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1
00:00:01,126 --> 00:00:04,246
Ebo Taylor's My Love and Music playing
2
00:00:04,254 --> 00:00:07,384
3
00:00:18,101 --> 00:00:21,561
[indiscernible chatter]
4
00:00:21,563 --> 00:00:23,733
ROB: Saturdays at the store
are actually pretty great.
5
00:00:23,732 --> 00:00:25,362
It's busy, the vibe is strong.
6
00:00:25,901 --> 00:00:29,201
We get a pretty reasonable cross‐section
of the city's phonograph‐owning public,
7
00:00:29,196 --> 00:00:31,486
but I can always spot the real addicts,
8
00:00:31,490 --> 00:00:34,030
the ones who just can't leave
without buying a record,
9
00:00:34,034 --> 00:00:35,414
like this guy over here.
10
00:00:35,994 --> 00:00:38,544
He's been making a list
of possible purchases in his head.
11
00:00:38,872 --> 00:00:41,042
"If I don't find something
in the next five minutes,
12
00:00:41,041 --> 00:00:43,591
this random blues compilation
will have to do”
13
00:00:45,087 --> 00:00:46,297
Good choice.
14
00:00:46,296 --> 00:00:47,336
‐ Yeah. I guess.
15
00:00:48,090 --> 00:00:50,380
‐ Fetish properties are not unlike porn.
16
00:00:50,884 --> 00:00:52,474
I'd feel bad taking their money,
17
00:00:52,469 --> 00:00:55,059
if I wasn't, well, kinda one of them.
18
00:00:56,348 --> 00:00:57,598
There you go, man.
19
00:00:57,599 --> 00:00:59,979
‐ You're fuckin' killing me.
Like, like, no disrespect,
20
00:00:59,977 --> 00:01:01,937
but where have you been your entire life.
21
00:01:01,937 --> 00:01:04,227
How do you not own Stop Making Sense?
22
00:01:04,231 --> 00:01:06,321
That's crazy.
That's like not owning Blonde
23
00:01:06,316 --> 00:01:08,486
or fucking Blonde on Blonde,
you know what I'm sayin'?
24
00:01:08,485 --> 00:01:09,605
‐ Uh‐‐
25
00:01:09,611 --> 00:01:11,611
‐ Damn, man, let me get you right.
26
00:01:11,613 --> 00:01:13,783
You got some Fleetwood Mac. One of those.
27
00:01:13,782 --> 00:01:15,332
Let's see what else. Let's see‐‐
28
00:01:15,325 --> 00:01:17,575
Ohhh, shit!
29
00:01:17,578 --> 00:01:20,038
Paul's Boutique, motherfucker. All right.
30
00:01:20,038 --> 00:01:21,708
Now, I have taken you on this journey,
31
00:01:21,707 --> 00:01:23,787
and I think you done some fine‐ass work.
32
00:01:23,792 --> 00:01:25,712
No, no, no, thank me later.
33
00:01:28,922 --> 00:01:32,512
‐ I will now sell five copies of
Love, Loss, And Auto‐Tune by Swamp Dogg.
34
00:01:32,509 --> 00:01:33,509
‐ [whispers] Do it.
35
00:01:38,098 --> 00:01:39,018
Swamp Dogg's Lonely playing
36
00:01:39,016 --> 00:01:40,096
I'm so lonely
37
00:01:41,852 --> 00:01:44,352
I'm so lonely
38
00:01:45,439 --> 00:01:47,229
‐ Who is this?
‐ Swamp Dogg.
39
00:01:47,232 --> 00:01:48,232
‐ It's good.
40
00:01:49,109 --> 00:01:50,489
‐ I know.
41
00:01:50,485 --> 00:01:54,315
42
00:01:54,323 --> 00:01:55,533
What is the problem?
43
00:01:56,366 --> 00:01:58,326
You know I don't have no other women
44
00:01:58,327 --> 00:01:59,577
Don't want no other women
45
00:02:00,037 --> 00:02:01,247
Five bucks.
46
00:02:01,246 --> 00:02:02,246
[doorbell tinkles]
47
00:02:04,249 --> 00:02:05,329
ROB: Hey, how you doing?
48
00:02:05,959 --> 00:02:06,959
Great choice.
49
00:02:07,878 --> 00:02:09,588
Outta town too I guess
50
00:02:09,588 --> 00:02:11,968
'Cause I be at work,I don't know what's going on
51
00:02:12,841 --> 00:02:14,381
But I still love you and I want you
52
00:02:14,384 --> 00:02:16,094
‐ [exhales forcefully]
Have it.
53
00:02:17,095 --> 00:02:18,095
Have it.
54
00:02:18,096 --> 00:02:19,096
Oh, man.
55
00:02:19,681 --> 00:02:20,771
Just have all these.
56
00:02:20,766 --> 00:02:21,766
ROB: Have a good one.
‐ It's crazy.
57
00:02:23,936 --> 00:02:25,146
‐ Hi.
‐ Hey!
58
00:02:25,145 --> 00:02:26,355
ROB: Hello.
‐ What's up?
59
00:02:26,855 --> 00:02:28,565
It's, uh, quite the crowd you got here.
60
00:02:28,565 --> 00:02:29,775
‐ Ah, these are all paid actors.
61
00:02:30,400 --> 00:02:33,650
‐ Really? That seems like
a terrible business model, but okay.
62
00:02:36,323 --> 00:02:38,453
I'm so lonely
63
00:02:38,784 --> 00:02:39,794
‐ Excuse me?
64
00:02:39,785 --> 00:02:41,035
I'm looking for a Cherise.
65
00:02:45,332 --> 00:02:47,082
I get lonely
66
00:02:48,877 --> 00:02:50,997
For you baby
67
00:02:53,590 --> 00:02:55,430
But you just seem to be like
68
00:02:56,343 --> 00:02:58,183
You gotta have every man
69
00:02:58,720 --> 00:02:59,720
In town
70
00:03:00,430 --> 00:03:01,430
‐ What'd you do last night?
71
00:03:01,431 --> 00:03:03,101
‐ I did that thing where, like,
you order enough Chinese
72
00:03:03,100 --> 00:03:04,560
that they send four chopsticks.
73
00:03:04,560 --> 00:03:07,190
But you're like, it's just me.
You're making me feel worse.
74
00:03:07,813 --> 00:03:10,073
Umm... and I'm re‐watching The Sopranos.
75
00:03:10,065 --> 00:03:11,015
So, yeah.
76
00:03:11,024 --> 00:03:13,154
‐ Ugh, you know I haven't‐‐
I haven't seen it yet.
77
00:03:13,610 --> 00:03:15,490
‐ What do you mean yet?
It's been out for, like, 25 years.
78
00:03:15,487 --> 00:03:17,777
‐ I was‐‐ No, I missed it.
I just didn't do it.
79
00:03:17,781 --> 00:03:19,241
‐ Sure. Did you grow up in a bunker?
80
00:03:19,241 --> 00:03:20,701
‐ Yes. Yeah.
‐ Oh.
81
00:03:20,701 --> 00:03:21,871
‐ My family was in a cult.
82
00:03:21,869 --> 00:03:23,119
‐ Very cool.
83
00:03:23,120 --> 00:03:24,450
‐ Unfortunately, I'm not
really into Kool‐Aid.
84
00:03:24,454 --> 00:03:25,464
Like, not my drink.
‐ Right.
85
00:03:25,455 --> 00:03:26,455
Sure. That makes sense.
86
00:03:26,456 --> 00:03:28,036
‐ Yeah, I'm gonna watch it though.
I'm gonna get on it.
87
00:03:28,041 --> 00:03:29,671
‐ I mean, I'm a little taken aback.
[Rob chuckles]
88
00:03:29,668 --> 00:03:30,628
For starters.
89
00:03:31,170 --> 00:03:33,300
Mostly, I'm just, like,
genuinely excited for you though
90
00:03:33,672 --> 00:03:35,262
to start on this journey, because
91
00:03:35,257 --> 00:03:38,467
it's so good that I wish I could go back
and see it for the first time.
92
00:03:38,468 --> 00:03:39,758
‐ Cool.
‐ Yeah.
93
00:03:40,429 --> 00:03:42,469
‐ I'll watch it.
‐ And when you get to the end,
94
00:03:43,015 --> 00:03:44,805
uh, give me a call,
we'll go get some Italian,
95
00:03:44,808 --> 00:03:46,478
and we'll just talk it all out.
96
00:03:46,476 --> 00:03:47,436
‐ All right.
97
00:03:47,436 --> 00:03:48,846
Deal.
‐ All right. Deal.
98
00:03:48,854 --> 00:03:51,064
William Onyeabor's Fantastic Man
playing on headphones
99
00:03:51,064 --> 00:03:53,904
100
00:03:59,489 --> 00:04:00,699
‐ Wow!
101
00:04:00,699 --> 00:04:02,989
Man, you literally read my mind.
102
00:04:02,993 --> 00:04:05,163
I've always wished that
Sly were more like Fela,
103
00:04:05,162 --> 00:04:06,462
but still like Sly, you know?
104
00:04:06,455 --> 00:04:08,205
‐ I do. That's Onyeabor.
105
00:04:08,916 --> 00:04:09,996
‐ Game‐changer.
106
00:04:10,542 --> 00:04:12,292
‐ Hey, excuse me.
107
00:04:12,628 --> 00:04:13,628
‐ Hey.
108
00:04:13,629 --> 00:04:15,959
‐ Looks like you just rocked
that guy's world.
109
00:04:17,341 --> 00:04:19,051
‐ No, I just showed him a record.
110
00:04:20,093 --> 00:04:22,473
‐ Any idea what I might like?
111
00:04:22,930 --> 00:04:24,680
‐ I don't... I mean,
112
00:04:24,681 --> 00:04:27,981
everybody's tastes are so...
different. I‐‐
113
00:04:27,976 --> 00:04:29,806
You know, some people like some stuff.
114
00:04:30,270 --> 00:04:33,020
Other people like other stuff,
so, you know, it's tough.
115
00:04:33,023 --> 00:04:34,483
‐ People really still listen
to tapes, huh?
116
00:04:34,942 --> 00:04:36,242
‐ Mm‐hmm. Yeah, I do.
117
00:04:36,735 --> 00:04:38,945
I like them. They're weird but warm.
118
00:04:40,656 --> 00:04:42,196
‐ Weird but warm. Yeah.
119
00:04:42,574 --> 00:04:43,664
I, I feel that.
120
00:04:44,284 --> 00:04:46,044
Well, if you think
of anything I might like,
121
00:04:46,787 --> 00:04:47,787
come by the coffee shop?
122
00:04:48,288 --> 00:04:50,748
‐ When, when are you there?
‐ I'm there most days of the week.
123
00:04:50,749 --> 00:04:52,709
‐ Okay. Yeah, I'll‐‐ Sure.
124
00:04:52,709 --> 00:04:53,789
Yeah.
125
00:04:59,550 --> 00:05:01,090
‐ So what? You just came by
to give me shit
126
00:05:01,093 --> 00:05:02,853
for not having seen The Sopranos or what?
127
00:05:02,845 --> 00:05:03,845
‐ Yeah.
128
00:05:04,888 --> 00:05:05,968
Mission accomplished.
129
00:05:05,973 --> 00:05:08,233
No, I just came to say hi.
130
00:05:09,601 --> 00:05:10,601
Is that allowed?
131
00:05:12,062 --> 00:05:13,062
‐ I'll allow it.
132
00:05:13,647 --> 00:05:14,647
‐ Good.
133
00:05:17,401 --> 00:05:18,401
Hi.
134
00:05:18,694 --> 00:05:19,704
‐ Hi.
135
00:05:22,281 --> 00:05:23,121
‐ Hi.
136
00:05:23,115 --> 00:05:24,405
‐ Hi.
‐ I, I gotta‐‐
137
00:05:24,408 --> 00:05:25,868
‐ Yes. No, you gotta work.
138
00:05:27,202 --> 00:05:28,202
Yep.
139
00:05:28,203 --> 00:05:29,123
Enjoy.
140
00:05:29,580 --> 00:05:30,870
‐ Here you go.
‐ Thank you.
141
00:05:32,541 --> 00:05:33,831
[Cherise sighs]
142
00:05:34,418 --> 00:05:35,878
‐ Hey, yo, Rob.
ROB: Hmm?
143
00:05:35,878 --> 00:05:37,588
‐ Who the fuck was that dude
in the khakis?
144
00:05:37,588 --> 00:05:38,878
‐ What dude in khakis?
145
00:05:38,881 --> 00:05:40,841
‐ "What dude in kha‐‐"
The dude that you was eye‐fucking
146
00:05:40,841 --> 00:05:42,301
for the last 10 minutes, that dude.
147
00:05:42,301 --> 00:05:43,591
‐ I wasn't eye‐fucking anyone.
148
00:05:43,594 --> 00:05:44,604
‐ You were eye‐fucking him.
149
00:05:44,595 --> 00:05:46,845
‐ He wasn't ev‐‐
First of all, he wasn't wearing khakis.
150
00:05:46,847 --> 00:05:48,017
He's my friend Clyde. All right.
151
00:05:48,015 --> 00:05:50,845
‐ Clyde. Okay.
I knew that sounded familiar.
152
00:05:50,851 --> 00:05:52,101
Clyde‐that‐owns‐a‐car Clyde.
153
00:05:52,102 --> 00:05:54,352
‐ Prius Clyde.
‐ Yes. Exactly.
154
00:05:54,354 --> 00:05:56,114
The Clyde that drove you uptown
155
00:05:56,106 --> 00:05:58,566
to go check out some
overpriced record collection, that Clyde?
156
00:05:58,567 --> 00:06:00,567
‐ Yes.
‐ Cla‐Cla‐Clyde‐Clyde‐Clyde‐Clyde!
157
00:06:00,569 --> 00:06:02,109
‐ Yes, that Clyde. Yes.
158
00:06:02,112 --> 00:06:03,952
‐ He is a patron of the store now.
159
00:06:03,947 --> 00:06:06,657
‐ Guys, employees, for the love of god,
160
00:06:06,658 --> 00:06:08,738
I beg of you, go back to work.
161
00:06:09,119 --> 00:06:11,159
‐ What the fuck? Jesus, Rob.
162
00:06:11,163 --> 00:06:14,673
So you talk to a white dude in khakis
for all of five fuckin' seconds
163
00:06:14,666 --> 00:06:16,666
and now you all business all the time.
164
00:06:16,668 --> 00:06:19,338
It's okay. I see you, and I got you.
165
00:06:19,338 --> 00:06:22,418
Everyone, let's get back
to business, all right!
166
00:06:22,424 --> 00:06:26,974
I don't know what you expectstaring into the TV set
167
00:06:27,387 --> 00:06:29,597
Fighting fire with fire
168
00:06:29,598 --> 00:06:31,268
Burning down the house
169
00:06:34,019 --> 00:06:36,059
‐ Sundays are a little bit more lax.
170
00:06:36,063 --> 00:06:37,693
I guess everybody's at brunch.
171
00:06:37,689 --> 00:06:39,319
Or yoga or laundry
172
00:06:39,316 --> 00:06:41,856
or whatever other adult activities
make them feel
173
00:06:41,860 --> 00:06:43,900
less shitty about
their stupid life choices.
174
00:06:46,281 --> 00:06:49,031
‐ Oh, no, no, no, no, no!
175
00:06:49,034 --> 00:06:52,254
Bro, there's 46. Can you please
write down 46.
176
00:06:52,246 --> 00:06:53,406
‐ It's not. It's not 46.
177
00:06:53,413 --> 00:06:56,793
‐ Ramones' Singles Box counts
as ten, not one.
178
00:06:56,792 --> 00:06:59,842
Rob, could you please remind
Mr. Florida Recount over here
179
00:06:59,837 --> 00:07:02,797
that box sets count as multiple records?
180
00:07:03,465 --> 00:07:05,215
Rob.
‐ Hmm? Hmm? What?
181
00:07:05,217 --> 00:07:07,297
‐ Come on, Yo. What the fuck?
Like, we havin' a conversation.
182
00:07:07,302 --> 00:07:08,892
What are you doing on your phone?
Who you texting?
183
00:07:08,887 --> 00:07:10,927
‐ No one.
‐ "No one" is "someone." Who is it?
184
00:07:12,182 --> 00:07:13,812
Okay, who is it, Rob?
185
00:07:13,809 --> 00:07:15,519
Is it fucking Khaki Clyde?
186
00:07:15,519 --> 00:07:17,189
Y'all about to throw
a little fuckin' sweater party?
187
00:07:17,187 --> 00:07:18,017
That's what y'all doing?
188
00:07:18,021 --> 00:07:19,981
‐ It's, uh, it's Liam actually.
189
00:07:21,900 --> 00:07:24,440
‐ Wait a motherfucking minute.
190
00:07:24,903 --> 00:07:27,493
Rewind. What, what you got?
What is happening?
191
00:07:27,489 --> 00:07:29,239
‐ Nothing. We text sometimes.
192
00:07:29,241 --> 00:07:30,661
He's back from tour. He wants to hang.
193
00:07:30,659 --> 00:07:31,829
‐ Yeah, he's actually
kinda blowing up right now.
194
00:07:31,827 --> 00:07:32,577
‐ Yeah?
195
00:07:32,578 --> 00:07:33,948
‐ He invited me to his show
tomorrow night.
196
00:07:33,954 --> 00:07:35,834
‐ You mean his sold‐out show
at Brooklyn Steel?
197
00:07:36,290 --> 00:07:37,420
‐ Mm‐hmm.
‐ Yo, for real.
198
00:07:37,416 --> 00:07:38,916
Shit, I just get so hyped
199
00:07:38,917 --> 00:07:41,247
when my people are just,
they just making shit happen,
200
00:07:41,253 --> 00:07:42,503
and they're doing shit for themselves.
201
00:07:42,504 --> 00:07:43,714
Let me tell y'all right now,
202
00:07:44,464 --> 00:07:46,224
when my shit pops off,
203
00:07:47,301 --> 00:07:50,051
oooh, it's gonna be lit!
204
00:07:50,053 --> 00:07:51,433
‐ You know you have to actually make music
205
00:07:51,430 --> 00:07:53,680
to sell out a music venue, right?
206
00:07:53,682 --> 00:07:55,642
‐ And you know the dude that you like
is, like, 12, right?
207
00:07:55,642 --> 00:07:56,982
‐ Can you just do some work please.
208
00:07:56,977 --> 00:07:58,897
‐ Sure thing, Mr. Polanski.
209
00:08:00,606 --> 00:08:01,816
ROB:
That's great. That's very helpful.
210
00:08:01,815 --> 00:08:03,355
‐ I know you would like that.
‐ Yeah, I know, I love it.
211
00:08:04,026 --> 00:08:05,526
You wanna come with me tomorrow night?
212
00:08:05,527 --> 00:08:07,067
I got backstage passes.
213
00:08:07,988 --> 00:08:08,988
‐ Sure.
214
00:08:08,989 --> 00:08:10,569
‐ Before you even ask,
215
00:08:12,034 --> 00:08:14,044
I would be honored
216
00:08:14,036 --> 00:08:15,786
to be your plus two.
217
00:08:16,163 --> 00:08:17,833
ROB: What is that face?
218
00:08:18,248 --> 00:08:19,918
All right. Yeah, let me see what I can do.
219
00:08:19,917 --> 00:08:21,587
‐ I'm fucking honored!
220
00:08:21,585 --> 00:08:24,295
[sing‐songy]
Whoo! We going to the show!
221
00:08:24,296 --> 00:08:26,256
We're gonna hang backstage!
222
00:08:26,256 --> 00:08:28,296
We're gonna drink with the band!
223
00:08:28,300 --> 00:08:30,260
We're gonna watch from the side!
224
00:08:30,260 --> 00:08:32,930
‐ Lewis and I actually got to see
TV On The Radio once from side stage
225
00:08:32,930 --> 00:08:35,470
'cause his roommate's girl‐‐
226
00:08:35,474 --> 00:08:37,894
someone was sleeping with one of the guys
in the sound system. Whatever.
227
00:08:37,893 --> 00:08:39,233
‐ So what?
‐ And it's actually
228
00:08:39,228 --> 00:08:40,848
the worst place to hear a show.
229
00:08:40,854 --> 00:08:43,194
‐ [sing‐songy]
That is bullshit and you know it.
230
00:08:43,190 --> 00:08:44,320
[humming]
ROB: All right.
231
00:08:45,234 --> 00:08:46,244
You're in.
232
00:08:46,818 --> 00:08:49,568
‐ Oh! Oh, my God, Rob. Thank you so much.
233
00:08:49,571 --> 00:08:51,491
Yo, but I have to ask you
a question. Serious.
234
00:08:51,490 --> 00:08:52,370
[clears throat]
235
00:08:52,824 --> 00:08:55,044
If I accompany you to the playground,
236
00:08:55,035 --> 00:08:56,695
does that make me an accomplice?
237
00:08:57,412 --> 00:08:58,542
‐ Cherise, the door!
238
00:08:58,539 --> 00:09:00,249
‐ Oh, fuck, no!
239
00:09:01,625 --> 00:09:03,705
Motherfuckin' bitches!
240
00:09:03,710 --> 00:09:05,250
The Replacements Rattlesnake playing
241
00:09:05,254 --> 00:09:07,174
Say I'm a rattlesnake
242
00:09:07,756 --> 00:09:09,586
Cruisin' on my belly all night long
243
00:09:09,591 --> 00:09:10,881
You gotta hold on
244
00:09:10,884 --> 00:09:11,974
‐ My bad. My bad. My bad.
245
00:09:11,969 --> 00:09:13,679
You gotta hold on
246
00:09:13,679 --> 00:09:15,429
You got a rattlesnake
247
00:09:15,681 --> 00:09:17,681
I'm a rattlesnake
248
00:09:19,059 --> 00:09:20,769
I'm a rattle, rattle, rattle
249
00:09:21,186 --> 00:09:22,856
I'm a rattle, rattle, rattle
250
00:09:23,272 --> 00:09:25,232
I'm a rattle, rattle, rattle
251
00:09:26,859 --> 00:09:28,649
Cruisin' on my belly all night long
252
00:09:28,652 --> 00:09:30,532
You gotta hold on
253
00:09:30,863 --> 00:09:33,033
You gotta hold on
254
00:09:33,031 --> 00:09:34,661
You got a rattlesnake
255
00:09:35,200 --> 00:09:36,830
Yeah, I'm a rattlesnake
256
00:09:37,327 --> 00:09:39,867
[breathing heavily, wheezing]
257
00:09:44,209 --> 00:09:45,209
‐ Fuck!
258
00:09:48,380 --> 00:09:50,050
‐ They can really run.
259
00:09:50,048 --> 00:09:51,878
They're gone.
They're fast.
260
00:09:54,970 --> 00:09:56,720
No fuckin' way.
261
00:09:56,722 --> 00:09:58,182
CHERISE:
What is it? What's wrong?
262
00:09:59,766 --> 00:10:01,056
[breathing heavily]
263
00:10:01,059 --> 00:10:02,439
‐ Look at this?
‐ Shit.
264
00:10:02,436 --> 00:10:03,436
‐ This is them.
265
00:10:05,397 --> 00:10:07,857
‐ These dumb motherfuckin' bitches.
266
00:10:09,651 --> 00:10:12,111
Yo, if you‐‐ if you
trying to steal some shit,
267
00:10:12,654 --> 00:10:13,914
you don't fuckin' put
268
00:10:14,323 --> 00:10:15,783
your address
269
00:10:15,782 --> 00:10:18,242
and a fuckin' photo of yourself
270
00:10:20,495 --> 00:10:22,995
at the motherfuckin' scene of the crime.
271
00:10:25,083 --> 00:10:27,173
Oh, shit.
‐ I gotta, I gotta quit smoking.
272
00:10:28,587 --> 00:10:32,297
[wheezing and coughing]
273
00:10:42,226 --> 00:10:45,226
Stiff Little Fingers'
Alternative Ulster playing
274
00:10:45,229 --> 00:10:48,229
275
00:10:50,442 --> 00:10:52,322
There's nothin' for us in Belfast
276
00:10:52,319 --> 00:10:54,359
The Pound's old and that's a pity
277
00:10:54,363 --> 00:10:56,413
Okay so there's the Trident in Bangor
278
00:10:56,406 --> 00:10:58,276
And then you walk back to the city
279
00:10:59,409 --> 00:11:00,409
[doorbell tinkles]
280
00:11:00,911 --> 00:11:01,911
‐ Hey, what's up?
281
00:11:01,912 --> 00:11:03,082
They don't even know you know
282
00:11:03,080 --> 00:11:05,920
They just want moneywe can take it or leave it
283
00:11:05,916 --> 00:11:08,166
What we need
284
00:11:08,585 --> 00:11:10,245
Is an alternative Ulster
285
00:11:11,004 --> 00:11:12,924
Grab it and change it, it's yours
286
00:11:13,841 --> 00:11:16,011
‐ This is a terrible idea.
They're gonna fuckin' shank us.
287
00:11:16,844 --> 00:11:18,184
‐ Shank you? Who says that?
288
00:11:18,178 --> 00:11:19,428
Nah. You got this.
289
00:11:19,429 --> 00:11:20,849
All right. Now repeat after me:
290
00:11:20,848 --> 00:11:22,178
I'm a motherfuckin' G,
291
00:11:22,182 --> 00:11:23,682
and I can do this shit.
292
00:11:23,684 --> 00:11:25,024
‐ I'm not saying that shit.
293
00:11:25,018 --> 00:11:27,268
‐ Listen. The shit works.
Just say it. You're so mean.
294
00:11:27,271 --> 00:11:29,111
I'm a motherfuckin' G,
295
00:11:29,106 --> 00:11:30,896
and I can do this shit.
‐ All right, shut up, let's just do it.
296
00:11:30,899 --> 00:11:31,859
[barks]
297
00:11:32,234 --> 00:11:33,614
[music playing on speakers]
Listen.
298
00:11:33,610 --> 00:11:34,740
‐ Yep, hear it.
299
00:11:38,448 --> 00:11:39,698
‐ All right, genius, what's your plan?
300
00:11:42,286 --> 00:11:43,326
[yelps]
301
00:11:43,328 --> 00:11:44,408
CHERISE:
Yeah, that's right.
302
00:11:44,413 --> 00:11:46,673
We found your motherfuckin' bitch asses.
303
00:11:46,665 --> 00:11:48,075
‐ Aw, shit!
304
00:11:49,084 --> 00:11:50,794
Look, apologies, genuinely.
305
00:11:50,794 --> 00:11:52,754
We're just borrowing them.
We were gonna bring them back.
306
00:11:52,754 --> 00:11:54,214
‐ Borrowing them?
307
00:11:54,214 --> 00:11:55,634
We're not a fuckin' Blockbuster.
308
00:11:55,632 --> 00:11:57,222
‐ What's a “Blockbuster”?
309
00:11:57,217 --> 00:11:58,637
‐ Never mind, Peachy.
‐ I'm Shane.
310
00:11:58,635 --> 00:12:01,755
‐ Whatever. Why are you guys
"borrowing" records from my shop, huh?
311
00:12:01,763 --> 00:12:03,773
‐ We make our own samples.
We can't afford to buy them.
312
00:12:03,765 --> 00:12:05,975
‐ Then sample shit online.
‐ Vinyl sounds better.
313
00:12:08,312 --> 00:12:10,152
‐ Joni Mitchell, King Crimson.
314
00:12:10,147 --> 00:12:12,477
‐ Mm, mm, mm.
‐ Alice Coltrane‐‐
315
00:12:14,776 --> 00:12:15,986
You have good taste.
316
00:12:15,986 --> 00:12:17,026
‐ Yeah, we know.
317
00:12:19,156 --> 00:12:21,026
‐ All right. You got one day.
‐ What?
318
00:12:21,783 --> 00:12:23,413
‐ Finish whatever you're doing
and bring 'em back, okay?
319
00:12:23,410 --> 00:12:25,450
‐ Bro, have you lost your mother‐‐
‐ Cherise, shut up a second.
320
00:12:25,454 --> 00:12:28,874
I want them back in pristine condition
by noon tomorrow.
321
00:12:28,874 --> 00:12:31,884
‐ Oh, my‐‐
‐ Shut up! Or I call the cops.
322
00:12:31,877 --> 00:12:33,167
Deal?
323
00:12:33,962 --> 00:12:34,962
‐ Deal.
324
00:12:35,464 --> 00:12:37,674
‐ What the fuck?
‐ Can‐‐
325
00:12:37,674 --> 00:12:39,184
I'm sorry about her.
‐ Fuck it!
326
00:12:39,760 --> 00:12:40,760
‐ All right.
327
00:12:41,053 --> 00:12:42,893
‐ Yo, what happened to you? Did you panic?
328
00:12:42,888 --> 00:12:45,218
Like, who was that?
That's why we had a script.
329
00:12:45,224 --> 00:12:48,024
Jesus!
Well, now I know you're not a boss.
330
00:12:48,018 --> 00:12:49,018
The fuck.
331
00:12:49,019 --> 00:12:50,479
‐ You know, Cherise,
every once in a while,
332
00:12:50,479 --> 00:12:51,939
it would be useful for you to admit
333
00:12:51,939 --> 00:12:53,319
you have no idea
what you're talking about.
334
00:12:53,315 --> 00:12:55,645
‐ Who are you talking to?
I have no idea?
335
00:12:55,651 --> 00:12:57,441
Am I the one that just went
and gave free records
336
00:12:57,444 --> 00:12:59,364
to fuckin' Fisher‐Price
Cool & Dre back there?
337
00:12:59,696 --> 00:13:02,196
‐ You know, just go back to the shop
and help Simon close up, okay.
338
00:13:02,199 --> 00:13:03,949
‐ Sweetie, where are you going?
339
00:13:04,701 --> 00:13:07,201
‐ Liam invited me to the studio.
[laughs]
340
00:13:07,204 --> 00:13:09,674
‐ I mean, he's a cute toddler and all,
but you don't have to leave me.
341
00:13:09,665 --> 00:13:10,865
Come on!
342
00:13:10,874 --> 00:13:12,294
Stop. I'm scared.
343
00:13:14,837 --> 00:13:18,717
Jimi Hendrix's Have You Ever Been(To Electric Ladyland) playing
344
00:13:19,174 --> 00:13:21,684
ROB: All my life I've wanted
to date a musician.
345
00:13:21,677 --> 00:13:24,427
Not just someone in a band,
but, you know, a real musician.
346
00:13:24,930 --> 00:13:26,470
He'd write songs at home,
347
00:13:26,849 --> 00:13:29,099
maybe include one of
our private jokes in the lyrics.
348
00:13:29,601 --> 00:13:31,061
Thank me in the liner notes.
349
00:13:32,729 --> 00:13:34,569
Top Five Iconic Recording Studios:
350
00:13:34,565 --> 00:13:35,895
Abbey Road, obviously.
351
00:13:35,899 --> 00:13:39,319
Sunset Sound: Exile On Main St.Pet Sounds. Zep IV.
352
00:13:39,319 --> 00:13:43,819
Hitsville, U. S. A.: Motown. Stevie.
The Jacksons. Ms. Diana Ross.
353
00:13:43,824 --> 00:13:46,954
Sun Studio: The literal birthplace
of rock & roll.
354
00:13:48,287 --> 00:13:50,577
Number five: Electric Lady.
355
00:13:50,581 --> 00:13:52,881
Jimi Hendrix built this place.
Died three weeks later.
356
00:13:54,042 --> 00:13:55,752
I've walked past a million times
357
00:13:55,752 --> 00:13:59,342
but... never been inside.
358
00:14:01,592 --> 00:14:02,592
[doorbell rings]
359
00:14:03,719 --> 00:14:05,599
[buzzer sounds]
360
00:14:09,099 --> 00:14:10,769
Be cool, Rob. Be cool.
361
00:14:12,686 --> 00:14:14,606
Look up ahead
362
00:14:14,605 --> 00:14:16,185
I see the loveland
363
00:14:16,607 --> 00:14:19,147
Soon you'll understand
364
00:14:19,151 --> 00:14:21,901
Yeah, yeah, yeah
365
00:14:26,325 --> 00:14:27,405
‐ Rob?
‐ Yeah.
366
00:14:27,409 --> 00:14:28,489
‐ Follow me.
‐ Okay.
367
00:14:31,038 --> 00:14:32,748
ROB:
It's really coming down out there.
368
00:14:32,748 --> 00:14:33,618
‐ Yeah.
369
00:14:33,624 --> 00:14:35,884
Oh, it was, uh, it was Rob, right?
370
00:14:35,876 --> 00:14:36,876
‐ Yeah.
371
00:14:37,503 --> 00:14:39,633
‐ I'm Brad. I work with Liam.
372
00:14:39,630 --> 00:14:40,880
‐ Nice to meet you.
373
00:14:40,881 --> 00:14:42,511
‐ Welcome to the Lady.
‐ Thanks.
374
00:14:44,051 --> 00:14:46,641
‐ Uh... yeah, just,
just put that there. Yeah.
375
00:14:47,471 --> 00:14:49,351
Can I get you a beer?
‐ Uh, yeah, sure.
376
00:14:49,348 --> 00:14:50,598
‐ Okay.
‐ Thanks.
377
00:14:51,099 --> 00:14:53,139
‐ He is in the booth right now.
378
00:14:55,020 --> 00:14:58,900
Yeah, yeah, yeah
379
00:14:58,899 --> 00:15:00,359
Take a seat. I'll get you that beer.
380
00:15:00,359 --> 00:15:01,359
‐ Oh, thanks.
381
00:15:01,360 --> 00:15:04,530
Beautiful lady
382
00:15:05,531 --> 00:15:07,781
Ooh
383
00:15:07,783 --> 00:15:13,083
You got me in your heavy gravity
384
00:15:13,080 --> 00:15:17,290
I've been spinning round and round
385
00:15:17,626 --> 00:15:19,586
‐ How'd that, how'd that one sound, then?
386
00:15:20,963 --> 00:15:22,513
‐ It's getting, it's getting somewhere.
387
00:15:22,506 --> 00:15:24,416
Umm... but, uh, you got a visitor.
388
00:15:30,180 --> 00:15:31,520
‐ Hey, I'm Jack. How's it going?
389
00:15:31,515 --> 00:15:32,465
‐ Hi, I'm Rob.
390
00:15:33,141 --> 00:15:34,641
Big fan.
‐ Thanks, man.
391
00:15:36,395 --> 00:15:38,185
‐ Hey, you.
‐ Hey!
392
00:15:38,647 --> 00:15:40,317
‐ What's up? How are you?
‐ How you doin'? It's good to see you.
393
00:15:41,733 --> 00:15:42,693
Sounds good.
394
00:15:42,693 --> 00:15:43,573
‐ Really?
‐ Yeah.
395
00:15:43,569 --> 00:15:44,279
JACK: You're getting it.
396
00:15:44,278 --> 00:15:45,948
LIAM: Um, can we,
can we play it back, Jack?
397
00:15:45,946 --> 00:15:47,866
‐ Yeah. I'm gonna check on our falafel.
You guys listen.
398
00:15:48,448 --> 00:15:49,868
Nice to meet you.
‐ You too...
399
00:15:51,034 --> 00:15:52,624
Jack Antonoff.
400
00:15:52,619 --> 00:15:53,659
That's cool.
401
00:15:54,121 --> 00:15:56,081
‐ Yeah.
[laughter]
402
00:15:58,333 --> 00:16:00,963
Yeah
403
00:16:00,961 --> 00:16:04,801
Yeah, yeah, yeah, yeah
404
00:16:04,798 --> 00:16:08,258
Beautiful lady
405
00:16:08,677 --> 00:16:12,427
Ooh, you got me in your
406
00:16:12,431 --> 00:16:14,471
[song stops]
‐ All right, what do you think?
407
00:16:14,474 --> 00:16:15,484
‐ It's good.
408
00:16:16,685 --> 00:16:17,805
‐ It's good?
409
00:16:17,811 --> 00:16:19,441
It's‐‐ okay, but?
410
00:16:19,438 --> 00:16:21,108
‐ It's good.
‐ Yeah, but what?
411
00:16:21,815 --> 00:16:22,855
‐ Umm...
412
00:16:24,276 --> 00:16:25,276
I don't know.
413
00:16:26,486 --> 00:16:27,986
The beat's really fun.
‐ Mm‐hmm.
414
00:16:28,780 --> 00:16:32,450
‐ Um, maybe your vocals sound
a little, um,
415
00:16:33,869 --> 00:16:34,869
earnest, or something?
416
00:16:35,621 --> 00:16:37,291
‐ Ohh!
417
00:16:37,289 --> 00:16:39,209
She thinks I'm earnest. Wow!
418
00:16:39,208 --> 00:16:40,458
Yeah.
419
00:16:40,459 --> 00:16:41,999
‐ No, it's not bad. It's just‐‐
420
00:16:42,002 --> 00:16:44,132
‐ Well, okay, then. What, what to do?
421
00:16:44,755 --> 00:16:45,705
Rob?
422
00:16:47,007 --> 00:16:48,677
‐ I don't know, man. Um‐‐
423
00:16:49,801 --> 00:16:51,351
What would Prince do, you know?
424
00:16:51,970 --> 00:16:53,720
Have fun with it. Get weird with it.
425
00:16:55,766 --> 00:16:57,226
‐ Let's get weird with it then.
426
00:17:04,816 --> 00:17:06,486
[door opens]
JACK: Food's back.
427
00:17:06,818 --> 00:17:08,028
You wanna do another one?
428
00:17:08,028 --> 00:17:09,698
‐ Yeah.
‐ Okay. Let's go.
429
00:17:09,696 --> 00:17:10,906
LIAM: Right.
We're gonna get weird with it.
430
00:17:10,906 --> 00:17:12,236
[door opens]
‐ Weird with it.
431
00:17:12,824 --> 00:17:14,124
JACK: 'Kay.
[Rob clears throat]
432
00:17:17,996 --> 00:17:19,116
JACK:
Ready to go again?
433
00:17:19,456 --> 00:17:22,166
[music starts]
434
00:17:23,085 --> 00:17:27,835
[high‐pitched]
Yeah, yeah, yeah, yeah, yeah
435
00:17:28,257 --> 00:17:31,337
Beautiful lady
436
00:17:32,177 --> 00:17:34,467
Ooh
437
00:17:34,471 --> 00:17:39,431
You got me in your heavy gravity
438
00:17:39,685 --> 00:17:44,265
I've been spinning round and round
439
00:17:46,775 --> 00:17:48,735
Till it hits the ground
440
00:17:51,071 --> 00:17:53,701
I'm gonna...
441
00:17:53,699 --> 00:17:58,829
Ooh, ooh, ooh, ooh, ooh
442
00:17:58,829 --> 00:18:02,119
Caught in...
443
00:18:02,124 --> 00:18:04,174
JACK: Here you go.
‐ Hmm. Huh?
444
00:18:04,501 --> 00:18:05,421
‐ You like falafel?
445
00:18:05,752 --> 00:18:06,922
‐ Oh.
‐ You know Mamoun's?
446
00:18:06,920 --> 00:18:08,800
‐ No.
‐ It's a place around here. It's like,
447
00:18:09,673 --> 00:18:11,723
not my opinion,
it's actually the best falafel.
448
00:18:11,717 --> 00:18:13,677
‐ Oh, my God.
‐ Right?
449
00:18:14,428 --> 00:18:15,848
‐ Bomb.
‐ This is the real one,
450
00:18:15,846 --> 00:18:17,676
and they, like, franchise
in New Jersey or something
451
00:18:17,681 --> 00:18:19,391
but, like, if you're in this area,
the one right here
452
00:18:19,391 --> 00:18:20,641
is like the one you actually gotta get.
453
00:18:21,685 --> 00:18:23,555
He's actually, like,
totally getting into it.
454
00:18:23,896 --> 00:18:25,226
That's totally the shit.
455
00:18:25,230 --> 00:18:26,400
Like, you're right there.
456
00:18:26,398 --> 00:18:28,068
Do another one knowing that you got it.
457
00:18:28,066 --> 00:18:29,316
So just, like, see what happens.
458
00:18:29,318 --> 00:18:31,698
But you have it, and, uh, just have fun.
459
00:18:31,695 --> 00:18:33,155
[music resumes]
460
00:18:34,740 --> 00:18:37,990
[both moaning]
461
00:18:46,126 --> 00:18:47,126
‐ Wait.
462
00:18:57,179 --> 00:18:58,429
‐ You wanna get weird with it?
463
00:18:58,430 --> 00:18:59,470
[Rob laughs]
464
00:19:11,318 --> 00:19:12,528
‐ [whispering]
Did she do it?
465
00:19:13,820 --> 00:19:17,240
Did she go to bed
with an actual real‐life rock star
466
00:19:17,241 --> 00:19:18,781
ten years her junior?
467
00:19:22,538 --> 00:19:23,708
Yes, kids.
468
00:19:24,331 --> 00:19:25,501
Yes, she did.
469
00:19:26,792 --> 00:19:28,672
I'm not gonna go into the whole, you know,
470
00:19:28,669 --> 00:19:29,919
who‐did‐what‐to‐who‐stuff
471
00:19:29,920 --> 00:19:32,010
because... I'm a lady.
472
00:19:32,923 --> 00:19:35,513
You know that song Behind Closed Doors
by Charlie Rich?
473
00:19:37,469 --> 00:19:38,549
I love that song.
474
00:19:40,264 --> 00:19:41,974
I can say we had a good time.
475
00:19:42,266 --> 00:19:43,926
I can say that.
476
00:19:44,268 --> 00:19:46,138
And I didn't totally embarrass myself.
477
00:19:46,562 --> 00:19:47,862
‐ Hey, you leaving?
478
00:19:50,107 --> 00:19:53,107
‐ Hey. Uh, yeah, you know,
I was gonna get out of your‐‐
479
00:19:53,110 --> 00:19:55,240
get out of your hair and gotta go to,
480
00:19:55,821 --> 00:19:57,911
uh... work.
481
00:19:59,491 --> 00:20:01,331
So‐‐ These are yours. Sorry.
482
00:20:02,744 --> 00:20:04,334
‐ You, uh, you got time for a coffee?
483
00:20:06,039 --> 00:20:07,749
‐ Yeah. Yeah. Okay. Sure.
484
00:20:08,959 --> 00:20:09,959
‐ Okay.
485
00:20:10,919 --> 00:20:11,919
‐ Coffee.
486
00:20:14,423 --> 00:20:15,843
So, you excited for your show tonight?
487
00:20:15,841 --> 00:20:16,721
‐ Hmm.
488
00:20:16,717 --> 00:20:19,887
Yeah, I am. I mean,
I am quite bummed, you know,
489
00:20:19,887 --> 00:20:21,097
that I have to leave straight after.
490
00:20:21,930 --> 00:20:24,890
Be nice to stick about
and celebrate with my friends
491
00:20:24,892 --> 00:20:26,232
and, you know,
492
00:20:27,227 --> 00:20:28,267
hang out with you.
493
00:20:28,729 --> 00:20:29,729
‐ Very sweet.
494
00:20:31,315 --> 00:20:32,605
Very good coffee.
495
00:20:32,608 --> 00:20:33,568
‐ Thank you.
496
00:20:34,860 --> 00:20:36,740
‐ Where's your tour?
‐ South America.
497
00:20:36,737 --> 00:20:41,367
So we're doing Colombia,
Argentina, and Brazil.
498
00:20:41,366 --> 00:20:43,076
Yeah. So, I mean, yeah, it'll be sick.
499
00:20:43,076 --> 00:20:45,326
Oh, and we're doing Mexico City as well.
500
00:20:45,913 --> 00:20:48,083
‐ Mexico.
Big fan.
501
00:20:48,707 --> 00:20:50,247
I'm just kidding.
I've never been to Mexico.
502
00:20:50,918 --> 00:20:52,168
‐ You should come to Mexico City!
503
00:20:52,169 --> 00:20:53,589
‐ [scoffs]
Yeah, okay.
504
00:20:53,587 --> 00:20:56,217
‐ You should. You totally should.
I mean, why not?
505
00:20:56,215 --> 00:20:58,045
‐ You know the whole thing
about being a rock star is
506
00:20:58,050 --> 00:20:59,840
you get to sleep with girls
and not call them back, right?
507
00:20:59,843 --> 00:21:01,763
You don't have to invite me
to Mexico, dude.
508
00:21:01,762 --> 00:21:03,512
‐ Wow, I didn't know
you were a misogynist.
509
00:21:05,641 --> 00:21:07,521
But really though, I mean,
510
00:21:08,143 --> 00:21:09,143
you should come.
511
00:21:13,857 --> 00:21:14,857
‐ Can I think about it?
512
00:21:15,442 --> 00:21:16,782
‐ Uh... yeah.
513
00:21:18,153 --> 00:21:19,243
You can think about it.
514
00:21:21,198 --> 00:21:22,198
‐ Cool.
515
00:21:22,616 --> 00:21:25,036
‐ So what time, what time
do you start work, again?
516
00:21:25,536 --> 00:21:26,696
‐ You really are 19.
517
00:21:32,751 --> 00:21:33,751
Teenagers.
518
00:21:34,169 --> 00:21:38,719
I'm a boss ass bitch, bitch,bitch, bitch, bitch, bitch, bitch
519
00:21:38,715 --> 00:21:39,625
I'm a boss ass bitch
520
00:21:39,633 --> 00:21:41,933
I don't give a fuckabout your ratchet ass lames
521
00:21:42,135 --> 00:21:45,425
A typical Monday morning
consists of bacon, egg and cheese,
522
00:21:45,430 --> 00:21:47,520
self‐pity, and shitty bodega coffee.
523
00:21:47,516 --> 00:21:50,476
That was not a typical Monday morning.
524
00:21:53,981 --> 00:21:55,071
That's more like it.
525
00:21:55,816 --> 00:21:56,896
Damn it.
526
00:21:57,442 --> 00:21:59,992
Shit. The city's covered in shit.
527
00:21:59,987 --> 00:22:02,777
They'll take and take and take away
528
00:22:02,781 --> 00:22:05,741
Till there's nothing leftbut an angry face
529
00:22:05,742 --> 00:22:06,542
So hey
530
00:22:06,535 --> 00:22:07,485
[doorbell tinkles]
531
00:22:08,120 --> 00:22:10,000
Did you breathe out today?
532
00:22:11,957 --> 00:22:13,917
Hey
533
00:22:13,917 --> 00:22:15,037
‐ Well, who is this?
534
00:22:15,043 --> 00:22:16,553
SIMON: It's Peachy and Shane.
ROB: Peachy and Shane.
535
00:22:17,296 --> 00:22:19,416
‐ What?
No fuckin' way.
536
00:22:20,132 --> 00:22:21,302
‐ It's, um,
537
00:22:21,967 --> 00:22:23,387
it's fucking good.
538
00:22:23,385 --> 00:22:24,845
‐ It's actually real good.
‐ Mm‐hmm.
539
00:22:28,056 --> 00:22:29,136
‐ No, don't do‐‐
[music stops]
540
00:22:29,141 --> 00:22:30,481
‐ Oh, come on.
‐ What are you doing?
541
00:22:30,475 --> 00:22:32,185
‐ You know you never gonna get
your records back, right?
542
00:22:32,186 --> 00:22:33,016
I hope you know that.
543
00:22:33,020 --> 00:22:34,860
[hard rock music playing]
544
00:22:37,983 --> 00:22:39,483
ROB:
Hey, look who it is.
545
00:22:39,484 --> 00:22:40,994
Right on time.
546
00:22:41,570 --> 00:22:43,110
PEACHY:
Yes, love this track.
547
00:22:43,572 --> 00:22:44,622
ROB:
You get what you needed?
548
00:22:44,907 --> 00:22:46,527
‐ We did. It sounds sick.
549
00:22:46,533 --> 00:22:47,833
Much gratitude.
550
00:22:48,243 --> 00:22:48,993
‐ Sure.
551
00:22:48,994 --> 00:22:50,544
Hey, we listened to your stuff.
It's really good.
552
00:22:50,537 --> 00:22:51,457
‐ Thanks.
‐ Right on.
553
00:22:52,539 --> 00:22:54,709
ROB: Yo, if you guys want
to borrow any more records,
554
00:22:54,708 --> 00:22:56,588
just come in and ask properly.
555
00:22:56,585 --> 00:22:58,745
And if you do press something,
we'd love to sell it.
556
00:22:59,213 --> 00:23:01,303
PEACHY: Sick.
SHANE: That's really cool of you.
557
00:23:01,298 --> 00:23:02,378
Bye. See you later.
558
00:23:03,008 --> 00:23:05,928
[indiscernible conversation]
559
00:23:05,928 --> 00:23:07,848
‐ Yo, what the hell was that?
560
00:23:08,555 --> 00:23:10,175
You just told them that
you were gonna sell their records?
561
00:23:10,182 --> 00:23:11,682
‐ Yeah, so what? They're good.
562
00:23:11,683 --> 00:23:13,943
‐ I'm sorry, I just find it
kind of odd, you know,
563
00:23:13,936 --> 00:23:15,766
that you would prefer to rep some fuckin'
564
00:23:16,104 --> 00:23:18,904
trust fund punks over someone
565
00:23:18,899 --> 00:23:20,649
who you know in your bitter, jealous heart
566
00:23:20,651 --> 00:23:22,151
is a musical visionary.
567
00:23:22,152 --> 00:23:23,612
‐ Well, where's the record, Cherise?
568
00:23:23,612 --> 00:23:25,322
‐ I don't know how many times
I have to tell you
569
00:23:25,322 --> 00:23:26,912
I am operating on the element of surprise!
570
00:23:26,907 --> 00:23:29,277
‐ What are you, Beyoncé?
You're not making shit.
571
00:23:29,284 --> 00:23:32,004
‐ No, I'm not.
I'm the motherfuckin' underdog, Rob!
572
00:23:31,995 --> 00:23:33,865
You should know this. You know what?
573
00:23:35,624 --> 00:23:37,004
I'm taking a sick day!
574
00:23:37,000 --> 00:23:39,130
‐ Take it! You don't do shit here anyway.
[doorbell tinkles]
575
00:23:39,127 --> 00:23:41,377
‐ Fuck you, yo.
‐ Fuck you, yo.
576
00:23:41,380 --> 00:23:42,420
[door slams]
577
00:23:43,841 --> 00:23:44,931
What the fuck was that?
578
00:23:49,304 --> 00:23:50,514
ROB: Hey.
579
00:23:50,514 --> 00:23:52,774
Yo, I'm ready. I just want to stop
by my place real fast
580
00:23:52,766 --> 00:23:53,596
so I can change.
581
00:23:53,600 --> 00:23:55,190
Where the fuck are my keys?
582
00:23:55,185 --> 00:23:57,145
‐ Actually, do you mind if I, um, skip it?
583
00:23:58,355 --> 00:23:59,395
‐ You're kidding.
584
00:24:01,984 --> 00:24:03,284
You're gonna make me go to the show alone.
585
00:24:03,735 --> 00:24:06,145
‐ You're not gonna be alone. There's gonna
be, like, a thousand people there.
586
00:24:06,154 --> 00:24:09,704
Plus Mr. Future of Music, Liam Shawcross,
587
00:24:09,700 --> 00:24:10,870
Scottish hot boy‐‐
‐ Uh‐huh.
588
00:24:12,077 --> 00:24:13,117
Cool.
589
00:24:13,745 --> 00:24:14,535
Great.
590
00:24:14,538 --> 00:24:15,958
SIMON: Don't be like that.
‐ Yeah.
591
00:24:15,956 --> 00:24:17,616
Everybody sucks today.
592
00:24:17,624 --> 00:24:19,634
‐ No, we don't. We're not, uh‐‐
593
00:24:31,471 --> 00:24:34,471
The Replacements' Skyway playing
594
00:24:34,474 --> 00:24:37,484
595
00:24:42,107 --> 00:24:44,527
You take the skyway
596
00:24:46,153 --> 00:24:50,033
High above the busy little one‐way
597
00:24:51,575 --> 00:24:56,455
In my stupid hat and glovesat night I lie awake
598
00:24:56,455 --> 00:24:58,705
Wonderin' if I'll sleep
599
00:25:00,792 --> 00:25:04,512
Wonderin' if we'll meetout in the street
600
00:25:05,506 --> 00:25:07,756
But you take the skyway
601
00:25:19,770 --> 00:25:21,360
‐ 'Sup.
‐ ' Sup.
602
00:25:26,360 --> 00:25:27,490
You like nice.
603
00:25:28,487 --> 00:25:31,027
‐ You look cool too.
‐ I fuckin' know I look good.
604
00:25:31,406 --> 00:25:32,236
Yeah.
605
00:25:34,201 --> 00:25:35,331
‐ 'Sup.
‐ 'Sup.
606
00:25:36,245 --> 00:25:37,695
‐ Names?
‐ Rob and Cherise.
607
00:25:40,582 --> 00:25:41,672
‐ Boo.
608
00:25:45,295 --> 00:25:47,375
Oh, shit, this is real!
609
00:25:47,381 --> 00:25:48,551
[cackles]
610
00:25:51,468 --> 00:25:52,428
ROB: Sorry.
611
00:25:55,097 --> 00:25:56,717
‐ I, I'mma get one of these beers.
‐ Okay.
612
00:25:56,723 --> 00:25:58,233
‐ You want one?
‐ Uh, yeah, sure. Thanks.
613
00:26:02,771 --> 00:26:04,061
‐ Hey.
‐ Just excuse me.
614
00:26:04,565 --> 00:26:05,565
Hey!
615
00:26:05,899 --> 00:26:06,979
‐ Hey.
‐ Hi.
616
00:26:07,901 --> 00:26:09,611
‐ Oh, my God. I'm so happy you're here.
617
00:26:09,611 --> 00:26:11,111
I hate these people.
618
00:26:11,113 --> 00:26:12,113
‐ I hate them too.
619
00:26:12,447 --> 00:26:13,447
Just kidding.
620
00:26:13,907 --> 00:26:15,907
‐ Here. Have a, have a seat here.
‐ Yeah, sure.
621
00:26:15,909 --> 00:26:16,989
‐ Let me just,
622
00:26:17,786 --> 00:26:19,286
let me just finish gettin' ready.
623
00:26:19,288 --> 00:26:21,418
‐ So this is cool, huh? Livin' the dream.
624
00:26:22,040 --> 00:26:25,040
‐ Yeah, I mean, that's probably why
it doesn't feel real.
625
00:26:25,711 --> 00:26:27,091
But, yeah, this is cool.
626
00:26:28,630 --> 00:26:31,340
‐ So, um... I thought about it.
627
00:26:31,758 --> 00:26:34,338
And Mexico, I'm in.
628
00:26:36,263 --> 00:26:37,263
‐ Ah, shit.
629
00:26:37,806 --> 00:26:38,846
‐ What?
‐ Um,
630
00:26:40,767 --> 00:26:44,807
yeah, we're actually, um...
we're not doing Mexico City anymore.
631
00:26:44,813 --> 00:26:47,823
‐ Oh.
‐ Yeah, we, uh, we booked Glastonbury.
632
00:26:47,816 --> 00:26:49,106
‐ What?
‐ Yeah.
633
00:26:49,109 --> 00:26:50,439
‐ Glastonbury.
‐ Yeah.
634
00:26:50,444 --> 00:26:52,864
‐ Holy shit, dude, that's huge.
‐ Yeah.
635
00:26:52,863 --> 00:26:54,033
‐ Congratulations.
‐ Thank you.
636
00:26:54,031 --> 00:26:58,491
So, yeah, I mean, I could obviously
probably get you a day pass.
637
00:26:58,493 --> 00:27:00,583
‐ Oh, don't.
‐ But we're only there for 24 hours.
638
00:27:00,579 --> 00:27:01,409
‐ Don't worry about it.
639
00:27:01,413 --> 00:27:03,043
‐ Yo, it was a fucking ordeal
640
00:27:03,040 --> 00:27:04,500
trying to get these goddamn beers,
641
00:27:04,499 --> 00:27:05,919
but I got 'em!
642
00:27:05,918 --> 00:27:08,418
ROB: Thank you.
CHERISE: Yo, bro, what's up?
643
00:27:08,420 --> 00:27:10,710
Congrats, yo, so happy for you, dude.
644
00:27:10,714 --> 00:27:12,474
‐ Thanks.
‐ How you livin'?
645
00:27:12,466 --> 00:27:13,546
‐ Yeah.
‐ You ready, my man?
646
00:27:13,550 --> 00:27:14,800
‐ Yeah, man, let's do it.
647
00:27:15,511 --> 00:27:17,801
‐ Hey, it's Rob, right?
‐ Yeah.
648
00:27:18,347 --> 00:27:19,637
Rob. That's Cherise.
649
00:27:20,307 --> 00:27:22,177
‐ Hi. I'm Brad.
650
00:27:22,184 --> 00:27:23,484
Liam's manager.
‐ Whoa!
651
00:27:23,477 --> 00:27:24,727
WOMAN: See you later.
CHERISE: The fuck?
652
00:27:25,145 --> 00:27:26,805
‐ Um, they wanna wire you up.
653
00:27:27,481 --> 00:27:28,821
‐ Okay, cool. Cool.
654
00:27:28,815 --> 00:27:30,025
Do you, uh, do you wanna come?
655
00:27:30,025 --> 00:27:30,895
‐ Oh, yeah.
‐ Okay.
656
00:27:30,901 --> 00:27:32,991
See you after the show.
‐ All right, my man.
657
00:27:34,446 --> 00:27:36,866
Okay, so, you said Brad.
658
00:27:37,366 --> 00:27:38,366
‐ Brad.
659
00:27:39,117 --> 00:27:41,787
‐ Sorry. Listen, okay. So, I mean.
660
00:27:41,787 --> 00:27:44,077
we won't have much time to hang
661
00:27:44,081 --> 00:27:45,501
'cause we're only there
for, like, 24 hours.
662
00:27:45,499 --> 00:27:46,999
But I will get back to New York!
663
00:27:47,292 --> 00:27:48,252
Soon.
664
00:27:48,752 --> 00:27:49,752
After the tour.
‐ Cool.
665
00:27:50,170 --> 00:27:51,260
‐ So that'll be, like,
666
00:27:52,047 --> 00:27:52,877
like, a couple months.
667
00:27:53,632 --> 00:27:55,262
‐ Cool.
‐ I'm sorry.
668
00:27:55,259 --> 00:27:56,969
I mean, things are‐‐ it's just crazy.
669
00:27:56,969 --> 00:27:59,299
‐ It's totally fine.
I get it. I understand.
670
00:27:59,304 --> 00:28:00,314
‐ Yeah?
‐ Yeah.
671
00:28:00,305 --> 00:28:01,095
‐ Okay.
672
00:28:05,143 --> 00:28:06,693
I've gotta go.
‐ Yeah. Go.
673
00:28:07,229 --> 00:28:08,479
Go.
‐ All right.
674
00:28:08,480 --> 00:28:10,270
I'll see you after, yeah?
‐ Mm‐hmm.
675
00:28:13,861 --> 00:28:15,031
‐ You know I sing too, right?
676
00:28:16,029 --> 00:28:17,159
‐ I do now.
677
00:28:17,155 --> 00:28:18,735
‐ My shit's like, uh, punk soul,
678
00:28:18,740 --> 00:28:20,120
you know what I'm saying?
679
00:28:20,117 --> 00:28:22,197
But high concept, only the best.
680
00:28:22,202 --> 00:28:24,372
You know what I mean?
But it's actually, ahh, I don't know,
681
00:28:24,371 --> 00:28:25,751
it's, it's a little less punk.
682
00:28:26,206 --> 00:28:27,326
You know what I mean?
683
00:28:27,332 --> 00:28:29,132
Um, it's a little less punk,
684
00:28:29,126 --> 00:28:30,626
but it's still commercial.
685
00:28:30,627 --> 00:28:32,337
It's that new‐new shit, that new‐new shit
686
00:28:32,337 --> 00:28:33,507
that nobody got.
687
00:28:33,505 --> 00:28:34,875
I got it. You know what I'm saying?
688
00:28:37,092 --> 00:28:38,472
Fuck, it's hard to describe it,
689
00:28:38,468 --> 00:28:39,338
you know what I mean?
690
00:28:39,344 --> 00:28:40,764
Like, how the fuck do you describe genres,
691
00:28:40,762 --> 00:28:41,932
I don't know.
692
00:28:41,930 --> 00:28:43,470
But, um, uh, yeah,
693
00:28:43,473 --> 00:28:44,643
so, you should, uh,
694
00:28:44,641 --> 00:28:45,931
you should hear me sing.
695
00:28:45,934 --> 00:28:48,194
That's what we should just do.
Maybe you should just hear me sing
696
00:28:48,187 --> 00:28:50,557
and, and, and you enjoy yourself,
you know what I'm saying?
697
00:28:50,564 --> 00:28:52,694
So let's figure out when you have
some time in your little‐‐
698
00:28:52,691 --> 00:28:54,781
‐ Hey, you know what, I... I gotta go.
699
00:28:54,776 --> 00:28:56,446
‐ Yeah.
‐ So, uh...
700
00:28:56,445 --> 00:28:57,815
great chattin' at ya,
701
00:28:57,821 --> 00:28:59,991
and, uh... good luck with everything?
702
00:29:00,741 --> 00:29:01,661
Okay.
703
00:29:02,659 --> 00:29:04,999
[crowd cheering]
704
00:29:06,371 --> 00:29:07,581
ROB: Hey.
705
00:29:07,581 --> 00:29:09,711
‐ Yeah, so we gonna go see
this fuckin' show or what?
706
00:29:13,212 --> 00:29:15,302
Yes! Let's do it.
707
00:29:25,891 --> 00:29:28,271
[humming]
708
00:29:29,811 --> 00:29:31,481
Give me light
709
00:29:31,480 --> 00:29:33,730
Give me light, give me light
710
00:29:33,732 --> 00:29:39,072
Give me love
711
00:29:39,821 --> 00:29:42,411
Give me light
712
00:29:44,535 --> 00:29:48,655
So I can win your heart
713
00:29:50,040 --> 00:29:50,960
Yeah
714
00:29:51,458 --> 00:29:53,498
Give me light, give me light
715
00:29:53,502 --> 00:29:55,342
‐ Yup. Here I am.
716
00:29:56,338 --> 00:29:57,588
Livin' the dream.
717
00:29:57,589 --> 00:30:01,299
[Liam continues singing]
718
00:30:02,928 --> 00:30:05,218
719
00:30:13,146 --> 00:30:14,146
Yo!
720
00:30:15,357 --> 00:30:16,687
Wanna bail?
721
00:30:16,692 --> 00:30:17,822
‐ Yeah.
722
00:30:17,818 --> 00:30:19,818
The sound blows up here.
723
00:30:19,820 --> 00:30:20,650
‐ What?
724
00:30:20,654 --> 00:30:22,994
‐ The sound blows up here!
725
00:30:23,782 --> 00:30:25,412
‐ Yeah, it does.
‐ Yeah!
726
00:30:26,159 --> 00:30:28,749
Got a new tattoo, I think it's you
727
00:30:28,745 --> 00:30:30,745
But I'm never gonna see it
728
00:30:31,123 --> 00:30:34,383
In the dark
729
00:30:34,376 --> 00:30:36,916
730
00:30:50,559 --> 00:30:51,809
‐ Mm‐hmm. Mm‐hmm.
731
00:31:01,403 --> 00:31:03,033
‐ Glastonbury, huh?
732
00:31:04,072 --> 00:31:05,572
‐ Yup.
‐ Hmm.
733
00:31:10,829 --> 00:31:13,369
‐ Yo, that manager dude was
a fuckin' clown, by the way.
734
00:31:15,375 --> 00:31:17,085
‐ Yeah. He was a dickhead.
735
00:31:17,920 --> 00:31:18,920
‐ Dickhead.
736
00:31:29,139 --> 00:31:31,019
[clears throat]
All right.
737
00:31:32,017 --> 00:31:33,977
Top Five Underdogs. Go.
738
00:31:34,603 --> 00:31:35,773
‐ Oh, shit. Okay.
739
00:31:36,396 --> 00:31:37,896
‐ Tina motherfuckin' Turner.
740
00:31:37,898 --> 00:31:39,358
‐ Ooh, you bastard‐‐
741
00:31:39,358 --> 00:31:40,858
‐ Yeah, I knew you want that one.
742
00:31:41,693 --> 00:31:42,903
‐ Damn it. All right.
743
00:31:43,320 --> 00:31:45,070
Daniel‐San. Karate Kid.
744
00:31:45,072 --> 00:31:47,072
‐ Ohh, shit, that is a classic.
745
00:31:47,074 --> 00:31:48,334
Well played, well played.
746
00:31:48,325 --> 00:31:49,405
"Wax on, wax off."
747
00:31:49,409 --> 00:31:50,619
‐ Wax on, bitch.
748
00:31:51,036 --> 00:31:55,326
‐ Uhm... oh... Betty... Boop.
749
00:31:55,332 --> 00:31:58,422
‐ What?
‐ Betty... Boop.
750
00:31:58,418 --> 00:32:00,668
[indiscernible conversation]
751
00:32:00,671 --> 00:32:02,761
Workin' Together
by Tina Turner & Ike playing
752
00:32:02,756 --> 00:32:06,506
Unless we put a little lovein our hearts
753
00:32:08,595 --> 00:32:12,215
Working together we can make a change
754
00:32:14,226 --> 00:32:18,226
Working togetherwe can help better things
755
00:32:19,815 --> 00:32:24,275
So let us put our hate aside
756
00:32:25,487 --> 00:32:29,197
And let us let love be our guide
757
00:32:29,741 --> 00:32:32,661
Let's now try little love for a change
758
00:32:34,621 --> 00:32:38,131
Just try little love for a change
54810
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