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These are the user uploaded subtitles that are being translated: 1 00:00:03,704 --> 00:00:09,543 THESE CELEBRITIES ARE SETTLING IN TO WATCH SOME OF THE MOST TALKED ABOUT SHOWS ON TV. 2 00:00:09,610 --> 00:00:15,349 >> >> LINDSAY LOHAN AND HER SISTER 3 00:00:15,415 --> 00:00:20,621 ARE THE LATEST STARS TO TUNE IN. 4 00:00:20,687 --> 00:00:22,589 WHAT HAS GRABBED EVERYONE'S ATTENTION? 5 00:00:22,656 --> 00:00:26,760 WHAT DO THEY HAVE TO SAY ABOUT IT? 6 00:00:26,827 --> 00:00:29,429 THIS IS THE SHOW TO SEE THE BEST OF THE WEEK'S TELEVISION WITH 7 00:00:29,496 --> 00:00:35,769 YOUR FAVORITE CELEBRITIES. 8 00:00:35,836 --> 00:00:36,770 >> WOW, THAT WAS COOL. 9 00:00:36,837 --> 00:00:41,341 >> AND TAKE A PEEK INSIDE THEIR EVERYDAY LIVES. 10 00:00:41,408 --> 00:00:44,478 IN A WEEK WHERE AMERICA WAS ROCKED BY PROTESTS, RETURNED TO 11 00:00:44,545 --> 00:00:46,346 OUR TELEVISIONS FOR THE LATEST NEWS. 12 00:00:46,413 --> 00:00:50,284 >> YOU HAVE TO GET OUT THERE AND STAND UP FOR WHAT YOU BELIEVE 13 00:00:50,350 --> 00:00:51,251 IN. 14 00:00:51,318 --> 00:00:54,655 >> Narrator: AND FOR SOME MUCH NEEDED COMFORT. 15 00:00:54,721 --> 00:00:59,593 WELCOME TO. 16 00:00:59,660 --> 00:01:03,564 THIS WEEK, EVERYONE HAS BEEN TUNING IN FOR THE REBOOT OF THIS 17 00:01:03,630 --> 00:01:06,733 INSPIRATIONAL SHOW WHERE A WHOLE COMMUNITY STEPPED OUT TO CHANGE 18 00:01:06,800 --> 00:01:10,337 ONE FAMILY'S LIFE FOREVER. 19 00:01:10,404 --> 00:01:15,309 >> HE HAS GIVEN SO MUCH TO THE COMMUNITY. 20 00:01:15,375 --> 00:01:19,246 IT'S OBVIOUSLY WHAT MAKES HIM SUCH AN AMAZING FIREFIGHTER. 21 00:01:19,313 --> 00:01:21,348 >> THIS SHOW, THEY DO SUCH INCREDIBLE THINGS. 22 00:01:21,415 --> 00:01:24,217 >> ME AND MY GIRLS NEED A FRESH START. 23 00:01:24,284 --> 00:01:27,154 >> LET'S BUILD A HOUSE. 24 00:01:27,220 --> 00:01:32,326 >> IF YOU DON'T CRY AT THE END OF THESE, YOU ARE EMOTIONALLY 25 00:01:32,392 --> 00:01:33,660 DEAD. 26 00:01:33,727 --> 00:01:36,330 >> THIS WAS MY JAM BACK IN THE DAY. 27 00:01:36,396 --> 00:01:40,200 >> WE ARE ON OUR WAY TO MEET NICK. 28 00:01:40,267 --> 00:01:43,170 >> I'M GLAD THEY ARE DOING SOME THINK FOR A FIREFIGHTER. 29 00:01:43,236 --> 00:01:46,340 >> I'VE BEEN WORKING HERE FOR 17 YEARS. 30 00:01:46,406 --> 00:01:49,409 I LOVE TO HELP THE COMMUNITY WHEREVER I CAN. 31 00:01:49,476 --> 00:01:54,514 >> FIRE FIRE SHOULD GET PAID LIKE THE HEROES THAT THEY ARE. 32 00:01:54,581 --> 00:01:57,884 THEY SHOULD GET PAID A LOT MORE. 33 00:01:57,951 --> 00:02:01,288 >> MORE THAN THE STUPID ACTORS AND CELEBRITY CHEFS OF THE 34 00:02:01,355 --> 00:02:01,688 WORLD. 35 00:02:01,755 --> 00:02:03,290 >> IT'S TRUE. 36 00:02:03,357 --> 00:02:06,159 >> AMANDA AND I MET ON A BLIND DATE. 37 00:02:06,226 --> 00:02:08,195 WE HIT IT OFF REALLY QUICK. 38 00:02:08,261 --> 00:02:13,834 I KNEW SHE WAS THE ONE, AND A YEAR LATER, WE HAD LAYLA. 39 00:02:13,900 --> 00:02:19,339 FAST FORWARD AND WE FOUND OUT WE WERE HAVING TWINS. 40 00:02:19,406 --> 00:02:20,540 >> TWIN PARENTS! 41 00:02:20,607 --> 00:02:25,178 >> ON THE DELIVERY DATE, OUTCOMES KELSEY. 42 00:02:25,245 --> 00:02:30,217 2 MINUTES LATER, KYA. 43 00:02:30,283 --> 00:02:35,255 AMANDA LOOKS OVER AT ME AND SHE SAYS SHE'S FEELING DIZZY AND 44 00:02:35,322 --> 00:02:39,593 BOOM, SHE'S OUT. 45 00:02:39,660 --> 00:02:47,200 AMANDA PASSED AT 2:00 P. M. THAT AFTERNOON. 46 00:02:47,267 --> 00:02:48,402 >> WHAT? 47 00:02:48,468 --> 00:02:49,236 >> OH. 48 00:02:49,302 --> 00:02:50,470 >> OH. 49 00:02:50,537 --> 00:02:57,377 >> LEAVING THE HOSPITAL 36 HOURS LATER WITH MY TWO LITTLE GIRLS 50 00:02:57,444 --> 00:02:59,246 WITHOUT MY WIFE. 51 00:02:59,312 --> 00:03:01,348 >> MY GOD. 52 00:03:01,415 --> 00:03:04,651 >> IT WAS THE SADDEST TIME OF MY LIFE. 53 00:03:04,718 --> 00:03:08,055 >> THAT IS SO HEARTBREAKING. 54 00:03:08,121 --> 00:03:12,759 THEY WILL NEVER KNOW THEIR MOM. 55 00:03:12,826 --> 00:03:15,228 >> THEY WON'T KNOW HER THROUGH HIM. 56 00:03:15,295 --> 00:03:17,564 >> I DIDN'T KNOW WHAT I WAS GOING TO DO. 57 00:03:17,631 --> 00:03:21,368 IT HAD BECOME VERY DIFFICULT TO LIVE IN THE HOUSE THAT WE BUILT. 58 00:03:21,435 --> 00:03:25,238 EVERYWHERE YOU TURN TO COME IT WAS SOMETHING THAT WE HAD DONE 59 00:03:25,305 --> 00:03:25,739 TOGETHER. 60 00:03:25,806 --> 00:03:27,708 IT WAS TIME TO SELL. 61 00:03:27,774 --> 00:03:29,376 >> MY GOD ALMIGHTY. 62 00:03:29,443 --> 00:03:33,280 >> I RENTED A TWO‐BEDROOM, TWO BATHROOM APARTMENT. 63 00:03:33,346 --> 00:03:34,581 MOM MOVED IN. 64 00:03:34,648 --> 00:03:35,615 I COULDN'T DO IT WITHOUT HER. 65 00:03:35,682 --> 00:03:39,553 >> NICK SHARES HIS BEDROOM WITH LAYLA, THE OLDEST. 66 00:03:39,619 --> 00:03:42,522 IN THE BEDROOM IS NOTHING BUT DOLLS AND TOYS. 67 00:03:42,589 --> 00:03:44,324 >> IT'S CHAOS. 68 00:03:44,391 --> 00:03:44,725 >> I AM A FIREMAN. 69 00:03:44,791 --> 00:03:47,294 I FIX THINGS. 70 00:03:47,360 --> 00:03:49,529 I DO NOT KNOW WHAT TO DO. 71 00:03:49,596 --> 00:03:55,769 ME AND MY GIRLS, WE NEED A FRESH START. 72 00:03:55,836 --> 00:04:00,407 >> MY GOD, POOR GUY. 73 00:04:00,474 --> 00:04:03,376 QUITE POSSIBLY ONE OF THE SADDEST STORIES I'VE EVER HEARD. 74 00:04:03,443 --> 00:04:06,546 >> HOW DO YOU EVER MAKE UP FOR THAT? 75 00:04:06,613 --> 00:04:09,082 >> THAT HAS TO BE THE WORST THING THAT COULD HAPPEN TO YOU 76 00:04:09,149 --> 00:04:10,283 IN YOUR LIFE. 77 00:04:10,350 --> 00:04:12,419 HOW CAN YOU SURVIVE THAT? 78 00:04:12,486 --> 00:04:17,090 BUT YOU HAVE TO BECAUSE YOU HAVE THREE KIDS THAT NEED YOU. 79 00:04:17,157 --> 00:04:22,362 >> I CAN'T IMAGINE DOING ANY OF THIS WITHOUT YOU. 80 00:04:22,429 --> 00:04:24,431 >> I WANT TO SEE THE HOME. 81 00:04:24,498 --> 00:04:28,101 >> ME TOO. 82 00:04:28,168 --> 00:04:30,270 >> LET'S BUILD A HOUSE! 83 00:04:30,337 --> 00:04:33,473 >> THEY ARE GOING TO HELP HIM. 84 00:04:33,540 --> 00:04:36,309 >> I WANT TO JUMP THROUGH THE SCREEN. 85 00:04:36,376 --> 00:04:38,612 I LOVE YOU TOO. 86 00:04:38,678 --> 00:04:39,646 CAN WE HELP? 87 00:04:39,713 --> 00:04:42,682 >> NOBODY DESERVES A NEW HOUSE MORE THAN THAT GUY. 88 00:04:42,749 --> 00:04:44,117 >> ALL RIGHT, GUYS. 89 00:04:44,184 --> 00:04:46,319 THIS IS THE FIRST WALL RIGHT HERE. 90 00:04:46,386 --> 00:04:47,587 >> WE ARE STARTING RIGHT NOW. 91 00:04:47,654 --> 00:04:52,793 >> ONE, TWO, THREE. 92 00:04:52,859 --> 00:04:56,797 >> DO YOU KNOW HOW MUCH TIME THEY HAVE TO DO THIS BUILD? 93 00:04:56,863 --> 00:04:58,298 >> I DON'T KNOW. 94 00:04:58,365 --> 00:04:59,633 >> I THINK IT'S FAST. 95 00:04:59,699 --> 00:05:02,335 >> MAY BE A WEEK. 96 00:05:02,402 --> 00:05:03,570 >> THAT'S INSANE. 97 00:05:03,637 --> 00:05:08,074 >> IT'S BEEN FOUR DAYS SINCE THE YOUNG FAMILY STARTED BUILDING 98 00:05:08,141 --> 00:05:08,508 THIS HOUSE. 99 00:05:08,575 --> 00:05:09,209 THE HOUSES DONE. 100 00:05:09,276 --> 00:05:12,279 >> HOW DO DO THAT IN FOUR DAYS? 101 00:05:12,345 --> 00:05:13,547 >> THAT'S IMPOSSIBLE. 102 00:05:13,613 --> 00:05:19,619 >> WHY THE HELL DOES IT TAKE TWO YEARS A BUILD A HOUSE THEY DO IT 103 00:05:19,686 --> 00:05:20,287 IN A WEEK. 104 00:05:20,353 --> 00:05:23,323 >> WE CAN REALLY MAKE IT HOME. 105 00:05:23,390 --> 00:05:29,062 >> I WANT TO DO THIS TV SHOW. 106 00:05:29,129 --> 00:05:31,464 >> GO AROUND BUILDING AFFORDABLE HOUSING. 107 00:05:31,531 --> 00:05:34,801 I WOULD LOVE TO DO THAT. 108 00:05:34,868 --> 00:05:36,536 >> WE ARE HOME. 109 00:05:36,603 --> 00:05:41,641 >> SEE WHAT TEAMWORK CAN DO? 110 00:05:41,708 --> 00:05:43,710 >> HERE IT COMES. 111 00:05:43,777 --> 00:05:45,679 >> ARE YOU READY? 112 00:05:45,745 --> 00:05:46,813 >> WE ARE SO READY. 113 00:05:46,880 --> 00:05:49,516 >> I'M READY. 114 00:05:49,583 --> 00:05:50,784 >> OKAY. 115 00:05:50,851 --> 00:05:59,392 ONE, TWO, THREE. 116 00:05:59,459 --> 00:06:07,200 ♪ ♪ >> NO WAY. 117 00:06:07,267 --> 00:06:12,038 >> WOW >> BEAUTIFUL. 118 00:06:12,105 --> 00:06:13,039 >> GORGEOUS. 119 00:06:13,106 --> 00:06:17,444 >> FOUR BEDROOMS, THREE BATHS, 2400 SQUARE FEET. 120 00:06:17,510 --> 00:06:20,513 >> OH, THAT'S BEAUTIFUL. 121 00:06:20,580 --> 00:06:21,648 >> MY GOSH. 122 00:06:21,715 --> 00:06:23,416 >> OH, WOW. 123 00:06:23,483 --> 00:06:25,785 >> THAT LOOKS LIKE A CABIN. 124 00:06:25,852 --> 00:06:29,155 >> OH, HOW BEAUTIFUL. 125 00:06:29,222 --> 00:06:32,092 >> THE CHANGING TABLE. 126 00:06:32,158 --> 00:06:33,260 >> HOW CUTE. 127 00:06:33,326 --> 00:06:35,528 >> I WAS SUPER EXCITED BECAUSE THE GIRL HAD THEIR OWN ROOM. 128 00:06:35,595 --> 00:06:39,132 >> THAT ROOM IS GOING TO BE THERE ROOM FOR A VERY LONG TIME. 129 00:06:39,199 --> 00:06:44,537 >> OH, LOOK. 130 00:06:44,604 --> 00:06:47,407 >> OH, WOW. 131 00:06:47,474 --> 00:06:52,512 >> THAT'S MOMMY WITH HER HORSE. 132 00:06:52,579 --> 00:06:54,848 >> ALL, MY GOD. 133 00:06:54,915 --> 00:06:56,082 I CAN'T. 134 00:06:56,149 --> 00:07:00,487 >> WE WANTED A SPACE WHERE THEY GIRLS WOULD BE AROUND AMANDA. 135 00:07:00,553 --> 00:07:04,524 THIS TELLS THE STORY OF AMANDA. 136 00:07:04,591 --> 00:07:09,262 >> I LOVE THE PICTURES. 137 00:07:09,329 --> 00:07:12,098 >> EVERYTHING IS DONE WITH PURPOSE AND LOVE. 138 00:07:12,165 --> 00:07:13,500 >> SHE IS THERE WITH THEM. 139 00:07:13,566 --> 00:07:18,038 >> THAT'S GORGEOUS. 140 00:07:18,104 --> 00:07:21,574 >> I WOULDN'T BE ABLE TO DO IT. 141 00:07:21,641 --> 00:07:24,711 >> HE DESERVES EVERYTHING THEY GAVE HIM. 142 00:07:24,778 --> 00:07:25,979 >> AND MORE. 143 00:07:26,046 --> 00:07:30,250 >> IT MAKES ME SO HAPPY TO KNOW THAT MY GIRLS ARE GOING TO GROW 144 00:07:30,317 --> 00:07:37,457 UP IN A SAFE PLACE BUILT BY LOVE AND PEOPLE THAT CARE. 145 00:07:37,524 --> 00:07:40,126 >> WELCOME HOME, REEDER FAMILY! 146 00:07:40,193 --> 00:07:43,797 WELCOME HOME. 147 00:07:43,863 --> 00:07:50,437 >> OH, GOODNESS ME. 148 00:07:50,503 --> 00:07:51,671 >> WOW. 149 00:07:51,738 --> 00:07:55,475 >> I WANT TO GO KISS OUR BOYS AND SMOTHER THEM WITH OUR LOVE. 150 00:07:55,542 --> 00:07:57,777 >> LET'S GO DO THAT. 151 00:07:57,844 --> 00:08:00,580 >> LET'S DO THAT. 152 00:08:00,647 --> 00:08:03,550 >> THAT JUST GAVE ME GOOSE BUMPS. 153 00:08:03,616 --> 00:08:08,421 >> IT REALLY MADE ME FEEL THERE IS SOME BLOOD HE HOPED LEFT IN 154 00:08:08,488 --> 00:08:09,356 THE WORLD. 155 00:08:09,422 --> 00:08:12,625 >> Narrator: COMING UP, THIS UNIFYING MOMENT. 156 00:08:12,692 --> 00:08:16,262 >> WE WANT TO SEE THE SYSTEM THAT SETS UP FOR SYSTEMIC RACISM 157 00:08:16,329 --> 00:08:16,963 BURNED TO THE GROUND. 158 00:08:17,030 --> 00:08:23,803 >> YOU HAVE TO GET OUT THERE AND 159 00:08:28,675 --> 00:08:29,476 >> Narrator: WELCOME BACK TO"CELEBRITY WATCH PARTY." 160 00:08:29,542 --> 00:08:32,579 IN LOS ANGELES. 161 00:08:32,645 --> 00:08:36,616 THE OSBOURNES. 162 00:08:36,683 --> 00:08:40,587 >> DAD, IT WAS THE BEVERLY HILLS HOTEL. 163 00:08:40,653 --> 00:08:43,490 >> NO, WE GOT MARRIED AGAIN IN VEGAS. 164 00:08:43,556 --> 00:08:46,493 >> HOW MANY TIMES HAVE YOU BEEN MARRIED? 165 00:08:46,559 --> 00:08:46,960 >> THREE. 166 00:08:47,027 --> 00:08:47,660 >> MORE THAN THAT. 167 00:08:47,727 --> 00:08:50,663 >> NO. 168 00:08:50,730 --> 00:08:52,499 >> THE BEVERLY HILLS HOTEL. 169 00:08:52,565 --> 00:08:56,336 >> ONE IN MAUI. 170 00:08:56,403 --> 00:09:00,340 >> AND ONE IN VEGAS. 171 00:09:00,407 --> 00:09:05,445 >> THE BEVERLY HILLS HOTEL WHERE DAD GOT DRUNK. 172 00:09:05,512 --> 00:09:08,281 HE ENDED UP WITH KNICKERS WRAPPED AROUND HIS HEAD. 173 00:09:08,348 --> 00:09:11,618 >> Narrator: ON FRIDAY NIGHT ON CBS WITH SOME PARTS OF THE 174 00:09:11,684 --> 00:09:15,121 COUNTRY STILL IN LOCK DOWN, IT WAS DOWN TO SOME CELEBRITIES TO 175 00:09:15,188 --> 00:09:19,426 HELP US WITH OUR GROOMING ISSUES. 176 00:09:19,492 --> 00:09:21,528 HAIRCUT NIGHT IN AMERICA STARTS NOW. 177 00:09:21,594 --> 00:09:24,664 >> DURING THIS QUARANTINE, NOBODY'S BEEN ABLE TO GET THEIR 178 00:09:24,731 --> 00:09:28,635 HAIR DONE, SO IT'S ABOUT PEOPLE DOING THEIR OWN HAIR. 179 00:09:28,701 --> 00:09:31,805 >> YEAH, YEAH, YEAH. 180 00:09:31,871 --> 00:09:33,640 >> ALL OVER THE WORLD. 181 00:09:33,706 --> 00:09:36,676 THEY ARE NOT SHELTERING IN PLACE. 182 00:09:36,743 --> 00:09:37,243 THIS IS NOT ACCEPTABLE. 183 00:09:37,310 --> 00:09:40,680 SOMETHING MUST BE DONE. 184 00:09:40,747 --> 00:09:43,683 >> [LAUGHS] >> I COULD DO THAT. 185 00:09:43,750 --> 00:09:51,691 >> AT FIRST IT WAS KIND OF FUN GOING AU NATUREL BUT THE ROOTS 186 00:09:51,758 --> 00:09:52,725 ARE COMING IN. 187 00:09:52,792 --> 00:09:54,527 >> CAN YOU KEEP A LITTLE SOCIAL DISTANCE FROM ME. 188 00:09:54,594 --> 00:09:57,363 >> YOU DIDN'T KNOW THAT I WAS AN ACTUAL BRUNETTE. 189 00:09:57,430 --> 00:10:00,600 >> I'VE NEVER SEEN REBECCA WITH DARK HAIR. 190 00:10:00,667 --> 00:10:01,734 >> I KNOW. 191 00:10:01,801 --> 00:10:03,703 >> SHE WAS ALWAYS BLONDE. 192 00:10:03,770 --> 00:10:07,774 WHAT WAS COMING OUT OF HER SCALP WAS BLONDE. 193 00:10:07,841 --> 00:10:08,775 >> NO. 194 00:10:08,842 --> 00:10:12,679 WHAT COMES OUT OF MY SCALP IS COLORED TOO, MAMA. 195 00:10:12,745 --> 00:10:17,450 >> IN THE SHOW, REBECCA ROMAINE AND JERRY O'CONNELL PUT THE 196 00:10:17,517 --> 00:10:22,655 HAIRDRESSERS SKILLS TO THE TEST. 197 00:10:22,722 --> 00:10:25,158 >> WHATEVER YOU'VE GOT LYING AROUND. 198 00:10:25,225 --> 00:10:28,661 COME WITH US. 199 00:10:28,728 --> 00:10:29,729 >> HAIRCUTS IN QUARANTINE. 200 00:10:29,796 --> 00:10:33,867 YOU CUT MY HAIR ANYWAY. 201 00:10:33,933 --> 00:10:35,702 >> LEE LET ME CUT IT? 202 00:10:35,768 --> 00:10:39,739 I WILL JUST TRIM A LITTLE. 203 00:10:39,806 --> 00:10:43,610 >> IT'S MY TURN. 204 00:10:43,676 --> 00:10:44,744 I WILL BARELY TOUCH IT. 205 00:10:44,811 --> 00:10:48,781 DON'T WORRY. 206 00:10:48,848 --> 00:10:50,316 >> THAT'S ENOUGH. 207 00:10:50,383 --> 00:10:55,155 >> THE MOMENT EVERYONE'S BEEN WAITING FOR. 208 00:10:55,221 --> 00:11:08,234 I AM GOING TO COLOR REBECCA ROMIJN'S ROOTS. 209 00:11:08,301 --> 00:11:09,435 >> ON A SCALE OF 1 TO 10, HOW PANICKED ARE YOU? 210 00:11:09,502 --> 00:11:10,236 >> 9. 211 00:11:10,303 --> 00:11:12,772 >> WAIT, SHE'S LETTING HIM DO THIS. 212 00:11:12,839 --> 00:11:14,440 >> WHAT COULD GO WRONG? 213 00:11:14,507 --> 00:11:16,276 >> LET ME TELL YOU. 214 00:11:16,342 --> 00:11:20,480 >> AFTER YOU GRAB THE HAIRLINE, GRAB THE BIGGER BOWL AND START 215 00:11:20,547 --> 00:11:21,114 YOUR BASE COLOR. 216 00:11:21,181 --> 00:11:23,149 >> I WOULD LIKE TO TRY THIS. 217 00:11:23,216 --> 00:11:25,652 >> YOU CAN DO IT WITH ME. 218 00:11:25,718 --> 00:11:26,853 I DON'T WANT ANY COLOR. 219 00:11:26,920 --> 00:11:32,158 >> NOW IS THE TIME IN QUARANTINE TO JAZZ IT UP A LITTLE BIT. 220 00:11:32,225 --> 00:11:36,329 >> AFTER HE PUTS YOUR BASE ON, LEAN ON THE BATHTUB LIKE THIS 221 00:11:36,396 --> 00:11:42,802 AND HAVE THEM PUT ON THE CLEAR. 222 00:11:42,869 --> 00:11:51,844 >> ONCE YOU START, YOU HAVE 5 MINUTES. 223 00:11:51,911 --> 00:11:54,180 >> YOU HAVE TO WORK FAST. 224 00:11:54,247 --> 00:12:00,787 DON'T RUIN IT, JERRY. 225 00:12:00,853 --> 00:12:01,654 >> GO. 226 00:12:01,721 --> 00:12:03,323 >> FURTHER FORWARD. 227 00:12:03,389 --> 00:12:07,427 START AT HER SKIN. 228 00:12:07,493 --> 00:12:09,329 GO, GO, GO. 229 00:12:09,395 --> 00:12:12,799 >> ONE MISTAKE IN HER HAIR IS FRIED. 230 00:12:12,865 --> 00:12:17,403 >> WHAT'S THAT? 231 00:12:17,470 --> 00:12:20,673 >> REBECCA, EXCHANGE BOWLS. 232 00:12:20,740 --> 00:12:23,643 >> HE IS REALLY TAKING THIS SERIOUSLY. 233 00:12:23,710 --> 00:12:26,813 >> REBECCA ROMIJN'S HAIR COMES OUT. 234 00:12:26,879 --> 00:12:29,649 >> SHE IS WHIPPING HIS ASS. 235 00:12:29,716 --> 00:12:31,351 >> IS THIS OKAY? 236 00:12:31,417 --> 00:12:32,352 >> IT'S NOT. 237 00:12:32,418 --> 00:12:36,689 >> START PUTTING COLOR ON THE REST OF THE ROOTS. 238 00:12:36,756 --> 00:12:37,724 THE OTHER WAY, JERRY. 239 00:12:37,790 --> 00:12:40,360 TOWARDS THE HAIRLINE. 240 00:12:40,426 --> 00:12:44,664 >> JERRY, I AM GRATEFUL YOU STOP DOING JOKES. 241 00:12:44,731 --> 00:12:47,267 >> I AM SWEATING HARD. 242 00:12:47,333 --> 00:12:50,503 >> SHE HAS TO DOCUMENT IT. 243 00:12:50,570 --> 00:12:54,374 THAT'S HER HOLDING THE SELFIE STICK. 244 00:12:54,440 --> 00:12:58,278 >> KICKED IN THE AIR. 245 00:12:58,344 --> 00:13:00,813 OW! 246 00:13:00,880 --> 00:13:05,251 >> WORK IT THROUGH WITH YOUR HANDS. 247 00:13:05,318 --> 00:13:06,386 >> RELAXED. 248 00:13:06,452 --> 00:13:15,695 THINK OF A NONCOVID WORLD WHERE THERE IS NO QUARANTINE. 249 00:13:15,762 --> 00:13:18,197 >> IS HE IN THE WATER? 250 00:13:18,264 --> 00:13:19,699 SHE IS BURNING HIS SKIN. 251 00:13:19,766 --> 00:13:21,701 >> HURRY. 252 00:13:21,768 --> 00:13:25,204 THAT'S IT. 253 00:13:25,271 --> 00:13:26,606 >> I AM SCARED. 254 00:13:26,673 --> 00:13:30,810 DO YOU THINK IT'S GOING TO LOOK GOOD OR BAD? 255 00:13:30,877 --> 00:13:34,080 >> LET SEE REBECCA'S COLOR. 256 00:13:34,147 --> 00:13:35,548 >> OH! 257 00:13:35,615 --> 00:13:38,751 >> OH, HE DID A NICE JOB. 258 00:13:38,818 --> 00:13:39,452 >> IT'S GREAT. 259 00:13:39,519 --> 00:13:42,088 IT'S EXACTLY LIKE WHAT I NEEDED. 260 00:13:42,155 --> 00:13:43,856 >> HE ACTUALLY DATED. 261 00:13:43,923 --> 00:13:47,460 >> THE JOB, JERRY PAID >> I THINK IT'S PERFECT. 262 00:13:47,527 --> 00:13:50,630 IT'S GOING TO TIDE ME OVER UNTIL I CAN SEE YOU NEXT. 263 00:13:50,697 --> 00:13:51,397 I LOVE IT. 264 00:13:51,464 --> 00:13:54,600 >> SEE WHAT YOU CAN DO IN A PINCH? 265 00:13:54,667 --> 00:13:58,304 AND SHE SPENT $250 LAST TIME SHE GOT HER HAIR DONE. 266 00:13:58,371 --> 00:14:03,042 >> [BLEEP] >> THAT BETTER NOT BE PERMANENT. 267 00:14:03,109 --> 00:14:06,446 >> THEY ARE PUTTING THEIR HAIRDRESSERS OUT OF WORK. 268 00:14:06,512 --> 00:14:09,716 >> DO YOU WANT TO SEE IF IT WASHES OUT? 269 00:14:09,782 --> 00:14:19,592 >> I GUESS SO. 270 00:14:19,659 --> 00:14:21,127 [LAUGHTER] >> Narrator: RELAXING AT HOME, 271 00:14:21,194 --> 00:14:32,772 MOVISTAR LINDSAY LOHAN AND HER SISTER, ALI. 272 00:14:32,839 --> 00:14:35,775 >> IT'S LATE. 273 00:14:35,842 --> 00:14:39,812 >> Narrator: ON SATURDAY WE WITNESSED A HISTORIC MOMENT, AS 274 00:14:39,879 --> 00:14:44,751 SPACEX BECAME THE FIRST PRIVATE SPACE CRAFT COMPANY TO CARRY 275 00:14:44,817 --> 00:14:45,952 HUMANS INTO ORBIT. 276 00:14:46,018 --> 00:14:49,155 >> ARE ALIVE FROM KENNEDY SPACE CENTER AS AMERICA BLASTS OFF 277 00:14:49,222 --> 00:14:53,459 INTO A NEW AGE OF SPACE EXPLORATION. 278 00:14:53,526 --> 00:14:54,627 >> HEY! 279 00:14:54,694 --> 00:14:58,498 >> I AM OBSESSED WITH THE SPACE PROGRAM. 280 00:14:58,564 --> 00:15:01,033 >> YOU ALWAYS HAVE BEEN. 281 00:15:01,100 --> 00:15:03,102 >> WE ARE SPACING. 282 00:15:03,169 --> 00:15:04,437 WE ARE GOING INTO SPACE. 283 00:15:04,504 --> 00:15:07,607 >> IN FLORIDA, NASA AND HAVE A JOB TO DO. 284 00:15:07,673 --> 00:15:10,777 >> SPACE PROGRAM IS LIKE WE ARE BACK, BABY. 285 00:15:10,843 --> 00:15:13,079 >> FIRST TIME HUMANS HAVE BEEN UP IN NINE YEARS. 286 00:15:13,146 --> 00:15:17,817 >> THIS WILL MAKE THEM THE FIRST NASA ASTRONAUTS TO TRAVEL ABOARD 287 00:15:17,884 --> 00:15:21,621 AS SPACECRAFT NOT MADE BY NASA BUT BY ENTREPRENEUR ELON MUSK 288 00:15:21,687 --> 00:15:24,157 AND HIS FORWARD THINKING TEAM AT SPACEX. 289 00:15:24,223 --> 00:15:26,793 >> HE LAUNCHED THE TESLA INTO SPACE. 290 00:15:26,859 --> 00:15:27,593 >> YOU'RE LYING. 291 00:15:27,660 --> 00:15:28,795 >> I SWEAR. 292 00:15:28,861 --> 00:15:31,631 >> BIG MONTH FOR HIM. 293 00:15:31,697 --> 00:15:33,466 >> HAVING A BABY. 294 00:15:33,533 --> 00:15:34,100 SENDING A ROCKET TO SPACE. 295 00:15:34,167 --> 00:15:36,836 >> IT'S BEEN AN AMAZING DAY. 296 00:15:36,903 --> 00:15:40,206 WE SAW DOUG AND BOB IN THE ROOM GETTING THEIR SUITS ON. 297 00:15:40,273 --> 00:15:45,178 >> DID Y'ALL SEE THAT SUIT THEY GOT ON? 298 00:15:45,244 --> 00:15:46,512 THE SUIT WAS DOPE. 299 00:15:46,579 --> 00:15:49,215 >> WHO WAS THE SUIT DESIGNER? 300 00:15:49,282 --> 00:15:55,521 >> HOW ARE THEY GOING TO POOP IN THAT SUIT? 301 00:15:55,588 --> 00:15:58,758 HOW DOES IT COME OUT? 302 00:15:58,825 --> 00:15:59,892 IT'S A BIG CONSIDERATION. 303 00:15:59,959 --> 00:16:02,762 >> TODAY'S MONUMENTAL LAUNCH WILL ENTER INTO A NEW ERA OF 304 00:16:02,829 --> 00:16:05,131 SPACE TRAVEL. 305 00:16:05,198 --> 00:16:05,665 >> WHERE THEY GOING? 306 00:16:05,731 --> 00:16:07,800 >> THE SPACE STATION. 307 00:16:07,867 --> 00:16:09,669 >> WHERE IS IT? 308 00:16:09,735 --> 00:16:11,170 >> IN ORBIT. 309 00:16:11,237 --> 00:16:13,139 >> JUST HANGING OUT? 310 00:16:13,206 --> 00:16:16,476 >> YOU KNOW WHERE THE SPACE STATION IS. 311 00:16:16,542 --> 00:16:19,212 >> I DON'T KNOW WHERE THE SPACE STATION IS. 312 00:16:19,278 --> 00:16:22,248 >> YOU JUST TURN LEFT AT EARTH. 313 00:16:22,315 --> 00:16:24,417 >> TALKING ABOUT THE FUELING PROCESS. 314 00:16:24,484 --> 00:16:25,751 >> THAT IS FULL OF ROCKET FUEL. 315 00:16:25,818 --> 00:16:30,189 IT'S LIKE WHAT BRIAN POURS IN HIS GLASS. 316 00:16:30,256 --> 00:16:31,557 >> BOB AND DOUG AND THE CAPSULE. 317 00:16:31,624 --> 00:16:33,559 >> BEING CRAMPED UP LIKE THAT. 318 00:16:33,626 --> 00:16:35,228 I WOULD LOSE MY MIND. 319 00:16:35,294 --> 00:16:40,066 >> I'M OKAY TO BE COOPED UP. 320 00:16:40,132 --> 00:16:41,767 >> NO PROBLEM. 321 00:16:41,834 --> 00:16:43,336 I WILL JUST BE VOMITING EVERYWHERE. 322 00:16:43,402 --> 00:16:48,074 >> YOU'RE GOING TO HAVE THE FIRST STAGE AND SECOND STAGE 323 00:16:48,140 --> 00:16:48,875 SEPARATE. 324 00:16:48,941 --> 00:16:52,778 >> PROPEL THE SPACECRAFT INTO ORBIT. 325 00:16:52,845 --> 00:16:58,851 >> THEY WILL BE ACCELERATING FROM 0 TO 17,500 MILES AN HOUR 326 00:16:58,918 --> 00:17:00,319 IN ONLY 8 MINUTES. 327 00:17:00,386 --> 00:17:03,189 >> YOU AND I COULD NEVER GO UP AND SPACED TOGETHER. 328 00:17:03,256 --> 00:17:06,025 >> THIS IS ALL WHAT YOU WOULD SEE ON THE TV. 329 00:17:06,092 --> 00:17:08,494 >> IF I WERE YOUR AGE, I WOULD GO TO MARS BUT I'M GETTING A 330 00:17:08,561 --> 00:17:09,462 LITTLE OLD FOR THAT. 331 00:17:09,529 --> 00:17:12,765 YOU HAVE TO KIND OF BE ALIVE WHEN YOU REACH IT. 332 00:17:12,832 --> 00:17:14,734 >> THEY ARE READY TO GO. 333 00:17:14,800 --> 00:17:20,072 >> WE ARE GETTING VERY CLOSE TO THE T‐30 SECONDS. 334 00:17:20,139 --> 00:17:25,044 >> YOU GUYS, WE ARE WITNESSING HISTORY. 335 00:17:25,111 --> 00:17:26,112 >> 29, 28. 336 00:17:26,178 --> 00:17:28,714 >> THIS IS HOW THIS FEELS RIGHT HERE. 337 00:17:28,781 --> 00:17:30,416 >> IMAGINE WHAT YOUR HEART RATE WOULD BE. 338 00:17:30,483 --> 00:17:35,721 >> YOU HAVE NO IDEA WHETHER OR NOT YOU'RE GOING TO MAKE IT. 339 00:17:35,788 --> 00:17:37,723 NO OFFENSE, ELON MUSK. 340 00:17:37,790 --> 00:17:39,225 BUT [BLEEP]. 341 00:17:39,292 --> 00:17:42,261 >> HERE WE GO. 342 00:17:42,328 --> 00:17:52,305 >> NINE, EIGHT, SEVEN, SIX, FIVE, FOUR, THREE, TWO, ONE. 343 00:17:52,371 --> 00:17:56,576 LIFT OFF. 344 00:17:56,642 --> 00:17:59,145 >> MAN. 345 00:17:59,211 --> 00:18:00,713 >> OH, MY GOD. 346 00:18:00,780 --> 00:18:02,114 >> HEY! 347 00:18:02,181 --> 00:18:06,719 >> IMAGINE LIKE WRITING THE SPACESHIP. 348 00:18:06,786 --> 00:18:09,722 >> WHY DOES IT MAKE ME EMOTIONAL? 349 00:18:09,789 --> 00:18:13,559 >> YOU ALWAYS CRIED EVERY TIME THERE WAS A TAKEOFF. 350 00:18:13,626 --> 00:18:14,060 >> WHY? 351 00:18:14,126 --> 00:18:17,096 >> WHAT IS IT, BABY? 352 00:18:17,163 --> 00:18:18,230 >> I DON'T KNOW. 353 00:18:18,297 --> 00:18:22,101 >> SO HAPPY TO HAVE DONE THIS FROM AMERICAN SOIL AGAIN. 354 00:18:22,168 --> 00:18:25,271 GREAT DAY NOT JUST FOR THE UNITED STATES BUT FOR THE WHOLE 355 00:18:25,338 --> 00:18:27,506 WORLD. 356 00:18:27,573 --> 00:18:31,110 >> YES, WINNING, ELON. 357 00:18:31,177 --> 00:18:32,311 THAT'S HISTORY. 358 00:18:32,378 --> 00:18:35,514 >> GIVES ME GREAT PRIDE AS AN AMERICAN. 359 00:18:35,581 --> 00:18:39,518 >> IT'S SO BEAUTIFUL AND THERE'S SO MUCH CRAZY STUFF HAPPENING IN 360 00:18:39,585 --> 00:18:40,286 THE WORLD. 361 00:18:40,353 --> 00:18:44,290 >> RESPONSIBILITY TO ANOTHER WORLD. 362 00:18:44,357 --> 00:18:55,167 >> SOMETHING POSITIVE AND BEAUTIFUL ABOUT IT. 363 00:18:55,234 --> 00:18:58,070 >> Narrator: COMING UP. 364 00:18:58,137 --> 00:19:05,011 >> YOU LOVE "THE REAL HOUSEWIVES." 365 00:19:05,077 --> 00:19:08,014 >> Narrator: AND THEN... 366 00:19:08,080 --> 00:19:11,150 >> OH! 367 00:19:11,217 --> 00:19:17,089 >> IT'S MAKI 368 00:19:22,261 --> 00:19:22,795 >> Narrator: WELCOME BACK TO"CELEBRITY WATCH PARTY." 369 00:19:22,862 --> 00:19:23,696 IN LOS ANGELES. 370 00:19:23,763 --> 00:19:24,864 >> ME AND YOU USED TO FIGHT ALL THE TIME. 371 00:19:24,930 --> 00:19:27,466 TYPICALLY YOU WOULD GET REALLY DRAMATIC AND THE MORE CALM I 372 00:19:27,533 --> 00:19:31,470 WOULD GET, THE CRAZIER YOU WOULD GET TO. 373 00:19:31,537 --> 00:19:33,506 >> Narrator: MODEL AND BUSINESSWOMAN TYRA BANKS AND HER 374 00:19:33,572 --> 00:19:34,740 MOM, CAROLYN. 375 00:19:34,807 --> 00:19:38,644 >> YOU KNOW, I AM CALM RIGHT NOW MOM AND I DON'T UNDERSTAND WHY 376 00:19:38,711 --> 00:19:43,349 YOU'RE RAISING YOUR VOICE AND GETTING SO EMOTIONAL ABOUT THIS 377 00:19:43,416 --> 00:19:48,688 AND YOU GO RAHHR! 378 00:19:48,754 --> 00:19:50,723 YOU WOULD TURN INTO THE HULK. 379 00:19:50,790 --> 00:19:54,694 >> IT'S BECAUSE YOU ARE PATRONIZING ME. 380 00:19:54,760 --> 00:19:55,895 >> EXACTLY. 381 00:19:55,961 --> 00:19:56,362 >> Narrator: BRAVO DISHED OUT AND ANOTHER JUICY INSTALLMENT 382 00:19:56,429 --> 00:20:00,232 FROM THESE LADIES. 383 00:20:00,299 --> 00:20:03,302 >> YOU LOVE "THE REAL HOUSEWIVES. 384 00:20:03,369 --> 00:20:06,138 THEY ARE JUST YOUR TYPE. 385 00:20:06,205 --> 00:20:09,075 >> SHOULD WE DRINK? 386 00:20:09,141 --> 00:20:11,110 THEY'RE ALWAYS DRINKING. 387 00:20:11,177 --> 00:20:15,715 >> Narrator: WE CAUGHT UP WITH DENISE RICHARDS AS SHE GRAPPLED 388 00:20:15,781 --> 00:20:18,084 WITH A FAMILY DILEMMA. 389 00:20:18,150 --> 00:20:19,418 >> NOW WE ARE READY. 390 00:20:19,485 --> 00:20:20,686 NOW WE ARE READY. 391 00:20:20,753 --> 00:20:21,654 >> CHEERS, BABY. 392 00:20:21,721 --> 00:20:27,593 >> GOING TO HAVE TO GO WITH THE SUPER OCTANE. 393 00:20:27,660 --> 00:20:29,428 >> THIS IS DENISE RICHARDS. 394 00:20:29,495 --> 00:20:30,296 YOU'RE VERY FAMILIAR. 395 00:20:30,362 --> 00:20:31,597 >> WHO IS THAT GUY? 396 00:20:31,664 --> 00:20:34,600 >> I DON'T KNOW IF THAT'S HER MAN OR HER HUSBAND. 397 00:20:34,667 --> 00:20:49,348 >> IS HER‐‐ >> I DIDN'T HAVE A GREAT TIME. 398 00:20:49,415 --> 00:20:56,655 >> SHE REALIZED HER HUSBAND NEVER STOPS POSING. 399 00:20:56,722 --> 00:20:59,291 >> SAMMY OVERHEARD FIGHTING. 400 00:20:59,358 --> 00:21:05,464 SAMMY SAID THAT THEY OVERHEARD SOMEONE FIGHTING ABOUT A 401 00:21:05,531 --> 00:21:12,838 THREESOME. 402 00:21:12,905 --> 00:21:13,439 >> LORD. 403 00:21:13,506 --> 00:21:14,607 WE DIDN'T TALK LIKE THAT. 404 00:21:14,673 --> 00:21:15,841 >> BEING CHILDREN OF CHARLIE SHEEN CHARLIE SHEEN AND DENISE 405 00:21:15,908 --> 00:21:18,244 RICHARDS ALREADY COMES WITH A LOT OF BAGGAGE FOR OUR DAUGHTER. 406 00:21:18,677 --> 00:21:20,279 BECAUSE THEY'VE HEARD WAY WORSE ABOUT THEIR FATHER OR YOU OR 407 00:21:20,346 --> 00:21:23,382 WHATEVER, AND IT'S LIKE I DON'T NEED MY FRIENDS ADDING TO THE 408 00:21:23,449 --> 00:21:24,216 BAGGAGE. 409 00:21:24,283 --> 00:21:28,320 >> YOU SIGNED UP FOR "REAL HOUSEWIVES." 410 00:21:28,387 --> 00:21:29,488 >> THE KIDS ARE ALL GOOD. 411 00:21:29,555 --> 00:21:33,225 >> Narrator: LATER IN THE EPISODE, DENISE AND AARON HAD TO 412 00:21:33,292 --> 00:21:41,500 A FAMILY BARBECUE "HOUSEWIVES" STYLE. 413 00:21:41,567 --> 00:21:42,134 >> IT'S UNUSUAL. 414 00:21:42,201 --> 00:21:45,137 THEY ARE ALL GETTING ALONG. 415 00:21:45,204 --> 00:21:48,474 SOMETHING'S GOING TO HAPPEN. 416 00:21:48,541 --> 00:21:49,842 >> WHERE ARE YOUR KIDS? 417 00:21:49,909 --> 00:21:53,846 >> DO YOU THINK THAT I WOULD BRING THEM AROUND EVERYONE? 418 00:21:53,913 --> 00:21:58,350 >> NOT AFTER WHAT HAPPENED. 419 00:21:58,417 --> 00:22:01,487 >> WHAT DID YOU SAY? 420 00:22:01,554 --> 00:22:04,757 >> TO NOT BE WITHIN EARSHOT OF SO THEY ARE NOT HERE. 421 00:22:04,824 --> 00:22:07,660 >> I WOULDN'T BRING MY KIDS AROUND YOU. 422 00:22:07,726 --> 00:22:10,629 >> HONESTLY TODAY WAS A BEAUTIFUL FAMILY DAY. 423 00:22:10,696 --> 00:22:13,699 I WANT YOU TO FEEL LIKE YOU CAN'T HAVE YOUR KIDS AROUND. 424 00:22:13,766 --> 00:22:15,801 >> THERE ARE SOME ISSUES. 425 00:22:15,868 --> 00:22:18,637 >> CAN'T EVEN BE MAD AT HER FOR PROTECTING HER CHILDREN. 426 00:22:18,704 --> 00:22:20,539 WHY ARE YOU MAKING IT AN ISSUE? 427 00:22:20,606 --> 00:22:23,475 >> IT IS SUCH A NOTHING THING. 428 00:22:23,542 --> 00:22:26,512 >> YOU'RE NO LONGER COMFORTABLE TO BRING YOUR KIDS IN HER 429 00:22:26,579 --> 00:22:27,046 PRESENCE? 430 00:22:27,112 --> 00:22:28,647 >> I NEVER SAID THAT. 431 00:22:28,714 --> 00:22:32,384 >> BUT YOU DO IF YOU'RE COMFORTABLE BRINGING YOUR KIDS 432 00:22:32,451 --> 00:22:32,918 AROUND US? 433 00:22:32,985 --> 00:22:34,153 >> NOW I'M INTO THIS. 434 00:22:34,220 --> 00:22:38,257 >> HOW IT WAS PRESENTED PRIOR WAS BECAUSE OF OUR GROUP IS WHY 435 00:22:38,324 --> 00:22:40,526 YOU DIDN'T WANT TO BRING THEM, SO THAT'S THE CONFUSION. 436 00:22:40,593 --> 00:22:44,196 >> EVEN IF SHE FELT THAT WAY, IT'S HER RIGHT. 437 00:22:44,263 --> 00:22:46,131 >> IS SHE THE ONLY GUY AT THE TABLE? 438 00:22:46,198 --> 00:22:49,568 >> WHEN YOU ARE THE ONLY MAN AT THE TABLE YOU SHOULD SIT THERE 439 00:22:49,635 --> 00:22:50,236 AND SHUT UP. 440 00:22:50,302 --> 00:22:51,770 >> HOW DO I MAKE YOU LOOK BAD? 441 00:22:51,837 --> 00:22:55,741 >> YOU'RE GOING TO GET CRUCIFIED RIGHT NOW, MY FRIEND. 442 00:22:55,808 --> 00:22:56,742 >> IT'S NOT GOOD. 443 00:22:56,809 --> 00:23:00,446 >> ONLY SOMETHING BAD IS GOING TO COME OUT OF IT. 444 00:23:00,512 --> 00:23:03,215 >> BECAUSE HE'S GOING TO SAY SOMETHING LIKE THAT. 445 00:23:03,282 --> 00:23:07,052 >> ONE OF THEM GIRLS, IT'S GOING TO BE HER TRIGGER WORD. 446 00:23:07,119 --> 00:23:11,357 >> THE ISSUE IS JUST‐‐ >> THERE IS NO ISSUE, THAT'S MY 447 00:23:11,423 --> 00:23:12,758 POINT. 448 00:23:12,825 --> 00:23:14,727 YOU ARE MAKING AN ISSUE OUT OF NOTHING AND IT'S RIDICULOUS. 449 00:23:14,793 --> 00:23:17,363 >> DON'T SAY THAT. 450 00:23:17,429 --> 00:23:18,530 >> MISTAKE. 451 00:23:18,597 --> 00:23:20,499 >> NO ISSUE, RIGHT, LADIES? 452 00:23:20,566 --> 00:23:22,501 ALL RIGHT, MOVING ON. 453 00:23:22,568 --> 00:23:24,436 LOOKS LIKE THERE'S SOMETHING ELSE. 454 00:23:24,503 --> 00:23:25,371 THANK YOU. 455 00:23:25,437 --> 00:23:27,606 >> NOBODY WANTS TO GET SCHOOLED FROM AARON. 456 00:23:27,673 --> 00:23:30,776 EVERYONE IS LIKE AARON, WE ARE HAVING A GIRL MOMENT, JUST LET 457 00:23:30,843 --> 00:23:35,714 US HAVE AT TEN LEAVE US US ALONE. 458 00:23:35,781 --> 00:23:42,621 >> YOU ARE [BLEEP] >> THEY ARE SAVAGES. 459 00:23:42,688 --> 00:23:43,722 >> I AM DONE. 460 00:23:43,789 --> 00:23:44,423 WE ARE LEAVING. 461 00:23:44,490 --> 00:23:46,225 I AM LEAVING. 462 00:23:46,292 --> 00:23:48,460 I AM LEAVING. 463 00:23:48,527 --> 00:23:52,231 GET UP. 464 00:23:52,298 --> 00:23:53,732 >> SO DRAMATIC. 465 00:23:53,799 --> 00:23:55,134 IS IT REAL? 466 00:23:55,200 --> 00:23:56,302 IS IT REAL? 467 00:23:56,368 --> 00:23:59,138 >> DENISE, IT IS SO SILLY TO LEAVE LIKE THAT. 468 00:23:59,204 --> 00:24:02,474 >> YOU SHOULD'VE THOUGHT OF THAT EARLIER AND JUST BEEN NICE. 469 00:24:02,541 --> 00:24:05,210 >> MAYBE DON'T SAY ANYTHING. 470 00:24:05,277 --> 00:24:06,111 WE ARE ON THE CAMERA. 471 00:24:06,178 --> 00:24:11,250 >> WHY? 472 00:24:11,317 --> 00:24:13,452 >> DON'T TELL ME WHAT TO SAY. 473 00:24:13,519 --> 00:24:15,788 >> WHAT DID HE SAY? 474 00:24:15,854 --> 00:24:20,259 HE SAID DON'T TELL ME WHAT TO SAY. 475 00:24:20,326 --> 00:24:23,562 I'M GOING TO CRUSH YOU. 476 00:24:23,629 --> 00:24:28,600 >> DOESN'T HAVE A TRY EXCEPT WORK OUT HE HAS TO DO? 477 00:24:28,667 --> 00:24:32,137 >> I DON'T WANT YOU TO LEAVE LIKE THAT. 478 00:24:32,204 --> 00:24:34,606 >> WELL. 479 00:24:34,673 --> 00:24:37,509 >> I'M NEVER GOING TO GO TO ONE OF THESE BARBECUES. 480 00:24:37,576 --> 00:24:42,147 >> THEY WILL BE BACK TOGETHER NEXT WEEK. 481 00:24:42,214 --> 00:24:48,153 >> THEY SHOULD BE CALLED "THE DESPERATE HOUSEWIVES OF 482 00:24:48,220 --> 00:24:49,655 BEVERLY HILLS. 483 00:24:49,722 --> 00:24:56,295 THEY ARE DRUNK ALL THE 484 00:24:59,932 --> 00:25:07,740 >> Narrator: WELCOME BACK TO"CELEBRITY WATCH PARTY." 485 00:25:07,806 --> 00:25:08,874 IN ST. LOUIS. 486 00:25:08,941 --> 00:25:09,575 >> I CANNOT IMAGINE ANYONE IN THIS LIFE, FOR INSTANCE MY 487 00:25:09,641 --> 00:25:10,709 MOTHER DOESN'T KNOW HOW TO SWIM. 488 00:25:10,776 --> 00:25:15,180 >> Narrator: SPORTSCASTERS JOE BUCK AND HIS WIFE MICHELLE 489 00:25:15,247 --> 00:25:15,981 BEISNER‐BUCK. 490 00:25:16,048 --> 00:25:19,451 >> WE'VE BEEN TOGETHER FOR HOW LONG? 491 00:25:19,518 --> 00:25:20,386 15, 20 YEARS? 492 00:25:20,452 --> 00:25:22,488 >> NO, THAT'S HOW MUCH OLDER YOU ARE FOR ME. 493 00:25:22,554 --> 00:25:25,657 >> I DIDN'T KNOW THAT YOUR MOTHER DOESN'T KNOW HOW TO SWIM. 494 00:25:25,724 --> 00:25:30,529 >> SHE DOESN'T KNOW HOW TO SWIM, SO IF YOU WANT TO GET RID OF HER 495 00:25:30,596 --> 00:25:34,199 REALLY QUICK, PUSH IN OUR POOL. 496 00:25:34,266 --> 00:25:40,406 >> MARY, LET'S TAKE A WALK ON THE POOL. 497 00:25:40,472 --> 00:25:45,644 >> Narrator: ON TLC, AN EPISODE WHERE PEOPLE PUT THEIR 498 00:25:45,711 --> 00:25:48,514 BEST FOOT FORWARD. 499 00:25:48,580 --> 00:25:58,424 >> THIS PROGRAM EXAMINES PODIATRIC MEDICAL PROCEDURES. 500 00:25:58,490 --> 00:26:01,660 >> NO, NO, NO, NO. 501 00:26:01,727 --> 00:26:05,364 >> MY FEET ARE SO FUNKY AND DISGUSTING FROM DANCE. 502 00:26:05,431 --> 00:26:08,634 I'VE GOT BUNIONS. 503 00:26:08,700 --> 00:26:23,582 I DO NOT LIKE FEET. 504 00:26:23,649 --> 00:26:26,819 I DO NOT LIKE FEET. 505 00:26:26,885 --> 00:26:27,586 >> I NEED TO BE ON THIS SHOW. 506 00:26:27,653 --> 00:26:28,687 I NEED DOCTORS TO FIX MY FEET TOO. 507 00:26:28,754 --> 00:26:29,221 >> WHAT ARE YOU TALKING ABOUT? 508 00:26:29,288 --> 00:26:30,089 YOUR FEET ARE PERFECT. 509 00:26:30,155 --> 00:26:30,589 NOT PERFECT‐PERFECT BUT THEY ARE NOT BAD. 510 00:26:30,656 --> 00:26:31,223 >> LET'S TAKE NOTES. 511 00:26:31,290 --> 00:26:32,291 >> Narrator: WE MET ROBERT. 512 00:26:32,357 --> 00:26:35,694 HE'S BEEN KEEPING MORE THAN JUST HIS BAD FEET SECRET. 513 00:26:35,761 --> 00:26:38,163 >> MORE THAN 20 YEARS NOW. 514 00:26:38,230 --> 00:26:41,567 >> OH, NO. 515 00:26:41,633 --> 00:26:42,701 >> I'M NOT AGAINST IT. 516 00:26:42,768 --> 00:26:48,707 >> PUT SOME CLOTHES ON. 517 00:26:48,774 --> 00:26:50,375 >> I DO NEW BEACHES. 518 00:26:50,442 --> 00:26:54,279 >> WHAT HAS A GOT TO DO WITH HIS FEET? 519 00:26:54,346 --> 00:26:57,749 >> TOENAIL FUNGUS. 520 00:26:57,816 --> 00:27:01,320 THE NAIL HAS FELL OFF A COUPLE TIMES. 521 00:27:01,386 --> 00:27:02,654 >> I'M NOT WATCHING THE SHOW. 522 00:27:02,721 --> 00:27:04,690 >> I'M EMBARRASSED ABOUT IT. 523 00:27:04,756 --> 00:27:08,527 THERE'S SOMETHING THAT'S GOT TO BE DONE. 524 00:27:08,594 --> 00:27:11,730 >> NOT EVEN LOOKING AT THE TV. 525 00:27:11,797 --> 00:27:12,331 >> HELLO. 526 00:27:12,397 --> 00:27:15,701 HOW ARE YOU? 527 00:27:15,767 --> 00:27:19,071 >> LOOKS LIKE A FAKE DOCTOR. 528 00:27:19,138 --> 00:27:22,141 LOOKS LIKE A BOY BAND. 529 00:27:22,207 --> 00:27:25,077 >> THOSE FOOT MASSAGES HE MUST BE ABLE TO GIVE. 530 00:27:25,144 --> 00:27:30,749 >> I HAVE BEEN A NUDIST FOR ABOUT 20 YEARS. 531 00:27:30,816 --> 00:27:34,086 >> JUST WALKING AROUND FREE AS A BIRD? 532 00:27:34,153 --> 00:27:40,392 >> FREE AS A BIRD. 533 00:27:40,459 --> 00:27:44,129 >> IT'S JUST A TOTAL. 534 00:27:44,196 --> 00:27:51,236 >> NO IT'S NOT. 535 00:27:51,303 --> 00:27:51,603 IT'S FUNGI. 536 00:27:51,670 --> 00:27:57,743 >> OH! 537 00:27:57,809 --> 00:28:02,714 >> THAT LOOKS LIKE MY BIG TOE RIGHT HERE, THE ONE I COULDN'T 538 00:28:02,781 --> 00:28:06,485 CUT THE OTHER DAY. 539 00:28:06,552 --> 00:28:08,754 >> THEY ARE A LITTLE YELLOW. 540 00:28:08,820 --> 00:28:09,988 THEY ARE BRITTLE. 541 00:28:10,055 --> 00:28:14,760 THEY ARE KIND OF FALLING OFF AND FLAKING OFF IN CERTAIN SPOTS. 542 00:28:14,826 --> 00:28:17,763 >> I WAS GOING TO SAY. 543 00:28:17,829 --> 00:28:22,434 >> THAT BOY NEEDS TO KEEP HIS CLOTHES ON AND KEEP SOME SOCKS 544 00:28:22,501 --> 00:28:23,202 ON THEM FEET. 545 00:28:23,268 --> 00:28:27,172 >> IT LOOKS LIKE HIS TOE EXPLODED. 546 00:28:27,239 --> 00:28:31,276 >> IT'S VERY CRUSTY, KIND OF BUBBLY AND BRITTLE, ALMOST LIKE 547 00:28:31,343 --> 00:28:32,511 POTATO CHIPS. 548 00:28:32,578 --> 00:28:34,780 >> COME ON, MAN. 549 00:28:34,846 --> 00:28:35,981 I LIKE POTATO CHIPS. 550 00:28:36,048 --> 00:28:43,188 >> I'VE SEEN POTATO CHIPS THAT LOOK WORSE IF THAT'S WHAT YOU 551 00:28:43,255 --> 00:28:44,089 MEAN. 552 00:28:44,156 --> 00:28:47,125 >> WE ARE GOING TO REMOVE IT. 553 00:28:47,192 --> 00:28:50,495 >> NOT TODAY, SATAN. 554 00:28:50,562 --> 00:28:51,663 NOT TODAY. 555 00:28:51,730 --> 00:28:53,532 >> I PREFER PIMPLES. 556 00:28:53,599 --> 00:28:54,766 >> I LIKE TOOLS. 557 00:28:54,833 --> 00:28:56,702 >> I WANT TO GET IN THERE. 558 00:28:56,768 --> 00:29:00,305 I WANT TO GET TOOLS AND I WANT TO DIG AND GET THE CUTICLES AND 559 00:29:00,372 --> 00:29:01,540 THE HANGNAIL'S. 560 00:29:01,607 --> 00:29:06,278 >> I'M GOING TO NOME THIS TOE BECAUSE IT'S THE ONLY ONE WE ARE 561 00:29:06,345 --> 00:29:06,678 TAKING OFF. 562 00:29:06,745 --> 00:29:08,280 A PINCH. 563 00:29:08,347 --> 00:29:09,448 ONE, TWO, THREE PINCH. 564 00:29:09,514 --> 00:29:12,784 THE FIRST STEP IN TREATMENT AS WE ARE GOING TO REMOVE THAT 565 00:29:12,851 --> 00:29:14,453 UNSIGHTLY TOENAIL, HIS BIG TOENAIL. 566 00:29:14,519 --> 00:29:19,157 THAT WE ARE GOING TO FREE UP THE MAIL. 567 00:29:19,224 --> 00:29:19,725 >> OH, NO! 568 00:29:19,791 --> 00:29:22,094 >> OH! 569 00:29:22,160 --> 00:29:30,168 >> OH, [BLEEP] >> NO! 570 00:29:30,235 --> 00:29:30,469 >> NO! 571 00:29:30,535 --> 00:29:31,670 >> OH! 572 00:29:31,737 --> 00:29:34,339 >> NO. 573 00:29:34,406 --> 00:29:36,174 NO, IT'S MAKING ME SICK. 574 00:29:36,241 --> 00:29:39,711 >> YOU WANTED TO GET UP IN THERE. 575 00:29:39,778 --> 00:29:41,680 [LAUGHS] HE'S GETTING UP IN THERE. 576 00:29:41,747 --> 00:29:44,349 >> KNOW WE ARE JUST GOING TO LIFT IT OFF. 577 00:29:44,416 --> 00:29:48,787 IT MIGHT COME OFF IN PIECES JUST BECAUSE OF HOW FUNGAL IT IS. 578 00:29:48,854 --> 00:29:55,227 >> OOH! 579 00:29:55,294 --> 00:30:01,333 [LAUGHTER] >> I LIKE IT. 580 00:30:01,400 --> 00:30:05,170 >> CATCH ME OUTSIDE, OKAY? 581 00:30:05,237 --> 00:30:07,239 CATCH ME OUTSIDE. 582 00:30:07,306 --> 00:30:09,775 >> NICE AND CLEAN. 583 00:30:09,841 --> 00:30:11,243 THE NAIL IS COMPLETELY REMOVED. 584 00:30:11,310 --> 00:30:13,412 >> OH, MY GOSH, NO. 585 00:30:13,478 --> 00:30:17,082 >> THE VISIT WITH THE DOCTOR WENT GREAT. 586 00:30:17,149 --> 00:30:19,751 I FEEL A LOT MORE COMFORTABLE ABOUT MY NEW TOES. 587 00:30:19,818 --> 00:30:23,588 >> IT DOES LOOK A HELL OF A LOT BETTER. 588 00:30:23,655 --> 00:30:26,258 IF HIS TOENAILS COME BACK LOOKING PURE, I'M GOING TO SEE 589 00:30:26,325 --> 00:30:26,892 THE DOCTOR. 590 00:30:26,958 --> 00:30:29,594 >> YOUR TOENAILS LOOK GOOD. 591 00:30:29,661 --> 00:30:31,096 YOU HAVE LIKE FLINTSTONE FEET. 592 00:30:31,163 --> 00:30:35,233 >> YOU'RE WEIRD, SLANTED TOE. 593 00:30:35,300 --> 00:30:37,769 YOUR FEET ARE KILLING ME. 594 00:30:37,836 --> 00:30:45,510 >> MAMA, LET'S DO A SHOW ABOUT BOOTIES. 595 00:30:45,577 --> 00:30:46,645 WITH PIMPLES ON THEM. 596 00:30:46,712 --> 00:30:49,848 WE LAY PEOPLE ON THE BED AND WE JUST POPPED THERE BOOTY 597 00:31:00,859 --> 00:31:04,129 >> Narrator: WELCOME BACK TO "CELEBRITY WATCH PARTY." 598 00:31:04,196 --> 00:31:04,963 IN LOS ANGELES. 599 00:31:05,030 --> 00:31:13,772 >> WHY DOES EVERYTHING IN THIS HOUSE‐‐ 600 00:31:13,839 --> 00:31:15,273 SMELL LIKE THE TRULY OIL? 601 00:31:15,340 --> 00:31:20,112 IT'S ONE OF THE CLEANING PRODUCTS. 602 00:31:20,178 --> 00:31:28,153 >> EVERYTHING SMELLS LIKE PATCHOULI OIL. 603 00:31:28,220 --> 00:31:31,656 >> IT SMELLS LIKE A HIPPIE'S BALM. 604 00:31:31,723 --> 00:31:36,628 >> Narrator: LIFETIME BROUGHT US THIS WONDER FROM DOWN UNDER. 605 00:31:36,695 --> 00:31:39,564 >> WHAT THE HELL IS THIS? 606 00:31:39,631 --> 00:31:45,804 >> "MARRIED AT FIRST SIGHT." 607 00:31:45,871 --> 00:31:55,881 PREAMBLE TO "‐‐ >> YOU DON'T MEET THE PERSON YOU 608 00:31:55,947 --> 00:31:59,518 GET MARRIED TOO UNTIL YOU WALK DOWN THE AISLE WITH THEM. 609 00:31:59,584 --> 00:32:01,520 >> WHAT IF IT'S SOMEONE YOU DON'T LIKE? 610 00:32:01,586 --> 00:32:06,057 >> AND THEN MOST OF THE TIME THEY HATE EACH OTHER AND IT'S 611 00:32:06,124 --> 00:32:07,225 GREAT TV. 612 00:32:07,292 --> 00:32:13,198 >> Narrator: WE MET NATASHA, LOOKING FOR A CHANGE AFTER ONE 613 00:32:13,265 --> 00:32:14,166 TOO MANY FAILED RELATIONSHIPS WITH OLDER MEN. 614 00:32:14,232 --> 00:32:17,502 >> WHAT SORT OF AGE GAP? 615 00:32:17,569 --> 00:32:21,206 >> I WAS 21 DATING A 42‐YEAR‐OLD. 616 00:32:21,273 --> 00:32:28,346 WHEN I WAS 25, I WAS DATING A 52‐YEAR‐OLD. 617 00:32:28,413 --> 00:32:32,517 >> SHE HAS DADDY ISSUES? 618 00:32:32,584 --> 00:32:36,188 >> SHE SEEMS TOTALLY NORMAL. 619 00:32:36,254 --> 00:32:40,826 >> I AM TOO SCARED TO MAKE MY OWN DECISIONS ABOUT WHO TO LOVE. 620 00:32:40,892 --> 00:32:42,761 I AM DESPERATE FOR THE EXPERTS HELP. 621 00:32:42,828 --> 00:32:45,197 I WANT A MAN WHO WILL GET TO KNOW ME. 622 00:32:45,263 --> 00:32:49,201 >> SHE HAS GOT A DRESS AND SHE DOESN'T EVEN KNOW WHO FOR. 623 00:32:49,267 --> 00:32:52,804 >> WE STILL HAVE ONE UNMARRIED CHILD. 624 00:32:52,871 --> 00:32:54,239 MAYBE WE COULD SIGN HIM UP. 625 00:32:54,306 --> 00:33:07,085 >> I THINK IT MIGHT BE A GOOD MATCH, MIKEY. 626 00:33:07,152 --> 00:33:07,886 THEY ARE AT A SIMILAR AGE. 627 00:33:07,953 --> 00:33:08,854 HE IS AMBITIOUS AND VERY SUCCESSFUL. 628 00:33:08,920 --> 00:33:10,121 >> SO IT'S NOT EVEN LIKE YOU PICK YOUR PERSON. 629 00:33:10,188 --> 00:33:11,122 THEY PICK YOUR PERSON. 630 00:33:11,189 --> 00:33:14,092 >> THEY PICK YOUR PERSON, SEE YOU AT THE ALTAR. 631 00:33:14,159 --> 00:33:15,560 >> MAYBE SHE'S SO TIRED OF IT. 632 00:33:15,627 --> 00:33:18,330 SHE'S TRUSTING THESE PEOPLE TO DO IT FOR HER. 633 00:33:18,396 --> 00:33:21,233 >> THIS IS THE LAST RESORT. 634 00:33:21,299 --> 00:33:25,604 >> AS LONG SHE CAN SEE PAST HIS AGE, THINK WHAT SHE'S GOING TO 635 00:33:25,670 --> 00:33:30,175 FIND IS HE IS AMBITIOUS AND HE CAN CHALLENGE HER. 636 00:33:30,242 --> 00:33:36,481 >> I RECKON THEY ARE A GOOD MATCH. 637 00:33:36,548 --> 00:33:39,818 >> THOSE EXPERTS NEED TO CHANGE THEIR JOB. 638 00:33:39,885 --> 00:33:42,587 >> Narrator: WITH A HAS‐BEEN SELECTED, ALL IT WAS LEFT TO DO 639 00:33:42,654 --> 00:33:44,155 WAS TIE THE KNOT. 640 00:33:44,222 --> 00:33:51,129 >> WHOEVER THOUGHT MY WEDDING WOULD THE WITH A COMPLETE 641 00:33:51,196 --> 00:33:55,600 STRANGER. 642 00:33:55,667 --> 00:33:58,270 >> THIS IS A LITTLE KID. 643 00:33:58,336 --> 00:34:01,072 SHE IS USED TO GROWN MEN. 644 00:34:01,139 --> 00:34:03,675 >> PHYSICALLY I FEEL SICK IN MY STOMACH. 645 00:34:03,742 --> 00:34:07,412 I DON'T KNOW THE PERSON MUST GOING TO WALK DOWN THE AISLE. 646 00:34:07,479 --> 00:34:12,284 >> WHAT IF SOMEONE BREATHES DIFFERENT THAN YOU. 647 00:34:12,350 --> 00:34:14,386 INSTEAD OF LIKE NORMAL BREATHING AND YOU'RE GETTING MARRIED TO 648 00:34:14,452 --> 00:34:15,053 THEM. 649 00:34:15,120 --> 00:34:17,756 >> SOMEONE COULD SMELL WEIRD. 650 00:34:17,822 --> 00:34:20,458 HAVE YOU EVER BEEN SOMEONE WHO SMELLS WEIRD. 651 00:34:20,525 --> 00:34:22,093 >> HAD THEY HAVE A WEIRD SMELL. 652 00:34:22,160 --> 00:34:25,830 >> THEY COULD BE A BLOOD HE ASKED MURDERER. 653 00:34:25,897 --> 00:34:31,303 WHO KNOWS. 654 00:34:31,369 --> 00:34:37,309 >> SHE'S NOT GOING TO LIKE HIM. 655 00:34:37,375 --> 00:34:38,243 >> I KNEW IT. 656 00:34:38,310 --> 00:34:45,350 >> SHE WILL DEVOUR HIM. 657 00:34:45,417 --> 00:34:49,821 >> WE HAVE THE MEAN GIRLS TABLE. 658 00:34:49,888 --> 00:34:54,259 >> SHE'S GOING TO GO, WHERE IS YOUR DAD? 659 00:34:54,326 --> 00:34:57,362 >> [LAUGHS] >> I WANT TO SEE MY TEAMMATE 660 00:34:57,429 --> 00:35:04,736 STANDING THERE, SOMEBODY THAT'S NOT THREATENED BY MY SUCCESS. 661 00:35:04,803 --> 00:35:07,672 >> HERE COMES THE BRIDE, HERE COMES THE BRIDE. 662 00:35:07,739 --> 00:35:11,176 >> GIVING YOU TO SOME MAN I DON'T EVEN KNOW. 663 00:35:11,242 --> 00:35:17,048 >> GET READY FOR THE TRAIN WRECK. 664 00:35:17,115 --> 00:35:17,549 >> WOW. 665 00:35:17,616 --> 00:35:19,284 >> LOOK AT HER FACE. 666 00:35:19,351 --> 00:35:20,518 LOOK AT HER FACE. 667 00:35:20,585 --> 00:35:24,756 >> I CAN'T BELIEVE THAT SHE'S ACTUALLY GETTING MARRIED TO ME. 668 00:35:24,823 --> 00:35:26,257 >> HELLO. 669 00:35:26,324 --> 00:35:28,293 >> SHE'S DEVASTATED. 670 00:35:28,360 --> 00:35:30,128 >> NATASHA. 671 00:35:30,195 --> 00:35:31,630 >> MIKEY. 672 00:35:31,696 --> 00:35:34,165 >> THAT'S AWKWARD. 673 00:35:34,232 --> 00:35:34,966 >> JUST A LITTLE. 674 00:35:35,033 --> 00:35:38,303 >> THIS IS "MARRIED AT FIRST SIGHT." 675 00:35:38,370 --> 00:35:41,573 WHAT IF I SAW ONE OF HER BRIDESMAIDS AND I WAS LIKE HEY, 676 00:35:41,640 --> 00:35:44,509 I WOULD RATHER HAVE HER. 677 00:35:44,576 --> 00:35:47,545 >> THIS IS SO CRAZY. 678 00:35:47,612 --> 00:35:50,515 >> DURING THIS CRAZY CHAPTER WE ARE ABOUT TO EMBARK ON, I 679 00:35:50,582 --> 00:35:54,285 PROMISE I WILL BE DEVOTED TO YOU COMPLETELY. 680 00:35:54,352 --> 00:35:55,253 >> THIS IS INSANE. 681 00:35:55,320 --> 00:35:58,223 >> WOULD YOU MARRY ME? 682 00:35:58,289 --> 00:36:05,296 >> I LOVE YOU JUST THE WAY YOU ARE. 683 00:36:05,363 --> 00:36:10,435 >> WE START TODAY A STRANGERS BUT WILL END UP AS HUSBAND AS 684 00:36:10,502 --> 00:36:13,338 HUSBAND AND WIFE AND I VOWED TO ALWAYS BE YOUR TEAMMATE NO 685 00:36:13,405 --> 00:36:14,305 MATTER WHAT COMES OUR WAY. 686 00:36:14,372 --> 00:36:17,208 >> WHY DO I WANT THIS TO WORK? 687 00:36:17,275 --> 00:36:32,190 >> YOU MAY NOW KISS YOUR BRIDE. 688 00:36:32,257 --> 00:36:33,391 >> YOU MAY NOW KISS YOUR BRIDE. 689 00:36:33,458 --> 00:36:36,227 >> I THINK THEY'RE GOING TO WORK. 690 00:36:36,294 --> 00:36:37,696 WHAT MORE PROOF DO YOU NEED? 691 00:36:37,762 --> 00:36:40,231 >> SHE DOES SEEM LIKE SHE'S GOT A WARM HEART. 692 00:36:40,298 --> 00:36:44,235 I'M REALLY HAPPY WITH HOW THINGS AND GONE SO FAR. 693 00:36:44,302 --> 00:36:45,503 >> ISN'T IT RIDICULOUS? 694 00:36:45,570 --> 00:36:47,305 WHAT'S SHE GOING TO DO? 695 00:36:47,372 --> 00:36:52,077 ARE THEY GOING TO HAVE SEX TONIGHT? 696 00:36:52,143 --> 00:36:54,345 WHAT ARE THEY GOING TO DO? 697 00:36:54,412 --> 00:36:55,780 >> ARE YOU HAPPY? 698 00:36:55,847 --> 00:36:57,248 >> VERY HAPPY. 699 00:36:57,315 --> 00:37:02,253 >> ARE THEY BOTH VIRGINS? 700 00:37:02,320 --> 00:37:03,288 >> I DON'T KNOW. 701 00:37:03,354 --> 00:37:05,123 >> SHOULD WE GO TO BED? 702 00:37:05,190 --> 00:37:07,325 >> YEAH, LET'S DO IT. 703 00:37:07,392 --> 00:37:09,427 >> DO WE GET TO SEE THIS PART? 704 00:37:09,494 --> 00:37:12,263 >> MOTHER, OF COURSE NOT. 705 00:37:12,330 --> 00:37:17,235 >> THIS IS TENDER IN A WEDDING DRESS. 706 00:37:17,302 --> 00:37:20,238 >> IT'S TRUE LOVE MILLENNIAL STYLE. 707 00:37:20,305 --> 00:37:22,774 >> I CAN'T WAIT TO CHECK ON THEM IN A MONTH AND A HALF. 708 00:37:22,841 --> 00:37:27,078 >> I CAN'T WAIT TO CHECK ON THEM IN AN HOUR AND A HALF. 709 00:37:27,145 --> 00:37:28,213 >> Narrator: COMING UP. 710 00:37:28,279 --> 00:37:34,753 >> I WOKE UP ONE TO SEE THE WORLD BURNED DOWN YESTERDAY. 711 00:37:34,819 --> 00:37:36,387 TIRED OF SEEING BLACK BEINGS DIED. 712 00:37:36,454 --> 00:37:38,456 >> EVERY DAY FOR BLACK 713 00:37:47,665 --> 00:37:48,733 >> Narrator: WELCOME BACK TO"CELEBRITY WATCH PARTY." 714 00:37:48,800 --> 00:37:52,170 >> I WANT TO TELL YOU THAT I AM PROUD OF YOU FOR HAVING 715 00:37:52,237 --> 00:37:55,306 INTEGRITY AND GETTING OUT THERE, STANDING UP THERE FOR WHAT'S 716 00:37:55,373 --> 00:37:56,541 RIGHT. 717 00:37:56,608 --> 00:38:00,411 A LOT OF PEOPLE DON'T UNDERSTAND THAT THAT WE HAVE TO STAND UP. 718 00:38:00,478 --> 00:38:04,249 AT THE END OF THE DAY, ALL WE REALLY WANT IS PEACE BUT 719 00:38:04,315 --> 00:38:08,419 SOMETIMES YOU KNOW WHEN YOU LOOK AT IT, YOU HAVE TO GET OUT THERE 720 00:38:08,486 --> 00:38:09,788 AND STAND UP FOR WHAT YOU BELIEVE IN. 721 00:38:09,854 --> 00:38:12,757 AND NOW PEOPLE ARE OUT HERE LOOTING. 722 00:38:12,824 --> 00:38:14,392 THERE DOING THINGS. 723 00:38:14,459 --> 00:38:17,095 THEY REALLY WANT TO BE HEARD. 724 00:38:17,162 --> 00:38:18,263 IT'S NOT JUST AFRICAN‐AMERICAN. 725 00:38:18,329 --> 00:38:23,368 >> THIS IS MY THING, WITH LOOTING AND ALL THAT STUFF, THE 726 00:38:23,434 --> 00:38:27,772 MORE VIOLENT PROTESTS, THAT'S NOT A LIFE. 727 00:38:27,839 --> 00:38:31,176 AT THE END OF THE DAY, SOMEBODY BREAKING A STORE ISN'T TAKING A 728 00:38:31,242 --> 00:38:31,843 LIFE. 729 00:38:31,910 --> 00:38:35,413 ONE ARMY GOING TO VALUE LIVES? 730 00:38:35,480 --> 00:38:35,647 >> ‐‐ WHEN >> LOS ANGELES IS LIT. 731 00:38:41,653 --> 00:38:48,293 >> SOON AFTER THE PROTEST OVER GEORGE FLOYD'S DEATH HAD BEGUN, 732 00:38:48,359 --> 00:38:50,662 ONE MAN SPOKE WITH REPORTERS. 733 00:38:50,728 --> 00:38:53,331 >> I DIDN'T WANT TO COME AND I DON'T WANT TO BE HERE. 734 00:38:53,398 --> 00:38:56,167 >> KILLER MIKE IS VERY IMPRESSIVE. 735 00:38:56,234 --> 00:38:59,337 EVERY TIME HE SPEAKS, I LIKE HEARING FROM HIM. 736 00:38:59,404 --> 00:39:04,309 >> I WATCHED A WHITE OFFICER ASSASSINATE A BLACK MAN, AND I 737 00:39:04,375 --> 00:39:06,611 KNOW THAT THAT TORE YOUR HEART OUT. 738 00:39:06,678 --> 00:39:12,784 >> CAN YOU IMAGINE THE FEELING IN THAT INTERSECTION RIGHT NOW, 739 00:39:12,851 --> 00:39:14,352 THE TENSION. 740 00:39:14,419 --> 00:39:14,786 >> THE RAGE. 741 00:39:14,853 --> 00:39:16,387 >> THE RAGE. 742 00:39:16,454 --> 00:39:19,190 >> IT KEEPS HAPPENING OVER AND OVER AGAIN. 743 00:39:19,257 --> 00:39:20,258 WHAT DO YOU EXPECT? 744 00:39:20,325 --> 00:39:24,329 >> I AM RESPONSIBLE TO BE HERE BECAUSE IT WASN'T JUST 745 00:39:24,395 --> 00:39:30,235 DR. KING AND PEOPLE DRESSED NICELY WHO MARCHED AND PROTESTED 746 00:39:30,301 --> 00:39:34,339 IN THIS CITY AND SO MANY OTHER CITIES. 747 00:39:34,405 --> 00:39:39,777 IT'S YOUR DUTY NOT TO BURN YOUR OWN HOUSE DOWN FOR ANGER WITH AN 748 00:39:39,844 --> 00:39:41,012 ENEMY. 749 00:39:41,079 --> 00:39:46,651 IT IS YOUR DUTY TO FORTIFY YOUR OWN HOUSE SO THAT YOU MAY BE A 750 00:39:46,718 --> 00:39:50,121 HOUSE OF REFUGE IN TIMES OF ORGANIZATION. 751 00:39:50,188 --> 00:39:52,190 >> HE IS SAYING THE RIGHT THINGS. 752 00:39:52,257 --> 00:39:54,826 >> THE RAGE IS UNDERSTANDABLE. 753 00:39:54,893 --> 00:39:58,229 >> WHAT ARE THEY SUPPOSED TO DO WITH OUTRAGE? 754 00:39:58,296 --> 00:40:02,233 >> IF IT'S PEACEFUL, NO ONE LISTENS. 755 00:40:02,300 --> 00:40:05,236 I AM NOT CONDONING LOOTING, OF COURSE NOT. 756 00:40:05,303 --> 00:40:06,070 THAT'S RIDICULOUS. 757 00:40:06,137 --> 00:40:08,573 BUT THE TRUTH IS WE HAVE TO CHANGE IT. 758 00:40:08,640 --> 00:40:12,677 WE HAVE TO STOP SITTING AROUND AND [BLEEP] 759 00:40:12,744 --> 00:40:13,845 TALKING ABOUT IT. 760 00:40:13,912 --> 00:40:17,715 >> I WOKE UP ONE CONDUCIVE THE WORLD BURNED DOWN YESTERDAY. 761 00:40:17,782 --> 00:40:21,719 TIRED OF SEEING BLACK BEINGS DIE. 762 00:40:21,786 --> 00:40:23,521 SHE CASUALLY PUT HIS KNEE ON A HUMAN BEINGS 763 00:40:28,726 --> 00:40:34,599 HE CASUALLY PUT HIS KNEE ON A HUMAN BEING'S NECK. 764 00:40:34,666 --> 00:40:37,435 WE WATCH IT OVER AND OVER AGAIN. 765 00:40:37,502 --> 00:40:40,638 >> STOPPED SHOWING THIS CLIP. 766 00:40:40,705 --> 00:40:41,639 KIDS ARE SEEING THIS. 767 00:40:41,706 --> 00:40:44,809 >> MAY BE THEY NEED TO SEE IT. 768 00:40:44,876 --> 00:40:45,810 >> WANTS. 769 00:40:45,877 --> 00:40:47,612 >> THAT'S WHY THEY ARE BURNING IT TO THE GROUND. 770 00:40:47,679 --> 00:40:50,214 THEY DON'T KNOW WHAT ELSE TO DO. 771 00:40:50,281 --> 00:40:54,852 IT'S THE RESPONSIBILITY OF US TO MAKE THIS BETTER RIGHT NOW. 772 00:40:54,919 --> 00:40:59,824 WE DON'T WANT TO SEE ONE OFFICER CHARGED. 773 00:40:59,891 --> 00:41:03,394 WE WANT TO SEE FOUR OFFICERS PROSECUTED AND SENTENCED. 774 00:41:03,461 --> 00:41:06,731 WE DON'T WANT TO SEE TARGETS BURNING. 775 00:41:06,798 --> 00:41:12,470 WE WANT TO SEE THE SYSTEM THAT SETS UP FOR SYSTEMIC RATE SYSTEM 776 00:41:12,537 --> 00:41:13,137 BURNED TO THE GROUND. 777 00:41:13,204 --> 00:41:15,773 AND AS I SIT HERE IN GEORGIA. 778 00:41:15,840 --> 00:41:20,511 >> AND YOU AND I WILL NEVER KNOW. 779 00:41:20,578 --> 00:41:22,680 WE WILL NEVER KNOW WHAT IT'S LIKE. 780 00:41:22,747 --> 00:41:27,785 >> I'M GLAD THEY ONLY TOOK DOWN A SIGN AND DEFACED A BUILDING 781 00:41:27,852 --> 00:41:31,522 AND THEY ARE NOT KILLING HUMAN BEINGS LIKE THAT POLICE 782 00:41:31,589 --> 00:41:32,724 OFFICER DID. 783 00:41:32,790 --> 00:41:35,626 I AM GLAD THEY DIDN'T RIP A FATHER FROM THE SUN, DIDN'T RIP 784 00:41:35,693 --> 00:41:37,462 A SON FROM A MOTHER. 785 00:41:37,528 --> 00:41:40,598 LIKE THE POLICEMAN DID. 786 00:41:40,665 --> 00:41:44,502 >> TOO MANY PEOPLE FOCUS ON THE LOOTING AS THE THING. 787 00:41:44,569 --> 00:41:49,507 WHEN THE MEDIA GETS YOU TO FOCUS ON THE LOOTING, YOU LOSE FOCUS 788 00:41:49,574 --> 00:41:53,578 ON THE VERY REASON WHY WE'RE HERE IN THE FIRST PLACE. 789 00:41:53,644 --> 00:41:56,647 >> WHEN A MAN YELLS FOR HIS MOTHER IN DURESS AND PAIN AND 790 00:41:56,714 --> 00:42:00,618 SHE'S DEAD, HE'S ESSENTIALLY YELLING PLEASE GOD, DON'T LET IT 791 00:42:00,685 --> 00:42:02,487 HAPPEN TO ME AND WE WATCHED IT. 792 00:42:02,553 --> 00:42:05,490 >> UNDERSTAND WHY IT'S HAPPENING AND BE THANKFUL THAT THERE IS 793 00:42:05,556 --> 00:42:09,794 SOMEONE LIKE KILLER MIKE WHO CAN ARTICULATE THE FRUSTRATIONS AND 794 00:42:09,861 --> 00:42:12,663 STILL SPEAK TO THE PEOPLE ON HOW TO DEAL WITH IT BETTER. 795 00:42:12,730 --> 00:42:16,501 >> SO MY QUESTION FOR US ON THE OTHER SIDE OF THIS CAMERA IS, 796 00:42:16,567 --> 00:42:24,142 AFTER IT BURNS, ARE WE LEFT WITH CHAR OR ARE WE GOING TO RISE 797 00:42:24,208 --> 00:42:27,678 LIKE A PHOENIX OUT OF THE ASHES LIKE ATLANTA HAWKS ALWAYS DONE. 798 00:42:27,745 --> 00:42:31,816 >> I HURT INSIDE WHEN I SEE THE STUFF GOING ON. 799 00:42:31,883 --> 00:42:35,853 >> EVERY DAY WE ARE WAITING TO SEE WHO IS THE NEXT ONE TO TURN 800 00:42:35,920 --> 00:42:38,289 INTO A HASHTAG AND THAT'S EXACTLY WHAT WE'RE DOING ON A 801 00:42:38,356 --> 00:42:40,558 DAILY BASIS. 802 00:42:40,625 --> 00:42:43,561 >> IT IS WHAT DO WE DO WITH IT. 803 00:42:43,628 --> 00:42:44,228 WHAT'S THE NEXT MOVE? 804 00:42:44,295 --> 00:42:46,597 >> I LOVE AND RESPECT YOU ALL. 805 00:42:46,664 --> 00:42:53,438 I HOPE WE FIND A WAY OUT OF IT BECAUSE WE KNOW WE MUST PLAN, 806 00:42:53,504 --> 00:42:55,139 STRATEGIZE, ORGANIZE AND MOBILIZE. 58977

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