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These are the user uploaded subtitles that are being translated: 1 00:00:01,870 --> 00:00:05,639 [♪♪♪] 2 00:00:24,627 --> 00:00:26,527 I TOLD HIM. 3 00:00:26,562 --> 00:00:27,494 YOU DIDN'T? 4 00:00:27,530 --> 00:00:28,962 I DID. 5 00:00:28,997 --> 00:00:31,565 I'LL QUIT IF I HAVE TO. 6 00:00:31,601 --> 00:00:34,568 I FEEL SO STUPID BEING IN THIS POSITION. 7 00:00:34,604 --> 00:00:36,670 WHAT DID HE SAY? 8 00:00:36,706 --> 00:00:37,804 HE WEASELED AROUND, 9 00:00:37,840 --> 00:00:39,240 THE USUAL. 10 00:00:39,275 --> 00:00:41,174 HE SAID JUST TO HANG ON, 11 00:00:41,210 --> 00:00:42,843 NOT MUCH LONGER. 12 00:00:43,946 --> 00:00:45,112 YOU'RE SERIOUS THIS TIME. 13 00:00:45,147 --> 00:00:46,413 YEAH. 14 00:00:46,449 --> 00:00:47,548 I'VE HAD IT. 15 00:00:47,583 --> 00:00:48,515 WELL, GOOD. 16 00:00:48,551 --> 00:00:49,883 GOOD FOR YOU. 17 00:00:49,952 --> 00:00:52,085 OKAY, WE GOTTA GO, 18 00:00:52,121 --> 00:00:53,120 'CAUSE YOU'RE GOING TO BE LATE. 19 00:00:56,125 --> 00:00:58,759 I CAN'T TELL YOU HOW EXCITING THIS IS, 20 00:00:58,794 --> 00:01:00,661 NEW CD, NEW TOUR, 21 00:01:00,696 --> 00:01:03,464 IT FEELS GREAT TO SAY THANKS BACK TO THE FANS. 22 00:01:03,499 --> 00:01:04,665 YOU'VE PLAYED THE SMALLER MARKETS 23 00:01:04,734 --> 00:01:05,633 PRETTY CONSISTENTLY 24 00:01:05,701 --> 00:01:07,234 FOR THE LAST FEW YEARS. 25 00:01:07,270 --> 00:01:08,569 WHY START OFF WITH A SHOW HERE 26 00:01:08,638 --> 00:01:10,137 IN YOUR HOME TOWN? 27 00:01:10,172 --> 00:01:12,239 IT'S WHERE I FEEL MOST COMFORTABLE, 28 00:01:12,275 --> 00:01:14,541 AND MY FRIENDS HERE ARE VERY FORGIVING. 29 00:01:14,577 --> 00:01:15,442 [CHUCKLES] 30 00:01:15,478 --> 00:01:17,144 TELL ME ABOUT THE NEW CD. 31 00:01:17,179 --> 00:01:18,245 YOU RECORDED IT LOCALLY, RIGHT? 32 00:01:18,281 --> 00:01:19,346 THAT'S RIGHT. 33 00:01:19,382 --> 00:01:21,348 WE'RE NOT ON A LABEL AT THE MOMENT, 34 00:01:21,384 --> 00:01:24,084 BUT WE CAN FUND AND PRODUCE OUR OWN CD, 35 00:01:24,119 --> 00:01:26,687 AVAILABLE AT THE SHOWS OR ON OUR WEBSITE. 36 00:01:26,722 --> 00:01:27,721 JOHN, WHY THE NEW CD? 37 00:01:27,757 --> 00:01:29,222 WHY NOW? 38 00:01:29,292 --> 00:01:32,559 MY WIFE, PAMELA... 39 00:01:32,595 --> 00:01:34,027 [♪♪♪] 40 00:01:34,062 --> 00:01:36,196 SHE FELT I OWED IT TO MY FANS. 41 00:01:36,265 --> 00:01:37,665 AND I THINK SHE WAS JUST TIRED OF ME 42 00:01:37,733 --> 00:01:39,500 HANGING AROUND THE HOUSE. 43 00:01:39,535 --> 00:01:40,401 [LAUGHTER] 44 00:01:40,436 --> 00:01:41,902 BUT SERIOUSLY, 45 00:01:41,970 --> 00:01:43,837 SHE'S THE REASON I'M WRITING AGAIN. 46 00:01:43,906 --> 00:01:46,239 SHE'S MY BEST CRITIC, 47 00:01:46,275 --> 00:01:47,541 MY MUSE, 48 00:01:47,576 --> 00:01:50,177 AND THE BOSS. 49 00:01:50,245 --> 00:01:52,613 AFTER 10 YEARS OF MARRIAGE, I KNOW ENOUGH NOT TO ARGUE. 50 00:01:52,682 --> 00:01:53,547 [LAUGHTER] 51 00:01:58,120 --> 00:01:59,853 [♪♪♪] 52 00:01:59,888 --> 00:02:02,055 CHOCOLATE DONUT OR BEAR CLAW? 53 00:02:03,459 --> 00:02:05,592 WHAT HAPPENED TO SMOOTHIES AND KALE? 54 00:02:05,628 --> 00:02:06,860 THIS IS MEDICINE. 55 00:02:06,895 --> 00:02:07,861 DONUT OR BEAR CLAW? 56 00:02:07,896 --> 00:02:09,496 BEAR CLAW, SMALL PIECE. 57 00:02:09,532 --> 00:02:10,798 WHAT'S GOING ON? 58 00:02:10,833 --> 00:02:12,433 IT'S MY SISTER. 59 00:02:12,501 --> 00:02:13,500 IS SHE OKAY? 60 00:02:13,536 --> 00:02:15,202 SHE'S COMING FOR A VISIT. 61 00:02:15,270 --> 00:02:16,670 I'LL TAKE A BIGGER PIECE. 62 00:02:16,739 --> 00:02:17,738 WHEN IS SHE COMING? 63 00:02:17,773 --> 00:02:19,272 SATURDAY. 64 00:02:19,342 --> 00:02:20,541 WHY? WHY AFTER ALL THIS TIME? 65 00:02:20,576 --> 00:02:22,209 SHE SAID SHE MISSES ME. 66 00:02:22,277 --> 00:02:24,110 WELL, THAT COULD BE GOOD. 67 00:02:24,146 --> 00:02:25,446 I MEAN, THAT COULD BE A GOOD THING. 68 00:02:27,850 --> 00:02:29,483 OR YOU COULD EAT YOUR FEELINGS. 69 00:02:29,518 --> 00:02:30,718 MM-HMM. 70 00:02:30,753 --> 00:02:32,453 [SHOP'S ENTRY BELL JINGLES] 71 00:02:34,156 --> 00:02:35,155 HI. 72 00:02:35,190 --> 00:02:36,323 CAN WE HELP YOU? 73 00:02:36,359 --> 00:02:38,392 YEAH, WE'RE LOOKING FOR A VINTAGE COAT. 74 00:02:38,427 --> 00:02:41,027 LIKE, MEN'S, MOHAIR, BLONDE...? 75 00:02:41,063 --> 00:02:42,496 LIKE A CAR COAT? 76 00:02:42,531 --> 00:02:45,098 LIKE JOHN DALTON WORE ON HIS FIRST ALBUM? 77 00:02:45,133 --> 00:02:46,367 [CHUCKLES WRYLY] UH, YEAH, EXACTLY THAT. 78 00:02:46,402 --> 00:02:47,735 IT'S FOR JOHN. 79 00:02:47,803 --> 00:02:49,803 I'M CASSIE PARKER, 80 00:02:49,839 --> 00:02:51,472 I'M JOHN'S WARDROBE DESIGNER, 81 00:02:51,540 --> 00:02:52,406 AND THIS IS LITA MERRILL, 82 00:02:52,441 --> 00:02:53,507 SHE PLAYS BASS IN THE BAND. 83 00:02:53,542 --> 00:02:55,542 WELL, I'M JENN, AND THIS IS DANI. 84 00:02:55,578 --> 00:02:56,610 SHE IS A BIG FAN. 85 00:02:56,645 --> 00:02:57,944 I'M JUST, I LOVE HIS MUSIC. 86 00:02:57,980 --> 00:02:59,012 I DID READ 87 00:02:59,047 --> 00:03:00,313 THAT HE WAS PLAYING A LOCAL CLUB? 88 00:03:00,349 --> 00:03:01,548 THAT'S RIGHT. 89 00:03:01,617 --> 00:03:02,983 I'D GET YOU GUYS TICKETS 90 00:03:03,018 --> 00:03:05,352 BUT IT'S SOLD OUT TO FAN CLUB MEMBERS. 91 00:03:05,388 --> 00:03:06,854 YEAH, I HEARD THAT, TOO. 92 00:03:06,889 --> 00:03:08,756 OH, I KNEW YOU SHOULD HAVE JOINED THAT FAN CLUB. 93 00:03:08,791 --> 00:03:09,823 YOU COULD COME 94 00:03:09,892 --> 00:03:11,057 TO THE SOUND CHECK, 95 00:03:11,093 --> 00:03:12,192 NEXT BEST THING. 96 00:03:12,227 --> 00:03:14,027 YEAH, OR WE COULD MAYBE GET JOHN 97 00:03:14,062 --> 00:03:15,128 TO SWING BY THE STORE. 98 00:03:15,163 --> 00:03:16,730 ARE YOU SERIOUS? 99 00:03:16,766 --> 00:03:19,032 I MEAN, WE WOULD JUST-- WE WOULD LOVE THAT. 100 00:03:19,067 --> 00:03:20,166 OKAY. 101 00:03:20,202 --> 00:03:21,635 JOHN DID SEND US ON A MISSION, THOUGH, 102 00:03:21,670 --> 00:03:23,737 TO TRY TO FIND THE COAT FROM THAT ALBUM COVER? 103 00:03:23,773 --> 00:03:24,538 I KNOW WHAT YOU'RE TALKING ABOUT, 104 00:03:24,573 --> 00:03:25,539 BUT WE DON'T HAVE ONE. 105 00:03:25,574 --> 00:03:26,573 YOU MIGHT TRY VINTAGE THREADS ON ELM. 106 00:03:26,642 --> 00:03:27,708 COOL. 107 00:03:27,777 --> 00:03:29,643 IT WAS REALLY NICE TO MEET YOU GUYS. 108 00:03:29,678 --> 00:03:30,944 I'LL GET YOU ON THE LIST FOR SOUND CHECK. 109 00:03:30,979 --> 00:03:32,279 THANK YOU! 110 00:03:32,314 --> 00:03:33,246 [GASPING IN DELIGHT] 111 00:03:33,315 --> 00:03:34,381 THAT'S SO COOL. 112 00:03:34,450 --> 00:03:37,718 WOW! "SOUND CHECK," SOUNDS SO OFFICIAL. 113 00:03:37,753 --> 00:03:40,521 [♪♪♪] 114 00:03:46,462 --> 00:03:48,462 DANI LOVES HIM, 115 00:03:48,497 --> 00:03:50,297 AND I'D LIKE TO GO TO A SOUND CHECK. 116 00:03:50,365 --> 00:03:51,398 I'VE NEVER BEEN TO ONE. 117 00:03:51,434 --> 00:03:52,733 JOHNNY DALTON. 118 00:03:52,802 --> 00:03:54,334 COUNTRY MUSIC, RIGHT? 119 00:03:54,369 --> 00:03:55,436 I NEVER HEARD OF HIM. 120 00:03:55,471 --> 00:03:56,403 HE'S COUNTRY, 121 00:03:56,439 --> 00:03:57,838 BUT KIND OF MODERN. 122 00:03:57,873 --> 00:04:00,474 HE HAD THAT ONE BIG HIT, UH, "TRUE TO YOU." 123 00:04:00,509 --> 00:04:01,942 I LOVE THAT SONG. 124 00:04:01,977 --> 00:04:03,410 THAT SONG WAS EVERYWHERE A FEW YEARS AGO. 125 00:04:03,446 --> 00:04:04,711 THEN, NOTHING. 126 00:04:04,747 --> 00:04:06,313 I'D TAKE THE MONEY FROM ONE BIG HIT. 127 00:04:06,348 --> 00:04:07,514 [CHUCKLING] 128 00:04:07,550 --> 00:04:09,550 WELL, I'VE GOT SOME, UH, I'VE GOT SOME GOOD NEWS. 129 00:04:09,585 --> 00:04:12,385 WE JUST SIGNED A BIG CONTRACT TO BUILD NEW LUXURY CONDOS 130 00:04:12,421 --> 00:04:14,421 ONCE THEY TEAR DOWN THE OLD HATCHER BUILDING. 131 00:04:14,457 --> 00:04:15,756 AND YOU'RE GONNA LOVE THIS, 132 00:04:15,791 --> 00:04:17,257 IT'S COMPLETELY SUSTAINABLE AND STATE OF THE ART. 133 00:04:17,292 --> 00:04:18,759 ISN'T THAT BUILDING ON THE HISTORIC REGISTER? 134 00:04:18,828 --> 00:04:20,060 NO. 135 00:04:20,128 --> 00:04:21,528 NO, IT'S OLD, IT DOESN'T LOOK IT, 136 00:04:21,597 --> 00:04:24,230 BUT IT'S OLD, AND IT'S... IT'S COMPLETELY FALLING APART. 137 00:04:24,266 --> 00:04:25,699 IT IS OLD. 138 00:04:29,137 --> 00:04:31,204 I DIDN'T EVEN KNOW THAT DANI HAD A SISTER. 139 00:04:31,239 --> 00:04:33,173 BETH ANN, SHE'S OLDER. 140 00:04:33,208 --> 00:04:35,408 A BIT JUDGMENTAL AND CRITICAL, 141 00:04:35,444 --> 00:04:39,480 THINKS DANI SHOULD HAVE MARRIED, HAD KIDS, GOTTEN A "REAL JOB." 142 00:04:39,515 --> 00:04:41,482 OWNING AN ANTIQUE STORE ISN'T A REAL JOB? 143 00:04:41,517 --> 00:04:42,916 BETH ANN SAYS IT'S A HOBBY. 144 00:04:42,952 --> 00:04:44,017 NEEDLESS TO SAY, 145 00:04:44,052 --> 00:04:45,552 THERE'S A LOT OF TENSION BETWEEN THEM. 146 00:04:45,588 --> 00:04:46,353 WHAT DOES SHE DO? 147 00:04:46,388 --> 00:04:47,354 CHARITY WORK. 148 00:04:47,422 --> 00:04:48,755 SHE'S ON THE BOARD OF THIS AND THAT. 149 00:04:48,791 --> 00:04:51,324 HER HUSBAND IS SOME BIG CORPORATE EXECUTIVE. 150 00:04:51,360 --> 00:04:53,494 DOESN'T SOUND REMOTELY LIKE DANI. 151 00:04:53,529 --> 00:04:55,462 SO, WHY IS SHE COMING TO VISIT? 152 00:04:55,498 --> 00:04:57,063 THEREIN LIES THE MYSTERY. 153 00:04:57,099 --> 00:04:59,399 AH, THAT WORD... 154 00:04:59,468 --> 00:05:01,401 AT LEAST WE'RE MAKING PROGRESS. 155 00:05:01,436 --> 00:05:02,736 HOW'S THAT? 156 00:05:02,771 --> 00:05:05,338 WELL, WE'VE GOT A MYSTERY, BUT THERE'S NO DEAD BODIES. 157 00:05:05,374 --> 00:05:06,339 FUNNY. 158 00:05:06,375 --> 00:05:08,308 [CHUCKLING] 159 00:05:08,343 --> 00:05:09,242 GOOD NIGHT, SWEETIE. 160 00:05:09,277 --> 00:05:11,578 GOOD NIGHT. 161 00:05:22,224 --> 00:05:23,790 NO, TICKETS ARE SELLING, 162 00:05:23,826 --> 00:05:24,925 JUST NOT AS WELL AS WE'D HOPED. 163 00:05:24,994 --> 00:05:26,627 THAT'S HARD TO BELIEVE. 164 00:05:26,662 --> 00:05:28,294 WELL, WHAT IF WE SWITCH UP SOME OF THESE VENUES? 165 00:05:28,330 --> 00:05:30,096 YOU KNOW, SMALLER CLUBS INSTEAD OF THEATRES? 166 00:05:30,132 --> 00:05:31,665 RICK, YOU ARE NOT CHANGING ONE THING. 167 00:05:31,700 --> 00:05:33,266 THOSE SEATS WILL SELL WHEN THE REVIEWS COME IN 168 00:05:33,301 --> 00:05:35,435 AND JOHN'S NEW CD IS STREAMING. 169 00:05:35,470 --> 00:05:37,270 OKAY, THIS AND THIS ARE BOTH "NO"S. 170 00:05:37,339 --> 00:05:38,539 THIS IS OKAY. 171 00:05:38,574 --> 00:05:40,173 I'M SERIOUS, RICK, NO JUNK. 172 00:05:40,208 --> 00:05:42,275 GET A DIFFERENT DESIGNER IF HE CAN'T DO BETTER. 173 00:05:42,310 --> 00:05:43,276 JUST WANTED YOU TO SEE 'EM. 174 00:05:43,345 --> 00:05:45,311 I SAW THEM. 175 00:05:45,347 --> 00:05:46,513 YOU'D BETTER GET MOVING 176 00:05:46,549 --> 00:05:47,614 IF YOU'RE GOING TO GET TO REHEARSAL ON TIME. 177 00:05:50,920 --> 00:05:51,785 [CLEARS THROAT] 178 00:06:04,567 --> 00:06:05,465 CAN I HELP YOU? 179 00:06:07,836 --> 00:06:08,936 BETH ANN? 180 00:06:08,971 --> 00:06:10,003 JENNIFER! 181 00:06:10,039 --> 00:06:11,504 OH! IT'S BEEN SUCH A LONG TIME. 182 00:06:11,540 --> 00:06:12,539 IT HAS BEEN. 183 00:06:12,608 --> 00:06:13,473 WONDERFUL TO SEE YOU. 184 00:06:13,508 --> 00:06:14,575 THANK YOU. 185 00:06:14,610 --> 00:06:16,009 IS DANI HERE? 186 00:06:16,045 --> 00:06:17,578 OH, NO, SHE'S OUT, BUT SHE'LL BE BACK VERY SOON. 187 00:06:17,646 --> 00:06:18,679 WHERE'S YOUR LUGGAGE? 188 00:06:18,714 --> 00:06:20,280 DID YOU COME STRAIGHT FROM THE AIRPORT? 189 00:06:20,315 --> 00:06:21,281 OH, NO. [LAUGHS] NO, NO. 190 00:06:21,316 --> 00:06:22,515 I'M AT THE REGENT. 191 00:06:22,551 --> 00:06:24,484 DANI'S PLACE IS A LITTLE COZY FOR ME. 192 00:06:24,519 --> 00:06:25,452 OH. 193 00:06:25,487 --> 00:06:26,954 WOW, YOU KNOW, 194 00:06:26,989 --> 00:06:28,221 I HAVEN'T EVER BEEN TO YOUR STORE. 195 00:06:28,256 --> 00:06:29,556 IT'S CUTE. 196 00:06:29,592 --> 00:06:32,125 YOU ACTUALLY HAVE SOME... SOME NICE PIECES. 197 00:06:32,160 --> 00:06:33,293 THANK YOU. 198 00:06:33,328 --> 00:06:34,461 OH, WELL, LISTEN, 199 00:06:34,496 --> 00:06:35,929 I'M GOING TO GO BACK TO THE HOTEL TO REST, 200 00:06:35,965 --> 00:06:38,231 BUT THE CONCIERGE RECOMMENDED A LOVELY PLACE FOR DINNER. 201 00:06:38,300 --> 00:06:39,332 WILL YOU JOIN? 202 00:06:39,367 --> 00:06:40,634 MY TREAT. 203 00:06:40,669 --> 00:06:42,569 THANK YOU FOR THE OFFER, I'M AFRAID I CAN'T. 204 00:06:42,605 --> 00:06:43,604 BUT MAYBE ANOTHER NIGHT. 205 00:06:43,672 --> 00:06:44,738 THAT'D BE WONDERFUL. 206 00:06:44,807 --> 00:06:45,606 SO GOOD TO SEE YOU. 207 00:06:45,641 --> 00:06:46,974 YOU TOO. 208 00:06:47,009 --> 00:06:48,075 WOW. 209 00:06:48,110 --> 00:06:49,676 IT REALLY IS LOVELY. 210 00:06:59,688 --> 00:07:00,754 HEY, DANI? 211 00:07:00,789 --> 00:07:02,355 FASTEN YOUR SEAT BELT. 212 00:07:02,390 --> 00:07:03,690 SHE'S HERE. 213 00:07:07,262 --> 00:07:10,263 ♪ AND IT ALL COMES DOWN TO THIS ♪ 214 00:07:10,298 --> 00:07:13,967 ♪ WHEN I'M NOT WITH YOU YOU'RE THE ONE THAT I MISS ♪ 215 00:07:14,003 --> 00:07:17,671 ♪ YOU GOTTA BELIEVE WHAT I'M SAYING TO YOU ♪ 216 00:07:17,706 --> 00:07:20,340 ♪ GOTTA BELIEVE MY HEART HAS BEEN TRUE ♪ 217 00:07:20,408 --> 00:07:25,779 ♪ SINCE THAT VERY FIRST KISS... ♪ 218 00:07:25,814 --> 00:07:26,813 [SONG ENDS] 219 00:07:26,849 --> 00:07:29,182 TAKE FIVE, EVERYBODY. 220 00:07:29,217 --> 00:07:30,250 WOW, JOHN, MAN, THAT WAS AMAZING. 221 00:07:30,318 --> 00:07:31,685 I REALLY FELT THAT. 222 00:07:31,720 --> 00:07:33,253 -IT WAS GREAT, WASN'T IT? -IT'S A HIT. 223 00:07:34,256 --> 00:07:35,255 HEY, LITA. 224 00:07:35,290 --> 00:07:37,057 COME HERE, I WANT TO TALK TO YOU. 225 00:07:46,001 --> 00:07:49,569 LEAVE YOUR PERSONAL ISSUES AT THE DOOR, OKAY? 226 00:07:49,604 --> 00:07:51,672 IF YOU CAN'T EVEN ACT LIKE YOU'RE INTO IT, 227 00:07:51,707 --> 00:07:53,874 THEN BASS PLAYERS ARE A DIME A DOZEN. 228 00:07:53,909 --> 00:07:55,542 DO YOU WANT TO DO THIS TOUR? 229 00:07:55,577 --> 00:07:57,510 OF COURSE, I WANT TO DO THE TOUR-- 230 00:07:57,546 --> 00:07:58,478 THEN ACT LIKE IT. 231 00:08:04,720 --> 00:08:06,720 [♪♪♪] 232 00:08:12,327 --> 00:08:14,294 [ENTRY BELL JINGLES] 233 00:08:14,362 --> 00:08:15,762 HEY! 234 00:08:15,831 --> 00:08:18,031 HI! 235 00:08:18,100 --> 00:08:19,933 SO, I WAS ABLE TO GET YOU ON THE LIST FOR THE SOUND CHECK. 236 00:08:19,968 --> 00:08:21,234 DANI IS GONNA BE THRILLED, THANK YOU. 237 00:08:21,269 --> 00:08:22,335 AND... 238 00:08:22,370 --> 00:08:24,370 I HAVE SOME DALTON TOUR JACKETS 239 00:08:24,439 --> 00:08:25,806 I'D LIKE TO SELL ON CONSIGNMENT. 240 00:08:25,841 --> 00:08:27,040 OH, WOW, THESE ARE COOL. 241 00:08:27,076 --> 00:08:28,541 THAT ONE HAS AN AUTOGRAPH, SO... 242 00:08:28,577 --> 00:08:30,476 IT SHOULD BE WORTH MORE. 243 00:08:30,512 --> 00:08:31,477 DANI MIGHT BUY IT FOR HERSELF. 244 00:08:31,513 --> 00:08:33,279 [CHUCKLING] 245 00:08:33,315 --> 00:08:36,349 IS THE REAL JOHN LIKE THE ONE THE PUBLIC SEES? 246 00:08:37,319 --> 00:08:38,251 SURE. 247 00:08:38,286 --> 00:08:40,053 EVEN BETTER. 248 00:08:40,089 --> 00:08:41,254 IT'S NICE HE'S BEEN MARRIED TO HIS HIGH-SCHOOL SWEETHEART 249 00:08:41,289 --> 00:08:42,689 FOR ALL THESE YEARS. 250 00:08:42,725 --> 00:08:45,826 DON'T FORGET, JOHN'S THE GUY WHO WROTE "TRUE TO YOU." 251 00:08:45,894 --> 00:08:47,227 DO YOU REALLY THINK THE FANS WOULD HAVE STAYED 252 00:08:47,262 --> 00:08:48,762 IF THEY'D BROKEN UP? 253 00:08:48,831 --> 00:08:50,697 I DO THINK THEY LIKE THE FACT THAT THEY'VE STAYED TOGETHER, 254 00:08:50,766 --> 00:08:52,165 BUT EVERYONE'S HUMAN. 255 00:08:52,234 --> 00:08:54,134 EVEN SONNY AND CHER SPLIT UP. 256 00:08:54,203 --> 00:08:56,136 YUP. 257 00:08:56,171 --> 00:08:57,704 DIDN'T HURT HER CAREER. 258 00:09:00,109 --> 00:09:01,574 -HEY, HON'. -HEY, SWEETHEART. 259 00:09:01,610 --> 00:09:02,475 [CHUCKLING] WHAT A DAY. 260 00:09:02,510 --> 00:09:03,543 LOOKS LIKE WE MADE THE NEWS, 261 00:09:03,612 --> 00:09:05,011 SOMETHING ABOUT OUR NEW CONDO PROJECT? 262 00:09:05,080 --> 00:09:06,412 REALLY? WHAT ABOUT IT? 263 00:09:06,448 --> 00:09:07,580 I'M NOT SURE, 264 00:09:07,616 --> 00:09:09,349 THEY JUST GAVE ME A HEADS-UP TO WATCH TONIGHT. 265 00:09:09,384 --> 00:09:10,683 OH. 266 00:09:10,719 --> 00:09:12,052 COLLEGE STUDENTS 267 00:09:12,087 --> 00:09:13,754 WERE AT THE CITY COUNCIL MEETING TODAY 268 00:09:13,789 --> 00:09:15,856 SEEKING HISTORICAL STATUS FOR THE OLD HATCHER BUILDING, 269 00:09:15,891 --> 00:09:18,458 SLATED FOR DEMOLITION... 270 00:09:18,493 --> 00:09:20,593 WE ARE HERE TODAY TO PRESENT A PETITION 271 00:09:20,629 --> 00:09:24,264 SIGNED BY 112 CONCERNED CITIZENS 272 00:09:24,299 --> 00:09:25,298 TO SAVE THE HATCHER BUILDING-- 273 00:09:25,333 --> 00:09:26,900 [PAUSES TV PLAYBACK] 274 00:09:26,935 --> 00:09:27,834 THAT'S HANNAH! 275 00:09:32,875 --> 00:09:35,041 HANNAH, HOW WAS YOUR DAY? 276 00:09:35,077 --> 00:09:36,109 IT WAS FINE. 277 00:09:36,145 --> 00:09:38,078 DO ANYTHING INTERESTING? 278 00:09:38,113 --> 00:09:40,046 NO, NOT PARTICULARLY. 279 00:09:40,082 --> 00:09:41,214 HMM. 280 00:09:41,250 --> 00:09:42,382 LOOKED LIKE YOU ON THE NEWS TONIGHT. 281 00:09:43,852 --> 00:09:45,585 WE MADE THE NEWS? 282 00:09:45,620 --> 00:09:46,787 THAT'S GREAT. 283 00:09:46,855 --> 00:09:48,789 MAY I BE EXCUSED? I'VE GOT TO TELL EVERYBODY. 284 00:09:48,824 --> 00:09:50,056 WHOA, THERE. 285 00:09:50,092 --> 00:09:52,159 YOU KNOW THAT'S MY COMPANY BUILDING THE CONDOS. 286 00:09:52,227 --> 00:09:53,726 I KNOW. BUT YOU CAN'T. 287 00:09:53,762 --> 00:09:55,495 ACTUALLY, WE CAN. 288 00:09:55,530 --> 00:09:57,197 DAD, A LOT OF PEOPLE REALLY CARE 289 00:09:57,266 --> 00:09:58,265 ABOUT THAT BUILDING'S HISTORY. 290 00:09:58,300 --> 00:10:00,267 YOU CAN'T TEAR IT DOWN TO BUILD CONDOS. 291 00:10:00,335 --> 00:10:01,401 WE'LL TALK LATER. 292 00:10:04,472 --> 00:10:05,939 DO YOU KNOW THE HATCHER BUILDING? 293 00:10:05,974 --> 00:10:07,107 NO. 294 00:10:07,176 --> 00:10:08,875 BUT, I MEAN, IF YOU BUILD A SKATE PARK THERE 295 00:10:08,911 --> 00:10:10,343 INSTEAD OF SOME CONDOS, 296 00:10:10,378 --> 00:10:12,779 YOU'VE DEFINITELY GOT MY VOTE. 297 00:10:14,749 --> 00:10:18,151 [CHUCKLING] 298 00:10:18,220 --> 00:10:20,520 OF COURSE, I WANTED TO SEE YOUR PLACE. 299 00:10:20,555 --> 00:10:21,721 I JUST KNOW HOW DIFFICULT IT CAN BE 300 00:10:21,756 --> 00:10:23,023 TO HAVE A HOUSE GUEST. 301 00:10:23,058 --> 00:10:24,124 WELL, YOU'RE NOT A HOUSE GUEST, 302 00:10:24,159 --> 00:10:25,258 YOU'RE MY SISTER, 303 00:10:25,294 --> 00:10:26,559 AND I DO HAVE A GUEST BEDROOM. 304 00:10:26,594 --> 00:10:27,593 OH, YOU KNOW ME, 305 00:10:27,662 --> 00:10:29,229 I LIKE STAYING AT NICE HOTELS. 306 00:10:29,298 --> 00:10:30,363 AND ROOM SERVICE. 307 00:10:30,432 --> 00:10:31,331 YEAH, THAT TOO. 308 00:10:31,399 --> 00:10:32,265 OH, WOW... 309 00:10:39,942 --> 00:10:40,874 THANK YOU. 310 00:10:40,909 --> 00:10:41,875 MM-HMM. 311 00:10:47,115 --> 00:10:48,315 YOU KNOW, DANI, 312 00:10:48,350 --> 00:10:50,350 YOUR PLACE IS REALLY NICE. 313 00:10:50,418 --> 00:10:51,417 YOU THINK? 314 00:10:51,453 --> 00:10:52,418 YEAH. 315 00:10:52,454 --> 00:10:53,486 WELL... 316 00:10:53,521 --> 00:10:55,355 IT TAKES A LITTLE GETTING USED TO, 317 00:10:55,390 --> 00:10:56,689 BUT I MEAN THAT IN A GOOD WAY. 318 00:10:57,792 --> 00:10:58,758 YEAH. 319 00:11:00,028 --> 00:11:01,361 I'M A LITTLE SURPRISED 320 00:11:01,396 --> 00:11:03,964 THAT JUST, OUT OF THE BLUE, YOU DECIDED TO VISIT. 321 00:11:03,999 --> 00:11:05,365 WELL, YOU KNOW, 322 00:11:05,400 --> 00:11:06,867 I WAS JUST THINKING ABOUT 323 00:11:06,902 --> 00:11:10,270 HOW FAST TIME IS JUST SLIPPING AWAY, 324 00:11:10,305 --> 00:11:12,372 AND YOU HAVE TRIED TO GET TOGETHER 325 00:11:12,407 --> 00:11:13,606 SO MANY TIMES OVER THE YEARS, 326 00:11:13,675 --> 00:11:15,876 SO... HERE I AM. 327 00:11:15,944 --> 00:11:17,710 BETTER LATE THAN NEVER, RIGHT? 328 00:11:17,746 --> 00:11:19,412 OKAY... 329 00:11:20,548 --> 00:11:21,714 OOH, YOU KNOW WHAT, 330 00:11:21,783 --> 00:11:22,916 I'M GOING TO SHOW YOU PICTURES OF THE GIRLS. 331 00:11:22,951 --> 00:11:24,117 YOU WILL NOT BELIEVE HOW BIG THEY'RE GETTING. 332 00:11:24,152 --> 00:11:25,151 MM. 333 00:11:25,187 --> 00:11:26,086 ONE SECOND. 334 00:11:29,191 --> 00:11:31,057 [♪♪♪] 335 00:11:36,731 --> 00:11:38,464 NO, IT WAS... IT WAS FUN. 336 00:11:38,533 --> 00:11:39,399 I MEAN, EVERY SO OFTEN, 337 00:11:39,434 --> 00:11:41,134 THE OLD BETH ANN WOULD PEEK OUT, 338 00:11:41,169 --> 00:11:44,771 BUT FOR THE MOST PART, SHE WAS... NICE. 339 00:11:44,806 --> 00:11:45,705 DANI, DON'T BE SO CYNICAL. 340 00:11:45,740 --> 00:11:47,140 PEOPLE CHANGE. 341 00:11:47,175 --> 00:11:48,341 [ENTRY BELL JINGLES] 342 00:11:50,512 --> 00:11:51,477 HI. 343 00:11:51,546 --> 00:11:53,013 UM, WE WERE JUST OUT 344 00:11:53,048 --> 00:11:54,714 LOOKING FOR SOME THINGS FOR THE TOUR... 345 00:11:54,783 --> 00:11:55,848 AND CASSIE SAID 346 00:11:55,918 --> 00:11:57,217 THERE WAS A FAN OF MINE IN HERE. 347 00:11:57,252 --> 00:11:58,919 RIGHT HERE. 348 00:11:58,954 --> 00:12:00,486 YOU MUST BE DANI. 349 00:12:00,522 --> 00:12:03,156 [LAUGHS GIDDILY] HI. JOHN.... 350 00:12:03,191 --> 00:12:04,791 IT'S NICE TO MEET YOU. 351 00:12:04,859 --> 00:12:05,858 AND YOU'RE PAMELA! 352 00:12:05,894 --> 00:12:07,493 I'VE LOVED YOU BOTH FOR SO LONG. 353 00:12:07,529 --> 00:12:09,796 AW, THANKS. 354 00:12:09,831 --> 00:12:11,298 DANI, NOW'S YOUR CHANCE, YOU CAN GET A PHOTO. 355 00:12:11,366 --> 00:12:12,732 OH, I DON'T WANT TO BOTHER JOHN. 356 00:12:12,767 --> 00:12:14,067 IT'S NO BOTHER. 357 00:12:14,136 --> 00:12:15,435 GIVE PAM YOUR PHONE. 358 00:12:15,470 --> 00:12:16,903 I DON'T HAVE A PHONE. 359 00:12:16,939 --> 00:12:17,938 JENN, I DON'T HAVE A PHONE-- 360 00:12:17,973 --> 00:12:19,005 OH, USE MINE. 361 00:12:19,041 --> 00:12:19,973 HERE. 362 00:12:26,415 --> 00:12:27,180 [CAMERA SHUTTER CLICKS] 363 00:12:27,215 --> 00:12:28,214 PERFECT. 364 00:12:29,284 --> 00:12:30,483 OKAY, BABE, 365 00:12:30,552 --> 00:12:32,718 YOU ARE GOING TO BE LATE. 366 00:12:32,754 --> 00:12:34,487 I'M GOING TO STAY AND DO SOME SHOPPING. 367 00:12:34,522 --> 00:12:35,621 YES, MA'AM. 368 00:12:36,758 --> 00:12:37,958 IT WAS NICE TO MEET YOU BOTH. 369 00:12:38,026 --> 00:12:39,592 IT'S NICE TO MEET YOU, TOO. 370 00:12:39,661 --> 00:12:40,793 THANK YOU. 371 00:12:40,829 --> 00:12:41,761 JOHN DALTON... 372 00:12:43,865 --> 00:12:46,199 I HAVE A SET OF ROYAL ALBERT AND I'M MISSING A COUPLE PIECES. 373 00:12:46,234 --> 00:12:47,233 DO YOU HAVE ANY? 374 00:12:47,302 --> 00:12:48,268 OH, UH, YES. 375 00:12:48,303 --> 00:12:49,502 BACK IN THE CORNER. 376 00:12:51,340 --> 00:12:53,173 HOW CUTE IS THAT? 377 00:12:58,213 --> 00:12:59,980 [STRUMMING] 378 00:13:02,284 --> 00:13:05,718 [EXPERIMENTALLY HUMMING A TUNE] 379 00:13:05,753 --> 00:13:07,820 [♪♪♪] 380 00:13:18,066 --> 00:13:19,099 [DOORBELL RINGS] 381 00:13:27,642 --> 00:13:29,542 SORRY TO COME BY SO LATE. 382 00:13:29,577 --> 00:13:31,378 CAN WE TALK? 383 00:13:31,413 --> 00:13:32,345 SURE. 384 00:13:32,381 --> 00:13:33,880 COME ON IN. 385 00:13:40,055 --> 00:13:42,889 SO, LISTEN, I'M SORRY ABOUT THIS AFTERNOON. 386 00:13:42,924 --> 00:13:44,290 OKAY? 387 00:13:46,694 --> 00:13:49,262 YOU ARE AN INTEGRAL PART OF THIS BAND, 388 00:13:49,297 --> 00:13:51,164 AND I-- AND JOHN-- 389 00:13:51,199 --> 00:13:53,866 WE COULDN'T IMAGINE GOING ON THIS TOUR WITHOUT YOU. 390 00:13:53,935 --> 00:13:56,136 JOHN MUST HAVE REALLY LET YOU HAVE IT. 391 00:13:56,204 --> 00:13:57,404 THIS HAS NOTHING TO DO WITH JOHN. 392 00:13:57,439 --> 00:13:59,072 I OVERREACTED. 393 00:13:59,141 --> 00:14:01,474 I KNOW THAT WHEN THAT CURTAIN GOES UP, 394 00:14:01,510 --> 00:14:03,309 YOU WILL BE THERE 100%. 395 00:14:03,378 --> 00:14:04,744 WELL, THANK YOU. 396 00:14:06,981 --> 00:14:08,648 IS THERE ANYTHING GOING ON? 397 00:14:08,683 --> 00:14:11,017 ANYTHING YOU WANT TO TALK ABOUT? 398 00:14:11,053 --> 00:14:12,452 I'M FINE. 399 00:14:12,487 --> 00:14:15,655 I ALWAYS GET A LITTLE... EMOTIONAL BEFORE A TOUR. 400 00:14:15,723 --> 00:14:16,456 HEY, YEAH, I GET THAT. 401 00:14:16,525 --> 00:14:18,091 I GET THAT. ME TOO. 402 00:14:19,294 --> 00:14:22,228 WELL, THANK YOU FOR COMING OVER. 403 00:14:23,598 --> 00:14:26,166 YOU KNOW, I COULD USE A DRINK. 404 00:14:27,502 --> 00:14:28,834 UH... 405 00:14:28,903 --> 00:14:30,937 IT'S KINDA LATE, RICK. 406 00:14:31,005 --> 00:14:32,505 YEAH, YOU'RE RIGHT. 407 00:14:34,076 --> 00:14:35,308 I'LL LET MYSELF OUT. 408 00:14:35,377 --> 00:14:36,576 GOODNIGHT. 409 00:14:36,611 --> 00:14:38,344 YEAH. 410 00:14:49,791 --> 00:14:51,891 YOU'VE BEEN TO THE SECOND AVE CLUB BEFORE, RIGHT? 411 00:14:51,960 --> 00:14:53,460 A LONG TIME AGO. 412 00:14:53,495 --> 00:14:54,794 WOULDN'T IT BE GREAT IF WE STUCK AROUND 413 00:14:54,829 --> 00:14:56,862 AND WE COULD SEE THE ACTUAL SHOW? 414 00:14:56,898 --> 00:14:58,698 YEAH, BUT SOUND CHECK WILL BE FUN. 415 00:14:58,733 --> 00:15:00,666 OH, BETH ANN SAYS 416 00:15:00,735 --> 00:15:02,702 SHE WANTS TO WORK HERE ONE AFTERNOON. 417 00:15:02,737 --> 00:15:03,769 OH. 418 00:15:03,838 --> 00:15:05,037 NOT HANG OUT, BUT WORK? 419 00:15:05,073 --> 00:15:06,339 THAT'S WHAT SHE SAID. 420 00:15:06,374 --> 00:15:07,340 I SAY LET HER. 421 00:15:07,409 --> 00:15:08,708 SHE KNOWS ANTIQUES. 422 00:15:08,743 --> 00:15:10,009 OH, BUT CAN SHE SELL? 423 00:15:10,044 --> 00:15:12,712 I'VE ONLY EVER SEEN HER BUY. 424 00:15:12,780 --> 00:15:17,717 [♪♪♪] 425 00:15:17,752 --> 00:15:19,685 WHEW! 426 00:15:19,754 --> 00:15:20,520 HI. JENN AND DANI? 427 00:15:20,589 --> 00:15:21,921 WE'RE ON THE LIST? 428 00:15:23,758 --> 00:15:24,591 THANK YOU. 429 00:15:35,537 --> 00:15:36,603 I WILL FIGURE IT OUT-- 430 00:15:36,671 --> 00:15:38,037 -FIND HER. -I WILL DEAL WITH IT-- 431 00:15:38,072 --> 00:15:39,372 -FIND HER. -OKAY. 432 00:15:41,876 --> 00:15:44,377 [PAMELA SIGHING TESTILY] 433 00:15:44,412 --> 00:15:46,045 -HI. -HI. 434 00:15:46,114 --> 00:15:47,880 IS EVERYTHING OKAY? 435 00:15:47,915 --> 00:15:50,150 LITA, OUR BASS PLAYER, NEEDS TO BE HERE NOW. 436 00:15:50,185 --> 00:15:51,651 OUR SOUND CHECK STARTS IN MINUTES. 437 00:15:51,686 --> 00:15:53,119 JOHN USES THIS AS A LAST REHEARSAL, 438 00:15:53,155 --> 00:15:54,254 RUNS THROUGH STOPS AND STARTS-- 439 00:15:54,289 --> 00:15:55,522 PAMELA! 440 00:16:00,094 --> 00:16:01,594 WHAT IS THIS? 441 00:16:01,630 --> 00:16:03,163 WE ALL JUST GOT THIS. 442 00:16:04,332 --> 00:16:06,633 "I CAN'T DO THIS ANYMORE. 443 00:16:06,668 --> 00:16:07,467 "LOVE YOU ALL. GOODBYE. 444 00:16:07,502 --> 00:16:08,468 LITA." 445 00:16:08,537 --> 00:16:09,835 SHE CAN'T QUIT. 446 00:16:09,871 --> 00:16:11,704 NOT NOW. 447 00:16:11,773 --> 00:16:13,473 I'M GOING TO DRAG HER BACK HERE BY THE SCRUFF OF THE NECK. 448 00:16:13,508 --> 00:16:14,807 CASSIE, DRIVE ME OVER. 449 00:16:14,876 --> 00:16:16,075 I'LL HAVE HER BACK IN HALF AN HOUR. 450 00:16:17,679 --> 00:16:18,645 [RICK]: ALL RIGHT, BACK TO WORK! 451 00:16:18,680 --> 00:16:20,180 BACK TO WORK! 452 00:16:20,248 --> 00:16:21,814 SOUND CHECK IN 30 MINUTES. 453 00:16:21,849 --> 00:16:23,716 THE SHOW STARTS ON TIME, ALL RIGHT? 454 00:16:25,487 --> 00:16:26,819 YOU GUYS ARE WELCOME TO STAY. 455 00:16:26,854 --> 00:16:29,121 LOOKS LIKE WE'LL BE DELAYED HALF AN HOUR OR SO. 456 00:16:29,191 --> 00:16:30,356 WHAT HAPPENED? 457 00:16:30,392 --> 00:16:31,857 OUR BASS PLAYER JUST QUIT, 458 00:16:31,893 --> 00:16:32,958 BY TEXT. 459 00:16:44,706 --> 00:16:45,672 HER CAR'S HERE. 460 00:16:45,707 --> 00:16:46,639 YEAH. 461 00:16:49,377 --> 00:16:51,344 LITA! 462 00:16:51,379 --> 00:16:52,612 [BANGING] 463 00:16:52,647 --> 00:16:54,614 OPEN THE DOOR! 464 00:16:54,649 --> 00:16:55,915 [POUNDING] 465 00:16:57,252 --> 00:16:58,585 USE YOUR KEY. 466 00:17:06,961 --> 00:17:08,595 LITA? 467 00:17:10,665 --> 00:17:12,164 LITA? 468 00:17:13,735 --> 00:17:14,767 [GASPS IN HORROR] 469 00:17:15,870 --> 00:17:17,337 CALL 9-1-1. 470 00:17:25,146 --> 00:17:27,313 I-I NEED... I NEED AN AMBULANCE. 471 00:17:43,523 --> 00:17:45,290 [CAMERA SHUTTERS SNAPPING] 472 00:17:46,359 --> 00:17:47,559 YOU GOT IT? 473 00:17:47,594 --> 00:17:48,426 YEAH. 474 00:17:48,495 --> 00:17:49,294 THANK YOU. 475 00:18:16,223 --> 00:18:17,989 WHAT ARE YOU DOING HERE? 476 00:18:18,057 --> 00:18:19,790 WHAT ARE YOU DOING HERE? 477 00:18:19,859 --> 00:18:21,526 THIS ISN'T A HOMICIDE. 478 00:18:21,561 --> 00:18:23,828 A DETECTIVE GOES TO THE SCENE OF ANY UNATTENDED DEATH. 479 00:18:23,863 --> 00:18:25,130 AND YOU? 480 00:18:25,165 --> 00:18:27,532 WELL, I WAS AT THE CLUB WHEN EVERYONE GOT THE TEXT. 481 00:18:27,567 --> 00:18:29,534 LITA MERRILL BROUGHT SOME THINGS INTO MY STORE. 482 00:18:29,603 --> 00:18:31,469 SHE'S SELLING THEM ON CONSIGNMENT. 483 00:18:31,505 --> 00:18:32,803 AND? 484 00:18:32,872 --> 00:18:35,173 WELL, WHY DOES SOMEONE SELL THINGS ON CONSIGNMENT 485 00:18:35,208 --> 00:18:36,907 IF THEY'RE PLANNING ON KILLING THEMSELVES? 486 00:18:36,943 --> 00:18:39,210 WELL, THAT APPEARS TO BE WHAT HAPPENED. 487 00:18:39,246 --> 00:18:40,445 OKAY. 488 00:18:40,514 --> 00:18:41,779 IF IT'S NOT A CRIME SCENE, 489 00:18:41,814 --> 00:18:43,814 THEN YOU DON'T MIND IF I TAKE A LOOK AROUND, DO YOU? 490 00:18:43,850 --> 00:18:45,617 [SIGHS] 491 00:18:45,652 --> 00:18:47,218 ALL RIGHT. 492 00:18:47,254 --> 00:18:48,719 I'LL HUMOR YOU. 493 00:18:48,788 --> 00:18:51,956 JUST TAKE A LOOK AROUND, AND TELL ME WHAT YOU SEE. 494 00:18:51,991 --> 00:18:52,923 I'LL BE BACK IN A MINUTE, 495 00:18:52,959 --> 00:18:55,493 AND DON'T TOUCH ANYTHING. 496 00:19:35,935 --> 00:19:37,435 [SIGHS SADLY] 497 00:19:46,879 --> 00:19:47,878 OKAY, SHERLOCK, 498 00:19:47,947 --> 00:19:49,180 KNOCK YOURSELF OUT. 499 00:19:49,249 --> 00:19:51,516 LET'S HEAR WHAT YOU GOT. 500 00:19:51,551 --> 00:19:55,119 WELL, LET ME FIRST SAY, THIS IS INCREDIBLY SAD. 501 00:19:55,154 --> 00:19:56,821 I MEAN, I DIDN'T KNOW LITA MERRILL THAT WELL, 502 00:19:56,889 --> 00:19:59,724 BUT IT'S HARD TO BELIEVE SHE'S GONE. 503 00:19:59,759 --> 00:20:01,192 BUT FROM A MYSTERY STANDPOINT, 504 00:20:01,228 --> 00:20:03,761 THERE DOESN'T APPEAR TO BE ANY FORCED ENTRY. 505 00:20:03,796 --> 00:20:05,763 WERE THE DOORS LOCKED, THE WINDOWS UNDISTURBED? 506 00:20:05,832 --> 00:20:07,532 ALL OF THEM. 507 00:20:07,567 --> 00:20:08,433 DID YOU SEE THE TEXT? 508 00:20:08,468 --> 00:20:09,667 NO. 509 00:20:09,736 --> 00:20:11,236 BUT PAMELA TOLD ME THAT LITA WROTE 510 00:20:11,271 --> 00:20:13,304 SHE COULDN'T DO THIS ANYMORE, SHE LOVED EVERYONE, 511 00:20:13,340 --> 00:20:14,472 AND GOODBYE. 512 00:20:14,507 --> 00:20:16,107 AND THERE'S YOUR SUICIDE NOTE. 513 00:20:16,142 --> 00:20:18,376 NOW, FROM WHAT I KNOW, 514 00:20:18,411 --> 00:20:21,479 DALTON AND CASSIE, THEY KNOCKED ON THE DOOR, 515 00:20:21,514 --> 00:20:22,580 THERE'S NO ANSWER, 516 00:20:22,616 --> 00:20:23,548 AND THEY LET THEMSELVES IN. 517 00:20:23,583 --> 00:20:24,782 WAIT, THEY HAD A KEY? 518 00:20:24,851 --> 00:20:26,016 YES. 519 00:20:26,052 --> 00:20:28,219 CASSIE HAS ONE FOR EVERY BAND MEMBER. 520 00:20:28,288 --> 00:20:29,721 SO, THEY ENTERED, 521 00:20:29,756 --> 00:20:31,289 THEY SAW HER HANGING. 522 00:20:31,358 --> 00:20:33,090 CASSIE CALLED 9-1-1, 523 00:20:33,159 --> 00:20:35,660 AND THEN JOHN LIFTED HER DOWN, 524 00:20:35,695 --> 00:20:38,463 AND ATTEMPTED RESUSCITATION. 525 00:20:38,498 --> 00:20:39,731 WHAT'S YOUR THEORY? 526 00:20:39,799 --> 00:20:41,999 SHE SEEMED SO HAPPY, FRANK. 527 00:20:42,034 --> 00:20:43,768 SHE WAS VERY EXCITED ABOUT GOING ON TOUR. 528 00:20:43,803 --> 00:20:45,770 IT JUST DOESN'T FIT. 529 00:20:45,838 --> 00:20:46,638 WELL, A LOT OF PEOPLE, 530 00:20:46,673 --> 00:20:49,073 YOU KNOW, TROUBLED PEOPLE, 531 00:20:49,108 --> 00:20:51,208 THEY'RE ABLE TO HIDE THEIR PROBLEMS. 532 00:20:51,244 --> 00:20:53,378 I'VE SEEN IT MANY TIMES BEFORE. 533 00:20:53,413 --> 00:20:55,913 NOW WHAT HAPPENS? 534 00:20:55,948 --> 00:20:56,914 WAIT FOR THE CORONER'S REPORT, 535 00:20:56,949 --> 00:20:59,584 AND IF ALL IS AS IT SEEMS, THEN... 536 00:20:59,653 --> 00:21:01,286 IT IS WHAT IT IS. 537 00:21:13,333 --> 00:21:14,265 HERE YOU GO. 538 00:21:14,301 --> 00:21:15,433 THANK YOU. 539 00:21:18,004 --> 00:21:19,904 TAKE-OUT'S IN THE KITCHEN. 540 00:21:19,972 --> 00:21:21,472 I THOUGHT YOU MIGHT NEED ITALIAN. 541 00:21:21,508 --> 00:21:23,474 YOU KNOW ME SO WELL. 542 00:21:23,543 --> 00:21:25,176 I'M SORRY ABOUT YOUR FRIEND. 543 00:21:26,613 --> 00:21:30,147 I KEEP THINKING ABOUT THE LAST TIME I SAW LITA. 544 00:21:30,216 --> 00:21:31,248 I DON'T KNOW WHAT TO DO 545 00:21:31,284 --> 00:21:33,117 WITH THE STUFF SHE BROUGHT IN THE STORE. 546 00:21:33,152 --> 00:21:34,585 WELL, IT BELONGS TO THE ESTATE, 547 00:21:34,621 --> 00:21:36,253 SO SOMEONE CAN COME AND CLAIM IT, 548 00:21:36,289 --> 00:21:38,756 OR YOU CAN BRING IT TO THE POLICE. 549 00:21:38,825 --> 00:21:40,325 DOES SHE HAVE FAMILY HERE? 550 00:21:40,360 --> 00:21:41,459 I DON'T KNOW. 551 00:21:41,494 --> 00:21:43,628 I REALLY DON'T KNOW THAT MUCH ABOUT HER. 552 00:21:44,664 --> 00:21:46,297 WE ARE LUCKY. 553 00:21:46,333 --> 00:21:48,032 WE HAVE EACH OTHER, 554 00:21:48,100 --> 00:21:49,567 WE HAVE TWO GREAT KIDS. 555 00:21:49,602 --> 00:21:50,401 LIFE IS GOOD. 556 00:21:50,437 --> 00:21:52,503 LIFE IS GOOD. 557 00:21:52,539 --> 00:21:53,938 BUT AS FOR THE TWO GREAT KIDS... 558 00:21:53,973 --> 00:21:55,005 [CHUCKLES] 559 00:21:55,074 --> 00:21:56,774 RIGHT NOW, I'M THINKING ONLY ONE. 560 00:21:56,810 --> 00:21:59,711 HANNAH IS CAUSING ME SO MUCH GRIEF AT WORK. 561 00:21:59,779 --> 00:22:00,911 ACTUALLY, NOT HANNAH, MY DAUGHTER, 562 00:22:00,947 --> 00:22:02,647 BECAUSE NO ONE KNOWS IT'S MY DAUGHTER 563 00:22:02,716 --> 00:22:05,416 WHO'S WORKING AGAINST MY COMPANY'S BIGGEST PROJECT. 564 00:22:06,619 --> 00:22:08,820 IT'LL BE OKAY. 565 00:22:08,888 --> 00:22:10,087 I'LL, UH, GET YOU THE FOOD. 566 00:22:10,122 --> 00:22:11,556 THANKS. 567 00:22:15,294 --> 00:22:17,829 [♪♪♪] 568 00:22:17,864 --> 00:22:20,197 IT'S HORRIBLE. I CAN'T BELIEVE IT. 569 00:22:20,266 --> 00:22:21,232 I KNEW SOMETHING WAS WRONG 570 00:22:21,267 --> 00:22:22,367 THE MINUTE EVERYONE CAME ON STAGE 571 00:22:22,402 --> 00:22:23,835 WITH THEIR CELL PHONES. 572 00:22:23,870 --> 00:22:25,236 YOU COULD SEE FROM THEIR FACES, 573 00:22:25,304 --> 00:22:26,804 THE BAND WAS JUST DEVASTATED. 574 00:22:28,575 --> 00:22:30,842 WHERE'S YOUR SISTER? 575 00:22:30,877 --> 00:22:33,277 UM, SHE'S BACK AT THE HOTEL. 576 00:22:33,312 --> 00:22:34,178 SHE GOT THEATRE TICKETS. 577 00:22:34,247 --> 00:22:35,413 WE'RE GOING LATER. 578 00:22:35,448 --> 00:22:37,415 OH, I THOUGHT SHE WANTED TO WORK IN THE STORE. 579 00:22:37,450 --> 00:22:38,416 OH, SHE DOES. 580 00:22:38,485 --> 00:22:39,851 SHE'S WORKING UP TO IT. 581 00:22:42,054 --> 00:22:43,287 WHAT ARE YOU READING? 582 00:22:43,356 --> 00:22:45,456 OH, JUST A LITTLE AGATHA CHRISTIE. 583 00:22:45,492 --> 00:22:46,791 OH, NO. 584 00:22:46,826 --> 00:22:48,393 WHAT? 585 00:22:48,428 --> 00:22:50,094 YOU'RE DOING IT AGAIN. 586 00:22:50,129 --> 00:22:51,562 DOING WHAT? 587 00:22:51,631 --> 00:22:54,265 I'M JUST READING A LITTLE MYSTERY BOOK. 588 00:22:54,300 --> 00:22:57,769 OH, YES, AND MY SISTER'S HERE BECAUSE SHE MISSES ME. 589 00:22:57,837 --> 00:23:00,438 SOLVE THAT MYSTERY. 590 00:23:16,523 --> 00:23:17,722 -HEY, DAD. -HEY. 591 00:23:17,757 --> 00:23:19,189 UH, ARE YOU GOING? 592 00:23:19,225 --> 00:23:20,425 -I WAS GOING TO TALK TO YOU. -YEAH, I'VE GOT STUDY GROUP. 593 00:23:20,460 --> 00:23:21,292 UM, NOT SURE WHEN I'LL BE BACK, 594 00:23:21,327 --> 00:23:22,259 BUT WE'LL TALK. 595 00:23:22,295 --> 00:23:23,227 OKAY. 596 00:23:28,968 --> 00:23:31,803 I TALKED TO HANNAH ABOUT THE HATCHER BUILDING. 597 00:23:31,838 --> 00:23:34,906 THAT BUILDING HAS NO HISTORICAL SIGNIFICANCE. 598 00:23:34,941 --> 00:23:36,841 I MEAN, IT LOOKS GOOD ON THE OUTSIDE, 599 00:23:36,876 --> 00:23:38,142 BUT THE INSIDE IS COMPLETELY ROTTING. 600 00:23:38,177 --> 00:23:39,710 SHE'S PRETTY PASSIONATE ABOUT IT, 601 00:23:39,746 --> 00:23:41,746 AND ISN'T THAT HOW WE RAISED HER, 602 00:23:41,781 --> 00:23:43,113 TO FIGHT FOR WHAT SHE BELIEVES IN? 603 00:23:43,182 --> 00:23:45,716 WELL, WHY COULDN'T SHE BE PASSIONATE ABOUT NEW CONDOS? 604 00:23:45,785 --> 00:23:47,284 [CHUCKLES] 605 00:23:47,320 --> 00:23:49,887 [♪♪♪] 606 00:23:53,760 --> 00:23:55,426 THE SHOW'S BEEN RESCHEDULED. 607 00:23:55,462 --> 00:23:57,027 IT'LL BE A TRIBUTE TO LITA. 608 00:23:57,063 --> 00:23:59,597 I HAVE TICKETS, IF YOU'RE STILL INTERESTED. 609 00:23:59,632 --> 00:24:00,565 WELL, I AM. 610 00:24:00,600 --> 00:24:01,599 THANK YOU. 611 00:24:01,634 --> 00:24:02,867 HOW'S JOHN? 612 00:24:02,902 --> 00:24:05,436 IT'S BEEN ROUGH. 613 00:24:05,472 --> 00:24:08,873 HE KIND OF WITHDREW INTO HIMSELF FOR A FEW DAYS. 614 00:24:08,908 --> 00:24:11,843 IT WAS SO TRAUMATIC. 615 00:24:11,878 --> 00:24:14,244 HE HAD NO CLUE LITA WAS GOING THROUGH ANYTHING. 616 00:24:14,280 --> 00:24:15,580 I GUESS SOMETIMES 617 00:24:15,615 --> 00:24:17,147 IT'S HARD TO SEE THE SIGNS. 618 00:24:17,183 --> 00:24:18,148 ACTUALLY, 619 00:24:18,184 --> 00:24:19,350 OUR MANAGER NOTICED 620 00:24:19,418 --> 00:24:21,452 SHE SEEMED A LITTLE OUT OF IT AT REHEARSAL. 621 00:24:21,488 --> 00:24:23,187 BUT... 622 00:24:23,222 --> 00:24:24,989 POOR JOHN. 623 00:24:25,024 --> 00:24:26,958 HE'S NEVER BEEN GOOD AROUND DEATH, 624 00:24:26,993 --> 00:24:28,359 AND HE WALKS IN-- 625 00:24:28,394 --> 00:24:30,027 THOUGHT SHE MIGHT STILL BE ALIVE. 626 00:24:30,062 --> 00:24:31,061 HE PERFORMED CPR 627 00:24:31,130 --> 00:24:33,297 UNTIL THE AMBULANCE GUYS ARRIVED. 628 00:24:33,332 --> 00:24:34,932 REALLY FREAKED HIM OUT. 629 00:24:34,968 --> 00:24:36,567 I'M SORRY. 630 00:24:36,603 --> 00:24:38,102 THANK YOU. 631 00:24:38,137 --> 00:24:40,805 IT'LL TAKE TIME, BUT... WE'LL GET THROUGH IT. 632 00:24:44,343 --> 00:24:46,276 OKAY, YOU'RE NOT GOING TO LIKE WHAT I'M THINKING. 633 00:24:46,312 --> 00:24:48,212 I ALREADY DON'T LIKE IT. 634 00:24:48,247 --> 00:24:50,381 I HAVE A PRETTY GOOD SENSE ABOUT PEOPLE, 635 00:24:50,416 --> 00:24:51,549 YOU GRANT ME THAT, RIGHT? 636 00:24:51,618 --> 00:24:53,484 OKAY, GRANTED. 637 00:24:53,553 --> 00:24:55,252 I TOLD YOU THAT LITA CAME INTO THE STORE 638 00:24:55,287 --> 00:24:56,654 BEFORE ALL THIS HAPPENED? 639 00:24:56,689 --> 00:24:57,989 I KNOW. 640 00:24:58,024 --> 00:24:59,189 SHE BROUGHT SOME THINGS IN TO SELL ON CONSIGNMENT. 641 00:24:59,258 --> 00:25:00,825 YES. 642 00:25:00,860 --> 00:25:03,327 THAT'S NOT WHAT A SERIOUSLY DEPRESSED PERSON DOES. 643 00:25:03,362 --> 00:25:05,930 I JUST DIDN'T GET THAT FEELING FROM HER. 644 00:25:05,965 --> 00:25:07,464 SO..? 645 00:25:09,002 --> 00:25:11,101 SO, THIS REMINDS ME OF AN AGATHA CHRISTIE MYSTERY, 646 00:25:11,137 --> 00:25:13,470 WHERE THERE WAS A STAGED SUICIDE. 647 00:25:14,641 --> 00:25:15,873 GO AHEAD. 648 00:25:15,909 --> 00:25:16,874 I DON'T KNOW THAT LITA MERRILL 649 00:25:16,910 --> 00:25:18,976 EVEN KICKED THAT CHAIR OVER. 650 00:25:19,012 --> 00:25:20,277 IS IT POSSIBLE 651 00:25:20,312 --> 00:25:22,246 THAT SOMEONE TIED THAT ROPE OVER THE BEAM, 652 00:25:22,281 --> 00:25:23,881 LIFTED HER UP, AND PLACED HER INTO THE ROPE, 653 00:25:23,950 --> 00:25:25,182 THEN FLUNG THE CHAIR OVER 654 00:25:25,251 --> 00:25:26,651 MAKING IT LOOK LIKE IT WAS KICKED? 655 00:25:26,719 --> 00:25:28,519 AND I TOOK A CLOSE LOOK AT THAT CHAIR? 656 00:25:28,555 --> 00:25:30,021 THERE WAS A LOOSE SCREW ON THE LEG. 657 00:25:30,056 --> 00:25:31,055 I DON'T EVEN KNOW 658 00:25:31,123 --> 00:25:31,923 IF IT COULD HAVE SUPPORTED THE WEIGHT 659 00:25:31,958 --> 00:25:32,924 OF SOMEONE STANDING ON IT. 660 00:25:34,794 --> 00:25:36,093 SO, MY AIRTIGHT, 661 00:25:36,162 --> 00:25:38,328 LOCKED-UP-AND-DONE SUICIDE 662 00:25:38,364 --> 00:25:39,764 IS NOW MURDER? 663 00:25:39,799 --> 00:25:41,298 NOT YET. 664 00:25:41,367 --> 00:25:42,733 BUT CAN WE TAKE A CLOSER LOOK? 665 00:25:45,615 --> 00:25:47,748 SHE WAS PRETTY MUCH ALONE IN THE WORLD. 666 00:25:48,007 --> 00:25:49,340 BOTH PARENTS DEAD, 667 00:25:48,875 --> 00:25:50,541 NO BROTHERS AND SISTERS. 668 00:25:51,845 --> 00:25:53,945 DID SHE OWN THIS HOUSE? 669 00:25:54,014 --> 00:25:55,312 WHO WOULD IT GO TO? 670 00:25:55,348 --> 00:25:57,181 WELL, IT DOESN'T APPEAR SHE HAD A WILL, 671 00:25:57,216 --> 00:25:58,482 AND IF NO HEIRS COME FORWARD, 672 00:25:58,518 --> 00:25:59,951 THE ASSETS WILL GO TO THE STATE. 673 00:25:59,986 --> 00:26:01,252 WHAT WERE THE ASSETS? 674 00:26:01,287 --> 00:26:02,553 NOT MUCH. 675 00:26:02,588 --> 00:26:03,855 THE HOUSE HAS A MORTGAGE. 676 00:26:03,923 --> 00:26:05,222 SEVEN-YEAR-OLD CAR. 677 00:26:09,562 --> 00:26:12,396 IT'S SPOOKY IN HERE NOW. 678 00:26:12,431 --> 00:26:14,431 WELL, I'D LIKE TO SAY YOU GET USED TO IT, 679 00:26:14,500 --> 00:26:16,768 BUT... NOT REALLY. 680 00:26:16,803 --> 00:26:17,902 SO... 681 00:26:17,937 --> 00:26:20,538 WHAT'S ON THE AGENDA FOR US TODAY? 682 00:26:20,573 --> 00:26:22,840 WELL, I NEVER REALLY DID GET TO SEE 683 00:26:22,876 --> 00:26:24,676 THE WHOLE HOUSE, SO... 684 00:26:24,744 --> 00:26:27,511 MAYBE JUST LOOK AROUND, OKAY? 685 00:26:27,547 --> 00:26:28,913 MM-HMM. 686 00:26:30,917 --> 00:26:32,449 A HOME RECORDING STUDIO. 687 00:26:32,485 --> 00:26:34,385 I WONDER IF SHE LEFT A MESSAGE. 688 00:26:34,420 --> 00:26:36,821 WELL, I THINK THAT TEXT COVERS MESSAGES. 689 00:26:36,856 --> 00:26:38,255 SHE SAID HER GOODBYES. 690 00:26:38,291 --> 00:26:42,393 DID SHE HAVE A DIARY, OR ANYTHING LIKE THAT? 691 00:26:42,461 --> 00:26:43,327 NOPE. 692 00:26:44,731 --> 00:26:46,864 WHAT ABOUT A BOYFRIEND OR AN EX? 693 00:26:46,900 --> 00:26:47,865 HER LAST RELATIONSHIP ENDED 694 00:26:47,901 --> 00:26:49,600 ABOUT TWO AND A HALF YEARS AGO. 695 00:26:49,635 --> 00:26:51,235 HE'S MARRIED NOW, LIVES IN FLORIDA. 696 00:26:58,812 --> 00:27:01,012 HEY, THERE ARE TWO TOOTHBRUSHES IN HERE. 697 00:27:01,047 --> 00:27:02,046 TWO TOOTHBRUSHES? 698 00:27:02,082 --> 00:27:03,514 REALLY? 699 00:27:03,583 --> 00:27:05,817 SHE WAS MURDERED. 700 00:27:05,885 --> 00:27:07,085 MY WIFE HAS TWO TOOTHBRUSHES. 701 00:27:07,120 --> 00:27:08,652 SO WHAT? 702 00:27:08,688 --> 00:27:09,754 CAN WE WRAP THIS UP? 703 00:27:09,789 --> 00:27:12,423 I'VE GOT A REAL MURDER TO FOLLOW UP ON. 704 00:27:18,464 --> 00:27:19,697 FRANK... 705 00:27:20,900 --> 00:27:22,233 SEE? 706 00:27:22,301 --> 00:27:23,968 TAKE A LOOK AT THIS, WHAT DO YOU THINK? 707 00:27:25,739 --> 00:27:27,504 WELL, IT'S A LITTLE WOBBLY, 708 00:27:27,540 --> 00:27:29,440 DOESN'T MEAN SOMEBODY COULDN'T STAND ON IT. 709 00:27:29,475 --> 00:27:32,610 YEAH, YOU'RE PROBABLY RIGHT. 710 00:27:32,645 --> 00:27:34,578 I DON'T KNOW, I JUST... 711 00:27:34,647 --> 00:27:37,181 SOMETHING DOESN'T FEEL RIGHT. 712 00:27:42,822 --> 00:27:44,889 HEY, DID YOU SEE THIS? 713 00:27:44,924 --> 00:27:46,657 THERE'S A SCRATCH ON THE FLOOR 714 00:27:46,692 --> 00:27:47,792 WHERE THE CHAIR WOULD HAVE BEEN, 715 00:27:47,827 --> 00:27:50,294 BUT THE LEGS ON THE CHAIR HAVE FELT PADS. 716 00:27:50,329 --> 00:27:52,830 THEN THAT CHAIR DIDN'T MAKE THAT SCRATCH. 717 00:27:52,866 --> 00:27:54,732 DO YOU KNOW WHAT DID? 718 00:27:54,801 --> 00:27:55,967 OR HOW LONG AGO? 719 00:27:57,670 --> 00:27:58,770 OKAY, TIME TO GO. 720 00:27:58,805 --> 00:28:00,371 [SIGHS] 721 00:28:00,406 --> 00:28:01,338 FRANK... 722 00:28:06,545 --> 00:28:08,045 THANK YOU. 723 00:28:08,081 --> 00:28:09,213 [SQUEALS IN EXCITEMENT] 724 00:28:09,282 --> 00:28:11,382 YOU WENT SHOPPING. 725 00:28:11,417 --> 00:28:14,252 HAPPY BELATED BIRTHDAY TO MY BABY SISTER. 726 00:28:14,320 --> 00:28:15,286 OH. 727 00:28:15,321 --> 00:28:17,721 HERE WE GO. 728 00:28:17,757 --> 00:28:18,756 LOOK. 729 00:28:18,792 --> 00:28:19,657 SO PRETTY. 730 00:28:19,692 --> 00:28:22,126 OH. WOW... 731 00:28:22,162 --> 00:28:24,695 I LOVE THIS ONE. 732 00:28:24,730 --> 00:28:26,030 UM... 733 00:28:27,300 --> 00:28:29,366 OH, HONEY, I... 734 00:28:29,435 --> 00:28:31,435 I DON'T KNOW WHAT TO SAY. 735 00:28:31,470 --> 00:28:32,770 "THANK YOU." [LAUGHS] 736 00:28:32,839 --> 00:28:34,205 EXCEPT I JUST, 737 00:28:34,240 --> 00:28:35,940 I WOULDN'T WEAR ANY OF THESE. 738 00:28:35,975 --> 00:28:39,277 DANI, I WANTED TO GET YOU SOMETHING NICE. 739 00:28:39,345 --> 00:28:40,477 AND THEY ARE NICE. 740 00:28:40,513 --> 00:28:42,579 AND THEY WOULD LOOK LOVELY ON YOU. 741 00:28:42,615 --> 00:28:44,916 LISTEN, DANI, I AM... 742 00:28:44,951 --> 00:28:46,918 I'M TRYING TO HELP YOU. 743 00:28:46,986 --> 00:28:48,652 SWEETHEART, YOU'RE STILL SINGLE, 744 00:28:48,688 --> 00:28:51,155 AND YOU DRESS ARTSY. 745 00:28:51,191 --> 00:28:53,224 MAYBE, JUST MAYBE, IT'S TIME TO... 746 00:28:53,259 --> 00:28:54,992 I DON'T KNOW, TAKE THINGS MORE SERIOUSLY. 747 00:28:55,028 --> 00:28:57,929 DO SOMETHING MORE IMPORTANT WITH YOUR LIFE. 748 00:28:57,964 --> 00:29:00,198 I WENT TO THE BATHROOM WHEN I NEEDED SOAP, 749 00:29:00,233 --> 00:29:01,933 I WENT UNDER YOUR SINK, 750 00:29:01,968 --> 00:29:04,568 AND I FOUND CRYSTALS ATTACHED TO YOUR PIPES. 751 00:29:04,603 --> 00:29:06,804 [LAUGHS] DANI... 752 00:29:06,840 --> 00:29:08,940 COME ON, I MEAN, THAT NEW-AGE STUFF, 753 00:29:08,975 --> 00:29:11,209 IT SHOULD HAVE BEEN OVER YEARS AGO. 754 00:29:11,244 --> 00:29:12,710 THEY CLEANSE THE ENERGY. 755 00:29:13,880 --> 00:29:14,678 YOU DON'T HAVE TO BELIEVE IT. 756 00:29:14,714 --> 00:29:16,914 WELL, I DON'T. 757 00:29:16,950 --> 00:29:18,049 IT'S OKAY, IT'S FINE, 758 00:29:18,084 --> 00:29:20,451 YOU KNOW, I'M JUST GONNA RETURN THESE. 759 00:29:20,486 --> 00:29:21,385 BETH ANN, I'M SORRY-- 760 00:29:21,454 --> 00:29:23,587 NOT A BIG DEAL. 761 00:29:23,622 --> 00:29:24,956 I DIDN'T MEAN TO HURT YOUR FEELINGS. 762 00:29:25,024 --> 00:29:27,458 REALLY, IT'S TOTALLY FINE. 763 00:29:27,493 --> 00:29:28,792 IT'S OKAY. 764 00:29:30,296 --> 00:29:31,562 [SIGHS HEAVILY] 765 00:29:40,073 --> 00:29:40,972 EXCUSE ME? 766 00:29:41,007 --> 00:29:41,873 HEY. 767 00:29:41,908 --> 00:29:43,207 DO YOU HAVE ACCESS? 768 00:29:43,243 --> 00:29:44,775 I'D LIKE TO GET INSIDE AND TAKE SOME PHOTOS. 769 00:29:44,844 --> 00:29:46,377 WELL, YOU'RE GONNA HAVE TO CONTACT THE OWNERS. 770 00:29:46,412 --> 00:29:47,778 SORRY. 771 00:29:47,813 --> 00:29:48,612 YOU KNOW THEY WANT TO TEAR THIS DOWN 772 00:29:48,647 --> 00:29:49,580 AND MAKE CONDOS? 773 00:29:49,615 --> 00:29:51,215 YEAH, I HEARD. 774 00:29:51,251 --> 00:29:53,450 IT'S BEEN DETERIORATING FOR QUITE SOME TIME NOW. 775 00:29:53,486 --> 00:29:54,585 WELL, IT DOESN'T LOOK IT. 776 00:29:54,620 --> 00:29:56,053 YOU KNOW, A BUNCH OF US AT SCHOOL 777 00:29:56,089 --> 00:29:57,855 ARE TRYING TO GET IT DESIGNATED AS A HISTORICAL BUILDING. 778 00:29:57,891 --> 00:29:59,857 THEY CAN'T JUST TEAR IT DOWN. 779 00:29:59,893 --> 00:30:01,792 THINGS AREN'T ALWAYS THE WAY THEY LOOK. 780 00:30:01,827 --> 00:30:03,094 THESE OLD BUILDINGS ARE IMPORTANT. 781 00:30:03,129 --> 00:30:04,695 WE'RE LOSING ALL SENSE OF OUR PAST. 782 00:30:04,730 --> 00:30:06,330 I AGREE WITH YOU THERE, 783 00:30:06,366 --> 00:30:08,465 BUT THERE MIGHT BE BETTER BUILDINGS FOR YOU TO SAVE. 784 00:30:08,501 --> 00:30:10,567 WELL, WE'RE STARTING WITH THIS ONE. 785 00:30:10,603 --> 00:30:12,970 THEN WE'LL TACKLE THE OTHERS. 786 00:30:21,447 --> 00:30:22,780 DR. TRAMELL. 787 00:30:22,815 --> 00:30:23,781 OH, JENNIFER, 788 00:30:23,849 --> 00:30:25,416 THIS IS A SURPRISE, 789 00:30:25,484 --> 00:30:27,385 I HAVEN'T HAD ANY MURDERS LATELY. 790 00:30:27,453 --> 00:30:28,619 I WAS AT THE SOUND CHECK 791 00:30:28,654 --> 00:30:30,554 WHEN LITA MERRILL COMMITTED SUICIDE. 792 00:30:30,589 --> 00:30:32,423 I HAVE A COUPLE OF QUESTIONS, 793 00:30:32,491 --> 00:30:33,524 OFF THE RECORD. 794 00:30:33,559 --> 00:30:35,559 I WON'T TELL A SOUL. 795 00:30:38,264 --> 00:30:40,331 I'M JUST SPECULATING, 796 00:30:40,366 --> 00:30:43,901 HAVE YOU EVER HAD A MURDER STAGED TO APPEAR AS A SUICIDE? 797 00:30:43,937 --> 00:30:45,202 WHY IN THE WORLD 798 00:30:45,238 --> 00:30:46,804 WOULD YOU EVEN BEGIN TO THINK THAT IN THIS CASE? 799 00:30:46,839 --> 00:30:48,105 JUST A HUNCH. 800 00:30:51,177 --> 00:30:53,010 FOLLOW ME. 801 00:30:59,052 --> 00:31:00,151 LITA MERRILL, 802 00:31:00,186 --> 00:31:01,285 A 30-YEAR-OLD FEMALE, 803 00:31:01,321 --> 00:31:03,187 NORMAL WEIGHT, APPARENTLY HEALTHY, 804 00:31:03,222 --> 00:31:05,356 NO OTHER SIGNS OF TRAUMA 805 00:31:05,391 --> 00:31:07,825 OTHER THAN THAT ASSOCIATED WITH HANGING. 806 00:31:08,995 --> 00:31:11,395 WHAT IF SHE WAS STRANGLED FIRST? 807 00:31:11,431 --> 00:31:12,896 WELL, THE BRUISE ON HER NECK 808 00:31:12,966 --> 00:31:15,299 WOULD BE DIFFERENT. 809 00:31:15,335 --> 00:31:16,934 HERE, WE HAVE AN INVERTED "V", 810 00:31:16,970 --> 00:31:18,802 WHICH DOESN'T HAPPEN WITH A STRANGULATION. 811 00:31:18,838 --> 00:31:21,439 THAT WOULD BE A STRAIGHT LINE. 812 00:31:21,474 --> 00:31:23,140 OKAY. 813 00:31:23,209 --> 00:31:25,576 WHAT IF SHE WERE DRUGGED FIRST? 814 00:31:25,644 --> 00:31:26,844 WELL, THERE WOULD BE EVIDENCE OF THAT 815 00:31:26,879 --> 00:31:28,179 IN HER BLOOD STREAM, 816 00:31:28,247 --> 00:31:30,848 AND THERE'S NOT. 817 00:31:41,227 --> 00:31:42,093 HEY. 818 00:31:42,128 --> 00:31:43,660 HI, HON. 819 00:31:43,696 --> 00:31:45,463 YOU'RE LOOKING AT OLD BUILDINGS? 820 00:31:45,498 --> 00:31:47,999 THE HATCHER BUILDING, TO BE PRECISE. 821 00:31:48,067 --> 00:31:49,100 I WAS OUT THERE TODAY, 822 00:31:49,135 --> 00:31:50,201 AND I RAN INTO THAT STUDENT 823 00:31:50,236 --> 00:31:52,436 WHO WAS GIVING THE SPEECH AT CITY COUNCIL. 824 00:31:52,472 --> 00:31:53,770 THE ONE HANNAH WAS AT? 825 00:31:53,806 --> 00:31:55,106 YEAH. 826 00:31:55,141 --> 00:31:57,808 SHE KNOWS I WOULDN'T TEAR DOWN AN IMPORTANT BUILDING. 827 00:31:57,843 --> 00:31:59,543 BUT I CAN'T SEEM TO FIND 828 00:31:59,612 --> 00:32:02,146 ANYTHING IMPORTANT ABOUT IT. 829 00:32:02,215 --> 00:32:03,914 WHAT DOES HANNAH SAY? 830 00:32:03,983 --> 00:32:05,383 WE HAVEN'T HAD THAT CONVERSATION. 831 00:32:06,585 --> 00:32:08,819 BUT I DID TALK WITH FRANK LYNWOOD TODAY. 832 00:32:08,888 --> 00:32:10,687 HE SAID YOU DRAGGED HIM OUT TO THAT HOUSE 833 00:32:10,723 --> 00:32:12,490 WHERE THE MUSICIAN DIED. 834 00:32:12,525 --> 00:32:14,392 AND HE'S HOPING YOU'LL TALK SOME SENSE INTO ME? 835 00:32:15,728 --> 00:32:17,261 LET ME ASK YOU THIS, 836 00:32:17,330 --> 00:32:19,330 IS IT POSSIBLE THAT THIS IS JUST A CASE 837 00:32:19,365 --> 00:32:21,632 OF A DISTRAUGHT WOMAN WHO TOOK HER OWN LIFE? 838 00:32:21,700 --> 00:32:23,167 YES. 839 00:32:23,202 --> 00:32:24,235 AND FRANK SAID 840 00:32:24,303 --> 00:32:25,469 THAT SHE HAD SENT A TEXT FROM HER PHONE 841 00:32:25,505 --> 00:32:27,438 WITHIN AN HOUR OF THEM DISCOVERING HER? 842 00:32:27,473 --> 00:32:29,340 THAT'S TRUE, TOO. 843 00:32:29,375 --> 00:32:31,208 AND THERE ARE NO SUSPECTS, AND NO MOTIVE. 844 00:32:31,244 --> 00:32:33,310 BUT YOU THINK... 845 00:32:33,346 --> 00:32:35,846 I DON'T KNOW WHAT I THINK. 846 00:32:35,881 --> 00:32:37,581 I JUST GO BY MY FEELINGS, 847 00:32:37,650 --> 00:32:39,650 AND SOMETHING DOESN'T FEEL RIGHT. 848 00:32:41,754 --> 00:32:42,719 HEY... 849 00:32:42,755 --> 00:32:44,721 YOU KNOW WHAT I WAS THINKING ABOUT 850 00:32:44,790 --> 00:32:46,190 ON THE DRIVE HOME? 851 00:32:46,259 --> 00:32:47,891 OH, I COULD GUESS. 852 00:32:47,927 --> 00:32:49,260 THAT OMELETTE YOU MAKE? 853 00:32:49,295 --> 00:32:50,894 THE ONE WITH THE SWISS CHEESE 854 00:32:50,963 --> 00:32:51,895 AND THE PROVOLONE. 855 00:32:51,964 --> 00:32:53,764 OH, IT'S SO GOOD. 856 00:32:54,800 --> 00:32:56,833 I GUESSED WRONG. 857 00:32:56,869 --> 00:32:59,970 [LAUGHING] 858 00:33:02,908 --> 00:33:05,876 I DON'T KNOW HOW LONG SHE'S GOING TO STAY. 859 00:33:05,945 --> 00:33:07,545 WE KIND OF GOT INTO IT. 860 00:33:07,580 --> 00:33:09,346 SHE BOUGHT ME SOME NEW CLOTHES, 861 00:33:09,382 --> 00:33:11,182 THINKS I SHOULD LOOK LESS "ARTSY," 862 00:33:11,217 --> 00:33:12,416 AS SHE PUTS IT. 863 00:33:12,452 --> 00:33:14,751 WHICH YOU TAKE AS-- 864 00:33:14,787 --> 00:33:16,120 HER BEING CRITICAL. 865 00:33:16,155 --> 00:33:18,222 AH. 866 00:33:18,291 --> 00:33:20,091 MAYBE I'M OVER-REACTING? 867 00:33:20,126 --> 00:33:21,225 MAYBE. 868 00:33:23,329 --> 00:33:24,861 AT LEAST I SPOKE THE TRUTH. 869 00:33:24,897 --> 00:33:26,163 THAT'S PROGRESS, RIGHT? 870 00:33:26,199 --> 00:33:27,465 THAT IS PROGRESS. 871 00:33:27,500 --> 00:33:28,899 [ENTRY BELL JINGLES] 872 00:33:35,674 --> 00:33:37,575 EXCUSE ME, CAN WE HELP YOU? 873 00:33:40,146 --> 00:33:41,579 I UNDERSTAND LITA MERRILL BROUGHT SOME STUFF IN HERE 874 00:33:41,614 --> 00:33:42,746 TO SELL? 875 00:33:43,682 --> 00:33:45,015 UM... 876 00:33:45,050 --> 00:33:46,584 DO YOU KNOW LITA? 877 00:33:46,619 --> 00:33:47,918 YEAH. 878 00:33:47,953 --> 00:33:49,120 SHE'S MY WIFE. 879 00:33:49,155 --> 00:33:50,654 NOW DECEASED. 880 00:33:50,689 --> 00:33:52,490 ANYTHING SHE OWNED BELONGS TO ME, 881 00:33:52,525 --> 00:33:54,425 AND I'D LIKE THEM BACK. 882 00:33:57,723 --> 00:34:00,033 WITH ALL DUE RESPECT, I DON'T KNOW YOU, 883 00:34:00,033 --> 00:34:02,133 AND I'M NOT GOING TO GIVE ANYTHING 884 00:34:02,168 --> 00:34:04,268 TO SOMEONE OFF THE STREET. 885 00:34:04,304 --> 00:34:05,502 I'LL BE GIVING LITA'S BELONGINGS 886 00:34:05,571 --> 00:34:06,637 TO THE POLICE, 887 00:34:06,705 --> 00:34:08,205 AND YOU CAN DEAL WITH THEM. 888 00:34:08,241 --> 00:34:09,473 OH, I WILL. 889 00:34:10,609 --> 00:34:13,610 YOU HAVE NO RIGHT TO KEEP THEM. 890 00:34:13,679 --> 00:34:15,846 THEY BELONG TO ME. 891 00:34:22,455 --> 00:34:24,922 IT'S BEEN SO HARD, 892 00:34:24,958 --> 00:34:29,393 ESPECIALLY FINDING HER AND SEEING HER LIKE THAT. 893 00:34:29,462 --> 00:34:30,761 DID SHE SEEM DEPRESSED AT ALL? 894 00:34:30,796 --> 00:34:33,197 I THINK SHE WAS HAVING RELATIONSHIP PROBLEMS. 895 00:34:33,232 --> 00:34:34,765 DO YOU KNOW WHO SHE WAS INVOLVED WITH? 896 00:34:36,669 --> 00:34:38,702 NOT REALLY, NO. 897 00:34:38,737 --> 00:34:40,904 UM, ALL I KNOW IS THAT 898 00:34:40,940 --> 00:34:42,673 ONE DAY, LITA WAS REALLY HAPPY, 899 00:34:42,708 --> 00:34:44,175 AND THEN ALL OF A SUDDEN, SHE WASN'T. 900 00:34:44,243 --> 00:34:45,642 YOU KNOW, SHE WAS REALLY EXCITED TO GO ON TOUR, 901 00:34:45,711 --> 00:34:46,777 AND THEN IT WAS LIKE 902 00:34:46,846 --> 00:34:49,146 A DARK CLOUD JUST MOVED IN. 903 00:34:49,182 --> 00:34:50,814 ANYBODY IN THE BAND OR ON THE CREW 904 00:34:50,850 --> 00:34:51,949 THAT KNEW HER WELL? 905 00:34:51,985 --> 00:34:53,284 NO. 906 00:34:53,353 --> 00:34:55,052 SHE WAS KIND OF A LONER. 907 00:34:55,088 --> 00:34:56,787 SHE KEPT TO HERSELF, KEPT HER SECRETS. 908 00:34:56,822 --> 00:34:58,789 I WAS PROBABLY THE CLOSEST TO HER. 909 00:34:58,824 --> 00:35:00,858 THERE WAS A GUY THAT CAME INTO MY STORE 910 00:35:00,893 --> 00:35:02,960 AND SAID THAT HE WAS MARRIED TO LITA. 911 00:35:02,996 --> 00:35:04,295 BO? 912 00:35:04,330 --> 00:35:06,097 WOW. 913 00:35:06,132 --> 00:35:07,698 THEY DIVORCED YEARS AGO. 914 00:35:07,733 --> 00:35:09,166 I MEAN, BEFORE I EVEN MET HER. 915 00:35:09,202 --> 00:35:10,968 DID SHE TALK ABOUT HIM? 916 00:35:11,004 --> 00:35:15,006 YEAH, BUT I DON'T THINK THAT SHE HAD ANY CONTACT. 917 00:35:15,041 --> 00:35:16,940 I MEAN, BO WAS A REAL MISTAKE. 918 00:35:16,976 --> 00:35:18,476 HE LIED, HE CHEATED, 919 00:35:18,544 --> 00:35:19,410 HE WASN'T GOING ANYWHERE IN LIFE, 920 00:35:19,445 --> 00:35:21,945 EXCEPT TO BE IN A BAR BAND. 921 00:35:21,981 --> 00:35:23,947 LITA DUMPED HIM SHE NEVER LOOKED BACK. 922 00:35:23,983 --> 00:35:25,483 HE SAYS THEY'RE STILL MARRIED. 923 00:35:26,619 --> 00:35:28,119 NO WAY. 924 00:35:30,556 --> 00:35:32,189 UH-HUH... 925 00:35:33,126 --> 00:35:34,825 ALL RIGHT, I'VE GOT IT. 926 00:35:34,860 --> 00:35:35,792 THANKS. 927 00:35:35,828 --> 00:35:36,760 [HANGS UP PHONE] 928 00:35:37,930 --> 00:35:40,664 OKAY, A BRODIE TAYLOR, 929 00:35:40,699 --> 00:35:41,698 "BO", 930 00:35:41,734 --> 00:35:42,933 IS CURRENTLY CLAIMING 931 00:35:42,968 --> 00:35:44,635 HE'S STILL MARRIED TO LITA MERRILL. 932 00:35:44,703 --> 00:35:45,736 LITA TOLD EVERYONE 933 00:35:45,771 --> 00:35:47,371 SHE WAS DIVORCED A LONG TIME AGO. 934 00:35:48,841 --> 00:35:50,241 OKAY. 935 00:35:50,276 --> 00:35:51,808 WE'LL SEE WHAT THE RECORDS SAY. 936 00:35:54,313 --> 00:35:55,479 ALL RIGHT. 937 00:35:55,515 --> 00:35:58,115 THEY WERE MARRIED 10 YEARS AGO... 938 00:35:58,151 --> 00:36:00,084 NO RECORD OF A DIVORCE. 939 00:36:00,153 --> 00:36:01,318 LOOKS LIKE THEY WERE STILL MARRIED 940 00:36:01,354 --> 00:36:02,986 AT THE TIME OF HER DEATH. 941 00:36:03,022 --> 00:36:05,356 WHEN DOES HE TAKE POSSESSION OF HER BELONGINGS? 942 00:36:05,391 --> 00:36:06,823 NOT YET. 943 00:36:06,859 --> 00:36:08,625 THE PAPERWORK IS STILL IN THE PROCESS. 944 00:36:08,661 --> 00:36:09,893 DON'T YOU FIND IT ODD 945 00:36:09,929 --> 00:36:11,762 THAT AFTER LITA DIES, 946 00:36:11,797 --> 00:36:14,665 HER ESTRANGED HUSBAND SUDDENLY SHOWS UP? 947 00:36:14,700 --> 00:36:17,601 YOU'RE ASKING ME TO TREAT THIS LIKE A MURDER. 948 00:36:17,636 --> 00:36:19,270 WELL, YOU WANT A SUSPECT. 949 00:36:19,338 --> 00:36:20,737 YOU WANT MOTIVE. 950 00:36:20,806 --> 00:36:23,574 THE HUSBAND IS ALWAYS THE PRIME SUSPECT, RIGHT? 951 00:36:23,609 --> 00:36:25,543 AND THE MOTIVE IS HER ESTATE. 952 00:36:27,180 --> 00:36:28,912 FLIERS AND POSTERS ARE FINE, 953 00:36:28,948 --> 00:36:30,247 BUT WE NEED TO DO SOMETHING 954 00:36:30,283 --> 00:36:32,083 THAT'S REALLY GOING TO HAVE AN IMPACT. 955 00:36:32,118 --> 00:36:33,584 WHAT DID YOU HAVE IN MIND? 956 00:36:33,652 --> 00:36:34,651 I WAS THINKING ALONG THE LINES 957 00:36:34,687 --> 00:36:36,320 OF A SHORT VIDEO WE COULD PUT ON THE NET. 958 00:36:36,355 --> 00:36:37,421 THAT'S COOL. 959 00:36:37,457 --> 00:36:39,056 PEOPLE COULD REALLY SEE IT. 960 00:36:39,092 --> 00:36:40,091 WE COULD HAVE A MONTAGE 961 00:36:40,159 --> 00:36:41,559 OF ALL THE OLD BUILDINGS IN THIS TOWN 962 00:36:41,594 --> 00:36:43,494 THAT ARE NO LONGER HERE... 963 00:36:43,563 --> 00:36:45,062 ENDING WITH THE HATCHER BUILDING 964 00:36:45,098 --> 00:36:46,029 WE NEED A SCRIPT. 965 00:36:46,065 --> 00:36:46,964 AMY CAN DO THAT. 966 00:36:46,999 --> 00:36:47,931 CAMERA? 967 00:36:47,967 --> 00:36:48,999 I'VE GOT IT. 968 00:36:49,034 --> 00:36:50,867 AND WE NEED A NARRATOR. 969 00:36:52,671 --> 00:36:54,037 COME ON, AJ, I'M NOT REALLY-- 970 00:36:54,073 --> 00:36:55,038 DONE. 971 00:36:55,108 --> 00:36:57,608 YOU WILL BE GREAT. 972 00:37:02,115 --> 00:37:03,581 [ENTRY BELL JINGLES] 973 00:37:21,467 --> 00:37:24,401 I DIDN'T COME HERE TO UPSET YOU, DANI, 974 00:37:24,437 --> 00:37:27,304 BUT THAT IS ALL I SEEM TO DO. 975 00:37:27,340 --> 00:37:29,006 YOU KNOW, I THOUGHT I WAS BEING THOUGHTFUL 976 00:37:29,074 --> 00:37:29,940 AND GENEROUS. 977 00:37:29,975 --> 00:37:31,008 I KNOW, 978 00:37:31,043 --> 00:37:32,743 AND I APPRECIATE IT. 979 00:37:34,046 --> 00:37:35,746 UH... [CHUCKLES AWKWARDLY] 980 00:37:35,781 --> 00:37:38,115 I DON'T SEE ANY POINT IN STAYING ANY LONGER. 981 00:37:39,418 --> 00:37:40,851 I DON'T KNOW WHY YOU CAN'T ACCEPT ME 982 00:37:40,886 --> 00:37:42,753 JUST FOR BEING ME. 983 00:37:45,391 --> 00:37:48,192 ANYWAY, I JUST, I WANTED TO LET YOU KNOW THAT I'M... 984 00:37:48,261 --> 00:37:49,960 I'M LEAVING NOW. 985 00:37:51,063 --> 00:37:52,429 GOODBYE. 986 00:37:52,498 --> 00:37:54,265 BYE. 987 00:38:00,640 --> 00:38:02,606 SO, YOU DON'T WANT TO SAVE THE BUILDING? 988 00:38:02,642 --> 00:38:04,708 NO, I WANT TO BUILD NEW BUILDINGS. 989 00:38:04,743 --> 00:38:05,676 HANNAH TOLD ME 990 00:38:05,711 --> 00:38:06,677 THAT YOU GUYS ARE GOING TO MOVE 991 00:38:06,712 --> 00:38:07,678 THE CONDO PROJECT. 992 00:38:07,713 --> 00:38:08,479 REALLY? 993 00:38:08,514 --> 00:38:09,413 YEAH. 994 00:38:09,448 --> 00:38:11,649 WELL, WE'RE NOT. 995 00:38:11,684 --> 00:38:12,650 YOU KNOW, THAT'LL GO EASIER 996 00:38:12,685 --> 00:38:14,185 IF YOU HEAT IT WITH A HAIR DRYER. 997 00:38:14,253 --> 00:38:15,719 HANNAH'S GOT ONE. 998 00:38:15,754 --> 00:38:17,188 [SIGHS] 999 00:38:20,759 --> 00:38:23,727 [ZIPPING LUGGAGE] 1000 00:38:25,898 --> 00:38:27,665 [KNOCK ON BEDROOM DOOR] 1001 00:38:29,635 --> 00:38:31,368 DANI... 1002 00:38:31,404 --> 00:38:32,570 HI. 1003 00:38:32,638 --> 00:38:34,471 HI. 1004 00:38:35,741 --> 00:38:38,108 I DON'T WANT YOU TO GO. 1005 00:38:38,177 --> 00:38:40,544 I MEAN, NOT LIKE THIS. 1006 00:38:40,613 --> 00:38:41,645 WE OBVIOUSLY HAVE 1007 00:38:41,681 --> 00:38:43,681 SOME STUFF TO WORK THROUGH, 1008 00:38:43,716 --> 00:38:46,049 BUT I'M WILLING IF YOU ARE. 1009 00:38:47,486 --> 00:38:48,586 BESIDES, 1010 00:38:48,621 --> 00:38:50,721 YOU PROMISED TO HELP OUT AT THE STORE. 1011 00:38:51,591 --> 00:38:53,190 [GUSHES] AW...! 1012 00:38:55,595 --> 00:38:56,727 AW, DANI, 1013 00:38:56,762 --> 00:38:58,562 THANK YOU FOR COMING. 1014 00:38:58,631 --> 00:39:01,064 IT MEANS SO MUCH TO ME. 1015 00:39:03,469 --> 00:39:04,801 I BROUGHT YOU A PRESENT. 1016 00:39:04,837 --> 00:39:06,103 YOU DIDN'T HAVE TO DO THAT. 1017 00:39:06,138 --> 00:39:08,071 NO, I KNOW, BUT I WANTED TO. 1018 00:39:08,107 --> 00:39:10,207 I WANTED TO APOLOGIZE. 1019 00:39:10,243 --> 00:39:12,008 THANK YOU. 1020 00:39:13,178 --> 00:39:14,778 [LAUGHS] 1021 00:39:14,813 --> 00:39:16,547 -CRYSTALS? -MM-HMM. 1022 00:39:16,582 --> 00:39:17,648 AW... 1023 00:39:17,683 --> 00:39:19,149 OH, DARLING, THEY'RE LOVELY. 1024 00:39:19,184 --> 00:39:20,251 NOW, THEY WILL WORK ANYWHERE. 1025 00:39:20,286 --> 00:39:21,452 JUST ON THE DRESSER IS FINE. 1026 00:39:21,487 --> 00:39:22,686 ALL RIGHT, 1027 00:39:22,722 --> 00:39:24,988 AND THEY'LL CLEAR OUT ALL OF THE BAD ENERGY? 1028 00:39:25,023 --> 00:39:26,123 MAYBE. 1029 00:39:29,128 --> 00:39:30,761 WE WON'T BE NEEDING THAT. 1030 00:39:30,829 --> 00:39:32,363 SHE'S STAYING. 1031 00:39:32,398 --> 00:39:34,398 THANK YOU. 1032 00:39:40,339 --> 00:39:41,305 BYE, MOM. 1033 00:39:41,340 --> 00:39:43,240 HAVE A GOOD DAY, HONEY. 1034 00:39:43,276 --> 00:39:44,141 HAVE YOU SEEN HANNAH? 1035 00:39:44,176 --> 00:39:45,242 GONE. 1036 00:39:45,311 --> 00:39:46,343 SHE HAD A COMMITTEE MEETING. 1037 00:39:46,379 --> 00:39:47,645 WELL, WHEN YOU SEE HER, CAN YOU TELL HER 1038 00:39:47,680 --> 00:39:49,546 THAT SHE AND I NEED TO SIT DOWN AND HAVE A TALK? 1039 00:39:49,582 --> 00:39:50,814 THAT'S FUNNY, 1040 00:39:50,849 --> 00:39:52,383 SHE TOLD ME TO TELL YOU THE SAME THING. 1041 00:40:04,096 --> 00:40:06,797 AW, COME ON. 1042 00:40:06,832 --> 00:40:08,732 [SIGHS HEAVILY] 1043 00:40:08,768 --> 00:40:10,434 OKAY, LET'S TAKE IT AGAIN, AND THIS TIME, 1044 00:40:10,503 --> 00:40:11,402 GESTURE AT THE OLD BUILDING 1045 00:40:11,470 --> 00:40:12,503 THAT'S ABOUT TO BE TORN DOWN. 1046 00:40:12,538 --> 00:40:14,271 -YOU READY? -YEAH. 1047 00:40:14,307 --> 00:40:15,105 OKAY. 1048 00:40:15,140 --> 00:40:16,940 ACTION. 1049 00:40:17,009 --> 00:40:19,677 FIRST BUILDING IN THIS COUNTY WITH AN ELEVATOR, 1050 00:40:19,745 --> 00:40:21,244 DESIGNED BY NOTED ARCHITECT 1051 00:40:21,280 --> 00:40:22,546 ADRIAN BERNARD, 1052 00:40:22,581 --> 00:40:25,048 AND THREE PRESIDENTS HAVE STAYED UNDER ITS ROOF. 1053 00:40:25,117 --> 00:40:27,484 NOW WE HAVE A CHANCE TO SAVE IT. 1054 00:40:27,553 --> 00:40:29,353 CONDOS CAN GO ANYWHERE. 1055 00:40:29,388 --> 00:40:32,155 THE HATCHER BUILDING CAN ONLY BE HERE. 1056 00:40:32,191 --> 00:40:33,524 [BEEPS RECORDING OFF] 1057 00:40:33,559 --> 00:40:34,391 THAT WAS GREAT, HANNAH. 1058 00:40:34,427 --> 00:40:35,592 WE'RE GOOD? 1059 00:40:35,628 --> 00:40:37,828 YEAH, I THINK WE GOT IT. 1060 00:40:37,863 --> 00:40:39,663 SO... 1061 00:40:39,699 --> 00:40:42,132 DO YOU WANT TO GET TOGETHER SATURDAY NIGHT? 1062 00:40:42,201 --> 00:40:44,501 TO, LIKE, EDIT? 1063 00:40:44,537 --> 00:40:47,571 I WAS THINKING MAYBE WE COULD JUST GO FOR DINNER, 1064 00:40:47,606 --> 00:40:48,939 OR HANG OUT? 1065 00:40:49,007 --> 00:40:51,007 LIKE A DATE? 1066 00:40:51,043 --> 00:40:53,310 YEAH, I GUESS. 1067 00:40:53,346 --> 00:40:54,478 UH, YEAH. 1068 00:40:54,547 --> 00:40:55,912 I'D LIKE THAT. 1069 00:40:57,416 --> 00:40:59,783 -GOOD. -COOL. 1070 00:40:59,819 --> 00:41:01,552 I JUST WALKED RIGHT INTO HER ROOM 1071 00:41:01,587 --> 00:41:03,487 AND TOLD HER I WANTED HER TO STAY. 1072 00:41:03,522 --> 00:41:05,121 WOW. 1073 00:41:05,157 --> 00:41:06,357 I'M IMPRESSED. 1074 00:41:06,425 --> 00:41:07,624 WE'VE GOT A LONG WAY TO GO, 1075 00:41:07,660 --> 00:41:09,393 BUT I GAVE HER SOME CRYSTALS, 1076 00:41:09,428 --> 00:41:10,961 SHE ACCEPTED THEM. 1077 00:41:10,996 --> 00:41:12,796 OOH... WELL, I MIGHT BE SEEING YOU 1078 00:41:12,832 --> 00:41:14,765 IN A SWEATER SET AND PEARLS AFTER ALL. 1079 00:41:14,800 --> 00:41:15,766 NOT LIKELY. 1080 00:41:15,835 --> 00:41:17,033 [LAUGHS] [ENTRY BELL JINGLES] 1081 00:41:17,069 --> 00:41:18,034 HEY. 1082 00:41:18,103 --> 00:41:19,169 [EXHALING] 1083 00:41:19,204 --> 00:41:20,270 OKAY. 1084 00:41:20,305 --> 00:41:22,239 NOW, I FOUND OUT THAT LITA AND BO 1085 00:41:22,274 --> 00:41:23,407 WERE SEPARATED YEARS AGO. 1086 00:41:23,476 --> 00:41:25,976 THE DIVORCE WAS STARTED, BUT NEVER COMPLETED. 1087 00:41:26,011 --> 00:41:28,345 WHY IS HE HERE? 1088 00:41:28,381 --> 00:41:29,212 WELL, HE LIVES OUT OF STATE, 1089 00:41:29,248 --> 00:41:31,314 AND FOR REASONS YET UNLEARNED, 1090 00:41:31,350 --> 00:41:34,117 HE CAME HERE A FEW DAYS BEFORE LITA'S DEATH. 1091 00:41:34,152 --> 00:41:36,487 THAT IS VERY INTERESTING. 1092 00:41:36,522 --> 00:41:38,054 WELL, IT GETS MORE INTERESTING. 1093 00:41:38,123 --> 00:41:40,223 THERE'S A LIFE-INSURANCE POLICY ON LITA. 1094 00:41:40,259 --> 00:41:42,426 BO IS THE BENEFICIARY. 1095 00:41:42,495 --> 00:41:44,194 SHE MAY NOT EVEN HAVE KNOWN ABOUT IT. 1096 00:41:44,229 --> 00:41:46,129 HE'S BEEN PAYING THE PREMIUMS? 1097 00:41:46,164 --> 00:41:47,865 LOOKS THAT WAY. 1098 00:42:02,347 --> 00:42:04,146 THANKS FOR COMING. 1099 00:42:04,215 --> 00:42:05,348 I'M HAPPY TO HELP IN ANY WAY I CAN. 1100 00:42:05,383 --> 00:42:06,482 THANK YOU. 1101 00:42:06,517 --> 00:42:08,351 I CHECKED WITH DETECTIVE LYNWOOD, 1102 00:42:08,386 --> 00:42:10,052 AND HE SAID YOU WERE DISCREET, 1103 00:42:10,088 --> 00:42:12,654 WHICH WE APPRECIATE. 1104 00:42:12,690 --> 00:42:15,491 WE ARE ALL DISTRAUGHT OVER LITA'S DEATH. 1105 00:42:15,526 --> 00:42:18,227 I UNDERSTAND. 1106 00:42:18,262 --> 00:42:20,196 DETECTIVE LYNWOOD TOLD ME THAT LITA WAS STILL MARRIED, 1107 00:42:20,231 --> 00:42:21,297 AND THAT HER HUSBAND IS HERE. 1108 00:42:21,332 --> 00:42:22,365 THAT CAN'T BE TRUE. 1109 00:42:22,433 --> 00:42:24,467 IT APPEARS THEY WERE. 1110 00:42:24,535 --> 00:42:25,401 I HANDLED ALL OF LITA'S CONTRACTS, 1111 00:42:25,436 --> 00:42:27,136 HER TAX FORMS. 1112 00:42:27,171 --> 00:42:29,005 SHE NEVER SAID SHE WAS MARRIED IN ANY OF THEM. 1113 00:42:29,073 --> 00:42:31,240 THEY SEPARATED EIGHT YEARS AGO. 1114 00:42:31,275 --> 00:42:32,608 THEY STARTED DIVORCE PROCEEDINGS, 1115 00:42:32,676 --> 00:42:34,443 BUT NOTHING WAS FINALIZED. 1116 00:42:34,479 --> 00:42:36,545 SO, WHAT DOES THAT MEAN? 1117 00:42:36,580 --> 00:42:38,580 THE CAUSE OF DEATH IS LISTED AS A SUICIDE. 1118 00:42:38,616 --> 00:42:39,848 THAT HASN'T CHANGED, HAS IT? 1119 00:42:39,884 --> 00:42:41,117 NO. 1120 00:42:41,152 --> 00:42:43,619 THAT TEXT WAS CLEARLY A SUICIDE NOTE, 1121 00:42:43,654 --> 00:42:44,753 AND JOHN AND CASSIE WENT TO HER HOUSE 1122 00:42:44,788 --> 00:42:46,155 RIGHT AFTER GETTING IT. 1123 00:42:46,190 --> 00:42:47,723 HOW COULD IT POSSIBLY BE ANYTHING ELSE? 1124 00:42:47,791 --> 00:42:49,625 I DON'T KNOW. 1125 00:42:49,660 --> 00:42:52,061 BUT CASSIE HAD THE IMPRESSION THAT YOU THINK 1126 00:42:52,096 --> 00:42:54,130 THAT THIS MIGHT NOT HAVE BEEN A SUICIDE. 1127 00:42:56,734 --> 00:42:59,835 WHEN I SAW LITA, SHE WAS UPBEAT AND HAPPY. 1128 00:42:59,870 --> 00:43:01,203 SHE EVEN BROUGHT SOME THINGS INTO MY STORE 1129 00:43:01,272 --> 00:43:03,539 TO BE SOLD ON CONSIGNMENT. 1130 00:43:03,574 --> 00:43:06,409 THAT DOESN'T SEEM LIKE SUICIDAL BEHAVIOR. 1131 00:43:06,477 --> 00:43:08,511 WELL, ON THE DAY BEFORE SHE DIED, 1132 00:43:08,579 --> 00:43:11,047 SHE SEEMED REALLY DOWN. 1133 00:43:11,082 --> 00:43:12,814 WE HAD A TALK. 1134 00:43:12,850 --> 00:43:13,982 FRANKLY, I WAS WORRIED TO THE POINT 1135 00:43:14,018 --> 00:43:15,817 THAT I WENT TO SEE HER THAT NIGHT. 1136 00:43:15,853 --> 00:43:17,953 DID SHE SAY WHAT WAS BOTHERING HER? 1137 00:43:18,022 --> 00:43:19,255 NO. 1138 00:43:19,323 --> 00:43:20,789 BUT I COULD TELL SOMETHING WAS UP. 1139 00:43:20,824 --> 00:43:22,224 SHE WASN'T HERSELF. 1140 00:43:22,260 --> 00:43:23,259 [FOOTSTEPS APPROACHING] 1141 00:43:25,863 --> 00:43:27,029 JOHN. 1142 00:43:27,065 --> 00:43:28,431 JENNIFER. 1143 00:43:28,466 --> 00:43:31,233 I'VE BEEN WRITING SOMETHING. 1144 00:43:31,269 --> 00:43:33,936 MAYBE OPEN THE SHOW WITH... FOR LITA... 1145 00:43:33,971 --> 00:43:35,938 LET'S HEAR. 1146 00:43:35,973 --> 00:43:37,106 YEAH. 1147 00:43:37,141 --> 00:43:38,207 YEAH... 1148 00:43:49,087 --> 00:43:51,053 I JUST STARTED... 1149 00:43:51,089 --> 00:43:52,254 A LYRIC. 1150 00:43:52,323 --> 00:43:54,490 [♪♪♪] 1151 00:43:56,227 --> 00:43:58,760 ♪ NEVER SAID GOODBYE ♪ 1152 00:43:58,829 --> 00:44:02,131 ♪ NEVER THOUGHT SHE'D GO ♪ 1153 00:44:02,166 --> 00:44:04,366 ♪ STILL DON'T KNOW WHY ♪ 1154 00:44:04,402 --> 00:44:08,304 ♪ AND I GUESS I'LL NEVER KNOW... ♪ 1155 00:44:09,974 --> 00:44:11,240 WHAT DO YOU THINK? 1156 00:44:11,275 --> 00:44:12,975 IT'S A START. 1157 00:44:13,010 --> 00:44:15,478 IT'S A GOOD START. 1158 00:44:15,546 --> 00:44:16,878 YEAH, MAN, THAT'S ONE FROM THE HEART. 1159 00:44:18,382 --> 00:44:19,482 IT'S BEAUTIFUL. 1160 00:44:20,518 --> 00:44:21,484 THINK SO? 1161 00:44:21,519 --> 00:44:23,452 I DO. 1162 00:44:24,522 --> 00:44:27,856 THEN I'LL TRY TO FINISH IT. 1163 00:44:35,299 --> 00:44:36,265 JENN... 1164 00:44:36,300 --> 00:44:39,301 THIS HAS HIT JOHN HARD. 1165 00:44:39,337 --> 00:44:41,903 HE WAS CONSIDERING CANCELING THE TOUR. 1166 00:44:41,939 --> 00:44:44,873 WE HAVEN'T TOLD HIM YET THAT BO TAYLOR SHOWED UP, 1167 00:44:44,908 --> 00:44:47,109 OR ANYTHING ELSE. 1168 00:44:47,145 --> 00:44:49,077 I DON'T THINK HE COULD HANDLE IT. 1169 00:44:49,113 --> 00:44:51,413 I UNDERSTAND. 1170 00:44:51,482 --> 00:44:54,783 I'LL LET YOU KNOW IF ANYTHING COMES UP. 1171 00:44:59,790 --> 00:45:00,956 ALL RIGHT, I ASKED HIM 1172 00:45:00,991 --> 00:45:02,424 TO DROP BY FOR AN INTERVIEW. 1173 00:45:02,460 --> 00:45:05,461 NOW, HE'S NOT A SUSPECT, AND THERE IS NO CRIME, 1174 00:45:05,496 --> 00:45:07,763 EXCEPT IN THAT OVER-ACTIVE MIND OF YOURS, 1175 00:45:07,798 --> 00:45:10,533 BUT I THOUGHT YOU'D LIKE TO OBSERVE. 1176 00:45:10,568 --> 00:45:12,834 [LYNWOOD]: I APPRECIATE YOU COMING DOWN. 1177 00:45:12,870 --> 00:45:15,771 NOW, THE PRELIMINARY REPORTS SAY DEATH BY SUICIDE, 1178 00:45:15,806 --> 00:45:17,273 SO ONCE THAT'S ALL FORMALIZED, 1179 00:45:17,341 --> 00:45:19,341 LITA'S ESTATE WILL BE PROCESSED. 1180 00:45:19,377 --> 00:45:20,409 [BO]: I HOPE SO. 1181 00:45:20,444 --> 00:45:21,810 THIS HAS TAKEN WAY TOO LONG. 1182 00:45:21,879 --> 00:45:23,078 I NEED TO GET BACK TO SOUTH CAROLINA. 1183 00:45:23,113 --> 00:45:24,980 I UNDERSTAND. 1184 00:45:25,015 --> 00:45:26,948 WELL, IF YOU JUST HELP US FILL IN SOME HOLES, 1185 00:45:26,984 --> 00:45:28,417 WE'LL GET IT PROCESSED FASTER. 1186 00:45:28,452 --> 00:45:30,052 SOUNDS GOOD. 1187 00:45:30,087 --> 00:45:31,520 ARE YOU AWARE 1188 00:45:31,556 --> 00:45:34,423 THAT LITA NEVER TOLD ANYONE THAT SHE WAS STILL MARRIED? 1189 00:45:34,458 --> 00:45:37,560 ON HER TAX RETURNS, ON HER EMPLOYMENT CONTRACTS... 1190 00:45:37,595 --> 00:45:39,127 SHE SAID SHE WAS SINGLE. 1191 00:45:39,163 --> 00:45:40,329 [CHUCKLES] 1192 00:45:40,364 --> 00:45:42,398 SHE PROBABLY THOUGHT SHE WAS DIVORCED. 1193 00:45:42,433 --> 00:45:43,932 I NEVER FILED IT. 1194 00:45:44,001 --> 00:45:45,801 THERE WAS NO SUPPORT, NO ALIMONY, 1195 00:45:45,836 --> 00:45:47,436 NO PROPERTY TO SPLIT UP. 1196 00:45:47,471 --> 00:45:48,604 WHY DIDN'T YOU FILE THE PAPERS? 1197 00:45:48,639 --> 00:45:49,705 I ALWAYS KNEW 1198 00:45:49,740 --> 00:45:51,207 HOW TALENTED SHE WAS. 1199 00:45:51,242 --> 00:45:53,975 I THOUGHT SHE MIGHT AMOUNT TO SOMETHING. 1200 00:45:54,011 --> 00:45:55,611 SHE DID. 1201 00:45:55,646 --> 00:45:57,846 [LYNWOOD]: SO, YOU LIVE A COUPLE THOUSAND MILES AWAY, 1202 00:45:57,881 --> 00:45:59,348 YOU HAVEN'T BEEN IN CONTACT FOR YEARS... 1203 00:45:59,383 --> 00:46:01,584 YET YOU FLY OUT 1204 00:46:01,619 --> 00:46:04,353 AND JUST HAPPEN TO BE HERE WHEN SHE COMMITS SUICIDE? 1205 00:46:06,524 --> 00:46:08,257 I THOUGHT THIS WAS A FRIENDLY INTERVIEW, DETECTIVE. 1206 00:46:08,292 --> 00:46:09,592 IT IS. 1207 00:46:09,627 --> 00:46:11,694 IT IS, BUT YOU GOT TO ADMIT IT IS A LITTLE BIT... 1208 00:46:11,729 --> 00:46:13,161 COINCIDENTAL. 1209 00:46:15,466 --> 00:46:18,467 OKAY. 1210 00:46:18,502 --> 00:46:21,470 THINGS HAVEN'T BEEN GOING SO WELL FOR ME. 1211 00:46:21,539 --> 00:46:23,105 I DON'T HAVE A GIG. 1212 00:46:23,173 --> 00:46:24,373 I'M BEHIND ON MY RENT. 1213 00:46:24,408 --> 00:46:26,908 I NEEDED A LOAN. 1214 00:46:26,944 --> 00:46:29,678 SO, WHY, AFTER ALL THIS TIME, 1215 00:46:29,714 --> 00:46:31,447 WOULD SHE LOAN YOU MONEY? 1216 00:46:31,482 --> 00:46:33,349 YEAH, I MUST HAVE BEEN CRAZY. 1217 00:46:33,417 --> 00:46:35,183 SHE LAUGHED AT ME. 1218 00:46:35,219 --> 00:46:37,620 I WAS LIKE A STRANGER, SOMEONE SHE USED TO KNOW. 1219 00:46:37,655 --> 00:46:39,255 SO, SHE REFUSED TO GIVE YOU MONEY? 1220 00:46:39,290 --> 00:46:41,890 [BO]: THAT WOULD BE AN UNDERSTATEMENT. 1221 00:46:41,925 --> 00:46:44,960 SHE JUST WENT OFF, HOW HORRIBLE I WAS. 1222 00:46:44,995 --> 00:46:46,194 [LYNWOOD]: AND DID YOU MENTION 1223 00:46:46,264 --> 00:46:47,329 THAT YOU NEVER FINALIZED THE DIVORCE? 1224 00:46:47,398 --> 00:46:50,899 I OFFERED TO FINALLY TAKE CARE OF IT, 1225 00:46:50,968 --> 00:46:53,935 FOR A $5,000 LOAN. 1226 00:46:53,971 --> 00:46:55,738 SHE TOLD ME TO GET OUT. 1227 00:46:55,773 --> 00:46:58,206 AND HOW ABOUT THAT INSURANCE POLICY 1228 00:46:58,276 --> 00:46:59,241 YOU PUT OUT ON HER? 1229 00:46:59,277 --> 00:47:01,243 [CHUCKLES] 1230 00:47:02,680 --> 00:47:04,813 HOW'D YOU KNOW ABOUT THAT? 1231 00:47:04,848 --> 00:47:06,815 [CHUCKLES KNOWINGLY] 1232 00:47:06,884 --> 00:47:10,185 30 BUCKS A MONTH, 10 YEARS AGO. 1233 00:47:10,220 --> 00:47:12,854 I GUESS SHE GETS THE LAST LAUGH. 1234 00:47:12,923 --> 00:47:15,891 LIFE INSURANCE DOESN'T PAY IF YOU KILL YOURSELF. 1235 00:47:19,029 --> 00:47:20,729 DO YOU THINK HE'S SMART? 1236 00:47:20,765 --> 00:47:22,364 BECAUSE I DON'T THINK HE'S THAT SMART. 1237 00:47:22,400 --> 00:47:24,667 [CHUCKLES] HARD TO SAY. 1238 00:47:24,702 --> 00:47:26,067 LIFE INSURANCE PAYS 1239 00:47:26,103 --> 00:47:27,736 EVEN IN THE CASE OF A SUICIDE 1240 00:47:27,772 --> 00:47:29,438 TWO YEARS AFTER THE POLICY. 1241 00:47:29,473 --> 00:47:30,706 HOW MUCH IS THE PAYOUT? 1242 00:47:30,741 --> 00:47:32,908 MM, ABOUT 100 GRAND. 1243 00:47:32,943 --> 00:47:35,110 THAT COULD BE A LOT OF MONEY FOR BO. 1244 00:47:35,179 --> 00:47:36,878 SO, HE KILLS HER, FAKES THE SUICIDE, 1245 00:47:36,914 --> 00:47:38,447 COLLECTS THE INSURANCE, 1246 00:47:38,482 --> 00:47:40,248 AND THERE'S NO MURDER INVESTIGATION. 1247 00:47:40,284 --> 00:47:41,350 BUT HOW? 1248 00:47:41,385 --> 00:47:42,718 SHE'S NOT JUST GOING TO SIT THERE 1249 00:47:42,753 --> 00:47:44,453 AND LET HIM DO THAT TO HER. 1250 00:47:44,488 --> 00:47:47,222 CORONER SAID NO SIGN OF STRUGGLE. 1251 00:47:47,257 --> 00:47:49,658 MAYBE HE INCAPACITATED HER SOMEHOW. 1252 00:47:49,694 --> 00:47:50,826 CHLOROFORM? 1253 00:47:50,861 --> 00:47:53,161 WOULD HAVE SHOWN UP IN THE AUTOPSY. 1254 00:47:53,230 --> 00:47:55,096 AS WOULD HAVE SLEEPING PILLS, 1255 00:47:55,165 --> 00:47:57,299 ROOFIES, WHATEVER. 1256 00:47:58,268 --> 00:47:59,167 YOU'RE OVER-THINKING THIS. 1257 00:48:00,471 --> 00:48:01,903 I KNOW. 1258 00:48:01,939 --> 00:48:03,539 NO, IF HE DID STAGE THE WHOLE THING, 1259 00:48:03,574 --> 00:48:05,574 WHY NOT LEAVE AFTER SHE DIED? 1260 00:48:05,609 --> 00:48:06,642 WHY COME IN THE STORE 1261 00:48:06,711 --> 00:48:08,043 AND ASK FOR HER CONSIGNMENT ITEMS? 1262 00:48:08,078 --> 00:48:08,977 HMM. 1263 00:48:09,913 --> 00:48:11,246 YEAH. 1264 00:48:13,116 --> 00:48:17,353 [♪♪♪] 1265 00:48:22,827 --> 00:48:24,326 LADIES... 1266 00:48:24,362 --> 00:48:25,961 HOW DO I LOOK? IS THIS GOOD? 1267 00:48:25,996 --> 00:48:27,262 -YOU LOOK GREAT. -GORGEOUS. 1268 00:48:27,297 --> 00:48:28,530 EXCELLENT. 1269 00:48:28,566 --> 00:48:30,999 MAY I MAKE A LITTLE SUGGESTION ABOUT THE STORE? 1270 00:48:31,034 --> 00:48:32,067 PLEASE. 1271 00:48:32,102 --> 00:48:32,901 I NOTICED THIS YESTERDAY. 1272 00:48:32,936 --> 00:48:36,071 THIS PIECE HERE... 1273 00:48:36,139 --> 00:48:37,272 AND THIS PIECE 1274 00:48:37,307 --> 00:48:38,741 ARE MADE FROM THE SAME ENGLISH MAKER, 1275 00:48:38,776 --> 00:48:40,308 AND I WAS THINKING THAT MAYBE, 1276 00:48:40,378 --> 00:48:41,810 PERHAPS WE SHOULD PLACE THEM TOGETHER, 1277 00:48:41,846 --> 00:48:43,379 BECAUSE IF SOMEONE IS INTERESTED IN ONE, 1278 00:48:43,447 --> 00:48:44,480 THEY MIGHT LIKE BOTH. 1279 00:48:44,515 --> 00:48:45,914 THAT'S GOOD. 1280 00:48:45,949 --> 00:48:47,716 THAT'S A GOOD IDEA. 1281 00:48:47,752 --> 00:48:48,884 [ENTRY BELL JINGLES] 1282 00:48:51,021 --> 00:48:52,954 OH, SURE. 1283 00:48:54,592 --> 00:48:56,157 [♪♪♪] 1284 00:48:56,193 --> 00:48:57,526 HELLO. 1285 00:48:57,595 --> 00:48:58,994 WELCOME TO RAGS TO RICHES. 1286 00:48:59,062 --> 00:49:00,863 CAN I HELP YOU WITH ANYTHING? 1287 00:49:00,898 --> 00:49:03,766 I'M NOT SURE I'M REALLY EVEN IN THE RIGHT PLACE. 1288 00:49:03,801 --> 00:49:05,634 IS THAT A VINTAGE HAMILTON? 1289 00:49:05,669 --> 00:49:06,602 OH, YES, IT IS. 1290 00:49:06,637 --> 00:49:07,569 GOOD EYE. 1291 00:49:07,605 --> 00:49:08,404 THANK YOU. 1292 00:49:08,472 --> 00:49:10,005 NICE EYE YOURSELF. 1293 00:49:10,040 --> 00:49:11,273 OH, THAT'S LOVELY. 1294 00:49:11,308 --> 00:49:13,709 NOW, I WAS LOOKING FOR A BIRTHDAY PRESENT 1295 00:49:13,744 --> 00:49:14,710 FOR MY NIECE. 1296 00:49:14,745 --> 00:49:15,677 HOW OLD IS SHE? 1297 00:49:15,713 --> 00:49:17,012 12. 1298 00:49:17,080 --> 00:49:18,547 YOU KNOW WHAT, I THINK I MAY HAVE THE PERFECT THING. 1299 00:49:18,582 --> 00:49:19,548 COME WITH ME. 1300 00:49:19,583 --> 00:49:20,582 IT'S A SET, 1301 00:49:20,651 --> 00:49:22,117 AND IT'S ABSOLUTELY EXQUISITE. 1302 00:49:24,955 --> 00:49:27,022 HEY, SWEETHEART. 1303 00:49:28,526 --> 00:49:29,658 THOSE ARE COOL. 1304 00:49:29,693 --> 00:49:30,826 CAN I HAVE ONE? 1305 00:49:30,895 --> 00:49:32,728 NO, THEY'RE GOING TO THE POLICE TOMORROW. 1306 00:49:32,763 --> 00:49:34,162 WE WERE GOING TO SELL THEM ON CONSIGNMENT, 1307 00:49:34,197 --> 00:49:36,799 BUT UNFORTUNATELY, THE OWNER PASSED AWAY. 1308 00:49:36,834 --> 00:49:37,599 THAT'S SAD. 1309 00:49:37,635 --> 00:49:39,067 YEAH. 1310 00:49:39,102 --> 00:49:41,036 YOU KNOW THERE'S NOTHING TO EAT IN THE KITCHEN. 1311 00:49:41,071 --> 00:49:42,037 WHAT? 1312 00:49:42,105 --> 00:49:43,505 I JUST WENT TO THE MARKET. 1313 00:49:43,574 --> 00:49:45,908 THERE'S PLENTY TO EAT IN THE FRIDGE. 1314 00:49:45,943 --> 00:49:47,175 [HUFFS TESTILY] 1315 00:49:47,210 --> 00:49:48,477 TEENAGERS... 1316 00:49:58,456 --> 00:50:00,564 LOGAN! 1317 00:50:02,635 --> 00:50:03,836 LOGAN! 1318 00:50:04,121 --> 00:50:05,186 HEY. 1319 00:50:05,222 --> 00:50:06,288 CAN YOU TELL ME WHAT'S ON THIS? 1320 00:50:06,356 --> 00:50:07,488 YEAH, I COULD TRY. 1321 00:50:08,959 --> 00:50:10,458 [TYPING] 1322 00:50:11,861 --> 00:50:13,761 THAT DOESN'T WORK. 1323 00:50:15,165 --> 00:50:16,464 AND... 1324 00:50:16,499 --> 00:50:18,566 THAT DIDN'T WORK EITHER. 1325 00:50:18,601 --> 00:50:21,202 LOOKS LIKE SOME KIND OF MUSIC SOFTWARE. 1326 00:50:21,238 --> 00:50:22,770 WE MAY HAVE TO BUY A COPY 1327 00:50:22,806 --> 00:50:23,972 BEFORE WE CAN SEE WHAT'S ON IT. 1328 00:50:24,007 --> 00:50:24,806 WELL, DO YOUR BEST. 1329 00:50:24,874 --> 00:50:25,840 CAN YOU MAKE A DUPLICATE? 1330 00:50:25,875 --> 00:50:27,875 YEAH, THAT'S NO PROBLEM. 1331 00:50:27,911 --> 00:50:29,344 BUT IF YOU WANT TO SEE WHAT'S ON THERE, 1332 00:50:29,413 --> 00:50:30,545 WE EITHER NEED THE SOFTWARE 1333 00:50:30,580 --> 00:50:32,447 OR THE COMPUTER IT CAME FROM. 1334 00:50:34,051 --> 00:50:37,319 THE PROJECT IS GOING FORWARD. 1335 00:50:37,387 --> 00:50:38,886 NO ONE BUT HANNAH AND HER GROUP 1336 00:50:38,922 --> 00:50:41,156 THINKS THE BUILDING IS WORTH SAVING. 1337 00:50:41,191 --> 00:50:42,757 YOU'LL HAVE TO HAVE A TALK WITH HER. 1338 00:50:42,792 --> 00:50:45,126 I'M NOT SURE THAT'S GOING TO DO ANY GOOD. 1339 00:50:45,195 --> 00:50:46,527 WHY DOES IT HAVE TO BE BUILT THERE? 1340 00:50:46,563 --> 00:50:47,695 ISN'T THERE SOME KIND OF COMPROMISE 1341 00:50:47,730 --> 00:50:49,130 YOU GUYS CAN MAKE? 1342 00:50:49,166 --> 00:50:52,533 EVERYONE AT WORK THINKS IT'S GONNA BLOW OVER. 1343 00:50:52,569 --> 00:50:55,770 WE HAVE THE APPROVALS, WE HAVE THE PERMITS. 1344 00:50:55,805 --> 00:50:57,738 I'D SAY DON'T WORRY, BUT... 1345 00:50:57,774 --> 00:50:59,107 BUT WHAT? 1346 00:50:59,176 --> 00:51:01,142 BUT EVER SINCE HANNAH WAS THREE, 1347 00:51:01,178 --> 00:51:04,145 SHE COULD GET YOU TO DO ANYTHING SHE WANTED. 1348 00:51:05,415 --> 00:51:06,481 OH, BOY. 1349 00:51:09,286 --> 00:51:11,453 IT'LL PROBABLY WORK ON LITA'S LAPTOP. 1350 00:51:11,521 --> 00:51:13,021 YOU'VE GOT A SUSPECT AND MOTIVE. 1351 00:51:13,056 --> 00:51:14,522 I KNOW. 1352 00:51:14,557 --> 00:51:15,957 I DID A LITTLE DIGGING. 1353 00:51:15,993 --> 00:51:18,994 BO TAYLOR HAS A RECORD, MAINLY ALCOHOL RELATED, 1354 00:51:19,029 --> 00:51:20,962 BUT SOME DOMESTIC VIOLENCE. 1355 00:51:20,998 --> 00:51:22,464 SEEMS HE HAS A TEMPER. 1356 00:51:22,499 --> 00:51:23,931 WHERE WAS HE THE DAY LITA DIED? 1357 00:51:23,967 --> 00:51:25,766 THERE'S NO ALIBI, 1358 00:51:25,835 --> 00:51:27,935 BUT THERE'S NOTHING THAT TIES HIM TO LITA'S DEATH 1359 00:51:27,971 --> 00:51:29,471 OTHER THAN CIRCUMSTANTIAL. 1360 00:51:29,506 --> 00:51:30,771 WE NEED MORE. 1361 00:51:30,807 --> 00:51:32,607 OKAY. 1362 00:51:32,642 --> 00:51:34,775 I'D LIKE TO GO THROUGH LITA'S STUFF, 1363 00:51:34,811 --> 00:51:36,444 COMPUTER, NOTEBOOKS, PAPERS? 1364 00:51:37,914 --> 00:51:40,348 SOMEHOW, I THOUGHT YOU MIGHT WANT TO DO THAT. 1365 00:51:40,384 --> 00:51:41,849 I CHECKED WITH THE CHIEF. 1366 00:51:41,918 --> 00:51:43,818 HE SAYS IT'S OKAY IF YOU TAKE A LOOK, 1367 00:51:43,887 --> 00:51:44,752 BUT INSISTS THAT I BE THERE 1368 00:51:44,787 --> 00:51:45,887 THE WHOLE TIME. 1369 00:51:45,922 --> 00:51:46,854 GREAT, LET'S GO. 1370 00:51:46,890 --> 00:51:47,989 LET'S NOT. 1371 00:51:48,025 --> 00:51:50,325 I STILL HAVE PAPERWORK TO FINISH UP HERE. 1372 00:51:50,360 --> 00:51:51,259 I CAN MEET YOU UP AT LITA'S HOUSE 1373 00:51:51,294 --> 00:51:52,227 AROUND 4:00. 1374 00:51:52,262 --> 00:51:53,728 I'LL BE THERE. 1375 00:51:53,796 --> 00:51:55,296 I'M SURE YOU WILL. 1376 00:52:01,905 --> 00:52:03,804 DANI, CAN YOU BE BACK FOR 3:30? 1377 00:52:03,873 --> 00:52:04,939 YES, MA'AM. 1378 00:52:05,008 --> 00:52:06,374 NOW, COME WITH ME OR STAY? 1379 00:52:06,410 --> 00:52:07,608 IT'S UP TO YOU. 1380 00:52:07,644 --> 00:52:09,710 OH, NO, I'VE NEVER BEEN TO A GARAGE SALE. 1381 00:52:09,746 --> 00:52:11,979 AREN'T THOSE JUST BASICALLY JUNK SALES? 1382 00:52:12,015 --> 00:52:13,648 YOU KNOW, THIS LOOKS LIKE A MEISSEN. 1383 00:52:13,683 --> 00:52:14,582 IS THIS A REPRO? 1384 00:52:14,617 --> 00:52:15,583 IT'S REAL. 1385 00:52:15,618 --> 00:52:16,951 19TH CENTURY. 1386 00:52:17,020 --> 00:52:18,386 FOUND IT AT A GARAGE SALE. 1387 00:52:18,422 --> 00:52:19,654 $3.00. 1388 00:52:20,823 --> 00:52:21,989 OKAY, I'M GOING. 1389 00:52:22,025 --> 00:52:23,258 GET YOUR COAT. 1390 00:52:34,671 --> 00:52:38,506 WE USUALLY SPLIT UP TO COVER MORE GROUND. 1391 00:52:38,542 --> 00:52:39,640 DO YOU WANT TO GO ON YOUR OWN, 1392 00:52:39,676 --> 00:52:41,076 OR DO YOU WANT TO COME WITH ME? 1393 00:52:41,111 --> 00:52:43,911 CAN I LOOK IN CLOSETS AND JUST SNOOP AROUND? 1394 00:52:43,947 --> 00:52:45,646 UNLESS THERE'S A SIGN THAT SAYS "OFF LIMITS," 1395 00:52:45,682 --> 00:52:47,449 EVERYTHING IS FAIR GAME. 1396 00:52:47,484 --> 00:52:49,117 ALL RIGHT, LET'S SPLIT UP THEN. 1397 00:52:50,420 --> 00:52:52,087 [♪♪♪] 1398 00:53:17,847 --> 00:53:18,646 [BETH ANN, DISTRAUGHT]: NO... 1399 00:53:19,849 --> 00:53:21,316 PETER, THERE IS NO GOING BACK, 1400 00:53:21,351 --> 00:53:22,250 THERE'S NO STARTING OVER, 1401 00:53:22,285 --> 00:53:24,152 I DON'T WANT TO. 1402 00:53:24,187 --> 00:53:26,020 I'M DONE. 1403 00:53:26,055 --> 00:53:27,755 I MEAN IT. 1404 00:53:27,790 --> 00:53:29,190 NO, PLEASE, CAN YOU... 1405 00:53:29,226 --> 00:53:32,860 PLEASE, JUST BE OUT BY THE TIME I GET HOME. 1406 00:53:32,895 --> 00:53:34,762 YES, REALLY, PETER. 1407 00:53:35,798 --> 00:53:37,565 YEAH. 1408 00:53:40,370 --> 00:53:41,469 [STIFLES A SOB] 1409 00:53:45,875 --> 00:53:47,742 WELL, I AM CONCERNED. 1410 00:53:47,777 --> 00:53:48,743 IF THERE'S ANY DELAYS, 1411 00:53:48,778 --> 00:53:50,345 THE COSTS ARE GOING TO ESCALATE. 1412 00:53:50,380 --> 00:53:51,712 THIS BUILDING DOESN'T QUALIFY 1413 00:53:51,748 --> 00:53:53,314 FOR HISTORICAL STATUS, RIGHT? 1414 00:53:53,350 --> 00:53:54,982 NOT AS FAR AS WE CAN MAKE OUT. 1415 00:53:55,051 --> 00:53:56,117 IT WAS DESIGNED BY A NOTED ARCHITECT, 1416 00:53:56,186 --> 00:53:57,118 BUT THAT'S ABOUT IT. 1417 00:53:57,154 --> 00:53:58,186 ANY REASON 1418 00:53:58,221 --> 00:54:00,188 WE CAN'T MOVE UP THE GROUND-BREAKING? 1419 00:54:00,257 --> 00:54:02,557 NO. 1420 00:54:04,561 --> 00:54:06,528 [♪♪♪] 1421 00:54:48,305 --> 00:54:49,737 [GASPS IN FRIGHT] 1422 00:54:49,772 --> 00:54:50,838 [SIGHS] OH... 1423 00:54:50,873 --> 00:54:52,840 THANKS A LOT. 1424 00:54:52,875 --> 00:54:54,175 ARE WE LOOKING FOR ANYTHING IN PARTICULAR, 1425 00:54:54,211 --> 00:54:56,411 OR ARE WE JUST WANDERING AROUND? 1426 00:54:56,446 --> 00:54:58,879 OH, I DEFINITELY HAVE SOME THINGS IN MIND. 1427 00:54:58,948 --> 00:55:00,815 [EXHALING] 1428 00:55:02,586 --> 00:55:04,952 WE CAN LOOK AT HER MOST RECENT INTERNET SEARCHES. 1429 00:55:04,987 --> 00:55:06,187 IF YOU HAVE HER PASSWORD. 1430 00:55:06,256 --> 00:55:07,288 OR IF IT DOESN'T NEED ONE. 1431 00:55:08,425 --> 00:55:09,924 AND IT DOESN'T. 1432 00:55:09,992 --> 00:55:12,460 OKAY, HERE IS WHERE SHE WENT. 1433 00:55:12,495 --> 00:55:13,494 WHEN? 1434 00:55:13,563 --> 00:55:14,696 NIGHT BEFORE HER DEATH. 1435 00:55:14,731 --> 00:55:17,164 ROAD TESTS FOR NEW CARS... 1436 00:55:17,200 --> 00:55:19,967 HERE'S A WEB SITE FOR CAR LOANS. 1437 00:55:20,002 --> 00:55:22,570 THAT DOESN'T SOUND LIKE SOMEONE ABOUT TO DO THEMSELVES IN. 1438 00:55:22,606 --> 00:55:24,672 NO MENTAL HEALTH HOTLINES, 1439 00:55:24,708 --> 00:55:27,942 NO WEB SEARCHES ABOUT DEPRESSION OR SUICIDE. 1440 00:55:27,977 --> 00:55:29,877 NONE OF THAT CHANGES THE FACT 1441 00:55:29,912 --> 00:55:32,146 THAT JOHN AND CASSIE DISCOVERED THE BODY 1442 00:55:32,181 --> 00:55:34,949 35 MINUTES AFTER SHE SENT THE TEXT. 1443 00:55:35,017 --> 00:55:37,518 IF YOU CAN'T EXPLAIN THAT, YOU GOT NOTHING. 1444 00:55:37,554 --> 00:55:39,086 [SIGHS HEAVILY] 1445 00:55:53,903 --> 00:55:55,836 WHAT EXACTLY ARE YOU LOOKING FOR? 1446 00:55:55,872 --> 00:55:58,806 IF SOMEONE STAGED THE SUICIDE... 1447 00:55:58,841 --> 00:56:01,576 THEN THE TIPPED-OVER CHAIR WAS JUST FOR SHOW, 1448 00:56:01,611 --> 00:56:02,977 AND THE HARDWOOD FLOOR 1449 00:56:03,012 --> 00:56:05,346 HAS WHAT LOOKS TO BE A FRESH SCRATCH. 1450 00:56:30,373 --> 00:56:31,939 FRANK, LOOK AT THIS. 1451 00:56:31,974 --> 00:56:34,241 IT'S MISSING A RUBBER LEG CAP, AND IT'S BARE METAL. 1452 00:56:44,020 --> 00:56:44,786 HMM. 1453 00:56:46,389 --> 00:56:47,755 I'LL GIVE IT TO YOU, 1454 00:56:47,791 --> 00:56:50,325 THAT SCRATCH WAS MADE BY THAT STEPLADDER. 1455 00:57:03,606 --> 00:57:05,306 WHAT'S THIS? 1456 00:57:05,342 --> 00:57:07,342 LOOKS LIKE AN AFID TAG. 1457 00:57:07,377 --> 00:57:09,176 WHICH IS? 1458 00:57:09,212 --> 00:57:11,446 IT'S A PIECE OF CONFETTI FROM A TASER. 1459 00:57:11,481 --> 00:57:13,047 THAT NUMBER, IT'S A SERIAL NUMBER. 1460 00:57:13,082 --> 00:57:14,982 IT HELPS IDENTIFY THE OWNER. 1461 00:57:15,017 --> 00:57:17,017 THIS TINY PIECE OF PAPER CAME FROM A TASER? 1462 00:57:17,053 --> 00:57:18,252 A WHOLE BUNCH OF THEM, 1463 00:57:18,287 --> 00:57:20,221 THEY SHOOT OUT WHEN THE PROBES ARE DEPLOYED. 1464 00:57:20,256 --> 00:57:23,023 WE CAN'T USE BALLISTICS, SO WE USE CONFETTI. 1465 00:57:23,059 --> 00:57:25,493 [♪♪♪] 1466 00:57:25,562 --> 00:57:27,027 FRANK, THAT'S IT. 1467 00:57:27,063 --> 00:57:28,863 THAT'S HOW SHE WAS INCAPACITATED. 1468 00:57:33,218 --> 00:57:34,450 WOULD A TASER INCAPACITATE HER 1469 00:57:34,486 --> 00:57:35,652 LONG ENOUGH FOR SOMEONE TO HANG HER 1470 00:57:35,687 --> 00:57:36,586 WITHOUT A STRUGGLE? 1471 00:57:36,622 --> 00:57:37,687 IT'S QUESTIONABLE. 1472 00:57:37,723 --> 00:57:39,556 WHEN YOU GET HIT WITH 50,000 VOLTS, 1473 00:57:39,591 --> 00:57:41,057 YOU ARE TEMPORARILY PARALYZED. 1474 00:57:41,126 --> 00:57:42,191 FOR HOW LONG? 1475 00:57:42,260 --> 00:57:43,326 ASSUME 30 SECONDS, 1476 00:57:43,395 --> 00:57:44,427 BUT IF THE PROBE'S STILL ATTACHED, 1477 00:57:44,462 --> 00:57:46,696 PULL THE TRIGGER AGAIN, 30 SECONDS MORE. 1478 00:57:46,732 --> 00:57:48,097 A PERSON COULD BE STUNNED 1479 00:57:48,133 --> 00:57:50,233 IF THEY FALL AND HIT THEIR HEAD... 1480 00:57:50,268 --> 00:57:52,068 WH-WHAT SORT OF FLOOR WAS THIS? 1481 00:57:52,103 --> 00:57:53,870 HARDWOOD. 1482 00:57:53,906 --> 00:57:56,006 BUT DON'T TASERS LEAVE MARKS ON THE BODY? 1483 00:57:56,074 --> 00:57:57,541 WELL, NOT IF THE PRONGS HIT CLOTHING. 1484 00:57:57,576 --> 00:57:59,743 THE CHARGE WOULD THEN ARC TO THE BODY. 1485 00:58:02,180 --> 00:58:03,647 LET ME GET THIS STRAIGHT, 1486 00:58:03,715 --> 00:58:05,015 YOU'RE SAYING 1487 00:58:05,050 --> 00:58:07,517 THE KILLER MADE IT LOOK LIKE A SUICIDE, 1488 00:58:07,553 --> 00:58:09,285 STAGED EVERYTHING? 1489 00:58:09,320 --> 00:58:10,420 RIGHT. 1490 00:58:10,455 --> 00:58:11,421 THAT'S RIDICULOUS. 1491 00:58:11,456 --> 00:58:13,289 I REMEMBER, I OPENED THE DOOR, 1492 00:58:13,324 --> 00:58:15,324 JOHN RAN IN, AND HE GOT HER DOWN, 1493 00:58:15,360 --> 00:58:16,459 AND THAT DOOR WAS LOCKED, 1494 00:58:16,494 --> 00:58:17,460 SO HOW CAN THAT BE MURDER? 1495 00:58:17,529 --> 00:58:18,562 THE TIMING WORKS 1496 00:58:18,597 --> 00:58:20,830 IF THE KILLER FORCED HER TO SEND THE TEXT. 1497 00:58:20,866 --> 00:58:21,965 THEN, HE LEAVES, 1498 00:58:22,000 --> 00:58:23,399 LOCKS THE DOOR WITH HER KEY. 1499 00:58:23,435 --> 00:58:24,467 YOU AND JOHN SHOW UP, 1500 00:58:24,502 --> 00:58:26,502 AND IT LOOKS LIKE A SUICIDE. 1501 00:58:26,538 --> 00:58:28,404 DO YOU HAVE ANYTHING TO SUPPORT THIS? 1502 00:58:28,440 --> 00:58:30,406 THERE WAS EVIDENCE AT THE SCENE 1503 00:58:30,442 --> 00:58:32,141 THAT A TASER MIGHT HAVE BEEN USED. 1504 00:58:34,112 --> 00:58:37,346 EITHER YOU'RE CRAZY, OR YOU'RE MAKING THINGS UP. 1505 00:58:37,382 --> 00:58:39,348 YOU KNOW, LITA MERRILL, SHE WAS A REAL PERSON, 1506 00:58:39,384 --> 00:58:41,184 AND IT'S BEEN HARD ENOUGH DEALING WITH HER DEATH 1507 00:58:41,252 --> 00:58:42,752 WITHOUT HAVING TO RELIVE IT OVER AND OVER AGAIN 1508 00:58:42,788 --> 00:58:44,754 BECAUSE YOU LIKE MYSTERY BOOKS, 1509 00:58:44,790 --> 00:58:46,155 SO PLEASE LEAVE. 1510 00:58:46,191 --> 00:58:47,857 I'M SORRY, I DIDN'T MEAN TO UPSET YOU. 1511 00:58:47,926 --> 00:58:49,425 I WAS ALREADY UPSET. 1512 00:58:49,461 --> 00:58:52,328 NOW, IF YOU'LL EXCUSE ME, I HAVE WORK TO DO. 1513 00:58:59,705 --> 00:59:02,472 NO, I HAVEN'T DECIDED. 1514 00:59:02,507 --> 00:59:04,240 IT'S KIND OF SCARY. 1515 00:59:04,275 --> 00:59:07,343 YEAH, I'VE SPENT MY WHOLE LIFE IN SCHOOL. 1516 00:59:07,378 --> 00:59:10,046 ONE MORE YEAR, AND GRADUATION. 1517 00:59:10,082 --> 00:59:12,482 WELCOME TO THE REAL WORLD. 1518 00:59:12,517 --> 00:59:13,516 GRAD SCHOOL'S SOUNDING BETTER AND BETTER. 1519 00:59:13,551 --> 00:59:15,184 WHAT ABOUT YOU? 1520 00:59:15,220 --> 00:59:17,053 I DON'T KNOW. 1521 00:59:17,089 --> 00:59:18,321 I WANT TO TRAVEL. 1522 00:59:18,356 --> 00:59:19,188 PARIS? 1523 00:59:19,224 --> 00:59:21,124 -OH, ABSOLUTELY. -ME, TOO. 1524 00:59:21,159 --> 00:59:23,392 I SPENT THREE YEARS TAKING FRENCH, 1525 00:59:23,428 --> 00:59:25,194 SO I FIGURED I MIGHT AS WELL USE IT. 1526 00:59:25,230 --> 00:59:26,395 THAT'S SO FUNNY. 1527 00:59:26,464 --> 00:59:27,530 I'VE BEEN WATCHING THIS DOCUMENTARY 1528 00:59:27,599 --> 00:59:29,232 ON WHAT'S UNDERNEATH PARIS, 1529 00:59:29,267 --> 00:59:31,868 OLD ROMAN AQUADUCTS, CATACOMBS. 1530 00:59:31,903 --> 00:59:33,003 IT'S REALLY COOL. 1531 00:59:33,038 --> 00:59:34,403 I WANT TO SEE IT. 1532 00:59:34,439 --> 00:59:36,740 HMM? ALLONS CHEZ MOI. 1533 00:59:36,775 --> 00:59:38,241 BETH... 1534 00:59:38,309 --> 00:59:41,177 PARENTS ARE ALWAYS MORE STRICT WITH THE FIRST CHILD, RIGHT? 1535 00:59:41,246 --> 00:59:43,513 COME ON, IT WENT WAY BEYOND THAT. 1536 00:59:43,548 --> 00:59:46,549 DANI, I HAD TO BE RESPONSIBLE, 1537 00:59:46,618 --> 00:59:48,151 GET STRAIGHT "A"S, 1538 00:59:48,219 --> 00:59:49,218 ONLY DATE BOYS 1539 00:59:49,254 --> 00:59:51,387 THAT THEY APPROVED OF. 1540 00:59:51,422 --> 00:59:52,656 DO YOU REMEMBER 1541 00:59:52,691 --> 00:59:53,990 DAD USED TO ALWAYS CALL ME HIS "PRIDE." 1542 00:59:54,026 --> 00:59:55,125 YES. 1543 00:59:55,160 --> 00:59:58,628 BUT YOU WERE HIS "JOY." 1544 00:59:58,664 --> 01:00:00,930 I WANTED TO BE HIS JOY, TOO. 1545 01:00:00,966 --> 01:00:04,734 OH, MAN, I WAS SO JEALOUS OF THE WAY HE WOULD LIGHT UP 1546 01:00:04,803 --> 01:00:07,737 WHENEVER YOU WERE AROUND. 1547 01:00:07,773 --> 01:00:08,972 AND OF YOUR TALENT. 1548 01:00:09,041 --> 01:00:10,840 YOU'RE TALENTED. 1549 01:00:10,876 --> 01:00:12,375 NOT LIKE YOU. 1550 01:00:12,443 --> 01:00:13,509 YOU'RE THE ARTIST. 1551 01:00:13,578 --> 01:00:14,678 I'M JUST... 1552 01:00:14,746 --> 01:00:16,179 I WANT TO SHOW YOU SOMETHING. 1553 01:00:26,424 --> 01:00:28,424 OH, WOW, THAT'S OUR HOUSE, 1554 01:00:28,459 --> 01:00:29,693 WHERE WE GREW UP... 1555 01:00:29,728 --> 01:00:30,894 MM-HMM. 1556 01:00:30,929 --> 01:00:32,595 YOU PAINTED THAT. 1557 01:00:32,630 --> 01:00:34,230 WHAT? 1558 01:00:36,601 --> 01:00:38,134 OH, MY GOODNESS, I DID. 1559 01:00:38,170 --> 01:00:39,169 DIDN'T I? 1560 01:00:39,204 --> 01:00:40,336 MM-HMM. 1561 01:00:40,405 --> 01:00:42,072 YOU'VE KEPT THIS? 1562 01:00:42,107 --> 01:00:44,708 OF COURSE, I KEPT IT, IT'S BEAUTIFUL. 1563 01:00:44,743 --> 01:00:46,509 BETH, YOU'RE REALLY GOOD. 1564 01:00:51,216 --> 01:00:53,416 [SIGHS HEAVILY] 1565 01:00:53,451 --> 01:00:55,719 HONEY, I OVERHEARD YOUR PHONE CALL TODAY. 1566 01:00:56,988 --> 01:00:58,621 WHAT DO YOU MEAN? 1567 01:00:58,656 --> 01:01:02,258 WELL, I WAS OUTSIDE THE DOOR WHEN YOU WERE TALKING TO PETER. 1568 01:01:03,361 --> 01:01:06,162 MY MARRIAGE IS OVER. 1569 01:01:06,198 --> 01:01:08,064 BETH, I AM SO SORRY. 1570 01:01:08,100 --> 01:01:09,065 IT'S OKAY. 1571 01:01:10,635 --> 01:01:12,501 AND I FEEL OKAY. 1572 01:01:14,873 --> 01:01:17,040 AND I HOPE WE'RE OKAY. 1573 01:01:17,075 --> 01:01:18,174 ARE WE OKAY? 1574 01:01:18,210 --> 01:01:19,609 WE'RE GOOD, RIGHT? 1575 01:01:19,644 --> 01:01:21,644 OH, YEAH. 1576 01:01:21,713 --> 01:01:24,013 YEAH, WE'RE GETTING THERE. 1577 01:01:24,049 --> 01:01:26,582 I DON'T KNOW, I FEEL STRONGER. 1578 01:01:26,618 --> 01:01:29,219 I FEEL LIKE I'M READY TO GO BACK 1579 01:01:29,254 --> 01:01:32,421 AND DEAL WITH THE THINGS THAT I NEED TO DEAL WITH. 1580 01:01:32,457 --> 01:01:33,923 AND YOU KNOW WHAT I THINK HELPED? 1581 01:01:33,959 --> 01:01:34,791 WHAT? 1582 01:01:34,860 --> 01:01:36,159 THE CRYSTALS. 1583 01:01:36,194 --> 01:01:37,360 YEAH. 1584 01:01:37,395 --> 01:01:38,628 FOR REAL. 1585 01:01:38,663 --> 01:01:40,830 I MEAN, I REALLY ACTUALLY THINK THAT THEY WORK. 1586 01:01:40,899 --> 01:01:43,332 [WHISPERING] I HAVE MORE. 1587 01:01:43,368 --> 01:01:45,201 IT'S SPOOKY DOWN THERE. 1588 01:01:45,270 --> 01:01:47,170 ALL THOSE BONES? WOW... 1589 01:01:47,239 --> 01:01:48,704 I'D STILL GO. 1590 01:01:48,740 --> 01:01:51,007 I LOVE THAT PART OF NOTRE DAME. 1591 01:01:53,444 --> 01:01:54,310 HANNAH... 1592 01:01:57,015 --> 01:01:58,948 CAN I TALK TO YOU FOR A MINUTE? 1593 01:01:58,984 --> 01:02:00,483 AJ, THIS IS MY DAD, JASON, 1594 01:02:00,551 --> 01:02:01,918 AND DAD, THIS IS AJ. 1595 01:02:01,953 --> 01:02:02,819 WE'VE ALREADY MET. 1596 01:02:02,854 --> 01:02:03,753 HELLO, AJ. 1597 01:02:03,789 --> 01:02:05,855 HI. 1598 01:02:05,924 --> 01:02:07,490 YOU'RE HANNAH'S DAD? 1599 01:02:07,558 --> 01:02:08,925 YUP. 1600 01:02:08,994 --> 01:02:10,860 WHERE DID YOU MEET? 1601 01:02:10,896 --> 01:02:13,163 HANNAH? 1602 01:02:20,272 --> 01:02:23,072 OH, IT CAN'T BE THAT BAD. 1603 01:02:23,141 --> 01:02:24,373 MY DAUGHTER'S GOING OUT WITH A GUY 1604 01:02:24,442 --> 01:02:26,342 WHO THINKS I'M TRYING TO DESTROY OUR TOWN'S HISTORY. 1605 01:02:26,411 --> 01:02:27,576 THEY'RE JUST FRIENDS. 1606 01:02:27,612 --> 01:02:28,711 JENN... 1607 01:02:28,746 --> 01:02:31,047 NO ONE'S JUST FRIENDS AT THAT AGE. 1608 01:02:31,116 --> 01:02:32,648 IS THERE A WAY 1609 01:02:32,684 --> 01:02:35,118 FOR YOU TWO TO FIND A COMMON GROUND? 1610 01:02:35,187 --> 01:02:36,719 I'M WORKING ON IT. 1611 01:02:38,290 --> 01:02:41,991 SO, I WAS AT THE MORGUE TODAY... 1612 01:02:47,032 --> 01:02:48,364 WHEN DO YOU WANT TO EDIT? 1613 01:02:48,399 --> 01:02:49,432 ARE YOU SURE? 1614 01:02:49,467 --> 01:02:50,466 YOUR DAD'S NOT GOING TO BE HAPPY... 1615 01:02:50,501 --> 01:02:51,667 OH, LET ME WORRY ABOUT MY DAD. 1616 01:02:51,703 --> 01:02:53,169 HE'S COOL, REALLY. 1617 01:02:53,205 --> 01:02:55,571 I'LL TAKE YOUR WORD FOR IT. 1618 01:02:55,606 --> 01:02:56,706 [CHUCKLING] 1619 01:02:56,741 --> 01:02:57,974 HOW'S TUESDAY SOUND? 1620 01:02:58,009 --> 01:02:59,309 THAT WORKS. 1621 01:02:59,344 --> 01:03:01,744 AND... I REALLY HAD FUN TONIGHT. 1622 01:03:01,779 --> 01:03:03,479 I MEAN, BEFORE. 1623 01:03:03,514 --> 01:03:05,348 ME, TOO. 1624 01:03:06,952 --> 01:03:08,351 SEE YOU TUESDAY. 1625 01:03:08,386 --> 01:03:09,418 SEE YOU THEN. 1626 01:03:14,092 --> 01:03:15,258 DETECTIVE LYNWOOD SAID 1627 01:03:15,327 --> 01:03:16,625 HE IS NOW SERIOUSLY CONSIDERING 1628 01:03:16,661 --> 01:03:17,827 THIS COULD BE A MURDER. 1629 01:03:17,863 --> 01:03:19,162 HOW IS THAT POSSIBLE? 1630 01:03:19,231 --> 01:03:21,764 IT'S STILL UP IN THE AIR, 1631 01:03:21,833 --> 01:03:26,069 BUT THEY FOUND EVIDENCE THAT A TASER MIGHT HAVE BEEN USED. 1632 01:03:26,104 --> 01:03:27,703 I DIDN'T SEE A TASER. 1633 01:03:27,739 --> 01:03:28,972 NO TASER FOUND, 1634 01:03:29,007 --> 01:03:30,773 JUST EVIDENCE THAT ONE MIGHT HAVE BEEN USED. 1635 01:03:30,808 --> 01:03:32,541 [JOHN]: THAT DOESN'T MAKE ANY SENSE. 1636 01:03:32,577 --> 01:03:35,211 [SIGHS] THIS IS HORRIBLE. 1637 01:03:35,247 --> 01:03:36,846 WAS IT THIS BO TAYLOR? 1638 01:03:36,882 --> 01:03:40,250 DETECTIVE LYNWOOD IS TRYING TO FIND OUT WHO OWNED IT. 1639 01:03:41,219 --> 01:03:42,852 HOW? 1640 01:03:42,888 --> 01:03:45,288 THEY LEAVE BEHIND TAGS THAT CAN I.D. THE OWNER. 1641 01:03:45,323 --> 01:03:47,823 REALLY? 1642 01:03:47,859 --> 01:03:49,725 THAT'LL BE INTERESTING. 1643 01:03:49,794 --> 01:03:50,526 THAT'S NOT "INTERESTING." 1644 01:03:51,796 --> 01:03:53,229 I CAN'T HANDLE THIS. 1645 01:03:55,700 --> 01:03:57,200 I'M SORRY. 1646 01:03:58,569 --> 01:04:02,005 WE CAN DEAL WITH A MUSICIAN DYING BEFORE THE TOUR. 1647 01:04:02,040 --> 01:04:04,274 IT'S SAD, AND WE'LL HONOR HER. 1648 01:04:04,309 --> 01:04:06,209 BUT A MURDER? 1649 01:04:06,244 --> 01:04:08,677 THAT'S ALL THE PRESS IS GONNA CARE ABOUT. 1650 01:04:32,203 --> 01:04:32,936 [GLASS SHATTERING] 1651 01:04:51,656 --> 01:04:53,356 [LOUD THUD] 1652 01:05:00,571 --> 01:05:04,140 [POLICE RADIO CHATTER] 1653 01:05:07,112 --> 01:05:08,077 JENN, HEY. 1654 01:05:08,113 --> 01:05:09,112 YOU CAN'T GO IN THERE, 1655 01:05:09,180 --> 01:05:10,312 THEY'RE STILL COLLECTING EVIDENCE. 1656 01:05:10,348 --> 01:05:11,848 I JUST SAW CASSIE YESTERDAY. 1657 01:05:11,883 --> 01:05:12,949 WHAT HAPPENED? 1658 01:05:12,984 --> 01:05:14,083 LOOKS LIKE A ROBBERY GONE WRONG. 1659 01:05:14,119 --> 01:05:15,885 TYPICAL SMASH-AND-GRAB. 1660 01:05:15,920 --> 01:05:17,486 HOW DID SHE DIE? 1661 01:05:17,521 --> 01:05:18,721 APPEARS SHE CONFRONTED THE THIEF. 1662 01:05:18,790 --> 01:05:19,822 IT WAS LATE AT NIGHT, 1663 01:05:19,858 --> 01:05:21,891 OBVIOUSLY, HE ASSUMED SHE WAS SLEEPING. 1664 01:05:21,926 --> 01:05:25,027 THERE'S SOME DEFINITE EVIDENCE OF A STRUGGLE. 1665 01:05:25,063 --> 01:05:26,996 SHE TOOK SOME BLOWS TO THE HEAD FROM A BRASS LAMP. 1666 01:05:28,399 --> 01:05:29,598 YOU SHOULD GO BACK TO THE STORE, JENN. 1667 01:05:29,667 --> 01:05:30,800 I'LL TALK TO YOU LATER. 1668 01:05:30,835 --> 01:05:31,934 OKAY. 1669 01:05:31,970 --> 01:05:33,136 I KNOW WHAT YOU'RE THINKING, 1670 01:05:33,171 --> 01:05:34,904 AND I DON'T KNOW IF THIS IS CONNECTED 1671 01:05:34,939 --> 01:05:36,839 TO LITA MERRILL'S DEATH OR NOT. 1672 01:05:36,875 --> 01:05:39,308 FRANK, ONE MORE THING, 1673 01:05:39,343 --> 01:05:41,110 ANY WORD ON THE OWNER OF THE TASER GUN? 1674 01:05:41,146 --> 01:05:42,245 NOT YET. 1675 01:05:42,280 --> 01:05:44,413 WE'VE CONTACTED THE MANUFACTURER, THOUGH. 1676 01:05:44,482 --> 01:05:46,482 OH, AND TO MAKE THINGS A LITTLE MORE INTERESTING, 1677 01:05:46,517 --> 01:05:48,217 BO'S DISAPPEARED. 1678 01:05:48,253 --> 01:05:50,486 I WENT TO THE MOTEL WHERE HE'S BEEN STAYING. 1679 01:05:50,521 --> 01:05:52,054 YEAH, THE MANAGER SAID THAT HE CLEARED OUT 1680 01:05:52,123 --> 01:05:53,489 IN THE MIDDLE OF THE NIGHT. 1681 01:05:57,561 --> 01:05:59,328 IT'S TOO MUCH OF A COINCIDENCE. 1682 01:05:59,363 --> 01:06:01,931 LYNWOOD SAYS IT WAS A ROBBERY, BUT I DON'T THINK SO. 1683 01:06:01,966 --> 01:06:03,065 IF THESE DEATHS ARE CONNECTED, 1684 01:06:03,101 --> 01:06:04,566 WHAT DID CASSIE KNOW THAT GOT HER KILLED? 1685 01:06:04,635 --> 01:06:05,868 I DON'T KNOW, 1686 01:06:05,937 --> 01:06:07,603 BUT WHEN I SAW HER YESTERDAY, SOMETHING WAS OFF. 1687 01:06:07,638 --> 01:06:10,006 BO TAYLOR WAS YOUR SUSPECT IN LITA'S DEATH. 1688 01:06:10,041 --> 01:06:12,474 NOW, WHAT IS THERE TO CONNECT HIM TO CASSIE? 1689 01:06:13,812 --> 01:06:16,712 I DON'T SEE A CONNECTION. 1690 01:06:16,747 --> 01:06:18,047 MAYBE IT WAS A ROBBERY. 1691 01:06:19,317 --> 01:06:20,249 HI, LOGAN. 1692 01:06:20,285 --> 01:06:21,784 HEY, DANI. 1693 01:06:21,853 --> 01:06:23,252 HEY, UM, I WAS ABLE TO OPEN THE FLASH. 1694 01:06:23,321 --> 01:06:25,521 MY FRIEND HAS A HOME STUDIO. 1695 01:06:25,589 --> 01:06:27,389 GREAT. WHAT WAS ON IT? 1696 01:06:27,425 --> 01:06:29,525 BUNCH OF SONGS, SOUNDED LIKE DEMOS. 1697 01:06:29,560 --> 01:06:32,628 MOSTLY "LOVE IS WONDERFUL" KIND OF STUFF, 1698 01:06:32,663 --> 01:06:35,198 BUT THE MOST RECENT ONE IT'S DIFFERENT. 1699 01:06:35,233 --> 01:06:36,532 IT'S A REAL DOWNER. 1700 01:06:36,567 --> 01:06:37,934 WELL, CAN I HEAR IT? 1701 01:06:37,969 --> 01:06:39,235 YEAH, THE SOFTWARE'S ON MY COMPUTER, 1702 01:06:39,270 --> 01:06:40,970 SO YOU'LL HAVE TO LISTEN TO IT WHEN YOU GET HOME, 1703 01:06:41,039 --> 01:06:44,307 BUT HERE, I WROTE YOU DOWN THE LYRICS. 1704 01:06:44,342 --> 01:06:46,075 ANYWAYS, I'VE GOT TO BOOK IT, SO... 1705 01:06:46,110 --> 01:06:47,143 SEE YA. 1706 01:06:47,212 --> 01:06:48,610 THANKS, HONEY, I'LL SEE YOU TONIGHT. 1707 01:06:49,714 --> 01:06:51,547 WHAT'S IT SAY? 1708 01:06:51,615 --> 01:06:53,549 SEEMS TO BE ABOUT A... 1709 01:06:53,584 --> 01:06:55,751 A WOMAN IN LOVE WITH A... 1710 01:06:55,820 --> 01:06:57,519 WELL, I'M GUESSING, A MARRIED MAN. 1711 01:06:57,555 --> 01:07:00,589 IT SAYS, "YOU SAID YOU'D TELL HER YOURSELF. 1712 01:07:00,624 --> 01:07:02,058 "WELL, I CAN'T WAIT HERE ON THE SHELF. 1713 01:07:02,093 --> 01:07:04,493 "SHE'S GOING TO HEAR THE NEWS FROM ME. 1714 01:07:04,528 --> 01:07:06,963 "IT'S TIME THAT WE WERE ALL SET FREE. 1715 01:07:06,998 --> 01:07:10,399 "TRUE TO YOU IS JUST NOT TRUE 1716 01:07:10,468 --> 01:07:13,602 AND NOT BEING TRUE IS ALL ABOUT YOU..." 1717 01:07:13,637 --> 01:07:15,104 YOU DIDN'T HAPPEN TO MENTION THE GUY'S NAME 1718 01:07:15,173 --> 01:07:16,405 IN THERE ANYWHERE? 1719 01:07:16,474 --> 01:07:17,506 AFRAID NOT. 1720 01:07:17,541 --> 01:07:20,076 IT COULD JUST BE A SONG. 1721 01:07:20,111 --> 01:07:21,177 RIGHT. 1722 01:07:21,212 --> 01:07:22,678 RIGHT. 1723 01:07:24,615 --> 01:07:25,915 I DON'T HAVE ANY OBJECTION. 1724 01:07:25,950 --> 01:07:27,049 I ACTUALLY LIKE THE IDEA. 1725 01:07:27,085 --> 01:07:28,384 DO YOU THINK IT'LL GET PASSED? 1726 01:07:28,419 --> 01:07:29,585 I SPENT HALF THE DAY YESTERDAY 1727 01:07:29,653 --> 01:07:30,552 AT THE MAYOR'S OFFICE. 1728 01:07:30,621 --> 01:07:31,954 THEY'RE ALL SUPPORTIVE. 1729 01:07:31,990 --> 01:07:34,090 [CELL PHONE RINGING] 1730 01:07:34,125 --> 01:07:36,725 YEAH? 1731 01:07:37,661 --> 01:07:40,462 OKAY, THANKS. 1732 01:07:40,531 --> 01:07:43,366 THERE'S SOMETHING I THINK WE SHOULD TAKE A LOOK AT. 1733 01:07:43,401 --> 01:07:44,934 [VIDEO PLAYING BACK] 1734 01:07:44,969 --> 01:07:47,236 FIRST BUILDING IN THIS COUNTY WITH AN ELEVATOR, 1735 01:07:47,272 --> 01:07:50,773 DESIGNED BY NOTED ARCHITECT ADRIAN BERNARD... 1736 01:07:50,808 --> 01:07:52,275 "SHANNON?" 1737 01:07:52,310 --> 01:07:54,210 [CHUCKLING] ANY RELATION TO YOU, JASON? 1738 01:07:54,245 --> 01:07:55,644 YEAH. 1739 01:07:55,679 --> 01:07:58,114 THAT'S MY DAUGHTER. 1740 01:07:58,149 --> 01:08:01,384 ...BUT THE HATCHER BUILDING CAN ONLY BE HERE. 1741 01:08:06,524 --> 01:08:08,357 -HANNAH! -YEAH? 1742 01:08:08,393 --> 01:08:11,427 COULD YOU COME DOWN FOR A SEC? 1743 01:08:14,498 --> 01:08:16,765 I GUESS YOU SAW THE INTERNET VIDEO. 1744 01:08:16,801 --> 01:08:17,666 YEAH, WE NEED TO TALK ABOUT THAT-- 1745 01:08:17,701 --> 01:08:18,734 I CALLED YOU EARLIER. 1746 01:08:18,769 --> 01:08:20,269 I DIDN'T WANT YOU TO BE SURPRISED. 1747 01:08:20,305 --> 01:08:21,570 WELL, I WAS-- 1748 01:08:21,605 --> 01:08:23,806 WELL, I'M SORRY ABOUT THAT, BUT NOT ABOUT THE VIDEO. 1749 01:08:23,841 --> 01:08:25,408 -I DON'T THINK YOU UNDERSTAND-- -I DO. 1750 01:08:25,443 --> 01:08:27,509 DAD, I'VE NEVER BEEN DISAPPOINTED IN YOU. 1751 01:08:27,545 --> 01:08:28,577 YOU COULD DO ANYTHING. 1752 01:08:28,646 --> 01:08:30,546 YOU'RE MY HERO. YOU STILL ARE, 1753 01:08:30,614 --> 01:08:32,614 BUT I JUST WISH YOUR COMPANY WASN'T BUILDING THIS PROJECT. 1754 01:08:32,650 --> 01:08:34,016 I'VE GOTTA GO, 1755 01:08:34,052 --> 01:08:35,717 I'M BEING INTERVIEWED BY THE STUDENT NEWSPAPER. 1756 01:08:35,753 --> 01:08:36,685 HANNAH... 1757 01:08:38,156 --> 01:08:40,990 I WANT YOU TO MEET ME AT THE BUILDING IN AN HOUR. 1758 01:08:41,025 --> 01:08:43,292 I MAY HAVE A BETTER STORY FOR YOU. 1759 01:08:47,999 --> 01:08:49,798 AH, NO, IT REALLY HAS BEEN GREAT, 1760 01:08:49,834 --> 01:08:51,467 BUT I DO, I NEED TO GET BACK. 1761 01:08:51,502 --> 01:08:52,701 WELL, HOPEFULLY, YOU'LL COME BACK AND VISIT. 1762 01:08:52,736 --> 01:08:54,170 I THINK YOU HAVE A FUTURE IN ANTIQUE SALES. 1763 01:08:54,205 --> 01:08:55,237 YEAH. 1764 01:08:55,306 --> 01:08:57,139 I WILL. HONESTLY, WORKING HERE 1765 01:08:57,175 --> 01:08:58,874 HAS BEEN THE MOST FUN I'VE HAD IN AGES. 1766 01:08:58,909 --> 01:09:00,343 OH, HEY, DANI WAS TELLING ME 1767 01:09:00,378 --> 01:09:01,810 ABOUT THE MYSTERY YOU'RE TRYING TO SOLVE. 1768 01:09:01,846 --> 01:09:03,512 DO YOU EVER READ CONAN DOYLE? 1769 01:09:03,547 --> 01:09:05,114 OH, MY MYSTERY BIBLE. 1770 01:09:05,149 --> 01:09:06,248 ALONG WITH AGATHA. 1771 01:09:06,284 --> 01:09:07,916 ME TOO. YOU KNOW WHAT, NEXT TRIP, 1772 01:09:07,986 --> 01:09:09,218 WE'LL HAVE TO TALK MYSTERIES. 1773 01:09:09,287 --> 01:09:10,619 HE HAS THIS SAYING, 1774 01:09:10,654 --> 01:09:12,688 "ONCE YOU HAVE ELIMINATED THE IMPOSSIBLE, 1775 01:09:12,723 --> 01:09:14,556 WHATEVER REMAINS, HOWEVER IMPROBABLE--" 1776 01:09:14,592 --> 01:09:15,657 "--MUST BE TRUE." 1777 01:09:15,693 --> 01:09:16,792 YES. 1778 01:09:16,827 --> 01:09:18,461 DOES THAT HELP? 1779 01:09:18,496 --> 01:09:20,096 ACTUALLY, IT DOES. 1780 01:09:20,164 --> 01:09:21,063 THANK YOU, BETH. 1781 01:09:27,805 --> 01:09:29,771 WHAT'S GOING ON? 1782 01:09:29,807 --> 01:09:31,573 LET'S WALK. 1783 01:09:34,379 --> 01:09:36,012 IT'S A PRETTY COOL-LOOKING BUILDING. 1784 01:09:36,047 --> 01:09:38,747 YEAH, I THINK SO. 1785 01:09:38,782 --> 01:09:41,317 YOU MOTHER WAS WONDERING IF THERE WAS ANY WAY 1786 01:09:41,352 --> 01:09:42,651 WE COULD GET YOUR GROUP TO, UH, 1787 01:09:42,686 --> 01:09:44,320 GO ALONG WITH THIS PROJECT? 1788 01:09:44,389 --> 01:09:45,787 UH, NOT UNLESS YOU'RE WILLING 1789 01:09:45,856 --> 01:09:47,689 TO BUILD IT SOMEPLACE ELSE. 1790 01:09:47,725 --> 01:09:49,791 THAT'S A THOUGHT. 1791 01:09:49,827 --> 01:09:51,760 THE DEVELOPER IS ONLY INTERESTED 1792 01:09:51,795 --> 01:09:53,229 IN MAKING MONEY. 1793 01:09:53,264 --> 01:09:54,796 SAD, BUT TRUE. 1794 01:09:54,832 --> 01:09:56,665 SO, I LOOKED INTO IT, AND YOU WERE RIGHT. 1795 01:09:57,635 --> 01:09:58,767 ABOUT? 1796 01:09:58,802 --> 01:10:00,169 ABOUT GAINING HISTORIC STATUS. 1797 01:10:00,204 --> 01:10:02,304 THE CITY, IT TURNS OUT, LOVES THE IDEA, 1798 01:10:02,340 --> 01:10:05,374 SO WE'RE APPLYING FOR A HISTORICAL DESIGNATION. 1799 01:10:05,410 --> 01:10:07,176 DAD... 1800 01:10:07,211 --> 01:10:08,177 ARE YOU SERIOUS? 1801 01:10:08,212 --> 01:10:09,811 YUP. 1802 01:10:09,847 --> 01:10:11,613 WAIT, WHAT ABOUT YOUR PROJECT? 1803 01:10:11,649 --> 01:10:13,282 THAT STAYS RIGHT HERE. 1804 01:10:13,317 --> 01:10:15,484 BY RESTORING THE BUILDING WITH A HISTORIC DESIGNATION, 1805 01:10:15,520 --> 01:10:17,486 THERE ARE TAX CREDITS, SPECIAL LOANS, 1806 01:10:17,555 --> 01:10:18,921 ALL IN ALL, IT'S A WIN-WIN. 1807 01:10:18,956 --> 01:10:20,022 YOU'RE NOT KIDDING? 1808 01:10:20,058 --> 01:10:21,157 LOOK AT THE SIGN. 1809 01:10:25,229 --> 01:10:26,929 DAD... 1810 01:10:26,997 --> 01:10:27,863 YOU'RE THE BEST. 1811 01:10:41,879 --> 01:10:42,911 [WHISPERING] JASON! 1812 01:10:42,947 --> 01:10:44,480 [GRUMBLES] MM? 1813 01:10:44,549 --> 01:10:46,549 THE PROBLEM IS THE TEXT. 1814 01:10:46,584 --> 01:10:47,649 WHAT? 1815 01:10:47,685 --> 01:10:49,418 EVERYTHING ELSE POINTS TO MURDER, 1816 01:10:49,454 --> 01:10:50,786 AND IF CASSIE'S DEATH IS CONNECTED, 1817 01:10:50,821 --> 01:10:53,422 IT'S PROBABLY NOT THE EX-HUSBAND BO TAYLOR. 1818 01:10:53,491 --> 01:10:55,524 YEAH, YOU'RE RIGHT. NOW GO BACK TO SLEEP. 1819 01:10:55,593 --> 01:10:56,825 BUT HOW DOES SOMEONE 1820 01:10:56,894 --> 01:10:58,094 SEND A TEXT FROM LITA'S PHONE 1821 01:10:58,129 --> 01:10:59,695 IF IT'S NOT LITA? 1822 01:10:59,730 --> 01:11:01,830 AND HOW DOES THE PHONE END UP ON HER BODY? 1823 01:11:01,865 --> 01:11:03,799 [GROGGILY] DON'T... KNOW... 1824 01:11:06,604 --> 01:11:07,703 [GROANS SLEEPILY] 1825 01:11:10,341 --> 01:11:11,907 [KNOCKS] LOGAN? 1826 01:11:13,043 --> 01:11:13,875 [KNOCKING] 1827 01:11:13,911 --> 01:11:15,010 LOGAN? 1828 01:11:15,045 --> 01:11:17,546 [VIDEO GAME BLEEPING] 1829 01:11:25,123 --> 01:11:26,222 OH. 1830 01:11:26,257 --> 01:11:28,657 HEY, YEAH, I WAS JUST ABOUT TO GO TO BED. 1831 01:11:28,692 --> 01:11:29,758 I CAN SEE THAT. 1832 01:11:29,793 --> 01:11:30,926 I NEED YOUR HELP. 1833 01:11:30,961 --> 01:11:32,894 WITH A LIFE PROBLEM OR A MYSTERY PROBLEM? 1834 01:11:32,930 --> 01:11:34,630 MYSTERY PROBLEM. 1835 01:11:34,665 --> 01:11:35,897 I KNOW THERE'S AN APP 1836 01:11:35,933 --> 01:11:36,798 THAT CAN FIND YOUR CELL PHONE 1837 01:11:36,834 --> 01:11:38,367 IF IT'S LOST OR STOLEN. 1838 01:11:38,402 --> 01:11:40,136 RIGHT, YEAH, YOU CAN GET THAT ON YOUR LAPTOP, TOO. 1839 01:11:40,171 --> 01:11:40,969 BUT CAN YOU GO BACK IN TIME, 1840 01:11:41,005 --> 01:11:42,138 SAY, TWO WEEKS, 1841 01:11:42,173 --> 01:11:43,405 AND SEE WHERE YOUR PHONE WAS? 1842 01:11:43,441 --> 01:11:45,574 NO, ALL THE APPS ARE IN REAL TIME. 1843 01:11:45,610 --> 01:11:46,675 BUT I MEAN, IF YOU MADE A CELL PHONE CALL, 1844 01:11:46,710 --> 01:11:47,843 YOU COULD GET THE POLICE 1845 01:11:47,878 --> 01:11:49,512 TO GO AND CHECK WHICH TOWER IT CAME FROM. 1846 01:11:49,580 --> 01:11:51,013 WHAT ABOUT A TEXT? 1847 01:11:51,048 --> 01:11:52,181 YEAH, SAME. 1848 01:11:52,216 --> 01:11:53,982 HERE, LET ME SHOW YOU. 1849 01:11:58,022 --> 01:12:00,623 OKAY, SO, HERE'S A MAP OF OUR TOWN, 1850 01:12:00,658 --> 01:12:02,758 AND THESE LITTLE SYMBOLS, THOSE ARE CELL TOWERS. 1851 01:12:02,793 --> 01:12:04,226 WHEN YOU MAKE A CELL PHONE CALL, 1852 01:12:04,262 --> 01:12:05,427 YOUR PHONE CONNECTS TO THE NEAREST TOWER, 1853 01:12:05,496 --> 01:12:06,862 AND IT'S SENT FROM ONE TO ANOTHER 1854 01:12:06,897 --> 01:12:08,997 UNTIL IT REACHES ITS DESTINATION. 1855 01:12:09,066 --> 01:12:11,066 SO, LET ME GET THIS STRAIGHT. 1856 01:12:11,101 --> 01:12:13,469 IF I WERE AT DANI'S, AND I KILLED HER-- 1857 01:12:13,504 --> 01:12:14,470 MOM! 1858 01:12:14,505 --> 01:12:15,904 HYPOTHETICAL. 1859 01:12:15,939 --> 01:12:17,739 I POISON HER, AND SHE DIES. 1860 01:12:17,775 --> 01:12:19,508 I THEN TAKE HER CELL PHONE, 1861 01:12:19,544 --> 01:12:21,177 AND I BRING TO A BAR WHERE I'M MEETING SOME FRIENDS. 1862 01:12:21,212 --> 01:12:22,511 I GO INTO THE RESTROOM, 1863 01:12:22,580 --> 01:12:25,648 AND I SEND A TEXT FROM DANI'S PHONE TO MY PHONE 1864 01:12:25,683 --> 01:12:27,816 THAT SAYS "COME ON OVER." 1865 01:12:27,851 --> 01:12:31,420 I THEN SHOW THAT TEXT TO MY FRIENDS. 1866 01:12:31,455 --> 01:12:33,322 I GET ONE OF THEM TO DRIVE ME OVER THERE. 1867 01:12:33,357 --> 01:12:35,157 WE DISCOVER THE BODY-- 1868 01:12:35,193 --> 01:12:36,325 --AND NOBODY WOULD EVER GUESS 1869 01:12:36,394 --> 01:12:37,793 THAT THE PHONE THAT WAS RECEIVING THE TEXT 1870 01:12:37,828 --> 01:12:39,995 IS IN THE SAME ROOM AS THE PHONE THAT SENT THE TEXT. 1871 01:12:40,030 --> 01:12:40,929 EXACTLY! 1872 01:12:43,234 --> 01:12:45,000 CAN I GO TO BED NOW? 1873 01:12:45,035 --> 01:12:46,802 OH, YES, OF COURSE. 1874 01:12:46,837 --> 01:12:47,869 AND THANK YOU. 1875 01:12:47,938 --> 01:12:49,771 YOU ARE A GENIUS. 1876 01:12:49,807 --> 01:12:51,073 GOOD NIGHT. 1877 01:12:54,907 --> 01:12:57,106 IT APPEARS TO HAVE BEEN A ROBBERY. 1878 01:12:57,406 --> 01:12:59,206 SHE DIED AS A RESULT. 1879 01:12:59,275 --> 01:13:01,908 CASSIE, OH, MAN... 1880 01:13:01,944 --> 01:13:03,210 SHE WAS TOUGH. 1881 01:13:03,245 --> 01:13:05,112 SHE PROBABLY WENT RIGHT AT HIM. 1882 01:13:06,748 --> 01:13:09,616 THIS HAS BEEN A DIFFICULT TIME... 1883 01:13:09,685 --> 01:13:11,385 FOR ALL OF US. 1884 01:13:11,454 --> 01:13:14,821 FIRST, LITA'S SUICIDE, AND NOW THIS. 1885 01:13:14,890 --> 01:13:17,657 JOHN ASKED ME TO BRING YOU GUYS TOGETHER TODAY, SO... 1886 01:13:17,693 --> 01:13:19,860 JOHN? 1887 01:13:19,928 --> 01:13:23,263 CASSIE WAS OUR LIGHT. 1888 01:13:23,332 --> 01:13:25,832 NEVER ONSTAGE, BUT ALWAYS THERE. 1889 01:13:25,868 --> 01:13:28,802 SHE WAS OUR DEN MOTHER, 1890 01:13:28,871 --> 01:13:31,605 OUR CONFESSOR. 1891 01:13:31,640 --> 01:13:33,507 SHE KNEW OUR SECRETS. 1892 01:13:33,575 --> 01:13:36,710 AND, UNFORTUNATELY, KNEW WHEN WE GAINED A FEW POUNDS. 1893 01:13:39,048 --> 01:13:40,114 I WANTED TO ASK YOU, 1894 01:13:40,149 --> 01:13:42,716 AS A BAND, 1895 01:13:42,751 --> 01:13:46,686 HOW YOU FEEL ABOUT MOVING FORWARD. 1896 01:13:46,755 --> 01:13:49,023 DO WE PLAY THE SHOW TONIGHT? 1897 01:13:49,058 --> 01:13:50,524 DO WE CANCEL THE TOUR? 1898 01:13:50,559 --> 01:13:52,859 JOHN, YOU KNOW IF CASS WAS HERE, 1899 01:13:52,928 --> 01:13:54,128 SHE'D KICK YOUR BUTT 1900 01:13:54,163 --> 01:13:55,996 FOR EVEN SUGGESTING WE QUIT. 1901 01:13:56,032 --> 01:13:57,797 SHE WAS A "SHOW MUST GO ON" TYPE, 1902 01:13:57,833 --> 01:13:59,266 ALL THE WAY, 1903 01:13:59,301 --> 01:14:03,203 BUT JOHNNY, I MEAN, IT'S UP TO YOU. 1904 01:14:03,239 --> 01:14:05,272 I MEAN, YOU GOTTA GO FACE THE AUDIENCE. 1905 01:14:05,307 --> 01:14:06,573 THEY COME HERE TO SEE YOU, 1906 01:14:06,608 --> 01:14:08,142 THEY COME HERE TO HAVE A GOOD TIME. 1907 01:14:08,210 --> 01:14:10,477 YOU THINK YOU CAN DO THAT? 1908 01:14:12,348 --> 01:14:14,948 I DON'T KNOW. 1909 01:14:22,591 --> 01:14:23,557 [KNOCKS GENTLY] 1910 01:14:24,626 --> 01:14:25,992 COME ON IN, JENN. 1911 01:14:26,028 --> 01:14:28,395 MR. TAYLOR HERE WAS JUST ABOUT TO LEAVE. 1912 01:14:34,437 --> 01:14:37,171 I'M A LOT OF THINGS, BUT I'M NOT A KILLER. 1913 01:14:45,981 --> 01:14:47,448 WELL... IT SEEMS 1914 01:14:47,483 --> 01:14:50,617 HE REALLY DIDN'T KNOW THE POLICY WOULD PAY OFF. 1915 01:14:50,652 --> 01:14:52,752 WHEN HE FOUND OUT IT DID, WELL, HE PANICKED, 1916 01:14:52,788 --> 01:14:54,288 THOUGHT WE'D PIN THE MURDER ON HIM. 1917 01:14:54,356 --> 01:14:55,689 AND? 1918 01:14:55,724 --> 01:14:58,158 AND... I'VE GOT SOME NEWS FOR YOU. 1919 01:14:58,194 --> 01:15:00,094 IT'S A LITTLE BIT ODD. 1920 01:15:00,129 --> 01:15:02,862 THE TASER TAG I.D. THAT WE FOUND ON THE STEPLADDER, 1921 01:15:02,898 --> 01:15:05,799 IT BELONGS TO A GUN SOLD TO CASSIE PARKER. 1922 01:15:05,834 --> 01:15:08,235 CASSIE? 1923 01:15:08,270 --> 01:15:10,604 THE TASER BELONGED TO CASSIE? 1924 01:15:10,639 --> 01:15:11,505 NO, SHE JUST BOUGHT IT. 1925 01:15:11,540 --> 01:15:13,107 IT DOESN'T MEAN SHE FIRED IT. 1926 01:15:13,142 --> 01:15:15,909 DOESN'T EVEN MEAN IT WAS FIRED IN LITA'S LIVING ROOM. 1927 01:15:15,978 --> 01:15:16,876 BUT IF SHE DIDN'T FIRE IT, 1928 01:15:16,945 --> 01:15:18,278 SHE PROBABLY KNEW WHO DID, 1929 01:15:18,314 --> 01:15:19,480 AND SUDDENLY, 1930 01:15:19,548 --> 01:15:21,248 IT'S NOT LOOKING LIKE A ROBBERY AT CASSIE'S. 1931 01:15:22,551 --> 01:15:25,185 FRANK, I DON'T THINK THE TEXT WAS SENT BY LITA, 1932 01:15:25,254 --> 01:15:26,720 OR EVEN SENT FROM LITA'S HOUSE. 1933 01:15:28,290 --> 01:15:30,557 WHAT DO YOU MEAN? 1934 01:15:30,626 --> 01:15:32,058 CAN YOU HAVE THE PHONE COMPANY CHECK THEIR CELL TOWER RECORDS 1935 01:15:32,094 --> 01:15:34,194 AND SEE WHERE THAT TEXT ORIGINATED FROM? 1936 01:15:34,230 --> 01:15:35,729 I'LL HAVE TO GET A WARRANT, 1937 01:15:35,764 --> 01:15:37,531 AND IT WOULDN'T GIVE US THE EXACT LOCATION, 1938 01:15:37,600 --> 01:15:38,398 JUST THE NEAREST CELL TOWER. 1939 01:15:38,434 --> 01:15:39,733 FINE. 1940 01:15:39,768 --> 01:15:42,469 START WITH THE CELL TOWER CLOSET TO THE SOUND CHECK. 1941 01:15:42,505 --> 01:15:43,970 [LITA'S DEMOS PLAYING BACK] 1942 01:15:44,006 --> 01:15:47,341 ♪ ...WELL, I CAN'T WAIT HERE ON THE SHELF ♪ 1943 01:15:47,376 --> 01:15:50,277 ♪ SHE'S GONNA HEAR THE NEWS FROM ME... ♪ 1944 01:15:50,312 --> 01:15:51,811 WHAT ARE YOU LISTENING TO? 1945 01:15:51,847 --> 01:15:53,413 ♪ ...IT'S TIME THAT WE WERE ALL SET FREE... ♪ 1946 01:15:53,449 --> 01:15:54,615 LITA MERRIL. 1947 01:15:54,683 --> 01:15:56,116 SONGS SHE WROTE. 1948 01:15:56,152 --> 01:15:57,851 IT'S SAD. 1949 01:15:57,919 --> 01:15:59,819 IT'S ALL RIGHT THERE IN HER MUSIC. 1950 01:15:59,888 --> 01:16:02,389 WHAT'S ALL RIGHT THERE? 1951 01:16:02,424 --> 01:16:05,492 SHE WAS IN LOVE WITH A MARRIED MAN. 1952 01:16:05,561 --> 01:16:07,361 SAYS SHE'S GOING TO TELL THE WIFE, 1953 01:16:07,396 --> 01:16:08,695 SAYS SHE'S GOING TO TELL THE WORLD. 1954 01:16:08,730 --> 01:16:09,796 THAT'S NOT GOOD. 1955 01:16:09,831 --> 01:16:11,565 I ASSUME SHE'S TALKING ABOUT HERSELF. 1956 01:16:11,600 --> 01:16:13,467 I THINK SO. 1957 01:16:13,536 --> 01:16:14,934 SHE DIDN'T MENTION THE GUY'S NAME 1958 01:16:15,003 --> 01:16:16,403 ANYWHERE IN THE SONG, DID SHE? 1959 01:16:16,438 --> 01:16:18,004 NO. 1960 01:16:41,397 --> 01:16:43,163 [KNOCKING ON DOOR] 1961 01:16:44,933 --> 01:16:47,033 WHAT ARE YOU DOING IN HERE? 1962 01:16:47,069 --> 01:16:48,968 I'M ABOUT TO GO ON. 1963 01:16:49,004 --> 01:16:50,537 I THINK YOU MIGHT WANT TO HEAR 1964 01:16:50,606 --> 01:16:51,938 WHAT I HAVE TO SAY. 1965 01:16:51,973 --> 01:16:53,773 I'M ABOUT TO CALL SECURITY. 1966 01:16:53,842 --> 01:16:55,875 YOU KILLED LITA. 1967 01:16:55,944 --> 01:16:56,943 YOU WERE HAVING AN AFFAIR, 1968 01:16:56,978 --> 01:16:58,612 AND YOU PROMISED TO DIVORCE PAMELA, 1969 01:16:58,647 --> 01:17:00,280 BUT YOU KEPT STALLING, 1970 01:17:00,349 --> 01:17:02,349 SO LITA GAVE YOU AN ULTIMATUM. 1971 01:17:02,384 --> 01:17:04,017 EITHER YOU GO PUBLIC, OR SHE WOULD. 1972 01:17:04,086 --> 01:17:06,019 AND THAT COULDN'T HAPPEN, 1973 01:17:06,054 --> 01:17:08,388 BECAUSE YOUR FANS LOVE YOU AND PAMELA TOGETHER. 1974 01:17:08,424 --> 01:17:11,425 YOU'VE BEEN "TRUE TO HER," AS THE SONG GOES. 1975 01:17:12,894 --> 01:17:14,661 YOU'VE GOT AN ACTIVE IMAGINATION. 1976 01:17:14,697 --> 01:17:16,430 NO, I HAVE A FLASH DRIVE 1977 01:17:16,465 --> 01:17:17,731 WITH A SONG THAT LITA MERRILL WROTE 1978 01:17:17,766 --> 01:17:19,199 DESCRIBING THE WHOLE THING. 1979 01:17:21,870 --> 01:17:24,104 LITA WAS DEAD WHEN CASS AND I ARRIVED. 1980 01:17:24,139 --> 01:17:25,872 IT'S IMPOSSIBLE FOR ME TO HAVE KILLED HER. 1981 01:17:25,907 --> 01:17:27,341 ARE YOU TALKING ABOUT CASSIE OR LITA? 1982 01:17:27,376 --> 01:17:28,842 BECAUSE THEY'RE BOTH DEAD. 1983 01:17:30,312 --> 01:17:32,613 YOU PLANNED LITA'S DEATH PERFECTLY, ALMOST. 1984 01:17:32,681 --> 01:17:34,548 YOU STOLE THE TASER FROM CASSIE... 1985 01:17:36,352 --> 01:17:38,818 THE TIMING HAD TO BE RIGHT. 1986 01:17:38,854 --> 01:17:41,355 ON YOUR WAY TO SOUND CHECK, YOU DROPPED BY LITA'S... 1987 01:17:41,390 --> 01:17:44,157 IT WAS EASY TO GET INSIDE BECAUSE YOU HAD YOUR OWN KEY. 1988 01:18:07,683 --> 01:18:09,249 LET ME GO GET DRESSED. 1989 01:18:09,285 --> 01:18:10,250 I'LL BE RIGHT BACK. 1990 01:18:15,491 --> 01:18:17,491 YOU PLACED THE STEPLADDER UNDER THE BEAM. 1991 01:18:17,559 --> 01:18:19,259 YOU HAD TO ACT FAST... 1992 01:18:32,240 --> 01:18:33,407 [METAL SCRAPING] 1993 01:18:40,683 --> 01:18:43,183 [TASER VOLTS CRACKLING] 1994 01:18:44,219 --> 01:18:45,752 YOU HAD THE ROPE, 1995 01:18:45,788 --> 01:18:47,454 YOU STAGED THE SUICIDE... 1996 01:18:51,893 --> 01:18:53,226 AND YOU MAY NOT HAVE KNOWN ABOUT THE LITTLE I.D. TAGS 1997 01:18:53,261 --> 01:18:54,695 THAT SHOOT OUT, 1998 01:18:54,730 --> 01:18:56,229 BUT YOU SURE KNEW NOT TO LEAVE THEM BEHIND. 1999 01:18:56,264 --> 01:18:58,231 YOU PICKED THEM UP, 2000 01:18:58,266 --> 01:19:01,535 ALL EXCEPT THE ONE THAT LANDED ON THE STEPLADDER, 2001 01:19:01,603 --> 01:19:03,136 THE ONE YOU DIDN'T SEE. 2002 01:19:04,105 --> 01:19:05,605 THIS IS INSANE. 2003 01:19:05,674 --> 01:19:08,508 I GOT THE TEXT AT THE SAME TIME EVERYBODY ELSE DID. 2004 01:19:08,544 --> 01:19:11,144 BUT YOU SENT THE TEXT, RIGHT FROM THIS DRESSING ROOM. 2005 01:19:11,213 --> 01:19:13,347 YOU'RE ONE CRAZY LADY. 2006 01:19:13,382 --> 01:19:15,315 THE PHONE WAS IN HER POCKET WHEN THEY FOUND HER. 2007 01:19:15,351 --> 01:19:17,083 AND HOW WOULD YOU KNOW THAT? 2008 01:19:18,520 --> 01:19:20,654 YOU KNOW THAT BECAUSE YOU PUT IT THERE. 2009 01:19:20,689 --> 01:19:22,789 YOU HAD CASSIE DRIVE YOU BACK TO LITA'S, 2010 01:19:22,825 --> 01:19:23,790 WHERE, HORRIFIED, 2011 01:19:23,826 --> 01:19:25,258 YOU RUSHED TO LOWER LITA'S BODY. 2012 01:19:25,293 --> 01:19:26,693 BUT WHAT YOU REALLY DID WAS 2013 01:19:26,729 --> 01:19:29,262 YOU SLID THE PHONE BACK INTO LITA'S PANTS POCKET. 2014 01:19:30,566 --> 01:19:32,165 PAM! 2015 01:19:32,200 --> 01:19:33,533 GET IN HERE! 2016 01:19:34,603 --> 01:19:36,102 YOU CAN'T PROVE A THING. 2017 01:19:38,039 --> 01:19:39,573 KEEP THIS WHACK JOB AWAY FROM ME. 2018 01:19:39,641 --> 01:19:40,874 I'VE GOT A SHOW TO DO. 2019 01:19:50,686 --> 01:19:51,585 HE'S COMING UP, LET'S GO, 2020 01:19:51,620 --> 01:19:53,019 LET'S GET OUT THERE, ALL RIGHT? 2021 01:19:53,054 --> 01:19:54,588 [MANAGER CLAPPING IN ENCOURAGEMENT] 2022 01:20:08,404 --> 01:20:10,771 HERE WE GO. 2023 01:20:10,806 --> 01:20:11,772 OKAY, JOHN. 2024 01:20:11,840 --> 01:20:13,940 [BAND STARTS PLAYING] 2025 01:20:13,975 --> 01:20:15,509 JOHN DALTON, 2026 01:20:15,577 --> 01:20:16,476 YOU'RE UNDER ARREST 2027 01:20:16,545 --> 01:20:17,911 FOR THE MURDERS OF LITA MERRILL 2028 01:20:17,946 --> 01:20:20,146 AND CASSIE PARKER. 2029 01:20:20,181 --> 01:20:21,748 WHAT? 2030 01:20:22,918 --> 01:20:24,050 [BAND STOPS PLAYING] 2031 01:20:26,054 --> 01:20:27,287 [HANDCUFFS RATTLING] 2032 01:20:37,666 --> 01:20:39,232 WATCH YOUR HEAD. 2033 01:20:55,451 --> 01:20:57,283 [♪♪♪] 2034 01:21:00,021 --> 01:21:01,488 -THIS IS FROM BETH ANN? -MM-HMM. 2035 01:21:01,523 --> 01:21:02,456 WHAT IN THE WORLD? 2036 01:21:02,491 --> 01:21:03,723 OH, I FEEL A FRAME. 2037 01:21:03,759 --> 01:21:05,091 IT'S A PAINTING. 2038 01:21:06,562 --> 01:21:07,661 OOH... 2039 01:21:08,730 --> 01:21:11,397 [GASPS IN DELIGHT] 2040 01:21:11,433 --> 01:21:13,767 IT'S REALLY GOOD. 2041 01:21:15,170 --> 01:21:18,004 AND IT'S NOT FOR SALE. 2042 01:21:23,946 --> 01:21:26,012 ALL RIGHT, GUYS, DINNER'S READY. 2043 01:21:26,047 --> 01:21:27,180 HANNAH, DO YOU NEED HELP? 2044 01:21:27,248 --> 01:21:28,314 NO, THANKS, I GOT IT COVERED. 2045 01:21:28,383 --> 01:21:30,249 BESIDES, IT'S SUPPOSED TO BE A SURPRISE. 2046 01:21:30,285 --> 01:21:32,318 YOU KNOW SHE DOESN'T COOK. 2047 01:21:32,354 --> 01:21:34,087 [CHUCKLING] 2048 01:21:36,057 --> 01:21:37,056 WHERE WAS I? 2049 01:21:37,092 --> 01:21:38,358 OH. 2050 01:21:38,393 --> 01:21:39,693 SO... 2051 01:21:39,761 --> 01:21:41,728 IT WAS ALMOST THE PERFECT MURDER. 2052 01:21:41,763 --> 01:21:43,830 THEN THERE WAS CASSIE PARKER. 2053 01:21:43,866 --> 01:21:45,532 JOHN STOLE THE TASER FROM HER. 2054 01:21:45,567 --> 01:21:46,466 WHEN HE LEARNED 2055 01:21:46,502 --> 01:21:47,634 THE GUN COULD BE TRACED, 2056 01:21:47,669 --> 01:21:48,702 HE HAD TO GET RID OF HER. 2057 01:21:48,737 --> 01:21:50,370 SHE WAS THE ONLY ONE WHO KNEW HE HAD IT. 2058 01:21:51,974 --> 01:21:53,740 I GOT A CALL FROM THE CHIEF TODAY, 2059 01:21:53,775 --> 01:21:56,209 CONGRATULATING ME ON ANOTHER JOB WELL DONE. 2060 01:21:57,713 --> 01:21:58,712 DID YOU TELL HIM MY MOM FIGURED IT OUT? 2061 01:21:58,780 --> 01:22:00,113 ACTUALLY, 2062 01:22:00,148 --> 01:22:01,147 I DID. 2063 01:22:01,182 --> 01:22:02,215 REALLY? 2064 01:22:02,250 --> 01:22:03,550 WELL, IT'S NOT LIKE HE WAS... 2065 01:22:03,585 --> 01:22:05,385 CLUELESS. 2066 01:22:05,453 --> 01:22:06,319 [ALL GROANING AT THE PUN] 2067 01:22:06,354 --> 01:22:08,822 OUCH. 2068 01:22:08,857 --> 01:22:10,056 HE REMINDED ME THAT SHERLOCK HOLMES 2069 01:22:10,091 --> 01:22:12,158 ACTUALLY WASN'T A POLICE DETECTIVE, 2070 01:22:12,193 --> 01:22:13,459 HE WAS A "CONSULTING DETECTIVE," 2071 01:22:13,495 --> 01:22:15,962 UNOFFICIALLY HELPING THE POLICE. 2072 01:22:16,031 --> 01:22:17,898 I CAN BE A CONSULTING DETECTIVE? 2073 01:22:17,966 --> 01:22:19,298 NO. 2074 01:22:19,334 --> 01:22:20,767 HE SAYS YOU CAN'T. 2075 01:22:20,802 --> 01:22:22,569 TOO MUCH OF A LIABILITY. 2076 01:22:22,604 --> 01:22:24,738 BUT HE WANTS TO THANK YOU, 2077 01:22:24,806 --> 01:22:26,806 AND LET YOU KNOW, MOVING FORWARD, 2078 01:22:26,842 --> 01:22:28,975 NOT TO CONFRONT KILLERS. 2079 01:22:30,245 --> 01:22:31,511 SERIOUSLY. 2080 01:22:31,547 --> 01:22:32,612 ALL RIGHT... 2081 01:22:32,648 --> 01:22:35,782 IN HONOR OF THE HATCHER BUILDING... 2082 01:22:36,985 --> 01:22:38,685 BOEUF BOURGUIGNON. 2083 01:22:38,720 --> 01:22:40,286 WOW. 2084 01:22:40,321 --> 01:22:42,689 WHAT'S FRENCH ABOUT THE HATCHER BUILDING? 2085 01:22:42,724 --> 01:22:44,724 WELL, ADRIAN BERNARD THE ARCHITECT WAS FRENCH. 2086 01:22:44,793 --> 01:22:47,427 AND I FOUND AN EASY RECIPE. 2087 01:22:47,462 --> 01:22:48,294 [CHUCKLING] 2088 01:22:48,363 --> 01:22:49,696 LOOKS GREAT. 2089 01:22:49,731 --> 01:22:52,198 WELL, HERE'S TO MY BEAUTIFUL WIFE, 2090 01:22:52,267 --> 01:22:53,466 WHO SOMEHOW PUT THE PIECES TOGETHER 2091 01:22:53,501 --> 01:22:55,134 AND SOLVED ANOTHER MYSTERY. 2092 01:22:56,271 --> 01:22:58,872 I DON'T KNOW HOW SHE DOES IT, 2093 01:22:58,941 --> 01:23:00,941 BUT I'M SURE SHE'LL KEEP THE CHIEF'S WISE WORDS IN MIND. 2094 01:23:00,976 --> 01:23:02,408 AND KEEP SOLVING CRIMES? 2095 01:23:02,444 --> 01:23:03,743 SAFELY. 2096 01:23:08,050 --> 01:23:10,650 [♪♪♪] 139360

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