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(relaxing music)
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- Okay, so we are coming into
the home stretch on this.
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I've let this sit for a day,
4
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it's still a little
bit damp unfortunately,
5
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but I'm gonna keep going.
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Even some of these dark areas
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that I painted like four days ago,
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they're still damp in here,
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so I'm just gonna paint over it
10
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and let that color come together.
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But really, all I'm really doing now,
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I'm liking the lion the way he is,
13
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I'm liking what we've got over here,
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it's really kind of
pulling this area together,
15
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trying to get this to
work a little bit better.
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If you remember the last
time I talked to you,
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well, to me it was several days ago,
18
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but for you guys it was just
the last time we talked,
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but I painted over the branches up there,
20
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which I really like that a lot better,
21
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getting rid of those branches
and opening up the composition
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so that we have, our lion has a view,
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and also it makes more sense
that all of this is in sunlight
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and we're catching shadows
here with our branches up here.
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So that all feels right to me.
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So now it's just a
matter of kind of working
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some of these branches over here.
28
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I don't wanna work them too much,
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I still wanna keep them loose,
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I still want to, let me slide
this over a little more.
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This is our focal point, I
wanna keep this impressionistic.
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I went to the Ringling Museum of Art
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yesterday in Sarasota, Florida,
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and saw some really wonderful,
really beautiful paintings
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that really inspired
me, and what was nice is
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I feel like I'm on a good track here,
37
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and so I just wanna continue on with that.
38
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So I'm going to work some
of these leaves here,
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I wanna get some of these branches
40
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very similar to what we had here,
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and I want that dappled light feel,
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so I want some hot areas coming through
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on some of these leaves, and remember,
44
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we bought that, I bought
that cadmium green,
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and I wanna mix that up a little bit.
46
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I'm just gonna mix it right
now, I'm not gonna use it yet,
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I just want to get some
of my colors ready,
48
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'cause I might work a little
bit of this in here first.
49
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It's a very strong kind of
acidic green, that cadmium.
50
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You can see I still have the ability here
51
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to move some of this paint around.
52
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Some of these little blooms,
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these little brown blooms on the branches,
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I wanna hit them a
little brighter in spots.
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That's a little brighter than what I want,
56
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so I'm gonna darken it a little bit.
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There we go.
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Just to give them a little more dimension.
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Yeah, that feels pretty good.
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Just hitting a few spots here and there
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just to round it out.
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I'm gonna jump around
quite a bit right now
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in what I'm doing.
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00:06:00,233 --> 00:06:02,470
So I hit some of those
oranges, I'm gonna jump around.
65
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I wanna hit some branches
now, little twigs and whatnot,
66
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that's really where
it's gonna make it sing.
67
00:06:08,360 --> 00:06:11,110
I'm gonna come back to the
leaves in just a little bit.
68
00:06:19,655 --> 00:06:22,383
Actually I'm gonna keep
this brush, actually.
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00:06:56,075 --> 00:06:59,492
So I'm creating a nice kind of warm gray,
70
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or more kind of a brown.
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Yeah, I like that color.
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So I'm gonna come up here, I wanna hit
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some more of these branches.
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00:07:41,760 --> 00:07:43,510
I have to turn this, unfortunately.
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There.
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00:08:25,467 --> 00:08:28,803
I'm just using this to
create some definition,
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and you know we'd see other
little branches coming in.
78
00:08:39,900 --> 00:08:42,173
I'm gonna darken it a
bit more and cool it.
79
00:08:58,620 --> 00:09:03,480
So I'm cooling that brown
down to more of a gray.
80
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I didn't darken it a whole lot.
81
00:09:10,950 --> 00:09:14,610
I've got some Payne's gray I'm gonna throw
82
00:09:14,610 --> 00:09:17,953
out here real quick, and
just, I don't usually use it,
83
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but I wanna use it now.
84
00:09:28,490 --> 00:09:30,310
I like Payne's gray in watercolor,
85
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I don't usually use it in oil,
86
00:09:33,360 --> 00:09:35,560
but today we're gonna use it,
87
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and it's a good substitute for black,
88
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it's got color to it, it's
got a cooled feel to it.
89
00:10:08,868 --> 00:10:12,118
There, I've still got a nice cool feel.
90
00:10:21,020 --> 00:10:25,843
Once again, I'm just creating
some texture here and there.
91
00:10:43,540 --> 00:10:46,920
I'm toning back some of the branch value
92
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that I did the other day.
93
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I just wanna knock it back a little bit
94
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so it's not so bright.
95
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There.
96
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Now I'm gonna stand up, Dustin.
97
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I'm gonna get up and do some
98
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of these upper leaves, branches.
99
00:14:06,407 --> 00:14:09,083
Okay, I'm gonna head back
down to the ground again.
100
00:15:23,293 --> 00:15:27,423
I wanna warm this up again
now, this gray that I've got.
101
00:16:26,750 --> 00:16:29,373
Creating lots and lots of texture here,
102
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over the last few days,
letting it build up,
103
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painting over it, letting it
build up, painting over it,
104
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and in doing that you can create a lot
105
00:16:39,360 --> 00:16:44,183
of really interesting texture,
106
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really gets this ground to sit right.
107
00:17:42,320 --> 00:17:44,000
So now I'm gonna lighten it up,
108
00:17:44,000 --> 00:17:45,850
I wanna hit some brighter highlights.
109
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Nice and bright, not too bright
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that it's going beyond
what the shadow dictates,
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but just bright enough
to kind of sit on top.
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There.
113
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Here I'm building up some highlights
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on some of the branches that are falling
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in front of the cat's feet.
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There, that's giving it some nice texture.
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There, just defining
some of these branches
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a little bit more.
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There we go.
120
00:29:09,670 --> 00:29:12,760
All right, I gotta paint in this leg
121
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where I haven't painted in yet,
122
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right back by the right ankle,
123
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there's still a lot of
bare canvas right here.
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So I just wanna get that covered.
125
00:30:27,409 --> 00:30:28,787
There we go.
126
00:30:28,787 --> 00:30:30,833
I'm just trying to get that covered up.
127
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Get some of the tail in there,
128
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just getting a little, just
roughing it up a little bit.
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Staying very loose with it.
130
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There, just give it a little texture.
131
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And then this side, I just
wanna lighten it a little bit
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like it's catching a little bit of light
133
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right there on that side of the,
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and a little bit of warmth.
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There.
136
00:33:44,207 --> 00:33:46,330
Just a little bit of
reflected light on that,
137
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just to round out that tail a little.
138
00:34:00,673 --> 00:34:04,570
All right, let's jump into our greens,
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get some nice bright greens in here,
140
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especially up by our dappled sunlight
141
00:34:19,485 --> 00:34:21,040
on the hind quarters there,
142
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I wanna make sure I'm
getting dappled sunlight
143
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on those leaves that
are closest to that area
144
00:34:27,460 --> 00:34:29,500
so it'll look consistent.
145
00:34:29,500 --> 00:34:31,200
So I'm gonna come up here, Dustin.
146
00:35:10,160 --> 00:35:12,860
All right, getting a little
bit of dappled light here.
147
00:36:27,890 --> 00:36:29,880
Let me step back, I think
I may have overdone it
148
00:36:29,880 --> 00:36:32,463
with the leaves over
the hind quarters there.
149
00:36:41,430 --> 00:36:44,180
Yeah, they're just drawing
a little too much attention.
150
00:36:52,093 --> 00:36:54,926
I'm gonna have to wipe those back.
151
00:37:00,080 --> 00:37:00,913
Just gonna stand back here
152
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and just have a look
at everything overall.
153
00:37:05,550 --> 00:37:07,220
Overall, everything feels pretty good,
154
00:37:07,220 --> 00:37:11,867
except for that bright
green that I put right here,
155
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it's drawing too much attention.
156
00:37:17,920 --> 00:37:20,580
I shouldn't have put
it in such a dark area,
157
00:37:20,580 --> 00:37:23,310
because there's so much contrast there,
158
00:37:23,310 --> 00:37:26,670
I'm drawing attention, so I'm going to try
159
00:37:32,270 --> 00:37:34,403
to scrape that out as best I can.
160
00:37:40,159 --> 00:37:44,242
I can't really wipe it
out because I'll smear it.
161
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I'm gonna paint over it.
162
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Ah, I can't really paint over it either.
163
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I'm gonna paint over the other ones,
164
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and then I'll have to come
back and paint over them again.
165
00:39:10,460 --> 00:39:11,910
That's not too bad, actually.
166
00:39:33,800 --> 00:39:35,750
Let's tone all these down a little bit.
167
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I like that green, actually.
168
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There, that's a little more palatable.
169
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That feels better, and that's actually
170
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more in line with my reference
as far as the color goes.
171
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I'm just kind of bopping
all over the place here.
172
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- [Dustin] Mm-hmm.
173
00:41:42,366 --> 00:41:44,160
- I know, sorry Dustin.
174
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Dustin has to suffer 'cause
I'm jumping all over.
175
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There, why, that feels nice, those colors.
176
00:42:22,320 --> 00:42:25,140
Now I feel like I'm getting some nice
177
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kind of loose rendering
in here of these leaves.
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I wanna come up here now, Dustin.
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- [Dustin] Let me show the hands up.
180
00:43:01,891 --> 00:43:03,474
- Right up in here.
181
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Then jump over to the right.
182
00:43:29,460 --> 00:43:31,010
Okay, I'm gonna pull this over,
183
00:43:33,620 --> 00:43:35,087
drop this down a little bit.
184
00:43:52,505 --> 00:43:56,505
Okay, I'm gonna hit some
of my colors over here.
185
00:43:59,860 --> 00:44:01,870
I'm gonna adjust what I've got here.
186
00:45:01,111 --> 00:45:03,311
There, we got that to
match a little better.
187
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Those greens are working a little better.
188
00:45:29,550 --> 00:45:32,173
Okay, I'm gonna jump
back over to the right.
189
00:45:34,440 --> 00:45:36,900
Here on this side I
wanna work a little bit
190
00:45:36,900 --> 00:45:40,023
of earthier tone into those greens,
191
00:45:45,120 --> 00:45:46,973
get them to sit a little better.
192
00:46:43,960 --> 00:46:47,260
Just working a little bit
of earthier tone in here,
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like I've got.
194
00:46:53,360 --> 00:46:56,490
Just they've got just a
little bit of that in there,
195
00:46:56,490 --> 00:47:01,490
and it'll help these leaves
sit just a little better
196
00:47:06,700 --> 00:47:09,583
with that earthiness of the cat.
197
00:47:18,570 --> 00:47:21,633
I just warmed up the greens a bit.
198
00:47:45,186 --> 00:47:48,519
I'm giving him some dappled light again.
199
00:49:14,010 --> 00:49:15,300
Gonna go ahead and hit some
200
00:49:15,300 --> 00:49:17,000
of these leaves a little bit more.
201
00:49:50,210 --> 00:49:51,270
So the thing about these leaves,
202
00:49:51,270 --> 00:49:55,473
you wanna make sure you're
not just making leaf shapes,
203
00:49:57,070 --> 00:50:01,033
but other shapes as well.
204
00:50:06,270 --> 00:50:07,550
There's all kinds of little shapes
205
00:50:07,550 --> 00:50:09,043
that are connecting in there.
206
00:51:31,880 --> 00:51:34,680
I'm gonna jump over to the
left here real quick, Dustin.
207
00:52:17,420 --> 00:52:19,460
- [Dustin] Say you go
left, then you go right.
208
00:52:19,460 --> 00:52:20,890
- [Aaron] Yeah, well, I did
209
00:52:20,890 --> 00:52:23,283
what I needed to do, (laughs) sorry.
210
00:52:24,930 --> 00:52:26,333
I apologize for that.
211
00:52:28,145 --> 00:52:29,800
- [Dustin] Lord, I
apologize for that there,
212
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be with the starving
pygmies in New Guinea, amen.
213
00:52:32,857 --> 00:52:35,757
- [Aaron] Just trying to get
the shapes in here all right,
214
00:52:37,210 --> 00:52:40,923
just trying to get all these
shapes in here nice and right.
215
00:52:44,802 --> 00:52:46,802
- [Dustin] That's right.
216
00:52:49,407 --> 00:52:51,573
- I'm gonna come down here a little bit.
217
00:52:55,149 --> 00:52:56,647
- [Dustin] Then you're gonna go up.
218
00:52:56,647 --> 00:52:59,147
- No, I'm gonna stay down
a little bit, I promise.
219
00:53:07,652 --> 00:53:08,485
There.
220
00:53:10,140 --> 00:53:11,840
How's all that all looking to you?
221
00:53:14,600 --> 00:53:16,840
- [Dustin] Definitely
there isn't much lacking
222
00:53:16,840 --> 00:53:17,950
on the lighting.
223
00:53:17,950 --> 00:53:20,950
- [Aaron] Are you liking
it, is it looking better,
224
00:53:20,950 --> 00:53:25,287
the leaves on the trees
and the peppermint leaves?
225
00:53:33,125 --> 00:53:36,380
- [Dustin] I like how the
more it goes up to the left,
226
00:53:36,380 --> 00:53:37,730
the brighter it gets, so it stays dark
227
00:53:37,730 --> 00:53:39,257
down the bottom right.
228
00:53:39,257 --> 00:53:40,674
- [Aaron] Uh-huh.
229
00:53:41,716 --> 00:53:45,360
- [Dustin] Nice gradient.
230
00:53:45,360 --> 00:53:46,703
- [Aaron] Uh-huh, thanks.
231
00:53:48,320 --> 00:53:49,170
I think I'm done.
232
00:53:50,634 --> 00:53:52,040
- [Dustin] You think?
233
00:53:52,040 --> 00:53:53,063
- [Aaron] I don't know.
234
00:53:55,480 --> 00:53:56,733
I don't wanna overdo it.
235
00:54:00,163 --> 00:54:01,894
- [Dustin] You don't
wanna overdo the details--
236
00:54:01,894 --> 00:54:06,894
- One thing I do, I don't
like how his fur on his neck
237
00:54:07,220 --> 00:54:10,050
just goes straight across.
238
00:54:10,050 --> 00:54:12,480
- [Dustin] I think
that's from the brushing.
239
00:54:12,480 --> 00:54:14,480
- It is, so what I'm gonna do
240
00:54:17,340 --> 00:54:19,070
is I'm just gonna mix up a little bit
241
00:54:19,070 --> 00:54:21,770
of that color paint, that brown,
242
00:54:21,770 --> 00:54:24,040
which I think I might already have,
243
00:54:24,040 --> 00:54:26,823
and I'm just gonna brush
it out a little bit,
244
00:54:28,690 --> 00:54:31,783
ever so carefully.
245
00:54:50,910 --> 00:54:54,137
No, it's too--
246
00:54:57,206 --> 00:54:58,057
- [Dustin] It's too dark?
247
00:54:58,057 --> 00:55:00,227
- [Aaron] No, it's too wet.
248
00:55:00,227 --> 00:55:02,227
- [Dustin] Ah, yeah man.
249
00:55:05,300 --> 00:55:08,250
- [Aaron] So I'm just trying
to brush some of this fur out,
250
00:55:16,590 --> 00:55:17,707
just a little bit.
251
00:55:18,970 --> 00:55:20,807
- [Dustin] Don't wanna over-extend it.
252
00:55:26,240 --> 00:55:29,763
- I want it to feel nice
and fluffy, you know fluffy?
253
00:55:35,090 --> 00:55:35,923
- [Dustin] Fluffy.
254
00:55:35,923 --> 00:55:36,756
- Fluffy.
255
00:55:36,756 --> 00:55:37,589
- [Dustin] I'm saying fluffy.
256
00:55:37,589 --> 00:55:41,203
- Fluffy, fleur, the fleur, fleur-fy.
257
00:55:42,423 --> 00:55:43,256
- [Dustin] The fleur.
258
00:55:43,256 --> 00:55:47,900
- So now I've got a nice fan brush
259
00:55:47,900 --> 00:55:50,593
that I can go in now
with that I just bought,
260
00:55:51,430 --> 00:55:53,170
I just bought a fan brush.
261
00:55:53,170 --> 00:55:55,130
- [Dustin] Is he your biggest fan?
262
00:55:55,130 --> 00:55:57,723
- My biggest fan brush, right here.
263
00:55:58,990 --> 00:56:00,883
I just bought this here fan brush.
264
00:56:22,255 --> 00:56:23,088
There.
265
00:56:27,460 --> 00:56:29,193
That looks a little better, doesn't it?
266
00:56:30,276 --> 00:56:31,109
- [Dustin] Yes.
267
00:56:31,109 --> 00:56:33,130
- So it's not so straight across anymore.
268
00:56:37,290 --> 00:56:38,293
Yeah.
269
00:56:42,420 --> 00:56:44,153
Just a little bit more, I'm gonna,
270
00:56:45,150 --> 00:56:47,940
I gotta balance out some of
these greens down in here,
271
00:56:47,940 --> 00:56:50,273
I think, over here.
272
00:56:59,310 --> 00:57:01,263
Just a touch.
273
00:57:58,870 --> 00:58:03,680
I'm gonna throw a little
more phthalo green down.
274
00:58:03,680 --> 00:58:06,980
We're right in the, man, we're
so close to having this done,
275
00:58:06,980 --> 00:58:09,470
I'm just going through
now and just looking
276
00:58:09,470 --> 00:58:12,730
at little areas here and there
277
00:58:12,730 --> 00:58:16,343
that I feel could be a little stronger.
278
00:58:21,891 --> 00:58:26,141
I'm liking how these leaves
are finally coming out.
279
00:58:31,111 --> 00:58:35,028
I like getting some nice
chunky paint in there.
280
00:58:54,804 --> 00:58:58,387
I'm just going with
the chunkiness, and ah.
281
00:59:37,620 --> 00:59:38,453
Nice.
282
00:59:54,400 --> 00:59:56,290
I'm gonna step back for a minute,
283
00:59:56,290 --> 00:59:57,520
we might have this thing done.
284
00:59:57,520 --> 00:59:59,020
I'm gonna take a little break,
285
00:59:59,860 --> 01:00:02,103
I'm gonna take a little bit of a break,
286
01:00:02,960 --> 01:00:05,510
and I'm gonna scrutinize
it a little bit more,
287
01:00:05,510 --> 01:00:06,760
and then we'll come back.
288
01:00:07,640 --> 01:00:09,693
So all right, let's take a break.
289
01:00:10,550 --> 01:00:13,310
All right, so we are in the home stretch,
290
01:00:13,310 --> 01:00:15,790
we are literally in the home stretch now.
291
01:00:15,790 --> 01:00:17,500
I think I just wanna hit some highlighted,
292
01:00:17,500 --> 01:00:20,250
like I have in here, some
lighter colored branches
293
01:00:20,250 --> 01:00:22,620
down in here, I wanna hit
some of those up top here,
294
01:00:22,620 --> 01:00:26,400
just a couple, maybe five
or 10 minutes worth of work,
295
01:00:26,400 --> 01:00:28,080
and then I think we are done.
296
01:00:28,080 --> 01:00:31,730
I just made a mistake of going
to do some retouch varnish
297
01:00:31,730 --> 01:00:35,560
over it to even out the finish,
and one thing you don't do:
298
01:00:35,560 --> 01:00:37,870
don't varnish your painting
straight up and down,
299
01:00:37,870 --> 01:00:39,450
I forgot and I went and did that,
300
01:00:39,450 --> 01:00:40,850
and some of the varnish ran.
301
01:00:41,848 --> 01:00:44,040
It's gonna be okay, I let the varnish dry,
302
01:00:44,040 --> 01:00:46,850
and then I was able to
paint over some of it,
303
01:00:46,850 --> 01:00:49,750
but you gotta varnish your paintings flat,
304
01:00:49,750 --> 01:00:51,710
and I was just, everybody knows that,
305
01:00:51,710 --> 01:00:53,600
I should have known that, I was in a rush,
306
01:00:53,600 --> 01:00:56,500
I leaned it up against my fence
out back and I varnished it
307
01:00:56,500 --> 01:00:59,650
with a spray varnish,
and it ran a little bit.
308
01:00:59,650 --> 01:01:00,673
But it's okay.
309
01:01:02,130 --> 01:01:04,020
The other thing too is
don't varnish it too soon.
310
01:01:04,020 --> 01:01:07,660
I've done spray varnish in
the past over wet paintings
311
01:01:07,660 --> 01:01:09,090
just to protect it a little bit,
312
01:01:09,090 --> 01:01:10,560
but I was laying them flat,
313
01:01:10,560 --> 01:01:14,550
so in this case some of the
wet paint ran a little bit
314
01:01:14,550 --> 01:01:16,380
'cause the varnish mixed with the paint,
315
01:01:16,380 --> 01:01:18,253
but, once again, it's gonna be okay.
316
01:01:19,540 --> 01:01:22,520
But like I said, I just wanna hit a couple
317
01:01:22,520 --> 01:01:26,320
of small areas up in here just
to hit some lighter branches,
318
01:01:26,320 --> 01:01:30,453
busy it up a little bit, and
then I'm gonna call it done,
319
01:01:31,560 --> 01:01:33,940
and so I'm just gonna jump in here,
320
01:01:33,940 --> 01:01:37,683
get some cooler color,
and mix it over here.
321
01:01:42,530 --> 01:01:44,370
I'm really excited about this.
322
01:01:44,370 --> 01:01:46,780
It's been a, you know,
it's a nice loose painting,
323
01:01:46,780 --> 01:01:49,740
it's probably a little looser
than what I normally do.
324
01:01:49,740 --> 01:01:54,083
If I'm painting smaller, I
tend to paint a little tighter,
325
01:01:57,220 --> 01:02:02,220
but I like the tightness
to looseness on this one
326
01:02:03,300 --> 01:02:06,003
for the size of the painting that it is.
327
01:02:07,500 --> 01:02:08,533
I really like it.
328
01:02:09,480 --> 01:02:11,563
So here I'm just gonna come in and,
329
01:02:15,796 --> 01:02:18,637
as I said, just hit a
couple spots, busy it up,
330
01:02:20,160 --> 01:02:21,520
give it a little bit more interest.
331
01:02:21,520 --> 01:02:24,363
I wanna darken it, the value
feels a little light to me,
332
01:02:25,200 --> 01:02:27,100
so I'm gonna darken that a little bit.
333
01:02:45,326 --> 01:02:49,326
I wanna continue to darken
it a little bit more,
334
01:02:58,030 --> 01:03:00,070
and cool it off a little bit more.
335
01:03:03,210 --> 01:03:05,630
So now our value is brought down nice
336
01:03:08,940 --> 01:03:10,800
to an area that I think is a little bit
337
01:03:10,800 --> 01:03:15,800
more visually pleasing.
338
01:03:27,010 --> 01:03:27,843
There.
339
01:03:30,900 --> 01:03:31,773
Much better.
340
01:03:36,210 --> 01:03:39,147
Just coming in and hitting little,
341
01:03:56,210 --> 01:04:01,210
little areas that just need
a little bit more modeling.
342
01:04:42,280 --> 01:04:44,183
I'm gonna drop this down just a bit,
343
01:04:45,429 --> 01:04:46,460
I don't know if I can.
344
01:04:46,460 --> 01:04:47,893
Ah, I can't really do it.
345
01:05:08,172 --> 01:05:12,589
Just little branches, let
me see what we've got here.
346
01:05:17,540 --> 01:05:18,430
That feels pretty good.
347
01:05:18,430 --> 01:05:21,223
I don't wanna go any
more than that in there,
348
01:05:22,070 --> 01:05:24,187
maybe I wanna lighten it up a little bit.
349
01:06:25,166 --> 01:06:25,999
There.
350
01:06:32,803 --> 01:06:35,080
I don't wanna overdo it, I just wanna add
351
01:06:35,080 --> 01:06:37,063
a little bit more interest over there.
352
01:06:38,250 --> 01:06:39,800
Make sure I'm not overdoing it.
353
01:06:42,560 --> 01:06:43,560
I think I've got it.
354
01:06:46,080 --> 01:06:47,563
I think we are there.
355
01:06:52,480 --> 01:06:54,750
There's been, you know, a lot of ups
356
01:06:54,750 --> 01:06:56,893
and downs on this painting, and,
357
01:06:59,983 --> 01:07:02,276
I just wanna hit a couple
spots here, (laughs)
358
01:07:02,276 --> 01:07:03,964
you like that Dustin?
359
01:07:03,964 --> 01:07:05,714
- [Dustin] I knew it.
360
01:07:09,910 --> 01:07:11,793
- [Aaron] 10 hours later.
361
01:07:13,331 --> 01:07:15,293
- [Dustin] 12 hours later.
362
01:07:16,990 --> 01:07:19,930
- No, but I've really
enjoyed doing this painting.
363
01:07:19,930 --> 01:07:22,130
It's been a while since I've
done a painting this big
364
01:07:22,130 --> 01:07:27,090
in the studio in oil, and, you know,
365
01:07:27,090 --> 01:07:28,720
if you guys follow me, you know I love
366
01:07:28,720 --> 01:07:30,450
to do all kinds of different mediums:
367
01:07:30,450 --> 01:07:35,450
oil, watercolor, ink,
charcoal, digital, animation,
368
01:07:36,130 --> 01:07:38,610
whatever it might be,
and I really recommend
369
01:07:38,610 --> 01:07:40,720
you guys push yourselves
and do the same thing.
370
01:07:40,720 --> 01:07:43,130
It really makes you a better artist,
371
01:07:43,130 --> 01:07:45,493
it pushes your creativity,
372
01:07:46,920 --> 01:07:49,350
and just the fact that you're sitting here
373
01:07:49,350 --> 01:07:51,190
doing this with me and listening,
374
01:07:51,190 --> 01:07:52,813
or painting along, or whatever,
375
01:07:54,270 --> 01:07:57,510
that alone is really gonna
help in your creativity
376
01:07:57,510 --> 01:08:00,253
just by the sheer fact of
watching another artist.
377
01:08:01,140 --> 01:08:03,340
I do that myself with other artists
378
01:08:03,340 --> 01:08:06,910
so I can learn, continue
to learn, and be inspired,
379
01:08:06,910 --> 01:08:11,530
and so, you know, I was
inspired on this trip.
380
01:08:11,530 --> 01:08:15,300
I went to Africa, I saw this
guy out on the Maasai Mara,
381
01:08:15,300 --> 01:08:20,143
and took a whole bunch
of photos and sketches,
382
01:08:21,740 --> 01:08:24,850
and came back, and here
we are in our studio,
383
01:08:24,850 --> 01:08:26,150
you know, a few weeks later,
384
01:08:26,150 --> 01:08:30,357
and I've got this 30 inch
by 40 inch oil painting,
385
01:08:30,357 --> 01:08:32,960
and I'm really happy, and I'm really happy
386
01:08:32,960 --> 01:08:34,280
that I get to share it with you guys.
387
01:08:34,280 --> 01:08:38,010
So I hope you guys learned
something from this,
388
01:08:38,010 --> 01:08:40,440
I know there's a lot of areas in there
389
01:08:40,440 --> 01:08:42,610
where I was just kind of
painting away and not talking,
390
01:08:42,610 --> 01:08:44,040
I kind of get caught up sometimes,
391
01:08:44,040 --> 01:08:46,660
but, you know, just by watching
392
01:08:46,660 --> 01:08:47,810
you're gonna be picking things up.
393
01:08:47,810 --> 01:08:50,160
Remember things like your value structure,
394
01:08:50,160 --> 01:08:52,660
making sure your values read,
395
01:08:52,660 --> 01:08:55,320
making sure that you're paying attention
396
01:08:55,320 --> 01:08:59,260
to your warms and your cools,
all that kind of thing.
397
01:08:59,260 --> 01:09:01,840
Don't worry if your
painting doesn't look great
398
01:09:01,840 --> 01:09:03,610
in the beginning when
you're painting in oil,
399
01:09:03,610 --> 01:09:05,560
because you're gonna be building it up,
400
01:09:05,560 --> 01:09:07,100
you can paint on top of paint,
401
01:09:07,100 --> 01:09:09,360
and really build it up and get some depth.
402
01:09:09,360 --> 01:09:10,390
There's a lot of different things,
403
01:09:10,390 --> 01:09:11,630
so remember all those different things
404
01:09:11,630 --> 01:09:13,340
that I taught to you
during the course of this,
405
01:09:13,340 --> 01:09:15,810
and try doing one yourself,
maybe not one as big,
406
01:09:15,810 --> 01:09:17,710
but maybe do one a little bit smaller
407
01:09:17,710 --> 01:09:20,420
and try some of these techniques,
I think you'll enjoy it.
408
01:09:20,420 --> 01:09:24,620
So go do a painting, go put
some beauty back into the world,
409
01:09:24,620 --> 01:09:25,800
and I'll see you on the next one.
410
01:09:25,800 --> 01:09:26,963
Thanks, bye.
31787
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