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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,502 --> 00:00:17,017 2 00:00:17,517 --> 00:00:32,532 3 00:00:32,532 --> 00:00:47,547 4 00:00:47,547 --> 00:01:02,562 5 00:01:02,562 --> 00:01:17,577 6 00:01:17,577 --> 00:01:32,592 7 00:01:32,592 --> 00:01:47,107 8 00:01:47,607 --> 00:02:02,122 9 00:02:02,622 --> 00:02:17,137 10 00:02:17,637 --> 00:02:32,152 11 00:02:32,152 --> 00:02:35,155 JOHN! HERE I AM! 12 00:02:35,155 --> 00:02:37,657 LOOK... LOOK UP HERE! OH. 13 00:02:40,660 --> 00:02:42,662 14 00:02:42,662 --> 00:03:04,184 15 00:03:04,184 --> 00:03:07,687 I'D LIKE TO SEE MRS. DEVLIN. WOULD THAT BE MISS SANDRA? 16 00:03:07,687 --> 00:03:09,689 SHE'S MRS. DEVLIN NOW. YOUR NAME, SIR? 17 00:03:10,190 --> 00:03:12,192 I'M... (Mr. Poli) MR. DEVLIN? 18 00:03:12,192 --> 00:03:14,194 YES... MR. POLI? 19 00:03:14,694 --> 00:03:16,196 YES. 20 00:03:16,196 --> 00:03:19,199 SO YOU ARE THE MAN WHO MARRIED MY DAUGHTER. 21 00:03:19,199 --> 00:03:20,700 WELL, WE, UH... 22 00:03:21,201 --> 00:03:22,702 SORTA GOT THE IDEA IN A HURRY. 23 00:03:22,702 --> 00:03:24,204 THROW HIM OUT!! 24 00:03:24,204 --> 00:03:31,711 ???? ?? 25 00:03:31,711 --> 00:03:33,213 ORNERY CUSS, THAT POLI. 26 00:03:33,213 --> 00:03:34,714 HE DON'T FIDDLE WITH NOBODY. 27 00:03:34,714 --> 00:03:36,716 HE USED TO RUN A STAGECOACH LINE, 28 00:03:36,716 --> 00:03:38,718 FOR HE WENT IN FOR RAILROADIN'. HUH? 29 00:03:38,718 --> 00:03:50,230 ???? ?? 30 00:03:50,230 --> 00:04:01,741 31 00:04:01,741 --> 00:04:02,742 WAIT! 32 00:04:03,243 --> 00:04:04,744 PAPA IS JUST AS CRAZY AS YOU ARE. 33 00:04:04,744 --> 00:04:06,746 HE'LL GETHISGUN, AND WHAT ABOUT ME? 34 00:04:06,746 --> 00:04:08,748 PAPA'S KIND OF HIGH STRUNG, ISN'T HE? 35 00:04:08,748 --> 00:04:10,750 PAPA SAYS YOU ARE A GUN-TOTIN', 36 00:04:10,750 --> 00:04:12,752 HIGHBINDIN', TINHORN GAMBLER. 37 00:04:13,253 --> 00:04:15,755 WELL, PAPA SHOULDN'T TALK LIKE THAT IN FRONT OF THE CHILDREN. 38 00:04:16,256 --> 00:04:17,257 BUT YOU ARE. 39 00:04:19,259 --> 00:04:23,263 SANDRA! HOW'D YOU GET OUT WHEN I LOCKED THE DOOR!? 40 00:04:23,263 --> 00:04:24,764 GET HIM, MEN! 41 00:04:24,764 --> 00:04:25,765 HEYA! 42 00:04:30,270 --> 00:04:32,272 YOU'D BETTER COME BACK, OR FROM BETWEEN THE EARS 43 00:04:32,272 --> 00:04:33,273 I'LL SHOOT YOU! 44 00:04:37,777 --> 00:04:38,778 WAIT... MY BAGS! 45 00:04:39,279 --> 00:04:41,281 WE HADN'T BETTER MAKE ANY STOPS NOW, SANDY. 46 00:04:41,281 --> 00:04:42,282 ALL RIGHT, THEN. 47 00:04:42,282 --> 00:04:44,284 IF I CAN'T LOOK PRETTY, YOU CAN'T EITHER. 48 00:04:44,784 --> 00:04:46,286 WE'RE CLEANED OUT FOR SURE NOW. 49 00:04:46,286 --> 00:04:48,788 WHO SAID SO? LUNCH? 50 00:04:49,289 --> 00:04:50,790 NO... 51 00:04:50,790 --> 00:04:52,792 TWENTY THOUSAND DOLLARS. 52 00:04:52,792 --> 00:04:53,793 THAT CINCHES IT... 53 00:04:54,294 --> 00:04:56,296 SANDY, I LOVE YA. WHO WOULDN'T? 54 00:04:56,296 --> 00:04:58,298 YOU COULDN'T WIN THAT MUCH IN A POKER GAME. 55 00:04:58,298 --> 00:04:59,799 YOU MEAN, UNLESS I WAS DEALING. 56 00:04:59,799 --> 00:05:01,301 (bang bang) 57 00:05:01,301 --> 00:05:03,303 THAT'S PAPA... HE'S SHOOTING AT US! 58 00:05:03,803 --> 00:05:05,305 (bang) 59 00:05:05,305 --> 00:05:09,309 (bang) HURRY UP! AH, THAT'S NOTHING. 60 00:05:10,810 --> 00:05:12,312 (bang) 61 00:05:12,312 --> 00:05:15,315 ALL I WANT TO KNOW IS DO YOU TAKE AFTER PAPA OR MAMA? 62 00:05:15,315 --> 00:05:16,816 PAPA ALWAYS WANTS TO SHOOT THINGS OUT. 63 00:05:16,816 --> 00:05:18,318 HE HAS NO MORE SENSE THAN YOU HAVE. 64 00:05:18,818 --> 00:05:20,820 (bang bang) I DO HOPE HE DOESN'T KILL US. 65 00:05:20,820 --> 00:05:22,822 HE'D NEVER GET OVER IT. 66 00:05:22,822 --> 00:05:25,325 WELL, I'D FEEL KIND OF REGRETFUL ABOUT IT MYSELF. 67 00:05:25,325 --> 00:05:26,826 (bang) 68 00:05:26,826 --> 00:05:27,827 HE'S GOT HIMSELF ANOTHER GUN! 69 00:05:29,829 --> 00:05:31,331 (bang) 70 00:05:31,331 --> 00:05:32,332 CAN'T YOU GO QUICKER?! 71 00:05:32,332 --> 00:05:33,833 (bang) 72 00:05:35,835 --> 00:05:37,337 DO YOU SUPPOSE IT COULD BE, SANDY, 73 00:05:37,337 --> 00:05:39,839 THAT WE WEREN'T MEANT FOR EACH OTHER AFTER ALL? 74 00:05:39,839 --> 00:05:41,341 I DON'T LIKE TO BUTT IN, 75 00:05:41,341 --> 00:05:42,842 BUT I THOUGHT MAYBE I OUGHTA ASK IF YOU WOULDN'T PREFER 76 00:05:42,842 --> 00:05:43,843 ANOTHER CARRIAGE? 77 00:05:44,344 --> 00:05:52,352 78 00:05:52,852 --> 00:06:00,860 79 00:06:01,361 --> 00:06:02,362 (bang) 80 00:06:02,362 --> 00:06:03,363 HEYA! 81 00:06:03,863 --> 00:06:06,366 SIT TIGHT, SANDY! WE'RE HEADIN' FOR CALIFORNIA! 82 00:06:07,867 --> 00:06:09,869 WELL, DO WE HAVE TO GO TO CALIFORNIA? 83 00:06:10,370 --> 00:06:11,871 KNOW A BETTER PLACE?! 84 00:06:12,372 --> 00:06:13,873 HOW ABOUT DAKOTA? 85 00:06:13,873 --> 00:06:15,875 DID YOU SAY DAKOTA? 86 00:06:15,875 --> 00:06:17,377 YES, DAKOTA. 87 00:06:17,377 --> 00:06:19,379 OH, I THOUGHT YOU SAID DAKOTA. 88 00:06:19,379 --> 00:06:21,381 WE'LL MAKE IT CALIFORNIA. 89 00:06:21,381 --> 00:06:23,383 HEYA! 90 00:06:23,383 --> 00:06:24,884 TURN LEFT AT THE NEXT CROSSING. 91 00:06:35,395 --> 00:06:36,396 OH! 92 00:06:36,396 --> 00:06:38,398 WHAT'S THE MATTER? 93 00:06:38,398 --> 00:06:39,899 YOU ALL RIGHT, SIR? 94 00:06:40,400 --> 00:06:41,901 ARE YOU ALL RIGHT? YES, SIR. 95 00:06:41,901 --> 00:06:44,404 YOU'RE FIRED! GET YOUR HORSES! 96 00:06:44,404 --> 00:06:45,405 WHAT ARE YOU DOING HERE? 97 00:06:47,407 --> 00:06:48,908 HE'S ONLY ANGRY NOW. 98 00:06:48,908 --> 00:06:51,411 WAIT TILL HE FINDS OUT I SOLD THE GAINSBOROUGH FROM HIS LIBRARY. 99 00:07:06,426 --> 00:07:07,427 WHAT'S WRONG WITH DAKOTA? 100 00:07:07,427 --> 00:07:09,929 IT HAS LOTS OF PEOPLE IN IT, HUNDREDS, 101 00:07:09,929 --> 00:07:11,431 AND IT'S A GREAT WHEAT COUNTRY. 102 00:07:11,431 --> 00:07:13,433 WHAT DOES A MAN DO IN A WHEAT COUNTRY, 103 00:07:13,433 --> 00:07:14,934 OPEN A BAKERY? 104 00:07:14,934 --> 00:07:16,436 THERE ARE LOTS OF THINGS WE COULD DO. 105 00:07:16,436 --> 00:07:17,937 ONCE WE'VE ESTABLISHED OURSELVES... 106 00:07:17,937 --> 00:07:19,939 LET'S TALK IT OVER IN CALIFORNIA. BUT SOME DAY, 107 00:07:20,440 --> 00:07:22,442 WHEN DAKOTA IS ADMITTED INTO THE UNION, 108 00:07:22,442 --> 00:07:24,444 YOU COULD GO INTO POLITICS. 109 00:07:24,444 --> 00:07:27,447 OH, OUR MONEY! SPEAKING OF POLITICS, 110 00:07:27,447 --> 00:07:29,449 WHERE WE'RE GOING THERE ARE ONLY TWO PARTIES-- 111 00:07:29,449 --> 00:07:31,951 THE QUICK AND THE DEAD. (train conductor) ALL ABOOOAARD! 112 00:07:32,452 --> 00:07:33,953 THAT'S OUR TRAIN. HOW MUCH DO WE OWE YA? 113 00:07:34,454 --> 00:07:35,955 OH, FORGET ABOUT IT, MY FRIEND. 114 00:07:35,955 --> 00:07:37,457 IT'S ON THE HOUSE. 115 00:07:37,457 --> 00:07:40,460 MAYBE YOU HADN'T BETTER DRAW UP ANY PLANS UNTIL... 116 00:07:40,460 --> 00:07:42,462 UNTIL WHAT? 117 00:07:42,962 --> 00:07:44,464 I WAS GONNA SAY UNTIL YOUR MONEY RUNS OUT. 118 00:08:02,982 --> 00:08:04,484 (train conductor) ALL ABOOOAAARD! 119 00:08:04,984 --> 00:08:05,985 DID YOU SAY THIS IS OUR TRAIN? YES. 120 00:08:10,490 --> 00:08:12,492 THAT LADY IS SANDRA POLI, BIGTREE. 121 00:08:12,992 --> 00:08:14,994 HER FATHER OWNS THIS RAILROAD. THAT SO? 122 00:08:15,495 --> 00:08:17,997 WELL, GUESS MAYBE SHE'S SOMEBODY WE OUGHTA KNOW, HUH? 123 00:08:17,997 --> 00:08:18,998 MM-HMM. 124 00:08:43,523 --> 00:08:45,024 HURRY UP... DON'T LET THEM GET AWAY!! 125 00:08:50,530 --> 00:08:52,031 QUICK, SEND A TELEGRAPH TO BELLS CROSSING! 126 00:08:52,031 --> 00:08:53,032 YES, MR. POLI. 127 00:08:53,533 --> 00:08:56,035 TO JAKE BONZO ON TRAIN 67... 128 00:08:56,035 --> 00:08:58,538 SAY, "HOLD MY DAUGHTER! 129 00:08:58,538 --> 00:09:01,040 "TAKE FROM HER THE BIG TINHORN 130 00:09:01,040 --> 00:09:03,543 AND KNOCK OUT HIS TEETH!" 131 00:09:03,543 --> 00:09:05,545 NO, WAIT... IT'S TOO MUCH. 132 00:09:05,545 --> 00:09:08,548 JUST HIS FRONT TEETH, THAT'S ENOUGH. 133 00:09:08,548 --> 00:09:11,050 AND UH, WAIT... NO... NO... NO. 134 00:09:11,050 --> 00:09:13,553 MAYBE IT WOULD BREAK HER HEART. 135 00:09:13,553 --> 00:09:16,055 MAYBE SHE WOULD BE MAD... IT'S NO GOOD. NO... NO. 136 00:09:16,055 --> 00:09:20,059 UH... SAY, "DON'T KNOCK OUT HIS FRONT TEETH." 137 00:09:20,560 --> 00:09:23,062 SAY... OH, WHAT'S THE MATTER WITH YOU? 138 00:09:23,563 --> 00:09:26,065 ARE YOU CRAZY... HOW CAN YOU SEND SUCH A TELEGRAPH?! 139 00:09:26,065 --> 00:09:29,569 HUH? SHE'S MY OWN LITTLE GIRL. 140 00:09:29,569 --> 00:09:32,071 MAYBE SHE LOVES HIM, 141 00:09:32,071 --> 00:09:34,574 THAT BIG NO-GOOD. 142 00:09:34,574 --> 00:09:36,075 AND YOU WILL BREAK HER HEART, HUH?! 143 00:09:36,576 --> 00:09:37,577 ME? 144 00:09:37,577 --> 00:09:39,078 SEND ANOTHER ONE. 145 00:09:39,078 --> 00:09:41,581 "TO MY DAUGHTER, MRS... UH... 146 00:09:42,081 --> 00:09:43,082 MRS... UH... 147 00:09:43,082 --> 00:09:44,584 NOW WHAT'S HIS NAME? 148 00:09:44,584 --> 00:09:47,587 DEVLIN... NO... YES, DEVLIN! 149 00:09:47,587 --> 00:09:49,589 "HAVE A GOOD TIME, 150 00:09:49,589 --> 00:09:53,593 "AND REMEMBER YOUR PAPA 151 00:09:53,593 --> 00:09:56,095 IF YOU NEED MONEY OR SOMETHING." 152 00:09:56,095 --> 00:09:58,598 OH, SHE'S A SWEET GIRL... 153 00:09:58,598 --> 00:10:00,600 OH, SOMETHING ELSE! 154 00:10:01,100 --> 00:10:04,604 "IF MAYBE YOU GET TIRED OF YOUR WONDERFUL, BIG, LOVELY MAN, 155 00:10:04,604 --> 00:10:06,606 "DON'T WORRY, WE'LL PUT HIM IN JAIL, 156 00:10:06,606 --> 00:10:09,108 "THAT NO-GOOD RAT! 157 00:10:09,108 --> 00:10:12,111 I MYSELF WILL TAKE HIM AND..." 158 00:10:12,111 --> 00:10:13,613 HE'S BIGGER THAN I, THAT'S THE TROUBLE. 159 00:10:19,619 --> 00:10:22,121 BUT THERE'S NOTHING IN CALIFORNIA BUT FLOWERS, 160 00:10:22,622 --> 00:10:24,624 AND EVERYONE KNOWS FLOWERS GIVE YOU HAY FEVER. 161 00:10:24,624 --> 00:10:26,626 I GOT IT MYSELF, RIGHT NOW. 162 00:10:26,626 --> 00:10:29,128 LOOK, SANDY, WITH $20,000, 163 00:10:29,128 --> 00:10:31,130 WE CAN OPEN A LITTLE PLACE IN THE GOLD FIELDS... 164 00:10:31,130 --> 00:10:34,133 A SALOON AND GAMBLING PALACE WITH DANCE HALL GIRLS... 165 00:10:34,133 --> 00:10:37,136 WOULDN'T YOU JUST LOVE THAT? (conductor) TICKETS, PLEASE. 166 00:10:37,136 --> 00:10:38,638 I BROUGHT THE TICKETS, LIKE YOU TOLD ME. 167 00:10:38,638 --> 00:10:41,140 (train whistle blowing) 168 00:10:41,140 --> 00:10:42,642 WHEN DO WE GET TO ST. LOUIS, CONDUCTOR? 169 00:10:43,142 --> 00:10:45,645 ST. LOUIS!? CAN'T DO IT AND STAY ON THE TRACKS. 170 00:10:45,645 --> 00:10:49,148 WE'RE HEADED FOR ST. PAUL. 171 00:10:49,148 --> 00:10:50,650 WHY... WHY, YOU SEE, JOHN, 172 00:10:50,650 --> 00:10:52,151 I HAD TO DO IT. 173 00:10:52,151 --> 00:10:53,152 I COULDN'T DO ANYTHING ELSE. 174 00:10:53,653 --> 00:10:54,153 YOU COULDN'T, EH? 175 00:10:54,654 --> 00:10:56,155 I JUST COULDN'T... I COULDN'T. 176 00:10:56,155 --> 00:10:58,157 I LOVE YOU AND IT WAS FOR YOU, SO I DID IT. 177 00:10:58,658 --> 00:11:00,660 BUT WHY ST. PAUL? 178 00:11:00,660 --> 00:11:02,662 BECAUSE FROM ST. PAUL, WE'LL GO TO DAKOTA. 179 00:11:05,665 --> 00:11:07,166 WAIT. 180 00:11:07,166 --> 00:11:09,669 LAST NIGHT PAPA HAD SOME OF HIS BUSINESS FRIENDS TO DINNER, 181 00:11:09,669 --> 00:11:11,671 AND I HEARD THEM SAY THEY'RE GOING TO EXTEND 182 00:11:11,671 --> 00:11:13,673 THE RAILROAD INTO DAKOTA. 183 00:11:14,173 --> 00:11:16,175 IN A FEW WEEKS, PAPA WILL SEND AGENTS 184 00:11:16,175 --> 00:11:18,678 TO FARGO TO BUY UP ALL THE LAND 185 00:11:18,678 --> 00:11:20,179 AND THE RIGHT OF WAY, 186 00:11:20,179 --> 00:11:22,181 SO WHAT WE'LL DO... 187 00:11:22,181 --> 00:11:23,683 IS BEAT HIM TO IT, 188 00:11:23,683 --> 00:11:25,184 OPTION EVERYTHING IN SIGHT, 189 00:11:25,184 --> 00:11:26,686 MAKE HIM PAY THROUGH THE NOSE. 190 00:11:27,186 --> 00:11:30,189 BUT THE CATCH IS TO MAKE THE PROFIT, WE HAVE TO GO TO FARGO. 191 00:11:30,189 --> 00:11:32,191 BUT IT'S A WONDERFUL PLACE! SURE. 192 00:11:32,692 --> 00:11:34,694 THERE'S PROBABLY NOTHING THERE BUT A TRADING POST. 193 00:11:34,694 --> 00:11:38,698 WE'LL BE STUCK UP THERE WITH NOTHING TO DO BUT... 194 00:11:38,698 --> 00:11:40,199 MAKE LOVE. 195 00:11:40,199 --> 00:11:43,202 HMM, WHAT'S WRONG WITH THAT? WHAT'S THE MATTER? 196 00:11:43,703 --> 00:11:54,714 ???? ?? 197 00:11:54,714 --> 00:11:55,715 STOP IT! 198 00:11:55,715 --> 00:12:05,224 ???? ?? 199 00:12:05,224 --> 00:12:06,225 BELLS CROSSING! 200 00:12:06,225 --> 00:12:18,237 ???? ?? 201 00:12:18,237 --> 00:12:19,739 GET RID OF THEM. 202 00:12:19,739 --> 00:12:21,240 THANKS FOR PITCHIN' IN. IT'S ALL RIGHT. 203 00:12:21,240 --> 00:12:22,742 LOOKED LIKE YOU COULD USE SOME HELP. 204 00:12:23,242 --> 00:12:24,744 HE'S A GOOD MAN. BIGTREE? 205 00:12:24,744 --> 00:12:26,245 (conductor) TELEGRAM FOR MR. BONZO! 206 00:12:26,245 --> 00:12:28,247 HE'LL DO... MY NAME IS BENDER, JIM BENDER. 207 00:12:28,748 --> 00:12:30,249 I'M DEVLIN... THIS IS MRS. DEVLIN. 208 00:12:30,249 --> 00:12:32,251 HOW DO YOU DO, MRS. DEVLIN? MRS. DEVLIN? 209 00:12:32,752 --> 00:12:34,253 YES... THANK YOU. 210 00:12:34,253 --> 00:12:35,755 MAY I? SURELY. 211 00:12:47,266 --> 00:12:49,268 IT'S FROM PAPA... EVERYTHING IS ALL RIGHT. 212 00:12:49,268 --> 00:12:50,770 HE SAYS IF WE NEED MORE MONEY OR ANYTHING, 213 00:12:51,270 --> 00:12:53,773 WE JUST LET HIM KNOW. ISN'T HE WONDERFUL? 214 00:12:53,773 --> 00:12:56,275 NICE GUY TO DO BUSINESS WITH, BY LETTER. 215 00:12:56,275 --> 00:12:59,278 GOING TO ST. PAUL, MR. BENDER? I'M GOING TO FARGO. 216 00:12:59,278 --> 00:13:00,780 SO ARE WE. REALLY... THAT'S FINE. 217 00:13:00,780 --> 00:13:02,281 WE'LL PROBABLY BE SEEING A LOT OF EACH OTHER. 218 00:13:08,287 --> 00:13:13,793 ???? ?? 219 00:13:13,793 --> 00:13:14,794 HEYA! 220 00:13:14,794 --> 00:13:28,307 ???? ?? 221 00:13:28,808 --> 00:13:31,811 WE'VE PASSED THE FORT. SHOULD BE IN ABERCROMBIE IN A FEW MINUTES. 222 00:13:31,811 --> 00:13:34,814 AND YOU LOOK JUST AS FRESH AS WHEN WE STARTED, MRS. DEVLIN. 223 00:13:34,814 --> 00:13:38,317 THANK YOU... WE BOUGHT SOME THINGS IN ST. PAUL. 224 00:13:38,317 --> 00:13:40,319 OH, AREN'T THEY SOLDIERS? 225 00:13:40,319 --> 00:13:43,322 HUH? PROBABLY AN ESCORT FROM THE FORT. 226 00:13:43,322 --> 00:13:46,325 MUST BE SOME HOSTILE INDIANS AROUND. 227 00:13:46,325 --> 00:13:49,328 INDIANS... OH! 228 00:13:49,328 --> 00:13:52,832 JOHN, NOW THAT WE KNOW SOMETHING ABOUT IT, 229 00:13:52,832 --> 00:13:54,834 DO YOU REALLY THINK WE SHOULD GO TO FARGO? 230 00:13:54,834 --> 00:13:56,836 WELL, WE'VE COME THIS FAR. 231 00:13:56,836 --> 00:13:58,838 MAYBE WE OUGHTA STOP OFF AND, UH, 232 00:13:58,838 --> 00:14:01,340 TAKE A LOOK AROUND. 233 00:14:01,340 --> 00:14:02,842 WHAT DO YOU EXPECT TO DO IN FARGO, MR. DEVLIN? 234 00:14:03,342 --> 00:14:05,344 WE ARE GOING TO INVEST SOME MONEY IN LAND. 235 00:14:05,344 --> 00:14:07,346 FARMLAND... WE THOUGHT WE'D 236 00:14:07,346 --> 00:14:09,348 PICK UP A FEW ACRES AND GROW SOME WHEAT. 237 00:14:09,348 --> 00:14:12,351 YOU WOULDN'T WANT US TO BELIEVE YOU WAS A FARMER, WOULD YA, MR. DEVLIN? 238 00:14:12,351 --> 00:14:14,854 MAYBE I OUGHTA SPROUT A BEARD, EH? 239 00:14:14,854 --> 00:14:16,856 I CAN'T IMAGINE WHY YOU'D WANT TO BUCK A PROPOSITION 240 00:14:16,856 --> 00:14:19,358 AS UNCERTAIN AS YOU MAY FIND IN THE WHEAT COUNTRY. 241 00:14:19,358 --> 00:14:21,861 WHA... WHAT'S UNCERTAIN ABOUT IT? 242 00:14:21,861 --> 00:14:23,362 YOU DON'T THINK NOBODY'S GONNA LET YOU WALK INTO FARGO 243 00:14:23,362 --> 00:14:25,865 AND JUMP ANY CLAIMS, DO YA, MA'AM? 244 00:14:25,865 --> 00:14:27,867 BIGTREE MEANS, YOU MIGHT HAVE A LITTLE TROUBLE 245 00:14:27,867 --> 00:14:30,870 GETTING HOLD OF A DECENT PIECE OF LAND-- 246 00:14:30,870 --> 00:14:32,371 GOOD ACREAGE IS SCARCE. 247 00:14:32,371 --> 00:14:33,873 TRYIN' TO TELL US THAT 248 00:14:34,373 --> 00:14:37,376 THEY DON'T TAKE KINDLY TO STRANGERS IN FARGO, MR. BENDER? 249 00:14:37,376 --> 00:14:39,378 I DON'T IMAGINE THEY'D WELCOME STRANGERS 250 00:14:39,378 --> 00:14:42,882 WHO COME TO FARM, UH, WITHOUT IMPLEMENTS, MR. DEVLIN. 251 00:15:04,904 --> 00:15:06,405 WHOA! 252 00:15:06,405 --> 00:15:07,907 EVERYBODY OUT... WE DONE IT AGAIN! 253 00:15:08,407 --> 00:15:09,408 FORT ABERCROMBIE, FOLK. 254 00:15:09,909 --> 00:15:11,410 MR. BENDER? 255 00:15:11,410 --> 00:15:12,411 I'M BENDER. 256 00:15:12,411 --> 00:15:13,913 COMPLIMENTS OF COLONEL WORDEN, SIR. 257 00:15:13,913 --> 00:15:16,415 HE'D LIKE YOU TO RIDE OVER TO THE FORT WHEN YOU'RE RESTED. 258 00:15:16,415 --> 00:15:18,417 WELL, I WAS GONNA SAIL ON THESIOUX PRINCESS. 259 00:15:18,417 --> 00:15:20,419 HAVE YOU GOT ANY IDEA WHAT HE WANTS TO SEE ME ABOUT? 260 00:15:20,920 --> 00:15:22,421 THERE'S BEEN SOME KILLINGS AT FARGO. 261 00:15:22,421 --> 00:15:25,424 THEY'VE BURNED THE HOMES OF MOST OF THE BONANZA FARMERS. 262 00:15:25,424 --> 00:15:27,426 - INDIANS? - WELL, ACCORDING TO MR. STOWE, 263 00:15:27,426 --> 00:15:28,928 IT WAS MADE TO LOOK LIKE THE SIOUX WERE MIXED UP IN IT, 264 00:15:29,428 --> 00:15:30,930 BUT HE DOESN'T BELIEVE IT. 265 00:15:31,430 --> 00:15:32,932 STOWE WASN'T BURNED OUT, WAS HE? YES, SIR. 266 00:15:32,932 --> 00:15:35,434 IT SEEMS ONLY THE LITTLE FELLAS ARE LEFT NOW, THE HOMESTEADERS. 267 00:15:35,935 --> 00:15:37,436 MR. STOWE'S AT THE FORT NOW. 268 00:15:37,436 --> 00:15:39,438 HE AND COLONEL WORDEN HAVE BEEN WAITING FOR YOU TO GET BACK. 269 00:15:39,438 --> 00:15:40,439 FOR ME? 270 00:15:40,439 --> 00:15:42,441 I THINK MR. STOWE HAS SOME IDEA OF ORGANIZING 271 00:15:42,441 --> 00:15:45,444 A LAW ENFORCEMENT AGENCY AT FARGO. 272 00:15:45,444 --> 00:15:49,448 OH... WELL, YOU TELL 'EM I'LL WASH UP AND BE OVER AFTER SUPPER. 273 00:15:49,448 --> 00:15:51,450 WELL, THESIOUX PRINCESS SAILS AT SIX, SIR. 274 00:15:51,951 --> 00:15:52,952 WELL, I'LL ARRANGE TO MISS THAT 275 00:15:53,452 --> 00:15:55,454 AND GO WITH CAPTAIN BOUNCE ON THE RIVER BIRD. 276 00:15:55,454 --> 00:15:56,455 MY COMPLIMENTS TO COLONEL WORDEN. 277 00:16:04,964 --> 00:16:07,466 THERE YA ARE, DEVLIN, THAT'S FARGO FOR YA. 278 00:16:07,967 --> 00:16:10,970 WHAT'S FARGO? DIDN'T YOU HEAR WHAT THE LIEUTENANT SAID? 279 00:16:10,970 --> 00:16:12,972 MENTIONED A COLONEL SOMEBODY OR OTHER, 280 00:16:12,972 --> 00:16:15,474 FORT... SOMETHIN' GOIN' ON? 281 00:16:15,474 --> 00:16:18,477 NO, NOTHIN' MUCH, NOTHING VERY INTERESTING. 282 00:16:18,477 --> 00:16:20,980 BIGTREE, GET OUR BAGS OUT OF THESIOUX PRINCESS,WILL YA? 283 00:16:20,980 --> 00:16:23,482 I'LL SEE YOU AND THE MRS. DOWN AT THE BOAT, HUH? 284 00:16:23,482 --> 00:16:25,985 YEAH, SURE. 285 00:16:26,485 --> 00:16:28,988 THAT, UH, FARGO BOAT, SIOUX PRINCESS? 286 00:16:28,988 --> 00:16:30,489 (stagecoach driver) THAT'S ONE OF 'EM. 287 00:16:30,489 --> 00:16:31,991 T'OTHER'S THE RIVER BIRD, 288 00:16:32,491 --> 00:16:33,993 THAT'S OL' CAP'N BOUNCE'S TUB. 289 00:16:33,993 --> 00:16:35,995 SHE'S A HUFFER AND A PUFFER. 290 00:16:36,495 --> 00:16:37,496 BUT IF I WAS A MAKIN' THE TRIP, 291 00:16:37,997 --> 00:16:40,499 SHE'S THE ONE I'D TAKE. BETTER BOAT? 292 00:16:40,499 --> 00:16:42,001 NOPE, BUT IF YA SAIL ON THERIVER BIRD, 293 00:16:42,501 --> 00:16:44,003 YOU'D HAVE IT PRACTICALLY TO YOURSELF, 294 00:16:44,503 --> 00:16:46,005 AND IF THE MOON HAPPENS TO BE RIDIN' ALONG WITH YA, 295 00:16:46,505 --> 00:16:48,507 AND YOU'RE TRAVELIN' WITH LIVE BAGGAGE, WOW! 296 00:16:52,511 --> 00:17:02,021 ???? ?? 297 00:17:02,021 --> 00:17:05,024 (toooot, toooot) 298 00:17:08,027 --> 00:17:11,530 COME ON NOW, YOU SLAB-SIDED PUDDLE SNIPE. 299 00:17:11,530 --> 00:17:14,033 KICK HER OFF FROM BACK THERE! 300 00:17:14,033 --> 00:17:15,534 COME ON, NOW. 301 00:17:15,534 --> 00:17:19,038 NOW JUST EASE YOURSELF TA PORT, YA SWEET LITTLE LOVIN' LAMB. 302 00:17:21,540 --> 00:17:23,542 SWING IT TA PORT, YA OL' WING-TAILED MUDHEN! 303 00:17:26,545 --> 00:17:28,047 THERE NOW. 304 00:17:28,047 --> 00:17:29,548 NOW JUST SNEAK UP ON THAT THERE LANDIN'. 305 00:17:31,050 --> 00:17:33,052 (ding ding) 306 00:17:33,552 --> 00:17:36,055 NOW IF THAT FLAT-FOOTED SWIPE AIN'T FELL OVERBOARD OR SOMETHIN'... 307 00:17:38,057 --> 00:17:39,558 BLAST YA, NICODEMUS, WHERE YA AT!! 308 00:17:43,562 --> 00:17:45,064 NICODEMUS, IF YOU'RE SLEEPIN', 309 00:17:45,064 --> 00:17:47,566 I'LL KNOCK YA OUT FROM THE BACK O' YOUR TEETH, BY JUPPY!! 310 00:17:50,569 --> 00:17:52,571 OH, BACK LINE, YA PRETTY LITTLE RIVER SWAN. 311 00:17:52,571 --> 00:17:53,572 SHAKE YOUR HIPS. 312 00:17:55,574 --> 00:17:58,577 SHAKE YOUR HIPS YA POTBELLIED... !!! 313 00:18:04,583 --> 00:18:07,586 I'LL TIPTOE UP TO THAT ABERCROMBIE LEVEE. 314 00:18:07,586 --> 00:18:08,587 NICODEMUS!!! 315 00:18:13,592 --> 00:18:15,594 NICODEMUS, IF'N YOU'RE STILL ABOARD, 316 00:18:15,594 --> 00:18:17,596 YOU BETTER START RUNNIN' UP RIVER!! 317 00:18:17,596 --> 00:18:19,598 YES, SIR... COMING, CAP'N. 318 00:18:21,100 --> 00:18:23,602 HURRY, HURRY, HURRY ALL THE TIME. 319 00:18:25,104 --> 00:18:26,105 WOW!! 320 00:18:26,605 --> 00:18:28,107 COMIN' CAP'N... NICODEMUS'LL GET IT GOIN'! 321 00:18:33,612 --> 00:18:36,615 WE'LL SHOW THEM ABERCROMBIE FOLKS HOW IT'S DONE, 322 00:18:36,615 --> 00:18:38,117 YA PUSSYFOOTIN' LITTLE MOONBEAM. 323 00:18:40,119 --> 00:18:42,121 HEY, ON SHORE THERE, SOMEBODY! 324 00:18:42,121 --> 00:18:44,123 HOP ABOARD AND THROW OFF'N ROPE! 325 00:18:44,123 --> 00:18:45,624 I DONE LOST MY BO'S'N! 326 00:18:47,626 --> 00:18:48,627 WHAT THE... 327 00:18:48,627 --> 00:18:50,629 SHUT OFF THEM ENGINES! 328 00:18:50,629 --> 00:18:54,633 (ding ding ding ding ding ding) 329 00:18:54,633 --> 00:18:57,636 (Nicodemus)CAP'N! CAP'N BOUNCE, THE BELL IS BUSTED! 330 00:18:57,636 --> 00:19:00,139 IT WON'T STOP RINGIN'! JUST KEEP RINGIN' AND RINGIN! 331 00:19:00,139 --> 00:19:02,641 IT'S RINGIN' BECAUSE I WAS RINGING IT!! 332 00:19:02,641 --> 00:19:04,143 LIKE I'M GONNA RING THAT NECK OF YOURS 333 00:19:04,143 --> 00:19:05,644 IF YOU DON'T OBEY ORDERS!! 334 00:19:05,644 --> 00:19:07,146 DID YOU WANT SOME'IN, CAP'N? 335 00:19:07,146 --> 00:19:09,148 WHAT DO YA THINK THEM LIGHTS IS BACK THERE?! 336 00:19:11,150 --> 00:19:12,651 OH, UH. 337 00:19:12,651 --> 00:19:15,154 YOU MEAN THEM LIGHTS WAY BACK THERE IN THE DARK? 338 00:19:15,154 --> 00:19:17,656 THAT, YOU RIVER HAPPY JAYBIRD, IS ABERCROMBIE! 339 00:19:20,159 --> 00:19:22,661 IF YOU EVER GET ME TO EAT SADDLE OF VENISON AGAIN, 340 00:19:23,162 --> 00:19:24,663 YOU'RE GOING TO HAVE TO UNSADDLE IT FIRST. 341 00:19:26,665 --> 00:19:28,667 CONTRARY ANIMAL, THE DEER, 342 00:19:28,667 --> 00:19:31,170 GENTLE ON THE HOOF, TOUGH ON THE PLATE. 343 00:19:31,170 --> 00:19:34,173 (Captain Bounce) SAILIN' NORTH TO FARGO, GRAND FORKS AND PEMBINA! 344 00:19:34,173 --> 00:19:35,674 ALL PASSENGERS FOR THERIVER BIRD, 345 00:19:36,175 --> 00:19:39,178 CASTIN' OFF IN 20 MINUTES... ALL ABOARD! 346 00:19:39,178 --> 00:19:42,681 RIVER BIRD,MISTER? NICODEMUS! MY BOSUN'LL TAKE CARE OF YOUR BAGGAGE. 347 00:19:42,681 --> 00:19:43,682 PEMBINA? 348 00:19:44,183 --> 00:19:45,184 FARGO. 349 00:19:45,184 --> 00:19:46,685 HOW 'BOUT YOU, LADY? 350 00:19:46,685 --> 00:19:48,687 OH, WE'RE MARRIED. WELL, NOW! 351 00:19:49,188 --> 00:19:50,689 SURE GOOD TO MEET NICE, CLEAN FOLKS. 352 00:19:50,689 --> 00:19:52,691 I'M GONNA PUTS IT IN MY LOG... I'M CAPTAIN BOUNCE. 353 00:19:52,691 --> 00:19:54,693 NICODEMUS, TAKE THE FOLKS' BAGGAGE, AND GET IT DOWN THERE 354 00:19:54,693 --> 00:19:56,195 AFORE WE SHOVE OFF, OR BY JUPPY, 355 00:19:56,195 --> 00:19:58,697 OFF COMES YOUR BOSUN'S RATIN' AND BACK TA WIPIN' YA GO! 356 00:19:58,697 --> 00:20:00,199 WELL, CAP'N, I AIN'T NEVER STOP WIPIN'. 357 00:20:00,699 --> 00:20:03,202 I JUST WIPES, 'N... DOES YOU WANNA WIPE AS A BOSUN 358 00:20:03,202 --> 00:20:04,703 OR A LOW-DOWN SEAMAN? 359 00:20:05,204 --> 00:20:06,705 MAN NEVER KNOWS WHEN HE'S WELL OFF, HE DON'T. 360 00:20:06,705 --> 00:20:08,707 WHAT DO WE OWE YA? WELL, UH... 361 00:20:09,208 --> 00:20:11,710 UH, TWO FARES TA FARGO, THAT'S SEVEN DOLLARS... 362 00:20:11,710 --> 00:20:14,213 EACH, AND, UH, THE STATEROOMS 363 00:20:14,213 --> 00:20:16,215 'LL BE, UH, TWO DOLLARS, 364 00:20:16,715 --> 00:20:18,717 FOR ONE, AND THEN THERE'S, UH... 365 00:20:18,717 --> 00:20:21,220 THE MEALS ARE EXTRA, A DOLLAR EACH FOR MEALS. 366 00:20:21,220 --> 00:20:22,721 WHAT DO WE OWE YA ALL TOGETHER? 367 00:20:22,721 --> 00:20:28,227 WELL, LET'S SEE, THAT'S, UH... SEVEN AND SEVEN AND TWO AND TWO, 368 00:20:28,227 --> 00:20:30,729 AND TWO TIMES THREE THAT'S, UH, 369 00:20:30,729 --> 00:20:32,731 THIRTY-FOUR DOLLARS... I MEAN, THIRTY SEVEN! 370 00:20:32,731 --> 00:20:35,234 WOULDN'T TAKE 24, WOULD YA? 371 00:20:35,234 --> 00:20:38,237 IS WE GONNA ARGUE OVER A COUPLA PENNIES? ROAD FOLKS, AIN'T WE? 372 00:20:44,743 --> 00:20:46,745 GLAD TO HAVE SEEN YOU AGAIN, MR. STOWE. 373 00:20:46,745 --> 00:20:48,247 THANK YOU, COLONEL. 374 00:20:48,247 --> 00:20:50,749 I WISH YOU COULD'VE TALKED TO BENDER IN MY PRESENCE. 375 00:20:50,749 --> 00:20:53,252 WELL, WE'LL TRY TO ARRANGE A LITTLE PARLEY LATER. 376 00:20:53,252 --> 00:20:55,254 I'M TERRIBLY SHORTHANDED AND HAVE PLENTY TO HANDLE DOWN HERE, 377 00:20:55,754 --> 00:20:58,757 BUT IF YOU NEED US BADLY, I'LL TRY TO GET A COMPANY UP TO YA. 378 00:20:58,757 --> 00:21:01,260 - GOOD-BYE, MR. STOWE, AND PLEASANT TRIP. - THANK YOU, COLONEL. 379 00:21:01,260 --> 00:21:02,761 GOOD NIGHT. GOOD NIGHT. 380 00:21:02,761 --> 00:21:04,763 YOU BETTER GET ABOARD AND CLAIM YOUR STATEROOM. 381 00:21:04,763 --> 00:21:07,266 IT'S NUMBER ONE... THE ONE WITH THE DOOR ON IT! 382 00:21:11,270 --> 00:21:14,273 MR. STOWE, I'M GLAD TA SEE YA. 383 00:21:14,273 --> 00:21:17,276 HERE WE GO. CALM YOURSELF, SANDY. 384 00:21:17,276 --> 00:21:18,777 NOTHING'S GONNA HAPPEN TO US. 385 00:21:18,777 --> 00:21:20,779 WE WON'T TURN UP THE WELL-KNOWN TOES 386 00:21:20,779 --> 00:21:22,781 UNTIL OL' MAN TIME CATCHES UP WITH US. 387 00:21:22,781 --> 00:21:23,782 (bang) 388 00:21:27,286 --> 00:21:28,287 (bang) 389 00:21:28,787 --> 00:21:29,288 (bang) 390 00:21:30,789 --> 00:21:31,790 (bang) 391 00:21:36,295 --> 00:21:38,797 IT DIDN'T TAKE OLD MAN TIME LONG TO CATCH UP WITH US. 392 00:21:40,299 --> 00:21:42,301 OOH, YOU'RE HURT! A LITTLE. 393 00:21:59,818 --> 00:22:01,820 PLEASE... 394 00:22:01,820 --> 00:22:03,822 TELL MRS. STOWE... 395 00:22:05,324 --> 00:22:08,827 NOT TO SELL TO BENDER. 396 00:22:18,837 --> 00:22:20,839 JOHN, DO YOU THINK THERE'LL BE ANY MORE TROUBLE? 397 00:22:20,839 --> 00:22:22,841 NO. WHY WOULDN'T MR. STOWE 398 00:22:22,841 --> 00:22:24,843 WANT HIS WIFE TO SELL TO BENDER? 399 00:22:24,843 --> 00:22:28,347 THAT'S THE QUESTION. THIS IS THE BOILER ROOM. 400 00:22:28,347 --> 00:22:29,848 MR. BENDER SAILED ON THESIOUX PRINCESS, 401 00:22:29,848 --> 00:22:31,850 SO HE COULDN'T HAVE DONE ANY SHOOTING. 402 00:22:31,850 --> 00:22:33,352 THIS MUST BE IT... IT'S THE ONLY ONE WITH A DOOR ON IT. 403 00:22:37,356 --> 00:22:38,357 (Bigtree) LOOKIN' FOR ME, FOLKS? 404 00:22:41,360 --> 00:22:43,862 I THINK THIS IS OUR STATEROOM, COLLINS. 405 00:22:43,862 --> 00:22:46,865 ONLY, UH, WHAT COUNTS AROUND THESE PARTS IS... 406 00:22:46,865 --> 00:22:48,367 WHO GETS THERE FIRST. 407 00:22:48,367 --> 00:22:49,868 LET'S TAKE THE OTHER ROOM, JOHN. 408 00:22:49,868 --> 00:22:51,870 I THINK COLLINS WANTS US TO HAVE THIS ROOM. 409 00:22:54,873 --> 00:22:57,376 WELL, I GUESS A MAN TRAVELING WITH HIS WIFE 410 00:22:57,376 --> 00:22:59,878 SHOULD HAVE A ROOM WITH A DOOR ON IT. 411 00:22:59,878 --> 00:23:01,380 DIDN'T HURT YOUR GUN HAND, DID YA, DEVLIN? 412 00:23:03,382 --> 00:23:05,884 I CAN STILL... WRITE WITH IT. 413 00:23:05,884 --> 00:23:07,386 A MAN'S GOT TA WATCH HISSELF. 414 00:23:07,386 --> 00:23:09,388 AN ACCIDENT LIKE THAT COULD PUT HIM OUT OF BUSINESS, HUH? 415 00:23:11,390 --> 00:23:12,391 SEE YA. 416 00:23:15,394 --> 00:23:28,907 ???? ?? 417 00:23:28,907 --> 00:23:30,909 LOOK OUT NOW, YOU SWEET LITTLE HUNK A MISERY. 418 00:23:31,410 --> 00:23:33,412 LOOK OUT... SHE'S RIGHT UP AHEAD THERE. 419 00:23:33,412 --> 00:23:34,913 PORT TA HELM, NICODEMUS! 420 00:23:34,913 --> 00:23:35,914 COMIN', CAP'N. 421 00:23:37,416 --> 00:23:40,419 NOW HERE SHE COMES... LOOK OUT NOW. LOOK... DROP. 422 00:23:40,419 --> 00:23:44,423 DROP, YOU SNEAKIN' COUSIN OF A SNEAKIN' CATFISH! 423 00:23:44,423 --> 00:23:45,924 POP YOUR INNARDS! 424 00:23:46,425 --> 00:23:48,427 BUST IS COMING!! 425 00:23:48,427 --> 00:23:50,429 GET OVER THERE!! 426 00:23:50,429 --> 00:23:52,931 THERE, SEE HOW EASY IT IS WHEN YOU WANNA DO IT? 427 00:23:54,933 --> 00:23:56,935 GOT HER OVER THAT ONE, DIDN'T YA, CAP'N? OH, SHE'S SCARED. 428 00:23:56,935 --> 00:23:59,938 SHE'S BEEN HANGIN' HERSELF UP ON THEM RIVER WARTS FOR FIVE YEARS, 429 00:23:59,938 --> 00:24:03,942 AND SHE KNOWS IF SHE JUST SETS HERSELF DOWN JUST ONE MORE, 430 00:24:03,942 --> 00:24:05,944 I'LL BLOW HER HIGHER THAN THE COST OF LIVIN' IN FARGO! 431 00:24:09,448 --> 00:24:12,451 - JOHN? - YES? 432 00:24:12,451 --> 00:24:15,954 YOU KNOW WHAT HAPPENED IN ABERCROMBIE WAS NOT A FAULT OF YOURS. 433 00:24:15,954 --> 00:24:17,956 IT WAS MR. STOWE THEY WERE AFTER. 434 00:24:17,956 --> 00:24:19,458 AND YOU MIGHT HAVE BEEN KILLED 435 00:24:19,458 --> 00:24:21,460 SIMPLY BECAUSE YOU DREW A GUN, 436 00:24:21,460 --> 00:24:23,962 WHICH YOU COULDN'T HAVE DRAWN IF YOU HADN'T BEEN CARRYING IT. 437 00:24:23,962 --> 00:24:25,964 WHEN I SEE A GUN POINTED IN MY DIRECTION, 438 00:24:25,964 --> 00:24:28,967 SO FAR AS I'M CONCERNED, I'M PART AND PARCEL TO THAT DEAL, 439 00:24:28,967 --> 00:24:30,469 AND I'M GONNA ACT ACCORDINGLY. 440 00:24:30,469 --> 00:24:31,970 (boat whistle) 441 00:24:31,970 --> 00:24:34,473 WHAT'S THAT FOR? 442 00:24:34,473 --> 00:24:35,474 MUST BE TAKIN' ON PASSENGERS. 443 00:24:37,976 --> 00:24:42,481 JOHN? IF I DID SOMETHING THAT WOULD MAKE YOU ANGRY, 444 00:24:42,481 --> 00:24:43,982 WHAT WOULD YOU DO TO ME? 445 00:24:43,982 --> 00:24:45,484 WHAT A FELLA SHOULD DO TO A LITTLE GIRL 446 00:24:45,484 --> 00:24:47,486 THAT'S DONE SOMETHING SHE SHOULDN'T A DONE. 447 00:24:47,486 --> 00:24:50,489 YOU WOULDN'T? I'D BE EMBARRASSED TO DEATH. 448 00:24:50,989 --> 00:24:52,491 WELL, WHAT BROUGHT THIS ON? 449 00:24:52,491 --> 00:24:54,993 WELL, AS I WAS SAYING, 450 00:24:54,993 --> 00:24:56,495 IF YOU HADN'T REACHED FOR YOUR GUN, 451 00:24:56,495 --> 00:24:58,997 THEY WOULDN'T HAVE SHOT AT YOU. 452 00:24:58,997 --> 00:25:00,999 DON'T SCARE ME LIKE THAT. 453 00:25:00,999 --> 00:25:02,501 (Captain Bounce) WHAT YOU FELLAS WANT?! 454 00:25:03,001 --> 00:25:05,003 WE'D LIKE TO COME ABOARD, CAP'N. 455 00:25:05,003 --> 00:25:07,506 INJUNS SNUCK UP ON US LAST NIGHT AND STOLE OUR HORSES. 456 00:25:07,506 --> 00:25:10,008 WE STARTED TO LEG IT BUT GOT OFF THE TRAIL. 457 00:25:10,008 --> 00:25:11,510 GIVE ME A HAND, WILL YA, BIG FELLA? 458 00:25:13,512 --> 00:25:15,514 YOU KNOW WHAT THIS MEANS? 459 00:25:15,514 --> 00:25:17,516 I AIN'T GONNA TAKE MUCH OF YOUR TIME, MISTER. 460 00:25:17,516 --> 00:25:19,017 HEY, WHAT'S GOIN' ON DOWN THERE! 461 00:25:19,518 --> 00:25:20,519 GET YOUR HEAD BACK IN THERE, POP. 462 00:25:20,519 --> 00:25:22,020 (bang) (ding ding) 463 00:25:23,021 --> 00:25:25,524 WHICH POCKET'S THAT MONEY IN? 464 00:25:25,524 --> 00:25:27,025 WHO TOLD YOU I HAD ANY MONEY? 465 00:25:27,025 --> 00:25:29,027 AN INJUN CAME TO ME IN A DREAM LAST NIGHT 466 00:25:29,027 --> 00:25:30,529 AND SAYS AS HOW YOU WAS LOADED. 467 00:25:30,529 --> 00:25:31,530 GET BACK THERE, FLATFOOT! 468 00:25:33,031 --> 00:25:36,034 - AND YOU, MISTER, STAY RIGHT WHERE YOU ARE. - YEAH, SURE. 469 00:25:39,538 --> 00:25:42,541 OH, AIN'T I THE LUCKY ONE? LOOK WHAT I FOUND. 470 00:25:42,541 --> 00:25:44,042 THAT'S ALL WE HAVE! GET BACK, LADY. 471 00:25:44,042 --> 00:25:46,545 YELLOWTAIL! 472 00:25:46,545 --> 00:25:47,546 GET BACK! 473 00:25:55,554 --> 00:25:57,556 (bang) 474 00:25:58,557 --> 00:26:00,058 (bang) 475 00:26:02,561 --> 00:26:04,563 (bang) 476 00:26:04,563 --> 00:26:05,063 (click click) 477 00:26:13,071 --> 00:26:16,074 WOULDN'T LEND ME YOUR GUN FOR A COUPLA MINUTES, WOULD YA, COLLINS? 478 00:26:16,074 --> 00:26:18,577 WOULD YA LEND ME YOURS, DEVLIN, IF IT WAS LOADED? 479 00:26:18,577 --> 00:26:20,579 NO. 480 00:26:20,579 --> 00:26:23,582 BUT THOSE MEN, THEY'RE GETTING AWAY WITH OUR MONEY! 481 00:26:23,582 --> 00:26:27,085 TOO BAD, MA'AM. BUT MY MOMMA TOLD ME, WHEN I WAS A LITTLE SHAVER, 482 00:26:27,085 --> 00:26:29,588 IF I NEVER BUTTED INTO TO NOBODY'S BUSINESS, 483 00:26:29,588 --> 00:26:31,590 I'D NEVER GET HURT. 484 00:26:32,090 --> 00:26:34,593 GOOD ADVICE FOR ANYBODY, MA'AM. 485 00:26:42,100 --> 00:26:45,604 WELL, I CAN'T DO MUCH FIGHTIN' WITH AN EMPTY GUN. 486 00:26:48,607 --> 00:26:52,110 THEN IT ONLY COST US 20,000 GREENIES TO FIND THAT OUT. 487 00:26:52,110 --> 00:26:54,112 WELL... 488 00:26:54,112 --> 00:26:57,616 HOW WAS I TO KNOW ANYTHING LIKE THIS WAS GOING TO HAPPEN? 489 00:26:58,116 --> 00:27:00,118 I'LL NEVER TOUCH YOUR OL' GUN AGAIN! 490 00:27:00,118 --> 00:27:02,120 AND IF YOU'RE GOING TO GET YOUR SILLY HEAD SHOT OFF, 491 00:27:02,120 --> 00:27:04,623 I'M NOT GOING TO CARE... 492 00:27:04,623 --> 00:27:06,124 MUCH. 493 00:27:06,124 --> 00:27:09,127 FUNNY PART OF IT IS IF YOU HADN'T EMPTIED MY GUN, 494 00:27:09,127 --> 00:27:11,129 I MIGHTA TAKEN A FEW SLUGS IN THE BACK. 495 00:27:13,131 --> 00:27:14,633 WHAT WOULD YOU SAY, SANDY, IF I WERE TO TELL YA 496 00:27:15,133 --> 00:27:17,135 THAT YOU LOOK AS GOOD TO ME WITHOUT MONEY 497 00:27:17,135 --> 00:27:20,138 AS YOU DID WITH IT? OH, JOHN. 498 00:27:20,138 --> 00:27:21,139 (Bang!) 499 00:27:22,140 --> 00:27:24,643 TAKE THAT, DAG BLAST YA! 500 00:27:24,643 --> 00:27:27,145 COME BACK HERE AND I'LL BLOW IT THROUGH YOUR THIEVIN' BONES!! 501 00:27:31,149 --> 00:27:33,652 BOARDIN' A MAN'S SHIP FOR ILLEGAL PURPOSES! 502 00:27:35,654 --> 00:27:41,159 HOLD ON. LOOK OUT FOR THEM SAND BARS, YOU... !! 503 00:27:41,159 --> 00:27:44,162 NICODEMUS! NICODEMUS! 504 00:27:44,162 --> 00:27:45,664 GET THEM ENGINES STARTED! 505 00:27:46,164 --> 00:27:48,166 WHAT ARE YOU DOIN' THERE?! WELL, CAP'N, 506 00:27:48,166 --> 00:27:51,670 IF'N IT'S THEM OIL-SWEATIN' SUCKERS Y'ALL REFERRIN' TO, 507 00:27:51,670 --> 00:27:53,672 RIGHT HERE IS WHERE I'M TURNIN' 'EM OVER TA Y'ALL. 508 00:27:53,672 --> 00:27:55,674 GET BACK IN THAT ENGINE ROOM, 509 00:27:55,674 --> 00:27:57,676 FOR I START TAKIN' YOU APART!! 510 00:27:57,676 --> 00:27:58,677 LOOK OUT, NICODEMUS!! 511 00:28:06,685 --> 00:28:08,687 SO YA WENT AND DONE IT! 512 00:28:08,687 --> 00:28:10,188 GOT YOURSELF HUNG UP!! 513 00:28:10,689 --> 00:28:13,191 HUNG UP FOR KEEPS, JUST LIKE Y'ALLS BEEN TRYIN' TA DO! 514 00:28:18,697 --> 00:28:22,200 WELL, FOLKS, AS CAP'N OF THIS HERE NOW DOOMED SHIP, 515 00:28:22,200 --> 00:28:25,203 I'M GIVIN' MY LAST AND FINAL ORDER! 516 00:28:25,203 --> 00:28:27,205 MAN THE LIFEBOATS AND ABANDON SHIP!!! 517 00:28:32,210 --> 00:28:34,713 BEAT YOUR LIFEBOATS AND SHIP YOUR OARS! 518 00:28:35,714 --> 00:28:38,717 POOR CAPTAIN BOUNCE, WASN'T HE CUTE? 519 00:28:38,717 --> 00:28:40,218 BUT WHERE IS HE? 520 00:28:40,719 --> 00:28:43,722 WELL, HE WENT DOWN WITH HIS SHIP, DIDN'T HE, LIKE A GOOD CAPTAIN SHOULD. 521 00:28:43,722 --> 00:28:45,223 (Nicodemus) WELL, HOW'S A MAN GOIN' DOWN WITH HIS SHIP 522 00:28:45,223 --> 00:28:46,224 WHAT AIN'T NEVER UP? 523 00:28:46,725 --> 00:28:48,226 BUT HE WON'T BE ABLE TO STAY ABOARD. 524 00:28:48,226 --> 00:28:50,729 WHY DOESN'T HE COME WITH US? YA GOT ME. 525 00:28:55,233 --> 00:28:56,234 YA OUGHTA BE ASHAMED OF YOURSELF, 526 00:28:56,735 --> 00:28:59,738 SITTIN' ON A SAND BAR LIKE A HEN SITTIN' ON A NEST. 527 00:29:00,238 --> 00:29:02,741 YOU'RE NOTHIN' BUT A NO-GOOD WOMAN, THAT'S ALL! 528 00:29:02,741 --> 00:29:06,244 AND WHEN A WOMAN TWO-TIMES A MAN, THERE'S ONLY ONE THING TO DO! 529 00:29:06,244 --> 00:29:07,746 AND THAT'S PUT ON THE PRESSURE! 530 00:29:22,761 --> 00:29:24,763 YOU'RE GOIN' NOW, YOU CONTRARY FEMALE. 531 00:29:24,763 --> 00:29:26,765 I'M GONNA GIT YOU OFF'N THIS SAND BAR 532 00:29:26,765 --> 00:29:28,767 IF I HAS TA BLOW YA OFF! 533 00:29:28,767 --> 00:29:30,268 (Boom!) 534 00:29:43,281 --> 00:29:45,784 I SHOULDN'TA SAID IT, HONEY. 535 00:29:45,784 --> 00:29:47,285 I SHOULDN'TA SAID IT. 536 00:29:48,286 --> 00:29:50,288 PO' CAP'N BOUNCE. 537 00:29:50,288 --> 00:29:51,289 HE DID A POWERFUL LOTTA SHOUTIN', 538 00:29:51,790 --> 00:29:53,792 BUT IT'S BEEN A WHOLE LOT WORSE'N HE WAS. 539 00:29:53,792 --> 00:29:55,293 I HOPES WHEN THEY GET HIM WHERE HE'S GOIN', 540 00:29:55,293 --> 00:29:58,296 THEY DON'T PUT HIM TO NO WIPIN'. 541 00:29:58,296 --> 00:29:59,297 LOOK. 542 00:30:04,302 --> 00:30:05,804 WE GOTTA GET HIM OUTTA THERE. 543 00:30:06,304 --> 00:30:07,305 GIVE ME A HAND, COLLINS. 544 00:30:08,807 --> 00:30:09,808 WHERE IS HE? 545 00:30:10,308 --> 00:30:12,310 HE'S GONE. 546 00:30:12,310 --> 00:30:13,311 COME ON, NICODEMUS. 547 00:30:15,814 --> 00:30:18,817 YES, SIR, THIS ALL BELONG TO MRS. STOWE, 548 00:30:18,817 --> 00:30:21,319 MORE'N 10,000 ACRES OF IT. 549 00:30:21,319 --> 00:30:24,322 IT'S WHAT THEY CALL A... A BONANZA FARM. 550 00:30:24,322 --> 00:30:25,824 NOW OVER HERE'S THE STOWE HOME. 551 00:30:25,824 --> 00:30:27,325 THEY... OH. 552 00:30:32,330 --> 00:30:34,332 DON'T LOOK LIKE THERE IS ANY STOWE HOME. 553 00:30:34,332 --> 00:30:36,334 ACCORDIN' TO THE WAY THEM ASHES PILED AROUND, 554 00:30:36,334 --> 00:30:39,838 THIS MUSTA BEEN THE JUMPINEST FIRE WHAT EVER WAS. 555 00:30:39,838 --> 00:30:42,340 DOES MRS. STOWE LIVE IN THAT TEEPEE? 556 00:30:42,340 --> 00:30:44,342 WELL, IF'N IT'S THE SAME MRS. STOWE 557 00:30:44,843 --> 00:30:47,345 THAT COME UP WITH ME ON THERIVER BIRD THREE YEARS AGO, 558 00:30:47,345 --> 00:30:49,848 SHE'S PROBABLY THERE WAITIN'... 559 00:30:49,848 --> 00:30:52,350 WAITIN' FOR MR. STOWE TA COME HOME. 560 00:30:52,350 --> 00:30:54,853 THAT POOR DEAR. 561 00:30:54,853 --> 00:30:57,856 THEY CAME HERE TA SETTLE DOWN AND GROW WHEAT, 562 00:30:57,856 --> 00:31:02,360 HER AND MR. STOWE, AND THAT'S WHAT THEY DONE. 563 00:31:02,360 --> 00:31:04,362 LOOKS LIKE THAT'S ABOUT ALL THERE IS LEFT FOR MRS. STOWE... 564 00:31:06,865 --> 00:31:08,867 WHEAT. 565 00:31:08,867 --> 00:31:10,869 MR. DEVLIN? 566 00:31:10,869 --> 00:31:12,370 BEIN' AS HOW I'M JUST AN OL' MUD TURTLE 567 00:31:12,871 --> 00:31:14,873 AND AIN'T USED TO BREAKIN' BAD NEWS TO FINE LADIES, 568 00:31:14,873 --> 00:31:18,376 I THOUGHT MAYBE YOU COULD SPIT IT OUT FOR ME, HUH? 569 00:31:18,376 --> 00:31:21,880 I MEAN ABOUT MR. STOWE GETTIN' PLUGGED AND ALL. 570 00:31:21,880 --> 00:31:24,382 WELL, UH... 571 00:31:24,382 --> 00:31:26,885 I'LL TELL HER. THANK YOU, MA'AM. 572 00:31:35,393 --> 00:31:36,895 THEY'RE PROBABLY LOST, TONKA. 573 00:31:39,397 --> 00:31:41,900 WHY, IT'S CAPTAIN BOUNCE! 574 00:31:41,900 --> 00:31:44,402 OH, CAPTAIN BOUNCE, YOU'RE JUST ABOUT THE LAST PERSON 575 00:31:44,402 --> 00:31:46,404 I'D EXPECT TO VISIT ME HERE. 576 00:31:46,905 --> 00:31:49,407 TELL ME, YOU'VE BEEN AT ABERCROMBIE? 577 00:31:50,408 --> 00:31:51,910 YOU SAW MR. STOWE? 578 00:31:54,412 --> 00:31:55,413 YES'M, HE WAS THERE. 579 00:31:55,413 --> 00:31:57,916 MRS. STOWE, THIS IS MR. DEVLIN AND MRS. DEVLIN... 580 00:31:57,916 --> 00:31:59,417 HOW DO YOU DO? HOW DO YOU DO, MR. AND MRS. DEVLIN. 581 00:31:59,918 --> 00:32:02,921 - AND MY BOSUN, NICODEMUS. - NICODEMUS. 582 00:32:03,421 --> 00:32:05,924 I HOPE YOU'LL EXCUSE ME FOR NOT GETTING UP, 583 00:32:05,924 --> 00:32:07,926 BUT WE'VE HAD A FIRE, 584 00:32:07,926 --> 00:32:09,928 AS YOU CAN SEE, AND MY... 585 00:32:10,428 --> 00:32:13,431 WELL, I GOT BURNED A LITTLE TRYING TO SAVE A FEW THINGS. 586 00:32:13,431 --> 00:32:16,434 TONKA, HAVEN'T WE SOMETHING FOR OUR VISITORS TO SIT ON? 587 00:32:16,434 --> 00:32:18,436 NO GOT. 588 00:32:18,436 --> 00:32:20,438 WELL, I'M SORRY, 589 00:32:20,438 --> 00:32:23,441 IT DOESN'T SEEM WE'VE GOT VERY MUCH LEFT. 590 00:32:23,441 --> 00:32:24,943 POOR ANSON-- 591 00:32:24,943 --> 00:32:27,445 THAT'S MR. STOWE-- 592 00:32:27,445 --> 00:32:29,948 HE WORKS SO HARD. 593 00:32:29,948 --> 00:32:31,950 THEY CAME AND RAIDED AND BURNED THE PLACE 594 00:32:32,450 --> 00:32:34,953 THE NIGHT HE LEFT. 595 00:32:34,953 --> 00:32:37,956 OH, BUT YOU MUST BE VERY TIRED AND HUNGRY. 596 00:32:37,956 --> 00:32:40,959 OH, NO... WE'VE JUST COME A COUPLE OF MILES. 597 00:32:40,959 --> 00:32:42,961 WE WONDERED IF WE COULD BORROW SOME HORSES? 598 00:32:43,461 --> 00:32:45,964 WELL, THERE ARE FOUR OF YOU... YOU MAY HAVE FOUR, OF COURSE. 599 00:32:46,464 --> 00:32:47,966 WELL, THANK YOU VERY MUCH. 600 00:32:47,966 --> 00:32:50,468 WE'LL RETURN THEM AS SOON AS WE CAN. 601 00:32:50,468 --> 00:32:51,970 BUT I THINK IF YOU'RE ABLE TO TRAVEL, 602 00:32:51,970 --> 00:32:54,973 YOU SHOULD GO WITH US TO FARGO. 603 00:32:54,973 --> 00:32:58,977 NO... I'LL BE ALL RIGHT HERE UNTIL ANSON GETS BACK. 604 00:33:01,479 --> 00:33:02,981 WELL, THAT'S JUST IT, UH... 605 00:33:06,985 --> 00:33:08,486 GO ON, GET THE HORSES. 606 00:33:15,994 --> 00:33:23,501 ???? ?? 607 00:33:23,501 --> 00:33:25,503 THIS HERE'S WHAT THEY CALL FARGO IN THE TIMBER. 608 00:33:25,503 --> 00:33:27,505 OVER THERE'S FARGO ON THE PRAIRIE. 609 00:33:27,505 --> 00:33:29,507 WHY ARE THEY WEARING THOSE FOREIGN COSTUMES? 610 00:33:29,507 --> 00:33:31,509 OH, I DUNNO, SOME KINDA DOIN'S. 611 00:33:31,509 --> 00:33:35,013 SHE IS WHAT YOU CALL A GET-TOGETHER. 612 00:33:35,013 --> 00:33:37,015 EACH YEAR, ONCE WE HAVE HER. 613 00:33:37,015 --> 00:33:39,517 WE USE THE NATIONAL COSTUMES. 614 00:33:40,018 --> 00:33:41,519 (Captain Bounce) HOW ARE YA, MIKE... I'M GLAD TA SEE YA. 615 00:33:42,020 --> 00:33:46,024 HELLO, CAP. I WANT YOU TA MEET MR. AND MRS. DEVLIN. 616 00:33:46,024 --> 00:33:49,527 MY NAME IS MIKHAIL PONTELIVONICH CORINO. 617 00:33:49,527 --> 00:33:52,530 HERR KOFFKA, SENIOR BARONI, 618 00:33:52,530 --> 00:33:53,531 M'SIEUR LaFOND. 619 00:33:55,033 --> 00:33:57,035 LISTEN... THEY'RE PLAYING A WALTZ. 620 00:33:57,035 --> 00:33:58,536 LADY, YOU LIKE TO DANCE? 621 00:33:58,536 --> 00:34:00,538 OH, I... I'D LOVE TO BUT... 622 00:34:00,538 --> 00:34:02,540 OH, A NICE PLACE YOU HAVE HERE. 623 00:34:03,041 --> 00:34:05,043 OH, YES... IT BELONGS TO M'SIEUR BENDER. 624 00:34:05,043 --> 00:34:06,544 WE MAKE ARRANGEMENT WITH HIM 625 00:34:06,544 --> 00:34:08,546 FOR THE HOMESTEADERS TO HAVE IT FOR ONE NIGHT. 626 00:34:08,546 --> 00:34:11,049 SI... MR. BENDER'S A FINE MAN, SI? 627 00:34:11,049 --> 00:34:12,050 I HOPE THEY HAVE ROOM FOR US. 628 00:34:14,552 --> 00:34:30,068 ???? ?? 629 00:34:30,068 --> 00:34:37,075 ???? ?? 630 00:34:37,075 --> 00:34:39,077 DID YOU EVER SEE ANYTHING SO COLORFUL? 631 00:34:39,577 --> 00:34:41,579 IT MAKES DAKOTA A MELTING POT, DOESN'T IT? 632 00:34:41,579 --> 00:34:43,581 EVER TRY KANSAS CITY IN JULY? 633 00:34:43,581 --> 00:34:54,592 ???? ?? 634 00:34:54,592 --> 00:34:56,094 (Collins) GOT HERE ALL RIGHT, EH, DEVLIN? 635 00:34:56,094 --> 00:34:58,596 HOW DID YOU GET HERE, COLLINS, AS THE CROW FLIES? 636 00:34:58,596 --> 00:35:00,598 MET UP WITH A COUPLA FRIENDS WITH HORSES. 637 00:35:00,598 --> 00:35:02,100 MR. SLAGIN... MR. DEVLIN. 638 00:35:04,102 --> 00:35:06,104 NICE TA SEE YA AGAIN, SLAGIN. 639 00:35:06,104 --> 00:35:09,107 YOU NEVER MET ME BEFORE... MUSTA BEEN MY BROTHER. 640 00:35:09,107 --> 00:35:11,109 OH, A BIG FELLA? 641 00:35:11,109 --> 00:35:14,112 YEAH, AS HANDSOME AS THEY COME. 642 00:35:14,112 --> 00:35:15,613 ABOUT AS HANDSOME AS A PRAIRIE DOG. 643 00:35:18,616 --> 00:35:20,618 HE'S A BAD MAN TO MESS AROUND WITH, DEVLIN. 644 00:35:20,618 --> 00:35:22,620 WELL, HE SURE GOT THE JOB DONE. 645 00:35:24,122 --> 00:35:25,623 AND HE'S AWFULLY FAST WITH A GUN. 646 00:35:26,124 --> 00:35:27,625 ABOUT AS FAST AS YOU ARE, I SUPPOSE? 647 00:35:28,626 --> 00:35:30,628 YEAH. 648 00:35:30,628 --> 00:35:32,630 JUST HOW FAST IS THAT? 649 00:35:32,630 --> 00:35:34,132 (Sandy) OH, JOHN, IF YOU'RE NOT IN... 650 00:35:35,633 --> 00:35:38,136 OH. 651 00:35:38,636 --> 00:35:42,140 THIS IS MR. SLAGIN. YOU MET HIS BROTHER ON THE BOAT. 652 00:35:42,640 --> 00:35:44,642 WAS THAT YOUR BROTHER? I THOUGHT IT WAS YOU. 653 00:35:44,642 --> 00:35:46,644 I MEAN... 654 00:35:47,145 --> 00:35:48,146 HOW DO YOU DO? 655 00:35:48,146 --> 00:35:50,648 YOU KNOW COLLINS, OF COURSE. YES. 656 00:35:50,648 --> 00:35:52,650 I GUESS YOU'LL BE WANTIN' A COUPLA ROOMS, EH, DEVLIN? 657 00:35:52,650 --> 00:35:55,153 YEAH... ONE FOR US AND ONE FOR THE CAP'N. 658 00:35:55,653 --> 00:35:57,155 WHAT WERE YOU ABOUT TO SAY? 659 00:35:57,155 --> 00:35:58,656 I WAS GOING TO SAY LET'S DANCE, 660 00:35:59,157 --> 00:36:02,160 BUT IT SEEMS KIND OF SILLY NOW. 661 00:36:02,160 --> 00:36:04,162 I MEAN, I DON'T FEEL LIKE IT ANYMORE. 662 00:36:04,662 --> 00:36:06,164 OH, SURE YOU DO. 663 00:36:06,164 --> 00:36:08,166 DO US A LITTLE FAVOR, WILL YA, SLAGIN? 664 00:36:08,166 --> 00:36:10,668 YEAH. WILL YA STEP OUTSIDE AND ARRANGE FOR SOMEONE 665 00:36:10,668 --> 00:36:12,670 TO STABLE OUR HORSES? 666 00:36:12,670 --> 00:36:16,674 WHEN A LADY WANTS TO DANCE, WE GOTTA FIX IT SO SHE CAN, RIGHT? 667 00:36:16,674 --> 00:36:19,177 YEAH, SURE. 668 00:36:19,177 --> 00:36:21,679 I WANT YA TA HAVE YOUR FUN WHILE YA CAN, MRS. DEVLIN. 669 00:36:21,679 --> 00:36:24,682 YOU NEVER CAN TELL HOW YA FEEL ABOUT THINGS COME TOMORRA. 670 00:36:24,682 --> 00:36:26,184 HERE YA ARE, DEVLIN. 671 00:36:26,184 --> 00:36:28,686 ANY TIME WE'RE NOT HERE, AND YOU WANT TO SEE ME OR BENDER, 672 00:36:28,686 --> 00:36:30,688 LOOK BACK IN THE OFFICE. 673 00:36:31,189 --> 00:36:32,690 TAKE WHICHEVER ROOM YA WANT, 674 00:36:32,690 --> 00:36:34,692 BUT LEAVE US ONE WITH A BED IN IT. 675 00:36:34,692 --> 00:36:46,704 ???? ?? 676 00:36:46,704 --> 00:36:48,706 DARLING, WHY DO YOU TAKE SUCH CHANCES? 677 00:36:49,207 --> 00:36:52,210 AFTER ALL, NO ONE HERE'S ON OUR SIDE. 678 00:36:52,210 --> 00:36:55,213 I LEARNED ONE THING FROM GENERAL MORGAN, SANDY... 679 00:36:55,213 --> 00:36:57,715 THAT'S WHEN YOU'RE SURROUNDED AND HAVEN'T A CHANCE... 680 00:36:58,216 --> 00:37:00,718 ATTACK. 681 00:37:00,718 --> 00:37:01,719 HELLO. 682 00:37:03,721 --> 00:37:05,223 MET YOUR BROTHER THIS MORNING. 683 00:37:05,223 --> 00:37:06,724 YEAH... HOW'S HE DOING? 684 00:37:06,724 --> 00:37:10,228 NOT BAD, BUT IT LOOKS LIKE THERE'S SOME SAD DAYS AHEAD. 685 00:37:15,733 --> 00:37:18,236 JOHN? YES? 686 00:37:18,236 --> 00:37:19,237 DO YOU THINK I LOOK GOOD IN BLACK? 687 00:37:22,240 --> 00:37:23,741 THERE AIN'T NO GOL' DARNED HORSE THIEVES 688 00:37:23,741 --> 00:37:25,243 HOLDIN' UP NO SHIP O' MINE. 689 00:37:25,243 --> 00:37:29,247 SO I GRABS MY CARBINE, I GETS THE PAIR OF 'EM IN MY SIGHTS AND WHAM! 690 00:37:29,247 --> 00:37:32,250 YOU WOULDN'T BELIEVE THIS, BUT, EH... 691 00:37:32,250 --> 00:37:33,751 MISSED 'EM, CLEAN AS A WHISTLE. 692 00:37:35,253 --> 00:37:36,754 THIS OUR KEY, CAP'N? IT DON'T MAKE NO DIFFERENCE, 693 00:37:36,754 --> 00:37:38,256 IT FITS ALL THE DOORS. 694 00:37:38,256 --> 00:37:40,758 I JUST STOPPED BY TO TALK TO THE LADIES A MINUTE. 695 00:37:40,758 --> 00:37:42,760 THEY REMIND ME OF MY DEAR OLD AUNT MINNIE. 696 00:37:43,261 --> 00:37:45,263 OH, THIS IS MR. AND MRS. DEVLIN, LADIES. 697 00:37:45,763 --> 00:37:47,765 THEY WORK HERE... THEY'RE DOIN' A SONG AND DANCE ACT. 698 00:37:47,765 --> 00:37:50,768 OF COURSE, THEY'RE OFF FOR TONIGHT ON ACCOUNT OF THE BIG DOIN'S. 699 00:37:51,269 --> 00:37:54,772 - I'M JERSEY THOMAS. - I ALWAYS THOUGHT JERSEY WAS A STATE. 700 00:37:54,772 --> 00:37:57,275 COULD BE, ON OCCASION. 701 00:37:57,275 --> 00:37:59,277 THAT'S NEW JERSEY YOU'RE THINKING OF, DEAR. 702 00:38:03,281 --> 00:38:05,783 THEY CERTAINLY MANAGE TO ATTRACT ALL THE UGLIEST TYPES HERE, 703 00:38:05,783 --> 00:38:07,285 HAVEN'T THEY? 704 00:38:07,285 --> 00:38:09,287 JUST ONE BIG HAPPY MELTING POT, EH? 705 00:38:09,787 --> 00:38:11,289 BUT DON'T MELT TOO EASILY, WILL YOU, DEAR? 706 00:38:13,791 --> 00:38:15,793 AND YOU THINKING ALL THE TIME THAT JERSEY WAS A STATE. 707 00:38:18,796 --> 00:38:20,798 WHY YOU! 708 00:38:20,798 --> 00:38:22,300 YOU OPEN THIS DOOR, YOU BIG LADY KILLER! 709 00:38:26,304 --> 00:38:34,812 ???? ?? 710 00:38:34,812 --> 00:38:37,315 WELL, GLAD I MET'CHA, GOOD-BYE. 711 00:38:37,315 --> 00:38:40,318 HE MUST BE ONE OF THOSE ONE-WOMAN MEN I'VE HEARD SO MUCH ABOUT. 712 00:38:40,318 --> 00:38:42,320 OH, I GUESS HE JUST GONE DOWN TO GIT HISSELF A DRINK. 713 00:38:55,333 --> 00:38:57,835 SUPPOSE WE LEAVE IT UNLOCKED, DEVLIN? 714 00:38:57,835 --> 00:38:59,837 SOME OF THE BOYS MIGHT WANT TO DROP IN. 715 00:38:59,837 --> 00:39:01,839 HOW ARE YA? 716 00:39:01,839 --> 00:39:04,842 FOR THE MOMENT, SHORT ABOUT $20,000. 717 00:39:04,842 --> 00:39:07,345 IS THAT SO... HOW'D YA LOSE IT? 718 00:39:07,345 --> 00:39:08,846 TURNING BACKFLIPS. 719 00:39:11,349 --> 00:39:13,351 THAT COULDN'T BE IT, COULD IT? 720 00:39:13,351 --> 00:39:15,853 YOU PROVE IT'S YOURS, AND YOU CAN HAVE IT. 721 00:39:15,853 --> 00:39:17,855 WHEN I WALK OUT OF HERE, IF IT'S IN MY POCKET, 722 00:39:17,855 --> 00:39:19,857 WILL THAT PROVE ANYTHING? 723 00:39:19,857 --> 00:39:22,860 YOU WOULDN'T TAKE ADVANTAGE OF A MAN WITH A BAD LEG, WOULD YOU, DEVLIN? 724 00:39:22,860 --> 00:39:24,362 WELL, YOU WOULDN'T HIDE BEHIND IT 725 00:39:24,362 --> 00:39:26,864 WITH MY $20,000, WOULD YOU, BENDER? 726 00:39:26,864 --> 00:39:29,367 YOU TALK LIKE YOU MIGHT TRY TO TAKE THAT MONEY AWAY FROM ME, 727 00:39:29,367 --> 00:39:31,869 AND I DON'T THINK I LIKE THAT. 728 00:39:31,869 --> 00:39:35,373 YOU'RE NOT IN FARGO TO STAY, ARE YOU, MR. DEVLIN? 729 00:39:35,373 --> 00:39:38,876 OH... BAD CHARACTER, EH? 730 00:39:38,876 --> 00:39:39,877 OUGHTA MOVE ON. 731 00:39:39,877 --> 00:39:42,380 WELL, I DON'T LIKE TO SEEM BLUNT, 732 00:39:42,380 --> 00:39:45,383 BUT WE'VE GOT A PRETTY NICE LITTLE COMMUNITY HERE, 733 00:39:45,383 --> 00:39:47,885 AND WE DON'T EXACTLY COTTON TO SHARP WITS WHO COME HERE 734 00:39:47,885 --> 00:39:49,887 WITH THE IDEA OF TRIMMING THE FOLKS HEREABOUTS. 735 00:39:49,887 --> 00:39:51,389 (crash) 736 00:40:04,902 --> 00:40:07,405 FRIEND OF YOURS OR MINE? 737 00:40:07,405 --> 00:40:09,407 BETTER HAND OVER THE MONEY, BENDER. 738 00:40:09,407 --> 00:40:11,409 I GOT THE PLACE SURROUNDED. 739 00:40:11,409 --> 00:40:15,413 THAT'S FUNNY, SO HAVE I. THINGS OUGHT TO START TO BREAK SHORTLY, HUH? 740 00:40:15,413 --> 00:40:17,415 RIGHT NOW... LET'S HAVE IT. 741 00:40:17,415 --> 00:40:20,918 GO AHEAD AND TAKE IT, IF YOU LIKE THAT KIND OF A GAMBLE. 742 00:40:21,419 --> 00:40:23,421 THERE'S AN EASIER WAY TO GET IT, THOUGH, DEVLIN. 743 00:40:23,921 --> 00:40:25,423 LEAVE ON THE FIRST BOAT? 744 00:40:25,423 --> 00:40:27,425 THERE'S NOTHING PERSONAL ABOUT IT AT ALL. 745 00:40:27,925 --> 00:40:30,428 THIS COUNTRY'S MY COUNTRY, AND THE PEOPLE IN IT ARE MY PEOPLE, 746 00:40:30,928 --> 00:40:32,430 AND I'M GONNA LOOK AFTER THEIR INTERESTS. 747 00:40:32,430 --> 00:40:35,433 BUT IT'S NOT TO THEIR INTEREST TO LET YOU RUN AROUND WITH YOUR HANDS FULL OF MONEY, 748 00:40:35,433 --> 00:40:38,436 BUYING UP OPTIONS ON THEIR LAND, VERY CHEAPLY, FOR THE RAILROAD. 749 00:40:38,436 --> 00:40:41,439 YOU GOT ALL THE FACTS RIGHT ON FILE, HAVEN'T YOU? 750 00:40:41,439 --> 00:40:43,441 YOU'RE MARRIED TO POLI'S DAUGHTER... FAR AS I'M CONCERNED, 751 00:40:43,941 --> 00:40:45,443 THAT CONNECTS YOU WITH THE RAILROAD. 752 00:40:45,443 --> 00:40:48,946 AND THAT PROVIDES ME WITH A NEAT LITTLE LIFE INSURANCE POLICY TOO. 753 00:40:48,946 --> 00:40:51,949 - DOES IT? - IF YOU GOT ME, SHE'D SCREAM FOR HELP, 754 00:40:51,949 --> 00:40:54,452 AND PAPA POLI'D BE UP HERE WITH THE UNITED STATES ARMY 755 00:40:54,952 --> 00:40:57,455 BEFORE YOU COULD SADDLE A HORSE, 756 00:40:57,455 --> 00:40:59,957 WHICH LEAVES YOU HOLDIN' THE SMALL CARDS, BENDER. 757 00:40:59,957 --> 00:41:00,958 SO I'LL TAKE THE MONEY. 758 00:41:02,460 --> 00:41:03,461 LOOK OUT! (bang) 759 00:41:09,967 --> 00:41:13,471 SWEET LITTLE BABY. 760 00:41:13,471 --> 00:41:16,474 NOW DON'T YOU GET TO FLIRTIN' WITH THEM SAND BARS, 761 00:41:16,474 --> 00:41:18,976 AND PAPA'LL BUY YA A NICE NEW TON A COAL 762 00:41:18,976 --> 00:41:21,479 WHEN WE GIT TO GRAND FORKS. (bam) 763 00:41:25,983 --> 00:41:29,487 I NEVER SEE'D THIS RIVER KICK UP LIKE THIS BEFORE... 764 00:41:29,487 --> 00:41:30,988 MUST BE A STORM A BREWIN'. 765 00:41:36,994 --> 00:41:37,995 HEY! 766 00:41:40,998 --> 00:41:43,501 THEM WINDSTORMS COME UP WITHOUT GIVIN' NO ADVANCED NOTICE, 767 00:41:43,501 --> 00:41:45,002 DON'T THEY? 768 00:41:45,002 --> 00:41:48,005 I SEE'D YOUR WIFE... HURT HER HARD. 769 00:41:48,005 --> 00:41:50,508 PICKED ME UP AND SLAMMED ME DOWN 770 00:41:50,508 --> 00:41:53,511 LIKE I WAS A OLD SPITTOON OR SOMETHIN'... 771 00:41:54,011 --> 00:41:58,015 ALLOWED THEM TO KEEP THEIR DOORS CLOSED IN HURRICANE SEASON. 772 00:42:00,518 --> 00:42:04,021 WHICH WAY'D SHE BLOW, FROM THE NORTH OR THE SOUTH? 773 00:42:06,023 --> 00:42:07,024 SANDY? 774 00:42:09,026 --> 00:42:12,530 HERE, USE MY KEY. 775 00:42:12,530 --> 00:42:14,532 THEY'RE ALL ALIKE... IT'S ON THE HOUSE. 776 00:42:22,540 --> 00:42:24,041 LOOKIN' FOR YOUR WIFE? 777 00:42:29,046 --> 00:42:31,549 DON'T GUESS SHE'D BE IN THAT SUITCASE, DO YA? 778 00:42:34,552 --> 00:42:36,053 YOU AIN'T FIGURIN' ON SHOOTIN' HER, ARE YA? 779 00:42:40,558 --> 00:42:42,560 NOW WAIT A MINUTE! MAYBE IT WEREN'T HER FAULT. 780 00:42:42,560 --> 00:42:45,062 FOR A WOMAN, SHE DIDN'T LOOK TOO BAD. 781 00:42:45,062 --> 00:42:47,064 THE MAN DON'T SHOW MUCH SENSE, 782 00:42:47,064 --> 00:42:49,066 SHOOTIN' A WOMAN... 783 00:42:49,066 --> 00:42:51,068 ESPECIALLY IN THIS COUNTRY, WHERE THEY'RE SO SCARCE. 784 00:43:00,077 --> 00:43:02,580 (dog barking) 785 00:43:02,580 --> 00:43:17,094 ???? ?? 786 00:43:17,094 --> 00:43:32,109 ???? ?? 787 00:43:32,109 --> 00:43:47,124 ???? ?? 788 00:43:47,625 --> 00:43:48,626 (Dr. Judson) HOLD THAT LIGHT CLOSER. 789 00:43:58,636 --> 00:43:59,637 (Sandy) JOHN. 790 00:44:03,140 --> 00:44:05,643 IT WAS AN ACCIDENT, JOHN. 791 00:44:05,643 --> 00:44:07,144 THEY DIDN'T MEAN TO HIT ME. 792 00:44:09,146 --> 00:44:10,648 IT WAS YOU THEY SHOT AT. 793 00:44:14,151 --> 00:44:16,654 THIS MAN KNOW HIS BUSINESS, BENDER? 794 00:44:16,654 --> 00:44:18,155 IF HE DOESN'T, YOUR WIFE MAY DIE... 795 00:44:21,158 --> 00:44:23,661 IN WHICH EVENT I ALSO CASH IN, RIGHT? 796 00:44:23,661 --> 00:44:25,162 NOW IF SOMEONE WILL HOLD HER OTHER ARM. 797 00:44:27,665 --> 00:44:29,166 TAKE A DEEP BREATH, MRS. DEVLIN. 798 00:44:30,668 --> 00:44:31,669 JOHN, I'M FRIGHTENED. 799 00:44:37,174 --> 00:44:38,676 NOT SO MUCH OF A WOUND, THE DOC SAYS. 800 00:44:38,676 --> 00:44:41,178 TROUBLE IS THAT BULLET'S PRESSING ON AN ARTERY. 801 00:44:41,178 --> 00:44:44,682 IF HE HAPPENS TO MAKE A SLIP AND PUNCTURE THAT ARTERY, THEN SHE'S GONNA BE IN TROUBLE. 802 00:44:46,183 --> 00:44:48,686 IS THAT IT, DOC? THAT'S IT. 803 00:44:48,686 --> 00:44:50,688 ANYTHING ELSE YOU WANTED TO SEE ME ABOUT, DEVLIN? 804 00:44:50,688 --> 00:44:52,690 SHE BE ALL RIGHT, DOC? 805 00:44:52,690 --> 00:44:54,692 HER SHOULDER MAY BE STIFF FOR A COUPLA DAYS. 806 00:44:54,692 --> 00:44:56,694 MY GUESS IS THAT SHE'LL OUTLIVE YOU. 807 00:44:56,694 --> 00:44:59,697 HOW LONG WILL IT TAKE YA TO FINISH UP? A FEW MINUTES. 808 00:44:59,697 --> 00:45:01,198 WHAT'S THE MATTER, DEVLIN, YOU IN A HURRY? 809 00:45:02,700 --> 00:45:05,703 YEAH. GET OVER THERE WITH BENDER! 810 00:45:05,703 --> 00:45:07,705 (Bender) LET ME REMIND YOU, IF I HADN'T GOTTEN MRS. DEVLIN 811 00:45:07,705 --> 00:45:10,207 OVER HERE TO DR. JUDSON, SHE MIGHT'VE DIED. 812 00:45:10,207 --> 00:45:13,210 I'M REMEMBERIN' IT, AND ALSO HOW SHE CAME TO GET HIT. 813 00:45:13,711 --> 00:45:15,713 MAYBE I OUGHTA FIX IT SO ACCIDENTS LIKE THAT 814 00:45:16,213 --> 00:45:18,215 CAN'T HAPPEN AGAIN. THAT CALLS FOR KILLING TWO MEN 815 00:45:18,215 --> 00:45:20,217 IN COLD BLOOD, DOESN'T IT? YES. 816 00:45:20,217 --> 00:45:21,719 IT REQUIRES A CERTAIN TYPE OF MAN 817 00:45:21,719 --> 00:45:23,721 TO KILL WITHOUT EXCUSE, DEVLIN, 818 00:45:23,721 --> 00:45:25,723 SOMEBODY MORE LIKE MYSELF. YOU COULDA KILLED HER, BENDER. 819 00:45:26,223 --> 00:45:27,725 THAT'S ALL THE EXCUSE I NEED. 820 00:45:28,225 --> 00:45:29,727 (Sandy) JOHN? 821 00:45:31,729 --> 00:45:35,232 IS IT... IS IT ALL OVER? 822 00:45:35,232 --> 00:45:37,234 YOU SEEM TO HAVE A SOBERING EFFECT 823 00:45:37,234 --> 00:45:39,236 UPON YOUR HUSBAND, MRS. DEVLIN. 824 00:45:39,236 --> 00:45:41,739 YOU BETTER TAKE YOUR WIFE BACK TO THE HOTEL, DEVLIN. 825 00:45:41,739 --> 00:45:43,741 PERHAPS IT'D BE TO THE BENEFIT OF ALL OF US 826 00:45:43,741 --> 00:45:45,242 IF YOU POINTED OUT THE ADVANTAGES TO HIM 827 00:45:45,242 --> 00:45:48,746 OF BOTH OF YOU RETURNING TO CHICAGO. 828 00:45:48,746 --> 00:45:50,748 SUPPOSE YOU POINT 'EM OUT. 829 00:45:50,748 --> 00:45:53,250 AN AGENT COMMISSIONED TO OPTION LAND FOR THE RAILROAD 830 00:45:53,250 --> 00:45:55,753 CAN'T FUNCTION VERY WELL WITHOUT MONEY, CAN HE? 831 00:45:58,756 --> 00:46:00,257 I'LL BE OVER TOMORROW FOR THE MONEY. 832 00:46:00,758 --> 00:46:03,260 TOMORROW MAY BE TOO LATE FOR IT TO DO YOU ANY GOOD. 833 00:46:03,260 --> 00:46:04,762 HAVE IT READY. 834 00:46:08,265 --> 00:46:09,767 NICODEMUS! 835 00:46:09,767 --> 00:46:12,770 COMIN', CAP'N. 836 00:46:12,770 --> 00:46:15,272 GET UP OUTTA THERE! THE TOWN'S DONE CLEANED OUT! 837 00:46:15,773 --> 00:46:16,774 WHERE'S EVERYBODY AT? 838 00:46:16,774 --> 00:46:19,777 CAP'N, WHY... WHY DOES YOU HAVE TA WAKE ME UP 839 00:46:19,777 --> 00:46:21,278 TA ASK ME THAT? 840 00:46:21,278 --> 00:46:24,281 THEY'RE ALL GOIN' TA FARGO ON THE SOM'DOTHER, 841 00:46:24,281 --> 00:46:25,783 ON DA OTHER SIDE OF THEM TREES. 842 00:46:29,286 --> 00:46:30,788 FARGO ON THE PRAIRIE? 843 00:46:30,788 --> 00:46:32,790 WHAT'S GOIN' ON OVER THERE? 844 00:46:32,790 --> 00:46:36,293 WHY... WHY YA HAS TA ASK ME THAT, CAP'N? 845 00:46:36,293 --> 00:46:39,797 MAN GOES SOMEPLACE, IT'S A VISIT. 846 00:46:39,797 --> 00:46:43,300 A BUNCH OF MEN GO SOMEPLACE, IT'S A PARTY. 847 00:46:43,300 --> 00:46:45,302 EVERYBODY GOES SOMEPLACE, IT'S A MEETIN'. 848 00:46:45,803 --> 00:46:48,305 WHATEVER'S GOIN' ON OVER THERE HAS GOT TO BE A MEETIN', CAP'N, 849 00:46:48,806 --> 00:46:50,307 'CAUSE THAT'S WHERE THEY'S ALL AT. 850 00:46:50,808 --> 00:46:52,309 WELL, COME ON... LET'S GO OVER. 851 00:46:54,812 --> 00:46:57,314 IS YOU COMIN', OR IS I GOTTA SHOVE YA OVERBOARD!! 852 00:46:57,314 --> 00:46:58,315 COMIN', CAP'N. 853 00:47:00,317 --> 00:47:03,821 SO AS SOON AS I SAW THE CROP WAS GONNA BE TOO BIG FOR US TO HANDLE, 854 00:47:03,821 --> 00:47:06,824 BEING PRESIDENT OF THE WHEAT GROWERS ASSOCIATION, 855 00:47:06,824 --> 00:47:08,826 I GUESS IT WAS UP TO ME TO FIGURE OUT A WAY 856 00:47:08,826 --> 00:47:12,329 TO GET THE CROPS HARVESTED AND OFF TO THE MARKET. 857 00:47:12,329 --> 00:47:15,332 SO LIKE I TOLD YA, I WENT TO MR. BENDER 858 00:47:15,332 --> 00:47:17,334 AND MADE A DEAL FOR HIM TO LEND US THE MONEY 859 00:47:17,334 --> 00:47:19,336 TO BRING IN A GANG OF HARVEST HANDS, 860 00:47:19,336 --> 00:47:20,838 AND TO TAKE CARE OF SHIPPIN' COSTS. 861 00:47:20,838 --> 00:47:22,339 (farmer) BUT WHY YOU GO TO MR. BENDER?! 862 00:47:22,840 --> 00:47:25,342 THE BANK IN GRAND FORK, SHE'S GOT PLENTY OF MONEY TO LEND! 863 00:47:25,843 --> 00:47:26,844 (Slagin) WHAT'S THE MATTER WITH BENDER'S MONEY, 864 00:47:27,344 --> 00:47:28,345 AIN'T IT ANY GOOD? 865 00:47:28,846 --> 00:47:30,848 (Collins) MR. BENDER'S DONE PLENTY FOR US AROUND HERE. 866 00:47:30,848 --> 00:47:34,351 HE'S GIVE US CREDIT AT THE STORE AND STAKED A FEW OF US. 867 00:47:34,351 --> 00:47:38,355 AND I SAY HERE AND NOW! IF THERE'S ANY SIDE MONEY TO BE MADE AROUND HERE, 868 00:47:38,355 --> 00:47:39,356 HE'S THE MAN WHO OUGHT TO GET IT. 869 00:47:44,862 --> 00:47:47,364 BUT THIS CONTRACT WE ARE TO SIGN, 870 00:47:47,364 --> 00:47:49,366 IF SOMETHING IS WRONG WITH CROPS, 871 00:47:49,366 --> 00:47:52,369 ALL OUR LAND WILL BELONG TO MR. BENDER? 872 00:47:52,870 --> 00:47:54,371 WELL, A MAN HAS TO HAVE SOME KIND OF SECURITY 873 00:47:54,371 --> 00:47:55,873 FOR THE MONEY HE PUTS UP, AIN'T HE? 874 00:47:56,373 --> 00:47:59,376 IT'S DUMB BUTTS LIKE YOU THAT KEEP US SMART FOLKS FROM PROGRESSIN'. 875 00:47:59,376 --> 00:48:02,880 WHAT YOU GOT TO SAY ABOUT THIS? YOU DON'T FARM NO LANDS! 876 00:48:06,383 --> 00:48:07,885 NOBODY CAN TALK THAT WAY TO ME! 877 00:48:07,885 --> 00:48:09,887 WHAT HE... WHAT HE DON'T KNOW IS THAT I... 878 00:48:09,887 --> 00:48:11,889 I GOT SECRET HOLDIN'S. 879 00:48:11,889 --> 00:48:13,891 I GOT A PIECE OF 10,000 ACRES, 880 00:48:13,891 --> 00:48:15,893 AND I AIM TO SEE THAT WHEAT CUT WITH FARGO MONEY. 881 00:48:15,893 --> 00:48:17,895 AND IF THERE'S ANY PROFIT TO BE MADE, 882 00:48:17,895 --> 00:48:19,897 I WANT MY GOOD FRIEND, MR. BENDER, TO COLLECT IT, SEE?! 883 00:48:22,399 --> 00:48:25,402 AND ANOTHER THING... IF ANYTHING HAPPENS TO THE CROP, 884 00:48:25,402 --> 00:48:27,905 MR. BENDER'S GONNA PAY US FOR WHAT THE LAND IS WORTH, 885 00:48:27,905 --> 00:48:29,907 ACCORDIN' TO GOVERNMENT VALUATION-- 886 00:48:29,907 --> 00:48:31,909 A DOLLAR AN ACRE! 887 00:48:31,909 --> 00:48:36,413 AND WHY WOULD ANYBODY WANT TO BUY WORTHLESS PRAIRIE ACREAGE WITH NOTHIN' GROWIN' ON IT? 888 00:48:43,420 --> 00:48:46,423 WHAT MR. COLLINS SAID SOUNDS LOGICAL ENOUGH. 889 00:48:46,924 --> 00:48:49,426 ALL I KNOW IS THIS DEAL IS FIXIN' THINGS 890 00:48:49,426 --> 00:48:52,429 SO THERE'S A POSSIBILITY OF BENDER BUYING OUR LAND. 891 00:48:52,429 --> 00:48:53,931 AND ANOTHER THING... 892 00:48:54,431 --> 00:48:56,433 THE WHOLE BLAMED LAYOUT IS SO SLICK AND PRETTY I DON'T BELIEVE IT. 893 00:48:56,433 --> 00:48:57,434 THERE'S GOTTA BE A CATCH IN IT. 894 00:48:57,935 --> 00:48:59,436 EXACTLY WHAT I WAS THINKING, MR. PLUMMER. 895 00:48:59,937 --> 00:49:01,438 IF ANYTHING HAPPENS TO THE WHEAT CROP, 896 00:49:01,438 --> 00:49:02,940 LOOKS TO ME LIKE I'M STUCK WITH ABOUT 897 00:49:02,940 --> 00:49:05,442 50 SQUARE MILES OF WORTHLESS PRAIRIE. 898 00:49:05,442 --> 00:49:06,944 SO AS A FAVOR TO ME, WILL YOU LET OUT 899 00:49:06,944 --> 00:49:09,446 A MAN-SIZED PROTEST ABOUT THE WHOLE DEAL, 900 00:49:09,446 --> 00:49:11,448 AND GIVE ME A CHANCE TO SQUEEZE OUT OF IT? 901 00:49:11,448 --> 00:49:14,451 DON'T GUESS IT'D DO ME ANY GOOD FOR ME TO SAY ANYTHING, BENDER, 902 00:49:14,451 --> 00:49:16,453 A COUPLE OTHER MEN TRIED THAT 903 00:49:16,453 --> 00:49:18,455 AND GOT NOWHERE. 904 00:49:18,455 --> 00:49:20,457 SEEMS LIKE I HAVE TOO MANY FRIENDS, DOESN'T IT? 905 00:49:20,958 --> 00:49:23,460 IT SEEMS TO ME THAT WORTHLESS PRAIRIE OR NOT, 906 00:49:23,460 --> 00:49:26,463 YOU'RE GOING TO OWN ALL THE LAND AROUND HERE, MR. BENDER. 907 00:49:26,463 --> 00:49:28,966 DO YOU EXPECT ANYTHING TO HAPPEN TO YOUR WHEAT, MRS. STOWE? 908 00:49:28,966 --> 00:49:30,968 WELL, ALONG WITH SOME OTHER BONANZA FARMERS, 909 00:49:30,968 --> 00:49:33,971 LIKE MRS. STOWE AND MR. WATERS, 910 00:49:33,971 --> 00:49:35,973 I DIDN'T EXPECT TO GET BURNED OUT. 911 00:49:35,973 --> 00:49:37,975 SOMEBODY COME ALONG WITH A TORCH, EH? 912 00:49:37,975 --> 00:49:40,978 WHAT HAPPENED TO OUR FARM BUILDINGS COULD HAPPEN TO OUR WHEAT. 913 00:49:40,978 --> 00:49:43,480 IF ANYTHING HAPPENS TO YOUR WHEAT, I'M THE LOSER. 914 00:49:43,480 --> 00:49:45,983 SO I THINK WE BETTER TAKE STEPS TO SEE THAT NOTHING DOES HAPPEN TO IT. 915 00:49:46,483 --> 00:49:48,485 WHAT KIND OF STEPS, MR. BENDER? 916 00:49:48,485 --> 00:49:50,487 WHEN THE PEACE OF A COMMUNITY IS DISTURBED 917 00:49:50,487 --> 00:49:52,489 BY VIOLENCE AND ACTS OF VANDALISM, MRS. STOWE, 918 00:49:52,489 --> 00:49:54,491 THERE'S ONLY ONE THING TO DO ABOUT IT 919 00:49:54,992 --> 00:49:56,994 AND THAT'S BRING IN THE LAW, SO THAT'S WHAT WE'LL DO. 920 00:50:05,502 --> 00:50:07,004 SOUNDS HONEST ENOUGH, DIDN'T HE? 921 00:50:07,004 --> 00:50:09,006 I'D NEVER HAD SUSPECTED HIM, 922 00:50:09,006 --> 00:50:12,509 IF ANSON HADN'T SAID HE WAS JUST NO GOOD AT ALL. 923 00:50:12,509 --> 00:50:14,011 I PROBABLY WOULDN'T HAVE MYSELF, 924 00:50:14,511 --> 00:50:16,013 IF IT WASN'T FOR THE FACT THAT EVERYONE THAT WAS BURNED OUT 925 00:50:16,013 --> 00:50:19,016 GOT AN OFFER FROM HIM FOR THEIR LAND FIRST. 926 00:50:19,016 --> 00:50:22,019 COME ON, NICODEMUS, THIS IS NO PLACE FOR US. 927 00:50:22,019 --> 00:50:23,020 COMIN', CAP'N. 928 00:50:23,020 --> 00:50:38,535 ???? ?? 929 00:50:38,535 --> 00:50:47,544 ???? ?? 930 00:50:47,544 --> 00:50:49,546 SO THE ONE WITH ALL THE EYEBROWS SAYS TO ME, HE SAYS... 931 00:50:49,546 --> 00:50:51,548 "WHAT MAKES YOU SO DIFFERENT?" 932 00:50:51,548 --> 00:50:53,050 OF COURSE, I COULD ALWAYS TRIM HIS EYEBROWS A LITTLE, 933 00:50:53,550 --> 00:50:55,052 BUT EVEN IF I DID, WHAT WOULD I HAVE? 934 00:50:55,052 --> 00:50:56,053 A WHEAT FARM. 935 00:50:56,553 --> 00:50:57,554 I'LL TAKE A NICE, DIRTY MINER 936 00:50:57,554 --> 00:50:59,556 WITH GOLD DUST CAKED UNDER HIS FINGERNAILS. 937 00:50:59,556 --> 00:51:01,558 IF YOU CAN SPARE ONE. ME, TOO. 938 00:51:01,558 --> 00:51:06,063 THERE I WAS IN CALIFORNIA, UP TO MY ELBOWS IN HARD-ROCK MEN, AND I HAD TO COME HERE. 939 00:51:06,063 --> 00:51:08,565 I COULD'VE MARRIED, SETTLED DOWN AND HAD MYSELF A NICE HOME. 940 00:51:08,565 --> 00:51:10,067 AND A NATIVE SON. 941 00:51:10,067 --> 00:51:12,569 PUT IT IN A GILT FRAME, AND I'LL BUY IT. 942 00:51:12,569 --> 00:51:15,072 LOOK, GIRLS, THEBELL OF THE NORTHWESTGETS IN TONIGHT, 943 00:51:15,072 --> 00:51:18,075 AND COLLINS WANTS YOU ALL THERE AT THE LANDING WHEN SHE TIES UP, 944 00:51:18,075 --> 00:51:20,077 LOOKING YOUR BEST, SO BE THERE. 945 00:51:22,579 --> 00:51:24,581 OH, EXCUSE ME... I THOUGHT THIS WAS THE KITCHEN. 946 00:51:24,581 --> 00:51:26,083 WELL, IT IS THE KITCHEN. 947 00:51:26,583 --> 00:51:29,086 LOOKING FOR ANYONE IN PARTICULAR? 948 00:51:29,086 --> 00:51:30,587 I WANTED TO GET A COUPLE OF EGGS. 949 00:51:31,088 --> 00:51:33,090 WELL, IN THAT CASE, COME ON IN. 950 00:51:33,090 --> 00:51:36,093 WE'LL THANK YOU TO SPEAK OF US WITH MORE RESPECT, MR. DEVLIN. 951 00:51:36,093 --> 00:51:37,594 WE USUALLY TAKE THE EGG TO THE CUSTOMER, 952 00:51:38,095 --> 00:51:40,097 UNLESS THE CUSTOMER INSISTS ON COMING TO THE EGG. 953 00:51:40,597 --> 00:51:42,099 WE WANT YOU TO BE HAPPY, OF COURSE. 954 00:51:42,099 --> 00:51:44,601 AND YOU'RE JUST THE LITTLE GIRL THAT CAN DO IT, EH? 955 00:51:44,601 --> 00:51:46,603 WELL, THESE EGGS ARE FOR MRS. DEVLIN, 956 00:51:46,603 --> 00:51:48,605 AND I THOUGHT I'D TAKE THEM UP TO HER. 957 00:51:48,605 --> 00:51:51,608 YOU SEE, SHE, UH... SHE HAS A HEADACHE. 958 00:51:52,109 --> 00:51:54,611 PEOPLE GET THEM IN FARGO. 959 00:51:55,112 --> 00:51:56,613 IF YOU WANT TO GET BACK TO YOUR CROCHETING, GIRLS, 960 00:51:56,613 --> 00:51:58,615 I'LL LOOK AFTER MR. DEVLIN. 961 00:51:58,615 --> 00:52:00,617 HOW ABOUT A COUPLE OF EGGS FOR MR. DEVLIN, NORA? 962 00:52:01,118 --> 00:52:03,620 AIN'T GOT NO EGGS... THE GIRLS ATE 'EM ALL UP. 963 00:52:03,620 --> 00:52:05,622 BUT WE GROW THEM RIGHT OUTSIDE THE DOOR, 964 00:52:05,622 --> 00:52:07,124 IF YOU'VE GOT TO HAVE THEM. 965 00:52:07,124 --> 00:52:08,625 WELL, I'M AN OLD EGG RUSTLER. 966 00:52:08,625 --> 00:52:11,128 NO FUN RUSTLING ALONE. 967 00:52:11,128 --> 00:52:13,130 DID I SAY RUSTLING? 968 00:52:13,130 --> 00:52:14,631 I MEANT RUSTLING. 969 00:52:19,636 --> 00:52:20,637 (knock knock knock knock knock knock) 970 00:52:20,637 --> 00:52:22,139 IT'S NOT LOCKED! 971 00:52:22,139 --> 00:52:24,141 WHERE ON EARTH DID YOU GO FOR THE EGGS?! 972 00:52:24,141 --> 00:52:25,142 MORNIN', MA'AM. 973 00:52:25,642 --> 00:52:28,145 OH. WHERE IS MR. DEVLIN? 974 00:52:28,145 --> 00:52:29,646 HE'S GETTING ME SOME BREAKFAST 975 00:52:29,646 --> 00:52:31,148 FROM ST. PAUL, I THINK. 976 00:52:31,148 --> 00:52:32,649 IS IT SOMETHING IMPORTANT? 977 00:52:32,649 --> 00:52:34,151 NO, MA'AM, I DON'T GUESS IT IS. 978 00:52:34,151 --> 00:52:36,153 BUT BENDER IS OVER IN FARGO ON THE PRAIRIE 979 00:52:36,153 --> 00:52:38,155 GETTIN' THEM FARMERS TO SIGN CONTRACTS. 980 00:52:38,155 --> 00:52:40,157 I THOUGHT MAYBE MR. DEVLIN WOULD LIKE TO KNOW ABOUT IT. 981 00:52:40,157 --> 00:52:44,161 OH, I'M SURE HE WOULD. RUN DOWN TO THE KITCHEN. 982 00:52:44,161 --> 00:52:46,163 NEVER MIND, I'LL GO MYSELF. 983 00:52:46,163 --> 00:52:48,165 LOOK... 984 00:52:48,165 --> 00:52:50,667 I DON'T KNOW WHY, BUT THERE'S A MAN DOWN THERE 985 00:52:50,667 --> 00:52:52,669 WHO'S BEEN WATCHING THIS WINDOW. 986 00:52:52,669 --> 00:52:56,173 KEEP AN EYE ON HIM. HE'S SPYIN' ON SOMEONE, HUH? 987 00:52:56,173 --> 00:52:57,674 WELL, WE'LL SOON FIND OUT ABOUT THAT. 988 00:53:00,177 --> 00:53:01,678 HEY, GO AWAY! 989 00:53:01,678 --> 00:53:04,181 (Bang!) 990 00:53:04,181 --> 00:53:08,185 DAGNABIT, I GOTTA LEARN TO KEEP MY HEAD OUT'N THEM WINDOWS FOR I GET ALL CUT UP. 991 00:53:09,686 --> 00:53:11,188 FOR THE RECORD, 992 00:53:11,188 --> 00:53:13,690 YOU WERE WITH MORGAN'S RAIDERS... FIRST COMPANY... 993 00:53:13,690 --> 00:53:15,192 FAST WITH A GUN... NONE FASTER... 994 00:53:15,692 --> 00:53:17,194 A KILLER... WITH BOTH HANDS... 995 00:53:17,194 --> 00:53:19,196 AND YOU'RE AN AGENT FOR THE RAILROAD? 996 00:53:19,196 --> 00:53:21,698 UH, THEY KNOW THAT. MM-HMM. 997 00:53:21,698 --> 00:53:23,700 WELL, THAT'S FOR COLLINS. 998 00:53:23,700 --> 00:53:25,202 NOW WHAT'S FOR ME? 999 00:53:27,704 --> 00:53:29,706 WELL, NOT MUCH, HONEY. 1000 00:53:29,706 --> 00:53:32,209 JUST MARRIED? A COUPLA WEEKS. 1001 00:53:32,209 --> 00:53:34,211 GOOD, EH? SWELL. 1002 00:53:34,211 --> 00:53:36,713 NICE GAL? THE BEST. 1003 00:53:36,713 --> 00:53:38,215 SHE'D HAVE TO BE, OF COURSE, 1004 00:53:38,215 --> 00:53:39,716 OR YOU'D HAVE SENT HER DOWN FOR THE EGGS. 1005 00:53:41,718 --> 00:53:44,721 THESE HENS SEEM TO BE A LITTLE SLOW ON DELIVERY. 1006 00:53:46,223 --> 00:53:48,725 THINK THEY'RE IN THE MOOD? THEY'VE NO EXCUSE. 1007 00:53:48,725 --> 00:53:50,227 I JUST SHOWED THEM HOW IT'S DONE. 1008 00:53:52,729 --> 00:53:56,233 WELL, I'D LIKE TO TELL YA THAT I THINK YOU'RE AN ALL-RIGHT GAL, 1009 00:53:56,733 --> 00:53:57,734 BUT YOU WOULDN'T WANT TO HEAR THAT, WOULD YOU? 1010 00:53:58,235 --> 00:54:00,737 MM-MM, NOTHING SECONDHAND. 1011 00:54:00,737 --> 00:54:03,740 AND THIS MAY NOT BE FINAL... WHO CAN TELL? 1012 00:54:03,740 --> 00:54:06,743 ANYWAY, I'LL CHECK WITH YA FROM TIME TO TIME. 1013 00:54:06,743 --> 00:54:08,245 WELL, IN THE MEANTIME, DON'T PASS UP ANYTHING 1014 00:54:08,245 --> 00:54:10,747 THAT'LL DO JUST AS WELL, EH, JERSEY? 1015 00:54:10,747 --> 00:54:12,749 SEE YA LATER. 1016 00:54:12,749 --> 00:54:14,751 COME TO THINK OF IT, YOU MIGHT AS WELL WAIT. 1017 00:54:14,751 --> 00:54:16,753 I DON'T BELIEVE YOU'LL BE GOING ANYPLACE FOR... 1018 00:54:17,254 --> 00:54:18,755 A COUPLE OF HOURS. WHY NOT? 1019 00:54:19,256 --> 00:54:21,758 WHY... I THINK... 1020 00:54:21,758 --> 00:54:23,260 BENDER'S MEN... 1021 00:54:23,260 --> 00:54:25,762 THEY'VE ORDERS NOT TO LET YOU OUT OF THE HOTEL. 1022 00:54:25,762 --> 00:54:28,765 WHY? WHAT'S UP? 1023 00:54:29,266 --> 00:54:31,268 WHY, I THINK... 1024 00:54:31,268 --> 00:54:33,770 BENDER AND COLLINS, THEY'RE AT FARGO ON THE PRAIRIE 1025 00:54:34,271 --> 00:54:35,772 SIGNING A CONTRACT WITH THE WHEAT GROWERS. 1026 00:54:41,278 --> 00:54:43,780 DON'T BE A FOOL. IT'S NOT ONLY THEM, THEY'VE GOT 20 MEN. 1027 00:54:44,281 --> 00:54:45,782 YOU HAVEN'T GOT A CHANCE. 1028 00:54:45,782 --> 00:54:48,785 YEAH. I KNOW. 1029 00:54:48,785 --> 00:54:59,296 ???? ?? 1030 00:54:59,296 --> 00:55:09,806 ???? ?? 1031 00:55:09,806 --> 00:55:11,808 HAVE YOU SEEN MR. DEVLIN? 1032 00:55:11,808 --> 00:55:13,310 PLEASE, HAVE YOU SEEN MR. DEVLIN? 1033 00:55:21,818 --> 00:55:23,820 (bang) 1034 00:55:23,820 --> 00:55:26,323 (bang bang) 1035 00:55:26,323 --> 00:55:28,325 HE'S RIDING TO FARGO ON THE PRAIRIE... 1036 00:55:28,325 --> 00:55:29,826 ON BUSINESS, I THINK HE SAID. 1037 00:55:32,329 --> 00:55:34,331 I JUST WANTED TO SAY, FRIENDS, 1038 00:55:34,331 --> 00:55:37,334 I'D LIKE TO THANK MR. BENDER FOR PUTTIN' MY NAME UP FOR OFFICE 1039 00:55:37,334 --> 00:55:39,336 AND ALL YOU BOYS FOR GETTIN' IN BACK OF ME. 1040 00:55:43,340 --> 00:55:45,842 BUT AT THE SAME TIME, I WANT TO WARN YA, 1041 00:55:45,842 --> 00:55:47,844 FRIEND AND FOE ALIKE, 1042 00:55:47,844 --> 00:55:51,348 AS LONG AS I'M MARSHALL, THERE'S GONNA BE LAW AND ORDER IN FARGO. 1043 00:55:57,354 --> 00:56:00,857 LOOKS LIKE IMPORTANT THINGS HAPPENING IN FARGO, MRS. STOWE. 1044 00:56:00,857 --> 00:56:02,859 YES, AND ALL IN ONE DAY TOO. 1045 00:56:02,859 --> 00:56:04,861 OH, MR. DEVLIN, MEET MR. PLUMMER. 1046 00:56:05,362 --> 00:56:06,863 HOW DO YOU DO? HOW ARE YA? 1047 00:56:06,863 --> 00:56:08,365 HOW IS YOUR VERY CHARMING WIFE? 1048 00:56:08,365 --> 00:56:10,367 SHE'S ALL RIGHT, THANKS. 1049 00:56:10,367 --> 00:56:12,869 IS THIS A FREE EXPRESSION OF THE WILL OF THE PEOPLE? 1050 00:56:12,869 --> 00:56:14,871 EH, A LITTLE FARMER WHO DIDN'T KNOW VERY MUCH, 1051 00:56:14,871 --> 00:56:16,373 OPENED HIS MOUTH TO SAY SOMETHING 1052 00:56:16,373 --> 00:56:18,375 AND FOUND HE WAS CHEWING ON COBB'S KNUCKLES, 1053 00:56:18,875 --> 00:56:20,877 AND THE WILL OF THE PEOPLE CURLED UP LIKE A SICK MACKEREL. 1054 00:56:21,378 --> 00:56:22,879 THEN THE DEAL'S BEEN MADE. 1055 00:56:22,879 --> 00:56:24,381 YES, AND IF OUR CROPS ARE HARVESTED, 1056 00:56:24,881 --> 00:56:26,383 MR. BENDER TAKES A PROFIT. 1057 00:56:26,383 --> 00:56:29,386 IF THEY'RE NOT HARVESTED, HE TAKES US. 1058 00:56:29,386 --> 00:56:31,388 IN OTHER WORDS, WITH COLLINS AS MARSHALL, 1059 00:56:31,388 --> 00:56:34,391 WE'LL BE DRAWN AND QUARTERED. 1060 00:56:34,391 --> 00:56:36,893 WELL, IF YOU DON'T LIKE IT, 1061 00:56:36,893 --> 00:56:38,895 ONE OTHER THING YOU CAN DO... 1062 00:56:38,895 --> 00:56:41,398 PACK UP AND GET OUT. 1063 00:56:41,398 --> 00:56:43,400 OR ORGANIZE AN OPPOSING TEAM. 1064 00:56:49,906 --> 00:56:53,410 DEVLIN, I BELIEVE I HAVE SOME MONEY OF YOURS. 1065 00:56:53,410 --> 00:56:55,412 WOULD YOU LIKE IT NOW? 1066 00:56:55,412 --> 00:56:58,415 NO PLACE TO INVEST IT AROUND FARGO, IS THERE? 1067 00:56:58,415 --> 00:56:59,916 MIGHT OPEN UP A POPCORN STAND, 1068 00:56:59,916 --> 00:57:02,419 THE COMMUNITY'S BOUND TO GROW WHEN THE RAILROAD COMES THROUGH. 1069 00:57:02,419 --> 00:57:05,422 WHAT RAILROAD? 1070 00:57:05,422 --> 00:57:07,924 I SEE YOU MADE COLLINS MARSHALL. 1071 00:57:07,924 --> 00:57:10,927 YEAH, GOOD MAN. 1072 00:57:10,927 --> 00:57:14,431 YOU RIDIN' MY WAY? YEAH. 1073 00:57:14,431 --> 00:57:15,432 COME ON. 1074 00:57:38,455 --> 00:57:40,957 NOW ABOUT THAT RAILROAD, I... ON SECOND THOUGHT, BENDER, 1075 00:57:40,957 --> 00:57:43,460 MAYBE YOU BETTER LET ME HAVE THAT MONEY NOW. 1076 00:57:43,460 --> 00:57:46,463 IT'S SAFE AT THE HOTEL. YOU FOUND A USE FOR IT? 1077 00:57:46,463 --> 00:57:48,965 YEAH, I'M PULLIN' OUT TONIGHT. 1078 00:57:48,965 --> 00:57:50,467 CHICAGO? 1079 00:57:50,467 --> 00:57:53,970 NOPE, GRAND FORKS. 1080 00:57:53,970 --> 00:57:55,972 DAKOTA? 1081 00:57:55,972 --> 00:57:57,474 YEAH. 1082 00:58:09,486 --> 00:58:10,987 YOU'RE TRYIN' TO RUN A BLAZER ON ME, DEVLIN, 1083 00:58:10,987 --> 00:58:12,989 BUT YOU'RE BETTIN' AGAINST A BAD HAND. 1084 00:58:12,989 --> 00:58:14,991 THINK SO? YEP. 1085 00:58:14,991 --> 00:58:16,993 YOU SEE, I FOLLOWED THE SURVEYORS UP HERE. 1086 00:58:16,993 --> 00:58:18,995 I HAPPEN TO KNOW THE GOVERNMENT'S GRANTED THE RIGHT OF WAY 1087 00:58:18,995 --> 00:58:20,497 AND PLANS HAVE ALREADY BEEN DRAWN 1088 00:58:20,497 --> 00:58:22,499 FOR THE RAILROAD TO RUN THROUGH FARGO. 1089 00:58:22,499 --> 00:58:25,502 BUT THEY COULD CHANGE THOSE PLANS, RUN THROUGH GRAND FORKS. 1090 00:58:25,502 --> 00:58:27,003 NOT AFTER THEY'VE SPENT ALL THAT MONEY 1091 00:58:27,003 --> 00:58:29,005 RUNNIN' A SURVEY THROUGH HERE. 1092 00:58:29,005 --> 00:58:30,507 HOW MUCH DO YOU THINK THAT'D COST? 1093 00:58:30,507 --> 00:58:32,509 FIFTY THOUSAND DOLLARS. AND HOW MUCH WOULD IT COST 1094 00:58:33,009 --> 00:58:35,011 TO BUY THAT CONTRACT YOU MADE WITH THE FARMERS? 1095 00:58:35,011 --> 00:58:38,014 ONE-HALF MILLION DOLLARS, GOOD AMERICAN GO... 1096 00:58:42,519 --> 00:58:43,520 OH. 1097 00:58:47,524 --> 00:58:50,527 SEE, IT'D STILL BE CHEAPER TO RUN ANOTHER SURVEY 1098 00:58:50,527 --> 00:58:52,529 AND BYPASS FARGO. 1099 00:58:53,029 --> 00:58:55,031 YEAH, I SUPPOSE ANYTHING IS POSSIBLE. 1100 00:58:55,031 --> 00:58:57,033 LIKE CONSIGNING THAT CONTRACT YOU HAVE WITH THE FARMERS 1101 00:58:57,534 --> 00:58:59,035 OVER TO ME... 1102 00:58:59,035 --> 00:59:00,036 FOR A CONSIDERATION, OF COURSE? 1103 00:59:02,539 --> 00:59:04,541 LET'S GO IN MY OFFICE. WHY NOT? 1104 00:59:08,044 --> 00:59:09,546 THERE YA ARE... 1105 00:59:10,046 --> 00:59:11,548 TWENTY THOUSAND ON ACCOUNT, AND EIGHTY THOUSAND 1106 00:59:11,548 --> 00:59:13,550 WHEN THE RAILROAD COMES THROUGH. 1107 00:59:14,050 --> 00:59:16,052 YOU'RE TAKIN' ME OVER, DEVLIN. 1108 00:59:16,052 --> 00:59:17,554 MAYBE, BUT A SURE HUNDRED THOUSAND 1109 00:59:17,554 --> 00:59:21,558 IS BETTER THAN HALF A MILLION IN THE BUSH. 1110 00:59:21,558 --> 00:59:25,061 WELL, THERE IT IS, CONSIGNED TO YOU PERSONALLY, RIGHT? 1111 00:59:25,061 --> 00:59:25,562 NATURALLY. 1112 00:59:26,062 --> 00:59:29,566 (boat whistle) 1113 00:59:30,066 --> 00:59:31,067 HERE SHE COMES... 1114 00:59:31,067 --> 00:59:33,069 THE BOAT'S COMIN'! HERE SHE COMES! 1115 00:59:33,069 --> 00:59:45,081 ???? ?? 1116 00:59:45,582 --> 00:59:57,093 ???? ?? 1117 00:59:57,594 --> 00:59:59,596 THERE'S NICODEMUS... THE HORSES MUST BE READY. 1118 00:59:59,596 --> 01:00:01,598 BUT I STILL CAN'T UNDERSTAND WHY WE'RE LEAVING. 1119 01:00:02,098 --> 01:00:03,600 YOU'VE GOT THE CONTRACTS. WE'RE LEAVING 1120 01:00:03,600 --> 01:00:06,102 BECAUSE WE GOTTA STAY AWAY FROM BENDER UNTIL THE WHEAT'S HARVESTED. 1121 01:00:06,603 --> 01:00:08,104 IF HE CAN'T GET HIS HANDS ON THAT CONTRACT, 1122 01:00:08,104 --> 01:00:10,607 HE WON'T BURN THE WHEAT-- IT WON'T DO HIM ANY GOOD. 1123 01:00:10,607 --> 01:00:13,610 WHAT IF SOMEONE SEES US TAKING OUR BAGS OUT? 1124 01:00:13,610 --> 01:00:16,613 THEY WON'T. AFTER BOUNCE ARRANGES TO HAVE US PICKED UP, 1125 01:00:16,613 --> 01:00:18,114 HE'S COMIN' BACK FOR 'EM. 1126 01:00:18,114 --> 01:00:19,616 THEN THEY'LL SEE HIM. 1127 01:00:19,616 --> 01:00:22,118 LET'S NOT MAKE THE WORST OF IT UNTIL WE GET IT, SANDY. 1128 01:00:22,118 --> 01:00:24,120 WE'LL GO DOWN AND SEE THE RIVERBOAT COME IN. 1129 01:00:24,120 --> 01:00:26,122 DO YOU THINK WE SHOULD? WHY NOT? 1130 01:00:26,623 --> 01:00:28,124 THEY'RE WATCHING US... LET'S LET 'EM SEE US. 1131 01:00:28,124 --> 01:00:30,627 THEN THEY WON'T THINK WE'RE UP TO ANY TRICKS. 1132 01:00:31,127 --> 01:00:33,630 IF YOU WEREN'T TRYING TO BE SO FINE AND NOBLE, 1133 01:00:33,630 --> 01:00:35,632 WE WOULDN'T BE IN THIS AWFUL MESS. 1134 01:00:36,132 --> 01:00:38,134 SURE... YOU CAN REMEMBER ME AS A MAN WHO... 1135 01:00:38,635 --> 01:00:40,136 GAVE HIS ALL FOR HIS FELLOW MAN. 1136 01:00:40,136 --> 01:00:43,139 I REMEMBER YOU AS A BIG SO-AND-SO, 1137 01:00:43,139 --> 01:00:45,141 WHO I'LL NEVER BE ABLE TO LIVE WITHOUT. 1138 01:00:45,141 --> 01:00:48,144 WAIT A MINUTE... TEARS AND EVERYTHING. 1139 01:00:48,144 --> 01:00:49,646 WHAT IS THIS, GOOD-BYE? 1140 01:00:50,146 --> 01:00:52,649 I DON'T KNOW, BUT... I JUST DON'T WANT ANYTHING TO HAPPEN TO US. 1141 01:00:52,649 --> 01:00:55,151 LIKE THINGS THE WAY THEY ARE, EH? 1142 01:00:55,151 --> 01:00:57,153 WHERE WOULD I EVER FIND ANOTHER 1143 01:00:57,153 --> 01:00:59,155 HANDSOME, EASY-GOING... 1144 01:00:59,155 --> 01:01:02,158 NO-GOOD MAN LIKE ME? YES. 1145 01:01:02,158 --> 01:01:05,161 IN ANY FIRST-CLASS JAIL WEST OF THE MISSISSIPPI. 1146 01:01:08,665 --> 01:01:11,167 HOW'D YOU DO WITH THEM PESKY SAND BARS? 1147 01:01:11,668 --> 01:01:14,170 GET YOURSELF HUNG UP ON OL' CAMELBACK?! 1148 01:01:14,170 --> 01:01:18,675 SURE, I DID, AND I GOT MYSELF OFF OF'N 'EM, TOO, BY JUCIFER! 1149 01:01:18,675 --> 01:01:20,176 GET ABOARD, 'N COME UP HERE! 1150 01:01:25,181 --> 01:01:27,183 WE HAD AN ESCORT FROM THE HOTEL. 1151 01:01:27,183 --> 01:01:30,687 YEAH, SLAGIN AND COBB. 1152 01:01:31,187 --> 01:01:33,189 LOOKS LIKE BENDER'S TRAVELING. 1153 01:01:33,189 --> 01:01:34,691 HE'S PROBABLY LEAVING ON THE BOAT, TOO. 1154 01:01:34,691 --> 01:01:37,694 THAT'S RIGHT, CHECK UP ON US. 1155 01:01:38,194 --> 01:01:40,697 LET'S FIND OUT. 1156 01:01:40,697 --> 01:01:42,699 GOOD EVENING. GOOD EVENING. 1157 01:01:42,699 --> 01:01:45,201 DEVLIN... MRS. DEVLIN, HOW'S THE SHOULDER THIS EVENING? 1158 01:01:45,201 --> 01:01:47,203 BETTER, THANKS. THAT'S FINE. 1159 01:01:47,704 --> 01:01:49,205 NOT GOING AWAY, ARE YOU? 1160 01:01:49,706 --> 01:01:52,208 YES, I AM, FOR A FEW DAYS. 1161 01:01:52,208 --> 01:01:55,712 GRAND FORKS? NO, CHICAGO. 1162 01:01:55,712 --> 01:01:59,215 I MADE A LITTLE DEAL. I'M GOING TO CHECK UP ON IT. 1163 01:01:59,215 --> 01:02:01,718 JOHN, LOOK! IT'S MR. GEARY. 1164 01:02:01,718 --> 01:02:04,220 GEARY? FATHER MUST HAVE SENT HIM HERE TO BUY THE LAND 1165 01:02:04,220 --> 01:02:06,723 FOR THE RAILROAD. 1166 01:02:10,226 --> 01:02:12,228 SANDRA. 1167 01:02:12,228 --> 01:02:16,733 I DID IT AGAIN. BECAUSE YOU LOVE ME? 1168 01:02:19,736 --> 01:02:22,739 YOUR FATHER TOLD ME THAT YOU SKIPPED OFF WITH A RASCAL NAMED DEVLIN. 1169 01:02:22,739 --> 01:02:24,240 I DIDN'T BELIEVE IT, OF COURSE... 1170 01:02:24,240 --> 01:02:26,242 I MEAN, ABOUT HIS BEING A RASCAL. 1171 01:02:26,242 --> 01:02:27,744 SOMEHOW I COULDN'T IMAGINE YOU MARRYING ANYONE 1172 01:02:27,744 --> 01:02:30,246 WHO WASN'T MADE OF BONE AND MUSCLE... 1173 01:02:30,246 --> 01:02:32,248 THAT MAKES YOU DEVLIN, RIGHT? 1174 01:02:32,248 --> 01:02:35,251 I CAN'T GET OUT FROM UNDER IT EITHER. I'M GEARY, CONGRATULATIONS. 1175 01:02:35,251 --> 01:02:37,754 YOU MARRIED A GREAT LITTLE GIRL. I'VE KNOWN HER ALL HER LIFE. 1176 01:02:37,754 --> 01:02:40,256 BEEN WITH HER FATHER FOR 25 YEARS. 1177 01:02:40,256 --> 01:02:43,259 I SHOULDN'T TALK SO LOUD. I'M HERE, MORE OR LESS, INCOGNITO. 1178 01:02:43,259 --> 01:02:46,262 SPEAK RIGHT OUT, MR. GEARY, WE'RE FRIENDS HERE. 1179 01:02:46,262 --> 01:02:47,764 NOTHING YOU SAY'LL EVER BE USED AGAINST YOU. 1180 01:02:47,764 --> 01:02:49,766 I'M JIM BENDER... THIS IS MR. COLLINS, OUR MARSHALL. 1181 01:02:50,266 --> 01:02:52,769 UH, MR. GEARY, I, UH... WE WERE JUST GOING TO THE HOTEL. 1182 01:02:52,769 --> 01:02:55,271 YEAH... SEE YA LATER, BENDER. I'LL WALK ALONG WITH YOU. 1183 01:02:55,271 --> 01:02:58,274 IT'S ALWAYS GOOD TO TALK TO SOMEBODY FROM THE OUTSIDE. 1184 01:02:58,274 --> 01:02:59,776 IT'S SUPPOSED TO BE A BIG SECRET, I KNOW, 1185 01:02:59,776 --> 01:03:01,778 BUT, UH, WE ALL KNOW THAT YOU'RE HERE 1186 01:03:01,778 --> 01:03:04,280 TO BUY A FEW PIECES OF LAND FOR THE RAILROAD. 1187 01:03:04,280 --> 01:03:08,284 BUT DON'T YOU SAY A WORD ABOUT IT, UNLESS YOU FEEL YOU'RE AMONG FRIENDS. 1188 01:03:08,284 --> 01:03:11,287 WELL, THE BIGGEST PART OF MY JOB IS TO KEEP MY MOUTH CLOSED, 1189 01:03:11,287 --> 01:03:13,289 BUT OF COURSE, YOU'RE PRIVILEGED TO THINK WHAT YOU PLEASE. 1190 01:03:13,289 --> 01:03:16,793 I'M PLEASED TO THINK THAT YOU JUST SAVED ME A GOOD PIECE OF MONEY. 1191 01:03:16,793 --> 01:03:19,295 BY THE WAY, MR. DEVLIN... 1192 01:03:22,799 --> 01:03:24,300 SLAGIN, YOU AND COBB GO AFTER HIM. 1193 01:03:24,300 --> 01:03:25,802 BRING BACK THAT CONTRACT. 1194 01:03:26,302 --> 01:03:28,805 COLLINS, ROUND UP WHAT MEN YOU'VE GOT, AND MEET ME AT THE STORE. 1195 01:03:31,307 --> 01:03:32,809 SOMETHING TELLS ME I TURNED UP AT THE WRONG MOMENT. 1196 01:03:32,809 --> 01:03:34,310 OH, YOU CERTAINLY DID. 1197 01:03:38,815 --> 01:03:41,818 GOT EVERYTHING FIXED UP JUST LIKE YOU WANTED, MA'AM. 1198 01:03:41,818 --> 01:03:43,820 CAP'N SPARKS IS GONNA SLOW DOWN AND PICK YA UP 1199 01:03:43,820 --> 01:03:45,822 RIGHT OFF'N WHERE THE RIVER BIRDWENT DOWN. 1200 01:03:45,822 --> 01:03:47,323 BUT YOU KNOW, IT'S JUST LIKE HE WAS SAYIN' 1201 01:03:47,323 --> 01:03:50,326 WHEN I WAS TELLIN' HIM WHAT'S GOIN' ON AROUND HERE. YOU DON'T SUPPOSE 1202 01:03:50,827 --> 01:03:53,329 WE'RE CHASIN' AROUND, DUCKIN' OUR OWN SHADOWS, DO YA? 1203 01:03:53,329 --> 01:03:56,332 BUT CAPTAIN, RIGHT NOW BENDER'S MEN ARE LOOKING FOR MR. DEVLIN, 1204 01:03:56,833 --> 01:03:58,334 AND WE'VE GOT TO HELP HIM. 1205 01:03:58,334 --> 01:04:00,336 OH, I DON'T THINK THAT MUCH IS GONNA HAPPEN. 1206 01:04:00,336 --> 01:04:02,338 BUT IT WILL... IT IS! 1207 01:04:02,839 --> 01:04:05,341 LOOK, CAPTAIN, YOU KNOW MOST OF THE MEN IN FARGO. 1208 01:04:05,341 --> 01:04:07,844 PLEASE LET THEM KNOW WHAT MR. DEVLIN'S DONE FOR THEM, 1209 01:04:07,844 --> 01:04:09,846 AND ASK THEM TO STAND BY. 1210 01:04:10,346 --> 01:04:12,849 WELL, I'LL TALK TO SOME OF THE BOYS AND SEE WHAT THEY SAY, 1211 01:04:12,849 --> 01:04:14,350 BUT I DON'T THINK THEY'RE GONNA BE INTERESTED. 1212 01:04:17,353 --> 01:04:20,356 WHAT IF HE DOES MANAGE TO FIND HELP, WHAT THEN? 1213 01:04:20,356 --> 01:04:24,861 OH, MR. GEARY, IF ANYTHING HAPPENS TO THAT BIG SO-AND-SO, 1214 01:04:24,861 --> 01:04:26,863 I'LL JUST DIE, THAT'S ALL. 1215 01:04:34,370 --> 01:04:36,372 A RIDER GO BY THIS WAY, PARTNER? 1216 01:04:36,372 --> 01:04:38,374 (speaking Italian) 1217 01:04:38,374 --> 01:04:40,376 ITALIAN? (speaking Italian) 1218 01:04:43,379 --> 01:04:46,883 CIANO. (speaking Italian) 1219 01:04:50,887 --> 01:04:52,388 HE SEEN ONE LOOKED JUST LIKE DEVLIN. 1220 01:05:03,900 --> 01:05:06,903 MR. PLUMMER? OH, HELLO, MR. DEVLIN... HOW ARE YA? 1221 01:05:06,903 --> 01:05:08,404 HELLO! 1222 01:05:08,905 --> 01:05:10,406 WHAT'D YOU DO TO YOUR FOOT? 1223 01:05:10,907 --> 01:05:12,909 OH, SPRAINED IT, I GUESS... MAKES IT KINDA AWKWARD, TOO. 1224 01:05:12,909 --> 01:05:14,911 I WANTED TO GO OVER TO STOWES'. 1225 01:05:14,911 --> 01:05:16,412 I'D LIKE TO TALK TO YA A MINUTE. 1226 01:05:16,412 --> 01:05:18,414 WELL, COME INSIDE. 1227 01:05:18,414 --> 01:05:20,917 WE'RE HOLDING A MEETING TO TALK THINGS OVER. 1228 01:05:20,917 --> 01:05:22,418 AT THE STOWES'? YES. 1229 01:05:22,418 --> 01:05:24,921 HILDA, THIS IS MR. DEVLIN. HOWDY, MR. DEVLIN. 1230 01:05:24,921 --> 01:05:26,923 MRS. PLUMMER. THERE'S A FEW OF US MIGHT NOT LIKE 1231 01:05:27,423 --> 01:05:29,926 THE WAY THE BENDER/COLLINS FACTION WILL HANDLE THINGS, 1232 01:05:29,926 --> 01:05:33,930 SO WE THOUGHT WE'D GET TOGETHER AND SORT OF, UH... COUNT OUR GUNS. 1233 01:05:33,930 --> 01:05:36,432 WE HAVEN'T MUCH TO OFFER IN THE WAY OF COMFORTS. 1234 01:05:36,432 --> 01:05:38,935 WE WERE BURNED OUT. YEAH, WE HAD TO THROW UP A SOD HOUSE-- 1235 01:05:38,935 --> 01:05:40,436 HAD TO HAVE SOME KIND OF SHELTER. 1236 01:05:40,436 --> 01:05:43,940 WELL, BENDER'S A LITTLE CARELESS WITH MATCHES. 1237 01:05:43,940 --> 01:05:46,442 WELL, I'VE GOT SOMETHING HERE THAT MAY MAKE YOU FEEL A LITTLE BETTER. 1238 01:05:46,442 --> 01:05:50,446 I GOT BENDER TO SIGN OVER THAT CONTRACT HE MADE WITH THE FARMERS TO ME. 1239 01:05:50,947 --> 01:05:52,949 THE RAILROAD'S COMING THROUGH HERE, 1240 01:05:52,949 --> 01:05:54,951 AND THIS LAND'S GONNA BE WORTH A NICE CHUNK OF MONEY. 1241 01:05:55,451 --> 01:05:56,953 (Mrs. Plummer) THIS IS WONDERFUL. 1242 01:05:56,953 --> 01:06:00,456 AND IF YOU WANT TO STAY HERE AND KINDA LOOK THIS THING OVER, 1243 01:06:00,957 --> 01:06:02,959 I'LL GO OVER TO THE STOWES' AND BRING THE BOYS BACK HERE. 1244 01:06:04,961 --> 01:06:07,463 WELL, WAIT A MINUTE. WHAT DO YOU GET OUT OF THIS? 1245 01:06:09,966 --> 01:06:11,968 WELL, WHEN THE RAILROAD PAYS OFF, 1246 01:06:11,968 --> 01:06:14,971 YOU CAN TAKE 20,000 OUT OF THE KITTY FOR ME. 1247 01:06:14,971 --> 01:06:17,473 CALL IT A HOUSE CUT. 1248 01:06:21,477 --> 01:06:31,988 ???? ?? 1249 01:06:31,988 --> 01:06:40,997 ???? ?? 1250 01:06:41,998 --> 01:06:44,000 LET'S SEE NOW... 1251 01:06:44,000 --> 01:06:47,003 I'LL SAY, "COME ON, BOYS, AND GIT YOUR GUNS AND COME ALONG. 1252 01:06:47,003 --> 01:06:50,506 "THINGS IS GONNA BUST WIDE OPEN." 1253 01:06:50,506 --> 01:06:54,510 THEN THEY'LL SAY TO ME, "WHAT THINGS?" 1254 01:06:54,510 --> 01:06:56,512 WHEN I'M TRYIN' TO THINK OF THE ANSWER TO THAT ONE, 1255 01:06:56,512 --> 01:06:59,515 SOMEONE'LL FETCH ME OVER THE HEAD WITH A SACK A MEAL, 1256 01:07:00,016 --> 01:07:04,520 AND THAT'S WHAT I'LL GET FOR THROWIN' IN WITH THIS FOOL KINDA BUSINESS. 1257 01:07:04,520 --> 01:07:07,023 I SAID IT BEFORE, AND I'LL SAY IT NOW... 1258 01:07:07,523 --> 01:07:10,526 NOTHIN'S GONNA HAPPEN TO NOBODIES... NO TIME. 1259 01:07:10,526 --> 01:07:12,028 (bang bang) 1260 01:07:17,033 --> 01:07:20,036 (whistling) 1261 01:07:24,040 --> 01:07:26,542 "TO JOHN DEVLIN, I, JAMES K. BENDER, 1262 01:07:26,542 --> 01:07:29,045 RELINQUISH ALL RIGHTS AND INTERESTS." 1263 01:07:29,045 --> 01:07:31,547 THAT'S IT... ALL RIGHT, MEN. 1264 01:07:31,547 --> 01:07:34,550 YOU AND I'LL GET THINGS STARTED AND HEAD BACK TO TOWN. 1265 01:07:47,063 --> 01:07:50,066 HUH, DON'T LOOK LIKE THE PLUMMERS IS TA HOME NEITHER. 1266 01:07:53,569 --> 01:07:55,071 WHOA. 1267 01:07:55,571 --> 01:07:57,073 MR. PLUMMER! 1268 01:07:57,073 --> 01:07:59,575 MR. PLUMMER!! 1269 01:07:59,575 --> 01:08:01,577 GUESS I'LL TAKE A LOOK. 1270 01:08:08,084 --> 01:08:10,586 MR. PLUMMER! 1271 01:08:10,586 --> 01:08:12,588 YOU THERE, MR. PLUMMER?! 1272 01:08:13,589 --> 01:08:15,591 NOPE, NOBODY HOME. 1273 01:08:21,097 --> 01:08:23,099 LOOKIN' FOR PEOPLE THAT AIN'T AROUND IS A FOOL BUSINESS. 1274 01:08:23,599 --> 01:08:26,602 IF THEY AIN'T AT THE STOWE PLACE, THEY AIN'T NO PLACE, AND THAT'S AS FAR AS I'M GOIN'. 1275 01:08:26,602 --> 01:08:28,104 GIDDYAP, HORSE. 1276 01:08:35,611 --> 01:08:44,620 ???? ?? 1277 01:08:44,620 --> 01:08:53,629 ???? ?? 1278 01:08:54,130 --> 01:08:58,134 (applause) 1279 01:08:58,134 --> 01:09:05,141 ???? ?? 1280 01:09:05,141 --> 01:09:07,643 ???? A NIGHT IN JUNE ?? 1281 01:09:07,643 --> 01:09:10,146 ?? A LOVELY MOON ?? 1282 01:09:10,146 --> 01:09:14,150 ?? BENEATH THE TREES A BOY A LOVELY MISS ?? 1283 01:09:14,150 --> 01:09:16,652 ?? HE SOFTLY SIGHS ?? 1284 01:09:16,652 --> 01:09:19,655 ?? SHE ROLLS HER EYES ?? 1285 01:09:19,655 --> 01:09:23,659 ?? THEN HE SAYS MY DEAR I'D LIKE TO STEAL A KISS ?? 1286 01:09:23,659 --> 01:09:26,662 ?? BUT SHE SAYS ?? 1287 01:09:26,662 --> 01:09:30,166 ?? COAX ME GO ON AND COAX ME ?? 1288 01:09:30,666 --> 01:09:34,670 ?? IF YOU LOVE ME MADLY WANT ME BADLY ?? 1289 01:09:34,670 --> 01:09:38,174 ?? COAX ME GO ON AND COAX ME ?? 1290 01:09:38,674 --> 01:09:42,678 ?? I'LL BE YOUR TOOTSIE-WOOTSIE IF YOU'LL COAX ME ?? 1291 01:09:42,678 --> 01:09:46,682 ?? COAX ME GO ON AND COAX ME ?? 1292 01:09:46,682 --> 01:09:50,686 ?? IF YOU LOVE ME MADLY WANT ME BADLY ?? 1293 01:09:50,686 --> 01:09:54,190 ?? COAX ME GO ON AND COAX ME ?? 1294 01:09:54,190 --> 01:09:58,694 ?? I'LL BE YOUR TOOTSIE-WOOTSIE IF YOU COAX ME ?? 1295 01:09:58,694 --> 01:10:02,698 ?? WHEN YOU WINK YOUR EYE AT ME IT'S OH SO VERY PLAIN TO SEE ?? 1296 01:10:02,698 --> 01:10:04,700 ?? IT'S SORT OF LIKE TO BILL AND COO ?? 1297 01:10:04,700 --> 01:10:06,702 ?? AND I CONFESS I'D LIKE IT TOO ?? 1298 01:10:06,702 --> 01:10:08,704 ?? BUT IT'S HARDLY PROPER DON'T YOU SEE ?? 1299 01:10:08,704 --> 01:10:10,706 ?? FOR ME TO ACT SO BRAZENLY ?? 1300 01:10:10,706 --> 01:10:12,708 ?? ROME WASN'T BUILT IN A DAY ?? 1301 01:10:12,708 --> 01:10:15,211 ?? SO TAKE A HINT BOY WHEN I SAY ?? 1302 01:10:15,211 --> 01:10:18,714 ?? COAX ME DON'T EVER HOAX ME ?? 1303 01:10:19,215 --> 01:10:21,217 ?? IF YOU LOVE ME ONLY ?? 1304 01:10:21,217 --> 01:10:23,219 ?? YOU'LL NEVER BE LONELY ?? 1305 01:10:23,219 --> 01:10:26,722 ?? COAX ME GO ON AND COAX ME ?? 1306 01:10:26,722 --> 01:10:34,230 ?? I'LL BE YOUR TOOTSIE-WOOTSIE IF YOU'LL JUST COAX ME ???? 1307 01:10:34,230 --> 01:10:39,735 (applause) 1308 01:10:44,240 --> 01:10:48,744 OUR FRIEND? YES, HE'LL SUPPOSE HE'S HERE TOO. 1309 01:10:48,744 --> 01:10:51,747 OH, DO YOU MIND? THE LADY AND I HAVE SOME THINGS TO TALK ABOUT. 1310 01:10:51,747 --> 01:10:53,249 COULD WE HAVE THIS TABLE? 1311 01:10:53,249 --> 01:10:55,751 AND WHERE AM I GOING TO SIT, PARTNER? 1312 01:10:55,751 --> 01:10:57,753 IT'S ALL RIGHT, LADY, I WON'T LISTEN. 1313 01:10:58,254 --> 01:11:00,756 UH, MY NAME'S SUEDE. 1314 01:11:00,756 --> 01:11:03,759 NO... WE CAN TALK SOME OTHER TIME. 1315 01:11:03,759 --> 01:11:18,274 ???? ?? 1316 01:11:18,274 --> 01:11:25,781 ???? ?? 1317 01:11:25,781 --> 01:11:27,283 (Bounce) IF'N YOU FELLAS HADN'T CUT THROUGH THE WHEAT, 1318 01:11:27,283 --> 01:11:29,785 I'DA MET YA COMIN' BACK FROM THE STOWE PLACE. 1319 01:11:29,785 --> 01:11:31,287 HEY, YOU AIN'T HEADIN' INTO TROUBLE 1320 01:11:31,287 --> 01:11:33,289 MESSIN' AROUND LIKE THIS, ARE YA? 1321 01:11:33,289 --> 01:11:34,790 HOW WOULD YOU HANDLE IT, CAP'N? 1322 01:11:34,790 --> 01:11:37,293 WELL, COLLINS IS THE MARSHALL HERE, AIN'T HE? 1323 01:11:37,293 --> 01:11:38,794 IF SOMEONE DID SHOOT THE PLUMMERS, 1324 01:11:38,794 --> 01:11:41,297 WHY, HE'S THE ONE TO DO SOMETHIN' ABOUT IT... 1325 01:11:41,297 --> 01:11:44,300 I'M SAYIN'IFSOMEBODY DID SHOOT THE PLUMMERS. 1326 01:11:44,800 --> 01:11:46,302 I DON'T GUESS NOBODY DID. 1327 01:11:46,302 --> 01:11:48,804 UNDERSTAND I AIN'T AGREEIN' THEY WAS SHOT, MIND YOU? 1328 01:11:49,305 --> 01:11:50,306 'CAUSE THE WAY YOU TOLD IT TA ME, 1329 01:11:50,306 --> 01:11:51,807 IT COULDA BEEN ONE OF THEM SUICIDE DEALS 1330 01:11:51,807 --> 01:11:54,310 WHERE ONE PARTY SAYS TO THE OTHER, 1331 01:11:54,810 --> 01:11:56,312 "CLOSE YOUR EYES FOR A SECOND 1332 01:11:56,312 --> 01:11:59,315 AND I'LL SHOOT YOUR HEAD OFF"... 1333 01:11:59,315 --> 01:12:02,318 SOMETHIN' I'M FIGURIN' ON DOIN' TO MYSELF AFTER WHILE. 1334 01:12:02,318 --> 01:12:04,820 (horses running) LET'S GET OUTTA HERE. 1335 01:12:28,344 --> 01:12:32,348 THAT'S IT. GET THE BOYS, AND DON'T FORGET THE WHITE HANDKERCHIEFS. 1336 01:12:32,348 --> 01:12:35,851 WELL, I'LL DO IT, BUT DON'T FORGET WHAT I SAID. AIN'T NOTHIN' GONNA HAPPEN! 1337 01:12:38,854 --> 01:12:40,856 THERE'S JOHN! 1338 01:12:42,858 --> 01:12:44,360 GIVE ME THAT CONTRACT! 1339 01:12:47,363 --> 01:12:50,366 (Suede) I'M LOOKIN' FOR YA, DEVLIN! 1340 01:12:50,366 --> 01:12:51,367 (Bang!) 1341 01:13:08,384 --> 01:13:11,387 YOU'RE A MIGHT TOO FREE AND EASY WITH THAT GUN OF YOURS, DEVLIN. 1342 01:13:11,387 --> 01:13:12,888 I'M HOLDIN' YA FOR MURDER. 1343 01:13:12,888 --> 01:13:15,891 I GOT A HUNCH THAT BADGE IS GONNA GET YOU IN TROUBLE. 1344 01:13:15,891 --> 01:13:18,394 HOW YA GONNA HOLD HIM, COLLINS? THERE AIN'T NO JAIL IN FARGO. 1345 01:13:18,394 --> 01:13:22,898 WHAT'S IT TO YA, FRIEND? I'M THE LAW AROUND HERE, AND I'LL BE RESPONSIBLE FOR 'IM. 1346 01:13:25,401 --> 01:13:28,404 THERE'S BEEN A KILLIN' DONE, FOLKS, AND THERE'S NO COURT OF LAW HERE! 1347 01:13:28,404 --> 01:13:30,906 WHO'S GONNA TRY HIM... HOW'S HE GONNA GET WHAT'S COMIN' TO HIM? 1348 01:13:30,906 --> 01:13:33,909 THERE'S A WAY OF TAKIN' CARE OF KILLERS HERE, AIN'T THERE, FOLKS? 1349 01:13:33,909 --> 01:13:37,413 - COME ON! - JUST A MINUTE, FELLAS! 1350 01:13:37,413 --> 01:13:40,416 THE MAN'S ENTITLED TO A FAIR TRIAL AROUND HERE! 1351 01:13:40,416 --> 01:13:42,418 GET BACK. 1352 01:13:44,420 --> 01:13:47,923 (farmer) THE WHEAT FIELDS ARE BURNIN'! THE WHOLE COUNTRY'S ABLAZE! 1353 01:13:47,923 --> 01:13:50,426 THE WHEAT FIELDS ARE ON FIRE! COME ON, LET'S GET OUT THERE! 1354 01:13:52,428 --> 01:13:53,929 WE'LL NEED ALL THE HELP WE CAN GET! 1355 01:14:09,945 --> 01:14:11,447 (sound of running horses) 1356 01:14:24,960 --> 01:14:26,962 (bang bang bang) 1357 01:14:29,965 --> 01:14:32,468 BENDER, YOU KILLED MR. GEARY. 1358 01:14:32,468 --> 01:14:35,471 I SAW YOU DO IT. DON'T LET IT WORRY YOU, MRS. DEVLIN. 1359 01:14:35,471 --> 01:14:38,474 THE GENTLEMEN ON HORSEBACK ARE NOT MYFRIENDS. 1360 01:14:38,474 --> 01:14:40,976 YOUR HUSBAND'S A... VERY LUCKY FELLOW. 1361 01:14:44,480 --> 01:14:46,982 HEY! WHAT'S GOIN' ON HERE?! 1362 01:14:46,982 --> 01:14:48,984 (bang bang) HEY! 1363 01:14:50,986 --> 01:14:52,988 HANG ON TO 'IM. 1364 01:14:54,990 --> 01:14:56,992 FINISH HIM OFF. (bang bang) 1365 01:14:57,493 --> 01:14:57,993 (bang) 1366 01:15:16,011 --> 01:15:18,013 (bang) 1367 01:15:18,013 --> 01:15:19,515 (bang) 1368 01:15:21,517 --> 01:15:22,518 (bang) 1369 01:15:40,536 --> 01:15:43,038 (bang bang) (bang) 1370 01:15:52,548 --> 01:15:53,549 (bang) 1371 01:16:17,072 --> 01:16:18,073 (bang) 1372 01:16:19,575 --> 01:16:20,576 (bang) 1373 01:16:28,083 --> 01:16:29,084 (bang) 1374 01:16:44,099 --> 01:16:47,102 -HEY! - OH, THERE YA ARE. 1375 01:16:47,102 --> 01:16:49,104 BETTER BE GETTIN' BACK TA THE BOAT, HEY, MR. DEVLIN? 1376 01:16:49,104 --> 01:16:52,107 HEYAH! WHEAT BURNIN', FELLAS SHOOTIN' AT EACH OTHER-- 1377 01:16:52,107 --> 01:16:54,610 FARGO AIN'T WHAT SHE USED TO BE! 1378 01:18:11,186 --> 01:18:13,689 NOT GOIN' LOOKIN' FOR ME, ARE YA, BENDER? 1379 01:18:14,189 --> 01:18:16,191 I... I WAS JUST COMIN' AFTER YA. 1380 01:18:16,191 --> 01:18:19,194 I'M GLAD YA STOPPED IN. I MIGHT A HAD TROUBLE FINDIN' YA. 1381 01:18:19,194 --> 01:18:23,198 YEAH, I FIGURED YOU WOULD, SO I COME OVER. 1382 01:18:23,198 --> 01:18:27,202 I KNOW'D YOU WOULDN'T WANT TO LEAVE ME BEHIND, AND SKIN OFF WITH THAT 20,000. 1383 01:18:27,202 --> 01:18:30,205 WELL, WE CAN, UH, SPLIT IT UP NOW, IF YOU LIKE. 1384 01:18:30,205 --> 01:18:33,208 YOUR POCKET'S ON THE OTHER SIDE, AIN'T IT, BENDER? 1385 01:18:33,208 --> 01:18:34,209 (bang) 1386 01:18:41,717 --> 01:18:42,217 (click) 1387 01:18:44,219 --> 01:18:44,720 (click) 1388 01:18:55,731 --> 01:18:57,733 THERE'S HIS HORSE! YEHA! 1389 01:19:02,738 --> 01:19:04,239 (Sandy) JOHN! 1390 01:20:12,808 --> 01:20:15,310 WELL, THERE IT IS. COUNT IT. 1391 01:20:16,812 --> 01:20:18,313 AND IF IT ISN'T ALL THERE, 1392 01:20:18,814 --> 01:20:20,315 YOU'LL HAVE TO COLLECT THE REST OF IT YOURSELF. 1393 01:20:24,319 --> 01:20:27,823 STAND BY AFORE AND AFT! SHE'S READY TO CAST OFF! 1394 01:20:28,323 --> 01:20:30,826 GET ON THAT SPRING LINE OVER THERE! 1395 01:20:30,826 --> 01:20:32,828 I HOPE THEY GET THE SUITCASES ABOARD, 1396 01:20:32,828 --> 01:20:35,330 BUT BAGS OR NO BAGS, WE'RE HEADIN' FOR CALIFORNIA. 1397 01:20:35,831 --> 01:20:37,332 YOU KNOW, JOHN, THAT RAILROAD MONEY 1398 01:20:37,833 --> 01:20:40,335 ISN'T GOING TO HELP EVERYONE THAT WAS BURNT OUT. 1399 01:20:40,335 --> 01:20:42,838 THAT'S RIGHT. THEY OUGHTA FORM SOME KIND OF A POOL 1400 01:20:43,338 --> 01:20:46,842 AND FIX IT SO EVERYBODY'D HAVE ENOUGH TILL THE NEXT HARVEST. 1401 01:20:46,842 --> 01:20:48,844 THAT'S WONDERFUL... WHY DON'T YOU DO IT? 1402 01:20:48,844 --> 01:20:50,846 WE'RE GOIN' TO CALIFORNIA. 1403 01:20:50,846 --> 01:20:54,349 BUT YOU'RE A HERO NOW. WE COULD GO INTO ANY BUSINESS WE LIKE. 1404 01:20:54,349 --> 01:20:57,352 MAYBE, UM, RIVERBOAT. YEAH? 1405 01:20:57,853 --> 01:20:58,854 WITH A RAILROAD COMIN' THROUGH? 1406 01:20:59,354 --> 01:21:01,356 BUT IT WILL BE ALMOST A YEAR BEFORE IT'S FINISHED, 1407 01:21:01,356 --> 01:21:03,358 AND IN THE MEANTIME, WE COULD HANDLE ALL THE SHIPPING. 1408 01:21:03,358 --> 01:21:05,861 CUT IT OUT, SANDY, BEFORE YOU HAVE ME IN TEARS. 1409 01:21:05,861 --> 01:21:08,363 I DID IT BECAUSE I LOVE YOU, THAT'S WHY I DID IT. 1410 01:21:08,363 --> 01:21:11,867 WHAT? (Bounce) ORDER IN THE GANGPLANK! 1411 01:21:11,867 --> 01:21:12,868 BOUNCE! 1412 01:21:14,369 --> 01:21:15,871 WHAT ARE YOU DOIN' THERE?! 1413 01:21:16,371 --> 01:21:18,874 SURE GOOD TO FEEL A SHIP UNDER MY FEET AGAIN! 1414 01:21:18,874 --> 01:21:20,876 MUCH OBLIGED TO YA, MR. DEVLIN! 1415 01:21:20,876 --> 01:21:23,879 MUCH OBLIGED? WHAT FOR? 1416 01:21:24,379 --> 01:21:25,881 I BOUGHT THEBELL OF THE NORTHWEST... 1417 01:21:25,881 --> 01:21:28,884 YOU WHAT!? AND PUT CAPTAIN BOUNCE IN CHARGE. 1418 01:21:28,884 --> 01:21:31,887 (boat whistle) 1419 01:21:33,388 --> 01:21:36,892 (boat whistle) 1420 01:21:36,892 --> 01:21:41,897 Captioning provided by Paramount Domestic Television. 1421 01:21:41,897 --> 01:21:44,399 Captions by Closed Captioning Services, Inc. 107773