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- There are three
things that are real.
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God, human folly, and laughter.
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Since the first two are
beyond our comprehension,
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we must do the best
we can with the third.
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Here is our star.
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- Who?
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♪ Ye ye ye ye
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♪ Ya ya ya ya
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- Jerry Lewis.
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- He's cute.
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He's fast.
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He's nuts.
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- He's scared.
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- He's dear.
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- He's sweet.
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- He's what?
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- He's sweet!
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- But the question
still remains.
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Who?
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- Who is Jerry Lewis?
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- Ay-yi-yi.
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- Wow, I,
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I wish I could tackle a
less complicated question.
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- Is he the poor, neurotic
kid from Newark, New Jersey
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who can't face the public?
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Is he the accomplished
super star?
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Is he this gifted film director?
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Who is the real Jerry Lewis?
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- Hold it!
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Hold it!
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♪ Lover when I'm near you
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- I was the class clown.
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- Ha, ha, ha, ha!
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- Ha, ha, ha ha!
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Our teachers had gone all crazy.
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♪ Lover when I'm near you
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- I was a troublemaker.
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I'd make people laugh,
I'd do anything.
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♪ Softly in my ear
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00:01:46,560 --> 00:01:49,360
♪ You breathe a flame
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- It was fun.
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♪ Lover when we're dancing
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- Mr. Lewis, you
are a complete nut.
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♪ Ye ye ye ye
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♪ Yeah yeah yeah yeah
46
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♪ Ye ye ye ye
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00:02:04,280 --> 00:02:05,920
♪ Yeah yeah yeah yeah
48
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- Well, roll it, go on.
49
00:02:09,320 --> 00:02:10,920
♪ Yeah yeah yeah yeah
50
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♪ Ye ye ye ye
51
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♪ Yeah yeah yeah yeah
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- I was five.
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That's never changed,
I've always been five.
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It's the best age for a kid.
55
00:04:03,440 --> 00:04:07,840
I was born in 1926,
Newark, New Jersey.
56
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- Is Jerry
Lewis your real name?
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- It is now!
58
00:04:14,640 --> 00:04:17,480
It wasn't when I was born,
I was born Joseph Levitch.
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L, E, V, I, T, C, H.
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And I have some other
bits of information
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that will choke you up.
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I'm sure you're not
about to come back with,
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00:04:27,200 --> 00:04:28,320
why did you change it?
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00:04:30,440 --> 00:04:33,720
♪ When chandeliers
start falling ♪
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00:04:33,760 --> 00:04:36,760
♪ On the heads of
the whole ploy ♪
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00:04:36,800 --> 00:04:38,080
- My father.
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00:04:38,120 --> 00:04:40,320
♪ Although you may think
it's an earthquake. ♪
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00:04:40,360 --> 00:04:41,520
- Good-looking man.
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00:04:41,560 --> 00:04:43,440
♪ I know that's my boy
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00:04:43,480 --> 00:04:46,440
- Wonderful
singer, great entertainer.
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00:04:46,480 --> 00:04:49,080
And funny man, funny.
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00:04:50,400 --> 00:04:53,400
- His father was a singer
and a comic who was very much
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00:04:53,440 --> 00:04:55,120
influenced by Al Jolson.
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00:04:55,160 --> 00:04:57,600
And his mother played piano
and would often accompany
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00:04:57,640 --> 00:05:00,600
Danny Lewis on his tours.
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00:05:00,640 --> 00:05:02,000
His parents came
from Eastern Europe,
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fleeing the kind of
persecutions, they were Jewish.
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00:05:05,200 --> 00:05:07,600
And they were both show
business people as well.
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00:05:07,640 --> 00:05:09,400
So, in some ways, with
Jerry, show business
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00:05:09,440 --> 00:05:11,120
was in the blood.
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00:05:11,160 --> 00:05:13,440
One unfortunate
consequence of his parents
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00:05:13,480 --> 00:05:15,440
being entertainers was that
they were away from home
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quite a lot.
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00:05:16,920 --> 00:05:19,880
So, he grew up kind of like
the only child with a family
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00:05:19,920 --> 00:05:22,400
but a very lonely child
as well without siblings
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00:05:22,440 --> 00:05:26,640
or without parental
contact all the time.
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00:05:31,680 --> 00:05:33,960
- One time, when his
father was performing,
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his father motioned
to him to come out.
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Come out, Joey, Why don't
you sing for these folks?
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00:05:37,640 --> 00:05:39,520
Sing, Brother, Can
You Spare a Dime?
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00:05:39,560 --> 00:05:41,480
Now, Jerry's five years old.
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00:05:41,520 --> 00:05:43,920
So, he walks out, all
proud and he slips.
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Now, his foot hits a
foot lamp, it explodes!
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He gets his first laugh.
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00:05:51,320 --> 00:05:53,920
He knows already
what he wants to be.
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00:06:03,720 --> 00:06:07,360
Then, you fast forward, and
Jerry's 15 years of age,
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00:06:07,400 --> 00:06:10,400
devises his own act, he
calls it a record act.
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00:06:10,440 --> 00:06:13,160
And he would have a record
player playing behind him.
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00:06:13,200 --> 00:06:15,720
And he would mime to whatever
the record was doing,
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00:06:15,760 --> 00:06:18,960
whether it be a bit of Caruso,
a female opera singer, etc.
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He was hilarious.
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00:06:20,080 --> 00:06:25,080
♪ Be my love for no one else
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♪ Can end this yearning
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♪ There's need that
you and you alone ♪
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♪ Create
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00:06:38,480 --> 00:06:40,240
- He was a very anxious
child, but he could overcome
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00:06:40,280 --> 00:06:43,200
his anxiety by not having
to use his own voice.
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00:06:43,240 --> 00:06:46,000
So, he could purely focus
on his body and his face,
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00:06:46,040 --> 00:06:48,360
and the voices were
supplied by others.
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♪ Be my love
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♪ For no one else can
end this yearning ♪
112
00:06:59,400 --> 00:07:04,320
♪ This need that you
and you alone create ♪
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00:07:06,560 --> 00:07:11,560
♪ Just fill my arms the way
you've filled my dreams ♪
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00:07:13,200 --> 00:07:18,200
♪ The dreams that you inspire
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00:07:19,280 --> 00:07:24,280
♪ With every sweet desire
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00:07:25,320 --> 00:07:27,720
♪ Be my love
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00:07:30,040 --> 00:07:34,040
- I went through school
and started as a writer,
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and I wrote things
for comedians.
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And when they didn't do it
like I wrote it, I did it.
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00:07:45,360 --> 00:07:46,920
♪ Love
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♪ Is almost never ever
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00:07:52,760 --> 00:07:54,840
♪ The same
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00:08:07,720 --> 00:08:12,520
- Danny Lewis was almost
resentful to Jerry's career.
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00:08:12,560 --> 00:08:16,720
Jerry's career progressed more
in one year than Danny's did
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00:08:16,760 --> 00:08:18,280
in 25, 30 years.
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00:08:19,400 --> 00:08:22,920
Jerry Lewis was a
household name in 1946.
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00:08:22,960 --> 00:08:24,640
Now, how would
you feel as a dad?
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00:08:24,680 --> 00:08:26,640
- Here
he is, Jerry Lewis!
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00:08:30,720 --> 00:08:34,720
- Thank you very much, good
evening, how are you all?
130
00:08:34,760 --> 00:08:37,280
- His father had an
agent, Irving Kaye,
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00:08:37,320 --> 00:08:39,960
who encouraged Jerry
to become a performer.
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And Danny was so
upset, he fired Irving.
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00:08:43,040 --> 00:08:46,360
At that point, Jerry hired
Irving, and Irving became
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00:08:46,400 --> 00:08:48,840
Jerry's manager for the
next several decades.
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00:08:51,400 --> 00:08:52,640
- I didn't hear you ma'am.
136
00:08:52,680 --> 00:08:54,040
Where's your father?
137
00:08:54,080 --> 00:08:55,120
- My father went up the
river with a sack of cats.
138
00:08:55,160 --> 00:08:57,080
What I would like to say...
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00:08:57,120 --> 00:08:58,920
I'm only kidding, you like
the way the lady yells out
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00:08:58,960 --> 00:09:00,160
all of a sudden?
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00:09:00,200 --> 00:09:01,800
We have a two-act, it's
a road company now.
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00:09:04,640 --> 00:09:09,200
♪ See it in your smile
I hear it in your sigh ♪
143
00:09:09,240 --> 00:09:13,880
♪ That we have found a
feeling higher than high ♪
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00:09:13,920 --> 00:09:15,320
♪ My own
145
00:09:15,360 --> 00:09:16,800
- And then, I met him.
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♪ My only
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00:09:17,920 --> 00:09:19,760
- What a
good day that was.
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00:09:21,360 --> 00:09:24,440
♪ For you're my Mary
149
00:09:24,480 --> 00:09:28,240
- I was at a bar in Las
Vegas, and there was a drunk
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00:09:28,280 --> 00:09:29,160
at the bar.
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He was giving me problems.
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And Dean walked over and
punched him in the mouth.
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- You alright, kid?
154
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- Yeah.
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00:09:42,400 --> 00:09:43,840
- You sure?
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- He never touched me.
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♪ Well the wheels
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♪ Were rolling down
the trail one day ♪
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♪ With my doggie at my side
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♪ Got my six-gun
and my big hat ♪
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♪ And
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- Jerry was an only child.
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00:10:00,600 --> 00:10:02,360
Dean was the brother
he never had.
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00:10:02,400 --> 00:10:05,720
He got to be cheeky. He
got to look up to somebody.
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00:10:05,760 --> 00:10:08,200
Who's this incredible,
handsome man?
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00:10:08,240 --> 00:10:09,360
That's the guy I need.
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♪ I dare sing a anthem
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00:10:12,840 --> 00:10:17,840
♪ I don't need it
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♪ In writing
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00:10:26,480 --> 00:10:29,240
- Two and a half
hours, unrehearsed.
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00:10:29,280 --> 00:10:32,080
That audience went nuts.
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00:10:32,120 --> 00:10:34,200
That was the birth
of Dean and Jerry.
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- The Dean
Martin & Jerry Lewis Show!
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00:10:47,360 --> 00:10:49,800
The Colgate Comedy Hour!
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00:10:55,760 --> 00:10:56,920
- Come here!
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00:11:01,080 --> 00:11:05,120
♪ Everybody knows you love me
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00:11:05,160 --> 00:11:06,840
- You were mean to me, you
abused me and continued
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00:11:06,880 --> 00:11:10,480
to slap me and just how long
do you think I can stand it?
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00:11:12,400 --> 00:11:15,000
- The concept of the Martin &
Lewis performance is basically
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00:11:15,040 --> 00:11:18,200
a handsome man and his monkey,
or the playboy and the putz.
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00:11:19,760 --> 00:11:21,040
It was about two guys who
were very, very different,
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00:11:21,080 --> 00:11:22,640
who come together.
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00:11:22,680 --> 00:11:26,360
Martin represented sex, Jerry
Lewis represented slapstick.
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00:11:26,400 --> 00:11:29,320
- And we're gonna
be pals, right?
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00:11:33,840 --> 00:11:35,920
- I would think so, Dad!
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00:11:37,840 --> 00:11:40,160
- And Lewis was basically
the architect of the act.
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00:11:40,200 --> 00:11:41,840
He never wrote any
of the scripts,
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00:11:41,880 --> 00:11:44,280
but on a kind of sandwich
bag, he'd just scribble
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00:11:44,320 --> 00:11:46,280
a few notes about, OK, we have
these two guys doing this,
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00:11:46,320 --> 00:11:47,960
and they do that.
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00:11:48,000 --> 00:11:49,800
So, you have a basic structure
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00:11:49,840 --> 00:11:51,640
which he describes
as blueprints.
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00:11:51,680 --> 00:11:53,600
♪ I'm singing
194
00:11:58,960 --> 00:12:02,040
♪ Singing in the rain
195
00:12:05,560 --> 00:12:09,400
♪ I'm sing in the rain
196
00:12:12,800 --> 00:12:15,240
- I think Jerry saw in
Dean everything he wasn't
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00:12:15,280 --> 00:12:16,760
and vice versa.
198
00:12:16,800 --> 00:12:20,000
Dean saw in himself everything
he wasn't through Jerry,
199
00:12:20,040 --> 00:12:22,400
and they fulfilled
something in each other.
200
00:12:22,440 --> 00:12:24,400
- You gonna sing the same song!
201
00:12:24,440 --> 00:12:25,240
- Ah!
202
00:12:27,600 --> 00:12:28,400
- Stay right there!
203
00:12:28,440 --> 00:12:30,000
- I don't wanna!
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00:12:30,040 --> 00:12:33,560
- Yes, you're gonna, you're
going to if I can make it!
205
00:12:33,600 --> 00:12:36,000
♪ I'm singing
206
00:12:37,440 --> 00:12:39,240
Oh, not again!
207
00:12:42,760 --> 00:12:46,000
- Jerry made Dean
cackle and laugh so hard
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00:12:46,040 --> 00:12:49,880
through his physical comedy,
but then Dean was such a wit.
209
00:12:49,920 --> 00:12:53,880
That made Jerry laugh, and I
think that's what bonds anybody
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00:12:53,920 --> 00:12:55,160
in any partnership.
211
00:13:02,600 --> 00:13:04,640
- He made my life.
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00:13:04,680 --> 00:13:07,840
I was hoping to be a success,
and he made sure I was.
213
00:13:08,960 --> 00:13:12,600
We had so much fun, we
had such a good time.
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00:13:13,880 --> 00:13:15,360
And we'd say to one another,
215
00:13:15,400 --> 00:13:17,000
and they're paying us for that?
216
00:13:18,960 --> 00:13:20,480
We want to thank you!
217
00:13:20,520 --> 00:13:22,280
- We now want to
invite you to swim!
218
00:13:23,400 --> 00:13:25,040
- You've been wonderful!
219
00:13:25,080 --> 00:13:28,840
♪ Brush your teeth
with hello hello ♪
220
00:13:28,880 --> 00:13:30,040
- They were rock and roll.
221
00:13:30,080 --> 00:13:31,600
They were rock and roll
before rock and roll.
222
00:13:31,640 --> 00:13:32,880
They were sexy, they
were the missing link
223
00:13:32,920 --> 00:13:34,920
between Frank Sinatra
and The Beatles.
224
00:13:36,360 --> 00:13:38,520
♪ We need each other
we need each other ♪
225
00:13:38,560 --> 00:13:39,480
♪ We need each other
226
00:13:39,520 --> 00:13:41,800
♪ Brother
227
00:13:41,840 --> 00:13:46,520
♪ Without each other
we would be lost ♪
228
00:13:46,560 --> 00:13:49,880
♪ Well as long as
we're together pal ♪
229
00:13:49,920 --> 00:13:51,800
♪ All things will weather pal
230
00:13:51,840 --> 00:13:56,840
♪ We'll find when
sunshine turns to broad ♪
231
00:13:58,360 --> 00:14:01,200
♪ When the sun on your lips
232
00:14:01,240 --> 00:14:05,480
♪ With your mugger and quips
233
00:14:05,520 --> 00:14:09,240
♪ We'll both get married like
234
00:14:09,280 --> 00:14:11,040
- I want to see
the projectionist!
235
00:14:11,080 --> 00:14:14,200
Turn off the film,
stop the music!
236
00:14:21,040 --> 00:14:23,760
- During the war, men had
actually spent a lot of time
237
00:14:23,800 --> 00:14:25,240
in one another's company.
238
00:14:25,280 --> 00:14:27,440
They'd been away from women,
they relied upon on one another
239
00:14:27,480 --> 00:14:30,520
for emotional sustenance,
for friendship, for safety.
240
00:14:30,560 --> 00:14:32,960
And I think Martin & Lewis
became a way of carrying over
241
00:14:33,000 --> 00:14:35,840
into the post-war period the
male bonding that had been
242
00:14:35,880 --> 00:14:38,720
so intense during the
World War II years.
243
00:14:38,760 --> 00:14:42,120
- Excuse me, little lady.
How about a little drink?
244
00:14:42,160 --> 00:14:43,720
- Please!
245
00:15:16,480 --> 00:15:20,400
♪ Everybody
246
00:15:20,440 --> 00:15:24,360
♪ Needs to care
247
00:15:24,400 --> 00:15:29,400
♪ For somebody
248
00:15:30,560 --> 00:15:35,600
♪ All your dreams
weren't meant to share ♪
249
00:15:35,640 --> 00:15:38,320
♪ With somebody
250
00:15:38,360 --> 00:15:40,160
- Dean and Jerry broke up.
251
00:15:40,200 --> 00:15:43,760
They broke up because other
outside influences got involved
252
00:15:43,800 --> 00:15:44,680
that shouldn't have.
253
00:15:44,720 --> 00:15:46,600
It was none of their business.
254
00:15:46,640 --> 00:15:49,040
In the likes of, oh, Dean,
you don't need that kid,
255
00:15:49,080 --> 00:15:50,800
Oh, Jerry, you're
better off without him.
256
00:15:50,840 --> 00:15:52,880
Dean, you could make more
money without this kid.
257
00:15:52,920 --> 00:15:55,720
After awhile, that
starts to become
258
00:15:55,760 --> 00:15:58,240
your own thought
process, almost.
259
00:15:59,200 --> 00:16:01,440
They did their
last film in 1956.
260
00:16:01,480 --> 00:16:03,080
They didn't even
speak on the set
261
00:16:03,120 --> 00:16:05,400
throughout that
whole production.
262
00:16:05,440 --> 00:16:08,320
I don't think the audience,
even today, ever got over that.
263
00:16:08,360 --> 00:16:11,600
That was the worst divorce
in showbiz history.
264
00:16:21,360 --> 00:16:24,080
- After the split, Jerry
appeared in a series
265
00:16:24,120 --> 00:16:25,680
of formula comedies.
266
00:16:25,720 --> 00:16:27,040
They were formulas
like they had been
267
00:16:27,080 --> 00:16:28,680
in the Martin & Lewis days,
pretty much putting him
268
00:16:28,720 --> 00:16:31,320
in a situation and just
letting him run riot.
269
00:16:45,480 --> 00:16:47,280
- One of the most important
relationships that develops
270
00:16:47,320 --> 00:16:49,320
in this period is the
relationship he has
271
00:16:49,360 --> 00:16:51,520
with film director,
Frank Tashlin.
272
00:16:53,160 --> 00:16:56,120
By the time he's actually
a solo performer,
273
00:16:56,160 --> 00:16:59,120
he wants to know more and
more about how to make movies,
274
00:16:59,160 --> 00:17:00,640
and Tashlin is a great mentor.
275
00:17:00,680 --> 00:17:03,560
He sees Tashlin as a
great metteur en scène,
276
00:17:03,600 --> 00:17:05,320
but also as a great
director of comedy.
277
00:17:05,360 --> 00:17:09,200
And he learns a lot
from Tashlin, and
Tashlin takes the time
278
00:17:09,240 --> 00:17:11,080
to tell Jerry how to do it.
279
00:18:12,960 --> 00:18:14,840
- The day I walked
on a motion picture set,
280
00:18:14,880 --> 00:18:17,880
the first day, I knew I
wanted to learn everything.
281
00:18:21,280 --> 00:18:22,960
And when they wanted
me for a scene,
282
00:18:23,000 --> 00:18:27,240
I was in the wardrobe
department, or the
camera department,
283
00:18:27,280 --> 00:18:30,800
or the make-up department,
the technical department,
284
00:18:30,840 --> 00:18:32,280
the miniature department.
285
00:18:34,200 --> 00:18:36,560
They could never get me on
the set, I was learning.
286
00:18:36,600 --> 00:18:37,840
I was all over the yard.
287
00:18:42,080 --> 00:18:44,240
And I knew that's what I
wanted to do for the rest
288
00:18:44,280 --> 00:18:45,080
of my life.
289
00:18:47,400 --> 00:18:50,080
I was 34 when I
directed my first film.
290
00:18:51,240 --> 00:18:53,440
- The Bellboy!
291
00:18:58,680 --> 00:19:01,760
- On January the 28th,
I began writing a screenplay
292
00:19:03,000 --> 00:19:05,400
which I completed
eight days later.
293
00:19:06,440 --> 00:19:08,520
170-page screenplay.
294
00:19:09,720 --> 00:19:12,240
I sent for a crew of 150
people from Hollywood,
295
00:19:12,280 --> 00:19:15,480
and I was shooting The
Bellboy in under two weeks
296
00:19:15,520 --> 00:19:18,320
in the time that I told
them I'd give them product.
297
00:19:18,360 --> 00:19:22,040
I closed there after
28 days of shooting,
298
00:19:22,080 --> 00:19:24,680
I opened in Las Vegas, cut
the picture in Las Vegas
299
00:19:24,720 --> 00:19:27,800
during the day, and
the picture made
300
00:19:27,840 --> 00:19:29,360
over seven million dollars.
301
00:19:38,360 --> 00:19:40,560
- If you think you're
gettin' a tip, you're crazy.
302
00:19:40,600 --> 00:19:43,120
I'm using my case money
to buy a ticket to see
303
00:19:43,160 --> 00:19:46,200
a bellboy, 'cause
I hear it's funny.
304
00:19:48,800 --> 00:19:50,480
And it's got a series
of silly sequences,
305
00:19:50,520 --> 00:19:53,360
and I like silly sequences.
306
00:19:53,400 --> 00:19:55,120
And Jerry Lewis
is starring in it!
307
00:19:55,160 --> 00:19:57,280
That's right, big J.L. himself!
308
00:19:57,320 --> 00:19:58,800
The tall nut!
309
00:20:00,440 --> 00:20:02,200
Now, get outta here.
310
00:20:07,400 --> 00:20:08,200
You, too!
311
00:20:14,480 --> 00:20:15,880
- I think one of the
reasons why he chooses
312
00:20:15,920 --> 00:20:18,280
to make this particular film
is he wants to demonstrate
313
00:20:18,320 --> 00:20:19,720
where his allegiances lie.
314
00:20:19,760 --> 00:20:23,680
He's honoring his heroes,
Chaplin, Keaton, Stan Laurel,
315
00:20:23,720 --> 00:20:25,920
but also trying to kind of
move away from the kind of
316
00:20:25,960 --> 00:20:29,000
formulaic comedies he
made with Dean Martin.
317
00:20:29,040 --> 00:20:30,280
This is pure comedy.
318
00:20:38,640 --> 00:20:42,480
- Jerry really wanted Stan
Laurel to be in a film with him.
319
00:20:42,520 --> 00:20:44,320
That was his dream.
320
00:20:44,360 --> 00:20:46,960
And Stan agreed to
be in this movie.
321
00:20:47,000 --> 00:20:48,480
And just before they
went into production,
322
00:20:48,520 --> 00:20:51,200
he felt quite ill
and pulled out.
323
00:20:51,240 --> 00:20:54,160
So, if you watch the film
today, there's a Stan Laurel
324
00:20:54,200 --> 00:20:56,000
impersonator in the movie
doing all the scenes
325
00:20:56,040 --> 00:20:58,320
that Stan should have done.
326
00:20:58,360 --> 00:21:00,360
They became very close.
327
00:21:00,400 --> 00:21:03,760
He almost mentored Jerry
in Jerry's earlier career.
328
00:21:05,840 --> 00:21:08,080
♪ One and all in the
hall at the ball ♪
329
00:21:08,120 --> 00:21:10,160
- He used to
say something to me,
330
00:21:10,200 --> 00:21:12,320
when you go out in
front of an audience,
331
00:21:12,360 --> 00:21:15,400
tell them you're gonna
do something, then do it,
332
00:21:15,440 --> 00:21:17,440
then tell them it's been done.
333
00:21:19,640 --> 00:21:23,120
He was the genius
behind Laurel & Hardy.
334
00:21:25,520 --> 00:21:29,520
They had a real love-in,
they loved one another.
335
00:21:29,560 --> 00:21:34,480
They were great friends,
just like Dean and I were.
336
00:21:34,520 --> 00:21:37,000
♪ One and all In the
hall at the ball ♪
337
00:21:37,040 --> 00:21:39,560
♪ That's all
338
00:21:39,600 --> 00:21:41,520
♪ Some ball
339
00:21:41,560 --> 00:21:44,560
♪ Commence to dancing
340
00:22:53,920 --> 00:22:57,840
- I lived with Charlie
in Switzerland for two weeks
341
00:22:57,880 --> 00:22:58,760
at his home.
342
00:23:00,160 --> 00:23:01,040
Incredible!
343
00:23:02,480 --> 00:23:04,760
For two weeks, we were
arguing about what was funny
344
00:23:05,840 --> 00:23:07,000
and what was not funny.
345
00:23:38,600 --> 00:23:40,600
- Chaplin was the one
that was embraced,
346
00:23:40,640 --> 00:23:43,040
and any comedian
who came afterwards,
347
00:23:43,080 --> 00:23:45,280
who wrote and directed
his own films,
348
00:23:45,320 --> 00:23:47,200
suffered by comparison.
349
00:23:47,240 --> 00:23:50,320
So, when Jerry came along,
Jerry Lewis, of all people,
350
00:23:50,360 --> 00:23:53,360
the loud, crazy kid from
the Martin & Lewis films,
351
00:23:53,400 --> 00:23:55,560
decided he wanted to
be a filmmaker, well,
352
00:23:55,600 --> 00:23:58,280
I think that's a lot of the
backlash, because they thought,
353
00:23:58,320 --> 00:24:00,240
who does this guy
think he is, Chaplin?
354
00:24:14,320 --> 00:24:15,560
- No autographs, please.
355
00:24:15,600 --> 00:24:16,640
- He also makes a guest
appearance in the film
356
00:24:16,680 --> 00:24:18,560
as Jerry Lewis, the
famous movie star.
357
00:24:18,600 --> 00:24:22,640
This is one of the first
of many films in which
358
00:24:22,680 --> 00:24:25,000
Jerry Lewis is
self-reflexively dealing with
359
00:24:25,040 --> 00:24:27,920
the phenomenon of being
Jerry Lewis in the films.
360
00:24:27,960 --> 00:24:29,200
- Stop with the brushing!
361
00:24:29,240 --> 00:24:31,200
Let me have another
cigarette please.
362
00:24:31,240 --> 00:24:33,160
I'll smoke it dry,
I'll smoke it dry.
363
00:24:33,200 --> 00:24:34,880
- Yes, sir, Mr. Lewis,
we're all quite excited
364
00:24:34,920 --> 00:24:37,080
about your appearance
at the Fontainebleau.
365
00:24:39,840 --> 00:24:42,320
- Lewis, once he actually
starts directing films,
366
00:24:42,360 --> 00:24:43,680
wants his name on the movies.
367
00:24:43,720 --> 00:24:46,360
Very important that his
films say, written, produced,
368
00:24:46,400 --> 00:24:48,720
directed by Jerry Lewis,
his stamp in the film
369
00:24:48,760 --> 00:24:50,800
with his own marker,
with his own signature.
370
00:24:53,520 --> 00:24:57,720
- In the credits, he credits
the character Jerry Lewis
371
00:24:57,760 --> 00:24:58,720
to Joseph Levitch.
372
00:25:00,000 --> 00:25:02,680
So, we're working on
a few levels here.
373
00:25:02,720 --> 00:25:04,800
Jerry Lewis is not
actually a person.
374
00:25:04,840 --> 00:25:06,600
Jerry Lewis is an act.
375
00:25:06,640 --> 00:25:11,000
He's a performance by
whoever Joseph Levitch is.
376
00:25:11,040 --> 00:25:13,280
- The
mighty director.
377
00:25:13,320 --> 00:25:15,600
Ssh swine, can't you
see I'm creating!
378
00:25:17,440 --> 00:25:21,840
Oh, it's you, Mr. Bird, it
pleasure to have you on the set.
379
00:25:23,200 --> 00:25:25,600
- Any director that
I've ever dealt with
380
00:25:25,640 --> 00:25:28,080
and those that asked me about
my direction of the film,
381
00:25:28,120 --> 00:25:32,120
I think we all concur that
you have to have a direction
382
00:25:32,160 --> 00:25:36,200
as the director, who is the key
factor in the film creation.
383
00:25:36,240 --> 00:25:38,160
You have to have a direction.
384
00:25:38,200 --> 00:25:42,760
Now, in the beginning, you're
given the opportunity to start
385
00:25:42,800 --> 00:25:45,760
in creating the comic
sequences without a form,
386
00:25:45,800 --> 00:25:48,720
without a pattern or
direction because people want
387
00:25:48,760 --> 00:25:50,400
to see where you go.
388
00:25:50,440 --> 00:25:53,160
But once they've established
the fact with you
389
00:25:53,200 --> 00:25:55,440
that they are satisfied,
that you're capable,
390
00:25:55,480 --> 00:25:57,640
they now want to see growth.
391
00:25:57,680 --> 00:26:00,680
And they want to see a formula
and a pattern established
392
00:26:00,720 --> 00:26:02,600
or they won't accept it.
393
00:26:02,640 --> 00:26:06,800
Because without pattern and
without form in filmmaking,
394
00:26:06,840 --> 00:26:11,480
then you could always be
referred to as a novice.
395
00:26:11,520 --> 00:26:14,200
And people will resent that.
396
00:26:15,680 --> 00:26:17,280
I'm going to work, kids.
397
00:26:17,320 --> 00:26:19,800
Alright, places please!
398
00:26:19,840 --> 00:26:20,800
Alright, let's hear it
399
00:26:20,840 --> 00:26:22,960
for the movie star!
400
00:26:23,000 --> 00:26:24,080
- Hey, stupid!
401
00:26:24,120 --> 00:26:25,560
- Hey!
402
00:26:28,240 --> 00:26:29,800
- Hollywood's
biggest, most elaborate,
403
00:26:29,840 --> 00:26:33,640
most expensive studio stage
set of all time is constructed
404
00:26:33,680 --> 00:26:37,040
before your eyes, and
only one thing is missing
405
00:26:37,080 --> 00:26:39,840
to complete it
all, the SuperNut!
406
00:26:39,880 --> 00:26:41,320
And here he is!
407
00:26:41,360 --> 00:26:42,840
- Ah!
408
00:26:47,080 --> 00:26:49,160
- He's got an incredible
kind of mise-en-scène
409
00:26:49,200 --> 00:26:50,440
in this movie.
410
00:26:50,480 --> 00:26:52,760
He's constructed this
huge dollhouse set,
411
00:26:52,800 --> 00:26:54,960
and the camera cranes up
and down around the set
412
00:26:55,000 --> 00:26:58,040
and constructs the film
through this very artificial
413
00:26:58,080 --> 00:27:00,760
use of high-resource
kind of technology,
414
00:27:00,800 --> 00:27:02,320
if you like.
415
00:27:02,360 --> 00:27:03,720
And the Wellenmellon house
where the film is set
416
00:27:03,760 --> 00:27:06,840
becomes a metaphor for the
artifices of Hollywood.
417
00:27:06,880 --> 00:27:08,280
And although he's not
actually influenced
418
00:27:08,320 --> 00:27:10,760
by the French critics like
Godard, Truffaut at this time,
419
00:27:10,800 --> 00:27:12,720
he's doing something
very, very similar.
420
00:27:12,760 --> 00:27:15,960
He wants to use film as a
way of shaping a perspective
421
00:27:16,000 --> 00:27:17,560
on the world.
422
00:27:17,600 --> 00:27:19,920
And at the same time, his
films have been marketed
423
00:27:19,960 --> 00:27:22,720
to juveniles, they're
children's films.
424
00:27:22,760 --> 00:27:24,600
So, when he makes a film
like The Ladies Man,
425
00:27:24,640 --> 00:27:26,080
which is basically an art film,
426
00:27:27,280 --> 00:27:29,440
critics in America are
confounded, my God,
427
00:27:29,480 --> 00:27:32,120
what's he doing here, why
isn't he just being funny?
428
00:27:32,160 --> 00:27:33,760
- You felt
you had to have a crane?
429
00:27:33,800 --> 00:27:35,480
You had to have
practically everything
430
00:27:35,520 --> 00:27:36,760
that Hollywood could give you?
431
00:27:36,800 --> 00:27:38,400
- And more.
432
00:27:38,440 --> 00:27:40,760
- And more,
and you feel that you need
433
00:27:40,800 --> 00:27:42,280
everything there is?
434
00:27:42,320 --> 00:27:44,560
- Absolutely, I don't
think anyone is good enough
435
00:27:44,600 --> 00:27:46,960
to work within four walls,
436
00:27:47,000 --> 00:27:49,760
and to work with
antiquated equipment.
437
00:27:49,800 --> 00:27:51,800
Our business is technology.
438
00:27:51,840 --> 00:27:55,440
- You've even
invented a system of shooting.
439
00:27:55,480 --> 00:27:58,840
- Yeah well, in order for me
to direct and be in two places,
440
00:27:58,880 --> 00:28:02,880
I had to devise an electronic
concept alongside my cameras,
441
00:28:02,920 --> 00:28:06,520
so that I could see what I
was doing and see the actors
442
00:28:06,560 --> 00:28:10,200
on monitors, on
television monitors.
443
00:28:10,240 --> 00:28:12,480
There wasn't anyone out there
I would trust to say that
444
00:28:12,520 --> 00:28:14,600
it was OK, etc.
445
00:28:14,640 --> 00:28:16,760
It's my ball and
bat, that's all.
446
00:28:16,800 --> 00:28:18,600
- And you're
also able to judge yourself.
447
00:28:18,640 --> 00:28:21,160
I mean, where you've
gone wrong yourself.
448
00:28:21,200 --> 00:28:24,240
- Absolutely, I've seen
many, many situations where
449
00:28:24,280 --> 00:28:26,560
I wasn't happy with the
comedian, and I had to get them
450
00:28:26,600 --> 00:28:27,960
to do it again.
451
00:28:28,000 --> 00:28:30,000
And if you think it's easy
talking to me, you're crazy.
452
00:28:39,880 --> 00:28:42,080
- Jerry Lewis was certainly
a rebel, but he was sometimes
453
00:28:42,120 --> 00:28:45,800
a rebel in spite of his
own maybe desire to be.
454
00:28:45,840 --> 00:28:48,240
I think it has a lot
to do with class, too.
455
00:28:48,280 --> 00:28:49,840
People don't often
talk about that.
456
00:28:49,880 --> 00:28:52,320
You know, poor boy who
becomes a rich boy,
457
00:28:52,360 --> 00:28:54,960
and how you're supposed
to behave in relationship
458
00:28:55,000 --> 00:28:56,480
to all of that.
459
00:28:56,520 --> 00:28:59,640
In one of his
autobiographical books,
460
00:28:59,680 --> 00:29:03,160
he talks about soon after
he made it big in Hollywood,
461
00:29:03,200 --> 00:29:07,120
driving down in his convertible
down Hollywood Boulevard
462
00:29:07,160 --> 00:29:10,720
or something, just blasting
his horn as loud as possible
463
00:29:10,760 --> 00:29:13,200
just to show how
important he was.
464
00:29:13,240 --> 00:29:16,640
It's like, you know,
something that you could say
465
00:29:16,680 --> 00:29:19,240
is offensive, but it's
exactly what somebody,
466
00:29:19,280 --> 00:29:23,960
who is powerless and has no
money and then becomes rich,
467
00:29:24,000 --> 00:29:24,960
is tempted to do.
468
00:29:36,120 --> 00:29:39,240
- He's more a
painter maybe than a director.
469
00:29:39,280 --> 00:29:40,480
- Hi, honey.
470
00:29:41,920 --> 00:29:42,960
- Uh!
471
00:29:43,000 --> 00:29:44,800
- He's
working with space.
472
00:29:48,000 --> 00:29:52,440
- He's not tracking like those
so-called modern movie-makers
473
00:29:52,480 --> 00:29:54,240
and making fancy
with their camera.
474
00:29:54,280 --> 00:29:57,480
He's just interested
in framing it.
475
00:29:57,520 --> 00:29:59,920
He's a very good framer,
like great painters.
476
00:29:59,960 --> 00:30:03,360
He has a lot of
sense of geometry.
477
00:30:05,280 --> 00:30:09,960
To be a comic of, to be
very capable in geometry.
478
00:30:14,320 --> 00:30:17,120
- It's difficult to
make a good picture.
479
00:30:17,160 --> 00:30:20,600
And he knows, and I think
he should be supported,
480
00:30:20,640 --> 00:30:22,600
and I am one of his supporters.
481
00:30:23,920 --> 00:30:25,880
- But most people don't
go to movies to see
482
00:30:25,920 --> 00:30:28,440
framing and technical.
483
00:30:28,480 --> 00:30:31,520
They want to laugh or
be entertained or--
484
00:30:31,560 --> 00:30:33,880
- Yeah, but they receive
pictures through that.
485
00:30:46,040 --> 00:30:48,080
- Boy, what an
imagination can do for ya!
486
00:30:49,440 --> 00:30:51,400
- Do you
also find him funny?
487
00:30:51,440 --> 00:30:52,920
- Very, very.
488
00:30:52,960 --> 00:30:55,080
If not, no, I think
it's very funny.
489
00:30:55,120 --> 00:30:57,320
Even when it's not
funny, it's more funny,
490
00:30:57,360 --> 00:30:59,080
because it's not funny.
491
00:32:17,800 --> 00:32:21,160
- Robert
Benayoun, good friend.
492
00:32:21,200 --> 00:32:25,880
The French want everyone to
think that they discovered me.
493
00:32:25,920 --> 00:32:28,960
And that's OK, they
don't do that in Italy.
494
00:32:29,000 --> 00:32:32,320
They don't do that in Germany,
anywhere in the world.
495
00:32:32,360 --> 00:32:35,480
But the French, Jerry is mine.
496
00:32:39,000 --> 00:32:40,920
I am happy to see you!
497
00:32:43,880 --> 00:32:46,320
- The key champion of Jerry
Lewis in France, of course,
498
00:32:46,360 --> 00:32:50,120
is Robert Benayoun, who is
fascinated by comedy in general,
499
00:32:50,160 --> 00:32:54,400
by American comedy, The
Marx Brothers, W.C. Fields.
500
00:32:54,440 --> 00:32:58,920
He was somebody who saw
artistry in this form of comedy
501
00:32:58,960 --> 00:33:01,160
that could transcend reality.
502
00:33:33,200 --> 00:33:37,480
- In the world, we have
10,000 men who can do Hamlet,
503
00:33:39,320 --> 00:33:42,240
"O, what a rogue and
peasant slave am I!"
504
00:33:43,840 --> 00:33:47,360
But we only have
these men who can go
505
00:33:50,080 --> 00:33:52,120
Not only because it is difficult
506
00:33:53,320 --> 00:33:57,680
but because it carries
a heavy responsibility.
507
00:33:57,720 --> 00:34:02,120
And the 10,000 actors
that do Hamlet don't have
508
00:34:02,160 --> 00:34:04,920
to check in with Shakespeare.
509
00:34:04,960 --> 00:34:09,280
But we have to check with them!
510
00:34:09,320 --> 00:34:13,680
They are our responsibility.
511
00:34:13,720 --> 00:34:16,040
Shakespeare didn't
even show up today.
512
00:34:18,280 --> 00:34:19,760
Where he is, I don't know.
513
00:34:30,000 --> 00:34:31,080
I used brush!
514
00:35:33,280 --> 00:35:35,880
- When you see someone
having an epileptic fit,
515
00:35:37,040 --> 00:35:42,000
a little part of your
person is somehow,
516
00:35:43,240 --> 00:35:46,640
sees that as a mirror,
a mirror of something
517
00:35:46,680 --> 00:35:48,360
hidden far inside.
518
00:35:49,360 --> 00:35:52,200
And I think that the
French spectators
519
00:35:52,240 --> 00:35:56,280
are more comfortable
with pathology.
520
00:35:56,320 --> 00:36:01,320
It's true that in the 1900s,
deformity was the thing
521
00:36:02,520 --> 00:36:04,200
that made the public
laugh the most.
522
00:36:41,040 --> 00:36:44,040
I won't translate that because
I was telling that you are
523
00:36:44,080 --> 00:36:46,880
a terribly good director
and a fantastic technician.
524
00:36:46,920 --> 00:36:48,800
- The French, in a sense,
gave us American cinema.
525
00:36:48,840 --> 00:36:51,640
The post-war critics in
France, they hadn't seen
526
00:36:51,680 --> 00:36:55,000
any American films during
the German Occupation,
527
00:36:55,040 --> 00:36:58,440
and then all those films
flooded to the country at once,
528
00:36:58,480 --> 00:37:01,360
and their appreciation
of the films allowed us
529
00:37:01,400 --> 00:37:03,560
to see our pictures
in a different way.
530
00:37:03,600 --> 00:37:06,440
But in Jerry Lewis's case,
the idea that the French
531
00:37:06,480 --> 00:37:11,160
revered him became a joke in
and of itself, and nowadays,
532
00:37:11,200 --> 00:37:14,600
the people who are keeping
the joke alive know really
533
00:37:14,640 --> 00:37:19,640
nothing about Jerry Lewis
and particularly his films.
534
00:37:20,880 --> 00:37:22,480
And, of course, there's
also the fact that he's,
535
00:37:22,520 --> 00:37:25,040
in terms of our culture,
considered a mere comedian.
536
00:37:26,400 --> 00:37:30,080
- American society is, by
you, examined very deeply,
537
00:37:30,120 --> 00:37:33,440
I don't know if you are aware
of it, how deeply it is,
538
00:37:33,480 --> 00:37:36,840
and you also question it
as you would in any society
539
00:37:36,880 --> 00:37:38,320
in which you live.
540
00:37:38,360 --> 00:37:41,360
- I try to knock down
541
00:37:42,480 --> 00:37:44,040
people who have
542
00:37:45,400 --> 00:37:48,640
no longer allowed themselves
to be just people.
543
00:37:51,760 --> 00:37:56,760
You cannot make fun of
throwing a snowball at a man
544
00:37:57,600 --> 00:37:58,960
in a felt hat,
545
00:38:00,360 --> 00:38:03,360
but you can make fun
of when you throw
546
00:38:03,400 --> 00:38:06,520
the snowball at a black top hat.
547
00:38:07,640 --> 00:38:11,640
The why of it is because
the black top hat
548
00:38:12,880 --> 00:38:16,640
is the man at the
bank, a diplomat,
549
00:38:18,080 --> 00:38:19,240
a politician,
550
00:38:21,560 --> 00:38:25,480
or the man who owns
the funeral parlor.
551
00:38:53,320 --> 00:38:55,920
- Both The Errand Boy and The
Patsy are similar in the sense
552
00:38:55,960 --> 00:38:58,000
that they're Jerry's
response to his lack
553
00:38:58,040 --> 00:39:01,200
of critical acceptance
and, to a degree,
554
00:39:01,240 --> 00:39:03,400
the way he was treated
by the Hollywood bigwigs,
555
00:39:03,440 --> 00:39:06,800
meaning that they just didn't
understand why he wasn't
556
00:39:06,840 --> 00:39:08,680
content to turn up
the same product
557
00:39:08,720 --> 00:39:12,360
or why he wasn't
falling in line,
558
00:39:12,400 --> 00:39:14,160
why he had to be an individual.
559
00:39:18,960 --> 00:39:19,880
- Ah!
- Ah!
560
00:39:27,000 --> 00:39:27,760
- Ah!
561
00:39:27,800 --> 00:39:32,800
- Marty!
562
00:39:47,480 --> 00:39:48,560
- I know, I know.
563
00:39:51,480 --> 00:39:55,520
- There are questions
that don't get answered there.
564
00:39:56,840 --> 00:39:59,640
But it gives the audience
time to think about it,
565
00:39:59,680 --> 00:40:00,920
which is good.
566
00:40:00,960 --> 00:40:02,040
If you get your
audience thinking,
567
00:40:02,080 --> 00:40:04,240
you got half of the job done.
568
00:40:04,280 --> 00:40:06,160
- Oh OK, let me
start over again.
569
00:40:10,600 --> 00:40:13,400
They just didn't understand
why he wasn't content
570
00:40:13,440 --> 00:40:17,520
to turn up the same product
or why he wasn't falling
571
00:40:17,560 --> 00:40:20,240
in line, why he had
to be an individual.
572
00:40:20,280 --> 00:40:22,960
And tellingly, he did
not change his path.
573
00:40:28,880 --> 00:40:29,680
- Ah!
574
00:40:43,800 --> 00:40:47,240
- Do you realize that
that screw loose,
575
00:40:47,280 --> 00:40:49,360
imitation of a human
being has disrupted
576
00:40:49,400 --> 00:40:51,560
this studio beyond control?
577
00:40:57,880 --> 00:40:59,560
- In a way, it's like a
planned culture in America.
578
00:40:59,600 --> 00:41:02,760
But it's a culture that's
planned by the studios,
579
00:41:02,800 --> 00:41:06,200
not by critics, not
by the government.
580
00:41:07,440 --> 00:41:09,520
In fact, you could
almost say the studios
581
00:41:09,560 --> 00:41:10,480
are the government.
582
00:41:35,760 --> 00:41:37,720
- You have to remember
that in the United States,
583
00:41:37,760 --> 00:41:42,280
in the 1950s and 60s, the
model of the male model,
584
00:41:42,320 --> 00:41:45,160
Jimmy Stewart, of
course, comes to mind,
585
00:41:45,200 --> 00:41:49,720
but Jerry Lewis's
character somehow evokes
586
00:41:49,760 --> 00:41:54,720
for that audience, the same
audience, evokes a problematic
587
00:41:55,600 --> 00:41:57,240
male figure to say the least.
588
00:41:57,280 --> 00:42:02,240
A male figure that is totally
unpredictable, for one thing,
589
00:42:03,640 --> 00:42:06,600
can go off on an irrational
tangent, is not in control.
590
00:42:06,640 --> 00:42:10,520
He's a dangerous figure
for the American ideal
591
00:42:10,560 --> 00:42:12,800
of the proper way to behave.
592
00:42:13,800 --> 00:42:15,360
- Are there any requests?
593
00:42:15,400 --> 00:42:17,280
- Yeah, get off!
594
00:42:17,320 --> 00:42:18,640
- I, thank you!
595
00:42:35,720 --> 00:42:39,560
- As a child, you have no
filter, and you don't know
596
00:42:39,600 --> 00:42:41,640
the rules of life
or to be human,
597
00:42:41,680 --> 00:42:44,800
so you are much more
open to exploring,
598
00:42:44,840 --> 00:42:48,400
and as you grow older, you
become self-aware and want
599
00:42:48,440 --> 00:42:53,240
to fit in and you're taught
not to be as extroverted.
600
00:42:53,280 --> 00:42:54,680
That's not as accepted.
601
00:42:54,720 --> 00:42:56,920
But then when you're in society,
and you go, wait a minute,
602
00:42:56,960 --> 00:42:58,720
I loved being a kid,
and I loved doing that.
603
00:42:58,760 --> 00:43:00,760
And you don't lose that?
604
00:43:00,800 --> 00:43:02,200
I think Jerry's never lost that.
605
00:43:02,240 --> 00:43:03,880
And I think it's important
for any performer,
606
00:43:03,920 --> 00:43:08,920
to never lose that kind of
freedom to just kind of say,
607
00:43:10,120 --> 00:43:13,200
you know, F you, I'm
gonna be out and open
608
00:43:13,240 --> 00:43:16,400
and a ball of energy.
609
00:43:16,440 --> 00:43:18,920
And if anybody has a problem
with it, it's your problem.
610
00:43:18,960 --> 00:43:20,200
It's not mine.
611
00:43:20,240 --> 00:43:21,680
- How old are you?
612
00:43:22,960 --> 00:43:24,720
- Six years.
613
00:43:24,760 --> 00:43:26,120
- Me, too!
614
00:43:31,920 --> 00:43:33,760
- One of the things
that seems to me,
615
00:43:33,800 --> 00:43:36,680
that is the most profound
thing that happened in his life
616
00:43:36,720 --> 00:43:40,920
was that his parents failed
to turn up for his bar mitzvah
617
00:43:40,960 --> 00:43:41,920
when he was 13.
618
00:43:43,440 --> 00:43:47,480
It seems to me this
explains an awful lot about
619
00:43:47,520 --> 00:43:51,200
Jerry Lewis's character because
when you're that neglected,
620
00:43:52,400 --> 00:43:54,520
you could never get
enough attention.
621
00:43:54,560 --> 00:43:57,400
No matter how much attention
you get later in life,
622
00:43:57,440 --> 00:43:58,840
it'll never be enough.
623
00:44:04,040 --> 00:44:06,880
- Jerry Lewis has said
that an audience is like
624
00:44:06,920 --> 00:44:11,200
a thousand mommas and poppas
patting you on the head
625
00:44:11,240 --> 00:44:13,080
and saying, good boy.
626
00:44:13,120 --> 00:44:15,480
So, that validation
and endorsement,
627
00:44:15,520 --> 00:44:18,560
that maybe was absent because
the parents were absent,
628
00:44:18,600 --> 00:44:20,800
is provided by an audience
and maybe that accounts
629
00:44:20,840 --> 00:44:23,920
for the hunger and
the need to perform.
630
00:45:32,640 --> 00:45:33,880
- Hey!
631
00:45:33,920 --> 00:45:35,200
- I think there's
something with Jerry Lewis
632
00:45:35,240 --> 00:45:37,080
that might explain his
international profile.
633
00:45:37,120 --> 00:45:40,000
He's somebody who plays a
little guy who's hard done-by,
634
00:45:40,040 --> 00:45:43,400
who has to win through by
virtues of the heart and also
635
00:45:43,440 --> 00:45:46,360
through his efforts to greater
acclaim and acceptance.
636
00:45:46,400 --> 00:45:47,960
I don't think he
necessarily represents
637
00:45:48,000 --> 00:45:50,960
the American Dream, although
he's a very successful figure.
638
00:45:51,000 --> 00:45:53,200
I think he exposes problems
within the American Dream
639
00:45:53,240 --> 00:45:55,280
and problems within
American social values
640
00:45:55,320 --> 00:45:57,320
in many of his films.
641
00:46:00,240 --> 00:46:03,640
- I think in a very profound
way, Jerry Lewis is America.
642
00:46:03,680 --> 00:46:05,800
That's what's so
fascinating about him.
643
00:46:05,840 --> 00:46:07,760
And Americans don't
like to see themselves
644
00:46:07,800 --> 00:46:10,080
in the mirror when they
look like Jerry Lewis.
645
00:46:10,120 --> 00:46:12,200
So, the real
interesting phenomena
646
00:46:12,240 --> 00:46:14,080
is not
Americans-hate-Jerry-Lewis,
647
00:46:14,120 --> 00:46:17,000
but that they love Jerry Lewis
and don't want to admit it.
648
00:46:20,800 --> 00:46:24,280
- I'm just a human being
with all of the foibles
649
00:46:24,320 --> 00:46:25,840
and all of the traps.
650
00:46:25,880 --> 00:46:28,440
The show, the pressure, the
groupies, the autograph hounds,
651
00:46:28,480 --> 00:46:30,880
the crew, the incompetence.
652
00:46:30,920 --> 00:46:32,440
those behind-the-scenes
you think are your friends,
653
00:46:32,480 --> 00:46:34,400
but you're not too sure if
they're gonna be there tomorrow
654
00:46:34,440 --> 00:46:35,960
because of their incompetence.
655
00:46:36,000 --> 00:46:38,840
There're wonderful pressures
that make everyday a glowing,
656
00:46:38,880 --> 00:46:40,880
radiant day in your life.
657
00:46:40,920 --> 00:46:42,520
It's terrific, OK.
658
00:46:42,560 --> 00:46:45,320
If all of that means nothing?
659
00:46:45,360 --> 00:46:49,240
If I'm wrong in spite of
all that, then I apologize.
660
00:46:49,280 --> 00:46:50,680
I'm sorry.
661
00:46:56,960 --> 00:46:58,680
- In 1983, there is a
very interesting turn
662
00:46:58,720 --> 00:47:00,160
in Lewis's career.
663
00:47:00,200 --> 00:47:02,120
He appears in a Martin Scorsese
film, The King of Comedy,
664
00:47:02,160 --> 00:47:05,280
playing a role that's very
unlike the Jerry of old.
665
00:47:05,320 --> 00:47:06,880
He's a talk show host.
666
00:47:06,920 --> 00:47:11,040
He's very sober, very stern,
very joyless in this film.
667
00:47:11,080 --> 00:47:12,560
It's a very astonishing
performance,
668
00:47:12,600 --> 00:47:15,680
but critics responded to this
film as if they've never seen
669
00:47:15,720 --> 00:47:17,640
Jerry Lewis act before.
670
00:47:17,680 --> 00:47:18,880
So, it's almost like the
critics don't really have
671
00:47:18,920 --> 00:47:21,120
a framebook for valuing,
for understanding
672
00:47:21,160 --> 00:47:22,640
comic performance at all.
673
00:47:22,680 --> 00:47:24,800
It's only when Lewis
becomes a serious actor
674
00:47:24,840 --> 00:47:27,040
that somehow he's
seen to be credible.
675
00:47:27,080 --> 00:47:28,920
- Oh, Jerry, I love this guy!
676
00:47:28,960 --> 00:47:30,320
Always coming up with
these great lines!
677
00:47:30,360 --> 00:47:31,880
I love him, I love him!
678
00:47:31,920 --> 00:47:33,320
- I know he's a great
actor., I worked with him
679
00:47:33,360 --> 00:47:34,480
on The King of Comedy.
680
00:47:37,320 --> 00:47:40,960
He played it pretty
straight, strong.
681
00:47:41,000 --> 00:47:43,280
After a point, too, he'll look
at me at one point and say,
682
00:47:43,320 --> 00:47:45,440
I can't do anymore of this take.
683
00:47:45,480 --> 00:47:48,360
It doesn't matter, you got it,
six, seven times, whatever.
684
00:47:49,840 --> 00:47:51,880
I think you can see this
though in a lot of pictures
685
00:47:51,920 --> 00:47:55,200
with Dean Martin, The
Stooge maybe, The Bellboy,
686
00:47:55,240 --> 00:47:57,160
The Ladies Man,
which is visually
687
00:47:57,200 --> 00:47:59,120
one of the greatest, I think.
688
00:47:59,160 --> 00:48:02,400
But you can obviously,
it's so obvious
689
00:48:02,440 --> 00:48:04,160
in The Nutty Professor.
690
00:48:04,200 --> 00:48:06,800
I mean the Julius Kelp
character is grotesque.
691
00:48:06,840 --> 00:48:08,840
It's like a gargoyle
that's come to life.
692
00:48:08,880 --> 00:48:14,520
It's frightening and funny,
but the change to Buddy Love
693
00:48:14,560 --> 00:48:15,080
is the real scare.
694
00:48:16,240 --> 00:48:18,760
That's where you see
the acting, that tilt-up
695
00:48:18,800 --> 00:48:23,120
when you see who it is, from
the shoes to the silk suit,
696
00:48:23,160 --> 00:48:25,200
and he's Buddy Love.
697
00:48:26,080 --> 00:48:28,480
And this is a great performance.
698
00:48:29,640 --> 00:48:30,600
- Professor?
699
00:48:31,920 --> 00:48:33,000
Professor!
700
00:48:33,040 --> 00:48:36,440
- Since I
was probably five,
701
00:48:36,480 --> 00:48:41,440
I thought about, one
day, I'm going to perform
702
00:48:41,480 --> 00:48:46,080
in a great classic,
and then I found it.
703
00:48:50,720 --> 00:48:51,960
Jekyll & Hyde.
704
00:48:55,120 --> 00:48:56,600
Hey, that was terrific!
705
00:48:58,160 --> 00:49:00,240
Hey, did ya hear that, folks,
A regular George Bernard Shaw.
706
00:49:00,280 --> 00:49:01,760
Good boy!
707
00:49:01,800 --> 00:49:03,400
And he did it all by himself,
you did all by yourself,
708
00:49:03,440 --> 00:49:04,720
and nobody helped you.
709
00:49:04,760 --> 00:49:07,080
That's terrific and with
your very own big mouth!
710
00:49:07,120 --> 00:49:09,320
Now, if you don't want this
cocktail shaker to be a part
711
00:49:09,360 --> 00:49:11,000
of your gums, mix the
drink, shut your mouth
712
00:49:11,040 --> 00:49:12,520
and pay attention,
is that clear?
713
00:49:12,560 --> 00:49:13,480
Repeat after me, I'll.
714
00:49:13,520 --> 00:49:14,480
- I'll
715
00:49:14,520 --> 00:49:15,800
- I'll pay.
- I'll pay.
716
00:49:15,840 --> 00:49:17,560
- I'll pay attention.
- I'll pay attention.
717
00:49:17,600 --> 00:49:19,120
- Alright, let's continue!
718
00:49:19,160 --> 00:49:20,360
- I don't think it's
a matter of proving
719
00:49:20,400 --> 00:49:21,920
your skills in drama.
720
00:49:21,960 --> 00:49:26,120
Maybe that's true of comic
actors, but that's not Jerry,
721
00:49:26,160 --> 00:49:28,160
I think, I think
he's a visual artist,
722
00:49:28,200 --> 00:49:31,080
a visual artist like
Chaplin and Keaton.
723
00:49:31,120 --> 00:49:33,560
And he's got his own physical
instrument as an actor,
724
00:49:33,600 --> 00:49:38,520
would call it as a key element
in the creation of his art.
725
00:49:38,560 --> 00:49:41,320
So in a sense, he was
virtually alone in his time.
726
00:49:52,080 --> 00:49:54,280
- I don't know how many
years of articles there
727
00:49:54,320 --> 00:49:57,360
has to be written of sad clowns.
728
00:49:57,400 --> 00:50:02,120
I mean, every person who's
in the comedy business
729
00:50:02,160 --> 00:50:06,880
has a very serious side,
and I love it when people
730
00:50:06,920 --> 00:50:09,120
are shocked to learn that.
731
00:50:09,160 --> 00:50:11,240
It's like how many stories
do you have to read
732
00:50:11,280 --> 00:50:15,920
before you realize, yeah,
comedy comes from pain.
733
00:50:15,960 --> 00:50:18,000
Any comedy comes from pain.
734
00:50:18,040 --> 00:50:22,200
And so that pain is real, and
the pain is also another side
735
00:50:22,240 --> 00:50:24,080
to be explored as an artist.
736
00:50:25,640 --> 00:50:29,760
- When I look at
Jerry Lewis, him,
737
00:50:30,960 --> 00:50:34,200
I know him, I know
what he can do.
738
00:50:34,240 --> 00:50:39,200
I, therefore, try to
steer his characters
739
00:50:39,240 --> 00:50:42,640
and his personalities
in the areas where he
740
00:50:42,680 --> 00:50:47,640
is most comfortable, for
he is a strange, unique,
741
00:50:50,240 --> 00:50:55,200
neurotic strange,
unique, neurotic.
742
00:50:56,760 --> 00:50:58,200
- As soon as I
find out what are travel--
743
00:50:58,240 --> 00:51:01,240
- You see, most people
look at that and think that
744
00:51:01,280 --> 00:51:02,920
that is total make-up.
745
00:51:04,880 --> 00:51:07,880
I'll tell you something
that I've never told anyone.
746
00:51:07,920 --> 00:51:11,280
This is make-up, that's clean.
747
00:51:13,200 --> 00:51:16,880
'Cause if you look at that,
he won't hurt anybody.
748
00:51:18,000 --> 00:51:21,280
And he is who I think
of all the time.
749
00:51:22,840 --> 00:51:23,640
No more make-up.
750
00:51:25,160 --> 00:51:27,320
No more ghastly one-nighters.
751
00:51:28,200 --> 00:51:30,400
No more squealing brats!
752
00:51:36,640 --> 00:51:39,920
- He raises the enigma
of identity to an
interesting level.
753
00:51:39,960 --> 00:51:42,920
We can watch Jerry Lewis
exploring who Jerry Lewis is
754
00:51:42,960 --> 00:51:44,560
across from film
to film and across
755
00:51:44,600 --> 00:51:46,800
various different
media articulations.
756
00:51:46,840 --> 00:51:49,360
I think he remains an enigma.
757
00:51:49,400 --> 00:51:51,640
Just when you think you've
identified who Jerry Lewis is,
758
00:51:51,680 --> 00:51:54,560
he does something else that
challenges that presupposition.
759
00:51:56,720 --> 00:52:01,680
♪ When you walk
through a storm ♪
760
00:52:02,560 --> 00:52:06,800
♪ Keep your chin up high
761
00:52:06,840 --> 00:52:11,040
♪ And don't be
afraid of the dark ♪
762
00:52:15,720 --> 00:52:19,400
- By the 1970s, Jerry became
less active in filmmaking.
763
00:52:19,440 --> 00:52:21,200
A good part of that reason
was because he became
764
00:52:21,240 --> 00:52:24,080
more involved with the
annual MDA Telethon
765
00:52:24,120 --> 00:52:26,440
which was taking up more of
his time and his attention,
766
00:52:26,480 --> 00:52:29,240
but also the fact that he was
experiencing health problems,
767
00:52:29,280 --> 00:52:33,400
and they precluded such a
physically demanding process
768
00:52:33,440 --> 00:52:34,720
as directing movies.
769
00:52:34,760 --> 00:52:36,720
♪ Of the long
770
00:52:36,760 --> 00:52:38,000
- His fundraising actually began
771
00:52:38,040 --> 00:52:39,480
in the Martin & Lewis days.
772
00:52:39,520 --> 00:52:43,360
The very first MDA Telethon
was hosted by Jerry and Dean.
773
00:52:44,520 --> 00:52:47,120
And it just blossomed
from there because Jerry
774
00:52:47,160 --> 00:52:50,120
has always been interested
in humanitarian causes,
775
00:52:50,160 --> 00:52:53,360
the muscular dystrophy cause
being the closest to his heart.
776
00:52:53,400 --> 00:52:56,480
♪ Though your dreams be taut.
777
00:52:56,520 --> 00:52:58,680
- So this is something that
Lewis has devoted himself,
778
00:52:58,720 --> 00:53:01,200
body and soul, to for
a very, very long time.
779
00:53:01,240 --> 00:53:04,080
In fact, it was very hard to
disentangle muscular dystrophy
780
00:53:04,120 --> 00:53:05,280
from Jerry Lewis.
781
00:53:05,320 --> 00:53:07,960
He became such a
personification of the cause,
782
00:53:08,000 --> 00:53:10,560
and although that's actually
now over, still in America,
783
00:53:10,600 --> 00:53:12,560
most people knew
Lewis, as I suspect,
784
00:53:12,600 --> 00:53:15,320
for his humanitarian work
rather than for his films.
785
00:53:16,440 --> 00:53:21,440
♪ You'll never walk alone
786
00:53:25,280 --> 00:53:29,440
♪ Walk on walk on
787
00:53:29,480 --> 00:53:34,360
♪ With hope in your heart
788
00:53:34,400 --> 00:53:39,400
♪ And you'll never walk alone
789
00:53:40,360 --> 00:53:43,480
♪ You'll never alone
790
00:53:50,840 --> 00:53:53,080
Thank you and goodnight.
791
00:54:19,640 --> 00:54:24,080
When I went to the circus
when I was five or six,
792
00:54:24,120 --> 00:54:26,440
I met a lot of the clowns.
793
00:54:26,480 --> 00:54:28,760
And I met them throughout
the years every time
794
00:54:28,800 --> 00:54:30,880
I went to the circus.
795
00:54:30,920 --> 00:54:35,360
Same clowns, older but smart,
796
00:54:35,400 --> 00:54:36,400
very smart.
797
00:54:37,960 --> 00:54:42,320
I was putting on my clown
make-up, and I had 24 of them
798
00:54:42,360 --> 00:54:45,600
around my table
watching me make up.
799
00:54:47,160 --> 00:54:51,080
And in the mirror, you see 24
different clowns watching me.
800
00:54:52,040 --> 00:54:53,520
It was beautiful.
801
00:54:54,800 --> 00:54:55,600
Oh my God.
802
00:54:57,800 --> 00:55:00,520
This was my first
professional picture.
803
00:55:03,680 --> 00:55:05,920
I was 16.
804
00:55:14,280 --> 00:55:15,200
The King!
805
00:55:17,680 --> 00:55:18,680
The King.
806
00:55:25,160 --> 00:55:25,960
Fou.
807
00:55:29,520 --> 00:55:35,040
This was the greatest love
of my life, right there.
808
00:55:35,080 --> 00:55:36,680
With her.
809
00:55:37,520 --> 00:55:39,440
Great love affair.
810
00:55:39,480 --> 00:55:41,480
All of my crew would
go home after a day,
811
00:55:41,520 --> 00:55:43,240
and I'd take it home with me.
812
00:55:48,160 --> 00:55:51,560
From the time I was a
kid, I always wrote about
813
00:55:51,600 --> 00:55:54,560
what I see in the world.
814
00:55:56,520 --> 00:56:01,240
I'm always looking
and seeing the world.
815
00:56:02,160 --> 00:56:05,480
And I see it as it is,
816
00:56:05,520 --> 00:56:09,280
but I can tweak it
and make it funny.
817
00:56:17,640 --> 00:56:20,560
He was closer to me than
a brother, than a father,
818
00:56:20,600 --> 00:56:21,920
than a mother.
819
00:56:21,960 --> 00:56:25,840
He was closer to me than
anyone else in my life ever.
820
00:56:27,880 --> 00:56:32,560
And I miss him today like I
missed him the day he died.
821
00:56:32,600 --> 00:56:37,080
Doesn't change, everyday,
I think about him.
822
00:56:37,120 --> 00:56:38,160
There's my hero.
823
00:56:42,360 --> 00:56:43,160
Nutty, Nutty!
824
00:56:47,400 --> 00:56:48,800
Marty Scorsese.
825
00:56:51,640 --> 00:56:53,600
The American critics
are full of shit.
826
00:56:55,520 --> 00:56:57,280
They have no idea
what I'm doing.
827
00:56:58,520 --> 00:56:59,640
They never have.
828
00:57:01,560 --> 00:57:06,480
See, they wrote great
critiques on The King of Comedy
829
00:57:07,760 --> 00:57:12,600
because it wasn't low-brow,
it wasn't taking falls.
830
00:57:12,640 --> 00:57:13,600
It wasn't, ah!
831
00:57:14,640 --> 00:57:16,200
None of that.
832
00:57:16,240 --> 00:57:21,640
And they liked that, Jerry's
now working for them.
833
00:57:24,080 --> 00:57:27,200
You don't worry about them,
you don't think about them.
834
00:57:28,040 --> 00:57:30,080
Or you're screwing your life.
835
00:57:30,120 --> 00:57:33,480
If you start to do what
they say, you'd be finished!
836
00:57:33,520 --> 00:57:37,600
You'd be a critic in a small
paper in Rochester, New York.
837
00:57:38,640 --> 00:57:40,960
My writing was to give pleasure.
838
00:57:43,000 --> 00:57:45,760
Every script I've written
was for the audience
839
00:57:45,800 --> 00:57:47,160
to have a good time.
840
00:57:52,760 --> 00:57:54,560
I'm nostalgic about everything.
841
00:57:56,560 --> 00:57:59,520
Not in any one thing,
but many things.
842
00:57:59,560 --> 00:58:02,360
I've been very lucky,
look at all that!
843
00:58:02,400 --> 00:58:06,720
That's a lifetime of
wonderful moments.
844
00:58:08,320 --> 00:58:12,600
I'm very lucky, I'm blessed.
845
00:58:12,640 --> 00:58:17,640
I've been given some wonderful
abilities that helped me
846
00:58:18,680 --> 00:58:19,760
get through to the public.
847
00:58:22,240 --> 00:58:25,680
And that's the bottom line
of all of that, it's love.
848
00:58:25,720 --> 00:58:27,640
If you give love
to your audience,
849
00:58:27,680 --> 00:58:28,920
they're gonna give it back.
850
00:58:34,400 --> 00:58:36,800
You can't explain fame.
851
00:58:36,840 --> 00:58:41,800
So, I said it's like a big
balloon and a bunch of children
852
00:58:41,840 --> 00:58:44,800
around it with long pins.
853
00:58:49,400 --> 00:58:54,400
And if they buy a ticket,
they got the right to do that.
854
00:59:39,920 --> 00:59:42,120
♪ Go marching in ha
855
00:59:42,160 --> 00:59:44,160
♪ Oh when the saints
856
00:59:44,200 --> 00:59:46,360
♪ Go marching ah
857
00:59:46,400 --> 00:59:48,560
♪ Oh ah ha ha ha
858
00:59:48,600 --> 00:59:52,680
♪ Ah
859
00:59:52,720 --> 00:59:55,720
♪ Marching in
860
01:00:03,080 --> 01:00:04,680
- Aw gee, you don't have
to get excited about it.
861
01:00:04,720 --> 01:00:06,400
After all, I'm only out
here trying to sing a song!
862
01:00:12,160 --> 01:00:13,040
Here we go.
863
01:00:14,120 --> 01:00:17,480
♪ I can smile
864
01:00:17,520 --> 01:00:21,400
♪ Just because I'm young
865
01:00:32,600 --> 01:00:33,400
- Cut.
62908
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