All language subtitles for Mutant.X.S03E20.The.Prophecy.DVDRip-SAiNTS

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian Download
km Cambodian
ca Catalan
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt-PT Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:23,300 --> 00:00:26,400 IT BEGINS. 2 00:00:27,167 --> 00:00:29,634 3 00:00:37,601 --> 00:00:41,567 4 00:00:42,667 --> 00:00:44,267 5 00:00:44,367 --> 00:00:46,968 OH, MAN. 6 00:00:50,234 --> 00:00:51,534 YEAH? 7 00:00:51,634 --> 00:00:52,901 BRENNAN MULWRAY? 8 00:00:53,000 --> 00:00:54,000 YEAH. WHO'S THIS? 9 00:00:54,100 --> 00:00:55,367 JUST LISTEN. 10 00:00:55,467 --> 00:00:57,968 MY NAME IS NATHAN REYNOLDS, OKAY? 11 00:00:58,067 --> 00:00:59,701 I... I'M NOT ON DRUGS. 12 00:00:59,801 --> 00:01:00,801 I... I'M NOT CRAZY. 13 00:01:00,901 --> 00:01:02,534 I... I'M SURE AS HELL NOT WRONG. 14 00:01:02,634 --> 00:01:05,067 THE PROPHECY HAS COME TRUE. 15 00:01:05,167 --> 00:01:07,534 AND YOU AND I ARE PART OF IT. 16 00:01:07,634 --> 00:01:09,467 DUDE, YOU GOTTA SLOW DOWN AND START MAKING SOME SENSE 17 00:01:09,567 --> 00:01:10,767 OR I'M HANGING UP. 18 00:01:10,868 --> 00:01:13,267 19 00:01:13,367 --> 00:01:14,234 OH GOD. 20 00:01:14,334 --> 00:01:15,467 IT'S TOO LATE FOR ME. 21 00:01:15,567 --> 00:01:16,701 HE'S COME... 22 00:01:16,801 --> 00:01:18,133 WHO? 23 00:01:18,234 --> 00:01:19,801 HE'LL KILL ME. AFTER, YOU NEXT. 24 00:01:19,901 --> 00:01:21,834 JUST SAVE YOURSELF AND THE OTHERS, BEFORE IT'S TOO... 25 00:01:21,934 --> 00:01:24,767 26 00:01:24,868 --> 00:01:26,133 DON'T HANG UP! 27 00:01:26,234 --> 00:01:27,501 HELLO! 28 00:01:27,601 --> 00:01:29,534 HELLO? 29 00:01:34,234 --> 00:01:35,834 HOW'D THIS GUY FIND YOUR NUMBER? 30 00:01:35,934 --> 00:01:37,167 I DON'T KNOW. 31 00:01:37,267 --> 00:01:38,734 THERE'S BEEN FAR TOO MUCH OF THAT HAPPENING LATELY. 32 00:01:38,834 --> 00:01:40,634 I THINK WE NEED AN ANSWERING SERVICE. 33 00:01:40,734 --> 00:01:41,801 YEAH. 34 00:01:41,901 --> 00:01:43,234 WHAT, LIKE "MUTANT X CAN'T COME TO THE PHONE NOW? 35 00:01:43,334 --> 00:01:45,200 WE'RE BUSY SAVING THE WORLD ...AGAIN." 36 00:01:45,300 --> 00:01:46,767 YEAH, SOMETHING LIKE THAT. 37 00:01:46,868 --> 00:01:48,767 38 00:01:48,868 --> 00:01:51,000 WELL, I GUESS IT WASN'T A CRANK CALL. 39 00:01:51,100 --> 00:01:52,767 DEFINITELY FOUND OUR PHONE. 40 00:01:52,868 --> 00:01:54,767 NOW WHERE'S OUR CALLER? 41 00:01:56,100 --> 00:01:58,701 WHAT IS THIS STUFF? SOME SORT OF ACID? 42 00:01:58,801 --> 00:02:01,167 43 00:02:01,267 --> 00:02:02,467 BRENNAN! 44 00:02:09,434 --> 00:02:11,634 HEY, FREAK BOY! 45 00:02:16,100 --> 00:02:18,067 WHAT THE HELL WAS THAT? 46 00:02:19,367 --> 00:02:20,534 HE'LL BE BACK! 47 00:02:20,634 --> 00:02:22,434 YOU TWO SHOULD GET OUTTA HERE. 48 00:02:23,100 --> 00:02:25,133 HELLO? KEN? BARBIE? 49 00:02:25,234 --> 00:02:25,934 CHOP-CHOP. 50 00:02:26,033 --> 00:02:27,067 I'M NOT GOING ANYWHERE 51 00:02:27,167 --> 00:02:29,234 UNTIL I FIGURE OUT WHO MADE THAT CALL FOR HELP. 52 00:02:29,334 --> 00:02:32,133 BREN? 53 00:02:35,367 --> 00:02:37,100 HATE TO BREAK THIS TO YOU, HERO. 54 00:02:37,200 --> 00:02:39,901 BUT I THINK YOU'RE A LITTLE LATE. 55 00:02:43,968 --> 00:02:48,767 SCIENTIST ADAM KANE WAS A PIONEER OF GENETIC RESEARCH, 56 00:02:48,868 --> 00:02:52,901 MANIPULATING DNA TO SAVE HUMAN LIVES. 57 00:02:53,000 --> 00:02:56,133 BUT IN MANY THEIR GENES UNEXPECTEDLY MUTATED 58 00:02:56,234 --> 00:02:59,167 AND THEY DEVELOPED SUPERHUMAN ABILITIES. 59 00:03:28,634 --> 00:03:31,300 TOGETHER, FOUR OF THE MOST POWERFUL FIGHT 60 00:03:31,400 --> 00:03:35,000 TO PROTECT A WORLD THAT DOESN'T EVEN KNOW THEY EXIST. 61 00:03:37,200 --> 00:03:40,801 THEY ARE... MUTANT X. 62 00:03:51,100 --> 00:03:52,334 HEY... HEY... 63 00:03:52,434 --> 00:03:53,634 WHERE DO YOU THINK YOU'RE GOING? 64 00:03:53,734 --> 00:03:54,901 WHAT? 65 00:03:55,000 --> 00:03:56,267 CAN'T A GIRL JUST TAKE A STROLL DOWN AN ALLEY ANYMORE? 66 00:03:56,367 --> 00:03:57,567 LOOK, JUST CUT THE CRAP, OKAY? 67 00:03:57,667 --> 00:03:59,067 OBVIOUSLY, YOU KNOW SOMETHING. 68 00:03:59,167 --> 00:04:00,267 ALL RIGHT... 69 00:04:00,367 --> 00:04:01,868 THE GUY THAT JUMPED YOU IS CALLED THE GUARDIAN. 70 00:04:01,968 --> 00:04:03,934 I'VE BEEN ON HIS TRAIL FOR THE LAST MONTH. 71 00:04:04,033 --> 00:04:05,000 WHY? 72 00:04:05,100 --> 00:04:06,267 I'M A BOUNTY HUNTER. 73 00:04:06,367 --> 00:04:09,234 HE'S BEEN WATCHING A PACKAGE THAT I'M AFTER. 74 00:04:09,334 --> 00:04:10,434 YOUR TURN. 75 00:04:10,534 --> 00:04:12,133 WHAT'S YOUR PART IN THIS? 76 00:04:12,234 --> 00:04:13,901 AND DON'T BOTHER LYING. 77 00:04:14,000 --> 00:04:15,534 I'LL KNOW. 78 00:04:15,634 --> 00:04:17,634 YOU AN EMPATH? 79 00:04:17,734 --> 00:04:18,868 TELEPATH. 80 00:04:18,968 --> 00:04:20,434 GOOD FOR YOU. 81 00:04:26,467 --> 00:04:28,467 WELL, THERE'S NOT REALLY A WHOLE LOT TO TELL. 82 00:04:28,567 --> 00:04:30,667 GET A PHONE CALL FROM THIS GUY, SAID HIS NAME'S NATHAN, 83 00:04:30,767 --> 00:04:33,000 AND THERE'S SOME PROPHECY THAT I'M A PART OF. 84 00:04:33,100 --> 00:04:34,567 DID HE SAY ANYTHING ELSE? 85 00:04:34,667 --> 00:04:35,567 DETAILS? 86 00:04:35,667 --> 00:04:37,567 MOSTLY, I JUST HEARD HIM SCREAMING. 87 00:04:37,667 --> 00:04:39,601 SO IF I'M INVOLVED IN THIS AND YOU'RE GOING AFTER THAT KILLER, 88 00:04:39,701 --> 00:04:40,767 THEN I'M GOING WITH YOU. 89 00:04:40,868 --> 00:04:41,934 OH, REALLY? 90 00:04:42,033 --> 00:04:43,367 BECAUSE I MUST'VE MISSED THE PART WHERE I... 91 00:04:43,467 --> 00:04:44,701 INVITED YOU. 92 00:04:44,801 --> 00:04:46,934 I GUESS WE COULD ALWAYS GO AND FIND HIM OURSELVES, BUT... 93 00:04:47,033 --> 00:04:49,334 THEN YOU'D RISK US FINDING HIM FIRST. 94 00:04:56,067 --> 00:04:57,634 ALL RIGHT. 95 00:04:57,734 --> 00:04:59,901 YOU CAN TAG ALONG. 96 00:05:00,000 --> 00:05:02,467 THE FERAL GOES HOME. 97 00:05:05,968 --> 00:05:08,400 DEAL. 98 00:05:17,534 --> 00:05:19,501 IT'S COOL. 99 00:05:28,300 --> 00:05:30,167 100 00:05:31,834 --> 00:05:33,534 OH, FOR GOD'S SAKE, MAKE A MOVE ALREADY. 101 00:05:33,634 --> 00:05:35,000 I'M HEARING CRICKETS. 102 00:05:35,100 --> 00:05:36,701 RELAX. 103 00:05:36,801 --> 00:05:40,033 YOU KNOW, YOU CAN TELL A LOT ABOUT A PERSON'S ROMANTIC STYLE 104 00:05:40,133 --> 00:05:43,000 BY THE WAY THEY PLAY GAMES. 105 00:05:43,100 --> 00:05:46,934 FOR SOME, IT'S JUST ALL ABOUT THE FINISH. 106 00:05:47,033 --> 00:05:51,400 BUT FOR OTHERS, WELL, THEY TAKE THEIR TIME. 107 00:05:51,501 --> 00:05:54,300 ENJOYING THE MOVES IT TAKES TO... 108 00:05:54,400 --> 00:05:56,968 GET YOU THERE. 109 00:06:01,801 --> 00:06:04,934 WELL, FAST OR SLOW... 110 00:06:05,033 --> 00:06:07,300 AS LONG AS I WIN. 111 00:06:07,400 --> 00:06:10,300 CHECKMATE. 112 00:06:10,400 --> 00:06:14,534 JESSE, I NEED YOU TO ANALYSE THIS FOR ME. 113 00:06:14,634 --> 00:06:16,467 GOOD TO SEE YOU, TOO. 114 00:06:16,567 --> 00:06:17,667 WHAT HAPPENED AT THE MEET? 115 00:06:17,767 --> 00:06:19,100 BY THE TIME WE GOT THERE, 116 00:06:19,200 --> 00:06:21,033 BRENNAN'S CONTACT WAS ALREADY DEAD. 117 00:06:21,133 --> 00:06:22,567 WELL, WHERE IS BRENNAN? 118 00:06:22,667 --> 00:06:23,968 HELL IF I KNOW. 119 00:06:24,100 --> 00:06:25,601 RAN INTO A BOUNTY HUNTER AND HE TOOK OFF WITH HER 120 00:06:25,701 --> 00:06:27,033 TO FOLLOW THE KILLER. 121 00:06:27,133 --> 00:06:29,234 I WAS CORDIALLY DIS-INVITED. 122 00:06:29,334 --> 00:06:30,534 WHAT IS THIS? 123 00:06:30,634 --> 00:06:31,901 IT'S THE ONLY EVIDENCE I COULD GET. 124 00:06:32,000 --> 00:06:33,167 IT WAS ALL OVER THE SCENE. 125 00:06:33,267 --> 00:06:34,767 I'M GUESSING THAT'S HOW THE GUY WAS KILLED. 126 00:06:34,868 --> 00:06:36,601 HE WAS SLIMED. 127 00:06:36,701 --> 00:06:38,167 COOL. 128 00:06:38,267 --> 00:06:41,367 YOU ARE SO WEIRD, SOMETIMES. 129 00:06:48,934 --> 00:06:50,968 SO, HOW HOT IS SHE? 130 00:06:51,067 --> 00:06:53,067 WHO? 131 00:06:53,167 --> 00:06:54,234 132 00:06:54,334 --> 00:06:56,934 THAT HOT, HUH? 133 00:06:58,100 --> 00:07:00,234 LOOK, SHAL, SPEAKING AS A FRIEND... 134 00:07:00,334 --> 00:07:01,467 HUH. 135 00:07:01,567 --> 00:07:04,133 OKAY, FINE, SPEAKING AS ME, 136 00:07:04,234 --> 00:07:06,834 YOU'VE REALLY GOT TO CLEAR UP YOUR BRENNAN ISSUES. 137 00:07:06,934 --> 00:07:08,167 WHAT ARE YOU TALKING ABOUT? 138 00:07:08,267 --> 00:07:09,801 I'M TALKING ABOUT EVERY TIME HE GETS NEAR ANOTHER GIRL, 139 00:07:09,901 --> 00:07:11,734 YOUR HACKLES GO UP. 140 00:07:11,834 --> 00:07:13,968 OKAY, FIRST, YOU'RE WAY OFF. 141 00:07:14,067 --> 00:07:17,567 AND SECOND, YOU ARE WAY OFF. 142 00:07:17,667 --> 00:07:19,067 WE'RE LIKE FAMILY. 143 00:07:19,167 --> 00:07:20,367 YEAH? 144 00:07:20,467 --> 00:07:22,501 I HOPE YOU LIKE IT THAT WAY. 145 00:07:22,601 --> 00:07:23,934 BECAUSE UNTIL YOU GET HONEST WITH YOURSELF... 146 00:07:24,033 --> 00:07:25,033 AND BRENNAN... 147 00:07:25,133 --> 00:07:26,634 THAT'S ALL YOU TWO WILL EVER BE. 148 00:07:26,734 --> 00:07:28,701 AND YOU KNOW WHAT, SHAL? 149 00:07:28,801 --> 00:07:31,167 HE HAS EVERY RIGHT TO KEEP LOOKING. 150 00:07:50,501 --> 00:07:52,601 MIND TELLING ME WHAT WE'RE DOING HERE? 151 00:07:52,701 --> 00:07:54,167 WELL, I'M NOT SURE WHERE TO FIND THE GUY 152 00:07:54,267 --> 00:07:55,634 THAT JUMPED YOU BUT... 153 00:07:55,734 --> 00:07:58,534 ...I'M PRETTY SURE WHO HE'S AFTER NEXT. 154 00:07:59,868 --> 00:08:01,734 SHE'S A FERAL NAMED CAROL WHITELY. 155 00:08:01,834 --> 00:08:04,100 IF WE CAN FIND HER, WE CAN SET UP A SWEET AMBUSH. 156 00:08:04,200 --> 00:08:06,300 WHAT? SHE JUST HANGS OUT IN ALLEYS? 157 00:08:06,400 --> 00:08:08,234 NO. BUT HER DEALER DOES. 158 00:08:08,334 --> 00:08:11,100 WE JUST HAVE TO SHAKE HIM DOWN. 159 00:08:11,200 --> 00:08:14,868 UNDERSTANDING PEOPLE'S WEAKNESSES IS HALF OF MY JOB. 160 00:08:14,968 --> 00:08:16,300 REALLY? 161 00:08:16,400 --> 00:08:17,534 MM. 162 00:08:17,634 --> 00:08:19,534 SO WHAT'S YOUR WEAKNESS? 163 00:08:19,634 --> 00:08:22,234 PRETTY BOYS THAT ASK TOO MANY QUESTIONS? 164 00:08:22,334 --> 00:08:23,400 YOU? 165 00:08:23,501 --> 00:08:25,701 AGGRESSIVE CHICKS WITH A SUPERIORITY COMPLEX. 166 00:08:25,801 --> 00:08:27,234 HM. 167 00:08:27,334 --> 00:08:29,701 I'M COMING UP WITH NOTHING ON THIS BOUNTY HUNTER SO FAR. 168 00:08:29,801 --> 00:08:31,667 I MEAN, RILEY'S PROBABLY AN ALIAS. 169 00:08:31,767 --> 00:08:33,334 MAYBE IT'S HER STRIPPER NAME. 170 00:08:33,434 --> 00:08:35,601 ME-YOW! 171 00:08:35,701 --> 00:08:36,968 ANYTHING? 172 00:08:37,067 --> 00:08:39,534 WELL, IT COULD BE THE ICKIEST SUBSTANCE I'VE NEVER ANALYSED, 173 00:08:39,634 --> 00:08:41,834 BUT IT'S DEFINITELY THE MOST INTRIGUING. 174 00:08:41,934 --> 00:08:43,267 WHAT IS THIS? 175 00:08:43,367 --> 00:08:44,601 WELL, IT'S A MUCUS. 176 00:08:44,701 --> 00:08:47,567 MORE OF A VISCOUS CEMENT, REALLY. 177 00:08:47,667 --> 00:08:49,934 DOES IT TELL US ANYTHING ABOUT THE GUY THAT ATTACKED US? 178 00:08:50,033 --> 00:08:52,133 WELL, I'M READY TO CHECK THE DATABASE. 179 00:08:54,868 --> 00:08:55,868 OHH... 180 00:08:55,968 --> 00:08:57,667 HE'S CALLED THE GUARDIAN. 181 00:08:57,767 --> 00:09:00,033 CATCHY NAME, HUH? 182 00:09:00,133 --> 00:09:01,334 WHAT IS HE? 183 00:09:01,434 --> 00:09:02,767 HE'S NOT SOME KIND OF FERAL. 184 00:09:02,868 --> 00:09:04,033 WELL, HE'S SIMILAR. 185 00:09:04,133 --> 00:09:05,200 I MEAN, HE'S A TRANSGENIC HYBRID LIKE YOU, 186 00:09:05,300 --> 00:09:06,968 BUT HE'S ARACHNID-BASED. 187 00:09:07,067 --> 00:09:09,167 I'M GUESSING THEY CROSSED HIM WITH A HOBO SPIDER 188 00:09:09,267 --> 00:09:10,667 AND A WHIP SCORPION. 189 00:09:10,767 --> 00:09:11,968 THAT'S NOT A GOOD THING. 190 00:09:12,067 --> 00:09:14,834 NO, THAT'S A VERY NOT GOOD THING. 191 00:09:14,934 --> 00:09:16,868 I MEAN, OF THE FOUR MUTATIONS, 192 00:09:16,968 --> 00:09:20,100 FERALS' PERSONALITIES ARE MOST DEPENDENT ON THE DNA, RIGHT? 193 00:09:20,200 --> 00:09:21,367 YEAH, SO? 194 00:09:21,467 --> 00:09:23,767 SO A MAMMALIAN CROSS LIKE ME, THAT'S ONE THING, BUT... 195 00:09:23,868 --> 00:09:25,267 AN ARACHNID, THAT'S GOING TO BE 196 00:09:25,367 --> 00:09:27,067 A WHOLE OTHER KETTLE OF WEIRDNESS. 197 00:09:27,167 --> 00:09:28,200 HE'S NOT GOING TO THINK LIKE US, 198 00:09:28,300 --> 00:09:29,367 HE'S NOT GOING TO FEEL LIKE US. 199 00:09:29,467 --> 00:09:31,033 HE'S GOING TO BE TOTALLY UNPREDICTABLE. 200 00:09:31,133 --> 00:09:33,634 HE'LL BE INSTINCT OVER INTELLECT. 201 00:09:37,067 --> 00:09:38,834 THERE'S OUR GUY. 202 00:09:38,934 --> 00:09:40,033 UH, HELLO? 203 00:09:40,133 --> 00:09:41,734 WHAT ARE YOU DOING? 204 00:09:41,834 --> 00:09:43,200 I'M GETTING OUT OF THE CAR? 205 00:09:43,300 --> 00:09:46,801 LOOK, YOU AREN'T USED TO THIS KIND OF SUBTLE INTERROGATION, 206 00:09:46,901 --> 00:09:47,968 ALL RIGHT? 207 00:09:48,067 --> 00:09:49,868 IT TAKES FINESSE. 208 00:09:49,968 --> 00:09:51,467 STYLE. 209 00:09:51,567 --> 00:09:53,501 OH, I GOT YOUR STYLE RIGHT HERE. 210 00:09:53,601 --> 00:09:54,567 NO. 211 00:09:54,667 --> 00:09:56,868 YOU GOT VOLTAGE. 212 00:10:00,901 --> 00:10:03,000 YOU CAN'T JUST FRY YOUR SNITCHES, ALL RIGHT? 213 00:10:03,100 --> 00:10:04,501 THEY'LL NEVER HELP YOU AGAIN. 214 00:10:04,601 --> 00:10:07,400 INFORMANTS ARE LIKE TREES FOR BOUNTY HUNTERS. 215 00:10:07,501 --> 00:10:10,667 A RENEWABLE RESOURCE. 216 00:10:10,767 --> 00:10:13,434 HEY, IS THERE A BOOKS-ON-TAPE VERSION OF THIS LECTURE? 217 00:10:13,534 --> 00:10:14,934 BECAUSE IT'S MAKING ME KIND OF SLEEPY. 218 00:10:15,033 --> 00:10:16,834 STAND BACK AND WATCH, G. Q... 219 00:10:16,934 --> 00:10:20,100 YOU MIGHT ACTUALLY LEARN SOMETHING. 220 00:10:20,200 --> 00:10:21,400 YO, DOOLEY. 221 00:10:21,501 --> 00:10:23,133 YOU GOT A SECOND? 222 00:10:27,534 --> 00:10:28,400 NICE WORK, PROFESSOR. 223 00:10:28,501 --> 00:10:29,868 YOU KNOW THE RULES, DOOLEY! 224 00:10:29,968 --> 00:10:33,400 MAKE ME RUN, I'LL MAKE YOU BLEED. 225 00:10:36,834 --> 00:10:38,901 YOU WERE SAYING... 226 00:10:39,000 --> 00:10:40,133 YOU TWO GOT A PROBLEM? 227 00:10:40,234 --> 00:10:41,300 ME? NAH. 228 00:10:41,400 --> 00:10:42,834 I'M JUST HERE TO LEARN. 229 00:10:44,234 --> 00:10:45,400 OH, HEY... 230 00:10:45,501 --> 00:10:46,767 I WAS CHECKING A LITTLE DEEPER INTO THE GUARDIAN, 231 00:10:46,868 --> 00:10:49,200 AND GUESS WHO HE USED TO PARTY WITH? 232 00:10:49,300 --> 00:10:51,901 GABRIEL ASHLOCKE. 233 00:10:52,000 --> 00:10:53,000 YOU GOTTA BE KIDDING ME. 234 00:10:53,100 --> 00:10:54,334 NOT EVEN A LITTLE. 235 00:10:54,434 --> 00:10:55,734 THE GUARDIAN WAS PART OF SOMETHING CALLED THE LINKS... 236 00:10:55,834 --> 00:10:57,267 YEAH, WE KNOW ABOUT THE LINKS. 237 00:10:57,367 --> 00:10:59,367 THEY WERE ASHLOCKE'S MUTANT FOLLOWERS. 238 00:10:59,467 --> 00:11:00,501 TOTALLY OBSESSED WITH HIM, 239 00:11:00,601 --> 00:11:02,167 WANTED TO HELP HIM TAKE OVER THE WORLD. 240 00:11:02,267 --> 00:11:04,400 NOT HAPPY MEMORIES. 241 00:11:04,501 --> 00:11:05,734 OH. 242 00:11:05,834 --> 00:11:07,334 WELL, DO YOU GUYS KNOW WHAT HAPPENED TO THEM 243 00:11:07,434 --> 00:11:09,467 AFTER ASHLOCKE DIED? 244 00:11:09,567 --> 00:11:10,934 MOST OF THEM DRIFTED. 245 00:11:11,033 --> 00:11:13,100 BUT, A HARD CORE PART OF THE LINKS, 246 00:11:13,200 --> 00:11:14,467 LIKE OUR LITTLE BUG BOY HERE, 247 00:11:14,567 --> 00:11:17,834 THEY SPLINTERED OFF, INCLUDING THIS GUY. 248 00:11:17,934 --> 00:11:19,734 MR. JOHN BISHOP, THEIR PET PSIONIC. 249 00:11:19,834 --> 00:11:21,334 THE MOST POWERFUL PRECOG ON THE MAP. 250 00:11:21,434 --> 00:11:22,367 LOOKS LIKE THE KIND OF GUY 251 00:11:22,467 --> 00:11:23,601 THAT COULD BE INTO THE PROPHECY BIZ, HUH? 252 00:11:23,701 --> 00:11:25,234 YOU THINK HE'S STILL IN CONTACT WITH THE GUARDIAN? 253 00:11:25,334 --> 00:11:27,667 WELL, I THINKING JESS AND I SHOULD PAY HIM A VISIT, 254 00:11:27,767 --> 00:11:30,534 FIND OUT. 255 00:11:30,634 --> 00:11:32,234 IT'S JUST THAT BISHOP'S LOCKED UP IN AN ASYLUM 256 00:11:32,334 --> 00:11:34,000 AND I KNOW HOW MUCH THEY FREAK YOU OUT. 257 00:11:34,100 --> 00:11:37,267 SO DOES EVERYTHING HAVING TO DO WITH ASHLOCKE. 258 00:11:37,367 --> 00:11:38,901 I'LL GO. 259 00:11:39,000 --> 00:11:40,934 LET ME... 260 00:11:43,901 --> 00:11:46,734 ARE YOU SERIOUSLY GOING TO JUST STAND THERE POSING? 261 00:11:46,834 --> 00:11:48,767 YOU NEED HELP? 262 00:11:53,033 --> 00:11:54,534 YOU WERE SAYING? 263 00:11:58,801 --> 00:12:00,033 YOU MIGHT WANT TO WAIT A SECOND 264 00:12:00,133 --> 00:12:02,434 WHILE THE LADY HAS A WORD WITH YOU, HUH? 265 00:12:02,534 --> 00:12:03,400 KARA. 266 00:12:03,501 --> 00:12:05,167 WHERE'S SHE BEEN CRASHING LATELY? 267 00:12:05,267 --> 00:12:06,734 HOW SHOULD I KNOW? 268 00:12:06,834 --> 00:12:08,467 I DON'T DO HOUSE CALLS. 269 00:12:08,567 --> 00:12:09,667 AGH! 270 00:12:09,767 --> 00:12:12,133 ALL RIGHT! ALL RIGHT! 271 00:12:14,667 --> 00:12:16,367 SOMETHING SPOOKED HER. 272 00:12:16,467 --> 00:12:17,868 LAST I HEARD, SHE WAS ON THE MOVE, 273 00:12:17,968 --> 00:12:19,133 LIVING OUT OF HER VAN. 274 00:12:19,234 --> 00:12:20,501 THAT'S IT. 275 00:12:20,601 --> 00:12:21,934 AGH! 276 00:12:22,033 --> 00:12:23,033 AGH! 277 00:12:23,133 --> 00:12:25,467 HANG UP! 278 00:12:25,567 --> 00:12:29,033 SHE'S HANGING OUT AT A BAR ON JURGEN STREET. 279 00:12:29,133 --> 00:12:30,567 THE RED SKY, HUH? 280 00:12:30,667 --> 00:12:33,067 LOOK, THAT'S ALL I KNOW. 281 00:12:38,167 --> 00:12:42,067 AH, WELL, I GOTTA ADMIT, YOU GOT SOME NICE MOVES. 282 00:12:42,167 --> 00:12:43,868 YOU SHOULD SEE ME DANCE. 283 00:12:43,968 --> 00:12:46,734 ALTHOUGH USING PSIONICS TO WIN THE FIGHT... THAT'S CHEATING. 284 00:12:46,834 --> 00:12:50,434 THIS, FROM THE HUMAN CATTLE PROD? 285 00:13:03,133 --> 00:13:08,634 WHERE IS KARA? 286 00:13:13,067 --> 00:13:16,968 OH... OH... OH... 287 00:13:19,567 --> 00:13:20,701 WHAT'S WRONG WITH HIM? 288 00:13:20,801 --> 00:13:21,667 I DON'T KNOW. 289 00:13:23,634 --> 00:13:25,834 DEMENTIA? 290 00:13:26,901 --> 00:13:28,334 OOH, NO... DRUGS. 291 00:13:28,434 --> 00:13:29,767 HE'S GOT ENOUGH CC'S OF THORAZINE IN HIM 292 00:13:29,868 --> 00:13:32,067 TO KNOCK OUT A COW. 293 00:13:32,167 --> 00:13:35,300 REALLY, REALLY FAT COW. 294 00:13:35,400 --> 00:13:37,467 SHH! LISTEN! 295 00:13:37,567 --> 00:13:38,734 WHAT'S HE SAYING? 296 00:13:38,834 --> 00:13:40,667 297 00:13:40,767 --> 00:13:44,267 HE'S SO TRANQUED OUT, I DOUBT HE KNOWS HIS OWN NAME. 298 00:13:46,434 --> 00:13:48,667 SHALIMAR... 299 00:13:49,634 --> 00:13:51,567 HEY! 300 00:13:51,667 --> 00:13:55,200 HUH, I TOLD YOU YOU'D COME BACK. 301 00:13:58,534 --> 00:14:01,367 WE'VE NEVER MET. 302 00:14:02,934 --> 00:14:05,901 WE'RE STILL BACK THERE? 303 00:14:06,000 --> 00:14:08,901 AT THE BEGINNING? 304 00:14:10,334 --> 00:14:13,534 305 00:14:13,634 --> 00:14:16,367 ALL MOVING SO SLOWLY... 306 00:14:16,467 --> 00:14:19,934 307 00:14:20,033 --> 00:14:22,734 OKAY, THAT WAS REALLY, REALLY CREEPY. 308 00:14:22,834 --> 00:14:25,734 309 00:14:25,834 --> 00:14:27,567 LEXA? 310 00:14:27,667 --> 00:14:30,234 I WANT YOU TO RECORD AUDIO OVER MY COMLINK. 311 00:14:30,334 --> 00:14:31,467 OKAY. I'M ON IT. 312 00:14:31,567 --> 00:14:40,901 313 00:14:47,334 --> 00:14:50,801 SAVE IT. SHE'S NOT INTERESTED. 314 00:14:50,901 --> 00:14:52,267 ACTUALLY? 315 00:14:52,367 --> 00:14:53,868 NONE OF THEM ARE. 316 00:14:53,968 --> 00:14:57,133 I FEEL A COMPLETE LACK OF ATTRACTION TO YOU IN HERE. 317 00:14:57,234 --> 00:14:58,901 HUH, PLEASE. 318 00:14:59,000 --> 00:15:01,767 IF YOU WERE ANY HOTTER FOR ME, I'D GET A SUNTAN. 319 00:15:01,868 --> 00:15:04,467 320 00:15:04,567 --> 00:15:06,767 AH, SO, DRINKING ON THE JOB. 321 00:15:06,868 --> 00:15:11,701 FIRST RULE OF HUNTING: BLEND IN WITH YOUR SURROUNDINGS. 322 00:15:11,801 --> 00:15:14,067 YOU GOTTA MAKE YOURSELF COMFORTABLE, TOO. 323 00:15:14,167 --> 00:15:17,467 NICE... 324 00:15:17,567 --> 00:15:18,767 THAT OKAY? 325 00:15:18,868 --> 00:15:19,901 THAT'S FINE. 326 00:15:20,000 --> 00:15:21,100 YEAH, I CAN HANDLE THAT. 327 00:15:21,200 --> 00:15:22,167 GOOD. 328 00:15:22,267 --> 00:15:23,300 CHEERS. 329 00:15:23,400 --> 00:15:26,033 CHEERS. 330 00:15:29,267 --> 00:15:31,200 SO HOW'D YOU GET INTO THIS LINE OF WORK? 331 00:15:31,300 --> 00:15:32,267 LET'S SEE... 332 00:15:32,367 --> 00:15:35,300 MAKE MY OWN RULES, KICK SOME BAD GUY ASS... 333 00:15:35,400 --> 00:15:37,234 WHAT COULD BE BETTER THAN THAT? 334 00:15:37,334 --> 00:15:39,968 PLUS, IT'S THE PERFECT GIG FOR A PSIONIC. 335 00:15:40,067 --> 00:15:42,567 WELL, I GUESS THAT EXPLAINS WHY YOU'RE SO COCKY. 336 00:15:42,667 --> 00:15:46,334 WELL, KNOWING WHEN SOMEBODY'S GOING TO BE ABLE TO LIE TO YOU. 337 00:15:47,367 --> 00:15:49,234 SOMEONE ACTUALLY DID... 338 00:15:49,334 --> 00:15:50,834 ONCE. 339 00:15:50,934 --> 00:15:52,601 AND? 340 00:15:52,701 --> 00:15:55,033 I'LL NEVER LET ANYONE GET THAT CLOSE AGAIN. 341 00:15:55,133 --> 00:15:56,901 WELL, YOU CAN'T GO THROUGH LIFE LIVING LIKE THAT. 342 00:15:57,000 --> 00:15:58,067 MAYBE. 343 00:15:58,167 --> 00:16:00,767 BUT I'M NOT THE ONLY ONE WITH TRUST ISSUES HERE. 344 00:16:00,868 --> 00:16:01,834 HUH. 345 00:16:01,934 --> 00:16:04,067 I CAN FEEL YOU HAVE YOUR DOUBTS ABOUT ME. 346 00:16:04,167 --> 00:16:05,567 YEAH, WELL, YOU DON'T HAVE TO BE A PSIONIC 347 00:16:05,667 --> 00:16:07,133 TO BE A GOOD JUDGE OF CHARACTER. 348 00:16:07,234 --> 00:16:08,033 REALLY? 349 00:16:08,133 --> 00:16:09,133 YEAH. 350 00:16:09,234 --> 00:16:11,334 SO, WHAT ARE YOU... 351 00:16:11,434 --> 00:16:14,868 PICKING UP ON ME? 352 00:16:24,200 --> 00:16:27,367 OKAY... 353 00:16:27,467 --> 00:16:29,334 WHAT AM I PICKING UP ON YOU? 354 00:16:29,434 --> 00:16:30,834 WELL, THAT YOU'VE GOT SOMETHING TO HIDE AND THAT 355 00:16:30,934 --> 00:16:33,868 YOU'RE AFRAID THAT I'M GOING TO FIGURE OUT WHAT IT IS. 356 00:16:33,968 --> 00:16:38,300 AND JUST FOR THE RECORD, I WILL. 357 00:16:40,968 --> 00:16:42,234 ANYTHING? 358 00:16:42,334 --> 00:16:44,601 SO FAR, JUST THIS. 359 00:16:44,701 --> 00:16:49,167 360 00:16:49,267 --> 00:16:51,300 DO WE EVEN KNOW IF THIS IS ENGLISH? 361 00:16:51,400 --> 00:16:52,567 THAT'S A GOOD POINT. 362 00:16:52,667 --> 00:16:54,267 SCOOTCH. 363 00:16:54,367 --> 00:16:55,601 I'M PUTTING IT THROUGH A CONVERSION PROGRAM, 364 00:16:55,701 --> 00:16:59,000 RUN IT THROUGH THE LANGUAGE PROCESSOR. 365 00:17:02,501 --> 00:17:03,501 THIS COULD TAKE A WHILE. 366 00:17:03,601 --> 00:17:05,300 WAIT... THIS GUY'S A PRECOG. 367 00:17:05,400 --> 00:17:06,467 UNSTUCK IN TIME. 368 00:17:06,567 --> 00:17:09,234 FORWARD, BACKWARD. THEY'RE THE SAME TO HIM. 369 00:17:09,334 --> 00:17:11,534 TRY RUNNING IT IN REVERSE. 370 00:17:15,434 --> 00:17:19,133 FROM THE BLOOD OF FOUR, WILL COME OUR SON 371 00:17:19,234 --> 00:17:21,601 ONCE ALL SIGNS PASS, 372 00:17:21,701 --> 00:17:23,367 IF THE LINKS REMAIN 373 00:17:23,467 --> 00:17:27,300 THE HEART OF ASHLOCKE WILL LIVE AGAIN. 374 00:18:03,467 --> 00:18:04,467 I'M TELLING YOU, 375 00:18:04,567 --> 00:18:06,033 THERE IS SOMETHING GOING ON BETWEEN THEM. 376 00:18:06,133 --> 00:18:07,501 BETWEEN BRENNAN AND SHALIMAR? 377 00:18:07,601 --> 00:18:08,601 ARE YOU MENTAL? 378 00:18:08,701 --> 00:18:09,801 THEY'VE ALWAYS BEEN LIKE THAT. 379 00:18:09,901 --> 00:18:11,801 PLEASE, SHE HAS NO PERSPECTIVE WITH HIM. 380 00:18:11,901 --> 00:18:14,000 EVERY IMPULSE IS ON A TEN. 381 00:18:14,100 --> 00:18:14,901 SHE'S A FERAL. 382 00:18:15,000 --> 00:18:16,501 SHE'S JUST MARKING HER TERRITORY. 383 00:18:16,601 --> 00:18:17,767 OH, MY GOD! 384 00:18:17,868 --> 00:18:19,000 SHE GETS ANY MORE TERRITORIAL WITH BRENNAN, 385 00:18:19,100 --> 00:18:21,067 SHE'LL HAVE TO PEE ON HIS LEG. 386 00:18:22,133 --> 00:18:23,334 LET'S PRETEND I NEVER SAID THAT. 387 00:18:23,434 --> 00:18:25,234 YEAH. ALREADY TRYING. 388 00:18:34,634 --> 00:18:35,601 STILL, THOUGH, YOU GOTTA ADMIT, 389 00:18:35,701 --> 00:18:36,934 THAT HAVING A RELATIONSHIP 390 00:18:37,033 --> 00:18:39,334 WITH SOMEBODY YOU WORK AND LIVE WITH, COULD BE TOUGH. 391 00:18:39,434 --> 00:18:41,000 WHY? 392 00:18:41,100 --> 00:18:42,100 WELL, IT'S RISKY. 393 00:18:42,200 --> 00:18:44,100 I MEAN, WHAT IF YOU'RE MISINTERPRETING THEM? 394 00:18:44,200 --> 00:18:46,200 WHAT IF THEY'RE JUST PRETENDING TO LIKE YOU 395 00:18:46,300 --> 00:18:47,834 BECAUSE THEY GET OFF ON THE WHOLE POWER TRIP, 396 00:18:47,934 --> 00:18:49,100 WHILE THE WHOLE TIME 397 00:18:49,200 --> 00:18:50,367 THEY'RE JUST WAITING TO PULL THE RUG FROM UNDER YOU, 398 00:18:50,467 --> 00:18:52,567 SO YOU FALL FLAT ON YOUR ASS, YOU KNOW WHAT I MEAN? 399 00:18:52,667 --> 00:18:54,033 HYPOTHETICALLY SPEAKING. 400 00:18:54,133 --> 00:18:56,834 WELL, THERE'S ONLY EVER ONE WAY TO FIND OUT. 401 00:18:57,834 --> 00:19:00,200 SOMEBODY'S GOT TO MAKE THE FIRST MOVE... 402 00:19:00,300 --> 00:19:03,701 ...HYPOTHETICALLY SPEAKING. 403 00:19:03,801 --> 00:19:05,234 THE MEEK SHALL INHERIT THE EARTH, JESSE, 404 00:19:05,334 --> 00:19:09,167 BUT THEY NEVER GET THE GIRL. 405 00:19:09,267 --> 00:19:12,100 WHO ARE YOU CALLING MEEK? 406 00:19:12,200 --> 00:19:14,534 407 00:19:14,634 --> 00:19:16,767 TALK ABOUT GETTING THE GIRL... 408 00:19:16,868 --> 00:19:17,868 ALL RIGHT. 409 00:19:17,968 --> 00:19:21,133 WOULD THE REAL RILEY MORGAN PLEASE STAND UP. 410 00:19:21,234 --> 00:19:22,067 OKAY... 411 00:19:22,167 --> 00:19:24,000 MORGAN, COMMA, RILEY. 412 00:19:24,100 --> 00:19:27,400 BORN ISABELLA EASTHAM 27 YEARS AGO. 413 00:19:27,501 --> 00:19:30,834 AND WHAT HAS SHE BEEN UP TO IN THE MEANTIME? 414 00:19:30,934 --> 00:19:34,033 BECOMING A CARD-CARRYING MEMBER OF ASHLOCKE'S CULT. 415 00:19:34,133 --> 00:19:36,000 OH, MY GOD. RILEY'S A LINK. 416 00:19:36,100 --> 00:19:37,167 YEAH. 417 00:19:37,267 --> 00:19:38,267 THIS IS NO COINCIDENCE. 418 00:19:38,367 --> 00:19:39,400 WE HAVE TO TELL BRENNAN. 419 00:19:39,501 --> 00:19:40,534 SHALIMAR SAID NOT TO. 420 00:19:40,634 --> 00:19:43,334 HUH, AND SHE'S JUST BEEN OVERRULED. 421 00:19:43,434 --> 00:19:48,400 422 00:19:48,501 --> 00:19:51,000 I WANT THE TRUTH. ALL OF IT. 423 00:19:52,267 --> 00:19:54,400 PEOPLE DON'T WANT THE TRUTH FROM ME. 424 00:19:54,501 --> 00:19:56,934 THEY WANT FAIRY TALES. 425 00:19:57,033 --> 00:19:59,267 HAPPY ENDINGS. 426 00:19:59,367 --> 00:20:00,834 JUST TELL ME ABOUT THE PROPHECY. 427 00:20:00,934 --> 00:20:03,234 OH, YOU MEAN THE CHILD. 428 00:20:03,334 --> 00:20:05,267 WHAT CHILD? 429 00:20:05,367 --> 00:20:06,834 SON OF FOUR BLOODS, 430 00:20:06,934 --> 00:20:10,634 COME TO RAISE THE LINKS ABOVE ALL OTHERS. 431 00:20:10,734 --> 00:20:15,200 ASHLOCKE DIED BEFORE HE COULD FULFIL HIS PROMISE. 432 00:20:15,300 --> 00:20:21,601 WITH THIS CHILD, THE LINKS WILL SHAPE A NEW WORLD. 433 00:20:21,701 --> 00:20:24,467 HOW CAN WE STOP IT? 434 00:20:24,567 --> 00:20:26,567 AHH! 435 00:20:26,667 --> 00:20:28,334 IF IT'S MEANT TO BE STOPPED, IT WILL BE. 436 00:20:28,434 --> 00:20:32,167 IF IT'S NOT, IT WON'T. 437 00:20:32,267 --> 00:20:34,901 TIME WILL TELL... 438 00:20:35,000 --> 00:20:37,901 I WANT SPECIFICS. 439 00:20:40,534 --> 00:20:45,133 A CHILD WILL BE BORN, BUT FOR OUR HOLD TO LAST, 440 00:20:45,234 --> 00:20:48,868 ALL FOUR SIGNS MUST COME TO PASS. 441 00:20:48,968 --> 00:20:52,634 A MOON WILL FALL, TWO BLOODS WILL BE DASHED, 442 00:20:52,734 --> 00:20:56,868 THE CHILD WILL CHOOSE AND THE MOUNTAIN... 443 00:20:56,968 --> 00:20:59,901 WILL CRASH... 444 00:21:00,000 --> 00:21:02,133 SMASHING... 445 00:21:02,234 --> 00:21:05,267 SO IT SHALL PASS... 446 00:21:09,868 --> 00:21:12,501 YOU'RE CRAZY. 447 00:21:14,300 --> 00:21:16,534 THEN I'M IN THE RIGHT PLACE. 448 00:21:19,801 --> 00:21:21,567 WHAT DOES THIS CHILD HAVE TO DO WITH BRENNAN? 449 00:21:21,667 --> 00:21:25,334 450 00:21:25,434 --> 00:21:26,801 HAVEN'T YOU GUESSED YET? 451 00:21:26,901 --> 00:21:33,601 452 00:21:33,701 --> 00:21:36,133 ALL RIGHT, SO WHAT IF KARA DOESN'T SHOW? 453 00:21:36,234 --> 00:21:38,033 DAMN, YOU'RE IMPATIENT. 454 00:21:38,133 --> 00:21:40,567 ARE YOU IN THIS MUCH OF A HURRY FOR EVERYTHING? 455 00:21:40,667 --> 00:21:41,934 NOT EVERYTHING. 456 00:21:42,033 --> 00:21:43,200 REALLY? 457 00:21:43,300 --> 00:21:44,267 WELL, LET ME SEE. 458 00:21:44,367 --> 00:21:45,501 HEY... NO. 459 00:21:45,601 --> 00:21:46,667 STAY OUT OF MY HEAD. 460 00:21:46,767 --> 00:21:50,133 PLEASE, I'D DIE OF BOREDOM IN THERE. 461 00:21:50,234 --> 00:21:51,100 IS THAT SO? 462 00:21:51,200 --> 00:21:52,734 OH, SO THAT'S HOW IT IS. 463 00:21:52,834 --> 00:21:54,167 FINE, FINE. 464 00:21:54,267 --> 00:21:55,267 OKAY... 465 00:21:55,367 --> 00:21:57,901 OKAY, MAYBE I TOOK IT TOO FAR. 466 00:21:58,033 --> 00:21:59,467 FORGIVE ME. 467 00:21:59,567 --> 00:22:01,100 MAYBE, IF... 468 00:22:01,200 --> 00:22:05,701 YOU ASK ME REALLY, REALLY, REALLY NICELY? 469 00:22:05,801 --> 00:22:08,300 AHEM... 470 00:22:11,601 --> 00:22:13,300 PRETTY PLEASE? 471 00:22:13,400 --> 00:22:15,834 NICER. 472 00:22:20,634 --> 00:22:22,234 WITH ME ON TOP? 473 00:22:22,334 --> 00:22:24,100 OH, COME ON, THAT'S NOT FAIR. 474 00:22:24,200 --> 00:22:25,534 YOU'RE PLAYING DIRTY. 475 00:22:25,634 --> 00:22:27,334 WHO SAYS I'M PLAYING? 476 00:22:27,434 --> 00:22:29,667 Jesse: BRENNAN, YOU THERE? 477 00:22:29,767 --> 00:22:31,801 UM... 478 00:22:31,901 --> 00:22:33,400 YOU KNOW, WHEN... 479 00:22:33,501 --> 00:22:39,667 WHEN THIS IS ALL OVER, I THINK YOU AND I SHOULD, UH... 480 00:22:39,767 --> 00:22:41,501 YOU AND I SHOULD... 481 00:22:41,601 --> 00:22:42,701 WHAT? 482 00:22:42,801 --> 00:22:45,167 WELL, YOU'RE THE PSIONIC. 483 00:22:45,267 --> 00:22:49,067 WHY DON'T YOU READ MY MIND? 484 00:22:55,100 --> 00:22:57,334 485 00:22:57,434 --> 00:23:02,501 WHY DON'T YOU GET US ANOTHER BEER, AND MAYBE SOME ICE? 486 00:23:04,667 --> 00:23:06,968 DAMMIT, JESS, WHAT'S GOING ON? I'M WORKING HERE, MAN. 487 00:23:07,067 --> 00:23:09,767 ACTUALLY, WE THINK YOU'RE BEING WORKED. 488 00:23:09,868 --> 00:23:11,033 WHY? WHAT'S GOING ON? 489 00:23:11,133 --> 00:23:13,501 OH, JUST YOUR BASIC ATTEMPT AT NEW WORLD ORDER. 490 00:23:13,601 --> 00:23:15,200 LOOK, WE DON'T KNOW EVERYTHING YET. 491 00:23:15,300 --> 00:23:16,667 SHAL'S GETTING US MORE AS WE SPEAK. 492 00:23:16,767 --> 00:23:18,300 BUT WHAT WE DO KNOW, IS THAT THIS PROPHECY 493 00:23:18,400 --> 00:23:19,968 THAT SUPPOSEDLY INVOLVES YOU, 494 00:23:20,067 --> 00:23:21,400 WAS BEGUN BY THE LINKS 495 00:23:21,501 --> 00:23:23,234 AND MISS RILEY IS ONE OF THEM. 496 00:23:23,334 --> 00:23:24,467 YOU SURE? 497 00:23:24,567 --> 00:23:26,501 GOT THE PROOF RIGHT IN FRONT OF ME, MAN. 498 00:23:26,601 --> 00:23:28,000 LOOK, JUST... 499 00:23:28,100 --> 00:23:29,934 WATCH YOUR BACK UNTIL WE KNOW WHAT GAME SHE'S PLAYING, 500 00:23:30,033 --> 00:23:30,834 ALL RIGHT? 501 00:23:30,934 --> 00:23:32,000 YEAH, YEAH... 502 00:23:32,100 --> 00:23:34,367 JUST KEEP ME POSTED, HUH? 503 00:23:36,434 --> 00:23:39,334 GUESS WE NEED TO TALK. 504 00:23:39,434 --> 00:23:42,000 HUH... 505 00:23:43,067 --> 00:23:45,200 KARA! 506 00:23:51,133 --> 00:23:53,033 DON'T DO THIS, KARA, I DON'T WANT TO HURT YOU. 507 00:23:53,133 --> 00:23:54,167 LIAR! 508 00:23:54,267 --> 00:23:56,100 YOU'VE ALREADY HURT ME. 509 00:23:56,200 --> 00:23:57,467 WE'RE HERE TO HELP YOU. 510 00:23:57,567 --> 00:23:58,334 YOU'RE IN DANGER. 511 00:23:58,434 --> 00:23:59,534 I KNOW WHO YOU ARE. 512 00:23:59,634 --> 00:24:01,634 AND I KNOW WHAT YOU'VE TAKEN FROM ME. 513 00:24:01,734 --> 00:24:03,934 AND I KNOW WHAT YOU WANT. 514 00:24:04,033 --> 00:24:06,267 OHHH... 515 00:24:06,367 --> 00:24:09,367 516 00:24:22,501 --> 00:24:24,033 STOP! 517 00:24:25,868 --> 00:24:27,067 YOU CAN'T KILL HIM YET. 518 00:24:27,167 --> 00:24:28,934 HE'S OUR ONLY PATH TO THE CHILD. 519 00:24:29,033 --> 00:24:29,767 WHAT CHILD? 520 00:24:29,868 --> 00:24:31,300 WHAT'S GOING ON HERE? 521 00:24:31,400 --> 00:24:33,033 KARA! 522 00:24:41,634 --> 00:24:43,968 SHE'S DEAD. 523 00:25:05,334 --> 00:25:07,534 THIS CHILD? 524 00:25:09,000 --> 00:25:10,567 WHO IS HE? 525 00:25:10,667 --> 00:25:17,200 ACCORDING TO THE PROPHECY, HE'S ASHLOCKE'S SECOND COMING. 526 00:25:19,868 --> 00:25:23,000 ACCORDING TO BIOLOGY... 527 00:25:23,100 --> 00:25:25,400 ...HE'S OUR SON. 528 00:25:32,801 --> 00:25:34,367 NOT JUST OURS. 529 00:25:34,467 --> 00:25:36,834 I MEAN, OUR DNA HELPED CREATE HIM. 530 00:25:36,934 --> 00:25:37,901 WHAT? 531 00:25:38,000 --> 00:25:40,501 BUT, KARA, NATHAN, YOURS, MINE 532 00:25:40,601 --> 00:25:42,667 - ONE FROM EACH MUTANT TYPE. 533 00:25:42,767 --> 00:25:44,734 OKAY, BUT HOW'D THEY GET MY DNA? 534 00:25:44,834 --> 00:25:47,534 WELL, I'M SURE YOU'VE BEEN LEAVING IT ALL OVER TOWN. 535 00:25:51,534 --> 00:25:53,868 MOST OF THE LINKS WERE GENOMEXERS, 536 00:25:53,968 --> 00:25:56,701 IT COULDN'T HAVE BEEN ALL THAT HARD. 537 00:25:56,801 --> 00:25:59,133 SO YOU'VE BEEN AFTER THIS KID FROM THE BEGINNING? 538 00:25:59,234 --> 00:26:01,367 WHY DIDN'T YOU JUST TELL ME THAT FROM THE START? 539 00:26:01,467 --> 00:26:02,434 WHEN WE MET IN THE ALLEY? 540 00:26:02,534 --> 00:26:05,667 I KNOW. I KNOW. 541 00:26:05,767 --> 00:26:07,968 REMEMBER THE GUY I SAID I WISH I HADN'T TRUSTED? 542 00:26:08,067 --> 00:26:09,667 OH, OH, WAIT... DON'T TELL ME. 543 00:26:09,767 --> 00:26:10,901 LET ME GUESS. 544 00:26:11,000 --> 00:26:13,133 GABRIEL ASHLOCKE. 545 00:26:17,901 --> 00:26:20,434 YOU KNOW, I REMEMBER HAVING THIS FEELING, 546 00:26:20,534 --> 00:26:22,634 EVER SINCE I WAS A REAL YOUNG KID 547 00:26:22,734 --> 00:26:26,267 THAT I WAS MEANT TO DO SOMETHING WITH MY LIFE, 548 00:26:26,367 --> 00:26:29,133 SOMETHING THAT MATTERED. 549 00:26:29,234 --> 00:26:32,868 AND FOR A WHILE, I THOUGHT THAT WAS PROTECTING ASHLOCKE. 550 00:26:32,968 --> 00:26:35,167 YOU FELL FOR THE WHOLE "I'M THE MUTANT SAVIOUR" CRAP? 551 00:26:38,767 --> 00:26:43,968 WHEN HE DIED, I MEAN, I STAYED WITH THE LINKS. 552 00:26:44,067 --> 00:26:46,000 WHEN BISHOP SPOKE HIS PROPHECY, 553 00:26:46,100 --> 00:26:53,834 AND NAMED ME ONE OF THE CHOSEN FOUR, I ACTUALLY FELT BLESSED. 554 00:26:53,934 --> 00:26:57,334 BUT IF BISHOP'S CORRECT, THE LINKS WILL WARP THAT CHILD 555 00:26:57,434 --> 00:27:01,367 AND MAKE HIM DARKER, DEADLIER THAN ANY MUTANT WE'VE SEEN, 556 00:27:01,467 --> 00:27:03,167 INCLUDING ASHLOCKE. 557 00:27:03,267 --> 00:27:05,734 WELL, THERE'S GOTTA BE SOME WAY THAT WE CAN STOP THEM. 558 00:27:05,834 --> 00:27:06,868 THERE ARE FOUR SIGNS 559 00:27:06,968 --> 00:27:09,767 THAT HERALD THE TRANSFORMATION OF THE CHILD. 560 00:27:09,868 --> 00:27:11,300 THE MOON WILL FALL. 561 00:27:11,400 --> 00:27:13,000 TWO BLOODS WILL BE DASHED. 562 00:27:13,100 --> 00:27:14,901 THE CHILD WILL CHOOSE... 563 00:27:15,000 --> 00:27:16,901 ...AND THE MOUNTAIN WILL CRASH. 564 00:27:17,000 --> 00:27:21,234 IF WE CAN STOP THE SIGN, WE STOP THE PROPHECY. 565 00:27:21,334 --> 00:27:25,267 NOW, THE MOON FALLING, THAT WAS THE ECLIPSE. 566 00:27:25,367 --> 00:27:27,267 TWO BLOODS WILL BE DASHED... 567 00:27:27,367 --> 00:27:28,534 WAIT, THAT... 568 00:27:28,634 --> 00:27:30,234 THAT'S NATHAN AND KARA. 569 00:27:30,334 --> 00:27:31,300 SO WE MISSED TWO SIGNS. 570 00:27:31,400 --> 00:27:34,767 THAT'S MEANS THERE'S ONLY TWO LEFT. 571 00:27:38,534 --> 00:27:42,634 I KNEW YOU WOULD COME. 572 00:27:42,734 --> 00:27:44,934 I KNEW IT. 573 00:27:45,033 --> 00:27:47,501 BEFORE YOU WERE EVEN BORN. 574 00:27:48,801 --> 00:27:50,934 DID YOU KNOW THAT? 575 00:27:54,167 --> 00:27:55,934 ARE WE IN THE PRESENT? 576 00:27:56,033 --> 00:27:59,167 YEAH. 577 00:27:59,267 --> 00:28:02,667 I NEED TO KNOW WHAT THE LAST TWO SIGNS MEAN, BISHOP. 578 00:28:02,767 --> 00:28:03,634 THE MOUNTAIN WILL CRASH. 579 00:28:03,734 --> 00:28:05,133 WHAT IS THE MOUNTAIN? 580 00:28:05,234 --> 00:28:08,367 THE CHILD'S HOME AND FORTRESS. 581 00:28:08,467 --> 00:28:11,734 HIS CASTLE UNDERGROUND. 582 00:28:11,834 --> 00:28:13,133 THE LAST OF THE LINKS 583 00:28:13,234 --> 00:28:15,534 HAVE SPENT THESE TWO YEARS SINCE HIS BIRTH 584 00:28:15,634 --> 00:28:17,634 READYING IT FOR HIM. 585 00:28:17,734 --> 00:28:19,701 WHILE THE GUARDIAN WATCHED OVER HIM. 586 00:28:19,801 --> 00:28:21,868 THE TIME IS READY FOR THE CHILD TO DESCEND NOW, 587 00:28:21,968 --> 00:28:26,501 TO RULE WHERE NO ILL HAND CAN REACH HIM. 588 00:28:26,601 --> 00:28:28,367 WHERE IS HE? 589 00:28:28,467 --> 00:28:31,067 YOU WERE RAILING AGAINST THAT WHICH CANNOT BE STOPPED. 590 00:28:31,167 --> 00:28:33,200 IF IT CAN'T BE STOPPED, THEN THERE'S NO DANGER IN TELLING. 591 00:28:33,300 --> 00:28:35,434 592 00:28:35,534 --> 00:28:38,400 UNLESS YOU AREN'T AS SURE OF YOUR PREDICTIONS AS YOU PRETEND? 593 00:28:38,501 --> 00:28:42,400 594 00:28:42,501 --> 00:28:44,701 YOU TRY HOLDING IT ALL INSIDE YOUR HEAD, GIRL. 595 00:28:44,801 --> 00:28:46,467 ALL THE POSSIBLE FUTURES AND ALL THE WORLD 596 00:28:46,567 --> 00:28:49,400 GETTING A FRESH GLIMPSE WITH EVERY HAND YOU TOUCH. 597 00:28:49,501 --> 00:28:52,801 SEE HOW EASY IT IS FOR YOU TO SEE THE ONE TRUE WAY. 598 00:29:00,200 --> 00:29:03,501 I'LL PROVE I'M RIGHT. 599 00:29:03,601 --> 00:29:06,434 TELL THE LAST OF THE BLOODS THEY CAN FIND THE GUARDIAN 600 00:29:06,534 --> 00:29:11,667 WHERE TRACKS MEET WATERS UNDER DESTINY. 601 00:29:13,767 --> 00:29:16,167 BUT IT'LL DO THEM NO GOOD. 602 00:29:16,267 --> 00:29:18,234 SO I HAVE SEEN. 603 00:29:18,334 --> 00:29:20,701 SO IT SHALL BE. 604 00:29:28,167 --> 00:29:30,601 SHALIMAR? 605 00:29:34,267 --> 00:29:37,701 DO YOU WANT TO KNOW HOW YOU WILL DIE? 606 00:29:37,801 --> 00:29:39,734 I PREFER THE SUSPENSE, THANKS. 607 00:29:39,834 --> 00:29:43,300 AND WHAT OF BRENNAN? 608 00:29:43,400 --> 00:29:46,868 WOULD YOU NOT LIKE TO KNOW HOW IT ENDS FOR HIM? 609 00:29:46,968 --> 00:29:52,868 IF THERE'S A CHANCE YOU COULD SAVE HIM FROM IT? 610 00:29:52,968 --> 00:29:55,567 I DON'T WANT TO HEAR ANOTHER WORD FROM YOU. 611 00:29:55,667 --> 00:29:58,834 YOU WILL. 612 00:29:58,934 --> 00:30:00,334 YOU WILL! 613 00:30:00,434 --> 00:30:06,734 YOU WILL! YOU WILL! YOU WILL! YOU WILL! 614 00:30:10,567 --> 00:30:12,767 YOU WILL. 615 00:30:12,868 --> 00:30:13,801 BRENNAN? 616 00:30:13,901 --> 00:30:15,133 YEAH, MAN? 617 00:30:15,234 --> 00:30:17,767 WELL, SHALIMAR JUST GOT THE LAST CLUE FROM BISHOP. 618 00:30:17,868 --> 00:30:19,133 HE SAID THAT YOU'LL FIND THE GUARDIAN 619 00:30:19,234 --> 00:30:22,033 WHERE THE TRACKS MEET THE WATER UNDER DESTINY. 620 00:30:22,133 --> 00:30:23,534 SOUNDS LIKE A FORTUNE COOKIE. 621 00:30:23,634 --> 00:30:26,400 YEAH, WELL, EXCEPT THAT THERE'S AN OLD RAILWAY LINE 622 00:30:26,501 --> 00:30:27,701 THAT ENDS AT THE DOCKS, 623 00:30:27,801 --> 00:30:30,734 AND THERE'S A BOAT IN PIER 17 NAMED DESTINY. 624 00:30:30,834 --> 00:30:32,234 WE FIGURE THAT'S WHERE THE GUARDIAN'S KEEPING THE KID 625 00:30:32,334 --> 00:30:33,567 UNTIL IT'S TIME TO MOVE IT. 626 00:30:33,667 --> 00:30:36,234 YEAH. AND WHICH, ACCORDING TO BISHOP, IS RIGHT ABOUT NOW. 627 00:30:36,334 --> 00:30:38,501 WE'RE ON IT. 628 00:30:38,601 --> 00:30:40,701 I'LL TELL YOU, I DON'T KNOW WHAT THOSE LINKHEADS WERE THINKING. 629 00:30:40,801 --> 00:30:42,734 TWO MUTANTS HAVING KIDS IS STUPID ENOUGH, 630 00:30:42,834 --> 00:30:43,934 BUT MIXING FOUR... 631 00:30:44,033 --> 00:30:46,000 WHOA, BACK THAT UP. JUST BACK THAT UP. 632 00:30:46,100 --> 00:30:48,367 TWO MUTANTS HAVING KIDS IS STUPID? 633 00:30:48,467 --> 00:30:49,634 SINCE WHEN? 634 00:30:49,734 --> 00:30:50,934 SINCE EIGHTY PERCENT OF THE TIME 635 00:30:51,033 --> 00:30:52,601 THEY'RE BIOLOGICAL DISASTERS. 636 00:30:52,701 --> 00:30:54,067 WHAT ABOUT THE OTHER TWENTY? 637 00:30:54,167 --> 00:30:55,300 SELFISH IMPULSE. 638 00:30:55,400 --> 00:30:56,400 I'M SORRY, BUT THE LAST TIME I CHECKED, 639 00:30:56,501 --> 00:30:58,367 PROCREATION IS A BASIC HUMAN RIGHT. 640 00:30:58,467 --> 00:30:59,634 HMM, AND THE LAST TIME I CHECKED, 641 00:30:59,734 --> 00:31:02,634 WE WEREN'T BASIC HUMANS. 642 00:31:02,734 --> 00:31:04,601 OH, STOP LOOKING AT ME LIKE I JUST KILLED YOUR PUPPY. 643 00:31:04,701 --> 00:31:06,501 YOU KNOW I'M RIGHT. 644 00:31:06,601 --> 00:31:08,033 JESS, OUR VERY EXISTENCE IS SCREWING 645 00:31:08,133 --> 00:31:10,367 WITH THE NATURAL ORDER OF THINGS. 646 00:31:10,467 --> 00:31:12,100 THE ONLY WAY TO MAKE IT RIGHT AGAIN IS... 647 00:31:12,200 --> 00:31:13,934 IS TO LET US MUTANTS DIE OUT. 648 00:31:14,033 --> 00:31:16,167 THAT'S IT. 649 00:31:18,801 --> 00:31:20,734 AW, I WISH YOU WOULD HAVE LET ME WHACK THAT GUARDIAN THING 650 00:31:20,834 --> 00:31:21,934 WHEN I HAD THE CHANCE. 651 00:31:22,033 --> 00:31:23,734 DON'T BE SO SURE YOU COULD HAVE. 652 00:31:23,834 --> 00:31:25,734 SOMETIMES I THINK HE'S INDESTRUCTIBLE. 653 00:31:25,834 --> 00:31:27,968 WELL, I LOOK FORWARD TO PROVING YOU WRONG. 654 00:31:29,133 --> 00:31:31,634 DESTINY. 655 00:31:31,734 --> 00:31:32,868 BRENNAN! 656 00:31:32,968 --> 00:31:35,434 AGH... 657 00:31:35,534 --> 00:31:38,734 AGH...! AGH! 658 00:31:38,834 --> 00:31:42,300 AGH...! OH... 659 00:31:42,400 --> 00:31:46,000 UGH... 660 00:31:56,434 --> 00:31:58,501 HE DISAPPEARED. 661 00:31:58,601 --> 00:32:00,067 HE CHOSE... 662 00:32:00,167 --> 00:32:01,434 WHAT? 663 00:32:01,534 --> 00:32:04,300 THE CHILD WILL CHOOSE. 664 00:32:04,400 --> 00:32:08,767 HE CHOSE TO PROTECT THE GUARDIAN. 665 00:32:08,868 --> 00:32:11,667 WE JUST WATCHED THE THIRD SIGN. 666 00:32:14,868 --> 00:32:17,167 CLOSE TO WHERE BRENNAN AND RILEY LAST SAW THE GUARDIAN. 667 00:32:17,267 --> 00:32:18,667 DO YOU WANT TO COME AND TAKE A LOOK? 668 00:32:18,767 --> 00:32:21,033 YOU'RE ASHAMED OF YOUR MUTATION. 669 00:32:21,133 --> 00:32:22,834 OH, MY GOD. WHAT ARE YOU TALKING ABOUT? 670 00:32:22,934 --> 00:32:24,601 I CAN'T BELIEVE THAT I NEVER NOTICED IT BEFORE. 671 00:32:24,701 --> 00:32:30,100 BUT ADMIT IT... DEEP DOWN YOU'RE A SELF-LOATHING MUTANT. 672 00:32:30,200 --> 00:32:31,300 DO YOU HEAR HOW STUPID YOU'RE SOUNDING RIGHT NOW, 673 00:32:31,400 --> 00:32:32,567 OR IS IT JUST ME? 674 00:32:32,667 --> 00:32:34,234 ...I MEAN, YOU'RE NOT EXACTLY THE POSTER CHILD 675 00:32:34,334 --> 00:32:35,334 FOR THE PICTURE PERFECT FAMILY, 676 00:32:35,434 --> 00:32:36,601 SO WHY WOULD IT SURPRISE ME 677 00:32:36,701 --> 00:32:38,000 THAT YOU'RE AN ANTl-BREEDER? 678 00:32:38,100 --> 00:32:39,567 OKAY. WELL, I'M ALSO RIGHT. 679 00:32:39,667 --> 00:32:41,701 TELL ME, JESS, HOW MANY TIMES HAVE WE HAD TO STEP IN 680 00:32:41,801 --> 00:32:43,734 TO AVERT MUTANT-CAUSED DISASTERS, 681 00:32:43,834 --> 00:32:45,567 JUST WITH THE FEW OF US THAT EXIST SO FAR? 682 00:32:45,667 --> 00:32:46,734 THAT IS SUCH A CHEAP ARGUMENT. 683 00:32:46,834 --> 00:32:47,701 NO, IT'S NOT. 684 00:32:47,801 --> 00:32:48,734 OH, COME ON. 685 00:32:48,834 --> 00:32:49,634 LIKE, THERE'S NOT CRIMINALS OUT THERE 686 00:32:49,734 --> 00:32:50,968 IN THE NORMAL SOCIETY AS WELL. 687 00:32:51,067 --> 00:32:55,133 NONE THAT ARE THEIR OWN PERSONAL BIOLOGICAL WEAPONS, NO. 688 00:32:55,234 --> 00:32:56,067 OH... 689 00:32:56,167 --> 00:32:58,467 IT'S EVOLUTION, JESS. 690 00:32:58,567 --> 00:33:00,033 SURVIVAL OF THE FITTEST. 691 00:33:00,133 --> 00:33:02,033 THAT'S US. 692 00:33:02,133 --> 00:33:03,934 WE'LL LIVE AND WE'LL THRIVE, BUT YOU KNOW WHAT? 693 00:33:04,033 --> 00:33:05,133 THE REST OF HUMANITY IS GOING TO DIE, 694 00:33:05,234 --> 00:33:07,267 AND THAT'S NOT SUPPOSED TO HAPPEN. 695 00:33:07,367 --> 00:33:08,467 WHAT IF IT IS? 696 00:33:08,567 --> 00:33:09,567 WHAT? 697 00:33:09,667 --> 00:33:11,968 WHAT IF THERE ARE NO COSMIC ACCIDENTS? 698 00:33:12,067 --> 00:33:14,634 WHAT IF ADAM WAS SUPPOSED TO CREATE US? 699 00:33:14,734 --> 00:33:18,100 AND WE'RE THE BEGINNING OF... I DON'T KNOW... 700 00:33:18,200 --> 00:33:21,734 THE BEGINNING OF A NEW PHASE OF HUMANITY? 701 00:33:21,834 --> 00:33:23,834 WHATEVER HELPS YOU SLEEP. 702 00:33:23,934 --> 00:33:25,267 I GUESS WE'RE JUST GOING TO HAVE TO AGREE TO DISAGREE, 703 00:33:25,367 --> 00:33:26,501 THAT'S ALL. 704 00:33:26,601 --> 00:33:27,734 FINE. 705 00:33:27,834 --> 00:33:30,067 FINE. 706 00:33:33,901 --> 00:33:35,067 LEXA, PLEASE. 707 00:33:35,167 --> 00:33:36,534 LOOK, ALL I'M SAYING, 708 00:33:36,634 --> 00:33:39,567 IS IF THERE WAS A HUNDRED LITTLE BABY LEXAS 709 00:33:39,667 --> 00:33:40,934 RUNNING AROUND OUT THERE IN THE WORLD 710 00:33:41,033 --> 00:33:42,334 THAT WERE ALL GOING TO GROW UP TO BE JUST LIKE YOU, 711 00:33:42,434 --> 00:33:45,167 I HAPPEN TO THINK THE WORLD WOULD BE A BETTER PLACE. 712 00:33:47,300 --> 00:33:49,667 YEP. 713 00:33:49,767 --> 00:33:52,534 A FRUSTRATING, PIGHEADED... 714 00:33:52,634 --> 00:33:54,734 BEAUTIFUL PLACE. 715 00:33:57,501 --> 00:33:59,334 WHAT? 716 00:33:59,434 --> 00:34:05,934 SOMETIMES, YOU KNOW, FOR A MORON... 717 00:34:06,033 --> 00:34:09,968 YOU SAY EXACTLY THE RIGHT THINGS. 718 00:34:10,067 --> 00:34:13,100 NOW COME HELP ME FIND MY MOUNTAIN. 719 00:34:19,467 --> 00:34:20,767 LET'S TAKE A TIGHTER LOOK. 720 00:34:22,200 --> 00:34:23,801 NOPE. 721 00:34:23,901 --> 00:34:26,133 UH UH. 722 00:34:26,234 --> 00:34:28,300 OH... 723 00:34:28,400 --> 00:34:31,000 DADDY LIKES. 724 00:34:31,100 --> 00:34:33,734 OKAY, KIDS, I THINK WE GOT OUR LAST DESTINATION. 725 00:34:33,834 --> 00:34:36,200 IT'S A GROUPING OF CAVES UNDER THE SEWERS NEAR YOU. 726 00:34:36,300 --> 00:34:37,601 IT'S A... 727 00:34:37,701 --> 00:34:39,601 OLD MINE. 728 00:34:40,434 --> 00:34:41,434 ALL RIGHT. 729 00:34:41,534 --> 00:34:42,667 SO HOW MANY LINKS ARE LEFT? 730 00:34:42,767 --> 00:34:44,534 ONLY A HANDFUL OF HARD CORE BELIEVERS. 731 00:34:44,634 --> 00:34:48,367 BUT NOTHING'S MORE DANGEROUS IN THE WRONG HANDS THAN FAITH. 732 00:34:48,467 --> 00:34:49,767 YEAH. 733 00:34:49,868 --> 00:34:51,734 TRUST ME, I DON'T WANT TO RUN INTO ANY OF THEM. 734 00:34:51,834 --> 00:34:52,901 SHAL, WHERE YOU AT? 735 00:34:53,000 --> 00:34:54,501 IN THE HELIX, NOT FAR FROM YOU. 736 00:34:54,601 --> 00:34:56,000 ALL RIGHT, I'M HAVING A FEELING 737 00:34:56,100 --> 00:34:57,467 WE'RE GOING TO BE VERY OUTNUMBERED. 738 00:34:57,567 --> 00:34:59,000 SO YOU GOT MY BACK? 739 00:34:59,100 --> 00:35:01,133 ALWAYS. 740 00:35:05,734 --> 00:35:07,234 SO IT'S HER? 741 00:35:07,334 --> 00:35:08,701 WHO? 742 00:35:08,801 --> 00:35:12,601 THE WOMAN WHOSE FINGERPRINTS I FEEL ALL OVER YOUR HEART. 743 00:35:12,701 --> 00:35:15,033 HUH, I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 744 00:35:15,133 --> 00:35:17,400 BESIDES, DIDN'T I TELL YOU TO STAY OUT OF MY HEAD? 745 00:35:17,501 --> 00:35:19,200 OH, THAT WASN'T PSIONICS, HONEY. 746 00:35:19,300 --> 00:35:21,467 THAT WAS JUST FEMALE INTUITION. 747 00:35:21,567 --> 00:35:22,734 YEAH, FEMALE INTUITION. 748 00:35:22,834 --> 00:35:26,200 WELL, I HOPE SHE'S NOT IN AS MUCH DENIAL AS YOU ARE. 749 00:35:26,300 --> 00:35:27,334 HUH... WAIT, WAIT, HOLD UP. 750 00:35:27,434 --> 00:35:28,634 HOLD ON ONE SEC. 751 00:35:28,734 --> 00:35:29,934 LET ME ASK YOU A QUESTION. 752 00:35:30,033 --> 00:35:31,100 YEAH. 753 00:35:31,200 --> 00:35:32,501 IF YOU'RE A TELEPATH, 754 00:35:32,601 --> 00:35:34,300 THEN HOW THE HELL DID YOU GET FOOLED BY ASHLOCKE? 755 00:35:34,400 --> 00:35:36,434 WELL, HE DIDN'T USE HIS POWERS TO CONVERT ME, 756 00:35:36,534 --> 00:35:38,267 IF THAT'S WHAT YOU'RE ASKING. 757 00:35:38,367 --> 00:35:42,167 AT THE END OF THE DAY, ALL HE USED WAS HIS CHARM. 758 00:35:42,267 --> 00:35:44,167 FELL IN LOVE WITH THE BASTARD. 759 00:35:44,267 --> 00:35:45,601 IT'S PATHETIC, HUH? 760 00:35:45,701 --> 00:35:47,767 UH, YEAH. 761 00:35:47,868 --> 00:35:49,000 FACE IT, ONE OF THESE DAYS 762 00:35:49,100 --> 00:35:50,534 YOU'RE GOING TO HAVE TO TRUST SOMEONE, AGAIN. 763 00:35:50,634 --> 00:35:53,067 NO. WHAT I HAVE TO DO IS MAKE SURE THAT NO MUTANT LIKE THAT 764 00:35:53,167 --> 00:35:57,100 EVER EXISTS AGAIN... WHATEVER IT TAKES. 765 00:35:58,567 --> 00:36:00,434 OKAY, SO HOW DO YOU KNOW WHERE WE'RE GOING? 766 00:36:00,534 --> 00:36:02,167 BY TRACKING. 767 00:36:02,267 --> 00:36:03,734 CAN'T YOU FEEL HIM? 768 00:36:03,834 --> 00:36:05,934 HUH... THE CHILD? 769 00:36:06,033 --> 00:36:07,934 AND NOT JUST HIM. 770 00:36:08,868 --> 00:36:10,534 YOU'RE TOO LATE, BETRAYER! 771 00:36:21,901 --> 00:36:23,934 RILEY! 772 00:36:24,033 --> 00:36:26,467 HUH... 773 00:36:26,567 --> 00:36:29,067 UGH... 774 00:36:29,167 --> 00:36:31,868 WHERE'D SHE GO? 775 00:36:33,567 --> 00:36:35,133 THE MOUNTAIN WILL CRASH. 776 00:36:35,234 --> 00:36:38,868 THAT WAS THE LAST SIGN. 777 00:36:38,968 --> 00:36:40,667 I THINK SHE'S... 778 00:36:40,767 --> 00:36:43,968 I THINK SHE'S GOING AFTER THE KID. 779 00:36:44,067 --> 00:36:45,567 SHE'S GOING TO KILL HIM. 780 00:36:48,200 --> 00:36:49,434 KEEP YOUR HEADS UP. 781 00:36:49,534 --> 00:36:50,400 WELL, I'D FEEL A LOT BETTER DOWN HERE IF WE KNEW 782 00:36:50,501 --> 00:36:51,901 HOW TO KILL THE GUARDIAN. 783 00:36:52,000 --> 00:36:54,467 WELL, WE'LL SEE WHAT WE CAN DO ABOUT THAT. 784 00:36:56,400 --> 00:37:00,067 ALL RIGHT. I'M LOOKING FOR WEAKNESSES IN HIS ARACHNID STRUCTURE. 785 00:37:00,167 --> 00:37:01,334 YEAH, BUT WITH OUT RILEY'S PSIONIC, 786 00:37:01,434 --> 00:37:03,267 HOW ARE YOU GUYS GOING TO TRACK DOWN THE CHILD? 787 00:37:03,367 --> 00:37:06,133 COME ON, SHE FOLLOWED THE BOY; I'LL FOLLOW HER. 788 00:37:39,601 --> 00:37:40,634 RILEY, NO! 789 00:37:40,734 --> 00:37:41,968 IT'S NOT WHAT YOU THINK, BRENNAN. 790 00:37:42,067 --> 00:37:42,934 I WAS WRONG. 791 00:37:43,033 --> 00:37:44,400 HE ISN'T EVIL. 792 00:37:44,501 --> 00:37:46,434 HE'S JUST A BOY. 793 00:37:46,534 --> 00:37:47,567 HE'S TRICKING HER. 794 00:37:47,667 --> 00:37:48,567 JUST LIKE ASHLOCKE. 795 00:37:48,667 --> 00:37:50,234 HE IS NOTHING LIKE ASHLOCKE. 796 00:37:50,334 --> 00:37:52,234 I'VE LOOKED INSIDE HIS MIND, BRENNAN. 797 00:37:52,334 --> 00:37:55,701 AND HE'S BEAUTIFUL. 798 00:37:55,801 --> 00:37:59,200 THE OPPOSITE OF EVERYTHING I THOUGHT. 799 00:37:59,300 --> 00:38:01,801 I TRUST HIM. 800 00:38:01,901 --> 00:38:03,167 BUT THE PROPHECY. 801 00:38:03,267 --> 00:38:06,234 THE THIRD SIGN WAS THE CHILD SHALL CHOOSE. 802 00:38:06,334 --> 00:38:07,601 AND HE... HE CHOSE THE GUARDIAN. 803 00:38:07,701 --> 00:38:08,601 NO. 804 00:38:08,701 --> 00:38:11,300 HE CHOSE TO LET US LIVE. 805 00:38:11,400 --> 00:38:14,667 HE FREED HIMSELF FROM THE PROPHECY BY CHOOSING THAT PATH, 806 00:38:14,767 --> 00:38:18,834 BY FOLLOWING THE GOOD INSIDE. 807 00:38:18,934 --> 00:38:20,834 LET ME TAKE HIM. 808 00:38:20,934 --> 00:38:21,701 NO! 809 00:38:21,801 --> 00:38:22,968 WE CAN RUN FROM THE LINKS. 810 00:38:23,067 --> 00:38:24,334 YOU'LL SPEND THE REST OF YOUR LIFE RUNNING. 811 00:38:24,434 --> 00:38:26,567 I TOLD YOU, I WOULD SPEND THE REST OF MY LIFE 812 00:38:26,667 --> 00:38:30,267 MAKING UP FOR ASHLOCKE. 813 00:38:30,367 --> 00:38:33,267 THIS IS HOW I WAS MEANT TO DO IT. 814 00:38:33,367 --> 00:38:36,100 PLEASE DON'T TAKE THAT FROM ME. 815 00:38:40,734 --> 00:38:46,567 HE WANTS YOU TO COME WITH US. 816 00:38:53,234 --> 00:38:55,267 I CAN'T. 817 00:38:55,367 --> 00:38:57,334 THEY'LL KILL HIM BEFORE THEY LET US HAVE HIM. 818 00:38:57,434 --> 00:38:59,534 YOU KNOW THAT. 819 00:39:14,434 --> 00:39:16,467 BRENNAN? 820 00:39:18,033 --> 00:39:20,701 GO. 821 00:39:30,467 --> 00:39:31,400 JESS, A LITTLE HELP. 822 00:39:31,501 --> 00:39:33,501 HOW THE HELL DO WE KILL THIS THING? 823 00:39:33,601 --> 00:39:35,968 HE MIGHT HAVE A WEAKNESS IN HIS EXOSKELETON, 824 00:39:36,067 --> 00:39:39,467 SMALL OF HIS BACK, WHERE THE PLATES OVERLAP. 825 00:39:39,567 --> 00:39:41,300 KEEP HIM BUSY. 826 00:39:47,167 --> 00:39:48,300 C'MON... 827 00:39:50,868 --> 00:39:53,534 AGH...! 828 00:40:01,367 --> 00:40:04,701 WELL, SO MUCH FOR BISHOP'S PROPHECY. 829 00:40:25,634 --> 00:40:26,601 SORRY. 830 00:40:26,701 --> 00:40:29,000 I GREW RESTLESS WAITING FOR YOU. 831 00:40:29,100 --> 00:40:30,601 WHAT HAVE YOU DONE? 832 00:40:30,701 --> 00:40:32,734 HUH? OH, SLEEPING. 833 00:40:32,834 --> 00:40:34,634 I THOUGHT IT BEST WE TALK ALONE. 834 00:40:34,734 --> 00:40:36,167 YOU DID WANT TO TALK... 835 00:40:36,267 --> 00:40:38,934 DIDN'T YOU? 836 00:40:41,300 --> 00:40:44,534 YOUR PROPHECY WAS FALSE. 837 00:40:44,634 --> 00:40:45,634 WE LET THE CHILD GO. 838 00:40:45,734 --> 00:40:47,133 THERE WAS NOTHING EVIL ABOUT HIM. 839 00:40:47,234 --> 00:40:49,067 THERE'S SOMETHING EVIL ABOUT ALL OF US. 840 00:40:49,167 --> 00:40:52,067 IT'S OUR CHOICE WHAT FACE WE SHOW. 841 00:40:52,167 --> 00:40:57,300 ASK ME A QUESTION, MY LITTLE FERAL... 842 00:40:59,767 --> 00:41:03,300 TELL ME HOW IT ENDS. 843 00:41:03,400 --> 00:41:05,901 WHAT HAPPENS TO ME AND MY FRIENDS. 844 00:41:06,000 --> 00:41:09,434 THE FINAL BATTLE IS UPON YOU ALL... 845 00:41:11,834 --> 00:41:13,767 FOUR WILL BEGIN. 846 00:41:13,868 --> 00:41:16,067 TRUE LOVE WILL CALL. 847 00:41:16,167 --> 00:41:18,067 ONE WILL BETRAY. 848 00:41:18,167 --> 00:41:21,033 AND ONE WILL FALL. 849 00:41:24,934 --> 00:41:26,801 FALL? WHAT DO YOU MEAN, FALL? 850 00:41:26,901 --> 00:41:28,000 DO YOU MEAN DIE? 851 00:41:28,100 --> 00:41:30,901 852 00:41:31,000 --> 00:41:32,567 TELL ME! 853 00:41:35,734 --> 00:41:38,067 854 00:41:38,167 --> 00:41:40,067 DON'T FIGHT IT, SHALIMAR. 855 00:41:40,167 --> 00:41:44,200 YOU AND YOUR FRIENDS CAN'T HIDE FROM FATE, SHALIMAR. 856 00:41:46,300 --> 00:41:49,868 IT'S ALREADY FOUND YOU. 857 00:41:51,400 --> 00:41:54,400 CAN WE STOP IT? 858 00:41:54,501 --> 00:41:58,601 SO I HAVE SEEN, SO IT SHALL BE. 859 00:42:00,367 --> 00:42:02,567 NO. TELL ME! 860 00:42:02,667 --> 00:42:07,267 58025

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.