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1
00:00:08,409 --> 00:00:11,612
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2
00:00:28,262 --> 00:00:30,464
[SWING MUSIC PLAYING]
3
00:00:34,568 --> 00:00:37,071
Brian Setzer:
* I LIKE COFFEE, I LIKE TEA *
4
00:00:37,071 --> 00:00:39,573
* I LIKE YOU, BABY,
NEXT TO ME *
5
00:00:39,573 --> 00:00:42,076
* YOU'RE AS COOL
AS RED-HOT LAVA *
6
00:00:42,076 --> 00:00:44,178
* JUMPIN'
EAST OF JAVA *
7
00:00:44,178 --> 00:00:46,180
* CREAM AND SUGAR
SURE TASTES SWEET *
8
00:00:46,180 --> 00:00:48,549
* BUT, BABY,
YOU GOT ALL THAT BEAT *
9
00:00:48,549 --> 00:00:51,018
* YOU'RE THE CHICK
WITH THE SWINGIN' FEET *
10
00:00:51,018 --> 00:00:52,786
* JUMPIN'
EAST OF JAVA *
11
00:00:52,786 --> 00:00:55,356
* GET WITH IT, MAN,
ALL THE HIP CATS KNOW *
12
00:00:55,356 --> 00:00:58,025
* BABY, IT TAKES
THREE TO TANGO *
13
00:00:58,025 --> 00:01:00,128
* STEAMIN' LIKE A VOLCANO *
14
00:01:00,128 --> 00:01:01,629
* JUMPIN'
EAST OF JAVA *
15
00:01:01,629 --> 00:01:04,098
* OH, IT TAKES
A LOT OF COFFEE BEANS *
16
00:01:04,098 --> 00:01:06,334
* JUST TO MAKE
A SINGLE CUP *
17
00:01:06,334 --> 00:01:09,237
* YOU'VE GOT ME
PERCOLATING *
18
00:01:09,237 --> 00:01:11,405
* BUM BUM BA DOOBA
DO BUM BUM BA DOOBA *
19
00:01:51,312 --> 00:01:54,148
* GET WITH IT, MAN,
ALL THE HIP CATS KNOW *
20
00:01:54,148 --> 00:01:56,384
* BABY, IT TAKES
THREE TO TANGO *
21
00:01:56,384 --> 00:01:59,453
* STEAMIN' LIKE A VOLCANO *
22
00:02:35,956 --> 00:02:38,058
[HORN HONKING]
23
00:02:38,058 --> 00:02:39,560
OK.
24
00:02:39,560 --> 00:02:41,429
YEP.
WE WALK IN THERE...
25
00:02:41,429 --> 00:02:42,830
YES.
SHAKE HANDS.
26
00:02:42,830 --> 00:02:44,064
WHERE DO WE SIT?
27
00:02:44,064 --> 00:02:45,065
DOWN?
28
00:02:45,065 --> 00:02:46,166
DOWN. RIGHT.
GOOD. DOWN.
29
00:02:46,166 --> 00:02:47,368
WHY NOT?
30
00:02:47,368 --> 00:02:48,936
ARE YOU GOING TO SAY
HELLO FIRST OR AM I?
31
00:02:48,936 --> 00:02:50,438
WHY DON'T I SAY
HELLO FIRST?
32
00:02:50,438 --> 00:02:52,340
OK. GOOD. THIS IS
GOING TO BE OK.
33
00:02:52,340 --> 00:02:53,774
MORE THAN OK. IT'S
GOING TO BE MARVELOUS.
34
00:02:53,774 --> 00:02:57,411
ARE YOU SURE?
BECAUSE LAST NIGHT I DREAMT
35
00:02:57,411 --> 00:03:00,013
THAT WHEN WE WALKED INTO THIS
MEETING I HAD NO CLOTHES ON.
36
00:03:00,013 --> 00:03:01,582
WELL, I WAS WEARING A DOILY.
37
00:03:01,582 --> 00:03:04,752
AND THEN JULIE McCOY FROM
THE LOVE BOAT WAS THERE
38
00:03:04,752 --> 00:03:05,886
AND SHE HAD 3 BREASTS.
39
00:03:05,886 --> 00:03:09,089
AND THEN WE KIND OF
FELL INTO A HOT TUB,
40
00:03:09,089 --> 00:03:13,294
AND THEN ALL OF A SUDDEN,
SHE WANTED A COMMITMENT.
41
00:03:13,294 --> 00:03:14,895
I'M FREAKING OUT!
42
00:03:14,895 --> 00:03:16,264
I'M FREAKING OUT.
43
00:03:16,264 --> 00:03:19,099
OK, OSKIE, HERE'S
WHAT WE'RE GONNA DO.
44
00:03:19,099 --> 00:03:20,634
WE'RE GOING
TO HAVE A SIGNAL.
45
00:03:20,634 --> 00:03:23,504
IF YOU START TO BABBLE,
JUST WATCH FOR THE SIGNAL.
46
00:03:23,504 --> 00:03:26,574
NO BABBLING, NO CHATTING,
NO SMALL TALK.
47
00:03:26,574 --> 00:03:28,842
WE'VE GOT A SIGNAL NOW,
SO WE CAN DO THIS.
48
00:03:28,842 --> 00:03:30,444
OK. YES, YOU'RE RIGHT.
49
00:03:30,444 --> 00:03:31,712
WE CAN DO IT. THANK YOU.
50
00:03:31,712 --> 00:03:34,482
WE'RE GONNA WALK IN THERE
AND KICK SOME ASS.
51
00:03:34,482 --> 00:03:35,683
KICK SOME ASS.
SAY IT WITH ME.
52
00:03:35,683 --> 00:03:37,485
KICK SOME ASS!
KICK SOME ASS!
53
00:03:40,754 --> 00:03:42,323
HOLD ME.
54
00:03:42,323 --> 00:03:44,525
[LET'S GET IT ON
PLAYING]
55
00:03:48,596 --> 00:03:50,698
IT'S A BIT MUCH, I KNOW.
56
00:03:50,698 --> 00:03:53,233
YOU LOOK INTIMIDATING
IN THIS PICTURE.
57
00:03:53,233 --> 00:03:55,469
I ASKED, BUT THEY WOULDN'T
RUN A NUDE PHOTO.
58
00:03:55,469 --> 00:03:59,273
NOW THAT WOULD HAVE BEEN
REALLY INTIMIDATING.
59
00:04:02,910 --> 00:04:05,212
WHAT ARE YOU
DOING TODAY?
60
00:04:05,212 --> 00:04:08,081
I CAN'T DISCLOSE
THAT INFORMATION.
61
00:04:08,081 --> 00:04:09,983
YOU NEVER TELL ME
ANYTHING.
62
00:04:09,983 --> 00:04:13,086
I LOVE IT WHEN YOU GET
ALL MUSHY LIKE THAT.
63
00:04:13,086 --> 00:04:14,822
OH!
64
00:04:14,822 --> 00:04:16,524
THIS SONG IS TOO SLOW.
65
00:04:16,524 --> 00:04:18,726
[SANCTUARY PLAYS]
66
00:04:22,963 --> 00:04:24,565
WHEN DO I SEE YOU AGAIN?
67
00:04:25,899 --> 00:04:27,301
WHENEVER I FEEL LIKE IT.
68
00:04:27,301 --> 00:04:29,036
[BLOWS RASPBERRY
ON STOMACH]
69
00:04:29,036 --> 00:04:31,439
HA HA HA!
70
00:04:31,439 --> 00:04:32,773
AHEM, MR. NEWMAN.
71
00:04:32,773 --> 00:04:34,241
[GIGGLING]
72
00:04:34,241 --> 00:04:35,643
IT IS NOW 3:55.
73
00:04:35,643 --> 00:04:38,312
FROM 4:00 UNTIL 6:30
YOU WILL BE HEARING
74
00:04:38,312 --> 00:04:40,548
PROPOSALS FOR
THE CULTURAL CENTER.
75
00:04:40,548 --> 00:04:42,716
I'LL BE RIGHT OUT.
76
00:04:42,716 --> 00:04:44,117
HI.
77
00:04:44,117 --> 00:04:46,086
ALSO, YOUR WIFE CALLED.
78
00:04:46,086 --> 00:04:49,022
SHE'S EXPECTING YOU FOR
DINNER AT THE RITZ AT 8:00.
79
00:04:49,022 --> 00:04:50,057
THANK YOU.
80
00:04:50,057 --> 00:04:52,025
NO, WAIT, AMY!
I'M OUTTA HERE.
81
00:04:52,025 --> 00:04:53,026
CALL ME LATER!
82
00:04:53,026 --> 00:04:54,728
OH!
83
00:04:58,632 --> 00:05:02,436
I'LL BUZZ YOU WHEN THE FIRST
TEAM OF ARCHITECTS ARRIVES.
84
00:05:06,106 --> 00:05:08,008
[BUZZ]
85
00:05:19,019 --> 00:05:20,521
[ELEVATOR DINGS]
86
00:05:20,521 --> 00:05:22,890
PETER, BEFORE WE GO IN,
I JUST WANTED TO SAY
87
00:05:22,890 --> 00:05:25,626
THAT I KNOW I WOULD NEVER HAVE
AN OPPORTUNITY LIKE THIS
88
00:05:25,626 --> 00:05:28,562
WITHOUT YOU, SO...YOU KNOW.
89
00:05:28,562 --> 00:05:33,567
WHATEVER HAPPENS IN THERE,
I JUST WANT YOU TO KNOW THAT...
90
00:05:33,567 --> 00:05:35,969
I'M VERY HONORED
TO BE YOUR PARTNER.
91
00:05:37,838 --> 00:05:42,376
YOU ARE THE BEST PARTNER
THAT A MAN COULD EVER HAVE.
92
00:05:42,376 --> 00:05:43,911
OK.
93
00:05:43,911 --> 00:05:45,312
NOW, LET'S GO INSIDE
94
00:05:45,312 --> 00:05:47,615
BEFORE YOU START SINGING
OR SOMETHING, OK?
95
00:05:47,615 --> 00:05:49,383
OK.
96
00:05:51,752 --> 00:05:53,554
Strauss:
OH, LOOK AT THIS.
97
00:05:53,554 --> 00:05:55,723
IT'S GILLIGAN AND
THE SKIPPER, TOO.
98
00:05:56,924 --> 00:05:59,159
WHAT HAVE YOU STUDMUFFINS
BEEN UP TO LATELY?
99
00:05:59,159 --> 00:06:03,163
WELL, WE'VE BECOME
TRIATHLETES, ACTUALLY.
100
00:06:03,163 --> 00:06:05,733
WE BIKE, WE SWIM, WE...
101
00:06:05,733 --> 00:06:07,067
ALSO DO
THE THIRD THING.
102
00:06:07,067 --> 00:06:09,036
BY THE WAY, CONGRATULATIONS
ON THE WORK YOU DID
103
00:06:09,036 --> 00:06:10,671
ON THAT MEN'S ROOM
IN THE BUS STATION.
104
00:06:10,671 --> 00:06:12,873
YES, YOUR USE OF MOSAIC
IN THE URINAL TROUGH
105
00:06:12,873 --> 00:06:15,743
WAS VAGUELY REMINISCENT
OF THE 90-FOOT MURAL
106
00:06:15,743 --> 00:06:17,010
WE DID IN THE LOBBY OF
THE HANCOCK BUILDING.
107
00:06:17,010 --> 00:06:18,679
EXCEPT PEOPLE DON'T
LINE UP TO PISS ON OURS.
108
00:06:18,679 --> 00:06:21,882
THAT'S NOT TRUE.
WE READ THE REVIEWS.
109
00:06:21,882 --> 00:06:23,283
OUCH. HUMOR.
110
00:06:23,283 --> 00:06:25,453
[DOOR HISSES]
111
00:06:25,453 --> 00:06:27,220
DECKER AND STRAUSS.
112
00:06:27,220 --> 00:06:29,457
OOPS. LET'S GO
NAIL THIS JOB.
113
00:06:29,457 --> 00:06:31,559
SEE YA.
[WHISTLES]
114
00:06:35,563 --> 00:06:37,598
WATCH YOUR FEET.
115
00:06:39,366 --> 00:06:40,834
PARDON ME.
116
00:06:42,436 --> 00:06:44,438
WELL, I'M NOT WORRIED.
YOU?
117
00:06:44,438 --> 00:06:47,107
NO. ABSOLUTELY NOT.
118
00:06:49,510 --> 00:06:51,044
WE'RE DEAD.
119
00:06:51,044 --> 00:06:52,179
YEAH, WE'RE DEAD.
120
00:06:52,179 --> 00:06:54,181
[RUSHING WATER]
121
00:06:57,585 --> 00:06:58,919
[KEYBOARD CLICKING]
122
00:06:58,919 --> 00:07:01,722
OOPS.
123
00:07:01,722 --> 00:07:04,124
SIR, THE CHARLES NEWMAN
CULTURAL CENTER
124
00:07:04,124 --> 00:07:06,694
WOULD REDEFINE CULTURAL LIFE
AS WE KNOW IT IN THE CITY.
125
00:07:06,694 --> 00:07:09,196
THERE'D BE A MUSEUM,
AN OPERA HOUSE,
126
00:07:09,196 --> 00:07:11,431
AN INTERNATIONAL
FOOD COURT.
127
00:07:11,431 --> 00:07:16,236
Decker: PICASSO,
MADAME BUTTERFLY...
128
00:07:16,236 --> 00:07:18,005
BURRITOS.
129
00:07:20,107 --> 00:07:21,141
INTERESTING.
130
00:07:22,576 --> 00:07:25,813
UM, STEINBERG AND NOVAK.
131
00:07:26,614 --> 00:07:29,216
OSKIE...
[CLICK CLICK]
132
00:07:29,216 --> 00:07:30,618
OK.
OH, YEAH.
133
00:07:30,618 --> 00:07:32,219
GOOD LUCK, LADIES.
134
00:07:32,219 --> 00:07:33,554
THANK YOU.
135
00:07:34,354 --> 00:07:36,490
GENTLEMEN?
136
00:07:36,490 --> 00:07:40,027
SO, YOU'VE WORKED
WITH THOSE TWO MEN?
137
00:07:40,027 --> 00:07:40,961
WE DID.
138
00:07:40,961 --> 00:07:44,565
ARE THEY REALLY,
YOU KNOW, PARTNERS?
139
00:07:46,333 --> 00:07:48,502
OH.
140
00:07:48,502 --> 00:07:52,239
OF COURSE, PETER IS,
YOU KNOW,
141
00:07:52,239 --> 00:07:53,641
BUT OSCAR IS--
142
00:07:53,641 --> 00:07:57,711
ACTUALLY, JOSH, OSCAR
IS VERY, VERY, YOU KNOW.
143
00:07:57,711 --> 00:07:59,212
IT'S NICE TO
MEET YOU, SIR.
144
00:07:59,212 --> 00:08:01,014
IT'S NICE
TO MEET YOU, SIR.
145
00:08:01,014 --> 00:08:04,518
THEY--THEY HANG OUT
AT, YOU KNOW, BARS,
146
00:08:04,518 --> 00:08:07,521
AND THEY MARCH IN
THE, YOU KNOW, PARADE.
147
00:08:07,521 --> 00:08:08,922
THEY HAVE, YOU KNOW,
148
00:08:08,922 --> 00:08:11,324
SEX WITH,
YOU KNOW, MEN.
149
00:08:11,324 --> 00:08:14,261
IT'S VERY NICE
TO MEET YOU, SIR.
150
00:08:14,261 --> 00:08:15,529
HE CAN HEAR YOU.
151
00:08:15,529 --> 00:08:16,697
NO, HE CAN'T.
YES, HE CAN.
152
00:08:16,697 --> 00:08:18,732
HELLO, MR. NEWMAN.
I'M PETER STEINBERG,
153
00:08:18,732 --> 00:08:19,800
THIS IS OSCAR NOVAK.
154
00:08:19,800 --> 00:08:20,801
IT'S VERY NICE
TO MEET YOU.
155
00:08:20,801 --> 00:08:21,869
HOW ARE YOU GUYS
DOING TODAY?
156
00:08:21,869 --> 00:08:23,671
GREAT.
COULDN'T BE BETTER.
157
00:08:23,671 --> 00:08:25,505
IT'S AN HONOR TO MEET YOU,
158
00:08:25,505 --> 00:08:28,475
AND YOUR OFFICE IS--
HEY, YOU HAVE A BUDDHA.
159
00:08:28,475 --> 00:08:29,877
OH, I LOVE BUDDHAS.
160
00:08:29,877 --> 00:08:32,479
THEY'RE LIKE BRIGHT
CHEERY NAKED ASIAN SANTAS.
161
00:08:32,479 --> 00:08:33,847
[CLICKING]
162
00:08:33,847 --> 00:08:36,149
I HAD A BUDDY IN COLLEGE
WHOSE NAME WAS BOB
163
00:08:36,149 --> 00:08:39,052
AND WE USED TO CALL HIM
"BUDDHA BOB"
164
00:08:39,052 --> 00:08:43,023
BECAUSE HE WAS KIND OF FAT
AND LIKED TO WALK AROUND NAKED.
165
00:08:43,023 --> 00:08:45,292
WE USED TO RUB
HIS BELLY FOR LUCK.
166
00:08:45,292 --> 00:08:47,294
[CLICKING]
167
00:08:48,295 --> 00:08:52,332
ANYWAY...I LOVE BUDDHA.
168
00:08:52,332 --> 00:08:53,667
HE ROCKS.
169
00:08:53,667 --> 00:08:56,904
THE BUDDHA IS AN IMPORTANT
SPIRITUAL FIGURE
170
00:08:56,904 --> 00:09:00,674
FROM WHICH I DRAW
TREMENDOUS INSPIRATION.
171
00:09:04,377 --> 00:09:05,579
JUST KIDDING.
172
00:09:05,579 --> 00:09:06,814
[GASPS]
173
00:09:06,814 --> 00:09:08,215
LET ME HEAR WHAT YOU HAVE.
174
00:09:10,350 --> 00:09:13,286
THE TELFORD WAS NOT JUST
CONSIDERED A GREAT MUSEUM,
175
00:09:13,286 --> 00:09:16,189
BUT A WONDER OF THE AGE.
176
00:09:16,189 --> 00:09:17,457
WOW.
177
00:09:17,457 --> 00:09:18,826
I BARELY RECOGNIZE IT.
178
00:09:18,826 --> 00:09:20,227
WE PROPOSE A RENOVATION
179
00:09:20,227 --> 00:09:22,329
THAT MODERNIZES AND
EXPANDS THE TELFORD
180
00:09:22,329 --> 00:09:24,164
WITHOUT ECLIPSING ANY
OF ITS CLASSIC GLORY.
181
00:09:24,164 --> 00:09:26,734
YOU SEE, TO US, THE TELFORD
IS A WORK OF ART.
182
00:09:26,734 --> 00:09:28,936
ONE OF CHICAGO'S
TRUE MONUMENTS.
183
00:09:28,936 --> 00:09:31,004
PRESERVING IT WOULD BE
MORE THAN A JOB FOR US.
184
00:09:31,004 --> 00:09:32,372
IT WOULD BE AN OPPORTUNITY--
185
00:09:32,372 --> 00:09:34,541
SORRY.
186
00:09:34,541 --> 00:09:35,943
JUST A SEC.
187
00:09:38,011 --> 00:09:39,512
[LAUGHING]
188
00:09:39,512 --> 00:09:40,513
LENORE?
189
00:09:40,513 --> 00:09:42,149
SHH.
YES, MR. NEWMAN?
190
00:09:42,149 --> 00:09:45,986
BRING IN DECKER AND STRAUSS
AND MY ECHINACEA DROPS.
191
00:09:47,454 --> 00:09:49,356
[SWISHING]
192
00:09:51,625 --> 00:09:53,360
I LIKED YOUR PRESENTATION.
193
00:09:53,360 --> 00:09:56,029
BIG, MODERN, BOLD.
194
00:09:56,029 --> 00:09:57,765
AND YOU TWO,
PRESERVING THE OLD
195
00:09:57,765 --> 00:09:59,767
AND CONTRASTING IT WITH
THE NEW, I LIKE THAT, TOO.
196
00:09:59,767 --> 00:10:02,670
YOU ESPECIALLY, I LIKE.
197
00:10:02,670 --> 00:10:06,807
PASSIONATE, SINCERE,
GOOFBALL.
198
00:10:06,807 --> 00:10:07,941
YOU FIND HIM?
199
00:10:07,941 --> 00:10:11,278
FOUND HIM AND
HOUSEBROKE HIM.
200
00:10:13,046 --> 00:10:15,983
THIS IS WHAT WE'RE GONNA DO.
201
00:10:15,983 --> 00:10:19,586
YOU WILL EACH BUILD A MODEL--
BIG MODELS--
202
00:10:19,586 --> 00:10:22,522
AND WE'LL DO IT
IN THE TELFORD ITSELF.
203
00:10:22,522 --> 00:10:25,158
WHAT DO YOU GUYS
THINK OF THAT?
204
00:10:25,158 --> 00:10:26,259
I LOVE IT.
205
00:10:26,259 --> 00:10:27,661
THE PRESS WILL LOVE IT,
206
00:10:27,661 --> 00:10:30,831
AND THEN
I...I PICK THE WINNER.
207
00:10:30,831 --> 00:10:33,934
I JUST THINK
THAT'S--THAT'S...
208
00:10:33,934 --> 00:10:37,037
A FANTASTIC--AHEM--
FANTASTIC IDEA.
209
00:10:37,037 --> 00:10:39,206
YOU'LL PAY FOR THESE MODELS
OUT OF YOUR OWN BUDGET.
210
00:10:41,141 --> 00:10:43,143
DO YOU KNOW
HOW UNFAIR IT IS
211
00:10:43,143 --> 00:10:45,212
HIM GETTING YOUR
HOPES UP LIKE THAT?
212
00:10:45,212 --> 00:10:48,181
AS IF YOU TWO EVEN HAVE
A GHOST OF A CHANCE.
213
00:10:48,181 --> 00:10:50,217
I'LL TELL YOU WHAT--
WHEN WE GET THE JOB,
214
00:10:50,217 --> 00:10:51,852
WE'LL THROW A COUPLE
OF MEN'S ROOMS YOUR WAY.
215
00:10:51,852 --> 00:10:53,954
HA HA!
MEN'S ROOMS!
216
00:10:53,954 --> 00:10:57,124
OK. HOW MUCH IS THIS
GOING TO COST?
217
00:10:57,124 --> 00:10:58,692
$150,000.
218
00:10:58,692 --> 00:11:01,128
WELL, THAT'S TOO MUCH.
THAT'S TOO MUCH.
219
00:11:01,128 --> 00:11:02,329
[SIGHS]
220
00:11:02,329 --> 00:11:05,565
I COULD TAKE OUT A SECOND
MORTGAGE ON MY APARTMENT.
221
00:11:05,565 --> 00:11:07,367
COME ON, PETER,
YOU HAVE ALREADY
222
00:11:07,367 --> 00:11:09,770
INVESTED, LIKE, EVERYTHING
INTO THIS COMPANY.
223
00:11:09,770 --> 00:11:12,372
I CAN'T LET YOU DO THAT.
224
00:11:12,372 --> 00:11:13,373
WE HAVE TO.
225
00:11:13,373 --> 00:11:15,843
WE DON'T HAVE TO.
226
00:11:15,843 --> 00:11:18,779
OSCAR...WE'RE GOING
TO GET THIS JOB.
227
00:11:19,646 --> 00:11:20,914
WE'RE GONNA GET THIS JOB.
228
00:11:20,914 --> 00:11:22,349
WE'RE GONNA
KICK SOME ASS!
229
00:11:22,349 --> 00:11:23,516
KICK SOME BIG ASS!
230
00:11:23,516 --> 00:11:24,985
I LOVE YOU!
I LOVE YOU!
231
00:11:26,353 --> 00:11:27,454
I LOVE YOU!
232
00:11:30,690 --> 00:11:31,792
WE WERE JUST--
233
00:11:31,792 --> 00:11:34,194
VERY NICE TO MEET
YOU BOTH TODAY.
234
00:11:34,194 --> 00:11:35,195
HERE WE GO.
235
00:11:39,399 --> 00:11:42,135
WELL, THAT SEEMS TO BE
A CLOSE PARTNERSHIP.
236
00:11:42,135 --> 00:11:44,571
YEAH, THEY SEEM
VERY CLOSE.
237
00:11:44,571 --> 00:11:45,773
WHAT DO YOU MEAN?
238
00:11:45,773 --> 00:11:48,208
OH, YOU KNOW.
239
00:11:48,208 --> 00:11:49,442
REALLY.
240
00:11:49,442 --> 00:11:50,878
PHEW.
241
00:11:50,878 --> 00:11:54,114
THEY'RE BOTH GAY?
THE GOOFBALL, TOO?
242
00:11:54,114 --> 00:11:56,016
OPENLY.
243
00:12:07,327 --> 00:12:09,662
I'M SO EXCITED.
I'M OVERLY EXCITED.
244
00:12:09,662 --> 00:12:11,698
RIGHT HERE...
245
00:12:11,698 --> 00:12:14,301
AND THEN WE WALK
AROUND...
246
00:12:18,405 --> 00:12:19,406
[CORK POPS]
247
00:12:19,406 --> 00:12:20,507
WHOO!
248
00:12:29,449 --> 00:12:30,717
I HAVE SOME BAD NEWS.
249
00:12:30,717 --> 00:12:33,520
I CAN'T MAKE IT TO YOUR OPENING
AT THE GALLERY TONIGHT.
250
00:12:33,520 --> 00:12:34,922
I DID MY BEST,
251
00:12:34,922 --> 00:12:37,690
BUT OLIVIA'S BEEN PLANNING
THIS BENEFIT FOR MONTHS.
252
00:12:37,690 --> 00:12:39,326
THAT'S OK.
253
00:12:45,799 --> 00:12:47,234
I'M SICK ABOUT
THE WHOLE THING.
254
00:12:47,234 --> 00:12:48,836
IT'S ALL RIGHT,
CHARLES, REALLY.
255
00:12:48,836 --> 00:12:51,338
[SIGHS] SO...
256
00:12:51,338 --> 00:12:53,673
WHO'S GONNA BE THERE?
257
00:12:53,673 --> 00:12:55,108
CHARLES, DON'T START.
258
00:12:55,108 --> 00:12:57,610
IF I'M NOT THERE,
IT'S A PERFECT OPPORTUNITY
259
00:12:57,610 --> 00:13:00,447
FOR ONE OF THESE CLOWNS
YOU DATED TO GET BACK IN.
260
00:13:00,447 --> 00:13:01,414
CHARLES, COME ON.
261
00:13:01,414 --> 00:13:03,416
WHAT ABOUT THAT GUY
FROM ART SCHOOL
262
00:13:03,416 --> 00:13:06,153
WHO PAINTS THE FLAGS
FROM AROUND THE WORLD
263
00:13:06,153 --> 00:13:09,322
ON PEOPLE'S ASSES AND
THEN HE PHOTOGRAPHS IT?
264
00:13:09,322 --> 00:13:10,723
I HATE THAT GUY.
265
00:13:10,723 --> 00:13:13,260
NOT TO MENTION
KEVIN CARTWRIGHT.
266
00:13:13,260 --> 00:13:15,128
WITH HIS BIG
GROTESQUE MUSCLES
267
00:13:15,128 --> 00:13:18,098
AND HIS
"MR. NICE GUY" ACT--
268
00:13:18,098 --> 00:13:19,132
AHEM.
269
00:13:22,135 --> 00:13:23,136
KEVIN.
270
00:13:23,136 --> 00:13:26,006
SO GOOD TO SEE YOU.
I GOT A LITTLE COLD.
271
00:13:28,675 --> 00:13:30,043
GREAT GAME LAST WEEK.
272
00:13:30,043 --> 00:13:32,112
CONGRATULATIONS
ON THE NEW CONTRACT.
273
00:13:32,112 --> 00:13:33,881
THANKS. APPRECIATE IT.
274
00:13:33,881 --> 00:13:35,883
I'LL JUST USE THESE
BIG GROTESQUE MUSCLES
275
00:13:35,883 --> 00:13:37,851
TO LOAD THIS STUFF
OUT IN THE VAN.
276
00:13:37,851 --> 00:13:39,586
SEE YOU AT THE GALLERY.
277
00:13:41,521 --> 00:13:44,257
CHARLIE, YOU LOOK GOOD.
YOU BEEN WORKING OUT?
278
00:13:44,257 --> 00:13:47,327
THANKS, KEVIN.
YOU'RE A LIFESAVER.
279
00:13:54,834 --> 00:13:56,236
IMAGINE A DOME FLANKED
280
00:13:56,236 --> 00:13:58,771
BY 4 SKY-LIT PYRAMIDS
ON EITHER SIDE.
281
00:13:58,771 --> 00:14:00,173
WHAT OSCAR AND I SEE
282
00:14:00,173 --> 00:14:03,743
IS A CONVERGENCE
OF 2 CLASSICAL STYLES...
283
00:14:03,743 --> 00:14:05,278
WITH AN INTERPLAY OF--
284
00:14:05,278 --> 00:14:07,180
MR. NEWMAN, I WOULD LIKE
TO SAY AT THIS JUNCTURE
285
00:14:07,180 --> 00:14:10,517
HOW GRATEFUL WE ARE
FOR THIS OPPORTUNITY.
286
00:14:10,517 --> 00:14:13,520
WE'RE EXCITED AND--AND--
287
00:14:13,520 --> 00:14:16,289
OSCAR, YOUR MIGHT WANT
TO SAVE SOME OF YOUR DIGNITY
288
00:14:16,289 --> 00:14:18,291
FOR LATER IN THE AFTERNOON
IN CASE YOU NEED IT.
289
00:14:18,291 --> 00:14:21,361
I'M JUST TRYING TO TELL HIM
HOW THRILLED WE BOTH--
290
00:14:21,361 --> 00:14:23,330
I APPRECIATE
YOUR LOYALTY, OSCAR.
291
00:14:23,330 --> 00:14:26,599
IT'S A RARE COMMODITY
THESE DAYS.
292
00:14:26,599 --> 00:14:29,502
CAN I TALK TO YOU
FOR A MOMENT PRIVATELY?
293
00:14:31,004 --> 00:14:32,505
[CLICK CLICK]
294
00:14:34,407 --> 00:14:38,645
YOU KNOW, YOU'RE QUITE
A GUY, OSCAR NOVAK.
295
00:14:38,645 --> 00:14:41,248
NOVAK,
THAT'S HUNGARIAN, RIGHT?
296
00:14:41,248 --> 00:14:42,249
YEAH.
297
00:14:42,249 --> 00:14:43,450
GREAT.
298
00:14:43,450 --> 00:14:46,786
YOU KNOW, LENORE
TOLD ME ABOUT...
299
00:14:46,786 --> 00:14:49,289
ANYWAYS, I TOLD HER
I THINK IT'S GREAT
300
00:14:49,289 --> 00:14:53,826
TO HAVE PEOPLE OF YOUR
BACKGROUND WORKING FOR ME.
301
00:14:53,826 --> 00:14:54,694
YOU, PETER...
302
00:14:54,694 --> 00:14:56,796
OH, OH, PETER ISN'T.
303
00:14:56,796 --> 00:14:57,830
HE ISN'T?
304
00:14:57,830 --> 00:15:01,001
NO. I AM, THOUGH. 100%.
305
00:15:02,235 --> 00:15:03,436
I SEE.
306
00:15:03,436 --> 00:15:06,273
Oscar: YOU'D BE SURPRISED
HOW MANY OF US THERE ARE.
307
00:15:06,273 --> 00:15:08,341
Charles: WHATEVER.
DOESN'T BOTHER ME.
308
00:15:08,341 --> 00:15:11,979
OSCAR, COULD I BE
HONEST WITH YOU?
309
00:15:13,513 --> 00:15:16,149
I'M MARRIED.
310
00:15:16,149 --> 00:15:18,851
WELL, HOW NICE FOR YOU.
311
00:15:18,851 --> 00:15:20,853
I ALSO HAVE
A GIRLFRIEND.
312
00:15:20,853 --> 00:15:22,990
OH. GREAT.
313
00:15:22,990 --> 00:15:26,126
AMY IS AN AMAZING WOMAN.
314
00:15:26,126 --> 00:15:30,463
ARTIST, IMPULSIVE,
UNPREDICTABLE.
315
00:15:30,463 --> 00:15:32,132
A FREE SPIRIT.
316
00:15:32,132 --> 00:15:35,735
TONIGHT SHE OPENS
AN EXHIBIT OF HER WORK.
317
00:15:35,735 --> 00:15:37,137
I CAN'T BE THERE.
318
00:15:37,137 --> 00:15:39,539
THIS WAS VERY
UPSETTING TO ME,
319
00:15:39,539 --> 00:15:41,741
BUT I'M NOT
UPSET ANYMORE.
320
00:15:41,741 --> 00:15:42,875
YOU'RE NOT?
321
00:15:42,875 --> 00:15:44,811
NO. BECAUSE
I KNOW YOU'LL BE THERE.
322
00:15:44,811 --> 00:15:46,313
GREAT. THANK YOU.
I WILL?
323
00:15:46,313 --> 00:15:48,715
I'D LIKE YOU TO STAY
CLOSE TO HER,
324
00:15:48,715 --> 00:15:51,151
TELL ME WHO SHE TALKS TO,
THAT SORT OF THING.
325
00:15:51,151 --> 00:15:53,086
ONE GUY IN PARTICULAR.
KEVIN CARTWRIGHT.
326
00:15:53,086 --> 00:15:55,422
EX-BOYFRIEND.
REAL PERSISTENT GUY.
327
00:15:55,422 --> 00:15:58,258
I'M VERY WORRIED
ABOUT HIM.
328
00:16:00,893 --> 00:16:02,262
WHAT DO YOU SAY?
329
00:16:08,701 --> 00:16:11,171
Announcer:
PETER ELASOVIC KICKING IT AWAY.
330
00:16:11,171 --> 00:16:13,940
HANGS IT HIGH. BATMAN HOLMAN
WILL GRAB IT ON THE 7.
331
00:16:13,940 --> 00:16:14,941
GO, BUDDY!
332
00:16:14,941 --> 00:16:16,009
GO, GO, GO, GO!
333
00:16:16,009 --> 00:16:17,344
AAH!
334
00:16:18,378 --> 00:16:20,347
OK, RUN ME THROUGH THIS
ONE MORE TIME.
335
00:16:20,347 --> 00:16:23,316
CHARLES ASKED YOU
TO SPY ON HIS MISTRESS
336
00:16:23,316 --> 00:16:26,086
AND YOU JUST SAID YES.
337
00:16:26,086 --> 00:16:27,687
WHAT ELSE COULD I
HAVE SAID?
338
00:16:27,687 --> 00:16:30,223
LET'S SEE. NO.
339
00:16:31,124 --> 00:16:32,692
WHOA. WHAT HAVE
WE GOT THIS WEEK?
340
00:16:32,692 --> 00:16:34,061
DIM SUM.
341
00:16:34,061 --> 00:16:36,529
HURRY UP AND DIMME SUM.
342
00:16:36,529 --> 00:16:40,433
RICK, YOU DON'T PUT
KETCHUP ON DIM SUM.
343
00:16:40,433 --> 00:16:41,568
WHY?
344
00:16:41,568 --> 00:16:44,137
BECAUSE, RAIN MAN, DIM SUM
ARE NOT FRENCH FRIES.
345
00:16:44,137 --> 00:16:47,140
OSKIE, IT IS
REALLY IMPORTANT TO ME
346
00:16:47,140 --> 00:16:49,476
THAT YOU GRASP THE DELICACY
OF THE SITUATION.
347
00:16:49,476 --> 00:16:51,978
YOU CAN'T JUST GO OFF ON
SOME SPYING EXPEDITION.
348
00:16:51,978 --> 00:16:53,613
LET HIM GO.
WHAT'S THE BIG DEAL?
349
00:16:53,613 --> 00:16:56,249
CATCH THE BALL,
FOR CHRIST'S SAKE!
350
00:16:56,249 --> 00:16:57,550
WHAT DO YOU THINK
OF THESE?
351
00:16:57,550 --> 00:16:58,551
AS CLOTHING?
352
00:16:58,551 --> 00:17:01,121
Rick: SO THIS HONEY,
CHARLES' GIRLFRIEND,
353
00:17:01,121 --> 00:17:03,656
IS SHE--IS SHE HOT?
354
00:17:03,656 --> 00:17:05,592
HE CAN'T AFFORD TO GO OUT
WITH AN UGLY GIRL.
355
00:17:05,592 --> 00:17:08,961
GIVE IT UP FOR CHARLES.
WHAT'D I SAY!
356
00:17:08,961 --> 00:17:10,330
I DON'T KNOW WHAT
SHE LOOKS LIKE.
357
00:17:10,330 --> 00:17:12,965
WHAT I DO KNOW IS BEFORE
SHE WENT OUT WITH CHARLES,
358
00:17:12,965 --> 00:17:14,867
SHE WENT OUT WITH
KEVIN CARTWRIGHT.
359
00:17:14,867 --> 00:17:15,935
HOLY SHIT.
360
00:17:15,935 --> 00:17:17,804
WHO?
DAMN. REALLY?
361
00:17:17,804 --> 00:17:19,372
THE RUNNING BACK.
362
00:17:19,372 --> 00:17:20,673
WE WATCH HIM
EVERY WEEK.
363
00:17:20,673 --> 00:17:23,443
FOR 7 SEASONS.
364
00:17:23,443 --> 00:17:25,378
OH. YEAH.
365
00:17:25,378 --> 00:17:26,979
THERE YOU GO.
THERE YOU GO.
366
00:17:26,979 --> 00:17:28,515
THERE IT IS.
367
00:17:28,515 --> 00:17:30,417
YOU KNOW WHAT THE DEAL
IS WITH THAT GUY?
368
00:17:30,417 --> 00:17:32,685
HE CAUGHT
A REALLY BIG FISH?
369
00:17:32,685 --> 00:17:36,256
NO, MAN. THAT HE'S HUNG
LIKE AN ARMY MULE.
370
00:17:36,256 --> 00:17:38,525
THEY CALL IT THE PONDEROSA.
371
00:17:39,826 --> 00:17:43,730
LIKE FROM BONANZA.
THE CARTWRIGHTS? THE PONDEROSA?
372
00:17:44,797 --> 00:17:46,233
WHAT UP?
373
00:17:46,233 --> 00:17:47,700
YOU'RE WHITE, MAN.
LET IT GO.
374
00:17:47,700 --> 00:17:50,170
I DON'T THINK YOU GENTS
ARE REALLY GRASPING
375
00:17:50,170 --> 00:17:52,105
THE GRAVITY
OF THE SITUATION.
376
00:17:52,105 --> 00:17:54,241
THIS JOB COULD REALLY
LAND OSCAR AND I
377
00:17:54,241 --> 00:17:56,409
IN THE MAJOR LEAGUES,
378
00:17:56,409 --> 00:17:58,445
AND, WELL, SINCE CHARLES
IS SUCH AN IMPORTANT GUY,
379
00:17:58,445 --> 00:18:02,715
CHANCES ARE THAT HIS
GIRLFRIEND IS A FOXY ONE.
380
00:18:02,715 --> 00:18:04,317
THAT'S THE PROBLEM.
WE ALL KNOW HOW OSCAR
381
00:18:04,317 --> 00:18:06,753
HANDLES HIMSELF
AROUND THE HONEYS.
382
00:18:09,889 --> 00:18:11,291
THERE IT IS!
383
00:18:11,291 --> 00:18:13,726
GIVE ME SOME CREDIT?
I HAVE A DEGREE OF SELF-CONTROL.
384
00:18:13,726 --> 00:18:15,995
I DON'T JUST FALL OVER
EVERY PRETTY GIRL I SEE.
385
00:18:15,995 --> 00:18:18,298
MAN'S GOT
YEAH.COMPLETE CONTROL.
386
00:18:18,298 --> 00:18:19,532
YEAH, PETER,
YOU'RE PARANOID.
387
00:18:19,532 --> 00:18:22,135
YEAH. OK?
SO DON'T WORRY.
388
00:18:22,135 --> 00:18:24,171
LATER.
GOOD NIGHT, GUYS.
389
00:18:24,171 --> 00:18:25,405
OSCAR!
390
00:18:25,405 --> 00:18:27,907
I WANT YOU BACK HERE
BY 10:00, OK?
391
00:18:27,907 --> 00:18:29,842
DORM CHECK AT 11:00!
392
00:18:29,842 --> 00:18:32,712
[LAUGHING]
393
00:18:32,712 --> 00:18:35,182
YOU KNOW WHAT'S FUNNY?
394
00:18:35,182 --> 00:18:36,749
YOU'RE SO SCREWED.
395
00:18:36,749 --> 00:18:38,084
[LAUGHING]
396
00:18:38,084 --> 00:18:39,652
START LOOKING
FOR ANOTHER JOB.
397
00:18:39,652 --> 00:18:43,323
WHICH ONE OF YOU WANTS
TO GET BITCH-SLAPPED FIRST?
398
00:18:46,293 --> 00:18:48,328
I'LL GO SECOND.
399
00:18:58,605 --> 00:19:00,473
[COUGHING]
400
00:19:30,403 --> 00:19:33,340
I HAD NO IDEA THINGS
WERE SO HAIRY IN BOSNIA.
401
00:19:38,378 --> 00:19:41,914
YELLOWS AND PURPLES.
I JUST LOVE ALL THIS.
402
00:19:57,063 --> 00:19:58,265
OOH!
PARDON.
403
00:20:02,001 --> 00:20:03,536
WHOA!
404
00:20:08,275 --> 00:20:10,410
OH!
[GROANS]
405
00:20:12,779 --> 00:20:13,780
HMM.
406
00:20:13,780 --> 00:20:16,115
EXCUSE ME.
407
00:20:16,115 --> 00:20:18,418
SHIT! PISS!
408
00:20:18,418 --> 00:20:20,253
DAMN IT!
FOR CHRIST'S SAKES!
409
00:20:20,253 --> 00:20:22,289
THEY'RE SUPPOSED
TO SCREW THESE THINGS.
410
00:20:22,289 --> 00:20:23,656
[GASPS]
411
00:20:23,656 --> 00:20:25,224
THANK YOU.
YOU SAVED ME.
412
00:20:25,224 --> 00:20:29,496
OH, WELL, YOU HAVE TO PROTECT
SOMETHING AS BEAUTIFUL AS YOU.
413
00:20:30,297 --> 00:20:31,764
AS IT.
414
00:20:31,764 --> 00:20:35,067
YOU'RE NOT BEAUTIFUL,
THE SCULPTURE IS.
415
00:20:35,067 --> 00:20:38,371
I AM SO SORRY. THIS NEVER
SHOULD HAVE HAPPENED.
416
00:20:38,371 --> 00:20:40,673
BY THE WAY, HAVE I TOLD YOU
HOW ENCHANTING YOU LOOK?
417
00:20:40,673 --> 00:20:41,674
WOW.
418
00:20:42,709 --> 00:20:43,710
HEY.
419
00:20:52,385 --> 00:20:55,322
SAW YOU CATCH THAT PIECE.
NICE MOVES.
420
00:20:55,322 --> 00:20:56,556
WOW, THANKS.
421
00:20:56,556 --> 00:20:58,190
COMING FROM YOU,
THAT'S A HUGE COMPLIMENT.
422
00:20:58,190 --> 00:21:00,192
YOU STILL HOLD
THE COLLEGE RECORD
423
00:21:00,192 --> 00:21:02,562
FOR THE MOST PENIS
IN A SINGLE SEASON.
424
00:21:02,562 --> 00:21:04,531
SO YOU HAVE
ALL OF MY STATS?
425
00:21:04,531 --> 00:21:06,232
OH, YEAH.
I'M A HUGE FAN.
426
00:21:06,232 --> 00:21:08,335
I USED TO HAVE
THAT POSTER OF YOU.
427
00:21:08,335 --> 00:21:11,203
HA HA HA!
428
00:21:11,203 --> 00:21:13,205
DID I SAY PENIS
BACK THERE?
429
00:21:13,205 --> 00:21:15,542
YOU DID.
430
00:21:15,542 --> 00:21:16,943
THOUGHT I'D LET IT GO.
431
00:21:16,943 --> 00:21:17,944
THANK YOU.
432
00:21:20,179 --> 00:21:22,882
SO DO YOU COME TO THESE
GALLERY THINGS ALL THE TIME?
433
00:21:22,882 --> 00:21:26,085
ACTUALLY, I'M VERY CLOSE
TO THE ARTIST. AMY POST.
434
00:21:26,085 --> 00:21:28,220
OH, REALLY. HOW CLOSE?
435
00:21:28,220 --> 00:21:30,757
RIGHT.
CLOSE.
436
00:21:30,757 --> 00:21:32,191
SO WHAT ARE YOU DOING
AFTER THE SHOW?
437
00:21:33,259 --> 00:21:38,965
I MEAN, DID YOU COME HERE
WITH ANYBODY BESIDES AMY?
438
00:21:38,965 --> 00:21:40,700
WELL, ACTUALLY, I...
439
00:21:42,301 --> 00:21:45,237
WILL YOU EXCUSE ME
JUST FOR A MOMENT?
440
00:21:45,237 --> 00:21:47,507
YEAH. YOU GO AHEAD.
YOU GOT IT GOIN' ON.
441
00:21:47,507 --> 00:21:49,976
[LAUGHS] YEAH.
442
00:21:49,976 --> 00:21:52,712
"YOU GOT IT GOIN' ON."
443
00:21:54,514 --> 00:21:55,915
Amy: EXCUSE ME.
444
00:21:55,915 --> 00:21:57,884
THERE YOU ARE.
I'VE BEEN LOOKING FOR YOU.
445
00:21:57,884 --> 00:21:59,886
I'M AMY POST,
AND I OWE YOU ONE.
446
00:21:59,886 --> 00:22:03,490
HI. I'M--I'M--
447
00:22:03,490 --> 00:22:05,692
OH, BOY. OSCAR NOVAK.
448
00:22:05,692 --> 00:22:08,561
IT'S NICE TO MEET YOU, OSCAR.
THANK YOU FOR SAVING THAT PIECE.
449
00:22:08,561 --> 00:22:11,798
OH, IT WAS AN HONOR.
YOUR WORK IS AMAZING.
450
00:22:11,798 --> 00:22:13,866
I MEAN,
IT'S REALLY INCREDIBLE.
451
00:22:13,866 --> 00:22:15,435
REALLY? WOW.
452
00:22:15,435 --> 00:22:18,070
DON'T GET ME WRONG.
I COULD DO IT BETTER.
453
00:22:18,070 --> 00:22:19,171
OH?
454
00:22:19,171 --> 00:22:20,473
YEAH. I DON'T
ACTUALLY BLOW GLASS,
455
00:22:20,473 --> 00:22:23,410
BUT IF I DID, I COULD
DO IT A LITTLE BETTER.
456
00:22:25,344 --> 00:22:26,879
HA HA HA!
457
00:22:26,879 --> 00:22:29,916
THERE'S A PARTY FOR SOME ARTISTS
AT A BAR ACROSS TOWN.
458
00:22:29,916 --> 00:22:32,218
I WANT TO BUY YOU A DRINK.
PAY YOU BACK FOR SAVING MY ASS.
459
00:22:32,218 --> 00:22:33,285
OH, I DON'T THINK--
460
00:22:33,285 --> 00:22:35,588
SEE YOU GUYSBYE!
OVER THERE.
461
00:22:37,924 --> 00:22:40,660
WAIT A SECOND. YOU SAID
YOUR NAME WAS OSCAR NOVAK?
462
00:22:40,660 --> 00:22:43,563
OF STEINBERGYEAH.
AND NOVAK?
463
00:22:43,563 --> 00:22:46,165
OH, MY GOD,
THAT IS SO WILD.
464
00:22:46,165 --> 00:22:48,300
I KNOW CHARLES NEWMAN.
465
00:22:48,300 --> 00:22:49,301
YOU DO?
466
00:22:49,301 --> 00:22:50,670
HUH.
YEAH.
467
00:22:50,670 --> 00:22:53,606
I LOVE THE TELFORD.
ONE OF MY FAVORITES.
468
00:22:53,606 --> 00:22:55,374
THANKS. ME, TOO.
469
00:22:55,374 --> 00:22:57,376
I KNOW EVERY
CURVE OF IT.
470
00:22:57,376 --> 00:23:00,046
IT'S KIND OF LIKE
A PERSON TO ME.
471
00:23:02,649 --> 00:23:04,050
THAT'S SCARING YOU.
472
00:23:04,050 --> 00:23:05,017
NO.
473
00:23:05,017 --> 00:23:07,587
NO, THAT'S HOW I FEEL
ABOUT MY STUFF.
474
00:23:07,587 --> 00:23:09,589
I GET VERY CAUGHT UP
IN MY PIECES.
475
00:23:09,589 --> 00:23:11,424
I FEEL LIKE THEY'RE
MY KIDS OR SOMETHING.
476
00:23:11,424 --> 00:23:13,225
YEAH.
477
00:23:13,225 --> 00:23:15,462
REALLY?
I EVEN TALK TO THEM.
478
00:23:15,462 --> 00:23:17,497
OK.
HA HA HA!
479
00:23:17,497 --> 00:23:19,699
SEE? I'M EVEN
SCARIER THAN YOU.
480
00:23:19,699 --> 00:23:21,634
WE'RE A COUPLE OF KOOKS,
YOU AND ME.
481
00:23:21,634 --> 00:23:23,836
[ENGINE CLANKING]
482
00:23:26,038 --> 00:23:27,540
[BACKFIRES]
483
00:23:31,444 --> 00:23:34,481
[SPEAKING FOREIGN LANGUAGE]
484
00:23:34,481 --> 00:23:36,749
I THINK HE'S DEALING
WITH THAT RATHER WELL.
485
00:23:36,749 --> 00:23:38,150
MAYBE WE SHOULD
JUST WALK?
486
00:23:38,150 --> 00:23:40,487
NO, IT'LL BE FINE.
I'M GONNA CHECK THE ENGINE.
487
00:23:40,487 --> 00:23:41,488
I'M GONNA CHECK THE--
488
00:23:41,488 --> 00:23:43,189
[SHOUTING]
489
00:23:43,189 --> 00:23:44,857
OK.
OSCAR--
490
00:23:50,062 --> 00:23:51,798
PROBABLY JUST A HOSE.
491
00:24:00,139 --> 00:24:01,140
OR NOT.
492
00:24:01,140 --> 00:24:02,509
MM-HMM.
493
00:24:02,509 --> 00:24:04,544
[CABBIE SHOUTING]
494
00:24:08,080 --> 00:24:09,181
[GIGGLES]
495
00:24:11,150 --> 00:24:12,351
GO. COME ON.
496
00:24:12,351 --> 00:24:13,352
ALL RIGHT.
497
00:24:13,352 --> 00:24:15,321
GO. JUST GO.
498
00:24:15,321 --> 00:24:16,322
IT'LL RAIN
IN A SECOND.
499
00:24:16,322 --> 00:24:17,724
[GIGGLING]
500
00:24:17,724 --> 00:24:19,926
[MAKING
ODD NOISES]
501
00:24:22,461 --> 00:24:23,896
UH, I HAVE
A QUESTION.
502
00:24:23,896 --> 00:24:24,697
HMM?
503
00:24:24,697 --> 00:24:26,332
WHAT THE HELL
ARE YOU DOING?
504
00:24:26,332 --> 00:24:28,400
3 SOUNDS AT ONCE.
505
00:24:28,400 --> 00:24:30,402
ALL RIGHT,
THAT'S HORRIFYING.
506
00:24:30,402 --> 00:24:32,071
PLEASE DO IT AGAIN.
507
00:24:32,071 --> 00:24:33,573
[MAKING NOISES]
508
00:24:33,573 --> 00:24:35,608
EXCUSE ME, THAT'S NOT
3 SOUNDS AT ONCE.
509
00:24:35,608 --> 00:24:39,145
NO, IT IS. IT GOES "BMP"
AND "TSK" AND THE HUMMING.
510
00:24:39,145 --> 00:24:40,179
OK.
511
00:24:40,179 --> 00:24:41,581
OH!
512
00:24:41,581 --> 00:24:43,850
OH, SHIT!
513
00:24:43,850 --> 00:24:46,185
HERE, LET ME. I GOT IT.
514
00:24:46,185 --> 00:24:48,287
UNH!
515
00:24:48,287 --> 00:24:49,756
OH, GOD,
YOU HURT YOURSELF.
516
00:24:49,756 --> 00:24:52,759
NO. NO. YOU HURT ME.
517
00:24:52,759 --> 00:24:56,328
YEAH, SEE,
YOU HIT ME IN THE FACE.
518
00:24:56,328 --> 00:24:57,897
I'M SORRY.
519
00:25:00,833 --> 00:25:01,934
WAIT.
520
00:25:07,607 --> 00:25:09,642
SO, WHAT'S
GOOD HERE?
521
00:25:09,642 --> 00:25:11,243
TUNA MELT.
522
00:25:11,243 --> 00:25:12,945
OOH, WHAT ELSE
IS GOOD?
523
00:25:12,945 --> 00:25:14,080
TUNA MELT.
524
00:25:14,080 --> 00:25:16,048
WHAT DO YOU THINK?
525
00:25:16,048 --> 00:25:17,984
2 TUNA MELTS.
526
00:25:23,790 --> 00:25:25,625
SO, YOU SEEING
ANYONE RIGHT NOW?
527
00:25:25,625 --> 00:25:28,027
UH, ME? NO.
528
00:25:28,027 --> 00:25:30,630
I HAVE TROUBLE FINDING
PEOPLE THAT ARE COMPATIBLE.
529
00:25:30,630 --> 00:25:32,832
THEY ALWAYS WANT TO SLEEP
ON MY SIDE OF THE BED.
530
00:25:32,832 --> 00:25:34,667
WHAT SIDE?
LEFT SIDE.
531
00:25:34,667 --> 00:25:37,003
GET OUT.
I LIKE THE LEFT SIDE.
532
00:25:37,003 --> 00:25:38,871
SEE?
533
00:25:40,072 --> 00:25:41,240
ARE YOU LONELY?
534
00:25:42,675 --> 00:25:45,011
NO. NO. YOU'RE OK COMPANY
535
00:25:45,011 --> 00:25:47,313
AS LONG AS YOU'RE NOT
BEATING THE HELL OUT OF ME.
536
00:25:47,313 --> 00:25:50,216
I GET IT. YOU DON'T LIKE
TO REVEAL TOO MUCH.
537
00:25:50,216 --> 00:25:52,819
I RESENT THAT.
AND I WOULD RESPOND TO IT
538
00:25:52,819 --> 00:25:54,153
IF IT WEREN'T SO REVEALING.
539
00:25:54,153 --> 00:25:56,956
THEN YOU CHANGE THE SUBJECT
WITH A JOKE. GO IT.
540
00:25:56,956 --> 00:25:59,558
I WILL LET YOU KNOW
WHEN I AM JOKING.
541
00:25:59,558 --> 00:26:01,761
[THUNDER]
542
00:26:13,840 --> 00:26:16,643
THIS IS NOT FOOD.
543
00:26:16,643 --> 00:26:18,377
I THINK IT LOOKS GOOD.
544
00:26:18,377 --> 00:26:19,879
[CRUNCH]
545
00:26:24,550 --> 00:26:25,785
TRY IT.
546
00:26:30,589 --> 00:26:32,324
[CRUNCH]
547
00:26:32,324 --> 00:26:34,894
OH, ARE YOU OK?
548
00:26:34,894 --> 00:26:38,264
MOUTH...WATERING.
[STOMACH BURBLES]
549
00:26:38,264 --> 00:26:42,134
GOD! I KNEW THAT
TUNA MELT TASTED FUNNY.
550
00:26:42,134 --> 00:26:43,870
I'M LUCKY I CAN EAT
JUST ABOUT ANYTHING.
551
00:26:43,870 --> 00:26:45,872
KNOW WHY? MY MOTHER
WAS A HORRIBLE COOK.
552
00:26:45,872 --> 00:26:47,974
SHE MADE THIS CHICKEN THING
THAT SMELLED LIKE SHE TOOK
553
00:26:47,974 --> 00:26:50,176
AN OLD TENNIS SHOE, A WET DOG,
AND SOME BLEU CHEESE--
554
00:26:50,176 --> 00:26:51,310
MMM!
555
00:26:51,310 --> 00:26:52,645
I'M SORRY.
556
00:26:54,580 --> 00:26:56,515
COULD YOU EXCUSE ME
FOR A SECOND?
557
00:26:56,515 --> 00:26:57,684
SURE.
558
00:26:57,684 --> 00:26:59,351
[VOMITS]
559
00:27:03,122 --> 00:27:04,523
BOY, I FEEL GOOD.
560
00:27:04,523 --> 00:27:08,227
OH, GOD. DON'T WORRY.
YOU'LL FEEL BETTER IN A SECOND.
561
00:27:08,227 --> 00:27:10,396
[SIGHS]
562
00:27:11,630 --> 00:27:13,332
[VOMITS]
563
00:27:18,637 --> 00:27:21,941
IT JUST DOESN'T GET
BETTER THAN THIS.
564
00:27:22,942 --> 00:27:24,476
YOU STILL WANT TO GO
TO THAT PARTY?
565
00:27:24,476 --> 00:27:26,312
OH, YEAH,
ABSOLUTELY.
566
00:27:26,312 --> 00:27:27,880
[WHISTLES]
567
00:27:30,917 --> 00:27:32,785
ARE WE SURE
THIS IS SAFE?
568
00:27:32,785 --> 00:27:34,954
IT'S SAFE. ALLOW ME.
569
00:27:37,623 --> 00:27:39,058
OOF!
570
00:27:39,058 --> 00:27:40,259
HA!
571
00:27:41,393 --> 00:27:42,461
MMM!
572
00:27:42,461 --> 00:27:44,230
MAYBE WE SHOULD
SKIP THE PARTY.
573
00:27:44,230 --> 00:27:46,132
MMM.
574
00:27:48,835 --> 00:27:51,037
[AMY LAUGHING]
575
00:27:52,805 --> 00:27:55,341
HEY, I'M SORRY ABOUT BEFORE.
HOW ARE YOUR BALLS?
576
00:27:55,341 --> 00:27:58,444
THEY'RE FINE.
THANK YOU FOR ASKING THAT.
577
00:27:58,444 --> 00:28:00,847
I HAD A GREAT TIME
TONIGHT.
578
00:28:00,847 --> 00:28:03,382
ONE CATASTROPHE AFTER
ANOTHER. I LOVED IT.
579
00:28:03,382 --> 00:28:04,583
ME, TOO.
580
00:28:04,583 --> 00:28:06,518
THIS IS ME.
581
00:28:06,518 --> 00:28:08,420
OH.
582
00:28:12,291 --> 00:28:13,860
[LAUGHING]
583
00:28:13,860 --> 00:28:15,862
WOULD YOU LIKE TO
COME DOWN TO MY SHOP
584
00:28:15,862 --> 00:28:17,529
SOMETIME, SEE ME WORK?
585
00:28:17,529 --> 00:28:18,931
OH, YEAH.
THAT'D BE GREAT.
586
00:28:18,931 --> 00:28:22,168
TOMORROW? I COULD ALWAYS
USE A LITTLE HELP.
587
00:28:22,168 --> 00:28:24,136
OH, UM...
588
00:28:24,136 --> 00:28:26,105
OH. I'M SORRY.
589
00:28:26,105 --> 00:28:27,673
YOU'RE PROBABLY
REALLY BUSY. THAT'S OK.
590
00:28:27,673 --> 00:28:29,441
NO, I'D
REALLY LOVE TO.
591
00:28:29,441 --> 00:28:31,911
SAY NO MORE.
I UNDERSTAND.
592
00:28:44,723 --> 00:28:46,926
[SPLASHING]
593
00:28:53,132 --> 00:28:54,000
[CLINK]
594
00:28:54,000 --> 00:28:55,768
[IMITATING
CROWD CHEERING]
595
00:28:55,768 --> 00:28:57,069
WHAT HAPPENED?
596
00:28:57,069 --> 00:28:58,304
GEE--
597
00:28:58,304 --> 00:29:00,406
WHAT THE HELL HAPPENED
TO YOUR HEAD?
598
00:29:00,406 --> 00:29:02,508
I'VE BEEN UP FOR 9 HOURS.
I GOT BORED.
599
00:29:02,508 --> 00:29:03,910
YOU'RE A VERY STRANGE MAN.
600
00:29:03,910 --> 00:29:05,945
NOW, WILL YOU GET
OUT OF MY APARTMENT?
601
00:29:05,945 --> 00:29:08,080
WHAT HAPPENED?
NOTHING.
602
00:29:08,080 --> 00:29:10,649
OSKIE, OSKIE,
IT'S 6:00 IN THE MORNING.
603
00:29:10,649 --> 00:29:12,118
IT WAS AWFUL, OK?
604
00:29:12,118 --> 00:29:15,054
AS SOON AS WE LEFT THE GALLERY,
OUR CAB CAUGHT ON FIRE.
605
00:29:15,054 --> 00:29:17,256
THEN SHE ELBOWED ME
IN THE FACE.
606
00:29:17,256 --> 00:29:20,426
THEN--[SNIFFS]--
WE BOTH THREW UP.
607
00:29:20,426 --> 00:29:25,164
THEN SHE SLAMMED A CAR HANDLE
INTO MY BALLS, OK?
608
00:29:25,164 --> 00:29:26,899
THE ENTIRE NIGHT
WAS A TOTAL DISASTER.
609
00:29:26,899 --> 00:29:28,801
YOU'RE IN LOVE
WITH HER.
610
00:29:28,801 --> 00:29:30,469
PRETTY MUCH.
611
00:29:30,469 --> 00:29:32,371
[SIGHS]
612
00:29:32,371 --> 00:29:35,975
OSCAR, I'M GOING TO HAVE
TO DEFAULT ON MY MORTGAGE
613
00:29:35,975 --> 00:29:37,743
AND MOVE INTO THE STREET
AND LIVE IN A BOX
614
00:29:37,743 --> 00:29:39,912
AND WALK UP AND DOWN THE
STREET WITH A LITTLE BOWL
615
00:29:39,912 --> 00:29:41,513
BEGGING FOR GRUEL
AND CRUSTS OF BREAD,
616
00:29:41,513 --> 00:29:42,949
BECAUSE OF YOU, YOU BASTARD!
617
00:29:42,949 --> 00:29:44,783
I TOLD YOU,
NOTHING HAPPENED.
618
00:29:44,783 --> 00:29:45,885
SOMETHING
ALWAYS HAPPENS.
619
00:29:45,885 --> 00:29:47,286
WHEN IT COMES TO
YOU AND ROMANCE,
620
00:29:47,286 --> 00:29:49,121
MUCH AS I LOVE YOU,
SOMETHING ALWAYS HAPPENS.
621
00:29:49,121 --> 00:29:51,057
YOU KNOW WHAT?
I RESENT THAT, OK?
622
00:29:51,057 --> 00:29:54,026
I'VE HAD PLENTY OF RELATIONSHIPS
THAT WERE VERY SUCCESSFUL.
623
00:29:54,026 --> 00:29:56,495
BEFORE THEY WENT
ABSOLUTELY NOWHERE.
624
00:29:59,798 --> 00:30:01,300
I'M SORRY. OSCAR, LISTEN.
625
00:30:01,300 --> 00:30:04,670
I DIDN'T MEAN THAT.
I REALLY DIDN'T MEAN THAT.
626
00:30:04,670 --> 00:30:06,572
YOU GOTTA SEE
THIS WOMAN, PETER.
627
00:30:06,572 --> 00:30:09,475
SHE'S BEAUTIFUL...
628
00:30:09,475 --> 00:30:10,742
AND FUNNY...
629
00:30:10,742 --> 00:30:13,245
AND SMART.
630
00:30:13,245 --> 00:30:15,781
AND SHE HAS AN ASS
THAT IS SO SEXY
631
00:30:15,781 --> 00:30:18,017
THAT I STRUGGLE TO EVEN
UNDERSTAND IT.
632
00:30:18,017 --> 00:30:20,019
ARE YOU GOING TO CROCHET
THAT INTO A PILLOW
633
00:30:20,019 --> 00:30:21,687
AND SEND IT
TO HER MOTHER?
634
00:30:21,687 --> 00:30:23,655
HA.
635
00:30:23,655 --> 00:30:25,391
YOU KNOW, YOU'RE
STARTING TO SOUND
636
00:30:25,391 --> 00:30:27,359
LIKE YOU HAVE A VERY
LOW OPINION OF ME, SIR.
637
00:30:27,359 --> 00:30:29,828
OSCAR, YOU KNOW
THAT'S NOT TRUE.
638
00:30:29,828 --> 00:30:31,363
IT'S JUST THAT
THIS PROJECT
639
00:30:31,363 --> 00:30:32,965
REPRESENTS SUCH A MAJOR
OPPORTUNITY FOR US.
640
00:30:32,965 --> 00:30:35,067
ALL OF OUR DREAMS
COULD COME TRUE.
641
00:30:35,067 --> 00:30:37,203
I'M SURE AMY IS LOVELY
AND COMPLICATED,
642
00:30:37,203 --> 00:30:39,271
BUT THERE ARE A MILLION
GIRLS OUT THERE
643
00:30:39,271 --> 00:30:41,874
AND JUST
ONE PROJECT LIKE THIS,
644
00:30:41,874 --> 00:30:44,476
SO I'M BEGGING YOU,
PLEASE, PLEASE,
645
00:30:44,476 --> 00:30:46,045
STAY AWAY FROM AMY.
646
00:30:46,045 --> 00:30:48,981
AND HER BEWILDERING ASS.
647
00:30:50,782 --> 00:30:52,051
OK.
648
00:30:53,452 --> 00:30:54,887
OK?
649
00:30:54,887 --> 00:30:57,423
OK, I'LL STAY AWAY.
650
00:30:59,725 --> 00:31:01,193
SORRY.
651
00:31:05,864 --> 00:31:07,199
MOVE IT!
652
00:31:17,809 --> 00:31:20,012
[SOBBING]
653
00:31:21,147 --> 00:31:22,414
HOW MUCH ARE WE
PAYING THEM?
654
00:31:22,414 --> 00:31:25,884
THEY'RE INTERNS.
THEY'RE FREE.
655
00:31:25,884 --> 00:31:28,154
YEAH, WELL,
WE'RE GETTING RIPPED OFF.
656
00:31:28,154 --> 00:31:30,822
[CELL PHONE RINGS]
657
00:31:30,822 --> 00:31:32,558
HELLO.
658
00:31:32,558 --> 00:31:33,625
OSCAR, HOW ARE YOU?
659
00:31:33,625 --> 00:31:37,796
OH, HI, CHARLES.
HOLD ON FOR JUST ONE SECOND?
660
00:31:37,796 --> 00:31:39,498
It's Charles!
661
00:31:41,467 --> 00:31:42,935
Charles: HOW'D IT GO?
662
00:31:42,935 --> 00:31:44,436
IT WENT GREAT.
663
00:31:44,436 --> 00:31:47,006
YES, I DON'T THINK YOU HAVE
ANYTHING TO WORRY ABOUT THERE.
664
00:31:47,006 --> 00:31:49,408
CARTWRIGHT--IT WAS GREAT.
665
00:31:49,408 --> 00:31:51,710
I SEE. EXCELLENT.
THANK YOU VERY MUCH.
666
00:31:51,710 --> 00:31:56,215
I KNOW THIS WHOLE THING
MAY SEEM EXTREME TO YOU.
667
00:31:56,215 --> 00:31:59,218
I'M NOT PROUD OF MYSELF,
ASKING YOU TO LOOK OUT FOR HER,
668
00:31:59,218 --> 00:32:00,552
BUT JUST KNOWING
SOMEONE'S THERE,
669
00:32:00,552 --> 00:32:02,854
THAT WE'RE BOTH
KEEPING AN EYE OUT.
670
00:32:02,854 --> 00:32:06,158
I'M JUST SO...COMFORTED.
671
00:32:06,158 --> 00:32:08,560
THAT'S WHY I'D LIKE YOU
TO SPEND AS MUCH TIME
672
00:32:08,560 --> 00:32:10,829
WITH HER AS POSSIBLE.
WHAT DO YOU SAY?
673
00:32:10,829 --> 00:32:13,865
AS MUCH TIME WITH
AMY AS POSSIBLE?
674
00:32:13,865 --> 00:32:15,534
Say no!
675
00:32:15,534 --> 00:32:17,936
UH, I...
676
00:32:17,936 --> 00:32:21,273
YOU KNOW, AS MUCH AS
I'D LOVE TO, SIR,
677
00:32:21,273 --> 00:32:24,643
OSCAR, I HOPE YOU KNOW
I WOULD NEVER ASK YOU
678
00:32:24,643 --> 00:32:28,080
TO DO SOMETHING WHICH
YOU FIND INCONSISTENT
679
00:32:28,080 --> 00:32:29,615
WITH YOUR VALUES.
680
00:32:29,615 --> 00:32:31,417
OF COURSE, IF YOU DON'T
WANT TO HELP ME OUT,
681
00:32:31,417 --> 00:32:34,686
THAT'S OK.
I UNDERSTAND COMPLETELY.
682
00:32:36,588 --> 00:32:38,224
Say yes! Say yes!
683
00:32:39,992 --> 00:32:43,162
YES. YES.
684
00:32:43,162 --> 00:32:44,163
THANK YOU, OSCAR.
685
00:32:44,163 --> 00:32:45,397
NO PROBLEM, SIR--
686
00:32:45,397 --> 00:32:47,066
[CLICK]
687
00:32:50,136 --> 00:32:52,604
WELL, I GUESS I HAVE
TO KEEP SEEING HER.
688
00:32:52,604 --> 00:32:54,606
OF COURSE YOU HAVE TO KEEP
SEEING HER, YOU MORON.
689
00:32:54,606 --> 00:32:57,709
OSKIE, I'M A PROFESSIONAL.
690
00:32:57,709 --> 00:32:59,545
I WENT TO GRADUATE SCHOOL.
691
00:32:59,545 --> 00:33:02,881
I DID 72 ALL-NIGHTERS
MY SENIOR YEAR.
692
00:33:02,881 --> 00:33:04,716
I DID A SEMESTER IN EGYPT.
693
00:33:04,716 --> 00:33:06,285
DO YOU HAVE ANY IDEA
694
00:33:06,285 --> 00:33:09,421
WHAT TOILET PAPER
FEELS LIKE IN EGYPT?!
695
00:33:09,421 --> 00:33:12,224
I DELIVERED CINNAMON ROLLS
ON A TRUCK WITH BAD SUSPENSION
696
00:33:12,224 --> 00:33:14,260
FOR 3 YEARS! DO YOU KNOW WHAT
THAT DOES TO YOUR KIDNEYS?
697
00:33:14,260 --> 00:33:16,028
YOUR KIDNEYS! YOUR KIDNEYS!
698
00:33:16,028 --> 00:33:18,530
MY POOR KIDNEYS!
MY FREAKING KIDNEYS!
699
00:33:21,100 --> 00:33:23,069
MY POOR
FREAKING KIDNEYS!
700
00:33:23,069 --> 00:33:24,403
[SOBBING]
701
00:33:24,403 --> 00:33:28,674
MY FREAKING, SCARRED,
BRUISED KIDNEYS!
702
00:33:28,674 --> 00:33:30,676
[SOFT JAZZ PLAYING]
703
00:33:39,785 --> 00:33:42,821
THAT IS VERY SWEET OF YOU.
704
00:33:42,821 --> 00:33:44,356
BUT YOU KNOW
I CAN'T ACCEPT IT.
705
00:33:44,356 --> 00:33:46,792
COME ON. I CAN'T EVEN
GIVE YOU A LITTLE GIFT?
706
00:33:46,792 --> 00:33:49,395
CHARLES, WE'VE BEEN OVER THIS.
I DON'T NEED ANY PRESENTS.
707
00:33:49,395 --> 00:33:51,797
I HAVE TOO MUCH STUFF
AS IT IS.
708
00:33:51,797 --> 00:33:53,365
OK.
709
00:33:53,365 --> 00:33:56,568
YOU WIN.
710
00:33:56,568 --> 00:33:58,470
YOU ALWAYS WIN.
711
00:33:59,571 --> 00:34:02,741
SO? I'M WAITING FOR MY CROSS-
EXAMINATION ABOUT LAST NIGHT.
712
00:34:02,741 --> 00:34:05,744
CROSS-EXAMINE? ME?
I WOULD NEVER DO THAT.
713
00:34:05,744 --> 00:34:09,581
YOU'RE COMPLETELY COOL
WITH ME GOING OUT ON MY OWN?
714
00:34:09,581 --> 00:34:11,049
HONESTLY?
715
00:34:11,049 --> 00:34:12,884
NO, BUT I'M
WORKING ON IT.
716
00:34:12,884 --> 00:34:16,155
GREAT. I'M VERY
PROUD OF YOU.
717
00:34:16,155 --> 00:34:19,125
YOU KNOW, I MET SOMEONE
INTERESTING LAST NIGHT.
718
00:34:19,125 --> 00:34:21,560
ACTUALLY, YOU KNOW HIM.
OSCAR NOVAK.
719
00:34:21,560 --> 00:34:24,630
YOU'RE KIDDING.
YOU MET OSCAR?
720
00:34:24,630 --> 00:34:25,864
THAT IS A COINCIDENCE.
721
00:34:25,864 --> 00:34:27,966
YEAH.
722
00:34:27,966 --> 00:34:29,768
HE'S A REALLY GOOD GUY.
723
00:34:29,768 --> 00:34:30,969
VERY.
724
00:34:30,969 --> 00:34:33,772
HE AND HIS PARTNER BOTH HAVE
A GREAT AESTHETIC SENSE.
725
00:34:33,772 --> 00:34:35,141
GUESS MOST OF THEM DO.
726
00:34:35,141 --> 00:34:36,475
MOST?
727
00:34:36,475 --> 00:34:38,477
GAY MEN.
728
00:34:41,280 --> 00:34:43,014
YOU DID KNOW HE WAS GAY?
729
00:34:43,014 --> 00:34:45,617
[LAUGHS] YEAH.
730
00:34:45,617 --> 00:34:46,718
SURE. YEAH.
731
00:34:46,718 --> 00:34:48,187
NOT THAT I CARE.
732
00:34:48,187 --> 00:34:49,721
DOESN'T BOTHER ME.
733
00:34:49,721 --> 00:34:52,224
RIGHT. WHO CARES?
734
00:35:07,973 --> 00:35:09,375
YOU KNOW,
THE OTHER NIGHT
735
00:35:09,375 --> 00:35:12,010
I ALMOST STARTED
HAVING A CRUSH ON YOU?
736
00:35:12,010 --> 00:35:13,011
ISN'T THAT FUNNY?
737
00:35:13,011 --> 00:35:14,413
HMM.
738
00:35:14,413 --> 00:35:17,883
SOMETHING ABOUT LATE NIGHTS
AND THUNDERSTORMS.
739
00:35:17,883 --> 00:35:20,619
I HOPE THAT'S OK WITH YOU.
740
00:35:20,619 --> 00:35:23,054
YEAH. IT'S--YEAH.
741
00:35:23,054 --> 00:35:25,457
[BLOWS]
742
00:35:28,460 --> 00:35:30,529
OSCAR, IF YOU AND I ARE
GOING TO KEEP HANGING OUT,
743
00:35:30,529 --> 00:35:33,732
THERE'S SOMETHING
I HAVE TO TELL YOU.
744
00:35:33,732 --> 00:35:35,234
WHAT?
745
00:35:35,234 --> 00:35:36,768
COME OVER HERE.
746
00:35:38,470 --> 00:35:41,807
REMEMBER THE OTHER NIGHT WHEN
YOU MENTIONED CHARLES NEWMAN
747
00:35:41,807 --> 00:35:43,809
AND I SAID THAT I KNEW HIM?
748
00:35:43,809 --> 00:35:44,810
YEAH?
749
00:35:44,810 --> 00:35:46,978
EXCUSE ME?
BLOW.
750
00:35:46,978 --> 00:35:49,281
HELP ME BLOW.
EXCUSE ME?
751
00:35:49,281 --> 00:35:51,283
KEEP YOUR MOUTH
ON THE OPENING.
752
00:35:52,551 --> 00:35:56,488
WELL, THE TRUTH
IS ACTUALLY THAT...
753
00:35:56,488 --> 00:35:58,424
CHARLES AND I
ARE INVOLVED.
754
00:35:58,424 --> 00:35:59,791
WE'RE HAVING AN AFFAIR.
755
00:35:59,791 --> 00:36:01,026
OH.
756
00:36:01,026 --> 00:36:02,661
YEAH, ISN'T THAT WEIRD?
757
00:36:02,661 --> 00:36:04,463
YOU SHOW UP AT MY SHOW,
WE GET TO KNOW EACH OTHER,
758
00:36:04,463 --> 00:36:06,097
AND I'M INVOLVED
WITH YOUR BOSS?
759
00:36:06,097 --> 00:36:07,566
THAT'S SO WEIRD.
760
00:36:07,566 --> 00:36:09,368
I KNOW.
761
00:36:09,368 --> 00:36:12,204
BY THE WAY, HOW DID YOU
FIND OUT ABOUT MY SHOW?
762
00:36:12,204 --> 00:36:15,674
I READ--READ IT
IN THE NEWSPAPER
763
00:36:15,674 --> 00:36:18,677
AND SAID, "GLASSBLOWING
SOUNDS REALLY COOL,"
764
00:36:18,677 --> 00:36:20,579
AND I DIDN'T HAVE
ANYTHING BETTER TO DO.
765
00:36:20,579 --> 00:36:22,848
HA! MAN,
YOU ARE A BAD LIAR.
766
00:36:22,848 --> 00:36:24,350
YOU CANNOT LIE.
767
00:36:24,350 --> 00:36:27,453
[CRACKLING AND HISSING]
768
00:36:33,259 --> 00:36:36,362
I'M A LITTLE SLOW, OSCAR,
BUT I FIGURED IT OUT.
769
00:36:37,229 --> 00:36:39,498
YOU WERE SPYING ON ME.
770
00:36:39,498 --> 00:36:43,269
LISTEN, I'M SORRY.
I'M SO SORRY.
771
00:36:43,269 --> 00:36:44,870
I REALLY SHOULD
HAVE TOLD YOU.
772
00:36:44,870 --> 00:36:46,438
YOU HAVE TO UNDERSTAND.
773
00:36:46,438 --> 00:36:49,341
OUR ENTIRE CAREERS
ARE IN HIS HANDS.
774
00:36:51,009 --> 00:36:54,079
AND THEN I MET YOU...
775
00:36:54,079 --> 00:36:58,550
AND YOU MADE
3 SOUNDS AT ONCE...
776
00:37:01,720 --> 00:37:05,123
AND I JUST REALLY WANTED
TO GET TO KNOW YOU.
777
00:37:05,123 --> 00:37:07,859
OK.
778
00:37:10,161 --> 00:37:11,963
JUST DON'T EVER
LIE TO ME AGAIN.
779
00:37:11,963 --> 00:37:14,500
OK.
780
00:37:19,505 --> 00:37:21,707
COME ON, IT'S THE GREAT
THING ABOUT BEING FRIENDS
781
00:37:21,707 --> 00:37:24,075
WITH A MISTRESS--
I'M FREE MOST EVENINGS.
782
00:37:24,075 --> 00:37:26,111
WHAT DO YOU SAY?
783
00:37:26,111 --> 00:37:28,914
OH, UH, TONIGHT? WOW.
784
00:37:28,914 --> 00:37:30,916
IF YOU DON'T COME OVER,
I'LL TELL CHARLES
785
00:37:30,916 --> 00:37:32,818
YOU WENT ABSOLUTELY CRAZY
AND MADE A PASS AT ME.
786
00:37:32,818 --> 00:37:35,654
I COULD REALLY GET YOU
IN TROUBLE, OSCAR.
787
00:37:37,489 --> 00:37:39,090
OH, I'VE GOT
TO TAKE A SHOWER.
788
00:37:39,090 --> 00:37:40,726
YEAH,
I WAS GONNA SAY.
789
00:37:40,726 --> 00:37:42,728
HA!
790
00:37:42,728 --> 00:37:45,497
YOU KNOW, I GET
THIS FEELING AROUND YOU?
791
00:37:45,497 --> 00:37:46,898
I DON'T KNOW WHY.
792
00:37:46,898 --> 00:37:49,568
LIKE WE'VE KNOWN EACH OTHER
A REALLY LONG TIME.
793
00:37:49,568 --> 00:37:52,938
OR IN ANOTHER LIFE
OR SOMETHING.
794
00:37:52,938 --> 00:37:54,340
YOU KNOW WHAT I MEAN?
795
00:37:54,340 --> 00:37:55,607
YEAH.
796
00:37:55,607 --> 00:37:57,443
NO.
797
00:37:58,977 --> 00:38:00,178
WHAT WAS
THE QUESTION?
798
00:38:00,178 --> 00:38:01,212
ARE YOU ALWAYS
THIS NERVOUS?
799
00:38:01,212 --> 00:38:02,714
YEAH.
800
00:38:04,850 --> 00:38:06,652
LET'S HAVE DINNER
AND CELEBRATE.GREAT.
801
00:38:06,652 --> 00:38:10,689
AFTER ALL, IT'S NOT EVERY DAY
I GET TO HANG OUT WITH A SPY.
802
00:38:14,393 --> 00:38:16,061
THERE'S A CD IN THERE.
HIT PLAY.
803
00:38:16,061 --> 00:38:17,529
OK.
804
00:38:22,033 --> 00:38:23,068
I'LL SEE YOU
IN A MINUTE.
805
00:38:23,068 --> 00:38:24,169
GO AHEAD.
806
00:38:24,169 --> 00:38:25,371
RIGHT.
807
00:38:26,338 --> 00:38:28,607
[SHOWER RUNNING]
808
00:38:28,607 --> 00:38:31,810
[TANGO MUSIC PLAYING]
809
00:38:38,083 --> 00:38:39,618
I'M BATMAN.
810
00:38:50,896 --> 00:38:52,898
[GLASS BREAKS]
811
00:38:58,103 --> 00:38:59,104
Amy:
* ...BLOODED *
812
00:38:59,104 --> 00:39:01,573
* CHECK IT AND SEE *
813
00:39:01,573 --> 00:39:05,711
* GOT A FEVER OF 103 *
814
00:39:05,711 --> 00:39:09,347
* COME ON, BABY, DO YOU
DO MORE THAN DANCE? *
815
00:39:09,347 --> 00:39:10,782
* HOT BLOODED *
816
00:39:10,782 --> 00:39:12,784
* I'M HOT BLOODED *
817
00:39:12,784 --> 00:39:13,785
* OW! *
818
00:39:13,785 --> 00:39:16,855
* KNOW WHAT I HAVE
IN MIND *
819
00:39:16,855 --> 00:39:18,990
* AND YOU OUGHT TO KNOW *
820
00:39:18,990 --> 00:39:20,025
* I'M HOT *
821
00:39:20,025 --> 00:39:21,026
OH, SHIT.
822
00:39:21,026 --> 00:39:23,361
[TURNS OFF SHOWER]
823
00:39:26,164 --> 00:39:27,365
OW.
824
00:39:28,166 --> 00:39:30,268
[TURNS UP MUSIC]
825
00:39:30,268 --> 00:39:32,203
OK, I'M READY.
826
00:39:32,203 --> 00:39:33,271
WHERE'S MY CHAMPAGNE?
827
00:39:33,271 --> 00:39:34,540
RIGHT HERE.
828
00:39:36,842 --> 00:39:39,110
A TOAST TO...
829
00:39:39,110 --> 00:39:41,379
UH...
830
00:39:42,347 --> 00:39:43,348
WHAT SHOULD WE TOAST TO?
831
00:39:43,348 --> 00:39:44,850
UH, TO...
832
00:39:57,162 --> 00:39:59,364
WHAT, YOU DON'T CALL ANYMORE?
YOU JUST SHOW UP?
833
00:39:59,364 --> 00:40:00,566
YEAH.
834
00:40:01,967 --> 00:40:02,968
HI.
835
00:40:02,968 --> 00:40:04,369
WOW.
836
00:40:04,369 --> 00:40:05,904
CHAMPAGNE, MUSIC,
837
00:40:05,904 --> 00:40:07,706
AMY IN A KIMONO.
838
00:40:09,641 --> 00:40:12,711
I SWEAR,
IF YOU WEREN'T GAY, OSCAR...
839
00:40:12,711 --> 00:40:15,113
I'D HAVE TO KILL YOU.
840
00:40:16,147 --> 00:40:17,148
GAY?
841
00:40:18,283 --> 00:40:21,019
I'M NOT GAY.
I--I DIDN'T--GAY?
842
00:40:21,019 --> 00:40:21,920
[LAUGHS]
843
00:40:21,920 --> 00:40:24,389
OH, OSCAR, COME ON.
WE DON'T CARE.
844
00:40:24,389 --> 00:40:26,291
ABSOLUTELY.
WHAT PEOPLE DO
845
00:40:26,291 --> 00:40:27,292
IN THE PRIVACY
OF THEIR OWN BEDROOMS
846
00:40:27,292 --> 00:40:28,426
IS NO CONCERN TO US,
RIGHT?
847
00:40:28,426 --> 00:40:29,628
RIGHT.
848
00:40:31,129 --> 00:40:33,264
HEY, HOW ARE YOU?
849
00:40:33,264 --> 00:40:35,033
I JUST LOVE
JAPANESE KIMONOS.
850
00:40:35,033 --> 00:40:36,468
I KNOW.
851
00:40:39,237 --> 00:40:47,613
AAH!
852
00:40:50,716 --> 00:40:52,117
AAH!
853
00:40:52,117 --> 00:40:53,384
[KNOCK ON DOOR]
854
00:40:53,384 --> 00:40:54,486
HI.
855
00:40:54,486 --> 00:40:56,955
THANK GOD YOU'RE HERE.
I NEED TO--
856
00:40:56,955 --> 00:40:59,190
BOY, YOU GUYS THROW
A LOT OF DINNER PARTIES.
857
00:40:59,190 --> 00:41:00,492
I'M GAY.
IT'S WHAT WE DO.
858
00:41:00,492 --> 00:41:01,693
REALLY?
859
00:41:01,693 --> 00:41:02,928
THAT AND SHOP
FOR SMALL DOGS.
860
00:41:02,928 --> 00:41:04,029
CAN I HELP YOU
WITH SOMETHING?
861
00:41:04,029 --> 00:41:05,831
I NEED TO TALK
WITH YOU PRIVATELY.
862
00:41:05,831 --> 00:41:09,034
I NEED TO TALK
WITH HIM PRIVATELY.
863
00:41:09,868 --> 00:41:12,103
WE'RE GOING TO TALK
PRIVATELY.
864
00:41:13,839 --> 00:41:16,341
ANYONE WANT CAPPUCCINOS?
865
00:41:16,341 --> 00:41:18,443
[LOUD BUBBLING]
866
00:41:18,443 --> 00:41:19,545
THEY THINK I'M GAY.
867
00:41:19,545 --> 00:41:20,579
WHAT?
868
00:41:20,579 --> 00:41:23,181
THEY THINK I'M GAY.
869
00:41:23,181 --> 00:41:25,617
COME AGAIN?
870
00:41:25,617 --> 00:41:26,818
EVERYBODY THINKS...
871
00:41:26,818 --> 00:41:28,286
[BUBBLING STOPS]
I'M GAY!
872
00:41:28,286 --> 00:41:30,622
I WIN THE POOL.
873
00:41:30,622 --> 00:41:33,091
[APPLAUSE]
874
00:41:34,192 --> 00:41:35,193
COME AGAIN?
875
00:41:35,193 --> 00:41:37,696
AMY AND CHARLES
876
00:41:37,696 --> 00:41:39,364
THINK I'M GAY.
877
00:41:39,364 --> 00:41:41,199
OH, NO.
OH, YES.
878
00:41:41,199 --> 00:41:42,367
YOU'RE GAY.
879
00:41:42,367 --> 00:41:43,368
I'M GAY.
880
00:41:43,368 --> 00:41:44,836
WE'RE GAY.
881
00:41:46,337 --> 00:41:48,239
HMM.Peter:
GOOD GOD.
882
00:41:48,239 --> 00:41:49,541
I KNOW.
883
00:41:49,541 --> 00:41:51,643
I MEAN, HOW CAN THEY
THINK THAT? ME, GAY?
884
00:41:51,643 --> 00:41:54,445
I MEAN, IT'S JUST
SO--SO EMBARRASSING
885
00:41:54,445 --> 00:41:56,615
AND--AND--AND
MORTIFYING AND...
886
00:41:56,615 --> 00:41:57,616
HUMILIATING.
887
00:41:57,616 --> 00:41:58,984
HUMILIATING.
YES.
888
00:41:58,984 --> 00:42:01,286
I MEAN, I DON'T GET IT.
I DON'T SEE IT.
889
00:42:01,286 --> 00:42:03,288
I'M JUST A REGULAR,
NORMAL...
890
00:42:04,756 --> 00:42:07,025
INSENSITIVE ASSHOLE.
891
00:42:08,059 --> 00:42:10,962
BUT, COME ON, YOU KNOW
WHAT I MEAN, RIGHT?
892
00:42:10,962 --> 00:42:12,631
OH, SURE.
893
00:42:12,631 --> 00:42:14,833
I KNOW THAT WHEN YOU SAY
THAT YOU'RE HUMILIATED,
894
00:42:14,833 --> 00:42:16,902
WHAT YOU ACTUALLY MEAN IS
YOU'RE PROUD AND UNASHAMED.
895
00:42:16,902 --> 00:42:19,204
NO, NO, IT'S NOT THAT.
IT'S JUST--
896
00:42:19,204 --> 00:42:20,471
BEING GAY IS NOT NORMAL?
897
00:42:20,471 --> 00:42:21,673
YOU KNOW I DON'T
THINK THAT, OK?
898
00:42:21,673 --> 00:42:23,575
I HAVE NO PROBLEM
WITH PEOPLE BEING GAY.
899
00:42:23,575 --> 00:42:25,343
IN FACT, I'M ALL
FOR HOMOSEXUALITY,
900
00:42:25,343 --> 00:42:27,613
ESPECIALLY WHEN IT HAPPENS
BETWEEN 2 GORGEOUS WOMEN--
901
00:42:27,613 --> 00:42:30,548
OR 3--
BUT I'M NOT GAY.
902
00:42:32,017 --> 00:42:36,354
LOOK, I'M SORRY. I DIDN'T
MEAN WHAT I SAID BEFORE.
903
00:42:36,354 --> 00:42:37,355
WHAT ARE YOU DOING?
904
00:42:37,355 --> 00:42:38,790
I'M TRYING TO DECIDE
905
00:42:38,790 --> 00:42:41,392
IF I SHOULD RECOVER
GRACEFULLY FROM YOUR INSULTS
906
00:42:41,392 --> 00:42:43,929
OR KNEECAP YOU.
907
00:42:43,929 --> 00:42:46,965
YES. I'M INSENSITIVE
AND--AND CALLOUS.
908
00:42:46,965 --> 00:42:49,000
WELL, YOU'RE
STUPID AND YOUNG.
909
00:42:49,000 --> 00:42:49,835
YES.
910
00:42:49,835 --> 00:42:51,569
YES, STUPID AND YOUNG,
911
00:42:51,569 --> 00:42:52,804
BUT THAT DOESN'T
CHANGE THE FACT
912
00:42:52,804 --> 00:42:55,306
THAT WE ARE
IN DEEP SHIT HERE, OK?
913
00:42:55,306 --> 00:42:56,608
SO WHAT ARE WE
GOING TO DO?
914
00:42:56,608 --> 00:42:57,876
WE? I DON'T REALLY SEE
915
00:42:57,876 --> 00:42:59,477
THERE'S ANYTHING IN
PARTICULAR FOR ME TO DO.
916
00:42:59,477 --> 00:43:01,747
WE HAVE TO DO
SOMETHING.WHY?
917
00:43:03,048 --> 00:43:05,316
BECAUSE EVERYBODY
THINKS I'M GAY.
918
00:43:05,316 --> 00:43:07,552
I DON'T.
YOU DON'T?
919
00:43:07,552 --> 00:43:08,754
WHO CARES?
920
00:43:10,221 --> 00:43:12,390
YOU'RE ENJOYING THIS.
921
00:43:12,390 --> 00:43:13,759
NOW, YOUNG OSKIE,
922
00:43:13,759 --> 00:43:15,727
I TOLD YOU WHEN YOU WANTED
TO GO SPY ON THAT GIRL
923
00:43:15,727 --> 00:43:17,663
SOMETHING BAD MIGHT HAPPEN.
YOU DIDN'T LISTEN,
924
00:43:17,663 --> 00:43:19,330
SO THE REALITY IS--
NO.
925
00:43:19,330 --> 00:43:21,967
YES. THE REALITY IS,
YOU MADE YOUR BIG GAY BED,
926
00:43:21,967 --> 00:43:23,902
AND MUST NOW SLUMBER
GAILY IN IT.
927
00:43:25,336 --> 00:43:26,738
BUT I--I DON'T WANT TO.
928
00:43:27,605 --> 00:43:28,840
SWEET DREAMS.
929
00:43:28,840 --> 00:43:31,209
HEY, I'LL SEE YOU AT
THE NEXT DINNER PARTY.
930
00:43:32,477 --> 00:43:33,779
POOR GUY.
931
00:43:33,779 --> 00:43:35,413
IT'S SO HARD WHEN
YOU FIRST COME OUT.
932
00:43:35,413 --> 00:43:36,648
OHH!
933
00:43:47,793 --> 00:43:52,163
* IT'S THE MADDEST KIND
OF LOVE *
934
00:43:52,964 --> 00:43:56,835
* IT'S A MAD, MAD LOVE *
935
00:43:56,835 --> 00:43:59,237
* OOH, YEAH *
936
00:44:01,439 --> 00:44:03,041
[HIGH-PITCHED]
AAH!
937
00:44:05,677 --> 00:44:07,645
[LOW-PITCHED]
AAH!
938
00:44:07,645 --> 00:44:08,914
AAH!
939
00:44:12,283 --> 00:44:14,652
YOU WANT A BEER?
I'M GOING TO GRAB A BEER.
940
00:44:16,254 --> 00:44:18,589
Zack: THERE HE IS.
THERE'S THE GUY.
941
00:44:18,589 --> 00:44:19,791
GO, BUDDY. YOU GOT
TO RUN WITH THAT.
942
00:44:19,791 --> 00:44:20,859
COME ON, BABY.
943
00:44:20,859 --> 00:44:22,393
COME ON, PONDEROSA.
944
00:44:22,393 --> 00:44:23,394
YOU GOT TO RUN.
945
00:44:25,130 --> 00:44:26,531
All: UHH!
946
00:44:26,531 --> 00:44:29,100
AW!
AW!
947
00:44:29,100 --> 00:44:31,036
SO, HOW'D THE SPY OPERATION
GO THE OTHER NIGHT?
948
00:44:31,036 --> 00:44:34,239
UH, IT'S JUST A LITTLE--
A LITTLE COMPLICATED.
949
00:44:34,239 --> 00:44:35,540
HE DID HER.
SCORE.
950
00:44:35,540 --> 00:44:38,343
WHOA, WHOA, WHOA.
YOU GOT LUCKY?
951
00:44:38,343 --> 00:44:39,610
AW...
952
00:44:39,610 --> 00:44:40,678
IS SHE STACKED?
953
00:44:40,678 --> 00:44:41,847
SHE'S REALLY STACKED,
ISN'T SHE?
954
00:44:41,847 --> 00:44:44,149
OH, MY GOD.
DID SHE TIE YOU UP?
955
00:44:44,149 --> 00:44:47,418
SHE'S A DOMINATRIX,
ISN'T SHE?
956
00:44:47,418 --> 00:44:49,620
HA! YOU LITTLE PIGGY.
957
00:44:49,620 --> 00:44:53,358
YOU GOT IT ON WITH A HOT,
BIG-BREASTED DOMINATRIX, HUH?
958
00:44:53,358 --> 00:44:55,260
YOU TELL ME.
959
00:44:55,260 --> 00:44:57,062
[LAUGHS]
960
00:44:57,062 --> 00:44:58,463
AM I THE ONLY ONE
WHO'S LISTENING?
961
00:44:59,765 --> 00:45:01,566
NOTHING HAPPENED
WITH AMY.
962
00:45:01,566 --> 00:45:04,569
AND, ANYWAY, I, UM...
963
00:45:04,569 --> 00:45:05,636
I'VE BEEN MEANING
TO TELL YOU GUYS
964
00:45:05,636 --> 00:45:06,905
THAT, YOU KNOW, AHEM...
965
00:45:06,905 --> 00:45:08,673
YOU'RE NOT GOING TO
SEE ME WITH ANY WOMEN
966
00:45:08,673 --> 00:45:09,841
FOR A WHILE.
967
00:45:09,841 --> 00:45:11,542
YOU KNOW, I JUST
KIND OF DECIDED TO...
968
00:45:11,542 --> 00:45:14,112
JUST SWEAR OFF GIRLS
FOR A WHILE--
969
00:45:14,112 --> 00:45:17,248
I DON'T KNOW, JUST
A LITTLE BIT OF TIME.
970
00:45:17,248 --> 00:45:19,084
[DOORBELL BUZZES]
971
00:45:21,686 --> 00:45:22,687
Oscar: AMY.
972
00:45:22,687 --> 00:45:23,789
CAN I MOVE IN?
973
00:45:23,789 --> 00:45:25,490
I PUT MOST OF MY STUFF
IN STORAGE.
974
00:45:25,490 --> 00:45:26,591
THIS IS JUST WHAT I NEED.
975
00:45:26,591 --> 00:45:28,226
I NEED MY CLOTHES,
MY SKETCH BOOKS,
976
00:45:28,226 --> 00:45:29,394
MY TOOLS.
977
00:45:29,394 --> 00:45:31,596
SO, YOU'RE AMY.
978
00:45:31,596 --> 00:45:33,698
NICE TO MEET YOU.
979
00:45:33,698 --> 00:45:35,100
HI.
980
00:45:35,100 --> 00:45:37,268
OSCAR TOLD US
ABOUT THE OTHER NIGHT.
981
00:45:37,268 --> 00:45:38,403
HE DID?
982
00:45:38,403 --> 00:45:40,038
THAT IS SO EMBARRASSING
AFTER WHAT I DID TO HIM.
983
00:45:40,038 --> 00:45:42,040
ARE YOUR BALLS OK,
OR ARE THEY STILL SORE?
984
00:45:44,142 --> 00:45:46,244
WE SHOULDOK.
GET GOING.TIME TO GO.
985
00:45:47,813 --> 00:45:49,480
CIAO.
OK.
986
00:45:49,480 --> 00:45:50,816
I'M OUT.
OK.
987
00:45:50,816 --> 00:45:52,017
TOOLS.
988
00:45:52,017 --> 00:45:53,551
OK.
989
00:45:53,551 --> 00:45:54,752
Zack: HUH.
990
00:45:54,752 --> 00:45:55,821
I AM IMPRESSED.
991
00:45:55,821 --> 00:45:57,622
Rick:
YOU LIKE THAT?
992
00:45:57,622 --> 00:45:58,990
Bill:
PRETTY DELISH, HUH?
993
00:45:58,990 --> 00:46:00,191
ARE THEY ALL GAY?
994
00:46:01,426 --> 00:46:02,760
WHOA!
995
00:46:05,130 --> 00:46:06,164
YES.
996
00:46:06,164 --> 00:46:07,332
DAMN.
997
00:46:07,332 --> 00:46:09,968
THE LITTLE ONE
WAS KIND OF CUTE.
998
00:46:09,968 --> 00:46:11,469
YEAH, WELL, HE'S NOT
EXACTLY MY TYPE.
999
00:46:11,469 --> 00:46:12,303
LET ME ASK YOU--
1000
00:46:12,303 --> 00:46:14,205
HEY, HOW'S KEVIN
DOING TONIGHT?
1001
00:46:14,205 --> 00:46:15,006
HE SCORE YET?
1002
00:46:15,006 --> 00:46:16,041
OH, HE'S KICKING ASS.
1003
00:46:16,041 --> 00:46:17,208
REALLY?
YOU LIKE HIM?
1004
00:46:17,208 --> 00:46:18,543
ARE YOU KIDDING?
I WORSHIP THE GUY.
1005
00:46:20,378 --> 00:46:21,379
SO, UH...
1006
00:46:22,413 --> 00:46:23,314
ARE YOU OK?
1007
00:46:23,314 --> 00:46:25,350
YOU KNOW, THIS PLACE
IS AWESOME--
1008
00:46:25,350 --> 00:46:26,451
DRAFTY, BUT AWESOME.
1009
00:46:27,652 --> 00:46:28,786
TUNA FISH.
1010
00:46:28,786 --> 00:46:29,955
VERY BRAVE.
1011
00:46:29,955 --> 00:46:31,256
ACTUALLY, I BROUGHT THAT
JUST FOR YOU.
1012
00:46:31,256 --> 00:46:32,523
OH, THANKS.
1013
00:46:32,523 --> 00:46:34,659
[LAUGHS]
1014
00:46:34,659 --> 00:46:36,928
I BROUGHT THAT
FOR YOU, TOO.
1015
00:46:36,928 --> 00:46:39,030
IT'LL FIT YOU PERFECTLY.
1016
00:46:43,801 --> 00:46:45,170
IS THIS YOU?
DON'T.
1017
00:46:45,170 --> 00:46:47,772
HA HA HA HA!
WERE YOU IN A BAND?
1018
00:46:47,772 --> 00:46:49,040
THOSE ARE MY FRIENDS
IN HIGH SCHOOL.
1019
00:46:49,040 --> 00:46:50,842
OK, BUT YOU ARE AWARE
OF WHAT YOU LOOK LIKE
1020
00:46:50,842 --> 00:46:52,010
IN THIS PICTURE, RIGHT?
1021
00:46:52,010 --> 00:46:53,044
IT'S NOT MY FAULT.
IT WAS THE EIGHTIES.
1022
00:46:53,044 --> 00:46:54,312
THEY MADE YOU
LOOK LIKE THAT.
1023
00:46:54,312 --> 00:46:55,780
YOU DIDN'T LOOK LIKE
A DORK IN THE EIGHTIES?
1024
00:46:55,780 --> 00:46:57,248
HEY, I GOT THROUGH
THE EIGHTIES DORK-FREE.
1025
00:46:57,248 --> 00:46:59,517
RIGHT, AND YOU'RE
MAKING UP FOR IT NOW.
1026
00:46:59,517 --> 00:47:01,819
UH-OH.
HA HA. HA HA.
1027
00:47:05,556 --> 00:47:06,557
[SIGHS]
1028
00:47:08,293 --> 00:47:10,328
YOU KNOW, I APPRECIATE
THIS, OSCAR,
1029
00:47:10,328 --> 00:47:12,163
ESPECIALLY SINCE YOU AND I
HAVEN'T KNOWN EACH OTHER LONG.
1030
00:47:12,163 --> 00:47:14,365
IT'S JUST THAT I HAVE BEEN
DODGING MY LANDLORD
1031
00:47:14,365 --> 00:47:16,267
FOR A WHILE, AND
HE FINALLY NABBED ME,
1032
00:47:16,267 --> 00:47:18,970
AND I DIDN'T KNOW
WHAT TO DO, AND...
1033
00:47:18,970 --> 00:47:20,271
SEE, THE THING IS,
I HAVE A LOT OF FRIENDS.
1034
00:47:20,271 --> 00:47:22,707
I JUST DON'T HAVE
A LOT OF FRIENDS,
1035
00:47:22,707 --> 00:47:23,942
YOU KNOW?
1036
00:47:25,843 --> 00:47:27,112
TO TELL YOU THE TRUTH,
I DIDN'T REALLY HAVE
1037
00:47:27,112 --> 00:47:28,980
ANYWHERE ELSE TO GO.
1038
00:47:28,980 --> 00:47:31,582
YOU CAME
TO THE RIGHT PLACE.
1039
00:47:37,923 --> 00:47:39,991
[SIGHS]
1040
00:47:39,991 --> 00:47:42,493
FANTASTIC PLACE.
1041
00:47:43,761 --> 00:47:45,830
GRIMY, RAW--
1042
00:47:45,830 --> 00:47:46,998
I LIKE IT.
1043
00:47:46,998 --> 00:47:48,366
HI, CHARLES.
1044
00:47:48,366 --> 00:47:51,802
I HOPE YOU DON'T MIND ME
STOPPING BY LIKE THIS.
1045
00:47:51,802 --> 00:47:53,004
AMY TOLD ME
SHE'D BE HERE.
1046
00:47:53,004 --> 00:47:54,605
NO, NO, NO.
CONSIDER THIS...
1047
00:47:54,605 --> 00:47:55,606
NO.
1048
00:47:55,606 --> 00:47:57,943
LET'S GO.
1049
00:47:57,943 --> 00:47:59,911
I GOT YOU A ROOM
AT THE FOUR SEASONS--
1050
00:47:59,911 --> 00:48:01,412
NO. THAT'S OK.
1051
00:48:01,412 --> 00:48:04,249
OSCAR HAS KINDLY AGREED
TO TAKE ME IN.
1052
00:48:04,249 --> 00:48:06,751
UH, CHARLES, AMY CAN
STAY HERE WITH ME.
1053
00:48:06,751 --> 00:48:07,752
IT'S OK.
1054
00:48:07,752 --> 00:48:09,955
LIKE I SAID, A SAINT.
1055
00:48:11,356 --> 00:48:12,991
OK, YOU WIN.
1056
00:48:13,992 --> 00:48:16,094
YOU ALWAYS WIN.
1057
00:48:21,466 --> 00:48:22,467
HOW'S THE PROJECT?
1058
00:48:22,467 --> 00:48:23,468
GREAT.
1059
00:48:29,874 --> 00:48:30,875
[SIGHS]
1060
00:48:30,875 --> 00:48:32,010
SO...
1061
00:48:32,010 --> 00:48:33,778
YEAH. I'M GOING
TO HEAD HOME NOW.
1062
00:48:33,778 --> 00:48:37,682
I MEAN, I'M GOING
TO HEAD UP THERE TO....
1063
00:48:37,682 --> 00:48:39,117
I'M GOING TO BED.
1064
00:48:39,117 --> 00:48:40,385
YEAH.
ARE YOU SURE?
1065
00:48:40,385 --> 00:48:44,322
BE ASLEEP AS SOON AS
MY HEAD HITS THE PILLOW.
1066
00:48:47,025 --> 00:48:49,294
THIS PLACE
IS SUCH A DUMP.
1067
00:48:49,294 --> 00:48:51,062
I FEEL LIKE I'M GOING
TO CATCH SOMETHING.
1068
00:48:51,062 --> 00:48:52,263
SHUT UP, CHUCK.
1069
00:48:53,064 --> 00:48:55,266
[AMY AND CHARLES
CHATTERING]
1070
00:49:00,071 --> 00:49:02,473
[GLASS CLATTERS]
1071
00:49:05,676 --> 00:49:07,645
[BOTH LAUGH]
1072
00:49:07,645 --> 00:49:09,214
SHIT.
1073
00:49:09,214 --> 00:49:11,983
SHIT, SHIT, SHIT.
1074
00:49:11,983 --> 00:49:12,984
SHIT.
1075
00:49:12,984 --> 00:49:15,186
[OBJECTS CLATTER]
1076
00:49:17,155 --> 00:49:19,224
[ROCK MUSIC PLAYING]
1077
00:49:19,224 --> 00:49:20,958
* WHO'S TO BLAME? *
1078
00:49:20,958 --> 00:49:22,127
* IT'S NOT YOUR FAULT *
1079
00:49:22,127 --> 00:49:24,329
* THEY DON'T REMEMBER
YOUR NAME *
1080
00:49:25,130 --> 00:49:27,332
[AMY AND CHARLES
LAUGH]
1081
00:49:28,366 --> 00:49:29,667
[RADIO CHANGING STATIONS]
1082
00:49:29,667 --> 00:49:32,037
DJ: HEY, ALL RIGHT,
IT'S 7:07, CHICAGO.
1083
00:49:32,037 --> 00:49:33,804
WAKE UP!
YEAH, YOU, DIMWIT.
1084
00:49:33,804 --> 00:49:36,241
YOU IDIOT, YOU MORON,
YOU A-HOLE.
1085
00:49:36,241 --> 00:49:38,343
GO TO YOUR CRAPPY JOB NOW.
1086
00:49:38,343 --> 00:49:39,844
GO PUT ON
YOUR CRUSTY UNDERWEAR
1087
00:49:39,844 --> 00:49:40,845
AND YOUR BLUE COLLAR SHIRT.
1088
00:49:40,845 --> 00:49:41,879
[STATIC]
1089
00:49:41,879 --> 00:49:43,514
[GLASS BREAKS]
1090
00:49:43,514 --> 00:49:45,516
[HEAVY BREATHING]
1091
00:50:04,969 --> 00:50:06,204
HEY.
HEY.
1092
00:50:08,406 --> 00:50:09,874
DOES HE KNOW THAT
HE'S UPSIDE-DOWN?
1093
00:50:09,874 --> 00:50:11,776
[BREATHING STOPS]
1094
00:50:11,776 --> 00:50:12,843
YOGA.
1095
00:50:12,843 --> 00:50:15,080
YOGA.
RIGHT, YOGA.
1096
00:50:15,080 --> 00:50:17,315
THE NEW TYCOON SPENT
THE NIGHT ON YOUR COUCH.
1097
00:50:17,315 --> 00:50:18,316
I HOPE YOU DON'T MIND.
1098
00:50:18,316 --> 00:50:20,585
NO, NO.
YEAH, NO.
1099
00:50:23,888 --> 00:50:25,323
[BREATHES RHYTHMICALLY]
1100
00:50:25,323 --> 00:50:27,425
DO YOU WANT SOME COFFEE?
1101
00:50:27,425 --> 00:50:29,427
SHH!
1102
00:50:32,263 --> 00:50:36,267
I'LL JUST GET YOU
A NICE CUP OF DECAF.
1103
00:50:38,469 --> 00:50:40,505
HAVE YOU BOYS BOTH
FINISHED YOUR HOMEWORK?
1104
00:50:40,505 --> 00:50:41,539
CUTE.
1105
00:50:41,539 --> 00:50:43,574
DON'T FIGHT WITH
THE OTHER KIDS ON THE BUS.
1106
00:50:49,414 --> 00:50:51,149
WHAT ARE YOU DOING
TONIGHT?
1107
00:50:51,149 --> 00:50:52,417
GOING OUT
WITH SOME FRIENDS.
1108
00:50:52,417 --> 00:50:54,452
GREAT.
SOUNDS LIKE FUN.
1109
00:50:54,452 --> 00:50:55,453
MM-HMM.
1110
00:50:56,654 --> 00:50:58,389
CIAO.
1111
00:50:58,389 --> 00:50:59,390
CIAO.
1112
00:51:00,191 --> 00:51:01,826
WHAT ARE YOU
DOING TONIGHT?
1113
00:51:01,826 --> 00:51:03,060
GOING OUT WITH HER FRIENDS.
1114
00:51:03,060 --> 00:51:05,296
GREAT.
SOUNDS LIKE FUN.
1115
00:51:07,932 --> 00:51:10,701
[HONKS HORN]
1116
00:51:10,701 --> 00:51:12,703
[RINGS BELL]
1117
00:51:15,740 --> 00:51:18,008
AND WHAT ABOUT WORKING
FOR MR. CHARLES NEWMAN?
1118
00:51:18,008 --> 00:51:19,677
IS HE EVERYTHING
HE'S REPUTED TO BE?
1119
00:51:19,677 --> 00:51:22,547
OH, EVERYTHING AND MORE.
1120
00:51:22,547 --> 00:51:23,581
MORE.
1121
00:51:23,581 --> 00:51:25,283
I UNDERSTAND YOU'RE
AN OPENLY GAY FIRM.
1122
00:51:25,283 --> 00:51:27,252
DO YOU FEEL THIS
WILL HAVE ANY IMPACT
1123
00:51:27,252 --> 00:51:28,686
ON THE COMPETITION,
1124
00:51:28,686 --> 00:51:29,887
PETER?
1125
00:51:29,887 --> 00:51:32,157
WE JUST TRY
AND DO OUR JOBS.
1126
00:51:32,157 --> 00:51:33,358
OSCAR?
1127
00:51:34,292 --> 00:51:35,526
I DON'T THINK
IT'S IMPORTANT
1128
00:51:35,526 --> 00:51:37,262
WHAT OTHER PEOPLE
THINK OF US PERSONALLY.
1129
00:51:37,262 --> 00:51:38,529
YES, BUT DON'T YOU FEEL
1130
00:51:38,529 --> 00:51:40,765
THAT YOU HAVE
A CERTAIN RESPONSIBILITY
1131
00:51:40,765 --> 00:51:41,766
AS A GAY PROFESSIONAL?
1132
00:51:41,766 --> 00:51:42,967
NO.
1133
00:51:42,967 --> 00:51:44,635
IF WE'RE TALENTED, WE SHOULDN'T
HAVE TO BACK THAT UP
1134
00:51:44,635 --> 00:51:46,437
BY PRETENDING TO BE
SOMETHING WE'RE NOT.
1135
00:51:46,437 --> 00:51:49,607
PEOPLE HAVE TO UNDERSTAND
THAT WE ARE INDIVIDUALS.
1136
00:51:49,607 --> 00:51:51,876
WHO CARES IF WE'RE
GAY OR STRAIGHT?
1137
00:51:51,876 --> 00:51:54,545
WHY CAN'T PEOPLE JUST
ACCEPT US FOR WHO WE ARE?
1138
00:51:56,614 --> 00:51:59,817
YOU DO KNOW
YOU'RE NOT GAY, RIGHT?
1139
00:52:03,053 --> 00:52:04,689
[MUSIC PLAYING]
1140
00:52:04,689 --> 00:52:05,656
YOU KNOW WHAT?
1141
00:52:05,656 --> 00:52:07,725
I THINK YOU'VE BEEN
WORKING TOO HARD.
1142
00:52:07,725 --> 00:52:09,527
YOU NEED TO RELAX.
1143
00:52:12,330 --> 00:52:14,832
I HAVE A SURPRISE
FOR YOU.
1144
00:52:14,832 --> 00:52:15,833
FOR ME?
1145
00:52:15,833 --> 00:52:17,067
MM-HMM...
1146
00:52:17,067 --> 00:52:18,836
AND THERE HE IS.
1147
00:52:19,970 --> 00:52:21,672
THAT'S KEVIN CARTWRIGHT.
1148
00:52:21,672 --> 00:52:23,541
YOU TWO HAVE MET
BEFORE, RIGHT?
1149
00:52:23,541 --> 00:52:25,243
OH, YEAH.
1150
00:52:25,243 --> 00:52:27,111
REMEMBER
THE MIAMI GAME, '93?
1151
00:52:27,111 --> 00:52:28,746
180 YARDS--
UNBELIEVABLE.
1152
00:52:28,746 --> 00:52:30,248
WELL, ACTUALLY,
IT WAS, LIKE, 150,
1153
00:52:30,248 --> 00:52:32,383
BUT WHO CARES ABOUT
A COUPLE YARDS, YOU KNOW?
1154
00:52:32,383 --> 00:52:34,084
YOU'RE THE MAN.
[LAUGHS]
1155
00:52:34,084 --> 00:52:35,119
THAT'S KEVIN CARTWRIGHT
1156
00:52:35,119 --> 00:52:36,321
RIGHT HERE.
1157
00:52:36,321 --> 00:52:37,988
DIDN'T YOU--YOU BROKE
YOUR HAND, RIGHT?
1158
00:52:37,988 --> 00:52:39,390
NO, NO, NO,
I SPRAINED MY HAND.
1159
00:52:39,390 --> 00:52:40,558
WHAT'S UP, MAN?
1160
00:52:40,558 --> 00:52:41,659
AND THEN YOU GAINED
ANOTHER 50 YARDS.
1161
00:52:41,659 --> 00:52:43,994
THAT'S 230 YARDS
IN A GAME, MY MAN.
1162
00:52:43,994 --> 00:52:45,496
MMM, I DON'T KNOW
ABOUT THAT.
1163
00:52:45,496 --> 00:52:46,897
YOU KNOW WHAT'S AMAZING?
BASEBALL PLAYER,
1164
00:52:46,897 --> 00:52:48,165
IF HE STUBS HIS TOE,
1165
00:52:48,165 --> 00:52:50,134
HE'S ON THE DISABLED
LIST FOR, LIKE, 9 YEARS.
1166
00:52:50,134 --> 00:52:51,736
I DON'T EVEN KNOW
ANY BASEBALL PLAYERS.
1167
00:52:51,736 --> 00:52:52,737
HEY!
1168
00:52:54,472 --> 00:52:55,606
I'D LOVE TO STAY AND TALK,
1169
00:52:55,606 --> 00:52:58,276
BUT I'M BORED
OUT OF MY MIND.
1170
00:52:58,276 --> 00:52:59,444
NO.
BEHAVE YOURSELVES.
1171
00:52:59,444 --> 00:53:02,079
OK.
I LOVE THAT GIRL.
1172
00:53:02,079 --> 00:53:03,348
THAT'S A GOOD GIRL.
1173
00:53:03,348 --> 00:53:04,982
LISTEN, YOU'RE NOT GOING
TO YELL MY NAME OUT
1174
00:53:04,982 --> 00:53:05,983
NO MORE, ARE YOU?
1175
00:53:05,983 --> 00:53:07,252
OH, NO, NO,
I'M FINISHED.
1176
00:53:07,252 --> 00:53:08,819
AH, COOL. SO, YOU WANT
TO GET ANOTHER ROUND?
1177
00:53:08,819 --> 00:53:10,054
ABSOLUTELY.
ALL RIGHT.
1178
00:53:10,054 --> 00:53:11,055
THAT'S KEVIN CARTWRIGHT
RIGHT THERE.
1179
00:53:11,055 --> 00:53:12,790
[LAUGHS]
1180
00:53:12,790 --> 00:53:14,158
7 SECONDS LEFT.
1181
00:53:14,158 --> 00:53:16,160
20 YARDS FOR A SCORE.
1182
00:53:16,160 --> 00:53:17,295
WAITING ON PLAY
FOR THE SET.
1183
00:53:17,295 --> 00:53:18,529
SET! HUT, HUT!
1184
00:53:18,529 --> 00:53:21,065
AND HE'S GOT
SOME RUNNING ROOM.
1185
00:53:21,065 --> 00:53:22,166
* BOP, BIM, BOW *
1186
00:53:22,166 --> 00:53:23,200
HIKE!
1187
00:53:23,200 --> 00:53:24,835
HA HA HA!
HEY!
1188
00:53:26,437 --> 00:53:28,473
[BOTH LAUGHING]
1189
00:53:30,275 --> 00:53:31,542
OH...
1190
00:53:34,712 --> 00:53:35,713
OSCAR.
1191
00:53:37,147 --> 00:53:38,449
KEVIN.
1192
00:53:38,449 --> 00:53:42,253
OSCAR, I GOT
TO TELL YOU SOMETHING.
1193
00:53:42,253 --> 00:53:44,054
I'M VERY ATTRACTED TO YOU.
1194
00:53:44,054 --> 00:53:47,091
AND THAT'S
A FOOTBALL TERM FOR...
1195
00:53:47,091 --> 00:53:49,927
I'M VERY ATTRACTED TO YOU.
1196
00:53:56,301 --> 00:53:57,535
EVIDENTLY.
1197
00:54:00,204 --> 00:54:02,072
HEY, YOU KNOW WHAT?
I CAN'T BREATHE.
1198
00:54:02,072 --> 00:54:03,073
OH.
YEAH.
1199
00:54:03,073 --> 00:54:04,809
THERE WE GO.
1200
00:54:04,809 --> 00:54:06,444
OH, SEE, I TOLD AMY
1201
00:54:06,444 --> 00:54:07,878
HOW I FELT
WHEN WE FIRST MET.
1202
00:54:07,878 --> 00:54:09,614
THAT'S WHY SHE SET
THIS WHOLE THING UP.
1203
00:54:09,614 --> 00:54:11,816
OH, HOW VERY NICE
OF HER.
1204
00:54:13,284 --> 00:54:15,820
LOOK, I'M
A LITTLE NEW AT THIS.
1205
00:54:15,820 --> 00:54:18,889
I ONLY REALIZED I WAS GAY
A COUPLE YEARS AGO,
1206
00:54:18,889 --> 00:54:21,492
AFTER AMY AND I BROKE UP.
1207
00:54:22,627 --> 00:54:24,061
I MEAN, IF YOU CAN'T
FALL IN LOVE WITH HER,
1208
00:54:24,061 --> 00:54:25,296
YOU MUST BE GAY, RIGHT?
1209
00:54:25,296 --> 00:54:27,164
[LAUGHS]
1210
00:54:27,164 --> 00:54:28,433
YEAH, WELL...
1211
00:54:28,433 --> 00:54:30,568
LOOK, I ONLY LIVE
A COUPLE BLOCKS FROM HERE.
1212
00:54:30,568 --> 00:54:33,070
DO YOU WANT TO COME BY
FOR ANOTHER DRINK?
1213
00:54:33,070 --> 00:54:34,905
OH, THAT'S
VERY FLATTERING.
1214
00:54:39,610 --> 00:54:41,379
BUT YOU KNOW WHAT?
THE--
1215
00:54:41,379 --> 00:54:44,014
THE TRUTH IS, I'M--I'M
IN LOVE WITH SOMEBODY ELSE.
1216
00:54:45,883 --> 00:54:46,917
OH.
1217
00:54:46,917 --> 00:54:48,353
YEAH. I MEAN, I THINK
YOU'RE REALLY GREAT,
1218
00:54:48,353 --> 00:54:51,221
BUT I'M KIND OF HEAD
OVER HEELS, YOU KNOW?
1219
00:54:51,221 --> 00:54:52,857
I'M--I'M SORRY.
1220
00:54:53,658 --> 00:54:56,160
IF--IF AMY HAD JUST
TOLD ME, I WOULD'VE--
1221
00:54:56,160 --> 00:54:57,995
YEAH, WELL, ACTUALLY,
THIS PERSON
1222
00:54:57,995 --> 00:55:00,398
IS COMPLETELY INVOLVED
WITH SOMEBODY ELSE,
1223
00:55:00,398 --> 00:55:02,800
SO THERE'S NO HOPE.
1224
00:55:06,003 --> 00:55:08,272
BUT I--I JUST...
1225
00:55:08,272 --> 00:55:10,808
CAN'T HELP THE WAY
THAT I FEEL, YOU KNOW?
1226
00:55:10,808 --> 00:55:12,543
POOR GUY.
1227
00:55:14,779 --> 00:55:15,780
THAT'S AWFUL.
1228
00:55:19,684 --> 00:55:22,019
OH, HEY, YEAH.
THANKS.
1229
00:55:24,154 --> 00:55:26,357
[SIGHS]
1230
00:55:28,258 --> 00:55:29,460
KEVIN.
1231
00:55:31,862 --> 00:55:32,863
KEVIN?
1232
00:55:34,699 --> 00:55:36,066
KEV?
1233
00:55:36,066 --> 00:55:38,068
[DOOR CLOSES]
1234
00:55:42,072 --> 00:55:44,208
I DID NOT...
1235
00:55:44,208 --> 00:55:46,043
ASK YOU...
1236
00:55:46,043 --> 00:55:47,244
TO DO THAT.
1237
00:55:47,244 --> 00:55:49,447
Amy: YOU DON'T HAVE TO YELL
THROUGH THE DOOR, OSCAR.
1238
00:55:49,447 --> 00:55:50,915
ARE YOU DECENT?
1239
00:55:50,915 --> 00:55:51,916
YES.
1240
00:55:55,252 --> 00:55:57,922
LISTEN, OSCAR, I MEANT WELL.
I JUST KNEW YOU WERE LONELY.
1241
00:55:57,922 --> 00:55:59,023
YEAH, OK.
1242
00:55:59,023 --> 00:56:00,691
JUST...
1243
00:56:00,691 --> 00:56:02,226
DON'T EVER DO THAT
TO ME AGAIN.
1244
00:56:02,226 --> 00:56:03,428
OK.
1245
00:56:03,428 --> 00:56:04,695
I'M SORRY.
1246
00:56:04,695 --> 00:56:05,830
OK.
1247
00:56:07,832 --> 00:56:09,600
CAN YOU DO ME A FAVOR AND
NOT TELL ANYONE ABOUT KEVIN?
1248
00:56:09,600 --> 00:56:11,469
HE'S STILL TRYING TO FIGURE
THINGS OUT FOR HIMSELF.
1249
00:56:11,469 --> 00:56:13,938
BELIEVE ME,
MUM IS THE WORD.
1250
00:56:13,938 --> 00:56:15,072
THE WORD IS MUM.
1251
00:56:15,072 --> 00:56:16,407
COME IN.
1252
00:56:18,909 --> 00:56:20,845
SO, WHAT IS IT?
HE'S NOT YOUR TYPE?
1253
00:56:23,614 --> 00:56:26,083
HE--HE HAS, UM...
1254
00:56:26,083 --> 00:56:27,785
UH, NO.
1255
00:56:27,785 --> 00:56:29,987
NO. I--I PREFER
TO DATE PEOPLE
1256
00:56:29,987 --> 00:56:31,556
WHO ARE A LITTLE...
1257
00:56:31,556 --> 00:56:33,724
A LITTLE MORE...
1258
00:56:33,724 --> 00:56:35,826
I DON'T KNOW.NOT SO BIG
AND TALL?
1259
00:56:35,826 --> 00:56:37,895
EXACTLY.
1260
00:56:37,895 --> 00:56:39,930
WHAT ARE YOUR THOUGHTS
ON PENIS SIZE?
1261
00:56:43,501 --> 00:56:45,035
DO YOU KNOW, UM...
1262
00:56:45,035 --> 00:56:46,370
I HAVEN'T EXACTLY
1263
00:56:46,370 --> 00:56:48,338
ORGANIZED MY THOUGHTS
ON THAT YET.
1264
00:56:48,338 --> 00:56:49,640
JUST BETWEEN YOU AND ME,
1265
00:56:49,640 --> 00:56:51,308
WHEN I WAS DATING KEVIN,
WE HAD A REAL PROBLEM.
1266
00:56:51,308 --> 00:56:53,911
HE HAS THIS GIANT THING.
1267
00:56:53,911 --> 00:56:55,480
NO KIDDING.
1268
00:56:55,480 --> 00:56:57,414
I WAS SURPRISED WHEN
KEVIN TOLD ME HE WAS GAY.
1269
00:56:57,414 --> 00:56:59,249
GUESS YOU CAN'T ALWAYS TELL.
1270
00:56:59,249 --> 00:57:00,284
CAN YOU PASS ME THE RAZOR?
1271
00:57:00,284 --> 00:57:01,719
UH, YEAH.
1272
00:57:04,354 --> 00:57:05,590
I'M GOING TO GO.
1273
00:57:05,590 --> 00:57:07,525
ACTUALLY, I HAD
A LESBIAN EXPERIENCE ONCE.
1274
00:57:07,525 --> 00:57:10,127
REALLY?
MM-HMM.
1275
00:57:10,127 --> 00:57:11,596
YOU DID?
1276
00:57:12,497 --> 00:57:14,932
YEAH.
IT WAS IN COLLEGE.
1277
00:57:14,932 --> 00:57:15,966
THERE WAS
THIS BRAZILIAN GIRL
1278
00:57:15,966 --> 00:57:18,002
IN MY INTRO
PHILOSOPHY CLASS.
1279
00:57:18,002 --> 00:57:19,470
AND, UH...
1280
00:57:19,470 --> 00:57:20,538
ONE NIGHT,
WE WERE STUDYING,
1281
00:57:20,538 --> 00:57:21,772
AND WE WERE
SITTING ON HER BED,
1282
00:57:21,772 --> 00:57:24,909
AND HER HAIR ACCIDENTALLY
BRUSHED MY HAND.
1283
00:57:24,909 --> 00:57:26,376
AND ALL OF THE SUDDEN,
I NOTICED
1284
00:57:26,376 --> 00:57:28,479
HOW AMAZING SHE LOOKED--
1285
00:57:28,479 --> 00:57:31,281
OLIVE SKIN AND THESE
INCREDIBLE BEE-STUNG LIPS
1286
00:57:31,281 --> 00:57:33,551
AND THESE BEAUTIFUL...
1287
00:57:33,551 --> 00:57:34,985
WELL, YOU KNOW
HOW IT IS IN COLLEGE.
1288
00:57:34,985 --> 00:57:36,186
WE EXPERIMENTED.
1289
00:57:38,255 --> 00:57:40,491
YEAH.
YOU HAD A...
1290
00:57:40,491 --> 00:57:41,826
WELL, GOOD FOR YOU, I SAY.
1291
00:57:41,826 --> 00:57:44,061
I'M--I'M SAYING
GOOD FOR YOU.
1292
00:57:44,061 --> 00:57:46,931
YOU KNOW, I COULD NEVER TELL
A STRAIGHT GUY THAT.
1293
00:57:46,931 --> 00:57:48,599
HE WOULD START ASKING
REALLY CREEPY QUESTIONS,
1294
00:57:48,599 --> 00:57:49,700
TRYING TO WEASEL OUT
DETAILS.
1295
00:57:49,700 --> 00:57:52,036
AW, THAT'S WEIRD.
THAT IS SICK...
1296
00:57:52,036 --> 00:57:53,437
AND--AND WEIRD.
1297
00:57:53,437 --> 00:57:54,705
MEN HAVE THESE STUPID
1298
00:57:54,705 --> 00:57:56,306
PENTHOUSE,
SPICE CHANNEL FANTASIES
1299
00:57:56,306 --> 00:57:57,608
ABOUT 2 WOMEN TOGETHER,
1300
00:57:57,608 --> 00:57:59,243
WITH GARTER BELTS
AND PUSH-UP BRAS
1301
00:57:59,243 --> 00:58:01,411
AND HIGH HEELS.
1302
00:58:01,411 --> 00:58:03,548
THAT'S JUST NOT
HOW IT HAPPENS.
1303
00:58:03,548 --> 00:58:05,149
WELL, OF COURSE NOT.
1304
00:58:06,150 --> 00:58:08,052
WHAT HAPPENS IS...
1305
00:58:08,052 --> 00:58:09,687
IT WAS JUST DIFFERENT.
1306
00:58:09,687 --> 00:58:12,557
SHE WAS PASSIONATE
AND SENSITIVE.
1307
00:58:14,592 --> 00:58:16,627
WOW, LISTEN TO ME.
1308
00:58:16,627 --> 00:58:18,128
THIS MUST BE
SO BORING FOR YOU.
1309
00:58:18,128 --> 00:58:19,864
NO.
1310
00:58:19,864 --> 00:58:22,499
NO. I MEAN, IT'S NOT--
IT'S NOT THAT BORING.
1311
00:58:22,499 --> 00:58:23,868
WELL, WE DID DO ONE THING
1312
00:58:23,868 --> 00:58:26,036
THAT WAS KIND OF LIKE
THOSE STUPID MALE FANTASIES.
1313
00:58:26,036 --> 00:58:27,572
YOU DID?
1314
00:58:27,572 --> 00:58:29,473
YEAH.
IT WAS REALLY...
1315
00:58:29,473 --> 00:58:30,775
OH, I CAN'T EVEN SAY IT.
1316
00:58:30,775 --> 00:58:31,976
OH, SURE--SURE, YOU CAN.
1317
00:58:31,976 --> 00:58:33,878
WE'RE JUST A COUPLE OF
GIRLFRIENDS HERE.
1318
00:58:35,445 --> 00:58:36,847
OK.
1319
00:58:36,847 --> 00:58:38,448
OK, COME HERE.
I'LL WHISPER IT IN YOUR EAR.
1320
00:58:38,448 --> 00:58:39,784
OK.
1321
00:58:41,586 --> 00:58:43,754
[WHISPERING]
1322
00:58:48,058 --> 00:58:49,026
[LAUGHING]
1323
00:58:49,026 --> 00:58:51,228
HAND ME MY TOWEL,
WOULD YA?
1324
00:58:51,228 --> 00:58:52,797
OK. SURE.
1325
00:58:55,600 --> 00:58:56,901
TURN AROUND.
1326
00:58:56,901 --> 00:58:58,002
OK.
1327
00:59:13,283 --> 00:59:15,019
MAN, IT'S HOT IN HERE.
1328
00:59:16,887 --> 00:59:18,088
DJ: ALL RIGHT, CHICAGO,
1329
00:59:18,088 --> 00:59:19,757
I GOTTA GET SOMETHING
OFF MY CHEST HERE.
1330
00:59:19,757 --> 00:59:22,026
I DON'T CARE ABOUT
YOUR SEXUAL ORIENTATION.
1331
00:59:22,026 --> 00:59:23,761
I DON'T CARE
IF YOU'RE IN THE CLOSET,
1332
00:59:23,761 --> 00:59:24,862
OUT OF THE CLOSET,
IN A DUNGEON,
1333
00:59:24,862 --> 00:59:26,496
DOWN A MINE SHAFT,
ON A BROOMSTICK.
1334
00:59:26,496 --> 00:59:29,667
I DON'T CARE!
JUST PLEASE, DO YOUR JOB.
1335
00:59:29,667 --> 00:59:31,035
WHO IS THIS WHINY BASTARD
1336
00:59:31,035 --> 00:59:33,003
ON THE FRONT PAGE
OF THE BUSINESS SECTION?
1337
00:59:33,003 --> 00:59:35,205
DID YOU SEE HIM?
OSCAR NOVAK.
1338
00:59:35,205 --> 00:59:38,308
HE IS A COMPLAINING,
COMPLAINING, COMPLAINING MORON.
1339
00:59:38,308 --> 00:59:41,245
EVEN IF I WAS A MINCING,
LIMP-WRISTED GAY,
1340
00:59:41,245 --> 00:59:43,513
I WOULDN'T TELL
THE WHOLE CITY ABOUT IT.
1341
00:59:43,513 --> 00:59:44,749
WHAT ARE YOU--
1342
00:59:44,749 --> 00:59:45,816
AAH!
[GROANS]
1343
00:59:45,816 --> 00:59:47,785
OH, MY GOD!
THIS IS SO EXCITING.
1344
00:59:47,785 --> 00:59:49,253
TALK ABOUT
GREAT PUBLICITY.
1345
00:59:49,253 --> 00:59:51,656
GOOD HAIR, TOO.
1346
00:59:51,656 --> 00:59:54,792
Michael Dees: * WELL, I THINK
I'M GOIN' OUT OF MY HEAD *
1347
00:59:54,792 --> 00:59:57,161
Bill: PUSH UP, PUSH UP,
PUSH UP, PUSH UP.
1348
00:59:57,161 --> 00:59:58,295
GOOD, GOOD.
1349
00:59:58,295 --> 01:00:00,665
* YES, I THINK I'M
GOIN' OUT OF MY HEAD *
1350
01:00:00,665 --> 01:00:04,401
* OVER YOU *
1351
01:00:04,401 --> 01:00:06,671
* OVER YOU *
1352
01:00:06,671 --> 01:00:08,639
UHH!
[GAGGING]
1353
01:00:08,639 --> 01:00:11,275
HE WAS DEFINITELY
STRAIGHT BEFORE, RIGHT?
1354
01:00:11,275 --> 01:00:12,810
YEAH, WELL,
HE AND PETER
1355
01:00:12,810 --> 01:00:14,679
DO SPEND A LOT
OF TIME TOGETHER.
1356
01:00:14,679 --> 01:00:16,213
MR. NEWMAN.
1357
01:00:16,213 --> 01:00:18,615
* DON'T EVEN KNOW
THAT I EXIST *
1358
01:00:18,615 --> 01:00:19,616
MM-MMM.
1359
01:00:19,616 --> 01:00:20,651
[GRUNTS]
1360
01:00:20,651 --> 01:00:23,520
DO WE HAVE
ANY NEWCOMERS TODAY?
1361
01:00:23,520 --> 01:00:27,291
HI. I'M ZACK.
1362
01:00:27,291 --> 01:00:28,358
AND I'M...
1363
01:00:28,358 --> 01:00:30,294
GAY?
1364
01:00:30,294 --> 01:00:32,129
Man: HI, ZACK.
1365
01:00:32,129 --> 01:00:33,831
NO. I'M NOT...
1366
01:00:37,601 --> 01:00:40,570
* GOIN' OUT OF MY HEAD *
1367
01:00:40,570 --> 01:00:42,439
* OVER YOU *
1368
01:00:42,439 --> 01:00:45,142
* OUT OF MY HEAD *
1369
01:00:45,142 --> 01:00:46,243
* OVER YOU *
1370
01:00:46,243 --> 01:00:48,445
* OUT OF MY HEAD *
1371
01:00:48,445 --> 01:00:49,980
* DAY AND NIGHT *
1372
01:00:49,980 --> 01:00:52,082
* NIGHT AND DAY AND NIGHT *
1373
01:00:52,082 --> 01:00:53,117
WHAT?
1374
01:00:53,117 --> 01:00:55,619
AAH! OW! OW!
1375
01:00:55,619 --> 01:00:58,923
AH HA HA HA HA HA!
1376
01:00:58,923 --> 01:01:02,192
* INTO YOUR HEART *
1377
01:01:03,027 --> 01:01:05,562
* THERE'S NO REASON WHY *
1378
01:01:05,562 --> 01:01:07,497
* MY BEIN' SHY *
1379
01:01:07,497 --> 01:01:10,300
* SHOULD KEEP US APART *
1380
01:01:11,401 --> 01:01:14,338
* GOIN' OUT OF MY HEAD *
1381
01:01:14,338 --> 01:01:15,740
* OVER YOU *
1382
01:01:15,740 --> 01:01:18,475
* OUT OF MY HEAD *
1383
01:01:18,475 --> 01:01:20,377
* OVER YOU *
1384
01:01:20,377 --> 01:01:22,279
* OUT OF MY HEAD *
1385
01:01:22,279 --> 01:01:23,914
* DAY AND NIGHT *
1386
01:01:23,914 --> 01:01:26,616
* NIGHT AND DAY AND NIGHT *
1387
01:01:26,616 --> 01:01:28,618
* WRONG OR RIGHT *
1388
01:01:28,618 --> 01:01:31,488
* I WANT YOU *
1389
01:01:31,488 --> 01:01:33,623
* TO WANT ME *
1390
01:01:33,623 --> 01:01:35,960
* I NEED YOU SO BADLY *
1391
01:01:35,960 --> 01:01:39,997
* I CAN'T THINK
OF ANYTHING BUT YOU *
1392
01:01:43,768 --> 01:01:44,902
THOUGHT WE...
1393
01:01:44,902 --> 01:01:46,871
KINDA HAD
A MOMENT THERE.
1394
01:01:48,305 --> 01:01:49,673
OH. OH, US.
1395
01:01:49,673 --> 01:01:51,842
NO, NO. NO,
WE DIDN'T HAVE A MOMENT.
1396
01:01:51,842 --> 01:01:53,510
NO, I WAS THERE.
NO MOMENT.
1397
01:01:53,510 --> 01:01:54,979
HA.
1398
01:01:54,979 --> 01:01:57,381
HEY, YOU WORK OUT,
DON'T YOU?
1399
01:01:57,381 --> 01:01:58,315
EXCUSE ME?
1400
01:01:58,315 --> 01:01:59,950
WELL, YOU LOOK
EVEN BETTER IN PERSON
1401
01:01:59,950 --> 01:02:01,618
THAN YOU DO
IN THE PAPER.
1402
01:02:01,618 --> 01:02:02,820
YOU'RE IN GREAT SHAPE.
1403
01:02:02,820 --> 01:02:04,088
HEY, WELL, THANKS, THANKS.
1404
01:02:04,088 --> 01:02:06,623
* GOIN' OUT OF MY HEAD
OVER YOU *
1405
01:02:06,623 --> 01:02:08,893
* OUT OF MY HEAD *
1406
01:02:08,893 --> 01:02:10,828
* OVER YOU *
1407
01:02:10,828 --> 01:02:12,529
* OUT OF MY HEAD *
1408
01:02:12,529 --> 01:02:14,564
* DAY AND NIGHT *
1409
01:02:14,564 --> 01:02:16,700
* NIGHT AND DAY AND NIGHT *
1410
01:02:16,700 --> 01:02:18,335
* WRONG OR RIGHT *
1411
01:02:18,335 --> 01:02:19,603
[RINGS BELL]
1412
01:02:19,603 --> 01:02:21,338
* WRONG OR RIGHT *
1413
01:02:21,338 --> 01:02:24,809
Announcer:
CLARKSON BACK TO PASS...
1414
01:02:24,809 --> 01:02:26,811
AND HE HITS WILLHIDE
UP THE MIDDLE.
1415
01:02:26,811 --> 01:02:28,678
HE BREAKS THE TACKLE,
STUMBLES INTO THE 20...
1416
01:02:28,678 --> 01:02:29,679
YES!
1417
01:02:29,679 --> 01:02:32,249
YES! YES! YES!
1418
01:02:36,586 --> 01:02:38,722
FOR THE LAST TIME...
1419
01:02:38,722 --> 01:02:40,357
I'M NOT GAY.
1420
01:02:40,357 --> 01:02:41,725
NO.
1421
01:02:41,725 --> 01:02:42,860
WE KNOW.
1422
01:02:42,860 --> 01:02:45,695
YEAH, OK, BUT YOU
DON'T BELIEVE ME.
1423
01:02:45,695 --> 01:02:47,231
NO, WE DO. WE DO.
1424
01:02:47,231 --> 01:02:48,732
YOU KNOW WHAT?
THIS IS RIDICULOUS.
1425
01:02:48,732 --> 01:02:50,267
I'VE KNOWN YOU GUYS
MY ENTIRE LIFE.
1426
01:02:50,267 --> 01:02:53,003
WHAT WOULD MAKE YOU THINK
THAT I'M GAY NOW?
1427
01:02:53,003 --> 01:02:54,805
THE WALL TREATMENTS.
1428
01:02:58,542 --> 01:02:59,844
THE HORS D'OEUVRES.
1429
01:02:59,844 --> 01:03:02,779
YEAH, AND...
ALL THE, UH...
1430
01:03:03,780 --> 01:03:05,249
GAY THINGS.
1431
01:03:05,249 --> 01:03:06,450
ALL RIGHT, WHAT IS THE PROBLEM
WITH WALL TREATMENTS, OK?
1432
01:03:06,450 --> 01:03:08,285
DO YOU HAVE ANY IDEA
HOW DIFFICULT IT IS
1433
01:03:08,285 --> 01:03:10,955
TO DECIDE BETWEEN SPONGING,
GLAZING, AND SPACKLING?
1434
01:03:12,656 --> 01:03:13,757
NEVER MIND.
1435
01:03:13,757 --> 01:03:16,193
NO, IT'S OK.
1436
01:03:16,193 --> 01:03:18,896
SOME PEOPLE MIGHT THINK
YOU'RE A FREAK...
1437
01:03:18,896 --> 01:03:20,130
BUT NOT ME.
1438
01:03:20,130 --> 01:03:22,432
I PERSONALLY KNEW
YOU WERE GAY ALL ALONG.
1439
01:03:22,432 --> 01:03:24,534
I'M JUST GLAD YOU
FINALLY FIGURED IT OUT
1440
01:03:24,534 --> 01:03:25,836
FOR YOURSELF.
1441
01:03:25,836 --> 01:03:27,804
YOU REMEMBER WHEN WE
WENT SKIING TOGETHER,
1442
01:03:27,804 --> 01:03:29,339
AND THEN WE WENT TO
THE HOT TUB AFTERWARDS,
1443
01:03:29,339 --> 01:03:32,142
AND YOU SORT OF BRUSHED UP
AGAINST ME, AND...
1444
01:03:32,142 --> 01:03:34,178
YOU DIDN'T SAY ANYTHING,
YOU JUST SORT OF...
1445
01:03:34,178 --> 01:03:36,346
LOOKED AT ME KIND OF FUNNY?
1446
01:03:37,181 --> 01:03:39,917
WERE YOU TRYING TO
HIT ON ME, MAN?
1447
01:03:39,917 --> 01:03:41,185
OK, YOU KNOW WHAT?
YOU'RE RIGHT.
1448
01:03:41,185 --> 01:03:42,920
I'M GAY.
I'VE ALWAYS BEEN GAY.
1449
01:03:42,920 --> 01:03:45,189
ALL THESE YEARS OF
FRIENDSHIP AND FOOTBALL
1450
01:03:45,189 --> 01:03:47,457
AND ME CHASING
AFTER GIRLS--A RUSE,
1451
01:03:47,457 --> 01:03:50,327
A CLEVER LITTLE TRICK
JUST TO GET ALL OF YOU INTO BED.
1452
01:03:50,327 --> 01:03:53,830
THAT'S RIGHT.
I WANT ALL OF YOU.
1453
01:03:53,830 --> 01:03:56,400
ZACK, WITH YOUR LILTING
LITTLE LAUGH.
1454
01:03:56,400 --> 01:03:57,968
BILL, YOUR FARTS,
1455
01:03:57,968 --> 01:04:00,804
THEY'RE LIKE PERFUME TO ME.
1456
01:04:00,804 --> 01:04:02,272
AND, RICK...
1457
01:04:02,272 --> 01:04:04,508
YOU REALLY
FIGURED ME OUT, MAN.
1458
01:04:06,710 --> 01:04:08,913
I WANT YOU MOST OF ALL.
1459
01:04:08,913 --> 01:04:11,248
OH, MY GOD.
1460
01:04:11,248 --> 01:04:12,249
OHH!
1461
01:04:12,249 --> 01:04:13,483
AAH!
AAH!
1462
01:04:13,483 --> 01:04:15,852
MOM, YOU'RE NOT LISTENING.
1463
01:04:15,852 --> 01:04:17,021
I'M NOT GAY.
1464
01:04:17,021 --> 01:04:19,589
YOU DON'T HAVE
TO LIE, SON.
1465
01:04:19,589 --> 01:04:21,225
I'M NOT LYING.
1466
01:04:21,225 --> 01:04:25,162
LOOK, I JUST HAVE TO PRETEND
TO BE GAY FOR WORK.
1467
01:04:26,563 --> 01:04:28,032
I KNOW IT SOUNDS CRAZY.
1468
01:04:28,032 --> 01:04:29,699
NO, NO, YOU DID
A BRAVE THING,
1469
01:04:29,699 --> 01:04:31,168
AND I THINK
IT'S WONDERFUL.
1470
01:04:31,168 --> 01:04:32,569
DAD MUST BE GOING NUTS.
1471
01:04:32,569 --> 01:04:35,772
NO. NO, YOUR FATHER FEELS
EXACTLY THE SAME WAY.
1472
01:04:35,772 --> 01:04:37,807
WELL,
PUT HIM ON THE PHONE.
1473
01:04:37,807 --> 01:04:40,644
NO. NO, HE CAN'T
COME TO THE PHONE
1474
01:04:40,644 --> 01:04:41,645
RIGHT NOW,
SWEETHEART.
1475
01:04:41,645 --> 01:04:43,880
HE'S, UH, HE'S BUSY.
1476
01:04:43,880 --> 01:04:45,882
ALL THE MONEY
I SPENT ON THAT KID!
1477
01:04:45,882 --> 01:04:47,284
I COULD KILL HIM!
1478
01:04:53,857 --> 01:04:56,961
I'M NEVER GONNA
HAVE SEX AGAIN.
1479
01:04:56,961 --> 01:04:59,396
OH, COME ON, OSCAR.
OF COURSE YOU WILL.
1480
01:04:59,396 --> 01:05:02,199
JUST MAYBE NOT
WITH A WOMAN.
1481
01:05:07,571 --> 01:05:09,906
[TALKING AND LAUGHING]
1482
01:05:09,906 --> 01:05:11,608
HI!
HI!
1483
01:05:11,608 --> 01:05:13,143
[GIGGLING]
1484
01:05:13,143 --> 01:05:15,845
HEY, HONEY! HI!
1485
01:05:15,845 --> 01:05:18,282
HI! MMM!
1486
01:05:18,282 --> 01:05:20,050
YOU WANT TO COME
HANG OUT WITH US?
1487
01:05:20,050 --> 01:05:22,252
NO. YOU WOULDN'T
BELIEVE THE DAY I HAD.
1488
01:05:22,252 --> 01:05:24,754
LISTEN, UM,
I MADE YOU SOMETHING.
1489
01:05:24,754 --> 01:05:26,556
OPEN IT UP.
1490
01:05:30,427 --> 01:05:32,496
OH, GOD.
1491
01:05:32,496 --> 01:05:34,764
I'M SO PROUD OF YOU.
1492
01:05:34,764 --> 01:05:36,166
OH, DON'T BE.
1493
01:05:36,166 --> 01:05:38,868
NO. IT WAS--
THAT WAS NOTHING.
1494
01:05:38,868 --> 01:05:40,670
NO, THAT'S NOT TRUE.
1495
01:05:40,670 --> 01:05:43,740
YOU'RE PROUD OF WHO YOU ARE.
NOT EVERYONE'S LIKE THAT.
1496
01:05:43,740 --> 01:05:45,042
COME ON. HANG OUT WITH US.
1497
01:05:45,042 --> 01:05:46,910
OH, NO, NO. I'M NOT--
I DON'T WANT TO.
1498
01:05:46,910 --> 01:05:48,312
WE HAVE MARGARITAS.
1499
01:05:51,948 --> 01:05:54,284
EWW!
GROSS!
1500
01:05:54,284 --> 01:05:56,820
THE BEST IS, "I'M NOT GONNA
USE A LINE ON YOU, BABY."
1501
01:05:56,820 --> 01:05:59,156
UGH, THE ANTI-LINE LINE.
I HATE THAT.
1502
01:05:59,156 --> 01:06:00,890
YEAH, THAT IS A STUPID ONE.
1503
01:06:00,890 --> 01:06:02,692
SO, IS IT
THE SAME FOR YOU?
1504
01:06:02,692 --> 01:06:04,794
DO YOU GET THE SAME KIND
OF COME-ONS AS US?
1505
01:06:04,794 --> 01:06:08,732
OH, UH, WELL, SOMETIMES.
1506
01:06:08,732 --> 01:06:10,467
LIKE THE OTHER DAY...
1507
01:06:10,467 --> 01:06:13,903
I WAS ON THE BUS AND THIS GUY
COMES UP TO ME AND SAYS,
1508
01:06:13,903 --> 01:06:15,639
"DO YOU WORK OUT?"
1509
01:06:15,639 --> 01:06:17,241
EWW!
UGH!
1510
01:06:17,241 --> 01:06:19,309
THE OLD WORKOUT LINE.
1511
01:06:19,309 --> 01:06:20,810
DOES ANYONE FALL FOR THAT?
1512
01:06:20,810 --> 01:06:22,012
YEAH.
1513
01:06:22,012 --> 01:06:23,947
SHUT UP!
1514
01:06:23,947 --> 01:06:27,917
AND THEN, YOU KNOW,
HE'S STARING,
1515
01:06:27,917 --> 01:06:30,554
I MEAN, STARING AT MY BUTT.
1516
01:06:30,554 --> 01:06:32,422
SO I TURN AROUND,
AND THEN, OF COURSE,
1517
01:06:32,422 --> 01:06:34,658
MY CROTCH IS RIGHT
IN HIS FACE.
1518
01:06:34,658 --> 01:06:35,725
OH, PLEASE!
1519
01:06:35,725 --> 01:06:37,827
SO I TURN AROUND AGAIN
AND THEN THERE'S BUTT.
1520
01:06:37,827 --> 01:06:40,397
SO IT'S KIND OF LIKE,
BUTT, CROTCH, BUTT, CROTCH,
1521
01:06:40,397 --> 01:06:43,167
BUTT, BUTT,
CROTCH, CROTCH!
1522
01:06:43,167 --> 01:06:45,569
AND I'M THINKING,
"HEY, PAL, I'M A PERSON.
1523
01:06:45,569 --> 01:06:47,604
I'M NOT AN OBJECT."
1524
01:06:47,604 --> 01:06:49,073
ABSOLUTELY.
YEAH.
1525
01:06:49,073 --> 01:06:50,474
I HAVE FEELINGS.
1526
01:06:50,474 --> 01:06:51,808
IT DOESN'T MATTER
THAT THE GUY WAS RIGHT.
1527
01:06:51,808 --> 01:06:54,010
I HAPPEN TO HAVE
A FINELY-TONED,
1528
01:06:54,010 --> 01:06:55,912
PICTURE-PERFECT,
AWARD-WINNING ASS!
1529
01:06:55,912 --> 01:06:57,114
MWAH!
1530
01:06:57,114 --> 01:06:58,448
THERE'S MORE TO ME
THAN THAT.
1531
01:06:58,448 --> 01:07:00,950
THAT'S RIGHT, OSCAR!
NOT A PIECE OF MEAT!
1532
01:07:00,950 --> 01:07:02,452
WHATEVER HAPPENED
TO SUBTLETY?
1533
01:07:02,452 --> 01:07:04,454
WHAT HAPPENED
TO TAKING THE TIME
1534
01:07:04,454 --> 01:07:05,822
TO GET TO KNOW
SOMEBODY FIRST?
1535
01:07:05,822 --> 01:07:07,557
YEAH!
HA HA HA!
1536
01:07:07,557 --> 01:07:10,627
IF ALL MEN WERE GAY, IT
WOULD BE ABSOLUTELY PERFECT.
1537
01:07:10,627 --> 01:07:12,696
HA HA HA!
1538
01:07:29,279 --> 01:07:31,281
I LOVE YOU SO MUCH.
1539
01:07:31,281 --> 01:07:33,250
YOU'VE CHANGED
MY WHOLE LIFE.
1540
01:07:33,250 --> 01:07:34,651
I WANT TO MAKE
YOU HAPPY.
1541
01:07:34,651 --> 01:07:36,420
IT'S THE ONLY THING
THAT MATTERS TO BE.
1542
01:07:39,989 --> 01:07:42,426
I'VE GOT SOMETHING
TO TELL YOU, TOO.
1543
01:07:43,993 --> 01:07:45,762
I'M GOING
TO GET MARRIED.
1544
01:07:52,736 --> 01:07:55,539
YOU KNOW, THERE'S
THIS THING I'VE NOTICED.
1545
01:07:55,539 --> 01:07:57,541
IN THE MOVIES, WHENEVERE
A GUY ASKS A GIRL OUT,
1546
01:07:57,541 --> 01:07:59,776
SHE ALWAYS SAYS,
"I'D LIKE THAT."
1547
01:07:59,776 --> 01:08:03,313
I'VE NEVER HEARD ANYONE
SAY THAT IN REAL LIFE EVER.
1548
01:08:03,313 --> 01:08:05,882
YOU KNOW WHAT THE MOST
SPOKEN LINE IN MOVIES IS?
1549
01:08:05,882 --> 01:08:06,883
WHAT?
1550
01:08:06,883 --> 01:08:08,285
"LET'S GET OUT OF HERE."
1551
01:08:08,285 --> 01:08:11,121
HUH. IT MAKES SENSE.
1552
01:08:11,121 --> 01:08:12,422
IT WORKS FOR A LOT
OF SITUATIONS.
1553
01:08:12,422 --> 01:08:15,292
"THEY'RE SHOOTING AT US.
LET'S GET OUTTA HERE."
1554
01:08:15,292 --> 01:08:17,794
"ALIENS HAVE LANDED.
LET'S GET OUTTA HERE."
1555
01:08:17,794 --> 01:08:19,929
"I WANT TO MAKE MAD,
PASSIONATE LOVE TO YOU.
1556
01:08:19,929 --> 01:08:21,231
LET'S GET OUTTA HERE."
1557
01:08:21,231 --> 01:08:23,367
THOSE ARE ALL GOOD.
ESPECIALLY THAT LAST ONE.
1558
01:08:24,768 --> 01:08:25,835
[SQUEAKS]
1559
01:08:25,835 --> 01:08:29,273
UM, WHAT WAS THAT?
1560
01:08:29,273 --> 01:08:30,874
I WAS YAWNING.
1561
01:08:30,874 --> 01:08:32,209
OK.
1562
01:08:33,810 --> 01:08:38,148
OK. YOU'RE TIRED.
I'M GONNA LET YOU SLEEP.
1563
01:08:38,148 --> 01:08:40,417
NO, STAY?
1564
01:08:40,417 --> 01:08:41,818
SURE.
1565
01:08:41,818 --> 01:08:44,688
YEAH.
1566
01:08:44,688 --> 01:08:47,090
JUST TILL THE END
OF THE MOVIE.
1567
01:08:47,090 --> 01:08:48,925
TV: WILL YOU MARRY ME?
1568
01:08:48,925 --> 01:08:50,960
WILL YOU?
1569
01:08:50,960 --> 01:08:54,564
DO YOU THINK
WE'D BE HAPPY?
1570
01:08:54,564 --> 01:08:57,334
NO. BUT WHAT
DOES IT MATTER?
1571
01:09:50,654 --> 01:09:52,756
[ORCHESTRA PLAYING
TANGO MUSIC]
1572
01:09:52,756 --> 01:09:54,758
[LAUGHTER]
1573
01:09:56,693 --> 01:09:58,695
ABSOLUTELY BEAUTIFULLY-
LOCATED SEASON TICKETS,
1574
01:09:58,695 --> 01:10:00,630
AND I'VE LOVE YOU
TO BE MY GUEST--
1575
01:10:00,630 --> 01:10:02,031
VERY EXCITED.
1576
01:10:02,031 --> 01:10:04,401
VERY, VERY EXCITED.
1577
01:10:09,373 --> 01:10:10,840
GREAT PARTY.
THANKS.
1578
01:10:10,840 --> 01:10:14,611
VERY EXCITED TO SEE
YOUR MODEL. VERY EXCITED.
1579
01:10:14,611 --> 01:10:17,113
WELL, WE JUST HOPE
THAT YOU LIKE IT.
1580
01:10:17,113 --> 01:10:18,915
THERE REALLY ARE
1581
01:10:18,915 --> 01:10:22,719
SOME VERY NICE-LOOKING
WOMEN HERE TONIGHT.
1582
01:10:22,719 --> 01:10:24,921
WHAT'S YOUR TYPE?
1583
01:10:24,921 --> 01:10:26,523
TYPE OF WHAT?
1584
01:10:26,523 --> 01:10:28,925
IT'S FUNNY.
WHEN I FIRST MET YOU GUYS,
1585
01:10:28,925 --> 01:10:31,961
I THOUGHT YOU WERE SUPER-GAY
AND OSCAR WAS STRAIGHT.
1586
01:10:31,961 --> 01:10:33,062
I WAS SUPER-GAY?
1587
01:10:33,062 --> 01:10:35,064
HE CLEARED IT UP
FOR ME, THOUGH.
1588
01:10:35,064 --> 01:10:36,232
HE DID?
1589
01:10:36,232 --> 01:10:38,635
HE TOLD ME YOU'RE NOT,
BUT HE IS, 100%.
1590
01:10:38,635 --> 01:10:42,071
HO HO HO!
THAT OSKIE.
1591
01:10:42,071 --> 01:10:45,575
THAT ARTICLE MUST MAKE IT
HARD FOR YOU TO MEET GIRLS.
1592
01:10:45,575 --> 01:10:47,611
I DO OK.
1593
01:10:47,611 --> 01:10:50,414
OH, THANKS, MOM,
AND THANK YOU FOR COMING.
1594
01:10:50,414 --> 01:10:53,483
DAD, BAR'S RIGHT OVER THERE.
1595
01:11:00,390 --> 01:11:01,991
HI.
HI.
1596
01:11:01,991 --> 01:11:03,593
SORRY.
[GIGGLES]
1597
01:11:03,593 --> 01:11:05,362
OH, I AM SO EXCITED
FOR YOU.
1598
01:11:05,362 --> 01:11:07,531
OH, THANKS. THANKS.
1599
01:11:07,531 --> 01:11:09,966
I'M SORRY I STOLE
THE BLANKETS LAST NIGHT.
1600
01:11:09,966 --> 01:11:11,435
YOU STOLE THE BLANKETS.
1601
01:11:11,435 --> 01:11:13,737
YOU HOGGED THE COUCH.
IT WASN'T PRETTY.
1602
01:11:13,737 --> 01:11:15,472
AT LEAST YOU GOT
THE LEFT SIDE.
1603
01:11:15,472 --> 01:11:16,806
Female announcer:
LADIES AND GENTLEMEN,
1604
01:11:16,806 --> 01:11:19,543
THE DECKER AND STRAUSS MODEL
IS OPEN FOR VIEWING.
1605
01:11:22,646 --> 01:11:23,647
[GULPS]
1606
01:11:37,060 --> 01:11:38,462
LADIES AND GENTLEMEN,
1607
01:11:38,462 --> 01:11:40,497
THE STEINBERG AND NOVAK
MODEL IS OPEN FOR VIEWING.
1608
01:11:46,970 --> 01:11:48,438
IT'S SO BEAUTIFUL.
1609
01:11:56,413 --> 01:11:58,415
MR. STEINBERG,
THIS WAY, PLEASE.
1610
01:11:58,415 --> 01:11:59,483
RIGHT HERE,
MR. NOVAK.
1611
01:11:59,483 --> 01:12:02,886
OK, GUYS...
THAT'S ENOUGH.
1612
01:12:03,820 --> 01:12:05,722
George:
SORRY TO INTERRUPT.
1613
01:12:05,722 --> 01:12:07,457
WE'RE WITH
THE CHICAGO CHAPTER
1614
01:12:07,457 --> 01:12:09,192
OF THE NATIONAL
ASSOCIATION
1615
01:12:09,192 --> 01:12:10,860
OF GAY AND LESBIAN
PROFESSIONALS.
1616
01:12:10,860 --> 01:12:12,261
WE HAVE SELECTED YOU
1617
01:12:12,261 --> 01:12:15,932
AS CHICAGO'S
"GAY MAN OF THE YEAR."
1618
01:12:15,932 --> 01:12:17,767
CONGRATULATIONS, OSCAR.
1619
01:12:17,767 --> 01:12:19,769
THE CEREMONY IS THIS FRIDAY.
1620
01:12:19,769 --> 01:12:21,371
WE'D LIKE YOU TO GIVE
A SHORT SPEECH.
1621
01:12:21,371 --> 01:12:23,673
SOMETHING LIKE WHAT
YOU SAID IN THE PAPER.
1622
01:12:23,673 --> 01:12:26,476
SO, WHAT DO YOU SAY?
DO YOU ACCEPT?
1623
01:12:30,013 --> 01:12:31,948
OF COURSE HE ACCEPTS.
1624
01:12:32,982 --> 01:12:36,686
I HAVEN'T DONE ANYTHING
OR ANYONE TO DESERVE THIS.
1625
01:12:36,686 --> 01:12:38,788
CAN'T THINK OF ANYBODY
WHO DESERVES IT MORE.
1626
01:12:38,788 --> 01:12:40,557
GREAT.
WE'LL BE IN TOUCH.
1627
01:12:40,557 --> 01:12:42,091
CONGRATULATIONS
AGAIN.
1628
01:12:43,092 --> 01:12:45,395
THIS IS GREAT.
IT'S PERFECT.
1629
01:12:45,395 --> 01:12:47,997
FIRST OF ALL,
I'VE ALREADY DECIDED
1630
01:12:47,997 --> 01:12:50,133
YOU TWO HAVE THE JOB.
1631
01:12:50,133 --> 01:12:51,535
OSCAR GIVES HIS SPEECH,
1632
01:12:51,535 --> 01:12:52,969
I CORNER THE PRESS AND
TELL THEM RIGHT THERE
1633
01:12:52,969 --> 01:12:55,472
THAT MY SUPER-GAY MAN OF
THE YEAR AND HIS PARTNER
1634
01:12:55,472 --> 01:12:57,807
HAVE BOTH WON.
IT'S PERFECT.
1635
01:12:57,807 --> 01:12:59,976
THEN WE HAVE
A PRESS CONFERENCE--
1636
01:13:05,381 --> 01:13:07,984
WOULD SOMEONE TELL ME
WHAT AMY IS DOING
1637
01:13:07,984 --> 01:13:09,453
TALKING TO MY WIFE?
1638
01:13:09,453 --> 01:13:11,020
THAT'S YOUR WIFE?
1639
01:13:11,020 --> 01:13:13,156
LET'S GO.
1640
01:13:18,394 --> 01:13:19,395
HI!
1641
01:13:19,395 --> 01:13:21,364
DARLING.
1642
01:13:21,364 --> 01:13:23,467
HI.
1643
01:13:23,467 --> 01:13:25,535
WHAT A SURPRISE.
WHAT ARE YOU DOING HERE?
1644
01:13:25,535 --> 01:13:26,936
CONCERT GOT CANCELED.
1645
01:13:26,936 --> 01:13:29,005
YOU KNOW HOW TEMPERAMENTAL
CELLISTS ARE,
1646
01:13:29,005 --> 01:13:31,207
AND I'VE ALWAYS HAD
AN INTEREST IN THIS PROJECT,
1647
01:13:31,207 --> 01:13:32,542
SO HERE I AM.
1648
01:13:32,542 --> 01:13:33,943
DARLING, I'D LIKE
TO INTRODUCE
1649
01:13:33,943 --> 01:13:36,245
OSCAR NOVAK
AND PETER STEINBERG.
1650
01:13:36,245 --> 01:13:37,681
CONGRATULATIONS.
1651
01:13:37,681 --> 01:13:39,583
YOUR DESIGN IS SUPERB.
1652
01:13:39,583 --> 01:13:42,586
WE WERE JUST DISCUSSING IT.
1653
01:13:42,586 --> 01:13:45,188
OH, I'M SORRY.
1654
01:13:45,188 --> 01:13:48,324
THIS IS
MY GIRLFRIEND AMY,
1655
01:13:48,324 --> 01:13:52,762
AND, AMY, THIS IS
MY BOSS CHARLES.
1656
01:13:54,564 --> 01:13:58,034
I'M SORRY.
AREN'T YOU GAY?
1657
01:14:00,570 --> 01:14:01,838
EXCUSE ME?
1658
01:14:01,838 --> 01:14:03,540
DIDN'T I READ IN THE PAPER
THAT YOU WERE GAY?
1659
01:14:03,540 --> 01:14:07,310
WELL, YES, I AM.
1660
01:14:07,310 --> 01:14:09,646
SOMETIMES. I--
1661
01:14:09,646 --> 01:14:11,481
OSCAR IS OMNISEXUAL.
1662
01:14:12,381 --> 01:14:15,785
HE SWINGS...
EVERY WHICH WAY.
1663
01:14:18,788 --> 01:14:22,626
UH, IF YOU'LL EXCUSE ME.
1664
01:14:25,895 --> 01:14:29,198
SHOULDN'T, UH,
YOU GO AFTER HER?
1665
01:14:38,007 --> 01:14:40,343
SAY SOMETHING.
1666
01:14:40,343 --> 01:14:42,211
THAT WASN'T SO BAD.
1667
01:14:42,211 --> 01:14:43,547
IT WASN'T?
1668
01:14:43,547 --> 01:14:46,015
NO. I KNEW IT MIGHT HAPPEN
EVENTUALLY AND IT DID.
1669
01:14:46,015 --> 01:14:49,218
LOOK AT ME.
I'M STILL STANDING.
1670
01:14:49,218 --> 01:14:50,620
GOOD. YEAH.
1671
01:14:50,620 --> 01:14:53,990
I THINK YOU'RE HANDLING
THIS LIKE A REAL CHAMP.
1672
01:14:53,990 --> 01:14:55,224
UH-HUH.
1673
01:14:57,093 --> 01:14:58,695
WHERE ARE WE GOING?
1674
01:14:58,695 --> 01:15:01,464
TO GET REALLY...
REALLY DRUNK.
1675
01:15:01,464 --> 01:15:02,465
OK.
1676
01:15:02,465 --> 01:15:06,069
* ONE LAST SLOW BLUES *
1677
01:15:06,936 --> 01:15:10,640
* TO CLOSE THE SHOW *
1678
01:15:11,975 --> 01:15:14,644
* I WATCHED YOU
DANCE WITH HER... *
1679
01:15:14,644 --> 01:15:18,548
THING IS, SHE SEEMED
SO NICE, YOU KNOW?
1680
01:15:18,548 --> 01:15:20,684
SO PLEASANT AND CHARMING.
1681
01:15:20,684 --> 01:15:22,185
DIDN'T YOU THINK
SHE WAS CHARMING?
1682
01:15:22,185 --> 01:15:23,386
I--I DIDN'T--
1683
01:15:23,386 --> 01:15:26,055
MAYBE SHE DIDN'T EVEN NOTICE
THAT ANYTHING WAS WEIRD.
1684
01:15:26,055 --> 01:15:29,058
MAYBE SHE DIDN'T
NOTICE THAT--
1685
01:15:29,058 --> 01:15:32,061
CHARLES DID A GOOD JOB
COVERING, RIGHT?
1686
01:15:32,061 --> 01:15:33,362
YEAH. YEAH.
1687
01:15:33,362 --> 01:15:37,000
RIGHT.
SO IT'S PROBABLY FINE.
1688
01:15:37,000 --> 01:15:40,570
I'LL JUST PRETEND
IT NEVER HAPPENED.
1689
01:15:42,071 --> 01:15:43,539
YEAH.
1690
01:15:43,539 --> 01:15:45,609
IT'S OK.
1691
01:15:46,610 --> 01:15:48,612
I FEEL MUCH BETTER NOW.
1692
01:15:50,146 --> 01:15:51,380
LET'S DANCE.
1693
01:15:51,380 --> 01:15:53,216
OH, UM, WE SHOULDN'T--
1694
01:15:53,216 --> 01:15:54,884
I'M NOT--
COME ON.
1695
01:15:55,685 --> 01:15:57,220
OOH, WE'RE GONNA DANCE.
1696
01:15:57,220 --> 01:16:03,192
* COULDN'T YOU WAIT TILL
THOSE HEALING HANDS OF TIME *
1697
01:16:06,129 --> 01:16:09,165
* SQUEEZED THE PAIN,
THE PAIN *
1698
01:16:09,165 --> 01:16:12,401
* FROM MY HEART *
1699
01:16:12,401 --> 01:16:13,536
OSCAR...
1700
01:16:13,536 --> 01:16:15,404
HAVE YOU EVER KISSED
A WOMAN BEFORE?
1701
01:16:15,404 --> 01:16:17,106
* COULDN'T YOU WAIT TILL *
1702
01:16:17,106 --> 01:16:21,310
* MY BRUISED
AND BATTERED HEART *
1703
01:16:24,580 --> 01:16:27,050
* TILL IT AIN'T *
1704
01:16:27,050 --> 01:16:30,854
* TILL IT AIN'T TORN APART *
1705
01:16:39,929 --> 01:16:42,231
PERFECT.
THAT IS JUST PERFECT.
1706
01:16:42,231 --> 01:16:45,068
THAT WOULD BE JUST LIKE ME
TO GO AND FALL IN LOVE WITH YOU.
1707
01:16:45,068 --> 01:16:46,970
I HAVE TRIED EVERY KIND
OF UNAVAILABLE MAN.
1708
01:16:46,970 --> 01:16:50,573
A GAY GUY WOULD REALLY
ROUND OUT MY COLLECTION.
1709
01:16:50,573 --> 01:16:53,276
MAN, WHAT WAS I DOING?
I'M LOSING MY MIND.
1710
01:16:53,276 --> 01:16:54,377
YOU'RE NOT.
1711
01:16:54,377 --> 01:16:56,780
YOU HAVE BEEN SO GOOD TO ME
AND WHAT DO I DO?
1712
01:16:56,780 --> 01:16:58,882
I TRY TO KISS YOU!
1713
01:16:58,882 --> 01:17:00,850
I AM SO SORRY.
1714
01:17:00,850 --> 01:17:02,652
DON'T BE SORRY.
1715
01:17:02,652 --> 01:17:07,490
IT'S JUST THAT SOMETIMES
YOU AND I SEEM SO...
1716
01:17:07,490 --> 01:17:09,225
I DON'T KNOW.
1717
01:17:10,794 --> 01:17:13,062
MAN, I'M SUCH A FUCKING MESS
1718
01:17:13,062 --> 01:17:15,732
YOU KNOW WHAT?
I'M JUST BEING DRAMATIC.
1719
01:17:15,732 --> 01:17:18,668
I'M TIRED.
I'M GOING TO BE FINE.
1720
01:17:18,668 --> 01:17:20,536
LET'S GO.
1721
01:17:20,536 --> 01:17:23,272
YEAH, WELL,
YOU CERTAINLY LOOK FINE.
1722
01:17:23,272 --> 01:17:25,875
LISTEN, AMY, I BOUGHT
THIS TOUGH GIRL ROUTINE
1723
01:17:25,875 --> 01:17:28,011
FOR ABOUT 5 SECONDS.
1724
01:17:28,011 --> 01:17:28,878
WHAT?
1725
01:17:28,878 --> 01:17:30,847
LOOK AT YOU.
THIS IS KILLING YOU.
1726
01:17:30,847 --> 01:17:32,148
WHAT ARE YOU DOING
WITH HIM?
1727
01:17:32,148 --> 01:17:35,151
WHAT ARE YOU TALKING
ABOUT? IT WORKS!
1728
01:17:35,151 --> 01:17:36,152
IT WORKS.
1729
01:17:36,152 --> 01:17:37,721
YEAH, IT WORKS.
1730
01:17:37,721 --> 01:17:38,922
WHERE IS THIS GOING?
1731
01:17:38,922 --> 01:17:41,157
AT LEAST HE'S STRAIGHT,
FOR CHRISSAKES!
1732
01:17:41,157 --> 01:17:45,895
OH, THAT'S--THAT'S
REALLY GREAT.
1733
01:17:47,063 --> 01:17:48,865
I GET WHAT I NEED FROM HIM.
1734
01:17:48,865 --> 01:17:51,801
YEAH? WELL,
SO DOES HIS WIFE.
1735
01:17:53,569 --> 01:17:54,771
OH.
1736
01:17:54,771 --> 01:17:56,505
GIVE ME ONE GOOD REASON
YOU'RE WITH HIM.
1737
01:17:56,505 --> 01:17:57,974
JUST ONE GOOD REASON.
1738
01:17:57,974 --> 01:18:01,444
OK. IN A YEAR AND A HALF,
WE HAVEN'T HAD A SINGLE FIGHT.
1739
01:18:01,444 --> 01:18:04,748
HE DOESN'T CARE ABOUT YOU
ENOUGH TO FIGHT WITH YOU.
1740
01:18:04,748 --> 01:18:09,719
GOD, I CAN'T BELIEVE I'M GETTING
GRILLED BY YOU OF ALL PEOPLE.
1741
01:18:09,719 --> 01:18:11,520
YOU HAVEN'T HAD A DATE
SINCE I MET YOU.
1742
01:18:11,520 --> 01:18:14,724
YOU DON'T KNOW A SINGLE THING
ABOUT RELATIONSHIPS.
1743
01:18:14,724 --> 01:18:17,460
YOU JUST SIT AROUND WITH ME
AND PLAY IT SAFE!
1744
01:18:19,863 --> 01:18:22,065
YEAH? WELL,
I DON'T KNOW ABOUT YOU,
1745
01:18:22,065 --> 01:18:25,134
BUT I'M GETTING A LITTLE BIT
TIRED OF PLAYING IT SAFE.
1746
01:18:28,972 --> 01:18:31,207
SO WHAT ARE YOU
WAITING FOR?
1747
01:18:36,980 --> 01:18:39,749
YOU KNOW, WHAT I HAVE WITH
CHARLES MAY NOT BE PERFECT,
1748
01:18:39,749 --> 01:18:44,220
BUT WHAT I HAVE
WITH YOU IS WHAT?
1749
01:18:48,091 --> 01:18:49,725
WHAT?
1750
01:19:33,436 --> 01:19:34,437
[CLUNK]
1751
01:19:46,682 --> 01:19:48,885
[VOMITING]
1752
01:20:04,700 --> 01:20:06,435
[BARKING]
1753
01:20:33,863 --> 01:20:36,232
MR. NOVAK--SIR?
1754
01:20:39,168 --> 01:20:42,205
SHE HASN'T COME HOME,
SHE HASN'T CALLED, SO...
1755
01:20:42,205 --> 01:20:45,574
I WAS JUST THINKING MAYBE
YOU KNOW WHERE SHE IS.
1756
01:20:45,574 --> 01:20:48,177
DO YOU KNOW WHERE SHE IS?
1757
01:20:49,879 --> 01:20:51,847
I'M VERY DISAPPOINTED
IN YOU, OSCAR.
1758
01:20:51,847 --> 01:20:53,983
EXCUSE ME?
1759
01:20:53,983 --> 01:20:57,586
YOU WERE SUPPOSED
TO WATCH OUT FOR HER.
1760
01:20:57,586 --> 01:20:59,956
YOU WERE SUPPOSED
TO PROTECT HER.
1761
01:20:59,956 --> 01:21:03,092
HEY, LOOK, I TRIED.
I WENT AFTER HER.
1762
01:21:03,092 --> 01:21:05,895
I TRIED TALKING TO HER,
BUT SHE WAS REALLY UPSET.
1763
01:21:05,895 --> 01:21:08,797
SHE HAS BEEN GONE
FOR 2 DAYS.
1764
01:21:08,797 --> 01:21:11,834
SHE COULD BE ANYWHERE.
1765
01:21:11,834 --> 01:21:13,269
HOW COULD YOU LET
THIS HAPPEN?
1766
01:21:14,437 --> 01:21:16,439
HOW COULD YOU LET HER
GET HURT?
1767
01:21:17,773 --> 01:21:19,943
THAT'S A VERY GOOD QUESTION.
1768
01:21:19,943 --> 01:21:21,510
YOU MIGHT WANT TO TRY
THAT ON YOURSELF.
1769
01:21:29,318 --> 01:21:31,988
BECAUSE I KNOW YOU WOULD
NEVER TAKE THAT TONE
1770
01:21:31,988 --> 01:21:34,757
WITH A PERSON
WHO JUST GRANTED YOU
1771
01:21:34,757 --> 01:21:38,061
A $90-MILLION JOB.
1772
01:21:38,061 --> 01:21:41,197
I'M GOING TO PRETEND YOU
DIDN'T SAY THAT TO ME.
1773
01:21:41,197 --> 01:21:44,533
I HOPE I DON'T HAVE
TO EMBARRASS YOU, OSCAR,
1774
01:21:44,533 --> 01:21:48,737
BY REMINDING YOU THAT
NO FRIENDSHIP CAN COMPARE
1775
01:21:48,737 --> 01:21:52,808
TO WHAT AMY AND I HAVE.
1776
01:21:52,808 --> 01:21:54,377
DO I MAKE MYSELF CLEAR?
1777
01:21:54,377 --> 01:21:55,511
YES.
1778
01:21:58,047 --> 01:21:59,515
PERFECTLY.
1779
01:22:01,417 --> 01:22:02,485
THANK YOU.
1780
01:22:07,856 --> 01:22:10,059
[APPLAUSE]
1781
01:22:12,695 --> 01:22:15,031
Sandy: WE'D LIKE TO GET
THIS CEREMONY STARTED
1782
01:22:15,031 --> 01:22:17,733
BY SAYING A FEW WORDS
ABOUT OUR ORGANIZATION.
1783
01:22:17,733 --> 01:22:19,002
THIS IS OUR NINTH YEAR,
1784
01:22:19,002 --> 01:22:21,704
AND WE'VE COME A LONG
WAY IN RECOGNIZING...
1785
01:22:21,704 --> 01:22:24,307
OSKIE!
1786
01:22:24,307 --> 01:22:27,010
ARE YOU OK?
READY TO GO?
1787
01:22:27,010 --> 01:22:29,878
YEAH. FINE. GOT MY SPEECH
ALL WRITTEN ON CARDS.
1788
01:22:29,878 --> 01:22:30,879
YOU SURE DO.
1789
01:22:30,879 --> 01:22:32,181
I THINK I CAN HANDLE THIS.
1790
01:22:32,181 --> 01:22:35,251
IT'S JUST--JUST A BUNCH
OF PEOPLE, RIGHT?
1791
01:22:35,251 --> 01:22:36,852
GIVING YOU AN AWARD.
1792
01:22:36,852 --> 01:22:38,387
HOW COULD THAT BE BAD?
1793
01:22:38,387 --> 01:22:39,588
EXACTLY.
1794
01:22:39,588 --> 01:22:42,791
PLUS, ONCE THIS IS DONE,
WE CAN START ON THE PROJECT.
1795
01:22:42,791 --> 01:22:45,728
YOU'RE RIGHT.
YOU'RE RIGHT.
1796
01:22:45,728 --> 01:22:47,396
AND I HAVE TO SAY, OSKIE,
1797
01:22:47,396 --> 01:22:51,000
I AM SO PROUD YOU'VE
EVOLVED THIS MATURE ATTITUDE
1798
01:22:51,000 --> 01:22:52,801
THAT YOU'VE EVOLVED--
1799
01:22:52,801 --> 01:22:54,170
THANK YOU.
1800
01:22:54,170 --> 01:22:58,441
BECAUSE, UH, I FIGURE
IF I CAN'T HAVE AMY, THEN...
1801
01:22:58,441 --> 01:23:01,444
IT WON'T BE SO BAD. I CAN
PRETEND TO BE GAY FOR A WHILE.
1802
01:23:01,444 --> 01:23:04,780
I MEAN...YOU LIKE
BEING GAY, RIGHT?
1803
01:23:04,780 --> 01:23:06,215
WORKS VERY WELL FOR ME.
1804
01:23:06,215 --> 01:23:09,485
IT WON'T BE SO BAD. I CAN
SNEAK OFF TO STRAIGHT BARS,
1805
01:23:09,485 --> 01:23:11,887
HAVE ANONYMOUS SEX
WITH STRAIGHT WOMEN.
1806
01:23:11,887 --> 01:23:13,689
THAT'S WHY GIVING
THIS SPEECH IS FINE.
1807
01:23:13,689 --> 01:23:17,160
IT IS MORE THAN FINE.
IT IS VERY...FINE.
1808
01:23:20,596 --> 01:23:23,832
OSCAR...
1809
01:23:23,832 --> 01:23:26,035
OSCAR, ABOUT AMY...
1810
01:23:26,035 --> 01:23:30,039
YOU KNOW THERE ARE
OTHER FISH IN THE SEA.
1811
01:23:30,039 --> 01:23:33,142
I USED--USED
TO THINK THAT.
1812
01:23:33,142 --> 01:23:37,080
BUT WHAT IF YOU
FIND THE FISH?
1813
01:23:37,080 --> 01:23:39,382
YOU KNOW WHAT?
YOU'RE RIGHT.
1814
01:23:39,382 --> 01:23:40,416
PLENTY OF FISH.
YOU'RE PROBABLY RIGHT.
1815
01:23:40,416 --> 01:23:42,751
YES. I'M RIGHT.
PROBABLY.
1816
01:23:42,751 --> 01:23:44,087
I THINK SO.
1817
01:23:44,087 --> 01:23:45,488
Sandy: IT GIVES US
GREAT PLEASURE
1818
01:23:45,488 --> 01:23:47,790
TO INTRODUCE OUR
GAY PROFESSIONAL...
1819
01:23:47,790 --> 01:23:49,292
I GOTTA GO.
1820
01:23:49,292 --> 01:23:51,527
KICK SOME ASS,
YOU HEAR ME?
1821
01:23:51,527 --> 01:23:52,928
SAY IT WITH ME.
1822
01:23:52,928 --> 01:23:55,098
KICK SOME ASS.
KICK SOME ASS.
1823
01:23:55,098 --> 01:23:56,532
OK. KICK SOME ASS.
1824
01:23:56,532 --> 01:23:57,533
KICK SOME ASS.
1825
01:23:57,533 --> 01:23:59,535
[APPLAUSE]
1826
01:24:16,051 --> 01:24:17,453
THANK--THANK YOU.
1827
01:24:17,453 --> 01:24:21,257
THANK YOU FOR INVITING ME
HERE THIS EVENING.
1828
01:24:21,257 --> 01:24:24,260
THESE LAST FEW WEEKS
HAVE BEEN VERY EXCITING.
1829
01:24:24,260 --> 01:24:25,661
[CLEARS THROAT]
1830
01:24:25,661 --> 01:24:28,631
PETER AND I HAD THE OPPORTUNITY
TO WORK ON A PROJECT
1831
01:24:28,631 --> 01:24:33,269
THAT HAS BECOME
A DREAM COME TRUE.
1832
01:24:33,269 --> 01:24:36,139
UM, THIS AWARD IS AN HONOR.
1833
01:24:36,139 --> 01:24:38,774
AN HONOR WHICH
I ACCEPT WITH--
1834
01:24:55,158 --> 01:24:57,626
YOU KNOW,
AWARDS ARE A FUNNY THING.
1835
01:24:57,626 --> 01:24:59,462
I WON AN AWARD ONCE.
1836
01:24:59,462 --> 01:25:01,297
I WAS IN SUMMER CAMP.
I WAS 7.
1837
01:25:01,297 --> 01:25:04,300
IT WAS A BUMPERPOOL TOURNAMENT,
AND I WON,
1838
01:25:04,300 --> 01:25:07,736
BUT IT WAS KIND OF
AN EMPTY VICTORY,
1839
01:25:07,736 --> 01:25:09,672
BECAUSE I CHEATED.
1840
01:25:11,174 --> 01:25:12,575
WHEN NOBODY WAS LOOKING,
1841
01:25:12,575 --> 01:25:16,879
I JUST SHOVED ALL THE BALLS
INTO THE POCKETS.
1842
01:25:16,879 --> 01:25:18,681
AND THE FUNNY THING IS
1843
01:25:18,681 --> 01:25:21,484
I FELT GUILTY ABOUT THAT
MY WHOLE LIFE.
1844
01:25:34,830 --> 01:25:36,665
WHAT'S THIS?
1845
01:25:57,286 --> 01:25:59,455
I GUESS WHAT
I'M TRYING TO SAY
1846
01:25:59,455 --> 01:26:04,460
IS THAT A LOT OF YOU KNOW WHAT
IT'S LIKE TO BE IN THE CLOSET,
1847
01:26:04,460 --> 01:26:07,062
SO YOU KNOW WHAT
IT'S LIKE TO HAVE A SECRET.
1848
01:26:07,062 --> 01:26:10,799
CONSTANTLY WORRYING
ABOUT SLIPPING UP.
1849
01:26:10,799 --> 01:26:13,402
HAVING TO HIDE YOUR
FEELINGS FROM THE PEOPLE
1850
01:26:13,402 --> 01:26:16,939
THAT ARE SUPPOSED
TO MEAN THE MOST TO YOU.
1851
01:26:17,873 --> 01:26:20,843
WHAT I ADMIRE ABOUT
ALL THE PEOPLE HERE TONIGHT
1852
01:26:20,843 --> 01:26:25,614
IS THAT YOU'RE NOT AFRAID TO BE
HONEST ABOUT WHO YOU ARE.
1853
01:26:25,614 --> 01:26:28,684
YOU'RE STRONG ENOUGH TO STAND UP
FOR THE SIMPLE DIGNITY
1854
01:26:28,684 --> 01:26:33,789
OF TELLING THE PEOPLE
THAT YOU LOVE...
1855
01:26:33,789 --> 01:26:37,192
HOW YOU FEEL.
1856
01:26:37,192 --> 01:26:42,398
NOW, I--I KNOW
A LITTLE BIT ABOUT THIS...
1857
01:26:42,398 --> 01:26:46,235
BECAUSE FOR
THE LAST 3 WEEKS...
1858
01:26:46,235 --> 01:26:47,570
I'VE HAD A SECRET.
1859
01:26:50,406 --> 01:26:53,576
AND I THINK IT'S TIME FOR ME
TO COME OUT OF THE CLOSET.
1860
01:26:56,879 --> 01:26:58,381
I'M NOT GAY.
1861
01:26:58,381 --> 01:27:00,583
[CROWD MURMURING]
1862
01:27:14,330 --> 01:27:16,465
AMY, I LOVE YOU.
1863
01:27:18,667 --> 01:27:21,504
I HAVEN'T BEEN HONEST
WITH YOU.
1864
01:27:24,206 --> 01:27:25,674
BUT I LOVE YOU.
1865
01:27:27,175 --> 01:27:29,412
I'VE NEVER FELT
THAT WAY ABOUT ANYONE.
1866
01:27:29,412 --> 01:27:35,551
AND I KNOW THAT...
JUST BY TELLING YOU THIS,
1867
01:27:35,551 --> 01:27:37,820
I MIGHT HAVE LOST
ANY CHANCE I EVER HAD
1868
01:27:37,820 --> 01:27:39,722
TO BE WITH YOU,
1869
01:27:39,722 --> 01:27:41,957
BUT I BELIEVE
YOU DESERVE...
1870
01:27:44,827 --> 01:27:49,465
THAT EVERYBODY HERE
DESERVES...
1871
01:27:50,499 --> 01:27:52,735
THAT KIND OF HONESTY.
1872
01:28:35,077 --> 01:28:36,178
THANK YOU.
1873
01:28:36,178 --> 01:28:39,782
DON'T WORRY.
I'M VERY PROUD OF YOU.
1874
01:28:39,782 --> 01:28:43,386
YOU BIG DRAMA QUEEN.
GO GET HER.
1875
01:28:47,490 --> 01:28:49,892
OSCAR, GET YOUR ASS
BACK HERE.
1876
01:28:51,894 --> 01:28:55,564
A MELEE ENSUED TODAY AT THE GAY
AND LESBIAN ASSOCIATION'S
1877
01:28:55,564 --> 01:28:58,767
ANNUAL AWARDS CEREMONY
AS THE GAY MAN OF THE YEAR
1878
01:28:58,767 --> 01:29:01,069
DECLARED HIS LOVE
FOR...A WOMAN.
1879
01:29:01,069 --> 01:29:02,070
AMY!
1880
01:29:02,070 --> 01:29:03,672
GET BACK HERE! AMY!
1881
01:29:06,542 --> 01:29:09,044
I THINK OSCAR AND AMY
NEED TO TALK, DON'T YOU?
1882
01:29:09,044 --> 01:29:12,247
Reporter: ONLOOKERS WERE
AMAZED AS THE ERSTWHILE
1883
01:29:12,247 --> 01:29:14,650
GAY MAN OF THE YEAR,
OSCAR NOVAK,
1884
01:29:14,650 --> 01:29:17,653
LEPT FROM THE STAGE AND PURSUED
THE WOMAN INTO THE LOBBY
1885
01:29:17,653 --> 01:29:20,489
WHERE CROWDS GATHERED
AWAITING HER RESPONSE.
1886
01:29:20,489 --> 01:29:23,826
CAN WE PLEASE
JUST TALK ABOUT THIS?
1887
01:29:25,528 --> 01:29:26,629
OOH!
HELLO!
1888
01:29:26,629 --> 01:29:28,697
AND IT WASN'T PRETTY.
1889
01:29:28,697 --> 01:29:31,299
Amy: YOU PROMISED ME YOU
WOULD NEVER LIE TO ME.
1890
01:29:31,299 --> 01:29:33,168
WE HAD A DEAL.
1891
01:29:33,168 --> 01:29:34,837
GET OUT OF MY WAY,
YOU BIG FREAK.
1892
01:29:34,837 --> 01:29:37,640
DON'T MAKE ME MAKE YOU
MY PRISON BITCH.
1893
01:29:38,507 --> 01:29:40,709
THE INCIDENT REACHED
A FEVER PITCH...
1894
01:29:40,709 --> 01:29:42,845
GREAT PUNCH, BABY.
NOW LET'S GO.
1895
01:29:42,845 --> 01:29:46,782
AS CHARLES NEWMAN, THE RENOWNED
INTERNATIONAL BUSINESSMAN
1896
01:29:46,782 --> 01:29:51,386
INCURRED THE WRATH
OF THE SAME UNIDENTIFIED WOMAN.
1897
01:29:51,386 --> 01:29:53,288
BEFORE POLICE COULD ARRIVE
ON THE SCENE,
1898
01:29:53,288 --> 01:29:59,294
THE ENRAGED, YET FASHIONABLY-
ATTIRED YOUNG WOMAN ESCAPED.
1899
01:29:59,294 --> 01:30:02,465
WOW. HOW ABOUT THAT?
1900
01:30:02,465 --> 01:30:04,332
Reporter: ...GAY MAN
OF THE YEAR IS NOT GAY.
1901
01:30:04,332 --> 01:30:06,201
OSCAR, ARE YOU OK?
1902
01:30:06,201 --> 01:30:07,603
YOU'RE FIRED.
1903
01:30:07,603 --> 01:30:10,473
YOU'LL NEVER WORK FOR ME
NOR FOR ANYONE I KNOW.
1904
01:30:10,473 --> 01:30:12,407
WHICH IS EVERYONE.
1905
01:30:12,407 --> 01:30:14,376
I DON'T CARE.
1906
01:30:14,376 --> 01:30:16,411
AND YOU KNOW WHY?
1907
01:30:16,411 --> 01:30:19,782
BECAUSE
I DON'T LIKE YOU.
1908
01:30:23,351 --> 01:30:25,888
FOUND HIM AND
HOUSEBROKE HIM.
1909
01:30:31,326 --> 01:30:32,327
EXCUSE ME.
1910
01:30:33,128 --> 01:30:35,531
THAT WAS A BRAVE THING
YOUR PARTNER DID.
1911
01:30:35,531 --> 01:30:36,832
UH, YES.
1912
01:30:36,832 --> 01:30:38,601
I HAVE TO SAY I'M VERY
PROUD OF THE LITTLE GUY.
1913
01:30:38,601 --> 01:30:40,603
I DON'T BELIEVE
WE'VE OFFICIALLY MET.
1914
01:30:40,603 --> 01:30:42,838
I'M KEVIN CARTWRIGHT.
1915
01:30:42,838 --> 01:30:43,839
YES, I KNOW.
1916
01:30:43,839 --> 01:30:45,373
I'VE HEARD
ALL ABOUT YOU.
1917
01:30:45,373 --> 01:30:47,242
OH, REALLY? LIKE WHAT?
1918
01:30:47,242 --> 01:30:50,613
OH, NOTHING
SPECIFIC REALLY.
1919
01:30:50,613 --> 01:30:52,180
WELL, IT'S ALL TRUE.
1920
01:30:52,180 --> 01:30:55,150
WOULD YOU LIKE TO GET
A DRINK OR SOMETHING?
1921
01:30:55,150 --> 01:30:56,619
I'D LOVE TO.
1922
01:31:01,256 --> 01:31:03,458
[HUMMING BONANZA THEME]
1923
01:31:38,861 --> 01:31:42,565
Duncan Sheik:
* THAT SAYS IT ALL *
1924
01:31:42,565 --> 01:31:44,199
* DOESN'T IT? *
1925
01:31:44,199 --> 01:31:48,436
* WE ALWAYS WANT *
1926
01:31:48,436 --> 01:31:51,106
* WHAT WE NEVER GET *
1927
01:31:51,106 --> 01:31:53,642
* WELL, LISTEN HERE,
MY FRIEND *
1928
01:31:53,642 --> 01:31:56,411
* I CAN'T
CONTINUE TO PRETEND *
1929
01:31:56,411 --> 01:31:58,881
* THAT IT'S ALL RIGHT *
1930
01:32:01,984 --> 01:32:06,188
* 'CAUSE THAT AIN'T RIGHT *
1931
01:32:22,437 --> 01:32:24,072
Amy: DON'T DO IT.
1932
01:32:29,044 --> 01:32:33,281
YES, BUT I...
DESERVE TO DIE.
1933
01:32:34,950 --> 01:32:36,284
NOT YET.
1934
01:32:39,221 --> 01:32:40,488
WHAT ARE YOU DOING HERE?
1935
01:32:40,488 --> 01:32:42,625
I THOUGHT
I'D FIND YOU HERE.
1936
01:32:42,625 --> 01:32:46,228
REALLY? OH, MY GOD,
AMY, I'M SO--
1937
01:32:46,228 --> 01:32:48,831
WOULD YOU SHUT UP?
1938
01:32:48,831 --> 01:32:49,832
OK.
1939
01:32:52,034 --> 01:32:54,502
I JUST HAVE A FEW THINGS
I WANT TO GET STRAIGHT.
1940
01:32:54,502 --> 01:32:56,371
IT'S JUST--
ME, TOO.
1941
01:32:56,371 --> 01:32:59,574
I'M GOING TO BE QUIET NOW.
1942
01:33:01,543 --> 01:33:04,780
SO...YOU LIED TO ME
TO PROTECT YOUR JOB.
1943
01:33:04,780 --> 01:33:06,381
YOU VIOLATED MY TRUST
AND FRIENDSHIP.
1944
01:33:06,381 --> 01:33:08,583
YOU TRICKED ME INTO
TELLING YOU INTIMATE THINGS
1945
01:33:08,583 --> 01:33:09,885
WHICH I NEVER
WOULD HAVE TOLD YOU.
1946
01:33:09,885 --> 01:33:12,020
I JUST WANT TO KNOW.
ARE YOU PROUD OF YOURSELF?
1947
01:33:15,290 --> 01:33:16,324
GO AHEAD.
1948
01:33:16,324 --> 01:33:18,093
NO.
1949
01:33:22,665 --> 01:33:24,733
WAS IT REALLY WORTH IT?
1950
01:33:29,772 --> 01:33:32,107
I JUST HAVE ONE THING
LEFT TO SAY TO YOU.
1951
01:33:37,179 --> 01:33:39,782
I GET THE LEFT SIDE
OF THE BED.
1952
01:33:49,091 --> 01:33:53,361
WELL, YOU KNOW,
WE'LL HAVE TO SEE ABOUT THAT.
1953
01:33:54,496 --> 01:33:55,698
HEY.
YEAH.
1954
01:33:55,698 --> 01:33:57,332
LET'S GET OUT OF HERE.
1955
01:33:57,332 --> 01:33:59,634
YEAH, I'D LIKE THAT.
1956
01:34:06,441 --> 01:34:08,376
[LAUGHS]
1957
01:34:08,376 --> 01:34:11,379
SO I TAKE IT YOU HAVE
KISSED A WOMAN BEFORE?
1958
01:34:13,882 --> 01:34:16,084
NOT THE RIGHT ONE.
1959
01:34:47,482 --> 01:34:48,884
Reporter: OVERALL...
1960
01:34:48,884 --> 01:34:51,253
AN EVENING OF SHOCK
AND AMAZEMENT FOR EVERYONE
1961
01:34:51,253 --> 01:34:53,856
AS THE GAY MAN OF THE YEAR
ANNOUNCED...
1962
01:34:53,856 --> 01:34:56,158
I'M NOT GAY.
1963
01:34:58,593 --> 01:34:59,728
CHARLES.
1964
01:34:59,728 --> 01:35:01,596
ISN'T IT GOING TO BE
AWFULLY AWKWARD
1965
01:35:01,596 --> 01:35:03,631
WORKING WITH OSCAR
AFTER THAT FIASCO?
1966
01:35:03,631 --> 01:35:06,168
ACTUALLY, I WENT
WITH THE OTHER FIRM.
1967
01:35:06,168 --> 01:35:08,403
DON'T TELL ME YOU'RE GOING
TO DEPRIVE THEM OF A JOB
1968
01:35:08,403 --> 01:35:12,507
JUST BECAUSE HE'S IN LOVE
WITH YOUR MISTRESS.
1969
01:35:12,507 --> 01:35:13,575
OH, YOU'RE HURT.
1970
01:35:13,575 --> 01:35:15,310
I REALIZE THIS GIRL
WAS SPECIAL.
1971
01:35:15,310 --> 01:35:18,613
OLIVIA, I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1972
01:35:18,613 --> 01:35:20,248
I SIMPLY WENT WITH
THE OTHER FIRM.
1973
01:35:20,248 --> 01:35:23,285
CHARLES, OSCAR AND PETER
DID A BETTER JOB.
1974
01:35:23,285 --> 01:35:26,654
THEY WILL BUILD
THE CULTURAL CENTER.
1975
01:35:26,654 --> 01:35:27,956
OLIVIA--
ENOUGH!
1976
01:35:27,956 --> 01:35:30,826
THE DECISION'S BEEN MADE.
1977
01:35:30,826 --> 01:35:34,229
NOW, WHY DON'T
YOU GO PUT ON
1978
01:35:34,229 --> 01:35:36,331
THOSE RED BIKINI BRIEFS
THAT I GAVE YOU?
1979
01:35:36,331 --> 01:35:38,666
I LOVE THE WAY YOUR BUTT
LOOKS IN THEM.
1980
01:35:38,666 --> 01:35:40,836
OLIVIA, I REALLY
DON'T WANT TO.
1981
01:35:40,836 --> 01:35:44,606
CHARLES, WHAT HAPPENS
WHEN I'M UNHAPPY?
1982
01:35:44,606 --> 01:35:46,674
WHAT HAPPENS?
1983
01:35:46,674 --> 01:35:48,643
FINE.
1984
01:35:48,643 --> 01:35:51,246
BUT NOT THE RED ONES.
1985
01:35:51,246 --> 01:35:52,080
THEY BIND.
1986
01:35:52,080 --> 01:35:54,282
[SWING MUSIC PLAYING]
1987
01:36:00,688 --> 01:36:02,090
* I WANNA SWING *
1988
01:36:02,090 --> 01:36:03,758
* WITH THAT PUSSYCAT *
1989
01:36:03,758 --> 01:36:04,759
* I WANNA DANCE *
1990
01:36:04,759 --> 01:36:05,994
* WITH THAT PUSSYCAT *
1991
01:36:05,994 --> 01:36:06,995
* I WANNA SLIDE *
1992
01:36:06,995 --> 01:36:08,330
* WITH THAT PUSSYCAT *
1993
01:36:08,330 --> 01:36:09,131
* I WANNA JUMP *
1994
01:36:09,131 --> 01:36:10,132
* WITH THAT PUSSYCAT *
1995
01:36:10,132 --> 01:36:12,034
* I WANNA SWING *
1996
01:36:12,034 --> 01:36:15,070
* OH, KITTY, KITTY,
PLEASE COME HERE *
1997
01:36:15,070 --> 01:36:17,339
* DON'T HISS AND MOAN
WHEN I COME NEAR *
1998
01:36:17,339 --> 01:36:19,975
* DON'T BITE MY NECK,
DON'T SCRATCH MY EYES *
1999
01:36:19,975 --> 01:36:22,110
* I'LL TAKE AWAY
THOSE DOLL EYES *
2000
01:36:22,110 --> 01:36:24,379
* A MAN'S A MAN,
A RAT'S A RAT *
2001
01:36:24,379 --> 01:36:27,115
* SO SWING,
SWEET PUSSYCAT *
2002
01:36:27,115 --> 01:36:29,684
* SWING, SWING,
SWEET PUSSYCAT *
2003
01:36:29,684 --> 01:36:32,087
* SWING, SWING,
SWEET PUSSYCAT *
2004
01:36:32,087 --> 01:36:34,289
* SWING, SWING,
SWEET PUSSYCAT *
2005
01:36:34,289 --> 01:36:36,424
* SWING, SWING,
SWEET PUSSYCAT *
2006
01:36:36,424 --> 01:36:38,994
* SWING, SWING,
SWEET PUSSYCAT *
2007
01:36:38,994 --> 01:36:41,463
* SWING, SWING,
SWING, SWING *
2008
01:36:41,463 --> 01:36:42,464
* SWING *
2009
01:36:54,977 --> 01:36:57,245
* SWING,
SWEET PUSSYCAT *
2010
01:36:57,245 --> 01:36:59,948
* SWING, SWING,
SWEET PUSSYCAT *
2011
01:36:59,948 --> 01:37:02,250
* SWING, SWING,
SWEET PUSSYCAT *
2012
01:37:02,250 --> 01:37:04,887
* SWING, SWING,
SWEET PUSSYCAT *
2013
01:37:04,887 --> 01:37:06,855
* SWING, SWING,
SWEET PUSSYCAT *
2014
01:37:06,855 --> 01:37:08,423
* SWING! *
2015
01:37:08,423 --> 01:37:09,424
* MEOW *
2016
01:37:09,424 --> 01:37:12,227
* ALL NIGHT LONG *
2017
01:37:24,539 --> 01:37:28,210
Duncan Sheik: * HIT THE TOWN
STILL DRESSING DOWN *
2018
01:37:29,044 --> 01:37:32,247
* LOOKING FOR SOME ACTION *
2019
01:37:35,250 --> 01:37:38,120
* MR. JAGGER SAID IT BEST *
2020
01:37:38,120 --> 01:37:40,788
* HE KNOWS YOU'LL NEVER GET *
2021
01:37:40,788 --> 01:37:43,525
* NO SATISFACTION *
2022
01:37:46,528 --> 01:37:50,498
* THAT SAYS IT ALL *
2023
01:37:50,498 --> 01:37:52,200
* DOESN'T IT? *
2024
01:37:52,200 --> 01:37:55,770
* WE ALWAYS WANT *
2025
01:37:55,770 --> 01:37:58,540
* WHAT WE NEVER GET *
2026
01:37:58,540 --> 01:38:00,542
* WELL, LISTEN HERE,
MY FRIEND *
2027
01:38:00,542 --> 01:38:03,811
* I CAN'T CONTINUE
TO PRETEND *
2028
01:38:03,811 --> 01:38:06,314
* THAT IT'S ALL RIGHT *
2029
01:38:09,617 --> 01:38:14,422
* THAT AIN'T RIGHT *
2030
01:38:15,958 --> 01:38:18,760
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2031
01:38:18,760 --> 01:38:22,931
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
128513
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