪ ♪ WHAT WOULD YOU DO IF I SANG 128 00:06:01,527 --> 00:06:07,784 OUT OF TUNE? 129 00:06:07,867 --> 00:06:14,123 ♪ WOULD YOU STAND UP AND WALK OUT ON ME? 130 00:06:14,207 --> 00:06:20,004 ♪ LEND ME YOUR EARS AND I'LL SING YOU A SONG 131 00:06:20,088 --> 00:06:24,133 ♪ I WILL TRY NOT TO SING OUT OF KEY 132 00:06:24,217 --> 00:06:25,468 ♪ OH, BABY I GET BY WITH A LITTLE HELP FROM MY 133 00:06:25,551 --> 00:06:30,473 ♪ FRIENDS ALL I NEED IS MY BUDDIES. 134 00:06:30,556 --> 00:06:33,017 ♪ HIGH WITH A LITTLE HELP FROM MY FRIENDS 135 00:06:33,101 --> 00:06:36,312 ♪ I SAY I'M GONNA GET HIGH WITH'EM 136 00:06:36,395 --> 00:06:37,480 ♪ TRY WITH A LITTLE HELP FROM MY FRIENDS 137 00:06:37,563 --> 00:06:49,617 ♪ OH YEAH OOO, OOO, OOO. 138 00:06:49,700 --> 00:06:54,455 ♪ WHAT DO I DO WHEN MY LOVE IS AWAY? 139 00:06:54,539 --> 00:06:56,999 ♪ DOES IT WORRY YOU TO BE ALONE? 140 00:06:57,083 --> 00:07:02,505 NO, NO ♪ HOW DO I FEEL AT THE END OF 141 00:07:02,588 --> 00:07:03,631 THE DAY? 142 00:07:03,714 --> 00:07:07,969 ♪ ARE YOU SAD BECAUSE YOU'RE ON YOUR OWN? 143 00:07:08,052 --> 00:07:09,345 ♪ I TELL YA I DON'T GET SAD NO MORE 144 00:07:09,428 --> 00:07:14,600 ♪ BY WITH A LITTLE HELP FROM MY FRIENDS. 145 00:07:14,684 --> 00:07:15,518 ♪ GONNA GET BY WITH MY FRIENDS. 146 00:07:15,601 --> 00:07:19,647 HIGH WITH A LITTLE HELP FROM MY ♪ FRIENDS 147 00:07:19,730 --> 00:07:25,403 YEAH, YEAH, YEAH, I'M GONNA TRY ♪ TRY WITH A LITTLE HELP FROM MY 148 00:07:25,486 --> 00:07:29,699 FRIENDS ♪ KEEP ON GETTING HIGHER 149 00:07:29,782 --> 00:07:35,580 OOO, OOO, OOO. 150 00:07:35,663 --> 00:07:41,210 ♪ DO YOU NEED ANYBODY? 151 00:07:41,294 --> 00:07:46,048 I NEED SOMEONE TO LOVE. 152 00:07:46,132 --> 00:07:49,677 ♪ COULD IT BE ANYBODY? 153 00:07:49,760 --> 00:07:55,766 ALL I NEED IS SOMEONE ♪ KNOWS JUST WHERE I'M GOING, 154 00:07:55,850 --> 00:07:59,020 YEAH ♪ SOMEBODY KNOWS THAT'S WHERE 155 00:07:59,103 --> 00:08:03,232 I'M SHOWING ♪ OOOOH, AAAAAH 156 00:08:03,316 --> 00:08:04,901 BY WITH A LITTLE HELP FROM MY ♪ FRIENDS 157 00:08:04,984 --> 00:08:07,778 SAY I'M GONNA MAKE IT WITH MY ♪ FRIENDS, 158 00:08:07,862 --> 00:08:09,655 HIGH WITH A LITTLE HELP FROM MY ♪ FRIENDS 159 00:08:09,739 --> 00:08:12,909 OH, OH, I'M GONNA KEEP ON ♪ TRYIN”. 160 00:08:12,992 --> 00:08:16,537 TRY WITH A LITTLE HELP FROM MY ♪ FRIENDS. 161 00:08:16,621 --> 00:08:22,418 I'M GONNA KEEP ON TRYING ♪ OOO, OOO, OOO 162 00:08:22,501 --> 00:08:24,420 TRY WITH A LITTLE HELP FROM MY ♪ FRIENDS. 163 00:08:24,503 --> 00:08:28,633 AAH, AAH, AAHAAAAAH YEAH ♪ >> James: THANK YOU FOR THE 164 00:08:28,716 --> 00:08:32,637 HELP, THE MUPPETS, EVERYBODY, WE'LL BE RIGHT BACK AFTER THIS 165 00:08:32,720 --> 00:08:34,931 BREAK. 166 00:08:35,014 --> 00:08:37,058 ♪ 167 00:08:54,867 --> 00:08:58,496 >> James: WELCOME BACK AND THAKS ONCE AGAINS TO MUPPETS. 168 00:08:58,579 --> 00:08:59,789 HOW GREAT TO SEE THE MUPPETS. 169 00:08:59,872 --> 00:09:00,998 THEY WERE JUST FANTASTIC. 170 00:09:01,082 --> 00:09:05,294 BE SURE TO CHECK OUT THEIR NEW SERIES, MUPPETS NOW, LAUNCHING 171 00:09:05,378 --> 00:09:06,337 ON JULY 3 1S ON DISNEY PLUS. 172 00:09:06,420 --> 00:09:10,424 AND NOW WE'VE GOT SOMETHING INCREDIBLY COOL FOR YOU. 173 00:09:10,508 --> 00:09:14,428 ON MAY 30th THESE TWO GENTLEMEN MADE HISTORY WHEN THEY 174 00:09:14,512 --> 00:09:18,599 LAUNCHED THE FIRST EVER MANNED MISSION OF THE SPACEX CREW 175 00:09:18,683 --> 00:09:19,767 DRAGON SPACE CRAFT. 176 00:09:19,850 --> 00:09:23,813 THEY LIFTED OFF FROM KENNEDY SPACE CENTER IN FLORIDA AND 19 177 00:09:23,896 --> 00:09:27,316 HOURS LATER THEY DOCKED AT THE INTERNATIONAL SPACE STATION 178 00:09:27,400 --> 00:09:28,693 WHERE THEY REMAIN RIGHT NOW. 179 00:09:28,776 --> 00:09:32,446 WE ARE SO THRILLED THAT THEY ARE GOING TO TALK TO US FROM SPACE, 180 00:09:32,530 --> 00:09:38,577 JOINING US ON NASA FLIGHT ENGINEERS BOB BEHNKEN AND DOUG 181 00:09:38,661 --> 00:09:40,830 HURLEY, HOW ARE YOU, GENTLEMEN, YOU CAN HEAR ME? 182 00:09:40,913 --> 00:09:44,834 >> JAMES, WELCOME ABOARD THE INTERNATIONAL SPACE STATION, WE 183 00:09:44,917 --> 00:09:46,002 HEAR YOU LOUD AND CLEAR. 184 00:09:46,085 --> 00:09:50,673 >> James: IT IS SO LOVELY TO SEE YOU, THANK YOU SO MUCH FOR 185 00:09:50,756 --> 00:09:53,134 TAKING THE TIME TO TALK TO US. 186 00:09:53,217 --> 00:09:56,178 HOW ARE YOU GETTING ON UP THERE, ARE YOU DOING OKAY. 187 00:09:56,262 --> 00:09:58,806 >> WE'RE PRETTY GOOD, WE'VE BEEN HERE JUST ABOUT A MONTH NOW, 188 00:09:58,889 --> 00:10:00,016 RIGHT. 189 00:10:00,099 --> 00:10:03,686 AND I THINK WE ARE ASSIMILATING INTO THE ISS LIFE, TRYING TO 190 00:10:03,769 --> 00:10:06,355 HELP CHRIS OUT AS MUCH AS WE CAN. 191 00:10:06,439 --> 00:10:09,859 AND ACTUALLY IN JUST A FEW DAYS WE'RE GOING TO BE PERFORMING 192 00:10:09,942 --> 00:10:15,031 SOME SPACE WALKS TO REPLACE SOME BATTERIES ON BOARD THE OUTSIDE 193 00:10:15,114 --> 00:10:16,198 OF THE SPACE STATION. 194 00:10:16,282 --> 00:10:19,869 >> James: I MEAN I DON'T EVEN LIKE IT IF I HAVE TO REPLACE 195 00:10:19,952 --> 00:10:22,705 BATTERIES IN THE REMOTE LET ALONE GOING OUT TO DO A SPACE 196 00:10:22,788 --> 00:10:23,914 WALK. 197 00:10:23,998 --> 00:10:29,003 NOW I WANT TO ASK YOU ABOUT YOUR FLIGHT, BECAUSE YOU WERE THE 198 00:10:29,086 --> 00:10:32,048 FIRST HUMANS TO FLY THE SPACEX SHUTTLE. 199 00:10:32,131 --> 00:10:33,883 YOU BOTH HAD MISSIONS TO SPACE BEFORE. 200 00:10:33,966 --> 00:10:38,929 WERE YOU MORE NERVOUS TAKING OFF THIS TIME IN A BRAND NEW SPACE 201 00:10:39,013 --> 00:10:43,392 CRAFT THAN YOU WERE PREVIOUSLY IN A REGULAR SHUTTLE? 202 00:10:43,476 --> 00:10:44,894 >> NO, DEFINITELY NOT. 203 00:10:44,977 --> 00:10:48,731 WE SPEBTS THE BETTER PART OF FIVE YEARS WORKING ON THIS 204 00:10:48,814 --> 00:10:51,442 VEHICLE WITH SPACEX. 205 00:10:51,525 --> 00:10:55,029 AND ESPECIALLY THE LAST TWO WHERE WE LIVED OUT IN CALIFORNIA 206 00:10:55,112 --> 00:10:57,907 MORE THAN WE WERE AT HOME IN HOUSTON. 207 00:10:57,990 --> 00:11:01,577 AND I THINK WE JUST, WE GOT TO KNOW THE VEHICLES PRETTY WELL. 208 00:11:01,660 --> 00:11:05,623 WE GOT TO KNOW THE FOLKS OUT AT SPACEX VERY WELL AND WORKED 209 00:11:05,706 --> 00:11:08,459 THROUGH ALL THE CHALLENGES THAT WE HAD DEVELOPING THE VEHICLE. 210 00:11:08,542 --> 00:11:09,919 AND I THINK WE WERE VERY COMFORTABLE BY THE TIME IT WAS 211 00:11:10,002 --> 00:11:11,170 READY FOR US TO FLY. 212 00:11:11,253 --> 00:11:16,801 WE ALSO HAD A COUPLE OF FLIGHTS PRIOR TO THAT WE HAD AN UNCREWED 213 00:11:16,884 --> 00:11:21,931 TEST MISSION THEY FLEW TO THE SPACE STATION A YEAR PRIOR AND 214 00:11:22,014 --> 00:11:24,767 AN INFLIGHT ABOARD TEST JUST A PONT AGO BEFORE OUR FLIGHT. 215 00:11:24,850 --> 00:11:26,769 SO ALL IN ALL, I DON'T THINK NERVOUS. 216 00:11:26,852 --> 00:11:29,939 I THINK WE WERE PRETTY EXCITED AND WE WERE GLAD TO BE AT THAT 217 00:11:30,022 --> 00:11:34,485 POINT AS IT HAD BEEN A PRETTY LONG FIVE YEAR ROAD TO GET 218 00:11:34,568 --> 00:11:35,277 THERE. 219 00:11:35,361 --> 00:11:35,903 >> James: NOW YOU DESCRIBED THE-- 220 00:11:35,986 --> 00:11:37,947 (LAUGHTER) GOOD CATCH, BOB. 221 00:11:38,030 --> 00:11:42,118 NOW I'M JEALOUS OF BOTH OF YOU RIGHT NOW BECAUSE I HAVE SPENT 222 00:11:42,201 --> 00:11:45,413 MOST OF MY LIFE WANTING TO BE WEIGHTLESS. 223 00:11:45,496 --> 00:11:49,792 AND YOU ARE NOW IN ZERO-- TELL ME, WHAT IS THE BEST AND WORST 224 00:11:49,875 --> 00:11:53,587 THINGS ABOUT LIVING LIFE IN ZERO GRAVITY EVERY DAY. 225 00:11:53,671 --> 00:11:57,842 >> YOU KNOW, DOUG AND I TALKED QUITE A BIT ABOUT THAT, SOME OF 226 00:11:57,925 --> 00:12:03,097 THE THINGS PEOPLE MIGHT ASK US ABOUT AND LIVING IN ZERO GRAVITY 227 00:12:03,180 --> 00:12:06,308 PROBABLY THE MOST FRUSTRATING THING, ONE OF THE THINGS YOU 228 00:12:06,392 --> 00:12:09,311 TAKE FOR GRANTED IS IF YOU PUT SOMETHING DOWN, AT LEAST IF 229 00:12:09,395 --> 00:12:11,021 NOBODY MOVES IT IT WILL BE THERE WHEN YOU GET BACK. 230 00:12:11,105 --> 00:12:14,650 HERE IN SPACE YOU HAVE TO GO THROUGH SOME EXTRA EFFORT TO 231 00:12:14,733 --> 00:12:16,777 MAKE SURE THINGS STAY WHERE YOU PUT THEM. 232 00:12:16,861 --> 00:12:20,781 AS YOU CAN SEE, WE'VE GOT THE TRIMMER ON A LITTLE CORD, SO IT 233 00:12:20,865 --> 00:12:21,991 DOESN'T GET AWAY FROM US. 234 00:12:22,074 --> 00:12:26,662 AND YOU CAN IMAGINE THAT THERE IS A LOT OF PLACES WHERE LIKE 235 00:12:26,745 --> 00:12:28,831 GOING TO THE REST ROOM, FOR EXAMPLE, WHERE YOU LIKE STUFF TO 236 00:12:28,914 --> 00:12:30,833 STAY WHERE YOU PUT IT. 237 00:12:30,916 --> 00:12:33,878 AND SO WE DEFINITELY FIND THAT FRUSTRATING AT TIMES. 238 00:12:33,961 --> 00:12:36,046 >> James: WHAT HAVE YOU GOT HERE, IS THIS JUST A LITTLE 239 00:12:36,130 --> 00:12:37,548 SNACK? 240 00:12:37,631 --> 00:12:42,970 OH, LOOK AT THIS. 241 00:12:43,053 --> 00:12:45,848 (LAUGHTER) THAT IS MAGNIFICENT. 242 00:12:45,931 --> 00:12:51,687 OH, I'M SO, THE ENTIRE THING IS MIND BLOWING TO ME. 243 00:12:51,770 --> 00:12:55,691 NOW CAN WE TALK ABOUT YOUR RETURN TO EARTH FOR A MOMENTS. 244 00:12:55,774 --> 00:12:59,862 HOW ARE YOU GOING TO REENTER THE EARTH'S ATMOSPHERE WHEN YOU KOSM 245 00:12:59,945 --> 00:13:01,030 BACK? 246 00:13:01,113 --> 00:13:06,076 >> WELL, IT IS A SIMILAR PROCESS FOR ALL SPACE VEHICLES. 247 00:13:06,160 --> 00:13:10,873 YOU ARE AT A SPEED RIGHT NOW ABOUT 17,500 AN HOUR AND YOU 248 00:13:10,956 --> 00:13:15,044 HAVE TO SLOW DOWN TO LESS THAN 30 MILES AN HOUR BEFORE WE 249 00:13:15,127 --> 00:13:16,921 SPLASH DOWN IN THE WATER. 250 00:13:17,004 --> 00:13:20,257 SO IT'S A COMBINATION OF ENTERING THE EARTH'S ATMOSPHERE 251 00:13:20,341 --> 00:13:23,761 WITH A HEAT SHIELD THAT PROTECTS US FROM THE BUILDUP OF HEAT AS 252 00:13:23,844 --> 00:13:26,889 WE GO THROUGH THE EARTH'S PLASMA AS WE REENTER. 253 00:13:26,972 --> 00:13:31,310 AND AS WE REENTER WE ALSO SLOW DOWN SIGNIFICANTLY. 254 00:13:31,393 --> 00:13:34,730 THEN WE WILL SLOW DOWN A LITTLE BIT MORE ONCE OUR DROVE CHUTES 255 00:13:34,813 --> 00:13:38,567 COME OUT, A SERIES OF CHUTES THAT COME OUT, TWO DROVE CHUTES 256 00:13:38,651 --> 00:13:42,863 THAT WILL COME OUT FIRST AND THEN FOUR MAIN PARACHUTES AND 257 00:13:42,947 --> 00:13:46,784 IDEALLY WE'LL SPLASH DOWN SOMEWHERE OFF THE EAST COAST OF 258 00:13:46,867 --> 00:13:49,453 FLORIDA IS OUR PRIME LANDING SITE. 259 00:13:49,537 --> 00:13:54,750 A LITTLE OVER ABOUT AN HOUR AFTER WE FIRE OUR ENGINES TO 260 00:13:54,833 --> 00:13:56,544 START THAT BURN TO REENTER. 261 00:13:56,627 --> 00:14:00,756 >> James: NOW THAT'S ALL VERY TECHNICAL BUT JUST TO PUT IT IN 262 00:14:00,839 --> 00:14:03,133 LAYMAN'S TERMS YOU ARE ESSENTIALLY IN A BOX WITH 263 00:14:03,217 --> 00:14:04,176 PARACHUTES ATTACHED TO IT. 264 00:14:04,260 --> 00:14:07,221 YOU ARE JUST GOING TO FALL THROUGH THE SKY, RIGHT. 265 00:14:07,304 --> 00:14:11,892 I MEAN THIS IS UTTERLY TERRIFYING TO ME. 266 00:14:11,976 --> 00:14:15,104 LIKE ARE YOU WORRIED ABOUT, ARE YOU GOING TO PRESUMABLY DO YOU 267 00:14:15,187 --> 00:14:18,691 LIKE THROW UP THIS WHEN YOU ARE IN THERE. 268 00:14:18,774 --> 00:14:19,817 >> YEAH, GREAT QUESTION. 269 00:14:19,900 --> 00:14:22,987 I DON'T THINK WE'LL HAVE TO WORRY ABOUT TOO MUCH OF THAT 270 00:14:23,070 --> 00:14:24,113 WHILE WE'RE REENTERING. 271 00:14:24,196 --> 00:14:29,076 I THINK WHAT WE ARE MORE CONCERNED ABOUT FROM THE THROWUP 272 00:14:29,159 --> 00:14:33,581 STANDPOINT IS ONCE WE ARE IN THE WATER FOR A LITTLE WHILE. 273 00:14:33,664 --> 00:14:37,585 ONE EFFECT OF BEING IN SPACE ESPECIALLY FOR US NOW BEING IN 274 00:14:37,668 --> 00:14:41,130 SPACE, BY THE TIME WE COME BACK LIKELY A COUPLE OF MONTHS IS YOU 275 00:14:41,213 --> 00:14:45,801 ARE VERY CONCERNED TO MICROGRAVITY AND ARE YOU NOT SO 276 00:14:45,884 --> 00:14:47,386 CONDITIONED TO GRAVITY. 277 00:14:47,469 --> 00:14:50,764 AND THEN YOUR VEST TIB LAR SYSTEM, YOUR INNER EARS PLAY 278 00:14:50,848 --> 00:14:53,934 TRICKS WITH YOU, SO IT IS A LOT LIKE, AS YOU CAN J MA, EVEN IF 279 00:14:54,018 --> 00:14:57,104 YOU DECIDED TO GO DEEP SEA FISHING ONE DAY AND YOU LIVED ON 280 00:14:57,187 --> 00:15:00,899 EARTH YOUR WHOLE LIFE AND GOING OUT FISHING AND PEOPLE GET SEA 281 00:15:00,983 --> 00:15:04,111 SICK, WE ARE GOING TO DID IT FROM SPACE AND END UP IN THE 282 00:15:04,194 --> 00:15:08,157 WATER, SO THERE IS A PRETTY GOOD LIKELIHOOD THAT WE MAY SEE 283 00:15:08,240 --> 00:15:09,283 BREAKFAST ON THAT PARTICULAR DAY. 284 00:15:09,366 --> 00:15:13,287 >> NOW IT'S SUCH A DIFFICULT TIME HERE, THERE IS SO MUCH 285 00:15:13,370 --> 00:15:17,791 DIVISION, NOT JUST IN AMERICA, ACROSS THE WHOLE WORLD. 286 00:15:17,875 --> 00:15:22,838 THE ENTIRE PLANET FEELS DIVIDED, SO MANY COUNTRIES FEEL DIVIDED. 287 00:15:22,921 --> 00:15:25,174 WHEN YOU LOOK BACK AT PLANET EARTH WHAT DO YOU SEE AND WHAT 288 00:15:25,257 --> 00:15:26,342 DO YOU FEEL. 289 00:15:26,425 --> 00:15:31,847 AND DO YOU HAVE ANY WORDS OF ENCOURAGEMENT FOR US HUMBLE 290 00:15:31,930 --> 00:15:32,389 EARTHLINGS? 291 00:15:32,473 --> 00:15:33,599 WHO ARE HERE RIGHT NOW? 292 00:15:33,682 --> 00:15:38,812 >> I THINK WE'RE TRYING TO BE HUMBLE SPACE FOLKS AS WELL UP 293 00:15:38,896 --> 00:15:40,022 HERE. 294 00:15:40,105 --> 00:15:42,316 I THINK THAT DOUG REFERRED TO IT A LITTLE BIT EARLIER WHEN HE 295 00:15:42,399 --> 00:15:45,986 TALKED ABOUT THE TIME WE SPENT OUT IN CALIFORNIA, BUILDING A 296 00:15:46,070 --> 00:15:48,364 PARTNERSHIP AND A RELATIONSHIP WITH THE TEAM OF SPACEX 297 00:15:48,447 --> 00:15:51,533 ENGINEERS THAT WAS GOING TO BUILD THE SPACE CRAFT THAT OUR 298 00:15:51,617 --> 00:15:54,203 LIVES WERE GOING TO DEPEND ON ALL THE WAY INTO ORBIT AND TO 299 00:15:54,286 --> 00:16:00,042 BRING US HOME SEACHLY. 300 00:16:00,125 --> 00:16:01,335 WE-- SAFELY. 301 00:16:01,418 --> 00:16:02,711 REREALLY RECOGNIZE THE VALUE OF WORKING TOGETHER, CREATING SOME 302 00:16:02,795 --> 00:16:05,547 SORT OF COMMON UNDERSTANDING AN COOPERATION. 303 00:16:05,631 --> 00:16:09,843 WE HAVE COSMO NAUGHT CREW MATES THAT WE WORK WITH ON A ROUTINE 304 00:16:09,927 --> 00:16:13,389 BASIS DURING THE SPACE WALK, THAT WILL PERFORM LATER THIS ECK 305 00:16:13,472 --> 00:16:14,556 WOULD. 306 00:16:14,640 --> 00:16:18,894 WE'LL ACTUALLY HAVE A COSMO NAUGHT HELPING US GET SUITED UP 307 00:16:18,977 --> 00:16:21,188 AND OUT THE DOOR MAKING SURE EVERYTHING IS CLOSED UP FOR US. 308 00:16:21,271 --> 00:16:23,190 I THINK THAT IS THE MESSAGE WE WOULD LIKE TO SHARE WITH ALL THE 309 00:16:23,273 --> 00:16:27,736 FOLKS STILL BACK ON EARTH IS THAT OUR SUCCESS DEPENDS ON 310 00:16:27,820 --> 00:16:31,532 COOPERATION AND UNDERSTANDING AND YOU KNOW RESPECT FOR THE 311 00:16:31,615 --> 00:16:35,536 OTHER FOLKS THAT ARE DOING THEIR JOBS TO HELP US COME BACK SAFELY 312 00:16:35,619 --> 00:16:39,081 OR EXECUTE A SPACE WALK SAFELY AND THAT'S WHAT IT IS GOING TO 313 00:16:39,164 --> 00:16:41,083 TAKE TO GET THROUGH THESE CHALLENGING TIMES BACK ON EARTH, 314 00:16:41,166 --> 00:16:45,713 WHETHER ST THE PANDEMIC OR SOME OF THE OTHER STRIFE THAT IS 315 00:16:45,796 --> 00:16:46,964 GOING ON. 316 00:16:47,047 --> 00:16:50,426 THAT UNDERSTANDING AND THAT COOPERATION AND THAT NEED AND 317 00:16:50,509 --> 00:16:53,887 EFFORT THAT GOES IN TO WHAT IS REQUIRED TO JUST WORK TOGETHER 318 00:16:53,971 --> 00:16:58,767 TO PULL OFF THIS THING SUCCESSFULLY IS WHAT WE WILL 319 00:16:58,851 --> 00:17:00,936 HAVE TO DO BACK ON EARTH AS WELL. 320 00:17:01,019 --> 00:17:05,149 AND HOPEFULLY WE CAN BE AN EXAMPLE OF THAT AND ONE WITH OUR 321 00:17:05,232 --> 00:17:10,446 PARTNERS OR COSMO NAUGHT FRIENDS IS A GREAT DEMONSTRATION FOR 322 00:17:10,529 --> 00:17:11,363 FOLKS AROUND THE WORLD. 323 00:17:11,447 --> 00:17:12,948 >> James: WELL, THAT IS A LOVELY MESSAGE. 324 00:17:13,031 --> 00:17:14,241 THANK YOU SO MUCH. 325 00:17:14,324 --> 00:17:18,287 WE WISH YOU THE VERY, VERY BEST, WE ARE HOPING FOR A SAFE RETURN 326 00:17:18,370 --> 00:17:19,455 TO EARTH. 327 00:17:19,538 --> 00:17:23,792 AND THANK YOU SO MUCH BOB BEHNKEN AND DOUG HURLEY, NASA 328 00:17:23,876 --> 00:17:26,420 AND SPACEX FOR TALKING THE TIME TO TALK TO US TODAY. 329 00:17:26,503 --> 00:17:29,173 WE REALLY, REALLY APPRECIATE IT. 330 00:17:29,256 --> 00:17:32,217 STAY SAFE UP THERE, FELLOWS, WE'LL BE RIGHT BACK WITH MORE OF 331 00:17:32,301 --> 00:17:38,807 THE "LATE, LATE SHOW" RIGHT AFTER THIS. 332 00:17:38,891 --> 00:17:40,893 ♪ SNOATD. 333 00:17:57,409 --> 00:17:59,328 >> James: WELCOME BACK, OUR NEXT GUEST IS AN ACADEMY 334 00:17:59,411 --> 00:18:03,165 AWARD-WINNING ACTOR YOU KNOW FROM GLADIATOR, LA CONFIDENTIAL, 335 00:18:03,248 --> 00:18:07,169 A BEAUTIFUL MIND AND SO AMERICAN MANY MORE INCREDIBLE FILM, WHAT 336 00:18:07,252 --> 00:18:10,714 A THRILL TO HAVE THE LEGENDARY RUSSELL CROWE JOIN US TONIGHT, 337 00:18:10,798 --> 00:18:12,299 HOW ARE YOU, RUSSELL, ARE YOU WELL. 338 00:18:12,382 --> 00:18:15,636 >> I'M PRETTY GOOD, MAN, HOW ARE YOU DOING YOURSELF. 339 00:18:15,719 --> 00:18:19,139 >> James: I'M GOOD, WHAT IS THIS, HAVE YOU BUILT THIS FOR 340 00:18:19,223 --> 00:18:20,641 US, THE DISCO BALL. 341 00:18:20,724 --> 00:18:22,351 >> THE PIR ROHR BALL, WHERE IS IT. 342 00:18:22,434 --> 00:18:23,310 >> James: THERE. 343 00:18:23,393 --> 00:18:26,563 >> THE MIRROR BALL, I LIGHT THIS WHEREVER I GO. 344 00:18:26,647 --> 00:18:29,817 >> James: ALWAYS HAVE A MIRROR BALL, YES, I HEARD THAT ABOUT 345 00:18:29,900 --> 00:18:35,280 YOU, A BIG PIR ROHR BALL GUY. 346 00:18:35,364 --> 00:18:38,325 YOU ARE FIRST THING IN THE MORCHG FOR YOU, ARE YOU IN 347 00:18:38,408 --> 00:18:39,535 AUSTRALIA. 348 00:18:39,618 --> 00:18:45,040 >> THAT'S RIGHT, I'M IN THE BUSH ACTUALLY, INLAND IN THE AURORA 349 00:18:45,124 --> 00:18:48,043 VALLEY, JUST OUTSIDE THE DOOR THERE IS GIGANTIC BIG TREES AND 350 00:18:48,126 --> 00:18:49,211 WHAT HAVE YOU. 351 00:18:49,294 --> 00:18:54,383 >> James: AND HOW IS SOMEONE COPE DURING THIS PANDEMIC, I 352 00:18:54,466 --> 00:18:56,218 DON'T KNOW WHY BUT I FEEL LIKE YOU WOULD BE PRETTY GOOD DURING 353 00:18:56,301 --> 00:18:59,346 THIS TIME OF LOCKDOWN, WOULD THAT BE RIGHT? 354 00:18:59,429 --> 00:19:03,392 >> WELL, YOU KNOW, MAN, I THINK THE REALITY IS I HAVE BEEN 355 00:19:03,475 --> 00:19:07,020 PRACTICING SELF-ISOLATION ON AN OFF FOR THE PAST 30 YEARS. 356 00:19:07,104 --> 00:19:08,021 >> James: RIGHT. 357 00:19:08,105 --> 00:19:09,439 >> TURNS OUT I'M RATHER GOOD AT IT, YOU KNOW. 358 00:19:09,523 --> 00:19:16,947 SO THIS PERIOD WHERE I'M IN THE SAME PLACE FOR LONG UNEXPECTED 359 00:19:17,030 --> 00:19:19,408 TIME HAS BEEN VERY POSITIVE FOR ME, HAVE I BEEN VERY PROACTIVE 360 00:19:19,491 --> 00:19:24,413 AND VERY CREATIVE BUT I'VE ALSO BEEN GETTING MY FARMER ON. 361 00:19:24,496 --> 00:19:26,415 >> James: SO TELL ME. 362 00:19:26,498 --> 00:19:27,374 >> GETTING BACK INTO THE FIELDS, YOU KNOW. 363 00:19:27,457 --> 00:19:30,752 >> James: WHAT HAVE YOU BEEN DOING? 364 00:19:30,836 --> 00:19:33,964 >> WELL, JUST YOU KNOW WITH THE PERIOD MUCH TIME YOU START TO 365 00:19:34,047 --> 00:19:37,426 LOOK AROUND AND SEE THE THINGS THAT NEED A LITTLE BIT OF HELP 366 00:19:37,509 --> 00:19:40,637 AND OBVIOUS THREE THERE ARE PEOPLE THAT WORK ON THE FARM AND 367 00:19:40,721 --> 00:19:46,935 STUFF BUT BEING ABLE TO SORT OF IDENTITY AREAS THAT HAVE BEEN 368 00:19:47,019 --> 00:19:49,563 OVERGRAIZ AND GETTING INTO THEM AND RIPPING THEM UP AND 369 00:19:49,646 --> 00:19:51,481 FERTILIZING THEM AND THEN FEEDING THEM AND WITH THE CYCLE 370 00:19:51,565 --> 00:19:56,653 OF TIME WATCHING THAT GRASS, THE NEW GRASS COME UP. 371 00:19:56,737 --> 00:20:00,574 IT'S BEEN VERY SATISFYING, ACTUALLY, BUT YOU KNOW, I'M JUST 372 00:20:00,657 --> 00:20:04,786 AS BUSY AS I WOULD NORMALLY BE. 373 00:20:04,870 --> 00:20:07,581 PEOPLE STILL HAVE ACCESS TO ME ON THE PHONE, AND BY COMPUTER 374 00:20:07,664 --> 00:20:10,792 AND STUFF, JUST SO HAPPENS I GET TO DO IT AT HOME. 375 00:20:10,876 --> 00:20:13,795 AND I HAVEN'T BEEN AT HOME FOR THIS LONG SINCE I GOT MARRIED 376 00:20:13,879 --> 00:20:16,298 AND HAD KIDS AND I HAVE A 15 YEAR OLD SON. 377 00:20:16,381 --> 00:20:17,466 >> James: AND HOW ARE THEY COPING. 378 00:20:17,549 --> 00:20:18,508 >> THEY ARE GOOD. 379 00:20:18,592 --> 00:20:21,511 RIGHT AT THE BEGINNING OF THIS WE HAD A BIG SERIOUS 380 00:20:21,595 --> 00:20:23,513 CONVERSATIONS ABOUT ISOLATION AND EVERYTHING. 381 00:20:23,597 --> 00:20:27,976 AND I EXPLAINED TO THEM THAT I REALLY SHOULD BE IN THE BUSH 382 00:20:28,060 --> 00:20:31,855 BECAUSE MY PARENTS ARE HERE AND THEY ARE OLDER NOW, MY DAD IS 84 383 00:20:31,939 --> 00:20:33,482 AND MUM IS 79. 384 00:20:33,565 --> 00:20:36,151 AND THEY ARE SUFFERING FROM THE SAME SORT OF THINGS THAT PEOPLE 385 00:20:36,234 --> 00:20:40,822 OF TAIR AGE SUFFER FROM, A LITTLE EARLY ON SET THIS AND 386 00:20:40,906 --> 00:20:43,492 THAT, YOU KNOW, SO I NEEDED TO BE WHERE THEY WERE, IT WAS 387 00:20:43,575 --> 00:20:45,827 PANICKING THEM, ONE OF THE THINGS THAT THEY RELY ON IS 388 00:20:45,911 --> 00:20:47,245 THEIR WEEKLY SCHEDULE. 389 00:20:47,329 --> 00:20:49,498 THEY GO TO SEE SUCH AN SUCH ON WEDNESDAY AND THEN THAT ALL HAD 390 00:20:49,581 --> 00:20:52,376 TO CHANGE BECAUSE OF THE LOCKDOWN. 391 00:20:52,459 --> 00:20:55,462 YOU KNOW, AND SO YOU KNOW, OBVIOUSLY THIS IS THE PERFECT 392 00:20:55,545 --> 00:20:58,507 SORT OF PLACE, ARE YOU IN THE BUSH, ST ALREADY ISOLATED. 393 00:20:58,590 --> 00:21:01,510 IT IS SET UP FOR A LOT OF PEOPLE, THERE ARE LOTS OF COOL 394 00:21:01,593 --> 00:21:02,803 THINGS HERE. 395 00:21:02,886 --> 00:21:05,347 I JUST ASSUME THAT MY KIDS WOULD BE LIKE RIGHT THERE, WE'RE THERE 396 00:21:05,430 --> 00:21:09,142 WITH YOU, WE'RE GOING TO GO TO THE BUSH BECAUSE THAT IS THE 397 00:21:09,226 --> 00:21:10,310 PLACE TO BE. 398 00:21:10,394 --> 00:21:15,190 AND THEY ACTUALLY CHOSE TO STAY IN THE CITY IN THE DENSEST 399 00:21:15,273 --> 00:21:18,527 POPULATION IN AN AREA SURROUNDED BY THE AREAS THAT WERE HAVING 400 00:21:18,610 --> 00:21:20,862 THE MOST INFECTIONS. 401 00:21:20,946 --> 00:21:23,490 AND I'M LIKE BOY, I DON'T GET IT. 402 00:21:23,573 --> 00:21:27,869 I DON'T UNDERSTAND WHY YOU ARE CHOOSING TO STAY IN THE CITY. 403 00:21:27,953 --> 00:21:30,372 AND THEIR ANSWER WAS UBER EATS. 404 00:21:30,455 --> 00:21:31,248 >> James: NO. 405 00:21:31,331 --> 00:21:35,544 >> YOU CAN'T GET UBER EATS IN THE BUSH. 406 00:21:35,627 --> 00:21:37,379 >> James: WOW. 407 00:21:37,462 --> 00:21:41,508 >> MY ENTIRE RESPONSIBILITY AS THEIR PATRIARCH AND FATHER WAS 408 00:21:41,591 --> 00:21:43,385 GIVEN UP IN FAVOR OF UBER EATS. 409 00:21:43,468 --> 00:21:45,512 >> James: GONE. 410 00:21:45,595 --> 00:21:50,183 NOW I WANT TO TALK TO YOU ABOUT GLADIATOR T IS 20 YEARS, 20 411 00:21:50,267 --> 00:21:52,728 YEARS SINCE GLADIATOR WAS RELEASED. 412 00:21:52,811 --> 00:21:54,730 AND I DON'T KNOW HEN THE LAST TIME YOU WATCHED THAT MOVE 413 00:21:54,813 --> 00:21:55,480 C.E.O. WAS. 414 00:21:55,564 --> 00:21:57,566 BUT I WATCHED IT FAIRLY RECENTLY. 415 00:21:57,649 --> 00:22:03,447 AND THAT FILM HOLDS UP AS WELL AS ANY FILM ON A 20 YEAR, YOU 416 00:22:03,530 --> 00:22:05,741 KNOW, WATCHING IT 20 YEARS AFTER IT CAME OUT. 417 00:22:05,824 --> 00:22:09,244 AND I THINK IT WILL CONTINUE TO HOLD UP FOREVER. 418 00:22:09,327 --> 00:22:11,413 I WANT TO KNOW, DID YOU KNOW WHEN YOU WERE MAKING IT THIS IT 419 00:22:11,496 --> 00:22:15,751 WOULD BE SO ICONIC. 420 00:22:15,834 --> 00:22:20,422 >> WELL, LISTEN, MAN, WE MADE THAT MOVIE, AND WE WERE UNDER AN 421 00:22:20,505 --> 00:22:21,590 EXTRAORDINARY AMOUNT OF PRESSURE, PARTICULARLY RIVER 422 00:22:21,673 --> 00:22:24,593 SCOTT T WAS A BIG BUDGET, I BELIEVE IT WAS LIKE $103 423 00:22:24,676 --> 00:22:25,761 MILLION. 424 00:22:25,844 --> 00:22:30,599 AND YOU KNOW T WAS KIND OF RIDICULED AS AN IDEA BECAUSE IT 425 00:22:30,682 --> 00:22:35,771 WAS A SWORD AND SANDAL PIQUE AND THEY WERE, THEY HAD GONE WAY OUT 426 00:22:35,854 --> 00:22:36,772 OF FAVOR OR WHATEVER, YOU KNOW. 427 00:22:36,855 --> 00:22:39,775 AND QUITE FRANKLY AT THE BEGINNING OF THE PIECE, WE 428 00:22:39,858 --> 00:22:41,568 DIDN'T KNOW WHAT WE WERE WERE GOING TO DO. 429 00:22:41,651 --> 00:22:46,615 WE WERE MISSING ONE REALLY, REALLY IMPORTANT PART OF THE 430 00:22:46,698 --> 00:22:47,783 FILM MAKING PROCESS. 431 00:22:47,866 --> 00:22:50,744 AND THAT IS THE COMPLETED SCRIPT. 432 00:22:50,827 --> 00:22:51,620 YOU KNOW. 433 00:22:51,703 --> 00:22:56,666 BUT EVERYBODY IN THAT CAST WERE INTO IT. 434 00:22:56,750 --> 00:22:58,126 AND THAT HAD TO HAPPEN. 435 00:22:58,210 --> 00:23:01,296 RICHARD HARRIS TOOK IT SERIOUSLY, OLIVER REED TOOK IT 436 00:23:01,379 --> 00:23:02,380 SERIOUSLY. 437 00:23:02,464 --> 00:23:06,635 YOU HAVE DAVID HEMMINGS IN THERE, AND SARAH JACOBY AND 438 00:23:06,718 --> 00:23:10,680 TOMMEE FLANAGAN, AND ALL JUST TBIEG INTO AND CONNIE NIELSEN 439 00:23:10,764 --> 00:23:15,811 WITH A CAREER BEST, WHAT QUEEN PHOENIX BEING THE BEST BAD GUY. 440 00:23:15,894 --> 00:23:17,062 >> James: EVER. 441 00:23:17,145 --> 00:23:18,271 >> YOU KNOW WHAT I MEAN. 442 00:23:18,355 --> 00:23:22,275 AND SO THE THING IS WE WERE ALL THE SAME WAY, WE HAD KIND OF 443 00:23:22,359 --> 00:23:25,612 COME TO IT AND GO REALLY, AM I GOING TO DO THIS? 444 00:23:25,695 --> 00:23:31,326 I THINK WATCHING IT LIVE MADE ME REALLY LAUGH WAS LIKE HE WAS 445 00:23:31,409 --> 00:23:38,333 DRESSED AS THE EM PER ROHR AND HE SAID RIDLEY, I'M A KID FROM 446 00:23:38,416 --> 00:23:38,959 FLORIDA. 447 00:23:39,042 --> 00:23:39,626 WHAT DO YOU EXPECT ME TO DO. 448 00:23:39,709 --> 00:23:43,338 GO OUT THERE AND WAVE? 449 00:23:43,421 --> 00:23:45,132 IT MADE ME REALLY LAUGH. 450 00:23:45,215 --> 00:23:46,299 WE WERE ALL IN THAT BOAT. 451 00:23:46,383 --> 00:23:50,303 AND WE ALL KIND OF JUST MADE, YOU KNOW, DREAMING TOGETHER, 452 00:23:50,387 --> 00:23:52,556 WE'RE GOING TO BUY INTO THIS 100%. 453 00:23:52,639 --> 00:23:55,976 NOBODY IS GOING TO BE WINKING AT THE CAMERA SAYING LOOK AT MY 454 00:23:56,059 --> 00:23:57,144 SILLY COSTUME. 455 00:23:57,227 --> 00:24:00,188 AND FUNNILY ENOUGH BECAUSE OF THAT SINCERITY AND THERE IS 456 00:24:00,272 --> 00:24:02,524 ALMOST LIKE A, YOU KNOW, FOR WANT OF A BETTER EXPRESSION 457 00:24:02,607 --> 00:24:06,903 THERE IS A SPIRITUAL ASPECT OF THAT FILM THAT IS REALLY 458 00:24:06,987 --> 00:24:08,155 UPLIFTING. 459 00:24:08,238 --> 00:24:10,198 EVEN THOUGH IT ENDS IN A DEATH, SORRY FOR THOSE OUT THERE WHO 460 00:24:10,282 --> 00:24:11,032 HAVE NEVER SEEN IT. 461 00:24:11,116 --> 00:24:12,993 >> James: SPOILER ALERT. 462 00:24:13,076 --> 00:24:14,244 >> SPOILER. 463 00:24:14,327 --> 00:24:17,330 YEAH, YOU KNOW, AND IT IS FUNNY BECAUSE YOU WORK ON A LOT OF 464 00:24:17,414 --> 00:24:19,666 FILMS AND FILMS CAN BE HARD AND DIFFICULT BUT THERE WAS 465 00:24:19,749 --> 00:24:22,544 DEFINITELY SOMETHING ABOUT THAT FILM BY THE END OF IT. 466 00:24:22,627 --> 00:24:25,714 WOULD I HAVE EVER PREDICTED THAT IT WOULD MAKE THAT MUCH MONEY, 467 00:24:25,797 --> 00:24:30,385 THAT IT WOULD BE THE BEST FILM OF THE YEAR THAT YEAR AND GET 468 00:24:30,468 --> 00:24:34,222 THE OSCAR, WOULD 20 YEARS LATER WE BE STILL DISCUSSING IT AN 469 00:24:34,306 --> 00:24:36,725 THEY'RE HAVING ANNIVERSARY CELEBRATIONS FOR IT, NO, THERE 470 00:24:36,808 --> 00:24:39,060 IS NO WAY I WOULD HAVE KNOWN THAT. 471 00:24:39,144 --> 00:24:43,190 BUT WHEN I GOT HOME FROM DOING THAT FILM, MY MUM JUST ASKED ME 472 00:24:43,273 --> 00:24:47,277 HOW I FELT, YOU KNOW, AND I ACTUALLY SAID, YOU KNOW, CUZ I 473 00:24:47,360 --> 00:24:51,531 WAS 35 AT THE TIME, I SAID I FEEL LIKE A FOOTBALL PLAYER WHO 474 00:24:51,615 --> 00:24:52,699 PLAYED ONE SEASON TOO MANY. 475 00:24:52,782 --> 00:24:53,074 >> James: RIGHT. 476 00:24:53,158 --> 00:24:53,992 >> YOU KNOW. 477 00:24:54,075 --> 00:24:57,621 THAT FILM JUST TOOK IT OUT OF ME, YOU KNOW. 478 00:24:57,704 --> 00:25:00,874 >> James: I FEEL LIKE THAT BUT I 479 00:25:00,957 --> 00:25:03,585 I HAVE NEVER SHOT GLADIATOR SO I DON'T KNOW WHERE I'M GOING WRONG 480 00:25:03,668 --> 00:25:04,252 HERE. 481 00:25:04,336 --> 00:25:06,254 NOW LET'S TALK ABOUT UNHINGED. 482 00:25:06,338 --> 00:25:07,547 THIS IS YOUR NEW MOVIE. 483 00:25:07,631 --> 00:25:11,885 AND THIS, YOU HAVE REALLY, WHAT I LOVE ABOUT YOUR CAREER IS YOU 484 00:25:11,968 --> 00:25:17,349 ARE NEVER, EVER AFRAID TO SORT OF LIFT UP A ROCK AND GO TO THE 485 00:25:17,432 --> 00:25:18,767 DARKER PLACES IN CHARACTERS. 486 00:25:18,850 --> 00:25:25,440 AND THIS IS REALLY A AMONGST KIND OF PROBABLY, THE MOST 487 00:25:25,523 --> 00:25:26,608 UNHINGED CHARACTER YOU PLAYED. 488 00:25:26,691 --> 00:25:28,777 FOR ANYONE WHO DOESN'T KNOW, WHAT IS THE FILM ABOUT AND DID 489 00:25:28,860 --> 00:25:32,906 YOU EVER HESITATE WHEN YOU THOUGHT ABOUT TAKING THIS ROLE. 490 00:25:32,989 --> 00:25:39,120 >> WELL, THE FILM REALLY IS A COMMON PLACE MOMENT THAT 491 00:25:39,204 --> 00:25:45,585 HAPPENS, MOST PLACES IN MOST DAYS, YOU KNOW, WHERE THERE IS A 492 00:25:45,669 --> 00:25:47,462 LITTLE COMPENSATION BETWEEN DRIVERS AND THIS PARTICULAR ONE 493 00:25:47,545 --> 00:25:51,299 IS JUST A MAN WHO IS SPENDING A LITTLE TOO LONG AT A STOP LIGHT. 494 00:25:51,383 --> 00:25:55,303 AND A YOUNG WOMAN WHO IS HAVING SORT OF AN IRRITATING AND 495 00:25:55,387 --> 00:25:58,306 CHALLENGING DAY HERSELF, EXCHANGES WORDS WITH HIM. 496 00:25:58,390 --> 00:26:05,689 BUT THOSE WORDS JUST SET THAT MAN OFF INTO A PATH OF DRUKS. 497 00:26:05,772 --> 00:26:12,153 IT'S A VERY CONFRONTING MOVIE AND YOU KNOW, YOU TALKED ABOUT 498 00:26:12,237 --> 00:26:17,784 THE CHARACTER AND CONFRONTING FOR ME IS-- THERE IS NO WAY TO 499 00:26:17,867 --> 00:26:18,994 INJECT HUMANITY INTO THIS PERSON. 500 00:26:19,077 --> 00:26:21,830 SO IT IS LIKE A LOT OF THE TIMES YOU ARE PLAYING A BAD GUY AND 501 00:26:21,913 --> 00:26:28,628 YOU CAN, YOU KNOW, USE THE MOMENT FOR A LITTLE BIT OF HUMOR 502 00:26:28,712 --> 00:26:31,006 AND GIVE THE AUDIENCE A LITTLE BIT OF RELIEF, YOU KNOW, THERE 503 00:26:31,089 --> 00:26:34,843 IS NO DOING THAT WITH THIS GUY BECAUSE THERE IS NO JUSTIFYING 504 00:26:34,926 --> 00:26:36,761 ANYTHING THAT HE DOES, YOU KNOW. 505 00:26:36,845 --> 00:26:44,185 BUT WE'RE SEEING THAT TYPE OF OUTPOURING OVER AND OVER AGAIN, 506 00:26:44,269 --> 00:26:47,689 WITH THESE MASS SHOOTINGS OR WHATEVERFUL PEOPLE REACH A POINT 507 00:26:47,772 --> 00:26:50,567 IN THEIR LIVES WHERE THEY BECOME COMPLETELY DE VOID OF HUMANITY 508 00:26:50,650 --> 00:26:55,322 AND THEY ACT THAT OUT, YOU KNOW. 509 00:26:55,405 --> 00:27:01,870 SO FUNNILY FUN-- FUNILY ENOUGH, THE ENERGY ON THAT SET EVEN THEY 510 00:27:01,953 --> 00:27:05,040 WE WERE DEALING WITH DESTRUCTION AND MAYHEM ON A DAILY BASES AND 511 00:27:05,123 --> 00:27:09,878 WE CRACKED SO MANY CARS, WITH AN INCREDIBLY CREW STUNT CREW AND 512 00:27:09,961 --> 00:27:16,593 MAKEUP AND EVERYTHING, IT WAS ONE OF THE MOST RELAXED VIBES WE 513 00:27:16,676 --> 00:27:17,886 EXPERIENCED. 514 00:27:17,969 --> 00:27:20,597 AND EVERYBODY, THAT FUNNY THING, YOU GET INTO PROFESSIONAL SPEAK, 515 00:27:20,680 --> 00:27:24,351 SO WHAT REWITH DOING TODAY, TODAY IS THE DAY WE CRASH THE 516 00:27:24,434 --> 00:27:25,185 CAR WITH THE TRUCK. 517 00:27:25,268 --> 00:27:26,895 >> OF COURSE, OF COURSE WE DO. 518 00:27:26,978 --> 00:27:31,566 >> WELL, YOUR PERFORMANCE IS BRILLIANT AND THE FILM I DON'T 519 00:27:31,649 --> 00:27:35,236 WANT TO TELL ANYBODY, THE FILM IS REALLY, REALLY WORTH WATCHING 520 00:27:35,320 --> 00:27:38,031 AND YOUR PERFORMANCE AS I SAY, IS ASTONISHING. 521 00:27:38,114 --> 00:27:42,702 LET'S TAKE A LOOK AT A CLIP OF UNHINGED WHICH IS IN THEATERS 522 00:27:42,786 --> 00:27:43,745 JULY 10th. 523 00:27:43,828 --> 00:27:45,872 >> YOU DON'T HAVE ANYTHING TO APOLOGIZE FOR, SIR. 524 00:27:45,955 --> 00:27:47,499 >> MOM. 525 00:27:47,582 --> 00:27:48,583 >> OKAY. 526 00:27:48,666 --> 00:27:49,834 >> APOLOGIZE. 527 00:27:49,918 --> 00:27:50,919 >> WELL, I DON'T THINK THAT IS REALLY TRUE OF ANY OF US NOW, IS 528 00:27:51,002 --> 00:27:52,128 IT. 529 00:27:52,212 --> 00:27:58,468 >> WELL, THAT'S WHERE WE ARE IN THIS WORLD TODAY, WE SEEM TO 530 00:27:58,551 --> 00:28:03,598 HAVE DEVELOPED A FUNDAMENTAL INABILITY TO APOLOGIZE TO ANYONE 531 00:28:03,681 --> 00:28:09,104 FOR ANYTHING. 532 00:28:09,187 --> 00:28:15,026 I DON'T EVEN THINK YOU KNOW WHAT A BAD DAY IS. 533 00:28:15,110 --> 00:28:18,571 BUT YOU'RE GOING TO FIND OUT. 534 00:28:18,655 --> 00:28:22,659 >> James: STICK AROUND, MORE WITH RUSSELL CROW WHEN WE COME 535 00:28:41,428 --> 00:28:42,554 >> James: WELCOME BACK, WE ARE HERE WITH RUSSELL CROW, NOW 536 00:28:42,637 --> 00:28:44,848 RUSSELL, WE HAVE BEEN DOING THIS, I LOVE THE MIRROR BALL IS 537 00:28:44,931 --> 00:28:49,352 SPINNING NOW, NOW WE HAVE BEEN DOING THIS THING IN THE SHOW, A 538 00:28:49,436 --> 00:28:51,354 "LATE, LATE SHOW" AND TELL WHERE WE ASK OUR GUESTS TO SHARE 539 00:28:51,438 --> 00:28:54,357 SOMETHING FROM THEIR HOME THAT WE WOULD OTHERWISE NEVER GET TO 540 00:28:54,441 --> 00:28:55,066 SEE. 541 00:28:55,150 --> 00:28:56,860 DO YOU HAVE SOMETHING TO SHARE. 542 00:28:56,943 --> 00:28:58,069 >> JAIPS, I HAVE PREPARED SOMETHING FOR YOU. 543 00:28:58,153 --> 00:29:00,363 I AM JUST GOING TO LEAN FORWARD. 544 00:29:00,447 --> 00:29:05,785 NOW THIS ITEM, ACTUALLY I PURCHASED IT AT A PUBLIC ART 545 00:29:05,869 --> 00:29:09,873 AUCTION, CHRISTIE, THE LATE GREAT JOHNNY CASH HAD PASSED ON 546 00:29:09,956 --> 00:29:15,003 AND HIS FAMILY PUT TOGETHER A LIST OF ITEMS THAT THEY WOULD 547 00:29:15,086 --> 00:29:16,212 AUCTION OFF. 548 00:29:16,296 --> 00:29:20,842 AND AMONGST THEM WAS THIS PARTICULAR ARTIFACT. 549 00:29:20,925 --> 00:29:25,805 AND ON THE ENGRAVING THIS WAS ACTUALLY AWARDED TO JOHNNY CASH, 550 00:29:25,889 --> 00:29:31,019 CARL PERKINS, JERRY LEE LEWIS, ROY ORBISON, SAM PHILIP, RICH 551 00:29:31,102 --> 00:29:36,649 NELSON AND CHIP-- KSH FOR SPOKEN WORDS RECORD CALLED THE CLASS OF 552 00:29:36,733 --> 00:29:37,817 55. 553 00:29:37,901 --> 00:29:39,986 SO IT WAS ALL GUYS TALKING ABOUT THEIR EARLY DAYS MUCH SUN 554 00:29:40,069 --> 00:29:45,200 RECORDS AND RECORDING AND EVERYTHING AND WON THE GRAMMY. 555 00:29:45,283 --> 00:29:46,493 >> WOW. 556 00:29:46,576 --> 00:29:56,753 >> I BOUGHT THIS AND I'M A MATE OF ED SHEERAN RIGHT, AND ED HAS 557 00:29:56,836 --> 00:29:58,838 BEEN HERE ON THE FARM A COUPLE OF TIMES. 558 00:29:58,922 --> 00:30:01,925 AND ONE NIGHT WE WERE IN THE BAR, AND I WILL SET THE SCENE, 559 00:30:02,008 --> 00:30:07,555 ONE NIGHT WE WERE IN THE BAR AND HE ASKED ME WHERE IS THAT GRAMMY 560 00:30:07,639 --> 00:30:08,973 OF JOHNNY CASH. 561 00:30:09,057 --> 00:30:17,732 I WENT AND GOT IT AND HE SAID YOU KNOW WHAT WE DO WITH 562 00:30:17,815 --> 00:30:18,942 GRAMMIES. 563 00:30:19,025 --> 00:30:24,948 >> WHY DO YOU THINK THAT THERE IS A HORN ON THE GRAMMY, BECAUSE 564 00:30:25,031 --> 00:30:29,118 WE-- I WILL SET THE SCENE, THE LIGHTINGS WITH DIFFERENT, IT WAS 565 00:30:29,202 --> 00:30:35,458 KIND OF A BIT MORE LIKE THIS, YEAH, AND THERE WAS MORE, A BIT 566 00:30:35,542 --> 00:30:41,089 OF MOVEMENT SO IT WAS LIKE-- AND A BOTTLE OF FRANK SINATRA, JACK 567 00:30:41,172 --> 00:30:48,263 DANIELS, DOING SHOTS AT A JOHNNY CRASH'S GRAMMY. 568 00:30:48,346 --> 00:30:49,138 >> WOW. 569 00:30:49,222 --> 00:30:50,848 >> AND WE COULD GO BACK TO THE LIGHTING. 570 00:30:50,932 --> 00:30:57,438 >> THAT MAY BE ONE OF THE BEST SHOW STORIES THAT I HAVE EVER 571 00:30:57,522 --> 00:30:58,731 HEARD. 572 00:30:58,815 --> 00:31:00,608 BLESS YOU AND FOR THE LIGHTING, THANK YOU SO MUCH FOR YOUR TIME, 573 00:31:00,692 --> 00:31:06,489 SO LOVELY AS ALWAYS TO SEE YOU, STAY SAFE OUT THERE, WHEN WE 574 00:31:06,573 --> 00:31:08,616 COME BACK, CHARLIE PUTH IS GOING TO BE HERE WITH A PERFORMANCE. 575 00:31:19,210 --> 00:31:23,298 >> ALL RIGHT, WELCOME BACK TO THE JAZZY "LATE, LATE SHOW." 576 00:31:23,381 --> 00:31:24,966 ♪ DIG IT. 577 00:31:25,049 --> 00:31:28,636 >> James: WELCOME BACK, OUR NEXT GUEST IS A GRAMMY NOMINATED 578 00:31:28,720 --> 00:31:31,764 SINGER, PRODUCER, HIS NEW SINGLE GIRLFRIEND IS OUT RIGHT NOW, 579 00:31:31,848 --> 00:31:36,269 PLEASE WELCOME THE OH SO TALENTED CHARLIE PUTH IS HERE. 580 00:31:36,352 --> 00:31:39,522 HEY, CHARLIE, HOW ARE YOU? 581 00:31:39,606 --> 00:31:40,690 >> I'M FAN TASK TUCK. 582 00:31:40,773 --> 00:31:43,192 >> James: IS THERE ANY MAN MORE CREATIVE THAN CHARLIE PUTH, 583 00:31:43,276 --> 00:31:48,281 BECAUSE WE ARE CHATTING NOW AT A VERY, VERY CREATIVE TIME IN YOUR 584 00:31:48,364 --> 00:31:52,660 LIFE, YOU HAVE YOUR NEW SINGLE, YOU HAVE COLLABORATIONS WITH 585 00:31:52,744 --> 00:31:55,163 JOHN LEGEND, KATY PERRY BUT YOU HAVE JUST BEEN IN THE STUDIO 586 00:31:55,246 --> 00:31:58,291 WITH SIR ELTON JOHN. 587 00:31:58,374 --> 00:31:59,208 >> THAT'S RIGHT. 588 00:31:59,292 --> 00:32:03,338 AND WHEN I SAY THE STUDIO I MEAN RIGHT HERE. 589 00:32:03,421 --> 00:32:03,796 >> NO. 590 00:32:03,880 --> 00:32:05,214 >> HE SIGNED THIS. 591 00:32:05,298 --> 00:32:09,469 >> James: HANG ON A MINUTE, ELTON JOHN, SO HOW DOES ELTON 592 00:32:09,552 --> 00:32:13,181 JOHN END UP AROUND AT YOUR HOUSE. 593 00:32:13,264 --> 00:32:18,353 >> OKAY, SO BEFORE LOCKDOWN WE MET AT A RESTAURANT, THE MATER D 594 00:32:18,436 --> 00:32:21,189 INTRODUCED US AT THIS PLACE CALLED CRAIGS IN L.A. AND I 595 00:32:21,272 --> 00:32:24,692 WALKED OVER AND I THOUGHT IT WAS GOING TO END THERE. 596 00:32:24,776 --> 00:32:26,069 I WHAT IS JUST EXCITED TO MEET ELTON. 597 00:32:26,152 --> 00:32:29,155 AND HE SAID WE SHOULD WRITE. 598 00:32:29,238 --> 00:32:34,869 WHEN I HEAR THAT I AM LIKE OKAY, YOU'RE VERY BUSY, I'M VERY BUSY, 599 00:32:34,952 --> 00:32:36,037 PROBABLY WILL NEVER HAPPEN. 600 00:32:36,120 --> 00:32:38,998 NEXT DAY I GET AN EMAIL SAYING I COULD COME OVER NECK WEEK. 601 00:32:39,082 --> 00:32:40,208 AND HE DID. 602 00:32:40,291 --> 00:32:44,587 AND HE SAID SOMETHING, IT WAS PRETTY SURREAL HAVING ELTON JOHN 603 00:32:44,671 --> 00:32:48,216 IN MY HOUSE BECAUSE MY PARENTS WERE ALSO HOME AS WELL. 604 00:32:48,299 --> 00:32:51,511 SO EVERYBODY WAS PRETTY MUCH DROOLING. 605 00:32:51,594 --> 00:32:55,223 AND THE FIRST THING HE SAID TO ME WAS YOU KNOW, HE SITS DOWN, 606 00:32:55,306 --> 00:33:01,104 AT MY PIANO AND STUDIO, YOU AND I WRITE VERY DIFFERENTLY. 607 00:33:01,187 --> 00:33:04,357 I'M GIVEN LETTER YOU CANS FROM BERNIE. 608 00:33:04,440 --> 00:33:06,275 AND THEN I WRITE THE SONG. 609 00:33:06,359 --> 00:33:10,571 AND HE SAID CHARLIE, YOU MAKE THE MUSIC FIRST AND THEN YOU 610 00:33:10,655 --> 00:33:13,199 WRITE THE LYRICS, SO I DONE KNOW IF WE ARE GOING TO BE ABLE TO 611 00:33:13,282 --> 00:33:14,575 COME UP WITH ANYTHING. 612 00:33:14,659 --> 00:33:15,785 BUT LET'S TRY. 613 00:33:15,868 --> 00:33:19,205 AND HE SITS DOWN AND PLAYS THE ENTIRE SONG THAT WE WROTE THREE 614 00:33:19,288 --> 00:33:20,456 MINUTES AND THREE SECONDS. 615 00:33:20,540 --> 00:33:24,252 HE PLAYS THE ENTIRE THING, FIRST TAKE, DIDN'T DO ANY MORE TAKES, 616 00:33:24,335 --> 00:33:29,132 RECORDS THE ENTIRE THING, AND HE'S LIKE HOW ABOUT THAT, AN MY 617 00:33:29,215 --> 00:33:30,299 MOUTH, I WAS LIKE THAT'S THE WHOLE SONG. 618 00:33:30,383 --> 00:33:35,430 HE PLAYED THE VERSE, THE PRECHORUS, THE CHORUS, MELODIES 619 00:33:35,513 --> 00:33:36,556 AND EVERYTHING. 620 00:33:36,639 --> 00:33:38,599 ALL I HAD TO DO WAS WRITE THE LYRICS. 621 00:33:38,683 --> 00:33:42,311 AND PRODUCE THE RECORD, THE DRUMS AND EVERYTHING. 622 00:33:42,395 --> 00:33:44,439 I HAD NEVER SEERN ANYTHING LIKE IT. 623 00:33:44,522 --> 00:33:45,690 >> James: OH MY WORD. 624 00:33:45,773 --> 00:33:49,110 NOW YOU'RE GOING TO PERFORM FOR US RIGHT NOW, YOU ARE GOING TO 625 00:33:49,193 --> 00:33:50,611 PERFORM THE SINGLE GIRLFRIEND. 626 00:33:50,695 --> 00:33:55,908 TELL ME ABOUT THE SONG, WHAT INSPIRED THIS SONG? 627 00:33:55,992 --> 00:33:59,162 QUNS SO I MADE THIS SONG A COUPLE OF YEARS AGO, ACTUALLY. 628 00:33:59,245 --> 00:34:04,292 AND I ALWAYS TRY AND REINVENT MYSELF MUSICALLY EVERY TIME I 629 00:34:04,375 --> 00:34:07,962 PUT OUT A NEW ALBUM, EVERY TIME I PUT OUT A NEW RELEASE. 630 00:34:08,045 --> 00:34:11,174 AND THE SONG WAS ALMOST TOO AHEAD OF ITS TIME, MEANING THAT 631 00:34:11,257 --> 00:34:16,304 LIKE EVERYTHING, WHEN I MADE THIS SONG, I MADE IT ON TOUR. 632 00:34:16,387 --> 00:34:19,891 I DIDN'T USE A STUDIO AT ALL AM I MADE THE SONG COMPLEATLY ON A 633 00:34:19,974 --> 00:34:21,976 MOBILE RECORDING SET UP. 634 00:34:22,059 --> 00:34:30,318 AND IT IS LIKE AN 80ESQUE PRINCEY KIND OF ELECTROPOP, VERY 635 00:34:30,401 --> 00:34:32,528 SINTED OUT POP RECORD AND EVERYTHING AT THE TIME ON THE 636 00:34:32,612 --> 00:34:33,488 CHARTS IS HIP-HOP. 637 00:34:33,571 --> 00:34:35,823 I HAVE NO PROBLEM WITH THAT, I LOVE HIP-HOP. 638 00:34:35,907 --> 00:34:37,241 I WAS RAISED ON HIP-HOP. 639 00:34:37,325 --> 00:34:39,911 BUT IT JUST DIDN'T FEEL RIGHT TO PUT IF OUT. 640 00:34:39,994 --> 00:34:45,166 SO I KIND OF JUST KEPT IT TO MYSELF FOR A LONG TIME, AND I 641 00:34:45,249 --> 00:34:48,377 JUST THINK IT'S A PERFECT TIME FOR THE WORLD TO HEAR THIS SONG. 642 00:34:48,461 --> 00:34:55,176 IT IS SIMPLE, IT HAS THREE CORDS IN IT, A VERY BLUNT MESSAGE, 643 00:34:55,259 --> 00:34:59,222 SOMETHING THAT IS KIND OF HARD TO SAY WITHOUT MELODY AND CORDS 644 00:34:59,305 --> 00:35:00,306 BEHIND IT. 645 00:35:00,389 --> 00:35:01,557 >> James: IS THAT SOMETHING YOU STRUGGLE TO SAY, YOU 646 00:35:01,641 --> 00:35:05,728 STRUGGLE TO SAY TO SOMEONE HEY, DO YOU WANT TO BE MY GIR FRIEND. 647 00:35:05,812 --> 00:35:06,896 >> THAT'S REALLY WHY I WROTE THE SONG. 648 00:35:06,979 --> 00:35:11,984 I WROTE IT IN HOPES OF HER HEARING IT AND BE LIKE OH, IT'S 649 00:35:12,068 --> 00:35:13,236 SOMETHING YOU PLAY FOR SOMEONE WHO IS WAY OUT OF YOUR LEAGUE. 650 00:35:13,319 --> 00:35:17,865 AND THEY'RE LIKE WELL, YOU JUST PUT IT ON THE BACKGROUND AND 651 00:35:17,949 --> 00:35:22,036 HOPE THAT THEY GET THE HINT. 652 00:35:22,119 --> 00:35:25,164 I DON'T KNOW, MAYBE THAT WILL HELP SOMEBODY ELSE. 653 00:35:25,248 --> 00:35:26,332 IT CERTAINLY DIDN'T HELP ME. 654 00:35:26,415 --> 00:35:31,212 >> James: WELL, THE SONG IS SO GOOD, I ABSOLUTELY LOVE T WE 655 00:35:31,295 --> 00:35:32,880 LOVE YOU HERE AT THIS SHOW. 656 00:35:32,964 --> 00:35:35,675 YOU KNOW THAT, YOU WILL PERFORM YOUR NEW SINGLE GIRLFRIEND RIGHT 657 00:35:35,758 --> 00:35:40,304 NOW, LADIES AND GENTLEMEN, PLEASE WELCOME THE INCREDIBLE 658 00:35:40,388 --> 00:35:43,766 CHARLIE PUTH. 659 00:35:44,183 --> 00:35:45,810 ♪ ♪ ♪ ♪ YEAH 660 00:35:45,893 --> 00:35:48,396 TIRED OF THIS CONSERVATION ♪ WE DIDN'T COME ALL THIS WAY TO 661 00:35:48,479 --> 00:35:52,400 TOUCH A LITTLE KISS A LITTLE ♪ ALL NIGHT LONG 662 00:35:52,483 --> 00:35:56,404 YOU WANNA HEAR ME SAY IT ♪ I KNOW I KEPT YOU WAITING 663 00:35:56,487 --> 00:36:03,244 JUST A LITTLE JUST A LITTLE ♪ ALL NIGHT LONG 664 00:36:03,327 --> 00:36:07,248 CAN'T STOP ♪ TILL YOU'RE LYING RIGHT HERE 665 00:36:07,331 --> 00:36:11,502 NEXT TO ME ♪ I SHOULD STOP 666 00:36:11,586 --> 00:36:17,425 BUT I THINK I'LL DO IT ANYWAY ♪ BABY, WOULD YOU EVER WANT TO 667 00:36:17,508 --> 00:36:19,427 BE MY GIRLFRIEND? 668 00:36:19,510 --> 00:36:24,432 ♪ I DON'T WANNA PLAY NO GAMES THIS IS MORE THAN JUST A PHASE 669 00:36:24,515 --> 00:36:29,937 ♪ BABY, WOULD YOU EVER WANT TO BE MY GIRLFRIEND? 670 00:36:30,021 --> 00:36:33,900 ♪ IF YOU WANNA LET ME KNOW WE CAN MAKE THIS ALL FOR SURE 671 00:36:33,983 --> 00:36:39,280 ♪ DON'T WE LOOK PERFECT BABY LET'S TAKE THIS FURTHER BABY 672 00:36:39,363 --> 00:36:42,658 ♪ JUST A LITTLE JUST A LITTLE 673 00:36:42,742 --> 00:36:44,619 ♪ ALL NIGHT LONG IF I WAS YOUR BOYFRIEND I 674 00:36:44,702 --> 00:36:50,458 ♪ I'D BE GIVING YOU ALL MY TIME JUST A LITTLE 675 00:36:50,541 --> 00:36:51,459 ♪ JUST A LITTLE ALL NIGHT LONG 676 00:36:51,542 --> 00:36:56,672 ♪ CAN'T STOP TILL YOU'RE LYING RIGHT HERE 677 00:36:56,756 --> 00:37:03,137 ♪ NEXT TO ME I SHOULD STOP 678 00:37:03,221 --> 00:37:07,099 ♪ BUT I THINK I'LL DO IT ANYWAY BABY, WOULD YOU EVER WANT TO BE 679 00:37:07,183 --> 00:37:08,851 ♪ MY GIRLFRIEND? 680 00:37:08,935 --> 00:37:11,312 I DON'T WANNA PLAY NO GAMES ♪ THIS IS MORE THAN JUST A PHASE 681 00:37:11,395 --> 00:37:19,320 BABY, WOULD YOU EVER WANT TO BE ♪ MY GIRLFRIEND? 682 00:37:19,403 --> 00:37:24,659 IF YOU WANNA LET ME KNOW ♪ WE CAN MAKE THIS ALL FOR SURE 683 00:37:24,742 --> 00:37:27,662 HOLD ON, YOU'RE MAKING ME ♪ OH NO BABY NO 684 00:37:27,745 --> 00:37:29,288 HOLD ON, YOU'RE MAKING ME ♪ OH NO BABY 685 00:37:29,372 --> 00:37:33,501 MY GIRLFRIEND ♪ AH HOLD ON, YOU'RE MAKING ME 686 00:37:33,584 --> 00:37:38,547 OH NO BABY NO ♪ HOLD ON, YOU'RE MAKING ME 687 00:37:38,631 --> 00:37:40,383 OH NO BABY ♪ MY GIRLFRIEND 688 00:37:40,466 --> 00:37:50,184 CAN'T STOP WOAH NO ♪ I SHOULD STOP 689 00:37:50,268 --> 00:37:55,439 BUT I HAD TO DO IT ANYWAY ♪ I HAD TO DO IT ANYWAY 690 00:37:55,523 --> 00:38:00,027 I HAD TO DO IT ANYWAY ♪ I HAD TO DO IT ANYWAY 691 00:38:00,111 --> 00:38:04,532 BABY, WOULD YOU EVER WANT TO BE ♪ MY GIRLFRIEND? 692 00:38:04,615 --> 00:38:06,200 I DON'T WANNA PLAY NO GAMES ♪ THIS IS MORE THAN JUST A PHASE 693 00:38:06,283 --> 00:38:11,372 BABY, WOULD YOU EVER WANT TO BE ♪ MY GIRLFRIEND? 694 00:38:11,455 --> 00:38:16,544 IF YOU WANNA LET ME KNOW ♪ WE CAN MAKE THIS ALL FOR SURE 695 00:38:16,627 --> 00:38:29,390 HOLD ON, YOU'RE MAKING ME ♪ OH NO BABY NO 696 00:38:29,473 --> 00:38:32,393 HOLD ON, YOU'RE MAKING ME ♪ OH NO BABY 697 00:38:32,476 --> 00:38:42,361 AH ♪ MY GIRLFRIEND ♪ 698 00:38:42,445 --> 00:38:43,404 >> James: OH, CHARLIE PUTH, EVERYBODY, THANK YOU SO MUCH, 699 00:38:43,487 --> 00:38:47,533 WE'LL BE RIGHT BACK, EVERYBODY. 700 00:38:57,668 --> 00:39:00,588 >> James: THAT'S OUR SHOW, THANK YOU SO MUCH FOR WATCHING. 701 00:39:00,671 --> 00:39:03,382 WE REALLY, REALLY APPRECIATE IT. 702 00:39:03,466 --> 00:39:04,425 WE'LL SEE YOU SOON, EVERYBODY. 703 00:39:04,508 --> 00:39:09,597 GOD NIGHT. 59120