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THESE CELEBRITIES ARE SETTLING
IN TO WATCH SOME OF THE MOST
TALKED ABOUT SHOWS ON TV.
2
00:00:09,610 --> 00:00:15,349
>>
>> LINDSAY LOHAN AND HER SISTER
3
00:00:15,415 --> 00:00:20,621
ARE THE LATEST STARS TO TUNE IN.
4
00:00:20,687 --> 00:00:22,589
WHAT HAS GRABBED EVERYONE'S
ATTENTION?
5
00:00:22,656 --> 00:00:26,760
WHAT DO THEY HAVE TO SAY ABOUT
IT?
6
00:00:26,827 --> 00:00:29,429
THIS IS THE SHOW TO SEE THE BEST
OF THE WEEK'S TELEVISION WITH
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00:00:29,496 --> 00:00:35,769
YOUR FAVORITE CELEBRITIES.
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00:00:35,836 --> 00:00:36,770
>> WOW, THAT WAS COOL.
9
00:00:36,837 --> 00:00:41,341
>> AND TAKE A PEEK INSIDE THEIR
EVERYDAY LIVES.
10
00:00:41,408 --> 00:00:44,478
IN A WEEK WHERE AMERICA WAS
ROCKED BY PROTESTS, RETURNED TO
11
00:00:44,545 --> 00:00:46,346
OUR TELEVISIONS FOR THE LATEST
NEWS.
12
00:00:46,413 --> 00:00:50,284
>> YOU HAVE TO GET OUT THERE AND
STAND UP FOR WHAT YOU BELIEVE
13
00:00:50,350 --> 00:00:51,251
IN.
14
00:00:51,318 --> 00:00:54,655
>> Narrator: AND FOR SOME MUCH
NEEDED COMFORT.
15
00:00:54,721 --> 00:00:59,593
WELCOME TO.
16
00:00:59,660 --> 00:01:03,564
THIS WEEK, EVERYONE HAS BEEN
TUNING IN FOR THE REBOOT OF THIS
17
00:01:03,630 --> 00:01:06,733
INSPIRATIONAL SHOW WHERE A WHOLE
COMMUNITY STEPPED OUT TO CHANGE
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00:01:06,800 --> 00:01:10,337
ONE FAMILY'S LIFE FOREVER.
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00:01:10,404 --> 00:01:15,309
>> HE HAS GIVEN SO MUCH TO THE
COMMUNITY.
20
00:01:15,375 --> 00:01:19,246
IT'S OBVIOUSLY WHAT MAKES HIM
SUCH AN AMAZING FIREFIGHTER.
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00:01:19,313 --> 00:01:21,348
>> THIS SHOW, THEY DO SUCH
INCREDIBLE THINGS.
22
00:01:21,415 --> 00:01:24,217
>> ME AND MY GIRLS NEED A FRESH
START.
23
00:01:24,284 --> 00:01:27,154
>> LET'S BUILD A HOUSE.
24
00:01:27,220 --> 00:01:32,326
>> IF YOU DON'T CRY AT THE END
OF THESE, YOU ARE EMOTIONALLY
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DEAD.
26
00:01:33,727 --> 00:01:36,330
>> THIS WAS MY JAM BACK IN THE
DAY.
27
00:01:36,396 --> 00:01:40,200
>> WE ARE ON OUR WAY TO MEET
NICK.
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00:01:40,267 --> 00:01:43,170
>> I'M GLAD THEY ARE DOING SOME
THINK FOR A FIREFIGHTER.
29
00:01:43,236 --> 00:01:46,340
>> I'VE BEEN WORKING HERE FOR 17
YEARS.
30
00:01:46,406 --> 00:01:49,409
I LOVE TO HELP THE COMMUNITY
WHEREVER I CAN.
31
00:01:49,476 --> 00:01:54,514
>> FIRE FIRE SHOULD GET PAID
LIKE THE HEROES THAT THEY ARE.
32
00:01:54,581 --> 00:01:57,884
THEY SHOULD GET PAID A LOT MORE.
33
00:01:57,951 --> 00:02:01,288
>> MORE THAN THE STUPID ACTORS
AND CELEBRITY CHEFS OF THE
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00:02:01,355 --> 00:02:01,688
WORLD.
35
00:02:01,755 --> 00:02:03,290
>> IT'S TRUE.
36
00:02:03,357 --> 00:02:06,159
>> AMANDA AND I MET ON A BLIND
DATE.
37
00:02:06,226 --> 00:02:08,195
WE HIT IT OFF REALLY QUICK.
38
00:02:08,261 --> 00:02:13,834
I KNEW SHE WAS THE ONE, AND A
YEAR LATER, WE HAD LAYLA.
39
00:02:13,900 --> 00:02:19,339
FAST FORWARD AND WE FOUND OUT WE
WERE HAVING TWINS.
40
00:02:19,406 --> 00:02:20,540
>> TWIN PARENTS!
41
00:02:20,607 --> 00:02:25,178
>> ON THE DELIVERY DATE,
OUTCOMES KELSEY.
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00:02:25,245 --> 00:02:30,217
2 MINUTES LATER, KYA.
43
00:02:30,283 --> 00:02:35,255
AMANDA LOOKS OVER AT ME AND SHE
SAYS SHE'S FEELING DIZZY AND
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00:02:35,322 --> 00:02:39,593
BOOM, SHE'S OUT.
45
00:02:39,660 --> 00:02:47,200
AMANDA PASSED AT 2:00 P. M. THAT
AFTERNOON.
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>> WHAT?
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00:02:48,468 --> 00:02:49,236
>> OH.
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00:02:49,302 --> 00:02:50,470
>> OH.
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00:02:50,537 --> 00:02:57,377
>> LEAVING THE HOSPITAL 36 HOURS
LATER WITH MY TWO LITTLE GIRLS
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00:02:57,444 --> 00:02:59,246
WITHOUT MY WIFE.
51
00:02:59,312 --> 00:03:01,348
>> MY GOD.
52
00:03:01,415 --> 00:03:04,651
>> IT WAS THE SADDEST TIME OF MY
LIFE.
53
00:03:04,718 --> 00:03:08,055
>> THAT IS SO HEARTBREAKING.
54
00:03:08,121 --> 00:03:12,759
THEY WILL NEVER KNOW THEIR MOM.
55
00:03:12,826 --> 00:03:15,228
>> THEY WON'T KNOW HER THROUGH
HIM.
56
00:03:15,295 --> 00:03:17,564
>> I DIDN'T KNOW WHAT I WAS
GOING TO DO.
57
00:03:17,631 --> 00:03:21,368
IT HAD BECOME VERY DIFFICULT TO
LIVE IN THE HOUSE THAT WE BUILT.
58
00:03:21,435 --> 00:03:25,238
EVERYWHERE YOU TURN TO COME IT
WAS SOMETHING THAT WE HAD DONE
59
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TOGETHER.
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00:03:25,806 --> 00:03:27,708
IT WAS TIME TO SELL.
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00:03:27,774 --> 00:03:29,376
>> MY GOD ALMIGHTY.
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00:03:29,443 --> 00:03:33,280
>> I RENTED A TWO‐BEDROOM, TWO
BATHROOM APARTMENT.
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00:03:33,346 --> 00:03:34,581
MOM MOVED IN.
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00:03:34,648 --> 00:03:35,615
I COULDN'T DO IT WITHOUT HER.
65
00:03:35,682 --> 00:03:39,553
>> NICK SHARES HIS BEDROOM WITH
LAYLA, THE OLDEST.
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00:03:39,619 --> 00:03:42,522
IN THE BEDROOM IS NOTHING BUT
DOLLS AND TOYS.
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00:03:42,589 --> 00:03:44,324
>> IT'S CHAOS.
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00:03:44,391 --> 00:03:44,725
>> I AM A FIREMAN.
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00:03:44,791 --> 00:03:47,294
I FIX THINGS.
70
00:03:47,360 --> 00:03:49,529
I DO NOT KNOW WHAT TO DO.
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00:03:49,596 --> 00:03:55,769
ME AND MY GIRLS, WE NEED A FRESH
START.
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00:03:55,836 --> 00:04:00,407
>> MY GOD, POOR GUY.
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00:04:00,474 --> 00:04:03,376
QUITE POSSIBLY ONE OF THE
SADDEST STORIES I'VE EVER HEARD.
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00:04:03,443 --> 00:04:06,546
>> HOW DO YOU EVER MAKE UP FOR
THAT?
75
00:04:06,613 --> 00:04:09,082
>> THAT HAS TO BE THE WORST
THING THAT COULD HAPPEN TO YOU
76
00:04:09,149 --> 00:04:10,283
IN YOUR LIFE.
77
00:04:10,350 --> 00:04:12,419
HOW CAN YOU SURVIVE THAT?
78
00:04:12,486 --> 00:04:17,090
BUT YOU HAVE TO BECAUSE YOU HAVE
THREE KIDS THAT NEED YOU.
79
00:04:17,157 --> 00:04:22,362
>> I CAN'T IMAGINE DOING ANY OF
THIS WITHOUT YOU.
80
00:04:22,429 --> 00:04:24,431
>> I WANT TO SEE THE HOME.
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00:04:24,498 --> 00:04:28,101
>> ME TOO.
82
00:04:28,168 --> 00:04:30,270
>> LET'S BUILD A HOUSE!
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00:04:30,337 --> 00:04:33,473
>> THEY ARE GOING TO HELP HIM.
84
00:04:33,540 --> 00:04:36,309
>> I WANT TO JUMP THROUGH THE
SCREEN.
85
00:04:36,376 --> 00:04:38,612
I LOVE YOU TOO.
86
00:04:38,678 --> 00:04:39,646
CAN WE HELP?
87
00:04:39,713 --> 00:04:42,682
>> NOBODY DESERVES A NEW HOUSE
MORE THAN THAT GUY.
88
00:04:42,749 --> 00:04:44,117
>> ALL RIGHT, GUYS.
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00:04:44,184 --> 00:04:46,319
THIS IS THE FIRST WALL RIGHT
HERE.
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00:04:46,386 --> 00:04:47,587
>> WE ARE STARTING RIGHT NOW.
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00:04:47,654 --> 00:04:52,793
>> ONE, TWO, THREE.
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00:04:52,859 --> 00:04:56,797
>> DO YOU KNOW HOW MUCH TIME
THEY HAVE TO DO THIS BUILD?
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00:04:56,863 --> 00:04:58,298
>> I DON'T KNOW.
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00:04:58,365 --> 00:04:59,633
>> I THINK IT'S FAST.
95
00:04:59,699 --> 00:05:02,335
>> MAY BE A WEEK.
96
00:05:02,402 --> 00:05:03,570
>> THAT'S INSANE.
97
00:05:03,637 --> 00:05:08,074
>> IT'S BEEN FOUR DAYS SINCE THE
YOUNG FAMILY STARTED BUILDING
98
00:05:08,141 --> 00:05:08,508
THIS HOUSE.
99
00:05:08,575 --> 00:05:09,209
THE HOUSES DONE.
100
00:05:09,276 --> 00:05:12,279
>> HOW DO DO THAT IN FOUR DAYS?
101
00:05:12,345 --> 00:05:13,547
>> THAT'S IMPOSSIBLE.
102
00:05:13,613 --> 00:05:19,619
>> WHY THE HELL DOES IT TAKE TWO
YEARS A BUILD A HOUSE THEY DO IT
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00:05:19,686 --> 00:05:20,287
IN A WEEK.
104
00:05:20,353 --> 00:05:23,323
>> WE CAN REALLY MAKE IT HOME.
105
00:05:23,390 --> 00:05:29,062
>> I WANT TO DO THIS TV SHOW.
106
00:05:29,129 --> 00:05:31,464
>> GO AROUND BUILDING AFFORDABLE
HOUSING.
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I WOULD LOVE TO DO THAT.
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00:05:34,868 --> 00:05:36,536
>> WE ARE HOME.
109
00:05:36,603 --> 00:05:41,641
>> SEE WHAT TEAMWORK CAN DO?
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>> HERE IT COMES.
111
00:05:43,777 --> 00:05:45,679
>> ARE YOU READY?
112
00:05:45,745 --> 00:05:46,813
>> WE ARE SO READY.
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>> I'M READY.
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00:05:49,583 --> 00:05:50,784
>> OKAY.
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00:05:50,851 --> 00:05:59,392
ONE, TWO, THREE.
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00:05:59,459 --> 00:06:07,200
♪ ♪
>> NO WAY.
117
00:06:07,267 --> 00:06:12,038
>> WOW >> BEAUTIFUL.
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>> GORGEOUS.
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00:06:13,106 --> 00:06:17,444
>> FOUR BEDROOMS, THREE BATHS,
2400 SQUARE FEET.
120
00:06:17,510 --> 00:06:20,513
>> OH, THAT'S BEAUTIFUL.
121
00:06:20,580 --> 00:06:21,648
>> MY GOSH.
122
00:06:21,715 --> 00:06:23,416
>> OH, WOW.
123
00:06:23,483 --> 00:06:25,785
>> THAT LOOKS LIKE A CABIN.
124
00:06:25,852 --> 00:06:29,155
>> OH, HOW BEAUTIFUL.
125
00:06:29,222 --> 00:06:32,092
>> THE CHANGING TABLE.
126
00:06:32,158 --> 00:06:33,260
>> HOW CUTE.
127
00:06:33,326 --> 00:06:35,528
>> I WAS SUPER EXCITED BECAUSE
THE GIRL HAD THEIR OWN ROOM.
128
00:06:35,595 --> 00:06:39,132
>> THAT ROOM IS GOING TO BE
THERE ROOM FOR A VERY LONG TIME.
129
00:06:39,199 --> 00:06:44,537
>> OH, LOOK.
130
00:06:44,604 --> 00:06:47,407
>> OH, WOW.
131
00:06:47,474 --> 00:06:52,512
>> THAT'S MOMMY WITH HER HORSE.
132
00:06:52,579 --> 00:06:54,848
>> ALL, MY GOD.
133
00:06:54,915 --> 00:06:56,082
I CAN'T.
134
00:06:56,149 --> 00:07:00,487
>> WE WANTED A SPACE WHERE THEY
GIRLS WOULD BE AROUND AMANDA.
135
00:07:00,553 --> 00:07:04,524
THIS TELLS THE STORY OF AMANDA.
136
00:07:04,591 --> 00:07:09,262
>> I LOVE THE PICTURES.
137
00:07:09,329 --> 00:07:12,098
>> EVERYTHING IS DONE WITH
PURPOSE AND LOVE.
138
00:07:12,165 --> 00:07:13,500
>> SHE IS THERE WITH THEM.
139
00:07:13,566 --> 00:07:18,038
>> THAT'S GORGEOUS.
140
00:07:18,104 --> 00:07:21,574
>> I WOULDN'T BE ABLE TO DO IT.
141
00:07:21,641 --> 00:07:24,711
>> HE DESERVES EVERYTHING THEY
GAVE HIM.
142
00:07:24,778 --> 00:07:25,979
>> AND MORE.
143
00:07:26,046 --> 00:07:30,250
>> IT MAKES ME SO HAPPY TO KNOW
THAT MY GIRLS ARE GOING TO GROW
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00:07:30,317 --> 00:07:37,457
UP IN A SAFE PLACE BUILT BY LOVE
AND PEOPLE THAT CARE.
145
00:07:37,524 --> 00:07:40,126
>> WELCOME HOME, REEDER FAMILY!
146
00:07:40,193 --> 00:07:43,797
WELCOME HOME.
147
00:07:43,863 --> 00:07:50,437
>> OH, GOODNESS ME.
148
00:07:50,503 --> 00:07:51,671
>> WOW.
149
00:07:51,738 --> 00:07:55,475
>> I WANT TO GO KISS OUR BOYS
AND SMOTHER THEM WITH OUR LOVE.
150
00:07:55,542 --> 00:07:57,777
>> LET'S GO DO THAT.
151
00:07:57,844 --> 00:08:00,580
>> LET'S DO THAT.
152
00:08:00,647 --> 00:08:03,550
>> THAT JUST GAVE ME
GOOSE BUMPS.
153
00:08:03,616 --> 00:08:08,421
>> IT REALLY MADE ME FEEL THERE
IS SOME BLOOD HE HOPED LEFT IN
154
00:08:08,488 --> 00:08:09,356
THE WORLD.
155
00:08:09,422 --> 00:08:12,625
>> Narrator: COMING UP, THIS
UNIFYING MOMENT.
156
00:08:12,692 --> 00:08:16,262
>> WE WANT TO SEE THE SYSTEM
THAT SETS UP FOR SYSTEMIC RACISM
157
00:08:16,329 --> 00:08:16,963
BURNED TO THE GROUND.
158
00:08:17,030 --> 00:08:23,803
>> YOU HAVE TO GET OUT THERE AND
159
00:08:28,675 --> 00:08:29,476
>> Narrator: WELCOME BACK
TO"CELEBRITY WATCH PARTY."
160
00:08:29,542 --> 00:08:32,579
IN LOS ANGELES.
161
00:08:32,645 --> 00:08:36,616
THE OSBOURNES.
162
00:08:36,683 --> 00:08:40,587
>> DAD, IT WAS THE BEVERLY HILLS
HOTEL.
163
00:08:40,653 --> 00:08:43,490
>> NO, WE GOT MARRIED AGAIN IN
VEGAS.
164
00:08:43,556 --> 00:08:46,493
>> HOW MANY TIMES HAVE YOU BEEN
MARRIED?
165
00:08:46,559 --> 00:08:46,960
>> THREE.
166
00:08:47,027 --> 00:08:47,660
>> MORE THAN THAT.
167
00:08:47,727 --> 00:08:50,663
>> NO.
168
00:08:50,730 --> 00:08:52,499
>> THE BEVERLY HILLS HOTEL.
169
00:08:52,565 --> 00:08:56,336
>> ONE IN MAUI.
170
00:08:56,403 --> 00:09:00,340
>> AND ONE IN VEGAS.
171
00:09:00,407 --> 00:09:05,445
>> THE BEVERLY HILLS HOTEL WHERE
DAD GOT DRUNK.
172
00:09:05,512 --> 00:09:08,281
HE ENDED UP WITH KNICKERS
WRAPPED AROUND HIS HEAD.
173
00:09:08,348 --> 00:09:11,618
>> Narrator: ON FRIDAY NIGHT
ON CBS WITH SOME PARTS OF THE
174
00:09:11,684 --> 00:09:15,121
COUNTRY STILL IN LOCK DOWN, IT
WAS DOWN TO SOME CELEBRITIES TO
175
00:09:15,188 --> 00:09:19,426
HELP US WITH OUR GROOMING
ISSUES.
176
00:09:19,492 --> 00:09:21,528
HAIRCUT NIGHT IN AMERICA STARTS
NOW.
177
00:09:21,594 --> 00:09:24,664
>> DURING THIS QUARANTINE,
NOBODY'S BEEN ABLE TO GET THEIR
178
00:09:24,731 --> 00:09:28,635
HAIR DONE, SO IT'S ABOUT PEOPLE
DOING THEIR OWN HAIR.
179
00:09:28,701 --> 00:09:31,805
>> YEAH, YEAH, YEAH.
180
00:09:31,871 --> 00:09:33,640
>> ALL OVER THE WORLD.
181
00:09:33,706 --> 00:09:36,676
THEY ARE NOT SHELTERING IN
PLACE.
182
00:09:36,743 --> 00:09:37,243
THIS IS NOT ACCEPTABLE.
183
00:09:37,310 --> 00:09:40,680
SOMETHING MUST BE DONE.
184
00:09:40,747 --> 00:09:43,683
>> [LAUGHS]
>> I COULD DO THAT.
185
00:09:43,750 --> 00:09:51,691
>> AT FIRST IT WAS KIND OF FUN
GOING AU NATUREL BUT THE ROOTS
186
00:09:51,758 --> 00:09:52,725
ARE COMING IN.
187
00:09:52,792 --> 00:09:54,527
>> CAN YOU KEEP A LITTLE SOCIAL
DISTANCE FROM ME.
188
00:09:54,594 --> 00:09:57,363
>> YOU DIDN'T KNOW THAT I WAS AN
ACTUAL BRUNETTE.
189
00:09:57,430 --> 00:10:00,600
>> I'VE NEVER SEEN REBECCA WITH
DARK HAIR.
190
00:10:00,667 --> 00:10:01,734
>> I KNOW.
191
00:10:01,801 --> 00:10:03,703
>> SHE WAS ALWAYS BLONDE.
192
00:10:03,770 --> 00:10:07,774
WHAT WAS COMING OUT OF HER SCALP
WAS BLONDE.
193
00:10:07,841 --> 00:10:08,775
>> NO.
194
00:10:08,842 --> 00:10:12,679
WHAT COMES OUT OF MY SCALP IS
COLORED TOO, MAMA.
195
00:10:12,745 --> 00:10:17,450
>> IN THE SHOW, REBECCA ROMAINE
AND JERRY O'CONNELL PUT THE
196
00:10:17,517 --> 00:10:22,655
HAIRDRESSERS SKILLS TO THE TEST.
197
00:10:22,722 --> 00:10:25,158
>> WHATEVER YOU'VE GOT LYING
AROUND.
198
00:10:25,225 --> 00:10:28,661
COME WITH US.
199
00:10:28,728 --> 00:10:29,729
>> HAIRCUTS IN QUARANTINE.
200
00:10:29,796 --> 00:10:33,867
YOU CUT MY HAIR ANYWAY.
201
00:10:33,933 --> 00:10:35,702
>> LEE LET ME CUT IT?
202
00:10:35,768 --> 00:10:39,739
I WILL JUST TRIM A LITTLE.
203
00:10:39,806 --> 00:10:43,610
>> IT'S MY TURN.
204
00:10:43,676 --> 00:10:44,744
I WILL BARELY TOUCH IT.
205
00:10:44,811 --> 00:10:48,781
DON'T WORRY.
206
00:10:48,848 --> 00:10:50,316
>> THAT'S ENOUGH.
207
00:10:50,383 --> 00:10:55,155
>> THE MOMENT EVERYONE'S BEEN
WAITING FOR.
208
00:10:55,221 --> 00:11:08,234
I AM GOING TO COLOR REBECCA
ROMIJN'S ROOTS.
209
00:11:08,301 --> 00:11:09,435
>> ON A SCALE OF 1 TO 10, HOW
PANICKED ARE YOU?
210
00:11:09,502 --> 00:11:10,236
>> 9.
211
00:11:10,303 --> 00:11:12,772
>> WAIT, SHE'S LETTING HIM DO
THIS.
212
00:11:12,839 --> 00:11:14,440
>> WHAT COULD GO WRONG?
213
00:11:14,507 --> 00:11:16,276
>> LET ME TELL YOU.
214
00:11:16,342 --> 00:11:20,480
>> AFTER YOU GRAB THE HAIRLINE,
GRAB THE BIGGER BOWL AND START
215
00:11:20,547 --> 00:11:21,114
YOUR BASE COLOR.
216
00:11:21,181 --> 00:11:23,149
>> I WOULD LIKE TO TRY THIS.
217
00:11:23,216 --> 00:11:25,652
>> YOU CAN DO IT WITH ME.
218
00:11:25,718 --> 00:11:26,853
I DON'T WANT ANY COLOR.
219
00:11:26,920 --> 00:11:32,158
>> NOW IS THE TIME IN QUARANTINE
TO JAZZ IT UP A LITTLE BIT.
220
00:11:32,225 --> 00:11:36,329
>> AFTER HE PUTS YOUR BASE ON,
LEAN ON THE BATHTUB LIKE THIS
221
00:11:36,396 --> 00:11:42,802
AND HAVE THEM PUT ON THE CLEAR.
222
00:11:42,869 --> 00:11:51,844
>> ONCE YOU START, YOU HAVE
5 MINUTES.
223
00:11:51,911 --> 00:11:54,180
>> YOU HAVE TO WORK FAST.
224
00:11:54,247 --> 00:12:00,787
DON'T RUIN IT, JERRY.
225
00:12:00,853 --> 00:12:01,654
>> GO.
226
00:12:01,721 --> 00:12:03,323
>> FURTHER FORWARD.
227
00:12:03,389 --> 00:12:07,427
START AT HER SKIN.
228
00:12:07,493 --> 00:12:09,329
GO, GO, GO.
229
00:12:09,395 --> 00:12:12,799
>> ONE MISTAKE IN HER HAIR IS
FRIED.
230
00:12:12,865 --> 00:12:17,403
>> WHAT'S THAT?
231
00:12:17,470 --> 00:12:20,673
>> REBECCA, EXCHANGE BOWLS.
232
00:12:20,740 --> 00:12:23,643
>> HE IS REALLY TAKING THIS
SERIOUSLY.
233
00:12:23,710 --> 00:12:26,813
>> REBECCA ROMIJN'S HAIR COMES
OUT.
234
00:12:26,879 --> 00:12:29,649
>> SHE IS WHIPPING HIS ASS.
235
00:12:29,716 --> 00:12:31,351
>> IS THIS OKAY?
236
00:12:31,417 --> 00:12:32,352
>> IT'S NOT.
237
00:12:32,418 --> 00:12:36,689
>> START PUTTING COLOR ON THE
REST OF THE ROOTS.
238
00:12:36,756 --> 00:12:37,724
THE OTHER WAY, JERRY.
239
00:12:37,790 --> 00:12:40,360
TOWARDS THE HAIRLINE.
240
00:12:40,426 --> 00:12:44,664
>> JERRY, I AM GRATEFUL YOU STOP
DOING JOKES.
241
00:12:44,731 --> 00:12:47,267
>> I AM SWEATING HARD.
242
00:12:47,333 --> 00:12:50,503
>> SHE HAS TO DOCUMENT IT.
243
00:12:50,570 --> 00:12:54,374
THAT'S HER HOLDING THE SELFIE
STICK.
244
00:12:54,440 --> 00:12:58,278
>> KICKED IN THE AIR.
245
00:12:58,344 --> 00:13:00,813
OW!
246
00:13:00,880 --> 00:13:05,251
>> WORK IT THROUGH WITH YOUR
HANDS.
247
00:13:05,318 --> 00:13:06,386
>> RELAXED.
248
00:13:06,452 --> 00:13:15,695
THINK OF A NONCOVID WORLD WHERE
THERE IS NO QUARANTINE.
249
00:13:15,762 --> 00:13:18,197
>> IS HE IN THE WATER?
250
00:13:18,264 --> 00:13:19,699
SHE IS BURNING HIS SKIN.
251
00:13:19,766 --> 00:13:21,701
>> HURRY.
252
00:13:21,768 --> 00:13:25,204
THAT'S IT.
253
00:13:25,271 --> 00:13:26,606
>> I AM SCARED.
254
00:13:26,673 --> 00:13:30,810
DO YOU THINK IT'S GOING TO LOOK
GOOD OR BAD?
255
00:13:30,877 --> 00:13:34,080
>> LET SEE REBECCA'S COLOR.
256
00:13:34,147 --> 00:13:35,548
>> OH!
257
00:13:35,615 --> 00:13:38,751
>> OH, HE DID A NICE JOB.
258
00:13:38,818 --> 00:13:39,452
>> IT'S GREAT.
259
00:13:39,519 --> 00:13:42,088
IT'S EXACTLY LIKE WHAT I NEEDED.
260
00:13:42,155 --> 00:13:43,856
>> HE ACTUALLY DATED.
261
00:13:43,923 --> 00:13:47,460
>> THE JOB, JERRY PAID >> I
THINK IT'S PERFECT.
262
00:13:47,527 --> 00:13:50,630
IT'S GOING TO TIDE ME OVER UNTIL
I CAN SEE YOU NEXT.
263
00:13:50,697 --> 00:13:51,397
I LOVE IT.
264
00:13:51,464 --> 00:13:54,600
>> SEE WHAT YOU CAN DO IN A
PINCH?
265
00:13:54,667 --> 00:13:58,304
AND SHE SPENT $250 LAST TIME SHE
GOT HER HAIR DONE.
266
00:13:58,371 --> 00:14:03,042
>> [BLEEP]
>> THAT BETTER NOT BE PERMANENT.
267
00:14:03,109 --> 00:14:06,446
>> THEY ARE PUTTING THEIR
HAIRDRESSERS OUT OF WORK.
268
00:14:06,512 --> 00:14:09,716
>> DO YOU WANT TO SEE IF IT
WASHES OUT?
269
00:14:09,782 --> 00:14:19,592
>> I GUESS SO.
270
00:14:19,659 --> 00:14:21,127
[LAUGHTER]
>> Narrator: RELAXING AT HOME,
271
00:14:21,194 --> 00:14:32,772
MOVISTAR LINDSAY LOHAN AND HER
SISTER, ALI.
272
00:14:32,839 --> 00:14:35,775
>> IT'S LATE.
273
00:14:35,842 --> 00:14:39,812
>> Narrator: ON SATURDAY WE
WITNESSED A HISTORIC MOMENT, AS
274
00:14:39,879 --> 00:14:44,751
SPACEX BECAME THE FIRST PRIVATE
SPACE CRAFT COMPANY TO CARRY
275
00:14:44,817 --> 00:14:45,952
HUMANS INTO ORBIT.
276
00:14:46,018 --> 00:14:49,155
>> ARE ALIVE FROM KENNEDY SPACE
CENTER AS AMERICA BLASTS OFF
277
00:14:49,222 --> 00:14:53,459
INTO A NEW AGE OF SPACE
EXPLORATION.
278
00:14:53,526 --> 00:14:54,627
>> HEY!
279
00:14:54,694 --> 00:14:58,498
>> I AM OBSESSED WITH THE SPACE
PROGRAM.
280
00:14:58,564 --> 00:15:01,033
>> YOU ALWAYS HAVE BEEN.
281
00:15:01,100 --> 00:15:03,102
>> WE ARE SPACING.
282
00:15:03,169 --> 00:15:04,437
WE ARE GOING INTO SPACE.
283
00:15:04,504 --> 00:15:07,607
>> IN FLORIDA, NASA AND HAVE A
JOB TO DO.
284
00:15:07,673 --> 00:15:10,777
>> SPACE PROGRAM IS LIKE WE ARE
BACK, BABY.
285
00:15:10,843 --> 00:15:13,079
>> FIRST TIME HUMANS HAVE BEEN
UP IN NINE YEARS.
286
00:15:13,146 --> 00:15:17,817
>> THIS WILL MAKE THEM THE FIRST
NASA ASTRONAUTS TO TRAVEL ABOARD
287
00:15:17,884 --> 00:15:21,621
AS SPACECRAFT NOT MADE BY NASA
BUT BY ENTREPRENEUR ELON MUSK
288
00:15:21,687 --> 00:15:24,157
AND HIS FORWARD THINKING TEAM AT
SPACEX.
289
00:15:24,223 --> 00:15:26,793
>> HE LAUNCHED THE TESLA INTO
SPACE.
290
00:15:26,859 --> 00:15:27,593
>> YOU'RE LYING.
291
00:15:27,660 --> 00:15:28,795
>> I SWEAR.
292
00:15:28,861 --> 00:15:31,631
>> BIG MONTH FOR HIM.
293
00:15:31,697 --> 00:15:33,466
>> HAVING A BABY.
294
00:15:33,533 --> 00:15:34,100
SENDING A ROCKET TO SPACE.
295
00:15:34,167 --> 00:15:36,836
>> IT'S BEEN AN AMAZING DAY.
296
00:15:36,903 --> 00:15:40,206
WE SAW DOUG AND BOB IN THE ROOM
GETTING THEIR SUITS ON.
297
00:15:40,273 --> 00:15:45,178
>> DID Y'ALL SEE THAT SUIT THEY
GOT ON?
298
00:15:45,244 --> 00:15:46,512
THE SUIT WAS DOPE.
299
00:15:46,579 --> 00:15:49,215
>> WHO WAS THE SUIT DESIGNER?
300
00:15:49,282 --> 00:15:55,521
>> HOW ARE THEY GOING TO POOP IN
THAT SUIT?
301
00:15:55,588 --> 00:15:58,758
HOW DOES IT COME OUT?
302
00:15:58,825 --> 00:15:59,892
IT'S A BIG CONSIDERATION.
303
00:15:59,959 --> 00:16:02,762
>> TODAY'S MONUMENTAL LAUNCH
WILL ENTER INTO A NEW ERA OF
304
00:16:02,829 --> 00:16:05,131
SPACE TRAVEL.
305
00:16:05,198 --> 00:16:05,665
>> WHERE THEY GOING?
306
00:16:05,731 --> 00:16:07,800
>> THE SPACE STATION.
307
00:16:07,867 --> 00:16:09,669
>> WHERE IS IT?
308
00:16:09,735 --> 00:16:11,170
>> IN ORBIT.
309
00:16:11,237 --> 00:16:13,139
>> JUST HANGING OUT?
310
00:16:13,206 --> 00:16:16,476
>> YOU KNOW WHERE THE SPACE
STATION IS.
311
00:16:16,542 --> 00:16:19,212
>> I DON'T KNOW WHERE THE SPACE
STATION IS.
312
00:16:19,278 --> 00:16:22,248
>> YOU JUST TURN LEFT AT EARTH.
313
00:16:22,315 --> 00:16:24,417
>> TALKING ABOUT THE FUELING
PROCESS.
314
00:16:24,484 --> 00:16:25,751
>> THAT IS FULL OF ROCKET FUEL.
315
00:16:25,818 --> 00:16:30,189
IT'S LIKE WHAT BRIAN POURS IN
HIS GLASS.
316
00:16:30,256 --> 00:16:31,557
>> BOB AND DOUG AND THE CAPSULE.
317
00:16:31,624 --> 00:16:33,559
>> BEING CRAMPED UP LIKE THAT.
318
00:16:33,626 --> 00:16:35,228
I WOULD LOSE MY MIND.
319
00:16:35,294 --> 00:16:40,066
>> I'M OKAY TO BE COOPED UP.
320
00:16:40,132 --> 00:16:41,767
>> NO PROBLEM.
321
00:16:41,834 --> 00:16:43,336
I WILL JUST BE VOMITING
EVERYWHERE.
322
00:16:43,402 --> 00:16:48,074
>> YOU'RE GOING TO HAVE THE
FIRST STAGE AND SECOND STAGE
323
00:16:48,140 --> 00:16:48,875
SEPARATE.
324
00:16:48,941 --> 00:16:52,778
>> PROPEL THE SPACECRAFT INTO
ORBIT.
325
00:16:52,845 --> 00:16:58,851
>> THEY WILL BE ACCELERATING
FROM 0 TO 17,500 MILES AN HOUR
326
00:16:58,918 --> 00:17:00,319
IN ONLY 8 MINUTES.
327
00:17:00,386 --> 00:17:03,189
>> YOU AND I COULD NEVER GO UP
AND SPACED TOGETHER.
328
00:17:03,256 --> 00:17:06,025
>> THIS IS ALL WHAT YOU WOULD
SEE ON THE TV.
329
00:17:06,092 --> 00:17:08,494
>> IF I WERE YOUR AGE, I WOULD
GO TO MARS BUT I'M GETTING A
330
00:17:08,561 --> 00:17:09,462
LITTLE OLD FOR THAT.
331
00:17:09,529 --> 00:17:12,765
YOU HAVE TO KIND OF BE ALIVE
WHEN YOU REACH IT.
332
00:17:12,832 --> 00:17:14,734
>> THEY ARE READY TO GO.
333
00:17:14,800 --> 00:17:20,072
>> WE ARE GETTING VERY CLOSE TO
THE T‐30 SECONDS.
334
00:17:20,139 --> 00:17:25,044
>> YOU GUYS, WE ARE WITNESSING
HISTORY.
335
00:17:25,111 --> 00:17:26,112
>> 29, 28.
336
00:17:26,178 --> 00:17:28,714
>> THIS IS HOW THIS FEELS RIGHT
HERE.
337
00:17:28,781 --> 00:17:30,416
>> IMAGINE WHAT YOUR HEART RATE
WOULD BE.
338
00:17:30,483 --> 00:17:35,721
>> YOU HAVE NO IDEA WHETHER OR
NOT YOU'RE GOING TO MAKE IT.
339
00:17:35,788 --> 00:17:37,723
NO OFFENSE, ELON MUSK.
340
00:17:37,790 --> 00:17:39,225
BUT [BLEEP].
341
00:17:39,292 --> 00:17:42,261
>> HERE WE GO.
342
00:17:42,328 --> 00:17:52,305
>> NINE, EIGHT, SEVEN, SIX,
FIVE, FOUR, THREE, TWO, ONE.
343
00:17:52,371 --> 00:17:56,576
LIFT OFF.
344
00:17:56,642 --> 00:17:59,145
>> MAN.
345
00:17:59,211 --> 00:18:00,713
>> OH, MY GOD.
346
00:18:00,780 --> 00:18:02,114
>> HEY!
347
00:18:02,181 --> 00:18:06,719
>> IMAGINE LIKE WRITING THE
SPACESHIP.
348
00:18:06,786 --> 00:18:09,722
>> WHY DOES IT MAKE ME
EMOTIONAL?
349
00:18:09,789 --> 00:18:13,559
>> YOU ALWAYS CRIED EVERY TIME
THERE WAS A TAKEOFF.
350
00:18:13,626 --> 00:18:14,060
>> WHY?
351
00:18:14,126 --> 00:18:17,096
>> WHAT IS IT, BABY?
352
00:18:17,163 --> 00:18:18,230
>> I DON'T KNOW.
353
00:18:18,297 --> 00:18:22,101
>> SO HAPPY TO HAVE DONE THIS
FROM AMERICAN SOIL AGAIN.
354
00:18:22,168 --> 00:18:25,271
GREAT DAY NOT JUST FOR THE
UNITED STATES BUT FOR THE WHOLE
355
00:18:25,338 --> 00:18:27,506
WORLD.
356
00:18:27,573 --> 00:18:31,110
>> YES, WINNING, ELON.
357
00:18:31,177 --> 00:18:32,311
THAT'S HISTORY.
358
00:18:32,378 --> 00:18:35,514
>> GIVES ME GREAT PRIDE AS AN
AMERICAN.
359
00:18:35,581 --> 00:18:39,518
>> IT'S SO BEAUTIFUL AND THERE'S
SO MUCH CRAZY STUFF HAPPENING IN
360
00:18:39,585 --> 00:18:40,286
THE WORLD.
361
00:18:40,353 --> 00:18:44,290
>> RESPONSIBILITY TO ANOTHER
WORLD.
362
00:18:44,357 --> 00:18:55,167
>> SOMETHING POSITIVE AND
BEAUTIFUL ABOUT IT.
363
00:18:55,234 --> 00:18:58,070
>> Narrator: COMING UP.
364
00:18:58,137 --> 00:19:05,011
>> YOU LOVE "THE REAL
HOUSEWIVES."
365
00:19:05,077 --> 00:19:08,014
>> Narrator: AND THEN...
366
00:19:08,080 --> 00:19:11,150
>> OH!
367
00:19:11,217 --> 00:19:17,089
>> IT'S MAKI
368
00:19:22,261 --> 00:19:22,795
>> Narrator: WELCOME BACK
TO"CELEBRITY WATCH PARTY."
369
00:19:22,862 --> 00:19:23,696
IN LOS ANGELES.
370
00:19:23,763 --> 00:19:24,864
>> ME AND YOU USED TO FIGHT ALL
THE TIME.
371
00:19:24,930 --> 00:19:27,466
TYPICALLY YOU WOULD GET REALLY
DRAMATIC AND THE MORE CALM I
372
00:19:27,533 --> 00:19:31,470
WOULD GET, THE CRAZIER YOU WOULD
GET TO.
373
00:19:31,537 --> 00:19:33,506
>> Narrator: MODEL AND
BUSINESSWOMAN TYRA BANKS AND HER
374
00:19:33,572 --> 00:19:34,740
MOM, CAROLYN.
375
00:19:34,807 --> 00:19:38,644
>> YOU KNOW, I AM CALM RIGHT NOW
MOM AND I DON'T UNDERSTAND WHY
376
00:19:38,711 --> 00:19:43,349
YOU'RE RAISING YOUR VOICE AND
GETTING SO EMOTIONAL ABOUT THIS
377
00:19:43,416 --> 00:19:48,688
AND YOU GO RAHHR!
378
00:19:48,754 --> 00:19:50,723
YOU WOULD TURN INTO THE HULK.
379
00:19:50,790 --> 00:19:54,694
>> IT'S BECAUSE YOU ARE
PATRONIZING ME.
380
00:19:54,760 --> 00:19:55,895
>> EXACTLY.
381
00:19:55,961 --> 00:19:56,362
>> Narrator: BRAVO DISHED OUT
AND ANOTHER JUICY INSTALLMENT
382
00:19:56,429 --> 00:20:00,232
FROM THESE LADIES.
383
00:20:00,299 --> 00:20:03,302
>> YOU LOVE "THE REAL
HOUSEWIVES.
384
00:20:03,369 --> 00:20:06,138
THEY ARE JUST YOUR TYPE.
385
00:20:06,205 --> 00:20:09,075
>> SHOULD WE DRINK?
386
00:20:09,141 --> 00:20:11,110
THEY'RE ALWAYS DRINKING.
387
00:20:11,177 --> 00:20:15,715
>> Narrator: WE CAUGHT UP WITH
DENISE RICHARDS AS SHE GRAPPLED
388
00:20:15,781 --> 00:20:18,084
WITH A FAMILY DILEMMA.
389
00:20:18,150 --> 00:20:19,418
>> NOW WE ARE READY.
390
00:20:19,485 --> 00:20:20,686
NOW WE ARE READY.
391
00:20:20,753 --> 00:20:21,654
>> CHEERS, BABY.
392
00:20:21,721 --> 00:20:27,593
>> GOING TO HAVE TO GO WITH THE
SUPER OCTANE.
393
00:20:27,660 --> 00:20:29,428
>> THIS IS DENISE RICHARDS.
394
00:20:29,495 --> 00:20:30,296
YOU'RE VERY FAMILIAR.
395
00:20:30,362 --> 00:20:31,597
>> WHO IS THAT GUY?
396
00:20:31,664 --> 00:20:34,600
>> I DON'T KNOW IF THAT'S HER
MAN OR HER HUSBAND.
397
00:20:34,667 --> 00:20:49,348
>> IS HER‐‐
>> I DIDN'T HAVE A GREAT TIME.
398
00:20:49,415 --> 00:20:56,655
>> SHE REALIZED HER HUSBAND
NEVER STOPS POSING.
399
00:20:56,722 --> 00:20:59,291
>> SAMMY OVERHEARD FIGHTING.
400
00:20:59,358 --> 00:21:05,464
SAMMY SAID THAT THEY OVERHEARD
SOMEONE FIGHTING ABOUT A
401
00:21:05,531 --> 00:21:12,838
THREESOME.
402
00:21:12,905 --> 00:21:13,439
>> LORD.
403
00:21:13,506 --> 00:21:14,607
WE DIDN'T TALK LIKE THAT.
404
00:21:14,673 --> 00:21:15,841
>> BEING CHILDREN OF CHARLIE
SHEEN CHARLIE SHEEN AND DENISE
405
00:21:15,908 --> 00:21:18,244
RICHARDS ALREADY COMES WITH A
LOT OF BAGGAGE FOR OUR DAUGHTER.
406
00:21:18,677 --> 00:21:20,279
BECAUSE THEY'VE HEARD WAY WORSE
ABOUT THEIR FATHER OR YOU OR
407
00:21:20,346 --> 00:21:23,382
WHATEVER, AND IT'S LIKE I DON'T
NEED MY FRIENDS ADDING TO THE
408
00:21:23,449 --> 00:21:24,216
BAGGAGE.
409
00:21:24,283 --> 00:21:28,320
>> YOU SIGNED UP FOR
"REAL HOUSEWIVES."
410
00:21:28,387 --> 00:21:29,488
>> THE KIDS ARE ALL GOOD.
411
00:21:29,555 --> 00:21:33,225
>> Narrator: LATER IN THE
EPISODE, DENISE AND AARON HAD TO
412
00:21:33,292 --> 00:21:41,500
A FAMILY BARBECUE "HOUSEWIVES"
STYLE.
413
00:21:41,567 --> 00:21:42,134
>> IT'S UNUSUAL.
414
00:21:42,201 --> 00:21:45,137
THEY ARE ALL GETTING ALONG.
415
00:21:45,204 --> 00:21:48,474
SOMETHING'S GOING TO HAPPEN.
416
00:21:48,541 --> 00:21:49,842
>> WHERE ARE YOUR KIDS?
417
00:21:49,909 --> 00:21:53,846
>> DO YOU THINK THAT I WOULD
BRING THEM AROUND EVERYONE?
418
00:21:53,913 --> 00:21:58,350
>> NOT AFTER WHAT HAPPENED.
419
00:21:58,417 --> 00:22:01,487
>> WHAT DID YOU SAY?
420
00:22:01,554 --> 00:22:04,757
>> TO NOT BE WITHIN EARSHOT OF
SO THEY ARE NOT HERE.
421
00:22:04,824 --> 00:22:07,660
>> I WOULDN'T BRING MY KIDS
AROUND YOU.
422
00:22:07,726 --> 00:22:10,629
>> HONESTLY TODAY WAS A
BEAUTIFUL FAMILY DAY.
423
00:22:10,696 --> 00:22:13,699
I WANT YOU TO FEEL LIKE YOU
CAN'T HAVE YOUR KIDS AROUND.
424
00:22:13,766 --> 00:22:15,801
>> THERE ARE SOME ISSUES.
425
00:22:15,868 --> 00:22:18,637
>> CAN'T EVEN BE MAD AT HER FOR
PROTECTING HER CHILDREN.
426
00:22:18,704 --> 00:22:20,539
WHY ARE YOU MAKING IT AN ISSUE?
427
00:22:20,606 --> 00:22:23,475
>> IT IS SUCH A NOTHING THING.
428
00:22:23,542 --> 00:22:26,512
>> YOU'RE NO LONGER COMFORTABLE
TO BRING YOUR KIDS IN HER
429
00:22:26,579 --> 00:22:27,046
PRESENCE?
430
00:22:27,112 --> 00:22:28,647
>> I NEVER SAID THAT.
431
00:22:28,714 --> 00:22:32,384
>> BUT YOU DO IF YOU'RE
COMFORTABLE BRINGING YOUR KIDS
432
00:22:32,451 --> 00:22:32,918
AROUND US?
433
00:22:32,985 --> 00:22:34,153
>> NOW I'M INTO THIS.
434
00:22:34,220 --> 00:22:38,257
>> HOW IT WAS PRESENTED PRIOR
WAS BECAUSE OF OUR GROUP IS WHY
435
00:22:38,324 --> 00:22:40,526
YOU DIDN'T WANT TO BRING THEM,
SO THAT'S THE CONFUSION.
436
00:22:40,593 --> 00:22:44,196
>> EVEN IF SHE FELT THAT WAY,
IT'S HER RIGHT.
437
00:22:44,263 --> 00:22:46,131
>> IS SHE THE ONLY GUY AT THE
TABLE?
438
00:22:46,198 --> 00:22:49,568
>> WHEN YOU ARE THE ONLY MAN AT
THE TABLE YOU SHOULD SIT THERE
439
00:22:49,635 --> 00:22:50,236
AND SHUT UP.
440
00:22:50,302 --> 00:22:51,770
>> HOW DO I MAKE YOU LOOK BAD?
441
00:22:51,837 --> 00:22:55,741
>> YOU'RE GOING TO GET CRUCIFIED
RIGHT NOW, MY FRIEND.
442
00:22:55,808 --> 00:22:56,742
>> IT'S NOT GOOD.
443
00:22:56,809 --> 00:23:00,446
>> ONLY SOMETHING BAD IS GOING
TO COME OUT OF IT.
444
00:23:00,512 --> 00:23:03,215
>> BECAUSE HE'S GOING TO SAY
SOMETHING LIKE THAT.
445
00:23:03,282 --> 00:23:07,052
>> ONE OF THEM GIRLS, IT'S GOING
TO BE HER TRIGGER WORD.
446
00:23:07,119 --> 00:23:11,357
>> THE ISSUE IS JUST‐‐
>> THERE IS NO ISSUE, THAT'S MY
447
00:23:11,423 --> 00:23:12,758
POINT.
448
00:23:12,825 --> 00:23:14,727
YOU ARE MAKING AN ISSUE OUT OF
NOTHING AND IT'S RIDICULOUS.
449
00:23:14,793 --> 00:23:17,363
>> DON'T SAY THAT.
450
00:23:17,429 --> 00:23:18,530
>> MISTAKE.
451
00:23:18,597 --> 00:23:20,499
>> NO ISSUE, RIGHT, LADIES?
452
00:23:20,566 --> 00:23:22,501
ALL RIGHT, MOVING ON.
453
00:23:22,568 --> 00:23:24,436
LOOKS LIKE THERE'S SOMETHING
ELSE.
454
00:23:24,503 --> 00:23:25,371
THANK YOU.
455
00:23:25,437 --> 00:23:27,606
>> NOBODY WANTS TO GET SCHOOLED
FROM AARON.
456
00:23:27,673 --> 00:23:30,776
EVERYONE IS LIKE AARON, WE ARE
HAVING A GIRL MOMENT, JUST LET
457
00:23:30,843 --> 00:23:35,714
US HAVE AT TEN LEAVE US US
ALONE.
458
00:23:35,781 --> 00:23:42,621
>> YOU ARE [BLEEP]
>> THEY ARE SAVAGES.
459
00:23:42,688 --> 00:23:43,722
>> I AM DONE.
460
00:23:43,789 --> 00:23:44,423
WE ARE LEAVING.
461
00:23:44,490 --> 00:23:46,225
I AM LEAVING.
462
00:23:46,292 --> 00:23:48,460
I AM LEAVING.
463
00:23:48,527 --> 00:23:52,231
GET UP.
464
00:23:52,298 --> 00:23:53,732
>> SO DRAMATIC.
465
00:23:53,799 --> 00:23:55,134
IS IT REAL?
466
00:23:55,200 --> 00:23:56,302
IS IT REAL?
467
00:23:56,368 --> 00:23:59,138
>> DENISE, IT IS SO SILLY TO
LEAVE LIKE THAT.
468
00:23:59,204 --> 00:24:02,474
>> YOU SHOULD'VE THOUGHT OF THAT
EARLIER AND JUST BEEN NICE.
469
00:24:02,541 --> 00:24:05,210
>> MAYBE DON'T SAY ANYTHING.
470
00:24:05,277 --> 00:24:06,111
WE ARE ON THE CAMERA.
471
00:24:06,178 --> 00:24:11,250
>> WHY?
472
00:24:11,317 --> 00:24:13,452
>> DON'T TELL ME WHAT TO SAY.
473
00:24:13,519 --> 00:24:15,788
>> WHAT DID HE SAY?
474
00:24:15,854 --> 00:24:20,259
HE SAID DON'T TELL ME WHAT TO
SAY.
475
00:24:20,326 --> 00:24:23,562
I'M GOING TO CRUSH YOU.
476
00:24:23,629 --> 00:24:28,600
>> DOESN'T HAVE A TRY EXCEPT
WORK OUT HE HAS TO DO?
477
00:24:28,667 --> 00:24:32,137
>> I DON'T WANT YOU TO LEAVE
LIKE THAT.
478
00:24:32,204 --> 00:24:34,606
>> WELL.
479
00:24:34,673 --> 00:24:37,509
>> I'M NEVER GOING TO GO TO ONE
OF THESE BARBECUES.
480
00:24:37,576 --> 00:24:42,147
>> THEY WILL BE BACK TOGETHER
NEXT WEEK.
481
00:24:42,214 --> 00:24:48,153
>> THEY SHOULD BE CALLED "THE
DESPERATE HOUSEWIVES OF
482
00:24:48,220 --> 00:24:49,655
BEVERLY HILLS.
483
00:24:49,722 --> 00:24:56,295
THEY ARE DRUNK ALL THE
484
00:24:59,932 --> 00:25:07,740
>> Narrator: WELCOME BACK
TO"CELEBRITY WATCH PARTY."
485
00:25:07,806 --> 00:25:08,874
IN ST. LOUIS.
486
00:25:08,941 --> 00:25:09,575
>> I CANNOT IMAGINE ANYONE IN
THIS LIFE, FOR INSTANCE MY
487
00:25:09,641 --> 00:25:10,709
MOTHER DOESN'T KNOW HOW TO SWIM.
488
00:25:10,776 --> 00:25:15,180
>> Narrator: SPORTSCASTERS JOE
BUCK AND HIS WIFE MICHELLE
489
00:25:15,247 --> 00:25:15,981
BEISNER‐BUCK.
490
00:25:16,048 --> 00:25:19,451
>> WE'VE BEEN TOGETHER FOR HOW
LONG?
491
00:25:19,518 --> 00:25:20,386
15, 20 YEARS?
492
00:25:20,452 --> 00:25:22,488
>> NO, THAT'S HOW MUCH OLDER YOU
ARE FOR ME.
493
00:25:22,554 --> 00:25:25,657
>> I DIDN'T KNOW THAT YOUR
MOTHER DOESN'T KNOW HOW TO SWIM.
494
00:25:25,724 --> 00:25:30,529
>> SHE DOESN'T KNOW HOW TO SWIM,
SO IF YOU WANT TO GET RID OF HER
495
00:25:30,596 --> 00:25:34,199
REALLY QUICK, PUSH IN OUR POOL.
496
00:25:34,266 --> 00:25:40,406
>> MARY, LET'S TAKE A WALK ON
THE POOL.
497
00:25:40,472 --> 00:25:45,644
>> Narrator: ON TLC, AN
EPISODE WHERE PEOPLE PUT THEIR
498
00:25:45,711 --> 00:25:48,514
BEST FOOT FORWARD.
499
00:25:48,580 --> 00:25:58,424
>> THIS PROGRAM EXAMINES
PODIATRIC MEDICAL PROCEDURES.
500
00:25:58,490 --> 00:26:01,660
>> NO, NO, NO, NO.
501
00:26:01,727 --> 00:26:05,364
>> MY FEET ARE SO FUNKY AND
DISGUSTING FROM DANCE.
502
00:26:05,431 --> 00:26:08,634
I'VE GOT BUNIONS.
503
00:26:08,700 --> 00:26:23,582
I DO NOT LIKE FEET.
504
00:26:23,649 --> 00:26:26,819
I DO NOT LIKE FEET.
505
00:26:26,885 --> 00:26:27,586
>> I NEED TO BE ON THIS SHOW.
506
00:26:27,653 --> 00:26:28,687
I NEED DOCTORS TO FIX MY FEET
TOO.
507
00:26:28,754 --> 00:26:29,221
>> WHAT ARE YOU TALKING ABOUT?
508
00:26:29,288 --> 00:26:30,089
YOUR FEET ARE PERFECT.
509
00:26:30,155 --> 00:26:30,589
NOT PERFECT‐PERFECT BUT THEY ARE
NOT BAD.
510
00:26:30,656 --> 00:26:31,223
>> LET'S TAKE NOTES.
511
00:26:31,290 --> 00:26:32,291
>> Narrator: WE MET ROBERT.
512
00:26:32,357 --> 00:26:35,694
HE'S BEEN KEEPING MORE THAN JUST
HIS BAD FEET SECRET.
513
00:26:35,761 --> 00:26:38,163
>> MORE THAN 20 YEARS NOW.
514
00:26:38,230 --> 00:26:41,567
>> OH, NO.
515
00:26:41,633 --> 00:26:42,701
>> I'M NOT AGAINST IT.
516
00:26:42,768 --> 00:26:48,707
>> PUT SOME CLOTHES ON.
517
00:26:48,774 --> 00:26:50,375
>> I DO NEW BEACHES.
518
00:26:50,442 --> 00:26:54,279
>> WHAT HAS A GOT TO DO WITH HIS
FEET?
519
00:26:54,346 --> 00:26:57,749
>> TOENAIL FUNGUS.
520
00:26:57,816 --> 00:27:01,320
THE NAIL HAS FELL OFF A COUPLE
TIMES.
521
00:27:01,386 --> 00:27:02,654
>> I'M NOT WATCHING THE SHOW.
522
00:27:02,721 --> 00:27:04,690
>> I'M EMBARRASSED ABOUT IT.
523
00:27:04,756 --> 00:27:08,527
THERE'S SOMETHING THAT'S GOT TO
BE DONE.
524
00:27:08,594 --> 00:27:11,730
>> NOT EVEN LOOKING AT THE TV.
525
00:27:11,797 --> 00:27:12,331
>> HELLO.
526
00:27:12,397 --> 00:27:15,701
HOW ARE YOU?
527
00:27:15,767 --> 00:27:19,071
>> LOOKS LIKE A FAKE DOCTOR.
528
00:27:19,138 --> 00:27:22,141
LOOKS LIKE A BOY BAND.
529
00:27:22,207 --> 00:27:25,077
>> THOSE FOOT MASSAGES HE MUST
BE ABLE TO GIVE.
530
00:27:25,144 --> 00:27:30,749
>> I HAVE BEEN A NUDIST FOR
ABOUT 20 YEARS.
531
00:27:30,816 --> 00:27:34,086
>> JUST WALKING AROUND FREE AS A
BIRD?
532
00:27:34,153 --> 00:27:40,392
>> FREE AS A BIRD.
533
00:27:40,459 --> 00:27:44,129
>> IT'S JUST A TOTAL.
534
00:27:44,196 --> 00:27:51,236
>> NO IT'S NOT.
535
00:27:51,303 --> 00:27:51,603
IT'S FUNGI.
536
00:27:51,670 --> 00:27:57,743
>> OH!
537
00:27:57,809 --> 00:28:02,714
>> THAT LOOKS LIKE MY BIG TOE
RIGHT HERE, THE ONE I COULDN'T
538
00:28:02,781 --> 00:28:06,485
CUT THE OTHER DAY.
539
00:28:06,552 --> 00:28:08,754
>> THEY ARE A LITTLE YELLOW.
540
00:28:08,820 --> 00:28:09,988
THEY ARE BRITTLE.
541
00:28:10,055 --> 00:28:14,760
THEY ARE KIND OF FALLING OFF AND
FLAKING OFF IN CERTAIN SPOTS.
542
00:28:14,826 --> 00:28:17,763
>> I WAS GOING TO SAY.
543
00:28:17,829 --> 00:28:22,434
>> THAT BOY NEEDS TO KEEP HIS
CLOTHES ON AND KEEP SOME SOCKS
544
00:28:22,501 --> 00:28:23,202
ON THEM FEET.
545
00:28:23,268 --> 00:28:27,172
>> IT LOOKS LIKE HIS TOE
EXPLODED.
546
00:28:27,239 --> 00:28:31,276
>> IT'S VERY CRUSTY, KIND OF
BUBBLY AND BRITTLE, ALMOST LIKE
547
00:28:31,343 --> 00:28:32,511
POTATO CHIPS.
548
00:28:32,578 --> 00:28:34,780
>> COME ON, MAN.
549
00:28:34,846 --> 00:28:35,981
I LIKE POTATO CHIPS.
550
00:28:36,048 --> 00:28:43,188
>> I'VE SEEN POTATO CHIPS THAT
LOOK WORSE IF THAT'S WHAT YOU
551
00:28:43,255 --> 00:28:44,089
MEAN.
552
00:28:44,156 --> 00:28:47,125
>> WE ARE GOING TO REMOVE IT.
553
00:28:47,192 --> 00:28:50,495
>> NOT TODAY, SATAN.
554
00:28:50,562 --> 00:28:51,663
NOT TODAY.
555
00:28:51,730 --> 00:28:53,532
>> I PREFER PIMPLES.
556
00:28:53,599 --> 00:28:54,766
>> I LIKE TOOLS.
557
00:28:54,833 --> 00:28:56,702
>> I WANT TO GET IN THERE.
558
00:28:56,768 --> 00:29:00,305
I WANT TO GET TOOLS AND I WANT
TO DIG AND GET THE CUTICLES AND
559
00:29:00,372 --> 00:29:01,540
THE HANGNAIL'S.
560
00:29:01,607 --> 00:29:06,278
>> I'M GOING TO NOME THIS TOE
BECAUSE IT'S THE ONLY ONE WE ARE
561
00:29:06,345 --> 00:29:06,678
TAKING OFF.
562
00:29:06,745 --> 00:29:08,280
A PINCH.
563
00:29:08,347 --> 00:29:09,448
ONE, TWO, THREE PINCH.
564
00:29:09,514 --> 00:29:12,784
THE FIRST STEP IN TREATMENT AS
WE ARE GOING TO REMOVE THAT
565
00:29:12,851 --> 00:29:14,453
UNSIGHTLY TOENAIL, HIS BIG
TOENAIL.
566
00:29:14,519 --> 00:29:19,157
THAT WE ARE GOING TO FREE UP THE
MAIL.
567
00:29:19,224 --> 00:29:19,725
>> OH, NO!
568
00:29:19,791 --> 00:29:22,094
>> OH!
569
00:29:22,160 --> 00:29:30,168
>> OH, [BLEEP]
>> NO!
570
00:29:30,235 --> 00:29:30,469
>> NO!
571
00:29:30,535 --> 00:29:31,670
>> OH!
572
00:29:31,737 --> 00:29:34,339
>> NO.
573
00:29:34,406 --> 00:29:36,174
NO, IT'S MAKING ME SICK.
574
00:29:36,241 --> 00:29:39,711
>> YOU WANTED TO GET UP IN
THERE.
575
00:29:39,778 --> 00:29:41,680
[LAUGHS]
HE'S GETTING UP IN THERE.
576
00:29:41,747 --> 00:29:44,349
>> KNOW WE ARE JUST GOING TO
LIFT IT OFF.
577
00:29:44,416 --> 00:29:48,787
IT MIGHT COME OFF IN PIECES JUST
BECAUSE OF HOW FUNGAL IT IS.
578
00:29:48,854 --> 00:29:55,227
>> OOH!
579
00:29:55,294 --> 00:30:01,333
[LAUGHTER]
>> I LIKE IT.
580
00:30:01,400 --> 00:30:05,170
>> CATCH ME OUTSIDE, OKAY?
581
00:30:05,237 --> 00:30:07,239
CATCH ME OUTSIDE.
582
00:30:07,306 --> 00:30:09,775
>> NICE AND CLEAN.
583
00:30:09,841 --> 00:30:11,243
THE NAIL IS COMPLETELY REMOVED.
584
00:30:11,310 --> 00:30:13,412
>> OH, MY GOSH, NO.
585
00:30:13,478 --> 00:30:17,082
>> THE VISIT WITH THE DOCTOR
WENT GREAT.
586
00:30:17,149 --> 00:30:19,751
I FEEL A LOT MORE COMFORTABLE
ABOUT MY NEW TOES.
587
00:30:19,818 --> 00:30:23,588
>> IT DOES LOOK A HELL OF A LOT
BETTER.
588
00:30:23,655 --> 00:30:26,258
IF HIS TOENAILS COME BACK
LOOKING PURE, I'M GOING TO SEE
589
00:30:26,325 --> 00:30:26,892
THE DOCTOR.
590
00:30:26,958 --> 00:30:29,594
>> YOUR TOENAILS LOOK GOOD.
591
00:30:29,661 --> 00:30:31,096
YOU HAVE LIKE FLINTSTONE FEET.
592
00:30:31,163 --> 00:30:35,233
>> YOU'RE WEIRD, SLANTED TOE.
593
00:30:35,300 --> 00:30:37,769
YOUR FEET ARE KILLING ME.
594
00:30:37,836 --> 00:30:45,510
>> MAMA, LET'S DO A SHOW ABOUT
BOOTIES.
595
00:30:45,577 --> 00:30:46,645
WITH PIMPLES ON THEM.
596
00:30:46,712 --> 00:30:49,848
WE LAY PEOPLE ON THE BED AND WE
JUST POPPED THERE BOOTY
597
00:31:00,859 --> 00:31:04,129
>> Narrator: WELCOME BACK TO
"CELEBRITY WATCH PARTY."
598
00:31:04,196 --> 00:31:04,963
IN LOS ANGELES.
599
00:31:05,030 --> 00:31:13,772
>> WHY DOES EVERYTHING IN THIS
HOUSE‐‐
600
00:31:13,839 --> 00:31:15,273
SMELL LIKE THE TRULY OIL?
601
00:31:15,340 --> 00:31:20,112
IT'S ONE OF THE CLEANING
PRODUCTS.
602
00:31:20,178 --> 00:31:28,153
>> EVERYTHING SMELLS LIKE
PATCHOULI OIL.
603
00:31:28,220 --> 00:31:31,656
>> IT SMELLS LIKE A HIPPIE'S
BALM.
604
00:31:31,723 --> 00:31:36,628
>> Narrator: LIFETIME BROUGHT
US THIS WONDER FROM DOWN UNDER.
605
00:31:36,695 --> 00:31:39,564
>> WHAT THE HELL IS THIS?
606
00:31:39,631 --> 00:31:45,804
>> "MARRIED AT FIRST SIGHT."
607
00:31:45,871 --> 00:31:55,881
PREAMBLE TO "‐‐
>> YOU DON'T MEET THE PERSON YOU
608
00:31:55,947 --> 00:31:59,518
GET MARRIED TOO UNTIL YOU WALK
DOWN THE AISLE WITH THEM.
609
00:31:59,584 --> 00:32:01,520
>> WHAT IF IT'S SOMEONE YOU
DON'T LIKE?
610
00:32:01,586 --> 00:32:06,057
>> AND THEN MOST OF THE TIME
THEY HATE EACH OTHER AND IT'S
611
00:32:06,124 --> 00:32:07,225
GREAT TV.
612
00:32:07,292 --> 00:32:13,198
>> Narrator: WE MET NATASHA,
LOOKING FOR A CHANGE AFTER ONE
613
00:32:13,265 --> 00:32:14,166
TOO MANY FAILED RELATIONSHIPS
WITH OLDER MEN.
614
00:32:14,232 --> 00:32:17,502
>> WHAT SORT OF AGE GAP?
615
00:32:17,569 --> 00:32:21,206
>> I WAS 21 DATING A
42‐YEAR‐OLD.
616
00:32:21,273 --> 00:32:28,346
WHEN I WAS 25, I WAS DATING A
52‐YEAR‐OLD.
617
00:32:28,413 --> 00:32:32,517
>> SHE HAS DADDY ISSUES?
618
00:32:32,584 --> 00:32:36,188
>> SHE SEEMS TOTALLY NORMAL.
619
00:32:36,254 --> 00:32:40,826
>> I AM TOO SCARED TO MAKE MY
OWN DECISIONS ABOUT WHO TO LOVE.
620
00:32:40,892 --> 00:32:42,761
I AM DESPERATE FOR THE EXPERTS
HELP.
621
00:32:42,828 --> 00:32:45,197
I WANT A MAN WHO WILL GET TO
KNOW ME.
622
00:32:45,263 --> 00:32:49,201
>> SHE HAS GOT A DRESS AND SHE
DOESN'T EVEN KNOW WHO FOR.
623
00:32:49,267 --> 00:32:52,804
>> WE STILL HAVE ONE UNMARRIED
CHILD.
624
00:32:52,871 --> 00:32:54,239
MAYBE WE COULD SIGN HIM UP.
625
00:32:54,306 --> 00:33:07,085
>> I THINK IT MIGHT BE A GOOD
MATCH, MIKEY.
626
00:33:07,152 --> 00:33:07,886
THEY ARE AT A SIMILAR AGE.
627
00:33:07,953 --> 00:33:08,854
HE IS AMBITIOUS AND VERY
SUCCESSFUL.
628
00:33:08,920 --> 00:33:10,121
>> SO IT'S NOT EVEN LIKE YOU
PICK YOUR PERSON.
629
00:33:10,188 --> 00:33:11,122
THEY PICK YOUR PERSON.
630
00:33:11,189 --> 00:33:14,092
>> THEY PICK YOUR PERSON, SEE
YOU AT THE ALTAR.
631
00:33:14,159 --> 00:33:15,560
>> MAYBE SHE'S SO TIRED OF IT.
632
00:33:15,627 --> 00:33:18,330
SHE'S TRUSTING THESE PEOPLE TO
DO IT FOR HER.
633
00:33:18,396 --> 00:33:21,233
>> THIS IS THE LAST RESORT.
634
00:33:21,299 --> 00:33:25,604
>> AS LONG SHE CAN SEE PAST HIS
AGE, THINK WHAT SHE'S GOING TO
635
00:33:25,670 --> 00:33:30,175
FIND IS HE IS AMBITIOUS AND HE
CAN CHALLENGE HER.
636
00:33:30,242 --> 00:33:36,481
>> I RECKON THEY ARE A GOOD
MATCH.
637
00:33:36,548 --> 00:33:39,818
>> THOSE EXPERTS NEED TO CHANGE
THEIR JOB.
638
00:33:39,885 --> 00:33:42,587
>> Narrator: WITH A HAS‐BEEN
SELECTED, ALL IT WAS LEFT TO DO
639
00:33:42,654 --> 00:33:44,155
WAS TIE THE KNOT.
640
00:33:44,222 --> 00:33:51,129
>> WHOEVER THOUGHT MY WEDDING
WOULD THE WITH A COMPLETE
641
00:33:51,196 --> 00:33:55,600
STRANGER.
642
00:33:55,667 --> 00:33:58,270
>> THIS IS A LITTLE KID.
643
00:33:58,336 --> 00:34:01,072
SHE IS USED TO GROWN MEN.
644
00:34:01,139 --> 00:34:03,675
>> PHYSICALLY I FEEL SICK IN MY
STOMACH.
645
00:34:03,742 --> 00:34:07,412
I DON'T KNOW THE PERSON MUST
GOING TO WALK DOWN THE AISLE.
646
00:34:07,479 --> 00:34:12,284
>> WHAT IF SOMEONE BREATHES
DIFFERENT THAN YOU.
647
00:34:12,350 --> 00:34:14,386
INSTEAD OF LIKE NORMAL BREATHING
AND YOU'RE GETTING MARRIED TO
648
00:34:14,452 --> 00:34:15,053
THEM.
649
00:34:15,120 --> 00:34:17,756
>> SOMEONE COULD SMELL WEIRD.
650
00:34:17,822 --> 00:34:20,458
HAVE YOU EVER BEEN SOMEONE WHO
SMELLS WEIRD.
651
00:34:20,525 --> 00:34:22,093
>> HAD THEY HAVE A WEIRD SMELL.
652
00:34:22,160 --> 00:34:25,830
>> THEY COULD BE A BLOOD HE
ASKED MURDERER.
653
00:34:25,897 --> 00:34:31,303
WHO KNOWS.
654
00:34:31,369 --> 00:34:37,309
>> SHE'S NOT GOING TO LIKE HIM.
655
00:34:37,375 --> 00:34:38,243
>> I KNEW IT.
656
00:34:38,310 --> 00:34:45,350
>> SHE WILL DEVOUR HIM.
657
00:34:45,417 --> 00:34:49,821
>> WE HAVE THE MEAN GIRLS TABLE.
658
00:34:49,888 --> 00:34:54,259
>> SHE'S GOING TO GO, WHERE IS
YOUR DAD?
659
00:34:54,326 --> 00:34:57,362
>> [LAUGHS]
>> I WANT TO SEE MY TEAMMATE
660
00:34:57,429 --> 00:35:04,736
STANDING THERE, SOMEBODY THAT'S
NOT THREATENED BY MY SUCCESS.
661
00:35:04,803 --> 00:35:07,672
>> HERE COMES THE BRIDE, HERE
COMES THE BRIDE.
662
00:35:07,739 --> 00:35:11,176
>> GIVING YOU TO SOME MAN I
DON'T EVEN KNOW.
663
00:35:11,242 --> 00:35:17,048
>> GET READY FOR THE
TRAIN WRECK.
664
00:35:17,115 --> 00:35:17,549
>> WOW.
665
00:35:17,616 --> 00:35:19,284
>> LOOK AT HER FACE.
666
00:35:19,351 --> 00:35:20,518
LOOK AT HER FACE.
667
00:35:20,585 --> 00:35:24,756
>> I CAN'T BELIEVE THAT SHE'S
ACTUALLY GETTING MARRIED TO ME.
668
00:35:24,823 --> 00:35:26,257
>> HELLO.
669
00:35:26,324 --> 00:35:28,293
>> SHE'S DEVASTATED.
670
00:35:28,360 --> 00:35:30,128
>> NATASHA.
671
00:35:30,195 --> 00:35:31,630
>> MIKEY.
672
00:35:31,696 --> 00:35:34,165
>> THAT'S AWKWARD.
673
00:35:34,232 --> 00:35:34,966
>> JUST A LITTLE.
674
00:35:35,033 --> 00:35:38,303
>> THIS IS "MARRIED AT FIRST
SIGHT."
675
00:35:38,370 --> 00:35:41,573
WHAT IF I SAW ONE OF HER
BRIDESMAIDS AND I WAS LIKE HEY,
676
00:35:41,640 --> 00:35:44,509
I WOULD RATHER HAVE HER.
677
00:35:44,576 --> 00:35:47,545
>> THIS IS SO CRAZY.
678
00:35:47,612 --> 00:35:50,515
>> DURING THIS CRAZY CHAPTER WE
ARE ABOUT TO EMBARK ON, I
679
00:35:50,582 --> 00:35:54,285
PROMISE I WILL BE DEVOTED TO YOU
COMPLETELY.
680
00:35:54,352 --> 00:35:55,253
>> THIS IS INSANE.
681
00:35:55,320 --> 00:35:58,223
>> WOULD YOU MARRY ME?
682
00:35:58,289 --> 00:36:05,296
>> I LOVE YOU JUST THE WAY YOU
ARE.
683
00:36:05,363 --> 00:36:10,435
>> WE START TODAY A STRANGERS
BUT WILL END UP AS HUSBAND AS
684
00:36:10,502 --> 00:36:13,338
HUSBAND AND WIFE AND I VOWED TO
ALWAYS BE YOUR TEAMMATE NO
685
00:36:13,405 --> 00:36:14,305
MATTER WHAT COMES OUR WAY.
686
00:36:14,372 --> 00:36:17,208
>> WHY DO I WANT THIS TO WORK?
687
00:36:17,275 --> 00:36:32,190
>> YOU MAY NOW KISS YOUR BRIDE.
688
00:36:32,257 --> 00:36:33,391
>> YOU MAY NOW KISS YOUR BRIDE.
689
00:36:33,458 --> 00:36:36,227
>> I THINK THEY'RE GOING TO
WORK.
690
00:36:36,294 --> 00:36:37,696
WHAT MORE PROOF DO YOU NEED?
691
00:36:37,762 --> 00:36:40,231
>> SHE DOES SEEM LIKE SHE'S GOT
A WARM HEART.
692
00:36:40,298 --> 00:36:44,235
I'M REALLY HAPPY WITH HOW THINGS
AND GONE SO FAR.
693
00:36:44,302 --> 00:36:45,503
>> ISN'T IT RIDICULOUS?
694
00:36:45,570 --> 00:36:47,305
WHAT'S SHE GOING TO DO?
695
00:36:47,372 --> 00:36:52,077
ARE THEY GOING TO HAVE SEX
TONIGHT?
696
00:36:52,143 --> 00:36:54,345
WHAT ARE THEY GOING TO DO?
697
00:36:54,412 --> 00:36:55,780
>> ARE YOU HAPPY?
698
00:36:55,847 --> 00:36:57,248
>> VERY HAPPY.
699
00:36:57,315 --> 00:37:02,253
>> ARE THEY BOTH VIRGINS?
700
00:37:02,320 --> 00:37:03,288
>> I DON'T KNOW.
701
00:37:03,354 --> 00:37:05,123
>> SHOULD WE GO TO BED?
702
00:37:05,190 --> 00:37:07,325
>> YEAH, LET'S DO IT.
703
00:37:07,392 --> 00:37:09,427
>> DO WE GET TO SEE THIS PART?
704
00:37:09,494 --> 00:37:12,263
>> MOTHER, OF COURSE NOT.
705
00:37:12,330 --> 00:37:17,235
>> THIS IS TENDER IN A WEDDING
DRESS.
706
00:37:17,302 --> 00:37:20,238
>> IT'S TRUE LOVE MILLENNIAL
STYLE.
707
00:37:20,305 --> 00:37:22,774
>> I CAN'T WAIT TO CHECK ON THEM
IN A MONTH AND A HALF.
708
00:37:22,841 --> 00:37:27,078
>> I CAN'T WAIT TO CHECK ON THEM
IN AN HOUR AND A HALF.
709
00:37:27,145 --> 00:37:28,213
>> Narrator: COMING UP.
710
00:37:28,279 --> 00:37:34,753
>> I WOKE UP ONE TO SEE THE
WORLD BURNED DOWN YESTERDAY.
711
00:37:34,819 --> 00:37:36,387
TIRED OF SEEING BLACK BEINGS
DIED.
712
00:37:36,454 --> 00:37:38,456
>> EVERY DAY FOR BLACK
713
00:37:47,665 --> 00:37:48,733
>> Narrator: WELCOME BACK
TO"CELEBRITY WATCH PARTY."
714
00:37:48,800 --> 00:37:52,170
>> I WANT TO TELL YOU THAT I AM
PROUD OF YOU FOR HAVING
715
00:37:52,237 --> 00:37:55,306
INTEGRITY AND GETTING OUT THERE,
STANDING UP THERE FOR WHAT'S
716
00:37:55,373 --> 00:37:56,541
RIGHT.
717
00:37:56,608 --> 00:38:00,411
A LOT OF PEOPLE DON'T UNDERSTAND
THAT THAT WE HAVE TO STAND UP.
718
00:38:00,478 --> 00:38:04,249
AT THE END OF THE DAY, ALL WE
REALLY WANT IS PEACE BUT
719
00:38:04,315 --> 00:38:08,419
SOMETIMES YOU KNOW WHEN YOU LOOK
AT IT, YOU HAVE TO GET OUT THERE
720
00:38:08,486 --> 00:38:09,788
AND STAND UP FOR WHAT YOU
BELIEVE IN.
721
00:38:09,854 --> 00:38:12,757
AND NOW PEOPLE ARE OUT HERE
LOOTING.
722
00:38:12,824 --> 00:38:14,392
THERE DOING THINGS.
723
00:38:14,459 --> 00:38:17,095
THEY REALLY WANT TO BE HEARD.
724
00:38:17,162 --> 00:38:18,263
IT'S NOT JUST AFRICAN‐AMERICAN.
725
00:38:18,329 --> 00:38:23,368
>> THIS IS MY THING, WITH
LOOTING AND ALL THAT STUFF, THE
726
00:38:23,434 --> 00:38:27,772
MORE VIOLENT PROTESTS, THAT'S
NOT A LIFE.
727
00:38:27,839 --> 00:38:31,176
AT THE END OF THE DAY, SOMEBODY
BREAKING A STORE ISN'T TAKING A
728
00:38:31,242 --> 00:38:31,843
LIFE.
729
00:38:31,910 --> 00:38:35,413
ONE ARMY GOING TO VALUE LIVES?
730
00:38:35,480 --> 00:38:35,647
>>
‐‐ WHEN >> LOS ANGELES IS LIT.
731
00:38:41,653 --> 00:38:48,293
>> SOON AFTER THE PROTEST OVER
GEORGE FLOYD'S DEATH HAD BEGUN,
732
00:38:48,359 --> 00:38:50,662
ONE MAN SPOKE WITH REPORTERS.
733
00:38:50,728 --> 00:38:53,331
>> I DIDN'T WANT TO COME AND I
DON'T WANT TO BE HERE.
734
00:38:53,398 --> 00:38:56,167
>> KILLER MIKE IS VERY
IMPRESSIVE.
735
00:38:56,234 --> 00:38:59,337
EVERY TIME HE SPEAKS, I LIKE
HEARING FROM HIM.
736
00:38:59,404 --> 00:39:04,309
>> I WATCHED A WHITE OFFICER
ASSASSINATE A BLACK MAN, AND I
737
00:39:04,375 --> 00:39:06,611
KNOW THAT THAT TORE YOUR HEART
OUT.
738
00:39:06,678 --> 00:39:12,784
>> CAN YOU IMAGINE THE FEELING
IN THAT INTERSECTION RIGHT NOW,
739
00:39:12,851 --> 00:39:14,352
THE TENSION.
740
00:39:14,419 --> 00:39:14,786
>> THE RAGE.
741
00:39:14,853 --> 00:39:16,387
>> THE RAGE.
742
00:39:16,454 --> 00:39:19,190
>> IT KEEPS HAPPENING OVER AND
OVER AGAIN.
743
00:39:19,257 --> 00:39:20,258
WHAT DO YOU EXPECT?
744
00:39:20,325 --> 00:39:24,329
>> I AM RESPONSIBLE TO BE HERE
BECAUSE IT WASN'T JUST
745
00:39:24,395 --> 00:39:30,235
DR. KING AND PEOPLE DRESSED
NICELY WHO MARCHED AND PROTESTED
746
00:39:30,301 --> 00:39:34,339
IN THIS CITY AND SO MANY OTHER
CITIES.
747
00:39:34,405 --> 00:39:39,777
IT'S YOUR DUTY NOT TO BURN YOUR
OWN HOUSE DOWN FOR ANGER WITH AN
748
00:39:39,844 --> 00:39:41,012
ENEMY.
749
00:39:41,079 --> 00:39:46,651
IT IS YOUR DUTY TO FORTIFY YOUR
OWN HOUSE SO THAT YOU MAY BE A
750
00:39:46,718 --> 00:39:50,121
HOUSE OF REFUGE IN TIMES OF
ORGANIZATION.
751
00:39:50,188 --> 00:39:52,190
>> HE IS SAYING THE RIGHT
THINGS.
752
00:39:52,257 --> 00:39:54,826
>> THE RAGE IS UNDERSTANDABLE.
753
00:39:54,893 --> 00:39:58,229
>> WHAT ARE THEY SUPPOSED TO DO
WITH OUTRAGE?
754
00:39:58,296 --> 00:40:02,233
>> IF IT'S PEACEFUL, NO ONE
LISTENS.
755
00:40:02,300 --> 00:40:05,236
I AM NOT CONDONING LOOTING, OF
COURSE NOT.
756
00:40:05,303 --> 00:40:06,070
THAT'S RIDICULOUS.
757
00:40:06,137 --> 00:40:08,573
BUT THE TRUTH IS WE HAVE TO
CHANGE IT.
758
00:40:08,640 --> 00:40:12,677
WE HAVE TO STOP SITTING AROUND
AND [BLEEP]
759
00:40:12,744 --> 00:40:13,845
TALKING ABOUT IT.
760
00:40:13,912 --> 00:40:17,715
>> I WOKE UP ONE CONDUCIVE THE
WORLD BURNED DOWN YESTERDAY.
761
00:40:17,782 --> 00:40:21,719
TIRED OF SEEING BLACK BEINGS
DIE.
762
00:40:21,786 --> 00:40:23,521
SHE CASUALLY PUT HIS
KNEE ON A HUMAN BEINGS
763
00:40:28,726 --> 00:40:34,599
HE CASUALLY PUT HIS KNEE ON A
HUMAN BEING'S NECK.
764
00:40:34,666 --> 00:40:37,435
WE WATCH IT OVER AND OVER AGAIN.
765
00:40:37,502 --> 00:40:40,638
>> STOPPED SHOWING THIS CLIP.
766
00:40:40,705 --> 00:40:41,639
KIDS ARE SEEING THIS.
767
00:40:41,706 --> 00:40:44,809
>> MAY BE THEY NEED TO SEE IT.
768
00:40:44,876 --> 00:40:45,810
>> WANTS.
769
00:40:45,877 --> 00:40:47,612
>> THAT'S WHY THEY ARE BURNING
IT TO THE GROUND.
770
00:40:47,679 --> 00:40:50,214
THEY DON'T KNOW WHAT ELSE TO DO.
771
00:40:50,281 --> 00:40:54,852
IT'S THE RESPONSIBILITY OF US TO
MAKE THIS BETTER RIGHT NOW.
772
00:40:54,919 --> 00:40:59,824
WE DON'T WANT TO SEE ONE OFFICER
CHARGED.
773
00:40:59,891 --> 00:41:03,394
WE WANT TO SEE FOUR OFFICERS
PROSECUTED AND SENTENCED.
774
00:41:03,461 --> 00:41:06,731
WE DON'T WANT TO SEE TARGETS
BURNING.
775
00:41:06,798 --> 00:41:12,470
WE WANT TO SEE THE SYSTEM THAT
SETS UP FOR SYSTEMIC RATE SYSTEM
776
00:41:12,537 --> 00:41:13,137
BURNED TO THE GROUND.
777
00:41:13,204 --> 00:41:15,773
AND AS I SIT HERE IN GEORGIA.
778
00:41:15,840 --> 00:41:20,511
>> AND YOU AND I WILL NEVER
KNOW.
779
00:41:20,578 --> 00:41:22,680
WE WILL NEVER KNOW WHAT IT'S
LIKE.
780
00:41:22,747 --> 00:41:27,785
>> I'M GLAD THEY ONLY TOOK DOWN
A SIGN AND DEFACED A BUILDING
781
00:41:27,852 --> 00:41:31,522
AND THEY ARE NOT KILLING
HUMAN BEINGS LIKE THAT POLICE
782
00:41:31,589 --> 00:41:32,724
OFFICER DID.
783
00:41:32,790 --> 00:41:35,626
I AM GLAD THEY DIDN'T RIP A
FATHER FROM THE SUN, DIDN'T RIP
784
00:41:35,693 --> 00:41:37,462
A SON FROM A MOTHER.
785
00:41:37,528 --> 00:41:40,598
LIKE THE POLICEMAN DID.
786
00:41:40,665 --> 00:41:44,502
>> TOO MANY PEOPLE FOCUS ON THE
LOOTING AS THE THING.
787
00:41:44,569 --> 00:41:49,507
WHEN THE MEDIA GETS YOU TO FOCUS
ON THE LOOTING, YOU LOSE FOCUS
788
00:41:49,574 --> 00:41:53,578
ON THE VERY REASON WHY WE'RE
HERE IN THE FIRST PLACE.
789
00:41:53,644 --> 00:41:56,647
>> WHEN A MAN YELLS FOR HIS
MOTHER IN DURESS AND PAIN AND
790
00:41:56,714 --> 00:42:00,618
SHE'S DEAD, HE'S ESSENTIALLY
YELLING PLEASE GOD, DON'T LET IT
791
00:42:00,685 --> 00:42:02,487
HAPPEN TO ME AND WE WATCHED IT.
792
00:42:02,553 --> 00:42:05,490
>> UNDERSTAND WHY IT'S HAPPENING
AND BE THANKFUL THAT THERE IS
793
00:42:05,556 --> 00:42:09,794
SOMEONE LIKE KILLER MIKE WHO CAN
ARTICULATE THE FRUSTRATIONS AND
794
00:42:09,861 --> 00:42:12,663
STILL SPEAK TO THE PEOPLE ON HOW
TO DEAL WITH IT BETTER.
795
00:42:12,730 --> 00:42:16,501
>> SO MY QUESTION FOR US ON THE
OTHER SIDE OF THIS CAMERA IS,
796
00:42:16,567 --> 00:42:24,142
AFTER IT BURNS, ARE WE LEFT WITH
CHAR OR ARE WE GOING TO RISE
797
00:42:24,208 --> 00:42:27,678
LIKE A PHOENIX OUT OF THE ASHES
LIKE ATLANTA HAWKS ALWAYS DONE.
798
00:42:27,745 --> 00:42:31,816
>> I HURT INSIDE WHEN I SEE THE
STUFF GOING ON.
799
00:42:31,883 --> 00:42:35,853
>> EVERY DAY WE ARE WAITING TO
SEE WHO IS THE NEXT ONE TO TURN
800
00:42:35,920 --> 00:42:38,289
INTO A HASHTAG AND THAT'S
EXACTLY WHAT WE'RE DOING ON A
801
00:42:38,356 --> 00:42:40,558
DAILY BASIS.
802
00:42:40,625 --> 00:42:43,561
>> IT IS WHAT DO WE DO WITH IT.
803
00:42:43,628 --> 00:42:44,228
WHAT'S THE NEXT MOVE?
804
00:42:44,295 --> 00:42:46,597
>> I LOVE AND RESPECT YOU ALL.
805
00:42:46,664 --> 00:42:53,438
I HOPE WE FIND A WAY OUT OF IT
BECAUSE WE KNOW WE MUST PLAN,
806
00:42:53,504 --> 00:42:55,139
STRATEGIZE, ORGANIZE AND
MOBILIZE.
58977
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