All language subtitles for BBC A Very British Murder with Lucy Worsley - 01x01 - The New Taste for Blood.HDTV.x264.MVGroup.English.updated.Addic7ed.com
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,640 --> 00:00:10,640
Murder's the darkest
and most despicable crime of all,
2
00:00:10,640 --> 00:00:13,080
and yet we're attracted to it.
3
00:00:15,400 --> 00:00:18,480
Grisly crimes like these
would appal us
4
00:00:18,480 --> 00:00:21,080
if we encountered them in real life.
5
00:00:21,080 --> 00:00:24,320
But something happens
when they're turned into stories
6
00:00:24,320 --> 00:00:27,360
and safely placed
between the covers of a book.
7
00:00:29,520 --> 00:00:31,840
If you think about people's reaction
8
00:00:31,840 --> 00:00:34,200
to notorious killers
like Dr Crippen,
9
00:00:34,200 --> 00:00:37,520
or to great detectives
like Sherlock Holmes or Poirot,
10
00:00:37,520 --> 00:00:41,960
you'll see that this preoccupation
with murder has a very long history.
11
00:00:46,200 --> 00:00:48,600
In this series, I'll trace
its origins
12
00:00:48,600 --> 00:00:52,080
back to the sprawling London
of the early 19th century,
13
00:00:52,080 --> 00:00:55,880
when newspapers first began
to delight in reporting murder
14
00:00:55,880 --> 00:00:57,440
to a frightened public.
15
00:00:58,720 --> 00:01:03,240
An appetite for sensation developed
as Britain became more literate,
16
00:01:03,240 --> 00:01:06,840
and working-class people
were starting to be able to read.
17
00:01:08,000 --> 00:01:12,080
I'll show how all this had
a huge influence on Charles Dickens,
18
00:01:12,080 --> 00:01:14,600
who turned murder and its detection
19
00:01:14,600 --> 00:01:17,520
into a suitable subject
for literature,
20
00:01:17,520 --> 00:01:20,320
and how the detective writers
who followed,
21
00:01:20,320 --> 00:01:23,960
from Conan Doyle to Agatha
Christie, distanced murder
22
00:01:23,960 --> 00:01:25,440
from sordid reality.
23
00:01:25,440 --> 00:01:29,080
They turned it into an elegant
kind of crossword puzzle,
24
00:01:29,080 --> 00:01:32,320
involving the most
respectable of suspects.
25
00:01:35,560 --> 00:01:39,000
In this first programme,
I want to begin not with fiction,
26
00:01:39,000 --> 00:01:42,000
but with real-life murder,
200 years ago.
27
00:02:12,240 --> 00:02:14,920
Grasmere, in the Lake District.
28
00:02:14,920 --> 00:02:17,520
In 1811, the writer
Thomas De Quincey
29
00:02:17,520 --> 00:02:22,280
was renting a cottage from his
friend, the poet William Wordsworth,
30
00:02:22,280 --> 00:02:23,840
when something happened
31
00:02:23,840 --> 00:02:27,240
to shatter the tranquillity
of this lakeside village.
32
00:02:29,000 --> 00:02:31,240
A young family had been murdered -
33
00:02:31,240 --> 00:02:35,560
not here, but 300 miles
away in the docklands of London.
34
00:02:35,560 --> 00:02:40,880
Yet the news shocked Grasmere,
because this was something new,
35
00:02:40,880 --> 00:02:44,880
a senseless and motiveless murder
by a stranger
36
00:02:44,880 --> 00:02:47,120
of four people, all at once.
37
00:02:47,120 --> 00:02:49,120
In the preceding year, 1810,
38
00:02:49,120 --> 00:02:54,560
there had only been 15 convictions
for murder in the whole of Britain.
39
00:02:54,560 --> 00:02:58,040
De Quincey was struck by the effect
this crime had
40
00:02:58,040 --> 00:03:00,280
on the good people of Grasmere.
41
00:03:01,920 --> 00:03:04,880
"One lady, my next door neighbour,
42
00:03:04,880 --> 00:03:08,560
"never rested until she had placed
18 doors,
43
00:03:08,560 --> 00:03:12,920
"each secured by ponderous bolts
and bars and chains,
44
00:03:12,920 --> 00:03:16,800
"between her own bedroom
and any intruder of human build.
45
00:03:16,800 --> 00:03:22,800
"At every sixth step, one was stopped
by a sort of portcullis."
46
00:03:26,320 --> 00:03:30,000
But De Quincey noticed
something else besides fear
47
00:03:30,000 --> 00:03:32,120
in the reaction to this murder.
48
00:03:32,120 --> 00:03:35,160
There was an element
of ghoulish enjoyment.
49
00:03:35,160 --> 00:03:37,240
He felt that the British
50
00:03:37,240 --> 00:03:42,520
were turning into a nation of
what he called murder-fanciers.
51
00:03:42,520 --> 00:03:46,240
Quincey began to define
what made a good murder,
52
00:03:46,240 --> 00:03:50,920
breathlessly describing
the ultra-fiendishness of the crime
53
00:03:50,920 --> 00:03:54,520
and revelling in the murderer's
"tiger's heart".
54
00:03:54,520 --> 00:03:58,120
The murder that repulsed
and gripped in equal measure
55
00:03:58,120 --> 00:03:59,400
took place in December,
56
00:03:59,400 --> 00:04:01,680
near the church
of St George's in the East,
57
00:04:01,680 --> 00:04:06,080
at 29, the Ratcliff Highway,
Wapping.
58
00:04:10,240 --> 00:04:13,600
The family who lived here
were terribly young.
59
00:04:13,600 --> 00:04:17,760
Timothy Marr was a former sailor.
He was just 25.
60
00:04:17,760 --> 00:04:21,120
His wife, Celia, had recently given
birth to their baby boy,
61
00:04:21,120 --> 00:04:24,960
and they also had an apprentice,
James, who was 14.
62
00:04:30,720 --> 00:04:34,520
On the evening of 7th December,
just before midnight,
63
00:04:34,520 --> 00:04:38,000
the Marr family sent
out their servant, Margaret Jewell,
64
00:04:38,000 --> 00:04:41,440
into the poorly-lit
neighbourhood to buy oysters,
65
00:04:41,440 --> 00:04:46,200
not then a luxury, but a cheap
and nutritious type of street food.
66
00:04:46,200 --> 00:04:48,000
Her journey was fruitless.
67
00:04:48,000 --> 00:04:50,840
There were no oysters
to be had at this late hour.
68
00:04:55,400 --> 00:04:58,520
On her return, she found
that she had been locked out.
69
00:04:58,520 --> 00:05:00,320
Margaret banged on the front door
70
00:05:00,320 --> 00:05:02,680
and called out for the Marrs
to open up.
71
00:05:05,840 --> 00:05:08,760
While Margaret the maid
was waiting to be let in,
72
00:05:08,760 --> 00:05:12,160
she heard a sound inside the house.
73
00:05:12,160 --> 00:05:16,440
She heard footsteps,
and the crying of the baby.
74
00:05:17,600 --> 00:05:20,560
But nobody came to let her in.
75
00:05:20,560 --> 00:05:23,280
She was still waiting
outside at half past midnight
76
00:05:23,280 --> 00:05:26,200
when the night watchman came by.
77
00:05:26,200 --> 00:05:29,080
Their conversation
and Margaret's banging
78
00:05:29,080 --> 00:05:32,120
woke up the next door neighbour,
a pawnbroker,
79
00:05:32,120 --> 00:05:35,280
and it was he who eventually got
access to the house
80
00:05:35,280 --> 00:05:39,160
by climbing over the wall
and coming in through the back door.
81
00:05:48,000 --> 00:05:51,440
The Marrs' next door neighbour
now started to search the house,
82
00:05:51,440 --> 00:05:55,320
and very soon, he came across
the body of James, the apprentice.
83
00:05:55,320 --> 00:05:57,240
His head had been bashed in,
84
00:05:57,240 --> 00:06:01,120
so much so that his brains
were splattered on the ceiling.
85
00:06:01,120 --> 00:06:02,760
Then he found Mrs Marr, Celia.
86
00:06:02,760 --> 00:06:06,240
She was face down, crushed up
against the front door.
87
00:06:06,240 --> 00:06:10,280
Then behind the shop counter,
there was Mr Marr, also face down,
88
00:06:10,280 --> 00:06:13,360
just as dead as the rest of them.
89
00:06:13,360 --> 00:06:16,480
A little crowd had gathered
outside the front door,
90
00:06:16,480 --> 00:06:20,440
so the neighbour now went running
out. He shouted "Murder! Murder!"
91
00:06:20,440 --> 00:06:25,040
These people outside knew the Marr
family, and they had a question.
92
00:06:25,040 --> 00:06:26,160
Where was the baby?
93
00:06:30,120 --> 00:06:33,680
The baby was still in his cradle...
94
00:06:33,680 --> 00:06:35,440
but his throat had been slit.
95
00:06:41,000 --> 00:06:45,080
Into this scene of slaughter
came Constable Charles Horton,
96
00:06:45,080 --> 00:06:48,040
from the nearby
marine police office at Wapping.
97
00:06:49,120 --> 00:06:50,600
After searching the shop,
98
00:06:50,600 --> 00:06:54,560
Horton concluded that no money
had been taken.
99
00:06:54,560 --> 00:06:57,160
He then explored
the rest of the house.
100
00:07:01,480 --> 00:07:05,360
When he reached the bedroom,
he discovered the murder weapon,
101
00:07:05,360 --> 00:07:07,720
a maul, leaning against a chair.
102
00:07:07,720 --> 00:07:12,520
A maul is a special type of mallet
used by ships' carpenters.
103
00:07:12,520 --> 00:07:14,040
It was covered with blood.
104
00:07:21,560 --> 00:07:24,760
The Marrs' shop and home
was now turned into a morgue,
105
00:07:24,760 --> 00:07:28,160
and it was also open to the public.
106
00:07:28,160 --> 00:07:30,080
In the days following the murder,
107
00:07:30,080 --> 00:07:33,880
hundreds of people traipsed through
to look at the bloodstains,
108
00:07:33,880 --> 00:07:38,440
even to gawp at the bodies
which were laid out upon the beds.
109
00:07:38,440 --> 00:07:43,720
All ranks in society came, from
the richest to the very poorest.
110
00:07:43,720 --> 00:07:46,400
This sort of access to a crime scene
111
00:07:46,400 --> 00:07:49,480
would be utterly inconceivable
today.
112
00:07:49,480 --> 00:07:54,880
This parade of neighbours and
strangers through the murder scene
113
00:07:54,880 --> 00:07:57,320
was motivated by fear, by curiosity
114
00:07:57,320 --> 00:08:00,600
and a feeling that they too
should look for clues
115
00:08:00,600 --> 00:08:02,520
and help to solve the crime.
116
00:08:03,840 --> 00:08:07,000
Regency London,
which was expanding rapidly,
117
00:08:07,000 --> 00:08:09,000
had no centralised police force.
118
00:08:10,080 --> 00:08:13,000
Policing relied on night watchmen
and constables,
119
00:08:13,000 --> 00:08:15,000
paid for by local parishes.
120
00:08:15,000 --> 00:08:17,640
Magistrates had to depend
on witnesses
121
00:08:17,640 --> 00:08:20,520
willing to come forward
with information.
122
00:08:20,520 --> 00:08:25,040
The overcrowded streets of the East
End teemed with foreign sailors.
123
00:08:25,040 --> 00:08:26,160
Crime was rising,
124
00:08:26,160 --> 00:08:30,040
but people were more worried
about disease, destitution or war
125
00:08:30,040 --> 00:08:32,360
than they were about being murdered.
126
00:08:32,360 --> 00:08:36,640
But now, locals began to fear
every stranger in their midst.
127
00:08:36,640 --> 00:08:38,800
Without the murderer being
quickly apprehended,
128
00:08:38,800 --> 00:08:40,960
fear would soon turn to panic.
129
00:08:46,720 --> 00:08:49,960
To discover more about the problems
faced by the authorities
130
00:08:49,960 --> 00:08:52,320
in a case like
the killing of the Marrs,
131
00:08:52,320 --> 00:08:54,360
I've come to meet Rosalind Crone
132
00:08:54,360 --> 00:08:56,880
at the Marine Police Museum
in Wapping,
133
00:08:56,880 --> 00:09:00,000
still located in its original
1811 building.
134
00:09:05,400 --> 00:09:07,880
What have you got
there in that big book?
135
00:09:07,880 --> 00:09:09,800
This is what we call a register,
136
00:09:09,800 --> 00:09:13,120
which lists all the constables
who were working
137
00:09:13,120 --> 00:09:16,560
for the Thames River Police,
or the Marine Police,
138
00:09:16,560 --> 00:09:18,400
in the early 19th century.
139
00:09:18,400 --> 00:09:20,600
So if we look down the ledger here,
140
00:09:20,600 --> 00:09:22,800
we can see the name
of Charles Horton.
141
00:09:22,800 --> 00:09:27,560
And he's the man who responds
to the Marrs' murder? He is.
142
00:09:27,560 --> 00:09:29,760
He's the first constable
on the scene.
143
00:09:31,200 --> 00:09:34,040
The Marine Police were employed
specifically
144
00:09:34,040 --> 00:09:38,240
to protect the docks and ships'
cargoes from light-fingered locals.
145
00:09:38,240 --> 00:09:40,680
It was just by chance
that their man, Horton,
146
00:09:40,680 --> 00:09:42,920
was near to the Marrs' shop.
147
00:09:42,920 --> 00:09:46,440
You've picked up the cutlass
that men would have carried for...
148
00:09:46,440 --> 00:09:48,760
Defence? Protection, yes.
149
00:09:48,760 --> 00:09:51,920
And he would have had
a little set of handcuffs, too.
150
00:09:51,920 --> 00:09:53,360
I don't think they were expecting
151
00:09:53,360 --> 00:09:55,640
to capture too many female criminals
through those.
152
00:09:55,640 --> 00:09:58,040
No, you'd slip out of those easily.
Straight on and off.
153
00:09:59,920 --> 00:10:01,600
And they were only one of many.
154
00:10:01,600 --> 00:10:05,760
There were thousands of these small
proto-police forces across London?
155
00:10:05,760 --> 00:10:09,360
Yes. What we've got to remember about
the early 19th century is,
156
00:10:09,360 --> 00:10:11,960
we are dealing with
old policing structures,
157
00:10:11,960 --> 00:10:18,160
as opposed to a police force, which
comes in in about the late 1820s.
158
00:10:18,160 --> 00:10:21,800
So we have, basically,
policing at a local level,
159
00:10:21,800 --> 00:10:23,200
often the parish level,
160
00:10:23,200 --> 00:10:26,200
with the employment
of a small number of constables
161
00:10:26,200 --> 00:10:28,840
and then a larger force of
night watchmen.
162
00:10:28,840 --> 00:10:33,280
We've got to remember that these
constables are mainly reactive.
163
00:10:33,280 --> 00:10:36,960
They're not active.
They're not detectives.
164
00:10:36,960 --> 00:10:40,920
And we are dealing with a murder here
that was particularly horrendous
165
00:10:40,920 --> 00:10:44,000
and pretty much unheard of
among the local community.
166
00:10:44,000 --> 00:10:45,760
This is a really shocking act.
167
00:10:45,760 --> 00:10:49,160
What did people think
of the response of the authorities?
168
00:10:49,160 --> 00:10:51,200
Lacking. They hadn't caught anyone
yet,
169
00:10:51,200 --> 00:10:54,400
and it gave people
a real sense of fear,
170
00:10:54,400 --> 00:10:55,520
but also a sense of anger,
171
00:10:55,520 --> 00:10:58,280
because the authorities looked like
they weren't doing enough.
172
00:10:58,280 --> 00:11:00,200
They hadn't caught the perpetrator.
173
00:11:00,200 --> 00:11:03,560
He was still out there at large,
and could commit another crime.
174
00:11:05,280 --> 00:11:09,080
To find the killer,
the authorities relied on rewards.
175
00:11:09,080 --> 00:11:13,320
In Wapping, the magistrates
first offered a reward of ã50.
176
00:11:13,320 --> 00:11:15,800
Then other parishes
and the Home Office
177
00:11:15,800 --> 00:11:19,120
chipped in to increase this
to ã700, a staggering sum.
178
00:11:21,320 --> 00:11:25,200
How did the news spread outside
the immediate neighbourhood?
179
00:11:25,200 --> 00:11:26,880
How did it get outside London?
180
00:11:26,880 --> 00:11:28,080
When a crime happened,
181
00:11:28,080 --> 00:11:31,360
especially a particularly
notorious crime such as this one,
182
00:11:31,360 --> 00:11:35,080
with fairly salacious details,
news spreads quickly -
183
00:11:35,080 --> 00:11:36,560
first of all through newspapers,
184
00:11:36,560 --> 00:11:39,280
newspapers that are mainly
bought by more affluent people
185
00:11:39,280 --> 00:11:40,960
because they're quite expensive.
186
00:11:42,160 --> 00:11:46,720
A key thing is that you don't have
to be able to read to get the news?
187
00:11:46,720 --> 00:11:49,120
That's right. News is read aloud.
188
00:11:49,120 --> 00:11:52,320
Newspapers are read aloud in
public houses and coffee shops.
189
00:11:52,320 --> 00:11:55,480
Some people in streets would
club together to buy a newspaper
190
00:11:55,480 --> 00:11:56,920
and read it to each other.
191
00:12:05,360 --> 00:12:07,480
The Marrs' neighbours
in the East End
192
00:12:07,480 --> 00:12:11,200
showed an admirable sense of
community in the face of their fear.
193
00:12:14,720 --> 00:12:17,080
Seven days after
the slaying of the Marrs,
194
00:12:17,080 --> 00:12:19,920
thousands lined the streets
to pay their respects.
195
00:12:21,280 --> 00:12:24,680
The funeral cortege made its way
through Wapping
196
00:12:24,680 --> 00:12:27,920
to the parish church of
St George's in the East.
197
00:12:30,960 --> 00:12:36,440
There was a terrible sense of
outrage and shock after this crime.
198
00:12:36,440 --> 00:12:40,320
The victims were killed
in their own home by strangers.
199
00:12:40,320 --> 00:12:43,280
Nobody around here felt safe.
200
00:12:43,280 --> 00:12:45,600
There was also a good deal
of sympathy
201
00:12:45,600 --> 00:12:49,760
for this young, hard-working,
respectable family.
202
00:12:49,760 --> 00:12:51,360
Only two months earlier,
203
00:12:51,360 --> 00:12:53,640
Mr and Mrs Marr had been
at the church
204
00:12:53,640 --> 00:12:55,800
for the christening of their son.
205
00:12:55,800 --> 00:12:59,760
Now, all three of them
were buried in a single grave.
206
00:12:59,760 --> 00:13:02,120
Their tombstone has disappeared,
207
00:13:02,120 --> 00:13:07,280
but their epitaph read
"Life is uncertain in this world".
208
00:13:25,680 --> 00:13:29,680
Though deep in mourning, the East
End was chilled by the realisation
209
00:13:29,680 --> 00:13:34,120
that a brutal murderer remained
at large, and might strike again.
210
00:13:41,160 --> 00:13:44,520
And then, only 12 days
after the killing of the Marrs,
211
00:13:44,520 --> 00:13:48,520
it seemed that the same murderer
visited Wapping a second time.
212
00:13:50,840 --> 00:13:54,360
On 19th December,
a very strange sight was seen
213
00:13:54,360 --> 00:13:57,800
outside the King's Arms pub
in New Gravel Lane.
214
00:13:57,800 --> 00:14:00,240
The lodger who lived
on the top floor of the pub
215
00:14:00,240 --> 00:14:02,200
started climbing out of the window.
216
00:14:02,200 --> 00:14:05,200
He came down a rope
that was made by his bedsheets.
217
00:14:05,200 --> 00:14:08,240
People passing by in the streets
stopped and stared at him,
218
00:14:08,240 --> 00:14:10,080
wondering what was going on.
219
00:14:10,080 --> 00:14:12,400
It became clear
when they heard what he was saying.
220
00:14:12,400 --> 00:14:14,400
He was shouting "Murder! Murder!"
221
00:14:18,320 --> 00:14:22,240
A crowd soon gathered
and forced its way in.
222
00:14:22,240 --> 00:14:25,560
Inside, they found the bodies
of the publican, John Williams,
223
00:14:25,560 --> 00:14:27,640
his wife and his servant.
224
00:14:27,640 --> 00:14:30,800
Like the Marrs, they had been hacked
and beaten to death.
225
00:14:33,560 --> 00:14:35,320
That night, there was pandemonium.
226
00:14:36,920 --> 00:14:40,480
Fire bells were rung
and drums were beaten in alarm.
227
00:14:40,480 --> 00:14:43,280
Volunteers armed with cutlasses
and pistols
228
00:14:43,280 --> 00:14:46,160
searched houses and boats moored
on the Thames.
229
00:14:46,160 --> 00:14:48,080
Even London Bridge was closed.
230
00:14:48,080 --> 00:14:50,400
The desperate magistrates
now demanded
231
00:14:50,400 --> 00:14:52,840
that anyone at all suspicious
be picked up -
232
00:14:52,840 --> 00:14:55,600
foreigners, vagrants,
all the usual suspects.
233
00:14:57,440 --> 00:15:00,480
Valuable time was
wasted on false leads.
234
00:15:02,840 --> 00:15:06,000
And people were starting to grow
angry with the authorities,
235
00:15:06,000 --> 00:15:08,520
who failed to protect
their community
236
00:15:08,520 --> 00:15:11,120
from what now looked like
a serial killer.
237
00:15:14,360 --> 00:15:17,200
But at last, there was
a breakthrough.
238
00:15:17,200 --> 00:15:18,920
A sharp-eyed police constable
239
00:15:18,920 --> 00:15:21,320
noticed a clue on the murder weapon
itself,
240
00:15:21,320 --> 00:15:23,200
not before time, you might think.
241
00:15:23,200 --> 00:15:25,960
He spotted initials on the handle,
JP,
242
00:15:25,960 --> 00:15:30,640
and a woman came forward
to say that she knew who JP was.
243
00:15:30,640 --> 00:15:34,960
It was John Peterson,
a sailor from Hamburg.
244
00:15:34,960 --> 00:15:37,800
But, it has to be said,
he had the perfect alibi.
245
00:15:37,800 --> 00:15:40,760
On the night of the killings,
he had been away at sea.
246
00:15:44,280 --> 00:15:47,800
Another lodger, a 27-year-old seaman
called John Williams,
247
00:15:47,800 --> 00:15:50,160
quickly became the prime suspect,
248
00:15:50,160 --> 00:15:53,720
from no other evidence than
that he'd had access to the maul.
249
00:15:56,640 --> 00:15:58,040
Williams was arrested
250
00:15:58,040 --> 00:16:01,320
and taken to Cold Bath Fields
prison for questioning.
251
00:16:05,560 --> 00:16:07,440
Two days after Christmas,
252
00:16:07,440 --> 00:16:10,400
the prison guards found
his lifeless body
253
00:16:10,400 --> 00:16:13,000
hanging from an iron bar
in his cell.
254
00:16:17,720 --> 00:16:20,400
Because John Williams had committed
suicide,
255
00:16:20,400 --> 00:16:22,960
everybody instantly jumped
to the conclusion
256
00:16:22,960 --> 00:16:25,000
that this was an admission of guilt.
257
00:16:25,000 --> 00:16:28,560
He killed himself
to cheat the hangman.
258
00:16:28,560 --> 00:16:31,960
The police and the magistrates
were delighted with this outcome.
259
00:16:31,960 --> 00:16:34,680
They'd really needed to reassure
Londoners
260
00:16:34,680 --> 00:16:38,880
that the killer was off the streets
and that the case had been solved.
261
00:16:38,880 --> 00:16:42,440
At the same time, though, they had
been denied the proper trial
262
00:16:42,440 --> 00:16:45,280
and execution to provide
a sense of closure.
263
00:16:50,840 --> 00:16:52,400
On New Year's Eve, 1811,
264
00:16:52,400 --> 00:16:55,600
a cart bearing John Williams'
body left the prison
265
00:16:55,600 --> 00:16:58,680
and made its way through the streets
of Wapping.
266
00:17:01,960 --> 00:17:03,520
It was a very public display
267
00:17:03,520 --> 00:17:06,200
that the authorities had at last
got their man.
268
00:17:09,520 --> 00:17:13,720
Shops were shut,
and blinds were drawn.
269
00:17:13,720 --> 00:17:16,680
There is little evidence
that Williams really was guilty,
270
00:17:16,680 --> 00:17:18,360
but scapegoat or not,
271
00:17:18,360 --> 00:17:21,720
his dead body was used
to placate the people of Wapping.
272
00:17:23,360 --> 00:17:27,440
When the procession reached the home
of the Marrs, it came to a halt.
273
00:17:27,440 --> 00:17:32,040
The cart with the murderer's body
was now directly outside their home.
274
00:17:33,480 --> 00:17:36,360
Here's the murder weapon,
the bloodied maul,
275
00:17:36,360 --> 00:17:38,960
positioned by his head.
At this point,
276
00:17:38,960 --> 00:17:42,560
one of the members of the crowd
leaped up onto the cart,
277
00:17:42,560 --> 00:17:44,760
and they twisted his body around
278
00:17:44,760 --> 00:17:47,800
so that he had to look at the home
of his victims.
279
00:17:47,800 --> 00:17:50,760
It was as if the crowd
were forcing him
280
00:17:50,760 --> 00:17:54,120
to confront the consequences
of his actions.
281
00:17:56,720 --> 00:17:59,160
This ritual of punishment ended here
282
00:17:59,160 --> 00:18:02,360
at the crossroads of
old Cannon and Cable Street.
283
00:18:03,880 --> 00:18:07,640
At the end of the procession,
the crowd did find its voice.
284
00:18:07,640 --> 00:18:10,320
There were groans
and cheers and shouts
285
00:18:10,320 --> 00:18:13,920
as John Williams' body was lowered
into a shallow grave
286
00:18:13,920 --> 00:18:16,040
at the centre of the crossroads,
287
00:18:16,040 --> 00:18:19,080
and then a stake
was hammered through his heart.
288
00:18:19,080 --> 00:18:21,600
This was traditionally
what you did to a suicide,
289
00:18:21,600 --> 00:18:24,960
to stop his or her ghost
from wandering around.
290
00:18:24,960 --> 00:18:27,920
But John Williams'
skeleton did go wandering.
291
00:18:27,920 --> 00:18:31,760
A couple of decades later,
gas pipes were installed along here,
292
00:18:31,760 --> 00:18:35,480
and the workmen digging the hole
discovered his bones.
293
00:18:35,480 --> 00:18:39,720
His skull somehow ended up
in the possession of the landlord
294
00:18:39,720 --> 00:18:41,280
at the Crown and Dolphin.
295
00:18:47,760 --> 00:18:51,040
The horror in Wapping reached
all corners of the country
296
00:18:51,040 --> 00:18:54,760
through illustrated, one-sheet
publications called broadsides.
297
00:18:54,760 --> 00:18:57,520
These sold in their hundreds
of thousands.
298
00:19:00,440 --> 00:19:04,200
Newspaper proprietors realised
that sensational killings
299
00:19:04,200 --> 00:19:06,640
could boost circulation enormously.
300
00:19:10,440 --> 00:19:12,920
But fact and fiction became blurred.
301
00:19:14,400 --> 00:19:18,120
By the time the Ratcliff Highway
story reached the Lake District,
302
00:19:18,120 --> 00:19:22,400
the murders had taken on
an almost mythic quality,
303
00:19:22,400 --> 00:19:24,440
a process that did not go unnoticed
304
00:19:24,440 --> 00:19:27,840
by Grasmere's most curious
resident, Thomas De Quincey.
305
00:19:31,880 --> 00:19:34,440
Thomas de Quincey
was a complete oddball.
306
00:19:34,440 --> 00:19:36,200
He was addicted to opium,
307
00:19:36,200 --> 00:19:40,440
and spent a lot of his time
in a sort of crazy, creative dream.
308
00:19:40,440 --> 00:19:43,800
He was an unconventional,
but rather brilliant writer.
309
00:19:43,800 --> 00:19:46,520
Some people think the two
things are connected.
310
00:19:46,520 --> 00:19:49,280
When he was living here
at Dove Cottage, he would produce
311
00:19:49,280 --> 00:19:54,200
the best-known piece of writing
about the Ratcliff Highway killings.
312
00:19:57,680 --> 00:20:02,360
Thomas De Quincey's essay on murder
was basically a great, big tease.
313
00:20:02,360 --> 00:20:05,960
He was setting out to provoke
all the newspaper readers
314
00:20:05,960 --> 00:20:10,680
who had sucked up the details of the
real-life crimes and relished them.
315
00:20:10,680 --> 00:20:14,640
De Quincey claimed that there
was this imaginary murder club
316
00:20:14,640 --> 00:20:17,080
for people who took things
even further.
317
00:20:17,080 --> 00:20:18,960
They were connoisseurs of crime,
318
00:20:18,960 --> 00:20:22,040
and they believed that murder
ought to be elevated
319
00:20:22,040 --> 00:20:26,280
into one of the fine arts.
This was all satirical, of course.
320
00:20:26,280 --> 00:20:29,440
At their meetings, they talked
about their favourite murderers,
321
00:20:29,440 --> 00:20:31,840
and top of the tree
was John Williams,
322
00:20:31,840 --> 00:20:35,240
the most accomplished practitioner
yet of this new act.
323
00:20:38,440 --> 00:20:43,240
"Mr Williams has exalted
the ideal of murder to all of us.
324
00:20:43,240 --> 00:20:47,840
"He has carried his art to
a point of colossal sublimity.
325
00:20:47,840 --> 00:20:53,160
"All other murders look pale
beside the deep crimson of his.
326
00:20:53,160 --> 00:20:56,280
"Leave aside morality
after the deed is done.
327
00:20:56,280 --> 00:20:58,240
"Why not enjoy a good murder?"
328
00:21:02,400 --> 00:21:06,560
De Quincey's satirical musings on
the dark side of human nature
329
00:21:06,560 --> 00:21:09,320
might well have been fuelled
by his heavy,
330
00:21:09,320 --> 00:21:11,400
if not excessive, use of opium.
331
00:21:14,200 --> 00:21:19,800
This amazing thing is Thomas
De Quincey's set of opium scales.
332
00:21:21,720 --> 00:21:25,600
Today, his drug-taking sounds
really squalid and debauched.
333
00:21:25,600 --> 00:21:28,560
But actually, opium
was quite an established part
334
00:21:28,560 --> 00:21:31,280
of 19th-century life.
It wasn't illegal.
335
00:21:31,280 --> 00:21:34,160
You could buy the powder
at the chemist's,
336
00:21:34,160 --> 00:21:36,400
or you might take it in liquid form.
337
00:21:36,400 --> 00:21:38,400
This is tincture of opium.
338
00:21:38,400 --> 00:21:40,760
There's actual drugs in there.
339
00:21:40,760 --> 00:21:45,360
And this is Kendal Black Drop,
a famous local brand.
340
00:21:45,360 --> 00:21:48,240
You might give this to your baby
if it cried,
341
00:21:48,240 --> 00:21:49,400
or to kill the toothache,
342
00:21:49,400 --> 00:21:51,880
which was how Thomas de Quincey
himself got started.
343
00:21:51,880 --> 00:21:54,920
He would take his laudanum,
344
00:21:54,920 --> 00:21:58,640
or tincture, in a glass of brandy,
345
00:21:58,640 --> 00:22:02,080
thereby getting addicted
to alcohol at the same time.
346
00:22:02,080 --> 00:22:04,520
And his consumption
was extraordinary -
347
00:22:04,520 --> 00:22:09,360
8,000 drops a day, we hear,
or a whole ounce.
348
00:22:09,360 --> 00:22:12,320
This isn't opium, it's ginger,
but that's a whole ounce.
349
00:22:12,320 --> 00:22:14,000
He would take that in a single day.
350
00:22:14,000 --> 00:22:17,760
If you did that without being used
to it, it would clearly kill you.
351
00:22:21,960 --> 00:22:26,680
Drug-inspired or not, De Quincey
gives us a fundamental insight
352
00:22:26,680 --> 00:22:29,000
that we all enjoy a good murder,
353
00:22:29,000 --> 00:22:31,480
although sometimes
we're reluctant to admit it.
354
00:22:32,840 --> 00:22:36,520
De Quincey skewered this idea
that we consume murder,
355
00:22:36,520 --> 00:22:41,480
that we judge them, that we like a
good one, with vulnerable characters
356
00:22:41,480 --> 00:22:43,200
and interesting developments.
357
00:22:43,200 --> 00:22:48,600
But if a crime is dull and brutish,
as he said, we damn it unanimously.
358
00:22:49,680 --> 00:22:52,320
And this sense that we enjoy murder
359
00:22:52,320 --> 00:22:56,760
runs from De Quincey's time
right until the present day.
360
00:23:02,320 --> 00:23:04,760
20 years after the murder
in Wapping,
361
00:23:04,760 --> 00:23:06,560
another killing was turned
362
00:23:06,560 --> 00:23:10,080
into one of the 19th century's
most potent stories.
363
00:23:12,360 --> 00:23:13,920
It would be mythologized
364
00:23:13,920 --> 00:23:16,680
and transformed into popular
entertainment
365
00:23:16,680 --> 00:23:18,840
within weeks of the murder itself.
366
00:23:24,200 --> 00:23:27,880
This story played to the growing
obsession with violent crime.
367
00:23:29,320 --> 00:23:32,520
It would be acted out
not in the turbulent East End,
368
00:23:32,520 --> 00:23:35,960
but in the sleepy Suffolk
village of Polstead.
369
00:23:37,400 --> 00:23:39,800
It was here, in 1827,
370
00:23:39,800 --> 00:23:43,640
that a crime took place
that still resonates today.
371
00:23:43,640 --> 00:23:47,120
Maria Marten
and the murder in the red barn.
372
00:23:50,920 --> 00:23:55,200
Maria Marten was the daughter
of the local mole catcher.
373
00:23:55,200 --> 00:23:57,720
She lived on the edge of the village
with her family
374
00:23:57,720 --> 00:23:59,360
and her illegitimate child.
375
00:24:01,080 --> 00:24:05,240
In a much grander house
at the centre of Polstead
376
00:24:05,240 --> 00:24:08,080
lived the man who would kill her.
377
00:24:08,080 --> 00:24:11,240
This is the much grander house
lived in by William Corder.
378
00:24:11,240 --> 00:24:16,000
His father was a prosperous
and God-fearing yeoman farmer.
379
00:24:16,000 --> 00:24:19,560
In some of the stories that later
sprang up around this case,
380
00:24:19,560 --> 00:24:22,560
William Corder was described
as the squire of the village,
381
00:24:22,560 --> 00:24:26,200
but this actually makes him
sound straighter than he really was.
382
00:24:26,200 --> 00:24:28,480
He did have criminal
contacts in London,
383
00:24:28,480 --> 00:24:30,320
and when he'd been at school,
384
00:24:30,320 --> 00:24:34,760
his friends had given him a nickname
that reflected his sneaky ways.
385
00:24:34,760 --> 00:24:36,480
They called him Foxy.
386
00:24:47,160 --> 00:24:50,880
The third character in the story
was the red barn itself,
387
00:24:50,880 --> 00:24:53,640
which stood in a field
just outside Polstead.
388
00:24:57,760 --> 00:25:00,320
There is a very melodramatic
explanation
389
00:25:00,320 --> 00:25:02,200
of the name of the red barn.
390
00:25:02,200 --> 00:25:05,400
As the sun set,
the evening light is supposed
391
00:25:05,400 --> 00:25:07,800
to have turned the barn
the colour of blood,
392
00:25:07,800 --> 00:25:11,280
giving it the reputation amongst
the locals as a place of evil.
393
00:25:14,400 --> 00:25:15,880
So it was an ideal place
394
00:25:15,880 --> 00:25:19,720
for secret meetings between
William Corder and his lover.
395
00:25:19,720 --> 00:25:23,400
They weren't going to be observed.
396
00:25:25,040 --> 00:25:27,560
Friday, 18th May was the last time
397
00:25:27,560 --> 00:25:30,680
that anyone in Polstead
saw Maria alive.
398
00:25:30,680 --> 00:25:33,880
That night, she had a secret
rendezvous with William Corder
399
00:25:33,880 --> 00:25:36,920
under the cover of darkness
at the red barn.
400
00:25:36,920 --> 00:25:39,680
She thought that they were planning
to run off together.
401
00:25:47,760 --> 00:25:52,280
For a whole year, as far as Maria's
parents knew, she really had eloped.
402
00:25:53,360 --> 00:25:57,520
William Corder even wrote to them
saying "I have left her at Ipswich".
403
00:25:57,520 --> 00:25:59,240
Maria couldn't write herself,
he said,
404
00:25:59,240 --> 00:26:00,640
because she had hurt her wrist.
405
00:26:02,960 --> 00:26:07,680
In April 1828, Maria's stepmother
began to have nightmares.
406
00:26:09,040 --> 00:26:12,000
"I have dreamt on three nights
that she was murdered
407
00:26:12,000 --> 00:26:14,360
"and buried in the red barn",
she said.
408
00:26:15,960 --> 00:26:18,440
This apparent intervention by
providence
409
00:26:18,440 --> 00:26:20,840
in the form of Maria's stepmother's
dream
410
00:26:20,840 --> 00:26:23,400
would become an important part
of the story.
411
00:26:24,720 --> 00:26:27,160
Her father now began a search,
412
00:26:27,160 --> 00:26:30,320
and soon found Maria's
decomposing body
413
00:26:30,320 --> 00:26:33,320
in the exact spot
the dream predicted.
414
00:26:38,720 --> 00:26:42,480
The prime suspect was, of course,
William Corder.
415
00:26:42,480 --> 00:26:46,360
He was arrested by the constables
in Brentford, outside London,
416
00:26:46,360 --> 00:26:49,080
where he had set up home
with a new wife.
417
00:26:50,560 --> 00:26:53,760
In the phenomenon De Quincey had
identified,
418
00:26:53,760 --> 00:26:55,640
the sordid red barn murder
419
00:26:55,640 --> 00:26:59,720
now provided excellent raw material
for entertainment.
420
00:27:03,720 --> 00:27:06,200
And in the 1820s,
the most theatrical way
421
00:27:06,200 --> 00:27:09,760
of telling the story of
notorious murders was melodrama.
422
00:27:11,080 --> 00:27:14,280
This stylised form of theatre was
performed here
423
00:27:14,280 --> 00:27:15,840
at the Old Vic in London,
424
00:27:15,840 --> 00:27:19,640
which had opened ten years
before the events in Polstead.
425
00:27:19,640 --> 00:27:22,280
The proper name of the theatre
was the Royal Coburg,
426
00:27:22,280 --> 00:27:26,760
but because of all the gory
murder mysteries they put on here,
427
00:27:26,760 --> 00:27:29,360
everybody called it the Blood Tub.
428
00:27:29,360 --> 00:27:32,400
Let's find out how that murder
in sleepy Suffolk
429
00:27:32,400 --> 00:27:34,880
got turned into
a smash hit melodrama.
430
00:27:38,840 --> 00:27:42,320
Melodramas were a heady mix
of music and acting.
431
00:27:42,320 --> 00:27:44,520
They had sensational plots,
432
00:27:44,520 --> 00:27:47,640
with actors representing good
and evil,
433
00:27:47,640 --> 00:27:50,760
all to a raucous musical
accompaniment.
434
00:27:50,760 --> 00:27:54,000
For a modern audience,
they were rather like pantomime.
435
00:27:56,120 --> 00:27:58,000
To learn how real-life murder
436
00:27:58,000 --> 00:28:01,720
was turned into this wildly
popular form of entertainment,
437
00:28:01,720 --> 00:28:04,280
I've come to meet the actor
Michael Kirk.
438
00:28:04,280 --> 00:28:07,240
Michael, what exactly is melodrama?
439
00:28:07,240 --> 00:28:11,080
I suppose if we were
describing melodrama nowadays,
440
00:28:11,080 --> 00:28:13,760
we would probably describe
it as over the top.
441
00:28:13,760 --> 00:28:19,240
A story of great love,
great passion...and they meant it.
442
00:28:19,240 --> 00:28:22,000
It was very, very important.
443
00:28:22,000 --> 00:28:26,600
The story of a melodrama is,
"If we don't do this, we die."
444
00:28:26,600 --> 00:28:27,840
It's that important.
445
00:28:29,000 --> 00:28:32,440
And did the audience not mind
the basic implausibility?
446
00:28:32,440 --> 00:28:34,680
Because we get coincidences,
447
00:28:34,680 --> 00:28:38,160
we get people seeing things
in dreams, ghosts.
448
00:28:38,160 --> 00:28:41,320
I think they loved it,
because it was so popular.
449
00:28:41,320 --> 00:28:45,000
And they loved to know
what was going on.
450
00:28:45,000 --> 00:28:47,280
They didn't want mystery
or anything like that.
451
00:28:47,280 --> 00:28:51,600
They wanted to know who the villain
was, who the heroine was,
452
00:28:51,600 --> 00:28:57,960
and that was very important. And they
wouldn't just sit there and watch.
453
00:28:57,960 --> 00:29:00,520
They would so much want
to be part of the play.
454
00:29:03,760 --> 00:29:09,440
The catcalls and the mayhem
allowed people to let off steam.
455
00:29:09,440 --> 00:29:10,720
Safe in their seats,
456
00:29:10,720 --> 00:29:14,160
the audience always enjoyed seeing
justice being done,
457
00:29:14,160 --> 00:29:17,200
the murderer being punished
and order restored.
458
00:29:18,680 --> 00:29:21,680
They would expect to jeer
the villain,
459
00:29:21,680 --> 00:29:24,360
cheer the young village maiden.
460
00:29:24,360 --> 00:29:26,640
It would have been
a bloodbath out there.
461
00:29:26,640 --> 00:29:29,680
I think it must have been
every man for himself.
462
00:29:29,680 --> 00:29:33,040
And I actually don't think we ought
to talk about it any more.
463
00:29:33,040 --> 00:29:34,680
We ought to go up there
and give it a go.
464
00:29:37,400 --> 00:29:40,280
So it's time for curtain up
for Maria Marten,
465
00:29:40,280 --> 00:29:42,800
or The Murder In The Red Barn.
466
00:29:46,960 --> 00:29:49,840
Scene the third,
inside the red barn.
467
00:29:49,840 --> 00:29:52,640
Corder, discovered digging a grave.
468
00:29:52,640 --> 00:29:54,000
Villain's music.
469
00:29:54,000 --> 00:29:55,320
SOMBRE MUSIC
470
00:29:55,320 --> 00:30:00,680
All is complete.
I now await my victim. Will she come?
471
00:30:00,680 --> 00:30:04,040
Oh, yes. A woman is fool enough
472
00:30:04,040 --> 00:30:08,080
to do anything for the man she loves.
473
00:30:08,080 --> 00:30:11,560
Hark! It is her footsteps
bounding across the field.
474
00:30:11,560 --> 00:30:16,000
She comes with love in her heart,
a song on her lips.
475
00:30:16,000 --> 00:30:22,280
Little does she think that death
is so near.
476
00:30:22,280 --> 00:30:24,920
William not here?
477
00:30:24,920 --> 00:30:31,800
Where can he be? What ails me?
I feel fear in my heart.
478
00:30:31,800 --> 00:30:36,320
My limbs tremble.
I will return to my home.
479
00:30:36,320 --> 00:30:37,800
Stay, Maria.
480
00:30:39,160 --> 00:30:43,280
William!
I'm so glad that you are here.
481
00:30:43,280 --> 00:30:46,680
You don't know how frightened
I've been.
482
00:30:46,680 --> 00:30:50,960
Did anyone see you cross the fields?
Not a soul.
483
00:30:50,960 --> 00:30:55,760
I followed your instructions.
That's good. Now, Maria,
484
00:30:55,760 --> 00:31:01,040
do you remember threatening to betray
me about the child to the constable?
485
00:31:01,040 --> 00:31:04,480
It was but a girlish threat.
486
00:31:06,360 --> 00:31:08,240
Tremolo fiddles.
487
00:31:08,240 --> 00:31:11,320
But don't talk about that now.
Let's leave this place.
488
00:31:11,320 --> 00:31:14,000
Not yet, Maria.
489
00:31:14,000 --> 00:31:18,160
Look what I have made here.
490
00:31:18,160 --> 00:31:22,040
A grave! William, what do you mean?
491
00:31:22,040 --> 00:31:26,560
To kill you! To bury your body there.
492
00:31:26,560 --> 00:31:31,240
You are a clog upon my actions,
493
00:31:31,240 --> 00:31:35,760
a chain that keeps me from reaching
ambitious heights.
494
00:31:35,760 --> 00:31:38,320
Spare me! Oh, spare me!
495
00:31:38,320 --> 00:31:40,680
It is no use. My mind's resolved.
496
00:31:40,680 --> 00:31:44,000
You die tonight!
497
00:31:44,000 --> 00:31:45,080
Aaagh!
498
00:31:46,040 --> 00:31:49,400
Oh, you wretch!
499
00:31:49,400 --> 00:31:55,000
Oh! May this crime
forever be accursed.
500
00:31:56,160 --> 00:31:57,520
Thunder and lightning.
501
00:31:57,520 --> 00:31:59,040
THUNDER CRASHES
502
00:31:59,040 --> 00:32:00,600
Thank you.
503
00:32:02,040 --> 00:32:04,960
APPLAUSE
504
00:32:07,960 --> 00:32:10,400
It wasn't only in cities and towns
505
00:32:10,400 --> 00:32:13,880
that people could enjoy
murderous melodramas.
506
00:32:13,880 --> 00:32:18,600
They also appeared in the repertoire
of travelling marionette theatres.
507
00:32:18,600 --> 00:32:22,240
The story of the red barn
was being performed at country fairs
508
00:32:22,240 --> 00:32:26,200
even before William Corder
stood trial.
509
00:32:26,200 --> 00:32:31,360
Oh, Maria, hello!
You've come! You've come!
510
00:32:31,360 --> 00:32:34,840
And these belonged to a company
that actually toured East Anglia?
511
00:32:34,840 --> 00:32:39,080
Yes, so we know that this company
performed Maria Marten.
512
00:32:39,080 --> 00:32:43,080
What was it like to go and see
a puppet show?
513
00:32:43,080 --> 00:32:45,360
Oh, incredibly exciting.
514
00:32:45,360 --> 00:32:48,120
Not only was it exciting to see
the characters,
515
00:32:48,120 --> 00:32:50,440
it was also exciting to see
the scenery,
516
00:32:50,440 --> 00:32:52,920
because they had
proper puppet scenery.
517
00:32:52,920 --> 00:32:57,520
It was a miniature version
of being in any theatre.
518
00:32:57,520 --> 00:33:00,000
So this is not for children
and it's not just funny,
519
00:33:00,000 --> 00:33:03,920
these are important points?
Absolutely.
520
00:33:03,920 --> 00:33:08,120
They did a whole range
of different types of plays.
521
00:33:08,120 --> 00:33:12,600
They did everything that was
exciting or amusing the people.
522
00:33:12,600 --> 00:33:15,520
So they did the melodramas
and the murders.
523
00:33:15,520 --> 00:33:17,840
People in outlying rural areas
524
00:33:17,840 --> 00:33:22,560
would have really looked forward
to the marionette theatre coming.
525
00:33:23,720 --> 00:33:25,040
Even from a distance,
526
00:33:25,040 --> 00:33:28,280
you can tell that William Corder
here is the villain.
527
00:33:28,280 --> 00:33:31,000
He's got a very villainous
moustache.
528
00:33:31,000 --> 00:33:35,000
Yes, and he's got glassy,
staring eyes.
529
00:33:37,080 --> 00:33:41,120
Oh, William!
I cannot wait until we are together.
530
00:33:41,120 --> 00:33:45,040
Well, that's what you think, but
I haven't brought you here for love.
531
00:33:45,040 --> 00:33:49,040
I've brought you here,
my girl, to kill you!
532
00:33:49,040 --> 00:33:51,880
Oh, William! Do not treat me so!
533
00:33:51,880 --> 00:33:55,160
Die, woman!
534
00:33:58,680 --> 00:34:01,920
Back in real life, once
William Corder had been captured,
535
00:34:01,920 --> 00:34:06,080
his story continued. He was brought
back to Bury St Edmunds,
536
00:34:06,080 --> 00:34:08,800
the nearest assize town to Polstead.
537
00:34:11,640 --> 00:34:15,240
The trial began on 7th August 1828,
538
00:34:15,240 --> 00:34:18,320
in the Shire Hall
of Bury St Edmunds.
539
00:34:18,320 --> 00:34:21,280
William Corder
initially pleaded not guilty,
540
00:34:21,280 --> 00:34:23,440
but later on, he did confess.
541
00:34:23,440 --> 00:34:26,840
He claimed that he had shot her
in the eye by accident,
542
00:34:26,840 --> 00:34:30,080
and that the gun had gone off
in his trembling hands.
543
00:34:33,120 --> 00:34:35,280
The trial lasted just two days,
544
00:34:35,280 --> 00:34:38,600
and the jury took only 35 minutes
to reach their decision.
545
00:34:40,880 --> 00:34:42,200
Guilty.
546
00:34:43,840 --> 00:34:45,560
On the day of his hanging,
547
00:34:45,560 --> 00:34:48,200
a huge crowd gathered outside
the jail,
548
00:34:48,200 --> 00:34:51,440
in the hope of catching
a glimpse of the villain.
549
00:34:52,960 --> 00:34:57,600
It took William Corder a long time
to die, around ten minutes,
550
00:34:57,600 --> 00:35:01,080
and that was with the hangman
pulling down on his legs.
551
00:35:01,080 --> 00:35:04,640
As the newspapers said,
he died hard.
552
00:35:07,840 --> 00:35:09,920
His body was barely cold
553
00:35:09,920 --> 00:35:12,920
before the story of William Corder
554
00:35:12,920 --> 00:35:15,200
was featuring in street ballads
and alehouse songs.
555
00:35:19,120 --> 00:35:22,440
At the Cock Inn in Polstead,
I'm meeting Vic Gammon
556
00:35:22,440 --> 00:35:26,920
to hear how the story of Murder In
The Red Barn was turned into music.
557
00:35:32,320 --> 00:35:36,920
♪ It's William Corder, it is my name
558
00:35:36,920 --> 00:35:41,040
♪ I brought my friends to grief
and shame
559
00:35:41,040 --> 00:35:45,480
♪ Unlawful passions caused my fall
560
00:35:45,480 --> 00:35:50,160
♪ And now my life must pay for all. ♪
561
00:35:51,640 --> 00:35:55,440
Now, there's a whole lot of William
Corder songs, aren't there,
that's not the only one?
562
00:35:55,440 --> 00:35:57,000
No, I've found about four of them.
563
00:35:57,000 --> 00:36:00,400
There's one really famous one.
The Murder Of Maria Marten
564
00:36:00,400 --> 00:36:03,240
is the one that really circulated
in a large way.
565
00:36:03,240 --> 00:36:04,960
It was a national hit, then?
566
00:36:04,960 --> 00:36:08,760
It was a national hit,
that's a good way to put it.
567
00:36:08,760 --> 00:36:11,320
It's really the interest
in the case,
568
00:36:11,320 --> 00:36:14,880
plus the fact that there
was at that time, the 1820s,
569
00:36:14,880 --> 00:36:17,480
a strong popular singing tradition -
570
00:36:17,480 --> 00:36:20,960
people singing for themselves,
for recreation, for fun -
571
00:36:20,960 --> 00:36:24,360
that meant things like this
were a hit. Well, let's have a sing.
572
00:36:24,360 --> 00:36:25,960
Yes, let's.
573
00:36:25,960 --> 00:36:29,840
♪ Come, all you thoughtless young men
574
00:36:29,840 --> 00:36:33,080
♪ A warning take by me
575
00:36:33,080 --> 00:36:38,960
♪ And think upon my unhappy fate
to be hanged upon the tree
576
00:36:38,960 --> 00:36:43,640
♪ My name is William Corder
577
00:36:43,640 --> 00:36:46,880
♪ To you I do declare
578
00:36:46,880 --> 00:36:50,600
♪ I courted Maria Marten
579
00:36:50,600 --> 00:36:54,520
♪ Most beautiful and fair. ♪
580
00:36:54,520 --> 00:36:57,520
Supposing I was
a servant in London in 1928
581
00:36:57,520 --> 00:37:00,160
and I wanted to learn this song,
how would I go about doing it?
582
00:37:00,160 --> 00:37:02,520
The most likely way
you would learn it
583
00:37:02,520 --> 00:37:04,520
is from a street ballad singer.
584
00:37:04,520 --> 00:37:06,480
There were hundreds of these people,
585
00:37:06,480 --> 00:37:08,640
even in the mid-19th century
in London.
586
00:37:09,840 --> 00:37:11,640
They're not just buskers,
587
00:37:11,640 --> 00:37:16,080
because they would both sing and sell
the ballad at the same time,
588
00:37:16,080 --> 00:37:19,080
and that's the way
you would learn the tune.
589
00:37:20,200 --> 00:37:23,400
We have accounts of large crowds
of people standing
590
00:37:23,400 --> 00:37:25,320
listening to ballad singers.
591
00:37:25,320 --> 00:37:26,520
It's a really good idea,
592
00:37:26,520 --> 00:37:29,360
because if everybody
across Britain is singing this,
593
00:37:29,360 --> 00:37:31,920
it's like a massive
public safety warning,
594
00:37:31,920 --> 00:37:35,560
saying "Don't go murdering ladies
and burying them in barns.
595
00:37:35,560 --> 00:37:37,840
"It will be bad for you.
You will die".
596
00:37:37,840 --> 00:37:40,240
Yes! You can look at it that way,
597
00:37:40,240 --> 00:37:43,640
or you can look at it on the way
that the popular press
598
00:37:43,640 --> 00:37:48,480
both delights in and takes
a sort of distanced view
599
00:37:48,480 --> 00:37:50,800
of gory happenings and so on.
600
00:37:50,800 --> 00:37:54,280
There's both the fascination
and the warning element in there.
601
00:37:54,280 --> 00:37:55,840
They're both quite strong.
602
00:37:55,840 --> 00:37:58,240
The lesson of the song is,
though, don't do it, isn't it?
603
00:37:58,240 --> 00:38:01,280
Although they are taking
a bit of pleasure
604
00:38:01,280 --> 00:38:02,760
in the "bleeding, mangled body".
605
00:38:02,760 --> 00:38:05,560
Shall we try the "bleeding, mangled"
verse? Yeah, I like that one.
606
00:38:05,560 --> 00:38:10,040
♪ With heart so light
she thought no harm
607
00:38:10,040 --> 00:38:13,320
♪ To meet him she did go
608
00:38:13,320 --> 00:38:20,520
♪ He murdered her all in the barn
and laid her body low
609
00:38:20,520 --> 00:38:23,640
♪ And after the horrible deed
was done
610
00:38:23,640 --> 00:38:27,680
♪ She lay weltering in her gore
611
00:38:27,680 --> 00:38:31,320
♪ Her bleeding, mangled body
he buried
612
00:38:31,320 --> 00:38:34,800
♪ Beneath the red barn floor. ♪
613
00:38:34,800 --> 00:38:37,280
That's ridiculously ghoulish!
614
00:38:37,280 --> 00:38:40,320
The blood, the body, the mangling,
ugh!
615
00:38:40,320 --> 00:38:43,480
Murder is not a nice thing, and this
is relishing in that detail.
616
00:38:43,480 --> 00:38:44,920
The voice of an angel.
617
00:38:44,920 --> 00:38:45,960
GLASSES CLINK
618
00:38:58,800 --> 00:39:02,120
Melodramas and broadsides
and ballads
619
00:39:02,120 --> 00:39:04,560
had made Polstead infamous.
620
00:39:04,560 --> 00:39:08,400
Murder tourists arrived,
wanting to visit the village
621
00:39:08,400 --> 00:39:12,520
to see the red barn, and even
to touch the grave of poor Maria.
622
00:39:14,360 --> 00:39:19,680
This board here tells us
that Maria Marten is buried nearby.
623
00:39:19,680 --> 00:39:23,040
She was aged just 25 years.
624
00:39:23,040 --> 00:39:25,120
We can't see her actual gravestone
625
00:39:25,120 --> 00:39:28,200
because it was chipped to
pieces by souvenir hunters,
626
00:39:28,200 --> 00:39:30,160
and there isn't a trace of it left.
627
00:39:34,040 --> 00:39:36,360
As in many a crime story,
628
00:39:36,360 --> 00:39:39,680
the murder in the red barn
shows that we are more interested
629
00:39:39,680 --> 00:39:42,280
in the character and the deeds
of the murderer
630
00:39:42,280 --> 00:39:43,760
than those of the victim.
631
00:39:45,240 --> 00:39:48,560
William Corder's crime
created a weird industry
632
00:39:48,560 --> 00:39:52,000
in what we might call
murder souvenirs.
633
00:39:52,000 --> 00:39:53,560
Anyone who had the cash
634
00:39:53,560 --> 00:39:57,320
could buy one of these ceramic
models of the red barn,
635
00:39:57,320 --> 00:40:00,280
take it home
and have it on your own mantelpiece.
636
00:40:00,280 --> 00:40:02,000
Slightly more exclusive
637
00:40:02,000 --> 00:40:06,240
were knick-knacks made out of
the timbers of the red barn itself.
638
00:40:06,240 --> 00:40:10,200
This is a little snuffbox
in the shape of a shoe.
639
00:40:10,200 --> 00:40:14,920
The items associated with the crime
were more valuable.
640
00:40:14,920 --> 00:40:19,600
These were the actual pistols.
These are what he used to shoot her.
641
00:40:20,840 --> 00:40:23,280
Ascending up the scale
of gruesomeness,
642
00:40:23,280 --> 00:40:25,440
this is a book about William Corder,
643
00:40:25,440 --> 00:40:27,880
written by a journalist
from The Times.
644
00:40:27,880 --> 00:40:31,840
You'd think it was just a book,
until you open up the cover
645
00:40:31,840 --> 00:40:35,720
and you read that
the leather binding is made
646
00:40:35,720 --> 00:40:38,360
from the skin of the murderer,
647
00:40:38,360 --> 00:40:42,000
taken from his body
and tanned by a surgeon
648
00:40:42,000 --> 00:40:44,440
from the Suffolk Hospital.
649
00:40:44,440 --> 00:40:49,040
But top of the tree,
absolutely most gruesome of all,
650
00:40:49,040 --> 00:40:52,880
this is the back
of William Corder's head.
651
00:40:52,880 --> 00:40:55,440
It's the skin from his scalp.
652
00:40:55,440 --> 00:40:58,520
You can see on it the little hairs,
653
00:40:58,520 --> 00:41:01,520
and just over here
is the murderer's ear.
654
00:41:03,320 --> 00:41:07,160
Phrenologists were also keen
to study Corder's head,
655
00:41:07,160 --> 00:41:09,760
because they thought
the lumps and bumps on it
656
00:41:09,760 --> 00:41:13,000
represented the homicidal
aspects of his personality.
657
00:41:14,480 --> 00:41:16,280
What is this?
658
00:41:16,280 --> 00:41:21,560
This is a full 3-D bust
of William Corder, taken from death.
659
00:41:21,560 --> 00:41:23,880
It does bear some of the grim
signs
660
00:41:23,880 --> 00:41:27,600
of his death by strangulation
and asphyxiation.
661
00:41:27,600 --> 00:41:28,800
If you look at the front
662
00:41:28,800 --> 00:41:31,320
where you can see the lips
and the nose are swollen,
663
00:41:31,320 --> 00:41:35,840
that is where all the blood
vessels are bursting in his face.
664
00:41:35,840 --> 00:41:38,720
Here, you can see someone
struggling through death.
665
00:41:40,520 --> 00:41:43,880
Tell me what happened to
William Corder's body afterwards.
666
00:41:43,880 --> 00:41:46,440
He would have probably been left
to hang for about an hour,
667
00:41:46,440 --> 00:41:48,960
just to make sure
he was certainly dead.
668
00:41:48,960 --> 00:41:51,160
Then he would have been
taken down to the Shire Hall,
669
00:41:51,160 --> 00:41:53,760
where basically, they would
have publicly anatomised him.
670
00:41:53,760 --> 00:41:56,160
So I'm getting an impression
of this dead body
671
00:41:56,160 --> 00:41:58,920
being brought into the Shire Hall
over there,
672
00:41:58,920 --> 00:42:04,680
and swarms of people coming to
examine it, all in public? Yes.
673
00:42:04,680 --> 00:42:06,640
Presumably, it would have been
674
00:42:06,640 --> 00:42:09,640
the same sort of grand day out
as the execution.
675
00:42:09,640 --> 00:42:11,200
If you missed the execution,
676
00:42:11,200 --> 00:42:13,840
you could go along
and watch the body being cut up.
677
00:42:13,840 --> 00:42:14,960
It was, in essence,
678
00:42:14,960 --> 00:42:19,280
your chance to see a celebrity
of the nefarious sort.
679
00:42:19,280 --> 00:42:21,400
Would you say that he has
contributed
680
00:42:21,400 --> 00:42:23,960
to the local tourist industry?
Absolutely.
681
00:42:23,960 --> 00:42:27,440
Since he's been on display
here for the last hundred years,
682
00:42:27,440 --> 00:42:29,240
people come in every day saying,
683
00:42:29,240 --> 00:42:31,600
"Have you still got the book
bound in skin?
684
00:42:31,600 --> 00:42:33,120
"Have you got the bit of skin?" etc.
685
00:42:33,120 --> 00:42:34,400
And to be honest,
686
00:42:34,400 --> 00:42:36,520
the likes of the community
of Polstead
687
00:42:36,520 --> 00:42:38,960
still celebrate the story
of William Corder
688
00:42:38,960 --> 00:42:40,840
and the murder in the red barn.
689
00:42:40,840 --> 00:42:45,520
It's really funny to hear you saying
"We celebrate our local murderer"!
690
00:42:45,520 --> 00:42:50,480
I think it's because the story
has gone under so many transitions
691
00:42:50,480 --> 00:42:54,360
to become basically so fabricated
that it is a story.
692
00:42:54,360 --> 00:42:57,160
And I think we're celebrating
the story,
693
00:42:57,160 --> 00:43:01,280
as opposed to the reality
of the nastiness of the crime.
694
00:43:01,280 --> 00:43:05,280
And it has all the bearings
of a great, entertaining play.
695
00:43:07,720 --> 00:43:09,840
The tale of Maria Marten showed
696
00:43:09,840 --> 00:43:12,440
how a crime of passion in rural
Suffolk
697
00:43:12,440 --> 00:43:15,840
could become a national source
of entertainment.
698
00:43:15,840 --> 00:43:17,640
It elevated William Corder
699
00:43:17,640 --> 00:43:21,320
into one of the most notorious
murderers of the century.
700
00:43:21,320 --> 00:43:24,880
20 years later, it would be
a famous murderess
701
00:43:24,880 --> 00:43:28,200
who would similarly enthral
the public.
702
00:43:28,200 --> 00:43:31,760
This attractive
and apparently cold-hearted woman
703
00:43:31,760 --> 00:43:33,760
became infamous for her part
704
00:43:33,760 --> 00:43:36,840
in the crime known as
the Bermondsey Horror.
705
00:43:39,680 --> 00:43:41,280
Maria Manning was living
706
00:43:41,280 --> 00:43:44,960
at No.3, Miniver Place,
Bermondsey, South London,
707
00:43:44,960 --> 00:43:46,840
with her husband, Frederick.
708
00:43:46,840 --> 00:43:49,160
The year was 1849.
709
00:43:50,920 --> 00:43:52,840
Frederick and Maria Manning
710
00:43:52,840 --> 00:43:55,920
were a newly married
couple in their late twenties.
711
00:43:55,920 --> 00:43:59,160
Frederick had been
a guard on the railways,
712
00:43:59,160 --> 00:44:02,640
and then he had failed in business
as a publican
713
00:44:02,640 --> 00:44:04,640
and now he was unemployed.
714
00:44:04,640 --> 00:44:08,320
His wife, Maria,
was much more exotic.
715
00:44:08,320 --> 00:44:11,160
She was Swiss, and she had lived
the high life as a lady's maid.
716
00:44:11,160 --> 00:44:14,760
She had travelled abroad
and stayed in stately homes.
717
00:44:14,760 --> 00:44:17,280
But she too had fallen
on hard times.
718
00:44:17,280 --> 00:44:20,480
Now she was making ends meet
as a dressmaker.
719
00:44:20,480 --> 00:44:24,560
A frequent visitor to the Mannings'
house in Miniver Place
720
00:44:24,560 --> 00:44:28,040
was Patrick O'Connor.
He worked for the Customs,
721
00:44:28,040 --> 00:44:30,840
and he was rumoured to be
a very wealthy man.
722
00:44:32,080 --> 00:44:35,520
The three of them certainly
had a curious relationship.
723
00:44:35,520 --> 00:44:39,720
In fact, it was scandalous. This was
almost certainly a love triangle.
724
00:44:42,160 --> 00:44:45,800
On Thursday, 9th August, Patrick
O'Connor told friends
725
00:44:45,800 --> 00:44:49,520
that he had been invited
to have dinner with the Mannings.
726
00:44:49,520 --> 00:44:52,760
This was the last time he was seen
alive.
727
00:44:54,480 --> 00:44:59,120
Sometime during that evening,
he was ruthlessly killed.
728
00:44:59,120 --> 00:45:02,680
Then, using his keys,
Maria went to his lodgings
729
00:45:02,680 --> 00:45:07,720
and stole his valuables, including
his stock and share certificates.
730
00:45:07,720 --> 00:45:09,080
Four days later,
731
00:45:09,080 --> 00:45:14,200
O'Connor was reported missing to a
now centralised Metropolitan Police.
732
00:45:16,080 --> 00:45:18,680
On Friday the 17th of August,
733
00:45:18,680 --> 00:45:23,840
two police constables got access
to 3 Miniver Place.
734
00:45:23,840 --> 00:45:26,560
They were PC Barnes of the
K Division
735
00:45:26,560 --> 00:45:30,320
and PC Burson of the M Division,
both for the Metropolitan Police.
736
00:45:30,320 --> 00:45:33,720
Inside the house,
they found a state of confusion.
737
00:45:33,720 --> 00:45:36,520
Whatever furniture had been
here had disappeared
738
00:45:36,520 --> 00:45:38,080
and the Mannings were gone.
739
00:45:38,080 --> 00:45:41,720
The constables reported back
that the nest were still here
740
00:45:41,720 --> 00:45:43,000
but the birds had flown.
741
00:45:44,280 --> 00:45:47,440
Their search then took them
into the back kitchen.
742
00:45:48,680 --> 00:45:51,440
The two police constables
had eagle eyes.
743
00:45:51,440 --> 00:45:52,720
In the kitchen,
744
00:45:52,720 --> 00:45:56,560
they noticed that one of
the flagstones was loose
near the hearth.
745
00:45:56,560 --> 00:45:59,600
They soon had it up
and there was O'Connor.
746
00:45:59,600 --> 00:46:04,520
He was naked, he's been trussed up,
he'd been tossed in quicklime
747
00:46:04,520 --> 00:46:06,680
and his dead body was now blue.
748
00:46:08,640 --> 00:46:11,640
The hunt for the murderers
was now on,
749
00:46:11,640 --> 00:46:16,320
led by the newly formed detective
branch of the Metropolitan Police
750
00:46:16,320 --> 00:46:18,640
under inspector Charles Field.
751
00:46:18,640 --> 00:46:23,360
The Bermondsey horror was a chance
for them to prove themselves.
752
00:46:23,360 --> 00:46:27,520
First, Field's men had to
track the Mannings down.
753
00:46:27,520 --> 00:46:28,720
But where were they?
754
00:46:28,720 --> 00:46:33,600
The Mannings had split up
and run in different directions.
755
00:46:33,600 --> 00:46:36,040
It seems that Maria had
gone off first without
756
00:46:36,040 --> 00:46:40,320
the knowledge of her husband,
but with the couple's stolen wealth.
757
00:46:40,320 --> 00:46:43,440
The Mannings had robbed O'Connor
and they'd killed him,
758
00:46:43,440 --> 00:46:46,720
and on top of that, Maria had
double-crossed her husband.
759
00:46:48,440 --> 00:46:50,320
Maria fled north to Scotland
760
00:46:50,320 --> 00:46:54,240
while the hapless Fredrick caught
a steamer to the Channel Islands.
761
00:46:55,320 --> 00:46:58,720
To discover more about how the
detectives were able to trace
762
00:46:58,720 --> 00:47:02,880
the Mannings, I met up again with
Rosalind Crone in south London.
763
00:47:05,960 --> 00:47:08,960
In 1811, when we have the
Ratcliff Highway murders,
764
00:47:08,960 --> 00:47:11,480
there's a slightly chaotic
response from the authorities
765
00:47:11,480 --> 00:47:14,760
but things are very different by the
times of the Mannings, aren't they?
766
00:47:14,760 --> 00:47:18,080
Yes. What we see is a much more
joined-up system of policing,
767
00:47:18,080 --> 00:47:21,440
but more significantly they're
joined by a new detective force.
768
00:47:21,440 --> 00:47:25,680
Now, the Metropolitan Police force
in 1829 are meant to be very much
769
00:47:25,680 --> 00:47:28,200
a preventing crime force,
770
00:47:28,200 --> 00:47:31,880
so they patrol beats and keep a watch
over people and property.
771
00:47:31,880 --> 00:47:35,840
The detective force, founded
in 1842, is meant to detect crime.
772
00:47:35,840 --> 00:47:37,760
It's a slightly different function.
773
00:47:37,760 --> 00:47:39,800
But they're only a small
office at this stage -
774
00:47:39,800 --> 00:47:43,480
about eight man in total in their
office in Scotland Yard.
775
00:47:43,480 --> 00:47:46,480
So we've got this new detective
squad and they're allowed, actually,
776
00:47:46,480 --> 00:47:48,640
to go after the criminals
for the first time.
777
00:47:48,640 --> 00:47:50,760
How did they actually catch Maria?
778
00:47:50,760 --> 00:47:54,240
First of all, the detective sergeant
who's sent out to have a
779
00:47:54,240 --> 00:47:57,600
look at the house, is able to
track down the cab driver who takes
780
00:47:57,600 --> 00:47:59,120
Maria to the station.
781
00:48:04,640 --> 00:48:07,600
He's able to figure out that she
goes to Euston station
782
00:48:07,600 --> 00:48:09,880
and gets on a train
bound for Edinburgh.
783
00:48:12,840 --> 00:48:16,160
Then he's able to use telegraphic
communications to wire up
784
00:48:16,160 --> 00:48:19,080
a message to his colleagues
in the Edinburgh police,
785
00:48:19,080 --> 00:48:22,640
putting out a description of Maria
which they circulate
786
00:48:22,640 --> 00:48:24,360
and are able to track her down.
787
00:48:27,040 --> 00:48:29,920
Maria was arrested in Edinburgh.
788
00:48:29,920 --> 00:48:33,880
Shortly afterwards, Frederick was
apprehended in St Helier.
789
00:48:35,240 --> 00:48:38,880
This was a coup for the new
team at Scotland Yard.
790
00:48:38,880 --> 00:48:42,360
Their success in capturing
the Mannings was the first time
791
00:48:42,360 --> 00:48:45,480
the public became conscious of their
emerging role
792
00:48:45,480 --> 00:48:47,120
investigating homicide.
793
00:48:53,680 --> 00:48:57,360
Beside this square was
the site of Horsemonger Lane Gaol
794
00:48:57,360 --> 00:48:59,320
where the Mannings
spent their last days.
795
00:49:01,440 --> 00:49:04,360
The Mannings became national
celebrities,
796
00:49:04,360 --> 00:49:07,360
especially the dark,
bewitching Maria.
797
00:49:08,600 --> 00:49:13,600
The Times newspaper alone
ran 72 articles on the case, and an
798
00:49:13,600 --> 00:49:18,560
illustrated book about the couple
sold a colossal 2.5 million copies.
799
00:49:21,600 --> 00:49:25,280
What was it that made Maria Manning
so fascinating?
800
00:49:25,280 --> 00:49:27,960
Now, Maria Manning - well,
part of her fascination is,
801
00:49:27,960 --> 00:49:31,600
of course, because she's a woman
and the idea of a female murderess
802
00:49:31,600 --> 00:49:34,640
flies in the face of Victorian
notions of femininity.
803
00:49:34,640 --> 00:49:37,800
But it's also
because she's foreign, and also
804
00:49:37,800 --> 00:49:41,160
because she has been a lady's
maid in some of the grand houses
805
00:49:41,160 --> 00:49:44,160
and dresses beautifully in these
black silk gowns
806
00:49:44,160 --> 00:49:45,840
and she's very attractive.
807
00:49:45,840 --> 00:49:49,840
It seems to me that she's
unacceptably ambitious -
808
00:49:49,840 --> 00:49:52,040
she's not happy to just be
a servant,
809
00:49:52,040 --> 00:49:55,080
she wants to get married to a rich
man, and even better than that
810
00:49:55,080 --> 00:49:57,720
she wants to marry another man that
she didn't actually hook.
811
00:49:57,720 --> 00:50:00,600
She's got two men on the go.
Yes, yes, that's right.
812
00:50:06,560 --> 00:50:11,440
On 25th October 1849, the Mannings,
husband and wife,
813
00:50:11,440 --> 00:50:15,280
were brought to the greatest
theatre in the land.
814
00:50:15,280 --> 00:50:19,680
The Central Criminal Court,
better known as the Old Bailey.
815
00:50:24,640 --> 00:50:27,000
For the ever curious British public,
816
00:50:27,000 --> 00:50:29,920
this latest melodrama was
reaching its climax.
817
00:50:31,000 --> 00:50:33,480
They'd met a new hero,
the detective,
818
00:50:33,480 --> 00:50:36,640
who could hunt down
and capture the killer.
819
00:50:36,640 --> 00:50:39,480
And murder itself had entered
the modern age.
820
00:50:39,480 --> 00:50:41,600
The perpetrators fleeing by train,
821
00:50:41,600 --> 00:50:45,440
the sleuths tracking them
down by telegraph.
822
00:50:45,440 --> 00:50:49,320
The stage was set for the finale
the nation had been waiting for.
823
00:50:51,680 --> 00:50:56,280
Numerous distinguished visitors
would now turn up to watch the show.
824
00:50:56,280 --> 00:50:58,280
There are members
of the House of Lords
825
00:50:58,280 --> 00:51:00,680
and some very grand foreign
diplomats
826
00:51:00,680 --> 00:51:02,560
like the Austrian Ambassador
827
00:51:02,560 --> 00:51:05,920
and the first secretary to the
Prussian delegation.
828
00:51:05,920 --> 00:51:09,240
All the action would
happen in Court Number One.
829
00:51:23,120 --> 00:51:26,120
Maria made the fateful climb
from the cells below
830
00:51:26,120 --> 00:51:30,480
to put in her
most important public appearance.
831
00:51:30,480 --> 00:51:35,000
She was dressed to kill in her usual
close-fitting dress
832
00:51:35,000 --> 00:51:36,840
of fine, black satin.
833
00:51:42,400 --> 00:51:44,160
The charges are read out.
834
00:51:44,160 --> 00:51:48,520
Frederick George Manning is accused
of murdering Patrick O'Connor,
835
00:51:48,520 --> 00:51:51,000
aided by his wife, Maria Manning.
836
00:51:51,000 --> 00:51:52,960
Both of them plead not guilty.
837
00:51:58,440 --> 00:52:01,640
The court heard that O'Connor had
been shot through the eye
838
00:52:01,640 --> 00:52:06,880
and received 17 blows to the head
that had smashed his skull.
839
00:52:06,880 --> 00:52:11,280
There were details to suggest
that this was a premeditated crime.
840
00:52:11,280 --> 00:52:13,760
In the weeks before O'Connor's
disappearance,
841
00:52:13,760 --> 00:52:16,480
the Mannings had bought
a crowbar from an ironmonger
842
00:52:16,480 --> 00:52:21,520
in King William Street, a shovel
from a shop in Tooley Street
843
00:52:21,520 --> 00:52:24,480
and quicklime from a builder
in Bermondsey Square.
844
00:52:25,640 --> 00:52:29,360
And it wasn't the only damning
evidence that Maria faced.
845
00:52:29,360 --> 00:52:32,760
By the second day, she seemed to
be on trial not only for being
846
00:52:32,760 --> 00:52:35,480
a killer, but also for being
a woman.
847
00:52:37,360 --> 00:52:39,440
To save his client from the gallows,
848
00:52:39,440 --> 00:52:44,200
Frederick's defence barrister chose
to blame Maria for the crime.
849
00:52:44,200 --> 00:52:47,840
He demonised her as that most
terrible of creatures,
850
00:52:47,840 --> 00:52:49,760
a female of loose morals,
851
00:52:49,760 --> 00:52:53,200
quite capable of doing
the foul deed on her own.
852
00:52:54,760 --> 00:52:58,240
We're all in the habit,
he says, of associating the female
853
00:52:58,240 --> 00:53:03,200
character with the idea of mildness
and obedience.
854
00:53:03,200 --> 00:53:07,360
The female is capable of reaching
a higher point in virtue than
855
00:53:07,360 --> 00:53:12,840
the male, but when she gives way to
vice, she sinks far lower.
856
00:53:14,600 --> 00:53:16,880
The court deliberated for two days
857
00:53:16,880 --> 00:53:21,080
and then the jury
withdrew for 45 minutes.
858
00:53:21,080 --> 00:53:25,120
When they came back,
it was with a verdict of guilty.
859
00:53:30,720 --> 00:53:33,200
Frederick Manning is given
the opportunity to address
860
00:53:33,200 --> 00:53:36,920
the whole court
but he turns it down.
861
00:53:36,920 --> 00:53:41,320
Maria is given the same chance
and she takes it. She lets rip.
862
00:53:41,320 --> 00:53:46,200
There is no justice
for a foreigner in this country.
863
00:53:46,200 --> 00:53:50,960
I have no protection from the judges
or my husband.
864
00:53:52,800 --> 00:53:56,920
In the middle of this explosive
rant, Maria grabs the herbs,
865
00:53:56,920 --> 00:54:01,560
used as air fresheners in the court,
and hurls them at the judge.
866
00:54:01,560 --> 00:54:04,720
I am unjustly condemned
by the court.
867
00:54:06,440 --> 00:54:08,520
Shameful England.
868
00:54:11,160 --> 00:54:14,120
Maria Manning and her black satin
dress
869
00:54:14,120 --> 00:54:17,520
would cast a really long shadow
over years to come.
870
00:54:17,520 --> 00:54:21,240
She became known
as the Lady Macbeth of Bermondsey
871
00:54:21,240 --> 00:54:23,280
and she inspired Charles Dickens.
872
00:54:23,280 --> 00:54:27,520
He refashioned her as Hortense
the lady's maid, who turns out to
873
00:54:27,520 --> 00:54:30,160
be the killer in Bleak House.
874
00:54:30,160 --> 00:54:32,840
She was immortalised in wax.
875
00:54:32,840 --> 00:54:36,920
Her figure at Madame Tussauds
became so popular that it was
876
00:54:36,920 --> 00:54:41,480
still on display there when I first
visited the gallery in the 1970s.
877
00:54:46,720 --> 00:54:49,960
The case was a sensation of the age.
878
00:54:49,960 --> 00:54:55,520
Yes, there was sex, greed and
treachery, but there was much more.
879
00:54:55,520 --> 00:54:59,840
There was detection by methodical
police work, bringing with it
880
00:54:59,840 --> 00:55:03,800
a new and satisfying
kind of resolution for the public.
881
00:55:17,600 --> 00:55:21,440
The execution of the Mannings
took place on 13th November,
882
00:55:21,440 --> 00:55:24,760
up on the roof of the
Horsemonger Lane Gaol.
883
00:55:24,760 --> 00:55:28,880
This was pure theatre -
a huge crowd was expected,
884
00:55:28,880 --> 00:55:30,360
so three days beforehand,
885
00:55:30,360 --> 00:55:35,080
the surrounding streets were all
cleared and barricades were erected.
886
00:55:35,080 --> 00:55:39,240
On the day, it was estimated
that 50,000 people turned up,
887
00:55:39,240 --> 00:55:42,200
with 500 policemen to
maintain order.
888
00:55:42,200 --> 00:55:44,840
Hangings were getting
increasingly scarce,
889
00:55:44,840 --> 00:55:47,960
particularly for females,
so this double dose of husband
890
00:55:47,960 --> 00:55:51,040
and wife was a complete treat
for execution lovers.
891
00:55:53,320 --> 00:55:57,280
Changes in the law back in the 1820s
meant that the death penalty
892
00:55:57,280 --> 00:56:00,720
was now reserved
only for treason or murder.
893
00:56:00,720 --> 00:56:04,640
Previously, it had been applied to
a whole range of crimes.
894
00:56:04,640 --> 00:56:09,920
So by 1849, a public hanging was
a real occasion,
895
00:56:09,920 --> 00:56:13,080
which is why Charles Dickens chose
to observe this one.
896
00:56:16,840 --> 00:56:20,320
He and a group of his friends rented
a room overlooking the jail
897
00:56:20,320 --> 00:56:24,720
and they held a sort of party
as events unfolded.
898
00:56:24,720 --> 00:56:28,440
Now, Dickens was fascinated by
murder and murderers.
899
00:56:28,440 --> 00:56:30,600
He was also in favour of capital
punishment.
900
00:56:30,600 --> 00:56:33,680
He believed that they should
hang for their crimes.
901
00:56:33,680 --> 00:56:37,960
But what really upset him
on this occasion was the ghoulish
902
00:56:37,960 --> 00:56:40,520
and disrespectful
behaviour of the crowd.
903
00:56:44,600 --> 00:56:48,520
Outside the jail,
the crowd waited for showtime.
904
00:56:48,520 --> 00:56:52,200
They sang mocking songs
and ate commemorative biscuits.
905
00:56:54,960 --> 00:56:58,280
We hear that inside,
in private, there was
906
00:56:58,280 --> 00:57:02,000
a final reconciliation
between Frederick and Maria.
907
00:57:02,000 --> 00:57:05,120
They ascended to the
gallows as husband and wife.
908
00:57:10,720 --> 00:57:15,120
The Mannings were hanged
side by side, on a scaffold
909
00:57:15,120 --> 00:57:18,760
that had been lifted up to give
maximum visibility
910
00:57:18,760 --> 00:57:22,720
and theatricality to the
grim business.
911
00:57:22,720 --> 00:57:27,000
Maria was defiant
and stylish to the end,
912
00:57:27,000 --> 00:57:31,320
wearing her black satin dress
and gloves for her final appearance.
913
00:57:33,000 --> 00:57:35,080
She died with dignity.
914
00:57:43,720 --> 00:57:46,240
The case of the Mannings
was a turning point
915
00:57:46,240 --> 00:57:48,600
in the history of crime.
916
00:57:48,600 --> 00:57:50,960
It had been a case played
out in public,
917
00:57:50,960 --> 00:57:57,000
a ghastly melodrama with the nation
sucking up every gory detail.
918
00:57:57,000 --> 00:57:59,680
But it was also a case
that had been solved
919
00:57:59,680 --> 00:58:02,280
by the new Metropolitan
Police force,
920
00:58:02,280 --> 00:58:06,080
its constables
and especially its detectives.
921
00:58:06,080 --> 00:58:10,120
A new chapter in the history
of murder was about to begin.
79236
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.