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These are the user uploaded subtitles that are being translated: 1 00:00:12,796 --> 00:00:14,730 Narrator: HIGH IN THE HIMALAYA, 2 00:00:14,732 --> 00:00:17,366 IN THE MOST REMOTE KINGDOM IN THE WORLD, 3 00:00:17,368 --> 00:00:23,505 EXPLORERS FIND THOUSANDS OF MYSTERIOUS CAVES. 4 00:00:23,507 --> 00:00:26,141 THEIR DARK PORTALS BECKON WITH THE PROMISE 5 00:00:26,143 --> 00:00:29,044 OF A GLIMPSE INTO A LOST WORLD. 6 00:00:31,981 --> 00:00:34,950 NOW A TEAM OF CLIMBERS AND SCHOLARS 7 00:00:34,952 --> 00:00:40,022 SET OUT TO REACH THEM FOR THE FIRST TIME. 8 00:00:40,024 --> 00:00:45,094 INSIDE, THEY FIND SMALL CITIES CARVED IN STONE 9 00:00:45,096 --> 00:00:48,363 AND THERE DISCOVER UNIMAGINABLE TREASURES. 10 00:00:48,365 --> 00:00:50,165 Man: THIS IS AN ABSOLUTELY EXTRAORDINARY COLLECTION. 11 00:00:50,167 --> 00:00:53,135 IT'S A COMPLETE MESS. 12 00:00:53,137 --> 00:00:56,105 Narrator: BUT THE DISCOVERIES REVIVE AN AGE-OLD STRUGGLE 13 00:00:56,107 --> 00:00:58,741 BETWEEN TWO FAITHS 14 00:00:58,743 --> 00:01:00,709 AND STIR FEARS THAT LOOTERS 15 00:01:00,711 --> 00:01:02,911 MAY HAVE REACHED THE TREASURES FIRST. 16 00:01:02,913 --> 00:01:04,680 Man: IT'S LITERALLY MONEY LAYING AROUND, 17 00:01:04,682 --> 00:01:06,782 WHICH IS THE AWFUL THING. 18 00:01:06,784 --> 00:01:09,551 Narrator: THEY CAME TO STUDY THESE CAVES, 19 00:01:09,553 --> 00:01:11,854 BUT NOW THEY'RE IN A RACE TO SAVE THEM 20 00:01:11,856 --> 00:01:14,156 BEFORE MORE LOOTERS COME. 21 00:01:14,158 --> 00:01:17,659 OR, WORSE YET, THE CAVES CRUMBLE INTO OBLIVION. 22 00:01:17,661 --> 00:01:19,561 Man: ROCK! 23 00:01:19,563 --> 00:01:22,331 Narrator: THE STRUGGLE TO REACH THESE CAVES IS DAUNTING, 24 00:01:22,333 --> 00:01:24,166 ESPECIALLY FOR NON-CLIMBERS. 25 00:01:24,168 --> 00:01:26,068 Man: I'VE NEVER WORN A HARNESS BEFORE. 26 00:01:26,070 --> 00:01:28,670 Narrator: THE CONTENTS OF THE CAVES ARE ASTOUNDING. 27 00:01:28,672 --> 00:01:30,305 Man: I UNDERSTAND THAT THERE ARE SOME HUMAN REMAINS 28 00:01:30,307 --> 00:01:31,974 UP IN THIS CAVE, OVER. 29 00:01:31,976 --> 00:01:34,143 Man: IT LOOKS LIKE IT'S OBVIOUSLY A BURIAL CHAMBER. 30 00:01:34,145 --> 00:01:37,079 Narrator: THEY BELIEVE THE CAVES HOLD ANCIENT EVIDENCE 31 00:01:37,081 --> 00:01:39,548 THAT THIS WAS ONCE A SACRED VALLEY, 32 00:01:39,550 --> 00:01:44,353 AN EARTHLY PARADISE SOME HAVE CALLED SHANGRI-LA. 33 00:02:23,526 --> 00:02:25,427 Narrator: IN THE DESOLATE MOUNTAIN BORDERLANDS 34 00:02:25,429 --> 00:02:27,496 OF NEPAL AND TIBET, 35 00:02:27,498 --> 00:02:29,798 THERE IS AN ANCIENT HIMALAYAN KINGDOM 36 00:02:29,800 --> 00:02:33,602 BEYOND THE REACH OF THE MODERN WORLD, 37 00:02:33,604 --> 00:02:37,206 HIDDEN IN A VALLEY SURROUNDED BY THE WORLD'S HIGHEST PEAKS. 38 00:02:41,377 --> 00:02:44,279 IT IS CALLED MUSTANG. 39 00:02:44,281 --> 00:02:47,149 THE LOCALS CALL IT THE KINGDOM OF LO, 40 00:02:47,151 --> 00:02:50,252 AND THEIR MONARCH IS THE 25th IN DIRECT DESCENT 41 00:02:50,254 --> 00:02:52,554 FROM THE FIRST KING OF MUSTANG 42 00:02:52,556 --> 00:02:55,891 WHO FOUNDED THE ROYAL LINEAGE NEARLY 600 YEARS AGO. 43 00:02:58,962 --> 00:03:00,629 FOR THOUSANDS OF YEARS, 44 00:03:00,631 --> 00:03:03,465 A TRADE ROUTE HAS PASSED THROUGH THE KINGDOM-- 45 00:03:03,467 --> 00:03:07,169 ONE OF THE FEW PATHWAYS ACROSS THE ROOF OF THE WORLD, 46 00:03:07,171 --> 00:03:11,874 AND A CRITICAL LINK BETWEEN INDIA AND CHINA. 47 00:03:11,876 --> 00:03:15,077 BUT MUSTANG IS A KINGDOM WITH A MYSTERY. 48 00:03:15,079 --> 00:03:19,014 HUNDREDS OF UNEXPLORED CAVE COMPLEXES DOT THE CLIFFS 49 00:03:19,016 --> 00:03:23,452 THAT GUARD THE GREAT KALI GANDAKI RIVER. 50 00:03:23,454 --> 00:03:24,953 THE ENIGMA OF THE CAVES 51 00:03:24,955 --> 00:03:29,524 HAS PULLED HIMALAYAN CLIMBER PETE ATHANS HERE REPEATEDLY. 52 00:03:29,526 --> 00:03:31,059 FOR MORE THAN TWO DECADES, 53 00:03:31,061 --> 00:03:33,929 HE'S BEEN A STUDENT OF TIBETAN BUDDHISM, 54 00:03:33,931 --> 00:03:39,134 AND HE'S SUMMITTED MOUNT EVEREST SEVEN TIMES. 55 00:03:39,136 --> 00:03:42,871 Pete: THIS IS REALLY IN MANY WAYS MY GREATEST EXPEDITION. 56 00:03:42,873 --> 00:03:45,507 CLIMBING EVEREST IS NOTHING LIKE THIS. 57 00:03:45,509 --> 00:03:47,943 PEOPLE KNOW EVERY INCH OF EVEREST. 58 00:03:47,945 --> 00:03:51,346 TO HAVE THE OPPORTUNITY TO GO INTO THESE CAVES, 59 00:03:51,348 --> 00:03:53,849 THE FIRST PEOPLE TO GO IN IN OVER 1,000 YEARS, 60 00:03:53,851 --> 00:03:55,984 IS A REMARKABLE PRIVILEGE. 61 00:03:55,986 --> 00:03:59,154 SO MUCH INFORMATION ABOUT TIBET AND ALL THE HIMALAYAN STATES 62 00:03:59,156 --> 00:04:01,657 COULD BE IN ANY ONE OF THESE CAVES 63 00:04:01,659 --> 00:04:04,259 AND HAS NOT BEEN DISCOVERED AND IT'S LYING THERE WAITING 64 00:04:04,261 --> 00:04:07,596 FOR SOMEONE TO FIND A WAY IN AND DOCUMENT IT. 65 00:04:07,598 --> 00:04:09,698 Narrator: THE CAVES HAVE NEVER BEEN EXPLORED 66 00:04:09,700 --> 00:04:14,536 BECAUSE UPPER MUSTANG IS A RESTRICTED AREA OF NEPAL. 67 00:04:14,538 --> 00:04:19,074 UNTIL RECENTLY, IT WAS CLOSED TO THE OUTSIDE WORLD. 68 00:04:19,076 --> 00:04:22,444 EVEN TODAY ONLY 1,000 FOREIGNERS PER YEAR 69 00:04:22,446 --> 00:04:26,415 ARE ALLOWED INTO MUSTANG'S FORBIDDEN ZONE. 70 00:04:29,285 --> 00:04:30,886 TWO YEARS AGO, 71 00:04:30,888 --> 00:04:33,689 WORKING IN CONCERT WITH THE GOVERNMENT OF NEPAL, 72 00:04:33,691 --> 00:04:36,458 PETE AND PROJECT LEADER BROT COBURN 73 00:04:36,460 --> 00:04:38,660 AND AN ELITE TEAM OF EXPLORERS 74 00:04:38,662 --> 00:04:40,095 FINALLY GAINED ACCESS 75 00:04:40,097 --> 00:04:43,899 TO THE FIRST OF UPPER MUSTANG'S CAVES. 76 00:04:43,901 --> 00:04:47,436 THEIR DISCOVERIES MADE NEWS AROUND THE WORLD: 77 00:04:47,438 --> 00:04:49,805 PRICELESS CENTURIES-OLD WALL PAINTINGS 78 00:04:49,807 --> 00:04:52,007 ADORN SACRED CAVE SHRINES. 79 00:04:52,009 --> 00:04:55,310 Pete: IT'S JUST UNBELIEVABLE. I WONDER HOW LONG IT'S BEEN HERE? 80 00:04:55,312 --> 00:04:56,712 Narrator: HIDDEN CAVE TEMPLES ARE HEWN 81 00:04:56,714 --> 00:05:00,549 INTO THE MOUNTAINSIDES; 82 00:05:00,551 --> 00:05:07,656 IN ANOTHER CAVE, A MASTERPIECE, NEARLY 25 FEET LONG. 83 00:05:07,658 --> 00:05:09,891 AND THE MOST STUNNING FIND OF ALL... 84 00:05:09,893 --> 00:05:12,995 Renan: THERE ARE SOME INCREDIBLE THINGS IN THIS NEXT ROOM, PETE. 85 00:05:12,997 --> 00:05:14,896 OH, MY GOD! 86 00:05:14,898 --> 00:05:18,767 A GIANT ROOM, FILLED WITH TEXTS, PILES OF TEXTS! 87 00:05:18,769 --> 00:05:21,169 Narrator: THEIR DISCOVERY OF AN ANCIENT LIBRARY 88 00:05:21,171 --> 00:05:24,940 FORCED THEM TO CONFRONT A DILEMMA: 89 00:05:24,942 --> 00:05:27,943 WITH NO PERMISSION TO REMOVE ANYTHING FROM THE CAVES, 90 00:05:27,945 --> 00:05:30,779 THE FOLIOS WOULD HAVE TO BE LEFT, UNPROTECTED, 91 00:05:30,781 --> 00:05:34,683 UNTIL THE TEAM COULD RETURN WITH PERMISSION. 92 00:05:39,455 --> 00:05:41,423 NOW, ONE YEAR LATER, 93 00:05:41,425 --> 00:05:44,726 PETE AND BROT HAVE RETURNED TO MUSTANG TO RESCUE THE TEXTS. 94 00:05:44,728 --> 00:05:47,496 Pete: WE HAVE A TOTAL OF ABOUT 48 HORSES, 95 00:05:47,498 --> 00:05:49,698 12 PORTERS, 10 PEOPLE TO HELP US 96 00:05:49,700 --> 00:05:52,634 WITH COOKING AND ORGANIZATION, TENT SET UP, 97 00:05:52,636 --> 00:05:56,938 AND SOME ARCHAEOLOGISTS, SOME CLIMBERS, SOME FILMMAKERS 98 00:05:56,940 --> 00:05:58,607 AND SOME FRIENDS OF ALL OF THE ABOVE, 99 00:05:58,609 --> 00:06:01,376 SO IT'S QUITE A LARGE GROUP. 100 00:06:01,378 --> 00:06:04,112 Narrator: WITH A DREAM TEAM OF CLIMBERS AND SCHOLARS, 101 00:06:04,114 --> 00:06:06,248 THEY'LL PRESERVE THE ANCIENT LIBRARY, 102 00:06:06,250 --> 00:06:10,419 DOCUMENT THE PAINTINGS, AND TRY TO EXPLORE MORE CAVES, 103 00:06:10,421 --> 00:06:14,656 ALL WITH JUST A MONTH ON THEIR PERMIT. 104 00:06:14,658 --> 00:06:16,892 FROM THEIR STARTING POINT DOWN VALLEY, 105 00:06:16,894 --> 00:06:24,099 THEY'LL TREK SOME 60 MILES TO THE ROYAL CITY OF LO MANTHANG. 106 00:06:24,101 --> 00:06:25,834 THE RESEARCHERS ARE PURSUING ANSWERS 107 00:06:25,836 --> 00:06:29,204 TO AN EVEN BIGGER QUESTION. 108 00:06:29,206 --> 00:06:31,673 FOR A HUNDRED YEARS, EUROPEAN ADVENTURERS 109 00:06:31,675 --> 00:06:34,576 HAVE SEARCHED FOR AN EASTERN UTOPIA; 110 00:06:34,578 --> 00:06:41,349 AN EARTHLY PARADISE THEY'VE CALLED SHANGRI-LA. 111 00:06:41,351 --> 00:06:44,586 OXFORD UNIVERSITY ANTHROPOLOGIST CHARLES RAMBLE 112 00:06:44,588 --> 00:06:48,590 HAS STUDIED THESE TIBETAN IDEAS FOR 28 YEARS-- 113 00:06:48,592 --> 00:06:50,759 LIVING AMONGST THE MUSTANG PEOPLE, 114 00:06:50,761 --> 00:06:52,894 SPEAKING THEIR MANY DIALECTS, 115 00:06:52,896 --> 00:06:57,065 EVEN MASTERING THEIR ANCIENT CUSTOMS. 116 00:06:57,067 --> 00:07:01,303 THE CONCEPT OF UTOPIA ISN'T EXCLUSIVE TO THE EAST. 117 00:07:01,305 --> 00:07:03,371 Charles: IT'S CERTAINLY PRESENT IN MANY RELIGIONS. 118 00:07:03,373 --> 00:07:04,906 IN THE CHRISTIAN FAITH 119 00:07:04,908 --> 00:07:06,975 IT'S SOMETHING THAT WE HAVE TO LOOK FORWARD TO. 120 00:07:06,977 --> 00:07:09,244 PARADISE LIES IN THE FUTURE. 121 00:07:09,246 --> 00:07:11,847 IN THE CASE OF TIBET, THERE ARE EARTHLY PARADISES. 122 00:07:11,849 --> 00:07:13,548 AND FOR CERTAIN GROUPS OF BUDDHISTS, 123 00:07:13,550 --> 00:07:15,517 THERE IS THE SACRED LAND OF SHAMBHALA, 124 00:07:15,519 --> 00:07:16,651 WHICH COULD ACTUALLY BE 125 00:07:16,653 --> 00:07:20,622 THE ETYMOLOGICAL ORIGIN FOR SHANGRI-LA. 126 00:07:20,624 --> 00:07:23,925 Narrator: THE IDEA OF SHANGRI-LA WAS POPULARIZED IN THE WEST 127 00:07:23,927 --> 00:07:26,061 BY AUTHOR JAMES HILTON, 128 00:07:26,063 --> 00:07:29,798 WHOSE 1930s BOOK AND FILM LOST HORIZON 129 00:07:29,800 --> 00:07:33,335 INTRODUCED THE IDEA INTO POPULAR CULTURE. 130 00:07:36,706 --> 00:07:40,075 Charles: BUT THIS FASCINATION WITH TIBET AS BEING A LAND 131 00:07:40,077 --> 00:07:44,279 WHERE SOME KIND OF SPECIAL SACRED LIFE WENT ON 132 00:07:44,281 --> 00:07:46,448 AWAY FROM THE DAY-TO-DAY LIVING WE'RE USED TO 133 00:07:46,450 --> 00:07:49,684 IS SOMETHING THAT'S CONTINUED RIGHT DOWN THE CENTURIES. 134 00:07:51,821 --> 00:07:54,656 Narrator: TO THE PEOPLE LIVING IN THESE VALLEYS TODAY, 135 00:07:54,658 --> 00:07:58,760 THESE KINDS OF EARTHLY PARADISES ARE REAL. 136 00:07:58,762 --> 00:08:03,131 Narrator: TO THE PEOPLE LIVING WHICH MEANS "HIDDEN LAND," 137 00:08:03,133 --> 00:08:06,568 WHERE ONE CAN FIND ENLIGHTENMENT AND PEACE. 138 00:08:06,570 --> 00:08:08,937 Charles: THE HIGHEST CONCENTRATION OF THESE BEYULS 139 00:08:08,939 --> 00:08:11,239 IS IN THE HIMALAYAN REGION. 140 00:08:11,241 --> 00:08:13,742 SO THE IDEA OF A PLACE WHERE ONE COULD GO AND HIDE 141 00:08:13,744 --> 00:08:17,078 AND LIVE PEACEFULLY AND LIVE A LONG TIME 142 00:08:17,080 --> 00:08:20,448 IS CERTAINLY PRESENT IN THE TIBETAN TRADITION. 143 00:08:20,450 --> 00:08:22,684 Narrator: ON THEIR SECOND DAY IN MUSTANG, 144 00:08:22,686 --> 00:08:24,186 CHARLES HAS A CHANCE TO SHOW PETE 145 00:08:24,188 --> 00:08:28,089 HOW CAVES ARE LINKED TO THE PURSUIT OF ENLIGHTENMENT. 146 00:08:28,091 --> 00:08:31,126 THIS CAVE IS STILL IN USE TODAY. 147 00:08:31,128 --> 00:08:34,596 IT'S THE VENUE FOR A RARE AND SACRED PRACTICE: 148 00:08:34,598 --> 00:08:38,500 A VOLUNTARY RETREAT INTO DARKNESS TO MEDITATE. 149 00:08:38,502 --> 00:08:41,036 Charles: THE PRACTITIONERS WILL STAY IN HERE 49 DAYS 150 00:08:41,038 --> 00:08:42,971 PRACTICALLY NAKED. 151 00:08:42,973 --> 00:08:45,006 YOU START TO HALLUCINATE AFTER A FEW DAYS 152 00:08:45,008 --> 00:08:48,276 AND THE TRICK IS TO REALIZE THAT THESE ARE JUST HALLUCINATIONS 153 00:08:48,278 --> 00:08:51,713 BEFORE THE REAL VISIONS AND EXPERIENCES COME ALONG. 154 00:08:51,715 --> 00:08:54,249 BUT THE LAST CHAP TO DO A RETREAT IN THIS CAVE, 155 00:08:54,251 --> 00:08:56,685 AFTER ABOUT A WEEK, I THINK, HE HAD TO BE TAKEN OUT 156 00:08:56,687 --> 00:08:59,921 BECAUSE HE WAS IN QUITE BAD SHAPE. 157 00:08:59,923 --> 00:09:02,557 Pete: HALLUCINATIONS OF SOMETHING FRIGHTENING, 158 00:09:02,559 --> 00:09:05,894 SOMETHING DEMONIC. 159 00:09:05,896 --> 00:09:09,698 Charles: IT'S A KIND OF SELF-IMPOSED SENSORY DEPRIVATION. 160 00:09:09,700 --> 00:09:13,568 THE ULTIMATE GOAL, OF COURSE, IS ENLIGHTENMENT, 161 00:09:13,570 --> 00:09:15,303 AND THE WHOLE PURPOSE OF THESE MEDITATIONS 162 00:09:15,305 --> 00:09:18,974 IS FOR THE MIND TO UNITE ITSELF WITH ITS OWN NATURE. 163 00:09:20,710 --> 00:09:22,811 PEOPLE WILL COME FROM THE VILLAGE EVERY COUPLE OF DAYS 164 00:09:22,813 --> 00:09:26,281 AND PUT FOOD IN AN L-SHAPED HOLE IN THE WALL, 165 00:09:26,283 --> 00:09:28,516 SO YOU DON'T ACTUALLY HAVE ANY DIRECT INTERACTION 166 00:09:28,518 --> 00:09:31,553 WITH THE PEOPLE WHO COME TO FEED YOU. 167 00:09:31,555 --> 00:09:33,288 IN THIS TRADITION IT'S DONE FOR 49 DAYS, 168 00:09:33,290 --> 00:09:34,923 BUT THERE ARE SOME PEOPLE WHO WILL GO INTO RETREAT 169 00:09:34,925 --> 00:09:37,025 FOR THEIR ENTIRE LIVES, 170 00:09:37,027 --> 00:09:40,161 THEY WILL JUST STAY IN THERE UNTIL THEY DIE. 171 00:09:46,035 --> 00:09:48,770 Pete: OKAY, SO YOU SEE KRIS WITH HIS ARMS RAISED, CORRECT? 172 00:09:48,772 --> 00:09:49,838 Charles: THAT'S CORRECT. 173 00:09:49,840 --> 00:09:52,107 HE LOOKS TO BE IN THE BEST POSITION. 174 00:09:52,109 --> 00:09:54,342 Narrator: TWO DAYS FURTHER UP THE VALLEY IS A CAVE 175 00:09:54,344 --> 00:09:56,111 WHERE THEY'LL TEST THEIR GEAR. 176 00:09:56,113 --> 00:09:58,046 Pete: IF YOU SEE ANYONE, LET THEM KNOW 177 00:09:58,048 --> 00:10:00,582 THAT THERE MIGHT BE SOME PRETTY BIG ROCKS COMING DOWN. 178 00:10:00,584 --> 00:10:01,783 Charles: I'LL TAKE OF IT. 179 00:10:01,785 --> 00:10:03,218 Pete: THANKS, CHARLES. 180 00:10:03,220 --> 00:10:05,420 Narrator: KRIS ERICKSON IS AN ALPINE CLIMBER 181 00:10:05,422 --> 00:10:07,022 AND PHOTOGRAPHER. 182 00:10:07,024 --> 00:10:11,192 HE'LL PHOTO INVENTORY EACH CAVE. 183 00:10:11,194 --> 00:10:14,162 RENAN OZTURK IS AN ARTIST. 184 00:10:14,164 --> 00:10:16,131 HIS SKETCHES OF CAVE LAYOUTS 185 00:10:16,133 --> 00:10:19,567 WILL BE A CRITICAL PART OF THE ANALYSIS. 186 00:10:19,569 --> 00:10:22,103 HE'S ALSO A WORLD-CLASS CLIMBER. 187 00:10:22,105 --> 00:10:25,807 Renan: AS CLIMBERS, WE SEARCH FOR THE STEEPEST, CLEANEST LINES, 188 00:10:25,809 --> 00:10:29,110 AND THIS IS PRETTY MUCH THE OPPOSITE OF THAT, 189 00:10:29,112 --> 00:10:34,049 JUST CRUMBLING MUD-DRIP SANDCASTLE FORMATIONS. 190 00:10:34,051 --> 00:10:35,884 YOU CAN BARELY BREATHE 191 00:10:35,886 --> 00:10:40,055 AS THE DUST BLOWS UP THE WALL AND SURROUNDS YOU, 192 00:10:40,057 --> 00:10:42,190 JUST HORRIBLE CHOSS CLIMBING. 193 00:10:42,192 --> 00:10:44,426 Pete: CHOSS IS A CLIMBER'S TERM 194 00:10:44,428 --> 00:10:47,896 REFLECTING A DISDAIN FOR THE QUALITY OF THE MATERIAL 195 00:10:47,898 --> 00:10:50,065 THAT ONE HAPPENS TO BE CLIMBING. 196 00:10:50,067 --> 00:10:52,634 Mark: THERE'S PLENTY OF CHAFF. 197 00:10:52,636 --> 00:10:56,171 Narrator: UNIVERSITY OF ARIZONA ARCHAEOLOGIST, MARK ALDENDERFER, 198 00:10:56,173 --> 00:10:58,640 A NATIONAL GEOGRAPHIC GRANTEE, 199 00:10:58,642 --> 00:11:02,143 AND NEPALI ARCHAEOLOGIST, SUKRA SAGAR SHRESTHA, 200 00:11:02,145 --> 00:11:05,046 HOPE TO DETERMINE HOW OLD THE CAVES ARE. 201 00:11:05,048 --> 00:11:07,649 Mark: IT'S GOING TO ALLOW US TO ACTUALLY DATE THE APPLICATION 202 00:11:07,651 --> 00:11:09,851 OF THAT MUD AND CHAFF. 203 00:11:09,853 --> 00:11:12,520 THIS IS REALLY A GOOD THING TO FIND. 204 00:11:12,522 --> 00:11:15,290 Narrator: THEIR FIRST CAVE DRY RUN A SUCCESS, 205 00:11:15,292 --> 00:11:17,726 THEY'RE READY TO MOVE ON TO LO MANTHANG 206 00:11:17,728 --> 00:11:19,561 WHERE THEY SEEK PERMISSION FROM THE KING 207 00:11:19,563 --> 00:11:21,996 TO RESCUE THE ANCIENT LIBRARY. 208 00:11:21,998 --> 00:11:23,732 Charles: WE DON'T GET TO MEET KINGS EVERY DAY. 209 00:11:23,734 --> 00:11:26,368 AND THIS RAJA'S LINEAGE HAS BEEN ON THE THRONE RULING 210 00:11:26,370 --> 00:11:28,236 SINCE THE 14th CENTURY, 211 00:11:28,238 --> 00:11:30,438 AND THERE'S BEEN AN UNBROKEN LINEAGE EVER SINCE, 212 00:11:30,440 --> 00:11:35,009 SO THIS IS NOT AN EVERYDAY OCCURRENCE. 213 00:11:35,011 --> 00:11:36,478 I WAS ASKING HIS MAJESTY 214 00:11:36,480 --> 00:11:38,012 ABOUT THE BEST WAY OF PRESERVING THE MATERIALS 215 00:11:38,014 --> 00:11:40,115 THAT ARE IN THE CAVES. 216 00:11:40,117 --> 00:11:41,783 AND WHETHER IT'S BEST IN HIS OPINION 217 00:11:41,785 --> 00:11:44,586 THAT THEY SHOULD BE LEFT THERE OR SHOULD THEY BE REMOVED. 218 00:11:44,588 --> 00:11:46,187 WHAT HE'S SUGGESTED IS THAT THIS IS SOMETHING 219 00:11:46,189 --> 00:11:47,655 THAT SHOULD BE LEFT ENTIRELY 220 00:11:47,657 --> 00:11:50,425 UP TO THE PEOPLE OF THE KINGDOM TO DECIDE. 221 00:11:53,329 --> 00:11:55,463 Narrator: THEY ALSO NEED PERMISSION 222 00:11:55,465 --> 00:11:59,100 FROM THE PEOPLE'S BUDDHIST SPIRITUAL LEADER, THE KHEMPO. 223 00:11:59,102 --> 00:12:01,202 [SPEAKING NEPALI] 224 00:12:16,118 --> 00:12:16,184 Narrator: LAMAS ARE SPIRITUAL TEACHERS, 225 00:12:18,821 --> 00:12:21,923 AND THE KHEMPO THINKS THE TEAM WILL NEED THEIR PROTECTION 226 00:12:21,925 --> 00:12:25,427 BECAUSE THE PLACE THEY'RE GOING TO IS DANGEROUS. 227 00:12:25,429 --> 00:12:29,397 THE CAVE WHERE THEY FOUND THE TEXTS IS CALLED MARJONG, 228 00:12:29,399 --> 00:12:33,201 AND IT HAS LONG BEEN ASSOCIATED WITH A RELIGION CALLED BON, 229 00:12:33,203 --> 00:12:36,805 THE INDIGENOUS FAITH OF TIBET. 230 00:12:36,807 --> 00:12:39,073 BON WAS THE DOMINANT RELIGION OF THE REGION 231 00:12:39,075 --> 00:12:41,009 FOR THOUSANDS OF YEARS, 232 00:12:41,011 --> 00:12:45,880 UNTIL BUDDHISM WIPED OUT NEARLY ALL EVIDENCE OF IT. 233 00:12:45,882 --> 00:12:47,348 MARJONG WAS THE SITE 234 00:12:47,350 --> 00:12:50,151 OF A LEGENDARY BATTLE BETWEEN FAITHS, 235 00:12:50,153 --> 00:12:53,922 AND THE LOCALS BELIEVE THE SITE IS HAUNTED. 236 00:12:53,924 --> 00:12:57,058 Charles: THERE ARE SOME DIVINITIES WHO ARE POTENTIALLY HARMFUL, 237 00:12:57,060 --> 00:13:00,862 BUT AS LONG AS WE APPROACH THESE PLACES WITH A GOOD ATTITUDE-- 238 00:13:00,864 --> 00:13:03,198 NOT TO STEAL THINGS, NOT TO DAMAGE THE PLACE-- 239 00:13:03,200 --> 00:13:06,134 AND AS LONG AS THE APPROPRIATE CEREMONIES ARE PERFORMED, 240 00:13:06,136 --> 00:13:07,302 THERE WILL BE NO HARM 241 00:13:07,304 --> 00:13:10,238 IN REMOVING THE MANUSCRIPTS FROM THE CAVE. 242 00:13:10,240 --> 00:13:12,207 [BELL RINGING] 243 00:13:12,209 --> 00:13:14,175 Narrator: TO APPEASE THE DIVINITIES, 244 00:13:14,177 --> 00:13:18,680 THE LAMAS PERFORM A PUJA, A CEREMONIAL OFFERING. 245 00:13:21,083 --> 00:13:24,786 FOR THE TEAM, THIS SITE WILL BE HOME FOR SEVERAL DAYS, 246 00:13:24,788 --> 00:13:27,222 UNTIL ALL THE FOLIOS CAN BE SAFELY REMOVED 247 00:13:27,224 --> 00:13:29,424 FROM THE ERODING CAVE. 248 00:13:36,065 --> 00:13:38,066 PETE'S HOPE IS THAT THE MANUSCRIPTS 249 00:13:38,068 --> 00:13:40,368 STILL REMAIN IN THE CAVE. 250 00:13:42,771 --> 00:13:46,508 UNEXPECTED COMPANY ARRIVES OVER THE HILL. 251 00:13:46,510 --> 00:13:52,146 IT'S THE LO MANTHANG YOUTH CLUB, A NEWLY FORMED POLITICAL GROUP. 252 00:13:52,148 --> 00:13:54,549 THEY IMMEDIATELY CHALLENGE THE AUTHORITY OF THE TEAM 253 00:13:54,551 --> 00:13:56,751 TO ENTER THE CAVES 254 00:13:56,753 --> 00:14:01,055 AND ACCUSE THEM OF ATTEMPTING TO STEAL THE TEXTS. 255 00:14:01,057 --> 00:14:03,124 Charles: HE'S SAYING THAT WE DON'T NEED TO DO A DETAILED INVENTORY, 256 00:14:03,126 --> 00:14:05,360 PHOTOGRAPHIC INVENTORY OF THE CONTENTS OF THE CAVE. 257 00:14:05,362 --> 00:14:08,329 THEY CAN DO THAT THEMSELVES AND PUT THEM UP ON THE NET. 258 00:14:08,331 --> 00:14:10,431 THAT'S ONE OF THE ISSUES. 259 00:14:10,433 --> 00:14:11,566 Narrator: THE YOUTH CLUB WANTS 260 00:14:11,568 --> 00:14:14,536 TO KEEP THE MANUSCRIPTS UNDER THEIR CONTROL. 261 00:14:14,538 --> 00:14:17,272 THEY BELIEVE SELLING THE ANCIENT SCRIPTS ON THE INTERNET 262 00:14:17,274 --> 00:14:19,007 COULD BRING GOOD MONEY. 263 00:14:19,009 --> 00:14:20,642 Brot: THEY CALL THEMSELVES THE YOUTH CLUB, 264 00:14:20,644 --> 00:14:22,544 BUT THESE PEOPLE ARE A BUNCH OF TROUBLEMAKERS. 265 00:14:22,546 --> 00:14:25,146 THEY'RE REALLY ONLY A POLITICAL ACTION COMMITTEE. 266 00:14:25,148 --> 00:14:27,949 THEY HAVE A POLITICAL AGENDA, THEY'RE LOOKING FOR MONEY, 267 00:14:27,951 --> 00:14:30,585 THEY'RE LOOKING FOR POWER AND CONTROL. 268 00:14:30,587 --> 00:14:33,588 [SPEAKING NEPALI] 269 00:14:36,058 --> 00:14:38,059 Narrator: THE YOUTH CLUB QUESTIONS THE PRESENCE 270 00:14:38,061 --> 00:14:39,727 OF THE BONPO LAMAS 271 00:14:39,729 --> 00:14:42,764 WHOM CHARLES RAMBLE INVITED TO HELP DECIPHER THE TEXTS 272 00:14:42,766 --> 00:14:45,667 WHICH CHARLES BELIEVES ARE BON. 273 00:14:45,669 --> 00:14:48,970 THEY ARE BON SCHOLARS, BUT THE LOCALS ARE BUDDHIST 274 00:14:48,972 --> 00:14:52,240 AND THEY DON'T WANT BONPO LAMAS ON THEIR TURF. 275 00:15:09,925 --> 00:15:15,463 Narrator: THE LAMAS LEAVE TO SEEK HELP FROM THE KHEMPO'S MONASTERY. 276 00:15:15,465 --> 00:15:20,201 AND SO THE AGE-OLD PERSECUTION OF A FAITH CONTINUES. 277 00:15:20,203 --> 00:15:25,173 MUSTANG MAY BE MOSTLY BUDDHIST, BUT ITS ROOTS ARE BON. 278 00:15:28,277 --> 00:15:35,249 IT TOOK 1,100 YEARS FOR BUDDHISM TO REACH THE HIMALAYAS. 279 00:15:35,251 --> 00:15:39,153 THE STORY OF THE FAITH BEGINS IN THE 6th CENTURY B.C., 280 00:15:39,155 --> 00:15:42,056 WHEN A PRINCE NAMED SIDDHARTHA GAUTAMA, 281 00:15:42,058 --> 00:15:47,128 LATER KNOWN AS THE BUDDHA, WAS BORN IN SOUTHERN NEPAL. 282 00:15:47,130 --> 00:15:50,465 HE WAS RAISED IN LUXURY. 283 00:15:50,467 --> 00:15:52,700 WHEN HE REACHED THE AGE OF 29, 284 00:15:52,702 --> 00:15:55,970 HE STEPPED OUT OF HIS PALACE FOR THE FIRST TIME. 285 00:15:55,972 --> 00:16:00,408 WHAT HE SAW CHANGED HIS LIFE FOREVER: 286 00:16:00,410 --> 00:16:04,012 THE SICK, THE POOR AND THE AGING. 287 00:16:05,547 --> 00:16:08,549 HE RENOUNCED HIS PRIVILEGED LIFE, 288 00:16:08,551 --> 00:16:11,819 AND FOR SIX YEARS HE MEDITATED AND CAME TO REALIZE 289 00:16:11,821 --> 00:16:14,989 THAT ALL THINGS IN LIFE ARE IMPERMANENT, 290 00:16:14,991 --> 00:16:19,861 CAUGHT IN THE ENDLESS CYCLE OF BIRTH, DEATH, AND REBIRTH. 291 00:16:22,197 --> 00:16:24,232 AT THE AGE OF 35, 292 00:16:24,234 --> 00:16:28,736 HE BECAME THE LORD BUDDHA, THE ENLIGHTENED ONE. 293 00:16:32,941 --> 00:16:38,046 THE BUDDHA WAS NOT THE FIRST TO TEACH THE PATH TO ENLIGHTENMENT. 294 00:16:38,048 --> 00:16:43,217 SURPRISINGLY, HIS LIFE STORY MIRRORS THAT OF ANOTHER TEACHER. 295 00:16:43,219 --> 00:16:47,488 ACCORDING TO THOSE WHO FOLLOW THE BON FAITH, THE BONPO, 296 00:16:47,490 --> 00:16:49,857 THOUSANDS OF YEARS BEFORE THE BUDDHA, 297 00:16:49,859 --> 00:16:52,560 A PRINCE NAMED TONPA SHENRAB 298 00:16:52,562 --> 00:16:55,363 BECAME DISILLUSIONED BY THE WEALTH AROUND HIM 299 00:16:55,365 --> 00:16:59,100 AND RENOUNCED HIS PRIVILEGED LIFE. 300 00:16:59,102 --> 00:17:01,169 HE LAUNCHED THE BON FAITH, 301 00:17:01,171 --> 00:17:04,706 WHOSE INFLUENCE REACHED FROM CENTRAL ASIA TO CHINA. 302 00:17:04,708 --> 00:17:08,109 [SINGING] 303 00:17:08,111 --> 00:17:11,579 THE BONPO OFTEN SAY THE HISTORICAL BUDDHA 304 00:17:11,581 --> 00:17:16,184 WAS SIMPLY A REINCARNATION OF THE EVEN EARLIER TONPA SHENRAB. 305 00:17:19,688 --> 00:17:21,155 BECAUSE BON GREW 306 00:17:21,157 --> 00:17:23,791 OUT OF AN ANIMISTIC AND SHAMANISTIC TRADITION, 307 00:17:23,793 --> 00:17:25,560 THE FEW PEOPLE WHO STILL PRACTICE IT 308 00:17:25,562 --> 00:17:27,528 ARE OFTEN MISTRUSTED, 309 00:17:27,530 --> 00:17:33,234 MISTAKEN AS PRACTITIONERS OF A KIND OF BLACK MAGIC. 310 00:17:33,236 --> 00:17:35,937 AS A RESULT, TODAY THE BON RELIGION 311 00:17:35,939 --> 00:17:40,074 IS PERCEIVED A MALEVOLENT FORCE BY MANY. 312 00:17:40,076 --> 00:17:41,976 Charles: THERE'S A GREAT DEAL OF MISUNDERSTANDING, 313 00:17:41,978 --> 00:17:44,879 PARTICULARLY AMONG BUDDHISTS, ABOUT WHAT BON IS. 314 00:17:44,881 --> 00:17:46,180 THEY STILL HAVE THIS IDEA 315 00:17:46,182 --> 00:17:48,049 THAT BON WAS SOME KIND OF BENIGHTED DARK RELIGION 316 00:17:48,051 --> 00:17:51,085 THAT HAD TO BE EFFACED. 317 00:17:51,087 --> 00:17:53,988 Narrator: IT WAS THE MYTHICAL ACTIONS OF ONE GREAT FIGURE 318 00:17:53,990 --> 00:17:57,692 THAT BROUGHT ABOUT THE TRIUMPH OF BUDDHISM OVER BON. 319 00:18:02,030 --> 00:18:06,768 1,300 YEARS AGO, WHEN BON WAS THE DOMINANT FAITH OF MUSTANG, 320 00:18:06,770 --> 00:18:10,705 A GREAT TEACHER, GURU RINPOCHE, TRAVELED THROUGH THE REGION 321 00:18:10,707 --> 00:18:14,542 PREACHING THE SERMONS OF BUDDHISM. 322 00:18:14,544 --> 00:18:16,577 HIS FOLLOWING WAS UNPRECEDENTED, 323 00:18:16,579 --> 00:18:19,914 AND HE LEFT AN INDELIBLE MARK ON THE HIMALAYAS. 324 00:18:22,651 --> 00:18:24,152 IT WAS HERE IN MUSTANG 325 00:18:24,154 --> 00:18:29,023 WHERE HE ESTABLISHED THE FIRST TIBETAN BUDDHIST MONASTERY. 326 00:18:29,025 --> 00:18:32,693 MUSTANG WAS THE SITE OF HIS HISTORIC SLAYING OF A DEMONESS 327 00:18:32,695 --> 00:18:36,964 WHO REPRESENTED THE BON FORCES RESISTING BUDDHISM. 328 00:18:38,634 --> 00:18:40,334 Charles: GURU RINPOCHE CATCHES THE DEMONESS 329 00:18:40,336 --> 00:18:43,037 AND DISEMBOWELS HER, TEARS HER TO PIECES, 330 00:18:43,039 --> 00:18:46,507 AND THIS IS WHY WHEN YOU SEE BLUE STRIATIONS IN THE ROCKS, 331 00:18:46,509 --> 00:18:48,609 THIS IS THE LIVER OF THE DEMONESS 332 00:18:48,611 --> 00:18:50,812 THAT WAS FLUNG INTO THE CLIFF. 333 00:18:50,814 --> 00:18:53,548 YOU'LL SEE VERY RED STREAKS OF ROCK. 334 00:18:53,550 --> 00:18:55,583 THIS OF COURSE IS THE BLOOD OF THE DEMONESS. 335 00:18:55,585 --> 00:18:58,619 THERE ARE LITTLE FRAGMENTS OF HER LIVER ALL OVER THE PLACE. 336 00:18:58,621 --> 00:19:00,955 THE BUDDHISTS THEMSELVES ASSOCIATE THE DEMONESS 337 00:19:00,957 --> 00:19:06,394 WITH THE INDIGENOUS DARK FORCES, WHICH THEY REGARD AS BEING BON. 338 00:19:06,396 --> 00:19:11,165 Narrator: IT WAS A METAPHORICAL SPILLING OF THE BLOOD OF THE BONPO. 339 00:19:14,136 --> 00:19:18,406 THE LEGACY OF THAT CONFLICT IS STILL PALPABLE AT MARJONG TODAY. 340 00:19:20,375 --> 00:19:23,811 LAMAS RETURN AFTER HAVING MET WITH THE KHEMPO, 341 00:19:23,813 --> 00:19:26,347 AND WHETHER THEY ARE BONPO OR BUDDHIST, 342 00:19:26,349 --> 00:19:28,749 THE DECISION IS UNANIMOUS-- 343 00:19:28,751 --> 00:19:31,185 THE RESEARCHERS MUST BE ALLOWED INTO THE CAVES 344 00:19:31,187 --> 00:19:34,388 TO REMOVE AND DOCUMENT WHAT'S THERE. 345 00:19:36,658 --> 00:19:41,729 NOW IT'S A MATTER OF CONVINCING THE YOUTH CLUB TO BACK DOWN. 346 00:19:41,731 --> 00:19:44,765 THE MONASTIC TRADITION OF DEBATE ENSUES. 347 00:19:44,767 --> 00:19:47,768 [SPEAKING TIBETAN DIALECT] 348 00:19:51,773 --> 00:19:54,876 Narrator: THE YOUTH CLUB AGREES TO ALLOW THE TEAM TO GO UP, 349 00:19:54,878 --> 00:19:56,143 BUT JUST TO HAVE A LOOK. 350 00:19:59,514 --> 00:20:01,282 Charles: I'VE NEVER WORN A HARNESS BEFORE. 351 00:20:01,284 --> 00:20:02,383 I'VE NEVER CLIMBED BEFORE. 352 00:20:02,385 --> 00:20:05,253 RIGHT LEG? LEFT LEG? 353 00:20:05,255 --> 00:20:07,855 Pete: YOU CAN GRAB THE RED SLINGS, THE GREEN SLINGS. 354 00:20:07,857 --> 00:20:09,490 ANY OF THOSE ARE FIXED. 355 00:20:09,492 --> 00:20:10,725 Charles: THOSE ROCKS ARE FAIRLY SECURE, ARE THEY? 356 00:20:10,727 --> 00:20:13,961 Pete: THEY'RE PRETTY SECURE, ACTUALLY. 357 00:20:13,963 --> 00:20:18,799 Narrator: CHARLES HAS A DEEP-ROOTED FEAR OF HEIGHTS. 358 00:20:18,801 --> 00:20:21,302 HE HAS THE ATHLETIC ABILITY, 359 00:20:21,304 --> 00:20:28,709 BUT IRRATIONAL FEAR CAN RENDER A PERSON UNSTABLE ON HIS FEET. 360 00:20:28,711 --> 00:20:31,045 Charles: I JUST LOVE THESE NARROW LEDGES. 361 00:20:39,054 --> 00:20:42,456 Narrator: FEAR ASIDE, THIS IS NOT EASY CLIMBING. 362 00:20:42,458 --> 00:20:44,792 Pete: JUST STEP BACK AND BEHIND. THERE YOU GO. 363 00:20:44,794 --> 00:20:48,329 SOME OF THAT ROCK RIGHT ON THE SURFACE IS LOOSE. 364 00:20:48,331 --> 00:20:49,730 Kris: BELAY IS ON, RENAN? 365 00:20:49,732 --> 00:20:50,765 Renan: BELAY IS ON! 366 00:20:50,767 --> 00:20:53,401 Kris: OKAY, CHARLES! 367 00:20:53,403 --> 00:20:54,635 FACING INTO THE ROCK, NOW. 368 00:20:54,637 --> 00:20:57,838 FACING IN! 369 00:20:57,840 --> 00:20:59,707 THERE YOU GO, LEFT FOOT FIRST. 370 00:20:59,709 --> 00:21:01,542 RENAN WILL START GIVING YOU INFORMATION 371 00:21:01,544 --> 00:21:04,512 ON WHAT'S ON THE OTHER SIDE! 372 00:21:07,049 --> 00:21:11,152 RIGHT HAND ON THE YELLOW ROCK BY YOUR THIGH THERE. 373 00:21:11,154 --> 00:21:14,622 GOOD! LOOKING GREAT. 374 00:21:14,624 --> 00:21:18,192 GOOD JOB, CHARLES. 375 00:21:18,194 --> 00:21:19,860 EXCELLENT. 376 00:21:22,564 --> 00:21:25,132 Narrator: THOUSANDS OF SACRED FOLIOS, 377 00:21:25,134 --> 00:21:28,302 HAND-INKED CENTURIES AGO BY MONKS. 378 00:21:28,304 --> 00:21:30,905 Charles: THIS IS AN ABSOLUTELY EXTRAORDINARY COLLECTION. 379 00:21:30,907 --> 00:21:32,273 WITH A BIT OF LUCK WE'LL KNOW SOMETHING 380 00:21:32,275 --> 00:21:34,175 OF THE DIVERSITY OF THE LITERATURE 381 00:21:34,177 --> 00:21:36,711 THAT'S BEEN STACKED UP IN HERE. 382 00:21:36,713 --> 00:21:38,813 IDEALLY, WE'LL GET THE LAST PAGE OF THIS LOT. 383 00:21:38,815 --> 00:21:40,514 AND THAT'LL TELL US WHO WROTE IT, 384 00:21:40,516 --> 00:21:42,850 WHY IT WAS WRITTEN, WHO PAID FOR IT. 385 00:21:42,852 --> 00:21:44,352 WE'RE NOT GOING TO FIND IT. 386 00:21:44,354 --> 00:21:45,753 Narrator: THE LAST PAGE-- 387 00:21:45,755 --> 00:21:47,855 THE KEY TO EVERYTHING IN THE COLLECTION-- 388 00:21:47,857 --> 00:21:51,892 IS CALLED A COLOPHON, AND IT IS THE NEEDLE IN THIS HAYSTACK. 389 00:21:51,894 --> 00:21:53,260 Charles: IN THE MEANTIME 390 00:21:53,262 --> 00:21:55,196 SOMEBODY'S GONE THROUGH THE WHOLE LOT, RIFLING THEM, 391 00:21:55,198 --> 00:21:57,164 PROBABLY FOR ILLUMINATED FOLIOS, 392 00:21:57,166 --> 00:22:01,569 WHICH ARE WORTH SOMETHING ON THE COMMERCIAL MARKET. 393 00:22:01,571 --> 00:22:02,970 Narrator: THE ILLUMINATIONS, 394 00:22:02,972 --> 00:22:06,073 THE ORIGINAL PAINTINGS FOUND ON MANY OF THE TEXTS, 395 00:22:06,075 --> 00:22:12,847 ARE SMALL MASTERPIECES LYING IN CENTURIES-OLD PIGEON DROPPINGS. 396 00:22:12,849 --> 00:22:14,181 Pete: YEAH, THIS IS A NICE ONE, CHARLES, 397 00:22:14,183 --> 00:22:16,217 RIGHT HERE THAT KRIS HAS. 398 00:22:16,219 --> 00:22:18,853 Charles: OH, LOVELY! 399 00:22:21,256 --> 00:22:24,492 THIS IS TONPA SHENRAB SHUK. 400 00:22:24,494 --> 00:22:26,193 SO HERE SITS TONPA SHENRAB. 401 00:22:26,195 --> 00:22:27,428 SO THIS IS THE MAIN ENLIGHTENED ONE, 402 00:22:27,430 --> 00:22:29,497 THE FOUNDER OF THE BON RELIGION. 403 00:22:29,499 --> 00:22:30,531 Pete: IT'S BEAUTIFUL. 404 00:22:30,533 --> 00:22:32,099 Charles: IT IS. IT'S LOVELY. 405 00:22:32,101 --> 00:22:34,802 AH HA! THIS IS THE END OF THE SIXTH VOLUME. 406 00:22:34,804 --> 00:22:36,237 [LAUGHS] 407 00:22:36,239 --> 00:22:39,640 PAGES 55 AND 56. 408 00:22:39,642 --> 00:22:42,109 THIS IS THE KIND OF THING I'M REALLY AFTER 409 00:22:42,111 --> 00:22:45,312 BECAUSE THIS IS EITHER THE COLOPHON OF THE TEXT 410 00:22:45,314 --> 00:22:48,015 OR IT'S SOME KIND OF DOCUMENT. 411 00:22:48,017 --> 00:22:50,518 Narrator: THEY'VE FOUND THE COLOPHON. 412 00:22:50,520 --> 00:22:51,952 Charles: THIS IS THE KEY TO, 413 00:22:51,954 --> 00:22:55,122 WITH A BIT OF LUCK IT MIGHT GIVE THE DATE, 414 00:22:55,124 --> 00:23:00,461 IT SHOULD GIVE THE PLACE, AND IT SHOULD NAME THE PATRON, 415 00:23:00,463 --> 00:23:01,896 AND I JUST PRAY THAT THE NAME OF THE PATRON 416 00:23:01,898 --> 00:23:05,866 IS NOT ON THE MISSING PART OF THE TEXT. 417 00:23:08,070 --> 00:23:10,538 Pete: TRY TO IMPRESS UPON THE YOUTH GROUP 418 00:23:10,540 --> 00:23:12,706 THAT THIS ROOM IN JUST A YEAR 419 00:23:12,708 --> 00:23:14,909 HAS BECOME IN MUCH WORSE CONDITION 420 00:23:14,911 --> 00:23:17,078 AND THE DOCUMENTS HAVE SUFFERED AND BEEN COMPROMISED 421 00:23:17,080 --> 00:23:18,245 AS A RESULT OF IT. 422 00:23:18,247 --> 00:23:20,414 SO EVERYONE UP HERE, 423 00:23:20,416 --> 00:23:22,750 WHETHER THEY'RE FROM THE U.S. OR FROM GREAT BRITAIN 424 00:23:22,752 --> 00:23:24,151 OR FROM THE YOUTH GROUP 425 00:23:24,153 --> 00:23:27,254 ARE HOPING THAT SOME AGREEMENT CAN BE MADE TODAY 426 00:23:27,256 --> 00:23:31,025 ABOUT RESCUING THESE DOCUMENTS. 427 00:23:31,027 --> 00:23:33,861 Narrator: AFTER TWO HOURS OF SCANNING THROUGH TEXTS, 428 00:23:33,863 --> 00:23:37,731 CHARLES CONCLUDES THAT THIS ISN'T A RANDOM COLLECTION. 429 00:23:37,733 --> 00:23:39,633 THE FOLIOS TELL A BIGGER STORY 430 00:23:39,635 --> 00:23:43,170 ABOUT THE EXPUNGING OF BON FROM MUSTANG'S HISTORY. 431 00:23:43,172 --> 00:23:45,873 Charles: IT'S QUITE LIKELY THAT THIS IS A ROYAL COLLECTION 432 00:23:45,875 --> 00:23:48,209 AND THE KING DECIDED TO REMOVE ALL THE BONPO TEXTS 433 00:23:48,211 --> 00:23:50,377 FROM HIS PALACE AND PUT THEM IN HERE. 434 00:23:50,379 --> 00:23:53,447 Narrator: REMOVING ALL EVIDENCE OF THE OLD BON FAITH 435 00:23:53,449 --> 00:23:55,316 WAS ONE WAY A KING OF THE PAST 436 00:23:55,318 --> 00:23:57,351 WOULD HAVE HANDLED HIS KINGDOM'S CONVERSION 437 00:23:57,353 --> 00:23:59,887 TO THE NEW BUDDHIST RELIGION. 438 00:23:59,889 --> 00:24:01,555 Pete: CHARLES IS SAYING THERE'S REALLY NO POINT 439 00:24:01,557 --> 00:24:04,725 IN US DOING ANYTHING MORE UNLESS WE CAN EVACUATE THE DOCUMENTS. 440 00:24:04,727 --> 00:24:09,196 Brot: OKAY, THAT SOUNDS GOOD. 441 00:24:09,198 --> 00:24:10,865 Jeff: GOOD TIBETAN ILLUMINATIONS, 442 00:24:10,867 --> 00:24:14,168 I THINK THE MOST EXPENSIVE HAS BEEN OVER $100,000 443 00:24:14,170 --> 00:24:18,706 FOR JUST ONE SMALL 2-INCH BY 3-INCH SQUARE. 444 00:24:18,708 --> 00:24:21,108 Narrator: HIMALAYAN ART HISTORIAN, JEFF WATT, 445 00:24:21,110 --> 00:24:24,845 KNOWS THE MARKET VALUE OF THIS LOST TIBETAN ART. 446 00:24:24,847 --> 00:24:26,413 Jeff: WE DON'T KNOW HOW OLD THESE ARE, 447 00:24:26,415 --> 00:24:29,083 BUT EVEN POOR QUALITY ARE VALUABLE 448 00:24:29,085 --> 00:24:32,753 AND WORTH THE EFFORT OF POOR PEOPLE CRAWLING IN 449 00:24:32,755 --> 00:24:34,121 AND TRYING TO GET THEM 450 00:24:34,123 --> 00:24:35,756 BECAUSE IT'S JUST MONEY LAYING AROUND. 451 00:24:35,758 --> 00:24:38,826 IT'S LITERALLY MONEY LAYING AROUND... 452 00:24:38,828 --> 00:24:41,095 WHICH IS THE AWFUL THING. 453 00:24:43,598 --> 00:24:46,367 Kris: A FEW MORE INCHES WITH YOUR RIGHT HAND. 454 00:24:46,369 --> 00:24:49,069 THERE IT IS. GOOD. 455 00:24:58,947 --> 00:25:00,281 NICE. 456 00:25:00,283 --> 00:25:05,152 Charles: NEVER AGAIN IN MY LIFE AM I GOING TO DO THAT. 457 00:25:05,154 --> 00:25:08,789 Kris: ALL RIGHT, YOU'RE SAFE. 458 00:25:13,261 --> 00:25:15,095 Narrator: AS SOON AS THEY REACH THE GROUND, 459 00:25:15,097 --> 00:25:17,631 THE ENTIRE TEAM IS SEARCHED BY THE YOUTH CLUB 460 00:25:17,633 --> 00:25:19,533 FOR ANY TEXTS OR ANTIQUITIES 461 00:25:19,535 --> 00:25:23,804 THAT MIGHT HAVE BEEN REMOVED FROM THE CAVE. 462 00:25:23,806 --> 00:25:26,273 WITHOUT PERMISSION TO REMOVE THE FOLIOS, 463 00:25:26,275 --> 00:25:28,509 THE TEAM IS PARALYZED. 464 00:25:28,511 --> 00:25:30,678 THE FATE OF THE ANCIENT LIBRARY 465 00:25:30,680 --> 00:25:33,414 IS IN THE HANDS OF THE KHEMPO'S LAMAS. 466 00:25:33,416 --> 00:25:36,350 Brot: THE PLAN IS THAT THEY ARE GOING TO GO UP TO LO MANTHANG, 467 00:25:36,352 --> 00:25:37,818 HAVE MEETINGS TONIGHT, 468 00:25:37,820 --> 00:25:43,224 AND FORM A CONSENSUS OF ALL OF THE CONCERNED STAKE HOLDERS, 469 00:25:43,226 --> 00:25:46,460 AND THEY'LL WRITE A WRITTEN REQUEST 470 00:25:46,462 --> 00:25:49,997 THAT OUR TEAM COME AND REMOVE THE MANUSCRIPTS. 471 00:25:49,999 --> 00:25:52,967 Charles: IT ALSO MEANS THAT I GET TO GO IN THERE AGAIN. 472 00:25:52,969 --> 00:25:55,402 Narrator: DECIPHERING DIGITAL IMAGES OF THE TEXTS 473 00:25:55,404 --> 00:25:58,472 GETS CHARLES CLOSER TO A DATE. 474 00:25:58,474 --> 00:26:01,875 THEY MAY BE OVER 500 YEARS OLD. 475 00:26:01,877 --> 00:26:03,577 Charles: WHAT WE MAY HAVE IN THESE CAVES 476 00:26:03,579 --> 00:26:07,181 COULD WELL BE THE TEXTS FROM THE DEAD CITY OF BONKOR. 477 00:26:07,183 --> 00:26:09,984 THIS IS A VERY IMPORTANT BONPO SETTLEMENT 478 00:26:09,986 --> 00:26:11,719 THAT WAS PRESENT BEFORE THE ESTABLISHMENT 479 00:26:11,721 --> 00:26:15,189 OF THE K 14th CENTURY. 480 00:26:15,191 --> 00:26:17,658 SO WHEN THIS WAS WRITTEN, WE DON'T KNOW, 481 00:26:17,660 --> 00:26:20,561 BUT WE'RE GETTING WARMER. 482 00:26:20,563 --> 00:26:23,631 I'M SURE THERE ARE MORE CLUES IN THE CAVES. 483 00:26:23,633 --> 00:26:27,701 LET'S SEE IF WE CAN GET THEM OUT TOMORROW. 484 00:26:27,703 --> 00:26:30,571 Narrator: ARCHAEOLOGIST, MARK ALDENDERFER, 485 00:26:30,573 --> 00:26:34,975 TAKES AN INTERESTING HANDS-ON METHOD TO DATE THE CAVES. 486 00:26:34,977 --> 00:26:36,377 Mark: AND SOMEBODY'S GOING TO TRANSLATE RIGHT? 487 00:26:36,379 --> 00:26:37,578 Man: OKAY. 488 00:26:37,580 --> 00:26:38,812 Mark: OKAY, YOU KNOW WHAT WE'RE GOING TO DO, 489 00:26:38,814 --> 00:26:41,515 WE'RE GOING TO MAKE A CAVE LIKE UP THERE 490 00:26:41,517 --> 00:26:46,620 TO FIT INSIDE A SPACE LIKE THIS, HERE. 491 00:26:46,622 --> 00:26:50,024 SO WHAT YOU WANT TO DO IS MAKE A SHAPE THAT GOES IN. 492 00:26:50,026 --> 00:26:52,760 [SPEAKING NEPALI] 493 00:26:57,265 --> 00:26:59,300 Mark: YOU GET A SENSE OF HOW HARD THIS IS. 494 00:26:59,302 --> 00:27:00,834 I MEAN, THIS IS NOT TRIVIAL EXERCISE HERE 495 00:27:00,836 --> 00:27:02,336 TO BEGIN THIS PROCESS. 496 00:27:02,338 --> 00:27:04,271 SO YOU REALLY NEED GOOD QUALITY TOOLS, 497 00:27:04,273 --> 00:27:06,273 EITHER BRONZE OR IRON. 498 00:27:06,275 --> 00:27:08,108 EARLY ON THEY WOULD HAVE PROBABLY BEEN USING 499 00:27:08,110 --> 00:27:10,177 BRONZE TOOLS, MAYBE HORN TOOLS 500 00:27:10,179 --> 00:27:13,280 OR MAYBE EVEN STONE TOOLS, STONE AXES. 501 00:27:13,282 --> 00:27:15,816 Narrator: IT TAKES EIGHT MEN AND ONE CHILD 502 00:27:15,818 --> 00:27:21,422 ABOUT TWO HOURS TO EXCAVATE A MINI CAVE. 503 00:27:21,424 --> 00:27:25,893 THEY USE WHATEVER METAL TOOLS ARE AVAILABLE. 504 00:27:25,895 --> 00:27:27,127 Mark: IT'S A TEDIOUS PROCESS, 505 00:27:27,129 --> 00:27:28,996 SO YOU CAN IMAGINE BUILDING A CAVE COMPLEX 506 00:27:28,998 --> 00:27:31,665 OF 60, 80, 100 ROOMS-- 507 00:27:31,667 --> 00:27:33,334 A LOT OF WORK. 508 00:27:33,336 --> 00:27:35,035 Narrator: WHILE AWAITING THE KHEMPO'S DECISION 509 00:27:35,037 --> 00:27:36,737 ON THE MANUSCRIPTS, 510 00:27:36,739 --> 00:27:38,906 THE TEAM SETS THEIR SIGHTS NEXT 511 00:27:38,908 --> 00:27:43,510 ON A CAVE PETE AND RENAN EXPLORED 16 MONTHS EARLIER. 512 00:27:44,913 --> 00:27:47,014 THEY FORGED A ROUTE THROUGH SNOW 513 00:27:47,016 --> 00:27:51,652 TO A CAVE NEAR THE VILLAGE OF SAMAR. 514 00:27:51,654 --> 00:27:53,220 NOW IT'S AUGUST 515 00:27:53,222 --> 00:27:56,123 AND THE IRRIGATED FIELDS OF MUSTANG ARE LUSH. 516 00:27:56,125 --> 00:27:57,758 Man: NAMASTE. Girl: NAMASTE. 517 00:27:59,494 --> 00:28:01,128 Narrator: THEY'RE REVISITING THE CAVE 518 00:28:01,130 --> 00:28:03,197 BECAUSE THE FLOOR PLAN IS SO UNIQUE 519 00:28:03,199 --> 00:28:07,601 THEY WANT MARK TO HAVE A LOOK. 520 00:28:07,603 --> 00:28:09,803 THE ONLY ROUTE IS STRAIGHT UP 521 00:28:09,805 --> 00:28:12,039 AND REQUIRES TECHNICAL ROCK CLIMBING SKILLS. 522 00:28:14,509 --> 00:28:16,810 RENAN MANAGES TO GET INSIDE 523 00:28:16,812 --> 00:28:19,346 AND RIGS A ROPE FOR THE OTHERS TO CLIMB UP. 524 00:28:21,783 --> 00:28:26,687 PETE SETS UP A SYSTEM FOR MARK TO CLIMB IN. 525 00:28:26,689 --> 00:28:27,955 Pete: GO AHEAD AND PUSH UP THE BLUE ONE. 526 00:28:27,957 --> 00:28:29,323 Mark: WORKING ON IT. 527 00:28:29,325 --> 00:28:32,326 Pete: YEAH, TRY AND STAND UP IN THE ET. 528 00:28:32,328 --> 00:28:33,594 YEAH, THERE YOU GO. 529 00:28:33,596 --> 00:28:36,563 YOU CAN SIT BACK A LITTLE BIT. 530 00:28:36,565 --> 00:28:37,931 Mark: THIS IS GOING TO BE A STRUGGLE, I THINK. 531 00:28:37,933 --> 00:28:43,003 Pete: YEAH, OKAY, LET'S RIG IT A LITTLE DIFFERENTLY. 532 00:28:43,005 --> 00:28:45,539 Narrator: RENAN IS LEFT TO IMAGINE WHAT IT MUST HAVE BEEN LIKE 533 00:28:45,541 --> 00:28:50,344 FOR THOSE WHO ONCE LIVED HERE. 534 00:28:50,346 --> 00:28:55,349 THE ROOMS OFFER PROTECTION FROM THE ELEMENTS, 535 00:28:55,351 --> 00:28:57,684 AND WOOD PROTRUDING FROM THE EXTERIOR 536 00:28:57,686 --> 00:29:02,990 SUGGESTS A BALCONY FOR EXPOSURE TO THE WARM SUN. 537 00:29:02,992 --> 00:29:05,993 KRIS PHOTOGRAPHS EACH ROOM, 538 00:29:05,995 --> 00:29:11,698 WHILE RENAN DRAWS THE LAYOUT OF THE ENTIRE COMPLEX. 539 00:29:11,700 --> 00:29:17,671 PETE HAS RIGGED A HAULING SYSTEM TO PULL MARK UP THE CLIFF. 540 00:29:17,673 --> 00:29:21,608 MARK USES LEG LOOPS, MUCH LIKE A STAIRWAY, 541 00:29:21,610 --> 00:29:26,814 WHILE PETE ACTS AS A COUNTERWEIGHT. 542 00:29:26,816 --> 00:29:31,151 IT ALL WORKS LIKE A PULLEY, LIFTING MARK UPWARDS, 543 00:29:31,153 --> 00:29:34,788 UNTIL HE REACHES THE CAVE OPENING AND GETS STUCK. 544 00:29:34,790 --> 00:29:36,223 Mark: OKAY! 545 00:29:36,225 --> 00:29:38,192 Narrator: HE'S TRAPPED THE ROPE SYSTEMS UNDERNEATH HIM, 546 00:29:38,194 --> 00:29:42,129 SO THERE'S NO SLACK TO LET HIM INSIDE. 547 00:29:42,131 --> 00:29:44,832 THERE'S ONLY ONE SOLUTION IN THIS SITUATION, 548 00:29:44,834 --> 00:29:47,568 A CLIMBER'S LAST RESORT. 549 00:29:47,570 --> 00:29:50,938 Pete: OKAY, YOU GUYS GOT HIM? 550 00:29:50,940 --> 00:29:55,175 Narrator: PETE CUTS HIM FREE. 551 00:29:55,177 --> 00:29:56,743 Pete: NOTHING LIKE A BELAY KNIFE. 552 00:29:56,745 --> 00:29:59,746 Mark: OKAY, IT'S WORTH IT. 553 00:29:59,748 --> 00:30:02,316 Narrator: LIKE MOST OF MUSTANG'S CAVE COMPLEXES, 554 00:30:02,318 --> 00:30:06,687 THE APPROACH IS A STRUGGLE. 555 00:30:06,689 --> 00:30:09,690 BUT ONCE INSIDE, THE ROOMS ARE LEVEL 556 00:30:09,692 --> 00:30:14,194 AND PLANS ARE MUCH LIKE A HOUSE. 557 00:30:14,196 --> 00:30:18,565 MANY FLOORS HAVE LONG CORRIDORS, 558 00:30:18,567 --> 00:30:22,836 EITHER PERPENDICULAR OR PARALLEL TO THE CLIFF. 559 00:30:22,838 --> 00:30:27,341 VERTICAL SHAFTS CONNECT ONE LEVEL TO THE NEXT. 560 00:30:27,343 --> 00:30:32,946 CAVE COLONIES CAN RANGE FROM 2 LEVELS TO 10... 561 00:30:32,948 --> 00:30:36,817 SOME LEVELS CONTAINING AS MANY AS 15 ROOMS. 562 00:30:40,288 --> 00:30:43,857 SOOT ON WALLS INDICATES CAVE KITCHENS, 563 00:30:43,859 --> 00:30:49,396 AND STORAGE ROOMS HOLD LARGE GRANARIES. 564 00:30:49,398 --> 00:30:52,599 MOST OF THE COMPLEXES HAVE A SINGLE MONASTIC ROOM 565 00:30:52,601 --> 00:30:54,601 AT THE UPPERMOST LEVEL-- 566 00:30:54,603 --> 00:30:59,740 A LATER ADDITION BY RELIGIOUS PRACTITIONERS. 567 00:30:59,742 --> 00:31:03,677 THESE HIGH TEMPLE ROOMS SIT ATOP CAVE COMPLEXES 568 00:31:03,679 --> 00:31:06,680 THAT CAN HAVE 60-80 ROOMS-- 569 00:31:06,682 --> 00:31:11,718 A HIGH-RISE HEWN INTO A HIMALAYAN CLIFF. 570 00:31:11,720 --> 00:31:13,020 Mark: YOU CAN SEE THE TOOL MARKS 571 00:31:13,022 --> 00:31:16,757 THAT ARE CUT INTO THE WALLS RIGHT HERE. 572 00:31:16,759 --> 00:31:19,927 IN OUR LITTLE EXPERIMENT THAT WE CONDUCTED AT MARJONG, 573 00:31:19,929 --> 00:31:21,762 IT TOOK US TWO HOURS 574 00:31:21,764 --> 00:31:25,766 TO CARVE OUT 1.75 CUBIC METERS OF EARTH. 575 00:31:25,768 --> 00:31:28,035 THAT WAS IN RELATIVELY SOFT ROCK. 576 00:31:28,037 --> 00:31:30,103 THIS IS HARD STONE. 577 00:31:30,105 --> 00:31:32,339 JUST THINK ABOUT THE AMOUNT OF TIME THAT IT WOULD TAKE 578 00:31:32,341 --> 00:31:35,976 TO CARVE SOMETHING IN THIS ROCK. 579 00:31:35,978 --> 00:31:38,712 IT'S REALLY PRETTY TOUGH STUFF. 580 00:31:40,949 --> 00:31:43,216 ONE OF THE PERPLEXING QUESTIONS ABOUT THESE CAVES 581 00:31:43,218 --> 00:31:46,787 IS WHEN AND WHO DID THE WORK? 582 00:31:46,789 --> 00:31:48,355 YOU CAN'T DATE THE ROCK. 583 00:31:48,357 --> 00:31:51,825 ALL YOU CAN DO IS DATE THINGS LIKE THE SOOT. 584 00:31:51,827 --> 00:31:53,193 ON THE BRICK WALL HERE 585 00:31:53,195 --> 00:31:54,928 YOU CAN SEE HOW THICK THE SOOT IS RIGHT HERE, 586 00:31:54,930 --> 00:31:56,930 SO WE'LL TAKE A SAMPLE OF THAT. 587 00:31:56,932 --> 00:31:59,333 AND THEN WE'LL PROBABLY TRY TO WORK A SAMPLE-- 588 00:31:59,335 --> 00:32:01,268 OH, THERE'S A PERFECT ONE RIGHT THERE-- 589 00:32:01,270 --> 00:32:03,737 THAT'S PART OF THE CAVE ROOF ITSELF. 590 00:32:03,739 --> 00:32:06,740 AND IF YOU LOOK CAREFULLY AT THE EDGE: 591 00:32:06,742 --> 00:32:09,776 THERE'S CAVE WALL, AND THEN THERE'S THE SOOT LAYER 592 00:32:09,778 --> 00:32:11,211 THAT'S ACCUMULATED OVER THE YEARS, 593 00:32:11,213 --> 00:32:14,181 AND SO OUR GOAL WILL BE TO SAMPLE AS CLOSE AS WE CAN 594 00:32:14,183 --> 00:32:17,484 TO THAT INTERFACE RIGHT THERE. 595 00:32:17,486 --> 00:32:19,486 Narrator: KRIS SIFTS FOR MORE CLUES 596 00:32:19,488 --> 00:32:23,390 THROUGH DRIFTS OF DRIED BIRD DROPPINGS. 597 00:32:23,392 --> 00:32:28,562 Kris: THIS LOOKS LIKE AN ANCIENT PRAYER PACKET HERE. 598 00:32:28,564 --> 00:32:30,564 PRAYERS ARE WRITTEN ON THE INSIDE 599 00:32:30,566 --> 00:32:35,002 AND THEN WORN AROUND THE NECK. 600 00:32:35,004 --> 00:32:39,439 IT'S IN REALLY GOOD SHAPE. 601 00:32:39,441 --> 00:32:41,575 FANTASTIC, HUH? 602 00:32:46,414 --> 00:32:51,985 THIS IS ANOTHER ONE THAT WAS WRAPPED IN A PIECE OF CLOTH 603 00:32:51,987 --> 00:32:55,389 AND THE PRAYERS ARE STILL FOLDED 604 00:32:55,391 --> 00:32:58,859 AND FAIRLY WELL INTACT ON THE INSIDE. 605 00:32:58,861 --> 00:33:02,295 WOW, WHOLE BUNDLES OF PRAYER PACKAGES HERE! 606 00:33:02,297 --> 00:33:03,964 SEVERAL OF THEM. 607 00:33:03,966 --> 00:33:06,500 THESE COULD BE VERY OLD. 608 00:33:06,502 --> 00:33:07,501 Pete: GOT IT? 609 00:33:07,503 --> 00:33:08,502 Mark: YUP. 610 00:33:08,504 --> 00:33:09,870 Pete: OKAY. 611 00:33:09,872 --> 00:33:10,871 Mark: I HAVE IT. 612 00:33:10,873 --> 00:33:12,773 Pete: ALL RIGHT, THERE IT GOES. 613 00:33:12,775 --> 00:33:15,475 Mark: LOOK AT THAT, THAT'S BEAUTIFUL. 614 00:33:20,415 --> 00:33:23,050 Narrator: IT'S BEEN A LONG DAY, 615 00:33:23,052 --> 00:33:25,252 AND THEY STILL HAVE A THREE-HOUR TREK BACK 616 00:33:25,254 --> 00:33:28,522 TO RENDEZVOUS WITH THE REST OF THE TEAM. 617 00:33:35,596 --> 00:33:37,597 CHARLES AND MOHAN SINGH LAMA, 618 00:33:37,599 --> 00:33:39,700 FROM NEPAL'S DEPARTMENT OF ARCHAEOLOGY, 619 00:33:39,702 --> 00:33:43,437 DECIPHER THE ARCHAIC TIBETAN SCRIPT. 620 00:33:46,074 --> 00:33:48,608 Charles: BUT IT LOOKS LIKE IT MENTIONS TWO PEOPLE 621 00:33:48,610 --> 00:33:50,143 AND HAS SOMETHING TO DO WITH TAXES 622 00:33:50,145 --> 00:33:52,813 AND IT'S SOME KIND OF AGREEMENT. 623 00:33:52,815 --> 00:33:56,717 Narrator: THESE ARE RARE DOCUMENTS AN ANTHROPOLOGIST HOPES FOR: 624 00:33:56,719 --> 00:34:00,420 THE PERSONAL PAPERS OF A PEOPLE WHO LIVED HERE CENTURIES AGO. 625 00:34:00,422 --> 00:34:03,757 Charles: AND THEN WE HAVE THESE BITS AND PIECES. 626 00:34:03,759 --> 00:34:06,126 THESE ARE AMULETS. 627 00:34:06,128 --> 00:34:07,527 SOMEONE WOULD APPROACH A PRIEST 628 00:34:07,529 --> 00:34:09,763 AND SAY THAT HE OR SHE REQUIRES PROTECTION 629 00:34:09,765 --> 00:34:13,133 AGAINST MALADIES, WITCHES, GOSSIP, OR SOME SUCH THING. 630 00:34:13,135 --> 00:34:15,035 AND THE PRIEST WILL MAKE A BLOCK PRINT, 631 00:34:15,037 --> 00:34:18,238 FOLD IT UP INTO A LEATHER POUCH OR A CLOTH POUCH 632 00:34:18,240 --> 00:34:20,774 AND THE PETITIONER WILL HANG THIS AROUND HIS OR HER NECK 633 00:34:20,776 --> 00:34:23,810 AS A FORM OF PROTECTION. 634 00:34:25,980 --> 00:34:27,347 ONCE THEY ARE REMOVED OR RENEWED, 635 00:34:27,349 --> 00:34:28,515 THEY WOULD NEVER BE THROWN AWAY, 636 00:34:28,517 --> 00:34:30,016 THEY WOULD JUST BE HUNG IN THE HOUSE. 637 00:34:30,018 --> 00:34:32,185 SO THIS COULD BE A COLLECTION OF THESE AMULETS 638 00:34:32,187 --> 00:34:34,287 FROM A SINGLE HOUSE. 639 00:34:34,289 --> 00:34:37,424 NOW WHAT'S REALLY INTERESTING ABOUT THESE-- 640 00:34:37,426 --> 00:34:39,826 IT'S NOT A BLOCK PRINT, IT'S MANUSCRIPT, 641 00:34:39,828 --> 00:34:41,228 AND IT'S ALL COMPLETELY WRITTEN BY HAND, 642 00:34:41,230 --> 00:34:42,863 AND PAINTED BY HAND. 643 00:34:42,865 --> 00:34:44,498 THESE SORTS OF THINGS 644 00:34:44,500 --> 00:34:46,533 ALMOST ALWAYS ARE BLOCK PRINTED AFTER THE 17th CENTURY, I THINK, 645 00:34:46,535 --> 00:34:48,769 SO THIS IS ANOTHER ITEM OF EVIDENCE 646 00:34:48,771 --> 00:34:52,672 TO SUGGEST THAT THIS IS PRE-17th CENTURY. 647 00:34:55,209 --> 00:34:59,045 NOW WHY WOULD A COLLECTION LIKE THIS BE FOUND IN A CAVE? 648 00:34:59,047 --> 00:35:02,749 TIBETANS CONSIDER THAT ANYTHING WRITTEN IS SACRED. 649 00:35:02,751 --> 00:35:04,084 IN THIS PART OF THE WORLD 650 00:35:04,086 --> 00:35:05,619 THERE IS ACTUALLY NO WORD FOR RELIGION. 651 00:35:05,621 --> 00:35:07,888 THE USUAL TIBETAN WORD FOR RELIGION IS CHEU, 652 00:35:07,890 --> 00:35:10,023 WHICH MEANS A BOOK. 653 00:35:10,025 --> 00:35:12,626 SO A BOOK IS INTRINSICALLY SOMETHING SACRED. 654 00:35:12,628 --> 00:35:15,662 SO A PIECE OF PAPER WITH SOME KIND OF WRITING ON IT, 655 00:35:15,664 --> 00:35:19,099 WHETHER IT'S RELIGIOUS WRITING OR NOT, IS INTRINSICALLY SACRED. 656 00:35:19,101 --> 00:35:20,467 SO IF SOMEBODY MIGHT WANT 657 00:35:20,469 --> 00:35:22,102 TO SIMPLY GET RID OF ALL THESE THINGS, 658 00:35:22,104 --> 00:35:23,804 RATHER THAN THROWING THE WHOLE LOT AWAY, 659 00:35:23,806 --> 00:35:28,308 THEY WOULD DEPOSIT THEM REVERENTIALLY IN A CAVE. 660 00:35:28,310 --> 00:35:33,380 SO THIS IS A KIND OF BURIAL OF THE TEXT. 661 00:35:33,382 --> 00:35:36,817 Narrator: FOR THE WHOLE TEAM, IT'S A TOUCHING DETECTIVE STORY, 662 00:35:36,819 --> 00:35:39,886 BREAKING THE SEAL OFF THE HIMALAYAN HISTORY BOOKS 663 00:35:39,888 --> 00:35:45,158 TO LOG A MISSING CHAPTER FROM THE PAST. 664 00:35:45,160 --> 00:35:47,227 BACK AT MARJONG, THE KHEMPO, 665 00:35:47,229 --> 00:35:50,964 THE KING OF MUSTANG, AND THE LEADERS OF LO MANTHANG 666 00:35:50,966 --> 00:35:52,732 HAVE DELIVERED A WRITTEN REQUEST 667 00:35:52,734 --> 00:35:57,370 FOR THE TEAM TO REMOVE THE BON FOLIOS FROM THE CAVE. 668 00:35:57,372 --> 00:36:01,174 NOTABLY, THERE'S NO SIGNATURE FROM THE YOUTH CLUB. 669 00:36:03,878 --> 00:36:08,982 PETE DOESN'T WANT TO WAIT AROUND TO SEE IF THEY SHOW UP. 670 00:36:08,984 --> 00:36:11,384 A CLIMBER'S HAUL BAG WILL BE THE CONDUIT 671 00:36:11,386 --> 00:36:15,322 FOR A HISTORIC LIBRARY OF TEXTS. 672 00:36:15,324 --> 00:36:20,026 AND ONE OF RENAN'S BLANK CANVASES ACTS AS TARP. 673 00:36:21,963 --> 00:36:24,030 THEY START IN THE OUTER ROOM, 674 00:36:24,032 --> 00:36:28,568 WHICH IS MERELY ONE-FIFTH OF THE ENTIRE COLLECTION. 675 00:36:28,570 --> 00:36:32,505 THE AIM IS TO PRIORITIZE PAGES WITH ILLUMINATIONS, 676 00:36:32,507 --> 00:36:35,508 IN CASE THEIR EFFORTS ARE ONCE MORE SHUT DOWN. 677 00:36:37,345 --> 00:36:41,815 THIS IS THE FIRST OF WHAT WILL EVENTUALLY BE 30 LOADS. 678 00:36:46,587 --> 00:36:50,557 THE BONPO LAMAS HAVE LONG WAITED FOR THIS MOMENT. 679 00:36:54,161 --> 00:36:59,699 THE TEXTS ARE A DEEP CONNECTION TO THEIR LOST HISTORY. 680 00:36:59,701 --> 00:37:01,468 MANY ARE FROM THE LUBUM, 681 00:37:01,470 --> 00:37:04,804 AN ORIGINAL SERMON OF THE FOUNDER OF THE BON RELIGION, 682 00:37:04,806 --> 00:37:06,273 TONPA SHENRAB. 683 00:37:08,976 --> 00:37:12,646 FOR THE BONPO LAMAS, IT'S LIKE FINDING AN EARLY VERSION 684 00:37:12,648 --> 00:37:15,515 OF A BOOK OF THE OLD TESTAMENT. 685 00:37:19,487 --> 00:37:21,454 Charles: WE WON'T NEED TO WALK FOR THE REST OF THE TRIP, 686 00:37:21,456 --> 00:37:24,724 WE CAN FLY, WE'VE GOT ENOUGH FEATHERS ON US. 687 00:37:27,295 --> 00:37:28,929 Narrator: AFTER HOURS OF WORK, 688 00:37:28,931 --> 00:37:34,401 THE CLIMBERS HAVE ONLY REMOVED HALF THE TEXTS. 689 00:37:34,403 --> 00:37:37,103 HUNDREDS OF YEARS' WORTH OF BIRD GUANO AND DUST 690 00:37:37,105 --> 00:37:39,472 COAT THE PAGES. 691 00:37:39,474 --> 00:37:41,841 BUT THE FOLIOS ARE MADE OF DAPHNE, 692 00:37:41,843 --> 00:37:46,012 A PLANT THAT PRODUCES PAPER AS STRONG AS LINEN. 693 00:37:46,014 --> 00:37:49,115 THIS ALLOWS THE LAMAS A MORE RIGOROUS APPROACH 694 00:37:49,117 --> 00:37:52,485 TO CLEANING THE TEXTS. 695 00:37:52,487 --> 00:37:55,021 THEY'RE UNDOING A NATURAL TAR AND FEATHERING 696 00:37:55,023 --> 00:37:56,656 OF AN UNWANTED LIBRARY 697 00:37:56,658 --> 00:37:59,893 THAT WAS ONCE SECRETED AWAY INTO THESE CAVES 698 00:37:59,895 --> 00:38:03,096 WHEN CONVERTING TO A NEW FAITH MEANT ERADICATING THE OLD. 699 00:38:05,666 --> 00:38:08,201 Charles: A DISCIPLE OF TONPA SHENRAB. 700 00:38:13,441 --> 00:38:15,942 WE'RE ALL CERTAINLY GOING TO GET BIRD FLU AFTER THIS, 701 00:38:15,944 --> 00:38:18,411 THAT'S FOR SURE. 702 00:38:18,413 --> 00:38:20,313 Narrator: CHARLES AND THE BONPO LAMAS 703 00:38:20,315 --> 00:38:23,616 HAVE ISOLATED 38 BOOKS IN ALL. 704 00:38:23,618 --> 00:38:25,852 MANY ARE INCOMPLETE. 705 00:38:25,854 --> 00:38:29,055 IMPORTANT PAGES WITH ILLUMINATIONS ARE MISSING. 706 00:38:29,057 --> 00:38:30,890 Charles: IN THIS CASE SOMEBODY HAS COME 707 00:38:30,892 --> 00:38:36,096 AND CUT OUT THE ILLUMINATIONS AND LEFT THE REST OF THE TEXT. 708 00:38:36,098 --> 00:38:37,597 IF THEY HAD KNOWN WHAT THEY WERE DOING, 709 00:38:37,599 --> 00:38:39,933 THEY'D HAVE REALIZED THAT THE TEXT WITH THE ILLUMINATIONS 710 00:38:39,935 --> 00:38:43,203 WOULD HAVE BEEN MORE VALUABLE. 711 00:38:43,205 --> 00:38:48,408 Narrator: IN ALL, 10,000 PAGES ARE RESCUED AND COLLATED, 712 00:38:48,410 --> 00:38:51,277 EACH SIDE PAINSTAKINGLY PHOTOGRAPHED 713 00:38:51,279 --> 00:38:54,114 FOR WHAT WILL BE ONE OF THE LARGEST DIGITAL LIBRARIES 714 00:38:54,116 --> 00:38:55,882 OF BON TEXTS. 715 00:38:55,884 --> 00:38:58,451 Charles: THIS IS VERY VALUABLE MATERIAL. 716 00:38:58,453 --> 00:39:00,987 IT'S A PRECIOUS FIND. 717 00:39:00,989 --> 00:39:03,289 WHAT WE HAVE DONE IS TO BUNDLE THEM UP NEATLY, 718 00:39:03,291 --> 00:39:04,991 LABEL THEM, AND FROM HERE ON 719 00:39:04,993 --> 00:39:07,694 THEY WILL BE TAKEN AWAY FOR SAFEKEEPING. 720 00:39:07,696 --> 00:39:09,729 Narrator: ALL PARTIES HAVE AGREED-- 721 00:39:09,731 --> 00:39:11,865 THE TEXTS WILL BE CARRIED UP TO AND STORED 722 00:39:11,867 --> 00:39:15,769 AT THE KHEMPO'S MONASTERY IN LO MANTHANG. 723 00:39:15,771 --> 00:39:19,873 CHARLES HAS DATED THE LIBRARY TO THE MID-15th CENTURY, 724 00:39:19,875 --> 00:39:22,208 A TIME BY WHICH BUDDHISM HAD TRIUMPHED 725 00:39:22,210 --> 00:39:25,078 OVER THE BON FAITH HERE. 726 00:39:25,080 --> 00:39:29,015 BUT THE CAVES THEMSELVES HAVE AN EVEN OLDER HISTORY, 727 00:39:29,017 --> 00:39:34,721 PERHAPS LINKED TO THE EARLIEST PEOPLE WHO CARVED THEM. 728 00:39:34,723 --> 00:39:38,892 OUR FIRST HINT ABOUT WHO THEY WERE CAME IN THE 1990s, 729 00:39:38,894 --> 00:39:41,828 WHEN A TEAM OF GERMAN AND NEPALI SCIENTISTS 730 00:39:41,830 --> 00:39:44,264 CLIMBED INTO CAVES IN LOWER MUSTANG 731 00:39:44,266 --> 00:39:48,268 AND FOUND NATURALLY MUMMIFIED BODIES. 732 00:39:48,270 --> 00:39:52,639 THEY WERE DATED TO AROUND 400 B.C. 733 00:39:52,641 --> 00:39:57,410 IT SEEMS AN UNKNOWN CIVILIZATION CARVED CAVES IN LOWER MUSTANG 734 00:39:57,412 --> 00:40:03,116 STRICTLY FOR MORTUARY PURPOSES-- TO BURY AND REVERE THE DEAD. 735 00:40:03,118 --> 00:40:06,319 Mark: SURPRISINGLY, WE KNOW VERY LITTLE ABOUT THEM. 736 00:40:06,321 --> 00:40:08,288 WE KNOW ABOUT THEIR AGRICULTURE, 737 00:40:08,290 --> 00:40:10,290 THEY WERE GROWING BARLEY AND BUCKWHEAT. 738 00:40:10,292 --> 00:40:12,025 WE KNOW THAT THEY WERE TRADING CERAMICS 739 00:40:12,027 --> 00:40:14,060 WITH PEOPLE LIVING DOWN VALLEY. 740 00:40:14,062 --> 00:40:15,895 YET IT'S STILL VERY MUCH OPEN 741 00:40:15,897 --> 00:40:21,334 AS TO WHO THESE PEOPLE WERE AND WHAT THEY WERE DOING HERE. 742 00:40:21,336 --> 00:40:23,269 Narrator: CAVE BURIAL SUGGESTS 743 00:40:23,271 --> 00:40:27,407 THAT THE MUMMIES PRE-DATE BUDDHISM. 744 00:40:27,409 --> 00:40:30,110 ONE COMMON BUDDHIST WAY OF DISPOSING OF CORPSES, 745 00:40:30,112 --> 00:40:34,914 BY CONTRAST, LEAVES NO TRACE. 746 00:40:34,916 --> 00:40:37,050 Charles: THIS IS THE ROCK ON WHICH DEAD BODIES 747 00:40:37,052 --> 00:40:39,986 ARE DISMEMBERED AND FED TO THE VULTURES. 748 00:40:39,988 --> 00:40:42,655 YOU CAN SEE ALL THE CUTTING IMPLEMENTS OVER HERE. 749 00:40:42,657 --> 00:40:46,159 THIS IS WHAT'S GENERALLY KNOWN AS SKY BURIAL. 750 00:40:46,161 --> 00:40:48,161 THERE WERE A FEW VULTURES CIRCLING OVERHEAD 751 00:40:48,163 --> 00:40:52,398 AND WATCHING US WITH SOME INTEREST AND SOME HOPE. 752 00:40:52,400 --> 00:40:55,368 SO THE BODY WOULD BE BROUGHT UP HERE 753 00:40:55,370 --> 00:40:57,971 AND JUST NEXT TO THE BIG ROCK WHERE THE CUTTING TAKES PLACE 754 00:40:57,973 --> 00:41:00,974 YOU CAN SEE ANOTHER ROCK WITH A ROPE ATTACHED TO IT 755 00:41:00,976 --> 00:41:02,675 AND A NOOSE ON THE END, 756 00:41:02,677 --> 00:41:05,178 AND THIS IS FOR SECURING THE BODY. 757 00:41:05,180 --> 00:41:06,479 THE ROPE IS TIED AROUND THE NECK 758 00:41:06,481 --> 00:41:08,348 BECAUSE THE VULTURES ARE VERY STRONG, 759 00:41:08,350 --> 00:41:09,883 THEY'RE AS STRONG AS A MAN. 760 00:41:09,885 --> 00:41:12,418 AND THEY'RE LIKELY TO DRAG OFF LARGE LUMPS OF DEAD BODY, 761 00:41:12,420 --> 00:41:13,987 IF NOT THE WHOLE BODY, 762 00:41:13,989 --> 00:41:15,622 AND THEN YOU HAVE THE UNPLEASANT SPECTACLE 763 00:41:15,624 --> 00:41:19,292 OF BITS OF DEAD BODY LYING AROUND THE PLACE. 764 00:41:21,595 --> 00:41:23,930 THE PRINCIPLE IS THAT YOU DON'T LEAVE ANYTHING BEHIND. 765 00:41:23,932 --> 00:41:26,232 EVERYTHING HAS TO BE CHOPPED UP VERY FINELY. 766 00:41:26,234 --> 00:41:28,568 THE BONES ARE GROUND VERY SMALL, 767 00:41:28,570 --> 00:41:30,737 THE BRAINS ARE MIXED INTO A KIND OF CAKE, 768 00:41:30,739 --> 00:41:34,407 AND THAT'S WHAT THE VULTURES GET LAST. 769 00:41:34,409 --> 00:41:38,044 THEY INSIST ON EVERYTHING DISAPPEARING 770 00:41:38,046 --> 00:41:41,848 EXCEPT THE HAIR AND WHATEVER JEWELRY 771 00:41:41,850 --> 00:41:43,149 THE INDIVIDUAL HAPPENED TO BE WEARING. 772 00:41:43,151 --> 00:41:45,218 SO YOU CAN SEE A FEW BRACELETS OVER HERE, 773 00:41:45,220 --> 00:41:49,422 WHICH ARE THE RATHER TOUCHING REMAINS FROM THE LAST FUNERAL. 774 00:41:49,424 --> 00:41:52,158 THINGS THAT ARE USED FOR BODY CUTTING 775 00:41:52,160 --> 00:41:54,227 ARE USUALLY LEFT IN THE CEMETERY. 776 00:41:54,229 --> 00:41:55,662 THEY ARE CONSIDERED POLLUTING, 777 00:41:55,664 --> 00:41:57,664 THEY ARE CONSIDERED TO BE ASSOCIATED WITH DEATH, 778 00:41:57,666 --> 00:41:59,832 AND IF YOU TAKE THEM HOME, 779 00:41:59,834 --> 00:42:03,803 YOU NEVER REALLY KNOW WHAT'S GOING TO BE FOLLOWING YOU HOME. 780 00:42:03,805 --> 00:42:05,872 Narrator: FOLLOWING A TIP FROM A LOCAL, 781 00:42:05,874 --> 00:42:10,643 THE CLIMBERS TARGET A CAVE THAT MAY HOLD HUMAN REMAINS. 782 00:42:10,645 --> 00:42:15,515 IT'S SITUATED AT 14,000 FEET, COMPLETELY UNEXPLORED, 783 00:42:15,517 --> 00:42:17,684 AND POSES THE KIND OF TECHNICAL CHALLENGE 784 00:42:17,686 --> 00:42:20,420 THE CLIMBERS LOOK FORWARD TO. 785 00:42:20,422 --> 00:42:22,088 Pete: I THINK THAT MOST CLIMBERS 786 00:42:22,090 --> 00:42:24,891 COME TO THESE POWERFUL PLACES IN THE HIMALAYA 787 00:42:24,893 --> 00:42:26,492 BECAUSE WE FIND A SOLACE 788 00:42:26,494 --> 00:42:30,230 IN THE KIND OF HOSTILE LANDSCAPE THAT WE CLIMB IN. 789 00:42:30,232 --> 00:42:33,766 WE FIND A REJUVENATING POWER. 790 00:42:33,768 --> 00:42:36,369 BUT WE ALSO FIND OURSELVES IN THESE LANDSCAPES 791 00:42:36,371 --> 00:42:39,339 WHERE THE WEATHER, THE ROCK CONDITION, 792 00:42:39,341 --> 00:42:42,875 OUR PARTICULAR OBJECTIVES IN IT PUT US AT HAZARD. 793 00:42:42,877 --> 00:42:45,078 AND THERE'S AN EMOTIONAL SACRIFICE, 794 00:42:45,080 --> 00:42:49,249 AN EMOTIONAL LIABILITY IN BEING IN PLACES LIKE THIS. 795 00:42:49,251 --> 00:42:51,251 Kris: OKAY, RENAN, I'M CLIMBING. 796 00:42:51,253 --> 00:42:53,786 Renan: GO AHEAD. 797 00:42:58,592 --> 00:43:02,395 Kris: OH, IT'S SO GOOD! 798 00:43:02,397 --> 00:43:05,765 Pete: I'M CONVINCED THAT SOME OF THE EARLIEST CLIMBERS 799 00:43:05,767 --> 00:43:07,533 WERE CAVE PEOPLE. 800 00:43:07,535 --> 00:43:09,969 NOT ONLY WERE THEY EXCELLENT CLIMBERS, 801 00:43:09,971 --> 00:43:12,338 THEY WERE EXCELLENT CLIMBING WALL BUILDERS 802 00:43:12,340 --> 00:43:13,640 BECAUSE THEY WERE ABLE 803 00:43:13,642 --> 00:43:16,209 TO CARVE OUT THESE HANDHOLDS AND FOOTHOLDS. 804 00:43:16,211 --> 00:43:19,712 THEY OBVIOUSLY HAD VERY LITTLE FEAR OF HEIGHTS. 805 00:43:19,714 --> 00:43:21,914 Narrator: HISTORICALLY, THE PEOPLE OF MUSTANG 806 00:43:21,916 --> 00:43:24,617 WOULD HAVE SUFFERED FREQUENT INVASIONS. 807 00:43:24,619 --> 00:43:29,622 WARRING EMPIRES TRIED TO CONTROL THEIR STRATEGIC TRADE ROUTE. 808 00:43:29,624 --> 00:43:33,860 FOR VILLAGERS, CAVES LIKE THESE COULD HAVE BEEN A REFUGE. 809 00:43:33,862 --> 00:43:35,528 Pete: THEY COULD CLAMBER UP INTO THESE PLACES 810 00:43:35,530 --> 00:43:40,600 AND THROW THESE GREAT SHEETS OF STONE OVER THESE SHAFTS. 811 00:43:40,602 --> 00:43:42,602 THEY WERE PERFECT FORTS 812 00:43:42,604 --> 00:43:46,639 FROM WHICH TO DEFEND THEMSELVES FROM ANY INVADING MARAUDERS. 813 00:43:48,609 --> 00:43:52,245 Narrator: THE CLIMBERS THEN COME UPON AN ASTOUNDING FIND. 814 00:43:52,247 --> 00:43:53,813 Pete: WE HAVE DEFINITE HUMAN REMAINS. 815 00:43:53,815 --> 00:43:57,317 WE HAVE AN INTACT SKULL, BUT WITHOUT A JAWBONE. 816 00:43:57,319 --> 00:44:00,653 WE HAVE A COMPLETELY INTACT VERTEBRAE AND PELVIS. 817 00:44:00,655 --> 00:44:02,388 Mark: OKAY, PETE, THIS IS WHAT I'D LIKE YOU TO DO. 818 00:44:02,390 --> 00:44:06,592 I'D LIKE YOU TO PULL SOME TEETH FROM THE SKULL, 819 00:44:06,594 --> 00:44:08,695 AND THE TEETH I WOULD LIKE IN PARTICULAR 820 00:44:08,697 --> 00:44:12,332 WOULD BE ANY OF THE MOLAR TEETH DOWN TO THE PRE-MOLARS. 821 00:44:12,334 --> 00:44:16,602 Pete: THAT'S EASY. WE ONLY HAVE ONE MOLAR. 822 00:44:16,604 --> 00:44:19,005 Mark: IT DOESN'T SEEM LIKE A SKY BURIAL CONTEXT. 823 00:44:19,007 --> 00:44:22,108 WOULD THAT AGREE WITH YOU AS WELL, PETE? OVER. 824 00:44:22,110 --> 00:44:23,609 Pete: YEAH, WE ALL AGREE WITH THAT. 825 00:44:23,611 --> 00:44:25,144 WERE THIS A SKY BURIAL, 826 00:44:25,146 --> 00:44:28,214 CH MORE VIVISECTED, 827 00:44:28,216 --> 00:44:30,216 MUCH BETTER CHOPPED UP. 828 00:44:30,218 --> 00:44:32,418 Renan: HERE COMES THE ROPE! 829 00:44:37,391 --> 00:44:41,494 Narrator: MIRACULOUSLY, THE CLIMBERS MAKE ANOTHER INTRIGUING DISCOVERY. 830 00:44:41,496 --> 00:44:43,396 Kris: PETE, PETE, THIS IS KRIS CALLING. 831 00:44:43,398 --> 00:44:45,198 DO YOU COPY? 832 00:44:45,200 --> 00:44:47,266 Pete: GO AHEAD, KRIS, TELL ME WHAT YOU SEE IN THERE. 833 00:44:47,268 --> 00:44:49,769 Kris: I JUST FOLLOWED RENAN INTO THE CENTRAL ROOM. 834 00:44:49,771 --> 00:44:53,373 IT LOOKS LIKE IT'S OBVIOUSLY A BURIAL CHAMBER. 835 00:44:53,375 --> 00:44:56,576 WE'VE GOT THREE SKELETONS IN HERE, 836 00:44:56,578 --> 00:45:01,214 TWO OF WHICH HAVE INCLUSIVE MANDIBLE ON THE SKELETON. 837 00:45:01,216 --> 00:45:04,016 THE ROOM ITSELF IS HIGHLY GEOMETRIC. 838 00:45:04,018 --> 00:45:06,986 LOOKS LIKE AN ALTAR IN THE CORNER, 839 00:45:06,988 --> 00:45:08,154 VERY BEAUTIFUL ARCHITECTURE. 840 00:45:08,156 --> 00:45:11,290 NO REAL ILLUSTRATIONS ON THE WALLS. 841 00:45:13,560 --> 00:45:14,927 Kris: I NEVER THOUGHT IN MY WILDEST DREAMS 842 00:45:14,929 --> 00:45:17,630 I WOULD EVER BE RAPPELLING INTO ANCIENT CAVES 843 00:45:17,632 --> 00:45:20,266 AND DISCOVERING MUMMIFIED BODIES. 844 00:45:20,268 --> 00:45:22,935 THIS IS A CAREER DREAM. 845 00:45:22,937 --> 00:45:24,904 Kris: ROCK! 846 00:45:28,609 --> 00:45:30,376 Pete: HOW'S IT GOING, MARK? 847 00:45:30,378 --> 00:45:32,945 Mark: IT'S GOING WELL. LOOKS LIKE YOU HAD A GREAT DAY. 848 00:45:32,947 --> 00:45:34,947 Pete: IT WAS A BIG DAY. 849 00:45:38,419 --> 00:45:39,419 Mark: WELL! 850 00:45:39,421 --> 00:45:42,622 Pete: BUT THIS WAS.... 851 00:45:42,624 --> 00:45:45,358 Mark: OUR HUMAN SKULL. Pete: OUR HUMAN SKULL. 852 00:45:45,360 --> 00:45:47,026 Mark: VERY NICE. 853 00:45:47,028 --> 00:45:50,396 Pete: THE MANDIBLE WASN'T TO BE SEEN, BUT THAT WAS... 854 00:45:50,398 --> 00:45:52,331 Mark: MAKES ME THINK THAT IT'S BEEN HEAVILY DISTURBED 855 00:45:52,333 --> 00:45:54,867 BY PEOPLE COMING UP IN THERE AT SOME POINT IN THE PAST 856 00:45:54,869 --> 00:45:56,936 AND MOVING THINGS AROUND. 857 00:45:56,938 --> 00:45:58,237 CLEARLY AN ADULT. 858 00:45:58,239 --> 00:46:01,073 ALL THE SUTURES ARE VERY WELL FUSED. 859 00:46:01,075 --> 00:46:03,075 HOPEFULLY, IF WE CAN GET SOME DNA 860 00:46:03,077 --> 00:46:07,013 OUT OF THE TOOTH THAT CAME DOWN. 861 00:46:07,015 --> 00:46:09,315 IT'S GOT A BIG HOLE IN IT. 862 00:46:09,317 --> 00:46:13,019 WOOF, THAT'S ONE NASTY CAVITY! 863 00:46:13,021 --> 00:46:14,921 THIS WILL PROVIDE US WITH SOME GOOD INFORMATION 864 00:46:14,923 --> 00:46:17,190 ABOUT WHAT ONE OCCUPATION OF THAT CAVE SYSTEM 865 00:46:17,192 --> 00:46:19,892 WAS LIKELY TO BE. 866 00:46:19,894 --> 00:46:22,628 [LAMA CHANTING] 867 00:46:25,566 --> 00:46:28,568 Narrator: A LAMA IS CALLED IN TO GIVE A PUJA, 868 00:46:28,570 --> 00:46:31,003 A CEREMONY WHERE THE SPIRIT OF THE DECEASED 869 00:46:31,005 --> 00:46:32,572 IS GIVEN OFFERINGS 870 00:46:32,574 --> 00:46:35,975 AND THE NEARBY DIVINITIES ARE APPEASED. 871 00:46:43,684 --> 00:46:47,820 THE LOCALS ARE INTRIGUED BY THE FIND. 872 00:46:47,822 --> 00:46:50,990 THEY'RE INSPIRED TO LEARN MORE. 873 00:46:53,894 --> 00:46:57,763 IN THE MORNING, THE DETAILED DOCUMENTING BEGINS. 874 00:47:00,667 --> 00:47:02,568 ALL DATA WILL BE INCLUDED 875 00:47:02,570 --> 00:47:08,207 IN A COMPREHENSIVE INVENTORY OF EVERYTHING THEY'VE FOUND. 876 00:47:08,209 --> 00:47:12,678 THE LOCAL PEOPLE WILL KEEP THE SKULL AND ARTIFACTS. 877 00:47:12,680 --> 00:47:14,380 THEY WANT TO BUILD A MUSEUM, 878 00:47:14,382 --> 00:47:18,284 SO PEOPLE CAN LEARN MORE ABOUT THEIR DISTANT PAST. 879 00:47:18,286 --> 00:47:20,653 Mark: LET'S DO THE OTHER SIDE. 880 00:47:20,655 --> 00:47:22,655 NOW WE HAVE A BROADER SAMPLE. 881 00:47:22,657 --> 00:47:25,191 WE'RE LOOKING AT PRE-700 A.D. FOR STARTERS, 882 00:47:25,193 --> 00:47:26,592 AND THEN HOW MUCH EARLIER THAN THAT 883 00:47:26,594 --> 00:47:29,762 BECOMES A REALLY INTERESTING RESEARCH QUESTION. 884 00:47:29,764 --> 00:47:31,297 THIS IS PRECISELY THE KIND OF CAVES 885 00:47:31,299 --> 00:47:32,798 WE'VE BEEN LOOKING FOR IN SOME WAYS. 886 00:47:32,800 --> 00:47:34,734 NOW WE'VE GOT CAVES WITH HUMAN SKELETAL REMAINS 887 00:47:34,736 --> 00:47:36,202 THAT COMPARE VERY FAVORABLY 888 00:47:36,204 --> 00:47:38,971 TO THE CAVES WE SEE DOWN IN SOUTHERN MUSTANG 889 00:47:38,973 --> 00:47:43,442 THAT THE NEPALI-GERMAN TEAM LOCATED BACK IN THE 1990s. 890 00:47:43,444 --> 00:47:45,945 Narrator: WE KNOW FROM THE NEPALI-GERMAN WORK 891 00:47:45,947 --> 00:47:50,516 THAT THERE WAS ONE GROUP WHO LIVED HERE 3,000 YEARS AGO, 892 00:47:50,518 --> 00:47:54,387 BUT ANALYSIS OF DNA FROM THE TEAM'S SKELETAL REMAINS 893 00:47:54,389 --> 00:47:57,256 NOW CONFIRMS THAT THERE WAS A MORE RECENT CULTURE, 894 00:47:57,258 --> 00:48:03,195 600 YEARS AGO, THAT USED THE CAVES FOR THEIR DEAD. 895 00:48:03,197 --> 00:48:05,898 REMARKABLY, DNA EVIDENCE INDICATES 896 00:48:05,900 --> 00:48:10,169 THAT THE TWO GROUPS APPEAR UNRELATED. 897 00:48:10,171 --> 00:48:12,471 THIS SUGGESTS MUSTANG HAS BEEN HOME 898 00:48:12,473 --> 00:48:15,875 TO A MOSAIC OF DISTINCT CULTURES. 899 00:48:15,877 --> 00:48:18,744 [BLOWING HORN] 900 00:48:18,746 --> 00:48:22,248 WHY WOULD ANYONE COME HERE? 901 00:48:22,250 --> 00:48:27,753 EVEN THOUSANDS OF YEARS AGO, IT WAS AN UNFORGIVING PLACE. 902 00:48:27,755 --> 00:48:31,223 THE KALI GANDAKI RIVER THAT FLOWS PAST THE CAVES 903 00:48:31,225 --> 00:48:34,126 PROVIDES OUR ANSWER: 904 00:48:34,128 --> 00:48:37,029 FOR MILLENNIA, CARAVANS AND CULTURES 905 00:48:37,031 --> 00:48:40,166 HAVE FOLLOWED THE RIVER CORRIDOR. 906 00:48:40,168 --> 00:48:43,603 CARBON DATING FROM SAMPLES OF GRAINS FROM THE CAVES 907 00:48:43,605 --> 00:48:47,607 INDICATE THAT PEOPLE HAVE LIVED HERE FOR 3,000 YEARS. 908 00:48:47,609 --> 00:48:50,876 SOME CARVED THE CAVES TO HOLD THEIR DEAD... 909 00:48:50,878 --> 00:48:53,679 OTHERS USED THEM FOR DEFENSE... 910 00:48:53,681 --> 00:48:57,717 AT LEAST ONE MORE CONVERTED THEM INTO SACRED SHRINES. 911 00:49:00,754 --> 00:49:03,956 ONE FINAL CAVE SUGGESTS AN EVEN MORE COMPELLING, 912 00:49:03,958 --> 00:49:07,593 SPIRITUAL REASON FOR COMING HERE. 913 00:49:07,595 --> 00:49:11,530 THE GREAT TEACHER WHO BROUGHT BUDDHISM HERE, GURU RINPOCHE, 914 00:49:11,532 --> 00:49:13,332 ALSO DID SOMETHING ELSE. 915 00:49:13,334 --> 00:49:19,839 HE LOCATED AND THEN CONCEALED 108 REFUGES HE NAMED BEYULS. 916 00:49:19,841 --> 00:49:23,709 ONE CAVE HAS THE QUALITIES OF SUCH A SANCTUARY. 917 00:49:23,711 --> 00:49:26,512 THEY FOUND IT LAST YEAR AFTER A SHEPHERD TOLD THEM 918 00:49:26,514 --> 00:49:30,983 ABOUT SHELTERING FROM A STORM THERE WHEN HE WAS A BOY. 919 00:49:30,985 --> 00:49:35,187 THE CAVE IS A LAST REMNANT OF AN ABANDONED TEMPLE COMPLEX, 920 00:49:35,189 --> 00:49:42,762 PRECARIOUSLY SITUATED AT THE TOP OF A RIDGE, AT 14,000 FEET. 921 00:49:42,764 --> 00:49:46,332 WORD IS OUT ABOUT ITS ALLURE. 922 00:49:46,334 --> 00:49:48,901 IN A SINGLE YEAR, OVER A HUNDRED PEOPLE 923 00:49:48,903 --> 00:49:51,671 HAVE UNDERTAKEN THE ARDUOUS JOURNEY. 924 00:49:53,974 --> 00:49:56,809 INSIDE ARE MASTERPIECES, 925 00:49:56,811 --> 00:50:00,379 FRAGILE PAINTINGS IN A DISTINCT INDIAN STYLE, 926 00:50:00,381 --> 00:50:03,849 EVOCATIVE OF THE EARLIEST DAYS OF BUDDHISM. 927 00:50:03,851 --> 00:50:08,988 Charles: THE KHEMPO WAS EXPLAINING THAT THESE BELONG TO A SET 928 00:50:08,990 --> 00:50:11,157 THAT ARE KNOWN AS THE 84 MAHASIDDHAS, 929 00:50:11,159 --> 00:50:13,225 THE GREAT SAINTS AND WONDERWORKERS 930 00:50:13,227 --> 00:50:16,529 OF THE TANTRIC BUDDHIST TRADITION. 931 00:50:16,531 --> 00:50:17,830 EACH OF THESE IMAGES 932 00:50:17,832 --> 00:50:21,300 HAS A FOUR-LINE INSCRIPTION UNDERNEATH IT. 933 00:50:21,302 --> 00:50:23,736 AND THE STRUCTURE IS EXACTLY THE SAME IN EACH CASE. 934 00:50:23,738 --> 00:50:28,274 SO LET'S TAKE AN EXAMPLE OF THIS INDIVIDUAL-- 935 00:50:28,276 --> 00:50:30,276 HE BELONGED TO A FISHING CASTE 936 00:50:30,278 --> 00:50:35,448 AND HE WAS HIGHLY ACCOMPLISHED AT YOGIC TECHNIQUES. 937 00:50:35,450 --> 00:50:39,418 HE WENT BEGGING IN THE STREETS, NAKED. 938 00:50:39,420 --> 00:50:45,424 AND HOMAGE TO THAT LAMA WHO WAS CALLED CHANDALI. 939 00:50:45,426 --> 00:50:48,994 Narrator: THE 84 MAHASIDDHAS WERE GREAT TEACHERS, 940 00:50:48,996 --> 00:50:53,766 BUT THEY WERE ALSO REAL PEOPLE WHO LIVED VIRTUOUS LIVES. 941 00:50:53,768 --> 00:50:57,303 THEY CAME FROM ALL PARTS OF THE SOCIAL STRATUM-- 942 00:50:57,305 --> 00:51:05,244 BLACKSMITHS, MUSICIANS, HOUSEWIVES, AND STREET SWEEPERS, 943 00:51:05,246 --> 00:51:08,881 ALL PASSING ON THE DHARMA, THE WORD OF THE BUDDHA, 944 00:51:08,883 --> 00:51:12,184 TO THOSE WHO WOULD LISTEN. 945 00:51:12,186 --> 00:51:16,122 [CHANTING] 946 00:51:16,124 --> 00:51:18,224 Charles: THE RUINS AROUND HERE ARE QUITE EXTENSIVE, 947 00:51:18,226 --> 00:51:21,293 SO THERE MUST HAVE BEEN A RATHER SIZEABLE RELIGIOUS COMMUNITY 948 00:51:21,295 --> 00:51:23,763 LIVING HERE IN AN EXTREMELY REMOTE PLACE, 949 00:51:23,765 --> 00:51:25,531 ABSOLUTELY IN THE MIDDLE OF NOWHERE, 950 00:51:25,533 --> 00:51:27,800 PERHAPS RECEIVING VISITORS AND PILGRIMS 951 00:51:27,802 --> 00:51:29,769 WHO WOULD THEN PROVIDE THEM WITH PATRONAGE 952 00:51:29,771 --> 00:51:32,738 FOR THEIR SURVIVAL IN THIS ENVIRONMENT. 953 00:51:32,740 --> 00:51:35,741 [KHEMPO CHANTING] 954 00:51:38,512 --> 00:51:42,248 Narrator: THE MAHASIDDHAS' TEACHINGS STILL RESONATE TODAY. 955 00:51:42,250 --> 00:51:44,784 PILGRIMS WANT TO COME IN CONTACT WITH THEM, 956 00:51:44,786 --> 00:51:47,787 INADVERTENTLY DAMAGING THE DELICATE MURALS. 957 00:51:47,789 --> 00:51:50,790 Charles: THERE IS A SORT OF PIOUS VANDALISM GOING ON, 958 00:51:50,792 --> 00:51:52,358 WHERE PEOPLE WILL COME THROUGH 959 00:51:52,360 --> 00:51:55,694 AND TAKE LITTLE SAMPLES OF THE PLASTER, FOR INSTANCE, 960 00:51:55,696 --> 00:51:57,363 TO PUT IN THEIR AMULET BOXES. 961 00:51:57,365 --> 00:51:59,298 SO IT'S NOT BECAUSE THEY WANT TO DESTROY IT, 962 00:51:59,300 --> 00:52:00,533 BUT BECAUSE THEY WANT TO TAKE 963 00:52:00,535 --> 00:52:02,334 SOME OF THE BLESSINGS OF THE PLACE WITH THEM. 964 00:52:02,336 --> 00:52:03,536 AND THEY WILL ALSO RUB THEIR HANDS ON THEM, 965 00:52:03,538 --> 00:52:05,704 RUB THEIR HEADS ON THEM AND SO FORTH 966 00:52:05,706 --> 00:52:08,374 IN ORDER TO GET THESE BLESSINGS. 967 00:52:08,376 --> 00:52:11,744 Narrator: THIS DISCOVERY, DATED TO THE 14th CENTURY, 968 00:52:11,746 --> 00:52:15,514 COMBINED WITH SOME OF THE OTHER CAVE SHRINES THE TEAM HAS FOUND, 969 00:52:15,516 --> 00:52:18,517 SHOWS THAT THE GREATEST ARTISTS OF THE HIMALAYA, 970 00:52:18,519 --> 00:52:24,123 IN A GOLDEN AGE OF TIBETAN ART, WERE DRAWN TO MUSTANG. 971 00:52:24,125 --> 00:52:27,560 WHAT WAS IT THAT BROUGHT THEM SO FAR, SO HIGH, 972 00:52:27,562 --> 00:52:30,396 TO PAINT ON THE CRUMBLING, IMPERMANENT WALLS 973 00:52:30,398 --> 00:52:34,466 OF HAND-HEWN CAVES? 974 00:52:34,468 --> 00:52:37,336 PERHAPS IT'S NOT JUST THE TEACHINGS OF THE MURALS 975 00:52:37,338 --> 00:52:39,505 THAT ATTRACTS THE DEVOUT. 976 00:52:39,507 --> 00:52:43,008 MAYBE THE EFFORT IN REACHING THIS HIGH CAVE TEMPLE, 977 00:52:43,010 --> 00:52:45,644 THE SUFFERING INVOLVED IN GETTING HERE, 978 00:52:45,646 --> 00:52:48,948 IS THE TEACHING. 979 00:52:48,950 --> 00:52:51,617 THE RESEARCHERS HAVE CLEANED SOME OF THE MURALS 980 00:52:51,619 --> 00:52:54,186 SO THE WORLD CAN SEE THESE GREAT TEACHERS 981 00:52:54,188 --> 00:52:57,723 AS THEY WERE MEANT TO SOME 700 YEARS AGO. 982 00:53:00,360 --> 00:53:02,661 WHAT IS EMERGING IS A PICTURE OF MUSTANG 983 00:53:02,663 --> 00:53:05,965 AS AN OASIS OF ART AND SPIRITUALITY 984 00:53:05,967 --> 00:53:11,637 NESTLED AMIDST A VAST LANDSCAPE OF LITTLE ELSE. 985 00:53:11,639 --> 00:53:13,973 Charles: THE PERCENTAGE OF CAVES THAT WE'VE BEEN INTO 986 00:53:13,975 --> 00:53:16,842 IS ABSOLUTELY MINISCULE, 987 00:53:16,844 --> 00:53:18,410 AND THE DISCOVERIES THAT WE'VE MADE 988 00:53:18,412 --> 00:53:22,014 IN MANY WAYS CHANGES THE HISTORY OF THIS PART OF THE WORLD. 989 00:53:22,016 --> 00:53:24,617 THERE ARE PERHAPS UPWARD OF 10,000 CAVES. 990 00:53:24,619 --> 00:53:27,686 HOW MANY HAVE WE BEEN INTO, HALF A DOZEN PERHAPS? 991 00:53:27,688 --> 00:53:30,389 WE NEED TO GO INTO AS MANY OF THEM AS POSSIBLE, 992 00:53:30,391 --> 00:53:32,558 MAKE SOME KIND OF BASIC INVENTORY, 993 00:53:32,560 --> 00:53:34,059 AND IT'S GOING TO BE THE CLIMBERS 994 00:53:34,061 --> 00:53:36,195 AND THE ARCHAEOLOGISTS AND THE ART HISTORIANS 995 00:53:36,197 --> 00:53:37,930 WHO CAN START TO PIECE TOGETHER 996 00:53:37,932 --> 00:53:41,967 THE ANCIENT AND MORE RECENT HISTORY OF THIS AREA. 997 00:53:41,969 --> 00:53:44,236 AND THIS IS SOMETHING THAT THE PEOPLE OF THIS AREA 998 00:53:44,238 --> 00:53:47,539 ARE VERY, VERY KEEN TO KNOW. 999 00:53:47,541 --> 00:53:49,508 Narrator: THEY'VE JUST SCRATCHED THE SURFACE 1000 00:53:49,510 --> 00:53:52,344 OF MUSTANG'S COUNTLESS CAVES, 1001 00:53:52,346 --> 00:53:54,713 EACH ONE MERITING FURTHER EXPLORATION 1002 00:53:54,715 --> 00:53:56,749 INTO A WORLD WHERE PEOPLE HAVE LIVED 1003 00:53:56,751 --> 00:54:00,019 AN ENLIGHTENED WAY OF LIFE FOR MILLENNIA. 1004 00:54:00,021 --> 00:54:02,888 Pete: AT THE TIME OF GURU RINPOCHE, 1005 00:54:02,890 --> 00:54:05,291 IN MANY WAYS IT WAS A TYPE OF SHANGRI-LA 1006 00:54:05,293 --> 00:54:07,493 BECAUSE THE KINGS OF TIBET 1007 00:54:07,495 --> 00:54:11,563 WERE TRYING TO CIVILIZE A HIGHLY WARLIKE PEOPLE. 1008 00:54:11,565 --> 00:54:13,866 AND THE ENTRANCE OF GURU RINPOCHE 1009 00:54:13,868 --> 00:54:15,834 WAS TO BRING THE TEACHINGS OF THE BUDDHA 1010 00:54:15,836 --> 00:54:17,836 AND TO TRY TO CIVILIZE PEOPLE 1011 00:54:17,838 --> 00:54:21,106 AND CREATE A LIFE THAT'S FAR BETTER. 1012 00:54:24,044 --> 00:54:27,046 PERHAPS THE PEOPLE WHO LIVED IN MUSTANG AT THAT TIME 1013 00:54:27,048 --> 00:54:29,281 WOULD HAVE SEEN THAT CIVILIZING FACTOR 1014 00:54:29,283 --> 00:54:32,117 AS CREATING A PARADISE 1015 00:54:32,119 --> 00:54:34,219 BECAUSE ONE WOULD NOT HAVE TO WAKE UP 1016 00:54:34,221 --> 00:54:36,055 AND SHARPEN ONE'S SWORDS, 1017 00:54:36,057 --> 00:54:38,590 ONE COULD BEAT ONE'S SWORDS INTO PLOUGHSHARES 1018 00:54:38,592 --> 00:54:40,392 AND BE LIVING AN AGRICULTURAL LIFE 1019 00:54:40,394 --> 00:54:44,363 AND HAVE A LANDSCAPE THAT COULD SUSTAIN THAT LIFE. 1020 00:54:44,365 --> 00:54:47,299 ONE THAT WOULD BE BUDDHIST IN NATURE 1021 00:54:47,301 --> 00:54:51,937 AND WOULD BE COMPASSIONATE FOR ALL SENTIENT BEINGS. 1022 00:54:51,939 --> 00:54:56,141 Narrator: PERHAPS GURU RINPOCHE PLANTED A SEED HERE IN MUSTANG 1023 00:54:56,143 --> 00:54:57,509 AND IT DID BLOOM 1024 00:54:57,511 --> 00:55:02,247 INTO A RELIGIOUS, ARTISTIC AND REJUVENATING BEYUL, 1025 00:55:02,249 --> 00:55:04,216 PROVIDING SACRED REFUGE 1026 00:55:04,218 --> 00:55:07,853 SOME OF US MIGHT DESCRIBE AS PARADISE. 1027 00:55:20,066 --> 00:55:20,132 [WOMEN SINGING] 85256

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