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1
00:01:39,900 --> 00:01:44,571
[ Race Announcer Over Radio ]
2
00:01:44,671 --> 00:01:48,408
BACKTRACK STARTING
TO MAKE UP GOOD YARDAGE.
HE'S CLOSING ON THE OUTSIDE.
3
00:01:48,509 --> 00:01:52,579
THEY RUN PAST THE QUARTER POLE,
AND COZY GIRL IS GONE CLEAR
BY THREE LENGTHS.
4
00:01:52,679 --> 00:01:55,448
- NOW, BACKTRACK COMING UP.
- COME ON, COZY GIRL.
COME ON, COZY GIRL !
5
00:01:55,549 --> 00:01:57,851
HE'S GONNA BE A DANGER
TO COZY GIRL.
6
00:01:57,951 --> 00:02:01,187
THEY COME FOR HOME.
COZY GIRL IS CLEAR BY TWO.
7
00:02:01,287 --> 00:02:04,424
[ Dispatcher ] 114 TO ROPER.
COME ON, DIG IN, COZY GIRL.
DIG IN !
8
00:02:04,525 --> 00:02:08,494
ROPER HERE.
114, ROPER.
CODE TWO, C. P., 4th AND GRAND.
9
00:02:08,595 --> 00:02:11,532
[ Announcer ]
BACKTRACK IS CATCHING STRIDE
FOR STRIDE ON THE OUTSIDE.
10
00:02:11,632 --> 00:02:15,669
COME ON, COZY GIRL !
E. T. A. IN FIVE. I'M EN ROUTE !
COZY GIRL IS TENACIOUS,
11
00:02:15,769 --> 00:02:18,505
BUT BACKTRACK KEEPS ON
MAKING UP GROUND ON HER.
12
00:02:18,605 --> 00:02:22,308
COZY GIRL AND BACKTRACK !
GONNA BE A TIGHT PHOTO
IN THIS ONE.
13
00:02:22,408 --> 00:02:27,447
COME ON, COZY BABY !
BREAK THE WIRE !
HERE'S THE WIRE !
14
00:02:27,548 --> 00:02:30,584
COME ON. COME ON, COZY GIRL.
COME ON, COZY GIRL.
IT'S SO CLOSE BETWEEN THOSE TWO,
15
00:02:30,684 --> 00:02:32,586
COZY GIRL ! COZY GIRL !
BUT BACKTRACK HAS WON IT...
16
00:02:32,686 --> 00:02:34,855
IN A NOSE
OVER COZY GIRL !
COZY GIRL, YOU LAZY BITCH !
17
00:02:34,955 --> 00:02:38,491
BACKTRACK WINS.
COZY GIRL SECOND.
YOU LAZY, HAG-ASS BITCH !
18
00:02:38,592 --> 00:02:42,195
THAT COZY SHIT IS
WHY WE LOST THIS RACE,
BEING FUCKIN' COZY !
19
00:02:42,295 --> 00:02:44,731
YOU NEED TO GET THE FIRE
UNDER YOUR ASS !
20
00:02:51,337 --> 00:02:54,641
[ Helicopter Rotors Whirring ]
21
00:02:56,610 --> 00:02:58,745
MOVE IN.
ALL THE WAY.
22
00:03:01,948 --> 00:03:04,585
CLEAR !
TAKE POSITION !
23
00:03:04,685 --> 00:03:06,653
I'M ALL RIGHT.
24
00:03:06,753 --> 00:03:10,256
I GOT THIS ONE.
[ Officer ]
BAR WINDOWS.
25
00:03:10,356 --> 00:03:14,260
[ Sirens Wailing ]
26
00:03:19,265 --> 00:03:23,203
[ Sirens Continues ]
27
00:03:29,910 --> 00:03:32,779
[ Crowd, Officers Chattering ]
28
00:03:32,879 --> 00:03:35,516
[ Woman ]
I'M 97 AT THE INNER PERIMETER.
29
00:03:35,616 --> 00:03:38,585
NO, NO, COMMUNICATIONS ARE DOWN.
HE RIPPED THE PHONE OUT.
30
00:03:38,685 --> 00:03:40,821
YEAH, YEAH, HE'S HERE NOW.
GOT IT.
31
00:03:40,921 --> 00:03:43,790
HEY, SCOTT.
HEY, AIKO,
WHERE'S THE COMMAND POST ?
32
00:03:43,890 --> 00:03:45,926
IT'S DOWN HERE.
HEY, BOB, I NEED TWO GUYS
TO GO TO C. P.
33
00:03:46,026 --> 00:03:49,395
NOW WHAT'S GOING ON ?
SUSPECT CAME IN
SHORTLY AFTER THE BANK OPENED.
34
00:03:49,495 --> 00:03:51,898
BOTCHED ROBBERY.
TELLER HIT THE SILENT ALARM.
35
00:03:51,998 --> 00:03:55,636
HE'S TAKEN 17 HOSTAGES,
SHOT ONE, THE GUARD.
HE'S STILL ALIVE.
36
00:03:55,736 --> 00:03:57,638
SO FAR,
HE'S ASKED FOR A--
CAR.
37
00:03:57,738 --> 00:03:59,873
AND A PLANE WAITING
AT THE AIRPORT.
AND IF HE DOESN'T GET THAT--
38
00:03:59,973 --> 00:04:02,275
HE'LL KILL ALL THE HOSTAGES
IN FIVE MINUTES.
RIGHT.
39
00:04:02,375 --> 00:04:04,745
WHAT'S
THE SUSPECT'S NAME ?
EARL.
40
00:04:04,845 --> 00:04:07,681
EARL. SHIT, YOU'D THINK
ON A DAY LIKE TODAY,
41
00:04:07,781 --> 00:04:09,650
EARL WOULD GO TO THE PARK
OR SOMETHING, RIGHT ?
42
00:04:10,617 --> 00:04:13,253
LADIES AND GENTLEMEN.
WHAT'S UP, MAN ?
SCOTT.
43
00:04:13,353 --> 00:04:15,689
HEY.
ROPER,
GLAD YOU COULD MAKE IT.
44
00:04:15,789 --> 00:04:17,691
CAPTAIN SOLIS IS
ON HIS WAY DOWN.
45
00:04:17,791 --> 00:04:21,294
YOU GUYS GOT
A PROFILE ON EARL ?
YEAH.
46
00:04:22,696 --> 00:04:25,599
THIS GUY'S NO GENIUS.
THEY AIN'T USUALLY
GRADUATE STUDENTS.
47
00:04:25,699 --> 00:04:29,269
SWAT WANTS TO GO IN.
WHAT, THEY AIN'T KILLED
NOBODY YET THIS WEEK ?
48
00:04:29,636 --> 00:04:31,605
OKAY, WE GOT A GUY
WHO'S PROBABLY ON DRUGS.
49
00:04:31,705 --> 00:04:35,008
HE'S GOT A RECORD OF 459S.
HE'S BEEN BUSTED ON POSSESSION.
50
00:04:35,108 --> 00:04:38,545
NEVER BEEN BUSTED
ON A MAJOR FELONY.
WHAT'S THIS GUY'S DEMEANOR ?
51
00:04:38,645 --> 00:04:41,481
HE'S A LITTLE FUCKIN' AGITATED.
HE RIPPED THE PHONE OUT.
52
00:04:41,582 --> 00:04:45,619
- I GOTTA GO FACE-TO-FACE.
- NO. I DON'T THINK SO.
53
00:04:45,719 --> 00:04:48,989
SAM, YOU GOT A BUILDING
FULL OF HOSTAGES. ONE OF THEM
IS HURT, WE DON'T KNOW HOW BAD.
54
00:04:49,089 --> 00:04:52,325
THIS NUT PULLED OUT
THE TELEPHONE. SWAT SAID HE
HAD A GUN TO SOMEBODY'S HEAD.
55
00:04:52,425 --> 00:04:54,895
IF SWAT GOES IN THERE,
YOU'RE GONNA LOSE
ONE PERSON, POSSIBLY TWO.
56
00:04:54,995 --> 00:04:58,031
YOU GOTTA LET ME GO IN THERE,
LOOK AROUND AND MAKE SURE
EVERYTHING'S ALL RIGHT.
57
00:04:58,131 --> 00:05:00,901
I DON'T KNOW.
SAM, LOOK
AT THE GUY'S RAP SHEET.
58
00:05:01,001 --> 00:05:03,537
THERE'S NO VIOLENCE ON THERE.
THE GUY'S NEVER OFFED ANYBODY.
59
00:05:03,637 --> 00:05:06,507
HEY, LOOK, ARE YOU GONNA
LET ME GO IN THERE...
60
00:05:06,607 --> 00:05:09,710
OR WE GONNA STAND AROUND
AND TALK AND LET THIS GUY
BLEED TO DEATH ?
61
00:05:11,377 --> 00:05:14,347
CAN I HAVE A DOZEN
DOUGHNUTS, PLEASE ?
62
00:05:22,956 --> 00:05:26,326
[ SWAT Officer ]
WHAT MAKES A GUY
DO SOMETHING LIKE THAT ?
63
00:05:26,426 --> 00:05:28,494
GIVE ME A ROOF
AND A RIFLE ANY DAY.
64
00:05:30,463 --> 00:05:34,467
[ Dispatcher, Indistinct ]
65
00:05:45,512 --> 00:05:49,449
[ Helicopter Rotors Whirring ]
66
00:05:55,956 --> 00:05:58,825
C.P., I SEE A W.M.A.
IN WINDOW THREE...
67
00:05:58,925 --> 00:06:01,862
HOLDING A HANDGUN
TO ASIAN FEMALE'S HEAD.
68
00:06:01,962 --> 00:06:04,765
SUSPECT IS WEARING
A BLACK VEST AND T-SHIRT.
69
00:06:04,865 --> 00:06:08,969
I'M GONNA KILL SOMEBODY !
IF THEY DON'T GIVE ME MY GODDAMN
CAR, I'M GONNA KILL SOMEBODY !
70
00:06:13,073 --> 00:06:15,742
- WHO THE FUCK ARE YOU, MAN ?
- HEY, HOW YOU DOING, EARL.
71
00:06:15,842 --> 00:06:18,912
I'M SCOTT ROPER, THE NEGOTIATOR.
GET UP ! GET UP !
GET UP WHERE I CAN SEE YOU !
72
00:06:19,012 --> 00:06:22,448
HANDS UP !
GET BACK ! GET BACK !
STOP RIGHT THERE, MOTHERFUCKER !
73
00:06:24,685 --> 00:06:29,556
[ Woman Crying ]
HANDS UP ! HANDS UP !
GET BACK !
74
00:06:30,957 --> 00:06:33,794
GET BACK ! STEP BACK !
STOP RIGHT THERE, MAN !
75
00:06:33,894 --> 00:06:36,630
STOP.
OKAY, EARL. ALL RIGHT.
I'M STOPPING.
76
00:06:36,730 --> 00:06:40,400
- ALL RIGHT, TURN AROUND.
- I DON'T CARRY A WEAPON, EARL.
I'M A NEGOTIATOR.
77
00:06:40,501 --> 00:06:42,402
I HAVE NO GUN.
SEE ?
KEEP YOUR HANDS UP !
78
00:06:42,503 --> 00:06:45,506
I'M JUST PATTIN' DOWN,
PATTIN' DOWN FOR YOU.
HANDS UP !
79
00:06:45,606 --> 00:06:47,774
ALL RIGHT ?
80
00:06:47,874 --> 00:06:49,910
WHAT'S IN THE HAND, MAN ?
WHAT'S IN THE BAG ?
81
00:06:50,010 --> 00:06:52,045
THESE ARE DOUGHNUTS, EARL.
I KNOW Y'ALL BEEN IN HERE
FOR AWHILE,
82
00:06:52,145 --> 00:06:55,148
SO I BROUGHT SOME DOUGHNUTS
IN CASE ANYBODY WANTED
A SNACK OR SOMETHING.
83
00:06:55,248 --> 00:06:57,483
DROP THE FUCKIN' BAG !
DROP THE BAG.
84
00:06:57,584 --> 00:06:59,620
OKAY, NO PROBLEM.
I'LL PUT THE DOUGHNUTS DOWN.
85
00:06:59,720 --> 00:07:01,688
IT'S JUST DOUGHNUTS,
OKAY, EARL ? RELAX.
86
00:07:01,788 --> 00:07:03,690
KICK 'EM OVER !
OKAY.
87
00:07:03,790 --> 00:07:06,560
HANDS UP ! GODDAMN IT,
LET ME SEE YOU !
[ Hostages Gasp ]
88
00:07:06,660 --> 00:07:09,930
KICK IT OVER, MAN.
KICK IT OVER !
89
00:07:10,030 --> 00:07:12,198
PICK IT UP.
PICK IT UP ! PICK IT UP !
90
00:07:12,298 --> 00:07:15,101
OPEN THE BAG !
SHOW ME WHAT'S IN THE BAG !
OPEN IT !
91
00:07:18,739 --> 00:07:21,875
-IT'S DOUGHNUTS, MAN.
-THAT'S WHAT I SAID, MAN.
I TOLD YOU THEY WERE DOUGHNUTS.
92
00:07:21,975 --> 00:07:24,545
THIS IS BULLSHIT, MAN !
YOU POISONING THAT SHIT !
93
00:07:24,645 --> 00:07:26,813
YOU PUT FUCKIN'
POWDERED SHIT IN IT, MAN !
EARL, NO, NO.
94
00:07:26,913 --> 00:07:29,716
YOU'RE FUCKIN' WITH ME !
NO, EARL.
LOOK, I'M NOT PLAYING WITH YOU.
95
00:07:29,816 --> 00:07:31,818
THEY'RE
JUST DOUGHNUTS.
EAT IT !
EAT ONE !
96
00:07:31,918 --> 00:07:34,721
[ Roper ]
PLEASE, EAT. DON'T EVEN WORRY
ABOUT THE DOUGHNUTS.
97
00:07:34,821 --> 00:07:36,990
- EAT THE DOUGHNUT !
- LET THEM EAT 'EM.
98
00:07:37,090 --> 00:07:38,725
SEE ?
WHERE'S MY FUCKING CAR, MAN ?
99
00:07:40,160 --> 00:07:41,795
I'M GETTING YOU YOUR CAR,
BUT FIRST THINGS FIRST.
ALL RIGHT, EARL ?
100
00:07:43,129 --> 00:07:45,999
WE HAVE TO DOTHIS THING RIGHT.ALL RIGHT ? OKAY, EARL ?
101
00:07:46,099 --> 00:07:48,935
I WANT YOU TO TAKE THAT GUN
AND POINT IT AWAY FROM--
WHAT'S YOUR NAME, MISS ?
102
00:07:49,035 --> 00:07:52,639
- [ Crying ] DEBBIE.
- YOU POINT THAT GUN AWAY
FROM DEBBIE'S HEAD, OKAY ?
103
00:07:52,739 --> 00:07:55,576
[ Cocks Gun ] DEBBIE'S FUCKIN'
BRAINS ARE GONNA BE ALL OVER
THE FLOOR IN FIVE MINUTES,
104
00:07:55,676 --> 00:07:57,578
YOU DON'T GIVE ME
MY CAR, MAN !
NO, EARL.
105
00:07:57,678 --> 00:07:59,680
THAT'S THE WORSE THING
YOU CAN DO.
[ Debbie Sobbing ]
106
00:07:59,780 --> 00:08:01,682
THAT'S A REALLY BAD MOVE
IF YOU DO THAT.
107
00:08:01,782 --> 00:08:05,218
OKAY ?
LET'S BE CLEAR
ABOUT SOMETHING.
108
00:08:05,318 --> 00:08:08,488
IF YOU KILL ANYBODY,
I CAN'T HELP YOU.
109
00:08:08,589 --> 00:08:12,593
NO, PLEASE, GOD, NO.
ALL RIGHT ? I CAN'T HELP YOU.
THE RULES OF THE GAME CHANGE.
110
00:08:12,693 --> 00:08:15,862
[ Debbie Continues Crying ]
SWAT WILL TAKE YOU OUT
IF YOU KILL SOMEBODY.
111
00:08:15,962 --> 00:08:18,064
THAT'S WHAT
THEY GEAR UP FOR.
NO. PLEASE, NO.
112
00:08:18,164 --> 00:08:20,166
THEY'RE READY
TO DO YOU RIGHT NOW.
113
00:08:20,266 --> 00:08:22,936
I WANT YOU TO SEE SOMETHING.
COME HERE.
114
00:08:23,036 --> 00:08:25,138
JUST LOOK--
JUST LOOK OUT THE WINDOW HERE.
115
00:08:25,238 --> 00:08:27,774
LOOK ACROSS THE STREET.
116
00:08:27,874 --> 00:08:30,076
THERE'S A SNIPER IN THE WINDOW.
117
00:08:30,176 --> 00:08:33,179
HE'S LOOKING AT YOU RIGHT NOW
IN THE SCOPE ON HIS RIFLE.
118
00:08:33,279 --> 00:08:35,816
THE WINDOW NEXT TO IT--
SNIPER IN THERE TOO.
119
00:08:35,916 --> 00:08:40,687
OH, SHIT, MAN. FUCK.
ALL AROUND THE BUILDING,
YOU GOT SWAT ON THE ROOF.
120
00:08:40,787 --> 00:08:43,056
FUCK, MAN.
AND THEY'VE
BEEN GIVEN THE WORD.
121
00:08:43,156 --> 00:08:48,562
IF YOU KILL ANYBODY--
ANYBODY-- THEY TAKE YOU OUT.
122
00:08:48,662 --> 00:08:51,898
AND THEY DON'T GIVE A SHIT.
THEY'LL TAKE YOU OUT
AND GO RIGHT TO LUNCH, OKAY ?
123
00:08:51,998 --> 00:08:56,937
FUCK !
FUCK, MAN. FUCK.
[ Whimpering ]
124
00:08:57,037 --> 00:09:00,006
[ Panting ]
WHAT ARE MY CHANCES, MAN ?
125
00:09:00,106 --> 00:09:02,042
NOT BAD.
126
00:09:03,777 --> 00:09:06,212
YOU KNOW, LAST MONTH SOMEBODY
ROBBED A BANK IN DALY CITY.
HE MADE IT TO THE FREEWAY.
127
00:09:06,312 --> 00:09:08,882
COPS GAVE HIM A CAR,
HE GOT ON THE FREEWAY
AND HE LOST 'EM.
128
00:09:08,982 --> 00:09:11,685
- REALLY ?
- BUT THEY DIDN'T KILL ANYBODY.
129
00:09:11,785 --> 00:09:15,155
HMM ?
HOW YOU DOING, HAROLD ?
[ Groans ]
130
00:09:15,255 --> 00:09:17,824
- HEY, WHAT ARE YOU DOING
TO THAT MAN ?
- OKAY, EARL.
131
00:09:17,924 --> 00:09:20,694
I GOTTA TAKE HAROLD OUTTA HERE.
HE'S BLEEDING PRETTY BAD.
132
00:09:20,794 --> 00:09:23,096
I TOOK AN OATH
AS A NEGOTIATOR.
133
00:09:23,196 --> 00:09:26,299
IF I EVER GO
INTO A HOSTILE SITUATION
AND THERE'S AN INJURED PARTY,
134
00:09:26,399 --> 00:09:28,969
I'M DUTY-BOUND BY THAT OATH
TO TAKE THE PERSON TO SAFETY.
135
00:09:29,069 --> 00:09:32,573
YOU CAN SHOOT ME IF YOU WANT,
BUT THE NEXT NEGOTIATOR IS
GONNA TELL YOU THE SAME THING.
136
00:09:32,673 --> 00:09:34,775
JUST GIVE ME MY CAR, MAN.
ALL RIGHT ? GIVE ME MY CAR.
137
00:09:34,875 --> 00:09:37,711
EVERYBODY, EVERYTHING'S GONNA
BE ALL RIGHT. WE'RE GONNA
GET EVERYBODY OUTTA HERE.
138
00:09:37,811 --> 00:09:40,647
OKAY ?
YOU GIVE ME MY CAR !
I'LL DO HER, MAN !
139
00:09:40,747 --> 00:09:42,616
I FUCKIN' SWEAR !
I'M NOT FUCKIN' AROUND !
WE'LL GET YOU YOUR CAR.
140
00:09:42,716 --> 00:09:46,052
ALL RIGHT ?
AND EARL, EARL, TAKE THAT GUN
DOWN FROM DEBBIE'S HEAD.
141
00:09:46,152 --> 00:09:48,855
DON'T MESS WITH ME.
DON'T FUCK WITH ME, MAN.
YOU DON'T WANT ANY ACCIDENTS.
142
00:09:48,955 --> 00:09:52,693
- EVERYTHING'S GONNA BE COOL.
- GIVE ME MY CAR, MAN !
143
00:09:52,793 --> 00:09:54,294
[ Debbie ]
DON'T KILL ME !
[ Earl ] SHUT UP !
144
00:09:54,394 --> 00:09:56,129
COME ON !
145
00:09:56,229 --> 00:09:59,299
[ SWAT Commander ]
HOLD YOUR FIRE !
LET'S GO ! LET'S GO !
146
00:10:02,703 --> 00:10:05,105
THAT'S ONE OUT.
SEVENTEEN TO GO.
147
00:10:05,205 --> 00:10:08,975
OKAY, HAROLD, HERE YOU GO.
[ Groaning ]
148
00:10:09,075 --> 00:10:11,978
GIVE ME YOUR GUN.
WHAT ?
149
00:10:12,078 --> 00:10:14,848
GIVE ME YOUR GUN.
150
00:10:18,318 --> 00:10:20,987
I HAVEN'T HAD TO SHOOT
ANYBODY IN THREE YEARS.
151
00:10:21,087 --> 00:10:24,925
WHY NOT KEEP THE STREAK ALIVE ?
'CAUSE THIS STRUNG-OUT JUNKIE'S
GONNA KILL SOMEBODY.
152
00:10:25,025 --> 00:10:28,795
[ Earl Screaming ]
WHAT THE HELL ARE YOU DOING
OUT THERE ? WHAT'S GOIN' ON ?
153
00:10:31,364 --> 00:10:33,634
OKAY, EARL, IT'S HAPPENING.
154
00:10:33,734 --> 00:10:37,237
GOT YOUR CAR COMIN'.
HAROLD'S GONE TO SAFETY.
EVERYTHING IS COOL.
155
00:10:37,337 --> 00:10:39,405
WE'RE GONNA GET
EVERYBODY OUT OF HERE.
156
00:10:39,506 --> 00:10:43,143
BUT FIRST,
AS A SHOW OF GOOD FAITH,
GIVE ME ANOTHER HOSTAGE.
157
00:10:43,243 --> 00:10:45,178
GIVE ME DEBBIE.
I GAVE YOU
THE OLD FUCKIN' MAN, MAN !
158
00:10:45,278 --> 00:10:47,981
HE DON'T COUNT, MAN.
HE WAS BLEEDING.
HE WAS GONNA DIE IN HERE.
159
00:10:48,081 --> 00:10:50,250
THAT WOULD HAVE BEEN ON
YOUR ASS. I DID YOU A FAVOR
TAKING HIM OUTTA HERE.
160
00:10:50,350 --> 00:10:52,653
NOW GIVE ME A HOSTAGE.
GIVE ME DEBBIE.
161
00:10:52,753 --> 00:10:54,154
[ Crying ]
[ Cocks Gun ]
AM I GETTIN' MY CAR, MAN ?
162
00:10:55,622 --> 00:10:56,890
YOU'RE GONNA GET YOUR CAR,
BUT GIVE ME A HOSTAGE.
GIVE ME DEBBIE, MAN.
163
00:10:56,990 --> 00:10:59,392
[ Continues Crying ]
164
00:10:59,492 --> 00:11:01,427
TAKE THEM, MAN !
TAKE 'EM !
165
00:11:01,528 --> 00:11:05,031
TAKE 'EM ! TAKE THEM !
TAKE THEM !
OKAY, YOU THREE, LET'S GO.
166
00:11:05,131 --> 00:11:07,934
GO !
[ Women Running,
Whimpering ]
167
00:11:08,034 --> 00:11:10,070
PLEASE DON'T KILL ME.
168
00:11:10,170 --> 00:11:13,707
PLEASE DON'T.
I SEE WE'RE MAKING PROGRESS.
WE'RE GONNA GET EVERYBODY OUT.
169
00:11:13,807 --> 00:11:15,842
EVERYBODY RELAX. I'M GONNA
GET YOUR CAR RIGHT NOW.
GET ME MY CAR, MAN.
170
00:11:15,942 --> 00:11:17,377
YOU'LL GET YOUR CAR
RIGHT NOW.
GIVE ME MY CAR, MAN.
171
00:11:17,477 --> 00:11:19,880
I'LL GET YOUR CAR.
OH, THERE'S ONE OTHER THING.
172
00:11:19,980 --> 00:11:22,248
WHAT ? WHAT ?
173
00:11:22,348 --> 00:11:24,985
- YOU WANT A HARDTOP
OR A CONVERTIBLE ?
- FUCK, MAN.
174
00:11:25,085 --> 00:11:27,788
A FUCKIN' HARDTOP, MAN.
HARDTOP. HARDTOP, MAN.
175
00:11:27,888 --> 00:11:30,056
HARDTOP.
ALL RIGHT.
176
00:11:32,258 --> 00:11:35,128
- MANUAL OR AUTOMATIC ?
- AUTOMATIC.
177
00:11:36,296 --> 00:11:39,265
[ Hostages Screaming ]
178
00:11:39,365 --> 00:11:41,902
STAY DOWN !
DON'T YOU FUCKIN' MOVE !
179
00:11:42,002 --> 00:11:44,337
DON'T SHOOT ME !
DON'T SHOOT ME !
I GIVE UP, MAN !
180
00:11:44,437 --> 00:11:47,774
- EVERYBODY DOWN !
- [ Screaming ]
- ON THE FLOOR !
181
00:11:50,410 --> 00:11:52,746
[ Continues Screaming ]
[ Earl ] DON'T SHOOT ME, MAN !
DON'T SHOOT ME !
182
00:11:52,846 --> 00:11:55,281
- [ Officers Shouting ]
- ON THE FLOOR !
183
00:11:55,381 --> 00:11:59,085
[ Earl ] DON'T SHOOT !
DON'T SHOOT, MAN !
DON'T SHOOT ! DON'T--
184
00:11:59,185 --> 00:12:01,054
[ Reporters ]
CAPTAIN SOLIS, CAN WE SPEAK
TO INSPECTOR ROPER ?
185
00:12:01,154 --> 00:12:03,123
CAPTAIN SOLIS !
INSPECTOR ROPER !
186
00:12:03,223 --> 00:12:06,259
[ Reporters Clamoring ]
187
00:12:06,359 --> 00:12:08,394
PLEASE, HOLD YOUR QUESTIONS.
YOU SUCCESSFULLY NEGOTIATED
NINE TIMES IN THE PAST.
188
00:12:08,494 --> 00:12:11,732
- WHAT WAS DIFFERENT
ABOUT THIS SITUATION ?
- PLEASE, LADIES AND GENTLEMEN,
189
00:12:11,832 --> 00:12:14,400
THE INSPECTOR IS NOT AVAILABLE
TO ANSWER YOUR QUESTIONS NOW.
190
00:12:14,500 --> 00:12:17,971
WE'RE JUST VERY THANKFUL NOBODY
GOT KILLED IN THIS INCIDENT.
CAN'T YOU GIVE US SOMETHING ?
191
00:12:18,071 --> 00:12:20,874
THE INSPECTOR WILL BE AVAILABLE
TO ANSWER YOUR QUESTIONS
IN TWO HOURS...
192
00:12:20,974 --> 00:12:23,744
AT THE OFFICIAL POLICE BRIEFING
AT POLICE HEADQUARTERS.
INSPECTOR ROPER, ARE YOU OKAY ?
193
00:12:23,844 --> 00:12:25,879
ARE YOU OKAY, INSPECTOR ?
I'M FINE.
194
00:12:25,979 --> 00:12:27,881
[ Solis ]
PLEASE, PLEASE.
WE HAVE NO FURTHER--
195
00:12:27,981 --> 00:12:30,250
HEY.
[ Clicking Shutter ]
196
00:12:30,350 --> 00:12:34,020
THAT IS ONE FOR THE FRONT PAGE.
WHAT ARE YOU DOING COMING
DOWN HERE AND TORTURING ME ?
197
00:12:34,120 --> 00:12:36,757
YOU KNOW I'M IN LOVE
WITH YOU.
DON'T START.
198
00:12:36,857 --> 00:12:38,859
DON'T TELL ME NOT TO START.
LOOK, RONNIE.
199
00:12:38,959 --> 00:12:41,862
THAT BASEBALL PLAYER
YOU'RE RUNNING AROUND WITH;
THAT GUY IS BAD NEWS.
200
00:12:41,962 --> 00:12:45,465
REALLY ? LET'S THINK ABOUT
THIS. HE MAKES TWO MILLION
A YEAR. REALLY NICE GUY.
201
00:12:45,566 --> 00:12:47,901
AND HE WORSHIPS ME.
I WORSHIP YOU TOO.
202
00:12:48,001 --> 00:12:52,172
SCOTT, YOU WORSHIP YOUR BOOKIE.
NO, FORGET THAT.
WHAT'S THIS GUY'S NAME ?
203
00:12:52,272 --> 00:12:55,241
GREG.
WELL, I READ THAT
GREG'S KNEES ARE BLOWN OUT.
204
00:12:55,341 --> 00:12:59,145
TEN YEARS, YOU'RE PUSHIN'
HIM AROUND IN A WHEELCHAIR.
LOT OF HILLS IN THIS TOWN.
205
00:12:59,245 --> 00:13:04,851
YOU KNOW WHAT I THINK ?
I THINK YOU ONLY WANT ME BACK...
BECAUSE YOU CAN'T HAVE ME.
206
00:13:04,951 --> 00:13:08,555
WELL, I DON'T THINK IT MATTERS
WHAT YOU THINK. WHAT MATTERS IS
I THINK WE SHOULD BE TOGETHER.
207
00:13:08,655 --> 00:13:12,959
HEY, HEY, HEY, LISTEN
TO ME. CAN WE PLEASE
GO OUT THIS WEEKEND ?
208
00:13:13,059 --> 00:13:15,295
NO WAY.
AND TALKING OF GOING OUT--
209
00:13:15,395 --> 00:13:18,865
WHAT ABOUT TROY ?
YOU TOLD ME YOU'D TAKE HIM OUT
OVER A MONTH AGO ?
210
00:13:18,965 --> 00:13:22,168
VERONICA, I HAD A ROUGH MONTH.
I KNOW I WAS SUPPOSED TO
GET WITH HIM.
211
00:13:22,268 --> 00:13:26,573
HE MISSES YOU. I TELL HIM
YOU'RE COMING AROUND AND HIS
EYES LIGHT UP, THEN YOU DON'T--
212
00:13:26,673 --> 00:13:30,110
NOW WHY YOU WANNA LAY
ALL THIS GUILT ON ME, HUH ?
LOOK, SATURDAY.
213
00:13:30,210 --> 00:13:33,013
WE'LL GET TOGETHER ON SATURDAY;
ME, YOU AND TROY,
WE'LL GO TO THE PARK.
214
00:13:33,113 --> 00:13:36,349
WE'LL HAVE THE MOST BEAUTIFUL
DAY. ONE BIG, HAPPY FAMILY.
NO, NO. YOU AND TROY.
215
00:13:36,449 --> 00:13:40,486
WE SPEND ENOUGH TIME TOGETHER.
TROY NEEDS A MAN IN HIS LIFE.
216
00:13:40,587 --> 00:13:43,590
AND BESIDES, I'M SEEING
GREG ON SATURDAY.
217
00:13:43,690 --> 00:13:46,527
WHAT DO YOU MEAN YOU'RE
[ Mimicking ] "GOING OUT
WITH GREG ON SATURDAY" ?
218
00:13:46,627 --> 00:13:50,330
YOU'RE GONNA GO OUT WITH GREG
AND I'M SUPPOSED TO GO
WITH TROY TO THE PARK ?
219
00:13:50,430 --> 00:13:52,566
THAT'S A LITTLE TACKY.
TACKY ?
220
00:13:52,666 --> 00:13:56,570
YES, THAT'S TACKY.
AND IT'S GONNA CONFUSE TROY.
YOU DON'T THINK SO ?
221
00:13:56,670 --> 00:14:01,341
CAN I DRIVE YOU TO THE PAPER
SO WE CAN TALK ABOUT THIS ?
PLEASE, CAN I DRIVE YOU ? HUH ?
222
00:14:01,441 --> 00:14:03,577
[ Truck Driving Away ]
HEY !
223
00:14:03,677 --> 00:14:08,314
HEY ! HEY, THAT'S MY CAR !
224
00:14:08,414 --> 00:14:13,419
NOT ANYMORE !
NOW IT BELONGS TO
SILVER HILLS FINANCIAL !
225
00:14:15,388 --> 00:14:19,325
[ Office Chatter ]
226
00:14:21,127 --> 00:14:24,297
[ Phones Ringing ]
227
00:14:24,397 --> 00:14:26,633
GOOD WORK TODAY,
SCOTT.
THANK YOU, INSPECTOR.
228
00:14:26,733 --> 00:14:30,203
[ Sam ]
I NEEDED IT TWO DAYS AGO.
HOW WE DOIN' FOR TONIGHT ?
229
00:14:30,303 --> 00:14:32,639
- TWO ON THE FLOOR.
- YOU'RE MY HERO.
230
00:14:32,739 --> 00:14:35,642
- DINNER'S ON YOU.
- YOU GOT YOURSELF A DEAL.
I GOTTA MEET WITH SOLIS.
231
00:14:35,742 --> 00:14:39,045
- OKAY, GO GET HIM.
- LATER ON.
232
00:14:39,145 --> 00:14:42,048
[ Office Chatter Continues ]
233
00:14:46,520 --> 00:14:49,590
ABSOLUTELY. YES, SIR.
I AGREE WITH YOU 100 PERCENT.
234
00:14:49,690 --> 00:14:53,527
YEAH, HE JUST WALKED INTO MY
OFFICE. CHIEF SAYS, "GOOD JOB
THIS MORNING. CONGRATULATIONS."
235
00:14:53,627 --> 00:14:57,430
-TELL HIM TO
GIVE ME A RAISE THEN.
-HE SAID, "THANK YOU VERY MUCH."
236
00:14:57,531 --> 00:14:59,666
THAT'S NOT WHAT I SAID.
YES, SIR.
237
00:14:59,766 --> 00:15:02,235
YES, SIR, I'LL DISCUSS IT
WITH HIM RIGHT NOW.
238
00:15:02,335 --> 00:15:05,205
YES, SIR.
GOOD-BYE, CHIEF.
239
00:15:05,305 --> 00:15:08,208
- ROPER.
- WHAT ?
240
00:15:08,308 --> 00:15:10,911
IT HAS BEEN DECIDED
THAT YOU WILL TAKE ON
A NEW PARTNER...
241
00:15:11,011 --> 00:15:13,446
AND TRAIN HIM TO BE ABLE
TO TAKE OVER FOR YOU.
242
00:15:13,547 --> 00:15:16,382
IS THAT WHY YOU GOT THIS GUY
IN THE SUNDAY SCHOOL OUTFIT
SITTING OUT HERE IN THE LOBBY ?
243
00:15:16,482 --> 00:15:19,953
- HIS NAME IS KEVIN McCALL.
- OH, CAPTAIN.
244
00:15:20,053 --> 00:15:22,122
EVERY METRO CAPTAIN AGREES
HE'S THEIR BEST SHARPSHOOTER...
245
00:15:22,222 --> 00:15:25,659
AND THE MOST LIKELY
TO SUCCEED.
246
00:15:25,759 --> 00:15:27,961
THIS IS BULLSHIT,
CAPTAIN.
247
00:15:28,061 --> 00:15:30,463
[ Phone Ringing ]
248
00:15:30,564 --> 00:15:33,466
TESTED HIGH ON HIS
INTELLECTUAL APTITUDE,
DIDN'T HE ?
249
00:15:33,567 --> 00:15:36,469
NOT AS HIGH AS ME,
BUT PRETTY HIGH.
THAT'S TRUE.
250
00:15:36,570 --> 00:15:39,540
NATIONAL MARKSMAN'S FINALIST,
ATTENDED NYC, WENT TO COLLEGE.
251
00:15:39,640 --> 00:15:42,342
VERY IMPRESSIVE.
FBI SNIPER SCHOOL.
252
00:15:42,442 --> 00:15:44,978
MAYORAL COMMENDATION.
253
00:15:45,078 --> 00:15:48,214
ADDITIONAL SKILLS:
BIATHLETE, MARATHONER,
LIP-READING.
254
00:15:48,314 --> 00:15:50,984
[ Phone Ringing ]
255
00:15:52,452 --> 00:15:54,588
THIS IS GREAT.
WHY DON'T YOU SEND THIS GUY
TO THE MARINES ?
256
00:15:54,688 --> 00:15:58,324
HE'S NOT A NEGOTIATOR.
HE'LL QUIT IN TWO WEEKS.
YOU LET ME WORRY ABOUT THAT.
257
00:15:58,424 --> 00:16:01,361
WELL, I HOPE THERE'S GONNA BE
SOME KIND OF EXPRESSION
OF Y'ALL'S APPRECIATION...
258
00:16:01,461 --> 00:16:03,363
IF I GOTTA HANG OUT
WITH HUCK FINN OVER THERE.
259
00:16:03,463 --> 00:16:07,601
WHAT, UH-- WHAT KIND
OF APPRECIATION
DID YOU HAVE IN MIND ?
260
00:16:07,701 --> 00:16:10,704
HONESTLY ?
261
00:16:10,804 --> 00:16:12,706
FIVE THOUSAND DOLLARS.
262
00:16:20,213 --> 00:16:22,315
- OKAY, I CAN DO THAT.
- AND A CAR.
263
00:16:22,415 --> 00:16:25,719
I'M NOT GIVING YOU
A GODDAMNED CAR.
I JUST GAVE YOU A $5,000 RAISE.
264
00:16:25,819 --> 00:16:28,088
GET YOUR OWN DAMN CAR.
COME ON, CAPTAIN.
I'VE BEEN DOWN TO IMPOUND.
265
00:16:29,856 --> 00:16:30,757
I SAW WHAT YOU GOT THERE.
YOU GOT A BEAUTIFUL BLACK BENZ
JUST SITTIN' THERE RIGHT NOW.
266
00:16:32,125 --> 00:16:33,393
- NOBODY'S DOIN' NOTHIN'.
- IMPOUND IS NOT
A RENT-A-CAR COMPANY.
267
00:16:34,460 --> 00:16:35,629
THE CAR'S PART OF THE DEAL.
I DON'T HAVE A CAR.
268
00:16:37,130 --> 00:16:38,765
- WELL, WHAT THE HELL HAPPENED
TO YOUR TRANS AM ?
- THEY REPOED MY SHIT.
269
00:16:40,166 --> 00:16:41,568
LOOK, I'M NOT
PROMISING YOU NOTHING,
BUT I'LL SEE WHAT I CAN DO.
270
00:16:41,668 --> 00:16:43,604
LOOK, DO WHAT YOU CAN.
271
00:16:45,371 --> 00:16:47,107
OH, AND I GET TO KEEP ALL
THE MONEY EVEN IF THIS GUY QUITS
'CAUSE SWAT GUYS DON'T HAVE...
272
00:16:48,675 --> 00:16:51,011
THE TEMPERAMENT OR
THE BACKGROUND FOR WHAT I DO,
YOU KNOW WHAT I'M SAYIN' ?
273
00:16:51,111 --> 00:16:54,447
HOW YOU DOIN', MAN ?
I'M LOOKIN' FORWARD
TO WORKING WITH YOU.
274
00:16:54,548 --> 00:16:57,183
YOU'LL BE GOOD.
YOU'VE GOT A LOT OF
HARD WORK IN FRONT OF YOU.
275
00:16:57,283 --> 00:17:00,186
I'M UP TO IT.
DON'T WORRY, I'LL BE AROUND
LONGER THAN TWO WEEKS.
276
00:17:00,286 --> 00:17:03,289
SO, DON'T, DON'T WORRY
ABOUT THAT, OKAY ?
277
00:17:05,291 --> 00:17:08,394
HEY, MAN, DON'T BE
READIN' MY LIPS AND SHIT.
YOU SAVE THAT FOR SNIPER SCHOOL.
278
00:17:08,494 --> 00:17:10,764
OKAY, WELL, DON'T WORRY
ABOUT WHAT I'M GONNA DO
FOR THE NEXT WEEKS, OKAY ?
279
00:17:10,864 --> 00:17:12,766
GENTLEMEN,
CAN WE MOVE PAST THIS ?
280
00:17:12,866 --> 00:17:15,636
WE GOT PAST IT. WE'RE GETTING
ACQUAINTED WITH EACH OTHER.
I'M FINE.
281
00:17:15,736 --> 00:17:18,639
WELL, I THINK THAT'S VERY NICE.
NOW, IF YOU BOTH EXCUSE ME,
I DO HAVE OTHER WORK TO DO.
282
00:17:18,739 --> 00:17:20,707
MY BAD. WE'RE GONE.
THANK YOU, CAPTAIN.
283
00:17:20,807 --> 00:17:22,709
ROPER ?
SIR ?
284
00:17:22,809 --> 00:17:25,779
ABOUT THE TRANSPORTATION ISSUE ?
SEE THE IMPOUND SERGEANT.
285
00:17:25,879 --> 00:17:30,083
THANK YOU SO MUCH.
I APPRECIATE IT.
286
00:17:30,183 --> 00:17:33,086
SO, YOU EVER BEEN
IN A HOSTAGE SITUATION ?
ONLY AT THE VERY END.
287
00:17:33,186 --> 00:17:36,256
YEAH, WHAT DID YOU FEEL LIKE
AFTER THE SHOOTING ?
LIKE IT HAD TO BE DONE.
288
00:17:36,356 --> 00:17:39,726
IT VERY RARELY HAS TO BE DONE.
AND I'VE VERY RARELY
SHOT ANYONE.
289
00:17:39,826 --> 00:17:42,362
YEAH, WELL, SWAT IS
A LIFESAVING UNIT.
REMEMBER THAT.
290
00:17:42,462 --> 00:17:45,365
NOW I KNOW THAT, OKAY ?
YOU KNOW, YOU KNOW A LOT.
YOU'RE A WISEASS.
291
00:17:45,465 --> 00:17:47,634
NO, EXCUSE ME ?
YOU HEARD WHAT I SAID.
YOU'RE A WISEASS.
292
00:17:47,734 --> 00:17:52,372
AND I GOT A SPECIAL LITTLE TEST
FOR FIRST-DAY WISEASSES HERE.
LOOK.
293
00:17:52,472 --> 00:17:54,775
I WANT YOU TO GET THIS CAP
OUT OF THE BOTTLE...
SURE.
294
00:17:54,875 --> 00:17:56,777
WITHOUT TOUCHING,
WITHOUT DESTROYING THE BOTTLE.
OKAY.
295
00:17:56,877 --> 00:17:59,112
OKAY, DON'T MOVE IT.
AND WHAT'S THE POINT ?
296
00:17:59,212 --> 00:18:01,381
IT'S A LITTLE TEST
IN LATERAL THINKING.
297
00:18:01,481 --> 00:18:03,584
THE OBVIOUS SOLUTION
ISN'T ALWAYS THE ONLY SOLUTION.
YOU GOT OPTIONS.
298
00:18:03,684 --> 00:18:08,354
USE YOUR HEAD. USE YOUR MIND.
DON'T BREAK THE BOTTLE.
OKAY.
299
00:18:08,454 --> 00:18:10,356
HAVE A NICE DAY.
OKAY.
300
00:18:10,456 --> 00:18:12,392
NO TOUCHING !
301
00:18:16,162 --> 00:18:19,099
HEY, DON'T LOOK AT ME.
I WENT TO PUBLIC SCHOOL.
302
00:18:19,199 --> 00:18:21,568
RIGHT. GREAT.
THANK YOU.
303
00:18:21,668 --> 00:18:24,638
MIND IF WE MAKE A STOP
ON THE WAY ?
304
00:18:24,738 --> 00:18:27,240
WE BUSTED FRANK ANTONUCCI
ON POSSESSION.
305
00:18:27,340 --> 00:18:29,375
HE GAVE US A LEAD ON
THE POLK STREET JEWELRY HEIST.
306
00:18:29,475 --> 00:18:31,377
PHONY FRANK ?
DON'T WASTE YOUR TIME.
307
00:18:31,477 --> 00:18:35,749
THAT GUY'D FINGER HIS FIRSTBORN
TO DODGE A COLLAR.
I STILL GOT TO DO IT.
308
00:18:35,849 --> 00:18:39,252
WASTING TIME IS HALF MY JOB.
YEAH, ALL RIGHT.
309
00:18:39,352 --> 00:18:42,122
YOU KNOW, I THINK THAT SWAT GUY
MIGHT BE A GOOD IDEA.
310
00:18:42,222 --> 00:18:45,692
MAY TAKE A LITTLE PRESSURE
OFF YOU. I'M BEGINNING
TO WORRY ABOUT YOU.
311
00:18:45,792 --> 00:18:47,528
WHERE IS--
WHAT ARE YOU WORRYIN'
ABOUT ME FOR ?
312
00:18:47,628 --> 00:18:51,397
I SAW YOU TALKIN' TO RONNIE
THIS MORNING. I DON'T KNOW WHY
YOU CAN'T GET IT BACK TOGETHER ?
313
00:18:51,497 --> 00:18:54,768
AH !
I MEAN,
YOU GOT TO BE OUT OF YOUR MIND
NOT TO GET WITH THAT ONE.
314
00:18:54,868 --> 00:18:57,771
WHAT ARE YOU TALKING ABOUT ?
IT'S NOT ME. IT'S HER.
315
00:18:57,871 --> 00:19:00,473
SHE'S GOIN' OUT
WITH SOME BASEBALL PLAYER
NAMED GREG BARNETT.
316
00:19:00,574 --> 00:19:02,475
NO KIDDIN' ?
MM.
317
00:19:02,576 --> 00:19:05,746
GET OUT OF HERE.
THAT BOY CAN HIT... AND RUN.
318
00:19:06,947 --> 00:19:08,882
AND THROW !
319
00:19:10,651 --> 00:19:13,153
WHY DON'T YOU JUST GET SOME
POM-POMS AND START CHANTING,
"GREG, GREG, GREG." FUCK HIM !
320
00:19:15,421 --> 00:19:17,858
WHAT IS WRONG
WITH THIS CAR DOOR ?
[ Alarm Blaring ]
321
00:19:17,958 --> 00:19:21,595
COME ON, MAN.
GIVE ME THE KEYS.
322
00:19:21,695 --> 00:19:24,264
THERE'S NO ALARM ON THOSE.
[ Alarm Continues ]
323
00:19:24,364 --> 00:19:28,635
HEY, Y'ALL GOT A SPARE KEY
SO I CAN GET TO THIS KILL SWITCH
IN HERE...
324
00:19:28,735 --> 00:19:30,637
AND TURN THIS SHIT OFF ?
325
00:19:30,737 --> 00:19:35,742
THIS SHIT IS BAD.
YOU HEAR ME, SAM ?
THIS IS SOME BAD SHIT.
326
00:19:35,842 --> 00:19:37,744
ROPE, THIS IS IT.
327
00:19:37,844 --> 00:19:41,247
THIS IS TOO FLY.
THIS IS IT.
328
00:19:41,347 --> 00:19:44,450
- WHAT ?
- THIS IS IT.
THIS IS YOUR RIDE.
329
00:19:46,620 --> 00:19:50,323
NO, THAT'S NOT MY RIDE.
THIS IS MY RIDE OVER HERE.
THIS BLACK CAR'S MY RIDE.
330
00:19:50,423 --> 00:19:52,492
[ Alarm Stops ]
NO, NO, NO.
331
00:19:52,593 --> 00:19:54,861
THE BLACK ONE IS MINE.
THAT'S THE ONE I'M--
THIS IS MY RIDE.
332
00:19:54,961 --> 00:19:57,898
[ Mumbles ]
THIS IS YOUR RIDE.
333
00:19:57,998 --> 00:20:01,768
OH, COME ON, NOW. WHO AM I,
REDD FOXX ? I CAN'T ROLL
IN NO SHIT LIKE THAT.
334
00:20:01,868 --> 00:20:04,805
MAN, WHAT'S UP, SAM ?
[ Chuckles ]
335
00:20:04,905 --> 00:20:08,942
THAT SHIT'S NOT FUNNY, SAM.
I GOTTA ROLL AROUND
IN THIS SHIT ALL WEEK.
336
00:20:09,042 --> 00:20:13,647
- MAN, WHERE'S YOUR STEREO ?
- NEVER MIND THE STEREO.
WHAT'S THAT SMELL ?
337
00:20:13,747 --> 00:20:15,949
OH, MAN, JUST GET IN.
WE AIN'T GOT ALL DAY.
338
00:20:16,049 --> 00:20:19,352
MAN, THIS TRUCK SMELLS
LIKE FISH.
[ Ignition Starts ]
339
00:20:20,587 --> 00:20:22,523
FISH AND SHIT.
340
00:20:24,357 --> 00:20:27,393
[ Sam ] APARTMENT 304.
[ Roper ]
YOU WANT ME TO COME UP ?
341
00:20:27,493 --> 00:20:30,531
NAH, IT PROBABLY WON'T
TURN UP ANYTHING.
I'M JUST GONNA TALK TO HIM.
342
00:20:30,631 --> 00:20:32,533
GOOD, 'CAUSE I DON'T
WANNA BE LATE.
343
00:20:32,633 --> 00:20:36,603
HEY, YOU WANT ANYTHING
ON THE GAME ?
WHAT'S THE LINE ?
344
00:20:36,703 --> 00:20:40,473
WARRIORS PLUS SIX.
I'LL TAKE HALF YOUR ACTION.
345
00:20:40,574 --> 00:20:42,543
VERY, VERY SMART MAN.
346
00:20:42,643 --> 00:20:44,578
HURRY UP, MAN.
347
00:21:01,027 --> 00:21:03,029
[ Car Horn Honks ]
348
00:21:12,906 --> 00:21:15,942
♪ [ Stereo: Jazz ]
349
00:21:16,042 --> 00:21:24,317
♪
350
00:21:24,417 --> 00:21:26,587
♪
[ Doorbell Rings ]
351
00:21:26,687 --> 00:21:31,024
WHO IS IT ?
LIEUTENANT SAM BAFFERT FROM THE
SAN FRANCISCO POLICE DEPARTMENT.
352
00:21:31,124 --> 00:21:34,761
♪ [ Continues ]
353
00:21:34,861 --> 00:21:36,763
EVERYTHING ALL RIGHT ?
354
00:21:36,863 --> 00:21:39,833
MAY I COME IN ?
I WOULD JUST LIKE TO ASK YOU
A COUPLE OF QUESTIONS.
355
00:21:39,933 --> 00:21:41,835
ABSOLUTELY. COME ON IN.
356
00:21:41,935 --> 00:21:43,837
THANK YOU.
357
00:21:46,039 --> 00:21:47,974
NICE.
358
00:21:48,074 --> 00:21:49,976
VERY NICE.
THANKS.
359
00:21:52,445 --> 00:21:55,381
COUNT BASIE ?
ELLINGTON.
360
00:21:55,481 --> 00:22:00,420
"THINGS AIN'T
WHAT THEY USED TO BE."
IT WAS RECORDED JULY 30, 1945.
361
00:22:00,521 --> 00:22:03,489
YEAH, YEAH.
NOW I CAN HEAR IT.
362
00:22:03,590 --> 00:22:05,692
WHERE DID YOU FIND
AN OLD RECORDING LIKE THAT ?
363
00:22:05,792 --> 00:22:10,697
THERE'S A USED RECORD SHOP
DOWN ON TURK STREET
CALLED MEMORY LANE.
364
00:22:10,797 --> 00:22:13,366
I WENT IN THERE LOOKING
FOR A RARE ROBERT JOHNSON.
365
00:22:13,466 --> 00:22:15,936
I THINK I KNOW THE PLACE.
I'D LIKE TO GET IN THERE.
YOU SHOULD.
366
00:22:16,036 --> 00:22:18,505
MR. KORDA, DO YOU KNOW
A FRANK ANTONUCCI ?
367
00:22:19,973 --> 00:22:22,809
GUY WHO OWNS THE BAKERY
DOWN THE STREET ?
368
00:22:22,909 --> 00:22:24,845
NO, THIS IS
A DIFFERENT FRANK.
369
00:22:24,945 --> 00:22:26,847
THIS IS A MAN
WHO DEALS IN JEWELRY.
370
00:22:26,947 --> 00:22:29,583
STOLEN, USUALLY.
YOU WOULDN'T KNOW
ANYBODY LIKE THAT ?
371
00:22:29,683 --> 00:22:34,087
NO, I CERTAINLY WOULD NOT.
[ Coughs ]
372
00:22:34,187 --> 00:22:38,458
IS IT--
NO, IT'S JUST
A LITTLE SOMETHING HERE.
373
00:22:38,559 --> 00:22:41,695
[ Coughs ]
COULD I HAVE
A LITTLE WATER, PLEASE ?
374
00:22:43,196 --> 00:22:45,766
SURE.
375
00:22:45,866 --> 00:22:47,768
THANK YOU.
376
00:22:50,170 --> 00:22:52,138
THE REASON I'M ASKING
YOU IS BECAUSE...
377
00:22:52,238 --> 00:22:55,141
WE ARRESTED HIM
WITH SOME STOLEN JEWELRY.
378
00:22:56,777 --> 00:23:01,982
WE TRACED IT BACK
TO A ROBBERY OF A STORE
DOWN ON POLK STREET.
379
00:23:02,082 --> 00:23:05,451
HE SAID HE WAS
FENCING IT FOR YOU.
380
00:23:06,920 --> 00:23:10,456
OBVIOUSLY, THERE'S BEEN
SOME MISTAKE.
381
00:23:10,557 --> 00:23:12,693
LOOK, I GOTTA LEVEL
WITH YOU.
382
00:23:12,793 --> 00:23:16,429
I GOT THIS COUSIN.
HERE YOU GO.
383
00:23:16,530 --> 00:23:18,999
HE'S HAD A LOT OF RUN-INS
WITH THE LAW.
384
00:23:19,099 --> 00:23:22,569
I WOULDN'T BE SURPRISED
IF HE'S TRYING TO ENTANGLE ME
IN THIS SITUATION.
385
00:23:22,669 --> 00:23:26,006
IT WOULDN'T BE THE FIRST TIME.
THIS COUSIN OF YOURS.
WHAT'S HIS NAME ?
386
00:23:26,106 --> 00:23:30,577
CLARENCE TEAL.
BELIEVE ME, THEY'LL KNOW
WHO I'M TALKIN' ABOUT.
387
00:23:31,211 --> 00:23:32,879
YOUR COUGH SEEMS BETTER.
388
00:23:32,979 --> 00:23:35,982
OH, YES.
389
00:23:36,082 --> 00:23:38,451
TWO HUNDRED BUCKS.
I'LL TAKE THE POINTS.
390
00:23:38,552 --> 00:23:40,453
YEAH. OKAY.
391
00:23:44,190 --> 00:23:46,860
HELLO, JUDGE STONE ? THIS IS
LIEUTENANT SAMUEL BAFFERT.
392
00:23:46,960 --> 00:23:50,697
I'M AT A SUSPECT'S RESIDENCE.
I'M REQUESTING
A TELEPHONIC SEARCH WARRANT.
393
00:23:54,635 --> 00:23:58,505
THERE'S VISIBLE EVIDENCE ON
THE PREMISES, GLASSINE ENVELOPES
WITH JEWELER'S MARKINGS.
394
00:23:58,605 --> 00:24:00,774
[ Car Horn Honks ]
395
00:24:00,874 --> 00:24:04,477
THAT IS CORRECT,
JUDGE STONE.
396
00:24:04,578 --> 00:24:06,547
I BELIEVE A FULL SEARCH
OF THE PREMISES WILL TURN UP--
397
00:24:06,647 --> 00:24:09,049
[ Grunting ]
[ Yelling ]
398
00:24:15,288 --> 00:24:17,791
[ Screams ]
399
00:24:17,891 --> 00:24:20,493
[ Groaning ]
400
00:24:22,162 --> 00:24:24,097
[ Gasps ]
401
00:24:39,980 --> 00:24:42,716
[ Screaming ]
402
00:24:51,692 --> 00:24:55,028
JESUS ! SAM ! SAM !
403
00:25:00,333 --> 00:25:04,204
CALL AN AMBULANCE !
NOW ! NOW !
404
00:25:33,366 --> 00:25:35,902
[ Glass Breaking ]
[ Woman ]
OH, MY GOD !
405
00:25:45,378 --> 00:25:47,914
[ Toy Helicopter ]
CLEAR FOR RESCUE.
I'M A COP.
406
00:25:58,959 --> 00:26:00,894
MOVE !
[ Gasps ]
407
00:26:00,994 --> 00:26:03,964
[ Sirens Wailing ]
408
00:26:11,838 --> 00:26:16,977
YES, SIR, ALL OF OUR FORCES
WILL BE BROUGHT TO BEAR.
WE WILL GET THIS GUY.
409
00:26:17,077 --> 00:26:19,846
YEAH, HE'S HERE.
I'LL TELL HIM.
410
00:26:22,215 --> 00:26:25,118
THE CHIEF
WANTS YOU TO KNOW
HOW SORRY HE IS.
411
00:26:29,255 --> 00:26:32,793
HE SAID HE WAS JUST GOING UP
TO TALK TO THE GUY.
412
00:26:35,361 --> 00:26:38,231
HE SAID--
413
00:26:44,838 --> 00:26:47,841
- I WANNA BE PUT ON THIS CASE.
- I CAN'T DO THAT.
414
00:26:47,941 --> 00:26:50,310
NO, I WANT> TO BE PUT
ON THIS CASE.
415
00:26:50,410 --> 00:26:54,347
I CANNOT ASSIGN YOU TO THIS.
YOU'RE MUCH TOO CLOSE TO IT.
YOU'RE TOO CLOSE TO SAM.
416
00:26:54,447 --> 00:26:56,817
YOU LET THE DEPARTMENT
HANDLE IT.
WHO'S RUNNIN' IT ?
417
00:26:56,917 --> 00:26:58,985
- ROPER !
- WHO'S RUNNIN' IT ?
418
00:26:59,085 --> 00:27:01,822
KIMURA AND GLASS
WILL HEAD THE INVESTIGATION.
419
00:27:04,224 --> 00:27:07,293
SCOTT.
GO HOME.
420
00:27:07,393 --> 00:27:10,296
[ Phones Ringing ]
[ Chattering ]
421
00:27:16,136 --> 00:27:19,405
OKAY, CHECK ON IT.
TELL ME WHAT YOU'VE GOT
ON THE SON OF A BITCH.
422
00:27:19,506 --> 00:27:21,374
LET ME GET BACK TO YOU.
423
00:27:22,342 --> 00:27:24,010
SOLIS SAID TO KEEP YOU
OUT OF THIS.
424
00:27:24,110 --> 00:27:26,046
I DON'T GIVE A SHIT
WHAT SOLIS SAID.
425
00:27:26,146 --> 00:27:30,751
ANYBODY GET ANY INFORMATION
ON THIS FUCKING KORDA,
YOU TELL ME ABOUT IT.
426
00:28:15,395 --> 00:28:17,330
[ Woman ]
JUST A MINUTE.
427
00:28:23,236 --> 00:28:27,941
HEY.
HEY YOURSELF.
I CAME TO SEE TROY.
428
00:28:28,041 --> 00:28:30,243
IT'S A LITTLE LATE
FOR THAT, SCOTT.
HE'S ASLEEP.
429
00:28:30,343 --> 00:28:32,445
OH, SHIT.
430
00:28:32,546 --> 00:28:37,050
JACK DANIELS ?
YES, I SPENT SOME TIME
WITH JACK TONIGHT.
431
00:28:37,150 --> 00:28:39,252
BUT I'M NOT DRUNK YET.
432
00:28:40,787 --> 00:28:43,023
MAYBE YOU SHOULD BE.
433
00:28:44,525 --> 00:28:46,459
YOU HEARD ABOUT
WHAT HAPPENED ?
434
00:28:47,427 --> 00:28:50,096
YEAH.
I'M SORRY.
435
00:28:54,968 --> 00:28:57,303
CAN I COME IN
FOR A MINUTE ?
436
00:29:12,553 --> 00:29:14,487
IS THAT A NEW PICTURE ?
437
00:29:14,588 --> 00:29:16,489
IT'S ABOUT
FOUR MONTHS OLD.
438
00:29:16,590 --> 00:29:19,292
I'VE BEEN WORKING
ON A DIFFERENT STYLE.
439
00:29:22,128 --> 00:29:24,464
[ Barking ]
HEY, TROY.
HOW YA DOIN' ?
440
00:29:27,433 --> 00:29:30,937
HOW YA DOIN' ?
DID YOU MISS ME, HUH ?
DID YOU MISS ME ?
441
00:29:31,037 --> 00:29:33,373
HUH, TROY ?
DID YOU MISS ME ?
DID YOU ?
442
00:29:33,473 --> 00:29:36,376
NO KISSING THOUGH.
NO KISSING.
443
00:29:36,476 --> 00:29:40,346
YOU KNOW I DON'T DO
THAT KISSING THING, RIGHT ?
444
00:29:50,390 --> 00:29:55,295
I'M NOT GONNA TAKE UP
TOO MUCH OF YOUR TIME.
I NEED SOMEBODY I CAN TALK TO.
445
00:29:56,329 --> 00:30:00,834
MUST BE PRETTY AWFUL.
YOU DON'T USUALLY TALK
TO SOMEONE WHEN YOU'RE HURTING.
446
00:30:00,934 --> 00:30:05,371
IT WAS MY FAULT.
I WAS RIGHT DOWNSTAIRS.
447
00:30:05,471 --> 00:30:07,440
ALL I HAD TO DO
WAS JUST GO UP WITH HIM.
448
00:30:07,541 --> 00:30:09,576
I WAS RIGHT THERE.
449
00:30:09,676 --> 00:30:13,313
SCOTT, Y-YOU
CAN'T SAVE EVERYONE.
450
00:30:14,581 --> 00:30:17,851
YEAH, WELL, I DEFINITELY PROVED
THAT TONIGHT FOR SURE.
451
00:30:45,512 --> 00:30:49,382
LOOK, UH, I DON'T EVEN KNOW
WHY I CAME UP HERE.
452
00:30:49,482 --> 00:30:54,120
THIS WAS A...
TOTAL WASTE OF MY TIME.
453
00:30:54,220 --> 00:30:57,157
WHERE'D I PUT MY KEYS ?
WHERE'D I PUT MY KEYS ?
454
00:30:57,257 --> 00:30:59,359
SCOTT, WHAT DO YOU
WANT FROM ME ?
455
00:30:59,459 --> 00:31:01,394
OBVIOUSLY SOMETHING
I CAN'T HAVE ANYMORE.
456
00:31:01,494 --> 00:31:04,264
DON'T YOU DARE
TRY TO MAKE ME FEEL GUILTY.
457
00:31:04,364 --> 00:31:07,968
THE WHOLE TIME WE WERE TOGETHER,
YOU WENT OUT OF YOUR WAY TO
PROVE YOU DIDN'T NEED ME.
458
00:31:08,068 --> 00:31:12,438
AND NOW SUDDENLY, FOR ONE NIGHT,
YOU NEED ME AGAIN ?
WELL, I CAN'T DO THAT.
459
00:31:12,539 --> 00:31:15,976
I CAN'T BE MORE THAN JUST
YOUR FRIEND BECAUSE I KNOW
EXACTLY WHAT'LL HAPPEN.
460
00:31:16,076 --> 00:31:18,344
A FEW WEEKS FROM NOW
AND YOU'LL BE BACK ON TOP,
461
00:31:18,444 --> 00:31:21,347
AND YOU'LL SHUT ME OUT
JUST AS SOON AS YOU DON'T
NEED ME AGAIN.
462
00:31:21,447 --> 00:31:26,520
IS THAT WHAT YOU THINK ?
YOU THINK I DIDN'T NEED YOU ?
THAT'S WHAT YOU THINK ?
463
00:31:26,620 --> 00:31:29,322
WELL, IF YOU DID,
YOU NEVER SHOWED IT.
464
00:31:32,693 --> 00:31:35,228
OH, RONNIE.
465
00:31:35,328 --> 00:31:38,231
LOOK, LISTEN TO ME.
466
00:31:38,331 --> 00:31:41,134
LISTEN. LOOK AT ME.
LOOK AT ME.
467
00:31:41,234 --> 00:31:46,072
IN MY WHOLE LIFE,
I NEVER IN MY WHOLE--
[ Knocking ]
468
00:31:47,574 --> 00:31:49,510
YOU EXPECTING SOMEBODY ?
469
00:31:55,549 --> 00:31:58,519
THIS NIGHT IS JUST GETTING
BETTER AND BETTER.
470
00:32:00,521 --> 00:32:02,255
WHERE ARE MY KEYS ?
471
00:32:02,355 --> 00:32:06,527
THEY'RE HERE ON THE TABLE
WHERE YOU ALWAYS LEAVE THEM.
472
00:32:14,668 --> 00:32:17,170
HEY, BABY, I THOUGHT YOU--
473
00:32:17,270 --> 00:32:19,506
HEY. GREG BARNETT.
474
00:32:21,341 --> 00:32:23,276
EXCUSE ME.
475
00:32:56,409 --> 00:33:00,380
HEY, MIKE.
IF YOU WEREN'T FAMILY
I'D FUCKING KILL YOU.
476
00:33:00,747 --> 00:33:04,317
YOU TOLD ANTONUCCI
YOU GOT THAT SHIT FROM ME ?
[ Mumbles ]
477
00:33:04,417 --> 00:33:07,754
DON'T SAY SHIT.
WHAT THE FUCK'S
THE MATTER WITH YOU ?
478
00:33:07,854 --> 00:33:10,023
I'M SORRY, MIKE.
SORRY ABOUT WHAT ?
479
00:33:10,123 --> 00:33:13,527
HE'S GOT RESPECT FOR YOU, MIKE.
HE WAS GONNA TRY AND LOWBALL ME.
480
00:33:13,627 --> 00:33:17,030
YEAH, AND WHAT THE FUCK
DO I USE YOU FOR, CLARENCE ?
481
00:33:17,130 --> 00:33:20,333
TO BE A WALKIN',
FUCKIN' ADVERTISEMENT.
I'M SORRY, MIKE.
482
00:33:20,433 --> 00:33:22,302
YOU'RE SORRY ?
483
00:33:23,870 --> 00:33:26,439
ANTONUCCI NEVER FLIPPED
ON ANYBODY BEFORE. HE SAID
HE HAD THE COPS PAID OFF.
484
00:33:26,540 --> 00:33:29,475
NOT THE COP
THAT SHOWED UP AT MY DOOR !
485
00:33:34,180 --> 00:33:36,116
WHAT HAPPENED, MIKE ?
486
00:33:44,825 --> 00:33:49,395
MIKE.
I'M SORRY, MIKE.
487
00:33:53,233 --> 00:33:55,702
TWO DAYS, I COULD'VE TAKEN
THAT FUCKIN' STORE.
488
00:33:55,802 --> 00:33:58,238
NOW I CAN'T EVEN
SHOW MY FACE.
489
00:34:01,207 --> 00:34:04,778
I GOT A COUPLE THOUSAND BUCKS,
MIKE, IF YOU NEED TO LEAVE TOWN.
490
00:34:04,878 --> 00:34:08,582
LEAVE TOWN ?
THEY'RE GONNA KNOW ME
IN DES MOINES BY NOW.
491
00:34:08,682 --> 00:34:13,186
TEN MILLION DOLLARS, CLARENCE.
TEN MILLION FUCKIN' DOLLARS !
492
00:34:14,621 --> 00:34:17,490
I COULD'VE DISAPPEARED.
I COULD'VE HAD IT MADE !
493
00:34:21,528 --> 00:34:23,496
THAT'S ALL RIGHT, CLARENCE.
494
00:34:25,365 --> 00:34:30,270
I'LL JUST STICK AROUND
AND TAKE CARE OF YOU
FOR THE REST OF MY FUCKIN' LIFE.
495
00:34:33,373 --> 00:34:35,609
DID YOU K-KILL HIM, MIKE ?
496
00:34:42,616 --> 00:34:46,452
OH, GOD.
I'M SORRY, MIKE.
497
00:34:49,923 --> 00:34:54,194
I'M SORRY, MIKE-- MIKE--
I DIDN'T KNOW, MIKE.
498
00:34:54,294 --> 00:34:56,196
I FUCKED UP, MIKE.
499
00:34:59,465 --> 00:35:02,736
I FUCKED UP, MAN.
OH, FUCK. I'M FUCKED UP.
500
00:35:05,939 --> 00:35:08,308
COME ON.
I DIDN'T KNOW.
501
00:35:08,408 --> 00:35:10,511
I DIDN'T KNOW, MIKE.
I MESSED UP.
COME HERE.
502
00:35:10,611 --> 00:35:14,748
IT'S ALL RIGHT.
IT'S ALL RIGHT.
I MESSED UP.
503
00:35:14,848 --> 00:35:19,753
I MESSED EVERYTHING UP.
IT'S ALL RIGHT.
I DIDN'T MEAN WHAT I SAID.
504
00:35:19,853 --> 00:35:22,756
I'M SORRY.
505
00:35:22,856 --> 00:35:27,127
IT'S NOT YOUR FAULT
YOU'RE STUPID.
506
00:35:27,227 --> 00:35:30,130
[ Chattering ]
507
00:35:31,364 --> 00:35:33,634
EIKO !
WHAT YOU GOT ON KORDA ?
508
00:35:33,734 --> 00:35:37,538
WE RAN A SEARCH ON RELATIVES.
HE'S GOT A COUSIN IN TOWN,
CLARENCE TEAL, SMALL-TIME THIEF.
509
00:35:37,638 --> 00:35:39,540
LAST KNOWN ADDRESS
WAS ON PINE STREET.
510
00:35:39,640 --> 00:35:41,742
HE MOVED A MONTH AGO.
WE'VE GOT A COUPLE OF LEADS
TO CHECK.
511
00:35:41,842 --> 00:35:44,778
DID YOU CHECK WITH DMV
ABOUT VEHICLE REGISTRATION ?
IT'S BEING FAXED OVER NOW.
512
00:35:44,878 --> 00:35:48,849
HOW ABOUT THE RECORD ROOM
FOR ANY INCIDENT REPORTS ?
WE CAN GET MEDICAL RECORDS.
513
00:35:48,949 --> 00:35:51,618
HAVE SOMEBODY CHECK
WITH BURGLARY DETAIL.
SEE IF THEY KNOW HIM AND IF--
514
00:35:51,718 --> 00:35:53,620
LOOK, ROPER.
WE'VE--
FORENSICS ON TWO.
515
00:35:53,720 --> 00:35:56,222
AND BARS. FIND OUT THE KIND
OF BARS HE USED TO FREQUENT.
516
00:35:56,322 --> 00:35:58,258
SCOTT, WE'RE INTO IT.
I'M INTO THIS SHIT.
517
00:35:58,358 --> 00:36:01,194
ROPER, WE'VE ALREADY HAD
THIS CONVERSATION.
518
00:36:01,294 --> 00:36:03,597
YOU ARE NOT> ACTIVE
ON THIS CASE.
519
00:36:05,532 --> 00:36:08,501
IT'S IN EVERYONE'S
BEST INTEREST.
520
00:36:21,414 --> 00:36:24,284
WELL, Y'ALL ARE DOING
GOOD WORK HERE. I'M--
521
00:36:27,688 --> 00:36:31,457
SORRY ABOUT YOUR FRIEND.
I LOST SOMEBODY IN SWAT.
I KNOW IT'S ROUGH.
522
00:36:31,558 --> 00:36:36,663
I APPRECIATE YOUR CONCERN,
BUT LET'S JUST LEAVE IT AT THAT.
WHAT'S THIS YOU'RE READING ?
523
00:36:37,964 --> 00:36:41,802
STRATEGIES AND COUNTERMEASURES
IN HOSTAGE SITUATIONS.
524
00:36:44,337 --> 00:36:47,273
YOU'RE NOT HAVING TOO MUCH
PROGRESS WITH THIS THING EITHER.
OH, WAIT, NO.
525
00:36:49,510 --> 00:36:51,477
YOU REALLY HAD ME STUMPED.
526
00:37:04,558 --> 00:37:06,492
VERY IMPRESSIVE.
YOU GET AN "A."
527
00:37:06,593 --> 00:37:10,430
SEE, NO FORCE WAS REQUIRED.
NO DAMAGE WAS DONE.
ALL RIGHT ?
528
00:37:37,724 --> 00:37:40,661
THAT WAS YOUR PARTNER ?
529
00:37:40,761 --> 00:37:42,696
YEAH.
530
00:37:50,571 --> 00:37:53,507
WHY'D HE DO THAT ?
531
00:37:53,607 --> 00:37:57,678
WELL, HE FIGURED THE KID
HAD A ZERO PERCENT
CHANCE OF SURVIVAL.
532
00:37:57,778 --> 00:38:00,280
I GUESS HE THOUGHT
HIS ODDS WERE BETTER.
533
00:38:00,380 --> 00:38:03,483
WE HAD A PLAN, THEN SWAT
OPENED UP FIRE TOO EARLY,
534
00:38:03,584 --> 00:38:06,720
AND A PERP
TOOK OUT MY PARTNER.
535
00:38:06,820 --> 00:38:09,355
YOU REMEMBER THIS.
536
00:38:09,455 --> 00:38:13,026
YOU ALWAYS USE YOUR EYES
TO KEEP THAT CONNECTION.
THAT'S THE MOST IMPORTANT THING.
537
00:38:13,126 --> 00:38:16,597
IT'S LIKE HYPNOSIS.
RIGHT.
538
00:38:16,697 --> 00:38:19,800
YOU CONNECT WITH THEM.
YOU'RE ALWAYS ON THEIR SIDE.
539
00:38:21,568 --> 00:38:23,504
OKAY.
540
00:38:34,715 --> 00:38:36,650
HOW MUCH MONEY
YOU GOT ON YOU ?
541
00:38:36,750 --> 00:38:39,686
WHAT'S THAT ?
HOW MUCH MONEY
YOU GOT ?
542
00:38:39,786 --> 00:38:43,089
I DON'T KNOW,
LIKE 100 BUCKS. WHY ?
COME ON.
543
00:38:49,730 --> 00:38:53,967
[ Announcer ]
LADIES AND GENTLEMEN,
TEN MINUTES TO POST.
544
00:38:54,067 --> 00:38:56,603
[ Roper ]
YOU KNOW WHY I LIKE COMING
TO THE TRACK ?
545
00:38:56,703 --> 00:38:58,772
YEAH. YOU'RE
A COMPULSIVE GAMBLER.
546
00:38:58,872 --> 00:39:01,041
NO. THE MULTITUDE
OF POSSIBILITIES.
547
00:39:01,141 --> 00:39:04,377
EVERYTHING IS HERE
FOR YOU TO SEE IF YOU KNOW
WHAT CONDITIONS TO LOOK FOR.
548
00:39:04,477 --> 00:39:07,480
MM-HMM.
JUST LIKE A HOSTAGE SITUATION.
SEE THE FOUR HORSE ?
549
00:39:07,581 --> 00:39:11,885
MM-HMM.
DROPPIN' IN CLASS, NO WORKS,
FRONT WRAPS, ALL BROKEN DOWN.
550
00:39:11,985 --> 00:39:13,887
YOU WOULDN'T BET
ON HIM, RIGHT ?
RIGHT.
551
00:39:13,987 --> 00:39:16,857
WRONG. YOU BET ON HIM.
'CAUSE SEE THE WOMAN
WITH THE BIG BELT BUCKLE.
552
00:39:16,957 --> 00:39:20,661
THAT'S THE OWNER OF THE HORSE.
AND THAT BELT BUCKLE IS
A CHAMPIONSHIP BELT BUCKLE.
553
00:39:20,761 --> 00:39:23,530
SHE WOULDN'T COME OUT HERE
WITH A FANCY BUCKLE ON
UNLESS THE HORSE WAS LIVE.
554
00:39:23,630 --> 00:39:25,699
WE GO WITH HIM.
THAT'S HOW YOU PICK YOUR BETS ?
BY BELT BUCKLES ?
555
00:39:25,799 --> 00:39:29,503
WELL, JUST TRUST ME NOW.
YOU SEE THE HORSE NEXT TO THAT.
THAT'S THE FAVORITE.
556
00:39:29,603 --> 00:39:32,673
LOOKIN' ALL WASHY,
FOAMIN' IN THE MOUTH,
LOOKIN' ALL RANK AND SHIT.
557
00:39:32,773 --> 00:39:36,577
SUPPOSED TO BE THE FAVORITE.
HE DON'T EVEN FEEL LIKE RUNNIN'.
WE DON'T GO WITH HIM. HE'S OUT.
558
00:39:36,677 --> 00:39:38,579
OKAY.
NOW, THE SIX HORSE.
559
00:39:38,679 --> 00:39:42,382
THE SIX HORSE LOOKS GREAT.
A SHINY COAT, THAT BOUNCY WALK.
560
00:39:42,482 --> 00:39:46,920
THAT HORSE IS LIVE.
AND THAT TRAINEE/JOCKEY COMBO ?
YOU CAN'T LOSE ON THAT.
561
00:39:47,020 --> 00:39:50,791
WHAT DO YOU THINK ?
I GOT TWO WORDS FOR YOU:
SEEK HELP.
562
00:39:50,891 --> 00:39:56,062
OH, AND I HAVE THREE WORDS
FOR YOU: EXACTA. COME ON.
563
00:39:56,162 --> 00:39:58,599
[ Bells Ringing ]
[ Announcer ]
AND AWAY THEY GO !
564
00:39:58,699 --> 00:40:01,802
COME ON ! COME ON !
565
00:40:01,902 --> 00:40:03,837
[ Announcer Continues,
Indistinct ]
566
00:40:03,937 --> 00:40:06,707
OKAY, WE'RE IN GOOD SHAPE.
WE'RE IN GOOD SHAPE.
567
00:40:08,675 --> 00:40:11,645
SIX HORSE IS LAST.
DON'T WORRY ABOUT THAT.
THAT'S HIS STYLE.
568
00:40:11,745 --> 00:40:14,014
WHAT ? TO RUN LAST.
TO RUN LATE.
569
00:40:15,682 --> 00:40:17,784
SEE !
570
00:40:17,884 --> 00:40:20,687
THE FAVORITE'S FADING AND
THE FOUR HORSE IS IN THE LEAD.
JUST LIKE I SAID.
571
00:40:20,787 --> 00:40:23,924
OUR GUY IS STILL LAST.
DON'T WORRY. HE'LL BE
RUNNIN' AT THE QUARTER POLE.
572
00:40:24,024 --> 00:40:26,660
[ Roper ]
COME ON, SIX HORSE !
573
00:40:26,760 --> 00:40:28,795
COME ON, RUSSELL.
WE NEED FIRST AND SECOND.
574
00:40:28,895 --> 00:40:31,532
FIRST AND SECOND.
COME ON, RUSSELL.
WHO'S RUSSELL ?
575
00:40:31,632 --> 00:40:34,635
THE JOCKEY.
COME ON, RUSSELL.
576
00:40:34,735 --> 00:40:36,637
COME ON, RUSSELL !
HOW MUCH DO WE WIN ?
577
00:40:36,737 --> 00:40:38,639
EIGHT HUNDRED DOLLARS.
COME ON, RUSSELL.
578
00:40:38,739 --> 00:40:40,807
WE WIN $800 ?
COME ON, RUSSELL.
EIGHT HUNDRED DOLLARS.
579
00:40:40,907 --> 00:40:42,909
COME ON, RUSSELL.
COME ON, RUSSELL.
580
00:40:43,009 --> 00:40:44,811
RUSSELL !
GET THAT 800, RUSSELL.
581
00:40:46,346 --> 00:40:47,748
COME ON ! LET'S GO, RUSSELL !COME ON, RUSSELL !COME ON, RUSSELL !
582
00:40:48,849 --> 00:40:50,551
- COME ON, RUSSELL !- WAY TO GO ! WAY TO GO !
583
00:40:50,651 --> 00:40:53,620
- COME ON ! COME ON !
- GO ! GO !
584
00:40:53,720 --> 00:40:55,889
COME ON ! COME ON !
GO !
585
00:40:55,989 --> 00:40:58,191
WE WON ! WE WON !
OH, SHIT.
WE LOST.
586
00:40:58,291 --> 00:41:00,861
WE WON ! WE WON !
WE LOST !
YOU WANNA BET ?
587
00:41:00,961 --> 00:41:03,463
YOU WANNA BET
ON WHETHER WE JUST WON ?
WHAT, ARE YOU CRAZY ?
588
00:41:03,564 --> 00:41:06,767
RUSSELL, YOU MIDGET FUCK !
YOU LITTLE MIDGET M--
WE WON !
589
00:41:08,535 --> 00:41:10,737
WE WON ! WE WON !
WE WON !
HEY, WE WON !
590
00:41:10,837 --> 00:41:12,939
WAY TO GO, RUSSELL.
WAY TO GO, RUSSELL.
HEY, RUSSELL !
591
00:41:13,039 --> 00:41:14,941
DON'T WORRY
ABOUT HIM, RUSSELL.
592
00:41:15,041 --> 00:41:17,010
HEY, RUSSELL, IT'S COOL.
WHOO !
593
00:41:17,110 --> 00:41:20,246
[ McCall ]
HOW LONG YOU BEEN
COMING HERE ?
594
00:41:20,346 --> 00:41:23,750
ABOUT SIX YEARS.
MY OLD PARTNER TURNED ME ON
TO THIS PLACE.
595
00:41:23,850 --> 00:41:27,754
IS IT ALWAYS LIKE THIS ?
WELL, OCCASIONALLY YOU LOSE,
BUT TODAY WE ARE WINNERS.
596
00:41:27,854 --> 00:41:29,756
THAT'S RIGHT.
PAY THE WINNERS, PLEASE.
597
00:41:29,856 --> 00:41:32,859
[ Roper ]
OH, BENJAMIN.
598
00:41:32,959 --> 00:41:35,696
BENJAMIN LOOKS SO SAD.
I'M IN SUCH A WONDERFUL MOOD.
599
00:41:35,796 --> 00:41:38,699
HERE YOU GO.
THERE'S YOUR SHARE.
600
00:41:38,799 --> 00:41:40,867
WAIT, WAIT.
THAT'S ONLY THREE.
WHAT ?
601
00:41:40,967 --> 00:41:43,704
OH, YOU GOT GOOD EYES.
602
00:41:43,804 --> 00:41:46,106
THAT'S PART
OF YOUR TRAINING.
THAT'S RIGHT.
603
00:41:46,206 --> 00:41:48,709
I WAS MAKING SURE
YOU CAN--
604
00:41:48,809 --> 00:41:50,711
HELLO.
605
00:41:53,880 --> 00:41:55,816
OKAY. I'M ON MY WAY.
606
00:41:55,916 --> 00:41:57,884
LET'S GO.
607
00:42:04,290 --> 00:42:08,161
[ Sirens Wailing ]
608
00:42:10,897 --> 00:42:14,234
[ Man ]
GONNA NEED ANOTHER
R. A. UNIT !
609
00:42:14,334 --> 00:42:16,236
[ Chattering ]
610
00:42:17,704 --> 00:42:19,640
[ Reporter ]
THE POLICE ARE APPROACHING.
611
00:42:26,913 --> 00:42:31,051
WHAT'S THE 10-20
ON THE INCIDENT ?
SHREVE, RIGHT ON THE CORNER.
612
00:42:38,358 --> 00:42:40,894
MAN, THIS LOOKS LIKE
A SHIT SANDWICH.
YEAH.
613
00:42:42,128 --> 00:42:44,064
YOU SEE THIS CAR ?
614
00:42:45,699 --> 00:42:47,568
I'M RIDING AROUND IN
A SHITMOBILE, AND SOLIS GOT THIS
OUT OF IMPOUND FOR 14 GRAND.
615
00:42:47,668 --> 00:42:49,570
IT'S WORTH AT LEAST 30.
616
00:42:49,670 --> 00:42:52,773
POLICE CORRUPTION'S
EVERYWHERE.
BASTARD.
617
00:42:56,677 --> 00:42:59,012
WHERE'S SOLIS ?
618
00:42:59,112 --> 00:43:02,315
RIGHT. OKAY. YOU RELAX.
JOE-- JOE--
619
00:43:02,415 --> 00:43:05,819
THIRTY-TWO MINUTES AGO,
THE SILENT ALARM WENT OFF,
THEN THE FIRE ALARM.
620
00:43:05,919 --> 00:43:08,855
THERE WAS A UNIT
ABOUT A BLOCK AWAY.
THE SUSPECT GOT TRAPPED INSIDE.
621
00:43:08,955 --> 00:43:10,857
YOU GOT ANY VERIFICATION
ON NUMBERS ?
622
00:43:10,957 --> 00:43:13,994
SO FAR, WE'VE ONLY SEEN
AND TALKED TO ONE SUSPECT.
HE CALLS HIMSELF JOE.
623
00:43:14,094 --> 00:43:16,997
NOW THERE'S NO CONFIRMATION,
BUT THERE COULD BE MORE.
624
00:43:17,097 --> 00:43:19,132
AN EMPLOYEE ESCAPED
THROUGH THE REAR DOOR.
625
00:43:19,232 --> 00:43:22,268
AS FAR AS WE CAN ASCERTAIN,
THERE'S TWO JEWELERS,
TWO SALESPEOPLE,
626
00:43:22,368 --> 00:43:25,606
A MANAGER, SECURITY GUARD,
ELDERLY WOMAN; WE BELIEVE
ONE OTHER FEMALE.
627
00:43:25,706 --> 00:43:30,877
THIS PARTICULAR STORE
IS WHERE THEY DO A LOT
OF JEWELRY MAKING AND REPAIR.
628
00:43:30,977 --> 00:43:34,347
ON ANY GIVEN DAY,
THEY CAN HAVE BETWEEN EIGHT
AND TEN MILLION IN RAW STONES.
629
00:43:34,447 --> 00:43:37,383
- THEY KNEW WHAT
THEY WERE LOOKIN' FOR.
- WHAT HAVE YOU PROMISED THEM ?
630
00:43:37,483 --> 00:43:40,220
JUST THAT I'D TALK
TO MY SUPERIORS.
LOCATE ANY POINTS OF ENTRANCE ?
631
00:43:40,320 --> 00:43:42,889
THIS PLACE IS DESIGNED
TO BE A VAULT.
632
00:43:48,428 --> 00:43:51,364
[ Beeping ]
633
00:43:57,804 --> 00:44:00,140
OKAY.
TAPE'S ROLLING.
[ Phone Ringing ]
634
00:44:02,075 --> 00:44:04,077
[ Receiver Picks Up ]
[ Joe ]
YEAH.
635
00:44:04,177 --> 00:44:06,346
HELLO, JOE.
I'M INSPECTOR ROPER.
HOW YOU PEOPLE DOIN' IN THERE ?
636
00:44:06,446 --> 00:44:09,349
[ Joe ]
GOOD.
SOLIS IS OFF THE JOB NOW.
637
00:44:09,449 --> 00:44:13,119
I'M THE GUY WHO'S AUTHORIZED
TO GIVE YOU EVERYTHING YOU WANT.
FIRST, I GOTTA TALK TO YOU.
638
00:44:13,219 --> 00:44:16,256
NO, YOU DON'T.
YES, I DO, JOE.
639
00:44:16,356 --> 00:44:18,258
I HAVE COME DOWN THERE,
AND I HAVE TO TALK TO YOU...
640
00:44:18,358 --> 00:44:20,260
TO MAKE SURE THAT THERE ARE
NO MISUNDERSTANDINGS...
641
00:44:20,360 --> 00:44:23,997
AND MAKE SURE NOBODY
IS HURT IN THERE BEFORE
WE CAN TAKE CARE OF BUSINESS.
642
00:44:24,097 --> 00:44:27,000
ALL RIGHT, ROPER.
YOU WANNA COME ? COME.
643
00:44:27,100 --> 00:44:31,404
LISTEN. I'M NOT ARMED, OKAY ?
WE GOTTA OPERATE ON TRUST HERE.
I'M NOT ARMED.
644
00:44:31,505 --> 00:44:34,174
I'M GONNA TALK TO YOU AND
GET YOU GUYS OUT OF THERE.
645
00:44:34,274 --> 00:44:36,209
FIVE MINUTES.
646
00:44:51,958 --> 00:44:54,895
THIS IS OBVIOUSLY THE PART
OF THE JOB THAT SUCKS.
647
00:45:22,322 --> 00:45:24,758
[ Chattering ]
648
00:45:30,163 --> 00:45:32,298
[ Man ]
HEY, HEY, HEY.
649
00:46:00,360 --> 00:46:03,496
HOW CAN HE BE SURE
THE GUY WON'T SHOOT HIM ?
650
00:46:03,597 --> 00:46:05,498
HE CAN'T.
651
00:46:23,149 --> 00:46:25,118
RIGHT THERE.
652
00:46:26,252 --> 00:46:28,188
CAN I PUT MY HANDS DOWN ?
653
00:46:28,288 --> 00:46:30,156
WHERE I CAN SEE 'EM.
654
00:46:33,594 --> 00:46:36,029
YOU'RE ROPER,
AND YOU'RE IN CHARGE,
RIGHT ?
655
00:46:36,129 --> 00:46:38,932
YEP.
GOOD.
YOU LISTEN UP.
656
00:46:39,032 --> 00:46:40,934
I SAY THIS ONE TIME.
657
00:46:41,034 --> 00:46:44,037
I WANT A FOUR-WHEEL DRIVE.
NEW, PERFECT CONDITION.
658
00:46:44,137 --> 00:46:47,107
I WANT A UNIFORMED COP.
DRIVE IT UP RIGHT HERE.
LEAVE THE ENGINE RUNNING.
659
00:46:47,207 --> 00:46:50,076
HE WALKS TO THE END
OF THE BLOCK.
THEN WE'LL COME OUT.
660
00:46:50,176 --> 00:46:53,580
I KNOW ALL THE TRICKS,
SO NO REMOTE CONTROL
DEVICES, OKAY ?
661
00:46:53,680 --> 00:46:56,517
WHEN I SAY PERFECT CONDITION,
I MEAN, IF IT'S LOW
IN WIPER FLUID,
662
00:46:56,617 --> 00:46:58,519
SOMEONE GETS SHOT,
AND WE'LL START AGAIN.
663
00:46:58,619 --> 00:47:00,521
I WANT A PLANE WAITIN'
AT THE AIRPORT.
664
00:47:00,621 --> 00:47:03,524
I'LL TELL HIM
WHERE I'M GOIN'
WHEN I GET THERE.
665
00:47:03,624 --> 00:47:06,893
IS THAT ALL ?
FOR NOW, THAT'S ALL.
666
00:47:08,562 --> 00:47:12,365
OKAY, YOU'RE GONNA GET
ALL THOSE THINGS, BUT FIRST
YOU GOTTA DO SOMETHING FOR ME.
667
00:47:12,465 --> 00:47:15,368
LET ME COME INSIDE
AND MAKE SURE
EVERYBODY'S ALL RIGHT.
668
00:47:15,468 --> 00:47:18,104
YOU JUST DO SHIT FOR ME
RIGHT NOW.
669
00:47:18,204 --> 00:47:20,106
WAIT A MINUTE, JOE.
I'M DOIN' A LOT FOR YOU, OKAY ?
670
00:47:20,206 --> 00:47:22,375
YOU GOTTA DO SOMETHIN' FOR ME.
YOU GOTTA SHOW
AN ACT OF GOOD FAITH.
671
00:47:22,475 --> 00:47:25,145
LET ME HAVE ONE HOSTAGE.
672
00:47:25,245 --> 00:47:27,147
I GIVE YOU SOMETHIN'.
673
00:47:27,247 --> 00:47:29,382
HERE.
674
00:47:44,464 --> 00:47:46,633
IN 15 MINUTES,
IT'LL BE A BIGGER PIECE.
675
00:47:46,733 --> 00:47:48,635
WE UNDERSTAND EACH OTHER ?
676
00:47:48,735 --> 00:47:51,204
YEAH, WE UNDERSTAND
EACH OTHER.
677
00:47:51,304 --> 00:47:53,106
GOOD.
678
00:47:53,206 --> 00:47:55,108
NO, NO, NO,
PLEASE.
679
00:47:55,208 --> 00:47:58,111
[ Solis ]
NO, SIR, NOT TO THE BEST
OF MY KNOWLEDGE.
680
00:47:58,211 --> 00:48:00,113
THAT'S CORRECT.
681
00:48:00,213 --> 00:48:02,082
THAT'S RIGHT.
682
00:48:02,182 --> 00:48:05,151
HE'S HERE RIGHT NOW.
LET ME GET BACK TO YOU.
683
00:48:06,620 --> 00:48:09,355
WE'RE GONNA HAVE TO TAKE
THIS GUY OUT.
684
00:48:09,455 --> 00:48:12,258
WELL, CAN'T WE
WEAR HIM DOWN ?
685
00:48:15,261 --> 00:48:18,331
I BELIEVE THERE'S
AT LEAST ONE FATALITY
IN THERE ALREADY.
686
00:48:18,431 --> 00:48:20,967
I THINK IT WAS GUNFIRE
THAT SET THE FIRE ALARM OFF.
687
00:48:21,067 --> 00:48:23,369
I THINK THIS GUY IS WORKING
BY HIMSELF 'CAUSE THE WHOLE TIME
I WAS TALKIN' TO HIM...
688
00:48:23,469 --> 00:48:26,573
HE HAD A HOSTAGE
AND HE HAD A GUN TO HER HEAD,
AND HE WOULDN'T LEAVE THE DOOR.
689
00:48:26,673 --> 00:48:29,576
HE'S GOT A REAL CALM
AND CREEPY DEMEANOR.
THE GUY'S A FUCKING WACKO.
690
00:48:29,676 --> 00:48:33,246
THE SCARIEST THING ABOUT HIM
IS HE INDICATED FAMILIARITY
WITH OUR TECHNIQUES.
691
00:48:33,346 --> 00:48:36,583
SO WHAT DO YOU WANT TO DO ?
YOU WANNA GO IN THERE
OR WAIT FOR HIM TO COME OUT ?
692
00:48:36,683 --> 00:48:41,087
LET HIM COME OUT.
THERE'S TOO MANY UNKNOWNS.
HE'S RIGHT.
693
00:48:43,023 --> 00:48:44,991
SHOW ME.
694
00:48:47,994 --> 00:48:51,097
WHEN WE DRIVE UP THE CAR,
MAKE SURE IT'S AT AN ANGLE ABOUT
THREE FEET AWAY FROM THE CURB.
695
00:48:51,197 --> 00:48:53,099
WE PUT OUR BEST MAN HIGH GROUND.
IS ANDERSON HERE ?
YES.
696
00:48:53,199 --> 00:48:56,469
GOOD. OKAY,
TWENTY DEGREES DOWN ANGLE.
697
00:48:56,570 --> 00:48:59,472
TELL ANDERSON
TO PREP AND NOTIFY US
WHEN HE'S ON LINE.
698
00:49:03,409 --> 00:49:06,947
- I CAN FEEL THIS THING
GOING SIDEWAYS ON US.
- WELL, THERE'S SOME GOOD NEWS.
699
00:49:07,047 --> 00:49:09,349
HE'S WEARING A SKI MASK,
SO HE'S PROTECTING HIS IDENTITY,
700
00:49:09,449 --> 00:49:13,687
AND HE HASN'T DETERMINED
WHETHER OR NOT HE'S GONNA KILL
THE REST OF THE HOSTAGES... YET.
701
00:49:22,663 --> 00:49:26,499
YOU. YOU ! UP, UP !
702
00:49:26,600 --> 00:49:29,269
START PULLIN' THOSE BODIES
BACK BEHIND THAT COUNTER.
LET'S GO.
703
00:49:29,369 --> 00:49:31,471
DO IT ! MOVE !
704
00:49:31,572 --> 00:49:34,107
LET'S GO. COME ON !
705
00:49:35,308 --> 00:49:37,410
BACK BEHIND HERE.
FASTER !
706
00:49:37,511 --> 00:49:39,412
LET'S GO !
[ Sobbing ]
707
00:49:39,513 --> 00:49:42,683
HE'S GONNA--
HE'S GONNA KILL US.
PLEASE. IT'S GONNA BE--
708
00:49:43,750 --> 00:49:45,686
OVER THERE.
IN THERE.
709
00:49:55,295 --> 00:49:58,264
I'M NOT, I'M NOT STAYING HERE.
I'M NOT STAYING HERE.
710
00:49:58,364 --> 00:50:01,234
NO, NO,
PLEASE DON'T, PLEASE DON'T.
MRS. DOTSON, PLEASE DON'T GO.
711
00:50:01,334 --> 00:50:03,537
MRS. DOTSON, PLEASE !
712
00:50:03,637 --> 00:50:06,640
- HEY ! HEY !
- STOP, MISS DOTSON.
713
00:50:06,740 --> 00:50:08,675
- HEY !
- LEAVE HER ALONE.
714
00:50:08,775 --> 00:50:10,577
WHAT ?
LEAVE HER ALONE.
715
00:50:12,846 --> 00:50:16,016
THINK.
716
00:50:17,718 --> 00:50:22,055
DOUG, PLEASE,
SIT DOWN, SIT DOWN !
717
00:50:41,407 --> 00:50:46,412
IF SHE'S NOT CONSCIOUS
BY THE TIME I'M DONE,
SHE'S DEAD.
718
00:50:46,513 --> 00:50:48,414
[ Man ]
WHAT DO YOU GOT, WINDOW ?
719
00:50:48,515 --> 00:50:50,450
[ Woman ]
WE HAVE CONFIRMATION--
720
00:50:53,486 --> 00:50:56,056
OKAY, IT'S TIME TO GIVE
THIS WACKO A CALL.
721
00:50:57,123 --> 00:51:01,061
[ Phone Dialing, Ringing ]
722
00:51:08,368 --> 00:51:10,604
HOW COME HE'S NOT ANSWERING ?
723
00:51:13,439 --> 00:51:15,776
WAIT, WAIT, WAIT.
THERE'S YOUR ANSWER.
724
00:51:22,783 --> 00:51:24,851
HE'S SMART.
HE'S CUTTIN' DOWN
VISIBILITY.
725
00:51:24,951 --> 00:51:27,721
[ McCall ]
YUP. HE'S DOIN'
A GOOD JOB OF IT.
726
00:51:29,189 --> 00:51:32,425
ALL POSITIONS:
YOU HAVE A GREEN LIGHT.
727
00:51:36,597 --> 00:51:39,533
COME ON. GIVE US
ONE CLEAN SHOT, ASSHOLE.
728
00:51:39,633 --> 00:51:45,105
COMMAND ONE, REPEAT.
ALL POSITIONS:
YOU HAVE A GREEN LIGHT.
729
00:51:46,172 --> 00:51:48,274
HE SWITCHED CLOTHES.
THAT'S KORDA !
730
00:51:48,374 --> 00:51:51,177
- THAT'S KORDA !
HOLD YOUR FIRE !
- HOLD YOUR FIRE !
731
00:51:51,277 --> 00:51:53,514
[ Screaming ]
732
00:51:53,614 --> 00:51:56,517
- I SAID HOLD YOUR FIRE !
- HOLD YOUR FIRE !
733
00:51:56,617 --> 00:51:59,520
- HOLD YOUR FIRE !
- [ Screaming Continues ]
734
00:51:59,620 --> 00:52:03,724
NO, NO, NO.
PLEASE, LET ME GO !
COME ON. IN THIS TRUCK.
735
00:52:05,425 --> 00:52:08,394
GET IN !
[ Sobbing ]
PLEASE !
736
00:52:08,494 --> 00:52:10,531
- BUNCH OF FUCK UPS.
- GET HIM ON THE RADIO.
737
00:52:10,631 --> 00:52:12,666
- THESE YOUR KEYS ?
- WHAT ? YEAH, YEAH.
738
00:52:12,766 --> 00:52:15,168
HE'S GOT A GIRL. LET'S GO.
HEY, ROPER,
WHAT ARE YOU GONNA DO ?
739
00:52:51,738 --> 00:52:53,674
[ Car Horn Honks ]
740
00:52:55,742 --> 00:52:57,678
[ Car Horn Honks ]
741
00:52:59,713 --> 00:53:01,615
[ Bus Horn Honks ]
742
00:53:03,383 --> 00:53:06,386
ADDITIONAL UNITS IN THE AREA.
WE NEED ALL ADDITIONAL UNITS
IN THE AREA.
743
00:53:08,822 --> 00:53:11,224
[ Sobbing ]
OH, OH, PLEASE, GOD.
744
00:53:18,832 --> 00:53:21,635
[ Car Horn Honks ]
[ Woman ]
HEY, WATCH IT !
745
00:53:35,415 --> 00:53:37,684
[ Hostage ]
STOP !
746
00:53:46,693 --> 00:53:49,395
- [ Hostage ] PLEASE !
- SUSPECT HEADING WEST
ON SUTTER, PASSING LAGUNA.
747
00:53:49,495 --> 00:53:51,397
CAN WE GET AN INTERCEPT ?
748
00:54:05,378 --> 00:54:08,749
[ Accelerating ]
749
00:54:17,824 --> 00:54:22,362
[ Tires Squealing,
Horn Honks ]
750
00:54:24,765 --> 00:54:29,369
[ Honking Horn ]
751
00:54:30,403 --> 00:54:35,576
[ Honking Horn ]
MOVE ! COME ON NOW !
752
00:54:35,676 --> 00:54:37,878
[ Laughing ]
[ Crying ]
LET ME OUT !
753
00:54:37,978 --> 00:54:40,280
PLEASE !
SHUT UP.
754
00:54:42,382 --> 00:54:44,317
[ Bell Ringing ]
755
00:54:47,087 --> 00:54:50,724
- [ Horn Honking ]
- [ Woman Crying ]
756
00:54:50,824 --> 00:54:53,326
[ Horn Honking ]
[ Woman Screaming ]
757
00:55:01,802 --> 00:55:04,905
[ Horns Honking ]
758
00:55:05,005 --> 00:55:07,508
[ Tires Squealing ]
759
00:55:11,645 --> 00:55:15,616
[ Woman ]
EVERYBODY OKAY ?
[ Man ] JUST STAY THERE, MAN.
760
00:55:19,753 --> 00:55:22,355
[ Bell Ringing ]
[ Grunting ]
761
00:55:32,799 --> 00:55:35,035
- [ Bullet Ricochets ]
- [ Passengers Screaming ]
762
00:55:35,135 --> 00:55:38,839
- WHAT'S GOING ON ?
- [ Fires Gun ]
763
00:55:38,939 --> 00:55:40,874
HEY, MAN,
WHAT'S THIS ?
GET THE FUCK OFF.
764
00:55:40,974 --> 00:55:44,477
[ Passengers Screaming ]
[ Fires Gun ]
765
00:55:45,946 --> 00:55:48,549
EVERYBODY, JUST STAY CALM.
766
00:55:48,649 --> 00:55:51,618
[ Groaning ]
[ Passengers Screaming ]
767
00:55:51,718 --> 00:55:54,354
- JUST TAKE IT EASY.
- WHAT ?
768
00:55:54,454 --> 00:55:57,023
JUST TAKE IT EASY.
PUT THE GUN DOWN.
PUT THE GUN DOWN.
769
00:55:57,123 --> 00:56:02,095
[ Passengers Screaming ]
770
00:56:02,195 --> 00:56:04,364
[ Screaming Continues ]
771
00:56:08,201 --> 00:56:10,737
WHAT THE FUCK IS GOING ON ?
I DON'T KNOW,
BUT I GOTTA GET UP THERE.
772
00:56:10,837 --> 00:56:12,606
[ Screaming ]
773
00:56:19,846 --> 00:56:22,916
[ Continue Screaming ]
774
00:56:33,794 --> 00:56:36,830
[ Horn Honking,
Passengers Screaming ]
775
00:56:39,800 --> 00:56:41,835
[ Screaming ]
776
00:56:46,106 --> 00:56:49,510
[ Passengers Gasping,
Screaming ]
777
00:56:49,610 --> 00:56:52,546
[ Horns Honking ]
778
00:56:53,914 --> 00:56:57,483
[ Car Passenger ]
WHAT'S GOING ON HERE ?
779
00:56:57,584 --> 00:56:59,520
[ Passengers Screaming ]
780
00:57:17,904 --> 00:57:23,710
- SHIT !
- [ Tires Squealing ]
781
00:57:23,810 --> 00:57:26,446
- GET THE FUCK OFF ME !
- HOLD THE WHEEL !
TAKE THE WHEEL !
782
00:57:26,547 --> 00:57:28,181
WHAT ?
GOT IT ? GOT IT ?
783
00:57:31,084 --> 00:57:34,120
- SHUT UP !
- [ Grunts ]
784
00:57:50,036 --> 00:57:52,238
[ Grunting ]
785
00:57:52,338 --> 00:57:57,110
- [ Grunting ]
- [ Passengers Chattering ]
786
00:57:58,278 --> 00:58:00,814
[ Groans ]
787
00:58:05,952 --> 00:58:08,889
[ Gasps ]
788
00:58:08,989 --> 00:58:10,757
GET OUTTA THE WAY.
789
00:58:13,760 --> 00:58:15,762
[ Grunts ]
790
00:58:15,862 --> 00:58:17,964
[ Passengers Screaming ]
791
00:58:23,970 --> 00:58:27,841
[ Fires Gun, Groans ]
792
00:58:30,243 --> 00:58:33,079
[ Groans ]
793
00:58:36,583 --> 00:58:40,921
[ Both Grunting, Groaning ]
794
00:58:45,225 --> 00:58:49,696
[ Passengers Screaming ]
795
00:59:02,809 --> 00:59:05,612
[ Growling ]
796
00:59:17,323 --> 00:59:21,995
[ Groaning ]
797
00:59:30,871 --> 00:59:33,640
[ Brakes Grinding ]
798
00:59:47,387 --> 00:59:50,957
- WHAT'S THE PROBLEM ?
- I CAN'T GET THE BRAKES
TO WORK !
799
01:00:03,937 --> 01:00:05,972
WE'RE COMING TO THE END
OF THE LINE !
800
01:00:07,708 --> 01:00:09,810
OH, SHIT.
GET THE CAR STEADY !
801
01:00:09,910 --> 01:00:11,845
COME ON !
802
01:00:12,412 --> 01:00:15,616
GO ! MOVE AHEAD !
803
01:00:15,716 --> 01:00:17,918
- HARD RIGHT !
- [ Tires Squealing ]
804
01:00:30,764 --> 01:00:34,768
GET OUTTA THE WAY !
GET OUTTA THE WAY !
805
01:00:44,277 --> 01:00:47,781
MOVE !
[ Groans ]
806
01:00:47,881 --> 01:00:51,752
[ Onlookers Chattering ]
OH, MY GOD ! LOOK AT THAT !
WHAT THE HELL IS THAT ?
807
01:00:54,187 --> 01:00:57,924
[ Grunting ]
[ Tires Screech ]
808
01:00:58,024 --> 01:01:00,393
OUTTA THE WAY !
OUTTA THE WAY !
809
01:01:00,493 --> 01:01:04,064
[ Crowd Shouting ]
[ Tires Screeching ]
810
01:01:04,164 --> 01:01:06,232
MOVE !
811
01:01:12,506 --> 01:01:17,944
[ Crowd Murmuring ]
812
01:01:18,044 --> 01:01:20,280
[ Groaning ]
813
01:01:20,380 --> 01:01:23,850
[ Man ]
THAT GUY DOWN THERE--
THERE, THERE ! HE'S RUNNING !
814
01:01:23,950 --> 01:01:25,952
HEY, HE'S GETTING AWAY !
815
01:01:26,052 --> 01:01:29,823
[ Woman ]
SOMEBODY STOP HIM !
GET HIM !
816
01:01:42,435 --> 01:01:45,038
SHIT !
I LOST MY PIECE !
817
01:01:49,175 --> 01:01:51,244
- GOD BLESS SWAT.
- READY ?
818
01:01:58,351 --> 01:02:01,021
YOU TAKE THIS FLOOR.
I'M GOIN' UP.
819
01:03:27,941 --> 01:03:30,944
[ Dog Barking,
Car Alarm Blaring ]
820
01:03:31,044 --> 01:03:35,315
[ Barking, Blaring
Continue ]
821
01:03:35,415 --> 01:03:37,217
[ Barking ]
822
01:03:37,317 --> 01:03:42,956
[ Barking, Blaring
Continue ]
823
01:03:43,056 --> 01:03:45,959
[ Alarm Blaring ]
824
01:03:50,631 --> 01:03:53,166
[ Blaring Continues ]
825
01:03:59,472 --> 01:04:02,408
[ Blaring Continues ]
826
01:04:30,470 --> 01:04:32,539
SHIT !
827
01:04:37,410 --> 01:04:39,546
STOP THERE !
DON'T YOU MOVE !
DON'T YOU FUCKING MOVE !
828
01:04:39,646 --> 01:04:41,548
STAY RIGHT THERE !
RIGHT THERE !
829
01:04:41,648 --> 01:04:44,117
PUT YOUR HANDS UP !
PUT 'EM UP !
830
01:04:44,217 --> 01:04:46,152
SPREAD YOUR FUCKING LEGS.
831
01:04:46,252 --> 01:04:48,655
YOU FUCKING MOVE,
I'LL PUT YOUR FUCKING HEAD
IN THE TRUNK.
832
01:04:53,293 --> 01:04:58,532
SAM BAFFERT WAS A FRIEND
OF MINE. HE HAD A WIFE,
AND HE HAD A DAUGHTER !
833
01:04:58,632 --> 01:05:01,668
WHY DON'T YOU TELL THAT
TO SOMEBODY WHO GIVES A SHIT ?
834
01:05:08,074 --> 01:05:13,146
WANT TO KILL ME, INSPECTOR ?
HUH ?
835
01:05:13,246 --> 01:05:18,919
YOU CAN'T KILL ME.
OH, I CAN'T ?
836
01:05:19,019 --> 01:05:21,588
WHAT IF WE GOT INTO A STRUGGLE,
AND MY GUN WENT OFF ?
837
01:05:24,290 --> 01:05:27,293
COULD I KILL YOU THEN ?
838
01:05:27,393 --> 01:05:29,930
HUH ?
COULD I KILL YOU THEN ?
839
01:05:37,538 --> 01:05:39,472
[ McCall ]
ROPER !
840
01:05:41,174 --> 01:05:44,545
YOU GOT HIM.
841
01:05:44,645 --> 01:05:46,613
PUT THE GUN DOWN.
842
01:05:46,713 --> 01:05:50,150
YOU GOT HIM, MAN.
PUT IT DOWN.
843
01:05:52,185 --> 01:05:54,988
COME ON, MAN,
PUT IT DOWN.
844
01:06:09,469 --> 01:06:11,672
I'M GONNA DO THIS SHIT
BY THE BOOK,
845
01:06:11,772 --> 01:06:14,374
BUT YOU AIN'T GONNA BE
FUCKING SMILING AT ME !
846
01:06:15,475 --> 01:06:20,013
[ Gasps, Coughing ]
847
01:06:20,113 --> 01:06:22,415
[ Gasping,
Coughing Continue ]
[ McCall ] GIVE ME YOUR HANDS.
848
01:06:22,516 --> 01:06:26,219
[ Continues Coughing ]
849
01:06:26,319 --> 01:06:28,254
[ McCall ]
COME UP. GET UP.
850
01:06:28,354 --> 01:06:31,091
GET UP. COME ON.
851
01:06:42,068 --> 01:06:45,271
LISTEN, I'LL CATCH UP
WITH YOU GUYS LATER.
[ Woman ] OKAY. SEE YOU.
852
01:06:45,371 --> 01:06:49,075
[ Man ]
WANT TO GET SOMETHING TO EAT ?
[ Woman ] YEAH.
853
01:06:49,175 --> 01:06:52,078
[ Chattering ]
854
01:06:52,178 --> 01:06:56,116
[ Typing ]
855
01:06:58,484 --> 01:07:03,524
[ Typing Continues ]
856
01:07:06,527 --> 01:07:10,063
YOU WEREN'T
AT THE PRESS CONFERENCE.
857
01:07:10,163 --> 01:07:13,700
[ Sighs ]
I WANTED TO GET THIS
OUT OF THE WAY FIRST.
858
01:07:13,800 --> 01:07:16,603
[ Continues Typing ]
859
01:07:16,703 --> 01:07:19,339
HAVE YOU GOT A BET
ON THE GAME TONIGHT ?
860
01:07:19,439 --> 01:07:22,175
AS A MATTER OF FACT,
I DO HAVE A BET
ON THE GAME TONIGHT.
861
01:07:22,275 --> 01:07:25,646
OF COURSE YOU DO.
THEN YOU KNOW
IT'S ALREADY STARTED.
862
01:07:25,746 --> 01:07:31,317
WELL, I WAS GOING
TO CATCH THE LAST HALF
ON TV LATER ON.
863
01:07:32,218 --> 01:07:34,555
[ Phone Ringing ]
864
01:07:37,123 --> 01:07:39,159
WELL, GOOD NIGHT.
865
01:07:39,259 --> 01:07:43,463
YOU HAVING DINNER
WITH MR. BASEBALL ?
866
01:07:43,564 --> 01:07:46,633
GREG IS ACTUALLY
ON A ROAD TRIP.
867
01:07:46,733 --> 01:07:50,537
I WAS JUST GONNA GO HOME
AND MAKE MYSELF SOME PASTA.
868
01:07:51,572 --> 01:07:55,075
MMM, "GO HOME
AND MAKE SOME PASTA" ?
869
01:07:55,175 --> 01:07:57,544
THE ONE WITH THE GARLIC
AND THE OIL THAT
I LIKE SO MUCH ?
870
01:07:57,644 --> 01:08:02,215
NO, THE KIND
YOU GET OUT OF A BOX.
THE MACARONI AND THE CHEESE.
871
01:08:02,315 --> 01:08:04,284
THE INSTANT> MACARONI ?
872
01:08:04,384 --> 01:08:08,655
MMM. I'VE BEEN CRAVING
THAT STUFF ALL WEEK.
873
01:08:08,755 --> 01:08:10,791
YEAH, IT'S HARD TO GET.
874
01:08:10,891 --> 01:08:13,393
OH, WHO ARE YOU TELLING ?
875
01:08:16,229 --> 01:08:18,164
JUST DINNER.
876
01:08:18,264 --> 01:08:20,066
YEAH, JUST DINNER.
877
01:08:22,936 --> 01:08:26,206
WHAT THE FUCK-- YOU BRING ME
ALL THE WAY OVER HERE TO TELL ME
YOU AIN'T GOT NO COLLATERAL ?
878
01:08:26,306 --> 01:08:29,209
WHO DO I LOOK LIKE
TO YOU ? SANTA CLAUS ?
I'M A FUCKING BAIL BONDSMAN.
879
01:08:29,309 --> 01:08:32,312
I KNOW, I KNOW.
THAT'S NOT WHAT I'M SAYING.
PICK UP THE PHONE.
880
01:08:32,412 --> 01:08:35,749
YOU THINK I GOT TIME TO BE
MESSING AROUND WITH THIS CRAP ?
I GOT THE STUFF ON THE OUTSIDE.
881
01:08:35,849 --> 01:08:37,751
I'M JUST WAITING
FOR SOMEBODY TO CASH IT IN.
882
01:08:37,851 --> 01:08:41,522
IT'S REAL SIMPLE.
GIVE ME A FUCKING BREAK.
[ Knocking On Door ]
883
01:08:41,622 --> 01:08:45,692
LOOK, GIVE ME YOUR CARD.
I'LL GET IT TO YOU
BY TOMORROW NIGHT.
884
01:08:50,330 --> 01:08:52,265
THANKS.
885
01:08:54,868 --> 01:08:59,906
OKAY, NOW THAT'S
THE FRESHLY GROUND PEPPER,
STIRRED BRISKLY.
886
01:09:00,006 --> 01:09:03,243
ARE YOU LISTENING ?
YOU STIR IT BRISKLY.
THEN YOU NEED LEMON.
887
01:09:03,343 --> 01:09:05,478
I NEED LEMON.
THERE SHOULD BE ONE
IN THE FRIDGE.
888
01:09:05,579 --> 01:09:08,248
LEMON IN THE REFRIGERATOR.
889
01:09:08,348 --> 01:09:10,383
YOU KNOW, THE LAST QUARTER
OF THE GAME IS ON.
[ Roper ] OH, REALLY.
890
01:09:10,483 --> 01:09:13,253
WHAT GAME IS THAT ?
891
01:09:13,353 --> 01:09:15,789
OH, WHOA, YOU ARE
MAKING AN EFFORT.
892
01:09:15,889 --> 01:09:18,625
THAT'S RIGHT,
AND I'M GONNA WIN TOO.
I AM GOING TO BE THE VICTOR.
893
01:09:18,725 --> 01:09:20,794
I'M GOING TO SCORE.
894
01:09:20,894 --> 01:09:24,865
METAPHORICALLY SPEAKING,
OF COURSE. I DIDN'T MEAN
LIKE REALLY SCORING.
895
01:09:24,965 --> 01:09:28,201
JUST DINNER, REMEMBER.
I KNOW THE RULES.
JUST DINNER, JUST DINNER.
896
01:09:28,301 --> 01:09:32,506
OKAY, I GOT THIS LEMON IN HERE.
NOW, WHEN YOU TASTE THIS,
897
01:09:32,606 --> 01:09:36,376
I WANT YOU TO KNOW THAT
YOU'RE GOING TO BE EXPERIENCING
CULINARY PERFECTION.
898
01:09:36,476 --> 01:09:39,345
MMM.
NOW JUST CALM DOWN.
I'M GIVING YOU
THE BACKGROUND ON THIS.
899
01:09:39,445 --> 01:09:41,748
THIS IS THE BOMB SALAD DRESSING
THAT I BRING...
900
01:09:41,848 --> 01:09:44,217
TO ALL THE COOKOUTS
WHENEVER MY FAMILY GATHERS.
901
01:09:44,317 --> 01:09:46,787
MM-HMM.
THEY SAY, "SCOTT, BRING IT,
SCOTT." YOU READY ?
902
01:09:46,887 --> 01:09:48,889
TASTE THIS. HUH ?
903
01:09:48,989 --> 01:09:52,759
IS THAT NOT THE BOMB ?
THAT IS THE SHIT RIGHT THERE.
MMM.
904
01:09:52,859 --> 01:09:55,796
HONESTLY,
SOMETHING'S MISSING.
905
01:09:55,896 --> 01:09:59,232
OH, NO, THAT'S NOT MISSING
ANYTHING. YOU'RE JUST JEALOUS
'CAUSE YOU DON'T KNOW HOW TO--
906
01:09:59,332 --> 01:10:03,570
SEE, IN THE U. K., THEY DON'T
TEACH YOU HOW TO MAKE THIS.
SEE ? THIS IS PERFECTION.
907
01:10:04,905 --> 01:10:07,273
YOU KNOW,
IT DOES NEED A LITTLE SUGAR.
908
01:10:08,975 --> 01:10:11,277
WHY DON'T YOU
PUT YOUR FINGER IN THERE
FOR THE PROPER SWEETNESS ?
909
01:10:11,377 --> 01:10:14,848
SCOTT.
THAT'S A JOKE.
THAT'S A COMPLIMENT TO YOU.
910
01:10:14,948 --> 01:10:17,250
I COULD HAVE SAID,
"WHY DON'T YOU PUT YOUR ASS
IN THIS BOWL ?"
911
01:10:17,350 --> 01:10:19,252
THAT'S A JOKE.
IT'S ALL SWEETNESS.
912
01:10:19,352 --> 01:10:21,855
I DON'T SEE HOW YOU'RE OFFENDED
BECAUSE THAT'S A COMPLIMENT.
913
01:10:21,955 --> 01:10:26,627
IF SOMEBODY TOLD ME TO PUT MY
ASS IN A BOWL OF SALAD DRESSING,
I WOULD BE COMPLIMENTED.
914
01:10:26,727 --> 01:10:30,296
[ Chopping ]
915
01:10:34,968 --> 01:10:37,938
WHAT WOULD YOU SAY
IF I GAVE UP GAMBLING ?
916
01:10:40,874 --> 01:10:43,777
I'D SAY
YOU'D BE MISERABLE.
917
01:10:45,846 --> 01:10:50,450
IT'S NOT SO MUCH THE GAMBLING.
IT'S MORE WHAT THE GAMBLING
GOT IN THE WAY OF.
918
01:10:50,551 --> 01:10:54,487
THE TRACK IS WHERE YOU WOULD
TAKE YOUR TROUBLES INSTEAD
OF SHARING THEM WITH ME.
919
01:10:58,992 --> 01:11:02,763
SCOTT, DO YOU REMEMBER
WHEN YOU LOST THAT HOSTAGE
ON UNION SQUARE ?
920
01:11:02,863 --> 01:11:05,732
YES, I DO.
921
01:11:05,832 --> 01:11:07,734
YOU CAME HERE
THAT NIGHT,
922
01:11:07,834 --> 01:11:11,505
AND YOU MADE LOVE TO ME,
AND IT WAS SO INTENSE
AND SO PASSIONATE.
923
01:11:11,605 --> 01:11:13,106
BUT YOU HADN'T
EVEN TALKED TO ME.
924
01:11:13,206 --> 01:11:16,843
I DIDN'T EVEN KNOW WHAT
HAPPENED UNTIL I SAW IT ON
THE NEWS THE NEXT MORNING.
925
01:11:16,943 --> 01:11:19,680
THAT'S BECAUSE
I DON'T WANT YOU TO BE PART
OF THAT WORLD, RONNIE.
926
01:11:19,780 --> 01:11:22,282
YEAH, THAT'S THE POINT.
IT'S NOT "THAT WORLD."
927
01:11:22,382 --> 01:11:24,818
IT'S YOUR WORLD.
928
01:11:24,918 --> 01:11:29,322
IT'S PART
OF WHO YOU ARE.
929
01:11:36,897 --> 01:11:40,601
[ Continues Chopping ]
930
01:11:41,768 --> 01:11:45,539
LOOK, RONNIE,
IT'S NOT EASY FOR ME.
931
01:11:45,639 --> 01:11:48,341
I KNOW I CAN'T CHANGE
OVERNIGHT,
932
01:11:48,441 --> 01:11:51,545
BUT, LISTEN TO ME,
933
01:11:51,645 --> 01:11:54,314
I KNOW THAT I MISS YOU,
934
01:11:54,414 --> 01:11:57,317
AND I DON'T EVER WANT
TO BE WITHOUT YOU AGAIN.
935
01:11:57,417 --> 01:12:00,386
I'D REALLY LIKE
TO BELIEVE YOU.
936
01:12:00,486 --> 01:12:02,823
WELL, THEN BELIEVE ME.
937
01:12:02,923 --> 01:12:05,391
[ Yawns ]
938
01:12:05,491 --> 01:12:09,696
[ Grumbling ]
NOBODY ASKED YOU ANYTHING.
939
01:12:26,647 --> 01:12:28,882
I MISSED YOU.
940
01:13:00,747 --> 01:13:02,816
I'M OFFICER McCALL.
WHAT'S GOING ON ?
941
01:13:02,916 --> 01:13:05,819
[ Man ]
WHAT THE FUCK DO YOU MEAN,
"WHAT'S GOING ON ?"
942
01:13:05,919 --> 01:13:08,454
I'M ABOUT TO FUCKING WASTE
EVERYBODY IN HERE, PAL !
943
01:13:08,555 --> 01:13:10,691
OKAY, I'M A HOSTAGE NEGOTIATOR.
I'M HERE TO HELP YOU.
944
01:13:10,791 --> 01:13:13,126
HOW THE HELL ARE YOU
GONNA HELP ME, PIG ?
945
01:13:13,226 --> 01:13:15,128
SCREW YOU, MAN !
946
01:13:15,228 --> 01:13:17,664
FUCK YOU, DUDE !
947
01:13:17,764 --> 01:13:20,667
WELL, I WANT YOU
TO TELL ME WHAT YOU NEED.
WHAT DO I NEED ?
948
01:13:20,767 --> 01:13:22,669
I TELL YOU
WHAT I FUCKING NEED, MAN !
949
01:13:22,769 --> 01:13:24,705
I NEED YOU TO FUCKIN' FIND
THAT DIRTBAG...
950
01:13:24,805 --> 01:13:27,941
THAT FUCKIN' RAN OFF
WITH MY WIFE, DUDE,
951
01:13:28,041 --> 01:13:30,844
SO I CAN CUT
HIS FUCKIN' BALLS OFF, MAN !
952
01:13:30,944 --> 01:13:32,946
OKAY, I CAN'T DO THAT.
953
01:13:33,046 --> 01:13:34,948
YOU CAN'T FUCKIN' DO IT ?
954
01:13:35,048 --> 01:13:39,485
THEN WHY AM I WASTING
MY FUCKIN' TIME WITH YOU, MAN !
955
01:13:39,586 --> 01:13:43,456
YOU PIECE OF FUCKIN' FROG SHIT,
PIECE OF SHIT ASSHOLE !
956
01:13:43,557 --> 01:13:46,693
HEY, HEY, IS ALL
THE NAME-CALLING NECESSARY ?
I DON'T LIKE THE VERBAL ABUSE.
957
01:13:46,793 --> 01:13:48,995
NO, NOT REALLY, BUT I LIKE
TO THROW ALL THAT IN THERE...
958
01:13:49,095 --> 01:13:52,533
TO KIND OF GIVE IT
THE NATURAL AMBIANCE, YOU KNOW.
959
01:13:54,935 --> 01:13:59,139
I'M OFFICER McCALL.
I'M UNARMED.
960
01:13:59,239 --> 01:14:01,875
I JUST WANNA MAKE SURE EVERYBODY
GETS OUTTA HERE SAFELY.
961
01:14:01,975 --> 01:14:05,078
- STOP RIGHT THERE.
CLOSE YOUR EYES.
- OKAY.
962
01:14:05,178 --> 01:14:07,781
- TELL ME WHAT YOU SEE.
- I SEE A SCUMBAG
BEHIND THE COUNTER...
963
01:14:07,881 --> 01:14:11,051
WITH A SAWED-OFF,
NINE MILLIMETER TUCKED AWAY
IN HIS WAISTBAND.
964
01:14:11,151 --> 01:14:15,021
THERE'S A FEMALE HOSTAGE DOWN
IN FRONT OF THE CEREAL RACK
WITH A RED POLKA-DOT DRESS.
965
01:14:15,121 --> 01:14:18,925
ANOTHER HOSTAGE THREE FEET
TO HER RIGHT WITH BLUE JEANS
AND A CHECKERED SHIRT.
966
01:14:19,025 --> 01:14:23,229
A MALE HOSTAGE DOWN;
GREEN SHIRT, WHITE PANTS,
IN FRONT OF THE CANDY RACK.
967
01:14:23,329 --> 01:14:26,533
THERE'S A FEMALE SCUMBAG
BEHIND ME WITH A GUN TUCKED
AWAY IN HER SHIRT,
968
01:14:26,633 --> 01:14:28,535
TRYING TO PASS HERSELF
OFF AS A HOSTAGE.
969
01:14:28,635 --> 01:14:31,672
AND THERE'S A SPECIAL
ON TOILET PAPER:
FOUR FOR $1.29.
970
01:14:31,772 --> 01:14:34,841
THAT'S A LOT OF TOILET PAPER.
AM I RIGHT ?
971
01:14:34,941 --> 01:14:37,010
THAT'S PRETTY GOOD.
YOU GOT GOOD EYES.
YOU LIKE THAT ?
972
01:14:37,110 --> 01:14:39,045
VERY IMPRESSIVE.
973
01:14:49,255 --> 01:14:51,191
HOW YOU DOING, MIKE ?
YOU DOING ALL RIGHT ?
974
01:14:51,291 --> 01:14:54,027
HOW THE FUCK DO YOU
THINK I'M DOING ?
975
01:14:54,127 --> 01:14:58,131
NOW, I GOT SOMETHING
I WANT YOU TO DO FOR ME.
976
01:14:58,231 --> 01:15:02,836
THIS FUCKER, ROPER--
HE'S GOT A GIRLFRIEND.
977
01:15:02,936 --> 01:15:06,807
SHE WORKS THE NEWSPAPER.
978
01:15:06,907 --> 01:15:11,044
SO, WHAT DO YOU WANT--
WHAT--
979
01:15:13,914 --> 01:15:18,952
OH, MIKE-- NO, MIKE, COME ON.
YOU KNOW THAT'S NOT MY THING.
980
01:15:19,052 --> 01:15:21,622
HEY, DON'T GIVE ME
ANY SHIT, CLARENCE.
I'M IN HERE BECAUSE OF YOU.
981
01:15:21,722 --> 01:15:24,224
MIKE, COME ON, MAN.
YOU KNOW, YOU--
982
01:15:24,324 --> 01:15:27,894
YOU WERE JUST ROBBING THE STORE,
AND HE WAS DOING HIS JOB.
983
01:15:27,994 --> 01:15:29,963
FUCK YOU !
984
01:15:32,298 --> 01:15:35,536
- OH, MIKE--
- I CARRIED YOU YOUR WHOLE LIFE.
985
01:15:35,636 --> 01:15:38,805
HEY, YOU NEEDED MONEY.
YOU NEEDED A PLACE TO STAY.
986
01:15:38,905 --> 01:15:43,009
YOU WERE STRUNG OUT. BAIL.
THIS TIME YOU ARE THERE FOR ME.
987
01:15:43,109 --> 01:15:45,846
- MIKEY, DON'T DO THIS
TO ME, PLEASE.
- YOU DO IT !
988
01:15:45,946 --> 01:15:48,081
- I AIN'T GONNA
GET AWAY WITH IT, MIKE.
- YOU JUST FUCKIN' DO IT !
989
01:15:51,918 --> 01:15:54,688
GUARD !
[ Slams Down Receiver ]
990
01:16:01,828 --> 01:16:03,964
[ Hangs Up Receiver ]
991
01:16:04,064 --> 01:16:07,067
FUCK.
[ Groans ]
[ Door Closes ]
992
01:16:07,167 --> 01:16:11,304
[ Thunder Rumbling ]
993
01:16:25,886 --> 01:16:28,989
[ Thunder Continues ]
[ Dialing ]
994
01:16:29,089 --> 01:16:32,959
[ Phone Ringing ]
995
01:16:34,761 --> 01:16:37,297
[ Ringing Continues ]
996
01:16:37,397 --> 01:16:39,299
HELLO.
997
01:16:39,399 --> 01:16:42,102
HEY, HOW YOU DOING ?
I'M GONNA STOP AT THE CORNER
AND GET SOME WINE.
998
01:16:42,202 --> 01:16:45,271
- I GOT THE BREAD ALREADY.
- DINNER WILL BE READY SOON.
999
01:16:45,371 --> 01:16:47,708
OKAY. GOOD.
I'M STARVING.
1000
01:16:47,808 --> 01:16:49,943
ALL RIGHT.
I'LL SEE YOU LATER.
1001
01:16:58,318 --> 01:17:00,954
[ Men Talking,
Indistinct ]
1002
01:17:12,465 --> 01:17:15,235
[ Sighs ]
1003
01:17:46,299 --> 01:17:48,869
THANKS.
THAT ALL FOR YOU ?
1004
01:19:05,211 --> 01:19:07,147
[ Timer Dings ]
1005
01:19:13,820 --> 01:19:15,756
OW.
1006
01:19:21,027 --> 01:19:23,129
[ Screaming ]
[ Yelling ]
1007
01:19:23,229 --> 01:19:26,533
[ Both Gasping, Grunting ]
1008
01:19:26,633 --> 01:19:30,303
[ Screaming ]
1009
01:19:30,403 --> 01:19:33,073
[ Grunts ]
[ Grunts ]
1010
01:19:33,173 --> 01:19:35,075
[ Gasping ]
1011
01:19:35,175 --> 01:19:37,844
[ Grunting ]
1012
01:19:40,380 --> 01:19:42,382
NO !
1013
01:19:42,482 --> 01:19:45,018
[ Gasping ]
1014
01:19:45,118 --> 01:19:47,420
[ Gasping ]
NO !
1015
01:19:50,957 --> 01:19:52,926
- [ Ronnie Crying ]
- [ Material Ripping ]
1016
01:19:53,026 --> 01:19:57,130
[ Ronnie Gasping ]
1017
01:20:00,066 --> 01:20:02,569
[ Panting ]
HELP ME !
1018
01:20:06,406 --> 01:20:09,275
- HELP ME !
- [ Clarence Shouting ]
1019
01:20:09,375 --> 01:20:14,347
- [ Ronnie Screaming ]
- [ Troy Barking ]
1020
01:20:14,447 --> 01:20:16,449
[ Crying ]
1021
01:20:16,550 --> 01:20:19,352
[ Grunting ]
[ Gasps ]
1022
01:20:22,055 --> 01:20:24,024
[ Whimpering ]
1023
01:20:25,091 --> 01:20:29,362
- RONNIE !
- [ Ronnie Gasping ]
1024
01:20:30,997 --> 01:20:33,133
[ Pounding ]
RONNIE !
1025
01:20:35,068 --> 01:20:38,338
[ Ronnie Gasping ]
1026
01:20:40,306 --> 01:20:45,879
[ Barking ]
[ Ronnie Gasping,
Coughing ]
1027
01:20:50,183 --> 01:20:53,286
YOU OKAY ?
YEAH.
1028
01:21:13,306 --> 01:21:17,210
[ Panting ]
1029
01:21:31,692 --> 01:21:34,127
[ Tires Squealing,
Horns Honking ]
1030
01:21:34,227 --> 01:21:37,030
[ Driver Yells ]
WATCH IT !
[ Honking Continues ]
1031
01:21:42,002 --> 01:21:44,370
[ Women Chattering, Laughing ]
1032
01:22:20,240 --> 01:22:23,209
[ Clarence Shouting ]
1033
01:22:27,480 --> 01:22:30,083
[ Cuts Roper ]
1034
01:22:35,656 --> 01:22:41,461
[ Both Grunting ]
1035
01:23:07,453 --> 01:23:09,656
[ Horn Honking ]
[ Yells ]
1036
01:23:09,756 --> 01:23:12,325
[ Tires Screeching ]
1037
01:23:16,697 --> 01:23:20,433
[ Onlookers Talking,
Indistinct ]
1038
01:23:52,799 --> 01:23:57,170
IF YOU TRY TO HURT ME
OR ANYBODY ELSE I KNOW,
I SWEAR TO GOD...
1039
01:23:57,270 --> 01:23:59,706
I'M GONNA FIND A WAY
TO GET IN HERE, AND I'M GONNA
BUST YOUR FUCKIN' ASS !
1040
01:23:59,806 --> 01:24:01,708
THEN I'M GONNA PUT
MY GUN IN YOUR MOUTH AND
BLOW YOUR FUCKIN' BRAINS OUT.
1041
01:24:01,808 --> 01:24:04,711
YOU UNDERSTAND ?
I DON'T EVEN KNOW
WHAT YOU'RE TALKIN' ABOUT.
1042
01:24:04,811 --> 01:24:06,680
YOU KNOW WHAT THE FUCK
I'M TALKIN' ABOUT.
NO, I'M AFRAID I DO NOT.
1043
01:24:06,780 --> 01:24:08,682
DON'T FUCKIN' PLAY GAMES.
YOU KNOW WHAT THE FUCK I'M--
NO, I DON'T.
1044
01:24:08,782 --> 01:24:11,552
YOU DON'T KNOW WHAT THE FUCK
I'M TALKIN' ABOUT ?
YOU SEE THIS GUY HERE ?
1045
01:24:11,652 --> 01:24:13,554
THAT'S YOUR COUSIN, RIGHT ?
1046
01:24:13,654 --> 01:24:16,523
WELL, THE GUY WITH THE WHITE
GLOVES ON IS THE CORONER.
1047
01:24:16,623 --> 01:24:18,625
THAT'S WHAT THE FUCK
I'M TALKIN' ABOUT !
1048
01:24:18,725 --> 01:24:22,162
I'M TALKIN' ABOUT NOT
PLAYING WITH ME, MOTHERFUCKER !
DON'T FUCK WITH ME, MAN !
1049
01:24:22,262 --> 01:24:24,631
I'M NOT PLAYIN' WITH YOU !
1050
01:24:29,570 --> 01:24:33,239
YOU KNOW, IN NAPLES,
THERE'S AN EXPRESSION:
1051
01:24:33,339 --> 01:24:35,676
WHEN YOU THINK
YOU'RE FUCKIN' THEM,
THEY'RE FUCKIN' YOU.
1052
01:24:35,776 --> 01:24:38,378
WELL, YOU KNOW WHAT ?
YOU AIN'T IN MOTHERFUCKIN'
NAPLES RIGHT NOW !
1053
01:24:38,478 --> 01:24:42,182
FUCK THAT NAPLES SHIT !
DID YOU HEAR WHAT THE FUCK
I JUST TOLD YOU ?
1054
01:24:42,282 --> 01:24:48,154
I DON'T GIVE A FUCK
ABOUT ANYTHING OR ANYBODY.
1055
01:24:48,254 --> 01:24:50,757
NOT NOW.
1056
01:24:50,857 --> 01:24:55,095
LEAST OF ALL A NIGGER COP
INTERFERES WITH WHAT'S MINE.
1057
01:24:55,195 --> 01:24:58,464
AND WHAT IS MINE
IS $10 MILLION WORTH.
1058
01:24:58,565 --> 01:25:01,301
YOU COME IN HERE,
YOU THREATEN ME,
1059
01:25:01,401 --> 01:25:06,372
SHOW ME A PHOTO
OF MY DEAD COUSIN,
MY FAMILY.
1060
01:25:06,472 --> 01:25:08,509
I GOT AT LEAST
TEN YEARS IN HERE...
1061
01:25:08,609 --> 01:25:12,212
TO FIGURE OUT EXACTLY
HOW TO FUCK WITH YOU...
1062
01:25:12,312 --> 01:25:14,748
AND EVERYTHING
YOU CARE ABOUT.
HEY, FUCK YOU !
1063
01:25:14,848 --> 01:25:17,651
YOU SAY YOU DON'T GIVE A FUCK ?
I DON'T GIVE A FUCK NEITHER !
1064
01:25:17,751 --> 01:25:21,187
I DON'T GIVE A FUCK ABOUT YOU !
FUCKER ! TRY ME !
1065
01:25:21,287 --> 01:25:25,659
FUCKIN' TRY ME AND SEE
WHAT THE FUCK-- GET THE FUCK
OFF ME ! YOU TRY ME !
1066
01:25:34,935 --> 01:25:37,503
YOU ENJOY SAN FRANCISCO, HUH ?
OH, I LOVE IT.
1067
01:25:37,604 --> 01:25:40,373
HAVE YOU BEEN
TO THE DE YOUNG MUSEUM ?
1068
01:25:40,473 --> 01:25:42,643
[ Woman ]
CHEERS.
1069
01:25:42,743 --> 01:25:48,248
[ Diners Chatting, Laughing ]
1070
01:25:50,984 --> 01:25:52,919
SORRY.
1071
01:25:54,454 --> 01:25:56,456
THANK YOU.
1072
01:25:58,491 --> 01:26:01,595
THANK YOU SO MUCH.
1073
01:26:01,695 --> 01:26:03,797
[ Sniffs ]
IT HAS AN EXCELLENT NOSE.
1074
01:26:03,897 --> 01:26:06,299
IT'S QUITE VINTAGE,
AND YOU MAY SERVE IT UP.
1075
01:26:06,399 --> 01:26:08,301
THANK YOU.
1076
01:26:08,401 --> 01:26:11,371
THIS EVENING'S SPECIALS,
WE HAVE GRILLED SQUAB...
1077
01:26:11,471 --> 01:26:14,541
WITH A SWEET POTATO,
FOIE GRAS SPRING ROLL...
1078
01:26:14,641 --> 01:26:16,943
WITH A WILD
HUCKLEBERRY SAUCE.
1079
01:26:17,043 --> 01:26:21,682
WE ALSO ARE OFFERING
BRAISED SWEETBREADS
WITH WHITE TRUFFLE SAUCE...
1080
01:26:21,782 --> 01:26:23,917
ON CRACKED
BULGUR.
"CRACKED BULGUR" ?
1081
01:26:24,017 --> 01:26:28,388
MM-HMM.
YOU KNOW, MY MOUTH
HAS BEEN SCREAMING FOR SOME
CRACKED BULGUR ALL WEEK.
1082
01:26:28,488 --> 01:26:30,390
CAN WE HAVE A COUPLE OF MINUTES
TO LOOK AT THE MENU,
1083
01:26:30,490 --> 01:26:32,392
OH, SURE.
TAKE YOUR TIME.
MAYBE SEE SOMETHING ELSE ?
1084
01:26:32,492 --> 01:26:35,662
MAN CAN'T LIVE
ON CRACKED BULGUR ALONE.
[ Laughs ]
[ Laughs ]
1085
01:26:37,998 --> 01:26:40,400
[ Sighs ]
NICE PLACE, HUH ?
1086
01:26:40,500 --> 01:26:43,269
YEAH, I THINK
IT'S REALLY NICE.
A BIT EXPENSIVE THOUGH.
1087
01:26:43,369 --> 01:26:45,806
VERY, VERY, VERY EXPENSIVE.
1088
01:26:45,906 --> 01:26:47,808
IN FACT, IT'S COSTING ME
QUITE A PRETTY PENNY...
1089
01:26:47,908 --> 01:26:49,843
TO WINE AND DINE YOU
IN SUCH FASHION,
1090
01:26:49,943 --> 01:26:53,213
SO I HOPE YOU'RE
APPRECIATIVE OF IT.
MMM, BUT I THINK I'M WORTH IT.
1091
01:26:53,313 --> 01:26:54,981
I THINK YOU'RE WORTH IT TOO.
1092
01:26:55,081 --> 01:26:59,853
IN FACT, THIS IS THE PERFECT
SETTING FOR MY LITTLE PLAN.
1093
01:26:59,953 --> 01:27:01,855
YOU SEE,
I KNOW YOU KNOW...
1094
01:27:03,456 --> 01:27:06,226
THERE'S A VERY IMPORTANT REASON
WHY I WANTED TO HAVE DINNER
WITH YOU TONIGHT.
1095
01:27:06,326 --> 01:27:08,595
I DIDN'T REALIZE THAT
AT ALL, NO.
1096
01:27:08,695 --> 01:27:13,934
VERONICA, THIS LAST WEEK
HAS BEEN INCREDIBLE FOR ME.
YOU KNOW, I--
1097
01:27:14,034 --> 01:27:16,937
I FEEL LIKE OUR RELATIONSHIP
WENT TO THE NEXT PHASE
OR SOMETHING...
1098
01:27:17,037 --> 01:27:20,674
AND KIND OF CRYSTALLIZED
INTO THIS NEW THING AND...
1099
01:27:20,774 --> 01:27:24,344
I'M HOPING THAT
THE FEELING IS MUTUAL.
WELL, OF COURSE IT'S MUTUAL.
1100
01:27:24,444 --> 01:27:26,680
GOOD, BECAUSE, VERONICA,
1101
01:27:26,780 --> 01:27:29,683
THERE COMES A TIME
IN EVERY RELATIONSHIP...
1102
01:27:29,783 --> 01:27:32,452
WHEN THINGS GET MORE SERIOUS.
1103
01:27:32,553 --> 01:27:34,755
YEAH.
THE LAST WEEK...
1104
01:27:34,855 --> 01:27:36,723
I HAVE REHEARSED THIS
SO MANY TIMES.
1105
01:27:36,823 --> 01:27:39,826
I'VE BEEN SITTING
AND TRYING TO FIGURE OUT
THE BEST WAY TO DO THIS,
1106
01:27:39,926 --> 01:27:41,828
AND I SAID THIS IS
THE PERFECT SETTING.
1107
01:27:41,928 --> 01:27:45,365
YOU'VE GOT THE PERFECT DRESS
AND THE PERFECT FACE AND--
1108
01:27:45,465 --> 01:27:48,434
-I THINK I SHOULD JUST SHOW YOU.
-OH, NO, NO. LISTEN--
1109
01:27:48,535 --> 01:27:51,271
WE HAVEN'T EVEN SPOKEN
ABOUT THIS, SCOTTIE.
1110
01:27:51,371 --> 01:27:55,308
THIS IS GOING TO BE
REALLY EMBARRASSING.
COME ON, PLEASE, CAN WE--
1111
01:27:55,408 --> 01:27:57,010
EH ?
1112
01:27:58,512 --> 01:28:03,584
[ Chuckles ]
TAHITI ?
TAHITI, YES.
1113
01:28:03,684 --> 01:28:06,452
VACATION.
YES, A VACATION
TO TAHITI.
1114
01:28:06,553 --> 01:28:10,691
YOU AND I. TWO TRIPS.
ROUND-TRIP TICKETS TO TAHITI.
YES ?
1115
01:28:10,791 --> 01:28:13,627
YEAH,
THAT I WILL DO.
ALL RIGHT.
WHAT DO YOU MEAN, "THAT" ?
1116
01:28:13,727 --> 01:28:16,462
WHAT'D YOU THINK
I WAS GOING TO ASK YOU ?
WELL, COME ON.
1117
01:28:16,563 --> 01:28:19,700
THE WAY YOU WERE TALKING--
OH, WAIT, WAIT.
WHOA, WHOA, WHOA, WHOA.
1118
01:28:19,800 --> 01:28:22,703
LET'S GO TO TAHITI FIRST.
MAKE IT A LITTLE ROAD TEST.
[ Chuckles ]
1119
01:28:22,803 --> 01:28:24,705
SO ARE WE GOING TO TAHITI ?
DID YOU SAY YES ?
1120
01:28:24,805 --> 01:28:27,440
THAT IS A YES.
WE'RE GOING TO--
WE'RE GOING TO TAHITI.
1121
01:28:27,541 --> 01:28:29,976
STOP IT.
WE'RE GOING--
HEY, THEY'RE NOT GONNA BE THERE.
1122
01:28:30,076 --> 01:28:31,978
THEY AIN'T GONNA NEVER SEE US
NO MORE. LET'S TOAST IT.
1123
01:28:32,078 --> 01:28:34,014
TO TAHITI.
TO BEING "NEKKED" IN TAHITI.
1124
01:28:34,114 --> 01:28:37,417
COME ON, SAY IT.
"NEKKED IN TAHITI."
NAKED IN TAHITI.
1125
01:28:37,518 --> 01:28:39,986
NOT "NAKED IN TAHITI."
THAT'S HOW I SAY IT.
1126
01:28:40,086 --> 01:28:42,422
"NEKKED."
"NEKKED."
1127
01:28:42,523 --> 01:28:44,958
THERE YOU GO.
SAY, "NEKKED IN TAHITI."
1128
01:28:46,760 --> 01:28:48,695
HOLD IT.
LET ME PICTURE YOU NEKKED.
[ Laughs ]
1129
01:28:48,795 --> 01:28:51,965
OH, LOOK AT THE SUN
BOUNCING OFF YOUR ASS.
1130
01:28:52,065 --> 01:28:55,869
[ Laughing ]
I'M SORRY.
[ Laughing ]
1131
01:28:55,969 --> 01:28:58,939
IF IT'S NOT HERE BY 5:00,
IT'S NOT MY PROBLEM.
1132
01:28:59,039 --> 01:29:02,576
DON'T TALK TO ME ABOUT MITCH.
I'M RUNNING THIS SHIFT,
NOT MITCH.
1133
01:29:02,676 --> 01:29:04,611
I DON'T CARE.
GOT ANOTHER LOAD.
1134
01:29:04,711 --> 01:29:06,647
YEAH, RACK 'EM.
1135
01:29:08,348 --> 01:29:11,985
[ Door Buzzes Open ]YEAH, WELL YOU GOT THE MEMOFROM CITY HALL TOO, RIGHT ?
1136
01:29:12,085 --> 01:29:16,890
I'VE GOT 'EM RIGHT HERE.
NO, THEY WENT DOWN AT 9:30
TO SAN BRUNO.
1137
01:29:16,990 --> 01:29:21,027
YEAH, THEY'VE GOT THE OLD FORMS.
THE NEW FORMS HAVE THE WRONG
DATE OR SOMETHING.
1138
01:29:21,127 --> 01:29:22,996
'91 OR '92,
I DON'T KNOW.
1139
01:29:23,096 --> 01:29:27,634
YEAH.
YEAH, WELL, DON'T GIVE ME
ANY GRIEF ABOUT IT.
1140
01:29:27,734 --> 01:29:31,071
NO, FRANK TOLD ME.
[ Pushes Button ]
1141
01:29:31,171 --> 01:29:34,841
LOOK, I CAN'T SPEND
ANY MORE TIME ON THIS.
OKAY ?
1142
01:29:34,941 --> 01:29:38,111
[ Korda ]
THAT'S IT.
ALL DONE.
1143
01:29:38,211 --> 01:29:40,614
[ Buzzes Door Open ]
YEAH.
1144
01:29:40,714 --> 01:29:43,784
[ Guard ] WELL, NO.
WELL, YOU CAN TELL THAT
TO MITCH TOO.
1145
01:29:43,884 --> 01:29:46,687
OKAY ? DON'T CALL ME
ON THIS ANYMORE.
1146
01:29:46,787 --> 01:29:50,657
YEAH, WELL, DON'T GIVE ME
ANY GRIEF ABOUT IT.
1147
01:29:52,659 --> 01:29:56,029
HEY, DON'T YOU GUYS
KEEP NOTES DOWN THERE ?
1148
01:30:36,269 --> 01:30:38,672
[ Roper ] HOW COME, IN THOSE
FOREIGN MOVIES, THE YOUNG GIRL
ALWAYS FALLS IN LOVE...
1149
01:30:38,772 --> 01:30:43,944
WITH THE OLD, FAT GUY ?
I GUESS WOMEN IN EUROPE
FIND OLDER MEN SEXY.
1150
01:30:44,044 --> 01:30:49,650
SHIT. WHEN I GET OLD AND FAT,
I'M DEFINITELY MOVING TO EUROPE.
1151
01:30:49,750 --> 01:30:51,918
THAT GUY
WAS 60 YEARS OLD.
SHIT.
1152
01:30:52,018 --> 01:30:55,622
I FORGOT TO FEED TROY.
I BET HE'S STARVING.
1153
01:30:55,722 --> 01:30:58,058
TROY, WHERE ARE YOU, BABY ?
I'M SORRY.
1154
01:30:58,158 --> 01:31:01,728
TROY ?
1155
01:31:01,828 --> 01:31:04,831
TROY, WHERE ARE YOU HIDING ?
1156
01:31:07,233 --> 01:31:12,639
TROY ?
MY EYES ARE STILL HURTING
FROM READING THAT MOVIE.
1157
01:31:12,739 --> 01:31:17,043
TROY, I'VE GOT FOOD FOR YOU.
1158
01:31:17,143 --> 01:31:20,914
TROY ?
[ Opens Door ]
1159
01:31:25,218 --> 01:31:28,154
[ Closes Door ]
WHERE ARE YOU ?
1160
01:31:39,933 --> 01:31:42,235
SCOTT,
HAVE YOU SEEN--
[ Barking ]
1161
01:31:42,335 --> 01:31:46,740
HEY, BABY, THERE YOU ARE.
YES.
1162
01:31:46,840 --> 01:31:50,076
HEY, HAVE YOU BEEN EATING
MY FACE SOAP AGAIN ?
YOU HAVE, HAVEN'T YOU ?
1163
01:31:52,713 --> 01:31:55,916
- SCOTT, WHAT IS IT ?
- KORDA ESCAPED.
1164
01:31:56,016 --> 01:32:00,253
KORDA'S ESCAPED ?
THIS MORNING.
1165
01:32:00,353 --> 01:32:02,889
YOU DON'T THINK HE'D TRY AND--
1166
01:32:02,989 --> 01:32:06,192
I-I'M JUST A LITTLE ON EDGE.
I NEED TO RELAX.
1167
01:32:06,292 --> 01:32:08,929
I'M SURE HE'S GONNA TRY TO GET
OUT OF TOWN, AND WE'RE LEAVING
TOMORROW ANYWAY, YOU KNOW ?
1168
01:32:09,029 --> 01:32:11,798
I'M SORRY ABOUT THAT.
I JUST OVERREACTED. OKAY ?
1169
01:32:11,898 --> 01:32:14,668
OKAY ?
1170
01:32:14,768 --> 01:32:16,670
[ Troy Barks ]
1171
01:32:16,770 --> 01:32:20,306
WHY DON'T WE FEED THE DOG
BEFORE WE HAVE CUJO
ON OUR HANDS, HUH ?
1172
01:32:20,406 --> 01:32:25,145
[ Cable Car Bell Ringing,
Horn Honks ]
1173
01:32:25,245 --> 01:32:27,681
[ Barking ]
1174
01:32:28,348 --> 01:32:32,919
YOU PACKED EVERYTHING ?
YOU SURE YOU DIDN'T FORGET YOUR
BOWLING BALL OR-- YOU KNOW ?
1175
01:32:33,019 --> 01:32:35,321
I SENT THAT AHEAD,
YOU WISE GUY.
1176
01:32:35,421 --> 01:32:38,892
YOU'RE BRINGING A LOT OF CLOTHES
TO A PLACE WHERE YOU'RE
NOT SUPPOSED TO WEAR CLOTHES.
1177
01:32:38,992 --> 01:32:41,795
DON'T YOU THINK IT'D BE BETTER
IF YOU STAYED IN THE HOUSE 'TIL
YOU'RE READY TO GET OUTTA HERE ?
1178
01:32:41,895 --> 01:32:43,930
[ Ronnie ]
NO, I'M GONNA STAY HERE
AND HELP YOU GUYS.
1179
01:32:44,030 --> 01:32:45,932
NO, I'M NOT PLAYING.
I THINK YOU SHOULD GO
IN THE HOUSE, YOU KNOW ?
1180
01:32:46,032 --> 01:32:49,836
HOLD UP A SECOND.
WE ARE GOING TO TAHITI.
1181
01:32:49,936 --> 01:32:53,173
WE'RE GONNA HAVE A GREAT TIME.
YOU ARE GONNA FORGET EVERYTHING.
1182
01:32:53,273 --> 01:32:56,042
EVERYTHING.
SO JUST CALM DOWN.
1183
01:32:56,142 --> 01:32:58,779
I'M CALM.
DON'T I LOOK--
LOOK AT ME.
1184
01:32:59,846 --> 01:33:01,782
SEE ?
[ Laughing ]
1185
01:33:01,882 --> 01:33:03,950
I JUST THINK IT'D BE BETTER
IF YOU WENT IN THE HOUSE,
ALL RIGHT ?
1186
01:33:04,050 --> 01:33:07,721
I'LL GET MY CAMERAS,
THEN I'LL BE STRAIGHT BACK.
TAKE YOUR TIME, ALL RIGHT ?
1187
01:33:07,821 --> 01:33:09,690
MAN.
[ Troy Barking ]
1188
01:33:09,790 --> 01:33:11,725
YOU'VE GOTTA RELAX.
HEY, I'M RELAXED.
1189
01:33:11,825 --> 01:33:14,895
YOU GOTTA CALM DOWN.
HEY, MAN, I DON'T WANT
NOTHING ELSE TO GO WRONG.
1190
01:33:14,995 --> 01:33:19,332
RONNIE, COME ON NOW.
1191
01:33:19,432 --> 01:33:25,171
VERONICA ? COME ON !
WE GOTTA BE THERE AN HOUR
AND A HALF EARLY TO CHECK IN.
1192
01:33:25,271 --> 01:33:27,808
WHAT ARE YOU DOING ?
1193
01:33:27,908 --> 01:33:31,077
COME ON, RONNIE. HEY.
1194
01:33:32,846 --> 01:33:37,083
RONNIE, HOW LONG IT TAKE TO GET
SOME CAMERA EQUIPMENT, HUH ?
1195
01:33:44,190 --> 01:33:48,762
RONNIE ? VERONICA ?
1196
01:33:48,862 --> 01:33:50,797
[ Barking ]
1197
01:33:50,897 --> 01:33:53,800
[ Growls, Barking ]
WHAT'S THAT, TROY ?
IS SHE OUT THERE ?
1198
01:33:53,900 --> 01:33:56,803
IS SHE ? WATCH IT.
1199
01:33:56,903 --> 01:33:59,272
HEY, VERONICA ?
1200
01:34:13,486 --> 01:34:17,157
ROPER, WHAT'S UP ?
WHAT IS IT ?
1201
01:34:29,836 --> 01:34:32,005
[ Korda's Voice ]
YOU MISSING SOMETHING, ROPER ?
1202
01:34:32,105 --> 01:34:34,440
I GOT IT.
1203
01:34:34,541 --> 01:34:39,245
NOW YOU GOT SOMETHING
THAT BELONGS TO ME,
AND I WANT IT BACK.
1204
01:34:39,345 --> 01:34:44,350
4:15 TOMORROW.
MARE ISLAND, NORTH ENTRANCE,
OFF DIXON.
1205
01:34:44,450 --> 01:34:46,953
YOU PULL UP TO BERTH 16.
1206
01:34:47,053 --> 01:34:51,024
I SO MUCH AS SMELL ANOTHER COP,
I'LL BE SENDING YOU PIECES
OF HER FOR A MONTH.
1207
01:34:51,124 --> 01:34:53,026
[ Turns Off Tape Player ]
1208
01:34:55,295 --> 01:34:58,198
HE'S GONNA KILL HER
NO MATTER WHAT.
1209
01:34:58,298 --> 01:35:00,433
IF I TAKE HIM THOSE JEWELS,
HE'S GONNA KILL ME AND HER.
1210
01:35:00,534 --> 01:35:02,435
[ McCall ]
SO WHAT DO YOU WANT TO DO ?
1211
01:35:02,536 --> 01:35:05,238
SCOTT, WE GO BACK
A LONG WAYS, BUT YOU
CAN'T EXPECT ME TO DO THIS.
1212
01:35:05,338 --> 01:35:09,042
THIS GUY IS A PSYCHOPATH, AND HE
HAS RONNIE. IT'S THE ONLY WAY
I'M GONNA GET CLOSE TO HIM.
1213
01:35:09,142 --> 01:35:11,244
THEN GO TO THE LIEUTENANT
OR THE D. A. WITH IT
FOR CHRISSAKES !
1214
01:35:11,344 --> 01:35:13,914
THIS IS MY FUCKING JOB
YOU'RE ASKING ME
TO LAY ON THE LINE.
1215
01:35:14,014 --> 01:35:16,850
THEY'RE NOT GONNA APPROVE IT,
AND YOU KNOW THAT. IF I GET THE
DEPARTMENT INVOLVED, SHE'S DEAD.
1216
01:35:16,950 --> 01:35:19,720
THIS GUY'S A FUCKING MANIAC.
HE KILLED SAM,
AND HE'LL KILL HER.
1217
01:35:19,820 --> 01:35:22,856
I GOT ONE SHOT AT THIS GUY,
FRANK. ALONE.
1218
01:35:22,956 --> 01:35:26,259
NOW WHAT IF IT WAS MARY ?
YOU'D DO THE SAME THING. YOU'D
BREAK EVERY RULE IN THE BOOK.
1219
01:35:26,359 --> 01:35:28,895
WOULDN'T YOU ?
1220
01:35:30,230 --> 01:35:32,833
I JUST HOPE TO GOD
I NEVER HAVE TO MAKE
THAT DECISION.
1221
01:35:39,072 --> 01:35:42,142
THIS CONVERSATION
NEVER HAPPENED.
1222
01:35:42,242 --> 01:35:45,178
I NEVER
SAW YOU TODAY.
1223
01:35:47,013 --> 01:35:49,750
NOW I GOTTA GO TAKE A LEAK.
1224
01:35:49,850 --> 01:35:53,754
[ Opens Drawer,
Keys Jingle ]
1225
01:36:07,233 --> 01:36:09,302
[ McCall ]
THIS PLACE IS
AN ABANDONED SHIPYARD.
1226
01:36:09,402 --> 01:36:11,972
HE'S GONNA BE ABLE
TO GET A GOOD VANTAGE POINT
FROM ANYWHERE.
1227
01:36:12,072 --> 01:36:14,240
THERE'S CRANES,
ABANDONED BUILDINGS,
EVERYTHING.
1228
01:36:14,340 --> 01:36:17,077
HE'S GONNA BE ABLE
TO SEE EVERYTHING WE DO.
1229
01:36:17,177 --> 01:36:19,846
YOU'RE GONNA HAVE
TO FIGURE OUT A WAY
TO SNEAK ME IN HERE.
1230
01:36:57,250 --> 01:36:59,352
[ Roper ]
KORDA !
1231
01:37:03,223 --> 01:37:05,491
KORDA !
1232
01:37:05,592 --> 01:37:07,594
[ Korda Over Walkie-Talkie ]
ROPER !
1233
01:37:07,694 --> 01:37:10,263
NICE OF YOU
TO MAKE IT.
1234
01:37:10,363 --> 01:37:12,265
NOW TAKE THE JACKET OFF
AND PUT IT ON THE HOOD.
1235
01:37:17,170 --> 01:37:19,940
GOOD.
LET'S HAVE A LOOK
AT THAT TARP.
1236
01:37:20,040 --> 01:37:23,443
UNDER THE TARP
IN THE BACK.
1237
01:37:23,544 --> 01:37:26,479
PULL IT BACK.
PULL IT BACK !
1238
01:37:30,617 --> 01:37:34,187
OVER THERE TO YOUR RIGHT.
YOU SEE THAT CONCRETE BLOCK ?
1239
01:37:34,287 --> 01:37:37,591
THERE'S A RADIO ON IT.
WALK TO IT.
1240
01:37:37,691 --> 01:37:39,593
THAT'S IT.
COME ON.
1241
01:37:39,693 --> 01:37:43,063
COME ON !
COME ON.
1242
01:37:53,273 --> 01:37:57,544
AH. BEFORE YOU TOUCH IT,
YOU THROW AWAY YOUR PIECE.
1243
01:38:03,216 --> 01:38:06,186
[ Gun Clatters ]
GOOD.
YOUR BACKUP TOO.
1244
01:38:06,286 --> 01:38:08,622
DO IT !
1245
01:38:16,062 --> 01:38:18,464
[ Gun Clatters ]
PICK UP THE BAG.
BRING IT TO ME.
1246
01:38:20,967 --> 01:38:24,104
YOU WALK PAST THOSE CRANES
ON YOUR RIGHT.
1247
01:38:24,204 --> 01:38:26,172
YOU GET TO THE END,
YOU MAKE A LEFT.
1248
01:38:26,272 --> 01:38:29,442
AT THE END OF THAT BUILDING,
YOU GO TO YOUR RIGHT.
1249
01:38:29,543 --> 01:38:32,646
WALK TO BUILDING 36.
1250
01:38:46,593 --> 01:38:48,529
[ Grunts ]
1251
01:39:53,560 --> 01:39:56,663
[ Korda Over Walkie-Talkie ]
THAT'S IT. KEEP COMING.
1252
01:39:56,763 --> 01:39:58,699
THAT'S GOOD.
RIGHT THERE.
1253
01:40:00,500 --> 01:40:03,336
COME ON IN.
1254
01:40:03,436 --> 01:40:05,471
SOMEBODY'S DYING
TO SAY HELLO.
1255
01:40:11,311 --> 01:40:13,246
[ Softly ]
SHIT.
1256
01:40:28,662 --> 01:40:30,631
SCOTT !
1257
01:40:32,398 --> 01:40:36,036
- [ Whimpering ]
- SHIT.
- HEY.
1258
01:40:37,804 --> 01:40:40,741
[ Whimpers ]
1259
01:40:43,744 --> 01:40:46,246
OVER TO THE TABLE.
1260
01:40:59,425 --> 01:41:03,129
- OPEN YOUR SHIRT.
- I'M NOT WEARIN' A WIRE.
THIS IS BETWEEN ME AND YOU.
1261
01:41:03,229 --> 01:41:05,231
FUCK YOU.
OPEN THE SHIRT.
1262
01:41:10,671 --> 01:41:12,606
OKAY ?
1263
01:41:12,706 --> 01:41:15,308
[ Continues Patting ]
1264
01:41:15,408 --> 01:41:17,310
[ Softly ]
WHERE ARE YOU, McCALL ?
1265
01:41:17,410 --> 01:41:20,346
[ Softly ]
RIGHT HERE, ROPER.
1266
01:41:20,446 --> 01:41:23,617
[ Scope Whirring ]
1267
01:41:23,717 --> 01:41:27,554
- YOU SATISFIED ?
- OPEN THE BAG,
DUMP IT ON THE TABLE.
1268
01:41:37,798 --> 01:41:39,533
[ Whimpers ]
1269
01:41:44,805 --> 01:41:47,608
- PICK SOMETHING UP.
- WHAT ?
1270
01:41:47,708 --> 01:41:50,511
NOPE.
CLOSER TO THE FRONT
OF THE PILE. THERE.
1271
01:41:50,611 --> 01:41:52,879
LET'S GO.
1272
01:41:52,979 --> 01:41:55,281
STAY PUT.
1273
01:42:11,698 --> 01:42:14,167
[ Whimpering ]
1274
01:42:15,335 --> 01:42:17,904
THAT'S IMPRESSIVE.
1275
01:42:18,004 --> 01:42:21,642
- WHAT THE FUCK DID YOU HAVE
TO DO, STEAL 'EM ?
- YEAH, I STOLE IT.
1276
01:42:21,742 --> 01:42:23,777
THAT AIN'T GONNA LOOK TOO GOOD
ON THE OL' SERVICE RECORD.
1277
01:42:23,877 --> 01:42:27,347
YOU LET ME WORRY ABOUT THAT.
LET'S JUST GET THIS SHIT
OVER WITH, ALL RIGHT ?
1278
01:42:27,447 --> 01:42:30,150
A MAN AFTER MY OWN HEART.
1279
01:42:30,250 --> 01:42:33,286
HERE YOU GO.
FILL IT UP.
1280
01:42:44,931 --> 01:42:48,669
[ Softly ]
COME ON, MAN, BRING HIM OUT.
MOVE HIM OUT.
1281
01:42:50,937 --> 01:42:53,306
STEP UP.
1282
01:42:57,578 --> 01:43:01,181
THAT'S FAR ENOUGH.
RIGHT THERE. BAG ON THE FLOOR.
1283
01:43:01,281 --> 01:43:03,216
I'M NOT PUTTING THE BAG
ON THE FLOOR.
1284
01:43:03,316 --> 01:43:05,385
I TOOK CARE
OF MY PART OF THIS SHIT.
NOW YOU LET MY GIRL GO.
1285
01:43:05,485 --> 01:43:07,921
SCOTT, JUST DO WHAT HE SAYS !
PLEASE, JUST DO IT !
1286
01:43:08,021 --> 01:43:10,490
HEY, RONNIE, RELAX.
I'M GONNA GET US
OUT OF HERE.
1287
01:43:10,591 --> 01:43:14,394
- THAT I GOTTA SEE.
- JUST A LITTLE MORE.
1288
01:43:16,830 --> 01:43:19,933
-[ Pushes Button ]
-[ Crying ] NO ! NO ! SCOTT !
1289
01:43:21,835 --> 01:43:25,205
HEY !
[ Stops Machine ]
1290
01:43:25,305 --> 01:43:26,940
BACK OFF.
1291
01:43:28,809 --> 01:43:31,277
DON'T MOVE.
1292
01:43:34,548 --> 01:43:36,617
SHIT. DAMN IT.
1293
01:43:36,717 --> 01:43:40,253
[ Korda ]
I REWIRED THIS SWITCH.
SO YOU KEEP YOUR FINGER...
1294
01:43:40,353 --> 01:43:42,255
ON THE RED BUTTON.
1295
01:43:42,355 --> 01:43:44,490
OTHERWISE,
IT GETS KIND OF MESSY.
1296
01:43:44,591 --> 01:43:47,393
[ Whimpering ]
SUCH A NICE NECK TOO.
1297
01:43:47,493 --> 01:43:49,996
- SHIT.
- NOW WALK TO ME.
1298
01:43:52,833 --> 01:43:55,301
THAT'S IT.
RIGHT THERE.
1299
01:43:55,401 --> 01:43:58,639
RIGHT THERE.
PUT THE BAG DOWN.
1300
01:43:58,739 --> 01:44:03,710
NOW, REAL NICE,
YOU KICK OVER
WHAT'S MINE.
1301
01:44:05,979 --> 01:44:09,449
- [ Machine Starts ]
- OH, NO ! PLEASE, SCOTT !
1302
01:44:09,550 --> 01:44:12,553
[ Machine Stops ]
[ Crying ]
1303
01:44:12,653 --> 01:44:15,822
REMEMBER WHAT I SAID ?
REMEMBER THAT ?
1304
01:44:15,922 --> 01:44:21,728
WHEN YOU THINK
YOU'RE FUCKIN' THEM,
THEY'RE FUCKIN' YOU.
1305
01:44:21,828 --> 01:44:23,730
YOU JUST GOT FUCKED.
1306
01:44:28,001 --> 01:44:30,604
GOTTA GO.
GOT A PLANE TO CATCH.
1307
01:44:30,704 --> 01:44:33,607
OH, SHIT, LOOK AT THIS.
1308
01:44:33,707 --> 01:44:37,944
GOT MY CAR HERE,
AND THAT'S THE ONLY EXIT,
THE ONLY WAY OUT.
1309
01:44:38,044 --> 01:44:40,947
YOU'RE STANDING RIGHT
IN FRONT OF IT.
1310
01:44:41,047 --> 01:44:43,249
NOW, YOU CAN MOVE, BUT--
1311
01:44:47,120 --> 01:44:53,059
♪ [ Whistling ]
1312
01:44:53,159 --> 01:44:57,397
SCOTT,
WHAT'S HE DOING ?
♪ [ Whistling Continues ]
1313
01:44:58,464 --> 01:45:00,634
DAMN.
1314
01:45:03,704 --> 01:45:05,639
[ Car Engine Starts ]
1315
01:45:14,515 --> 01:45:16,750
SCOTT, MOVE.
1316
01:45:18,819 --> 01:45:24,658
- [ Tires Squealing ]
- GET OUT OF THE WAY !
DO IT NOW, SCOTT !
1317
01:45:26,860 --> 01:45:30,063
- McCALL, STOP THE--
- WHAT CAR ?
1318
01:45:34,568 --> 01:45:37,437
PLEASE MOVE !
TAKE A SHOT !
1319
01:45:45,946 --> 01:45:47,914
- [ Fires Gun ]
- [ Groans ]
1320
01:45:49,449 --> 01:45:51,417
[ Groans ]
1321
01:45:57,524 --> 01:46:00,393
[ Groans ]
[ Ronnie Crying ]
1322
01:46:05,766 --> 01:46:08,769
COME ON, SCOTT ! PLEASE !
[ Crying ]
1323
01:46:13,473 --> 01:46:15,876
[ Coughing ]
1324
01:46:16,877 --> 01:46:20,647
COME ON !
PLEASE, HELP ME !
1325
01:46:22,783 --> 01:46:27,721
[ Crying ]
1326
01:46:32,458 --> 01:46:35,428
[ Gears Groaning ]
COME ON, SCOTT !
1327
01:46:35,529 --> 01:46:37,163
SCOTT !
1328
01:46:38,498 --> 01:46:40,767
[ Pounding Metal ]
1329
01:46:55,181 --> 01:46:57,518
[ Cocks Pistol ]
1330
01:47:00,486 --> 01:47:05,859
[ Pounding Metal ]
[ Ronnie Gasping ]
1331
01:47:10,531 --> 01:47:12,933
- [ Firing Gun ]
- [ Bullets Ricochet ]
1332
01:47:22,676 --> 01:47:25,712
[ Exchanging Gunfire ]
1333
01:47:25,812 --> 01:47:28,649
[ Groaning ]
1334
01:47:28,749 --> 01:47:30,651
STAY IN HERE.
NO ! WH--
1335
01:47:30,751 --> 01:47:33,053
STAY INSIDE, RONNIE !
STAY HERE !
1336
01:47:40,994 --> 01:47:43,897
- McCALL !
- HE WENT AROUND THAT WAY.
1337
01:47:43,997 --> 01:47:47,033
FUCK, MAN !
HOW BAD YOU HIT ?
HE WENT DOWN THAT WAY.
1338
01:47:47,133 --> 01:47:49,202
YOU ALL RIGHT ?
I'M OKAY.
1339
01:47:50,170 --> 01:47:52,105
GET HIM !
1340
01:48:13,894 --> 01:48:17,764
[ Turns Ignition,
Engine Sputtering, Starts ]
1341
01:48:23,269 --> 01:48:25,606
[ Gun Misfiring ]
1342
01:48:28,241 --> 01:48:30,777
[ Grunts ]
1343
01:48:34,080 --> 01:48:36,550
[ Grunting ]
1344
01:48:38,785 --> 01:48:41,955
[ Roper Yelling ]
1345
01:49:32,172 --> 01:49:35,108
- [ Grunts ]
- HEY !
1346
01:49:45,018 --> 01:49:49,956
MOTHERFUCKER !
GET THE FUCK OPEN !
1347
01:50:52,318 --> 01:50:55,989
♪ [ Island ]
1348
01:50:56,089 --> 01:50:59,325
♪
OH, REALLY ?
[ Laughing ]
NICE, HUH ?
1349
01:50:59,425 --> 01:51:01,327
I'LL SHOW YOU.
1350
01:51:01,427 --> 01:51:05,131
♪ [ Music, Chattering
Continue ]
1351
01:51:09,035 --> 01:51:13,974
I'VE NEVER SEEN
A SKY SO BLUE
AND SEA SO CLEAR.
1352
01:51:14,074 --> 01:51:18,344
THIS PLACE IS AMAZING.
1353
01:51:18,444 --> 01:51:23,183
YEP, I COULD REALLY GET USED
TO THIS PARADISE SHIT.
1354
01:51:23,283 --> 01:51:27,387
OH, EXCUSE ME, MISS.
CAN YOU GET ME
ANOTHER PINA COLADA,
1355
01:51:27,487 --> 01:51:30,190
AND THIS TIME CAN YOU
SHAVE THE ICE FOR ME ?
1356
01:51:30,290 --> 01:51:32,926
- OUI, MONSIEUR.> RIGHT AWAY.
- "OUI, MONSIEUR.> RIGHT AWAY."
1357
01:51:33,026 --> 01:51:34,961
THAT'S VERY NICE
TO HEAR.
1358
01:51:35,061 --> 01:51:37,330
MADEMOISELLE.
OUI, MERCI.
1359
01:51:37,430 --> 01:51:40,466
"MADEMOISELLE."
"OUI, MERCI."
[ Women Giggling ]
1360
01:51:40,567 --> 01:51:43,203
AU REVOIR.
AU REVOIR.
1361
01:51:43,303 --> 01:51:46,072
THAT'S SOME SMOOTH SHIT,
FRENCH.
1362
01:51:47,774 --> 01:51:50,110
SCOTT...
1363
01:51:50,210 --> 01:51:54,114
THERE'S SOMETHING REALLY SPECIAL
I WANT TO TALK TO YOU ABOUT.
1364
01:51:54,214 --> 01:51:56,850
WHAT'S THAT ?
1365
01:51:56,950 --> 01:52:01,387
I THINK IT'S TIME
FOR THIS RELATIONSHIP TO GO
TO ANOTHER, DEEPER LEVEL.
1366
01:52:04,558 --> 01:52:06,492
A DEEPER LEVEL ?
1367
01:52:06,593 --> 01:52:08,795
I THINK THIS IS IT.
1368
01:52:08,895 --> 01:52:12,198
HERE AND NOW,
WE SHOULD STRIP DOWN...
1369
01:52:12,298 --> 01:52:14,200
AND GET "NEKKED" IN TAHITI.
1370
01:52:14,300 --> 01:52:16,202
[ Laughing ]
1371
01:52:16,870 --> 01:52:19,906
OH, YOU TALKING ABOUT
GETTING NAKED IN TAHITI.
1372
01:52:20,006 --> 01:52:22,909
I THOUGHT YOU WAS TALKING
ABOUT THE "M" WORD JUST NOW
WHEN YOU WAS--
1373
01:52:23,009 --> 01:52:26,412
THE "M" WORD ? WHAT DID YOU
THINK I WAS TALKING ABOUT ?
YOU KNOW.
1374
01:52:26,513 --> 01:52:29,149
[ Laughing ]
WHAT, MARRIAGE ?
1375
01:52:29,249 --> 01:52:33,253
WHY ARE YOU LAUGHING ?
THE WAY YOU SAID ALL THAT
WE NEED TO GO TO A DEEPER LEVEL.
1376
01:52:33,353 --> 01:52:36,089
BUT YOU DID SAY
THAT YOU WOULD GET NAKED
ON THE BEACH IN TAHITI.
1377
01:52:36,189 --> 01:52:38,058
NO, I DIDN'T SAY,
"NAKED ON THE BEACH IN TAHITI."
1378
01:52:38,158 --> 01:52:40,827
I SAID, "LET'S GET NAKED
IN TAHITI." THE HOTEL ROOM
IS IN TAHITI TOO.
1379
01:52:40,927 --> 01:52:43,029
- I'M NOT GONNA GET NAKED
ON THE BEACH.
- YOU'RE A PRUDE.
1380
01:52:43,129 --> 01:52:45,198
I'M NOT A PRUDE.
I'M JUST NOT--
THESE ARE STRANGERS.
1381
01:52:45,298 --> 01:52:47,868
- PRUDE.
- I'M NOT GETTING NAKED
ON NO BEACH.
1382
01:52:47,968 --> 01:52:51,204
WE COULD GO TO THE ROOM,
I'LL TAKE OFF MY CLOTHES
AND RUN AROUND NAKED FOR YOU.
1383
01:52:51,304 --> 01:52:55,542
INCIDENTALLY, THAT THONG IN
THE SUITCASE, THAT'S NOT GETTING
WORN ON THE BEACH. SORRY.
1384
01:52:55,642 --> 01:52:59,312
YEAH, I'M VERY DISAPPOINTED.
YOU DIDN'T EVEN TRY IT ON,
AND I BOUGHT IT FOR YOU.
1385
01:52:59,412 --> 01:53:02,448
THAT'S FOR ME ?
IMAGINE ME
IN SOME SHIT LIKE THAT.
1386
01:53:02,549 --> 01:53:04,450
YOU ACTUALLY BOUGHT THAT
FOR ME ?
1387
01:53:04,551 --> 01:53:07,954
IT WOULD LOOK CUTE ON YOUR ASS.
RIGHT. YEAH.
GIRL, PLEASE.
1388
01:53:08,054 --> 01:53:11,558
WHAT IF ONE OF MY MOTHER'S
FRIENDS WAS HERE AND SEEN ME
WALKING AROUND IN THAT SHIT ?
1389
01:53:11,658 --> 01:53:14,494
DON'T BRING YOUR MOTHER
INTO THIS.
IT'S A SMALL WORLD.
1390
01:53:14,595 --> 01:53:17,263
SOMEBODY THAT
KNOWS MY MOTHER,
SEES ME IN THAT SHIT,
1391
01:53:17,363 --> 01:53:20,000
THEN THEY, "OH, GIRL,
MRS. ROPER'S SON BE
ON THE BEACH IN TAHITI...
1392
01:53:20,100 --> 01:53:22,002
"WITH HIS ASS OUT
ON HIS VACATION.
1393
01:53:22,102 --> 01:53:25,438
WATCH HIM, GIRL. MM-HMM.
I SEEN HE HAD A STRING
UP HIS ASS."
1394
01:53:25,539 --> 01:53:29,042
GET THE FUCK OUTTA HERE.
NOT TODAY.
1395
01:53:29,543 --> 01:53:33,079
[ Singer ]
THIS IS FOR THE $100-BILLERS.
1396
01:53:33,179 --> 01:53:37,283
♪ LOOK UP
ONE, TWO, THREE
KICK IT ♪
1397
01:53:37,383 --> 01:53:41,021
♪ O YEAH
IT FEEL SO GOOD ♪
1398
01:53:41,121 --> 01:53:45,425
♪ TO BE BACK
WHERE WE BELONG ♪
1399
01:53:45,526 --> 01:53:47,427
♪ COME ON
GIVE IT UP ♪
1400
01:53:47,528 --> 01:53:50,030
♪ O YEAH ♪
1401
01:53:50,130 --> 01:53:52,132
♪ IT FEEL SO GOOD ♪
1402
01:53:52,232 --> 01:53:56,069
♪ THIS IS WHERE
WE STARTED FROM ♪
1403
01:53:56,169 --> 01:53:58,905
♪ COME ON, GIRL ♪
♪ STAND RIGHT BY ME
RONNIE ♪
1404
01:53:59,005 --> 01:54:01,542
♪ EVERYBODY
LET'S TAKE A RIDE ♪
1405
01:54:01,642 --> 01:54:04,410
♪ EVERYBODY
JUST COME INSIDE ♪
♪ COME ON ♪
1406
01:54:04,511 --> 01:54:07,280
♪ ON A JOURNEY
LET'S GO BACK IN TIME ♪
1407
01:54:07,380 --> 01:54:09,950
♪ I'LL BE TELLIN' RHYME ♪
1408
01:54:10,050 --> 01:54:12,485
♪ EVERYBODY
IT'S TIME TO PLAY ♪
1409
01:54:12,586 --> 01:54:15,355
♪ COME ON, EVERYBODY
LET YO' DISCMAN SWAY ♪
1410
01:54:15,455 --> 01:54:17,624
♪ FORGET
ALL THE OTHER SOUNDS ♪
1411
01:54:17,724 --> 01:54:21,494
♪ 'CAUSE NEW EDITION
IS WHAT'S GOING DOWN ♪
1412
01:54:21,595 --> 01:54:25,365
♪ NOW THE TIME HAS COME ♪
1413
01:54:25,465 --> 01:54:28,368
♪ TO RETURN AS ONE ♪
1414
01:54:28,468 --> 01:54:31,104
♪ AND IT'S
NEVER BEEN BETTER ♪
1415
01:54:31,204 --> 01:54:33,640
♪ GET DOWN ♪
♪ GET DOWN ♪
1416
01:54:33,740 --> 01:54:36,476
♪ I NEVER THOUGHT
THIS DAY WOULD COME ♪
1417
01:54:36,577 --> 01:54:39,345
♪ AND IT FEELS
SO GOOD TO ME ♪
1418
01:54:39,445 --> 01:54:43,316
♪ TO BE BACK
WHERE WE BELONG ♪
♪ COME ON, Y'ALL, COME ON ♪
1419
01:54:43,416 --> 01:54:46,887
♪ O YEAH ♪
♪ O, IT FEEL SO GOOD ♪
1420
01:54:46,987 --> 01:54:51,024
♪ YEAH ♪
♪ TO BE BACK
WHERE WE BELONG ♪
1421
01:54:51,124 --> 01:54:56,029
♪ BACK WHERE WE BELONG ♪
♪ O YEAH ♪
1422
01:54:56,129 --> 01:54:58,164
♪ IT FEEL SO GOOD ♪
1423
01:54:58,264 --> 01:55:01,568
♪ THIS IS WHERE
WE STARTED FROM ♪
1424
01:55:01,668 --> 01:55:05,906
♪ THIS IS WHERE
WE STARTED FROM ♪
1425
01:55:06,006 --> 01:55:07,974
♪ YEAH ♪
1426
01:55:08,074 --> 01:55:11,377
♪ AND HE BACK
FOR THE NASTY NONSENSE ♪
♪ YEAH ♪
1427
01:55:11,477 --> 01:55:13,379
♪ JAMMIN' ♪
♪ B. BROWN ♪
1428
01:55:13,479 --> 01:55:15,982
♪ BRING IT TO ME, BABY ♪
♪ JAMMIN'
HIP, HIP, HIP ♪
1429
01:55:16,082 --> 01:55:20,153
♪ BEEN TOO LONG
IT'S TIME TO GET IN THE MOOD ♪
1430
01:55:20,253 --> 01:55:23,023
♪ SOMETHING
TO MAKE YOU MOVE ♪
♪ THAT'S RIGHT ♪
1431
01:55:23,123 --> 01:55:26,660
♪ A LI'L SOMETHING
THAT'S IN THIS GROOVE ♪
♪ J. R. ♪
1432
01:55:26,760 --> 01:55:31,364
♪ IT'LL BE ALL RIGHT
NOBODY'S HUMPIN'
'ROUND TONIGHT ♪
1433
01:55:31,464 --> 01:55:34,100
♪ AND, BABY, YOUR MAMA
NEED NOT TO GET IT ♪
1434
01:55:34,200 --> 01:55:37,503
♪ 'CAUSE N.E. IS DAMN SHO NUFF
COMING WITH IT ♪
1435
01:55:37,604 --> 01:55:39,640
♪ OH ♪
♪ FANCY CARS
AND EVERYTHING ♪
1436
01:55:39,740 --> 01:55:41,642
♪ SILK SLIPS
AND TRIPS TO RENO ♪
1437
01:55:41,742 --> 01:55:43,644
♪ PLAYIN' C-LOW
WITH THE GAMBLERS ♪
1438
01:55:43,744 --> 01:55:45,646
♪ LEAR JETS AND CASSETTES
PLACIN' BETS ♪
1439
01:55:45,746 --> 01:55:48,381
♪ BIG WIN STYLE
I GOTS THE PEOPLE
FLY A MILE ♪
1440
01:55:48,481 --> 01:55:50,984
♪ I'M GOIN' PLACES
ATLANTIC CITY
TO VEGAS ♪
1441
01:55:51,084 --> 01:55:53,987
♪ LEAVIN' NO TRACES
EXCEPT THE MUGGING
WITH FAMILIAR FACES ♪
1442
01:55:54,087 --> 01:55:55,989
♪ ME AND MY CREW
LONG OVERDUE ♪
1443
01:55:56,089 --> 01:55:58,391
♪ JIMMY AND TERRY
WITH THE N TO THE E ♪
1444
01:55:58,491 --> 01:56:01,161
♪ THE MONEY-MAKIN' RECIPE ♪
♪ BABY, NO ♪
1445
01:56:01,261 --> 01:56:04,297
♪ O YEAH ♪
♪ IT FEEL SO GOOD ♪
1446
01:56:04,397 --> 01:56:08,168
♪ TO BE BACK
WHERE WE BELONG ♪
1447
01:56:08,268 --> 01:56:12,438
♪ O, O YEAH ♪
♪ WE ARE BACK ♪
1448
01:56:12,539 --> 01:56:15,408
♪ O YEAH ♪
♪ IT FEEL SO GOOD ♪
1449
01:56:15,509 --> 01:56:19,412
♪ THIS IS WHERE
WE STARTED FROM ♪
1450
01:56:19,513 --> 01:56:22,683
♪ AND WE ♪
♪ BACK WHERE WE BELONG ♪
1451
01:56:22,783 --> 01:56:26,419
♪ O YEAH ♪
♪ IT FEEL SO GOOD ♪
1452
01:56:26,520 --> 01:56:31,291
♪ TO BE BACK
WHERE WE BELONG ♪
1453
01:56:31,391 --> 01:56:35,295
♪ SO GOOD
IT'S SO REAL ♪
♪ O YEAH ♪
1454
01:56:35,395 --> 01:56:37,397
♪ IT FEEL SO GOOD ♪
1455
01:56:37,497 --> 01:56:42,402
♪ THIS IS WHERE
WE STARTED FROM ♪
1456
01:56:42,502 --> 01:56:45,038
♪ O, O, O YEAH ♪
♪ O YEAH ♪
1457
01:56:45,138 --> 01:56:48,542
♪ O YEAH
IT FEEL SO GOOD ♪
1458
01:56:48,642 --> 01:56:52,412
♪ THIS IS WHERE
WE STARTED FROM ♪
♪ FEEL SO GOOD, YEAH ♪
1459
01:56:52,513 --> 01:56:55,015
♪ ARE YOU READY
PUT YOUR HANDS IN THE AIR ♪
1460
01:56:55,115 --> 01:56:57,017
♪ O YEAH ♪
♪ COME ON ♪
1461
01:56:57,117 --> 01:56:59,553
♪ O YEAH
IT FEEL SO GOOD ♪
♪ YEAH, YEAH ♪
1462
01:56:59,653 --> 01:57:03,524
♪ TO BE BACK
WHERE WE BELONG ♪
♪ ONLY YOU AND ME, YEAH ♪
1463
01:57:03,624 --> 01:57:05,659
♪ YEAH, COME ON ♪
1464
01:57:05,759 --> 01:57:10,731
♪ O YEAH
IT FEEL SO GOOD ♪
122940
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