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1
00:00:05,230 --> 00:00:06,690
FLIP: HEY, LISTEN.
2
00:00:06,690 --> 00:00:09,190
FOR ALL YOU CARNIVORES,
WE GOT BEEF AND WE GOT SWINE,
3
00:00:09,190 --> 00:00:11,650
BUT FOR THE REST OF US
WHO ACTUALLY CARE
4
00:00:11,650 --> 00:00:14,530
ABOUT OUR CHOLESTEROL AND WANT
SOMETHING RICH IN NUTRIENTS,
5
00:00:14,530 --> 00:00:16,610
WE GOT THOSE
PLANT-BASED BURGERS, HUH?
6
00:00:16,610 --> 00:00:18,490
YEAH. HA HA HA!
7
00:00:18,490 --> 00:00:20,910
TYRONE: WHAT
ABOUT FISH?
8
00:00:24,040 --> 00:00:25,410
WHAT IT DO, FLIP?
9
00:00:25,410 --> 00:00:27,410
HEARD YOU WAS
LOOKING FOR ME.
10
00:00:27,410 --> 00:00:30,710
BOY, ON GOD, YOU
GONNA GET DEALT WITH
11
00:00:30,710 --> 00:00:32,630
FOR THE LAST TIME,
BUT NOW
12
00:00:32,630 --> 00:00:34,420
AIN'T THAT TIME,
NOT HERE.
13
00:00:34,420 --> 00:00:36,630
CAN SEE YOU GOT
YOUR FAMILY WITH YOU.
14
00:00:36,630 --> 00:00:39,260
I BROUGHT
SOME FAMILY, TOO.
15
00:00:52,310 --> 00:00:54,980
[HIP-HOP MUSIC PLAYING]
16
00:01:11,500 --> 00:01:13,090
I DIDN'T SEE
ANY AT ALL
17
00:01:13,090 --> 00:01:14,880
I HAD MY BACK ALL UP
AGAINST THE WALL
18
00:01:14,880 --> 00:01:16,880
AND MY DAWG TOOK
A FEW TO THE CHEST
19
00:01:16,880 --> 00:01:18,920
I CRIED SEEIN' HIS
MAMA LAY HIM TO REST
20
00:01:18,920 --> 00:01:20,550
BILLY: ALL RIGHT, ALL RIGHT.
TWO-MINUTE OFFENSE.
21
00:01:20,550 --> 00:01:22,600
LET'S GET IT, Y'ALL.
LET'S GET IT.
22
00:01:22,600 --> 00:01:24,720
JORDAN: WATCH! WIDE 39!
23
00:01:24,720 --> 00:01:26,520
[MUSIC CONTINUES]
24
00:01:26,520 --> 00:01:28,560
PLAYER: ALL RIGHT. WHOO!
25
00:01:28,560 --> 00:01:30,480
AGAIN, AGAIN!
LET'S GO!
26
00:01:30,480 --> 00:01:31,770
COME ON, COME ON!
27
00:01:31,770 --> 00:01:34,650
CARUSO! GO! GO! GO!
28
00:01:36,400 --> 00:01:38,530
JORDAN: WIDE 21!
29
00:01:39,860 --> 00:01:41,660
WHOO!
30
00:01:41,660 --> 00:01:43,530
[SHOUTING CONTINUES]
31
00:01:43,530 --> 00:01:45,490
BILLY: 99 SHIFT.
WILDCAT.
32
00:01:48,120 --> 00:01:50,210
WHOO! YEAH, BABY!
33
00:01:50,210 --> 00:01:51,460
WHOO HOO HOO!
34
00:01:51,460 --> 00:01:53,830
GOOD JOB, BABY!
35
00:01:53,830 --> 00:01:55,880
[GRUNTS]
36
00:02:00,130 --> 00:02:01,760
[MUSIC STOPS]
37
00:02:01,760 --> 00:02:03,760
WOW.
THAT'S AMAZING.
38
00:02:03,760 --> 00:02:05,890
YEAH. I THINK ALL THAT'S
MISSING IS A HOOK.
39
00:02:05,890 --> 00:02:07,470
"I'M STILL HERE."
40
00:02:07,470 --> 00:02:09,980
I KNOW, THAT'S WHY
I'M TELLING YOU.
41
00:02:09,980 --> 00:02:11,890
NO, THAT'S YOUR HOOK.
42
00:02:11,890 --> 00:02:13,520
WHETHER IT'S SHAWN
BEING KILLED
43
00:02:13,520 --> 00:02:15,310
OR SPENCER BEING SHOT,
44
00:02:15,310 --> 00:02:17,320
YOUR BREAKUP WITH PATIENCE,
YOU'RE STILL HERE,
45
00:02:17,320 --> 00:02:19,490
STILL WALKING TALL
IN YOUR TRUTH.
46
00:02:19,490 --> 00:02:20,740
HMM.
47
00:02:20,740 --> 00:02:22,280
PLAY IT BACK?
48
00:02:22,280 --> 00:02:23,570
YEAH.
49
00:02:23,570 --> 00:02:25,620
- WAY TO GO, ASH.
- UH!
50
00:02:26,950 --> 00:02:28,830
UH! OH, IT'S STUCK!
51
00:02:28,830 --> 00:02:31,000
SOMEBODY HELP HIM.
GET IT, GET IT.
52
00:02:31,000 --> 00:02:33,370
[ASH GRUNTS]
53
00:02:33,370 --> 00:02:34,790
[WHISTLE BLOWS]
54
00:02:34,790 --> 00:02:36,590
UH!
55
00:02:36,590 --> 00:02:38,340
GET UP.
56
00:02:38,340 --> 00:02:42,220
IT WAS A VERY IMPRESSIVE
CELEBRATION, ASH.
57
00:02:42,220 --> 00:02:43,880
IT WAS CUTE--
58
00:02:43,880 --> 00:02:45,590
REALLY, REALLY,
59
00:02:45,590 --> 00:02:48,560
REALLY CUTE...
60
00:02:50,600 --> 00:02:53,230
BUT I WOULD'VE DONE THIS.
61
00:02:53,230 --> 00:02:55,150
OH, UH UH
62
00:02:55,150 --> 00:02:56,520
[LAUGHTER]
63
00:02:56,520 --> 00:02:58,860
AND A LITTLE BIT OF THAT.
64
00:02:58,860 --> 00:03:00,480
[ALL CHEER]
65
00:03:00,480 --> 00:03:02,110
ASH: OK, COACH.
I SEE YOU.
66
00:03:02,110 --> 00:03:04,320
JORDAN: COME ON.
[ALL CHEERING]
67
00:03:06,820 --> 00:03:08,620
BILLY: HA HA!
68
00:03:10,290 --> 00:03:12,710
REAL QUICK, REAL QUICK,
THIS PAST MONTH,
69
00:03:12,710 --> 00:03:15,120
Y'ALL HAVE BEEN FIRING
ON ALL CYLINDERS,
70
00:03:15,120 --> 00:03:18,420
AND I'M FEELING THAT,
FOR REAL, OFFENSE AND DEFENSE.
71
00:03:18,420 --> 00:03:20,420
JORDAN, ASH, J.J.,
Y'ALL HAVE DONE
72
00:03:20,420 --> 00:03:22,420
AN AMAZING JOB
AT BEING LEADERS.
73
00:03:22,420 --> 00:03:24,090
ASH, ESPECIALLY YOU;
THE STRIDES
74
00:03:24,090 --> 00:03:26,090
THAT YOU HAVE MADE
DURING THE OFF-SEASON,
75
00:03:26,090 --> 00:03:27,550
IT'S ON
ANOTHER LEVEL.
76
00:03:27,550 --> 00:03:29,390
I APPRECIATE THAT,
COACH.
77
00:03:29,390 --> 00:03:31,680
YEAH. I'M EXPECTING
BIG THINGS FOR YOU
THIS YEAR.
78
00:03:31,680 --> 00:03:33,310
HELL, IF WE KEEP
THIS UP,
79
00:03:33,310 --> 00:03:35,230
WE'RE ALL GONNA BE DOING
BIG THINGS, YA HEARD?
80
00:03:35,230 --> 00:03:37,230
PLAYERS: YEAH!
BILLY: ALL RIGHT.
81
00:03:37,230 --> 00:03:38,690
WE STILL GOT THIS SCRIMMAGE
WITH CHATSWORTH
82
00:03:38,690 --> 00:03:40,320
IN A COUPLE OF DAYS.
83
00:03:40,320 --> 00:03:42,780
I NEED YOU ALL TO BE FOCUSED,
BUT IN AN EFFORT
84
00:03:42,780 --> 00:03:44,400
TO KEEP YOU ALL LOOSE,
I HAVE A CHALLENGE. JORDAN...
85
00:03:44,400 --> 00:03:45,990
JORDAN: HMM?
BILLY: IF YOU CAN THROW
86
00:03:45,990 --> 00:03:47,490
THAT FOOTBALL
87
00:03:47,490 --> 00:03:49,580
INTO THAT TRASHCAN,
88
00:03:49,580 --> 00:03:52,200
IF YOU DO THAT,
PRACTICE IS OVER.
89
00:03:52,200 --> 00:03:54,370
OK, AND IF I DON'T?
90
00:03:54,370 --> 00:03:56,870
THEN ALL Y'ALL ARE RUNNIN'
TILL THE LIGHTS COME ON.
91
00:03:56,870 --> 00:03:58,420
OH...
92
00:03:58,420 --> 00:03:59,710
NO PRESSURE.
93
00:03:59,710 --> 00:04:01,300
SEND US HOME, MAN.
94
00:04:02,840 --> 00:04:05,340
LET'S GO HOME.
95
00:04:08,010 --> 00:04:10,100
[ALL CHEERING]
96
00:04:24,070 --> 00:04:27,070
COOP: ...SHOOT, SHOOT,
STILL MAKE A LANE DISAPPEAR
97
00:04:27,070 --> 00:04:28,780
STILL DON'T KNOW WHO
WOULD DIRECT, DIRECT
98
00:04:28,780 --> 00:04:30,410
STILL RUN AROUND
WITH A STACK, YEAH
99
00:04:30,410 --> 00:04:32,370
YOU CAN GO SAY
WHAT YOU WANT
100
00:04:32,370 --> 00:04:36,040
JUST KNOW ALL THAT TALK
GETS YOU WACK, WACK, WACK
101
00:04:36,040 --> 00:04:37,500
YO, THAT IS FIRE.
102
00:04:37,500 --> 00:04:38,960
LAYLA: RIGHT?
SPENCER: MM-HMM.
103
00:04:38,960 --> 00:04:41,040
IT'S FUN, IT'S GRITTY,
IT'S HONEST.
104
00:04:41,040 --> 00:04:43,300
REMINDS ME OF
MY DAD'S MUSIC FROM
BACK IN THE DAY.
105
00:04:43,300 --> 00:04:45,880
I WANT TO SUBMIT IT
TO 99.8's "FEELIN' IT
106
00:04:45,880 --> 00:04:47,510
OR KILLIN' IT," SO
THE STATION WILL PLAY
107
00:04:47,510 --> 00:04:50,220
AN UNSIGNED ARTIST'S SONG,
AND THE LISTENERS VOTE.
108
00:04:50,220 --> 00:04:53,430
IF THEY LIKE IT,
99.8 PLAYS THAT SONG
FOR 24 HOURS STRAIGHT.
109
00:04:53,430 --> 00:04:55,520
IT'S AN AWESOME WAY
TO GET YOUR NAME OUT THERE.
110
00:04:55,520 --> 00:04:57,680
HIP-HOP IYANLA OVER HERE IS
ABOUT TO FIX YOUR LIFE.
111
00:04:57,680 --> 00:04:59,520
COOP: MAN, SHUT UP.
SPENCER: HEH HEH!
112
00:04:59,520 --> 00:05:01,770
DO YOUR THING, LAY LAY,
BUT SPEAKING
113
00:05:01,770 --> 00:05:04,020
OF FIXING, HOW IS
YOUR SHOULDER, BRO?
114
00:05:04,020 --> 00:05:06,940
IT'S GOOD.
IT'S THE BEST IT'S FELT
IN A MINUTE, ACTUALLY.
115
00:05:06,940 --> 00:05:09,360
SUPPOSED TO FIND OUT TOMORROW
IF I'M BEING CLEARED OR NOT.
116
00:05:09,360 --> 00:05:11,570
HOPEFULLY, I'M GOOD TO GO
'CAUSE IT'S TIME TO GET BACK
117
00:05:11,570 --> 00:05:14,450
ON THAT FIELD,
BUT UNTIL I KNOW FOR SURE...
118
00:05:14,450 --> 00:05:17,580
I'M STILL HERE, STILL
JUMPIN' IN, OUT OF MY LEAR
119
00:05:17,580 --> 00:05:19,540
STILL GOT MY BEST FRIEND,
HER NAME IS COOP
120
00:05:19,540 --> 00:05:21,210
AND I'MA PLAY
THE FLUTE...
121
00:05:21,210 --> 00:05:22,840
BRO, NO. NO.
122
00:05:22,840 --> 00:05:24,670
YOU'RE NOT EVEN CLOSE TO
HAVING THE LYRICS RIGHT.
123
00:05:24,670 --> 00:05:26,590
-WELL, I'M JUST TRYING TO--
-NO, THAT WAS JUST LAZY.
124
00:05:26,590 --> 00:05:28,220
-I'M JUST TRYING
TO SHARE YOUR DREAM, MAN.
-WHATEVER.
125
00:05:28,220 --> 00:05:29,590
LET ME GET SOMETHING TO EAT.
Y'ALL WANT SOMETHING?
126
00:05:29,590 --> 00:05:31,220
-NO. I'M GOOD.
-NO, THANK YOU.
127
00:05:31,220 --> 00:05:32,890
-WHAT?
-[SCOFFS]
128
00:05:32,890 --> 00:05:34,930
I THOUGHT
THAT WAS DOPE.
129
00:05:38,060 --> 00:05:39,690
KWON: YO, COOP.
130
00:05:39,690 --> 00:05:41,100
KWON,
WHAT'S UP, BOY?
131
00:05:41,100 --> 00:05:43,110
PREACH NEEDS
TO SEE YOU IN PERSON.
132
00:05:43,110 --> 00:05:44,520
HE SAYS IT'S URGENT.
133
00:05:44,520 --> 00:05:46,860
THERE SOMETHING
I NEED TO KNOW?
134
00:05:46,860 --> 00:05:49,530
THAT'S BETWEEN
YOU AND HIM.
135
00:05:52,160 --> 00:05:54,410
MAN, ON TV: THIS JUST IN.
WE HAVE AN UPDATE.
136
00:05:54,410 --> 00:05:56,410
WE ARE TWO DAYS OUT,
AND PAUL KENDALL IS
137
00:05:56,410 --> 00:05:58,580
STILL LEADING LAURA BAKER
IN THE POLLS...
138
00:05:58,580 --> 00:06:00,750
THERE'S SOMETHING
YOU NEED TO SEE,
139
00:06:00,750 --> 00:06:02,670
COURTESY OF
YOUR OPPONENT.
140
00:06:02,670 --> 00:06:04,290
[SIGHS]
141
00:06:04,290 --> 00:06:06,500
CLASSY, EVEN INCLUDED
A SCREEN SHOT
142
00:06:06,500 --> 00:06:08,460
OF MINE AND BILLY'S
SEPARATION AGREEMENT.
143
00:06:08,460 --> 00:06:10,470
AS YOUR CAMPAIGN
MANAGER, IT IS
MY JOB TO GET AHEAD
144
00:06:10,470 --> 00:06:12,300
OF THESE THINGS,
BUT I CAN'T IF I'M
NOT MADE AWARE.
145
00:06:12,300 --> 00:06:14,720
WELL, I DECIDED TO KEEP
MY PERSONAL LIFE
146
00:06:14,720 --> 00:06:16,100
AND POLITICS SEPARATE.
147
00:06:16,100 --> 00:06:17,760
YOU LOST THAT LUXURY
THE SECOND
148
00:06:17,760 --> 00:06:19,100
YOU ANNOUNCED YOUR RUN
AGAINST PAUL KENDALL.
149
00:06:19,100 --> 00:06:20,600
NOW WE HAVE TO RESPOND
150
00:06:20,600 --> 00:06:22,350
BEFORE TOO MANY NARRATIVES
FABRICATE.
151
00:06:22,350 --> 00:06:24,270
LOOK, I'M THE REASON
FOR THE SEPARATION,
NOT LAURA,
152
00:06:24,270 --> 00:06:26,270
SO MAYBE I CAN DO AN
INTERVIEW OWNING UP
153
00:06:26,270 --> 00:06:27,900
TO EVERYTHING AND--
SHELBY: ACTUALLY, YES.
154
00:06:27,900 --> 00:06:29,900
WE CAN SPIN IT THAT
YOU GUYS HIT A ROCK,
155
00:06:29,900 --> 00:06:30,940
MANAGED TO CLIMB IT--
156
00:06:30,940 --> 00:06:32,200
YEAH, I DON'T THINK
157
00:06:32,200 --> 00:06:33,700
THAT'S A GOOD IDEA.
158
00:06:33,700 --> 00:06:35,160
IT'S NO ONE'S
BUSINESS.
159
00:06:35,160 --> 00:06:36,780
PAUL KENDALL IS
TWICE-DIVORCED
160
00:06:36,780 --> 00:06:38,990
AND RECENTLY INTO
HIS THIRD MARRIAGE,
161
00:06:38,990 --> 00:06:41,620
YET I'M THE ONE WITH
THE MESSY HOME LIFE?
162
00:06:41,620 --> 00:06:43,000
NO.
163
00:06:43,000 --> 00:06:44,920
NO. LISTEN UP,
EVERYBODY.
164
00:06:44,920 --> 00:06:47,290
IGNORE ANY
AND ALL HITS
165
00:06:47,290 --> 00:06:49,800
BELOW THE BELT FROM
THE KENDALL CAMPAIGN.
166
00:06:49,800 --> 00:06:51,800
STICK TO TALKING POINTS
ON MY RECORD,
167
00:06:51,800 --> 00:06:53,970
MY PLATFORM, AND BEING
TOUGH ON CRIME,
168
00:06:53,970 --> 00:06:56,010
OK?
169
00:06:57,720 --> 00:07:00,390
MAN: 5 MINUTES.
170
00:07:02,310 --> 00:07:04,310
[SIGHS]
171
00:07:04,310 --> 00:07:07,060
[GROANS SOFTLY]
172
00:07:09,320 --> 00:07:11,320
YO, WHAT THE HELL
HAPPENED TO YOU?
173
00:07:11,320 --> 00:07:12,570
TYRONE.
174
00:07:12,570 --> 00:07:14,570
HE'S BACK IN TOWN.
175
00:07:14,570 --> 00:07:16,570
HIS BOYS TRIED
TO PACK ME OUT
176
00:07:16,570 --> 00:07:18,240
ON THE YARD, BUT I FOUGHT
MY WAY UP OUT OF IT.
177
00:07:18,240 --> 00:07:20,240
YO, IS YOU SERIOUS?
YO, I GOT THIS.
178
00:07:20,240 --> 00:07:21,870
ME AND FLIP BEEN
WAITIN' ON TYRONE
179
00:07:21,870 --> 00:07:23,830
TO SNEAK HIS ASS
BACK IN TOWN.
180
00:07:23,830 --> 00:07:25,790
MAN, SIT
YOUR ASS DOWN.
181
00:07:28,960 --> 00:07:31,460
FLIP IS MISSIN'...
182
00:07:31,460 --> 00:07:32,800
WHAT?
183
00:07:32,800 --> 00:07:34,260
AND IT AIN'T
LOOKIN' GOOD.
184
00:07:34,260 --> 00:07:37,970
HE GOT AT ME.
HE GOT AT FLIP.
185
00:07:37,970 --> 00:07:40,180
YOU'RE NEXT.
186
00:07:40,180 --> 00:07:44,140
I NEED YOU TO LAY LOW,
TAKE EVERY PRECAUTION, COOP.
187
00:07:44,140 --> 00:07:45,770
YOU HEAR ME?
188
00:07:45,770 --> 00:07:48,940
[SIGHS]
YEAH.
189
00:08:00,200 --> 00:08:02,240
[DOOR LOCK BEEPS]
190
00:08:08,420 --> 00:08:10,670
WHAT ARE WE CELEBRATING?
[DOOR CLOSES]
191
00:08:10,670 --> 00:08:12,300
PEACE AND QUIET.
192
00:08:12,300 --> 00:08:13,920
AND BETWEEN YOUR
HOUSE AND MINE, WE CAN
193
00:08:13,920 --> 00:08:15,510
BARELY GET AN HOUR
ALONE TOGETHER,
194
00:08:15,510 --> 00:08:17,680
AND IT'S SAFE TO SAY
THAT WE WERE NOT
195
00:08:17,680 --> 00:08:19,260
THE BEST VERSIONS
OF OURSELVES
196
00:08:19,260 --> 00:08:20,850
THE FIRST TIME
WE SLEPT TOGETHER,
197
00:08:20,850 --> 00:08:23,720
SO CONSIDER THIS
A PROPER RESET.
198
00:08:23,720 --> 00:08:26,270
["SOFTLY" PLAYING]
199
00:08:26,270 --> 00:08:28,230
BABY, THIS IS
SO SWEET,
200
00:08:28,230 --> 00:08:31,150
BUT I DON'T NEED
ANY OF THIS.
201
00:08:32,770 --> 00:08:35,230
I JUST NEED YOU.
202
00:08:35,230 --> 00:08:37,610
CLAIRO:
...TO FEEL THIS WAY
203
00:08:37,610 --> 00:08:40,660
SO EARLY?
204
00:08:42,330 --> 00:08:45,240
AND IN MY BLOOD
205
00:08:45,240 --> 00:08:48,000
ALL THE SWEET NOTHINGS
206
00:08:48,000 --> 00:08:53,000
FALLIN' IN LOVE OVER NIGHT
207
00:08:53,000 --> 00:08:55,380
DIDN'T MEAN TO GET...
208
00:08:55,380 --> 00:08:58,050
OLIVIA: UM, SORRY.
209
00:08:58,050 --> 00:09:00,680
MY BAD. IS THIS--
IS THIS TOO MUCH, OR--
210
00:09:00,680 --> 00:09:04,390
NO. NO,
THIS IS, UH...
211
00:09:04,390 --> 00:09:08,270
SERIOUSLY, LIKE, THE
SWEETEST THING ANYONE
HAS EVER DONE FOR ME.
212
00:09:11,480 --> 00:09:13,480
WE PROMISED
TO BE HONEST
213
00:09:13,480 --> 00:09:15,480
WITH EACH OTHER,
RIGHT?
214
00:09:16,940 --> 00:09:19,860
SO YOU'D TELL ME IF THERE
WAS SOMETHING GOING ON?
215
00:09:19,860 --> 00:09:21,860
YEAH, OF COURSE.
WHAT ARE YOU--
216
00:09:21,860 --> 00:09:24,080
WHAT ARE YOU
ASKING ME, LIV?
217
00:09:25,870 --> 00:09:28,160
ARE YOU USING STEROIDS?
218
00:09:31,670 --> 00:09:34,210
TH-THIS OFFSEASON NEEDED
TO BE MY COMEBACK.
219
00:09:34,210 --> 00:09:37,460
I CAN'T BE AROUND
SOMEBODY WHO USES DRUGS.
220
00:09:37,460 --> 00:09:39,470
NO, IT'S NOT--IT'S
NOT THE SAME THING.
221
00:09:39,470 --> 00:09:42,090
MM-MMM. I MEAN,
IF YOU DON'T THINK
222
00:09:42,090 --> 00:09:44,640
THAT YOU CAN PERFORM
WITHOUT IT,
223
00:09:44,640 --> 00:09:46,260
THAT'S AN ADDICTION
IN MY BOOK,
224
00:09:46,260 --> 00:09:48,890
SO, YEAH, IT'S
THE SAME THING.
225
00:09:48,890 --> 00:09:50,940
OK.
226
00:09:53,600 --> 00:09:55,650
OK. I'M DONE.
I PROMISE.
227
00:09:57,610 --> 00:10:00,400
SO YOU'RE GONNA STOP,
228
00:10:00,400 --> 00:10:02,410
JUST LIKE THAT?
229
00:10:02,410 --> 00:10:05,950
I CAN'T AFFORD
TO LOSE YOU.
230
00:10:07,120 --> 00:10:08,700
OK.
231
00:10:10,790 --> 00:10:13,210
DR. FISKELL: YOU REMIND
ME OF A LION, SPENCER.
232
00:10:13,210 --> 00:10:15,330
JUST SO YOU KNOW,
YOUR LEFT ARM IS
233
00:10:15,330 --> 00:10:17,630
ABOUT 20% STRONGER
THAN YOUR RIGHT.
234
00:10:17,630 --> 00:10:19,090
THAT'S LIKELY
A DIRECT RESULT
235
00:10:19,090 --> 00:10:20,590
OF MUSCLE TISSUE
STILL HEALING.
236
00:10:20,590 --> 00:10:23,180
SO HE'S NOT READY
TO RETURN TO FOOTBALL.
237
00:10:23,180 --> 00:10:24,890
ON THE CONTRARY.
238
00:10:24,890 --> 00:10:26,890
YOUR SON'S 80%
239
00:10:26,890 --> 00:10:29,010
IS BETTER THAN
MOST PEOPLE'S 100%.
240
00:10:29,010 --> 00:10:31,430
THE REASON LIONS
HAVE SUCH HIGH
RECOVERY RATES
241
00:10:31,430 --> 00:10:33,890
IS BECAUSE THEY'RE
SOCIAL CREATURES WHO
PICK UP THE SLACK
242
00:10:33,890 --> 00:10:35,520
WHEN MEMBERS OF
THEIR PACK ARE DOWN.
243
00:10:35,520 --> 00:10:38,070
IT'S TIME SPENCER
RETURNS TO HIS TEAM,
244
00:10:38,070 --> 00:10:40,070
RECOUP HIS FULL STRENGTH
WITH THEIR SUPPORT.
245
00:10:40,070 --> 00:10:42,490
SO YOU'RE GONNA TELL
COACH BAKER I'M CLEAR
TO GET BACK?
246
00:10:42,490 --> 00:10:44,320
I'LL GIVE HIM
A CALL.
247
00:10:44,320 --> 00:10:46,160
HE CAN EASE YOU
BACK IN.
248
00:10:46,160 --> 00:10:48,530
THANK YOU.
THANK YOU.
249
00:10:48,530 --> 00:10:50,580
GRACE: THANK YOU.
SPENCER: AHEM.
250
00:10:51,790 --> 00:10:53,120
MA!
251
00:10:53,120 --> 00:10:55,080
BOY--THANK YOU.
252
00:10:55,080 --> 00:10:56,920
DOCTOR: THANK YOU.
GRACE: OK.
253
00:10:58,290 --> 00:11:00,340
COACH.
254
00:11:00,340 --> 00:11:02,420
BILLY: HEY.
SPENCER: WELL,
255
00:11:02,420 --> 00:11:03,720
YOU TALK TO
DR. FISKELL?
256
00:11:03,720 --> 00:11:05,840
DIDN'T YOU
JUST SEE HER?
257
00:11:05,840 --> 00:11:07,220
I MEAN, YEAH,
BUT A PHONE CALL
258
00:11:07,220 --> 00:11:08,220
IS, LIKE, TWO
SECONDS, RIGHT?
259
00:11:08,220 --> 00:11:10,100
YEAH, MAN, SHE CALLED.
260
00:11:10,100 --> 00:11:12,890
SO AM I GOOD TO GO
FOR OUR GAME AGAINST
CHATSWORTH TOMORROW?
261
00:11:12,890 --> 00:11:14,770
UH, THAT WOULD BE A NO.
262
00:11:14,770 --> 00:11:17,350
THE DOC AND I AGREED
THAT YOU'D BE GOOD
TO GO FOR PRACTICE.
263
00:11:17,350 --> 00:11:19,360
BUT YOU SAID MY POSITION
WOULD BE WAITING FOR ME
ONCE I'M CLEARED.
264
00:11:19,360 --> 00:11:21,150
GRACE: SPENCER, BABY--
SPENCER: ALL, RIGHT, LOOK,
265
00:11:21,150 --> 00:11:22,940
I HEARD
A RECRUITER FROM
COASTAL CALIFORNIA
266
00:11:22,940 --> 00:11:24,240
IS GONNA BE
AT THAT GAME.
267
00:11:24,240 --> 00:11:25,860
THAT WAS BARRY LEMMING,
ALL RIGHT?
268
00:11:25,860 --> 00:11:27,490
HIS SON BO PLAYS
FOR CHATSWORTH.
269
00:11:27,490 --> 00:11:29,490
HE'S THERE AS A DAD,
NOT AS A RECRUITER.
270
00:11:29,490 --> 00:11:31,080
THEY'RE ALWAYS
RECRUITING, COACH--
271
00:11:31,080 --> 00:11:32,790
YOU KNOW THAT--AND
WITH UCLA PULLING
272
00:11:32,790 --> 00:11:34,250
THEIR OFFER, I NEED
A CHANCE TO GET BACK
273
00:11:34,250 --> 00:11:36,460
ON COLLEGE RADARS.
COME ON.
274
00:11:36,460 --> 00:11:38,790
OK, HOW ABOUT THIS?
[SIGHS]
275
00:11:38,790 --> 00:11:40,790
WHY DON'T WE
RUN YOU THROUGH
SOME FOOTBALL TESTS,
276
00:11:40,790 --> 00:11:42,670
GAUGE THE STRENGTH
OF YOUR SHOULDER?
277
00:11:42,670 --> 00:11:44,420
YOU CAN GET UP TO SPEED
WITH THE NEW PLAYBOOK,
278
00:11:44,420 --> 00:11:46,590
THEN YOU CAN PLAY,
BUT IF NOT,
279
00:11:46,590 --> 00:11:48,590
YOU'RE ON
THE SIDELINES WITH ME.
280
00:11:48,590 --> 00:11:49,850
-ALL RIGHT. BET.
-OK?
281
00:11:49,850 --> 00:11:51,060
-YES, SIR.
-ALL RIGHT.
282
00:11:51,060 --> 00:11:52,680
MA.
283
00:11:53,890 --> 00:11:55,730
LAYLA.
284
00:11:55,730 --> 00:11:58,940
COOP, WHAT ARE YOU--
WAIT, DO WE HAVE
A SESSION TODAY?
285
00:11:58,940 --> 00:12:00,560
NO, BUT TYRONE
IS BACK IN TOWN
286
00:12:00,560 --> 00:12:02,730
AND I'M PRETTY DAMN SURE
HE'S COMING FOR ME,
287
00:12:02,730 --> 00:12:05,320
AND I KNOW YOUR DAD HAS
A SECURITY DETAIL, RIGHT?
288
00:12:05,320 --> 00:12:06,950
'CAUSE I JUST NEED
A SAFE PLACE TO HIDE
289
00:12:06,950 --> 00:12:08,410
FOR A FEW DAYS UNTIL MY
PARENTS GET BACK IN TOWN.
290
00:12:08,410 --> 00:12:10,410
YEAH, OF COURSE.
I'LL CALL MY DAD.
291
00:12:10,410 --> 00:12:11,950
YOU CAN STAY AS
LONG AS YOU WANT.
292
00:12:11,950 --> 00:12:14,160
OK.
293
00:12:30,180 --> 00:12:33,140
[DARNELL AND DILLON LAUGH]
294
00:12:33,140 --> 00:12:35,930
[GRUNTS]
WHAT Y'ALL DOING HERE?
295
00:12:35,930 --> 00:12:37,480
CANCELED PRACTICE
TODAY.
296
00:12:37,480 --> 00:12:38,850
I GUESS SOMETHING WAS UP
WITH THE FIELD.
297
00:12:38,850 --> 00:12:40,190
SO Y'ALL TOOK 3 BUSES
TO BEVERLY HILLS
298
00:12:40,190 --> 00:12:41,560
INSTEAD OF GOING DOWN
TO THE BEACH?
299
00:12:41,560 --> 00:12:43,360
THAT'S THE SAME
THING I SAID.
300
00:12:43,360 --> 00:12:44,940
HEH! THE BEACH WILL
BE THERE, BRO.
301
00:12:44,940 --> 00:12:46,860
YOU GETTING A CHANCE
TO PASS YOUR TEST TODAY,
302
00:12:46,860 --> 00:12:48,110
THAT'S
A DIFFERENT BEAST.
303
00:12:48,110 --> 00:12:49,860
I'M FINE, MAN.
304
00:12:49,860 --> 00:12:52,160
MY SHOULDER'S A-1.
LOT OF PEOPLE
COMPARE ME TO SIMBA.
305
00:12:52,160 --> 00:12:53,830
YOU DO KNOW SIMBA
AIN'T REAL, RIGHT?
306
00:12:53,830 --> 00:12:55,290
DID YOU NOT SEE
THE REMAKE?
307
00:12:55,290 --> 00:12:56,540
-[SCOFFS]
-ALL RIGHT.
308
00:12:56,540 --> 00:12:58,040
ALL RIGHT, ALL RIGHT.
309
00:12:58,040 --> 00:12:59,540
SINCE YOUR SHOULDER'S
HEALED, THEN,
310
00:12:59,540 --> 00:13:00,620
ALL WE NEED TO FOCUS ON
IS THE PLAYBOOK.
311
00:13:00,620 --> 00:13:02,290
"WE"?
312
00:13:02,290 --> 00:13:04,090
YEAH. WE GOT YOU.
313
00:13:04,090 --> 00:13:05,920
WHAT YOU KNOW
ABOUT FOOTBALL?
314
00:13:05,920 --> 00:13:08,130
I KNOW I'M ALMOST
AS GOOD AS YOU,
315
00:13:08,130 --> 00:13:10,010
ESPECIALLY WITH THAT
BUSTED SHOULDER.
316
00:13:10,010 --> 00:13:11,720
NO, YOU DIDN'T.
OOH, THAT HURT.
317
00:13:11,720 --> 00:13:13,510
-HA HA!
-OH, COME HERE. AH!
318
00:13:13,510 --> 00:13:16,140
DILLON: HA HA HA!
319
00:13:16,140 --> 00:13:18,140
SPENCER: I GOT YOU.
I GOT YOU.
320
00:13:18,140 --> 00:13:21,230
DILLON: OK, OK. OK!
YOU'RE--YOU'RE BETTER!
321
00:13:23,860 --> 00:13:25,860
[SIGHS]
322
00:13:25,860 --> 00:13:28,030
ALL RIGHT, DARNELL
KNOWS WHAT'S UP.
323
00:13:28,030 --> 00:13:29,400
HE'S KEEPING
SPENCER AND DILLON
324
00:13:29,400 --> 00:13:31,740
IN BEVERLY HILLS.
-OK, GOOD.
325
00:13:31,740 --> 00:13:34,370
[CELL PHONE RINGING]
326
00:13:34,370 --> 00:13:37,160
OH, COOP, IT'S
THE DJ FROM 99.8.
327
00:13:37,160 --> 00:13:39,120
HE MIGHT BE CALLING
ABOUT THE TIME SLOT.
328
00:13:39,120 --> 00:13:40,750
OH, SHOOT.
329
00:13:40,750 --> 00:13:42,000
OK, I'LL BE
RIGHT BACK.
330
00:13:42,000 --> 00:13:44,000
HELLO? HELLO?
331
00:13:44,000 --> 00:13:46,630
[DOOR OPENS]
332
00:13:48,880 --> 00:13:50,510
[DOOR CLOSES]
333
00:13:50,510 --> 00:13:52,930
-MR. KEATING, WHAT'S UP?
-HEY, COOP.
334
00:13:52,930 --> 00:13:54,550
THANK YOU AGAIN
FOR LETTING ME STAY.
335
00:13:54,550 --> 00:13:56,390
OH, NO DOUBT,
NO DOUBT, NO DOUBT.
336
00:13:56,390 --> 00:13:58,390
I KNOW FIRSTHAND
HOW THINGS CAN GET,
337
00:13:58,390 --> 00:14:00,390
SO DON'T YOU
WORRY, OK?
WE GOT YOU.
338
00:14:00,390 --> 00:14:02,480
-I APPRECIATE IT.
-HEY, LISTEN, UM,
339
00:14:02,480 --> 00:14:04,100
I'VE BEEN HEARING SOME
REALLY GOOD THINGS
ABOUT THIS SONG
340
00:14:04,100 --> 00:14:05,400
YOU AND LAYLA
ARE COOKIN' UP.
341
00:14:05,400 --> 00:14:07,070
YEAH, I THINK
IT'S MISSIN'
342
00:14:07,070 --> 00:14:09,150
A LITTLE SOMETHIN', BUT IT
DEFINITELY HAS POTENTIAL.
343
00:14:09,150 --> 00:14:10,530
YEAH?
YOU GOT IT ON YOU?
344
00:14:10,530 --> 00:14:13,160
-YEAH.
-LET ME TAKE A LISTEN.
345
00:14:13,160 --> 00:14:15,870
COOP: YOU TOOK A SHOT
AT MY MAN
346
00:14:15,870 --> 00:14:17,620
NOW WAIT, YOU KNOW,
YOUR GUN IN MY HAND
347
00:14:17,620 --> 00:14:19,620
I WON'T TESTIFY,
AIN'T TAKIN' NO STAND
348
00:14:19,620 --> 00:14:22,410
ALL I SEE IS ME, ME,
ME, ME KILLIN' A MAN
349
00:14:22,410 --> 00:14:24,420
AND YOU CAN'T RUN FROM IT...
-HA HA HA HA!
350
00:14:24,420 --> 00:14:27,920
OK, OK,
I'M DIGGIN' THIS.
351
00:14:27,920 --> 00:14:30,670
THE BEAT IS CATCHY.
THE FLOW IS CRAZY.
352
00:14:30,670 --> 00:14:32,470
I WOULDN'T CHANGE
A DAMN THING.
353
00:14:32,470 --> 00:14:33,970
REALLY?
354
00:14:33,970 --> 00:14:35,590
PSHH. NO DOUBT,
ESPECIALLY
355
00:14:35,590 --> 00:14:37,220
THOSE BARS
ABOUT ALMOST
LOSING SPENCER?
356
00:14:37,220 --> 00:14:38,470
-MM-HMM.
-OOH!
357
00:14:38,470 --> 00:14:40,100
[MUSIC STOPS]
358
00:14:40,100 --> 00:14:42,100
YOU KNOW WHY YOU'RE
STILL HERE, COOP?
359
00:14:42,100 --> 00:14:43,270
GOD.
360
00:14:43,270 --> 00:14:44,900
OH, NO DOUBT.
361
00:14:44,900 --> 00:14:47,770
THE OTHER REASON,
THOUGH, IS YOUR WILL.
362
00:14:47,770 --> 00:14:49,980
YEAH, SEE, NO MATTER
HOW SCARY THINGS GET
363
00:14:49,980 --> 00:14:51,740
IN YOUR LIFE,
YOU NEVER FOLD.
364
00:14:51,740 --> 00:14:53,950
IF THERE'S ONE THING
I LEARNED ABOUT YOU,
365
00:14:53,950 --> 00:14:55,950
YOU'RE NOT ONE
TO BACK DOWN
366
00:14:55,950 --> 00:14:59,330
FROM ANYTHING
OR ANYONE, EVER.
367
00:15:00,660 --> 00:15:02,370
I RESPECT THAT.
368
00:15:02,370 --> 00:15:04,290
-THANK YOU.
-HEY,
369
00:15:04,290 --> 00:15:05,920
I'M REALLY PROUD
OF YOU, ALL RIGHT?
370
00:15:05,920 --> 00:15:07,750
-THANK YOU.
-KEEP UP THE GOOD WORK.
371
00:15:07,750 --> 00:15:10,800
-WILL DO.
-GO WORK ON SOME TRACKS NOW.
372
00:15:20,430 --> 00:15:24,060
SIMONE: HA HA HA!
YO, I'M DEAD.
373
00:15:24,060 --> 00:15:26,060
SO THIS CHICK WENT
TO "PEOPLE'S COURT"
374
00:15:26,060 --> 00:15:27,860
TO FIGHT
FOR HER MARRIAGE,
BUT THEN ADMITTED
375
00:15:27,860 --> 00:15:29,820
TO SLEEPING WITH
HER SIDE PIECE
THAT MORNING?
376
00:15:29,820 --> 00:15:31,570
FROM THIS POINT ON,
ANYTIME YOU HEAR ANYBODY
377
00:15:31,570 --> 00:15:33,320
SAYING SOMETHING WILD,
YOU HAVE TO REPLY WITH...
378
00:15:33,320 --> 00:15:34,650
BOTH: MISS JACKSON.
379
00:15:34,650 --> 00:15:36,820
SIMONE: HA HA HA!
[PHONE PINGS]
380
00:15:38,030 --> 00:15:39,950
HEY, YOU OK?
381
00:15:39,950 --> 00:15:42,330
YEAH. IT'S MY MOM.
382
00:15:42,330 --> 00:15:44,750
SHE'S LITERALLY
BEEN BUGGING ME
383
00:15:44,750 --> 00:15:47,330
ABOUT GOING SHOPPING,
AND I'M RUNNING
OUT OF EXCUSES.
384
00:15:47,330 --> 00:15:50,960
IT'S THE SPRING, SIMONE.
BALENCIAGAS AND TRACK
SUITS ARE STILL THE WAVE.
385
00:15:50,960 --> 00:15:52,800
JORDAN,
I'M SERIOUS.
386
00:15:52,800 --> 00:15:54,760
OK, WELL, WHY NOT
JUST COME CLEAN?
387
00:15:54,760 --> 00:15:56,970
BECAUSE MY PARENTS
ARE THE TYPE OF PEOPLE
388
00:15:56,970 --> 00:15:59,180
THAT MADE ME DO
A RESEARCH REPORT
ON FRANK OCEAN
389
00:15:59,180 --> 00:16:01,390
TO PROVE WHY IT'D BE SAFE
TO GO TO HIS CONCERT.
390
00:16:01,390 --> 00:16:03,640
SO JUST IMAGINE HOW,
"OH, HEY,
391
00:16:03,640 --> 00:16:05,730
I'M PREGGO"
IS GONNA GO.
392
00:16:05,730 --> 00:16:07,600
WHAT IF I WAS THERE
WHENEVER YOU TELL THEM?
393
00:16:07,600 --> 00:16:09,650
STRICTLY AS A FRIEND.
394
00:16:09,650 --> 00:16:11,570
-ABSOLUTELY NOT.
-WHY NOT?
395
00:16:11,570 --> 00:16:12,860
MAYBE THEY'LL TAKE
IT EASIER ON YOU
396
00:16:12,860 --> 00:16:14,650
WITH SOMEBODY
ELSE THERE.
397
00:16:14,650 --> 00:16:16,950
HONESTLY, I DON'T KNOW
IF THAT WOULD BE
BETTER OR WORSE.
398
00:16:16,950 --> 00:16:19,570
AT LEAST IT'LL BE OVER WITH
AND YOU CAN MOVE ON.
399
00:16:20,990 --> 00:16:22,990
GUESS WHAT.
THE STATION WANTS TO RUN
400
00:16:22,990 --> 00:16:26,000
YOUR TRACK EARLY,
LIKE TOMORROW.
401
00:16:26,000 --> 00:16:30,250
COOP?
402
00:16:34,380 --> 00:16:35,420
COOP?
403
00:16:39,760 --> 00:16:42,430
[KNOCKING ON DOOR]
404
00:16:43,850 --> 00:16:45,470
HEY.
405
00:16:45,470 --> 00:16:47,100
DID ANYBODY STOP BY?
406
00:16:47,100 --> 00:16:49,480
[CHUCKLES]
OK. HI TO YOU, TOO.
407
00:16:49,480 --> 00:16:51,600
YES OR NO?
408
00:16:51,600 --> 00:16:54,360
YOU'RE THE ONE WHO
SAID YOU DIDN'T WANT
TO BE FRIENDS YET.
409
00:16:54,360 --> 00:16:57,070
SO YOU WANT TO TELL ME
WHAT'S GOING ON?
410
00:16:57,070 --> 00:16:59,110
[SIGHS]
411
00:17:01,200 --> 00:17:03,530
TYRONE IS BACK
IN TOWN,
412
00:17:03,530 --> 00:17:06,660
AND HE'S EITHER COMING
FOR ME OR SOMEBODY I LOVE.
413
00:17:06,660 --> 00:17:08,660
JUST TO BE SAFE,
414
00:17:08,660 --> 00:17:10,620
I THINK IT'S BEST IF WE
DIP UP OUT OF HERE.
415
00:17:10,620 --> 00:17:12,540
YOU GOT A UNCLE
IN RIVERSIDE, RIGHT?
416
00:17:12,540 --> 00:17:14,750
-YEAH.
-YOU THINK HE'D LET US
STAY FOR A FEW DAYS?
417
00:17:14,750 --> 00:17:18,130
I DON'T KNOW.
I CAN SEE, LIKE--
418
00:17:18,130 --> 00:17:20,420
ALL RIGHT, CALL HIM.
I'M GONNA USE YOUR
BATHROOM REAL QUICK.
419
00:17:20,420 --> 00:17:22,470
OK.
420
00:17:39,190 --> 00:17:42,200
[KNOCK ON DOOR]
421
00:17:42,200 --> 00:17:44,240
OH, GO AHEAD.
422
00:17:45,990 --> 00:17:47,990
[SIGHS]
423
00:17:47,990 --> 00:17:50,830
PATIENCE: HEY.
SPENCER: LAYLA CALLED ME.
424
00:17:50,830 --> 00:17:53,250
I CANNOT BELIEVE
YOU AIN'T TELL ME
TYRONE WAS BACK.
425
00:17:53,250 --> 00:17:55,130
-NO, I WAS GONNA HIT YOU LATER.
-YOU OUT YOUR DAMN MIND?
426
00:17:55,130 --> 00:17:56,840
IF I CAN FIND YOU THIS EASY,
WHAT MAKES YOU
427
00:17:56,840 --> 00:17:58,340
THINK TYRONE CAN'T?
LOOK, Y'ALL NEED
428
00:17:58,340 --> 00:18:00,130
TO BOUNCE,
LIKE RIGHT NOW.
429
00:18:00,130 --> 00:18:01,760
WE ARE, AS SOON
AS PATIENCE IS DONE
PACKING HER BAGS.
430
00:18:01,760 --> 00:18:03,380
WE'RE GOING TO
HER UNCLE'S HOUSE
IN RIVERSIDE.
431
00:18:03,380 --> 00:18:05,390
YOU NEED TO GET BACK
TO BEVERLY HILLS
432
00:18:05,390 --> 00:18:07,140
NOT JUST BECAUSE IT'S
SAFER, BUT DON'T YOU GOT
433
00:18:07,140 --> 00:18:08,970
A FOOTBALL TEST
WITH COACH BAKER?
434
00:18:08,970 --> 00:18:11,180
-THE TEST CAN WAIT, A'IGHT?
-NO, IF YOU DON'T PASS,
435
00:18:11,180 --> 00:18:14,400
YOU DON'T PLAY TOMORROW,
AND IF YOU DON'T PLAY,
YOU MISS OUT ON RECRUITERS.
436
00:18:14,400 --> 00:18:16,520
WE'LL BE FINE, BRO.
TRUST.
437
00:18:16,520 --> 00:18:19,570
I WILL TEXT YOU
THE MINUTE WE GET THERE.
438
00:18:22,570 --> 00:18:24,570
YOU BETTER.
439
00:18:24,570 --> 00:18:27,070
PATIENCE: BYE.
440
00:18:30,910 --> 00:18:32,580
[KISS]
441
00:18:34,500 --> 00:18:36,500
[DOOR OPENS]
442
00:18:36,500 --> 00:18:38,540
[DOOR CLOSES]
443
00:18:38,540 --> 00:18:41,300
ALL RIGHT, YOU SHOULD GET
GOING NOW. I'LL MEET YOU
AT YOUR UNCLE'S.
444
00:18:41,300 --> 00:18:43,720
WHAT? NO. YOU JUST
TOLD SPENCER WE'RE
GOING TOGETHER.
445
00:18:43,720 --> 00:18:45,590
I'LL BE RIGHT
BEHIND YOU, I PROMISE.
446
00:18:45,590 --> 00:18:47,680
-MY GOD.
-LOOK, DON'T. COME ON.
447
00:18:49,100 --> 00:18:50,640
I'LL BE THERE.
448
00:18:50,640 --> 00:18:52,890
ALL RIGHT.
449
00:18:55,850 --> 00:18:58,480
OLIVIA: OK, COOP IS
PROBABLY ALREADY HALFWAY
TO RIVERSIDE BY NOW.
450
00:18:58,480 --> 00:19:00,400
YEAH, BUT IT'S JUST
THE TIMING OF IT ALL.
451
00:19:00,400 --> 00:19:02,030
LIKE, SHE HAS
A SONG ABOUT TO
DROP ON THE RADIO.
452
00:19:02,030 --> 00:19:03,530
SHE SHOULD BE HERE
TO ENJOY IT.
453
00:19:03,530 --> 00:19:05,530
I MEAN, THAT SONG IS
AMAZING, BUT IT'S GONNA
454
00:19:05,530 --> 00:19:07,660
BE AROUND FOR A WHILE,
OK, SAME AS COOP.
455
00:19:07,660 --> 00:19:09,700
YEAH.
YOU'RE RIGHT.
456
00:19:12,450 --> 00:19:14,500
EVERYTHING OK?
457
00:19:16,960 --> 00:19:19,960
WOULD YOU KEEP A SECRET
FOR SOMEONE YOU CARED ABOUT
458
00:19:19,960 --> 00:19:22,170
IF YOU KNEW IT WASN'T
FOR THE BEST?
459
00:19:22,170 --> 00:19:24,920
YOU'VE GOT GOOD INSTINCTS.
YOU SHOULD TRUST YOUR GUT.
460
00:19:26,510 --> 00:19:28,510
SHOULD I BE WORRIED?
-NOPE.
461
00:19:28,510 --> 00:19:30,510
NOPE, ALL GOOD.
PROMISE.
462
00:19:30,510 --> 00:19:32,560
PAUL, ON TV: AS A LITIGATOR,
LAURA BAKER
463
00:19:32,560 --> 00:19:34,560
IS DECENT AT HER JOB,
464
00:19:34,560 --> 00:19:36,190
BUT COME ON.
465
00:19:36,190 --> 00:19:38,190
THAT COLD,
INACCESSIBLE PERSONA?
466
00:19:38,190 --> 00:19:40,520
IT'S NO SURPRISE THAT
HER MARRIAGE IS ON THE ROCKS.
467
00:19:40,520 --> 00:19:42,730
SHE'S ABOUT TO BE
A SINGLE MOTHER
468
00:19:42,730 --> 00:19:45,950
FOR TWO TEENAGERS WHO REALLY
NEED HER HELP, SO YOU...
469
00:19:45,950 --> 00:19:47,950
MOM, I'M HAPPY
TO GO ON MY PODCAST
470
00:19:47,950 --> 00:19:49,870
AND WAGE WAR
WITH THIS DOUCHE.
471
00:19:49,870 --> 00:19:51,620
I APPRECIATE THAT,
SWEETIE, BUT THE
472
00:19:51,620 --> 00:19:53,910
LAST THING YOU NEED
TO WORRY ABOUT IS ME.
473
00:19:53,910 --> 00:19:56,540
PAUL, ON TV: I'VE ALWAYS
WANTED SOMEONE IN OFFICE...
LAURA: OH, MY GOD.
474
00:19:56,540 --> 00:19:59,540
WOW, AND THAT SEXIST B.S.
RIGHT THERE IS PRECISELY
475
00:19:59,540 --> 00:20:02,960
THE REASON WHY I COULD
NEVER GO INTO POLITICS.
476
00:20:02,960 --> 00:20:04,840
[REFRIGERATOR DOOR OPENS]
477
00:20:04,840 --> 00:20:06,380
[BOTTLE CLINKS]
478
00:20:06,380 --> 00:20:08,300
[FOOTSTEPS RETREAT]
479
00:20:08,300 --> 00:20:10,800
[MUSIC PLAYING]
480
00:20:14,220 --> 00:20:16,230
ROBERT: AHEM.
481
00:20:16,230 --> 00:20:18,640
WELL, IT'S GOOD TO SEE
SIMONE DATING SOMEONE
482
00:20:18,640 --> 00:20:20,230
WITHOUT TATTOOS.
483
00:20:20,230 --> 00:20:23,440
-MOM.
-IT'S AN HONEST OBSERVATION.
484
00:20:23,440 --> 00:20:26,280
ISN'T THAT WHY
YOU INVITED US
485
00:20:26,280 --> 00:20:28,700
TO THIS SPORTS BAR?
486
00:20:28,700 --> 00:20:30,700
UM...
487
00:20:30,700 --> 00:20:33,580
SIMONE,
YOU WANT TO...
488
00:20:35,160 --> 00:20:37,790
SO, I'M...
489
00:20:37,790 --> 00:20:41,460
ACTUALLY HERE
BECAUSE...
490
00:20:46,130 --> 00:20:48,170
WELL, I'M PREGNANT.
491
00:20:53,930 --> 00:20:55,930
CAN YOU SAY
SOMETHING?
492
00:20:55,930 --> 00:20:58,480
YOU'RE PRACTICALLY
A SHOO-IN AT STANFORD,
493
00:20:58,480 --> 00:21:00,060
AND YOU'RE GONNA THROW
YOUR WHOLE FUTURE--
494
00:21:00,060 --> 00:21:01,560
LET'S NOT JUMP
TO CONCLUSIONS.
495
00:21:01,560 --> 00:21:02,940
I'M SURE THIS WAS MEANT
TO BE A DISCUSSION.
496
00:21:02,940 --> 00:21:04,690
JORDAN:
YES. BASICALLY,
497
00:21:04,690 --> 00:21:06,690
SIMONE HAS JUST
REALLY BEEN STR--
TINA: DID YOU NOT
498
00:21:06,690 --> 00:21:09,610
CARE ENOUGH TO USE
PROTECTION?
499
00:21:09,610 --> 00:21:11,610
-BEG YOUR PARDON?
-ISN'T THERE ENOUGH DRAMA
500
00:21:11,610 --> 00:21:13,700
IN YOUR FAMILY ALREADY?
ROBERT: TINA, LET'S NOT
501
00:21:13,700 --> 00:21:16,200
BRING HIS PARENTS'
MARRIAGE TROUBLES
INTO ALL OF THIS.
502
00:21:16,200 --> 00:21:18,120
TINA: OH, ROBERT,
IT'S ALL OVER THE NEWS,
503
00:21:18,120 --> 00:21:20,330
AND I'M SURE THE LAST THING
THEY WANT IS SOME NEW CHILD
504
00:21:20,330 --> 00:21:23,040
COMING INTO
THEIR BROKEN FAMILY.
505
00:21:23,040 --> 00:21:25,750
JORDAN IS HERE
AS MY FRIEND.
506
00:21:25,750 --> 00:21:28,340
HE'S NOT
THE BABY'S FATHER.
507
00:21:28,340 --> 00:21:31,760
WELL, IF THIS YOUNG MAN
ISN'T THE FATHER, THEN WHO--
508
00:21:33,260 --> 00:21:36,470
YOU KNOW WHAT?
IT DOESN'T MATTER.
509
00:21:36,470 --> 00:21:39,100
HMM! DOESN'T MATTER,
SWEETHEART,
510
00:21:39,100 --> 00:21:41,100
'CAUSE YOU'RE
NOT KEEPING IT.
511
00:21:41,100 --> 00:21:42,650
WELL, THAT'S NOT
YOUR DECISION.
512
00:21:42,650 --> 00:21:44,520
YOU WANT TO LIVE
IN OUR HOUSE,
513
00:21:44,520 --> 00:21:47,070
YOU'RE GETTING RID
OF THAT BABY.
514
00:21:50,570 --> 00:21:52,570
[EXHALES SHARPLY]
515
00:21:52,570 --> 00:21:54,570
[GRUNTS]
WHAT'S UP, BRO?
516
00:21:54,570 --> 00:21:56,580
WHAT'S UP, MAN?
517
00:21:56,580 --> 00:21:59,040
HEY, DON'T YOU HAVE
YOUR SHOULDER TEST
RIGHT NOW?
518
00:21:59,040 --> 00:22:00,700
WHY YOU THINK
I'M RUSHING IT?
519
00:22:00,700 --> 00:22:02,160
AH, CHILL, MAN.
YOU'RE ALL GOOD.
520
00:22:02,160 --> 00:22:03,580
HEY, YOU GOT THIS,
SPENCE.
521
00:22:03,580 --> 00:22:05,130
EVEN IF YOU GOT TO
SIT OUT ONE MORE GAME,
522
00:22:05,130 --> 00:22:06,790
IT'S NO BIG DEAL,
MAN.
523
00:22:06,790 --> 00:22:08,300
THE HELL IT AIN'T.
524
00:22:08,300 --> 00:22:09,670
BARRY LEMMING FROM
COASTAL CALIFORNIA
525
00:22:09,670 --> 00:22:10,880
IS GONNA BE
AT THAT GAME, BRO.
526
00:22:10,880 --> 00:22:12,880
-WAIT. FOR REAL?
-YUP.
527
00:22:12,880 --> 00:22:15,640
COASTAL'S BEEN ONE
OF MY TOP PICKS
SINCE I WAS A KID.
528
00:22:15,640 --> 00:22:17,680
THEN YOU BETTER
BALL OUT TOMORROW.
529
00:22:22,520 --> 00:22:24,730
THE SEIGE: FALLIN'
530
00:22:24,730 --> 00:22:26,730
WAIST, DON'T, WHERE TO
531
00:22:26,730 --> 00:22:30,150
CAN'T EVER WAKE ME,
STAY NEVER
532
00:22:30,150 --> 00:22:32,150
HEY, I'M LOVING
THESE NEW PLAYS,
COACH.
533
00:22:32,150 --> 00:22:34,160
LINE UP FOR
THE JUGS MACHINE.
534
00:22:34,160 --> 00:22:36,200
BAIL OUT, BOUNCE BACK,
TRY AND BEAT IT
535
00:22:36,200 --> 00:22:37,870
-JUGS.
- IT JUST MIGHT WORK
536
00:22:37,870 --> 00:22:39,290
WHAT YOU GONNA DO
WHEN YOU GO DOWN?
537
00:22:39,290 --> 00:22:40,700
- READY.
- HIT 'EM IN THE FACE
538
00:22:40,700 --> 00:22:42,120
WHEN YOU SLOW DOWN...
539
00:22:42,120 --> 00:22:43,660
[RAPPING CONTINUES
INDISTINCTLY]
540
00:22:43,660 --> 00:22:45,670
-COME ON. LET'S GO!
- ALL RIGHT.
541
00:22:45,670 --> 00:22:47,840
A LITTLE FASTER,
TILT IT UP TO THE LEFT.
542
00:22:47,840 --> 00:22:50,210
STAY DOWN, NOW TO RISE UP
OR YOU LAY DOWN
543
00:22:50,210 --> 00:22:52,300
POP SAID YOU BETTER
STAY SMART AND STICK ROUND
544
00:22:52,300 --> 00:22:54,470
IF I TAKE A SHOT, I'M STAYIN'
WITH IT ALL THE WAY DOWN
545
00:22:54,470 --> 00:22:57,090
PAY ATTENTION, GO BACK,
I'MA GO HEADIN' ON BACK
546
00:22:57,090 --> 00:22:58,600
BILLY: YOU
ALL RIGHT, SPENCE?
547
00:22:58,600 --> 00:23:00,600
[PANTING]
548
00:23:00,600 --> 00:23:02,310
YEAH.
YEAH, YEAH, YEAH.
549
00:23:02,310 --> 00:23:04,310
NEVER BETTER, COACH.
550
00:23:04,310 --> 00:23:05,560
I'M GOOD. I'M GOOD.
551
00:23:05,560 --> 00:23:07,690
OK. YOU DID IT.
552
00:23:07,690 --> 00:23:09,150
YOU PASSED.
553
00:23:09,150 --> 00:23:11,280
-TOLD YOU.
-THE ONLY THING IS,
554
00:23:11,280 --> 00:23:13,280
ONLY YOU CAN KNOW
HOW GOOD
555
00:23:13,280 --> 00:23:15,150
YOUR SHOULDER
TRULY FEELS,
556
00:23:15,150 --> 00:23:18,910
SO I NEED YOU
TO BE HONEST
WITH ME, SPENCE.
557
00:23:18,910 --> 00:23:21,040
IS YOUR SHOULDER
100%?
558
00:23:21,040 --> 00:23:23,660
-100%--
-SPENCER...
559
00:23:23,660 --> 00:23:26,420
100%.
560
00:23:28,670 --> 00:23:30,540
ALL RIGHT.
561
00:23:30,540 --> 00:23:32,460
GOOD TO GO.
562
00:23:50,150 --> 00:23:52,150
[WHISTLE BLOWS]
563
00:23:52,150 --> 00:23:54,150
OH
564
00:23:54,150 --> 00:23:55,780
[CROWD CHEERING]
565
00:23:55,780 --> 00:23:57,610
OH
566
00:23:57,610 --> 00:23:59,610
APPRECIATE IT
567
00:23:59,610 --> 00:24:01,620
HEY, YO
568
00:24:01,620 --> 00:24:04,620
A WISE MAN ONCE SAID
569
00:24:04,620 --> 00:24:07,620
TOUGH TIMES DON'T LAST
570
00:24:07,620 --> 00:24:10,000
BUT TOUGH PEOPLE DO
571
00:24:10,000 --> 00:24:11,830
OH
572
00:24:11,830 --> 00:24:14,210
DARNELL HAYES?
573
00:24:14,210 --> 00:24:16,260
-YEAH.
-BARRY LEMMING,
574
00:24:16,260 --> 00:24:18,880
LEAD RECRUITER,
COASTAL CALIFORNIA.
575
00:24:18,880 --> 00:24:21,260
BEEN FOLLOWING YOU
SINCE YOUR SOPHOMORE
SEASON AT FORT NEVADA.
576
00:24:21,260 --> 00:24:23,300
LOOKING FORWARD
TO WHAT YOU DO
AT SOUTH CRENSHAW.
577
00:24:23,300 --> 00:24:25,930
-THANK YOU, SIR.
-SO YOU HERE
FOR MY BROTHER?
578
00:24:25,930 --> 00:24:27,430
ACTUALLY, I'M HERE
TO SEE MY SON,
579
00:24:27,430 --> 00:24:29,560
BUT I'M ALWAYS
TAKING NOTES.
580
00:24:29,560 --> 00:24:31,980
[WHISTLE BLOWS]
BILLY: ALL RIGHT, Y'ALL.
BRING IT IN. BRING IT IN.
581
00:24:31,980 --> 00:24:35,150
HUSTLE. COME ON.
GET THE LEAD OUT, J.J.
582
00:24:35,150 --> 00:24:38,530
ALL RIGHT, Y'ALL.
WE'RE GONNA PUT IN SOME WORK,
SO LET'S GET IT DONE.
583
00:24:38,530 --> 00:24:40,740
LET'S HAVE SOME FUN.
BRING IT IN.
584
00:24:40,740 --> 00:24:43,160
ASHER: HEY! "BEVERLY" ON ME.
"BEVERLY" ON 3.
585
00:24:43,160 --> 00:24:44,950
1, 2, 3!
586
00:24:44,950 --> 00:24:46,830
-BEVERLY!
-LET'S EAT, BOYS!
587
00:24:46,830 --> 00:24:49,660
OFFENSE, YOU ARE UP.
OFFENSE, YOU--WHERE
YOU GOIN', HOMIE?
588
00:24:49,660 --> 00:24:52,040
I TOLD YOU, WE GOT TO
EASE YOU INTO THIS.
589
00:24:52,040 --> 00:24:54,250
BUT I'M PLAYING
AT SOME POINT, RIGHT?
590
00:24:54,250 --> 00:24:55,880
YEAH, WHEN I SAY.
591
00:24:55,880 --> 00:24:57,920
TAKE IT EASY.
592
00:24:59,550 --> 00:25:01,720
[WHISTLE BLOWS]
593
00:25:03,510 --> 00:25:05,720
BILLY: ALL RIGHT,
WATCH THIS.
594
00:25:05,720 --> 00:25:07,720
MAN, ON RADIO: WELCOME BACK,
Y'ALL. THANKS FOR TUNING IN.
595
00:25:07,720 --> 00:25:10,730
YOU IN THE SPOT WITH ME,
YOURS TRULY,
596
00:25:10,730 --> 00:25:13,350
AND YOU'RE LISTENING
TO 99.8, WHERE IT'S TIME
597
00:25:13,350 --> 00:25:15,770
FOR "FEELIN' IT OR KILLIN' IT,"
WHERE WE PLAY
598
00:25:15,770 --> 00:25:18,030
AN UNSIGNED ARTIST'S SONG
WITH THE HOPE
599
00:25:18,030 --> 00:25:21,240
OF SHOWING THEM SOME LOVE.
THIS NEXT ONE IS FIRE!
600
00:25:21,240 --> 00:25:23,700
COOP: YO, YO,
SOME DUDES TALK TOUGH
601
00:25:23,700 --> 00:25:26,700
OTHER, REAL DUDES PULL UP,
I DONE SEEN IT ALL
602
00:25:26,700 --> 00:25:28,750
I HAD MY BACK
ALL UP AGAINST THE WALL
603
00:25:28,750 --> 00:25:30,750
AND MY DAWG TOOK
A FEW TO THE CHEST
604
00:25:30,750 --> 00:25:32,750
I CRIED SEEING HIS MAMA
LAY HIM TO REST
605
00:25:32,750 --> 00:25:34,750
ALL HE WANTED WAS
TO MAKE IT OUT OF HERE
606
00:25:34,750 --> 00:25:37,500
AND GIVE HIS DAUGHTER
THE BEST, MY HOOD NEED LOVE
607
00:25:37,500 --> 00:25:39,300
THERE'S A LOT
OF BROKE HEARTS ROUND HERE
608
00:25:39,300 --> 00:25:41,880
YEAH, AIN'T NOBODY
SAVIN' NO SOULS
609
00:25:41,880 --> 00:25:44,340
AND AIN'T NOBODY SHOWIN' UP,
SO YOU DISAPPEAR
610
00:25:44,340 --> 00:25:46,430
YOU GET IT HOW YOU LIVE IT,
I'MA AIMIN' AT THE TARGET
611
00:25:46,430 --> 00:25:48,310
AND I'MA HIT IT,
START COMIN' OUT YOUR WIG
612
00:25:48,310 --> 00:25:50,140
YOU KNOW I'MA SPLIT IT
AND THIS HOW THEY MADE ME
613
00:25:50,140 --> 00:25:52,100
THAT'S HOW I LIVE IT,
BUT SOMETIMES
614
00:25:52,100 --> 00:25:54,400
I THINK TO MYSELF,
I THANK GOD FOR SAVING MYSELF
615
00:25:54,400 --> 00:25:56,480
I COULD BE THE ONE IN THE
CASKET, THAT'S WHY I LOOK BACK
616
00:25:56,480 --> 00:25:58,110
I'M LIKE,
"WHAT IF IT HAPPENED?"
617
00:25:58,110 --> 00:26:00,110
I'M STILL HERE
618
00:26:00,110 --> 00:26:02,490
LOOKS LIKE Y'ALL
DON'T NEED ME.
619
00:26:02,490 --> 00:26:04,490
MAN, DON'T SAY THAT.
620
00:26:04,490 --> 00:26:07,490
YOU ARE A VITAL PART
OF THIS TEAM.
621
00:26:07,490 --> 00:26:10,120
DON'T BE SAYING THAT.
622
00:26:10,120 --> 00:26:13,160
THEN HOW COME
I AIN'T IN YET?
623
00:26:15,500 --> 00:26:17,500
GO ON, THEN.
624
00:26:17,500 --> 00:26:19,130
FOR REAL?
625
00:26:19,130 --> 00:26:21,170
-GO ON, THEN.
-YES, SIR.
626
00:26:22,340 --> 00:26:25,300
WE GO DOWNTOWN,
EVERYBODY'S WATCHING
627
00:26:25,300 --> 00:26:27,350
[ALL CHEERING]
628
00:26:27,350 --> 00:26:28,890
BO: HEY, HEY.
HEH HEH!
629
00:26:28,890 --> 00:26:30,520
ABOUT TIME YOU GOT
OUT HERE, BOY.
630
00:26:30,520 --> 00:26:31,770
FOR A MINUTE THERE,
I THOUGHT ASHER WAS
631
00:26:31,770 --> 00:26:33,520
THE ONLY RECEIVER
Y'ALL HAD.
632
00:26:33,520 --> 00:26:36,060
JORDAN: 550, READY.
633
00:26:36,060 --> 00:26:38,690
BO: KNOW YOU HEARD
THAT, SPENCER.
634
00:26:38,690 --> 00:26:41,440
BILLY: ATTABOY. ATTABOY.
635
00:26:41,440 --> 00:26:43,900
WHOO! THAT'S
LIGHT WORK, HOMIE.
636
00:26:43,900 --> 00:26:45,910
YOU BETTER STOP
EMBARRASSING YOUR POPS
637
00:26:45,910 --> 00:26:47,820
AND ACTUALLY MAKE ME
WORK FOR THESE CATCHES.
638
00:26:47,820 --> 00:26:48,990
MAN ONLY THREW YOU
THE BALL 'CAUSE ASH
639
00:26:48,990 --> 00:26:50,370
WAS ON THE SIDELINE.
COME ON.
640
00:26:50,370 --> 00:26:51,870
YEAH. ALL RIGHT.
641
00:26:51,870 --> 00:26:53,660
WHOO!
642
00:26:54,830 --> 00:26:56,830
NOW THAT YOU GOT
THE DROP ON HIM,
643
00:26:56,830 --> 00:26:58,840
YOU KNOW WHAT
YOU NEED TO DO,
644
00:26:58,840 --> 00:27:00,840
NO MARGIN FOR ERROR.
645
00:27:00,840 --> 00:27:02,840
GET IN. GET OUT.
646
00:27:16,980 --> 00:27:19,110
JORDAN: STACK!
647
00:27:25,740 --> 00:27:27,160
DAMN!
648
00:27:27,160 --> 00:27:28,660
[WHISTLE BLOWS]
649
00:27:30,030 --> 00:27:31,990
[DISTANT DOG BARKING]
650
00:27:37,210 --> 00:27:39,830
JORDAN: ALL RIGHT. HUDDLE UP.
HUDDLE UP. HUDDLE UP.
651
00:27:39,830 --> 00:27:41,840
ALL RIGHT.
TIE BALL GAME, BOYS.
652
00:27:41,840 --> 00:27:43,670
NOTHING WE HAVEN'T
SEEN BEFORE, RIGHT?
653
00:27:43,670 --> 00:27:45,380
WE GOT 4 PLAYS
TO GET THIS WIN.
654
00:27:45,380 --> 00:27:47,010
IF YOU GET IT TO ME,
I CAN END THIS
WITH ONE PLAY.
655
00:27:47,010 --> 00:27:48,340
I'VE BEEN OPEN
ALL DAY, MAN.
656
00:27:48,340 --> 00:27:49,720
YOU SURE YOU'RE READY?
657
00:27:49,720 --> 00:27:51,470
LOOK, I'M HERE,
AIN'T I?
658
00:27:51,470 --> 00:27:53,930
ALL RIGHT.
SCAT DIG CURLY,
659
00:27:53,930 --> 00:27:56,480
KICK AND ROLL 372 CHAIR.
ON ONE, ON ONE. READY?
660
00:27:56,480 --> 00:27:58,480
GET OPEN.
SPENCER: WATCH ME.
661
00:27:58,480 --> 00:28:02,150
JORDAN: DOWN, SET.
KRISPY KREME. RED LIGHT.
662
00:28:02,150 --> 00:28:04,780
GREEN, GREEN, GREEN.
RED LIGHT. SET!
663
00:28:10,030 --> 00:28:12,070
UHH!
664
00:28:18,960 --> 00:28:20,920
BILLY: TRAINER! TRAINER!
ALL RIGHT. DON'T MOVE.
665
00:28:20,920 --> 00:28:22,790
DON'T MOVE. DON'T MOVE.
DON'T MOVE.
666
00:28:22,790 --> 00:28:23,840
ALL RIGHT,
WHAT HAPPENED?
667
00:28:23,840 --> 00:28:25,050
IT'S MY ARM.
668
00:28:25,050 --> 00:28:26,840
IT WON'T MOVE.
669
00:28:26,840 --> 00:28:28,050
IS THAT THE FIRST
TIME IT'S HAPPENED
670
00:28:28,050 --> 00:28:30,010
IN THE PAST
48 HOURS?
671
00:28:31,590 --> 00:28:33,430
NO.
672
00:28:35,720 --> 00:28:37,560
-CAN YOU FEEL THAT?
-YEAH.
673
00:28:37,560 --> 00:28:38,640
YEAH, YEAH, YEAH.
IT'S COMING BACK.
674
00:28:38,640 --> 00:28:40,190
THANK GOD.
675
00:28:40,190 --> 00:28:41,600
ALL RIGHT. THANKS.
676
00:28:41,600 --> 00:28:42,810
SPENCER: WAIT, WAIT,
WAIT, COACH.
677
00:28:42,810 --> 00:28:44,270
COACH.
678
00:28:44,270 --> 00:28:46,280
[DISTANT DOG BARKING]
679
00:28:46,280 --> 00:28:48,950
[DISTANT WOMAN SINGING
IN SPANISH]
680
00:29:10,590 --> 00:29:12,640
[GUNSHOT]
681
00:29:14,100 --> 00:29:16,510
[TWO GUNSHOTS]
682
00:29:33,570 --> 00:29:35,120
WHAT HAPPENED
TO NOT RESPONDING?
683
00:29:35,120 --> 00:29:36,280
CALL IT A CHANGE
OF HEART.
684
00:29:36,280 --> 00:29:37,660
VOTING IS ALREADY
UNDERWAY.
685
00:29:37,660 --> 00:29:39,160
STAGING A BIG
PRESS INTERVIEW
686
00:29:39,160 --> 00:29:40,830
WHILE PEOPLE ARE ALREADY
HEADING TO THE POLLS
687
00:29:40,830 --> 00:29:42,500
COULD OPEN A WHOLE CAN
OF WORMS THAT WE WON'T
688
00:29:42,500 --> 00:29:44,420
HAVE TIME TO ADDRESS
BEFORE THE POLLS CLOSE.
689
00:29:44,420 --> 00:29:45,830
I UNDERSTAND,
BUT I NEED
690
00:29:45,830 --> 00:29:47,840
TO SHOW
MY CONSTITUENTS
691
00:29:47,840 --> 00:29:49,710
AND MY DAUGHTER
THAT THIS SORT
692
00:29:49,710 --> 00:29:51,590
OF FEMALE BULLYING
IS NOT OK.
693
00:29:51,590 --> 00:29:53,220
BUT WHAT IF VOTERS
DON'T LIKE WHAT YOU HAVE
694
00:29:53,220 --> 00:29:55,140
TO SAY, AND IT COSTS
YOU THE ELECTION?
695
00:29:55,140 --> 00:29:58,680
WELL, THEN AT LEAST I CAN
BOW OUT WITH DIGNITY.
696
00:29:59,890 --> 00:30:01,890
AND 3, 2, 1.
697
00:30:01,890 --> 00:30:03,940
[CLEARS THROAT]
698
00:30:05,900 --> 00:30:09,820
I'D LIKE TO TAKE THIS TIME
TO ADDRESS MY SILENCE.
699
00:30:09,820 --> 00:30:12,030
OFTEN, AS WOMEN,
700
00:30:12,030 --> 00:30:14,360
OUR SILENCE IS
MISCONSTRUED
701
00:30:14,360 --> 00:30:16,360
AS WEAKNESS.
702
00:30:16,360 --> 00:30:18,370
THE TRUTH IS,
IS WE WERE
703
00:30:18,370 --> 00:30:20,490
OFTEN MAKING
THE STRONGER CHOICE
704
00:30:20,490 --> 00:30:23,120
TO JUST NOT ENGAGE.
705
00:30:24,290 --> 00:30:26,920
I WAS REMINDED THAT,
AS A PUBLIC FIGURE,
706
00:30:26,920 --> 00:30:29,250
THAT THIS ISN'T
JUST ABOUT ME.
707
00:30:29,250 --> 00:30:31,250
THIS IS
ABOUT THE LEGACY
708
00:30:31,250 --> 00:30:33,720
OF WOMEN
IN THIS COUNTRY.
709
00:30:33,720 --> 00:30:35,930
THIS IS ABOUT LITTLE GIRLS
WHO DREAMED OF GOING
710
00:30:35,930 --> 00:30:38,720
INTO POLITICS ONE DAY
WHO ARE NOW RETHINKING IT
711
00:30:38,720 --> 00:30:41,720
BECAUSE OF BULLIES
LIKE PAUL KENDALL,
712
00:30:41,720 --> 00:30:45,730
SO I AM BREAKING
MY SILENCE.
713
00:30:45,730 --> 00:30:48,730
WHILE IT'S TRUE
THAT MY HUSBAND AND I
714
00:30:48,730 --> 00:30:50,940
HAVE FILED
FOR SEPARATION,
715
00:30:50,940 --> 00:30:54,820
IT IS ALSO TRUE THAT IT IS
NONE OF ANYONE'S BUSINESS.
716
00:30:54,820 --> 00:30:56,820
IT HAS NOTHING TO DO
WITH MY ABILITY TO RUN
717
00:30:56,820 --> 00:30:58,820
AS DISTRICT ATTORNEY,
AND IF I WERE A MAN,
718
00:30:58,820 --> 00:31:01,200
THAT IS WHAT YOU
WOULD BE VOTING ON.
719
00:31:01,200 --> 00:31:04,040
I REFUSE TO BE HELD
TO A DOUBLE STANDARD
720
00:31:04,040 --> 00:31:06,040
BECAUSE I'M A WOMAN,
721
00:31:06,040 --> 00:31:10,630
SO, ELECT ME OR DON'T,
722
00:31:10,630 --> 00:31:13,590
BUT MAKE YOUR DECISION
BASED ON MY PLATFORM
723
00:31:13,590 --> 00:31:16,420
AND TRACK RECORD,
NOT MY OPPONENT
724
00:31:16,420 --> 00:31:18,430
THROWING MY LIFE
INTO THE MEDIA
725
00:31:18,430 --> 00:31:21,050
AS A WAY
TO UNDERCUT ME.
726
00:31:21,050 --> 00:31:23,770
SO LET'S TALK ABOUT
THAT TRACK RECORD.
727
00:31:25,180 --> 00:31:27,770
[PLAYERS HOOTING]
728
00:31:34,440 --> 00:31:36,610
[LOCKERS OPENING]
729
00:31:38,530 --> 00:31:40,530
-COACH, LISTEN.
-UH-UH.
730
00:31:40,530 --> 00:31:42,530
WHATEVER YOU WANT
TO SAY TO ME,
731
00:31:42,530 --> 00:31:45,790
YOU CAN SAY
TO THE REST OF
YOUR TEAMMATES.
732
00:31:45,790 --> 00:31:47,790
-COACH, COME ON.
-GO ON.
733
00:31:47,790 --> 00:31:49,830
[OVERLAPPING CHATTER]
734
00:31:59,470 --> 00:32:01,140
YO.
735
00:32:03,300 --> 00:32:05,720
TODAY WAS ON ME.
NOT ONLY DID I ALMOST
736
00:32:05,720 --> 00:32:09,140
COST US THE GAME, BUT I
SHOULD HAVE NEVER BEEN
ON THAT FIELD.
737
00:32:09,140 --> 00:32:11,690
HEY, IT WAS A FREAK
ACCIDENT, BRO.
738
00:32:11,690 --> 00:32:14,270
J.J.: DON'T BEAT
YOURSELF UP.
WE STILL WON.
739
00:32:14,270 --> 00:32:16,280
IT WASN'T
A FREAK ACCIDENT, MAN.
740
00:32:16,280 --> 00:32:18,900
THE TRUTH IS, MY SHOULDER
AIN'T 100%, AND
741
00:32:18,900 --> 00:32:21,910
THERE'S A GOOD CHANCE
IT NEVER WILL BE.
742
00:32:24,080 --> 00:32:26,450
AND I'M SCARED, MAN.
743
00:32:26,450 --> 00:32:28,460
SPENCE, WE ALL
UNDERSTAND
744
00:32:28,460 --> 00:32:30,460
THAT FEELING,
ALL RIGHT?
745
00:32:30,460 --> 00:32:32,210
YOU SHOULD'VE
JUST TRUSTED US
746
00:32:32,210 --> 00:32:33,960
ENOUGH TO TELL US
BEFORE THE GAME.
747
00:32:33,960 --> 00:32:36,250
YEAH, 'CAUSE WE'RE
FAMILY, BUT WE CAN'T
748
00:32:36,250 --> 00:32:38,920
PROTECT YOU ON THE FIELD
WHEN YOU'RE VULNERABLE
IF WE DON'T KNOW.
749
00:32:38,920 --> 00:32:40,840
BUT NOW WE DO,
750
00:32:40,840 --> 00:32:42,760
AND, LOOK,
WE GOT YOU.
751
00:32:42,760 --> 00:32:44,550
J.J.: YEAH, ON
AND OFF THE FIELD--
752
00:32:44,550 --> 00:32:47,520
REHAB, WORKOUTS,
FILM STUDY.
753
00:32:47,520 --> 00:32:48,810
LOOK, MAN, WE'RE GONNA
HELP YOU GET BACK
754
00:32:48,810 --> 00:32:50,100
ON THAT FIELD AGAIN
AND DOMINATE,
755
00:32:50,100 --> 00:32:51,100
ALL RIGHT, JUST
LIKE OLD TIMES,
756
00:32:51,100 --> 00:32:52,560
RIGHT, FELLAS?
757
00:32:52,560 --> 00:32:54,230
-YEAH.
-YEAH, FELLAS.
758
00:32:59,280 --> 00:33:02,160
I GUESS A LION IS ONLY
AS GOOD AS HIS PACK.
759
00:33:02,160 --> 00:33:04,410
-YEAH.
-WHOO!
760
00:33:04,410 --> 00:33:06,410
J.J.: GOT YOU, BROTHER.
761
00:33:06,410 --> 00:33:08,450
[ALL CHUCKLE]
762
00:33:11,040 --> 00:33:13,670
[LAUGHING AND CLAMORING]
763
00:33:13,670 --> 00:33:15,710
I APPRECIATE YOU
COMING OUT.
764
00:33:15,710 --> 00:33:17,920
I ADMIT, I ONLY CAME
TO SEE MY SON PLAY
765
00:33:17,920 --> 00:33:20,340
AND MAYBE SPENCER JAMES,
BUT YOU--
766
00:33:20,340 --> 00:33:22,010
ABSOLUTE BEAST.
767
00:33:22,010 --> 00:33:25,260
THANK YOU, SIR.
THAT MEANS A LOT.
768
00:33:25,260 --> 00:33:27,010
HEY, WE'D LOVE TO HAVE YOU
COME IN FOR A VISIT.
769
00:33:28,430 --> 00:33:30,430
YES, SIR.
770
00:33:30,430 --> 00:33:32,850
THANK YOU.
771
00:33:36,020 --> 00:33:38,020
HEY!
772
00:33:38,020 --> 00:33:40,400
SORRY I MISSED THE GAME.
ASHER: HEY.
773
00:33:42,360 --> 00:33:45,450
UM, I HEARD YOU
CRUSHED IT, THOUGH.
774
00:33:45,450 --> 00:33:47,450
[SIGHS]
HEY, IT'S ALL GOOD.
775
00:33:47,450 --> 00:33:49,290
I KNOW IT'S
YOUR MOM'S BIG DAY.
776
00:33:49,290 --> 00:33:52,830
[VOICE ECHOING]
SPEAKING OF THAT,
I GOT YOU SOMETHING.
777
00:33:52,830 --> 00:33:55,460
CONTAIN YOUR
EXCITEMENT.
778
00:33:55,460 --> 00:33:57,500
[BOTH CHUCKLING]
779
00:33:59,460 --> 00:34:01,510
[EXHALES]
780
00:34:09,390 --> 00:34:12,350
ASH, YOU OK?
781
00:34:12,350 --> 00:34:14,980
[NORMAL VOICE]
ASH, YOU OK?
782
00:34:14,980 --> 00:34:16,980
YEAH.
783
00:34:16,980 --> 00:34:18,980
YEAH, I JUST, UH...
784
00:34:18,980 --> 00:34:21,280
I JUST GOT
SOMETHING IN MY EYE.
785
00:34:21,280 --> 00:34:23,700
THAT GUY THAT
JUST LEFT,
786
00:34:23,700 --> 00:34:26,160
HE'S THE LEAD RECRUITER
FOR COASTAL CALIFORNIA.
787
00:34:26,160 --> 00:34:29,160
HE INVITED ME OUT
FOR A VISIT.
HOW AWESOME IS THAT?
788
00:34:29,160 --> 00:34:32,370
THAT'S, UM,
REALLY,
789
00:34:32,370 --> 00:34:35,120
UH, REALLY
GREAT, BABE.
790
00:34:35,120 --> 00:34:38,130
DO YOU WANT TO GO GET
SOMETHING TO EAT?
791
00:34:38,130 --> 00:34:41,130
ACTUALLY, I SHOULD
PROBABLY GET HOME.
792
00:34:41,130 --> 00:34:44,050
THOSE POLLS ARE
CLOSING SOON, SO
793
00:34:44,050 --> 00:34:45,550
I'LL TALK TO YOU
LATER, OK?
794
00:34:45,550 --> 00:34:47,590
YEAH.
795
00:34:50,680 --> 00:34:53,220
[MUSIC PLAYING]
796
00:34:58,860 --> 00:35:02,150
HEY.
797
00:35:02,150 --> 00:35:04,150
HAVE YOU GIVEN
YOUR, UM,
798
00:35:04,150 --> 00:35:06,150
YOUR PARENTS' OFFER
ANY MORE THOUGHT?
799
00:35:06,150 --> 00:35:08,910
CALL ME CRAZY, BUT...
800
00:35:08,910 --> 00:35:11,530
MY DECISION STANDS.
801
00:35:11,530 --> 00:35:13,910
NO. YOU'RE NOT CRAZY.
802
00:35:13,910 --> 00:35:16,920
[CHUCKLES]
I MEAN, KIND OF.
803
00:35:16,920 --> 00:35:19,040
THE ONLY OTHER OPTION
I HAVE TO LIVE IS
804
00:35:19,040 --> 00:35:21,630
WITH A SECOND COUSIN
IN KENTUCKY.
805
00:35:21,630 --> 00:35:23,760
-MISS JACKSON.
-HA HA HA!
806
00:35:23,760 --> 00:35:26,550
HA HA HA!
807
00:35:26,550 --> 00:35:29,180
YOU KNOW, I WAS
RECENTLY REMINDED
808
00:35:29,180 --> 00:35:32,180
THAT BEING THERE
FOR SOMEONE MEANS
809
00:35:32,180 --> 00:35:35,140
STANDING BY THEIR SIDE
EVERY STEP OF THE WAY.
810
00:35:35,140 --> 00:35:37,440
WHAT ARE YOU
TRYING TO SAY?
811
00:35:37,440 --> 00:35:41,650
I'M SAYING
YOU DON'T HAVE TO
MOVE TO KENTUCKY.
812
00:35:43,230 --> 00:35:44,860
BILLY: I SHOULD'VE
LISTENED TO MY GUT
813
00:35:44,860 --> 00:35:46,490
AND NOT LET YOU
PLAY TODAY.
814
00:35:46,490 --> 00:35:48,110
MY BAD, COACH.
815
00:35:48,110 --> 00:35:49,780
THE LAST THING I WANTED
TO DO WAS WATCH YOU MAKE
816
00:35:49,780 --> 00:35:51,280
THE SAME MISTAKE
I MADE WHEN I TRIED
817
00:35:51,280 --> 00:35:53,700
TO COME BACK TOO EARLY
AFTER MY KNEE INJURY.
818
00:35:53,700 --> 00:35:55,700
YO, MY REHAB'S
GONNA BE DIFFERENT.
819
00:35:55,700 --> 00:35:57,870
-OH, YOU DON'T KNOW THAT.
-YEAH, I DO.
820
00:35:57,870 --> 00:35:59,460
I HAVE MY MOMS,
821
00:35:59,460 --> 00:36:01,460
I HAVE MY FAMILY,
822
00:36:01,460 --> 00:36:04,840
I HAVE MY TEAMMATES...
823
00:36:04,840 --> 00:36:07,050
AND, MOST IMPORTANTLY,
824
00:36:07,050 --> 00:36:09,680
I HAVE YOU.
825
00:36:09,680 --> 00:36:13,550
LOOK, I WANT TO
FIX MY SHOULDER
THE RIGHT WAY,
826
00:36:13,550 --> 00:36:16,560
SO WHATEVER
YOU NEED ME TO DO,
I'M DOWN TO DOING.
827
00:36:16,560 --> 00:36:18,640
YOU SURE ABOUT THAT?
828
00:36:18,640 --> 00:36:21,270
'CAUSE IF YOU WANT TO PLAY
IN THIS JAMBOREE NEXT MONTH,
829
00:36:21,270 --> 00:36:23,440
I'M GONNA NEED
YOUR TOTAL COMMITMENT.
830
00:36:23,440 --> 00:36:24,940
-NOT A PROBLEM.
-AIN'T GONNA BE EASY.
831
00:36:24,940 --> 00:36:26,480
YOU'RE GONNA HAVE TO
MAKE SOME SACRIFICES...
832
00:36:26,480 --> 00:36:28,490
ALL RIGHT. BET.
833
00:36:28,490 --> 00:36:31,610
LIKE POSSIBLY
SWITCHING POSITIONS.
834
00:36:33,200 --> 00:36:35,240
YEAH.
835
00:36:40,790 --> 00:36:42,460
OK.
836
00:36:45,500 --> 00:36:47,710
LIKE I SAID,
837
00:36:47,710 --> 00:36:49,760
WHATEVER IT TAKES.
838
00:37:02,230 --> 00:37:03,810
WOMAN, ON TV:
AND, FROM WHAT WE UNDERSTAND,
839
00:37:03,810 --> 00:37:06,770
WE HAVE NUMBERS
ROLLING IN SLOWLY...
840
00:37:06,770 --> 00:37:08,230
LAURA, YOU'RE BLOWING
UP ON TWITTER.
841
00:37:08,230 --> 00:37:09,230
LAURA: YEAH,
THE INTERNS MENTIONED
842
00:37:09,230 --> 00:37:10,320
PEOPLE WERE TALKING.
843
00:37:10,320 --> 00:37:11,650
NO, AS IN YOU'RE ONE OF
844
00:37:11,650 --> 00:37:14,610
THE TOP 10 THREADS
RIGHT NOW.
845
00:37:14,610 --> 00:37:15,530
LAURA: OH, MY GOD.
SPENCER: YEAH,
846
00:37:15,530 --> 00:37:16,580
YOU EVEN GOT
YOUR OWN CUSTOM
847
00:37:16,580 --> 00:37:17,950
HASH TAG, MRS. BAKER--
848
00:37:17,950 --> 00:37:19,790
LAURABAKERDONTPLAY.
849
00:37:19,790 --> 00:37:22,000
OLIVIA: MOM, DESPITE
WHATEVER HAPPENS,
850
00:37:22,000 --> 00:37:23,620
I JUST WANT YOU
TO KNOW THAT WE'RE
851
00:37:23,620 --> 00:37:25,790
ALL REALLY PROUD
OF YOU.
852
00:37:25,790 --> 00:37:27,130
[KISS]
853
00:37:27,130 --> 00:37:28,670
SHELBY: OH, GUYS,
IT'S TIME.
854
00:37:28,670 --> 00:37:29,880
WOMAN, ON TV: AND NOW WE GO LIVE
855
00:37:29,880 --> 00:37:30,880
TO SAMANTHA, WHO'S STANDING BY
856
00:37:30,880 --> 00:37:31,880
AT POLLING HEADQUARTERS.
857
00:37:31,880 --> 00:37:33,880
AFTER MUCH ANTICIPATION,
858
00:37:33,880 --> 00:37:35,890
I'M HERE TO REPORT
THE NEXT DISTRICT ATTORNEY
859
00:37:35,890 --> 00:37:39,770
OF LOS ANGELES COUNTY IS...
860
00:37:39,770 --> 00:37:41,060
LAURA BAKER.
861
00:37:41,060 --> 00:37:43,190
[ALL CHEERING]
MAN: NICE!
862
00:37:43,190 --> 00:37:44,850
-OHH!
-OH, MY GOD!
863
00:37:44,850 --> 00:37:47,360
[CLAMORING AND APPLAUDING]
864
00:37:47,360 --> 00:37:50,570
YEAH! HA HA!
865
00:37:50,570 --> 00:37:52,440
-WE DID IT!
-IT'S INCREDIBLE!
866
00:37:52,440 --> 00:37:54,570
YOU GUYS,
THANK YOU SO MUCH.
867
00:37:54,570 --> 00:37:57,070
[CORKS POP]
868
00:37:57,070 --> 00:37:59,530
-CONGRATULATIONS.
-THANK YOU. THANK YOU.
869
00:37:59,530 --> 00:38:00,790
I'M PROUD OF YOU,
AND YOU DESERVE
870
00:38:00,790 --> 00:38:02,910
EVERY BIT OF IT.
-THANK YOU.
871
00:38:02,910 --> 00:38:04,920
-VERY PROUD OF YOU.
-[SIGHS]
872
00:38:04,920 --> 00:38:07,540
[CELL PHONE VIBRATING]
873
00:38:07,540 --> 00:38:10,170
UH, GUYS, I'LL BE BACK.
874
00:38:10,170 --> 00:38:13,090
GIVE ME ONE SECOND.
875
00:38:13,090 --> 00:38:15,340
ANY MORE SKELETONS
IN THE CLOSET?
876
00:38:15,340 --> 00:38:17,720
-NO, ALL GOOD HERE.
-OH. OK.
877
00:38:17,720 --> 00:38:19,760
[BILLY CHUCKLES]
878
00:38:19,760 --> 00:38:22,020
SIMONE: HEY.
JORDAN: HEY, GUYS.
879
00:38:22,020 --> 00:38:23,770
WHAT'S GOING ON?
WHAT'D I MISS?
880
00:38:27,980 --> 00:38:29,980
PATIENCE: I'VE BEEN
CALLING YOU ALL DAY.
881
00:38:29,980 --> 00:38:32,190
LOOK, I KNOW
HOW IT LOOKS,
882
00:38:32,190 --> 00:38:33,610
BUT IT'S NOT
WHAT YOU'RE
THINKING, OK?
883
00:38:33,610 --> 00:38:35,200
NO, YOU KNOW
WHAT I THINK?
884
00:38:35,200 --> 00:38:37,070
THAT YOU CAME TO MY
HOUSE FOR ONE REASON
885
00:38:37,070 --> 00:38:38,240
AND ONE REASON ONLY.
886
00:38:38,240 --> 00:38:40,080
-WHAT?
-TO GET THAT GUN.
887
00:38:40,080 --> 00:38:42,160
YEAH, YOU REALLY THINK
I WOULDN'T CHECK?
888
00:38:43,950 --> 00:38:46,960
I'M GONNA ASK YOU
POINT-BLANK,
889
00:38:46,960 --> 00:38:49,750
AND I'M GONNA NEED YOU
TO BE REAL HONEST
WITH ME, TAMIA.
890
00:38:49,750 --> 00:38:51,250
OK.
891
00:38:51,250 --> 00:38:53,130
DID YOU KILL TYRONE?
892
00:38:53,130 --> 00:38:54,300
NO.
893
00:38:54,300 --> 00:38:55,920
STOP LYING.
894
00:38:55,920 --> 00:38:57,430
I'M NOT LYING.
895
00:38:58,680 --> 00:39:01,350
FLIP. WHOA,
WHERE YOU BEEN?
896
00:39:01,350 --> 00:39:02,930
I HAD TO GET
MY FAMILY OUT OF TOWN
897
00:39:02,930 --> 00:39:06,020
SO I COULD GET TYRONE
THE WAR HE WANTED.
898
00:39:09,860 --> 00:39:11,150
MAN: TAMIA COOPER?
899
00:39:11,150 --> 00:39:12,520
-YES?
-LAPD.
900
00:39:12,520 --> 00:39:13,980
WE HAVE SOME QUESTIONS
ABOUT THE MURDER
901
00:39:13,980 --> 00:39:15,320
OF TYRONE MOORE.
902
00:39:15,320 --> 00:39:16,990
WE'RE GONNA NEED YOU
TO COME WITH US.
903
00:39:16,990 --> 00:39:18,660
...DON'T MEAN ...
WITHOUT YOU
904
00:39:18,660 --> 00:39:19,820
I DON'T EVEN KNOW WHAT
I'MA DO WITHOUT YOU
905
00:39:19,820 --> 00:39:21,620
OK.
906
00:39:21,620 --> 00:39:23,990
I REALLY ... UP AND I
WISH IT WASN'T TRUE
907
00:39:23,990 --> 00:39:26,410
I REALLY WISH I DIDN'T
STILL THINK ABOUT YOU
908
00:39:26,410 --> 00:39:28,670
I STILL THINK ABOUT YOU
909
00:39:28,670 --> 00:39:31,500
I HATE THINKIN'
'BOUT YOU
910
00:39:31,500 --> 00:39:34,000
HOW DID THIS HAPPEN?
911
00:39:34,000 --> 00:39:36,050
IT SUCKS
THAT IT HAPPENED
912
00:39:36,050 --> 00:39:37,510
I WONDER IF YOU MISS ME
913
00:39:37,510 --> 00:39:39,340
HEY, LIV, WHAT ARE
YOU DOING HERE?
914
00:39:39,340 --> 00:39:41,140
WE'RE--WE'RE OUT HERE
CELEBRATING YOUR MOTHER.
915
00:39:41,140 --> 00:39:42,800
YEAH. I'LL BE BACK
IN A LITTLE BIT.
916
00:39:42,800 --> 00:39:44,430
OK.
917
00:39:44,430 --> 00:39:46,520
-DAD?
-YEAH?
918
00:39:46,520 --> 00:39:48,520
WHAT'S UP?
919
00:39:48,520 --> 00:39:51,520
ASH IS
PROBABLY NEVER GONNA
FORGIVE ME FOR THIS,
920
00:39:51,520 --> 00:39:53,520
BUT, UM...
921
00:39:53,520 --> 00:39:56,150
I DON'T KNOW
WHAT ELSE TO DO,
922
00:39:56,150 --> 00:39:58,110
AND I'M REALLY
SCARED FOR HIM.
923
00:39:58,110 --> 00:40:00,820
LIV, WHAT
IS IT? IT'S OK.
YOU CAN TRUST ME.
924
00:40:00,820 --> 00:40:03,450
UM...
925
00:40:03,450 --> 00:40:06,290
ASHER IS USING
STEROIDS.
926
00:40:06,290 --> 00:40:07,910
I TRIED
TO GET HIM TO STOP,
927
00:40:07,910 --> 00:40:09,750
AND I'M PRETTY SURE
THAT HE USED AGAIN
928
00:40:09,750 --> 00:40:12,330
BEFORE TODAY'S GAME,
AND I JUST--I DON'T KNOW--
929
00:40:12,330 --> 00:40:13,590
HEY, IT'S OK.
COME HERE. IT'S OK.
930
00:40:13,590 --> 00:40:15,050
I DON'T KNOW
HOW TO HELP HIM.
931
00:40:15,050 --> 00:40:18,050
IT'S OK. THANK YOU
FOR TRUSTING ME.
932
00:40:18,050 --> 00:40:20,720
[SIGHS]
933
00:40:20,720 --> 00:40:23,760
I'LL HANDLE
THIS QUIETLY, OK?
934
00:40:23,760 --> 00:40:26,770
UH, I'M GONNA GET
BACK TO--THANK YOU.
935
00:40:26,770 --> 00:40:28,520
OK.
936
00:40:28,520 --> 00:40:31,560
[KNOCK ON DOOR]
937
00:40:38,490 --> 00:40:40,200
CHRIS.
938
00:40:40,200 --> 00:40:42,820
HI. UM,
939
00:40:42,820 --> 00:40:46,160
WHEN DID--WHEN
DID YOU GET BACK?
940
00:40:46,160 --> 00:40:48,160
TODAY.
941
00:40:48,160 --> 00:40:50,040
YEAH. UM--
942
00:40:50,040 --> 00:40:52,040
OH, SORRY.
COME IN. UM--
943
00:40:52,040 --> 00:40:53,790
HEY, CHRIS.
944
00:40:53,790 --> 00:40:55,840
GOOD TO SEE YOU ON
YOUR FEET, YOUNG MAN.
945
00:40:55,840 --> 00:40:57,090
-THANKS, COACH BAKER.
-YEAH.
946
00:40:57,090 --> 00:40:59,210
FOR REAL, MAN.
947
00:40:59,210 --> 00:41:01,840
LOOK, GUYS, I'M SORRY,
BUT I ACTUALLY CAME BY
TO SEE SPENCE.
948
00:41:01,840 --> 00:41:03,840
I'VE BEEN CALLING HIM,
BUT HE AIN'T BEEN
ANSWERING, SO--
949
00:41:03,840 --> 00:41:05,640
SPENCE.
950
00:41:05,640 --> 00:41:08,220
SPENCER:
MY BOY IS BACK.
951
00:41:08,220 --> 00:41:09,640
SPENCE, HOLD UP.
HOLD UP. HOLD UP.
952
00:41:09,640 --> 00:41:10,770
HOLD UP. HOLD UP,
ALL RIGHT?
953
00:41:10,770 --> 00:41:12,270
-WHAT?
-I'M SORRY, MAN.
954
00:41:12,270 --> 00:41:13,690
I WISH I CAME WITH
SOME BETTER NEWS,
955
00:41:13,690 --> 00:41:16,820
BUT COOP JUST GOT
ARRESTED, MAN.
956
00:41:16,820 --> 00:41:19,150
WHAT?
957
00:41:25,490 --> 00:41:27,530
[UNZIPS BAG]
958
00:41:29,490 --> 00:41:33,500
TAMARA BUBBLE: ♪ GOOD-BYE
959
00:41:33,500 --> 00:41:37,130
GOOD-BYE
960
00:41:38,300 --> 00:41:42,880
SAY HELLO TO THE DEVIL
ON THE OTHER SIDE
961
00:41:44,050 --> 00:41:49,060
GOOD-BYE
962
00:41:49,060 --> 00:41:54,730
SAY HELLO TO THE DEVIL
ON THE OTHER SIDE
963
00:42:18,710 --> 00:42:20,210
MAN: GREG, MOVE YOUR HEAD.
67752
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