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1
00:00:06,840 --> 00:00:08,540
PREVIOUSLY ON "MIND GAMES"...
2
00:00:08,542 --> 00:00:10,275
WE'RE WORKING PRETTY WELL
TOGETHER.
3
00:00:10,277 --> 00:00:13,517
DOES IT REALLY
HAVE TO BE THE END?
IT DOEHAVE TO END.
4
00:00:14,014 --> 00:00:15,114
DID HE DO IT?
Vincent:
THEY'VE GOT ONE EYEWITNESS.
5
00:00:15,116 --> 00:00:16,882
Clark: THE PRIEST.
BY FRIDAY,
6
00:00:16,884 --> 00:00:19,284
HE NEEDS TO TELL THE POLICE
THAT HE NEVER SAW THIS ONE.
7
00:00:19,286 --> 00:00:21,854
NATE WILL STAY HERE
SO HE CAN KEEP AN EYE ON SAM
8
00:00:21,856 --> 00:00:23,122
UNTIL THIS IS FINISHED.
9
00:00:23,124 --> 00:00:24,289
THEY SET ME UP.
10
00:00:24,291 --> 00:00:25,991
I'M SORRY!
I DID IT FOR YOU!
11
00:00:25,993 --> 00:00:27,126
YOU CONNED ME.
12
00:00:27,128 --> 00:00:28,293
[ Crying ] I AM SO SORRY.
13
00:00:28,295 --> 00:00:29,828
S-S-S-SHUT UP!!
14
00:00:29,830 --> 00:00:30,729
DID IT WORK?
15
00:00:30,731 --> 00:00:32,231
YOU SAID FRIDAY.
16
00:00:32,233 --> 00:00:33,565
IT'S NOT FRIDAY YET.
17
00:00:33,567 --> 00:00:35,200
THEY'LL GET IT DONE.
18
00:00:38,138 --> 00:00:41,206
[ WOMAN HUMMING JOHN DENVER'S
"TAKE ME HOME, COUNTRY ROADS" ]
19
00:00:56,489 --> 00:00:57,556
EXCUSE ME.
20
00:00:57,558 --> 00:00:58,757
[ HUMMING STOPS ]
21
00:00:58,759 --> 00:01:01,060
[ EXHALES ]
OH, YOU SCARED ME.
22
00:01:01,062 --> 00:01:03,395
UM, ARE YOU
PROFESSOR EDWARDS?
23
00:01:03,397 --> 00:01:06,598
YES.
PERFECT.
I WANT TO TALK TO YOU
24
00:01:06,600 --> 00:01:08,167
ABOUT TRANSFERRING
INTO YOUR INTRO CLASS.
25
00:01:08,169 --> 00:01:11,670
OKAY. SURE.
26
00:01:11,672 --> 00:01:12,871
I'M SORRY.
27
00:01:12,873 --> 00:01:14,440
WERE YOU JUST HUMMING
JOHN DENVER?
28
00:01:14,442 --> 00:01:15,707
YOU HEARD THAT?
29
00:01:15,709 --> 00:01:18,377
OH, MY GOD.
I AM SO EMBARRASSED.
30
00:01:18,379 --> 00:01:20,512
NO. I LOVE JOHN DENVER.
31
00:01:20,514 --> 00:01:21,780
OH, YOU DON'T
HAVE TO SAY THAT.
32
00:01:21,782 --> 00:01:22,915
I KNOW IT'S WEIRD.
I-I...
33
00:01:22,917 --> 00:01:26,351
NO.
I... LOVE JOHN DENVER.
34
00:01:26,353 --> 00:01:28,153
[ CHUCKLES ]
35
00:01:29,923 --> 00:01:31,190
I'M SORRY.
36
00:01:31,192 --> 00:01:32,591
WHAT... WHAT WAS
YOUR NAME AGAIN?
37
00:01:32,593 --> 00:01:34,259
BETH.
38
00:01:34,261 --> 00:01:35,694
BETH.
39
00:01:43,937 --> 00:01:46,772
THAT WAS A LIE.
40
00:01:46,774 --> 00:01:48,240
WASN'T IT?
41
00:01:48,242 --> 00:01:52,644
ROSS TOLD YOU
TO SAY JOHN DENVER,
42
00:01:52,646 --> 00:01:54,046
THAT IT WAS MY FAVORITE.
43
00:01:54,048 --> 00:01:55,781
CLARK, LET ME EXPLAIN.
I JUST...
44
00:01:55,783 --> 00:01:58,250
RIGHT FROM THE BEGINNING?
45
00:01:58,252 --> 00:02:00,119
[ Sighing ]
OH, WOW.
46
00:02:00,121 --> 00:02:01,854
NONE OF IT WAS REAL.
47
00:02:05,458 --> 00:02:08,627
YOU SET UP EVERYTHING.
48
00:02:08,629 --> 00:02:11,497
CLARK, WAIT.
YOU CAN'T JUST LEAVE.
49
00:02:11,499 --> 00:02:13,398
THEY'RE GONNA KILL ME.
50
00:02:13,400 --> 00:02:15,667
YOU UNDERSTAND?
I'M DEAD.
51
00:02:15,669 --> 00:02:17,903
THAT'S YOUR PROBLEM.
52
00:02:17,905 --> 00:02:19,404
YOU'RE JUST GONNA
WALK OUT OF HERE?
53
00:02:19,406 --> 00:02:20,973
YOU'RE GONNA LET THEM
DO THAT TO ME?
54
00:02:20,975 --> 00:02:23,242
CLARK!
55
00:02:23,244 --> 00:02:25,844
YOU ARE ABANDONING SAM
IN HER TIME OF NEED,
56
00:02:25,846 --> 00:02:27,846
AND IF SOMETHING HAPPENS,
YOU WILL FEEL RESPONSIBLE.
57
00:02:27,848 --> 00:02:29,481
I COULD EVEN SEE THIS
58
00:02:29,483 --> 00:02:31,650
RESULTING IN SOME SORT
OF GUILT-INDUCED PSYCHOSIS.
59
00:02:31,652 --> 00:02:33,919
THAT'S BAD.
YOU DON'T WANT THAT.
60
00:02:33,921 --> 00:02:36,155
IF YOU JUST LISTEN
FOR A MINUTE...
SHUT UP!
61
00:02:36,157 --> 00:02:37,489
YOU GUYS DO WHAT YOU WANT.
62
00:02:37,491 --> 00:02:38,924
I'M GOING TO MY NEW JOB
IN ANOTHER STATE
63
00:02:38,926 --> 00:02:40,592
WHERE PEOPLE AREN'T LYING.
64
00:02:40,594 --> 00:02:41,860
CLARK, YOU DON'T WANT
TO DO THAT.
PLEASE!
65
00:02:41,862 --> 00:02:44,830
I'M AFRAID ROSS IS RIGHT.
66
00:02:44,832 --> 00:02:46,932
[ WIND HOWLING ]
67
00:02:55,508 --> 00:02:57,342
[ DOOR SLAMS ]
68
00:02:57,344 --> 00:02:59,945
[ BREATHING HEAVILY ]
69
00:03:06,452 --> 00:03:08,687
Megan: YOU KNOW, I ONLY TOOK
ONE SEMESTER OF PSYCH,
70
00:03:08,689 --> 00:03:10,389
BUT I THINK
ON SOME SUBCONSCIOUS LEVEL,
71
00:03:10,391 --> 00:03:12,357
THIS MEANS YOU DON'T
REALLY WANT TO LEAVE.
72
00:03:17,130 --> 00:03:19,198
NO!
73
00:03:20,500 --> 00:03:22,367
CLARK, WHY DON'T WE GO
TO THE POLICE WITH ALL OF THIS?
74
00:03:22,369 --> 00:03:24,736
I THINK WE SHOULD PUT SAM
IN WITNESS PROTECTION.
75
00:03:24,738 --> 00:03:26,238
LATRELL, YOU'VE SEEN
TOO MANY MOVIES.
76
00:03:26,240 --> 00:03:28,240
THEY DON'T MOVE YOU TO ARIZONA
AND CHANGE YOUR NAME
77
00:03:28,242 --> 00:03:30,409
BECAUSE YOU HAVE INFORMATION
ON A CON THAT DIDN'T HAPPEN.
78
00:03:30,411 --> 00:03:32,644
CLARK, IF VINCENT THINKS THAT
WE'RE TALKING TO THE POLICE,
79
00:03:32,646 --> 00:03:34,479
IT GIVES HIM MORE INCENTIVE
TO MAKE SURE I DISAPPEAR
80
00:03:34,481 --> 00:03:35,480
AND AM NEVER FOUND.
81
00:03:35,482 --> 00:03:36,748
PLEASE!
82
00:03:42,722 --> 00:03:44,256
THIS IS INSANE!
83
00:03:44,258 --> 00:03:45,591
I SEEM TO REMEMBER
84
00:03:45,593 --> 00:03:48,126
SOMEONE MENTIONING
A GUILT-INDUCED PSYCHOSIS.
85
00:03:55,235 --> 00:03:57,936
[ WINDOW OPENS ]
86
00:03:57,938 --> 00:03:59,538
CLARK,
I'M REALLY NOT SURE
87
00:03:59,540 --> 00:04:01,673
THIS IS THE BEST WAY
TO HANDLE THIS.
88
00:04:01,675 --> 00:04:03,342
YOU WALKED AWAY
FROM THE PLAN.
89
00:04:03,344 --> 00:04:07,079
LOOK, YOU CAN RUN, BUT
IF ANYTHING HAPPENS TO HER,
90
00:04:07,081 --> 00:04:10,349
YOU'LL NEVER
FORGIVE YOURSELF.
91
00:04:10,351 --> 00:04:12,417
YOU REALLY WANT
TO PUT THIS BEHIND YOU?
92
00:04:12,419 --> 00:04:13,719
THEN FINISH IT.
93
00:04:13,721 --> 00:04:15,287
WALK INTO YOUR NEXT LIFE,
YOUR NEXT JOB,
94
00:04:15,289 --> 00:04:16,355
FREE AND UNBURDENED.
95
00:04:16,357 --> 00:04:17,389
UNBURDENED!
96
00:04:17,391 --> 00:04:19,224
OH, MY GOD, THAT'S IT!
97
00:04:19,226 --> 00:04:21,593
WAIT, SO YOU'RE SAYING
SHIFT THE FOCUS TO...
98
00:04:21,595 --> 00:04:23,962
OH, T-THAT COULD WORK.
YEAH, THAT'S GOOD.
99
00:04:23,964 --> 00:04:25,097
WHAT DO YOU THINK?
100
00:04:25,099 --> 00:04:26,531
I THINK I HAVE TO
GET OUT OF HERE.
101
00:04:26,533 --> 00:04:28,600
CLARK.
102
00:04:28,602 --> 00:04:30,769
STAY.
103
00:04:30,771 --> 00:04:32,938
I CAN'T.
104
00:04:32,940 --> 00:04:35,274
[ WIND HOWLING ]
105
00:04:37,143 --> 00:04:39,378
[ VEHICLES PASSING ]
106
00:04:51,758 --> 00:04:53,425
[ Cellphone rings ]
107
00:04:53,427 --> 00:04:55,260
Clark: ROSS, IT'S ME.
108
00:04:55,262 --> 00:04:57,562
JUST SHUT UP.
I HAVE AN IDEA.
109
00:04:57,564 --> 00:04:59,298
IS THIS GONNA BE ENOUGH?
YES.
110
00:04:59,300 --> 00:05:00,499
[ INDISTINCT TALKING ]
111
00:05:00,501 --> 00:05:01,933
Ross: CLARK!
112
00:05:01,935 --> 00:05:03,268
FINALLY, LET'S GO.
WE GOT A LOT TO DO.
113
00:05:03,270 --> 00:05:04,469
WHAT IS THIS?
I THOUGHT THE WHOLE POINT
114
00:05:04,471 --> 00:05:05,804
WAS TO KEEP THESE GUYS
OUT OF IT.
115
00:05:05,806 --> 00:05:07,906
THE NEW PLAN
KEEPS THEM TOTALLY CLEAN.
116
00:05:07,908 --> 00:05:10,342
YES, AND IT CAME TO HIM
IN A DREAM.
117
00:05:10,344 --> 00:05:12,511
VISION.
AND APPARENTLY,
IT INVOLVES BALLOONS.
118
00:05:12,513 --> 00:05:14,112
WAIT, YOU TOLD THEM?
119
00:05:14,114 --> 00:05:16,448
THAT YOU REFUSED TO GO THROUGH
WITH CONNING MILES?
120
00:05:16,450 --> 00:05:18,984
YES, AND THANK YOU FOR ONLY
MOSTLY SCREWING ME OVER.
121
00:05:18,986 --> 00:05:20,452
YEAH, AND AS A RESULT,
122
00:05:20,454 --> 00:05:22,020
WE EITHER TAMPER WITH A WITNESS,
OR YOU DIE.
123
00:05:22,022 --> 00:05:23,088
YEAH,
CLARK MENTIONED THAT.
124
00:05:23,090 --> 00:05:24,523
WHICH REMINDS ME,
125
00:05:24,525 --> 00:05:28,760
UM, NATE, THIS IS MILES,
MEGAN, LATRELL.
126
00:05:28,762 --> 00:05:30,028
GUYS, THIS IS NATE.
127
00:05:30,030 --> 00:05:32,364
HE'S THE ONE
WHO'S GONNA KILL SAM,
128
00:05:32,366 --> 00:05:33,432
IF SHE TRIES TO RUN AWAY.
129
00:05:33,434 --> 00:05:35,967
NICE TO... MEET YOU.
WELCOME.
130
00:05:35,969 --> 00:05:37,369
I HAD BORROWED SOME BOOKS,
131
00:05:37,371 --> 00:05:39,204
AND I WAS HOPING I COULD
SWAP THEM OUT FOR THESE.
132
00:05:39,206 --> 00:05:40,272
YEAH, SURE.
133
00:05:40,274 --> 00:05:42,140
UH, JUST THINK OF US
AS A LIBRARY
134
00:05:42,142 --> 00:05:44,376
THAT'S HELPING YOU
COMMIT A FELONY.
135
00:05:44,378 --> 00:05:45,811
CLARK, I REALLY DON'T THINK
WE SHOULD BE INCLUDING...
136
00:05:45,813 --> 00:05:47,446
STOP! YOU DON'T SPEAK.
137
00:05:47,448 --> 00:05:48,814
SAM, YOU, EITHER.
138
00:05:48,816 --> 00:05:51,283
I'M HERE TO KEEP VINCENT
FROM KILLING ANYONE,
139
00:05:51,285 --> 00:05:52,884
BUT WHEN
EITHER OF YOU SPEAK,
140
00:05:52,886 --> 00:05:55,887
IT REMINDS ME OF HOW MUCH
I WANT TO KILL YOU...
141
00:05:55,889 --> 00:05:58,289
WHICH MAKES IT
HARD TO FOCUS.
142
00:06:00,326 --> 00:06:01,393
WHAT?
143
00:06:01,395 --> 00:06:04,029
CAN'T WE FINISH
THE FIRST PLAN?
144
00:06:04,031 --> 00:06:05,497
IT WON'T WORK.
145
00:06:05,499 --> 00:06:07,299
PRIMING EFFECTS HAVE A WINDOW.
WE MISSED IT.
146
00:06:07,301 --> 00:06:08,667
BUT THE NEW PLAN
147
00:06:08,669 --> 00:06:10,669
BUILDS ON THE GROUNDWORK
WE'VE ALREADY LAID.
148
00:06:10,671 --> 00:06:12,504
DID WE MENTION THAT IT CAME
TO HIM IN A DREAM?
149
00:06:12,506 --> 00:06:14,306
IT WAS A VISION.
HOW HARD IS THAT?
150
00:06:14,308 --> 00:06:16,975
I WAS TELLING ROSS AND SAM
ABOUT THIS STUDY ON MAGGOTS
151
00:06:16,977 --> 00:06:18,510
IN ONE OF THE BOOKS
I BORROWED.
152
00:06:18,512 --> 00:06:21,413
DISGUST-INDUCED
EMPATHY PRIMING?
153
00:06:21,415 --> 00:06:23,248
THAT'S A GOOD THOUGHT.
154
00:06:23,250 --> 00:06:25,083
BUT NOT
THE RIGHT EFFECT.
155
00:06:25,085 --> 00:06:26,818
YOU GUYS KNOW
WHAT YOU'RE DOING?
156
00:06:26,820 --> 00:06:28,487
YEAH. WE'RE IN CHARGE
OF BALLOONS.
157
00:06:28,489 --> 00:06:29,921
YEAH, IT'S LIKE PLANNING
A 6-YEAR-OLD'S BIRTHDAY PARTY
158
00:06:29,923 --> 00:06:31,189
WHERE SAM COULD DIE.
159
00:06:31,191 --> 00:06:32,724
ALL RIGHT,
YOU GUYS FOLLOW ME.
160
00:06:32,726 --> 00:06:34,393
WHERE ARE WE GOING?
161
00:06:34,395 --> 00:06:37,329
IF MR. VINCENT WANTS US
TO GET HIS SON OUT OF TROUBLE,
162
00:06:37,331 --> 00:06:39,664
THEN HE NEEDS TO LET US
BORROW SOMETHING.
163
00:06:39,666 --> 00:06:40,932
WHAT'S THAT?
164
00:06:40,934 --> 00:06:42,667
HIS SON.
165
00:06:48,408 --> 00:06:50,409
[ EXHALES DEEPLY ]
166
00:06:53,679 --> 00:06:55,614
ARE WE NOT
TAKING THE STAIRS?
167
00:06:55,616 --> 00:06:58,383
NO, I WAS JUST MAKING SURE
IT WAS STILL THERE.
168
00:06:58,385 --> 00:07:00,218
Vincent: SO, ARE YOU GONNA
TELL ME WHY YOU NEED ELLIOT?
169
00:07:00,220 --> 00:07:02,053
BECAUSE YOU LIED TO US.
170
00:07:02,055 --> 00:07:03,422
EXCUSE ME?
171
00:07:03,424 --> 00:07:06,425
YOU SAID ELLIOT
DIDN'T BEAT THE GUY UP.
172
00:07:06,427 --> 00:07:08,360
NATE TOLD US HE DID.
173
00:07:08,362 --> 00:07:09,694
IS THAT SO?
174
00:07:09,696 --> 00:07:11,530
H-H-HE SAID
IT AFFECTED THE PLAN.
175
00:07:11,532 --> 00:07:13,432
YOU'RE LUCKY
HE SAID SOMETHING.
176
00:07:13,434 --> 00:07:15,634
I TRIED TO ADJUST
THE ORIGINAL STRATEGY
177
00:07:15,636 --> 00:07:17,602
FOR THE FACT
THAT ELLIOT'S GUILTY,
178
00:07:17,604 --> 00:07:19,371
BUT GIVEN
WHAT'S AT STAKE,
179
00:07:19,373 --> 00:07:22,441
I DECIDED TO SCRAP IT
AND... AND DO THIS RIGHT.
180
00:07:22,443 --> 00:07:24,609
SO, IF THERE'S ANYTHING ELSE
WE NEED TO KNOW,
181
00:07:24,611 --> 00:07:26,311
LIKE IF THIS VICTIM,
MR. ANDREWS,
182
00:07:26,313 --> 00:07:28,814
IS GONNA SUDDENLY CHANGE
HIS MIND AND TESTIFY...
183
00:07:28,816 --> 00:07:30,816
LOOK, ANDREWS
IS NOT A PROBLEM.
184
00:07:30,818 --> 00:07:33,118
ALL HE KNOWS IS A MAN
WITH A SKI MASK
185
00:07:33,120 --> 00:07:35,253
MADE SURE
HE COULDN'T WALK AGAIN.
186
00:07:35,255 --> 00:07:38,123
IT'S THE PRIEST THAT
YOU'VE GOT TO CONCENTRATE ON.
187
00:07:38,125 --> 00:07:41,092
ACTUALLY,
HE MIGHT WALK AGAIN.
EXCUSE ME?
188
00:07:41,094 --> 00:07:43,662
THE DOCTOR SAID THAT HIS SPINAL
CORD MIGHT JUST BE BRUISED,
189
00:07:43,664 --> 00:07:45,464
SO, UH...
HE MIGHT WALK AGAIN.
190
00:07:45,466 --> 00:07:46,465
YOU KNOW, MAYBE.
191
00:07:46,467 --> 00:07:47,899
OH, WHAT?
192
00:07:47,901 --> 00:07:49,935
SO, YOU'RE CHECKING UP
ON HIM NOW, ARE YOU?
193
00:07:49,937 --> 00:07:51,803
WHY DON'T YOU JUST SEND HIM
A "GET WELL" CARD
194
00:07:51,805 --> 00:07:52,904
AND SOME BLOODY FLOWERS?
195
00:07:52,906 --> 00:07:54,506
DAD, I WAS...
196
00:07:54,508 --> 00:07:56,241
LOOK, HE GOT
WHAT HE WAS OWED.
197
00:07:56,243 --> 00:07:59,244
AND FINALLY, YOU STEPPED UP
AND DONE SOMETHING ABOUT IT.
198
00:07:59,246 --> 00:08:02,280
DON'T YOU START GOING WEAK
ON ME NOW, ELLIOT,
199
00:08:02,282 --> 00:08:03,348
YOU UNDERSTAND?
200
00:08:03,350 --> 00:08:04,683
YES. YES, SIR.
201
00:08:04,685 --> 00:08:06,284
YOU KNOW WHAT
THE WEAK GET, ELLIOT?
202
00:08:06,286 --> 00:08:08,186
THEY INHERIT THE EARTH.
NO!
203
00:08:08,188 --> 00:08:09,988
THE MEEK INHERIT THE EARTH.
204
00:08:09,990 --> 00:08:12,190
THE WEAK INHERIT NOTHING.
205
00:08:12,192 --> 00:08:14,326
YOU BETTER BELIEVE ME
ON THAT.
206
00:08:14,328 --> 00:08:16,361
NOW, WHAT DO YOU
WANT ELLIOT FOR?
207
00:08:16,363 --> 00:08:18,630
I MEAN, HE CAN'T GO
NEAR THE PRIEST.
208
00:08:18,632 --> 00:08:20,365
H-H-HE WON'T EVEN SEE
THE PRIEST.
209
00:08:20,367 --> 00:08:21,666
IN FACT,
HE WON'T DO A THING
210
00:08:21,668 --> 00:08:23,635
THAT VIOLATES THE TERMS
OF HIS... BAIL.
211
00:08:23,637 --> 00:08:26,037
AND N-N-NATE WILL ALWAYS BE
WITH US TO KEEP AN EYE ON HIM,
212
00:08:26,039 --> 00:08:27,439
SO HE... YEAH.
213
00:08:27,441 --> 00:08:28,940
HOLD ON A MINUTE.
214
00:08:28,942 --> 00:08:30,609
WHY ARE YOU STOPPING
THESE TWO FROM TALKING?
215
00:08:30,611 --> 00:08:32,878
IT DOESN'T MATTER.
216
00:08:32,880 --> 00:08:34,679
LOOK, THE BOTTOM LINE,
MR. VINCENT,
217
00:08:34,681 --> 00:08:35,947
IS THE MOST EFFECTIVE WAY
TO ALTER
218
00:08:35,949 --> 00:08:37,449
THE PRIEST'S MEMORY
OF THE EVENT
219
00:08:37,451 --> 00:08:40,452
IS BY USING THE PERSON
WHO CAUSED IT, ELLIOT.
220
00:08:40,454 --> 00:08:44,823
IF YOU WANT HIM TO GET AWAY
WITH IT, THIS IS HOW IT WORKS.
221
00:08:56,469 --> 00:08:58,136
Clark:
ACCORDING TO THE POLICE REPORT,
222
00:08:58,138 --> 00:09:00,305
FATHER DAN SAW YOU WALK UP
TO THAT DOOR, PUT ON A SKI MASK.
223
00:09:00,307 --> 00:09:02,307
UH, SEVEN MINUTES LATER,
HE SAW YOU WALK OUT,
224
00:09:02,309 --> 00:09:04,009
TAKE THE SKI MASK OFF,
AND IN THAT TIME,
225
00:09:04,011 --> 00:09:07,045
YOU HAD BEATEN MR. ANDREWS
TO A PULP WITH A BASEBALL BAT.
226
00:09:07,047 --> 00:09:08,980
AM I RIGHT ABOUT THAT?
227
00:09:08,982 --> 00:09:11,583
OKAY. PERFECT.
228
00:09:11,585 --> 00:09:14,986
NOW, MILES, PUT A CAMERA
ON THAT WINDOW OF THE FOOD BANK,
229
00:09:14,988 --> 00:09:17,322
THE EXACT LOCATION
WHERE FATHER DAN SAW YOU FROM.
230
00:09:17,324 --> 00:09:19,891
YOU'RE GONNA COME IN AND OUT
OF THAT DOOR, JUST LIKE YOU DID,
231
00:09:19,893 --> 00:09:22,060
AND WE'RE GONNA FILM IT
FROM HIS PERSPECTIVE.
232
00:09:22,062 --> 00:09:24,829
TRICK IS, WE'RE GONNA DO IT
AGAIN AND AGAIN.
233
00:09:24,831 --> 00:09:26,331
EACH TIME,
CHANGING THE DETAILS.
234
00:09:26,333 --> 00:09:28,333
SO YOU'RE GONNA BE WEARING
DIFFERENT CLOTHES,
235
00:09:28,335 --> 00:09:30,101
YOU'RE GONNA ENTER AND EXIT
FROM DIFFERENT DIRECTIONS,
236
00:09:30,103 --> 00:09:32,504
AND THAT'S GONNA CREATE
A BUNCH OF DIFFERENT VERSIONS.
237
00:09:32,506 --> 00:09:33,905
AND EVERY TIME YOU GO IN,
238
00:09:33,907 --> 00:09:36,107
YOU'LL BE CARRYING
A DIFFERENT ONE OF THESE.
239
00:09:36,109 --> 00:09:37,909
THAT WAY, WHEN WE SHOW
FATHER DAN THE VIDEO,
240
00:09:37,911 --> 00:09:39,277
EACH OF
THE DIFFERENT VERSIONS
241
00:09:39,279 --> 00:09:40,845
IS GONNA BE TIED
TO A VISUAL CUE...
242
00:09:40,847 --> 00:09:43,281
THE BALLOONS...
AND WE CAN USE THOSE
243
00:09:43,283 --> 00:09:45,283
TO FORCE FATHER DAN TO RECALL
A BUNCH OF CONFLICTING MEMORIES
244
00:09:45,285 --> 00:09:46,918
ALL AT ONCE.
245
00:09:46,920 --> 00:09:50,021
SO HE WON'T, IN GOOD CONSCIENCE,
BE ABLE TO TESTIFY.
246
00:09:53,593 --> 00:09:57,362
SO, UM, HOW DOES THE PRIEST
SEE THE VIDEOS?
247
00:09:58,864 --> 00:10:00,465
UH, WE'RE GONNA BURY THEM
248
00:10:00,467 --> 00:10:03,368
AS SUBLIMINAL IMAGES
IN HIS TELEVISION SIGNAL.
249
00:10:03,370 --> 00:10:05,637
SO, THE VIDEOS
PLANT FAKE MEMORIES
250
00:10:05,639 --> 00:10:07,639
AND THE BALLOONS
CALL THEM UP?
251
00:10:07,641 --> 00:10:10,542
NATE, YOU UNDERSTAND THIS
BETTER THAN ROSS DOES.
252
00:10:12,445 --> 00:10:14,079
AND THEN WHAT?
253
00:10:14,081 --> 00:10:17,382
YOU JUST GONNA AMBUSH A PRIEST
WITH A BUNCH OF BALLOONS?
254
00:10:17,384 --> 00:10:19,250
WE HAVE A PERMIT
TO STAGE A RALLY
255
00:10:19,252 --> 00:10:21,319
AT THE COURTHOUSE STEPS
TOMORROW NIGHT,
256
00:10:21,321 --> 00:10:23,922
BUT WE'RE GONNA "ACCIDENTALLY"
DROP THESE BALLOONS
257
00:10:23,924 --> 00:10:25,223
WHEN FATHER DAN ARRIVES
258
00:10:25,225 --> 00:10:26,825
FOR ELLIOT'S HEARING
IN THE AFTERNOON.
259
00:10:26,827 --> 00:10:31,229
ALL RIGHT, THE KEY
TO THIS WORKING IS YOU.
260
00:10:31,231 --> 00:10:34,933
EVERY TIME YOU GO
IN THAT WAREHOUSE,
261
00:10:34,935 --> 00:10:37,936
YOU NEED TO IMAGINE YOURSELF
ASSAULTING MR. ANDREWS.
262
00:10:37,938 --> 00:10:39,104
RELIVE IT.
263
00:10:39,106 --> 00:10:40,572
THAT WAY,
WHEN YOU COME OUT,
264
00:10:40,574 --> 00:10:42,574
YOUR ATTITUDE,
THE WAY YOU MOVE,
265
00:10:42,576 --> 00:10:43,942
WILL BE
AS CLOSE AS POSSIBLE
266
00:10:43,944 --> 00:10:45,644
TO THE WAY IT WAS
WHEN FATHER DAN SAW YOU.
267
00:10:45,646 --> 00:10:47,445
THINK YOU CAN DO THAT?
268
00:10:47,447 --> 00:10:50,215
YEAH.
269
00:11:02,094 --> 00:11:03,595
[ SNIFFLES ]
270
00:12:17,536 --> 00:12:19,771
[ RETCHING ]
271
00:12:21,607 --> 00:12:23,308
[ BREATHING HEAVILY ]
272
00:12:26,579 --> 00:12:28,513
YOU OKAY?
273
00:12:28,515 --> 00:12:31,182
WAIT.
JUST... GIVE ME A SECOND.
274
00:12:34,553 --> 00:12:37,288
[ Sighing ]
I DIDN'T WANT TO DO IT.
275
00:12:37,290 --> 00:12:40,859
HE WOULDN'T PAY
FOR PROTECTION.
276
00:12:40,861 --> 00:12:45,497
MR. ANDREWS...
HE... HE WOULDN'T PAY.
277
00:12:47,800 --> 00:12:49,534
[ SNIFFLES ]
278
00:12:49,536 --> 00:12:51,536
AND DAD SAID
IT WAS, UH...
279
00:12:51,538 --> 00:12:55,306
IT WAS TIME FOR ME
TO SEND HIM A MESSAGE.
280
00:12:55,308 --> 00:12:57,709
IT WAS TIME FOR ME
TO DO MY PART.
281
00:13:00,212 --> 00:13:02,814
HE TOLD ME
TO BREAK HIS LEGS.
282
00:13:07,086 --> 00:13:11,856
YOU HAVE TO HIT SOMEONE
VERY HARD TO BREAK THEIR LEGS.
283
00:13:13,726 --> 00:13:15,293
DID YOU KNOW THAT?
284
00:13:17,730 --> 00:13:20,698
YEAH, ME, EITHER.
285
00:13:21,767 --> 00:13:24,102
HE'S NOT FEELING WELL.
THE KID THREW UP.
286
00:13:24,104 --> 00:13:26,171
IF YOU WANT HIM
TO DO IT AGAIN,
287
00:13:26,173 --> 00:13:28,673
YOU'RE GONNA HAVE TO GIVE HIM
A FEW MINUTES.
288
00:13:28,675 --> 00:13:31,576
NO. I THINK WE HAVE
WHAT WE NEED.
289
00:13:31,578 --> 00:13:34,679
GREAT. YOU GUYS,
UH, TAKE HIM BACK HOME,
290
00:13:34,681 --> 00:13:36,181
AND I'LL WALK HIM THROUGH
291
00:13:36,183 --> 00:13:37,582
WHAT HE NEEDS TO DO TOMORROW
AT THE COURTHOUSE.
292
00:13:37,584 --> 00:13:40,118
ROSS, UH, LET'S GATHER UP
THIS EQUIPMENT
293
00:13:40,120 --> 00:13:42,654
AND BRING IT BACK
TO THE OFFICE, OKAY?
294
00:13:45,257 --> 00:13:47,058
[ ENGINE TURNS OVER ]
295
00:13:58,003 --> 00:14:00,572
DIDN'T YOU...
DRIVE YOUR OWN CAR?
296
00:14:03,542 --> 00:14:08,179
THEY REALLY KIDNAPPED YOU?
TRIED TO STRANGLE YOU?
297
00:14:08,181 --> 00:14:09,214
WHERE'D YOU HEAR THAT?
298
00:14:09,216 --> 00:14:10,682
NATE.
299
00:14:10,684 --> 00:14:14,819
SO YOU'LL TALK TO NATE,
BUT YOU WON'T TALK TO ME.
300
00:14:14,821 --> 00:14:17,689
YOU'VE KNOWN MILES
HOW MANY MONTHS?
301
00:14:17,691 --> 00:14:20,825
AND YOU NEARLY
GET YOURSELF KILLED
302
00:14:20,827 --> 00:14:22,727
KEEPING HIM
FROM GETTING ROBBED,
303
00:14:22,729 --> 00:14:24,963
BUT ME, YOUR BROTHER,
YOU'LL HIRE SOMEONE
304
00:14:24,965 --> 00:14:27,866
TO HAVE AN AFFAIR WITH ME
TO GET ME FIRED FROM MY JOB.
305
00:14:27,868 --> 00:14:29,334
HOW DOES
THAT MAKE SENSE?
306
00:14:29,336 --> 00:14:31,402
CLARK, I'M SORRY.
I JUST THOUGHT...
307
00:14:31,404 --> 00:14:33,404
THAT I-I WOULD BE BETTER
WORKING WITH YOU.
308
00:14:33,406 --> 00:14:34,873
I KNOW. I HEARD THIS
309
00:14:34,875 --> 00:14:36,241
WHEN YOU ASKED ME
TO START THE COMPANY.
310
00:14:36,243 --> 00:14:37,242
AND WHAT DID I SAY?
311
00:14:37,244 --> 00:14:38,977
YOU SAID NO.
I SAID NO.
312
00:14:38,979 --> 00:14:42,180
YOU ASKED. I ANSWERED.
THAT SHOULD'VE BEEN IT, ROSS.
313
00:14:42,182 --> 00:14:44,382
[ SIGHS ]
314
00:14:44,384 --> 00:14:45,950
BUT I WAS RIGHT.
315
00:14:47,686 --> 00:14:48,753
EXCUSE ME?
316
00:14:48,755 --> 00:14:50,421
[ SIGHS ]
317
00:14:50,423 --> 00:14:54,058
LOOK, I KNOW I'M JUST AN EX-CON
AND YOU ARE THE GENIUS,
318
00:14:54,060 --> 00:14:56,661
SO IT'S HARD TO IMAGINE,
319
00:14:56,663 --> 00:15:00,198
BUT THIS TIME, I WAS RIGHT,
AND YOU WERE WRONG.
320
00:15:00,200 --> 00:15:03,268
YOU SAID NO.
YOU SHOULD'VE SAID YES.
321
00:15:03,270 --> 00:15:05,003
SO, BECAUSE YOU DIDN'T
LIKE MY ANSWER...
322
00:15:05,005 --> 00:15:07,772
EVERYBODY WHO COMES
THROUGH OUR DOORS IS THERE
323
00:15:07,774 --> 00:15:10,408
BECAUSE THEY DIDN'T LIKE
SOMEONE'S ANSWER.
324
00:15:10,410 --> 00:15:12,010
WHAT DO WE DO?
325
00:15:12,012 --> 00:15:13,912
WE'VE CHANGED THEIR MINDS
326
00:15:13,914 --> 00:15:17,081
WITHOUT THEM HAVING A CLUE
IT HAPPENED.
327
00:15:17,083 --> 00:15:19,584
BECAUSE YOU DECIDED
THEY'D BE BETTER OFF
328
00:15:19,586 --> 00:15:21,619
IF THEY SAID YES
INSTEAD OF NO.
329
00:15:21,621 --> 00:15:22,901
THAT'S WHAT WE DO.
330
00:15:25,424 --> 00:15:27,926
WHAT I DID TO START
THE BUSINESS WAS WRONG.
331
00:15:27,928 --> 00:15:29,761
I MEAN,
IT WAS BEYOND WRONG.
332
00:15:29,763 --> 00:15:32,597
IT WAS... THE WORST THING
THAT I'VE EVER DONE TO ANYONE,
333
00:15:32,599 --> 00:15:36,067
BUT...[SIGHS] IT WAS ALSO
THE BEST THING
334
00:15:36,069 --> 00:15:37,235
THAT HAS EVER HAPPENED
FOR YOU.
335
00:15:37,237 --> 00:15:38,870
DESPITE THAT,
YOU'RE ABOUT TO GO
336
00:15:38,872 --> 00:15:40,571
AND MAKE
THE WRONG DECISION AGAIN!
337
00:15:40,573 --> 00:15:42,573
WHERE YOU GOING?
CLARK!
338
00:15:42,575 --> 00:15:44,442
HEY! I'M NOT DONE!
339
00:15:44,444 --> 00:15:46,277
BETH ONLY DECIDED
TO HELP ME
340
00:15:46,279 --> 00:15:48,446
BECAUSE I TOLD HER
IT WOULD SAVE YOU.
341
00:15:48,448 --> 00:15:49,948
YOU KNOW WHAT?
342
00:15:49,950 --> 00:15:52,050
SHE IS NOT A CON. SHE DIDN'T
PRETEND TO FALL IN LOVE.
343
00:15:52,052 --> 00:15:55,086
SHE FELL IN LOVE.
IT'S REAL, AND YOU KNOW IT.
344
00:15:55,088 --> 00:15:57,722
SO, BEFORE YOU THROW AWAY
A JOB THAT YOU LOVE
345
00:15:57,724 --> 00:16:00,491
AND... AND A WOMAN THAT
YOU WERE READY TO MARRY,
346
00:16:00,493 --> 00:16:03,428
YOU MIGHT WANT TO THINK
A LITTLE HARDER ABOUT THAT.
347
00:16:03,430 --> 00:16:05,763
THEY AREN'T YOUR PROBLEM!
348
00:16:05,765 --> 00:16:07,966
WHAT IS MY PROBLEM, ROSS?
349
00:16:09,668 --> 00:16:13,237
IT'S ME.
350
00:16:13,239 --> 00:16:15,807
THAT'S WHY
I'M GOING AWAY.
351
00:16:15,809 --> 00:16:18,276
WHAT ARE YOU
TALKING ABOUT?
352
00:16:18,278 --> 00:16:19,277
[ SIGHS ]
353
00:16:19,279 --> 00:16:21,179
I PUT IN FOR RELOCATION
354
00:16:21,181 --> 00:16:22,847
WITH MY PAROLE OFFICER
THIS MORNING.
355
00:16:22,849 --> 00:16:24,782
WHERE ARE YOU GOING?
WHAT DO YOU CARE?
356
00:16:24,784 --> 00:16:28,586
THE POINT IS I'LL BE GONE,
AND... WHATEVER I'VE DONE...
357
00:16:28,588 --> 00:16:32,090
THE GOOD THAT CAME FROM IT...
THAT'LL STILL BE HERE.
358
00:16:32,092 --> 00:16:33,825
TAKE IT OR LEAVE IT.
359
00:16:33,827 --> 00:16:37,662
BUT THE DECISION
TO SAY YES OR NO...
360
00:16:39,164 --> 00:16:41,666
IT'S ENTIRELY YOURS NOW.
361
00:16:44,336 --> 00:16:46,604
WAIT.
362
00:16:46,606 --> 00:16:47,606
[ SIGHS ] WHAT?
363
00:16:51,343 --> 00:16:54,979
I NEED TO TELL YOU
WHAT'S ACTUALLY GOING ON.
364
00:16:54,981 --> 00:16:57,615
WE'RE USING BALLOONS
TO BREAK FATHER DAN'S BRAIN.
365
00:16:57,617 --> 00:17:00,184
I GET IT AS MUCH AS I USUALLY
GET ANYTHING WE DO.
366
00:17:00,186 --> 00:17:03,421
WE'RE ONLY PRETENDING
TO GET FATHER DAN TO PULL OUT.
367
00:17:05,991 --> 00:17:07,725
WHAT ARE WE
ACTUALLY DOING?
368
00:17:07,727 --> 00:17:10,528
GETTING ELLIOT
TO CONFESS.
369
00:17:19,805 --> 00:17:21,072
I JUST TOLD THE KID
EVERYTHING'S GONNA BE OKAY.
370
00:17:21,074 --> 00:17:22,073
NOW WE'RE SENDING HIM
TO JAIL?
371
00:17:22,075 --> 00:17:23,408
GETTING ELLIOT TO CONFESS
372
00:17:23,410 --> 00:17:25,343
IS A MUCH MORE
RELIABLE STRATEGY.
373
00:17:25,345 --> 00:17:27,245
IT ALSO DOESN'T INVOLVE
TAMPERING WITH A WITNESS.
374
00:17:27,247 --> 00:17:29,414
Clark: AND IN THE LONG RUN,
IT'S WHAT'S BEST FOR ELLIOT.
375
00:17:29,416 --> 00:17:31,315
IF ELLIOT IS GONNA BE
DIFFERENT FROM HIS FATHER,
376
00:17:31,317 --> 00:17:33,317
HE NEEDS TO BE WILLING
TO FOLLOW HIS OWN CONSCIENCE
377
00:17:33,319 --> 00:17:35,053
AND NOT
HIS FATHER'S DEMANDS.
378
00:17:35,055 --> 00:17:36,587
PAYING FOR HIS OWN CRIME
379
00:17:36,589 --> 00:17:38,923
WILL HELP HIM ESTABLISH HIMSELF
AS HIS OWN MAN.
380
00:17:38,925 --> 00:17:42,360
HE PLEADS,
HE GETS A REDUCED SENTENCE,
381
00:17:42,362 --> 00:17:43,828
AND WHEN HE GETS OUT,
382
00:17:43,830 --> 00:17:45,696
HE'S GOT A MUCH BETTER SHOT
AT GOING HIS OWN WAY.
383
00:17:45,698 --> 00:17:47,765
TROUBLE IS,
WE HAVE TO GET VINCENT TO THINK
384
00:17:47,767 --> 00:17:50,101
THAT WE DID OUR JOB
ON FATHER DAN, NOT ON ELLIOT.
385
00:17:50,103 --> 00:17:52,603
SO CLARK HAS COME UP WITH
AN IDEA THAT MAKES IT LOOK LIKE
386
00:17:52,605 --> 00:17:55,239
WE ARE DOING ONE THING, WHEN
ACTUALLY, WE'RE DOING THE OTHER.
387
00:17:55,241 --> 00:17:57,041
MEGAN,
EXPLAIN HOW IT WORKS.
388
00:17:57,043 --> 00:17:59,010
WE'VE TOLD ELLIOT
THAT HE MADE THE VIDEOS
389
00:17:59,012 --> 00:18:02,113
TO ASSOCIATE FALSE MEMORIES WITH
BALLOONS IN FATHER DAN'S MIND.
390
00:18:02,115 --> 00:18:05,083
SO, AT THE COURTHOUSE, FATHER
DAN WILL DESCEND THE STEPS.
391
00:18:05,085 --> 00:18:07,051
ELLIOT WILL BE WAITING
AT THE BOTTOM.
392
00:18:07,053 --> 00:18:08,786
WE'LL DROP THE BALLOONS.
393
00:18:08,788 --> 00:18:10,755
THEN, IT WILL APPEAR LIKE
FATHER DAN HAS CHANGED HIS MIND
394
00:18:10,757 --> 00:18:13,724
ABOUT TESTIFYING AGAINST ELLIOT
AND TURN BACK.
395
00:18:13,726 --> 00:18:15,193
BUT IT'S ACTUALLY NOT
THE BALLOONS
396
00:18:15,195 --> 00:18:16,794
THAT GOT HIM TO TURN BACK.
THAT WILL BE YOU.
397
00:18:16,796 --> 00:18:18,796
ME?
Clark: YEAH.
398
00:18:18,798 --> 00:18:21,099
UH, YOU'LL BE THE PRIEST
THAT YOU PLAYED IN THE DINER,
399
00:18:21,101 --> 00:18:23,401
WHEN YOU EVAPORATED
INTO THIN AIR.
400
00:18:23,403 --> 00:18:25,736
LOOK,
WHEN THE BALLOONS DROP,
401
00:18:25,738 --> 00:18:28,306
YOU'LL GET
THE PRIEST'S ATTENTION.
402
00:18:28,308 --> 00:18:31,242
WHEN HE SEES YOU, HE'S GONNA
BE CONFUSED AND INTRIGUED.
403
00:18:31,244 --> 00:18:32,910
HE IS GONNA COME
AFTER YOU.
404
00:18:32,912 --> 00:18:35,646
BUT... VINCENT AND ELLIOT,
THEY WON'T SEE YOU.
405
00:18:35,648 --> 00:18:37,715
TO THEM,
IT WILL SIMPLY LOOK LIKE
406
00:18:37,717 --> 00:18:40,318
THE BALLOONS HAVE BROKEN
FATHER DAN'S BRAIN
407
00:18:40,320 --> 00:18:42,420
AND THAT HE'S DECIDED
NOT TO TESTIFY,
408
00:18:42,422 --> 00:18:44,288
WHICH IS EXACTLY
WHAT WE PROMISED.
409
00:18:44,290 --> 00:18:46,757
OKAY, SO,
THAT MAKES IT LOOK LIKE
410
00:18:46,759 --> 00:18:49,093
WE CHANGED
FATHER DAN'S MIND.
411
00:18:49,095 --> 00:18:50,962
NOW, HOW ARE WE DEALING
412
00:18:50,964 --> 00:18:53,664
WITH GETTING ELLIOT
TO CONFESS?
413
00:18:53,666 --> 00:18:56,400
GUILT BALLOONS!
MAGIC TOUCH.
414
00:18:56,402 --> 00:18:58,769
Miles: THEY THINK
THAT WE MADE THE VIDEOS
415
00:18:58,771 --> 00:19:00,404
TO PLAY THEM FOR FATHER DAN,
BUT ACTUALLY,
416
00:19:00,406 --> 00:19:01,973
IT'S A TECHNIQUE
CALLED COGNITIVE IMMERSION.
417
00:19:01,975 --> 00:19:04,175
Clark:
BASICALLY, WE GOT ELLIOT
418
00:19:04,177 --> 00:19:06,144
TO RE-ENACT HIS CRIME
OVER AND OVER AND OVER AGAIN,
419
00:19:06,146 --> 00:19:08,446
GETTING HIM
TO REALLY RELIVE IT.
420
00:19:08,448 --> 00:19:09,780
BUT EVERY TIME WE DID IT,
421
00:19:09,782 --> 00:19:11,449
WE PUT HIM IN HEAVIER
AND HEAVIER CLOTHES.
422
00:19:11,451 --> 00:19:13,918
SOME OF THEM EVEN HAD SANDBAGS
IN THE POCKETS.
423
00:19:13,920 --> 00:19:15,987
THE ADDITIONAL WEIGHT
IS INTERPRETED BY THE BRAIN
424
00:19:15,989 --> 00:19:17,321
LIKE IT'S GUILT.
425
00:19:17,323 --> 00:19:18,990
SO, AS ELLIOT
RE-ENACTED THE CRIME,
426
00:19:18,992 --> 00:19:20,925
HE STARTED TO FEEL GUILTIER
AND GUILTIER.
427
00:19:20,927 --> 00:19:23,361
UNTIL HE ACTUALLY
MADE HIMSELF SICK.
428
00:19:23,363 --> 00:19:24,862
Clark: EXACTLY.
429
00:19:24,864 --> 00:19:28,499
AND NOW ALL THAT GUILT
IS ASSOCIATED WITH BALLOONS.
430
00:19:28,501 --> 00:19:30,168
Latrell:
AND WHEN WE DROP THEM,
431
00:19:30,170 --> 00:19:32,303
IT WILL SEEM LIKE
THEY'RE AFFECTING FATHER DAN.
432
00:19:32,305 --> 00:19:33,538
BUT REALLY,
WE'LL BE RELEASING
433
00:19:33,540 --> 00:19:34,839
A TIDAL WAVE OF GUILT
FOR ELLIOT.
434
00:19:34,841 --> 00:19:37,675
SO THEN, ALL WE HAVE TO DO
IS SUGGEST
435
00:19:37,677 --> 00:19:41,279
THAT HE WOULD FEEL SO MUCH
BETTER IF HE SIMPLY CONFESSES,
436
00:19:41,281 --> 00:19:42,680
AND HE'LL JUST LEAP
AT THE OPPORTUNITY.
437
00:19:42,682 --> 00:19:43,948
WHAT ARE WE GONNA DO?
438
00:19:43,950 --> 00:19:46,150
SAY, "ELLIOT,
TIME TO GO CONFESS"?
439
00:19:46,152 --> 00:19:47,985
I MEAN, VINCENT'S GONNA BE
STANDING RIGHT THERE.
440
00:19:47,987 --> 00:19:50,221
THAT'S WHERE THE "MAGIC TOUCH"
PART COMES IN.
441
00:19:50,223 --> 00:19:51,455
OOOOH, LET ME...
LET ME EXPLAIN THIS PART.
442
00:19:51,457 --> 00:19:52,957
IT'S SUPER COOL.
443
00:19:52,959 --> 00:19:54,825
NEURO-LINGUISTIC PROGRAMMING?
Clark: YEP.
444
00:19:54,827 --> 00:19:56,294
SO, YOU CAN THINK OF IT
445
00:19:56,296 --> 00:19:58,529
LIKE YOU'RE HYPNOTIZING SOMEONE
WHILE THEY'RE AWAKE.
446
00:19:58,531 --> 00:20:00,131
I'M STANDING HERE,
TALKING TO YOU,
447
00:20:00,133 --> 00:20:02,567
AND THE WHOLE TIME, I'M SUBTLY
TOUCHING YOUR SHOULDER
448
00:20:02,569 --> 00:20:06,170
WHILE SAYING THE WORDS
"FISH," "OCEAN," "CLAMS."
449
00:20:06,172 --> 00:20:09,807
YOU START TO ASSOCIATE MY TOUCH
WITH SEAFOOD.
450
00:20:09,809 --> 00:20:11,809
NOW, HERE'S WHERE
THE "MAGIC" PART COMES IN.
451
00:20:11,811 --> 00:20:14,812
IF, A LITTLE BIT LATER,
LATRELL COMES OVER
452
00:20:14,814 --> 00:20:16,180
AND ASKS YOU
WHAT YOU'D LIKE FOR DINNER
453
00:20:16,182 --> 00:20:17,915
WHILE TOUCHING
YOUR SHOULDER...
454
00:20:17,917 --> 00:20:19,483
SUDDENLY,
THE IDEA OF SEAFOOD
455
00:20:19,485 --> 00:20:21,686
WILL POP INTO YOUR HEAD
WITHOUT ME SAYING A WORD.
456
00:20:21,688 --> 00:20:24,922
SO, TOMORROW,
WHEN I'M EXPLAINING TO ELLIOT
457
00:20:24,924 --> 00:20:27,391
WHAT'S GONNA HAPPEN
WHEN FATHER DAN ARRIVES,
458
00:20:27,393 --> 00:20:29,560
I'LL SECRETLY
BE PROGRAMMING HIM
459
00:20:29,562 --> 00:20:34,599
TO ASSOCIATE CONFESSION
WITH MY TOUCH ON HIS SHOULDER.
460
00:20:34,601 --> 00:20:37,501
THAT WAY, WE SIMPLY
HAVE TO DROP THE BALLOONS,
461
00:20:37,503 --> 00:20:38,703
AND HE BECOMES
OVERWHELMED WITH GUILT.
462
00:20:38,705 --> 00:20:40,071
Latrell:
GUILT BALLOONS.
463
00:20:40,073 --> 00:20:41,939
THEN, ONCE
HE'S SWIMMING IN THE GUILT,
464
00:20:41,941 --> 00:20:43,574
WE'LL TOUCH HIM ON THE SHOULDER,
465
00:20:43,576 --> 00:20:45,443
AND THAT'S GONNA ACTIVATE
HIS DESIRE TO CONFESS.
466
00:20:45,445 --> 00:20:46,844
MAGIC TOUCH.
467
00:20:46,846 --> 00:20:50,615
WOW.
THAT WAS AMAZING.
468
00:20:50,617 --> 00:20:51,716
HOW DID YOU...
469
00:20:51,718 --> 00:20:52,850
[ CELLPHONE CHIMES ]
470
00:20:54,753 --> 00:20:56,754
OH, UH... IT'S SAM.
471
00:20:56,756 --> 00:20:58,556
DOES SHE KNOW
ANY OF THIS?
NO.
472
00:20:58,558 --> 00:21:00,858
YOU ONLY KNOW BECAUSE WE NEED
YOU TO PLAY THE PRIEST.
473
00:21:00,860 --> 00:21:02,460
WHAT'D SHE SAY?
474
00:21:02,462 --> 00:21:05,563
NATE IS BRINGING HER HERE,
VINCENT WANTS TO MAKE SURE
475
00:21:05,565 --> 00:21:07,865
THAT WE SHOW THE VIDEOS
TO THE PRIEST.
476
00:21:07,867 --> 00:21:12,637
UM... WE'RE NOT ACTUALLY
SHOWING THE PRIEST THE VIDEOS.
477
00:21:12,639 --> 00:21:14,205
THAT WAS A LIE.
478
00:21:14,207 --> 00:21:15,740
I GATHERED.
[ SIGHS ]
479
00:21:15,742 --> 00:21:18,182
WE'RE GONNA HAVE TO COME UP
WITH SOMETHING ELSE.
480
00:21:18,777 --> 00:21:20,378
WAIT.
[ FINGERS SNAP ]
481
00:21:20,380 --> 00:21:23,281
YOU KNOW WHAT?
I'LL TAKE CARE OF IT.
482
00:21:26,318 --> 00:21:28,552
SO, WHAT IS THE PLAN?
TO HIDE?
483
00:21:28,554 --> 00:21:33,157
NO. WE'RE GOING
TO SUBLIMINALLY INJECT VIDEO
484
00:21:33,159 --> 00:21:35,326
INTO A TELEVISION SIGNAL
485
00:21:35,328 --> 00:21:39,630
WITH THIS INTERLACING
SIGNAL GENERATOR.
486
00:21:39,632 --> 00:21:41,165
THAT IS A ROUTER.
487
00:21:41,167 --> 00:21:42,800
YOU THINK A GUY
WHO BEATS PEOPLE UP FOR A LIVING
488
00:21:42,802 --> 00:21:44,168
IS GONNA BE ABLE
TO TELL THE DIFFERENCE?
489
00:21:44,170 --> 00:21:45,469
ARE YOU SURE ABOUT THAT?
490
00:21:45,471 --> 00:21:47,638
IT'S NOT SCIENCE,
IT'S MAKING STUFF UP.
491
00:21:47,640 --> 00:21:49,840
AND THAT'S THE PART
I'M GOOD AT, RIGHT?
492
00:21:49,842 --> 00:21:51,309
MILES,
YOU'RE COMING WITH ME.
493
00:21:51,311 --> 00:21:52,410
WHAT? WHY?
WHY ME?
494
00:21:52,412 --> 00:21:53,911
BECAUSE YOU LOOK LIKE
A SCIENTIST,
495
00:21:53,913 --> 00:21:55,579
AND IF YOU TELL ME
THAT THIS ISN'T A ROUTER,
496
00:21:55,581 --> 00:21:57,315
I'LL BELIEVE YOU.
NOW, WHAT ARE YOU DOING?
497
00:21:57,317 --> 00:21:59,617
I HAVE TO RUN SOME ERRANDS,
SO...
498
00:21:59,619 --> 00:22:00,751
CLARK, LOOK.
499
00:22:00,753 --> 00:22:02,186
IT'S A BRILLIANT PLAN.
500
00:22:02,188 --> 00:22:03,621
IT CAN GO WRONG
A HUNDRED DIFFERENT WAYS...
501
00:22:03,623 --> 00:22:05,589
STARTING WITH YOU SITTING
IN YOUR OFFICE ALL NIGHT
502
00:22:05,591 --> 00:22:06,857
AND NOT BEING SHARP
TOMORROW.
503
00:22:06,859 --> 00:22:09,160
GO HOME
AND GET SOME REST.
504
00:22:09,162 --> 00:22:10,594
ALL RIGHT, FINE.
505
00:22:10,596 --> 00:22:12,496
MILES, LET'S GO
CONVINCE A HIT MAN
506
00:22:12,498 --> 00:22:14,365
THAT WE'RE HACKING
INTO A CHURCH.
507
00:22:14,367 --> 00:22:16,807
AND MY FATHER THOUGHT THIS
DIDN'T SOUND LIKE A REAL JOB.
508
00:22:23,175 --> 00:22:25,142
[ SCRIBBLING ]
509
00:22:25,144 --> 00:22:27,278
HI.
510
00:22:27,280 --> 00:22:28,612
WHAT ARE YOU DOING HERE?
511
00:22:28,614 --> 00:22:31,682
I...
512
00:22:31,684 --> 00:22:34,118
ROSS SAID
YOU WANTED ME TO COME.
513
00:22:34,120 --> 00:22:38,522
WHICH IS WHY ROSS INSISTED
THAT I COME HOME.
514
00:22:38,524 --> 00:22:40,358
OH, MY GOD,
I'M SUCH AN IDIOT.
515
00:22:40,360 --> 00:22:41,525
[ SCOFFS, SNIFFLES ]
516
00:22:41,527 --> 00:22:43,027
YOU'D THINK BY NOW
517
00:22:43,029 --> 00:22:45,429
WE'D FIGURED OUT
THAT WHEN ROSS SAYS IT...
518
00:22:46,965 --> 00:22:50,067
I'M SORRY.
I'LL LEAVE.
519
00:22:52,337 --> 00:22:55,339
HEY, I'M S...
CAN I ASK YOU SOMETHING?
520
00:22:55,341 --> 00:22:56,474
[ SIGHS ]
521
00:22:56,476 --> 00:22:58,709
IT'S REALLY BEEN
BOTHERING ME.
522
00:22:58,711 --> 00:23:03,381
YOU DON'T REALLY...
LIKE JOHN DENVER, DO YOU?
523
00:23:05,150 --> 00:23:07,518
THAT'S WHAT'S
BEEN BOTHERING YOU?
524
00:23:07,520 --> 00:23:10,187
WELL, WHEN WE MET...
[ SIGHS ]
525
00:23:10,189 --> 00:23:11,589
YOU WERE HUMMING IT
526
00:23:11,591 --> 00:23:13,991
AND YOU SAID IT WAS
YOUR FAVORITE, AND I JUST...
527
00:23:13,993 --> 00:23:15,426
I GOT ALL EXCITED, BUT...
528
00:23:15,428 --> 00:23:17,261
THAT WAS A LIE, RIGHT?
529
00:23:17,263 --> 00:23:20,297
I MEAN,
ROSS TOLD YOU TO SAY THAT?
530
00:23:22,901 --> 00:23:26,537
THAT'S WHAT I THOUGHT.
THANKS.
531
00:23:26,539 --> 00:23:29,740
I-I... I DON'T KNOW WHY
532
00:23:29,742 --> 00:23:32,262
THAT PARTICULAR DETAIL FELT
LIKE IT MATTERED, BUT...
533
00:23:34,446 --> 00:23:35,679
TO TELL YOU THE TRUTH,
534
00:23:35,681 --> 00:23:39,016
I DON'T KNOW
IF ANY OF THIS WAS REAL.
535
00:23:39,018 --> 00:23:42,353
AND YOU KNOW
WHAT REALLY BOTHERS ME?
536
00:23:42,355 --> 00:23:46,190
THERE'S THIS PART OF ME
THAT STILL LOVES YOU.
537
00:23:46,192 --> 00:23:47,691
MOST OF ME HATES YOU
538
00:23:47,693 --> 00:23:50,060
AND NEVER WANTS
TO SEE YOU AGAIN,
539
00:23:50,062 --> 00:23:53,764
BUT THERE'S THIS PART THAT FEELS
LIKE IT HAD TO BE REAL.
540
00:23:55,200 --> 00:23:58,335
[ Voice breaking ]
IT WAS.
541
00:23:59,771 --> 00:24:02,373
AND I TRIED
TO TELL MYSELF THAT
542
00:24:02,375 --> 00:24:06,444
BECAUSE I REALLY LOVED YOU,
THAT IT MADE IT ALL OKAY.
543
00:24:09,047 --> 00:24:11,115
BUT IT DIDN'T.
544
00:24:11,117 --> 00:24:14,585
BUT THE SECOND I MET YOU,
545
00:24:14,587 --> 00:24:17,788
I WISHED IT HAD HAPPENED
ANY OTHER WAY.
546
00:24:22,127 --> 00:24:24,061
BUT IT DIDN'T.
547
00:24:24,063 --> 00:24:25,162
[ SNIFFLES ]
548
00:24:31,603 --> 00:24:33,170
[ SNIFFLES ]
549
00:24:37,309 --> 00:24:39,276
[ SIGHS ]
550
00:24:39,278 --> 00:24:42,446
YOU KNOW, THE FUNNY THING IS,
IS I KIND OF CRINGED
551
00:24:42,448 --> 00:24:45,816
WHEN ROSS SAID THAT JOHN DENVER
WAS YOUR FAVORITE.
552
00:24:47,285 --> 00:24:50,187
NOW I FIND MYSELF
PUTTING HIM ON ALL THE TIME.
553
00:24:50,189 --> 00:24:51,555
[ CHUCKLES SOFTLY ]
554
00:24:53,458 --> 00:24:55,893
AND I THINK OF YOU.
555
00:25:03,602 --> 00:25:05,269
[ DOOR CLOSES ]
556
00:25:09,307 --> 00:25:13,611
Miles: THIS INTERLACING
SIGNAL GENERATOR
557
00:25:13,613 --> 00:25:16,981
IS GONNA BURY THE VIDEO FEED
INTO FATHER DAN'S TV SIGNAL
558
00:25:16,983 --> 00:25:18,482
AS SUBLIMINAL FLICKER FRAMES.
559
00:25:18,484 --> 00:25:20,384
SO, NO MATTER
WHAT HE'S WATCHING,
560
00:25:20,386 --> 00:25:22,486
HE'LL BE SUBLIMINALLY
SEEING ELLIOT.
561
00:25:22,488 --> 00:25:24,522
THAT LITTLE BOX
IS GONNA DO ALL THAT?
562
00:25:24,524 --> 00:25:25,890
UH-HUH.
563
00:25:25,892 --> 00:25:28,792
I'VE BEEN GOING TO SCHOOL
FOR OVER 20 YEARS,
564
00:25:28,794 --> 00:25:31,462
SO I TOTALLY KNOW
WHAT I'M TALKING ABOUT.
565
00:25:31,464 --> 00:25:33,063
YEAH, WELL, TELL HER.
566
00:25:33,065 --> 00:25:36,333
I'M NOT THE ONE IN TROUBLE
IF YOU'RE WRONG.
567
00:25:36,335 --> 00:25:38,135
IF...
[ CLEARS THROAT ]
568
00:25:38,137 --> 00:25:41,839
THEORETICALLY,
THINGS DID GO WRONG,
569
00:25:41,841 --> 00:25:46,110
WOULD YOU BE THE ONE
TO... YOU KNOW?
570
00:25:48,747 --> 00:25:51,749
IT'S JUST THAT YOU DON'T REALLY
SEEM LIKE THE KIND OF PERSON
571
00:25:51,751 --> 00:25:53,551
THAT WOULD DO SOMETHING
LIKE THAT.
572
00:25:53,553 --> 00:25:55,252
YOU KNOW WHAT KIND
OF PERSON I AM?
573
00:25:55,254 --> 00:25:57,922
I'M THE KIND OF PERSON
WHO UNDERSTANDS WHAT HAPPENS
574
00:25:57,924 --> 00:26:00,157
WHEN YOU DON'T DO
WHAT MR. VINCENT ASKS,
575
00:26:00,159 --> 00:26:01,892
SO I DON'T MAKE
THAT MISTAKE.
576
00:26:05,230 --> 00:26:07,150
MILES.
YEAH?
577
00:26:09,067 --> 00:26:10,234
LISTEN TO ME.
578
00:26:10,236 --> 00:26:13,504
HOWEVER THIS GOES DOWN,
579
00:26:13,506 --> 00:26:17,608
I NEED YOU TO KNOW THAT
I AM SO INCREDIBLY SORRY.
580
00:26:17,610 --> 00:26:19,677
NOTED.
581
00:26:19,679 --> 00:26:21,445
MILES...
582
00:26:21,447 --> 00:26:25,783
LOOK, SAM, WHAT DO YOU WANT?
DO YOU WANT A HUG?
583
00:26:25,785 --> 00:26:28,519
DO YOU WANT ME TO TELL YOU
THAT EVERYTHING'S OKAY?
584
00:26:28,521 --> 00:26:29,520
BECAUSE IT'S NOT.
585
00:26:29,522 --> 00:26:32,990
I UNDERSTAND.
586
00:26:35,527 --> 00:26:39,563
THING IS,
I'M SUPPOSED TO BE FORGIVING,
587
00:26:39,565 --> 00:26:42,299
AND THAT'S NOT FOR YOU,
THAT'S FOR ME.
588
00:26:42,301 --> 00:26:44,468
THERE'S A LOT OF REALLY
GOOD SCIENCE THAT SAYS
589
00:26:44,470 --> 00:26:46,604
THAT THE REST OF MY LIFE
GOES MUCH BETTER
590
00:26:46,606 --> 00:26:48,105
IF I JUST FIGURE OUT A WAY
TO MOVE PAST THIS.
591
00:26:48,107 --> 00:26:49,607
WHAT BOOK IS THAT IN?
592
00:26:49,609 --> 00:26:51,442
I'LL LEND IT TO YOU
AFTER YOU DON'T KILL MY FRIEND.
593
00:26:51,444 --> 00:26:57,381
SO, MAYBE, WHEN YOU DECIDED
TO PUT YOURSELF IN DANGER
594
00:26:57,383 --> 00:27:00,050
AND NOT TAKE THE MONEY,
MAYBE THAT CHANGED YOU.
595
00:27:00,052 --> 00:27:02,252
DO YOU THINK
THERE'S ANY CHANCE OF THAT?
596
00:27:02,254 --> 00:27:05,656
I HOPE SO.
597
00:27:05,658 --> 00:27:07,891
ME TOO.
598
00:27:07,893 --> 00:27:09,960
'CAUSE I WOULD HATE
TO THINK THAT I...
599
00:27:09,962 --> 00:27:11,261
I HELPED SAVE YOUR LIFE
600
00:27:11,263 --> 00:27:13,430
JUST SO YOU COULD GO ON
CONNING OTHER...
601
00:27:13,432 --> 00:27:14,632
QUIRKILY HANDSOME GAY MEN.
602
00:27:14,634 --> 00:27:17,668
Ross:
[ SHIVERS ] OKAY.
603
00:27:17,670 --> 00:27:20,270
WE'RE ALL SET.
604
00:27:20,272 --> 00:27:22,006
YOU'RE NOT TRYING TO DO
THAT THING, RIGHT?
605
00:27:22,008 --> 00:27:23,807
WHAT?
606
00:27:23,809 --> 00:27:25,175
YOU STAND THERE,
607
00:27:25,177 --> 00:27:26,944
AND YOU'RE TALKING
ABOUT FORGIVENESS
608
00:27:26,946 --> 00:27:30,481
OR WHATEVER SO THAT I LIKE YOU,
THEN YOU THINK I CAN'T HURT HER.
609
00:27:30,483 --> 00:27:32,650
NO, I WAS JUST TALKING.
SOMETIMES WE DO THAT.
610
00:27:32,652 --> 00:27:33,951
NOT EVERYTHING IS A THING.
611
00:27:33,953 --> 00:27:35,519
GOOD, BECAUSE, UNDERSTAND,
612
00:27:35,521 --> 00:27:38,322
IT DOESN'T MATTER IF I LIKE
YOU... I CAN'T HELP YOU.
613
00:27:38,324 --> 00:27:40,024
THE ONLY THING
THAT'S GONNA HELP YOU
614
00:27:40,026 --> 00:27:42,693
IS IF YOU HOOKED UP THAT THING
UP THERE RIGHT OR NOT.
615
00:27:42,695 --> 00:27:45,929
SO I WANT YOU TO THINK REALLY
HARD IF YOU DID THAT RIGHT.
616
00:27:45,931 --> 00:27:48,932
YOU JUST SAW ME.
IT'S ALL HOOKED UP, YES.
617
00:27:48,934 --> 00:27:51,669
BUT THAT'S NOT SHOWING ANY VIDEO
TO NO PRIEST.
618
00:27:52,804 --> 00:27:54,438
WHY DO YOU SAY THAT?
619
00:27:54,440 --> 00:27:56,707
WELL, FOR STARTERS, THAT CABLE
620
00:27:56,709 --> 00:27:59,810
IS RUNNING RIGHT INTO THAT
DENTIST'S OFFICE OVER THERE,
621
00:27:59,812 --> 00:28:02,680
AND IT'S THE OTHER CABLE
THAT RUNS INTO THE CHURCH.
622
00:28:07,352 --> 00:28:08,719
OH.
623
00:28:08,721 --> 00:28:10,621
IS IT WEIRD
THAT I SUDDENLY FEEL
624
00:28:10,623 --> 00:28:12,456
INCREDIBLY LUCKY
THAT YOU'RE HERE?
625
00:28:15,160 --> 00:28:16,994
OKAY.
WE'LL BE RIGHT HERE
626
00:28:16,996 --> 00:28:19,797
WHEN FATHER DAN IS ARRIVING
THIS AFTERNOON.
627
00:28:19,799 --> 00:28:20,998
SO, HE'S PROGRAMMING
ELLIOT NOW?
628
00:28:21,000 --> 00:28:22,499
DOING THE "MAGIC TOUCH"
THING?
629
00:28:22,501 --> 00:28:27,738
TO BE TRULY FREE, FATHER DAN
NEEDS TO FACE HIS FEARS.
630
00:28:27,740 --> 00:28:29,807
NEURO-LINGUISTIC
PROGRAMMING? YES.
631
00:28:29,809 --> 00:28:31,642
Megan:
HOW LONG DOES IT TAKE?
632
00:28:31,644 --> 00:28:33,243
A WHILE.
633
00:28:33,245 --> 00:28:35,379
THE TRICK IS, HE'S GOT TO KEEP
REPEATING IMPORTANT IDEAS
634
00:28:35,381 --> 00:28:37,381
WHILE MAKING IT SEEM LIKE HE'S
TALKING ABOUT SOMETHING ELSE.
635
00:28:37,383 --> 00:28:40,584
COURAGE AND...
AND BRAVERY.
636
00:28:40,586 --> 00:28:42,486
BUT, WITH ENOUGH REPETITION,
637
00:28:42,488 --> 00:28:44,021
EVENTUALLY A TOUCH
ON THE SHOULDER
638
00:28:44,023 --> 00:28:46,023
SHOULD MAKE THE IDEA
OF UNBURDENING HIMSELF
639
00:28:46,025 --> 00:28:47,491
JUST POP
RIGHT INTO HIS HEAD.
640
00:28:47,493 --> 00:28:48,826
THE THING ABOUT RELIEF,
ELLIOT...
641
00:28:48,828 --> 00:28:50,260
LOOK, WE GET IT, OKAY?
642
00:28:50,262 --> 00:28:52,763
ELLIOT STANDS HERE,
THE BALLOONS COME DOWN
643
00:28:52,765 --> 00:28:55,232
AND BREAK THE PRIEST'S BRAIN
AND HE GIVES UP, OKAY?
644
00:28:55,234 --> 00:28:57,267
YEAH.
NOW STOP PRATTLING ON
ABOUT IT.
645
00:28:57,269 --> 00:28:59,336
WELL, YOU KNOW, I-I JUST
WANTED TO TELL YOU...
646
00:28:59,338 --> 00:29:01,238
WE KNOW WHAT
WE'RE SUPPOSED TO BE DOING.
647
00:29:01,240 --> 00:29:03,407
JUST MAKE SURE YOU KNOW WHAT
YOU'RE SUPPOSED TO BE DOING.
648
00:29:03,409 --> 00:29:04,608
I GOT IT.
COME ON, WE GOT IT.
649
00:29:04,610 --> 00:29:06,443
ELLIOT...
YEAH, BUT DI...
650
00:29:06,445 --> 00:29:08,946
IT... IT...
651
00:29:08,948 --> 00:29:11,115
DR. EDWARDS?
YES?
652
00:29:11,117 --> 00:29:12,850
YOU EVER HEAR OF SOMETHING
653
00:29:12,852 --> 00:29:15,185
CALLED
NEURO-LINGUISTIC PROGRAMMING?
654
00:29:15,187 --> 00:29:17,554
WHAT?
655
00:29:17,556 --> 00:29:19,089
UH, BACK AT THE OFFICE,
656
00:29:19,091 --> 00:29:21,625
I WAS FLIPPING THROUGH A BOOK
SOMEONE WAS READING
657
00:29:21,627 --> 00:29:24,027
ABOUT THIS
NEURO-LINGUISTIC PROGRAMMING.
658
00:29:24,029 --> 00:29:28,599
SUPPOSEDLY, IT WOULD PLANT
AN IDEA IN SOMEONE'S HEAD
659
00:29:28,601 --> 00:29:31,969
AND YOU TIE IT
TO A PHYSICAL CUE,
660
00:29:31,971 --> 00:29:36,039
SAY, LIKE...
TOUCHING THEM ON THE SHOULDER.
661
00:29:38,476 --> 00:29:40,477
YOU THINK
THAT REALLY WORKS?
662
00:29:41,946 --> 00:29:44,381
I DON'T KNOW.
663
00:29:44,383 --> 00:29:46,903
I HAVEN'T REALLY READ
THAT MUCH ABOUT IT.
664
00:29:47,752 --> 00:29:52,089
YOU ASK ME, I SAY
IT'S A DANGEROUS IDEA.
665
00:30:04,969 --> 00:30:07,137
OKAY.
EVERYONE CHECK IN.
666
00:30:07,139 --> 00:30:10,507
MILES IS ON POINT.
NO SIGN OF FATHER DAN.
667
00:30:10,509 --> 00:30:13,177
ON POINT? WHAT ARE YOU,
LEADING A GROUP OF NAVY SEALS?
668
00:30:13,179 --> 00:30:15,746
MEGAN? LATRELL?
669
00:30:15,748 --> 00:30:18,248
Megan:
YOU CAN SEE US, RIGHT?
670
00:30:18,250 --> 00:30:20,484
YES.
JUST... JUST...
671
00:30:20,486 --> 00:30:21,919
OKAY, YES. GOOD.
672
00:30:21,921 --> 00:30:23,921
CO-COPY THAT.
ROGER. GOOD TO GO.
673
00:30:23,923 --> 00:30:25,355
LATRELL?
674
00:30:25,357 --> 00:30:26,523
ME TOO.
675
00:30:26,525 --> 00:30:27,691
GOOD. CLARK OUT.
676
00:30:27,693 --> 00:30:28,992
GOOD.
677
00:30:28,994 --> 00:30:30,928
OKAY.
WE'RE ALL SET.
678
00:30:30,930 --> 00:30:32,129
ANY MINUTE NOW.
679
00:30:32,131 --> 00:30:34,131
WOULD IT BE OKAY
IF I TALKED NOW?
680
00:30:34,133 --> 00:30:35,365
OF COURSE.
I'M SORRY.
681
00:30:35,367 --> 00:30:38,535
YOU JUST...
DON'T EVEN UNDERSTAND
682
00:30:38,537 --> 00:30:40,170
HOW MUCH I APPRECIATE YOU...
683
00:30:40,172 --> 00:30:41,972
NO. HOLD ON.
684
00:30:41,974 --> 00:30:44,341
YOU DON'T THANK ANYBODY
UNTIL THE JOB'S DONE, OKAY?
685
00:30:44,343 --> 00:30:46,977
AND THEN HOPEFULLY THERE WILL BE
SOMETHING TO THANK HIM FOR.
686
00:30:46,979 --> 00:30:48,612
GUYS, I HAVE A VISUAL
ON FATHER DAN.
687
00:30:48,614 --> 00:30:50,347
HE'S ABOUT
TWO MINUTES OUT.
688
00:30:50,349 --> 00:30:52,549
[ SIGHS ]
HERE WE GO.
689
00:31:03,862 --> 00:31:07,130
UM... CLARK?
HEY!
690
00:31:08,199 --> 00:31:10,234
OKAY.
UM... I-I-I'LL BE RIGHT BACK.
691
00:31:10,236 --> 00:31:11,902
WATCH LATRELL
FOR THE SIGNAL.
WHERE ARE YOU GOING?
692
00:31:11,904 --> 00:31:13,971
UH, SMALL HICCUP.
I'LL BE RIGHT BACK.
693
00:31:13,973 --> 00:31:15,239
CLARK!
694
00:31:18,042 --> 00:31:20,310
Ross: OKAY. WE JUST GOT TO FIND
THE OTHER END, RIGHT?
695
00:31:20,312 --> 00:31:21,345
OKAY.
ALL RIGHT.
696
00:31:21,347 --> 00:31:22,512
YEAH, IT'S THERE.
697
00:31:22,514 --> 00:31:23,647
OH, THERE. OKAY, OKAY.
I GOT IT.
698
00:31:23,649 --> 00:31:24,848
I BARELY TOUCHED IT
AND IT FELL.
699
00:31:24,850 --> 00:31:25,749
ALL RIGHT.
700
00:31:25,751 --> 00:31:27,251
I CAN'T REATTACH THAT
701
00:31:27,253 --> 00:31:30,153
WITHOUT GETTING A LADDER
FROM THE TRUCK.
702
00:31:31,589 --> 00:31:32,823
HE'S PAST MY POSITION
RIGHT NOW.
703
00:31:32,825 --> 00:31:34,591
OKAY.
704
00:31:34,593 --> 00:31:36,226
UM... WAIT.
705
00:31:36,228 --> 00:31:38,095
THERE'S ANOTHER RELEASE
AT THE ANCHOR POSITION.
706
00:31:38,097 --> 00:31:39,429
I'M GONNA GO TIE IT ON
TO THERE,
707
00:31:39,431 --> 00:31:41,031
AND THEN I'LL DROP IT DOWN
TO YOU, OKAY?
708
00:31:41,033 --> 00:31:42,666
IF YOU'RE NOT NEAR ELLIOT,
YOU CAN'T DO THE TOUCH THING.
709
00:31:42,668 --> 00:31:43,867
NONE OF THIS WILL WORK.
710
00:31:43,869 --> 00:31:45,369
IF THE BALLOONS
DON'T COME DOWN,
711
00:31:45,371 --> 00:31:46,770
THE TOUCH WON'T WORK,
EITHER, OKAY?
712
00:31:46,772 --> 00:31:48,171
SO I'M GONNA GO ATTACH THIS
713
00:31:48,173 --> 00:31:49,673
AND THEN I'LL COME BACK
AND DO THE TOUCH.
714
00:31:49,675 --> 00:31:51,541
GET DOWN BELOW THE ANCHOR
POSITION, ALL RIGHT?
715
00:31:51,543 --> 00:31:52,743
CATCH THIS.
Megan: OKAY.
716
00:31:52,745 --> 00:31:55,913
FATHER DAN
IS ABOUT 30 SECONDS OUT.
717
00:32:22,040 --> 00:32:23,206
OHH!
718
00:32:32,650 --> 00:32:34,084
[ PANTING ]
719
00:32:34,086 --> 00:32:36,620
AND HE'S COMING IN.
720
00:32:36,622 --> 00:32:38,121
CLARK, HE HAS ENTERED
THE BUILDING.
721
00:32:38,123 --> 00:32:39,189
OH, NO.
722
00:32:40,625 --> 00:32:43,493
LATRELL,
TELL SAM TO GO NOW.
723
00:32:47,598 --> 00:32:49,798
GO. COME ON.
GO, GO.
724
00:33:00,244 --> 00:33:01,411
HE'S AT THE TOP
OF THE STAIRS.
725
00:33:01,413 --> 00:33:02,913
IT'S NOW OR NEVER.
726
00:33:02,915 --> 00:33:04,748
YOU GOT TO DROP
THE BALLOONS NOW.
727
00:33:04,750 --> 00:33:06,049
MEGAN, GRAB THE ROPE!
728
00:33:07,285 --> 00:33:08,484
Miles: CLARK, IF YOU DROP
THE BALLOONS NOW,
729
00:33:08,486 --> 00:33:09,653
YOU ARE NOT GONNA MAKE IT
BACK IN TIME.
730
00:33:09,655 --> 00:33:11,355
MAYBE THE BALLOONS
WILL BE ENOUGH.
731
00:33:11,357 --> 00:33:12,923
WE DON'T HAVE A CHOICE.
PULL!
732
00:34:11,182 --> 00:34:13,216
I'VE GOT FATHER DAN.
733
00:34:13,218 --> 00:34:14,451
HEY, HOLD ON.
734
00:34:16,354 --> 00:34:19,589
WELL, I'LL BE DAMNED.
IT WORKED.
735
00:34:27,932 --> 00:34:29,566
HEY.
736
00:34:29,568 --> 00:34:31,101
WHERE'S THE FATHER?
737
00:34:31,103 --> 00:34:33,570
I DITCHED HIM.
738
00:34:33,572 --> 00:34:35,839
COME ON, ELLIOT.
YOU KNOW WHAT TO DO.
739
00:34:37,909 --> 00:34:39,276
COME ON.
740
00:34:43,281 --> 00:34:45,415
COME ON, ELLIOT.
741
00:34:52,790 --> 00:34:54,091
COME ON.
742
00:34:58,029 --> 00:34:59,529
ELLIOT'S NOT MOVING.
743
00:34:59,531 --> 00:35:03,366
HE'S NOT GONNA DO IT.
TELL SAM TO RUN.
744
00:35:03,368 --> 00:35:05,302
RUN? RUN WHERE?
I DON'T KNOW!
745
00:35:05,304 --> 00:35:06,570
INTO THE COURTHOUSE.
746
00:35:06,572 --> 00:35:07,971
THEY WON'T HURT HER THERE.
747
00:35:07,973 --> 00:35:10,474
I-I DON'T KNOW WHAT ELSE TO...
748
00:35:10,476 --> 00:35:11,942
HOLD ON.
749
00:35:24,422 --> 00:35:26,490
HE'S GIVING HIM THE TOUCH.
750
00:35:28,292 --> 00:35:29,593
IT'S GONNA BE OKAY.
751
00:35:29,595 --> 00:35:32,162
[ DRAMATIC MUSIC PLAYING ]
752
00:35:49,313 --> 00:35:51,381
[ NO AUDIO ]
753
00:36:11,335 --> 00:36:15,372
HEY...
WHAT'S HAPPENING?
754
00:36:15,374 --> 00:36:17,774
HELL IF I KNOW.
755
00:36:17,776 --> 00:36:18,909
HMM.
756
00:36:34,892 --> 00:36:35,959
THE BOY'S PLEADED OUT.
757
00:36:35,961 --> 00:36:39,462
DO YOU BELIEVE THAT?
758
00:36:39,464 --> 00:36:41,631
WE DRIVE A PRIEST MAD
SO THAT HE CAN WALK,
759
00:36:41,633 --> 00:36:42,999
AND HE JUST GIVES UP.
760
00:36:43,001 --> 00:36:45,068
REAL SORRY HE DIDN'T
TAKE ADVANTAGE OF IT,
761
00:36:45,070 --> 00:36:46,870
BUT, UH,
WE DID HOLD UP OUR END.
762
00:36:46,872 --> 00:36:49,639
WHAT GOOD'S
THAT GONNA DO US NOW?
763
00:36:49,641 --> 00:36:51,374
IF I'D HAVE KNOWN THE BOY
WAS GONNA BE THE PROBLEM,
764
00:36:51,376 --> 00:36:53,076
I WOULD HAVE GOT YOU LOT
TO HAVE WORKED ON HIM.
765
00:36:53,078 --> 00:36:54,244
[ SIGHS ]
766
00:36:54,246 --> 00:36:55,512
WELL, I SUPPOSE
767
00:36:55,514 --> 00:36:57,714
THERE'S NO POINT
IN KILLING YOU NOW.
768
00:36:57,716 --> 00:37:00,984
THAT WOULD JUST GIVE ME
A WHOLE LOT OF NEW HEADACHES.
769
00:37:00,986 --> 00:37:02,652
PEOPLE THAT HAVE CROSSED ME
IN THE PAST
770
00:37:02,654 --> 00:37:04,087
HAVE NEVER BEEN ABLE
TO WIGGLE THEIR WAY OUT OF YOU.
771
00:37:04,089 --> 00:37:06,256
YOU SHOULD THINK YOURSELF
VERY LUCKY.
772
00:37:14,865 --> 00:37:16,967
WHAT A COMPLETE WASTE
OF TIME.
773
00:37:21,072 --> 00:37:22,872
YOU KNEW.
774
00:37:22,874 --> 00:37:25,508
WELL, I USED TO WORK
FOR A CABLE COMPANY.
775
00:37:25,510 --> 00:37:27,944
YOU KNOW, WHATEVER YOU DID UP
ON THAT POLE,
776
00:37:27,946 --> 00:37:31,114
IT WASN'T PIPING ANY VIDEO
INTO A CHURCH.
777
00:37:31,116 --> 00:37:32,716
THEN WHY DID YOU HELP?
778
00:37:32,718 --> 00:37:36,052
I KNOW FROM EXPERIENCE
YOU LIVE THIS LIFE A WAYS,
779
00:37:36,054 --> 00:37:37,687
YOU JUST DON'T GET OUT OF IT.
780
00:37:37,689 --> 00:37:40,690
ELLIOT'S NOT THERE YET.
MAYBE THIS STOPPED HIM.
781
00:37:40,692 --> 00:37:43,360
PLUS WHATEVER YOU GUYS
WERE TRYING TO DO
782
00:37:43,362 --> 00:37:46,696
TO GET ME TO LIKE YOU,
EMPATHY PRIMING OR WHATEVER,
783
00:37:46,698 --> 00:37:48,431
MAYBE IT WORKED A LITTLE.
784
00:37:48,433 --> 00:37:52,269
WE DIDN'T USE ANY PRIMING
OR TRICKS OR...
785
00:37:52,271 --> 00:37:54,037
AT LEAST, I DON'T...
I DON'T THINK THAT WE DID.
786
00:37:54,039 --> 00:37:56,373
DID WE?
787
00:37:56,375 --> 00:37:59,809
I DON'T KNOW. WITH YOU GUYS,
KIND OF HARD TO TELL.
788
00:37:59,811 --> 00:38:02,545
I GOT TO GO.
789
00:38:04,415 --> 00:38:09,286
I GOT TO SAY...
YOU GUYS ARE A WEIRD BUNCH.
790
00:38:09,288 --> 00:38:11,821
IT'S A GOOD THING YOU'RE LOOKING
OUT FOR EACH OTHER.
791
00:38:11,823 --> 00:38:14,457
KEEP IT THAT WAY.
792
00:38:19,497 --> 00:38:22,065
SO, THAT'S IT?
SAM IS SAFE?
793
00:38:22,067 --> 00:38:23,733
WE'RE OFF THE HOOK?
794
00:38:23,735 --> 00:38:25,068
YEAH.
795
00:38:25,070 --> 00:38:27,771
I KNOW THIS IS OVER
AND EVERYTHING.
796
00:38:27,773 --> 00:38:33,143
WE BASICALLY JUST PULLED OFF
A MIRACLE.
797
00:38:33,145 --> 00:38:34,811
LET'S GET ONE LAST DRINK
TOGETHER.
798
00:38:34,813 --> 00:38:37,173
I FEEL LIKE
I'M OWED SOME DRINKS.
799
00:38:39,517 --> 00:38:42,986
LISTEN, YOU, UH, YOU GUYS GO.
YOU'VE EARNED IT.
800
00:38:42,988 --> 00:38:45,855
IT'S BEEN FUN.
801
00:38:53,164 --> 00:38:54,230
ROSS!
802
00:38:59,704 --> 00:39:01,438
[ SIGHS ]
803
00:39:01,440 --> 00:39:03,373
YOU WERE RIGHT.
804
00:39:06,210 --> 00:39:09,879
THIS WAS BETTER FOR ME.
805
00:39:09,881 --> 00:39:11,981
THAT'S STILL NO EXCUSE
FOR WHAT I DID.
806
00:39:11,983 --> 00:39:13,350
I DIDN'T SAY THAT IT WAS.
807
00:39:13,352 --> 00:39:15,285
BUT THIS IS BETTER
FOR ME.
808
00:39:15,287 --> 00:39:16,653
[ SIGHS ]
809
00:39:16,655 --> 00:39:20,390
WHAT YOU DON'T SEEM
TO UNDERSTAND IS WHY.
810
00:39:20,392 --> 00:39:22,525
THIS ISN'T BETTER FOR ME
811
00:39:22,527 --> 00:39:27,197
BECAUSE I ESCAPE ACADEMIC
POLITICS AND FACULTY REVIEWS
812
00:39:27,199 --> 00:39:29,799
AND DISCIPLINARY HEARINGS.
813
00:39:29,801 --> 00:39:36,039
IT WAS BETTER FOR ME...
BECAUSE WE DID IT...
814
00:39:36,041 --> 00:39:37,574
TOGETHER.
815
00:39:37,576 --> 00:39:38,742
IT WAS OURS.
816
00:39:40,044 --> 00:39:43,413
YOURS AND MINE.
817
00:39:43,415 --> 00:39:47,250
AND THAT'S WHY YOU LEAVING
DOESN'T FIX THIS
818
00:39:47,252 --> 00:39:49,652
ANY MORE THAN
ME LEAVING DOES.
819
00:39:50,755 --> 00:39:51,921
WHAT ARE YOU SAYING?
820
00:39:55,059 --> 00:39:57,460
I'M SAYING...
[ SIGHS ]
821
00:40:00,698 --> 00:40:04,000
THERE IS A PROCEDURE.
822
00:40:04,002 --> 00:40:06,536
IT HASN'T BEEN
SUFFICIENTLY STUDIED.
823
00:40:06,538 --> 00:40:08,872
IT MIGHT NOT BE
COMPLETELY LEGAL.
824
00:40:08,874 --> 00:40:13,176
AND IT COULD EASILY MAKE THINGS
WORSE INSTEAD OF BETTER.
825
00:40:13,178 --> 00:40:15,378
WELL, WHAT ARE WE
TALKING ABOUT HERE?
826
00:40:15,380 --> 00:40:17,881
YOU WANT TO GIVE ME
SOME SORT OF LOBOTOMY?
827
00:40:17,883 --> 00:40:22,519
IF I SAID A LOBOTOMY WOULD FIX
ALL THIS, WOULD YOU SAY NO?
828
00:40:22,521 --> 00:40:25,355
[ SIGHS ] NO.
829
00:40:25,357 --> 00:40:29,692
GOOD, BECAUSE IT'S
A LITTLE LIKE A LOBOTOMY.
830
00:40:29,694 --> 00:40:32,462
AND MILES
WOULD HAVE TO DO IT.
831
00:40:32,464 --> 00:40:33,763
WHY?
832
00:40:33,765 --> 00:40:35,632
BECAUSE IN ORDER
FOR IT TO WORK,
833
00:40:35,634 --> 00:40:37,333
WE HAVE TO DO IT TOGETHER.
834
00:40:40,871 --> 00:40:43,106
OKAY.
835
00:40:43,108 --> 00:40:45,375
DO YOU WANT TO KNOW
WHAT IT IS?
836
00:40:45,377 --> 00:40:48,545
I... TRUST YOU.
837
00:40:48,547 --> 00:40:50,947
[ SIGHS ]
838
00:41:00,758 --> 00:41:06,996
♪ ALMOST HEAVEN, WEST VIRGINIA
839
00:41:06,998 --> 00:41:12,001
♪ BLUE RIDGE MOUNTAINS,
SHENANDOAH RIVER ♪
840
00:41:14,338 --> 00:41:16,773
SO, WHAT'S GOING ON?
♪ LIFE IS OLD HERE
841
00:41:16,775 --> 00:41:18,475
♪ OLDER THAN THE TREES
842
00:41:18,477 --> 00:41:21,010
IF ROSS AND I LEFT, WHAT WERE
YOU GONNA CALL THE FIRM?
843
00:41:21,012 --> 00:41:22,979
♪ YOUNGER THAN THE MOUNTAINS
I DON'T KNOW.
844
00:41:22,981 --> 00:41:24,781
WE HAVEN'T COME UP
WITH A NAME YET. WHY?
♪ BLOWING LIKE A BREEZE
845
00:41:24,783 --> 00:41:25,949
♪ COUNTRY ROADS
846
00:41:25,951 --> 00:41:27,484
WELL, WHATEVER
YOU'RE CALLED...
847
00:41:27,486 --> 00:41:29,919
♪ TAKE ME HOME
WE'D LIKE TO HIRE YOU.
848
00:41:29,921 --> 00:41:32,689
♪ TO THE PLACE
TO DO WHAT?
849
00:41:32,691 --> 00:41:34,324
♪ I BELONG
850
00:41:34,326 --> 00:41:35,959
LET'S... GO GET THAT DRINK
851
00:41:35,961 --> 00:41:39,195
AND I'LL EXPLAIN
EVERYTHING.
♪ WEST VIRGINIA
852
00:41:39,197 --> 00:41:41,865
♪ MOUNTAIN MAMA
853
00:41:41,867 --> 00:41:47,537
♪ TAKE ME HOME, COUNTRY ROADS
854
00:41:47,539 --> 00:41:53,476
♪ TAKE ME HOME
DOWN COUNTRY ROADS ♪
855
00:41:53,478 --> 00:41:57,046
♪ TAKE ME HOME
DOWN COUNTRY ROADS ♪
61933
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