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These are the user uploaded subtitles that are being translated: 1 00:00:08,409 --> 00:00:11,612 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2 00:00:28,262 --> 00:00:30,464 [SWING MUSIC PLAYING] 3 00:00:34,568 --> 00:00:37,071 Brian Setzer: * I LIKE COFFEE, I LIKE TEA * 4 00:00:37,071 --> 00:00:39,573 * I LIKE YOU, BABY, NEXT TO ME * 5 00:00:39,573 --> 00:00:42,076 * YOU'RE AS COOL AS RED-HOT LAVA * 6 00:00:42,076 --> 00:00:44,178 * JUMPIN' EAST OF JAVA * 7 00:00:44,178 --> 00:00:46,180 * CREAM AND SUGAR SURE TASTES SWEET * 8 00:00:46,180 --> 00:00:48,549 * BUT, BABY, YOU GOT ALL THAT BEAT * 9 00:00:48,549 --> 00:00:51,018 * YOU'RE THE CHICK WITH THE SWINGIN' FEET * 10 00:00:51,018 --> 00:00:52,786 * JUMPIN' EAST OF JAVA * 11 00:00:52,786 --> 00:00:55,356 * GET WITH IT, MAN, ALL THE HIP CATS KNOW * 12 00:00:55,356 --> 00:00:58,025 * BABY, IT TAKES THREE TO TANGO * 13 00:00:58,025 --> 00:01:00,128 * STEAMIN' LIKE A VOLCANO * 14 00:01:00,128 --> 00:01:01,629 * JUMPIN' EAST OF JAVA * 15 00:01:01,629 --> 00:01:04,098 * OH, IT TAKES A LOT OF COFFEE BEANS * 16 00:01:04,098 --> 00:01:06,334 * JUST TO MAKE A SINGLE CUP * 17 00:01:06,334 --> 00:01:09,237 * YOU'VE GOT ME PERCOLATING * 18 00:01:09,237 --> 00:01:11,405 * BUM BUM BA DOOBA DO BUM BUM BA DOOBA * 19 00:01:51,312 --> 00:01:54,148 * GET WITH IT, MAN, ALL THE HIP CATS KNOW * 20 00:01:54,148 --> 00:01:56,384 * BABY, IT TAKES THREE TO TANGO * 21 00:01:56,384 --> 00:01:59,453 * STEAMIN' LIKE A VOLCANO * 22 00:02:35,956 --> 00:02:38,058 [HORN HONKING] 23 00:02:38,058 --> 00:02:39,560 OK. 24 00:02:39,560 --> 00:02:41,429 YEP. WE WALK IN THERE... 25 00:02:41,429 --> 00:02:42,830 YES. SHAKE HANDS. 26 00:02:42,830 --> 00:02:44,064 WHERE DO WE SIT? 27 00:02:44,064 --> 00:02:45,065 DOWN? 28 00:02:45,065 --> 00:02:46,166 DOWN. RIGHT. GOOD. DOWN. 29 00:02:46,166 --> 00:02:47,368 WHY NOT? 30 00:02:47,368 --> 00:02:48,936 ARE YOU GOING TO SAY HELLO FIRST OR AM I? 31 00:02:48,936 --> 00:02:50,438 WHY DON'T I SAY HELLO FIRST? 32 00:02:50,438 --> 00:02:52,340 OK. GOOD. THIS IS GOING TO BE OK. 33 00:02:52,340 --> 00:02:53,774 MORE THAN OK. IT'S GOING TO BE MARVELOUS. 34 00:02:53,774 --> 00:02:57,411 ARE YOU SURE? BECAUSE LAST NIGHT I DREAMT 35 00:02:57,411 --> 00:03:00,013 THAT WHEN WE WALKED INTO THIS MEETING I HAD NO CLOTHES ON. 36 00:03:00,013 --> 00:03:01,582 WELL, I WAS WEARING A DOILY. 37 00:03:01,582 --> 00:03:04,752 AND THEN JULIE McCOY FROM THE LOVE BOAT WAS THERE 38 00:03:04,752 --> 00:03:05,886 AND SHE HAD 3 BREASTS. 39 00:03:05,886 --> 00:03:09,089 AND THEN WE KIND OF FELL INTO A HOT TUB, 40 00:03:09,089 --> 00:03:13,294 AND THEN ALL OF A SUDDEN, SHE WANTED A COMMITMENT. 41 00:03:13,294 --> 00:03:14,895 I'M FREAKING OUT! 42 00:03:14,895 --> 00:03:16,264 I'M FREAKING OUT. 43 00:03:16,264 --> 00:03:19,099 OK, OSKIE, HERE'S WHAT WE'RE GONNA DO. 44 00:03:19,099 --> 00:03:20,634 WE'RE GOING TO HAVE A SIGNAL. 45 00:03:20,634 --> 00:03:23,504 IF YOU START TO BABBLE, JUST WATCH FOR THE SIGNAL. 46 00:03:23,504 --> 00:03:26,574 NO BABBLING, NO CHATTING, NO SMALL TALK. 47 00:03:26,574 --> 00:03:28,842 WE'VE GOT A SIGNAL NOW, SO WE CAN DO THIS. 48 00:03:28,842 --> 00:03:30,444 OK. YES, YOU'RE RIGHT. 49 00:03:30,444 --> 00:03:31,712 WE CAN DO IT. THANK YOU. 50 00:03:31,712 --> 00:03:34,482 WE'RE GONNA WALK IN THERE AND KICK SOME ASS. 51 00:03:34,482 --> 00:03:35,683 KICK SOME ASS. SAY IT WITH ME. 52 00:03:35,683 --> 00:03:37,485 KICK SOME ASS! KICK SOME ASS! 53 00:03:40,754 --> 00:03:42,323 HOLD ME. 54 00:03:42,323 --> 00:03:44,525 [LET'S GET IT ON PLAYING] 55 00:03:48,596 --> 00:03:50,698 IT'S A BIT MUCH, I KNOW. 56 00:03:50,698 --> 00:03:53,233 YOU LOOK INTIMIDATING IN THIS PICTURE. 57 00:03:53,233 --> 00:03:55,469 I ASKED, BUT THEY WOULDN'T RUN A NUDE PHOTO. 58 00:03:55,469 --> 00:03:59,273 NOW THAT WOULD HAVE BEEN REALLY INTIMIDATING. 59 00:04:02,910 --> 00:04:05,212 WHAT ARE YOU DOING TODAY? 60 00:04:05,212 --> 00:04:08,081 I CAN'T DISCLOSE THAT INFORMATION. 61 00:04:08,081 --> 00:04:09,983 YOU NEVER TELL ME ANYTHING. 62 00:04:09,983 --> 00:04:13,086 I LOVE IT WHEN YOU GET ALL MUSHY LIKE THAT. 63 00:04:13,086 --> 00:04:14,822 OH! 64 00:04:14,822 --> 00:04:16,524 THIS SONG IS TOO SLOW. 65 00:04:16,524 --> 00:04:18,726 [SANCTUARY PLAYS] 66 00:04:22,963 --> 00:04:24,565 WHEN DO I SEE YOU AGAIN? 67 00:04:25,899 --> 00:04:27,301 WHENEVER I FEEL LIKE IT. 68 00:04:27,301 --> 00:04:29,036 [BLOWS RASPBERRY ON STOMACH] 69 00:04:29,036 --> 00:04:31,439 HA HA HA! 70 00:04:31,439 --> 00:04:32,773 AHEM, MR. NEWMAN. 71 00:04:32,773 --> 00:04:34,241 [GIGGLING] 72 00:04:34,241 --> 00:04:35,643 IT IS NOW 3:55. 73 00:04:35,643 --> 00:04:38,312 FROM 4:00 UNTIL 6:30 YOU WILL BE HEARING 74 00:04:38,312 --> 00:04:40,548 PROPOSALS FOR THE CULTURAL CENTER. 75 00:04:40,548 --> 00:04:42,716 I'LL BE RIGHT OUT. 76 00:04:42,716 --> 00:04:44,117 HI. 77 00:04:44,117 --> 00:04:46,086 ALSO, YOUR WIFE CALLED. 78 00:04:46,086 --> 00:04:49,022 SHE'S EXPECTING YOU FOR DINNER AT THE RITZ AT 8:00. 79 00:04:49,022 --> 00:04:50,057 THANK YOU. 80 00:04:50,057 --> 00:04:52,025 NO, WAIT, AMY! I'M OUTTA HERE. 81 00:04:52,025 --> 00:04:53,026 CALL ME LATER! 82 00:04:53,026 --> 00:04:54,728 OH! 83 00:04:58,632 --> 00:05:02,436 I'LL BUZZ YOU WHEN THE FIRST TEAM OF ARCHITECTS ARRIVES. 84 00:05:06,106 --> 00:05:08,008 [BUZZ] 85 00:05:19,019 --> 00:05:20,521 [ELEVATOR DINGS] 86 00:05:20,521 --> 00:05:22,890 PETER, BEFORE WE GO IN, I JUST WANTED TO SAY 87 00:05:22,890 --> 00:05:25,626 THAT I KNOW I WOULD NEVER HAVE AN OPPORTUNITY LIKE THIS 88 00:05:25,626 --> 00:05:28,562 WITHOUT YOU, SO...YOU KNOW. 89 00:05:28,562 --> 00:05:33,567 WHATEVER HAPPENS IN THERE, I JUST WANT YOU TO KNOW THAT... 90 00:05:33,567 --> 00:05:35,969 I'M VERY HONORED TO BE YOUR PARTNER. 91 00:05:37,838 --> 00:05:42,376 YOU ARE THE BEST PARTNER THAT A MAN COULD EVER HAVE. 92 00:05:42,376 --> 00:05:43,911 OK. 93 00:05:43,911 --> 00:05:45,312 NOW, LET'S GO INSIDE 94 00:05:45,312 --> 00:05:47,615 BEFORE YOU START SINGING OR SOMETHING, OK? 95 00:05:47,615 --> 00:05:49,383 OK. 96 00:05:51,752 --> 00:05:53,554 Strauss: OH, LOOK AT THIS. 97 00:05:53,554 --> 00:05:55,723 IT'S GILLIGAN AND THE SKIPPER, TOO. 98 00:05:56,924 --> 00:05:59,159 WHAT HAVE YOU STUDMUFFINS BEEN UP TO LATELY? 99 00:05:59,159 --> 00:06:03,163 WELL, WE'VE BECOME TRIATHLETES, ACTUALLY. 100 00:06:03,163 --> 00:06:05,733 WE BIKE, WE SWIM, WE... 101 00:06:05,733 --> 00:06:07,067 ALSO DO THE THIRD THING. 102 00:06:07,067 --> 00:06:09,036 BY THE WAY, CONGRATULATIONS ON THE WORK YOU DID 103 00:06:09,036 --> 00:06:10,671 ON THAT MEN'S ROOM IN THE BUS STATION. 104 00:06:10,671 --> 00:06:12,873 YES, YOUR USE OF MOSAIC IN THE URINAL TROUGH 105 00:06:12,873 --> 00:06:15,743 WAS VAGUELY REMINISCENT OF THE 90-FOOT MURAL 106 00:06:15,743 --> 00:06:17,010 WE DID IN THE LOBBY OF THE HANCOCK BUILDING. 107 00:06:17,010 --> 00:06:18,679 EXCEPT PEOPLE DON'T LINE UP TO PISS ON OURS. 108 00:06:18,679 --> 00:06:21,882 THAT'S NOT TRUE. WE READ THE REVIEWS. 109 00:06:21,882 --> 00:06:23,283 OUCH. HUMOR. 110 00:06:23,283 --> 00:06:25,453 [DOOR HISSES] 111 00:06:25,453 --> 00:06:27,220 DECKER AND STRAUSS. 112 00:06:27,220 --> 00:06:29,457 OOPS. LET'S GO NAIL THIS JOB. 113 00:06:29,457 --> 00:06:31,559 SEE YA. [WHISTLES] 114 00:06:35,563 --> 00:06:37,598 WATCH YOUR FEET. 115 00:06:39,366 --> 00:06:40,834 PARDON ME. 116 00:06:42,436 --> 00:06:44,438 WELL, I'M NOT WORRIED. YOU? 117 00:06:44,438 --> 00:06:47,107 NO. ABSOLUTELY NOT. 118 00:06:49,510 --> 00:06:51,044 WE'RE DEAD. 119 00:06:51,044 --> 00:06:52,179 YEAH, WE'RE DEAD. 120 00:06:52,179 --> 00:06:54,181 [RUSHING WATER] 121 00:06:57,585 --> 00:06:58,919 [KEYBOARD CLICKING] 122 00:06:58,919 --> 00:07:01,722 OOPS. 123 00:07:01,722 --> 00:07:04,124 SIR, THE CHARLES NEWMAN CULTURAL CENTER 124 00:07:04,124 --> 00:07:06,694 WOULD REDEFINE CULTURAL LIFE AS WE KNOW IT IN THE CITY. 125 00:07:06,694 --> 00:07:09,196 THERE'D BE A MUSEUM, AN OPERA HOUSE, 126 00:07:09,196 --> 00:07:11,431 AN INTERNATIONAL FOOD COURT. 127 00:07:11,431 --> 00:07:16,236 Decker: PICASSO, MADAME BUTTERFLY... 128 00:07:16,236 --> 00:07:18,005 BURRITOS. 129 00:07:20,107 --> 00:07:21,141 INTERESTING. 130 00:07:22,576 --> 00:07:25,813 UM, STEINBERG AND NOVAK. 131 00:07:26,614 --> 00:07:29,216 OSKIE... [CLICK CLICK] 132 00:07:29,216 --> 00:07:30,618 OK. OH, YEAH. 133 00:07:30,618 --> 00:07:32,219 GOOD LUCK, LADIES. 134 00:07:32,219 --> 00:07:33,554 THANK YOU. 135 00:07:34,354 --> 00:07:36,490 GENTLEMEN? 136 00:07:36,490 --> 00:07:40,027 SO, YOU'VE WORKED WITH THOSE TWO MEN? 137 00:07:40,027 --> 00:07:40,961 WE DID. 138 00:07:40,961 --> 00:07:44,565 ARE THEY REALLY, YOU KNOW, PARTNERS? 139 00:07:46,333 --> 00:07:48,502 OH. 140 00:07:48,502 --> 00:07:52,239 OF COURSE, PETER IS, YOU KNOW, 141 00:07:52,239 --> 00:07:53,641 BUT OSCAR IS-- 142 00:07:53,641 --> 00:07:57,711 ACTUALLY, JOSH, OSCAR IS VERY, VERY, YOU KNOW. 143 00:07:57,711 --> 00:07:59,212 IT'S NICE TO MEET YOU, SIR. 144 00:07:59,212 --> 00:08:01,014 IT'S NICE TO MEET YOU, SIR. 145 00:08:01,014 --> 00:08:04,518 THEY--THEY HANG OUT AT, YOU KNOW, BARS, 146 00:08:04,518 --> 00:08:07,521 AND THEY MARCH IN THE, YOU KNOW, PARADE. 147 00:08:07,521 --> 00:08:08,922 THEY HAVE, YOU KNOW, 148 00:08:08,922 --> 00:08:11,324 SEX WITH, YOU KNOW, MEN. 149 00:08:11,324 --> 00:08:14,261 IT'S VERY NICE TO MEET YOU, SIR. 150 00:08:14,261 --> 00:08:15,529 HE CAN HEAR YOU. 151 00:08:15,529 --> 00:08:16,697 NO, HE CAN'T. YES, HE CAN. 152 00:08:16,697 --> 00:08:18,732 HELLO, MR. NEWMAN. I'M PETER STEINBERG, 153 00:08:18,732 --> 00:08:19,800 THIS IS OSCAR NOVAK. 154 00:08:19,800 --> 00:08:20,801 IT'S VERY NICE TO MEET YOU. 155 00:08:20,801 --> 00:08:21,869 HOW ARE YOU GUYS DOING TODAY? 156 00:08:21,869 --> 00:08:23,671 GREAT. COULDN'T BE BETTER. 157 00:08:23,671 --> 00:08:25,505 IT'S AN HONOR TO MEET YOU, 158 00:08:25,505 --> 00:08:28,475 AND YOUR OFFICE IS-- HEY, YOU HAVE A BUDDHA. 159 00:08:28,475 --> 00:08:29,877 OH, I LOVE BUDDHAS. 160 00:08:29,877 --> 00:08:32,479 THEY'RE LIKE BRIGHT CHEERY NAKED ASIAN SANTAS. 161 00:08:32,479 --> 00:08:33,847 [CLICKING] 162 00:08:33,847 --> 00:08:36,149 I HAD A BUDDY IN COLLEGE WHOSE NAME WAS BOB 163 00:08:36,149 --> 00:08:39,052 AND WE USED TO CALL HIM "BUDDHA BOB" 164 00:08:39,052 --> 00:08:43,023 BECAUSE HE WAS KIND OF FAT AND LIKED TO WALK AROUND NAKED. 165 00:08:43,023 --> 00:08:45,292 WE USED TO RUB HIS BELLY FOR LUCK. 166 00:08:45,292 --> 00:08:47,294 [CLICKING] 167 00:08:48,295 --> 00:08:52,332 ANYWAY...I LOVE BUDDHA. 168 00:08:52,332 --> 00:08:53,667 HE ROCKS. 169 00:08:53,667 --> 00:08:56,904 THE BUDDHA IS AN IMPORTANT SPIRITUAL FIGURE 170 00:08:56,904 --> 00:09:00,674 FROM WHICH I DRAW TREMENDOUS INSPIRATION. 171 00:09:04,377 --> 00:09:05,579 JUST KIDDING. 172 00:09:05,579 --> 00:09:06,814 [GASPS] 173 00:09:06,814 --> 00:09:08,215 LET ME HEAR WHAT YOU HAVE. 174 00:09:10,350 --> 00:09:13,286 THE TELFORD WAS NOT JUST CONSIDERED A GREAT MUSEUM, 175 00:09:13,286 --> 00:09:16,189 BUT A WONDER OF THE AGE. 176 00:09:16,189 --> 00:09:17,457 WOW. 177 00:09:17,457 --> 00:09:18,826 I BARELY RECOGNIZE IT. 178 00:09:18,826 --> 00:09:20,227 WE PROPOSE A RENOVATION 179 00:09:20,227 --> 00:09:22,329 THAT MODERNIZES AND EXPANDS THE TELFORD 180 00:09:22,329 --> 00:09:24,164 WITHOUT ECLIPSING ANY OF ITS CLASSIC GLORY. 181 00:09:24,164 --> 00:09:26,734 YOU SEE, TO US, THE TELFORD IS A WORK OF ART. 182 00:09:26,734 --> 00:09:28,936 ONE OF CHICAGO'S TRUE MONUMENTS. 183 00:09:28,936 --> 00:09:31,004 PRESERVING IT WOULD BE MORE THAN A JOB FOR US. 184 00:09:31,004 --> 00:09:32,372 IT WOULD BE AN OPPORTUNITY-- 185 00:09:32,372 --> 00:09:34,541 SORRY. 186 00:09:34,541 --> 00:09:35,943 JUST A SEC. 187 00:09:38,011 --> 00:09:39,512 [LAUGHING] 188 00:09:39,512 --> 00:09:40,513 LENORE? 189 00:09:40,513 --> 00:09:42,149 SHH. YES, MR. NEWMAN? 190 00:09:42,149 --> 00:09:45,986 BRING IN DECKER AND STRAUSS AND MY ECHINACEA DROPS. 191 00:09:47,454 --> 00:09:49,356 [SWISHING] 192 00:09:51,625 --> 00:09:53,360 I LIKED YOUR PRESENTATION. 193 00:09:53,360 --> 00:09:56,029 BIG, MODERN, BOLD. 194 00:09:56,029 --> 00:09:57,765 AND YOU TWO, PRESERVING THE OLD 195 00:09:57,765 --> 00:09:59,767 AND CONTRASTING IT WITH THE NEW, I LIKE THAT, TOO. 196 00:09:59,767 --> 00:10:02,670 YOU ESPECIALLY, I LIKE. 197 00:10:02,670 --> 00:10:06,807 PASSIONATE, SINCERE, GOOFBALL. 198 00:10:06,807 --> 00:10:07,941 YOU FIND HIM? 199 00:10:07,941 --> 00:10:11,278 FOUND HIM AND HOUSEBROKE HIM. 200 00:10:13,046 --> 00:10:15,983 THIS IS WHAT WE'RE GONNA DO. 201 00:10:15,983 --> 00:10:19,586 YOU WILL EACH BUILD A MODEL-- BIG MODELS-- 202 00:10:19,586 --> 00:10:22,522 AND WE'LL DO IT IN THE TELFORD ITSELF. 203 00:10:22,522 --> 00:10:25,158 WHAT DO YOU GUYS THINK OF THAT? 204 00:10:25,158 --> 00:10:26,259 I LOVE IT. 205 00:10:26,259 --> 00:10:27,661 THE PRESS WILL LOVE IT, 206 00:10:27,661 --> 00:10:30,831 AND THEN I...I PICK THE WINNER. 207 00:10:30,831 --> 00:10:33,934 I JUST THINK THAT'S--THAT'S... 208 00:10:33,934 --> 00:10:37,037 A FANTASTIC--AHEM-- FANTASTIC IDEA. 209 00:10:37,037 --> 00:10:39,206 YOU'LL PAY FOR THESE MODELS OUT OF YOUR OWN BUDGET. 210 00:10:41,141 --> 00:10:43,143 DO YOU KNOW HOW UNFAIR IT IS 211 00:10:43,143 --> 00:10:45,212 HIM GETTING YOUR HOPES UP LIKE THAT? 212 00:10:45,212 --> 00:10:48,181 AS IF YOU TWO EVEN HAVE A GHOST OF A CHANCE. 213 00:10:48,181 --> 00:10:50,217 I'LL TELL YOU WHAT-- WHEN WE GET THE JOB, 214 00:10:50,217 --> 00:10:51,852 WE'LL THROW A COUPLE OF MEN'S ROOMS YOUR WAY. 215 00:10:51,852 --> 00:10:53,954 HA HA! MEN'S ROOMS! 216 00:10:53,954 --> 00:10:57,124 OK. HOW MUCH IS THIS GOING TO COST? 217 00:10:57,124 --> 00:10:58,692 $150,000. 218 00:10:58,692 --> 00:11:01,128 WELL, THAT'S TOO MUCH. THAT'S TOO MUCH. 219 00:11:01,128 --> 00:11:02,329 [SIGHS] 220 00:11:02,329 --> 00:11:05,565 I COULD TAKE OUT A SECOND MORTGAGE ON MY APARTMENT. 221 00:11:05,565 --> 00:11:07,367 COME ON, PETER, YOU HAVE ALREADY 222 00:11:07,367 --> 00:11:09,770 INVESTED, LIKE, EVERYTHING INTO THIS COMPANY. 223 00:11:09,770 --> 00:11:12,372 I CAN'T LET YOU DO THAT. 224 00:11:12,372 --> 00:11:13,373 WE HAVE TO. 225 00:11:13,373 --> 00:11:15,843 WE DON'T HAVE TO. 226 00:11:15,843 --> 00:11:18,779 OSCAR...WE'RE GOING TO GET THIS JOB. 227 00:11:19,646 --> 00:11:20,914 WE'RE GONNA GET THIS JOB. 228 00:11:20,914 --> 00:11:22,349 WE'RE GONNA KICK SOME ASS! 229 00:11:22,349 --> 00:11:23,516 KICK SOME BIG ASS! 230 00:11:23,516 --> 00:11:24,985 I LOVE YOU! I LOVE YOU! 231 00:11:26,353 --> 00:11:27,454 I LOVE YOU! 232 00:11:30,690 --> 00:11:31,792 WE WERE JUST-- 233 00:11:31,792 --> 00:11:34,194 VERY NICE TO MEET YOU BOTH TODAY. 234 00:11:34,194 --> 00:11:35,195 HERE WE GO. 235 00:11:39,399 --> 00:11:42,135 WELL, THAT SEEMS TO BE A CLOSE PARTNERSHIP. 236 00:11:42,135 --> 00:11:44,571 YEAH, THEY SEEM VERY CLOSE. 237 00:11:44,571 --> 00:11:45,773 WHAT DO YOU MEAN? 238 00:11:45,773 --> 00:11:48,208 OH, YOU KNOW. 239 00:11:48,208 --> 00:11:49,442 REALLY. 240 00:11:49,442 --> 00:11:50,878 PHEW. 241 00:11:50,878 --> 00:11:54,114 THEY'RE BOTH GAY? THE GOOFBALL, TOO? 242 00:11:54,114 --> 00:11:56,016 OPENLY. 243 00:12:07,327 --> 00:12:09,662 I'M SO EXCITED. I'M OVERLY EXCITED. 244 00:12:09,662 --> 00:12:11,698 RIGHT HERE... 245 00:12:11,698 --> 00:12:14,301 AND THEN WE WALK AROUND... 246 00:12:18,405 --> 00:12:19,406 [CORK POPS] 247 00:12:19,406 --> 00:12:20,507 WHOO! 248 00:12:29,449 --> 00:12:30,717 I HAVE SOME BAD NEWS. 249 00:12:30,717 --> 00:12:33,520 I CAN'T MAKE IT TO YOUR OPENING AT THE GALLERY TONIGHT. 250 00:12:33,520 --> 00:12:34,922 I DID MY BEST, 251 00:12:34,922 --> 00:12:37,690 BUT OLIVIA'S BEEN PLANNING THIS BENEFIT FOR MONTHS. 252 00:12:37,690 --> 00:12:39,326 THAT'S OK. 253 00:12:45,799 --> 00:12:47,234 I'M SICK ABOUT THE WHOLE THING. 254 00:12:47,234 --> 00:12:48,836 IT'S ALL RIGHT, CHARLES, REALLY. 255 00:12:48,836 --> 00:12:51,338 [SIGHS] SO... 256 00:12:51,338 --> 00:12:53,673 WHO'S GONNA BE THERE? 257 00:12:53,673 --> 00:12:55,108 CHARLES, DON'T START. 258 00:12:55,108 --> 00:12:57,610 IF I'M NOT THERE, IT'S A PERFECT OPPORTUNITY 259 00:12:57,610 --> 00:13:00,447 FOR ONE OF THESE CLOWNS YOU DATED TO GET BACK IN. 260 00:13:00,447 --> 00:13:01,414 CHARLES, COME ON. 261 00:13:01,414 --> 00:13:03,416 WHAT ABOUT THAT GUY FROM ART SCHOOL 262 00:13:03,416 --> 00:13:06,153 WHO PAINTS THE FLAGS FROM AROUND THE WORLD 263 00:13:06,153 --> 00:13:09,322 ON PEOPLE'S ASSES AND THEN HE PHOTOGRAPHS IT? 264 00:13:09,322 --> 00:13:10,723 I HATE THAT GUY. 265 00:13:10,723 --> 00:13:13,260 NOT TO MENTION KEVIN CARTWRIGHT. 266 00:13:13,260 --> 00:13:15,128 WITH HIS BIG GROTESQUE MUSCLES 267 00:13:15,128 --> 00:13:18,098 AND HIS "MR. NICE GUY" ACT-- 268 00:13:18,098 --> 00:13:19,132 AHEM. 269 00:13:22,135 --> 00:13:23,136 KEVIN. 270 00:13:23,136 --> 00:13:26,006 SO GOOD TO SEE YOU. I GOT A LITTLE COLD. 271 00:13:28,675 --> 00:13:30,043 GREAT GAME LAST WEEK. 272 00:13:30,043 --> 00:13:32,112 CONGRATULATIONS ON THE NEW CONTRACT. 273 00:13:32,112 --> 00:13:33,881 THANKS. APPRECIATE IT. 274 00:13:33,881 --> 00:13:35,883 I'LL JUST USE THESE BIG GROTESQUE MUSCLES 275 00:13:35,883 --> 00:13:37,851 TO LOAD THIS STUFF OUT IN THE VAN. 276 00:13:37,851 --> 00:13:39,586 SEE YOU AT THE GALLERY. 277 00:13:41,521 --> 00:13:44,257 CHARLIE, YOU LOOK GOOD. YOU BEEN WORKING OUT? 278 00:13:44,257 --> 00:13:47,327 THANKS, KEVIN. YOU'RE A LIFESAVER. 279 00:13:54,834 --> 00:13:56,236 IMAGINE A DOME FLANKED 280 00:13:56,236 --> 00:13:58,771 BY 4 SKY-LIT PYRAMIDS ON EITHER SIDE. 281 00:13:58,771 --> 00:14:00,173 WHAT OSCAR AND I SEE 282 00:14:00,173 --> 00:14:03,743 IS A CONVERGENCE OF 2 CLASSICAL STYLES... 283 00:14:03,743 --> 00:14:05,278 WITH AN INTERPLAY OF-- 284 00:14:05,278 --> 00:14:07,180 MR. NEWMAN, I WOULD LIKE TO SAY AT THIS JUNCTURE 285 00:14:07,180 --> 00:14:10,517 HOW GRATEFUL WE ARE FOR THIS OPPORTUNITY. 286 00:14:10,517 --> 00:14:13,520 WE'RE EXCITED AND--AND-- 287 00:14:13,520 --> 00:14:16,289 OSCAR, YOUR MIGHT WANT TO SAVE SOME OF YOUR DIGNITY 288 00:14:16,289 --> 00:14:18,291 FOR LATER IN THE AFTERNOON IN CASE YOU NEED IT. 289 00:14:18,291 --> 00:14:21,361 I'M JUST TRYING TO TELL HIM HOW THRILLED WE BOTH-- 290 00:14:21,361 --> 00:14:23,330 I APPRECIATE YOUR LOYALTY, OSCAR. 291 00:14:23,330 --> 00:14:26,599 IT'S A RARE COMMODITY THESE DAYS. 292 00:14:26,599 --> 00:14:29,502 CAN I TALK TO YOU FOR A MOMENT PRIVATELY? 293 00:14:31,004 --> 00:14:32,505 [CLICK CLICK] 294 00:14:34,407 --> 00:14:38,645 YOU KNOW, YOU'RE QUITE A GUY, OSCAR NOVAK. 295 00:14:38,645 --> 00:14:41,248 NOVAK, THAT'S HUNGARIAN, RIGHT? 296 00:14:41,248 --> 00:14:42,249 YEAH. 297 00:14:42,249 --> 00:14:43,450 GREAT. 298 00:14:43,450 --> 00:14:46,786 YOU KNOW, LENORE TOLD ME ABOUT... 299 00:14:46,786 --> 00:14:49,289 ANYWAYS, I TOLD HER I THINK IT'S GREAT 300 00:14:49,289 --> 00:14:53,826 TO HAVE PEOPLE OF YOUR BACKGROUND WORKING FOR ME. 301 00:14:53,826 --> 00:14:54,694 YOU, PETER... 302 00:14:54,694 --> 00:14:56,796 OH, OH, PETER ISN'T. 303 00:14:56,796 --> 00:14:57,830 HE ISN'T? 304 00:14:57,830 --> 00:15:01,001 NO. I AM, THOUGH. 100%. 305 00:15:02,235 --> 00:15:03,436 I SEE. 306 00:15:03,436 --> 00:15:06,273 Oscar: YOU'D BE SURPRISED HOW MANY OF US THERE ARE. 307 00:15:06,273 --> 00:15:08,341 Charles: WHATEVER. DOESN'T BOTHER ME. 308 00:15:08,341 --> 00:15:11,979 OSCAR, COULD I BE HONEST WITH YOU? 309 00:15:13,513 --> 00:15:16,149 I'M MARRIED. 310 00:15:16,149 --> 00:15:18,851 WELL, HOW NICE FOR YOU. 311 00:15:18,851 --> 00:15:20,853 I ALSO HAVE A GIRLFRIEND. 312 00:15:20,853 --> 00:15:22,990 OH. GREAT. 313 00:15:22,990 --> 00:15:26,126 AMY IS AN AMAZING WOMAN. 314 00:15:26,126 --> 00:15:30,463 ARTIST, IMPULSIVE, UNPREDICTABLE. 315 00:15:30,463 --> 00:15:32,132 A FREE SPIRIT. 316 00:15:32,132 --> 00:15:35,735 TONIGHT SHE OPENS AN EXHIBIT OF HER WORK. 317 00:15:35,735 --> 00:15:37,137 I CAN'T BE THERE. 318 00:15:37,137 --> 00:15:39,539 THIS WAS VERY UPSETTING TO ME, 319 00:15:39,539 --> 00:15:41,741 BUT I'M NOT UPSET ANYMORE. 320 00:15:41,741 --> 00:15:42,875 YOU'RE NOT? 321 00:15:42,875 --> 00:15:44,811 NO. BECAUSE I KNOW YOU'LL BE THERE. 322 00:15:44,811 --> 00:15:46,313 GREAT. THANK YOU. I WILL? 323 00:15:46,313 --> 00:15:48,715 I'D LIKE YOU TO STAY CLOSE TO HER, 324 00:15:48,715 --> 00:15:51,151 TELL ME WHO SHE TALKS TO, THAT SORT OF THING. 325 00:15:51,151 --> 00:15:53,086 ONE GUY IN PARTICULAR. KEVIN CARTWRIGHT. 326 00:15:53,086 --> 00:15:55,422 EX-BOYFRIEND. REAL PERSISTENT GUY. 327 00:15:55,422 --> 00:15:58,258 I'M VERY WORRIED ABOUT HIM. 328 00:16:00,893 --> 00:16:02,262 WHAT DO YOU SAY? 329 00:16:08,701 --> 00:16:11,171 Announcer: PETER ELASOVIC KICKING IT AWAY. 330 00:16:11,171 --> 00:16:13,940 HANGS IT HIGH. BATMAN HOLMAN WILL GRAB IT ON THE 7. 331 00:16:13,940 --> 00:16:14,941 GO, BUDDY! 332 00:16:14,941 --> 00:16:16,009 GO, GO, GO, GO! 333 00:16:16,009 --> 00:16:17,344 AAH! 334 00:16:18,378 --> 00:16:20,347 OK, RUN ME THROUGH THIS ONE MORE TIME. 335 00:16:20,347 --> 00:16:23,316 CHARLES ASKED YOU TO SPY ON HIS MISTRESS 336 00:16:23,316 --> 00:16:26,086 AND YOU JUST SAID YES. 337 00:16:26,086 --> 00:16:27,687 WHAT ELSE COULD I HAVE SAID? 338 00:16:27,687 --> 00:16:30,223 LET'S SEE. NO. 339 00:16:31,124 --> 00:16:32,692 WHOA. WHAT HAVE WE GOT THIS WEEK? 340 00:16:32,692 --> 00:16:34,061 DIM SUM. 341 00:16:34,061 --> 00:16:36,529 HURRY UP AND DIMME SUM. 342 00:16:36,529 --> 00:16:40,433 RICK, YOU DON'T PUT KETCHUP ON DIM SUM. 343 00:16:40,433 --> 00:16:41,568 WHY? 344 00:16:41,568 --> 00:16:44,137 BECAUSE, RAIN MAN, DIM SUM ARE NOT FRENCH FRIES. 345 00:16:44,137 --> 00:16:47,140 OSKIE, IT IS REALLY IMPORTANT TO ME 346 00:16:47,140 --> 00:16:49,476 THAT YOU GRASP THE DELICACY OF THE SITUATION. 347 00:16:49,476 --> 00:16:51,978 YOU CAN'T JUST GO OFF ON SOME SPYING EXPEDITION. 348 00:16:51,978 --> 00:16:53,613 LET HIM GO. WHAT'S THE BIG DEAL? 349 00:16:53,613 --> 00:16:56,249 CATCH THE BALL, FOR CHRIST'S SAKE! 350 00:16:56,249 --> 00:16:57,550 WHAT DO YOU THINK OF THESE? 351 00:16:57,550 --> 00:16:58,551 AS CLOTHING? 352 00:16:58,551 --> 00:17:01,121 Rick: SO THIS HONEY, CHARLES' GIRLFRIEND, 353 00:17:01,121 --> 00:17:03,656 IS SHE--IS SHE HOT? 354 00:17:03,656 --> 00:17:05,592 HE CAN'T AFFORD TO GO OUT WITH AN UGLY GIRL. 355 00:17:05,592 --> 00:17:08,961 GIVE IT UP FOR CHARLES. WHAT'D I SAY! 356 00:17:08,961 --> 00:17:10,330 I DON'T KNOW WHAT SHE LOOKS LIKE. 357 00:17:10,330 --> 00:17:12,965 WHAT I DO KNOW IS BEFORE SHE WENT OUT WITH CHARLES, 358 00:17:12,965 --> 00:17:14,867 SHE WENT OUT WITH KEVIN CARTWRIGHT. 359 00:17:14,867 --> 00:17:15,935 HOLY SHIT. 360 00:17:15,935 --> 00:17:17,804 WHO? DAMN. REALLY? 361 00:17:17,804 --> 00:17:19,372 THE RUNNING BACK. 362 00:17:19,372 --> 00:17:20,673 WE WATCH HIM EVERY WEEK. 363 00:17:20,673 --> 00:17:23,443 FOR 7 SEASONS. 364 00:17:23,443 --> 00:17:25,378 OH. YEAH. 365 00:17:25,378 --> 00:17:26,979 THERE YOU GO. THERE YOU GO. 366 00:17:26,979 --> 00:17:28,515 THERE IT IS. 367 00:17:28,515 --> 00:17:30,417 YOU KNOW WHAT THE DEAL IS WITH THAT GUY? 368 00:17:30,417 --> 00:17:32,685 HE CAUGHT A REALLY BIG FISH? 369 00:17:32,685 --> 00:17:36,256 NO, MAN. THAT HE'S HUNG LIKE AN ARMY MULE. 370 00:17:36,256 --> 00:17:38,525 THEY CALL IT THE PONDEROSA. 371 00:17:39,826 --> 00:17:43,730 LIKE FROM BONANZA. THE CARTWRIGHTS? THE PONDEROSA? 372 00:17:44,797 --> 00:17:46,233 WHAT UP? 373 00:17:46,233 --> 00:17:47,700 YOU'RE WHITE, MAN. LET IT GO. 374 00:17:47,700 --> 00:17:50,170 I DON'T THINK YOU GENTS ARE REALLY GRASPING 375 00:17:50,170 --> 00:17:52,105 THE GRAVITY OF THE SITUATION. 376 00:17:52,105 --> 00:17:54,241 THIS JOB COULD REALLY LAND OSCAR AND I 377 00:17:54,241 --> 00:17:56,409 IN THE MAJOR LEAGUES, 378 00:17:56,409 --> 00:17:58,445 AND, WELL, SINCE CHARLES IS SUCH AN IMPORTANT GUY, 379 00:17:58,445 --> 00:18:02,715 CHANCES ARE THAT HIS GIRLFRIEND IS A FOXY ONE. 380 00:18:02,715 --> 00:18:04,317 THAT'S THE PROBLEM. WE ALL KNOW HOW OSCAR 381 00:18:04,317 --> 00:18:06,753 HANDLES HIMSELF AROUND THE HONEYS. 382 00:18:09,889 --> 00:18:11,291 THERE IT IS! 383 00:18:11,291 --> 00:18:13,726 GIVE ME SOME CREDIT? I HAVE A DEGREE OF SELF-CONTROL. 384 00:18:13,726 --> 00:18:15,995 I DON'T JUST FALL OVER EVERY PRETTY GIRL I SEE. 385 00:18:15,995 --> 00:18:18,298 MAN'S GOT YEAH.COMPLETE CONTROL. 386 00:18:18,298 --> 00:18:19,532 YEAH, PETER, YOU'RE PARANOID. 387 00:18:19,532 --> 00:18:22,135 YEAH. OK? SO DON'T WORRY. 388 00:18:22,135 --> 00:18:24,171 LATER. GOOD NIGHT, GUYS. 389 00:18:24,171 --> 00:18:25,405 OSCAR! 390 00:18:25,405 --> 00:18:27,907 I WANT YOU BACK HERE BY 10:00, OK? 391 00:18:27,907 --> 00:18:29,842 DORM CHECK AT 11:00! 392 00:18:29,842 --> 00:18:32,712 [LAUGHING] 393 00:18:32,712 --> 00:18:35,182 YOU KNOW WHAT'S FUNNY? 394 00:18:35,182 --> 00:18:36,749 YOU'RE SO SCREWED. 395 00:18:36,749 --> 00:18:38,084 [LAUGHING] 396 00:18:38,084 --> 00:18:39,652 START LOOKING FOR ANOTHER JOB. 397 00:18:39,652 --> 00:18:43,323 WHICH ONE OF YOU WANTS TO GET BITCH-SLAPPED FIRST? 398 00:18:46,293 --> 00:18:48,328 I'LL GO SECOND. 399 00:18:58,605 --> 00:19:00,473 [COUGHING] 400 00:19:30,403 --> 00:19:33,340 I HAD NO IDEA THINGS WERE SO HAIRY IN BOSNIA. 401 00:19:38,378 --> 00:19:41,914 YELLOWS AND PURPLES. I JUST LOVE ALL THIS. 402 00:19:57,063 --> 00:19:58,265 OOH! PARDON. 403 00:20:02,001 --> 00:20:03,536 WHOA! 404 00:20:08,275 --> 00:20:10,410 OH! [GROANS] 405 00:20:12,779 --> 00:20:13,780 HMM. 406 00:20:13,780 --> 00:20:16,115 EXCUSE ME. 407 00:20:16,115 --> 00:20:18,418 SHIT! PISS! 408 00:20:18,418 --> 00:20:20,253 DAMN IT! FOR CHRIST'S SAKES! 409 00:20:20,253 --> 00:20:22,289 THEY'RE SUPPOSED TO SCREW THESE THINGS. 410 00:20:22,289 --> 00:20:23,656 [GASPS] 411 00:20:23,656 --> 00:20:25,224 THANK YOU. YOU SAVED ME. 412 00:20:25,224 --> 00:20:29,496 OH, WELL, YOU HAVE TO PROTECT SOMETHING AS BEAUTIFUL AS YOU. 413 00:20:30,297 --> 00:20:31,764 AS IT. 414 00:20:31,764 --> 00:20:35,067 YOU'RE NOT BEAUTIFUL, THE SCULPTURE IS. 415 00:20:35,067 --> 00:20:38,371 I AM SO SORRY. THIS NEVER SHOULD HAVE HAPPENED. 416 00:20:38,371 --> 00:20:40,673 BY THE WAY, HAVE I TOLD YOU HOW ENCHANTING YOU LOOK? 417 00:20:40,673 --> 00:20:41,674 WOW. 418 00:20:42,709 --> 00:20:43,710 HEY. 419 00:20:52,385 --> 00:20:55,322 SAW YOU CATCH THAT PIECE. NICE MOVES. 420 00:20:55,322 --> 00:20:56,556 WOW, THANKS. 421 00:20:56,556 --> 00:20:58,190 COMING FROM YOU, THAT'S A HUGE COMPLIMENT. 422 00:20:58,190 --> 00:21:00,192 YOU STILL HOLD THE COLLEGE RECORD 423 00:21:00,192 --> 00:21:02,562 FOR THE MOST PENIS IN A SINGLE SEASON. 424 00:21:02,562 --> 00:21:04,531 SO YOU HAVE ALL OF MY STATS? 425 00:21:04,531 --> 00:21:06,232 OH, YEAH. I'M A HUGE FAN. 426 00:21:06,232 --> 00:21:08,335 I USED TO HAVE THAT POSTER OF YOU. 427 00:21:08,335 --> 00:21:11,203 HA HA HA! 428 00:21:11,203 --> 00:21:13,205 DID I SAY PENIS BACK THERE? 429 00:21:13,205 --> 00:21:15,542 YOU DID. 430 00:21:15,542 --> 00:21:16,943 THOUGHT I'D LET IT GO. 431 00:21:16,943 --> 00:21:17,944 THANK YOU. 432 00:21:20,179 --> 00:21:22,882 SO DO YOU COME TO THESE GALLERY THINGS ALL THE TIME? 433 00:21:22,882 --> 00:21:26,085 ACTUALLY, I'M VERY CLOSE TO THE ARTIST. AMY POST. 434 00:21:26,085 --> 00:21:28,220 OH, REALLY. HOW CLOSE? 435 00:21:28,220 --> 00:21:30,757 RIGHT. CLOSE. 436 00:21:30,757 --> 00:21:32,191 SO WHAT ARE YOU DOING AFTER THE SHOW? 437 00:21:33,259 --> 00:21:38,965 I MEAN, DID YOU COME HERE WITH ANYBODY BESIDES AMY? 438 00:21:38,965 --> 00:21:40,700 WELL, ACTUALLY, I... 439 00:21:42,301 --> 00:21:45,237 WILL YOU EXCUSE ME JUST FOR A MOMENT? 440 00:21:45,237 --> 00:21:47,507 YEAH. YOU GO AHEAD. YOU GOT IT GOIN' ON. 441 00:21:47,507 --> 00:21:49,976 [LAUGHS] YEAH. 442 00:21:49,976 --> 00:21:52,712 "YOU GOT IT GOIN' ON." 443 00:21:54,514 --> 00:21:55,915 Amy: EXCUSE ME. 444 00:21:55,915 --> 00:21:57,884 THERE YOU ARE. I'VE BEEN LOOKING FOR YOU. 445 00:21:57,884 --> 00:21:59,886 I'M AMY POST, AND I OWE YOU ONE. 446 00:21:59,886 --> 00:22:03,490 HI. I'M--I'M-- 447 00:22:03,490 --> 00:22:05,692 OH, BOY. OSCAR NOVAK. 448 00:22:05,692 --> 00:22:08,561 IT'S NICE TO MEET YOU, OSCAR. THANK YOU FOR SAVING THAT PIECE. 449 00:22:08,561 --> 00:22:11,798 OH, IT WAS AN HONOR. YOUR WORK IS AMAZING. 450 00:22:11,798 --> 00:22:13,866 I MEAN, IT'S REALLY INCREDIBLE. 451 00:22:13,866 --> 00:22:15,435 REALLY? WOW. 452 00:22:15,435 --> 00:22:18,070 DON'T GET ME WRONG. I COULD DO IT BETTER. 453 00:22:18,070 --> 00:22:19,171 OH? 454 00:22:19,171 --> 00:22:20,473 YEAH. I DON'T ACTUALLY BLOW GLASS, 455 00:22:20,473 --> 00:22:23,410 BUT IF I DID, I COULD DO IT A LITTLE BETTER. 456 00:22:25,344 --> 00:22:26,879 HA HA HA! 457 00:22:26,879 --> 00:22:29,916 THERE'S A PARTY FOR SOME ARTISTS AT A BAR ACROSS TOWN. 458 00:22:29,916 --> 00:22:32,218 I WANT TO BUY YOU A DRINK. PAY YOU BACK FOR SAVING MY ASS. 459 00:22:32,218 --> 00:22:33,285 OH, I DON'T THINK-- 460 00:22:33,285 --> 00:22:35,588 SEE YOU GUYSBYE! OVER THERE. 461 00:22:37,924 --> 00:22:40,660 WAIT A SECOND. YOU SAID YOUR NAME WAS OSCAR NOVAK? 462 00:22:40,660 --> 00:22:43,563 OF STEINBERGYEAH. AND NOVAK? 463 00:22:43,563 --> 00:22:46,165 OH, MY GOD, THAT IS SO WILD. 464 00:22:46,165 --> 00:22:48,300 I KNOW CHARLES NEWMAN. 465 00:22:48,300 --> 00:22:49,301 YOU DO? 466 00:22:49,301 --> 00:22:50,670 HUH. YEAH. 467 00:22:50,670 --> 00:22:53,606 I LOVE THE TELFORD. ONE OF MY FAVORITES. 468 00:22:53,606 --> 00:22:55,374 THANKS. ME, TOO. 469 00:22:55,374 --> 00:22:57,376 I KNOW EVERY CURVE OF IT. 470 00:22:57,376 --> 00:23:00,046 IT'S KIND OF LIKE A PERSON TO ME. 471 00:23:02,649 --> 00:23:04,050 THAT'S SCARING YOU. 472 00:23:04,050 --> 00:23:05,017 NO. 473 00:23:05,017 --> 00:23:07,587 NO, THAT'S HOW I FEEL ABOUT MY STUFF. 474 00:23:07,587 --> 00:23:09,589 I GET VERY CAUGHT UP IN MY PIECES. 475 00:23:09,589 --> 00:23:11,424 I FEEL LIKE THEY'RE MY KIDS OR SOMETHING. 476 00:23:11,424 --> 00:23:13,225 YEAH. 477 00:23:13,225 --> 00:23:15,462 REALLY? I EVEN TALK TO THEM. 478 00:23:15,462 --> 00:23:17,497 OK. HA HA HA! 479 00:23:17,497 --> 00:23:19,699 SEE? I'M EVEN SCARIER THAN YOU. 480 00:23:19,699 --> 00:23:21,634 WE'RE A COUPLE OF KOOKS, YOU AND ME. 481 00:23:21,634 --> 00:23:23,836 [ENGINE CLANKING] 482 00:23:26,038 --> 00:23:27,540 [BACKFIRES] 483 00:23:31,444 --> 00:23:34,481 [SPEAKING FOREIGN LANGUAGE] 484 00:23:34,481 --> 00:23:36,749 I THINK HE'S DEALING WITH THAT RATHER WELL. 485 00:23:36,749 --> 00:23:38,150 MAYBE WE SHOULD JUST WALK? 486 00:23:38,150 --> 00:23:40,487 NO, IT'LL BE FINE. I'M GONNA CHECK THE ENGINE. 487 00:23:40,487 --> 00:23:41,488 I'M GONNA CHECK THE-- 488 00:23:41,488 --> 00:23:43,189 [SHOUTING] 489 00:23:43,189 --> 00:23:44,857 OK. OSCAR-- 490 00:23:50,062 --> 00:23:51,798 PROBABLY JUST A HOSE. 491 00:24:00,139 --> 00:24:01,140 OR NOT. 492 00:24:01,140 --> 00:24:02,509 MM-HMM. 493 00:24:02,509 --> 00:24:04,544 [CABBIE SHOUTING] 494 00:24:08,080 --> 00:24:09,181 [GIGGLES] 495 00:24:11,150 --> 00:24:12,351 GO. COME ON. 496 00:24:12,351 --> 00:24:13,352 ALL RIGHT. 497 00:24:13,352 --> 00:24:15,321 GO. JUST GO. 498 00:24:15,321 --> 00:24:16,322 IT'LL RAIN IN A SECOND. 499 00:24:16,322 --> 00:24:17,724 [GIGGLING] 500 00:24:17,724 --> 00:24:19,926 [MAKING ODD NOISES] 501 00:24:22,461 --> 00:24:23,896 UH, I HAVE A QUESTION. 502 00:24:23,896 --> 00:24:24,697 HMM? 503 00:24:24,697 --> 00:24:26,332 WHAT THE HELL ARE YOU DOING? 504 00:24:26,332 --> 00:24:28,400 3 SOUNDS AT ONCE. 505 00:24:28,400 --> 00:24:30,402 ALL RIGHT, THAT'S HORRIFYING. 506 00:24:30,402 --> 00:24:32,071 PLEASE DO IT AGAIN. 507 00:24:32,071 --> 00:24:33,573 [MAKING NOISES] 508 00:24:33,573 --> 00:24:35,608 EXCUSE ME, THAT'S NOT 3 SOUNDS AT ONCE. 509 00:24:35,608 --> 00:24:39,145 NO, IT IS. IT GOES "BMP" AND "TSK" AND THE HUMMING. 510 00:24:39,145 --> 00:24:40,179 OK. 511 00:24:40,179 --> 00:24:41,581 OH! 512 00:24:41,581 --> 00:24:43,850 OH, SHIT! 513 00:24:43,850 --> 00:24:46,185 HERE, LET ME. I GOT IT. 514 00:24:46,185 --> 00:24:48,287 UNH! 515 00:24:48,287 --> 00:24:49,756 OH, GOD, YOU HURT YOURSELF. 516 00:24:49,756 --> 00:24:52,759 NO. NO. YOU HURT ME. 517 00:24:52,759 --> 00:24:56,328 YEAH, SEE, YOU HIT ME IN THE FACE. 518 00:24:56,328 --> 00:24:57,897 I'M SORRY. 519 00:25:00,833 --> 00:25:01,934 WAIT. 520 00:25:07,607 --> 00:25:09,642 SO, WHAT'S GOOD HERE? 521 00:25:09,642 --> 00:25:11,243 TUNA MELT. 522 00:25:11,243 --> 00:25:12,945 OOH, WHAT ELSE IS GOOD? 523 00:25:12,945 --> 00:25:14,080 TUNA MELT. 524 00:25:14,080 --> 00:25:16,048 WHAT DO YOU THINK? 525 00:25:16,048 --> 00:25:17,984 2 TUNA MELTS. 526 00:25:23,790 --> 00:25:25,625 SO, YOU SEEING ANYONE RIGHT NOW? 527 00:25:25,625 --> 00:25:28,027 UH, ME? NO. 528 00:25:28,027 --> 00:25:30,630 I HAVE TROUBLE FINDING PEOPLE THAT ARE COMPATIBLE. 529 00:25:30,630 --> 00:25:32,832 THEY ALWAYS WANT TO SLEEP ON MY SIDE OF THE BED. 530 00:25:32,832 --> 00:25:34,667 WHAT SIDE? LEFT SIDE. 531 00:25:34,667 --> 00:25:37,003 GET OUT. I LIKE THE LEFT SIDE. 532 00:25:37,003 --> 00:25:38,871 SEE? 533 00:25:40,072 --> 00:25:41,240 ARE YOU LONELY? 534 00:25:42,675 --> 00:25:45,011 NO. NO. YOU'RE OK COMPANY 535 00:25:45,011 --> 00:25:47,313 AS LONG AS YOU'RE NOT BEATING THE HELL OUT OF ME. 536 00:25:47,313 --> 00:25:50,216 I GET IT. YOU DON'T LIKE TO REVEAL TOO MUCH. 537 00:25:50,216 --> 00:25:52,819 I RESENT THAT. AND I WOULD RESPOND TO IT 538 00:25:52,819 --> 00:25:54,153 IF IT WEREN'T SO REVEALING. 539 00:25:54,153 --> 00:25:56,956 THEN YOU CHANGE THE SUBJECT WITH A JOKE. GO IT. 540 00:25:56,956 --> 00:25:59,558 I WILL LET YOU KNOW WHEN I AM JOKING. 541 00:25:59,558 --> 00:26:01,761 [THUNDER] 542 00:26:13,840 --> 00:26:16,643 THIS IS NOT FOOD. 543 00:26:16,643 --> 00:26:18,377 I THINK IT LOOKS GOOD. 544 00:26:18,377 --> 00:26:19,879 [CRUNCH] 545 00:26:24,550 --> 00:26:25,785 TRY IT. 546 00:26:30,589 --> 00:26:32,324 [CRUNCH] 547 00:26:32,324 --> 00:26:34,894 OH, ARE YOU OK? 548 00:26:34,894 --> 00:26:38,264 MOUTH...WATERING. [STOMACH BURBLES] 549 00:26:38,264 --> 00:26:42,134 GOD! I KNEW THAT TUNA MELT TASTED FUNNY. 550 00:26:42,134 --> 00:26:43,870 I'M LUCKY I CAN EAT JUST ABOUT ANYTHING. 551 00:26:43,870 --> 00:26:45,872 KNOW WHY? MY MOTHER WAS A HORRIBLE COOK. 552 00:26:45,872 --> 00:26:47,974 SHE MADE THIS CHICKEN THING THAT SMELLED LIKE SHE TOOK 553 00:26:47,974 --> 00:26:50,176 AN OLD TENNIS SHOE, A WET DOG, AND SOME BLEU CHEESE-- 554 00:26:50,176 --> 00:26:51,310 MMM! 555 00:26:51,310 --> 00:26:52,645 I'M SORRY. 556 00:26:54,580 --> 00:26:56,515 COULD YOU EXCUSE ME FOR A SECOND? 557 00:26:56,515 --> 00:26:57,684 SURE. 558 00:26:57,684 --> 00:26:59,351 [VOMITS] 559 00:27:03,122 --> 00:27:04,523 BOY, I FEEL GOOD. 560 00:27:04,523 --> 00:27:08,227 OH, GOD. DON'T WORRY. YOU'LL FEEL BETTER IN A SECOND. 561 00:27:08,227 --> 00:27:10,396 [SIGHS] 562 00:27:11,630 --> 00:27:13,332 [VOMITS] 563 00:27:18,637 --> 00:27:21,941 IT JUST DOESN'T GET BETTER THAN THIS. 564 00:27:22,942 --> 00:27:24,476 YOU STILL WANT TO GO TO THAT PARTY? 565 00:27:24,476 --> 00:27:26,312 OH, YEAH, ABSOLUTELY. 566 00:27:26,312 --> 00:27:27,880 [WHISTLES] 567 00:27:30,917 --> 00:27:32,785 ARE WE SURE THIS IS SAFE? 568 00:27:32,785 --> 00:27:34,954 IT'S SAFE. ALLOW ME. 569 00:27:37,623 --> 00:27:39,058 OOF! 570 00:27:39,058 --> 00:27:40,259 HA! 571 00:27:41,393 --> 00:27:42,461 MMM! 572 00:27:42,461 --> 00:27:44,230 MAYBE WE SHOULD SKIP THE PARTY. 573 00:27:44,230 --> 00:27:46,132 MMM. 574 00:27:48,835 --> 00:27:51,037 [AMY LAUGHING] 575 00:27:52,805 --> 00:27:55,341 HEY, I'M SORRY ABOUT BEFORE. HOW ARE YOUR BALLS? 576 00:27:55,341 --> 00:27:58,444 THEY'RE FINE. THANK YOU FOR ASKING THAT. 577 00:27:58,444 --> 00:28:00,847 I HAD A GREAT TIME TONIGHT. 578 00:28:00,847 --> 00:28:03,382 ONE CATASTROPHE AFTER ANOTHER. I LOVED IT. 579 00:28:03,382 --> 00:28:04,583 ME, TOO. 580 00:28:04,583 --> 00:28:06,518 THIS IS ME. 581 00:28:06,518 --> 00:28:08,420 OH. 582 00:28:12,291 --> 00:28:13,860 [LAUGHING] 583 00:28:13,860 --> 00:28:15,862 WOULD YOU LIKE TO COME DOWN TO MY SHOP 584 00:28:15,862 --> 00:28:17,529 SOMETIME, SEE ME WORK? 585 00:28:17,529 --> 00:28:18,931 OH, YEAH. THAT'D BE GREAT. 586 00:28:18,931 --> 00:28:22,168 TOMORROW? I COULD ALWAYS USE A LITTLE HELP. 587 00:28:22,168 --> 00:28:24,136 OH, UM... 588 00:28:24,136 --> 00:28:26,105 OH. I'M SORRY. 589 00:28:26,105 --> 00:28:27,673 YOU'RE PROBABLY REALLY BUSY. THAT'S OK. 590 00:28:27,673 --> 00:28:29,441 NO, I'D REALLY LOVE TO. 591 00:28:29,441 --> 00:28:31,911 SAY NO MORE. I UNDERSTAND. 592 00:28:44,723 --> 00:28:46,926 [SPLASHING] 593 00:28:53,132 --> 00:28:54,000 [CLINK] 594 00:28:54,000 --> 00:28:55,768 [IMITATING CROWD CHEERING] 595 00:28:55,768 --> 00:28:57,069 WHAT HAPPENED? 596 00:28:57,069 --> 00:28:58,304 GEE-- 597 00:28:58,304 --> 00:29:00,406 WHAT THE HELL HAPPENED TO YOUR HEAD? 598 00:29:00,406 --> 00:29:02,508 I'VE BEEN UP FOR 9 HOURS. I GOT BORED. 599 00:29:02,508 --> 00:29:03,910 YOU'RE A VERY STRANGE MAN. 600 00:29:03,910 --> 00:29:05,945 NOW, WILL YOU GET OUT OF MY APARTMENT? 601 00:29:05,945 --> 00:29:08,080 WHAT HAPPENED? NOTHING. 602 00:29:08,080 --> 00:29:10,649 OSKIE, OSKIE, IT'S 6:00 IN THE MORNING. 603 00:29:10,649 --> 00:29:12,118 IT WAS AWFUL, OK? 604 00:29:12,118 --> 00:29:15,054 AS SOON AS WE LEFT THE GALLERY, OUR CAB CAUGHT ON FIRE. 605 00:29:15,054 --> 00:29:17,256 THEN SHE ELBOWED ME IN THE FACE. 606 00:29:17,256 --> 00:29:20,426 THEN--[SNIFFS]-- WE BOTH THREW UP. 607 00:29:20,426 --> 00:29:25,164 THEN SHE SLAMMED A CAR HANDLE INTO MY BALLS, OK? 608 00:29:25,164 --> 00:29:26,899 THE ENTIRE NIGHT WAS A TOTAL DISASTER. 609 00:29:26,899 --> 00:29:28,801 YOU'RE IN LOVE WITH HER. 610 00:29:28,801 --> 00:29:30,469 PRETTY MUCH. 611 00:29:30,469 --> 00:29:32,371 [SIGHS] 612 00:29:32,371 --> 00:29:35,975 OSCAR, I'M GOING TO HAVE TO DEFAULT ON MY MORTGAGE 613 00:29:35,975 --> 00:29:37,743 AND MOVE INTO THE STREET AND LIVE IN A BOX 614 00:29:37,743 --> 00:29:39,912 AND WALK UP AND DOWN THE STREET WITH A LITTLE BOWL 615 00:29:39,912 --> 00:29:41,513 BEGGING FOR GRUEL AND CRUSTS OF BREAD, 616 00:29:41,513 --> 00:29:42,949 BECAUSE OF YOU, YOU BASTARD! 617 00:29:42,949 --> 00:29:44,783 I TOLD YOU, NOTHING HAPPENED. 618 00:29:44,783 --> 00:29:45,885 SOMETHING ALWAYS HAPPENS. 619 00:29:45,885 --> 00:29:47,286 WHEN IT COMES TO YOU AND ROMANCE, 620 00:29:47,286 --> 00:29:49,121 MUCH AS I LOVE YOU, SOMETHING ALWAYS HAPPENS. 621 00:29:49,121 --> 00:29:51,057 YOU KNOW WHAT? I RESENT THAT, OK? 622 00:29:51,057 --> 00:29:54,026 I'VE HAD PLENTY OF RELATIONSHIPS THAT WERE VERY SUCCESSFUL. 623 00:29:54,026 --> 00:29:56,495 BEFORE THEY WENT ABSOLUTELY NOWHERE. 624 00:29:59,798 --> 00:30:01,300 I'M SORRY. OSCAR, LISTEN. 625 00:30:01,300 --> 00:30:04,670 I DIDN'T MEAN THAT. I REALLY DIDN'T MEAN THAT. 626 00:30:04,670 --> 00:30:06,572 YOU GOTTA SEE THIS WOMAN, PETER. 627 00:30:06,572 --> 00:30:09,475 SHE'S BEAUTIFUL... 628 00:30:09,475 --> 00:30:10,742 AND FUNNY... 629 00:30:10,742 --> 00:30:13,245 AND SMART. 630 00:30:13,245 --> 00:30:15,781 AND SHE HAS AN ASS THAT IS SO SEXY 631 00:30:15,781 --> 00:30:18,017 THAT I STRUGGLE TO EVEN UNDERSTAND IT. 632 00:30:18,017 --> 00:30:20,019 ARE YOU GOING TO CROCHET THAT INTO A PILLOW 633 00:30:20,019 --> 00:30:21,687 AND SEND IT TO HER MOTHER? 634 00:30:21,687 --> 00:30:23,655 HA. 635 00:30:23,655 --> 00:30:25,391 YOU KNOW, YOU'RE STARTING TO SOUND 636 00:30:25,391 --> 00:30:27,359 LIKE YOU HAVE A VERY LOW OPINION OF ME, SIR. 637 00:30:27,359 --> 00:30:29,828 OSCAR, YOU KNOW THAT'S NOT TRUE. 638 00:30:29,828 --> 00:30:31,363 IT'S JUST THAT THIS PROJECT 639 00:30:31,363 --> 00:30:32,965 REPRESENTS SUCH A MAJOR OPPORTUNITY FOR US. 640 00:30:32,965 --> 00:30:35,067 ALL OF OUR DREAMS COULD COME TRUE. 641 00:30:35,067 --> 00:30:37,203 I'M SURE AMY IS LOVELY AND COMPLICATED, 642 00:30:37,203 --> 00:30:39,271 BUT THERE ARE A MILLION GIRLS OUT THERE 643 00:30:39,271 --> 00:30:41,874 AND JUST ONE PROJECT LIKE THIS, 644 00:30:41,874 --> 00:30:44,476 SO I'M BEGGING YOU, PLEASE, PLEASE, 645 00:30:44,476 --> 00:30:46,045 STAY AWAY FROM AMY. 646 00:30:46,045 --> 00:30:48,981 AND HER BEWILDERING ASS. 647 00:30:50,782 --> 00:30:52,051 OK. 648 00:30:53,452 --> 00:30:54,887 OK? 649 00:30:54,887 --> 00:30:57,423 OK, I'LL STAY AWAY. 650 00:30:59,725 --> 00:31:01,193 SORRY. 651 00:31:05,864 --> 00:31:07,199 MOVE IT! 652 00:31:17,809 --> 00:31:20,012 [SOBBING] 653 00:31:21,147 --> 00:31:22,414 HOW MUCH ARE WE PAYING THEM? 654 00:31:22,414 --> 00:31:25,884 THEY'RE INTERNS. THEY'RE FREE. 655 00:31:25,884 --> 00:31:28,154 YEAH, WELL, WE'RE GETTING RIPPED OFF. 656 00:31:28,154 --> 00:31:30,822 [CELL PHONE RINGS] 657 00:31:30,822 --> 00:31:32,558 HELLO. 658 00:31:32,558 --> 00:31:33,625 OSCAR, HOW ARE YOU? 659 00:31:33,625 --> 00:31:37,796 OH, HI, CHARLES. HOLD ON FOR JUST ONE SECOND? 660 00:31:37,796 --> 00:31:39,498 It's Charles! 661 00:31:41,467 --> 00:31:42,935 Charles: HOW'D IT GO? 662 00:31:42,935 --> 00:31:44,436 IT WENT GREAT. 663 00:31:44,436 --> 00:31:47,006 YES, I DON'T THINK YOU HAVE ANYTHING TO WORRY ABOUT THERE. 664 00:31:47,006 --> 00:31:49,408 CARTWRIGHT--IT WAS GREAT. 665 00:31:49,408 --> 00:31:51,710 I SEE. EXCELLENT. THANK YOU VERY MUCH. 666 00:31:51,710 --> 00:31:56,215 I KNOW THIS WHOLE THING MAY SEEM EXTREME TO YOU. 667 00:31:56,215 --> 00:31:59,218 I'M NOT PROUD OF MYSELF, ASKING YOU TO LOOK OUT FOR HER, 668 00:31:59,218 --> 00:32:00,552 BUT JUST KNOWING SOMEONE'S THERE, 669 00:32:00,552 --> 00:32:02,854 THAT WE'RE BOTH KEEPING AN EYE OUT. 670 00:32:02,854 --> 00:32:06,158 I'M JUST SO...COMFORTED. 671 00:32:06,158 --> 00:32:08,560 THAT'S WHY I'D LIKE YOU TO SPEND AS MUCH TIME 672 00:32:08,560 --> 00:32:10,829 WITH HER AS POSSIBLE. WHAT DO YOU SAY? 673 00:32:10,829 --> 00:32:13,865 AS MUCH TIME WITH AMY AS POSSIBLE? 674 00:32:13,865 --> 00:32:15,534 Say no! 675 00:32:15,534 --> 00:32:17,936 UH, I... 676 00:32:17,936 --> 00:32:21,273 YOU KNOW, AS MUCH AS I'D LOVE TO, SIR, 677 00:32:21,273 --> 00:32:24,643 OSCAR, I HOPE YOU KNOW I WOULD NEVER ASK YOU 678 00:32:24,643 --> 00:32:28,080 TO DO SOMETHING WHICH YOU FIND INCONSISTENT 679 00:32:28,080 --> 00:32:29,615 WITH YOUR VALUES. 680 00:32:29,615 --> 00:32:31,417 OF COURSE, IF YOU DON'T WANT TO HELP ME OUT, 681 00:32:31,417 --> 00:32:34,686 THAT'S OK. I UNDERSTAND COMPLETELY. 682 00:32:36,588 --> 00:32:38,224 Say yes! Say yes! 683 00:32:39,992 --> 00:32:43,162 YES. YES. 684 00:32:43,162 --> 00:32:44,163 THANK YOU, OSCAR. 685 00:32:44,163 --> 00:32:45,397 NO PROBLEM, SIR-- 686 00:32:45,397 --> 00:32:47,066 [CLICK] 687 00:32:50,136 --> 00:32:52,604 WELL, I GUESS I HAVE TO KEEP SEEING HER. 688 00:32:52,604 --> 00:32:54,606 OF COURSE YOU HAVE TO KEEP SEEING HER, YOU MORON. 689 00:32:54,606 --> 00:32:57,709 OSKIE, I'M A PROFESSIONAL. 690 00:32:57,709 --> 00:32:59,545 I WENT TO GRADUATE SCHOOL. 691 00:32:59,545 --> 00:33:02,881 I DID 72 ALL-NIGHTERS MY SENIOR YEAR. 692 00:33:02,881 --> 00:33:04,716 I DID A SEMESTER IN EGYPT. 693 00:33:04,716 --> 00:33:06,285 DO YOU HAVE ANY IDEA 694 00:33:06,285 --> 00:33:09,421 WHAT TOILET PAPER FEELS LIKE IN EGYPT?! 695 00:33:09,421 --> 00:33:12,224 I DELIVERED CINNAMON ROLLS ON A TRUCK WITH BAD SUSPENSION 696 00:33:12,224 --> 00:33:14,260 FOR 3 YEARS! DO YOU KNOW WHAT THAT DOES TO YOUR KIDNEYS? 697 00:33:14,260 --> 00:33:16,028 YOUR KIDNEYS! YOUR KIDNEYS! 698 00:33:16,028 --> 00:33:18,530 MY POOR KIDNEYS! MY FREAKING KIDNEYS! 699 00:33:21,100 --> 00:33:23,069 MY POOR FREAKING KIDNEYS! 700 00:33:23,069 --> 00:33:24,403 [SOBBING] 701 00:33:24,403 --> 00:33:28,674 MY FREAKING, SCARRED, BRUISED KIDNEYS! 702 00:33:28,674 --> 00:33:30,676 [SOFT JAZZ PLAYING] 703 00:33:39,785 --> 00:33:42,821 THAT IS VERY SWEET OF YOU. 704 00:33:42,821 --> 00:33:44,356 BUT YOU KNOW I CAN'T ACCEPT IT. 705 00:33:44,356 --> 00:33:46,792 COME ON. I CAN'T EVEN GIVE YOU A LITTLE GIFT? 706 00:33:46,792 --> 00:33:49,395 CHARLES, WE'VE BEEN OVER THIS. I DON'T NEED ANY PRESENTS. 707 00:33:49,395 --> 00:33:51,797 I HAVE TOO MUCH STUFF AS IT IS. 708 00:33:51,797 --> 00:33:53,365 OK. 709 00:33:53,365 --> 00:33:56,568 YOU WIN. 710 00:33:56,568 --> 00:33:58,470 YOU ALWAYS WIN. 711 00:33:59,571 --> 00:34:02,741 SO? I'M WAITING FOR MY CROSS- EXAMINATION ABOUT LAST NIGHT. 712 00:34:02,741 --> 00:34:05,744 CROSS-EXAMINE? ME? I WOULD NEVER DO THAT. 713 00:34:05,744 --> 00:34:09,581 YOU'RE COMPLETELY COOL WITH ME GOING OUT ON MY OWN? 714 00:34:09,581 --> 00:34:11,049 HONESTLY? 715 00:34:11,049 --> 00:34:12,884 NO, BUT I'M WORKING ON IT. 716 00:34:12,884 --> 00:34:16,155 GREAT. I'M VERY PROUD OF YOU. 717 00:34:16,155 --> 00:34:19,125 YOU KNOW, I MET SOMEONE INTERESTING LAST NIGHT. 718 00:34:19,125 --> 00:34:21,560 ACTUALLY, YOU KNOW HIM. OSCAR NOVAK. 719 00:34:21,560 --> 00:34:24,630 YOU'RE KIDDING. YOU MET OSCAR? 720 00:34:24,630 --> 00:34:25,864 THAT IS A COINCIDENCE. 721 00:34:25,864 --> 00:34:27,966 YEAH. 722 00:34:27,966 --> 00:34:29,768 HE'S A REALLY GOOD GUY. 723 00:34:29,768 --> 00:34:30,969 VERY. 724 00:34:30,969 --> 00:34:33,772 HE AND HIS PARTNER BOTH HAVE A GREAT AESTHETIC SENSE. 725 00:34:33,772 --> 00:34:35,141 GUESS MOST OF THEM DO. 726 00:34:35,141 --> 00:34:36,475 MOST? 727 00:34:36,475 --> 00:34:38,477 GAY MEN. 728 00:34:41,280 --> 00:34:43,014 YOU DID KNOW HE WAS GAY? 729 00:34:43,014 --> 00:34:45,617 [LAUGHS] YEAH. 730 00:34:45,617 --> 00:34:46,718 SURE. YEAH. 731 00:34:46,718 --> 00:34:48,187 NOT THAT I CARE. 732 00:34:48,187 --> 00:34:49,721 DOESN'T BOTHER ME. 733 00:34:49,721 --> 00:34:52,224 RIGHT. WHO CARES? 734 00:35:07,973 --> 00:35:09,375 YOU KNOW, THE OTHER NIGHT 735 00:35:09,375 --> 00:35:12,010 I ALMOST STARTED HAVING A CRUSH ON YOU? 736 00:35:12,010 --> 00:35:13,011 ISN'T THAT FUNNY? 737 00:35:13,011 --> 00:35:14,413 HMM. 738 00:35:14,413 --> 00:35:17,883 SOMETHING ABOUT LATE NIGHTS AND THUNDERSTORMS. 739 00:35:17,883 --> 00:35:20,619 I HOPE THAT'S OK WITH YOU. 740 00:35:20,619 --> 00:35:23,054 YEAH. IT'S--YEAH. 741 00:35:23,054 --> 00:35:25,457 [BLOWS] 742 00:35:28,460 --> 00:35:30,529 OSCAR, IF YOU AND I ARE GOING TO KEEP HANGING OUT, 743 00:35:30,529 --> 00:35:33,732 THERE'S SOMETHING I HAVE TO TELL YOU. 744 00:35:33,732 --> 00:35:35,234 WHAT? 745 00:35:35,234 --> 00:35:36,768 COME OVER HERE. 746 00:35:38,470 --> 00:35:41,807 REMEMBER THE OTHER NIGHT WHEN YOU MENTIONED CHARLES NEWMAN 747 00:35:41,807 --> 00:35:43,809 AND I SAID THAT I KNEW HIM? 748 00:35:43,809 --> 00:35:44,810 YEAH? 749 00:35:44,810 --> 00:35:46,978 EXCUSE ME? BLOW. 750 00:35:46,978 --> 00:35:49,281 HELP ME BLOW. EXCUSE ME? 751 00:35:49,281 --> 00:35:51,283 KEEP YOUR MOUTH ON THE OPENING. 752 00:35:52,551 --> 00:35:56,488 WELL, THE TRUTH IS ACTUALLY THAT... 753 00:35:56,488 --> 00:35:58,424 CHARLES AND I ARE INVOLVED. 754 00:35:58,424 --> 00:35:59,791 WE'RE HAVING AN AFFAIR. 755 00:35:59,791 --> 00:36:01,026 OH. 756 00:36:01,026 --> 00:36:02,661 YEAH, ISN'T THAT WEIRD? 757 00:36:02,661 --> 00:36:04,463 YOU SHOW UP AT MY SHOW, WE GET TO KNOW EACH OTHER, 758 00:36:04,463 --> 00:36:06,097 AND I'M INVOLVED WITH YOUR BOSS? 759 00:36:06,097 --> 00:36:07,566 THAT'S SO WEIRD. 760 00:36:07,566 --> 00:36:09,368 I KNOW. 761 00:36:09,368 --> 00:36:12,204 BY THE WAY, HOW DID YOU FIND OUT ABOUT MY SHOW? 762 00:36:12,204 --> 00:36:15,674 I READ--READ IT IN THE NEWSPAPER 763 00:36:15,674 --> 00:36:18,677 AND SAID, "GLASSBLOWING SOUNDS REALLY COOL," 764 00:36:18,677 --> 00:36:20,579 AND I DIDN'T HAVE ANYTHING BETTER TO DO. 765 00:36:20,579 --> 00:36:22,848 HA! MAN, YOU ARE A BAD LIAR. 766 00:36:22,848 --> 00:36:24,350 YOU CANNOT LIE. 767 00:36:24,350 --> 00:36:27,453 [CRACKLING AND HISSING] 768 00:36:33,259 --> 00:36:36,362 I'M A LITTLE SLOW, OSCAR, BUT I FIGURED IT OUT. 769 00:36:37,229 --> 00:36:39,498 YOU WERE SPYING ON ME. 770 00:36:39,498 --> 00:36:43,269 LISTEN, I'M SORRY. I'M SO SORRY. 771 00:36:43,269 --> 00:36:44,870 I REALLY SHOULD HAVE TOLD YOU. 772 00:36:44,870 --> 00:36:46,438 YOU HAVE TO UNDERSTAND. 773 00:36:46,438 --> 00:36:49,341 OUR ENTIRE CAREERS ARE IN HIS HANDS. 774 00:36:51,009 --> 00:36:54,079 AND THEN I MET YOU... 775 00:36:54,079 --> 00:36:58,550 AND YOU MADE 3 SOUNDS AT ONCE... 776 00:37:01,720 --> 00:37:05,123 AND I JUST REALLY WANTED TO GET TO KNOW YOU. 777 00:37:05,123 --> 00:37:07,859 OK. 778 00:37:10,161 --> 00:37:11,963 JUST DON'T EVER LIE TO ME AGAIN. 779 00:37:11,963 --> 00:37:14,500 OK. 780 00:37:19,505 --> 00:37:21,707 COME ON, IT'S THE GREAT THING ABOUT BEING FRIENDS 781 00:37:21,707 --> 00:37:24,075 WITH A MISTRESS-- I'M FREE MOST EVENINGS. 782 00:37:24,075 --> 00:37:26,111 WHAT DO YOU SAY? 783 00:37:26,111 --> 00:37:28,914 OH, UH, TONIGHT? WOW. 784 00:37:28,914 --> 00:37:30,916 IF YOU DON'T COME OVER, I'LL TELL CHARLES 785 00:37:30,916 --> 00:37:32,818 YOU WENT ABSOLUTELY CRAZY AND MADE A PASS AT ME. 786 00:37:32,818 --> 00:37:35,654 I COULD REALLY GET YOU IN TROUBLE, OSCAR. 787 00:37:37,489 --> 00:37:39,090 OH, I'VE GOT TO TAKE A SHOWER. 788 00:37:39,090 --> 00:37:40,726 YEAH, I WAS GONNA SAY. 789 00:37:40,726 --> 00:37:42,728 HA! 790 00:37:42,728 --> 00:37:45,497 YOU KNOW, I GET THIS FEELING AROUND YOU? 791 00:37:45,497 --> 00:37:46,898 I DON'T KNOW WHY. 792 00:37:46,898 --> 00:37:49,568 LIKE WE'VE KNOWN EACH OTHER A REALLY LONG TIME. 793 00:37:49,568 --> 00:37:52,938 OR IN ANOTHER LIFE OR SOMETHING. 794 00:37:52,938 --> 00:37:54,340 YOU KNOW WHAT I MEAN? 795 00:37:54,340 --> 00:37:55,607 YEAH. 796 00:37:55,607 --> 00:37:57,443 NO. 797 00:37:58,977 --> 00:38:00,178 WHAT WAS THE QUESTION? 798 00:38:00,178 --> 00:38:01,212 ARE YOU ALWAYS THIS NERVOUS? 799 00:38:01,212 --> 00:38:02,714 YEAH. 800 00:38:04,850 --> 00:38:06,652 LET'S HAVE DINNER AND CELEBRATE.GREAT. 801 00:38:06,652 --> 00:38:10,689 AFTER ALL, IT'S NOT EVERY DAY I GET TO HANG OUT WITH A SPY. 802 00:38:14,393 --> 00:38:16,061 THERE'S A CD IN THERE. HIT PLAY. 803 00:38:16,061 --> 00:38:17,529 OK. 804 00:38:22,033 --> 00:38:23,068 I'LL SEE YOU IN A MINUTE. 805 00:38:23,068 --> 00:38:24,169 GO AHEAD. 806 00:38:24,169 --> 00:38:25,371 RIGHT. 807 00:38:26,338 --> 00:38:28,607 [SHOWER RUNNING] 808 00:38:28,607 --> 00:38:31,810 [TANGO MUSIC PLAYING] 809 00:38:38,083 --> 00:38:39,618 I'M BATMAN. 810 00:38:50,896 --> 00:38:52,898 [GLASS BREAKS] 811 00:38:58,103 --> 00:38:59,104 Amy: * ...BLOODED * 812 00:38:59,104 --> 00:39:01,573 * CHECK IT AND SEE * 813 00:39:01,573 --> 00:39:05,711 * GOT A FEVER OF 103 * 814 00:39:05,711 --> 00:39:09,347 * COME ON, BABY, DO YOU DO MORE THAN DANCE? * 815 00:39:09,347 --> 00:39:10,782 * HOT BLOODED * 816 00:39:10,782 --> 00:39:12,784 * I'M HOT BLOODED * 817 00:39:12,784 --> 00:39:13,785 * OW! * 818 00:39:13,785 --> 00:39:16,855 * KNOW WHAT I HAVE IN MIND * 819 00:39:16,855 --> 00:39:18,990 * AND YOU OUGHT TO KNOW * 820 00:39:18,990 --> 00:39:20,025 * I'M HOT * 821 00:39:20,025 --> 00:39:21,026 OH, SHIT. 822 00:39:21,026 --> 00:39:23,361 [TURNS OFF SHOWER] 823 00:39:26,164 --> 00:39:27,365 OW. 824 00:39:28,166 --> 00:39:30,268 [TURNS UP MUSIC] 825 00:39:30,268 --> 00:39:32,203 OK, I'M READY. 826 00:39:32,203 --> 00:39:33,271 WHERE'S MY CHAMPAGNE? 827 00:39:33,271 --> 00:39:34,540 RIGHT HERE. 828 00:39:36,842 --> 00:39:39,110 A TOAST TO... 829 00:39:39,110 --> 00:39:41,379 UH... 830 00:39:42,347 --> 00:39:43,348 WHAT SHOULD WE TOAST TO? 831 00:39:43,348 --> 00:39:44,850 UH, TO... 832 00:39:57,162 --> 00:39:59,364 WHAT, YOU DON'T CALL ANYMORE? YOU JUST SHOW UP? 833 00:39:59,364 --> 00:40:00,566 YEAH. 834 00:40:01,967 --> 00:40:02,968 HI. 835 00:40:02,968 --> 00:40:04,369 WOW. 836 00:40:04,369 --> 00:40:05,904 CHAMPAGNE, MUSIC, 837 00:40:05,904 --> 00:40:07,706 AMY IN A KIMONO. 838 00:40:09,641 --> 00:40:12,711 I SWEAR, IF YOU WEREN'T GAY, OSCAR... 839 00:40:12,711 --> 00:40:15,113 I'D HAVE TO KILL YOU. 840 00:40:16,147 --> 00:40:17,148 GAY? 841 00:40:18,283 --> 00:40:21,019 I'M NOT GAY. I--I DIDN'T--GAY? 842 00:40:21,019 --> 00:40:21,920 [LAUGHS] 843 00:40:21,920 --> 00:40:24,389 OH, OSCAR, COME ON. WE DON'T CARE. 844 00:40:24,389 --> 00:40:26,291 ABSOLUTELY. WHAT PEOPLE DO 845 00:40:26,291 --> 00:40:27,292 IN THE PRIVACY OF THEIR OWN BEDROOMS 846 00:40:27,292 --> 00:40:28,426 IS NO CONCERN TO US, RIGHT? 847 00:40:28,426 --> 00:40:29,628 RIGHT. 848 00:40:31,129 --> 00:40:33,264 HEY, HOW ARE YOU? 849 00:40:33,264 --> 00:40:35,033 I JUST LOVE JAPANESE KIMONOS. 850 00:40:35,033 --> 00:40:36,468 I KNOW. 851 00:40:39,237 --> 00:40:47,613 AAH! 852 00:40:50,716 --> 00:40:52,117 AAH! 853 00:40:52,117 --> 00:40:53,384 [KNOCK ON DOOR] 854 00:40:53,384 --> 00:40:54,486 HI. 855 00:40:54,486 --> 00:40:56,955 THANK GOD YOU'RE HERE. I NEED TO-- 856 00:40:56,955 --> 00:40:59,190 BOY, YOU GUYS THROW A LOT OF DINNER PARTIES. 857 00:40:59,190 --> 00:41:00,492 I'M GAY. IT'S WHAT WE DO. 858 00:41:00,492 --> 00:41:01,693 REALLY? 859 00:41:01,693 --> 00:41:02,928 THAT AND SHOP FOR SMALL DOGS. 860 00:41:02,928 --> 00:41:04,029 CAN I HELP YOU WITH SOMETHING? 861 00:41:04,029 --> 00:41:05,831 I NEED TO TALK WITH YOU PRIVATELY. 862 00:41:05,831 --> 00:41:09,034 I NEED TO TALK WITH HIM PRIVATELY. 863 00:41:09,868 --> 00:41:12,103 WE'RE GOING TO TALK PRIVATELY. 864 00:41:13,839 --> 00:41:16,341 ANYONE WANT CAPPUCCINOS? 865 00:41:16,341 --> 00:41:18,443 [LOUD BUBBLING] 866 00:41:18,443 --> 00:41:19,545 THEY THINK I'M GAY. 867 00:41:19,545 --> 00:41:20,579 WHAT? 868 00:41:20,579 --> 00:41:23,181 THEY THINK I'M GAY. 869 00:41:23,181 --> 00:41:25,617 COME AGAIN? 870 00:41:25,617 --> 00:41:26,818 EVERYBODY THINKS... 871 00:41:26,818 --> 00:41:28,286 [BUBBLING STOPS] I'M GAY! 872 00:41:28,286 --> 00:41:30,622 I WIN THE POOL. 873 00:41:30,622 --> 00:41:33,091 [APPLAUSE] 874 00:41:34,192 --> 00:41:35,193 COME AGAIN? 875 00:41:35,193 --> 00:41:37,696 AMY AND CHARLES 876 00:41:37,696 --> 00:41:39,364 THINK I'M GAY. 877 00:41:39,364 --> 00:41:41,199 OH, NO. OH, YES. 878 00:41:41,199 --> 00:41:42,367 YOU'RE GAY. 879 00:41:42,367 --> 00:41:43,368 I'M GAY. 880 00:41:43,368 --> 00:41:44,836 WE'RE GAY. 881 00:41:46,337 --> 00:41:48,239 HMM.Peter: GOOD GOD. 882 00:41:48,239 --> 00:41:49,541 I KNOW. 883 00:41:49,541 --> 00:41:51,643 I MEAN, HOW CAN THEY THINK THAT? ME, GAY? 884 00:41:51,643 --> 00:41:54,445 I MEAN, IT'S JUST SO--SO EMBARRASSING 885 00:41:54,445 --> 00:41:56,615 AND--AND--AND MORTIFYING AND... 886 00:41:56,615 --> 00:41:57,616 HUMILIATING. 887 00:41:57,616 --> 00:41:58,984 HUMILIATING. YES. 888 00:41:58,984 --> 00:42:01,286 I MEAN, I DON'T GET IT. I DON'T SEE IT. 889 00:42:01,286 --> 00:42:03,288 I'M JUST A REGULAR, NORMAL... 890 00:42:04,756 --> 00:42:07,025 INSENSITIVE ASSHOLE. 891 00:42:08,059 --> 00:42:10,962 BUT, COME ON, YOU KNOW WHAT I MEAN, RIGHT? 892 00:42:10,962 --> 00:42:12,631 OH, SURE. 893 00:42:12,631 --> 00:42:14,833 I KNOW THAT WHEN YOU SAY THAT YOU'RE HUMILIATED, 894 00:42:14,833 --> 00:42:16,902 WHAT YOU ACTUALLY MEAN IS YOU'RE PROUD AND UNASHAMED. 895 00:42:16,902 --> 00:42:19,204 NO, NO, IT'S NOT THAT. IT'S JUST-- 896 00:42:19,204 --> 00:42:20,471 BEING GAY IS NOT NORMAL? 897 00:42:20,471 --> 00:42:21,673 YOU KNOW I DON'T THINK THAT, OK? 898 00:42:21,673 --> 00:42:23,575 I HAVE NO PROBLEM WITH PEOPLE BEING GAY. 899 00:42:23,575 --> 00:42:25,343 IN FACT, I'M ALL FOR HOMOSEXUALITY, 900 00:42:25,343 --> 00:42:27,613 ESPECIALLY WHEN IT HAPPENS BETWEEN 2 GORGEOUS WOMEN-- 901 00:42:27,613 --> 00:42:30,548 OR 3-- BUT I'M NOT GAY. 902 00:42:32,017 --> 00:42:36,354 LOOK, I'M SORRY. I DIDN'T MEAN WHAT I SAID BEFORE. 903 00:42:36,354 --> 00:42:37,355 WHAT ARE YOU DOING? 904 00:42:37,355 --> 00:42:38,790 I'M TRYING TO DECIDE 905 00:42:38,790 --> 00:42:41,392 IF I SHOULD RECOVER GRACEFULLY FROM YOUR INSULTS 906 00:42:41,392 --> 00:42:43,929 OR KNEECAP YOU. 907 00:42:43,929 --> 00:42:46,965 YES. I'M INSENSITIVE AND--AND CALLOUS. 908 00:42:46,965 --> 00:42:49,000 WELL, YOU'RE STUPID AND YOUNG. 909 00:42:49,000 --> 00:42:49,835 YES. 910 00:42:49,835 --> 00:42:51,569 YES, STUPID AND YOUNG, 911 00:42:51,569 --> 00:42:52,804 BUT THAT DOESN'T CHANGE THE FACT 912 00:42:52,804 --> 00:42:55,306 THAT WE ARE IN DEEP SHIT HERE, OK? 913 00:42:55,306 --> 00:42:56,608 SO WHAT ARE WE GOING TO DO? 914 00:42:56,608 --> 00:42:57,876 WE? I DON'T REALLY SEE 915 00:42:57,876 --> 00:42:59,477 THERE'S ANYTHING IN PARTICULAR FOR ME TO DO. 916 00:42:59,477 --> 00:43:01,747 WE HAVE TO DO SOMETHING.WHY? 917 00:43:03,048 --> 00:43:05,316 BECAUSE EVERYBODY THINKS I'M GAY. 918 00:43:05,316 --> 00:43:07,552 I DON'T. YOU DON'T? 919 00:43:07,552 --> 00:43:08,754 WHO CARES? 920 00:43:10,221 --> 00:43:12,390 YOU'RE ENJOYING THIS. 921 00:43:12,390 --> 00:43:13,759 NOW, YOUNG OSKIE, 922 00:43:13,759 --> 00:43:15,727 I TOLD YOU WHEN YOU WANTED TO GO SPY ON THAT GIRL 923 00:43:15,727 --> 00:43:17,663 SOMETHING BAD MIGHT HAPPEN. YOU DIDN'T LISTEN, 924 00:43:17,663 --> 00:43:19,330 SO THE REALITY IS-- NO. 925 00:43:19,330 --> 00:43:21,967 YES. THE REALITY IS, YOU MADE YOUR BIG GAY BED, 926 00:43:21,967 --> 00:43:23,902 AND MUST NOW SLUMBER GAILY IN IT. 927 00:43:25,336 --> 00:43:26,738 BUT I--I DON'T WANT TO. 928 00:43:27,605 --> 00:43:28,840 SWEET DREAMS. 929 00:43:28,840 --> 00:43:31,209 HEY, I'LL SEE YOU AT THE NEXT DINNER PARTY. 930 00:43:32,477 --> 00:43:33,779 POOR GUY. 931 00:43:33,779 --> 00:43:35,413 IT'S SO HARD WHEN YOU FIRST COME OUT. 932 00:43:35,413 --> 00:43:36,648 OHH! 933 00:43:47,793 --> 00:43:52,163 * IT'S THE MADDEST KIND OF LOVE * 934 00:43:52,964 --> 00:43:56,835 * IT'S A MAD, MAD LOVE * 935 00:43:56,835 --> 00:43:59,237 * OOH, YEAH * 936 00:44:01,439 --> 00:44:03,041 [HIGH-PITCHED] AAH! 937 00:44:05,677 --> 00:44:07,645 [LOW-PITCHED] AAH! 938 00:44:07,645 --> 00:44:08,914 AAH! 939 00:44:12,283 --> 00:44:14,652 YOU WANT A BEER? I'M GOING TO GRAB A BEER. 940 00:44:16,254 --> 00:44:18,589 Zack: THERE HE IS. THERE'S THE GUY. 941 00:44:18,589 --> 00:44:19,791 GO, BUDDY. YOU GOT TO RUN WITH THAT. 942 00:44:19,791 --> 00:44:20,859 COME ON, BABY. 943 00:44:20,859 --> 00:44:22,393 COME ON, PONDEROSA. 944 00:44:22,393 --> 00:44:23,394 YOU GOT TO RUN. 945 00:44:25,130 --> 00:44:26,531 All: UHH! 946 00:44:26,531 --> 00:44:29,100 AW! AW! 947 00:44:29,100 --> 00:44:31,036 SO, HOW'D THE SPY OPERATION GO THE OTHER NIGHT? 948 00:44:31,036 --> 00:44:34,239 UH, IT'S JUST A LITTLE-- A LITTLE COMPLICATED. 949 00:44:34,239 --> 00:44:35,540 HE DID HER. SCORE. 950 00:44:35,540 --> 00:44:38,343 WHOA, WHOA, WHOA. YOU GOT LUCKY? 951 00:44:38,343 --> 00:44:39,610 AW... 952 00:44:39,610 --> 00:44:40,678 IS SHE STACKED? 953 00:44:40,678 --> 00:44:41,847 SHE'S REALLY STACKED, ISN'T SHE? 954 00:44:41,847 --> 00:44:44,149 OH, MY GOD. DID SHE TIE YOU UP? 955 00:44:44,149 --> 00:44:47,418 SHE'S A DOMINATRIX, ISN'T SHE? 956 00:44:47,418 --> 00:44:49,620 HA! YOU LITTLE PIGGY. 957 00:44:49,620 --> 00:44:53,358 YOU GOT IT ON WITH A HOT, BIG-BREASTED DOMINATRIX, HUH? 958 00:44:53,358 --> 00:44:55,260 YOU TELL ME. 959 00:44:55,260 --> 00:44:57,062 [LAUGHS] 960 00:44:57,062 --> 00:44:58,463 AM I THE ONLY ONE WHO'S LISTENING? 961 00:44:59,765 --> 00:45:01,566 NOTHING HAPPENED WITH AMY. 962 00:45:01,566 --> 00:45:04,569 AND, ANYWAY, I, UM... 963 00:45:04,569 --> 00:45:05,636 I'VE BEEN MEANING TO TELL YOU GUYS 964 00:45:05,636 --> 00:45:06,905 THAT, YOU KNOW, AHEM... 965 00:45:06,905 --> 00:45:08,673 YOU'RE NOT GOING TO SEE ME WITH ANY WOMEN 966 00:45:08,673 --> 00:45:09,841 FOR A WHILE. 967 00:45:09,841 --> 00:45:11,542 YOU KNOW, I JUST KIND OF DECIDED TO... 968 00:45:11,542 --> 00:45:14,112 JUST SWEAR OFF GIRLS FOR A WHILE-- 969 00:45:14,112 --> 00:45:17,248 I DON'T KNOW, JUST A LITTLE BIT OF TIME. 970 00:45:17,248 --> 00:45:19,084 [DOORBELL BUZZES] 971 00:45:21,686 --> 00:45:22,687 Oscar: AMY. 972 00:45:22,687 --> 00:45:23,789 CAN I MOVE IN? 973 00:45:23,789 --> 00:45:25,490 I PUT MOST OF MY STUFF IN STORAGE. 974 00:45:25,490 --> 00:45:26,591 THIS IS JUST WHAT I NEED. 975 00:45:26,591 --> 00:45:28,226 I NEED MY CLOTHES, MY SKETCH BOOKS, 976 00:45:28,226 --> 00:45:29,394 MY TOOLS. 977 00:45:29,394 --> 00:45:31,596 SO, YOU'RE AMY. 978 00:45:31,596 --> 00:45:33,698 NICE TO MEET YOU. 979 00:45:33,698 --> 00:45:35,100 HI. 980 00:45:35,100 --> 00:45:37,268 OSCAR TOLD US ABOUT THE OTHER NIGHT. 981 00:45:37,268 --> 00:45:38,403 HE DID? 982 00:45:38,403 --> 00:45:40,038 THAT IS SO EMBARRASSING AFTER WHAT I DID TO HIM. 983 00:45:40,038 --> 00:45:42,040 ARE YOUR BALLS OK, OR ARE THEY STILL SORE? 984 00:45:44,142 --> 00:45:46,244 WE SHOULDOK. GET GOING.TIME TO GO. 985 00:45:47,813 --> 00:45:49,480 CIAO. OK. 986 00:45:49,480 --> 00:45:50,816 I'M OUT. OK. 987 00:45:50,816 --> 00:45:52,017 TOOLS. 988 00:45:52,017 --> 00:45:53,551 OK. 989 00:45:53,551 --> 00:45:54,752 Zack: HUH. 990 00:45:54,752 --> 00:45:55,821 I AM IMPRESSED. 991 00:45:55,821 --> 00:45:57,622 Rick: YOU LIKE THAT? 992 00:45:57,622 --> 00:45:58,990 Bill: PRETTY DELISH, HUH? 993 00:45:58,990 --> 00:46:00,191 ARE THEY ALL GAY? 994 00:46:01,426 --> 00:46:02,760 WHOA! 995 00:46:05,130 --> 00:46:06,164 YES. 996 00:46:06,164 --> 00:46:07,332 DAMN. 997 00:46:07,332 --> 00:46:09,968 THE LITTLE ONE WAS KIND OF CUTE. 998 00:46:09,968 --> 00:46:11,469 YEAH, WELL, HE'S NOT EXACTLY MY TYPE. 999 00:46:11,469 --> 00:46:12,303 LET ME ASK YOU-- 1000 00:46:12,303 --> 00:46:14,205 HEY, HOW'S KEVIN DOING TONIGHT? 1001 00:46:14,205 --> 00:46:15,006 HE SCORE YET? 1002 00:46:15,006 --> 00:46:16,041 OH, HE'S KICKING ASS. 1003 00:46:16,041 --> 00:46:17,208 REALLY? YOU LIKE HIM? 1004 00:46:17,208 --> 00:46:18,543 ARE YOU KIDDING? I WORSHIP THE GUY. 1005 00:46:20,378 --> 00:46:21,379 SO, UH... 1006 00:46:22,413 --> 00:46:23,314 ARE YOU OK? 1007 00:46:23,314 --> 00:46:25,350 YOU KNOW, THIS PLACE IS AWESOME-- 1008 00:46:25,350 --> 00:46:26,451 DRAFTY, BUT AWESOME. 1009 00:46:27,652 --> 00:46:28,786 TUNA FISH. 1010 00:46:28,786 --> 00:46:29,955 VERY BRAVE. 1011 00:46:29,955 --> 00:46:31,256 ACTUALLY, I BROUGHT THAT JUST FOR YOU. 1012 00:46:31,256 --> 00:46:32,523 OH, THANKS. 1013 00:46:32,523 --> 00:46:34,659 [LAUGHS] 1014 00:46:34,659 --> 00:46:36,928 I BROUGHT THAT FOR YOU, TOO. 1015 00:46:36,928 --> 00:46:39,030 IT'LL FIT YOU PERFECTLY. 1016 00:46:43,801 --> 00:46:45,170 IS THIS YOU? DON'T. 1017 00:46:45,170 --> 00:46:47,772 HA HA HA HA! WERE YOU IN A BAND? 1018 00:46:47,772 --> 00:46:49,040 THOSE ARE MY FRIENDS IN HIGH SCHOOL. 1019 00:46:49,040 --> 00:46:50,842 OK, BUT YOU ARE AWARE OF WHAT YOU LOOK LIKE 1020 00:46:50,842 --> 00:46:52,010 IN THIS PICTURE, RIGHT? 1021 00:46:52,010 --> 00:46:53,044 IT'S NOT MY FAULT. IT WAS THE EIGHTIES. 1022 00:46:53,044 --> 00:46:54,312 THEY MADE YOU LOOK LIKE THAT. 1023 00:46:54,312 --> 00:46:55,780 YOU DIDN'T LOOK LIKE A DORK IN THE EIGHTIES? 1024 00:46:55,780 --> 00:46:57,248 HEY, I GOT THROUGH THE EIGHTIES DORK-FREE. 1025 00:46:57,248 --> 00:46:59,517 RIGHT, AND YOU'RE MAKING UP FOR IT NOW. 1026 00:46:59,517 --> 00:47:01,819 UH-OH. HA HA. HA HA. 1027 00:47:05,556 --> 00:47:06,557 [SIGHS] 1028 00:47:08,293 --> 00:47:10,328 YOU KNOW, I APPRECIATE THIS, OSCAR, 1029 00:47:10,328 --> 00:47:12,163 ESPECIALLY SINCE YOU AND I HAVEN'T KNOWN EACH OTHER LONG. 1030 00:47:12,163 --> 00:47:14,365 IT'S JUST THAT I HAVE BEEN DODGING MY LANDLORD 1031 00:47:14,365 --> 00:47:16,267 FOR A WHILE, AND HE FINALLY NABBED ME, 1032 00:47:16,267 --> 00:47:18,970 AND I DIDN'T KNOW WHAT TO DO, AND... 1033 00:47:18,970 --> 00:47:20,271 SEE, THE THING IS, I HAVE A LOT OF FRIENDS. 1034 00:47:20,271 --> 00:47:22,707 I JUST DON'T HAVE A LOT OF FRIENDS, 1035 00:47:22,707 --> 00:47:23,942 YOU KNOW? 1036 00:47:25,843 --> 00:47:27,112 TO TELL YOU THE TRUTH, I DIDN'T REALLY HAVE 1037 00:47:27,112 --> 00:47:28,980 ANYWHERE ELSE TO GO. 1038 00:47:28,980 --> 00:47:31,582 YOU CAME TO THE RIGHT PLACE. 1039 00:47:37,923 --> 00:47:39,991 [SIGHS] 1040 00:47:39,991 --> 00:47:42,493 FANTASTIC PLACE. 1041 00:47:43,761 --> 00:47:45,830 GRIMY, RAW-- 1042 00:47:45,830 --> 00:47:46,998 I LIKE IT. 1043 00:47:46,998 --> 00:47:48,366 HI, CHARLES. 1044 00:47:48,366 --> 00:47:51,802 I HOPE YOU DON'T MIND ME STOPPING BY LIKE THIS. 1045 00:47:51,802 --> 00:47:53,004 AMY TOLD ME SHE'D BE HERE. 1046 00:47:53,004 --> 00:47:54,605 NO, NO, NO. CONSIDER THIS... 1047 00:47:54,605 --> 00:47:55,606 NO. 1048 00:47:55,606 --> 00:47:57,943 LET'S GO. 1049 00:47:57,943 --> 00:47:59,911 I GOT YOU A ROOM AT THE FOUR SEASONS-- 1050 00:47:59,911 --> 00:48:01,412 NO. THAT'S OK. 1051 00:48:01,412 --> 00:48:04,249 OSCAR HAS KINDLY AGREED TO TAKE ME IN. 1052 00:48:04,249 --> 00:48:06,751 UH, CHARLES, AMY CAN STAY HERE WITH ME. 1053 00:48:06,751 --> 00:48:07,752 IT'S OK. 1054 00:48:07,752 --> 00:48:09,955 LIKE I SAID, A SAINT. 1055 00:48:11,356 --> 00:48:12,991 OK, YOU WIN. 1056 00:48:13,992 --> 00:48:16,094 YOU ALWAYS WIN. 1057 00:48:21,466 --> 00:48:22,467 HOW'S THE PROJECT? 1058 00:48:22,467 --> 00:48:23,468 GREAT. 1059 00:48:29,874 --> 00:48:30,875 [SIGHS] 1060 00:48:30,875 --> 00:48:32,010 SO... 1061 00:48:32,010 --> 00:48:33,778 YEAH. I'M GOING TO HEAD HOME NOW. 1062 00:48:33,778 --> 00:48:37,682 I MEAN, I'M GOING TO HEAD UP THERE TO.... 1063 00:48:37,682 --> 00:48:39,117 I'M GOING TO BED. 1064 00:48:39,117 --> 00:48:40,385 YEAH. ARE YOU SURE? 1065 00:48:40,385 --> 00:48:44,322 BE ASLEEP AS SOON AS MY HEAD HITS THE PILLOW. 1066 00:48:47,025 --> 00:48:49,294 THIS PLACE IS SUCH A DUMP. 1067 00:48:49,294 --> 00:48:51,062 I FEEL LIKE I'M GOING TO CATCH SOMETHING. 1068 00:48:51,062 --> 00:48:52,263 SHUT UP, CHUCK. 1069 00:48:53,064 --> 00:48:55,266 [AMY AND CHARLES CHATTERING] 1070 00:49:00,071 --> 00:49:02,473 [GLASS CLATTERS] 1071 00:49:05,676 --> 00:49:07,645 [BOTH LAUGH] 1072 00:49:07,645 --> 00:49:09,214 SHIT. 1073 00:49:09,214 --> 00:49:11,983 SHIT, SHIT, SHIT. 1074 00:49:11,983 --> 00:49:12,984 SHIT. 1075 00:49:12,984 --> 00:49:15,186 [OBJECTS CLATTER] 1076 00:49:17,155 --> 00:49:19,224 [ROCK MUSIC PLAYING] 1077 00:49:19,224 --> 00:49:20,958 * WHO'S TO BLAME? * 1078 00:49:20,958 --> 00:49:22,127 * IT'S NOT YOUR FAULT * 1079 00:49:22,127 --> 00:49:24,329 * THEY DON'T REMEMBER YOUR NAME * 1080 00:49:25,130 --> 00:49:27,332 [AMY AND CHARLES LAUGH] 1081 00:49:28,366 --> 00:49:29,667 [RADIO CHANGING STATIONS] 1082 00:49:29,667 --> 00:49:32,037 DJ: HEY, ALL RIGHT, IT'S 7:07, CHICAGO. 1083 00:49:32,037 --> 00:49:33,804 WAKE UP! YEAH, YOU, DIMWIT. 1084 00:49:33,804 --> 00:49:36,241 YOU IDIOT, YOU MORON, YOU A-HOLE. 1085 00:49:36,241 --> 00:49:38,343 GO TO YOUR CRAPPY JOB NOW. 1086 00:49:38,343 --> 00:49:39,844 GO PUT ON YOUR CRUSTY UNDERWEAR 1087 00:49:39,844 --> 00:49:40,845 AND YOUR BLUE COLLAR SHIRT. 1088 00:49:40,845 --> 00:49:41,879 [STATIC] 1089 00:49:41,879 --> 00:49:43,514 [GLASS BREAKS] 1090 00:49:43,514 --> 00:49:45,516 [HEAVY BREATHING] 1091 00:50:04,969 --> 00:50:06,204 HEY. HEY. 1092 00:50:08,406 --> 00:50:09,874 DOES HE KNOW THAT HE'S UPSIDE-DOWN? 1093 00:50:09,874 --> 00:50:11,776 [BREATHING STOPS] 1094 00:50:11,776 --> 00:50:12,843 YOGA. 1095 00:50:12,843 --> 00:50:15,080 YOGA. RIGHT, YOGA. 1096 00:50:15,080 --> 00:50:17,315 THE NEW TYCOON SPENT THE NIGHT ON YOUR COUCH. 1097 00:50:17,315 --> 00:50:18,316 I HOPE YOU DON'T MIND. 1098 00:50:18,316 --> 00:50:20,585 NO, NO. YEAH, NO. 1099 00:50:23,888 --> 00:50:25,323 [BREATHES RHYTHMICALLY] 1100 00:50:25,323 --> 00:50:27,425 DO YOU WANT SOME COFFEE? 1101 00:50:27,425 --> 00:50:29,427 SHH! 1102 00:50:32,263 --> 00:50:36,267 I'LL JUST GET YOU A NICE CUP OF DECAF. 1103 00:50:38,469 --> 00:50:40,505 HAVE YOU BOYS BOTH FINISHED YOUR HOMEWORK? 1104 00:50:40,505 --> 00:50:41,539 CUTE. 1105 00:50:41,539 --> 00:50:43,574 DON'T FIGHT WITH THE OTHER KIDS ON THE BUS. 1106 00:50:49,414 --> 00:50:51,149 WHAT ARE YOU DOING TONIGHT? 1107 00:50:51,149 --> 00:50:52,417 GOING OUT WITH SOME FRIENDS. 1108 00:50:52,417 --> 00:50:54,452 GREAT. SOUNDS LIKE FUN. 1109 00:50:54,452 --> 00:50:55,453 MM-HMM. 1110 00:50:56,654 --> 00:50:58,389 CIAO. 1111 00:50:58,389 --> 00:50:59,390 CIAO. 1112 00:51:00,191 --> 00:51:01,826 WHAT ARE YOU DOING TONIGHT? 1113 00:51:01,826 --> 00:51:03,060 GOING OUT WITH HER FRIENDS. 1114 00:51:03,060 --> 00:51:05,296 GREAT. SOUNDS LIKE FUN. 1115 00:51:07,932 --> 00:51:10,701 [HONKS HORN] 1116 00:51:10,701 --> 00:51:12,703 [RINGS BELL] 1117 00:51:15,740 --> 00:51:18,008 AND WHAT ABOUT WORKING FOR MR. CHARLES NEWMAN? 1118 00:51:18,008 --> 00:51:19,677 IS HE EVERYTHING HE'S REPUTED TO BE? 1119 00:51:19,677 --> 00:51:22,547 OH, EVERYTHING AND MORE. 1120 00:51:22,547 --> 00:51:23,581 MORE. 1121 00:51:23,581 --> 00:51:25,283 I UNDERSTAND YOU'RE AN OPENLY GAY FIRM. 1122 00:51:25,283 --> 00:51:27,252 DO YOU FEEL THIS WILL HAVE ANY IMPACT 1123 00:51:27,252 --> 00:51:28,686 ON THE COMPETITION, 1124 00:51:28,686 --> 00:51:29,887 PETER? 1125 00:51:29,887 --> 00:51:32,157 WE JUST TRY AND DO OUR JOBS. 1126 00:51:32,157 --> 00:51:33,358 OSCAR? 1127 00:51:34,292 --> 00:51:35,526 I DON'T THINK IT'S IMPORTANT 1128 00:51:35,526 --> 00:51:37,262 WHAT OTHER PEOPLE THINK OF US PERSONALLY. 1129 00:51:37,262 --> 00:51:38,529 YES, BUT DON'T YOU FEEL 1130 00:51:38,529 --> 00:51:40,765 THAT YOU HAVE A CERTAIN RESPONSIBILITY 1131 00:51:40,765 --> 00:51:41,766 AS A GAY PROFESSIONAL? 1132 00:51:41,766 --> 00:51:42,967 NO. 1133 00:51:42,967 --> 00:51:44,635 IF WE'RE TALENTED, WE SHOULDN'T HAVE TO BACK THAT UP 1134 00:51:44,635 --> 00:51:46,437 BY PRETENDING TO BE SOMETHING WE'RE NOT. 1135 00:51:46,437 --> 00:51:49,607 PEOPLE HAVE TO UNDERSTAND THAT WE ARE INDIVIDUALS. 1136 00:51:49,607 --> 00:51:51,876 WHO CARES IF WE'RE GAY OR STRAIGHT? 1137 00:51:51,876 --> 00:51:54,545 WHY CAN'T PEOPLE JUST ACCEPT US FOR WHO WE ARE? 1138 00:51:56,614 --> 00:51:59,817 YOU DO KNOW YOU'RE NOT GAY, RIGHT? 1139 00:52:03,053 --> 00:52:04,689 [MUSIC PLAYING] 1140 00:52:04,689 --> 00:52:05,656 YOU KNOW WHAT? 1141 00:52:05,656 --> 00:52:07,725 I THINK YOU'VE BEEN WORKING TOO HARD. 1142 00:52:07,725 --> 00:52:09,527 YOU NEED TO RELAX. 1143 00:52:12,330 --> 00:52:14,832 I HAVE A SURPRISE FOR YOU. 1144 00:52:14,832 --> 00:52:15,833 FOR ME? 1145 00:52:15,833 --> 00:52:17,067 MM-HMM... 1146 00:52:17,067 --> 00:52:18,836 AND THERE HE IS. 1147 00:52:19,970 --> 00:52:21,672 THAT'S KEVIN CARTWRIGHT. 1148 00:52:21,672 --> 00:52:23,541 YOU TWO HAVE MET BEFORE, RIGHT? 1149 00:52:23,541 --> 00:52:25,243 OH, YEAH. 1150 00:52:25,243 --> 00:52:27,111 REMEMBER THE MIAMI GAME, '93? 1151 00:52:27,111 --> 00:52:28,746 180 YARDS-- UNBELIEVABLE. 1152 00:52:28,746 --> 00:52:30,248 WELL, ACTUALLY, IT WAS, LIKE, 150, 1153 00:52:30,248 --> 00:52:32,383 BUT WHO CARES ABOUT A COUPLE YARDS, YOU KNOW? 1154 00:52:32,383 --> 00:52:34,084 YOU'RE THE MAN. [LAUGHS] 1155 00:52:34,084 --> 00:52:35,119 THAT'S KEVIN CARTWRIGHT 1156 00:52:35,119 --> 00:52:36,321 RIGHT HERE. 1157 00:52:36,321 --> 00:52:37,988 DIDN'T YOU--YOU BROKE YOUR HAND, RIGHT? 1158 00:52:37,988 --> 00:52:39,390 NO, NO, NO, I SPRAINED MY HAND. 1159 00:52:39,390 --> 00:52:40,558 WHAT'S UP, MAN? 1160 00:52:40,558 --> 00:52:41,659 AND THEN YOU GAINED ANOTHER 50 YARDS. 1161 00:52:41,659 --> 00:52:43,994 THAT'S 230 YARDS IN A GAME, MY MAN. 1162 00:52:43,994 --> 00:52:45,496 MMM, I DON'T KNOW ABOUT THAT. 1163 00:52:45,496 --> 00:52:46,897 YOU KNOW WHAT'S AMAZING? BASEBALL PLAYER, 1164 00:52:46,897 --> 00:52:48,165 IF HE STUBS HIS TOE, 1165 00:52:48,165 --> 00:52:50,134 HE'S ON THE DISABLED LIST FOR, LIKE, 9 YEARS. 1166 00:52:50,134 --> 00:52:51,736 I DON'T EVEN KNOW ANY BASEBALL PLAYERS. 1167 00:52:51,736 --> 00:52:52,737 HEY! 1168 00:52:54,472 --> 00:52:55,606 I'D LOVE TO STAY AND TALK, 1169 00:52:55,606 --> 00:52:58,276 BUT I'M BORED OUT OF MY MIND. 1170 00:52:58,276 --> 00:52:59,444 NO. BEHAVE YOURSELVES. 1171 00:52:59,444 --> 00:53:02,079 OK. I LOVE THAT GIRL. 1172 00:53:02,079 --> 00:53:03,348 THAT'S A GOOD GIRL. 1173 00:53:03,348 --> 00:53:04,982 LISTEN, YOU'RE NOT GOING TO YELL MY NAME OUT 1174 00:53:04,982 --> 00:53:05,983 NO MORE, ARE YOU? 1175 00:53:05,983 --> 00:53:07,252 OH, NO, NO, I'M FINISHED. 1176 00:53:07,252 --> 00:53:08,819 AH, COOL. SO, YOU WANT TO GET ANOTHER ROUND? 1177 00:53:08,819 --> 00:53:10,054 ABSOLUTELY. ALL RIGHT. 1178 00:53:10,054 --> 00:53:11,055 THAT'S KEVIN CARTWRIGHT RIGHT THERE. 1179 00:53:11,055 --> 00:53:12,790 [LAUGHS] 1180 00:53:12,790 --> 00:53:14,158 7 SECONDS LEFT. 1181 00:53:14,158 --> 00:53:16,160 20 YARDS FOR A SCORE. 1182 00:53:16,160 --> 00:53:17,295 WAITING ON PLAY FOR THE SET. 1183 00:53:17,295 --> 00:53:18,529 SET! HUT, HUT! 1184 00:53:18,529 --> 00:53:21,065 AND HE'S GOT SOME RUNNING ROOM. 1185 00:53:21,065 --> 00:53:22,166 * BOP, BIM, BOW * 1186 00:53:22,166 --> 00:53:23,200 HIKE! 1187 00:53:23,200 --> 00:53:24,835 HA HA HA! HEY! 1188 00:53:26,437 --> 00:53:28,473 [BOTH LAUGHING] 1189 00:53:30,275 --> 00:53:31,542 OH... 1190 00:53:34,712 --> 00:53:35,713 OSCAR. 1191 00:53:37,147 --> 00:53:38,449 KEVIN. 1192 00:53:38,449 --> 00:53:42,253 OSCAR, I GOT TO TELL YOU SOMETHING. 1193 00:53:42,253 --> 00:53:44,054 I'M VERY ATTRACTED TO YOU. 1194 00:53:44,054 --> 00:53:47,091 AND THAT'S A FOOTBALL TERM FOR... 1195 00:53:47,091 --> 00:53:49,927 I'M VERY ATTRACTED TO YOU. 1196 00:53:56,301 --> 00:53:57,535 EVIDENTLY. 1197 00:54:00,204 --> 00:54:02,072 HEY, YOU KNOW WHAT? I CAN'T BREATHE. 1198 00:54:02,072 --> 00:54:03,073 OH. YEAH. 1199 00:54:03,073 --> 00:54:04,809 THERE WE GO. 1200 00:54:04,809 --> 00:54:06,444 OH, SEE, I TOLD AMY 1201 00:54:06,444 --> 00:54:07,878 HOW I FELT WHEN WE FIRST MET. 1202 00:54:07,878 --> 00:54:09,614 THAT'S WHY SHE SET THIS WHOLE THING UP. 1203 00:54:09,614 --> 00:54:11,816 OH, HOW VERY NICE OF HER. 1204 00:54:13,284 --> 00:54:15,820 LOOK, I'M A LITTLE NEW AT THIS. 1205 00:54:15,820 --> 00:54:18,889 I ONLY REALIZED I WAS GAY A COUPLE YEARS AGO, 1206 00:54:18,889 --> 00:54:21,492 AFTER AMY AND I BROKE UP. 1207 00:54:22,627 --> 00:54:24,061 I MEAN, IF YOU CAN'T FALL IN LOVE WITH HER, 1208 00:54:24,061 --> 00:54:25,296 YOU MUST BE GAY, RIGHT? 1209 00:54:25,296 --> 00:54:27,164 [LAUGHS] 1210 00:54:27,164 --> 00:54:28,433 YEAH, WELL... 1211 00:54:28,433 --> 00:54:30,568 LOOK, I ONLY LIVE A COUPLE BLOCKS FROM HERE. 1212 00:54:30,568 --> 00:54:33,070 DO YOU WANT TO COME BY FOR ANOTHER DRINK? 1213 00:54:33,070 --> 00:54:34,905 OH, THAT'S VERY FLATTERING. 1214 00:54:39,610 --> 00:54:41,379 BUT YOU KNOW WHAT? THE-- 1215 00:54:41,379 --> 00:54:44,014 THE TRUTH IS, I'M--I'M IN LOVE WITH SOMEBODY ELSE. 1216 00:54:45,883 --> 00:54:46,917 OH. 1217 00:54:46,917 --> 00:54:48,353 YEAH. I MEAN, I THINK YOU'RE REALLY GREAT, 1218 00:54:48,353 --> 00:54:51,221 BUT I'M KIND OF HEAD OVER HEELS, YOU KNOW? 1219 00:54:51,221 --> 00:54:52,857 I'M--I'M SORRY. 1220 00:54:53,658 --> 00:54:56,160 IF--IF AMY HAD JUST TOLD ME, I WOULD'VE-- 1221 00:54:56,160 --> 00:54:57,995 YEAH, WELL, ACTUALLY, THIS PERSON 1222 00:54:57,995 --> 00:55:00,398 IS COMPLETELY INVOLVED WITH SOMEBODY ELSE, 1223 00:55:00,398 --> 00:55:02,800 SO THERE'S NO HOPE. 1224 00:55:06,003 --> 00:55:08,272 BUT I--I JUST... 1225 00:55:08,272 --> 00:55:10,808 CAN'T HELP THE WAY THAT I FEEL, YOU KNOW? 1226 00:55:10,808 --> 00:55:12,543 POOR GUY. 1227 00:55:14,779 --> 00:55:15,780 THAT'S AWFUL. 1228 00:55:19,684 --> 00:55:22,019 OH, HEY, YEAH. THANKS. 1229 00:55:24,154 --> 00:55:26,357 [SIGHS] 1230 00:55:28,258 --> 00:55:29,460 KEVIN. 1231 00:55:31,862 --> 00:55:32,863 KEVIN? 1232 00:55:34,699 --> 00:55:36,066 KEV? 1233 00:55:36,066 --> 00:55:38,068 [DOOR CLOSES] 1234 00:55:42,072 --> 00:55:44,208 I DID NOT... 1235 00:55:44,208 --> 00:55:46,043 ASK YOU... 1236 00:55:46,043 --> 00:55:47,244 TO DO THAT. 1237 00:55:47,244 --> 00:55:49,447 Amy: YOU DON'T HAVE TO YELL THROUGH THE DOOR, OSCAR. 1238 00:55:49,447 --> 00:55:50,915 ARE YOU DECENT? 1239 00:55:50,915 --> 00:55:51,916 YES. 1240 00:55:55,252 --> 00:55:57,922 LISTEN, OSCAR, I MEANT WELL. I JUST KNEW YOU WERE LONELY. 1241 00:55:57,922 --> 00:55:59,023 YEAH, OK. 1242 00:55:59,023 --> 00:56:00,691 JUST... 1243 00:56:00,691 --> 00:56:02,226 DON'T EVER DO THAT TO ME AGAIN. 1244 00:56:02,226 --> 00:56:03,428 OK. 1245 00:56:03,428 --> 00:56:04,695 I'M SORRY. 1246 00:56:04,695 --> 00:56:05,830 OK. 1247 00:56:07,832 --> 00:56:09,600 CAN YOU DO ME A FAVOR AND NOT TELL ANYONE ABOUT KEVIN? 1248 00:56:09,600 --> 00:56:11,469 HE'S STILL TRYING TO FIGURE THINGS OUT FOR HIMSELF. 1249 00:56:11,469 --> 00:56:13,938 BELIEVE ME, MUM IS THE WORD. 1250 00:56:13,938 --> 00:56:15,072 THE WORD IS MUM. 1251 00:56:15,072 --> 00:56:16,407 COME IN. 1252 00:56:18,909 --> 00:56:20,845 SO, WHAT IS IT? HE'S NOT YOUR TYPE? 1253 00:56:23,614 --> 00:56:26,083 HE--HE HAS, UM... 1254 00:56:26,083 --> 00:56:27,785 UH, NO. 1255 00:56:27,785 --> 00:56:29,987 NO. I--I PREFER TO DATE PEOPLE 1256 00:56:29,987 --> 00:56:31,556 WHO ARE A LITTLE... 1257 00:56:31,556 --> 00:56:33,724 A LITTLE MORE... 1258 00:56:33,724 --> 00:56:35,826 I DON'T KNOW.NOT SO BIG AND TALL? 1259 00:56:35,826 --> 00:56:37,895 EXACTLY. 1260 00:56:37,895 --> 00:56:39,930 WHAT ARE YOUR THOUGHTS ON PENIS SIZE? 1261 00:56:43,501 --> 00:56:45,035 DO YOU KNOW, UM... 1262 00:56:45,035 --> 00:56:46,370 I HAVEN'T EXACTLY 1263 00:56:46,370 --> 00:56:48,338 ORGANIZED MY THOUGHTS ON THAT YET. 1264 00:56:48,338 --> 00:56:49,640 JUST BETWEEN YOU AND ME, 1265 00:56:49,640 --> 00:56:51,308 WHEN I WAS DATING KEVIN, WE HAD A REAL PROBLEM. 1266 00:56:51,308 --> 00:56:53,911 HE HAS THIS GIANT THING. 1267 00:56:53,911 --> 00:56:55,480 NO KIDDING. 1268 00:56:55,480 --> 00:56:57,414 I WAS SURPRISED WHEN KEVIN TOLD ME HE WAS GAY. 1269 00:56:57,414 --> 00:56:59,249 GUESS YOU CAN'T ALWAYS TELL. 1270 00:56:59,249 --> 00:57:00,284 CAN YOU PASS ME THE RAZOR? 1271 00:57:00,284 --> 00:57:01,719 UH, YEAH. 1272 00:57:04,354 --> 00:57:05,590 I'M GOING TO GO. 1273 00:57:05,590 --> 00:57:07,525 ACTUALLY, I HAD A LESBIAN EXPERIENCE ONCE. 1274 00:57:07,525 --> 00:57:10,127 REALLY? MM-HMM. 1275 00:57:10,127 --> 00:57:11,596 YOU DID? 1276 00:57:12,497 --> 00:57:14,932 YEAH. IT WAS IN COLLEGE. 1277 00:57:14,932 --> 00:57:15,966 THERE WAS THIS BRAZILIAN GIRL 1278 00:57:15,966 --> 00:57:18,002 IN MY INTRO PHILOSOPHY CLASS. 1279 00:57:18,002 --> 00:57:19,470 AND, UH... 1280 00:57:19,470 --> 00:57:20,538 ONE NIGHT, WE WERE STUDYING, 1281 00:57:20,538 --> 00:57:21,772 AND WE WERE SITTING ON HER BED, 1282 00:57:21,772 --> 00:57:24,909 AND HER HAIR ACCIDENTALLY BRUSHED MY HAND. 1283 00:57:24,909 --> 00:57:26,376 AND ALL OF THE SUDDEN, I NOTICED 1284 00:57:26,376 --> 00:57:28,479 HOW AMAZING SHE LOOKED-- 1285 00:57:28,479 --> 00:57:31,281 OLIVE SKIN AND THESE INCREDIBLE BEE-STUNG LIPS 1286 00:57:31,281 --> 00:57:33,551 AND THESE BEAUTIFUL... 1287 00:57:33,551 --> 00:57:34,985 WELL, YOU KNOW HOW IT IS IN COLLEGE. 1288 00:57:34,985 --> 00:57:36,186 WE EXPERIMENTED. 1289 00:57:38,255 --> 00:57:40,491 YEAH. YOU HAD A... 1290 00:57:40,491 --> 00:57:41,826 WELL, GOOD FOR YOU, I SAY. 1291 00:57:41,826 --> 00:57:44,061 I'M--I'M SAYING GOOD FOR YOU. 1292 00:57:44,061 --> 00:57:46,931 YOU KNOW, I COULD NEVER TELL A STRAIGHT GUY THAT. 1293 00:57:46,931 --> 00:57:48,599 HE WOULD START ASKING REALLY CREEPY QUESTIONS, 1294 00:57:48,599 --> 00:57:49,700 TRYING TO WEASEL OUT DETAILS. 1295 00:57:49,700 --> 00:57:52,036 AW, THAT'S WEIRD. THAT IS SICK... 1296 00:57:52,036 --> 00:57:53,437 AND--AND WEIRD. 1297 00:57:53,437 --> 00:57:54,705 MEN HAVE THESE STUPID 1298 00:57:54,705 --> 00:57:56,306 PENTHOUSE, SPICE CHANNEL FANTASIES 1299 00:57:56,306 --> 00:57:57,608 ABOUT 2 WOMEN TOGETHER, 1300 00:57:57,608 --> 00:57:59,243 WITH GARTER BELTS AND PUSH-UP BRAS 1301 00:57:59,243 --> 00:58:01,411 AND HIGH HEELS. 1302 00:58:01,411 --> 00:58:03,548 THAT'S JUST NOT HOW IT HAPPENS. 1303 00:58:03,548 --> 00:58:05,149 WELL, OF COURSE NOT. 1304 00:58:06,150 --> 00:58:08,052 WHAT HAPPENS IS... 1305 00:58:08,052 --> 00:58:09,687 IT WAS JUST DIFFERENT. 1306 00:58:09,687 --> 00:58:12,557 SHE WAS PASSIONATE AND SENSITIVE. 1307 00:58:14,592 --> 00:58:16,627 WOW, LISTEN TO ME. 1308 00:58:16,627 --> 00:58:18,128 THIS MUST BE SO BORING FOR YOU. 1309 00:58:18,128 --> 00:58:19,864 NO. 1310 00:58:19,864 --> 00:58:22,499 NO. I MEAN, IT'S NOT-- IT'S NOT THAT BORING. 1311 00:58:22,499 --> 00:58:23,868 WELL, WE DID DO ONE THING 1312 00:58:23,868 --> 00:58:26,036 THAT WAS KIND OF LIKE THOSE STUPID MALE FANTASIES. 1313 00:58:26,036 --> 00:58:27,572 YOU DID? 1314 00:58:27,572 --> 00:58:29,473 YEAH. IT WAS REALLY... 1315 00:58:29,473 --> 00:58:30,775 OH, I CAN'T EVEN SAY IT. 1316 00:58:30,775 --> 00:58:31,976 OH, SURE--SURE, YOU CAN. 1317 00:58:31,976 --> 00:58:33,878 WE'RE JUST A COUPLE OF GIRLFRIENDS HERE. 1318 00:58:35,445 --> 00:58:36,847 OK. 1319 00:58:36,847 --> 00:58:38,448 OK, COME HERE. I'LL WHISPER IT IN YOUR EAR. 1320 00:58:38,448 --> 00:58:39,784 OK. 1321 00:58:41,586 --> 00:58:43,754 [WHISPERING] 1322 00:58:48,058 --> 00:58:49,026 [LAUGHING] 1323 00:58:49,026 --> 00:58:51,228 HAND ME MY TOWEL, WOULD YA? 1324 00:58:51,228 --> 00:58:52,797 OK. SURE. 1325 00:58:55,600 --> 00:58:56,901 TURN AROUND. 1326 00:58:56,901 --> 00:58:58,002 OK. 1327 00:59:13,283 --> 00:59:15,019 MAN, IT'S HOT IN HERE. 1328 00:59:16,887 --> 00:59:18,088 DJ: ALL RIGHT, CHICAGO, 1329 00:59:18,088 --> 00:59:19,757 I GOTTA GET SOMETHING OFF MY CHEST HERE. 1330 00:59:19,757 --> 00:59:22,026 I DON'T CARE ABOUT YOUR SEXUAL ORIENTATION. 1331 00:59:22,026 --> 00:59:23,761 I DON'T CARE IF YOU'RE IN THE CLOSET, 1332 00:59:23,761 --> 00:59:24,862 OUT OF THE CLOSET, IN A DUNGEON, 1333 00:59:24,862 --> 00:59:26,496 DOWN A MINE SHAFT, ON A BROOMSTICK. 1334 00:59:26,496 --> 00:59:29,667 I DON'T CARE! JUST PLEASE, DO YOUR JOB. 1335 00:59:29,667 --> 00:59:31,035 WHO IS THIS WHINY BASTARD 1336 00:59:31,035 --> 00:59:33,003 ON THE FRONT PAGE OF THE BUSINESS SECTION? 1337 00:59:33,003 --> 00:59:35,205 DID YOU SEE HIM? OSCAR NOVAK. 1338 00:59:35,205 --> 00:59:38,308 HE IS A COMPLAINING, COMPLAINING, COMPLAINING MORON. 1339 00:59:38,308 --> 00:59:41,245 EVEN IF I WAS A MINCING, LIMP-WRISTED GAY, 1340 00:59:41,245 --> 00:59:43,513 I WOULDN'T TELL THE WHOLE CITY ABOUT IT. 1341 00:59:43,513 --> 00:59:44,749 WHAT ARE YOU-- 1342 00:59:44,749 --> 00:59:45,816 AAH! [GROANS] 1343 00:59:45,816 --> 00:59:47,785 OH, MY GOD! THIS IS SO EXCITING. 1344 00:59:47,785 --> 00:59:49,253 TALK ABOUT GREAT PUBLICITY. 1345 00:59:49,253 --> 00:59:51,656 GOOD HAIR, TOO. 1346 00:59:51,656 --> 00:59:54,792 Michael Dees: * WELL, I THINK I'M GOIN' OUT OF MY HEAD * 1347 00:59:54,792 --> 00:59:57,161 Bill: PUSH UP, PUSH UP, PUSH UP, PUSH UP. 1348 00:59:57,161 --> 00:59:58,295 GOOD, GOOD. 1349 00:59:58,295 --> 01:00:00,665 * YES, I THINK I'M GOIN' OUT OF MY HEAD * 1350 01:00:00,665 --> 01:00:04,401 * OVER YOU * 1351 01:00:04,401 --> 01:00:06,671 * OVER YOU * 1352 01:00:06,671 --> 01:00:08,639 UHH! [GAGGING] 1353 01:00:08,639 --> 01:00:11,275 HE WAS DEFINITELY STRAIGHT BEFORE, RIGHT? 1354 01:00:11,275 --> 01:00:12,810 YEAH, WELL, HE AND PETER 1355 01:00:12,810 --> 01:00:14,679 DO SPEND A LOT OF TIME TOGETHER. 1356 01:00:14,679 --> 01:00:16,213 MR. NEWMAN. 1357 01:00:16,213 --> 01:00:18,615 * DON'T EVEN KNOW THAT I EXIST * 1358 01:00:18,615 --> 01:00:19,616 MM-MMM. 1359 01:00:19,616 --> 01:00:20,651 [GRUNTS] 1360 01:00:20,651 --> 01:00:23,520 DO WE HAVE ANY NEWCOMERS TODAY? 1361 01:00:23,520 --> 01:00:27,291 HI. I'M ZACK. 1362 01:00:27,291 --> 01:00:28,358 AND I'M... 1363 01:00:28,358 --> 01:00:30,294 GAY? 1364 01:00:30,294 --> 01:00:32,129 Man: HI, ZACK. 1365 01:00:32,129 --> 01:00:33,831 NO. I'M NOT... 1366 01:00:37,601 --> 01:00:40,570 * GOIN' OUT OF MY HEAD * 1367 01:00:40,570 --> 01:00:42,439 * OVER YOU * 1368 01:00:42,439 --> 01:00:45,142 * OUT OF MY HEAD * 1369 01:00:45,142 --> 01:00:46,243 * OVER YOU * 1370 01:00:46,243 --> 01:00:48,445 * OUT OF MY HEAD * 1371 01:00:48,445 --> 01:00:49,980 * DAY AND NIGHT * 1372 01:00:49,980 --> 01:00:52,082 * NIGHT AND DAY AND NIGHT * 1373 01:00:52,082 --> 01:00:53,117 WHAT? 1374 01:00:53,117 --> 01:00:55,619 AAH! OW! OW! 1375 01:00:55,619 --> 01:00:58,923 AH HA HA HA HA HA! 1376 01:00:58,923 --> 01:01:02,192 * INTO YOUR HEART * 1377 01:01:03,027 --> 01:01:05,562 * THERE'S NO REASON WHY * 1378 01:01:05,562 --> 01:01:07,497 * MY BEIN' SHY * 1379 01:01:07,497 --> 01:01:10,300 * SHOULD KEEP US APART * 1380 01:01:11,401 --> 01:01:14,338 * GOIN' OUT OF MY HEAD * 1381 01:01:14,338 --> 01:01:15,740 * OVER YOU * 1382 01:01:15,740 --> 01:01:18,475 * OUT OF MY HEAD * 1383 01:01:18,475 --> 01:01:20,377 * OVER YOU * 1384 01:01:20,377 --> 01:01:22,279 * OUT OF MY HEAD * 1385 01:01:22,279 --> 01:01:23,914 * DAY AND NIGHT * 1386 01:01:23,914 --> 01:01:26,616 * NIGHT AND DAY AND NIGHT * 1387 01:01:26,616 --> 01:01:28,618 * WRONG OR RIGHT * 1388 01:01:28,618 --> 01:01:31,488 * I WANT YOU * 1389 01:01:31,488 --> 01:01:33,623 * TO WANT ME * 1390 01:01:33,623 --> 01:01:35,960 * I NEED YOU SO BADLY * 1391 01:01:35,960 --> 01:01:39,997 * I CAN'T THINK OF ANYTHING BUT YOU * 1392 01:01:43,768 --> 01:01:44,902 THOUGHT WE... 1393 01:01:44,902 --> 01:01:46,871 KINDA HAD A MOMENT THERE. 1394 01:01:48,305 --> 01:01:49,673 OH. OH, US. 1395 01:01:49,673 --> 01:01:51,842 NO, NO. NO, WE DIDN'T HAVE A MOMENT. 1396 01:01:51,842 --> 01:01:53,510 NO, I WAS THERE. NO MOMENT. 1397 01:01:53,510 --> 01:01:54,979 HA. 1398 01:01:54,979 --> 01:01:57,381 HEY, YOU WORK OUT, DON'T YOU? 1399 01:01:57,381 --> 01:01:58,315 EXCUSE ME? 1400 01:01:58,315 --> 01:01:59,950 WELL, YOU LOOK EVEN BETTER IN PERSON 1401 01:01:59,950 --> 01:02:01,618 THAN YOU DO IN THE PAPER. 1402 01:02:01,618 --> 01:02:02,820 YOU'RE IN GREAT SHAPE. 1403 01:02:02,820 --> 01:02:04,088 HEY, WELL, THANKS, THANKS. 1404 01:02:04,088 --> 01:02:06,623 * GOIN' OUT OF MY HEAD OVER YOU * 1405 01:02:06,623 --> 01:02:08,893 * OUT OF MY HEAD * 1406 01:02:08,893 --> 01:02:10,828 * OVER YOU * 1407 01:02:10,828 --> 01:02:12,529 * OUT OF MY HEAD * 1408 01:02:12,529 --> 01:02:14,564 * DAY AND NIGHT * 1409 01:02:14,564 --> 01:02:16,700 * NIGHT AND DAY AND NIGHT * 1410 01:02:16,700 --> 01:02:18,335 * WRONG OR RIGHT * 1411 01:02:18,335 --> 01:02:19,603 [RINGS BELL] 1412 01:02:19,603 --> 01:02:21,338 * WRONG OR RIGHT * 1413 01:02:21,338 --> 01:02:24,809 Announcer: CLARKSON BACK TO PASS... 1414 01:02:24,809 --> 01:02:26,811 AND HE HITS WILLHIDE UP THE MIDDLE. 1415 01:02:26,811 --> 01:02:28,678 HE BREAKS THE TACKLE, STUMBLES INTO THE 20... 1416 01:02:28,678 --> 01:02:29,679 YES! 1417 01:02:29,679 --> 01:02:32,249 YES! YES! YES! 1418 01:02:36,586 --> 01:02:38,722 FOR THE LAST TIME... 1419 01:02:38,722 --> 01:02:40,357 I'M NOT GAY. 1420 01:02:40,357 --> 01:02:41,725 NO. 1421 01:02:41,725 --> 01:02:42,860 WE KNOW. 1422 01:02:42,860 --> 01:02:45,695 YEAH, OK, BUT YOU DON'T BELIEVE ME. 1423 01:02:45,695 --> 01:02:47,231 NO, WE DO. WE DO. 1424 01:02:47,231 --> 01:02:48,732 YOU KNOW WHAT? THIS IS RIDICULOUS. 1425 01:02:48,732 --> 01:02:50,267 I'VE KNOWN YOU GUYS MY ENTIRE LIFE. 1426 01:02:50,267 --> 01:02:53,003 WHAT WOULD MAKE YOU THINK THAT I'M GAY NOW? 1427 01:02:53,003 --> 01:02:54,805 THE WALL TREATMENTS. 1428 01:02:58,542 --> 01:02:59,844 THE HORS D'OEUVRES. 1429 01:02:59,844 --> 01:03:02,779 YEAH, AND... ALL THE, UH... 1430 01:03:03,780 --> 01:03:05,249 GAY THINGS. 1431 01:03:05,249 --> 01:03:06,450 ALL RIGHT, WHAT IS THE PROBLEM WITH WALL TREATMENTS, OK? 1432 01:03:06,450 --> 01:03:08,285 DO YOU HAVE ANY IDEA HOW DIFFICULT IT IS 1433 01:03:08,285 --> 01:03:10,955 TO DECIDE BETWEEN SPONGING, GLAZING, AND SPACKLING? 1434 01:03:12,656 --> 01:03:13,757 NEVER MIND. 1435 01:03:13,757 --> 01:03:16,193 NO, IT'S OK. 1436 01:03:16,193 --> 01:03:18,896 SOME PEOPLE MIGHT THINK YOU'RE A FREAK... 1437 01:03:18,896 --> 01:03:20,130 BUT NOT ME. 1438 01:03:20,130 --> 01:03:22,432 I PERSONALLY KNEW YOU WERE GAY ALL ALONG. 1439 01:03:22,432 --> 01:03:24,534 I'M JUST GLAD YOU FINALLY FIGURED IT OUT 1440 01:03:24,534 --> 01:03:25,836 FOR YOURSELF. 1441 01:03:25,836 --> 01:03:27,804 YOU REMEMBER WHEN WE WENT SKIING TOGETHER, 1442 01:03:27,804 --> 01:03:29,339 AND THEN WE WENT TO THE HOT TUB AFTERWARDS, 1443 01:03:29,339 --> 01:03:32,142 AND YOU SORT OF BRUSHED UP AGAINST ME, AND... 1444 01:03:32,142 --> 01:03:34,178 YOU DIDN'T SAY ANYTHING, YOU JUST SORT OF... 1445 01:03:34,178 --> 01:03:36,346 LOOKED AT ME KIND OF FUNNY? 1446 01:03:37,181 --> 01:03:39,917 WERE YOU TRYING TO HIT ON ME, MAN? 1447 01:03:39,917 --> 01:03:41,185 OK, YOU KNOW WHAT? YOU'RE RIGHT. 1448 01:03:41,185 --> 01:03:42,920 I'M GAY. I'VE ALWAYS BEEN GAY. 1449 01:03:42,920 --> 01:03:45,189 ALL THESE YEARS OF FRIENDSHIP AND FOOTBALL 1450 01:03:45,189 --> 01:03:47,457 AND ME CHASING AFTER GIRLS--A RUSE, 1451 01:03:47,457 --> 01:03:50,327 A CLEVER LITTLE TRICK JUST TO GET ALL OF YOU INTO BED. 1452 01:03:50,327 --> 01:03:53,830 THAT'S RIGHT. I WANT ALL OF YOU. 1453 01:03:53,830 --> 01:03:56,400 ZACK, WITH YOUR LILTING LITTLE LAUGH. 1454 01:03:56,400 --> 01:03:57,968 BILL, YOUR FARTS, 1455 01:03:57,968 --> 01:04:00,804 THEY'RE LIKE PERFUME TO ME. 1456 01:04:00,804 --> 01:04:02,272 AND, RICK... 1457 01:04:02,272 --> 01:04:04,508 YOU REALLY FIGURED ME OUT, MAN. 1458 01:04:06,710 --> 01:04:08,913 I WANT YOU MOST OF ALL. 1459 01:04:08,913 --> 01:04:11,248 OH, MY GOD. 1460 01:04:11,248 --> 01:04:12,249 OHH! 1461 01:04:12,249 --> 01:04:13,483 AAH! AAH! 1462 01:04:13,483 --> 01:04:15,852 MOM, YOU'RE NOT LISTENING. 1463 01:04:15,852 --> 01:04:17,021 I'M NOT GAY. 1464 01:04:17,021 --> 01:04:19,589 YOU DON'T HAVE TO LIE, SON. 1465 01:04:19,589 --> 01:04:21,225 I'M NOT LYING. 1466 01:04:21,225 --> 01:04:25,162 LOOK, I JUST HAVE TO PRETEND TO BE GAY FOR WORK. 1467 01:04:26,563 --> 01:04:28,032 I KNOW IT SOUNDS CRAZY. 1468 01:04:28,032 --> 01:04:29,699 NO, NO, YOU DID A BRAVE THING, 1469 01:04:29,699 --> 01:04:31,168 AND I THINK IT'S WONDERFUL. 1470 01:04:31,168 --> 01:04:32,569 DAD MUST BE GOING NUTS. 1471 01:04:32,569 --> 01:04:35,772 NO. NO, YOUR FATHER FEELS EXACTLY THE SAME WAY. 1472 01:04:35,772 --> 01:04:37,807 WELL, PUT HIM ON THE PHONE. 1473 01:04:37,807 --> 01:04:40,644 NO. NO, HE CAN'T COME TO THE PHONE 1474 01:04:40,644 --> 01:04:41,645 RIGHT NOW, SWEETHEART. 1475 01:04:41,645 --> 01:04:43,880 HE'S, UH, HE'S BUSY. 1476 01:04:43,880 --> 01:04:45,882 ALL THE MONEY I SPENT ON THAT KID! 1477 01:04:45,882 --> 01:04:47,284 I COULD KILL HIM! 1478 01:04:53,857 --> 01:04:56,961 I'M NEVER GONNA HAVE SEX AGAIN. 1479 01:04:56,961 --> 01:04:59,396 OH, COME ON, OSCAR. OF COURSE YOU WILL. 1480 01:04:59,396 --> 01:05:02,199 JUST MAYBE NOT WITH A WOMAN. 1481 01:05:07,571 --> 01:05:09,906 [TALKING AND LAUGHING] 1482 01:05:09,906 --> 01:05:11,608 HI! HI! 1483 01:05:11,608 --> 01:05:13,143 [GIGGLING] 1484 01:05:13,143 --> 01:05:15,845 HEY, HONEY! HI! 1485 01:05:15,845 --> 01:05:18,282 HI! MMM! 1486 01:05:18,282 --> 01:05:20,050 YOU WANT TO COME HANG OUT WITH US? 1487 01:05:20,050 --> 01:05:22,252 NO. YOU WOULDN'T BELIEVE THE DAY I HAD. 1488 01:05:22,252 --> 01:05:24,754 LISTEN, UM, I MADE YOU SOMETHING. 1489 01:05:24,754 --> 01:05:26,556 OPEN IT UP. 1490 01:05:30,427 --> 01:05:32,496 OH, GOD. 1491 01:05:32,496 --> 01:05:34,764 I'M SO PROUD OF YOU. 1492 01:05:34,764 --> 01:05:36,166 OH, DON'T BE. 1493 01:05:36,166 --> 01:05:38,868 NO. IT WAS-- THAT WAS NOTHING. 1494 01:05:38,868 --> 01:05:40,670 NO, THAT'S NOT TRUE. 1495 01:05:40,670 --> 01:05:43,740 YOU'RE PROUD OF WHO YOU ARE. NOT EVERYONE'S LIKE THAT. 1496 01:05:43,740 --> 01:05:45,042 COME ON. HANG OUT WITH US. 1497 01:05:45,042 --> 01:05:46,910 OH, NO, NO. I'M NOT-- I DON'T WANT TO. 1498 01:05:46,910 --> 01:05:48,312 WE HAVE MARGARITAS. 1499 01:05:51,948 --> 01:05:54,284 EWW! GROSS! 1500 01:05:54,284 --> 01:05:56,820 THE BEST IS, "I'M NOT GONNA USE A LINE ON YOU, BABY." 1501 01:05:56,820 --> 01:05:59,156 UGH, THE ANTI-LINE LINE. I HATE THAT. 1502 01:05:59,156 --> 01:06:00,890 YEAH, THAT IS A STUPID ONE. 1503 01:06:00,890 --> 01:06:02,692 SO, IS IT THE SAME FOR YOU? 1504 01:06:02,692 --> 01:06:04,794 DO YOU GET THE SAME KIND OF COME-ONS AS US? 1505 01:06:04,794 --> 01:06:08,732 OH, UH, WELL, SOMETIMES. 1506 01:06:08,732 --> 01:06:10,467 LIKE THE OTHER DAY... 1507 01:06:10,467 --> 01:06:13,903 I WAS ON THE BUS AND THIS GUY COMES UP TO ME AND SAYS, 1508 01:06:13,903 --> 01:06:15,639 "DO YOU WORK OUT?" 1509 01:06:15,639 --> 01:06:17,241 EWW! UGH! 1510 01:06:17,241 --> 01:06:19,309 THE OLD WORKOUT LINE. 1511 01:06:19,309 --> 01:06:20,810 DOES ANYONE FALL FOR THAT? 1512 01:06:20,810 --> 01:06:22,012 YEAH. 1513 01:06:22,012 --> 01:06:23,947 SHUT UP! 1514 01:06:23,947 --> 01:06:27,917 AND THEN, YOU KNOW, HE'S STARING, 1515 01:06:27,917 --> 01:06:30,554 I MEAN, STARING AT MY BUTT. 1516 01:06:30,554 --> 01:06:32,422 SO I TURN AROUND, AND THEN, OF COURSE, 1517 01:06:32,422 --> 01:06:34,658 MY CROTCH IS RIGHT IN HIS FACE. 1518 01:06:34,658 --> 01:06:35,725 OH, PLEASE! 1519 01:06:35,725 --> 01:06:37,827 SO I TURN AROUND AGAIN AND THEN THERE'S BUTT. 1520 01:06:37,827 --> 01:06:40,397 SO IT'S KIND OF LIKE, BUTT, CROTCH, BUTT, CROTCH, 1521 01:06:40,397 --> 01:06:43,167 BUTT, BUTT, CROTCH, CROTCH! 1522 01:06:43,167 --> 01:06:45,569 AND I'M THINKING, "HEY, PAL, I'M A PERSON. 1523 01:06:45,569 --> 01:06:47,604 I'M NOT AN OBJECT." 1524 01:06:47,604 --> 01:06:49,073 ABSOLUTELY. YEAH. 1525 01:06:49,073 --> 01:06:50,474 I HAVE FEELINGS. 1526 01:06:50,474 --> 01:06:51,808 IT DOESN'T MATTER THAT THE GUY WAS RIGHT. 1527 01:06:51,808 --> 01:06:54,010 I HAPPEN TO HAVE A FINELY-TONED, 1528 01:06:54,010 --> 01:06:55,912 PICTURE-PERFECT, AWARD-WINNING ASS! 1529 01:06:55,912 --> 01:06:57,114 MWAH! 1530 01:06:57,114 --> 01:06:58,448 THERE'S MORE TO ME THAN THAT. 1531 01:06:58,448 --> 01:07:00,950 THAT'S RIGHT, OSCAR! NOT A PIECE OF MEAT! 1532 01:07:00,950 --> 01:07:02,452 WHATEVER HAPPENED TO SUBTLETY? 1533 01:07:02,452 --> 01:07:04,454 WHAT HAPPENED TO TAKING THE TIME 1534 01:07:04,454 --> 01:07:05,822 TO GET TO KNOW SOMEBODY FIRST? 1535 01:07:05,822 --> 01:07:07,557 YEAH! HA HA HA! 1536 01:07:07,557 --> 01:07:10,627 IF ALL MEN WERE GAY, IT WOULD BE ABSOLUTELY PERFECT. 1537 01:07:10,627 --> 01:07:12,696 HA HA HA! 1538 01:07:29,279 --> 01:07:31,281 I LOVE YOU SO MUCH. 1539 01:07:31,281 --> 01:07:33,250 YOU'VE CHANGED MY WHOLE LIFE. 1540 01:07:33,250 --> 01:07:34,651 I WANT TO MAKE YOU HAPPY. 1541 01:07:34,651 --> 01:07:36,420 IT'S THE ONLY THING THAT MATTERS TO BE. 1542 01:07:39,989 --> 01:07:42,426 I'VE GOT SOMETHING TO TELL YOU, TOO. 1543 01:07:43,993 --> 01:07:45,762 I'M GOING TO GET MARRIED. 1544 01:07:52,736 --> 01:07:55,539 YOU KNOW, THERE'S THIS THING I'VE NOTICED. 1545 01:07:55,539 --> 01:07:57,541 IN THE MOVIES, WHENEVERE A GUY ASKS A GIRL OUT, 1546 01:07:57,541 --> 01:07:59,776 SHE ALWAYS SAYS, "I'D LIKE THAT." 1547 01:07:59,776 --> 01:08:03,313 I'VE NEVER HEARD ANYONE SAY THAT IN REAL LIFE EVER. 1548 01:08:03,313 --> 01:08:05,882 YOU KNOW WHAT THE MOST SPOKEN LINE IN MOVIES IS? 1549 01:08:05,882 --> 01:08:06,883 WHAT? 1550 01:08:06,883 --> 01:08:08,285 "LET'S GET OUT OF HERE." 1551 01:08:08,285 --> 01:08:11,121 HUH. IT MAKES SENSE. 1552 01:08:11,121 --> 01:08:12,422 IT WORKS FOR A LOT OF SITUATIONS. 1553 01:08:12,422 --> 01:08:15,292 "THEY'RE SHOOTING AT US. LET'S GET OUTTA HERE." 1554 01:08:15,292 --> 01:08:17,794 "ALIENS HAVE LANDED. LET'S GET OUTTA HERE." 1555 01:08:17,794 --> 01:08:19,929 "I WANT TO MAKE MAD, PASSIONATE LOVE TO YOU. 1556 01:08:19,929 --> 01:08:21,231 LET'S GET OUTTA HERE." 1557 01:08:21,231 --> 01:08:23,367 THOSE ARE ALL GOOD. ESPECIALLY THAT LAST ONE. 1558 01:08:24,768 --> 01:08:25,835 [SQUEAKS] 1559 01:08:25,835 --> 01:08:29,273 UM, WHAT WAS THAT? 1560 01:08:29,273 --> 01:08:30,874 I WAS YAWNING. 1561 01:08:30,874 --> 01:08:32,209 OK. 1562 01:08:33,810 --> 01:08:38,148 OK. YOU'RE TIRED. I'M GONNA LET YOU SLEEP. 1563 01:08:38,148 --> 01:08:40,417 NO, STAY? 1564 01:08:40,417 --> 01:08:41,818 SURE. 1565 01:08:41,818 --> 01:08:44,688 YEAH. 1566 01:08:44,688 --> 01:08:47,090 JUST TILL THE END OF THE MOVIE. 1567 01:08:47,090 --> 01:08:48,925 TV: WILL YOU MARRY ME? 1568 01:08:48,925 --> 01:08:50,960 WILL YOU? 1569 01:08:50,960 --> 01:08:54,564 DO YOU THINK WE'D BE HAPPY? 1570 01:08:54,564 --> 01:08:57,334 NO. BUT WHAT DOES IT MATTER? 1571 01:09:50,654 --> 01:09:52,756 [ORCHESTRA PLAYING TANGO MUSIC] 1572 01:09:52,756 --> 01:09:54,758 [LAUGHTER] 1573 01:09:56,693 --> 01:09:58,695 ABSOLUTELY BEAUTIFULLY- LOCATED SEASON TICKETS, 1574 01:09:58,695 --> 01:10:00,630 AND I'VE LOVE YOU TO BE MY GUEST-- 1575 01:10:00,630 --> 01:10:02,031 VERY EXCITED. 1576 01:10:02,031 --> 01:10:04,401 VERY, VERY EXCITED. 1577 01:10:09,373 --> 01:10:10,840 GREAT PARTY. THANKS. 1578 01:10:10,840 --> 01:10:14,611 VERY EXCITED TO SEE YOUR MODEL. VERY EXCITED. 1579 01:10:14,611 --> 01:10:17,113 WELL, WE JUST HOPE THAT YOU LIKE IT. 1580 01:10:17,113 --> 01:10:18,915 THERE REALLY ARE 1581 01:10:18,915 --> 01:10:22,719 SOME VERY NICE-LOOKING WOMEN HERE TONIGHT. 1582 01:10:22,719 --> 01:10:24,921 WHAT'S YOUR TYPE? 1583 01:10:24,921 --> 01:10:26,523 TYPE OF WHAT? 1584 01:10:26,523 --> 01:10:28,925 IT'S FUNNY. WHEN I FIRST MET YOU GUYS, 1585 01:10:28,925 --> 01:10:31,961 I THOUGHT YOU WERE SUPER-GAY AND OSCAR WAS STRAIGHT. 1586 01:10:31,961 --> 01:10:33,062 I WAS SUPER-GAY? 1587 01:10:33,062 --> 01:10:35,064 HE CLEARED IT UP FOR ME, THOUGH. 1588 01:10:35,064 --> 01:10:36,232 HE DID? 1589 01:10:36,232 --> 01:10:38,635 HE TOLD ME YOU'RE NOT, BUT HE IS, 100%. 1590 01:10:38,635 --> 01:10:42,071 HO HO HO! THAT OSKIE. 1591 01:10:42,071 --> 01:10:45,575 THAT ARTICLE MUST MAKE IT HARD FOR YOU TO MEET GIRLS. 1592 01:10:45,575 --> 01:10:47,611 I DO OK. 1593 01:10:47,611 --> 01:10:50,414 OH, THANKS, MOM, AND THANK YOU FOR COMING. 1594 01:10:50,414 --> 01:10:53,483 DAD, BAR'S RIGHT OVER THERE. 1595 01:11:00,390 --> 01:11:01,991 HI. HI. 1596 01:11:01,991 --> 01:11:03,593 SORRY. [GIGGLES] 1597 01:11:03,593 --> 01:11:05,362 OH, I AM SO EXCITED FOR YOU. 1598 01:11:05,362 --> 01:11:07,531 OH, THANKS. THANKS. 1599 01:11:07,531 --> 01:11:09,966 I'M SORRY I STOLE THE BLANKETS LAST NIGHT. 1600 01:11:09,966 --> 01:11:11,435 YOU STOLE THE BLANKETS. 1601 01:11:11,435 --> 01:11:13,737 YOU HOGGED THE COUCH. IT WASN'T PRETTY. 1602 01:11:13,737 --> 01:11:15,472 AT LEAST YOU GOT THE LEFT SIDE. 1603 01:11:15,472 --> 01:11:16,806 Female announcer: LADIES AND GENTLEMEN, 1604 01:11:16,806 --> 01:11:19,543 THE DECKER AND STRAUSS MODEL IS OPEN FOR VIEWING. 1605 01:11:22,646 --> 01:11:23,647 [GULPS] 1606 01:11:37,060 --> 01:11:38,462 LADIES AND GENTLEMEN, 1607 01:11:38,462 --> 01:11:40,497 THE STEINBERG AND NOVAK MODEL IS OPEN FOR VIEWING. 1608 01:11:46,970 --> 01:11:48,438 IT'S SO BEAUTIFUL. 1609 01:11:56,413 --> 01:11:58,415 MR. STEINBERG, THIS WAY, PLEASE. 1610 01:11:58,415 --> 01:11:59,483 RIGHT HERE, MR. NOVAK. 1611 01:11:59,483 --> 01:12:02,886 OK, GUYS... THAT'S ENOUGH. 1612 01:12:03,820 --> 01:12:05,722 George: SORRY TO INTERRUPT. 1613 01:12:05,722 --> 01:12:07,457 WE'RE WITH THE CHICAGO CHAPTER 1614 01:12:07,457 --> 01:12:09,192 OF THE NATIONAL ASSOCIATION 1615 01:12:09,192 --> 01:12:10,860 OF GAY AND LESBIAN PROFESSIONALS. 1616 01:12:10,860 --> 01:12:12,261 WE HAVE SELECTED YOU 1617 01:12:12,261 --> 01:12:15,932 AS CHICAGO'S "GAY MAN OF THE YEAR." 1618 01:12:15,932 --> 01:12:17,767 CONGRATULATIONS, OSCAR. 1619 01:12:17,767 --> 01:12:19,769 THE CEREMONY IS THIS FRIDAY. 1620 01:12:19,769 --> 01:12:21,371 WE'D LIKE YOU TO GIVE A SHORT SPEECH. 1621 01:12:21,371 --> 01:12:23,673 SOMETHING LIKE WHAT YOU SAID IN THE PAPER. 1622 01:12:23,673 --> 01:12:26,476 SO, WHAT DO YOU SAY? DO YOU ACCEPT? 1623 01:12:30,013 --> 01:12:31,948 OF COURSE HE ACCEPTS. 1624 01:12:32,982 --> 01:12:36,686 I HAVEN'T DONE ANYTHING OR ANYONE TO DESERVE THIS. 1625 01:12:36,686 --> 01:12:38,788 CAN'T THINK OF ANYBODY WHO DESERVES IT MORE. 1626 01:12:38,788 --> 01:12:40,557 GREAT. WE'LL BE IN TOUCH. 1627 01:12:40,557 --> 01:12:42,091 CONGRATULATIONS AGAIN. 1628 01:12:43,092 --> 01:12:45,395 THIS IS GREAT. IT'S PERFECT. 1629 01:12:45,395 --> 01:12:47,997 FIRST OF ALL, I'VE ALREADY DECIDED 1630 01:12:47,997 --> 01:12:50,133 YOU TWO HAVE THE JOB. 1631 01:12:50,133 --> 01:12:51,535 OSCAR GIVES HIS SPEECH, 1632 01:12:51,535 --> 01:12:52,969 I CORNER THE PRESS AND TELL THEM RIGHT THERE 1633 01:12:52,969 --> 01:12:55,472 THAT MY SUPER-GAY MAN OF THE YEAR AND HIS PARTNER 1634 01:12:55,472 --> 01:12:57,807 HAVE BOTH WON. IT'S PERFECT. 1635 01:12:57,807 --> 01:12:59,976 THEN WE HAVE A PRESS CONFERENCE-- 1636 01:13:05,381 --> 01:13:07,984 WOULD SOMEONE TELL ME WHAT AMY IS DOING 1637 01:13:07,984 --> 01:13:09,453 TALKING TO MY WIFE? 1638 01:13:09,453 --> 01:13:11,020 THAT'S YOUR WIFE? 1639 01:13:11,020 --> 01:13:13,156 LET'S GO. 1640 01:13:18,394 --> 01:13:19,395 HI! 1641 01:13:19,395 --> 01:13:21,364 DARLING. 1642 01:13:21,364 --> 01:13:23,467 HI. 1643 01:13:23,467 --> 01:13:25,535 WHAT A SURPRISE. WHAT ARE YOU DOING HERE? 1644 01:13:25,535 --> 01:13:26,936 CONCERT GOT CANCELED. 1645 01:13:26,936 --> 01:13:29,005 YOU KNOW HOW TEMPERAMENTAL CELLISTS ARE, 1646 01:13:29,005 --> 01:13:31,207 AND I'VE ALWAYS HAD AN INTEREST IN THIS PROJECT, 1647 01:13:31,207 --> 01:13:32,542 SO HERE I AM. 1648 01:13:32,542 --> 01:13:33,943 DARLING, I'D LIKE TO INTRODUCE 1649 01:13:33,943 --> 01:13:36,245 OSCAR NOVAK AND PETER STEINBERG. 1650 01:13:36,245 --> 01:13:37,681 CONGRATULATIONS. 1651 01:13:37,681 --> 01:13:39,583 YOUR DESIGN IS SUPERB. 1652 01:13:39,583 --> 01:13:42,586 WE WERE JUST DISCUSSING IT. 1653 01:13:42,586 --> 01:13:45,188 OH, I'M SORRY. 1654 01:13:45,188 --> 01:13:48,324 THIS IS MY GIRLFRIEND AMY, 1655 01:13:48,324 --> 01:13:52,762 AND, AMY, THIS IS MY BOSS CHARLES. 1656 01:13:54,564 --> 01:13:58,034 I'M SORRY. AREN'T YOU GAY? 1657 01:14:00,570 --> 01:14:01,838 EXCUSE ME? 1658 01:14:01,838 --> 01:14:03,540 DIDN'T I READ IN THE PAPER THAT YOU WERE GAY? 1659 01:14:03,540 --> 01:14:07,310 WELL, YES, I AM. 1660 01:14:07,310 --> 01:14:09,646 SOMETIMES. I-- 1661 01:14:09,646 --> 01:14:11,481 OSCAR IS OMNISEXUAL. 1662 01:14:12,381 --> 01:14:15,785 HE SWINGS... EVERY WHICH WAY. 1663 01:14:18,788 --> 01:14:22,626 UH, IF YOU'LL EXCUSE ME. 1664 01:14:25,895 --> 01:14:29,198 SHOULDN'T, UH, YOU GO AFTER HER? 1665 01:14:38,007 --> 01:14:40,343 SAY SOMETHING. 1666 01:14:40,343 --> 01:14:42,211 THAT WASN'T SO BAD. 1667 01:14:42,211 --> 01:14:43,547 IT WASN'T? 1668 01:14:43,547 --> 01:14:46,015 NO. I KNEW IT MIGHT HAPPEN EVENTUALLY AND IT DID. 1669 01:14:46,015 --> 01:14:49,218 LOOK AT ME. I'M STILL STANDING. 1670 01:14:49,218 --> 01:14:50,620 GOOD. YEAH. 1671 01:14:50,620 --> 01:14:53,990 I THINK YOU'RE HANDLING THIS LIKE A REAL CHAMP. 1672 01:14:53,990 --> 01:14:55,224 UH-HUH. 1673 01:14:57,093 --> 01:14:58,695 WHERE ARE WE GOING? 1674 01:14:58,695 --> 01:15:01,464 TO GET REALLY... REALLY DRUNK. 1675 01:15:01,464 --> 01:15:02,465 OK. 1676 01:15:02,465 --> 01:15:06,069 * ONE LAST SLOW BLUES * 1677 01:15:06,936 --> 01:15:10,640 * TO CLOSE THE SHOW * 1678 01:15:11,975 --> 01:15:14,644 * I WATCHED YOU DANCE WITH HER... * 1679 01:15:14,644 --> 01:15:18,548 THING IS, SHE SEEMED SO NICE, YOU KNOW? 1680 01:15:18,548 --> 01:15:20,684 SO PLEASANT AND CHARMING. 1681 01:15:20,684 --> 01:15:22,185 DIDN'T YOU THINK SHE WAS CHARMING? 1682 01:15:22,185 --> 01:15:23,386 I--I DIDN'T-- 1683 01:15:23,386 --> 01:15:26,055 MAYBE SHE DIDN'T EVEN NOTICE THAT ANYTHING WAS WEIRD. 1684 01:15:26,055 --> 01:15:29,058 MAYBE SHE DIDN'T NOTICE THAT-- 1685 01:15:29,058 --> 01:15:32,061 CHARLES DID A GOOD JOB COVERING, RIGHT? 1686 01:15:32,061 --> 01:15:33,362 YEAH. YEAH. 1687 01:15:33,362 --> 01:15:37,000 RIGHT. SO IT'S PROBABLY FINE. 1688 01:15:37,000 --> 01:15:40,570 I'LL JUST PRETEND IT NEVER HAPPENED. 1689 01:15:42,071 --> 01:15:43,539 YEAH. 1690 01:15:43,539 --> 01:15:45,609 IT'S OK. 1691 01:15:46,610 --> 01:15:48,612 I FEEL MUCH BETTER NOW. 1692 01:15:50,146 --> 01:15:51,380 LET'S DANCE. 1693 01:15:51,380 --> 01:15:53,216 OH, UM, WE SHOULDN'T-- 1694 01:15:53,216 --> 01:15:54,884 I'M NOT-- COME ON. 1695 01:15:55,685 --> 01:15:57,220 OOH, WE'RE GONNA DANCE. 1696 01:15:57,220 --> 01:16:03,192 * COULDN'T YOU WAIT TILL THOSE HEALING HANDS OF TIME * 1697 01:16:06,129 --> 01:16:09,165 * SQUEEZED THE PAIN, THE PAIN * 1698 01:16:09,165 --> 01:16:12,401 * FROM MY HEART * 1699 01:16:12,401 --> 01:16:13,536 OSCAR... 1700 01:16:13,536 --> 01:16:15,404 HAVE YOU EVER KISSED A WOMAN BEFORE? 1701 01:16:15,404 --> 01:16:17,106 * COULDN'T YOU WAIT TILL * 1702 01:16:17,106 --> 01:16:21,310 * MY BRUISED AND BATTERED HEART * 1703 01:16:24,580 --> 01:16:27,050 * TILL IT AIN'T * 1704 01:16:27,050 --> 01:16:30,854 * TILL IT AIN'T TORN APART * 1705 01:16:39,929 --> 01:16:42,231 PERFECT. THAT IS JUST PERFECT. 1706 01:16:42,231 --> 01:16:45,068 THAT WOULD BE JUST LIKE ME TO GO AND FALL IN LOVE WITH YOU. 1707 01:16:45,068 --> 01:16:46,970 I HAVE TRIED EVERY KIND OF UNAVAILABLE MAN. 1708 01:16:46,970 --> 01:16:50,573 A GAY GUY WOULD REALLY ROUND OUT MY COLLECTION. 1709 01:16:50,573 --> 01:16:53,276 MAN, WHAT WAS I DOING? I'M LOSING MY MIND. 1710 01:16:53,276 --> 01:16:54,377 YOU'RE NOT. 1711 01:16:54,377 --> 01:16:56,780 YOU HAVE BEEN SO GOOD TO ME AND WHAT DO I DO? 1712 01:16:56,780 --> 01:16:58,882 I TRY TO KISS YOU! 1713 01:16:58,882 --> 01:17:00,850 I AM SO SORRY. 1714 01:17:00,850 --> 01:17:02,652 DON'T BE SORRY. 1715 01:17:02,652 --> 01:17:07,490 IT'S JUST THAT SOMETIMES YOU AND I SEEM SO... 1716 01:17:07,490 --> 01:17:09,225 I DON'T KNOW. 1717 01:17:10,794 --> 01:17:13,062 MAN, I'M SUCH A FUCKING MESS 1718 01:17:13,062 --> 01:17:15,732 YOU KNOW WHAT? I'M JUST BEING DRAMATIC. 1719 01:17:15,732 --> 01:17:18,668 I'M TIRED. I'M GOING TO BE FINE. 1720 01:17:18,668 --> 01:17:20,536 LET'S GO. 1721 01:17:20,536 --> 01:17:23,272 YEAH, WELL, YOU CERTAINLY LOOK FINE. 1722 01:17:23,272 --> 01:17:25,875 LISTEN, AMY, I BOUGHT THIS TOUGH GIRL ROUTINE 1723 01:17:25,875 --> 01:17:28,011 FOR ABOUT 5 SECONDS. 1724 01:17:28,011 --> 01:17:28,878 WHAT? 1725 01:17:28,878 --> 01:17:30,847 LOOK AT YOU. THIS IS KILLING YOU. 1726 01:17:30,847 --> 01:17:32,148 WHAT ARE YOU DOING WITH HIM? 1727 01:17:32,148 --> 01:17:35,151 WHAT ARE YOU TALKING ABOUT? IT WORKS! 1728 01:17:35,151 --> 01:17:36,152 IT WORKS. 1729 01:17:36,152 --> 01:17:37,721 YEAH, IT WORKS. 1730 01:17:37,721 --> 01:17:38,922 WHERE IS THIS GOING? 1731 01:17:38,922 --> 01:17:41,157 AT LEAST HE'S STRAIGHT, FOR CHRISSAKES! 1732 01:17:41,157 --> 01:17:45,895 OH, THAT'S--THAT'S REALLY GREAT. 1733 01:17:47,063 --> 01:17:48,865 I GET WHAT I NEED FROM HIM. 1734 01:17:48,865 --> 01:17:51,801 YEAH? WELL, SO DOES HIS WIFE. 1735 01:17:53,569 --> 01:17:54,771 OH. 1736 01:17:54,771 --> 01:17:56,505 GIVE ME ONE GOOD REASON YOU'RE WITH HIM. 1737 01:17:56,505 --> 01:17:57,974 JUST ONE GOOD REASON. 1738 01:17:57,974 --> 01:18:01,444 OK. IN A YEAR AND A HALF, WE HAVEN'T HAD A SINGLE FIGHT. 1739 01:18:01,444 --> 01:18:04,748 HE DOESN'T CARE ABOUT YOU ENOUGH TO FIGHT WITH YOU. 1740 01:18:04,748 --> 01:18:09,719 GOD, I CAN'T BELIEVE I'M GETTING GRILLED BY YOU OF ALL PEOPLE. 1741 01:18:09,719 --> 01:18:11,520 YOU HAVEN'T HAD A DATE SINCE I MET YOU. 1742 01:18:11,520 --> 01:18:14,724 YOU DON'T KNOW A SINGLE THING ABOUT RELATIONSHIPS. 1743 01:18:14,724 --> 01:18:17,460 YOU JUST SIT AROUND WITH ME AND PLAY IT SAFE! 1744 01:18:19,863 --> 01:18:22,065 YEAH? WELL, I DON'T KNOW ABOUT YOU, 1745 01:18:22,065 --> 01:18:25,134 BUT I'M GETTING A LITTLE BIT TIRED OF PLAYING IT SAFE. 1746 01:18:28,972 --> 01:18:31,207 SO WHAT ARE YOU WAITING FOR? 1747 01:18:36,980 --> 01:18:39,749 YOU KNOW, WHAT I HAVE WITH CHARLES MAY NOT BE PERFECT, 1748 01:18:39,749 --> 01:18:44,220 BUT WHAT I HAVE WITH YOU IS WHAT? 1749 01:18:48,091 --> 01:18:49,725 WHAT? 1750 01:19:33,436 --> 01:19:34,437 [CLUNK] 1751 01:19:46,682 --> 01:19:48,885 [VOMITING] 1752 01:20:04,700 --> 01:20:06,435 [BARKING] 1753 01:20:33,863 --> 01:20:36,232 MR. NOVAK--SIR? 1754 01:20:39,168 --> 01:20:42,205 SHE HASN'T COME HOME, SHE HASN'T CALLED, SO... 1755 01:20:42,205 --> 01:20:45,574 I WAS JUST THINKING MAYBE YOU KNOW WHERE SHE IS. 1756 01:20:45,574 --> 01:20:48,177 DO YOU KNOW WHERE SHE IS? 1757 01:20:49,879 --> 01:20:51,847 I'M VERY DISAPPOINTED IN YOU, OSCAR. 1758 01:20:51,847 --> 01:20:53,983 EXCUSE ME? 1759 01:20:53,983 --> 01:20:57,586 YOU WERE SUPPOSED TO WATCH OUT FOR HER. 1760 01:20:57,586 --> 01:20:59,956 YOU WERE SUPPOSED TO PROTECT HER. 1761 01:20:59,956 --> 01:21:03,092 HEY, LOOK, I TRIED. I WENT AFTER HER. 1762 01:21:03,092 --> 01:21:05,895 I TRIED TALKING TO HER, BUT SHE WAS REALLY UPSET. 1763 01:21:05,895 --> 01:21:08,797 SHE HAS BEEN GONE FOR 2 DAYS. 1764 01:21:08,797 --> 01:21:11,834 SHE COULD BE ANYWHERE. 1765 01:21:11,834 --> 01:21:13,269 HOW COULD YOU LET THIS HAPPEN? 1766 01:21:14,437 --> 01:21:16,439 HOW COULD YOU LET HER GET HURT? 1767 01:21:17,773 --> 01:21:19,943 THAT'S A VERY GOOD QUESTION. 1768 01:21:19,943 --> 01:21:21,510 YOU MIGHT WANT TO TRY THAT ON YOURSELF. 1769 01:21:29,318 --> 01:21:31,988 BECAUSE I KNOW YOU WOULD NEVER TAKE THAT TONE 1770 01:21:31,988 --> 01:21:34,757 WITH A PERSON WHO JUST GRANTED YOU 1771 01:21:34,757 --> 01:21:38,061 A $90-MILLION JOB. 1772 01:21:38,061 --> 01:21:41,197 I'M GOING TO PRETEND YOU DIDN'T SAY THAT TO ME. 1773 01:21:41,197 --> 01:21:44,533 I HOPE I DON'T HAVE TO EMBARRASS YOU, OSCAR, 1774 01:21:44,533 --> 01:21:48,737 BY REMINDING YOU THAT NO FRIENDSHIP CAN COMPARE 1775 01:21:48,737 --> 01:21:52,808 TO WHAT AMY AND I HAVE. 1776 01:21:52,808 --> 01:21:54,377 DO I MAKE MYSELF CLEAR? 1777 01:21:54,377 --> 01:21:55,511 YES. 1778 01:21:58,047 --> 01:21:59,515 PERFECTLY. 1779 01:22:01,417 --> 01:22:02,485 THANK YOU. 1780 01:22:07,856 --> 01:22:10,059 [APPLAUSE] 1781 01:22:12,695 --> 01:22:15,031 Sandy: WE'D LIKE TO GET THIS CEREMONY STARTED 1782 01:22:15,031 --> 01:22:17,733 BY SAYING A FEW WORDS ABOUT OUR ORGANIZATION. 1783 01:22:17,733 --> 01:22:19,002 THIS IS OUR NINTH YEAR, 1784 01:22:19,002 --> 01:22:21,704 AND WE'VE COME A LONG WAY IN RECOGNIZING... 1785 01:22:21,704 --> 01:22:24,307 OSKIE! 1786 01:22:24,307 --> 01:22:27,010 ARE YOU OK? READY TO GO? 1787 01:22:27,010 --> 01:22:29,878 YEAH. FINE. GOT MY SPEECH ALL WRITTEN ON CARDS. 1788 01:22:29,878 --> 01:22:30,879 YOU SURE DO. 1789 01:22:30,879 --> 01:22:32,181 I THINK I CAN HANDLE THIS. 1790 01:22:32,181 --> 01:22:35,251 IT'S JUST--JUST A BUNCH OF PEOPLE, RIGHT? 1791 01:22:35,251 --> 01:22:36,852 GIVING YOU AN AWARD. 1792 01:22:36,852 --> 01:22:38,387 HOW COULD THAT BE BAD? 1793 01:22:38,387 --> 01:22:39,588 EXACTLY. 1794 01:22:39,588 --> 01:22:42,791 PLUS, ONCE THIS IS DONE, WE CAN START ON THE PROJECT. 1795 01:22:42,791 --> 01:22:45,728 YOU'RE RIGHT. YOU'RE RIGHT. 1796 01:22:45,728 --> 01:22:47,396 AND I HAVE TO SAY, OSKIE, 1797 01:22:47,396 --> 01:22:51,000 I AM SO PROUD YOU'VE EVOLVED THIS MATURE ATTITUDE 1798 01:22:51,000 --> 01:22:52,801 THAT YOU'VE EVOLVED-- 1799 01:22:52,801 --> 01:22:54,170 THANK YOU. 1800 01:22:54,170 --> 01:22:58,441 BECAUSE, UH, I FIGURE IF I CAN'T HAVE AMY, THEN... 1801 01:22:58,441 --> 01:23:01,444 IT WON'T BE SO BAD. I CAN PRETEND TO BE GAY FOR A WHILE. 1802 01:23:01,444 --> 01:23:04,780 I MEAN...YOU LIKE BEING GAY, RIGHT? 1803 01:23:04,780 --> 01:23:06,215 WORKS VERY WELL FOR ME. 1804 01:23:06,215 --> 01:23:09,485 IT WON'T BE SO BAD. I CAN SNEAK OFF TO STRAIGHT BARS, 1805 01:23:09,485 --> 01:23:11,887 HAVE ANONYMOUS SEX WITH STRAIGHT WOMEN. 1806 01:23:11,887 --> 01:23:13,689 THAT'S WHY GIVING THIS SPEECH IS FINE. 1807 01:23:13,689 --> 01:23:17,160 IT IS MORE THAN FINE. IT IS VERY...FINE. 1808 01:23:20,596 --> 01:23:23,832 OSCAR... 1809 01:23:23,832 --> 01:23:26,035 OSCAR, ABOUT AMY... 1810 01:23:26,035 --> 01:23:30,039 YOU KNOW THERE ARE OTHER FISH IN THE SEA. 1811 01:23:30,039 --> 01:23:33,142 I USED--USED TO THINK THAT. 1812 01:23:33,142 --> 01:23:37,080 BUT WHAT IF YOU FIND THE FISH? 1813 01:23:37,080 --> 01:23:39,382 YOU KNOW WHAT? YOU'RE RIGHT. 1814 01:23:39,382 --> 01:23:40,416 PLENTY OF FISH. YOU'RE PROBABLY RIGHT. 1815 01:23:40,416 --> 01:23:42,751 YES. I'M RIGHT. PROBABLY. 1816 01:23:42,751 --> 01:23:44,087 I THINK SO. 1817 01:23:44,087 --> 01:23:45,488 Sandy: IT GIVES US GREAT PLEASURE 1818 01:23:45,488 --> 01:23:47,790 TO INTRODUCE OUR GAY PROFESSIONAL... 1819 01:23:47,790 --> 01:23:49,292 I GOTTA GO. 1820 01:23:49,292 --> 01:23:51,527 KICK SOME ASS, YOU HEAR ME? 1821 01:23:51,527 --> 01:23:52,928 SAY IT WITH ME. 1822 01:23:52,928 --> 01:23:55,098 KICK SOME ASS. KICK SOME ASS. 1823 01:23:55,098 --> 01:23:56,532 OK. KICK SOME ASS. 1824 01:23:56,532 --> 01:23:57,533 KICK SOME ASS. 1825 01:23:57,533 --> 01:23:59,535 [APPLAUSE] 1826 01:24:16,051 --> 01:24:17,453 THANK--THANK YOU. 1827 01:24:17,453 --> 01:24:21,257 THANK YOU FOR INVITING ME HERE THIS EVENING. 1828 01:24:21,257 --> 01:24:24,260 THESE LAST FEW WEEKS HAVE BEEN VERY EXCITING. 1829 01:24:24,260 --> 01:24:25,661 [CLEARS THROAT] 1830 01:24:25,661 --> 01:24:28,631 PETER AND I HAD THE OPPORTUNITY TO WORK ON A PROJECT 1831 01:24:28,631 --> 01:24:33,269 THAT HAS BECOME A DREAM COME TRUE. 1832 01:24:33,269 --> 01:24:36,139 UM, THIS AWARD IS AN HONOR. 1833 01:24:36,139 --> 01:24:38,774 AN HONOR WHICH I ACCEPT WITH-- 1834 01:24:55,158 --> 01:24:57,626 YOU KNOW, AWARDS ARE A FUNNY THING. 1835 01:24:57,626 --> 01:24:59,462 I WON AN AWARD ONCE. 1836 01:24:59,462 --> 01:25:01,297 I WAS IN SUMMER CAMP. I WAS 7. 1837 01:25:01,297 --> 01:25:04,300 IT WAS A BUMPERPOOL TOURNAMENT, AND I WON, 1838 01:25:04,300 --> 01:25:07,736 BUT IT WAS KIND OF AN EMPTY VICTORY, 1839 01:25:07,736 --> 01:25:09,672 BECAUSE I CHEATED. 1840 01:25:11,174 --> 01:25:12,575 WHEN NOBODY WAS LOOKING, 1841 01:25:12,575 --> 01:25:16,879 I JUST SHOVED ALL THE BALLS INTO THE POCKETS. 1842 01:25:16,879 --> 01:25:18,681 AND THE FUNNY THING IS 1843 01:25:18,681 --> 01:25:21,484 I FELT GUILTY ABOUT THAT MY WHOLE LIFE. 1844 01:25:34,830 --> 01:25:36,665 WHAT'S THIS? 1845 01:25:57,286 --> 01:25:59,455 I GUESS WHAT I'M TRYING TO SAY 1846 01:25:59,455 --> 01:26:04,460 IS THAT A LOT OF YOU KNOW WHAT IT'S LIKE TO BE IN THE CLOSET, 1847 01:26:04,460 --> 01:26:07,062 SO YOU KNOW WHAT IT'S LIKE TO HAVE A SECRET. 1848 01:26:07,062 --> 01:26:10,799 CONSTANTLY WORRYING ABOUT SLIPPING UP. 1849 01:26:10,799 --> 01:26:13,402 HAVING TO HIDE YOUR FEELINGS FROM THE PEOPLE 1850 01:26:13,402 --> 01:26:16,939 THAT ARE SUPPOSED TO MEAN THE MOST TO YOU. 1851 01:26:17,873 --> 01:26:20,843 WHAT I ADMIRE ABOUT ALL THE PEOPLE HERE TONIGHT 1852 01:26:20,843 --> 01:26:25,614 IS THAT YOU'RE NOT AFRAID TO BE HONEST ABOUT WHO YOU ARE. 1853 01:26:25,614 --> 01:26:28,684 YOU'RE STRONG ENOUGH TO STAND UP FOR THE SIMPLE DIGNITY 1854 01:26:28,684 --> 01:26:33,789 OF TELLING THE PEOPLE THAT YOU LOVE... 1855 01:26:33,789 --> 01:26:37,192 HOW YOU FEEL. 1856 01:26:37,192 --> 01:26:42,398 NOW, I--I KNOW A LITTLE BIT ABOUT THIS... 1857 01:26:42,398 --> 01:26:46,235 BECAUSE FOR THE LAST 3 WEEKS... 1858 01:26:46,235 --> 01:26:47,570 I'VE HAD A SECRET. 1859 01:26:50,406 --> 01:26:53,576 AND I THINK IT'S TIME FOR ME TO COME OUT OF THE CLOSET. 1860 01:26:56,879 --> 01:26:58,381 I'M NOT GAY. 1861 01:26:58,381 --> 01:27:00,583 [CROWD MURMURING] 1862 01:27:14,330 --> 01:27:16,465 AMY, I LOVE YOU. 1863 01:27:18,667 --> 01:27:21,504 I HAVEN'T BEEN HONEST WITH YOU. 1864 01:27:24,206 --> 01:27:25,674 BUT I LOVE YOU. 1865 01:27:27,175 --> 01:27:29,412 I'VE NEVER FELT THAT WAY ABOUT ANYONE. 1866 01:27:29,412 --> 01:27:35,551 AND I KNOW THAT... JUST BY TELLING YOU THIS, 1867 01:27:35,551 --> 01:27:37,820 I MIGHT HAVE LOST ANY CHANCE I EVER HAD 1868 01:27:37,820 --> 01:27:39,722 TO BE WITH YOU, 1869 01:27:39,722 --> 01:27:41,957 BUT I BELIEVE YOU DESERVE... 1870 01:27:44,827 --> 01:27:49,465 THAT EVERYBODY HERE DESERVES... 1871 01:27:50,499 --> 01:27:52,735 THAT KIND OF HONESTY. 1872 01:28:35,077 --> 01:28:36,178 THANK YOU. 1873 01:28:36,178 --> 01:28:39,782 DON'T WORRY. I'M VERY PROUD OF YOU. 1874 01:28:39,782 --> 01:28:43,386 YOU BIG DRAMA QUEEN. GO GET HER. 1875 01:28:47,490 --> 01:28:49,892 OSCAR, GET YOUR ASS BACK HERE. 1876 01:28:51,894 --> 01:28:55,564 A MELEE ENSUED TODAY AT THE GAY AND LESBIAN ASSOCIATION'S 1877 01:28:55,564 --> 01:28:58,767 ANNUAL AWARDS CEREMONY AS THE GAY MAN OF THE YEAR 1878 01:28:58,767 --> 01:29:01,069 DECLARED HIS LOVE FOR...A WOMAN. 1879 01:29:01,069 --> 01:29:02,070 AMY! 1880 01:29:02,070 --> 01:29:03,672 GET BACK HERE! AMY! 1881 01:29:06,542 --> 01:29:09,044 I THINK OSCAR AND AMY NEED TO TALK, DON'T YOU? 1882 01:29:09,044 --> 01:29:12,247 Reporter: ONLOOKERS WERE AMAZED AS THE ERSTWHILE 1883 01:29:12,247 --> 01:29:14,650 GAY MAN OF THE YEAR, OSCAR NOVAK, 1884 01:29:14,650 --> 01:29:17,653 LEPT FROM THE STAGE AND PURSUED THE WOMAN INTO THE LOBBY 1885 01:29:17,653 --> 01:29:20,489 WHERE CROWDS GATHERED AWAITING HER RESPONSE. 1886 01:29:20,489 --> 01:29:23,826 CAN WE PLEASE JUST TALK ABOUT THIS? 1887 01:29:25,528 --> 01:29:26,629 OOH! HELLO! 1888 01:29:26,629 --> 01:29:28,697 AND IT WASN'T PRETTY. 1889 01:29:28,697 --> 01:29:31,299 Amy: YOU PROMISED ME YOU WOULD NEVER LIE TO ME. 1890 01:29:31,299 --> 01:29:33,168 WE HAD A DEAL. 1891 01:29:33,168 --> 01:29:34,837 GET OUT OF MY WAY, YOU BIG FREAK. 1892 01:29:34,837 --> 01:29:37,640 DON'T MAKE ME MAKE YOU MY PRISON BITCH. 1893 01:29:38,507 --> 01:29:40,709 THE INCIDENT REACHED A FEVER PITCH... 1894 01:29:40,709 --> 01:29:42,845 GREAT PUNCH, BABY. NOW LET'S GO. 1895 01:29:42,845 --> 01:29:46,782 AS CHARLES NEWMAN, THE RENOWNED INTERNATIONAL BUSINESSMAN 1896 01:29:46,782 --> 01:29:51,386 INCURRED THE WRATH OF THE SAME UNIDENTIFIED WOMAN. 1897 01:29:51,386 --> 01:29:53,288 BEFORE POLICE COULD ARRIVE ON THE SCENE, 1898 01:29:53,288 --> 01:29:59,294 THE ENRAGED, YET FASHIONABLY- ATTIRED YOUNG WOMAN ESCAPED. 1899 01:29:59,294 --> 01:30:02,465 WOW. HOW ABOUT THAT? 1900 01:30:02,465 --> 01:30:04,332 Reporter: ...GAY MAN OF THE YEAR IS NOT GAY. 1901 01:30:04,332 --> 01:30:06,201 OSCAR, ARE YOU OK? 1902 01:30:06,201 --> 01:30:07,603 YOU'RE FIRED. 1903 01:30:07,603 --> 01:30:10,473 YOU'LL NEVER WORK FOR ME NOR FOR ANYONE I KNOW. 1904 01:30:10,473 --> 01:30:12,407 WHICH IS EVERYONE. 1905 01:30:12,407 --> 01:30:14,376 I DON'T CARE. 1906 01:30:14,376 --> 01:30:16,411 AND YOU KNOW WHY? 1907 01:30:16,411 --> 01:30:19,782 BECAUSE I DON'T LIKE YOU. 1908 01:30:23,351 --> 01:30:25,888 FOUND HIM AND HOUSEBROKE HIM. 1909 01:30:31,326 --> 01:30:32,327 EXCUSE ME. 1910 01:30:33,128 --> 01:30:35,531 THAT WAS A BRAVE THING YOUR PARTNER DID. 1911 01:30:35,531 --> 01:30:36,832 UH, YES. 1912 01:30:36,832 --> 01:30:38,601 I HAVE TO SAY I'M VERY PROUD OF THE LITTLE GUY. 1913 01:30:38,601 --> 01:30:40,603 I DON'T BELIEVE WE'VE OFFICIALLY MET. 1914 01:30:40,603 --> 01:30:42,838 I'M KEVIN CARTWRIGHT. 1915 01:30:42,838 --> 01:30:43,839 YES, I KNOW. 1916 01:30:43,839 --> 01:30:45,373 I'VE HEARD ALL ABOUT YOU. 1917 01:30:45,373 --> 01:30:47,242 OH, REALLY? LIKE WHAT? 1918 01:30:47,242 --> 01:30:50,613 OH, NOTHING SPECIFIC REALLY. 1919 01:30:50,613 --> 01:30:52,180 WELL, IT'S ALL TRUE. 1920 01:30:52,180 --> 01:30:55,150 WOULD YOU LIKE TO GET A DRINK OR SOMETHING? 1921 01:30:55,150 --> 01:30:56,619 I'D LOVE TO. 1922 01:31:01,256 --> 01:31:03,458 [HUMMING BONANZA THEME] 1923 01:31:38,861 --> 01:31:42,565 Duncan Sheik: * THAT SAYS IT ALL * 1924 01:31:42,565 --> 01:31:44,199 * DOESN'T IT? * 1925 01:31:44,199 --> 01:31:48,436 * WE ALWAYS WANT * 1926 01:31:48,436 --> 01:31:51,106 * WHAT WE NEVER GET * 1927 01:31:51,106 --> 01:31:53,642 * WELL, LISTEN HERE, MY FRIEND * 1928 01:31:53,642 --> 01:31:56,411 * I CAN'T CONTINUE TO PRETEND * 1929 01:31:56,411 --> 01:31:58,881 * THAT IT'S ALL RIGHT * 1930 01:32:01,984 --> 01:32:06,188 * 'CAUSE THAT AIN'T RIGHT * 1931 01:32:22,437 --> 01:32:24,072 Amy: DON'T DO IT. 1932 01:32:29,044 --> 01:32:33,281 YES, BUT I... DESERVE TO DIE. 1933 01:32:34,950 --> 01:32:36,284 NOT YET. 1934 01:32:39,221 --> 01:32:40,488 WHAT ARE YOU DOING HERE? 1935 01:32:40,488 --> 01:32:42,625 I THOUGHT I'D FIND YOU HERE. 1936 01:32:42,625 --> 01:32:46,228 REALLY? OH, MY GOD, AMY, I'M SO-- 1937 01:32:46,228 --> 01:32:48,831 WOULD YOU SHUT UP? 1938 01:32:48,831 --> 01:32:49,832 OK. 1939 01:32:52,034 --> 01:32:54,502 I JUST HAVE A FEW THINGS I WANT TO GET STRAIGHT. 1940 01:32:54,502 --> 01:32:56,371 IT'S JUST-- ME, TOO. 1941 01:32:56,371 --> 01:32:59,574 I'M GOING TO BE QUIET NOW. 1942 01:33:01,543 --> 01:33:04,780 SO...YOU LIED TO ME TO PROTECT YOUR JOB. 1943 01:33:04,780 --> 01:33:06,381 YOU VIOLATED MY TRUST AND FRIENDSHIP. 1944 01:33:06,381 --> 01:33:08,583 YOU TRICKED ME INTO TELLING YOU INTIMATE THINGS 1945 01:33:08,583 --> 01:33:09,885 WHICH I NEVER WOULD HAVE TOLD YOU. 1946 01:33:09,885 --> 01:33:12,020 I JUST WANT TO KNOW. ARE YOU PROUD OF YOURSELF? 1947 01:33:15,290 --> 01:33:16,324 GO AHEAD. 1948 01:33:16,324 --> 01:33:18,093 NO. 1949 01:33:22,665 --> 01:33:24,733 WAS IT REALLY WORTH IT? 1950 01:33:29,772 --> 01:33:32,107 I JUST HAVE ONE THING LEFT TO SAY TO YOU. 1951 01:33:37,179 --> 01:33:39,782 I GET THE LEFT SIDE OF THE BED. 1952 01:33:49,091 --> 01:33:53,361 WELL, YOU KNOW, WE'LL HAVE TO SEE ABOUT THAT. 1953 01:33:54,496 --> 01:33:55,698 HEY. YEAH. 1954 01:33:55,698 --> 01:33:57,332 LET'S GET OUT OF HERE. 1955 01:33:57,332 --> 01:33:59,634 YEAH, I'D LIKE THAT. 1956 01:34:06,441 --> 01:34:08,376 [LAUGHS] 1957 01:34:08,376 --> 01:34:11,379 SO I TAKE IT YOU HAVE KISSED A WOMAN BEFORE? 1958 01:34:13,882 --> 01:34:16,084 NOT THE RIGHT ONE. 1959 01:34:47,482 --> 01:34:48,884 Reporter: OVERALL... 1960 01:34:48,884 --> 01:34:51,253 AN EVENING OF SHOCK AND AMAZEMENT FOR EVERYONE 1961 01:34:51,253 --> 01:34:53,856 AS THE GAY MAN OF THE YEAR ANNOUNCED... 1962 01:34:53,856 --> 01:34:56,158 I'M NOT GAY. 1963 01:34:58,593 --> 01:34:59,728 CHARLES. 1964 01:34:59,728 --> 01:35:01,596 ISN'T IT GOING TO BE AWFULLY AWKWARD 1965 01:35:01,596 --> 01:35:03,631 WORKING WITH OSCAR AFTER THAT FIASCO? 1966 01:35:03,631 --> 01:35:06,168 ACTUALLY, I WENT WITH THE OTHER FIRM. 1967 01:35:06,168 --> 01:35:08,403 DON'T TELL ME YOU'RE GOING TO DEPRIVE THEM OF A JOB 1968 01:35:08,403 --> 01:35:12,507 JUST BECAUSE HE'S IN LOVE WITH YOUR MISTRESS. 1969 01:35:12,507 --> 01:35:13,575 OH, YOU'RE HURT. 1970 01:35:13,575 --> 01:35:15,310 I REALIZE THIS GIRL WAS SPECIAL. 1971 01:35:15,310 --> 01:35:18,613 OLIVIA, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1972 01:35:18,613 --> 01:35:20,248 I SIMPLY WENT WITH THE OTHER FIRM. 1973 01:35:20,248 --> 01:35:23,285 CHARLES, OSCAR AND PETER DID A BETTER JOB. 1974 01:35:23,285 --> 01:35:26,654 THEY WILL BUILD THE CULTURAL CENTER. 1975 01:35:26,654 --> 01:35:27,956 OLIVIA-- ENOUGH! 1976 01:35:27,956 --> 01:35:30,826 THE DECISION'S BEEN MADE. 1977 01:35:30,826 --> 01:35:34,229 NOW, WHY DON'T YOU GO PUT ON 1978 01:35:34,229 --> 01:35:36,331 THOSE RED BIKINI BRIEFS THAT I GAVE YOU? 1979 01:35:36,331 --> 01:35:38,666 I LOVE THE WAY YOUR BUTT LOOKS IN THEM. 1980 01:35:38,666 --> 01:35:40,836 OLIVIA, I REALLY DON'T WANT TO. 1981 01:35:40,836 --> 01:35:44,606 CHARLES, WHAT HAPPENS WHEN I'M UNHAPPY? 1982 01:35:44,606 --> 01:35:46,674 WHAT HAPPENS? 1983 01:35:46,674 --> 01:35:48,643 FINE. 1984 01:35:48,643 --> 01:35:51,246 BUT NOT THE RED ONES. 1985 01:35:51,246 --> 01:35:52,080 THEY BIND. 1986 01:35:52,080 --> 01:35:54,282 [SWING MUSIC PLAYING] 1987 01:36:00,688 --> 01:36:02,090 * I WANNA SWING * 1988 01:36:02,090 --> 01:36:03,758 * WITH THAT PUSSYCAT * 1989 01:36:03,758 --> 01:36:04,759 * I WANNA DANCE * 1990 01:36:04,759 --> 01:36:05,994 * WITH THAT PUSSYCAT * 1991 01:36:05,994 --> 01:36:06,995 * I WANNA SLIDE * 1992 01:36:06,995 --> 01:36:08,330 * WITH THAT PUSSYCAT * 1993 01:36:08,330 --> 01:36:09,131 * I WANNA JUMP * 1994 01:36:09,131 --> 01:36:10,132 * WITH THAT PUSSYCAT * 1995 01:36:10,132 --> 01:36:12,034 * I WANNA SWING * 1996 01:36:12,034 --> 01:36:15,070 * OH, KITTY, KITTY, PLEASE COME HERE * 1997 01:36:15,070 --> 01:36:17,339 * DON'T HISS AND MOAN WHEN I COME NEAR * 1998 01:36:17,339 --> 01:36:19,975 * DON'T BITE MY NECK, DON'T SCRATCH MY EYES * 1999 01:36:19,975 --> 01:36:22,110 * I'LL TAKE AWAY THOSE DOLL EYES * 2000 01:36:22,110 --> 01:36:24,379 * A MAN'S A MAN, A RAT'S A RAT * 2001 01:36:24,379 --> 01:36:27,115 * SO SWING, SWEET PUSSYCAT * 2002 01:36:27,115 --> 01:36:29,684 * SWING, SWING, SWEET PUSSYCAT * 2003 01:36:29,684 --> 01:36:32,087 * SWING, SWING, SWEET PUSSYCAT * 2004 01:36:32,087 --> 01:36:34,289 * SWING, SWING, SWEET PUSSYCAT * 2005 01:36:34,289 --> 01:36:36,424 * SWING, SWING, SWEET PUSSYCAT * 2006 01:36:36,424 --> 01:36:38,994 * SWING, SWING, SWEET PUSSYCAT * 2007 01:36:38,994 --> 01:36:41,463 * SWING, SWING, SWING, SWING * 2008 01:36:41,463 --> 01:36:42,464 * SWING * 2009 01:36:54,977 --> 01:36:57,245 * SWING, SWEET PUSSYCAT * 2010 01:36:57,245 --> 01:36:59,948 * SWING, SWING, SWEET PUSSYCAT * 2011 01:36:59,948 --> 01:37:02,250 * SWING, SWING, SWEET PUSSYCAT * 2012 01:37:02,250 --> 01:37:04,887 * SWING, SWING, SWEET PUSSYCAT * 2013 01:37:04,887 --> 01:37:06,855 * SWING, SWING, SWEET PUSSYCAT * 2014 01:37:06,855 --> 01:37:08,423 * SWING! * 2015 01:37:08,423 --> 01:37:09,424 * MEOW * 2016 01:37:09,424 --> 01:37:12,227 * ALL NIGHT LONG * 2017 01:37:24,539 --> 01:37:28,210 Duncan Sheik: * HIT THE TOWN STILL DRESSING DOWN * 2018 01:37:29,044 --> 01:37:32,247 * LOOKING FOR SOME ACTION * 2019 01:37:35,250 --> 01:37:38,120 * MR. JAGGER SAID IT BEST * 2020 01:37:38,120 --> 01:37:40,788 * HE KNOWS YOU'LL NEVER GET * 2021 01:37:40,788 --> 01:37:43,525 * NO SATISFACTION * 2022 01:37:46,528 --> 01:37:50,498 * THAT SAYS IT ALL * 2023 01:37:50,498 --> 01:37:52,200 * DOESN'T IT? * 2024 01:37:52,200 --> 01:37:55,770 * WE ALWAYS WANT * 2025 01:37:55,770 --> 01:37:58,540 * WHAT WE NEVER GET * 2026 01:37:58,540 --> 01:38:00,542 * WELL, LISTEN HERE, MY FRIEND * 2027 01:38:00,542 --> 01:38:03,811 * I CAN'T CONTINUE TO PRETEND * 2028 01:38:03,811 --> 01:38:06,314 * THAT IT'S ALL RIGHT * 2029 01:38:09,617 --> 01:38:14,422 * THAT AIN'T RIGHT * 2030 01:38:15,958 --> 01:38:18,760 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2031 01:38:18,760 --> 01:38:22,931 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 128513

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