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1
01:38:02,918 --> 01:38:05,458
that he not record
and not make new music
2
01:38:05,458 --> 01:38:07,209
since he wouldn't
be able to promote it.
3
01:38:07,209 --> 01:38:08,458
But what Elvis didn't know
4
01:38:08,458 --> 01:38:12,168
was Parker was not a legal
resident in the United States.
5
01:38:12,168 --> 01:38:14,208
And without
legitimate papers,
6
01:38:14,208 --> 01:38:15,588
any travel that he took
7
01:38:15,588 --> 01:38:17,258
could present
big problems for him
8
01:38:17,258 --> 01:38:19,088
trying to get back in.
9
01:38:19,088 --> 01:38:20,508
The Colonel,
he would come up with
10
01:38:20,508 --> 01:38:22,759
excuses and
explanations to Elvis,
11
01:38:22,759 --> 01:38:24,258
to his family.
12
01:38:24,258 --> 01:38:26,258
Priscilla:
There'd be telegrams
from Colonel Parker
13
01:38:26,258 --> 01:38:27,878
telling him not to worry,
14
01:38:27,878 --> 01:38:29,588
I've done this,
I've done this.
15
01:38:29,588 --> 01:38:31,708
Parker was releasing
songs for him
16
01:38:31,708 --> 01:38:33,128
every few months
17
01:38:33,128 --> 01:38:35,708
to keep the fans interested.
18
01:38:35,708 --> 01:38:37,008
Light:
But it's not a lot,
19
01:38:37,008 --> 01:38:39,048
and not at the pace
that they were used to
20
01:38:39,048 --> 01:38:41,338
and that the machine required.
21
01:38:41,338 --> 01:38:43,588
This approach to Elvis's career
22
01:38:43,588 --> 01:38:46,628
was preying on
his vulnerability.
23
01:38:46,628 --> 01:38:49,258
This was certainly
an opportunity for the Colonel
24
01:38:49,258 --> 01:38:53,378
to fully seize the role
of parent, mentor.
25
01:38:53,378 --> 01:38:54,838
The one person who could
26
01:38:54,838 --> 01:38:56,798
take him through
this difficult time
27
01:38:56,798 --> 01:38:59,088
and lead him out
the other way.
28
01:38:59,088 --> 01:39:00,758
Priscilla:
Colonel was like
a father figure.
29
01:39:00,758 --> 01:39:02,458
There's no doubt
about that.
30
01:39:02,458 --> 01:39:04,958
And he felt Colonel knew
what he was doing.
31
01:39:04,958 --> 01:39:08,378
I mean, Colonel brought him
to where he was.
32
01:39:08,378 --> 01:39:10,878
Sam Phillips couldn't do
what Colonel Parker did.
33
01:39:10,878 --> 01:39:13,007
He was bright enough
to know that.
34
01:39:13,007 --> 01:39:16,418
So he was gonna follow
what Colonel Parker said.
35
01:39:16,418 --> 01:39:18,668
He'd been right so far.
36
01:39:20,758 --> 01:39:24,088
Elvis:
Oh, rock
37
01:39:24,088 --> 01:39:28,667
Of ages
38
01:39:28,667 --> 01:39:34,048
Hide thou me
39
01:39:35,338 --> 01:39:39,838
There is no other
40
01:39:39,838 --> 01:39:43,668
Refuge can save...
41
01:39:43,668 --> 01:39:49,168
Schilling:
Anytime Elvis was going
through a really rough time,
42
01:39:49,168 --> 01:39:51,508
he always went
to gospel music.
43
01:39:51,508 --> 01:39:54,007
This old world
44
01:39:54,007 --> 01:39:55,668
Springsteen:
What is gospel
45
01:39:55,668 --> 01:39:59,758
Gospel is a place where
you go for transcendence,
46
01:39:59,758 --> 01:40:01,798
where you go for peace,
47
01:40:01,798 --> 01:40:04,378
where you go for a
certain type of security.
48
01:40:05,668 --> 01:40:06,958
It's a home.
49
01:40:06,958 --> 01:40:10,047
It's a deep home within
your soul and your body.
50
01:40:10,047 --> 01:40:13,047
Ages
51
01:40:13,047 --> 01:40:22,337
Hide thou me
52
01:40:25,877 --> 01:40:27,708
Priscilla:
We just went to Germany.
53
01:40:27,708 --> 01:40:30,048
My father was stationed there.
Air Force.
54
01:40:30,048 --> 01:40:31,547
And a man came up
to me and said,
55
01:40:31,547 --> 01:40:33,418
Would you like
to meet Elvis Presley?
56
01:40:33,418 --> 01:40:36,708
And I thought
he was kidding.
I said, Sure.
57
01:40:36,708 --> 01:40:37,957
He goes, No,
I'm really serious.
58
01:40:37,957 --> 01:40:39,758
I told him if I were to--
to meet him,
59
01:40:39,758 --> 01:40:41,087
he'd have to ask my parents,
60
01:40:41,087 --> 01:40:43,757
and my parents
were very reluctant,
61
01:40:43,757 --> 01:40:47,297
and I persuaded them
to at least let me,
you know, meet him.
62
01:40:47,297 --> 01:40:51,418
Elvis:
I will spend
my whole life through
63
01:40:52,458 --> 01:40:56,757
Loving you, loving you
64
01:40:56,757 --> 01:40:59,707
Priscilla:
What does anyone say
to a famous person
65
01:40:59,707 --> 01:41:03,087
Elvis:
Winter, summer,
springtime too
66
01:41:03,087 --> 01:41:06,167
Priscilla:
Elvis was sitting in a chair,
his legs crossed.
67
01:41:06,167 --> 01:41:07,958
Elvis walked over to me,
and he said,
68
01:41:07,958 --> 01:41:09,377
Oh, what do we have here?
69
01:41:11,587 --> 01:41:13,758
He started playing the piano
70
01:41:13,758 --> 01:41:15,457
looking over at me,
71
01:41:15,457 --> 01:41:17,797
and I kind of smiled at him.
72
01:41:17,797 --> 01:41:19,127
The more I looked over,
73
01:41:19,127 --> 01:41:21,627
the more he would
entertain even more.
74
01:41:23,258 --> 01:41:25,297
Three days later,
I get a call
75
01:41:25,297 --> 01:41:28,337
that Elvis would like
to see me again.
76
01:41:28,337 --> 01:41:32,457
And the rest is history.
Elvis:
I'll always be
77
01:41:32,457 --> 01:41:39,088
Loving you
78
01:41:40,337 --> 01:41:42,957
Priscilla:
I learned so much
from Elvis about music.
79
01:41:44,587 --> 01:41:45,838
Songs that he played
80
01:41:45,838 --> 01:41:48,878
when I was in Germany
with him for those six months,
81
01:41:48,878 --> 01:41:51,668
some of 'em
I could hardly connect to.
82
01:41:51,668 --> 01:41:55,627
I was listening
to Frankie Avalon, Fabian.
83
01:41:55,627 --> 01:41:58,707
And his selection of music,
I never heard really.
84
01:41:58,707 --> 01:42:01,547
I'll be true
85
01:42:01,547 --> 01:42:04,957
The Ink Spots, The Platters,
Faye Adams, Shake a Hand.
86
01:42:04,957 --> 01:42:06,797
I didn't know
any of these people.
87
01:42:08,507 --> 01:42:11,627
That's when I realized that
music was so much bigger
88
01:42:11,627 --> 01:42:13,507
than what my music was.
89
01:42:13,507 --> 01:42:16,457
Songs of loss,
songs of departing,
90
01:42:16,457 --> 01:42:18,627
songs of hope.
91
01:42:20,627 --> 01:42:24,377
I couldn't really even see him
as a movie star anymore,
92
01:42:24,377 --> 01:42:26,917
that he was so much deeper.
93
01:42:26,917 --> 01:42:30,877
I'll always be
94
01:42:30,877 --> 01:42:36,257
Loving
95
01:42:36,257 --> 01:42:39,837
You
96
01:42:39,837 --> 01:42:43,337
Man:
Do you have any idea when
you'll be traveling back home?
97
01:42:43,337 --> 01:42:46,667
Uh, no, I don't know.
98
01:42:46,667 --> 01:42:49,167
Uh, I wish
I did know, you know.
99
01:42:49,167 --> 01:42:51,456
Uh, how 'bout it?
Do you miss home?
100
01:42:51,456 --> 01:42:54,047
Oh, boy,
you-- you-- (laughs)
101
01:42:54,047 --> 01:42:55,957
I can't hardly talk.
102
01:42:55,957 --> 01:42:59,167
That's kind of--
kind of a silly question
on my part, I guess.
103
01:43:00,337 --> 01:43:04,457
It's a lonely man
104
01:43:04,457 --> 01:43:09,547
Who wanders all around
Lonely man
105
01:43:11,757 --> 01:43:15,877
It's a lonely man
106
01:43:15,877 --> 01:43:21,047
Who roams from
town to town
107
01:43:24,047 --> 01:43:25,956
Searchin'
108
01:43:25,956 --> 01:43:29,296
Always searchin'
109
01:43:29,296 --> 01:43:35,086
For something
he can't find
110
01:43:35,086 --> 01:43:40,417
Hoping, always hoping
111
01:43:40,417 --> 01:43:46,257
That someday
fate will be kind
112
01:43:46,257 --> 01:43:49,877
It's a lonely man
113
01:43:49,877 --> 01:43:54,416
Who travels all alone
Chorus: A lonely man
114
01:43:57,086 --> 01:44:01,457
Elvis:
When he has no one
115
01:44:01,457 --> 01:44:06,376
That he can call his own
116
01:44:06,376 --> 01:44:08,337
Well, Elvis, now
you're really home.
117
01:44:08,337 --> 01:44:09,586
How does it feel?
118
01:44:09,586 --> 01:44:11,087
It's hard to get used
to it, you know?
119
01:44:11,087 --> 01:44:13,296
I mean, I've been looking
forward to it for two years.
120
01:44:13,296 --> 01:44:15,666
That-- that was the
hardest part of all.
121
01:44:15,666 --> 01:44:17,507
Just being away
from show business.
122
01:44:17,507 --> 01:44:19,916
It wasn't the Army,
it wasn't the other men.
123
01:44:19,916 --> 01:44:23,296
It was that.
It stayed on my mind.
124
01:44:23,296 --> 01:44:25,666
I kept thinking about
the past all the time.
125
01:44:26,917 --> 01:44:28,666
Contemplating the future.
126
01:44:31,586 --> 01:44:35,956
It's a lonely man
127
01:44:35,956 --> 01:44:41,006
Who wanders all around
128
01:44:43,956 --> 01:44:48,626
It's a lonely man
129
01:44:48,626 --> 01:44:53,626
Who roams
from town to town
130
01:44:57,206 --> 01:45:03,086
Searchin',
always searchin'
131
01:45:03,086 --> 01:45:09,456
For something he can't find
132
01:45:09,456 --> 01:45:15,006
Hopin', always hopin'
133
01:45:15,006 --> 01:45:21,336
That someday
fate will be kind
134
01:45:21,336 --> 01:45:25,336
It's a lonely man
135
01:45:25,336 --> 01:45:30,706
Who travels all alone
136
01:45:33,206 --> 01:45:37,706
When he has no one
137
01:45:37,706 --> 01:45:43,506
That he can call his own
138
01:45:46,336 --> 01:45:51,456
Always so unhappy
139
01:45:51,456 --> 01:45:54,206
Taking shelter
140
01:45:54,206 --> 01:45:57,666
Where he can
141
01:45:57,666 --> 01:45:59,666
Here I am
142
01:45:59,666 --> 01:46:03,666
Come meet a lonely
143
01:46:03,666 --> 01:46:07,546
Lonely man
144
01:46:29,166 --> 01:46:31,916
Man: All right, we have
a wide shot, so no one
can be in here.
145
01:46:33,996 --> 01:46:36,116
Standing by.
146
01:46:36,116 --> 01:46:37,616
9:12.
147
01:46:45,456 --> 01:46:48,036
Jerry Schilling:
The ' 68 Special
really showed
148
01:46:48,036 --> 01:46:51,666
Elvis's career in its entirety.
149
01:46:51,666 --> 01:46:54,616
They took Elvis's
original songs
150
01:46:54,616 --> 01:46:57,206
and they made 'em more modern.
151
01:46:57,206 --> 01:47:00,456
Priscilla Presley:
This was bringing him
back to the beginning
152
01:47:00,456 --> 01:47:03,166
but yet going into the future.
153
01:47:03,166 --> 01:47:05,576
Well, I quit my job
down at the car wash
154
01:47:05,576 --> 01:47:07,536
I left my mama
a goodbye note
155
01:47:07,536 --> 01:47:11,166
There was the jam session
with his original musicians.
156
01:47:11,166 --> 01:47:14,706
It had simplicity, spontaneity.
157
01:47:14,706 --> 01:47:18,036
And it also had
the choreographed pieces
158
01:47:18,036 --> 01:47:20,666
that really was
a reflection of the movies
159
01:47:20,666 --> 01:47:22,456
and the post-Army years.
160
01:47:22,456 --> 01:47:25,366
But nobody wanted
to hire a guitar man
161
01:47:27,576 --> 01:47:29,666
Steve Binder:
The real spine
of the special
162
01:47:29,666 --> 01:47:31,916
came from our writers.
163
01:47:31,916 --> 01:47:34,206
They locked themselves
in their office
164
01:47:34,206 --> 01:47:37,826
and played every Elvis record
you could find.
165
01:47:37,826 --> 01:47:40,916
Chris Bearde:
We wove a story of Elvis
166
01:47:40,916 --> 01:47:43,866
from his beginnings
to being a superstar.
167
01:47:43,866 --> 01:47:47,076
It gave everybody a look
at Elvis as a musician.
168
01:47:47,076 --> 01:47:49,416
I'm hopin' I can
make myself a dollar
169
01:47:49,416 --> 01:47:51,206
Makin' music on my guitar
170
01:47:51,206 --> 01:47:53,866
It's funny. It's telling
Elvis's story, yes,
171
01:47:53,866 --> 01:47:55,206
in a variety show.
172
01:47:55,206 --> 01:47:57,666
It's got the girls.
It's got him playing guitar.
173
01:47:58,576 --> 01:48:01,116
I look back now...
174
01:48:01,116 --> 01:48:03,536
his life was so big,
175
01:48:03,536 --> 01:48:07,456
I don't know if you can
get it in an hour. (laughs)
176
01:48:11,916 --> 01:48:14,706
Elvis:
Yes, I'm gonna walk
177
01:48:14,706 --> 01:48:17,416
On that milky white way
178
01:48:17,416 --> 01:48:22,036
Oh Lord, some of these days
179
01:48:22,036 --> 01:48:24,746
Elvis:
I started out when I was
just out of high school,
180
01:48:24,746 --> 01:48:26,456
I started out
driving a truck,
181
01:48:26,456 --> 01:48:28,416
and, uh, I was training
to be an electrician.
182
01:48:28,416 --> 01:48:30,576
Some of these days
183
01:48:30,576 --> 01:48:32,786
Well, well, well, well
184
01:48:33,706 --> 01:48:35,076
One day at my lunch break,
185
01:48:35,076 --> 01:48:38,536
I went into this
little record company
to make a record.
186
01:48:38,536 --> 01:48:41,496
The guy put the record out,
and overnight, in my hometown,
187
01:48:41,496 --> 01:48:43,746
people were saying,
you know, Who is he?
188
01:48:43,746 --> 01:48:48,326
I'm gonna walk
on that milky white way
189
01:48:48,326 --> 01:48:50,366
Oh Lord, some of these days
190
01:48:50,366 --> 01:48:53,206
I started to play
little nightclubs
and little football fields.
191
01:48:53,206 --> 01:48:56,206
Like a year and a half,
I was doing this,
I met Colonel Parker.
192
01:48:56,206 --> 01:48:59,536
My mother howdy,
howdy, howdy...
193
01:48:59,536 --> 01:49:03,166
In 1956, they arranged to,
uh, to put me on television.
194
01:49:03,166 --> 01:49:04,866
So they dressed me
in a tuxedo,
195
01:49:04,866 --> 01:49:07,576
had me singing
to a dog on a stool.
196
01:49:07,576 --> 01:49:11,366
My mother howdy
when I get home
197
01:49:11,366 --> 01:49:13,826
I went to Hollywood
and I did four pictures.
198
01:49:13,826 --> 01:49:15,956
I was really getting used
to the movie star bit.
199
01:49:15,956 --> 01:49:18,916
I'm gonna shake
my mama's hand
200
01:49:18,916 --> 01:49:21,076
Just overnight
it was all-- all changed.
201
01:49:21,076 --> 01:49:23,666
I will shake her hands
that day
202
01:49:23,666 --> 01:49:25,456
I got drafted.
203
01:49:25,456 --> 01:49:27,456
That's when we walk
204
01:49:27,456 --> 01:49:29,996
On that milky white way
205
01:49:29,996 --> 01:49:32,286
Oh Lord, one of these days
206
01:49:32,286 --> 01:49:35,616
Choir:
On some of these days
207
01:49:35,616 --> 01:49:37,616
Returning from the Army,
208
01:49:37,616 --> 01:49:40,996
coming back home,
getting ready to perform again,
209
01:49:40,996 --> 01:49:43,666
it's obviously not the '60s.
210
01:49:43,666 --> 01:49:45,706
Those '60s haven't come yet.
211
01:49:45,706 --> 01:49:48,746
This is pre-civil rights.
212
01:49:48,746 --> 01:49:50,456
Things are happening
in that regard,
213
01:49:50,456 --> 01:49:54,326
but it's not really
coming to a head yet.
214
01:49:54,326 --> 01:49:58,036
I'm sure he was aware
of how much had gone on.
215
01:49:59,036 --> 01:50:03,166
He could've gone
in several directions.
216
01:50:03,166 --> 01:50:05,076
Man:
Well, Elvis, now
you're really home.
217
01:50:05,076 --> 01:50:06,456
How does it feel?
218
01:50:07,956 --> 01:50:09,916
It's pretty hard
to describe, I'll tell ya.
219
01:50:09,916 --> 01:50:11,576
It's hard to get
used to it, you know?
220
01:50:11,576 --> 01:50:13,706
I mean, I've been looking
forward to it for two years,
221
01:50:13,706 --> 01:50:15,456
and, all of a sudden,
here it is.
222
01:50:15,456 --> 01:50:16,746
It's, uh...
223
01:50:16,746 --> 01:50:18,826
It's not easy
to adjust to it.
224
01:50:18,826 --> 01:50:21,116
Man: Elvis, do you think
the music has changed
225
01:50:21,116 --> 01:50:22,706
since you've been
out of the service?
226
01:50:22,706 --> 01:50:25,036
I mean, since you've
been in the service.
227
01:50:25,036 --> 01:50:27,706
Possibly, yes.
I-I... I can't say really.
228
01:50:27,706 --> 01:50:29,666
I haven't been here
long enough to even know.
229
01:50:31,706 --> 01:50:34,286
The only thing I can say
is if it has changed,
230
01:50:34,286 --> 01:50:36,246
well, I would be
foolish not to...
231
01:50:36,246 --> 01:50:38,786
try to change
with it, you know?
232
01:50:41,416 --> 01:50:43,706
When Elvis gets back
from the Army,
233
01:50:43,706 --> 01:50:46,706
he was still
one of the biggest
stars on the planet.
234
01:50:46,706 --> 01:50:49,576
But rock and roll,
that force that happened
235
01:50:49,576 --> 01:50:52,166
between '54 and '59,
236
01:50:52,166 --> 01:50:54,866
basically had evaporated
while he was away.
237
01:50:54,866 --> 01:50:58,826
And you see,
immediately, the results
of the Colonel plotting--
238
01:50:58,826 --> 01:51:03,456
How do I make him
as widespread as possible
and polish his image?
239
01:51:03,456 --> 01:51:06,826
Get him on the path
towards being a Frank Sinatra
240
01:51:06,826 --> 01:51:07,996
or a Dean Martin,
241
01:51:07,996 --> 01:51:10,916
pop singers who have
very long careers.
242
01:51:12,706 --> 01:51:15,916
Alan Light:
This was a curious
crossroads in his career.
243
01:51:15,916 --> 01:51:17,746
It was open field to see
244
01:51:17,746 --> 01:51:20,576
what was he gonna do
and where was he gonna go.
245
01:51:20,576 --> 01:51:23,456
The work that he had done
during his time in the Army
246
01:51:23,456 --> 01:51:26,206
broadens the scope
of the music
247
01:51:26,206 --> 01:51:28,326
that he was interested in.
248
01:51:28,326 --> 01:51:30,746
Priscilla:
He didn't wanna
do the same music.
249
01:51:30,746 --> 01:51:32,536
He wanted to grow.
250
01:51:32,536 --> 01:51:34,246
He wanted to evolve in a way
251
01:51:34,246 --> 01:51:37,916
that he could offer something
different in his music.
252
01:51:37,916 --> 01:51:42,076
Ernst Jorgensen: With Elvis,
it was always about
the challenge, the motivation.
253
01:51:42,076 --> 01:51:45,416
He's already in
the recording studio
in Nashville
254
01:51:45,416 --> 01:51:47,286
two weeks after coming home.
255
01:51:47,286 --> 01:51:48,616
He knew what was at stake,
256
01:51:48,616 --> 01:51:50,956
so did the Colonel
and the engineers,
everybody.
257
01:51:50,956 --> 01:51:54,956
There was this
tension in the room:
What's it gonna be like?
258
01:51:54,956 --> 01:51:56,826
Man:
You ready?
259
01:51:56,826 --> 01:51:58,036
Let's cut one.
260
01:51:58,036 --> 01:52:00,286
LTWB0081, take one.
261
01:52:09,366 --> 01:52:13,496
Elvis:
I just got
your letter, baby
262
01:52:13,496 --> 01:52:17,116
Too bad you can't
come home
263
01:52:17,116 --> 01:52:19,536
Jorgensen:
They all relaxed after
just a few takes
264
01:52:19,536 --> 01:52:21,286
because he's so on top of it.
265
01:52:21,286 --> 01:52:24,786
He's been longing
for this moment--
266
01:52:24,786 --> 01:52:26,866
both to get his
career started
267
01:52:26,866 --> 01:52:29,706
but also to express
a new range of music,
268
01:52:29,706 --> 01:52:31,576
his new understanding of music.
269
01:52:31,576 --> 01:52:33,996
Everything he could do.
270
01:52:33,996 --> 01:52:38,246
Elvis:
I ain't slept a wink
since Sunday
271
01:52:38,246 --> 01:52:42,786
I can't eat a thing all day
272
01:52:42,786 --> 01:52:46,576
Light:
Since the last Ed Sullivan Show
appearance in 1957,
273
01:52:46,576 --> 01:52:49,496
the Colonel decided to take
Elvis off of television.
274
01:52:49,496 --> 01:52:51,416
He didn't want
to give Elvis away
275
01:52:51,416 --> 01:52:54,206
when you could sell tickets
in a movie theater.
276
01:52:54,206 --> 01:52:55,866
Jorgensen:
But in the relaunch,
277
01:52:55,866 --> 01:52:57,246
he wasn't gonna gamble.
278
01:52:57,246 --> 01:53:00,496
He wanted exposure to make
sure they got a head start.
279
01:53:00,496 --> 01:53:02,666
Now it was time to deliver.
280
01:53:02,666 --> 01:53:05,536
Jackson:
The Colonel's plan was
get Elvis on television
281
01:53:05,536 --> 01:53:07,366
in front of as many
people as possible
282
01:53:07,366 --> 01:53:09,826
with the world's
other most famous singer.
283
01:53:09,826 --> 01:53:11,286
Make it fun and exciting,
284
01:53:11,286 --> 01:53:13,706
so that now the career
can continue.
285
01:53:17,206 --> 01:53:22,746
I know that I
286
01:53:22,746 --> 01:53:25,616
Held nothing
287
01:53:25,616 --> 01:53:27,706
Waa-ooh-waa-ooh
288
01:53:27,706 --> 01:53:32,746
If you should go away
289
01:53:34,576 --> 01:53:36,166
But to know
290
01:53:36,166 --> 01:53:39,866
That you love me brings
291
01:53:39,866 --> 01:53:42,166
Bruce Springsteen:
The Sinatra show,
292
01:53:42,166 --> 01:53:45,166
it was a very conservative
move at the time.
293
01:53:45,166 --> 01:53:47,036
It was just trying
to find his place
294
01:53:47,036 --> 01:53:49,706
after coming out of the Army.
295
01:53:49,706 --> 01:53:51,536
He simply had to believe
in himself,
296
01:53:51,536 --> 01:53:53,246
and that's what Elvis did.
297
01:53:54,576 --> 01:53:57,786
Fame and fortune
298
01:53:57,786 --> 01:54:00,916
My way
299
01:54:00,916 --> 01:54:04,496
Ooh, ooh, ooh, ooh
300
01:54:06,366 --> 01:54:09,576
Springsteen:
Elvis put himself forth
as somebody who was not
a flash in the pan
301
01:54:09,576 --> 01:54:13,416
but who was in a long line
of a tradition of American
pop singers.
302
01:54:13,416 --> 01:54:16,706
They were saying there's
a life for Elvis after Elvis.
303
01:54:18,996 --> 01:54:20,576
I tell ya something,
it was great!
304
01:54:20,576 --> 01:54:24,286
Jon Landau:
I remember when he appeared
on the Frank Sinatra special.
305
01:54:24,286 --> 01:54:26,616
That show was
very much the opposite
306
01:54:26,616 --> 01:54:28,166
of The Steve Allen Show.
307
01:54:28,166 --> 01:54:31,536
There was
a collegial atmosphere.
308
01:54:31,536 --> 01:54:35,826
Frank Sinatra and Elvis
had two different styles
309
01:54:35,826 --> 01:54:39,666
but were in an incredibly
exclusive club.
310
01:54:44,416 --> 01:54:47,616
We work in the same way
only in different areas.
311
01:54:50,866 --> 01:54:52,706
Love me tender
312
01:54:52,706 --> 01:54:54,786
Love me sweet
313
01:54:54,786 --> 01:54:57,866
Never let me go
314
01:54:57,866 --> 01:55:00,246
Jackson:
Trading their own hits
with each other
315
01:55:00,246 --> 01:55:03,576
is the big moment
that the Colonel
engineered for him.
316
01:55:03,576 --> 01:55:07,076
Those fingers
in my hair
317
01:55:07,076 --> 01:55:09,616
You can hear the women
in the crowd start screaming.
318
01:55:09,616 --> 01:55:11,916
Elvis sexes it up a little bit.
319
01:55:11,916 --> 01:55:14,416
That strips
my conscience bare
320
01:55:14,416 --> 01:55:16,576
It's witchcraft
321
01:55:16,576 --> 01:55:18,746
Love me tender
322
01:55:18,746 --> 01:55:19,996
Love me true
323
01:55:19,996 --> 01:55:22,166
Sinatra, he's fitting
Love Me Tender
324
01:55:22,166 --> 01:55:25,076
into that swing thing.
He's born on the beat.
325
01:55:25,076 --> 01:55:28,576
Oh my darling,
I love you
326
01:55:28,576 --> 01:55:30,826
And I always will
327
01:55:30,826 --> 01:55:33,036
It's such
an ancient pitch
328
01:55:34,986 --> 01:55:38,106
One I wouldn't switch
329
01:55:38,116 --> 01:55:40,666
?'Cause there's
no nicer witch
330
01:55:40,666 --> 01:55:43,206
Than witchcraft
331
01:55:43,206 --> 01:55:45,576
I love you
332
01:55:45,576 --> 01:55:47,746
And I always will
333
01:55:49,996 --> 01:55:53,616
For my darling
334
01:55:53,616 --> 01:55:57,206
I love you
335
01:55:57,206 --> 01:55:59,746
Man, that's pretty.
336
01:55:59,736 --> 01:56:05,356
Both:
And I always will
337
01:56:05,366 --> 01:56:08,206
He's embraced
by the community
338
01:56:08,206 --> 01:56:10,666
that had previously
put him down,
339
01:56:10,666 --> 01:56:13,036
and that signaled
he was now ready
340
01:56:13,036 --> 01:56:16,916
to take on this role
of cultural icon.
341
01:56:16,916 --> 01:56:18,246
Jorgensen:
You get this new Elvis,
342
01:56:18,246 --> 01:56:20,206
the Elvis that
Colonel Parker wanted,
343
01:56:20,206 --> 01:56:23,866
the Elvis that had grown up
exactly the same way
344
01:56:23,866 --> 01:56:26,826
that his core audience
had grown older.
345
01:56:26,826 --> 01:56:29,706
They were gone
from being teenagers
to being young adults.
346
01:56:29,706 --> 01:56:33,866
So for him, it was
the perfect launch.
347
01:56:33,866 --> 01:56:36,076
The public widely
accepted that,
348
01:56:36,076 --> 01:56:38,786
but, obviously,
this was a transition.
349
01:56:46,786 --> 01:56:50,666
Elvis:
You gave me love to enjoy
350
01:56:50,666 --> 01:56:56,866
Like a bright shiny toy
to a baby
351
01:56:59,916 --> 01:57:03,786
No matter what
you would do
352
01:57:03,786 --> 01:57:06,826
I depended on you
353
01:57:06,826 --> 01:57:10,076
Like a baby
354
01:57:13,206 --> 01:57:15,866
Priscilla:
He knew that next album
was important.
355
01:57:15,866 --> 01:57:17,746
He gave it a lot of thought.
356
01:57:17,746 --> 01:57:22,666
The Elvis is Back! album
reveals new influences,
357
01:57:22,666 --> 01:57:25,616
new interests,
new arrangements.
358
01:57:25,616 --> 01:57:27,956
He had been getting
ready for this mentally
359
01:57:27,956 --> 01:57:29,666
while he was in Germany.
360
01:57:29,666 --> 01:57:33,036
There's a little bit of R&B,
there's a little bit of pop,
361
01:57:33,036 --> 01:57:34,956
ballads, country.
362
01:57:36,916 --> 01:57:39,536
New songs that represented
a different vocal approach
363
01:57:39,536 --> 01:57:41,916
than anything
he had tried before that.
364
01:57:41,916 --> 01:57:44,616
I was blind,
'cause I just
365
01:57:44,616 --> 01:57:47,536
His voice was very much
in tune always,
366
01:57:47,536 --> 01:57:50,326
and that's because he didn't
have to fight the band.
367
01:57:50,326 --> 01:57:52,916
Those guys were soft
and they didn't push him,
368
01:57:52,916 --> 01:57:54,866
and they weren't too busy.
369
01:57:54,866 --> 01:57:58,616
Jorgensen:
The band had the ability
to play all this music
370
01:57:58,616 --> 01:58:01,246
that came from
so many different sources.
371
01:58:01,246 --> 01:58:02,666
Elvis:
Like a baby
372
01:58:02,666 --> 01:58:04,166
That was the true magic
373
01:58:04,166 --> 01:58:06,496
of Elvis combining
with this band.
374
01:58:06,496 --> 01:58:08,956
They perfectly
understood each other.
375
01:58:13,496 --> 01:58:16,666
Red West:
Those musicians
were incredible.
376
01:58:16,666 --> 01:58:18,826
Bobby Moore on bass,
377
01:58:18,826 --> 01:58:20,826
Floyd Cramer on piano.
378
01:58:20,826 --> 01:58:23,166
Man, those guys
heard a demo once
379
01:58:23,166 --> 01:58:25,166
and bam,
they were ready to go.
380
01:58:25,166 --> 01:58:27,246
Briggs:
They were a real tight group.
381
01:58:27,246 --> 01:58:28,956
Nobody played anything
that didn't go
382
01:58:28,956 --> 01:58:30,786
with what the other one
was playing.
383
01:58:30,786 --> 01:58:32,616
Elvis:
I need soul
384
01:58:32,616 --> 01:58:34,286
Briggs:
DJ and Scotty
were still there,
385
01:58:34,286 --> 01:58:36,496
but they began to play
a lesser and lesser role
386
01:58:36,496 --> 01:58:38,366
and that made it
a little more sophisticated.
387
01:58:38,366 --> 01:58:40,956
Elvis:
Then I broke down
and cried
388
01:58:40,956 --> 01:58:43,036
He liked the way
the music sounded.
389
01:58:43,036 --> 01:58:45,826
Technology, it evolved
while he was gone.
390
01:58:45,826 --> 01:58:49,116
Jackson:
RCA Studios got
a three-track recorder.
391
01:58:49,116 --> 01:58:52,666
That immediately adds
a technical professionalism
392
01:58:52,666 --> 01:58:55,576
as recording technology
is moving into the future.
393
01:58:55,576 --> 01:58:58,116
Like a baby
394
01:58:58,116 --> 01:59:00,246
He started feeling confidence,
395
01:59:00,246 --> 01:59:03,206
because these were
his song choices.
396
01:59:03,206 --> 01:59:06,286
These were songs that
he was singing in Germany.
397
01:59:06,286 --> 01:59:08,286
That's the freedom
that he wanted.
398
01:59:08,286 --> 01:59:09,866
That's what
he was looking for.
399
01:59:09,866 --> 01:59:11,166
Elvis:
Like a baby
400
01:59:11,166 --> 01:59:13,416
And that's why
it was so successful.
401
01:59:14,536 --> 01:59:16,536
Just blew people away.
402
01:59:18,326 --> 01:59:20,576
Elvis, when he came back,
403
01:59:20,576 --> 01:59:24,916
clearly in finding the songs
and making the records,
404
01:59:24,916 --> 01:59:26,706
was very driven.
405
01:59:26,706 --> 01:59:28,666
His vision was very intact,
406
01:59:28,666 --> 01:59:31,166
and I don't think
he could be distracted.
407
01:59:31,166 --> 01:59:34,576
Zanes:
Elvis was so attuned
to the emotional.
408
01:59:34,576 --> 01:59:39,746
He was always on the search
for emotional music.
409
01:59:39,746 --> 01:59:41,036
I asked him one day,
410
01:59:41,036 --> 01:59:43,576
What makes you
pick out your songs?
411
01:59:43,576 --> 01:59:46,916
He said, I wanna be able
to reach and feel
412
01:59:46,916 --> 01:59:49,416
what we all go through
as human beings.
413
01:59:49,416 --> 01:59:51,576
Ooh
414
01:59:51,576 --> 01:59:53,616
This is the mysterious
part about music.
415
01:59:53,616 --> 01:59:56,366
How do we know when
we're listening to a song
416
01:59:56,366 --> 01:59:58,536
that someone means it?
417
01:59:58,536 --> 01:59:59,576
We just know.
418
01:59:59,576 --> 02:00:02,076
Elvis:
Are you lonesome tonight
419
02:00:02,076 --> 02:00:03,416
And the people who mean it
420
02:00:03,416 --> 02:00:06,416
are generally the ones
who are processing
421
02:00:06,416 --> 02:00:10,616
some kind of loss
through music,
422
02:00:10,616 --> 02:00:14,706
and we can hear them
negotiating their loss,
423
02:00:14,706 --> 02:00:17,576
and we connect to it.
424
02:00:17,576 --> 02:00:22,616
Does your memory stray
425
02:00:22,606 --> 02:00:27,316
To a bright summer day
426
02:00:27,326 --> 02:00:29,956
When I kissed you
427
02:00:29,956 --> 02:00:34,036
And called you sweetheart?
428
02:00:34,036 --> 02:00:37,996
Those who are truly
a recording artist,
429
02:00:37,996 --> 02:00:40,616
you go into
the artistic aspect
430
02:00:40,616 --> 02:00:42,366
of what makes
whatever you're doing
431
02:00:42,366 --> 02:00:45,036
alive and unique
for that song.
432
02:00:45,036 --> 02:00:48,286
So he would lose himself
in an artistic way
433
02:00:48,286 --> 02:00:51,036
in order for people to feel it.
434
02:00:51,036 --> 02:00:52,866
And picture me
435
02:00:52,866 --> 02:00:55,616
That's called soul.
436
02:00:55,616 --> 02:01:00,366
Elvis:
Is your heart
filled with pain?
437
02:01:00,366 --> 02:01:05,326
Shall I come back again?
438
02:01:05,326 --> 02:01:07,826
Tell me, dear
439
02:01:07,826 --> 02:01:12,996
Are you lonesome tonight?
440
02:01:14,996 --> 02:01:17,286
Usually when we chat, Elvis,
we ask you to, uh,
441
02:01:17,286 --> 02:01:19,416
select your favorite song
of all your recordings.
442
02:01:19,416 --> 02:01:21,496
What's the current
favorite of yours?
443
02:01:21,496 --> 02:01:23,706
Elvis:
I think, uh,
Now or Never.
444
02:01:23,706 --> 02:01:25,666
It's Now or Never.
445
02:01:25,666 --> 02:01:28,076
Ooh
446
02:01:31,706 --> 02:01:35,116
Ooh, ooh, ooh
447
02:01:37,536 --> 02:01:40,496
Elvis:
It's now or never
448
02:01:40,496 --> 02:01:43,956
Everything was
a level up on the '50s.
449
02:01:43,956 --> 02:01:46,866
The three singles,
Stuck on You,
It's Now or Never
450
02:01:46,866 --> 02:01:50,206
and Are You Lonesome Tonight?
were number one hits.
451
02:01:50,206 --> 02:01:52,076
It was a true triumph
452
02:01:52,076 --> 02:01:55,706
and a whole new ballgame
of what pop music was.
453
02:01:55,706 --> 02:02:00,166
Elvis:
Tomorrow will be too late
454
02:02:00,166 --> 02:02:02,866
Landau:
Rhythmically,
his sense of time,
455
02:02:02,866 --> 02:02:06,706
his phrasing, musicality,
Elvis was impeccable.
456
02:02:07,956 --> 02:02:10,536
Elvis:
When I first saw you
457
02:02:10,536 --> 02:02:11,916
Priscilla:
He loved opera singers.
458
02:02:11,916 --> 02:02:13,916
He loved the range
of an opera singer.
459
02:02:13,916 --> 02:02:16,366
It's Now or Never
is very much like that.
460
02:02:16,366 --> 02:02:20,416
Elvis:
My heart was captured
461
02:02:20,416 --> 02:02:22,116
What he did that was unusual
462
02:02:22,116 --> 02:02:25,576
was he could slide up the scale
into a tenor voice
463
02:02:25,576 --> 02:02:27,366
and then back down, you know.
464
02:02:27,366 --> 02:02:30,416
And he's just having fun.
465
02:02:31,866 --> 02:02:33,786
He's sliding
all over the scale.
466
02:02:33,786 --> 02:02:37,116
It's so human.
It's so real.
467
02:02:38,166 --> 02:02:42,286
It's now or never
468
02:02:42,286 --> 02:02:45,326
Come hold me tight
469
02:02:45,326 --> 02:02:48,456
Light:
It's Now or Never was
adapted from "O Sole Mio,
470
02:02:48,456 --> 02:02:49,866
the Italian song.
471
02:02:49,866 --> 02:02:51,956
Elvis had always
had this interest
472
02:02:51,956 --> 02:02:54,286
in the Italian crooners.
473
02:02:54,286 --> 02:02:57,116
When he was in the Army
with Charlie Hodge,
474
02:02:57,116 --> 02:03:00,826
they were exploring that
kind of drama in his singing.
475
02:03:00,826 --> 02:03:05,116
That sound, that style
became one of the staples
476
02:03:05,116 --> 02:03:08,866
of Elvis's musical range
from then on.
477
02:03:08,866 --> 02:03:11,076
Elvis:
Just like a willow
478
02:03:11,076 --> 02:03:12,366
It's about challenge.
479
02:03:12,366 --> 02:03:16,286
It was the challenge that
made him do that extra thing.
480
02:03:16,286 --> 02:03:18,616
And hitting the high notes
at the end
481
02:03:18,616 --> 02:03:21,036
on "It's Now or Never"
was the challenge.
482
02:03:21,036 --> 02:03:22,866
And sweet devotion
483
02:03:22,866 --> 02:03:25,416
He can't really reach it,
and the engineer says,
484
02:03:25,416 --> 02:03:27,956
We can cut the ending only,
and Elvis goes back and says,
485
02:03:27,956 --> 02:03:31,786
No, if I can't sing it
the whole way through,
I'm not gonna do it.
486
02:03:31,786 --> 02:03:33,576
For who knows when
487
02:03:33,576 --> 02:03:35,036
He challenged himself.
488
02:03:35,036 --> 02:03:39,116
He got a thrill out of
hitting a note so high.
489
02:03:39,116 --> 02:03:44,246
It's now or never
490
02:03:44,246 --> 02:03:49,326
My love won't wait
491
02:03:50,916 --> 02:03:54,456
It's now or never
492
02:03:54,456 --> 02:03:58,536
My love won't wait
493
02:04:09,996 --> 02:04:12,996
? Can't you see
I love you? ?
494
02:04:12,996 --> 02:04:16,706
Please don't break
my heart in two
495
02:04:16,706 --> 02:04:18,866
That's not hard to do
496
02:04:18,866 --> 02:04:23,746
'Cause I don't have
a wooden heart
497
02:04:24,706 --> 02:04:27,706
And if you say goodbye
498
02:04:27,706 --> 02:04:30,666
Then I know
that I would cry
499
02:04:30,666 --> 02:04:33,496
For Elvis to have
to do G.I. Blues,
500
02:04:33,496 --> 02:04:36,326
reflecting his two years
in the Army
501
02:04:36,326 --> 02:04:40,576
in a way that probably
doesn't compare a lot
to what it was like,
502
02:04:40,576 --> 02:04:43,536
I don't think he really
enjoyed that.
503
02:04:43,536 --> 02:04:46,366
G.I. Blues was
a family type of film
504
02:04:46,366 --> 02:04:50,206
moving Elvis's image
in a completely
different direction
505
02:04:50,206 --> 02:04:54,076
from the very young,
aggressive characters
in the '50s movies.
506
02:04:55,956 --> 02:04:59,576
But he was given the promise
that there would be two films
507
02:04:59,576 --> 02:05:02,116
for 20th Century Fox,
following this,
508
02:05:02,116 --> 02:05:04,416
that were serious roles.
509
02:05:04,416 --> 02:05:09,616
It may have been a reasonable
bargain for Elvis at the time.
510
02:05:09,616 --> 02:05:13,036
Priscilla:
When he found out the songs
that he had to do
in G.I. Blues,
511
02:05:13,036 --> 02:05:15,666
he said, Baby, I don't know
how this is gonna go.
512
02:05:15,666 --> 02:05:17,496
I'm a little disappointed.
513
02:05:17,496 --> 02:05:19,786
Jorgensen:
The songs they had
to fit into the plot,
514
02:05:19,786 --> 02:05:22,206
but musically, they were
not where Elvis was at.
515
02:05:24,076 --> 02:05:25,956
He makes a compromise.
516
02:05:25,956 --> 02:05:29,036
That was the really
disheartening part for Elvis.
517
02:05:31,536 --> 02:05:33,366
The soundtrack of G.I. Blues,
518
02:05:33,366 --> 02:05:36,746
it was the most successful
album they had made.
519
02:05:36,746 --> 02:05:40,246
It sold much more
than the absolutely
brilliant studio album
520
02:05:40,246 --> 02:05:42,286
that came out
some months before.
521
02:05:43,576 --> 02:05:45,616
Schilling:
Elvis is now a big business.
522
02:05:45,616 --> 02:05:47,366
So instead of going out,
523
02:05:47,366 --> 02:05:50,536
getting the best
songwriters in general,
524
02:05:50,536 --> 02:05:52,166
Hill & Range,
from the Colonel,
525
02:05:52,166 --> 02:05:54,286
were hiring a couple
of songwriters
526
02:05:54,286 --> 02:05:56,956
to write Elvis songs.
527
02:05:56,956 --> 02:06:00,536
Briggs:
They would bring
all of the material,
528
02:06:00,536 --> 02:06:03,366
that was the unspoken rule.
529
02:06:03,366 --> 02:06:05,496
Nobody else was allowed
530
02:06:05,496 --> 02:06:08,206
to bring any music
into the session.
531
02:06:08,206 --> 02:06:12,246
That was very tightly
controlled by the Colonel,
532
02:06:12,246 --> 02:06:13,746
by the publishing company,
533
02:06:13,746 --> 02:06:16,456
and by the record company.
534
02:06:16,456 --> 02:06:18,326
West:
The Colonel eventually
started getting
535
02:06:18,326 --> 02:06:20,076
a percentage of everything.
536
02:06:20,076 --> 02:06:21,326
He was a businessman.
537
02:06:21,326 --> 02:06:24,286
He didn't give a damn
if it was worth a crap.
538
02:06:24,286 --> 02:06:28,416
Schilling:
Elvis could care less
about the songwriting,
539
02:06:28,416 --> 02:06:30,206
publishing in general.
540
02:06:30,206 --> 02:06:32,166
Some of it,
he got and understood,
541
02:06:32,166 --> 02:06:36,286
but he cared more
about good material.
542
02:06:36,286 --> 02:06:38,786
Petty:
It was more about the Colonel
owning the publishing,
543
02:06:38,786 --> 02:06:43,666
which was a huge
stone in his shoes
the rest of his life.
544
02:06:43,666 --> 02:06:47,666
It was this business of
We must own the copyright
545
02:06:47,666 --> 02:06:50,786
or we don't
want you to do it.
546
02:06:50,786 --> 02:06:53,076
Priscilla:
Elvis said, "I'm starting
to feel the pressure.
547
02:06:53,076 --> 02:06:54,326
I'm obligated here.
548
02:06:54,326 --> 02:06:56,286
I don't think there's
a way out for me.
549
02:06:56,286 --> 02:06:58,496
And I said, Well, can't you
talk to Colonel?
550
02:06:58,496 --> 02:07:01,706
And that's when I think
he started getting
disillusioned.
551
02:07:01,706 --> 02:07:04,366
Basically, Colonel
was part of it.
552
02:07:04,366 --> 02:07:07,366
Already, he's feeling
that he's not in control,
553
02:07:07,366 --> 02:07:09,866
and this is really early on.
554
02:07:14,786 --> 02:07:19,456
Gladys Presley:
Oh, home sweet home
555
02:07:19,456 --> 02:07:24,916
There's no place like home
556
02:07:36,786 --> 02:07:40,366
Priscilla:
I already had a feeling
of what Graceland was like
557
02:07:40,366 --> 02:07:43,076
through Elvis's description.
558
02:07:43,076 --> 02:07:44,326
He told me in Germany,
559
02:07:44,326 --> 02:07:46,416
I want you to come
and see Graceland.
560
02:07:47,746 --> 02:07:49,916
And he would give me images.
561
02:07:53,116 --> 02:07:55,116
When I came, the first time,
562
02:07:55,116 --> 02:07:58,456
he told me to close my eyes,
and not to open them.
563
02:07:58,456 --> 02:08:02,456
We're driving, and then
he said, Open them.
564
02:08:05,326 --> 02:08:07,416
The gates of Graceland open up.
565
02:08:09,246 --> 02:08:12,286
It was everything
that he'd described.
566
02:08:12,286 --> 02:08:15,036
It was bigger
than life for me.
567
02:08:15,036 --> 02:08:16,956
His safe haven.
568
02:08:20,826 --> 02:08:22,496
Schilling:
Graceland always represented
569
02:08:22,496 --> 02:08:26,456
something more than
just a house to Elvis.
570
02:08:26,456 --> 02:08:28,036
:Graceland was
something initially
571
02:08:28,036 --> 02:08:31,076
that he had bought
with and for his parents,
572
02:08:31,076 --> 02:08:33,616
and it reminded him
of his mother,
573
02:08:33,616 --> 02:08:37,076
her presence and her
influence in his life,
574
02:08:37,076 --> 02:08:40,326
which didn't end
after she died.
575
02:08:40,326 --> 02:08:41,916
I opened up a closet
576
02:08:41,916 --> 02:08:43,826
and it was filled
with her clothes.
577
02:08:45,866 --> 02:08:48,746
And I had such a sense of her.
578
02:08:48,746 --> 02:08:50,706
She liked soft fabric.
579
02:08:50,706 --> 02:08:53,116
Her hats, her shoes--
580
02:08:53,116 --> 02:08:56,496
he hung on
to those personal things.
581
02:08:56,496 --> 02:08:58,536
Even though
it had been a few years,
582
02:08:58,536 --> 02:09:02,496
there was still a lingering
scent there, of her.
583
02:09:03,666 --> 02:09:06,826
It really showed me
the love that he had for her.
584
02:09:08,076 --> 02:09:11,206
Elvis:
She never really
wanted anything,
585
02:09:11,206 --> 02:09:12,786
you know, anything fancy.
586
02:09:12,786 --> 02:09:15,826
She just stayed the same
all the way through
the whole thing.
587
02:09:17,326 --> 02:09:19,666
There's a lot
of things happened,
588
02:09:19,666 --> 02:09:21,246
and there are times
when it feels like
589
02:09:21,246 --> 02:09:23,706
I don't know what
I'm gonna do next, you know?
590
02:09:24,956 --> 02:09:27,166
Light:
Once he got back
to Graceland
591
02:09:27,166 --> 02:09:30,706
and wanted to reconnect
with the spirit he was
brought up in
592
02:09:30,706 --> 02:09:33,416
and the memory of his mother,
593
02:09:33,416 --> 02:09:35,666
the best way was
to go back to the music
594
02:09:35,666 --> 02:09:38,286
that he had grown up with.
595
02:09:38,286 --> 02:09:41,166
Zanes:
The theme of return,
596
02:09:41,166 --> 02:09:44,496
and in Elvis's case,
a return to gospel,
597
02:09:44,496 --> 02:09:48,366
is part of how
we all experience music.
598
02:09:50,036 --> 02:09:52,576
There are these
profound experiences
599
02:09:52,576 --> 02:09:56,826
that happen with music
at a younger age.
600
02:09:56,826 --> 02:10:00,206
Through our lives,
we're often chasing them.
601
02:10:03,496 --> 02:10:07,496
If you were raised
in the proximity of gospel,
602
02:10:07,496 --> 02:10:12,206
that's what launched you into
the world of emotional music.
603
02:10:13,746 --> 02:10:17,456
West:
He was getting into
another phase in his life,
604
02:10:17,456 --> 02:10:21,206
and gospel, religious music,
was his favorite,
605
02:10:21,206 --> 02:10:23,746
and that's why he did it.
606
02:10:23,746 --> 02:10:25,576
Jorgensen:
Just on the heels
of G.I. Blues,
607
02:10:25,576 --> 02:10:29,576
he goes in and records
a complete album
of gospel music
608
02:10:29,576 --> 02:10:31,576
with songs from
all his old heroes:
609
02:10:31,576 --> 02:10:35,166
Blackwood Brothers,
Golden Gate,
Statesmen Quartet.
610
02:10:35,166 --> 02:10:37,916
It's a tribute to everything
he came from,
611
02:10:37,916 --> 02:10:41,116
and he does it with a voice
at his best ever.
612
02:10:41,116 --> 02:10:43,746
Elvis:
Why don't you
swing low, sweet chariot
613
02:10:43,746 --> 02:10:45,706
Stop and let me ride
614
02:10:45,706 --> 02:10:47,916
Tony Brown:
It was so close
to those records
615
02:10:47,916 --> 02:10:49,916
that the Statesmen
and Blackwoods were making.
616
02:10:49,916 --> 02:10:53,076
It could've been those records.
617
02:10:53,076 --> 02:10:56,166
Jorgensen:
He had the Jordanaires
as the key element
618
02:10:56,166 --> 02:10:58,916
of developing a gospel feel
619
02:10:58,916 --> 02:11:01,746
with a band feel that
was true to the music
620
02:11:01,746 --> 02:11:03,576
on the Elvis is Back! album.
621
02:11:03,576 --> 02:11:05,036
Elvis:
Let me ride
622
02:11:05,036 --> 02:11:07,076
Rock me, Lord,
rock me, Lord
623
02:11:07,076 --> 02:11:08,916
Jorgensen:
Obviously, it's not
really rock and roll,
624
02:11:08,916 --> 02:11:11,206
but there's drums
and there's saxophones.
625
02:11:11,206 --> 02:11:12,616
There's a lot of swing to it.
626
02:11:12,616 --> 02:11:14,916
Sweet, sweet, sweet, sweet
627
02:11:14,916 --> 02:11:17,206
Well, well
628
02:11:17,206 --> 02:11:19,456
The way he blended
them together
629
02:11:19,456 --> 02:11:22,786
is an incredibly
original thing to do.
630
02:11:22,786 --> 02:11:26,826
Sometimes, you know,
he wasn't traveling
very far away from the gospel.
631
02:11:26,826 --> 02:11:30,076
I mean, some of it,
it was just about
putting a beat to it.
632
02:11:30,076 --> 02:11:32,116
Wasn't so particular
about the chariot wheel
633
02:11:32,116 --> 02:11:33,786
That angle of the two
and the four are
634
02:11:33,786 --> 02:11:36,956
slightly different
than gospel good.
635
02:11:36,956 --> 02:11:39,456
Why don't you swing down,
sweet chariot, stop
636
02:11:39,456 --> 02:11:41,326
And let me ride
637
02:11:41,326 --> 02:11:44,036
Jorgensen:
You have a feeling that
he's truly enjoying this.
638
02:11:44,036 --> 02:11:46,616
It's a very joyous
record to listen to.
639
02:11:46,616 --> 02:11:50,166
Schilling:
His Hand in Mine
was a passion.
640
02:11:50,166 --> 02:11:54,366
The whole gospel influence
was as much a part of him,
641
02:11:54,366 --> 02:11:58,326
and maybe even more so
as the rhythm and blues.
642
02:11:58,326 --> 02:12:00,786
This was just his
opportunity to get it out.
643
02:12:00,786 --> 02:12:02,786
And it was a mission
to show others,
644
02:12:02,786 --> 02:12:05,826
the listeners, that in these
choices of music
645
02:12:05,826 --> 02:12:07,246
and how it's embellished,
646
02:12:07,246 --> 02:12:09,956
really what Elvis was
looking for as an artist,
647
02:12:09,956 --> 02:12:11,666
to have that freedom.
648
02:12:11,666 --> 02:12:13,326
It's that simple.
649
02:12:13,326 --> 02:12:17,576
Just wanted to lay
down this heavy load
650
02:12:17,576 --> 02:12:19,706
Why don't you
swing down, sweet chariot
651
02:12:19,706 --> 02:12:21,956
Stop, let me ride
652
02:12:21,956 --> 02:12:23,416
How's Blue Hawaii going?
653
02:12:23,416 --> 02:12:24,746
It's going on very well.
654
02:12:24,746 --> 02:12:26,246
We leave tomorrow
for Kauai, you know.
Yeah.
655
02:12:26,246 --> 02:12:27,956
I think we'll be there
for about 10 days.
656
02:12:27,956 --> 02:12:29,416
Tell us about
Blue Hawaii a bit.
657
02:12:29,416 --> 02:12:31,616
There's about
11 songs in it.
658
02:12:31,616 --> 02:12:33,666
Some Hawaiian tunes?
Yeah.
659
02:12:33,666 --> 02:12:35,786
You got some
special material written
for you for the picture?
660
02:12:35,786 --> 02:12:38,916
Elvis: Yeah, we had
about 10 songs written
especially for the picture.
661
02:12:38,916 --> 02:12:41,166
We do that, you know,
before the picture starts.
662
02:12:47,036 --> 02:12:50,786
Jorgensen:
The film Blue Hawaii was
an overwhelming success.
663
02:12:50,786 --> 02:12:53,866
That is the point where
it gets real interesting.
664
02:12:55,326 --> 02:12:56,706
Jackson:
The two dramas,
665
02:12:56,706 --> 02:12:58,456
Wild in the Country
and Flaming Star,
666
02:12:58,456 --> 02:13:01,866
they're not as music heavy,
and they actually lose money.
667
02:13:01,866 --> 02:13:03,746
Priscilla:
And that's when
they told him,
668
02:13:03,746 --> 02:13:06,116
"This is proof. This is
what the public wants.
669
02:13:06,116 --> 02:13:07,916
People just wanna
hear your music.
670
02:13:07,916 --> 02:13:11,036
They wanna hear you
sing in movies.
671
02:13:12,576 --> 02:13:15,746
Schilling:
The last concert he played,
for almost a decade,
672
02:13:15,746 --> 02:13:18,206
was a charity show
near Pearl Harbor.
673
02:13:29,076 --> 02:13:32,996
Elvis:
Well, so long
674
02:13:32,996 --> 02:13:35,496
That was like the
ultimate charity show,
675
02:13:35,496 --> 02:13:36,956
because it was
for the building
676
02:13:36,956 --> 02:13:38,576
of the Pearl Harbor
memorial.
677
02:13:38,576 --> 02:13:39,956
Couldn't be more patriotic.
678
02:13:39,956 --> 02:13:41,866
Couldn't have been
more of a cause
679
02:13:41,866 --> 02:13:43,416
that people could get behind.
680
02:13:44,416 --> 02:13:46,366
He's back,
he's served his time.
681
02:13:46,366 --> 02:13:47,576
He's a great patriot.
682
02:13:47,576 --> 02:13:50,456
It was more to build
that piece of the story
683
02:13:50,456 --> 02:13:52,456
that the Colonel
wanted to tell.
684
02:13:52,456 --> 02:13:54,746
He's cleaned up
and he's a good boy.
685
02:13:54,746 --> 02:13:56,916
Elvis:
Let you go ahead on, baby
686
02:13:58,456 --> 02:14:01,916
Pray that you'll come back
home some time
687
02:14:01,916 --> 02:14:04,286
Boots Randolph.
688
02:14:04,286 --> 02:14:07,786
The band that he brings
with him is very interesting.
689
02:14:07,786 --> 02:14:09,166
He has Scotty and DJ,
690
02:14:09,166 --> 02:14:11,576
but he brings
with him his all-star
691
02:14:11,576 --> 02:14:14,116
Nashville, session guy band,
692
02:14:14,116 --> 02:14:17,456
including Boots Randolph,
who was a great
saxophone player.
693
02:14:21,786 --> 02:14:24,116
Jackson:
Boots Randolph brings
in a lead instrument
694
02:14:24,116 --> 02:14:26,746
that can balance out
Elvis's singing
695
02:14:26,746 --> 02:14:29,326
in a way that Scotty
playing rockabilly licks
696
02:14:29,326 --> 02:14:31,456
didn't do previously.
697
02:14:31,456 --> 02:14:34,536
So it just becomes
a much more full sound.
698
02:14:37,916 --> 02:14:40,326
It's a tragedy that
he didn't continue
699
02:14:40,326 --> 02:14:42,916
to play live
for people at that point.
700
02:14:42,916 --> 02:14:44,786
But the Colonel knew
that the films
701
02:14:44,786 --> 02:14:48,706
got Elvis in front of millions
of people simultaneously
702
02:14:48,706 --> 02:14:50,706
with as little
work as possible.
703
02:14:52,326 --> 02:14:55,326
The post-Army films,
I went to them.
704
02:14:55,326 --> 02:14:59,616
They were a separate category
for what happened in the '50s.
705
02:14:59,616 --> 02:15:01,826
He finds himself
in a situation
706
02:15:01,826 --> 02:15:03,996
where he's just
churning out stuff
707
02:15:03,996 --> 02:15:06,326
that he couldn't possibly
have believed in.
708
02:15:06,326 --> 02:15:08,666
I said, take it easy,
baby, I worked all day
709
02:15:08,666 --> 02:15:10,786
And my feet
feel just like lead
710
02:15:10,786 --> 02:15:13,246
You got my shirttails
flying all over the place
711
02:15:13,246 --> 02:15:15,326
And the sweat
poppin' outta my head
712
02:15:15,326 --> 02:15:17,666
She said,
Hey, bossa nova, baby,
keep on workin'
713
02:15:17,666 --> 02:15:19,826
For this ain't
no time to quit
714
02:15:19,826 --> 02:15:22,246
She said,
Go bossa nova, baby,
keep on dancin'
715
02:15:22,246 --> 02:15:25,036
I'm about to have
myself a fit
716
02:15:25,036 --> 02:15:29,206
Bossa nova, bossa nova
717
02:15:29,206 --> 02:15:33,036
Schilling:
The Colonel negotiated
contract after contract.
718
02:15:33,036 --> 02:15:37,286
MGM, Paramount,
United Artists, you name it.
719
02:15:37,286 --> 02:15:40,496
Hal Blaine:
He was inundated with
work, work, work, work.
720
02:15:40,496 --> 02:15:42,366
I can dance with
a drink in my hand
721
02:15:42,366 --> 02:15:44,666
She said,
Hey, bossa nova, baby,
keep on workin'
722
02:15:44,666 --> 02:15:46,366
For this ain't
no time to drink
723
02:15:46,366 --> 02:15:49,206
Everybody was trying
to get every penny they could
724
02:15:49,206 --> 02:15:51,326
out of whatever
they could.
725
02:15:51,326 --> 02:15:56,286
Bossa nova
726
02:16:00,206 --> 02:16:02,996
Jackson:
He had to make
three movies a year.
727
02:16:02,996 --> 02:16:05,616
So these soundtrack albums
became a big part
728
02:16:05,616 --> 02:16:09,416
of the contractual obligation
to release music with RCA.
729
02:16:09,416 --> 02:16:11,416
Bossa nova
730
02:16:11,416 --> 02:16:12,866
West:
That was not his music.
731
02:16:12,866 --> 02:16:15,116
It was killing his
recording career,
732
02:16:15,116 --> 02:16:18,866
because they were
movie songs, situation songs.
733
02:16:18,866 --> 02:16:22,246
Obviously,
in some of the movies,
you got some hits--
734
02:16:22,246 --> 02:16:24,456
Viva Las Vegas,
Bossa Nova Baby.
735
02:16:24,456 --> 02:16:26,076
They weren't all bad,
736
02:16:26,076 --> 02:16:28,576
but because it was
connected to a movie,
737
02:16:28,576 --> 02:16:31,116
it wasn't like a real record.
738
02:16:31,116 --> 02:16:33,366
The songs had to fit the scene.
739
02:16:33,366 --> 02:16:36,496
And the Colonel obviously
knew that the best format
740
02:16:36,496 --> 02:16:39,206
was girls and
beautiful locations.
741
02:16:40,916 --> 02:16:43,166
I thought it was
terrible direction--
742
02:16:43,166 --> 02:16:46,616
the idea to do a bunch
of corny-ass movies,
743
02:16:46,616 --> 02:16:50,826
Where this is all being led?
It's no-man's-land.
744
02:16:50,826 --> 02:16:55,536
He-- he certainly knows
this music is crap.
745
02:16:55,536 --> 02:16:58,286
The movies were
very harmful to his image.
746
02:16:58,286 --> 02:17:01,286
As an innovator,
as a great musician,
747
02:17:01,286 --> 02:17:02,576
they were harmful.
748
02:17:02,576 --> 02:17:05,746
He's very talented.
I mean, he's very present.
749
02:17:05,746 --> 02:17:08,366
It's an incredible
image of him.
750
02:17:08,366 --> 02:17:11,826
But where he had
a nice start in the movies
751
02:17:11,826 --> 02:17:14,866
and did do some
creative things early on,
752
02:17:14,866 --> 02:17:18,116
and you could see
that there was great
potential for this guy,
753
02:17:18,116 --> 02:17:20,326
there was really
no way for him
754
02:17:20,326 --> 02:17:22,916
to become
the huge movie star
755
02:17:22,916 --> 02:17:24,786
that he would've
liked to have been
756
02:17:24,786 --> 02:17:27,076
and the Colonel
keep control of it.
757
02:17:27,076 --> 02:17:28,536
You know, there's too many
758
02:17:28,536 --> 02:17:30,826
creative aspects
gonna come in,
759
02:17:30,826 --> 02:17:32,116
and they're gonna challenge
760
02:17:32,116 --> 02:17:35,746
the Colonel's
carnival mentality.
761
02:17:35,746 --> 02:17:37,996
Colonel Tom Parker:
Well, no, no, no, no, no.
No, no, no.
762
02:17:37,996 --> 02:17:39,786
Far as I was concerned,
763
02:17:39,786 --> 02:17:43,706
I was not involved other
than making the contract.
764
02:17:43,706 --> 02:17:47,326
He had the opportunity to say,
I don't want to do it
765
02:17:47,326 --> 02:17:48,956
or I'd like to do it.
766
02:17:48,956 --> 02:17:52,286
No one told him
he had to make a picture
767
02:17:52,286 --> 02:17:54,206
that he didn't want to do.
768
02:17:54,206 --> 02:17:57,076
When we had a script,
we'd deliver it to Elvis.
769
02:17:57,076 --> 02:18:00,786
Elvis did refuse
a bad picture.
770
02:18:00,786 --> 02:18:02,826
In comes the Colonel,
771
02:18:02,826 --> 02:18:04,496
in comes the studios,
772
02:18:04,496 --> 02:18:06,616
in comes the record company.
773
02:18:06,616 --> 02:18:08,116
They would say to him,
774
02:18:08,116 --> 02:18:10,536
You don't fulfill
your contracts,
775
02:18:10,536 --> 02:18:12,536
you won't do anything.
776
02:18:12,536 --> 02:18:14,666
Well, come on everybody
777
02:18:14,666 --> 02:18:16,616
And turn your head
to the left
778
02:18:18,746 --> 02:18:19,996
Come on everybody
779
02:18:19,996 --> 02:18:21,286
In Viva Las Vegas,
780
02:18:21,286 --> 02:18:24,746
it's the closest he ever
gets to having a true co-star.
781
02:18:24,746 --> 02:18:27,416
Take a real deep breath
and repeat after me
782
02:18:27,416 --> 02:18:29,116
That becomes a problem
for the Colonel,
783
02:18:29,116 --> 02:18:31,666
because he doesn't
want anybody to even
784
02:18:31,666 --> 02:18:34,116
come close to outshining Elvis.
785
02:18:34,116 --> 02:18:36,536
Hey, hey, hey
and my baby loves me
786
02:18:36,536 --> 02:18:37,996
Chorus:
My baby loves me
787
02:18:37,996 --> 02:18:42,866
My baby loves me
My baby loves me
788
02:18:42,866 --> 02:18:44,706
My baby loves me
789
02:18:44,706 --> 02:18:48,206
I said, my baby
790
02:18:48,206 --> 02:18:51,326
Ha!
My baby
791
02:18:51,326 --> 02:18:56,286
? Loves me ?
Ha! Ha! Ha! Ha! Ha!
792
02:18:57,416 --> 02:19:01,576
Wee-ha!
793
02:19:01,576 --> 02:19:05,166
The Colonel did not want
Ann-Margaret in his world
794
02:19:05,166 --> 02:19:07,456
after she got
a lot of press.
795
02:19:08,746 --> 02:19:12,616
Anybody who had influence
on Elvis was a threat.
796
02:19:12,616 --> 02:19:16,246
Landau:
The tragedy of the
old style of management
797
02:19:16,246 --> 02:19:20,366
was to try and maintain
control of the artist
798
02:19:20,366 --> 02:19:24,456
by limiting their
exposure to opportunities.
799
02:19:26,666 --> 02:19:28,456
The Colonel
was not interested
800
02:19:28,456 --> 02:19:32,166
in Elvis becoming
too independent of a thinker.
801
02:19:32,166 --> 02:19:36,246
He needed Elvis to think
that everything good
came from the Colonel
802
02:19:36,246 --> 02:19:41,246
and anything bad came
from imagined enemies.
803
02:19:41,246 --> 02:19:44,496
He kept that con game
going for much too long.
804
02:19:47,786 --> 02:19:50,786
Zanes:
The years spent
chasing the movies,
805
02:19:50,786 --> 02:19:52,456
you know, seven years,
806
02:19:52,456 --> 02:19:55,866
they were very
destabilizing for Elvis,
807
02:19:55,866 --> 02:19:59,916
because music
was always the buoy.
808
02:19:59,916 --> 02:20:02,706
It's clear about halfway
through that period,
809
02:20:02,706 --> 02:20:04,326
he becomes very restless,
810
02:20:04,326 --> 02:20:07,416
and very annoyed
with the whole process.
811
02:20:07,416 --> 02:20:10,456
Elvis didn't have
script approval.
812
02:20:10,456 --> 02:20:12,326
There weren't great budgets.
813
02:20:12,326 --> 02:20:15,246
The humdrum movies
that he was given--
814
02:20:15,246 --> 02:20:17,366
boy chase girl,
boy gets girl,
815
02:20:17,366 --> 02:20:19,866
they get married,
and it's happily ever after--
816
02:20:19,866 --> 02:20:21,746
that was not Elvis Presley.
817
02:20:21,746 --> 02:20:23,746
He was not that man.
818
02:20:23,746 --> 02:20:25,366
He was much deeper than that.
819
02:20:26,706 --> 02:20:28,706
He had no inspiration
whatsoever.
820
02:20:28,706 --> 02:20:30,326
He knew he had
to make it work.
821
02:20:30,326 --> 02:20:32,326
He knew he was
under a contract,
822
02:20:32,326 --> 02:20:34,206
and he walked through
every one of them.
823
02:20:37,706 --> 02:20:40,536
After a movie,
he felt trapped.
824
02:20:40,536 --> 02:20:42,536
He dreaded the next script,
825
02:20:42,536 --> 02:20:46,496
because he knew
it would be the same thing
over and over again.
826
02:20:46,496 --> 02:20:48,326
But the disconnect,
827
02:20:48,326 --> 02:20:50,616
the disconnect in the two
828
02:20:50,616 --> 02:20:53,076
was really wearing
on his mind--
829
02:20:53,076 --> 02:20:57,996
that Colonel was not taking him
to the place he needed to be.
830
02:20:57,996 --> 02:21:00,536
This is what
we'll never understand
831
02:21:00,536 --> 02:21:03,076
is why did
Colonel Parker have
832
02:21:03,076 --> 02:21:05,576
this kind of influence
over him.
833
02:21:05,576 --> 02:21:10,576
Why was he willing
to knowingly humiliate
himself for this man,
834
02:21:10,576 --> 02:21:14,116
or for the money
promised him by this man?
835
02:21:14,116 --> 02:21:15,706
He puts up with it.
836
02:21:17,366 --> 02:21:19,786
Porter:
I have never felt
Elvis was lost.
837
02:21:19,786 --> 02:21:21,916
He knew with all those movies,
838
02:21:21,916 --> 02:21:23,456
as is the case
with every artist,
839
02:21:23,456 --> 02:21:25,536
that they're taking themselves
away from their strength.
840
02:21:25,536 --> 02:21:28,826
Many artists can't get back
to where their strengths are.
841
02:21:30,536 --> 02:21:33,246
Emmylou Harris:
An artist has to
constantly grow,
842
02:21:33,246 --> 02:21:35,116
and to continue creating,
843
02:21:35,116 --> 02:21:38,866
and changing,
and being inspired
by things around him
844
02:21:38,866 --> 02:21:41,536
in a spiritual
or a personal way.
845
02:21:52,416 --> 02:21:54,576
I'd like to stay
in the same vein.
846
02:21:54,576 --> 02:21:56,746
I-I mean,
I wouldn't like to, uh,
847
02:21:56,746 --> 02:21:58,616
be at a standstill,
you know what I mean?
848
02:21:58,616 --> 02:22:02,076
I'd like--
I'd like to progress.
849
02:22:02,076 --> 02:22:04,576
I'd like to do a lot
of things, but I...
850
02:22:05,916 --> 02:22:08,916
I realize, uh,
that it takes time,
851
02:22:08,916 --> 02:22:10,576
and you can't, uh,
852
02:22:10,576 --> 02:22:15,036
you can't go out of
your, uh, capa--
uh, your limitations.
853
02:22:16,576 --> 02:22:19,576
You have to know
your capabilities, you know.
854
02:22:19,576 --> 02:22:22,286
Like I have people
to say to me all the time,
855
02:22:23,616 --> 02:22:25,866
Why don't you do
an artistic picture?
856
02:22:25,866 --> 02:22:28,076
Why don't you do this
picture and that picture?
857
02:22:28,076 --> 02:22:30,576
Why don't you go
do something blah, blah?"
858
02:22:30,576 --> 02:22:33,116
Well, that's fine, but, uh...
859
02:22:35,036 --> 02:22:36,786
Uh, I would like to.
860
02:22:36,786 --> 02:22:38,246
I'd like to do
something someday
861
02:22:38,246 --> 02:22:41,456
where I feel that
I really done a good job.
862
02:22:41,456 --> 02:22:46,116
You know, as an actor
in a certain type role,
863
02:22:47,246 --> 02:22:49,286
if what you're doing
is doing okay,
864
02:22:49,286 --> 02:22:52,366
you're better off
sticking with it until,
you know,
865
02:22:52,366 --> 02:22:55,286
until just time itself
changes things.
866
02:23:04,416 --> 02:23:09,996
Zanes:
The great irony is that Elvis
was such a significant force
867
02:23:09,996 --> 02:23:12,206
in the launch
of rock and roll,
868
02:23:12,206 --> 02:23:15,706
and the very revolution
that he sparked
869
02:23:15,706 --> 02:23:17,416
carries on without him.
870
02:23:17,416 --> 02:23:20,826
There is a renaissance
that is underway,
871
02:23:20,826 --> 02:23:25,496
and he is, in effect,
in a bubble in Hollywood,
872
02:23:25,496 --> 02:23:29,076
as it passes him by.
873
02:23:29,076 --> 02:23:32,496
'63, '64, '65, when
all the bands were coming in,
874
02:23:32,496 --> 02:23:34,496
he just didn't really
wanna hear music.
875
02:23:34,496 --> 02:23:35,826
He didn't wanna
hear the songs.
876
02:23:35,826 --> 02:23:39,166
Was there room for him now,
being a solo artist?
877
02:23:39,166 --> 02:23:43,416
Elvis really wasn't interested
in writing his own music,
878
02:23:43,416 --> 02:23:44,916
and all these other
groups coming up,
879
02:23:44,916 --> 02:23:47,116
The Beatles,
Bob Dylan, the Beach Boys,
880
02:23:47,116 --> 02:23:49,166
they all wrote
their own songs,
881
02:23:49,166 --> 02:23:50,576
so they could direct
their careers
882
02:23:50,576 --> 02:23:52,036
in a way Elvis couldn't.
883
02:23:53,536 --> 02:23:56,036
Petty:
There is no road map
at this point
884
02:23:56,036 --> 02:23:58,706
as to what a
rock and roller does
885
02:23:58,706 --> 02:24:00,496
when he gets older.
886
02:24:00,496 --> 02:24:02,366
The Beatles had each other.
887
02:24:02,366 --> 02:24:05,456
You know, they had four people
together to go through it.
888
02:24:05,456 --> 02:24:07,786
And Elvis was totally alone.
889
02:24:07,786 --> 02:24:10,116
There was no one
vaguely his equal.
890
02:24:10,116 --> 02:24:14,366
There was nobody he could
bounce anything off of.
891
02:24:17,116 --> 02:24:21,456
Priscilla:
Elvis really didn't ask
for anybody's advice.
892
02:24:21,456 --> 02:24:23,416
He didn't ask the guys
for their advice.
893
02:24:23,416 --> 02:24:24,956
Oh my gosh, he would never.
894
02:24:24,956 --> 02:24:26,826
I mean, you didn't
tell Elvis what to sing
895
02:24:26,826 --> 02:24:28,786
or what movie
he should be in.
896
02:24:28,786 --> 02:24:30,456
Elvis was truly his own man.
897
02:24:30,456 --> 02:24:33,666
He needed someone
to come in with a game plan
and offer it to him.
898
02:24:33,666 --> 02:24:35,826
What do you think of this?
899
02:24:35,826 --> 02:24:40,286
But he hung out with
the same people all the time.
900
02:24:40,286 --> 02:24:42,366
We all lived in this bubble.
901
02:24:42,366 --> 02:24:44,786
Very few outsiders came in.
902
02:24:44,786 --> 02:24:47,616
His world was really
quite small,
903
02:24:47,616 --> 02:24:50,706
and only consisted of us,
people that he trusted.
904
02:24:58,786 --> 02:25:02,286
You didn't really talk about
the movies around Elvis.
905
02:25:02,286 --> 02:25:04,666
We didn't go there.
Why get him upset?
906
02:25:04,666 --> 02:25:07,866
And people-- the guys were
around to bring him up.
907
02:25:07,866 --> 02:25:10,616
Elvis was going to us
and saying,
908
02:25:10,616 --> 02:25:12,996
Damn it, I know
there's good music out there.
909
02:25:12,996 --> 02:25:16,576
I hear it.
Why am I not getting it?
910
02:25:16,576 --> 02:25:19,616
Petty:
You can tell his interest
in making records
911
02:25:19,616 --> 02:25:21,326
has kind of gone away.
912
02:25:21,326 --> 02:25:23,616
You don't get him
in the studio a lot.
913
02:25:26,036 --> 02:25:28,916
He was just struggling
with what to do next
914
02:25:28,916 --> 02:25:32,826
and where to go,
trying to figure out
his purpose again.
915
02:25:32,826 --> 02:25:35,706
It was very difficult
to watch.
916
02:25:37,826 --> 02:25:40,996
Odetta:
How many roads
917
02:25:40,996 --> 02:25:45,246
Must a man walk down
918
02:25:47,416 --> 02:25:51,956
?Before you call him a man
919
02:25:51,956 --> 02:25:53,616
By this point,
920
02:25:53,616 --> 02:25:56,166
Elvis had grown so
disconnected from the music
921
02:25:56,166 --> 02:25:57,956
that he was recording.
922
02:25:57,956 --> 02:26:00,576
He knew that
it was inauthentic.
923
02:26:00,576 --> 02:26:04,326
He knew that
it was insincere.
924
02:26:04,326 --> 02:26:07,996
And he was looking for
some connection to music
925
02:26:07,996 --> 02:26:10,246
that still made him
feel the way
926
02:26:10,246 --> 02:26:13,496
that music had made him feel
when he was younger.
927
02:26:13,496 --> 02:26:16,826
Odetta:
How many times
928
02:26:16,826 --> 02:26:20,666
Must a cannonball fly
929
02:26:20,666 --> 02:26:25,326
He was interested in
this new folk music--
930
02:26:25,326 --> 02:26:27,956
Peter, Paul, & Mary,
the songs of Bob Dylan.
931
02:26:27,956 --> 02:26:29,956
He didn't love
Bob Dylan's voice,
932
02:26:29,956 --> 02:26:32,706
but he was interested
in this imagery
933
02:26:32,706 --> 02:26:38,456
and this language that drew
from the gospel and the blues.
934
02:26:38,456 --> 02:26:41,366
And here he has
Odetta singing.
935
02:26:41,366 --> 02:26:42,666
When you hear the song,
936
02:26:42,666 --> 02:26:45,496
now you've got the lyrics
that match his feelings,
937
02:26:45,496 --> 02:26:48,996
you've got the lyrics that
he can see himself singing.
938
02:26:48,996 --> 02:26:54,576
Only if my true love
was waitin'
939
02:26:54,576 --> 02:26:56,866
? ?
940
02:26:56,866 --> 02:26:58,246
? If I... ?
941
02:26:58,246 --> 02:27:00,036
Many of his relationships
942
02:27:00,036 --> 02:27:02,786
with the culture of the day
were circuitous,
943
02:27:02,786 --> 02:27:07,956
because he was Elvis
and he was behind a--
a high wall.
944
02:27:07,956 --> 02:27:11,746
Elvis:
Only she was
945
02:27:11,746 --> 02:27:16,076
Lying by me
946
02:27:16,076 --> 02:27:18,366
Then I'd lie
947
02:27:18,366 --> 02:27:22,496
In my bed once again
948
02:27:32,206 --> 02:27:35,166
Elvis, a lot of times when
everyone had gone to bed,
949
02:27:35,166 --> 02:27:36,576
or there was no one around,
950
02:27:36,576 --> 02:27:39,246
he would go into the
music room at Graceland.
951
02:27:39,246 --> 02:27:41,916
Just sit there
totally in solitude,
952
02:27:41,916 --> 02:27:45,536
as if even I wasn't around,
and just start playing.
953
02:27:45,536 --> 02:27:47,616
Always it was gospel.
954
02:27:47,616 --> 02:27:50,576
Always it was
Precious Lord.
955
02:27:50,576 --> 02:27:53,826
Precious Lord
956
02:27:53,826 --> 02:27:56,496
Take my hand
957
02:27:56,496 --> 02:27:58,076
When he would sing,
958
02:27:58,076 --> 02:28:01,956
it was like a character study
watching him get lost.
959
02:28:01,956 --> 02:28:04,956
Elvis:
I'm tired
960
02:28:04,956 --> 02:28:07,076
I'm weak
961
02:28:07,076 --> 02:28:12,116
I'm worn
962
02:28:12,116 --> 02:28:13,826
Through the storm
963
02:28:13,826 --> 02:28:17,616
Priscilla: And then,
he'd look over to see
how I was relating to it.
964
02:28:17,616 --> 02:28:19,366
He'd look over
and wink at me.
965
02:28:19,366 --> 02:28:21,786
Elvis:
Lead me on
966
02:28:21,786 --> 02:28:24,866
Those were times that
I cherish the most, actually.
967
02:28:24,866 --> 02:28:26,826
He wasn't really trying
to impress anyone.
968
02:28:26,826 --> 02:28:28,576
He was doing it for himself
969
02:28:28,576 --> 02:28:30,576
and just getting in touch,
970
02:28:30,576 --> 02:28:32,746
getting in touch
with his maker.
971
02:28:32,746 --> 02:28:34,456
It was a plea.
972
02:28:36,036 --> 02:28:39,706
Well, you may run on
for a long time
973
02:28:39,706 --> 02:28:42,116
Chorus:
Run on for a long time
974
02:28:42,116 --> 02:28:44,456
Run on for a long time
975
02:28:44,456 --> 02:28:46,786
Let me tell you,
God Almighty's
gonna cut you down
976
02:28:46,786 --> 02:28:49,116
He didn't have a
burning desire anymore
977
02:28:49,116 --> 02:28:50,286
to record songs.
978
02:28:50,286 --> 02:28:51,666
Elvis:
Midnight rider
979
02:28:51,666 --> 02:28:54,166
The real interesting
element in that
980
02:28:54,166 --> 02:28:58,326
is that when he regains
his appetite for recording
981
02:28:58,326 --> 02:29:02,456
and wants to prove
a point in 1966,
982
02:29:02,456 --> 02:29:04,366
he makes a gospel
record again.
983
02:29:04,366 --> 02:29:06,536
Talkin' to the man
from Galilee
984
02:29:06,536 --> 02:29:08,166
During the middle
of The Beatles,
985
02:29:08,166 --> 02:29:09,706
and The Birds
and The Stones,
986
02:29:09,706 --> 02:29:13,116
and Elvis makes
a gospel record when
he wants to come back.
987
02:29:13,116 --> 02:29:15,666
Great God Almighty,
let me tell you what he said
988
02:29:15,666 --> 02:29:18,246
Go tell that
long-tongued liar
989
02:29:18,246 --> 02:29:20,616
Go tell that
midnight rider
990
02:29:20,616 --> 02:29:22,206
Tell the gambler, rambler
991
02:29:22,206 --> 02:29:25,036
Elvis is connecting
to new music.
992
02:29:25,036 --> 02:29:27,036
He wants a more modern sound,
993
02:29:27,036 --> 02:29:28,956
a more aggressive
rhythm section,
994
02:29:28,956 --> 02:29:30,366
a rock and roll mix.
995
02:29:30,366 --> 02:29:32,956
Run on for a long time
996
02:29:32,956 --> 02:29:35,286
Let me tell you,
God Almighty's gonna
cut you down
997
02:29:35,286 --> 02:29:37,616
You may throw your rock
and hide your hand
998
02:29:37,616 --> 02:29:39,416
I think Elvis's
return to gospel
999
02:29:39,416 --> 02:29:43,036
was a part of simply the deep
religiousness of the South
1000
02:29:43,036 --> 02:29:45,456
and his upbringing.
1001
02:29:45,456 --> 02:29:48,166
But in the late '60s, people
were having a hard time
1002
02:29:48,166 --> 02:29:50,116
looking past
the kitsch aspect
1003
02:29:50,116 --> 02:29:51,956
of some of the things
that Elvis did.
1004
02:29:51,956 --> 02:29:54,916
Elvis:
You gonna reap
just what you sow
1005
02:29:54,916 --> 02:29:56,496
Springsteen:
To appreciate that music,
1006
02:29:56,496 --> 02:29:58,496
that stuff
couldn't bother you.
1007
02:29:58,496 --> 02:29:59,746
Long time
1008
02:29:59,746 --> 02:30:01,956
Run on for a long time
1009
02:30:10,666 --> 02:30:12,576
What do you think
of yourself now?
1010
02:30:13,866 --> 02:30:16,246
You mean, uh,
as an entertainer
1011
02:30:16,246 --> 02:30:17,666
or an individual or what?
1012
02:30:17,666 --> 02:30:18,956
Both.
1013
02:30:18,956 --> 02:30:21,826
I can sum it up
fairly easily.
1014
02:30:21,826 --> 02:30:24,076
I, uh, as a-- as a
human being, really,
1015
02:30:24,076 --> 02:30:27,916
who's been very extremely
fortunate in so many ways...
1016
02:30:29,286 --> 02:30:31,416
I've a lot that I'd like to do,
1017
02:30:31,416 --> 02:30:35,496
a lot that I'd like
to accomplish.
1018
02:30:35,496 --> 02:30:37,916
I'd like to get married.
I'd like to have a family.
1019
02:30:40,956 --> 02:30:43,366
I suppose the most
important thing
1020
02:30:43,366 --> 02:30:46,116
in a person's life is,
uh, is happiness.
1021
02:30:46,116 --> 02:30:48,786
I mean, not
wordly things, because...
1022
02:30:48,786 --> 02:30:50,956
You realize, I mean,
you can have cars.
1023
02:30:50,956 --> 02:30:53,116
You can have money.
You can have a fabulous home.
1024
02:30:53,116 --> 02:30:54,996
You can have everything.
1025
02:30:54,996 --> 02:30:56,916
If you're not happy,
what have you got?
1026
02:31:03,956 --> 02:31:06,366
Priscilla:
I was very young
and very in love,
1027
02:31:06,366 --> 02:31:09,456
and I wanted to be
with him a lot.
1028
02:31:09,456 --> 02:31:11,326
The times that
we were together,
1029
02:31:11,326 --> 02:31:12,746
I-I cherished.
1030
02:31:24,616 --> 02:31:26,916
Woman:
I picked up my bag
1031
02:31:26,916 --> 02:31:30,366
And went looking
for a place to hide
1032
02:31:30,366 --> 02:31:33,746
When I saw old Carmen
and the devil
1033
02:31:33,746 --> 02:31:36,666
Walking side by side
1034
02:31:36,666 --> 02:31:38,786
Springsteen:
I mean, 1968 was a wild
1035
02:31:38,786 --> 02:31:41,706
and violent year
in American history.
1036
02:31:43,746 --> 02:31:45,746
Woman:
She said I gotta go
1037
02:31:45,746 --> 02:31:48,206
But my friend here
can stick around
1038
02:31:48,206 --> 02:31:50,826
At the beginning of the year,
Lisa Marie is born.
1039
02:31:51,996 --> 02:31:54,166
And then a couple
of months later,
1040
02:31:54,166 --> 02:31:56,166
Martin Luther King
is assassinated.
1041
02:31:56,166 --> 02:31:57,786
Woman:
Take a load off, Fanny
1042
02:31:57,786 --> 02:31:59,786
Schilling:
We were making
a movie at MGM
1043
02:31:59,786 --> 02:32:03,416
when we heard on the radio
about Martin Luther King.
1044
02:32:04,706 --> 02:32:08,206
King was that hope
to bring us all together,
1045
02:32:08,206 --> 02:32:10,036
and Elvis knew that.
1046
02:32:11,616 --> 02:32:14,916
Elvis looked down
and he said,
1047
02:32:14,916 --> 02:32:17,536
He always told the truth.
1048
02:32:17,536 --> 02:32:19,616
It's just old Luke
1049
02:32:19,616 --> 02:32:21,866
And Luke's waiting
on Judgment Day
1050
02:32:21,866 --> 02:32:24,916
There's this contentious
presidential election going on.
1051
02:32:24,916 --> 02:32:27,576
Bobby Kennedy is assassinated.
1052
02:32:27,576 --> 02:32:31,036
There's chaos
at the Democratic
convention in Chicago.
1053
02:32:31,036 --> 02:32:33,366
Baby now,
won't you stay
1054
02:32:33,366 --> 02:32:35,746
Priscilla:
Things were
just in disarray,
1055
02:32:35,746 --> 02:32:38,036
and it was never
the same after that.
1056
02:32:48,616 --> 02:32:50,206
Nik Cohn:
By '68,
1057
02:32:50,206 --> 02:32:53,496
most Elvis fans had,
more or less,
given up the ghost.
1058
02:32:53,496 --> 02:32:55,246
There'd been
so many poor movies,
1059
02:32:55,246 --> 02:32:57,916
so many throwaway singles.
1060
02:32:57,916 --> 02:32:59,786
Elvis starts to think about,
1061
02:32:59,786 --> 02:33:01,746
Okay, so how can I
play live again
1062
02:33:01,746 --> 02:33:05,076
There's no infrastructure
for me to do that.
1063
02:33:05,076 --> 02:33:08,616
A couple of really
bright guys who got Elvis
1064
02:33:08,616 --> 02:33:12,246
talked their way
into making a TV special.
1065
02:33:12,246 --> 02:33:15,166
Their mission was
to remind everybody
1066
02:33:15,166 --> 02:33:17,206
just who Elvis had been,
1067
02:33:17,206 --> 02:33:19,746
and who he still was--
1068
02:33:19,746 --> 02:33:23,366
in a sense, to erase
the last seven years
1069
02:33:23,366 --> 02:33:26,076
of the movie soundtracks.
1070
02:33:26,076 --> 02:33:29,786
When the opportunity for
the TV special is presented,
1071
02:33:29,786 --> 02:33:33,456
he hasn't performed
for an audience for years.
1072
02:33:33,456 --> 02:33:36,366
He was actually thinking
what he would do
1073
02:33:36,366 --> 02:33:38,616
if everything went wrong.
1074
02:33:38,616 --> 02:33:41,536
This was his career.
This was his life.
1075
02:33:41,536 --> 02:33:44,786
This was the moment of
realization that this is it,
1076
02:33:44,786 --> 02:33:47,456
that this is gonna be
either a complete failure
1077
02:33:47,456 --> 02:33:49,496
or it'll change everything.
1078
02:33:50,576 --> 02:33:52,116
Springsteen:
Well, I remember I waited
1079
02:33:52,116 --> 02:33:54,286
for weeks
for the '68 Special
1080
02:33:54,286 --> 02:33:55,496
'cause I knew it was coming.
1081
02:33:55,496 --> 02:33:57,666
I can remember
exactly where our TV
1082
02:33:57,666 --> 02:33:59,706
was set up
in the dining room,
1083
02:33:59,706 --> 02:34:01,746
the exact place
I was sitting.
1084
02:34:01,746 --> 02:34:02,956
I mean, it's one
of those things
1085
02:34:02,956 --> 02:34:05,576
that's imprinted
on my memory forever.
1086
02:34:05,576 --> 02:34:08,996
But you weren't sure
if he had the ability to focus
1087
02:34:08,996 --> 02:34:11,036
and gather it all
together one more time
1088
02:34:11,036 --> 02:34:13,166
to create
musical explosiveness.
1089
02:34:14,666 --> 02:34:17,326
Host:
Uh, welcome to NBC,
1090
02:34:17,326 --> 02:34:19,996
and the
Elvis Presley Special.
1091
02:34:22,326 --> 02:34:24,666
You can do better than that.
I'm gonna say it all over again.
1092
02:34:24,666 --> 02:34:26,956
Now, I wanna really
hear something.
1093
02:34:26,956 --> 02:34:29,746
Schilling:
When I went with him to NBC,
1094
02:34:29,746 --> 02:34:31,246
he was very quiet.
1095
02:34:31,246 --> 02:34:34,786
He didn't know how people
were gonna feel about it.
1096
02:34:34,786 --> 02:34:37,206
Priscilla:
He was extremely
nervous that night.
1097
02:34:37,206 --> 02:34:38,706
It's all new again,
1098
02:34:38,706 --> 02:34:43,366
and I'd never seen Elvis
perform live before.
1099
02:34:43,366 --> 02:34:45,326
I didn't really know
what to expect.
1100
02:34:45,326 --> 02:34:48,456
Binder:
We didn't know where
it was gonna go, period.
1101
02:34:51,706 --> 02:34:54,706
Just before it began,
on the first taping,
1102
02:34:54,706 --> 02:34:57,456
Elvis called me
into the makeup room.
1103
02:34:57,456 --> 02:35:02,496
He was sitting there
and he asked everybody
in the room to leave,
1104
02:35:02,496 --> 02:35:05,206
so he could just be
with me one on one.
1105
02:35:05,206 --> 02:35:07,746
I said, What's--
what's the problem?
1106
02:35:07,746 --> 02:35:09,366
Problem is
I changed my mind.
1107
02:35:09,366 --> 02:35:11,916
I don't wanna do this.
1108
02:35:11,916 --> 02:35:14,866
Man: May we strike
the coil and cable off
the platform, please?
1109
02:35:14,866 --> 02:35:17,116
Priscilla:
We weren't seeing,
sitting in the audience,
1110
02:35:17,116 --> 02:35:18,746
what was going on.
1111
02:35:18,746 --> 02:35:21,166
I'd stayed away
from the dressing room.
1112
02:35:21,166 --> 02:35:23,616
He didn't want
anyone around.
1113
02:35:23,616 --> 02:35:26,286
I was sitting there going,
Oh my gosh, you know.
1114
02:35:26,286 --> 02:35:28,536
Is he gonna be able
to pull this off?
1115
02:35:28,536 --> 02:35:30,536
Binder:
I said, What are you
talking about?
1116
02:35:30,536 --> 02:35:35,246
And he said,
I don't remember anything
I sang in the dressing room.
1117
02:35:35,246 --> 02:35:38,706
I don't remember
any stories that I told.
1118
02:35:38,706 --> 02:35:40,666
My mind is a blank, Steve.
1119
02:35:40,666 --> 02:35:44,706
Let's just call it off.
It's not gonna happen.
1120
02:35:44,706 --> 02:35:48,326
Binder:
I said, Elvis, I've never
asked you to do anything
1121
02:35:48,326 --> 02:35:50,366
that you don't wanna do...
1122
02:35:50,366 --> 02:35:52,576
Host: Mr. Elvis Presley.
1123
02:35:52,576 --> 02:35:54,956
Binder:
...but you've got
to go out there.
1124
02:36:10,706 --> 02:36:12,576
Thank you very much.
1125
02:36:15,456 --> 02:36:19,416
Schilling:
I don't know
how this happened,
1126
02:36:19,416 --> 02:36:21,246
but I saw him relax.
1127
02:36:21,246 --> 02:36:23,166
They want me
to sit on the floor!
1128
02:36:36,036 --> 02:36:38,116
Man:
It's all right
1129
02:36:40,116 --> 02:36:41,786
It's all right
1130
02:36:44,326 --> 02:36:45,576
It's all right
1131
02:36:45,576 --> 02:36:47,616
Yeah, man ?
It's all right
1132
02:36:48,496 --> 02:36:49,956
It's all right
1133
02:36:49,956 --> 02:36:51,996
It's
all right
1134
02:36:51,996 --> 02:36:53,996
It's all right
1135
02:36:53,996 --> 02:36:55,036
Oh, yeah!
1136
02:36:58,036 --> 02:37:00,456
Binder:
I had no knowledge
or understanding
1137
02:37:00,456 --> 02:37:04,706
about how incredibly talented
he really was until that show.
1138
02:37:09,116 --> 02:37:12,496
Zanes:
He's having an experience
in the moment.
1139
02:37:12,496 --> 02:37:15,706
During the years
he was doing Hollywood movies,
1140
02:37:15,706 --> 02:37:18,416
you never got to see him
in the moment.
1141
02:37:21,996 --> 02:37:23,666
Yeah, baby!
1142
02:37:37,786 --> 02:37:40,706
indistinctly)
1143
02:37:43,246 --> 02:37:47,206
We're goin' up,
we're goin' down
1144
02:37:47,206 --> 02:37:51,496
We're going up, down, down,
up any way you want
1145
02:37:51,496 --> 02:37:53,576
Let's roll
1146
02:37:53,576 --> 02:37:56,326
Yeah, yeah, yeah
1147
02:37:58,866 --> 02:38:01,326
You got me doin'
what you want me
1148
02:38:01,326 --> 02:38:03,666
Oh baby, what do you
want me to do?
1149
02:38:05,366 --> 02:38:08,326
Schilling:
The interplay
with Scotty and DJ
1150
02:38:08,326 --> 02:38:12,366
who's playing drums
on the back of a guitar case.
1151
02:38:12,366 --> 02:38:15,166
DJ Fontana:
It felt like
we were back home again.
1152
02:38:20,246 --> 02:38:21,826
Yeah!
1153
02:38:21,826 --> 02:38:23,116
All right
1154
02:38:23,116 --> 02:38:26,206
Hep, hep, hep, hep, hep, hep!
1155
02:38:28,166 --> 02:38:30,166
Boones Howe:
Those are guys
who grew up together,
1156
02:38:30,166 --> 02:38:32,916
and they suddenly
have a moment
1157
02:38:32,916 --> 02:38:35,416
of reflection.
1158
02:38:35,416 --> 02:38:38,616
The past, their early days.
1159
02:38:38,616 --> 02:38:41,916
Down, any way
you wanna let it roll
1160
02:38:41,916 --> 02:38:45,206
He was rediscovering
the sheer animal joy
1161
02:38:45,206 --> 02:38:49,416
of making music, and realizing,
for the first time in years,
1162
02:38:49,416 --> 02:38:51,116
just how good he was.
1163
02:38:51,116 --> 02:38:54,746
Baby, what do you
want me to do?
1164
02:38:56,496 --> 02:38:58,916
You got me doing
what you want me
1165
02:38:58,916 --> 02:39:02,076
Oh baby, what do you
want me to do?
1166
02:39:04,456 --> 02:39:06,956
Man: All right!
You got it!
1167
02:39:06,956 --> 02:39:10,666
That show was
1,000% Elvis.
1168
02:39:10,666 --> 02:39:16,326
His fingerprint was on the
first frame to the last frame.
1169
02:39:16,326 --> 02:39:18,166
He was a man on a mission.
1170
02:39:19,456 --> 02:39:21,746
And that night
when it premiered on TV,
1171
02:39:21,746 --> 02:39:23,206
we were all silent.
1172
02:39:23,206 --> 02:39:25,036
We just sat there
and watched the show
1173
02:39:25,036 --> 02:39:26,706
and never said a word.
1174
02:39:26,706 --> 02:39:30,206
And then, of course,
the telephone calls were
coming in, and reviews.
1175
02:39:30,206 --> 02:39:33,496
And, oh my gosh,
it was such a relief.
1176
02:39:36,666 --> 02:39:39,456
It was so great
to see him smile again.
1177
02:39:45,616 --> 02:39:47,166
Elvis:
We're caught in a trap
1178
02:39:47,166 --> 02:39:48,866
After the comeback special,
1179
02:39:48,866 --> 02:39:51,366
Elvis didn't have
to look too far
1180
02:39:51,366 --> 02:39:54,076
to find his way
back to the source.
1181
02:39:54,076 --> 02:39:57,706
Because I love you
too much, baby
1182
02:39:57,706 --> 02:39:58,916
Springsteen:
It was the old story.
1183
02:39:58,916 --> 02:40:00,326
You could take the boy
out of Memphis.
1184
02:40:00,326 --> 02:40:01,786
You really couldn't
take Memphis
1185
02:40:01,786 --> 02:40:03,706
out of the boy, you know?
1186
02:40:03,706 --> 02:40:05,366
The roots that you come from
1187
02:40:05,366 --> 02:40:07,416
are always compelling
to return to
1188
02:40:07,416 --> 02:40:09,576
no matter how
far away you get.
1189
02:40:09,576 --> 02:40:12,456
Schilling:
By that point, he only had
a couple of movies left.
1190
02:40:12,456 --> 02:40:14,916
And so when he went
back to the studio,
1191
02:40:14,916 --> 02:40:18,246
he wanted to
do things differently.
1192
02:40:18,246 --> 02:40:20,786
Preston Lauterbach:
Elvis returned home
to restart
1193
02:40:20,786 --> 02:40:23,956
his career as
a recording artist,
1194
02:40:23,956 --> 02:40:25,666
with local musicians,
1195
02:40:25,666 --> 02:40:30,536
with a local producer in
a little humble storefront,
north Memphis,
1196
02:40:30,536 --> 02:40:34,116
that's where Elvis returned
to essentially save his career.
1197
02:40:37,036 --> 02:40:40,866
Chips Moman, his job
was writer and producer.
1198
02:40:40,866 --> 02:40:43,786
He had evolved
from Stax Records
1199
02:40:43,786 --> 02:40:47,246
as a producer primarily
associated with soul
1200
02:40:47,246 --> 02:40:48,866
and with black artists.
1201
02:40:48,866 --> 02:40:51,666
But Chips was one of these
trans-racial kinda figures.
1202
02:40:51,666 --> 02:40:55,706
He thought in terms of style,
in terms of sound.
1203
02:40:55,706 --> 02:40:58,366
And he really did
embody Memphis music.
1204
02:40:58,366 --> 02:40:59,916
Elvis:
Asking where I've been
1205
02:40:59,916 --> 02:41:02,496
It was the greatest sessions,
the greatest.
1206
02:41:02,496 --> 02:41:05,456
My gosh, I mean,
he came alive again.
1207
02:41:05,456 --> 02:41:06,826
He was liberated.
1208
02:41:06,826 --> 02:41:09,956
It was, uh,
a beautiful marriage.
1209
02:41:09,956 --> 02:41:14,416
We can't go on together
1210
02:41:14,416 --> 02:41:16,786
With suspicious minds
1211
02:41:18,746 --> 02:41:20,576
And we can't build
our dreams
1212
02:41:20,576 --> 02:41:23,786
He told Elvis, I have
a stack of records here
1213
02:41:23,786 --> 02:41:25,116
I think are hits,
1214
02:41:25,116 --> 02:41:26,826
and you don't
have any publishing.
1215
02:41:26,826 --> 02:41:28,246
What do you wanna do?
1216
02:41:28,246 --> 02:41:30,746
Oh, let our love survive
1217
02:41:30,746 --> 02:41:33,786
Elvis said, "Chips,
I need hit records.
1218
02:41:33,786 --> 02:41:38,366
I'll dry the tears
from your eyes
1219
02:41:38,366 --> 02:41:41,786
Let's don't let
a good thing die
1220
02:41:41,786 --> 02:41:44,916
He decides he's gonna
sing contemporary material.
1221
02:41:44,916 --> 02:41:47,496
Publishing be damned.
He's gonna do what he wants.
1222
02:41:47,496 --> 02:41:49,536
Lied to you
1223
02:41:49,536 --> 02:41:51,576
Ooh
1224
02:41:53,166 --> 02:41:55,956
Yes, yes
1225
02:41:57,456 --> 02:42:00,286
We're caught in a trap
1226
02:42:00,286 --> 02:42:03,866
West:
The songs, every one
of 'em, was a hit.
1227
02:42:03,866 --> 02:42:07,286
That's the biggest sales
Elvis had had ever.
1228
02:42:07,286 --> 02:42:10,916
Love you too much baby
1229
02:42:10,916 --> 02:42:13,036
You would think
that would've been
1230
02:42:13,036 --> 02:42:16,036
the next recording session.
1231
02:42:16,036 --> 02:42:18,166
Never recorded
with Chips again.
1232
02:42:18,166 --> 02:42:20,416
I can't walk out
1233
02:42:46,166 --> 02:42:48,996
August '69, he got
a chance to play live
1234
02:42:48,996 --> 02:42:50,666
at the International Hotel.
1235
02:42:50,666 --> 02:42:53,916
Vegas was a huge
event for him.
1236
02:42:53,916 --> 02:42:58,666
Back in the '50s,
he wasn't accepted too much
then in Vegas.
1237
02:42:58,666 --> 02:43:00,866
Vegas, it's not
about teenyboppers.
1238
02:43:00,866 --> 02:43:03,166
It's aimed at
a particular audience--
1239
02:43:03,166 --> 02:43:05,166
people interested
in a show that's there,
1240
02:43:05,166 --> 02:43:07,206
so that they'll stop
in the casino,
1241
02:43:07,206 --> 02:43:10,036
on the way in or out,
and drop some money.
1242
02:43:15,666 --> 02:43:18,536
Their burning thing
to go to Las Vegas
1243
02:43:18,536 --> 02:43:20,286
and play long stands,
you know,
1244
02:43:20,286 --> 02:43:25,166
that doesn't happen
till they've virtually run
aground in the film business.
1245
02:43:26,366 --> 02:43:28,416
There isn't a single studio
1246
02:43:28,416 --> 02:43:31,206
that will throw down
any significant money
1247
02:43:31,206 --> 02:43:32,866
for Elvis in a movie.
1248
02:43:32,866 --> 02:43:35,956
So, they look around go,
Well, what we gonna do now?
1249
02:43:35,956 --> 02:43:39,866
Elvis is going on stage,
you know. Thank God.
1250
02:43:47,366 --> 02:43:51,166
And "You Don't Have
to Say You Love Me,
and, uh...
1251
02:43:51,166 --> 02:43:55,116
I was able to witness him
put a band together.
1252
02:43:56,166 --> 02:43:57,956
When he goes out to Vegas,
1253
02:43:57,956 --> 02:43:59,956
he's really
making decisions
1254
02:43:59,956 --> 02:44:02,706
that are a little
more for Elvis
1255
02:44:02,706 --> 02:44:05,246
than what came before.
1256
02:44:05,246 --> 02:44:07,456
Zanes:
He's wanting to play
with the band.
1257
02:44:07,456 --> 02:44:10,246
He's wanting to go
through a deep catalog,
1258
02:44:10,246 --> 02:44:13,746
you know, big parts of which
remind him or his own youth.
1259
02:44:13,746 --> 02:44:16,916
Well, you may go to college
1260
02:44:16,916 --> 02:44:19,166
May go to school
1261
02:44:19,166 --> 02:44:21,366
You may get religion, baby
1262
02:44:21,366 --> 02:44:23,456
Don't you be nobody's fool
1263
02:44:23,456 --> 02:44:25,576
Now baby, come back, baby
1264
02:44:25,576 --> 02:44:27,706
I personally went to him
and said, Elvis,
1265
02:44:27,706 --> 02:44:29,866
I wanted to know
if you wanted me
1266
02:44:29,866 --> 02:44:32,456
to try to duplicate
classic songs.
1267
02:44:32,456 --> 02:44:34,116
What was done previously.
1268
02:44:34,116 --> 02:44:35,456
He said, Absolutely not.
1269
02:44:35,456 --> 02:44:37,456
Just do what you do,
that's why you're here.
1270
02:44:37,456 --> 02:44:39,866
I thought it was good that
he would try different songs
1271
02:44:39,866 --> 02:44:41,706
that he liked the sound of.
1272
02:44:41,706 --> 02:44:43,206
Glen D. was the arranger,
1273
02:44:43,206 --> 02:44:45,536
and he would write these
great arrangements for him,
1274
02:44:45,536 --> 02:44:47,536
and they would--
they would be exciting.
1275
02:44:47,536 --> 02:44:50,326
Elvis:
Come back, baby, come
1276
02:44:50,326 --> 02:44:54,166
Come back, baby,
I wanna play house with you
1277
02:44:54,166 --> 02:44:56,116
Then it goes into this one.
1278
02:44:56,116 --> 02:44:57,366
I wanna try something.
1279
02:44:57,366 --> 02:44:58,956
And since, this is last verse...
1280
02:44:58,956 --> 02:45:04,076
I think the vocals were
just as important to Elvis.
1281
02:45:04,076 --> 02:45:06,536
Okay. The horns are
answering it then.
1282
02:45:06,536 --> 02:45:09,996
He had to have
The Sweet Inspirations.
1283
02:45:09,996 --> 02:45:13,786
They had been working
with Wilson Pickett
and Aretha Franklin.
1284
02:45:13,786 --> 02:45:17,826
Talk in
everlasting words
Talk, words
1285
02:45:17,826 --> 02:45:20,996
And dedicate them
all to me
1286
02:45:20,996 --> 02:45:23,916
Dedicate them
all to me
1287
02:45:23,916 --> 02:45:26,206
Elvis did whatever
he wanted to do.
1288
02:45:26,206 --> 02:45:29,166
If he was feeling it,
we had to feel it too.
1289
02:45:29,166 --> 02:45:30,866
And we could connect,
1290
02:45:30,866 --> 02:45:32,496
because we were from gospel.
1291
02:45:32,496 --> 02:45:33,826
We were raised gospel.
1292
02:45:33,826 --> 02:45:37,956
You think that
I don't even mean
1293
02:45:37,956 --> 02:45:41,826
A single word I say
1294
02:45:42,746 --> 02:45:45,786
It's only words
1295
02:45:45,786 --> 02:45:48,666
And words are all I have
1296
02:45:48,666 --> 02:45:50,496
To steal your heart away
1297
02:45:51,996 --> 02:45:55,036
Colonel Parker, he had
billboards all over.
1298
02:45:55,036 --> 02:45:56,706
There was a vibe.
1299
02:45:56,706 --> 02:46:00,706
Everybody knew
that Elvis was there.
1300
02:46:00,706 --> 02:46:03,206
He was a nervous wreck.
1301
02:46:03,206 --> 02:46:07,036
It's one thing to have
a small invited audience.
1302
02:46:07,036 --> 02:46:10,706
Now he's going
on the biggest stage
in the world.
1303
02:46:10,706 --> 02:46:12,496
It's Las Vegas.
1304
02:46:13,826 --> 02:46:15,326
This is the nitty-gritty time
1305
02:46:15,326 --> 02:46:18,116
as far as being
nervous, you know.
1306
02:46:18,116 --> 02:46:19,326
Opening night, man.
1307
02:46:20,616 --> 02:46:23,326
West:
He was excited,
and also nervous.
1308
02:46:23,326 --> 02:46:25,956
He didn't know exactly
how he was gonna be received,
1309
02:46:25,956 --> 02:46:28,326
and he wanted
the best of everything.
1310
02:46:28,326 --> 02:46:31,536
Tutt:
There were all these big
goals as far as attendance,
1311
02:46:31,536 --> 02:46:34,076
and he had a very
competitive nature.
1312
02:46:34,076 --> 02:46:36,786
So he wanted to be able
to be as powerful
1313
02:46:36,786 --> 02:46:39,416
and popular as Sinatra,
Tom Jones.
1314
02:46:39,416 --> 02:46:41,916
He wanted to take his music
to a whole different level.
1315
02:46:55,616 --> 02:46:57,616
The first time
I ever saw him on stage,
1316
02:46:57,616 --> 02:47:01,326
was the first time
he played in Vegas in '69.
1317
02:47:01,326 --> 02:47:04,706
The '68 special, it was more
of a controlled environment.
1318
02:47:04,706 --> 02:47:06,416
It was for television.
1319
02:47:06,416 --> 02:47:09,916
But in Vegas, to actually
see him walk out there
1320
02:47:09,916 --> 02:47:12,416
and own that stage,
1321
02:47:12,416 --> 02:47:15,666
it was like,
Oh my gosh, I get it.
1322
02:47:15,666 --> 02:47:17,576
I get it!
1323
02:47:17,576 --> 02:47:19,786
Well, that's all right, mama
1324
02:47:19,786 --> 02:47:21,616
That's all right with you
1325
02:47:21,616 --> 02:47:23,116
That's all right, mama
1326
02:47:23,116 --> 02:47:24,666
Do it any way you do
1327
02:47:24,666 --> 02:47:26,166
That's all right
That's all right
1328
02:47:26,166 --> 02:47:27,826
Yeah, that's all right
That's all right
1329
02:47:27,826 --> 02:47:30,666
That's all right, mama
That's all right
1330
02:47:30,666 --> 02:47:32,996
Any way you do
1331
02:47:35,036 --> 02:47:37,116
Well, Mama,
she done told me
1332
02:47:37,116 --> 02:47:38,786
Papa done told me too
1333
02:47:38,786 --> 02:47:40,456
Son, that gal
you foolin' with
1334
02:47:40,456 --> 02:47:41,916
She ain't no good for you
1335
02:47:41,916 --> 02:47:43,489
Well, that's all right ?
That's all right ?
1336
02:47:43,496 --> 02:47:45,366
Yeah, that's all right now
That's all right
1337
02:47:45,366 --> 02:47:47,786
That's all right
now, mama
1338
02:47:47,786 --> 02:47:49,496
Any way you do
1339
02:47:49,496 --> 02:47:51,416
Play it.
1340
02:47:57,706 --> 02:47:59,746
Priscilla:
I remember looking around.
1341
02:47:59,746 --> 02:48:01,536
They're all applauding.
1342
02:48:01,536 --> 02:48:03,326
So drawn into him.
1343
02:48:03,326 --> 02:48:06,326
I'd never seen anyone control
an audience that way.
1344
02:48:06,326 --> 02:48:09,166
It was like he rehearsed
that show all his life.
1345
02:48:16,246 --> 02:48:17,996
That's all right
That's all right
1346
02:48:17,996 --> 02:48:19,666
Yeah, that's all right
That's all right
1347
02:48:19,666 --> 02:48:22,326
That's all right
now, mama
1348
02:48:22,326 --> 02:48:25,166
Any way you do
1349
02:48:26,496 --> 02:48:29,166
Well, that's
all right now, mama
1350
02:48:29,166 --> 02:48:31,206
Any way you do
1351
02:48:42,536 --> 02:48:47,246
Woman:
There's a place
on Lonely Street
1352
02:48:47,246 --> 02:48:50,706
They call it
Heartbreak Hotel
1353
02:48:50,706 --> 02:48:54,366
Where brokenhearted
lovers go
1354
02:48:54,366 --> 02:48:57,286
It was great, staying up
all night, being in Vegas.
1355
02:48:57,286 --> 02:48:58,826
We never left the hotel.
1356
02:48:58,826 --> 02:49:00,496
But psychologically,
1357
02:49:00,496 --> 02:49:02,536
at a point,
it weighs on you,
1358
02:49:02,536 --> 02:49:04,246
and you may not
even know it.
1359
02:49:06,036 --> 02:49:08,366
Heartbreak Hotel,
where I'll be
1360
02:49:08,366 --> 02:49:11,866
I'll be so lonely
1361
02:49:12,866 --> 02:49:16,666
I'll be so lonely,
I could die
1362
02:49:16,666 --> 02:49:18,576
Although it's
always crowded
1363
02:49:18,576 --> 02:49:20,746
You still can find a room
1364
02:49:20,746 --> 02:49:22,916
For brokenhearted lovers
1365
02:49:22,916 --> 02:49:26,916
Thirty days, 61 shows,
first engagement.
1366
02:49:26,916 --> 02:49:30,326
Six months later,
the second engagement.
1367
02:49:30,326 --> 02:49:32,326
The third engagement.
1368
02:49:32,326 --> 02:49:34,286
Woman:
Die
1369
02:49:34,286 --> 02:49:37,326
Schilling:
Playing that much
for weeks on time,
1370
02:49:37,326 --> 02:49:39,076
not seeing daylight.
1371
02:49:40,536 --> 02:49:43,076
Locked up in a hotel room,
what is there to do?
1372
02:49:43,076 --> 02:49:45,246
Talking to the same
15 guys every day?
1373
02:49:45,246 --> 02:49:46,576
Bored out of your mind,
1374
02:49:46,576 --> 02:49:50,246
and it all kind of conspires
to make Elvis vulnerable
1375
02:49:50,246 --> 02:49:53,456
in ways that if he had
a more rational life,
1376
02:49:53,456 --> 02:49:55,036
he would not be vulnerable.
1377
02:49:55,036 --> 02:49:57,746
Woman:
You got a tale to tell
1378
02:49:57,746 --> 02:49:59,366
And that's when
the Colonel took over
1379
02:49:59,366 --> 02:50:01,416
and went back
into modus operandi.
1380
02:50:01,416 --> 02:50:04,916
Let's see as much money
as we can make out of Elvis
for as long as we can.
1381
02:50:06,076 --> 02:50:07,956
It worked great
in the beginning.
1382
02:50:07,956 --> 02:50:10,706
It just got to be
same old stuff.
1383
02:50:10,706 --> 02:50:13,206
Die
1384
02:50:13,206 --> 02:50:16,036
He realized that fans
want to hear the hits--
1385
02:50:16,036 --> 02:50:19,366
kind of painted himself
into a corner, so to speak.
1386
02:50:20,866 --> 02:50:22,116
Back in those days,
1387
02:50:22,116 --> 02:50:23,956
there was a dinner show
and then a late show.
1388
02:50:23,956 --> 02:50:25,456
So all the tables up front,
1389
02:50:25,456 --> 02:50:27,286
they were serving dinner
and drinks and stuff.
1390
02:50:27,286 --> 02:50:29,496
And the only people that could
afford the up-front seats
1391
02:50:29,496 --> 02:50:32,116
were the high-rollers,
the older cats.
1392
02:50:32,116 --> 02:50:35,286
Elvis needed connection
with the audience.
1393
02:50:35,286 --> 02:50:39,116
And Vegas, it was a very
reserved, rich crowd
1394
02:50:39,116 --> 02:50:40,826
dressed up for the Elvis show.
1395
02:50:40,826 --> 02:50:43,326
It frustrated Elvis that
he couldn't quite seem
1396
02:50:43,326 --> 02:50:45,496
to get the mayhem going.
1397
02:50:45,496 --> 02:50:47,286
Priscilla:
He felt like really
what he needed
1398
02:50:47,286 --> 02:50:49,746
was to get outside
of Vegas and go out
1399
02:50:49,746 --> 02:50:51,866
and get connected
with people
1400
02:50:51,866 --> 02:50:56,166
though he hadn't been
on tour for over 13 years.
1401
02:50:56,166 --> 02:50:58,536
Man:
What, uh, what made you
decide to come to Texas?
1402
02:50:58,536 --> 02:51:01,166
Well, I think the most
important thing is the, uh,
1403
02:51:01,166 --> 02:51:05,166
the inspiration that I get
from a live audience.
I was missing that.
1404
02:51:05,166 --> 02:51:09,166
Well, I never
been to Heaven
1405
02:51:10,916 --> 02:51:14,496
But I've been to Oklahoma
1406
02:51:16,456 --> 02:51:19,666
Well, they tell me
I was born there
1407
02:51:22,076 --> 02:51:25,666
But I really don't remember
1408
02:51:28,666 --> 02:51:31,746
In Oklahoma
1409
02:51:31,746 --> 02:51:33,866
Or Arizona
1410
02:51:33,866 --> 02:51:37,116
?Yeah, what does it matter?
1411
02:51:37,116 --> 02:51:39,366
What does it matter?
1412
02:51:39,366 --> 02:51:41,286
Back in the 1970s,
1413
02:51:41,286 --> 02:51:43,576
I was working
for Rolling Stone.
1414
02:51:43,576 --> 02:51:47,826
They sent me to Boston
to review an Elvis concert.
1415
02:51:47,826 --> 02:51:50,036
He stands there
in a black jumpsuit,
1416
02:51:50,036 --> 02:51:52,286
gold spangles
and an orange cape.
1417
02:51:52,286 --> 02:51:53,706
When he stretches
out his hands,
1418
02:51:53,706 --> 02:51:55,576
the cape forms
a half-sun
1419
02:51:55,576 --> 02:51:57,036
under his outstretched arms,
1420
02:51:57,036 --> 02:52:00,076
and he looks like the
true king of rock and roll.
1421
02:52:01,616 --> 02:52:04,366
He parades in front
of 15,000 people,
1422
02:52:04,366 --> 02:52:06,866
and waits for the applause
to wash over,
1423
02:52:08,076 --> 02:52:10,076
and it comes as it always does
1424
02:52:10,076 --> 02:52:12,116
and as he knows it will.
1425
02:52:13,416 --> 02:52:15,116
Elvis Presley
has lived through
1426
02:52:15,116 --> 02:52:17,576
the greatest superstar
trip of any performer,
1427
02:52:17,576 --> 02:52:20,746
and he survived it
in his own kind of way.
1428
02:52:20,746 --> 02:52:25,746
Elvis participates in a pure
one-to-one relationship
with his audience.
1429
02:52:27,166 --> 02:52:28,956
When he steps on the stage,
1430
02:52:28,956 --> 02:52:31,536
it is he and he alone
who is the subject
1431
02:52:31,536 --> 02:52:35,206
of the manic, ecstatic,
irrational adoration.
1432
02:52:35,206 --> 02:52:38,246
I've never been to Heaven
1433
02:52:38,246 --> 02:52:40,866
His brilliance is reflected
in his control.
1434
02:52:40,866 --> 02:52:42,746
But I've been
to Oklahoma ?
1435
02:52:42,746 --> 02:52:45,496
He never moves too far
in any one direction,
1436
02:52:45,496 --> 02:52:46,916
and never loses his grip.
1437
02:52:46,916 --> 02:52:49,536
They tell me
I was born there
1438
02:52:51,206 --> 02:52:54,956
But I really don't remember
1439
02:52:58,286 --> 02:53:00,866
In Oklahoma
1440
02:53:00,866 --> 02:53:02,916
Or Arizona
1441
02:53:02,916 --> 02:53:04,786
To me, no matter
how frustrating
1442
02:53:04,786 --> 02:53:07,616
the lapses in his career
have been,
1443
02:53:07,616 --> 02:53:09,826
he remains an artist...
1444
02:53:09,826 --> 02:53:12,166
In Oklahoma
1445
02:53:12,166 --> 02:53:14,956
Or Arizona
1446
02:53:14,956 --> 02:53:18,866
Landau:
...an American artist,
whom we should be proud
to claim as our own.
1447
02:53:18,866 --> 02:53:21,166
Yeah, yeah
1448
02:53:30,786 --> 02:53:34,116
Elvis, in concert, covered
all kinda genres, you know.
1449
02:53:34,116 --> 02:53:36,826
And he came out
and he would do
all those songs
1450
02:53:36,826 --> 02:53:39,206
from the '50s and '60s
that he broke with.
1451
02:53:39,206 --> 02:53:42,076
But during the show, there was
a lot of country standards.
1452
02:53:42,076 --> 02:53:44,076
He just did things
that he liked.
1453
02:53:44,076 --> 02:53:45,326
You have any
thoughts about
1454
02:53:45,326 --> 02:53:46,996
the rising interest
in country music?
1455
02:53:46,996 --> 02:53:48,996
I think it's fantastic.
1456
02:53:48,996 --> 02:53:52,116
You see, country music was
always a part of the influence
1457
02:53:52,116 --> 02:53:54,746
on my-- on my type
of music anyway.
1458
02:53:54,746 --> 02:53:57,496
It's a combination of, uh...
1459
02:53:57,496 --> 02:53:59,456
country music, and gospel,
1460
02:53:59,456 --> 02:54:00,996
and rhythm and blues
all combined.
1461
02:54:00,996 --> 02:54:02,536
That's what it really was.
1462
02:54:02,536 --> 02:54:04,786
As a child, I was
influenced by all of that.
1463
02:54:04,786 --> 02:54:08,206
But I like the blues,
and I like, uh,
the gospel music,
1464
02:54:08,206 --> 02:54:10,116
gospel quartets and all that.
1465
02:54:10,116 --> 02:54:12,666
Thank you.
Good rehearsal, see you soon.
1466
02:54:12,666 --> 02:54:14,536
If you look at the band
he put together
1467
02:54:14,536 --> 02:54:18,206
for the '70s shows,
there was a huge
gospel contingent.
1468
02:54:18,206 --> 02:54:20,326
Those sections of the show
were so powerful.
1469
02:54:20,326 --> 02:54:23,286
Straight out of white
and black gospel tradition.
1470
02:54:23,286 --> 02:54:26,616
Hallelujah
1471
02:54:26,616 --> 02:54:30,456
Springsteen:
In the '70s, Elvis had moved
on to American Trilogy.
1472
02:54:30,456 --> 02:54:35,076
His show was consisting of
a huge cross-cultural picture
1473
02:54:35,076 --> 02:54:38,496
of America and Americana.
1474
02:54:42,366 --> 02:54:44,286
Springsteen:
He was trying to encompass
1475
02:54:44,286 --> 02:54:46,616
an image of the country
as a whole
1476
02:54:46,616 --> 02:54:48,576
that he could be a vessel
that could contain
1477
02:54:48,576 --> 02:54:50,786
the entirety of
American experience.
1478
02:54:50,786 --> 02:54:54,576
Oh hush, little baby
1479
02:54:54,576 --> 02:54:58,616
Don't you cry
1480
02:54:58,616 --> 02:55:00,706
Petty:
You know, that
version of Dixie
1481
02:55:00,706 --> 02:55:03,206
and uh, the
Battle Hymn of the Republic,
1482
02:55:03,206 --> 02:55:04,866
it's so beautiful!
1483
02:55:04,866 --> 02:55:08,616
You know, the band
he's put together
is so over-the-top,
1484
02:55:08,616 --> 02:55:13,166
and only Elvis would have
that kinda spending power,
1485
02:55:13,166 --> 02:55:16,456
and just audacious craziness.
1486
02:55:19,326 --> 02:55:23,616
Choirs, and orchestras,
and a great rhythm section,
1487
02:55:23,616 --> 02:55:27,246
maybe another
gospel group on the side.
1488
02:55:27,246 --> 02:55:29,536
None of it makes sense
until you suddenly
1489
02:55:29,536 --> 02:55:31,416
hear something like that,
1490
02:55:31,416 --> 02:55:34,576
and they're all playing
a role in that,
1491
02:55:34,576 --> 02:55:37,576
and it's very moving music.
1492
02:55:43,576 --> 02:55:45,286
When you see him
do that music
1493
02:55:45,286 --> 02:55:48,286
in those little pieces of film
that I've seen of him,
1494
02:55:48,286 --> 02:55:51,826
that's the pure joy
of music in the man.
1495
02:55:51,826 --> 02:55:55,116
You know, that's when
I see everything stop.
1496
02:56:13,326 --> 02:56:17,496
Glory, glory
1497
02:56:17,496 --> 02:56:23,076
Hallelujah
1498
02:56:23,076 --> 02:56:26,496
His truth is
1499
02:56:26,496 --> 02:56:29,166
Marching ?
1500
02:56:29,166 --> 02:56:33,996
On
1501
02:56:33,996 --> 02:56:37,326
His truth is
1502
02:56:37,326 --> 02:56:40,076
Marching
1503
02:56:40,076 --> 02:56:47,036
On
1504
02:56:49,496 --> 02:56:51,666
Whoo!
1505
02:56:51,666 --> 02:56:53,286
Thank you, thank you.
1506
02:56:58,206 --> 02:57:00,326
Whew! Boy.
1507
02:57:00,326 --> 02:57:01,746
How was the sound
in that building?
1508
02:57:01,746 --> 02:57:04,666
Very good,
very good.
Here. Hold on.
1509
02:57:06,576 --> 02:57:10,166
Strickland:
That was his life.
He lived to sing and perform.
1510
02:57:10,166 --> 02:57:11,786
It's a hot time in Florida.
1511
02:57:11,786 --> 02:57:13,206
Boy, it is.
1512
02:57:13,206 --> 02:57:14,786
An artist like Elvis is,
1513
02:57:14,786 --> 02:57:17,706
rather than pretending
when he goes on the stage,
1514
02:57:17,706 --> 02:57:20,206
he's actually pretending,
when he's home, to be normal.
1515
02:57:20,206 --> 02:57:22,076
And when he goes out
on stage at night,
1516
02:57:22,076 --> 02:57:24,706
it's who he actually is.
1517
02:57:24,706 --> 02:57:27,416
It's a very
difficult dichotomy.
1518
02:57:33,076 --> 02:57:36,366
To see him become
even bigger than life,
1519
02:57:36,366 --> 02:57:38,366
he had so much so soon.
1520
02:57:42,246 --> 02:57:45,326
He was snatched
from the ordinary life
1521
02:57:45,326 --> 02:57:47,746
of a-- of a young man
1522
02:57:47,746 --> 02:57:51,666
into a place that
no one else had ever been
1523
02:57:51,666 --> 02:57:53,706
in society or in our culture.
1524
02:58:06,916 --> 02:58:10,536
To have that success,
and to experience it,
1525
02:58:10,536 --> 02:58:14,576
he had to hand over
significant portions
of youth.
1526
02:58:14,576 --> 02:58:16,366
That was the trade.
1527
02:58:17,916 --> 02:58:23,576
He is unmoored from
the Earth experience.
1528
02:58:23,576 --> 02:58:25,416
We were living
two different lives.
1529
02:58:25,416 --> 02:58:27,706
He was performing, and, uh,
1530
02:58:27,706 --> 02:58:29,536
and he was home
very, very little.
1531
02:58:29,536 --> 02:58:32,116
It was very difficult to
communicate at that time.
1532
02:58:32,116 --> 02:58:37,456
Uh, Elvis had a horrible
fear of not sleeping.
1533
02:58:37,456 --> 02:58:39,916
He would spend
many, many nights alone,
1534
02:58:39,916 --> 02:58:42,746
and he would think
and that would keep him up.
1535
02:58:42,746 --> 02:58:44,956
So he started
on sleeping pills,
1536
02:58:44,956 --> 02:58:47,246
and he thought that
he had it under control.
1537
02:58:49,576 --> 02:58:52,116
Everything that he ever had
was prescribed.
1538
02:58:56,496 --> 02:58:58,616
Are you satisfied
with the image
you've established?
1539
02:58:58,616 --> 02:59:02,206
Uh... well, the image is
one thing,
1540
02:59:02,206 --> 02:59:05,666
and a human being
is another, you know, so.
1541
02:59:05,666 --> 02:59:07,496
How close does the image
come to the man?
1542
02:59:07,496 --> 02:59:11,166
It's very hard
to live up to an image,
I'll put it that way.
1543
02:59:13,036 --> 02:59:14,996
Come on, bring your
cameras over here.
1544
02:59:14,996 --> 02:59:17,366
Come on through here.
1545
02:59:17,366 --> 02:59:19,786
Soon as the Colonel gets
through talking, I'll tell you--
1546
02:59:19,786 --> 02:59:21,036
I'm-- I'm sorry.
1547
02:59:21,036 --> 02:59:22,706
Oh, yeah, I'd like
to do something.
1548
02:59:22,706 --> 02:59:25,116
Uh, there's so many places
that I haven't been yet.
1549
02:59:25,116 --> 02:59:26,246
I'd like to go to Europe.
1550
02:59:26,246 --> 02:59:28,326
I'd like to go to Japan
and all those places.
1551
02:59:28,326 --> 02:59:29,666
I-I've never been
out of this country
1552
02:59:29,666 --> 02:59:31,996
except in the service,
you know.
1553
02:59:31,996 --> 02:59:33,576
Elvis, from early on,
1554
02:59:33,576 --> 02:59:35,826
had expressed interest
in touring overseas
1555
02:59:35,826 --> 02:59:37,036
having no idea
1556
02:59:37,036 --> 02:59:39,286
that Colonel Parker
was never going to let him.
1557
02:59:39,286 --> 02:59:41,666
Because if the Colonel
went with him,
1558
02:59:41,666 --> 02:59:44,496
he was afraid
he was not gonna be
let back into America.
1559
02:59:46,286 --> 02:59:49,996
Schilling:
Colonel knowing that Elvis
wanted to tour overseas,
1560
02:59:49,996 --> 02:59:52,496
colonel not wanting
anybody to know
1561
02:59:52,496 --> 02:59:55,116
that he wasn't a US citizen,
1562
02:59:55,116 --> 02:59:57,286
how could he answer Elvis
1563
02:59:57,286 --> 03:00:02,366
but come up with something
that nobody had ever done.
1564
03:00:04,036 --> 03:00:05,866
Instead of shutting
down the idea
1565
03:00:05,866 --> 03:00:07,666
of Elvis playing
in different countries
1566
03:00:07,666 --> 03:00:09,706
and just sort of
curtailing it for now,
1567
03:00:09,706 --> 03:00:11,786
he actually uses it
to his advantage,
1568
03:00:11,786 --> 03:00:15,746
and creates the first-ever
live concert simulcast
1569
03:00:15,746 --> 03:00:17,366
on satellite television,
1570
03:00:17,366 --> 03:00:20,326
so that people
in every country
all over the world
1571
03:00:20,326 --> 03:00:23,116
can see Elvis
play a concert.
1572
03:00:23,116 --> 03:00:25,076
Light:
By the time
of the Aloha special,
1573
03:00:25,076 --> 03:00:27,326
Elvis had been
touring non-stop.
1574
03:00:27,326 --> 03:00:29,616
His health wasn't great,
his weight wasn't great,
1575
03:00:29,616 --> 03:00:32,866
and now he was confronted
with this performance
1576
03:00:32,866 --> 03:00:36,746
that was gonna be seen
by a billion people
around the world.
1577
03:00:36,746 --> 03:00:38,916
Whew!
1578
03:00:38,916 --> 03:00:42,206
It's so very hard
to comprehend it,
1579
03:00:42,206 --> 03:00:44,246
because I...
1580
03:00:44,246 --> 03:00:47,036
In 15 years, it's hard
to comprehend that happening.
1581
03:00:47,036 --> 03:00:49,956
To all the countries all over
the world via satellite,
1582
03:00:49,956 --> 03:00:51,956
it's very difficult
to comprehend.
1583
03:00:51,956 --> 03:00:54,706
It becomes the
biggest media moment
1584
03:00:54,706 --> 03:00:57,246
of his career
up to that point.
1585
03:00:57,246 --> 03:00:59,826
And he knows this.
He's trimmed down for it.
1586
03:00:59,826 --> 03:01:00,956
He looks amazing.
1587
03:01:00,956 --> 03:01:03,206
The band is super tight.
1588
03:01:03,206 --> 03:01:05,916
Aloha does represent
Elvis music,
1589
03:01:05,916 --> 03:01:10,416
the moment that
Elvis brought together
all of his influences
1590
03:01:10,416 --> 03:01:13,576
to solidify an image of Elvis,
1591
03:01:13,576 --> 03:01:16,286
a look and a style
and a presentation
1592
03:01:16,286 --> 03:01:19,496
that seals in amber,
this is what Elvis is.
1593
03:01:21,706 --> 03:01:25,366
Elvis was the first major
1594
03:01:25,366 --> 03:01:28,576
televisual musical star.
1595
03:01:28,576 --> 03:01:31,616
We can see him,
but we can't touch him.
1596
03:01:36,576 --> 03:01:40,036
Elvis, without intending to,
1597
03:01:40,036 --> 03:01:43,246
created an image of himself
1598
03:01:43,246 --> 03:01:46,286
he would never live past.
1599
03:01:52,076 --> 03:01:54,916
Yeah, now this time
1600
03:01:54,916 --> 03:01:57,826
Lord, you gave me
1601
03:01:57,826 --> 03:02:00,956
A mountain
1602
03:02:02,866 --> 03:02:04,956
A mountain
1603
03:02:04,956 --> 03:02:09,036
I may never climb
1604
03:02:12,576 --> 03:02:13,996
It isn't
1605
03:02:13,996 --> 03:02:15,496
That show was another way
1606
03:02:15,496 --> 03:02:19,326
in which he was truly
disserved by the Colonel.
1607
03:02:22,206 --> 03:02:26,206
It's a bit of a metaphor
for keeping the blinders on,
1608
03:02:26,206 --> 03:02:30,616
which is what I think
the Colonel is all about.
1609
03:02:30,616 --> 03:02:32,576
My picture of the
Colonel really is
1610
03:02:32,576 --> 03:02:34,826
someone that loves
selling merchandise,
1611
03:02:34,826 --> 03:02:36,826
you know, that
wants it to the end,
1612
03:02:36,826 --> 03:02:41,166
walk the aisle selling
posters and ballpoint pens.
1613
03:02:41,166 --> 03:02:43,076
It doesn't make
any sense really
1614
03:02:43,076 --> 03:02:45,576
to keep him from
touring other countries,
1615
03:02:45,576 --> 03:02:49,036
to keep him from
really going to, you know,
1616
03:02:49,036 --> 03:02:50,866
the whole way with the music,
1617
03:02:50,866 --> 03:02:53,536
like, letting him
be an artist.
1618
03:02:55,536 --> 03:02:58,496
Elvis:
Thank you!
1619
03:02:58,496 --> 03:03:02,746
I think the troubles between
Elvis and the Colonel
1620
03:03:02,746 --> 03:03:05,496
started getting
worse at that point.
1621
03:03:05,496 --> 03:03:07,366
There was the bond,
1622
03:03:07,366 --> 03:03:11,616
but they were
two very different people.
1623
03:03:11,616 --> 03:03:14,416
Elvis outgrew Colonel Parker
as an artist,
1624
03:03:14,416 --> 03:03:18,166
but he, um, didn't know
how to cut the strings.
1625
03:03:20,866 --> 03:03:24,166
By this time, he had started
to turn to prescription drugs
1626
03:03:24,166 --> 03:03:25,746
to keep himself going.
1627
03:03:25,746 --> 03:03:28,826
He was on a
relentless wheel
1628
03:03:28,826 --> 03:03:32,246
of performance to travel
to performance to travel,
1629
03:03:32,246 --> 03:03:34,576
and you start to see
the stress of that.
1630
03:03:38,826 --> 03:03:41,416
Binder:
All the things he told me
that he wanted to do--
1631
03:03:41,416 --> 03:03:44,246
travel the world,
meet new audiences--
1632
03:03:44,246 --> 03:03:46,076
none of that happened.
1633
03:03:48,496 --> 03:03:51,416
All the light went
out of his eyes.
1634
03:03:53,416 --> 03:03:56,916
Zanes:
With an addiction
to prescription pills,
1635
03:03:56,916 --> 03:03:59,076
if you are a performer,
1636
03:03:59,076 --> 03:04:02,956
what you're after is the
anesthetizing part of it.
1637
03:04:02,956 --> 03:04:05,076
But that's gonna
take you away
1638
03:04:05,076 --> 03:04:07,496
from your powers
as a performer,
1639
03:04:07,496 --> 03:04:11,666
and he's gonna go
on stage nonetheless.
1640
03:04:18,956 --> 03:04:21,616
He had many afflictions,
1641
03:04:21,616 --> 03:04:24,326
and he hurt himself
in many ways.
1642
03:04:24,326 --> 03:04:27,116
But there was a core in there,
1643
03:04:27,116 --> 03:04:30,036
that, if you let it,
would shine through,
1644
03:04:30,036 --> 03:04:33,746
and sometimes in the
most unlikely places.
1645
03:04:38,786 --> 03:04:40,366
Lord Almighty
1646
03:04:40,366 --> 03:04:43,666
I feel my
temperature rising
1647
03:04:43,666 --> 03:04:44,826
Hmm
1648
03:04:44,826 --> 03:04:47,286
Tutt:
We has basically tried
to influence him
1649
03:04:47,286 --> 03:04:48,826
to do more rock and roll.
1650
03:04:48,826 --> 03:04:51,286
Burning Love, that one
had some potential.
1651
03:04:51,286 --> 03:04:52,916
He never felt
comfortable with it,
1652
03:04:52,916 --> 03:04:55,786
because he had a hard time
with the lyrics.
1653
03:04:55,786 --> 03:04:57,786
Priscilla:
He was going through
a lot at that time,
1654
03:04:57,786 --> 03:04:59,326
so he didn't want
to do the song,
1655
03:04:59,326 --> 03:05:02,366
and the guys kept expressing
that he should do it,
1656
03:05:02,366 --> 03:05:04,706
and he was really
fighting it.
1657
03:05:04,706 --> 03:05:06,166
Landau:
Burning Love,
1658
03:05:06,166 --> 03:05:08,326
well, it's one of the
greatest records
he ever made.
1659
03:05:08,326 --> 03:05:11,916
Like the sweet song
of the choir
1660
03:05:11,916 --> 03:05:14,746
And you light my morning sky
1661
03:05:14,746 --> 03:05:16,666
With burning love
1662
03:05:18,076 --> 03:05:19,786
With burning love
1663
03:05:19,786 --> 03:05:21,866
Hunk of burning love
1664
03:05:21,856 --> 03:05:24,316
Just a hunk of
hunk of burning love
1665
03:05:24,326 --> 03:05:27,746
Ahhh!
A hunk of
hunk of burning love
1666
03:05:27,746 --> 03:05:29,706
Chorus: Ahhh!
A hunk of hunk of--
1667
03:05:32,206 --> 03:05:34,456
It was a hard song
for him to sing
1668
03:05:34,456 --> 03:05:36,206
and to get into.
1669
03:05:36,206 --> 03:05:38,786
About them lyrics...
1670
03:05:38,786 --> 03:05:41,206
It was only one,
and I hit my mouth.
1671
03:05:41,206 --> 03:05:43,076
He wanted to
let out his feelings
1672
03:05:43,076 --> 03:05:46,536
in a-- in a song that
related to how he felt.
1673
03:05:46,536 --> 03:05:48,496
It was difficult
to be given music
1674
03:05:48,496 --> 03:05:51,536
for something that's
really uplifting, upbeat,
1675
03:05:51,536 --> 03:05:53,206
and that's not
matching his tone,
1676
03:05:53,206 --> 03:05:54,866
that's not matching
his feelings.
1677
03:06:01,916 --> 03:06:04,536
I see a change
1678
03:06:04,536 --> 03:06:07,616
Is coming to our lives
1679
03:06:07,616 --> 03:06:13,076
It's not the same
as it used to be
1680
03:06:13,076 --> 03:06:15,576
And it's not too late
1681
03:06:15,576 --> 03:06:18,116
To realize our mistake
1682
03:06:18,116 --> 03:06:19,956
We're just not right
1683
03:06:19,956 --> 03:06:24,616
For each other
1684
03:06:25,996 --> 03:06:28,866
Love has slipped away
1685
03:06:28,866 --> 03:06:31,366
Left us only friends
1686
03:06:31,366 --> 03:06:36,456
We almost seem
like strangers
1687
03:06:36,456 --> 03:06:38,786
All that's left between us
1688
03:06:38,786 --> 03:06:41,706
Are the memories we share
1689
03:06:41,706 --> 03:06:44,246
Of times
we thought we cared
1690
03:06:44,246 --> 03:06:49,576
For each other
1691
03:06:49,576 --> 03:06:52,576
Elvis was very
family oriented.
1692
03:06:52,576 --> 03:06:54,746
He did cherish family,
1693
03:06:54,746 --> 03:06:56,786
but Elvis wanted it all.
1694
03:06:56,786 --> 03:06:59,956
Pieces left behind us
1695
03:06:59,956 --> 03:07:02,286
It takes two
in a relationship.
1696
03:07:02,286 --> 03:07:06,326
Having a child, not being
able to do the traveling.
1697
03:07:06,326 --> 03:07:09,286
I was a mother.
1698
03:07:09,286 --> 03:07:11,786
He always used to say,
You can't serve two masters.
1699
03:07:18,826 --> 03:07:21,036
Someday when she's older
1700
03:07:21,036 --> 03:07:24,286
Maybe she will understand
1701
03:07:24,286 --> 03:07:29,496
Why her mom and dad
are not together
1702
03:07:29,496 --> 03:07:32,326
The tears that
she will cry
1703
03:07:32,326 --> 03:07:34,666
When I have to say goodbye
1704
03:07:34,666 --> 03:07:36,826
They tear at my heart
1705
03:07:36,826 --> 03:07:41,326
Forever
1706
03:07:42,616 --> 03:07:44,706
There's nothing left to do
1707
03:07:44,706 --> 03:07:47,996
But go our separate ways
1708
03:07:47,996 --> 03:07:50,666
Schilling:
After he recorded
Separate Ways,
1709
03:07:50,666 --> 03:07:52,616
he wanted to go
into the control room
1710
03:07:52,616 --> 03:07:56,616
and listen to that song
for hours.
1711
03:07:56,616 --> 03:07:59,366
And he would just look up
and shake his head,
1712
03:07:59,366 --> 03:08:02,826
'cause I know he still
always loved Priscilla.
1713
03:08:04,286 --> 03:08:05,996
Elvis and I,
1714
03:08:05,996 --> 03:08:07,826
you know,
we held hands in court.
1715
03:08:07,826 --> 03:08:10,166
There was still
a lot of love there.
1716
03:08:10,166 --> 03:08:12,076
He was a doting father.
1717
03:08:12,076 --> 03:08:14,496
We kept that relationship
very close.
1718
03:08:14,496 --> 03:08:16,496
I know he was
always there for me,
1719
03:08:16,496 --> 03:08:17,956
and for Lisa as well,
1720
03:08:17,956 --> 03:08:20,036
but the breakup
of the marriage
1721
03:08:20,036 --> 03:08:21,866
was painful for both of us.
1722
03:08:27,996 --> 03:08:30,866
He was never
the same after that.
1723
03:08:30,866 --> 03:08:32,866
He just changed.
He was very moody.
1724
03:08:32,866 --> 03:08:34,996
He just wasn't well
doing two shows a night.
1725
03:08:34,996 --> 03:08:37,416
And he had to take uppers
to get him going
1726
03:08:37,416 --> 03:08:39,076
and downers
to put him to sleep.
1727
03:08:40,826 --> 03:08:43,206
Well, I don't know,
but I know one thing.
1728
03:08:43,206 --> 03:08:44,996
When I told Elvis
to slow down,
1729
03:08:44,996 --> 03:08:46,956
he said, I wanna
play more dates.
1730
03:08:46,956 --> 03:08:48,206
So I booked more dates.
1731
03:08:48,206 --> 03:08:50,206
I said, Well, I don't
think you should,
1732
03:08:50,206 --> 03:08:52,246
and he said, Well,
it's what I wanna do.
1733
03:08:52,246 --> 03:08:54,496
He was very unhappy,
so we started all over again.
1734
03:08:54,496 --> 03:08:57,916
With some 25 colored
portraits available...
1735
03:08:57,916 --> 03:09:00,746
Souvenirs!
1736
03:09:00,746 --> 03:09:02,866
Hey! Take home
a little bit of Elvis!
1737
03:09:02,866 --> 03:09:04,456
Elvis super souvenirs!
1738
03:09:04,456 --> 03:09:07,916
Cohn:
I think night by night,
it became harder for him to--
1739
03:09:07,916 --> 03:09:10,366
to carry on being Elvis.
1740
03:09:10,366 --> 03:09:12,916
Drugs and the
self-destructiveness
1741
03:09:12,916 --> 03:09:15,416
were all punishments.
1742
03:09:15,416 --> 03:09:18,456
He was in great pain, and yet,
he gave so much pleasure.
1743
03:09:18,456 --> 03:09:21,456
He would go offstage
and collapse,
1744
03:09:21,456 --> 03:09:25,076
and the audience would
go out buoyed up and joyous,
1745
03:09:25,076 --> 03:09:26,746
spiritually blessed.
1746
03:09:30,576 --> 03:09:34,036
Elvis was always
searching for answers.
1747
03:09:34,036 --> 03:09:35,616
Why him?
1748
03:09:35,616 --> 03:09:38,666
Well, maybe God
had something else
planned for me.
1749
03:09:38,666 --> 03:09:41,116
Am I supposed to be
giving a message?
1750
03:09:42,706 --> 03:09:44,416
Not realizing he was doing
1751
03:09:44,416 --> 03:09:46,496
what he was
supposed to be doing.
1752
03:09:49,956 --> 03:09:53,036
Petty:
The last days of his life
was not his best work.
1753
03:09:53,036 --> 03:09:55,076
He had a lot of problems.
1754
03:09:57,076 --> 03:09:58,206
He had gained weight
1755
03:09:58,206 --> 03:10:01,706
which is a cardinal sin
in show business.
1756
03:10:01,706 --> 03:10:03,206
Isolation, you know,
1757
03:10:03,206 --> 03:10:05,706
that-- that brings on
the drug abuse.
1758
03:10:05,706 --> 03:10:08,206
He's lost touch
with his father.
1759
03:10:08,206 --> 03:10:10,536
His mom's gone.
1760
03:10:10,536 --> 03:10:13,076
His wife is gone.
1761
03:10:13,076 --> 03:10:16,456
It had to be very lonely,
we know that.
1762
03:10:22,326 --> 03:10:25,036
There's a point when--
when you have success,
1763
03:10:25,036 --> 03:10:26,666
and you get really wealthy
1764
03:10:26,666 --> 03:10:29,496
and there is that day
where the letter comes
1765
03:10:29,496 --> 03:10:32,326
that none of this is
gonna make me happy.
1766
03:10:37,866 --> 03:10:42,076
And he knew he had
to try to find some--
something, you know,
1767
03:10:42,076 --> 03:10:44,496
but I think he gave up.
1768
03:10:44,496 --> 03:10:48,496
I think he felt out-gunned
and gave up.
1769
03:10:58,206 --> 03:10:59,456
Those last shows,
1770
03:10:59,456 --> 03:11:01,076
those shows those
last couple of years
1771
03:11:01,076 --> 03:11:04,246
were not the most memorable
as far as performance.
1772
03:11:04,246 --> 03:11:07,036
Sometimes he didn't
get through a-- a song.
1773
03:11:07,036 --> 03:11:11,286
I think the last year,
he was pretty much over it.
1774
03:11:11,286 --> 03:11:14,286
I don't even know why,
you know, he went on stage.
1775
03:11:14,286 --> 03:11:16,206
They're just hard to watch.
1776
03:11:16,206 --> 03:11:17,826
Sometimes, I think
it was better, maybe,
1777
03:11:17,826 --> 03:11:19,666
if they just
canceled the show.
1778
03:11:26,956 --> 03:11:30,706
Brown:
We got the call that Elvis
wanted to record in Memphis.
1779
03:11:30,706 --> 03:11:32,366
Strickland:
Whenever we got the call,
1780
03:11:32,366 --> 03:11:34,576
we would be there
at his beck and call
1781
03:11:34,576 --> 03:11:36,456
whenever they were ready.
1782
03:11:36,456 --> 03:11:37,866
Brown:
In my mind,
we're going to, like,
1783
03:11:37,866 --> 03:11:41,286
Sun Records or someplace over
there, Chips Moman's studio.
1784
03:11:41,286 --> 03:11:42,706
But we pull into Graceland,
1785
03:11:42,706 --> 03:11:44,286
and I say, "Well,
what are we doing here?"
1786
03:11:44,286 --> 03:11:45,996
They said,
We're cutting here.
1787
03:11:45,996 --> 03:11:47,416
He wouldn't go to the studio.
1788
03:11:47,416 --> 03:11:50,246
The studio had to come to him,
right in the Jungle Room there.
1789
03:11:58,916 --> 03:12:01,536
It's hard to get him to go
into a studio environment,
1790
03:12:01,536 --> 03:12:03,166
because he was
uncomfortable there.
1791
03:12:03,166 --> 03:12:04,666
Didn't wanna
go to Nashville,
1792
03:12:04,666 --> 03:12:05,786
didn't want to go to Stax,
1793
03:12:05,786 --> 03:12:07,076
didn't want to go
to Chips Moman's.
1794
03:12:07,076 --> 03:12:09,246
He wanted to stay at home.
1795
03:12:09,246 --> 03:12:10,786
We would come over
from Nashville,
1796
03:12:10,786 --> 03:12:13,576
check into a hotel that was
just right down the street.
1797
03:12:15,956 --> 03:12:18,166
And then, we'd all be
ready there to go,
1798
03:12:18,166 --> 03:12:20,076
and they'd say,
Elvis is still not up.
1799
03:12:20,076 --> 03:12:21,576
He could come down
at midnight
1800
03:12:21,576 --> 03:12:23,996
or it could be two o'clock
in the morning.
1801
03:12:23,996 --> 03:12:26,746
You never knew what
the night was gonna hold.
1802
03:12:28,456 --> 03:12:30,746
Elvis ended up
back in the Jungle Room,
1803
03:12:30,746 --> 03:12:33,496
recording his last record.
1804
03:12:33,496 --> 03:12:36,036
Graceland can be
something that's--
1805
03:12:36,036 --> 03:12:38,616
that gives you
a sense of-- of place,
1806
03:12:38,616 --> 03:12:40,536
and of-- of center.
1807
03:12:40,536 --> 03:12:43,416
Uh, but it can also
be a place where--
1808
03:12:43,416 --> 03:12:45,116
that you just disappear into.
1809
03:12:45,116 --> 03:12:48,246
It seemed to me that
Elvis was caught in-between
1810
03:12:48,246 --> 03:12:50,076
doing a little bit
of both there.
1811
03:12:54,616 --> 03:12:57,246
Seems to be,
he's picking songs
1812
03:12:57,246 --> 03:13:00,866
that somewhat reflect
his state of mind.
1813
03:13:00,866 --> 03:13:05,326
Like "Hurt" which is one
of the-- the very last ones.
1814
03:13:05,326 --> 03:13:07,826
I think he's--
he's feeling very hurt.
1815
03:13:07,826 --> 03:13:10,326
He's very down.
He's very alone.
1816
03:13:10,326 --> 03:13:13,116
He doesn't understand
what's happened to music,
1817
03:13:13,116 --> 03:13:15,576
and he got left out of that.
1818
03:13:15,576 --> 03:13:17,996
He had become a thing.
1819
03:13:17,996 --> 03:13:20,706
He was no longer
Elvis Presley.
1820
03:13:20,706 --> 03:13:22,366
He was Elvis.
1821
03:13:31,496 --> 03:13:34,166
Norbert Putnam:
Well, when I first came
over to the Jungle Room,
1822
03:13:34,166 --> 03:13:35,746
they had removed
all the furniture.
1823
03:13:35,746 --> 03:13:37,706
They covered the walls
in blankets.
1824
03:13:37,706 --> 03:13:39,166
Strickland:
There was a semi,
1825
03:13:39,166 --> 03:13:42,206
like a very large
tractor trailer,
out behind the house.
1826
03:13:42,206 --> 03:13:45,116
It was RCA's complete
mobile recording studio.
1827
03:13:45,116 --> 03:13:47,286
They would run
all their recording lines
1828
03:13:47,286 --> 03:13:48,616
into the Jungle Room.
1829
03:13:48,616 --> 03:13:50,416
Brown:
It looks like you're in
Tahiti or something.
1830
03:13:50,416 --> 03:13:51,916
It looked like you
were in the islands.
1831
03:13:51,916 --> 03:13:54,996
But we're all just crammed
into this tiny little space.
1832
03:13:54,996 --> 03:13:57,206
Tutt:
It was a nightmare for
the recording engineers
1833
03:13:57,206 --> 03:13:59,866
to keep that sound clean
without too much bleed
1834
03:13:59,866 --> 03:14:01,206
with open microphones,
1835
03:14:01,206 --> 03:14:04,706
and we did our best to do the
recordings as best we could.
1836
03:14:04,706 --> 03:14:07,536
Strickland:
It wasn't like we did
a lot of rehearsal
1837
03:14:07,536 --> 03:14:08,706
for the recordings.
1838
03:14:08,706 --> 03:14:10,916
It was Turn the machine on,
and he's gonna sing.
1839
03:14:10,916 --> 03:14:13,706
We would all watch each other
doing it on the fly.
1840
03:14:13,706 --> 03:14:15,666
And you know, I-I remember
one of the first songs
1841
03:14:15,666 --> 03:14:17,916
that I recorded with him,
uh, was Hurt.
1842
03:14:17,916 --> 03:14:20,166
We didn't have a clue
of how it was gonna go down
1843
03:14:20,166 --> 03:14:22,246
or how he would perform it.
1844
03:14:22,246 --> 03:14:24,916
All of a sudden,
he takes his stance.
1845
03:14:27,576 --> 03:14:30,576
Elvis:
I'm
1846
03:14:30,576 --> 03:14:36,866
So hurt ?
1847
03:14:37,916 --> 03:14:42,616
To think that you lied to me
1848
03:14:45,666 --> 03:14:50,456
I'm hurt
1849
03:14:50,456 --> 03:14:56,286
Way down deep inside of me
1850
03:14:59,366 --> 03:15:01,706
You said
1851
03:15:01,706 --> 03:15:05,359
Our love was true
1852
03:15:05,366 --> 03:15:08,536
And we'd never
1853
03:15:08,536 --> 03:15:11,456
Never part
1854
03:15:13,956 --> 03:15:18,116
Now you want someone new
1855
03:15:18,116 --> 03:15:21,616
And it breaks my heart
1856
03:15:21,616 --> 03:15:28,576
Oh, I'm hurt
1857
03:15:31,996 --> 03:15:34,326
Much more
1858
03:15:34,326 --> 03:15:36,416
Than you'll ever know
1859
03:15:39,246 --> 03:15:41,286
Yes, darling
1860
03:15:41,286 --> 03:15:43,166
I'm so hurt
1861
03:15:45,036 --> 03:15:47,326
Because
1862
03:15:47,326 --> 03:15:49,286
I still love you so
1863
03:15:50,746 --> 03:15:52,366
But you know
1864
03:15:52,366 --> 03:15:57,166
Even though you hurt me
1865
03:15:57,166 --> 03:16:00,616
Like nobody else
1866
03:16:00,616 --> 03:16:03,536
Could ever do
1867
03:16:03,536 --> 03:16:07,786
I would never ever
1868
03:16:07,786 --> 03:16:14,746
Hurt
1869
03:16:14,746 --> 03:16:16,956
You
1870
03:16:16,956 --> 03:16:25,826
Yeah, you
1871
03:17:24,956 --> 03:17:30,076
Elvis wanted to finish the
'68 Special on a big note.
1872
03:17:33,286 --> 03:17:36,666
Quite frankly, we didn't
know how to finish the show.
1873
03:17:36,666 --> 03:17:38,706
Every day at four o'clock,
1874
03:17:38,706 --> 03:17:42,996
we would all sit in the
piano room, of our offices,
1875
03:17:42,996 --> 03:17:46,076
rehearsing with Elvis.
1876
03:17:46,076 --> 03:17:50,576
While we were sitting
in Steve's office with Elvis,
1877
03:17:50,576 --> 03:17:54,166
we had a little
black and white
television in the corner.
1878
03:17:54,166 --> 03:17:57,206
On that TV...
1879
03:17:57,206 --> 03:18:00,076
Robert Kennedy
was assassinated.
1880
03:18:06,706 --> 03:18:08,536
Elvis picked up a guitar,
1881
03:18:08,536 --> 03:18:10,706
and he started playing.
1882
03:18:10,706 --> 03:18:13,116
Talking at a mile a minute.
1883
03:18:13,116 --> 03:18:17,166
He said, I want you
to understand me,
1884
03:18:17,166 --> 03:18:18,616
because this is a
moment in time
1885
03:18:18,616 --> 03:18:20,826
where we all have
to understand each other.
1886
03:18:23,246 --> 03:18:27,996
There must be lights
burning brighter
1887
03:18:27,996 --> 03:18:30,866
Somewhere
1888
03:18:30,866 --> 03:18:34,916
Got to be birds
flying higher
1889
03:18:34,916 --> 03:18:38,166
In a sky more blue
1890
03:18:38,166 --> 03:18:42,616
If I can dream
of a better land
1891
03:18:42,616 --> 03:18:46,246
Where all my brothers
walk hand in hand
1892
03:18:46,246 --> 03:18:47,956
Tell me why
1893
03:18:47,956 --> 03:18:49,826
Oh, why
1894
03:18:49,826 --> 03:18:56,456
Oh, why can't my dream
come true
1895
03:18:57,496 --> 03:19:00,536
Oh, why
1896
03:19:00,536 --> 03:19:05,286
There must be peace
and understanding
1897
03:19:05,286 --> 03:19:07,826
Sometime
1898
03:19:07,826 --> 03:19:10,536
Strong winds of promise
1899
03:19:10,536 --> 03:19:14,326
That will blow away
all the doubt
1900
03:19:14,326 --> 03:19:15,866
And fear
1901
03:19:15,866 --> 03:19:20,286
If I can dream
of a warmer sun
1902
03:19:20,286 --> 03:19:23,866
Where hope keeps
shining on everyone
1903
03:19:23,866 --> 03:19:25,916
Tell me why
1904
03:19:25,916 --> 03:19:27,866
Oh, why
1905
03:19:27,866 --> 03:19:31,286
Oh, why won't that sun
1906
03:19:31,286 --> 03:19:35,576
Appear
1907
03:19:40,366 --> 03:19:42,866
We're lost in a cloud
1908
03:19:44,116 --> 03:19:48,036
With too much rain
1909
03:19:48,036 --> 03:19:51,706
We're trapped in a world
1910
03:19:51,706 --> 03:19:55,366
That's troubled with pain
1911
03:19:55,366 --> 03:20:01,916
But as long as a man
has the strength to dream
1912
03:20:01,916 --> 03:20:05,956
He can redeem his soul
1913
03:20:05,956 --> 03:20:10,076
And fly
1914
03:20:10,076 --> 03:20:13,286
Choir:
He can fly
1915
03:20:13,286 --> 03:20:15,616
Deep in my heart
1916
03:20:15,616 --> 03:20:19,916
There's a trembling question
1917
03:20:20,916 --> 03:20:25,246
Still I am sure
that the answer
1918
03:20:25,246 --> 03:20:28,416
Answer's gonna come somehow
1919
03:20:28,416 --> 03:20:32,286
Out there in the dark
1920
03:20:32,286 --> 03:20:35,076
There's a beckoning candle
1921
03:20:35,076 --> 03:20:38,616
Oh yeah, and
while I can think
1922
03:20:38,616 --> 03:20:40,536
While I can talk
1923
03:20:40,536 --> 03:20:42,456
While I can stand
1924
03:20:42,456 --> 03:20:44,326
While I can walk
1925
03:20:44,326 --> 03:20:47,996
While I can dream
1926
03:20:47,996 --> 03:20:52,076
Please let my dream
1927
03:20:52,076 --> 03:20:54,416
Come true
1928
03:20:54,416 --> 03:20:56,286
Oh
1929
03:20:59,166 --> 03:21:02,956
Right now
1930
03:21:02,956 --> 03:21:07,206
Oh, let it come true
right now
1931
03:21:07,206 --> 03:21:10,496
Oh, yeah
1932
03:22:10,206 --> 03:22:12,206
Petty:
Can't you see
1933
03:22:12,206 --> 03:22:13,666
I love you
1934
03:22:13,666 --> 03:22:17,536
Please don't break
my heart in two
1935
03:22:17,536 --> 03:22:19,706
That's not hard to do
1936
03:22:19,706 --> 03:22:24,866
'Cause I don't have
a wooden heart
1937
03:22:25,996 --> 03:22:29,036
And if you say goodbye
1938
03:22:29,036 --> 03:22:32,616
Then I know
that I would cry
1939
03:22:32,616 --> 03:22:35,036
Maybe I would die
1940
03:22:35,036 --> 03:22:39,866
'Cause I don't have
a wooden heart
1941
03:22:41,206 --> 03:22:43,326
There's no strings
1942
03:22:43,326 --> 03:22:47,416
Upon this love of mine
1943
03:22:47,416 --> 03:22:52,076
It was always you
from the start
1944
03:22:53,536 --> 03:22:55,116
Treat me nice
1945
03:22:55,116 --> 03:22:56,576
Treat me good
1946
03:22:56,576 --> 03:23:00,166
Treat me like
you really should
1947
03:23:00,166 --> 03:23:02,706
'Cause I'm not made of wood
1948
03:23:02,706 --> 03:23:08,616
And I don't have
a wooden heart
147253
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