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Due to the explicit
sexual nature
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00:00:03,212 --> 00:00:05,875
of the following
National Lampoon Radio Hour,
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00:00:06,048 --> 00:00:08,586
it is featured as adult
entertainment
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00:00:08,759 --> 00:00:11,046
and not recommended
for children's ears
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00:00:11,220 --> 00:00:13,052
without parental supervision.
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00:00:13,222 --> 00:00:17,262
Tonight's show will begin
after this brief commercial word.
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00:00:17,518 --> 00:00:19,555
Good evening, uh,
this is John Belushi
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and this is the
National Lampoon Radio Hour.
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- Hi, Dad.
- Hello there, son,
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00:00:34,201 --> 00:00:35,191
how was school today?
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00:00:35,369 --> 00:00:36,701
Okay. Hey, I heard
a really neatjoke
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00:00:36,870 --> 00:00:38,031
at recess,
you wanna hear it?
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00:00:38,205 --> 00:00:39,241
Why, certainly, son.
Go ahead.
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00:00:39,414 --> 00:00:40,825
Okay. Well, you see,
there was this priest
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and this minister and this...
Wait, what do you call it...
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Rabbi, yeah.
And they were in this car and--
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00:00:44,753 --> 00:00:46,540
Hold it right there, son.
Around this house,
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00:00:46,713 --> 00:00:48,625
we don't make jokes
about religion, do we?
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00:00:48,799 --> 00:00:50,586
Boy: Aw, but gee, Dad,
it's a really cute joke.
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00:00:50,759 --> 00:00:52,250
Don't -Aw, gee- me, son.
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00:00:52,427 --> 00:00:54,464
You start off with
cute jokes about religion,
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00:00:54,680 --> 00:00:56,262
and you end up
with atheistic trash
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00:00:56,431 --> 00:00:58,673
like this December issue
of the National Lampoon.
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00:00:58,850 --> 00:01:01,763
It makes fun of saints and prayers
and money and all that's sacred.
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00:01:01,937 --> 00:01:04,520
This issue of the National Lampoon
is foul and repulsive,
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00:01:04,773 --> 00:01:07,607
and this is where your cute
little jokes will lead you, son.
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00:01:08,110 --> 00:01:09,567
Okay, Dad, I'm...
I'm sorry.
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00:01:09,736 --> 00:01:11,568
That's all right, son,
you're forgiven.
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00:01:12,030 --> 00:01:13,566
- Oh, and son?
- Yes, Dad.
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Man: You'll be sleeping
with your mother tonight.
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It's my turn
with your sister.
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00:01:17,452 --> 00:01:19,990
David Bowie - Jean Genie
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00:01:47,482 --> 00:01:48,723
Billy Bob Thornton:
I had this sense of humor
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00:01:48,900 --> 00:01:52,143
that sort of didn't exist
where I grew up.
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00:01:54,323 --> 00:01:56,360
After reading that first
National Lampoon,
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00:01:56,533 --> 00:01:59,776
I went, -Wow, that's what
I've been trying to say.-
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00:02:02,581 --> 00:02:04,698
National Lampoon
just meant a lot to me as a kid
38
00:02:04,875 --> 00:02:06,582
because it was
what I wanted to do.
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00:02:06,752 --> 00:02:09,369
It woke me up to the idea
that this was a job.
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00:02:09,546 --> 00:02:12,380
Fat, drunk and stupid is
no way to go through life, son.
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00:02:12,966 --> 00:02:15,458
And then you get
all these generations afterwards
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00:02:15,802 --> 00:02:19,136
of people like me who were
just trying to be those guys.
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It was sharp, crystal clear,
and above all funny.
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It just blew
the whole shit house up.
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00:02:33,779 --> 00:02:39,275
The National Lampoon was
defining part of the zeitgeist.
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00:02:41,119 --> 00:02:45,409
Here was this totally
outrageous voice
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00:02:45,582 --> 00:02:49,917
that was screaming,
-Here I come.-
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00:02:55,509 --> 00:02:58,547
Breasts... I would try
to seek out the magazine
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00:02:58,720 --> 00:03:01,258
on the off chance that
there would be some breasts.
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00:03:05,519 --> 00:03:08,887
Kevin Bacon: The humor was
a little bit above my pay grade.
51
00:03:12,109 --> 00:03:14,772
The Lampoons
are very intellectual.
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00:03:15,195 --> 00:03:16,902
Tennessee Williams
and Arthur Miller
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00:03:17,072 --> 00:03:19,359
could have been part
-of- National Lampoon.
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00:03:19,533 --> 00:03:22,571
We were taking on
the idiocy
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00:03:23,286 --> 00:03:25,152
of our own generation.
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00:03:25,330 --> 00:03:27,492
You know, overthrowing the ageist,
racist, sexist,
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00:03:27,666 --> 00:03:30,249
corporate pig monster
is a full-time job.
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00:03:32,003 --> 00:03:34,086
They always had
the best parties,
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00:03:34,339 --> 00:03:37,332
the best drugs,
the smartest people.
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00:03:41,847 --> 00:03:43,008
We could sell out more,
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00:03:43,890 --> 00:03:46,849
and the moment
we do sell out totally,
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00:03:48,228 --> 00:03:49,344
we'll be dead.
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00:04:06,955 --> 00:04:08,742
There's a time
in everyone's life,
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00:04:09,541 --> 00:04:12,955
and it's really
between 17 and 22,
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00:04:13,128 --> 00:04:15,586
when you talk to people
in their middle age,
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00:04:15,756 --> 00:04:17,713
they always talk
about their high school
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00:04:17,883 --> 00:04:20,296
or their college experience
as the, quote unquote,
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00:04:20,469 --> 00:04:22,051
-Best years of their lives.-
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00:04:22,304 --> 00:04:23,795
And I'm thinking, -Well, why?-
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00:04:23,972 --> 00:04:28,592
And ultimately it's because,
when you're 17, 18,
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00:04:28,769 --> 00:04:32,763
you were expected to function
as an adult, but you're a baby.
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00:04:33,565 --> 00:04:34,976
Have you ever gone
to a college campus?
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00:04:35,108 --> 00:04:36,189
Those kids are babies.
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But they're adults,
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00:04:38,069 --> 00:04:41,483
so there's this wonderful
freedom, sense of adventure.
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-We can do anything we want!
We're college students!-
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And that's really
how the whole thing started.
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Fight fiercely, Harvard
fight, fight, fight
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Impress them
with our prowess do
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Meatloaf:
-What was it originally,
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-the- Harvard Lampoon, right?
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Well, anybody that
mentioned Harvard,
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I just went, -Fuck you.-
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00:05:04,179 --> 00:05:06,796
The Harvard Lampoon
was one of those famous things
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00:05:06,973 --> 00:05:08,384
that nobody has
ever seen a copy of.
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? Fight, fight, fight... ?
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Mike Reiss:
The Harvard Lampoon is
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America's oldest humor magazine
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started at Harvard in 1876.
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John Updike was an editor,
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and George Plimpton was
an editor.
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Well, that's about it,
you know?
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Two famous writers
in 125 years.
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And we also had Fred Gwynne, the
guy who played Herman Munster.
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It goes
off the table after that.
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Fight, fight, fight ?
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Harvard Lampoon was just
this extracurricular activity
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and was something
you did before you went
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into the family law firm
or became a banker.
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00:05:47,389 --> 00:05:50,848
Doug Kenney and Henry Beard were
in the class after I left Harvard.
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They were both incredibly brilliant,
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and incredibly funny
and incredibly good friends,
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but they weren't the same at all.
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00:06:04,781 --> 00:06:07,239
Doug Kenney was really the heart
and soul of the Lampoon.
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00:06:07,409 --> 00:06:10,652
Doug was the, sort of, the complete
social opposite of Henry.
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For one thing, he did not come
from an upper-crust family.
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Doug's father was
the tennis pro
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at a golf club
in Chagrin Falls, Ohio.
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Have you ever seen Caddyshack?
That's Doug.
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- You take drugs, Danny?
- Every day.
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Good.
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Tony Hendra:
The very first time I met Doug,
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he was talking like
William Makepeace Thackeray.
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I mean, he was actually
improvising his prose, right?
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And it was Thackeray,
it wasn't Dickens.
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And about 30,
45 seconds after that,
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he was demonstrating that he could
put his entire fist in his mouth.
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So this was Doug,
you know?
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00:06:44,446 --> 00:06:46,654
Sean Kelly:
Doug was a performer.
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00:06:46,948 --> 00:06:48,405
Doug wanted to be a star.
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And he was a smart, funny,
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00:06:50,577 --> 00:06:52,489
complicated person
who could write.
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00:06:52,662 --> 00:06:54,403
Now that's, uh, that's rare.
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00:07:07,886 --> 00:07:09,843
Bruce McCall: Henry was probably
the smartest man I ever met.
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00:07:10,013 --> 00:07:11,254
He could have been
a nuclear physicist,
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00:07:11,431 --> 00:07:12,763
he could have been
a Supreme Court judge,
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00:07:12,933 --> 00:07:13,923
he could have been anything.
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00:07:14,184 --> 00:07:17,143
I remember the first time
Henry met my first wife.
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00:07:17,312 --> 00:07:20,055
Afterwards she said,
-I've met Holden Caulfield.-
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00:07:21,608 --> 00:07:23,065
My father
had graduated from Yale,
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00:07:23,234 --> 00:07:25,476
and as a...
a bit of youthful rebellion,
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I decided to go to Harvard.
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00:07:27,781 --> 00:07:31,024
Henry is about as private
a person as you'll ever find.
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00:07:31,201 --> 00:07:34,239
He was mysterious and elusive.
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00:07:34,579 --> 00:07:38,163
The two of them together were
an absolutely amazing team.
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00:07:38,333 --> 00:07:40,825
When I was at Harvard,
we got a call one day
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00:07:41,002 --> 00:07:42,493
from Betsy Talbot Blackwell,
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00:07:42,671 --> 00:07:45,709
who was the editor-in-chief
of Mademoiselle magazine.
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00:07:48,009 --> 00:07:50,342
She had seen a parody issue
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00:07:50,512 --> 00:07:52,174
that the Harvard Lampoon
had put out,
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00:07:52,347 --> 00:07:54,213
and Betsy said,
-You know, maybe I should
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00:07:54,391 --> 00:07:56,633
ask these guys
to do a parody of us,
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00:07:56,810 --> 00:07:59,052
and we'll publish it
in our own magazine.-
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00:07:59,479 --> 00:08:03,689
She offered us $7,000 which
seemed like nothing even then,
145
00:08:03,858 --> 00:08:07,602
but what she also offered was
a free subscription ad.
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00:08:09,781 --> 00:08:12,899
We could do anything we wanted
as long as we put the clothes in
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00:08:13,243 --> 00:08:15,360
and as long as we showed
the models,
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00:08:15,537 --> 00:08:18,120
which, of course,
led to a lot of good times.
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00:08:19,582 --> 00:08:21,574
And as a result of that
parody issue,
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00:08:21,751 --> 00:08:24,539
we got tens of thousands
of subscriptions right away.
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00:08:24,963 --> 00:08:26,295
She gave us
a national audience.
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00:08:28,341 --> 00:08:30,253
The discovery is that,
rather than having
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00:08:30,427 --> 00:08:34,341
to depend on Mademoiselle -to-
make our magazines go national...
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...the Harvard Lampoon could actually
publish national magazines itself.
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00:08:40,687 --> 00:08:43,646
They did Time magazine,
and they did Sports Illustrated
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and they did Life magazine.
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00:08:45,608 --> 00:08:48,897
Beard: Doug Kenney and I decided
to do a parody of Lord of the Rings.
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00:08:49,738 --> 00:08:51,695
We sent a letter to Tolkien,
who, honest to God,
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00:08:51,865 --> 00:08:54,528
sent a letter back saying, -Yeah
go right ahead, silly book.-
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00:08:54,868 --> 00:08:57,281
I like the -Playboy- parody
that they did
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where the centerfold girl was more
tan around her bottom and top.
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00:09:02,834 --> 00:09:04,416
She had reversed tan lines.
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00:09:06,296 --> 00:09:08,037
Playboy was
a big hit nationally,
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00:09:08,214 --> 00:09:10,752
and Doug and Henry realized
that maybe there was some way
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00:09:10,925 --> 00:09:13,417
that the National Lampoon
could exist.
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00:09:16,264 --> 00:09:18,597
Radio Announcer: Uh-uh-uh,
don't touch that dial.
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00:09:18,767 --> 00:09:20,929
-he- National Lampoon
will be right back
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00:09:21,102 --> 00:09:23,219
after this insincere
commercial message
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00:09:23,396 --> 00:09:25,183
written by some cynical Nazis,
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00:09:25,356 --> 00:09:28,019
solely for the purpose of
ripping off your parents' money.
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00:09:29,360 --> 00:09:31,477
I think if you take yourself
back to when you were
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00:09:31,654 --> 00:09:35,193
in your 20s, all possibilities
appear open to anybody.
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00:09:35,366 --> 00:09:38,074
You know, you could
go after anything at any time.
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00:09:39,871 --> 00:09:42,739
Doug and Henry
had gone to New York
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in hopes of doing a 50/50 deal
with some publishing group
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who would put up the money.
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00:09:48,713 --> 00:09:51,171
See, we met with some guys
from Time and Life.
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00:09:51,341 --> 00:09:53,628
I can't tell you how
off-putting they were.
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00:09:53,802 --> 00:09:56,169
Just saying, -Oh, you guys,
you don't understand anything.
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00:09:56,346 --> 00:09:58,303
You don't have a chance.
You're toast.
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You're just not going anywhere.-
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00:10:00,350 --> 00:10:02,842
Doug Kenney was not
very happy about that
183
00:10:03,019 --> 00:10:05,181
and said, -You people are
the kind of people
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00:10:05,355 --> 00:10:07,597
who commute back and forth
from Westport, Connecticut,
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00:10:07,774 --> 00:10:08,855
in a station wagon.
186
00:10:09,567 --> 00:10:11,024
We have nothing to do
with you.-
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00:10:11,194 --> 00:10:13,652
I thought, -Holy God-,
but he was right!
188
00:10:14,364 --> 00:10:16,777
And that's how we ran
into 21st Century Communications
189
00:10:16,950 --> 00:10:18,191
and Matty Simmons.
190
00:10:18,368 --> 00:10:20,860
Doug Kenney,
Henry Beard, and Rob Hoffman,
191
00:10:21,037 --> 00:10:23,074
-three- Harvard Lampoon -editors,-
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00:10:23,248 --> 00:10:26,662
came into my office,
and I was immediately impressed.
193
00:10:30,213 --> 00:10:32,705
Matty belonged
to another generation.
194
00:10:32,882 --> 00:10:35,795
Very much New York,
very much old-school publishing.
195
00:10:35,969 --> 00:10:37,085
Ellis Weiner:
This guy invented
196
00:10:37,262 --> 00:10:39,379
the Diners' Club card,
which was the first credit card.
197
00:10:39,556 --> 00:10:41,422
Janis Hirsch: I think he wished
he was in the Rat Pack.
198
00:10:41,599 --> 00:10:43,431
He, sort of,
always had those bedroom eyes.
199
00:10:43,601 --> 00:10:45,263
You'd be talking to him
about something serious,
200
00:10:45,436 --> 00:10:46,552
and he'd take a phone call and say,
201
00:10:46,729 --> 00:10:49,472
Oh, yeah, darling, baby,
I love you so much, I love you.
202
00:10:49,649 --> 00:10:51,732
Yeah, broccoli for dinner's fine.
Yeah, thank you, good-bye.
203
00:10:52,652 --> 00:10:55,861
He was very full of himself,
knew the business inside out.
204
00:10:56,030 --> 00:10:58,488
Distribution in those days was,
you know,
205
00:10:58,658 --> 00:11:00,024
there were some
criminal elements.
206
00:11:00,201 --> 00:11:02,488
Matty wasn't one of them, but he
had to deal with people like that.
207
00:11:05,623 --> 00:11:07,785
Magazines in the late '60s
208
00:11:07,959 --> 00:11:10,997
were thought to take about five years
before they got into the black.
209
00:11:11,171 --> 00:11:14,460
Rob intuited that this would
either work or it wouldn't.
210
00:11:14,632 --> 00:11:17,295
So he made a bet
when he negotiated the deal.
211
00:11:17,468 --> 00:11:19,380
He did a forced buyout
after five years.
212
00:11:19,554 --> 00:11:21,341
It was, kind of, a gutsy move.
213
00:11:21,514 --> 00:11:24,097
They owned 25-, I owned 75-.
214
00:11:24,267 --> 00:11:26,680
And part of the deal was,
after five years,
215
00:11:26,811 --> 00:11:28,268
I would buy them out.
216
00:11:28,438 --> 00:11:29,929
If this magazine is successful,
217
00:11:30,106 --> 00:11:33,725
I might owe these guys five,
six million dollars,
218
00:11:33,902 --> 00:11:35,063
but I made the deal.
219
00:11:36,362 --> 00:11:38,399
And we started
National Lampoon.
220
00:11:43,494 --> 00:11:45,360
Their first hire was
Michael O'Donoghue,
221
00:11:45,538 --> 00:11:47,495
and Michael O'Donoghue
was not Harvard,
222
00:11:47,665 --> 00:11:49,452
Michael O'Donoghue was Buffalo.
223
00:11:49,959 --> 00:11:51,700
T. Rex -Children of
the Revolution-
224
00:11:57,258 --> 00:11:58,920
Boy, was he an angry bunny.
225
00:12:00,929 --> 00:12:05,264
He probably as much as anyone
gave the Lampoon its tone.
226
00:12:05,600 --> 00:12:07,967
We're doing this in place
of hitting you in the face.
227
00:12:08,144 --> 00:12:11,433
He had this recipe box,
you know the ones that ladies have
228
00:12:11,606 --> 00:12:13,063
with the recipes in them?
229
00:12:13,233 --> 00:12:15,190
-Oh, baked beans...-
230
00:12:16,069 --> 00:12:20,780
But his recipe box was full of things
like battling buses of World War Il.
231
00:12:20,949 --> 00:12:22,485
He just had
hundreds of these things.
232
00:12:23,701 --> 00:12:24,987
Chris Cerf:
He would take any chance.
233
00:12:25,161 --> 00:12:28,074
Even though we were perfectly
happy to do tasteful things,
234
00:12:28,248 --> 00:12:30,285
he pushed the bounds
even further.
235
00:12:30,458 --> 00:12:32,040
Doug did the dirty stuff,
Henry did the brainy stuff,
236
00:12:32,210 --> 00:12:33,746
and O'Donoghue did
the outrageous stuff,
237
00:12:33,920 --> 00:12:35,206
the really
transgressive stuff.
238
00:12:50,770 --> 00:12:52,727
Tony Hendra was
a British comic
239
00:12:52,897 --> 00:12:55,184
as part of a comedy team
called Ullett and Hendra.
240
00:12:55,358 --> 00:12:58,442
He and his partner Nick Ullett
used to be on The Merv Griffin Show.
241
00:12:58,611 --> 00:13:01,854
When you hear the buzz,
it will be the correct time.
242
00:13:04,158 --> 00:13:05,740
It is now the correct time.
243
00:13:07,203 --> 00:13:09,365
Writing for television
was like firing on one cylinder.
244
00:13:09,539 --> 00:13:13,954
Working at the Lampoon was like
firing on all six cylinders.
245
00:13:14,127 --> 00:13:16,335
It was like you could talk about
anything you wanted.
246
00:13:16,504 --> 00:13:18,666
There was absolutely
nothing that was,
247
00:13:18,840 --> 00:13:21,298
-You can't say that, Tony-
-or -That's not funny, Tony.-
248
00:13:21,467 --> 00:13:24,130
He had this extraordinarily
educated-at-Cambridge accent
249
00:13:24,304 --> 00:13:26,011
and was very literate
and worldly
250
00:13:26,180 --> 00:13:29,924
and yet behaved like
a delinquent of 12 or 13.
251
00:13:41,029 --> 00:13:43,112
I was a humble Canadian
schoolteacher.
252
00:13:43,281 --> 00:13:46,149
One day, my upstairs neighbor,
Michel Choquette,
253
00:13:46,326 --> 00:13:49,364
came home and told me he was
interested in starting to write
254
00:13:49,537 --> 00:13:51,529
for this National Lampoon
magazine
255
00:13:51,706 --> 00:13:53,197
that was being
started in New York.
256
00:13:53,374 --> 00:13:55,707
I thought, well, maybe I can
come down to New York
257
00:13:55,877 --> 00:13:57,243
and become rich and famous
258
00:13:57,420 --> 00:14:00,128
and get tremendous amounts
of drugs and sex and things.
259
00:14:00,923 --> 00:14:02,414
None of which panned out.
260
00:14:11,059 --> 00:14:13,142
Sean Kelly actually fixed me up
261
00:14:13,269 --> 00:14:15,135
on a blind date
with Michel Choquette.
262
00:14:15,480 --> 00:14:18,814
And then Michel started
taking me to New York with him
263
00:14:18,983 --> 00:14:22,067
because I was, quote unquote,
Helping him with his work.
264
00:14:23,446 --> 00:14:25,187
I got into comedy the same way
265
00:14:25,365 --> 00:14:27,698
that Catherine the Great
got into politics
266
00:14:28,201 --> 00:14:29,282
on my back.
267
00:14:39,545 --> 00:14:43,038
I was working in a saloon
on the West Side.
268
00:14:43,216 --> 00:14:45,208
One night,
somebody came over to me.
269
00:14:45,385 --> 00:14:47,718
There's a fellow back there
stealing the ketchup.
270
00:14:47,887 --> 00:14:48,923
And I go after him, and I said,
271
00:14:49,097 --> 00:14:50,463
Excuse me,
I know what you're doing.
272
00:14:50,640 --> 00:14:52,677
And then I realize I'm standing
here accusing somebody
273
00:14:52,850 --> 00:14:56,093
of stealing ketchup
from a red rubber bottle.
274
00:14:56,396 --> 00:14:57,887
So this is so sad.
275
00:14:58,398 --> 00:15:00,685
Very shortly thereafter,
Henry offered me a job,
276
00:15:00,858 --> 00:15:02,144
and I gleefully took it.
277
00:15:04,570 --> 00:15:06,562
Doug and Henry had this idea
about bringing in
278
00:15:06,739 --> 00:15:10,653
this very hippyish
art studio called Cloud.
279
00:15:17,291 --> 00:15:20,284
Cloud Studios was
an independent design firm.
280
00:15:21,087 --> 00:15:23,374
That's a generous term to use
for those guys.
281
00:15:23,548 --> 00:15:25,210
We were,
quote unquote, hippie artists
282
00:15:25,383 --> 00:15:26,715
because we weren't out
to be millionaires.
283
00:15:26,884 --> 00:15:28,671
We were out to do
the things we liked to do.
284
00:15:29,429 --> 00:15:30,419
You know, we were turned on,
285
00:15:30,596 --> 00:15:32,963
and I don't mean by drugs,
I mean by the ideas.
286
00:15:35,226 --> 00:15:38,469
Doug liked to hang with people
like Cloud Studio artists.
287
00:15:38,646 --> 00:15:40,512
He like the fact
that they were kind of freaky
288
00:15:40,690 --> 00:15:43,148
and wore costumes
and had beards.
289
00:15:43,568 --> 00:15:45,355
Michael Sullivan: Doug would
come to parties that we had,
290
00:15:45,528 --> 00:15:48,612
and when Doug wasn't in
the office working,
291
00:15:48,781 --> 00:15:50,738
he was probably high as a kite.
292
00:15:50,908 --> 00:15:53,366
Doug wanted to be
a beat or a hippie.
293
00:15:53,536 --> 00:15:56,074
Doug wanted to be trendy
and with it.
294
00:15:56,456 --> 00:16:00,166
I remember Doug asking, -Should I...
Should I be for the Black Panthers?-
295
00:16:00,751 --> 00:16:01,867
And he wasn't kidding.
296
00:16:08,509 --> 00:16:10,922
I saw the first issue, um,
which was terrible.
297
00:16:14,182 --> 00:16:15,389
They had this duck.
298
00:16:15,558 --> 00:16:19,677
And they were gonna keep
the duck as a logo on the cover
299
00:16:19,854 --> 00:16:21,811
like the Playboy bunny.
300
00:16:21,981 --> 00:16:24,815
I said to Henry,
Get rid of the duck.
301
00:16:24,984 --> 00:16:26,816
That's not the Playboy bunny
where, you know,
302
00:16:26,986 --> 00:16:30,775
you can put it on a garter,
make it a pasty or whatever.
303
00:16:31,157 --> 00:16:34,195
Everything they did was,
it had to be funny-looking,
304
00:16:34,368 --> 00:16:37,236
which means it was all sort of
squirrely and hippie-like.
305
00:16:40,750 --> 00:16:44,334
The issues were messy,
they were confusing.
306
00:16:44,504 --> 00:16:46,166
It wasn't bringing in
the readers,
307
00:16:46,339 --> 00:16:48,205
and they weren't getting
the sales on the newsstand.
308
00:16:49,050 --> 00:16:51,337
I told them, -We've gotta
replace your art director.-
309
00:16:53,679 --> 00:16:56,171
Doug was very upset,
he wanted to keep Cloud,
310
00:16:56,349 --> 00:17:00,218
and he argued with me,
but it was my call, I was the boss.
311
00:17:01,145 --> 00:17:04,479
After we did the first seven issues,
I got a call from Doug Kenney.
312
00:17:04,649 --> 00:17:07,562
He said, -I'm sorry, but you're
no longer the art director.-
313
00:17:07,735 --> 00:17:10,193
Great, knock yourself out.
314
00:17:22,583 --> 00:17:25,246
When I brought Michael Gross in,
Doug was kinda hostile.
315
00:17:25,419 --> 00:17:27,661
My first issue when
I walked in the door
316
00:17:27,838 --> 00:17:32,879
was the nostalgia issue,
which was Doug Kenney's baby.
317
00:17:41,727 --> 00:17:44,936
I knew when I was hired,
I was hired against Doug's will.
318
00:17:45,231 --> 00:17:47,268
In the sales pitch that I made,
319
00:17:47,441 --> 00:17:51,776
I referred to an article they'd
done about postage stamps.
320
00:17:51,946 --> 00:17:57,158
I said, -For these stamps to work,
they should look like real stamps.-
321
00:18:00,371 --> 00:18:02,658
You should be fooled
when you look at them.
322
00:18:02,832 --> 00:18:06,325
Therefore the parody
is empowered.
323
00:18:06,502 --> 00:18:10,917
And in that little example,
he transformed the magazine.
324
00:18:13,593 --> 00:18:16,301
After that, Doug came
into my office and said,
325
00:18:16,470 --> 00:18:18,052
You were right about this guy.
326
00:18:18,764 --> 00:18:21,802
As soon as Michael came aboard,
the Lampoon began to look great.
327
00:18:22,226 --> 00:18:25,060
King Floyd's Groove Me
328
00:18:39,535 --> 00:18:41,948
And what the Lampoon
began to be able to do
329
00:18:42,121 --> 00:18:45,034
was to create anything
in any format,
330
00:18:45,207 --> 00:18:47,415
so that it looked like the original.
331
00:18:59,680 --> 00:19:01,546
Michael O'Donoghue: You know,
Ed Sullivan, we kid him a lot,
332
00:19:01,724 --> 00:19:04,137
but Ed Sullivan is one of
the greats of this business,
333
00:19:04,310 --> 00:19:06,222
and I had a funny thought.
334
00:19:06,604 --> 00:19:12,020
What if Ed Sullivan were tortured,
and when I say tortured,
335
00:19:12,193 --> 00:19:14,936
what I mean is,
what if steel needles,
336
00:19:15,112 --> 00:19:18,446
say six inches long,
were plunged into Ed's eyes?
337
00:19:18,616 --> 00:19:21,233
I... I think it would go
something like this...
338
00:19:31,337 --> 00:19:34,125
You could walk into
the Lampoon editorial office
339
00:19:34,298 --> 00:19:35,880
and get high just walking in.
340
00:19:36,342 --> 00:19:38,709
But as long as it stayed
in the editorial office,
341
00:19:38,886 --> 00:19:41,094
and as long as they were doing
the terrific work
342
00:19:41,263 --> 00:19:43,971
they were doing,
I didn't tell them what to do.
343
00:19:46,310 --> 00:19:48,347
In the course of a given day,
it was understood
344
00:19:48,521 --> 00:19:52,606
that the day didn't end
when the office day ended.
345
00:19:52,775 --> 00:19:55,142
Beatts: They would have these
dinner meetings in, like,
346
00:19:55,319 --> 00:19:57,151
some of the worst restaurants
in New York.
347
00:19:57,321 --> 00:19:59,529
There was
a saloon called The Green Man.
348
00:19:59,699 --> 00:20:04,034
It was hot,
it smelled of cat stink.
349
00:20:04,203 --> 00:20:07,241
And they would sit around a table
and drink tons and tons of beer.
350
00:20:07,415 --> 00:20:09,407
This would be paid for
by Henry or Doug.
351
00:20:09,583 --> 00:20:11,825
They would whip out their
company American Express card
352
00:20:12,002 --> 00:20:13,243
and pay for dinner.
353
00:20:13,421 --> 00:20:15,413
That's when we made up
the next issue.
354
00:20:15,589 --> 00:20:19,924
You had to either get Doug or Henry
to react positively to your idea.
355
00:20:20,511 --> 00:20:22,127
Ed Subitzky: The ideas would
come out very rapid fire.
356
00:20:22,304 --> 00:20:23,385
How did he think of that?
And then...
357
00:20:23,556 --> 00:20:24,797
How did he think of that?
358
00:20:25,015 --> 00:20:26,381
How did he think of that?
359
00:20:29,103 --> 00:20:30,969
We all do it the same way,
you get drunk,
360
00:20:31,397 --> 00:20:33,639
you go home,
you get up in the morning,
361
00:20:33,816 --> 00:20:35,023
and you write the piece.
362
00:20:35,317 --> 00:20:37,730
Doug was who
you went to really see
363
00:20:37,903 --> 00:20:41,192
if you had some wild and wacky
brilliant but funny idea.
364
00:20:41,741 --> 00:20:44,154
Doug would go,
-I gotcha, you're in.-
365
00:20:44,326 --> 00:20:45,567
Beard: I mean,
he was a workaholic.
366
00:20:45,745 --> 00:20:47,737
I mean,
he was unbelievably productive.
367
00:20:47,913 --> 00:20:50,576
Like, he wrote
the Letters column every month.
368
00:20:50,750 --> 00:20:53,163
I mean, that's like 2200
very funny words of letters
369
00:20:53,335 --> 00:20:54,826
in, like,
an hour and a half.
370
00:20:55,004 --> 00:20:57,212
I mean, every single time
there was something
371
00:20:57,381 --> 00:21:00,169
that had to be done,
he really was focused on it.
372
00:21:00,760 --> 00:21:02,422
Shary Flenniken:
Doug was valuable in that sense.
373
00:21:02,595 --> 00:21:05,258
Because he would
stimulate your ideas.
374
00:21:05,431 --> 00:21:08,219
So I don't think that there
really was anyone else
375
00:21:08,350 --> 00:21:10,763
who could inspire
other people like Doug.
376
00:21:11,103 --> 00:21:13,060
People would come
to Henry with ideas,
377
00:21:13,230 --> 00:21:14,687
and Henry would say,
378
00:21:15,191 --> 00:21:16,682
-Tempting, tempting.-
379
00:21:16,859 --> 00:21:20,443
Whatever idea you pitched him,
he would say, -Tempting, tempting.-
380
00:21:20,613 --> 00:21:22,650
-Tempting- meant that
381
00:21:22,782 --> 00:21:25,024
that is so awful,
it really blows chunks.
382
00:21:25,409 --> 00:21:28,743
Or, I'm about to have
an intellectual orgasm, it's so good.
383
00:21:29,497 --> 00:21:31,614
Somehow Henry Beard
would take this ragtag
384
00:21:31,791 --> 00:21:34,408
bunch of material and different
types of personalities
385
00:21:34,585 --> 00:21:36,326
and brilliantly
merge it together
386
00:21:36,504 --> 00:21:38,962
to make a magazine that was
surprisingly coherent.
387
00:21:39,131 --> 00:21:41,339
Dave Mason
Only You Know & I Know
388
00:21:53,062 --> 00:21:56,555
It was like we had
an attic full of culture
389
00:21:57,233 --> 00:22:01,773
that had been accumulating
from 1945 to 1970.
390
00:22:02,029 --> 00:22:05,648
And we opened the trap door,
and nobody had been up there,
391
00:22:06,408 --> 00:22:08,400
and we just basically looted it.
392
00:22:10,538 --> 00:22:12,780
Kelly: Michael O'Donoghue's
Vietnamese Baby Book
393
00:22:12,957 --> 00:22:15,665
was an extraordinary
piece of satire.
394
00:22:15,835 --> 00:22:19,545
It was a baby book, but it was
designed to be for a Vietnamese baby,
395
00:22:19,713 --> 00:22:22,751
and so it had things in it like
Baby's First Wound.
396
00:22:29,098 --> 00:22:31,340
Simmons:
It was incredibly dark,
397
00:22:31,600 --> 00:22:35,059
extremely political,
and it was funny.
398
00:22:36,981 --> 00:22:39,189
Michel Choquette came to me
with an idea.
399
00:22:39,358 --> 00:22:42,647
He had run into a guy who looked
just like Adolf Hitler.
400
00:22:43,195 --> 00:22:46,359
The piece was called
Stranger in Paradise
401
00:22:46,699 --> 00:22:50,909
which was about Adolf Hitler
really survived World War Two
402
00:22:51,120 --> 00:22:55,160
and was living on a tropical island
somewhere in the Caribbean.
403
00:22:56,584 --> 00:22:58,997
Simmons: I gave him a budget,
and ten days later
404
00:22:59,128 --> 00:23:00,619
I got a telegram,
it said,
405
00:23:00,838 --> 00:23:04,002
Hitler eating too much,
need more money.
406
00:23:04,174 --> 00:23:08,088
I said, Stop feeding Hitler
and return to New York immediately.
407
00:23:08,262 --> 00:23:09,673
And it was a brilliant article,
408
00:23:09,847 --> 00:23:13,011
which we resold to almost
every foreign country.
409
00:23:16,020 --> 00:23:18,808
Doug Kenney came up with
the photo funnies concept.
410
00:23:18,981 --> 00:23:23,726
Doug insisted that they be us
and some girls we brought in.
411
00:23:23,903 --> 00:23:26,737
I was so opposed.
Guys, we're a real magazine.
412
00:23:26,906 --> 00:23:29,489
We don't need to take Polaroid's
in a fuckin' office.
413
00:23:30,242 --> 00:23:33,485
I was so wrong,
because what Doug recognized
414
00:23:33,662 --> 00:23:37,076
is the audience identified with us.
415
00:23:37,875 --> 00:23:40,458
They went, -These are, like,
a bunch of jerk-offs like me.-
416
00:23:40,628 --> 00:23:42,711
Like, -You and me,
Bernie, look!-
417
00:23:43,547 --> 00:23:46,005
That's Doug Kenney's genius.
418
00:23:47,134 --> 00:23:50,377
They did probably one of the greatest
magazine covers ever done.
419
00:23:50,554 --> 00:23:53,297
Beard: Ed Bluestone came
to the office, and he said,
420
00:23:53,474 --> 00:23:54,965
You're gonna get a dog,
421
00:23:55,142 --> 00:23:56,678
gonna put a pistol to its head,
and you're gonna say
422
00:23:56,852 --> 00:23:58,935
'If you don't buy this magazine,
we'll kill this dog.
423
00:23:59,104 --> 00:24:01,016
I said, Ed, that's the most
brilliant thing I've ever heard.
424
00:24:01,899 --> 00:24:04,186
Gross:
It was a huge, huge hit
425
00:24:04,360 --> 00:24:08,695
because it's what every magazine
publisher wanted to do.
426
00:24:08,864 --> 00:24:11,277
All they want to say is,
Buy the fucking magazine!
427
00:24:19,249 --> 00:24:22,037
We realized that artists,
well-known established artists,
428
00:24:22,211 --> 00:24:25,579
people like Arnold Roth,
the great cartoonist Gahan Wilson,
429
00:24:27,049 --> 00:24:28,290
Sam Gross.
430
00:24:32,054 --> 00:24:34,171
Charlotte Rodriguez is
just a wonderful illustrator.
431
00:24:34,348 --> 00:24:35,634
Neal Adams.
432
00:24:35,808 --> 00:24:40,098
They all had to have
drawers full of wonderful stuff
433
00:24:40,270 --> 00:24:43,684
that had been rejected by
more traditional publications
434
00:24:43,857 --> 00:24:45,564
that weren't rejected because
they weren't funny or good,
435
00:24:45,734 --> 00:24:47,316
they were rejected because
they were a little too raunchy,
436
00:24:47,486 --> 00:24:49,318
so we knew we were
that outlet.
437
00:24:49,488 --> 00:24:51,400
It didn't matter
how strange your work was.
438
00:24:51,573 --> 00:24:54,657
It didn't matter if your work
was anti-republican,
439
00:24:54,868 --> 00:24:56,734
anti-democrat,
anti-the-universe,
440
00:24:56,912 --> 00:24:58,869
whatever it was,
you could bring it into them,
441
00:24:59,039 --> 00:25:00,746
and they would not touch it.
442
00:25:01,166 --> 00:25:02,623
And that's one great thing
about the Lampoon.
443
00:25:02,793 --> 00:25:04,625
Never before and never
since had that kind of freedom.
444
00:25:04,795 --> 00:25:06,411
Gross:
If you were smart and funny,
445
00:25:06,588 --> 00:25:10,207
you walked into Henry Beard's office
or Doug Kenney's office,
446
00:25:10,384 --> 00:25:12,341
Hello, can I come
show you some stuff?
447
00:25:12,469 --> 00:25:14,882
He goes like this, he goes,
Brilliant, thank you, you're hired.
448
00:25:15,055 --> 00:25:17,718
We don't pay much,
but we're not gonna edit you.
449
00:25:17,891 --> 00:25:19,257
We're not going to change you.
450
00:25:19,435 --> 00:25:21,848
We're gonna let you be
what you want to be.
451
00:25:28,235 --> 00:25:29,567
We had one problem.
452
00:25:30,195 --> 00:25:31,652
It was losing a lot of money.
453
00:25:33,157 --> 00:25:34,648
Because we couldn't get advertising.
454
00:25:37,411 --> 00:25:39,403
They sold little,
teeny mail order ads.
455
00:25:43,792 --> 00:25:48,708
They needed a pro to come in,
make it bigger, more legitimate.
456
00:25:50,716 --> 00:25:52,878
Jerry Taylor was
an extraordinarily successful
457
00:25:53,052 --> 00:25:54,918
and, sort of,
charismatic ad guy.
458
00:25:55,345 --> 00:25:57,428
We had a difficult
time getting appointments
459
00:25:57,598 --> 00:25:59,339
with advertising prospects.
460
00:25:59,641 --> 00:26:02,429
It was always hard
to be taken seriously,
461
00:26:03,103 --> 00:26:04,969
so I had a dress code.
462
00:26:05,564 --> 00:26:08,477
Three piece suit,
white shirt, vest, tie.
463
00:26:08,650 --> 00:26:11,108
We walked in looking exactly
like the guys from Time Inc.
464
00:26:12,112 --> 00:26:15,822
But still nothing,
zero, nothing mattered.
465
00:26:16,408 --> 00:26:21,324
It was almost like they would
vomit up this hostility on the desk.
466
00:26:22,081 --> 00:26:24,289
And I would say,
Okay, that's cool.
467
00:26:24,458 --> 00:26:25,744
You don't have to buy
a subscription,
468
00:26:25,918 --> 00:26:28,661
but now let me tell you
why I think our audience
469
00:26:28,837 --> 00:26:31,545
is a great target for
your product.
470
00:26:32,049 --> 00:26:36,384
Our readership drank more than
the average adult.
471
00:26:36,553 --> 00:26:39,136
And the first liquor
advertisement that we had
472
00:26:39,306 --> 00:26:40,717
at the magazine was
Jose Cuervo,
473
00:26:40,891 --> 00:26:42,723
and it made other people,
Oh, wow,
474
00:26:42,893 --> 00:26:44,885
they got a liquor advertisement
in the Lampoon.
475
00:26:45,062 --> 00:26:46,724
And then
the snowball started.
476
00:26:46,980 --> 00:26:49,267
King Floyd's Groove Me
477
00:27:01,453 --> 00:27:03,365
Taylor: I had a slogan,
-National Lampoon.
478
00:27:03,747 --> 00:27:06,330
There's nothing funny about
the way it sells.-
479
00:27:16,009 --> 00:27:19,002
Tell me about National Lampoon.
Why do you think it's so popular?
480
00:27:19,179 --> 00:27:21,011
Well, I think they're very witty.
481
00:27:21,181 --> 00:27:24,015
Yes, they're very witty,
but they are designed
482
00:27:24,184 --> 00:27:26,471
to please and flatter
483
00:27:26,645 --> 00:27:31,060
a particular audience of
fairly well-to-do nobodies
484
00:27:31,275 --> 00:27:33,141
who can afford
to be nobodies.
485
00:27:33,318 --> 00:27:38,484
Pacific Gas & Electric
Are You Ready
486
00:27:49,376 --> 00:27:52,119
I honestly think that
the National Lampoon
487
00:27:52,296 --> 00:27:54,663
is the most entertaining
magazine I have ever read.
488
00:27:54,756 --> 00:27:56,748
It's often the only
magazine that a lot of
489
00:27:56,925 --> 00:28:00,214
younger, hip people
today, uh, read.
490
00:28:00,387 --> 00:28:04,051
And why that is,
is I think they trust us.
491
00:28:06,602 --> 00:28:08,218
It looks really good,
it's funny to look at.
492
00:28:08,395 --> 00:28:11,103
It's weird to look at.
And if you read the printed stuff,
493
00:28:11,273 --> 00:28:12,764
if you look at things
that aren't the pictures,
494
00:28:12,941 --> 00:28:14,648
occasionally you find
something really good
495
00:28:14,818 --> 00:28:17,185
which you don't find anywhere
else in the written humor form.
496
00:28:17,529 --> 00:28:19,361
There was a lot
of bad stuff going on.
497
00:28:20,699 --> 00:28:22,315
We'd just
come out of the sixties.
498
00:28:22,492 --> 00:28:25,485
We had the assassinations,
Vietnam, now we had Watergate.
499
00:28:25,662 --> 00:28:32,375
So it was a perfect storm moment
of brilliant comic sensibilities
500
00:28:32,669 --> 00:28:35,662
hitting the culture
in a crisis point.
501
00:28:37,257 --> 00:28:39,874
It was actually
the first time that I realized
502
00:28:40,052 --> 00:28:42,669
that, through humor,
you can tell the truth.
503
00:28:48,852 --> 00:28:50,514
In a mass media way,
504
00:28:50,687 --> 00:28:52,679
this kind of comedy didn't
exist before then.
505
00:28:52,856 --> 00:28:54,347
People weren't that frank
506
00:28:54,524 --> 00:28:58,063
and didn't attack the
establishment comedically.
507
00:28:58,237 --> 00:28:59,569
We're basically
a humor magazine,
508
00:28:59,738 --> 00:29:01,274
and we publish things
we consider to be funny.
509
00:29:01,448 --> 00:29:03,485
It's just impossible to put out
this kind of a publication
510
00:29:03,659 --> 00:29:08,279
and be, uh, completely unwilling
to do something offensive.
511
00:29:08,455 --> 00:29:09,912
I think it's sometimes conscious
512
00:29:10,082 --> 00:29:12,540
and sometimes just instinctive
that we push things
513
00:29:12,709 --> 00:29:14,621
as far as they possibly
can be pushed.
514
00:29:14,795 --> 00:29:15,911
I've always had a bad attitude.
515
00:29:16,088 --> 00:29:17,078
Interviewer: Always?
516
00:29:17,256 --> 00:29:19,418
I'm earning a living off
a bad attitude right now.
517
00:29:19,591 --> 00:29:20,923
Teachers always said
it would get me in trouble,
518
00:29:21,051 --> 00:29:22,383
but it's great,
it's working for me.
519
00:29:26,598 --> 00:29:28,555
In those days,
magazines were a bigger deal.
520
00:29:29,977 --> 00:29:34,438
People very much defined themselves
by the magazines they read.
521
00:29:38,110 --> 00:29:39,476
It was the most popular magazine
522
00:29:39,653 --> 00:29:41,394
on college campuses in America
523
00:29:41,571 --> 00:29:44,063
and was the second
most popular magazine
524
00:29:44,241 --> 00:29:47,860
on newsstands in America,
second only to Cosmopolitan.
525
00:29:50,622 --> 00:29:53,205
The biggest circulation
we ever had was a million.
526
00:29:53,375 --> 00:29:57,164
We had a pass along
of maybe 12 or 15.
527
00:29:57,587 --> 00:30:01,922
So we probably had
12 million readers.
528
00:30:02,092 --> 00:30:03,799
I mean, it was huge.
529
00:30:03,969 --> 00:30:05,926
It's our unerring charm
that makes our readers
530
00:30:06,096 --> 00:30:07,553
swallow it
month after month.
531
00:30:07,723 --> 00:30:09,885
And frankly, that's what
it's all about, isn't it?
532
00:30:10,976 --> 00:30:13,719
Suddenly Doug Kenney disappeared.
533
00:30:16,440 --> 00:30:19,604
When Doug left or disappeared,
534
00:30:20,235 --> 00:30:22,693
it was...
It was a crisis.
535
00:30:22,863 --> 00:30:24,855
One Sunday morning
I came downstairs,
536
00:30:25,032 --> 00:30:26,739
and there was a note
in the kitchen, and it said,
537
00:30:26,908 --> 00:30:28,774
-Henry, I'm gonzo.
538
00:30:28,952 --> 00:30:30,989
I'm out of here, I'm gone,
I'm finished, I'm done.-
539
00:30:31,621 --> 00:30:32,611
And he was gone.
540
00:30:40,172 --> 00:30:43,586
And now the
final question, for $25,000.
541
00:30:43,717 --> 00:30:45,754
Name four famous Mickeys.
542
00:30:47,304 --> 00:30:49,887
Uh, Mickey Mouse.
543
00:30:50,390 --> 00:30:51,722
That's number one.
544
00:30:51,892 --> 00:30:53,133
Mickey, Mickey Mantle.
545
00:30:53,602 --> 00:30:54,843
Number two.
546
00:30:55,771 --> 00:30:58,684
Uh, Mickey Rooney.
547
00:30:58,774 --> 00:30:59,890
That's number three.
548
00:31:00,025 --> 00:31:02,358
Only one more,
and you win $25,000.
549
00:31:04,029 --> 00:31:05,190
Mickey Way.
550
00:31:06,740 --> 00:31:07,901
Mickey Way?
551
00:31:08,825 --> 00:31:10,316
The candy bar,
they'll take that, won't they?
552
00:31:10,494 --> 00:31:12,656
- The judges will take that
553
00:31:13,413 --> 00:31:16,906
Because I had had a previous career
as half of a comedy team,
554
00:31:17,084 --> 00:31:20,543
I had experience in how to write
and put together an album.
555
00:31:20,712 --> 00:31:24,296
And I was paired with O'Donoghue,
who wanted to do this album,
556
00:31:24,466 --> 00:31:26,708
so that's how
Radio Dinner came to be.
557
00:31:27,511 --> 00:31:30,595
But the album itself was
very much Michael O'Donoghue.
558
00:31:30,972 --> 00:31:33,589
So Michael would say, -TV dinner?
What about radio dinner?-
559
00:31:33,767 --> 00:31:36,305
And then he'd go, -Yes,- and
he'd write down Radio Dinner.
560
00:31:36,478 --> 00:31:38,185
And a year later
when someone said,
561
00:31:38,355 --> 00:31:39,846
-Let's do an album,-
he'd go...
562
00:31:40,857 --> 00:31:42,223
-Let's call it Radio Dinner.-
563
00:31:43,235 --> 00:31:45,727
Still one of my favorites
was a parody song
564
00:31:45,904 --> 00:31:47,861
that Michael O'Donoghue
and I wrote
565
00:31:48,031 --> 00:31:49,897
and that Tony Hendra
ended up performing,
566
00:31:50,075 --> 00:31:51,532
brilliantly, I might add.
567
00:31:51,785 --> 00:31:53,401
I resent performing
for you fuckers
568
00:31:53,578 --> 00:31:54,864
Tell me,
what do you know?
569
00:31:55,038 --> 00:31:56,654
A lot of faggot
middle class kids
570
00:31:56,832 --> 00:31:58,414
Wearing long hair
and trendy clothes
571
00:31:58,583 --> 00:32:00,119
I don't owe you fuckers
anything
572
00:32:00,293 --> 00:32:02,706
And all I've got
to say is fuck you...
573
00:32:02,879 --> 00:32:04,211
Cerf:
It was right after John Lennon
574
00:32:04,381 --> 00:32:06,498
had an interview in Rolling Stone,
575
00:32:06,675 --> 00:32:10,544
and we had the idea that if you just
put in an occasional rhyme...
576
00:32:10,720 --> 00:32:13,633
The sky is blue...
577
00:32:13,974 --> 00:32:16,261
You could set the whole
interview to music.
578
00:32:16,435 --> 00:32:18,051
George said
she gave off evil vibes
579
00:32:18,228 --> 00:32:20,311
I should have beat the fucking
shit right out of him
580
00:32:20,480 --> 00:32:24,520
Him with his
fucking Hare Krishna
581
00:32:26,862 --> 00:32:28,694
The album was actually
a great success.
582
00:32:28,864 --> 00:32:30,321
It got a tremendous amount
of airplay.
583
00:32:30,490 --> 00:32:31,981
It was also
nominated for a Grammy,
584
00:32:32,159 --> 00:32:33,240
which was pretty good,
first time out.
585
00:32:33,743 --> 00:32:37,111
It showed that we could more
than simply put out a magazine.
586
00:32:39,958 --> 00:32:41,870
The truth is,
Doug carried the magazine.
587
00:32:42,043 --> 00:32:45,582
If I wrote a hundred words,
he wrote a thousand, every month.
588
00:32:45,755 --> 00:32:48,247
People hadn't really expected
that he would disappear,
589
00:32:48,425 --> 00:32:50,712
but Doug was
not a stable person.
590
00:32:51,011 --> 00:32:52,252
He had an older brother
591
00:32:52,387 --> 00:32:54,049
who was the preferred son,
the favorite son,
592
00:32:54,514 --> 00:32:56,972
and his older brother
died at an early age,
593
00:32:57,142 --> 00:32:58,849
and it was a great loss
to his parents,
594
00:32:59,019 --> 00:33:01,477
and his parents, kind of,
treated Doug as the...
595
00:33:01,646 --> 00:33:03,979
As the -Well, I guess
that's all we've got left.-
596
00:33:04,357 --> 00:33:07,145
It probably did have
some emotional impact on him.
597
00:33:07,444 --> 00:33:09,902
And basically what happened
is he had a nervous breakdown.
598
00:33:10,071 --> 00:33:12,279
And he just couldn't
take it anymore.
599
00:33:12,574 --> 00:33:13,940
John Weidman:
He needed a break.
600
00:33:14,117 --> 00:33:16,905
He was having sort of
a mid-life crisis
601
00:33:17,078 --> 00:33:18,444
at the age of 24, whatever.
602
00:33:18,580 --> 00:33:20,071
He was trying
to figure himself out,
603
00:33:20,290 --> 00:33:22,998
and he picked up and moved
to Martha's Vineyard.
604
00:33:24,085 --> 00:33:26,418
I think he wanted to try
something else before 30.
605
00:33:26,630 --> 00:33:28,246
He's got to do something new.
606
00:33:28,423 --> 00:33:31,257
Hendra: He wanted to write
Teenage Commies from Outer Space.
607
00:33:31,426 --> 00:33:34,260
I went up to Martha's Vineyard
to actually see Doug.
608
00:33:34,429 --> 00:33:38,890
My idea was to take stuff
and develop from the magazine
609
00:33:39,059 --> 00:33:41,472
and then put it on stage,
and then Matty said
610
00:33:41,645 --> 00:33:42,806
it needed Doug's touch.
611
00:33:42,979 --> 00:33:44,140
He looked completely wasted.
612
00:33:44,314 --> 00:33:47,227
He'd obviously been
dropping acid and eating very little.
613
00:33:48,068 --> 00:33:50,401
He wanted to go for a walk
'cause he had something to show me.
614
00:33:50,570 --> 00:33:52,812
And we walked out to where
there's this peculiar,
615
00:33:52,989 --> 00:33:55,276
kind of, mud which runs
right down to the sea.
616
00:33:55,450 --> 00:33:58,193
And he said
it was really groovy,
617
00:33:58,370 --> 00:34:01,989
really groovy in the summer
to slather yourself with this stuff
618
00:34:02,123 --> 00:34:03,204
and just lie in the sun.
619
00:34:04,834 --> 00:34:06,541
So I had pitched my idea,
620
00:34:06,711 --> 00:34:08,794
and he said,
-No, man, I can't do that.
621
00:34:08,964 --> 00:34:10,421
I'm too deep into my novel.-
622
00:34:10,590 --> 00:34:13,333
And it turned he'd written
one and a half chapters.
623
00:34:17,180 --> 00:34:19,638
Aah...
624
00:34:23,395 --> 00:34:26,763
The first album did so well,
we've got to do another album.
625
00:34:26,940 --> 00:34:29,478
Wouldn't it be fun
to parody Woodstock?
626
00:34:29,651 --> 00:34:32,314
We were going to do
a three night show, record it,
627
00:34:32,487 --> 00:34:35,070
edit it, and that would be
the second album.
628
00:34:35,824 --> 00:34:38,157
But it got out of hand.
629
00:34:39,828 --> 00:34:42,696
We are Lemmings!
630
00:34:46,626 --> 00:34:49,494
We needed a cast of
people who could be very funny
631
00:34:49,671 --> 00:34:51,833
and could play an instrument
632
00:34:52,007 --> 00:34:54,750
or, at the very least,
sing extremely well.
633
00:34:54,926 --> 00:34:56,462
Tony Hendra called me
one night, and he said,
634
00:34:56,636 --> 00:34:59,128
-There's a guy here
at Second City in Chicago,
635
00:34:59,306 --> 00:35:02,674
and he's the funniest actor
I've ever seen in my life.
636
00:35:02,851 --> 00:35:03,887
He's incredible.-
637
00:35:04,060 --> 00:35:05,471
So I said,
-Bring him to New York.-
638
00:35:08,064 --> 00:35:09,555
Can I have
your attention please
639
00:35:09,733 --> 00:35:12,692
The theme of Lemmings
Woodshuck Festival
640
00:35:12,861 --> 00:35:15,945
was that everyone's
come together to off themself.
641
00:35:16,114 --> 00:35:19,607
Lemmings are animals that commit
suicide by going over cliffs.
642
00:35:20,869 --> 00:35:23,703
So they were giving advice on how
they might do this along the way
643
00:35:23,872 --> 00:35:25,613
by the announcer,
who was John.
644
00:35:28,460 --> 00:35:30,793
Now we all know
why we came here.
645
00:35:31,755 --> 00:35:33,291
A million of us,
646
00:35:33,923 --> 00:35:35,880
we came here to off ourselves.
647
00:35:36,051 --> 00:35:38,759
He made the character into this,
kind of,
648
00:35:38,928 --> 00:35:43,172
manically agreeable
murderous lunatic.
649
00:35:43,350 --> 00:35:45,137
If your buddy is too stoned
to off himself,
650
00:35:45,310 --> 00:35:46,676
do him a favor.
651
00:35:46,853 --> 00:35:48,810
Roll him up
in his sleeping bag
652
00:35:48,980 --> 00:35:51,814
and drag him over to where
the tractors can run him down.
653
00:35:54,235 --> 00:35:58,149
Chris Guest did a James Taylor
that was genius.
654
00:35:58,323 --> 00:36:00,235
Farewell,
New York City
655
00:36:00,408 --> 00:36:03,776
With your streets that
flash like strobes
656
00:36:04,245 --> 00:36:06,487
Farewell, Carolina
657
00:36:06,748 --> 00:36:09,786
Where I left
my frontal lobes
658
00:36:09,959 --> 00:36:11,416
Hey! Chevy!
659
00:36:11,586 --> 00:36:12,997
Hey! What's your
name again?!
660
00:36:13,254 --> 00:36:15,621
- John.
- John, hey!
661
00:36:15,799 --> 00:36:17,711
There was a sketch
where John and I
662
00:36:17,884 --> 00:36:19,921
were two high school
or college guys
663
00:36:20,095 --> 00:36:21,836
at urinals, just talking.
664
00:36:21,971 --> 00:36:23,303
I can't even remember
what it was about,
665
00:36:23,473 --> 00:36:25,965
but I do remember that
they were laughing all through.
666
00:36:26,434 --> 00:36:28,346
And it became clearer
and clearer to me
667
00:36:28,478 --> 00:36:29,514
that they were laughing at John,
668
00:36:29,688 --> 00:36:30,849
whether he was saying
anything or not.
669
00:36:32,107 --> 00:36:33,769
I'm like this, talking to John.
670
00:36:35,068 --> 00:36:38,607
And finally after, like, a week,
I have to look over at him
671
00:36:38,780 --> 00:36:40,442
to see what the hell
is going on,
672
00:36:40,615 --> 00:36:42,447
why are they always laughing?
And he's like this.
673
00:36:47,455 --> 00:36:49,071
Never knew it,
never told me.
674
00:36:50,041 --> 00:36:52,249
The little bastard
just took me.
675
00:36:55,588 --> 00:36:56,795
It was so good.
676
00:36:57,966 --> 00:37:00,333
It was decided, because
the ticket sales were so brisk,
677
00:37:00,844 --> 00:37:02,380
that we would simply
leave the show open.
678
00:37:02,554 --> 00:37:04,762
And at that point,
from a record project,
679
00:37:04,931 --> 00:37:07,093
it actually become an
off-Broadway show.
680
00:37:09,269 --> 00:37:12,057
It was in this little
tiny club in the Village,
681
00:37:12,230 --> 00:37:15,439
but it was an underground hit,
it was a cool thing to go see.
682
00:37:15,608 --> 00:37:16,894
Well I'm standing here
683
00:37:17,068 --> 00:37:18,400
Singing my song
684
00:37:18,570 --> 00:37:22,280
Well, there ain't nothing
to do, all my friends are gone
685
00:37:22,782 --> 00:37:25,775
I had sunshine
and a country home
686
00:37:25,952 --> 00:37:28,865
I've been on the cover
of Rolling Stone ?
687
00:37:29,038 --> 00:37:31,030
But it lonely
Yes it's lonely
688
00:37:31,207 --> 00:37:32,869
When we were with the actors,
689
00:37:33,042 --> 00:37:34,749
it got more rambunctious.
690
00:37:34,919 --> 00:37:37,957
Because that was
when actual uppers and downers
691
00:37:38,131 --> 00:37:41,090
and nose candy,
and things, entered.
692
00:37:41,259 --> 00:37:43,376
What about the acid?
You gonna open the acid?
693
00:37:45,263 --> 00:37:46,344
What acid?
694
00:37:47,599 --> 00:37:49,591
What do you mean,
-What acid,- John?
695
00:37:49,768 --> 00:37:51,509
- What acid?
- The LSD 25, man.
696
00:37:51,686 --> 00:37:53,222
You mean the LSD zero?
697
00:37:55,106 --> 00:37:56,563
Tony would go
to Matty and say
698
00:37:56,733 --> 00:38:00,443
he needed X bucks
to buy marijuana for the cast.
699
00:38:00,612 --> 00:38:03,400
And then Tony, of course, would
immediately buy cocaine with it.
700
00:38:03,907 --> 00:38:06,240
I mean, everybody can buy
their own marijuana.
701
00:38:10,747 --> 00:38:12,830
Hey! Hey,
you gotta get up!
702
00:38:14,542 --> 00:38:16,454
Hup! Hup!
703
00:38:23,134 --> 00:38:24,170
Whoa!
704
00:38:29,015 --> 00:38:31,177
What would you do
705
00:38:31,851 --> 00:38:34,389
If I sang out of tune?
706
00:38:34,562 --> 00:38:37,805
- One, two, three!
Lonely at the bottom
707
00:38:37,982 --> 00:38:40,269
Lonely,
lonely, lonely
708
00:38:40,443 --> 00:38:42,901
Lonely at the bottom
I said my baby's lonely
709
00:38:43,071 --> 00:38:44,687
I said she lonely,
I said she lonely
710
00:38:44,864 --> 00:38:47,447
I said she lonely,
I said she lonely, I said...
711
00:38:54,666 --> 00:38:58,125
Henry Beard's
office door hardly ever opened.
712
00:38:58,461 --> 00:39:01,204
Henry Beard sat there
and typed.
713
00:39:02,924 --> 00:39:05,541
Pull it out, pull it out.
Pages, pages, pages.
714
00:39:05,760 --> 00:39:10,801
Genius, brilliant,
intellectual and otherwise pages.
715
00:39:10,974 --> 00:39:12,010
That's it.
716
00:39:13,101 --> 00:39:15,138
Suddenly I was working
a hundred hours a week.
717
00:39:15,311 --> 00:39:17,519
You know, I would
go home and go to bed
718
00:39:17,772 --> 00:39:19,138
and then wake up
the next morning
719
00:39:19,315 --> 00:39:21,807
and go to the office
and start writing again.
720
00:39:23,069 --> 00:39:24,435
Henry, really,
721
00:39:24,612 --> 00:39:26,148
had become
the leader of the magazine.
722
00:39:26,322 --> 00:39:28,188
When Doug was still there,
it was a partnership,
723
00:39:28,366 --> 00:39:31,234
and when he left,
Henry was the only person
724
00:39:31,369 --> 00:39:33,907
who could actually, sort of,
be the final authority,
725
00:39:34,080 --> 00:39:36,697
and he had done that very,
I think, grudgingly.
726
00:39:37,250 --> 00:39:40,209
So when Doug sidled back
into the office,
727
00:39:40,378 --> 00:39:44,463
sort of saying, -Hi, I'm back,-
no one had much patience for Doug.
728
00:39:45,091 --> 00:39:48,209
He came back humbled,
deeply humbled.
729
00:39:48,386 --> 00:39:50,093
Deeply, sadly humbled.
730
00:39:50,263 --> 00:39:52,971
Tail between his legs.
He knew what he had done.
731
00:39:55,143 --> 00:39:57,260
Doug brought the novel back,
732
00:39:57,437 --> 00:40:00,145
and Henry looks at it and goes,
-Jesus, this is awful.-
733
00:40:00,315 --> 00:40:02,398
He... I... I read this thing,
it just made no sense.
734
00:40:02,567 --> 00:40:04,274
It was a complete nothing.
735
00:40:04,861 --> 00:40:06,978
And what he did was,
he opened up the window
736
00:40:07,155 --> 00:40:10,148
on Madison Avenue and just
scaled the whole thing out.
737
00:40:12,285 --> 00:40:13,992
Gross: There were people
not talking to him.
738
00:40:14,203 --> 00:40:16,786
And people were, like, doing this.
They didn't even want to see him.
739
00:40:17,624 --> 00:40:19,490
I was pissed at Doug,
and I said,
740
00:40:19,667 --> 00:40:21,909
-Doug, you know,
you fucking let me down.
741
00:40:23,171 --> 00:40:24,161
You let us all down.-
742
00:40:33,723 --> 00:40:35,931
- Julius: This is Julius...
- And Ethel...
743
00:40:36,100 --> 00:40:37,136
Rosenberg.
744
00:40:37,310 --> 00:40:40,348
Julius: Did you know that
the majority of dead people are Jews?
745
00:40:40,521 --> 00:40:45,141
Mm-hmm. 85- of all
dead people are Jewish.
746
00:40:45,443 --> 00:40:46,729
So remember,
747
00:40:46,903 --> 00:40:49,771
if you persecute Jews
when you're alive,
748
00:40:49,948 --> 00:40:53,237
boy, are you going to get it
when you're dead.
749
00:40:54,452 --> 00:40:57,320
Doug had just gotten back from
being AWOL for about a year,
750
00:40:57,497 --> 00:40:58,783
and I had just been hired.
751
00:40:58,957 --> 00:41:01,825
And Michael O'Donoghue,
in the early Lampoon,
752
00:41:02,001 --> 00:41:05,415
wrote a brief parody
of a high school year book.
753
00:41:05,588 --> 00:41:07,705
Matty Simmons had the idea
of turning this
754
00:41:07,882 --> 00:41:11,091
into a special edition
of doing a yearbook.
755
00:41:11,260 --> 00:41:14,424
Matty gave us the job because,
basically, we couldn't say no.
756
00:41:14,597 --> 00:41:17,965
Doug was still in the doghouse,
and I was a fresh hire.
757
00:41:18,142 --> 00:41:19,508
Simmons:
They weren't hot about the idea.
758
00:41:19,686 --> 00:41:22,554
But I wanted to do it,
and I pushed them.
759
00:41:22,730 --> 00:41:24,722
O'Rourke: We're sitting around,
bemoaning our fate.
760
00:41:24,899 --> 00:41:26,731
-This is such a stupid idea.
761
00:41:26,901 --> 00:41:28,563
How are we gonna
talk him out of this?-
762
00:41:29,153 --> 00:41:30,689
And we just started talking
about high school.
763
00:41:31,072 --> 00:41:33,280
And we started
talking about how, really,
764
00:41:33,449 --> 00:41:35,236
there are only a dozen people
in high school.
765
00:41:35,410 --> 00:41:36,821
Well, there's
the beautiful frigid girl,
766
00:41:36,995 --> 00:41:38,202
there's the stupid jock,
767
00:41:38,413 --> 00:41:40,405
there's the exchange student
from -Absurd-istan.-
768
00:41:40,581 --> 00:41:43,073
You know, there's only a dozen,
18 people in high school.
769
00:41:44,210 --> 00:41:45,246
Chuck Berry -School Days-
770
00:41:45,420 --> 00:41:46,410
Bingo.
771
00:41:48,423 --> 00:41:49,539
O'Rourke: This is how you do it.
772
00:41:49,716 --> 00:41:52,174
You cast these 18 characters,
773
00:41:52,343 --> 00:41:54,460
and you spin out a year
of their life,
774
00:41:54,637 --> 00:41:56,344
and you can get
a whole book out of this.
775
00:41:59,308 --> 00:42:00,890
Hirsch:
When I got to the Lampoon,
776
00:42:01,060 --> 00:42:03,552
Anne Beatts and Emily Prager
were the only two women writers.
777
00:42:03,730 --> 00:42:05,437
So I was desperate
to work on anything.
778
00:42:05,606 --> 00:42:08,189
And so I said to Doug Kenney,
-I volunteer.
779
00:42:08,359 --> 00:42:12,694
I will do anything
you want to help you.-
780
00:42:13,072 --> 00:42:15,155
I walked with crutches,
I had polio as a kid.
781
00:42:15,324 --> 00:42:17,156
He said, -Oh, well, you know,
there's always a handicapped kid
782
00:42:17,285 --> 00:42:18,275
in every school.
783
00:42:18,453 --> 00:42:20,035
Can we borrow
your crutches?-
784
00:42:20,663 --> 00:42:22,529
And I went,
-Well, not without me, you can't!-
785
00:42:22,707 --> 00:42:24,539
And so he said -All right,
well, will you be in it?-
786
00:42:24,709 --> 00:42:26,450
And I was
Ursula Wattersky.
787
00:42:31,007 --> 00:42:33,590
I think P.J. was
the women's gym teacher.
788
00:42:33,760 --> 00:42:35,877
Brian McConnachie doing
the optometrist club,
789
00:42:36,054 --> 00:42:38,216
and they're all,
sort of, listing to the side.
790
00:42:38,389 --> 00:42:39,721
It was a wonderful experience.
791
00:42:39,891 --> 00:42:42,258
It was like producing
an independent movie.
792
00:42:43,770 --> 00:42:47,013
It was perfect for Doug
because he had simultaneously
793
00:42:47,190 --> 00:42:51,309
been just a regular high school guy
and Doug Kenney,
794
00:42:52,445 --> 00:42:54,402
super brain,
watching from on high.
795
00:42:55,198 --> 00:42:57,440
He wore his high school jacket
all the time, Doug.
796
00:42:57,617 --> 00:42:59,779
That was his natural costume.
797
00:42:59,952 --> 00:43:02,535
Doug used his own picture
as the dead student
798
00:43:02,663 --> 00:43:04,404
that the yearbook
was dedicated to.
799
00:43:08,503 --> 00:43:11,371
It was a work of
true satirical brilliance.
800
00:43:11,547 --> 00:43:14,381
There were 50 storylines
801
00:43:14,550 --> 00:43:16,667
woven through it in all the different
802
00:43:16,844 --> 00:43:19,757
sections of it.
It was really a comic masterpiece.
803
00:43:21,140 --> 00:43:23,553
Doug was the personality
of National Lampoon.
804
00:43:23,726 --> 00:43:25,217
He understood...
805
00:43:26,979 --> 00:43:28,140
...people.
806
00:43:33,986 --> 00:43:37,900
Simmons: Michael O'Donoghue
in the office was like a time bomb.
807
00:43:38,366 --> 00:43:40,153
You never knew
when it was going to go off.
808
00:43:40,326 --> 00:43:43,785
Michael O'Donoghue was... Seemed
to be the world's angriest guy.
809
00:43:43,955 --> 00:43:45,196
And he would scream and yell,
810
00:43:45,373 --> 00:43:47,285
and he would throw
telephone books.
811
00:43:47,458 --> 00:43:49,040
And the phone,
he'd rip the phone out
812
00:43:49,210 --> 00:43:51,623
and throw it across the office,
narrowly missing people.
813
00:43:52,004 --> 00:43:54,587
He was prone to,
when you're stuck,
814
00:43:54,757 --> 00:43:57,124
you turn around, you wanna
get angry at somebody.
815
00:43:57,301 --> 00:43:58,587
And you hit
the people closest to you.
816
00:43:58,761 --> 00:44:00,343
You start slapping
them around.
817
00:44:00,972 --> 00:44:02,884
Hendra: Michael was like
a bundle of dynamite.
818
00:44:03,057 --> 00:44:05,800
For some reason, we hit it off
when I first came to the magazine.
819
00:44:06,227 --> 00:44:07,684
And we were friends
for a while.
820
00:44:07,854 --> 00:44:10,096
As everybody was
with Michael, for a while.
821
00:44:12,066 --> 00:44:15,150
Beatts: Michael had gotten
into a giant feud with Tony
822
00:44:15,403 --> 00:44:18,942
over the fact that Tony had slept
with Michael's then-girlfriend, Amy.
823
00:44:19,115 --> 00:44:22,233
Michael marched into my office
and said, -You gotta fire him.-
824
00:44:22,994 --> 00:44:25,907
And he told me what happened.
I said, -Michael, the one thing
825
00:44:26,080 --> 00:44:28,788
I never want to do is get
involved with the personal lives
826
00:44:28,958 --> 00:44:30,449
of the people who work here.-
827
00:44:30,626 --> 00:44:34,370
Matty gave Michael
the National Lampoon Radio Hour
828
00:44:34,547 --> 00:44:36,459
as a compensatory thing.
829
00:44:36,632 --> 00:44:40,171
Like, okay, they have Lemmings,
you can have the Radio Hour.
830
00:44:43,764 --> 00:44:45,847
Who is it?
831
00:44:46,017 --> 00:44:47,098
Tom the Baker, here.
832
00:44:47,268 --> 00:44:49,305
Oh, Tom. Come on in.
833
00:44:50,855 --> 00:44:52,312
You're not
Tom the baker!
834
00:44:52,481 --> 00:44:53,688
Watch out, he's got a knife.
835
00:44:53,858 --> 00:44:55,315
Who are you?
836
00:44:55,484 --> 00:44:56,770
I'm Bob the rapist.
837
00:44:56,944 --> 00:44:59,106
- Oh, Bob.
- Oh, Bob.
838
00:44:59,280 --> 00:45:00,942
Come on in,
have some coffee.
839
00:45:01,115 --> 00:45:02,356
Good to see you.
840
00:45:04,827 --> 00:45:07,035
In the beginning of the Radio Hour,
I guess it was envisioned
841
00:45:07,205 --> 00:45:08,821
that the editors
would be the writers.
842
00:45:08,998 --> 00:45:10,705
Michael had just sort of
written Lemmings off
843
00:45:10,875 --> 00:45:12,082
and everybody in it.
844
00:45:13,085 --> 00:45:14,951
One day, Chris Guest was
supposed to come in and do
845
00:45:15,129 --> 00:45:16,665
a Peter O'Toole imitation,
846
00:45:16,839 --> 00:45:18,501
and he called up
last minute to cancel.
847
00:45:19,008 --> 00:45:21,500
And I said,
-John can do Peter O'Toole.-
848
00:45:21,677 --> 00:45:23,794
And that's how
everybody in Second City
849
00:45:23,971 --> 00:45:25,678
entered the Radio Hour.
850
00:45:25,848 --> 00:45:29,091
Gilda Radner: Hi, I'm your
host person, Gilda Radner,
851
00:45:29,268 --> 00:45:31,806
and I am going to read you
the people who contributed.
852
00:45:31,979 --> 00:45:34,312
John Belushi,
Brian Doyle-Murray,
853
00:45:34,482 --> 00:45:36,690
Bill Murray, Gilda Radner,
Harold -Rahmis-
854
00:45:36,859 --> 00:45:38,191
- Ed Subitzky.
- Harold Ramis:It's Ramis.
855
00:45:38,361 --> 00:45:40,273
- Gilda: What?
- Ramis: Ramis, not Rahmis.
856
00:45:40,988 --> 00:45:42,900
Hirsch: These guys were
all Second City guys,
857
00:45:43,074 --> 00:45:47,364
and they learned a craft,
which is writing sketches.
858
00:45:47,536 --> 00:45:49,698
- What's the point, Coach?
- The point is this, Shnobble.
859
00:45:49,872 --> 00:45:51,283
There are winners
and losers,
860
00:45:51,457 --> 00:45:53,244
but some guys don't even get
to finish the game.
861
00:45:53,417 --> 00:45:54,908
Yeah?
What are you talking about?
862
00:45:55,086 --> 00:45:57,203
There's a big coach
somewhere in the universe,
863
00:45:57,380 --> 00:45:58,746
and he's taking
one of us up.
864
00:45:58,923 --> 00:46:02,462
- Stefanski, you got Leukoplakia.
- Huh?
865
00:46:02,635 --> 00:46:04,718
The doc says you might
not last the season.
866
00:46:07,640 --> 00:46:10,348
I suppose that one of us
ought to say something, Coach,
867
00:46:10,518 --> 00:46:11,759
and as the defensive captain...
868
00:46:12,019 --> 00:46:13,260
Harold: Wait, that's not all.
869
00:46:13,437 --> 00:46:15,679
Luciano has
Huntington's Chorea.
870
00:46:16,023 --> 00:46:17,764
Shaffer and Collins,
you two have
871
00:46:17,942 --> 00:46:19,808
sickle cell anemia, highly advanced.
872
00:46:20,278 --> 00:46:23,442
Thomson, Carson and McNulty,
spinal meningitis.
873
00:46:24,865 --> 00:46:27,232
Okay, that's pretty good.
You can go on to the next one.
874
00:46:27,618 --> 00:46:30,531
Danny Abelson: For human nerds, the
National Lampoon is like an obscure
875
00:46:30,705 --> 00:46:33,823
record label that first recorded
Jeff Beck and Eric Clapton.
876
00:46:34,000 --> 00:46:37,084
You, sort of,
can trace extraordinary talent
877
00:46:37,253 --> 00:46:39,336
back to this one
little record label.
878
00:46:39,505 --> 00:46:42,339
But we do a fair amount
of music on the radio show.
879
00:46:42,508 --> 00:46:46,377
We do, um, often performed
by us because we're so awful,
880
00:46:46,554 --> 00:46:48,967
that we couldn't ever get
professionals to sound
881
00:46:49,140 --> 00:46:51,097
as bad as we wanted
the thing to sound.
882
00:46:51,350 --> 00:46:54,013
I wish I was a Negro
883
00:46:54,186 --> 00:46:56,599
With lots of Negro soul
884
00:46:57,189 --> 00:46:59,852
So I could stay true
to my ethnic roots
885
00:47:00,026 --> 00:47:02,439
And still play rock'n'roll
886
00:47:02,611 --> 00:47:04,944
If I was a funky Negro
887
00:47:05,114 --> 00:47:08,073
Eating soul food barbecues
888
00:47:08,576 --> 00:47:11,239
I wouldn't have to sing
the middle-class liberal
889
00:47:13,164 --> 00:47:16,248
We get some reaction
from people accusing us
890
00:47:16,417 --> 00:47:18,033
of being racist or anti-Semitic,
891
00:47:18,210 --> 00:47:19,951
or we even got complaints
from the Nazis
892
00:47:20,129 --> 00:47:22,086
that we were
anti-Nazi or something.
893
00:47:23,507 --> 00:47:25,715
Kenney: All of the editors,
I think, to a certain degree,
894
00:47:25,885 --> 00:47:28,047
are unbelievable racists.
895
00:47:28,220 --> 00:47:30,462
You ask,
-Are we anti-Polack?-
896
00:47:30,639 --> 00:47:33,347
Of course, we're anti-Polack,
they're so dumb.
897
00:47:33,517 --> 00:47:35,304
Interviewer: What about racism
being dealt with
898
00:47:35,478 --> 00:47:36,810
in the way
it is in Lampoon?
899
00:47:36,979 --> 00:47:38,811
Oh, I suggest simply
the hotter the issue,
900
00:47:38,981 --> 00:47:40,517
the more they cool it
by hilarity.
901
00:47:40,691 --> 00:47:43,900
Why does one laugh? Laughter is
entirely a defense mechanism.
902
00:47:44,070 --> 00:47:46,983
Laughter is a defense
against hostility,
903
00:47:47,156 --> 00:47:48,647
a replacement
for hostility,
904
00:47:48,824 --> 00:47:52,192
a, uh, a defense mechanism
against guilt, embarrassment.
905
00:47:52,370 --> 00:47:55,283
Michael did a thing about
Kentucky Fried Chicken,
906
00:47:55,456 --> 00:47:57,368
except, of course,
the Colonel was serving
907
00:47:57,541 --> 00:47:58,827
Kentucky Fried black people.
908
00:47:58,918 --> 00:48:01,626
And you think, well,
that's beyond tasteless.
909
00:48:01,796 --> 00:48:03,833
Except it's, sort of, true.
910
00:48:04,340 --> 00:48:06,206
We're a good,
humorous say anything which is true,
911
00:48:06,384 --> 00:48:08,376
which you would do
anything to deny is true.
912
00:48:08,552 --> 00:48:10,214
Kelly:
So I wouldn't say the
913
00:48:10,471 --> 00:48:13,214
Kentucky Fried joke was
a racistjoke.
914
00:48:13,391 --> 00:48:15,348
It was a joke against racism.
915
00:48:15,684 --> 00:48:19,177
Judith Belushi: We had a very
disgruntled sponsor who dropped us.
916
00:48:19,355 --> 00:48:21,438
And I remember the memo
we got after, it was from Matty.
917
00:48:21,607 --> 00:48:23,644
-You can make fun
of poor people,
918
00:48:24,026 --> 00:48:25,233
you can make fun of Indians,
919
00:48:25,361 --> 00:48:27,819
you can make fun
of anything you want,
920
00:48:27,988 --> 00:48:29,854
but do not make fun
of the Jews.-
921
00:48:32,201 --> 00:48:34,363
It is the job of a satirist, okay,
922
00:48:34,537 --> 00:48:37,245
to make people in power
uncomfortable,
923
00:48:37,415 --> 00:48:38,951
really uncomfortable.
924
00:48:39,125 --> 00:48:41,833
To the point where they go,
-This has to be stopped.-
925
00:48:50,219 --> 00:48:53,257
In the National Lampoon,
what really gets people angry?
926
00:48:53,431 --> 00:48:55,764
What do they...
What do they sue you about?
927
00:48:55,933 --> 00:48:59,426
Probably the most famous suit
we ever had was the Volkswagen suit.
928
00:49:01,230 --> 00:49:03,187
We had a picture
of a Volkswagen.
929
00:49:03,357 --> 00:49:05,440
We said if Teddy Kennedy
had driven a Volkswagen,
930
00:49:05,609 --> 00:49:09,148
he'd be President today.
Which is true, of course.
931
00:49:09,321 --> 00:49:10,687
Teddy Kennedy
would be President
932
00:49:10,781 --> 00:49:13,068
if he drove a car that floated.
933
00:49:13,993 --> 00:49:15,780
Well, the first thing we did,
and this was Matty,
934
00:49:15,953 --> 00:49:17,660
he sent out
a news release,
935
00:49:17,830 --> 00:49:20,868
along with the ad,
nationwide,
936
00:49:21,834 --> 00:49:23,871
saying that
Volkswagen was suing us.
937
00:49:24,044 --> 00:49:26,286
It got picked up in
every newspaper in America.
938
00:49:26,464 --> 00:49:29,707
They ran the ad,
and the issue sold out.
939
00:49:30,926 --> 00:49:34,044
I had let them get away
with things that even shocked me.
940
00:49:38,601 --> 00:49:41,344
One day, I got a call from
the Vice President at NBC.
941
00:49:41,520 --> 00:49:46,185
He said, -We have been talking about
doing a Saturday night satire show.
942
00:49:46,358 --> 00:49:47,439
Would you be interested?-
943
00:49:47,610 --> 00:49:49,351
We had all sorts
of things going on.
944
00:49:49,528 --> 00:49:51,110
We had live shows
on the road,
945
00:49:51,280 --> 00:49:54,648
we had the magazine,
we had a book division.
946
00:49:54,825 --> 00:49:56,282
It was the biggest radio show
in the country.
947
00:49:56,452 --> 00:49:57,909
It was on 600 stations.
948
00:49:58,078 --> 00:50:01,037
We were the humor empire
in the United States.
949
00:50:01,749 --> 00:50:04,992
I said, -I really appreciate it,
but it's too demanding.-
950
00:50:05,836 --> 00:50:09,625
National Lampoon was
just a magazine, you know?
951
00:50:09,798 --> 00:50:13,508
But suddenly, it was records
and actors and musicians.
952
00:50:13,677 --> 00:50:15,213
Abelson: There wa
an extraordinary change
953
00:50:15,387 --> 00:50:17,925
in the sense that the spotlight
was suddenly being shared.
954
00:50:18,098 --> 00:50:19,805
Well, I remember Chevy
coming to the office
955
00:50:19,975 --> 00:50:21,967
and John Belushi coming
to the office, and those guys
956
00:50:22,144 --> 00:50:23,726
had an energy to them
that was very exciting.
957
00:50:23,896 --> 00:50:25,853
And you felt that it must have
been difficult for editors
958
00:50:26,023 --> 00:50:28,106
who'd been around for a long time
to not be a part of that group.
959
00:50:32,655 --> 00:50:34,988
The more famous
and the more popular we got,
960
00:50:35,157 --> 00:50:38,366
the more people's egos
were doing this.
961
00:50:38,536 --> 00:50:40,027
Kelly: Michael and Tony were
962
00:50:40,204 --> 00:50:41,695
heading in their
different directions.
963
00:50:41,872 --> 00:50:44,580
It was very difficult,
especially because you couldn't
964
00:50:44,750 --> 00:50:46,662
work for both of them
at the same time,
965
00:50:46,835 --> 00:50:49,999
or they would consider you
a traitor and a Mordred.
966
00:50:50,172 --> 00:50:51,413
We don't need this,
and this is supposed to be
967
00:50:51,590 --> 00:50:52,797
fun and happy and what not.
968
00:50:52,967 --> 00:50:54,799
We're getting paid to be
as silly as we can.
969
00:50:54,969 --> 00:50:56,335
Simmons: We're talking about
the smartest,
970
00:50:56,512 --> 00:50:59,596
most curious,
free-spirited people.
971
00:50:59,848 --> 00:51:01,635
These were not
cageable people.
972
00:51:01,809 --> 00:51:05,393
And people started
leaving the Lampoon.
973
00:51:08,566 --> 00:51:10,979
O'Donoghue,
his girlfriend was Anne Beatts.
974
00:51:11,151 --> 00:51:14,610
Beatts: Matty had given
Michael Simmons my desk,
975
00:51:14,780 --> 00:51:16,146
and I was furious.
976
00:51:16,323 --> 00:51:18,315
It had taken me all
that many years to get a desk,
977
00:51:18,492 --> 00:51:20,233
and then suddenly I didn't
have it anymore.
978
00:51:20,411 --> 00:51:22,403
He called me up
one morning, and he said,
979
00:51:22,580 --> 00:51:24,412
-I gotta talk to you,
Anne Beatts must have
980
00:51:24,582 --> 00:51:25,698
an office at the radio show.
981
00:51:25,874 --> 00:51:27,740
If you don't do this
I'm gonna quit.-
982
00:51:27,918 --> 00:51:30,911
Matty said, -Well,
if she doesn't like it, she can quit,
983
00:51:31,088 --> 00:51:32,750
and if you don't like it,
you can quit.-
984
00:51:32,923 --> 00:51:34,630
And Michael said,
-I quit.-
985
00:51:35,050 --> 00:51:36,291
And he quit.
986
00:51:37,469 --> 00:51:38,710
And that was it.
987
00:51:39,221 --> 00:51:41,178
Michael left,
never came back.
988
00:51:43,809 --> 00:51:45,550
Gross: I had been with
the magazine four or five years.
989
00:51:45,728 --> 00:51:47,560
Rock'n'roll is
the best analogy.
990
00:51:47,730 --> 00:51:50,393
You know, it's a band that
just started to go bad.
991
00:51:50,566 --> 00:51:51,773
So it was just time
for me to move.
992
00:52:00,534 --> 00:52:01,866
Bill Murray: Bless me Father,
for I have sinned.
993
00:52:01,994 --> 00:52:03,201
Brian Doyle-Murray:
And how long has it been
994
00:52:03,329 --> 00:52:04,319
since your last confession,
my son?
995
00:52:04,496 --> 00:52:05,703
Murray: About four months,
I guess, Father.
996
00:52:05,873 --> 00:52:06,863
Doyle-Murray:
Mm-hmm, mm-hmm.
997
00:52:07,041 --> 00:52:08,532
Murray: Uh...
And I fucked this girl...
998
00:52:08,709 --> 00:52:10,245
Uh...
Excuse my French, Father,
999
00:52:10,419 --> 00:52:11,751
Uh... I went all the way
with this girl.
1000
00:52:11,920 --> 00:52:13,081
Doyle-Murray:
Don't be embarrassed, my son.
1001
00:52:13,213 --> 00:52:14,329
I've heard it all before.
1002
00:52:14,506 --> 00:52:15,997
I've heard much,
much worse than that.
1003
00:52:16,258 --> 00:52:17,248
Murray: You heard cunnilingus?
1004
00:52:17,426 --> 00:52:19,008
Doyle-Murray: I hear that from
second graders.
1005
00:52:19,178 --> 00:52:20,714
Murray: Wow. Wobbly warhead,
you heard that?
1006
00:52:20,888 --> 00:52:21,924
Slam the warhead at her?
1007
00:52:22,097 --> 00:52:23,258
Doyle-Murray:
Years ago, years ago.
1008
00:52:23,432 --> 00:52:24,673
Murray: Low clearance clit?
You heard that?
1009
00:52:24,850 --> 00:52:26,807
- Doyle-Murray: Dwarf cock.
- Murray: Bosom burger?
1010
00:52:26,935 --> 00:52:28,517
- Doyle-Murray: Scrotum breath.
- Murray: Albino beaver?
1011
00:52:28,646 --> 00:52:30,262
- Doyle-Murray: Iguana tits.
- Murray: Madam ovary?
1012
00:52:30,439 --> 00:52:32,396
- Doyle-Murray: Slime slit.
- Murray: Mashy nipple lick?
1013
00:52:32,524 --> 00:52:33,765
- Murray: Bug nuts.
- Doyle-Murray: Cock nose?
1014
00:52:33,901 --> 00:52:35,312
- Doyle-Murray: Vagina.
- Murray: Oriental crack?
1015
00:52:35,444 --> 00:52:36,309
Doyle-Murray: Superdome pussy.
1016
00:52:36,445 --> 00:52:37,686
Murray: Afterbirth on toast,
it's pizza.
1017
00:52:37,863 --> 00:52:39,399
- Doyle-Murray: Punk piss.
- Murray: Hillbilly snatch.
1018
00:52:39,531 --> 00:52:41,397
- Doyle-Murray: Boob puss.
- Murray: You heard Rhino Clit?
1019
00:52:41,575 --> 00:52:43,737
Doyle-Murray: Rhino Clit?
That's disgusting.
1020
00:52:43,911 --> 00:52:45,072
That's terrible.
1021
00:52:45,245 --> 00:52:47,237
Nice mouth, you kiss your
mother with that mouth?
1022
00:52:47,414 --> 00:52:48,950
You eat with that mouth?
1023
00:52:49,291 --> 00:52:50,702
Garbage mouth!
1024
00:52:51,877 --> 00:52:54,290
Man: Well, the Nat Lamp,
as it is affectionately called
1025
00:52:54,463 --> 00:52:57,706
by both its friends and enemies,
has taken its anarchism off its pages
1026
00:52:57,883 --> 00:53:00,421
and put it on the stage
in revue form.
1027
00:53:00,678 --> 00:53:03,261
They are the cast of the new
National Lampoon show,
1028
00:53:03,430 --> 00:53:06,093
which opens this Friday
at the new Palladium Cabaret
1029
00:53:06,266 --> 00:53:08,508
at 120 West 51st Street.
1030
00:53:08,811 --> 00:53:10,803
I've given up a life
of comfort and wealth.
1031
00:53:10,979 --> 00:53:12,720
Surely you can send something.
1032
00:53:12,898 --> 00:53:16,266
A dime, a dollar,
a pair of socks,
1033
00:53:16,443 --> 00:53:19,561
some 50 caliber tracer bullets
or whatever you can to...
1034
00:53:19,738 --> 00:53:21,400
The Symbionese
Liberation Army.
1035
00:53:21,573 --> 00:53:22,984
That's the SLA in L.A.,
1036
00:53:23,158 --> 00:53:26,196
418 Tishman Building,
Los Angeles, California.
1037
00:53:27,746 --> 00:53:29,533
I was reading
the magazine.
1038
00:53:29,707 --> 00:53:31,414
I was very impressed
with the writing in it,
1039
00:53:31,583 --> 00:53:33,165
so I looked up
on the masthead
1040
00:53:33,335 --> 00:53:35,873
and found Matty Simmons'
name and called him.
1041
00:53:36,046 --> 00:53:38,914
He had seen the
National Lampoon show in Toronto.
1042
00:53:39,091 --> 00:53:42,084
Matty decided to do
another stage show,
1043
00:53:42,261 --> 00:53:44,878
using Bill Murray,
Gilda Radner, Harold Ramis,
1044
00:53:45,055 --> 00:53:47,593
and much of the same talent
in the Radio Hour.
1045
00:53:47,766 --> 00:53:49,052
So I said to Ivan,
1046
00:53:49,226 --> 00:53:52,014
-Why don't you come in
and run it in New York?-
1047
00:53:52,187 --> 00:53:56,682
And now the National Lampoon
Radio Hour single's bar of the air.
1048
00:53:56,859 --> 00:53:59,727
Your opportunity to meet some of
today's most beautiful, bright,
1049
00:53:59,903 --> 00:54:02,941
talented, sensitive, and unattached
young men and women.
1050
00:54:03,115 --> 00:54:04,697
Will that
perfect mate be you?
1051
00:54:05,743 --> 00:54:07,154
Hiya, fella.
1052
00:54:07,327 --> 00:54:09,068
Nice weather, isn't it?
1053
00:54:09,371 --> 00:54:11,954
I used to believe
in ethical culture,
1054
00:54:12,124 --> 00:54:13,706
but then I switched
to Zen.
1055
00:54:14,168 --> 00:54:17,536
My hobbies are plants,
and once I had an ant farm.
1056
00:54:17,713 --> 00:54:19,625
Ivan Reitman: I showed up to one
of the early rehearsals,
1057
00:54:19,798 --> 00:54:21,334
and there was,
kind of, a discussion
1058
00:54:21,508 --> 00:54:23,215
about some little thing
that's going on.
1059
00:54:23,385 --> 00:54:25,718
And I just naturally say,
Well, wouldn't it be better
1060
00:54:25,888 --> 00:54:27,504
if you...
I made some suggestion.
1061
00:54:27,681 --> 00:54:29,092
And suddenly the whole
group stopped,
1062
00:54:29,266 --> 00:54:30,632
and they looked at me,
1063
00:54:30,768 --> 00:54:33,431
this outsider, and wondered,
-Did he just say something?-
1064
00:54:33,604 --> 00:54:36,893
Did he have the nerve to actually
open up his mouth and direct us?
1065
00:54:37,816 --> 00:54:39,557
Bill Murray,
always the bravest of the group,
1066
00:54:39,735 --> 00:54:42,102
sort of walked up
to me very calmly,
1067
00:54:42,404 --> 00:54:44,896
put his arm around me
and patted me on my back,
1068
00:54:45,073 --> 00:54:49,317
got my winter scarf and wrapped it
very slowly around my neck.
1069
00:54:49,953 --> 00:54:53,287
And said, -Hey, thanks for
dropping in, we'll see you.-
1070
00:54:53,457 --> 00:54:56,541
And he patted me,
and he ushered me out of the room.
1071
00:54:56,710 --> 00:54:58,542
It was very,
very embarrassing.
1072
00:54:59,171 --> 00:55:00,378
Better luck next time.
1073
00:55:00,547 --> 00:55:01,663
Rehearsal warm-up!
1074
00:55:01,840 --> 00:55:03,206
Let's take first
to the right eyebrow.
1075
00:55:03,383 --> 00:55:05,545
Ready, and one and two
1076
00:55:05,719 --> 00:55:08,712
and three and four
and five and six.
1077
00:55:08,889 --> 00:55:10,380
Now left, and two.
1078
00:55:10,557 --> 00:55:12,423
Come on! Up! Down!
1079
00:55:12,601 --> 00:55:14,843
And halt.
Cross, and...
1080
00:55:15,020 --> 00:55:16,852
Reitman: Belushi was this sure
great performer.
1081
00:55:17,022 --> 00:55:19,935
He was the center
of The National Lampoon Show.
1082
00:55:20,108 --> 00:55:22,316
He, basically,
acted as the director.
1083
00:55:22,486 --> 00:55:23,522
What are you doing here?
1084
00:55:23,779 --> 00:55:24,769
- Who me?
- Yeah.
1085
00:55:25,405 --> 00:55:27,647
Well, I'm a congressman
from Cleveland
1086
00:55:28,158 --> 00:55:30,400
I took kickbacks
all the time
1087
00:55:30,911 --> 00:55:33,119
Now I'm stuck here
in prison for them
1088
00:55:33,705 --> 00:55:35,742
Doing 99
- Years?
1089
00:55:35,916 --> 00:55:37,202
- No, hours.
- Wow.
1090
00:55:37,376 --> 00:55:39,333
Ramis:
I'm a white collar criminal
1091
00:55:39,920 --> 00:55:42,253
My wife's a debutante
1092
00:55:43,173 --> 00:55:46,666
I'm stuck in prison farm
for as long as I want
1093
00:55:46,844 --> 00:55:48,631
Whoa...
1094
00:55:49,304 --> 00:55:51,466
Hendra: What was really
remarkable about John was that
1095
00:55:51,640 --> 00:55:53,848
he was the rock'n'roll
of humor.
1096
00:55:54,017 --> 00:55:57,727
I mean, he represented those
two things in perfect combination.
1097
00:55:58,856 --> 00:56:00,643
You know,
we gotta eat caviar
1098
00:56:00,816 --> 00:56:01,897
Yeah!
1099
00:56:02,359 --> 00:56:03,850
We got a chauffeur
and a car
1100
00:56:04,027 --> 00:56:05,313
Whoa!
1101
00:56:05,612 --> 00:56:07,899
We got a church
and a school
1102
00:56:08,073 --> 00:56:11,191
We got a sauna
and a pool... Whoa!
1103
00:56:11,368 --> 00:56:14,327
Six months
on prison farm...
1104
00:56:15,080 --> 00:56:17,788
He was very focused on
the business side of it as well.
1105
00:56:18,041 --> 00:56:19,407
He was the one who
would call me up every week
1106
00:56:19,585 --> 00:56:20,996
and say, -Hey, you're not
advertising enough-
1107
00:56:21,169 --> 00:56:23,411
or -We should put
these quotes on.-
1108
00:56:23,589 --> 00:56:24,921
My honey
1109
00:56:25,090 --> 00:56:30,256
Told her to save
my tennis things
1110
00:56:33,557 --> 00:56:36,220
Hirsch: I think it was
Sean who said to Matty,
1111
00:56:36,393 --> 00:56:40,228
put him on retainer.
Give him $500 a week
1112
00:56:41,356 --> 00:56:43,097
just to keep him here.
1113
00:56:43,317 --> 00:56:44,728
And Matty didn't do it.
1114
00:56:45,986 --> 00:56:47,272
Let's begin.
1115
00:56:48,989 --> 00:56:50,651
Repeat after me.
1116
00:56:51,325 --> 00:56:53,317
- I would like
- I would like
1117
00:56:53,493 --> 00:56:56,156
to feed your fingertips
1118
00:56:56,330 --> 00:56:58,413
- to the wolverines.
- to the wolverines.
1119
00:57:00,417 --> 00:57:03,251
- Next, I am afraid
- I am afraid
1120
00:57:03,420 --> 00:57:04,877
- we are out
- we are out
1121
00:57:05,005 --> 00:57:06,371
- of badgers.
- of badgers.
1122
00:57:06,548 --> 00:57:08,414
- Would you accept
- Would you accept
1123
00:57:08,592 --> 00:57:10,299
- a wolverine
- a wolverine
1124
00:57:10,469 --> 00:57:12,256
- in its place?
- in its place?
1125
00:57:31,323 --> 00:57:34,407
Live from New York,
it's Saturday Night!
1126
00:57:36,453 --> 00:57:38,410
Most of the cast
of Saturday Night Live
1127
00:57:38,580 --> 00:57:40,788
was taken right from
the first company
1128
00:57:40,999 --> 00:57:42,365
of The National Lampoon Show.
1129
00:57:42,501 --> 00:57:44,868
Announcer:
Starring the Not For Ready
1130
00:57:46,672 --> 00:57:50,882
The producer of Saturday Night Live
watched our show for about a month
1131
00:57:51,051 --> 00:57:52,758
and then hired
the people in the show.
1132
00:57:52,886 --> 00:57:54,593
Tom Snyder: You're talking about
Lorne Michaels, who produces?
1133
00:57:54,763 --> 00:57:55,799
Oh, yeah,
I forgot his name.
1134
00:57:55,973 --> 00:57:58,215
Lorne Michaels...
No, I know his name.
1135
00:57:58,392 --> 00:58:00,099
- Are you mad at him?-
- No, I'm not mad at him.
1136
00:58:00,268 --> 00:58:03,136
Since he has most of my actors
and many of my writers.
1137
00:58:04,356 --> 00:58:05,767
You could almost feel
the energy
1138
00:58:05,941 --> 00:58:08,729
sucked out of the magazine
and into that show.
1139
00:58:08,902 --> 00:58:10,609
It was written
by some Lampoon people.
1140
00:58:10,779 --> 00:58:12,611
It was starring some former
Lampoon people.
1141
00:58:12,781 --> 00:58:15,945
And it was very glamorous,
and it was a huge hit,
1142
00:58:16,118 --> 00:58:18,610
from the beginning,
and I gathered pretty quickly
1143
00:58:18,787 --> 00:58:20,574
that if I liked
Saturday Night Live,
1144
00:58:20,747 --> 00:58:21,737
I should keep it to myself.
1145
00:58:21,915 --> 00:58:23,907
Rick Meyerowitz: Suddenly,
what the Lampoon offered
1146
00:58:24,084 --> 00:58:27,122
was available
to a much larger audience.
1147
00:58:27,504 --> 00:58:30,212
The Lampoon lost its exceptionalism.
1148
00:58:43,687 --> 00:58:45,679
What would ya do
1149
00:58:45,856 --> 00:58:48,564
If I sang out of tune
1150
00:58:50,318 --> 00:58:52,856
Would you stand up
and walk out on me?
1151
00:58:53,030 --> 00:58:55,238
Oh, baby,
I get high
1152
00:58:55,407 --> 00:58:58,115
With a little help
from my friends
1153
00:58:58,285 --> 00:59:03,280
? Oh, yeah, whoa... ?
1154
00:59:03,457 --> 00:59:06,746
I've described the Lampoon as the
hippest place to be to write comedy.
1155
00:59:06,918 --> 00:59:08,204
And it was,
1156
00:59:08,378 --> 00:59:10,916
until the hippest place
to be to write comedy
1157
00:59:11,089 --> 00:59:12,751
became Saturday Night Live.
1158
00:59:14,092 --> 00:59:16,334
Chevy Chase came over
to the Lampoon offices,
1159
00:59:16,511 --> 00:59:18,173
and, chuckling, he said,
1160
00:59:18,346 --> 00:59:21,054
-Nobody gets laid writing for
the National Lampoon anymore.-
1161
00:59:30,567 --> 00:59:33,025
This friend of mine
tells me that Michael Gross
1162
00:59:33,236 --> 00:59:34,852
is leaving the Lampoon,
the art director,
1163
00:59:35,030 --> 00:59:36,362
and I should apply for the job.
1164
00:59:36,656 --> 00:59:40,821
And, I walk into the conference room,
and Doug Kenney says to me,
1165
00:59:40,994 --> 00:59:44,783
Well, I have three questions:
Can you get us drugs?
1166
00:59:44,956 --> 00:59:46,913
Can you get us nude models?
1167
00:59:47,084 --> 00:59:48,575
And do you have some place
where we can go
1168
00:59:48,752 --> 00:59:50,459
with the drugs
and the nude models?
1169
00:59:51,671 --> 00:59:53,754
And I thought very seriously
1170
00:59:53,924 --> 00:59:58,544
and I said,
-Yes, yes, and yes.-
1171
00:59:59,596 --> 01:00:02,213
And Doug looked at me and he says,
-Well, I have no further questions.-
1172
01:00:02,557 --> 01:00:05,345
King Floyd's -Groove Me- plays) ?
1173
01:00:07,813 --> 01:00:09,429
Abelson:
Peter had very little pretension
1174
01:00:09,606 --> 01:00:11,893
in terms of art,
as did Michael Gross.
1175
01:00:12,359 --> 01:00:15,193
Totally different kind of person
but he got it, you know,
1176
01:00:15,362 --> 01:00:16,944
and that's the thing
that mattered.
1177
01:00:17,114 --> 01:00:20,073
He was a great looking guy who
was not afraid to approach
1178
01:00:20,242 --> 01:00:22,655
people of the opposite sex
and suggest
1179
01:00:22,828 --> 01:00:24,660
that they might get
to know one another better,
1180
01:00:24,830 --> 01:00:26,742
which was somewhat fascinating
to all of us.
1181
01:00:27,415 --> 01:00:30,374
Every 30 days we were putting out
this 100-page magazine.
1182
01:00:30,544 --> 01:00:33,503
Didn't matter how dirty,
or how vile, or how perverted,
1183
01:00:33,672 --> 01:00:36,540
or how sexual, or how twisted
or violent it was.
1184
01:00:36,716 --> 01:00:39,459
If it was funny,
and if Doug liked it, it was in.
1185
01:00:48,728 --> 01:00:50,310
Simmons:
We knew all along that Doug
1186
01:00:50,480 --> 01:00:51,971
and Henry Beard and Rob Hoffman
1187
01:00:52,149 --> 01:00:54,641
would ask us to buy them out
after five years.
1188
01:00:54,818 --> 01:01:00,610
However, the buyout said
that they would buy it out
1189
01:01:00,782 --> 01:01:05,072
at 21 times earnings,
which was outrageous.
1190
01:01:05,245 --> 01:01:07,783
They stood to make
a nice piece of change.
1191
01:01:07,914 --> 01:01:10,531
I owed them seven and a half
million dollars.
1192
01:01:11,293 --> 01:01:14,001
So we met with them
and we sat down and we talked.
1193
01:01:14,963 --> 01:01:18,877
For whatever reason,
any reasonable alternative
1194
01:01:19,050 --> 01:01:21,417
to the buyout was rejected.
1195
01:01:22,762 --> 01:01:25,220
So when push came to shove,
we shoved.
1196
01:01:25,390 --> 01:01:27,006
I don't think Matty
was prepared.
1197
01:01:27,184 --> 01:01:30,222
I don't think Matty Simmons
really thought Doug and Henry
1198
01:01:30,353 --> 01:01:31,343
would go through with it.
1199
01:01:32,647 --> 01:01:33,637
And they did.
1200
01:01:41,364 --> 01:01:45,699
Henry hinted a few times that,
you know,
1201
01:01:45,869 --> 01:01:49,488
this could be good for you guys.
Meaning Sean, Tony and myself.
1202
01:01:50,874 --> 01:01:53,708
O'Rourke: Other people apparently
felt that they were stake holders.
1203
01:01:55,253 --> 01:01:58,121
And, um, you know,
they weren't.
1204
01:01:59,132 --> 01:02:01,875
They all thought Henry had
promised them a lot of money
1205
01:02:02,052 --> 01:02:05,045
and he walked out of that office
the day the check was cashed.
1206
01:02:05,222 --> 01:02:07,680
He stood up on a desk and said,
I hated every minute of this.
1207
01:02:07,849 --> 01:02:10,057
Fuck you! Then left.
1208
01:02:11,186 --> 01:02:13,269
Kelly:
When Henry got up and told us
1209
01:02:13,438 --> 01:02:15,145
that he was never going to talk
to any of us again,
1210
01:02:15,315 --> 01:02:18,149
it was such a shattering
experience for all of us
1211
01:02:18,318 --> 01:02:20,856
because he was the one
we were trying to please.
1212
01:02:21,029 --> 01:02:22,611
I think the culture changed.
1213
01:02:22,781 --> 01:02:26,115
And you know, people grew up.
It had a lifespan.
1214
01:02:30,163 --> 01:02:31,449
Radio Announcer:
Never send care packages
1215
01:02:31,623 --> 01:02:33,205
to the so-called starving families
1216
01:02:33,375 --> 01:02:35,788
in Europe because they're not
starving at all.
1217
01:02:35,961 --> 01:02:38,419
Can you afford to live in Europe?
No.
1218
01:02:38,588 --> 01:02:40,079
You can't even afford
to visit Europe.
1219
01:02:40,257 --> 01:02:42,749
And do you know what they do
with the care packages you send?
1220
01:02:42,926 --> 01:02:44,383
They whack them
with their polo mallets
1221
01:02:44,552 --> 01:02:46,009
and kick them into
their swimming pools.
1222
01:02:46,888 --> 01:02:49,380
The first time I saw Doug
after the buyout,
1223
01:02:49,557 --> 01:02:52,174
I said, -What are you going to
do with all of this bread?
1224
01:02:52,352 --> 01:02:53,593
That's so great!-
1225
01:02:53,770 --> 01:02:55,727
And Doug said,
-I'm going to Disneyland.-
1226
01:02:59,234 --> 01:03:00,441
Doug was going to quit.
1227
01:03:00,610 --> 01:03:02,317
He was wealthy now
and he was going to quit.
1228
01:03:02,487 --> 01:03:04,524
And Matty was smart enough
to know that
1229
01:03:04,698 --> 01:03:06,405
Holy shit, if I lose Doug,
1230
01:03:06,616 --> 01:03:08,699
I'm going to lose the heart
and soul of this company.-
1231
01:03:09,077 --> 01:03:10,534
And so he said,
-Well, don't quit Doug,
1232
01:03:10,704 --> 01:03:13,287
we're going to make a movie.-
And Doug went, "Really?"
1233
01:03:13,456 --> 01:03:15,948
Once I told Doug we were making a
movie, we had to make a movie.
1234
01:03:16,668 --> 01:03:20,036
Ivan then started coming up
with ideas with Harold Ramis.
1235
01:03:20,297 --> 01:03:22,084
Reitman: I knew that the
High School Yearbook
1236
01:03:22,257 --> 01:03:23,839
was the most popular thing
1237
01:03:24,718 --> 01:03:26,425
that the National Lampoon
had ever put out.
1238
01:03:26,594 --> 01:03:28,677
So I called up Doug Kenney
and said,
1239
01:03:28,847 --> 01:03:31,965
-Hey, why don't you help Harold
write this high school movie?-
1240
01:03:32,142 --> 01:03:33,724
They started writing
a screenplay that was
1241
01:03:33,893 --> 01:03:35,805
Charlie Manson and his followers
1242
01:03:35,979 --> 01:03:37,720
back when they were still
in high school.
1243
01:03:37,897 --> 01:03:40,890
There was so much sex
and drinking and what have you
1244
01:03:41,067 --> 01:03:45,061
involved with it that I said,
-We can't do this in high school.
1245
01:03:45,530 --> 01:03:46,520
We'll get lynched.-
1246
01:03:48,241 --> 01:03:51,359
So I spoke to Matty about shifting
away from high school to college
1247
01:03:51,828 --> 01:03:55,037
and we were thinking of using
Chris Miller's stories.
1248
01:03:55,206 --> 01:03:58,540
Simmons: Chris Miller was the
most popular short story writer
1249
01:03:58,710 --> 01:03:59,951
in the history of the Lampoon.
1250
01:04:00,128 --> 01:04:03,371
Reitman: He specialized in stories
based on his Dartmouth years.
1251
01:04:03,673 --> 01:04:05,209
Chris Miller:
My stories were about college
1252
01:04:05,592 --> 01:04:07,800
and getting loaded
and living a wild life
1253
01:04:07,969 --> 01:04:09,676
and sex, drugs and rock'n'roll,
1254
01:04:09,971 --> 01:04:11,678
or the absence of those things.
1255
01:04:12,474 --> 01:04:13,885
Doug Kenney went crazy over it
1256
01:04:14,142 --> 01:04:16,304
because they didn't do
shit like that at Harvard.
1257
01:04:16,478 --> 01:04:17,969
Simmons:
Ramis, Kenney and Miller worked
1258
01:04:18,146 --> 01:04:21,514
for a full year on what became
a 114 page treatment.
1259
01:04:21,691 --> 01:04:23,523
The biggest treatment
anyone's ever seen.
1260
01:04:23,693 --> 01:04:27,152
And so, that really
became Animal House.
1261
01:04:31,993 --> 01:04:35,703
After the buyout,
we bumped along until P.J.
1262
01:04:35,872 --> 01:04:37,829
took the title of Editor-in-Chief
1263
01:04:37,999 --> 01:04:41,492
The Hombres
Let It All Hang Out
1264
01:04:42,796 --> 01:04:46,210
I went to work as Matty's assistant
but I wound up as Editor-in-Chief
1265
01:04:46,383 --> 01:04:49,467
because I had had some prior
publishing experience.
1266
01:04:49,636 --> 01:04:52,629
I actually knew what on time
and under budget meant.
1267
01:04:52,806 --> 01:04:55,719
The era of P.J. being
the Editor-in-Chief,
1268
01:04:55,892 --> 01:04:58,680
it was less high-brow
and more approachable.
1269
01:04:59,104 --> 01:05:00,845
Editorial meetings
were way different.
1270
01:05:01,022 --> 01:05:04,015
Before he was editor,
editorial meetings were hanging out
1271
01:05:04,192 --> 01:05:05,808
and trying to one-up each other
1272
01:05:05,985 --> 01:05:08,068
and consisted of
this free-flow of ideas.
1273
01:05:08,905 --> 01:05:12,114
When P.J. took over,
he was the chair of every meeting.
1274
01:05:12,283 --> 01:05:13,524
He had an agenda on his legal pad.
1275
01:05:13,701 --> 01:05:15,112
He would read us things
that he had written
1276
01:05:15,286 --> 01:05:16,902
that he thought were
particularly funny.
1277
01:05:17,831 --> 01:05:20,995
P.J. was one of those people
that really worked hard.
1278
01:05:21,209 --> 01:05:23,496
It was not an endearing quality.
1279
01:05:25,588 --> 01:05:30,800
It needed a grown-up,
but frankly, it stopped being fun.
1280
01:05:34,681 --> 01:05:37,014
-How to talk your wife into oral sex:
1281
01:05:37,725 --> 01:05:42,641
Beg, wheedle, plead,
moan, groan and whine.
1282
01:05:42,814 --> 01:05:45,682
The object being to have
her grab it in disgust
1283
01:05:45,859 --> 01:05:48,772
and perform the dirty deed
to shut you up.-
1284
01:05:49,946 --> 01:05:51,027
By John Hughes.
1285
01:05:54,993 --> 01:05:57,076
Apatow: I was always an
enormous fan of John Hughes.
1286
01:05:57,245 --> 01:06:00,454
He did all of this humor
about families and growing up
1287
01:06:00,623 --> 01:06:03,411
and then really funny,
dirty stuff.
1288
01:06:07,172 --> 01:06:08,379
When I was running the magazine,
1289
01:06:08,548 --> 01:06:09,914
he was the best person
I had working for me.
1290
01:06:10,216 --> 01:06:13,926
John could hue within,
sort of, one degree of reality
1291
01:06:14,095 --> 01:06:15,176
and make it hilarious.
1292
01:06:15,847 --> 01:06:18,260
Peter Kleinman: On the surface,
he was all-American, you know,
1293
01:06:18,433 --> 01:06:20,425
almost like this nice family guy.
1294
01:06:20,935 --> 01:06:23,518
And then you'd start
reading his stuff,
1295
01:06:23,688 --> 01:06:27,056
and it was the most sick,
sexual, depraved,
1296
01:06:27,233 --> 01:06:28,815
deviant stuff you've ever read.
1297
01:06:31,821 --> 01:06:35,110
P.J. O'Rourke and John Hughes
and the kinds of articles they liked
1298
01:06:35,283 --> 01:06:37,775
and wrote and edited
were politically different
1299
01:06:37,952 --> 01:06:40,410
and culturally and socially different
than the stuff we had done.
1300
01:06:40,580 --> 01:06:42,697
And the kinds of readers
changed also.
1301
01:06:44,501 --> 01:06:46,458
Simmons:
I knew no one in Hollywood,
1302
01:06:46,628 --> 01:06:49,166
but this is one of those things
that has to happen.
1303
01:06:50,423 --> 01:06:54,508
You have to have luck
to go with talent.
1304
01:06:57,388 --> 01:07:01,052
I got a phone call about a week
later from a guy who said,
1305
01:07:01,226 --> 01:07:03,559
-Mr. Simmons,
I am the assistant to Ned Tanen
1306
01:07:03,728 --> 01:07:06,516
at Universal Studios,
and I just want you to know
1307
01:07:06,689 --> 01:07:10,308
that I'm a huge Lampoon freak
and if you ever want
1308
01:07:10,485 --> 01:07:12,101
to do a movie, please call me.-
1309
01:07:12,362 --> 01:07:15,355
We met with Ned Tanen and he said,
-I hate this.
1310
01:07:15,532 --> 01:07:19,196
Everybody's a drunkard, a womanizer,
they're doing drugs.-
1311
01:07:19,369 --> 01:07:22,533
But he had two assistants:
Sean Daniel and Thom Mount,
1312
01:07:22,705 --> 01:07:24,571
who had always thought
this project could work.
1313
01:07:24,707 --> 01:07:25,788
And they were pushing it.
1314
01:07:26,000 --> 01:07:27,241
As a National Lampoon fan,
1315
01:07:27,418 --> 01:07:30,001
I just thought this is hilarious.
1316
01:07:30,171 --> 01:07:33,005
Not everyone thought it was
as funny as I did.
1317
01:07:33,174 --> 01:07:36,508
In fact, it was held
in total contempt.
1318
01:07:37,303 --> 01:07:40,637
My deal was that if any part
of the National Lampoon show,
1319
01:07:40,807 --> 01:07:44,096
which I produced, sort of,
led to what was going to be
1320
01:07:44,269 --> 01:07:45,976
a National Lampoon movie
1321
01:07:46,145 --> 01:07:48,603
then I was going to have
the opportunity to direct it.
1322
01:07:48,773 --> 01:07:50,765
But the only film I had directed
up to that point
1323
01:07:50,942 --> 01:07:53,650
was, uh, Cannibal Girls.
1324
01:07:53,820 --> 01:07:55,402
Announcer:
They love every man they meet.
1325
01:07:56,531 --> 01:07:59,114
First to death,
then for dinner.
1326
01:08:00,493 --> 01:08:03,361
Universal said, -Well, you can
produce it but you can't direct it.-
1327
01:08:03,705 --> 01:08:05,571
My girlfriend at the time
was working as
1328
01:08:05,748 --> 01:08:08,035
a script supervisor
on Kentucky Fried Movie.
1329
01:08:08,209 --> 01:08:10,326
She said to me
you have got to get to know
1330
01:08:10,503 --> 01:08:11,664
the director of this movie,
John Landis.
1331
01:08:13,548 --> 01:08:15,881
Sean approached me and said,
-Would you be interested
1332
01:08:16,050 --> 01:08:18,588
in making a film at Universal?-
1333
01:08:18,761 --> 01:08:21,469
And I was like,
-Duh-, and, uh,
1334
01:08:21,639 --> 01:08:23,551
he gave me
the script to Animal House.
1335
01:08:23,725 --> 01:08:25,261
Ned Tanen took me
into his office and said,
1336
01:08:25,435 --> 01:08:27,973
Look, a lot of people
around here hate this
1337
01:08:28,146 --> 01:08:29,387
and don't think
we should be doing it.
1338
01:08:29,564 --> 01:08:30,805
But if you believe in it,
1339
01:08:30,982 --> 01:08:32,974
go away and bring us back
a movie.
1340
01:08:37,238 --> 01:08:40,072
You can't spend your whole life
worrying about your mistakes.
1341
01:08:40,241 --> 01:08:42,608
You fucked up!
You trusted us!
1342
01:08:44,996 --> 01:08:46,407
I had never done a comedy,
1343
01:08:46,581 --> 01:08:49,369
and I just was so over
where my career was.
1344
01:08:49,542 --> 01:08:51,534
I was like,
I have to be in this movie.
1345
01:08:53,338 --> 01:08:54,795
Thank you, sir.
May I have another?
1346
01:08:56,674 --> 01:08:58,006
Bacon:
I auditioned for John Landis
1347
01:08:58,176 --> 01:09:00,543
and he said,
-Yeah, this guy is smarmy,
1348
01:09:00,720 --> 01:09:03,212
he's a smarmy guy.
Can ya do that?-
1349
01:09:03,598 --> 01:09:05,339
I had no idea
what the word smarmy meant,
1350
01:09:05,516 --> 01:09:10,102
so I just, kind of, made this face
and he was like, -That's great!-
1351
01:09:11,064 --> 01:09:13,852
My kid can't see, is it all right
if he stands in front of you?
1352
01:09:14,025 --> 01:09:15,015
No!
1353
01:09:16,903 --> 01:09:18,735
Landis: I really wanted
the writers on set.
1354
01:09:18,905 --> 01:09:21,147
Universal of course,
this is a low-budget picture,
1355
01:09:21,324 --> 01:09:22,815
told me to go fuck myself, so...
1356
01:09:23,368 --> 01:09:26,861
What I did, was I said,
-Look, get yourself to Eugene
1357
01:09:27,038 --> 01:09:29,371
and I will hire you
every day as actors.-
1358
01:09:29,707 --> 01:09:31,790
Chris and Doug
being there was important.
1359
01:09:32,085 --> 01:09:35,920
And Doug Kenney,
really important because,
1360
01:09:36,130 --> 01:09:37,996
you know, we made up a lot
of stuff shooting.
1361
01:09:38,174 --> 01:09:40,416
What the hell
we supposed to do, you moron?
1362
01:09:40,593 --> 01:09:42,459
Doug was always the smartest guy
in the room,
1363
01:09:45,139 --> 01:09:46,721
And the one with the drugs.
1364
01:09:47,016 --> 01:09:50,054
So, it was a real special time
because it was a chance
1365
01:09:50,228 --> 01:09:52,686
to meet all these people
that I had always revered.
1366
01:09:52,855 --> 01:09:55,939
You know, the Lampoon
and that Doug had founded it
1367
01:09:56,109 --> 01:09:59,352
and was as smart in person
and funny in person
1368
01:09:59,529 --> 01:10:01,771
as the magazine was.
1369
01:10:01,948 --> 01:10:03,940
Landis: I know that for Doug,
he was in heaven.
1370
01:10:04,325 --> 01:10:05,532
He had the time of his life.
1371
01:10:07,995 --> 01:10:11,238
But Ned Tanen was very upset
about it and very concerned
1372
01:10:11,416 --> 01:10:13,658
and really we were in trouble
for a while.
1373
01:10:13,918 --> 01:10:15,454
When he saw the movie he just...
1374
01:10:15,920 --> 01:10:19,334
He didn't like it and, uh,
didn't find any of it funny.
1375
01:10:22,093 --> 01:10:23,755
Sean Daniel:
Came time to preview the movie
1376
01:10:23,928 --> 01:10:26,796
in front of
an actual paying audience,
1377
01:10:27,265 --> 01:10:29,257
the president
of the corporation came,
1378
01:10:29,434 --> 01:10:32,302
who had been one of
the non-believers.
1379
01:10:33,771 --> 01:10:36,354
And all of
the executives were there.
1380
01:10:36,524 --> 01:10:39,938
The time has come for someone
to put his foot down,
1381
01:10:40,987 --> 01:10:43,070
and that foot is me.
1382
01:10:43,573 --> 01:10:45,405
It was, you know,
you're sitting there very nervous,
1383
01:10:45,575 --> 01:10:46,565
-How will they like the movie?-
1384
01:10:50,037 --> 01:10:51,118
They went nuts.
1385
01:10:54,751 --> 01:10:57,539
Suddenly the studio went,
-Oh, my God, this really worked.-
1386
01:10:57,837 --> 01:10:59,419
Landis:
And from that moment on,
1387
01:10:59,589 --> 01:11:03,082
we went from being criminals...
Suspects to heroes.
1388
01:11:07,680 --> 01:11:11,139
I remember seeing it with my mom.
It was the first time I saw
1389
01:11:11,309 --> 01:11:13,517
women's breasts
in front of my mother.
1390
01:11:13,936 --> 01:11:15,802
I literally can remember how
many people were in the theater
1391
01:11:15,980 --> 01:11:19,018
and what it looked like
and my red shamed face.
1392
01:11:19,400 --> 01:11:22,893
And you have to remember that
Animal House created a genre.
1393
01:11:23,070 --> 01:11:25,437
Bobby Lewis
-Tossin' and Turnin'-
1394
01:11:28,117 --> 01:11:29,403
So we figured,
-Wow, this is awesome.-
1395
01:11:29,577 --> 01:11:31,034
Everybody's going to love
the magazine now
1396
01:11:31,204 --> 01:11:33,036
and see that we're more
mainstream because of this movie
1397
01:11:33,206 --> 01:11:34,788
which was a huge success.
1398
01:11:35,208 --> 01:11:36,699
What we didn't anticipate
1399
01:11:36,876 --> 01:11:40,620
was that Hollywood now would
rear it's voracious head
1400
01:11:40,797 --> 01:11:46,088
and take away all of our wonderful,
creative talent.
1401
01:11:46,719 --> 01:11:49,257
The second it came out somebody
hired me to write about
1402
01:11:49,430 --> 01:11:51,968
college kids drinking
and having sex in cars
1403
01:11:52,141 --> 01:11:54,884
and everybody wanted
to have a meeting even if...
1404
01:11:55,061 --> 01:11:56,893
And I had nothing to do
with the movie.
1405
01:11:57,063 --> 01:11:59,350
I just worked at
the Lampoon for a while.
1406
01:12:10,117 --> 01:12:12,154
Chris Miller:
Doug came out to Hollywood
1407
01:12:12,328 --> 01:12:14,445
and the search forjoy
and for ecstasy
1408
01:12:14,622 --> 01:12:16,784
was a major fact of life.
1409
01:12:18,292 --> 01:12:19,408
It was what we did.
1410
01:12:19,919 --> 01:12:21,626
Bobby Blue Bland
-Turn On Your Love Light-
1411
01:12:23,840 --> 01:12:25,923
Beard: I realized that this is
what he wanted to do.
1412
01:12:26,092 --> 01:12:28,505
I mean, Doug Kenney
should be writing movies.
1413
01:12:28,678 --> 01:12:29,839
He was a producer.
1414
01:12:34,851 --> 01:12:37,514
He seemed to be running
the whole show.
1415
01:12:37,687 --> 01:12:39,974
He was the engine that was
making the wheels turn.
1416
01:12:43,901 --> 01:12:45,767
Doug was just
an upward road to fame.
1417
01:12:48,781 --> 01:12:50,488
Beverly D'Angelo: I remember
going to Doug Kenney's house
1418
01:12:50,658 --> 01:12:51,944
when I first came to Hollywood.
1419
01:12:52,118 --> 01:12:53,359
They were having
the most fun in town.
1420
01:12:53,536 --> 01:12:55,118
They were what was
going on in town.
1421
01:12:58,124 --> 01:13:02,789
Belushi: There was that part of him
that enjoyed being a star.
1422
01:13:10,595 --> 01:13:12,962
Kleinman: Doug and Chevy
had this great chemistry.
1423
01:13:13,139 --> 01:13:15,552
They could start going
and you'd just sit back
1424
01:13:15,725 --> 01:13:17,307
and just watch the party.
1425
01:13:17,727 --> 01:13:20,265
He considered himself the most
handsome man in comedy.
1426
01:13:20,688 --> 01:13:22,645
He'd be in front
of the mirror and say,
1427
01:13:22,815 --> 01:13:25,649
-Look the most handsome man
in comedy.-
1428
01:13:25,818 --> 01:13:29,061
And then I'd stand behind him
and go, -Almost.-
1429
01:13:34,785 --> 01:13:36,617
Hendra: Wherever Doug was
would be a party.
1430
01:13:37,163 --> 01:13:40,497
Just full of people,
studio heads and guys from Denny's.
1431
01:13:40,666 --> 01:13:42,328
You know, I mean,
just anyone he met.
1432
01:13:42,501 --> 01:13:44,208
And it would go on for hours,
sometimes days.
1433
01:14:17,036 --> 01:14:18,493
Kleinman: Doug's career was
really taking off,
1434
01:14:18,663 --> 01:14:20,074
and meanwhile back at the ranch,
1435
01:14:20,247 --> 01:14:22,864
everyone was making
Disco Beavers From Outer Space.
1436
01:14:23,042 --> 01:14:25,625
Disco beaver
1437
01:14:25,795 --> 01:14:28,412
From outer space...
1438
01:14:29,048 --> 01:14:30,710
There was a giant beaver
walking around
1439
01:14:30,883 --> 01:14:32,715
throughout everything
eating the floors.
1440
01:14:32,885 --> 01:14:35,298
So in the middle of the sketch,
the floor would collapse
1441
01:14:35,471 --> 01:14:37,679
and this beaver, who had eaten it,
would pop up.
1442
01:14:39,642 --> 01:14:42,134
Do I really have to talk
about Disco Beaver
1443
01:14:42,311 --> 01:14:44,052
Disco beaver...
1444
01:14:45,982 --> 01:14:47,439
Somebody at the Lampoon
called me and said,
1445
01:14:47,608 --> 01:14:50,351
-Look we have a whole bunch of
kids coming in from Harvard...
1446
01:14:55,282 --> 01:14:57,069
...and we'd like you to come
to the magazine
1447
01:14:57,243 --> 01:14:58,825
and just, kind of,
tutor these guys.-
1448
01:14:58,995 --> 01:15:00,827
I thought, okay,
that sounds like fun.
1449
01:15:02,873 --> 01:15:04,489
Reiss: My first week
at the National Lampoon,
1450
01:15:04,667 --> 01:15:07,410
we were getting drunk at a park
with bagpipers there.
1451
01:15:07,586 --> 01:15:08,872
I saw a fistfight.
1452
01:15:09,171 --> 01:15:11,504
There was a man secretly
living in his office.
1453
01:15:11,674 --> 01:15:15,668
It was... It was a crazy place,
like nothing I had ever seen before.
1454
01:15:15,845 --> 01:15:18,258
And, you know, for a guy just
out of college this was a dream.
1455
01:15:18,431 --> 01:15:20,138
You know, you were able to
actually write comedy for a living,
1456
01:15:20,266 --> 01:15:21,222
which was astounding to me.
1457
01:15:21,392 --> 01:15:23,384
One thing that Mike and I did early,
was these articles
1458
01:15:23,561 --> 01:15:26,144
about how to write. And we did
one that Thurgood Marshall,
1459
01:15:26,313 --> 01:15:28,396
the Supreme Court Justice did,
How to Write Dirty,
1460
01:15:28,566 --> 01:15:30,728
where he instructed you
how to write pornography.
1461
01:15:31,444 --> 01:15:33,561
I had the thought
that Thurgood Marshall,
1462
01:15:33,738 --> 01:15:35,479
he would never see this article,
but if he did,
1463
01:15:35,656 --> 01:15:37,739
I thought maybe he would
even enjoy it, right?
1464
01:15:37,908 --> 01:15:41,026
He was so upset that
he called the FBI and said,
1465
01:15:41,203 --> 01:15:42,410
-What can I do to them?-
1466
01:15:42,913 --> 01:15:44,700
And the FBI said,
-Well, there's a thing
1467
01:15:44,874 --> 01:15:47,708
called Freedom of Speech,
Mr. Justice, it protects them.-
1468
01:15:56,302 --> 01:15:57,793
McConnachie:
After Animal House,
1469
01:15:57,970 --> 01:16:00,462
Harold and Doug went up to
Florida and made Caddyshack.
1470
01:16:00,639 --> 01:16:03,256
Caddyshack
was not a Lampoon movie,
1471
01:16:03,434 --> 01:16:07,223
but it was a Doug Kenney movie
and Doug Kenney was the Lampoon,
1472
01:16:07,396 --> 01:16:09,934
so obviously it was
a Lampoon movie.
1473
01:16:10,107 --> 01:16:13,271
I mean, it may not have been
officially a Lampoon movie
1474
01:16:13,444 --> 01:16:17,028
but with Chevy and Billy
and Doug and Brian,
1475
01:16:17,198 --> 01:16:18,905
I mean, it was a Lampoon movie.
1476
01:16:19,075 --> 01:16:21,158
That was the spirit
of the Lampoon.
1477
01:16:21,577 --> 01:16:23,443
Doug was the producer
of Caddyshack
1478
01:16:23,621 --> 01:16:26,739
but it all seemed
a little disorganized.
1479
01:16:27,041 --> 01:16:29,283
There was a kind of
haphazard quality
1480
01:16:29,460 --> 01:16:32,544
to the way in which
the film was created.
1481
01:16:32,713 --> 01:16:34,079
Stop thinking.
1482
01:16:35,007 --> 01:16:38,466
Let things happen
and be the ball.
1483
01:16:41,180 --> 01:16:42,421
Danny? Danny?
1484
01:16:42,807 --> 01:16:45,424
It was only, like, my second movie
or something, I don't remember.
1485
01:16:45,601 --> 01:16:47,513
Everybody was smoking pot.
1486
01:16:48,813 --> 01:16:50,054
It's a little harsh.
1487
01:16:50,397 --> 01:16:53,811
It was a very nocturnal,
uh, movie.
1488
01:16:56,779 --> 01:16:57,895
Kenny Loggins
-I'm Alight plays
1489
01:16:58,197 --> 01:16:59,859
Cocaine was just always there.
1490
01:17:00,991 --> 01:17:03,324
Matheson: Cocaine wasn't bad for you.
You'd do this and you'd go,
1491
01:17:03,494 --> 01:17:04,735
-I can't believe
this isn't bad for me!-
1492
01:17:04,912 --> 01:17:07,245
You know, 'cause it wasn't
considered, at that time,
1493
01:17:07,414 --> 01:17:10,873
to be a bad thing...
for a while.
1494
01:17:16,006 --> 01:17:17,167
He's got a beautiful backswing.
1495
01:17:17,341 --> 01:17:19,424
That's...
Oh, he got all of that one!
1496
01:17:19,760 --> 01:17:21,296
Judd Apatow: I remember
when Caddyshack came out,
1497
01:17:21,470 --> 01:17:22,802
-Newsday- gave it
two and a half stars,
1498
01:17:22,972 --> 01:17:25,965
and I'm like, -What?
This is like the best movie ever!-
1499
01:17:26,142 --> 01:17:28,634
Caddyshack- is not about the
Mikado's daughter-in-law elect.
1500
01:17:28,811 --> 01:17:31,394
It's about as rotten a movie as has
slopped the screen this summer.
1501
01:17:33,899 --> 01:17:34,980
Tim Matheson:
Doug was very distraught
1502
01:17:35,151 --> 01:17:37,814
and upset that Caddyshack
wasn't as big as Animal House.
1503
01:17:37,987 --> 01:17:39,523
I said, -Jeez, you know,
-Animal House- is a homerun.
1504
01:17:39,697 --> 01:17:42,690
So let's just say -Caddyshack- is a
double or a triple. But who cares?-
1505
01:17:42,867 --> 01:17:44,403
Chevy Chase:
But I was at Dangerfield's
1506
01:17:44,577 --> 01:17:46,239
with Billy and maybe Harold
1507
01:17:46,412 --> 01:17:49,780
promoting the picture
and somebody came up to me after
1508
01:17:49,957 --> 01:17:51,994
and he said, -You know,
Doug is really...-
1509
01:17:52,168 --> 01:17:55,286
And I could see that Doug
was like asleep on a table
1510
01:17:55,462 --> 01:17:59,172
back there starting to get
loaded at noon or whatever.
1511
01:17:59,341 --> 01:18:01,583
I had seen him depressed before
but this was like
1512
01:18:01,760 --> 01:18:04,252
he had achieved a level of
depression that was impressive
1513
01:18:04,430 --> 01:18:06,422
to me and I'm good
at being depressed.
1514
01:18:06,765 --> 01:18:08,097
And it was about the movie.
1515
01:18:09,310 --> 01:18:12,769
He'd spent a year and a half of
his life or something on this thing
1516
01:18:12,938 --> 01:18:17,057
and what I got is like
a talking gopher for Christ's sake.
1517
01:18:19,403 --> 01:18:23,147
It actually did fine, it kind of
hit the mark a lot of films do.
1518
01:18:23,490 --> 01:18:25,026
It just wasn't his mark.
1519
01:18:25,326 --> 01:18:28,694
So I guess that's probably part
of what happened to Doug,
1520
01:18:28,871 --> 01:18:30,783
just feeling it should
have done better...
1521
01:18:32,750 --> 01:18:33,911
...he could have done better.
1522
01:18:37,254 --> 01:18:39,246
Sean Kelly: At that point
the magazine was on the skids
1523
01:18:39,632 --> 01:18:40,918
in terms of its sales,
1524
01:18:41,175 --> 01:18:43,918
and it was believed
by management
1525
01:18:44,094 --> 01:18:49,806
that the way to get it back to being
a best-seller was to have more tits.
1526
01:18:56,899 --> 01:18:59,983
Al Jean: They had this mandate that
every sixth issue or second issue
1527
01:19:00,152 --> 01:19:02,439
or every issue had to be
a sex issue.
1528
01:19:08,118 --> 01:19:11,202
And we couldn't
afford B-List tits.
1529
01:19:11,455 --> 01:19:14,289
We had like D and E-List tits.
1530
01:19:16,085 --> 01:19:17,917
And the more tits and ass
we put on the cover,
1531
01:19:18,087 --> 01:19:20,955
the more 7-11's and everybody
put it under the counter
1532
01:19:21,173 --> 01:19:22,505
so it didn't matter
what was on the cover.
1533
01:19:27,179 --> 01:19:29,842
Then the phone rang and they
said, -Do you want to quit
1534
01:19:30,015 --> 01:19:31,426
your job and come to Hollywood?-
1535
01:19:31,600 --> 01:19:33,466
And we said,
-Yes, who is this?-
1536
01:19:33,727 --> 01:19:37,095
The kids left to go
write -The Simpsons
1537
01:19:37,356 --> 01:19:39,188
and every other thing
that's huge.
1538
01:19:39,358 --> 01:19:41,441
We were in something
of a death spiral.
1539
01:19:46,573 --> 01:19:48,815
Chris Miller:I was working on
a movie called- Club Sandwich.
1540
01:19:48,993 --> 01:19:50,905
We had to have a meeting
with our producers
1541
01:19:51,078 --> 01:19:54,913
and that was Michael Shamberg
and Allen Greisman and Doug.
1542
01:19:55,082 --> 01:19:56,323
And in comes Doug,
1543
01:19:56,709 --> 01:19:59,122
and behind him
comes this coke dealer.
1544
01:19:59,795 --> 01:20:03,414
And, um, Doug says,
-I'll be right with you guys!-
1545
01:20:04,133 --> 01:20:08,673
He lays a rail of this coke
along his arm, and he goes...
1546
01:20:10,180 --> 01:20:12,593
And the entire amount of cocaine
goes up his nose.
1547
01:20:12,850 --> 01:20:15,183
And then he says, -Okay,
we're having a meeting now?-
1548
01:20:15,352 --> 01:20:16,593
And, uh...
1549
01:20:17,146 --> 01:20:21,140
I had been as big a drug abuser
as anybody,
1550
01:20:21,400 --> 01:20:23,642
and I had hung around
with Doug a lot.
1551
01:20:23,819 --> 01:20:27,153
I had never seen Doug do
something like that at 9:00 a.m.
1552
01:20:27,406 --> 01:20:29,398
when a business meeting
was about to be held.
1553
01:20:30,242 --> 01:20:31,983
Tim Matheson: You know Hollywood
is one of those things.
1554
01:20:32,161 --> 01:20:34,369
They don't care what you do.
1555
01:20:35,122 --> 01:20:37,910
Just as long as you show up
to work and you're okay then.
1556
01:20:38,083 --> 01:20:40,666
Whatever you do on your own time,
that's what you do on your own time.
1557
01:20:43,005 --> 01:20:45,338
Man: Hello, this is
a recorded message
1558
01:20:45,507 --> 01:20:47,669
from your suicide
prevention phone.
1559
01:20:48,135 --> 01:20:50,343
Now first of all why not stop,
1560
01:20:50,554 --> 01:20:53,342
take a deep breath
and think for a minute.
1561
01:20:53,599 --> 01:20:55,841
Can things really be all that bad?
1562
01:20:56,602 --> 01:20:59,686
Sure, the road of life can be
pretty bumpy sometimes
1563
01:20:59,855 --> 01:21:04,145
but isn't thatjust part in parcel
of that rich tapestry we call living?
1564
01:21:05,527 --> 01:21:07,940
You know, a wise man once said,
1565
01:21:08,113 --> 01:21:10,901
-Today is the first day
of the rest of your life.-
1566
01:21:20,250 --> 01:21:22,037
Peter Kleinman: I mean,
you know, I'm not a doctor
1567
01:21:22,211 --> 01:21:24,203
but I guess Doug was an addict.
1568
01:21:24,880 --> 01:21:27,668
He had the disease of addiction,
right?
1569
01:21:28,133 --> 01:21:30,341
Doug couldn't not be high.
1570
01:21:31,470 --> 01:21:34,008
Coming out to L.A.
was very bad for Doug, I think.
1571
01:21:34,181 --> 01:21:37,049
The cocaine out here was
everywhere and, uh...
1572
01:21:38,560 --> 01:21:40,893
Doug just went for it, uh...
1573
01:21:42,106 --> 01:21:45,565
as hard as anybody
has ever gone for it.
1574
01:21:49,488 --> 01:21:53,823
Doug wasn't...
He wasn't as happy
1575
01:21:53,951 --> 01:21:58,696
as I thought I might be
if I had, you know,
1576
01:21:59,248 --> 01:22:00,989
that kind of success
1577
01:22:01,208 --> 01:22:04,246
and that kind of notoriety
and money.
1578
01:22:05,421 --> 01:22:08,289
He was sort of, an emptiness,
1579
01:22:08,924 --> 01:22:10,961
like, there was like a sadness.
1580
01:22:11,593 --> 01:22:12,709
He was having trouble.
1581
01:22:13,679 --> 01:22:15,636
And they said, you know,
take him away, or...
1582
01:22:15,806 --> 01:22:17,138
for a week or something.
1583
01:22:17,474 --> 01:22:19,636
So Doug and I
went off together.
1584
01:22:19,810 --> 01:22:21,847
I took him to Hawaii.
1585
01:22:22,396 --> 01:22:26,185
I think that he and Chevy were,
at that time, um...
1586
01:22:27,067 --> 01:22:29,150
battling their
attraction to drugs.
1587
01:22:29,570 --> 01:22:32,654
I remember at one point
we were at the hotel
1588
01:22:32,823 --> 01:22:35,281
on Maui on like the 15th floor.
1589
01:22:37,453 --> 01:22:38,944
I went to his room,
and I told him
1590
01:22:39,121 --> 01:22:42,410
I just couldn't take it anymore,
I was so depressed.
1591
01:22:44,293 --> 01:22:46,785
Then I went back to my room
and I took my boots off
1592
01:22:46,962 --> 01:22:51,548
and left them right by the fence,
the terrace,
1593
01:22:51,758 --> 01:22:54,296
and then just went,
-I got, uh, ah!-
1594
01:22:55,387 --> 01:22:59,973
The sound of somebody falling
from the terrace or jumping.
1595
01:23:00,517 --> 01:23:02,634
And he came running and,
of course, I'm hiding
1596
01:23:03,729 --> 01:23:06,016
and for a second he really
actually looked.
1597
01:23:14,781 --> 01:23:16,317
I'm telling you
all this about Doug
1598
01:23:16,492 --> 01:23:18,859
because I miss him very much,
he was my best friend.
1599
01:23:25,959 --> 01:23:27,791
I had to come back
to work finally,
1600
01:23:28,003 --> 01:23:30,370
back to California,
and I left him in Hawaii.
1601
01:23:30,881 --> 01:23:36,673
I got a call
from Doug's girlfriend, um...
1602
01:23:38,055 --> 01:23:40,798
And he was missing and did
I know where he was
1603
01:23:40,974 --> 01:23:42,215
and I had no idea.
1604
01:23:42,392 --> 01:23:45,260
One day I was talking to him
and the next day he was missing.
1605
01:23:50,234 --> 01:23:53,727
Doug being missing
wasn't that unusual
1606
01:23:53,904 --> 01:23:56,112
but this time
it didn't feel right.
1607
01:23:56,657 --> 01:23:58,068
I flew back out.
1608
01:23:58,242 --> 01:23:59,983
We found Doug but he was
at the bottom of
1609
01:24:00,786 --> 01:24:03,449
what they call
the Grand Canyon in Kauai.
1610
01:24:20,764 --> 01:24:22,255
John Weidman: I don't
want to suggest for a minute
1611
01:24:22,432 --> 01:24:24,298
that what happened
to Doug was expected.
1612
01:24:24,476 --> 01:24:26,092
It was awful
when I got the news,
1613
01:24:26,270 --> 01:24:32,983
but it was not entirely incompatible
with the life he had been living.
1614
01:24:34,069 --> 01:24:38,188
It was a tragic loss.
He was the first person I knew
1615
01:24:38,365 --> 01:24:39,901
that I considered a drug casualty.
1616
01:24:40,617 --> 01:24:42,859
John Landis: Was he stoned
and fell off the cliff?
1617
01:24:43,203 --> 01:24:46,412
Was he suicidal
and jumped off the cliff?
1618
01:24:46,832 --> 01:24:48,824
Or was he in fact murdered
in a drug deal,
1619
01:24:49,001 --> 01:24:50,367
which is what a lot of people think.
1620
01:24:50,752 --> 01:24:53,369
They said that there was a sign
at the cliff where he died,
1621
01:24:53,547 --> 01:24:54,754
that said,
-Do not go beyond this point.-
1622
01:24:55,257 --> 01:24:59,297
And as soon as I heard that
I just saw Doug read it and say
1623
01:24:59,469 --> 01:25:00,585
-You mean here?-
1624
01:25:04,641 --> 01:25:06,473
He wrote me a chatty letter
from Hawaii,
1625
01:25:06,643 --> 01:25:09,010
and told me he looked forward to
seeing me when he came to L.A.
1626
01:25:09,229 --> 01:25:10,515
He wanted to talk about something.
1627
01:25:11,315 --> 01:25:12,931
So I don't think he was...
1628
01:25:13,775 --> 01:25:15,141
I don't think he killed himself.
1629
01:25:15,319 --> 01:25:18,403
He was never a guy
to take his life.
1630
01:25:19,072 --> 01:25:24,067
And having thought about it
all this time over the years,
1631
01:25:24,745 --> 01:25:27,362
I think that he...
he slipped.
1632
01:25:27,789 --> 01:25:29,030
Which is stupid.
1633
01:25:29,958 --> 01:25:35,499
And, um... uh, it killed him.
So... that was that.
1634
01:25:39,092 --> 01:25:42,506
I've heard every version
of this and I have no idea.
1635
01:25:43,472 --> 01:25:46,055
Chris Miller very brilliantly said,
1636
01:25:46,808 --> 01:25:50,347
-Doug was looking for a better place
to jump from when he slipped.-
1637
01:26:11,291 --> 01:26:12,407
Henry Beard: Had he lived,
1638
01:26:12,626 --> 01:26:14,959
Doug Kenney would have
been kind of force
1639
01:26:15,128 --> 01:26:17,040
in American movie making,
directorial force
1640
01:26:17,214 --> 01:26:19,672
that John Hughes was,
the kind of movies he made.
1641
01:26:19,841 --> 01:26:21,252
Dad, whoa!
1642
01:26:21,385 --> 01:26:22,592
Walley World!
1643
01:26:24,596 --> 01:26:27,964
Matty Simmons: John Hughes wrote
the short story Vacation '58.
1644
01:26:28,266 --> 01:26:29,222
I called him in,
and I said,
1645
01:26:29,393 --> 01:26:31,009
-John, I'm gonna make
a movie of this.-
1646
01:26:34,606 --> 01:26:36,393
I think you're
all fucked in the head.
1647
01:26:36,942 --> 01:26:39,810
We're ten hours from the fucking
fun park and you wanna bail out!
1648
01:26:39,986 --> 01:26:42,694
Judd Apatow: Vacation was my family.
I went on those trips,
1649
01:26:42,864 --> 01:26:46,448
and it was that heinous,
you know, every single time.
1650
01:26:46,618 --> 01:26:48,405
Chevy: We're all gonna have
so much fucking fun
1651
01:26:48,578 --> 01:26:51,195
we'll need plastic surgery
to remove our goddamn smiles.
1652
01:26:51,665 --> 01:26:54,533
You'll be whistling Zip-a-Dee-
Doo-Dah out of your assholes!
1653
01:26:56,670 --> 01:26:58,161
It was rated R!
1654
01:26:58,422 --> 01:27:01,540
Dogs are being killed,
adultery is being flaunted.
1655
01:27:01,800 --> 01:27:06,511
There's elderly abuse, incest,
masturbation, kidnapping.
1656
01:27:06,722 --> 01:27:09,305
That's a lot of stuff that
you wouldn't think of as
1657
01:27:09,474 --> 01:27:14,560
being present in what has become
like a beloved family film.
1658
01:27:15,605 --> 01:27:18,143
- Good talk, son.
- Good talk, Dad.
1659
01:27:18,817 --> 01:27:21,685
I think Matty said something like,
-Well, this is National Lampoon.-
1660
01:27:25,115 --> 01:27:26,981
Peter Kleinman:
If there was a golden age,
1661
01:27:27,242 --> 01:27:29,950
and a silver age,
and a platinum age,
1662
01:27:30,370 --> 01:27:33,408
this would probably be
the moldy rye bread age
1663
01:27:33,623 --> 01:27:34,989
of the National Lampoon.
1664
01:27:38,378 --> 01:27:40,995
We were doing this horror
and fantasy issue
1665
01:27:41,173 --> 01:27:43,381
and we were trying to come up
with the most horrible,
1666
01:27:43,550 --> 01:27:45,007
gruesome, funny ideas.
1667
01:27:45,343 --> 01:27:48,336
And I said, -What about
a baby in a blender?-
1668
01:27:48,513 --> 01:27:51,381
And everybody was like, -Aah,
that's so funny, baby in a blender!-
1669
01:27:54,644 --> 01:27:58,604
There was supposed to be
a satire of a famous old saying
1670
01:27:58,774 --> 01:28:00,857
that went something like,
1671
01:28:01,026 --> 01:28:03,109
-It's a worse mess
than a baby in a blender.-
1672
01:28:03,278 --> 01:28:05,440
So, we decided we would do it.
1673
01:28:05,614 --> 01:28:09,699
And I took a picture of a baby crying
and took a picture of a blender
1674
01:28:09,868 --> 01:28:11,700
and we actually
stripped them together
1675
01:28:11,787 --> 01:28:13,824
so it looked like the baby
was in the blender.
1676
01:28:13,997 --> 01:28:17,616
And we put Satan's finger
on the puree button.
1677
01:28:21,880 --> 01:28:23,667
Matty Simmons: There was a group
called the Christian Coalitio
1678
01:28:23,757 --> 01:28:25,840
which hated us because
we made fun of groups
1679
01:28:26,009 --> 01:28:27,466
like the Christian Coalition.
1680
01:28:29,638 --> 01:28:32,847
They organized a group
of right wing zealots
1681
01:28:33,016 --> 01:28:34,006
and they sent letters around
1682
01:28:34,184 --> 01:28:36,801
and we lost almost
all our national advertising.
1683
01:28:42,651 --> 01:28:46,611
And it went downhill from there,
and I'm gonna end it on that note.
1684
01:28:54,454 --> 01:28:56,537
David Bowie -Changes- plays
1685
01:29:12,430 --> 01:29:14,387
The things that happened to us
when we are young
1686
01:29:14,558 --> 01:29:17,266
just seem so much more important
than other things
1687
01:29:17,435 --> 01:29:18,846
because they're happening
for the first time.
1688
01:29:19,688 --> 01:29:21,099
Anne Beatts:
You know, looking backwards
1689
01:29:21,273 --> 01:29:22,935
is always a dangerous position.
1690
01:29:23,108 --> 01:29:24,849
You could really
throw your neck out,
1691
01:29:25,026 --> 01:29:26,892
but when I do look back
at all of this,
1692
01:29:27,112 --> 01:29:28,148
I feel lucky.
1693
01:29:29,364 --> 01:29:31,071
Ivan Reitman: The National Lampoon
really changed my life.
1694
01:29:31,241 --> 01:29:33,733
It introduced me to this
extraordinary group of performers
1695
01:29:33,910 --> 01:29:37,699
that were really the finest
comedic actors of their generation.
1696
01:29:40,667 --> 01:29:42,784
Tony Hendra: Some people might think
this is an egregious comparison,
1697
01:29:42,961 --> 01:29:46,750
but I would say that
my years at the Lampoon, um,
1698
01:29:47,090 --> 01:29:49,582
were not unlike the Paris
of the twenties
1699
01:29:49,843 --> 01:29:52,381
that Hemingway describes
in A Moveable Feast.
1700
01:29:52,637 --> 01:29:56,426
Wherever two or more
Lampoon people got together
1701
01:29:56,600 --> 01:29:59,308
in those years,
something explosive happened.
1702
01:30:03,857 --> 01:30:06,850
Janis Hirsch: I felt like I
snuck in some magical clubhouse.
1703
01:30:07,485 --> 01:30:09,568
With those people there,
you knew you were never
1704
01:30:09,696 --> 01:30:11,028
going to see people
like that again.
1705
01:30:13,241 --> 01:30:14,573
Sean Kelly:
At the end of the year
1706
01:30:14,743 --> 01:30:16,860
when I'm talking to students
who are about to graduate,
1707
01:30:17,037 --> 01:30:21,532
I say I wish them,
that they get maybe five years
1708
01:30:21,708 --> 01:30:23,370
in their whole working lives
1709
01:30:24,252 --> 01:30:25,788
like the five years I got,
1710
01:30:25,962 --> 01:30:29,296
where you're doing something,
frankly, you would pay to do,
1711
01:30:29,883 --> 01:30:31,499
except you're getting
paid to do it.
1712
01:30:37,390 --> 01:30:38,847
Henry Beard:
It's a time of dial telephone.
1713
01:30:39,017 --> 01:30:40,849
There's no Internet,
there's no computers.
1714
01:30:41,019 --> 01:30:43,056
There wasn't that much
that was shared,
1715
01:30:43,355 --> 01:30:45,642
but what was shared
was shared by everybody.
1716
01:30:45,815 --> 01:30:48,182
They absolutely
had everything in common
1717
01:30:48,401 --> 01:30:50,438
and in a way that never
will happen again.
1718
01:30:50,820 --> 01:30:52,231
Michael Gross:
I'm just so super proud
1719
01:30:52,405 --> 01:30:55,523
of that period of our life,
not to mention blessed.
1720
01:30:56,576 --> 01:31:01,116
I somehow was part of
the greatest band of an era.
1721
01:31:06,670 --> 01:31:09,378
Really what is important,
I think, is just those people.
1722
01:31:11,883 --> 01:31:14,671
They became
all of modern comedy.
1723
01:31:50,505 --> 01:31:53,748
Doug always had a predilection
for sticking his dick in girls' ears.
1724
01:31:54,134 --> 01:31:57,468
Uh, it was something that
he would surprise everybody
1725
01:31:57,637 --> 01:32:00,380
by doing in the middle of
a cocktail party or something.
1726
01:32:00,557 --> 01:32:03,300
There would be Doug with
his dick in some girl's ear.
1727
01:32:03,643 --> 01:32:07,762
And he used to say to me,
-Chris, I hope that somehow
1728
01:32:08,023 --> 01:32:11,232
I'll go to heaven and I'll be
able to stick my dick
1729
01:32:11,401 --> 01:32:13,017
in the ear
of Eleanor Roosevelt.-
1730
01:32:13,319 --> 01:32:17,404
And so when Doug died, I figured
he definitely got into heaven
1731
01:32:17,574 --> 01:32:20,237
and probably,
probably even right now,
1732
01:32:20,410 --> 01:32:22,823
he's sticking his dick
in the ear of Eleanor Roosevelt.
1733
01:32:24,873 --> 01:32:28,708
Lindsay Buckingham
-Holiday Road-
1734
01:34:44,804 --> 01:34:46,716
You've been listening to
1735
01:34:46,890 --> 01:34:49,678
The National Lampoon
Radio Hour.
143009
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