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00:00:12,796 --> 00:00:14,730
Narrator: HIGH IN THE HIMALAYA,
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00:00:14,732 --> 00:00:17,366
IN THE MOST REMOTE KINGDOM
IN THE WORLD,
3
00:00:17,368 --> 00:00:23,505
EXPLORERS FIND THOUSANDS
OF MYSTERIOUS CAVES.
4
00:00:23,507 --> 00:00:26,141
THEIR DARK PORTALS BECKON
WITH THE PROMISE
5
00:00:26,143 --> 00:00:29,044
OF A GLIMPSE INTO A LOST WORLD.
6
00:00:31,981 --> 00:00:34,950
NOW A TEAM OF CLIMBERS
AND SCHOLARS
7
00:00:34,952 --> 00:00:40,022
SET OUT TO REACH THEM
FOR THE FIRST TIME.
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00:00:40,024 --> 00:00:45,094
INSIDE, THEY FIND SMALL CITIES
CARVED IN STONE
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00:00:45,096 --> 00:00:48,363
AND THERE DISCOVER
UNIMAGINABLE TREASURES.
10
00:00:48,365 --> 00:00:50,165
Man: THIS IS AN ABSOLUTELY
EXTRAORDINARY COLLECTION.
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00:00:50,167 --> 00:00:53,135
IT'S A COMPLETE MESS.
12
00:00:53,137 --> 00:00:56,105
Narrator: BUT THE DISCOVERIES
REVIVE AN AGE-OLD STRUGGLE
13
00:00:56,107 --> 00:00:58,741
BETWEEN TWO FAITHS
14
00:00:58,743 --> 00:01:00,709
AND STIR FEARS THAT LOOTERS
15
00:01:00,711 --> 00:01:02,911
MAY HAVE REACHED
THE TREASURES FIRST.
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00:01:02,913 --> 00:01:04,680
Man: IT'S LITERALLY MONEY
LAYING AROUND,
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00:01:04,682 --> 00:01:06,782
WHICH IS THE AWFUL THING.
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00:01:06,784 --> 00:01:09,551
Narrator: THEY CAME TO STUDY
THESE CAVES,
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00:01:09,553 --> 00:01:11,854
BUT NOW THEY'RE
IN A RACE TO SAVE THEM
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00:01:11,856 --> 00:01:14,156
BEFORE MORE LOOTERS COME.
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00:01:14,158 --> 00:01:17,659
OR, WORSE YET, THE CAVES
CRUMBLE INTO OBLIVION.
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00:01:17,661 --> 00:01:19,561
Man: ROCK!
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00:01:19,563 --> 00:01:22,331
Narrator: THE STRUGGLE TO REACH
THESE CAVES IS DAUNTING,
24
00:01:22,333 --> 00:01:24,166
ESPECIALLY FOR NON-CLIMBERS.
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00:01:24,168 --> 00:01:26,068
Man: I'VE NEVER WORN
A HARNESS BEFORE.
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00:01:26,070 --> 00:01:28,670
Narrator: THE CONTENTS
OF THE CAVES ARE ASTOUNDING.
27
00:01:28,672 --> 00:01:30,305
Man: I UNDERSTAND THAT THERE
ARE SOME HUMAN REMAINS
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00:01:30,307 --> 00:01:31,974
UP IN THIS CAVE, OVER.
29
00:01:31,976 --> 00:01:34,143
Man: IT LOOKS LIKE IT'S
OBVIOUSLY A BURIAL CHAMBER.
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00:01:34,145 --> 00:01:37,079
Narrator: THEY BELIEVE THE CAVES
HOLD ANCIENT EVIDENCE
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00:01:37,081 --> 00:01:39,548
THAT THIS WAS ONCE
A SACRED VALLEY,
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00:01:39,550 --> 00:01:44,353
AN EARTHLY PARADISE
SOME HAVE CALLED SHANGRI-LA.
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00:02:23,526 --> 00:02:25,427
Narrator: IN THE DESOLATE
MOUNTAIN BORDERLANDS
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00:02:25,429 --> 00:02:27,496
OF NEPAL AND TIBET,
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00:02:27,498 --> 00:02:29,798
THERE IS AN ANCIENT
HIMALAYAN KINGDOM
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00:02:29,800 --> 00:02:33,602
BEYOND THE REACH
OF THE MODERN WORLD,
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00:02:33,604 --> 00:02:37,206
HIDDEN IN A VALLEY SURROUNDED
BY THE WORLD'S HIGHEST PEAKS.
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IT IS CALLED MUSTANG.
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00:02:44,281 --> 00:02:47,149
THE LOCALS CALL IT
THE KINGDOM OF LO,
40
00:02:47,151 --> 00:02:50,252
AND THEIR MONARCH IS THE 25th
IN DIRECT DESCENT
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00:02:50,254 --> 00:02:52,554
FROM THE FIRST KING OF MUSTANG
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00:02:52,556 --> 00:02:55,891
WHO FOUNDED THE ROYAL LINEAGE
NEARLY 600 YEARS AGO.
43
00:02:58,962 --> 00:03:00,629
FOR THOUSANDS OF YEARS,
44
00:03:00,631 --> 00:03:03,465
A TRADE ROUTE HAS PASSED
THROUGH THE KINGDOM--
45
00:03:03,467 --> 00:03:07,169
ONE OF THE FEW PATHWAYS
ACROSS THE ROOF OF THE WORLD,
46
00:03:07,171 --> 00:03:11,874
AND A CRITICAL LINK
BETWEEN INDIA AND CHINA.
47
00:03:11,876 --> 00:03:15,077
BUT MUSTANG IS A KINGDOM
WITH A MYSTERY.
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00:03:15,079 --> 00:03:19,014
HUNDREDS OF UNEXPLORED
CAVE COMPLEXES DOT THE CLIFFS
49
00:03:19,016 --> 00:03:23,452
THAT GUARD THE GREAT
KALI GANDAKI RIVER.
50
00:03:23,454 --> 00:03:24,953
THE ENIGMA OF THE CAVES
51
00:03:24,955 --> 00:03:29,524
HAS PULLED HIMALAYAN CLIMBER
PETE ATHANS HERE REPEATEDLY.
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00:03:29,526 --> 00:03:31,059
FOR MORE THAN TWO DECADES,
53
00:03:31,061 --> 00:03:33,929
HE'S BEEN A STUDENT
OF TIBETAN BUDDHISM,
54
00:03:33,931 --> 00:03:39,134
AND HE'S SUMMITTED MOUNT EVEREST
SEVEN TIMES.
55
00:03:39,136 --> 00:03:42,871
Pete: THIS IS REALLY IN MANY
WAYS MY GREATEST EXPEDITION.
56
00:03:42,873 --> 00:03:45,507
CLIMBING EVEREST
IS NOTHING LIKE THIS.
57
00:03:45,509 --> 00:03:47,943
PEOPLE KNOW EVERY INCH
OF EVEREST.
58
00:03:47,945 --> 00:03:51,346
TO HAVE THE OPPORTUNITY TO GO
INTO THESE CAVES,
59
00:03:51,348 --> 00:03:53,849
THE FIRST PEOPLE TO GO IN
IN OVER 1,000 YEARS,
60
00:03:53,851 --> 00:03:55,984
IS A REMARKABLE PRIVILEGE.
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00:03:55,986 --> 00:03:59,154
SO MUCH INFORMATION ABOUT TIBET
AND ALL THE HIMALAYAN STATES
62
00:03:59,156 --> 00:04:01,657
COULD BE IN ANY ONE
OF THESE CAVES
63
00:04:01,659 --> 00:04:04,259
AND HAS NOT BEEN DISCOVERED
AND IT'S LYING THERE WAITING
64
00:04:04,261 --> 00:04:07,596
FOR SOMEONE TO FIND A WAY IN
AND DOCUMENT IT.
65
00:04:07,598 --> 00:04:09,698
Narrator: THE CAVES
HAVE NEVER BEEN EXPLORED
66
00:04:09,700 --> 00:04:14,536
BECAUSE UPPER MUSTANG IS
A RESTRICTED AREA OF NEPAL.
67
00:04:14,538 --> 00:04:19,074
UNTIL RECENTLY, IT WAS CLOSED
TO THE OUTSIDE WORLD.
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00:04:19,076 --> 00:04:22,444
EVEN TODAY ONLY
1,000 FOREIGNERS PER YEAR
69
00:04:22,446 --> 00:04:26,415
ARE ALLOWED INTO MUSTANG'S
FORBIDDEN ZONE.
70
00:04:29,285 --> 00:04:30,886
TWO YEARS AGO,
71
00:04:30,888 --> 00:04:33,689
WORKING IN CONCERT
WITH THE GOVERNMENT OF NEPAL,
72
00:04:33,691 --> 00:04:36,458
PETE AND PROJECT LEADER
BROT COBURN
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00:04:36,460 --> 00:04:38,660
AND AN ELITE TEAM OF EXPLORERS
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00:04:38,662 --> 00:04:40,095
FINALLY GAINED ACCESS
75
00:04:40,097 --> 00:04:43,899
TO THE FIRST OF
UPPER MUSTANG'S CAVES.
76
00:04:43,901 --> 00:04:47,436
THEIR DISCOVERIES MADE NEWS
AROUND THE WORLD:
77
00:04:47,438 --> 00:04:49,805
PRICELESS CENTURIES-OLD
WALL PAINTINGS
78
00:04:49,807 --> 00:04:52,007
ADORN SACRED CAVE SHRINES.
79
00:04:52,009 --> 00:04:55,310
Pete: IT'S JUST UNBELIEVABLE. I
WONDER HOW LONG IT'S BEEN HERE?
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00:04:55,312 --> 00:04:56,712
Narrator: HIDDEN CAVE TEMPLES
ARE HEWN
81
00:04:56,714 --> 00:05:00,549
INTO THE MOUNTAINSIDES;
82
00:05:00,551 --> 00:05:07,656
IN ANOTHER CAVE, A MASTERPIECE,
NEARLY 25 FEET LONG.
83
00:05:07,658 --> 00:05:09,891
AND THE MOST STUNNING
FIND OF ALL...
84
00:05:09,893 --> 00:05:12,995
Renan: THERE ARE SOME INCREDIBLE
THINGS IN THIS NEXT ROOM, PETE.
85
00:05:12,997 --> 00:05:14,896
OH, MY GOD!
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00:05:14,898 --> 00:05:18,767
A GIANT ROOM, FILLED WITH TEXTS,
PILES OF TEXTS!
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00:05:18,769 --> 00:05:21,169
Narrator: THEIR DISCOVERY
OF AN ANCIENT LIBRARY
88
00:05:21,171 --> 00:05:24,940
FORCED THEM TO CONFRONT
A DILEMMA:
89
00:05:24,942 --> 00:05:27,943
WITH NO PERMISSION TO REMOVE
ANYTHING FROM THE CAVES,
90
00:05:27,945 --> 00:05:30,779
THE FOLIOS WOULD HAVE TO BE
LEFT, UNPROTECTED,
91
00:05:30,781 --> 00:05:34,683
UNTIL THE TEAM COULD RETURN
WITH PERMISSION.
92
00:05:39,455 --> 00:05:41,423
NOW, ONE YEAR LATER,
93
00:05:41,425 --> 00:05:44,726
PETE AND BROT HAVE RETURNED
TO MUSTANG TO RESCUE THE TEXTS.
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00:05:44,728 --> 00:05:47,496
Pete: WE HAVE A TOTAL
OF ABOUT 48 HORSES,
95
00:05:47,498 --> 00:05:49,698
12 PORTERS, 10 PEOPLE TO HELP US
96
00:05:49,700 --> 00:05:52,634
WITH COOKING AND ORGANIZATION,
TENT SET UP,
97
00:05:52,636 --> 00:05:56,938
AND SOME ARCHAEOLOGISTS,
SOME CLIMBERS, SOME FILMMAKERS
98
00:05:56,940 --> 00:05:58,607
AND SOME FRIENDS
OF ALL OF THE ABOVE,
99
00:05:58,609 --> 00:06:01,376
SO IT'S QUITE A LARGE GROUP.
100
00:06:01,378 --> 00:06:04,112
Narrator: WITH A DREAM TEAM
OF CLIMBERS AND SCHOLARS,
101
00:06:04,114 --> 00:06:06,248
THEY'LL PRESERVE
THE ANCIENT LIBRARY,
102
00:06:06,250 --> 00:06:10,419
DOCUMENT THE PAINTINGS,
AND TRY TO EXPLORE MORE CAVES,
103
00:06:10,421 --> 00:06:14,656
ALL WITH JUST A MONTH
ON THEIR PERMIT.
104
00:06:14,658 --> 00:06:16,892
FROM THEIR STARTING POINT
DOWN VALLEY,
105
00:06:16,894 --> 00:06:24,099
THEY'LL TREK SOME 60 MILES TO
THE ROYAL CITY OF LO MANTHANG.
106
00:06:24,101 --> 00:06:25,834
THE RESEARCHERS
ARE PURSUING ANSWERS
107
00:06:25,836 --> 00:06:29,204
TO AN EVEN BIGGER QUESTION.
108
00:06:29,206 --> 00:06:31,673
FOR A HUNDRED YEARS,
EUROPEAN ADVENTURERS
109
00:06:31,675 --> 00:06:34,576
HAVE SEARCHED
FOR AN EASTERN UTOPIA;
110
00:06:34,578 --> 00:06:41,349
AN EARTHLY PARADISE
THEY'VE CALLED SHANGRI-LA.
111
00:06:41,351 --> 00:06:44,586
OXFORD UNIVERSITY ANTHROPOLOGIST
CHARLES RAMBLE
112
00:06:44,588 --> 00:06:48,590
HAS STUDIED THESE TIBETAN IDEAS
FOR 28 YEARS--
113
00:06:48,592 --> 00:06:50,759
LIVING AMONGST
THE MUSTANG PEOPLE,
114
00:06:50,761 --> 00:06:52,894
SPEAKING THEIR MANY DIALECTS,
115
00:06:52,896 --> 00:06:57,065
EVEN MASTERING
THEIR ANCIENT CUSTOMS.
116
00:06:57,067 --> 00:07:01,303
THE CONCEPT OF UTOPIA
ISN'T EXCLUSIVE TO THE EAST.
117
00:07:01,305 --> 00:07:03,371
Charles: IT'S CERTAINLY PRESENT
IN MANY RELIGIONS.
118
00:07:03,373 --> 00:07:04,906
IN THE CHRISTIAN FAITH
119
00:07:04,908 --> 00:07:06,975
IT'S SOMETHING THAT WE HAVE
TO LOOK FORWARD TO.
120
00:07:06,977 --> 00:07:09,244
PARADISE LIES IN THE FUTURE.
121
00:07:09,246 --> 00:07:11,847
IN THE CASE OF TIBET,
THERE ARE EARTHLY PARADISES.
122
00:07:11,849 --> 00:07:13,548
AND FOR CERTAIN GROUPS
OF BUDDHISTS,
123
00:07:13,550 --> 00:07:15,517
THERE IS THE SACRED LAND
OF SHAMBHALA,
124
00:07:15,519 --> 00:07:16,651
WHICH COULD ACTUALLY BE
125
00:07:16,653 --> 00:07:20,622
THE ETYMOLOGICAL ORIGIN
FOR SHANGRI-LA.
126
00:07:20,624 --> 00:07:23,925
Narrator: THE IDEA OF SHANGRI-LA
WAS POPULARIZED IN THE WEST
127
00:07:23,927 --> 00:07:26,061
BY AUTHOR JAMES HILTON,
128
00:07:26,063 --> 00:07:29,798
WHOSE 1930s BOOK AND FILM
LOST HORIZON
129
00:07:29,800 --> 00:07:33,335
INTRODUCED THE IDEA
INTO POPULAR CULTURE.
130
00:07:36,706 --> 00:07:40,075
Charles: BUT THIS FASCINATION
WITH TIBET AS BEING A LAND
131
00:07:40,077 --> 00:07:44,279
WHERE SOME KIND OF SPECIAL
SACRED LIFE WENT ON
132
00:07:44,281 --> 00:07:46,448
AWAY FROM THE DAY-TO-DAY LIVING
WE'RE USED TO
133
00:07:46,450 --> 00:07:49,684
IS SOMETHING THAT'S CONTINUED
RIGHT DOWN THE CENTURIES.
134
00:07:51,821 --> 00:07:54,656
Narrator: TO THE PEOPLE LIVING
IN THESE VALLEYS TODAY,
135
00:07:54,658 --> 00:07:58,760
THESE KINDS OF EARTHLY PARADISES
ARE REAL.
136
00:07:58,762 --> 00:08:03,131
Narrator: TO THE PEOPLE LIVING
WHICH MEANS "HIDDEN LAND,"
137
00:08:03,133 --> 00:08:06,568
WHERE ONE CAN FIND
ENLIGHTENMENT AND PEACE.
138
00:08:06,570 --> 00:08:08,937
Charles:
THE HIGHEST CONCENTRATION
OF THESE BEYULS
139
00:08:08,939 --> 00:08:11,239
IS IN THE HIMALAYAN REGION.
140
00:08:11,241 --> 00:08:13,742
SO THE IDEA OF A PLACE
WHERE ONE COULD GO AND HIDE
141
00:08:13,744 --> 00:08:17,078
AND LIVE PEACEFULLY
AND LIVE A LONG TIME
142
00:08:17,080 --> 00:08:20,448
IS CERTAINLY PRESENT
IN THE TIBETAN TRADITION.
143
00:08:20,450 --> 00:08:22,684
Narrator: ON THEIR SECOND DAY
IN MUSTANG,
144
00:08:22,686 --> 00:08:24,186
CHARLES HAS A CHANCE
TO SHOW PETE
145
00:08:24,188 --> 00:08:28,089
HOW CAVES ARE LINKED
TO THE PURSUIT OF ENLIGHTENMENT.
146
00:08:28,091 --> 00:08:31,126
THIS CAVE IS STILL IN USE TODAY.
147
00:08:31,128 --> 00:08:34,596
IT'S THE VENUE FOR A RARE
AND SACRED PRACTICE:
148
00:08:34,598 --> 00:08:38,500
A VOLUNTARY RETREAT
INTO DARKNESS TO MEDITATE.
149
00:08:38,502 --> 00:08:41,036
Charles: THE PRACTITIONERS
WILL STAY IN HERE 49 DAYS
150
00:08:41,038 --> 00:08:42,971
PRACTICALLY NAKED.
151
00:08:42,973 --> 00:08:45,006
YOU START TO HALLUCINATE
AFTER A FEW DAYS
152
00:08:45,008 --> 00:08:48,276
AND THE TRICK IS TO REALIZE THAT
THESE ARE JUST HALLUCINATIONS
153
00:08:48,278 --> 00:08:51,713
BEFORE THE REAL VISIONS
AND EXPERIENCES COME ALONG.
154
00:08:51,715 --> 00:08:54,249
BUT THE LAST CHAP TO DO
A RETREAT IN THIS CAVE,
155
00:08:54,251 --> 00:08:56,685
AFTER ABOUT A WEEK, I THINK,
HE HAD TO BE TAKEN OUT
156
00:08:56,687 --> 00:08:59,921
BECAUSE HE WAS
IN QUITE BAD SHAPE.
157
00:08:59,923 --> 00:09:02,557
Pete: HALLUCINATIONS
OF SOMETHING FRIGHTENING,
158
00:09:02,559 --> 00:09:05,894
SOMETHING DEMONIC.
159
00:09:05,896 --> 00:09:09,698
Charles:
IT'S A KIND OF SELF-IMPOSED
SENSORY DEPRIVATION.
160
00:09:09,700 --> 00:09:13,568
THE ULTIMATE GOAL, OF COURSE,
IS ENLIGHTENMENT,
161
00:09:13,570 --> 00:09:15,303
AND THE WHOLE PURPOSE
OF THESE MEDITATIONS
162
00:09:15,305 --> 00:09:18,974
IS FOR THE MIND TO UNITE ITSELF
WITH ITS OWN NATURE.
163
00:09:20,710 --> 00:09:22,811
PEOPLE WILL COME FROM THE
VILLAGE EVERY COUPLE OF DAYS
164
00:09:22,813 --> 00:09:26,281
AND PUT FOOD IN AN L-SHAPED HOLE
IN THE WALL,
165
00:09:26,283 --> 00:09:28,516
SO YOU DON'T ACTUALLY HAVE
ANY DIRECT INTERACTION
166
00:09:28,518 --> 00:09:31,553
WITH THE PEOPLE
WHO COME TO FEED YOU.
167
00:09:31,555 --> 00:09:33,288
IN THIS TRADITION
IT'S DONE FOR 49 DAYS,
168
00:09:33,290 --> 00:09:34,923
BUT THERE ARE SOME PEOPLE
WHO WILL GO INTO RETREAT
169
00:09:34,925 --> 00:09:37,025
FOR THEIR ENTIRE LIVES,
170
00:09:37,027 --> 00:09:40,161
THEY WILL JUST STAY IN THERE
UNTIL THEY DIE.
171
00:09:46,035 --> 00:09:48,770
Pete: OKAY, SO YOU SEE KRIS
WITH HIS ARMS RAISED, CORRECT?
172
00:09:48,772 --> 00:09:49,838
Charles: THAT'S CORRECT.
173
00:09:49,840 --> 00:09:52,107
HE LOOKS TO BE
IN THE BEST POSITION.
174
00:09:52,109 --> 00:09:54,342
Narrator: TWO DAYS
FURTHER UP THE VALLEY IS A CAVE
175
00:09:54,344 --> 00:09:56,111
WHERE THEY'LL TEST THEIR GEAR.
176
00:09:56,113 --> 00:09:58,046
Pete: IF YOU SEE ANYONE,
LET THEM KNOW
177
00:09:58,048 --> 00:10:00,582
THAT THERE MIGHT BE SOME
PRETTY BIG ROCKS COMING DOWN.
178
00:10:00,584 --> 00:10:01,783
Charles: I'LL TAKE OF IT.
179
00:10:01,785 --> 00:10:03,218
Pete: THANKS, CHARLES.
180
00:10:03,220 --> 00:10:05,420
Narrator: KRIS ERICKSON
IS AN ALPINE CLIMBER
181
00:10:05,422 --> 00:10:07,022
AND PHOTOGRAPHER.
182
00:10:07,024 --> 00:10:11,192
HE'LL PHOTO INVENTORY EACH CAVE.
183
00:10:11,194 --> 00:10:14,162
RENAN OZTURK IS AN ARTIST.
184
00:10:14,164 --> 00:10:16,131
HIS SKETCHES OF CAVE LAYOUTS
185
00:10:16,133 --> 00:10:19,567
WILL BE A CRITICAL PART
OF THE ANALYSIS.
186
00:10:19,569 --> 00:10:22,103
HE'S ALSO A WORLD-CLASS CLIMBER.
187
00:10:22,105 --> 00:10:25,807
Renan:
AS CLIMBERS, WE SEARCH FOR
THE STEEPEST, CLEANEST LINES,
188
00:10:25,809 --> 00:10:29,110
AND THIS IS PRETTY MUCH
THE OPPOSITE OF THAT,
189
00:10:29,112 --> 00:10:34,049
JUST CRUMBLING MUD-DRIP
SANDCASTLE FORMATIONS.
190
00:10:34,051 --> 00:10:35,884
YOU CAN BARELY BREATHE
191
00:10:35,886 --> 00:10:40,055
AS THE DUST BLOWS UP THE WALL
AND SURROUNDS YOU,
192
00:10:40,057 --> 00:10:42,190
JUST HORRIBLE CHOSS CLIMBING.
193
00:10:42,192 --> 00:10:44,426
Pete: CHOSS IS A CLIMBER'S TERM
194
00:10:44,428 --> 00:10:47,896
REFLECTING A DISDAIN
FOR THE QUALITY OF THE MATERIAL
195
00:10:47,898 --> 00:10:50,065
THAT ONE HAPPENS TO BE CLIMBING.
196
00:10:50,067 --> 00:10:52,634
Mark: THERE'S PLENTY OF CHAFF.
197
00:10:52,636 --> 00:10:56,171
Narrator: UNIVERSITY OF ARIZONA
ARCHAEOLOGIST, MARK ALDENDERFER,
198
00:10:56,173 --> 00:10:58,640
A NATIONAL GEOGRAPHIC GRANTEE,
199
00:10:58,642 --> 00:11:02,143
AND NEPALI ARCHAEOLOGIST,
SUKRA SAGAR SHRESTHA,
200
00:11:02,145 --> 00:11:05,046
HOPE TO DETERMINE
HOW OLD THE CAVES ARE.
201
00:11:05,048 --> 00:11:07,649
Mark: IT'S GOING TO ALLOW US
TO ACTUALLY DATE THE APPLICATION
202
00:11:07,651 --> 00:11:09,851
OF THAT MUD AND CHAFF.
203
00:11:09,853 --> 00:11:12,520
THIS IS REALLY
A GOOD THING TO FIND.
204
00:11:12,522 --> 00:11:15,290
Narrator: THEIR FIRST
CAVE DRY RUN A SUCCESS,
205
00:11:15,292 --> 00:11:17,726
THEY'RE READY TO MOVE ON
TO LO MANTHANG
206
00:11:17,728 --> 00:11:19,561
WHERE THEY SEEK PERMISSION
FROM THE KING
207
00:11:19,563 --> 00:11:21,996
TO RESCUE THE ANCIENT LIBRARY.
208
00:11:21,998 --> 00:11:23,732
Charles: WE DON'T GET TO MEET
KINGS EVERY DAY.
209
00:11:23,734 --> 00:11:26,368
AND THIS RAJA'S LINEAGE
HAS BEEN ON THE THRONE RULING
210
00:11:26,370 --> 00:11:28,236
SINCE THE 14th CENTURY,
211
00:11:28,238 --> 00:11:30,438
AND THERE'S BEEN AN UNBROKEN
LINEAGE EVER SINCE,
212
00:11:30,440 --> 00:11:35,009
SO THIS IS NOT
AN EVERYDAY OCCURRENCE.
213
00:11:35,011 --> 00:11:36,478
I WAS ASKING HIS MAJESTY
214
00:11:36,480 --> 00:11:38,012
ABOUT THE BEST WAY
OF PRESERVING THE MATERIALS
215
00:11:38,014 --> 00:11:40,115
THAT ARE IN THE CAVES.
216
00:11:40,117 --> 00:11:41,783
AND WHETHER IT'S BEST
IN HIS OPINION
217
00:11:41,785 --> 00:11:44,586
THAT THEY SHOULD BE LEFT THERE
OR SHOULD THEY BE REMOVED.
218
00:11:44,588 --> 00:11:46,187
WHAT HE'S SUGGESTED IS
THAT THIS IS SOMETHING
219
00:11:46,189 --> 00:11:47,655
THAT SHOULD BE LEFT ENTIRELY
220
00:11:47,657 --> 00:11:50,425
UP TO THE PEOPLE OF THE KINGDOM
TO DECIDE.
221
00:11:53,329 --> 00:11:55,463
Narrator:
THEY ALSO NEED PERMISSION
222
00:11:55,465 --> 00:11:59,100
FROM THE PEOPLE'S BUDDHIST
SPIRITUAL LEADER, THE KHEMPO.
223
00:11:59,102 --> 00:12:01,202
[SPEAKING NEPALI]
224
00:12:16,118 --> 00:12:16,184
Narrator: LAMAS ARE
SPIRITUAL TEACHERS,
225
00:12:18,821 --> 00:12:21,923
AND THE KHEMPO THINKS THE TEAM
WILL NEED THEIR PROTECTION
226
00:12:21,925 --> 00:12:25,427
BECAUSE THE PLACE THEY'RE
GOING TO IS DANGEROUS.
227
00:12:25,429 --> 00:12:29,397
THE CAVE WHERE THEY FOUND
THE TEXTS IS CALLED MARJONG,
228
00:12:29,399 --> 00:12:33,201
AND IT HAS LONG BEEN ASSOCIATED
WITH A RELIGION CALLED BON,
229
00:12:33,203 --> 00:12:36,805
THE INDIGENOUS FAITH OF TIBET.
230
00:12:36,807 --> 00:12:39,073
BON WAS THE DOMINANT RELIGION
OF THE REGION
231
00:12:39,075 --> 00:12:41,009
FOR THOUSANDS OF YEARS,
232
00:12:41,011 --> 00:12:45,880
UNTIL BUDDHISM WIPED OUT
NEARLY ALL EVIDENCE OF IT.
233
00:12:45,882 --> 00:12:47,348
MARJONG WAS THE SITE
234
00:12:47,350 --> 00:12:50,151
OF A LEGENDARY BATTLE
BETWEEN FAITHS,
235
00:12:50,153 --> 00:12:53,922
AND THE LOCALS BELIEVE
THE SITE IS HAUNTED.
236
00:12:53,924 --> 00:12:57,058
Charles:
THERE ARE SOME DIVINITIES
WHO ARE POTENTIALLY HARMFUL,
237
00:12:57,060 --> 00:13:00,862
BUT AS LONG AS WE APPROACH THESE
PLACES WITH A GOOD ATTITUDE--
238
00:13:00,864 --> 00:13:03,198
NOT TO STEAL THINGS,
NOT TO DAMAGE THE PLACE--
239
00:13:03,200 --> 00:13:06,134
AND AS LONG AS THE APPROPRIATE
CEREMONIES ARE PERFORMED,
240
00:13:06,136 --> 00:13:07,302
THERE WILL BE NO HARM
241
00:13:07,304 --> 00:13:10,238
IN REMOVING THE MANUSCRIPTS
FROM THE CAVE.
242
00:13:10,240 --> 00:13:12,207
[BELL RINGING]
243
00:13:12,209 --> 00:13:14,175
Narrator: TO APPEASE
THE DIVINITIES,
244
00:13:14,177 --> 00:13:18,680
THE LAMAS PERFORM A PUJA,
A CEREMONIAL OFFERING.
245
00:13:21,083 --> 00:13:24,786
FOR THE TEAM, THIS SITE WILL BE
HOME FOR SEVERAL DAYS,
246
00:13:24,788 --> 00:13:27,222
UNTIL ALL THE FOLIOS
CAN BE SAFELY REMOVED
247
00:13:27,224 --> 00:13:29,424
FROM THE ERODING CAVE.
248
00:13:36,065 --> 00:13:38,066
PETE'S HOPE IS THAT
THE MANUSCRIPTS
249
00:13:38,068 --> 00:13:40,368
STILL REMAIN IN THE CAVE.
250
00:13:42,771 --> 00:13:46,508
UNEXPECTED COMPANY ARRIVES
OVER THE HILL.
251
00:13:46,510 --> 00:13:52,146
IT'S THE LO MANTHANG YOUTH CLUB,
A NEWLY FORMED POLITICAL GROUP.
252
00:13:52,148 --> 00:13:54,549
THEY IMMEDIATELY CHALLENGE
THE AUTHORITY OF THE TEAM
253
00:13:54,551 --> 00:13:56,751
TO ENTER THE CAVES
254
00:13:56,753 --> 00:14:01,055
AND ACCUSE THEM OF ATTEMPTING
TO STEAL THE TEXTS.
255
00:14:01,057 --> 00:14:03,124
Charles:
HE'S SAYING THAT WE DON'T NEED
TO DO A DETAILED INVENTORY,
256
00:14:03,126 --> 00:14:05,360
PHOTOGRAPHIC INVENTORY
OF THE CONTENTS OF THE CAVE.
257
00:14:05,362 --> 00:14:08,329
THEY CAN DO THAT THEMSELVES
AND PUT THEM UP ON THE NET.
258
00:14:08,331 --> 00:14:10,431
THAT'S ONE OF THE ISSUES.
259
00:14:10,433 --> 00:14:11,566
Narrator: THE YOUTH CLUB WANTS
260
00:14:11,568 --> 00:14:14,536
TO KEEP THE MANUSCRIPTS
UNDER THEIR CONTROL.
261
00:14:14,538 --> 00:14:17,272
THEY BELIEVE SELLING THE ANCIENT
SCRIPTS ON THE INTERNET
262
00:14:17,274 --> 00:14:19,007
COULD BRING GOOD MONEY.
263
00:14:19,009 --> 00:14:20,642
Brot: THEY CALL THEMSELVES
THE YOUTH CLUB,
264
00:14:20,644 --> 00:14:22,544
BUT THESE PEOPLE ARE
A BUNCH OF TROUBLEMAKERS.
265
00:14:22,546 --> 00:14:25,146
THEY'RE REALLY ONLY
A POLITICAL ACTION COMMITTEE.
266
00:14:25,148 --> 00:14:27,949
THEY HAVE A POLITICAL AGENDA,
THEY'RE LOOKING FOR MONEY,
267
00:14:27,951 --> 00:14:30,585
THEY'RE LOOKING
FOR POWER AND CONTROL.
268
00:14:30,587 --> 00:14:33,588
[SPEAKING NEPALI]
269
00:14:36,058 --> 00:14:38,059
Narrator: THE YOUTH CLUB
QUESTIONS THE PRESENCE
270
00:14:38,061 --> 00:14:39,727
OF THE BONPO LAMAS
271
00:14:39,729 --> 00:14:42,764
WHOM CHARLES RAMBLE INVITED
TO HELP DECIPHER THE TEXTS
272
00:14:42,766 --> 00:14:45,667
WHICH CHARLES BELIEVES ARE BON.
273
00:14:45,669 --> 00:14:48,970
THEY ARE BON SCHOLARS,
BUT THE LOCALS ARE BUDDHIST
274
00:14:48,972 --> 00:14:52,240
AND THEY DON'T WANT BONPO LAMAS
ON THEIR TURF.
275
00:15:09,925 --> 00:15:15,463
Narrator:
THE LAMAS LEAVE TO SEEK HELP
FROM THE KHEMPO'S MONASTERY.
276
00:15:15,465 --> 00:15:20,201
AND SO THE AGE-OLD PERSECUTION
OF A FAITH CONTINUES.
277
00:15:20,203 --> 00:15:25,173
MUSTANG MAY BE MOSTLY BUDDHIST,
BUT ITS ROOTS ARE BON.
278
00:15:28,277 --> 00:15:35,249
IT TOOK 1,100 YEARS FOR BUDDHISM
TO REACH THE HIMALAYAS.
279
00:15:35,251 --> 00:15:39,153
THE STORY OF THE FAITH BEGINS
IN THE 6th CENTURY B.C.,
280
00:15:39,155 --> 00:15:42,056
WHEN A PRINCE
NAMED SIDDHARTHA GAUTAMA,
281
00:15:42,058 --> 00:15:47,128
LATER KNOWN AS THE BUDDHA,
WAS BORN IN SOUTHERN NEPAL.
282
00:15:47,130 --> 00:15:50,465
HE WAS RAISED IN LUXURY.
283
00:15:50,467 --> 00:15:52,700
WHEN HE REACHED THE AGE OF 29,
284
00:15:52,702 --> 00:15:55,970
HE STEPPED OUT OF HIS PALACE
FOR THE FIRST TIME.
285
00:15:55,972 --> 00:16:00,408
WHAT HE SAW CHANGED
HIS LIFE FOREVER:
286
00:16:00,410 --> 00:16:04,012
THE SICK, THE POOR
AND THE AGING.
287
00:16:05,547 --> 00:16:08,549
HE RENOUNCED
HIS PRIVILEGED LIFE,
288
00:16:08,551 --> 00:16:11,819
AND FOR SIX YEARS HE MEDITATED
AND CAME TO REALIZE
289
00:16:11,821 --> 00:16:14,989
THAT ALL THINGS IN LIFE
ARE IMPERMANENT,
290
00:16:14,991 --> 00:16:19,861
CAUGHT IN THE ENDLESS CYCLE
OF BIRTH, DEATH, AND REBIRTH.
291
00:16:22,197 --> 00:16:24,232
AT THE AGE OF 35,
292
00:16:24,234 --> 00:16:28,736
HE BECAME THE LORD BUDDHA,
THE ENLIGHTENED ONE.
293
00:16:32,941 --> 00:16:38,046
THE BUDDHA WAS NOT THE FIRST TO
TEACH THE PATH TO ENLIGHTENMENT.
294
00:16:38,048 --> 00:16:43,217
SURPRISINGLY, HIS LIFE STORY
MIRRORS THAT OF ANOTHER TEACHER.
295
00:16:43,219 --> 00:16:47,488
ACCORDING TO THOSE WHO FOLLOW
THE BON FAITH, THE BONPO,
296
00:16:47,490 --> 00:16:49,857
THOUSANDS OF YEARS
BEFORE THE BUDDHA,
297
00:16:49,859 --> 00:16:52,560
A PRINCE NAMED TONPA SHENRAB
298
00:16:52,562 --> 00:16:55,363
BECAME DISILLUSIONED
BY THE WEALTH AROUND HIM
299
00:16:55,365 --> 00:16:59,100
AND RENOUNCED
HIS PRIVILEGED LIFE.
300
00:16:59,102 --> 00:17:01,169
HE LAUNCHED THE BON FAITH,
301
00:17:01,171 --> 00:17:04,706
WHOSE INFLUENCE REACHED
FROM CENTRAL ASIA TO CHINA.
302
00:17:04,708 --> 00:17:08,109
[SINGING]
303
00:17:08,111 --> 00:17:11,579
THE BONPO OFTEN SAY
THE HISTORICAL BUDDHA
304
00:17:11,581 --> 00:17:16,184
WAS SIMPLY A REINCARNATION OF
THE EVEN EARLIER TONPA SHENRAB.
305
00:17:19,688 --> 00:17:21,155
BECAUSE BON GREW
306
00:17:21,157 --> 00:17:23,791
OUT OF AN ANIMISTIC
AND SHAMANISTIC TRADITION,
307
00:17:23,793 --> 00:17:25,560
THE FEW PEOPLE
WHO STILL PRACTICE IT
308
00:17:25,562 --> 00:17:27,528
ARE OFTEN MISTRUSTED,
309
00:17:27,530 --> 00:17:33,234
MISTAKEN AS PRACTITIONERS
OF A KIND OF BLACK MAGIC.
310
00:17:33,236 --> 00:17:35,937
AS A RESULT,
TODAY THE BON RELIGION
311
00:17:35,939 --> 00:17:40,074
IS PERCEIVED
A MALEVOLENT FORCE BY MANY.
312
00:17:40,076 --> 00:17:41,976
Charles: THERE'S A GREAT DEAL
OF MISUNDERSTANDING,
313
00:17:41,978 --> 00:17:44,879
PARTICULARLY AMONG BUDDHISTS,
ABOUT WHAT BON IS.
314
00:17:44,881 --> 00:17:46,180
THEY STILL HAVE THIS IDEA
315
00:17:46,182 --> 00:17:48,049
THAT BON WAS SOME KIND
OF BENIGHTED DARK RELIGION
316
00:17:48,051 --> 00:17:51,085
THAT HAD TO BE EFFACED.
317
00:17:51,087 --> 00:17:53,988
Narrator: IT WAS THE MYTHICAL
ACTIONS OF ONE GREAT FIGURE
318
00:17:53,990 --> 00:17:57,692
THAT BROUGHT ABOUT THE TRIUMPH
OF BUDDHISM OVER BON.
319
00:18:02,030 --> 00:18:06,768
1,300 YEARS AGO, WHEN BON WAS
THE DOMINANT FAITH OF MUSTANG,
320
00:18:06,770 --> 00:18:10,705
A GREAT TEACHER, GURU RINPOCHE,
TRAVELED THROUGH THE REGION
321
00:18:10,707 --> 00:18:14,542
PREACHING THE SERMONS
OF BUDDHISM.
322
00:18:14,544 --> 00:18:16,577
HIS FOLLOWING WAS UNPRECEDENTED,
323
00:18:16,579 --> 00:18:19,914
AND HE LEFT AN INDELIBLE MARK
ON THE HIMALAYAS.
324
00:18:22,651 --> 00:18:24,152
IT WAS HERE IN MUSTANG
325
00:18:24,154 --> 00:18:29,023
WHERE HE ESTABLISHED THE FIRST
TIBETAN BUDDHIST MONASTERY.
326
00:18:29,025 --> 00:18:32,693
MUSTANG WAS THE SITE OF HIS
HISTORIC SLAYING OF A DEMONESS
327
00:18:32,695 --> 00:18:36,964
WHO REPRESENTED THE BON FORCES
RESISTING BUDDHISM.
328
00:18:38,634 --> 00:18:40,334
Charles: GURU RINPOCHE
CATCHES THE DEMONESS
329
00:18:40,336 --> 00:18:43,037
AND DISEMBOWELS HER,
TEARS HER TO PIECES,
330
00:18:43,039 --> 00:18:46,507
AND THIS IS WHY WHEN YOU SEE
BLUE STRIATIONS IN THE ROCKS,
331
00:18:46,509 --> 00:18:48,609
THIS IS THE LIVER
OF THE DEMONESS
332
00:18:48,611 --> 00:18:50,812
THAT WAS FLUNG INTO THE CLIFF.
333
00:18:50,814 --> 00:18:53,548
YOU'LL SEE VERY RED
STREAKS OF ROCK.
334
00:18:53,550 --> 00:18:55,583
THIS OF COURSE IS THE BLOOD
OF THE DEMONESS.
335
00:18:55,585 --> 00:18:58,619
THERE ARE LITTLE FRAGMENTS OF
HER LIVER ALL OVER THE PLACE.
336
00:18:58,621 --> 00:19:00,955
THE BUDDHISTS THEMSELVES
ASSOCIATE THE DEMONESS
337
00:19:00,957 --> 00:19:06,394
WITH THE INDIGENOUS DARK FORCES,
WHICH THEY REGARD AS BEING BON.
338
00:19:06,396 --> 00:19:11,165
Narrator:
IT WAS A METAPHORICAL SPILLING
OF THE BLOOD OF THE BONPO.
339
00:19:14,136 --> 00:19:18,406
THE LEGACY OF THAT CONFLICT IS
STILL PALPABLE AT MARJONG TODAY.
340
00:19:20,375 --> 00:19:23,811
LAMAS RETURN AFTER
HAVING MET WITH THE KHEMPO,
341
00:19:23,813 --> 00:19:26,347
AND WHETHER THEY ARE BONPO
OR BUDDHIST,
342
00:19:26,349 --> 00:19:28,749
THE DECISION IS UNANIMOUS--
343
00:19:28,751 --> 00:19:31,185
THE RESEARCHERS MUST BE ALLOWED
INTO THE CAVES
344
00:19:31,187 --> 00:19:34,388
TO REMOVE AND DOCUMENT
WHAT'S THERE.
345
00:19:36,658 --> 00:19:41,729
NOW IT'S A MATTER OF CONVINCING
THE YOUTH CLUB TO BACK DOWN.
346
00:19:41,731 --> 00:19:44,765
THE MONASTIC TRADITION
OF DEBATE ENSUES.
347
00:19:44,767 --> 00:19:47,768
[SPEAKING TIBETAN DIALECT]
348
00:19:51,773 --> 00:19:54,876
Narrator: THE YOUTH CLUB AGREES
TO ALLOW THE TEAM TO GO UP,
349
00:19:54,878 --> 00:19:56,143
BUT JUST TO HAVE A LOOK.
350
00:19:59,514 --> 00:20:01,282
Charles: I'VE NEVER WORN
A HARNESS BEFORE.
351
00:20:01,284 --> 00:20:02,383
I'VE NEVER CLIMBED BEFORE.
352
00:20:02,385 --> 00:20:05,253
RIGHT LEG? LEFT LEG?
353
00:20:05,255 --> 00:20:07,855
Pete: YOU CAN GRAB THE RED
SLINGS, THE GREEN SLINGS.
354
00:20:07,857 --> 00:20:09,490
ANY OF THOSE ARE FIXED.
355
00:20:09,492 --> 00:20:10,725
Charles: THOSE ROCKS ARE
FAIRLY SECURE, ARE THEY?
356
00:20:10,727 --> 00:20:13,961
Pete: THEY'RE PRETTY SECURE,
ACTUALLY.
357
00:20:13,963 --> 00:20:18,799
Narrator: CHARLES HAS
A DEEP-ROOTED FEAR OF HEIGHTS.
358
00:20:18,801 --> 00:20:21,302
HE HAS THE ATHLETIC ABILITY,
359
00:20:21,304 --> 00:20:28,709
BUT IRRATIONAL FEAR CAN RENDER
A PERSON UNSTABLE ON HIS FEET.
360
00:20:28,711 --> 00:20:31,045
Charles: I JUST LOVE
THESE NARROW LEDGES.
361
00:20:39,054 --> 00:20:42,456
Narrator: FEAR ASIDE,
THIS IS NOT EASY CLIMBING.
362
00:20:42,458 --> 00:20:44,792
Pete: JUST STEP BACK AND BEHIND.
THERE YOU GO.
363
00:20:44,794 --> 00:20:48,329
SOME OF THAT ROCK RIGHT
ON THE SURFACE IS LOOSE.
364
00:20:48,331 --> 00:20:49,730
Kris: BELAY IS ON, RENAN?
365
00:20:49,732 --> 00:20:50,765
Renan: BELAY IS ON!
366
00:20:50,767 --> 00:20:53,401
Kris: OKAY, CHARLES!
367
00:20:53,403 --> 00:20:54,635
FACING INTO THE ROCK, NOW.
368
00:20:54,637 --> 00:20:57,838
FACING IN!
369
00:20:57,840 --> 00:20:59,707
THERE YOU GO, LEFT FOOT FIRST.
370
00:20:59,709 --> 00:21:01,542
RENAN WILL START
GIVING YOU INFORMATION
371
00:21:01,544 --> 00:21:04,512
ON WHAT'S ON THE OTHER SIDE!
372
00:21:07,049 --> 00:21:11,152
RIGHT HAND ON THE YELLOW ROCK
BY YOUR THIGH THERE.
373
00:21:11,154 --> 00:21:14,622
GOOD! LOOKING GREAT.
374
00:21:14,624 --> 00:21:18,192
GOOD JOB, CHARLES.
375
00:21:18,194 --> 00:21:19,860
EXCELLENT.
376
00:21:22,564 --> 00:21:25,132
Narrator:
THOUSANDS OF SACRED FOLIOS,
377
00:21:25,134 --> 00:21:28,302
HAND-INKED CENTURIES AGO
BY MONKS.
378
00:21:28,304 --> 00:21:30,905
Charles: THIS IS AN ABSOLUTELY
EXTRAORDINARY COLLECTION.
379
00:21:30,907 --> 00:21:32,273
WITH A BIT OF LUCK
WE'LL KNOW SOMETHING
380
00:21:32,275 --> 00:21:34,175
OF THE DIVERSITY
OF THE LITERATURE
381
00:21:34,177 --> 00:21:36,711
THAT'S BEEN STACKED UP IN HERE.
382
00:21:36,713 --> 00:21:38,813
IDEALLY, WE'LL GET
THE LAST PAGE OF THIS LOT.
383
00:21:38,815 --> 00:21:40,514
AND THAT'LL TELL US
WHO WROTE IT,
384
00:21:40,516 --> 00:21:42,850
WHY IT WAS WRITTEN,
WHO PAID FOR IT.
385
00:21:42,852 --> 00:21:44,352
WE'RE NOT GOING TO FIND IT.
386
00:21:44,354 --> 00:21:45,753
Narrator: THE LAST PAGE--
387
00:21:45,755 --> 00:21:47,855
THE KEY TO EVERYTHING
IN THE COLLECTION--
388
00:21:47,857 --> 00:21:51,892
IS CALLED A COLOPHON, AND IT IS
THE NEEDLE IN THIS HAYSTACK.
389
00:21:51,894 --> 00:21:53,260
Charles: IN THE MEANTIME
390
00:21:53,262 --> 00:21:55,196
SOMEBODY'S GONE THROUGH
THE WHOLE LOT, RIFLING THEM,
391
00:21:55,198 --> 00:21:57,164
PROBABLY FOR ILLUMINATED FOLIOS,
392
00:21:57,166 --> 00:22:01,569
WHICH ARE WORTH SOMETHING
ON THE COMMERCIAL MARKET.
393
00:22:01,571 --> 00:22:02,970
Narrator: THE ILLUMINATIONS,
394
00:22:02,972 --> 00:22:06,073
THE ORIGINAL PAINTINGS FOUND
ON MANY OF THE TEXTS,
395
00:22:06,075 --> 00:22:12,847
ARE SMALL MASTERPIECES LYING IN
CENTURIES-OLD PIGEON DROPPINGS.
396
00:22:12,849 --> 00:22:14,181
Pete: YEAH, THIS IS
A NICE ONE, CHARLES,
397
00:22:14,183 --> 00:22:16,217
RIGHT HERE THAT KRIS HAS.
398
00:22:16,219 --> 00:22:18,853
Charles: OH, LOVELY!
399
00:22:21,256 --> 00:22:24,492
THIS IS TONPA SHENRAB SHUK.
400
00:22:24,494 --> 00:22:26,193
SO HERE SITS TONPA SHENRAB.
401
00:22:26,195 --> 00:22:27,428
SO THIS IS THE MAIN
ENLIGHTENED ONE,
402
00:22:27,430 --> 00:22:29,497
THE FOUNDER OF THE BON RELIGION.
403
00:22:29,499 --> 00:22:30,531
Pete: IT'S BEAUTIFUL.
404
00:22:30,533 --> 00:22:32,099
Charles: IT IS.
IT'S LOVELY.
405
00:22:32,101 --> 00:22:34,802
AH HA! THIS IS THE END
OF THE SIXTH VOLUME.
406
00:22:34,804 --> 00:22:36,237
[LAUGHS]
407
00:22:36,239 --> 00:22:39,640
PAGES 55 AND 56.
408
00:22:39,642 --> 00:22:42,109
THIS IS THE KIND OF THING
I'M REALLY AFTER
409
00:22:42,111 --> 00:22:45,312
BECAUSE THIS IS EITHER
THE COLOPHON OF THE TEXT
410
00:22:45,314 --> 00:22:48,015
OR IT'S SOME KIND OF DOCUMENT.
411
00:22:48,017 --> 00:22:50,518
Narrator: THEY'VE FOUND
THE COLOPHON.
412
00:22:50,520 --> 00:22:51,952
Charles: THIS IS THE KEY TO,
413
00:22:51,954 --> 00:22:55,122
WITH A BIT OF LUCK
IT MIGHT GIVE THE DATE,
414
00:22:55,124 --> 00:23:00,461
IT SHOULD GIVE THE PLACE,
AND IT SHOULD NAME THE PATRON,
415
00:23:00,463 --> 00:23:01,896
AND I JUST PRAY
THAT THE NAME OF THE PATRON
416
00:23:01,898 --> 00:23:05,866
IS NOT ON THE MISSING PART
OF THE TEXT.
417
00:23:08,070 --> 00:23:10,538
Pete: TRY TO IMPRESS
UPON THE YOUTH GROUP
418
00:23:10,540 --> 00:23:12,706
THAT THIS ROOM IN JUST A YEAR
419
00:23:12,708 --> 00:23:14,909
HAS BECOME
IN MUCH WORSE CONDITION
420
00:23:14,911 --> 00:23:17,078
AND THE DOCUMENTS HAVE SUFFERED
AND BEEN COMPROMISED
421
00:23:17,080 --> 00:23:18,245
AS A RESULT OF IT.
422
00:23:18,247 --> 00:23:20,414
SO EVERYONE UP HERE,
423
00:23:20,416 --> 00:23:22,750
WHETHER THEY'RE FROM THE U.S.
OR FROM GREAT BRITAIN
424
00:23:22,752 --> 00:23:24,151
OR FROM THE YOUTH GROUP
425
00:23:24,153 --> 00:23:27,254
ARE HOPING THAT SOME AGREEMENT
CAN BE MADE TODAY
426
00:23:27,256 --> 00:23:31,025
ABOUT RESCUING THESE DOCUMENTS.
427
00:23:31,027 --> 00:23:33,861
Narrator: AFTER TWO HOURS
OF SCANNING THROUGH TEXTS,
428
00:23:33,863 --> 00:23:37,731
CHARLES CONCLUDES THAT THIS
ISN'T A RANDOM COLLECTION.
429
00:23:37,733 --> 00:23:39,633
THE FOLIOS TELL A BIGGER STORY
430
00:23:39,635 --> 00:23:43,170
ABOUT THE EXPUNGING OF BON
FROM MUSTANG'S HISTORY.
431
00:23:43,172 --> 00:23:45,873
Charles: IT'S QUITE LIKELY
THAT THIS IS A ROYAL COLLECTION
432
00:23:45,875 --> 00:23:48,209
AND THE KING DECIDED
TO REMOVE ALL THE BONPO TEXTS
433
00:23:48,211 --> 00:23:50,377
FROM HIS PALACE
AND PUT THEM IN HERE.
434
00:23:50,379 --> 00:23:53,447
Narrator: REMOVING ALL EVIDENCE
OF THE OLD BON FAITH
435
00:23:53,449 --> 00:23:55,316
WAS ONE WAY A KING OF THE PAST
436
00:23:55,318 --> 00:23:57,351
WOULD HAVE HANDLED
HIS KINGDOM'S CONVERSION
437
00:23:57,353 --> 00:23:59,887
TO THE NEW BUDDHIST RELIGION.
438
00:23:59,889 --> 00:24:01,555
Pete: CHARLES IS SAYING
THERE'S REALLY NO POINT
439
00:24:01,557 --> 00:24:04,725
IN US DOING ANYTHING MORE UNLESS
WE CAN EVACUATE THE DOCUMENTS.
440
00:24:04,727 --> 00:24:09,196
Brot: OKAY, THAT SOUNDS GOOD.
441
00:24:09,198 --> 00:24:10,865
Jeff: GOOD TIBETAN
ILLUMINATIONS,
442
00:24:10,867 --> 00:24:14,168
I THINK THE MOST EXPENSIVE
HAS BEEN OVER $100,000
443
00:24:14,170 --> 00:24:18,706
FOR JUST ONE SMALL
2-INCH BY 3-INCH SQUARE.
444
00:24:18,708 --> 00:24:21,108
Narrator: HIMALAYAN
ART HISTORIAN, JEFF WATT,
445
00:24:21,110 --> 00:24:24,845
KNOWS THE MARKET VALUE
OF THIS LOST TIBETAN ART.
446
00:24:24,847 --> 00:24:26,413
Jeff: WE DON'T KNOW
HOW OLD THESE ARE,
447
00:24:26,415 --> 00:24:29,083
BUT EVEN POOR QUALITY
ARE VALUABLE
448
00:24:29,085 --> 00:24:32,753
AND WORTH THE EFFORT
OF POOR PEOPLE CRAWLING IN
449
00:24:32,755 --> 00:24:34,121
AND TRYING TO GET THEM
450
00:24:34,123 --> 00:24:35,756
BECAUSE IT'S JUST
MONEY LAYING AROUND.
451
00:24:35,758 --> 00:24:38,826
IT'S LITERALLY MONEY
LAYING AROUND...
452
00:24:38,828 --> 00:24:41,095
WHICH IS THE AWFUL THING.
453
00:24:43,598 --> 00:24:46,367
Kris: A FEW MORE INCHES
WITH YOUR RIGHT HAND.
454
00:24:46,369 --> 00:24:49,069
THERE IT IS. GOOD.
455
00:24:58,947 --> 00:25:00,281
NICE.
456
00:25:00,283 --> 00:25:05,152
Charles: NEVER AGAIN IN MY LIFE
AM I GOING TO DO THAT.
457
00:25:05,154 --> 00:25:08,789
Kris: ALL RIGHT, YOU'RE SAFE.
458
00:25:13,261 --> 00:25:15,095
Narrator: AS SOON AS
THEY REACH THE GROUND,
459
00:25:15,097 --> 00:25:17,631
THE ENTIRE TEAM IS SEARCHED
BY THE YOUTH CLUB
460
00:25:17,633 --> 00:25:19,533
FOR ANY TEXTS OR ANTIQUITIES
461
00:25:19,535 --> 00:25:23,804
THAT MIGHT HAVE BEEN REMOVED
FROM THE CAVE.
462
00:25:23,806 --> 00:25:26,273
WITHOUT PERMISSION
TO REMOVE THE FOLIOS,
463
00:25:26,275 --> 00:25:28,509
THE TEAM IS PARALYZED.
464
00:25:28,511 --> 00:25:30,678
THE FATE OF
THE ANCIENT LIBRARY
465
00:25:30,680 --> 00:25:33,414
IS IN THE HANDS
OF THE KHEMPO'S LAMAS.
466
00:25:33,416 --> 00:25:36,350
Brot: THE PLAN IS THAT THEY ARE
GOING TO GO UP TO LO MANTHANG,
467
00:25:36,352 --> 00:25:37,818
HAVE MEETINGS TONIGHT,
468
00:25:37,820 --> 00:25:43,224
AND FORM A CONSENSUS OF ALL
OF THE CONCERNED STAKE HOLDERS,
469
00:25:43,226 --> 00:25:46,460
AND THEY'LL WRITE
A WRITTEN REQUEST
470
00:25:46,462 --> 00:25:49,997
THAT OUR TEAM COME
AND REMOVE THE MANUSCRIPTS.
471
00:25:49,999 --> 00:25:52,967
Charles: IT ALSO MEANS THAT
I GET TO GO IN THERE AGAIN.
472
00:25:52,969 --> 00:25:55,402
Narrator: DECIPHERING
DIGITAL IMAGES OF THE TEXTS
473
00:25:55,404 --> 00:25:58,472
GETS CHARLES CLOSER TO A DATE.
474
00:25:58,474 --> 00:26:01,875
THEY MAY BE OVER 500 YEARS OLD.
475
00:26:01,877 --> 00:26:03,577
Charles: WHAT WE MAY HAVE
IN THESE CAVES
476
00:26:03,579 --> 00:26:07,181
COULD WELL BE THE TEXTS
FROM THE DEAD CITY OF BONKOR.
477
00:26:07,183 --> 00:26:09,984
THIS IS A VERY IMPORTANT
BONPO SETTLEMENT
478
00:26:09,986 --> 00:26:11,719
THAT WAS PRESENT
BEFORE THE ESTABLISHMENT
479
00:26:11,721 --> 00:26:15,189
OF THE K 14th CENTURY.
480
00:26:15,191 --> 00:26:17,658
SO WHEN THIS WAS WRITTEN,
WE DON'T KNOW,
481
00:26:17,660 --> 00:26:20,561
BUT WE'RE GETTING WARMER.
482
00:26:20,563 --> 00:26:23,631
I'M SURE THERE ARE MORE CLUES
IN THE CAVES.
483
00:26:23,633 --> 00:26:27,701
LET'S SEE IF WE CAN
GET THEM OUT TOMORROW.
484
00:26:27,703 --> 00:26:30,571
Narrator: ARCHAEOLOGIST,
MARK ALDENDERFER,
485
00:26:30,573 --> 00:26:34,975
TAKES AN INTERESTING HANDS-ON
METHOD TO DATE THE CAVES.
486
00:26:34,977 --> 00:26:36,377
Mark: AND SOMEBODY'S GOING
TO TRANSLATE RIGHT?
487
00:26:36,379 --> 00:26:37,578
Man: OKAY.
488
00:26:37,580 --> 00:26:38,812
Mark: OKAY, YOU KNOW
WHAT WE'RE GOING TO DO,
489
00:26:38,814 --> 00:26:41,515
WE'RE GOING TO MAKE A CAVE
LIKE UP THERE
490
00:26:41,517 --> 00:26:46,620
TO FIT INSIDE A SPACE
LIKE THIS, HERE.
491
00:26:46,622 --> 00:26:50,024
SO WHAT YOU WANT TO DO IS MAKE
A SHAPE THAT GOES IN.
492
00:26:50,026 --> 00:26:52,760
[SPEAKING NEPALI]
493
00:26:57,265 --> 00:26:59,300
Mark: YOU GET A SENSE
OF HOW HARD THIS IS.
494
00:26:59,302 --> 00:27:00,834
I MEAN, THIS IS
NOT TRIVIAL EXERCISE HERE
495
00:27:00,836 --> 00:27:02,336
TO BEGIN THIS PROCESS.
496
00:27:02,338 --> 00:27:04,271
SO YOU REALLY NEED
GOOD QUALITY TOOLS,
497
00:27:04,273 --> 00:27:06,273
EITHER BRONZE OR IRON.
498
00:27:06,275 --> 00:27:08,108
EARLY ON THEY WOULD HAVE
PROBABLY BEEN USING
499
00:27:08,110 --> 00:27:10,177
BRONZE TOOLS, MAYBE HORN TOOLS
500
00:27:10,179 --> 00:27:13,280
OR MAYBE EVEN STONE TOOLS,
STONE AXES.
501
00:27:13,282 --> 00:27:15,816
Narrator: IT TAKES
EIGHT MEN AND ONE CHILD
502
00:27:15,818 --> 00:27:21,422
ABOUT TWO HOURS TO EXCAVATE
A MINI CAVE.
503
00:27:21,424 --> 00:27:25,893
THEY USE WHATEVER METAL TOOLS
ARE AVAILABLE.
504
00:27:25,895 --> 00:27:27,127
Mark: IT'S A TEDIOUS PROCESS,
505
00:27:27,129 --> 00:27:28,996
SO YOU CAN IMAGINE
BUILDING A CAVE COMPLEX
506
00:27:28,998 --> 00:27:31,665
OF 60, 80, 100 ROOMS--
507
00:27:31,667 --> 00:27:33,334
A LOT OF WORK.
508
00:27:33,336 --> 00:27:35,035
Narrator: WHILE AWAITING
THE KHEMPO'S DECISION
509
00:27:35,037 --> 00:27:36,737
ON THE MANUSCRIPTS,
510
00:27:36,739 --> 00:27:38,906
THE TEAM SETS THEIR SIGHTS NEXT
511
00:27:38,908 --> 00:27:43,510
ON A CAVE PETE AND RENAN
EXPLORED 16 MONTHS EARLIER.
512
00:27:44,913 --> 00:27:47,014
THEY FORGED A ROUTE THROUGH SNOW
513
00:27:47,016 --> 00:27:51,652
TO A CAVE NEAR
THE VILLAGE OF SAMAR.
514
00:27:51,654 --> 00:27:53,220
NOW IT'S AUGUST
515
00:27:53,222 --> 00:27:56,123
AND THE IRRIGATED FIELDS
OF MUSTANG ARE LUSH.
516
00:27:56,125 --> 00:27:57,758
Man: NAMASTE.
Girl: NAMASTE.
517
00:27:59,494 --> 00:28:01,128
Narrator:
THEY'RE REVISITING THE CAVE
518
00:28:01,130 --> 00:28:03,197
BECAUSE THE FLOOR PLAN
IS SO UNIQUE
519
00:28:03,199 --> 00:28:07,601
THEY WANT MARK TO HAVE A LOOK.
520
00:28:07,603 --> 00:28:09,803
THE ONLY ROUTE IS STRAIGHT UP
521
00:28:09,805 --> 00:28:12,039
AND REQUIRES TECHNICAL
ROCK CLIMBING SKILLS.
522
00:28:14,509 --> 00:28:16,810
RENAN MANAGES TO GET INSIDE
523
00:28:16,812 --> 00:28:19,346
AND RIGS A ROPE
FOR THE OTHERS TO CLIMB UP.
524
00:28:21,783 --> 00:28:26,687
PETE SETS UP A SYSTEM
FOR MARK TO CLIMB IN.
525
00:28:26,689 --> 00:28:27,955
Pete: GO AHEAD AND
PUSH UP THE BLUE ONE.
526
00:28:27,957 --> 00:28:29,323
Mark: WORKING ON IT.
527
00:28:29,325 --> 00:28:32,326
Pete: YEAH, TRY AND STAND UP
IN THE ET.
528
00:28:32,328 --> 00:28:33,594
YEAH, THERE YOU GO.
529
00:28:33,596 --> 00:28:36,563
YOU CAN SIT BACK A LITTLE BIT.
530
00:28:36,565 --> 00:28:37,931
Mark: THIS IS GOING TO BE
A STRUGGLE, I THINK.
531
00:28:37,933 --> 00:28:43,003
Pete: YEAH, OKAY, LET'S RIG IT
A LITTLE DIFFERENTLY.
532
00:28:43,005 --> 00:28:45,539
Narrator:
RENAN IS LEFT TO IMAGINE
WHAT IT MUST HAVE BEEN LIKE
533
00:28:45,541 --> 00:28:50,344
FOR THOSE WHO ONCE LIVED HERE.
534
00:28:50,346 --> 00:28:55,349
THE ROOMS OFFER PROTECTION
FROM THE ELEMENTS,
535
00:28:55,351 --> 00:28:57,684
AND WOOD PROTRUDING
FROM THE EXTERIOR
536
00:28:57,686 --> 00:29:02,990
SUGGESTS A BALCONY
FOR EXPOSURE TO THE WARM SUN.
537
00:29:02,992 --> 00:29:05,993
KRIS PHOTOGRAPHS EACH ROOM,
538
00:29:05,995 --> 00:29:11,698
WHILE RENAN DRAWS THE LAYOUT
OF THE ENTIRE COMPLEX.
539
00:29:11,700 --> 00:29:17,671
PETE HAS RIGGED A HAULING SYSTEM
TO PULL MARK UP THE CLIFF.
540
00:29:17,673 --> 00:29:21,608
MARK USES LEG LOOPS,
MUCH LIKE A STAIRWAY,
541
00:29:21,610 --> 00:29:26,814
WHILE PETE ACTS
AS A COUNTERWEIGHT.
542
00:29:26,816 --> 00:29:31,151
IT ALL WORKS LIKE A PULLEY,
LIFTING MARK UPWARDS,
543
00:29:31,153 --> 00:29:34,788
UNTIL HE REACHES
THE CAVE OPENING AND GETS STUCK.
544
00:29:34,790 --> 00:29:36,223
Mark: OKAY!
545
00:29:36,225 --> 00:29:38,192
Narrator: HE'S TRAPPED
THE ROPE SYSTEMS UNDERNEATH HIM,
546
00:29:38,194 --> 00:29:42,129
SO THERE'S NO SLACK
TO LET HIM INSIDE.
547
00:29:42,131 --> 00:29:44,832
THERE'S ONLY ONE SOLUTION
IN THIS SITUATION,
548
00:29:44,834 --> 00:29:47,568
A CLIMBER'S LAST RESORT.
549
00:29:47,570 --> 00:29:50,938
Pete: OKAY, YOU GUYS GOT HIM?
550
00:29:50,940 --> 00:29:55,175
Narrator: PETE CUTS HIM FREE.
551
00:29:55,177 --> 00:29:56,743
Pete: NOTHING LIKE
A BELAY KNIFE.
552
00:29:56,745 --> 00:29:59,746
Mark: OKAY, IT'S WORTH IT.
553
00:29:59,748 --> 00:30:02,316
Narrator: LIKE MOST
OF MUSTANG'S CAVE COMPLEXES,
554
00:30:02,318 --> 00:30:06,687
THE APPROACH IS A STRUGGLE.
555
00:30:06,689 --> 00:30:09,690
BUT ONCE INSIDE,
THE ROOMS ARE LEVEL
556
00:30:09,692 --> 00:30:14,194
AND PLANS ARE MUCH LIKE A HOUSE.
557
00:30:14,196 --> 00:30:18,565
MANY FLOORS HAVE LONG CORRIDORS,
558
00:30:18,567 --> 00:30:22,836
EITHER PERPENDICULAR OR PARALLEL
TO THE CLIFF.
559
00:30:22,838 --> 00:30:27,341
VERTICAL SHAFTS CONNECT
ONE LEVEL TO THE NEXT.
560
00:30:27,343 --> 00:30:32,946
CAVE COLONIES CAN RANGE
FROM 2 LEVELS TO 10...
561
00:30:32,948 --> 00:30:36,817
SOME LEVELS CONTAINING
AS MANY AS 15 ROOMS.
562
00:30:40,288 --> 00:30:43,857
SOOT ON WALLS
INDICATES CAVE KITCHENS,
563
00:30:43,859 --> 00:30:49,396
AND STORAGE ROOMS
HOLD LARGE GRANARIES.
564
00:30:49,398 --> 00:30:52,599
MOST OF THE COMPLEXES
HAVE A SINGLE MONASTIC ROOM
565
00:30:52,601 --> 00:30:54,601
AT THE UPPERMOST LEVEL--
566
00:30:54,603 --> 00:30:59,740
A LATER ADDITION
BY RELIGIOUS PRACTITIONERS.
567
00:30:59,742 --> 00:31:03,677
THESE HIGH TEMPLE ROOMS
SIT ATOP CAVE COMPLEXES
568
00:31:03,679 --> 00:31:06,680
THAT CAN HAVE 60-80 ROOMS--
569
00:31:06,682 --> 00:31:11,718
A HIGH-RISE HEWN
INTO A HIMALAYAN CLIFF.
570
00:31:11,720 --> 00:31:13,020
Mark: YOU CAN SEE THE TOOL MARKS
571
00:31:13,022 --> 00:31:16,757
THAT ARE CUT INTO THE WALLS
RIGHT HERE.
572
00:31:16,759 --> 00:31:19,927
IN OUR LITTLE EXPERIMENT
THAT WE CONDUCTED AT MARJONG,
573
00:31:19,929 --> 00:31:21,762
IT TOOK US TWO HOURS
574
00:31:21,764 --> 00:31:25,766
TO CARVE OUT 1.75
CUBIC METERS OF EARTH.
575
00:31:25,768 --> 00:31:28,035
THAT WAS IN
RELATIVELY SOFT ROCK.
576
00:31:28,037 --> 00:31:30,103
THIS IS HARD STONE.
577
00:31:30,105 --> 00:31:32,339
JUST THINK ABOUT THE AMOUNT
OF TIME THAT IT WOULD TAKE
578
00:31:32,341 --> 00:31:35,976
TO CARVE SOMETHING IN THIS ROCK.
579
00:31:35,978 --> 00:31:38,712
IT'S REALLY PRETTY TOUGH STUFF.
580
00:31:40,949 --> 00:31:43,216
ONE OF THE PERPLEXING QUESTIONS
ABOUT THESE CAVES
581
00:31:43,218 --> 00:31:46,787
IS WHEN AND WHO DID THE WORK?
582
00:31:46,789 --> 00:31:48,355
YOU CAN'T DATE THE ROCK.
583
00:31:48,357 --> 00:31:51,825
ALL YOU CAN DO IS DATE
THINGS LIKE THE SOOT.
584
00:31:51,827 --> 00:31:53,193
ON THE BRICK WALL HERE
585
00:31:53,195 --> 00:31:54,928
YOU CAN SEE HOW THICK
THE SOOT IS RIGHT HERE,
586
00:31:54,930 --> 00:31:56,930
SO WE'LL TAKE A SAMPLE OF THAT.
587
00:31:56,932 --> 00:31:59,333
AND THEN WE'LL PROBABLY TRY
TO WORK A SAMPLE--
588
00:31:59,335 --> 00:32:01,268
OH, THERE'S A PERFECT ONE
RIGHT THERE--
589
00:32:01,270 --> 00:32:03,737
THAT'S PART OF
THE CAVE ROOF ITSELF.
590
00:32:03,739 --> 00:32:06,740
AND IF YOU LOOK CAREFULLY
AT THE EDGE:
591
00:32:06,742 --> 00:32:09,776
THERE'S CAVE WALL,
AND THEN THERE'S THE SOOT LAYER
592
00:32:09,778 --> 00:32:11,211
THAT'S ACCUMULATED
OVER THE YEARS,
593
00:32:11,213 --> 00:32:14,181
AND SO OUR GOAL WILL BE
TO SAMPLE AS CLOSE AS WE CAN
594
00:32:14,183 --> 00:32:17,484
TO THAT INTERFACE RIGHT THERE.
595
00:32:17,486 --> 00:32:19,486
Narrator: KRIS SIFTS
FOR MORE CLUES
596
00:32:19,488 --> 00:32:23,390
THROUGH DRIFTS
OF DRIED BIRD DROPPINGS.
597
00:32:23,392 --> 00:32:28,562
Kris: THIS LOOKS LIKE
AN ANCIENT PRAYER PACKET HERE.
598
00:32:28,564 --> 00:32:30,564
PRAYERS ARE WRITTEN
ON THE INSIDE
599
00:32:30,566 --> 00:32:35,002
AND THEN WORN AROUND THE NECK.
600
00:32:35,004 --> 00:32:39,439
IT'S IN REALLY GOOD SHAPE.
601
00:32:39,441 --> 00:32:41,575
FANTASTIC, HUH?
602
00:32:46,414 --> 00:32:51,985
THIS IS ANOTHER ONE THAT WAS
WRAPPED IN A PIECE OF CLOTH
603
00:32:51,987 --> 00:32:55,389
AND THE PRAYERS ARE STILL FOLDED
604
00:32:55,391 --> 00:32:58,859
AND FAIRLY WELL INTACT
ON THE INSIDE.
605
00:32:58,861 --> 00:33:02,295
WOW, WHOLE BUNDLES
OF PRAYER PACKAGES HERE!
606
00:33:02,297 --> 00:33:03,964
SEVERAL OF THEM.
607
00:33:03,966 --> 00:33:06,500
THESE COULD BE VERY OLD.
608
00:33:06,502 --> 00:33:07,501
Pete: GOT IT?
609
00:33:07,503 --> 00:33:08,502
Mark: YUP.
610
00:33:08,504 --> 00:33:09,870
Pete: OKAY.
611
00:33:09,872 --> 00:33:10,871
Mark: I HAVE IT.
612
00:33:10,873 --> 00:33:12,773
Pete: ALL RIGHT, THERE IT GOES.
613
00:33:12,775 --> 00:33:15,475
Mark: LOOK AT THAT,
THAT'S BEAUTIFUL.
614
00:33:20,415 --> 00:33:23,050
Narrator: IT'S BEEN A LONG DAY,
615
00:33:23,052 --> 00:33:25,252
AND THEY STILL HAVE
A THREE-HOUR TREK BACK
616
00:33:25,254 --> 00:33:28,522
TO RENDEZVOUS
WITH THE REST OF THE TEAM.
617
00:33:35,596 --> 00:33:37,597
CHARLES AND MOHAN SINGH LAMA,
618
00:33:37,599 --> 00:33:39,700
FROM NEPAL'S DEPARTMENT
OF ARCHAEOLOGY,
619
00:33:39,702 --> 00:33:43,437
DECIPHER THE ARCHAIC
TIBETAN SCRIPT.
620
00:33:46,074 --> 00:33:48,608
Charles: BUT IT LOOKS LIKE
IT MENTIONS TWO PEOPLE
621
00:33:48,610 --> 00:33:50,143
AND HAS SOMETHING TO DO
WITH TAXES
622
00:33:50,145 --> 00:33:52,813
AND IT'S SOME KIND OF AGREEMENT.
623
00:33:52,815 --> 00:33:56,717
Narrator:
THESE ARE RARE DOCUMENTS
AN ANTHROPOLOGIST HOPES FOR:
624
00:33:56,719 --> 00:34:00,420
THE PERSONAL PAPERS OF A PEOPLE
WHO LIVED HERE CENTURIES AGO.
625
00:34:00,422 --> 00:34:03,757
Charles: AND THEN WE HAVE
THESE BITS AND PIECES.
626
00:34:03,759 --> 00:34:06,126
THESE ARE AMULETS.
627
00:34:06,128 --> 00:34:07,527
SOMEONE WOULD APPROACH A PRIEST
628
00:34:07,529 --> 00:34:09,763
AND SAY THAT HE OR SHE
REQUIRES PROTECTION
629
00:34:09,765 --> 00:34:13,133
AGAINST MALADIES, WITCHES,
GOSSIP, OR SOME SUCH THING.
630
00:34:13,135 --> 00:34:15,035
AND THE PRIEST
WILL MAKE A BLOCK PRINT,
631
00:34:15,037 --> 00:34:18,238
FOLD IT UP INTO A LEATHER POUCH
OR A CLOTH POUCH
632
00:34:18,240 --> 00:34:20,774
AND THE PETITIONER WILL HANG
THIS AROUND HIS OR HER NECK
633
00:34:20,776 --> 00:34:23,810
AS A FORM OF PROTECTION.
634
00:34:25,980 --> 00:34:27,347
ONCE THEY ARE REMOVED
OR RENEWED,
635
00:34:27,349 --> 00:34:28,515
THEY WOULD NEVER BE THROWN AWAY,
636
00:34:28,517 --> 00:34:30,016
THEY WOULD JUST BE HUNG
IN THE HOUSE.
637
00:34:30,018 --> 00:34:32,185
SO THIS COULD BE A COLLECTION
OF THESE AMULETS
638
00:34:32,187 --> 00:34:34,287
FROM A SINGLE HOUSE.
639
00:34:34,289 --> 00:34:37,424
NOW WHAT'S REALLY INTERESTING
ABOUT THESE--
640
00:34:37,426 --> 00:34:39,826
IT'S NOT A BLOCK PRINT,
IT'S MANUSCRIPT,
641
00:34:39,828 --> 00:34:41,228
AND IT'S ALL COMPLETELY
WRITTEN BY HAND,
642
00:34:41,230 --> 00:34:42,863
AND PAINTED BY HAND.
643
00:34:42,865 --> 00:34:44,498
THESE SORTS OF THINGS
644
00:34:44,500 --> 00:34:46,533
ALMOST ALWAYS ARE BLOCK PRINTED
AFTER THE 17th CENTURY, I THINK,
645
00:34:46,535 --> 00:34:48,769
SO THIS IS ANOTHER
ITEM OF EVIDENCE
646
00:34:48,771 --> 00:34:52,672
TO SUGGEST THAT THIS
IS PRE-17th CENTURY.
647
00:34:55,209 --> 00:34:59,045
NOW WHY WOULD A COLLECTION
LIKE THIS BE FOUND IN A CAVE?
648
00:34:59,047 --> 00:35:02,749
TIBETANS CONSIDER THAT
ANYTHING WRITTEN IS SACRED.
649
00:35:02,751 --> 00:35:04,084
IN THIS PART OF THE WORLD
650
00:35:04,086 --> 00:35:05,619
THERE IS ACTUALLY NO WORD
FOR RELIGION.
651
00:35:05,621 --> 00:35:07,888
THE USUAL TIBETAN WORD
FOR RELIGION IS CHEU,
652
00:35:07,890 --> 00:35:10,023
WHICH MEANS A BOOK.
653
00:35:10,025 --> 00:35:12,626
SO A BOOK IS INTRINSICALLY
SOMETHING SACRED.
654
00:35:12,628 --> 00:35:15,662
SO A PIECE OF PAPER WITH
SOME KIND OF WRITING ON IT,
655
00:35:15,664 --> 00:35:19,099
WHETHER IT'S RELIGIOUS WRITING
OR NOT, IS INTRINSICALLY SACRED.
656
00:35:19,101 --> 00:35:20,467
SO IF SOMEBODY MIGHT WANT
657
00:35:20,469 --> 00:35:22,102
TO SIMPLY GET RID
OF ALL THESE THINGS,
658
00:35:22,104 --> 00:35:23,804
RATHER THAN THROWING
THE WHOLE LOT AWAY,
659
00:35:23,806 --> 00:35:28,308
THEY WOULD DEPOSIT THEM
REVERENTIALLY IN A CAVE.
660
00:35:28,310 --> 00:35:33,380
SO THIS IS A KIND
OF BURIAL OF THE TEXT.
661
00:35:33,382 --> 00:35:36,817
Narrator: FOR THE WHOLE TEAM,
IT'S A TOUCHING DETECTIVE STORY,
662
00:35:36,819 --> 00:35:39,886
BREAKING THE SEAL OFF
THE HIMALAYAN HISTORY BOOKS
663
00:35:39,888 --> 00:35:45,158
TO LOG A MISSING CHAPTER
FROM THE PAST.
664
00:35:45,160 --> 00:35:47,227
BACK AT MARJONG, THE KHEMPO,
665
00:35:47,229 --> 00:35:50,964
THE KING OF MUSTANG,
AND THE LEADERS OF LO MANTHANG
666
00:35:50,966 --> 00:35:52,732
HAVE DELIVERED A WRITTEN REQUEST
667
00:35:52,734 --> 00:35:57,370
FOR THE TEAM TO REMOVE
THE BON FOLIOS FROM THE CAVE.
668
00:35:57,372 --> 00:36:01,174
NOTABLY, THERE'S NO SIGNATURE
FROM THE YOUTH CLUB.
669
00:36:03,878 --> 00:36:08,982
PETE DOESN'T WANT TO WAIT AROUND
TO SEE IF THEY SHOW UP.
670
00:36:08,984 --> 00:36:11,384
A CLIMBER'S HAUL BAG
WILL BE THE CONDUIT
671
00:36:11,386 --> 00:36:15,322
FOR A HISTORIC LIBRARY OF TEXTS.
672
00:36:15,324 --> 00:36:20,026
AND ONE OF RENAN'S
BLANK CANVASES ACTS AS TARP.
673
00:36:21,963 --> 00:36:24,030
THEY START IN THE OUTER ROOM,
674
00:36:24,032 --> 00:36:28,568
WHICH IS MERELY ONE-FIFTH
OF THE ENTIRE COLLECTION.
675
00:36:28,570 --> 00:36:32,505
THE AIM IS TO PRIORITIZE
PAGES WITH ILLUMINATIONS,
676
00:36:32,507 --> 00:36:35,508
IN CASE THEIR EFFORTS
ARE ONCE MORE SHUT DOWN.
677
00:36:37,345 --> 00:36:41,815
THIS IS THE FIRST OF WHAT
WILL EVENTUALLY BE 30 LOADS.
678
00:36:46,587 --> 00:36:50,557
THE BONPO LAMAS HAVE LONG WAITED
FOR THIS MOMENT.
679
00:36:54,161 --> 00:36:59,699
THE TEXTS ARE A DEEP CONNECTION
TO THEIR LOST HISTORY.
680
00:36:59,701 --> 00:37:01,468
MANY ARE FROM THE LUBUM,
681
00:37:01,470 --> 00:37:04,804
AN ORIGINAL SERMON OF THE
FOUNDER OF THE BON RELIGION,
682
00:37:04,806 --> 00:37:06,273
TONPA SHENRAB.
683
00:37:08,976 --> 00:37:12,646
FOR THE BONPO LAMAS, IT'S LIKE
FINDING AN EARLY VERSION
684
00:37:12,648 --> 00:37:15,515
OF A BOOK OF THE OLD TESTAMENT.
685
00:37:19,487 --> 00:37:21,454
Charles: WE WON'T NEED TO WALK
FOR THE REST OF THE TRIP,
686
00:37:21,456 --> 00:37:24,724
WE CAN FLY, WE'VE GOT
ENOUGH FEATHERS ON US.
687
00:37:27,295 --> 00:37:28,929
Narrator: AFTER HOURS OF WORK,
688
00:37:28,931 --> 00:37:34,401
THE CLIMBERS HAVE ONLY REMOVED
HALF THE TEXTS.
689
00:37:34,403 --> 00:37:37,103
HUNDREDS OF YEARS' WORTH
OF BIRD GUANO AND DUST
690
00:37:37,105 --> 00:37:39,472
COAT THE PAGES.
691
00:37:39,474 --> 00:37:41,841
BUT THE FOLIOS
ARE MADE OF DAPHNE,
692
00:37:41,843 --> 00:37:46,012
A PLANT THAT PRODUCES PAPER
AS STRONG AS LINEN.
693
00:37:46,014 --> 00:37:49,115
THIS ALLOWS THE LAMAS
A MORE RIGOROUS APPROACH
694
00:37:49,117 --> 00:37:52,485
TO CLEANING THE TEXTS.
695
00:37:52,487 --> 00:37:55,021
THEY'RE UNDOING A NATURAL
TAR AND FEATHERING
696
00:37:55,023 --> 00:37:56,656
OF AN UNWANTED LIBRARY
697
00:37:56,658 --> 00:37:59,893
THAT WAS ONCE SECRETED AWAY
INTO THESE CAVES
698
00:37:59,895 --> 00:38:03,096
WHEN CONVERTING TO A NEW FAITH
MEANT ERADICATING THE OLD.
699
00:38:05,666 --> 00:38:08,201
Charles: A DISCIPLE
OF TONPA SHENRAB.
700
00:38:13,441 --> 00:38:15,942
WE'RE ALL CERTAINLY GOING
TO GET BIRD FLU AFTER THIS,
701
00:38:15,944 --> 00:38:18,411
THAT'S FOR SURE.
702
00:38:18,413 --> 00:38:20,313
Narrator: CHARLES AND
THE BONPO LAMAS
703
00:38:20,315 --> 00:38:23,616
HAVE ISOLATED
38 BOOKS IN ALL.
704
00:38:23,618 --> 00:38:25,852
MANY ARE INCOMPLETE.
705
00:38:25,854 --> 00:38:29,055
IMPORTANT PAGES WITH
ILLUMINATIONS ARE MISSING.
706
00:38:29,057 --> 00:38:30,890
Charles: IN THIS CASE
SOMEBODY HAS COME
707
00:38:30,892 --> 00:38:36,096
AND CUT OUT THE ILLUMINATIONS
AND LEFT THE REST OF THE TEXT.
708
00:38:36,098 --> 00:38:37,597
IF THEY HAD KNOWN
WHAT THEY WERE DOING,
709
00:38:37,599 --> 00:38:39,933
THEY'D HAVE REALIZED THAT
THE TEXT WITH THE ILLUMINATIONS
710
00:38:39,935 --> 00:38:43,203
WOULD HAVE BEEN MORE VALUABLE.
711
00:38:43,205 --> 00:38:48,408
Narrator: IN ALL, 10,000 PAGES
ARE RESCUED AND COLLATED,
712
00:38:48,410 --> 00:38:51,277
EACH SIDE PAINSTAKINGLY
PHOTOGRAPHED
713
00:38:51,279 --> 00:38:54,114
FOR WHAT WILL BE ONE OF
THE LARGEST DIGITAL LIBRARIES
714
00:38:54,116 --> 00:38:55,882
OF BON TEXTS.
715
00:38:55,884 --> 00:38:58,451
Charles: THIS IS VERY
VALUABLE MATERIAL.
716
00:38:58,453 --> 00:39:00,987
IT'S A PRECIOUS FIND.
717
00:39:00,989 --> 00:39:03,289
WHAT WE HAVE DONE IS
TO BUNDLE THEM UP NEATLY,
718
00:39:03,291 --> 00:39:04,991
LABEL THEM, AND FROM HERE ON
719
00:39:04,993 --> 00:39:07,694
THEY WILL BE TAKEN AWAY
FOR SAFEKEEPING.
720
00:39:07,696 --> 00:39:09,729
Narrator: ALL PARTIES
HAVE AGREED--
721
00:39:09,731 --> 00:39:11,865
THE TEXTS WILL BE
CARRIED UP TO AND STORED
722
00:39:11,867 --> 00:39:15,769
AT THE KHEMPO'S MONASTERY
IN LO MANTHANG.
723
00:39:15,771 --> 00:39:19,873
CHARLES HAS DATED THE LIBRARY
TO THE MID-15th CENTURY,
724
00:39:19,875 --> 00:39:22,208
A TIME BY WHICH BUDDHISM
HAD TRIUMPHED
725
00:39:22,210 --> 00:39:25,078
OVER THE BON FAITH HERE.
726
00:39:25,080 --> 00:39:29,015
BUT THE CAVES THEMSELVES
HAVE AN EVEN OLDER HISTORY,
727
00:39:29,017 --> 00:39:34,721
PERHAPS LINKED TO THE EARLIEST
PEOPLE WHO CARVED THEM.
728
00:39:34,723 --> 00:39:38,892
OUR FIRST HINT ABOUT WHO
THEY WERE CAME IN THE 1990s,
729
00:39:38,894 --> 00:39:41,828
WHEN A TEAM OF GERMAN
AND NEPALI SCIENTISTS
730
00:39:41,830 --> 00:39:44,264
CLIMBED INTO CAVES
IN LOWER MUSTANG
731
00:39:44,266 --> 00:39:48,268
AND FOUND
NATURALLY MUMMIFIED BODIES.
732
00:39:48,270 --> 00:39:52,639
THEY WERE DATED
TO AROUND 400 B.C.
733
00:39:52,641 --> 00:39:57,410
IT SEEMS AN UNKNOWN CIVILIZATION
CARVED CAVES IN LOWER MUSTANG
734
00:39:57,412 --> 00:40:03,116
STRICTLY FOR MORTUARY PURPOSES--
TO BURY AND REVERE THE DEAD.
735
00:40:03,118 --> 00:40:06,319
Mark: SURPRISINGLY, WE KNOW
VERY LITTLE ABOUT THEM.
736
00:40:06,321 --> 00:40:08,288
WE KNOW ABOUT THEIR AGRICULTURE,
737
00:40:08,290 --> 00:40:10,290
THEY WERE GROWING
BARLEY AND BUCKWHEAT.
738
00:40:10,292 --> 00:40:12,025
WE KNOW THAT THEY WERE
TRADING CERAMICS
739
00:40:12,027 --> 00:40:14,060
WITH PEOPLE LIVING DOWN VALLEY.
740
00:40:14,062 --> 00:40:15,895
YET IT'S STILL VERY MUCH OPEN
741
00:40:15,897 --> 00:40:21,334
AS TO WHO THESE PEOPLE WERE
AND WHAT THEY WERE DOING HERE.
742
00:40:21,336 --> 00:40:23,269
Narrator: CAVE BURIAL SUGGESTS
743
00:40:23,271 --> 00:40:27,407
THAT THE MUMMIES
PRE-DATE BUDDHISM.
744
00:40:27,409 --> 00:40:30,110
ONE COMMON BUDDHIST WAY
OF DISPOSING OF CORPSES,
745
00:40:30,112 --> 00:40:34,914
BY CONTRAST, LEAVES NO TRACE.
746
00:40:34,916 --> 00:40:37,050
Charles: THIS IS THE ROCK
ON WHICH DEAD BODIES
747
00:40:37,052 --> 00:40:39,986
ARE DISMEMBERED
AND FED TO THE VULTURES.
748
00:40:39,988 --> 00:40:42,655
YOU CAN SEE ALL THE CUTTING
IMPLEMENTS OVER HERE.
749
00:40:42,657 --> 00:40:46,159
THIS IS WHAT'S GENERALLY KNOWN
AS SKY BURIAL.
750
00:40:46,161 --> 00:40:48,161
THERE WERE A FEW VULTURES
CIRCLING OVERHEAD
751
00:40:48,163 --> 00:40:52,398
AND WATCHING US WITH
SOME INTEREST AND SOME HOPE.
752
00:40:52,400 --> 00:40:55,368
SO THE BODY WOULD BE
BROUGHT UP HERE
753
00:40:55,370 --> 00:40:57,971
AND JUST NEXT TO THE BIG ROCK
WHERE THE CUTTING TAKES PLACE
754
00:40:57,973 --> 00:41:00,974
YOU CAN SEE ANOTHER ROCK
WITH A ROPE ATTACHED TO IT
755
00:41:00,976 --> 00:41:02,675
AND A NOOSE ON THE END,
756
00:41:02,677 --> 00:41:05,178
AND THIS IS FOR
SECURING THE BODY.
757
00:41:05,180 --> 00:41:06,479
THE ROPE IS TIED
AROUND THE NECK
758
00:41:06,481 --> 00:41:08,348
BECAUSE THE VULTURES
ARE VERY STRONG,
759
00:41:08,350 --> 00:41:09,883
THEY'RE AS STRONG AS A MAN.
760
00:41:09,885 --> 00:41:12,418
AND THEY'RE LIKELY TO DRAG OFF
LARGE LUMPS OF DEAD BODY,
761
00:41:12,420 --> 00:41:13,987
IF NOT THE WHOLE BODY,
762
00:41:13,989 --> 00:41:15,622
AND THEN YOU HAVE
THE UNPLEASANT SPECTACLE
763
00:41:15,624 --> 00:41:19,292
OF BITS OF DEAD BODY
LYING AROUND THE PLACE.
764
00:41:21,595 --> 00:41:23,930
THE PRINCIPLE IS THAT YOU
DON'T LEAVE ANYTHING BEHIND.
765
00:41:23,932 --> 00:41:26,232
EVERYTHING HAS TO BE
CHOPPED UP VERY FINELY.
766
00:41:26,234 --> 00:41:28,568
THE BONES ARE GROUND VERY SMALL,
767
00:41:28,570 --> 00:41:30,737
THE BRAINS ARE MIXED
INTO A KIND OF CAKE,
768
00:41:30,739 --> 00:41:34,407
AND THAT'S WHAT
THE VULTURES GET LAST.
769
00:41:34,409 --> 00:41:38,044
THEY INSIST ON EVERYTHING
DISAPPEARING
770
00:41:38,046 --> 00:41:41,848
EXCEPT THE HAIR
AND WHATEVER JEWELRY
771
00:41:41,850 --> 00:41:43,149
THE INDIVIDUAL HAPPENED
TO BE WEARING.
772
00:41:43,151 --> 00:41:45,218
SO YOU CAN SEE
A FEW BRACELETS OVER HERE,
773
00:41:45,220 --> 00:41:49,422
WHICH ARE THE RATHER TOUCHING
REMAINS FROM THE LAST FUNERAL.
774
00:41:49,424 --> 00:41:52,158
THINGS THAT ARE USED
FOR BODY CUTTING
775
00:41:52,160 --> 00:41:54,227
ARE USUALLY LEFT
IN THE CEMETERY.
776
00:41:54,229 --> 00:41:55,662
THEY ARE CONSIDERED POLLUTING,
777
00:41:55,664 --> 00:41:57,664
THEY ARE CONSIDERED TO BE
ASSOCIATED WITH DEATH,
778
00:41:57,666 --> 00:41:59,832
AND IF YOU TAKE THEM HOME,
779
00:41:59,834 --> 00:42:03,803
YOU NEVER REALLY KNOW WHAT'S
GOING TO BE FOLLOWING YOU HOME.
780
00:42:03,805 --> 00:42:05,872
Narrator: FOLLOWING A TIP
FROM A LOCAL,
781
00:42:05,874 --> 00:42:10,643
THE CLIMBERS TARGET A CAVE
THAT MAY HOLD HUMAN REMAINS.
782
00:42:10,645 --> 00:42:15,515
IT'S SITUATED AT 14,000 FEET,
COMPLETELY UNEXPLORED,
783
00:42:15,517 --> 00:42:17,684
AND POSES THE KIND
OF TECHNICAL CHALLENGE
784
00:42:17,686 --> 00:42:20,420
THE CLIMBERS LOOK FORWARD TO.
785
00:42:20,422 --> 00:42:22,088
Pete: I THINK THAT MOST CLIMBERS
786
00:42:22,090 --> 00:42:24,891
COME TO THESE POWERFUL PLACES
IN THE HIMALAYA
787
00:42:24,893 --> 00:42:26,492
BECAUSE WE FIND A SOLACE
788
00:42:26,494 --> 00:42:30,230
IN THE KIND OF HOSTILE LANDSCAPE
THAT WE CLIMB IN.
789
00:42:30,232 --> 00:42:33,766
WE FIND A REJUVENATING POWER.
790
00:42:33,768 --> 00:42:36,369
BUT WE ALSO FIND OURSELVES
IN THESE LANDSCAPES
791
00:42:36,371 --> 00:42:39,339
WHERE THE WEATHER,
THE ROCK CONDITION,
792
00:42:39,341 --> 00:42:42,875
OUR PARTICULAR OBJECTIVES IN IT
PUT US AT HAZARD.
793
00:42:42,877 --> 00:42:45,078
AND THERE'S
AN EMOTIONAL SACRIFICE,
794
00:42:45,080 --> 00:42:49,249
AN EMOTIONAL LIABILITY
IN BEING IN PLACES LIKE THIS.
795
00:42:49,251 --> 00:42:51,251
Kris: OKAY, RENAN, I'M CLIMBING.
796
00:42:51,253 --> 00:42:53,786
Renan: GO AHEAD.
797
00:42:58,592 --> 00:43:02,395
Kris: OH, IT'S SO GOOD!
798
00:43:02,397 --> 00:43:05,765
Pete: I'M CONVINCED THAT
SOME OF THE EARLIEST CLIMBERS
799
00:43:05,767 --> 00:43:07,533
WERE CAVE PEOPLE.
800
00:43:07,535 --> 00:43:09,969
NOT ONLY WERE THEY
EXCELLENT CLIMBERS,
801
00:43:09,971 --> 00:43:12,338
THEY WERE EXCELLENT
CLIMBING WALL BUILDERS
802
00:43:12,340 --> 00:43:13,640
BECAUSE THEY WERE ABLE
803
00:43:13,642 --> 00:43:16,209
TO CARVE OUT THESE HANDHOLDS
AND FOOTHOLDS.
804
00:43:16,211 --> 00:43:19,712
THEY OBVIOUSLY HAD
VERY LITTLE FEAR OF HEIGHTS.
805
00:43:19,714 --> 00:43:21,914
Narrator: HISTORICALLY,
THE PEOPLE OF MUSTANG
806
00:43:21,916 --> 00:43:24,617
WOULD HAVE SUFFERED
FREQUENT INVASIONS.
807
00:43:24,619 --> 00:43:29,622
WARRING EMPIRES TRIED TO CONTROL
THEIR STRATEGIC TRADE ROUTE.
808
00:43:29,624 --> 00:43:33,860
FOR VILLAGERS, CAVES LIKE THESE
COULD HAVE BEEN A REFUGE.
809
00:43:33,862 --> 00:43:35,528
Pete: THEY COULD CLAMBER
UP INTO THESE PLACES
810
00:43:35,530 --> 00:43:40,600
AND THROW THESE GREAT SHEETS
OF STONE OVER THESE SHAFTS.
811
00:43:40,602 --> 00:43:42,602
THEY WERE PERFECT FORTS
812
00:43:42,604 --> 00:43:46,639
FROM WHICH TO DEFEND THEMSELVES
FROM ANY INVADING MARAUDERS.
813
00:43:48,609 --> 00:43:52,245
Narrator: THE CLIMBERS THEN
COME UPON AN ASTOUNDING FIND.
814
00:43:52,247 --> 00:43:53,813
Pete: WE HAVE DEFINITE
HUMAN REMAINS.
815
00:43:53,815 --> 00:43:57,317
WE HAVE AN INTACT SKULL,
BUT WITHOUT A JAWBONE.
816
00:43:57,319 --> 00:44:00,653
WE HAVE A COMPLETELY INTACT
VERTEBRAE AND PELVIS.
817
00:44:00,655 --> 00:44:02,388
Mark: OKAY, PETE, THIS IS
WHAT I'D LIKE YOU TO DO.
818
00:44:02,390 --> 00:44:06,592
I'D LIKE YOU TO PULL
SOME TEETH FROM THE SKULL,
819
00:44:06,594 --> 00:44:08,695
AND THE TEETH I WOULD LIKE
IN PARTICULAR
820
00:44:08,697 --> 00:44:12,332
WOULD BE ANY OF THE MOLAR TEETH
DOWN TO THE PRE-MOLARS.
821
00:44:12,334 --> 00:44:16,602
Pete: THAT'S EASY.
WE ONLY HAVE ONE MOLAR.
822
00:44:16,604 --> 00:44:19,005
Mark: IT DOESN'T SEEM LIKE
A SKY BURIAL CONTEXT.
823
00:44:19,007 --> 00:44:22,108
WOULD THAT AGREE WITH YOU
AS WELL, PETE? OVER.
824
00:44:22,110 --> 00:44:23,609
Pete: YEAH, WE ALL
AGREE WITH THAT.
825
00:44:23,611 --> 00:44:25,144
WERE THIS A SKY BURIAL,
826
00:44:25,146 --> 00:44:28,214
CH MORE VIVISECTED,
827
00:44:28,216 --> 00:44:30,216
MUCH BETTER CHOPPED UP.
828
00:44:30,218 --> 00:44:32,418
Renan: HERE COMES THE ROPE!
829
00:44:37,391 --> 00:44:41,494
Narrator:
MIRACULOUSLY, THE CLIMBERS MAKE
ANOTHER INTRIGUING DISCOVERY.
830
00:44:41,496 --> 00:44:43,396
Kris: PETE, PETE,
THIS IS KRIS CALLING.
831
00:44:43,398 --> 00:44:45,198
DO YOU COPY?
832
00:44:45,200 --> 00:44:47,266
Pete: GO AHEAD, KRIS, TELL ME
WHAT YOU SEE IN THERE.
833
00:44:47,268 --> 00:44:49,769
Kris: I JUST FOLLOWED RENAN
INTO THE CENTRAL ROOM.
834
00:44:49,771 --> 00:44:53,373
IT LOOKS LIKE IT'S
OBVIOUSLY A BURIAL CHAMBER.
835
00:44:53,375 --> 00:44:56,576
WE'VE GOT THREE SKELETONS
IN HERE,
836
00:44:56,578 --> 00:45:01,214
TWO OF WHICH HAVE INCLUSIVE
MANDIBLE ON THE SKELETON.
837
00:45:01,216 --> 00:45:04,016
THE ROOM ITSELF IS
HIGHLY GEOMETRIC.
838
00:45:04,018 --> 00:45:06,986
LOOKS LIKE AN ALTAR
IN THE CORNER,
839
00:45:06,988 --> 00:45:08,154
VERY BEAUTIFUL ARCHITECTURE.
840
00:45:08,156 --> 00:45:11,290
NO REAL ILLUSTRATIONS
ON THE WALLS.
841
00:45:13,560 --> 00:45:14,927
Kris: I NEVER THOUGHT
IN MY WILDEST DREAMS
842
00:45:14,929 --> 00:45:17,630
I WOULD EVER BE RAPPELLING
INTO ANCIENT CAVES
843
00:45:17,632 --> 00:45:20,266
AND DISCOVERING
MUMMIFIED BODIES.
844
00:45:20,268 --> 00:45:22,935
THIS IS A CAREER DREAM.
845
00:45:22,937 --> 00:45:24,904
Kris: ROCK!
846
00:45:28,609 --> 00:45:30,376
Pete: HOW'S IT GOING, MARK?
847
00:45:30,378 --> 00:45:32,945
Mark: IT'S GOING WELL.
LOOKS LIKE YOU HAD A GREAT DAY.
848
00:45:32,947 --> 00:45:34,947
Pete: IT WAS A BIG DAY.
849
00:45:38,419 --> 00:45:39,419
Mark: WELL!
850
00:45:39,421 --> 00:45:42,622
Pete: BUT THIS WAS....
851
00:45:42,624 --> 00:45:45,358
Mark: OUR HUMAN SKULL.
Pete: OUR HUMAN SKULL.
852
00:45:45,360 --> 00:45:47,026
Mark: VERY NICE.
853
00:45:47,028 --> 00:45:50,396
Pete: THE MANDIBLE WASN'T
TO BE SEEN, BUT THAT WAS...
854
00:45:50,398 --> 00:45:52,331
Mark: MAKES ME THINK
THAT IT'S BEEN HEAVILY DISTURBED
855
00:45:52,333 --> 00:45:54,867
BY PEOPLE COMING UP IN THERE
AT SOME POINT IN THE PAST
856
00:45:54,869 --> 00:45:56,936
AND MOVING THINGS AROUND.
857
00:45:56,938 --> 00:45:58,237
CLEARLY AN ADULT.
858
00:45:58,239 --> 00:46:01,073
ALL THE SUTURES
ARE VERY WELL FUSED.
859
00:46:01,075 --> 00:46:03,075
HOPEFULLY, IF WE CAN
GET SOME DNA
860
00:46:03,077 --> 00:46:07,013
OUT OF THE TOOTH
THAT CAME DOWN.
861
00:46:07,015 --> 00:46:09,315
IT'S GOT A BIG HOLE IN IT.
862
00:46:09,317 --> 00:46:13,019
WOOF, THAT'S ONE
NASTY CAVITY!
863
00:46:13,021 --> 00:46:14,921
THIS WILL PROVIDE US
WITH SOME GOOD INFORMATION
864
00:46:14,923 --> 00:46:17,190
ABOUT WHAT ONE OCCUPATION
OF THAT CAVE SYSTEM
865
00:46:17,192 --> 00:46:19,892
WAS LIKELY TO BE.
866
00:46:19,894 --> 00:46:22,628
[LAMA CHANTING]
867
00:46:25,566 --> 00:46:28,568
Narrator: A LAMA IS CALLED IN
TO GIVE A PUJA,
868
00:46:28,570 --> 00:46:31,003
A CEREMONY WHERE
THE SPIRIT OF THE DECEASED
869
00:46:31,005 --> 00:46:32,572
IS GIVEN OFFERINGS
870
00:46:32,574 --> 00:46:35,975
AND THE NEARBY DIVINITIES
ARE APPEASED.
871
00:46:43,684 --> 00:46:47,820
THE LOCALS ARE INTRIGUED
BY THE FIND.
872
00:46:47,822 --> 00:46:50,990
THEY'RE INSPIRED TO LEARN MORE.
873
00:46:53,894 --> 00:46:57,763
IN THE MORNING, THE DETAILED
DOCUMENTING BEGINS.
874
00:47:00,667 --> 00:47:02,568
ALL DATA WILL BE INCLUDED
875
00:47:02,570 --> 00:47:08,207
IN A COMPREHENSIVE INVENTORY
OF EVERYTHING THEY'VE FOUND.
876
00:47:08,209 --> 00:47:12,678
THE LOCAL PEOPLE WILL KEEP
THE SKULL AND ARTIFACTS.
877
00:47:12,680 --> 00:47:14,380
THEY WANT TO BUILD A MUSEUM,
878
00:47:14,382 --> 00:47:18,284
SO PEOPLE CAN LEARN MORE
ABOUT THEIR DISTANT PAST.
879
00:47:18,286 --> 00:47:20,653
Mark: LET'S DO THE OTHER SIDE.
880
00:47:20,655 --> 00:47:22,655
NOW WE HAVE A BROADER SAMPLE.
881
00:47:22,657 --> 00:47:25,191
WE'RE LOOKING AT PRE-700 A.D.
FOR STARTERS,
882
00:47:25,193 --> 00:47:26,592
AND THEN HOW MUCH EARLIER
THAN THAT
883
00:47:26,594 --> 00:47:29,762
BECOMES A REALLY INTERESTING
RESEARCH QUESTION.
884
00:47:29,764 --> 00:47:31,297
THIS IS PRECISELY
THE KIND OF CAVES
885
00:47:31,299 --> 00:47:32,798
WE'VE BEEN LOOKING FOR
IN SOME WAYS.
886
00:47:32,800 --> 00:47:34,734
NOW WE'VE GOT CAVES
WITH HUMAN SKELETAL REMAINS
887
00:47:34,736 --> 00:47:36,202
THAT COMPARE VERY FAVORABLY
888
00:47:36,204 --> 00:47:38,971
TO THE CAVES WE SEE
DOWN IN SOUTHERN MUSTANG
889
00:47:38,973 --> 00:47:43,442
THAT THE NEPALI-GERMAN TEAM
LOCATED BACK IN THE 1990s.
890
00:47:43,444 --> 00:47:45,945
Narrator: WE KNOW
FROM THE NEPALI-GERMAN WORK
891
00:47:45,947 --> 00:47:50,516
THAT THERE WAS ONE GROUP
WHO LIVED HERE 3,000 YEARS AGO,
892
00:47:50,518 --> 00:47:54,387
BUT ANALYSIS OF DNA
FROM THE TEAM'S SKELETAL REMAINS
893
00:47:54,389 --> 00:47:57,256
NOW CONFIRMS THAT THERE WAS
A MORE RECENT CULTURE,
894
00:47:57,258 --> 00:48:03,195
600 YEARS AGO, THAT USED
THE CAVES FOR THEIR DEAD.
895
00:48:03,197 --> 00:48:05,898
REMARKABLY,
DNA EVIDENCE INDICATES
896
00:48:05,900 --> 00:48:10,169
THAT THE TWO GROUPS
APPEAR UNRELATED.
897
00:48:10,171 --> 00:48:12,471
THIS SUGGESTS MUSTANG
HAS BEEN HOME
898
00:48:12,473 --> 00:48:15,875
TO A MOSAIC
OF DISTINCT CULTURES.
899
00:48:15,877 --> 00:48:18,744
[BLOWING HORN]
900
00:48:18,746 --> 00:48:22,248
WHY WOULD ANYONE COME HERE?
901
00:48:22,250 --> 00:48:27,753
EVEN THOUSANDS OF YEARS AGO,
IT WAS AN UNFORGIVING PLACE.
902
00:48:27,755 --> 00:48:31,223
THE KALI GANDAKI RIVER
THAT FLOWS PAST THE CAVES
903
00:48:31,225 --> 00:48:34,126
PROVIDES OUR ANSWER:
904
00:48:34,128 --> 00:48:37,029
FOR MILLENNIA,
CARAVANS AND CULTURES
905
00:48:37,031 --> 00:48:40,166
HAVE FOLLOWED
THE RIVER CORRIDOR.
906
00:48:40,168 --> 00:48:43,603
CARBON DATING FROM SAMPLES
OF GRAINS FROM THE CAVES
907
00:48:43,605 --> 00:48:47,607
INDICATE THAT PEOPLE HAVE
LIVED HERE FOR 3,000 YEARS.
908
00:48:47,609 --> 00:48:50,876
SOME CARVED THE CAVES
TO HOLD THEIR DEAD...
909
00:48:50,878 --> 00:48:53,679
OTHERS USED THEM FOR DEFENSE...
910
00:48:53,681 --> 00:48:57,717
AT LEAST ONE MORE CONVERTED THEM
INTO SACRED SHRINES.
911
00:49:00,754 --> 00:49:03,956
ONE FINAL CAVE SUGGESTS
AN EVEN MORE COMPELLING,
912
00:49:03,958 --> 00:49:07,593
SPIRITUAL REASON
FOR COMING HERE.
913
00:49:07,595 --> 00:49:11,530
THE GREAT TEACHER WHO BROUGHT
BUDDHISM HERE, GURU RINPOCHE,
914
00:49:11,532 --> 00:49:13,332
ALSO DID SOMETHING ELSE.
915
00:49:13,334 --> 00:49:19,839
HE LOCATED AND THEN CONCEALED
108 REFUGES HE NAMED BEYULS.
916
00:49:19,841 --> 00:49:23,709
ONE CAVE HAS THE QUALITIES
OF SUCH A SANCTUARY.
917
00:49:23,711 --> 00:49:26,512
THEY FOUND IT LAST YEAR
AFTER A SHEPHERD TOLD THEM
918
00:49:26,514 --> 00:49:30,983
ABOUT SHELTERING FROM A STORM
THERE WHEN HE WAS A BOY.
919
00:49:30,985 --> 00:49:35,187
THE CAVE IS A LAST REMNANT
OF AN ABANDONED TEMPLE COMPLEX,
920
00:49:35,189 --> 00:49:42,762
PRECARIOUSLY SITUATED AT THE TOP
OF A RIDGE, AT 14,000 FEET.
921
00:49:42,764 --> 00:49:46,332
WORD IS OUT ABOUT ITS ALLURE.
922
00:49:46,334 --> 00:49:48,901
IN A SINGLE YEAR,
OVER A HUNDRED PEOPLE
923
00:49:48,903 --> 00:49:51,671
HAVE UNDERTAKEN
THE ARDUOUS JOURNEY.
924
00:49:53,974 --> 00:49:56,809
INSIDE ARE MASTERPIECES,
925
00:49:56,811 --> 00:50:00,379
FRAGILE PAINTINGS
IN A DISTINCT INDIAN STYLE,
926
00:50:00,381 --> 00:50:03,849
EVOCATIVE OF THE EARLIEST DAYS
OF BUDDHISM.
927
00:50:03,851 --> 00:50:08,988
Charles:
THE KHEMPO WAS EXPLAINING
THAT THESE BELONG TO A SET
928
00:50:08,990 --> 00:50:11,157
THAT ARE KNOWN
AS THE 84 MAHASIDDHAS,
929
00:50:11,159 --> 00:50:13,225
THE GREAT SAINTS
AND WONDERWORKERS
930
00:50:13,227 --> 00:50:16,529
OF THE TANTRIC BUDDHIST
TRADITION.
931
00:50:16,531 --> 00:50:17,830
EACH OF THESE IMAGES
932
00:50:17,832 --> 00:50:21,300
HAS A FOUR-LINE INSCRIPTION
UNDERNEATH IT.
933
00:50:21,302 --> 00:50:23,736
AND THE STRUCTURE IS EXACTLY
THE SAME IN EACH CASE.
934
00:50:23,738 --> 00:50:28,274
SO LET'S TAKE AN EXAMPLE
OF THIS INDIVIDUAL--
935
00:50:28,276 --> 00:50:30,276
HE BELONGED TO A FISHING CASTE
936
00:50:30,278 --> 00:50:35,448
AND HE WAS HIGHLY ACCOMPLISHED
AT YOGIC TECHNIQUES.
937
00:50:35,450 --> 00:50:39,418
HE WENT BEGGING
IN THE STREETS, NAKED.
938
00:50:39,420 --> 00:50:45,424
AND HOMAGE TO THAT LAMA
WHO WAS CALLED CHANDALI.
939
00:50:45,426 --> 00:50:48,994
Narrator: THE 84 MAHASIDDHAS
WERE GREAT TEACHERS,
940
00:50:48,996 --> 00:50:53,766
BUT THEY WERE ALSO REAL PEOPLE
WHO LIVED VIRTUOUS LIVES.
941
00:50:53,768 --> 00:50:57,303
THEY CAME FROM ALL PARTS
OF THE SOCIAL STRATUM--
942
00:50:57,305 --> 00:51:05,244
BLACKSMITHS, MUSICIANS,
HOUSEWIVES, AND STREET SWEEPERS,
943
00:51:05,246 --> 00:51:08,881
ALL PASSING ON THE DHARMA,
THE WORD OF THE BUDDHA,
944
00:51:08,883 --> 00:51:12,184
TO THOSE WHO WOULD LISTEN.
945
00:51:12,186 --> 00:51:16,122
[CHANTING]
946
00:51:16,124 --> 00:51:18,224
Charles: THE RUINS AROUND HERE
ARE QUITE EXTENSIVE,
947
00:51:18,226 --> 00:51:21,293
SO THERE MUST HAVE BEEN A RATHER
SIZEABLE RELIGIOUS COMMUNITY
948
00:51:21,295 --> 00:51:23,763
LIVING HERE IN
AN EXTREMELY REMOTE PLACE,
949
00:51:23,765 --> 00:51:25,531
ABSOLUTELY IN THE MIDDLE
OF NOWHERE,
950
00:51:25,533 --> 00:51:27,800
PERHAPS RECEIVING
VISITORS AND PILGRIMS
951
00:51:27,802 --> 00:51:29,769
WHO WOULD THEN PROVIDE THEM
WITH PATRONAGE
952
00:51:29,771 --> 00:51:32,738
FOR THEIR SURVIVAL
IN THIS ENVIRONMENT.
953
00:51:32,740 --> 00:51:35,741
[KHEMPO CHANTING]
954
00:51:38,512 --> 00:51:42,248
Narrator: THE MAHASIDDHAS'
TEACHINGS STILL RESONATE TODAY.
955
00:51:42,250 --> 00:51:44,784
PILGRIMS WANT TO COME
IN CONTACT WITH THEM,
956
00:51:44,786 --> 00:51:47,787
INADVERTENTLY DAMAGING
THE DELICATE MURALS.
957
00:51:47,789 --> 00:51:50,790
Charles: THERE IS A SORT
OF PIOUS VANDALISM GOING ON,
958
00:51:50,792 --> 00:51:52,358
WHERE PEOPLE WILL COME THROUGH
959
00:51:52,360 --> 00:51:55,694
AND TAKE LITTLE SAMPLES
OF THE PLASTER, FOR INSTANCE,
960
00:51:55,696 --> 00:51:57,363
TO PUT IN THEIR AMULET BOXES.
961
00:51:57,365 --> 00:51:59,298
SO IT'S NOT BECAUSE
THEY WANT TO DESTROY IT,
962
00:51:59,300 --> 00:52:00,533
BUT BECAUSE THEY WANT TO TAKE
963
00:52:00,535 --> 00:52:02,334
SOME OF THE BLESSINGS
OF THE PLACE WITH THEM.
964
00:52:02,336 --> 00:52:03,536
AND THEY WILL ALSO RUB
THEIR HANDS ON THEM,
965
00:52:03,538 --> 00:52:05,704
RUB THEIR HEADS ON THEM
AND SO FORTH
966
00:52:05,706 --> 00:52:08,374
IN ORDER TO GET THESE BLESSINGS.
967
00:52:08,376 --> 00:52:11,744
Narrator: THIS DISCOVERY,
DATED TO THE 14th CENTURY,
968
00:52:11,746 --> 00:52:15,514
COMBINED WITH SOME OF THE OTHER
CAVE SHRINES THE TEAM HAS FOUND,
969
00:52:15,516 --> 00:52:18,517
SHOWS THAT THE GREATEST ARTISTS
OF THE HIMALAYA,
970
00:52:18,519 --> 00:52:24,123
IN A GOLDEN AGE OF TIBETAN ART,
WERE DRAWN TO MUSTANG.
971
00:52:24,125 --> 00:52:27,560
WHAT WAS IT THAT BROUGHT THEM
SO FAR, SO HIGH,
972
00:52:27,562 --> 00:52:30,396
TO PAINT ON THE CRUMBLING,
IMPERMANENT WALLS
973
00:52:30,398 --> 00:52:34,466
OF HAND-HEWN CAVES?
974
00:52:34,468 --> 00:52:37,336
PERHAPS IT'S NOT JUST
THE TEACHINGS OF THE MURALS
975
00:52:37,338 --> 00:52:39,505
THAT ATTRACTS THE DEVOUT.
976
00:52:39,507 --> 00:52:43,008
MAYBE THE EFFORT IN REACHING
THIS HIGH CAVE TEMPLE,
977
00:52:43,010 --> 00:52:45,644
THE SUFFERING INVOLVED
IN GETTING HERE,
978
00:52:45,646 --> 00:52:48,948
IS THE TEACHING.
979
00:52:48,950 --> 00:52:51,617
THE RESEARCHERS HAVE CLEANED
SOME OF THE MURALS
980
00:52:51,619 --> 00:52:54,186
SO THE WORLD CAN SEE
THESE GREAT TEACHERS
981
00:52:54,188 --> 00:52:57,723
AS THEY WERE MEANT TO
SOME 700 YEARS AGO.
982
00:53:00,360 --> 00:53:02,661
WHAT IS EMERGING
IS A PICTURE OF MUSTANG
983
00:53:02,663 --> 00:53:05,965
AS AN OASIS OF ART
AND SPIRITUALITY
984
00:53:05,967 --> 00:53:11,637
NESTLED AMIDST A VAST LANDSCAPE
OF LITTLE ELSE.
985
00:53:11,639 --> 00:53:13,973
Charles: THE PERCENTAGE OF CAVES
THAT WE'VE BEEN INTO
986
00:53:13,975 --> 00:53:16,842
IS ABSOLUTELY MINISCULE,
987
00:53:16,844 --> 00:53:18,410
AND THE DISCOVERIES
THAT WE'VE MADE
988
00:53:18,412 --> 00:53:22,014
IN MANY WAYS CHANGES THE HISTORY
OF THIS PART OF THE WORLD.
989
00:53:22,016 --> 00:53:24,617
THERE ARE PERHAPS
UPWARD OF 10,000 CAVES.
990
00:53:24,619 --> 00:53:27,686
HOW MANY HAVE WE BEEN INTO,
HALF A DOZEN PERHAPS?
991
00:53:27,688 --> 00:53:30,389
WE NEED TO GO INTO
AS MANY OF THEM AS POSSIBLE,
992
00:53:30,391 --> 00:53:32,558
MAKE SOME KIND
OF BASIC INVENTORY,
993
00:53:32,560 --> 00:53:34,059
AND IT'S GOING TO BE
THE CLIMBERS
994
00:53:34,061 --> 00:53:36,195
AND THE ARCHAEOLOGISTS
AND THE ART HISTORIANS
995
00:53:36,197 --> 00:53:37,930
WHO CAN START TO PIECE TOGETHER
996
00:53:37,932 --> 00:53:41,967
THE ANCIENT AND MORE RECENT
HISTORY OF THIS AREA.
997
00:53:41,969 --> 00:53:44,236
AND THIS IS SOMETHING
THAT THE PEOPLE OF THIS AREA
998
00:53:44,238 --> 00:53:47,539
ARE VERY, VERY KEEN TO KNOW.
999
00:53:47,541 --> 00:53:49,508
Narrator: THEY'VE JUST SCRATCHED
THE SURFACE
1000
00:53:49,510 --> 00:53:52,344
OF MUSTANG'S COUNTLESS CAVES,
1001
00:53:52,346 --> 00:53:54,713
EACH ONE MERITING
FURTHER EXPLORATION
1002
00:53:54,715 --> 00:53:56,749
INTO A WORLD
WHERE PEOPLE HAVE LIVED
1003
00:53:56,751 --> 00:54:00,019
AN ENLIGHTENED WAY OF LIFE
FOR MILLENNIA.
1004
00:54:00,021 --> 00:54:02,888
Pete: AT THE TIME
OF GURU RINPOCHE,
1005
00:54:02,890 --> 00:54:05,291
IN MANY WAYS IT WAS
A TYPE OF SHANGRI-LA
1006
00:54:05,293 --> 00:54:07,493
BECAUSE THE KINGS OF TIBET
1007
00:54:07,495 --> 00:54:11,563
WERE TRYING TO CIVILIZE
A HIGHLY WARLIKE PEOPLE.
1008
00:54:11,565 --> 00:54:13,866
AND THE ENTRANCE
OF GURU RINPOCHE
1009
00:54:13,868 --> 00:54:15,834
WAS TO BRING THE TEACHINGS
OF THE BUDDHA
1010
00:54:15,836 --> 00:54:17,836
AND TO TRY TO CIVILIZE PEOPLE
1011
00:54:17,838 --> 00:54:21,106
AND CREATE A LIFE
THAT'S FAR BETTER.
1012
00:54:24,044 --> 00:54:27,046
PERHAPS THE PEOPLE WHO LIVED
IN MUSTANG AT THAT TIME
1013
00:54:27,048 --> 00:54:29,281
WOULD HAVE SEEN
THAT CIVILIZING FACTOR
1014
00:54:29,283 --> 00:54:32,117
AS CREATING A PARADISE
1015
00:54:32,119 --> 00:54:34,219
BECAUSE ONE WOULD NOT
HAVE TO WAKE UP
1016
00:54:34,221 --> 00:54:36,055
AND SHARPEN ONE'S SWORDS,
1017
00:54:36,057 --> 00:54:38,590
ONE COULD BEAT ONE'S SWORDS
INTO PLOUGHSHARES
1018
00:54:38,592 --> 00:54:40,392
AND BE LIVING
AN AGRICULTURAL LIFE
1019
00:54:40,394 --> 00:54:44,363
AND HAVE A LANDSCAPE
THAT COULD SUSTAIN THAT LIFE.
1020
00:54:44,365 --> 00:54:47,299
ONE THAT WOULD BE
BUDDHIST IN NATURE
1021
00:54:47,301 --> 00:54:51,937
AND WOULD BE COMPASSIONATE
FOR ALL SENTIENT BEINGS.
1022
00:54:51,939 --> 00:54:56,141
Narrator: PERHAPS GURU RINPOCHE
PLANTED A SEED HERE IN MUSTANG
1023
00:54:56,143 --> 00:54:57,509
AND IT DID BLOOM
1024
00:54:57,511 --> 00:55:02,247
INTO A RELIGIOUS, ARTISTIC
AND REJUVENATING BEYUL,
1025
00:55:02,249 --> 00:55:04,216
PROVIDING SACRED REFUGE
1026
00:55:04,218 --> 00:55:07,853
SOME OF US MIGHT DESCRIBE
AS PARADISE.
1027
00:55:20,066 --> 00:55:20,132
[WOMEN SINGING]
85256
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