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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 2 00:00:23,830 --> 00:00:26,600 ? WHAT IS THIS THING ? 3 00:00:26,600 --> 00:00:30,300 ? CALLED LOVE? ? 4 00:00:30,300 --> 00:00:32,800 ? THIS FUNNY THING ? 5 00:00:32,800 --> 00:00:36,400 ? CALLED LOVE ? 6 00:00:36,400 --> 00:00:38,700 ? JUST WHO CAN SOLVE ? 7 00:00:38,700 --> 00:00:42,530 ? ITS MYSTERY? ? 8 00:00:42,530 --> 00:00:45,560 ? WHY SHOULD IT MAKE ? 9 00:00:45,560 --> 00:00:49,500 ? A FOOL OF ME? ? 10 00:00:49,500 --> 00:00:51,600 ? I SAW YOU THERE ? 11 00:00:51,600 --> 00:00:55,560 ? THAT WONDERFUL DAY ? 12 00:00:55,560 --> 00:00:57,630 ? YOU TOOK MY LOVE ? 13 00:00:57,630 --> 00:01:01,330 ? AND THREW IT AWAY ? 14 00:01:01,330 --> 00:01:04,300 ? AND SO I ASK THE LORD ? 15 00:01:04,300 --> 00:01:07,700 ? IN HEAVEN ABOVE ? 16 00:01:07,700 --> 00:01:10,700 ? WHAT IS THIS THING ? 17 00:01:10,700 --> 00:01:15,860 ? CALLED LOVE? ? 18 00:01:17,200 --> 00:01:22,400 ? CALLED LOVE ? 23 00:02:53,700 --> 00:02:55,530 SO... 24 00:02:55,530 --> 00:02:57,430 A DRAGON. 25 00:02:57,430 --> 00:03:01,160 IT'S LIKE A... BIKER BITCH CHOICE. 26 00:03:01,160 --> 00:03:02,800 WHAT DOES IT EAT? 27 00:03:02,800 --> 00:03:04,260 MEN'S DREAMS. 29 00:03:07,330 --> 00:03:08,900 WHAT? 30 00:03:08,900 --> 00:03:13,460 OH. THIS IS NOT THE JOCELYN I KNOW. 31 00:03:13,460 --> 00:03:15,430 YOU DID THIS ON A WHIM? 32 00:03:15,430 --> 00:03:17,560 WELL, MAYBE YOU LIKE THE JOCELYN YOU DON'T KNOW 33 00:03:17,560 --> 00:03:19,430 BETTER THAN THE ONE YOU DO. 34 00:03:19,430 --> 00:03:22,230 BEFORE I RESPOND, WHICH ONE AM I TALKING TO RIGHT NOW? 35 00:03:22,230 --> 00:03:27,160 YOU'RE ASKING THE WRONG PERSON. I AM NOT EVEN HERE. 36 00:03:27,160 --> 00:03:29,400 I AM IN A PLACE OF BLISS. 37 00:03:29,400 --> 00:03:31,730 THAT'S WHAT YOU DO TO ME, MICHAEL. 41 00:03:39,430 --> 00:03:41,800 MY MOTHER. 42 00:03:41,800 --> 00:03:44,230 SHE'S HALF AN HOUR EARLY. 43 00:03:44,230 --> 00:03:46,900 IT'S 7:45. WHAT'S SHE DOING HERE? 44 00:03:46,900 --> 00:03:50,730 I TOLD YOU. SHE'S TAKING ME ON A SPA WEEKEND IN SAN DIEGO. 45 00:03:50,730 --> 00:03:53,300 I'M NOT LIFTING A FINGER UNTIL SUNDAY. 46 00:03:53,300 --> 00:03:55,460 BET YOUR MOTHER WILL FEEL RIGHT AT HOME WITH THAT DRAGON. 48 00:03:56,660 --> 00:03:58,200 HEY. 50 00:04:00,260 --> 00:04:02,300 GO. 51 00:04:04,900 --> 00:04:06,930 OH. THANK YOU. 52 00:04:06,930 --> 00:04:09,830 THANKS. 54 00:04:18,130 --> 00:04:19,800 YOU ALL RIGHT, LUTHER? 55 00:04:19,800 --> 00:04:24,200 YES. JUST... REACTING TO THE PRICES OF THESE ENTREES. 56 00:04:24,200 --> 00:04:27,830 $125 FOR A STEAK? 57 00:04:27,830 --> 00:04:30,260 RELAX, LUTHER. 58 00:04:30,260 --> 00:04:33,900 YOU'RE GOING TO EXPENSE THIS TO MY FATHER ANYWAY. 59 00:04:33,900 --> 00:04:35,660 WELL, I TAKE UMBRAGE. 60 00:04:35,660 --> 00:04:38,230 I WONDER WHAT THEY CHARGE FOR THAT. 61 00:04:38,230 --> 00:04:40,900 IT'S KOBE BEEF, LUTHER. 62 00:04:40,900 --> 00:04:45,730 IT'S GENTLY YET THOROUGHLY MASSAGED BY HAND, 63 00:04:45,730 --> 00:04:47,560 AND SOMETIMES EVEN BY FOOT. 65 00:04:49,230 --> 00:04:50,760 FOOT, 66 00:04:50,760 --> 00:04:52,430 OH, THAT'S REMARKABLE, DON'T YOU THINK, LUTHER? 67 00:04:52,430 --> 00:04:55,160 YES. 69 00:04:56,500 --> 00:05:02,730 LUTHER. 73 00:05:16,800 --> 00:05:20,400 WHAT LANGUAGE IS THAT YOU'RE SPEAKING, LUTHER? 74 00:05:20,400 --> 00:05:22,160 IT'S JAVANESE. 75 00:05:22,160 --> 00:05:24,830 YOU MEAN... JAPANESE. 76 00:05:24,830 --> 00:05:30,460 NO, JAVANESE. FROM JAVA. 77 00:05:30,460 --> 00:05:34,630 WHAT DO WE KNOW OF JAVA? 78 00:05:34,630 --> 00:05:38,360 IT'S WHERE THE LEGENDARY FOSSIL OF JAVA MAN WAS FOUND. 79 00:05:41,800 --> 00:05:43,530 FANTASTIC. 80 00:05:43,530 --> 00:05:46,730 I DIDN'T KNOW YOU WERE SUCH A FOSSIL BUFF, DARLING. 82 00:05:48,600 --> 00:05:51,330 GO ON, LUTHER. 83 00:05:51,330 --> 00:05:55,900 FOR... GOD SAKES. ELABORATE. WELL... 84 00:05:55,900 --> 00:05:58,460 WELL, TO NO ONE'S SURPRISE, 85 00:05:58,460 --> 00:05:59,800 AND GIVEN THE ABUNDANT RAINFALL, 86 00:05:59,800 --> 00:06:03,160 THE RICE FIELDS IN JAVA ARE AMONG THE... 87 00:06:03,160 --> 00:06:04,800 WETTEST IN THE WORLD. 88 00:06:04,800 --> 00:06:08,330 REALLY? HOW WET? 89 00:06:08,330 --> 00:06:10,200 SOAKING. 90 00:06:10,200 --> 00:06:12,300 SOAKING. 91 00:06:12,300 --> 00:06:15,200 OKAY, WELL, HONEY, LET'S GET SOME BEEF, HUH? 93 00:06:16,630 --> 00:06:19,560 THAT DINNER WENT ON FUCKING FOREVER. 94 00:06:19,560 --> 00:06:22,600 I THOUGHT LUTHER WOULD NEVER SHUT UP ABOUT JAVA. 95 00:06:22,600 --> 00:06:26,160 LIKE I GIVE A BROWN DOUGHNUT. 96 00:06:26,160 --> 00:06:29,230 YOU KNOW WHAT WAS THE BEST TIME OF MY MARRIAGE TO PEMMIE? 97 00:06:29,230 --> 00:06:31,430 THE YEAR SHE WAS IN PRISON FOR TAX EVASION. 98 00:06:31,430 --> 00:06:33,660 MY COCK FINALLY GOT A BREAK. 99 00:06:33,660 --> 00:06:35,600 THE WOMAN IS INSATIABLE. 100 00:06:35,600 --> 00:06:40,830 SHE'LL GRIND ANY MAN DOWN LIKE A PIECE OF WOOD ON A LATHE. 101 00:06:40,830 --> 00:06:45,500 BEFORE I MET HER, I REALLY LOVED SEX. 102 00:06:45,500 --> 00:06:48,500 BUT SHE JUST WORE ME OUT. 103 00:06:48,500 --> 00:06:50,600 SO WHY DO I STAY WITH HER? 105 00:06:52,430 --> 00:06:56,300 'CAUSE WE GOT SOMETHING TOGETHER. 106 00:06:56,300 --> 00:07:01,760 DO NOT MENTION THIS TO MY COCK. 107 00:07:10,360 --> 00:07:13,160 SHE'S DRIVING MUCH CALMER SINCE THE ANGER MANAGEMENT CLASSES. 108 00:07:15,300 --> 00:07:17,430 YOU ACTUALLY ASKED TO COME ON A RIDE-ALONG? 109 00:07:17,430 --> 00:07:19,630 DID YOU KNOW SHE WAS DRIVING? 110 00:07:19,630 --> 00:07:22,230 MICHAEL WANTED TO SEE WHAT I DO WHEN WE'RE NOT TOGETHER 111 00:07:22,230 --> 00:07:24,530 TRYING TO KILL EACH OTHER. 113 00:07:32,560 --> 00:07:34,300 HEY, PRESTON. 114 00:07:34,300 --> 00:07:35,530 THE BIG GUY-- ISN'T THAT LINDELL? 115 00:07:35,530 --> 00:07:37,300 FUCKHEAD NEVER LEARNS. 116 00:07:37,300 --> 00:07:39,130 DOWN, MICHAEL, DOWN! 119 00:07:47,500 --> 00:07:50,230 YOU GET LINDELL. I'LL GET HECKLE AND JECKLE. 120 00:07:50,230 --> 00:07:51,800 STOP, OR I'LL SHOOT! 122 00:07:56,330 --> 00:07:58,360 LIZ! 123 00:07:58,360 --> 00:08:00,400 STAY IN THE CAR! 125 00:08:12,500 --> 00:08:13,860 HEY, HEY, HEY! JEEZ! 126 00:08:13,860 --> 00:08:15,830 DIDN'T I TELL YOU TO STAY IN THE CAR? 128 00:08:17,360 --> 00:08:20,660 RELAX. I'M NOT DEAD. 129 00:08:20,660 --> 00:08:22,200 UNIT 407, WE HAVE AN OFFICER DOWN. 130 00:08:22,200 --> 00:08:23,430 PUT SOME PRESSURE ON THE WOUND RIGHT HERE. 131 00:08:23,430 --> 00:08:25,130 RIGHT THERE. 132 00:08:25,130 --> 00:08:27,400 STAY HERE. I'LL GUIDE THE AMBULANCE IN. 134 00:08:29,230 --> 00:08:32,330 YOU GLAD YOU CAME? 135 00:08:32,330 --> 00:08:36,200 PUT SOME PRESSURE DOWN THERE. 136 00:08:36,200 --> 00:08:37,730 NOT SO HARD. 137 00:08:37,730 --> 00:08:40,230 OKAY. ARE YOU OKAY? 138 00:08:40,230 --> 00:08:43,400 ME? NEVER BETTER. 139 00:08:43,400 --> 00:08:47,500 JUST A FLESH WOUND. 143 00:09:02,130 --> 00:09:04,600 HEY. 147 00:09:09,860 --> 00:09:11,760 HOW YOU DOING? 148 00:09:11,760 --> 00:09:13,330 FINE. 149 00:09:13,330 --> 00:09:14,900 YEAH? 150 00:09:14,900 --> 00:09:16,700 NOT THE FIRST TIME I'VE BEEN SHOT. 151 00:09:16,700 --> 00:09:18,430 HOW MANY TIMES? 152 00:09:18,430 --> 00:09:21,730 COUPLE. WHAT DOES IT MATTER? 153 00:09:21,730 --> 00:09:24,600 OH, I DON'T KNOW. LIFE, DEATH, AHH. 154 00:09:24,600 --> 00:09:29,130 YOU'RE FAR TOO MELODRAMATIC, YOU KNOW THAT? 155 00:09:29,130 --> 00:09:31,600 LIZ, YOU WERE SHOT. 156 00:09:31,600 --> 00:09:33,360 I'VE BEEN FULL OF HOLES FOREVER. 157 00:09:33,360 --> 00:09:35,860 WHAT'S ONE MORE? 158 00:09:35,860 --> 00:09:39,860 HEY. COME HERE. 159 00:09:39,860 --> 00:09:42,700 HEY, YOU WERE SHOT. 160 00:09:42,700 --> 00:09:46,700 HEY. BUT NOT IN THE MOUTH. 162 00:09:48,160 --> 00:09:50,730 COME HERE. 165 00:09:56,360 --> 00:10:00,460 UGH. I GOTTA GO GET THAT. IT'S THE OFFICE. 168 00:10:07,500 --> 00:10:09,360 Ah, there you are, Michael. 169 00:10:09,360 --> 00:10:11,400 Hello, Michael. 170 00:10:11,400 --> 00:10:13,560 How's the franchise agreement coming along? 171 00:10:13,560 --> 00:10:16,900 A LOT... FASTER NOW THAT I DECIDED TO DRAFT IT 172 00:10:16,900 --> 00:10:18,730 on my dad's boat. 173 00:10:18,730 --> 00:10:20,200 NOW I NEED IT FIRST THING IN THE MORNING, HMM? 174 00:10:20,200 --> 00:10:22,460 IT'LL BE THERE. 175 00:10:22,460 --> 00:10:24,430 Michael, I want you to meet someone. 176 00:10:24,430 --> 00:10:26,330 Say hello to the reason you are working so hard. 177 00:10:26,330 --> 00:10:27,800 Mirella Brenetti. 178 00:10:27,800 --> 00:10:29,330 Buon giorno, Michele. 179 00:10:29,330 --> 00:10:31,800 BUON GIORNO. IT'S AN HONOR. 180 00:10:31,800 --> 00:10:33,360 I HAD ONE OF THE BEST MEALS OF MY LIFE 181 00:10:33,360 --> 00:10:36,530 at Ristorante Brenetti in Florence. 182 00:10:36,530 --> 00:10:37,800 PERFETTO. 183 00:10:37,800 --> 00:10:39,460 I WILL HAVE MY HUSBAND PREPARE YOU 184 00:10:39,460 --> 00:10:41,330 UN PIATTO COSI SPECIALE 185 00:10:41,330 --> 00:10:43,700 AT THE NEW BRENETTI'S LAS VEGAS. 186 00:10:43,700 --> 00:10:47,160 CIAO, MICHELE. CIAO! 188 00:10:48,930 --> 00:10:53,930 DON'T EVER DO THAT... AGAIN. 189 00:10:55,300 --> 00:10:56,600 I'M GONNA GO HOME. 190 00:10:56,600 --> 00:10:57,860 NO, YOU DON'T. 191 00:10:57,860 --> 00:11:00,200 THERE'S NO ONE THERE TO TAKE CARE OF YOU. 192 00:11:00,200 --> 00:11:02,300 I DON'T NEED ANYBODY TO TAKE CARE OF ME. 193 00:11:02,300 --> 00:11:06,360 AH. THAT'S WHAT THIS IS ALL ABOUT. 194 00:11:06,360 --> 00:11:08,660 THAT'S WHAT WHAT'S ABOUT? 195 00:11:08,660 --> 00:11:13,860 YOU CAN'T STAND ANYBODY LOOKING AFTER YOU, 196 00:11:13,860 --> 00:11:16,830 SHOWING YOU SOME CONCERN. 197 00:11:16,830 --> 00:11:18,860 YEAH? SO? 198 00:11:18,860 --> 00:11:20,600 HEY. 200 00:11:50,800 --> 00:11:52,630 WHEATGRASS. 201 00:11:52,630 --> 00:11:57,460 OH! IT TASTES LIKE MY MOUTH HAS JUST BEEN MOWED. 203 00:11:59,360 --> 00:12:01,260 WHAT ARE YOU DRINKING THERE, DARLING? 204 00:12:01,260 --> 00:12:02,700 IT'S NAKED CHARDONNAY. 206 00:12:06,200 --> 00:12:07,530 IT'S PERFECTION. 208 00:12:14,360 --> 00:12:17,260 PERFECTION-- THAT'S FUCKING GREAT. 209 00:12:17,260 --> 00:12:19,400 YOU SHOULD WRITE WINE REVIEWS, MOTHER. 210 00:12:19,400 --> 00:12:22,660 DID I TELL YOU A GARDENER SAW US? 211 00:12:24,130 --> 00:12:27,430 ME AND MICHAEL IN THE BEDROOM, NAKED. 212 00:12:27,430 --> 00:12:30,460 HOW MUCH DID HE SEE? 213 00:12:30,460 --> 00:12:34,400 WE WERE IN THE AFTERGLOW. 214 00:12:34,400 --> 00:12:36,900 MICHAEL IS QUITE A LOVER. 215 00:12:36,900 --> 00:12:41,460 WELL, I'M SURE I'M TRANSGRESSING SOME FREUDIAN BOUNDARIES, 216 00:12:41,460 --> 00:12:44,400 BUT YOUR FATHER IS NOT SO BAD. 217 00:12:44,400 --> 00:12:46,460 HE COULD TURN PRO. 218 00:12:46,460 --> 00:12:47,860 WHY, THERE'S THIS LITTLE THING THAT HE DOES ! 219 00:12:47,860 --> 00:12:51,900 OKAY, MOTHER. T.M.I. T.M.I. 220 00:12:51,900 --> 00:12:54,700 YOU BROUGHT IT UP. 221 00:12:54,700 --> 00:12:58,930 I BROUGHT UP ME, NOT YOU AND MY FATHER THE... PRO. 222 00:12:58,930 --> 00:13:01,300 WELL, POINT IS, 223 00:13:01,300 --> 00:13:05,430 THANKS TO YOUR DAD'S SKILLS AND STAGGERING SPERM COUNT, 224 00:13:05,430 --> 00:13:07,200 YOU'RE HERE. 225 00:13:07,200 --> 00:13:09,560 WE SHOULD CELEBRATE THE MAN AND HIS PENIS. 226 00:13:09,560 --> 00:13:11,560 YOU SAID "PENIS." 227 00:13:11,560 --> 00:13:13,400 I DIDN'T JUST IMAGINE THAT. 228 00:13:13,400 --> 00:13:15,800 MY ASTHMA HAS A WHOLE NEW TRIGGER NOW. 229 00:13:15,800 --> 00:13:18,830 YEAH. IT'S GIRL TALK. 230 00:13:18,830 --> 00:13:20,700 TRYING TO BOND. 232 00:13:22,630 --> 00:13:25,560 THIS PLACE IS NICE. 233 00:13:25,560 --> 00:13:27,760 A CHANCE TO FORGET WHO WE ARE. 234 00:13:27,760 --> 00:13:29,460 YOU NEVER WANNA DO THAT. 235 00:13:29,460 --> 00:13:31,260 THERE ARE TOO MANY PEOPLE OUT THERE 236 00:13:31,260 --> 00:13:32,800 READY TO DO IT FOR YOU. 239 00:13:49,630 --> 00:13:51,430 WHAT TIME'S YOUR FLIGHT? 240 00:13:51,430 --> 00:13:53,530 7:00. 241 00:13:53,530 --> 00:13:56,430 MEANS YOU'LL BE IN FLORENCE BY MID-MORNING. 242 00:13:59,360 --> 00:14:03,230 REMEMBER WATCHING THE SUNRISE TOGETHER WHEN WE FLEW BACK? 243 00:14:05,830 --> 00:14:07,930 I'VE HAD SUCH A WONDERFUL TIME WITH YOU, ARTHUR. 245 00:14:09,330 --> 00:14:10,860 WE COULD HAVE THIS ALL THE TIME. 246 00:14:12,930 --> 00:14:15,400 THAT WOULD RUIN EVERYTHING. 249 00:14:39,760 --> 00:14:41,900 HEY, REMBRANDT. 250 00:14:41,900 --> 00:14:45,130 YOU'RE BLEEDIN'. 251 00:14:45,130 --> 00:14:46,760 AREN'T WE ALL? 253 00:14:48,460 --> 00:14:51,200 YOU MUST BE MIKEY'S NEW FRIEND LIZ. 254 00:14:51,200 --> 00:14:52,560 I'M VIC. 255 00:14:54,160 --> 00:14:56,460 SHOT OR STABBED? 256 00:14:56,460 --> 00:14:58,530 SHOT. IT'S THE FLESH WOUND. 257 00:14:58,530 --> 00:15:01,930 I GOT A MILLION OF THOSE. THAT'S WHY I ACT THE WAY I DO. 259 00:15:03,760 --> 00:15:06,300 YOU HUNGRY? YEAH. 260 00:15:06,300 --> 00:15:08,200 COME ON. 261 00:15:12,160 --> 00:15:13,430 TUNA FISH. 262 00:15:13,430 --> 00:15:17,100 MY SPECIALTY. 263 00:15:17,100 --> 00:15:20,700 TO BE HONEST, I EAT IT FOR THE MERCURY. 264 00:15:20,700 --> 00:15:23,330 FIGURE ONE DAY, IT'LL MAKE MY COCK LIGHT UP IN THE DARK. 265 00:15:23,330 --> 00:15:25,860 THAT'D BE GREAT. YOU CAN READ IN BED. 266 00:15:25,860 --> 00:15:28,500 I'LL HAVE TO BUY A BOOK. 267 00:15:28,500 --> 00:15:32,560 MICHAEL'S TOLD ME ABOUT YOU. 268 00:15:32,560 --> 00:15:35,700 WHAT'D HE SAY? 269 00:15:35,700 --> 00:15:37,800 THAT HE WISHES HE WAS MORE LIKE YOU. 270 00:15:37,800 --> 00:15:40,700 BAD IDEA. 271 00:15:40,700 --> 00:15:43,330 THERE'S ENOUGH OF ME TO GO AROUND FOR EVERYBODY. 273 00:15:45,800 --> 00:15:49,730 UM, SO... YOU DON'T CARE THAT MICHAEL'S SEEING ME? 274 00:15:49,730 --> 00:15:51,530 A GUY WHO'S ENGAGED? 275 00:15:51,530 --> 00:15:55,300 I BELIEVE IN THE THEORY OF MAGNETIC NORTH. 276 00:15:55,300 --> 00:15:57,630 NO MATTER WHERE YOU THINK YOU ARE, 277 00:15:57,630 --> 00:16:01,830 WHERE YOU THINK YOU WANNA BE, YOU'RE DRAWN TO MAGNETIC NORTH. 278 00:16:01,830 --> 00:16:06,400 AND YOU, MY DEAR, ARE MAGNETIC NORTH. 280 00:16:08,630 --> 00:16:12,330 HEY, THANKS FOR LETTING ME STAY ON YOUR BOAT. 281 00:16:12,330 --> 00:16:15,500 ANYTIME, AND IT'S A YACHT. 282 00:16:15,500 --> 00:16:17,300 YOU THINK I'D SPEND THIS KIND OF MONEY ON A BOAT? 284 00:16:19,600 --> 00:16:24,430 VIC, I SHOULD-- I SHOULD GET GOING. 285 00:16:24,430 --> 00:16:25,700 WHAT? WHAT? I'M JUST GETTING TO KNOW YA. 286 00:16:25,700 --> 00:16:27,400 WHERE DO YOU HAVE TO GO? 287 00:16:27,400 --> 00:16:28,660 HOME. 288 00:16:28,660 --> 00:16:31,260 WELL, PROBABLY A GOOD IDEA. 289 00:16:31,260 --> 00:16:32,760 STICK AROUND HERE MUCH LONGER, 290 00:16:32,760 --> 00:16:34,600 I'LL JUST END UP MARRYING YOU. 291 00:16:34,600 --> 00:16:36,600 WHAT'S YOUR RING SIZE? 293 00:16:38,500 --> 00:16:40,860 COME ON. FINISH YOUR LUNCH. 294 00:16:40,860 --> 00:16:42,360 YOU CAN DO THAT. OKAY. 297 00:16:50,730 --> 00:16:53,560 AH. MICHAEL, MEET HANSINE. 298 00:16:53,560 --> 00:16:57,660 IT MEANS "GOD IS GOOD" IN NORWEGIAN. 299 00:16:57,660 --> 00:16:59,360 I LOVE YOUR CUT, 300 00:16:59,360 --> 00:17:03,360 BUT IF YOU EVER WANT IT CLOSER AND TIGHTER, CALL ME. 301 00:17:03,360 --> 00:17:05,560 SHE WON A TROPHY 302 00:17:05,560 --> 00:17:08,400 IN OSLO FOR BEST SIDEBURN DESIGN. 303 00:17:08,400 --> 00:17:13,130 LONG IS BEST, BUT THEY MUST ALIGN WITH THE LIPS 304 00:17:13,130 --> 00:17:14,730 TO BE TRULY ALIVE. 305 00:17:14,730 --> 00:17:18,460 SO, HOW'S LIFE ON THE HIGH SEAS WITH DIRTY HARRIET? 306 00:17:18,460 --> 00:17:20,600 SHE'S GETTING THERE. 307 00:17:20,600 --> 00:17:22,830 YOU BELIEVE THIS? SPENT ALL NIGHT LAST NIGHT 308 00:17:22,830 --> 00:17:26,200 WORKING ON THE BRENETTI FRANCHISE AGREEMENTS FOR ARTHUR, 309 00:17:26,200 --> 00:17:27,760 AND HE'S NOT EVEN HERE? 310 00:17:27,760 --> 00:17:30,430 HE WAS IN A WEIRD FUNK THIS MORNING. 311 00:17:30,430 --> 00:17:32,730 HE SAID... "DID YOU EVER THINK 312 00:17:32,730 --> 00:17:34,730 "SOMETHING WOULD GO ONE WAY IN YOUR LIFE, 313 00:17:34,730 --> 00:17:37,530 "AND THEN WHEN YOU'VE DISCOVERED YOU ARE WRONG, 314 00:17:37,530 --> 00:17:40,130 IT SHOOK THE PRIMAL ORDER?" 315 00:17:40,130 --> 00:17:42,230 HE SAID THAT? 316 00:17:42,230 --> 00:17:43,830 YOU THINK HE'S COMING OUT? 317 00:17:43,830 --> 00:17:46,260 I HOPE NOT. HE DOESN'T HAVE THE WARDROBE FOR IT. 318 00:17:46,260 --> 00:17:48,900 VERY TRUE. 320 00:17:50,600 --> 00:17:54,430 I AM THE LAST LIVING ACOLYTE OF THE SWAMI AMRAVATI 321 00:17:54,430 --> 00:17:57,660 WHO WAS, AS YOU ALL KNOW, WAS THE GREATEST PROPONENT 322 00:17:57,660 --> 00:18:00,460 OF THE 10-HOUR ORGASM. 323 00:18:00,460 --> 00:18:06,260 I WAS HIS LOVER FROM 1951 TO '53 AND THE INSPIRATION 324 00:18:06,260 --> 00:18:10,830 FOR HIS FIRST BOOK, "THE RIGORS OF ENDLESS PLEASURE." 325 00:18:10,830 --> 00:18:13,600 I REMEMBER THE SUMMER WE MET AT HIS SEASIDE RETREAT 326 00:18:13,600 --> 00:18:17,130 IN JAMMU AND KASHMIR. 327 00:18:17,130 --> 00:18:19,230 IT WAS THERE THAT HE TAUGHT THE ANCIENT SECRETS 328 00:18:19,230 --> 00:18:22,460 OF BREATH CONTROL AND CLITORAL LEVITATION. 329 00:18:22,460 --> 00:18:27,160 THERE ARE THOSE WHO SAY HE DIED, BUT I WAS THERE. 330 00:18:27,160 --> 00:18:30,600 AFTER HE AND I HAD AN ALL-DAY LOVEMAKING SESSION, 331 00:18:30,600 --> 00:18:36,660 THE SWAMI HAD AN 11-HOUR ORGASM AND SIMPLY DEMATERIALIZED. 332 00:18:36,660 --> 00:18:39,760 NOW THAT'S... AN ORGASM. 348 00:19:51,860 --> 00:19:55,330 YOU DO ME IN, COUNSELOR. 350 00:19:56,630 --> 00:19:58,200 WHAT CAN I DO FOR YOU? 351 00:19:58,200 --> 00:20:03,530 I'M WOUNDED, BUT I'M MOTIVATED. 354 00:20:12,400 --> 00:20:14,760 I'D LIKE TO FALL ASLEEP NEXT TO YOU. 355 00:20:14,760 --> 00:20:17,360 I'D LIKE THAT, TOO. 356 00:20:17,360 --> 00:20:19,560 OKAY. 357 00:20:28,130 --> 00:20:29,760 HOW'S THE PAIN? 358 00:20:29,760 --> 00:20:32,560 PAIN IS FOR PEOPLE WHO FEEL PAIN. 359 00:20:34,430 --> 00:20:36,330 I MET YOUR DAD TODAY. 360 00:20:36,330 --> 00:20:38,900 OH, YEAH? HE HIT ON YOU? 361 00:20:38,900 --> 00:20:42,330 HE TALKED TO ME. 362 00:20:42,330 --> 00:20:43,930 THAT'S NOT LIKE HIM. 364 00:20:45,660 --> 00:20:48,300 EVERYONE HAS SIDES. 366 00:20:56,300 --> 00:20:58,160 FUCK! 369 00:21:07,360 --> 00:21:08,660 HEY, YOU OKAY? 370 00:21:08,660 --> 00:21:11,200 GET AWAY. LIZ. 371 00:21:11,200 --> 00:21:14,400 GET AWAY! OKAY, OKAY. WHAT'S GOING ON? 372 00:21:14,400 --> 00:21:16,700 I DROPPED MY LAST PAIN PILL, AND I CAN'T FUCKING FIND IT. 373 00:21:16,700 --> 00:21:20,700 AND I'M IN FUCKING PAIN. SO JUST GET THE FUCK OUT! 374 00:21:20,700 --> 00:21:22,900 I'LL HELP YOU FIND THE PILL. 375 00:21:22,900 --> 00:21:24,600 GET THE FUCK OUT! 376 00:21:24,600 --> 00:21:26,430 HEY! HEY, CALM DOWN. 377 00:21:27,600 --> 00:21:29,700 STOP IT. 378 00:21:29,700 --> 00:21:31,830 OKAY. 379 00:21:31,830 --> 00:21:33,760 COME HERE. COME HERE. 381 00:21:35,430 --> 00:21:37,430 LET'S LIE YOU DOWN, AND I'LL FIND THE PILL. 383 00:21:38,830 --> 00:21:41,760 IT'S OKAY. PAIN BUILDS CHARACTER. 384 00:21:41,760 --> 00:21:43,530 YOU KNOW WHO SAID THAT? 385 00:21:43,530 --> 00:21:45,330 NO. 386 00:21:45,330 --> 00:21:46,630 GUESS. 388 00:21:47,930 --> 00:21:49,700 NO. 389 00:21:49,700 --> 00:21:53,560 IT WAS MY MOTHER, TWO MONTHS BEFORE SHE DIED. 390 00:21:53,560 --> 00:21:57,660 SO IT DIDN'T BUILD CHARACTER AT ALL. IT JUST... KILLED HER. 391 00:21:57,660 --> 00:22:00,360 I'M SORRY. I DIDN'T KNOW THAT, LIZ. YOU NEVER TOLD ME THAT. 392 00:22:00,360 --> 00:22:03,360 IT WASN'T MUCH OF A STORY. 393 00:22:03,360 --> 00:22:06,730 SHE WAS FINE, AND THEN... THEN WE BURIED HER. 395 00:22:09,730 --> 00:22:10,930 I'LL FIND THE PILL. 396 00:22:13,230 --> 00:22:15,460 OH, GOD, I HATE YOU BEING SO NICE TO ME. 397 00:22:15,460 --> 00:22:17,560 I KNOW. YOU KNOW, I REALLY DO. 398 00:22:17,560 --> 00:22:18,900 I KNOW. 402 00:22:29,600 --> 00:22:31,260 HI, STRANGER. HI. 403 00:22:31,260 --> 00:22:32,730 What are you doing? 404 00:22:32,730 --> 00:22:36,160 WORKING LATE. 405 00:22:36,160 --> 00:22:38,430 HOW WAS THE MOTHER/DAUGHTER WEEKEND? 406 00:22:38,430 --> 00:22:41,900 MM, THE PERFECT PEDICURE SOLVES EVERY PROBLEM IN LIFE. 407 00:22:41,900 --> 00:22:43,660 YOU HAVE PROBLEMS? 408 00:22:43,660 --> 00:22:46,130 WE HAD A BLAST, GOSSIPING, 409 00:22:46,130 --> 00:22:47,530 eating like crazy. 410 00:22:47,530 --> 00:22:50,430 I mean, the place took forever to get to, 411 00:22:50,430 --> 00:22:55,400 AND SOME OF THE WOMEN THERE WERE JUST... OFF THE CHARTS. 412 00:22:55,400 --> 00:22:57,230 Here's a tip. 413 00:22:57,230 --> 00:23:00,300 Never get into a mud bath next to a divorc�e... 414 00:23:00,300 --> 00:23:01,900 I'M LOSING YOU. 415 00:23:03,530 --> 00:23:05,460 HEY, CALL YOU TOMORROW. 417 00:23:11,530 --> 00:23:13,900 HEY, OKAY, OPEN. 422 00:23:27,530 --> 00:23:30,360 THANK YOU. 423 00:23:34,200 --> 00:23:35,900 MM. 424 00:23:35,900 --> 00:23:55,930 MM. OW. 22850

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