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1
00:00:01,870 --> 00:00:05,639
[♪♪♪]
2
00:00:24,627 --> 00:00:26,527
I TOLD HIM.
3
00:00:26,562 --> 00:00:27,494
YOU DIDN'T?
4
00:00:27,530 --> 00:00:28,962
I DID.
5
00:00:28,997 --> 00:00:31,565
I'LL QUIT IF I HAVE TO.
6
00:00:31,601 --> 00:00:34,568
I FEEL SO STUPID
BEING IN THIS POSITION.
7
00:00:34,604 --> 00:00:36,670
WHAT DID HE SAY?
8
00:00:36,706 --> 00:00:37,804
HE WEASELED AROUND,
9
00:00:37,840 --> 00:00:39,240
THE USUAL.
10
00:00:39,275 --> 00:00:41,174
HE SAID JUST TO HANG ON,
11
00:00:41,210 --> 00:00:42,843
NOT MUCH LONGER.
12
00:00:43,946 --> 00:00:45,112
YOU'RE SERIOUS THIS TIME.
13
00:00:45,147 --> 00:00:46,413
YEAH.
14
00:00:46,449 --> 00:00:47,548
I'VE HAD IT.
15
00:00:47,583 --> 00:00:48,515
WELL, GOOD.
16
00:00:48,551 --> 00:00:49,883
GOOD FOR YOU.
17
00:00:49,952 --> 00:00:52,085
OKAY, WE GOTTA GO,
18
00:00:52,121 --> 00:00:53,120
'CAUSE YOU'RE GOING TO BE LATE.
19
00:00:56,125 --> 00:00:58,759
I CAN'T TELL YOU
HOW EXCITING THIS IS,
20
00:00:58,794 --> 00:01:00,661
NEW CD, NEW TOUR,
21
00:01:00,696 --> 00:01:03,464
IT FEELS GREAT
TO SAY THANKS BACK TO THE FANS.
22
00:01:03,499 --> 00:01:04,665
YOU'VE PLAYED
THE SMALLER MARKETS
23
00:01:04,734 --> 00:01:05,633
PRETTY CONSISTENTLY
24
00:01:05,701 --> 00:01:07,234
FOR THE LAST FEW YEARS.
25
00:01:07,270 --> 00:01:08,569
WHY START OFF WITH A SHOW HERE
26
00:01:08,638 --> 00:01:10,137
IN YOUR HOME TOWN?
27
00:01:10,172 --> 00:01:12,239
IT'S WHERE I FEEL
MOST COMFORTABLE,
28
00:01:12,275 --> 00:01:14,541
AND MY FRIENDS HERE
ARE VERY FORGIVING.
29
00:01:14,577 --> 00:01:15,442
[CHUCKLES]
30
00:01:15,478 --> 00:01:17,144
TELL ME ABOUT THE NEW CD.
31
00:01:17,179 --> 00:01:18,245
YOU RECORDED IT LOCALLY, RIGHT?
32
00:01:18,281 --> 00:01:19,346
THAT'S RIGHT.
33
00:01:19,382 --> 00:01:21,348
WE'RE NOT ON A LABEL
AT THE MOMENT,
34
00:01:21,384 --> 00:01:24,084
BUT WE CAN FUND AND PRODUCE
OUR OWN CD,
35
00:01:24,119 --> 00:01:26,687
AVAILABLE AT THE SHOWS
OR ON OUR WEBSITE.
36
00:01:26,722 --> 00:01:27,721
JOHN,
WHY THE NEW CD?
37
00:01:27,757 --> 00:01:29,222
WHY NOW?
38
00:01:29,292 --> 00:01:32,559
MY WIFE, PAMELA...
39
00:01:32,595 --> 00:01:34,027
[♪♪♪]
40
00:01:34,062 --> 00:01:36,196
SHE FELT I OWED IT
TO MY FANS.
41
00:01:36,265 --> 00:01:37,665
AND I THINK SHE WAS JUST
TIRED OF ME
42
00:01:37,733 --> 00:01:39,500
HANGING AROUND THE HOUSE.
43
00:01:39,535 --> 00:01:40,401
[LAUGHTER]
44
00:01:40,436 --> 00:01:41,902
BUT SERIOUSLY,
45
00:01:41,970 --> 00:01:43,837
SHE'S THE REASON
I'M WRITING AGAIN.
46
00:01:43,906 --> 00:01:46,239
SHE'S MY BEST CRITIC,
47
00:01:46,275 --> 00:01:47,541
MY MUSE,
48
00:01:47,576 --> 00:01:50,177
AND THE BOSS.
49
00:01:50,245 --> 00:01:52,613
AFTER 10 YEARS OF MARRIAGE,
I KNOW ENOUGH NOT TO ARGUE.
50
00:01:52,682 --> 00:01:53,547
[LAUGHTER]
51
00:01:58,120 --> 00:01:59,853
[♪♪♪]
52
00:01:59,888 --> 00:02:02,055
CHOCOLATE DONUT
OR BEAR CLAW?
53
00:02:03,459 --> 00:02:05,592
WHAT HAPPENED
TO SMOOTHIES AND KALE?
54
00:02:05,628 --> 00:02:06,860
THIS IS MEDICINE.
55
00:02:06,895 --> 00:02:07,861
DONUT OR BEAR CLAW?
56
00:02:07,896 --> 00:02:09,496
BEAR CLAW, SMALL PIECE.
57
00:02:09,532 --> 00:02:10,798
WHAT'S GOING ON?
58
00:02:10,833 --> 00:02:12,433
IT'S MY SISTER.
59
00:02:12,501 --> 00:02:13,500
IS SHE OKAY?
60
00:02:13,536 --> 00:02:15,202
SHE'S COMING FOR A VISIT.
61
00:02:15,270 --> 00:02:16,670
I'LL TAKE A BIGGER PIECE.
62
00:02:16,739 --> 00:02:17,738
WHEN IS SHE COMING?
63
00:02:17,773 --> 00:02:19,272
SATURDAY.
64
00:02:19,342 --> 00:02:20,541
WHY?
WHY AFTER ALL THIS TIME?
65
00:02:20,576 --> 00:02:22,209
SHE SAID SHE MISSES ME.
66
00:02:22,277 --> 00:02:24,110
WELL, THAT COULD BE GOOD.
67
00:02:24,146 --> 00:02:25,446
I MEAN, THAT COULD BE
A GOOD THING.
68
00:02:27,850 --> 00:02:29,483
OR YOU COULD
EAT YOUR FEELINGS.
69
00:02:29,518 --> 00:02:30,718
MM-HMM.
70
00:02:30,753 --> 00:02:32,453
[SHOP'S ENTRY BELL JINGLES]
71
00:02:34,156 --> 00:02:35,155
HI.
72
00:02:35,190 --> 00:02:36,323
CAN WE HELP YOU?
73
00:02:36,359 --> 00:02:38,392
YEAH, WE'RE LOOKING
FOR A VINTAGE COAT.
74
00:02:38,427 --> 00:02:41,027
LIKE, MEN'S,
MOHAIR, BLONDE...?
75
00:02:41,063 --> 00:02:42,496
LIKE A CAR COAT?
76
00:02:42,531 --> 00:02:45,098
LIKE JOHN DALTON WORE
ON HIS FIRST ALBUM?
77
00:02:45,133 --> 00:02:46,367
[CHUCKLES WRYLY]
UH, YEAH, EXACTLY THAT.
78
00:02:46,402 --> 00:02:47,735
IT'S FOR JOHN.
79
00:02:47,803 --> 00:02:49,803
I'M CASSIE PARKER,
80
00:02:49,839 --> 00:02:51,472
I'M JOHN'S
WARDROBE DESIGNER,
81
00:02:51,540 --> 00:02:52,406
AND THIS IS LITA MERRILL,
82
00:02:52,441 --> 00:02:53,507
SHE PLAYS BASS IN THE BAND.
83
00:02:53,542 --> 00:02:55,542
WELL, I'M JENN,
AND THIS IS DANI.
84
00:02:55,578 --> 00:02:56,610
SHE IS A BIG FAN.
85
00:02:56,645 --> 00:02:57,944
I'M JUST,
I LOVE HIS MUSIC.
86
00:02:57,980 --> 00:02:59,012
I DID READ
87
00:02:59,047 --> 00:03:00,313
THAT HE WAS PLAYING
A LOCAL CLUB?
88
00:03:00,349 --> 00:03:01,548
THAT'S RIGHT.
89
00:03:01,617 --> 00:03:02,983
I'D GET YOU GUYS TICKETS
90
00:03:03,018 --> 00:03:05,352
BUT IT'S SOLD OUT
TO FAN CLUB MEMBERS.
91
00:03:05,388 --> 00:03:06,854
YEAH, I HEARD
THAT, TOO.
92
00:03:06,889 --> 00:03:08,756
OH, I KNEW YOU SHOULD HAVE
JOINED THAT FAN CLUB.
93
00:03:08,791 --> 00:03:09,823
YOU COULD COME
94
00:03:09,892 --> 00:03:11,057
TO THE SOUND CHECK,
95
00:03:11,093 --> 00:03:12,192
NEXT BEST THING.
96
00:03:12,227 --> 00:03:14,027
YEAH, OR WE COULD
MAYBE GET JOHN
97
00:03:14,062 --> 00:03:15,128
TO SWING BY THE STORE.
98
00:03:15,163 --> 00:03:16,730
ARE YOU SERIOUS?
99
00:03:16,766 --> 00:03:19,032
I MEAN, WE WOULD JUST--
WE WOULD LOVE THAT.
100
00:03:19,067 --> 00:03:20,166
OKAY.
101
00:03:20,202 --> 00:03:21,635
JOHN DID SEND US
ON A MISSION, THOUGH,
102
00:03:21,670 --> 00:03:23,737
TO TRY TO FIND THE COAT
FROM THAT ALBUM COVER?
103
00:03:23,773 --> 00:03:24,538
I KNOW WHAT
YOU'RE TALKING ABOUT,
104
00:03:24,573 --> 00:03:25,539
BUT WE DON'T HAVE ONE.
105
00:03:25,574 --> 00:03:26,573
YOU MIGHT TRY
VINTAGE THREADS ON ELM.
106
00:03:26,642 --> 00:03:27,708
COOL.
107
00:03:27,777 --> 00:03:29,643
IT WAS REALLY NICE
TO MEET YOU GUYS.
108
00:03:29,678 --> 00:03:30,944
I'LL GET YOU ON THE LIST
FOR SOUND CHECK.
109
00:03:30,979 --> 00:03:32,279
THANK YOU!
110
00:03:32,314 --> 00:03:33,246
[GASPING IN DELIGHT]
111
00:03:33,315 --> 00:03:34,381
THAT'S SO COOL.
112
00:03:34,450 --> 00:03:37,718
WOW! "SOUND CHECK,"
SOUNDS SO OFFICIAL.
113
00:03:37,753 --> 00:03:40,521
[♪♪♪]
114
00:03:46,462 --> 00:03:48,462
DANI LOVES HIM,
115
00:03:48,497 --> 00:03:50,297
AND I'D LIKE TO GO
TO A SOUND CHECK.
116
00:03:50,365 --> 00:03:51,398
I'VE NEVER BEEN
TO ONE.
117
00:03:51,434 --> 00:03:52,733
JOHNNY DALTON.
118
00:03:52,802 --> 00:03:54,334
COUNTRY MUSIC,
RIGHT?
119
00:03:54,369 --> 00:03:55,436
I NEVER HEARD OF HIM.
120
00:03:55,471 --> 00:03:56,403
HE'S COUNTRY,
121
00:03:56,439 --> 00:03:57,838
BUT KIND OF MODERN.
122
00:03:57,873 --> 00:04:00,474
HE HAD THAT ONE BIG HIT,
UH, "TRUE TO YOU."
123
00:04:00,509 --> 00:04:01,942
I LOVE THAT SONG.
124
00:04:01,977 --> 00:04:03,410
THAT SONG WAS EVERYWHERE
A FEW YEARS AGO.
125
00:04:03,446 --> 00:04:04,711
THEN, NOTHING.
126
00:04:04,747 --> 00:04:06,313
I'D TAKE THE MONEY
FROM ONE BIG HIT.
127
00:04:06,348 --> 00:04:07,514
[CHUCKLING]
128
00:04:07,550 --> 00:04:09,550
WELL, I'VE GOT SOME, UH,
I'VE GOT SOME GOOD NEWS.
129
00:04:09,585 --> 00:04:12,385
WE JUST SIGNED A BIG CONTRACT
TO BUILD NEW LUXURY CONDOS
130
00:04:12,421 --> 00:04:14,421
ONCE THEY TEAR DOWN
THE OLD HATCHER BUILDING.
131
00:04:14,457 --> 00:04:15,756
AND YOU'RE GONNA LOVE THIS,
132
00:04:15,791 --> 00:04:17,257
IT'S COMPLETELY SUSTAINABLE
AND STATE OF THE ART.
133
00:04:17,292 --> 00:04:18,759
ISN'T THAT BUILDING
ON THE HISTORIC REGISTER?
134
00:04:18,828 --> 00:04:20,060
NO.
135
00:04:20,128 --> 00:04:21,528
NO, IT'S OLD,
IT DOESN'T LOOK IT,
136
00:04:21,597 --> 00:04:24,230
BUT IT'S OLD, AND IT'S...
IT'S COMPLETELY FALLING APART.
137
00:04:24,266 --> 00:04:25,699
IT IS OLD.
138
00:04:29,137 --> 00:04:31,204
I DIDN'T EVEN KNOW
THAT DANI HAD A SISTER.
139
00:04:31,239 --> 00:04:33,173
BETH ANN,
SHE'S OLDER.
140
00:04:33,208 --> 00:04:35,408
A BIT JUDGMENTAL AND CRITICAL,
141
00:04:35,444 --> 00:04:39,480
THINKS DANI SHOULD HAVE MARRIED,
HAD KIDS, GOTTEN A "REAL JOB."
142
00:04:39,515 --> 00:04:41,482
OWNING AN ANTIQUE STORE
ISN'T A REAL JOB?
143
00:04:41,517 --> 00:04:42,916
BETH ANN SAYS
IT'S A HOBBY.
144
00:04:42,952 --> 00:04:44,017
NEEDLESS TO SAY,
145
00:04:44,052 --> 00:04:45,552
THERE'S A LOT OF TENSION
BETWEEN THEM.
146
00:04:45,588 --> 00:04:46,353
WHAT DOES SHE DO?
147
00:04:46,388 --> 00:04:47,354
CHARITY WORK.
148
00:04:47,422 --> 00:04:48,755
SHE'S ON THE BOARD
OF THIS AND THAT.
149
00:04:48,791 --> 00:04:51,324
HER HUSBAND IS
SOME BIG CORPORATE EXECUTIVE.
150
00:04:51,360 --> 00:04:53,494
DOESN'T SOUND
REMOTELY LIKE DANI.
151
00:04:53,529 --> 00:04:55,462
SO, WHY IS SHE COMING TO VISIT?
152
00:04:55,498 --> 00:04:57,063
THEREIN LIES
THE MYSTERY.
153
00:04:57,099 --> 00:04:59,399
AH, THAT WORD...
154
00:04:59,468 --> 00:05:01,401
AT LEAST WE'RE
MAKING PROGRESS.
155
00:05:01,436 --> 00:05:02,736
HOW'S THAT?
156
00:05:02,771 --> 00:05:05,338
WELL, WE'VE GOT A MYSTERY,
BUT THERE'S NO DEAD BODIES.
157
00:05:05,374 --> 00:05:06,339
FUNNY.
158
00:05:06,375 --> 00:05:08,308
[CHUCKLING]
159
00:05:08,343 --> 00:05:09,242
GOOD NIGHT, SWEETIE.
160
00:05:09,277 --> 00:05:11,578
GOOD NIGHT.
161
00:05:22,224 --> 00:05:23,790
NO, TICKETS
ARE SELLING,
162
00:05:23,826 --> 00:05:24,925
JUST NOT AS WELL
AS WE'D HOPED.
163
00:05:24,994 --> 00:05:26,627
THAT'S HARD
TO BELIEVE.
164
00:05:26,662 --> 00:05:28,294
WELL, WHAT IF WE SWITCH UP
SOME OF THESE VENUES?
165
00:05:28,330 --> 00:05:30,096
YOU KNOW, SMALLER CLUBS
INSTEAD OF THEATRES?
166
00:05:30,132 --> 00:05:31,665
RICK, YOU ARE NOT
CHANGING ONE THING.
167
00:05:31,700 --> 00:05:33,266
THOSE SEATS WILL SELL
WHEN THE REVIEWS COME IN
168
00:05:33,301 --> 00:05:35,435
AND JOHN'S NEW CD
IS STREAMING.
169
00:05:35,470 --> 00:05:37,270
OKAY, THIS AND THIS
ARE BOTH "NO"S.
170
00:05:37,339 --> 00:05:38,539
THIS IS OKAY.
171
00:05:38,574 --> 00:05:40,173
I'M SERIOUS, RICK, NO JUNK.
172
00:05:40,208 --> 00:05:42,275
GET A DIFFERENT DESIGNER
IF HE CAN'T DO BETTER.
173
00:05:42,310 --> 00:05:43,276
JUST WANTED YOU TO SEE 'EM.
174
00:05:43,345 --> 00:05:45,311
I SAW THEM.
175
00:05:45,347 --> 00:05:46,513
YOU'D BETTER GET MOVING
176
00:05:46,549 --> 00:05:47,614
IF YOU'RE GOING TO GET
TO REHEARSAL ON TIME.
177
00:05:50,920 --> 00:05:51,785
[CLEARS THROAT]
178
00:06:04,567 --> 00:06:05,465
CAN I HELP YOU?
179
00:06:07,836 --> 00:06:08,936
BETH ANN?
180
00:06:08,971 --> 00:06:10,003
JENNIFER!
181
00:06:10,039 --> 00:06:11,504
OH! IT'S BEEN SUCH A LONG TIME.
182
00:06:11,540 --> 00:06:12,539
IT HAS BEEN.
183
00:06:12,608 --> 00:06:13,473
WONDERFUL TO SEE YOU.
184
00:06:13,508 --> 00:06:14,575
THANK YOU.
185
00:06:14,610 --> 00:06:16,009
IS DANI HERE?
186
00:06:16,045 --> 00:06:17,578
OH, NO, SHE'S OUT,
BUT SHE'LL BE BACK VERY SOON.
187
00:06:17,646 --> 00:06:18,679
WHERE'S YOUR LUGGAGE?
188
00:06:18,714 --> 00:06:20,280
DID YOU COME STRAIGHT
FROM THE AIRPORT?
189
00:06:20,315 --> 00:06:21,281
OH, NO. [LAUGHS] NO, NO.
190
00:06:21,316 --> 00:06:22,515
I'M AT THE REGENT.
191
00:06:22,551 --> 00:06:24,484
DANI'S PLACE
IS A LITTLE COZY FOR ME.
192
00:06:24,519 --> 00:06:25,452
OH.
193
00:06:25,487 --> 00:06:26,954
WOW, YOU KNOW,
194
00:06:26,989 --> 00:06:28,221
I HAVEN'T EVER BEEN
TO YOUR STORE.
195
00:06:28,256 --> 00:06:29,556
IT'S CUTE.
196
00:06:29,592 --> 00:06:32,125
YOU ACTUALLY HAVE SOME...
SOME NICE PIECES.
197
00:06:32,160 --> 00:06:33,293
THANK YOU.
198
00:06:33,328 --> 00:06:34,461
OH, WELL, LISTEN,
199
00:06:34,496 --> 00:06:35,929
I'M GOING TO GO
BACK TO THE HOTEL TO REST,
200
00:06:35,965 --> 00:06:38,231
BUT THE CONCIERGE RECOMMENDED
A LOVELY PLACE FOR DINNER.
201
00:06:38,300 --> 00:06:39,332
WILL YOU JOIN?
202
00:06:39,367 --> 00:06:40,634
MY TREAT.
203
00:06:40,669 --> 00:06:42,569
THANK YOU FOR THE OFFER,
I'M AFRAID I CAN'T.
204
00:06:42,605 --> 00:06:43,604
BUT MAYBE ANOTHER NIGHT.
205
00:06:43,672 --> 00:06:44,738
THAT'D BE WONDERFUL.
206
00:06:44,807 --> 00:06:45,606
SO GOOD TO SEE YOU.
207
00:06:45,641 --> 00:06:46,974
YOU TOO.
208
00:06:47,009 --> 00:06:48,075
WOW.
209
00:06:48,110 --> 00:06:49,676
IT REALLY IS LOVELY.
210
00:06:59,688 --> 00:07:00,754
HEY, DANI?
211
00:07:00,789 --> 00:07:02,355
FASTEN YOUR SEAT BELT.
212
00:07:02,390 --> 00:07:03,690
SHE'S HERE.
213
00:07:07,262 --> 00:07:10,263
♪ AND IT ALL
COMES DOWN TO THIS ♪
214
00:07:10,298 --> 00:07:13,967
♪ WHEN I'M NOT WITH YOU
YOU'RE THE ONE THAT I MISS ♪
215
00:07:14,003 --> 00:07:17,671
♪ YOU GOTTA BELIEVE
WHAT I'M SAYING TO YOU ♪
216
00:07:17,706 --> 00:07:20,340
♪ GOTTA BELIEVE
MY HEART HAS BEEN TRUE ♪
217
00:07:20,408 --> 00:07:25,779
♪ SINCE THAT
VERY FIRST KISS... ♪
218
00:07:25,814 --> 00:07:26,813
[SONG ENDS]
219
00:07:26,849 --> 00:07:29,182
TAKE FIVE, EVERYBODY.
220
00:07:29,217 --> 00:07:30,250
WOW, JOHN, MAN,
THAT WAS AMAZING.
221
00:07:30,318 --> 00:07:31,685
I REALLY FELT THAT.
222
00:07:31,720 --> 00:07:33,253
-IT WAS GREAT, WASN'T IT?
-IT'S A HIT.
223
00:07:34,256 --> 00:07:35,255
HEY, LITA.
224
00:07:35,290 --> 00:07:37,057
COME HERE,
I WANT TO TALK TO YOU.
225
00:07:46,001 --> 00:07:49,569
LEAVE YOUR PERSONAL ISSUES
AT THE DOOR, OKAY?
226
00:07:49,604 --> 00:07:51,672
IF YOU CAN'T EVEN ACT
LIKE YOU'RE INTO IT,
227
00:07:51,707 --> 00:07:53,874
THEN BASS PLAYERS
ARE A DIME A DOZEN.
228
00:07:53,909 --> 00:07:55,542
DO YOU WANT TO DO THIS TOUR?
229
00:07:55,577 --> 00:07:57,510
OF COURSE, I WANT
TO DO THE TOUR--
230
00:07:57,546 --> 00:07:58,478
THEN ACT LIKE IT.
231
00:08:04,720 --> 00:08:06,720
[♪♪♪]
232
00:08:12,327 --> 00:08:14,294
[ENTRY BELL JINGLES]
233
00:08:14,362 --> 00:08:15,762
HEY!
234
00:08:15,831 --> 00:08:18,031
HI!
235
00:08:18,100 --> 00:08:19,933
SO, I WAS ABLE TO GET YOU
ON THE LIST FOR THE SOUND CHECK.
236
00:08:19,968 --> 00:08:21,234
DANI IS GONNA BE THRILLED,
THANK YOU.
237
00:08:21,269 --> 00:08:22,335
AND...
238
00:08:22,370 --> 00:08:24,370
I HAVE
SOME DALTON TOUR JACKETS
239
00:08:24,439 --> 00:08:25,806
I'D LIKE TO SELL
ON CONSIGNMENT.
240
00:08:25,841 --> 00:08:27,040
OH, WOW, THESE ARE COOL.
241
00:08:27,076 --> 00:08:28,541
THAT ONE HAS
AN AUTOGRAPH, SO...
242
00:08:28,577 --> 00:08:30,476
IT SHOULD BE WORTH MORE.
243
00:08:30,512 --> 00:08:31,477
DANI MIGHT BUY IT FOR HERSELF.
244
00:08:31,513 --> 00:08:33,279
[CHUCKLING]
245
00:08:33,315 --> 00:08:36,349
IS THE REAL JOHN
LIKE THE ONE THE PUBLIC SEES?
246
00:08:37,319 --> 00:08:38,251
SURE.
247
00:08:38,286 --> 00:08:40,053
EVEN BETTER.
248
00:08:40,089 --> 00:08:41,254
IT'S NICE HE'S BEEN MARRIED
TO HIS HIGH-SCHOOL SWEETHEART
249
00:08:41,289 --> 00:08:42,689
FOR ALL THESE YEARS.
250
00:08:42,725 --> 00:08:45,826
DON'T FORGET, JOHN'S THE GUY
WHO WROTE "TRUE TO YOU."
251
00:08:45,894 --> 00:08:47,227
DO YOU REALLY THINK
THE FANS WOULD HAVE STAYED
252
00:08:47,262 --> 00:08:48,762
IF THEY'D BROKEN UP?
253
00:08:48,831 --> 00:08:50,697
I DO THINK THEY LIKE THE FACT
THAT THEY'VE STAYED TOGETHER,
254
00:08:50,766 --> 00:08:52,165
BUT EVERYONE'S HUMAN.
255
00:08:52,234 --> 00:08:54,134
EVEN SONNY AND CHER SPLIT UP.
256
00:08:54,203 --> 00:08:56,136
YUP.
257
00:08:56,171 --> 00:08:57,704
DIDN'T HURT HER CAREER.
258
00:09:00,109 --> 00:09:01,574
-HEY, HON'.
-HEY, SWEETHEART.
259
00:09:01,610 --> 00:09:02,475
[CHUCKLING] WHAT A DAY.
260
00:09:02,510 --> 00:09:03,543
LOOKS LIKE
WE MADE THE NEWS,
261
00:09:03,612 --> 00:09:05,011
SOMETHING ABOUT OUR
NEW CONDO PROJECT?
262
00:09:05,080 --> 00:09:06,412
REALLY?
WHAT ABOUT IT?
263
00:09:06,448 --> 00:09:07,580
I'M NOT SURE,
264
00:09:07,616 --> 00:09:09,349
THEY JUST GAVE ME A HEADS-UP
TO WATCH TONIGHT.
265
00:09:09,384 --> 00:09:10,683
OH.
266
00:09:10,719 --> 00:09:12,052
COLLEGE STUDENTS
267
00:09:12,087 --> 00:09:13,754
WERE AT THE CITY COUNCILMEETING TODAY
268
00:09:13,789 --> 00:09:15,856
SEEKING HISTORICAL STATUSFOR THE OLD HATCHER BUILDING,
269
00:09:15,891 --> 00:09:18,458
SLATED FOR DEMOLITION...
270
00:09:18,493 --> 00:09:20,593
WE ARE HERE TODAYTO PRESENT A PETITION
271
00:09:20,629 --> 00:09:24,264
SIGNED BY 112CONCERNED CITIZENS
272
00:09:24,299 --> 00:09:25,298
TO SAVE THE HATCHER BUILDING--
273
00:09:25,333 --> 00:09:26,900
[PAUSES TV PLAYBACK]
274
00:09:26,935 --> 00:09:27,834
THAT'S HANNAH!
275
00:09:32,875 --> 00:09:35,041
HANNAH, HOW WAS YOUR DAY?
276
00:09:35,077 --> 00:09:36,109
IT WAS FINE.
277
00:09:36,145 --> 00:09:38,078
DO ANYTHING INTERESTING?
278
00:09:38,113 --> 00:09:40,046
NO, NOT PARTICULARLY.
279
00:09:40,082 --> 00:09:41,214
HMM.
280
00:09:41,250 --> 00:09:42,382
LOOKED LIKE YOU
ON THE NEWS TONIGHT.
281
00:09:43,852 --> 00:09:45,585
WE MADE THE NEWS?
282
00:09:45,620 --> 00:09:46,787
THAT'S GREAT.
283
00:09:46,855 --> 00:09:48,789
MAY I BE EXCUSED?
I'VE GOT TO TELL EVERYBODY.
284
00:09:48,824 --> 00:09:50,056
WHOA, THERE.
285
00:09:50,092 --> 00:09:52,159
YOU KNOW THAT'S MY COMPANY
BUILDING THE CONDOS.
286
00:09:52,227 --> 00:09:53,726
I KNOW.
BUT YOU CAN'T.
287
00:09:53,762 --> 00:09:55,495
ACTUALLY, WE CAN.
288
00:09:55,530 --> 00:09:57,197
DAD, A LOT OF PEOPLE
REALLY CARE
289
00:09:57,266 --> 00:09:58,265
ABOUT THAT BUILDING'S HISTORY.
290
00:09:58,300 --> 00:10:00,267
YOU CAN'T TEAR IT DOWN
TO BUILD CONDOS.
291
00:10:00,335 --> 00:10:01,401
WE'LL TALK LATER.
292
00:10:04,472 --> 00:10:05,939
DO YOU KNOW
THE HATCHER BUILDING?
293
00:10:05,974 --> 00:10:07,107
NO.
294
00:10:07,176 --> 00:10:08,875
BUT, I MEAN, IF YOU BUILD
A SKATE PARK THERE
295
00:10:08,911 --> 00:10:10,343
INSTEAD OF SOME CONDOS,
296
00:10:10,378 --> 00:10:12,779
YOU'VE DEFINITELY GOT MY VOTE.
297
00:10:14,749 --> 00:10:18,151
[CHUCKLING]
298
00:10:18,220 --> 00:10:20,520
OF COURSE, I WANTED
TO SEE YOUR PLACE.
299
00:10:20,555 --> 00:10:21,721
I JUST KNOW HOW
DIFFICULT IT CAN BE
300
00:10:21,756 --> 00:10:23,023
TO HAVE A HOUSE GUEST.
301
00:10:23,058 --> 00:10:24,124
WELL, YOU'RE NOT
A HOUSE GUEST,
302
00:10:24,159 --> 00:10:25,258
YOU'RE MY SISTER,
303
00:10:25,294 --> 00:10:26,559
AND I DO HAVE
A GUEST BEDROOM.
304
00:10:26,594 --> 00:10:27,593
OH, YOU KNOW ME,
305
00:10:27,662 --> 00:10:29,229
I LIKE STAYING
AT NICE HOTELS.
306
00:10:29,298 --> 00:10:30,363
AND ROOM SERVICE.
307
00:10:30,432 --> 00:10:31,331
YEAH, THAT TOO.
308
00:10:31,399 --> 00:10:32,265
OH, WOW...
309
00:10:39,942 --> 00:10:40,874
THANK YOU.
310
00:10:40,909 --> 00:10:41,875
MM-HMM.
311
00:10:47,115 --> 00:10:48,315
YOU KNOW, DANI,
312
00:10:48,350 --> 00:10:50,350
YOUR PLACE
IS REALLY NICE.
313
00:10:50,418 --> 00:10:51,417
YOU THINK?
314
00:10:51,453 --> 00:10:52,418
YEAH.
315
00:10:52,454 --> 00:10:53,486
WELL...
316
00:10:53,521 --> 00:10:55,355
IT TAKES A LITTLE
GETTING USED TO,
317
00:10:55,390 --> 00:10:56,689
BUT I MEAN THAT IN A GOOD WAY.
318
00:10:57,792 --> 00:10:58,758
YEAH.
319
00:11:00,028 --> 00:11:01,361
I'M A LITTLE SURPRISED
320
00:11:01,396 --> 00:11:03,964
THAT JUST, OUT OF THE BLUE,
YOU DECIDED TO VISIT.
321
00:11:03,999 --> 00:11:05,365
WELL, YOU KNOW,
322
00:11:05,400 --> 00:11:06,867
I WAS JUST THINKING ABOUT
323
00:11:06,902 --> 00:11:10,270
HOW FAST TIME IS JUST
SLIPPING AWAY,
324
00:11:10,305 --> 00:11:12,372
AND YOU HAVE TRIED
TO GET TOGETHER
325
00:11:12,407 --> 00:11:13,606
SO MANY TIMES OVER THE YEARS,
326
00:11:13,675 --> 00:11:15,876
SO... HERE I AM.
327
00:11:15,944 --> 00:11:17,710
BETTER LATE THAN NEVER, RIGHT?
328
00:11:17,746 --> 00:11:19,412
OKAY...
329
00:11:20,548 --> 00:11:21,714
OOH, YOU KNOW WHAT,
330
00:11:21,783 --> 00:11:22,916
I'M GOING TO SHOW YOU PICTURES
OF THE GIRLS.
331
00:11:22,951 --> 00:11:24,117
YOU WILL NOT BELIEVE
HOW BIG THEY'RE GETTING.
332
00:11:24,152 --> 00:11:25,151
MM.
333
00:11:25,187 --> 00:11:26,086
ONE SECOND.
334
00:11:29,191 --> 00:11:31,057
[♪♪♪]
335
00:11:36,731 --> 00:11:38,464
NO, IT WAS...
IT WAS FUN.
336
00:11:38,533 --> 00:11:39,399
I MEAN, EVERY SO OFTEN,
337
00:11:39,434 --> 00:11:41,134
THE OLD BETH ANN
WOULD PEEK OUT,
338
00:11:41,169 --> 00:11:44,771
BUT FOR THE MOST PART,
SHE WAS... NICE.
339
00:11:44,806 --> 00:11:45,705
DANI, DON'T BE
SO CYNICAL.
340
00:11:45,740 --> 00:11:47,140
PEOPLE CHANGE.
341
00:11:47,175 --> 00:11:48,341
[ENTRY BELL JINGLES]
342
00:11:50,512 --> 00:11:51,477
HI.
343
00:11:51,546 --> 00:11:53,013
UM, WE WERE JUST OUT
344
00:11:53,048 --> 00:11:54,714
LOOKING FOR SOME
THINGS FOR THE TOUR...
345
00:11:54,783 --> 00:11:55,848
AND CASSIE SAID
346
00:11:55,918 --> 00:11:57,217
THERE WAS A FAN
OF MINE IN HERE.
347
00:11:57,252 --> 00:11:58,919
RIGHT HERE.
348
00:11:58,954 --> 00:12:00,486
YOU MUST BE DANI.
349
00:12:00,522 --> 00:12:03,156
[LAUGHS GIDDILY]
HI. JOHN....
350
00:12:03,191 --> 00:12:04,791
IT'S NICE TO MEET YOU.
351
00:12:04,859 --> 00:12:05,858
AND YOU'RE PAMELA!
352
00:12:05,894 --> 00:12:07,493
I'VE LOVED YOU BOTH
FOR SO LONG.
353
00:12:07,529 --> 00:12:09,796
AW, THANKS.
354
00:12:09,831 --> 00:12:11,298
DANI, NOW'S YOUR CHANCE,
YOU CAN GET A PHOTO.
355
00:12:11,366 --> 00:12:12,732
OH, I DON'T WANT
TO BOTHER JOHN.
356
00:12:12,767 --> 00:12:14,067
IT'S NO BOTHER.
357
00:12:14,136 --> 00:12:15,435
GIVE PAM YOUR PHONE.
358
00:12:15,470 --> 00:12:16,903
I DON'T HAVE A PHONE.
359
00:12:16,939 --> 00:12:17,938
JENN, I DON'T
HAVE A PHONE--
360
00:12:17,973 --> 00:12:19,005
OH, USE MINE.
361
00:12:19,041 --> 00:12:19,973
HERE.
362
00:12:26,415 --> 00:12:27,180
[CAMERA SHUTTER CLICKS]
363
00:12:27,215 --> 00:12:28,214
PERFECT.
364
00:12:29,284 --> 00:12:30,483
OKAY, BABE,
365
00:12:30,552 --> 00:12:32,718
YOU ARE GOING
TO BE LATE.
366
00:12:32,754 --> 00:12:34,487
I'M GOING TO STAY
AND DO SOME SHOPPING.
367
00:12:34,522 --> 00:12:35,621
YES, MA'AM.
368
00:12:36,758 --> 00:12:37,958
IT WAS NICE
TO MEET YOU BOTH.
369
00:12:38,026 --> 00:12:39,592
IT'S NICE
TO MEET YOU, TOO.
370
00:12:39,661 --> 00:12:40,793
THANK YOU.
371
00:12:40,829 --> 00:12:41,761
JOHN DALTON...
372
00:12:43,865 --> 00:12:46,199
I HAVE A SET OF ROYAL ALBERT
AND I'M MISSING A COUPLE PIECES.
373
00:12:46,234 --> 00:12:47,233
DO YOU HAVE ANY?
374
00:12:47,302 --> 00:12:48,268
OH, UH, YES.
375
00:12:48,303 --> 00:12:49,502
BACK IN THE CORNER.
376
00:12:51,340 --> 00:12:53,173
HOW CUTE IS THAT?
377
00:12:58,213 --> 00:12:59,980
[STRUMMING]
378
00:13:02,284 --> 00:13:05,718
[EXPERIMENTALLY HUMMING A TUNE]
379
00:13:05,753 --> 00:13:07,820
[♪♪♪]
380
00:13:18,066 --> 00:13:19,099
[DOORBELL RINGS]
381
00:13:27,642 --> 00:13:29,542
SORRY TO COME BY SO LATE.
382
00:13:29,577 --> 00:13:31,378
CAN WE TALK?
383
00:13:31,413 --> 00:13:32,345
SURE.
384
00:13:32,381 --> 00:13:33,880
COME ON IN.
385
00:13:40,055 --> 00:13:42,889
SO, LISTEN, I'M SORRY
ABOUT THIS AFTERNOON.
386
00:13:42,924 --> 00:13:44,290
OKAY?
387
00:13:46,694 --> 00:13:49,262
YOU ARE AN INTEGRAL
PART OF THIS BAND,
388
00:13:49,297 --> 00:13:51,164
AND I-- AND JOHN--
389
00:13:51,199 --> 00:13:53,866
WE COULDN'T IMAGINE GOING
ON THIS TOUR WITHOUT YOU.
390
00:13:53,935 --> 00:13:56,136
JOHN MUST HAVE REALLY
LET YOU HAVE IT.
391
00:13:56,204 --> 00:13:57,404
THIS HAS NOTHING
TO DO WITH JOHN.
392
00:13:57,439 --> 00:13:59,072
I OVERREACTED.
393
00:13:59,141 --> 00:14:01,474
I KNOW THAT
WHEN THAT CURTAIN GOES UP,
394
00:14:01,510 --> 00:14:03,309
YOU WILL BE THERE 100%.
395
00:14:03,378 --> 00:14:04,744
WELL, THANK YOU.
396
00:14:06,981 --> 00:14:08,648
IS THERE ANYTHING GOING ON?
397
00:14:08,683 --> 00:14:11,017
ANYTHING YOU WANT TO TALK ABOUT?
398
00:14:11,053 --> 00:14:12,452
I'M FINE.
399
00:14:12,487 --> 00:14:15,655
I ALWAYS GET A LITTLE...
EMOTIONAL BEFORE A TOUR.
400
00:14:15,723 --> 00:14:16,456
HEY, YEAH, I GET THAT.
401
00:14:16,525 --> 00:14:18,091
I GET THAT. ME TOO.
402
00:14:19,294 --> 00:14:22,228
WELL, THANK YOU
FOR COMING OVER.
403
00:14:23,598 --> 00:14:26,166
YOU KNOW, I COULD USE A DRINK.
404
00:14:27,502 --> 00:14:28,834
UH...
405
00:14:28,903 --> 00:14:30,937
IT'S KINDA LATE, RICK.
406
00:14:31,005 --> 00:14:32,505
YEAH, YOU'RE RIGHT.
407
00:14:34,076 --> 00:14:35,308
I'LL LET MYSELF OUT.
408
00:14:35,377 --> 00:14:36,576
GOODNIGHT.
409
00:14:36,611 --> 00:14:38,344
YEAH.
410
00:14:49,791 --> 00:14:51,891
YOU'VE BEEN TO THE
SECOND AVE CLUB BEFORE, RIGHT?
411
00:14:51,960 --> 00:14:53,460
A LONG TIME AGO.
412
00:14:53,495 --> 00:14:54,794
WOULDN'T IT BE GREAT
IF WE STUCK AROUND
413
00:14:54,829 --> 00:14:56,862
AND WE COULD SEE
THE ACTUAL SHOW?
414
00:14:56,898 --> 00:14:58,698
YEAH, BUT SOUND CHECK
WILL BE FUN.
415
00:14:58,733 --> 00:15:00,666
OH, BETH ANN SAYS
416
00:15:00,735 --> 00:15:02,702
SHE WANTS TO WORK HERE
ONE AFTERNOON.
417
00:15:02,737 --> 00:15:03,769
OH.
418
00:15:03,838 --> 00:15:05,037
NOT HANG OUT,
BUT WORK?
419
00:15:05,073 --> 00:15:06,339
THAT'S WHAT SHE SAID.
420
00:15:06,374 --> 00:15:07,340
I SAY LET HER.
421
00:15:07,409 --> 00:15:08,708
SHE KNOWS ANTIQUES.
422
00:15:08,743 --> 00:15:10,009
OH, BUT CAN SHE SELL?
423
00:15:10,044 --> 00:15:12,712
I'VE ONLY EVER SEEN HER BUY.
424
00:15:12,780 --> 00:15:17,717
[♪♪♪]
425
00:15:17,752 --> 00:15:19,685
WHEW!
426
00:15:19,754 --> 00:15:20,520
HI. JENN AND DANI?
427
00:15:20,589 --> 00:15:21,921
WE'RE ON THE LIST?
428
00:15:23,758 --> 00:15:24,591
THANK YOU.
429
00:15:35,537 --> 00:15:36,603
I WILL
FIGURE IT OUT--
430
00:15:36,671 --> 00:15:38,037
-FIND HER.
-I WILL DEAL WITH IT--
431
00:15:38,072 --> 00:15:39,372
-FIND HER.
-OKAY.
432
00:15:41,876 --> 00:15:44,377
[PAMELA SIGHING
TESTILY]
433
00:15:44,412 --> 00:15:46,045
-HI.
-HI.
434
00:15:46,114 --> 00:15:47,880
IS EVERYTHING OKAY?
435
00:15:47,915 --> 00:15:50,150
LITA, OUR BASS PLAYER,
NEEDS TO BE HERE NOW.
436
00:15:50,185 --> 00:15:51,651
OUR SOUND CHECK
STARTS IN MINUTES.
437
00:15:51,686 --> 00:15:53,119
JOHN USES THIS
AS A LAST REHEARSAL,
438
00:15:53,155 --> 00:15:54,254
RUNS THROUGH STOPS AND STARTS--
439
00:15:54,289 --> 00:15:55,522
PAMELA!
440
00:16:00,094 --> 00:16:01,594
WHAT IS THIS?
441
00:16:01,630 --> 00:16:03,163
WE ALL JUST GOT THIS.
442
00:16:04,332 --> 00:16:06,633
"I CAN'T DO THIS ANYMORE.
443
00:16:06,668 --> 00:16:07,467
"LOVE YOU ALL.
GOODBYE.
444
00:16:07,502 --> 00:16:08,468
LITA."
445
00:16:08,537 --> 00:16:09,835
SHE CAN'T QUIT.
446
00:16:09,871 --> 00:16:11,704
NOT NOW.
447
00:16:11,773 --> 00:16:13,473
I'M GOING TO DRAG HER BACK HERE
BY THE SCRUFF OF THE NECK.
448
00:16:13,508 --> 00:16:14,807
CASSIE, DRIVE ME OVER.
449
00:16:14,876 --> 00:16:16,075
I'LL HAVE HER BACK
IN HALF AN HOUR.
450
00:16:17,679 --> 00:16:18,645
[RICK]:
ALL RIGHT, BACK TO WORK!
451
00:16:18,680 --> 00:16:20,180
BACK TO WORK!
452
00:16:20,248 --> 00:16:21,814
SOUND CHECK IN 30 MINUTES.
453
00:16:21,849 --> 00:16:23,716
THE SHOW STARTS ON TIME,
ALL RIGHT?
454
00:16:25,487 --> 00:16:26,819
YOU GUYS ARE WELCOME TO STAY.
455
00:16:26,854 --> 00:16:29,121
LOOKS LIKE WE'LL BE DELAYED
HALF AN HOUR OR SO.
456
00:16:29,191 --> 00:16:30,356
WHAT HAPPENED?
457
00:16:30,392 --> 00:16:31,857
OUR BASS PLAYER
JUST QUIT,
458
00:16:31,893 --> 00:16:32,958
BY TEXT.
459
00:16:44,706 --> 00:16:45,672
HER CAR'S HERE.
460
00:16:45,707 --> 00:16:46,639
YEAH.
461
00:16:49,377 --> 00:16:51,344
LITA!
462
00:16:51,379 --> 00:16:52,612
[BANGING]
463
00:16:52,647 --> 00:16:54,614
OPEN THE DOOR!
464
00:16:54,649 --> 00:16:55,915
[POUNDING]
465
00:16:57,252 --> 00:16:58,585
USE YOUR KEY.
466
00:17:06,961 --> 00:17:08,595
LITA?
467
00:17:10,665 --> 00:17:12,164
LITA?
468
00:17:13,735 --> 00:17:14,767
[GASPS IN HORROR]
469
00:17:15,870 --> 00:17:17,337
CALL 9-1-1.
470
00:17:25,146 --> 00:17:27,313
I-I NEED...
I NEED AN AMBULANCE.
471
00:17:43,523 --> 00:17:45,290
[CAMERA SHUTTERS SNAPPING]
472
00:17:46,359 --> 00:17:47,559
YOU GOT IT?
473
00:17:47,594 --> 00:17:48,426
YEAH.
474
00:17:48,495 --> 00:17:49,294
THANK YOU.
475
00:18:16,223 --> 00:18:17,989
WHAT ARE YOU
DOING HERE?
476
00:18:18,057 --> 00:18:19,790
WHAT ARE YOU DOING HERE?
477
00:18:19,859 --> 00:18:21,526
THIS ISN'T A HOMICIDE.
478
00:18:21,561 --> 00:18:23,828
A DETECTIVE GOES TO THE SCENE
OF ANY UNATTENDED DEATH.
479
00:18:23,863 --> 00:18:25,130
AND YOU?
480
00:18:25,165 --> 00:18:27,532
WELL, I WAS AT THE CLUB
WHEN EVERYONE GOT THE TEXT.
481
00:18:27,567 --> 00:18:29,534
LITA MERRILL BROUGHT
SOME THINGS INTO MY STORE.
482
00:18:29,603 --> 00:18:31,469
SHE'S SELLING THEM
ON CONSIGNMENT.
483
00:18:31,505 --> 00:18:32,803
AND?
484
00:18:32,872 --> 00:18:35,173
WELL, WHY DOES SOMEONE
SELL THINGS ON CONSIGNMENT
485
00:18:35,208 --> 00:18:36,907
IF THEY'RE PLANNING ON
KILLING THEMSELVES?
486
00:18:36,943 --> 00:18:39,210
WELL, THAT APPEARS TO BE
WHAT HAPPENED.
487
00:18:39,246 --> 00:18:40,445
OKAY.
488
00:18:40,514 --> 00:18:41,779
IF IT'S NOT A CRIME SCENE,
489
00:18:41,814 --> 00:18:43,814
THEN YOU DON'T MIND
IF I TAKE A LOOK AROUND, DO YOU?
490
00:18:43,850 --> 00:18:45,617
[SIGHS]
491
00:18:45,652 --> 00:18:47,218
ALL RIGHT.
492
00:18:47,254 --> 00:18:48,719
I'LL HUMOR YOU.
493
00:18:48,788 --> 00:18:51,956
JUST TAKE A LOOK AROUND,
AND TELL ME WHAT YOU SEE.
494
00:18:51,991 --> 00:18:52,923
I'LL BE BACK IN A MINUTE,
495
00:18:52,959 --> 00:18:55,493
AND DON'T TOUCH ANYTHING.
496
00:19:35,935 --> 00:19:37,435
[SIGHS SADLY]
497
00:19:46,879 --> 00:19:47,878
OKAY, SHERLOCK,
498
00:19:47,947 --> 00:19:49,180
KNOCK YOURSELF OUT.
499
00:19:49,249 --> 00:19:51,516
LET'S HEAR
WHAT YOU GOT.
500
00:19:51,551 --> 00:19:55,119
WELL, LET ME FIRST SAY,
THIS IS INCREDIBLY SAD.
501
00:19:55,154 --> 00:19:56,821
I MEAN, I DIDN'T KNOW
LITA MERRILL THAT WELL,
502
00:19:56,889 --> 00:19:59,724
BUT IT'S HARD TO BELIEVE
SHE'S GONE.
503
00:19:59,759 --> 00:20:01,192
BUT FROM A MYSTERY STANDPOINT,
504
00:20:01,228 --> 00:20:03,761
THERE DOESN'T APPEAR TO BE
ANY FORCED ENTRY.
505
00:20:03,796 --> 00:20:05,763
WERE THE DOORS LOCKED,
THE WINDOWS UNDISTURBED?
506
00:20:05,832 --> 00:20:07,532
ALL OF THEM.
507
00:20:07,567 --> 00:20:08,433
DID YOU SEE THE TEXT?
508
00:20:08,468 --> 00:20:09,667
NO.
509
00:20:09,736 --> 00:20:11,236
BUT PAMELA TOLD ME
THAT LITA WROTE
510
00:20:11,271 --> 00:20:13,304
SHE COULDN'T DO THIS ANYMORE,
SHE LOVED EVERYONE,
511
00:20:13,340 --> 00:20:14,472
AND GOODBYE.
512
00:20:14,507 --> 00:20:16,107
AND THERE'S YOUR SUICIDE NOTE.
513
00:20:16,142 --> 00:20:18,376
NOW, FROM WHAT I KNOW,
514
00:20:18,411 --> 00:20:21,479
DALTON AND CASSIE,
THEY KNOCKED ON THE DOOR,
515
00:20:21,514 --> 00:20:22,580
THERE'S NO ANSWER,
516
00:20:22,616 --> 00:20:23,548
AND THEY LET THEMSELVES IN.
517
00:20:23,583 --> 00:20:24,782
WAIT, THEY HAD A KEY?
518
00:20:24,851 --> 00:20:26,016
YES.
519
00:20:26,052 --> 00:20:28,219
CASSIE HAS ONE
FOR EVERY BAND MEMBER.
520
00:20:28,288 --> 00:20:29,721
SO, THEY ENTERED,
521
00:20:29,756 --> 00:20:31,289
THEY SAW HER HANGING.
522
00:20:31,358 --> 00:20:33,090
CASSIE CALLED 9-1-1,
523
00:20:33,159 --> 00:20:35,660
AND THEN JOHN LIFTED HER DOWN,
524
00:20:35,695 --> 00:20:38,463
AND ATTEMPTED RESUSCITATION.
525
00:20:38,498 --> 00:20:39,731
WHAT'S YOUR THEORY?
526
00:20:39,799 --> 00:20:41,999
SHE SEEMED SO HAPPY, FRANK.
527
00:20:42,034 --> 00:20:43,768
SHE WAS VERY EXCITED
ABOUT GOING ON TOUR.
528
00:20:43,803 --> 00:20:45,770
IT JUST DOESN'T FIT.
529
00:20:45,838 --> 00:20:46,638
WELL, A LOT OF PEOPLE,
530
00:20:46,673 --> 00:20:49,073
YOU KNOW, TROUBLED PEOPLE,
531
00:20:49,108 --> 00:20:51,208
THEY'RE ABLE TO HIDE
THEIR PROBLEMS.
532
00:20:51,244 --> 00:20:53,378
I'VE SEEN IT MANY TIMES BEFORE.
533
00:20:53,413 --> 00:20:55,913
NOW WHAT HAPPENS?
534
00:20:55,948 --> 00:20:56,914
WAIT FOR THE CORONER'S REPORT,
535
00:20:56,949 --> 00:20:59,584
AND IF ALL
IS AS IT SEEMS, THEN...
536
00:20:59,653 --> 00:21:01,286
IT IS WHAT IT IS.
537
00:21:13,333 --> 00:21:14,265
HERE YOU GO.
538
00:21:14,301 --> 00:21:15,433
THANK YOU.
539
00:21:18,004 --> 00:21:19,904
TAKE-OUT'S IN THE KITCHEN.
540
00:21:19,972 --> 00:21:21,472
I THOUGHT
YOU MIGHT NEED ITALIAN.
541
00:21:21,508 --> 00:21:23,474
YOU KNOW ME SO WELL.
542
00:21:23,543 --> 00:21:25,176
I'M SORRY ABOUT YOUR FRIEND.
543
00:21:26,613 --> 00:21:30,147
I KEEP THINKING ABOUT
THE LAST TIME I SAW LITA.
544
00:21:30,216 --> 00:21:31,248
I DON'T KNOW WHAT TO DO
545
00:21:31,284 --> 00:21:33,117
WITH THE STUFF
SHE BROUGHT IN THE STORE.
546
00:21:33,152 --> 00:21:34,585
WELL, IT BELONGS
TO THE ESTATE,
547
00:21:34,621 --> 00:21:36,253
SO SOMEONE
CAN COME AND CLAIM IT,
548
00:21:36,289 --> 00:21:38,756
OR YOU CAN BRING IT
TO THE POLICE.
549
00:21:38,825 --> 00:21:40,325
DOES SHE HAVE FAMILY HERE?
550
00:21:40,360 --> 00:21:41,459
I DON'T KNOW.
551
00:21:41,494 --> 00:21:43,628
I REALLY DON'T KNOW
THAT MUCH ABOUT HER.
552
00:21:44,664 --> 00:21:46,297
WE ARE LUCKY.
553
00:21:46,333 --> 00:21:48,032
WE HAVE EACH OTHER,
554
00:21:48,100 --> 00:21:49,567
WE HAVE TWO GREAT KIDS.
555
00:21:49,602 --> 00:21:50,401
LIFE IS GOOD.
556
00:21:50,437 --> 00:21:52,503
LIFE IS GOOD.
557
00:21:52,539 --> 00:21:53,938
BUT AS FOR THE TWO GREAT KIDS...
558
00:21:53,973 --> 00:21:55,005
[CHUCKLES]
559
00:21:55,074 --> 00:21:56,774
RIGHT NOW,
I'M THINKING ONLY ONE.
560
00:21:56,810 --> 00:21:59,711
HANNAH IS CAUSING ME
SO MUCH GRIEF AT WORK.
561
00:21:59,779 --> 00:22:00,911
ACTUALLY, NOT HANNAH,
MY DAUGHTER,
562
00:22:00,947 --> 00:22:02,647
BECAUSE NO ONE KNOWS
IT'S MY DAUGHTER
563
00:22:02,716 --> 00:22:05,416
WHO'S WORKING AGAINST
MY COMPANY'S BIGGEST PROJECT.
564
00:22:06,619 --> 00:22:08,820
IT'LL BE OKAY.
565
00:22:08,888 --> 00:22:10,087
I'LL, UH, GET YOU THE FOOD.
566
00:22:10,122 --> 00:22:11,556
THANKS.
567
00:22:15,294 --> 00:22:17,829
[♪♪♪]
568
00:22:17,864 --> 00:22:20,197
IT'S HORRIBLE.
I CAN'T BELIEVE IT.
569
00:22:20,266 --> 00:22:21,232
I KNEW SOMETHING
WAS WRONG
570
00:22:21,267 --> 00:22:22,367
THE MINUTE EVERYONE
CAME ON STAGE
571
00:22:22,402 --> 00:22:23,835
WITH THEIR CELL PHONES.
572
00:22:23,870 --> 00:22:25,236
YOU COULD SEE
FROM THEIR FACES,
573
00:22:25,304 --> 00:22:26,804
THE BAND WAS
JUST DEVASTATED.
574
00:22:28,575 --> 00:22:30,842
WHERE'S YOUR SISTER?
575
00:22:30,877 --> 00:22:33,277
UM, SHE'S BACK AT THE HOTEL.
576
00:22:33,312 --> 00:22:34,178
SHE GOT THEATRE TICKETS.
577
00:22:34,247 --> 00:22:35,413
WE'RE GOING LATER.
578
00:22:35,448 --> 00:22:37,415
OH, I THOUGHT SHE WANTED
TO WORK IN THE STORE.
579
00:22:37,450 --> 00:22:38,416
OH, SHE DOES.
580
00:22:38,485 --> 00:22:39,851
SHE'S WORKING UP TO IT.
581
00:22:42,054 --> 00:22:43,287
WHAT ARE YOU READING?
582
00:22:43,356 --> 00:22:45,456
OH, JUST A LITTLE
AGATHA CHRISTIE.
583
00:22:45,492 --> 00:22:46,791
OH, NO.
584
00:22:46,826 --> 00:22:48,393
WHAT?
585
00:22:48,428 --> 00:22:50,094
YOU'RE DOING IT AGAIN.
586
00:22:50,129 --> 00:22:51,562
DOING WHAT?
587
00:22:51,631 --> 00:22:54,265
I'M JUST READING
A LITTLE MYSTERY BOOK.
588
00:22:54,300 --> 00:22:57,769
OH, YES, AND MY SISTER'S HERE
BECAUSE SHE MISSES ME.
589
00:22:57,837 --> 00:23:00,438
SOLVE THAT MYSTERY.
590
00:23:16,523 --> 00:23:17,722
-HEY, DAD.
-HEY.
591
00:23:17,757 --> 00:23:19,189
UH, ARE YOU GOING?
592
00:23:19,225 --> 00:23:20,425
-I WAS GOING TO TALK TO YOU.
-YEAH, I'VE GOT STUDY GROUP.
593
00:23:20,460 --> 00:23:21,292
UM, NOT SURE
WHEN I'LL BE BACK,
594
00:23:21,327 --> 00:23:22,259
BUT WE'LL TALK.
595
00:23:22,295 --> 00:23:23,227
OKAY.
596
00:23:28,968 --> 00:23:31,803
I TALKED TO HANNAH
ABOUT THE HATCHER BUILDING.
597
00:23:31,838 --> 00:23:34,906
THAT BUILDING HAS NO
HISTORICAL SIGNIFICANCE.
598
00:23:34,941 --> 00:23:36,841
I MEAN, IT LOOKS GOOD
ON THE OUTSIDE,
599
00:23:36,876 --> 00:23:38,142
BUT THE INSIDE
IS COMPLETELY ROTTING.
600
00:23:38,177 --> 00:23:39,710
SHE'S PRETTY PASSIONATE
ABOUT IT,
601
00:23:39,746 --> 00:23:41,746
AND ISN'T THAT
HOW WE RAISED HER,
602
00:23:41,781 --> 00:23:43,113
TO FIGHT FOR WHAT
SHE BELIEVES IN?
603
00:23:43,182 --> 00:23:45,716
WELL, WHY COULDN'T SHE BE
PASSIONATE ABOUT NEW CONDOS?
604
00:23:45,785 --> 00:23:47,284
[CHUCKLES]
605
00:23:47,320 --> 00:23:49,887
[♪♪♪]
606
00:23:53,760 --> 00:23:55,426
THE SHOW'S BEEN
RESCHEDULED.
607
00:23:55,462 --> 00:23:57,027
IT'LL BE
A TRIBUTE TO LITA.
608
00:23:57,063 --> 00:23:59,597
I HAVE TICKETS,
IF YOU'RE STILL INTERESTED.
609
00:23:59,632 --> 00:24:00,565
WELL, I AM.
610
00:24:00,600 --> 00:24:01,599
THANK YOU.
611
00:24:01,634 --> 00:24:02,867
HOW'S JOHN?
612
00:24:02,902 --> 00:24:05,436
IT'S BEEN ROUGH.
613
00:24:05,472 --> 00:24:08,873
HE KIND OF WITHDREW INTO HIMSELF
FOR A FEW DAYS.
614
00:24:08,908 --> 00:24:11,843
IT WAS SO TRAUMATIC.
615
00:24:11,878 --> 00:24:14,244
HE HAD NO CLUE LITA WAS
GOING THROUGH ANYTHING.
616
00:24:14,280 --> 00:24:15,580
I GUESS SOMETIMES
617
00:24:15,615 --> 00:24:17,147
IT'S HARD
TO SEE THE SIGNS.
618
00:24:17,183 --> 00:24:18,148
ACTUALLY,
619
00:24:18,184 --> 00:24:19,350
OUR MANAGER NOTICED
620
00:24:19,418 --> 00:24:21,452
SHE SEEMED A LITTLE OUT OF IT
AT REHEARSAL.
621
00:24:21,488 --> 00:24:23,187
BUT...
622
00:24:23,222 --> 00:24:24,989
POOR JOHN.
623
00:24:25,024 --> 00:24:26,958
HE'S NEVER BEEN GOOD
AROUND DEATH,
624
00:24:26,993 --> 00:24:28,359
AND HE WALKS IN--
625
00:24:28,394 --> 00:24:30,027
THOUGHT SHE MIGHT
STILL BE ALIVE.
626
00:24:30,062 --> 00:24:31,061
HE PERFORMED CPR
627
00:24:31,130 --> 00:24:33,297
UNTIL THE AMBULANCE GUYS
ARRIVED.
628
00:24:33,332 --> 00:24:34,932
REALLY FREAKED HIM OUT.
629
00:24:34,968 --> 00:24:36,567
I'M SORRY.
630
00:24:36,603 --> 00:24:38,102
THANK YOU.
631
00:24:38,137 --> 00:24:40,805
IT'LL TAKE TIME, BUT...
WE'LL GET THROUGH IT.
632
00:24:44,343 --> 00:24:46,276
OKAY, YOU'RE NOT GOING
TO LIKE WHAT I'M THINKING.
633
00:24:46,312 --> 00:24:48,212
I ALREADY DON'T LIKE IT.
634
00:24:48,247 --> 00:24:50,381
I HAVE A PRETTY GOOD
SENSE ABOUT PEOPLE,
635
00:24:50,416 --> 00:24:51,549
YOU GRANT ME THAT, RIGHT?
636
00:24:51,618 --> 00:24:53,484
OKAY, GRANTED.
637
00:24:53,553 --> 00:24:55,252
I TOLD YOU THAT LITA
CAME INTO THE STORE
638
00:24:55,287 --> 00:24:56,654
BEFORE ALL THIS HAPPENED?
639
00:24:56,689 --> 00:24:57,989
I KNOW.
640
00:24:58,024 --> 00:24:59,189
SHE BROUGHT SOME THINGS IN
TO SELL ON CONSIGNMENT.
641
00:24:59,258 --> 00:25:00,825
YES.
642
00:25:00,860 --> 00:25:03,327
THAT'S NOT WHAT A SERIOUSLY
DEPRESSED PERSON DOES.
643
00:25:03,362 --> 00:25:05,930
I JUST DIDN'T GET
THAT FEELING FROM HER.
644
00:25:05,965 --> 00:25:07,464
SO..?
645
00:25:09,002 --> 00:25:11,101
SO, THIS REMINDS ME
OF AN AGATHA CHRISTIE MYSTERY,
646
00:25:11,137 --> 00:25:13,470
WHERE THERE WAS
A STAGED SUICIDE.
647
00:25:14,641 --> 00:25:15,873
GO AHEAD.
648
00:25:15,909 --> 00:25:16,874
I DON'T KNOW
THAT LITA MERRILL
649
00:25:16,910 --> 00:25:18,976
EVEN KICKED THAT CHAIR OVER.
650
00:25:19,012 --> 00:25:20,277
IS IT POSSIBLE
651
00:25:20,312 --> 00:25:22,246
THAT SOMEONE TIED THAT ROPE
OVER THE BEAM,
652
00:25:22,281 --> 00:25:23,881
LIFTED HER UP,
AND PLACED HER INTO THE ROPE,
653
00:25:23,950 --> 00:25:25,182
THEN FLUNG THE CHAIR OVER
654
00:25:25,251 --> 00:25:26,651
MAKING IT LOOK LIKE
IT WAS KICKED?
655
00:25:26,719 --> 00:25:28,519
AND I TOOK A CLOSE LOOK
AT THAT CHAIR?
656
00:25:28,555 --> 00:25:30,021
THERE WAS
A LOOSE SCREW ON THE LEG.
657
00:25:30,056 --> 00:25:31,055
I DON'T EVEN KNOW
658
00:25:31,123 --> 00:25:31,923
IF IT COULD HAVE
SUPPORTED THE WEIGHT
659
00:25:31,958 --> 00:25:32,924
OF SOMEONE STANDING ON IT.
660
00:25:34,794 --> 00:25:36,093
SO, MY AIRTIGHT,
661
00:25:36,162 --> 00:25:38,328
LOCKED-UP-AND-DONE SUICIDE
662
00:25:38,364 --> 00:25:39,764
IS NOW MURDER?
663
00:25:39,799 --> 00:25:41,298
NOT YET.
664
00:25:41,367 --> 00:25:42,733
BUT CAN WE TAKE
A CLOSER LOOK?
665
00:25:45,615 --> 00:25:47,748
SHE WAS PRETTY MUCH
ALONE IN THE WORLD.
666
00:25:48,007 --> 00:25:49,340
BOTH PARENTS DEAD,
667
00:25:48,875 --> 00:25:50,541
NO BROTHERS AND SISTERS.
668
00:25:51,845 --> 00:25:53,945
DID SHE OWN THIS HOUSE?
669
00:25:54,014 --> 00:25:55,312
WHO WOULD IT GO TO?
670
00:25:55,348 --> 00:25:57,181
WELL, IT DOESN'T APPEAR
SHE HAD A WILL,
671
00:25:57,216 --> 00:25:58,482
AND IF NO HEIRS COME FORWARD,
672
00:25:58,518 --> 00:25:59,951
THE ASSETS WILL GO TO THE STATE.
673
00:25:59,986 --> 00:26:01,252
WHAT WERE THE ASSETS?
674
00:26:01,287 --> 00:26:02,553
NOT MUCH.
675
00:26:02,588 --> 00:26:03,855
THE HOUSE HAS A MORTGAGE.
676
00:26:03,923 --> 00:26:05,222
SEVEN-YEAR-OLD CAR.
677
00:26:09,562 --> 00:26:12,396
IT'S SPOOKY IN HERE NOW.
678
00:26:12,431 --> 00:26:14,431
WELL, I'D LIKE TO SAY
YOU GET USED TO IT,
679
00:26:14,500 --> 00:26:16,768
BUT... NOT REALLY.
680
00:26:16,803 --> 00:26:17,902
SO...
681
00:26:17,937 --> 00:26:20,538
WHAT'S ON THE AGENDA
FOR US TODAY?
682
00:26:20,573 --> 00:26:22,840
WELL, I NEVER
REALLY DID GET TO SEE
683
00:26:22,876 --> 00:26:24,676
THE WHOLE HOUSE, SO...
684
00:26:24,744 --> 00:26:27,511
MAYBE JUST
LOOK AROUND, OKAY?
685
00:26:27,547 --> 00:26:28,913
MM-HMM.
686
00:26:30,917 --> 00:26:32,449
A HOME RECORDING STUDIO.
687
00:26:32,485 --> 00:26:34,385
I WONDER IF SHE LEFT A MESSAGE.
688
00:26:34,420 --> 00:26:36,821
WELL, I THINK THAT TEXT
COVERS MESSAGES.
689
00:26:36,856 --> 00:26:38,255
SHE SAID HER GOODBYES.
690
00:26:38,291 --> 00:26:42,393
DID SHE HAVE A DIARY,
OR ANYTHING LIKE THAT?
691
00:26:42,461 --> 00:26:43,327
NOPE.
692
00:26:44,731 --> 00:26:46,864
WHAT ABOUT A BOYFRIEND
OR AN EX?
693
00:26:46,900 --> 00:26:47,865
HER LAST RELATIONSHIP ENDED
694
00:26:47,901 --> 00:26:49,600
ABOUT TWO AND A HALF
YEARS AGO.
695
00:26:49,635 --> 00:26:51,235
HE'S MARRIED NOW,
LIVES IN FLORIDA.
696
00:26:58,812 --> 00:27:01,012
HEY, THERE ARE
TWO TOOTHBRUSHES IN HERE.
697
00:27:01,047 --> 00:27:02,046
TWO TOOTHBRUSHES?
698
00:27:02,082 --> 00:27:03,514
REALLY?
699
00:27:03,583 --> 00:27:05,817
SHE WAS MURDERED.
700
00:27:05,885 --> 00:27:07,085
MY WIFE HAS
TWO TOOTHBRUSHES.
701
00:27:07,120 --> 00:27:08,652
SO WHAT?
702
00:27:08,688 --> 00:27:09,754
CAN WE WRAP THIS UP?
703
00:27:09,789 --> 00:27:12,423
I'VE GOT A REAL MURDER
TO FOLLOW UP ON.
704
00:27:18,464 --> 00:27:19,697
FRANK...
705
00:27:20,900 --> 00:27:22,233
SEE?
706
00:27:22,301 --> 00:27:23,968
TAKE A LOOK AT THIS,
WHAT DO YOU THINK?
707
00:27:25,739 --> 00:27:27,504
WELL, IT'S
A LITTLE WOBBLY,
708
00:27:27,540 --> 00:27:29,440
DOESN'T MEAN SOMEBODY
COULDN'T STAND ON IT.
709
00:27:29,475 --> 00:27:32,610
YEAH, YOU'RE PROBABLY RIGHT.
710
00:27:32,645 --> 00:27:34,578
I DON'T KNOW, I JUST...
711
00:27:34,647 --> 00:27:37,181
SOMETHING DOESN'T FEEL RIGHT.
712
00:27:42,822 --> 00:27:44,889
HEY, DID YOU SEE THIS?
713
00:27:44,924 --> 00:27:46,657
THERE'S A SCRATCH ON THE FLOOR
714
00:27:46,692 --> 00:27:47,792
WHERE THE CHAIR WOULD HAVE BEEN,
715
00:27:47,827 --> 00:27:50,294
BUT THE LEGS ON THE CHAIR
HAVE FELT PADS.
716
00:27:50,329 --> 00:27:52,830
THEN THAT CHAIR
DIDN'T MAKE THAT SCRATCH.
717
00:27:52,866 --> 00:27:54,732
DO YOU KNOW WHAT DID?
718
00:27:54,801 --> 00:27:55,967
OR HOW LONG AGO?
719
00:27:57,670 --> 00:27:58,770
OKAY, TIME TO GO.
720
00:27:58,805 --> 00:28:00,371
[SIGHS]
721
00:28:00,406 --> 00:28:01,338
FRANK...
722
00:28:06,545 --> 00:28:08,045
THANK YOU.
723
00:28:08,081 --> 00:28:09,213
[SQUEALS IN EXCITEMENT]
724
00:28:09,282 --> 00:28:11,382
YOU WENT SHOPPING.
725
00:28:11,417 --> 00:28:14,252
HAPPY BELATED BIRTHDAY
TO MY BABY SISTER.
726
00:28:14,320 --> 00:28:15,286
OH.
727
00:28:15,321 --> 00:28:17,721
HERE WE GO.
728
00:28:17,757 --> 00:28:18,756
LOOK.
729
00:28:18,792 --> 00:28:19,657
SO PRETTY.
730
00:28:19,692 --> 00:28:22,126
OH. WOW...
731
00:28:22,162 --> 00:28:24,695
I LOVE THIS ONE.
732
00:28:24,730 --> 00:28:26,030
UM...
733
00:28:27,300 --> 00:28:29,366
OH, HONEY, I...
734
00:28:29,435 --> 00:28:31,435
I DON'T KNOW WHAT TO SAY.
735
00:28:31,470 --> 00:28:32,770
"THANK YOU." [LAUGHS]
736
00:28:32,839 --> 00:28:34,205
EXCEPT I JUST,
737
00:28:34,240 --> 00:28:35,940
I WOULDN'T WEAR ANY OF THESE.
738
00:28:35,975 --> 00:28:39,277
DANI, I WANTED
TO GET YOU SOMETHING NICE.
739
00:28:39,345 --> 00:28:40,477
AND THEY ARE NICE.
740
00:28:40,513 --> 00:28:42,579
AND THEY WOULD LOOK
LOVELY ON YOU.
741
00:28:42,615 --> 00:28:44,916
LISTEN, DANI, I AM...
742
00:28:44,951 --> 00:28:46,918
I'M TRYING TO HELP YOU.
743
00:28:46,986 --> 00:28:48,652
SWEETHEART, YOU'RE STILL SINGLE,
744
00:28:48,688 --> 00:28:51,155
AND YOU DRESS ARTSY.
745
00:28:51,191 --> 00:28:53,224
MAYBE, JUST MAYBE,
IT'S TIME TO...
746
00:28:53,259 --> 00:28:54,992
I DON'T KNOW,
TAKE THINGS MORE SERIOUSLY.
747
00:28:55,028 --> 00:28:57,929
DO SOMETHING MORE IMPORTANT
WITH YOUR LIFE.
748
00:28:57,964 --> 00:29:00,198
I WENT TO THE BATHROOM
WHEN I NEEDED SOAP,
749
00:29:00,233 --> 00:29:01,933
I WENT UNDER YOUR SINK,
750
00:29:01,968 --> 00:29:04,568
AND I FOUND CRYSTALS
ATTACHED TO YOUR PIPES.
751
00:29:04,603 --> 00:29:06,804
[LAUGHS] DANI...
752
00:29:06,840 --> 00:29:08,940
COME ON, I MEAN,
THAT NEW-AGE STUFF,
753
00:29:08,975 --> 00:29:11,209
IT SHOULD HAVE BEEN OVER
YEARS AGO.
754
00:29:11,244 --> 00:29:12,710
THEY CLEANSE THE ENERGY.
755
00:29:13,880 --> 00:29:14,678
YOU DON'T HAVE
TO BELIEVE IT.
756
00:29:14,714 --> 00:29:16,914
WELL, I DON'T.
757
00:29:16,950 --> 00:29:18,049
IT'S OKAY, IT'S FINE,
758
00:29:18,084 --> 00:29:20,451
YOU KNOW, I'M JUST
GONNA RETURN THESE.
759
00:29:20,486 --> 00:29:21,385
BETH ANN, I'M SORRY--
760
00:29:21,454 --> 00:29:23,587
NOT A BIG DEAL.
761
00:29:23,622 --> 00:29:24,956
I DIDN'T MEAN
TO HURT YOUR FEELINGS.
762
00:29:25,024 --> 00:29:27,458
REALLY, IT'S TOTALLY FINE.
763
00:29:27,493 --> 00:29:28,792
IT'S OKAY.
764
00:29:30,296 --> 00:29:31,562
[SIGHS HEAVILY]
765
00:29:40,073 --> 00:29:40,972
EXCUSE ME?
766
00:29:41,007 --> 00:29:41,873
HEY.
767
00:29:41,908 --> 00:29:43,207
DO YOU HAVE ACCESS?
768
00:29:43,243 --> 00:29:44,775
I'D LIKE TO GET INSIDE
AND TAKE SOME PHOTOS.
769
00:29:44,844 --> 00:29:46,377
WELL, YOU'RE GONNA HAVE
TO CONTACT THE OWNERS.
770
00:29:46,412 --> 00:29:47,778
SORRY.
771
00:29:47,813 --> 00:29:48,612
YOU KNOW THEY WANT
TO TEAR THIS DOWN
772
00:29:48,647 --> 00:29:49,580
AND MAKE CONDOS?
773
00:29:49,615 --> 00:29:51,215
YEAH, I HEARD.
774
00:29:51,251 --> 00:29:53,450
IT'S BEEN DETERIORATING
FOR QUITE SOME TIME NOW.
775
00:29:53,486 --> 00:29:54,585
WELL, IT DOESN'T
LOOK IT.
776
00:29:54,620 --> 00:29:56,053
YOU KNOW,
A BUNCH OF US AT SCHOOL
777
00:29:56,089 --> 00:29:57,855
ARE TRYING TO GET IT DESIGNATED
AS A HISTORICAL BUILDING.
778
00:29:57,891 --> 00:29:59,857
THEY CAN'T JUST
TEAR IT DOWN.
779
00:29:59,893 --> 00:30:01,792
THINGS AREN'T ALWAYS
THE WAY THEY LOOK.
780
00:30:01,827 --> 00:30:03,094
THESE OLD BUILDINGS
ARE IMPORTANT.
781
00:30:03,129 --> 00:30:04,695
WE'RE LOSING
ALL SENSE OF OUR PAST.
782
00:30:04,730 --> 00:30:06,330
I AGREE WITH YOU THERE,
783
00:30:06,366 --> 00:30:08,465
BUT THERE MIGHT BE BETTER
BUILDINGS FOR YOU TO SAVE.
784
00:30:08,501 --> 00:30:10,567
WELL, WE'RE STARTING
WITH THIS ONE.
785
00:30:10,603 --> 00:30:12,970
THEN WE'LL TACKLE THE OTHERS.
786
00:30:21,447 --> 00:30:22,780
DR. TRAMELL.
787
00:30:22,815 --> 00:30:23,781
OH, JENNIFER,
788
00:30:23,849 --> 00:30:25,416
THIS IS A SURPRISE,
789
00:30:25,484 --> 00:30:27,385
I HAVEN'T HAD
ANY MURDERS LATELY.
790
00:30:27,453 --> 00:30:28,619
I WAS AT THE SOUND CHECK
791
00:30:28,654 --> 00:30:30,554
WHEN LITA MERRILL
COMMITTED SUICIDE.
792
00:30:30,589 --> 00:30:32,423
I HAVE A COUPLE OF QUESTIONS,
793
00:30:32,491 --> 00:30:33,524
OFF THE RECORD.
794
00:30:33,559 --> 00:30:35,559
I WON'T TELL A SOUL.
795
00:30:38,264 --> 00:30:40,331
I'M JUST SPECULATING,
796
00:30:40,366 --> 00:30:43,901
HAVE YOU EVER HAD A MURDER
STAGED TO APPEAR AS A SUICIDE?
797
00:30:43,937 --> 00:30:45,202
WHY IN THE WORLD
798
00:30:45,238 --> 00:30:46,804
WOULD YOU EVEN BEGIN
TO THINK THAT IN THIS CASE?
799
00:30:46,839 --> 00:30:48,105
JUST A HUNCH.
800
00:30:51,177 --> 00:30:53,010
FOLLOW ME.
801
00:30:59,052 --> 00:31:00,151
LITA MERRILL,
802
00:31:00,186 --> 00:31:01,285
A 30-YEAR-OLD FEMALE,
803
00:31:01,321 --> 00:31:03,187
NORMAL WEIGHT,
APPARENTLY HEALTHY,
804
00:31:03,222 --> 00:31:05,356
NO OTHER SIGNS OF TRAUMA
805
00:31:05,391 --> 00:31:07,825
OTHER THAN THAT
ASSOCIATED WITH HANGING.
806
00:31:08,995 --> 00:31:11,395
WHAT IF SHE WAS
STRANGLED FIRST?
807
00:31:11,431 --> 00:31:12,896
WELL, THE BRUISE
ON HER NECK
808
00:31:12,966 --> 00:31:15,299
WOULD BE DIFFERENT.
809
00:31:15,335 --> 00:31:16,934
HERE, WE HAVE AN INVERTED "V",
810
00:31:16,970 --> 00:31:18,802
WHICH DOESN'T HAPPEN
WITH A STRANGULATION.
811
00:31:18,838 --> 00:31:21,439
THAT WOULD BE A STRAIGHT LINE.
812
00:31:21,474 --> 00:31:23,140
OKAY.
813
00:31:23,209 --> 00:31:25,576
WHAT IF SHE WERE DRUGGED FIRST?
814
00:31:25,644 --> 00:31:26,844
WELL, THERE WOULD BE
EVIDENCE OF THAT
815
00:31:26,879 --> 00:31:28,179
IN HER BLOOD STREAM,
816
00:31:28,247 --> 00:31:30,848
AND THERE'S NOT.
817
00:31:41,227 --> 00:31:42,093
HEY.
818
00:31:42,128 --> 00:31:43,660
HI, HON.
819
00:31:43,696 --> 00:31:45,463
YOU'RE LOOKING
AT OLD BUILDINGS?
820
00:31:45,498 --> 00:31:47,999
THE HATCHER BUILDING,
TO BE PRECISE.
821
00:31:48,067 --> 00:31:49,100
I WAS OUT THERE TODAY,
822
00:31:49,135 --> 00:31:50,201
AND I RAN INTO THAT STUDENT
823
00:31:50,236 --> 00:31:52,436
WHO WAS GIVING THE SPEECH
AT CITY COUNCIL.
824
00:31:52,472 --> 00:31:53,770
THE ONE
HANNAH WAS AT?
825
00:31:53,806 --> 00:31:55,106
YEAH.
826
00:31:55,141 --> 00:31:57,808
SHE KNOWS I WOULDN'T
TEAR DOWN AN IMPORTANT BUILDING.
827
00:31:57,843 --> 00:31:59,543
BUT I CAN'T
SEEM TO FIND
828
00:31:59,612 --> 00:32:02,146
ANYTHING IMPORTANT
ABOUT IT.
829
00:32:02,215 --> 00:32:03,914
WHAT DOES HANNAH SAY?
830
00:32:03,983 --> 00:32:05,383
WE HAVEN'T HAD
THAT CONVERSATION.
831
00:32:06,585 --> 00:32:08,819
BUT I DID TALK
WITH FRANK LYNWOOD TODAY.
832
00:32:08,888 --> 00:32:10,687
HE SAID YOU DRAGGED HIM
OUT TO THAT HOUSE
833
00:32:10,723 --> 00:32:12,490
WHERE THE MUSICIAN DIED.
834
00:32:12,525 --> 00:32:14,392
AND HE'S HOPING YOU'LL TALK
SOME SENSE INTO ME?
835
00:32:15,728 --> 00:32:17,261
LET ME ASK YOU THIS,
836
00:32:17,330 --> 00:32:19,330
IS IT POSSIBLE
THAT THIS IS JUST A CASE
837
00:32:19,365 --> 00:32:21,632
OF A DISTRAUGHT WOMAN
WHO TOOK HER OWN LIFE?
838
00:32:21,700 --> 00:32:23,167
YES.
839
00:32:23,202 --> 00:32:24,235
AND FRANK SAID
840
00:32:24,303 --> 00:32:25,469
THAT SHE HAD SENT A TEXT
FROM HER PHONE
841
00:32:25,505 --> 00:32:27,438
WITHIN AN HOUR
OF THEM DISCOVERING HER?
842
00:32:27,473 --> 00:32:29,340
THAT'S TRUE, TOO.
843
00:32:29,375 --> 00:32:31,208
AND THERE ARE NO SUSPECTS,
AND NO MOTIVE.
844
00:32:31,244 --> 00:32:33,310
BUT YOU THINK...
845
00:32:33,346 --> 00:32:35,846
I DON'T KNOW WHAT I THINK.
846
00:32:35,881 --> 00:32:37,581
I JUST GO BY MY FEELINGS,
847
00:32:37,650 --> 00:32:39,650
AND SOMETHING
DOESN'T FEEL RIGHT.
848
00:32:41,754 --> 00:32:42,719
HEY...
849
00:32:42,755 --> 00:32:44,721
YOU KNOW WHAT I WAS
THINKING ABOUT
850
00:32:44,790 --> 00:32:46,190
ON THE DRIVE HOME?
851
00:32:46,259 --> 00:32:47,891
OH, I COULD GUESS.
852
00:32:47,927 --> 00:32:49,260
THAT OMELETTE
YOU MAKE?
853
00:32:49,295 --> 00:32:50,894
THE ONE WITH
THE SWISS CHEESE
854
00:32:50,963 --> 00:32:51,895
AND THE PROVOLONE.
855
00:32:51,964 --> 00:32:53,764
OH, IT'S SO GOOD.
856
00:32:54,800 --> 00:32:56,833
I GUESSED WRONG.
857
00:32:56,869 --> 00:32:59,970
[LAUGHING]
858
00:33:02,908 --> 00:33:05,876
I DON'T KNOW HOW LONG
SHE'S GOING TO STAY.
859
00:33:05,945 --> 00:33:07,545
WE KIND OF GOT INTO IT.
860
00:33:07,580 --> 00:33:09,346
SHE BOUGHT ME
SOME NEW CLOTHES,
861
00:33:09,382 --> 00:33:11,182
THINKS I SHOULD LOOK
LESS "ARTSY,"
862
00:33:11,217 --> 00:33:12,416
AS SHE PUTS IT.
863
00:33:12,452 --> 00:33:14,751
WHICH YOU TAKE AS--
864
00:33:14,787 --> 00:33:16,120
HER BEING CRITICAL.
865
00:33:16,155 --> 00:33:18,222
AH.
866
00:33:18,291 --> 00:33:20,091
MAYBE I'M
OVER-REACTING?
867
00:33:20,126 --> 00:33:21,225
MAYBE.
868
00:33:23,329 --> 00:33:24,861
AT LEAST I SPOKE THE TRUTH.
869
00:33:24,897 --> 00:33:26,163
THAT'S PROGRESS, RIGHT?
870
00:33:26,199 --> 00:33:27,465
THAT IS PROGRESS.
871
00:33:27,500 --> 00:33:28,899
[ENTRY BELL JINGLES]
872
00:33:35,674 --> 00:33:37,575
EXCUSE ME,
CAN WE HELP YOU?
873
00:33:40,146 --> 00:33:41,579
I UNDERSTAND LITA MERRILL
BROUGHT SOME STUFF IN HERE
874
00:33:41,614 --> 00:33:42,746
TO SELL?
875
00:33:43,682 --> 00:33:45,015
UM...
876
00:33:45,050 --> 00:33:46,584
DO YOU KNOW LITA?
877
00:33:46,619 --> 00:33:47,918
YEAH.
878
00:33:47,953 --> 00:33:49,120
SHE'S MY WIFE.
879
00:33:49,155 --> 00:33:50,654
NOW DECEASED.
880
00:33:50,689 --> 00:33:52,490
ANYTHING SHE OWNED
BELONGS TO ME,
881
00:33:52,525 --> 00:33:54,425
AND I'D LIKE THEM BACK.
882
00:33:57,723 --> 00:34:00,033
WITH ALL DUE RESPECT,
I DON'T KNOW YOU,
883
00:34:00,033 --> 00:34:02,133
AND I'M NOT
GOING TO GIVE ANYTHING
884
00:34:02,168 --> 00:34:04,268
TO SOMEONE
OFF THE STREET.
885
00:34:04,304 --> 00:34:05,502
I'LL BE GIVING
LITA'S BELONGINGS
886
00:34:05,571 --> 00:34:06,637
TO THE POLICE,
887
00:34:06,705 --> 00:34:08,205
AND YOU CAN DEAL WITH THEM.
888
00:34:08,241 --> 00:34:09,473
OH, I WILL.
889
00:34:10,609 --> 00:34:13,610
YOU HAVE NO RIGHT TO KEEP THEM.
890
00:34:13,679 --> 00:34:15,846
THEY BELONG TO ME.
891
00:34:22,455 --> 00:34:24,922
IT'S BEEN SO HARD,
892
00:34:24,958 --> 00:34:29,393
ESPECIALLY FINDING HER
AND SEEING HER LIKE THAT.
893
00:34:29,462 --> 00:34:30,761
DID SHE SEEM DEPRESSED AT ALL?
894
00:34:30,796 --> 00:34:33,197
I THINK SHE WAS HAVING
RELATIONSHIP PROBLEMS.
895
00:34:33,232 --> 00:34:34,765
DO YOU KNOW
WHO SHE WAS INVOLVED WITH?
896
00:34:36,669 --> 00:34:38,702
NOT REALLY, NO.
897
00:34:38,737 --> 00:34:40,904
UM, ALL I KNOW IS THAT
898
00:34:40,940 --> 00:34:42,673
ONE DAY, LITA WAS REALLY HAPPY,
899
00:34:42,708 --> 00:34:44,175
AND THEN ALL OF A SUDDEN,
SHE WASN'T.
900
00:34:44,243 --> 00:34:45,642
YOU KNOW, SHE WAS
REALLY EXCITED TO GO ON TOUR,
901
00:34:45,711 --> 00:34:46,777
AND THEN IT WAS LIKE
902
00:34:46,846 --> 00:34:49,146
A DARK CLOUD
JUST MOVED IN.
903
00:34:49,182 --> 00:34:50,814
ANYBODY IN THE BAND
OR ON THE CREW
904
00:34:50,850 --> 00:34:51,949
THAT KNEW HER WELL?
905
00:34:51,985 --> 00:34:53,284
NO.
906
00:34:53,353 --> 00:34:55,052
SHE WAS KIND OF A LONER.
907
00:34:55,088 --> 00:34:56,787
SHE KEPT TO HERSELF,
KEPT HER SECRETS.
908
00:34:56,822 --> 00:34:58,789
I WAS PROBABLY
THE CLOSEST TO HER.
909
00:34:58,824 --> 00:35:00,858
THERE WAS A GUY
THAT CAME INTO MY STORE
910
00:35:00,893 --> 00:35:02,960
AND SAID THAT HE WAS
MARRIED TO LITA.
911
00:35:02,996 --> 00:35:04,295
BO?
912
00:35:04,330 --> 00:35:06,097
WOW.
913
00:35:06,132 --> 00:35:07,698
THEY DIVORCED YEARS AGO.
914
00:35:07,733 --> 00:35:09,166
I MEAN, BEFORE I EVEN MET HER.
915
00:35:09,202 --> 00:35:10,968
DID SHE TALK ABOUT HIM?
916
00:35:11,004 --> 00:35:15,006
YEAH, BUT I DON'T THINK
THAT SHE HAD ANY CONTACT.
917
00:35:15,041 --> 00:35:16,940
I MEAN, BO WAS A REAL MISTAKE.
918
00:35:16,976 --> 00:35:18,476
HE LIED, HE CHEATED,
919
00:35:18,544 --> 00:35:19,410
HE WASN'T GOING
ANYWHERE IN LIFE,
920
00:35:19,445 --> 00:35:21,945
EXCEPT TO BE
IN A BAR BAND.
921
00:35:21,981 --> 00:35:23,947
LITA DUMPED HIM
SHE NEVER LOOKED BACK.
922
00:35:23,983 --> 00:35:25,483
HE SAYS THEY'RE STILL MARRIED.
923
00:35:26,619 --> 00:35:28,119
NO WAY.
924
00:35:30,556 --> 00:35:32,189
UH-HUH...
925
00:35:33,126 --> 00:35:34,825
ALL RIGHT,
I'VE GOT IT.
926
00:35:34,860 --> 00:35:35,792
THANKS.
927
00:35:35,828 --> 00:35:36,760
[HANGS UP PHONE]
928
00:35:37,930 --> 00:35:40,664
OKAY, A BRODIE TAYLOR,
929
00:35:40,699 --> 00:35:41,698
"BO",
930
00:35:41,734 --> 00:35:42,933
IS CURRENTLY CLAIMING
931
00:35:42,968 --> 00:35:44,635
HE'S STILL MARRIED
TO LITA MERRILL.
932
00:35:44,703 --> 00:35:45,736
LITA TOLD EVERYONE
933
00:35:45,771 --> 00:35:47,371
SHE WAS DIVORCED
A LONG TIME AGO.
934
00:35:48,841 --> 00:35:50,241
OKAY.
935
00:35:50,276 --> 00:35:51,808
WE'LL SEE WHAT THE RECORDS SAY.
936
00:35:54,313 --> 00:35:55,479
ALL RIGHT.
937
00:35:55,515 --> 00:35:58,115
THEY WERE MARRIED
10 YEARS AGO...
938
00:35:58,151 --> 00:36:00,084
NO RECORD OF A DIVORCE.
939
00:36:00,153 --> 00:36:01,318
LOOKS LIKE THEY WERE
STILL MARRIED
940
00:36:01,354 --> 00:36:02,986
AT THE TIME
OF HER DEATH.
941
00:36:03,022 --> 00:36:05,356
WHEN DOES HE TAKE POSSESSION
OF HER BELONGINGS?
942
00:36:05,391 --> 00:36:06,823
NOT YET.
943
00:36:06,859 --> 00:36:08,625
THE PAPERWORK
IS STILL IN THE PROCESS.
944
00:36:08,661 --> 00:36:09,893
DON'T YOU FIND IT ODD
945
00:36:09,929 --> 00:36:11,762
THAT AFTER LITA DIES,
946
00:36:11,797 --> 00:36:14,665
HER ESTRANGED HUSBAND
SUDDENLY SHOWS UP?
947
00:36:14,700 --> 00:36:17,601
YOU'RE ASKING ME
TO TREAT THIS LIKE A MURDER.
948
00:36:17,636 --> 00:36:19,270
WELL, YOU WANT A SUSPECT.
949
00:36:19,338 --> 00:36:20,737
YOU WANT MOTIVE.
950
00:36:20,806 --> 00:36:23,574
THE HUSBAND IS ALWAYS
THE PRIME SUSPECT, RIGHT?
951
00:36:23,609 --> 00:36:25,543
AND THE MOTIVE IS HER ESTATE.
952
00:36:27,180 --> 00:36:28,912
FLIERS AND POSTERS ARE FINE,
953
00:36:28,948 --> 00:36:30,247
BUT WE NEED TO DO SOMETHING
954
00:36:30,283 --> 00:36:32,083
THAT'S REALLY GOING
TO HAVE AN IMPACT.
955
00:36:32,118 --> 00:36:33,584
WHAT DID YOU HAVE
IN MIND?
956
00:36:33,652 --> 00:36:34,651
I WAS THINKING
ALONG THE LINES
957
00:36:34,687 --> 00:36:36,320
OF A SHORT VIDEO
WE COULD PUT ON THE NET.
958
00:36:36,355 --> 00:36:37,421
THAT'S COOL.
959
00:36:37,457 --> 00:36:39,056
PEOPLE COULD
REALLY SEE IT.
960
00:36:39,092 --> 00:36:40,091
WE COULD HAVE A MONTAGE
961
00:36:40,159 --> 00:36:41,559
OF ALL THE OLD BUILDINGS
IN THIS TOWN
962
00:36:41,594 --> 00:36:43,494
THAT ARE NO LONGER HERE...
963
00:36:43,563 --> 00:36:45,062
ENDING WITH
THE HATCHER BUILDING
964
00:36:45,098 --> 00:36:46,029
WE NEED A SCRIPT.
965
00:36:46,065 --> 00:36:46,964
AMY CAN DO THAT.
966
00:36:46,999 --> 00:36:47,931
CAMERA?
967
00:36:47,967 --> 00:36:48,999
I'VE GOT IT.
968
00:36:49,034 --> 00:36:50,867
AND WE NEED A NARRATOR.
969
00:36:52,671 --> 00:36:54,037
COME ON, AJ, I'M NOT REALLY--
970
00:36:54,073 --> 00:36:55,038
DONE.
971
00:36:55,108 --> 00:36:57,608
YOU WILL BE GREAT.
972
00:37:02,115 --> 00:37:03,581
[ENTRY BELL JINGLES]
973
00:37:21,467 --> 00:37:24,401
I DIDN'T COME HERE
TO UPSET YOU, DANI,
974
00:37:24,437 --> 00:37:27,304
BUT THAT IS ALL I SEEM TO DO.
975
00:37:27,340 --> 00:37:29,006
YOU KNOW, I THOUGHT
I WAS BEING THOUGHTFUL
976
00:37:29,074 --> 00:37:29,940
AND GENEROUS.
977
00:37:29,975 --> 00:37:31,008
I KNOW,
978
00:37:31,043 --> 00:37:32,743
AND I APPRECIATE IT.
979
00:37:34,046 --> 00:37:35,746
UH... [CHUCKLES AWKWARDLY]
980
00:37:35,781 --> 00:37:38,115
I DON'T SEE ANY POINT
IN STAYING ANY LONGER.
981
00:37:39,418 --> 00:37:40,851
I DON'T KNOW
WHY YOU CAN'T ACCEPT ME
982
00:37:40,886 --> 00:37:42,753
JUST FOR BEING ME.
983
00:37:45,391 --> 00:37:48,192
ANYWAY, I JUST, I WANTED
TO LET YOU KNOW THAT I'M...
984
00:37:48,261 --> 00:37:49,960
I'M LEAVING NOW.
985
00:37:51,063 --> 00:37:52,429
GOODBYE.
986
00:37:52,498 --> 00:37:54,265
BYE.
987
00:38:00,640 --> 00:38:02,606
SO, YOU DON'T WANT
TO SAVE THE BUILDING?
988
00:38:02,642 --> 00:38:04,708
NO, I WANT TO BUILD
NEW BUILDINGS.
989
00:38:04,743 --> 00:38:05,676
HANNAH TOLD ME
990
00:38:05,711 --> 00:38:06,677
THAT YOU GUYS ARE
GOING TO MOVE
991
00:38:06,712 --> 00:38:07,678
THE CONDO PROJECT.
992
00:38:07,713 --> 00:38:08,479
REALLY?
993
00:38:08,514 --> 00:38:09,413
YEAH.
994
00:38:09,448 --> 00:38:11,649
WELL, WE'RE NOT.
995
00:38:11,684 --> 00:38:12,650
YOU KNOW,
THAT'LL GO EASIER
996
00:38:12,685 --> 00:38:14,185
IF YOU HEAT IT
WITH A HAIR DRYER.
997
00:38:14,253 --> 00:38:15,719
HANNAH'S GOT ONE.
998
00:38:15,754 --> 00:38:17,188
[SIGHS]
999
00:38:20,759 --> 00:38:23,727
[ZIPPING LUGGAGE]
1000
00:38:25,898 --> 00:38:27,665
[KNOCK ON BEDROOM DOOR]
1001
00:38:29,635 --> 00:38:31,368
DANI...
1002
00:38:31,404 --> 00:38:32,570
HI.
1003
00:38:32,638 --> 00:38:34,471
HI.
1004
00:38:35,741 --> 00:38:38,108
I DON'T
WANT YOU TO GO.
1005
00:38:38,177 --> 00:38:40,544
I MEAN,
NOT LIKE THIS.
1006
00:38:40,613 --> 00:38:41,645
WE OBVIOUSLY HAVE
1007
00:38:41,681 --> 00:38:43,681
SOME STUFF
TO WORK THROUGH,
1008
00:38:43,716 --> 00:38:46,049
BUT I'M WILLING IF YOU ARE.
1009
00:38:47,486 --> 00:38:48,586
BESIDES,
1010
00:38:48,621 --> 00:38:50,721
YOU PROMISED
TO HELP OUT AT THE STORE.
1011
00:38:51,591 --> 00:38:53,190
[GUSHES] AW...!
1012
00:38:55,595 --> 00:38:56,727
AW, DANI,
1013
00:38:56,762 --> 00:38:58,562
THANK YOU FOR COMING.
1014
00:38:58,631 --> 00:39:01,064
IT MEANS SO MUCH TO ME.
1015
00:39:03,469 --> 00:39:04,801
I BROUGHT YOU A PRESENT.
1016
00:39:04,837 --> 00:39:06,103
YOU DIDN'T HAVE TO DO THAT.
1017
00:39:06,138 --> 00:39:08,071
NO, I KNOW,
BUT I WANTED TO.
1018
00:39:08,107 --> 00:39:10,207
I WANTED TO APOLOGIZE.
1019
00:39:10,243 --> 00:39:12,008
THANK YOU.
1020
00:39:13,178 --> 00:39:14,778
[LAUGHS]
1021
00:39:14,813 --> 00:39:16,547
-CRYSTALS?
-MM-HMM.
1022
00:39:16,582 --> 00:39:17,648
AW...
1023
00:39:17,683 --> 00:39:19,149
OH, DARLING, THEY'RE LOVELY.
1024
00:39:19,184 --> 00:39:20,251
NOW, THEY WILL WORK ANYWHERE.
1025
00:39:20,286 --> 00:39:21,452
JUST ON THE DRESSER IS FINE.
1026
00:39:21,487 --> 00:39:22,686
ALL RIGHT,
1027
00:39:22,722 --> 00:39:24,988
AND THEY'LL CLEAR OUT
ALL OF THE BAD ENERGY?
1028
00:39:25,023 --> 00:39:26,123
MAYBE.
1029
00:39:29,128 --> 00:39:30,761
WE WON'T BE
NEEDING THAT.
1030
00:39:30,829 --> 00:39:32,363
SHE'S STAYING.
1031
00:39:32,398 --> 00:39:34,398
THANK YOU.
1032
00:39:40,339 --> 00:39:41,305
BYE, MOM.
1033
00:39:41,340 --> 00:39:43,240
HAVE A GOOD DAY,
HONEY.
1034
00:39:43,276 --> 00:39:44,141
HAVE YOU
SEEN HANNAH?
1035
00:39:44,176 --> 00:39:45,242
GONE.
1036
00:39:45,311 --> 00:39:46,343
SHE HAD A COMMITTEE MEETING.
1037
00:39:46,379 --> 00:39:47,645
WELL, WHEN YOU SEE HER,
CAN YOU TELL HER
1038
00:39:47,680 --> 00:39:49,546
THAT SHE AND I NEED
TO SIT DOWN AND HAVE A TALK?
1039
00:39:49,582 --> 00:39:50,814
THAT'S FUNNY,
1040
00:39:50,849 --> 00:39:52,383
SHE TOLD ME TO TELL YOU
THE SAME THING.
1041
00:40:04,096 --> 00:40:06,797
AW, COME ON.
1042
00:40:06,832 --> 00:40:08,732
[SIGHS HEAVILY]
1043
00:40:08,768 --> 00:40:10,434
OKAY, LET'S TAKE IT AGAIN,
AND THIS TIME,
1044
00:40:10,503 --> 00:40:11,402
GESTURE
AT THE OLD BUILDING
1045
00:40:11,470 --> 00:40:12,503
THAT'S ABOUT TO BE
TORN DOWN.
1046
00:40:12,538 --> 00:40:14,271
-YOU READY?
-YEAH.
1047
00:40:14,307 --> 00:40:15,105
OKAY.
1048
00:40:15,140 --> 00:40:16,940
ACTION.
1049
00:40:17,009 --> 00:40:19,677
FIRST BUILDING IN THIS COUNTY
WITH AN ELEVATOR,
1050
00:40:19,745 --> 00:40:21,244
DESIGNED
BY NOTED ARCHITECT
1051
00:40:21,280 --> 00:40:22,546
ADRIAN BERNARD,
1052
00:40:22,581 --> 00:40:25,048
AND THREE PRESIDENTS
HAVE STAYED UNDER ITS ROOF.
1053
00:40:25,117 --> 00:40:27,484
NOW WE HAVE A CHANCE TO SAVE IT.
1054
00:40:27,553 --> 00:40:29,353
CONDOS CAN GO ANYWHERE.
1055
00:40:29,388 --> 00:40:32,155
THE HATCHER BUILDING
CAN ONLY BE HERE.
1056
00:40:32,191 --> 00:40:33,524
[BEEPS RECORDING OFF]
1057
00:40:33,559 --> 00:40:34,391
THAT WAS GREAT, HANNAH.
1058
00:40:34,427 --> 00:40:35,592
WE'RE GOOD?
1059
00:40:35,628 --> 00:40:37,828
YEAH, I THINK
WE GOT IT.
1060
00:40:37,863 --> 00:40:39,663
SO...
1061
00:40:39,699 --> 00:40:42,132
DO YOU WANT TO GET TOGETHER
SATURDAY NIGHT?
1062
00:40:42,201 --> 00:40:44,501
TO, LIKE, EDIT?
1063
00:40:44,537 --> 00:40:47,571
I WAS THINKING MAYBE
WE COULD JUST GO FOR DINNER,
1064
00:40:47,606 --> 00:40:48,939
OR HANG OUT?
1065
00:40:49,007 --> 00:40:51,007
LIKE A DATE?
1066
00:40:51,043 --> 00:40:53,310
YEAH, I GUESS.
1067
00:40:53,346 --> 00:40:54,478
UH, YEAH.
1068
00:40:54,547 --> 00:40:55,912
I'D LIKE THAT.
1069
00:40:57,416 --> 00:40:59,783
-GOOD.
-COOL.
1070
00:40:59,819 --> 00:41:01,552
I JUST WALKED RIGHT
INTO HER ROOM
1071
00:41:01,587 --> 00:41:03,487
AND TOLD HER
I WANTED HER TO STAY.
1072
00:41:03,522 --> 00:41:05,121
WOW.
1073
00:41:05,157 --> 00:41:06,357
I'M IMPRESSED.
1074
00:41:06,425 --> 00:41:07,624
WE'VE GOT
A LONG WAY TO GO,
1075
00:41:07,660 --> 00:41:09,393
BUT I GAVE HER
SOME CRYSTALS,
1076
00:41:09,428 --> 00:41:10,961
SHE ACCEPTED THEM.
1077
00:41:10,996 --> 00:41:12,796
OOH... WELL,
I MIGHT BE SEEING YOU
1078
00:41:12,832 --> 00:41:14,765
IN A SWEATER SET
AND PEARLS AFTER ALL.
1079
00:41:14,800 --> 00:41:15,766
NOT LIKELY.
1080
00:41:15,835 --> 00:41:17,033
[LAUGHS]
[ENTRY BELL JINGLES]
1081
00:41:17,069 --> 00:41:18,034
HEY.
1082
00:41:18,103 --> 00:41:19,169
[EXHALING]
1083
00:41:19,204 --> 00:41:20,270
OKAY.
1084
00:41:20,305 --> 00:41:22,239
NOW, I FOUND OUT
THAT LITA AND BO
1085
00:41:22,274 --> 00:41:23,407
WERE SEPARATED YEARS AGO.
1086
00:41:23,476 --> 00:41:25,976
THE DIVORCE WAS STARTED,
BUT NEVER COMPLETED.
1087
00:41:26,011 --> 00:41:28,345
WHY IS HE HERE?
1088
00:41:28,381 --> 00:41:29,212
WELL, HE LIVES OUT OF STATE,
1089
00:41:29,248 --> 00:41:31,314
AND FOR REASONS YET UNLEARNED,
1090
00:41:31,350 --> 00:41:34,117
HE CAME HERE A FEW DAYS
BEFORE LITA'S DEATH.
1091
00:41:34,152 --> 00:41:36,487
THAT IS VERY INTERESTING.
1092
00:41:36,522 --> 00:41:38,054
WELL, IT GETS
MORE INTERESTING.
1093
00:41:38,123 --> 00:41:40,223
THERE'S A LIFE-INSURANCE POLICY
ON LITA.
1094
00:41:40,259 --> 00:41:42,426
BO IS THE BENEFICIARY.
1095
00:41:42,495 --> 00:41:44,194
SHE MAY NOT EVEN
HAVE KNOWN ABOUT IT.
1096
00:41:44,229 --> 00:41:46,129
HE'S BEEN PAYING THE PREMIUMS?
1097
00:41:46,164 --> 00:41:47,865
LOOKS THAT WAY.
1098
00:42:02,347 --> 00:42:04,146
THANKS FOR COMING.
1099
00:42:04,215 --> 00:42:05,348
I'M HAPPY TO HELP
IN ANY WAY I CAN.
1100
00:42:05,383 --> 00:42:06,482
THANK YOU.
1101
00:42:06,517 --> 00:42:08,351
I CHECKED
WITH DETECTIVE LYNWOOD,
1102
00:42:08,386 --> 00:42:10,052
AND HE SAID YOU WERE DISCREET,
1103
00:42:10,088 --> 00:42:12,654
WHICH WE APPRECIATE.
1104
00:42:12,690 --> 00:42:15,491
WE ARE ALL DISTRAUGHT
OVER LITA'S DEATH.
1105
00:42:15,526 --> 00:42:18,227
I UNDERSTAND.
1106
00:42:18,262 --> 00:42:20,196
DETECTIVE LYNWOOD TOLD ME
THAT LITA WAS STILL MARRIED,
1107
00:42:20,231 --> 00:42:21,297
AND THAT HER HUSBAND IS HERE.
1108
00:42:21,332 --> 00:42:22,365
THAT CAN'T BE TRUE.
1109
00:42:22,433 --> 00:42:24,467
IT APPEARS THEY WERE.
1110
00:42:24,535 --> 00:42:25,401
I HANDLED ALL
OF LITA'S CONTRACTS,
1111
00:42:25,436 --> 00:42:27,136
HER TAX FORMS.
1112
00:42:27,171 --> 00:42:29,005
SHE NEVER SAID SHE WAS MARRIED
IN ANY OF THEM.
1113
00:42:29,073 --> 00:42:31,240
THEY SEPARATED
EIGHT YEARS AGO.
1114
00:42:31,275 --> 00:42:32,608
THEY STARTED
DIVORCE PROCEEDINGS,
1115
00:42:32,676 --> 00:42:34,443
BUT NOTHING WAS FINALIZED.
1116
00:42:34,479 --> 00:42:36,545
SO, WHAT
DOES THAT MEAN?
1117
00:42:36,580 --> 00:42:38,580
THE CAUSE OF DEATH
IS LISTED AS A SUICIDE.
1118
00:42:38,616 --> 00:42:39,848
THAT HASN'T
CHANGED, HAS IT?
1119
00:42:39,884 --> 00:42:41,117
NO.
1120
00:42:41,152 --> 00:42:43,619
THAT TEXT WAS CLEARLY
A SUICIDE NOTE,
1121
00:42:43,654 --> 00:42:44,753
AND JOHN AND CASSIE
WENT TO HER HOUSE
1122
00:42:44,788 --> 00:42:46,155
RIGHT AFTER GETTING IT.
1123
00:42:46,190 --> 00:42:47,723
HOW COULD IT POSSIBLY
BE ANYTHING ELSE?
1124
00:42:47,791 --> 00:42:49,625
I DON'T KNOW.
1125
00:42:49,660 --> 00:42:52,061
BUT CASSIE HAD THE IMPRESSION
THAT YOU THINK
1126
00:42:52,096 --> 00:42:54,130
THAT THIS MIGHT NOT
HAVE BEEN A SUICIDE.
1127
00:42:56,734 --> 00:42:59,835
WHEN I SAW LITA,
SHE WAS UPBEAT AND HAPPY.
1128
00:42:59,870 --> 00:43:01,203
SHE EVEN BROUGHT SOME THINGS
INTO MY STORE
1129
00:43:01,272 --> 00:43:03,539
TO BE SOLD ON CONSIGNMENT.
1130
00:43:03,574 --> 00:43:06,409
THAT DOESN'T SEEM LIKE
SUICIDAL BEHAVIOR.
1131
00:43:06,477 --> 00:43:08,511
WELL, ON THE DAY
BEFORE SHE DIED,
1132
00:43:08,579 --> 00:43:11,047
SHE SEEMED REALLY DOWN.
1133
00:43:11,082 --> 00:43:12,814
WE HAD A TALK.
1134
00:43:12,850 --> 00:43:13,982
FRANKLY,
I WAS WORRIED TO THE POINT
1135
00:43:14,018 --> 00:43:15,817
THAT I WENT TO SEE HER
THAT NIGHT.
1136
00:43:15,853 --> 00:43:17,953
DID SHE SAY
WHAT WAS BOTHERING HER?
1137
00:43:18,022 --> 00:43:19,255
NO.
1138
00:43:19,323 --> 00:43:20,789
BUT I COULD TELL
SOMETHING WAS UP.
1139
00:43:20,824 --> 00:43:22,224
SHE WASN'T HERSELF.
1140
00:43:22,260 --> 00:43:23,259
[FOOTSTEPS APPROACHING]
1141
00:43:25,863 --> 00:43:27,029
JOHN.
1142
00:43:27,065 --> 00:43:28,431
JENNIFER.
1143
00:43:28,466 --> 00:43:31,233
I'VE BEEN WRITING SOMETHING.
1144
00:43:31,269 --> 00:43:33,936
MAYBE OPEN THE SHOW WITH...
FOR LITA...
1145
00:43:33,971 --> 00:43:35,938
LET'S HEAR.
1146
00:43:35,973 --> 00:43:37,106
YEAH.
1147
00:43:37,141 --> 00:43:38,207
YEAH...
1148
00:43:49,087 --> 00:43:51,053
I JUST STARTED...
1149
00:43:51,089 --> 00:43:52,254
A LYRIC.
1150
00:43:52,323 --> 00:43:54,490
[♪♪♪]
1151
00:43:56,227 --> 00:43:58,760
♪ NEVER SAID GOODBYE ♪
1152
00:43:58,829 --> 00:44:02,131
♪ NEVER THOUGHT SHE'D GO ♪
1153
00:44:02,166 --> 00:44:04,366
♪ STILL DON'T KNOW WHY ♪
1154
00:44:04,402 --> 00:44:08,304
♪ AND I GUESS
I'LL NEVER KNOW... ♪
1155
00:44:09,974 --> 00:44:11,240
WHAT DO YOU THINK?
1156
00:44:11,275 --> 00:44:12,975
IT'S A START.
1157
00:44:13,010 --> 00:44:15,478
IT'S A GOOD START.
1158
00:44:15,546 --> 00:44:16,878
YEAH, MAN,
THAT'S ONE FROM THE HEART.
1159
00:44:18,382 --> 00:44:19,482
IT'S BEAUTIFUL.
1160
00:44:20,518 --> 00:44:21,484
THINK SO?
1161
00:44:21,519 --> 00:44:23,452
I DO.
1162
00:44:24,522 --> 00:44:27,856
THEN I'LL TRY TO FINISH IT.
1163
00:44:35,299 --> 00:44:36,265
JENN...
1164
00:44:36,300 --> 00:44:39,301
THIS HAS HIT JOHN HARD.
1165
00:44:39,337 --> 00:44:41,903
HE WAS CONSIDERING
CANCELING THE TOUR.
1166
00:44:41,939 --> 00:44:44,873
WE HAVEN'T TOLD HIM YET
THAT BO TAYLOR SHOWED UP,
1167
00:44:44,908 --> 00:44:47,109
OR ANYTHING ELSE.
1168
00:44:47,145 --> 00:44:49,077
I DON'T THINK
HE COULD HANDLE IT.
1169
00:44:49,113 --> 00:44:51,413
I UNDERSTAND.
1170
00:44:51,482 --> 00:44:54,783
I'LL LET YOU KNOW
IF ANYTHING COMES UP.
1171
00:44:59,790 --> 00:45:00,956
ALL RIGHT,
I ASKED HIM
1172
00:45:00,991 --> 00:45:02,424
TO DROP BY
FOR AN INTERVIEW.
1173
00:45:02,460 --> 00:45:05,461
NOW, HE'S NOT A SUSPECT,
AND THERE IS NO CRIME,
1174
00:45:05,496 --> 00:45:07,763
EXCEPT IN THAT OVER-ACTIVE
MIND OF YOURS,
1175
00:45:07,798 --> 00:45:10,533
BUT I THOUGHT
YOU'D LIKE TO OBSERVE.
1176
00:45:10,568 --> 00:45:12,834
[LYNWOOD]:
I APPRECIATE YOU COMING DOWN.
1177
00:45:12,870 --> 00:45:15,771
NOW, THE PRELIMINARY REPORTSSAY DEATH BY SUICIDE,
1178
00:45:15,806 --> 00:45:17,273
SO ONCE THAT'S ALL FORMALIZED,
1179
00:45:17,341 --> 00:45:19,341
LITA'S ESTATE WILL BE PROCESSED.
1180
00:45:19,377 --> 00:45:20,409
[BO]: I HOPE SO.
1181
00:45:20,444 --> 00:45:21,810
THIS HAS TAKEN WAY TOO LONG.
1182
00:45:21,879 --> 00:45:23,078
I NEED TO GET BACK
TO SOUTH CAROLINA.
1183
00:45:23,113 --> 00:45:24,980
I UNDERSTAND.
1184
00:45:25,015 --> 00:45:26,948
WELL, IF YOU JUST HELP US
FILL IN SOME HOLES,
1185
00:45:26,984 --> 00:45:28,417
WE'LL GET IT PROCESSED FASTER.
1186
00:45:28,452 --> 00:45:30,052
SOUNDS GOOD.
1187
00:45:30,087 --> 00:45:31,520
ARE YOU AWARE
1188
00:45:31,556 --> 00:45:34,423
THAT LITA NEVER TOLD ANYONE
THAT SHE WAS STILL MARRIED?
1189
00:45:34,458 --> 00:45:37,560
ON HER TAX RETURNS,ON HER EMPLOYMENT CONTRACTS...
1190
00:45:37,595 --> 00:45:39,127
SHE SAID SHE WAS SINGLE.
1191
00:45:39,163 --> 00:45:40,329
[CHUCKLES]
1192
00:45:40,364 --> 00:45:42,398
SHE PROBABLY THOUGHT
SHE WAS DIVORCED.
1193
00:45:42,433 --> 00:45:43,932
I NEVER FILED IT.
1194
00:45:44,001 --> 00:45:45,801
THERE WAS NO SUPPORT,
NO ALIMONY,
1195
00:45:45,836 --> 00:45:47,436
NO PROPERTY TO SPLIT UP.
1196
00:45:47,471 --> 00:45:48,604
WHY DIDN'T YOU
FILE THE PAPERS?
1197
00:45:48,639 --> 00:45:49,705
I ALWAYS KNEW
1198
00:45:49,740 --> 00:45:51,207
HOW TALENTED SHE WAS.
1199
00:45:51,242 --> 00:45:53,975
I THOUGHT SHE MIGHT
AMOUNT TO SOMETHING.
1200
00:45:54,011 --> 00:45:55,611
SHE DID.
1201
00:45:55,646 --> 00:45:57,846
[LYNWOOD]: SO, YOU LIVEA COUPLE THOUSAND MILES AWAY,
1202
00:45:57,881 --> 00:45:59,348
YOU HAVEN'T BEENIN CONTACT FOR YEARS...
1203
00:45:59,383 --> 00:46:01,584
YET YOU FLY OUT
1204
00:46:01,619 --> 00:46:04,353
AND JUST HAPPEN TO BE HERE
WHEN SHE COMMITS SUICIDE?
1205
00:46:06,524 --> 00:46:08,257
I THOUGHT THIS WAS A FRIENDLY
INTERVIEW, DETECTIVE.
1206
00:46:08,292 --> 00:46:09,592
IT IS.
1207
00:46:09,627 --> 00:46:11,694
IT IS, BUT YOU GOT TO ADMIT
IT IS A LITTLE BIT...
1208
00:46:11,729 --> 00:46:13,161
COINCIDENTAL.
1209
00:46:15,466 --> 00:46:18,467
OKAY.
1210
00:46:18,502 --> 00:46:21,470
THINGS HAVEN'T BEEN
GOING SO WELL FOR ME.
1211
00:46:21,539 --> 00:46:23,105
I DON'T HAVE A GIG.
1212
00:46:23,173 --> 00:46:24,373
I'M BEHIND ON MY RENT.
1213
00:46:24,408 --> 00:46:26,908
I NEEDED A LOAN.
1214
00:46:26,944 --> 00:46:29,678
SO, WHY,
AFTER ALL THIS TIME,
1215
00:46:29,714 --> 00:46:31,447
WOULD SHE LOAN YOU MONEY?
1216
00:46:31,482 --> 00:46:33,349
YEAH, I MUST HAVE BEEN CRAZY.
1217
00:46:33,417 --> 00:46:35,183
SHE LAUGHED AT ME.
1218
00:46:35,219 --> 00:46:37,620
I WAS LIKE A STRANGER,
SOMEONE SHE USED TO KNOW.
1219
00:46:37,655 --> 00:46:39,255
SO, SHE REFUSED
TO GIVE YOU MONEY?
1220
00:46:39,290 --> 00:46:41,890
[BO]: THAT WOULD BEAN UNDERSTATEMENT.
1221
00:46:41,925 --> 00:46:44,960
SHE JUST WENT OFF,HOW HORRIBLE I WAS.
1222
00:46:44,995 --> 00:46:46,194
[LYNWOOD]:
AND DID YOU MENTION
1223
00:46:46,264 --> 00:46:47,329
THAT YOU NEVER FINALIZEDTHE DIVORCE?
1224
00:46:47,398 --> 00:46:50,899
I OFFERED
TO FINALLY TAKE CARE OF IT,
1225
00:46:50,968 --> 00:46:53,935
FOR A $5,000 LOAN.
1226
00:46:53,971 --> 00:46:55,738
SHE TOLD ME TO GET OUT.
1227
00:46:55,773 --> 00:46:58,206
AND HOW ABOUT
THAT INSURANCE POLICY
1228
00:46:58,276 --> 00:46:59,241
YOU PUT OUT ON HER?
1229
00:46:59,277 --> 00:47:01,243
[CHUCKLES]
1230
00:47:02,680 --> 00:47:04,813
HOW'D YOU KNOW ABOUT THAT?
1231
00:47:04,848 --> 00:47:06,815
[CHUCKLES KNOWINGLY]
1232
00:47:06,884 --> 00:47:10,185
30 BUCKS A MONTH,10 YEARS AGO.
1233
00:47:10,220 --> 00:47:12,854
I GUESS SHE GETS THE LAST LAUGH.
1234
00:47:12,923 --> 00:47:15,891
LIFE INSURANCE DOESN'T PAYIF YOU KILL YOURSELF.
1235
00:47:19,029 --> 00:47:20,729
DO YOU THINK HE'S SMART?
1236
00:47:20,765 --> 00:47:22,364
BECAUSE I DON'T THINK
HE'S THAT SMART.
1237
00:47:22,400 --> 00:47:24,667
[CHUCKLES]
HARD TO SAY.
1238
00:47:24,702 --> 00:47:26,067
LIFE INSURANCE PAYS
1239
00:47:26,103 --> 00:47:27,736
EVEN IN THE CASE
OF A SUICIDE
1240
00:47:27,772 --> 00:47:29,438
TWO YEARS
AFTER THE POLICY.
1241
00:47:29,473 --> 00:47:30,706
HOW MUCH IS THE PAYOUT?
1242
00:47:30,741 --> 00:47:32,908
MM, ABOUT 100 GRAND.
1243
00:47:32,943 --> 00:47:35,110
THAT COULD BE
A LOT OF MONEY FOR BO.
1244
00:47:35,179 --> 00:47:36,878
SO, HE KILLS HER,
FAKES THE SUICIDE,
1245
00:47:36,914 --> 00:47:38,447
COLLECTS THE INSURANCE,
1246
00:47:38,482 --> 00:47:40,248
AND THERE'S
NO MURDER INVESTIGATION.
1247
00:47:40,284 --> 00:47:41,350
BUT HOW?
1248
00:47:41,385 --> 00:47:42,718
SHE'S NOT JUST
GOING TO SIT THERE
1249
00:47:42,753 --> 00:47:44,453
AND LET HIM
DO THAT TO HER.
1250
00:47:44,488 --> 00:47:47,222
CORONER SAID
NO SIGN OF STRUGGLE.
1251
00:47:47,257 --> 00:47:49,658
MAYBE HE
INCAPACITATED HER SOMEHOW.
1252
00:47:49,694 --> 00:47:50,826
CHLOROFORM?
1253
00:47:50,861 --> 00:47:53,161
WOULD HAVE SHOWN UP
IN THE AUTOPSY.
1254
00:47:53,230 --> 00:47:55,096
AS WOULD HAVE
SLEEPING PILLS,
1255
00:47:55,165 --> 00:47:57,299
ROOFIES, WHATEVER.
1256
00:47:58,268 --> 00:47:59,167
YOU'RE OVER-THINKING THIS.
1257
00:48:00,471 --> 00:48:01,903
I KNOW.
1258
00:48:01,939 --> 00:48:03,539
NO, IF HE DID
STAGE THE WHOLE THING,
1259
00:48:03,574 --> 00:48:05,574
WHY NOT LEAVE AFTER SHE DIED?
1260
00:48:05,609 --> 00:48:06,642
WHY COME IN THE STORE
1261
00:48:06,711 --> 00:48:08,043
AND ASK FOR
HER CONSIGNMENT ITEMS?
1262
00:48:08,078 --> 00:48:08,977
HMM.
1263
00:48:09,913 --> 00:48:11,246
YEAH.
1264
00:48:13,116 --> 00:48:17,353
[♪♪♪]
1265
00:48:22,827 --> 00:48:24,326
LADIES...
1266
00:48:24,362 --> 00:48:25,961
HOW DO I LOOK?
IS THIS GOOD?
1267
00:48:25,996 --> 00:48:27,262
-YOU LOOK GREAT.
-GORGEOUS.
1268
00:48:27,297 --> 00:48:28,530
EXCELLENT.
1269
00:48:28,566 --> 00:48:30,999
MAY I MAKE A LITTLE SUGGESTION
ABOUT THE STORE?
1270
00:48:31,034 --> 00:48:32,067
PLEASE.
1271
00:48:32,102 --> 00:48:32,901
I NOTICED THIS
YESTERDAY.
1272
00:48:32,936 --> 00:48:36,071
THIS PIECE HERE...
1273
00:48:36,139 --> 00:48:37,272
AND THIS PIECE
1274
00:48:37,307 --> 00:48:38,741
ARE MADE FROM
THE SAME ENGLISH MAKER,
1275
00:48:38,776 --> 00:48:40,308
AND I WAS THINKING THAT MAYBE,
1276
00:48:40,378 --> 00:48:41,810
PERHAPS WE SHOULD
PLACE THEM TOGETHER,
1277
00:48:41,846 --> 00:48:43,379
BECAUSE IF SOMEONE
IS INTERESTED IN ONE,
1278
00:48:43,447 --> 00:48:44,480
THEY MIGHT LIKE BOTH.
1279
00:48:44,515 --> 00:48:45,914
THAT'S GOOD.
1280
00:48:45,949 --> 00:48:47,716
THAT'S A GOOD IDEA.
1281
00:48:47,752 --> 00:48:48,884
[ENTRY BELL JINGLES]
1282
00:48:51,021 --> 00:48:52,954
OH, SURE.
1283
00:48:54,592 --> 00:48:56,157
[♪♪♪]
1284
00:48:56,193 --> 00:48:57,526
HELLO.
1285
00:48:57,595 --> 00:48:58,994
WELCOME TO RAGS TO RICHES.
1286
00:48:59,062 --> 00:49:00,863
CAN I HELP YOU WITH ANYTHING?
1287
00:49:00,898 --> 00:49:03,766
I'M NOT SURE I'M REALLY EVEN
IN THE RIGHT PLACE.
1288
00:49:03,801 --> 00:49:05,634
IS THAT A VINTAGE HAMILTON?
1289
00:49:05,669 --> 00:49:06,602
OH, YES, IT IS.
1290
00:49:06,637 --> 00:49:07,569
GOOD EYE.
1291
00:49:07,605 --> 00:49:08,404
THANK YOU.
1292
00:49:08,472 --> 00:49:10,005
NICE EYE YOURSELF.
1293
00:49:10,040 --> 00:49:11,273
OH, THAT'S LOVELY.
1294
00:49:11,308 --> 00:49:13,709
NOW, I WAS LOOKING
FOR A BIRTHDAY PRESENT
1295
00:49:13,744 --> 00:49:14,710
FOR MY NIECE.
1296
00:49:14,745 --> 00:49:15,677
HOW OLD IS SHE?
1297
00:49:15,713 --> 00:49:17,012
12.
1298
00:49:17,080 --> 00:49:18,547
YOU KNOW WHAT, I THINK
I MAY HAVE THE PERFECT THING.
1299
00:49:18,582 --> 00:49:19,548
COME WITH ME.
1300
00:49:19,583 --> 00:49:20,582
IT'S A SET,
1301
00:49:20,651 --> 00:49:22,117
AND IT'S ABSOLUTELY
EXQUISITE.
1302
00:49:24,955 --> 00:49:27,022
HEY, SWEETHEART.
1303
00:49:28,526 --> 00:49:29,658
THOSE ARE COOL.
1304
00:49:29,693 --> 00:49:30,826
CAN I HAVE ONE?
1305
00:49:30,895 --> 00:49:32,728
NO, THEY'RE GOING
TO THE POLICE TOMORROW.
1306
00:49:32,763 --> 00:49:34,162
WE WERE GOING TO SELL
THEM ON CONSIGNMENT,
1307
00:49:34,197 --> 00:49:36,799
BUT UNFORTUNATELY,
THE OWNER PASSED AWAY.
1308
00:49:36,834 --> 00:49:37,599
THAT'S SAD.
1309
00:49:37,635 --> 00:49:39,067
YEAH.
1310
00:49:39,102 --> 00:49:41,036
YOU KNOW THERE'S NOTHING
TO EAT IN THE KITCHEN.
1311
00:49:41,071 --> 00:49:42,037
WHAT?
1312
00:49:42,105 --> 00:49:43,505
I JUST WENT TO THE MARKET.
1313
00:49:43,574 --> 00:49:45,908
THERE'S PLENTY TO EAT
IN THE FRIDGE.
1314
00:49:45,943 --> 00:49:47,175
[HUFFS TESTILY]
1315
00:49:47,210 --> 00:49:48,477
TEENAGERS...
1316
00:49:58,456 --> 00:50:00,564
LOGAN!
1317
00:50:02,635 --> 00:50:03,836
LOGAN!
1318
00:50:04,121 --> 00:50:05,186
HEY.
1319
00:50:05,222 --> 00:50:06,288
CAN YOU TELL ME
WHAT'S ON THIS?
1320
00:50:06,356 --> 00:50:07,488
YEAH, I COULD TRY.
1321
00:50:08,959 --> 00:50:10,458
[TYPING]
1322
00:50:11,861 --> 00:50:13,761
THAT DOESN'T WORK.
1323
00:50:15,165 --> 00:50:16,464
AND...
1324
00:50:16,499 --> 00:50:18,566
THAT DIDN'T WORK EITHER.
1325
00:50:18,601 --> 00:50:21,202
LOOKS LIKE SOME KIND
OF MUSIC SOFTWARE.
1326
00:50:21,238 --> 00:50:22,770
WE MAY HAVE
TO BUY A COPY
1327
00:50:22,806 --> 00:50:23,972
BEFORE WE CAN SEE
WHAT'S ON IT.
1328
00:50:24,007 --> 00:50:24,806
WELL, DO YOUR BEST.
1329
00:50:24,874 --> 00:50:25,840
CAN YOU MAKE A DUPLICATE?
1330
00:50:25,875 --> 00:50:27,875
YEAH, THAT'S
NO PROBLEM.
1331
00:50:27,911 --> 00:50:29,344
BUT IF YOU WANT TO SEE
WHAT'S ON THERE,
1332
00:50:29,413 --> 00:50:30,545
WE EITHER NEED
THE SOFTWARE
1333
00:50:30,580 --> 00:50:32,447
OR THE COMPUTER
IT CAME FROM.
1334
00:50:34,051 --> 00:50:37,319
THE PROJECT
IS GOING FORWARD.
1335
00:50:37,387 --> 00:50:38,886
NO ONE BUT HANNAH
AND HER GROUP
1336
00:50:38,922 --> 00:50:41,156
THINKS THE BUILDING
IS WORTH SAVING.
1337
00:50:41,191 --> 00:50:42,757
YOU'LL HAVE TO HAVE
A TALK WITH HER.
1338
00:50:42,792 --> 00:50:45,126
I'M NOT SURE
THAT'S GOING TO DO ANY GOOD.
1339
00:50:45,195 --> 00:50:46,527
WHY DOES IT HAVE TO BE
BUILT THERE?
1340
00:50:46,563 --> 00:50:47,695
ISN'T THERE
SOME KIND OF COMPROMISE
1341
00:50:47,730 --> 00:50:49,130
YOU GUYS CAN MAKE?
1342
00:50:49,166 --> 00:50:52,533
EVERYONE AT WORK THINKS
IT'S GONNA BLOW OVER.
1343
00:50:52,569 --> 00:50:55,770
WE HAVE THE APPROVALS,
WE HAVE THE PERMITS.
1344
00:50:55,805 --> 00:50:57,738
I'D SAY DON'T WORRY, BUT...
1345
00:50:57,774 --> 00:50:59,107
BUT WHAT?
1346
00:50:59,176 --> 00:51:01,142
BUT EVER SINCE
HANNAH WAS THREE,
1347
00:51:01,178 --> 00:51:04,145
SHE COULD GET YOU TO DO
ANYTHING SHE WANTED.
1348
00:51:05,415 --> 00:51:06,481
OH, BOY.
1349
00:51:09,286 --> 00:51:11,453
IT'LL PROBABLY WORK
ON LITA'S LAPTOP.
1350
00:51:11,521 --> 00:51:13,021
YOU'VE GOT A SUSPECT
AND MOTIVE.
1351
00:51:13,056 --> 00:51:14,522
I KNOW.
1352
00:51:14,557 --> 00:51:15,957
I DID A LITTLE DIGGING.
1353
00:51:15,993 --> 00:51:18,994
BO TAYLOR HAS A RECORD,
MAINLY ALCOHOL RELATED,
1354
00:51:19,029 --> 00:51:20,962
BUT SOME
DOMESTIC VIOLENCE.
1355
00:51:20,998 --> 00:51:22,464
SEEMS HE HAS
A TEMPER.
1356
00:51:22,499 --> 00:51:23,931
WHERE WAS HE THE DAY LITA DIED?
1357
00:51:23,967 --> 00:51:25,766
THERE'S NO ALIBI,
1358
00:51:25,835 --> 00:51:27,935
BUT THERE'S NOTHING
THAT TIES HIM TO LITA'S DEATH
1359
00:51:27,971 --> 00:51:29,471
OTHER THAN CIRCUMSTANTIAL.
1360
00:51:29,506 --> 00:51:30,771
WE NEED MORE.
1361
00:51:30,807 --> 00:51:32,607
OKAY.
1362
00:51:32,642 --> 00:51:34,775
I'D LIKE TO GO THROUGH
LITA'S STUFF,
1363
00:51:34,811 --> 00:51:36,444
COMPUTER, NOTEBOOKS, PAPERS?
1364
00:51:37,914 --> 00:51:40,348
SOMEHOW, I THOUGHT
YOU MIGHT WANT TO DO THAT.
1365
00:51:40,384 --> 00:51:41,849
I CHECKED WITH THE CHIEF.
1366
00:51:41,918 --> 00:51:43,818
HE SAYS IT'S OKAY
IF YOU TAKE A LOOK,
1367
00:51:43,887 --> 00:51:44,752
BUT INSISTS THAT
I BE THERE
1368
00:51:44,787 --> 00:51:45,887
THE WHOLE TIME.
1369
00:51:45,922 --> 00:51:46,854
GREAT, LET'S GO.
1370
00:51:46,890 --> 00:51:47,989
LET'S NOT.
1371
00:51:48,025 --> 00:51:50,325
I STILL HAVE PAPERWORK
TO FINISH UP HERE.
1372
00:51:50,360 --> 00:51:51,259
I CAN MEET YOU
UP AT LITA'S HOUSE
1373
00:51:51,294 --> 00:51:52,227
AROUND 4:00.
1374
00:51:52,262 --> 00:51:53,728
I'LL BE THERE.
1375
00:51:53,796 --> 00:51:55,296
I'M SURE YOU WILL.
1376
00:52:01,905 --> 00:52:03,804
DANI, CAN YOU
BE BACK FOR 3:30?
1377
00:52:03,873 --> 00:52:04,939
YES, MA'AM.
1378
00:52:05,008 --> 00:52:06,374
NOW, COME WITH ME OR STAY?
1379
00:52:06,410 --> 00:52:07,608
IT'S UP TO YOU.
1380
00:52:07,644 --> 00:52:09,710
OH, NO, I'VE NEVER BEEN
TO A GARAGE SALE.
1381
00:52:09,746 --> 00:52:11,979
AREN'T THOSE JUST BASICALLY
JUNK SALES?
1382
00:52:12,015 --> 00:52:13,648
YOU KNOW, THIS LOOKS
LIKE A MEISSEN.
1383
00:52:13,683 --> 00:52:14,582
IS THIS A REPRO?
1384
00:52:14,617 --> 00:52:15,583
IT'S REAL.
1385
00:52:15,618 --> 00:52:16,951
19TH CENTURY.
1386
00:52:17,020 --> 00:52:18,386
FOUND IT AT A GARAGE SALE.
1387
00:52:18,422 --> 00:52:19,654
$3.00.
1388
00:52:20,823 --> 00:52:21,989
OKAY, I'M GOING.
1389
00:52:22,025 --> 00:52:23,258
GET YOUR COAT.
1390
00:52:34,671 --> 00:52:38,506
WE USUALLY SPLIT UP
TO COVER MORE GROUND.
1391
00:52:38,542 --> 00:52:39,640
DO YOU WANT TO GO
ON YOUR OWN,
1392
00:52:39,676 --> 00:52:41,076
OR DO YOU WANT
TO COME WITH ME?
1393
00:52:41,111 --> 00:52:43,911
CAN I LOOK IN CLOSETS
AND JUST SNOOP AROUND?
1394
00:52:43,947 --> 00:52:45,646
UNLESS THERE'S A SIGN
THAT SAYS "OFF LIMITS,"
1395
00:52:45,682 --> 00:52:47,449
EVERYTHING
IS FAIR GAME.
1396
00:52:47,484 --> 00:52:49,117
ALL RIGHT,
LET'S SPLIT UP THEN.
1397
00:52:50,420 --> 00:52:52,087
[♪♪♪]
1398
00:53:17,847 --> 00:53:18,646
[BETH ANN,
DISTRAUGHT]: NO...
1399
00:53:19,849 --> 00:53:21,316
PETER, THERE IS
NO GOING BACK,
1400
00:53:21,351 --> 00:53:22,250
THERE'S NO
STARTING OVER,
1401
00:53:22,285 --> 00:53:24,152
I DON'T WANT TO.
1402
00:53:24,187 --> 00:53:26,020
I'M DONE.
1403
00:53:26,055 --> 00:53:27,755
I MEAN IT.
1404
00:53:27,790 --> 00:53:29,190
NO, PLEASE, CAN YOU...
1405
00:53:29,226 --> 00:53:32,860
PLEASE, JUST BE OUT
BY THE TIME I GET HOME.
1406
00:53:32,895 --> 00:53:34,762
YES, REALLY, PETER.
1407
00:53:35,798 --> 00:53:37,565
YEAH.
1408
00:53:40,370 --> 00:53:41,469
[STIFLES A SOB]
1409
00:53:45,875 --> 00:53:47,742
WELL, I AM CONCERNED.
1410
00:53:47,777 --> 00:53:48,743
IF THERE'S ANY DELAYS,
1411
00:53:48,778 --> 00:53:50,345
THE COSTS ARE
GOING TO ESCALATE.
1412
00:53:50,380 --> 00:53:51,712
THIS BUILDING
DOESN'T QUALIFY
1413
00:53:51,748 --> 00:53:53,314
FOR HISTORICAL
STATUS, RIGHT?
1414
00:53:53,350 --> 00:53:54,982
NOT AS FAR
AS WE CAN MAKE OUT.
1415
00:53:55,051 --> 00:53:56,117
IT WAS DESIGNED
BY A NOTED ARCHITECT,
1416
00:53:56,186 --> 00:53:57,118
BUT THAT'S ABOUT IT.
1417
00:53:57,154 --> 00:53:58,186
ANY REASON
1418
00:53:58,221 --> 00:54:00,188
WE CAN'T MOVE UP
THE GROUND-BREAKING?
1419
00:54:00,257 --> 00:54:02,557
NO.
1420
00:54:04,561 --> 00:54:06,528
[♪♪♪]
1421
00:54:48,305 --> 00:54:49,737
[GASPS IN FRIGHT]
1422
00:54:49,772 --> 00:54:50,838
[SIGHS] OH...
1423
00:54:50,873 --> 00:54:52,840
THANKS A LOT.
1424
00:54:52,875 --> 00:54:54,175
ARE WE LOOKING
FOR ANYTHING IN PARTICULAR,
1425
00:54:54,211 --> 00:54:56,411
OR ARE WE JUST WANDERING AROUND?
1426
00:54:56,446 --> 00:54:58,879
OH, I DEFINITELY HAVE
SOME THINGS IN MIND.
1427
00:54:58,948 --> 00:55:00,815
[EXHALING]
1428
00:55:02,586 --> 00:55:04,952
WE CAN LOOK AT HER MOST
RECENT INTERNET SEARCHES.
1429
00:55:04,987 --> 00:55:06,187
IF YOU HAVE
HER PASSWORD.
1430
00:55:06,256 --> 00:55:07,288
OR IF IT DOESN'T NEED ONE.
1431
00:55:08,425 --> 00:55:09,924
AND IT DOESN'T.
1432
00:55:09,992 --> 00:55:12,460
OKAY, HERE
IS WHERE SHE WENT.
1433
00:55:12,495 --> 00:55:13,494
WHEN?
1434
00:55:13,563 --> 00:55:14,696
NIGHT BEFORE HER DEATH.
1435
00:55:14,731 --> 00:55:17,164
ROAD TESTS FOR NEW CARS...
1436
00:55:17,200 --> 00:55:19,967
HERE'S A WEB SITE
FOR CAR LOANS.
1437
00:55:20,002 --> 00:55:22,570
THAT DOESN'T SOUND LIKE SOMEONE
ABOUT TO DO THEMSELVES IN.
1438
00:55:22,606 --> 00:55:24,672
NO MENTAL HEALTH HOTLINES,
1439
00:55:24,708 --> 00:55:27,942
NO WEB SEARCHES
ABOUT DEPRESSION OR SUICIDE.
1440
00:55:27,977 --> 00:55:29,877
NONE OF THAT
CHANGES THE FACT
1441
00:55:29,912 --> 00:55:32,146
THAT JOHN AND CASSIE
DISCOVERED THE BODY
1442
00:55:32,181 --> 00:55:34,949
35 MINUTES
AFTER SHE SENT THE TEXT.
1443
00:55:35,017 --> 00:55:37,518
IF YOU CAN'T EXPLAIN THAT,
YOU GOT NOTHING.
1444
00:55:37,554 --> 00:55:39,086
[SIGHS HEAVILY]
1445
00:55:53,903 --> 00:55:55,836
WHAT EXACTLY
ARE YOU LOOKING FOR?
1446
00:55:55,872 --> 00:55:58,806
IF SOMEONE
STAGED THE SUICIDE...
1447
00:55:58,841 --> 00:56:01,576
THEN THE TIPPED-OVER CHAIR
WAS JUST FOR SHOW,
1448
00:56:01,611 --> 00:56:02,977
AND THE HARDWOOD FLOOR
1449
00:56:03,012 --> 00:56:05,346
HAS WHAT LOOKS TO BE
A FRESH SCRATCH.
1450
00:56:30,373 --> 00:56:31,939
FRANK, LOOK AT THIS.
1451
00:56:31,974 --> 00:56:34,241
IT'S MISSING A RUBBER LEG CAP,
AND IT'S BARE METAL.
1452
00:56:44,020 --> 00:56:44,786
HMM.
1453
00:56:46,389 --> 00:56:47,755
I'LL GIVE IT TO YOU,
1454
00:56:47,791 --> 00:56:50,325
THAT SCRATCH WAS MADE
BY THAT STEPLADDER.
1455
00:57:03,606 --> 00:57:05,306
WHAT'S THIS?
1456
00:57:05,342 --> 00:57:07,342
LOOKS LIKE AN AFID TAG.
1457
00:57:07,377 --> 00:57:09,176
WHICH IS?
1458
00:57:09,212 --> 00:57:11,446
IT'S A PIECE OF CONFETTI
FROM A TASER.
1459
00:57:11,481 --> 00:57:13,047
THAT NUMBER,
IT'S A SERIAL NUMBER.
1460
00:57:13,082 --> 00:57:14,982
IT HELPS IDENTIFY THE OWNER.
1461
00:57:15,017 --> 00:57:17,017
THIS TINY PIECE OF PAPER
CAME FROM A TASER?
1462
00:57:17,053 --> 00:57:18,252
A WHOLE BUNCH OF THEM,
1463
00:57:18,287 --> 00:57:20,221
THEY SHOOT OUT
WHEN THE PROBES ARE DEPLOYED.
1464
00:57:20,256 --> 00:57:23,023
WE CAN'T USE BALLISTICS,
SO WE USE CONFETTI.
1465
00:57:23,059 --> 00:57:25,493
[♪♪♪]
1466
00:57:25,562 --> 00:57:27,027
FRANK, THAT'S IT.
1467
00:57:27,063 --> 00:57:28,863
THAT'S HOW
SHE WAS INCAPACITATED.
1468
00:57:33,218 --> 00:57:34,450
WOULD A TASER
INCAPACITATE HER
1469
00:57:34,486 --> 00:57:35,652
LONG ENOUGH
FOR SOMEONE TO HANG HER
1470
00:57:35,687 --> 00:57:36,586
WITHOUT A STRUGGLE?
1471
00:57:36,622 --> 00:57:37,687
IT'S QUESTIONABLE.
1472
00:57:37,723 --> 00:57:39,556
WHEN YOU GET HIT
WITH 50,000 VOLTS,
1473
00:57:39,591 --> 00:57:41,057
YOU ARE TEMPORARILY PARALYZED.
1474
00:57:41,126 --> 00:57:42,191
FOR HOW LONG?
1475
00:57:42,260 --> 00:57:43,326
ASSUME 30 SECONDS,
1476
00:57:43,395 --> 00:57:44,427
BUT IF THE PROBE'S
STILL ATTACHED,
1477
00:57:44,462 --> 00:57:46,696
PULL THE TRIGGER AGAIN,
30 SECONDS MORE.
1478
00:57:46,732 --> 00:57:48,097
A PERSON COULD BE STUNNED
1479
00:57:48,133 --> 00:57:50,233
IF THEY FALL
AND HIT THEIR HEAD...
1480
00:57:50,268 --> 00:57:52,068
WH-WHAT SORT OF FLOOR WAS THIS?
1481
00:57:52,103 --> 00:57:53,870
HARDWOOD.
1482
00:57:53,906 --> 00:57:56,006
BUT DON'T TASERS
LEAVE MARKS ON THE BODY?
1483
00:57:56,074 --> 00:57:57,541
WELL, NOT IF THE PRONGS
HIT CLOTHING.
1484
00:57:57,576 --> 00:57:59,743
THE CHARGE WOULD THEN
ARC TO THE BODY.
1485
00:58:02,180 --> 00:58:03,647
LET ME GET THIS STRAIGHT,
1486
00:58:03,715 --> 00:58:05,015
YOU'RE SAYING
1487
00:58:05,050 --> 00:58:07,517
THE KILLER MADE IT LOOK
LIKE A SUICIDE,
1488
00:58:07,553 --> 00:58:09,285
STAGED EVERYTHING?
1489
00:58:09,320 --> 00:58:10,420
RIGHT.
1490
00:58:10,455 --> 00:58:11,421
THAT'S RIDICULOUS.
1491
00:58:11,456 --> 00:58:13,289
I REMEMBER, I OPENED THE DOOR,
1492
00:58:13,324 --> 00:58:15,324
JOHN RAN IN,
AND HE GOT HER DOWN,
1493
00:58:15,360 --> 00:58:16,459
AND THAT DOOR WAS LOCKED,
1494
00:58:16,494 --> 00:58:17,460
SO HOW CAN THAT BE MURDER?
1495
00:58:17,529 --> 00:58:18,562
THE TIMING WORKS
1496
00:58:18,597 --> 00:58:20,830
IF THE KILLER FORCED HER
TO SEND THE TEXT.
1497
00:58:20,866 --> 00:58:21,965
THEN, HE LEAVES,
1498
00:58:22,000 --> 00:58:23,399
LOCKS THE DOOR WITH HER KEY.
1499
00:58:23,435 --> 00:58:24,467
YOU AND JOHN SHOW UP,
1500
00:58:24,502 --> 00:58:26,502
AND IT LOOKS
LIKE A SUICIDE.
1501
00:58:26,538 --> 00:58:28,404
DO YOU HAVE ANYTHING
TO SUPPORT THIS?
1502
00:58:28,440 --> 00:58:30,406
THERE WAS EVIDENCE
AT THE SCENE
1503
00:58:30,442 --> 00:58:32,141
THAT A TASER
MIGHT HAVE BEEN USED.
1504
00:58:34,112 --> 00:58:37,346
EITHER YOU'RE CRAZY,
OR YOU'RE MAKING THINGS UP.
1505
00:58:37,382 --> 00:58:39,348
YOU KNOW, LITA MERRILL,
SHE WAS A REAL PERSON,
1506
00:58:39,384 --> 00:58:41,184
AND IT'S BEEN HARD ENOUGH
DEALING WITH HER DEATH
1507
00:58:41,252 --> 00:58:42,752
WITHOUT HAVING TO RELIVE IT
OVER AND OVER AGAIN
1508
00:58:42,788 --> 00:58:44,754
BECAUSE YOU LIKE MYSTERY BOOKS,
1509
00:58:44,790 --> 00:58:46,155
SO PLEASE LEAVE.
1510
00:58:46,191 --> 00:58:47,857
I'M SORRY, I DIDN'T MEAN
TO UPSET YOU.
1511
00:58:47,926 --> 00:58:49,425
I WAS ALREADY UPSET.
1512
00:58:49,461 --> 00:58:52,328
NOW, IF YOU'LL EXCUSE ME,
I HAVE WORK TO DO.
1513
00:58:59,705 --> 00:59:02,472
NO, I HAVEN'T DECIDED.
1514
00:59:02,507 --> 00:59:04,240
IT'S KIND OF SCARY.
1515
00:59:04,275 --> 00:59:07,343
YEAH, I'VE SPENT
MY WHOLE LIFE IN SCHOOL.
1516
00:59:07,378 --> 00:59:10,046
ONE MORE YEAR, AND GRADUATION.
1517
00:59:10,082 --> 00:59:12,482
WELCOME TO THE REAL WORLD.
1518
00:59:12,517 --> 00:59:13,516
GRAD SCHOOL'S SOUNDING
BETTER AND BETTER.
1519
00:59:13,551 --> 00:59:15,184
WHAT ABOUT YOU?
1520
00:59:15,220 --> 00:59:17,053
I DON'T KNOW.
1521
00:59:17,089 --> 00:59:18,321
I WANT TO TRAVEL.
1522
00:59:18,356 --> 00:59:19,188
PARIS?
1523
00:59:19,224 --> 00:59:21,124
-OH, ABSOLUTELY.
-ME, TOO.
1524
00:59:21,159 --> 00:59:23,392
I SPENT THREE YEARS
TAKING FRENCH,
1525
00:59:23,428 --> 00:59:25,194
SO I FIGURED
I MIGHT AS WELL USE IT.
1526
00:59:25,230 --> 00:59:26,395
THAT'S SO FUNNY.
1527
00:59:26,464 --> 00:59:27,530
I'VE BEEN WATCHING
THIS DOCUMENTARY
1528
00:59:27,599 --> 00:59:29,232
ON WHAT'S UNDERNEATH PARIS,
1529
00:59:29,267 --> 00:59:31,868
OLD ROMAN AQUADUCTS,
CATACOMBS.
1530
00:59:31,903 --> 00:59:33,003
IT'S REALLY COOL.
1531
00:59:33,038 --> 00:59:34,403
I WANT TO SEE IT.
1532
00:59:34,439 --> 00:59:36,740
HMM?
ALLONS CHEZ MOI.
1533
00:59:36,775 --> 00:59:38,241
BETH...
1534
00:59:38,309 --> 00:59:41,177
PARENTS ARE ALWAYS MORE STRICT
WITH THE FIRST CHILD, RIGHT?
1535
00:59:41,246 --> 00:59:43,513
COME ON,
IT WENT WAY BEYOND THAT.
1536
00:59:43,548 --> 00:59:46,549
DANI, I HAD TO BE RESPONSIBLE,
1537
00:59:46,618 --> 00:59:48,151
GET STRAIGHT "A"S,
1538
00:59:48,219 --> 00:59:49,218
ONLY DATE BOYS
1539
00:59:49,254 --> 00:59:51,387
THAT THEY APPROVED OF.
1540
00:59:51,422 --> 00:59:52,656
DO YOU REMEMBER
1541
00:59:52,691 --> 00:59:53,990
DAD USED TO ALWAYS
CALL ME HIS "PRIDE."
1542
00:59:54,026 --> 00:59:55,125
YES.
1543
00:59:55,160 --> 00:59:58,628
BUT YOU
WERE HIS "JOY."
1544
00:59:58,664 --> 01:00:00,930
I WANTED TO BE HIS JOY, TOO.
1545
01:00:00,966 --> 01:00:04,734
OH, MAN, I WAS SO JEALOUS
OF THE WAY HE WOULD LIGHT UP
1546
01:00:04,803 --> 01:00:07,737
WHENEVER YOU WERE AROUND.
1547
01:00:07,773 --> 01:00:08,972
AND OF YOUR TALENT.
1548
01:00:09,041 --> 01:00:10,840
YOU'RE TALENTED.
1549
01:00:10,876 --> 01:00:12,375
NOT LIKE YOU.
1550
01:00:12,443 --> 01:00:13,509
YOU'RE THE ARTIST.
1551
01:00:13,578 --> 01:00:14,678
I'M JUST...
1552
01:00:14,746 --> 01:00:16,179
I WANT TO SHOW YOU SOMETHING.
1553
01:00:26,424 --> 01:00:28,424
OH, WOW, THAT'S OUR HOUSE,
1554
01:00:28,459 --> 01:00:29,693
WHERE WE GREW UP...
1555
01:00:29,728 --> 01:00:30,894
MM-HMM.
1556
01:00:30,929 --> 01:00:32,595
YOU PAINTED THAT.
1557
01:00:32,630 --> 01:00:34,230
WHAT?
1558
01:00:36,601 --> 01:00:38,134
OH, MY GOODNESS, I DID.
1559
01:00:38,170 --> 01:00:39,169
DIDN'T I?
1560
01:00:39,204 --> 01:00:40,336
MM-HMM.
1561
01:00:40,405 --> 01:00:42,072
YOU'VE KEPT THIS?
1562
01:00:42,107 --> 01:00:44,708
OF COURSE, I KEPT IT,
IT'S BEAUTIFUL.
1563
01:00:44,743 --> 01:00:46,509
BETH, YOU'RE REALLY GOOD.
1564
01:00:51,216 --> 01:00:53,416
[SIGHS HEAVILY]
1565
01:00:53,451 --> 01:00:55,719
HONEY, I OVERHEARD
YOUR PHONE CALL TODAY.
1566
01:00:56,988 --> 01:00:58,621
WHAT DO YOU MEAN?
1567
01:00:58,656 --> 01:01:02,258
WELL, I WAS OUTSIDE THE DOOR
WHEN YOU WERE TALKING TO PETER.
1568
01:01:03,361 --> 01:01:06,162
MY MARRIAGE IS OVER.
1569
01:01:06,198 --> 01:01:08,064
BETH, I AM SO SORRY.
1570
01:01:08,100 --> 01:01:09,065
IT'S OKAY.
1571
01:01:10,635 --> 01:01:12,501
AND I FEEL OKAY.
1572
01:01:14,873 --> 01:01:17,040
AND I HOPE WE'RE OKAY.
1573
01:01:17,075 --> 01:01:18,174
ARE WE OKAY?
1574
01:01:18,210 --> 01:01:19,609
WE'RE GOOD, RIGHT?
1575
01:01:19,644 --> 01:01:21,644
OH, YEAH.
1576
01:01:21,713 --> 01:01:24,013
YEAH, WE'RE GETTING THERE.
1577
01:01:24,049 --> 01:01:26,582
I DON'T KNOW,
I FEEL STRONGER.
1578
01:01:26,618 --> 01:01:29,219
I FEEL LIKE I'M READY
TO GO BACK
1579
01:01:29,254 --> 01:01:32,421
AND DEAL WITH THE THINGS
THAT I NEED TO DEAL WITH.
1580
01:01:32,457 --> 01:01:33,923
AND YOU KNOW
WHAT I THINK HELPED?
1581
01:01:33,959 --> 01:01:34,791
WHAT?
1582
01:01:34,860 --> 01:01:36,159
THE CRYSTALS.
1583
01:01:36,194 --> 01:01:37,360
YEAH.
1584
01:01:37,395 --> 01:01:38,628
FOR REAL.
1585
01:01:38,663 --> 01:01:40,830
I MEAN, I REALLY ACTUALLY
THINK THAT THEY WORK.
1586
01:01:40,899 --> 01:01:43,332
[WHISPERING] I HAVE MORE.
1587
01:01:43,368 --> 01:01:45,201
IT'S SPOOKY DOWN THERE.
1588
01:01:45,270 --> 01:01:47,170
ALL THOSE BONES?
WOW...
1589
01:01:47,239 --> 01:01:48,704
I'D STILL GO.
1590
01:01:48,740 --> 01:01:51,007
I LOVE THAT PART
OF NOTRE DAME.
1591
01:01:53,444 --> 01:01:54,310
HANNAH...
1592
01:01:57,015 --> 01:01:58,948
CAN I TALK TO YOU
FOR A MINUTE?
1593
01:01:58,984 --> 01:02:00,483
AJ, THIS IS
MY DAD, JASON,
1594
01:02:00,551 --> 01:02:01,918
AND DAD,
THIS IS AJ.
1595
01:02:01,953 --> 01:02:02,819
WE'VE ALREADY MET.
1596
01:02:02,854 --> 01:02:03,753
HELLO, AJ.
1597
01:02:03,789 --> 01:02:05,855
HI.
1598
01:02:05,924 --> 01:02:07,490
YOU'RE HANNAH'S DAD?
1599
01:02:07,558 --> 01:02:08,925
YUP.
1600
01:02:08,994 --> 01:02:10,860
WHERE DID YOU MEET?
1601
01:02:10,896 --> 01:02:13,163
HANNAH?
1602
01:02:20,272 --> 01:02:23,072
OH, IT CAN'T BE
THAT BAD.
1603
01:02:23,141 --> 01:02:24,373
MY DAUGHTER'S
GOING OUT WITH A GUY
1604
01:02:24,442 --> 01:02:26,342
WHO THINKS I'M TRYING
TO DESTROY OUR TOWN'S HISTORY.
1605
01:02:26,411 --> 01:02:27,576
THEY'RE JUST FRIENDS.
1606
01:02:27,612 --> 01:02:28,711
JENN...
1607
01:02:28,746 --> 01:02:31,047
NO ONE'S JUST FRIENDS
AT THAT AGE.
1608
01:02:31,116 --> 01:02:32,648
IS THERE A WAY
1609
01:02:32,684 --> 01:02:35,118
FOR YOU TWO TO FIND
A COMMON GROUND?
1610
01:02:35,187 --> 01:02:36,719
I'M WORKING ON IT.
1611
01:02:38,290 --> 01:02:41,991
SO, I WAS
AT THE MORGUE TODAY...
1612
01:02:47,032 --> 01:02:48,364
WHEN DO YOU
WANT TO EDIT?
1613
01:02:48,399 --> 01:02:49,432
ARE YOU SURE?
1614
01:02:49,467 --> 01:02:50,466
YOUR DAD'S NOT
GOING TO BE HAPPY...
1615
01:02:50,501 --> 01:02:51,667
OH, LET ME WORRY
ABOUT MY DAD.
1616
01:02:51,703 --> 01:02:53,169
HE'S COOL, REALLY.
1617
01:02:53,205 --> 01:02:55,571
I'LL TAKE
YOUR WORD FOR IT.
1618
01:02:55,606 --> 01:02:56,706
[CHUCKLING]
1619
01:02:56,741 --> 01:02:57,974
HOW'S TUESDAY SOUND?
1620
01:02:58,009 --> 01:02:59,309
THAT WORKS.
1621
01:02:59,344 --> 01:03:01,744
AND... I REALLY HAD FUN TONIGHT.
1622
01:03:01,779 --> 01:03:03,479
I MEAN, BEFORE.
1623
01:03:03,514 --> 01:03:05,348
ME, TOO.
1624
01:03:06,952 --> 01:03:08,351
SEE YOU TUESDAY.
1625
01:03:08,386 --> 01:03:09,418
SEE YOU THEN.
1626
01:03:14,092 --> 01:03:15,258
DETECTIVE LYNWOOD SAID
1627
01:03:15,327 --> 01:03:16,625
HE IS NOW
SERIOUSLY CONSIDERING
1628
01:03:16,661 --> 01:03:17,827
THIS COULD BE A MURDER.
1629
01:03:17,863 --> 01:03:19,162
HOW IS THAT POSSIBLE?
1630
01:03:19,231 --> 01:03:21,764
IT'S STILL UP IN THE AIR,
1631
01:03:21,833 --> 01:03:26,069
BUT THEY FOUND EVIDENCE THAT
A TASER MIGHT HAVE BEEN USED.
1632
01:03:26,104 --> 01:03:27,703
I DIDN'T SEE
A TASER.
1633
01:03:27,739 --> 01:03:28,972
NO TASER
FOUND,
1634
01:03:29,007 --> 01:03:30,773
JUST EVIDENCE
THAT ONE MIGHT HAVE BEEN USED.
1635
01:03:30,808 --> 01:03:32,541
[JOHN]: THAT DOESN'T
MAKE ANY SENSE.
1636
01:03:32,577 --> 01:03:35,211
[SIGHS]
THIS IS HORRIBLE.
1637
01:03:35,247 --> 01:03:36,846
WAS IT THIS BO TAYLOR?
1638
01:03:36,882 --> 01:03:40,250
DETECTIVE LYNWOOD IS TRYING
TO FIND OUT WHO OWNED IT.
1639
01:03:41,219 --> 01:03:42,852
HOW?
1640
01:03:42,888 --> 01:03:45,288
THEY LEAVE BEHIND TAGS
THAT CAN I.D. THE OWNER.
1641
01:03:45,323 --> 01:03:47,823
REALLY?
1642
01:03:47,859 --> 01:03:49,725
THAT'LL BE
INTERESTING.
1643
01:03:49,794 --> 01:03:50,526
THAT'S NOT "INTERESTING."
1644
01:03:51,796 --> 01:03:53,229
I CAN'T HANDLE THIS.
1645
01:03:55,700 --> 01:03:57,200
I'M SORRY.
1646
01:03:58,569 --> 01:04:02,005
WE CAN DEAL WITH A MUSICIAN
DYING BEFORE THE TOUR.
1647
01:04:02,040 --> 01:04:04,274
IT'S SAD, AND WE'LL HONOR HER.
1648
01:04:04,309 --> 01:04:06,209
BUT A MURDER?
1649
01:04:06,244 --> 01:04:08,677
THAT'S ALL THE PRESS
IS GONNA CARE ABOUT.
1650
01:04:32,203 --> 01:04:32,936
[GLASS SHATTERING]
1651
01:04:51,656 --> 01:04:53,356
[LOUD THUD]
1652
01:05:00,571 --> 01:05:04,140
[POLICE RADIO CHATTER]
1653
01:05:07,112 --> 01:05:08,077
JENN, HEY.
1654
01:05:08,113 --> 01:05:09,112
YOU CAN'T GO IN THERE,
1655
01:05:09,180 --> 01:05:10,312
THEY'RE STILL
COLLECTING EVIDENCE.
1656
01:05:10,348 --> 01:05:11,848
I JUST SAW CASSIE YESTERDAY.
1657
01:05:11,883 --> 01:05:12,949
WHAT HAPPENED?
1658
01:05:12,984 --> 01:05:14,083
LOOKS LIKE
A ROBBERY GONE WRONG.
1659
01:05:14,119 --> 01:05:15,885
TYPICAL SMASH-AND-GRAB.
1660
01:05:15,920 --> 01:05:17,486
HOW DID SHE DIE?
1661
01:05:17,521 --> 01:05:18,721
APPEARS SHE CONFRONTED
THE THIEF.
1662
01:05:18,790 --> 01:05:19,822
IT WAS LATE AT NIGHT,
1663
01:05:19,858 --> 01:05:21,891
OBVIOUSLY, HE ASSUMED
SHE WAS SLEEPING.
1664
01:05:21,926 --> 01:05:25,027
THERE'S SOME DEFINITE
EVIDENCE OF A STRUGGLE.
1665
01:05:25,063 --> 01:05:26,996
SHE TOOK SOME BLOWS TO THE HEAD
FROM A BRASS LAMP.
1666
01:05:28,399 --> 01:05:29,598
YOU SHOULD GO
BACK TO THE STORE, JENN.
1667
01:05:29,667 --> 01:05:30,800
I'LL TALK TO YOU LATER.
1668
01:05:30,835 --> 01:05:31,934
OKAY.
1669
01:05:31,970 --> 01:05:33,136
I KNOW WHAT YOU'RE THINKING,
1670
01:05:33,171 --> 01:05:34,904
AND I DON'T KNOW
IF THIS IS CONNECTED
1671
01:05:34,939 --> 01:05:36,839
TO LITA MERRILL'S DEATH OR NOT.
1672
01:05:36,875 --> 01:05:39,308
FRANK, ONE MORE THING,
1673
01:05:39,343 --> 01:05:41,110
ANY WORD ON THE OWNER
OF THE TASER GUN?
1674
01:05:41,146 --> 01:05:42,245
NOT YET.
1675
01:05:42,280 --> 01:05:44,413
WE'VE CONTACTED
THE MANUFACTURER, THOUGH.
1676
01:05:44,482 --> 01:05:46,482
OH, AND TO MAKE THINGS
A LITTLE MORE INTERESTING,
1677
01:05:46,517 --> 01:05:48,217
BO'S DISAPPEARED.
1678
01:05:48,253 --> 01:05:50,486
I WENT TO THE MOTEL
WHERE HE'S BEEN STAYING.
1679
01:05:50,521 --> 01:05:52,054
YEAH, THE MANAGER SAID
THAT HE CLEARED OUT
1680
01:05:52,123 --> 01:05:53,489
IN THE MIDDLE OF THE NIGHT.
1681
01:05:57,561 --> 01:05:59,328
IT'S TOO MUCH OF A COINCIDENCE.
1682
01:05:59,363 --> 01:06:01,931
LYNWOOD SAYS IT WAS A ROBBERY,
BUT I DON'T THINK SO.
1683
01:06:01,966 --> 01:06:03,065
IF THESE DEATHS ARE CONNECTED,
1684
01:06:03,101 --> 01:06:04,566
WHAT DID CASSIE KNOW
THAT GOT HER KILLED?
1685
01:06:04,635 --> 01:06:05,868
I DON'T KNOW,
1686
01:06:05,937 --> 01:06:07,603
BUT WHEN I SAW HER YESTERDAY,
SOMETHING WAS OFF.
1687
01:06:07,638 --> 01:06:10,006
BO TAYLOR WAS YOUR SUSPECT
IN LITA'S DEATH.
1688
01:06:10,041 --> 01:06:12,474
NOW, WHAT IS THERE
TO CONNECT HIM TO CASSIE?
1689
01:06:13,812 --> 01:06:16,712
I DON'T SEE A CONNECTION.
1690
01:06:16,747 --> 01:06:18,047
MAYBE IT WAS A ROBBERY.
1691
01:06:19,317 --> 01:06:20,249
HI, LOGAN.
1692
01:06:20,285 --> 01:06:21,784
HEY, DANI.
1693
01:06:21,853 --> 01:06:23,252
HEY, UM, I WAS ABLE
TO OPEN THE FLASH.
1694
01:06:23,321 --> 01:06:25,521
MY FRIEND HAS
A HOME STUDIO.
1695
01:06:25,589 --> 01:06:27,389
GREAT.
WHAT WAS ON IT?
1696
01:06:27,425 --> 01:06:29,525
BUNCH OF SONGS,
SOUNDED LIKE DEMOS.
1697
01:06:29,560 --> 01:06:32,628
MOSTLY "LOVE IS WONDERFUL"
KIND OF STUFF,
1698
01:06:32,663 --> 01:06:35,198
BUT THE MOST RECENT ONE
IT'S DIFFERENT.
1699
01:06:35,233 --> 01:06:36,532
IT'S A REAL DOWNER.
1700
01:06:36,567 --> 01:06:37,934
WELL, CAN I HEAR IT?
1701
01:06:37,969 --> 01:06:39,235
YEAH, THE SOFTWARE'S
ON MY COMPUTER,
1702
01:06:39,270 --> 01:06:40,970
SO YOU'LL HAVE TO LISTEN TO IT
WHEN YOU GET HOME,
1703
01:06:41,039 --> 01:06:44,307
BUT HERE,
I WROTE YOU DOWN THE LYRICS.
1704
01:06:44,342 --> 01:06:46,075
ANYWAYS, I'VE GOT
TO BOOK IT, SO...
1705
01:06:46,110 --> 01:06:47,143
SEE YA.
1706
01:06:47,212 --> 01:06:48,610
THANKS, HONEY,
I'LL SEE YOU TONIGHT.
1707
01:06:49,714 --> 01:06:51,547
WHAT'S IT SAY?
1708
01:06:51,615 --> 01:06:53,549
SEEMS TO BE ABOUT A...
1709
01:06:53,584 --> 01:06:55,751
A WOMAN IN LOVE WITH A...
1710
01:06:55,820 --> 01:06:57,519
WELL, I'M GUESSING,
A MARRIED MAN.
1711
01:06:57,555 --> 01:07:00,589
IT SAYS, "YOU SAID
YOU'D TELL HER YOURSELF.
1712
01:07:00,624 --> 01:07:02,058
"WELL, I CAN'T WAIT HERE
ON THE SHELF.
1713
01:07:02,093 --> 01:07:04,493
"SHE'S GOING
TO HEAR THE NEWS FROM ME.
1714
01:07:04,528 --> 01:07:06,963
"IT'S TIME THAT WE WERE ALL
SET FREE.
1715
01:07:06,998 --> 01:07:10,399
"TRUE TO YOU IS JUST NOT TRUE
1716
01:07:10,468 --> 01:07:13,602
AND NOT BEING TRUE
IS ALL ABOUT YOU..."
1717
01:07:13,637 --> 01:07:15,104
YOU DIDN'T HAPPEN
TO MENTION THE GUY'S NAME
1718
01:07:15,173 --> 01:07:16,405
IN THERE ANYWHERE?
1719
01:07:16,474 --> 01:07:17,506
AFRAID NOT.
1720
01:07:17,541 --> 01:07:20,076
IT COULD JUST BE A SONG.
1721
01:07:20,111 --> 01:07:21,177
RIGHT.
1722
01:07:21,212 --> 01:07:22,678
RIGHT.
1723
01:07:24,615 --> 01:07:25,915
I DON'T HAVE
ANY OBJECTION.
1724
01:07:25,950 --> 01:07:27,049
I ACTUALLY LIKE
THE IDEA.
1725
01:07:27,085 --> 01:07:28,384
DO YOU THINK
IT'LL GET PASSED?
1726
01:07:28,419 --> 01:07:29,585
I SPENT HALF THE DAY
YESTERDAY
1727
01:07:29,653 --> 01:07:30,552
AT THE MAYOR'S OFFICE.
1728
01:07:30,621 --> 01:07:31,954
THEY'RE ALL SUPPORTIVE.
1729
01:07:31,990 --> 01:07:34,090
[CELL PHONE RINGING]
1730
01:07:34,125 --> 01:07:36,725
YEAH?
1731
01:07:37,661 --> 01:07:40,462
OKAY, THANKS.
1732
01:07:40,531 --> 01:07:43,366
THERE'S SOMETHING I THINK
WE SHOULD TAKE A LOOK AT.
1733
01:07:43,401 --> 01:07:44,934
[VIDEO PLAYING BACK]
1734
01:07:44,969 --> 01:07:47,236
FIRST BUILDING IN THIS COUNTYWITH AN ELEVATOR,
1735
01:07:47,272 --> 01:07:50,773
DESIGNED BY NOTED ARCHITECTADRIAN BERNARD...
1736
01:07:50,808 --> 01:07:52,275
"SHANNON?"
1737
01:07:52,310 --> 01:07:54,210
[CHUCKLING]
ANY RELATION TO YOU, JASON?
1738
01:07:54,245 --> 01:07:55,644
YEAH.
1739
01:07:55,679 --> 01:07:58,114
THAT'S MY DAUGHTER.
1740
01:07:58,149 --> 01:08:01,384
...BUT THE HATCHER BUILDINGCAN ONLY BE HERE.
1741
01:08:06,524 --> 01:08:08,357
-HANNAH!
-YEAH?
1742
01:08:08,393 --> 01:08:11,427
COULD YOU COME DOWN
FOR A SEC?
1743
01:08:14,498 --> 01:08:16,765
I GUESS YOU SAW
THE INTERNET VIDEO.
1744
01:08:16,801 --> 01:08:17,666
YEAH, WE NEED
TO TALK ABOUT THAT--
1745
01:08:17,701 --> 01:08:18,734
I CALLED YOU EARLIER.
1746
01:08:18,769 --> 01:08:20,269
I DIDN'T WANT YOU
TO BE SURPRISED.
1747
01:08:20,305 --> 01:08:21,570
WELL, I WAS--
1748
01:08:21,605 --> 01:08:23,806
WELL, I'M SORRY ABOUT THAT,
BUT NOT ABOUT THE VIDEO.
1749
01:08:23,841 --> 01:08:25,408
-I DON'T THINK YOU UNDERSTAND--
-I DO.
1750
01:08:25,443 --> 01:08:27,509
DAD, I'VE NEVER BEEN
DISAPPOINTED IN YOU.
1751
01:08:27,545 --> 01:08:28,577
YOU COULD DO ANYTHING.
1752
01:08:28,646 --> 01:08:30,546
YOU'RE MY HERO.
YOU STILL ARE,
1753
01:08:30,614 --> 01:08:32,614
BUT I JUST WISH YOUR COMPANY
WASN'T BUILDING THIS PROJECT.
1754
01:08:32,650 --> 01:08:34,016
I'VE GOTTA GO,
1755
01:08:34,052 --> 01:08:35,717
I'M BEING INTERVIEWED
BY THE STUDENT NEWSPAPER.
1756
01:08:35,753 --> 01:08:36,685
HANNAH...
1757
01:08:38,156 --> 01:08:40,990
I WANT YOU TO MEET ME
AT THE BUILDING IN AN HOUR.
1758
01:08:41,025 --> 01:08:43,292
I MAY HAVE
A BETTER STORY FOR YOU.
1759
01:08:47,999 --> 01:08:49,798
AH, NO,
IT REALLY HAS BEEN GREAT,
1760
01:08:49,834 --> 01:08:51,467
BUT I DO, I NEED TO GET BACK.
1761
01:08:51,502 --> 01:08:52,701
WELL, HOPEFULLY, YOU'LL
COME BACK AND VISIT.
1762
01:08:52,736 --> 01:08:54,170
I THINK YOU HAVE A FUTURE
IN ANTIQUE SALES.
1763
01:08:54,205 --> 01:08:55,237
YEAH.
1764
01:08:55,306 --> 01:08:57,139
I WILL.
HONESTLY, WORKING HERE
1765
01:08:57,175 --> 01:08:58,874
HAS BEEN THE MOST FUN
I'VE HAD IN AGES.
1766
01:08:58,909 --> 01:09:00,343
OH, HEY, DANI WAS TELLING ME
1767
01:09:00,378 --> 01:09:01,810
ABOUT THE MYSTERY
YOU'RE TRYING TO SOLVE.
1768
01:09:01,846 --> 01:09:03,512
DO YOU EVER READ CONAN DOYLE?
1769
01:09:03,547 --> 01:09:05,114
OH, MY MYSTERY BIBLE.
1770
01:09:05,149 --> 01:09:06,248
ALONG WITH AGATHA.
1771
01:09:06,284 --> 01:09:07,916
ME TOO. YOU KNOW
WHAT, NEXT TRIP,
1772
01:09:07,986 --> 01:09:09,218
WE'LL HAVE TO TALK MYSTERIES.
1773
01:09:09,287 --> 01:09:10,619
HE HAS THIS SAYING,
1774
01:09:10,654 --> 01:09:12,688
"ONCE YOU HAVE ELIMINATED
THE IMPOSSIBLE,
1775
01:09:12,723 --> 01:09:14,556
WHATEVER REMAINS,
HOWEVER IMPROBABLE--"
1776
01:09:14,592 --> 01:09:15,657
"--MUST BE TRUE."
1777
01:09:15,693 --> 01:09:16,792
YES.
1778
01:09:16,827 --> 01:09:18,461
DOES THAT HELP?
1779
01:09:18,496 --> 01:09:20,096
ACTUALLY, IT DOES.
1780
01:09:20,164 --> 01:09:21,063
THANK YOU, BETH.
1781
01:09:27,805 --> 01:09:29,771
WHAT'S GOING ON?
1782
01:09:29,807 --> 01:09:31,573
LET'S WALK.
1783
01:09:34,379 --> 01:09:36,012
IT'S A PRETTY
COOL-LOOKING BUILDING.
1784
01:09:36,047 --> 01:09:38,747
YEAH, I THINK SO.
1785
01:09:38,782 --> 01:09:41,317
YOU MOTHER WAS WONDERING
IF THERE WAS ANY WAY
1786
01:09:41,352 --> 01:09:42,651
WE COULD GET
YOUR GROUP TO, UH,
1787
01:09:42,686 --> 01:09:44,320
GO ALONG
WITH THIS PROJECT?
1788
01:09:44,389 --> 01:09:45,787
UH, NOT UNLESS
YOU'RE WILLING
1789
01:09:45,856 --> 01:09:47,689
TO BUILD IT
SOMEPLACE ELSE.
1790
01:09:47,725 --> 01:09:49,791
THAT'S A THOUGHT.
1791
01:09:49,827 --> 01:09:51,760
THE DEVELOPER
IS ONLY INTERESTED
1792
01:09:51,795 --> 01:09:53,229
IN MAKING MONEY.
1793
01:09:53,264 --> 01:09:54,796
SAD, BUT TRUE.
1794
01:09:54,832 --> 01:09:56,665
SO, I LOOKED INTO IT,
AND YOU WERE RIGHT.
1795
01:09:57,635 --> 01:09:58,767
ABOUT?
1796
01:09:58,802 --> 01:10:00,169
ABOUT GAINING
HISTORIC STATUS.
1797
01:10:00,204 --> 01:10:02,304
THE CITY, IT TURNS OUT,
LOVES THE IDEA,
1798
01:10:02,340 --> 01:10:05,374
SO WE'RE APPLYING
FOR A HISTORICAL DESIGNATION.
1799
01:10:05,410 --> 01:10:07,176
DAD...
1800
01:10:07,211 --> 01:10:08,177
ARE YOU SERIOUS?
1801
01:10:08,212 --> 01:10:09,811
YUP.
1802
01:10:09,847 --> 01:10:11,613
WAIT, WHAT ABOUT YOUR PROJECT?
1803
01:10:11,649 --> 01:10:13,282
THAT STAYS RIGHT HERE.
1804
01:10:13,317 --> 01:10:15,484
BY RESTORING THE BUILDING
WITH A HISTORIC DESIGNATION,
1805
01:10:15,520 --> 01:10:17,486
THERE ARE TAX CREDITS,
SPECIAL LOANS,
1806
01:10:17,555 --> 01:10:18,921
ALL IN ALL, IT'S A WIN-WIN.
1807
01:10:18,956 --> 01:10:20,022
YOU'RE NOT KIDDING?
1808
01:10:20,058 --> 01:10:21,157
LOOK AT THE SIGN.
1809
01:10:25,229 --> 01:10:26,929
DAD...
1810
01:10:26,997 --> 01:10:27,863
YOU'RE THE BEST.
1811
01:10:41,879 --> 01:10:42,911
[WHISPERING]
JASON!
1812
01:10:42,947 --> 01:10:44,480
[GRUMBLES] MM?
1813
01:10:44,549 --> 01:10:46,549
THE PROBLEM
IS THE TEXT.
1814
01:10:46,584 --> 01:10:47,649
WHAT?
1815
01:10:47,685 --> 01:10:49,418
EVERYTHING ELSE
POINTS TO MURDER,
1816
01:10:49,454 --> 01:10:50,786
AND IF CASSIE'S DEATH
IS CONNECTED,
1817
01:10:50,821 --> 01:10:53,422
IT'S PROBABLY NOT
THE EX-HUSBAND BO TAYLOR.
1818
01:10:53,491 --> 01:10:55,524
YEAH, YOU'RE RIGHT.
NOW GO BACK TO SLEEP.
1819
01:10:55,593 --> 01:10:56,825
BUT HOW DOES SOMEONE
1820
01:10:56,894 --> 01:10:58,094
SEND A TEXT
FROM LITA'S PHONE
1821
01:10:58,129 --> 01:10:59,695
IF IT'S NOT LITA?
1822
01:10:59,730 --> 01:11:01,830
AND HOW DOES THE PHONE
END UP ON HER BODY?
1823
01:11:01,865 --> 01:11:03,799
[GROGGILY]
DON'T... KNOW...
1824
01:11:06,604 --> 01:11:07,703
[GROANS SLEEPILY]
1825
01:11:10,341 --> 01:11:11,907
[KNOCKS] LOGAN?
1826
01:11:13,043 --> 01:11:13,875
[KNOCKING]
1827
01:11:13,911 --> 01:11:15,010
LOGAN?
1828
01:11:15,045 --> 01:11:17,546
[VIDEO GAME BLEEPING]
1829
01:11:25,123 --> 01:11:26,222
OH.
1830
01:11:26,257 --> 01:11:28,657
HEY, YEAH, I WAS
JUST ABOUT TO GO TO BED.
1831
01:11:28,692 --> 01:11:29,758
I CAN SEE THAT.
1832
01:11:29,793 --> 01:11:30,926
I NEED YOUR HELP.
1833
01:11:30,961 --> 01:11:32,894
WITH A LIFE PROBLEM
OR A MYSTERY PROBLEM?
1834
01:11:32,930 --> 01:11:34,630
MYSTERY PROBLEM.
1835
01:11:34,665 --> 01:11:35,897
I KNOW THERE'S AN APP
1836
01:11:35,933 --> 01:11:36,798
THAT CAN FIND
YOUR CELL PHONE
1837
01:11:36,834 --> 01:11:38,367
IF IT'S LOST
OR STOLEN.
1838
01:11:38,402 --> 01:11:40,136
RIGHT, YEAH, YOU CAN GET THAT
ON YOUR LAPTOP, TOO.
1839
01:11:40,171 --> 01:11:40,969
BUT CAN YOU
GO BACK IN TIME,
1840
01:11:41,005 --> 01:11:42,138
SAY, TWO WEEKS,
1841
01:11:42,173 --> 01:11:43,405
AND SEE WHERE YOUR PHONE WAS?
1842
01:11:43,441 --> 01:11:45,574
NO, ALL THE APPS
ARE IN REAL TIME.
1843
01:11:45,610 --> 01:11:46,675
BUT I MEAN, IF YOU MADE
A CELL PHONE CALL,
1844
01:11:46,710 --> 01:11:47,843
YOU COULD GET THE POLICE
1845
01:11:47,878 --> 01:11:49,512
TO GO AND CHECK
WHICH TOWER IT CAME FROM.
1846
01:11:49,580 --> 01:11:51,013
WHAT ABOUT A TEXT?
1847
01:11:51,048 --> 01:11:52,181
YEAH, SAME.
1848
01:11:52,216 --> 01:11:53,982
HERE, LET ME SHOW YOU.
1849
01:11:58,022 --> 01:12:00,623
OKAY, SO,
HERE'S A MAP OF OUR TOWN,
1850
01:12:00,658 --> 01:12:02,758
AND THESE LITTLE SYMBOLS,
THOSE ARE CELL TOWERS.
1851
01:12:02,793 --> 01:12:04,226
WHEN YOU MAKE A CELL PHONE CALL,
1852
01:12:04,262 --> 01:12:05,427
YOUR PHONE CONNECTS
TO THE NEAREST TOWER,
1853
01:12:05,496 --> 01:12:06,862
AND IT'S SENT
FROM ONE TO ANOTHER
1854
01:12:06,897 --> 01:12:08,997
UNTIL IT REACHES
ITS DESTINATION.
1855
01:12:09,066 --> 01:12:11,066
SO, LET ME GET THIS STRAIGHT.
1856
01:12:11,101 --> 01:12:13,469
IF I WERE AT DANI'S,
AND I KILLED HER--
1857
01:12:13,504 --> 01:12:14,470
MOM!
1858
01:12:14,505 --> 01:12:15,904
HYPOTHETICAL.
1859
01:12:15,939 --> 01:12:17,739
I POISON HER,
AND SHE DIES.
1860
01:12:17,775 --> 01:12:19,508
I THEN TAKE
HER CELL PHONE,
1861
01:12:19,544 --> 01:12:21,177
AND I BRING TO A BAR
WHERE I'M MEETING SOME FRIENDS.
1862
01:12:21,212 --> 01:12:22,511
I GO INTO THE RESTROOM,
1863
01:12:22,580 --> 01:12:25,648
AND I SEND A TEXT
FROM DANI'S PHONE TO MY PHONE
1864
01:12:25,683 --> 01:12:27,816
THAT SAYS "COME ON OVER."
1865
01:12:27,851 --> 01:12:31,420
I THEN SHOW THAT TEXT
TO MY FRIENDS.
1866
01:12:31,455 --> 01:12:33,322
I GET ONE OF THEM
TO DRIVE ME OVER THERE.
1867
01:12:33,357 --> 01:12:35,157
WE DISCOVER THE BODY--
1868
01:12:35,193 --> 01:12:36,325
--AND NOBODY
WOULD EVER GUESS
1869
01:12:36,394 --> 01:12:37,793
THAT THE PHONE
THAT WAS RECEIVING THE TEXT
1870
01:12:37,828 --> 01:12:39,995
IS IN THE SAME ROOM AS THE PHONE
THAT SENT THE TEXT.
1871
01:12:40,030 --> 01:12:40,929
EXACTLY!
1872
01:12:43,234 --> 01:12:45,000
CAN I GO TO BED NOW?
1873
01:12:45,035 --> 01:12:46,802
OH, YES, OF COURSE.
1874
01:12:46,837 --> 01:12:47,869
AND THANK YOU.
1875
01:12:47,938 --> 01:12:49,771
YOU ARE A GENIUS.
1876
01:12:49,807 --> 01:12:51,073
GOOD NIGHT.
1877
01:12:54,907 --> 01:12:57,106
IT APPEARS TO HAVE
BEEN A ROBBERY.
1878
01:12:57,406 --> 01:12:59,206
SHE DIED AS A RESULT.
1879
01:12:59,275 --> 01:13:01,908
CASSIE, OH, MAN...
1880
01:13:01,944 --> 01:13:03,210
SHE WAS TOUGH.
1881
01:13:03,245 --> 01:13:05,112
SHE PROBABLY
WENT RIGHT AT HIM.
1882
01:13:06,748 --> 01:13:09,616
THIS HAS BEEN
A DIFFICULT TIME...
1883
01:13:09,685 --> 01:13:11,385
FOR ALL OF US.
1884
01:13:11,454 --> 01:13:14,821
FIRST, LITA'S SUICIDE,
AND NOW THIS.
1885
01:13:14,890 --> 01:13:17,657
JOHN ASKED ME TO BRING
YOU GUYS TOGETHER TODAY, SO...
1886
01:13:17,693 --> 01:13:19,860
JOHN?
1887
01:13:19,928 --> 01:13:23,263
CASSIE WAS
OUR LIGHT.
1888
01:13:23,332 --> 01:13:25,832
NEVER ONSTAGE,
BUT ALWAYS THERE.
1889
01:13:25,868 --> 01:13:28,802
SHE WAS OUR DEN MOTHER,
1890
01:13:28,871 --> 01:13:31,605
OUR CONFESSOR.
1891
01:13:31,640 --> 01:13:33,507
SHE KNEW OUR SECRETS.
1892
01:13:33,575 --> 01:13:36,710
AND, UNFORTUNATELY, KNEW
WHEN WE GAINED A FEW POUNDS.
1893
01:13:39,048 --> 01:13:40,114
I WANTED TO ASK YOU,
1894
01:13:40,149 --> 01:13:42,716
AS A BAND,
1895
01:13:42,751 --> 01:13:46,686
HOW YOU FEEL
ABOUT MOVING FORWARD.
1896
01:13:46,755 --> 01:13:49,023
DO WE PLAY THE SHOW TONIGHT?
1897
01:13:49,058 --> 01:13:50,524
DO WE CANCEL THE TOUR?
1898
01:13:50,559 --> 01:13:52,859
JOHN, YOU KNOW
IF CASS WAS HERE,
1899
01:13:52,928 --> 01:13:54,128
SHE'D KICK YOUR BUTT
1900
01:13:54,163 --> 01:13:55,996
FOR EVEN
SUGGESTING WE QUIT.
1901
01:13:56,032 --> 01:13:57,797
SHE WAS
A "SHOW MUST GO ON" TYPE,
1902
01:13:57,833 --> 01:13:59,266
ALL THE WAY,
1903
01:13:59,301 --> 01:14:03,203
BUT JOHNNY, I MEAN,
IT'S UP TO YOU.
1904
01:14:03,239 --> 01:14:05,272
I MEAN, YOU GOTTA GO
FACE THE AUDIENCE.
1905
01:14:05,307 --> 01:14:06,573
THEY COME HERE
TO SEE YOU,
1906
01:14:06,608 --> 01:14:08,142
THEY COME HERE
TO HAVE A GOOD TIME.
1907
01:14:08,210 --> 01:14:10,477
YOU THINK
YOU CAN DO THAT?
1908
01:14:12,348 --> 01:14:14,948
I DON'T KNOW.
1909
01:14:22,591 --> 01:14:23,557
[KNOCKS GENTLY]
1910
01:14:24,626 --> 01:14:25,992
COME ON IN, JENN.
1911
01:14:26,028 --> 01:14:28,395
MR. TAYLOR HERE WAS
JUST ABOUT TO LEAVE.
1912
01:14:34,437 --> 01:14:37,171
I'M A LOT OF THINGS,
BUT I'M NOT A KILLER.
1913
01:14:45,981 --> 01:14:47,448
WELL... IT SEEMS
1914
01:14:47,483 --> 01:14:50,617
HE REALLY DIDN'T KNOW
THE POLICY WOULD PAY OFF.
1915
01:14:50,652 --> 01:14:52,752
WHEN HE FOUND OUT IT DID,
WELL, HE PANICKED,
1916
01:14:52,788 --> 01:14:54,288
THOUGHT WE'D PIN
THE MURDER ON HIM.
1917
01:14:54,356 --> 01:14:55,689
AND?
1918
01:14:55,724 --> 01:14:58,158
AND... I'VE GOT
SOME NEWS FOR YOU.
1919
01:14:58,194 --> 01:15:00,094
IT'S A LITTLE BIT ODD.
1920
01:15:00,129 --> 01:15:02,862
THE TASER TAG I.D.
THAT WE FOUND ON THE STEPLADDER,
1921
01:15:02,898 --> 01:15:05,799
IT BELONGS TO A GUN
SOLD TO CASSIE PARKER.
1922
01:15:05,834 --> 01:15:08,235
CASSIE?
1923
01:15:08,270 --> 01:15:10,604
THE TASER BELONGED TO CASSIE?
1924
01:15:10,639 --> 01:15:11,505
NO, SHE JUST BOUGHT IT.
1925
01:15:11,540 --> 01:15:13,107
IT DOESN'T MEAN SHE FIRED IT.
1926
01:15:13,142 --> 01:15:15,909
DOESN'T EVEN MEAN IT WAS FIRED
IN LITA'S LIVING ROOM.
1927
01:15:15,978 --> 01:15:16,876
BUT IF SHE DIDN'T FIRE IT,
1928
01:15:16,945 --> 01:15:18,278
SHE PROBABLY KNEW WHO DID,
1929
01:15:18,314 --> 01:15:19,480
AND SUDDENLY,
1930
01:15:19,548 --> 01:15:21,248
IT'S NOT LOOKING LIKE
A ROBBERY AT CASSIE'S.
1931
01:15:22,551 --> 01:15:25,185
FRANK, I DON'T THINK
THE TEXT WAS SENT BY LITA,
1932
01:15:25,254 --> 01:15:26,720
OR EVEN SENT FROM LITA'S HOUSE.
1933
01:15:28,290 --> 01:15:30,557
WHAT DO YOU MEAN?
1934
01:15:30,626 --> 01:15:32,058
CAN YOU HAVE THE PHONE COMPANY
CHECK THEIR CELL TOWER RECORDS
1935
01:15:32,094 --> 01:15:34,194
AND SEE WHERE THAT TEXT
ORIGINATED FROM?
1936
01:15:34,230 --> 01:15:35,729
I'LL HAVE TO GET A WARRANT,
1937
01:15:35,764 --> 01:15:37,531
AND IT WOULDN'T GIVE US
THE EXACT LOCATION,
1938
01:15:37,600 --> 01:15:38,398
JUST THE NEAREST CELL TOWER.
1939
01:15:38,434 --> 01:15:39,733
FINE.
1940
01:15:39,768 --> 01:15:42,469
START WITH THE CELL TOWER
CLOSET TO THE SOUND CHECK.
1941
01:15:42,505 --> 01:15:43,970
[LITA'S DEMOS PLAYING BACK]
1942
01:15:44,006 --> 01:15:47,341
♪ ...WELL, I CAN'T WAIT HEREON THE SHELF ♪
1943
01:15:47,376 --> 01:15:50,277
♪ SHE'S GONNAHEAR THE NEWS FROM ME... ♪
1944
01:15:50,312 --> 01:15:51,811
WHAT ARE YOU LISTENING TO?
1945
01:15:51,847 --> 01:15:53,413
♪ ...IT'S TIME THAT WE WEREALL SET FREE... ♪
1946
01:15:53,449 --> 01:15:54,615
LITA MERRIL.
1947
01:15:54,683 --> 01:15:56,116
SONGS SHE WROTE.
1948
01:15:56,152 --> 01:15:57,851
IT'S SAD.
1949
01:15:57,919 --> 01:15:59,819
IT'S ALL RIGHT THERE
IN HER MUSIC.
1950
01:15:59,888 --> 01:16:02,389
WHAT'S ALL RIGHT THERE?
1951
01:16:02,424 --> 01:16:05,492
SHE WAS IN LOVE
WITH A MARRIED MAN.
1952
01:16:05,561 --> 01:16:07,361
SAYS SHE'S GOING
TO TELL THE WIFE,
1953
01:16:07,396 --> 01:16:08,695
SAYS SHE'S GOING
TO TELL THE WORLD.
1954
01:16:08,730 --> 01:16:09,796
THAT'S NOT GOOD.
1955
01:16:09,831 --> 01:16:11,565
I ASSUME SHE'S TALKING
ABOUT HERSELF.
1956
01:16:11,600 --> 01:16:13,467
I THINK SO.
1957
01:16:13,536 --> 01:16:14,934
SHE DIDN'T MENTION
THE GUY'S NAME
1958
01:16:15,003 --> 01:16:16,403
ANYWHERE IN THE SONG, DID SHE?
1959
01:16:16,438 --> 01:16:18,004
NO.
1960
01:16:41,397 --> 01:16:43,163
[KNOCKING ON DOOR]
1961
01:16:44,933 --> 01:16:47,033
WHAT ARE YOU DOING IN HERE?
1962
01:16:47,069 --> 01:16:48,968
I'M ABOUT TO GO ON.
1963
01:16:49,004 --> 01:16:50,537
I THINK YOU MIGHT
WANT TO HEAR
1964
01:16:50,606 --> 01:16:51,938
WHAT I HAVE TO SAY.
1965
01:16:51,973 --> 01:16:53,773
I'M ABOUT TO CALL SECURITY.
1966
01:16:53,842 --> 01:16:55,875
YOU KILLED LITA.
1967
01:16:55,944 --> 01:16:56,943
YOU WERE HAVING AN AFFAIR,
1968
01:16:56,978 --> 01:16:58,612
AND YOU PROMISED
TO DIVORCE PAMELA,
1969
01:16:58,647 --> 01:17:00,280
BUT YOU KEPT STALLING,
1970
01:17:00,349 --> 01:17:02,349
SO LITA GAVE YOU AN ULTIMATUM.
1971
01:17:02,384 --> 01:17:04,017
EITHER YOU GO PUBLIC,
OR SHE WOULD.
1972
01:17:04,086 --> 01:17:06,019
AND THAT
COULDN'T HAPPEN,
1973
01:17:06,054 --> 01:17:08,388
BECAUSE YOUR FANS LOVE
YOU AND PAMELA TOGETHER.
1974
01:17:08,424 --> 01:17:11,425
YOU'VE BEEN "TRUE TO HER,"
AS THE SONG GOES.
1975
01:17:12,894 --> 01:17:14,661
YOU'VE GOT
AN ACTIVE IMAGINATION.
1976
01:17:14,697 --> 01:17:16,430
NO, I HAVE
A FLASH DRIVE
1977
01:17:16,465 --> 01:17:17,731
WITH A SONG THAT
LITA MERRILL WROTE
1978
01:17:17,766 --> 01:17:19,199
DESCRIBING THE WHOLE THING.
1979
01:17:21,870 --> 01:17:24,104
LITA WAS DEAD
WHEN CASS AND I ARRIVED.
1980
01:17:24,139 --> 01:17:25,872
IT'S IMPOSSIBLE FOR ME
TO HAVE KILLED HER.
1981
01:17:25,907 --> 01:17:27,341
ARE YOU TALKING
ABOUT CASSIE OR LITA?
1982
01:17:27,376 --> 01:17:28,842
BECAUSE THEY'RE BOTH DEAD.
1983
01:17:30,312 --> 01:17:32,613
YOU PLANNED LITA'S DEATH
PERFECTLY, ALMOST.
1984
01:17:32,681 --> 01:17:34,548
YOU STOLE THE TASER
FROM CASSIE...
1985
01:17:36,352 --> 01:17:38,818
THE TIMING HAD TO BE RIGHT.
1986
01:17:38,854 --> 01:17:41,355
ON YOUR WAY TO SOUND CHECK,YOU DROPPED BY LITA'S...
1987
01:17:41,390 --> 01:17:44,157
IT WAS EASY TO GET INSIDEBECAUSE YOU HAD YOUR OWN KEY.
1988
01:18:07,683 --> 01:18:09,249
LET ME GO GET DRESSED.
1989
01:18:09,285 --> 01:18:10,250
I'LL BE RIGHT BACK.
1990
01:18:15,491 --> 01:18:17,491
YOU PLACED THE STEPLADDER
UNDER THE BEAM.
1991
01:18:17,559 --> 01:18:19,259
YOU HAD TO ACT FAST...
1992
01:18:32,240 --> 01:18:33,407
[METAL SCRAPING]
1993
01:18:40,683 --> 01:18:43,183
[TASER VOLTS CRACKLING]
1994
01:18:44,219 --> 01:18:45,752
YOU HAD THE ROPE,
1995
01:18:45,788 --> 01:18:47,454
YOU STAGED THE SUICIDE...
1996
01:18:51,893 --> 01:18:53,226
AND YOU MAY NOT HAVE KNOWNABOUT THE LITTLE I.D. TAGS
1997
01:18:53,261 --> 01:18:54,695
THAT SHOOT OUT,
1998
01:18:54,730 --> 01:18:56,229
BUT YOU SURE KNEWNOT TO LEAVE THEM BEHIND.
1999
01:18:56,264 --> 01:18:58,231
YOU PICKED THEM UP,
2000
01:18:58,266 --> 01:19:01,535
ALL EXCEPT THE ONE THAT LANDEDON THE STEPLADDER,
2001
01:19:01,603 --> 01:19:03,136
THE ONE YOU DIDN'T SEE.
2002
01:19:04,105 --> 01:19:05,605
THIS IS INSANE.
2003
01:19:05,674 --> 01:19:08,508
I GOT THE TEXT AT THE SAME TIME
EVERYBODY ELSE DID.
2004
01:19:08,544 --> 01:19:11,144
BUT YOU SENT THE TEXT,
RIGHT FROM THIS DRESSING ROOM.
2005
01:19:11,213 --> 01:19:13,347
YOU'RE ONE CRAZY LADY.
2006
01:19:13,382 --> 01:19:15,315
THE PHONE WAS IN HER POCKET
WHEN THEY FOUND HER.
2007
01:19:15,351 --> 01:19:17,083
AND HOW WOULD
YOU KNOW THAT?
2008
01:19:18,520 --> 01:19:20,654
YOU KNOW THAT
BECAUSE YOU PUT IT THERE.
2009
01:19:20,689 --> 01:19:22,789
YOU HAD CASSIE DRIVE YOU
BACK TO LITA'S,
2010
01:19:22,825 --> 01:19:23,790
WHERE, HORRIFIED,
2011
01:19:23,826 --> 01:19:25,258
YOU RUSHED
TO LOWER LITA'S BODY.
2012
01:19:25,293 --> 01:19:26,693
BUT WHAT YOU REALLY DID WAS
2013
01:19:26,729 --> 01:19:29,262
YOU SLID THE PHONE
BACK INTO LITA'S PANTS POCKET.
2014
01:19:30,566 --> 01:19:32,165
PAM!
2015
01:19:32,200 --> 01:19:33,533
GET IN HERE!
2016
01:19:34,603 --> 01:19:36,102
YOU CAN'T PROVE A THING.
2017
01:19:38,039 --> 01:19:39,573
KEEP THIS WHACK JOB
AWAY FROM ME.
2018
01:19:39,641 --> 01:19:40,874
I'VE GOT A SHOW TO DO.
2019
01:19:50,686 --> 01:19:51,585
HE'S COMING UP, LET'S GO,
2020
01:19:51,620 --> 01:19:53,019
LET'S GET OUT THERE, ALL RIGHT?
2021
01:19:53,054 --> 01:19:54,588
[MANAGER CLAPPING
IN ENCOURAGEMENT]
2022
01:20:08,404 --> 01:20:10,771
HERE WE GO.
2023
01:20:10,806 --> 01:20:11,772
OKAY, JOHN.
2024
01:20:11,840 --> 01:20:13,940
[BAND STARTS PLAYING]
2025
01:20:13,975 --> 01:20:15,509
JOHN DALTON,
2026
01:20:15,577 --> 01:20:16,476
YOU'RE UNDER ARREST
2027
01:20:16,545 --> 01:20:17,911
FOR THE MURDERS
OF LITA MERRILL
2028
01:20:17,946 --> 01:20:20,146
AND CASSIE PARKER.
2029
01:20:20,181 --> 01:20:21,748
WHAT?
2030
01:20:22,918 --> 01:20:24,050
[BAND STOPS PLAYING]
2031
01:20:26,054 --> 01:20:27,287
[HANDCUFFS RATTLING]
2032
01:20:37,666 --> 01:20:39,232
WATCH YOUR HEAD.
2033
01:20:55,451 --> 01:20:57,283
[♪♪♪]
2034
01:21:00,021 --> 01:21:01,488
-THIS IS FROM BETH ANN?
-MM-HMM.
2035
01:21:01,523 --> 01:21:02,456
WHAT IN THE WORLD?
2036
01:21:02,491 --> 01:21:03,723
OH, I FEEL A FRAME.
2037
01:21:03,759 --> 01:21:05,091
IT'S A PAINTING.
2038
01:21:06,562 --> 01:21:07,661
OOH...
2039
01:21:08,730 --> 01:21:11,397
[GASPS IN DELIGHT]
2040
01:21:11,433 --> 01:21:13,767
IT'S REALLY GOOD.
2041
01:21:15,170 --> 01:21:18,004
AND IT'S NOT FOR SALE.
2042
01:21:23,946 --> 01:21:26,012
ALL RIGHT, GUYS,
DINNER'S READY.
2043
01:21:26,047 --> 01:21:27,180
HANNAH, DO YOU
NEED HELP?
2044
01:21:27,248 --> 01:21:28,314
NO, THANKS,
I GOT IT COVERED.
2045
01:21:28,383 --> 01:21:30,249
BESIDES, IT'S SUPPOSED
TO BE A SURPRISE.
2046
01:21:30,285 --> 01:21:32,318
YOU KNOW
SHE DOESN'T COOK.
2047
01:21:32,354 --> 01:21:34,087
[CHUCKLING]
2048
01:21:36,057 --> 01:21:37,056
WHERE WAS I?
2049
01:21:37,092 --> 01:21:38,358
OH.
2050
01:21:38,393 --> 01:21:39,693
SO...
2051
01:21:39,761 --> 01:21:41,728
IT WAS ALMOST
THE PERFECT MURDER.
2052
01:21:41,763 --> 01:21:43,830
THEN THERE WAS
CASSIE PARKER.
2053
01:21:43,866 --> 01:21:45,532
JOHN STOLE THE TASER FROM HER.
2054
01:21:45,567 --> 01:21:46,466
WHEN HE LEARNED
2055
01:21:46,502 --> 01:21:47,634
THE GUN COULD BE TRACED,
2056
01:21:47,669 --> 01:21:48,702
HE HAD TO GET RID OF HER.
2057
01:21:48,737 --> 01:21:50,370
SHE WAS THE ONLY ONE
WHO KNEW HE HAD IT.
2058
01:21:51,974 --> 01:21:53,740
I GOT A CALL
FROM THE CHIEF TODAY,
2059
01:21:53,775 --> 01:21:56,209
CONGRATULATING ME
ON ANOTHER JOB WELL DONE.
2060
01:21:57,713 --> 01:21:58,712
DID YOU TELL HIM
MY MOM FIGURED IT OUT?
2061
01:21:58,780 --> 01:22:00,113
ACTUALLY,
2062
01:22:00,148 --> 01:22:01,147
I DID.
2063
01:22:01,182 --> 01:22:02,215
REALLY?
2064
01:22:02,250 --> 01:22:03,550
WELL, IT'S NOT
LIKE HE WAS...
2065
01:22:03,585 --> 01:22:05,385
CLUELESS.
2066
01:22:05,453 --> 01:22:06,319
[ALL GROANING AT THE PUN]
2067
01:22:06,354 --> 01:22:08,822
OUCH.
2068
01:22:08,857 --> 01:22:10,056
HE REMINDED ME
THAT SHERLOCK HOLMES
2069
01:22:10,091 --> 01:22:12,158
ACTUALLY WASN'T
A POLICE DETECTIVE,
2070
01:22:12,193 --> 01:22:13,459
HE WAS A "CONSULTING DETECTIVE,"
2071
01:22:13,495 --> 01:22:15,962
UNOFFICIALLY
HELPING THE POLICE.
2072
01:22:16,031 --> 01:22:17,898
I CAN BE
A CONSULTING DETECTIVE?
2073
01:22:17,966 --> 01:22:19,298
NO.
2074
01:22:19,334 --> 01:22:20,767
HE SAYS YOU CAN'T.
2075
01:22:20,802 --> 01:22:22,569
TOO MUCH OF A LIABILITY.
2076
01:22:22,604 --> 01:22:24,738
BUT HE WANTS
TO THANK YOU,
2077
01:22:24,806 --> 01:22:26,806
AND LET YOU KNOW,
MOVING FORWARD,
2078
01:22:26,842 --> 01:22:28,975
NOT TO CONFRONT KILLERS.
2079
01:22:30,245 --> 01:22:31,511
SERIOUSLY.
2080
01:22:31,547 --> 01:22:32,612
ALL RIGHT...
2081
01:22:32,648 --> 01:22:35,782
IN HONOR
OF THE HATCHER BUILDING...
2082
01:22:36,985 --> 01:22:38,685
BOEUF BOURGUIGNON.
2083
01:22:38,720 --> 01:22:40,286
WOW.
2084
01:22:40,321 --> 01:22:42,689
WHAT'S FRENCH ABOUT
THE HATCHER BUILDING?
2085
01:22:42,724 --> 01:22:44,724
WELL, ADRIAN BERNARD
THE ARCHITECT WAS FRENCH.
2086
01:22:44,793 --> 01:22:47,427
AND I FOUND AN EASY RECIPE.
2087
01:22:47,462 --> 01:22:48,294
[CHUCKLING]
2088
01:22:48,363 --> 01:22:49,696
LOOKS GREAT.
2089
01:22:49,731 --> 01:22:52,198
WELL, HERE'S
TO MY BEAUTIFUL WIFE,
2090
01:22:52,267 --> 01:22:53,466
WHO SOMEHOW
PUT THE PIECES TOGETHER
2091
01:22:53,501 --> 01:22:55,134
AND SOLVED ANOTHER MYSTERY.
2092
01:22:56,271 --> 01:22:58,872
I DON'T KNOW
HOW SHE DOES IT,
2093
01:22:58,941 --> 01:23:00,941
BUT I'M SURE SHE'LL KEEP
THE CHIEF'S WISE WORDS IN MIND.
2094
01:23:00,976 --> 01:23:02,408
AND KEEP SOLVING CRIMES?
2095
01:23:02,444 --> 01:23:03,743
SAFELY.
2096
01:23:08,050 --> 01:23:10,650
[♪♪♪]
139360
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