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1
00:00:07,340 --> 00:00:11,428
♪ THE LATE LATE SHOW, OH, OH
THE LATE LATE SHOW, OOH
2
00:00:11,511 --> 00:00:16,266
IT'S THE LATE LATE SHOW ♪
>> James: IT CERTAINLY IS!
3
00:00:16,349 --> 00:00:18,435
>> James: GOODS EVENING AND
WELCOME TO THE "LATE, LATE
4
00:00:18,518 --> 00:00:20,270
SHOW," I'M JAMES CORDEN.
5
00:00:20,353 --> 00:00:25,275
AND I KNOW YOU MAY NOT BELIEVE
ME, BUT I USED TO GO OUTSIDE AND
6
00:00:25,358 --> 00:00:25,817
DO STUFF.
7
00:00:25,900 --> 00:00:29,279
DO YOU REMEMBER THAT?
8
00:00:29,362 --> 00:00:33,950
DO YOU REMEMBER THAT, GOING
OUTSIDE AND DOING STUFF, REG?
9
00:00:34,033 --> 00:00:35,702
>> Reggie: BARELY.
10
00:00:35,785 --> 00:00:38,037
>> James: WE WERE THE GUYS,
MAN.
11
00:00:38,121 --> 00:00:43,918
WE WOULD GO OUT AND WE WOULD DO
STUFF.
12
00:00:44,002 --> 00:00:45,128
I WOULD SAY TO YOU, I WOULD SAY
HEY, REG, WHAT ARE YOU UP TO
13
00:00:45,211 --> 00:00:49,257
TONIGHT, AND HE WITH BE LIKE OH,
MAN, I'M DOING A SHOW AND THEN
14
00:00:49,340 --> 00:00:53,511
I'M FLYING HERE, I'M DOING THIS,
I HAVE A DATE WITH A LOVELY
15
00:00:53,595 --> 00:00:54,804
LADY.
16
00:00:54,888 --> 00:00:57,640
AND I WILL BE LIKE YEAH, I WILL
PROBABLY STAY IN BUT I COULD DO
17
00:00:57,724 --> 00:00:58,308
STUFF.
18
00:00:58,391 --> 00:01:01,019
AND THAT WAS WHAT IT WAS LIKE.
19
00:01:01,102 --> 00:01:02,312
BUT NOW WE'RE HERE.
20
00:01:02,395 --> 00:01:04,856
AND THAT'S WHAT WE ARE DOING.
21
00:01:04,939 --> 00:01:06,316
BUT WE'RE PLEASED TO BE HERE
RIGHT NOW BECAUSE TONIGHT WE'LL
22
00:01:06,399 --> 00:01:09,319
BE TALKING TO THE ONE AND ONLY
RUSSELL CROWE.
23
00:01:09,402 --> 00:01:11,321
WE THEN HAVE A MUSICAL
PERFORMANCE FROM THE FANTASTIC
24
00:01:11,404 --> 00:01:15,992
CHARLIE PUTH, AND LISTEN TO
THIS, WE WILL BE CHECKING IN
25
00:01:16,075 --> 00:01:20,330
WITH THE ASTRONAUTS ON THE
INTERNATIONAL SPACE STATION.
26
00:01:20,413 --> 00:01:24,834
YOU GO TO SLEEP, DO T I DARE
YOU, GO TO SLEEP AND YOU WILL
27
00:01:24,918 --> 00:01:29,339
LIVE A LIFE HAUNTED BY THE
FEELING OF NEAR CONSTANT REGRET.
28
00:01:29,422 --> 00:01:35,011
YOU OWE IT TO FUTURE YOU TO MAKE
SURE THAT DOESN'T HAPPEN.
29
00:01:35,094 --> 00:01:38,848
HOW LONG HAVE WE BEEN DOING
THESE SHOWS NOW?
30
00:01:38,932 --> 00:01:40,350
>> Reggie: LIKE THREE AND A
HALF MONTHS.
31
00:01:40,433 --> 00:01:43,353
>> James: YEAH, I THINK IT IS
NEARLY FOUR MONTHS.
32
00:01:43,436 --> 00:01:46,481
FOUR MONTHS WE'VE BEEN DOING
THIS.
33
00:01:46,564 --> 00:01:49,984
AND I HAVE GOT TO TELL YOU, IT
HASN'T GOTTEN ANY EASIER.
34
00:01:50,068 --> 00:01:53,530
AS OF, WE'RE PERFORMERS, THE
BAND ARE PERFORMERS, WE LOVE AN
35
00:01:53,613 --> 00:01:57,992
AUDIENCE THERE IS NOTHING WORSE
THAN TRYING TO TELL JOKES ALONE
36
00:01:58,076 --> 00:01:59,661
IN COMPLETE SILENCE.
37
00:01:59,744 --> 00:02:02,330
BUT TONIGHT WE ARE GOING TO TRY
SOMETHING THAT IS GOING TO BE
38
00:02:02,413 --> 00:02:03,581
DIFFERENT.
39
00:02:03,665 --> 00:02:06,042
BECAUSE I DONE KNOW IF YOU READ
ABOUT THIS, THERE IS A BRAND NEW
40
00:02:06,125 --> 00:02:07,377
COMPANY AND WE'RE EXCITED ABOUT
THIS.
41
00:02:07,460 --> 00:02:11,214
A NEW COMPANY THAT WILL PROVIDE
ANYONE WHO NEEDS ONE WITH AN
42
00:02:11,297 --> 00:02:16,344
ONLINE VIRTUAL ODD YINS
IS-- AUDIENCE SO THAT YOU CAN
43
00:02:16,427 --> 00:02:17,554
GET REALTIME FEEDBACK.
44
00:02:17,637 --> 00:02:20,390
YOU MUST HAVE FRIEND, STANDUP
COMEDIANS DOING THIS, C.E.O.S OF
45
00:02:20,473 --> 00:02:25,436
BIG COMPANIES ARE USING IT TO
UNVEIL NEW PRODUCTS TO THEIR
46
00:02:25,520 --> 00:02:29,232
WORKFORCE, SO ON AND SO FORTH,
AND BASICALLY WE AT THE "LATE,
47
00:02:29,315 --> 00:02:30,525
LATE SHOW" HAVE SIGNED UP.
48
00:02:30,608 --> 00:02:34,612
SO TONIGHT WE'RE GOING TO DO AN
ACTUAL MONOLOGUE WITH A GENUINE
49
00:02:34,696 --> 00:02:35,446
LIVE AUDIENCE.
50
00:02:35,530 --> 00:02:37,407
I DOP KNOW HOW THEY FIND THESE
PEOPLE.
51
00:02:37,490 --> 00:02:38,408
I DON'T.
52
00:02:38,491 --> 00:02:42,412
BUT WE FIGURE WE'RE GOING TO
GIVE IT A TRY, OKAY.
53
00:02:42,495 --> 00:02:45,331
SO WHAT I HAVE TO DO, I HAVE TO
OPEN THIS.
54
00:02:45,415 --> 00:02:51,629
AND THEN IF I CLICK ON THIS,
THIS SHOULD BE.
55
00:02:51,713 --> 00:02:52,297
>> HEY JAMES.
56
00:02:52,380 --> 00:02:52,714
>> IT WORKED.
57
00:02:52,797 --> 00:02:53,756
>> HEY JAMES.
58
00:02:53,840 --> 00:02:55,884
>> OH NO, NOT YOU TWO.
59
00:02:55,967 --> 00:02:58,303
>> OH, LOOK, HE REALLY IS IN THE
GARAGE.
60
00:02:58,386 --> 00:03:05,435
>> YEAH, BUT HIS RATINGS ARE
STILL IN THE BASEMENT.
61
00:03:05,518 --> 00:03:06,436
>> James: I DON'T THINK THIS
IS GOING TO WORK.
62
00:03:06,519 --> 00:03:07,437
>> WE'LL BE THE JUDGE OF THAT.
63
00:03:07,520 --> 00:03:10,648
>> YEAH, WHY WOULD TONIGHT BE
ANY DIFFERENT.
64
00:03:10,732 --> 00:03:11,858
(LAUGHTER).
65
00:03:11,941 --> 00:03:14,444
>> James: YOU KNOW WHAT, DO
YOU KNOW WHAT, FINE, FINE, OKAY,
66
00:03:14,527 --> 00:03:16,738
I AM A PROFESSIONAL.
67
00:03:16,821 --> 00:03:20,325
FINE, IF THAT IS THE AUDIENCE
WE'VE GOT, THAT IS WHAT WE WILL
68
00:03:20,408 --> 00:03:21,159
DO.
69
00:03:21,242 --> 00:03:22,285
OKAY, LET'S JUMP IN WITH THE
MONOLOGUE.
70
00:03:22,368 --> 00:03:25,538
OKAY, HERE WE GO.
71
00:03:25,622 --> 00:03:29,459
ACCORDING TO A RECENT POLL
MR. BLUE SKY BY ELO IS THE
72
00:03:29,542 --> 00:03:30,752
HAPPIEST SONG EVER RECORDED.
73
00:03:30,835 --> 00:03:36,132
IT BEAT OUT THE SEDGED HAPPIEST
SONG OF ALL TIME, ANY SONG THAT
74
00:03:36,215 --> 00:03:39,636
IMMEDIATELY FOLLOWS BABY SHARK.
75
00:03:39,719 --> 00:03:43,598
>> NOT ONLY DID THAT JOKE NOT
LAND, IT NEVER GOT OFF THE
76
00:03:43,681 --> 00:03:44,807
RUNWAY.
77
00:03:44,891 --> 00:03:47,810
>> BETTER CHECK WITH THE IT WE
ARE, I DON'T THINK IT GT CLEARED
78
00:03:47,894 --> 00:03:48,770
FOR TAKEOFF.
79
00:03:48,853 --> 00:03:50,688
>> James: OKAY, FINE, WE'LL
TRY ANOTHER ONE.
80
00:03:50,772 --> 00:03:53,524
HERE IS ANOTHER ONE, OKAY, YOU
WILL LIKE THIS ONE.
81
00:03:53,608 --> 00:03:56,694
SCIENTISTS HAVE RECENTLY
DISCOVERED THAT MICE ARE SMALLER
82
00:03:56,778 --> 00:04:00,323
NOW THAN THEY WERE A HUNDRED
YEARS AGO.
83
00:04:00,406 --> 00:04:04,827
OBVIOUSLY NONE OF THOSE
SCIENTISTS HAS EVER BEEN TO
84
00:04:04,911 --> 00:04:05,161
DISNEYLAND.
85
00:04:05,244 --> 00:04:06,037
>> YES.
86
00:04:06,120 --> 00:04:07,664
>> James: THERE YOU GO, YOU
LIKE THAT ONE.
87
00:04:07,747 --> 00:04:08,748
>> NO, WE MADE A BET.
88
00:04:08,831 --> 00:04:13,461
I SAID THERE WAS NO WAY YOUR
JOKES COULD GET ANY WORSE.
89
00:04:13,544 --> 00:04:14,545
>> AND I WON.
90
00:04:14,629 --> 00:04:17,090
>> James: YOU THINK ARE YOU
THE ONLY ONE WHO CAN THROW
91
00:04:17,173 --> 00:04:20,134
AROUND CLEVER INSULTS, IS THAT
WHAT YOU THINK, WE CAN ALL DO
92
00:04:20,218 --> 00:04:21,177
THAT.
93
00:04:21,260 --> 00:04:25,181
WHAT ABOUT THIS, YOU
TWO-- HERE'S ONE, THE BOTH OF
94
00:04:25,264 --> 00:04:29,519
YOU-- YOU BOTH-- GIVE ME A
MINUTE.
95
00:04:29,602 --> 00:04:32,021
>> TAKE THE WHOLE HOUR.
96
00:04:32,105 --> 00:04:33,231
>> YEAH, AND WAKE US WHEN ARE
YOU FUNNY.
97
00:04:33,314 --> 00:04:35,525
>> James: THIS IS RIDICULOUS,
HOW ARE THESE THE ONLY PEOPLE.
98
00:04:35,608 --> 00:04:38,069
>> HEY THERE, HI, JAMES.
99
00:04:38,152 --> 00:04:39,821
>> James: WHAT?
100
00:04:39,904 --> 00:04:40,655
>> HELLO.
101
00:04:40,738 --> 00:04:41,698
>> James: KERMIT.
102
00:04:41,781 --> 00:04:42,865
>> HI JAMES.
103
00:04:42,949 --> 00:04:45,868
>> James: FOZZIE, OH, THANK
GOODNESS YOU ARE BOTH HERE.
104
00:04:45,952 --> 00:04:48,413
>> YOU KNOW WHAT, I AM SO SORRY
ABOUT THOSE GUYS.
105
00:04:48,496 --> 00:04:49,372
I APOLOGIZE.
106
00:04:49,455 --> 00:04:51,582
JAMES, JAMES, CONTINUE.
107
00:04:51,666 --> 00:04:53,835
YOU ARE DOING GREAT, YOU ARE
DOING GREAT.
108
00:04:53,918 --> 00:04:57,380
>> YES, YES, LOVE YOUR STUFF,
VERY FUNNY.
109
00:04:57,463 --> 00:05:00,758
>> James: OH, YOU DON'T KNOW
HOW MUCH I NEEDED TO HEAR THAT,
110
00:05:00,842 --> 00:05:01,217
GUYS.
111
00:05:01,300 --> 00:05:01,843
THANK YOU SO MUCH.
112
00:05:01,926 --> 00:05:03,386
THIS IS A BETTER AUDIENCE.
113
00:05:03,469 --> 00:05:05,722
OKAY, HERE'S ONE, YOU WILL LIKE
THIS ONE.
114
00:05:05,805 --> 00:05:10,727
OKAYS AN IDAHO WOMAN HAS SET A
NEW WORLD RECORD BY DRESSING HER
115
00:05:10,810 --> 00:05:15,064
HUSBAND IN 32 T-SHIRTS IN ONE
MINUTE, ACCORDING TO THE HUSBAND
116
00:05:15,148 --> 00:05:21,612
HE'S ALMOST GOT THE HANG OF IT
AND HE COULD BE DRESSING HIMSELF
117
00:05:21,696 --> 00:05:23,448
SOON.
118
00:05:23,531 --> 00:05:24,490
>> YEAH.
119
00:05:24,574 --> 00:05:26,951
YOU THINK MAYBE WE SHOULD DO A
MUSICAL NUMBER, HUH?
120
00:05:27,035 --> 00:05:29,495
>> OH BOY, THAT COULD BE FUN
TOO.
121
00:05:29,579 --> 00:05:34,083
>> James: WAIT A MINUTE, DID
YOU GUYS PLAN AND REHEARSE A BIG
122
00:05:34,167 --> 00:05:37,545
MUSICAL NUMBER, MAYBE EVEN WITH
MY OWN BAND JUST IN CASE YOU HAD
123
00:05:37,628 --> 00:05:44,594
TO SAVE ME FROM TELLING MORE
JOKES?
124
00:05:44,677 --> 00:05:45,553
>> MAYBE.
125
00:05:45,636 --> 00:05:48,598
>> James: WELL THEN I'VE GOT
TO SAY THANK YOU.
126
00:05:48,681 --> 00:05:56,981
>> GEE, THAT'S WHAT FRIENDS ARE
FOR, JAMES, HIT IT GUYS.
127
00:05:57,065 --> 00:06:01,444
♪ ♪ ♪
♪ WHAT WOULD YOU DO IF I SANG
128
00:06:01,527 --> 00:06:07,784
OUT OF TUNE?
129
00:06:07,867 --> 00:06:14,123
♪ WOULD YOU STAND UP AND WALK
OUT ON ME?
130
00:06:14,207 --> 00:06:20,004
♪ LEND ME YOUR EARS AND I'LL
SING YOU A SONG
131
00:06:20,088 --> 00:06:24,133
♪ I WILL TRY NOT TO SING OUT OF
KEY
132
00:06:24,217 --> 00:06:25,468
♪ OH, BABY I GET
BY WITH A LITTLE HELP FROM MY
133
00:06:25,551 --> 00:06:30,473
♪ FRIENDS
ALL I NEED IS MY BUDDIES.
134
00:06:30,556 --> 00:06:33,017
♪ HIGH WITH A LITTLE HELP FROM
MY FRIENDS
135
00:06:33,101 --> 00:06:36,312
♪ I SAY I'M GONNA GET HIGH
WITH'EM
136
00:06:36,395 --> 00:06:37,480
♪ TRY WITH A LITTLE HELP FROM MY
FRIENDS
137
00:06:37,563 --> 00:06:49,617
♪ OH YEAH
OOO, OOO, OOO.
138
00:06:49,700 --> 00:06:54,455
♪ WHAT DO I DO WHEN MY LOVE IS
AWAY?
139
00:06:54,539 --> 00:06:56,999
♪ DOES IT WORRY YOU TO BE ALONE?
140
00:06:57,083 --> 00:07:02,505
NO, NO
♪ HOW DO I FEEL AT THE END OF
141
00:07:02,588 --> 00:07:03,631
THE DAY?
142
00:07:03,714 --> 00:07:07,969
♪ ARE YOU SAD BECAUSE YOU'RE ON
YOUR OWN?
143
00:07:08,052 --> 00:07:09,345
♪ I TELL YA I DON'T GET SAD NO
MORE
144
00:07:09,428 --> 00:07:14,600
♪ BY WITH A LITTLE HELP FROM MY
FRIENDS.
145
00:07:14,684 --> 00:07:15,518
♪ GONNA GET BY WITH MY FRIENDS.
146
00:07:15,601 --> 00:07:19,647
HIGH WITH A LITTLE HELP FROM MY
♪ FRIENDS
147
00:07:19,730 --> 00:07:25,403
YEAH, YEAH, YEAH, I'M GONNA TRY
♪ TRY WITH A LITTLE HELP FROM MY
148
00:07:25,486 --> 00:07:29,699
FRIENDS
♪ KEEP ON GETTING HIGHER
149
00:07:29,782 --> 00:07:35,580
OOO, OOO, OOO.
150
00:07:35,663 --> 00:07:41,210
♪ DO YOU NEED ANYBODY?
151
00:07:41,294 --> 00:07:46,048
I NEED SOMEONE TO LOVE.
152
00:07:46,132 --> 00:07:49,677
♪ COULD IT BE ANYBODY?
153
00:07:49,760 --> 00:07:55,766
ALL I NEED IS SOMEONE
♪ KNOWS JUST WHERE I'M GOING,
154
00:07:55,850 --> 00:07:59,020
YEAH
♪ SOMEBODY KNOWS THAT'S WHERE
155
00:07:59,103 --> 00:08:03,232
I'M SHOWING
♪ OOOOH, AAAAAH
156
00:08:03,316 --> 00:08:04,901
BY WITH A LITTLE HELP FROM MY
♪ FRIENDS
157
00:08:04,984 --> 00:08:07,778
SAY I'M GONNA MAKE IT WITH MY
♪ FRIENDS,
158
00:08:07,862 --> 00:08:09,655
HIGH WITH A LITTLE HELP FROM MY
♪ FRIENDS
159
00:08:09,739 --> 00:08:12,909
OH, OH, I'M GONNA KEEP ON
♪ TRYIN”.
160
00:08:12,992 --> 00:08:16,537
TRY WITH A LITTLE HELP FROM MY
♪ FRIENDS.
161
00:08:16,621 --> 00:08:22,418
I'M GONNA KEEP ON TRYING
♪ OOO, OOO, OOO
162
00:08:22,501 --> 00:08:24,420
TRY WITH A LITTLE HELP FROM MY
♪ FRIENDS.
163
00:08:24,503 --> 00:08:28,633
AAH, AAH, AAHAAAAAH YEAH ♪
>> James: THANK YOU FOR THE
164
00:08:28,716 --> 00:08:32,637
HELP, THE MUPPETS, EVERYBODY,
WE'LL BE RIGHT BACK AFTER THIS
165
00:08:32,720 --> 00:08:34,931
BREAK.
166
00:08:35,014 --> 00:08:37,058
♪
167
00:08:54,867 --> 00:08:58,496
>> James: WELCOME BACK AND
THAKS ONCE AGAINS TO MUPPETS.
168
00:08:58,579 --> 00:08:59,789
HOW GREAT TO SEE THE MUPPETS.
169
00:08:59,872 --> 00:09:00,998
THEY WERE JUST FANTASTIC.
170
00:09:01,082 --> 00:09:05,294
BE SURE TO CHECK OUT THEIR NEW
SERIES, MUPPETS NOW, LAUNCHING
171
00:09:05,378 --> 00:09:06,337
ON JULY 3 1S ON DISNEY PLUS.
172
00:09:06,420 --> 00:09:10,424
AND NOW WE'VE GOT SOMETHING
INCREDIBLY COOL FOR YOU.
173
00:09:10,508 --> 00:09:14,428
ON MAY 30th THESE TWO
GENTLEMEN MADE HISTORY WHEN THEY
174
00:09:14,512 --> 00:09:18,599
LAUNCHED THE FIRST EVER MANNED
MISSION OF THE SPACEX CREW
175
00:09:18,683 --> 00:09:19,767
DRAGON SPACE CRAFT.
176
00:09:19,850 --> 00:09:23,813
THEY LIFTED OFF FROM KENNEDY
SPACE CENTER IN FLORIDA AND 19
177
00:09:23,896 --> 00:09:27,316
HOURS LATER THEY DOCKED AT THE
INTERNATIONAL SPACE STATION
178
00:09:27,400 --> 00:09:28,693
WHERE THEY REMAIN RIGHT NOW.
179
00:09:28,776 --> 00:09:32,446
WE ARE SO THRILLED THAT THEY ARE
GOING TO TALK TO US FROM SPACE,
180
00:09:32,530 --> 00:09:38,577
JOINING US ON NASA FLIGHT
ENGINEERS BOB BEHNKEN AND DOUG
181
00:09:38,661 --> 00:09:40,830
HURLEY, HOW ARE YOU, GENTLEMEN,
YOU CAN HEAR ME?
182
00:09:40,913 --> 00:09:44,834
>> JAMES, WELCOME ABOARD THE
INTERNATIONAL SPACE STATION, WE
183
00:09:44,917 --> 00:09:46,002
HEAR YOU LOUD AND CLEAR.
184
00:09:46,085 --> 00:09:50,673
>> James: IT IS SO LOVELY TO
SEE YOU, THANK YOU SO MUCH FOR
185
00:09:50,756 --> 00:09:53,134
TAKING THE TIME TO TALK TO US.
186
00:09:53,217 --> 00:09:56,178
HOW ARE YOU GETTING ON UP THERE,
ARE YOU DOING OKAY.
187
00:09:56,262 --> 00:09:58,806
>> WE'RE PRETTY GOOD, WE'VE BEEN
HERE JUST ABOUT A MONTH NOW,
188
00:09:58,889 --> 00:10:00,016
RIGHT.
189
00:10:00,099 --> 00:10:03,686
AND I THINK WE ARE ASSIMILATING
INTO THE ISS LIFE, TRYING TO
190
00:10:03,769 --> 00:10:06,355
HELP CHRIS OUT AS MUCH AS WE
CAN.
191
00:10:06,439 --> 00:10:09,859
AND ACTUALLY IN JUST A FEW DAYS
WE'RE GOING TO BE PERFORMING
192
00:10:09,942 --> 00:10:15,031
SOME SPACE WALKS TO REPLACE SOME
BATTERIES ON BOARD THE OUTSIDE
193
00:10:15,114 --> 00:10:16,198
OF THE SPACE STATION.
194
00:10:16,282 --> 00:10:19,869
>> James: I MEAN I DON'T EVEN
LIKE IT IF I HAVE TO REPLACE
195
00:10:19,952 --> 00:10:22,705
BATTERIES IN THE REMOTE LET
ALONE GOING OUT TO DO A SPACE
196
00:10:22,788 --> 00:10:23,914
WALK.
197
00:10:23,998 --> 00:10:29,003
NOW I WANT TO ASK YOU ABOUT YOUR
FLIGHT, BECAUSE YOU WERE THE
198
00:10:29,086 --> 00:10:32,048
FIRST HUMANS TO FLY THE SPACEX
SHUTTLE.
199
00:10:32,131 --> 00:10:33,883
YOU BOTH HAD MISSIONS TO SPACE
BEFORE.
200
00:10:33,966 --> 00:10:38,929
WERE YOU MORE NERVOUS TAKING OFF
THIS TIME IN A BRAND NEW SPACE
201
00:10:39,013 --> 00:10:43,392
CRAFT THAN YOU WERE PREVIOUSLY
IN A REGULAR SHUTTLE?
202
00:10:43,476 --> 00:10:44,894
>> NO, DEFINITELY NOT.
203
00:10:44,977 --> 00:10:48,731
WE SPEBTS THE BETTER PART OF
FIVE YEARS WORKING ON THIS
204
00:10:48,814 --> 00:10:51,442
VEHICLE WITH SPACEX.
205
00:10:51,525 --> 00:10:55,029
AND ESPECIALLY THE LAST TWO
WHERE WE LIVED OUT IN CALIFORNIA
206
00:10:55,112 --> 00:10:57,907
MORE THAN WE WERE AT HOME IN
HOUSTON.
207
00:10:57,990 --> 00:11:01,577
AND I THINK WE JUST, WE GOT TO
KNOW THE VEHICLES PRETTY WELL.
208
00:11:01,660 --> 00:11:05,623
WE GOT TO KNOW THE FOLKS OUT AT
SPACEX VERY WELL AND WORKED
209
00:11:05,706 --> 00:11:08,459
THROUGH ALL THE CHALLENGES THAT
WE HAD DEVELOPING THE VEHICLE.
210
00:11:08,542 --> 00:11:09,919
AND I THINK WE WERE VERY
COMFORTABLE BY THE TIME IT WAS
211
00:11:10,002 --> 00:11:11,170
READY FOR US TO FLY.
212
00:11:11,253 --> 00:11:16,801
WE ALSO HAD A COUPLE OF FLIGHTS
PRIOR TO THAT WE HAD AN UNCREWED
213
00:11:16,884 --> 00:11:21,931
TEST MISSION THEY FLEW TO THE
SPACE STATION A YEAR PRIOR AND
214
00:11:22,014 --> 00:11:24,767
AN INFLIGHT ABOARD TEST JUST A
PONT AGO BEFORE OUR FLIGHT.
215
00:11:24,850 --> 00:11:26,769
SO ALL IN ALL, I DON'T THINK
NERVOUS.
216
00:11:26,852 --> 00:11:29,939
I THINK WE WERE PRETTY EXCITED
AND WE WERE GLAD TO BE AT THAT
217
00:11:30,022 --> 00:11:34,485
POINT AS IT HAD BEEN A PRETTY
LONG FIVE YEAR ROAD TO GET
218
00:11:34,568 --> 00:11:35,277
THERE.
219
00:11:35,361 --> 00:11:35,903
>> James: NOW YOU DESCRIBED
THE--
220
00:11:35,986 --> 00:11:37,947
(LAUGHTER)
GOOD CATCH, BOB.
221
00:11:38,030 --> 00:11:42,118
NOW I'M JEALOUS OF BOTH OF YOU
RIGHT NOW BECAUSE I HAVE SPENT
222
00:11:42,201 --> 00:11:45,413
MOST OF MY LIFE WANTING TO BE
WEIGHTLESS.
223
00:11:45,496 --> 00:11:49,792
AND YOU ARE NOW IN ZERO-- TELL
ME, WHAT IS THE BEST AND WORST
224
00:11:49,875 --> 00:11:53,587
THINGS ABOUT LIVING LIFE IN ZERO
GRAVITY EVERY DAY.
225
00:11:53,671 --> 00:11:57,842
>> YOU KNOW, DOUG AND I TALKED
QUITE A BIT ABOUT THAT, SOME OF
226
00:11:57,925 --> 00:12:03,097
THE THINGS PEOPLE MIGHT ASK US
ABOUT AND LIVING IN ZERO GRAVITY
227
00:12:03,180 --> 00:12:06,308
PROBABLY THE MOST FRUSTRATING
THING, ONE OF THE THINGS YOU
228
00:12:06,392 --> 00:12:09,311
TAKE FOR GRANTED IS IF YOU PUT
SOMETHING DOWN, AT LEAST IF
229
00:12:09,395 --> 00:12:11,021
NOBODY MOVES IT IT WILL BE THERE
WHEN YOU GET BACK.
230
00:12:11,105 --> 00:12:14,650
HERE IN SPACE YOU HAVE TO GO
THROUGH SOME EXTRA EFFORT TO
231
00:12:14,733 --> 00:12:16,777
MAKE SURE THINGS STAY WHERE YOU
PUT THEM.
232
00:12:16,861 --> 00:12:20,781
AS YOU CAN SEE, WE'VE GOT THE
TRIMMER ON A LITTLE CORD, SO IT
233
00:12:20,865 --> 00:12:21,991
DOESN'T GET AWAY FROM US.
234
00:12:22,074 --> 00:12:26,662
AND YOU CAN IMAGINE THAT THERE
IS A LOT OF PLACES WHERE LIKE
235
00:12:26,745 --> 00:12:28,831
GOING TO THE REST ROOM, FOR
EXAMPLE, WHERE YOU LIKE STUFF TO
236
00:12:28,914 --> 00:12:30,833
STAY WHERE YOU PUT IT.
237
00:12:30,916 --> 00:12:33,878
AND SO WE DEFINITELY FIND THAT
FRUSTRATING AT TIMES.
238
00:12:33,961 --> 00:12:36,046
>> James: WHAT HAVE YOU GOT
HERE, IS THIS JUST A LITTLE
239
00:12:36,130 --> 00:12:37,548
SNACK?
240
00:12:37,631 --> 00:12:42,970
OH, LOOK AT THIS.
241
00:12:43,053 --> 00:12:45,848
(LAUGHTER)
THAT IS MAGNIFICENT.
242
00:12:45,931 --> 00:12:51,687
OH, I'M SO, THE ENTIRE THING IS
MIND BLOWING TO ME.
243
00:12:51,770 --> 00:12:55,691
NOW CAN WE TALK ABOUT YOUR
RETURN TO EARTH FOR A MOMENTS.
244
00:12:55,774 --> 00:12:59,862
HOW ARE YOU GOING TO REENTER THE
EARTH'S ATMOSPHERE WHEN YOU KOSM
245
00:12:59,945 --> 00:13:01,030
BACK?
246
00:13:01,113 --> 00:13:06,076
>> WELL, IT IS A SIMILAR PROCESS
FOR ALL SPACE VEHICLES.
247
00:13:06,160 --> 00:13:10,873
YOU ARE AT A SPEED RIGHT NOW
ABOUT 17,500 AN HOUR AND YOU
248
00:13:10,956 --> 00:13:15,044
HAVE TO SLOW DOWN TO LESS THAN
30 MILES AN HOUR BEFORE WE
249
00:13:15,127 --> 00:13:16,921
SPLASH DOWN IN THE WATER.
250
00:13:17,004 --> 00:13:20,257
SO IT'S A COMBINATION OF
ENTERING THE EARTH'S ATMOSPHERE
251
00:13:20,341 --> 00:13:23,761
WITH A HEAT SHIELD THAT PROTECTS
US FROM THE BUILDUP OF HEAT AS
252
00:13:23,844 --> 00:13:26,889
WE GO THROUGH THE EARTH'S PLASMA
AS WE REENTER.
253
00:13:26,972 --> 00:13:31,310
AND AS WE REENTER WE ALSO SLOW
DOWN SIGNIFICANTLY.
254
00:13:31,393 --> 00:13:34,730
THEN WE WILL SLOW DOWN A LITTLE
BIT MORE ONCE OUR DROVE CHUTES
255
00:13:34,813 --> 00:13:38,567
COME OUT, A SERIES OF CHUTES
THAT COME OUT, TWO DROVE CHUTES
256
00:13:38,651 --> 00:13:42,863
THAT WILL COME OUT FIRST AND
THEN FOUR MAIN PARACHUTES AND
257
00:13:42,947 --> 00:13:46,784
IDEALLY WE'LL SPLASH DOWN
SOMEWHERE OFF THE EAST COAST OF
258
00:13:46,867 --> 00:13:49,453
FLORIDA IS OUR PRIME LANDING
SITE.
259
00:13:49,537 --> 00:13:54,750
A LITTLE OVER ABOUT AN HOUR
AFTER WE FIRE OUR ENGINES TO
260
00:13:54,833 --> 00:13:56,544
START THAT BURN TO REENTER.
261
00:13:56,627 --> 00:14:00,756
>> James: NOW THAT'S ALL VERY
TECHNICAL BUT JUST TO PUT IT IN
262
00:14:00,839 --> 00:14:03,133
LAYMAN'S TERMS YOU ARE
ESSENTIALLY IN A BOX WITH
263
00:14:03,217 --> 00:14:04,176
PARACHUTES ATTACHED TO IT.
264
00:14:04,260 --> 00:14:07,221
YOU ARE JUST GOING TO FALL
THROUGH THE SKY, RIGHT.
265
00:14:07,304 --> 00:14:11,892
I MEAN THIS IS UTTERLY
TERRIFYING TO ME.
266
00:14:11,976 --> 00:14:15,104
LIKE ARE YOU WORRIED ABOUT, ARE
YOU GOING TO PRESUMABLY DO YOU
267
00:14:15,187 --> 00:14:18,691
LIKE THROW UP THIS WHEN YOU ARE
IN THERE.
268
00:14:18,774 --> 00:14:19,817
>> YEAH, GREAT QUESTION.
269
00:14:19,900 --> 00:14:22,987
I DON'T THINK WE'LL HAVE TO
WORRY ABOUT TOO MUCH OF THAT
270
00:14:23,070 --> 00:14:24,113
WHILE WE'RE REENTERING.
271
00:14:24,196 --> 00:14:29,076
I THINK WHAT WE ARE MORE
CONCERNED ABOUT FROM THE THROWUP
272
00:14:29,159 --> 00:14:33,581
STANDPOINT IS ONCE WE ARE IN THE
WATER FOR A LITTLE WHILE.
273
00:14:33,664 --> 00:14:37,585
ONE EFFECT OF BEING IN SPACE
ESPECIALLY FOR US NOW BEING IN
274
00:14:37,668 --> 00:14:41,130
SPACE, BY THE TIME WE COME BACK
LIKELY A COUPLE OF MONTHS IS YOU
275
00:14:41,213 --> 00:14:45,801
ARE VERY CONCERNED TO
MICROGRAVITY AND ARE YOU NOT SO
276
00:14:45,884 --> 00:14:47,386
CONDITIONED TO GRAVITY.
277
00:14:47,469 --> 00:14:50,764
AND THEN YOUR VEST TIB LAR
SYSTEM, YOUR INNER EARS PLAY
278
00:14:50,848 --> 00:14:53,934
TRICKS WITH YOU, SO IT IS A LOT
LIKE, AS YOU CAN J MA, EVEN IF
279
00:14:54,018 --> 00:14:57,104
YOU DECIDED TO GO DEEP SEA
FISHING ONE DAY AND YOU LIVED ON
280
00:14:57,187 --> 00:15:00,899
EARTH YOUR WHOLE LIFE AND GOING
OUT FISHING AND PEOPLE GET SEA
281
00:15:00,983 --> 00:15:04,111
SICK, WE ARE GOING TO DID IT
FROM SPACE AND END UP IN THE
282
00:15:04,194 --> 00:15:08,157
WATER, SO THERE IS A PRETTY GOOD
LIKELIHOOD THAT WE MAY SEE
283
00:15:08,240 --> 00:15:09,283
BREAKFAST ON THAT PARTICULAR
DAY.
284
00:15:09,366 --> 00:15:13,287
>> NOW IT'S SUCH A DIFFICULT
TIME HERE, THERE IS SO MUCH
285
00:15:13,370 --> 00:15:17,791
DIVISION, NOT JUST IN AMERICA,
ACROSS THE WHOLE WORLD.
286
00:15:17,875 --> 00:15:22,838
THE ENTIRE PLANET FEELS DIVIDED,
SO MANY COUNTRIES FEEL DIVIDED.
287
00:15:22,921 --> 00:15:25,174
WHEN YOU LOOK BACK AT PLANET
EARTH WHAT DO YOU SEE AND WHAT
288
00:15:25,257 --> 00:15:26,342
DO YOU FEEL.
289
00:15:26,425 --> 00:15:31,847
AND DO YOU HAVE ANY WORDS OF
ENCOURAGEMENT FOR US HUMBLE
290
00:15:31,930 --> 00:15:32,389
EARTHLINGS?
291
00:15:32,473 --> 00:15:33,599
WHO ARE HERE RIGHT NOW?
292
00:15:33,682 --> 00:15:38,812
>> I THINK WE'RE TRYING TO BE
HUMBLE SPACE FOLKS AS WELL UP
293
00:15:38,896 --> 00:15:40,022
HERE.
294
00:15:40,105 --> 00:15:42,316
I THINK THAT DOUG REFERRED TO IT
A LITTLE BIT EARLIER WHEN HE
295
00:15:42,399 --> 00:15:45,986
TALKED ABOUT THE TIME WE SPENT
OUT IN CALIFORNIA, BUILDING A
296
00:15:46,070 --> 00:15:48,364
PARTNERSHIP AND A RELATIONSHIP
WITH THE TEAM OF SPACEX
297
00:15:48,447 --> 00:15:51,533
ENGINEERS THAT WAS GOING TO
BUILD THE SPACE CRAFT THAT OUR
298
00:15:51,617 --> 00:15:54,203
LIVES WERE GOING TO DEPEND ON
ALL THE WAY INTO ORBIT AND TO
299
00:15:54,286 --> 00:16:00,042
BRING US HOME SEACHLY.
300
00:16:00,125 --> 00:16:01,335
WE-- SAFELY.
301
00:16:01,418 --> 00:16:02,711
REREALLY RECOGNIZE THE VALUE OF
WORKING TOGETHER, CREATING SOME
302
00:16:02,795 --> 00:16:05,547
SORT OF COMMON UNDERSTANDING AN
COOPERATION.
303
00:16:05,631 --> 00:16:09,843
WE HAVE COSMO NAUGHT CREW MATES
THAT WE WORK WITH ON A ROUTINE
304
00:16:09,927 --> 00:16:13,389
BASIS DURING THE SPACE WALK,
THAT WILL PERFORM LATER THIS ECK
305
00:16:13,472 --> 00:16:14,556
WOULD.
306
00:16:14,640 --> 00:16:18,894
WE'LL ACTUALLY HAVE A COSMO
NAUGHT HELPING US GET SUITED UP
307
00:16:18,977 --> 00:16:21,188
AND OUT THE DOOR MAKING SURE
EVERYTHING IS CLOSED UP FOR US.
308
00:16:21,271 --> 00:16:23,190
I THINK THAT IS THE MESSAGE WE
WOULD LIKE TO SHARE WITH ALL THE
309
00:16:23,273 --> 00:16:27,736
FOLKS STILL BACK ON EARTH IS
THAT OUR SUCCESS DEPENDS ON
310
00:16:27,820 --> 00:16:31,532
COOPERATION AND UNDERSTANDING
AND YOU KNOW RESPECT FOR THE
311
00:16:31,615 --> 00:16:35,536
OTHER FOLKS THAT ARE DOING THEIR
JOBS TO HELP US COME BACK SAFELY
312
00:16:35,619 --> 00:16:39,081
OR EXECUTE A SPACE WALK SAFELY
AND THAT'S WHAT IT IS GOING TO
313
00:16:39,164 --> 00:16:41,083
TAKE TO GET THROUGH THESE
CHALLENGING TIMES BACK ON EARTH,
314
00:16:41,166 --> 00:16:45,713
WHETHER ST THE PANDEMIC OR SOME
OF THE OTHER STRIFE THAT IS
315
00:16:45,796 --> 00:16:46,964
GOING ON.
316
00:16:47,047 --> 00:16:50,426
THAT UNDERSTANDING AND THAT
COOPERATION AND THAT NEED AND
317
00:16:50,509 --> 00:16:53,887
EFFORT THAT GOES IN TO WHAT IS
REQUIRED TO JUST WORK TOGETHER
318
00:16:53,971 --> 00:16:58,767
TO PULL OFF THIS THING
SUCCESSFULLY IS WHAT WE WILL
319
00:16:58,851 --> 00:17:00,936
HAVE TO DO BACK ON EARTH AS
WELL.
320
00:17:01,019 --> 00:17:05,149
AND HOPEFULLY WE CAN BE AN
EXAMPLE OF THAT AND ONE WITH OUR
321
00:17:05,232 --> 00:17:10,446
PARTNERS OR COSMO NAUGHT FRIENDS
IS A GREAT DEMONSTRATION FOR
322
00:17:10,529 --> 00:17:11,363
FOLKS AROUND THE WORLD.
323
00:17:11,447 --> 00:17:12,948
>> James: WELL, THAT IS A
LOVELY MESSAGE.
324
00:17:13,031 --> 00:17:14,241
THANK YOU SO MUCH.
325
00:17:14,324 --> 00:17:18,287
WE WISH YOU THE VERY, VERY BEST,
WE ARE HOPING FOR A SAFE RETURN
326
00:17:18,370 --> 00:17:19,455
TO EARTH.
327
00:17:19,538 --> 00:17:23,792
AND THANK YOU SO MUCH BOB
BEHNKEN AND DOUG HURLEY, NASA
328
00:17:23,876 --> 00:17:26,420
AND SPACEX FOR TALKING THE TIME
TO TALK TO US TODAY.
329
00:17:26,503 --> 00:17:29,173
WE REALLY, REALLY APPRECIATE IT.
330
00:17:29,256 --> 00:17:32,217
STAY SAFE UP THERE, FELLOWS,
WE'LL BE RIGHT BACK WITH MORE OF
331
00:17:32,301 --> 00:17:38,807
THE "LATE, LATE SHOW" RIGHT
AFTER THIS.
332
00:17:38,891 --> 00:17:40,893
♪ SNOATD.
333
00:17:57,409 --> 00:17:59,328
>> James: WELCOME BACK, OUR
NEXT GUEST IS AN ACADEMY
334
00:17:59,411 --> 00:18:03,165
AWARD-WINNING ACTOR YOU KNOW
FROM GLADIATOR, LA CONFIDENTIAL,
335
00:18:03,248 --> 00:18:07,169
A BEAUTIFUL MIND AND SO AMERICAN
MANY MORE INCREDIBLE FILM, WHAT
336
00:18:07,252 --> 00:18:10,714
A THRILL TO HAVE THE LEGENDARY
RUSSELL CROWE JOIN US TONIGHT,
337
00:18:10,798 --> 00:18:12,299
HOW ARE YOU, RUSSELL, ARE YOU
WELL.
338
00:18:12,382 --> 00:18:15,636
>> I'M PRETTY GOOD, MAN, HOW ARE
YOU DOING YOURSELF.
339
00:18:15,719 --> 00:18:19,139
>> James: I'M GOOD, WHAT IS
THIS, HAVE YOU BUILT THIS FOR
340
00:18:19,223 --> 00:18:20,641
US, THE DISCO BALL.
341
00:18:20,724 --> 00:18:22,351
>> THE PIR ROHR BALL, WHERE IS
IT.
342
00:18:22,434 --> 00:18:23,310
>> James: THERE.
343
00:18:23,393 --> 00:18:26,563
>> THE MIRROR BALL, I LIGHT THIS
WHEREVER I GO.
344
00:18:26,647 --> 00:18:29,817
>> James: ALWAYS HAVE A MIRROR
BALL, YES, I HEARD THAT ABOUT
345
00:18:29,900 --> 00:18:35,280
YOU, A BIG PIR ROHR BALL GUY.
346
00:18:35,364 --> 00:18:38,325
YOU ARE FIRST THING IN THE
MORCHG FOR YOU, ARE YOU IN
347
00:18:38,408 --> 00:18:39,535
AUSTRALIA.
348
00:18:39,618 --> 00:18:45,040
>> THAT'S RIGHT, I'M IN THE BUSH
ACTUALLY, INLAND IN THE AURORA
349
00:18:45,124 --> 00:18:48,043
VALLEY, JUST OUTSIDE THE DOOR
THERE IS GIGANTIC BIG TREES AND
350
00:18:48,126 --> 00:18:49,211
WHAT HAVE YOU.
351
00:18:49,294 --> 00:18:54,383
>> James: AND HOW IS SOMEONE
COPE DURING THIS PANDEMIC, I
352
00:18:54,466 --> 00:18:56,218
DON'T KNOW WHY BUT I FEEL LIKE
YOU WOULD BE PRETTY GOOD DURING
353
00:18:56,301 --> 00:18:59,346
THIS TIME OF LOCKDOWN, WOULD
THAT BE RIGHT?
354
00:18:59,429 --> 00:19:03,392
>> WELL, YOU KNOW, MAN, I THINK
THE REALITY IS I HAVE BEEN
355
00:19:03,475 --> 00:19:07,020
PRACTICING SELF-ISOLATION ON AN
OFF FOR THE PAST 30 YEARS.
356
00:19:07,104 --> 00:19:08,021
>> James: RIGHT.
357
00:19:08,105 --> 00:19:09,439
>> TURNS OUT I'M RATHER GOOD AT
IT, YOU KNOW.
358
00:19:09,523 --> 00:19:16,947
SO THIS PERIOD WHERE I'M IN THE
SAME PLACE FOR LONG UNEXPECTED
359
00:19:17,030 --> 00:19:19,408
TIME HAS BEEN VERY POSITIVE FOR
ME, HAVE I BEEN VERY PROACTIVE
360
00:19:19,491 --> 00:19:24,413
AND VERY CREATIVE BUT I'VE ALSO
BEEN GETTING MY FARMER ON.
361
00:19:24,496 --> 00:19:26,415
>> James: SO TELL ME.
362
00:19:26,498 --> 00:19:27,374
>> GETTING BACK INTO THE FIELDS,
YOU KNOW.
363
00:19:27,457 --> 00:19:30,752
>> James: WHAT HAVE YOU BEEN
DOING?
364
00:19:30,836 --> 00:19:33,964
>> WELL, JUST YOU KNOW WITH THE
PERIOD MUCH TIME YOU START TO
365
00:19:34,047 --> 00:19:37,426
LOOK AROUND AND SEE THE THINGS
THAT NEED A LITTLE BIT OF HELP
366
00:19:37,509 --> 00:19:40,637
AND OBVIOUS THREE THERE ARE
PEOPLE THAT WORK ON THE FARM AND
367
00:19:40,721 --> 00:19:46,935
STUFF BUT BEING ABLE TO SORT OF
IDENTITY AREAS THAT HAVE BEEN
368
00:19:47,019 --> 00:19:49,563
OVERGRAIZ AND GETTING INTO THEM
AND RIPPING THEM UP AND
369
00:19:49,646 --> 00:19:51,481
FERTILIZING THEM AND THEN
FEEDING THEM AND WITH THE CYCLE
370
00:19:51,565 --> 00:19:56,653
OF TIME WATCHING THAT GRASS, THE
NEW GRASS COME UP.
371
00:19:56,737 --> 00:20:00,574
IT'S BEEN VERY SATISFYING,
ACTUALLY, BUT YOU KNOW, I'M JUST
372
00:20:00,657 --> 00:20:04,786
AS BUSY AS I WOULD NORMALLY BE.
373
00:20:04,870 --> 00:20:07,581
PEOPLE STILL HAVE ACCESS TO ME
ON THE PHONE, AND BY COMPUTER
374
00:20:07,664 --> 00:20:10,792
AND STUFF, JUST SO HAPPENS I GET
TO DO IT AT HOME.
375
00:20:10,876 --> 00:20:13,795
AND I HAVEN'T BEEN AT HOME FOR
THIS LONG SINCE I GOT MARRIED
376
00:20:13,879 --> 00:20:16,298
AND HAD KIDS AND I HAVE A 15
YEAR OLD SON.
377
00:20:16,381 --> 00:20:17,466
>> James: AND HOW ARE THEY
COPING.
378
00:20:17,549 --> 00:20:18,508
>> THEY ARE GOOD.
379
00:20:18,592 --> 00:20:21,511
RIGHT AT THE BEGINNING OF THIS
WE HAD A BIG SERIOUS
380
00:20:21,595 --> 00:20:23,513
CONVERSATIONS ABOUT ISOLATION
AND EVERYTHING.
381
00:20:23,597 --> 00:20:27,976
AND I EXPLAINED TO THEM THAT I
REALLY SHOULD BE IN THE BUSH
382
00:20:28,060 --> 00:20:31,855
BECAUSE MY PARENTS ARE HERE AND
THEY ARE OLDER NOW, MY DAD IS 84
383
00:20:31,939 --> 00:20:33,482
AND MUM IS 79.
384
00:20:33,565 --> 00:20:36,151
AND THEY ARE SUFFERING FROM THE
SAME SORT OF THINGS THAT PEOPLE
385
00:20:36,234 --> 00:20:40,822
OF TAIR AGE SUFFER FROM, A
LITTLE EARLY ON SET THIS AND
386
00:20:40,906 --> 00:20:43,492
THAT, YOU KNOW, SO I NEEDED TO
BE WHERE THEY WERE, IT WAS
387
00:20:43,575 --> 00:20:45,827
PANICKING THEM, ONE OF THE
THINGS THAT THEY RELY ON IS
388
00:20:45,911 --> 00:20:47,245
THEIR WEEKLY SCHEDULE.
389
00:20:47,329 --> 00:20:49,498
THEY GO TO SEE SUCH AN SUCH ON
WEDNESDAY AND THEN THAT ALL HAD
390
00:20:49,581 --> 00:20:52,376
TO CHANGE BECAUSE OF THE
LOCKDOWN.
391
00:20:52,459 --> 00:20:55,462
YOU KNOW, AND SO YOU KNOW,
OBVIOUSLY THIS IS THE PERFECT
392
00:20:55,545 --> 00:20:58,507
SORT OF PLACE, ARE YOU IN THE
BUSH, ST ALREADY ISOLATED.
393
00:20:58,590 --> 00:21:01,510
IT IS SET UP FOR A LOT OF
PEOPLE, THERE ARE LOTS OF COOL
394
00:21:01,593 --> 00:21:02,803
THINGS HERE.
395
00:21:02,886 --> 00:21:05,347
I JUST ASSUME THAT MY KIDS WOULD
BE LIKE RIGHT THERE, WE'RE THERE
396
00:21:05,430 --> 00:21:09,142
WITH YOU, WE'RE GOING TO GO TO
THE BUSH BECAUSE THAT IS THE
397
00:21:09,226 --> 00:21:10,310
PLACE TO BE.
398
00:21:10,394 --> 00:21:15,190
AND THEY ACTUALLY CHOSE TO STAY
IN THE CITY IN THE DENSEST
399
00:21:15,273 --> 00:21:18,527
POPULATION IN AN AREA SURROUNDED
BY THE AREAS THAT WERE HAVING
400
00:21:18,610 --> 00:21:20,862
THE MOST INFECTIONS.
401
00:21:20,946 --> 00:21:23,490
AND I'M LIKE BOY, I DON'T GET
IT.
402
00:21:23,573 --> 00:21:27,869
I DON'T UNDERSTAND WHY YOU ARE
CHOOSING TO STAY IN THE CITY.
403
00:21:27,953 --> 00:21:30,372
AND THEIR ANSWER WAS UBER EATS.
404
00:21:30,455 --> 00:21:31,248
>> James: NO.
405
00:21:31,331 --> 00:21:35,544
>> YOU CAN'T GET UBER EATS IN
THE BUSH.
406
00:21:35,627 --> 00:21:37,379
>> James: WOW.
407
00:21:37,462 --> 00:21:41,508
>> MY ENTIRE RESPONSIBILITY AS
THEIR PATRIARCH AND FATHER WAS
408
00:21:41,591 --> 00:21:43,385
GIVEN UP IN FAVOR OF UBER EATS.
409
00:21:43,468 --> 00:21:45,512
>> James: GONE.
410
00:21:45,595 --> 00:21:50,183
NOW I WANT TO TALK TO YOU ABOUT
GLADIATOR T IS 20 YEARS, 20
411
00:21:50,267 --> 00:21:52,728
YEARS SINCE GLADIATOR WAS
RELEASED.
412
00:21:52,811 --> 00:21:54,730
AND I DON'T KNOW HEN THE LAST
TIME YOU WATCHED THAT MOVE
413
00:21:54,813 --> 00:21:55,480
C.E.O. WAS.
414
00:21:55,564 --> 00:21:57,566
BUT I WATCHED IT FAIRLY
RECENTLY.
415
00:21:57,649 --> 00:22:03,447
AND THAT FILM HOLDS UP AS WELL
AS ANY FILM ON A 20 YEAR, YOU
416
00:22:03,530 --> 00:22:05,741
KNOW, WATCHING IT 20 YEARS AFTER
IT CAME OUT.
417
00:22:05,824 --> 00:22:09,244
AND I THINK IT WILL CONTINUE TO
HOLD UP FOREVER.
418
00:22:09,327 --> 00:22:11,413
I WANT TO KNOW, DID YOU KNOW
WHEN YOU WERE MAKING IT THIS IT
419
00:22:11,496 --> 00:22:15,751
WOULD BE SO ICONIC.
420
00:22:15,834 --> 00:22:20,422
>> WELL, LISTEN, MAN, WE MADE
THAT MOVIE, AND WE WERE UNDER AN
421
00:22:20,505 --> 00:22:21,590
EXTRAORDINARY AMOUNT OF
PRESSURE, PARTICULARLY RIVER
422
00:22:21,673 --> 00:22:24,593
SCOTT T WAS A BIG BUDGET, I
BELIEVE IT WAS LIKE $103
423
00:22:24,676 --> 00:22:25,761
MILLION.
424
00:22:25,844 --> 00:22:30,599
AND YOU KNOW T WAS KIND OF
RIDICULED AS AN IDEA BECAUSE IT
425
00:22:30,682 --> 00:22:35,771
WAS A SWORD AND SANDAL PIQUE AND
THEY WERE, THEY HAD GONE WAY OUT
426
00:22:35,854 --> 00:22:36,772
OF FAVOR OR WHATEVER, YOU KNOW.
427
00:22:36,855 --> 00:22:39,775
AND QUITE FRANKLY AT THE
BEGINNING OF THE PIECE, WE
428
00:22:39,858 --> 00:22:41,568
DIDN'T KNOW WHAT WE WERE WERE
GOING TO DO.
429
00:22:41,651 --> 00:22:46,615
WE WERE MISSING ONE REALLY,
REALLY IMPORTANT PART OF THE
430
00:22:46,698 --> 00:22:47,783
FILM MAKING PROCESS.
431
00:22:47,866 --> 00:22:50,744
AND THAT IS THE COMPLETED
SCRIPT.
432
00:22:50,827 --> 00:22:51,620
YOU KNOW.
433
00:22:51,703 --> 00:22:56,666
BUT EVERYBODY IN THAT CAST WERE
INTO IT.
434
00:22:56,750 --> 00:22:58,126
AND THAT HAD TO HAPPEN.
435
00:22:58,210 --> 00:23:01,296
RICHARD HARRIS TOOK IT
SERIOUSLY, OLIVER REED TOOK IT
436
00:23:01,379 --> 00:23:02,380
SERIOUSLY.
437
00:23:02,464 --> 00:23:06,635
YOU HAVE DAVID HEMMINGS IN
THERE, AND SARAH JACOBY AND
438
00:23:06,718 --> 00:23:10,680
TOMMEE FLANAGAN, AND ALL JUST
TBIEG INTO AND CONNIE NIELSEN
439
00:23:10,764 --> 00:23:15,811
WITH A CAREER BEST, WHAT QUEEN
PHOENIX BEING THE BEST BAD GUY.
440
00:23:15,894 --> 00:23:17,062
>> James: EVER.
441
00:23:17,145 --> 00:23:18,271
>> YOU KNOW WHAT I MEAN.
442
00:23:18,355 --> 00:23:22,275
AND SO THE THING IS WE WERE ALL
THE SAME WAY, WE HAD KIND OF
443
00:23:22,359 --> 00:23:25,612
COME TO IT AND GO REALLY, AM I
GOING TO DO THIS?
444
00:23:25,695 --> 00:23:31,326
I THINK WATCHING IT LIVE MADE ME
REALLY LAUGH WAS LIKE HE WAS
445
00:23:31,409 --> 00:23:38,333
DRESSED AS THE EM PER ROHR AND
HE SAID RIDLEY, I'M A KID FROM
446
00:23:38,416 --> 00:23:38,959
FLORIDA.
447
00:23:39,042 --> 00:23:39,626
WHAT DO YOU EXPECT ME TO DO.
448
00:23:39,709 --> 00:23:43,338
GO OUT THERE AND WAVE?
449
00:23:43,421 --> 00:23:45,132
IT MADE ME REALLY LAUGH.
450
00:23:45,215 --> 00:23:46,299
WE WERE ALL IN THAT BOAT.
451
00:23:46,383 --> 00:23:50,303
AND WE ALL KIND OF JUST MADE,
YOU KNOW, DREAMING TOGETHER,
452
00:23:50,387 --> 00:23:52,556
WE'RE GOING TO BUY INTO THIS
100%.
453
00:23:52,639 --> 00:23:55,976
NOBODY IS GOING TO BE WINKING AT
THE CAMERA SAYING LOOK AT MY
454
00:23:56,059 --> 00:23:57,144
SILLY COSTUME.
455
00:23:57,227 --> 00:24:00,188
AND FUNNILY ENOUGH BECAUSE OF
THAT SINCERITY AND THERE IS
456
00:24:00,272 --> 00:24:02,524
ALMOST LIKE A, YOU KNOW, FOR
WANT OF A BETTER EXPRESSION
457
00:24:02,607 --> 00:24:06,903
THERE IS A SPIRITUAL ASPECT OF
THAT FILM THAT IS REALLY
458
00:24:06,987 --> 00:24:08,155
UPLIFTING.
459
00:24:08,238 --> 00:24:10,198
EVEN THOUGH IT ENDS IN A DEATH,
SORRY FOR THOSE OUT THERE WHO
460
00:24:10,282 --> 00:24:11,032
HAVE NEVER SEEN IT.
461
00:24:11,116 --> 00:24:12,993
>> James: SPOILER ALERT.
462
00:24:13,076 --> 00:24:14,244
>> SPOILER.
463
00:24:14,327 --> 00:24:17,330
YEAH, YOU KNOW, AND IT IS FUNNY
BECAUSE YOU WORK ON A LOT OF
464
00:24:17,414 --> 00:24:19,666
FILMS AND FILMS CAN BE HARD AND
DIFFICULT BUT THERE WAS
465
00:24:19,749 --> 00:24:22,544
DEFINITELY SOMETHING ABOUT THAT
FILM BY THE END OF IT.
466
00:24:22,627 --> 00:24:25,714
WOULD I HAVE EVER PREDICTED THAT
IT WOULD MAKE THAT MUCH MONEY,
467
00:24:25,797 --> 00:24:30,385
THAT IT WOULD BE THE BEST FILM
OF THE YEAR THAT YEAR AND GET
468
00:24:30,468 --> 00:24:34,222
THE OSCAR, WOULD 20 YEARS LATER
WE BE STILL DISCUSSING IT AN
469
00:24:34,306 --> 00:24:36,725
THEY'RE HAVING ANNIVERSARY
CELEBRATIONS FOR IT, NO, THERE
470
00:24:36,808 --> 00:24:39,060
IS NO WAY I WOULD HAVE KNOWN
THAT.
471
00:24:39,144 --> 00:24:43,190
BUT WHEN I GOT HOME FROM DOING
THAT FILM, MY MUM JUST ASKED ME
472
00:24:43,273 --> 00:24:47,277
HOW I FELT, YOU KNOW, AND I
ACTUALLY SAID, YOU KNOW, CUZ I
473
00:24:47,360 --> 00:24:51,531
WAS 35 AT THE TIME, I SAID I
FEEL LIKE A FOOTBALL PLAYER WHO
474
00:24:51,615 --> 00:24:52,699
PLAYED ONE SEASON TOO MANY.
475
00:24:52,782 --> 00:24:53,074
>> James: RIGHT.
476
00:24:53,158 --> 00:24:53,992
>> YOU KNOW.
477
00:24:54,075 --> 00:24:57,621
THAT FILM JUST TOOK IT OUT OF
ME, YOU KNOW.
478
00:24:57,704 --> 00:25:00,874
>> James: I FEEL LIKE THAT BUT
I
479
00:25:00,957 --> 00:25:03,585
I HAVE NEVER SHOT GLADIATOR SO I
DON'T KNOW WHERE I'M GOING WRONG
480
00:25:03,668 --> 00:25:04,252
HERE.
481
00:25:04,336 --> 00:25:06,254
NOW LET'S TALK ABOUT UNHINGED.
482
00:25:06,338 --> 00:25:07,547
THIS IS YOUR NEW MOVIE.
483
00:25:07,631 --> 00:25:11,885
AND THIS, YOU HAVE REALLY, WHAT
I LOVE ABOUT YOUR CAREER IS YOU
484
00:25:11,968 --> 00:25:17,349
ARE NEVER, EVER AFRAID TO SORT
OF LIFT UP A ROCK AND GO TO THE
485
00:25:17,432 --> 00:25:18,767
DARKER PLACES IN CHARACTERS.
486
00:25:18,850 --> 00:25:25,440
AND THIS IS REALLY A AMONGST
KIND OF PROBABLY, THE MOST
487
00:25:25,523 --> 00:25:26,608
UNHINGED CHARACTER YOU PLAYED.
488
00:25:26,691 --> 00:25:28,777
FOR ANYONE WHO DOESN'T KNOW,
WHAT IS THE FILM ABOUT AND DID
489
00:25:28,860 --> 00:25:32,906
YOU EVER HESITATE WHEN YOU
THOUGHT ABOUT TAKING THIS ROLE.
490
00:25:32,989 --> 00:25:39,120
>> WELL, THE FILM REALLY IS A
COMMON PLACE MOMENT THAT
491
00:25:39,204 --> 00:25:45,585
HAPPENS, MOST PLACES IN MOST
DAYS, YOU KNOW, WHERE THERE IS A
492
00:25:45,669 --> 00:25:47,462
LITTLE COMPENSATION BETWEEN
DRIVERS AND THIS PARTICULAR ONE
493
00:25:47,545 --> 00:25:51,299
IS JUST A MAN WHO IS SPENDING A
LITTLE TOO LONG AT A STOP LIGHT.
494
00:25:51,383 --> 00:25:55,303
AND A YOUNG WOMAN WHO IS HAVING
SORT OF AN IRRITATING AND
495
00:25:55,387 --> 00:25:58,306
CHALLENGING DAY HERSELF,
EXCHANGES WORDS WITH HIM.
496
00:25:58,390 --> 00:26:05,689
BUT THOSE WORDS JUST SET THAT
MAN OFF INTO A PATH OF DRUKS.
497
00:26:05,772 --> 00:26:12,153
IT'S A VERY CONFRONTING MOVIE
AND YOU KNOW, YOU TALKED ABOUT
498
00:26:12,237 --> 00:26:17,784
THE CHARACTER AND CONFRONTING
FOR ME IS-- THERE IS NO WAY TO
499
00:26:17,867 --> 00:26:18,994
INJECT HUMANITY INTO THIS
PERSON.
500
00:26:19,077 --> 00:26:21,830
SO IT IS LIKE A LOT OF THE TIMES
YOU ARE PLAYING A BAD GUY AND
501
00:26:21,913 --> 00:26:28,628
YOU CAN, YOU KNOW, USE THE
MOMENT FOR A LITTLE BIT OF HUMOR
502
00:26:28,712 --> 00:26:31,006
AND GIVE THE AUDIENCE A LITTLE
BIT OF RELIEF, YOU KNOW, THERE
503
00:26:31,089 --> 00:26:34,843
IS NO DOING THAT WITH THIS GUY
BECAUSE THERE IS NO JUSTIFYING
504
00:26:34,926 --> 00:26:36,761
ANYTHING THAT HE DOES, YOU KNOW.
505
00:26:36,845 --> 00:26:44,185
BUT WE'RE SEEING THAT TYPE OF
OUTPOURING OVER AND OVER AGAIN,
506
00:26:44,269 --> 00:26:47,689
WITH THESE MASS SHOOTINGS OR
WHATEVERFUL PEOPLE REACH A POINT
507
00:26:47,772 --> 00:26:50,567
IN THEIR LIVES WHERE THEY BECOME
COMPLETELY DE VOID OF HUMANITY
508
00:26:50,650 --> 00:26:55,322
AND THEY ACT THAT OUT, YOU KNOW.
509
00:26:55,405 --> 00:27:01,870
SO FUNNILY FUN-- FUNILY ENOUGH,
THE ENERGY ON THAT SET EVEN THEY
510
00:27:01,953 --> 00:27:05,040
WE WERE DEALING WITH DESTRUCTION
AND MAYHEM ON A DAILY BASES AND
511
00:27:05,123 --> 00:27:09,878
WE CRACKED SO MANY CARS, WITH AN
INCREDIBLY CREW STUNT CREW AND
512
00:27:09,961 --> 00:27:16,593
MAKEUP AND EVERYTHING, IT WAS
ONE OF THE MOST RELAXED VIBES WE
513
00:27:16,676 --> 00:27:17,886
EXPERIENCED.
514
00:27:17,969 --> 00:27:20,597
AND EVERYBODY, THAT FUNNY THING,
YOU GET INTO PROFESSIONAL SPEAK,
515
00:27:20,680 --> 00:27:24,351
SO WHAT REWITH DOING TODAY,
TODAY IS THE DAY WE CRASH THE
516
00:27:24,434 --> 00:27:25,185
CAR WITH THE TRUCK.
517
00:27:25,268 --> 00:27:26,895
>> OF COURSE, OF COURSE WE DO.
518
00:27:26,978 --> 00:27:31,566
>> WELL, YOUR PERFORMANCE IS
BRILLIANT AND THE FILM I DON'T
519
00:27:31,649 --> 00:27:35,236
WANT TO TELL ANYBODY, THE FILM
IS REALLY, REALLY WORTH WATCHING
520
00:27:35,320 --> 00:27:38,031
AND YOUR PERFORMANCE AS I SAY,
IS ASTONISHING.
521
00:27:38,114 --> 00:27:42,702
LET'S TAKE A LOOK AT A CLIP OF
UNHINGED WHICH IS IN THEATERS
522
00:27:42,786 --> 00:27:43,745
JULY 10th.
523
00:27:43,828 --> 00:27:45,872
>> YOU DON'T HAVE ANYTHING TO
APOLOGIZE FOR, SIR.
524
00:27:45,955 --> 00:27:47,499
>> MOM.
525
00:27:47,582 --> 00:27:48,583
>> OKAY.
526
00:27:48,666 --> 00:27:49,834
>> APOLOGIZE.
527
00:27:49,918 --> 00:27:50,919
>> WELL, I DON'T THINK THAT IS
REALLY TRUE OF ANY OF US NOW, IS
528
00:27:51,002 --> 00:27:52,128
IT.
529
00:27:52,212 --> 00:27:58,468
>> WELL, THAT'S WHERE WE ARE IN
THIS WORLD TODAY, WE SEEM TO
530
00:27:58,551 --> 00:28:03,598
HAVE DEVELOPED A FUNDAMENTAL
INABILITY TO APOLOGIZE TO ANYONE
531
00:28:03,681 --> 00:28:09,104
FOR ANYTHING.
532
00:28:09,187 --> 00:28:15,026
I DON'T EVEN THINK YOU KNOW WHAT
A BAD DAY IS.
533
00:28:15,110 --> 00:28:18,571
BUT YOU'RE GOING TO FIND OUT.
534
00:28:18,655 --> 00:28:22,659
>> James: STICK AROUND, MORE
WITH RUSSELL CROW WHEN WE COME
535
00:28:41,428 --> 00:28:42,554
>> James: WELCOME BACK, WE ARE
HERE WITH RUSSELL CROW, NOW
536
00:28:42,637 --> 00:28:44,848
RUSSELL, WE HAVE BEEN DOING
THIS, I LOVE THE MIRROR BALL IS
537
00:28:44,931 --> 00:28:49,352
SPINNING NOW, NOW WE HAVE BEEN
DOING THIS THING IN THE SHOW, A
538
00:28:49,436 --> 00:28:51,354
"LATE, LATE SHOW" AND TELL WHERE
WE ASK OUR GUESTS TO SHARE
539
00:28:51,438 --> 00:28:54,357
SOMETHING FROM THEIR HOME THAT
WE WOULD OTHERWISE NEVER GET TO
540
00:28:54,441 --> 00:28:55,066
SEE.
541
00:28:55,150 --> 00:28:56,860
DO YOU HAVE SOMETHING TO SHARE.
542
00:28:56,943 --> 00:28:58,069
>> JAIPS, I HAVE PREPARED
SOMETHING FOR YOU.
543
00:28:58,153 --> 00:29:00,363
I AM JUST GOING TO LEAN FORWARD.
544
00:29:00,447 --> 00:29:05,785
NOW THIS ITEM, ACTUALLY I
PURCHASED IT AT A PUBLIC ART
545
00:29:05,869 --> 00:29:09,873
AUCTION, CHRISTIE, THE LATE
GREAT JOHNNY CASH HAD PASSED ON
546
00:29:09,956 --> 00:29:15,003
AND HIS FAMILY PUT TOGETHER A
LIST OF ITEMS THAT THEY WOULD
547
00:29:15,086 --> 00:29:16,212
AUCTION OFF.
548
00:29:16,296 --> 00:29:20,842
AND AMONGST THEM WAS THIS
PARTICULAR ARTIFACT.
549
00:29:20,925 --> 00:29:25,805
AND ON THE ENGRAVING THIS WAS
ACTUALLY AWARDED TO JOHNNY CASH,
550
00:29:25,889 --> 00:29:31,019
CARL PERKINS, JERRY LEE LEWIS,
ROY ORBISON, SAM PHILIP, RICH
551
00:29:31,102 --> 00:29:36,649
NELSON AND CHIP-- KSH FOR SPOKEN
WORDS RECORD CALLED THE CLASS OF
552
00:29:36,733 --> 00:29:37,817
55.
553
00:29:37,901 --> 00:29:39,986
SO IT WAS ALL GUYS TALKING ABOUT
THEIR EARLY DAYS MUCH SUN
554
00:29:40,069 --> 00:29:45,200
RECORDS AND RECORDING AND
EVERYTHING AND WON THE GRAMMY.
555
00:29:45,283 --> 00:29:46,493
>> WOW.
556
00:29:46,576 --> 00:29:56,753
>> I BOUGHT THIS AND I'M A MATE
OF ED SHEERAN RIGHT, AND ED HAS
557
00:29:56,836 --> 00:29:58,838
BEEN HERE ON THE FARM A COUPLE
OF TIMES.
558
00:29:58,922 --> 00:30:01,925
AND ONE NIGHT WE WERE IN THE
BAR, AND I WILL SET THE SCENE,
559
00:30:02,008 --> 00:30:07,555
ONE NIGHT WE WERE IN THE BAR AND
HE ASKED ME WHERE IS THAT GRAMMY
560
00:30:07,639 --> 00:30:08,973
OF JOHNNY CASH.
561
00:30:09,057 --> 00:30:17,732
I WENT AND GOT IT AND HE SAID
YOU KNOW WHAT WE DO WITH
562
00:30:17,815 --> 00:30:18,942
GRAMMIES.
563
00:30:19,025 --> 00:30:24,948
>> WHY DO YOU THINK THAT THERE
IS A HORN ON THE GRAMMY, BECAUSE
564
00:30:25,031 --> 00:30:29,118
WE-- I WILL SET THE SCENE, THE
LIGHTINGS WITH DIFFERENT, IT WAS
565
00:30:29,202 --> 00:30:35,458
KIND OF A BIT MORE LIKE THIS,
YEAH, AND THERE WAS MORE, A BIT
566
00:30:35,542 --> 00:30:41,089
OF MOVEMENT SO IT WAS LIKE-- AND
A BOTTLE OF FRANK SINATRA, JACK
567
00:30:41,172 --> 00:30:48,263
DANIELS, DOING SHOTS AT A JOHNNY
CRASH'S GRAMMY.
568
00:30:48,346 --> 00:30:49,138
>> WOW.
569
00:30:49,222 --> 00:30:50,848
>> AND WE COULD GO BACK TO THE
LIGHTING.
570
00:30:50,932 --> 00:30:57,438
>> THAT MAY BE ONE OF THE BEST
SHOW STORIES THAT I HAVE EVER
571
00:30:57,522 --> 00:30:58,731
HEARD.
572
00:30:58,815 --> 00:31:00,608
BLESS YOU AND FOR THE LIGHTING,
THANK YOU SO MUCH FOR YOUR TIME,
573
00:31:00,692 --> 00:31:06,489
SO LOVELY AS ALWAYS TO SEE YOU,
STAY SAFE OUT THERE, WHEN WE
574
00:31:06,573 --> 00:31:08,616
COME BACK, CHARLIE PUTH IS GOING
TO BE HERE WITH A PERFORMANCE.
575
00:31:19,210 --> 00:31:23,298
>> ALL RIGHT, WELCOME BACK TO
THE JAZZY "LATE, LATE SHOW."
576
00:31:23,381 --> 00:31:24,966
♪ DIG IT.
577
00:31:25,049 --> 00:31:28,636
>> James: WELCOME BACK, OUR
NEXT GUEST IS A GRAMMY NOMINATED
578
00:31:28,720 --> 00:31:31,764
SINGER, PRODUCER, HIS NEW SINGLE
GIRLFRIEND IS OUT RIGHT NOW,
579
00:31:31,848 --> 00:31:36,269
PLEASE WELCOME THE OH SO
TALENTED CHARLIE PUTH IS HERE.
580
00:31:36,352 --> 00:31:39,522
HEY, CHARLIE, HOW ARE YOU?
581
00:31:39,606 --> 00:31:40,690
>> I'M FAN TASK TUCK.
582
00:31:40,773 --> 00:31:43,192
>> James: IS THERE ANY MAN
MORE CREATIVE THAN CHARLIE PUTH,
583
00:31:43,276 --> 00:31:48,281
BECAUSE WE ARE CHATTING NOW AT A
VERY, VERY CREATIVE TIME IN YOUR
584
00:31:48,364 --> 00:31:52,660
LIFE, YOU HAVE YOUR NEW SINGLE,
YOU HAVE COLLABORATIONS WITH
585
00:31:52,744 --> 00:31:55,163
JOHN LEGEND, KATY PERRY BUT YOU
HAVE JUST BEEN IN THE STUDIO
586
00:31:55,246 --> 00:31:58,291
WITH SIR ELTON JOHN.
587
00:31:58,374 --> 00:31:59,208
>> THAT'S RIGHT.
588
00:31:59,292 --> 00:32:03,338
AND WHEN I SAY THE STUDIO I MEAN
RIGHT HERE.
589
00:32:03,421 --> 00:32:03,796
>> NO.
590
00:32:03,880 --> 00:32:05,214
>> HE SIGNED THIS.
591
00:32:05,298 --> 00:32:09,469
>> James: HANG ON A MINUTE,
ELTON JOHN, SO HOW DOES ELTON
592
00:32:09,552 --> 00:32:13,181
JOHN END UP AROUND AT YOUR
HOUSE.
593
00:32:13,264 --> 00:32:18,353
>> OKAY, SO BEFORE LOCKDOWN WE
MET AT A RESTAURANT, THE MATER D
594
00:32:18,436 --> 00:32:21,189
INTRODUCED US AT THIS PLACE
CALLED CRAIGS IN L.A. AND I
595
00:32:21,272 --> 00:32:24,692
WALKED OVER AND I THOUGHT IT WAS
GOING TO END THERE.
596
00:32:24,776 --> 00:32:26,069
I WHAT IS JUST EXCITED TO MEET
ELTON.
597
00:32:26,152 --> 00:32:29,155
AND HE SAID WE SHOULD WRITE.
598
00:32:29,238 --> 00:32:34,869
WHEN I HEAR THAT I AM LIKE OKAY,
YOU'RE VERY BUSY, I'M VERY BUSY,
599
00:32:34,952 --> 00:32:36,037
PROBABLY WILL NEVER HAPPEN.
600
00:32:36,120 --> 00:32:38,998
NEXT DAY I GET AN EMAIL SAYING I
COULD COME OVER NECK WEEK.
601
00:32:39,082 --> 00:32:40,208
AND HE DID.
602
00:32:40,291 --> 00:32:44,587
AND HE SAID SOMETHING, IT WAS
PRETTY SURREAL HAVING ELTON JOHN
603
00:32:44,671 --> 00:32:48,216
IN MY HOUSE BECAUSE MY PARENTS
WERE ALSO HOME AS WELL.
604
00:32:48,299 --> 00:32:51,511
SO EVERYBODY WAS PRETTY MUCH
DROOLING.
605
00:32:51,594 --> 00:32:55,223
AND THE FIRST THING HE SAID TO
ME WAS YOU KNOW, HE SITS DOWN,
606
00:32:55,306 --> 00:33:01,104
AT MY PIANO AND STUDIO, YOU AND
I WRITE VERY DIFFERENTLY.
607
00:33:01,187 --> 00:33:04,357
I'M GIVEN LETTER YOU CANS FROM
BERNIE.
608
00:33:04,440 --> 00:33:06,275
AND THEN I WRITE THE SONG.
609
00:33:06,359 --> 00:33:10,571
AND HE SAID CHARLIE, YOU MAKE
THE MUSIC FIRST AND THEN YOU
610
00:33:10,655 --> 00:33:13,199
WRITE THE LYRICS, SO I DONE KNOW
IF WE ARE GOING TO BE ABLE TO
611
00:33:13,282 --> 00:33:14,575
COME UP WITH ANYTHING.
612
00:33:14,659 --> 00:33:15,785
BUT LET'S TRY.
613
00:33:15,868 --> 00:33:19,205
AND HE SITS DOWN AND PLAYS THE
ENTIRE SONG THAT WE WROTE THREE
614
00:33:19,288 --> 00:33:20,456
MINUTES AND THREE SECONDS.
615
00:33:20,540 --> 00:33:24,252
HE PLAYS THE ENTIRE THING, FIRST
TAKE, DIDN'T DO ANY MORE TAKES,
616
00:33:24,335 --> 00:33:29,132
RECORDS THE ENTIRE THING, AND
HE'S LIKE HOW ABOUT THAT, AN MY
617
00:33:29,215 --> 00:33:30,299
MOUTH, I WAS LIKE THAT'S THE
WHOLE SONG.
618
00:33:30,383 --> 00:33:35,430
HE PLAYED THE VERSE, THE
PRECHORUS, THE CHORUS, MELODIES
619
00:33:35,513 --> 00:33:36,556
AND EVERYTHING.
620
00:33:36,639 --> 00:33:38,599
ALL I HAD TO DO WAS WRITE THE
LYRICS.
621
00:33:38,683 --> 00:33:42,311
AND PRODUCE THE RECORD, THE
DRUMS AND EVERYTHING.
622
00:33:42,395 --> 00:33:44,439
I HAD NEVER SEERN ANYTHING LIKE
IT.
623
00:33:44,522 --> 00:33:45,690
>> James: OH MY WORD.
624
00:33:45,773 --> 00:33:49,110
NOW YOU'RE GOING TO PERFORM FOR
US RIGHT NOW, YOU ARE GOING TO
625
00:33:49,193 --> 00:33:50,611
PERFORM THE SINGLE GIRLFRIEND.
626
00:33:50,695 --> 00:33:55,908
TELL ME ABOUT THE SONG, WHAT
INSPIRED THIS SONG?
627
00:33:55,992 --> 00:33:59,162
QUNS SO I MADE THIS SONG A
COUPLE OF YEARS AGO, ACTUALLY.
628
00:33:59,245 --> 00:34:04,292
AND I ALWAYS TRY AND REINVENT
MYSELF MUSICALLY EVERY TIME I
629
00:34:04,375 --> 00:34:07,962
PUT OUT A NEW ALBUM, EVERY TIME
I PUT OUT A NEW RELEASE.
630
00:34:08,045 --> 00:34:11,174
AND THE SONG WAS ALMOST TOO
AHEAD OF ITS TIME, MEANING THAT
631
00:34:11,257 --> 00:34:16,304
LIKE EVERYTHING, WHEN I MADE
THIS SONG, I MADE IT ON TOUR.
632
00:34:16,387 --> 00:34:19,891
I DIDN'T USE A STUDIO AT ALL AM
I MADE THE SONG COMPLEATLY ON A
633
00:34:19,974 --> 00:34:21,976
MOBILE RECORDING SET UP.
634
00:34:22,059 --> 00:34:30,318
AND IT IS LIKE AN 80ESQUE
PRINCEY KIND OF ELECTROPOP, VERY
635
00:34:30,401 --> 00:34:32,528
SINTED OUT POP RECORD AND
EVERYTHING AT THE TIME ON THE
636
00:34:32,612 --> 00:34:33,488
CHARTS IS HIP-HOP.
637
00:34:33,571 --> 00:34:35,823
I HAVE NO PROBLEM WITH THAT, I
LOVE HIP-HOP.
638
00:34:35,907 --> 00:34:37,241
I WAS RAISED ON HIP-HOP.
639
00:34:37,325 --> 00:34:39,911
BUT IT JUST DIDN'T FEEL RIGHT TO
PUT IF OUT.
640
00:34:39,994 --> 00:34:45,166
SO I KIND OF JUST KEPT IT TO
MYSELF FOR A LONG TIME, AND I
641
00:34:45,249 --> 00:34:48,377
JUST THINK IT'S A PERFECT TIME
FOR THE WORLD TO HEAR THIS SONG.
642
00:34:48,461 --> 00:34:55,176
IT IS SIMPLE, IT HAS THREE CORDS
IN IT, A VERY BLUNT MESSAGE,
643
00:34:55,259 --> 00:34:59,222
SOMETHING THAT IS KIND OF HARD
TO SAY WITHOUT MELODY AND CORDS
644
00:34:59,305 --> 00:35:00,306
BEHIND IT.
645
00:35:00,389 --> 00:35:01,557
>> James: IS THAT SOMETHING
YOU STRUGGLE TO SAY, YOU
646
00:35:01,641 --> 00:35:05,728
STRUGGLE TO SAY TO SOMEONE HEY,
DO YOU WANT TO BE MY GIR FRIEND.
647
00:35:05,812 --> 00:35:06,896
>> THAT'S REALLY WHY I WROTE THE
SONG.
648
00:35:06,979 --> 00:35:11,984
I WROTE IT IN HOPES OF HER
HEARING IT AND BE LIKE OH, IT'S
649
00:35:12,068 --> 00:35:13,236
SOMETHING YOU PLAY FOR SOMEONE
WHO IS WAY OUT OF YOUR LEAGUE.
650
00:35:13,319 --> 00:35:17,865
AND THEY'RE LIKE WELL, YOU JUST
PUT IT ON THE BACKGROUND AND
651
00:35:17,949 --> 00:35:22,036
HOPE THAT THEY GET THE HINT.
652
00:35:22,119 --> 00:35:25,164
I DON'T KNOW, MAYBE THAT WILL
HELP SOMEBODY ELSE.
653
00:35:25,248 --> 00:35:26,332
IT CERTAINLY DIDN'T HELP ME.
654
00:35:26,415 --> 00:35:31,212
>> James: WELL, THE SONG IS SO
GOOD, I ABSOLUTELY LOVE T WE
655
00:35:31,295 --> 00:35:32,880
LOVE YOU HERE AT THIS SHOW.
656
00:35:32,964 --> 00:35:35,675
YOU KNOW THAT, YOU WILL PERFORM
YOUR NEW SINGLE GIRLFRIEND RIGHT
657
00:35:35,758 --> 00:35:40,304
NOW, LADIES AND GENTLEMEN,
PLEASE WELCOME THE INCREDIBLE
658
00:35:40,388 --> 00:35:43,766
CHARLIE PUTH.
659
00:35:44,183 --> 00:35:45,810
♪ ♪ ♪
♪ YEAH
660
00:35:45,893 --> 00:35:48,396
TIRED OF THIS CONSERVATION
♪ WE DIDN'T COME ALL THIS WAY TO
661
00:35:48,479 --> 00:35:52,400
TOUCH A LITTLE KISS A LITTLE
♪ ALL NIGHT LONG
662
00:35:52,483 --> 00:35:56,404
YOU WANNA HEAR ME SAY IT
♪ I KNOW I KEPT YOU WAITING
663
00:35:56,487 --> 00:36:03,244
JUST A LITTLE JUST A LITTLE
♪ ALL NIGHT LONG
664
00:36:03,327 --> 00:36:07,248
CAN'T STOP
♪ TILL YOU'RE LYING RIGHT HERE
665
00:36:07,331 --> 00:36:11,502
NEXT TO ME
♪ I SHOULD STOP
666
00:36:11,586 --> 00:36:17,425
BUT I THINK I'LL DO IT ANYWAY
♪ BABY, WOULD YOU EVER WANT TO
667
00:36:17,508 --> 00:36:19,427
BE MY GIRLFRIEND?
668
00:36:19,510 --> 00:36:24,432
♪ I DON'T WANNA PLAY NO GAMES
THIS IS MORE THAN JUST A PHASE
669
00:36:24,515 --> 00:36:29,937
♪ BABY, WOULD YOU EVER WANT TO
BE MY GIRLFRIEND?
670
00:36:30,021 --> 00:36:33,900
♪ IF YOU WANNA LET ME KNOW
WE CAN MAKE THIS ALL FOR SURE
671
00:36:33,983 --> 00:36:39,280
♪ DON'T WE LOOK PERFECT BABY
LET'S TAKE THIS FURTHER BABY
672
00:36:39,363 --> 00:36:42,658
♪ JUST A LITTLE
JUST A LITTLE
673
00:36:42,742 --> 00:36:44,619
♪ ALL NIGHT LONG
IF I WAS YOUR BOYFRIEND I
674
00:36:44,702 --> 00:36:50,458
♪ I'D BE GIVING YOU ALL MY TIME
JUST A LITTLE
675
00:36:50,541 --> 00:36:51,459
♪ JUST A LITTLE
ALL NIGHT LONG
676
00:36:51,542 --> 00:36:56,672
♪ CAN'T STOP
TILL YOU'RE LYING RIGHT HERE
677
00:36:56,756 --> 00:37:03,137
♪ NEXT TO ME
I SHOULD STOP
678
00:37:03,221 --> 00:37:07,099
♪ BUT I THINK I'LL DO IT ANYWAY
BABY, WOULD YOU EVER WANT TO BE
679
00:37:07,183 --> 00:37:08,851
♪ MY GIRLFRIEND?
680
00:37:08,935 --> 00:37:11,312
I DON'T WANNA PLAY NO GAMES
♪ THIS IS MORE THAN JUST A PHASE
681
00:37:11,395 --> 00:37:19,320
BABY, WOULD YOU EVER WANT TO BE
♪ MY GIRLFRIEND?
682
00:37:19,403 --> 00:37:24,659
IF YOU WANNA LET ME KNOW
♪ WE CAN MAKE THIS ALL FOR SURE
683
00:37:24,742 --> 00:37:27,662
HOLD ON, YOU'RE MAKING ME
♪ OH NO BABY NO
684
00:37:27,745 --> 00:37:29,288
HOLD ON, YOU'RE MAKING ME
♪ OH NO BABY
685
00:37:29,372 --> 00:37:33,501
MY GIRLFRIEND
♪ AH HOLD ON, YOU'RE MAKING ME
686
00:37:33,584 --> 00:37:38,547
OH NO BABY NO
♪ HOLD ON, YOU'RE MAKING ME
687
00:37:38,631 --> 00:37:40,383
OH NO BABY
♪ MY GIRLFRIEND
688
00:37:40,466 --> 00:37:50,184
CAN'T STOP WOAH NO
♪ I SHOULD STOP
689
00:37:50,268 --> 00:37:55,439
BUT I HAD TO DO IT ANYWAY
♪ I HAD TO DO IT ANYWAY
690
00:37:55,523 --> 00:38:00,027
I HAD TO DO IT ANYWAY
♪ I HAD TO DO IT ANYWAY
691
00:38:00,111 --> 00:38:04,532
BABY, WOULD YOU EVER WANT TO BE
♪ MY GIRLFRIEND?
692
00:38:04,615 --> 00:38:06,200
I DON'T WANNA PLAY NO GAMES
♪ THIS IS MORE THAN JUST A PHASE
693
00:38:06,283 --> 00:38:11,372
BABY, WOULD YOU EVER WANT TO BE
♪ MY GIRLFRIEND?
694
00:38:11,455 --> 00:38:16,544
IF YOU WANNA LET ME KNOW
♪ WE CAN MAKE THIS ALL FOR SURE
695
00:38:16,627 --> 00:38:29,390
HOLD ON, YOU'RE MAKING ME
♪ OH NO BABY NO
696
00:38:29,473 --> 00:38:32,393
HOLD ON, YOU'RE MAKING ME
♪ OH NO BABY
697
00:38:32,476 --> 00:38:42,361
AH
♪ MY GIRLFRIEND ♪
698
00:38:42,445 --> 00:38:43,404
>> James: OH, CHARLIE PUTH,
EVERYBODY, THANK YOU SO MUCH,
699
00:38:43,487 --> 00:38:47,533
WE'LL BE RIGHT BACK, EVERYBODY.
700
00:38:57,668 --> 00:39:00,588
>> James: THAT'S OUR SHOW,
THANK YOU SO MUCH FOR WATCHING.
701
00:39:00,671 --> 00:39:03,382
WE REALLY, REALLY APPRECIATE IT.
702
00:39:03,466 --> 00:39:04,425
WE'LL SEE YOU SOON, EVERYBODY.
703
00:39:04,508 --> 00:39:09,597
GOD NIGHT.
59120
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