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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,306 --> 00:00:03,307 GOING ALL THE WAY UP TO THE FRONT. 2 00:00:03,307 --> 00:00:04,569 EVERYONE FOLLOW ME. 3 00:00:04,569 --> 00:00:07,181 ALL THE WAY UP HERE. FILE IN, PLEASE. 4 00:00:07,181 --> 00:00:11,620 HERE IS THE MUSEUM'S MOST VALUABLE PIECE, "THUMB," 5 00:00:11,620 --> 00:00:15,232 PAINTED BY CARPACCIO MacGUFFIN, THE SCOTTISH-ITALIAN MASTER. 6 00:00:15,232 --> 00:00:18,192 THIS PAINTING IS THE LAST WORK HE EVER DID 7 00:00:18,192 --> 00:00:19,802 BEFORE HE WENT INTO SECLUSION. 8 00:00:19,802 --> 00:00:22,718 IT IS WORTH WELL OVER $10 MILLION. 9 00:00:22,718 --> 00:00:25,242 LOOK IN FRONT OF YOU. SEE THESE VELVET ROPES? 10 00:00:25,242 --> 00:00:28,115 THEY PREVENT ANYONE FROM GETTING CLOSE TO THE PAINTING. 11 00:00:28,115 --> 00:00:30,073 All: OOH! 12 00:00:30,073 --> 00:00:31,901 AND AS AN ADDED LEVEL OF SECURITY, 13 00:00:31,901 --> 00:00:33,294 LOOK AT THE SIGN. 14 00:00:33,294 --> 00:00:34,686 [ ALL MURMUR ][ CAMERA SHUTTER CLICKS ] 15 00:00:34,686 --> 00:00:35,774 ALL RIGHT, LET'S MOVE ON TO THE ROOM 16 00:00:35,774 --> 00:00:37,646 WITH THE BORING POTS IN IT. 17 00:00:37,646 --> 00:00:40,170 FOLLOW ME. RIGHT THIS WAY. 18 00:00:40,170 --> 00:00:43,260 EVERYONE THIS WAY. 19 00:00:43,260 --> 00:00:45,088 AND TO YOUR RIGHT. 20 00:00:47,569 --> 00:00:51,355 ♪♪ 21 00:01:17,251 --> 00:01:20,906 [ FABRIC CUTTING ] 22 00:01:20,906 --> 00:01:22,517 Woman: I DON'T BELIEVE 23 00:01:22,517 --> 00:01:24,997 THE INDIGENOUS PEOPLE HAD MICROWAVES. 24 00:01:24,997 --> 00:01:26,477 AND ONE CAN ONLY IMAGINE 25 00:01:26,477 --> 00:01:28,000 THE BLAND FOOD THEY COOKED IN THESE POTS. 26 00:01:28,000 --> 00:01:30,002 HERE WE HAVE WELL-PRESERVED EXAMPLES 27 00:01:30,002 --> 00:01:31,917 OF GREEK AND ROMAN STATUES. 28 00:01:31,917 --> 00:01:33,528 YOU CAN SEE THAT THEY ARE A DEPICTION 29 00:01:33,528 --> 00:01:35,356 OF THE IDEAL HUMAN FORM, 30 00:01:35,356 --> 00:01:36,922 EXCEPT FOR THIS ONE, OF COURSE, 31 00:01:36,922 --> 00:01:40,230 WHICH IS THE FAT, SLOVENLY CUPID, GOD OF LOVE. 32 00:01:40,230 --> 00:01:42,624 CLEARLY, HE LOVED PIZZA MOST OF ALL. 33 00:01:42,624 --> 00:01:44,582 [ LAUGHTER ] 34 00:01:44,582 --> 00:01:46,236 NOW, FOLLOW ME OVER HERE 35 00:01:46,236 --> 00:01:49,457 AND TAKE A LOOK AT THE MUSEUM'S MOST PRIZED... 36 00:01:49,457 --> 00:01:50,458 [ GASPS ] 37 00:01:50,458 --> 00:01:52,503 [ SCREAMING ] 38 00:01:52,503 --> 00:01:55,550 ♪♪ 39 00:01:55,550 --> 00:02:03,601 [ OFFICER DAVE SCREAMING ] 40 00:02:03,601 --> 00:02:07,823 [ INDISTINCT CONVERSATIONS ]TRIBECA, GEILS! 41 00:02:07,823 --> 00:02:10,478 DOLBY, KNOCK IT OFF, WILL YOU? 42 00:02:10,478 --> 00:02:11,914 SORRY, LIEUTENANT. 43 00:02:11,914 --> 00:02:13,263 THE OTHER DAY, YOU REQUESTED MORE HUBBUB. 44 00:02:13,263 --> 00:02:14,960 OKAY, WELL, TAKE IT DOWN TO A DULL ROAR. 45 00:02:14,960 --> 00:02:15,961 GOT IT. 46 00:02:15,961 --> 00:02:17,311 [ CONVERSATIONS SOFTEN ] 47 00:02:17,311 --> 00:02:18,964 [ POLICE RADIO CHATTER ] 48 00:02:18,964 --> 00:02:20,792 GEILS, TRIBECA. MY OFFICE! 49 00:02:20,792 --> 00:02:22,142 [ BOTH SCOFF ] 50 00:02:25,101 --> 00:02:26,624 YOU WANTED TO SEE US, SIR? 51 00:02:26,624 --> 00:02:29,497 YEAH, YOU EVER HEARD OF CARPACCIO MacGUFFIN? 52 00:02:29,497 --> 00:02:31,586 THE SCOTTISH-ITALIAN MASTER WHO DISAPPEARED 53 00:02:31,586 --> 00:02:33,718 AFTER PAINTING HIS MASTERWORK "THUMB"? 54 00:02:33,718 --> 00:02:35,764 YES. OBVIOUSLY. 55 00:02:35,764 --> 00:02:37,418 MacGUFFIN'S "THUMB" DISAPPEARED 56 00:02:37,418 --> 00:02:39,246 FROM THE OLSEN-MEDAVOY GALLERY THIS MORNING. 57 00:02:39,246 --> 00:02:40,812 THE O.M.G.? 58 00:02:40,812 --> 00:02:42,510 I THOUGHT IT WAS AT THE LEWIS-OGILVIE LIBRARY? 59 00:02:42,510 --> 00:02:44,381 THE L.O.L.?! DON'T MAKE ME LAUGH! 60 00:02:44,381 --> 00:02:46,949 THAT BURNED DOWN LAST YEAR, SO THEY MOVED IT. 61 00:02:46,949 --> 00:02:48,298 WHAT ARE THEY BUILDING IN ITS PLACE? 62 00:02:48,298 --> 00:02:50,126 ANOTHER ONE OF THOSE DAMN PARKING GARAGES 63 00:02:50,126 --> 00:02:51,867 FROM THE WAYNE-TYSON FOUNDATION. 64 00:02:51,867 --> 00:02:54,391 WTF.I KNOW. JUST WHAT WE NEEDED. 65 00:02:54,391 --> 00:02:55,827 BUT YOU HEARD ABOUT TYSON, RIGHT? 66 00:02:55,827 --> 00:02:59,091 HE CAME DOWN WITH A TESTICULAR MEMBRANE INFECTION. 67 00:02:59,091 --> 00:03:01,006 TMI?FOR REALSIES. 68 00:03:01,006 --> 00:03:02,399 THIS IS YOUR DIVORCE AGREEMENT. 69 00:03:02,399 --> 00:03:04,706 B-T-DUBS, YOU GOT ROBBED. 70 00:03:04,706 --> 00:03:08,405 I KNOW. FML. 71 00:03:08,405 --> 00:03:10,581 [ CAMERA SHUTTER CLICKING ] 72 00:03:10,581 --> 00:03:14,629 ♪♪ 73 00:03:17,632 --> 00:03:19,634 [ RETCHES ] 74 00:03:19,634 --> 00:03:21,070 IT'S OKAY, KID. 75 00:03:21,070 --> 00:03:22,898 YOU WOULDN'T BE HUMAN IF YOU DIDN'T HAVE 76 00:03:22,898 --> 00:03:26,075 SOME TYPE OF REACTION TO A MISSING PAINTING. 77 00:03:26,075 --> 00:03:27,598 [ BARKING ] 78 00:03:29,731 --> 00:03:30,906 SCHOLLS, WHAT DO WE GOT HERE? 79 00:03:30,906 --> 00:03:32,734 WHOA, WHOA, WHOA, DETECTIVE. 80 00:03:32,734 --> 00:03:34,736 WATCH OUT FOR THE VELVET ROPES. 81 00:03:34,736 --> 00:03:36,128 WHAT DO WE GOT? 82 00:03:36,128 --> 00:03:37,869 WHOEVER DID THIS KNEW WHAT HE WAS DOING. 83 00:03:37,869 --> 00:03:40,263 HE GOT PAST THE ROPES NO PROBLEM.WHAT ABOUT THE SIGN? 84 00:03:40,263 --> 00:03:42,004 HE WAS VERY CLEVER HERE. 85 00:03:42,004 --> 00:03:43,310 LOOK HOW HE ALTERED THE MEANING OF THE SIGN 86 00:03:43,310 --> 00:03:44,963 BY SPRAY-PAINTING OVER THE WORD "NOT." 87 00:03:44,963 --> 00:03:48,184 "DO TOUCH." MAN, THAT'S DIABOLICAL. 88 00:03:48,184 --> 00:03:50,534 WE'RE TAKING AS MANY PRINTS AS POSSIBLE. 89 00:03:50,534 --> 00:03:52,101 WE'LL LET YOU KNOW WHAT WE COME UP WITH. 90 00:03:52,101 --> 00:03:54,843 WHAT'S GOING ON WITH THIS PEDESTAL HERE? 91 00:03:54,843 --> 00:03:56,584 Scholls: OH, THERE WAS A CUPID STATUE THERE, 92 00:03:56,584 --> 00:03:58,368 BUT IT WAS JUST A TEMPORARY EXHIBIT 93 00:03:58,368 --> 00:04:00,022 ON LOAN FROM AN ANTIQUITIES DEALER -- 94 00:04:00,022 --> 00:04:02,807 A DR. ZAIUS. 95 00:04:02,807 --> 00:04:04,026 WE'RE ON IT. 96 00:04:04,026 --> 00:04:05,984 WELL, TRIBECA, TIME FOR A CHECK-UP. 97 00:04:05,984 --> 00:04:07,551 IF THE DOCTOR IS IN. 98 00:04:07,551 --> 00:04:10,554 I SURE HOPE SO. I HAVE A SCROTAL HERNIA. 99 00:04:10,554 --> 00:04:12,948 WHAT? 100 00:04:12,948 --> 00:04:17,648 ♪♪ 101 00:04:26,483 --> 00:04:28,224 [ BELL JINGLES ] 102 00:04:28,224 --> 00:04:29,747 I JUST LOVE OLD STUFF -- 103 00:04:29,747 --> 00:04:33,360 EVERYTHING ABOUT IT -- THE SMELL, THE FEEL. 104 00:04:33,360 --> 00:04:35,840 L.A.P.D. ARE YOU DR. ZAIUS? 105 00:04:35,840 --> 00:04:37,929 OH, NO. DR. ZAIUS IS MY BROTHER. 106 00:04:37,929 --> 00:04:42,107 I'M JUST MR. ZAIUS. YOU GUYS CAN CALL ME RANDY. 107 00:04:42,107 --> 00:04:43,979 QUITE A SHINER YOU GOT THERE, RANDY. 108 00:04:43,979 --> 00:04:45,415 OH, THANK YOU. 109 00:04:46,198 --> 00:04:47,504 I CALL IT A MOP. 110 00:04:47,504 --> 00:04:48,679 IS YOUR BROTHER AROUND? 111 00:04:48,679 --> 00:04:50,942 OH, YEAH. SORRY. 112 00:04:50,942 --> 00:04:53,771 RANDY? WHAT KIND OF NAME IS RANDY? 113 00:04:53,771 --> 00:04:55,425 IT'S WELSH, ACTUALLY. 114 00:04:55,425 --> 00:04:57,079 GOOD AFTERNOON. I'M DR. ZAIUS. 115 00:04:57,079 --> 00:04:58,646 HOW CAN I HELP YOU? 116 00:04:58,646 --> 00:05:00,561 WOW, YOU REALLY DO LOOK A LOT LIKE YOUR BROTHER. 117 00:05:00,561 --> 00:05:02,911 REALLY? I DON'T SEE IT. PLEASE COME IN. 118 00:05:02,911 --> 00:05:05,740 ♪♪ 119 00:05:13,965 --> 00:05:15,358 WOULD YOU LIKE SOME COFFEE? 120 00:05:15,358 --> 00:05:16,838 YES, PLEASE. 121 00:05:16,838 --> 00:05:18,970 I'M DETECTIVE TRIBECA, THIS IS DETECTIVE GEILS, 122 00:05:18,970 --> 00:05:20,363 AND WE'RE HERE TO TALK TO YOU ABOUT WHAT HAPPENED 123 00:05:20,363 --> 00:05:21,973 AT THE OLSEN-MEDAVOY GALLERY. 124 00:05:21,973 --> 00:05:24,193 [ BOTH SLURP ] 125 00:05:24,193 --> 00:05:25,412 OHH! AAH! 126 00:05:25,412 --> 00:05:27,239 OH, MY GOD, THAT'S TERRIBLE. 127 00:05:27,239 --> 00:05:29,459 AND REALLY COLD.I'M NOT SURPRISED. 128 00:05:29,459 --> 00:05:31,940 THIS COFFEE WAS BREWED BY NAPOLEON BONAPARTE 129 00:05:31,940 --> 00:05:33,855 JUST BEFORE THE BATTLE OF WATERLOO. 130 00:05:33,855 --> 00:05:35,465 [ BLOWS ] 131 00:05:35,465 --> 00:05:37,511 WOULD YOU CARE FOR SOME MACAROONS 132 00:05:37,511 --> 00:05:39,469 FROM THE AGE OF ENLIGHTENMENT? 133 00:05:39,469 --> 00:05:41,645 HOW ABOUT A POTATO CHIP FROM THE KENNEDY ADMINISTRATION? 134 00:05:42,342 --> 00:05:44,735 OKAY. WERE YOU AWARE THAT MacGUFFIN'S "THUMB" 135 00:05:44,735 --> 00:05:46,998 WAS STOLEN FROM THE O.M.G. THIS MORNING? 136 00:05:46,998 --> 00:05:50,480 HOW AWFUL. THAT'S SUCH A SEMINAL PIECE. 137 00:05:50,480 --> 00:05:51,916 [ CHUCKLES ] 138 00:05:51,916 --> 00:05:53,222 THAT'S NOT WHAT IT MEANS. 139 00:05:53,222 --> 00:05:55,006 APPARENTLY, 140 00:05:55,006 --> 00:05:58,140 ONE OF YOUR STATUES WAS ON LOAN TO THE MUSEUM FROM... 141 00:05:58,140 --> 00:06:00,360 YESTERDAY TO TODAY. 142 00:06:00,360 --> 00:06:03,188 I'M ALWAYS HAPPY TO SHARE MY ANTIQUITIES WITH THE WORLD. 143 00:06:03,188 --> 00:06:05,060 THEY REALLY BELONG TO ALL OF US. 144 00:06:05,060 --> 00:06:07,149 CAN WE SEE IT?NO. IT'S MINE. 145 00:06:07,149 --> 00:06:09,543 THE PAINTING WAS THERE. THE STATUE ARRIVES. 146 00:06:09,543 --> 00:06:12,415 THE PAINTING DISAPPEARS. THE STATUE DISAPPEARS. 147 00:06:12,415 --> 00:06:13,808 IF YOU SAY SO. 148 00:06:13,808 --> 00:06:15,418 FRANKLY, THE COMINGS AND GOINGS OF THE PIECES 149 00:06:15,418 --> 00:06:18,029 IS RANDY'S RESPONSIBILITY, AND HE'S A FIRST-CLASS IDIOT, 150 00:06:18,029 --> 00:06:19,857 A REAL DUMB-DUMB DOUBLE ZERO. 151 00:06:19,857 --> 00:06:21,859 NOW, IF YOU'LL EXCUSE ME, THE CAKE FROM 152 00:06:21,859 --> 00:06:24,514 THEODORE ROOSEVELT'S 35th BIRTHDAY JUST ARRIVED, 153 00:06:24,514 --> 00:06:26,037 AND IT'S IN TERRIBLE CONDITION. 154 00:06:26,037 --> 00:06:27,169 SIT DOWN, ZAIUS! 155 00:06:27,169 --> 00:06:29,432 YOU'RE TRYING TO TELL ME 156 00:06:29,432 --> 00:06:31,042 THAT THAT TIMELINE IS COINCIDENTAL? 157 00:06:31,042 --> 00:06:32,392 HOW DARE YOU COME IN HERE 158 00:06:32,392 --> 00:06:35,046 WITH YOUR CHEAP SUIT AND YOUR LOUSY HAIRCUT. 159 00:06:35,046 --> 00:06:36,570 WHERE DID YOU GET THAT, LADIES PRISON? 160 00:06:36,570 --> 00:06:38,572 SALON TRAINING STUDIO. 161 00:06:38,572 --> 00:06:40,138 HOW ABOUT THIS? 162 00:06:40,138 --> 00:06:42,576 I'LL MAKE SOME INQUIRIES IN THE ART WORLD, ASK AROUND. 163 00:06:42,576 --> 00:06:44,926 IF I FIND ANYTHING OUT, I'LL CALL YOU. 164 00:06:46,014 --> 00:06:47,145 WHAT'S THE NUMBER? 165 00:06:47,145 --> 00:06:49,191 IT'S 3--OH, HOLD ON. 166 00:06:49,191 --> 00:06:51,193 INK DRIED UP. 167 00:06:51,193 --> 00:06:52,455 GO AHEAD. 168 00:06:52,455 --> 00:06:54,588 IT'S 3--OH, DRIED UP AGAIN. 169 00:06:54,588 --> 00:06:56,764 [ CHUCKLES ] GO AHEAD. 170 00:06:56,764 --> 00:06:57,852 IT'S 3--OOPS. 171 00:06:57,852 --> 00:07:00,071 DRIED UP. SORRY. [ CHUCKLES ] 172 00:07:00,071 --> 00:07:01,551 ONE MORE TIME. GO AHEAD. 173 00:07:01,551 --> 00:07:03,684 IT'S 3--NO, IT DRIED UP. SORRY. 174 00:07:05,033 --> 00:07:06,687 GO AHEAD. IT'S 3-- 175 00:07:06,687 --> 00:07:08,515 AH, SHOOT. DRIED UP. 176 00:07:09,603 --> 00:07:12,127 IT'S 3--NO, IT DRIED UP AGAIN. 177 00:07:12,127 --> 00:07:14,651 SO SORRY. ONE MORE TIME. GO. 178 00:07:14,651 --> 00:07:16,827 IT'S 3--ALL RIGHT, DON'T SAY "IT'S." 179 00:07:16,827 --> 00:07:19,264 THAT'S WHAT'S TAKING THE TIME -- THE WORD "IT'S." 180 00:07:19,264 --> 00:07:21,353 YOU SAY IT, IT DRIES UP, OKAY? 181 00:07:21,353 --> 00:07:22,354 GO. 182 00:07:22,354 --> 00:07:24,487 3--TOO LATE. 183 00:07:26,097 --> 00:07:27,969 TELL YOU WHAT -- I HAVE A PHOTOGRAPHIC MEMORY. 184 00:07:27,969 --> 00:07:30,275 YOU SAY IT, AND I'LL -- I'LL JUST REMEMBER IT. 185 00:07:30,275 --> 00:07:31,276 GO AHEAD.OKAY, 333... 186 00:07:31,276 --> 00:07:33,409 MM-HMM....2333. 187 00:07:33,409 --> 00:07:34,932 OKAY, START ANY TIME YOU WANT. 188 00:07:34,932 --> 00:07:36,978 ♪♪ 189 00:07:36,978 --> 00:07:41,112 [ SIGHS ] I FEEL LIKE DR. ZAIUS IS GIVING US THE RUNAROUND. 190 00:07:41,112 --> 00:07:43,898 YOU THINK HE HAS SOMETHING TO DO WITH THE STOLEN PAINTING?I DON'T KNOW. 191 00:07:43,898 --> 00:07:45,508 I THINK THIS ONE WE JUST LEAVE UNSOLVED. 192 00:07:45,508 --> 00:07:46,509 LEAVE UNSOLVED? 193 00:07:46,509 --> 00:07:48,206 I'VE LITERALLY NEVER HEARD 194 00:07:48,206 --> 00:07:49,599 EITHER OF THOSE WORDS COME OUT OF YOUR MOUTH, 195 00:07:49,599 --> 00:07:51,079 AND I'VE KNOWN YOU FOR THREE WEEKS. 196 00:07:51,079 --> 00:07:52,472 IT'S JUST A DUMB, OLD PAINTING. 197 00:07:52,472 --> 00:07:53,908 WHO CARES? "WHO CARES"? 198 00:07:53,908 --> 00:07:55,562 I'VE LITERALLY NEVER HEARD 199 00:07:55,562 --> 00:07:56,824 EITHER OF THOSE WORDS COME OUT OF YOUR MOUTH, 200 00:07:56,824 --> 00:07:58,434 AND I'VE KNOWN YOU FOR THREE WEEKS. 201 00:07:58,434 --> 00:08:00,218 IS THERE SOMETHING GOING ON HERE I DON'T KNOW ABOUT? 202 00:08:00,218 --> 00:08:02,438 LET'S JUST DROP IT, OKAY? 203 00:08:02,438 --> 00:08:04,875 I'LL TELL YOU WHEN YOU REALLY PUSH ME ON IT LATER.FINE. 204 00:08:04,875 --> 00:08:07,051 IF DR. ZAIUS HASN'T GIVEN US ENOUGH INFORMATION 205 00:08:07,051 --> 00:08:08,879 TO MAKE HIM A PRIME SUSPECT, 206 00:08:08,879 --> 00:08:11,360 MAYBE HIS BROTHER, RANDY, CAN CHIME IN. 207 00:08:11,360 --> 00:08:12,970 ARE YOU IN OR OUT? 208 00:08:12,970 --> 00:08:15,799 [ SIGHS ] LET'S ROLL. 209 00:08:21,283 --> 00:08:24,547 [ KNOCKING ON DOOR ] 210 00:08:25,417 --> 00:08:26,767 OH. 211 00:08:26,767 --> 00:08:28,072 YEAH? 212 00:08:28,072 --> 00:08:30,074 RANDY ZAIUS? L.A.P.D. 213 00:08:30,074 --> 00:08:31,728 DO YOU REMEMBER US FROM THIS AFTERNOON? 214 00:08:31,728 --> 00:08:33,556 OH, YEAH, YEAH. I REMEMBER YOU GUYS. 215 00:08:33,556 --> 00:08:34,601 COME ON IN. 216 00:08:34,601 --> 00:08:36,907 ♪♪ 217 00:08:39,736 --> 00:08:42,043 NICE PLACE. 218 00:08:42,043 --> 00:08:45,176 THANKS. IT'S CHEAP, BUT IT'S INEXPENSIVE. 219 00:08:45,176 --> 00:08:47,875 NO ONE GETS INTO THE ANTIQUITIES GAME FOR THE MONEY. 220 00:08:47,875 --> 00:08:49,659 IT'S FUNNY THAT YOU MENTION THAT BECAUSE I NOTICED 221 00:08:49,659 --> 00:08:53,054 THAT YOUR BROTHER, DR. ZAIUS, WAS WEARING A $1,500 SUIT TODAY. 222 00:08:53,054 --> 00:08:54,621 WE TOOK A LOOK AT HIS TAX RECORDS, 223 00:08:54,621 --> 00:08:57,667 AND IT TURNS OUT HE OWNS A BOATHOUSE, A HOUSE BOAT, 224 00:08:57,667 --> 00:09:00,148 A POOL HOUSE AND A HOUSE POOL. 225 00:09:00,148 --> 00:09:03,064 OH, I WOULDN'T KNOW. I'VE NEVER BEEN TO HIS HOUSE. 226 00:09:03,064 --> 00:09:04,979 HMM. DID YOU PAINT THAT? 227 00:09:04,979 --> 00:09:07,285 YEAH. IT'S NOT VERY GOOD, I KNOW. 228 00:09:07,285 --> 00:09:09,287 BUT I'M -- I'M JUST STARTING. 229 00:09:09,287 --> 00:09:10,898 A KANGAROO WITH A LIGHT SWITCH FOR A HEAD. 230 00:09:10,898 --> 00:09:12,813 WHAT DO YOU CALL IT -- A KANGER-SWITCH? 231 00:09:12,813 --> 00:09:14,205 ACTUALLY, IT'S A SWITCHEROO. 232 00:09:14,205 --> 00:09:15,990 CLEVER. I'D LIKE TO BUY IT. 233 00:09:15,990 --> 00:09:17,644 OH, YOU DON'T WANT THAT. IT'S A TERRIBLE PAINTING. 234 00:09:17,644 --> 00:09:18,993 YOU CAN GET SOMETHING BETTER THAN THAT. 235 00:09:18,993 --> 00:09:20,516 THAT ONE'S GARBAGE. 236 00:09:20,516 --> 00:09:22,213 DID DR. ZAIUS GIVE YOU THAT BLACK EYE, RANDY? 237 00:09:22,213 --> 00:09:24,520 YEAH, BUT WE LIKE TO PUNCH EACH OTHER IN THE EYE. 238 00:09:24,520 --> 00:09:26,000 I MEAN, I PUNCHED HIM YESTERDAY, 239 00:09:26,000 --> 00:09:27,305 SO IT WAS KIND OF HIS TURN. 240 00:09:27,305 --> 00:09:29,003 IT'S A GAME. WE CALL IT "PUNCH PUNCH." 241 00:09:29,003 --> 00:09:30,526 YOUR BROTHER DOESN'T TREAT YOU VERY WELL, DOES HE? 242 00:09:30,526 --> 00:09:32,441 DO YOU KNOW ANYTHING ABOUT DR. ZAIUS 243 00:09:32,441 --> 00:09:33,790 AND THE THEFT OF MacGUFFIN'S "THUMB"? 244 00:09:36,401 --> 00:09:39,622 IF YOU'LL EXCUSE ME, I HAVE TO, UH... 245 00:09:39,622 --> 00:09:41,755 I HAVE TO USE THE RESTROOM. 246 00:09:43,539 --> 00:09:45,759 Let's spread out. 247 00:09:45,759 --> 00:09:48,457 ♪♪ 248 00:09:48,457 --> 00:09:50,894 [ ZIPPER OPENS ] 249 00:09:50,894 --> 00:09:52,896 [ URINATING ] 250 00:10:06,083 --> 00:10:07,258 TRIBECA, GET OVER HERE. 251 00:10:07,258 --> 00:10:08,651 ON MY WAY. 252 00:10:08,651 --> 00:10:11,088 WHAT'S UP? 253 00:10:13,090 --> 00:10:14,483 MacGUFFIN'S "THUMB." 254 00:10:14,483 --> 00:10:16,137 [ TOILET FLUSHES ] 255 00:10:16,137 --> 00:10:18,226 IF YOU'LL EXCUSE ME, UH, 256 00:10:18,226 --> 00:10:19,967 ALL MY ROOMMATES ARE ABOUT TO SHOW UP, SO I -- 257 00:10:19,967 --> 00:10:21,795 YOU SON OF A BITCH!AAH! 258 00:10:21,795 --> 00:10:23,274 WHOA! 259 00:10:23,274 --> 00:10:24,667 YOU'RE UNDER ARREST FOR GRAND THEFT ART-O. 260 00:10:24,667 --> 00:10:26,060 IT'S NOT WHAT YOU THINK. 261 00:10:26,060 --> 00:10:27,104 GIVE ME A REASON! 262 00:10:27,104 --> 00:10:28,889 [ GRUNTS ]I DARE YOU. 263 00:10:28,889 --> 00:10:30,281 AAH!HE JUST TOOK A PAINTING. IT'S NOT THAT BIG OF A DEAL. 264 00:10:30,281 --> 00:10:32,501 DON'T TELL ME HOW TO DO MY JOB! 265 00:10:32,501 --> 00:10:33,720 OHH!GIVE ME A REASON! 266 00:10:33,720 --> 00:10:35,112 [ BONES CRACK ]I DARE YOU! 267 00:10:35,112 --> 00:10:36,244 OHH! AAH! 268 00:10:43,207 --> 00:10:46,558 THINGS GOT A LITTLE HEATED BACK THERE, HUH? 269 00:10:46,558 --> 00:10:48,212 I DON'T WANT TO TALK ABOUT IT. 270 00:10:48,212 --> 00:10:50,998 YOU GOT TO TELL ME WHAT'S GOING ON WITH YOU AND THIS CASE. 271 00:10:50,998 --> 00:10:52,826 YOU KNOW WE NEVER SOLVE IT TILL YOU DO. 272 00:10:54,784 --> 00:10:56,830 [ SIGHS ] 273 00:10:56,830 --> 00:11:00,660 I WAS A YOUNG ART STUDENT LIVING IN PARIS. 274 00:11:00,660 --> 00:11:02,879 I WAS LIVING IN THE FRENCH QUARTER.[ PARISIAN MUSIC PLAYS ] 275 00:11:02,879 --> 00:11:04,925 I WAS JUST GETTING OUT OF A RELATIONSHIP. 276 00:11:13,281 --> 00:11:15,675 THAT WAS THE WORST FIRST DATE I EVER HAD. 277 00:11:17,546 --> 00:11:19,766 I NEEDED SOMEONE WHO WANTED THE THINGS THAT I WANTED. 278 00:11:21,463 --> 00:11:25,859 AND THAT WAS CARPACCIO MacGUFFIN. 279 00:11:25,859 --> 00:11:30,690 IT WAS EXCITING, EXHILARATING. 280 00:11:32,300 --> 00:11:36,521 WE DID THINGS I NEVER DREAMED OF. 281 00:11:36,521 --> 00:11:42,310 HE WAS LOVING, CONSIDERATE, THOUGHTFUL... 282 00:11:42,310 --> 00:11:44,573 SENSUOUS. 283 00:11:45,966 --> 00:11:48,577 I KNEW I HAD TO GET OUT OF THERE. 284 00:11:51,711 --> 00:11:55,018 I LOVED HIM, BUT I KNEW I COULDN'T STAY 285 00:11:55,018 --> 00:11:58,761 BECAUSE THAT'S WHAT I DO -- I LEAVE. 286 00:12:17,301 --> 00:12:20,043 SO THAT WAS THE INSPIRATION FOR "THE THUMB." 287 00:12:20,043 --> 00:12:21,871 AMAZING. 288 00:12:21,871 --> 00:12:23,699 YOU THINK MAYBE YOU LEAVE PEOPLE BEFORE THEY LEAVE YOU? 289 00:12:23,699 --> 00:12:25,527 [ Mockingly ] YOU THINK MAYBE YOU LEAVE PEOPLE 290 00:12:25,527 --> 00:12:26,833 BEFORE THEY LEAVE YOU? 291 00:12:26,833 --> 00:12:28,486 ALL RIGHT, FINE. FORGET IT. 292 00:12:28,486 --> 00:12:30,053 LET'S JUST PUT RANDY AWAY. 293 00:12:30,053 --> 00:12:31,228 IT'S UP HERE ON THE RIGHT, 294 00:12:31,228 --> 00:12:32,621 WHERE IT SAYS "POLICE PRECINCT." 295 00:12:32,621 --> 00:12:34,710 OKAY, I GOT IT. 296 00:12:37,844 --> 00:12:38,975 TURN TO THE RIGHT. 297 00:12:40,672 --> 00:12:41,673 [ CAMERA SHUTTER CLICKS ] 298 00:12:41,673 --> 00:12:43,458 TURN TO THE LEFT. 299 00:12:45,068 --> 00:12:46,591 [ CAMERA SHUTTER CLICKS ] 300 00:12:46,591 --> 00:12:49,029 ALL RIGHT. LET'S BRING IN THE WHOLE FAMILY. 301 00:12:49,029 --> 00:12:50,595 COME ON IN. COME ON IN, BETTS. 302 00:12:50,595 --> 00:12:53,250 OKAY, Y'ALL READY? AT THE COUNT OF THREE, "CHEESE." 303 00:12:53,250 --> 00:12:55,775 ONE, TWO, THREE! "CHEESE!"[ CAMERA SHUTTER CLICKS ] 304 00:12:55,775 --> 00:12:58,168 YOU WANTED TO SEE US, DOCTOR? 305 00:12:58,168 --> 00:13:00,997 AH, GOOD EVENING, DETECTIVES! 306 00:13:00,997 --> 00:13:02,390 I TOOK A LOOK AT THAT PAINTING YOU RECOVERED 307 00:13:02,390 --> 00:13:04,218 FROM RANDY ZAIUS' APARTMENT. 308 00:13:04,218 --> 00:13:05,915 A GENUINE MacGUFFIN, EH? 309 00:13:05,915 --> 00:13:06,960 [ LAUGHING ] 310 00:13:12,966 --> 00:13:14,837 WE DON'T KNOW WHY YOU'RE LAUGHING, SIR. 311 00:13:14,837 --> 00:13:16,665 NO. OF COURSE. HOW COULD YOU? 312 00:13:16,665 --> 00:13:19,233 YOU'RE NOT INSIDE MY HEAD. NOW, LET ME SHOW YOU SOMETHING. 313 00:13:19,233 --> 00:13:22,192 NOW, HERE WE HAVE LEONARDO DA VINCI'S "MONA LISA," 314 00:13:22,192 --> 00:13:25,152 WHICH WE HAD FedExed IN FROM THE LOUVRE MUSEUM IN PARIS. 315 00:13:25,152 --> 00:13:28,808 AND HERE... [ GRUNTS ] 316 00:13:28,808 --> 00:13:33,638 HERE WE HAVE A CHEAP FORGERY ON LOAN FROM A CHEAP FORGERY STORE. 317 00:13:33,638 --> 00:13:35,466 OR IS IT? 318 00:13:35,466 --> 00:13:37,599 COULD THIS BE THE REAL "MONA LISA" 319 00:13:37,599 --> 00:13:39,514 AND COULD THIS BE THE FORGERY? 320 00:13:39,514 --> 00:13:41,516 REAL, FORGE. FORGE, REAL. 321 00:13:41,516 --> 00:13:43,344 FOLLOW THE BOUNCING BALL. WHICH IS IT? 322 00:13:43,344 --> 00:13:46,564 I CAN TELL THEM APART.OH, REALLY, DETECTIVE? 323 00:13:46,564 --> 00:13:48,566 THEN WHY DON'T YOU PULL OUT YOUR BIG GUN 324 00:13:48,566 --> 00:13:50,307 AND SHOOT THE FORGERY? 325 00:13:50,307 --> 00:13:52,440 GREAT. 326 00:13:54,268 --> 00:13:55,530 WRONG, DETECTIVE. 327 00:13:55,530 --> 00:13:57,532 YOU'VE JUST SHOT THE REAL "MONA LISA" 328 00:13:57,532 --> 00:13:59,882 AND THE LAB TECHNICIAN STANDING BEHIND IT. 329 00:13:59,882 --> 00:14:01,492 [ GRUNTS ] 330 00:14:01,492 --> 00:14:03,668 YOU TRICKED ME. I'M NOT PAYING FOR THAT. 331 00:14:03,668 --> 00:14:05,322 THEY'RE BOTH FORGERIES. 332 00:14:05,322 --> 00:14:08,282 EXACTLY, TRIBECA. THEY ARE BOTH FORGERIES. 333 00:14:08,282 --> 00:14:11,415 LOOK AT THE CHEAP CANVAS, THE AMATEUR BRUSHSTROKES, 334 00:14:11,415 --> 00:14:13,635 THE LACK OF CONTRAST BETWEEN LIGHT AND DARK, 335 00:14:13,635 --> 00:14:15,855 THE STICKERS THAT SAY "75 CENTS." 336 00:14:15,855 --> 00:14:18,509 AH. [ CHUCKLES ] [ CLAPS ] 337 00:14:18,509 --> 00:14:20,990 AT LAST, SOMEONE WHO KNOWS SOMETHING ABOUT ART. 338 00:14:20,990 --> 00:14:22,426 WHAT'S THE POINT OF ALL THIS, DOCTOR? 339 00:14:22,426 --> 00:14:23,558 THE POINT? 340 00:14:23,558 --> 00:14:25,038 THE POINT? 341 00:14:25,038 --> 00:14:26,691 OOH, I LOVE AN INQUIRING MIND. 342 00:14:26,691 --> 00:14:28,476 LET'S HAVE ANOTHER LOOK AT YOUR SO-CALLED MacGUFFIN, 343 00:14:28,476 --> 00:14:30,173 SHALL WE? 344 00:14:32,175 --> 00:14:34,656 OH, MY GOD. 345 00:14:34,656 --> 00:14:36,136 HOW DID I MISS THIS? 346 00:14:36,136 --> 00:14:39,617 YEAH, HOW DID YOU MISS THIS? IT'S SO OBVIOUS. 347 00:14:39,617 --> 00:14:41,141 WHY IS IT OBVIOUS? 348 00:14:41,141 --> 00:14:42,925 IT'S OBVIOUS THAT IT'S A FORGERY, 349 00:14:42,925 --> 00:14:44,405 ALTHOUGH A BRILLIANT ONE. 350 00:14:44,405 --> 00:14:46,102 THE CANVAS IS AUTHENTIC TO THE PERIOD. 351 00:14:46,102 --> 00:14:47,408 THE BRUSHSTROKES ARE EXACT. 352 00:14:47,408 --> 00:14:49,236 IT'S ABSOLUTELY INDISTINGUISHABLE 353 00:14:49,236 --> 00:14:50,367 FROM THE ORIGINAL. 354 00:14:50,367 --> 00:14:52,021 EXCEPT FOR THE FACT 355 00:14:52,021 --> 00:14:53,849 THAT MacGUFFIN WAS CRYING WHEN HE PAINTED "THE THUMB," 356 00:14:53,849 --> 00:14:56,939 AND THE TEARS DILUTED THE PAINT IN THE BOTTOM-RIGHT CORNER. 357 00:14:56,939 --> 00:14:59,550 EXACTLY. AS YOU CAN SEE, NO TEARS. 358 00:14:59,550 --> 00:15:02,945 SO RANDY FORGED "THE THUMB," BUT WHY? 359 00:15:02,945 --> 00:15:05,556 ♪♪ 360 00:15:12,433 --> 00:15:14,435 ♪♪ 361 00:15:14,435 --> 00:15:17,133 [ CHUCKLES ] 362 00:15:17,133 --> 00:15:19,396 HOW'S JAIL TREATING YOU, RANDY? 363 00:15:19,396 --> 00:15:22,138 YOU LITERALLY BROUGHT ME IN HERE FIVE MINUTES AGO. 364 00:15:22,138 --> 00:15:24,924 YEAH, TIME GOES SLOW IN THE JOINT, DOESN'T IT? 365 00:15:24,924 --> 00:15:26,664 [ CHUCKLES ] 366 00:15:26,664 --> 00:15:29,841 THE PAINTING WE GOT FROM YOUR APARTMENT IS A FORGERY, 367 00:15:29,841 --> 00:15:33,715 WHICH BEGS THE QUESTION -- WHERE'S THE ORIGINAL? 368 00:15:33,715 --> 00:15:36,718 LOOK, I'LL TELL YOU EVERYTHING YOU NEED TO KNOW. 369 00:15:36,718 --> 00:15:39,155 BUT FIRST, I WANT IMMUNITY. 370 00:15:39,155 --> 00:15:42,245 IMMUNITY? THAT'S WHAT YOU WANT, HUH? 371 00:15:42,245 --> 00:15:45,814 [ LAUGHING ] 372 00:15:45,814 --> 00:15:49,209 YOU ALLERGIC TO EGGS?UH, NO. 373 00:15:49,209 --> 00:15:50,427 OKAY. GO AHEAD. 374 00:15:50,427 --> 00:15:53,039 OW. [ EXHALES SHARPLY ] 375 00:15:53,039 --> 00:15:54,518 THAT WASN'T SO BAD. 376 00:15:54,518 --> 00:15:57,130 NOW, WHERE'S "THE THUMB" AT?MY BROTHER HAS IT. 377 00:15:57,130 --> 00:15:59,349 HE STEALS THE ART, AND THEN I FORGE IT. 378 00:15:59,349 --> 00:16:01,308 HE RETURNS THE FORGERIES BACK TO THE ART GALLERY, 379 00:16:01,308 --> 00:16:03,614 AND THE POLICE DROP THE WHOLE THING. 380 00:16:03,614 --> 00:16:05,921 HE ENDS UP WITH A MULTIMILLION-DOLLAR ART COLLECTION. 381 00:16:05,921 --> 00:16:07,792 WHY ROLL ON HIM NOW? 382 00:16:07,792 --> 00:16:10,970 [ Voice breaking ] BECAUSE HE'S A TOTAL... 383 00:16:10,970 --> 00:16:12,710 DICK! [ CRIES ] 384 00:16:12,710 --> 00:16:14,930 YOU DON'T HAVE TO DEAL WITH HIM NO MORE, 385 00:16:14,930 --> 00:16:18,368 'CAUSE WE ARE ABOUT TO TAKE DR. ZAIUS DOWN. 386 00:16:18,368 --> 00:16:20,022 [ GASPS ] 387 00:16:20,022 --> 00:16:21,806 NOW, YOU'RE FREE TO GO. 388 00:16:21,806 --> 00:16:24,940 [ GRUNTS ] CAN SOMEONE UN-CUFF ME? 389 00:16:24,940 --> 00:16:26,594 YOU'RE NOT CUFFED. 390 00:16:28,552 --> 00:16:31,555 OH. GREAT. THANKS. 391 00:16:31,555 --> 00:16:33,166 YOU CAN VALIDATE YOUR PARKING ON THE WAY OUT. 392 00:16:33,166 --> 00:16:36,169 THANKS, MAN.YEAH. NO PROBLEM. 393 00:16:39,911 --> 00:16:41,913 DON'T MOVE, DR. ZAIUS![ THUD ] 394 00:16:41,913 --> 00:16:44,177 YOU IDIOT! DO YOU SEE WHAT YOU'VE DONE?! 395 00:16:44,177 --> 00:16:46,222 THAT WAS A PRICELESS MORAVIAN VASE. 396 00:16:46,222 --> 00:16:48,224 IT WILL TAKE YOU A LIFETIME TO PAY -- 397 00:16:48,224 --> 00:16:50,879 IT SEEMS TO BE FINE. HOW CAN I HELP YOU? 398 00:16:50,879 --> 00:16:53,142 YOU'RE UNDER ARREST FOR STEALING MacGUFFIN'S "THUMB" 399 00:16:53,142 --> 00:16:54,752 FROM THE OLSEN-MEDAVOY GALLERY. 400 00:16:54,752 --> 00:16:56,145 YOUR BROTHER RATTED YOU OUT. 401 00:16:56,145 --> 00:16:58,495 DON'T BE RIDICULOUS. I HAVEN'T STOLEN ANYTHING. 402 00:16:58,495 --> 00:17:01,542 THEN HOW DO YOU EXPLAIN THIS? 403 00:17:01,542 --> 00:17:03,544 I HAVE NO IDEA HOW THAT GOT THERE. 404 00:17:03,544 --> 00:17:05,198 I'M BEING FRAMED! 405 00:17:05,198 --> 00:17:07,156 OFFICER, TAKE HIM AWAY. 406 00:17:07,156 --> 00:17:10,638 ♪♪ 407 00:17:10,638 --> 00:17:12,248 WE DID IT. 408 00:17:12,248 --> 00:17:14,642 NOW LET'S GET THIS THING BACK TO A MUSEUM, 409 00:17:14,642 --> 00:17:16,339 WHERE IT BELONGS. 410 00:17:16,339 --> 00:17:18,124 EVERYONE FREEZE! 411 00:17:18,994 --> 00:17:20,822 YOU'RE OUT. GO SIT DOWN. 412 00:17:21,953 --> 00:17:25,392 UN-FREEZE. 413 00:17:25,392 --> 00:17:28,743 NO TEARS. THIS ONE'S A FORGERY, TOO. 414 00:17:28,743 --> 00:17:30,353 DAMN IT. 415 00:17:30,353 --> 00:17:32,529 BUT RANDY SAID THAT ZAIUS HAD THE ORIGINAL. 416 00:17:32,529 --> 00:17:34,531 WHAT, DID HE PULL SOME KIND OF SWITCHEROO? 417 00:17:34,531 --> 00:17:36,533 [ BOTH GASP ] 418 00:17:36,533 --> 00:17:39,580 SWITCHEROO! SWITCHEROO! 419 00:17:39,580 --> 00:17:41,843 ♪♪ 420 00:17:41,843 --> 00:17:46,239 RANDY ZAIUS, L.A.P.D.! OPEN THE DOOR! 421 00:17:46,239 --> 00:17:47,240 TAKE IT DOWN. 422 00:17:50,156 --> 00:17:53,594 GO! GO! GO! 423 00:17:53,594 --> 00:17:55,770 Man: GO! GO!Man #2: KEEP IT MOVING! LET'S GO! 424 00:17:57,380 --> 00:17:59,861 COME ON! LET'S GO! GO, GO, GO! 425 00:18:13,831 --> 00:18:15,268 [ STATIC ] 426 00:18:15,268 --> 00:18:17,270 IT'S TANNER. HE ISN'T HERE. 427 00:18:17,270 --> 00:18:19,010 [ RANDY SNEEZES ] 428 00:18:19,924 --> 00:18:21,796 [ SCREAMS ] 429 00:18:21,796 --> 00:18:24,190 GET HIM![ INDISTINCT SHOUTING ] 430 00:18:24,190 --> 00:18:26,279 [ PUNCHES LANDING ] 431 00:18:33,721 --> 00:18:35,940 YOU KNOW, MY FIRST APARTMENT OUT OF THE ACADEMY 432 00:18:35,940 --> 00:18:37,855 WAS WAY SMALLER THAN THIS ONE. 433 00:18:37,855 --> 00:18:39,248 YOU DON'T SAY? 434 00:18:39,248 --> 00:18:42,077 10 GUYS CRAMMED INTO A 24-STORY WALK-UP. 435 00:18:42,077 --> 00:18:44,210 AND YOU KNOW WHAT THE BIGGEST PAIN IN THE BUTT WAS? 436 00:18:44,210 --> 00:18:45,559 [ SCREAMING ] 437 00:18:45,559 --> 00:18:48,431 OHH! 438 00:18:48,431 --> 00:18:50,825 OPENING THE DAMN FRIDGE. 439 00:18:50,825 --> 00:18:52,218 ♪♪ 440 00:19:01,749 --> 00:19:06,754 IT'S TANNER. "THUMB'S" UP. 441 00:19:08,190 --> 00:19:09,626 ALL RIGHT. 442 00:19:09,626 --> 00:19:11,715 LOOKS LIKE "THE THUMB'S" BACK UP AT THE GALLERY. 443 00:19:11,715 --> 00:19:13,369 ALL RIGHT. 444 00:19:13,369 --> 00:19:15,066 I GOT TO SAY YOU WERE PRETTY TERRIFIC BACK THERE. 445 00:19:15,066 --> 00:19:16,546 YOU WEREN'T BAD YOURSELF. 446 00:19:16,546 --> 00:19:18,418 I FEEL LIKE WE'RE REALLY FINDING OUR GROOVE. 447 00:19:18,418 --> 00:19:19,419 MM-HMM. 448 00:19:20,376 --> 00:19:21,899 MY MOM WAS RIGHT. 449 00:19:21,899 --> 00:19:24,293 WHEN YOU MEET THE RIGHT PARTNER, YOU JUST KNOW. 450 00:19:24,293 --> 00:19:26,295 MM-HMM.IN FACT, YOU SHOULD MEET MY MOM. 451 00:19:26,295 --> 00:19:28,645 I'VE ALREADY TOLD HER SO MUCH ABOUT YOU. HMM. 452 00:19:28,645 --> 00:19:30,604 IS IT WEIRD WE DON'T HAVE MORE PICTURES TOGETHER? 453 00:19:30,604 --> 00:19:31,953 I GOT TO GET OUT OF HERE. 454 00:19:33,084 --> 00:19:36,044 I'M NOT GONNA LET YOU RUN AWAY FROM A GOOD THING THIS TIME, 455 00:19:36,044 --> 00:19:37,567 AGENT TRIBECA. 456 00:19:37,567 --> 00:19:39,569 [ SIGHS ] 457 00:19:41,180 --> 00:19:42,616 I GOT TO GO TAKE A POOP. 458 00:19:42,616 --> 00:19:47,403 ♪♪ 32259

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