All language subtitles for Mountain.2017.720p.BRRip.700MB.MkvCage
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[chalk scratching
on chalkboard]
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[dog barking]
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[gentle whooshing]
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[small bell chiming]
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[faint whooshing]
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[faint chatter]
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Subtitles by explosiveskull
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[piano note struck repeatedly]
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♪ ♪
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[multiple notes struck
for tuning]
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♪ ♪
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[faint chatter,
orchestra tuning instruments]
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♪ ♪
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♪ ♪
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♪ ♪
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[man]
Okay, here we go.
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Yeah. No, I'll be good
with this.
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Okay. I'm ready.
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[woman on radio]
Alright. Thank you.
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[instruments being tuned]
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♪ [faint, gentle
orchestral music] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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[narrator]
To those who are
enthralled by mountains,
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their wonder is
beyond all dispute.
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♪ ♪
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To those who are not,
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their allure is
a kind of madness.
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♪ ♪
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What is this strange force
that draws us upwards?
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♪ ♪
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This siren song
of the summit?
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♪ ♪
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♪ [dramatic orchestral music] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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Only three centuries ago,
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setting out to climb
a mountain
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would have been considered
an act of lunacy.
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The idea scarcely existed
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that wild landscapes
might hold
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any sort of attraction.
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♪ [gentle orchestral music] ♪
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♪ ♪
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Mountains were places
of peril, not beauty.
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♪ ♪
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An upper world to be shunned,
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not sought out.
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♪ ♪
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How then have mountains now
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come to hold us spellbound,
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drawing us into
their dominion...
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often at the cost
of our lives?
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ [man sings in
foreign language] ♪
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♪ ♪
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♪ [music intensifies] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ [man sings in
foreign language] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ [music resumes] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ [man sings in
foreign language] ♪
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[narrator]
Because the mountains we climb
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are not made only
of rock and ice,
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but also of dreams
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and desire.
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♪ ♪
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The mountains we climb
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are mountains of the mind.
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♪ ♪
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♪ ♪
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♪ [gentle orchestral music] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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To humans, high mountains
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were once considered the home
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of either the holy
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or the hostile.
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There was nothing in between.
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A realm to be
revered from below,
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but never entered.
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Go around mountains
if necessary,
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along their flanks,
but not up them...
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for only gods and monsters
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dwelled at height.
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♪ [gentle orchestral music] ♪
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♪ ♪
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♪ ♪
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The upper world was
a sacred landscape
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to which we directed
our devotion
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and our rituals of awe...
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♪ ♪
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...but always
from a safe distance.
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[faint chanting]
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♪ [music resumes] ♪
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♪ ♪
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♪ ♪
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Daily life brought ample
hardship and danger.
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There was no need
to seek out more.
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♪ [gentle strings music] ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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[bell chiming faintly]
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[door opens,
running footsteps]
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♪ [soft piano music] ♪
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♪ ♪
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Gradually, though,
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the dragons and divinities
were put to flight,
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and our feelings
toward mountains
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underwent an astonishing change.
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Fascination replaced
trepidation.
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Adventure replaced reverence.
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♪ ♪
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As cities grew
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and we insulated ourselves
away from nature,
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the mountains called us back.
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The magic of mountains
strengthened:
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their fierce beauty,
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their power to enchant,
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their challenge.
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We went in search of places
that were intimidating
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and uncontrollable,
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that inspired in us
the heady blend
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of pleasure and terror,
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which we came to call
the sublime.
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♪ ♪
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♪ ♪
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This search for the sublime
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drew us outwards and upwards.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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The great peaks
of the world
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began to exert a force
upon the imagination.
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♪ ♪
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♪ ♪
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♪ ♪
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A siren song
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that was easy to hear,
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hard to resist...
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♪ ♪
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and sometimes
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fatal.
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♪ ♪
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But legends of
death in high places
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spread the spell
of the mountains
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wider still.
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♪ [lively orchestral music] ♪
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♪ ♪
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♪ ♪
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Slowly,
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the blank spaces on the maps
were filled in.
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♪ ♪
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The imperial aim was to grid,
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girdle, and name
the upper world.
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♪ ♪
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To bring it and its peoples
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within the realm
of the known
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and the owned.
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♪ ♪
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To replace mystery
with mastery.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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And the greatest
mystery of them all?
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Everest.
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♪ ♪
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And so began the campaign
to vanquish it.
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♪ ♪
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♪ ♪
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Everest was placed
under siege.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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Until, at last, it succumbed.
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♪ ♪
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♪ ♪
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This was the moment
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that mountaineering
as adventure
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entered the popular imagination.
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Our fascination
became an obsession.
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♪ [gentle piano and
strings music] ♪
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♪ ♪
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00:22:05,453 --> 00:22:08,422
♪ ♪
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Now our need for mountains
runs deep and wide,
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♪ ♪
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for most of us exist
for most of the time
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in environments
that are humanly arranged
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and controlled.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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But mountains are wild
and ungovernable.
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This is the source
of their danger
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and also the source
of their allure.
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[metal rattling]
247
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And so, a longing
for the unknown
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beckons us onwards.
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Like Echo's Cave,
250
00:23:28,905 --> 00:23:31,204
the unknown will answer back
251
00:23:31,206 --> 00:23:33,342
with whatever
you call into it.
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♪ [lively strings music] ♪
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00:23:40,081 --> 00:23:50,089
♪ ♪
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00:23:50,091 --> 00:24:00,067
♪ ♪
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00:24:00,069 --> 00:24:10,076
♪ ♪
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00:24:10,078 --> 00:24:20,086
♪ ♪
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♪ ♪
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♪ ♪
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00:24:40,108 --> 00:24:50,084
♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
265
00:25:36,665 --> 00:25:41,602
To travel to the high peaks
is to cross a threshold
266
00:25:41,604 --> 00:25:44,270
into a space where
time warps
267
00:25:44,272 --> 00:25:47,540
and bends,
268
00:25:47,542 --> 00:25:50,243
and sensations are
thrillingly amplified.
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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♪ ♪
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Stone and ice, though,
279
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are far less gentle
to the hand's touch
280
00:28:00,276 --> 00:28:01,778
than to the mind's eye.
281
00:28:13,289 --> 00:28:14,887
The mountains of the Earth
282
00:28:14,889 --> 00:28:18,392
have often turned out
to be more resistant,
283
00:28:18,394 --> 00:28:21,327
more fatally real,
284
00:28:21,329 --> 00:28:22,898
than the mountains
we imagine.
285
00:28:24,966 --> 00:28:33,874
[wind whistling]
286
00:28:33,876 --> 00:28:35,509
These are matters
287
00:28:35,511 --> 00:28:37,611
of hard sharp rock
288
00:28:37,613 --> 00:28:39,282
and driving ice...
289
00:28:43,618 --> 00:28:51,394
[distant deep rumbling]
290
00:28:53,828 --> 00:28:56,797
♪ [tense strings music] ♪
291
00:28:56,799 --> 00:28:59,232
...of bone-deep cold...
292
00:28:59,234 --> 00:29:06,906
♪ ♪
293
00:29:06,908 --> 00:29:08,442
Less than ideal.
294
00:29:08,444 --> 00:29:10,344
♪ ♪
295
00:29:10,346 --> 00:29:13,680
Ahh! Ahh!
296
00:29:13,682 --> 00:29:15,882
[narrator]
...injury and nausea...
297
00:29:15,884 --> 00:29:23,390
♪ ♪
298
00:29:23,392 --> 00:29:24,857
...fizzing fear...
299
00:29:24,859 --> 00:29:27,594
♪ ♪
300
00:29:27,596 --> 00:29:28,761
Ahh!
301
00:29:28,763 --> 00:29:30,696
♪ [music intensifies] ♪
302
00:29:30,698 --> 00:29:35,469
♪ ♪
303
00:29:35,471 --> 00:29:37,371
[narrator]
...of stomach-turning vertigo...
304
00:29:37,373 --> 00:29:47,381
♪ ♪
305
00:29:47,383 --> 00:29:53,386
♪ ♪
306
00:29:53,388 --> 00:29:56,056
Oh God, take me home.
307
00:29:56,058 --> 00:30:06,066
♪ ♪
308
00:30:06,068 --> 00:30:16,042
♪ ♪
309
00:30:16,044 --> 00:30:26,053
♪ ♪
310
00:30:26,055 --> 00:30:36,063
♪ ♪
311
00:30:36,065 --> 00:30:40,400
♪ ♪
312
00:30:40,402 --> 00:30:42,336
[narrator]
But
313
00:30:42,338 --> 00:30:45,771
they are also places
of unspeakable beauty.
314
00:30:45,773 --> 00:30:55,781
♪ ♪
315
00:30:55,783 --> 00:31:04,590
♪ ♪
316
00:31:04,592 --> 00:31:07,894
And so the peaks
summon us still,
317
00:31:07,896 --> 00:31:12,665
sharpening our sense
of being,
318
00:31:12,667 --> 00:31:15,469
setting life on a knife-edge.
319
00:31:15,471 --> 00:31:25,479
♪ ♪
320
00:31:25,481 --> 00:31:35,489
♪ ♪
321
00:31:35,491 --> 00:31:38,692
♪ ♪
322
00:31:38,694 --> 00:31:41,161
For danger can hold
terrible joys...
323
00:31:41,163 --> 00:31:50,403
♪ ♪
324
00:31:50,405 --> 00:31:52,439
♪ ♪
325
00:31:52,441 --> 00:31:54,574
...dreadful splendors.
326
00:31:54,576 --> 00:32:04,584
♪ ♪
327
00:32:04,586 --> 00:32:06,521
♪ ♪
328
00:32:16,598 --> 00:32:18,865
Today, mountains are considered
329
00:32:18,867 --> 00:32:22,836
among nature's
most exquisite features.
330
00:32:22,838 --> 00:32:25,605
No longer do their
chaotic forms
331
00:32:25,607 --> 00:32:28,411
upset the spirit level
of our minds.
332
00:32:34,649 --> 00:32:36,583
♪ [lively strings music] ♪
333
00:32:36,585 --> 00:32:46,593
♪ ♪
334
00:32:46,595 --> 00:32:56,603
♪ ♪
335
00:32:56,605 --> 00:33:06,579
♪ ♪
336
00:33:06,581 --> 00:33:08,848
♪ ♪
337
00:33:08,850 --> 00:33:11,684
Now, we migrate to them
338
00:33:11,686 --> 00:33:14,587
in our millions each year,
339
00:33:14,589 --> 00:33:17,089
pursuing our strange
pilgrimages.
340
00:33:17,091 --> 00:33:27,099
♪ ♪
341
00:33:27,101 --> 00:33:37,109
♪ ♪
342
00:33:37,111 --> 00:33:42,982
♪ ♪
343
00:33:42,984 --> 00:33:46,555
A very modern mountain
worship has taken hold...
344
00:33:50,658 --> 00:33:52,592
♪ [music resumes] ♪
345
00:33:52,594 --> 00:34:01,700
♪ ♪
346
00:34:01,702 --> 00:34:03,638
♪ ♪
347
00:34:07,676 --> 00:34:09,609
♪ [music resumes] ♪
348
00:34:09,611 --> 00:34:19,618
♪ ♪
349
00:34:19,620 --> 00:34:29,595
♪ ♪
350
00:34:29,597 --> 00:34:39,605
♪ ♪
351
00:34:39,607 --> 00:34:49,616
♪ ♪
352
00:34:49,618 --> 00:34:59,625
♪ ♪
353
00:34:59,627 --> 00:35:09,602
♪ ♪
354
00:35:09,604 --> 00:35:19,613
♪ ♪
355
00:35:19,615 --> 00:35:29,622
♪ ♪
356
00:35:29,624 --> 00:35:39,633
♪ ♪
357
00:35:39,635 --> 00:35:49,408
♪ ♪
358
00:35:49,410 --> 00:35:56,383
♪ ♪
359
00:35:56,385 --> 00:35:58,183
...a worship that requires
360
00:35:58,185 --> 00:36:00,352
the modification
of the mountains...
361
00:36:00,354 --> 00:36:08,261
♪ ♪
362
00:36:08,263 --> 00:36:11,230
[explosion, rumbling]
363
00:36:11,232 --> 00:36:13,933
...and the management
of their risks.
364
00:36:13,935 --> 00:36:18,104
♪ ♪
365
00:36:18,106 --> 00:36:23,042
[explosion, rumbling]
366
00:36:23,044 --> 00:36:33,019
♪ ♪
367
00:36:33,021 --> 00:36:43,029
♪ ♪
368
00:36:43,031 --> 00:36:53,038
♪ ♪
369
00:36:53,040 --> 00:36:59,178
♪ ♪
370
00:36:59,180 --> 00:37:03,216
And in doing so,
371
00:37:03,218 --> 00:37:06,486
we have come to forget
something of their power.
372
00:37:06,488 --> 00:37:15,127
♪ ♪
373
00:37:15,129 --> 00:37:17,066
♪ ♪
374
00:37:21,035 --> 00:37:25,071
What odd devotions
we undertake!
375
00:37:25,073 --> 00:37:27,973
What curious
performances we put on,
376
00:37:27,975 --> 00:37:31,810
with the mountains
as our theatre!
377
00:37:31,812 --> 00:37:33,747
♪ [dramatic strings music] ♪
378
00:37:33,749 --> 00:37:43,756
♪ ♪
379
00:37:43,758 --> 00:37:53,533
♪ ♪
380
00:37:53,535 --> 00:38:03,542
♪ ♪
381
00:38:03,544 --> 00:38:13,553
♪ ♪
382
00:38:13,555 --> 00:38:23,562
♪ ♪
383
00:38:23,564 --> 00:38:33,573
♪ ♪
384
00:38:33,575 --> 00:38:43,549
♪ ♪
385
00:38:43,551 --> 00:38:53,560
♪ ♪
386
00:38:53,562 --> 00:39:03,569
♪ ♪
387
00:39:03,571 --> 00:39:13,580
♪ ♪
388
00:39:13,582 --> 00:39:23,555
♪ ♪
389
00:39:23,557 --> 00:39:33,566
♪ ♪
390
00:39:33,568 --> 00:39:43,575
♪ ♪
391
00:39:43,577 --> 00:39:53,586
♪ ♪
392
00:39:53,588 --> 00:40:03,562
♪ ♪
393
00:40:03,564 --> 00:40:07,035
♪ ♪
394
00:40:14,309 --> 00:40:16,075
To certain people,
395
00:40:16,077 --> 00:40:18,211
the call to adventure
396
00:40:18,213 --> 00:40:20,913
is irresistible.
397
00:40:20,915 --> 00:40:22,548
As everyday life has become
398
00:40:22,550 --> 00:40:26,551
safer and more comfortable
for some,
399
00:40:26,553 --> 00:40:29,057
we have begun to seek
out danger elsewhere.
400
00:40:43,405 --> 00:40:45,006
We court danger.
401
00:40:49,209 --> 00:40:50,511
We pay for it.
402
00:41:04,626 --> 00:41:07,026
[faint, echoing thumps]
403
00:41:07,028 --> 00:41:10,432
Risk has become
its own reward.
404
00:41:24,011 --> 00:41:25,511
At height,
405
00:41:25,513 --> 00:41:27,216
you can be taken
right to the brink...
406
00:41:33,220 --> 00:41:35,988
...for you never feel
so alive,
407
00:41:35,990 --> 00:41:38,725
knowing that,
at any minute,
408
00:41:38,727 --> 00:41:40,429
you could die.
409
00:41:46,100 --> 00:41:48,033
♪ [faint, slow piano music] ♪
410
00:41:48,035 --> 00:41:58,044
♪ ♪
411
00:41:58,046 --> 00:42:08,020
♪ ♪
412
00:42:08,022 --> 00:42:18,031
♪ ♪
413
00:42:18,033 --> 00:42:28,040
♪ ♪
414
00:42:28,042 --> 00:42:38,051
♪ ♪
415
00:42:38,053 --> 00:42:47,826
♪ ♪
416
00:42:47,828 --> 00:42:57,837
♪ ♪
417
00:42:57,839 --> 00:43:00,605
♪ ♪
418
00:43:00,607 --> 00:43:03,642
So up to the mountains we go,
419
00:43:03,644 --> 00:43:05,645
in headlong pursuit
of peril...
420
00:43:05,647 --> 00:43:10,783
♪ ♪
421
00:43:10,785 --> 00:43:12,852
...or a testing ground
422
00:43:12,854 --> 00:43:15,821
on which the self
can best be illuminated.
423
00:43:15,823 --> 00:43:25,832
♪ ♪
424
00:43:25,834 --> 00:43:35,808
♪ ♪
425
00:43:35,810 --> 00:43:42,548
♪ ♪
426
00:43:42,550 --> 00:43:45,584
Today's adventurers
are driven by the lust
427
00:43:45,586 --> 00:43:48,254
to reach somewhere
no one has reached before...
428
00:43:48,256 --> 00:43:53,426
♪ ♪
429
00:43:53,428 --> 00:43:56,261
...and to do something
no one has done before.
430
00:43:56,263 --> 00:44:02,070
♪ ♪
431
00:44:59,327 --> 00:45:01,294
Our wish to be first
432
00:45:01,296 --> 00:45:04,165
induces in us
forms of insanity...
433
00:45:08,803 --> 00:45:11,437
...and forms of grace.
434
00:45:11,439 --> 00:45:18,910
[female singer]
♪ I saw ♪
435
00:45:18,912 --> 00:45:27,352
♪ That you went ♪
436
00:45:27,354 --> 00:45:34,292
♪ The time that went ♪
437
00:45:34,294 --> 00:45:41,299
♪ The feel, the pain ♪
438
00:45:41,301 --> 00:45:47,707
♪ The time that went ♪
439
00:45:47,709 --> 00:45:54,513
♪ The feel, the pain ♪
440
00:45:54,515 --> 00:46:00,685
♪ I watched ♪
441
00:46:00,687 --> 00:46:10,696
♪ ♪
442
00:46:10,698 --> 00:46:20,673
♪ ♪
443
00:46:20,675 --> 00:46:26,479
♪ ♪
444
00:46:26,481 --> 00:46:32,685
♪ I saw ♪
445
00:46:32,687 --> 00:46:38,924
♪ That you went ♪
446
00:46:38,926 --> 00:46:45,330
♪ The time that went ♪
447
00:46:45,332 --> 00:46:51,937
♪ The feel, the pain ♪
448
00:46:51,939 --> 00:46:58,410
♪ The time that went ♪
449
00:46:58,412 --> 00:47:04,917
♪ The feel, the pain ♪
450
00:47:04,919 --> 00:47:11,323
♪ The time that went ♪
451
00:47:11,325 --> 00:47:16,530
♪ The feel, the pain ♪
452
00:47:23,638 --> 00:47:27,006
♪ [music resumes] ♪
453
00:47:27,008 --> 00:47:32,111
♪ I soar ♪
454
00:47:32,113 --> 00:47:36,515
♪ ♪
455
00:47:36,517 --> 00:47:41,553
♪ I soar ♪
456
00:47:41,555 --> 00:47:45,758
♪ ♪
457
00:47:45,760 --> 00:47:49,729
[narrator]
Adventurers sometimes
liken fear to a rat.
458
00:47:49,731 --> 00:47:54,366
When you take risks,
you feed the rat with fear.
459
00:47:54,368 --> 00:47:57,136
But each time
you feed it that fear,
460
00:47:57,138 --> 00:47:59,104
it grows fatter.
461
00:47:59,106 --> 00:48:01,406
So then you must
feed it more fear
462
00:48:01,408 --> 00:48:02,808
to sate it,
463
00:48:02,810 --> 00:48:06,779
and yet more again,
and then still more...
464
00:48:06,781 --> 00:48:09,848
until a madness bites.
465
00:48:09,850 --> 00:48:11,783
♪ [fast-paced strings music] ♪
466
00:48:11,785 --> 00:48:20,859
♪ ♪
467
00:48:20,861 --> 00:48:22,928
♪ ♪
468
00:48:22,930 --> 00:48:24,964
How has it come to this?
469
00:48:24,966 --> 00:48:27,433
The mountains as a stage set
470
00:48:27,435 --> 00:48:29,468
for a pumped-up poker game
471
00:48:29,470 --> 00:48:32,004
of high stakes
and high returns,
472
00:48:32,006 --> 00:48:35,073
all driven by big brands
and online views.
473
00:48:35,075 --> 00:48:44,517
♪ ♪
474
00:48:44,519 --> 00:48:46,185
♪ [music becomes intense
electronic rock] ♪
475
00:48:46,187 --> 00:48:55,794
♪ ♪
476
00:48:55,796 --> 00:48:57,930
♪ ♪
477
00:48:57,932 --> 00:49:00,899
♪ [woman singing in
foreign language] ♪
478
00:49:00,901 --> 00:49:04,169
♪ [woman singing in
foreign language] ♪
479
00:49:04,171 --> 00:49:07,173
♪ [woman singing in
foreign language] ♪
480
00:49:07,175 --> 00:49:09,841
♪ [woman singing in
foreign language] ♪
481
00:49:09,843 --> 00:49:19,852
♪ ♪
482
00:49:19,854 --> 00:49:25,524
♪ ♪
483
00:49:25,526 --> 00:49:28,627
♪ [woman singing in
foreign language] ♪
484
00:49:28,629 --> 00:49:31,729
♪ [woman singing in
foreign language] ♪
485
00:49:31,731 --> 00:49:34,799
♪ [woman singing in
foreign language] ♪
486
00:49:34,801 --> 00:49:39,537
♪ [woman singing in
foreign language] ♪
487
00:49:39,539 --> 00:49:42,607
♪ [woman singing in
foreign language] ♪
488
00:49:42,609 --> 00:49:46,011
♪ [woman singing in
foreign language] ♪
489
00:49:46,013 --> 00:49:47,879
[narrator]
Many who travel to mountain tops
490
00:49:47,881 --> 00:49:50,482
are half in love
with themselves
491
00:49:50,484 --> 00:49:52,618
and half in love
with oblivion.
492
00:49:52,620 --> 00:50:02,627
♪ ♪
493
00:50:02,629 --> 00:50:12,638
♪ ♪
494
00:50:12,640 --> 00:50:14,943
♪ ♪
495
00:50:40,834 --> 00:50:42,734
♪ [faint, slow piano music] ♪
496
00:50:42,736 --> 00:50:52,745
♪ ♪
497
00:50:52,747 --> 00:50:54,979
♪ ♪
498
00:50:54,981 --> 00:50:56,682
Today's mountain mania
499
00:50:56,684 --> 00:51:00,319
culminates on Everest,
500
00:51:00,321 --> 00:51:03,288
where the wish
to test one's limits
501
00:51:03,290 --> 00:51:05,758
or to battle one's demons
502
00:51:05,760 --> 00:51:09,194
draws thousands of people
to the peak each year.
503
00:51:09,196 --> 00:51:19,203
♪ ♪
504
00:51:19,205 --> 00:51:29,214
♪ ♪
505
00:51:29,216 --> 00:51:39,223
♪ ♪
506
00:51:39,225 --> 00:51:47,966
♪ ♪
507
00:51:47,968 --> 00:51:49,834
♪ [rhythmic drumming
and gentle strings] ♪
508
00:51:49,836 --> 00:51:59,845
♪ ♪
509
00:51:59,847 --> 00:52:09,854
♪ ♪
510
00:52:09,856 --> 00:52:19,865
♪ ♪
511
00:52:19,867 --> 00:52:29,841
♪ ♪
512
00:52:29,843 --> 00:52:39,852
♪ ♪
513
00:52:39,854 --> 00:52:43,254
♪ ♪
514
00:52:43,256 --> 00:52:44,957
Attempting Everest
515
00:52:44,959 --> 00:52:47,993
offers a way
for the ordinary person
516
00:52:47,995 --> 00:52:50,428
to be briefly extraordinary.
517
00:52:50,430 --> 00:53:00,171
♪ ♪
518
00:53:00,173 --> 00:53:02,274
♪ ♪
519
00:53:02,276 --> 00:53:04,410
But the nature
of the challenge
520
00:53:04,412 --> 00:53:07,078
has, in many ways, changed.
521
00:53:07,080 --> 00:53:15,988
♪ ♪
522
00:53:15,990 --> 00:53:18,256
This isn't climbing anymore.
523
00:53:18,258 --> 00:53:20,892
It's queuing.
524
00:53:20,894 --> 00:53:23,127
This isn't exploration.
525
00:53:23,129 --> 00:53:26,165
It's crowd-control.
526
00:53:26,167 --> 00:53:29,368
This is the modern industry
of ascent,
527
00:53:29,370 --> 00:53:31,770
in which the risks
are often taken most
528
00:53:31,772 --> 00:53:33,772
by those who have least.
529
00:53:33,774 --> 00:53:43,781
♪ ♪
530
00:53:43,783 --> 00:53:53,758
♪ ♪
531
00:53:53,760 --> 00:54:03,769
♪ ♪
532
00:54:03,771 --> 00:54:09,077
♪ ♪
533
00:54:12,245 --> 00:54:20,187
[strong wind, rumbling]
534
00:54:22,789 --> 00:54:27,125
[drumming resumes]
535
00:54:27,127 --> 00:54:30,899
[drumming fades away]
536
00:54:33,100 --> 00:54:37,502
But mountains
exceed our command.
537
00:54:37,504 --> 00:54:39,807
They slip our grip.
538
00:54:41,207 --> 00:54:43,142
♪ [melancholy strings music] ♪
539
00:54:43,144 --> 00:54:53,151
♪ ♪
540
00:54:53,153 --> 00:54:59,792
♪ ♪
541
00:54:59,794 --> 00:55:02,160
And there is no glory
542
00:55:02,162 --> 00:55:04,796
for those who are left behind.
543
00:55:04,798 --> 00:55:12,806
♪ ♪
544
00:55:19,412 --> 00:55:26,984
[wind whistling faintly]
545
00:55:26,986 --> 00:55:31,390
Mountains are so much
more than a challenge
546
00:55:31,392 --> 00:55:33,528
or an adversary
to be overcome...
547
00:55:39,499 --> 00:55:44,236
...for mountains humble
the human instant
548
00:55:44,238 --> 00:55:47,008
and reveal our insignificance.
549
00:55:50,044 --> 00:55:52,343
They live in deep time
550
00:55:52,345 --> 00:55:56,515
in a way that we do not.
551
00:55:56,517 --> 00:55:58,616
Behind and beyond
the mountains
552
00:55:58,618 --> 00:56:02,189
stretch aeons too vast
for us to comprehend.
553
00:56:05,024 --> 00:56:09,928
They were here long before
we were even dreamed of.
554
00:56:09,930 --> 00:56:12,930
They watched us arrive.
555
00:56:12,932 --> 00:56:16,067
They will watch us leave.
556
00:56:16,069 --> 00:56:18,002
♪ [lively violin music] ♪
557
00:56:18,004 --> 00:56:28,013
♪ ♪
558
00:56:28,015 --> 00:56:38,022
♪ ♪
559
00:56:38,024 --> 00:56:48,000
♪ ♪
560
00:56:48,002 --> 00:56:58,009
♪ ♪
561
00:56:58,011 --> 00:57:08,020
♪ ♪
562
00:57:08,022 --> 00:57:18,029
♪ ♪
563
00:57:18,031 --> 00:57:23,435
♪ ♪
564
00:57:23,437 --> 00:57:25,370
♪ [music becomes subdued] ♪
565
00:57:25,372 --> 00:57:35,379
♪ ♪
566
00:57:35,381 --> 00:57:38,149
♪ ♪
567
00:57:38,151 --> 00:57:40,084
♪ [gentle strings music] ♪
568
00:57:40,086 --> 00:57:50,095
♪ ♪
569
00:57:50,097 --> 00:58:00,104
♪ ♪
570
00:58:00,106 --> 00:58:10,082
♪ ♪
571
00:58:10,084 --> 00:58:20,091
♪ ♪
572
00:58:20,093 --> 00:58:30,102
♪ ♪
573
00:58:30,104 --> 00:58:40,111
♪ ♪
574
00:58:40,113 --> 00:58:50,087
♪ ♪
575
00:58:50,089 --> 00:59:00,098
♪ ♪
576
00:59:00,100 --> 00:59:10,107
♪ ♪
577
00:59:10,109 --> 00:59:20,118
♪ ♪
578
00:59:20,120 --> 00:59:30,095
♪ ♪
579
00:59:30,097 --> 00:59:35,667
♪ ♪
580
00:59:35,669 --> 00:59:38,069
Born of fire,
581
00:59:38,071 --> 00:59:40,538
born of force,
582
00:59:40,540 --> 00:59:42,640
mountains move.
583
00:59:42,642 --> 00:59:45,310
♪ ♪
584
00:59:45,312 --> 00:59:48,814
Over epochs,
they rise and fall.
585
00:59:48,816 --> 00:59:54,419
♪ ♪
586
00:59:54,421 --> 00:59:56,758
This is the symphony
of the earth...
587
01:00:00,426 --> 01:00:03,328
...a rhythm of uplift
and erosion
588
01:00:03,330 --> 01:00:07,232
that makes
not waves of water,
589
01:00:07,234 --> 01:00:09,167
but waves of stone.
590
01:00:09,169 --> 01:00:11,102
♪ [gentle strings music] ♪
591
01:00:11,104 --> 01:00:21,113
♪ ♪
592
01:00:21,115 --> 01:00:31,122
♪ ♪
593
01:00:31,124 --> 01:00:41,133
♪ ♪
594
01:00:41,135 --> 01:00:50,542
♪ ♪
595
01:00:50,544 --> 01:00:52,676
♪ ♪
596
01:00:52,678 --> 01:00:56,147
And from these waves of stone
flows life.
597
01:00:56,149 --> 01:01:06,158
♪ ♪
598
01:01:06,160 --> 01:01:16,167
♪ ♪
599
01:01:16,169 --> 01:01:26,178
♪ ♪
600
01:01:26,180 --> 01:01:35,953
♪ ♪
601
01:01:35,955 --> 01:01:45,964
♪ ♪
602
01:01:45,966 --> 01:01:55,973
♪ ♪
603
01:01:55,975 --> 01:02:05,984
♪ ♪
604
01:02:05,986 --> 01:02:15,961
♪ ♪
605
01:02:15,963 --> 01:02:25,970
♪ ♪
606
01:02:25,972 --> 01:02:35,980
♪ ♪
607
01:02:35,982 --> 01:02:45,991
♪ ♪
608
01:02:45,993 --> 01:02:55,966
♪ ♪
609
01:02:55,968 --> 01:03:05,977
♪ ♪
610
01:03:05,979 --> 01:03:15,986
♪ ♪
611
01:03:15,988 --> 01:03:25,997
♪ ♪
612
01:03:25,999 --> 01:03:35,973
♪ ♪
613
01:03:35,975 --> 01:03:45,984
♪ ♪
614
01:03:45,986 --> 01:03:55,993
♪ ♪
615
01:03:55,995 --> 01:03:59,730
♪ ♪
616
01:03:59,732 --> 01:04:02,633
Being in the mountains
can ignite our astonishment
617
01:04:02,635 --> 01:04:05,970
at the simplest transactions
of the living world.
618
01:04:05,972 --> 01:04:15,979
♪ ♪
619
01:04:15,981 --> 01:04:25,957
♪ ♪
620
01:04:25,959 --> 01:04:35,966
♪ ♪
621
01:04:35,968 --> 01:04:42,008
♪ ♪
622
01:04:52,785 --> 01:04:54,718
♪ [gentle piano music] ♪
623
01:04:54,720 --> 01:05:04,696
♪ ♪
624
01:05:04,698 --> 01:05:14,705
♪ ♪
625
01:05:14,707 --> 01:05:24,716
♪ ♪
626
01:05:24,718 --> 01:05:34,725
♪ ♪
627
01:05:34,727 --> 01:05:44,701
♪ ♪
628
01:05:44,703 --> 01:05:54,712
♪ ♪
629
01:05:54,714 --> 01:06:04,122
♪ ♪
630
01:06:04,124 --> 01:06:06,457
♪ ♪
631
01:06:06,459 --> 01:06:08,660
Anyone who has been
among mountains
632
01:06:08,662 --> 01:06:11,029
knows their indifference,
633
01:06:11,031 --> 01:06:13,997
has felt a brief,
blazing sense
634
01:06:13,999 --> 01:06:16,736
of the world's
disinterest in us.
635
01:06:19,939 --> 01:06:22,976
In small measures,
this feeling exhilarates.
636
01:06:26,979 --> 01:06:30,417
In full form, it annihilates.
637
01:06:43,729 --> 01:06:45,629
♪ [swelling orchestral music] ♪
638
01:06:45,631 --> 01:06:55,640
♪ ♪
639
01:06:55,642 --> 01:07:05,616
♪ ♪
640
01:07:05,618 --> 01:07:15,627
♪ ♪
641
01:07:15,629 --> 01:07:25,636
♪ ♪
642
01:07:25,638 --> 01:07:32,142
♪ ♪
643
01:07:32,144 --> 01:07:36,013
Coming back to Earth
from the high peaks,
644
01:07:36,015 --> 01:07:38,850
you can feel
like a stranger,
645
01:07:38,852 --> 01:07:42,854
bearing experiences
that are beyond expression
646
01:07:42,856 --> 01:07:45,290
and beyond price.
647
01:07:45,292 --> 01:07:48,560
Time has flown over you,
648
01:07:48,562 --> 01:07:52,596
but left its shadow behind.
649
01:07:52,598 --> 01:07:54,299
♪ [gentle orchestral music] ♪
650
01:07:54,301 --> 01:08:04,308
♪ ♪
651
01:08:04,310 --> 01:08:14,318
♪ ♪
652
01:08:14,320 --> 01:08:19,122
♪ ♪
653
01:08:19,124 --> 01:08:21,759
Mountains don't
seek our love
654
01:08:21,761 --> 01:08:23,928
or seek our deaths.
655
01:08:23,930 --> 01:08:27,130
♪ ♪
656
01:08:27,132 --> 01:08:29,099
They want nothing from us.
657
01:08:29,101 --> 01:08:37,241
♪ ♪
658
01:08:37,243 --> 01:08:40,745
And yet, they shift the way
we see ourselves.
659
01:08:40,747 --> 01:08:43,113
♪ ♪
660
01:08:43,115 --> 01:08:45,015
They weather our spirits...
661
01:08:45,017 --> 01:08:48,620
♪ ♪
662
01:08:48,622 --> 01:08:50,321
...challenge our arrogance...
663
01:08:50,323 --> 01:08:53,390
♪ ♪
664
01:08:53,392 --> 01:08:55,827
...restore our wonder.
665
01:08:55,829 --> 01:09:04,669
♪ ♪
666
01:09:04,671 --> 01:09:06,737
More than ever,
667
01:09:06,739 --> 01:09:09,040
we need their wildness.
668
01:09:09,042 --> 01:09:19,017
♪ ♪
669
01:09:19,019 --> 01:09:29,027
♪ ♪
670
01:09:29,029 --> 01:09:39,036
♪ ♪
671
01:09:39,038 --> 01:09:49,046
♪ ♪
672
01:09:49,048 --> 01:09:59,023
♪ ♪
673
01:09:59,025 --> 01:10:09,032
♪ ♪
674
01:10:09,034 --> 01:10:19,042
♪ ♪
675
01:10:19,044 --> 01:10:29,053
♪ ♪
676
01:10:29,055 --> 01:10:39,029
♪ ♪
677
01:10:39,031 --> 01:10:49,040
♪ ♪
678
01:10:49,042 --> 01:10:59,050
♪ ♪
679
01:10:59,052 --> 01:11:09,059
♪ ♪
680
01:11:09,061 --> 01:11:19,036
♪ ♪
681
01:11:19,038 --> 01:11:29,045
♪ ♪
682
01:11:29,047 --> 01:11:39,055
♪ ♪
683
01:11:39,057 --> 01:11:49,066
♪ ♪
684
01:11:49,068 --> 01:11:59,042
♪ ♪
685
01:11:59,044 --> 01:12:09,053
♪ ♪
686
01:12:09,055 --> 01:12:19,063
♪ ♪
687
01:12:19,065 --> 01:12:29,072
♪ ♪
688
01:12:29,074 --> 01:12:39,050
♪ ♪
689
01:12:39,052 --> 01:12:49,059
♪ ♪
690
01:12:49,061 --> 01:12:59,069
♪ ♪
691
01:12:59,071 --> 01:13:08,548
♪ ♪
692
01:13:08,550 --> 01:13:13,550
Subtitles by explosiveskull
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