All language subtitles for The.Opposite.Sex.and.How.to.Live.with.Them.1992.1080p.WEBRip.DDP2.0.x264-NTb-HI
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:16,617 --> 00:00:20,117
[ BIRDS SCREECHING ]
2
00:00:32,766 --> 00:00:36,736
[ ANIMALS CHATTERING ]
3
00:00:36,770 --> 00:00:40,040
[ ELEPHANT TRUMPETING ]
4
00:00:49,383 --> 00:00:52,523
Eli: TWO TYPES OF CREATURES
IN THE WILD KINGDOM --
5
00:00:52,553 --> 00:00:54,523
THE PREDATORS AND THE PREY.
6
00:00:54,555 --> 00:00:56,515
WHEN WE DECIDE
TO PREDATE...
7
00:00:56,557 --> 00:00:58,827
THEY HAD BETTER PRAY.
8
00:00:58,859 --> 00:01:00,359
[ CHUCKLES ]
9
00:01:00,394 --> 00:01:03,134
WHATEVER.
10
00:01:03,164 --> 00:01:05,774
YOU SEE, LIFE WAS SIMPLE
FOR DAVID AND ME.
11
00:01:05,799 --> 00:01:07,769
WE WERE CAPTAINS
OF OUR OWN SHIPS.
12
00:01:07,801 --> 00:01:10,671
WE DECIDED
WHEN THE PERISCOPE GOES UP
13
00:01:10,704 --> 00:01:12,514
AND WHEN THE PERISCOPE
GOES DOWN,
14
00:01:12,540 --> 00:01:16,410
WHEN TO FIRE THE TORPEDOES
AND WHO WAS UNDER ATTACK.
15
00:01:16,444 --> 00:01:19,854
AND THEN DAVID VENTURED
FOOLISHLY
16
00:01:19,880 --> 00:01:21,850
INTO UNCHARTED WATERS.
17
00:01:21,882 --> 00:01:25,892
* THE PURPOSE OF A MAN
IS TO LOVE A WOMAN *
18
00:01:25,919 --> 00:01:30,319
* THE PURPOSE OF A WOMAN
IS TO LOVE A MAN *
19
00:01:30,358 --> 00:01:32,488
* SO COME ON, BABY,
LET'S START TODAY *
20
00:01:32,526 --> 00:01:34,326
* COME ON, BABY, LET'S PLAY
21
00:01:34,362 --> 00:01:35,862
* THE GAME OF LOVE
22
00:01:38,399 --> 00:01:40,399
* THE GAME OF LOVE
23
00:01:43,371 --> 00:01:45,641
* COME ON, BABY,
'CAUSE THE TIME IS RIGHT *
24
00:01:45,673 --> 00:01:47,883
* COME ON, BABY,
'CAUSE THE TIME IS RIGHT *
25
00:01:47,908 --> 00:01:49,878
* LOVE YOUR DADDY
WITH ALL YOUR MIGHT *
26
00:01:49,910 --> 00:01:51,880
* LOVE YOUR DADDY
WITH ALL YOUR MIGHT *
27
00:01:51,912 --> 00:01:53,882
* PUT YOUR ARMS AROUND ME
AND HOLD ME TIGHT *
28
00:01:53,914 --> 00:01:56,624
* PUT YOUR ARMS AROUND ME
AND HOLD ME TIGHT *
29
00:01:58,419 --> 00:02:00,919
* PLAY THE GAME OF LOVE
30
00:02:00,954 --> 00:02:04,934
* THE PURPOSE OF A MAN
IS TO LOVE A WOMAN *
31
00:02:04,958 --> 00:02:09,258
* THE PURPOSE OF A WOMAN
IS TO LOVE A MAN *
32
00:02:09,297 --> 00:02:11,627
* SO COME ON, BABY,
LET'S START TODAY *
33
00:02:11,665 --> 00:02:12,925
* COME ON, BABY, LET'S PLAY
34
00:02:12,966 --> 00:02:14,836
OW!
* THE GAME OF LOVE
35
00:02:16,204 --> 00:02:18,174
AAH!
36
00:02:18,206 --> 00:02:19,836
OW.
37
00:02:19,873 --> 00:02:21,813
IT'S NOT POLITE TO SPY.
38
00:02:21,842 --> 00:02:24,752
I WASN'T SPYING.
I WAS LEERING.
39
00:02:24,778 --> 00:02:27,348
YOU KNOW, THIS THING
REINFORCES BAD VIEWING HABITS.
40
00:02:27,381 --> 00:02:29,521
YOU SHOULD LEARN TO LOOK
AT A WOMAN AS A WHOLE.
41
00:02:29,550 --> 00:02:30,650
HEY, LISTEN.
42
00:02:30,684 --> 00:02:33,954
I'M WAY TOO ENLIGHTENED
TO LOOK AT WOMEN LIKE THAT.
43
00:02:33,987 --> 00:02:35,857
I MEANT AS OPPOSED TO
JUST HALF.
44
00:02:35,889 --> 00:02:39,929
IT'S A PERISCOPE IN A BAR.
LIGHTEN UP.
45
00:02:39,960 --> 00:02:41,560
YOU JUST SHOULDN'T LOOK
AT WOMEN AS OBJECTS.
46
00:02:41,595 --> 00:02:45,765
OH, NO. YOU SEE, I WAS LOOKING
AT WOMEN OBJECTIVELY.
47
00:02:45,799 --> 00:02:48,299
YOU KNOW,
I DON'T CARE FOR SEMANTICS.
48
00:02:48,336 --> 00:02:51,236
HMM. TOO BAD.
I'M JEWISH.
49
00:02:52,573 --> 00:02:54,813
HEY, CAN I BUY YOU
A DRINK?
50
00:02:56,377 --> 00:02:57,807
I DON'T THINK SO.
51
00:02:57,845 --> 00:02:59,605
THE -- THE WHOLE YOU?
52
00:03:01,882 --> 00:03:02,882
OW.
53
00:03:04,518 --> 00:03:05,648
EXCUSE ME.
54
00:03:05,686 --> 00:03:07,216
I'M SORRY.
55
00:03:07,988 --> 00:03:09,288
TROUBLE, SKIPPER?
56
00:03:09,323 --> 00:03:12,593
UH, FLESH WOUND.
57
00:03:12,626 --> 00:03:14,256
THERE WE GO.
58
00:03:14,295 --> 00:03:15,925
THAT'S MUCH BETTER.
59
00:03:15,963 --> 00:03:17,433
MM-HMM. THANK YOU.
60
00:03:17,465 --> 00:03:18,865
MEDICINAL PURPOSES.
61
00:03:22,035 --> 00:03:23,435
HI!
62
00:03:23,471 --> 00:03:25,441
HEY. OH, YOU LOOK GREAT.
I'VE NEVER SEEN THIS.
63
00:03:25,473 --> 00:03:27,983
YES. WELL, I CAN HIDE
A SMALL CHILD IN THIS.
64
00:03:28,008 --> 00:03:31,348
SO YOU SHOULD GO FOR IT.
LITTLE DIMPLES, LITTLE ASS.
65
00:03:31,379 --> 00:03:32,679
LITTLE POTENTIAL.
66
00:03:32,713 --> 00:03:34,683
YOU AND YOUR
POTENTIAL QUOTIENT.
67
00:03:34,715 --> 00:03:37,945
HAVE YOU GOT SOME SORT
OF POTENTIAL-CALCULATOR
DEVICE IN YOUR HEAD?
68
00:03:37,985 --> 00:03:38,915
I MEAN, HOW DO YOU KNOW?
69
00:03:38,952 --> 00:03:41,592
ZOE, I KNOW THE TYPE.
70
00:03:41,622 --> 00:03:44,692
[ SALT-N-PEPA'S "DO YOU WANT ME"
PLAYS ]
71
00:03:44,725 --> 00:03:46,955
I AM IN LOVE
WITH THAT GIRL.
72
00:03:48,529 --> 00:03:51,369
DAVID, THAT GIRL INTENDED
73
00:03:51,399 --> 00:03:53,369
AND INFLICTED BODILY INJURY
ON YOU.
74
00:03:53,401 --> 00:03:54,901
YOU DON'T MARRY GIRLS
LIKE THAT.
75
00:03:54,935 --> 00:03:56,765
YOU FILE RESTRAINING ORDERS
AGAINST THEM.
76
00:03:56,804 --> 00:03:57,944
[ CHUCKLES ]
77
00:03:57,971 --> 00:03:59,641
HO.
SPIDER SENSE TINGLING.
78
00:03:59,673 --> 00:04:00,643
WHERE?
79
00:04:00,674 --> 00:04:02,414
DON'T LOOK. 3:00.
80
00:04:02,443 --> 00:04:04,043
DON'T LOOK!
81
00:04:04,077 --> 00:04:06,047
I'M SENSING
A GERMANIC ACCENT.
82
00:04:06,079 --> 00:04:08,279
SWEDISH.
STEWARDESSES, MAYBE.
83
00:04:08,316 --> 00:04:09,546
UH, SECRETARIES.
84
00:04:09,583 --> 00:04:11,393
GERMAN BANK UPSTAIRS.
AH.
85
00:04:11,419 --> 00:04:12,849
TWO BECK'S.
TWO BECK'S.
86
00:04:12,886 --> 00:04:14,786
COVER ME.
I'M GOING IN.
87
00:04:17,558 --> 00:04:19,858
ONE MORE FURTIVE GLANCE
BETWEEN YOU TWO,
88
00:04:19,893 --> 00:04:22,863
AND I WILL SPEW
PIÑA COLADA.
89
00:04:23,997 --> 00:04:26,327
[ LAUGHS ]
90
00:04:26,367 --> 00:04:27,597
HE IS CUTE.
91
00:04:29,002 --> 00:04:30,942
Eli: I WAS SITTING
DOWN THE END OF THE BAR,
92
00:04:30,971 --> 00:04:32,041
AND I WAS THINKING, "JEEZ.
93
00:04:32,072 --> 00:04:34,582
I'VE NEVER MET A EUROPEAN WOMAN
WHO DIDN'T LIKE BEER."
94
00:04:34,608 --> 00:04:36,578
[ LAUGHS ] I'VE GOT TWO.
IS THIS PERFECT?
95
00:04:36,610 --> 00:04:37,910
ONE FOR YOU
AND ONE FOR YOU.
96
00:04:37,945 --> 00:04:39,875
NOW, IF YOU DON'T LIKE BEER,
THAT'S FINE.
97
00:04:41,749 --> 00:04:44,449
COULD BE NOW IS A GOOD TIME
FOR BEER.
98
00:04:46,887 --> 00:04:49,957
FOR ALL YOU KNOW, HE MAY BE
THE SWEETEST, MOST SENSITIVE,
99
00:04:49,990 --> 00:04:51,490
EVOLVED GUY ON THE PLANET.
100
00:04:56,530 --> 00:04:57,830
I LIKE DARK BEER,
ACTUALLY.
101
00:04:57,865 --> 00:05:00,025
HANNA, MARTA, THIS IS MY, UH,
GOOD FRIEND DAVID.
102
00:05:01,068 --> 00:05:02,938
THEN AGAIN...
103
00:05:02,970 --> 00:05:04,840
LET'S GO.
104
00:05:04,872 --> 00:05:07,912
SO, UH,
YOU'RE BOTH SECRETARIES.
105
00:05:07,941 --> 00:05:10,441
NO -- TELLERS.
MUNCHEN BANK.
106
00:05:10,478 --> 00:05:11,948
I BANK THERE.
YEAH.
107
00:05:11,979 --> 00:05:13,749
BYE.
Carrie: BYE.
LAST WEEK.
108
00:05:13,781 --> 00:05:16,621
I, UH, YOU BROKE A
DEUTSCHE MARK FOR ME.
DO -- DO YOU REMEMBER?
109
00:05:17,885 --> 00:05:19,685
NO.
MNH-MNH.
110
00:05:19,720 --> 00:05:22,960
SO, HERE IT IS, FRIDAY NIGHT.
EARLY FRIDAY NIGHT.
111
00:05:22,990 --> 00:05:24,630
AND I'M SURE
IT'S ONLY A MATTER OF TIME
112
00:05:24,658 --> 00:05:25,958
BEFORE YOU REVERT
TO SHELTER MENTALITY
113
00:05:25,993 --> 00:05:29,133
AND SAY SOMETHING LIKE...
I'M SO TIRED.
I JUST WANT TO GO HOME.
114
00:05:29,162 --> 00:05:30,832
EXACTLY.
115
00:05:30,864 --> 00:05:33,904
ZOE, ANY GUY YOU MEET IN A BAR
PICKS UP WOMEN IN BARS.
116
00:05:33,934 --> 00:05:36,074
THEREFORE, I CAN SAFELY
RULE OUT THAT GUY,
117
00:05:36,103 --> 00:05:38,973
AS CUTE AS HE MAY
HAVE BEEN, JUST BASED
ON THE GENERAL THEORY
118
00:05:39,006 --> 00:05:40,836
OF GUILT
BY GEOGRAPHIC ASSOCIATION.
119
00:05:40,874 --> 00:05:44,714
THEN I HAVE TO ASK YOU,
WHAT WERE WE DOING IN THE BAR?
120
00:05:44,745 --> 00:05:47,545
WE WERE HAVING A DRINK.
121
00:05:47,581 --> 00:05:50,451
OKAY. WE WERE SPENDING
SOME TIME TOGETHER.
122
00:05:50,484 --> 00:05:51,794
WE LIVE TOGETHER.
123
00:05:51,819 --> 00:05:52,989
ALL RIGHT, ZOE. OKAY.
124
00:05:53,020 --> 00:05:55,460
WE WERE SCOPING AND SCAMMING,
JUST LIKE EVERYBODY ELSE.
125
00:05:55,489 --> 00:05:56,589
ARE YOU HAPPY?
126
00:05:56,624 --> 00:05:57,964
WAS THAT SO HARD?
127
00:05:57,991 --> 00:05:59,691
OH.
128
00:05:59,727 --> 00:06:02,827
Driver: RED LINE OUTBOUND.
NEXT STOP, HARVARD SQUARE.
129
00:06:04,131 --> 00:06:05,631
Eli: OH, PERFECT.
130
00:06:05,666 --> 00:06:07,836
TEN OF MY FAVORITE
PICKUP LINES,
131
00:06:07,868 --> 00:06:11,438
25 BUCKS WORTH OF DRINKS,
A WHOLE LOT OF WASTED CHARM
132
00:06:11,472 --> 00:06:13,842
ONLY TO FIND OUT THAT
HANNA AND MARTA WERE LOVERS.
133
00:06:13,874 --> 00:06:15,014
I HATE THAT.
134
00:06:15,042 --> 00:06:15,912
YEAH. GO FIGURE.
135
00:06:15,943 --> 00:06:17,983
WELL, THE NIGHT'S NOT
A TOTAL WASH, HUH?
136
00:06:18,011 --> 00:06:20,151
WE'LL GO CATCH A LITTLE JOE
DOWN AT THE CANTAB LOUNGE.
137
00:06:20,180 --> 00:06:21,880
WHAT DO YOU SAY?
OH, GREAT. GREAT.
138
00:06:21,915 --> 00:06:25,585
OH, PLEASE TELL ME
YOU'VE GOTTEN OVER
THE FINGER CRUSHER.
139
00:06:25,619 --> 00:06:27,689
YEAH, WELL...
140
00:06:27,721 --> 00:06:29,161
THE MEMORY LINGERS
A BIT, YEAH.
141
00:06:29,189 --> 00:06:30,859
MM-HMM.
142
00:06:30,891 --> 00:06:32,861
BUT YOU'VE GOT THE ANSWER
FOR THAT, DON'T YOU?
143
00:06:32,893 --> 00:06:33,863
SURE, I DO.
144
00:06:33,894 --> 00:06:37,004
WE ERASE THAT MEMORY
BY STAYING OUT ALL NIGHT,
145
00:06:37,030 --> 00:06:38,930
DESTROYING OUR BRAIN CELLS
WITH ALCOHOL
146
00:06:38,966 --> 00:06:40,196
AND SOCIOPATHIC BEHAVIOR.
147
00:06:40,233 --> 00:06:43,743
EASY SOLUTIONS
TO LIFE'S DIFFICULT PROBLEMS.
148
00:06:43,771 --> 00:06:46,141
I FEEL BETTER.
149
00:06:46,173 --> 00:06:47,813
OF COURSE YOU DO.
150
00:06:47,841 --> 00:06:51,011
SO WE STAYED OUT ALL NIGHT
AND DRANK TEQUILA,
151
00:06:51,044 --> 00:06:53,014
AND NEITHER ONE OF US SCORED.
152
00:06:53,046 --> 00:06:54,946
I, UH, OF COURSE, SUCCEEDED
153
00:06:54,982 --> 00:06:58,492
IN THE RESEARCH-AND-DEVELOPMENT
DEPARTMENT.
154
00:06:59,820 --> 00:07:01,860
ANDREA. MM-HMM.
155
00:07:01,889 --> 00:07:04,689
652-94...
156
00:07:04,725 --> 00:07:07,525
I DON'T REMEMBER ANDREA.
157
00:07:07,561 --> 00:07:08,861
AHA.
158
00:07:08,896 --> 00:07:11,696
YEAH. MIMI.
MIMI, I REMEMBER.
159
00:07:11,732 --> 00:07:15,042
627-43...
160
00:07:15,068 --> 00:07:17,708
I DON'T REMEMBER MIMI.
161
00:07:17,738 --> 00:07:20,668
THAT'S THE PROBLEM WITH TEQUILA.
162
00:07:20,708 --> 00:07:22,138
MIMI.
163
00:07:22,175 --> 00:07:27,005
* TAKE ME OUT
TO THE BALL GAME *
164
00:07:27,047 --> 00:07:31,247
* TAKE ME OUT WITH THE CROWD
165
00:07:31,284 --> 00:07:35,094
* BUY ME SOME PEANUTS
AND CRACKER JACK *
166
00:07:35,122 --> 00:07:39,632
OH, HE IS TOO DARLING.
I LOVE HIM.
167
00:07:39,660 --> 00:07:42,630
THAT IS AN MVP ASS.
168
00:07:42,663 --> 00:07:44,733
NO.
IT'S ENTIRELY TOO SMALL.
169
00:07:44,765 --> 00:07:45,995
NO! NO!
170
00:07:46,033 --> 00:07:47,973
I'M TELLING YOU,
IT'S TOO SMALL.
171
00:07:49,703 --> 00:07:50,843
THERE.
172
00:07:50,871 --> 00:07:51,811
WHOA.
BIG ENOUGH FOR YOU?
173
00:07:51,839 --> 00:07:53,809
[ LAUGHS ]
NOW, THAT'S BETTER.
174
00:08:00,013 --> 00:08:01,953
[ CROWD MURMURING ]
175
00:08:01,982 --> 00:08:04,022
Vendor: PEANUTS!
GET YOUR PEANUTS!
176
00:08:04,051 --> 00:08:05,951
YEAH! ALL RIGHT! HERE!
177
00:08:05,986 --> 00:08:07,916
COMIN' AT YA! HERE YOU GO.
HONEY!
178
00:08:07,955 --> 00:08:09,115
PEANUTS!
179
00:08:10,758 --> 00:08:12,588
PEANUTS!
180
00:08:15,062 --> 00:08:17,002
BEER HERE. BEER.
181
00:08:17,030 --> 00:08:18,700
YO. TWO BEERS.
182
00:08:18,732 --> 00:08:19,932
LIGHT?
183
00:08:19,967 --> 00:08:20,927
WHAT?
184
00:08:20,968 --> 00:08:22,798
LIGHT BEER?
185
00:08:22,836 --> 00:08:24,836
DO I LOOK LIKE A PUSSY?
186
00:08:29,109 --> 00:08:30,079
HERE YOU GO.
187
00:08:30,110 --> 00:08:31,240
THANKS, PAL.
188
00:08:31,278 --> 00:08:33,248
BEER HERE.
189
00:08:33,280 --> 00:08:35,150
SPIDER SENSE TINGLING.
190
00:08:35,182 --> 00:08:36,952
OH, YOUR SPIDER SENSE
IS FUCKED.
191
00:08:36,984 --> 00:08:38,524
NO, I WISH.
192
00:08:39,286 --> 00:08:40,346
RED HAIR, BLUE TOP.
193
00:08:40,387 --> 00:08:42,857
IT'S WINNIE THE POOH
AND TIGGER, TOO,
FROM LAST NIGHT.
194
00:08:42,890 --> 00:08:43,920
NO.
195
00:08:43,957 --> 00:08:46,987
YES. HOW MANY CHICKS HAVE
THE JOKER'S HAIR?
196
00:08:47,027 --> 00:08:48,997
JOKER HAS GREEN HAIR,
ASSHOLE.
CRACKER JACKS HERE.
CRACKER JACKS.
197
00:08:49,029 --> 00:08:51,259
WHAT DID I SAY?
GARCON!
198
00:08:51,298 --> 00:08:53,628
CRACKER JACKS.
CRACKER JACKS.
UM, YEAH.
CRACKER JACK HERE.
199
00:08:53,667 --> 00:08:55,797
ALL RIGHT.
HEY, CRACKER JACKS,
EVERYBODY.
200
00:08:55,836 --> 00:08:57,236
PEANUTS, CRACKER JACKS
A BUCK.
201
00:08:57,270 --> 00:08:58,770
YOU GOT ANY CRACKER JACK?
202
00:08:58,806 --> 00:08:59,936
GIVE ME A MINUTE HERE.
PLENTY OF CRACKER JACKS.
203
00:08:59,973 --> 00:09:03,143
ANYBODY FOR PEANUTS
AND CRACKER JACKS?
204
00:09:03,176 --> 00:09:06,146
YEAH. YEAH!
205
00:09:06,179 --> 00:09:09,619
ALL RIGHT. NOW, LISTEN.
DO ME A FAVOR.
206
00:09:09,650 --> 00:09:12,950
BRING THIS DOWN, PLEASE,
TO THAT LADY IN BLUE.
207
00:09:12,986 --> 00:09:14,856
WHAT DO I LOOK LIKE,
A FREAKIN' MAILMAN?
208
00:09:14,888 --> 00:09:16,858
HERE. LOOK.
209
00:09:16,890 --> 00:09:17,990
BUY YOURSELF A BEER.
210
00:09:18,025 --> 00:09:20,325
HEY.
SPECIAL DELIVERY.
211
00:09:21,328 --> 00:09:23,098
LOOK. THEY'RE NOT EVEN
WATCHING THE GAME.
212
00:09:23,130 --> 00:09:26,630
IT LOOKS LIKE
THEY'RE CHECKING OUT
BRUNO'S BACK. LOOK.
213
00:09:26,667 --> 00:09:28,097
Man: COME ON, BATTER!
214
00:09:28,135 --> 00:09:29,795
Woman: PLAY BALL!
215
00:09:29,837 --> 00:09:32,267
OKAY. I BET SHE GOES
FOR THE TOY SURPRISE FIRST.
216
00:09:32,305 --> 00:09:33,865
WHAT'S THIS?
217
00:09:33,907 --> 00:09:36,037
WHAT DO I KNOW?
SECRET ADMIRER.
218
00:09:37,911 --> 00:09:39,051
SECRET ADMIRER.
219
00:09:39,079 --> 00:09:40,879
WOW!
220
00:09:40,914 --> 00:09:42,384
COME ON!
221
00:09:42,415 --> 00:09:44,215
COME ON!
222
00:09:44,251 --> 00:09:47,761
[ GASPS, LAUGHS ]
223
00:09:47,788 --> 00:09:50,058
THAT'S HYSTERICAL!
224
00:09:50,090 --> 00:09:53,090
[ CROWD SHOUTING ]
225
00:09:59,366 --> 00:10:00,326
[ GASPS ]
226
00:10:00,367 --> 00:10:01,697
THEY'RE BACK.
227
00:10:01,735 --> 00:10:04,035
AND THEY'RE REALLY
DORKY-LOOKING.
228
00:10:04,071 --> 00:10:06,041
AND THEY'RE RIGHT BEHIND YOU.
HOW ABOUT THAT, HUH?
229
00:10:06,073 --> 00:10:08,313
OH, YOU KNOW, YOU
REALLY SHOULDN'T LOOK
AT MEN LIKE THIS.
230
00:10:08,341 --> 00:10:11,751
IT'S DEMEANING.
VISUAL DISMEMBERMENT, REMEMBER?
231
00:10:11,779 --> 00:10:12,909
ALL RIGHT, LIGHTEN UP.
232
00:10:12,946 --> 00:10:14,846
IT'S JUST A DAY
AT THE BALL PARK.
233
00:10:14,882 --> 00:10:16,952
I THINK I'M GONNA HAVE TO
GIVE THE NOD TO MATTINGLY
234
00:10:16,984 --> 00:10:18,724
FOR THE BEST SEAT
IN THE MAJORS.
235
00:10:18,752 --> 00:10:20,892
ARE YOU NUTS?
WHAT ABOUT BO?
236
00:10:20,921 --> 00:10:23,021
I MEAN, ARE WE TALKING SIZE
OR SHAPE HERE?
237
00:10:23,056 --> 00:10:25,756
I THINK I'M SECURE ENOUGH
IN MY OWN SEXUALITY
238
00:10:25,793 --> 00:10:28,733
TO SAY THAT MATTINGLY'S ASS
KICKS ASS ON ANY OTHER ASS.
239
00:10:28,762 --> 00:10:30,902
YOU ARE SO ENLIGHTENED.
240
00:10:30,931 --> 00:10:32,271
UH, I'M DAVID.
241
00:10:32,299 --> 00:10:33,829
CARRIE.
242
00:10:33,867 --> 00:10:34,997
ELI MATTINGLY.
243
00:10:35,035 --> 00:10:36,865
[ LAUGHS ]
HI. I'M ZOE.
244
00:10:36,904 --> 00:10:37,874
HOW ARE YOU?
245
00:10:37,905 --> 00:10:39,165
I SEE
YOU BROUGHT A GLOVE.
246
00:10:39,206 --> 00:10:40,966
UM, IT'S ZOE'S.
247
00:10:41,008 --> 00:10:43,138
WE COULD TELL.
IT KIND OF MATCHES HER HAIR.
248
00:10:43,176 --> 00:10:44,206
OH!
249
00:10:44,244 --> 00:10:45,914
WELL, IF IT WERE SKIN TONE,
250
00:10:45,946 --> 00:10:48,046
I GUESS I COULD SAY
THE SAME THING ABOUT YOU.
251
00:10:48,081 --> 00:10:50,281
OUCH. A HAIR-LOSS JOKE.
VERY GOOD.
252
00:10:50,317 --> 00:10:51,277
LUCKILY FOR ME,
253
00:10:51,318 --> 00:10:53,948
WOMEN ARE VERY ATTRACTED
TO A RECEDING HAIRLINE.
254
00:10:53,987 --> 00:10:55,787
OH, I DON'T THINK SO.
255
00:10:55,823 --> 00:10:57,263
I SAID "WOMEN."
256
00:10:57,290 --> 00:11:00,230
YOU KNOW, IF YOU'RE GONNA MAKE
THE CATCH, UM,
257
00:11:00,260 --> 00:11:03,000
IT'S EASIER IF YOU DO IT
LIKE THIS.
258
00:11:03,030 --> 00:11:03,960
YEAH. THERE YOU GO.
259
00:11:03,997 --> 00:11:05,297
OKAY. THANK YOU.
260
00:11:05,332 --> 00:11:06,972
SURE.
261
00:11:07,000 --> 00:11:09,140
COURSE, I DON'T THINK
THERE'S GONNA BE ANY HOMERS
262
00:11:09,169 --> 00:11:10,769
WITH THE WIND BLOWING IN.
263
00:11:11,939 --> 00:11:13,169
[ CROWD MURMURING ]
264
00:11:13,206 --> 00:11:15,076
OH!
265
00:11:16,043 --> 00:11:17,343
[ LAUGHS ]
266
00:11:17,377 --> 00:11:19,007
GREAT GRAB.
267
00:11:19,046 --> 00:11:21,876
OF COURSE, WHEN YOU HIT IT
THAT HARD, YOU KNOW,
268
00:11:21,915 --> 00:11:24,115
CUTS RIGHT THROUGH THAT WIND.
269
00:11:24,151 --> 00:11:26,891
Crowd: [ Chanting ]
THROW IT BACK! THROW IT BACK!
270
00:11:26,920 --> 00:11:27,820
THROW IT BACK!
271
00:11:27,855 --> 00:11:30,155
HOUSE RULES --
BLEACHER ETIQUETTE DICTATES
272
00:11:30,190 --> 00:11:33,060
THAT YOU GOT TO THROW BACK
A HOMER BY THE OPPOSITION.
273
00:11:33,093 --> 00:11:36,763
THROW IT BACK! THROW IT BACK!
THROW IT BACK!
274
00:11:36,797 --> 00:11:37,927
YES!
275
00:11:37,965 --> 00:11:40,395
A WOMAN
AFTER MY OWN HEART.
276
00:11:40,433 --> 00:11:42,903
SO, UM, HOW ABOUT
AN AUTOGRAPH
277
00:11:42,936 --> 00:11:45,236
AND, UH, PHONE NUMBER?
278
00:11:45,272 --> 00:11:46,912
IT WAS ON THE BALL.
279
00:11:46,940 --> 00:11:49,780
NO.
YEAH.
280
00:11:50,844 --> 00:11:52,314
NO!
281
00:11:53,847 --> 00:11:54,877
[ Echoing ] NO!
282
00:11:54,915 --> 00:11:55,875
OHH!
283
00:11:55,916 --> 00:11:58,016
AH, CHILL, BABE.
IT AIN'T OVER.
284
00:11:58,051 --> 00:11:59,191
IT'S OVER.
285
00:11:59,219 --> 00:12:01,249
NO, IT ISN'T.
LICK ME.
286
00:12:01,288 --> 00:12:03,788
WHAT ARE WE,
SIEGFRIED AND ROY?
287
00:12:03,824 --> 00:12:04,964
AW!
288
00:12:04,992 --> 00:12:06,292
ICK!
289
00:12:07,895 --> 00:12:09,155
AND?
290
00:12:09,196 --> 00:12:10,826
HMM.
291
00:12:10,864 --> 00:12:13,274
VOILÃ .
292
00:12:15,002 --> 00:12:17,442
SO I GIVE THE NUMBER
ON THE TATTOO TO ELI.
293
00:12:17,470 --> 00:12:18,940
I THOUGHT IT WOULD BE A LAUGH.
294
00:12:18,972 --> 00:12:21,542
AND WHAT HAPPENS?
DAVID CALLS CARRIE.
295
00:12:21,574 --> 00:12:23,384
CARRIE BLOWS UP AT ME.
296
00:12:23,410 --> 00:12:26,450
SEE, SHE THINKS DAVID
IS HUGELY UNIMPRESSIVE.
297
00:12:26,479 --> 00:12:27,979
SO I GO, "FINE.
298
00:12:28,015 --> 00:12:29,945
"IF DAVID
IS SO HUGELY UNIMPRESSIVE,
299
00:12:29,983 --> 00:12:32,823
WHY HAVE YOU ACCEPTED
HIS INVITATION TO THE MOVIES?"
300
00:12:32,853 --> 00:12:35,363
SO SHE GOES, "WELL,
I FELT SORRY FOR THE GUY.
301
00:12:35,388 --> 00:12:37,058
HE SOUNDED SO DESPERATE."
302
00:12:37,090 --> 00:12:39,030
THEN SHE LOCKS HERSELF
IN THE BATHROOM
303
00:12:39,059 --> 00:12:42,199
AND REMOVES
ALL SUPERFLUOUS BODY HAIR.
304
00:12:42,229 --> 00:12:44,329
I'M WORRIED.
305
00:12:47,968 --> 00:12:49,098
[ GARGLING ]
306
00:12:49,136 --> 00:12:50,996
THE THREE F's
OF DATING --
307
00:12:51,038 --> 00:12:53,068
ONE -- FILM,
TWO -- FOOD,
308
00:12:53,106 --> 00:12:54,406
THREE -- FUCK.
309
00:12:54,441 --> 00:12:55,981
CAN YOU WRITE THAT DOWN?
310
00:12:56,009 --> 00:12:57,979
YOU'LL REMEMBER.
YOU'RE GONNA BE FINE.
311
00:12:58,011 --> 00:12:59,951
AND YOU'RE GONNA NEED THIS.
312
00:12:59,980 --> 00:13:01,010
WHAT'S THAT?
313
00:13:01,048 --> 00:13:03,848
REMEMBER HOW BATMAN HAD
A UTILITY BELT?
YEAH.
314
00:13:03,884 --> 00:13:04,994
YEAH, WELL, HE SHOULD'VE HAD
ONE OF THESE.
315
00:13:05,018 --> 00:13:06,348
HE WOULD'VE DONE
A LOT BETTER.
316
00:13:06,386 --> 00:13:09,086
I GOT EVERYTHING YOU NEED
FOR THE DATE, ALL RIGHT?
317
00:13:09,122 --> 00:13:11,092
I GOT A TONGUE DEPRESSOR
IN HERE.
318
00:13:11,124 --> 00:13:13,934
I GOT A LITTLE DENTAL DAM
HERE FOR YOU.
WHAT IS THAT?
319
00:13:13,961 --> 00:13:16,431
SAFE SEX INCLUDES
OUR DEAR FRIEND FELLATIO.
320
00:13:16,463 --> 00:13:17,363
HIYA.
HI.
321
00:13:17,397 --> 00:13:19,367
WHERE DO YOU GET
THIS STUFF?
322
00:13:19,399 --> 00:13:21,839
REMEMBER THE DENTAL HYGIENIST
I WAS DATING?
323
00:13:21,869 --> 00:13:22,999
KEPT A FEW SAMPLES.
324
00:13:23,036 --> 00:13:27,106
NOW, THE CONDOMS ARE FROM
MY OWN PERSONAL STOCK, HUH?
325
00:13:27,140 --> 00:13:28,480
THE GOOD STUFF.
326
00:13:28,508 --> 00:13:29,878
[ SCOFFS ]
327
00:13:29,910 --> 00:13:32,010
ELI, LOOK, IT'S...
IT'S A FIRST DATE.
328
00:13:32,045 --> 00:13:35,075
IT'S, WELL,
MY FUTURE WIFE.
329
00:13:35,115 --> 00:13:37,575
WE HAVE FILM? YES.
330
00:13:37,617 --> 00:13:40,047
FOOD? PROBABLY.
331
00:13:40,087 --> 00:13:42,057
ANYTHING ELSE AFTER THAT,
I CAN'T REALLY SAY.
332
00:13:42,089 --> 00:13:43,119
ALL RIGHT.
333
00:13:43,156 --> 00:13:46,356
WORST COMES TO WORST,
YOU MAKE BALLOON ANIMALS.
334
00:13:48,528 --> 00:13:51,328
SO I HAVEN'T BEEN
TO A MOVIE --
SO, WHAT DO YOU, UH...
335
00:13:51,364 --> 00:13:53,334
SO, UH...
I'M SORRY.
336
00:13:53,366 --> 00:13:55,036
[ Laughing ]
NO, SORRY. WHAT?
337
00:13:55,068 --> 00:13:57,168
NO, JUST -- YOU HAVEN'T BEEN
TO A MOVIE, OR...
338
00:13:57,204 --> 00:13:58,944
NO,
WHAT WERE YOU GONNA SAY?
339
00:13:58,972 --> 00:14:02,142
UM, UH, WHAT --
WHAT DO YOU DO?
340
00:14:02,175 --> 00:14:03,305
THAT, ACTUALLY.
341
00:14:03,343 --> 00:14:05,613
MM.
I WORK FOR THE MAYOR.
342
00:14:05,645 --> 00:14:07,545
OUR MAYOR?
343
00:14:07,580 --> 00:14:10,020
YOUR MAYOR.
I-I WORK IN HIS OFFICE.
344
00:14:10,050 --> 00:14:11,650
I MEAN, FOR HIS OFFICE.
345
00:14:11,684 --> 00:14:14,124
HEY.
346
00:14:14,154 --> 00:14:16,224
SOUNDS --
SOUNDS IMPRESSIVE.
347
00:14:16,256 --> 00:14:18,256
IT'S NOT.
348
00:14:18,291 --> 00:14:20,031
WELL, I'M IMPRESSED.
349
00:14:20,060 --> 00:14:21,490
YEAH?
350
00:14:21,528 --> 00:14:24,498
WELL, YOU'RE EASILY IMPRESSED.
I LIKE THAT IN A MAN.
351
00:14:24,531 --> 00:14:27,471
I'LL REMEMBER THAT.
352
00:14:27,500 --> 00:14:32,110
[ INDISTINCT CONVERSATIONS,
CHAIRS SQUEAKING ]
353
00:14:32,139 --> 00:14:34,609
THIS GUY IS KICKING
MY SEAT.
354
00:14:34,641 --> 00:14:35,941
OH, I HATE THAT.
355
00:14:35,976 --> 00:14:37,436
[ LAUGHING ]
356
00:14:37,477 --> 00:14:39,607
HEY, COULD YOU
JUST KNOCK IT OFF?
357
00:14:39,646 --> 00:14:41,146
KNOCK WHAT OFF?
358
00:14:41,181 --> 00:14:43,321
WELL, ANYWAY,
YOU SEE THAT GUY THERE?
YEAH.
359
00:14:43,350 --> 00:14:46,090
ARE THEY
BOTHERING YOU?
360
00:14:46,119 --> 00:14:47,049
DO YOU WANT TO MOVE?
361
00:14:47,087 --> 00:14:49,417
NO.
362
00:14:49,456 --> 00:14:50,416
HEY.
363
00:14:50,457 --> 00:14:52,187
WHY BOTHER WHISPERING?
364
00:14:52,225 --> 00:14:53,325
[ GRUNTS ]
365
00:14:58,498 --> 00:15:00,128
* OH, DARLING...
366
00:15:00,167 --> 00:15:02,597
TALK ABOUT VIOLENCE
IN THE MOVIES.
367
00:15:02,635 --> 00:15:05,035
BOY, YOUR EYE
IS REALLY SWOLLEN.
368
00:15:05,072 --> 00:15:08,112
YOU KNOW, YOU SHOULD'VE TOLD ME.
WE WOULDN'T HAVE STAYED.
369
00:15:08,141 --> 00:15:10,111
NO, NO, NO.
IT'S...GLANCING BLOW.
370
00:15:10,143 --> 00:15:11,983
I WANTED YOU
TO SEE THE MOVIE.
371
00:15:12,012 --> 00:15:13,582
OH, THAT'S VERY THOUGHTFUL
OF YOU.
372
00:15:13,613 --> 00:15:15,083
OOH.
373
00:15:15,115 --> 00:15:16,075
IS THAT BETTER?
374
00:15:16,116 --> 00:15:17,946
CONSIDERABLY.
375
00:15:17,985 --> 00:15:19,545
THANKS.
376
00:15:22,155 --> 00:15:23,155
[ SIGHS ]
377
00:15:24,992 --> 00:15:29,132
SO, UM...
WHAT ARE YOU GONNA HAVE?
378
00:15:29,162 --> 00:15:31,002
UH...
379
00:15:31,031 --> 00:15:32,331
STRUDEL SOUNDS GOOD.
380
00:15:32,365 --> 00:15:34,995
OH, NO. NO.
YOU NEVER ORDER THE STRUDEL.
381
00:15:35,035 --> 00:15:36,995
SEE, RESTAURANTS
ALWAYS ARE OUT OF IT,
382
00:15:37,037 --> 00:15:39,007
SO THEY TRY AND PUSH
THE CHEESECAKE ON YOU
383
00:15:39,039 --> 00:15:40,469
'CAUSE THEY HAVE TOO MUCH
OF THAT.
384
00:15:40,507 --> 00:15:42,477
YOU READY?
385
00:15:42,509 --> 00:15:45,009
UH, YEAH.
I'M GONNA HAVE THE STRUDEL.
386
00:15:45,045 --> 00:15:46,045
WE'RE OUT.
387
00:15:46,079 --> 00:15:48,379
WELL, GEE,
WHAT DO YOU RECOMMEND?
388
00:15:48,415 --> 00:15:51,145
CHEESECAKE IS GOOD.
389
00:15:51,184 --> 00:15:52,494
SOUP.
SOUP.
390
00:15:52,519 --> 00:15:53,689
LARGE BOWL?
391
00:15:53,720 --> 00:15:55,060
TWO SPOONS.
392
00:15:55,088 --> 00:15:56,658
HMM. HOW ROMANTIC.
393
00:15:56,689 --> 00:15:59,259
I'M CHARGING YOU
FOR THE EXTRA SPOON.
394
00:15:59,292 --> 00:16:00,632
I'LL SPLURGE.
395
00:16:03,130 --> 00:16:06,670
SO, WHAT DID YOU CALL
THOSE THINGS IN THE SOUP?
396
00:16:06,699 --> 00:16:08,499
YOU'RE NOT JEWISH,
ARE YOU?
397
00:16:08,535 --> 00:16:09,495
NO.
398
00:16:09,536 --> 00:16:11,166
I'M FROM WELLESLEY,
399
00:16:11,204 --> 00:16:15,244
A SUBURB RIVALED
ONLY BY GREEN ACRES
IN ETHNIC DIVERSITY.
400
00:16:15,275 --> 00:16:16,675
OKAY. ALL RIGHT.
401
00:16:16,709 --> 00:16:18,749
WELL, THE LITTLE ROUND THINGS
ARE CALLED MATZO BALLS,
402
00:16:18,778 --> 00:16:21,208
OR KNAIDLACH,
CALLED BY MY PEOPLE.
403
00:16:21,248 --> 00:16:24,248
UM, LITTLE RAVIOLI THINGS
ARE CALLED KREPLACH,
404
00:16:24,284 --> 00:16:26,794
INVENTED WHILE WE WERE
WANDERING IN THE DESERT
AND NEEDED SOMETHING TO EAT
405
00:16:26,819 --> 00:16:28,759
AFTER THROWING
ALL THE KNAIDLACH
AT OUR ENEMIES.
406
00:16:28,788 --> 00:16:31,118
[ LAUGHS ]
407
00:16:31,158 --> 00:16:32,988
I KNEW THAT.
408
00:16:34,494 --> 00:16:36,434
WELL, THANKS FOR SEEING
MY MOVIE.
409
00:16:36,463 --> 00:16:38,103
SURE.
DID YOU LIKE IT?
410
00:16:38,131 --> 00:16:40,401
[ INHALES DEEPLY ]
UH, NO.
411
00:16:40,433 --> 00:16:42,573
I-I LIKED YOU.
412
00:16:42,602 --> 00:16:46,112
THE WAY THAT YOU LAUGHED
AT ALL THE WRONG STUFF
413
00:16:46,139 --> 00:16:49,179
AND CRIED WITH HER.
414
00:16:50,843 --> 00:16:53,283
YOU'RE NOT CYNICAL.
415
00:16:55,115 --> 00:16:58,145
YOU SURRENDERED YOURSELF
TO THE STORY.
416
00:16:59,386 --> 00:17:01,686
I LIKE THAT.
417
00:17:11,331 --> 00:17:12,531
UM, YOU KNOW, DAVID,
418
00:17:12,565 --> 00:17:16,135
I-I DON'T THINK THAT WE SHOULD
GET INTO ANYTHING PHYSICAL.
419
00:17:16,169 --> 00:17:17,139
OW!
420
00:17:17,170 --> 00:17:19,640
OOH. THAT HURTS.
421
00:17:19,672 --> 00:17:20,812
THAT'S ONE OF THOSE CLICHé LINES
422
00:17:20,840 --> 00:17:22,340
THEY TEACH THEM TO SAY
IN "COSMO,"
423
00:17:22,375 --> 00:17:23,675
AND SHE JUST FIRED IT
RIGHT AT HIM.
424
00:17:23,710 --> 00:17:24,910
REAL NICE.
425
00:17:24,944 --> 00:17:28,254
I MEAN, THE GUY JUST WANTED
A KISS, NOT "THE STORY OF O."
426
00:17:28,281 --> 00:17:31,421
I-I DIDN'T...
427
00:17:31,451 --> 00:17:33,491
COULD YOU PLEASE
REPEAT THAT?
428
00:17:33,520 --> 00:17:34,790
[ CHUCKLES SOFTLY ]
429
00:17:34,821 --> 00:17:37,591
I JUST DON'T THINK
WE SHOULD RUSH INTO ANYTHING.
430
00:17:37,624 --> 00:17:40,434
[ BOTH BREATHING HEAVILY ]
431
00:17:40,460 --> 00:17:41,760
WHAT CHANGED YOUR MIND?
432
00:17:41,794 --> 00:17:43,134
I STARTED KISSING YOU.
433
00:17:45,898 --> 00:17:47,398
[ THUD, GLASS BREAKS ]
434
00:17:47,434 --> 00:17:49,244
WHAT WAS THAT?
THE LAMP.
435
00:17:49,269 --> 00:17:51,099
OH.
436
00:17:51,138 --> 00:17:52,408
[ CAT HOWLS ]
437
00:17:52,439 --> 00:17:54,109
WHAT WAS THAT?
CAT.
438
00:17:54,141 --> 00:17:55,111
OH.
439
00:17:55,142 --> 00:17:56,742
[ BOTH BREATHING HEAVILY ]
440
00:17:56,776 --> 00:17:57,876
W-WHOA!
441
00:17:57,910 --> 00:17:59,280
[ GRUNTS ]
442
00:18:01,348 --> 00:18:02,478
HAAGEN-DAZS?
443
00:18:02,515 --> 00:18:04,145
DON'T PANIC, DUDE.
444
00:18:04,184 --> 00:18:07,824
WE'RE LIKE HELL'S ANGELS.
WE SHARE EVERYTHING.
445
00:18:07,854 --> 00:18:11,224
[ LAUGHS ]
446
00:18:20,900 --> 00:18:22,740
[ GLASS BREAKS ]
447
00:18:25,805 --> 00:18:26,835
[ SIGHS ]
448
00:18:26,873 --> 00:18:29,343
OH, I'M SORRY.
449
00:18:29,376 --> 00:18:31,206
M-MAYBE WE CAN FIX IT
OR SOMETHING.
450
00:18:31,244 --> 00:18:33,154
THAT'S MY PARENTS'
WEDDING PICTURE.
451
00:18:33,180 --> 00:18:34,450
IT'S 35 YEARS OLD.
452
00:18:34,481 --> 00:18:36,381
SHIT.
453
00:18:36,416 --> 00:18:40,516
WELL, MAYBE WE CAN GLUE IT
OR...SOMETHING.
454
00:18:40,553 --> 00:18:41,623
I'LL BE RIGHT BACK.
455
00:18:44,524 --> 00:18:47,734
KEEP AWAY
FROM MY PRECIOUS DAUGHTER.
456
00:18:47,760 --> 00:18:50,230
KENNETH,
THEY'RE JUST NECKING.
457
00:18:50,263 --> 00:18:51,163
OH, YES?
458
00:18:51,198 --> 00:18:52,928
WELL, MAYBE WE BETTER CHECK
THE CONTENTS
459
00:18:52,965 --> 00:18:55,395
OF HIS BAT UTILITY BELT.
460
00:18:55,435 --> 00:18:59,265
WITH ALL DUE RESPECT, SIR,
WE ARE CONSENTING ADULTS.
461
00:18:59,306 --> 00:19:02,876
CARRIE IS AN ADULT,
AND YOU ARE CONSENTING.
462
00:19:02,909 --> 00:19:05,179
MY DAUGHTER IS NOT
GOING TO BE
463
00:19:05,212 --> 00:19:06,852
ANOTHER ONE OF YOUR
LITTLE CONQUESTS.
464
00:19:06,879 --> 00:19:08,719
DO YOU HEAR ME,
YOUNG MAN?
465
00:19:08,748 --> 00:19:09,878
KENNETH.
466
00:19:09,916 --> 00:19:11,646
Carrie:
DAVID, I'M SORRY, BUT, UM...
467
00:19:13,220 --> 00:19:16,260
IT'S LATE, AND I HAVE TO BE
AT AEROBICS AT 5:30.
468
00:19:16,289 --> 00:19:17,419
A.M.?
MM-HMM.
469
00:19:17,457 --> 00:19:19,587
BRYANT GUMBEL SLEEPS LATER
THAN THAT.
470
00:19:19,626 --> 00:19:21,256
[ CHUCKLES SOFTLY ]
471
00:19:21,294 --> 00:19:22,934
NO. I-I UNDERSTAND.
472
00:19:22,962 --> 00:19:24,262
IT'S...
473
00:19:24,297 --> 00:19:25,767
UM, HERE.
474
00:19:25,798 --> 00:19:28,598
THANKS.
475
00:19:28,635 --> 00:19:30,795
I'M KIND OF TIRED MYSELF.
476
00:19:33,640 --> 00:19:34,270
GOOD NIGHT.
477
00:19:34,307 --> 00:19:35,307
GOOD NIGHT.
478
00:19:40,413 --> 00:19:43,853
GENTLEMEN, WE CAME, WE SAW,
WE KICKED POMBOOSE.
479
00:19:43,883 --> 00:19:47,393
AH. NEXT WEEK, TRY 5:00, 5:30.
ANY QUESTIONS?
480
00:19:47,420 --> 00:19:50,260
YEAH, YEAH, YEAH.
CROWN'S DATE -- UH, RECAP,
INNING BY INNING.
481
00:19:50,290 --> 00:19:51,760
WE LUCKED OUT
IN THIS MARKET, BABE.
482
00:19:51,791 --> 00:19:53,431
OH, WE GOT DUFFED.
[ CHUCKLES ]
483
00:19:53,460 --> 00:19:56,630
SUFFICE TO SAY, I HAVEN'T SEEN
ANY BALLOON-ANIMAL GIRAFFES
484
00:19:56,663 --> 00:19:58,403
ROAMING THE STREETS
OF OUR FAIR TOWN.
485
00:19:58,431 --> 00:19:59,871
THIS CARRIE CHICK --
WHAT DOES SHE DO?
486
00:19:59,899 --> 00:20:01,729
UH, MAYOR'S OFFICE.
487
00:20:01,768 --> 00:20:03,568
UH, SPEECHWRITING,
FUNDRAISING,
488
00:20:03,603 --> 00:20:05,573
STAFF WORK FOR THE MAYOR.
HEY, CAN SHE FIX
MY PARKING TICKETS?
489
00:20:05,605 --> 00:20:06,765
CAN SHE FIX ME UP.
490
00:20:06,806 --> 00:20:08,736
OOH. YOU SHOULD SEE
THIS CHICK, MAN.
491
00:20:08,775 --> 00:20:11,405
BRUNETTE, BABY BLUES.
HEY.
492
00:20:11,444 --> 00:20:12,914
TITTIES?
NICE.
493
00:20:12,945 --> 00:20:14,245
[ LAUGHTER ]
494
00:20:14,281 --> 00:20:15,581
VERY NICE.
495
00:20:15,615 --> 00:20:17,445
PERHAPS THE PERFECT WOMAN.
496
00:20:18,618 --> 00:20:20,418
ELI, GENTLEMEN.
UH-HUH.
497
00:20:20,453 --> 00:20:21,693
NOW, THE PERFECT WOMAN
498
00:20:21,721 --> 00:20:24,891
IS MORE THAN SIMPLY
A GENETICALLY DESIRABLE
COMBINATION
499
00:20:24,924 --> 00:20:26,264
OF TITS AND ASS.
500
00:20:26,293 --> 00:20:28,903
OH, AT LAST -- A REAL MAN.
501
00:20:28,928 --> 00:20:32,668
SHE'S ALSO RICH, COOKS,
AND PEES STANDING UP.
502
00:20:32,699 --> 00:20:33,969
PIGS.
503
00:20:34,000 --> 00:20:35,800
[ SNORTING ]
504
00:20:35,835 --> 00:20:38,305
[ LAUGHING ]
505
00:20:38,338 --> 00:20:40,308
I FEEL TERRIBLE
ABOUT THIS.
506
00:20:40,340 --> 00:20:42,340
I MEAN, YOU SUPPOSE CARRIE
AND HER FRIENDS
507
00:20:42,375 --> 00:20:44,035
ARE SITTING AROUND,
SCHMOOZING LIKE THIS?
508
00:20:44,076 --> 00:20:45,946
WHAT, DO YOU THINK
SHE'S A CHEERLEADER?
509
00:20:45,978 --> 00:20:48,848
SHE'S NOT SITTING AROUND
LIKE OLIVIA NEWTON-JOHN
IN "GREASE," PAL.
510
00:20:48,881 --> 00:20:50,921
* TELL ME MORE,
TELL ME MORE *
511
00:20:50,950 --> 00:20:52,920
* WAS IT LOVE AT FIRST SIGHT?
512
00:20:52,952 --> 00:20:56,522
[ TELEPHONE DIALING ]
513
00:20:58,591 --> 00:21:00,661
Man on television: SOLID SHOT
ON THE LEFT-HAND LANE.
514
00:21:00,693 --> 00:21:02,033
SO FERRARO, WHO'S PLAYING
A LITTLE...
515
00:21:02,061 --> 00:21:03,931
YOU GONNA CALL HER?
516
00:21:03,963 --> 00:21:04,933
HMM?
517
00:21:04,964 --> 00:21:06,304
CARRIE CHICK.
518
00:21:06,333 --> 00:21:08,473
MAYBE.
519
00:21:08,501 --> 00:21:09,971
JUST MAYBE.
520
00:21:10,002 --> 00:21:12,072
[ PINS FALLING ]
521
00:21:12,104 --> 00:21:13,614
YOU KNOW, CARE,
522
00:21:13,640 --> 00:21:15,810
THERE'S NO RULE THAT SAYS
YOU CAN'T CALL HIM.
523
00:21:15,842 --> 00:21:18,952
YOU REALIZE, OF COURSE,
THERE'S ONLY TWO SCENARIOS HERE.
524
00:21:18,978 --> 00:21:22,318
IF YOU GOT LAID, THERE'S
NO REASON TO CALL HER AGAIN.
525
00:21:22,349 --> 00:21:25,619
AND IF YOU DIDN'T,
NO REASON TO CALL HER AGAIN.
526
00:21:25,652 --> 00:21:28,862
THE BEACH MASTER IS THE MOST
RESPECTED AND EXALTED
527
00:21:28,888 --> 00:21:30,058
OF ALL THE MALES.
528
00:21:30,089 --> 00:21:33,729
BUT NOTICE WHEN THE FEMALE
ENTERS HIS FOCUSES,
529
00:21:33,760 --> 00:21:36,500
EVEN THE REVERED BEACH MASTER
IS STRUCK
530
00:21:36,529 --> 00:21:38,999
BY INNATE AWKWARDNESS.
531
00:21:39,031 --> 00:21:42,441
ALL HE DOES NOW
IS LIE THERE, INERT,
532
00:21:42,469 --> 00:21:44,939
LIKE A GIANT BOWL OF MARMALADE,
533
00:21:44,971 --> 00:21:48,611
WHILE SHE WAITS...
AND WAITS...
534
00:21:48,641 --> 00:21:49,941
AND WAITS.
535
00:21:49,976 --> 00:21:52,576
THE FEMALE UNDERSTANDS
THIS RITUAL.
536
00:21:52,612 --> 00:21:55,382
BUT THAT DOES NOT MAKE IT
ANY EASIER FOR HER.
537
00:21:55,415 --> 00:21:59,415
AS THE BEACH MASTER FEIGNS
SUPPOSED INDIFFERENCES,
538
00:21:59,452 --> 00:22:01,752
THIS STALEMATE
CAN ONLY BE BROKEN
539
00:22:01,788 --> 00:22:06,528
IF HE AND SHE LEAVE
THEIR RESPECTIVE FIELDS
540
00:22:06,559 --> 00:22:08,359
AND MEET IN A NEUTRAL AREA,
541
00:22:08,395 --> 00:22:12,965
PERHAPS HERE, IN THE OCEAN'S
ICY DEPTHS, TO FROLIC.
542
00:22:12,999 --> 00:22:15,769
[ TELEPHONE RINGING ]
543
00:22:18,037 --> 00:22:20,367
ONE OF MY FAVORITES.
544
00:22:20,407 --> 00:22:21,867
YEAH, ME TOO.
545
00:22:21,908 --> 00:22:23,378
ITS COLORS, RIGHT?
546
00:22:23,410 --> 00:22:24,540
NO, NO.
547
00:22:24,577 --> 00:22:26,507
IT'S JUST THAT WHENEVER
I'VE BEEN SCALPED
548
00:22:26,546 --> 00:22:28,146
WITH A PARTICULARLY
TREACHEROUS HAIRCUT,
549
00:22:28,180 --> 00:22:29,980
I-I CHECK OUT
THE VIN MAN'S DO.
550
00:22:30,016 --> 00:22:32,846
COME ON. THE GUY COULD
CARE LESS ABOUT APPEARANCES.
551
00:22:32,885 --> 00:22:35,515
I MEAN, THE WAY HE PERCEIVED
THE WORLD IN HIS MIND,
552
00:22:35,555 --> 00:22:36,685
HE -- HE WAS A GENIUS.
553
00:22:36,723 --> 00:22:39,093
YEAH, AGREED,
ALBEIT A SICK, NUTTY GENIUS.
554
00:22:39,125 --> 00:22:40,955
THIS IS A GUY
WHO LOPPED OFF HIS EAR
555
00:22:40,993 --> 00:22:42,703
AND FEDERAL-EXPRESSED IT
TO HIS HONEY.
556
00:22:46,599 --> 00:22:49,999
VINNY, BABE,
WHAT WERE YOU THINKING, HUH?
557
00:22:50,036 --> 00:22:51,866
WALK WITH ME.
TALK TO ME.
558
00:22:51,904 --> 00:22:53,944
YOU DON'T CUT OFF ANYTHING
FOR ANYBODY.
559
00:22:53,973 --> 00:22:55,683
NOT ABOVE THE WAIST,
NOT BELOW.
560
00:22:55,708 --> 00:22:56,978
IT AIN'T WORTH IT.
561
00:22:57,009 --> 00:23:00,149
DO YOU REMEMBER SAMSON AT ALL?
562
00:23:00,179 --> 00:23:02,519
I DON'T CARE
IF MICHELLE FUCKING PFEIFFER
563
00:23:02,549 --> 00:23:04,619
AND MADONNA WANT TO GIVE YOU
A PEDICURE AND A TRIM.
564
00:23:04,651 --> 00:23:07,491
THE ANSWER IS NO.
NO CAN DO.
565
00:23:07,520 --> 00:23:09,660
Carrie: YEAH. O-OKAY.
[ TELEPHONE RINGING ]
566
00:23:09,689 --> 00:23:12,459
LOOK, I REALLY DON'T THINK
IT'S A MISTAKE ON OUR PART.
567
00:23:12,492 --> 00:23:15,132
BUT IF IT IS, YOU CAN BE SURE
I'LL GET TO THE BOTTOM OF IT.
568
00:23:17,530 --> 00:23:21,500
YEAH, ZONING LAW
PASSED ON JULY 14, 1973.
569
00:23:21,534 --> 00:23:23,174
NEXT TIME YOU DON'T DO
YOUR HOMEWORK,
570
00:23:23,202 --> 00:23:24,872
BRING A NOTE
FROM YOUR MOTHER.
571
00:23:26,105 --> 00:23:28,035
ALL RIGHT. TERRIFIC.
572
00:23:29,108 --> 00:23:30,638
FAX ME.
573
00:23:30,677 --> 00:23:32,547
ALL RIGHT. I WANT A TURKEY
ON WHOLE WHEAT.
574
00:23:32,579 --> 00:23:34,879
TELL LINDA WHATEVER YOU
WANT. WE'LL GO THROUGH THE
NORTH END AS WE EAT, OKAY?
575
00:23:34,914 --> 00:23:36,224
HEY, DAVID.
576
00:23:36,248 --> 00:23:38,048
I THOUGHT I'D TAKE YOU OUT
TO LUNCH.
577
00:23:38,084 --> 00:23:39,224
OH, I'M SORRY.
578
00:23:39,251 --> 00:23:40,921
ADAM, DID YOU MEET DAVID?
579
00:23:40,953 --> 00:23:42,023
NO.
580
00:23:42,989 --> 00:23:44,919
NICE TO MEET YOU.
HOW ARE YOU?
581
00:23:44,957 --> 00:23:46,927
I WOULD LOVE TO,
BUT I GOT SO MUCH TO DO, HON.
582
00:23:46,959 --> 00:23:48,929
WHY DON'T YOU GO AHEAD?
I'LL TAKE CARE OF IT.
583
00:23:48,961 --> 00:23:50,231
NO, NO. IT'S OKAY.
584
00:23:50,262 --> 00:23:51,932
I-I UNDERSTAND.
585
00:23:51,964 --> 00:23:53,774
OKAY.
586
00:23:53,800 --> 00:23:54,930
SORRY.
587
00:23:57,770 --> 00:24:00,540
HEY, HOW ABOUT A MOVIE
TONIGHT?
588
00:24:00,573 --> 00:24:01,713
IS ADAM COMING?
589
00:24:01,741 --> 00:24:03,011
HE'D LOVE TO,
590
00:24:03,042 --> 00:24:05,612
BUT THURSDAY NIGHTS
IS HIS GAY-RIGHTS MEETING.
591
00:24:05,645 --> 00:24:06,905
REALLY?
592
00:24:06,946 --> 00:24:08,046
[ Laughing ] NO.
593
00:24:08,080 --> 00:24:10,450
BUT I THOUGHT
IT'D MAKE YOU FEEL BETTER.
594
00:24:13,119 --> 00:24:16,119
[ SLOW INSTRUMENTAL MUSIC
PLAYING ]
595
00:24:20,126 --> 00:24:22,026
COFFEE? THAT'S ALL?
COFFEE?
596
00:24:22,061 --> 00:24:22,831
YES, COFFEE.
597
00:24:22,862 --> 00:24:24,862
THE STUFF FROM BRAZIL?
IN A CUP?
598
00:24:24,897 --> 00:24:27,167
YOU KNOW,
I'D ALSO LIKE TO HAVE THE...
599
00:24:27,199 --> 00:24:28,869
NEVER MIND.
600
00:24:28,901 --> 00:24:31,001
THERE'S A $2.50 MINIMUM
PER PERSON.
601
00:24:31,037 --> 00:24:33,567
WE UNDERSTAND AND ACCEPT
YOUR CONDITIONS.
602
00:24:35,041 --> 00:24:36,511
I NEVER LIKED YOU.
603
00:24:36,543 --> 00:24:39,013
YES, WE KNOW THAT.
AND THAT'S OKAY.
604
00:24:41,948 --> 00:24:44,918
[ LAUGHS ]
WHY DIDN'T YOU LET ME ORDER?
605
00:24:49,889 --> 00:24:51,559
[ GASPS ] STRUDEL!
606
00:24:51,591 --> 00:24:52,731
YOUR OWN RECIPE?
607
00:24:52,759 --> 00:24:54,259
ENTENMANN'S.
[ LAUGHS ]
608
00:24:54,293 --> 00:24:57,803
[ BOTH BREATHING HEAVILY ]
609
00:24:57,830 --> 00:24:59,270
Carrie: OH!
[ THUD ]
610
00:24:59,298 --> 00:25:00,668
NEW LAMP.
OH.
611
00:25:02,735 --> 00:25:03,865
[ CAT HOWLS ]
612
00:25:03,903 --> 00:25:05,043
David: SAME CAT?
613
00:25:05,071 --> 00:25:05,841
[ LAUGHS ]
614
00:25:05,872 --> 00:25:08,172
[ BOTH BREATHING HEAVILY,
LAUGHING ]
615
00:25:08,207 --> 00:25:09,177
OH!
OH!
616
00:25:09,208 --> 00:25:11,038
[ GRUNTS ]
617
00:25:12,244 --> 00:25:14,054
WAIT. NO ROOMMATE?
618
00:25:14,080 --> 00:25:16,050
ZOE'S GONE
THE WHOLE WEEKEND.
619
00:25:16,082 --> 00:25:18,752
LET'S GET THE HAAGEN-DAZS.
620
00:25:26,959 --> 00:25:28,059
HERE.
621
00:25:28,094 --> 00:25:29,064
WHERE?
622
00:25:29,095 --> 00:25:30,055
THERE.
623
00:25:30,096 --> 00:25:31,756
[ LAUGHS ]
624
00:25:31,798 --> 00:25:33,598
AND THIS IS
SUPPOSED TO PROVE...?
625
00:25:33,633 --> 00:25:35,773
HOW GULLIBLE YOU ARE
AFTER GREAT SEX.
626
00:25:35,802 --> 00:25:37,602
YEAH?
AND YOU NEED PROOF?
627
00:25:37,637 --> 00:25:39,867
ACTUALLY, THE MELTING POINT
WILL DETERMINE
628
00:25:39,906 --> 00:25:41,866
THE HOTTEST PART
OF YOUR BODY...
629
00:25:41,908 --> 00:25:43,908
AND, THUS,
THE MOST SUSCEPTIBLE.
630
00:25:43,943 --> 00:25:45,043
OH, COME ON!
IT'S RUNNING!
631
00:25:45,077 --> 00:25:46,247
THE MOST SENSITIVE.
632
00:25:46,278 --> 00:25:48,048
DAVID,
THESE ARE NEW SHEETS.
633
00:25:48,080 --> 00:25:50,750
THE MOST EROGENOUS.
[ LAUGHS ]
634
00:25:50,783 --> 00:25:53,753
THIS IS LIKE SOME BIZARRE
CHECKUP FROM MR. FREEZE.
635
00:25:53,786 --> 00:25:55,886
WAIT TILL YOU SEE MY BILL.
636
00:25:55,922 --> 00:26:00,032
Eli: IF YOU FUCK HER,
SHE WILL COME.
637
00:26:00,059 --> 00:26:02,899
[ BOTH LAUGH ]
638
00:26:02,929 --> 00:26:04,059
STOP.
639
00:26:04,096 --> 00:26:05,896
STOP.
640
00:26:05,932 --> 00:26:09,242
Eli: IF YOU FUCK HER,
SHE WILL COME.
641
00:26:09,268 --> 00:26:11,238
OH. [ LAUGHS ]
642
00:26:11,270 --> 00:26:12,770
PSST.
643
00:26:12,805 --> 00:26:15,775
PSST. DAVID!
LISTEN UP.
644
00:26:15,808 --> 00:26:16,708
CHAMP, YOU LOOKED GOOD.
645
00:26:16,743 --> 00:26:17,883
YOU LOOKED GOOD.
IT WAS GREAT, WONDERFUL.
646
00:26:17,910 --> 00:26:19,250
RIGHT NOW YOU'RE IN THE GRIPS
OF HER HORMONAL MADNESS,
647
00:26:19,278 --> 00:26:22,308
WHICH IS GOOD.
DON'T GET ME WRONG.
IT'S A LOT OF FUN TO WATCH.
648
00:26:22,348 --> 00:26:25,018
JUST DON'T GET CARRIED AWAY
HERE, OKAY? THIS IS BUSINESS.
649
00:26:25,051 --> 00:26:27,321
ALL RIGHT? STICK AND MOVE.
STICK AND MOVE.
650
00:26:27,353 --> 00:26:30,093
I MEAN, DON'T LET YOUR EMOTIONS
GET THE BETTER OF YOU HERE.
651
00:26:30,122 --> 00:26:31,622
VERY IMPORTANT.
652
00:26:31,658 --> 00:26:32,888
AND, DAVID...
653
00:26:32,925 --> 00:26:34,355
WHATEVER YOU DO, DO NOT --
654
00:26:34,393 --> 00:26:37,603
I REPEAT --
DO NOT SPEND THE NIGHT.
655
00:26:39,231 --> 00:26:40,901
[ LAUGHS ]
656
00:26:40,933 --> 00:26:43,043
EITHER I'VE DEVELOPED
A HORRIBLE SCALP PROBLEM
657
00:26:43,069 --> 00:26:45,939
OR I HAVE RUM RAISIN
ALL IN MY HAIR.
658
00:26:45,972 --> 00:26:47,972
OH, HERE.
LET ME DO IT.
659
00:26:48,007 --> 00:26:49,107
YOU DON'T HAVE TO.
660
00:26:49,141 --> 00:26:50,681
I WANT TO.
661
00:26:55,014 --> 00:26:56,084
HOW'S THAT?
662
00:26:56,115 --> 00:26:57,145
MMM...
663
00:26:57,183 --> 00:27:00,153
OH, YOU LIKE THAT?
664
00:27:00,186 --> 00:27:01,946
MM-HMM.
665
00:27:05,191 --> 00:27:08,861
I REMEMBER
WHEN I WAS LITTLE...
666
00:27:08,895 --> 00:27:12,695
MY DAD USED TO DO THIS FOR ME
WHEN I COULDN'T SLEEP.
667
00:27:12,732 --> 00:27:15,432
WOULD YOU DO THIS FOR ME
EVERY NIGHT?
668
00:27:15,467 --> 00:27:18,267
COMB HER HAIR EVERY NIGHT?
WHAT AM I, NUTS?
669
00:27:18,304 --> 00:27:23,284
THE IMPLICATION OF THAT QUESTION
IS DOWNRIGHT UNNERVING.
670
00:27:23,309 --> 00:27:27,979
BUT YOU KNOW, SOMETIMES
YOU...JUST CAN'T HELP YOURSELF.
671
00:27:29,115 --> 00:27:32,945
I MEAN, YOU GOT TO SAY
WHAT YOU FEEL.
672
00:27:32,985 --> 00:27:35,955
SOMETIMES
IT -- IT JUST COMES OUT.
673
00:27:43,095 --> 00:27:45,055
ABSOLUTELY.
674
00:27:45,097 --> 00:27:48,227
I WOULD DO THIS FOR YOU
EVERY NIGHT.
675
00:27:48,267 --> 00:27:50,097
[ LAUGHS SOFTLY ]
676
00:27:58,945 --> 00:28:00,045
THAT'S RIGHT.
677
00:28:00,079 --> 00:28:02,879
WE CALL THE FOLLOWING STAGE
IN THIS NEW RELATIONSHIP
678
00:28:02,915 --> 00:28:06,015
"THE SICKENING PHASE,"
DURING WHICH HE DOESN'T CARE
679
00:28:06,052 --> 00:28:09,262
IF SHE WINDOW-SHOPS
FOR 3 1/2 HOURS NONSTOP
680
00:28:09,288 --> 00:28:12,218
AND SHE SUDDENLY LOVES
TO MEASURE THE FIRING GAP
681
00:28:12,258 --> 00:28:13,758
IN HIS SPARK PLUGS.
682
00:28:13,793 --> 00:28:14,993
AND THEY FEED EACH OTHER
683
00:28:15,027 --> 00:28:18,927
AND BASICALLY STROLL TOGETHER
WITH THESE "KUMBAYA" SMILES,
684
00:28:18,965 --> 00:28:22,965
AND WHEN THEY DO ACTUALLY SPEAK,
IT'S THAT BABY TALK.
685
00:28:23,002 --> 00:28:26,942
YOU KNOW THE BABY TALK YOU SHARE
ONLY WITH YOUR LOVED ONE,
686
00:28:26,973 --> 00:28:30,483
'CAUSE YOU KNOW THAT SHIT DON'T
FLY AT WORK WITH YOUR BUDDIES.
687
00:28:30,509 --> 00:28:33,949
Man on television: THE RIGORS
OF COURTSHIP COMPLETED,
688
00:28:33,980 --> 00:28:36,850
ALL ANIMALS ENJOY
A PERIOD OF BLISS
689
00:28:36,883 --> 00:28:38,483
KNOWN AS "THE SICKENING PHASE."
690
00:28:38,517 --> 00:28:41,917
HERE ARE THE ZEBRA,
THE PENGUIN,
691
00:28:41,954 --> 00:28:43,424
THE APE.
692
00:28:43,455 --> 00:28:46,925
BUT PERHAPS THE MOST INTRIGUING
SPECIES TO OBSERVE
693
00:28:46,959 --> 00:28:49,899
DURING THIS PHASE
IS THE HUMAN BEING.
694
00:28:49,929 --> 00:28:51,029
THE COUPLE.
695
00:28:51,063 --> 00:28:54,003
HERE WE SEE THEM
DERIVING MUTUAL PLEASURES
696
00:28:54,033 --> 00:28:55,503
FROM FEEDING DUCKS.
697
00:28:55,534 --> 00:28:56,604
OOPS.
698
00:28:56,635 --> 00:28:59,765
THEY HAVE SENSED
OUR CAMERA'S PRESENCE.
699
00:29:00,807 --> 00:29:03,337
THEY HAVE DECIDED TO MOVE ON.
700
00:29:03,375 --> 00:29:07,075
HERE WE SEE THEM WALKING
ARM IN ARM DOWN A PATH,
701
00:29:07,113 --> 00:29:09,883
AND -- NO.
W-WE ARE SCIENTISTS.
702
00:29:09,916 --> 00:29:11,346
WE ARE FROM NATURE FILMS!
703
00:29:11,383 --> 00:29:12,823
WE -- OH! I'M S--
704
00:29:12,852 --> 00:29:14,022
OH, SHIT! MAD!
705
00:29:14,053 --> 00:29:15,963
OH, GOD! PHILIPPE!
706
00:29:15,988 --> 00:29:16,988
CUT.
707
00:29:17,023 --> 00:29:20,063
ANOTHER SALIENT CHARACTERISTIC
OF THIS PHASE --
708
00:29:20,092 --> 00:29:22,192
THE LOYAL FRIENDS
OF THE AFFLICTED COUPLE
709
00:29:22,228 --> 00:29:24,428
MAY AS WELL DROP OFF THE PLANET.
710
00:29:24,463 --> 00:29:27,033
I MEAN, FORGET MIDNIGHT PIG-OUTS
711
00:29:27,066 --> 00:29:28,996
WHEN THE ONLY THING THAT KEPT
YOU FROM JOINING A CONVENT
712
00:29:29,035 --> 00:29:31,865
WAS FOUR BAGS
OF GARLIC POTATO CHIPS
AND YOUR BEST FRIEND.
713
00:29:31,904 --> 00:29:33,314
FORGET YOUR BEST FRIEND.
714
00:29:33,339 --> 00:29:36,979
I MEAN, SHE'S A SIAMESE TWIN,
AND THREE'S A CROWD.
715
00:29:37,944 --> 00:29:41,454
OF COURSE, SHE STILL HAS TO MEET
HIS FRIENDS.
716
00:29:41,480 --> 00:29:43,520
[ YIPPING ]
717
00:29:43,549 --> 00:29:45,419
[ SHOUTING ]
718
00:29:45,451 --> 00:29:48,251
SO, HOW LONG HAVE
YOU KNOWN DAVID?
719
00:29:48,287 --> 00:29:50,087
OH, DAVID?
720
00:29:50,122 --> 00:29:52,192
UH, DAVID'S ONE OF MY OLDEST
AND CLOSEST FRIENDS.
721
00:29:52,224 --> 00:29:55,494
I MEAN, HE'S A REALLY,
REALLY GREAT GUY.
722
00:29:55,527 --> 00:29:58,227
I MEAN, YOU'RE REALLY LUCKY
TO HAVE SNAGGED HIM.
723
00:29:58,264 --> 00:30:00,334
I MEAN, HE'S A GREAT GUY,
REALLY.
724
00:30:00,366 --> 00:30:02,026
YEAH, I KNOW.
725
00:30:02,068 --> 00:30:05,868
GOOD FRIEND, GREAT GUY.
I MEAN IT.
726
00:30:05,905 --> 00:30:07,035
I BELIEVE YOU.
727
00:30:07,073 --> 00:30:09,983
THAT'S WHY IT HURTS ME
SO MUCH THAT I HAVE TO
ASK YOU OUT.
728
00:30:10,009 --> 00:30:11,009
EXCUSE ME?
729
00:30:11,043 --> 00:30:13,353
WELL, I MEAN, NORMALLY,
I WOULD THINK TWICE ABOUT,
730
00:30:13,379 --> 00:30:15,509
YOU KNOW, HITTING ON
A FRIEND'S CHICK LIKE THIS,
731
00:30:15,547 --> 00:30:19,187
BUT, CARRIE, YOU'RE JUST
TOO AWESOME TO LET GO.
732
00:30:20,219 --> 00:30:21,319
[ SCOFFS ]
733
00:30:21,353 --> 00:30:22,993
LET GO.
734
00:30:24,056 --> 00:30:25,416
HMM.
735
00:30:25,457 --> 00:30:27,957
[ REGGAE MUSIC PLAYS ]
736
00:30:27,994 --> 00:30:29,534
MM, WHAT DO YOU
GOT THERE?
737
00:30:29,561 --> 00:30:30,531
DROP DEAD.
738
00:30:30,562 --> 00:30:32,602
* YOU KNOW I LIKE IT
739
00:30:32,631 --> 00:30:35,971
* I LIKE IT, I LIKE IT
740
00:30:36,002 --> 00:30:38,372
* YOU KNOW I LIKE IT
741
00:30:38,404 --> 00:30:41,114
* I LIKE IT,
AND I LOVE YOU SO *
742
00:30:41,140 --> 00:30:42,440
WHAT ARE YOU DOING?
743
00:30:42,474 --> 00:30:45,014
OH, I GOTTA JUDGE
THE PERFECT-BREAST COMPETITION.
744
00:30:45,044 --> 00:30:46,584
WHAT DO YOU THINK?
745
00:30:46,612 --> 00:30:49,482
WELL, I DON'T THINK
THAT THERE, UM...
746
00:30:49,515 --> 00:30:51,145
SHOULD BE
CHOCOLATE-CHIP COOKIES.
747
00:30:51,183 --> 00:30:52,483
YOU'RE RIGHT.
THEY'RE TOO SMALL.
748
00:30:52,518 --> 00:30:55,118
HEY, CAN I GET A COUPLE
CUPCAKES DOWN HERE?!
749
00:30:55,154 --> 00:30:57,594
* FEEL IT, FEEL IT
750
00:30:57,623 --> 00:31:00,393
* BABY, LET ME FEEL IT
751
00:31:00,426 --> 00:31:03,056
* FEEL IT, FEEL IT
752
00:31:03,095 --> 00:31:05,425
* IN MY SOUL
753
00:31:05,464 --> 00:31:07,504
FRIENDLY FACE AT LAST.
754
00:31:07,533 --> 00:31:10,343
* FEEL IT IN MY SOUL
HIYA.
755
00:31:10,369 --> 00:31:12,339
HEY, WELL,
WHAT ARE YOU MAKING?
756
00:31:12,371 --> 00:31:15,041
WELL, YOU KNOW,
THEY HAVE THEIR
PERFECT-BREAST COMPETITION,
757
00:31:15,074 --> 00:31:17,284
SO I THOUGHT I'D SCULPT
THE PERFECT PENIS.
758
00:31:17,309 --> 00:31:19,479
ISN'T IT
A DREAM COME TRUE?
759
00:31:19,511 --> 00:31:20,681
HEY!
760
00:31:20,712 --> 00:31:22,312
* YOU KNOW I LIKE IT
761
00:31:22,348 --> 00:31:23,948
* I LIKE IT
762
00:31:23,983 --> 00:31:25,283
FELLAS!
763
00:31:25,317 --> 00:31:26,417
LOOK!
764
00:31:26,452 --> 00:31:28,522
LOOKS LIKE SOMETHING
OUT OF "DUNE."
765
00:31:28,554 --> 00:31:29,964
NICE JOB, ZOE.
766
00:31:29,989 --> 00:31:31,189
HEY, YOU.
NO.
767
00:31:31,223 --> 00:31:33,593
NO.
YES. WE NEED MORE BODIES
FOR STRIP TWISTER.
768
00:31:33,625 --> 00:31:34,925
ZOE!
YES!
769
00:31:34,961 --> 00:31:36,131
AAAH!
[ SIGHS ]
770
00:31:36,162 --> 00:31:38,032
SO JEALOUS.
771
00:31:38,965 --> 00:31:41,925
HEY, WAIT FOR ME!
I'M DOUBLE-JOINTED!
772
00:31:41,968 --> 00:31:44,268
WAIT! I CAN DO
AMAZING THINGS!
773
00:31:44,303 --> 00:31:47,973
Zoe: RIGHT HAND, BLUE.
LEFT HAND, YELLOW.
774
00:31:48,007 --> 00:31:49,107
Eli: VERY NICE.
775
00:31:49,141 --> 00:31:53,251
BABIES. YOU SEE, I'M A GUY
WHO KNOWS A LOT ABOUT BABIES.
776
00:31:53,279 --> 00:31:56,049
* I WANT TO LOVE SOMEBODY
777
00:31:56,082 --> 00:31:59,252
I'M N HAVING
A GOOD TIME.
778
00:31:59,285 --> 00:32:02,215
OH, WAS ELI
CHEATING AGAIN?
779
00:32:02,254 --> 00:32:04,624
YOU KNOW, YOU CANNOT
TRUST THAT GUY
780
00:32:04,656 --> 00:32:07,156
TO CALL A CLEAN ROUND
OF STRIP TWISTER.
781
00:32:07,193 --> 00:32:09,063
YEAH, HE MADE UP
THE COLORS.
782
00:32:09,095 --> 00:32:11,655
WELL, YOU SEE, HE'S COLOR-BLIND
LIKE A, YOU KNOW --
783
00:32:11,697 --> 00:32:12,757
LIKE A SCHNAUZER.
784
00:32:12,798 --> 00:32:15,998
AND THEN HE BRINGS OVER
THIS COOLER FULL OF ICE WATER
785
00:32:16,035 --> 00:32:17,465
AND...DUMPS IT ON ME.
786
00:32:17,503 --> 00:32:20,073
SEE, YOU GOTTA HOSE DOWN
THE BOARD BETWEEN GAMES.
787
00:32:20,106 --> 00:32:22,666
OTHERWISE,
IT GETS ALL GRITTY.
788
00:32:22,708 --> 00:32:24,538
AND, DAVID...
YEAH?
789
00:32:24,576 --> 00:32:26,546
ONE OF YOUR FRIENDS
KEEPS HITTING ON ME.
790
00:32:26,578 --> 00:32:28,278
WHAT? WHO IS IT?
791
00:32:28,314 --> 00:32:30,024
POINT HIM OUT.
792
00:32:31,083 --> 00:32:32,623
THERE. THAT GUY.
793
00:32:32,651 --> 00:32:34,051
GEORGE?
794
00:32:34,086 --> 00:32:35,446
GEORGE!
795
00:32:35,487 --> 00:32:37,287
HEY, GEORGE,
OVER HERE!
796
00:32:37,323 --> 00:32:38,363
ME?
797
00:32:38,390 --> 00:32:40,130
YEAH.
ALL RIGHT,
DON'T MOVE.
798
00:32:42,761 --> 00:32:45,401
GEORGE, YOU'RE HITTING
ON MY GIRLFRIEND?
799
00:32:45,431 --> 00:32:48,431
YEAH, ABSOLUTELY.
SHE'S REALLY AWESOME, DAVID.
800
00:32:48,467 --> 00:32:50,697
YEAH, SHE IS,
ISN'T SHE?
801
00:32:50,736 --> 00:32:54,406
HEY, LOOK, GEORGE, PLEASE
DON'T DO IT ANYMORE, OKAY?
802
00:32:54,440 --> 00:32:55,770
I'LL TRY.
803
00:32:55,807 --> 00:32:57,377
THANKS.
804
00:32:57,409 --> 00:32:58,579
[ SCOFFS ]
805
00:33:00,146 --> 00:33:02,606
LOOK, SO, MY FRIENDS
DON'T SIT AROUND
806
00:33:02,648 --> 00:33:04,348
DISCUSSING SUSAN SONTAG.
807
00:33:04,383 --> 00:33:07,593
FACE IT, DAVID -- YOUR FRIENDS
COULDN'T DISCUSS DR. SEUSS.
808
00:33:07,619 --> 00:33:09,219
THEY'RE NORMAL PEOPLE,
CARRIE.
809
00:33:09,255 --> 00:33:12,555
IS IT NORMAL FOR GEORGE
TO PROPOSITION ME?
810
00:33:12,591 --> 00:33:14,431
GEORGE PROPOSITIONS
EVERYONE.
811
00:33:14,460 --> 00:33:15,230
TERRIFIC.
812
00:33:15,261 --> 00:33:17,201
AND WHAT ABOUT ELI
RAILROADING ME
813
00:33:17,229 --> 00:33:19,069
INTO THAT
DEGRADING BEACH GAME?
814
00:33:21,200 --> 00:33:23,470
DAVID, IF -- IF IT'S
POP PSYCHOLOGY YOU WANT --
815
00:33:23,502 --> 00:33:25,802
"I'M OKAY,
YOU'RE OKAY" --
816
00:33:25,837 --> 00:33:27,537
YOUR FRIENDS ARE DICKHEADS.
817
00:33:31,843 --> 00:33:33,813
[ INDISTINCT CONVERSATIONS,
CLASSICAL MUSIC PLAYS ]
818
00:33:33,845 --> 00:33:35,275
[ LOUD CRUNCH ]
819
00:33:44,590 --> 00:33:45,820
[ CRUNCHING ]
820
00:33:45,857 --> 00:33:47,187
[ CHUCKLES ]
821
00:33:47,226 --> 00:33:48,686
EXCUSE ME.
822
00:33:50,562 --> 00:33:52,832
CHARLES, HAVE YOU
SEEN, UH, CARRIE?
823
00:33:52,864 --> 00:33:55,704
I BELIEVE LIZBETH IS SHOWING
THE NEW CHINA PATTERN.
824
00:33:55,734 --> 00:33:58,244
COME ON, COME ON, JOIN US.
WE'RE PLAYING CHARADES.
825
00:33:58,270 --> 00:33:59,810
CHARADES.
CHARADES.
CHARADES.
826
00:33:59,838 --> 00:34:02,668
OH, I JUST LOVE
CHARADES.
827
00:34:02,708 --> 00:34:04,408
THAT'S RIGHT,
WE'RE PLAYING CHARADES.
828
00:34:04,443 --> 00:34:06,713
COME ON, EVERYBODY, CHARADES.
BUFFY, JODY, SISSY.
829
00:34:06,745 --> 00:34:09,175
BRIAN, KEITH,
YOU PLAY, TOO.
830
00:34:09,215 --> 00:34:10,545
OKAY.
831
00:34:10,582 --> 00:34:12,252
I GO FIRST.
832
00:34:12,284 --> 00:34:14,354
YOU ALWAYS GO FIRST.
833
00:34:14,386 --> 00:34:15,846
CHIPPER'S HOST.
HE'S GOT DIBS.
834
00:34:15,887 --> 00:34:17,287
[ LIGHT LAUGHTER ]
835
00:34:17,323 --> 00:34:18,763
ALL RIGHT.
836
00:34:20,859 --> 00:34:22,329
IT'S A MOVIE.
837
00:34:22,361 --> 00:34:23,661
"FATAL ATTRACTION."
838
00:34:25,864 --> 00:34:27,134
[ LAUGHS ]
839
00:34:27,166 --> 00:34:28,166
LUCKY GUESS.
840
00:34:28,200 --> 00:34:30,500
OKAY.
841
00:34:30,536 --> 00:34:32,466
I GET TO GO AGAIN.
842
00:34:34,273 --> 00:34:36,143
ALL RIGHT.
843
00:34:37,676 --> 00:34:38,806
A BOOK.
844
00:34:38,844 --> 00:34:41,284
"BONFIRE OF THE VANITIES."
845
00:34:45,351 --> 00:34:46,491
[ CHUCKLES ]
846
00:34:46,518 --> 00:34:47,888
[ CLEARS THROAT ]
847
00:34:47,919 --> 00:34:50,819
PERHAPS WE SHOULD PLAY
SOME OTHER GAME.
848
00:34:50,856 --> 00:34:52,716
[ DOORBELL RINGS ]
849
00:34:52,758 --> 00:34:55,588
I MEANT TO TELL YOU.
OH, YEAH.
850
00:34:59,931 --> 00:35:02,571
HI. I'M, UH...
851
00:35:03,869 --> 00:35:04,939
HEY.
852
00:35:04,970 --> 00:35:07,640
WELCOME TO "thirtysomething."
CAN I GET YOU SOME BRIE?
853
00:35:07,673 --> 00:35:09,683
UHH...
YOU GOT ANY BEAN DIP?
854
00:35:09,708 --> 00:35:11,138
THANK GOD.
855
00:35:11,177 --> 00:35:12,437
SO, WHAT ARE YOU
DOING HERE?
856
00:35:12,478 --> 00:35:14,148
ZOE SAID IT WAS COOL.
857
00:35:14,180 --> 00:35:15,910
[ CHUCKLES ]
SHE'S NOT HERE.
SHE KNEW BETTER.
858
00:35:15,947 --> 00:35:17,377
BITCH!
859
00:35:17,416 --> 00:35:18,876
I'VE BEEN HAD.
860
00:35:18,917 --> 00:35:20,347
OH!
861
00:35:23,822 --> 00:35:26,192
OF COURSE,
THE VIEW IS AWFULLY NICE.
862
00:35:26,225 --> 00:35:28,285
INTERESTING FOOD,
STOCKED BAR.
863
00:35:28,327 --> 00:35:29,827
I'M STAYING.
864
00:35:31,530 --> 00:35:33,330
CARRIE, DARLING.
865
00:35:33,365 --> 00:35:35,325
SO GOOD TO SEE YOU.
KISSES.
866
00:35:35,367 --> 00:35:37,237
[ KISSING NOISES ]
867
00:35:40,972 --> 00:35:43,842
THAT ICE LOOKS COLD.
IS IT?
868
00:35:43,875 --> 00:35:46,675
[ Muffled ]
ELI, THIS IS MY --
THIS IS CHARLES.
869
00:35:46,712 --> 00:35:48,312
CHARLES, MY FRIEND ELI.
870
00:35:48,347 --> 00:35:50,277
HONEST TO GOD PLEASURE
TO MEET YOU, CHAS.
871
00:35:50,316 --> 00:35:51,846
MAY I CALL YOU CHAS?
872
00:35:51,883 --> 00:35:53,853
ACTUALLY,
I PREFER "CHIPPER."
"CHIPPER" IT IS.
873
00:35:53,885 --> 00:35:55,715
HELP YOURSELF
TO A DRINK.
874
00:35:55,754 --> 00:35:57,194
PICTIONARY LATER.
875
00:36:00,826 --> 00:36:02,886
UNH, UNH, UNH,
UNH, UNH, UNH.
876
00:36:02,928 --> 00:36:04,658
LET ME FRESHEN THAT
FOR YOU.
877
00:36:04,696 --> 00:36:06,826
WHAT IS THAT?
[ SNIFFS ] A VODKA AND BOURBON?
878
00:36:06,865 --> 00:36:08,295
[ LAUGHS ]
879
00:36:08,334 --> 00:36:10,944
NO, I'M A DOCTOR.
NOW, LISTEN.
880
00:36:10,969 --> 00:36:13,369
HE'S PAWING MY FRIENDS.
881
00:36:13,405 --> 00:36:15,435
I THINK SHE WANTS
TO BE PAWED.
882
00:36:15,474 --> 00:36:19,354
NO, SHE'S JUST
GETTING OVER A DIVORCE.
SHE'S VERY VULNERABLE.
883
00:36:20,412 --> 00:36:21,852
AND I DON'T THINK
THAT ELI --
884
00:36:21,880 --> 00:36:23,780
ELI IS WHAT --
NOT GOOD ENOUGH?
885
00:36:23,815 --> 00:36:25,975
Y-YOU DON'T THINK MY FRIENDS
ARE GOOD ENOUGH?
886
00:36:26,017 --> 00:36:27,947
IS THAT WHAT YOU'RE TRYING
TO SAY? HUH, HUH, HUH?
887
00:36:27,986 --> 00:36:29,886
IS AWARE THAT HIS FLY
IS OPEN.
888
00:36:30,989 --> 00:36:32,519
OH.
889
00:36:32,558 --> 00:36:34,188
Eli!
890
00:36:35,294 --> 00:36:36,834
YEAH.
891
00:36:36,862 --> 00:36:38,562
Psst!
892
00:36:39,565 --> 00:36:40,895
AH.
893
00:36:42,368 --> 00:36:43,738
I TRIED.
894
00:36:43,769 --> 00:36:45,699
WELL, WHAT ABOUT
YOUR FRIEND CHIPPER?
895
00:36:45,737 --> 00:36:47,867
HE WAS FOLLOWING ME
FROM ROOM TO ROOM.
896
00:36:47,906 --> 00:36:51,536
"EXCUSE ME, DAVID, BUT WHAT
EXACTLY KIND OF JEW ARE YOU?
897
00:36:51,577 --> 00:36:54,877
ARE YOU AN ASSIMILATED JEW
OR ARE YOU A COMMITTED JEW?"
898
00:36:54,913 --> 00:36:57,523
CHIPPER'S MINOR
WAS COMPARATIVE RELIGION.
899
00:36:57,549 --> 00:37:00,919
AT LEAST HE DIDN'T RIP OFF
YOUR BATHING SUIT
900
00:37:00,952 --> 00:37:02,652
AND SPRAY ICE WATER
ON YOU.
901
00:37:02,688 --> 00:37:06,888
ELI IS ABSOLUTELY RIGHT.
YOU JUST HAVE NO SENSE OF HUMOR.
902
00:37:06,925 --> 00:37:08,255
[ CRUNCHING ]
903
00:37:08,294 --> 00:37:10,864
AND YET
THEIR RELATIONSHIP SURVIVED.
904
00:37:10,896 --> 00:37:12,826
I MEAN, I'VE HEARD
THAT LOVE IS BLIND,
905
00:37:12,864 --> 00:37:14,604
BUT I GUESS
IT'S ALSO DEAF, DUMB,
906
00:37:14,633 --> 00:37:17,343
AND UNDAUNTINGLY TOLERANT
OF ALL PREJUDICES,
907
00:37:17,369 --> 00:37:18,839
PERSONAL OR EXTERNAL.
908
00:37:18,870 --> 00:37:20,840
THERE JUST MIGHT BE
SOMETHING TO IT.
909
00:37:20,872 --> 00:37:22,542
I'M NOT SURE.
910
00:37:22,574 --> 00:37:23,984
GATHER 'ROUND, CHILDREN.
GATHER 'ROUND.
911
00:37:24,009 --> 00:37:26,379
YO, YO, YO, QUIET NOW.
NO FLASHING. NO FLASHING.
912
00:37:26,412 --> 00:37:28,012
I'LL SEND YOU PEOPLE HOME.
I'LL DO IT.
913
00:37:28,046 --> 00:37:30,546
CONSTRUCTION OF THE STATEHOUSE
914
00:37:30,582 --> 00:37:34,322
WAS COMPLETED UNDER BUDGET
AND ON TIME IN 1782.
915
00:37:34,353 --> 00:37:35,893
GUESS THEY DIDN'T HAVE
A UNION THEN. HA HA HA.
916
00:37:37,989 --> 00:37:40,989
ANYWAYS, IF YOU NOTICE
THE BEAUTIFUL ROCOCO TILE --
917
00:37:41,026 --> 00:37:43,326
ISN'T IS BEAUTIFUL?
CAN YOU SAY "ROCOCO"?
918
00:37:43,362 --> 00:37:44,502
ROCOCO.
ROCOCO.
ROCOCO.
919
00:37:44,530 --> 00:37:45,830
VERY GOOD. VERY GOOD.
920
00:37:45,864 --> 00:37:47,874
SO, THIS IS WHERE
IT ALL HAPPENS --
921
00:37:47,899 --> 00:37:50,969
DISCUSSION, OR DISCOURSE,
BETWEEN THE GOVERNOR --
922
00:37:51,002 --> 00:37:53,842
CAN THE GOVERNOR PARK HIS CAR
ANYWHERE HE WANTS?
923
00:37:53,872 --> 00:37:55,812
WHAT HAPPENS IN THERE?
924
00:37:55,841 --> 00:37:57,511
I'LL CHECK.
925
00:37:58,810 --> 00:38:00,950
[ MOANING ]
926
00:38:03,615 --> 00:38:04,645
WHOO!
927
00:38:04,683 --> 00:38:08,493
THAT'S WHAT WE LIKE TO CALL
A GUBERNATORIAL AIDE
928
00:38:08,520 --> 00:38:11,820
AND HER GENTLEMAN FRIEND,
AND THEY ARE, UH...
929
00:38:11,857 --> 00:38:13,457
PHOTOCOPYING.
930
00:38:16,928 --> 00:38:19,828
ARE THEY FACILITATING
STATE GOVERNMENT?
931
00:38:19,865 --> 00:38:21,825
W-WELL, WHAT'S GOOD
FOR THE PEOPLE
932
00:38:21,867 --> 00:38:23,337
IS GOOD FOR THE STATE.
933
00:38:23,369 --> 00:38:25,569
ALEXANDER HAMILTON
SAID THAT.
934
00:38:25,604 --> 00:38:27,474
ACTUALLY,
THIS IS MY LUNCH HOUR.
935
00:38:27,506 --> 00:38:28,866
AND YOU SPEND IT
WITH HIM?
936
00:38:28,907 --> 00:38:30,077
HEY.
937
00:38:30,108 --> 00:38:33,678
I'M...IN LOVE
WITH THIS WOMAN.
938
00:38:33,712 --> 00:38:36,112
AND SHE'S IN LOVE
WITH ME.
939
00:38:36,147 --> 00:38:38,077
RIGHT?
940
00:38:38,116 --> 00:38:39,176
YES, I AM.
941
00:38:39,217 --> 00:38:41,887
BUT AREN'T YOU AFRAID
OF BEING CAUGHT?
942
00:38:41,920 --> 00:38:44,390
WHY NOT SAVE IT
FOR LATER -- AT HOME?
943
00:38:44,423 --> 00:38:46,593
WELL, SEE,
WE WORK DIFFERENT HOURS,
944
00:38:46,625 --> 00:38:49,395
AND H-HER APARTMENT'S
REALLY VERY FAR AWAY, SO --
945
00:38:49,428 --> 00:38:51,128
WAIT -- YOU TWO
DON'T LIVE TOGETHER?
946
00:38:51,162 --> 00:38:52,702
THEY DON'T HAVE TO.
947
00:38:52,731 --> 00:38:54,531
PUH-LEASE, BOBBY.
948
00:38:54,566 --> 00:38:58,366
IF YOU AND I WERE SHARING
CONJUGAL RELATIONS
ON A LASER COPIER --
949
00:38:58,404 --> 00:38:59,574
FAT CHANCE!
950
00:38:59,605 --> 00:39:00,965
WE'D BE LIVING TOGETHER,
951
00:39:01,006 --> 00:39:04,836
ESPECIALLY IF I KEPT
CLOTHES AND STUFF AND
SHAMPOO AT YOUR PLACE.
952
00:39:06,044 --> 00:39:07,914
YOU DO KEEP SHAMPOO THERE?
953
00:39:07,946 --> 00:39:09,646
AND CONDITIONER.
954
00:39:09,681 --> 00:39:12,951
LOOK, YOU EITHER MOVE IN
OR MOVE ON.
955
00:39:12,984 --> 00:39:16,054
FACE IT, DUDE.
THE WRITING'S ON THE WALL.
956
00:39:16,955 --> 00:39:21,625
YOU KNOW, THEY CALL IT
"LIVING IN SIN" FOR A REASON.
957
00:39:21,660 --> 00:39:23,960
WHATEVER. THEY DID IT.
SHE MOVED IN, YEAH.
958
00:39:23,995 --> 00:39:26,965
"STOP BY OUR APARTMENT,"
DAVID SAYS THE OTHER DAY TO ME.
959
00:39:26,998 --> 00:39:28,768
"OUR APARTMENT?"
EXCUSE ME?
960
00:39:28,800 --> 00:39:30,440
SHE MOVES INTO HIS APARTMENT,
961
00:39:30,469 --> 00:39:33,169
AND SUDDENLY
IT'S "OUR APARTMENT."
962
00:39:33,204 --> 00:39:34,814
[ SIGHS ]
I DON'T KNOW.
963
00:39:34,840 --> 00:39:36,980
MAYBE I'M TAKING THIS TOO HARD.
I DON'T KNOW.
964
00:39:37,008 --> 00:39:39,548
W-W-WHAT -- I SHOULD BRING THEM
A HOUSEWARMING GIFT
965
00:39:39,578 --> 00:39:41,608
FOR THEIR APARTMENT?
966
00:39:41,647 --> 00:39:43,147
YOU TELL ME.
I DON'T KNOW.
967
00:39:43,181 --> 00:39:46,921
WHAT'S THE PERFECT
HOUSEWARMING GIFT FOR THEM?
968
00:39:46,952 --> 00:39:48,892
BROUGHT YOU A LITTLE
HOUSEWARMING GIFT.
969
00:39:48,920 --> 00:39:50,160
OH, ELI.
970
00:39:50,188 --> 00:39:52,018
[ CHUCKLES ]
YOU DIDN'T HAVE TO.
971
00:39:52,057 --> 00:39:54,127
THEY'LL COME IN HANDY.
DON'T KID YOURSELF.
972
00:39:54,159 --> 00:39:55,759
WHERE'S CARRIE?
973
00:39:55,794 --> 00:39:57,864
UM, SHE'S OUT
GETTING SOME MORE PLANTS.
974
00:39:57,896 --> 00:39:59,126
MORE PLANTS?
975
00:39:59,164 --> 00:40:00,704
WELL, THAT'S GOOD.
976
00:40:00,732 --> 00:40:03,772
IT'S KIND OF PHASE ONE
OF THE MASTER PLAN, ISN'T IT?
977
00:40:03,802 --> 00:40:05,102
PLANTS NEED
A LOT OF WATERING,
978
00:40:05,136 --> 00:40:06,906
A LOT OF FEEDING,
A LOT OF ATTENTION.
979
00:40:06,938 --> 00:40:10,478
IT SOFTENS YOU UP A LITTLE BIT
FOR PHASE TWO --
980
00:40:10,509 --> 00:40:11,879
BABIES.
981
00:40:11,910 --> 00:40:14,580
YOU'RE GETTING
A LITTLE PARANOID.
982
00:40:14,613 --> 00:40:16,053
PARANOID.
WHO SAID I'M PARANOID?
983
00:40:16,081 --> 00:40:18,581
IF I TOLD YOU ONCE,
I TOLD YOU A MILLION TIMES --
984
00:40:18,617 --> 00:40:21,487
IF YOU LET A BABE INFILTRATE
THE HOME BASE,
985
00:40:21,520 --> 00:40:25,620
EVENTUALLY SHE'LL
ERADICATE EVERY TRACE
OF THE ESSENTIAL YOU.
986
00:40:27,025 --> 00:40:28,985
OH, WHAT'S THIS?
WHAT'S WHAT?
987
00:40:29,027 --> 00:40:31,157
THIS --
COLORS AND BAD FRAME.
988
00:40:31,196 --> 00:40:33,796
OH, I DON'T KNOW.
CARRIE LIKES IT.
989
00:40:33,832 --> 00:40:36,072
CARRIE LIKES IT?
YEAH, YEAH,
I LIKE IT, TOO.
990
00:40:36,935 --> 00:40:38,035
AAH.
991
00:40:38,069 --> 00:40:40,669
YOU THINK CARRIE'S DIFFERENT,
DON'T YOU?
992
00:40:40,706 --> 00:40:43,906
YES. YES. YOU DON'T THINK
SHE'S GONNA MAKE DEMANDS --
993
00:40:43,942 --> 00:40:45,542
MOVE YOU TO THE SUBURBS
994
00:40:45,577 --> 00:40:47,947
AND LOAD YOU DOWN
WITH BABIES AND BARBECUE.
995
00:40:47,979 --> 00:40:50,179
Y-YOU KNOW SOMETHING?
I THINK CARRIE'S RIGHT.
996
00:40:50,215 --> 00:40:51,875
YOU'RE A LITTLE AFRAID
OF WOMEN.
997
00:40:51,917 --> 00:40:53,617
WHOA, WHOA, WHOA.
WAIT, WAIT.
998
00:40:53,652 --> 00:40:54,922
YOU TALK TO CARRIE
ABOUT ME?
999
00:40:54,953 --> 00:40:57,223
ELI, WE LIVE TOGETHER.
OF COURSE I TALK TO HER.
1000
00:40:57,255 --> 00:40:58,955
I TALK TO HER
ABOUT EVERYTHING.
1001
00:40:58,990 --> 00:41:00,630
W-WHAT'D YOU TELL HER?
1002
00:41:00,659 --> 00:41:01,829
NOTHING.
1003
00:41:01,860 --> 00:41:03,900
YOU KNOW, IT'S JUST...
FOR THE FIRST TIME,
1004
00:41:03,929 --> 00:41:06,229
I'M LOOKING AT THINGS
FROM ANOTHER SIDE.
1005
00:41:07,899 --> 00:41:09,569
THERE IS NO OTHER SIDE.
1006
00:41:09,601 --> 00:41:11,171
THERE'S THEM
AND THERE'S US.
1007
00:41:11,202 --> 00:41:12,972
EXACTLY.
YOU'RE RIGHT.
1008
00:41:13,004 --> 00:41:15,614
AND SOMETIMES
WE'RE A LITTLE DISGUSTING.
1009
00:41:15,641 --> 00:41:17,611
OKAY?
SO, LET'S DROP IT.
1010
00:41:17,643 --> 00:41:19,013
YES, WE'RE DISGUSTING!
1011
00:41:19,044 --> 00:41:21,854
WE'RE MEN. WE'RE IDIOTS.
IT'S THE LAW.
1012
00:41:21,880 --> 00:41:24,980
ELI, REMEMBER AT COLLEGE
YOUR DEFINITION OF A LESBIAN?
1013
00:41:25,016 --> 00:41:26,646
ANY GIRL
WHO WOULDN'T PUT OUT.
1014
00:41:26,685 --> 00:41:27,885
RIGHT. EXACTLY.
1015
00:41:27,919 --> 00:41:30,259
WELL, YOU KNOW,
I NO LONGER AGREE.
1016
00:41:30,288 --> 00:41:32,658
ALL RIGHT, ALL RIGHT.
DO ME A FAVOR, OKAY?
1017
00:41:32,691 --> 00:41:34,861
IN A COUPLE OF MONTHS
WHEN YOU GET SOME TIME,
1018
00:41:34,893 --> 00:41:36,933
FAX ME YOUR BALLS,
'CAUSE YOU DON'T NEED 'EM.
1019
00:41:36,962 --> 00:41:39,202
YOU EVER HAVE
ONE OF THOSE DREAMS
WHERE YOU'RE IN THE WATER,
1020
00:41:39,230 --> 00:41:40,870
YOU'RE TRYING TO SAVE SOMEONE
FROM DROWNING,
1021
00:41:40,899 --> 00:41:42,229
AND YOU CAN'T QUITE REACH HIM?
1022
00:41:42,267 --> 00:41:43,767
YOU'RE ABOUT A FINGERTIP AWAY,
1023
00:41:43,802 --> 00:41:45,202
BUT THE CURRENT KEEPS
PULLING HIM
1024
00:41:45,236 --> 00:41:46,806
FURTHER AND FURTHER OUT TO SEA,
1025
00:41:46,838 --> 00:41:49,808
AND THERE'S NOTHING YOU CAN DO
BUT WATCH.
1026
00:41:49,841 --> 00:41:52,141
HOW DO I SAVE HIM
FROM SLIPPING AWAY?
1027
00:41:52,177 --> 00:41:55,107
HOW DO I BRING HIM
BACK TO SHORE?
1028
00:41:55,146 --> 00:41:57,546
[ TELEPHONE RINGS ]
1029
00:41:57,583 --> 00:41:58,923
HI, THIS IS DAVID.
1030
00:41:58,950 --> 00:42:00,250
CARRIE AND I AREN'T HERE
RIGHT NOW,
1031
00:42:00,285 --> 00:42:02,715
[ DAVID AND CARRIE GIGGLING ]
BUT YOU CAN LEAVE A MESSAGE,
1032
00:42:02,754 --> 00:42:03,894
AND WE'LL GET BACK
TO YOU LATER.
1033
00:42:03,922 --> 00:42:04,862
BYE-BYE.
[ BEEP ]
1034
00:42:04,890 --> 00:42:07,730
HI, CARE.
HELLO, DAVID.
1035
00:42:07,759 --> 00:42:08,789
THREE WEEKS NOW,
1036
00:42:08,827 --> 00:42:11,857
AND MY PERIOD IS ALREADY IN SYNC
WITH OPRAH WINFREY.
1037
00:42:11,897 --> 00:42:13,967
JUST THOUGHT YOU'D LIKE TO KNOW.
1038
00:42:13,999 --> 00:42:15,069
[ DAVID GROANS ]
[ BEEP ]
1039
00:42:15,100 --> 00:42:17,570
DAVID, SWEETHEART,
THIS IS YOUR MOTHER.
1040
00:42:17,603 --> 00:42:18,943
OH! UGH.
1041
00:42:18,970 --> 00:42:20,910
I HAVE TWO QUESTIONS --
1042
00:42:20,939 --> 00:42:23,909
NUMBER ONE,
WHY DON'T YOU CALL?
1043
00:42:23,942 --> 00:42:27,882
AND NUMBER TWO,
IS CARRIE A BOY OR A GIRL?
1044
00:42:27,913 --> 00:42:30,153
[ BEEP ]
SHIT! I KNEW I FORGOT
TO CALL SOMEONE!
1045
00:42:30,181 --> 00:42:31,551
[ LAUGHS ]
1046
00:42:35,053 --> 00:42:36,763
[ BLOWS ]
1047
00:42:36,788 --> 00:42:40,088
I'M TELLING YOU,
EVERYTHING'S GONNA BE FINE.
1048
00:42:43,328 --> 00:42:44,758
Freida: OH!
1049
00:42:44,796 --> 00:42:46,626
THERE'S A COHEN BROTHERS SHOES.
1050
00:42:46,665 --> 00:42:48,125
YEAH, OF COURSE, ON BEACON.
1051
00:42:48,166 --> 00:42:51,966
NO, NO, NO, FURTHER EAST,
NEXT TO THE INDIAN RESTAURANT.
1052
00:42:52,003 --> 00:42:53,773
YOU GOT IT.
OKAY, BOBBY.
1053
00:42:53,805 --> 00:42:56,005
WELL, IT WAS NICE TALKING
TO YOU, TOO, HON.
1054
00:42:56,041 --> 00:42:58,881
GOOD LUCK. YEAH.
BYE-BYE.
1055
00:43:00,679 --> 00:43:04,019
WRONG NUMBER, HM.
1056
00:43:04,049 --> 00:43:05,619
DON'T WORRY.
1057
00:43:05,651 --> 00:43:07,821
BRISKET IS COMING,
1058
00:43:07,853 --> 00:43:09,123
BUT FIRST...
1059
00:43:09,154 --> 00:43:11,764
A LITTLE SOUP
WITH KNAIDLACH.
1060
00:43:11,790 --> 00:43:13,630
OH, I'VE HAD THOSE.
[ CHUCKLES ]
1061
00:43:13,659 --> 00:43:14,959
NOT LIKE THESE.
1062
00:43:14,993 --> 00:43:16,363
THIS IS THE TOUGH PART.
1063
00:43:16,394 --> 00:43:19,264
SEE, MRS. C MAKES THIS
KILLER BRISKET -- WORLD-CLASS.
1064
00:43:19,297 --> 00:43:20,967
BUT BEFORE YOU CAN EAT ANY,
1065
00:43:20,999 --> 00:43:23,029
YOU GOTTA SURVIVE
THE INTERROGATION...
1066
00:43:23,068 --> 00:43:26,268
[ Echoing ]
SURVIVE THE INTERROGATION...
1067
00:43:29,908 --> 00:43:31,908
[ SUSPENSEFUL MUSIC PLAYS ]
1068
00:43:31,943 --> 00:43:33,213
[ SLURPING ]
1069
00:43:33,244 --> 00:43:36,954
SO, CARRIE, TELL US
A LITTLE BIT ABOUT YOURSELF.
1070
00:43:36,982 --> 00:43:39,892
I WAS -- I WAS BORN AND RAISED
HERE -- I MEAN, WELLESLEY.
1071
00:43:39,918 --> 00:43:40,948
DATE OF BIRTH?
1072
00:43:40,986 --> 00:43:42,946
JUNE 6, 1963.
1073
00:43:42,988 --> 00:43:45,118
EARLIER,
I THOUGHT YOU SAID JULY!
1074
00:43:45,156 --> 00:43:46,826
JULY. I-I MEANT JULY.
1075
00:43:46,858 --> 00:43:49,358
AHA. DO I MAKE YOU NERVOUS,
CARRIE?
1076
00:43:49,394 --> 00:43:50,934
YOU'RE MY GUEST.
1077
00:43:50,962 --> 00:43:52,132
EAT!
1078
00:43:56,968 --> 00:43:58,068
OH, THAT'S GOOD.
1079
00:43:58,103 --> 00:43:59,713
I MEAN,
THAT WAS EXCELLENT!
1080
00:43:59,738 --> 00:44:01,408
IT WAS THE BEST KNAIDLACH
I'VE EVER HAD!
1081
00:44:01,439 --> 00:44:03,909
HAVE YOU EVER SEEN
THIS MAN BEFORE?
1082
00:44:05,844 --> 00:44:07,414
UH, I-I DON'T THINK SO.
1083
00:44:07,445 --> 00:44:08,875
YOU DON'T THINK SO?!
1084
00:44:08,914 --> 00:44:09,954
THINK!
1085
00:44:09,981 --> 00:44:11,421
UH, NO, I'M SURE.
1086
00:44:11,449 --> 00:44:15,849
AND WHERE WAS YOUR FATHER
DURING WORLD WAR II?
1087
00:44:15,887 --> 00:44:18,057
UM, COLLEGE, UH, UH,
MEDICAL SCHOOL --
1088
00:44:18,089 --> 00:44:20,359
UH, DARTMOUTH UNIVERSITY.
I WENT THERE, ALSO.
1089
00:44:20,391 --> 00:44:21,991
HUH.
1090
00:44:24,996 --> 00:44:26,726
SHE MADE IT! YES!
1091
00:44:26,765 --> 00:44:31,035
MY DAVID COULD HAVE GONE
TO B.U. -- HARVARD, EVEN.
1092
00:44:31,069 --> 00:44:33,069
HE HAD THE S.A.T.s,
1093
00:44:33,104 --> 00:44:35,274
BUT HE WANTED TO GO AWAY
FROM HOME.
1094
00:44:35,306 --> 00:44:37,906
GO FIGURE.
1095
00:44:39,144 --> 00:44:41,984
DEAR, MY HUSBAND
IS A VERY PROUD MAN.
1096
00:44:42,013 --> 00:44:43,923
HE DOESN'T LIKE TO LOSE,
1097
00:44:43,949 --> 00:44:46,349
SO IF YOU COULD JUST EASE UP
A BIT ON YOUR SERVE.
1098
00:44:46,384 --> 00:44:49,024
YOU WANT ME
TO THROW THE GAME?
Kenneth:
COME ON, COME ON, COME ON.
1099
00:44:49,054 --> 00:44:50,364
POWWOW'S OVER.
1100
00:44:50,388 --> 00:44:53,218
NO STRATEGY'S GONNA BEAT
MY LITTLE CARE BEAR AND I.
1101
00:44:57,963 --> 00:44:59,433
PLEASE, DEAR?
1102
00:44:59,464 --> 00:45:02,034
IT'S IN YOUR OWN
BEST INTEREST.
1103
00:45:08,907 --> 00:45:10,237
OUT!
1104
00:45:10,275 --> 00:45:12,275
WITH A SMILE.
1105
00:45:12,310 --> 00:45:14,480
BY A MILE.
1106
00:45:16,047 --> 00:45:17,877
I DON'T KNOW.
1107
00:45:17,916 --> 00:45:20,086
I MEAN, TO SWALLOW YOUR PRIDE
IN ONE GULP?
1108
00:45:20,118 --> 00:45:22,288
DAVID MUST BE...
1109
00:45:22,320 --> 00:45:23,920
IN LOVE.
1110
00:45:23,955 --> 00:45:25,755
I DON'T KNOW.
1111
00:45:26,557 --> 00:45:29,157
I DO KNOW YOU WON'T SEE ME
SUCKING UP LIKE THAT,
1112
00:45:29,194 --> 00:45:31,164
SELLING OUT
TO KENNETH AND GISELLE
1113
00:45:31,196 --> 00:45:33,966
FOR A FEW FREE DRINKS
AND CONVENIENT COURT TIME.
1114
00:45:33,999 --> 00:45:36,769
HEY, DO YOU THINK THAT'S WHY
I'VE NEVER BEEN ASKED BACK?
1115
00:45:36,802 --> 00:45:38,802
[ WATER RUNNING ]
1116
00:45:42,040 --> 00:45:44,840
[ CLEARS THROAT ]
1117
00:45:44,876 --> 00:45:46,006
DAVID, MAN-TO-MAN,
1118
00:45:46,044 --> 00:45:48,214
YOU HAD A PRETTY FAIR
GAME GOING THERE,
1119
00:45:48,246 --> 00:45:51,076
BUT THEN YOU LOST THE SCENT
AND SCREWED THE POOCH.
1120
00:45:51,116 --> 00:45:53,786
KILLER INSTINCT
WINS MATCHES.
1121
00:45:53,819 --> 00:45:55,919
K.I. --
CLOSE THE DEAL.
1122
00:45:55,954 --> 00:45:57,164
YOU READ TRUMP?
1123
00:45:57,188 --> 00:45:58,918
I'M WAITING
FOR THE MOVIE.
1124
00:45:58,957 --> 00:46:00,457
CONSISTENCY.
FOLLOW-THROUGH.
1125
00:46:00,491 --> 00:46:02,361
LIKE I TELL
MY LOVELY WIFE, GISELLE,
1126
00:46:02,393 --> 00:46:04,033
TENNIS, PROCTOLOGY --
1127
00:46:04,062 --> 00:46:06,562
IT'S ALL
IN THE FOLLOW-THROUGH.
1128
00:46:06,597 --> 00:46:09,967
WELL, NOT -- NOT MANY PEOPLE
ENJOY YOUR CONSISTENCY, SIR.
1129
00:46:10,001 --> 00:46:13,871
HELL, YOU CAN SMOKE
A PIPE AND PLAY TENNIS
AT THE SAME TIME.
1130
00:46:13,905 --> 00:46:15,135
GRACE UNDER PRESSURE.
1131
00:46:15,173 --> 00:46:17,013
I LEARNED THAT
DURING THE WAR.
1132
00:46:17,042 --> 00:46:19,042
UH, KOREA?
NO, NO, NO, NO.
1133
00:46:19,077 --> 00:46:22,047
CARTER ADMINISTRATION --
FOUR YEARS OF ECONOMIC HELL.
1134
00:46:22,080 --> 00:46:24,020
CROWN. CROWN.
1135
00:46:24,049 --> 00:46:26,479
SHOULD I KNOW THAT NAME?
WHAT'S THE OLD MAN DO?
1136
00:46:26,517 --> 00:46:28,317
OH, EAT...
SLEEP...COMPLAIN.
1137
00:46:28,353 --> 00:46:29,963
WHAT?
1138
00:46:29,988 --> 00:46:31,918
I'LL TELL YOU
WHAT THE OLD MAN DOESN'T DO.
1139
00:46:31,957 --> 00:46:33,417
HE DOESN'T COLLECT ANIMAL HEADS,
1140
00:46:33,458 --> 00:46:35,828
HE DOESN'T SAY THINGS LIKE
"SCREW THE POOCH,"
1141
00:46:35,861 --> 00:46:37,931
AND HE DOESN'T CALL
RONALD REAGAN "THE GIPPER."
1142
00:46:37,963 --> 00:46:41,903
[ As Irv ] HE CALLS
HIM "THAT BAD ACTOR FROM
THE CHIMP MOVIES." OY!
1143
00:46:41,933 --> 00:46:45,003
YOU LIKE GUNS, DAVID?
WELL, UH, TO TELL YOU
THE TRUTH, SIR, I --
1144
00:46:45,036 --> 00:46:47,106
THIS IS A BEAUTY --
12 GAUGE OVER-AND-UNDER.
1145
00:46:47,138 --> 00:46:49,268
HERE, TAKE AHOLD OF IT.
GO ON, TAKE IT. TAKE IT!
1146
00:46:49,307 --> 00:46:51,337
UH.
[ CLEARS THROAT ]
1147
00:46:51,376 --> 00:46:53,206
IT'S NOT LOADED
OR ANYTHING, IS IT?
1148
00:46:53,244 --> 00:46:54,584
OH, LET'S SEE.
1149
00:46:56,481 --> 00:46:58,321
AH. NO, IT ISN'T.
1150
00:46:58,349 --> 00:46:59,919
[ CHUCKLES ]
1151
00:47:03,321 --> 00:47:04,491
NOW IT IS.
1152
00:47:04,522 --> 00:47:06,062
HERE, PUT THIS
ON YOUR SHOULDER.
1153
00:47:06,091 --> 00:47:07,931
THERE. NOW GRAB AHOLD
OF THE STOCK THERE.
1154
00:47:07,959 --> 00:47:10,029
AND PUT THIS HAND UP THERE.
THERE YOU GO.
1155
00:47:10,061 --> 00:47:13,461
NOW, LEAN INTO IT.
LEAN INTO IT.
1156
00:47:15,133 --> 00:47:17,173
HOW'S THAT FEEL, SON?
IT FEELS GOOD, SIR.
1157
00:47:17,202 --> 00:47:19,242
IT FEELS -- YOU KNOW,
IT MAKES YOU FEEL LIKE A MAN.
1158
00:47:19,270 --> 00:47:20,340
[ PATS BACK ]
[ GUNSHOT ]
1159
00:47:20,371 --> 00:47:21,571
AAAH!
1160
00:47:24,075 --> 00:47:24,975
LUNCH.
1161
00:47:25,977 --> 00:47:27,547
[ CLEARS THROAT ]
1162
00:47:29,680 --> 00:47:31,450
David:
IF YOU REALLY WANT TO KNOW,
1163
00:47:31,482 --> 00:47:34,592
THE REAL EXPERT ON THE SUBJECT
WAS A GIRL THAT ELI KNEW.
1164
00:47:34,619 --> 00:47:36,119
YEAH?
YEAH.
1165
00:47:36,154 --> 00:47:37,394
SHOCK ME.
1166
00:47:37,422 --> 00:47:40,532
SHE'S A NURSE --
NUTRITIONIST.
1167
00:47:40,558 --> 00:47:45,428
SHE SAID THAT GUYS ARE, LIKE,
YOU KNOW...PURE PROTEIN.
1168
00:47:49,034 --> 00:47:52,104
OF COURSE, THAT'S IT --
PROTEIN.
1169
00:47:52,137 --> 00:47:53,637
AND -- AND -- AND YOU GUYS
1170
00:47:53,671 --> 00:47:55,971
ARE JUST
THE SURGEON GENERALS OF LOVE
1171
00:47:56,007 --> 00:47:59,137
JUST SHARING THIS WITH US
F-FOR OUR OWN WELL-BEING.
1172
00:47:59,177 --> 00:48:00,507
HMM?
HMM?
1173
00:48:00,545 --> 00:48:02,645
OH, COME ON, DAVID,
CAN YOU HONESTLY SAY
1174
00:48:02,680 --> 00:48:04,220
THAT IF YOU WERE
IN MY POSITION,
1175
00:48:04,249 --> 00:48:05,949
YOU'D FEEL ANY DIFFERENTLY?
1176
00:48:05,984 --> 00:48:09,394
HON, IF ELI AND I
WERE SHIPWRECKED ON
A DESERTED ISLAND,
1177
00:48:09,420 --> 00:48:11,290
AND THE ONLY WAY
TO SURVIVE
1178
00:48:11,322 --> 00:48:13,992
WAS, YOU KNOW,
THE NUTRIENTS INVOLVED,
1179
00:48:14,025 --> 00:48:15,425
THEN, YES, YES!
1180
00:48:15,460 --> 00:48:18,130
WE'D BE GOING DOWN
ON EACH OTHER
EVERY FIVE MINUTES.
1181
00:48:18,163 --> 00:48:21,333
I'D KILL MYSELF AND THEN HIM.
1182
00:48:24,302 --> 00:48:27,342
[ TELEPHONE RINGS ]
1183
00:48:27,372 --> 00:48:29,312
[ SIGHS ]
1184
00:48:32,978 --> 00:48:34,408
HELLO?
1185
00:48:34,445 --> 00:48:36,145
ELI.
1186
00:48:36,181 --> 00:48:38,051
[ CHUCKLES ] WHAT'S UP?
1187
00:48:38,083 --> 00:48:41,493
[ ROCK MUSIC PLAYING ]
DAVID, GET DOWN HERE RIGHT NOW.
I'M TELLING YOU.
1188
00:48:41,519 --> 00:48:44,489
THE PLANETS ARE LINED UP TONIGHT
OR SOMETHING, I DON'T KNOW,
1189
00:48:44,522 --> 00:48:47,032
BUT THE CHICKS HERE TONIGHT
ARE NOT TO BE MISSED.
1190
00:48:47,058 --> 00:48:48,358
NOW, HUH?
1191
00:48:48,393 --> 00:48:49,593
MMM...
1192
00:48:49,627 --> 00:48:52,327
YOU DON'T HAVE TO TOUCH.
YOU CAN JUST LOOK.
1193
00:48:52,363 --> 00:48:53,663
Yeah, Eli,
1194
00:48:53,698 --> 00:48:57,068
LOOK, I CAN'T COME DOWN NOW.
IT'S, UH...
1195
00:48:57,102 --> 00:48:59,272
CARRIE'S NOT FEELING
REAL WELL,
1196
00:48:59,304 --> 00:49:02,544
AND I JUST -- I JUST CAN'T.
IT'S NOT A GOOD TIME.
1197
00:49:02,573 --> 00:49:04,313
WHAT ABOUT FRIDAY?
1198
00:49:04,342 --> 00:49:06,082
FRIDAY...UH, YEAH,
FRIDAY --
1199
00:49:06,111 --> 00:49:07,711
FRIDAY NIGHT,
DEFINITELY.
1200
00:49:07,745 --> 00:49:09,745
NO, DINNER WITH
CHARLES AND LIZBETH.
1201
00:49:09,780 --> 00:49:11,720
REALLY?
MM-HMM.
1202
00:49:11,749 --> 00:49:15,289
UH...ELI, UM,
I'LL CALL YOU TOMORROW?
1203
00:49:15,320 --> 00:49:18,060
OH, MAN,
I HOPE SHE'S WORTH IT.
1204
00:49:18,089 --> 00:49:21,629
I'M TELLING YOU, YOU'RE
MISSING OUT BIG-TIME, PAL.
1205
00:49:21,659 --> 00:49:23,129
BIG-TIME.
1206
00:49:25,596 --> 00:49:28,996
[ Rock music playing ]
1207
00:49:29,034 --> 00:49:30,674
[ RECEIVER CLICKS ]
1208
00:49:31,669 --> 00:49:33,639
MM. YOU KNOW WHAT?
1209
00:49:33,671 --> 00:49:35,241
I'M GONNA GO TAKE A BATH.
1210
00:49:39,510 --> 00:49:40,780
[ SIGHS ]
1211
00:49:40,811 --> 00:49:44,021
[ DOOR OPENS, CLOSES ]
1212
00:49:48,053 --> 00:49:49,623
MISSING OUT.
1213
00:49:52,823 --> 00:49:57,803
TWO WORDS THAT HAVE HAUNTED ME
MY ENTIRE LIFE.
1214
00:49:57,828 --> 00:50:00,628
WHY CAN'T I JUST BE HAPPY
WITH WHERE I AM
1215
00:50:00,665 --> 00:50:02,525
AND WITH WHAT I'VE GOT?
1216
00:50:04,069 --> 00:50:07,239
WHY DO I KEEP THINKING ABOUT
WHERE I COULD BE
1217
00:50:07,272 --> 00:50:09,142
AND WHAT I COULD GET?
1218
00:50:12,843 --> 00:50:14,313
CHRIST.
1219
00:50:14,345 --> 00:50:16,105
MY SCOPING DAYS ARE OVER.
1220
00:50:16,147 --> 00:50:18,377
I MEAN, I'M DIFFERENT.
1221
00:50:18,416 --> 00:50:20,086
I'M IN LOVE.
1222
00:50:21,852 --> 00:50:25,092
WHY CAN'T I JUST BE HAPPY
WITH WHAT I'VE GOT?
1223
00:50:27,192 --> 00:50:28,762
I JUST DON'T KNOW WHO DAVID IS.
1224
00:50:28,793 --> 00:50:31,663
I MEAN, SOMETIMES I-I FEEL LIKE
I'M LIVING WITH THREE MEN --
1225
00:50:31,696 --> 00:50:34,366
MRS. CROWN'S LITTLE BOY,
THE ONE WHO THROWS A TANTRUM
1226
00:50:34,399 --> 00:50:36,229
EVERY TIME HE RUNS OUT
OF SHAMPOO,
1227
00:50:36,267 --> 00:50:37,797
UM, ELI'S BEST BUDDY,
1228
00:50:37,835 --> 00:50:42,265
THE ONE WHO PULLS BACK
WHEN THINGS GET TOO INTIMATE...
1229
00:50:42,307 --> 00:50:45,077
AND THEN THERE'S MY DAVID.
1230
00:50:45,110 --> 00:50:46,580
HE'S FUNNY...
1231
00:50:46,611 --> 00:50:49,111
HE'S SENSITIVE...
1232
00:50:49,147 --> 00:50:50,847
AND CONSIDERATE.
1233
00:50:50,881 --> 00:50:53,421
HE'S THE ONE I MOVED IN WITH.
1234
00:50:54,619 --> 00:50:57,389
HOW'D I END UP
WITH THE OTHER TWO?
1235
00:51:00,125 --> 00:51:02,055
MISSING OUT.
1236
00:51:02,860 --> 00:51:04,160
MISSING OUT,
1237
00:51:04,195 --> 00:51:05,825
LIKE ELI'S REALLY
DOING SOMETHING
1238
00:51:05,863 --> 00:51:08,303
THAT I WANT TO BE A PART OF.
1239
00:51:12,137 --> 00:51:13,767
EXCUSE ME, MISTER.
1240
00:51:13,804 --> 00:51:15,874
WE WERE JUST COMING BACK
FROM OUR CHEERLEADING MEET.
1241
00:51:15,906 --> 00:51:18,606
WE'RE ALL VIRGINS,
BUT FOR SOME REASON --
1242
00:51:18,643 --> 00:51:20,713
MAYBE IT'S
THE PLANET ALIGNMENT --
1243
00:51:20,745 --> 00:51:24,845
WELL, WE ALL DECIDED THAT
TONIGHT WAS THE NIGHT TO...
1244
00:51:24,882 --> 00:51:27,492
WELL...
1245
00:51:27,518 --> 00:51:29,748
YOU KNOW...
1246
00:51:29,787 --> 00:51:31,357
GO ALL THE WAY.
1247
00:51:31,389 --> 00:51:34,759
SO, PERHAPS YOU AND YOUR FRIEND
COULD HELP US OUT --
1248
00:51:34,792 --> 00:51:38,302
YOU KNOW, TAKE US AROUND
THE CITY, PLY US WITH LIQUOR,
1249
00:51:38,329 --> 00:51:40,569
AND THEN TAKE US BACK
TO YOUR PLACE?
1250
00:51:40,598 --> 00:51:42,868
WELL,
I'D BE DELIGHTED, UH...
1251
00:51:42,900 --> 00:51:44,900
OF COURSE, IT'S JUST
GONNA HAVE TO BE ME.
1252
00:51:44,935 --> 00:51:48,305
SEE, ALL MY FRIENDS
ARE BUSY TONIGHT OR TOO TIRED
1253
00:51:48,339 --> 00:51:51,609
OR HOME WITH
THEIR LIVE-IN GIRLFRIENDS.
1254
00:51:51,642 --> 00:51:53,212
[ GIRLS GIGGLING ]
OH.
1255
00:51:53,244 --> 00:51:55,354
WELL...
1256
00:51:55,380 --> 00:51:59,880
DO YOU THINK MAYBE YOU COULD
HANDLE US ALL BY YOURSELF?
1257
00:52:02,220 --> 00:52:05,390
YES. YES, I DO.
1258
00:52:07,825 --> 00:52:09,755
[ Echoing ] DAVID.
1259
00:52:09,794 --> 00:52:11,504
DAVID.
LISTEN TO ME.
1260
00:52:11,529 --> 00:52:12,829
WHAT?
1261
00:52:14,399 --> 00:52:15,699
SORRY.
1262
00:52:15,733 --> 00:52:17,403
UH, WHAT?
1263
00:52:18,836 --> 00:52:20,806
YOU'RE BORED WITH THIS
RELATIONSHIP, IS THAT IT?
1264
00:52:20,838 --> 00:52:23,908
NO, NO, GOD, NO.
1265
00:52:23,941 --> 00:52:26,141
NO, YOU SEE,
IT'S JUST THAT...
1266
00:52:28,579 --> 00:52:30,719
LISTEN...
1267
00:52:30,748 --> 00:52:33,948
PIZZA
IS MY FAVORITE FOOD --
1268
00:52:33,984 --> 00:52:36,324
PEPPERONI AND SAUSAGE,
RIGHT?
1269
00:52:37,822 --> 00:52:40,592
W-W-WHAT'S
YOUR FAVORITE FOOD?
1270
00:52:40,625 --> 00:52:41,885
WHAT?
1271
00:52:43,594 --> 00:52:45,304
LINGUINE AND CLAM SAUCE.
1272
00:52:45,330 --> 00:52:48,600
AN EXCELLENT CHOICE --
LINGUINE AND CLAM SAUCE.
1273
00:52:48,633 --> 00:52:50,943
IT'S GREAT. YOU LOVE IT
MORE THAN ANYTHING ELSE.
1274
00:52:50,968 --> 00:52:53,198
YOU COULD PROBABLY HAVE IT
ALMOST EVERY NIGHT.
1275
00:52:53,238 --> 00:52:54,208
MM.
1276
00:52:54,239 --> 00:52:55,639
ALMOST EVERY NIGHT,
1277
00:52:55,673 --> 00:52:57,543
BUT YOU --
YOU WOULDN'T WANT TO.
1278
00:52:57,575 --> 00:53:00,505
YOU'D WANT TO TRY SOMETHING NEW,
SOMETHING DIFFERENT.
1279
00:53:00,545 --> 00:53:01,845
YOU KNOW WHAT?
1280
00:53:01,879 --> 00:53:04,819
YOUR LITTLE ANALOGY'S
STARTING TO PISS ME OFF.
1281
00:53:04,849 --> 00:53:08,289
OKAY. OKAY.
LET'S -- LET'S FORGET IT.
1282
00:53:08,319 --> 00:53:09,819
GOOD.
1283
00:53:14,892 --> 00:53:16,832
LET'S JUST...
1284
00:53:20,331 --> 00:53:22,631
...GO TO SLEEP.
1285
00:53:22,667 --> 00:53:25,267
[ TIRES SCREECHING ]
1286
00:53:25,303 --> 00:53:26,903
[ CRASH ]
1287
00:53:26,937 --> 00:53:27,907
[ THUD ]
1288
00:53:27,938 --> 00:53:29,408
OW!
1289
00:53:39,950 --> 00:53:41,890
WHERE WERE YOU?
1290
00:53:41,919 --> 00:53:43,819
[ Slurring ]
I WAS OUT.
1291
00:53:45,823 --> 00:53:47,833
WITH ELI.
1292
00:53:47,858 --> 00:53:49,688
YOU COULD HAVE CALLED.
1293
00:53:49,727 --> 00:53:51,657
AM I ON A LEASH?
1294
00:53:52,863 --> 00:53:55,003
CAN'T I HAVE A GOOD TIME
WITHOUT YOU?
1295
00:53:55,032 --> 00:53:57,002
CAN'T YOU HAVE A GOOD TIME
WITH ME?
1296
00:53:57,902 --> 00:53:59,842
WOULD IT BE SO BAD
TO -- TO INVITE ME ALONG?
1297
00:53:59,870 --> 00:54:02,440
YOU KNOW, YOU USED TO THINK
I WAS PRETTY GOOD COMPANY.
1298
00:54:02,473 --> 00:54:05,313
OH, HON, YOU KNOW,
WHEN -- WHEN ELI AND I GO OUT,
1299
00:54:05,343 --> 00:54:07,613
YOU KNOW, IT'S A --
IT'S A GUY THING.
1300
00:54:07,645 --> 00:54:10,345
ELI -- DAVID AND ELI.
1301
00:54:10,381 --> 00:54:12,921
DAVID, YOU'RE NOT
MARRIED TO ELI.
1302
00:54:12,950 --> 00:54:15,950
WELL, I'M NOT MARRIED
TO YOU, EITHER.
1303
00:54:24,995 --> 00:54:26,695
DAVID, WAIT.
1304
00:54:28,032 --> 00:54:29,572
WHAT'S WRONG?
1305
00:54:29,600 --> 00:54:31,570
A PHONE CALL
COSTS 20 CENTS.
1306
00:54:31,602 --> 00:54:34,672
[ Whining ] HELLO, MOMMY,
CAN I STAY OUT AND PLAY?
1307
00:54:34,705 --> 00:54:35,835
OH, GROW UP!
1308
00:54:35,873 --> 00:54:38,083
ALL RIGHT, YOU FELLAS,
GIVE ME A LITTLE
HELP HERE, PLEASE.
1309
00:54:38,108 --> 00:54:40,848
CAN I HAVE A SHOW OF HANDS --
ALL OF YOU WHO AGREE WITH ME
1310
00:54:40,878 --> 00:54:42,808
THAT A RELATIONSHIP
IS A FINE PLACE TO SLEEP,
1311
00:54:42,847 --> 00:54:44,777
BUT YOU WOULDN'T WANT
TO LIVE THERE.
1312
00:54:44,815 --> 00:54:47,785
AH! SEE?
CLEAR MAJORITY.
1313
00:54:47,818 --> 00:54:48,988
FOUR GUYS?
1314
00:54:49,019 --> 00:54:52,419
WHAT DO YOU WANT FROM ME?
THEY'RE SURROUNDED
BY THE ENEMY.
1315
00:54:53,758 --> 00:54:56,828
[ SOFT MUSIC PLAYS ]
1316
00:54:58,696 --> 00:54:59,956
WHAT?
1317
00:55:01,732 --> 00:55:03,002
W-WE'RE NOT TALKING.
1318
00:55:03,033 --> 00:55:04,803
WE'RE EATING.
1319
00:55:04,835 --> 00:55:07,605
WE USED TO TALK
WHEN WE ATE.
1320
00:55:10,941 --> 00:55:12,941
WHAT DO YOU WANT
TO TALK ABOUT?
1321
00:55:14,011 --> 00:55:16,781
I DON'T KNOW.
ANYTHING.
1322
00:55:16,814 --> 00:55:18,584
[ SIGHS ]
1323
00:55:21,151 --> 00:55:24,721
CAN WE JUST
ENJOY OUR DINNER?
1324
00:55:24,755 --> 00:55:26,955
FINE. YEAH.
1325
00:55:31,929 --> 00:55:35,469
I CAN'T ENJOY MY DINNER.
1326
00:55:35,500 --> 00:55:38,470
SOMETHING'S HAPPENED.
I-I JUST...
1327
00:55:38,503 --> 00:55:41,513
I DON'T FEEL CONNECTED
TO YOU ANYMORE.
1328
00:55:41,539 --> 00:55:43,369
DO YOU FEEL
CONNECTED TO ME?
1329
00:55:43,408 --> 00:55:45,778
OH, PLEASE DON'T GIVE ME
THAT LOOK, OKAY?
1330
00:55:45,810 --> 00:55:48,110
AND PLEASE DON'T SAY,
"OH, JESUS, CARRIE."
1331
00:55:48,145 --> 00:55:49,975
OKAY.
1332
00:55:51,081 --> 00:55:53,851
WHAT DO YOU WANT FROM ME?
1333
00:55:57,988 --> 00:56:00,958
WE'RE IN TROUBLE, AND I JUST
WANT TO TALK TO YOU ABOUT IT.
1334
00:56:00,991 --> 00:56:02,591
[ SIGHS ]
1335
00:56:02,627 --> 00:56:04,697
WHY DO YOU WANT
TO TALK ABOUT IT?
1336
00:56:04,729 --> 00:56:06,099
WHEN YOU HIT A ROUGH SPOT,
1337
00:56:06,130 --> 00:56:09,570
SOMETIMES THE BEST THING TO DO
IS JUST RIDE THROUGH IT.
1338
00:56:10,968 --> 00:56:12,938
SOMETIMES
TALKING MAKES IT WORSE.
1339
00:56:12,970 --> 00:56:14,640
LET IT GO.
1340
00:56:14,672 --> 00:56:15,942
I CAN'T LET IT GO.
1341
00:56:15,973 --> 00:56:18,113
WE HAVE TO DEAL
WITH THIS NOW.
1342
00:56:18,142 --> 00:56:20,482
THERE'S NOTHING
TO DEAL WITH.
1343
00:56:20,511 --> 00:56:21,951
YOU KNOW, ELI'S RIGHT.
1344
00:56:21,979 --> 00:56:24,879
SOMETIMES YOU JUST
OVERANALYZE EVERYTHING.
1345
00:56:24,915 --> 00:56:26,975
WHAT, YOU AND ELI SIT AROUND
TALKING ABOUT ME?
1346
00:56:27,017 --> 00:56:28,947
WHAT DO YOU -- WHAT DO YOU
SAY TO ELI ABOUT ME?
1347
00:56:28,986 --> 00:56:30,416
[ SIGHS ]
1348
00:56:30,455 --> 00:56:32,815
ELI'S MY FRIEND.
WE TALK ABOUT THINGS.
1349
00:56:32,857 --> 00:56:34,927
LOOK, CAN -- CAN --
CAN WE NOT DO THIS?
1350
00:56:34,959 --> 00:56:37,959
LET-- LET'S STOP THIS
BEFORE IT TURNS INTO A FIGHT.
1351
00:56:37,995 --> 00:56:39,425
IT I A FIGHT.
1352
00:56:41,899 --> 00:56:43,099
LOOK AT ME, DAVID.
1353
00:56:43,133 --> 00:56:45,003
WOULDN'T YOU RATHER
SOMEONE ELSE
1354
00:56:45,035 --> 00:56:46,735
BE SITTING HERE RIGHT NOW?
1355
00:56:46,771 --> 00:56:48,911
NO, I WOULDN'T.
1356
00:56:48,939 --> 00:56:51,609
BE HONEST -- WOULDN'T YOU BE
HAVING A BETTER TIME
1357
00:56:51,642 --> 00:56:53,882
IF SOMEONE ELSE WAS HERE
AND NOT ME?
1358
00:56:54,945 --> 00:56:58,015
NO. NO ONE ELSE.
1359
00:56:58,883 --> 00:57:00,423
I DON'T BELIEVE YOU.
1360
00:57:01,552 --> 00:57:02,792
YEAH, OKAY, ALL RIGHT.
1361
00:57:02,820 --> 00:57:05,460
I-I-I CAN IMAGINE
ANOTHER WOMAN HERE WITH ME.
1362
00:57:05,490 --> 00:57:06,460
YOU KNOW WHAT?
1363
00:57:06,491 --> 00:57:08,891
AND YOU'RE RIGHT --
I'M HAVING A BETTER TIME.
1364
00:57:08,926 --> 00:57:09,986
WANT TO KNOW WHY?
1365
00:57:10,027 --> 00:57:11,997
BECAUSE SHE DOESN'T
TELL ME WHAT I'M THINKING
1366
00:57:12,029 --> 00:57:13,699
AND LEAD ME
AROUND ON A LEASH,
1367
00:57:13,731 --> 00:57:15,701
AND SHE DOESN'T HANG
HOCKNEYS ON MY WALL
1368
00:57:15,733 --> 00:57:17,943
AND SHE DOESN'T
DRIVE ME CRAZY WITH BULLSHIT
1369
00:57:17,968 --> 00:57:19,668
WHILE I'M EATING!
1370
00:57:21,639 --> 00:57:23,839
CARRIE!
1371
00:57:23,874 --> 00:57:26,214
LET ME IN!
1372
00:57:41,526 --> 00:57:45,526
WILMA!!
1373
00:57:45,563 --> 00:57:48,203
AW!
HATE TO SEE THAT HAPPEN.
1374
00:57:48,232 --> 00:57:50,102
[ BUZZER ]
1375
00:57:50,134 --> 00:57:53,804
[ CHUCKLES ]
I'LL GO MAKE UP THE COUCH.
1376
00:57:53,838 --> 00:57:57,938
SO, SHE LOCKED YOU
OUT OF YOUR OWN APARTMENT.
1377
00:57:57,975 --> 00:57:58,975
OUR APARTMENT.
1378
00:57:59,009 --> 00:58:00,179
MM-HMM.
1379
00:58:00,210 --> 00:58:02,680
WELL...
1380
00:58:02,713 --> 00:58:06,523
I SAY LET HER STAY THERE.
1381
00:58:06,551 --> 00:58:08,951
LET HER SIT IN THE APARTMENT
WITH HER PLANTS
1382
00:58:08,986 --> 00:58:11,556
AND HER ROLLED-UP SOCKS
AND HER HOCKSTER PAINTINGS.
1383
00:58:11,589 --> 00:58:12,889
HOCKNEY.
1384
00:58:12,923 --> 00:58:14,163
ELI --
1385
00:58:14,191 --> 00:58:17,961
WHATEVER IT IS, IT'S HERS.
SHE CAN HAVE IT.
1386
00:58:17,995 --> 00:58:21,265
I'VE GOT THE OLD DAVID BACK,
DON'T I?
1387
00:58:21,298 --> 00:58:22,728
YEAH.
1388
00:58:22,767 --> 00:58:23,997
YEAH.
1389
00:58:24,034 --> 00:58:27,044
Y-YOU DO REMEMBER
THE OLD DAVID, DON'T YOU?
1390
00:58:27,071 --> 00:58:29,241
COME ON, QUICK --
THE THREE F's.
1391
00:58:29,273 --> 00:58:31,113
F...
WHAT ARE THEY?
1392
00:58:31,141 --> 00:58:32,741
F...
FILM.
1393
00:58:32,777 --> 00:58:34,947
YEAH. F...
FOOD.
1394
00:58:34,979 --> 00:58:37,849
YES! FILM, FOOD, FUCK.
YES!
1395
00:58:37,882 --> 00:58:40,052
[ CHUCKLES ]
WELCOME BACK, DAVID.
1396
00:58:41,919 --> 00:58:43,949
SO, WHY DID WE BREAK UP?
1397
00:58:43,988 --> 00:58:46,318
WHY DOES ANYBODY BREAK UP?
1398
00:58:46,356 --> 00:58:48,886
HER FRIENDS DON'T LIKE
YOUR FRIENDS.
1399
00:58:48,926 --> 00:58:50,626
HER MOTHER DOESN'T LIKE YOU.
1400
00:58:50,661 --> 00:58:53,931
SHE'S A PRUDE.
YOU'RE AN INCONSIDERATE SLOB.
1401
00:58:53,964 --> 00:58:56,104
SHE FORGETS TO CAP
THE TOOTHPASTE.
1402
00:58:56,133 --> 00:58:58,943
YOU LIKE TO SLEEP
WITH THE WINDOW OPEN.
1403
00:58:58,969 --> 00:59:01,909
IS THAT WHAT IT'S ALL ABOUT?
1404
00:59:01,939 --> 00:59:04,939
OR IS BEING WITH SOMEBODY
LIKE...
1405
00:59:04,975 --> 00:59:06,635
GETTING TOO CLOSE TO THE SUN?
1406
00:59:06,677 --> 00:59:08,007
Y-Y-YOU GOTTA JUMP BACK
1407
00:59:08,045 --> 00:59:10,645
OR YOU'RE GONNA GET BURNED
OR GO BLIND.
1408
00:59:10,681 --> 00:59:13,251
[ TELEPHONE RINGS ]
1409
00:59:14,251 --> 00:59:15,991
Carrie: HI, YOU'VE REACHED
THE APARTMENT
1410
00:59:16,020 --> 00:59:17,860
OF CARRIE AND MR. SHIT.
1411
00:59:17,888 --> 00:59:20,688
WE'RE NOT HERE RIGHT NOW,
AND IF HE WERE, I WOULDN'T BE.
1412
00:59:20,725 --> 00:59:21,725
BYE.
1413
00:59:21,759 --> 00:59:22,859
[ BEEP ]
1414
00:59:28,666 --> 00:59:31,266
...EARN 1 1/2 TIMES OUR INCOME
FOR THE SAME FUCKING JOB,
1415
00:59:31,301 --> 00:59:33,071
NUT-SCRATCHING, BEER-BELCHING,
1416
00:59:33,103 --> 00:59:35,013
"WAS IT GOOD FOR YOU?"
LIKE HE REALLY CARES,
1417
00:59:35,039 --> 00:59:36,939
BELLIGERENT,
"HEY, WHAT'S ON CABLE?"
1418
00:59:36,974 --> 00:59:37,914
ONLY OWN THREE PAIRS OF SHOES
1419
00:59:37,942 --> 00:59:40,012
AND PAY HALF OF WHAT YOU DO
FOR FORMALWEAR
1420
00:59:40,044 --> 00:59:41,654
AND THEN CAN WEAR IT AGAIN,
1421
00:59:41,679 --> 00:59:43,309
SPORTS-OBSESSED,
GENETICALLY INFERIOR,
1422
00:59:43,347 --> 00:59:45,817
ORALLY FIXATED,
PERPETUALLY ADOLESCENT --
1423
00:59:45,850 --> 00:59:48,050
LEFT, LEFT,
LEFT, RIGHT, LEFT.
1424
00:59:48,085 --> 00:59:49,115
LEFT.
1425
00:59:49,153 --> 00:59:52,323
I THINK MY FRIEND DAVID
NEEDS A REFRESHER COURSE.
1426
00:59:52,356 --> 00:59:53,986
BACK TO BASICS.
1427
00:59:54,024 --> 00:59:55,964
LIGHTS!
1428
00:59:58,896 --> 01:00:00,726
YOU REALLY THINK
THIS IS NECESSARY?
1429
01:00:00,765 --> 01:00:02,065
IT'S VERY DARK IN A BAR.
1430
01:00:02,099 --> 01:00:04,199
YOU'RE NOT SPIDER-MAN,
OKAY?
1431
01:00:04,234 --> 01:00:07,104
BEING ABLE TO IDENTIFY A WOMAN
BY SILHOUETTE
1432
01:00:07,137 --> 01:00:10,107
PROVES TO BE BOTH NECESSARY
AND COST-EFFECTIVE.
1433
01:00:10,140 --> 01:00:11,410
[ SCOFFS ]
LOOK, DAVID,
1434
01:00:11,441 --> 01:00:14,851
NO ONE CAN AFFORD TO
BUY A DRINK FOR EVERY
UGLY WOMAN IN A BAR --
1435
01:00:14,879 --> 01:00:17,109
NOT YOU, NOT ME, NOT
THE BROTHERS SHEARSON LEHMAN.
1436
01:00:17,147 --> 01:00:18,647
ELI, COME ON.
1437
01:00:18,683 --> 01:00:20,693
OKAY.
YOU'RE GONNA LIKE THIS, HUH?
1438
01:00:20,718 --> 01:00:23,018
THIS'LL BE GOOD FOR YOU.
1439
01:00:23,053 --> 01:00:25,163
BABE OR TROLL?
1440
01:00:25,189 --> 01:00:26,389
BABE.
1441
01:00:26,423 --> 01:00:27,693
EH...
1442
01:00:27,725 --> 01:00:30,655
YES. VERY NICE.
NICELY DONE.
1443
01:00:30,695 --> 01:00:31,955
AND NEXT.
1444
01:00:31,996 --> 01:00:33,326
BABE...
1445
01:00:33,363 --> 01:00:35,003
OR TROLL?
1446
01:00:35,032 --> 01:00:37,972
ELI, I...CAN'T REALLY --
1447
01:00:38,002 --> 01:00:39,702
YES, YOU CAN.
1448
01:00:39,737 --> 01:00:41,737
THINK. COME ON.
YOU'VE GOT TIME.
1449
01:00:43,007 --> 01:00:44,307
BABE.
1450
01:00:47,177 --> 01:00:48,807
YES!
1451
01:00:48,846 --> 01:00:50,446
YES, CLAUDIA.
1452
01:00:50,480 --> 01:00:52,250
MMM, CLAUDIA.
[ INHALES SHARPLY ]
1453
01:00:52,282 --> 01:00:55,052
BUY A DRINK FOR CLAUDIA?
MNH-MNH. I DON'T THINK SO.
1454
01:00:55,085 --> 01:00:56,345
BUY A CONDO FOR CLAUDIA.
1455
01:00:56,386 --> 01:00:59,116
UH, OKAY, ELI,
THIS IS ALL VERY WELL AND GOOD,
1456
01:00:59,156 --> 01:01:01,886
BUT DOES INTELLIGENCE
FACTOR INTO THIS AT ALL?
1457
01:01:01,926 --> 01:01:04,926
YOU WANT BRAINS,
FUCK MARGARET THATCHER.
1458
01:01:04,962 --> 01:01:06,032
NEXT.
1459
01:01:07,765 --> 01:01:09,025
BABE OR TROLL?
1460
01:01:09,066 --> 01:01:11,196
OH, BABE, DEFINITELY.
1461
01:01:11,235 --> 01:01:15,005
OH, THAT'S A SHAME.
1462
01:01:15,039 --> 01:01:16,039
HMM?
1463
01:01:16,073 --> 01:01:20,853
YOU'VE CHOSEN
MARGE SIMPSON...
1464
01:01:20,878 --> 01:01:23,378
AN ANIMATED CARTOON
OF A HAUSFRAU
1465
01:01:23,413 --> 01:01:24,983
TO TURN YOUR CRANK.
1466
01:01:25,015 --> 01:01:26,345
YOU MUST BE VERY PLEASED.
1467
01:01:26,383 --> 01:01:27,953
JESSICA RABBIT,
I COULD UNDERSTAND.
1468
01:01:27,985 --> 01:01:30,915
EVEN MYSELF, I'VE
THOUGHT ON OCCASION,
"YES," BUT MARGE?
1469
01:01:30,955 --> 01:01:32,555
I DON'T THINK SO.
1470
01:01:32,589 --> 01:01:34,219
WE'VE HAD ENOUGH FOR
TODAY, THOUGH. LET'S GO
OUT AND HAVE SOME FUN.
1471
01:01:34,258 --> 01:01:35,258
OKAY.
1472
01:01:35,292 --> 01:01:37,462
HE'S READY.
I CAN FEEL IT.
1473
01:01:37,494 --> 01:01:40,934
HE'S READY TO RE-ENTER SOCIETY
A REFORMED MAN.
1474
01:01:40,965 --> 01:01:43,095
SURE, SURE, I GOTTA WORRY
ABOUT A RELAPSE,
1475
01:01:43,133 --> 01:01:45,803
BUT I GOT TWO WORDS
THAT SHOULD DO THE TRICK --
1476
01:01:45,836 --> 01:01:47,436
"TRACY SEYMOUR,"
1477
01:01:47,471 --> 01:01:51,911
A.K.A.
"LET'S 'SEE MORE' TRACY"...
1478
01:01:51,942 --> 01:01:54,382
A SURE THING.
1479
01:01:54,411 --> 01:01:56,181
[ CONGA MUSIC PLAYS ]
1480
01:02:04,121 --> 01:02:06,261
[ LAUGHS ]
Eli:
PING-PONG BALLS?
1481
01:02:06,290 --> 01:02:08,490
I THOUGHT YOU WANTED
KING KONG'S BALLS.
1482
01:02:08,525 --> 01:02:11,095
OH, THAT IS
A GREAT JOKE!
1483
01:02:11,128 --> 01:02:12,098
[ LAUGHS ]
1484
01:02:12,129 --> 01:02:14,969
THAT'S VERY FUNNY.
1485
01:02:14,999 --> 01:02:17,869
IT'S FUNNY BECAUSE THE GUY
WANTED -- RIGHT? --
1486
01:02:17,902 --> 01:02:20,342
TO PLAY PING-PONG,
AND THEN STRUCTURALLY,
1487
01:02:20,370 --> 01:02:22,970
IT'S A FUNNY JOKE BECAUSE
HE WANTS --
Let's get out
of here.
1488
01:02:23,007 --> 01:02:25,037
THE GUY WANTS
PING-PONG BALLS, RIGHT?
Come on.
1489
01:02:25,075 --> 01:02:27,005
AND THE STORE OWNER THINKS
LITERALLY THAT HE --
1490
01:02:27,044 --> 01:02:30,014
LIKE, IF YOU WANTED POTATO SALAD
AND YOU ASKED FOR COLESLAW,
1491
01:02:30,047 --> 01:02:32,277
SO YOU ASK FOR POTATO SALAD,
AND THE GUY SAYS,
1492
01:02:32,316 --> 01:02:34,546
"I HAVE, UH...
COLESLAW FOR YOU,
1493
01:02:34,584 --> 01:02:36,424
AND WHY NOT
GIVE ME, UH --"
1494
01:02:36,453 --> 01:02:39,023
BUT IN THIS CASE, YOU ASKED
FOR PING-PONG BALLS
1495
01:02:39,056 --> 01:02:40,116
AND YOU GOT HUGE
GORILLA BALLS!
1496
01:02:40,157 --> 01:02:42,457
THAT'S VERY FUNNY.
1497
01:02:46,030 --> 01:02:48,230
[ SLOW JAZZ MUSIC PLAYS ]
1498
01:02:48,265 --> 01:02:50,095
DAVID.
1499
01:02:56,974 --> 01:02:59,914
TRACY, I CAN'T MAKE LOVE
TO YOU.
1500
01:02:59,944 --> 01:03:01,914
I'M SORRY. WHAT?
1501
01:03:01,946 --> 01:03:05,046
TRACY, I CAN'T MAKE LOVE
TO YOU.
1502
01:03:05,082 --> 01:03:06,922
ONE MORE TIME, PLEASE.
1503
01:03:06,951 --> 01:03:08,351
I CAN'T MAKE LOVE TO YOU.
1504
01:03:08,385 --> 01:03:11,085
OH, I-I THOUGHT
THAT'S WHAT HE SAID.
1505
01:03:11,121 --> 01:03:12,221
AAAAAAH!
1506
01:03:12,256 --> 01:03:14,016
FINE.
1507
01:03:14,058 --> 01:03:15,928
I'LL WALK YOU HOME.
1508
01:03:15,960 --> 01:03:18,200
NO. I'LL BE FINE.
1509
01:03:19,296 --> 01:03:21,466
[ DOOR OPENS, CLOSES ]
1510
01:03:30,574 --> 01:03:32,014
Carrie: Hello?
1511
01:03:32,042 --> 01:03:33,312
CARRIE, IT'S ME.
1512
01:03:33,343 --> 01:03:35,113
[ Dial tone ]
[ Sighing ]
I, UH...
1513
01:03:35,145 --> 01:03:37,575
REALLY NEED TO TALK
TO YOU.
1514
01:03:44,188 --> 01:03:47,018
YOU FUCKIN' PUSSY.
1515
01:03:50,260 --> 01:03:53,930
IT'S LIKE WHEN YOU FINALLY MEET
THE RIGHT PERSON.
1516
01:03:53,964 --> 01:03:56,534
I MEAN, THE MOST IMPORTANT
THING TO ME IS COMMITMENT.
1517
01:03:56,566 --> 01:03:58,966
I MEAN, WE'RE ALL AFRAID
TO TRUST.
1518
01:03:59,003 --> 01:04:01,343
AND I DON'T JUST MEAN
TRUST EACH OTHER --
1519
01:04:01,371 --> 01:04:05,311
I MEAN TRUST OURSELVES,
TRUST OUR FEELINGS.
1520
01:04:05,342 --> 01:04:07,512
AND SHARE THOSE FEELINGS.
1521
01:04:07,544 --> 01:04:10,484
I MEAN, WHAT ARE YOU
SUPPOSED TO DO -- READ MY MIND?
1522
01:04:10,514 --> 01:04:14,084
NO. MEN AND WOMEN HAVE TO TELL
EACH OTHER WHAT THEY WANT.
1523
01:04:14,118 --> 01:04:15,948
I CAN TELL YOU WHAT I WANT,
CARRIE.
1524
01:04:15,986 --> 01:04:20,586
I WANT A RELATIONSHIP
BASED ON HONESTY, TRUST,
1525
01:04:20,624 --> 01:04:22,464
AND CONTINUAL COMMUNICATION,
1526
01:04:22,492 --> 01:04:24,392
[ PAGER BEEPING ]
AND -- OH.
1527
01:04:24,428 --> 01:04:27,098
OH, I GOTTA TAKE THAT.
EXCUSE ME.
1528
01:04:27,131 --> 01:04:30,531
COULD I GET YOU
ANYTHING ELSE?
1529
01:04:33,938 --> 01:04:36,108
HOW'S THE CHEESECAKE?
1530
01:04:36,140 --> 01:04:37,980
[ SIGHS ]
1531
01:04:38,008 --> 01:04:41,078
THE ONLY THING WORSE
THAN NOT GETTING WHAT YOU WANT
1532
01:04:41,111 --> 01:04:43,181
IS GETTING WHAT YOU WANT.
1533
01:04:43,213 --> 01:04:46,983
OSCAR WILDE.
HE KNEW.
1534
01:04:47,717 --> 01:04:48,747
Man on television:
...CUBIC ZIRCONIA.
1535
01:04:48,785 --> 01:04:51,015
NICE MATCHING RUBIES,
VIBRANT COLOR,
1536
01:04:51,055 --> 01:04:53,485
THE GEMSTONE OF THE SOULS,
AS IT'S BEEN CALLED.
1537
01:04:53,523 --> 01:04:56,333
ONLY $35.
1538
01:04:56,360 --> 01:04:58,260
* I AM SUCH A FUNNY CLOWN
1539
01:04:58,295 --> 01:05:00,195
* I LIKE TO TRAVEL
'ROUND AND 'ROUND *
1540
01:05:00,230 --> 01:05:02,200
* THE CIRCUS IS MY HOME
1541
01:05:02,232 --> 01:05:04,102
* I ALWAYS SLEEP ALONE
1542
01:05:04,134 --> 01:05:09,114
[ SLOW CLASSICAL MUSIC PLAYS ]
1543
01:05:25,322 --> 01:05:26,992
[ GRUNTS ]
1544
01:05:27,992 --> 01:05:29,992
OHH!
MAKE UP OR BREAK UP!
1545
01:05:30,027 --> 01:05:32,327
THIS STALEMATE HAS GOT TO END.
1546
01:05:32,362 --> 01:05:34,262
YOU KNOW,
FOR ONCE, I AGREE WITH HER.
1547
01:05:34,298 --> 01:05:35,968
I DO.
I DON'T CARE WHAT HAPPENS.
1548
01:05:36,000 --> 01:05:38,540
I JUST WANT MY COUCH BACK.
1549
01:05:38,568 --> 01:05:42,008
[ SIGHS ] HE'S NOT CALLING HER.
SHE'S NOT CALLING HIM.
1550
01:05:42,039 --> 01:05:44,209
CAN SOMEONE HELP THIS COUPLE?
1551
01:05:44,241 --> 01:05:45,741
[ "NIGHTLINE" THEME PLAYS ]
1552
01:05:45,775 --> 01:05:50,475
GOOD EVENING.
I'M TED KOPPEL, AND THIS...
1553
01:05:50,514 --> 01:05:52,284
IS "NIGHTLINE."
1554
01:05:52,316 --> 01:05:55,086
TONIGHT, "LOVE ON THE ROCKS" --
1555
01:05:55,119 --> 01:05:57,349
CROWN VERSUS DAVENPORT.
1556
01:05:57,387 --> 01:06:01,487
YOU'D HAVE TO BE LIVING
IN A VACUUM THE PAST WEEK
1557
01:06:01,525 --> 01:06:03,385
NOT TO NOTICE THE FRICTION
1558
01:06:03,427 --> 01:06:06,297
BETWEEN YOUNG LOVERS
DAVID CROWN
1559
01:06:06,330 --> 01:06:08,470
AND CARRIE DAVENPORT.
1560
01:06:08,498 --> 01:06:12,598
STANDING BY
IN OUR BOSTON AFFILIATE,
1561
01:06:12,636 --> 01:06:15,366
THE PRINCIPALS.
1562
01:06:15,405 --> 01:06:18,435
DAVID,
IS THERE A CASE TO BE MADE
1563
01:06:18,475 --> 01:06:20,335
THAT THE FINAL BLOWUP
1564
01:06:20,377 --> 01:06:26,277
WAS ONLY SYMPTOMATIC
OF MUCH DEEPER PROBLEMS?
1565
01:06:26,316 --> 01:06:29,116
DEEPER PROBLEMS?
1566
01:06:29,153 --> 01:06:30,493
WHAT DO YOU MEAN?
1567
01:06:30,520 --> 01:06:34,020
DAVID, I'M REFERRING TO
THIS "MISSING OUT" FEELING,
1568
01:06:34,058 --> 01:06:38,028
WHICH, AS YOU PUT IT,
HAS, AND I QUOTE,
1569
01:06:38,062 --> 01:06:41,272
"HAUNTED ME
MY ENTIRE LIFE."
1570
01:06:41,298 --> 01:06:43,428
PHEW! WHO DOES
YOUR RESEARCH?
1571
01:06:43,467 --> 01:06:47,267
WHY DO YOU WORRY ABOUT WHAT
YOU MIGHT BE MISSING, DAVID,
1572
01:06:47,304 --> 01:06:50,714
OUTSIDE OF YOUR RELATIONSHIP
WITH MISS DAVENPORT,
1573
01:06:50,740 --> 01:06:52,780
INSTEAD OF CONCENTRATING
ON CREATING
1574
01:06:52,809 --> 01:06:56,649
A DEEPER, MORE MEANINGFUL
RELATIONSHIP WITH HER?
1575
01:06:56,680 --> 01:06:58,780
IT'S NOT THAT
I DON'T LOVE HER.
1576
01:06:58,815 --> 01:07:02,045
I-I DO. I-I LOVE HER
WITH ALL MY HEART.
1577
01:07:02,086 --> 01:07:04,386
I-I JUST...
1578
01:07:04,421 --> 01:07:07,691
I DON'T KNOW.
SOMETIMES I-I FEEL TRAPPED.
1579
01:07:07,724 --> 01:07:10,094
BUT WHY, DAVID?
I'M NOT TRYING
TO TRAP YOU.
1580
01:07:10,127 --> 01:07:12,357
YEAH, I KNOW THAT, HON.
I JUST --
UM...
1581
01:07:12,396 --> 01:07:18,096
CARRIE, DAVID IS SIMPLY
EXPRESSING A GENERAL
FEAR OF COMMITMENT.
1582
01:07:18,135 --> 01:07:22,465
LET ME SEE IF I CAN
GIVE YOU AN EXAMPLE.
1583
01:07:24,141 --> 01:07:25,711
WHAT'S YOUR FAVORITE FOOD?
1584
01:07:25,742 --> 01:07:27,212
NO, TED, SHH!
1585
01:07:27,244 --> 01:07:30,054
LOOK, WE'RE TRYING TO REACH
AN ACCORD HERE, OKAY?
1586
01:07:31,848 --> 01:07:34,518
CARRIE?
1587
01:07:34,551 --> 01:07:39,591
I WILL DO EVERYTHING
IN MY POWER TO CHANGE...
1588
01:07:39,623 --> 01:07:45,333
BECAUSE...
I-I LOVE YOU...
1589
01:07:45,362 --> 01:07:47,162
AND I NEED YOU.
1590
01:07:48,398 --> 01:07:50,828
AND...
1591
01:07:50,867 --> 01:07:53,167
I WANT TO COME HOME.
1592
01:07:56,673 --> 01:07:59,513
TED, HOW DO WE GET OUT
OF THESE BOXES?
1593
01:08:04,914 --> 01:08:08,694
[ SOFT MUSIC PLAYS ]
1594
01:08:21,865 --> 01:08:24,295
LINGUINE AND CLAM SAUCE.
1595
01:08:24,334 --> 01:08:26,274
YOUR FAVORITE.
1596
01:08:26,303 --> 01:08:28,313
THAT'S VERY SWEET OF YOU.
1597
01:08:28,338 --> 01:08:30,438
IT IS.
1598
01:08:30,474 --> 01:08:32,244
BUT, UM...
1599
01:08:32,276 --> 01:08:35,606
WHY DON'T WE TRY
SOMETHING JUST...
1600
01:08:35,645 --> 01:08:37,145
A LITTLE DIFFERENT?
1601
01:08:37,181 --> 01:08:38,621
MMM.
1602
01:08:42,852 --> 01:08:43,822
UNH!
1603
01:08:43,853 --> 01:08:44,793
UHH...
1604
01:08:44,821 --> 01:08:47,161
THAT'S IT -- DRIVE IT.
FOUL! THAT'S A FOUL!
1605
01:08:47,191 --> 01:08:48,021
WHERE'S THE CALL?!
1606
01:08:48,057 --> 01:08:49,927
WHERE'S
THE FUCKING CALL?!
OH, MAN!
1607
01:08:49,959 --> 01:08:52,559
THERE SHOULD BE -- DAVID,
DO YOU BELIEVE THIS SHIT?
1608
01:08:52,596 --> 01:08:55,166
THIS LIVER'S GREAT.
WHAT? WHAT HAPPENED?
1609
01:08:55,199 --> 01:08:57,669
BIRD BRINGS IT IN,
AROUND-THE-BACK PASS
TO LEWIS, RIGHT?
1610
01:08:57,701 --> 01:09:00,941
SWEET BASELINE MOVE, AND THEN
LAIMBEER AND RODMAN MUG HIM.
1611
01:09:00,970 --> 01:09:02,940
NO, NO, THEY RAPE HIM,
LIKE IN PRISON!
1612
01:09:02,972 --> 01:09:04,542
THE PISTONS
AREN'T A TEAM.
1613
01:09:04,574 --> 01:09:06,844
THEY'RE THE MANSON FAMILY
IN SHORTS.
HERE.
1614
01:09:06,876 --> 01:09:09,446
YOU LIKED THAT --
THE LIVER, RIGHT?
IT'S GREAT.
1615
01:09:09,479 --> 01:09:11,579
OKAY, NOW TRY THE PASTA SALAD
WITH PEPPERS.
1616
01:09:11,615 --> 01:09:13,775
GIVE ME A "T" HERE.
DO I LIKE THIS?
1617
01:09:13,817 --> 01:09:15,817
[ AIR HORN BLARES ]
HOLD ON, FOLKS.
1618
01:09:15,852 --> 01:09:18,662
I CAN'T BELIEVE
WHAT I'VE JUST HEARD.
1619
01:09:18,688 --> 01:09:20,858
"DO I LIKE THIS?"
WHAT?
1620
01:09:20,890 --> 01:09:22,230
YOU ALL RIGHT?
1621
01:09:22,259 --> 01:09:24,289
DID I HEAR YOU
CORRECTLY?
1622
01:09:24,328 --> 01:09:27,658
DID YOU ASK HER IF YOU
LIKED A PARTICULAR FOOD?
1623
01:09:27,697 --> 01:09:29,327
SO?
SO?
1624
01:09:29,366 --> 01:09:30,696
SO?!
1625
01:09:30,734 --> 01:09:32,674
THAT'S A QUESTION
THAT AN OLD MAN
1626
01:09:32,702 --> 01:09:34,372
ASKS HIS WIFE
AT A SALAD BAR --
1627
01:09:34,404 --> 01:09:36,844
COUPLES WHO HAVE BEEN MARRIED
THOUSANDS OF YEARS.
1628
01:09:36,873 --> 01:09:40,483
MEN WHO NO LONGER OWN
THEIR OWN PROSTATE.
1629
01:09:40,510 --> 01:09:44,350
MEN WHO HAVE NO FREE WILL
ASK THAT QUESTION.
1630
01:09:44,381 --> 01:09:46,451
IT'S BEYOND PATHETIC.
1631
01:09:46,483 --> 01:09:48,693
I HAVE A RADIO
IN MY CAR.
1632
01:09:48,718 --> 01:09:50,688
OH, GUYS!
ZOE, WAIT.
1633
01:09:50,720 --> 01:09:51,920
ELI, IT'S
THE FOURTH QUARTER.
1634
01:09:51,955 --> 01:09:53,655
THEY'RE TURNING INTO
THE REAGANS.
1635
01:09:53,690 --> 01:09:54,820
DO I HATE THIS?
1636
01:09:54,858 --> 01:09:57,288
1:37 IN THE BALLGAME.
1637
01:09:58,828 --> 01:10:00,458
CARRIE.
1638
01:10:00,497 --> 01:10:03,867
[ THUNDER CRASHES ]
1639
01:10:05,435 --> 01:10:06,735
ELI.
1640
01:10:06,770 --> 01:10:07,840
YES, DAVID?
1641
01:10:07,871 --> 01:10:09,241
WHERE'S CARRIE?
1642
01:10:09,273 --> 01:10:11,843
OH, WELL, I'D RATHER...
1643
01:10:11,875 --> 01:10:13,835
I KNOW YOU THINK
I'M PUSSY-WHIPPED,
BUT TELL ME WHERE SHE IS.
1644
01:10:13,877 --> 01:10:14,777
I WON'T.
1645
01:10:14,811 --> 01:10:16,511
YOU KNOW WHERE SHE IS.
TELL ME WHERE SHE IS.
1646
01:10:16,546 --> 01:10:17,906
I'D REALLY RATHER NOT SAY.
1647
01:10:17,947 --> 01:10:19,647
PLEASE, ELI,
TELL ME WHERE SHE IS.
1648
01:10:19,683 --> 01:10:21,853
YOU'RE NOT GOING TO
LIKE IT, DAVID.
WHERE IS SHE?
1649
01:10:21,885 --> 01:10:24,245
SHE GOT TIRED OF WAITING
FOR YOU TO COMMIT.
1650
01:10:24,288 --> 01:10:26,888
WHERE'S CARRIE?
WHERE IS SHE?!
WHERE IS SHE?!
1651
01:10:26,923 --> 01:10:29,893
SHE'S ABOUT TO MARRY
A PROCTOLOGIST!
1652
01:10:29,926 --> 01:10:31,526
TAXI! TAXI!
OOF!
1653
01:10:31,561 --> 01:10:35,271
[ VOICE ECHOING ]
1654
01:10:35,299 --> 01:10:38,339
[ BREATHING HEAVILY ]
1655
01:10:38,368 --> 01:10:39,798
[ SIGHS ]
1656
01:10:39,836 --> 01:10:42,366
I KNOW. I KNOW.
1657
01:10:42,406 --> 01:10:46,006
A DREAM IS YOUR SUBCONSCIOUS
TRYING TO GET THROUGH.
1658
01:10:46,042 --> 01:10:47,612
BUT, YOU KNOW,
1659
01:10:47,644 --> 01:10:50,754
IT'S LIKE A BAD CONNECTION
TO WABASH, AUSTRALIA.
1660
01:10:50,780 --> 01:10:53,520
YOU MISS EVERY OTHER WORD,
AND NOTHING MAKES SENSE.
1661
01:10:57,321 --> 01:10:58,621
SOMEHOW YOU KNOW
1662
01:10:58,655 --> 01:11:01,015
IT'S THE MOST IMPORTANT CALL
OF YOUR LIFE.
1663
01:11:03,026 --> 01:11:04,756
SO, WHAT DO YOU DO?
1664
01:11:04,794 --> 01:11:06,864
I MEAN,
IF YOU CAN'T BE SURE?
1665
01:11:06,896 --> 01:11:08,696
IF YOU CAN ONLY GUESS?
1666
01:11:09,933 --> 01:11:13,303
WHEN IT'S YOUR TURN TO TALK,
WHAT DO YOU SAY?
1667
01:11:18,007 --> 01:11:19,977
EXCUSE ME.
1668
01:11:20,009 --> 01:11:22,879
[ STEVE WINWOOD'S
"THE FINER THINGS" PLAYS ]
1669
01:11:59,783 --> 01:12:03,753
* WHILE THERE IS TIME
1670
01:12:03,787 --> 01:12:05,047
* LET'S GO OUT...
1671
01:12:05,088 --> 01:12:06,658
CARRIE DAVENPORT...
1672
01:12:08,592 --> 01:12:09,862
* IF YOU HOLD ME
1673
01:12:09,893 --> 01:12:12,103
WILL YOU MARRY ME?
1674
01:12:12,128 --> 01:12:15,898
* I WILL LET YOU
INTO MY DREAMS *
1675
01:12:15,932 --> 01:12:18,442
* FOR TIME IS A RIVER
1676
01:12:18,468 --> 01:12:19,938
I WILL.
1677
01:12:19,969 --> 01:12:21,769
* ROLL--
[ RECORD SCRATCHES ]
1678
01:12:21,805 --> 01:12:22,935
[ GASPS ]
1679
01:12:22,972 --> 01:12:23,972
[ THUD ]
1680
01:12:29,879 --> 01:12:34,119
I WILL. I WILL. I WILL.
1681
01:12:34,150 --> 01:12:37,720
REACTIONS WERE...
VARIED.
1682
01:12:37,754 --> 01:12:38,994
SHIKSA.
1683
01:12:39,022 --> 01:12:40,462
OH, GOD!
1684
01:12:41,525 --> 01:12:43,885
MARRIED. MARCH.
1685
01:12:43,927 --> 01:12:46,627
LOVELY WIFE GISELLE,
ARE WE IN TOWN THEN?
1686
01:12:46,663 --> 01:12:47,903
WE NAILED ONE!
1687
01:12:47,931 --> 01:12:49,101
[ CHEERING ]
1688
01:12:49,132 --> 01:12:52,172
HEY, GUYS, MAN OVERBOARD!
MAN OVERBOARD!
1689
01:12:52,201 --> 01:12:54,471
WAIT A MINUTE,
WAIT A MINUTE.
1690
01:12:54,504 --> 01:12:56,844
THIS MEANS WE GET TO THROW
A BACHELOR PARTY, RIGHT?
1691
01:12:56,873 --> 01:12:59,483
YEAH! WHOO!
YEAH!
YEAH!
1692
01:13:00,043 --> 01:13:01,413
[ CHATTERING ]
1693
01:13:01,445 --> 01:13:02,905
[ CHATTERING ]
1694
01:13:02,946 --> 01:13:03,846
[ CHATTERING ]
1695
01:13:03,880 --> 01:13:05,780
[ BULLFIGHTING MUSIC PLAYS ]
1696
01:13:05,815 --> 01:13:07,015
[ WOMEN CHEERING ]
1697
01:13:19,062 --> 01:13:20,162
[ BLUES MUSIC PLAYS ]
1698
01:13:20,196 --> 01:13:24,096
LOVE'S LATEST VICTIM,
DAVID CROWN.
1699
01:13:24,133 --> 01:13:27,803
DAVID, FROM YOUR BEST MAN...
1700
01:13:27,837 --> 01:13:30,037
TO HIS BEST FRIEND.
1701
01:13:32,909 --> 01:13:34,909
THE KEY TO MY HOTEL ROOM
1702
01:13:34,944 --> 01:13:36,984
AND TO THE CITY...
1703
01:13:37,013 --> 01:13:39,053
ARE YOURS.
1704
01:13:39,082 --> 01:13:40,452
DAVID?
1705
01:13:40,484 --> 01:13:41,494
HEY, DAVID.
1706
01:13:41,518 --> 01:13:42,818
[ DRUMROLL ]
1707
01:13:42,852 --> 01:13:43,952
HI!
1708
01:13:43,987 --> 01:13:46,087
DAVID. DAVID.
HELLO!
1709
01:13:47,957 --> 01:13:49,787
UH-OH.
UH-OH.
1710
01:13:49,826 --> 01:13:51,026
YOU'RE
THE BEST MAN, SON.
1711
01:13:51,060 --> 01:13:53,530
YOU SHOULD KNOW
WHERE HE IS AT ALL TIMES.
1712
01:13:53,563 --> 01:13:55,233
SO, UH,
WHERE IS SHE, ZOE?
1713
01:13:55,264 --> 01:13:56,904
AND WHY IS SHE THERE?
1714
01:13:56,933 --> 01:13:58,573
[ SIGHS ]
WELL, I'M NOT SURE.
1715
01:13:58,602 --> 01:14:00,572
BUT I'M SURE THIS IS
THE HAPPIEST DAY OF HER LIFE.
1716
01:14:00,604 --> 01:14:01,914
[ CHUCKLES ]
IT BETTER BE.
1717
01:14:01,938 --> 01:14:03,708
THE NATIVES ARE
GETTING RESTLESS.
1718
01:14:03,740 --> 01:14:05,070
NO SHIT. WE NEED
SOME ENTERTAINMENT.
1719
01:14:05,108 --> 01:14:06,638
DO YOU PLAY
THE PIANO, SIR?
1720
01:14:06,676 --> 01:14:07,806
NO!
1721
01:14:07,844 --> 01:14:11,214
BUT MY LOVELY WIFE,
GISELLE, DOES.
1722
01:14:11,247 --> 01:14:12,977
FIND HIM!
1723
01:14:16,520 --> 01:14:17,520
AAH!
1724
01:14:17,554 --> 01:14:19,124
AAH!
1725
01:14:31,968 --> 01:14:33,538
HI.
1726
01:14:34,070 --> 01:14:36,040
HIYA.
1727
01:14:49,252 --> 01:14:51,562
HOW'S DAVID?
1728
01:14:51,588 --> 01:14:53,588
IT WAS HARD TO TELL.
1729
01:14:54,658 --> 01:14:56,958
ZOE,
YOU'RE MY BEST FRIEND.
1730
01:14:56,993 --> 01:14:59,633
WHAT'S GONNA HAPPEN TO US
IF I GET MARRIED?
1731
01:15:00,697 --> 01:15:02,597
NOTHING.
1732
01:15:03,132 --> 01:15:06,002
WHAT'S GONNA HAPPEN TO ME
IF I GET MARRIED?
1733
01:15:07,236 --> 01:15:09,066
WHAT DO YOU MEAN?
1734
01:15:09,105 --> 01:15:10,905
[ INHALES DEEPLY ]
1735
01:15:10,940 --> 01:15:13,540
REMEMBER WHAT YOU SAID TO ME
AT MY PARTY --
1736
01:15:13,577 --> 01:15:15,207
ABOUT ME
LOSING MY IDENTITY?
1737
01:15:15,244 --> 01:15:17,984
I KNOW
YOU WERE KIDDING...
1738
01:15:18,014 --> 01:15:20,254
BUT I DON'T KNOW --
I THINK YOU MIGHT BE RIGHT.
1739
01:15:21,851 --> 01:15:23,651
WELL, I WAS RIGHT.
1740
01:15:23,687 --> 01:15:25,687
I MEAN, YOU WILL LOSE
YOUR IDENTITY,
1741
01:15:25,722 --> 01:15:29,892
BUT ONLY TO FIND...
A NEW IDENTITY.
1742
01:15:29,926 --> 01:15:32,196
AND NO OFFENSE --
MAYBE A BETTER ONE.
1743
01:15:32,228 --> 01:15:34,058
AS A WIFE?
1744
01:15:34,097 --> 01:15:36,197
AS A WIFE...
1745
01:15:36,232 --> 01:15:37,972
AS A MOTHER...
1746
01:15:38,001 --> 01:15:40,041
AS A GRANDMOTHER.
1747
01:15:40,069 --> 01:15:41,339
[ LAUGHS ]
1748
01:15:41,370 --> 01:15:44,810
BOY, CAN YOU IMAGINE ME
AS A GRANDMOTHER?
1749
01:15:44,841 --> 01:15:46,611
SURE!
1750
01:15:50,146 --> 01:15:52,846
ZOE, CAN I RELY ON HIM?
1751
01:15:54,317 --> 01:15:57,587
CAN I RELY ON --
ON ME?
1752
01:16:00,790 --> 01:16:03,030
DO YOU LOVE HIM?
1753
01:16:05,895 --> 01:16:07,125
YES.
1754
01:16:08,364 --> 01:16:11,234
WOULD YOU RATHER GO BACK
TO LIVING WITH ME?
1755
01:16:11,267 --> 01:16:12,797
[ CHUCKLES SOFTLY ]
1756
01:16:12,836 --> 01:16:14,596
I LOVE YOU, TOO, BUT...
1757
01:16:14,638 --> 01:16:15,738
[ LAUGHS ]
1758
01:16:16,806 --> 01:16:18,876
THEN LET'S GO GET MARRIED.
1759
01:16:21,110 --> 01:16:23,050
OKAY.
OKAY.
1760
01:16:23,079 --> 01:16:25,109
[ BOTH SNIFFLING ]
1761
01:16:49,105 --> 01:16:50,905
HEY, YOU'RE IN MY SEAT.
1762
01:16:50,940 --> 01:16:53,310
HOW'D YOU KNOW
I'D BE HERE?
1763
01:16:55,044 --> 01:16:56,284
[ GROANS ] COME ON.
1764
01:16:56,312 --> 01:16:58,312
WE'VE BEEN COMING HERE
SINCE WE WERE 6.
1765
01:17:00,083 --> 01:17:02,893
OH, BY THE WAY,
KENNETH IS, UH...
1766
01:17:02,919 --> 01:17:04,889
MUY PISSED.
1767
01:17:04,921 --> 01:17:07,391
HOW ABOUT CARRIE?
1768
01:17:07,423 --> 01:17:11,703
SHE, UH...DIDN'T SAY.
1769
01:17:17,466 --> 01:17:21,066
EVERYTHING IS ALWAYS RIGHT
HERE.
1770
01:17:22,471 --> 01:17:24,811
LIFE IS PERFECT
UNDER THE GREEN MONSTER.
1771
01:17:24,841 --> 01:17:26,311
YOU EVER NOTICE THAT?
1772
01:17:27,844 --> 01:17:29,914
I'M USUALLY TOO DRUNK
BY THE SIXTH INNING,
1773
01:17:29,946 --> 01:17:32,216
BUT...YEAH.
1774
01:17:36,019 --> 01:17:37,889
I DON'T THINK ANYTHING
IN MY MARRIAGE
1775
01:17:37,921 --> 01:17:41,021
IS EVER GONNA BE
AS...PERFECT AS THAT.
1776
01:17:41,057 --> 01:17:42,987
OH, IT WON'T BE.
1777
01:17:43,026 --> 01:17:44,326
THANK YOU.
1778
01:17:44,360 --> 01:17:47,700
I'M SORRY, DAVID,
BUT IT WON'T BE.
1779
01:17:47,731 --> 01:17:48,901
WHY NOT?
1780
01:17:48,932 --> 01:17:52,342
BECAUSE MARRIAGE
ISN'T BASEBALL, MAN.
1781
01:17:52,368 --> 01:17:55,708
IT ISN'T A GAME.
IT'S VERY REAL.
1782
01:17:55,739 --> 01:17:58,069
BESIDES,
THERE'S A LOT LESS SPITTING.
1783
01:17:59,508 --> 01:18:01,878
SO WHY AM I DOING THIS?
1784
01:18:01,911 --> 01:18:04,351
BECAUSE YOU WANT TO.
1785
01:18:04,380 --> 01:18:06,950
BECAUSE I WANT TO...
EVENTUALLY.
1786
01:18:09,118 --> 01:18:11,988
YOU NEVER REALLY LIKED CARRIE,
DID YOU?
1787
01:18:13,122 --> 01:18:17,162
YOU KNOW, WHEN I FIRST MET HER,
I THOUGHT, "CARRIE."
1788
01:18:17,193 --> 01:18:19,903
YOU KNOW --
STEPHEN KING'S "CARRIE."
1789
01:18:21,097 --> 01:18:24,897
BUT I GOT TO KNOW HER,
AND, UH...
1790
01:18:24,934 --> 01:18:28,974
SHE'S OKAY. SHE'S ALL RIGHT.
SHE'S -- SHE'S GOOD.
1791
01:18:30,840 --> 01:18:34,110
I'M GONNA MARRY
CARRIE DAVENPORT.
1792
01:18:42,018 --> 01:18:43,818
AH.
1793
01:18:43,853 --> 01:18:47,123
YOU KNOW, SOMEDAY --
NOT TOO SOON, BUT SOMEDAY --
1794
01:18:47,156 --> 01:18:48,486
WE'RE GONNA COME OUT HERE,
1795
01:18:48,524 --> 01:18:50,864
AND YOU-KNOW-WHO IS GONNA BE
SITTING RIGHT BETWEEN US,
1796
01:18:50,894 --> 01:18:52,064
SUCKING ON A FROSTY MALT.
1797
01:18:52,095 --> 01:18:53,795
WHO?
1798
01:18:53,830 --> 01:18:55,360
YOUR KID! "WHO?"
1799
01:18:55,398 --> 01:18:56,928
YOU THINK?
1800
01:18:56,966 --> 01:18:58,226
COME ON,
THE FIRST THING
1801
01:18:58,267 --> 01:19:00,767
UNCLE ELI TEACHES
THE LITTLE SPERM IN REEBOKS
1802
01:19:00,804 --> 01:19:03,544
IS HOW TO SNEAK
INTO THE PARK.
1803
01:19:03,572 --> 01:19:04,542
I LOVE YOU.
1804
01:19:04,573 --> 01:19:05,983
I LOVE YOU, TOO.
1805
01:19:06,009 --> 01:19:06,909
AW.
AW.
AW.
AW.
1806
01:19:06,943 --> 01:19:10,953
[ "HERE COMES THE BRIDE"
PLAYS OFF-KEY ]
1807
01:19:10,980 --> 01:19:14,420
[ RABBI SPEAKING HEBREW ]
1808
01:19:14,450 --> 01:19:16,120
Psst.
1809
01:19:16,152 --> 01:19:18,922
I never asked you --
what do you do for a living?
1810
01:19:18,955 --> 01:19:20,355
I'm an accountant.
1811
01:19:20,389 --> 01:19:22,089
AND DO YOU, CARRIE,
1812
01:19:22,125 --> 01:19:25,555
TAKE THIS MAN, DAVID, TO BE
YOUR LAWFULLY WEDDED HUSBAND,
1813
01:19:25,594 --> 01:19:31,004
IN SICKNESS AND IN HEALTH
TILL DEATH DO YOU PART?
1814
01:19:31,034 --> 01:19:32,204
I DO.
1815
01:19:32,235 --> 01:19:33,935
AND DO YOU, DAVID,
1816
01:19:33,970 --> 01:19:37,070
TAKE THIS WOMAN, CARRIE,
TO BE YOUR LAWFULLY WEDDED WIFE
1817
01:19:37,106 --> 01:19:38,976
IN SICKNESS AND IN HEALTH,
1818
01:19:39,008 --> 01:19:41,908
TO LOVE, HONOR, AND RESPECT HER
TILL DEATH DO YOU PART?
1819
01:19:41,945 --> 01:19:43,875
I DO.
1820
01:19:43,913 --> 01:19:46,823
THEN IF THERE IS NO ONE HERE
WHO OBJECTS TO THIS UNION --
1821
01:19:46,850 --> 01:19:49,350
THEN BY THE POWERS
VESTED IN ME --
AND ME.
1822
01:19:49,385 --> 01:19:51,585
...AND BY THE COVENANT
OF MOSES AND ABRAHAM --
1823
01:19:51,620 --> 01:19:54,020
BY GOD AND THE STATE
OF MASSACHUSETTS.
1824
01:19:54,057 --> 01:19:55,587
...BY THE STATE OF ISRAEL,
1825
01:19:55,624 --> 01:19:58,464
Together: WE NOW PRONOUNCE YOU
HUSBAND AND WIFE.
1826
01:19:58,494 --> 01:20:00,034
YOU MAY KISS THE BRIDE.
1827
01:20:01,130 --> 01:20:02,130
WAIT! WAIT! WAIT!
1828
01:20:02,165 --> 01:20:05,025
WE'RE NOT DONE, HUH?
THAT'S IT? THIS IS IT? WHAT?
1829
01:20:05,068 --> 01:20:07,238
TALK TO ME ABOUT RULES.
TALK TO ME ABOUT LOVE.
1830
01:20:07,270 --> 01:20:09,210
ALL RIGHT,
IT'S A 4-LETTER WORD, HUH?
1831
01:20:09,238 --> 01:20:13,108
ALL RIGHT, WHEN KING KONG
GRABBED FAY WRAY,
THAT WAS LOVE, WAS IT NOT?
1832
01:20:13,142 --> 01:20:14,942
SWEET LOVE, ABSOLUTELY,
YEAH.
1833
01:20:14,978 --> 01:20:16,978
BUT AFTERWARDS, BOOM!
DEAD MONKEY.
1834
01:20:17,013 --> 01:20:19,483
WHAT THE HELL'S THAT?
JUST TELL ME IT WAS
WORTH IT, OKAY?
1835
01:20:19,515 --> 01:20:21,415
YOU'RE GODDAMN RIGHT
IT WAS WORTH IT!
1836
01:20:21,450 --> 01:20:22,920
THEY KNEW IT
THE MINUTE THEY MET.
1837
01:20:22,952 --> 01:20:24,492
I KNEW IT.
1838
01:20:24,520 --> 01:20:26,520
EVEN YOU KNEW IT,
ALTHOUGH THAT DIDN'T STOP YOU
1839
01:20:26,555 --> 01:20:28,515
FROM TORTURING THEM
EVERY STEP OF THE WAY,
1840
01:20:28,557 --> 01:20:30,027
DID IT, STUDMUFFINS?
1841
01:20:30,059 --> 01:20:32,099
UH, EH --
W-WHAT ARE BEST FRIENDS FOR?
1842
01:20:32,128 --> 01:20:35,098
I MEAN, I HAD TO BE SURE
HE WAS SURE.
1843
01:20:35,131 --> 01:20:36,131
REALLY?
1844
01:20:36,165 --> 01:20:37,395
YES.
1845
01:20:37,433 --> 01:20:40,203
WELL,
THAT'S VERY SWEET.
1846
01:20:40,236 --> 01:20:42,166
I MAY HAVE MISJUDGED YOU.
1847
01:20:42,205 --> 01:20:43,965
WHAT ARE YOU SAYING?
1848
01:20:44,007 --> 01:20:47,207
WELL, YOU WANT TO GO
TO A MOVIE SOMETIME?
1849
01:20:47,243 --> 01:20:48,983
[ SCOFFS ]
WHAT -- YOU AND ME?
1850
01:20:49,012 --> 01:20:50,012
YEAH.
1851
01:20:50,046 --> 01:20:51,876
DUTCH, NO STRUDEL,
1852
01:20:51,915 --> 01:20:53,315
NO HAAGEN SEX,
1853
01:20:53,349 --> 01:20:56,289
ALTHOUGH I KNOW
YOU DESPERATELY WANT ME.
1854
01:20:56,319 --> 01:20:59,019
JUST A MOVIE.
1855
01:21:02,025 --> 01:21:03,025
YOU MAY KISS THE BRIDE.
1856
01:21:03,059 --> 01:21:04,929
NOT SO FAST, PADRE.
1857
01:21:04,961 --> 01:21:07,431
THE CEREMONIAL BREAKING
OF THE GLASS.
1858
01:21:09,065 --> 01:21:10,995
[ STOMPS ]
1859
01:21:11,034 --> 01:21:13,304
MAZEL TOV!
MAZEL TOV!
MAZEL TOV!
1860
01:21:13,336 --> 01:21:15,136
MAZEL TOV!
1861
01:21:15,171 --> 01:21:18,981
[ FESTIVE JEWISH MUSIC PLAYS ]
1862
01:21:20,576 --> 01:21:24,576
[ "JINGLE BELLS" PLAYS ]
1863
01:21:24,613 --> 01:21:27,083
ROLL CREDITS.
1864
01:21:28,084 --> 01:21:30,224
[ SLOW PIANO MUSIC PLAYS ]
1865
01:21:49,138 --> 01:21:51,568
* LOVE COMES
1866
01:21:51,607 --> 01:21:54,237
* LOVE GOES
1867
01:21:54,277 --> 01:21:56,647
* WHERE TO
1868
01:21:56,679 --> 01:21:59,619
* NOBODY KNOWS
1869
01:21:59,648 --> 01:22:05,048
* AND IT'S STRANGE
HOW FEELINGS CHANGE *
1870
01:22:05,088 --> 01:22:09,058
* BUT IT'S ALL THE SAME TO ME
1871
01:22:10,259 --> 01:22:14,129
* WITH A LITTLE TIME
1872
01:22:15,764 --> 01:22:19,504
* THE FEELING GROWS
1873
01:22:20,703 --> 01:22:25,043
* HER HEART AND MINE
1874
01:22:26,009 --> 01:22:30,079
* I KNOW SHE KNOWS
1875
01:22:31,014 --> 01:22:34,184
* OH
1876
01:22:34,217 --> 01:22:38,487
* I'M SO HAPPY NOW
1877
01:22:41,490 --> 01:22:45,590
* OH, I WAS LOST
1878
01:22:45,628 --> 01:22:49,168
* BUT NOW I'M FOUND
1879
01:22:51,767 --> 01:22:54,097
* DADDY WAS A GOOD MAN
1880
01:22:54,137 --> 01:22:56,607
* USED TO WORK THE LAND
1881
01:22:56,639 --> 01:22:59,009
* SOMETIMES
LIFE WOULD FIGHT HIM *
1882
01:22:59,042 --> 01:23:02,152
* BUT HE'D ALWAYS UNDERSTAND
1883
01:23:02,178 --> 01:23:04,478
* WENT TO WORK EVERY DAY
1884
01:23:04,513 --> 01:23:07,183
* I CAN STILL HEAR HIM SAY
1885
01:23:07,216 --> 01:23:09,646
* CAN'T BEAT LOVE, MY SON
1886
01:23:09,685 --> 01:23:12,485
* TO CHASE THOSE BLUES AWAY
1887
01:23:12,788 --> 01:23:13,388
* WITH A LITTLE TIME
1888
01:23:18,227 --> 01:23:18,827
* THE FEELING GROWS
1889
01:23:23,132 --> 01:23:23,732
* HER HEART AND MINE
1890
01:23:29,038 --> 01:23:29,608
* I KNOW SHE KNOWS
1891
01:23:34,210 --> 01:23:37,050
* OH
1892
01:23:37,080 --> 01:23:40,780
* I'M SO HAPPY NOW
1893
01:23:44,787 --> 01:23:48,587
* I WAS LOST
1894
01:23:48,624 --> 01:23:51,694
* BUT NOW I'M FOUND
1895
01:23:54,563 --> 01:23:57,103
[ SAXOPHONE SOLO ]
1896
01:24:26,595 --> 01:24:29,265
* OH
1897
01:24:29,298 --> 01:24:33,138
* I'M SO HAPPY NOW
1898
01:24:37,306 --> 01:24:40,706
* I WAS LOST
1899
01:24:40,743 --> 01:24:43,853
* BUT NOW I'M FOUND
1900
01:24:46,915 --> 01:24:50,115
* GONNA LEARN TO
1901
01:24:50,153 --> 01:24:54,263
* BRUSH THESE BLUES AWAY
1902
01:24:57,493 --> 01:25:00,733
* GONNA LEARN TO
1903
01:25:00,763 --> 01:25:04,803
* SMILE EVERY DAY
1904
01:25:07,870 --> 01:25:11,270
* OH
1905
01:25:11,307 --> 01:25:15,237
* I'M SO HAPPY NOW
1906
01:25:18,647 --> 01:25:22,747
* OH, I WAS LOST
1907
01:25:22,785 --> 01:25:25,615
* BUT NOW I'M FOUND
1908
01:25:29,425 --> 01:25:29,755
* OH
1909
01:25:32,295 --> 01:25:32,855
* I'M SO HAPPY NOW
1910
01:25:39,468 --> 01:25:39,898
* OH, OHHH
1911
01:25:43,272 --> 01:25:43,842
* I'M SO HAPPY NOW
1912
01:25:49,845 --> 01:25:50,275
* OOH, OH
1913
01:25:52,915 --> 01:25:57,245
* I'M SO HAPPY NOW
1914
01:25:59,788 --> 01:26:00,158
* OHHH
1915
01:26:03,559 --> 01:26:07,159
* I'M SO HAPPY NOW
1916
01:26:08,997 --> 01:26:10,597
[ LAUGHING ]
1917
01:26:10,633 --> 01:26:11,803
PBHT!
124364